SOFA New York 2010

SCULPTURE OBJECTS & FUNCTIONAL ART

The 13th Annual Sculpture Objects & Functional Art Fair

April 16–19, 2010 Park Avenue Armory Park Avenue & 67th Street

SOFA NEW YORK is produced by  The Art Fair Company, Inc.

Ruth Duckworth Untitled #992110 2009 porcelain 26 x 38 x 6 Represented by Thea Burger photo by Guy Nicol All dimensions in the catalog are in inches (h x w x d) unless otherwise noted

Library  of  Congress  –  in  Publication  Data SOFA  NEW  YORK  2010 Sculpture  Objects  &  Functional  Art  Fair ISBN  0978920651 2009913077 Published  in  2010  by  The  Art  Fair  Company,  Chicago,  Illinois Graphic  Design  by  Design-360º  Incorporated,  Chicago,  Illinois Printed  by  Pressroom  Printer  &  Designer,  Hong  Kong

SCULPTURE OBJECTS & FUNCTIONAL ART

The Art Fair Company, Inc. Producer of SOFA NEW YORK 2010  4401 North Ravenswood, Suite 301  Chicago, IL 60640  voice 773.506.8860  fax 773.345.0774  www.sofaexpo.com 

Michael Franks Chief Executive Officer  The Art Fair Company, Inc. Mark Lyman President  The Art Fair Company, Inc. Founder/Director, SOFA Fairs Anne Meszko Julie Oimoen Kate Jordan Greg Worthington Barbara Smythe-Jones Patrick Seda Michael Macigewski Bridget Trost Aaron Anderson Stephanie Hatzivassiliou Ginger Piotter Heidi Hribernik Erinn M. Cox Donald Bromagin Joe Ponegalek

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SCULPTURE OBJECTS & FUNCTIONAL ART

6 Acknowledgements 14 Lectures Series 18 Essays 20 Ruth Duckworth: True to Form 24 Time Present, Time Future Emmanuel Cooper 28 Finnish Ceramics Emma Crichton-Miller 32 Exhibitor Information 164 Resources 204 Index of Exhibitors 210 Index of Artists

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Welcome to SOFA NEW YORK 2010!

It is interesting and encouraging to see top work being sold at SOFA fairs, which is similar to what we have seen in the major auctions—the best work being sold for a premium. It is a testament to the unsurpassed virtuosity of process and sophistication of many of the works at SOFA, but also a tribute to the resilient dealers, museum curators and collectors who stalwartly supported them through recent  economic challenges. Congratulations to Director Holly Hotchner and  the Board of Governors of the Museum of Arts  and Design as they approach MAD’s second anniversary in its new home at 2 Columbus Circle, this extraordinary facility was likewise the result of much forward-thinking and perseverance. We are delighted to partner with MAD again on its Spring Benefit, held in the Tiffany Room at SOFA NEW YORK’s Opening Night Preview. MAD continues to  be a leader in promoting the very best of our field, and their innovative educational programming and exhibitions deserve not only SOFA’s recognition, but yours. We are also delighted to partner with other  prominent New York museums and organizations  on SOFA NEW YORK’s VIP programming, and  wish to thank The Andrea and Charles Bronfman Philanthropies, American Folk Art Museum, The Asia Society, The Jewish Museum, Metropolitan Museum of Art and the Whitney Museum of American Art, for their ongoing partnership. 2009 was the first year of our newly reorganized company, The Art Fair Company, and I am pleased to report it has been a time of both consolidation and growth. Our flagship, SOFA CHICAGO is “steady as she goes,” enjoying a successful fair in 2009, marked by palpable excitement on the show floor and a remarkable rebounding in sales. 2009 also saw the Western expansion of the SOFA brand with the addition of SOFA WEST: Santa Fe last summer. Over 10,000 persons attended the inaugural fair (2000 on Opening Night! ) and we couldn’t be more encouraged. This year, hopes are even higher

as the fair moves to early July to join Santa Fe’s high summer season of art, with such venerable Santa Fe institutions as the Santa Fe Opera and International Folk Art Market in full swing.  We are further delighted that the prestigious Museum of New Mexico Foundation, charged with oversight of the major museums in New Mexico including the Museum of Art, has expanded its  participation in SOFA WEST: Santa Fe’s Opening Night. The Foundation plans a private preview  for its highest level supporters, inviting its Circles membership and Business Council to an exclusive, early viewing of the fair. These individuals and  companies are the movers and shakers of Santa  Fe and New Mexico’s vibrant arts and culture. We hope you will save the date now to head West with SOFA, July 8 – 11, Opening Night, Wednesday, July 7, at the Santa Fe Convention Center. Thanks are due as always to the many individuals and organizations that assist with the production  of the Lecture Series, which once again offers an exciting line-up of presentations. And to the hardworking SOFA team who organized and started  up a new fair in 2009!  We at SOFA do what we do because we love the art and the close-knit community of talented and engaged people who create and support it. If you are new to SOFA, welcome and enjoy!

Mark Lyman  Founder/Director of SOFA President, The Art Fair Company Anne Meszko  Director of Advertising and Programming

We would like to thank the following individuals and organizations:

SOFA NEW YORK Exhibitor Advisory Committee: Robert Aibel Clare Beck Rob Coffland

Thea Burger

Lou Grotta

Winn Burke

Sandy Grotta

Julian Chu

John Hamilton

Matt Cline

Lauren Hartman

Sarah Coffin

Constantine Hatzivassiliou

Collectify 

Heckler Electric

Cooper-Hewitt,  National Design Museum

Scott Hodes

Scott Jacobson Joan Mirviss

Keith Couser

Leslie Ferrin Stefan Friedemann

Sienna Patti

Cowtan & Tout

Adrian Sassoon

Susan Cummins Design 360°

Participating galleries, artists, speakers and organizations Acme Safe Co. Jane Adlin John Alden Paul Allingham American Fixture &  Display Corp. American Folk Art Museum Andrea & Charles  Bronfman Philanthropies

Dietl International Ulysses Dietz Floyd Dillman Jack Dobson Annie Dowhie Lenny Dowhie Bryan Dowling D. Scott Evans Jane Evans Matthew Fiorello

Sarah Archer

Randy Flezar

Art Jewelry Forum

Peter Fox

Asia Society

The Franks Family

The Bailey Family

Don Friedlich

Cindy Barba

Carlo Garcia

John Barman

Peter Gee

Daniel Belasco

Charles Gifford

Nancy Blume

Jared Goss

Bronfman Corporation

Trudi Greenway

Desiree Bucks

Greenwich House Pottery

Holly Hotchner Michael Hribernik Joseph Hunt The Jewish Museum Howard Jones Ani Kasten Elizabeth Edwards Kirrane Lee Kogan Nanette Laitman Stephanie Lang Jack Lenor Larsen Cristopher Levy David Ling

NFA Space Contemporary  Art + Exhibit Services, Inc.

We dedicate the

Ann Nathan

2010 catalog to our

Newark Museum

friend Trudi Greenway

Mary-Kate O’Hare

and her incredible

John Olson

love and laugh.

SOFA NEW YORK

Robert Panarella  Miry Park Karl Piotter Valerie Pistole Pressroom Printer & Designer Reliable Transport Bruce Robbins Willy Say Linda Schlenger Miroslava Sedova Select Contracting The Seventh Regiment  Armory Conservancy Franklin Silverstone

Linda Lofstrom

Society of North  American Goldsmiths

LongHouse Reserve

Will Spicer

Wayne Lowery

Jennifer Stark

Ellie Lyman

Joe Striefsky

Nate Lyman

Three Wine Company

Sue Magnuson

Barbara Tober

Jeanne Malkin

Matko Tomicic

David McFadden

Marilyn White

Kevin McCormack Metropolitan Museum of Art

Whitney Museum  of American Art

Museum of Arts and Design

Robert Zale

photo: David Barnes

Dear Friends, 

A Year of Making Art

On behalf of the Board of Trustees and staff of the Museum of Arts and Design, a warm welcome back to the collectors and visitors of SOFA NEW YORK 2010, the Thirteenth Annual International Exposition of Sculpture Objects and Functional Art. 

As we enter a new decade and our second year at Columbus Circle, we are planning an exciting program of exhibitions focused on “the art of making art”. Come to the Museum to see our current shows: 

This year we are honoring longtime MAD trustee, collector, friend  and colleague Sandy Grotta. Sandy’s sense of style and intense commitment to our field has continued to transform the Park Avenue Armory since the inception of the event. We would not be here today without Sandy’s vision. A Year of Firsts 2009, our first full year of operation at Columbus Circle, was a  year of many firsts for the Museum of Arts and Design. It was  the first year in which: · 500,000 people have come through our doors;  · membership numbered over seven thousand people, tripling  that at our former location;  · twelve exhibitions were presented annually; · dedicated galleries showcased the permanent collection including the first contemporary jewelry gallery in a museum setting; · artists worked in open studios, connecting artists and designers with the creative process of “making” with the public; · arts education classrooms served more then 10,000 children, youth, and families with arts education and hands-on art making projects; · more than 100 events featuring performance art, film, and  other media were presented in our state of the art theatre; · visitors and members relaxed and enjoyed our summer  Pop-Up Wine Bar; · shopping in the Retail Store was available off site in our  Pop-Up Store located on the Upper East Side; and,

· Bigger, Better, More: The Art of Viola Frey features the artist’s monumental ceramic figures, bricolage sculptures, paintings,  and works on paper;  · Portable Treasuries: Silver Jewelry from the Nadler Collection is drawn from one of the most comprehensive holdings of ethnic and contemporary jewelry in the world. Portions of the collection have been generously donated to MAD by collectors Daniel and Serga Nadler.  · Intertwined: Contemporary Baskets from the Sara and David Lieberman Collection, an extraordinary display of the range of basket making today, also represents a major gift to the collection.  And, at the end of April, we will be presenting Dead or Alive featuring works by international contemporary artists who use  organic materials to create engaging and inspiring objects and installations. The exhibition will highlight the creative processes that repurpose natural material, transforming the ordinary and overlooked into the extraordinary and memorable.  Many thanks to our SOFA Committee: Arlene Caplan, Michele Cohen, Marcia Docter, Kris Fuchs, Lewis Kruger, Nanette Laitman, Jack Lenor Larsen, Jeffrey Manocherian, Klara Silverstein, Barbara Shuster, and Barbara Tober. Special thanks also to Mark Lyman and The Art Fair Company. Their passionate and dedicated commitment to our field has encouraged tens of thousands of people to become collectors of arts and design.  Lastly, thanks to all of you for your continued generous support  of the Museum. Warmest Regards, 

· Museum visitors and guests could dine at Robert, MAD’s  new restaurant located on the 9th Floor with its panoramic  views and design themed décor and furniture. Holly Hotchner The Nanette L. Laitman Director

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MUSEUM OF ARTS AND DESIGN Board of Trustees Lewis Kruger Chairman

Stanley S. Arkin Ambassador Diego E. Arria Kay Bucksbaum Cecily Carson

Jerome A. Chazen Chairman Emeritas

Tzili Charney Simona Chazen

Barbara Tober Chairman Emerita

Michele Cohen Dan Dailey

Jack Vivinetto Treasurer

Eric Dobkin Marcia Docter

A.

Holly Hotchner Director

Lisa Elson C. Virginia Fields

B.

Carolee Friedlander Kris Fuchs Seth Glickenhaus Sandra B. Grotta Chris Hacker Edwin B. Hathaway Linda Johnson Ann Kaplan J. Jeffrey Kauffman Fred Kleisner

C.

Nanette Laitman Jeffrey Manocherian Barbara Karp Shuster Ruth Siegel Alan Siegel Klara Silverstein William S. Taubman Suzanne Tick Miles Young

D.

E.

A. First pop-up wine bar MADCRUSH photo: Stephanie Goto

D. First MAD Saturday Family Day Program photo: Christina Latimer

B. 500,001 Visitor photo: Oskar Landi

E. First Pop-Up Store for The Store at MAD photo: Wai Lee

C. First Restaurant Robert photo: Emily Baltz

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Dear Friends: It is a great pleasure to welcome everyone to the Park Avenue Armory for the 13th Annual Sculpture Objects & Functional  Art Fair: SOFA NEW YORK 2010. This year’s SOFA exhibitions and lecture series – as well as the stunning three-dimensional contemporary art pieces on view –  will surely excite even the most discerning art critic, and the extended schedule allows for an even more relaxed and leisurely art experience. New York is a city where hundreds of cultures come together to create a unique fabric, and we are thrilled that SOFA each year introduces artists and galleries from around the world to the City’s thriving art community. We are especially delighted to welcome the emerging artists and galleries that make up a quarter of all the exhibitors gathered this week. While you are here, make sure to take advantage of some the other exciting cultural experiences available in each of the five boroughs. On behalf of all New Yorkers, I thank SOFA for choosing to once again host this event in our great City. Please accept my best wishes for a successful show. Sincerely,

Michael R. Bloomberg Mayor

60 internationally known interior designers and architects Building the SOFA brand Promoting the Fairs to their colleagues Attending with discerning clients

SOFA National Designer Committee Special thanks to the National Designer Committee for their support of SOFA.

Honorary Chair

Committee

Jack Lenor Larsen

Frank de Biasi and Gene Meyer

Richard Mishaan

Bruce Bierman

Juan Montoya

Co-Chairs

Lars Bolander

Brian Murphy

Nancy Epstein

Darcy R. Bonner

Sandra Nunnerley

Steven Gambrel

Christopher B. Boshears

Dennis Rolland

Amy Lau

Geoffrey Bradfield

H. Parkin Saunders

David Ling

Patricia Brownell

Tom Scheerer

Suzanne Lovell

Mario Buatta

Steven Sclaroff

Maya and Joyce Romanoff

Barclay Butera

Betty Sherrill

Sherrill Canet

Michael Simon

Ellie Cullman

Marjorie Shushan

Joanne De Palma

Stephen Miller Siegel

Jamie Drake

Matthew Patrick Smyth

Arthur Dunnam

Stephanie Stokes

Douglas Durkin

Carolyn Tocks

Andrew Fisher

Timothy Van Dam  and Ronald Wagner

Lisa Frazar Patrick Gallagher Jennifer Garrigues Alexander Gorlin Philip Gorrivan George Larson Timothy Macdonald David Mann Brian McCarthy

Alan Wazenberg Jennifer Watty Jeffrey Weisman Ilene Wetson Matthew White  and Frank Webb Rod Winterrowd Michel Cox Witmer Stephanie Wolhner

Le

Lecture Series

ectures

Lecture Series

Presented by SOFA NEW YORK Lectures take place Friday, April 16 and Saturday, April 17  in the Armory’s Tiffany Room. Admission to the Lecture Series  is included with purchase of SOFA ticket. 

Friday, April 16

1:45 – 2:45 pm ANIMA Dutch artist/jeweler Ruudt Peters talks about his exploration of the feminine subconscious in men  by drawing with wax underwater,  a freeform process that makes  manifest the latent, androgynous unconscious in gracile, delicate and fragile works. Represented by Ornamentum, Hudson, NY 11:15 am – 12:15 pm Holding Objects: What It Means to Wear Jewelry – The Psychoanalytic Mechanisms An introduction to core psychoanalytic concepts that activate  jewelry and allow artists to communicate and mediate complex and dynamic interactions between people. Rock Hushka, Director  of Curatorial Administration/ Curator of Contemporary and Northwest Art, Tacoma Art Museum. Sponsored by Art Jewelry Forum and Society of North American Goldsmiths (SNAG)

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12:30 – 1:30 pm OUT OF CHINA: Monumental Porcelain UK artist Felicity Aylieff has made monumental porcelain vases in Jingdezhen, China since 2006. She discusses this experience  and the vibrantly decorated works made there, many over six feet in height. Represented by Clare Beck at Adrian Sassoon, London

4:15 – 5:15 pm Jewelry Design: Surface in Depth?? Italian goldsmith Stefano Marchetti traces the development of his work, from the experimental mosaics Pointillisme in Metallo, 1989 through his current work. Marchetti is the recipient of the 2009 Italian Jewellry Award, Naples, Italy. Represented by Charon Kransen Arts, New York; sponsored by Society of North American Goldsmiths (SNAG)

3 – 4 pm A Thin Silver Lining Painter and sculptor Sibylle Peretti creates dreamlike figurative work that is both tender and  disturbing and questions the human relationship with nature. Peretti speaks about her thematic choices and the magical style  she employs. Represented by Heller Gallery, New York

Saturday, April 17

12:30 – 1:30 pm A Theory of Everything Walter McConnell discusses  the evolution of his signature works: towering assemblages  of cast porcelain and installations of encapsulated moist clay. Represented by cross mackenzie gallery, Washington, DC

10 – 11 am Inventing a Visual Vocabulary: the Collaborations of Paul Stankard and Jon Kuhn Glass masters Stankard and  Kuhn discuss the collaborative work they have created for  15 years. Represented by Ken Saunders Gallery, Chicago

4:15 – 5:15 pm 50 Years of Glass – Almost Marvin Lipofsky presents a  visual survey of almost 50 years working in glass factories and  studios throughout the world. Represented by Schantz Galleries, Stockbridge, MA 11:15 am – 12:15 pm Reflections on Nature: Inspirational Sources for the Clay Art of Koike Shôko A pioneering woman ceramicist from the postwar artistic wave in Japan, Koike Shôko discusses  her artistic process. Lecture will  be in Japanese translated by Yasuko Otsue. Represented by Joan B. Mirviss Ltd., New York

1:45 – 2:45 pm Conversations Artist Daphné Corregan presents over 20 years of her work in ceramics, her inspirations and influences, and the dialogue induced by these different  encounters. Represented by Collection Ateliers d’Art de France, Paris

3 – 4 pm The Dichotomous Muse Travel the divergent paths taken  by Kait Rhoads as she utilizes  traditional Italian glass patterning techniques to create sculptures and vessels that embody her  reverence for nature. Represented by Chappell Gallery, New York

17

Essays Ruth Duckworth: True to Form Time Present, Time Future By Emmanuel Cooper Finnish Ceramics By Emma Crichton-Miller

Essays

Ruth Duckworth: True to Form

“The Ruth I knew was someone fiercely independent about her work, who knew what she wanted to do and had the confidence to do it… I don’t believe artists can become great artists if they don’t believe in themselves. Ruth believed in herself.” Thea Burger Ruth Duckworth Memorial Service December 4, 2009

“I am quite sure that as an influence on pottery worldwide Ruth Duckworth is of the greatest importance. She influenced and led a whole generation of post-war ceramic artists in Britain – Hans Coper, Gordon Baldwin, Ian Auld, Gillian Lowndes, All Wallwork, Dan Arbeid and many others. All acknowledge their debt to her, especially for freeing them from tradition.” Birks, Tony. kerameiki techni: International Ceramic Art Review (1998): 48-49.

“Ruth Duckworth does not care to explain her work. Her ceramic sculptures are not representations. Nor does she seek meanings or justifications for them in her personal history. She prefers viewers to develop their own interpretations… Has she tempered her scale over the years, as Agnes Martin has by reducing her canvases because that’s what she can comfortably move herself? Duckworth scoffs: ‘That’s what you have assistants for, they’re very useful to move things,’ She adds, ‘I’m smaller, but my work’s not.” Koplos, Janet. “Sources of Inspiration: The potter Ruth Duckworth discusses her life and work with Janet Koplos.” International Crafts Magazine September/October (1999): 46.

