Lotsawa Series
-
This publication is intended for those who have already re ceived the Dzogchen transmission from Chogyal Namkhai Norbu
© 2007 Shang Shung Edizioni 58031 Arcidosso GR-Italy tel: 0564 966039
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- Approved by the International Publica
tions Committee of the Dzogchen Community founded by Chogyal Namkhai Norbu
CHOGYAL NAMKHAI NORBU
LONGSAL TEACHINGS VOLUME SEVEN
Translatedfrom Tibetan and edited by Adriano Clemente With the kind help of the Author
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Shang Shung Edizioni
CONTENTS
Translator's note to the Longsal Series of Teachings Preface
7 9
The Most Important Points on the View, Meditation, Behavior and Fruit
The History RootText
The Upadesha on the Twenty-Five Spaces
The History RootText
11 13 21 25 27 53
The Wish-Fulfilling Jewel, Thigle o f the Mind of the Guru Wisdom Dakini
The History Root Text
The Bardo Instructions Sealed with the HUM
The History RootText
5
61 63 113 1 37 1 39 1 99
TRANSLATOR'S NOTE TO THE LONGSAL SERIES OF TEACHINGS
The Longsal Cycle or The Luminous Clarity of the Universe, Heart Essence of the Dakinis (Klang chen 'od gsa! mkha' 'gro 'i snying thig) is the collection of Chogyal Namkhai Norbu's discovered teachings. This series of publications contains translations of the original texts together with the histories of their discovery. The reader should be aware that in order to thoroughly un derstand and apply the teachings included in the texts, it is essential to rely upon the oral instruc tions of the transmission holder.
7
PREFACE
This seventh volume of teachings from the Longsal cycle contains four upadeshas and the histories of their discovery. These teachings were received through dreams over a period of time from 1959 to 2001. The Most Important Points on the View, Medi tation, Behavior and Fruit (ITa sgom spyod 'bras kyi gnad gzer), also known as The Upadesha on the Most Important Points ofAti (A ti 'i gnad gzer man ngag), received in a dream from Chang chub Dorje as inseparable from Garab Dorje and Padmasambhava, contains the essence of the Ati Dzogpa Chenpo teaching in few verses. The Upadesha on the Twenty-Five Spaces (Klang chen nyi shu rtsa lnga 'i man ngag), re ceived in 1980 and then in 1991, is a supreme practice of purification based on twenty-five man tras originally found in the btags grol tantras. The dreams relating to this upadesha are connected to Kunga Palden (1878-1950), one of the Author's teachers. The Wish-Fulfilling Jewel, Thigle of the Mind ofthe Guru Wisdom Dakini (Bla maye shes mkha' 'gro 'i thugs thig yid bzhin nor bu), received in dreams from 1993 to 2000, is an essential method of practice related to the three dimensions of the Body, Voice and Mind of the Guru Jfianadakini or Wisdom Dakini.
9
The Bardo Instructions Sealed with the HOM (Bar do 'i gdams pa hum gi rgya can), received in dreams from 1984 to 2001, contains profound instructions on the various types of Bardos or intermediate states, in particular focusing on the crucial moment of the Bardo of the Dharmata. One of the dreams relating to this upadesha is connected to Khyentse Rinpoche Chokyi Wang chuk (1910-1963 ), maternal uncle and one of the Author's teachers. I wish to thank Steve Landsberg for reviewing my English.
