26 downloads
599 Views
836KB Size
Report
This content was uploaded by our users and we assume good faith they have the permission to share this book. If you own the copyright to this book and it is wrongfully on our website, we offer a simple DMCA procedure to remove your content from our site. Start by pressing the button below!
Report copyright / DMCA form
38
/ !. - (Northwood University Midlend, SAD), "!. # ($ %! ! & % ' ), "!. , ' , "!. * ($ %! ! & % ' +- , /0, ' 1), "!. ' 2 ($ %! ! & % ' ), 1 (! % , ', 0! , '), (! 0&, ' ), + - (! 0&, ' ) *3" " - ! % % 4 / " 0
2008
∗ ! " # " #
∗
5 3! % 4 3 " 66" 3 : 3 3 66 ! % 4 / " 0 . (' " 789;<9)
1. !
3 3 =;;>. *"- " " 3 3 " % " 3 ?3. 0? *"- 3 3 33 " 3 % 3 " " ( , 3" ) 3 - " . % " 4 3 " 3 4
" 3 - % 3 3 "% 1 , - , @ ' 1 3 , 3 "1
J. Best - G. T.Horiuchi, The Razor Blade in the Apple: The Social Construction of Urban Legends, Social Problems, Vol. 32. No.5 (Jun., 1985) 488-499. @ ' " " - '3 ? - ? " 3, - " '3 " 3: 66 " 66 3 3 " 3 3 3 3 " " 3 . 5 '3 - " " H. Blumer, Social Problems as Collective Behavior, Social Problems, Vol. 18. No.3. 1971.
8
- . ' %
- - 3 3 "% 3 " , . ' " - %3 A ! 3 . 0 % 3 " 3 3 " % 3 - , 3 % A 3 3 3 A 3 , 34 % " "
" 3 3 " .2 A 3, ' , " - , 3 " - 3 A . 0 3 " ? % 3 3, 3 66 66 3 % 3 #% 3 "3 3 " 3 % ? 3: E. A. Schuler, A Recent Epidemic of Hysteria in a Louisiana High School, Jornal of Social Psychology, Vol. 17. No. 2. 1943. 221235.; N. Z. Medalia - O . N. Larsen, Diffusion and Belief in a Collective Delusion: The Sietle Windshield Pitting Epidemic, American Sociological Review, Vol. 23. No. 3. 1958. 180-186.; N. Jacobs, The Phantom Slasher of Taipei: Mass Hysteria in a Non-Western Society, Social Problems, Vol. 12. No.3. 1965. 318-328.; S. M. Stahl - M. Lebedun, Mystery Gass: An Analysis of Mass Hysteria, Journal of Health and Social Behavior, Vol. 15. No. 1. 1974. 44-50.; R. E. Bartholomew, The South Afican Monoplane Hysteria, Sociological Inquiry, Vol. 52. No. 3. 1989. 288-<;;. " 3 3 3: L. P. Boss, Epidemic Hysteria: A Review of Published Literature, Epidemiologic Reviews, Vol. 7C. No. =. 7CC9. R. E. Bartholomew – S. Wessely, Protean Nature of Mass Sociogenic Illness. From Possessed Nuns to Chemical and Biological Terrorism Fears, British Journal of Psychiatry, Vol. 180. No. 4. 2002. 300-306. 2
- - " . 0 , 3 , % " 4 -! !3 " , , 4 3 " - , % " – " 4 3 " . 3 " % 4 , " ! - 3 . - 3 %3 A ! ? 4 " 3 3 3 (Rumor and Gossip) , %" " " % ! - " ? . -" 66" A 66 "3, % ?3 ! , 3 " 3 ! % ? - " .3 & 3 3 3 3 " , % 3 4 66 665 " 4 3 !3 -
!. %% 3 % 3 !3 ", 3 P. Mullen, Modern Legend and Rumor Theory, ournal of Folklore Institute, Vol. 9. No. 2/3. 1972. - D. A. Bird, Rumor as Folklore, An Interpretation and Inventory. - !, 7C9C. Indiana University (Bloomington) "% ? ! + 4 / , 34 - % ProQuest-Information & Learning (http://proquest.umi.com/login/user) ''Interdisciplinary – Dissertations & Theses''. 4 #. , () , '' '', ' , 1996. 15-25. 5 D. AntonijeviD, Legende o kraFi organa: Moralna dilema savremenog društva, ! " , .. . =. 0. =. ' , =;;9. 89-54.
10
3 ? '- 3 3 %% " 3 , 3, ! . &% - ? " 4 " " " ? "? % % % % 3 3
3 " 3 " . G % % " ? ! - " " % 33 " 3
" %% .
2. $
5 " *"- ( 0 3 - ) A " 4 3 3 % 3 ? - . " 3 ( 33 3) 66 366 66 66, 6666, 66 66, 66' -66 66 66, - "
3 660#66. %& &'().1 0 33 " - " " " 3 3 3 - - . " " . (20) % +, / . (19), H . (=;) . (7C) % 0 3 - . " - , 7J. " 3 3 % " ! % " . (7K), MA . (7C), 4 . (79), . (=7) O . (7K) % 0 3 - 3 " 3 3 " . 53 A " ? %3 A . % +
0. % 0 3 - % " % ? 3 " . 1 J. ZurkoviD, Dogadjaj u Mitrovici. Tukli i ujedali prolaznike, ''Danas'', Qetvrtak, 26. oktobar 2006.
12
%& &'().2 %"3 % 3 " 3 % A . (=;) " - 0 3 - , " % - , 3 ? . 66' -66 % , 3 4 3 " " 3 661 66 - , 3 3, " . &4 % 3 " 3 3, % % " 3 3 . 3 4 " , % ? " 3 3 % 3. " 3 , % " 661 66 - % . (=;), 4 % 4 " - 0 3 - . 03 " % 4 0 3 " " , 3, " " . S 3 " " " 3 - % , 3 3 3 A . G 3 3 . 0 3 3 ! - - . " 3 4 " - . 5 3 % % 3% " " 3 "% ? 3 . 0 -, " 3 663 366. 5 3 % 3 , ? " 3 % . %3 3, "
3 " % " " 3 " , ? , 33, : 66T 3 1 U66. & 3 % % % . ' 3 3 3, 3 , 3 %3 , " " 3 % A " . % . 53? " " 3 % % %
3 04 ? 3 - "3 % - 3 ? " 3 % , % " " 3 % ?3 ". 2 N. BoWiD , Mitrovacki Hanibali. oror u centru Sremske Mitrovice. MtrovQani u Qeljustima „Hanibala",''Blic'', 27.10.2006.
.. " 04 ? "3 % "? 3 - "3. &A , 3 . , 3 " . # " A ? % 04 ? "3 % 3. 5 3 3? " - - % # , O - 0 3 - . - 66' -66 3 . ? ? " , 3 . * ).3 &52/#. 0? " % *"- % " " " " - " A ? 3"
0? % 3 A *" 3 3 " " ? " . 3 *"-, " " % 0 3 - . " " 3 3, 3 % . 3, 3 3 % ,
3 % "" 3" ?. -, 3 % % ? " 3 3 ". " % " , " 3
. " , 4 3 3, "
3 4 % " 3 % . 3" "
3 " -3, ! % 3 3, 3. " 3 3 ?
. "% % 3"
" " " " . % 3 % " 3 " 3 3 ? " 4 " . 3 %
- 4 "A, 4 3. 3
. , 4, ''0# - '', 9.11.2006.
14
G " 3 " + %, , " , 3 3" - 4 - 3 . # , ",
3 3. O 3 - X +% +% X *" " ? " 3 %. H " , "% , 3 % *"-. #
- 4 79. " * -, " 3 . 5 3 . 0 3 *" " 3 A % . /" %3 ? " ? . " 3 % .
15/5/. O " " , 3 3 ?, " A, " " 3
* ).4
5 3 " " 4 , " " -
, ? 3 3 "3, " ? 3 % 3 % 3, 3 3 ?, " A, " 3 " . 3 % 3, " 3, , , % . 0? % 3, 3 3 3 - - % 3, "3. S "% -
? % . 3 "3 "% 3 ? , "3. O " , 3 A 3, 3 % " 4 3, % 4 "3. " - " " % , ? % ? " . O 3 3. 4
2006.
, * - " , ''0#'', 12.11.
S 3 % % -
. 0 3 3, " , % , 3 3 - . ! 3% 3 "3 " - " %" " 3 4 3. - 3 " 3 . S 3 33
3 - 3 % 3 - 3 % 4 - % . ' , , -, 3 3
3 " . T 3 " 3 " 3 " 3 3
-3 - " 3 "! % . 3 " " . % A , "% ,
% " , " " % , - % ?. O , % ? , 4 " ? " 3 - " 3 . - & " 3
% 3. , " ? - 4 . - 1 " 4 ". 3 " 4 3, " " 3 3 "3 - 4 % % % # " % ". + + + - *"- " % . , %
" 3. #" " - " " % . 5 3 3 3 , 3 - " 3. " 3 " 3 - 4 2 2 ,
G * -.
16
" " - " # 4 " - " " ? " . * ).5 4 %3 . , -
, - 3 % 3" % .
- " *"- 3 3 3 ? " " - , " 3 " 3 . 0 0" 4 , "
3 4 ! . - " % 3 A 3 3 66 4 % " *"-66 " . % " " " 3 - . , - 3 %
3" % . 0 % 0 3 - , 3 " %Y, " " " 3 3 3. 66T % " , " 3 " , % ?... 66 3 6" 6 3 ", " - ... O ? 66"66 3 O 3 - 66 +% +% 66 " ? , 66 4 66 "
3 , " " " " -3, 3, ! % 3 3... " " " - 4 " !3 " 66 66 A , % " " 3, " " . 0 " , " ? 3 ? , " 3 ". O3 3 % 3 3 A,
3 . G " , " " , - 4 - "3 . 6666 3 3 , 5 . , * " - 3 , '' '', 10. 11. 2006.
% - . 0 ( 3 ) " " " , 3 ? 66 3- 66. O 4 3 3 " 0 3 - % % 3 ?3. 6666 A " " % ? ? 3. 3 66 %366 " " 0 Z ,-/ - -/ 5 "! - *"-, 4 3, % 3 " - " " ,
66 % 66. 5 A 66 - 66 " . # 3 3, " 3 3, % A , " " " % . # + , , " 3 " , - 3 "- " - ,
4
" . G , , " " 66 - 66 – O - *"- " 3. 0 .
'&% –00 ,# " 006
. G " " . + - 3 . #% ? 3 ". % . & 3 . , 4 . 5 " - . 0 -
% A , 4, "% ? 3 3. #", % " . 6
2006.
'. 0 , 1 %3 , '' '', 20. 11.
18
# % ? , -
%3 A - , " - 3 - " ? . - %
- 4 %3. 0 3 . # " - . G 3 ? - " 3 % A ? . % 4 " % 3 %" , 3 3 . ' 3 " ? - "4 . '% 3 ! 3 3 " % 3 - . - 5 " " % . # 3 ! 3 3% , - , , 3" " - 4 #
3 3 3.& % - 3 4 % . ? ? 3 " . " 0 4 %3 $ , 0 , 0 ...# 3 - !- " 3, " 3 , - " 4 % !3 [ 3. / , 3 ? . S " 3 % ? , ? % " % - . 5 4 - " % , 3! 3 3 - " 3 " ? ' , " ! - % 4 !3 3. - G -
% % ", , . 5 ? - 3 4 . G - 3 " 4 - "- . # XA X % " - "% 3 " 3 3. " U - % 3 - % . - " % K> 3 % " " % . 3 " "3, 3 .
1+3 ?! /#S [ 3 " 0 3 - , *"- - % 3 . S " 3" 3 - " [ 3 . U - 2 , 1 "3 0 3 - . - 5 % - " , ? ? . 5 -, " - % " 3 4 - . - " % 3 3 3, ". G , " 3 , - '4 - " ! 3, "! 3
" - 3 3 "3 % H " - , 3 4 . 3 3 - %3 " % % , ? " .
'&% – 001+3 " 007
" " " , " % , – " %'45 (0#\ ) – " " " : 4 % " *"-, "3 " - " % 4 . 5 - 3 3 % . 0 : - 3 3 % 3. + ... 3, %" ? 3" ? " " , 3: &52/#. ", 3 : 0? " % *"- % " " 7 0 0 , 4 , ''0 -3% '', 13. 11. 2006.
20
" " - " A
? 3" . 5 . #% , 3 3, *"- "3 . , " "3 3 - . 4 3 ? , 3 % " *"-] G 3 A % 4 , 3 4 , 3 , ] 4 , % % , 3 " U , ", " " - %% " . " 4 % " "3, ,
, " " , 3 3? 3 % 4 . 3 4 , 3 3? % . 03. & ... (&% , " ? 3- 4 , 3 4 . 3 . & *"- 3 . & 0"3 3 3 , " 3 , " 0 , *"- – *"- – 4 3%, % 33 3 "3 %" ... G 3% % " %" 4 3" ... * % ...) 3 3 , - 3 . 3: ... 3 " " ... ... " " 3...
3 % ( 3 U) ... 3 3 3" % ... ... "% %
" " , " " ... * "% , % 3 3 " A . , 3 A 3, " 3 - " . # 3 O 3 - ? % 4 %. 03 4 % " " % " , 4 3. T 3 , 4 34 –
" . % , 3 ? "" .
/G0 " " *"-. " % "% " % 3 %3 . 03 ? % % . G 3 % 3 " 3. # 3 3 "3 " % % , " - 3 ?" 3" - , " !! 33,
" : / &20, ": " A *"- " ? ? , " , " - % " =; . 4 , " " (% , ), % " " 3 3 - % . G , " 3, % . 3 "3 "% 3 ? , "3, – % " % 4 "3 " - " , " % ... T 3 "3
3 " . " / &20. & " % , 3. G % " % . 4 " 3 - 3 3 . " 0" ( 4 0 , 3 " % ) " % " " 4 3 . - " - : % . H - % " . & , 4 " 3. 0 " " (% "3 " ), 4 3 " . G 3 , " 3 , " 3 3 3 4 3 " -. G , 3, " 3 !! , " " 3 . 4 3 % .
6. 5+ / , – # - /-$ $#
- 3 " % " A *"- 3 3 3 9;.;;; . T !- ? "" % , " 3 3 3 3 - , 3% , , - 3% 1 " * - 0 3 -. * - 3 3 - 3 4 3 4
" " 3 , 3 " 3 - 3 " 3 - 3 % ? ", %, " %
% ". 3 4 *"- 3 ! 3 , 3 3 " ? 3 3 %" ?. 5 3 % " 3 3 " 3. # 3 * - 3 % ? - 3 "4 %3 " !5 " 3 ! - " . , # , " , : , ''O % [ '', ' , 7CK9. 189-198. 1
3- % - 3 4 3 3 "
!3- .2 ' " 3- ! ? "3 % - % "3 3 4 "" 0 3 -
*"- " 3 4 66- 366 3 3 - . G - " " 3 " 3 3 3 " -, 3 3 3 3 3 66 66 " " " % "% $ 3 %3 " !3- " - , " " % ", % 3 " " 3 " , 3 3 3 3 3.4 & " - "! " ? - " 3 4 " ? "! " 3 " , 3 3 " % " ? 3 4 3 A" - " 3 % " 3 " 66 66 " . 5 3 - 3 " % " " !3- 2 0 " - 3 % ? % - ''G * -'' (M. ErakoviD, ''SINA'', 12. 11. 2006.) 3 G. A. Fine, Manufacturing Tales. Sex and Money in Contemporary Legends, ''University of Tennessee Press'', 1992. 101-106. 4 5 $ % ''- '' ''3 4 '' 3 ? %3 " ! ? 4 ^. _ntonijeviD, `reDi pravac u folkloristici: sociološki pristup Geri Alana Fajna, ! " , .. . 7. 0. =. ' , =;;>. 7<8-137.
24
66 3 366 66- 66 3 % - , %4 !3- 3 " . %- 3 " - " 66" 66, 3 3 %A 3 3 - 3.
7.
& 3 3 " " 4 3 ? " 4 " ? " . & 3 3 - 3: , 3 " 3 - , 3" . , 3 " % 3 " , 3 3 4 3 ,
A %3 % !3 . % " 3 " " ! , "
% . & ! '. 1 % 66 66, " -
3 , % 3 " 3 3 + A ?" 7C8K. S 3 , A 3. 0 3 3 66"3
? 66, 3 1
B. Ellis, ''The Hook'' Reconsidered: Problems in Classifyng and Interpreting Adolescent Horror Legends, Folklore, Vol. 105. London, 1994. 63-64.
26
% 3 3 " , 1 G %% % .2 # ! . 4 % "% 66Boyfriend-s Death66 3 % % 3 - $ 3 3 66+ 0 66 ? .3 0 % ? ! ? " A 3 %
" % % ? A , !3 - ! ? . T 3 % - %? " % "% ? A A ! " " . 3 3 % 3 66 %66 " 66 366, * - % 0 3 - , A , 3 3 3 " " , 3 33 . & 33 3 " 3 A 3 3, " 3 " , 3 4 .4 " - % A 4 % 1 "3 0 3 -
" 66 ? . A. Davis, Narrative Reactions to Brutal Murders. A Case Study, Western Folklore, Vol. 49. No.1. 1990. 99-109. 3 M. Wilson, Legend and Life: ''Boyfriend’s Death'' and ''The Mad Axeman'', Folklore, Vol. 109. 1998. 89-95. 4 . , 4 %3 , 66 66, 7;. 7;. 2006. 2
? 665 3 " " , % - " 3 - % % . A 3, 3 1 "3
% *"- % 66 " % 366,
66" ? 666 5 33 3 A " " - % 3" 3 - 3 . 3 78. 7J. . & "3 A %3 A . % + 0. % 0 3 - 1 % " % ? 3 " .7 5 3 66G "% 66 A 3 . - 3 66 % "66 " 3 53 ! % " " - 3 % 0 3 - 3 " 3 3 " . * " - % , "% , 3 %% " " . "3 A. & 3 3 % 8 % %
33 3 A %'. 0 , 1 %3 , 66 66, =;. 77. 2006. 6 . , * - " , 660#66, 7=. 71. 2006. 7 J. ZurkoviD, `ukli i ujedali prolaznike, ''Danas'', 26. 10. 2006. 8 . '4 , 3 661 66, 66' -66, =9. 10. 2006. 5
28
O - 0 3 - . #% 4 . ., "3 " - 3 % , % 3 3 . A 3 , A , " % " 3 . 03 % . . 34 3
3 %3 % : 66" 3 , % " 661 66 - % . (=;), 4 % 4 " - 0 3 - . 03
" % 4 0 3 " " , 3, " " . S 3 " " " 3 - % , 3 3 3 A . G 3 3 . 0 3 3 ! - - . " 3 4 " - . 5 3 % % 3% " " 3 "% ? 3 . 0 -, " 3 663 366. 5 3 % 3 , ? " 3 % . %3 3, " 3 " % " " 3 " , ? , 33, : 66T 3 1 U66. & 3 % % % . ' 3 3 3, 3 , 3 %3 , " " 3 - % A " . % .669 % % , 3 "3
, 3 A 3 3 3, 3 3 3 3 " "" % 9
Ibid.