“Form is so much more important to me than color,” says Duckworth. Ruth Lopez, “At 82, a Sculptor Remains True to Form (and to Energy),” The New York Times, January 3, 2002. 21

[ Duckworth recalls] “One night … I was looking at the stars. Suddenly, I saw them not only beside each other, but before and behind one another, truly three dimensional. It almost pushed me into the ground, I became so small. But it was magnificent and awe-inspiring— the distances were staggering.” McTwigan, Michael. “Ruth Duckworth.” American Ceramics 10/2 (1992): 20.

Duckworth an adventurous and restless creator once said: “I would like to learn to scuba dive … to go down into that dark depth.” The Times, London, UK, November 6, 2009

“My aim is direct, not to be new or shocking or provoke mystery, but rather to make the viewer feel good. I would say overall my works are meditative with a healing quality,” says Duckworth. Brook Mason, “Artist’s Interview, Ruth Duckworth at 80,” The Art Newspaper, 68, May 1999, 92.

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Ruth Duckworth, a sculptor in clay and bronze, died on October 18, 2009 in Chicago at the age of 90. A refugee from Nazi Germany, she studied in England, where she was influenced by Barbara Hepworth, Isamu Noguchi, Lucie Rie among others. These influences made her a pioneer in the development of sculptural and nonfunctional ceramics in the United States. She served on the faculty of the University of Chicago from 1964–1977. She remained in the city converting an old pickle factory into her studio and loft. She is known for her large ceramic murals, major bronze sculptures, as well as smaller abstract ceramic pieces. A major retrospective of her work, Ruth Duckworth, Modernist Sculptor toured the country showing at the Renwick Gallery in 2006-2007. Brenda Erickson, Board Member James Renwick Alliance JRA Newsletter, November 2009 Ruth Duckworth’s artwork is represented at SOFA NEW YORK 2010 by Thea Burger

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Time Present, Time Future By Emmanuel Cooper

A.

Time present and time past Are both perhaps present in time future, And time future contained in time past. T. S . E l i o t

When the Jesuit missionary Père Francois Xavier d’Entrecolles 1 wrote a vivid, first-hand account of the manufacture of the ‘beautiful porcelain’ in the city of Jingdezhen in China during the first quarter of the eighteenth century, his closely observed and detailed description of its manufacture helped fuel the popular interest in all things Chinese in the West. More recently, the invasion of (part of) the Terra Cotta Army at London’s British Museum 2 has added a further dimension to understanding the power and force of the ceramics of this artistically enterprising and technologically accomplished country. Little wonder, then, that so many people, and in particular potters, continue to fall under its spell. In August 2006 Felicity Aylieff arrived for a six month residency in Jingdezhen, no starry-eyed orientalist but with a specific project to make a series of large, two metre high vessels. Calling on her previous experience of, and success in, handling large-scale objects, contact was made with a family business that specialized in making tall pots made from thrown sections that were joined together to form one unified shape. To her surprise, she discovered that these were made by two potters working together throwing each section very thickly. When bone dry, these were luted together with slip and the entire outside surface turned to the required shape. The method she saw closely echoed that described so diligently by the intrepid observer Père d’Entrecolles; ‘The large objects of porcelain are made in two pieces; one half is lifted on the wheel by three or four men, who support it on each side while it is being shaped; the other half, which is almost dry, is put on to it, and they join the two together with the same porcelain materials diluted with water, which serves as a sort of mortar or glue. When these pieces, so glued, are quite dry the seam or join is polished inside and outside with a tool, so that, with the help of the glaze, no inequality is left. In this way, too, they put handles, ears, and other pieces on to vases.’ Ambitiously, Aylieff wanted even more large-sized vessels, some with up to six sections. A.

B.

Felicity Aylieff

Chasing Red, 2006

Hú Dié Jì Jié –

glazed porcelain,

Butterfly Season, 2006

cobalt and iron oxide,

glazed porcelain,

onglaze enamel

onglaze enamel transfer

76 x 26.25 x 26.25

The vessels Aylieff had in mind were tall and cylindrical, some straight sided, some gently swelling, others articulated by emphasizing the joins of the different sections while some had a shoulder to create a more bottle-like form. To achieve maximum visual impact, all had to be at least three metres tall when made, taking into account the fact that the extraordinary porcelain body contracted dramatically during firing. Although she had a clear idea of the sort of forms she wanted, these often had to be modified to deal with the practical restraints imposed by the clay and the shapes the potters were able to make. As the pieces were assembled it was clearly fascinating to see the final silhouette emerge as the outside was turned, like a sculptor chipping away stone or carving wood to reveal the form beneath. The thick-walled throwing and heavy turning was a testament to a clay body that, while dictating its own limitations, could be worked once its idiosyncrasies were accepted. When decorating the forms, in theory, Aylieff was able to exert more control but the scale and absorbent, raw surface limited possibilities. Preparation and research was extensive, for she wanted to explore a variety of methods, ranging from painting, low relief carving and linear decoration to transfer printing. Aware of the long tradition of Chinese blue and white decoration, Aylieff felt free to borrow the technique but use it in her own way. The discovery of a supplier of beautiful, hand-made Chinese calligraphy brushes provided the necessary tools to approach the vast pieces with confidence. After many tests of colours and glazes, she settled for traditional mixtures of iron and cobalt, which imparted a soft, muted, inky blue – a dark blue-black – under a clear glaze.

B.

Once the physical challenge of working on such large vessels had been solved, Aylieff sought to use the brush marks expressively, letting her hand rove across and around the surface, avoiding anything that looked representative or too selfconscious. The process and the resulting marks have much in common with the approach of Tachiste artists who wanted the pigment to flow directly from the unconscious, unthinking part of the brain. On some pieces the result is a fluttering, loose pattern of abstract, multi-layered marks covering the surface that intensify awareness of it while remaining fully in keeping with the form and its scale. In the vessel Chasing Black, the brush strokes build up an almost three-dimensional effect of depth as they move over and around the classic form.

88.5 x 22.5 x 22.5 C. Three Brushes (left), 2007 glazed porcelain,

C.

cobalt and iron oxide 73.75 x 25.75 x 25.75

25

D.

26

D.

E.

Lian Hua: Lotus Flowers, 2006

Chinese Ladders, 2007

carved porcelain, underglaze

glazed porcelain, ‘modern blue’

blue transfers, selected

cobalt oxide

areas of glaze

118 inches high

88.5 x 22 x 22 F. Bo Yang Hu - Bo Yang Lake, 2006 thrown porcelain with under-glaze blue transfers and selected areas of glaze 88.75 x 22.5

E.

On other pieces, such as Three Brushes, the marks of the brush are more wild and assertive, the pigment more thickly applied so that it almost seems to bite into the surface. The gently swelling, slightly shouldered form is almost obliterated by the broad cobalt and iron brush strokes that virtually cover the entire surface. This is an artist attacking the clay to bring it under control while, paradoxically, liberating it from its formal constraints, setting up a tension between form and surface while creating an integrated whole. On the piece, Chasing Red, Aylieff painted scarlet red enamel decoration over the cobalt and iron underglaze with the same sense of freedom. The brushstrokes flicker and shift over the surface, the marks subtly capturing the essence of form. On other forms Aylieff has adopted a more ordered approach, with the broad, energetic brushstrokes following and intensifying their structure. In pieces such as Chinese Ladders and Fu Ru Dong Hai Shou Bi Nan Shan: Abundance and Prosperity like the East Sea, Longevity like Nan Mountain, take on a more architectural, tower-like quality both in the form, in which one section appears to grow out of another, and in the assertive, defining brushstrokes. By heightening awareness of the articulated form, Aylieff has created a pattern-like quality that emphasizes both the structure of the container and its surface. In contrast to this Expressionist approach, some pieces make effective use of the thick walls for carved, low-relief decoration. To this end Aylieff made a series of meticulous drawings of flowers and plants, which were cut up and reassembled, examined, photocopied and morphed together to investigate decorative possibilities. Eventually these were simplified into a design of multi-layered natural forms that were intended to cover the entire surface. Carving into the resilient porcelain proved a challenge, but the outcome is light and delicate. On some pieces, to add a further layer of visual interest, stenciled linear designs were added. In Lian Hua: Lotus Flowers, the abstract

elongated lotus leaf appears to move into and out of the surface, which is further heightened by delicate blue transfers. From a distance the forms take on a soft texture, and it is only on close inspection that the detail of the low relief carving can be seen. The paradoxes that Aylieff investigates so subtly in these vessels – between tradition and innovation, the floral and the abstract, precision and freedom – is explored differently in Hú Dié Jì Jié – Butterfly Season. This almost straight-sided cylindrical form is turned into a summer celebration by the addition of hundreds of brilliantly coloured butterflies in blues, reds, pinks and greens that flutter gracefully over the surface, a symbolic expression of release and liberation. Crowded and life-size at the base, they become smaller as they move up the form, suggesting they are flying away, freed to enjoy their short lives. During a break in the making, Aylieff took time off to visit Shanghai and the Museum of Quin Terra Cotta Warriors and Horses Army in Xian, where she, like other visitors, marveled at the sheer scale of the enterprise and, despite their apparent similarity, the individuality of each of the figures. Unknowingly, the visit may have prompted her to make four large vessels with shoulders, which she describes as ‘a bit like a row of soldiers’, an impression that all these tall figurative-like vessel forms possess. The twelve vessels, majestic and assured, are clearly members of the same distinctive family but consist of unique individuals. Subtly and quietly, to quote T.S. Eliot, they embody time past, time present and time future.

Père Francois Xavier d'Entrecolles, 1664 to 1741, was a Jesuit missionary who traveled to China in 1698, where he studied some of the secrets of porcelain manufacture. His letters, written in 1712 and 1722 were amongst the first accounts available in the West on Chinese porcelain and helped to fuel the European craze for porcelain and the search for its formula.

1

2 The First Emperor: China’s Terracotta Army, British Museum, London

Emmanuel Cooper is a potter, editor of Ceramic Review and Visiting Professor at the Royal College of Art. He is currently working on a biography of the potter Lucie Rie. Published in conjunction with Clare Beck at Adrian Sassoon’s exhibition at SOFA NEW YORK 2010 and the lecture Felicity Aylieff: OUT OF CHINA Monumental Porcelain.

F.

27

Finnish Ceramics Kati Tuominen-Nittylä Kristina Riska Kirsi Kivivirta Pekka Paikkar By Emma Crichton-Miller

A.

The four artists brought together in Galerie Besson’s SOFA NEW YORK exhibition represent the pinnacle of contemporary Finnish ceramics. All are well known both in Finland and abroad, with many national and international honours to their names. At the peak of their powers, technically and creatively, they have forged out of a common cultural inheritance, unequivocally individual styles that speak to their own particular concerns. At the same time—however, their pieces vary widely in scale, texture and sources of inspiration, encompassing vessel forms, wall pieces and free-standing sculpture—there is an underlying sensibility that they share. These similarities are partly explained by education – three of the artists (Kati Tuominen-Niittylä, Kristina Riska, and Kirsi Kivivirta) studied at the renowned University of Art and Design in Helsinki. In addition, there is a shared attachment to the particular landscape of Finland, and to its difficult history wedged between the empires of Sweden and Russia. All four revel in the natural properties of their chosen material, eschewing highly coloured glazes in preference either for the colours of the clay body itself, or for natural pigments and metallic oxides. These subtly various creams and ochres, terracottas, blacks and rusts, echo back and forth, suggesting imaginations attuned to the restricted palette of the Finnish countryside and to the limited materials – wood, clay, wool, bone, paper – readily available. In the ethereal, thin yellow light of the north, small contrasts become magnified – the black and white of birch bark, the blue of water beneath the ice, wood or brick buildings in the snow, the soft green of islands in vast blue lakes.

B.

Three of the four artists (Kati Tuominen-Niittylä, Kristina Riska and Pekka Paikkari) also work in adjacent studios in the legendary Arabia Art Department. Since 1937, high up on the ninth floor of the Arabia (today Iittala) Factory Building in Helsinki, select ceramic artists have been invited to set up shop, simultaneously designing pieces for manufacture and making unique, one-off works. This respect for individual creativity has been a cornerstone of Finland’s strong design tradition, and has enabled these artists to move freely between functional and non-functional forms, between designing products to please many and creating single pieces that allow them fully to express themselves.

A. Pekka Paikkari Protection, 2009 ceramic, bricks and mixed media 59.5 x 46 B. Kirsi Kivivirta Brown Bowl I, 2008 stoneware 18.5 x 18.5

B.

29

For Kati Tuominen-Niittylä, a common thread in all her work is simplicity. Her lovely forms are inspired by the archetypal shapes of buckets, sieves, bowls and baskets still found on some farms, with solid, flat, bottoms and rounded handles. Her high-fired, often coarse stoneware clay, either thrown or hand-built, appears almost geological. And yet the surfaces, patinated with colouring oxides or carved with tools, revel in a sophisticated interplay of colours and textures. In Kristina Riska’s large-scale, hand-built forms the highly expressive surfaces are matched by the dynamism of the material itself. Her large vessels echo back through time and place, recalling archaic pots or carved out boats, while her pierced and interwoven abstract pieces seem inspired as much by the contemporary architecture of the city as by more primitive dwellings. Architecture inspires Kirsi Kivivirta’s work, also, both as context and as subject matter. Her gentle ceramic surfaces and mosaics, which play with simple, geometric or organic shapes, enlivened by many small variations in colour, shape and structure, hesitate between abstraction and simple formalism. Her Chamber series engages more directly with illusion, and the pictorial potential of clay. Haunted by pots, their long history and powerful symbolism, Pekka Paikkari finds a different creative freedom in his own wall and floor pieces. Unapologetically a sculptor, Paikkari embraces the accidents and raw facts of his profession, leaving the marks of hands and tools on his clay, working with, rather than against the uncontrollable transformations of the kiln. Firing is the dramatic process that gives birth to his cracked and singed pieces, which sometimes incorporate bricks and other building materials, as though already freighted with history. This is ceramic art as archaeology, resonant with time and place.

C.

Emma Crichton-Miller is a freelance writer and journalist, who writes about the arts, craft and design. Her articles appear regularly in the Financial Times, The International Herald Tribune, Crafts Magazine and Prospect Magazine, among other publications. This essay was originally published in the catalogue for the ‘Ceramics from Finland’ exhibition at Galerie Besson, September 2009. Reprinted with permission in conjunction with Galerie Besson’s SOFA NEW YORK 2010 exhibition.

C.

D.

30

E.

C. Kati Tuominen-Nittylä Rauta-aika III/3, 2009 stoneware 12.5 x 17.75 x 18 D. Kati Tuominen-Nittylä Rauta-aika III/4, 2009 stoneware 12.75 x 17 x 15.5 E. Kirsi Kivivirta Chamber II, 2008 stoneware 12.5 x 16.75 F. Kristina Riska Ruukku, 2009 handbuilt stoneware 53 x 20.5

F.

31

A singular introduction to new artists, new works. Dedicated spaces for one-person and themed shows on the cutting-edge of concept, technique or materials Presented by SOFA NEW YORK dealers in addition to their booth exhibits

34

Clare Beck at Adrian Sassoon Felicity Aylieff

Xia KünChóng-Summer Insects II & III, 2008 thrown and glazed porcelain with over-glaze enamel transfers, 84.5 x 22 made by the artist in Jingdezhen, China

35

Lacoste Gallery Ani Kasten

Oval Glacier Vessel, 2009 stoneware, 8 x 22 x 12

36

Ornamentum Ruudt Peters

ANIMA: AEGLE brooch, 2009 silver, 4 x 5 x 2 photo: Rob Versluys Amsterdam

37

­E x

Exhibitor Information

hibitors

Bernd Munsteiner, Reflecting Perspectives: Suite, 2009 platinum, aquamarine, 2.75 x 2.75 x 1.25; 1 x .5 x .25

40

Aaron Faber Gallery 20th and 21st century jewelry; special SOFA focus Working in Metal: Three Women Staff: Edward S. Faber; Patricia Kiley Faber; Felice Salmon; Jerri Wellisch; Jesse Freed; Alex Gadilov; Holiday Anderson

666 Fifth Avenue New York, NY 10103 voice 212.586.8411 fax 212.582.0205 [email protected] aaronfaber.com

Exhibiting: Glenda Arentzen Margaret Barnaby Marco Borghesi Barbara Heinrich Lucie Heskett-Brem Sydney Lynch Enric Majoral Brooke Marks-Swanson Bernd Munsteiner Tom Munsteiner Earl Pardon Tod Pardon So Young Park Susan Kasson Sloan Ginny Whitney Michael Zobel/Peter Schmid

So Young Park, Pin/Pendant, 2009 oxidized sterling, garnet, peridot, smoky quartz, gold left, 3 x 3 x .25

41

Ira Sapir, Untitled [009-07], 2007 welded and painted steel, 30.5 x 22 x 7

42

Adamar Fine Arts Contemporary fine art paintings, sculpture and installations by internationally recognized artists Staff: Tamar Erdberg, owner/director; Adam Erdberg, owner

4141 NE 2nd Avenue Suite 107 Miami, FL 33137 voice 305.576.1355 fax 305.576.1922 [email protected] adamarfinearts.com

Exhibiting: Brad Howe Tolla Inbar Zammy Migdal Gretchen Minnhaar Julian Opie Rene Rietmeyer Marlene Rose Ira Sapir Luis Efe Velez Bernar Venet

Marlene Rose, Zapp Anthropology Triptych, 2008 cast glass, steel, copper, 38 x 59 x 9 photo: David Monroe

43

Oriane Stender, $2 Flowers (Pink, White, Blue) dollars, paper, pigment, 6.75 x 6

44

Allan Stone Gallery Masterpieces of modern applied arts: wood, ceramics, textiles, mixed media Staff: Gil Shapiro, show director; Donald Wood-Smith and Michael Klein, assistant show directors; Abby Athanasopoulos; Jessica May; Lindsey King

113 East 90th Street New York, NY 10128 voice 212.813.6861 fax 212.343.9312 [email protected] allanstonegallery.com

Exhibiting: Robert Arneson David Beck Dennis Clive Barry Cohen Dan Falt David Gilhooly Dorothy Grebenak Richard Haden Bruce Houston Bernard Langlois Robert Mallory Wayne Nowak Vladamir Salaman Kathryn Sins Oriane Stender Phillip Sultz Roy Superior William Umbreit Chris Unterseher John Woodward

Bruce Houston, Stella Truck, 1989 wood, metal, gesso, acrylic paint, 36.25 x 21 x 2

45

Bernard Zondo and Jabu Nene (Ardmore Ceramic Art), Leopard Urn, 2009 hand-painted ceramic, 27 x 14 x 11 photo: Peter Murdock

46

Amaridian Contemporary ceramic art, vessels and sculpture from Sub-Saharan Africa Staff: Fraser Conlon; Christiana Masucci; Alena Marajh; Robert Selby

31 Howard Street New York, NY 10013 voice 917.463.3719 fax 917.463.3728 [email protected] amaridianusa.com

Exhibiting: Ardmore Ceramic Art Astrid Dahl Katherine Glenday

Astrid Dahl, Dendrobium I and II, 2009 earthenware, 34 x 12 x 16 photo: Peter Murdock

47

Jim Rose, Housetop Quilt Cupboard, 2010 steel, natural rust patina, found colored panels, 31 x 72 x 14

48

Ann Nathan Gallery Contemporary figurative and realist painting, sculpture, and artist-made furniture by established and emerging artists Staff: Ann Nathan, owner/director; Victor Armendariz, assistant director; Jan Pieter Fokkens, preparator; Shannon Bonifas, gallery assistant