November 2006 Adriano Clemente
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melodious and pleasant voice of an eight year old boy: Noble son! The most important of the pro found points Do not need the chains of hope and fear. Relax in equanimity without modifying any thing In the authentic condition as it is, And perfect activities will manifest without interruption. There is no doubt or uncertainty about this. Noble son, listen! Not understanding that the View is one's own state, One follows words of intellectual analysis and sectarianism. Not knowing that there is nothing to medi tate... AAA At the end he sounded three As and remained without moving for some time. Then he became again the statue of Guru Rinpoche. I thought, "These instructions must certainly be considered as a very profound teaching and as the essence of practice, given by the three inseparable mani festations: my kind Guru (Changchub Dorje),
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oo �oo .;f?oo s,'§:::>oo A OM U Not understanding that the View is one's own state, One follows words of intellectual analysis and sectarianism. Not knowing that there is nothing to meditate, One is fettered by the mental constructs of con ceptual fixation. Not understanding that the behavior is Samantab hadra,
One gets attached to the effort of accepting what is good and renouncing what is bad. Not understanding that the fruit is self-perfected, One remains suffocated by the impurities of hope and fear which (hinder) knowledge. Without modifying it, maintain the state of self perfection Relaxing in its authentic condition as it is ! A A A
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T HE HISTORY In the Metal-Male-Monkey year [the twelfth of august, 1980], while I was in California, in the West of the United States of America, in a hall of the Stanford University in P alo Alto, a town near San Francisco, I gave a general introduction about the Tibetan teaching, culture and history to many people assembled there. That night I had the following dream. I had the feeling I was one of the so-called "spheres of prana for concentration". I was in side a very clear and pure sphere of light whose circumference spread from my body for about a fathom in all directions. The sphere could reach any desired place in a flash. Not only was I in the
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dimension of space, but there were some other similar spheres of light on my right and my left. Not far from my sphere of light there was a red dish sphere of light inside of which I could see a very beautiful girl adorned with ornaments simi lar to those which are worn by Chinese Opera ac tresses. The moment I looked at her she arrived near me. I asked her in Tibetan, "In which dimension of space are we now?" "Now we are in the space dimension ofUtala," she replied also in Tibetan. "What is Utala?" I asked again. "Utala is a Thalwa dimension similar to the human world," she replied. "How many continents are in this Thalwa?"
29
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"There are so many continents. However, as to (the number of) continents in which Vidyadharas and Dakinis live, there are more than twenty in the Thalwa of Utala" she explained. "Are you from the Thalwa dimension of Uta la?" I asked her.
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On the lower path, which was a small plain, I saw some beings with lion like faces and human like bodies wearing a blue silken skirt and a long silken belt of many colors. They were building a round house, which emitted a dark blue light, on the top of a very large pillar about five human be ings in height. Above (the house) there were two geometrical structures of four sides each, one fac ing the other. (The whole building) seemed trans parent (with no specific color), but looking at it from the outside gave the impression that it was sparkling with blue light. Also in other places not far from there I saw some houses similar to that. I thought they probably were the homes of these
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I asked to the protectress Malati, "Who are these beings?" "They are the Shamabala beings belonging to a section of Apara," she replied. At that time we arrived in front of a smooth, transparent crystal rock whose inner part, deep and shimmering with multicolored lights, was clearly visible. On its surface there was this writ ing in natural bright ruby:
Malati touched the writing with her left fore finger and as soon as she uttered the sounds U A AN, a triangular rocky door a fathom in size suddenly opened by itself in front of us . Malati told me:
37
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"Come inside !" I entered the doorway and reached the inside. There was a pathway brightly shining with the natural light of precious materi als. We crossed it and after walking for about three minutes we arrived in front of the entrance of a hall. We went inside and in the center of the hall, upon a black stone resembling a half egg facing upwards and resting on a dark red ruby colored stone, square in shape and one cubit in size, I saw an elegant Shamabala who seemed to be giving a talk in a very strange language. Around him there were more than a hundred Shamabalas who were listening attentively. "Who is this Shamabala 1n the center?" I asked Malati, and she replied, "Don't you recog nize him? He is the human Mahasiddha Kunga Palden. He is teaching to the Shamabalas the Tan
tra ofthe Unique Son of the Teaching". Immediately I unified my mind with the State
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center of the hall became the P recious Mahasid dha (in his human form). He looked at me with a smile of gladness and said: 'A A HA SHA SA MA The way to train in the real condition For individuals endowed with the most fortunate karma, Once they have entered the swift path of the su preme Ati, Is to integrate into the state of the symbol where (everything) is perfected in presence. To reverse attachment to the senses: KARMA RAK SHA G HI HAM TI. To reverse attachment to the aggregates: B HE G A RA NA SO G AD G LING . To reverse attachment to all objects : P U KA RI LA B HA DU TRI. To make the concreteness of mind disappear:
RAM PA KALA SA MI KHYE. To eradicate thoughts and feelings in their condi tion: MA TANG
P HA P HER RASMI TI.
To recognize the vision of compounded (phe nomena) : KH A T A RE KA S A MIG RL UNG .
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To imprison instant presence: A KE RA NA B HE T SAK SHA. To discover the real nature of illusion: YA RI MU T A S A G HU LI . To liberate the Six Lekas one after the other: YA SING RA RLUNG B A LA YA. To completely empty samsara: MA MA KO L ING SA M A TA. To bring the subject into its essence: GHA RING YAM P A RI MANG T I. To discover the origin of (Rolpa) manifestation: BU G A SING HA P A G HA LA. To cut the rope of attachment: RA MI P I P Al KHE TA P A. To gaze directly at the chain-continuation: B I KHU MA LA P A TAM KI. To see the symbol of the deity: SA MA NY I WA DHE RA P A. To purify the mistakes of the view and medita tion: VAJ RASAT VA :Q I QHO ME.