3 % 3, 3 3 A "A, % " - " . 0 % 3 - % 3 " 3 - 33 - " % % A % - " ? " A. 5 3 34 % " 3 3 " 33 A 3 " 661 66
, 3 3 "- .
8. " -/ -/9 " 9 #!
: " ,# % %3 3 3 % % " ?" % 3 . "% 3 1 + % ! 3 66+- 66 (Manhunter 1986.), 66 - ?66 (''The Silence of the lambs'' 1991.), 661 66 (''Hannibal'' 2001.), 660 - . 0 4 1 + 66 (''Serial Killers: The Real Life Hannibal Lecters'' 2001), 66H %366 (''Red Dragon 2002.) i 665 1 66 (''Hannibal Rising'' 2007.) ? ! 3 66 - ?66 " "% 3 ! % %3 A %3 1 + . 1 + " T " " "" ! 3 66 - ?66. 7CC;. " " 3 G3 1 1 " 3 3, % 3 3 3 3 %3 " " ? 1 + " -. G 3 661 66 1 T. Haris, Kad jaganjci utihnu, ''Mladinska knjiga'', Ljubljana – Zagreb, 199;. 5 % 7CKK. .
% 7CCC. " =;;=. ,2 3 1 + 66Risisng Hannibal'' (=;;>), " 66G 1
+ 66, " =;;9. .3 &" 3 ? ! 3 3 3 % 33 3 A. % " %3 3 " 4 " 3 1972. . " " A 3 " 571 ''Uruguayan Air Force'' % " 3 " % %33 72 , " " 4 ? (1974.) 3 ! 3 (1976.). & 3 - 3 3 3 ?
? ! 3. ' % % %3, - - 4
" ?, A 3 ? . ! 3 3 A % =;;J. ( " % 7C98.), % 3 =;;>. " " 4 ? =;;9. 3 ! 3 66btranded'', % ,4
" %3 " 4 ? " . A 33 3 " 0 " " % , G. 1 , $ , 66 – !66 ' , =;;=. G. 1 , % $ & , 66 66, ' , 2007. 4 ? " 2002. : http://www.carlitospaez.com/elmilagrodelosandes/ http://www. viven.com.uy/571/eng/historia.asp 2 3
32
" 3 A,5
" 3 "
" 4 3 " 3 " =;;;. 0 . " " ? % %3 66" 3 3 366 " 3
" 3 " 3 3 . # " 3 """ %3 " 1, !! " - ? % 1 , , , *- ', 3 ? ? " 66 %3
466 " " ! A %3 3% , ! - , %
% .6 " 3 3 " " 3 " 7, %3 66" 3 -66 " 33 ? ! 3, " "" ? %3 8 % 34 % - !3 % %3 0 . 3 A " O 7C9J. . P. P. Read, Preživjeli: kanibalizam u Andima, ''Prosvjeta'', Zagreb, 1975. 6 Vidi G. Hogg, Cannibalism and Human Sacrifice, ''Panbooks'', 1961. 7 " 3 3 " 4
#. , # " , . 7 , 66 66, ' , =;;7. ==J-244. 8 R. Vilnev, Istorija kanibalizma, ''Gradac'', Valjevo, 2004. (5 % 7C>J. ) 5
": (#! ; / #- + /+ : (#! – 3" %. - ,9 " - % 34 0
" 7C. , 3 - 3 "
. 3 3 3, " % " % G ?3 MA ,10 3" , ? 3 3" " , " . " ( ) " 4 0 , " 3 0 3- , 3" 0 3 , ? , 3 3, ? . G %
, % % 663" 66 3 3 % "3 " " % 0 ,11 - 0 " 5 3" : .' , 3" 3 " 3 ? , ' , J;. ' , 7CK;. D. BandiD, Carstvo zemaljsko i carstvo nebesko, 6611 vek'', Beograd, 1997.85-77J.c _. / , 3" - , , 75-9>. , 7CC8.c . / , 3" , * , a -, 7CC>. +. / , 3" : 3 " 3 3 " - , ! " , .. . 7. 0. 7. ' . 2006. 10 G. MA , + - " . ., 0&, ' , 7CJ<. 79<-183. 11 . / , 663" 66 % 0 , . - (.), 0 .1 : – – : O , % # % 4 3 , . =;. , 7CC9. 9
34
" " 3 3" . S %" % 79=J.
0 3 4 " 3" 66% 3 ?66, " 3 66" % 3 % ? 3 66.12 &" % 0 % " " 3 " 3" 3
3 " 3" ? 3 .13 # " " 3"
3 % 4 /3 .14 G3 " 3" , % 3 3 3 " % - 0 , 3 " - 3 - " 66 " 66,15 !3 " - 3 %- %- " , " - 3 "" 3 3 %3, % " "- ? 66 66. & - 3" ,
% 3 3" " , " " " 3 3 % 3, " 3 12 G. MA , Op. cit. 152-<. # "
% 79<=. % 0 . & 3 " 3" " 3 " ". 13 0. , 0" % % ?3 , 2, XIX, ' , 7913. 298. 14 # " " 3" 3 % 4 /3 A. Murgoci, The Vampire in Roumania, Folklore, Vol. 37. No. 4. London, 1926. 15 . ' , 5 3 " ( 4 3 3 ), ! " , C. ' . 7CC=. ><->C. ^. BandiD, Cartsvo zemaljsko i carstvo nebesko, 6611 vek'', Beograd, 1997. 267-278.
? ? " 3 - 3 % ? " ? , "" 4 3" 0 . ": (#! - &- + /+ S
- 3 % "3 3" " 3 % % " , 3" " % % - 4 % , % %, " ? " , - 3 " 3" 3 "3 3 " " . G " 3 " % ! ? 4 , " ! 3 3 3 3. S 3" " 3 3 33 3 666616 " - ?3 66' 366 0 17
% 7KC9. . "? 3 ! 3 " ! 3 3 7C==. ! 3 " 3 66Nosferatu, eine Symphonie des Grauens66,
"% ! 3 6666 ' 3 + 3 % ! 3 3 33 " % ! 3 " 66@ % " 66 5 0 3 % - http://www.geocities.com/psmcalduff/2dracula.txt 17 A 3 4 3 3! 3 ' 3 0 ' ' !: B. Belford, Bram Stoker. A Biography of the Author of Dracula, ''Alfred A.Knopf''', 1996. i B. Belford, Bram Stoker and the Man Who Was Dracula, ''De Capo Press''', 2002. 5 "- '3 0 3
" 66' 3 0 66 / 3 / $ 66& "% % 366. (R. gekneli – R. Floresku, U potrazi za Drakulom, ''Tisa'', Beograd, 2006. 147-170.). 16
36
@3 % 7C=9. . 5 ! 3 3 66! 66 % 7C==. 3 6666 % 7C<7. A " 3 0 3 3 6666.18 0 " "% " " " " ! 3 3 ! 3 3 3 19 " % % !3 " 3" 3 3 3. ' " 3 4 " % , 3 3 3 " 3 " 3 . "% " 3 4 ! 3 " 0 3 3 "% 4 " 3 %3. 1 ! 3 " 3 3 3 " 3 4 % " 3 ? " 3 " " 3" ? ! 3 66' 3" 66 /3 ,20 ? 3" ! 3 "% 3 , " " 3 K;- ? ' " 66 %66 " % 3 66 "
%66 (Love at First Bite) % 7C9C. 4 0 @[3 13 3 % . #", 3 3 , % , % % ? ! 3 , " 3 3 3 % 3" , ! 3! 3" 3 7CC=. 34 % $ . (R. Mekneli – R. Floresku, op. cit. 263-295.). 19 " 3 ! 3 663" 66 % 7C<=. (66Vampyr – Der traum des Allan Gray 66) 66 66 % 7C<>. (''Dracula-s Daughter ''). 20 $ 3 ’’Dance of the Vampires66 /3 % 7C>9. . 18
1981. G % ' " % ? ! 3 - " 3 66 66.21 & - " % ! 3 : 66 @ 3 166 (Dr. Jekyll and Mr. Hyde) % 1931. 4 / 3 , 66$ 66 (Bride of Frankestein) % 7C<J. 4 @ 3 , 66, " -, 3 66 (Dracula, Prince of Darkness) % 7C>>. 4 G $ ! 3 + 3 % , 66 -66 (jalloween) % 7C9K. 4 @ " 66! 66 (Nosferatu) % 1979. 4 1 - 3 3 % . & " 3 3 - ? ! 3 3 33 3 22 " " % ? ! 3 " " -3" 3 "[ ? " " "% " " 4 3 3 3" , " 4 " - , % 3 3 ' 3 0 . - ? " 3 3, 66 66, " % % ! 3 3 - 3 4 3. 22 % 3 , " 3 , " % ? ! 3. T 3 ! 3 3" 4, " " 3 "[, " 3 66+ 66 (Leonor) % 7C9J. 4 1 ' , 3 % ? ! 3 3 3 3 % %. 0-"- , " % " " - 66 66. S ! 3, " 3 3 3 " , % 3 G % " ? ! 3 , " % " - " - 3 % ? ! 3 , " 3 3 3 3 " % "- . 21
38
% , " " 3 3 3" 3 3 "% " " 3 7C9;- ? " 664 3 3" 66 3 + 3 3 #", " " ? ? 3" " % 3 34 % % "% ? 3 80- ? .23 3 - A 3 ""- 3 ? ! 3 3 A 3 % 3 %% 3 ! 3 3" 3 " 4 0-"- . # %4 % 3 ! 3 "- 3 " - 6666 (Bram btoker's Dracula) % 7CC=. 4 $ $ " . 53 3 " " " 0 % % 66 66 " 3 66. 0 3! 466 3 - 66 " -. - % 3 66,24 3 % - 3" 3 " . 5 3 " ? ! 3 ''A366 33 " " ? ! 3 34 3 3 5 : . 5 , : , 660 % 66 O , =;;>. D. OgnjanoviD, U brdima, horori: srpski film strave, ''Niški Kulturni Centar'', Niš, 2006. 24 '. 0 , 3 : 1 , . 7. =. 66 66 ' , 7CK8. % " " =;;=. =;;> % % 66G 66 % ' . 23
: / / - - - " %A 66 " 66 4 ?
3 " %% ? - " A *"- – 3 . & 3 " 3 ? 66A66 "3
!3- 3 : 66 4 , " " - , ? 3 3 "3, " ? 3 % 3 % 36625
66? " % *"- " "
" " - " A ? 3" 6626. S " 3 3 % 3 0 3 - *"- "3 66 66: 66 – 2. . 1 "3 ...6627 66 - " *"- 3 3 3 ? " " - ...6628 % 3" - ? "% * " " - % % " 66 66, %3 3 "3 % 3 "3 " . 5 ! ? 3 %- . 0 3 %- . , * - "y, ''0#'', 12. 11. 2006. . , 4, 660#- 66, C. 77.=;;>. 27 '. 0 , 1 %3 , 66 66, 20.11.2006. 28 . , 4 %3 , 66 66, 7;. 10. 2006. 25 26
40
? , % % 3 % 3 " 29 66 % % : 3"3 % 4 -66.30 3" 3 " % 3 " % ? ? - (, "3 , -, 0&, , " - ). 66 "
- 3 3 6 6 " - " 6, 6, - " 3 3 %- 3 3...6631 5 "- 3 %- ? " -
" A - ? . G " 3" ? % %% " " 3 % 3 "3 " -
- . , %3 3 " 66" % 3 66 "3 % " " - & ? " / " 0 , & " 66' % 66 66 --66,32 3 66 %3 3 " 3 % 3 3
%% " - 13 . ' , %% % #% ! ? " " 29
K. Tompson, Moralna panika, ''Clio'', Beograd, 2003. B. StojkoviD, qigosanje verskih sekti, moralna panika i mediji, u ^. B. worFeviD, (ur.), Proroci ''nove istine''. Sekte i kultovi, ''JUNIR'', Niš, 1998. 112. 31 B. StojkoviD, op. cit. 116. 32 O. + , + - " , & / " 0 - " 66' % 66- 66 --66, ' , 7CCK. 30
- .33 3 ! - 3 " A . , 3 66+- . " 6634 33 % % 4 "
? 0/ T 6666 "" 66 !- " - 66. 0 3 %- ? - % 4 3 - 3 "" " -
% 3 4 3 0 ! 3! . & 66 66 " ? "4 - "" H % " " 3 " ? .35 " , 0 " 3 " " 3 66" 3 " 66.36 0 "3 " " % " 66 3 3 4 66 4 66 " 6637 - 3 66%
, 3 ?3 33 O. + , + :
, S " % , #% ! ? " " - , O 3, =;;<. 34 '. MA - 0 , & "4 + , #% , ' , 7CC9. 35 / " "% " " 33 66 – " % 66 0 %- H 3 ' % B. btoxkoviD, op. zit. 114. 36 ^. B. worFeviD, _ntikultni pokret u srpskoj varijanti u ^. B. worFeviD, Proroci ''nove istine''. Sekte i kultovi, ''JUNIR'', Niš, 1998. 33. 37 '. MA - 0 , % 55& "55. 005.
42
%- " %- " 66.38 H 66" 3 " 66
, % 4 "4 - " - 663 3 ? " 66, 33 " 3". 0 3 " " 3 3 3 !% 3 " "% 3 3 3 ". G !% ! - 4 , ! - % 3 ( ), - %- , ! - " A - , " A - " % " .39 & 3 ? %3 - " "
" " 3 " - "3 % "3
%% 3 ? ? ? % -, " 3 " ? " 3 , - , 4 . " 3 3 %- ?
4 " J. =;;;. 3 - , " " =;;;. " " % % - " - %% % 4 " 4 % ! "3 % " . A ,
% - - , " ? %4 663 66 ? ! , 33 , " 3 % " 3 % " . + O. + , + - " , ' , 7CCK. J. 39 '. 0 , op. cit. 120. 38
66# " 66 =;;=. 660 ? 0 366 6666 "3 3 '- 3 3 =;;9. % 3 %" 3 =;;K. 3 3, " 3 , " ? - " ? % " - .40 T ? %- C;- ? " 3 % - " 3 % 3 3 %- ? ? $5041 %- " 0- " 0 " 3 !- 0 0 ' # . "3 ! %- " ?
4 ? %- % 3 % ? %3, 3
T 0 66# - 66 ==JJ. >. " =;;=. %% - " 3 3 - ==>7. 7K. 3 =;;=. 3 0 , 66" % 4 3 366, 3 "% - . 0 " " 3 . 66+- 66 %3 6666 (8.;C.=;;9) 3 3 '- 3 % % 4 " 3 66 ? 66, O + % % 66'4 -66 3 %4 , " - " % ' - 3 66 66 (7<. ;7 .=;;K.) % . 41 $ % " 3 , ? %3
($50). 40
44
? " % 66" 66 % " --, " - . $50 3 3 % 3 !- " " 4 342 % 0- " 0 ,43 3 3 3 , .44
42 " 3 " $50- " " ? "3 34 ==. ! =;;=. %- $50- 4 3 66 3 % % ? %3, 3 66. http://www.okradio.info/arhiva_vesti_stara_februar2002.php) 43 !- , % % 4 0 0, $50 3 3 0 0-. " 3 0 0 O A 7<. =;;=. % 66" 3 ! "- % $50-, 3 3 , %? % 0.66 44 # $50- http://www.fonas.org.yu !- .
<. / #/ , - = -/ +-! -/+ -> + / !" #
* " % 3 " 3. " % " - " 3. 5 " 4 3 : ) 3 3 3 %% 3 - - - 3 , 3 0 3 - . & 3 % - " , 3 ", 3 3 %" " 3. ) # ?, 4 ? ? 1 3 " % % " " " (", " , " 3), - 4 " - " % A " 1 T ! % " ?
-, % 3 4 - - , " - , "4 - – H " - 0- " 0 - $50
46
4 " 4 3 " " 3 3 " 3 3 664-" - 66 %- 0- % (00/) " 4 66- 3 66. ) " 3 3 " ? " 3 7) "4 ? ? " 3 3 " " " 3 "- ,
% 3 A3, % 3 " 3 - "" %- , " 3 3
3 - 3 , " - 3 ! , ? % "
? 3 " T ? % " 3 " ? - ? . =) " 3 % ? ? ". & % " ? " " 3 % %%
% ? 66"66 ? #T " 3. ) ' % % %% 3 "% -
" " " 7CC;-2000. 3 " % , "3, % ? .2 %- , - 66 " 66 " ? " " 3 "% - %- 3 %2
) 0 % " 3"3 " - " % % 3 " 3 4 % 3 " " "3 3 % , % % " 3 " - 66- 66 - " 3 0 . ) 7) 5" %- " 3 3 , " 3 3, " , , 3 " , 3 3 3 3 " 3. =) &" " 3, " " 3 % ? ", 66466 ? - , 66"66 ?