212 West Superior Street Chicago, IL 60654 voice 312.664.6622 fax 312.664.9392 [email protected] annnathangallery.com

Exhibiting: Pavel Amromin Mary Borgman Gordon Chandler Cristina Cordova Michael Gross Peter Hayes Chris Hill Jesus Curia Perez Jim Rose John Tuccillo Jerilyn Virden

Cristina Cordova, Al Viento ceramic, resin, casein, varnish, concrete, metal, 59 x 29 x 13

49

Yui Higashibata, Awahana, 2007 Japanese lacquer on wood photo: Hideto Nagatsuka

50

Art Front Gallery Japanese contemporary and modern Staff: Toshiyuki Fujimoto, director; Ei Okuno; Toshio Kondo; Yasunari Kumamgai

Hillside Terrace A 29-18 SarugakuCho Shibuya-Ku, Tokyo 1500033 Japan voice 81.3.3476.4868 fax 81.3.3476.4874 [email protected] artfrontgraphics.com

Exhibiting: Yui Higashibata Niyoko Ikuta Hironori Katagiri Masatake Kozaki Akira Nagasawa Takuo Nakamura Hiroshi Onishi Takehiko Sugawara

Hironori Katagiri, Sleeping Heart, 2007 stone (Miyagi basalt), 15 x 13.5 x 2.5 photo: Shinichi Mori

51

Massimo Lunardon, Esseri, 2009 mirrored glass, installation, various sizes photo: Francesco Allegretto

52

Berengo Studio 1989 20th century glass has always been regarded as merely decorative, Berengo’s vision of uniting artists with glass elevates it to the major medium it is today Staff: Adriano Berengo, president; Marco Berengo, director; Elena Cimenti, sales

Fondamenta Vetrai 109/A Murano, Venice 30141 Italy voice 39.041.739.453 fax 39.041.527.6588 [email protected] berengo.com Berengo Collection Calle Larga San Marco 412/413 Venice 30124 Italy voice 39.041.241.0763 fax 39.041.241.9456 ESQ Hiroo 2F 5-10-37, Minami-azabu Minato-ku, Tokyo 106-0047 Japan

Exhibiting: Luigi Benzoni Pino Castagna Leonardo Cimolin Massimo Lunardon Silvano Rubino Andrea Salvador Silvano Signoretto Wouter Stips

Leonardo Cimolin, physalia physalis - Medusa assassina, 2009 glass, 53 x 66 x 69 photo: Cristina Culetto

53

Les Namingha, Composition 1a, 2009 acrylic on clay, 8 x 7.5

54

Blue Rain Gallery Staff: Leroy Garcia, owner; Peter Stoessel, executive director; Denise Phetteplace, director

130 Lincoln Avenue Suite C Santa Fe, NM 87501 voice 505.954.9902 [email protected] blueraingallery.com

Exhibiting: Tony Abeyta Rik Allen Tammy Garcia Shelley Muzylowski Allen Les Namingha Maria Samora Preston Singletary Richard Zane Smith

Rik Allen, Providence, 2009 glass, silver, steel, 29 x 11 x 11 photo: Peter Kuhnlein

55

Ritzi Jacobi, Floating Matter, 2009 cotton cables, acrylic paint on canvas, 53.5 x 53.5 x 4.75

56

browngrotta arts Focusing on art textiles and fiber sculpture for more than 22 years Staff: Rhonda Brown and Tom Grotta, co-curators; Roberta Condos, gallery associate

Exhibiting: Adela Akers Dona Anderson Jeanine Anderson Jane Balsgaard Jo Barker Dorothy Gill Barnes Caroline Bartlett Dail Behennah Nancy Moore Bess Marian Bijlenga Sara Brennan Jan Buckman Pat Campbell Gali Cnaani-Sherman Lia Cook Chris Drury Lizzie Farey Ceca Georgieva Mary Giles Linda Green Françoise Grossen Norie Hatekayama Ane Henricksen Maggie Henton Helena Hernmarck Marion Hildebrandt Agneta Hobin Kazue Honma Kate Hunt Matsumi Iwasaki Kiyomi Iwata Ritzi Jacobi Kristin Jónsdóttir Christine Joy Virginia Kaiser

Glen Kaufman Ruth Kaufmann Tamiko Kawata Anda Klancic Lewis Knauss Masakazu Kobayashi Naomi Kobayashi Nancy Koenigsberg Yasuhisa Kohyama Irina Kolesnikova Markku Kosonen Lilla Kulka Kyoko Kumai Lawrence LaBianca Gyöngy Laky Sue Lawty Jennifer Falck Linssen Ase Ljones Astrid Løvaas Dawn MacNutt Ruth Malinowski Dani Marti Mary Merkel-Hess Norma Minkowitz Judy Mulford Keiji Nio Mia Olsson Simone Pheulpin Valerie Pragnell Ed Rossbach Scott Rothstein Mariette RousseauVermette Axel Russmeyer Debra Sachs

Wilton, CT voice 203.834.0623 fax 203.762.5981 [email protected] browngrotta.com

Heidrun Schimmel Toshio Sekiji Hisako Sekijima Kay Sekimachi Sylvia Seventy Young-ok Shin Hiroyuki Shindo Karyl Sisson Britt Smelvær Jin-Sook So Grethe Sørenson Ethel Stein Kari Stiansen Aleksandra Stoyanov Noriko Takamiya Chiyoko Tanaka Hideho Tanaka Tsuruko Tanikawa Blair Tate Lenore Tawney Jun Tomita Deborah Valoma Claude Vermette Ulla-Maija Vikman Kristen Wagle Wendy Wahl Lena McGrath Welker Katherine Westphal Merja Winqvist Chang Yeonsoon Jiro Yonezawa Masako Yoshida Carolina Yrarrázaval

Norma Minkowitz, Lady Birds, 2010 mixed media photo: Tom Grotta

57

Kait Rhoads, Sideweed, 2009 blown glass hollow murrine woven with copper on steel wall mount, 16 x 26 x 15 photo: Robert Vinnedge

58

Chappell Gallery Contemporary glass sculpture Staff: Alice M. Chappell, director

526 West 26th Street Suite 306 New York, NY 10001 voice 917.414.4755 [email protected] chappellgallery.com

Exhibiting: Mary Ann Babula Alex Gabriel Bernstein Toshio Iezumi Kait Rhoads Takeshi Sano Youko Sano Naomi Shioya Ethan Stern Sasha Zhitneva

Alex Gabriel Bernstein, Blue Wing Disc, 2010 carved glass, 14 x 14 x 2.5 photo: Steve Mann

59

Stefano Marchetti, Necklace, 2009 silver, gold

60

Charon Kransen Arts Contemporary innovative jewelry and objects from around the world Staff: Adam Brown; Lisa Granovsky; Charon Kransen

Exhibiting: Efharis Alepedis Alidra Andre de la Porte Ralph Bakker Michael Becker Liv Blavarp Julie Blyfield Sophie Bouduban Florian Buddeberg Anton Cepka Yu Chun Chen Moon Choonsun Lena Christensen Giovanni Corvaja Annemie De Corte Simon Cottrell Ramon Puig Cuyas Jaclyn Davidson Saskia Detering Daniel Di Caprio Babette von Dohnanyi Sina Emrich Anna Frohn Willemijn de Greef Birgit Hagmann Sophie Hanagarth Anna Heindl Mirjam Hiller Marian Hosking Reiko Ishiyama Hilde Janich Andrea Janosik Mette Jensen Eun Yeong Jeong Meghann Jones Machteld van Joolingen

Lisa Juen Junwon Jung Yeonmi Kang Masumi Kataoka Martin Kaufmann Ulla Kaufmann Jimin Kim Christiane Koehne Yael Krakowski Gail Leavitt Dongchun Lee Felieke van der Leest Nicole Lehmann Kathrine Lindman Nel Linssen Susanna Loew Robert Longyear Sim Luttin Peter Machata Stefano Marchetti Vicki Mason Sharon Massey Leslie Matthews Christine Matthias Wendy McAllister Timothy McMahon Sonia Morel Melanie Nuetzel Carla Nuis Angela O’Kelly Daniela Osterrieder Barbara Paganin Young Bin Park Liana Pattihis Natalya Pinchuk

By Appointment Only 817 West End Avenue, Suite 11C New York, NY 10025 voice 212.627.5073 fax 212.663.9026 [email protected] charonkransenarts.com

Jo Pond Sarah Read Zoe Robertson Anthony Roussel Jackie Ryan Lucy Sarneel Isabell Schaupp Marjorie Schick Claude Schmitz Karin Seufert Debbie Sheezel Roos van Soest Elena Spano Barbara Stutman Janna Syvanoja Salima Thakker Joanne Thompson Henriette Tomasi Silke Trekel Fabrizio Tridenti Catherine Truman Chang-Ting Tsai Flora Vagi Christel Van Der Laan Lilli Veers Peter Vermandere Karin Wagner Julia Walter Yasunori Watanuki Caroline Weiss Francis Willemstijn Jasmin Winter Susanne Wolbers Jung-Gyu Yi Annamaria Zanella

Robert Longyear, Brooch Insular Eights, 2009 silver, steel, copper, insulation, romance novel pages, wax

61

John Garrett, Sand Man Diptych, 2010 mixed media, 24.5 x 26 inches overall

62

Chiaroscuro Contemporary Art Contemporary abstraction and contemporary Native American art in all media Staff: John Addison, director

702 1/2 Canyon Road Santa Fe, NM 87501 voice 505.992.0711 fax 505.992.0387 [email protected] chiaroscurosantafe.com

Exhibiting: Seth Anderson Rebecca Bluestone Ernst Gamperl John Garrett Kay Khan Tracy Krumm Chad Manley Flo Perkins

Kay Khan, Talisman, 2009 silk, cotton, paper on hard hat, 28 x 15 x 12 photo: Wendy McEahern

63

Kate Malone, A Merry-Go-Round Gourd of Fruits and Seeds, 2010 crystalline-glazed stoneware, 22 x 14.25

64

Clare Beck at Adrian Sassoon Contemporary British studio ceramics, glass, silver and jewelry Staff: Clare Beck; Adrian Sassoon; Andrew Wicks

By Appointment Only 14 Rutland Gate London SW7 1BB United Kingdom voice 44.20.7581.9888 fax 44.20.7823.8473 [email protected] adriansassoon.com

Exhibiting: Felicity Aylieff Michael Eden Angela Jarman Chris Knight Kate Malone Junko Mori Adam Paxon Colin Reid Bruno Romanelli Rupert Spira Julian Stair Hiroshi Suzuki Rachael Woodman Udo Zembok

Hiroshi Suzuki, Earth-Reki III, 2009 hammer-raised and chased fine silver 999, 15.75 x 15

65

Abby Modell, Rock Ice, 2009 blown glass, cut and polished, limestone base, 25.75 x 15 photo: Fred Marcus Photography

66

Clark Priftis Art LLC A comprehensive fine art services firm representing luxury contemporary work Staff: Ann Priftis, director; Ana Stjepanovic, deputy director

By Appointment Only New York, NY & Baltimore, MD voice 917.647.6835 fax 212.877.0096 [email protected] clarkpriftisart.com

Exhibiting: Abby Modell

Abby Modell, Fractured Ice Bowl, 2009 blown glass, cut and polished, 15.5 x 11.5 photo: Fred Marcus Photography

67

Jean-Nicolas Gerard, Grand Plat Carré, 2008 slipware, 29.5 x 29.5 photo: Hervé Jezequel

68

Collection Ateliers d’Art de France Contemporary French craft across a wide range of media Staff: Anne-Laure Roussille

4 Rue de Thorigny Paris 75003 France voice 33.1.4278.6774 fax 33.1.4277.4201 [email protected] ateliersdart.com

Exhibiting: Daphné Corregan Jean-Nicolas Gerard

Daphné Corregan, Tête á Tête, 2009 stoneware, 13 x 7.75 x 10.25 photo: Gilles Suffren

69

Merete Rasmussen, Dark Double Loop, 2009 ceramic, 15.75 x 23.75 x 9.75 photo: Merete Rasmussen

70

Contemporary Applied Arts Renowned for the best British applied arts for 60 years Staff: Sarah Edwards, director

2 Percy Street London W1T 1DD United Kingdom voice 44.207.436.2344 fax 44.207.636.6269 [email protected] caa.org.uk

Exhibiting: Vladimir Bohm Christie Brown Helen Carnac David Clarke Katharine Coleman Bob Crooks Fiaz Elson Sally Fawkes Stephen Gillies Katy Hackney Kate Jones Gabriele Koch Jim Partridge Ronald Pennell Merete Rasmussen Fiona Rutherford

Fiaz Elson, Obscure Clarity, 2010 glass, 15.75 x 2.5 photo: Simon Bruntnell

71

Dave Hicks, Raw Terra Cotta Composition, 2008 handbuilt, wheel thrown and extruded terra cotta, glaze, steel cable, 72 x 54 x 12

72

Cross Mackenzie Gallery Contemporary fine art ceramics Staff: Rebecca Cross, owner/director; Max MacKenzie, partner

1054 31st Street NW Courtyard Washington, DC 20007 voice 202.333.7970 [email protected] crossmackenzie.com

Exhibiting: Patrick Bermingham Charles Birnbaum Gary Erickson Neil Forrest Matthew Freitas Jason Green Chris Gustin Dave Hicks Jeff Irwin Elizabeth Kendall Maren Kloppmann Tamara Laird Walter McConnell Lilianne Milgrom Gregg Moore Bret Price Lars Westby Diana Williams Hyung Kyun Yoon Michal Zehavi

Walter McConnell, A Theory of Everything: White Stupa, 2008 cast porcelain with crystalline glaze, 120 x 96 photo: Kevin Sizemore

73

William Morris, Ryton with Drum, 1997 blown glass, 20 x 21 x 7.5

74

Donna Schneier Fine Arts Modern masters in ceramics, glass, fiber, metal and wood Staff: Donna Schneier; Leonard Goldberg; Jesse Sadia; Barbara Packer

By Appointment Only Palm Beach, FL & Claverack, NY voice 518.441.2884 [email protected]

Exhibiting: Rudy Autio Rick Beck Dale Chihuly Viola Frey William Harper Sidney Hutter Beth Lipman Michael Lucero Dante Marioni Joel Philip Myers Michael Pavlik Adrian Saxe Richard Shaw Paul Stankard Lino Tagliapietra Toshiko Takaezu Bertil Vallien Peter Voulkos Steven Weinberg

Michael Lucero, Seahorse, 2005 ceramic with wool

75

Beverly Mayeri, Vanishing Species/Western Face, 2006 clay, acrylics, 33 x 22 x 8 photo: Lee Fatherree

76

Duane Reed Gallery Contemporary painting, ceramics, glass and fiber by internationally recognized artists Staff: Duane Reed; Daniel McGrath; Merrill Strauss; Glenn Scrivner

4729 McPherson Avenue St. Louis, MO 63108 voice 314.361.4100 fax 314.361.4102 [email protected] duanereedgallery.com

Exhibiting: Cassandria Blackmore Paul Dresang Kreg Kallenberger Margaret Keelan Sabrina Knowles Jiyong Lee Beverly Mayeri Jenny Pohlman Verushka Vagen

Jiyong Lee, Green Cuboid-Leaf Sample, 2009 acid-etched glass, 9.75 x 9 x 5

77

Gordon Chandler, Shorty Red/Rusty, 2009 scrap sheet metal, paint, 38 x 34 photo: Ferrin Gallery

78

Ferrin Gallery Contemporary art and sculpture in all media, specializing in ceramics Staff: Leslie Ferrin; Donald Clark; Julia Dixon; Michael McCarthy

437 North Street Pittsfield, MA 01201 voice 413.442.1622 fax 413.442.1672 [email protected] ferringallery.com

Exhibiting: Chris Antemann Christa Assad Gordon Chandler Raymon Elozua Lucy Feller Gerit Grimm Sergei Isupov Myungjin Kim Emmett Leader Anne Lemanski Gerardo Monterrubio Kelly Garrett Rathbone Mark Shapiro Mara Superior Jason Walker Kurt Weiser Red Weldon-Sandlin

Christa Assad, Transformer Teapot, 2010 wheel-thrown and constructed white stoneware, oxides, glaze, 14 x 11.5 x 4.25 photo: Tom Story

79

Steve McCurry, Afghan Girl, 1984 photograph

80

Frederic GOT Gallery Contemporary original painting and sculpture Staff: Frederic Got, owner; Gabriel Eid, art consultant

64 Rue Saint Louis en L’île Paris 75004 France voice 33.1.4326.1033 fax 33.1.4326.1033 [email protected] artchic.com

Exhibiting: Gonzalez Bravo Alain Gazier Veronique Guerrieri Jacques Lebescond Steve McCurry Samuel Salcedo Andrei Zadorine

Jacques Lebescond, Biblos & Libris, 2009 bronze

81

Shozo Michikawa, Twisted Form, 2010 stoneware, kohiki glaze, 21 x 7.75 photo: Yoshinori Seguchi

82

Galerie Besson International contemporary ceramics Staff: Matthew Hall, manager; Tessa Campbell

15 Royal Arcade 28 Old Bond Street London W1S 4SP United Kingdom voice 44.20.7491.1706 fax 44.20.7495.3203 [email protected] galeriebesson.co.uk

Exhibiting: Sebastian Blackie Neil Brownsword Claudi Casanovas Hans Coper Deirdre Hawthorne Kirsi Kivivirta Pekka Paikkari Lucie Rie Kristina Riska Alev Ebüzziya Siesbye Kati Tuominen-Niittylä

Hans Coper, White Spade Form, c. 1965 stoneware, 9.5 inches high photo: Alan Tabor

83

Jean Ives Gosti, Pierreux, 2008 bronze edition of 8 + 4 ap, 15 x 6 x 7 photo: Jan Landau

84

Galerie Van Der Planken Specializing in modern and contemporary art since 1990 Staff: Cedric Van der Planken, founder & CEO; Nathalie Descheemaecker, director

Riemstraat 12 Antwerp 2000 Belgium voice 32.3233.5458 fax 32.3227.2068 [email protected] galerievdp.be

Exhibiting: Moris Gontard Jean-Yves Gosti Erwin Peeters Reinhoud Eduard van Giel Pieter Vanden Daele

Erwin Peeters, Yawning Panther, 2010 bronze edition of 6 + 4 ap, 21 x 18 x 70 photo: Jan Landau

85

Lars Calmar, Untitled, 2009 ceramic

86

Galleri Udengaard Contemporary fine art Staff: Bruno Dahl, owner

Stockflethsvej 12 Ebeltoft 8400 Denmark voice 45.86.259.594 [email protected] galleriudengaard.com

Exhibiting: Lars Calmar Ned Cantrell Björn Ekegren Keld Moseholm

Keld Moseholm, Untitled, 2009 bronze, stone

87

Yoshiaki Yuki, Asymmetric Screen, 2009 silver leaf, hemp, pigment on Japanese paper, 71 inches high with various widths photo: Tamotsu Kawaguchi

88

gallery gen A broad spectrum of contemporary art from Japan Staff: Shinya Ueda; Masahiko Tasaki; Isa Sumita

47-09 36th Street Long Island City, NY 11101 voice 718.392.7717 fax 718.392.7716 [email protected] gallerygen.com yoshiakiyuki.com

Exhibiting: Jun-ichi Arai Yoshiaki Yuki

Yoshiaki Yuki, Regression, 2009 silver leaf, hemp, pigment, 78.75 x 144 photo: Tamotsu Kawaguchi