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oo�oo ..;f?oo %"Joo In the Metal-Female-Sheep year [on the twenty-eighth of December, 1991 ] , while I was in Merigar, main seat of the Dzogchen Commu nity of Europe, giving Dzogchen teachings to the many foreign and local students who had assem bled there, I had the following dream in the early morning. I was inside an amazing big cave of crystal rock. In its innermost part, on a smooth mirror like half-moon shaped rocky surface similar to sapphire, I saw the root symbolic letter of the
Luminous Clarity of the Universe, Heart Essence of the Dakin is, as if carved in relief, yellow and shining with a golden light, the size of a round shield. B elow it were the six syllables, 'A A
HA SHA SA MA
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with molten gold. They were followed by many lines of verses, but since their letters were not so big, I could not read them clearly. Understand ing that they contained the sacred essence of the Dzogpa Chenpo teaching, I quickly went in front
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of the rocky surface and sat down comfortably to read. I discovered that they were the verses of the profound teaching on the Twenty-Five Spaces that I had already received in a dream from the Mahasiddha Kunga Palden. In that moment I rec ognized that I was dreaming, and I thought, "In a previous
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���From The Luminous Clarity of the Universe �
Heart Essence of the Dakinis
Herein is Contained THE UPADESHA ON THE TWENTY-FI VE SPACES
'A A HA SHA SA MA The way to train in the real condition For individuals endowed with the most fortunate karma, Once they have entered the swift path of the su preme Ati, Is to integrate into the state of the symbol where (everything) is perfected in presence. To reverse attachment to the senses: KARMA RAKSHA G HI HAM TI. To reverse attachment to the aggregates : BHE G A RA NA S O G HADLIM. To reverse attachment to all objects: PU KA RI LA BHA DHU TRI. To eliminate mind's grasping at concreteness: RAM PA KA LA SA MI KHYEM. To eradicate thoughts and feelings in their condi tion: MATTANG PHA PHER RASMI TI.
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KHA T A RE KA SA MIKLAM. To imprison instant presence: A KE RA NA BHE T SAK$WHA. To discover the real nature of illusion: YA RI MU TA SA GHU Ll. To liberate the Six Lokas one after the other: YA SIM RA LAM BA LA YA. To stir up samsara from its depths : MA MA KO LING SA MANTA. To bring the subject into the T higle: GHA RIM YAM PA RI MAM Tl. To discover the origin of (Rolpa) manifestation: BU GA SINGHA PA GHA LAM. To cut the rope of attachment: RAMI PI PAl KHE TA PA. To gaze directly at the chain-continuation: BI KHU MA LA PA TAM KE. To see the symb o l of th e deity: SA MA NYI WA DHE RAPA. To purify the mistakes of the view and medita tion: VAJ RA SATYA QI QHO ME.
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To simultaneously cross the bhumis and the paths: GHE BA SU GHARNA MA YAI. To discover the origin of intellectual view: DHARMA PA TI SA GHU LI . To apply the three Kayas as the path: RASMI SA MA KHARGAD TSHI. To concretely experience vision: RU PA SA MI MI TA LAM . To discover the real nature of sound: NGA TIK BHA YAM KA LI SA. To master the level of total contemplation: GA TSHI PA LA SA I TAM. To perfectly complete activities: KARMA E KA MA NU S A . To reverse concrete attachment to Enlighten ment, SANG TRI MA MA KARMA TA. To find the dimension of the offspring of the Vic torious Ones : NGA LA KHE BHA KI LI SA. The self-originated state of the twenty-five spaces Naturally arises in its own sound. SAMAYA GYA GYA GYA
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oo c�oo .;T?oo �oo THE HISTORY In the year of the Water-Bird, on the nineteenth day of the eighth month [the fourth of October, 1 993], while I was in a retreat house in the vi cinity of the meditation cave of the Mahaguru of Uddiyana above Tso Padma, in the early morning I had the following dream. I was practicing Guruyoga inside the medita tion cave of the Mahaguru ofUddiyana above Tso Padma, when at a certain point I saw a beautiful girl dressed like an Indian lady, maybe Seventeen years old, standing in front of me. She gave me a scroll of paper attached to the inside of a red silk cover and told me in perfect Tibetan, "Please, give me an instructional reading transmission
(khrid lung) of this text! "
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I opened the scroll and saw (the title of the text) in Tibetan Uchen script together with the symbolic letter of the Longsal :
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� � From The Luminous Clarity of the Universe, Heart Essence of the Dakin is Herein is Contained The Wish-Fulfilling Jewel, Thigle of the Mind of the Guru Wisdom Dakini The text was written in vermilion. I was a little surprised, and asked her, "Where did you get this scroll?" "An old nun gave me this scroll," she replied. "Where is this old nun now," I asked again. "I don't know that nun. So I don 't know where she is," she said. "What did she say when she gave you this scroll?"