" 3 3 3 % ?3 % 3 ". , 66" ? " A 66 366 .
3 66" "% "66 ? .
D. BandiD, { narodnom pravoslavlju, Etnoantropološki problemi, Br. 9. Beograd, 1992.; Ž. SimiD, Religijska kultura tradicionalnih pravoslavnih vernika, Teme, Br. 1-2. Niš, 1999. M. BlagojeviD, Religioznost stnaovništva Jugoslavije. DelimiQan pregled iskustvenih istraživanja, Teme, Br. 1-2. Niš. 1999.
7.5+ / !/-/ – ! /
" " " " 3 ? % " ? ? , 3 " % 3 A ? ? . & ? " , ? " 33 3 % A A " ?, % 3 % ? ? % - " " , " " " A " , , 3 %3. 0 , - % % % " " " %- , ? " % - . A 3, 0 - %A " % % , - 3 4 3 ! 3 . O 3 4 3 0 3 A " % 4 %% ? " . ! 3 3 - %- 3 - 3. & - " ? " , ? ? % ? 3 " ? %3 % " "
3 3 66 " 66 66 %- " 66. & 3 - 4 ?
"4 ? - " 3 3 ? 3 " "
%3 . S " " - ? 3 " % "4 " " 3 3 %% %4 " % - 3 0 %" 1 % % - 3 4 3 % %. 3 " - ? - %% 34 , " 3 3 3 % -3 A 3 3 3 " "% 3 " % - . 3 4 , " "- 4, ! - 3 2 3 3 - , 1 T " %% %4 , " " 3 " - , " 3 "4 3, 3 " 3
3 " - 3 7= % 0/T . O. + , + - "
, ' , 7CCK. >C-97. =C;-295. 2 " 3 " - 66 % - / " -
0 66 % / " 0 % 7CC9. %4 % % &3 / " 0 "- 66% 3 3 % -366 % " "3 66 66 %% 663 3 "3 ? 3 ? 66 % 66-
50
, 3 "4 3" % 3 3 4 3, 3 3 "3, 3 3 - 3, 3 3 , . / - " % 0 3 " - - 3 %" , 3 % !- , 3 " , - %- , " 3 T 3 7CCC. 3 4 " 4 3 0 J. =;;;. . 0 "3 3, " "3 ? % 3 =;;;. , %" - ? ? " 3. 0 " " 3 3 ? - -
3"3 66% 66 ? , " 3 $50, 3 " 3 % - % ? , H 3 3. * ! 3 " 3 - ? - % " "- ! 4 ? "4 ? %- " ", ! 3 %- ? ? ? " "4 - - . " " - 0 - " 3 " %A 0 . % 3 ? " 3 =;;;. % ! - 66 " " 663 " " - {rdo Templi Orientis''.
" 3 0 "- % - ? - 3 - 3 " 3 " . ! % 3 % , - ? , , " 0 " ?3 " , "% - (0 0 0/0) " - (T&+). - " ? (50) 4 3 0 . G3 , 3 - 0 0-0/0-T&+, " %. 4 " - 4 3 O M A 7=. 3 =;;<. , 4 " 3 " 0/T - (00) =;;7. 3 3 ? - , 3 3 =;;<. " ? "3 ? % . % % % - 3 =;;<. " " - 0 0 , 3 - !3 3 , 3 3 " " 4 % " - % " . 5 =;;8. " " " " " " " J. =;;;. .3 G 5" 66 - 66, " =;;8. 3 4 " 0 , . 3 " : 66 5 "% 3 " ? % , 3 A 3 4 66 " ?66. (Z) O ? 3 66 " 66, 66 3
52
" " % " % 3 3 " 3 ! 3 H " 3 - " " 3 3 =;;9. " 3 =;;K. %% 3 " - , " - " 4 - " 3 3 , 3 , 3 ? " 3 &
? - 4 ? - 66- 66 3 " 3 "- 3 % "- " 4 .5 66 3 . # 3 A 3 3 % ( % , Z) % - ? 3 ( ? ?). S % - % -" " 3 %- . 5 3 " " 3 3 3 3 3. S " " - 66 0 66 3 ? " 3 "3 3 4 A " " % . G % ! " % , 3 , ? ? ,
- % % " " - 3 X 0 Y. (. 3 , - T 0 ,
" 66 " " 3 66 http://www.nspm.org.yu/debate_2007/2007_dimitrijevic1.htm) 4 % ? 0 03[ " 3 & " 3 A ", 3 '' " 3 " - 3 3 ? " " 3 ? ? % -''. ('' '', 3. 01. 2008.) ( #. .) 5 5, % A, 3 4 - " ? " " "3 ?
% 3 2003. . " 3 " ? - 3 " % - ? " (0, 00
-* 3 3 % / 3
' 3 "3 - / % " " % ? - ? ? ? 4 ? .6 0 ? " " ? , ? % " 3 3 3, " J. =;;;. ? " "3 ? % - 3 =;;<. 3 \ " - " . 5 % - " =;;8. , % " "
, " - % " " 3 - % ? " - ! ? (66 66),7 "
79) !3 =;;9. ( 0. , ", '' 66 7;. ;7.2008.) 6 X |} " - ! 8;; 3 / " 3 " % J7 #0 J;; 3 % . 3 A " 3 " %% " " ? #0 %%3 % "%3. - ' " ! -
- 3 % - , 3 % #0 " 3 " - / " - " " " - . - & "%3 "3
"% XT4 "X % 0 , / 3 " 4 3 " - ". 3 "!3 , / " . 66 (66 66 = .;7.=;;K.) 7 66O " G5 ", " " 3 0 7CCC. % 0 % 77 ? ", 3 A G5 ~ Y 66 % 3 66, " / " 0 " -
54
3 " % 66 % " 0 66 " ? % . G % - "4 0 3 " " ? !
4 " 0, G5, " & , &
? - (0" - % 3 ), % % , ? 66" " 66. 03 3 3 3 4 ? "4 ? %- 66 3 - 3 ? 66. , % %
- " 4 " 3 " - 3 "" " 3 .
/ " 0 " % " ! 3 3 3 " . 66 (/ %- " / " 0 % ,
" / " 0 =>. 7=. =;;9. .) & - " : http://www.parlament.sr.gov.yu/content/cir/akta/akta_detalji.asp?Id=46 5&t=Z#
?. / !/>9 3 !/> > – - #- !
0 " 3 " " " " =;;;. % 3 " " 3 " -3 " - , !- 3 , 3
. , " " % 3 3 3 " 3 " . O ? \ ? " 3 . 3 , ? 3 ? " , 3 " *"- =;;>. , % " ? 3" ? " ? " 3 A " . T % " - %3 A " 3 "
%- , , , % " " 3 "-, . 3 %
" " , , %% " A 0 % % " >K A =;;=. , % 3 " 9; =;;<. =;;8. , " >8 =;;J. %- >C =;;>. =;;9.
56
, 1 , , 3 " ? % " "- " - " " - 0 ". G 4 " 3 3, " 3 =;;>. 7=,< A % " " " 2 3 "3 3 % 3 =;;9. =9,K % 0/03 , 3 , "
- " . 0 " " - % 3 % . & " 0 , =;;8. , % 3 " -, " A 3 4, " ? " 4 % 3 " . 0 " " A -"
% 3 " - . 5 % 4 % "% 3 4 3 0 1 #4 3 " 3 ''0 A "- " - / " 0 '' %- - % " 4 & 0 % 3 http://www.seio.sr.gov.yu 2 / % 4 % =;;>. - % " 4 " 0 % : http://web.uzzpro.sr.gov.yu/kzpeu/press/press_javno_mnenje_nov_2006.ppt 3 #% H0#- % 3 ? "3 ? % 0 4 3 =;;9. . http://www.cesid.org/rezultati/sr_jan_2007/index.jsp
, - , !- , G5 3 . / " ? " ? (00 0)
?, " 3 - 0 04 0/05, - 3 4 3, " - " , " 66 " 3 "- 66, " 3 . +4 " , % 3 " , 4 3 " 3 " - " 3 " " - , 66" - 66, " 3 % - ! 3 % 3 , " 3 " " . 0 , 4 " 4 33 3 " " - 66 66 3 ". " , 3
4 3 " 3, 3 " %
3 3 " 3. & 3 " " " 3 , " " 3 % " "4 . " 3 3 %- 3 "" " 3 " . 4 0 0 " 4 - 3 " " 20;8 % 2007. 5 - 00 % 8. 3 2009. G3 , ! 0/0, % " .
58
5 " % % 3
? " % " % 3 - ? 3 , 4 ? . 4 3
3 3 3 - " 3, ? 4 % , 3 3 3, 34 " " !3 3 " . / " 3 % 3 - - , - 3 " " " . 3 " , % " 3 , % - , 3 % " A – "3 3 % 3. &" " 3 3 " }} }} 77. 3 =;;>. " " "3 % % =7. =;;9. .6 &" " 3 "3 ? % , " " =;;8-=;;>. " 3 . " , " % 3 % - 3 =;;<. 3 " " 3 3 " 3 3. G % %% 3 A 3 3 % %3 " 4 66 66 %
. G " 66 66 % " , " " % 66 66, " " " 66 66, " - 3 3 % " - 3 " ?" . ( D.AntonijeviD, op. cit. 48-49.) 6
, " "- %4 % " - ,7 %
% 3" . 0 3 3 " % ? % 3 " – "3 3 % 3 3 3 " ? 3 "-. 5 3 " !3- 4 " . , " " 3 4 " % ?3 66 66 ? 3 – - 3 " . # - , % 3 3 - . 3 " " " 3 3 - .
0 " 7=,> ==,C, + - 3 J,<, 79 " , %" " , % " , 4 (>,K) 3 "3 4 . G 3 "3 3 % 3 3 =;;K. " - " – - 66O " 0 66
0 79
@. 4 -> #- !
: 5 $+, ; #- & / - *" via # 3" 3" , , 66 66 , % 3 3 3 3 3 A, ? 3 - . A " " 0 3 - . % 3 A1 3 % % " 3 " . 5" A , 3 3 , 4 % " 661 66, " – %%4 " 3, " % ( - 663 66)
" " 3 (663 - 66). " %
- 3 , 3 A % % " - % % % . 5 " - % "A % 3 " % " , " . A 3, % 66 66 % 1 . '4 , 3 661 66, 66' -66, 27.10.2006.
\3 % %3 " % 3 " 0 3 -
A . 0 3 - ? ? - ? * - !3- 3 4 66 % "66 3 % -3 . G 3 4 % A %3 A 78. 7J. =;;>. , % 3 % 3 3 3 A. A 0 3 - % " 3 A , 3 , 34 !3
3 %, % 3 3. 0 , " , "3 " 3 "
" , " % 3 "3 " - 3 % 3. G % " "3 A, 3 0 33 3 3 % , " " 66 66. S 3 3 \3 % % " 66 66 3 3 " 4 " 3 3 3 3 % ?3 % A. " 33 3 % 3 3
3 A %3 A 78. 7J. =;;>. , 66 - 66 3 !3 3 " " 3 3 .2 G 66 33 66 " ? 66"66 *"- 3 " 66 % 66 0 3 - 3 2 0 3 - * - % " <; 3 .
62
66 66 * -. # 0 33 3 % " % " %3 " ? % 3 " 3 3 " % 3 , - 3 66% % 66 3 " % \3 . 0 - 3 3 66A *"-66 " % 66 66 " " 4 3 " .
": ! /-$# 0 " 66 %366 : % A 3 3 A %\" 3 " . # , !3 , " : 3 - - 3 " - "- !3- 4. #% ? 3
% %3 3" %3. 3 3 ? " % 3 % % %3 " ?" . 3" %3 % - 3" , % % 3 3 - 3 ? 4 , ! 3 " 3 ? 4 3. 0 " "3 3 " " %3
3" %3 " 3 34 %3 " !3- - % 66 66. 0 - " %- 66 66 3
3 3 %- 3 ? .
- - " %- 3 ! - (?)
(" ? % - A ) %% 3 3 ! - ! 3, 3 ".3 T ! - ? 4 3 (Pipe-Dream, Wish Rumor), % 3 ? % (Bogie Rumor)
34 (edge-Driving, Agression Rumor).4 5 ! - 34 " ? ? " 3 % - ! % ? % 3 ? " . 5 3 - 3 3 %- " 3 " 4 3 ? 34 . , - "- " 66 66 3 " 3 3 % ? 3 %- -\" - "? - - 3 3 " 3 . & 3 A " - % " % "3 G%\@ 3 % " " " 3 % . G % 3 ! - (''G%'') 3 3 3, 3- 3 ! 3 G%, 3 3 3 -3 % 3. 4 R. H. Knapp, A Psychology of Rumor, The Public opinion Quarterly, Vol. 8. No. 1. 1944. 23-=8. 5 ! - " % " / $ ? % 199>. " ? % " ! - . (R. L. Rosnow – G. A. Fine, Rumor and Gossip. Social Psychology of Hearsay, ''Elsevier'', New York, 1976.) 3
64
" ? " . A 3 3 %- ? " % % % "- - , 4 ? "4 ? %- ! - " " . & " " 3 , % 3 3
" 3 !33, % - %3, " %3, ! ! % % 3 % " 3 " , " 3 - %3 %3, ! %3 "% %3, 3 3 , " , ! %3. 3 " 3 , !3 , - " 3 - , % " 3 "3 , "" 3 - . O 3 3 " - - - " " 3 3 3 3 " % - . & !3 " 3 4 3 , 3 3 ? " 3 "4 . 0 3 %- ?
" !3 " 3
!3 3 % "3 ? % ? " -. 0 33 A - "- "" "% !3 3 3 % !3- . * 34 , " , " " 3
, " % , 3 "
34 , ? % . , % - " " " , ? -" - -
" - , "" ? %- "" $50- " H ,
% , " " =;;<. 3 % 3
% . 0 3 %% .
9 A' 5'∗
∗ 5 3! % " 789;<J O20 /0.
B.
0 % 3 3 % " . 33 "% $,
+ -0, ?, ", %A . 5 3 % 3, 3 3 , – % "- , 3 " 3 ! - " " - " 3. 3"
4 A , 3 ,
3 " " 3 ? 3 " % : " - 3 - % A, 3 , 4 , " 3 "% ? " 3 , 3 "?. T ? " 4 , 4- 4 , " 3 "4 . G 3 - ! 3 1 % 4 " %- , - " " 3 ?" , " 3 , % '. 2 , 0? : " 3 % " " 3 4- 4 , ! " , .. . 7. 0. =. =;;>. 1
70
3 - " % 4 4 – 3 . & 3 3 , " 3 3 "" " \ 3 %3 3 %3 3 3 \ 3 3 3 0 , " , %. 4 4 , " - " ", %, , 3 3 "?", 3 "3 ! 3". G 4 - 33 " - % 3, " 4 %. 4 . 5 - " ! , ! ?" % 3 " 3 % % A 4 4, 3 33 3 – 4 " . , - % A 3 , " 3 " 3 4 , !3 %- c 3 3, % % "3 % 3 " - " 3 " A " % - , - , " . A 3 3 3 " , "3 3 - 3 3 - 3 3 3 " , 3 3 % 3, 3 3 3 33, 3 (. % 3) 3, 3 3, 3 " 3 " - " 3 3 - " . - % " "3 " 3 ! ? 3 " . 5 " %4 - 4 3 3 % - % 3 " ! -
4 " ' , /3 ? ?. , %4 4 " - , "? 3 - 3 " % " - " % % "3 " % 66 66 66366. & 3 "33 4
? " " ? !3 ? , 34 3 3 3 4 3 3 3, . 3 3 3 ! 3 4. - !33 3 , ' " "" 4 3 "3 ". 0 "" ? " 34 3 "33 - , 3 3 - 3 3 %" 3 - " 3 33, 34 3 %3 3 % "3 3 - - 3 - 3 " 3 "3 3 3 , 3 , .2 & 4 " , 3 - 3 ! "43", %" % A ? ? " ! - - %3 . " ! - 3" " , . - " , 2
C. Humphrey, Caroline, J. Laidlaw, The Archetypal Actions of Ritual: A Theory of Ritual Illustrated by the Jain Rite of Worship, ''Clarendon Press'', Oxford, 1994. 72-73.
72
% 3 3 - " 3 - 3 3. 3 A !3, % 3 " % , % , % : - " % - , 4 3 ?
- 3 3 3 3 3 3 " 3 - % .3 " 3 – % – " % " ! - 3 3 " . 4 3 % 3 4 , % "- % % " % " - "4. "" 3 + 3 3, %", 3 " 3 3 - - " -- \ %- \-%3 . S
- +! , " 3 , "" , - , , " 3 " 3 c 3 , " 66% %3 A 3% 4 4 665.
. Leach, Edmund Ronald Aesthetics, in E. E. Evans-Pritchard (ed.), The Institutions of Primitive Societies, S.A. 4 D. Winter, Patos žanra, Znak sagite, 7. 2002. 1113. 5 #%3 % ' , Džuboks, avgust 1981, " Novi Ritam, januar-februar 1991. 3
2. /=
+! % " , 3 4 ,
? - , , 3 , " !3 , 3 3 4 % 4 A 3 - 3 " 3. 5 -, "
3 , % 3 !3 % ? (. ! , !
?) 3 3 % "4 ", "" " 3 , ' , [, 3 , , '? 1 # % % , % ? % "?". /% 3 , +! ? " - ? "%2 %3 % 3 , " -
" ? !