89

Oben Abright, Alexis, 2009 mold blown glass, oil paint, cement, 53.5 x 20 x 28.5

90

Habatat Galleries Chicago Specializing in the finest contemporary sculpture Staff: Karen Echt, owner/director; Michael John Hofer, assistant director; Emily Henry, gallery assistant; James DeNoyer, preparator

222 West Superior Street Chicago, IL 60654 voice 312.440.0288 fax 312.440.0207 [email protected] habatatchicago.com

Exhibiting: Oben Abright Matt Eskuche Shayna Leib Mira Maylor Clifford Rainey Kelly Garrett Rathbone Youko Sano

Kelly Garrett Rathbone, Mountain, 2009 ceramic, glass, 26 x 10.25 x 10.5

91

Lino Tagliapietra, Maui, 2009 glass, 19.5 x 14 x 7 photo: Russell Johnson

92

Heller Gallery Exhibiting sculpture using glass as a fine art medium since 1973 Staff: Douglas Heller; Katya Heller; Michael Heller

420 West 14th Street New York, NY 10014 voice 212.414.4014 fax 212.414.2636 [email protected] hellergallery.com

Exhibiting: Lino Tagliapietra

Lino Tagliapietra, Venice, 2005 glass, 27 x 15 x .5 photo: Francesco Barasciutt

93

Irina Zaytceva, Last Day of Summer, 2010 porcelain, overglaze, 24k gold lustre, 10 x 7 x 3 photo: Ross Stout

94

Jane Sauer Gallery At the forefront of innovation and excellence in a variety of media Staff: Jane Sauer, owner/director; Jorden Nye, gallery manager; Richard Boyle, communications director

652 Canyon Road Santa Fe, NM 87501 voice 505.995.8513 fax 505.995.8507 [email protected] jsauergallery.com

Exhibiting: Giles Bettison Latchezar Boyadjiev Shane Fero Katherine Glover Noel Hart Jan Hopkins Gugger Petter Lesley Richmond Toland Sand Nancy Scheinman Janice Vitkovsky Irina Zaytceva

Katherine Glover, Fission, 2008 handmade Khadi paper, birch plywood, gold leaf, acrylic, 46 x 46 x 2

95

Koike Shôko, Shiro no Katachi (White Form), 2009 glazed stoneware, 22 x 31.5 x 23.75 photo: Saiki Taku

96

Joan B. Mirviss Ltd Fine modern and contemporary Japanese ceramics Staff: Joan B. Mirviss, president; Nami Dunham, operations manager; Antonia Santiago, gallery coordinator; Rie Nakano, assistant for Japanese correspondence

39 East 78th Street 4th floor New York, NY 10075 voice 212.799.4021 fax 212.721.5148 [email protected] mirviss.com

Exhibiting: Akiyama Yô Fukami Sueharu Fukumoto Fuku Futamura Yoshimi Hoshino Kayoko Hoshino Satoru Kaneta Masanao Katô Yasukage Katsumata Chieko Kawase Shinobu Kishi Eiko Koike Shôko Kondô Takahiro Mihara Ken Mishima Kimiyo Miyashita Zenji Morino Taimei Nagae Shigekazu Nakamura Takuo Nishihata Tadashi Ogawa Machiko Sakiyama Takayuki Sakurai Yasuko Sugiura Yasuyoshi Takegoshi Jun Wada Morihiro

Ogawa Machiko, Red vessel with linear motif, 2009 stoneware with iron oxide glaze, 10.25 x 17.5 x 19.75 photo: Richard Goodbody

97

Chien-Wei Chang, Wounded Soul in Healing Process, 2009 silver, felt, 7 x 10 photo: Michael Harvey

98

Joanna Bird Pottery Works in clay, silver and glass by leading international artists as well as works by early pioneers in the field Staff: Joanna Bird, owner; Camilla Webb Carter, assistant

By Appointment Only 19 Grove Park Terrace London W4 3QE United Kingdom voice 44.20.8995.9960 fax 44.20.8742.7752 [email protected] joannabirdpottery.com

Exhibiting: Jacob van der Beugel Michael Cardew Fernando Casasempere Chien-Wei Chang Carina Ciscato Hans Coper Pippin Drysdale Elizabeth Fritsch Sueharu Fukami Shoji Hamada Bernard Leach William Marshall Annie Turner

Fernando Casasempere, Primordial Cavern, 2009 ceramic, 26.5 x 28.5 x 19.5 photo: Michael Harvey

99

Ritsue Mishima, Spin, 2008 glass, 14 x 19 x 15.5 photo: Ritsue Mishima

100

Katie Jones Japanese artists working in metal, glass, ceramics and textiles Staff: Katie Jones, director; Lesley Mallyon

By Appointment Only 68 Elgin Mansions, Elgin Avenue London W91JN United Kingdom voice 44.20.7289.1855 fax 44.20.7289.1855 [email protected] katiejonesjapan.com

Exhibiting: Shihoko Fukumoto Koji Hatakeyama Hiroki Iwata Toru Kaneko Taizo Kuroda Ritsue Mishima Takeshi Mitsumoto Yasuyuki Oyama Ayumi Shigematsu Jun Tomita

Koji Hatakeyama, Ten Faces, 2008 cast bronze, 7 x 8.5 x 8.5 photo: Koji Hatakeyama

101

Jon Kuhn and Paul Stankard, Stankuhn No. 11, 2009 laminated glass, 11.25 x 7 x 7 photo: Jackson Smith

102

Ken Saunders Gallery The most important artists working in glass in the world Staff: Ken Saunders, director

230 West Superior Street Chicago, IL 60654 voice 312.573.1400 fax 312.573.0575 [email protected] kensaundersgallery.com

Exhibiting: Jon Kuhn Paul Stankard

Jon Kuhn and Paul Stankard, Stankuhn No. 12, 2009 laminated glass, 11.25 x 7 x 7 photo: Jackson Smith

103

Ani Kasten, Jetty, 2010 stoneware, porcelain, 25 x 8 x 4

104

Lacoste Gallery Contemporary ceramics Staff: Lucy Lacoste; Alinda Zawierucha

25 Main Street Concord, MA 01742 voice 978.369.0278 fax 978.369.3375 [email protected] lacostegallery.com

Exhibiting: Anne Currier Karen Karnes Ani Kasten Margaret Keelan Nancy MacKenzie Warren MacKenzie Don Reitz Tim Rowan Mark Shapiro SunKoo Yuh

SunKoo Yuh, Tiger Rider’s Dream, 2010 glazed porcelain, 25 x 18 x 17

105

Jan Huling, Poopyhead, 2010 glass beads, mixed media, 15 x 5.5 x 4

106

Lyons Wier Gallery Contemporary realism Staff: Michael Lyons Wier; Deanne Shashoua, director; Hans Wolf, director of Art Bazaar; Laura Berlin, assistant

175 Seventh Avenue at 20th Street New York, NY 10011 voice 212.242.6220 [email protected] lyonswiergallery.com

Exhibiting: Jan Huling

Jan Huling, Dunny, 2006 glass beads, mixed media, 11.5 x 4 x 4

107

Tim Shockley, Old Ties, 2009 lost wax bronze casting of neck ties with patina finish, copper and mahogany frame, 56 x 41 x 7

108

Maria Elena Kravetz Contemporary different art with an emphasis in Latin American expressions Staff: María Elena Kravetz; Raúl Nisman; Belén Menaldi and Matias Alvarez, assistants

San Jerónimo 448 Cordoba X5000AGJ Argentina voice 54.351.422.1290 [email protected] mariaelenakravetzgallery.com

Exhibiting: Lina Amariglio Weiss Nathan Bennett Silvina Bottaro Elizabeth Gavotti Patricia Gotthilf Ana Mazzoni Maria Moreno Milton Paz Montes Carolina Rojas Tim Shockley Feyona Van Stom Nancy Ziegler Nodelman

Feyona Van Stom, Golden Girl, 2009 raku fired ceramic, handbuilt, 21 x 12 x 11

109

Lina Amariglio Weiss, Pace in Space Necklace, 2009 18k gold, Rudraksha beads

110

Maria Elena Kravetz

Nathan Bennett, Unveiled, 2009 patinated bronze plate with hand-carved wooden frame, 17 x 11

111

Nancy Ziegler Nodelman, Continuum, 2009 tea bags, acrylic, 14 x 14 photo: Eric Swanson

112

Maria Elena Kravetz

Silvina Bottaro, The Promise, 2009 mixed media on canvas, 12 x 12

113

Bettina Terepins, Untitled, 2005 18k gold, amber, 2 x 1.75 x 1.75 photo: Almir Pastore

114

Mariana Magtaz Contemporary Brazilian jewelry Staff: Mariana Magtaz, owner/curator

By Appointment Only Rua Madalena 223 São Paulo SP 05434-090 Brazil voice 55.11.3813.2459 [email protected] gemologiaoniline.com.br

Exhibiting: Willian Farias Vivien Feistauer Reny Golcman Thais Guarnieri Camila Lovisaro Sonia Pasetti Yael Sonia Bettina Terepins

Sonia Pasetti, Virada, 2007 18k gold, diamonds, 5.25 x 3.5 x 3.5 photo: Almir Pastore

115

Thais Guarnieri, Passion Fruit Flower, 2010 silver, 3.75 x 3.75 x 0.5 photo: Almir Pastore

116

Mariana Magtaz

Vivien Feistauer, Origami, 2010 18k white gold, silver, diamond, green beryl, 2.25 x 1.25 x 0.75 photo: Almir Pastore

117

Willian Farias, Cone, 2003 18k gold, dendrite, 2 x 1 x 0.75 photo: Almir Pastore

118

Mariana Magtaz

Yael Sonia, Spinning Top Curve, 2005 18k gold, quartz, 1.25 x 2.5 x 0.75 photo: Almir Pastore

119

Camila Lovisaro, Cubos, 2007 silver, diamond, wood, 2 x 0.75 x 0.75 photo: Almir Pastore

120

Mariana Magtaz

Reny Golcman, Tongue, 2007 silver, quartz, 6 x 3.25 x 0.75 photo: Almir Pastore

121

George Nakashima, Conoid Bench, 1976 American black walnut, 36 x 24 x 87 photo: Michael J. Joniec

122

Moderne Gallery Vintage and contemporary craft/studio furniture, ceramics and turned wood Staff: Robert Aibel, president; Joshua Aibel and Chris Aibel, sales associates; Michael Gruber, designer; Cynthia Tyng, manager

111 North 3rd Street Philadelphia, PA 19106 voice 215.923.8536 fax 215.923.8435 [email protected] modernegallery.com

Exhibiting: Arthur Espenet Carpenter Wendell Castle Michael Coffey David Ebner Wharton Esherick Ken Ferguson Sam Maloof Emil Milan Ed Moulthrop George Nakashima Rude Osolnik James Prestini Paul Soldner Bob Stocksdale Toshiko Takaezu Robert Turner Peter Voulkos Pamela Weir-Quiton

George Nakashima, Conoid End Table, 1964 American black walnut, 21 x 34 x 31 photo: Michael J. Joniec

123

Erica Rosenfeld, Fulton Street 1:30 am, 2009 fused glass, hot-worked glass tapestry, 24 x 36 x 1 photo: Erica Rosenfeld

124

Mostly Glass Gallery Contemporary art, novel and technically challenging Staff: Sami Harawi, owner; Marcia Lepore, associate; Michael Martz, director of operations

34 Hidden Ledge Road Englewood, NJ 07631 voice 201.816.1222 fax 201.503.9522 [email protected] mostlyglass.com

Exhibiting: Christine Barney Mary Ellen Buxton Mary Darwall Miriam Di Fiore Karen Flowers Elizabeth Hopkins Hildegund Ilkerl Vlastislav Janacek Gabrile Kuestner Kevin Kutch Marcia Lepore Gabriele Malek Jillian Molettiere Martie Negri Fabienne Picaud Gateson Recko Madelyn Ricks Erica Rosenfeld Alison Ruzsa Ira Tiffen Sharmini Wirasekara

Martie Negri, Silver Garden 8 installation, 2009 glass, blown, fused and cold-worked, 4 x 8.5 x 4 photo: Nick Saraco

125

Leon Bronstein, Juggling Love, 2007 bronze, 50 x 25 x 19 photo: Amnon Yaniv

126

Old City Caesarea Gallery Staff: Betty Bronstein; Danny Bronstein; Ilana Gal

Caesarea Port The Old City, PO Box 5367 Caesarea 38900 Israel voice 972.4.626.0198 fax 972.4.636.0178 [email protected] caesareaart.com

Exhibiting: Leon Bronstein Ioan Iacob Leo Ray Sasha Serber

Leo Ray, Bypassers, 2009 oil on canvas, 40 x 30 photo: Amnon Yaniv

127

Susan Helmich, Pendant 101.85 cts aquamarine cut by Bernd Munsteiner, 18k white and yellow gold, 0.72ctw micro pave diamonds

128

Oliver & Espig Museum quality gems from the mines of the world set by award winning goldsmiths and platinumsmiths Staff: Marcia Ribeiro; Marilia Ribeiro; Tielle Larson; Frank Cuykendall; Naomi Firestone

1108 State Street Santa Barbara, CA 93101 voice 805.962.8111 fax 805.962.7458 [email protected] oliverandespig.com

Exhibiting: Karen Arthur Ingerid Ekeland Glenn Manfred Espig Judith Evans Greg Franke Michael Good Josh Helmich Susan Helmich Claudia Kretchmer Steven Kretchmer Nancy Linkin Bernd Munsteiner Tom Munsteiner Etienne Perret George Sawyer Konstantino Sioulas Robert Wander Phillip Youngman Philip Zahm

Alex & Lee/Greg Franke, Nacre Nebula Brooch natural abalone pearl, carved opals, baroque pearls, geode, opaline, 3 x 1.5 x 0.5

129

Mel Munsen, Polychrome bowl form with stripes, 2008 oval wrinkled, fused and slumped glass, murrini techniques, 7 x 13

130

Option Art/Galerie Elca London Work by outstanding contemporary Canadian mixed media, craft and Inuit artists; established in 1985 Staff: Barbara Silverberg, director; Philip Silverberg, Mark London and Dale Barrett, assistants

Option Art By Appointment Only Montreal, Quebec Canada voice 514.501.9440 [email protected] option-art.ca Galerie Elca London 224 St. Paul Street West Montreal, Quebec H2Y 1Z9 Canada voice 514.282.1173 [email protected] elcalondon.com

Exhibiting: Kenojuak Ashevak Janis Kerman Jim Lorriman Jay Macdonell Mel Munsen Nuna Parr Susan Rankin Axangayuk Shaa Brendan Tang Jim Thomson Ashevak Tunnillie

Janis Kerman, Necklace (N573), 2009 sterling silver, agate, tourmaline, cultured pearl, white moonstone, carnelian, smoky quartz, rutilated quartz, citrine

131

Bahram Shabahang, River and Rocks, 2010 fiber, 120 x 168

132

Orley Shabahang Contemporary Persian carpets Staff: Geoffrey Orley and Bahram Shabahang, owners; Ashleigh Gersh, director

241 East 58th Street New York, NY 10022 voice 212.421.5800 fax 212.421.5888 [email protected] orleyshabahang.com 326 Peruvian Avenue Palm Beach, FL 33480 voice 561.655.3371 fax 561.655.0037 [email protected] 223 East Silver Spring Drive Whitefish Bay, WI 53217 voice 414.332.2486 fax 414.332.9121 [email protected] By Appointment Only 5841 Wing Lake Road Bloomfield Hills, MI 48301 voice 586.996.5800

Exhibiting: Bahram Shabahang

Bahram Shabahang, Vecindario, 2010 fiber, 92 x 124

133

Tanel Veenre, Raven Necklace, 2007 leg of deer, tuning pegs, onyx, silver, 6.25 x 5.75 x 1.25 photo: Tanel Veenre

134

Ornamentum Contemporary international jewelry Staff: Laura Lapachin; Stefan Friedemann

506.5 Warren Street Hudson, NY 12534 voice 518.671.6770 fax 518.822.9819 [email protected] ornamentumgallery.com

Exhibiting: Sara Borgegard Helen Britton Peter Chang Gemma Draper Sam Tho Duong Iris Eichenberg Ute Eitzenhoefer Jantje Fleischhut Maria Rosa Franzin Caroline Gore Hanna Hedman Stefan Heuser Idiots John Iversen Sergey Jivetin Dan Jocz Jiro Kamata Jutta Klingebiel Beate Klockmann Helena Lehtinen Eija Mustonen Ted Noten Ruudt Peters Camilla Prasch Mary Preston Katja Prins Gerd Rothmann Philip Sajet Constanze Schreiber Giovanni Sicuro Silke Spitzer Claudia Stebler Julia Turner Tarja Tuupanen Petra Zimmermann

Sam Tho Duong, Look Brooch, 2010 silver, freshwater pearls, nylon, 2 x 3.25 x 4 photo: Petra Jaschke

135

Marvin Lipofsky, California Loop Series #17, 1970 glass, 9 x 27 x 18 photo: M. Lee Fatherree

136

Schantz Galleries Contemporary art glass Staff: Jim Schantz, owner/director; Kim Saul, owner/marketing director; Stanley Wooley, sales associate; Francine Britton, gallery administrator

3 Elm Street Stockbridge, MA 01262 voice 413.298.3044 fax 413.298.3275 [email protected] schantzgalleries.com

Exhibiting: Sidney Hutter Marvin Lipofsky Charlie Miner Martin Rosol Steven Weinberg

Marvin Lipofsky, California Color Series #22, 1986-2000 glass, 11 x 16 x 13 photo: M. Lee Fatherree

137

Nelise Ometto, Mandala III, 2006 acrylic and ceramic on canvas, 39.5 x 39.5

138

Sciacco Studio The diversity and the possibilities of art through different techniques and mediums Staff: Tania Sciacco and Daniel Sciacco, directors

Rua Dr. Renato Paes de Barros, 142/64 Itaim Bibi São Paulo SP 04530-000 Brazil

voice 55.11.9618.9615 201.838.9248 fax 55.11.3168.9891 [email protected] sciaccostudio.com

Exhibiting: Patricia Bagniewski Rita Biagi Alina Fonteneau Daniel Fontoura Beth Jabur Paulo Mendes Faria Bel Miller Laura Neves Nelise Ometto João Ribeiro Vera Lília Rocha Loures Virginia Sé

Vera Lília Rocha Loures, Araucaria, 2009 resin, 23 x 18.5 x 7.5 photo: Daniel Fontoura

139

Ann Wolff, Pool, 2009 glass, 22.5 x 29 x 3.5

140

Scott Jacobson Gallery Representing established artists in contemporary glass sculpture and studio art furniture Staff: Scott Jacobson; Eric Troolin

114 East 57th Street New York, NY 10022 voice 212.872.1616 fax 212.872.1617 [email protected] scottjacobsongallery.com

Exhibiting: Garry Knox Bennett Yves Boucard José Chardiet Scott Chaseling KéKé Cribbs Dan Dailey David Huchthausen Richard Jolley Kreg Kallenberger Linda MacNeil Seth Randal Tommy Simpson Jay Stanger Michael Taylor Mary Van Cline Steven Weinberg Ann Wolff

Dan Dailey, Birds with Sapphires, 2009 22 x 26 x 12.5 each

141

Tina Rath, Wanderlux (partial detail of installation), 2010 maple, African blackwood, ultrasuede, copper, enamel, sterling silver, mink, silk, smoky quartz, pearls, 120 x 120 x 72