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She said, "This is a special and essential upade sha of Dzogpa Chenpo. Practice it well ! " She did not say anything else. As soon as she gave me this scroll she went away with all haste into the bazaar." "Yes, it's true. This is a special essential upadesha which I own. However it is not correct if I give an instructional reading transmission to those who have not received the empowerment and reading transmission of this upadesha in the proper way. I am sorry." Then she said, "Since this is a special upade sha of which you are the owner, I want to offer this text to you. In the future, please teach this special upadesha to us ! "
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Thus she requested me, and I replied, "When this special upadesha of The Thigle of the Mind
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�� � Herein is Contained the Wish-Fulfilling Jewel, Thigle of the Mind of the Guru Wisdom Dakini. NAMO GUR U JNANADHAKKINIYE The way ofpracticing the Thigle of the Mind of the Guru Wisdom Dakini (includes) the pre liminary phases as usual, and the dimension of the deity as the main practice of visualization contemplation. A In the condition of the primordial purity en dowed with the three liberations, in the primor dial dimension, space of Samantabhadri, in the expanse of self-perfected sound, light and rays, Rigpa manifests as a clear reddish blue HRl!j.
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HRlf/ From the complete and instant transforma tion of the reddish blue HRllj, wisdom of Rigpa, Samantabhadra Padma Heruka manifests, vis ible and empty, like a rainbow in the sky. He is a Pawo, reddish blue, shining brightly,, with one face and two arms and a joyful expression. The hair is half loose and half tied, ornamented with a vajra, jewels and a vulture feather. With the right hand in the mudra of the Subjugator of the Universe (Nangsid Zilnon), he transfers the state ofknowledge to fortunate students. With the left he holds a kapala of nectar adorned with the long life vase. His body is perfectly attired with all the ornaments of a Heruka (including) jewels and bones. With one leg stretched and the other bent in the half-crossed position, he sits on a seat made of lotus, sun and moon. From the HRl!fat the heart a reddish blue light spreads in all sacred places and dimensions, ac tivating the samaya of the Wisdom Dakini. Five colored rays immediately return.
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At this point I woke up . The day was dawn ing. I remembered the dream during my morning practice session, but since I had not had the time to read the whole scroll I felt quite sorrowful, but I did not know what to do. Immediately I wrote down my dream in these brief notes so that in the future I would be able to remember it. -
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In the year of the Water-Bird, on the twenti eth day of the eighth month [the fifth of October, 1993], while I was in a retreat house in the vi cinity of the meditation cave of the Mahaguru of Uddiyana above Tso Padma, in the early morning I had the following dream. I was in the same situation as in the dream of the preceding night, in a condition of inseparabil ity of vision and mind. In front of me there was a clear, pure and limpid big Drombu (oval con tainer) that was a special support of the Wisdom Dakini . Inside it the root symbolic letter of The
Luminous Clarity of the Universe, Heart Essence of the Dakin is, was shining brightly as a very clear and elegant character a cubit in size, glitter ing yellow with a golden hue. All the rays of light spreading from it were totally merging with the rainbow-like vapor in the space around it. While I was continuing in the state of total equality in which vision and mind are inseparable, all of a sudden I saw many children flying and hovering in the air. One of them arrived near me and re mained quietly relaxed. I looked at her accurately
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and realized she was the girl I had met a few days before in a dream who had led me to the inner place of the Wisdom Dakini Mandarava. A little surprised, I asked her, "Where are you coming from?" "I am with this group of Pawos and Pamos," she replied. I was thus certain that all these children who had previously helped me were all Pawos and Pa mos. I immediately took her right hand and told her, "You have been very kind to show me the in ner place of the Wisdom Dakini and in particular to bestow on me a special siddhi of total bliss. What is your name?" "My name is VarJ).ani," she replied. "What is this special support in front of us?" I asked.