. 1 . Lavkraft, Natprirodna strava u književnosti, u Slu6aj 7arlsa Dekstera Vorda, Beograd: Behemot, 1998. 184, 189, 191; S. King, Danse Macabre, London: Warner Books, 1994. 6, 467. 2 H. Lavkraft, Op. cit. 181
74
0 , % ? 3 , " , 34 3, 3 A , , " , ? 34
4 3 %% "" "" . " -
" % ? % ! % 3 3
3 " , ? " "" ? 3 " 3 3 - 3 34 3 A 3 G "
? "5 ? ", 3 3 " ".5 ? ? "%, " 3 ? ? "! . GA , ? 34 "" 5 660 7;766 – % " 3 , " 3 %- . /% " " 34 % ! % 3 , – % ? " – % "
" " " ! % % - ? .6 - "
3 ? % 3 3 , 3
S. King, op. cit. 18. S. King, Stephen Langolijeri, u 7etiri iza pono8i, knj. 1. RiFobradi Press, Vranje: (s.a.) 5 King, Stephen,The Shining, ''Doubleday King'', New York/London, 1977 6 S. King, (1995), Rose Madder, ''Viking'', New York/London, 1995. 4
, % "- .7 ?, , 34 " 3 - 3, % % , " % % . ' , 3 A 3, ? 3 . & 3 3 , 3 3 %- ? % +! ?, 3 3 ! " " . %-
!3 3 " 3 4 , %", 3 4 " , 3 , 3 3 . % " 4, . 4 !3 % "?, , 3 !3 3 % , 3 " 3 "% - ". S
- , ? % 4 3, 3 " 3 %3 %3 c " 34 4 . 5 % " - . T +! ? 3 ? " % - " (''unspeakale66), % % 4 ?. %- % - – 3 – " " : 3 3 3 ! 3 , " - " ("abominable shapesX), % " ! %, 3! ! . 5 " % 3 % % +! 3 3, 3 A 3, 7
S. King, Balada o fleksibilnom metku, Znak Sagite 1. 1993
76
, % % 3 3 % ( ) , ? ? ? ( 4 3 "% ? " 3 ? " ). % 34 "" % 3 , " ( , " " % 34 ), 34 A % 3 " % ! 3 ! (3" , - ). / 4 3 !3 ! % , " " 4 3, %? 4 ! - " % 3, "- 3 " -3 ?
" " 3 3 - 3 - 3" 3 3 - 3 3 3 ! 3 4 3. G "- 3 %
% , , " 3 - 4 " "" " " ", "! " "! ", " 3 % 3 "? " 3
43,8 3 " – % 3 , 3 " , " 34 3 3 9 - A 4 3 . , ! - 3 ? , ! " VII, 1986. 58-63.; Z. ŽivkoviD, Ogledi o nau6noj fantastici, ''XX vek'' , Beograd, 1995. 9 ! 3 ? "- * " – % (Tempest, Paul Mazursky 7CK=), $ (Forbidden Planet, Fred McLeod Wilcox 1956). 8
. ? – ! , 3 – " " 3
3 , "" , , , 3 - , " . 5 3 , 3 A 3, % , " " . 5 "" " % ? % % - ? 4 ?, ? % " "% 3", " 3 %- ? ?3 3 3. " - ( " 3 %- , , ! - - fiction) 3 " 3 , (3]) "% - , % - "" " " " - ? - - – !3 " ? " ? – % 3 3 4
? ? . & " - ", 3 3 3 " " " " " " ! ,10 34 3 3 , 3 % 4 " , 3 "4" differentia specifica-, " 3 " 3 %- 3 ? 3
3 "3 3 %3 , " 3 3 , , !- 3 . 3 %3 ", ,
3 , " , . 3 !3 % , " 3 % " % 3 0 3
? , % 3 ? ? 10
V. Prop, Morfologija bajke, ''Prosveta-XX vek'', Beograd, 1982.
78
4 " . G 3 3 3 "" " \ 3 , 3 % % 4 .
6. &/ !+/> + # -#+
' 3 , , " 3 ! % 3 ("3
3 3) 3 3 ( " ? ? " ) 3 , %33 " 33 3 % 3 - 3 4 " - % ! , ! ?. ? - ! 4 1. 5 - , 4 4 -" 3
%33. # - - 4 664366 " , . 4 " " "c 4 - " %% %
- % 3 3 , " % , " ? - " % . 3 , " ! " " "" %- 1 ste 0..., ? % 4 (Maine), 1 3" (New Hampshire), 3 (Vermont), (Massachusetts), / (Rhode Island) (Connecticut).
80
4 " 34 " # , " +!, , " ? ? !3 ? c , " 4 % , ", , % 3 ? !3 ? % 4 % " % 3 3 3 3 " 3 - - "! 4 " - " " . 3 %. 4 " . 04 -" - " " ? %- , . 3 !3 3 . G ! % " 3 ! - 3 3 c " , , , – – ! " . & ! - 3 " 4 -" - , 3 3 " 3 , 3 %, . !3- 3 - , 3 " " % , % , 3 4 !3 : " 3 2
+!3, !3 ! - 3 %- 3 " " ? ? ,
3 3 3, A ? - " 3 3 3 c 3 - ! % , "- , - 3 2
E. A. Po, Avanture Gordona Pima, ''Rad'' Beograd, 1976. H. Ph. Lovecraft, At the Mountain of Madness, Astounding Stories Vol. 16. No. 6. Vol. 17. Nos. 1,2. 1936. 3
3 4 " , " 3 - ,
" 3 3 %", " " -
" - - #. - ! 4 " , " - ", % " - . 0 , 66 66 3 ? " - % "33\ 3 % \ \" \?" 3 , "" " , " +! , 3 " "4" "4 " 4 " . 0 , 4 % - , 3 4 3 4 % % 3. / ? " 3 "3 " - " 3 % % ?, " ? " , " ?, . " ?. - " - 3 "" -!3, " 3 , 3 - 4. & 3 , 3 A 3, - - ! 4 3 "" " \ 3 ,
3 % % 4 . # , 3 4 3 " "4, # , 3 3 " 3 "/ " ? (^iedrich Knickerbocker) " 3, " 3 # , A , " c ~ X " % 3 % 4 % ? 3 , " " ? ? " (knizkerbockers
4
82
"5 % % " " ? 3 3 " % 4 3 - "3 , ?, "3 3 3 / % % ,
- ! " 3 - " 3 % 3 3 3 ? 3 ? " - ! , ! ? - 3 % "" 3 " "3 3, " " # . & # 3 3 %% "
3 % % " " ? , " - , , 3 3 % % 4 . 4 " - " , 4 , % 3 % % 3 %% %3 " " ! % " - . T " , 3 A 3, " - % " ". 3 % , ? " ? 3 " ? , 3 " 3. $ % " - / " " % , 3 A 3, "" 3 -3, " knickers), %4, " 3 " , % ( 3 3) . 5, " 3 , 3 NB_ 3 3 ~ X (XnizksX), - % ~ X. G 3 3 - 3 % ? 3 0... (E. A. Poe, Mellonta Tauta, Sirius 127. 1986.) 5 V. Irving, Rip van Vinkl, i druge pri6e, ''Rad'', Beograd, 1963.
3 3 " # " . # ? " ! 3 3 3 – ? " 3 - 3 " "/ " " "% "+ "6– 3 ! " 3 3 3 1 7 " 3 - "! , 3 % ,
. %% " " % , %", % ? %, ? " . # 33 "/ " " - % "! "" " 18 ", # 3 " % ? ? ? " . # 3 % 3 !, 3 3" - " " - 3 ? !, % ?. O % ? !, - " GA V. Irving, Op. cit. G 0 3 - % &
" - 1 , ? % ? 4 , . 1 "
3 " 3 3 - 7>>8. , 0 (Peter Stuyvesant) " 3 3 T. 8 1 , " ?3 1 , 1 (Henry Hudson) 3 "- " ? 4 , % 4 ,
% % " 3 3 " % 3 . 6 7
84
? %" " " , ! – " " - % – 3 " !, ? " ! !3 " !3 , % 3 - , % -3 3 % " " ! "9
? .10 "+ ", " 3 , " " 3 3 - 3 " , "" , – " – - ? % - , " 3 % 3 3 3 3 " " " 3 3 " 3 ? ? ? , 3" - , ,
3 3. * , # "" "? " 3 - % A 3 , 3 3 % % "# ". % # 3 3, , 4 3 3 3 " ? " , " 34 4 3 3 T 3 ? A "- %- 0 3 , 3 - 4 " 3 ? , 3 " ~ ! X (66Mayflower66) 7>=;. . " 3 3 % 3 (Plymouth), " - % " . 5 " " - " % - H ? , " ? 3 ' (William Brewster). 10 V. Irving, Op.cit. 9
4 % ? % - 3 3 " 3 3 11. 4 " - 3 "" ", 3 3 3 " 312 "3 3 , % ! , 3 3 3 ? 3 ! -3 "3 ( 3 ? ! " )c % 3, " % 4 " - " ? 3 c ", 4 (Cotton Mather) " -"" - 4 , "" 3" 33 " ? % 3 - ? ? %, % % " " A ! % 3 % . & ! " 3 o " ~# X, Irving 7C>KC, " 3" 3 % - % 3 ? 3, 3 3, , " 3 3 (. The Norton Anthology of American Literature, New York: W. W. Norton& Company, 7C9C). &3, 34 ! ~ - X, " 3 3 3 4 3 ! 3 3 3 3" 3 ( 3 , , 3 %) " "% 3 ~" X: ~0" " A - c " - 3 " 3 - T A % X?! (Memorable Providences: Introduction) 12 " 3 E. A. Po, Arabeske i groteske, ''Rad'', Beograd, 1984. ; H. F. Lavkraft, S onu stranu sna, ''Rad'' Beograd, 1989. 11
86
" , " 3 (! % 3, "3) , " " ( ) , " ! -, " , ? A % 3 % - "" %3 A ' A. * 3 "\ 3 \-
%3 , ! - % 4 - 3 " % 3 3
%3 3. +! " 3 " 3 " ", - " - " , ? - 4 %A 3 , ! % %3 % " ? - ? 3 ? " " 3 , 34 3 ? %3
% . A 3, % % "" " \ 3 3 3 3 % 3 ? " ? % 4 , +! - 3 3 -3 " . ? " , " %
" - % - 3 3 , " 3 " , . !- 4 13
13
E. A. Po, Avanture Gordona Pima, ''Rad'' Beograd, 1976.; H. Ph. Lovecraft, At the Mountain of Madness, Astounding Stories Vol. 16. No. 6. Vol. 17. Nos. 1,2. 1936.
7. +
3 %3 " 3 4 4 " . & , " , 3 3 % %3 3 $ " , % ? 3 3 , " !
, " " 3 66 66, " 3 - 3 3 . " 3 3 " -1 " ,2 3 . ? 3 +!, , ? , 3, "3 %3 " "! 3 ", % ? ? 4 , " 3 "%, " 3 . G %3 - " 3 3 "% - 3 3 " ,
% " " . 3 A - 3 "- !
1
Ph. K. Dick, Nudimo vam sjeDanja na veliko, Futura, SF&F antologija, Voloder/Znak Sagite, Drvar/Beograd, 1995. 2 Ibid.
88
3 " - % - 3 % 3 ? - %- " ? " .4 " % " - , , " 3 ? ", . "% - ? "
% ? " . , "% - 3 : " "%3
%3 A " " - % " . "- ! 3 A - 3 " 3 , 3 3 % 3 " ? ? , , 3 , 3 , 3 . * ,
3" - , "%3 %3 A 3 4 G 3 " ?, 3 3 3, ? ? . G ? 3 3 4 3 . +! 3 " - , 3 A 3, 3 3 3,
"% - 3 % . & 3 , 3 " , % " , % 3 " , " - %- , - %- " 3 " . 5"% - " " 3" \5 , , ? " 3 3 3 , , 3 4
E. A. Po, Op. cit. H. Ph. Lovecraft, Op. cit.
" " . 5 "% - " " , % 3 " "% . , , ! % % " , "% - 3 +!3 , ! % " 3
% 3 . & " 3 ", 3 A 3, 3 "% - " , \ . ' % 3 - %- " 3 3 3 - 3 4 . ' % , 3 " " 3, . - 3 % % 4
3 " , "3 " 3 3 , 3 " 3 % ? %A " , " - " " " 3 4
3, % 3 "3! 3 3 , , 5. $ % " % , , %3 ? +! ? , %3 " 3 , 3, 3 3 3 . "5 " "3! ? 4, - 3c , " , - %- 3 " "3 , " ? ! - ~ X, 3 ? %% % ~ X. T , 34 3 – 3" - , " %% " % ! ! -? U
90
", 3 3 3 % 4 , % %3 % , . % 3
- 4 . &4, % , "3 " - "- ? 3 "% - c " ? 3 , . ! % 3 " " " 3 3 , 3 3, +!3 3 , 3 ! - , ! % - . 5 " %- ? 3 4 , %", ? % 3 " " 3 - % 3 3 3, " 3 . ' " % %3 3 3 ? ! % ? , " "3 ? !3 ? "% - . ! % " 4 % 3 " , " 3 % 3 3 ! % " " . , " ? % %
-. 5 % 3 -3 %3 : 4 " 4 3 33,6S / ! "
3 , 3 " - % - , ? ? , ? " 3 3 " 3 6
Ph. K. Dick, Op. it.
3, ? , " A " - ? " 3 ,7 , " ! % T", 3 ,
! 0 ? " , "
, " % 4 8. * , ", % 3. 5 3
3 !- 3 ? %3 %A , "0 3 " " "% - 3" - %3 A "% " " ". & 3 3 , "% - %3 A % % 3 . & "3 3 , , , " 3 3 % 3 3 - %- 3,
, % % " " 4 . 03 3 3 3 " 3 - 3, ? 3 3, " 3 , 3 – . ", 3 3 3 , " "% - %3 A ?
% : 3 " %3 " , " " , . -
" ? 3 , " . O ? ? "% - , ? % " . 7 8
1977.
Ibid. F. K. Dik, 7ovek u visokom dvorcu, "Jugoslavija", Beograd,
92
&3, , % 4 " " : \ %3 , \ " ,
\% " 3 %
– , ,
"3 " , %3 , % . ! " 3 "% - 3 ", %", " %3 3 , " 3 % 3 3 . 0 " , 3 A 3, . A 3 , "3 "
" "% " %" 3 - - , . 3 " 3 3 3 % " " - "4 , 3 , "4 , 34 3 %
, " " 3" . 5 " %% % " 3 , " - "- 3. + - % % 3 " . , " - %
!3- 4 3 - . & 3 3 , " - "
" "% ", ? 3
% % 4 . 3 4 % % - - , 3 A 3, " 3 % " - . %3 A 4 % - " ? ? " % %- 3 %
""" " " 3 "% - 3. O - " - ! %
" 3 , 3 " - "- 3 " 3 %" % U & " 3" " , "% , 3 " ! % " 3 % - " -. & 3 3, " ? , 3 % - , " - 3 " "" , " A " 3 3 "3 – 3 " - "- , . " 3 , " %% % " - "- . O - ! 3 - " 3 " - " 9 ! " - " \5 , , "" ! % % "3 3 , % 3 " %% % " " ? " ? " 3 3 . A 3, ! % - , %", " " " 3 "% ?: ! % ? % "% ?" (. ? " , % % , 3 ) 3
" " 3 3 3 4 . & 3 3 , ! % - , %", 3 ! % % % 3 - . #%3 , "3 3 , O # – % – , % , %
3 ? % -, % " 3 A ? 3 ? " 3 , , - %- - 3 3 % " % (". 1 ), ? 3 "3
, % Cotton Mather Estates "4 " 3 3 " . 9
94
3 3 , 3 % !3 %-
"% - " " (3 ) % \ (3 ) . " 3 "
%3 , %3 ? – %% 3, . " "% - " % \ , " %3 , %3 " 3 " ? ? % ? " 3 . O % 3 " 3 % , 3 3 \5 ? , 66 66, , % ? "% - c 665 66 66 66, " 3 "3 4 3 3, % , " 3 , - ? " ?- 3 "- 3 "- 3 % ! , - 3, " 3 " 3 " - , " %! , 3 3 3 , ! % - 3 3 3 % %? " 3 " % - . 5 "" " 3 % 3 3 %- ? , . 3 ! 3 3 %3 " % 3 % 3 : - " %. - 3 3 3 " , "3 " 3 ", " " 3 . #% , , 34 " %A , - " U10 ! 10
E. Leach, Social Anthropology, "Fontana", Glasgow, 1982.
" 3 3 3 " 3 3, " 3 , % ? ! - " 3 3 3 33 " ", % - !3 " 3 " - " " " , " " " . 3 3 %3 " " - " ? " 3 A "% % 11, 3 "3 " - ! 3 %3 % - " % %3 ?. G "3 " 4 3 , " -
"3 - 3 3 , . ! ? % - " " " O 3
4 . $- ( ) % , 3 A 3. G "3 3 % -3 "- , " % 3 . 5 " " 3 , 3 " 3 % 3 ! % - . G , % 3 , " 3 " 3 . , 3 A 3, 3 - ( % % %
% 4 " O 3 ), 3 – 3 ?, " -
% 3 . , "" " "c ! % - % " " - " ! % " % ? 3 A " 3 3 % , % " - 34 % 3, ? % -, 11
K. Levi-Stros, Totemizam danas, "XX vek", Beograd, 1990
96
% - 3 "3 3 " - " 3 ! % . "S 3 -" " " " %3 . 4 3 " "3 3 , 3 , " % 3, %3 % " 3 " - "- , . 3 %3 . 3 , 3 4 3 5 0... " 3 T", 3 3 , ? ( ) - 3 ? 4 ? ?% ". &4 % - – % 3" - -
T" "3 3 3 3 "3 – " 4 3 "33 % " " . O , , ? ( , 3 ) " 3 3 . 5 3 4 % , " deus ex machina " % , 3 3 " : , , " ?
- 3 - %3 , , % 3 3 3 3 ?3 %. 5 , 3 A 3, 3 " " \ 3 %3 " 3 3 - % . & 3 3 "! , " 3 " " , " 3 . + " % -
" %- (" , 3 4 , 3 ) " 3 - 3 3 " 3 – 3 - "S 3 -". 3 %3 , . A " 3 4 " - 4 "
3 4 3 - 3, 3 " - , A . ! " 3 " , , /% " 3 % 3 0 % , 3 % 3 3 " , ", " " ? 3 - ! ! - 1 , /% 4 . " " \ 3 %3 , 3 3 - %3 , %". 3 " - ( " 3) " 3, %3 4. /%3 % " " 3 - % 3 % 3 "3 3, %% " 3 % c " 3 %3 66S 3 -66. ? 3 " 3 ,
3" - ? % ,
- " 4 3 % 3 ? %3 " 3 %3 , " % 3 3 " 3 %3 .