142

Sienna Gallery Contemporary art + object, specializing in studio jewelry Staff: Sienna Patti, director

80 Main Street Lenox, MA 01240 voice 413.637.8386 [email protected] siennagallery.com

Exhibiting: Giampaolo Babetto Jamie Bennett Melanie Bilenker Lola Brooks Raissa Bump Noam Elyashiv Lauren Fensterstock Susie Ganch Gesine Hackenberg Arthur Hash Lauren Kalman Anya Kivarkis Esther Knobel Monika Krol Daniel Kruger Myra Mimlitsch-Gray Seth Papac Tina Rath Barbara Seidenath Bettina Speckner Tracy Steepy Johan van Aswegen Sayumi Yokouchi

Gesine Hackenberg, Kitchen Glass Brooches from the Still Life Collection, 2010 cut and ground glass jars, ruthenium, plated alpaca, 3 x 2 x .3 each

143

Amy Orr, Lady Liberty, 2009 credit card mosaic, 22 x 15 photo: John Woodin

144

Snyderman-Works Galleries Contemporary fiber, ceramic, jewelry, glass, wood, studio furniture, painting and sculpture Staff: Rick and Ruth Snyderman, proprietors; Bruce Hoffman, director; Kathryn Moran, assistant director; Francis Hopson, director, Works Gallery; Michael Bukowski, preparator; Leeor Sabbah, associate, New York

303 Cherry Street Philadelphia, PA 19106 voice 215.238.9576 fax 215.238.9351 [email protected] snyderman-works.com

Exhibiting: Lucy Arai Ines Arndt Mary Bero Karin Birch Yvonne Pacanovsky Bobrowicz Ruth Borgenicht Sonya Clark Nancy Crow Kate Cusack Marcia Docter Steven Ford David Forlano Lindsay Ketterer Gates Pat Hickman Alex Irvine Ron Isaacs Bernie Leahy C. Pazia Mannella Bruce Metcalf Jon Eric Riis Joyce Scott Barbara Lee Smith Eva Steinberg Grethe Wittrock

Ruth Borgenicht, Mirrored Plazas, 2010 stoneware, 10.5 x 34 x 13 photo: Joseph Painter

145

Katsushiro Soho, Morning Glow in the Forest, 2005 nemagaridake bamboo, 17.5 x 13 x 12.5 photo: Gary Mankus

146

TAI Gallery Contemporary Japanese photography, bamboo baskets and sculpture; rare and beautiful textiles Staff: Robert T. Coffland; Everett Cole; Steve Halvorsen

1601 B Paseo de Peralta Santa Fe, NM 87501 voice 505.984.1387 fax 505.989.7770 [email protected] taigallery.com

Exhibiting: Abe Motoshi Kiraku Fujinuma Noboru Fujitsuka Shosei Hatakeyama Seido Hayakawa Shokosai V Hirasawa Noboru Honda Syoryu Honma Hideaki Honma Kazuaki Naoki Honjo Kajiwara Aya Kajiwara Koho Katsushiro Soho Kawano Shoko Kawashima Shigeo Kibe Seiho Mimura Chikuho Monden Kogyoku Morigami Jin Nagakura Kenichi Nakatomi Hajime Masaru Tatsuki Tanabe Takeo/Shochiku III Seiju Toda Shono Tokuzo Sugita Jozan Tanabe Mitsuko Tanaka Kyokusho Tanioka Shigeo Torii Ippo Yoshihiko Ueda Ueno Masao Yamaguchi Ryuun Yako Hodo Yufu Shohaku

Fujinuma Noboru, Gentle, 2008 madake bamboo, rattan, 14 x 11 photo: Gary Mankus

147

Elisabett Gudmann and Kirk H. Slaughter, We Three, 2010 bronze with patina, 28 x 12 x 12

148

ten472 Contemporary Art Contemporary art Staff: Hanne Sorensen; Catherine Conlin; Elisabett Gudmann

By Appointment Only Grass Valley & San Francisco, CA voice 707.484.2685 fax 707.484.2685 [email protected] ten472.com

Exhibiting: Gino Elisabett Gudmann Kirk H. Slaughter

Elisabett Gudmann, Urban Relic: red 9, 2009 acid etched copper panel with chemical patinas, 36 x 32 x 2

149

Olga de Amaral, Strata V, 2007 fiber, gold leaf, acrylic paint, 85 x 42

150

Thea Burger Staff: Thea Burger, director; Caron Levis, assistant

By Appointment Only 39 Fifth Avenue, Suite 3B New York, NY 10003 voice 802.234.6663 fax 802.234.6937 [email protected] ruth-duckworth.com

Exhibiting: Olga de Amaral Ruth Duckworth

Ruth Duckworth, Untitled #992110, 2009 porcelain, 26 x 38 x 6 photo: Guy Nicol

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Malik Bulut, Abyss of the Dream, 2008 marble, 21.75 x 6 x 4.75 photo: Ali Konyali

152

Turkish Cultural Foundation Devoted to promoting and preserving Turkish culture, art and heritage Staff: Carol Ann Jackson, Boston; Nurten Ural, Detroit; Hulya Yurtsever, Istanbul; Bonnie Joy Kaslan, Sonoma; Guler Koknar, Washington, DC

1025 Connecticut Avenue NW Suite 1000 Washington, DC 20036 voice 202.370.1399 fax 202.370.1398 [email protected] turkishculturalfoundation.org

Exhibiting: Malik Bulut Emel Vardar Ilker Yardimci Yilmaz Zenger Emel Vardar, Roses, 2009 bronze, 10.25 x 9 x 7.5 photo: Mufit Cirpanli

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Ilker Yardimci, Infinite Column, 2007 wire, 12 x 12 x 71 photo: Celal Bayak

154

Turkish Cultural Foundation

Yilmaz Zenger, Attached to Istanbul, 2004 composite resin, 9.75 x 9.75 x 5 to 19.75 x 19.75 x 9.75 photo: Yilmaz Zenger

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Jessica Lloyd-Jones, Untitled, 2009 glass, neon, 23 x 9.5 x 9.5

156

UrbanGlass UrbanGlass fosters innovative art and advances glass as a creative medium Staff: Dawn Bennett, executive director; Becki Melchione-Kapelusznik, associate director; Kristin Solomon, associate development officer

647 Fulton Street Brooklyn, NY 11217 voice 718.625.3685 fax 718.625.3889 [email protected] urbanglass.org

Exhibiting: Deborah Faye Adler Charlene Foster Jessica Lloyd-Jones Helene Safire Melanie Ungvarsky

Melanie Ungvarsky, Earrings, 2009 kilnformed glass, patinized brass, sterling silver, 1.75 x .75 x .25

157

Valentin Magro, Nautical Delight, 2009 carved white coral, red coral, 18k yellow gold

158

Valentin Magro New York Exquisite craftsmanship in creating unique and whimsical designs in precious and semi precious metals and Staff: Valentin Magro, director; Terry Magro, assistant director

42 West 48th Street New York, NY 10036 voice 212.575.9044 fax 212.575.9045 [email protected] valentinmagro.com

Exhibiting: Valentin Magro

Valentin Magro, Under the Sea, 2005 citrine, peridot, diamonds, 18k yellow gold photo: John Timen

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Timothy Coleman, Blonde on Blonde curly English sycamore, Japanese oak, copper, 34 x 46 x 17

160

William Zimmer Gallery Superior studio arts with an emphasis on studio furniture Staff: William Zimmer and Lynette Zimmer, owners

PO Box 263 Mendocino, CA 95460 voice 707.937.5121 [email protected] williamzimmergallery.com

Exhibiting: Bennett Bean Timothy Coleman John Dunnigan Rebecca Gouldson Tom Hucker Silas Kopf Tai Lake Hiroki Morinoue Brian Newell Richard Scott Newman Elizabeth Rand Kent Townsend

Tai Lake, Significant Other Bench koa and wenge woods, 32 x 66 x 23

161

Adam Aaronson, Inner World 01.10, 2010 furnace cast, laminated and hot fused glass with blown and cut inclusions, cold-worked, 7 x 2.75 x 2.75 photo: Corinne Alexander

162

Zest Contemporary Glass Gallery Established and emerging British contemporary glass artists Staff: Corinne Alexander; Jenny Starr; Adam Aaronson

Roxby Place (end of Rickett Street) London SW6 1RS United Kingdom voice 44.20.7610.1900 fax 44.20.7610.3355 [email protected] zestgallery.com

Exhibiting: Adam Aaronson Alison Kinnaird MBE Tolly Nason Yoshiko Okada Marion Sterner

Yoshiko Okada, Shifting Sands, 2008 kiln cast glass, 7.75 x 14 x 3 photo: Ester Segarra

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Art Alliance for Contemporary Glass JOIN NOW If you love Glass Art Alliance for Contemporary Glass is for you. Meet other collectors. Visit great collections. Go on fabulous trips. Meet artists. Receive complimentary admission to SOF FA Chicago, hicago SOF hicago, FA A New York and SOF FA Santa Fe, and Art Palm Beach.

Visit our W Visit Web eb site at www.contempglass.org www .contempglass.org The Art Alliance for Contemporary Glass (AACG) is a 501(c)(3) nonSUR¿W RUJDQL]DWLRQ ZKRVH PLVVLRQ LV WR IXUWKHU WKH GHYHORSPHQW and appreciation of art made from glass.

e-mail: [email protected] or call 214-890-0029

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"Sefir "Sefiroth oth Hôd" by Ruudt Peters,fr Peters,from om the collection tion of Susan Beech. Photo: Rob Versluys, Versluys, Amsterdam Amsterdam

Yo You’re ou’re invited to join the Art Jewelry Forum. Forum. As a member member,r,, you’ll yo learn learn more more about contemporary art jewelry thr through ough monthly newsletters, presentations, presentations, and sponsored sponsored trips. When you travel with the Art Jewlery Forum, you visit private collections and go behind-the-scenes at art museums, galleries, and schools to meet jewelry artists, curators, and educators. Your Yo our membership donation d allows us to rrecognize ecognize artists and promote promote contemporary art jewelry exhibitors, acquisitions, and publications. Art Jewelry Forum is a non-pr non-profit ofit organization. Y Your o membership donation is tax deductible. Visit our Visit our website to join! www.artjewelryforum.org

ART ART JEWELRY JEWELRY FORUM FORUM

AJF P P.O. .O. Box 823 Mill Valley, Valley, CA 94942 www.artjewelryforum.or www.artjewelryforum.org g

CERAMICREVIEW The Magazine of Ceramic Art and Craft

CERAMIC

1 Sean Shone, clay, slips, underglaze colours, matt glaze, 2009, H44cm 2 Maybe It’s Maybelline, clay, slips, underglaze colours, matt glaze, bristles, 2009, H24cm 3 Still, clay, slips, underglaze colours, matt glaze, 2009, H15cm 4 Losing My Bloom , clay, slips, underglaze colours, matt glaze, 2009, H64cm 5 There’s No Place Like Property , clay, slips, underglaze colours, black copper oxide, matt glaze, 2009, H39cm

Maybe It’s Maybelline

Technical Information See page 68 Forthcoming Exhibition Ceramic Art London, Royal College of Art, London, 26-28 February 2010. Web www.ceramics.org.uk Stockist Atelier Abigail Ahern, Islington, London. Web www.atelierabigailahern.com Email [email protected] Web www.claireloder.co.uk

1 David Leach – Bowl, cup and saucer, celadon glaze, c.1990, Ø15cm max (Photo: Julia Bond) 2 Micki Schloessingk – Three teapots, wood-fired salt glaze stoneware, 2007, H18cm

Domestic Bliss

Andy Christian offers a personal response to contemporary tableware and finds it still very much alive and relevant. In front of me on my desk are three bowls. Two have handles and saucers. They are all designed by the same maker and two were made by him. Each is celadon glazed. The designer/maker was David Leach. The first cup and saucer is hand-thrown porcelain with fluted sides. The second is just the bowl with fluted sides. The third is a cast copy of the cup and saucer, made with David’s guidance, by Highland Stoneware. What I know is that the bowl without a handle was priced at some four times more than the hand-thrown cup and saucer, which clearly took more time to make. The cast cup and saucer is a beautiful form but it does not hold the intimacy of a personal hand upon it. However, it was, and is, an affordable ‘David Leach’ piece. What does this tell us? David Leach was committed to making pots to be used. All of the pots I have by him are used by me. But the bowl alone carried a status for him and for the purchaser, something that accords it higher value. This basic fact is one reason that some makers have steered themselves away from making pots primarily for function; to eat and drink from and to sit beautifully on a shelf when not in use. Unarguably, the tendency is to make things that, like David’s bowl, gain more perceived value by trying to grasp at art status.

The Magazine of Ceramic Art and Craft Issue 236 March/April 2009 £6.30

REVIEW

www.ceramicreview.com

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Natasha Mayo finds intriguing paradoxes in Claire Loder’s portrait heads.

siege. Amongst more playful and contemplative work sit others that explore subjects such as mental health, the cosmetics industry, capitalism and feminism. A diversity of approaches is pivotal to Loder’s practice, blurring the naïve with self-awareness, the innocent with adult understanding; an ambiguity which can leave a viewer uncertain at times whether to smile or frown. All work appears as if created through a child’s eyes, filled with wonderment, a sense of enquiry and the peculiar objectivity that characterises a child’s point of view. Under this guise, all that is absurd, ludicrous and nonsensical in our environment comes to the fore.

The portrait captures a moment in time, suspends breath and emotion, whilst the subject of the portrait can get up and walk away. This suspension affords the viewer more time to contemplate properties, to ignore social etiquette and stare into the eyes of strangers. For the artist, it allows the space in which to create. It is their province, their territory to explore the impact of style or technique on the features of the human body. Some artists remain closely aligned to reality, seeking accuracy of form and colour; others push the boundaries of representation to expose more than mere visual likeness and, as with Loder’s artwork, make comment on our relationship with the world around us.

THE SURREAL The juxtaposition of two different mental spheres clearly

employs a surrealist tendency and the incongruity of this relationship gives rise to both the work’s humour and sense of discomfort. On first glance, for example, the piece Maybe It’s Maybelline can appear a simple imitation of a child’s drawing: a clear outline of the head and hairline, brush marks crudely denoting eyes, mouth and cheeks. Yet, rather than faithfully continuing in this pastiche, the eyelashes are exaggerated so far beyond the simple spider’s legs commonly found in children’s imagery, to approximately three inches long using the bristles from old brooms, that they appear almost violent, causing you to blink. Loder explores logical impossibilities as if employing the hands of a child, which, together with its pointed and knowing title, gives the work potential for profound meaning. ‘The beauty industry adverts provide a fertile hunting ground for some of my more recent ideas and this is where the ridiculous eyelashes come from and the heads which support themselves on hair…“stronger looking hair” and all that! I’ve only recently started to realise how important this influence is. Also I’m reading Affluenza by Oliver James…thinking a lot about the recession and how I fit

HUMOUR There is simplicity to Loder’s work, a naïve quality that

allows her to comment on matters as if through innocent eyes. Her heads have been stretched out of proportion, their features shrunk and simplified and the brush marks which encircle their cheeks and draw their mouths are still visible, creating an uneasy balance between two and three dimensions. It is almost as if a child’s self-portrait has been given form and stepped off the paper to take a better look around the room. They are humorous and intriguing, possessing qualities both childlike and mature that are difficult to distinguish from one another. The work sits awkwardly within the conventions of formal or academic painting and, indeed, the history of ceramic portraiture and it is this that lends the work its disturbing edge. By emulating childlike properties Loder is not attempting to reflect a visual ideal of childhood. Loder’s child is constantly under

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LIFESTYLE Along with much else in our life, the way we eat and drink

or don’t fit into the system. I’m also working on some pieces around the idea of home versus property. I’ll be making a piece called There’s No Place Like Property. I’m feeling my way around these thoughts with the work…yes that’s exactly what it feels like – I’ve just realised that as I wrote it!’ The work is defined by its hybridity. Loder is something of a magpie for such influences; ideas are triggered by adverts, books, words and sayings, even Elvis. It seems that her aesthetic positioning between child and adult has created an entire outlook from which she examines the world. Some works simply defy reason; others use humour as an effective tool to comment on more complex, even sinister matters. The work is truly post-modern and yet it would be remiss of the viewer to forgo the aesthetic experience of the work in and of itself. As for many artists working in this most traditional of genres, the eyes hold greatest significance. That Loder’s faces often avert their gaze is all the more compelling. We are drawn into their animated world, brush marks shifting across their surface, creating a transient feel as if more apparition than corporeal; akin to a thought flickering through the mind, an expression of the process of thinking itself. On both an expressive and contextual level, Loder’s ceramics speak of the act of reflection. They are contemplative and introverted and yet they prompt us to recognise the absurdity of our predicament and perhaps the naïvety with which we usually accept the nonsensical in life.

together has changed. Gone is the general acceptance of the desirability of lumpish mugs and plates just because they were handmade. But is the skill of repeat throwing disappearing? Do people still want to buy pots for use? Are student makers given the option of developing throwing skills in colleges and workshops? David Leach’s eldest son John, along with his team of assistants, continues to make wood-fired ‘standard ware’ at his pottery in Muchelney, Somerset. He can sell as much as he makes. A homely and handsome range in which food looks good. The pots stand up to robust use and are sold in high-status shops such as David Mellor and Contemporary Ceramics. But John Leach, too, has been seduced into making one-off ‘black mood’ pots, which claim a higher status and bear his personal mark. Others like Richard Batterham (see

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CERAMIC REVIEW 240 November/December 2009

1 Enkidu: The Wild Man , H38cm 2 Bull Pair, H20cm 3 Balancing Act , H20cm 4 Bouldering , H31cm 5 Enkidu’s Dream , H37cm

1 Selection of small pots, bone china, 2009, H10cm max (Photo: Michael Harvey)

Factory Formed The objects produced as a result of the collaboration between Ken Eastman and Royal Crown Derby impress Nicholas Oddy. Since the mid nineteenth century the history of British ceramics has been sprinkled with attempts to bring fine art and studio practice together with varying degrees of success. If nothing else, it leaves a legacy of rich pickings for collectors. Such initiatives involving studio ceramics were severely restricted by the self-inflicted isolation from, and overt opposition to, ‘industry’ by the disciples of Bernard Leach and the sentiments of A Potter’s Book. While that is now largely a thing of the past, there is still a conceptual leap between the two types of practice that presents a challenge, but one taken up by what seems at first a bizarre pairing: Ken Eastman, maker of large, stoneware, abstract, slab-built vessels, each an exercise in single-handed individuality, and Royal Crown Derby, a bone china factory making highly decorated figurines and tablewares in a tradition some two centuries old.

FAST FORWARD Three years ago Louise Adams (a contemporary

of Eastman’s at the Royal College of Art in the 1980s), art director at Derby, invited him to visit the factory. The 1980s were the period Peter Dormer termed the ‘new ceramics’, initiating debates such as those around the ICA exhibition Fast Forward, which attempted to reposition studio ceramics in a history that included the decorative and the factory-made. In this intellectual context the idea of Eastman and Derby seems unproblematic; indeed, if anything, emblematic of the sort of historical links and juxtapositions that such post-modern thought encouraged. However, Eastman’s work is distinctly ahistoric in its aesthetic and overtly studio in its making; it is not as if one can discern any referencing to the likes of Derby in its conception or processing. Rather, Eastman seems to have been invited just because his work was so far from Derby’s output in every way that his very presence would act as a challenge that might spark something… but what?