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"This is the Mind-support of the Wisdom Da kini Guhyajfiana. It was also the support of the practice in the past when the Mahaguru Pad masambhava and his consort abided in the state
of knowledge of the Wisdom Dakini," she ex plained. Again I asked the Pamo Vail). ani, "Which yoga has to be practiced in order to enter the sacred state of knowledge of the Wisdom Dakini?" "Look at the text which is found at the base below this Drombu Mind-support! " she replied. I thought, "Previously I saw a ruby-colored base below this Drombu Mind-support, but I never saw any letter on its surface. What is she talking about?" In that very moment, she took my left hand and told me, "Stand up and come here ! " And led me in front of the ruby-colored base below the Drombu Mind-support.
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"Look here ! On the base of this Mind-support the way to practice the yoga of the Wisdom Da
kini will clearly appear." I looked well and it seemed like there were some letters, but none of them were clearly iden tifiable. "Here I don't see any identifiable letter," I told her. With her right hand she turned the base of the support to the left and rubbed the whole upper part of its surface, and upon it I saw very clearly, on a ruby basis, the symbolic letter similar to the (Tibetan) CA with a crescent moon ornament on top, as if written with molten lapis lazuli, like this
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a complete text of practice of the Wisdom Dakini according to a system common to Anuyoga and Atiyoga. As soon as I finished reading the text, I ad dressed the Pamo or yogini V art).ani, "Thank you so much. Is it all right if you rub also the lower part of the base of the support, so that I can read the lines which are written below?" "The time is not yet ripe for the rest of it. When the time is ripe, I will definitely show it to you," she replied. "If this is so, I certainly need to memorize this practice text in order to remember it when I wake up," I said. With her right hand she stroked my heart, and said, "You don't need to worry. Since this is part of
The Luminous Clarity of the Universe, Heart
Essence of the Dakinis, you will be able to re member it as if it was printed in your mind."
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While I was thinking that I should read the text one more time, the yogini V a.rJ).ani turned the Mind-support to the left and blew a few times on the surface of its base. Then the letters again be came unidentifiable as before. I concentrated on the words and meanings of the practice text and it seemed that I could remember them all vividly in my mind. Then the yogini VaTI).ani said, "Let's circum ambulate seven times this Mind-support of the Wisdom Dakini while singing and dancing the Song of Vajra." With a very melodious voice she started to sing:
E MA KI RI KI RI So we began moving around the Mind-support in a clockwise direction with dancing steps com bined to the Song of Vajra. As these dance move ments were the same that I had already performed during some great gatherings of Ganachakra, I
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knew perfectly well ho\\' to dance. When we ar rived at:
E KA RA SU LI BHA TA YE the Pawos and Pamos who were flying and hov ering in the air under the guise of children landed on the ground and started to sing and dance with us .
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the Song of Vajra, at a certain point something woke me up. The day was dawning. Since when I woke up I was repeating the line: RA�A BI DHI SA GHU RA LA PA I remembered very clearly what I had dreamed, and
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sion I wrote down these rough notes. Regarding the way to practice the Yoga of the Wisdom Da kini, this is what was written:
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� � Herein is Contained The Wish-Fulfilling Jewel, Thigle of the Mind of the Guru Wisdom Dakini NAMO G UR U JNANADHAKKINIYE
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The way ofpracticing the Thigle of the Mind of the Guru Wisdom Dakini (includes) the pre liminary phases as usual, and the dimension of the deity as the main practice of visualization contemplation. A In the condition ofprimordial purity endowed with the three liberations, in the primordial di mension, space ofSamantabhadri, in the expanse of self-perfected sound, light and rays, Rigpa manifests as a clear reddish blue HRl!j HRl!j From the complete and instant transforma tion of the reddish blue HRl!j wisdom of Rigpa, Samantabhadra Padma Heruka manifests, vis ible and empty, like a rainbow in the sky. He is a Pawo, reddish blue, shining brightly, with one face, two arms, and a joyful expression. His hair is half loose and half tied, ornamented with a vajra, jewels and a vulture feather. With the right hand, in the mudra of the Subjugator of the Uni verse (Nangsid Zilnon), he transfers the state of knowledge to fortunate students. With the left, he