8. A ; + ,+# -/=
" 3 "" " \
3 %3 3 %3 3 3 \ 3 3 " , , 3 " 3 3 3 3 % , – A % – 3 3 - ?, 3 " 3 , ? . "% - 3 3 " 3 +!, , " - 66 ! 66, 3 . 5 % – "
- ! - , . –
, . 66" 66 , " % . #
! - , 3 " 3 4 3, A ?, ?
? % 3 3 , , " , % 3" - %" 3 3 3. ! - " ? " ? % A ? % % ! 34 " 3 , 3 3 3 – ?
" 3 3 3 3 "" % , " , ! , % – " 3 3. S
- " (% , , "
-" % " " ) " " 3 % - . G 34 % 4 , 3 3 %, " , %", 34 %3 " "3 - 4 " . 5 % , . T 3 3 !3 ? 3 ? "% - , 5 \5 , , , ?3 "% - \ , . \ - , "% ? - , % 3 , ? %. 3 ? 3 "" 3 . , " ? "% - , "" 3 " . O -
3 . 3 , – 3 3 % " – 3 3 , " " ? - " !3 4 "" A ", % 3 3 , 3 % % " % " 3 . & 3 , ?- %, " , " - % ? ! ? ? 3 " 3 % " ? - . & 3, % (34 3 66566) " ? 6666 (. 3 ), ,
100
"" 3 " 3 3 %3. G % % , " - ! - 3 - , -, 5 , 3 (" ) " % " - ! - % - - ? . A 3, , %- ? - " ! % ,
3 " - . $ 1 , " 3 , , % % 3 " "5 ? "2, + 3 " 3 3 - " 3 " " "%" ( , %", " 3 3 3) ? % - ? . 5 % - $ 3 , % % "# " % " , + " "
% , . " - ! - ? % - ? % 3 - " % 3 % 3. "
" - 3 % " - "- 3, !3- 4 "
- " " ! - 3, 3, " 3 3 3 3 , 3 . " , 3 A 3, "" , % % 3 ?, 3 1
S. King, Balada o fleksibilnom metku, Znak Sagite 1, 1993. S. King, The Shining, "Doubleday", New York/London, 1977. 3 S. King, Stephen Langolijeri, u 7etiri iza pono8i, nj. 1, RiFobradi Press, Vranje, (S.a.) 2
"% 3 % 3 3 3 . 0 3 , 3 " - 3 , ? ?3 %- , - %- %- . & 3 "3 3 3 4 , - 3- – . - " " "- "- -" 3 " " 3 3 " !3 .
: 5 # & "# " " " - G , % ' 3, % "5 ? ", " 3 , % 3 , "", @ , " % 3 . 1 3 , " % 3 , 3 ? 3 ? , ! % 3 3 . , 3 , ? 3 3 % 4 "% " , " 3 , "" % " - % 3 . @ G 3 % " ? 3 % 3 3 3 – " , "5 ? " " " % % " @ . /% % G " " ": " 3 , % "% 3, 3"% , % % "3. " % " - "- , % " % " %, % 3 " 4 . O ? " %4 665 ? 66 1, " -
102
% 3 - ? " ? "% "3. #%3 G ? % 3 " 4 . & " 3 3 , 34 ", . %3 3 !3 3 , 3 3 "
, " 3 ? 665 ? 66 "" 3 3 ? " 3 " - %- . %3 % 3 % - 3 , % - 3 3 . 0 %3 " 3 % , 3 - , % " 3 - 4 % " . 1 4 3 %. % " 3 3 , 3 % . &% , 3 %3 , . "5 ? " "- 3 " 3
%3 , G 3 3 3 3 %3 . 3 %3 , , - 3 . G 3 % G : "
3 " \ " " ", 3 3 3 " 3 – %- ? , . - % - . 4 ? ? % -, G
3 , 3 . 5 3 " 3 %- - 3 ( " 3 '4 - - 3,
- -) "4 3 , ? 4 "3 . 3, " 3 , " , " " " 4 !% " \ " !% " ". GA 34 4 , " 3 !% " \ ", " 3 ? ? 4 ? % !%.4 "! " \ " 3 " , " %" . 3 %3 G ?, 3 A 3, " " " %3 3 3 ! % , "3 3 . G , "3 3 "
4 3 " , , " - "
! 3 %3 . %3 , , " - " , %3 , " - 3 ? ? , .
- ? , 3 " 3 %3 , " %3. % , 3 , ? 3 3 " 3 - 3, 3 - 3 3 ?, " " % " - % 3 4 , 3 @ ? " " % 3 3 3 "" !3 @ " - "- 4 , ?3 - 3
- 3 . &" E. Leach, Rethinking Anthropology, ''The Athlone Press'', London, 7C>7.c '. 2 , ! & ,
% ! 0& . 8<. ' , 7CC9. 4
104
"5 ? " " %3 3 " . 03 " 3, 4 , . % - , 3 3 3 , % ! % 3 3 " , " , . , " 3 %
(. % ) 3 - , " 3 " " 3 !, .
" %, - % - %% 3 3 " . 5 "" %3 % 3 , 3 A 3, 3 " . 5 %3 3 , ? 3 ? % , , " 3 "% " - %- , 3 " ? % - . "5 ? " !- , %", 3 : , . 3 " 3 3 " 3 % , " 3 3 % . 3 3 3 , 3 A 3, 34 A , " -" , " 3 3 3 @ G . ' @ ? %3 % 3 " - " " ?" " , " 3 3 3 % -3, "
" " , " ! 3 3 - 3 " %3. & 3 3 , @ ? 34 %3
%3 3 . G %3 " " " , 3 @ " - " " 3, 3. % % "5 ? " " %" 3
@ 3 3 " " , !3- " !- 3 3, 3 3 " " % 3 3 3, ? ( 3 ) " ? ? . S - " " 3 , % 3 3 , % 3 , " ? % 3 3 " 3 ? %33, A , " " -, " % 3 % 3 . 0 " 3 " , - "- %: " "%" % %3 A "4 3 " "4
3 " % , 3 - "
" ?" " . 5 "% " % , , 34 " % 3 - - " . G %- % ? !3 ? % ? "% - 5 %- %3 , " % ? 3 "% 3 - 3 3 3.
- 3 , – , % – 3 3 % %3 A ! % , 3 , 3 %3 % "% - , , " - % , % ? ? ? 4 . 3 " " %3 !- , , " "3 ? %3 " % " . 5 3 ? %3 , 3 3 A 3, . A "" . 0, 3 4 3 3 3 3 - 3 3 5
5 3 .
106
%-" 3 " 3, - - 3, " 3 3 3 3 ? 3 , 3 3, 3 % 3 !3 3 3, 3 %3 3 3 - " %, "" 3 4 3 - 3 3 " - % - %3 . 0 % , , " 3 "4 ?,6 " % 3 - % %3 A %3 ? %3 . 3 3 % " , 3 " 34 % deus ex machina, " % , . %? A 3 " 3 %3 ,
"\ 3 " % 3. & % 3 3 , 4 !- - % 37 3 3 !- % " " % , 3 66 366 3 %3 . & "# ", G . #
" - @ , 3 - 3 3 % " , ? " 6 S. King, The Shining, "Doubleday", New York/London, 1977.; S. King, Balada o fleksibilnom metku, Znak Sagite 1, 1993.; S. King, Rose Madder, ''Viking'', New York/London, 1995.; S. King, Stephen Langolijeri, u 7etiri iza pono8i, knj.1, ''RiFobradi Press'', Vranje: (S.a.) 7 #. , , '. I. % , 0" - - , ' , 2001.
"% . 5 %4 " -
? "4 - . 0 , @ %4 " -,
"4 - , %
3" - , " , 3 . # 3 @ " " 3 " "% ( %4 " -, "4 - ) " ( "4 - , %4) 3 - - , " 3 , - "" 3 A " , "# ". G, % " " " " 3 3, %% % 3 %3 8. S
- , " % 3 " - " %9: % % 4 " ? " "" % , % % "
? , 3 % , 3 , " 3 %4c - , 3 A 3, % 3 3 , 3
- , 34 3 % 3 (- " -), 34 . 5 ? 3 , 4 "? 3 " 3 3 , % "4 % 3, 3 4 - " ", 33 " - , , 3 , "% ? 4 ? 3 3 ~ 1X. 9 . Leach, Op. cit. '. 2 , Op. cit 8
108
66" 66 % "%", . " 3 %, . & "# ", 3 ! % % % 4 , . % , 34 % !% "- , " " %. % , . 3 ! - 3,
!% 3 3 , !% ( ) - "- " 3 " 3 , , 3, "3 4 . 5 !% , %- " % , " , 3 4 " 3 3 . & 3 3 "3 3 3 , %- " % 34 , " "3 " - " , - " 4 . & G ?, % % , "% % 3 , @ " %. 3 3
" , ? - 3 . 5 3 34 " , - 3, % %% " %
", 3 " , 3 " " " %, " 3 - ? 3 "- - - . GA , "3 "A G % 4 - , "" 3 "- 3. G "3 % , %", " - @ "3 , " %% % @ " - - ".
@ - - "3 " - %, , %% 3 . , ! 3 ( 3 " 3 ", " 3, - 3 , % " A 3 - ) ! 3 %- "" 3 "4 " - 3 - . 5 , "3 @ % - 3, ! % - % - 3 3
" 3 3 - 3 3. 0- "3 A % " %3 A %4 " - "4 - "4 -
%4 , % 3 " "% - . 0 3 " 3 "% - " " % A @ " - " 3 - " " ?" c " -. 3 , , % 34 "4 - 3 3 , - " ? . & " - " ? – % - 3, - " 3 " 0... – 3 , . " -, @ " 3 -, "
% ? " "3 %- - " ? . , 3 A 3, - - , . % " % % 4 , A - % - , " , 33 3 3 " % - (BandiD 7CC;). " 3 , 3 A 3, " A % " A - % -
110
3 "3 " ? % - 3 , " 4 " , 3
3 . " "% " 3 % " "3, , ? - " - " ". & "# " , 3 " - , - " %- , 3 " %3 3 " - " "3 % - . A 3, % % , % - , " - , @ " % 3. G 3 % - " - ! " 4 , 34, - " %- % " " , "% , " % % 3 " % - . ", %3 !3 " , .
%A 3 ? %3 " " %3 A 66"66 " - G , % " . & % !3 "% - %- "A G , % . "
% ", . " % " , , 3 3 " 3, %" " 3 , % . " 33 " 3 13, " % . &"% 3 " ( , , " ) " % 13 - 3 " , " % 3 .
, % % ,
"3" 4 , " 3" " 3 4 3 "A 3 " . 5 3, " ! % !3 3 , %", , "
3 , % 3 3 4 3 " 3 " 3 " 3
A " 3 3 " 3. &" " - " %3 : " - "" ?3 %- . 0 % 3 % " %3 " , " 3 ! % " " " % , . 3 , " " . A 3,
" "A G 3 "
3 3 3 . ? % " - " ? "" ? " ? ", % % - . 3 , ! 3 3, 3 3 3 , 4 " " 3 - ! % " % – " % %- % ? " !3 %- " "% 3 – 3 3 !- 3 - " 3 3 4 " . & 3 3 " 3 "3 "% " " !3 3 3 : - 3 34 "3 3, ! % 3 3 - 3
112
, . . ! % , . % - 3 , % , 3 % , " 3 - , 3" 3 , 3 3 33 3 " "% " 3 3.10 T ? ? " – 3 % % " – " - " " - , . 3 A . 3 " - " "A G ? " "" , - %? 3" % " - , % 1. , " % , . , - , "" " 3 ?A . " , 3 A 3, "? "3 ? , . 3. A , 3 " 3 ?A 3, " " " 3 ? , . % . &3, 3 " % " - , 3 ? . " ! % : " 3 , ! " ! % , – 3 3 – " , . " ! , 3 11 ' ! % % - , ? '. 2 , ? 663 66, # ! 2, LVI, ' , 7CC9. 7=<-129. 11 '. 2 , II4 " , 0" - - , ' , =;;=. 10
- "3 , % –
.
": + -# + 3 " % 3 3 " " 3 "# ",
%3 " "4 ? 3" " ? 3 " 3 3. & "$ 3 3 ", , " "# ". #%% 3 - " " - / G", " ? " , , "3, % 53? % 3 4 , A " 3 3 " % , 3 %3 " 3 - " " . G" , "
3, " ? 3 3 " - ! ? , $ , ? 4 " 3 " 3 " ?", . ? 4 "" . G", , % 3 % - " % ", " " 3 " ,
" G" 3 3 %3 3 % %? ? %3. / " @ " "3 %3 %3 , - 3 , "
3, 3 " " " %3 3 3 % 3. / ,
" " - 3, " / "". T % %3 A ? " -
114
- , " / " 3, @ %3 . & 3 3 "
%3 " -, , "
" " 3 3, " % " 3 ! % 3 %3 3 ( % ). G " % 3 , " - 4 " 3 , " %? 3 , % " - . "+ " 3 "3 ! -3 - : " % 3 % 3 %- - "- 3 , + A ' "%
% ' . 3 , 3 " - " " "%, ? % % "% - " ? " . 4 " - % , %" " " 3 ' 12, "4 "", + , 3 . + " , 3 , ' -/ (% " 3 ), % - 3 . G 3 4, . 3 " % 3 , " ,
- "" , " - 3 + =C " ": ?3 "? " " % 12 & c 3 " ? 4
" -3.
' , " 3 "",
% ☺ " 3 , 3 A 3, " - 3 ? " 3 , 3 3 3, % , , ' ? " 4 3 %3 . % " , 4 " ! %! " 3 "- " ", " , " 4 + , " ?, A 3 "3, 3 " - ' 3, % " " 3" . ' % " " , - ? , 4 " 3 " % ' 3 " 4 , A 3 % ,
3" , 3 % " % 3 3 "+" '. "/% "'13 3 ! 3 3 " 4 c /% "% 3 3 " " -- 3 , ! % " ? % – 3 " - – " " " 3 4 " 3 3, 3 % - . & 3 "
4 "% 13 , % 3 , " A 3 - , % , 3 " ~/4 X, 34, 3 " 3 " 3, " " - .
116
% ? "! ?
? "! , "34 "% . %
, - " % "% (+ ) -" 14. 0 ! - 4
%% 3 , ! /% . 5 !3 %% ! % , 3 " , %", 3 - - /% . " -- 3 ", 3 " " % /% ,
? ? " , " 4. /% " , 3 /% 3 !%3 % , . 3 - - . 33, 3 % % ,
3 , /% % "" (" , " 3), , 3 3 " " 3 % 66" 66 3 - - , " 3" - , -+ - : % 3 [ , % 3 3 " , " A " - ! ! , " 4 (, 34, 4 " ) 3
3 , ~ X 3 A " % , ! @ 3 3 , " A . 14
, " - 3" - ! 4
3 ( 3) 3 3. & ! - %3 3 3 "" " \ 3 3 3 3 %3 3, "# ", "$ 3 "
66+ " % , " " , "/% ". 0 " "% % " 3 3 % 3 !3 3 % 3 3 3: %3 3 - %, 3
!% " %, "A " " 3 % , "4 " 3 . 0 , , 3 A 3, " " "# ": - %, " - % – 3 , % , "3 3 " - % ? ? "# ", - " . ? ! % – %% 3 – " : 3 . " ?" ? - " ? - , " % %- . & 3 34 - - % " 3 3 3 3 . / G", %", % 3 3 , "3 3 " . , " " " 3 " . " " , % - , " , " , " . % " c , ""-
4 " - ? , - %- " " 3 " ? "! -
118
, " - -. & % - %3 , , 3 - " " 3 3 3 3 "" . 3 " , , % % 3 3c 3 - % 3, 3 3 . 3 4
% 3 " , 4 , ""- 3. G" " " 3 3 – $ 3 – " % % " . 0 - 3. /% %3 A G" / 3 , ""- " 3 3 3 4 % , . $ , , 3 - 4 % . " , 3 3 3 3 . A 3, 3 % G" : % % - "" . & % 3 3 , 3 % 3 %3 , A , % ? , + , " 3 A 3 ""- 3 " "% %3 . 3 , 3 A 3, 3 - " " ?" %4 % , " 3 3 ""- 3, .
3 " " " " , " - "% "3, 3 3 3 %3 , 3 3 " 4 3 . 4 4 , , A , 3 " 3 4 3 , /% , 3 3 3 3 3 " : "% - 3 " 3 15, % , 3 " ! % 3 , 3 ? "", % " . %
%3 A "/% " %3 3 , 3 A 3, " ! 3 % %, " 4 3 3 3, " 3 % ~ " X \ ~ X: " % " 3 4 " - 3 3\ 3,
? 3 " 3 3 3. &% , 3" - - 4
"A " - " 4 ? ", 4
"A " - " 3 ? ", A 3 - % ! 3 \[ " " % 3, % "3 , 3 %- 3 " - " 3 3 3 3 3 3 3 , 3 ( \%") " 3 - 3 3. &3, " - ! %- " , ~ - X 3 .