This question remained unanswered for some months after the collaboration began, neither party knowing exactly why Eastman was there. For his part Eastman found, and still finds, the culture of the factory, with its carefully regulated working practices and division of labour, fascinating. Derby viewed Eastman as a shape-maker and had to accommodate the fact that studio practice tends not to operate in this manner. They were (to use his own words) ‘slightly puzzled’ by his taking on everything from rolling the clay to finishing the decoration. However, Eastman thinks that their interest in shape is not surprising. In a factory that specialises in naturalistic modelling and the tried-and-tested, Eastman’s exploration of form is so far from the factory’s conventional ways of working that it had the potential to generate new ways of thinking about formal design at Derby. DECORATION If shape was the pay-off for Derby, then decoration

complex hand-paints in the Imari style fascinated him. Eastman experimented with applying transfer decoration to bone china shapes, which he continued to slab-build. To anyone familiar only with Eastman’s current studio practice the idea of such a combination might seem unprecedented, but as a student at Edinburgh College of Art in the early eighties he produced water-eroded raku platters and jugs decorated with commercial earthenware glazes that basked under such names as Rooster Red, Cool Custard, Banshee Blue and Tempting Turquoise, an early exercise in similar incongruity. BONE CHINA As Eastman discovered, the bone china body is

notoriously plastic and given to flopping both before and during firing, while its high shrinkage is prone to cracking in studio-type contexts. Usually, Eastman’s shapes are strictly controlled and made in rigid bodies, such as T material, which has small shrinkage and

seems to be the one for Eastman. The factory’s pattern books and their use of modern transfer technologies to effect what were once

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CERAMIC REVIEW 237 May/June 2009

CERAMIC REVIEW 237 May/June 2009

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CERAMIC REVIEW 240 November/December 2009

Linda Kieft won the Zelli Porcelain prize in 2005 and 2008. Her work can be seen at Form Contemporary Craft, Blaenavon, Gwent. Web www.form-gallery.co.uk Linda Kieft Tel 01495 270178

Dreams & Visions Natasha Mayo explores the narrative aspects in Linda Kieft’s figures. There is simplicity to Linda Kieft’s ceramic figures, a straightforwardness in their modelling and articulation into scenes that is somehow familiar and comforting. They have an archetypal quality, as if tapping into a narrative already inherent within us that we simply recognise. This may be due to Kieft’s adaptation of well-known stories, myths or children’s tales, but we do not need to know these details in order to experience the work. Regardless of names or places, the activity of our perception prompts us to put figures and props together and we become the narrator; the story becomes ours to tell. We are all raconteurs; it is part of our physiology. We understand our place in the world by projecting ourselves into situations, by moving forwards or backwards in time, enacting roles or testing out possibilities. It fulfils a basic human need to see ourselves reflected in the environment around us. If an artwork is successful, it is these same mechanisms that enable us to fully experience its properties; inanimate stone can be changed into small worlds of experience but only if a viewer is susceptible to its properties, can see themselves transposed, reflected in its shapes and colours. That is to say, within figurative work, we might feel the rhythm of its contours and the softness of its flesh without actually touching, or the pressure of weight and extension of limbs without actually moving. Narrative art, as a specific genre, seeks to extend our experience by moving from a fixed image toward a succession of events, by its very nature attempting to prompt connections and associations. Such artwork becomes an experience in parts, an enactment unfolding before us as we put the pieces together to discover what the story is about. In psychological terms, its properties are taken further still; narrative is understood as an organising principle, a way in which we restore our sense of order and interconnectivity with the world. In this respect, such artwork can be seen as rendering the act of interpretation visible, a demonstration of ways that we can thread together events to forge understanding. In Kieft’s Enkidu’s Dream, she adapts a scene from possibly the oldest story known to man: the Epic of Gilgamesh. In this scene, Enkidu dreams of his transition from life into death, seeing himself lying across the gateway to the netherworld, his arms bound like the wings of a bird, part transformed, as if wearing the same coat of feathers as those creatures already resident in the darkness. In Kieft’s adaptation it is obvious how we might see ourselves reflected, our form is mimicked, our corporality can be felt, but there is also enough difference in properties to remove them from our reality. The work clearly portrays a fictitious scene, prompting a more fluid, lateral interpretation. Its scale, in the first instance, dislodges it from our physical proximity

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and allows it to assimilate other characteristics; to adopt, in Kieft’s words, ‘otherworldliness’. Simply, Kieft sets out the main elements of the story: the protagonist, his predicament and possible fate. The details of Enkidu’s form are minimised, he has no folds of flesh or effects of gravity, instead, the gentle undulation of his body is accentuated to lead us towards his feathered arm. Then, with an almost painterly approach to perspective, we are plunged downward and into the diminished, blackened figures waiting below. In being neither illustrative nor heavy with detail the simplicity of Kieft’s work generates a sense of time and space around it as we are prompted to build our own interpretation; enticed to become a part of the narrative at its source. In literary terms, it is often stated that for the multitude of tales and endless variety in the telling, all narratives are really variations of seven basic themes. Kieft’s work embodies that same sense of origin. Perhaps here lies their sense of familiarity; such themes, of course, take from life, distilling human interactions across histories and cultures and we find ourselves within the work, incorporate ourselves amidst that of the depicted figures and props. In this respect, our understanding does not remain fixed to Gilgamesh but, rather, the notions of life and death, rivalry, god and religion that it encompasses,

can take on more personal and contemporary relevance. Kieft’s understanding of narrative is perhaps informed by her work as an art therapist, an occupation where the activities of art and play are considered as bridging the gap between our inner and outer realities. Here, art is understood as creating a space in which children, for example, can practise attachment and relationships with the world around them. As therapist, Kieft facilitates and guides their creative expression, providing a ‘holding environment’, a place of safety and trust in which such relationships might be tested out and explored. But what of the capacity of an artwork itself? For a moment, at least, it can entice us outside of our own world to experience other possibilities, new configurations, unusual sensations or emotions. Can this activity contain a similar kind of ‘holding environment’? Surely, in prolonging that participation, there is particular potential in narrative art to be of therapeutic value. Kieft’s decision to employ narrative in her ceramics cannot be seen as purely incidental. Her work examines our basic human need to see ourselves reflected in the environment around us; her art encourages those same mechanisms, allowing us to consider the historic Epic of Gilgamesh as if enacted in our own time, made contemporary by our own experience of equivalent tales.

CERAMIC REVIEW 238 July/August 2009

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CERAMIC REVIEW 238 July/August 2009

KNOWLEDGE MAKING SEQUENCE

Photography Barbara Tipton

Katrina Chaytor in Practice

KAORI TATEBAYASHI JILL FANSHAWE KATO CHRIS KEENAN ROBERT DAWSON VALLAURIS BIENNALE

1 Cutting slab from pattern

2 Cutting slab at an angle

3 Removing clay from slab

4 Rolling slab over mould

5 Slab and tile mould

6 Beginning the body

7 Scoring the top of the body

8 Trimming top slab to fit after cutting from pattern

9 Rolling clay over texture plaster

10 Strips cut from clay form collar

11 Scoring the top slab

12 Placing top slab

13 Slab for spout with pattern from plaster tile

14 Joining the seam on spout

15 Cutting excess from spout

16 Cutting strainer holes

17 Slip on scored spout

18 Attaching spout

19 Cutting gallery for lid

20 Refining gallery

21 Cut-out as lid pattern

22 Joining lid layers after scoring

23 Removing cut-out from lid

24 Trimming excess from lid

25 Adding rim with knob in place

26 Coil for handle

27 Rolling coil for handle

28 Cutting handle shape

29 Attaching handle

30 Attaching handle

31 Securing handle seams

32 Finished teapot

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CERAMIC REVIEW 241 January/February 2010

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Ceramic Review The leading British magazine of studio pottery, which has been read by all those engaged with contemporary ceramic art and craft around the world since 1970

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Art : Design : Culture

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Therman StatomÕs Stolen Moments

Art : Design : Culture

Giles BettisonÕs Lace Work

Karen LaMonte Clifford Rainey Paul Stankard Lino Tagliapietra Ana Thiel William Morris

The Great California Glass Symposium Revisited

The Museum of Arts and DesignÕs New Home Naomi ShioyaÕs Dream Poems

The Controversial History of Glass Jewelry

Judith Schaechter

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30th Anniversary Issue (1979 Ð2009) Burnt Asphalt, the Butter Eaters, Cirque de Verre The B Team Revisited Artists Who Embrace Science

The Temptation of Lucio Bubacco

The Future of Glass: A Roundtable

Mary Van ClineÕs Transparent Silences

Maria Grazia RosinÕs Undersea World

Markku Salo: The Explorer

William Morris Alumni Forge Individual Careers

Textile Explorations by Vanessa Yanow

Free Glass from the Rietveld

Frantiek V’zner

GlassStress: A Landmark Exhibition

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Spencer FinchÕs High Line Project Reviewed


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African Ceramics at LongHouse: 2500 Years of Clay This exhibition is made possible with the generous support by Johnson Family Foundation, Edward R Roberts Family Foundation and Barbara Slifka.

Thirty five masterworks selected by Douglas Dawson

A l s o on v i e w work s by :

Magdalena Abakanowicz, Claus Bury, Lynda Benglis, Dale Chihuly, Willem De Kooning, Eric Fischl, Bryan Hunt, Yoko Ono, Dennis Oppenheim, Takashi Soga, Sol Le Witt Toshiko Takaezu, Peter Voulkos

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©2010 The Maya Romanoff Corporation

Celebrating Bml`hmmh[^[^Znmb_ne A limited edition folio of tie-dyed wallcoverings in a modern color palette, inspired by company founder Maya Romanoff’s earliest textile works.

Reimagined by Amy Lau

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Exh

Index of Exhibitors

hibitors

A Aaron Faber Gallery 666 Fifth Avenue New York, NY 10103 212.586.8411 fax 212.582.0205 [email protected] aaronfaber.com Adamar Fine Arts 4141 NE 2nd Avenue Suite 107 Miami, FL 33137 305.576.1355 fax 305.576.1922 [email protected] adamarfinearts.com Allan Stone Gallery 113 East 90th Street New York, NY 10128 212.813.6861 fax 212.343.9312 [email protected] allanstonegallery.com Amaridian 31 Howard Street New York, NY 10013 917.463.3719 fax 917.463.3728 [email protected] amaridianusa.com Ann Nathan Gallery 212 West Superior Street Chicago, IL 60654 312.664.6622 fax 312.664.9392 [email protected] annnathangallery.com

206

Art Front Gallery Hillside Terrace A 29-18 Sarugaku-Cho Shibuya-Ku, Tokyo 1500033 Japan 81.3.3476.4868 fax 81.3.3476.4874 [email protected] artfrontgraphics.com

B Berengo Studio 1989 Fondamenta Vetrai 109/A Murano, Venice 30141 Italy 39.041.739.453 fax 39.041.527.6588 [email protected] berengo.com Berengo Collection Calle Larga San Marco 412/413 Venice 30124 Italy 39.041.241.0763 fax 39.041.241.9456 ESQ Hiroo 2F 5-10-37, Minami-azabu Minato-ku, Tokyo 106-0047 Japan Blue Rain Gallery 130 Lincoln Avenue Suite C Santa Fe, NM 87501 505.954.9902 [email protected] blueraingallery.com browngrotta arts Wilton, CT 203.834.0623 fax 203.762.5981 [email protected] browngrotta.com

C Chappell Gallery 526 West 26th Street Suite 306 New York, NY 10001 917.414.4755 [email protected] chappellgallery.com Charon Kransen Arts By Appointment Only 817 West End Avenue Suite 11C New York, NY 10025 212.627.5073 fax 212.663.9026 [email protected] charonkransenarts.com Chiaroscuro Contemporary Art 702 1/2 Canyon Road Santa Fe, NM 87501 505.992.0711 fax 505.992.0387 [email protected] chiaroscurosantafe.com Clare Beck at Adrian Sassoon By Appointment 14 Rutland Gate London SW7 1BB United Kingdom 44.20.7581.9888 fax 44.20.7823.8473 [email protected] adriansassoon.com Clark Priftis Art LLC By Appointment Only New York, NY & Baltimore, MD 917.647.6835 fax 212.877.0096 [email protected] clarkpriftisart.com

Collection Ateliers d’Art de France 4 Rue de Thorigny Paris 75003 France 33.1.4278.6774 fax 33.1.4277.4201 [email protected] ateliersdart.com Contemporary Applied Arts 2 Percy Street London W1T 1DD United Kingdom 44.207.436.2344 fax 44.207.636.6269 [email protected] caa.org.uk Cross Mackenzie Gallery 1054 31st Street NW Courtyard Washington, DC 20007 202.333.7970 [email protected] crossmackenzie.com

D Donna Schneier Fine Arts By Appointment Only Palm Beach, FL & Claverack, NY 518.441.2884 [email protected] Duane Reed Gallery 4729 McPherson Avenue St. Louis, MO 63108 314.361.4100 fax 314.361.4102 [email protected] duanereedgallery.com

F Ferrin Gallery 437 North Street Pittsfield, MA 01201 413.442.1622 fax 413.442.1672 [email protected] ferringallery.com Frederic GOT Gallery 64 Rue Saint Louis en L’île Paris 75004 France 33.1.4326.1033 fax 33.1.4326.1033 [email protected] artchic.com

G Galerie Besson 15 Royal Arcade 28 Old Bond Street London W1S 4SP United Kingdom 44.20.7491.1706 fax 44.20.7495.3203 [email protected] galeriebesson.co.uk Galerie Van Der Planken Riemstraat 12 Antwerp 2000 Belgium 32.3233.5458 fax 32.3227.2068 [email protected] galerievdp.be

Galleri Udengaard Stockflethsvej 12 Ebeltoft 8400 Denmark 45.86.259.594 [email protected] galleriudengaard.com gallery gen 47-09 36th Street Long Island City, NY 11101 718.392.7717 fax 718.392.7716 [email protected] gallerygen.com yoshiakiyuki.com

H Habatat Galleries Chicago 222 West Superior Street Chicago, IL 60654 312.440.0288 fax 312.440.0207 [email protected] habatatchicago.com Heller Gallery 420 West 14th Street New York, NY 10014 212.414.4014 fax 212.414.2636 [email protected] hellergallery.com

J Jane Sauer Gallery 652 Canyon Road Santa Fe, NM 87501 505.995.8513 fax 505.995.8507 [email protected] jsauergallery.com

Joan B. Mirviss Ltd 39 East 78th Street 4th floor New York, NY 10075 212.799.4021 fax 212.721.5148 [email protected] mirviss.com Joanna Bird Pottery By Appointment 19 Grove Park Terrace London W4 3QE United Kingdom 44.20.8995.9960 fax 44.20.8742.7752 [email protected] joannabirdpottery.com

K Katie Jones By Appointment Only 68 Elgin Mansions Elgin Avenue London W91JN United Kingdom 44.20.7289.1855 fax 44.20.7289.1855 [email protected] katiejonesjapan.com Ken Saunders Gallery 230 West Superior Street Chicago, IL 60654 312.573.1400 fax 312.573.0575 [email protected] kensaundersgallery.com

L Lacoste Gallery 25 Main Street Concord, MA 01742 978.369.0278 fax 978.369.3375 [email protected] lacostegallery.com Lyons Wier Gallery 175 Seventh Avenue at 20th Street New York, NY 10011 212.242.6220 [email protected] lyonswiergallery.com

M Maria Elena Kravetz San Jeronimo 448 Cordoba X5000AGJ Argentina 54.351.422.1290 [email protected] mariaelenakravetzgallery.com Mariana Magtaz By Appointment Only Rua Madalena 223 São Paulo SP 05434-090 Brazil 55.11.3813.2459 [email protected] gemologiaoniline.com.br Moderne Gallery 111 North 3rd Street Philadelphia, PA 19106 215.923.8536 fax 215.923.8435 [email protected] modernegallery.com

207

Mostly Glass Gallery 34 Hidden Ledge Road Englewood, NJ 07631 201.816.1222 fax 201.503.9522 [email protected] mostlyglass.com

Orley Shabahang 241 East 58th Street New York, NY 10022 212.421.5800 fax 212.421.5888 [email protected] orleyshabahang.com

O

326 Peruvian Avenue Palm Beach, FL 33480 561.655.3371 fax 561.655.0037 palmbeach@ orleyshabahang.com

Old City Caesarea Gallery Caesarea Port The Old City, PO Box 5367 Caesarea 38900 Israel 972.4.626.0198 fax 972.4.636.0178 [email protected] caesareaart.com Oliver & Espig 1108 State Street Santa Barbara, CA 93101 805.962.8111 fax 805.962.7458 [email protected] oliverandespig.com Option Art / Galerie Elca London Option Art By Appointment Only Montreal, Quebec, Canada voice 514.501.9440 [email protected] option-art.ca Galerie Elca London 224 St. Paul Street West Montreal, Quebec H2Y 1Z9 Canada voice 514.282.1173 [email protected] elcalondon.com

208

223 East Silver Spring Drive Whitefish Bay, WI 53217 414.332.2486 fax 414.332.9121 whitefishbay@ orleyshabahang.com By Appointment Only 5841 Wing Lake Road Bloomfield Hills, MI 48301 586.996.5800 Ornamentum 506.5 Warren Street Hudson, NY 12534 518.671.6770 fax 518.822.9819 [email protected] ornamentumgallery.com

S Schantz Galleries 3 Elm Street Stockbridge, MA 01262 413.298.3044 fax 413.298.3275 [email protected] schantzgalleries.com

Sciacco Studio Rua Dr. Renato Paes de Barros, 142/64 Itaim Bibi São Paulo SP 04530-000 Brazil 55.11.9618.9615 201.838.9248 fax 55.11.3168.9891 [email protected] sciaccostudio.com Scott Jacobson Gallery 114 East 57th Street New York, NY 10022 212.872.1616 fax 212.872.1617 [email protected] scottjacobsongallery.com Sienna Gallery 80 Main Street Lenox, MA 01240 413.637.8386 [email protected] siennagallery.com Snyderman-Works Galleries 303 Cherry Street Philadelphia, PA 19106 215.238.9576 fax 215.238.9351 [email protected] snyderman-works.com

T TAI Gallery 1601 B Paseo de Peralta Santa Fe, NM 87501 505.984.1387 fax 505.989.7770 [email protected] taigallery.com

ten472 Contemporary Art By Appointment Only Grass Valley & San Francisco, CA 707.484.2685 fax 707.484.2685 [email protected] ten472.com Thea Burger By Appointment Only 39 Fifth Avenue, Suite 3B New York, NY 10003 802.234.6663 fax 802.234.6937 [email protected] ruth-duckworth.com Turkish Cultural Foundation 1025 Connecticut Avenue NW Suite 1000 Washington, DC 20036 202.370.1399 fax 202.370.1398 [email protected] turkishculturalfoundation.org

U UrbanGlass 647 Fulton Street Brooklyn, NY 11217 718.625.3685 fax 718.625.3889 [email protected] urbanglass.org

V Valentin Magro New York 42 West 48th Street New York, NY 10036 212.575.9044 fax 212.575.9045 [email protected] valentinmagro.com

W William Zimmer Gallery PO Box 263 Mendocino, CA 95460 707.937.5121 [email protected] williamzimmergallery.com

Z Zest Contemporary Glass Gallery Roxby Place (end of Rickett Street) London SW6 1RS United Kingdom 44.20.7610.1900 fax 44.20.7610.3355 [email protected] zestgallery.com