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holds a kapala of nectar adorned with the long life vase. His body is perfectly attired with all the ornaments of a Heruka (including) jewels and bones. With one leg stretched and the other bent in the half-crossedposition, he sits on a seat made of lotus, sun and moon. From the HRllj at the heart a reddish blue light spreads in all sacredplaces andpure dimen sions, activating the samaya of the Wisdom Da kini. Five-colored rays immediately return, and through them, in the space in front of us, inside a pavilion made of a five-colored Thigle which (represents) the Dang of sound, light and rays, the Tsal of the inseparability of oneself (as the deity and the deity visualized) in front manifests as a clear red BAM letter, just like a rainbow (ap pears). BAM From the complete transformation of the letter BAM (there manifests) the glorious Wisdom Da
kini (who is) the Great Mother Samantabhadri as Dharmakaya, Guhyajnana Tsal as Sambhogaka ya, Gomadevi as Nirmanakaya and the Dakini Mandarava as later Nirmanakaya. She is our root master in (her very) essence, and appears in the form of a Wisdom Dakini (in the following way). 91
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With one face and two a rms, she is white with a pinkish hue. She is joyous and charming, in the full bloom of youth. Her hair is half loose and half tied, o rnamented with jewels and the sym bols of the five families. With he r right hand she brandishes a cu rved knife in space to untie the fetters of grasping thoughts and (allow) wisdom to sp read. With the left hand, in the meditation mudra, (she holds) a kapala in which the nectar of blessings, self-libe ration of the perceived vi sion, is gathered. Her body is ado rned with o rna ments ofjewels and bones and pe rfected with all the o rnaments of the queen ofyoginis. As a sym bol of the single taste of samsa ra and nirvana, she sits on a lotus and moon with the right leg stretched and the left bent. In the vast expanse of the sky, in the main and inte rmediate directions, imagine countless Thi gles of rainbow light in which hundreds of thou sands of myriads of Dakinis of the fou r families assemble like powde red specks amidst the sun rays. HRllj From the reddish blue letter HRllj at the heart, infinite light and rays sp read and activate the sa maya of the Wisdom Dakini. In this way imagine that she shines (mo re) b rightly with blessing en ergy. 93
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HRl!j BAM From the immutable state of the essence, Dakini of the secret Dharmakaya Samantabhadri, arise from the Ying dimension! Activating your samaya, I request you to bestow the great blessing! OMHRl!j BAM JNANA DHAKKINI HARINISA
SAR VA SAMA YA JNANA A VESHA YA A Alj From the unceasing state of the nature, Dakini of the Sambhogakaya of Total Bliss Guhyajnana, arise from the Ying dimension! Activating your samaya, I request you to bestow the great blessing! OMHRl!j BAM JNANA DHAKKINI HARINISA
SAR VA SAMA YA JNANA A VESHAYA A Alj From the state beyond illusion of the energy po tentiality, Dakini of the Nirmanakaya of Magical Emana tion Gomadevi, arise from the Ying dimension I Activating your samaya, I request you to bestow the great blessing! OMHRl!j BAM JNANA DHAKKINI HARINISA
SAR VA SAMA YA JNANA A VESHAYA A Alj
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From the arising and liberating state ofself-per fection, Later Nirmanakaya and Long-Life consort of (the master from) Uddiyana Mandiirava, arise from the Ying dimension! Activating your samaya, I request you to bestow the great blessing! OMHRl!j BAM JNANA DHAKKINI HARINISA
SAR VA SAMA YA JNANA A VESHAYA A Alf From the all pervasive state of the Ying dimen sion, Dakin is ofthe four families ofMagical Emanation Including your retinue of millions and millions (ofDakin is, arise!) Actiyating your samaya, I request you to bestow the great blessing! OM HRlij BAM JNANA DHAKKINI HARINISA
SAR VA SAMA YA JNANA A VESHA YA A Alf HOly!HOlyfHOly!PHEM PHEM PHEM HR!M HRlM HRlM JAlf HOM BA M HO!J JNANA SAMA YA TISHTflA LHAN Having established the inseparability of the Commitment and Wisdom (deities), the equal taste of the mind and the clear manifestation of
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theform ofthe deity must be stabilized by remain ing in contemplation in the natural state. The symbolic salutation upon seeing the face of one s Rigpa: NAMO As a symbol ofseeing that the Dakini ofself-aris en wisdom Is one s primordially perfect natural face In the originally liberated space of Samantab hadri, I salute and offer the great primordial purity. A T! PUHO PRATISHTCA HO!f The presentation of Samantabhadra s clouds of offerings: OM A/fHO!yf Ipresent the clouds of immaterial offerings Manifesting from the energy of self-originated