'. 2 , % 3 # ! 2,, LII, ' , =;;8. 17-28. 15
120
" \ 3 , 3 %3 . + 3 "3 " " " -, 34 4 , 3 /% . , - " " % 3 , 34 !3 ! % , 3 , " % " %3 , 3, "" " ". 3 , "% - " " " , " , /% 3 " – - %3, . " - – %3 " "3 , 4 " 3
3 3 %, , 34 " 3 3 . & " % " " , , % 3. & %3 " 3 " ? (3 ) ? " %- 3 , 3 , 3 3 % " /% 3! 33, 3 ?3 % , % , " 3 . /% , 3 4 , % " " ! % 3 3 3, 3- [ , % 3 %. !-34- %3 . 0 , 3 A 3, 4 3 A , , 3 - "3 3. 3, 3 ? 3" - A
3 %" - %- , – " , 3 3 ! – 3 " credo sine qua non 3 - 3. " "%3 " %3 % % 3 4 3, 3 "? /% 3 3 %3 . G %3 ,
3 %3 3 3, % " - " \ 3 , %3 , % % 3 3 , /% 3 ! - %3,
! ? " - " 3. ", , 3, %
3 %3 , "" % . /% " 3 " " 3 , 3 " " . 5 3 ! % 3 - "
" ", . % , , %3 ? " " "3". 5 % , , 3 " %, 3 " % "
% , " " " %. 5 % /% 3
%3 . & 3 "" 4 ", . "A , " - "- A 3 A 3 3 , %3 ""- 3. 0 " - ? "3 ", /% %% 4 c % " " , /% "3 3 - . - " %3 " 3 -
122
, . " /% , " 3"A , " . /% 3 - , , 3 - : , " , "! , . " % "3 % 4 3 - , 4 - 3 . 0 - ? 3, %- " , "" " 3 ? ? - - . % % 3 /% , 3 A 3, , , 3 " % " ! " . 3
" " 3, 3 " 3 " 3 " 3- "- , " "" 3 3 - .
*** 3 "" " \ 3 %3 3 3 3 3 3 %3 3 - " - , 3 - , .16 % 3 , " "4 3 4 3 3 " - 4 , 3 3 ! % 3, 3 3 % 3. 0 - 34 ! "16 '. 2 , II4 " , 0" - - , ' , 2002.
3 ? 3 3 3 A % - 4 % " %% . %3 , ! % - , 3 3 3 - 3 "4", . 4 " , " 3 3 " ? ", . % 3 3 - , 3 (!3 % ? "% - ) " % , ! %
- 3 4 3. & 3 3 , "\ 3 %3 " % - % %3 . " , " " 3 , \ % " 3 ", 3 - % , . 0 %3 -" (3 ) % % " "\ 3 %3 . ' % % !3 , % " 3 " - ! - %3 , " 3 3 " , " 3 , , " 3 3, 3 3 , , " . %3 % , 3 A 3, A . " - - - " - " ? ? " %3 , ? - " " -. %3 % , - "3 3 , % !3 "% - \%, " , , 4 3 " 3 % A ? - ? "
3" - . % ! % " - "
124
" "3 " , % " 3 " % " " %. 5 , , . 3 3 %3 , ! 3 - " %3 " (- , " ? %3 ), % 3 3 , 3 3 3 3 - , - " % 3 ? " 3 " , . % - 3 ! 3 ? - , . – 3 " 33 %, 3 % - 3 . 4 % 3 " 3. & 3 , " , " % A , 3 – " ? , 3 , %", 3 ? " . G " , , 3 3 " 3 - %3 A " -
? -. G - , 3 A 3, 3 3 3 " 3 4 " , 3 -" ! "! ". 5 , 4 - , !3, % 3 A " % . G, 3 , . " ? " % !3, % 3 - , 4 34 " % % , " - ", % -, 3 % 3 - 3, % % " " % , , " " 3 - ? .
5 ? 3 3 "3 " - ! 3 - , " 3 %3- A 3 ? ? " % ( 4 , ! 3, !% .). G " % 3 " 3 - , 3 A 3, " % , 3- , . """ ". 4 " -% " " ( ) " (- 3), % , " 3 , 4 " " 3 - .
126
/=9 /! / //∗
∗
5 3! % 4 " . 147021: " . - ! G/ /0.
128
2 , " 1 1, 9 2 ; - - -
;.4 (<4<4 =", # + ) ' 3 3 4 3 3 3 " % % 3 !3 % , 3 , " " 4 3 , " 3 . #", " " " 3
, , "
" % - "- 4 ? " % - 1, % 34 ". "% , , A % " ", - %3 " % %3 A " , , "
" 4 ! 1
Z. MilutinoviD, Susret na tre8em mestu, ' , =;;>. =J.
130
X%3 " % " ? " % ? ?
? "- X2. 3 3, " " " X , 3 3 3 ! 3 ; ".3 & 3 3 , "% 3 '? X 6% 6 " 3 " 3 " , ! 3 , A , 4 3 "3 % " % X.4 2 4 3 " " % %, % % " %3
4 3 - - 3 ? "5. 3 "" - ,
" - % %A ? ? % , "3 ? 4 ! , % 4 4 " - % 3 - 4 - - . 2, - 3 2 E. P. Archetti (ed.), Exploring the Written. Anthropology and the Multiciplity of Writing, Introduction, Scandinavian University Press, Oslo, 1994. 13. 3 Z. MilutinoviD, Op. cit. 149. 4 . 0 3 , "% ( ) 4 - ] ( " " ? " " " 3 4
" ), > ?
.1 , LIII, 7-<. 0, =;;J. 549-560. 5 5 4- 4 " 3 4 3 : B. ŽikiD, btrah i ludilo: prolegomena za antropološko prouQavanje savremene žanr-književnosti, ! " , . ., . 7. 0. =., ' , =;;>.c #. MA , &" - ? 3 ! 4 , # ! 2, 54. ' , =;;>.
? - 4 ", % " % ? % ? " ! - %3 , 4 3 3 4 . X " ! - 3" " , . - " , % 3 - % % 3 - " - 3 - " 3 - 3 3.X6 3 3, 4 "33 A " - , - ! 4, ! - . S ! 4 % !3 " " % A " , X X %3 %- , A ? X" ?X - 7 – X% X ? ! . O", 34 X4 " 3 " " " 4 .X8 & 3 3 , 4 34 ! , " ! 3 % . / , "
3 "" , !3 " 0 3 - " 4 34 " " 3 ? - " 3 - 3 3 % " , 3! . 7 &". D. Chandler, An Introduction to Genre Theory, http://www.aber.ac.uk/media/Documents/intgenre/intgenre1.html . 8 R. Hodge and G. Kress, Social Semiotics, Cornell University Press, Ithaca, New York, 1988. 7. 6
132
"- " "3 , " % % - !3 . #
- A - , " 4 " , "4 3 3 , 3 3 ! 3. G ! 3 4 " "% , , 3 , % . 5 - 3 - 4 " - " " 3 X 3 -X, " 3 " , % %, - 3, , , " ".9 , 4 4 % % 3 X3 " X % 3 - -. G " ? X X 3 4, 4 X" 3X % - " 3 . G % , %", " 3 4 ! " , 3 % 3 ""3. 5 , 3 A 3, ! 3
3 % " " ,
- 3 XX 4 !3 , % ", 3 ? % , - " , % 3 % " (" ) %3 4 " , " " - " 3". ! ? % "; (6% 6 " 3 " 3 " ) – (A 6% 6
" , 4 9
D. Chandler, Op. cit.
" 6" "6). 3 3 " 3 3. / - 3, & + 3 3 3 3 ? ? " - ! , , 3 – % 3 X" - 3 4X, " 3 3 4 3 3 . S
- %% 3 3 ! 3 34 3" - - ! 3 ! 3 \! 3
. S 3 " "- ? 4 3 3 X! 3 3X 310, 3 " . #", 3 3 & + , "" 3 4. / , , 3 , % " " " 4 " . S - , % 3 " "% 3 ! " 3 3 3 3 3, " " ? X X, ! 3 " .11 3 & + X X " - " - % X 3 X, ""- 4 - 10 & 3 3 " " & + , 3
3 4 " " % X! 3 %3X, 3 " 33 3 3 3 0$ 3. 11 # " 3 " & + % % " "4 ! 4 % X! 3 0$X.
134
" " ", " ?, " - % ?, ? " - " , %", " 4 , 3 , , - 3, 4 3 " ! ?
# 3 / - 3 . & ? 4 3 ! % " - " A , % 3 - "% 3, X 3X, % 3 !33 " . H % " ? 3 ! 4 , ? " 3 ? " ? . / ! - 3 0 3 " , " 33 % " 3 %? "- - %- , 3 % X" - X, ? X"- 3 - - % % - 3 " 3 X12. 3 3 , % % 4 "- " %% ""- 4, "3 3 - ? "- . &" 3 3 X - X13 3 ? !3- %- 4 . 5 "3 - %- . S. NaumoviD, Upotreba tradicije, M. Pro
iD-DvorniD (ur.), Kulture u tranziciji, Beograd, 1994. 13 5 3 # MA , "
5 5 - - .1 , " 3 % " - 5 % " $ %! ! ' . 12
C+...
T ? - 3
3 " -! 4 " % X X. 5 "4 $ ! 4 A 3 A 3 3 3
-31. 5 " - "% "% " " , A 3 " , A
% 3 3 3 % % ,
"3 3" -
, " 3 " . 5 "4 3 3 3 A 3 3, " - ! X X "% 3 ! " "% %. X - X, % A "3 "% 3. O 3 , 3 , " ? , %% 3, X 1 Brave New Worlds: The Oxford Dictionary of Science Fiction, Oxford University Press, 2007. 5-7.
136
3 0 3X, 3 " - ?
? A , 3 % 3 ? ? . " 3 % % ? "4 3 +% : 2- (1987), + (7CK9)
(2004 - " " 3 ). 0 + 3 A 3 % 3 % " " . 0 , 3 A 3, 3 3 , % " % 3 " , - 3 !- 3 "3 3. G " " " - AA 3 !-3 -2 " "3 - 3 3 " G. # 3 , !- 3 -, " 3 ! , % 3 ? 3 - ? A ? " ? - %. / % " 3 % % 3: 3 , " " - X1 X, [ , AA / 3 AA 3 " 3 " % 7K;C. , 4 3 % " . $-% , %% 3" % " . T % " 3 " !- 3 ? " " % 0 7K;C. . # , % " AA % / % % 0 " " 3 $- , " - "" %. @0 @, " , " 3, ' 7CK7. J;-51. 2
3 2-+ , !- ! - 3, " " 3 A " . 5 3 AA 3 " !- "3 - , 3 % , % / . 5" % $-% , AA " ? ? " -, ? 3. 0 %3 A , 3 . 5
3 " " % ! " " 3 3 ? 0 . O, % - A 3 ? 3 ? "" - %?, %" " " " - 3 - ' 0?
. ' " %, " " % A " " , 3 " , 0 -, 3 " 4 1 3 "% " 5 , " 3 3 "- 3 " -. 5 ? , , 3 A 3, 3 3 " 3 % A, " 3 3 " – 3? – - " X3 "X – 0 . # O " A , -
" – " A 3 % , 3 3, % , "3
3 " 3 AA " , 4. 2-+ !- " % " 4 " 3 .
138
" % , - % " - % ? ? 3 ? , 4 " % % "3 . " 2- 0 " , 3 " 3 . 5 " " " 0 , " 3 3 ? , " " 3 . , % "3 " 3 " % - , " , % 3 " 3 3 0 , " " "3 4 % 4 " , 3 A 4
3 3, "3 3 3. , ! " %- , " "", " " "% " " " $- $ . 5 3 %- ? " " " " ! - %- , " A. 03 " " ! , " 3 , 3 3 %, , X !3- 3 - , 3 " " % , % , 3 4 !3 X.4 G " ? % , " - 3 B. ŽikiD, btrah i ludilo: prolegomena za antropološko prouQavanje savremene žanr-književnosti, ! " , . . . 1. 0. =., ' , =;;6. 32. 4
, ". O", 3 " % % 3 . , - 3, " 3 3 3 0 ,
3 " 3 " ghoulovi [ %? . % , " - %" " ? 5, - % % %3 ? ? - . & % 3 " " 3 " 3 4 " 3 – % 3 ! 4 . G 3 %- "- % - " . 03 A 3 " ". " " - " 4 ! 3" 3 - 3 % " 3 3 " , " "% ? ? A, 3 3 3. S " " "% "" %3 , "- 3 ! - %- 3 % " %% % 3" - - – " " " !- . S
- , 3 A 3, " " 3 %% "3 , 3 % 4 3 " - 3 - . 5
Loc. cit.
140
O 3 " 3 % ? 3 . 5 % - %" 3 ! 0 . & + AA 4 $-% 3 3 " - A "% . 0 " " - 2- , " % $- $ " " %- " 3 . " O3 3" - "3 , , , " % "" % . G " %
- 3 % - % 3 " , 3 , " , " " (3 ) % " - X " 3X.6 &" , %
" %" " . 2 !3 % " " 4 " % " " , "% 3. Novum 3 % " - " 3 %3 ,
3, 3 3 3 3 ? " - " % % , % " , " ". G ". , ' ?"4 ? , 0" - 5 % " $ %! ! ' , ' , =;;9. 7=J. 6
3 , A % ? - ? " 3 3 , , ? " % " : X 3 % 3 3 3 . 3 " , 3 " 3 " 3 ? "3- X.7 , 3 - %% " 3 % - , % "% % \ % " 3 % " . % 4 AA " + " - %- " 3 3 "
% " %%3: " % "" , " - , -
! 3. 4, 3 "" % $-% 3 " / %4 0 33 , $-. A 3, X X, 3, AA
3 % - ,
% 3, ? " %
X 3 / 3X, " " - ? " - 3 " " G 0 . % " " % , AA %" " 4 "3 %- " " % 5 , " - " 7 +. , 7>.;=.7CC=. , " 3 . , Op. cit. 147.
142
- " .8 4 AA " 3 % %3 A 4 %, "4 3 % " " 3 . G " 3 AA % X3 " X 3" - , 3 A 3, – %- " " " , " 3 ? " . # "% "3 0 4 3 ? " ? 4, " " " ? " " 3 , " " " " - , XAA X X X 3 %" " - % " . AA " "% - " " -
A 34 % % 3
, 3 " % 3, " 3, A 3 3 ? - ? 3 .9 3 , , [ % "% % 3 0 ,
% : . , '
?" . . $$ , G - 3 0 , % ! 0&, 8C. ' , =;;<. 150. 9 D. AntonixeviD, "Okultna istorija": predskazanja i verovanja o srpskim vladarima i znamenitim dogaAajima u 19. veku, Godišnjak za društvenu istoriju, Sv. 1. Beograd, 2000. 8
X 3 34 , 34 ", 3 ...
", , . 5 ? -% 3
% , – 0 " , 3 . " 3 – % " ... & 0 , " 3, % -%, % , , 34 . 0A 0 3 , " ?: " " 34 3UX
5 ? " , ,
- AA % " 43 33. # " % %3 A "" " 3, " 4 " " % 3 3 4 X" -% 3X, " % %"
" . AA " " 3 % " / 3. " %" 3 3
- – " . 3 AA 3 %"
– " % , X X X "3 X, % – " " . 3 , " 34 3 " " 4 " -3 " . 33 % %3 A % % 3 ? , " . 5 - " " ? " M, " 3 3 10 3 " , 3 410 XG ... % 0 ...X, 4 M " , " 3 , 3 " -
144
, 3 ' A , " 4 3 " " 03 – "4 % % 3 3. - " X' %X " - %- 3 AA11. 4, 3 A 3, . 5 - ? , 3 ? - ? , % 4 4 " O 3 . ' A , " 4 3 % 0 12, %" " % " % - – 3 -. 0" " %3 A - % 3 – 0 , - – - "" , 4 " % 3 4 3 " 3 " 3 "3 . S
- % " % %3 0 " 3 - 3 3 " " " , " %-. ,
% "
-, % - -3 , , X4 - " " % % " X. 11 D. AntonijeviD, Op. cit. 12 5 % - ' A "" 3 0 . , * X' A X, # ! 2, ' , =;;J. J<. 7K9. & 3 , ' A " '4 ? , 1 , " 3 % " , "A 3 3 3 "" 3 3 ?
" 3 ? X' 0 X.
A 4 3 - ,
" % H . " "" %, "" 0 3 % %" % . O % AA , " " 4 3 " 3 , 4 " - 34 % " , " . " " 2- . # % " 3 "3 3 ? , %% " " 3 3 3 3 – " 0 3 " 3 3 " . " , " 3 , , " 3 " 4 % " .13 # " " - 3 3 " % % , % ?
, % - – 3 ? 3 . , 3 $ " 3 3 & " 3 3 % . " ! - 3 4 " - ', " % 3 % . 3 3 "- 3, 3 , % 3 , " " , 3 " . 5 , 3 A 3, ", - " ? " ? " X X % % ? "- ' , 3. : 0 , >, 3, ' 7CK<, . ==-23. 13
146
3 , 3 % 14. ? %3 " , 4 : X , " , , 3 0 , % . % 3 :
3 7C;<. O 3 , ]X " , , " " %% , % " "% . 3 , 3 A 3, % " – 34 " 3 , 0 , %
3 " 3 4. , " - " , "4 %- – " %315, , ! 3 43, -
.
S
- ? 0 0
( " X 3 X) %% ? , 3 " % A , 0 3 % % " " " % 3 ? % ? . &" : garko ŽivkoviD, Nešto izmeFu. bimboliQka geografija Srbije, Filozofija i društvo, XVIII, Institut za filozofiju i društvenu teoriju, Beograd =;;7, . K;. 15 5 " - " %" -- 3 . 5 X " X, 34 %" - 4 . & %- "&
3X % , " 3 3, A %- X - ? –
0"X. . 0 444 , . 130-131. 14
+ + A 34 3 % %. , ? 3 "3 , % ! %"3 X % 3 X, %% ? " % 3 " 3 ? " . # " % -, 1 , 3 A 3, "%
" " % - " , % 3 AA 3 " 3 3.16 & % " " - "% 3 " ? , " " 3 3 – ?