209

A

Index of Artists

Artists

212

A Aaronson, Adam Zest Contemporary Glass Gallery Abe, Motoshi Kiraku TAI Gallery Abeyta, Tony Blue Rain Gallery Abright, Oben Habatat Galleries Chicago Adler, Deborah Faye UrbanGlass Akers, Adela browngrotta arts Akiyama, Yô Joan B. Mirviss Ltd Alepedis, Efharis Charon Kransen Arts

Arentzen, Glenda Aaron Faber Gallery

Bartley, Roseanne Charon Kransen Arts

Birch, Karin Snyderman-Works Galleries

Arndt, Ines Snyderman-Works Galleries

Bauer, Carola Charon Kransen Arts

Birnbaum, Charles Cross Mackenzie Gallery

Arneson, Robert Allan Stone Gallery

Bauer, Ela Charon Kransen Arts

Blackie, Sebastian Galerie Besson

Arthur, Karen Oliver & Espig

Bean, Bennett William Zimmer Gallery

Blackmore, Cassandria Duane Reed Gallery

Ashevak, Kenojuak Option Art/Galerie Elca London

Beck, David Allan Stone Gallery

Blavarp, Liv Charon Kransen Arts

Assad, Christa Ferrin Gallery

Beck, Rick Donna Schneier Fine Arts

Bluestone, Rebecca Chiaroscuro Contemporary Art

Autio, Rudy Donna Schneier Fine Arts

Becker, Michael Charon Kransen Arts

Blyfield, Julie Charon Kransen Arts

Aylieff, Felicity Clare Beck at Adrian Sassoon

Behennah, Dail browngrotta arts

B

Bennett, Garry Knox Scott Jacobson Gallery

Bobrowicz, Yvonne Pacanovsky Snyderman-Works Galleries

Allen, Rik Blue Rain Gallery

Babetto, Giampaolo Sienna Gallery

Amariglio Weiss, Lina Maria Elena Kravetz

Babula, Mary Ann Chappell Gallery

Amromin, Pavel Ann Nathan Gallery

Bagniewski, Patricia Sciacco Studio

Anderson, Dona browngrotta arts

Bakker, Ralph Charon Kransen Arts

Anderson, Jeanine browngrotta arts

Balsgaard, Jane browngrotta arts

Anderson, Seth Chiaroscuro Contemporary Art

Barker, Jo browngrotta arts

Andre de la Porte, Alidra Charon Kransen Arts

Barnaby, Margaret Aaron Faber Gallery

Antemann, Chris Ferrin Gallery

Barnes, Dorothy Gill browngrotta arts

Arai, Jun-ichi gallery gen

Barney, Christine Mostly Glass Gallery

Arai, Lucy Snyderman-Works Galleries

Bartels, Rike Charon Kransen Arts

Ardmore Ceramic Art Amaridian

Bartlett, Caroline browngrotta arts

Bennett, Jamie Sienna Gallery Bennett, Nathan Maria Elena Kravetz Benzoni, Luigi Berengo Studio 1989 Bermingham, Patrick Cross Mackenzie Gallery Bernstein, Alex Gabriel Chappell Gallery Bero, Mary Snyderman-Works Galleries Bess, Nancy Moore browngrotta arts Bettison, Giles Jane Sauer Gallery Bezold, Brigitte Charon Kransen Arts Biagi, Rita Sciacco Studio Bijlenga, Marian browngrotta arts Bilenker, Melanie Sienna Gallery

Bohm, Vladimir Contemporary Applied Arts Boieri, Daniela Charon Kransen Arts Borgegard, Sara Ornamentum Borgenicht, Ruth Snyderman-Works Galleries Borghesi, Marco Aaron Faber Gallery Borgman, Mary Ann Nathan Gallery Bottaro, Silvina Maria Elena Kravetz Boucard, Yves Scott Jacobson Gallery Bouduban, Sophie Charon Kransen Arts Boyadjiev, Latchezar Jane Sauer Gallery Braeuer, Antje Charon Kransen Arts Bravo, Gonzalez Frederic GOT Gallery Brennan, Sara browngrotta arts

213

Britton, Helen Ornamentum

Castagna, Pino Berengo Studio 1989

Coleman, Timothy William Zimmer Gallery

De Corte, Annemie Charon Kransen Arts

Bronstein, Leon Old City Caesarea Gallery

Castle, Wendell Moderne Gallery

Cook, Lia browngrotta arts

Detering, Saskia Charon Kransen Arts

Brooks, Lola Sienna Gallery

Cepka, Anton Charon Kransen Arts

Di Caprio, Daniel Charon Kransen Arts

Brown, Christie Contemporary Applied Arts

Chandler, Gordon Ann Nathan Gallery Ferrin Gallery

Coper, Hans Galerie Besson Joanna Bird Pottery

Brownsword, Neil Galerie Besson Buckman, Jan browngrotta arts Buddeberg, Florian Charon Kransen Arts Bulut, Malik Turkish Cultural Foundation Bump, Raissa Sienna Gallery Buxton, Mary Ellen Mostly Glass Gallery

C Calmar, Lars Galleri Udengaard Campbell, Pat browngrotta arts Cantrell, Ned Galleri Udengaard Cardew, Michael Joanna Bird Pottery Carnac, Helen Contemporary Applied Arts Carney, Shannon Charon Kransen Arts Carpenter, Arthur Espenet Moderne Gallery Casanovas, Claudi Galerie Besson Casasempere, Fernando Joanna Bird Pottery 214

Chang, Chien-Wei Joanna Bird Pottery Chang, Peter Ornamentum Chardiet, José Scott Jacobson Gallery Chaseling, Scott Scott Jacobson Gallery Chen, Yu Chun Charon Kransen Arts Chihuly, Dale Donna Schneier Fine Arts Choonsun, Moon Charon Kransen Arts Christensen, Lina Charon Kransen Arts Cimolin, Leonardo Berengo Studio 1989 Ciscato, Carina Joanna Bird Pottery

Cordova, Cristina Ann Nathan Gallery Corregan, Daphné Collection Ateliers d’Art de France Corvaja, Giovanni Charon Kransen Arts Cottrell, Simon Charon Kransen Arts Cribbs, KéKé Scott Jacobson Gallery Crooks, Bob Contemporary Applied Arts Crow, Nancy Snyderman-Works Galleries Currier, Anne Lacoste Gallery Cusack, Kate Snyderman-Works Galleries Cuyas, Ramon Puig Charon Kransen Arts

Clarke, David Contemporary Applied Arts

D

Clive, Dennis Allan Stone Gallery

Dahl, Astrid Amaridian

Cnaani-Sherman, Gali browngrotta arts

Dailey, Dan Scott Jacobson Gallery

Coffey, Michael Moderne Gallery

Darwall, Mary Mostly Glass Gallery

Cohen, Barry Allan Stone Gallery

Davidson, Jaclyn Charon Kransen Arts

Coleman, Katharine Contemporary Applied Arts

de Amaral, Olga Thea Burger

Clark, Sonya Snyderman-Works Galleries

Di Fiore, Miriam Mostly Glass Gallery Dohnanyi, Babette von Charon Kransen Arts Docter, Marcia Snyderman-Works Galleries Draper, Gemma Ornamentum Dresang, Paul Duane Reed Gallery Drury, Chris browngrotta arts Drysdale, Pippin Joanna Bird Pottery Duckworth, Ruth Thea Burger Dunnigan, John William Zimmer Gallery Duong, Sam Tho Ornamentum

E Ebner, David Moderne Gallery Eden, Michael Clare Beck at Adrian Sassoon Eichenberg, Iris Ornamentum Eitzenhoefer, Ute Ornamentum Ekegren, Björn Galleri Udengaard Ekeland, Ingerid Oliver & Espig

Elozua, Raymon Ferrin Gallery

Fero, Shane Jane Sauer Gallery

Elson, Fiaz Contemporary Applied Arts

Fleischhut, Jantje Ornamentum

Elyashiv, Noam Sienna Gallery

Flowers, Karen Mostly Glass Gallery

Emrich, Sina Charon Kransen Arts

Fonteneau, Alina Sciacco Studio

Erickson, Gary Cross Mackenzie Gallery

Fontoura, Daniel Sciacco Studio

Esherick, Wharton Moderne Gallery

Ford, Steven Snyderman-Works Galleries

Eskuche, Matt Habatat Galleries Chicago

Forlano, David Snyderman-Works Galleries

Espig, Glenn Manfred Oliver & Espig

Forrest, Neil Cross Mackenzie Gallery

Evans, Judith Oliver & Espig

Foster, Charlene UrbanGlass

F Falkesgaard, Lina Charon Kransen Arts Falt, Dan Allan Stone Gallery Farey, Lizzie browngrotta arts Farias, Willian Mariana Magtaz Fawkes, Sally Contemporary Applied Arts Faye-Chauhan, Maureen Charon Kransen Arts Feistauer, Vivien Mariana Magtaz Feller, Lucy Ferrin Gallery Fensterstock, Lauren Sienna Gallery Ferguson, Ken Moderne Gallery

Frank, Peter Charon Kransen Arts Franke, Greg Oliver & Espig Franzin, Maria Rosa Ornamentum Freitas, Matthew Cross Mackenzie Gallery

Futamura, Yoshimi Joan B. Mirviss Ltd

G Gamperl, Ernst Chiaroscuro Contemporary Art Ganch, Susie Sienna Gallery Garcia, Tammy Blue Rain Gallery Garrett, John Chiaroscuro Contemporary Art Gates, Lindsay Ketterer Snyderman-Works Galleries Gavotti, Elizabeth Maria Elena Kravetz Gazier, Alain Frederic GOT Gallery Geese, Claudia Charon Kransen Arts Georgieva, Ceca browngrotta arts

Gontard, Moris Galerie Van Der Planken Good, Michael Oliver & Espig Gore, Caroline Ornamentum Gori, Daniella Charon Kransen Arts Gosti, Jean-Yves Galerie Van Der Planken Gotthilf, Patricia Maria Elena Kravetz Gouldson, Rebecca William Zimmer Gallery Grebenak, Dorothy Allan Stone Gallery Greef, Willemijn de Charon Kransen Arts Green, Jason Cross Mackenzie Gallery Green, Linda browngrotta arts Grimm, Gerit Ferrin Gallery Gross, Michael Ann Nathan Gallery

Frejd, Martina Charon Kransen Arts

Gerard, Jean-Nicolas Collection Ateliers d’Art de France

Frey, Viola Donna Schneier Fine Arts

Giles, Mary browngrotta arts

Guarnieri, Thais Mariana Magtaz

Fritsch, Elizabeth Joanna Bird Pottery

Gilhooly, David Allan Stone Gallery

Gudmann, Elisabett ten472 Contemporary Art

Fujinuma, Noboru TAI Gallery

Gillies, Stephen Contemporary Applied Arts

Guerrieri, Veronique Frederic GOT Gallery

Fujitsuka, Shosei TAI Gallery

Gino ten472 Contemporary Art

Gustin, Chris Cross Mackenzie Gallery

Fukami, Sueharu Joan B. Mirviss Ltd Joanna Bird Pottery

Glenday, Katherine Amaridian

Fukumoto, Fuku Joan B. Mirviss Ltd Fukumoto, Shihoko Katie Jones

Glover, Katherine Jane Sauer Gallery Golcman, Reny Mariana Magtaz

Grossen, Françoise browngrotta arts

H Hackenberg, Gesine Sienna Gallery 215

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Hernmarck, Helena browngrotta arts

Hosking, Marian Charon Kransen Arts

Ishida, Meiri Charon Kransen Arts

Haden, Richard Allan Stone Gallery

Heskett-Brem, Lucie Aaron Faber Gallery

Houston, Bruce Allan Stone Gallery

Ishiyama, Reiko Charon Kransen Arts

Hagmann, Birgit Charon Kransen Arts

Heuser, Stefan Ornamentum

Howe, Brad Adamar Fine Arts

Isupov, Sergei Ferrin Gallery

Hamada, Shoji Joanna Bird Pottery

Hickman, Pat Snyderman-Works Galleries

Huchthausen, David Scott Jacobson Gallery

Iversen, John Ornamentum

Hanagarth, Sophie Charon Kransen Arts

Hicks, Dave Cross Mackenzie Gallery

Hucker, Tom William Zimmer Gallery

Iwasaki, Matsumi browngrotta arts

Harper, William Donna Schneier Fine Arts

Higashibata, Yui Art Front Gallery

Hughes, Linda Charon Kransen Arts

Hart, Noel Jane Sauer Gallery

Hildebrandt, Marion browngrotta arts

Huling, Jan Lyons Wier Gallery

Iwata, Hiroki Charon Kransen Arts Katie Jones

Hash, Arthur Sienna Gallery

Hill, Chris Ann Nathan Gallery

Hunt, Kate browngrotta arts

Hatakeyama, Koji Katie Jones

Hiller, Mirjam Charon Kransen Arts

Hatekayama, Norie browngrotta arts

Hinz, Leonore Charon Kransen Arts

Hutter, Sidney Donna Schneier Fine Arts Schantz Galleries

Hatakeyama, Seido TAI Gallery

Hirasawa, Noboru TAI Gallery

Hawthorne, Deirdre Galerie Besson

Hobin, Agneta browngrotta arts

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Jacobi, Ritzi browngrotta arts

Hayakawa, Shokosai TAI Gallery

Honda, Syoryu TAI Gallery

Iacob, Ioan Old City Caesarea Gallery

Janacek, Vlastislav Mostly Glass Gallery

Hayes, Peter Ann Nathan Gallery

Honjo, Naoki TAI Gallery

Idiots Ornamentum

Janich, Hilde Charon Kransen Arts

Hedman, Hanna Ornamentum

Honma, Hideaki TAI Gallery

Iezumi, Toshio Chappell Gallery

Janosik, Andrea Charon Kransen Arts

Heindl, Anna Charon Kransen Arts

Honma, Kazuaki TAI Gallery

Ikuta, Niyoko Art Front Gallery

Jarman, Angela Clare Beck at Adrian Sassoon

Heinrich, Barbara Aaron Faber Gallery

Honma, Kazue browngrotta arts

Ilkerl, Hildegund Mostly Glass Gallery

Jensen, Mette Charon Kransen Arts

Helmich, Josh Oliver & Espig

Hopkins, Elizabeth Mostly Glass Gallery

Inbar, Tolla Adamar Fine Arts

Jeong, Eun Yeong Charon Kransen Arts

Helmich, Susan Oliver & Espig

Hopkins, Jan Jane Sauer Gallery

Irvine, Alex Snyderman-Works Galleries

Jivetin, Sergey Ornamentum

Henricksen, Ane browngrotta arts

Hoshino, Kayoko Joan B. Mirviss Ltd

Irwin, Jeff Cross Mackenzie Gallery

Jocz, Dan Ornamentum

Henton, Maggie browngrotta arts

Hoshino, Satoru Joan B. Mirviss Ltd

Isaacs, Ron Snyderman-Works Galleries

Jolley, Richard Scott Jacobson Gallery

Iwata, Kiyomi browngrotta arts

J Jabur, Beth Sciacco Studio

Jones, Kate Contemporary Applied Arts

Kasten, Ani Lacoste Gallery

Kilkus, Jeremy Charon Kransen Arts

Koehne, Christiane Charon Kransen Arts

Jones, Meghann Charon Kransen Arts

Katagiri, Hironori Art Front Gallery

Kim, Jeong Yoon Charon Kransen Arts

Koenigsberg, Nancy browngrotta arts

Jónsdóttir, Kristin browngrotta arts

Kataoka, Masumi Charon Kransen Arts

Kim, Jimin Charon Kransen Arts

Kohyama, Yasuhisa browngrotta arts

Joolingen, Machteld van Charon Kransen Arts

Katô, Yasukage Joan B. Mirviss Ltd

Kim, Myungjin Ferrin Gallery

Koike, Shôko Joan B. Mirviss Ltd

Joy, Christine browngrotta arts

Katsumata, Chieko Joan B. Mirviss Ltd

Kim, Seung-Hee Charon Kransen Arts

Kolesnikova, Irina browngrotta arts

Juen, Lisa Charon Kransen Arts

Katsushiro, Soho TAI Gallery

Kim, Sun Kyoung Charon Kransen Arts

Kondô, Takahiro Joan B. Mirviss Ltd

Juenger, Ike Charon Kransen Arts

Kawashima, Shigeo TAI Gallery

Kopf, Silas William Zimmer Gallery

Jung, Junwon Charon Kransen Arts

Kaube, Susanne Charon Kransen Arts

Kinnaird MBE, Alison Zest Contemporary Glass Gallery

K Kaiser, Virginia browngrotta arts Kajiwara, Aya TAI Gallery Kajiwara, Koho TAI Gallery Kallenberger, Kreg Duane Reed Gallery Scott Jacobson Gallery Kalman, Lauren Sienna Gallery Kamata, Jiro Ornamentum Kaneko, Toru Katie Jones Kaneta, Masanao Joan B. Mirviss Ltd Kang, Yeonmi Charon Kransen Arts Karnes, Karen Lacoste Gallery

Kaufman, Glen browngrotta arts Kaufmann, Martin Charon Kransen Arts Kaufmann, Ruth browngrotta arts Kaufmann, Ulla Charon Kransen Arts Kawano, Shoko TAI Gallery Kawase, Shinobu Joan B. Mirviss Ltd Kawata, Tamiko browngrotta arts

Kishi, Eiko Joan B. Mirviss Ltd Kivarkis, Anya Sienna Gallery Kivivirta, Kirsi Galerie Besson Klancic, Anda browngrotta arts Klingebiel, Jutta Ornamentum Klockmann, Beate Ornamentum Kloppmann, Maren Cross Mackenzie Gallery Knauss, Lewis browngrotta arts

Keelan, Margaret Duane Reed Gallery Lacoste Gallery

Knight, Chris Clare Beck at Adrian Sassoon

Kendall, Elizabeth Cross Mackenzie Gallery

Knobel, Esther Sienna Gallery

Kerman, Janis Option Art/Galerie Elca London

Knowles, Sabrina Duane Reed Gallery

Khan, Kay Chiaroscuro Contemporary Art

Kobayashi, Masakazu browngrotta arts

Kibe, Seiho TAI Gallery

Kobayashi, Naomi browngrotta arts

Kicinski, Jennifer Howard Charon Kransen Arts

Koch, Gabriele Contemporary Applied Arts

Kosonen, Markku browngrotta arts Kozaki, Masatake Art Front Gallery Krakowski, Yael Charon Kransen Arts Kretchmer, Claudia Oliver & Espig Kretchmer, Steven Oliver & Espig Krol, Monika Sienna Gallery Kruger, Daniel Sienna Gallery Krumm, Tracy Chiaroscuro Contemporary Art Kuestner, Gabrile Mostly Glass Gallery Kuhn, Jon Ken Saunders Gallery Kulka, Lilla browngrotta arts Kumai, Kyoko browngrotta arts Kuroda, Taizo Katie Jones Kutch, Kevin Mostly Glass Gallery

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Lepore, Marcia Mostly Glass Gallery