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OM VAJRA ARGHAM PAD YAM PUSHPE
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R UPA SHAPTA GHANDHE RASA SPAR$HE DHARMADHATU MAHA PANCA AMRITA RAKTA BHALIMTA MAHA SAR VA P UCA HO!f The praise and homage ofnon-duality: NAMO To the energy manifestations of the Wisdom Da kini In the self-perfected state of the primordial Base, Who are primordially beyond the duality of union and separation, I praise and pay homage recognizing their pri mordia/ liberation. NAMO P URUSHA YA HO!f The dimension of the mantra recitation for visua lization-contemplation: HR]f!BAM Light spreads from the HR]f! at the heart of Samantabhadra Padma Heruka that hits the BAM of the Wisdom Dakini, activating her samaya and increasing her experience of bliss. Instantly, just like the falling of a shooting star, she arrives in our lap and is united with us. A ll of the retinue
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of emanations as Pawos and Dakinis manifest in union while performing the movements of the Vajra Dance. At the heart ofthe Yabs, upon a moon seat, there is a reddish blue HR!Jj on a Gakhyil. At the navel of the Yums, upon a sun seat, there is the red letter BAM in the center of a triangle. The mantra necklace, with the luminous red syllables facing outside, turns clockwise around the letter HRllj. Facing inside, they turn coun terclockwise around the letter BAM Through the spreading and reabsorbing of the light rays the power, the capacity, the blessing and the essence of all the Victorious Ones of all times and direc tions are gathered, imagining that the splendor of our potentiality is increasing. The essential life-mantra of the Wisdom Dakini is. OMHR!Ij BAM JNANA DHAKINI HARJNISA
AljHU¥ Recite it with the main point of visualization until
the experiential signs manifest. The quintessential life-mantra of the Dakin is: HRl!j BAM From the secret space of the Wisdom Dakini the mantra necklace comes out like a shooting
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star and enters the orifice of the vajra of the Yab. It turns clockwise around the seed-syllable HRl!j and comes outfrom the tip ofthe vajra of the Yab. (Then) it enters the space of the Yum and turns counterclockwise around the BAM Again, imag ine that (the necklace) turns without interruption faster (andfaster) like a whirlingfirebrand while the (natural) sound of the mantra resounds viv idly, so that the wisdom of total bliss increases. OMHRlij BAM JNANA DHAKJNI AlfHO]yf
Recite it with the main point of visualization until the signs manifest in actual experience. The essential life-mantra that unifies all the states ofknowledge: HRlijBAM The Yab melts completely through (the power of) bliss and suddenly disappears into the seed syllable HRllf. Through the rays that spread and reabsorb, imagine that all the blessings andpow ers of the Sugatas, Vidyadharas and Dakin is ar rive in the form of rainbow light Thigles which dissolve in the Three Vajras.
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By transcending (the recitation of) this essen tial five syllable mantra for visualization-con templation and finding oneself beyond concepts in the authentic condition - the expanse of the inseparability of kayas and wisdoms - one enters the dimension of the Vajra Mind. This is the quin tessence ofall the yogas of the Wisdom Dakini. Thus is Concluded The Wish-Fulfilling Jewel, Thigle of the Mind of the Guru Wisdom Dakini From The Luminous Clarity of the Universe, Heart Essence of the Dakin is. SAMAYA GYA GYA GYA This is what was contained in the text and ac cordingly I immediately began to write it down. Through the compassionate energy and blessing of the Guru Wisdom Dakini, I was able to write down this practice text in what seemed to be its entirety. But a small feeling of doubt arose in my mind. 00000
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oo �oo .;T?oo sfl?oo In the year of the Metal-Male-Dragon, on the eighteenth of September, 2000, while I was in a guest-house in Pharping, a village not far from Kathmandu, capital of Nepal, I had the following dream in the early morning. I was going to visit the self-originated figure of Arya Tara which is found in this village. On the way, a girl dressed like an Indian lady, maybe seventeen years old, approached me and gave me a
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saw that it contained the following practice text of
The Thigle of the Mind of the Guru Wisdom