" 3 4 % [ . 5 , 3 A 3, " 53 % 3 "3 - ?, % , " " 0 - +"- , 4
" " 3 .17 / !- ? 3 " : X , - 3 " . - " 3 (% 3), 3, % % 3 U X UX " % . X " " UX
, % !- ! - "%3 !3, 3 A 3, 16 : 0 , J, 3, ' , 7CK7. 88-49. Enciklopedija Jugoslavije, Knjiga 6, Jugoslovenski leksikografski zavod, Zagreb, 1965. S.v. PetroviD, jaxduk Veljko. 17 O " - ?, 3 %3 3 3 % ? . & + , 3 A 3, ? 3 $- -, 3 #3" .
148
: 3 %3 , " , 3 " ", X - " 3X. 3 " 3,
" " , "A " 3 #3" .18 #", " " % ?
" 3 !-3 -, ? " " AA 3 % XA /X, 3 0 , % ? -!- ? , A 4 X"3 3X: XT !- !3 3, ". T 3 " %3 ? -, " 3 , 3 0 3 " U ?, "% ? " , 3 , % 3 % U / 3
3 " " A 0 " 3 !. 3 , A 3 , 0 " %"3 % ? , 3 , ?
% 3 % .X
AA 3 %3 % 3
. G , 3 A 3, " " , 3 3 . & - 43 34 " % % AA . 3 , "" 4 0 % $- X 18 X ", 4 3 " ... X ? ? 0 , 3 4 . 3 ", " 0 , % X, 4 .
" %"3 %X A % " " % 19 " % " 4 . 3 , % , 3 ? 1 , 3 " " % 4 – " - 3 " " " " " "" 0 . G , , 3 A 3, " – AA 4 % " 4 3 . 5 % 3 3 % " 3 - " AA 3, ? 3 " 3 3 A , , X - % X.20 1 , , " " 3 3 4 " ?
3 X" 3 X – " , , ? , " % 4 % [ . 3 , , % "?, " XA 3X, 3 3 43. , - " " 3 3 %
# " % " % - 7K=K-=C. , - % %? 3 %4. " , % " 53 3, %% 3 ? 0 , % XG 3 3X. - ! - 3 3 : X
G , 3 3 % , 3 , % " % 3 " % X. : . , ' ?"4 0 . , 0" - 5 % " $ %! ! ' , ' , =;;9. =<9. 20 ! < , 10.05.1994. , X 3 X, " 3 . , ' ?"4 ? , . 78C. 19
150
" – X X. # - , !-, X X " ? 3 %-
"" - X X. 4 4: X 3 3 ?, , % , 3 % , % , - ..." , , ' ? " 3U
? 3 " , " 4 : 3 , 3 , 'UX
0? "3 , " 3 % 3 , " ? 3 " 0 21. & 3 , 3 4 3 ! % ? 3 3 X33 / 3X. % !- ? 4 , , 4 , % X X 3 X X, X3 X , % " " " 3 % " % 4 X ?X. # 3 ? , " , % " " 3 . 3 , 3 ? " 21 #% " % ? " ? 3 I. oloviD, Politika simbola, Beograd, 1987. 87-77K. # " 4 % " 0 3 . G , 3 , 3 3 " M, % 4 % - %"
3 - 3 3. 0 " 3 % % , " 3 3- " " , , , % ".
? % 3 X" " X22 , 3 , 3, " 3 " 3
" . 3 , X" X " %" 3 %- " -
, % X8; ? X. G "- \ ! - , 3 A 3, 3 "A % XX – X" 3 -, 3 3 A 33 3 X.23 & 3 , % % X " 34 3 3 " 3 3 6 0 6, ! 3 3 - 3 3X.24 # " 3 ""
" ? % A 3
4 " ', % " " 3 %3,
5 3 : . , 4 X- X "3 0 , O - (.), ', O ! 0&, ==. ' , =;;>. CC-119. 23 I. oloviD, Bordel ratnika, Beograd, 1994. 147. 24 . , 0 " ] " I , 444 5 ? - " : 0./ , ' ! , " 3 % " - 5 % $ %! ! ' , >K-69. 22
152
3.25 T " ? " 3 " " - 3" !- 3 , X3 X % % 3 . #% ! 3 3 , ? 0 " , % " ? " ', 3 ? " % % 3 33 - " , X%" - %- X. % " , %", % % %- , " 3 ? % %" %- ', 3 - , 3 - % .26 - " " , 3 A 3, 34 " % !- ! - 3 2 + . 5 + " % 3, ? " , . + " " , 3 " " " - " 3 ". 3 , %? 3 43, 0 3 3 % 3 "" . 5 " 4 " , " AA . #", " % " + , 34 $-% " ! 3 . ,
3 - %3, ,
25
K. E. Fleming, Orijentalizam, Balkan i balkanska istoriografija, Filozofija i društvo, XVIII, Beograd, 2001. 26-27. 26 Z. VolQiQ, The Notion of 'the West' in the Serbian National Imaginary, European Journal of Cultural Studies, 8 (2), London – Thousand Oaks – New Delhi, 2005. 161-162.
0 , % , " 3 ? " , 4 3 - . X 3 3" , % 3 %3 X, 3 . /% % 4 3 " ? 3 , " 3 , " - "- , "% – 4 . 3 , % % 3 2 + 3 " 3, 3
- 3 " – , 4 " "% % 3 3 " " . 5 - " , !- , "% . 3 , " " " " 4 " % , ? ? % .27 0 3 A , " A 3 3 3 %, 3 3 % 3 %3 3 0 \" 0 3 " - , - " % % A ? , A .28 / % % $-% 0 " - , %" " % " ? % %
" XA 3X. * , 3 A 3, 4 " 3 3 X 3X] + " 3 %% 3 " , , 0. / , {p. it. 97-74. . , ' ?"4 0 . ..., 23-32. 27 28
154
3 , X " 3 X 3 3 3 X% X] , " 3 4 . 3 , 3 - % % - 3, 4 : XG " 3. 1, $-% U 3 % 3 G- 3, 3 4 % 3 , % " – 3 " , , " 3 4 3.
3 34 , - 3 ... 5" , " , 3 4 " 3, 3 – , "%, 3 UX
, " 3 % 3 X3X X 3X ? , X" X
4 3 %3 " 3 3-. & 3 , , X % " %" %34 X29. %3 " 3 3 4 " "4 " ? – 3 3 " ? 3 % X -3 -'X. G X3 -X, " 3 4 3, ? % % " " " " . 3 , 34 , + , X X - " 3 - 33 4 3, " (3 ), " 3 3 3 3 3. 29 S. Jansen, Svakodnevni orijentalizam: Doživljaj "Balkana"/"Evrope" u Beogradu i Zagrebu, Filozofija i društvo, XVIII, Beograd, 2001. 65.
5 + " , , X" 3 X, 4 X 3 ! % 3 % , % X.30 5 " ? X"! 3", ? " , % 6 6, % X.31 " " %3 !-3 , 34 % 3 % . - X4 [ 3 3 - X, "3 , % % – - " 3 % %3 A ? 0 , "3 3 3 " . 32 " , ? " 3 ! - , A 0 3 3 3 " , " - " . % "
- " "
" – " " ! - 4 " 3 – 34 , 3 A 3, 3 3 . 3 , "
" ? " 3 - I. oloviD, Politika simbola, .42. Loc. cit. 32 ' ! 3 % !- . 5 7>. 4 " 3 3 3 , # , 0 ", " 0 $- , " 3 . & , , 3 , " 3 % ? %. : R.H. Davis, Real Soldiers of Fortune, New York, 1906. http://www.gutenberg.org/etext/3029 30 31
156
3 " " 3 3 3 - 3 3 % % "A X " X " " 3 0 3. & " "
, " 3 -, "4 ? 0
3 43, 3 !- "3 - – - " O"3 3 3 3 - 3. % 3" - , %", "" " " 3 X" X, 3 3 3\%" 3 " 3 3 3. % " 3
34 % %. / " %. 1 4 & " 3 [ + , 0 - , ? " 2- . 0 ? " " 3 % - – " 43 " A 43 3 . [ " " 3 % – " %- " ? . & 3 3 , " 3 X3 X " " 3 3 %3. " 4, " "%3 . /% % 34 4
- X X, %", " , 3 " 3 -
% - 34 , 3 3 ? , [ " ? X ? ? X 0 , %4 " 3 " ? " - A . " 3 "A . & 3 3 , 34 % %3 A
, 3 " , % A , 4 : X0 , 3 A . G % 3
0 3U]X , 3 , " - , " % % , % 3 3 4 . 0 -, , "% X- 4 X ?. , 3 3 , 3 A 3, 3 – " " 3 " 3, 3" - "%3 3"% ? " ? 34 3 . % %4 " 3% – " 3" " % ' A " " O. GA ,
- 3"% 3 A ? ? M3 ? " 3 4 " 4 " " 4 . + 3 3 ?
2- % " " X 3 "! X, 3, 3 " 3 3 X " 3X 333, " " 3 # " 3 " " - " 3 – . / ! - (3 3 % " X/3 33
158
X 3X . % ? - % , 3 A 3, 34 !
3 " . / "- " 3 % " 3 ? " %A 3 . ? " " ? , , 3 , % " , X 3 3 " , %3 3 -3X. & , 3 A 3, " ,
3 3 "" " 3 3 "! 4 " " 4 [ . H 3 " 34 3 , 3 "
? ? 4 % , , % 3, 3 ! "3 3 X ? 3 X. + , " , 3 . 5,
" 3 % ,
" 3 % 3, "" A 3 " 3, 3 3 "3 % 3 % 3 . 5 , 3 A 3, - , " 3 %3 A "% ?
?
- " % - . , " % % X) 3 % - , , , , 3 !- %A " - " , 3 A - - .
3 3 , " % .34 # "- "% 7C78. , , 3
7C78. ? 3 3 3 -. G3 % 3 3 3 – 3 3 X.
# 3 , % 3
-3 " 3 . , %" " 3 3 - , 3 % " " " 3 3 % -, % 4 3 . A 3, " "3 - 3 ? 3,
"% 34, " " 3 " : X/ - 3 , 3 ]X X 3 34, , " % X, %3 "! . X0 .X 35 &" : http:\\.ps.or\op\einsteinswife http://en. wikipedia.org/wiki/Mileva_Mari%C4%87 34
160
" "4 % " . & " - %" " " 3 % " " , " 3 - 3 " .36 & , 3 A 3, " 3 " . & % %3 A ? , : X % , "! , 3 %A 3 3
3 , 37 ] &% , " " %"4 , ! % " , 3 X. X 4. 0 3 3 3 3 X, % .
# , , " 3 . & ? 3 "% " ! - 38 3 % ? % 36 3 %, % 3 3 % 3 Annus Mirabilis " . % " " ? X% " X 3 " 3 " ? - , 34 " % % " . 3 . 3 , $ 3
" - 3- , '.1 , 7J. II 7CCK
http://physicsweb.org/articles/world/17/4/2/1 37 / 3 X5 - 4 X % 7C;J. , % " %
!3 Emz2. 38 "3
" , ! - ? %3 – ? – 3 4 % ! - ? .
X X - " , " 3 % . 3 , % !
- % 3 4 3, X3, " "3 X " % 3 – " , 3, 4 " " "% " A 4 - ? %! 3 "4 3 % " % - "
3 3 3 . 5, "4 % ! - % % - ? , 3 % "4 %% "3 % " 4 - . , , " % " " ? " ? -,
, % %A 3
"" "% " - . 3 % A 3 " - 34 " 0 : (...) X, % 3 " % A 3 % 3
3 " , " . 4, , 3 X X , "A - , . T " % 3 , ? – 3 3 (...) X 3, %", % "3 3 3 3 3 %3 , 'UX
5 34 % 1 -! % 3 3 X3-" X X3-"% X, X! " 3 , % 3 3,
162
"% "3 "3 ? 3-" " 3 3 - 3X39. , " % 3 '\0 " " 3
% , 3 3 " % " ? . 3 , ? ? %- . 0 3 " X%", "3 3 3 %3 3 3 3X, " " , , 3 " " , " " "" 3 " - " " - , " 3 A ( 3
" " 3? ) %" % . 5 " X X, , , " " X3X, " " XA 3X " 3 33 '. G " % ? , X" X 0 % X X, ? ? X , ? 3 3 X. " % X3 3 " % 3 X, ! % 3 %3 A , 3 ! % % - " " 3 - "3 . 0 , " " % % 3-" " 3 X33 -X,
, " - 3 O", % 0 3 " " 39 M. Herzfeld, Anthropology The rough the Looking Glass: Critical Ethnography in the Margins of Europe, Cambridge University Press, Cambridge, 1987.. 123, u M. ŽivkoviD, Nešto izmeFu. bimboliQka geografija Srbije, Filozofija i društvo, XVIII, Beograd, 2001. 79
% . 3 0 – 3 ! - 3 " " - 0 "% % . X" 3 0 3X 3 % 0 , '3 : X03 "% 3 " 0 ,
% "% 3 , "
3%X, X" " X 0 - 4 " X " X.40 5 "
%3 A X - " X X ' X 41. G ? ? %- , " , , 3 % - 3 A 3 3 % 3 X 3 " 3 %3X
, " , 4 " X ? -X, ? 3 "" " - %" ? X3X. 5 " " " – X % % 0 X 3 "% 3 X %Xc 3 " 3 3 %. XG 4X42, , 3 3 . , '3 : "3 0
% " " I , #!0 2, LV, ' , 7CC>. K<. 41 &" : g. ŽivkoviD, Op. cit. 81-83. 42 XG 3 3 4X 3 3 " " 3 ? . / 3 3 " 3 3 G , % 3 " , 3 % 4 "% . " (". 40
164
, G5 ". 4 , " , , !- 3 %- – "% - 3 " 2- – % X" " X. % %3 A ? , % 3 X 3X
3, –
- – " 0 "" . / , , 3 "3 , % X4 -X. - 4 ? " 0 , " " . % , - 3, - " " 3 3 "%3 " " " . A 3, 3
, % %
-, - ? X A ? 0 X " ? %3 3 . -
%3 ?3 "4 "- , ? % " ? "4 " 0" * ) " 3 3 " 3 % 3 3 3 X?3X, " " " - T ? 4 " 3 ' , % 3 " 3 G5 3 7CCC. , 3 $-779. 3
: . , % 1, ' =;;=. , - 3, : Nikola Tesla Superstar, ''Vreme'', 616. 24. oktoar =;;=.
1 , 66 66, 7;.;9.=;;>.
- 43. #", 3 - ,
- ? - 3 % X- 3 43X, 3
T H X % 3 - 3 4 6%3 3 6, " " - 3 3 " 3 " % % , 3
!3 ? " X44. 3 - " 3 %3 "345, 3 3 3 " ! 3 ? X3 ? X. 3 ! - , X - - % "A , 3 X46. 5 , 4 0 , X" , (...) ? " -, % " " % " - : Lj. TrgovQeviD, Nau6nici Srbije i stvaranje jugoslovenske države 1914 – 1920, Beograd, 1986. 44 O. MilosavljeviD, U tradiciji nacionalizma. Stereotipi srpskih intelektualaca XX veka o 'nama' i 'drugima', Helsinški odbor za ljudska prava, Beograd, 2002. 15. 45 G " " " ? ! - "3 X -Y, 3 "3 34 3 " - " , , - 3, 3 " 3 % . & 3 3, , %% 3, %%3 ! - – " - " . 46 Ž. Benda, Izdaja intelektualaca, Beograd, 1996. 32. 43
166
3 "% X47. ! 3 % " 3,
- % 34 4 3 - " . # 4 3 - 3, "4 3 0 3 3 3, X % % X , - 3, X% ! X, 3 " % ? , % " 3 % ( 0) !3 3 % % % .48 " 3 % " !- ! %! ' -+ , 3 3 "% ? " 3 % 3.49 47 Dž. Dženings, T. Kemp-VelQ, Intelektualac – sporna figura, ''Republika'', br. 194-195. Beorad, 7CCK. 5 : . ennings i A. Kemp-Welch, The Century of the Intellectual: From the Dreyfus Affair to Salman Rushdie, u J. Jennings i A. Kemp-Welch (ed.), Intellectuals in Politics: From the Dreyfus Affair to Salman Rushdie, London and New York, Routledge, 1997. 1-21 48 Ibid. 49 , "3 3 " 3 X3 -X 34 % * ! , !- X! %! ?3 X, % 4 3 3 3 3 3 ? " . " 3 3 % 3, 3 % " 0 4 3 0 . # %"% * ! , " " ? "3 , " "4 "% - , "3
- ! . " % * ! 3 3 " ?" 3 0 % A % .
" % 2- , 3 A 3, " 3 " 3 3 " 3 3 % - . 5 " !3- 0" 3 3 : X "%3 3 " , 3 34
" 3 3 " 3 X.50 5 %" " 3 3 T 3 ? , - " X ? " ? - ? - X.51 3 3 - " " , % - 3 " 3, "3 , , T , X" - 6- - 6 3 " % ? !- X52. , 17.11.1989. O. MilosavljeviD, loupotreba autoriteta nauke, N. Popov (ur. ), Srpska strana rata, I deo, Beograd, 2002. 356. 51 B. Jak
iD, ^ruštveni angažman intelektualca u procesu raspada Jugoslavije, Filozofija i društvo, IX-X, Beograd, 1996. 52 X " ? - % " ? % - 6" 46, " 4 3- 3 3 3 4 . ? - 3 3 ? " 3 ? % % X 3 4Y, % X- 4 Y ? (") - 4 , 3? 3 3 3 " 3 "% 6 6 " 3 3 " 3. 0 - 1 " 3 50
168
% %? " 0$/T , %3 A , " % 3 3 3 3, " A X" X " X 4 X - . ' % % 4 , 3 , " 3 4 , - " 3 4 " % . / , 3 A 3, X4 % , 3% % 3 , "! -. 54 " % !% " 3 43 -, % - " 3 % 3, 3X53. 0? 3 , ? , ? 3 "3 , 2- , 34 3 3 – % 3 3 – 3 % 3 X - % - X. , "3 X "X, 3 % "4
43 3 3 .