Machata, Peter Charon Kransen Arts

Matthews, Leslie Charon Kransen Arts

Lindman, Kathrine Charon Kransen Arts

MacKenzie, Nancy Lacoste Gallery

Matthias, Christine Charon Kransen Arts

LaBianca, Lawrence browngrotta arts

Linkin, Nancy Oliver & Espig

MacKenzie, Warren Lacoste Gallery

Mayeri, Beverly Duane Reed Gallery

Lach, Elfrun Charon Kransen Arts

Linssen, Jennifer Falck browngrotta arts

MacNeil, Linda Scott Jacobson Gallery

Maylor, Mira Habatat Galleries Chicago

Laird, Tamara Cross Mackenzie Gallery

Linssen, Nel Charon Kransen Arts

MacNutt, Dawn browngrotta arts

Mazzoni, Ana Maria Elena Kravetz

Lake, Tai William Zimmer Gallery

Lipman, Beth Donna Schneier Fine Arts

Magro, Valentin Valentin Magro New York

McAllister, Wendy Charon Kransen Arts

Laky, Gyöngy browngrotta arts

Lipofsky, Marvin Schantz Galleries

Majoral, Enric Aaron Faber Gallery

McConnell, Walter Cross Mackenzie Gallery

Langlois, Bernard Allan Stone Gallery

Ljones, Ase browngrotta arts

Malek, Gabriele Mostly Glass Gallery

McCurry, Steve Frederic GOT Gallery

Lawty, Sue browngrotta arts

Lloyd-Jones, Jessica UrbanGlass

Malinowski, Ruth browngrotta arts

McKnight, Rachel Charon Kransen Arts

Leach, Bernard Joanna Bird Pottery

Loew, Susanna Charon Kransen Arts

Mallory, Robert Allan Stone Gallery

McMahon, Timothy Charon Kransen Arts

Leader, Emmett Ferrin Gallery

Longyear, Robert Charon Kransen Arts

Malone, Kate Clare Beck at Adrian Sassoon

Mendes Faria, Paulo Sciacco Studio

Leahy, Bernie Snyderman-Works Galleries

Lorriman, Jim Option Art/Galerie Elca London

Maloof, Sam Moderne Gallery

Merkel-Hess, Mary browngrotta arts

Leavitt, Gail Charon Kransen Arts

Løvaas, Astrid browngrotta arts

Manley, Chad Chiaroscuro Contemporary Art

Metcalf, Bruce Snyderman-Works Galleries

Lebescond, Jacques Frederic GOT Gallery

Lovisaro, Camila Mariana Magtaz

Mannella, C. Pazia Snyderman-Works Galleries

Migdal, Zammy Adamar Fine Arts

Lee, Dongchun Charon Kransen Arts

Lucero, Michael Donna Schneier Fine Arts

Marchetti, Stefano Charon Kransen Arts

Mihara, Ken Joan B. Mirviss Ltd

Lee, Jiyong Duane Reed Gallery

Lunardon, Massimo Berengo Studio 1989

Marioni, Dante Donna Schneier Fine Arts

Milan, Emil Moderne Gallery

Leest, Felieke van der Charon Kransen Arts

Luttin, Sim Charon Kransen Arts

Marks-Swanson, Brooke Aaron Faber Gallery

Milgrom, Lilianne Cross Mackenzie Gallery

Lehmann, Nicole Charon Kransen Arts

Lynch, Sydney Aaron Faber Gallery

Marshall, William Joanna Bird Pottery

Miller, Bel Sciacco Studio

Marti, Dani browngrotta arts

Mimlitsch-Gray, Myra Sienna Gallery

Mason, Vicki Charon Kransen Arts

Mimura, Chikuho TAI Gallery

Massey, Sharon Charon Kransen Arts

Miner, Charlie Schantz Galleries

Lehtinen, Helena Ornamentum Leib, Shayna Habatat Galleries Chicago Lemanski, Anne Ferrin Gallery

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M Macdonell, Jay Option Art/Galerie Elca London

Minkowitz, Norma browngrotta arts

Munsteiner, Bernd Aaron Faber Gallery

Nishihata, Tadashi Joan B. Mirviss Ltd

Paikkari, Pekka Galerie Besson

Minnhaar, Gretchen Adamar Fine Arts

Munsteiner, Tom Aaron Faber Gallery Oliver & Espig

Noten, Ted Ornamentum

Papac, Seth Sienna Gallery

Nowak, Wayne Allan Stone Gallery

Pardon, Earl Aaron Faber Gallery

Nuetzel, Melanie Charon Kransen Arts

Pardon, Tod Aaron Faber Gallery

Nuis, Carla Charon Kransen Arts

Park, So Young Aaron Faber Gallery

Mishima, Kimiyo Joan B. Mirviss Ltd Mishima, Ritsue Katie Jones Mitsumoto, Takeshi Katie Jones Miyashita, Zenji Joan B. Mirviss Ltd

Mustonen, Eija Ornamentum Muzylowski Allen, Shelley Blue Rain Gallery Myers, Joel Philip Donna Schneier Fine Arts

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Park, Young Bin Charon Kransen Arts

Molettiere, Jillian Mostly Glass Gallery

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Monden, Kogyoku TAI Gallery

Nagae, Shigekazu Joan B. Mirviss Ltd

Monterrubio, Gerardo Ferrin Gallery

Nagakura, Kenichi TAI Gallery

Okada, Yoshiko Zest Contemporary Glass Gallery

Moore, Gregg Cross Mackenzie Gallery

Nagasawa, Akira Art Front Gallery

O’Kelly, Angela Charon Kransen Arts

Pavlik, Michael Donna Schneier Fine Arts

Morel, Sonia Charon Kransen Arts

Nakamura, Takuo Art Front Gallery Joan B. Mirviss Ltd

Olsson, Mia browngrotta arts

Paxon, Adam Clare Beck at Adrian Sassoon

Ometto, Nelise Sciacco Studio

Paz Montes, Milton Maria Elena Kravetz

Onishi, Hiroshi Art Front Gallery

Peeters, Erwin Galerie Van Der Planken

Opie, Julian Adamar Fine Arts

Pennell, Ronald Contemporary Applied Arts

Osolnik, Rude Moderne Gallery

Perez, Jesus Curia Ann Nathan Gallery

Osterrieder, Daniela Charon Kransen Arts

Perkins, Flo Chiaroscuro Contemporary Art

Oyama, Yasuyuki Katie Jones

Perret, Etienne Oliver & Espig

Modell, Abby Clark Priftis Art LLC

Moreno, Maria Maria Elena Kravetz Mori, Junko Clare Beck at Adrian Sassoon Morigami, Jin TAI Gallery Morino, Taimei Joan B. Mirviss Ltd Morinoue, Hiroki William Zimmer Gallery Moseholm, Keld Galleri Udengaard Moulthrop, Ed Moderne Gallery Mulford, Judy browngrotta arts Munsen, Mel Option Art/Galerie Elca London

Nakashima, George Moderne Gallery Nakatomi, Hajime TAI Gallery Namingha, Les Blue Rain Gallery Nason, Tolly Zest Contemporary Glass Gallery Negri, Martie Mostly Glass Gallery Neves, Laura Sciacco Studio Newell, Brian William Zimmer Gallery Newman, Richard Scott William Zimmer Gallery Nio, Keiji browngrotta arts

Ogawa, Machiko Joan B. Mirviss Ltd

P Paganin, Barbara Charon Kransen Arts

Parr, Nuna Option Art/Galerie Elca London Partridge, Jim Contemporary Applied Arts Pasetti, Sonia Mariana Magtaz Pattihis, Liana Charon Kransen Arts

Peters, Ruudt Ornamentum Petter, Gugger Jane Sauer Gallery Pheulpin, Simone browngrotta arts

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Picaud, Fabienne Mostly Glass Gallery

Read, Sarah Charon Kransen Arts

Rossbach, Ed browngrotta arts

Salvador, Andrea Berengo Studio 1989

Pinchuk, Natalya Charon Kransen Arts

Recko, Gateson Mostly Glass Gallery

Rothmann, Gerd Ornamentum

Samora, Maria Blue Rain Gallery

Pohlman, Jenny Duane Reed Gallery

Reid, Colin Clare Beck at Adrian Sassoon

Rothstein, Scott browngrotta arts

Sand, Toland Jane Sauer Gallery

Pond, Jo Charon Kransen Arts

Reinhoud Galerie Van Der Planken

Sano, Takeshi Chappell Gallery

Pragnell, Valerie browngrotta arts

Reitz, Don Lacoste Gallery

Rousseau-Vermette, Mariette browngrotta arts

Prasch, Camilla Ornamentum

Rhoads, Kait Chappell Gallery

Prestini, James Moderne Gallery

Ribeiro, João Sciacco Studio

Preston, Mary Ornamentum

Richmond, Lesley Jane Sauer Gallery

Price, Bret Cross Mackenzie Gallery

Ricks, Madelyn Mostly Glass Gallery

Prins, Katja Ornamentum

Rie, Lucie Galerie Besson

R Rainey, Clifford Habatat Galleries Chicago Rand, Elizabeth William Zimmer Gallery Randal, Seth Scott Jacobson Gallery Rankin, Susan Option Art/Galerie Elca London Rasmussen, Merete Contemporary Applied Arts Rath, Tina Sienna Gallery Rathbone, Kelly Garrett Ferrin Gallery Habatat Galleries Chicago Ray, Leo Old City Caesarea Gallery

Rietmeyer, Rene Adamar Fine Arts Riis, Jon Eric Snyderman-Works Galleries

Roussel, Anthony Charon Kransen Arts

Sano, Youko Chappell Gallery Habatat Galleries Chicago

Rowan, Tim Lacoste Gallery

Sapir, Ira Adamar Fine Arts

Rubino, Silvano Berengo Studio 1989

Sarneel, Lucy Charon Kransen Arts

Russmeyer, Axel browngrotta arts

Sawyer, George Oliver & Espig

Rutherford, Fiona Contemporary Applied Arts

Saxe, Adrian Donna Schneier Fine Arts

Ruzsa, Alison Mostly Glass Gallery

Schaupp, Isabell Charon Kransen Arts

Ryan, Jackie Charon Kransen Arts

Scheinman, Nancy Jane Sauer Gallery

Robertson, Zoe Charon Kransen Arts

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Rocha Loures, Vera Lília Sciacco Studio

Sachs, Debra browngrotta arts

Rojas, Carolina Maria Elena Kravetz

Safire, Helene UrbanGlass

Romanelli, Bruno Clare Beck at Adrian Sassoon

Sajet, Philip Ornamentum

Rose, Jim Ann Nathan Gallery

Sakiyama, Takayuki Joan B. Mirviss Ltd

Rose, Marlene Adamar Fine Arts

Sakurai, Yasuko Joan B. Mirviss Ltd

Rosenfeld, Erica Mostly Glass Gallery

Salamon, Vladamir Allan Stone Gallery

Rosol, Martin Schantz Galleries

Salcedo, Samuel Frederic GOT Gallery

Riska, Kristina Galerie Besson

Schick, Marjorie Charon Kransen Arts Schimmel, Heidrun browngrotta arts Schmitz, Claude Charon Kransen Arts Schreiber, Constanze Ornamentum Schuerenkaemper, Frederike Charon Kransen Arts Scott, Joyce Snyderman-Works Galleries Sé, Virginia Sciacco Studio Seidenath, Barbara Sienna Gallery Sekiji, Toshio browngrotta arts Sekijima, Hisako browngrotta arts

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Singletary, Preston Blue Rain Gallery

Stebler, Claudia Ornamentum

Serber, Sasha Old City Caesarea Gallery

Sins, Kathryn Allan Stone Gallery

Steepy, Tracy Sienna Gallery

Seufert, Karin Charon Kransen Arts

Sioulas, Konstantino Oliver & Espig

Stein, Ethel browngrotta arts

Seventy, Sylvia browngrotta arts

Sisson, Karyl browngrotta arts

Steinberg, Eva Snyderman-Works Galleries

Shaa, Axangayuk Option Art/Galerie Elca London

Slaughter, Kirk H. ten472 Contemporary Art

Stender, Oriane Allan Stone Gallery

Shabahang, Bahram Orley Shabahang

Sloan, Susan Kasson Aaron Faber Gallery

Stern, Ethan Chappell Gallery

Shapiro, Mark Ferrin Gallery Lacoste Gallery

Smelvær, Britt browngrotta arts

Sterner, Marion Zest Contemporary Glass Gallery

Shaw, Richard Donna Schneier Fine Arts Sheezel, Debbie Charon Kransen Arts Shigematsu, Ayumi Katie Jones Shigeo, Kawashima TAI Gallery Shin, Young-ok browngrotta arts Shindo, Hiroyuki browngrotta arts Shioya, Naomi Chappell Gallery Shockley, Tim Maria Elena Kravetz Shono, Tokuzo TAI Gallery Sicuro, Giovanni Ornamentum Sieber Fuchs, Verena Charon Kransen Arts Siesbye, Alev Ebüzziya Galerie Besson Signoretto, Silvano Berengo Studio 1989 Simpson, Tommy Scott Jacobson Gallery

Smith, Barbara Lee Snyderman-Works Galleries Smith, Richard Zane Blue Rain Gallery So, Jin-Sook browngrotta arts Soest, Roos van Charon Kransen Arts Soldner, Paul Moderne Gallery Sonia, Yael Mariana Magtaz Sørenson, Grethe browngrotta arts Spano, Elena Charon Kransen Arts Speckner, Bettina Sienna Gallery Spira, Rupert Clare Beck at Adrian Sassoon Spitzer, Silke Ornamentum Stair, Julian Clare Beck at Adrian Sassoon Stanger, Jay Scott Jacobson Gallery Stankard, Paul Donna Schneier Fine Arts Ken Saunders Gallery

Stiansen, Kari browngrotta arts Stips, Wouter Berengo Studio 1989 Stocksdale, Bob Moderne Gallery Stoyanov, Aleksandra browngrotta arts Stutman, Barbara Charon Kransen Arts Sugawara, Takehiko Art Front Gallery Sugita, Jozan TAI Gallery Sugiura, Yasuyoshi Joan B. Mirviss Ltd Sultz, Phillip Allan Stone Gallery Sumiya, Yuki Charon Kransen Arts Superior, Mara Ferrin Gallery Superior, Roy Allan Stone Galleryy Suzuki, Hiroshi Clare Beck at Adrian Sassoon Syvanoja, Janna Charon Kransen Arts

T Tagliapietra, Lino Donna Schneier Fine Arts Heller Gallery Takaezu, Toshiko Donna Schneier Fine Arts Moderne Gallery Takamiya, Noriko browngrotta arts Takegoshi, Jun Joan B. Mirviss Ltd Tanabe, Mitsuko TAI Gallery Tanabe, Takeo/Shochiku III TAI Gallery Tanaka, Chiyoko browngrotta arts Tanaka, Hideho browngrotta arts Tanaka, Kyokusho TAI Gallery Tang, Brendan Option Art/Galerie Elca London Tanikawa, Tsuruko browngrotta arts Tanioka, Shigeo TAI Gallery Tate, Blair browngrotta arts Tatsuki, Masaru TAI Gallery Tawney, Lenore browngrotta arts Taylor, Michael Scott Jacobson Gallery Terepins, Bettina Mariana Magtaz Thakker, Salima Charon Kransen Arts

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Tiffen, Ira Mostly Glass Gallery

Ueda, Yoshihiko TAI Gallery

Velez, Luis Efe Adamar Fine Arts

Toda, Seiju TAI Gallery

Ueno, Masao TAI Gallery

Venet, Bernar Adamar Fine Arts

Tomasi, Henriette Charon Kransen Arts

Umbreit, William Allan Stone Gallery

Vermandere, Peter Charon Kransen Arts

Tomita, Jun browngrotta arts Katie Jones

Ungvarsky, Melanie UrbanGlass

Vermette, Claude browngrotta arts

Unterseher, Chris Allan Stone Gallery

Vikman, Ulla-Maija browngrotta arts

Thomson, Jim Option Art/Galerie Elca London

Torii, Ippo TAI Gallery Townsend, Kent William Zimmer Gallery Trekel, Silke Charon Kransen Arts Tridenti, Fabrizio Charon Kransen Arts Truman, Catherine Charon Kransen Arts Tsai, Chang-Ting Charon Kransen Arts Tuccillo, John Ann Nathan Gallery Tunnillie, Ashevak Option Art/Galerie Elca London Tuominen-Niittylä, Kati Galerie Besson Turner, Annie Joanna Bird Pottery Turner, Julia Ornamentum Turner, Robert Moderne Gallery Tuupanen, Tarja Ornamentum

V Vagen, Verushka Duane Reed Gallery Vagi, Flora Charon Kransen Arts Vallien, Bertil Donna Schneier Fine Arts Valoma, Deborah browngrotta arts van Aswegen, Johan Sienna Gallery van der Beugel, Jacob Joanna Bird Pottery Van Cline, Mary Scott Jacobson Gallery Van Der Laan, Christel Charon Kransen Arts van Giel, Eduard Galerie Van Der Planken Van Stom, Feyona Maria Elena Kravetz Vanden Daele, Pieter Galerie Van Der Planken

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Vardar, Emel Turkish Cultural Foundation Veers, Lilli Charon Kransen Arts

Virden, Jerilyn Ann Nathan Gallery Vitkovsky, Janice Jane Sauer Gallery Voulkos, Peter Donna Schneier Fine Arts Moderne Gallery

W Wada, Morihiro Joan B. Mirviss Ltd Wagle, Kristen browngrotta arts Wagner, Karin Charon Kransen Arts Wahl, Wendy browngrotta arts Walker, Jason Ferrin Gallery Walter, Julia Charon Kransen Arts Wander, Robert Oliver & Espig Watanuki, Yasunori Charon Kransen Arts

Weinberg, Steven Donna Schneier Fine Arts Schantz Galleries Scott Jacobson Gallery Weir-Quiton, Pamela Moderne Gallery Weiser, Kurt Ferrin Gallery Weiss, Caroline Charon Kransen Arts Weldon-Sandlin, Red Ferrin Gallery Welker, Lena McGrath browngrotta arts Westby, Lars Cross Mackenzie Gallery Westphal, Katherine browngrotta arts Whitney, Ginny Aaron Faber Gallery Willemstijn, Francis Charon Kransen Arts Williams, Diana Cross Mackenzie Gallery Winqvist, Merja browngrotta arts Winter, Jasmin Charon Kransen Arts Wirasekara, Sharmini Mostly Glass Gallery Wittrock, Grethe Snyderman-Works Galleries Wolff, Ann Scott Jacobson Gallery Woo, Jin-Soon Charon Kransen Arts Woodman, Rachael Clare Beck at Adrian Sassoon Woodward, John Allan Stone Gallery

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Zaytceva, Irina Jane Sauer Gallery

Yako, Hodo TAI Gallery

Zehavi, Michal Cross Mackenzie Gallery

Yamaguchi, Ryuun TAI Gallery

Zembok, Udo Clare Beck at Adrian Sassoon

Yardimci, Ilker Turkish Cultural Foundation

Zenger, Yilmaz Turkish Cultural Foundation

Yeonsoon, Chang browngrotta arts

Zhitneva, Sasha Chappell Gallery

Yi, Jung-Gyu Charon Kransen Arts

Ziegler Nodelman, Nancy Maria Elena Kravetz

Yokouchi, Sayumi Sienna Gallery

Zimmermann, Petra Ornamentum

Yonezawa, Jiro browngrotta arts

Zobel, Michael/ Peter Schmid Aaron Faber Gallery

Yoon, Hyung Kyun Cross Mackenzie Gallery

Zanella, Annamaria Charon Kransen Arts

Yoshida, Masako browngrotta arts Youngman, Phillip Oliver & Espig Yrarrázaval, Carolina browngrotta arts Yufu, Shohaku TAI Gallery Yuh, SunKoo Lacoste Gallery Yuki, Yoshiaki gallery gen

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