6? 4 - 6. 64 %6 %? - ? - 3 3 ", - - " - 3 3 - - ? - X. (Ibid.) 53 D. Ugre
iD, Kultura laži (antipoliti6ki eseji), Arkzin, Biblioteka Bastard, Zagreb, 1996,. 190.
+/...
" " " 3 % 3 " ! "% " 3 3 -" 1. 5 3 " 4 , " ? " % " ? A ? "2. " % " "- " % ? 3 A 3 ? " ". & " %, " -" " ! %. "-" " 4 . 5 " ? " ! , 34 % " 3 " 3 (% 3 , " 3 , "- ...) % 3 ( !, %A ). # 3 , - "-" " "% , % 3 " -" 4 34
! , " " 4. 2 The American Heritage Dictionary of the English Language, Fourth Edition, S. V. dystopia. 1
170
" - " ? ? - ? . 5 $ 4 ?- "" , % ? 3 3. " " " " 3 " -" "% . 5 3 ' % " 33 3 3 3 - 3.
, 4 "" ? % % , % "3 3 " " " "3 " 3 3 3 "3. G 3 "? , 3 A 3, , 3 " " , " 7C. , " " . T
% - AA ? , 0 G , "% " " . - " 0 3 - % " "3 A G. & 3 " , G 3 - 3 $-3 AA 3. , "% 3. O T 34
-" , " 4 "-" " "% . 5 3 , % %" %% 3 % 3 : P. Brians, Nuclear Holocausts: Atomic War in Fiction, 1895-1984, Kent State University Press, 1987. 5 3 4 " K;; % ? ! - "% ! 3 " 3 ! .
%. " " ! 3 "% , " 3 0 0 3 , T 3 . #", " 4 , 3 A " ! 3 34. " % , A , , , 3 3 3 - 3 3 % 3 3, " % 3 X X. A %3 A " 4 ( 3 0 ) %. ? 53 , % %3 % " , ? 3 - – . " ? % 3 " " 3,
3 %- % % " ! - %- - " 0 . " 3 ", 3 , 3 ! -3 ? . & " " " - , 3 A 3, " " 3 3, " 3 "3 ? % 0 – 3 " 0 G 3 "3 . 0 , " " % 3 3 3 3 4, % % %3 A " - 4 4 / " ! $ 4 . "% " 3 X 3 - %- X " ! 3 3 $ 1 .
172
? 53 , % 4 3 % 3 "-" " 3 . 0 " " 0 3 3 , , " " , 3 % "% X 3" X -. 3 ,
" " " 0, 3 3 X? X " %, 3 3 43, " 3 3 3 X X " , 33 X" 3 %, : 6ei ginuten6.X X X , , 3 . 5 !- , 3 A 3, % 3, 3 %
– - " A " - " X "X % "3 ! A – 3 ".5 X" X 0 " %" % 3 3 %3 "- 3 " 3 - 0 3. 3 3 3 " , X X ( ) 3 , " ' "% . G, %
, 3 A 3, - "% – " - 3 3 " 3 " % 3 " ? novuma $ 4 . & 3 , 3 A 3, " - 3 " 3 3 X 3 3 3X, "" gadget 4 , % - 3 ", - 3, , !- . 5
% ? - , "% 3 " % 3 " ? ? , ? 3
" " ? % A . & 3 ,
% % , " " -3. , 3 A 3, ? 3 " "% X 33X ' . G " ? " % - X " " X. X0 – ?, " " % 3 A ! – 6 ] 65 % ]X
# % 4, 3 " % " , "% X 3X 3 3 ,
% 0 . 0 " -3 " 3 : X5 3 " 4 , " " . 4 " 3 "- (...) 4 " " . # % 3 4 .X
%3 A , X"X X 3X ' , . &3 X 3 ? X, X 3 X, 3 4 % , " ?. 5 ?3 " " ? " ? " " % ? % "% - 0 : 3- . 5 %- 3 3 – X 4 . O 3 , % % .X6 5 6
M. ŽivkoviD, Op.cit. 91.
174
", " 3 3 3- X 3 3, " , " " 3 % ?3X7, 4 . G, - 3, 7C=<. : X 3-... , 4 : 3
% 3 ... , ,
... 5 " ... 2 4 ? , 3 ... % , % X.8 0 " , 3 3 , 3 " 3 ", A , - 3, X! % -X (H % %) " X+ 3 % ? ?X (' ), . X! % 3, X.9 3- ? !- , " " - " "% - – X 0 X. 3 " " - , ' 3
% , " 3 – - " " 3 3 , " - 4 " - 3 , " . 5 , %", ", 34 ! % - X 3 3 X10. , 7
Ibid. 92. A.MitroviD, Predgovor: Srbi o Nemcima, u zbirci Srbi o Nemcima, Beograd 1996. J. 3 g. ŽivkoviD, Loc. cit. 9 3: I. oloviD, Divlja književnost, Beograd, 1985. 236-237. / ! 3 - %3 A H % % ' % ? ?, 7C99. . 10 &" : 0. / , %- % % - : " " 0 3 A 3 ' , # ! 0 2, LV (1), ' , 2007. 54. TA ^. PopadiD, g. Biro, Autostereotipi i heterostereotipi Srba u Srbiji, Nova srpska politi6ka misao, br. 1-2. Beograd, 1999. 45. 8
X 3 3 3X, 3 3, , 4 X? ? %4 ? 3-X, 34 " 3 X ? " " X % , , 3 3 X - " 3X, "% "" "% 3 " 3. * , 3 A 3, 3 3 , " % " - 3 3 3 3 "3, 0 ] 3 , A "3 " ? 0 G " 3 4 "3
% " - $-. / 3 3 A, "% % % " % - " ? 0 , 3 3 , " .11 5% " ? ? - %. & " " ,
" " G " AA 3, " " 3 0 , 4 4 " ? " 0 3. " - " % " 4 ] T
0 , , 3, ' 1981. 19. 0 G "3 " " " " ? , , % 43 34 %3 " - 0" . GA , ' 3"
% G 3, % " A , 3 - ? 3 3 3 % 0 3 % . * " 3 0 , G - " , " "- % 0 3 3 - 4 . 11
176
- "% A % " "%3 X 3 3 [ "X, % "% " , - " 3 3 G " , 3 4 . & % 3 0 3, % "3 3 " " " G 4 4 : X 3 "3 G- " " % 0 . " X X# 0 X, (...) X' 4 X, . X 3 0 % X X1 0 3 4] 1 "
3 # 3 ]X % A . X1 , 4 3 0 3 . 3 3 " ", 3 % 3 " 3 3 . 0 " " 3X
5 3 0 %
"3 " 3 , " X X. 3 " % "?. XO 3 4 % 3 ? 3 ?. H " " 33 . 2 , - ? % 3 3 ? " 3 % 3- . T % - ? 3 . 5
A . T 3 " 3% % % " . 0% 3 0"
X
, 3 A 3, 4 , 4 G :
X& 3 (...) - " % 3 0 . ' 0 , " 3 "3 3 " % 3 3 X
, , " 3 – % X 4 X 3 "" " A 3 , " , " ( ) . G 3
"3 , % " , 0 " , ! - " ! " , 3 % % % , ? 3 . / ! - X% 3 - X ? X 3 ? X - 3 3 % 3 % – " ? 3% 3" "" 53 G , X" X - %- "" 3 . H , 3 , – X 3 X, % 3 " - 3 – - .
3 3 3 – 3 X3 X " " 3, 4 % X3 - X. &" % - "" 0 G , 3 " 3 – , 3 X - % " X, %"
X" 0 X – % 3 XA 3X " " 3 - , " 3 % 3 " , 4 X X. # G 3 3 , " , %3 ? -
178
? " - ?, %3
– " 3 ( ) - . 3 ? – ? " " 3 " - " - " 4 – " " . " 4 - " , "3 " - " X " - X, 3 " % 3 " 3 3 . ' " 4 %
" . - "-" " " - , 3 , " 53 3. , 3 A 3, ! %3 A , 3 " % . " ! 33 " , 3 A
. " " 3 A 3 " % %3, - 3 % 3 3 % X 3X.12 Novum " , " % " " , " X X. 5 " % 3 % ! ? 3 % % ? %" . 3 , " - ! X% X – X X, 3 % 3 , % 33 . " " " O 3 , "% " 3 X X ? , "- , 3 ? !. 3 3 - X 3X A " 3 % " -, % X% X " % 3 % X% X " " 4 . 12
4 3 - – "
X X "% 53 , % % " % "% " ",
% "% X3 4X, " " - 3 . , , % " 3 33 "" 3 X X: H +% , 3 " -] # - 3 , # - % 3 3 ] - % 3 3 , 0 , " 4 U % " " , G : 0 % U 6 - 3 , -, 3 3 3 , , " c 0 % , G , 4 , 3 " .13
/ , , 3 - 3 -
4 3 - . ! - % 3" - 3 " – % , - , %% 3, - – A !- 13 3 < [ , , II, , ' , 7C>C. 7K>-188.
180
" - " A ? - - " 4. " " A – " 53 ,
3 3 3 ? X X " ? . G , X 3, "? 3 ! 3 % X 3 ? , X " ?3 , 3 "3 ?3 , " 3 3X14 34
3 " 3 3: XG % ? / ? " %" 4 (...) " 3 " 3 "" ! 4 3 . - / , " ?.X
, , " % " X? , 3 % X.15 +% , - X% X. - " X X , 3 A 3, 3 ? 3 – " %" "3
. &3 , 3 X X. # %5" 2 2 , " 3 {. gilosavljeviD, U tradiciji nacionalizma... , . =K>. #
-, , G- , " X " X, " 3 0 3 3 . S
% X % ? X . , 3 " ? " , " % " - . : , . =K8-=C7. 0 – 53 ,
" % %% ! , 3 " " % " " X 3 X. 15 D. BandiD, Carstvo zemaljsko i carstvo nebesko, Beograd, 1997. 229. 14
3 " %, 3 4 3 , " " " % % " 3 ? 3 . 3 " 3, %"
% ?" " 3 % % ? . 0 , X X " % % 3 , % 3 3 " , 3 ", : XG 6 ", 3 X, . X 3 3 "X
& % " 3 A . 5 4 " % 3 ! % " , X 3X: X+ 4 4 3 3 %"
: 3, - 3 - 3 (...) H 3 3 " c " . % 3 - , " (...) G % 4 3, % ] 5 3 3 - ."16
" " % , " 3 " 3 " 4 . ' , -
, " "% " % . , 3 " 4 : X 3 , . 5 "4 3 3 . 3 % , " . , % 3 " X. & 3 , " . ' 3 X 16 H , "% " 3 3 ' , 3 ? X X.
182
5 , , , . " " " " . " " % "? "3 4 3 " 3 . / , , 3 ! 03 3 ,
" X% '4 X. % 4 34 "" % - % 3 . A 3, % , X 3 X, 3 . 5 " - , 3 " % % 3 3 33, ' . % 3 ? , 3 , 4 3 % " , 3 A X 3X. G % 3 3 – 4 X- 3 X.17 3 " % X X " " % , 3 A 3, 3. O 3 " , 3 "" , %3 : O "% ' ] " . T 3 - 3 % 3 4 . 3 " T , / . * ] ! (% 3) " ? 4 .
, %3 A % 3 " 3 % . " 3 ? %3 , %3 A -. & X X U 5 " " " 3 " , " 3 3 X" % % " 3 17
D. BandiD, Op. cit. 230.
% 0 , O" " % X18. 5 3 X" " - X, 3 "" 3 43: XO - , 0 - ? ? 3 % %3 3 % 3c 0 - 4 % " %3 6 - % ?6 1c 1 A ? , 6 ?6 0 c 0 3 " 3 ? ? ( "U) 3 % . S " "3 -
" 4 % – " % 3 ? % ? ? .X19 5 " 4 3 %3 % : X(...) ? 53 3 3
" % 3. # . H "
3 ", , 3 , 3 " " " ,
% , " 3 "
" (...) # " "3 , % %3 A " ? " .X I. oloviD, Politika simbola, 45.
- " " 0 " 3 4 " : X 0 . ". 5 % 3 3, 3 " , , " - . O % 3 " , 3 " % " " 0 " X, < , 29. 1989. 3 I. oloviD, Loz.zit. 19 S.Žižek, Uživanje u pokornosti i sluganstvu, ''Naša borba'', J.7.7CC9, " 3 g. ŽivkoviD, Nešto izmeAu444 , 96. 18
184
# , , - . ' " , 0 53 " , - % % , "-" " , % - 3 . 5 4 ? A "% , " "" , 3 3 3 % . 0 X% %3 A " ? " X %" % , 3 " % - - , 3 " %% % X X " . 5" , , 3 3 .
5-...
& 3 % X - X 3 " 3 3 ! 4 . 3 3
" 3 - 3 % % % " " 4 0 . , " 3 4 3, ? " " , % % " % " " " ? - ? - . % " ? 3 " 3 3 " ? % 4 "- , " 3 - 3 3 " 3 X - X. % 4 "- 3 ? , " "? - " " 3 " - , %4 ? - " " 3 " , " "% 3 - - 3 % 1. 0. 3 , 5 " " . 5 " - " 3 3 0 , * , =, + - 3, -, 7CCJ. 110. 1
186
5 , % 3 3 X - %- X 3 ! % 3 % 3 3 3 3 - . & ! ? , % %4 X 3" - 3 " - 3 " ? - 4 , - %3, 3 % - ,
%4 - , " ? - X.2 % " ? "%, 4 4 0 3 . & A % % , 3 % " 3 ? " " % . G " X 3X " X 3X. X 3X 3 4 0 " - " ", O". - "- % ? % ! ,
" 3 "3 % % % 3 - . ? ! , ? % . A 3, ", " 3 - 3 , 3 ?3 %, , X % % 'X X? 3 %3 X. X 3X, , % " A . 3 ! % % % , 3 3 X" 3 3 % 3 '- 3X. , 3 A 3, 3 3" . X# - 3 X % A
" - "- " 4 !- "3 2
Loc.cit.
- , , , 3 % , A X ? " ?X 3 % - . & 3 "- X - X, 3 "4 3 " %3, " % " 3 3 3 3 . X ?X 3 3 ! % % 3 3 " " - " "3 , " X " %3X - 43 . " % " ? (- ) " " 3 3 , " " , 4 X3 X. & 3 3 , " X - X % A 3 % - " " " " ? 3 3 " , , % "% ? 3 , ? ? % , 3 , " 3 " X"% - - X " , "" % +% AA. # " 3 "
" " 3 " " , " ? % " " -
. " "3 3 - 3 3 % A , " " "" " 3 % 3 3 3 ?3
3 3 - % 3 %33. 3
Ibid .111.
188
# - , , 3 3 !- , L'Ancien Regime 4
3 , % ? " ? , 3 XX . G - " " X %3 X 3 " " % ? 1I1 3 - A . 3 , X , " " %
" 3 "% " " , 3, "3 3 % 3 X.4 & 3 3 , 34 %
!- % % - , 3 % % ? " ? .5 G"% - 3 % - X - X %" " , %% 3, 3 3 . & 3 3 , - ? 3 " X ? X. , " 3 3 4 " . 0 , " ?, " ? ? 3 3 3 , 3 3 - ? " 3 3 . & % ? " " , 3 3, X - X 3 !. - , - %- : " 3 ", # ! 2, . LIV, ' ,1995. 307. 5 D. Duda, Nadziranje znaQenja: što je kultura u kulturalnim studijima, Re6, br. 64/10, decembar 2001. 241. 4
- 3"A , "4 3 "4 3 3 . , % X % X 3 % X - 3 X, X" -X " ! 3 3 . 3 , " 3 " " 3 % , ? 4 "" .6 % " , 3 XX, X" X, 3 " " , 3 3 A %- , %4 3 O", ! 3 3 3 4 . 4 " , 3 3 ! %" 3 X % X 3 X X % 3 3 "? . A 3, ! " 4 – " " X 3X X% X, % % "" 3 "3 4 ( ), % % " X - ?X 3 % 3 - % - . % X - X, % 4 " - , 3 !- "A 3 3 ? " ? " , "4 3 % -" – " , 6" 6 " " "" " .7 & 3 , % 4 " 3 ? 1 3 % : X 6 7
Dž. Fisk, Popularna kultura, Clio, Beograd, 2001. 54. . - , Op.cit. 307.
190
" 3 " " "3 % % 3 3. 5 , , " % 3 , % 3 " 3 % - , % 3 % , " % 3 " " ? 3 3 , " " , , " , " - " 3 3X.8
#% : ak
iD, oran, Jeka, Tamni vilajet II, Znak Sagite, Beograd 1987. LaoviD, Vladimir, No8 koja bi mogla promeniti sve, Tamni vilajet I, Znak Sagite, Beograd 1987. LaoviD, Vladimir, Veliko vreme, Tamni vilajet II, Znak Sagite, Beograd 1987. LaoviD, Vladimir, VesoviD Vladimir, Beli vitez, Znak Sagite 14, Beograd 2004. , , " , + , S" % 3 , 4 , . 8, ' , \ - =;;9.
8
E. Hobsbawm, Nations and Nationalism since 1780: Programme, Myth, Reality, Cambridge University Press, 1990 , Op. cit. 308.
3
. ')''* D ' * D& & ……………….
5
9 A'9 5' …………………………..
67
9 '' 5% % …………...
127
1. + " , 7. – 2. ! , 11. – 3. %- – 3 -
! !3- , 22. – 4. / , 25. – 5. , , 3" , 30. – 6. 0 3 %- ? " " 3, 45. – 7. " – " , 48. – K. 0 " , 4 " – 3 " , 55. – 9. 3 " , 60.
1. 2, 69. – 2. 0?. 73. – 3. " 3 3 , 79. – 4. + , 87. – 5. O: %3 ?, 98.
T ..., 135. – 0...,.169 . –..., 185
CIP – %- " -
0 , '
#% : X0" - X, / J;, ' 5 % " $ %! ! ' , S 7K-=;, ' . O % : $ " # . & : . + : 0 . + %- M -. *3": S 3", ' . G 4: J;; " 3 . ' =;;8.