Dakini: NAMO GUR U JNANADHAKKINIYE The way ofpracticing the Thigle of the Mind of the Guru Wisdom Dakini (includes) the pre liminary phases as usual, and the dimension of the deity as the main practice for visualization contemplation. A In the condition ofprimordial purity endowed with the three liberations, in the primordial di mension, space ofSamantabhadri, in the expanse of self-perfected sound, light and rays, Rigpa manifests as a clear reddish blue HRl!j. . . The entire text was there. I read it once com pletely from the beginning to the end, and then I began to read it again from the beginning. When I
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, �rom The Luminous Clarity of the Universe, -I Heart Essence of the Dakinis,
Herein is Contained THE WISH-FULFILLING JEWEL, THIGLE OF THE MIND OF THE GURU WISDOM DAKINI
o *oo .;T?oo �oo NAMO GURU JNANADHAKKINIYE The way of practicing the Thigle of the Mind of the Guru Wisdom Dakini (includes) the .pre liminary phases as usual, and the dimension of the deity as the main practice for visualization contemplation. A In the condition of primordial purity endowed with the three liberations, in the primordial di mension, space of Samantabhadri, in the expanse of self-perfected sound, light and rays, Rigpa manifests as a clear reddish blue HRli:f. H Rli:f From the complete and instant transforma tion of the reddish blue H RII:I, wisdom of Rigpa, Samantabhadra Padma Heruka manifests, vis-
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ible and empty, like a rainbow in the sky. He is a Pawo, reddish blue, shining brightly, with one face, two arms, and a j oyful expression. His hair is half loose and half tied, ornamented with a vajra, jewels and a vulture feather. With the right hand, in the mudra of the Subjugator of the Uni verse (Nangsid Zilnon), he transfers the state of knowledge to fortunate students . With the left, he holds a kapala of nectar adorned with the long life vase. His body is perfectly attired with all the ornaments of a Heruka (including) j ewels and bones. With one leg stretched and the other bent in the half-crossed position, he sits on a seat made of lotus, sun and moon. From the HRII:I at the heart a reddish blue light spreads in all sacred places and pure dimen sions, activating the samaya of the Wisdom Da kini. Five-colored rays immediately return, and through them, in the space in front of us, inside a p avi li o n made of a five-colored Thigle which (represents) the Dang of sound, light and rays, the Tsal of the inseparability of oneself (as the deity and the deity visualized) in front manifests as a clear red BAM letter, just like a rainbow (ap pears).
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BAM From the complete transformation of the letter BAM
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In the vast expanse of the sky, in the main and intermediate directions, imagine countless Thi gles of rainbow light in which hundreds of thou sands of myriads of D akinis of the four families assemble like powdered specks amidst the sun rays. HR1I:I From the reddish blue letter HRI at the heart, infinite light and rays spread and activate the sa maya of the Wisdom Dakini. In this way imagine that she shines (more) brightly with blessing en ergy. This is the (invocation) for causing the descent of the great blessing of the Three Secrets of the Guru Wisdom
D akini: HR1I:I B AM
From the immutable state of the essence, Dakini of the secret Dharmakaya Samantabhadri, arise from the Ying dimension ! Activating your samaya, I request you to bestow the great blessing !
OM HRii:I BAM JNANA DHAKKINI HARlNISA SARVA SAMAYA JNANA AVESHAYA A AI:1 From the unceasing state of the nature, Dakini of the Sambhogakaya of Total Bliss
1 19
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Guhyajfiana, arise from the Ying dimension! Activating your samaya, I request you to bestow the great blessing !
OM HR.fi:I BAM JNANA DHAKKIN1 HARINISA SARVA SAMAYA JNANA AVESHAYA A AI:l From the state beyond illusion of the energy potentiality, Dakini of the Nirmanakaya of Magical Emanation Gomadevi, arise from the Ying dimension ! Activating your samaya, I request you to bestow the great blessing !
OM HR.fi:I BAM JNANA DHAKKINI HARINISA SARVA SAMAYA JNANA AVESHAYA A Al:I From the arising and liberating state of self-per fection, Later Nirmanakaya and Long-Life consort of (the master from) Uddiyana Mandarava, arise from the Ying dimension !
Activating your samaya, I request you to bestow the great blessing !
OM HRfi:I BAM JNANA DHAKKINI HARINISA SARVA SAMAYA JNANA AVESHAYA A Al:I From the all pervasive state of the Ying dimenswn, Dakinis of the four famil ies of Magical Ema nation,
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Including your retinue of millions and millions
(of Dakinis, arise ! ) Activating your samaya, I request you to be stow the great blessing !
OM HRII:l BAM JNANA DHAKKINI HARINISA SARVA SAMAYA JNANA AVESHAYA A Af:I JAI:I HUM BAM HOI:I JNANA SAMAYA TISHTHA LHAN Having established the inseparability of the Commitment and Wisdom (deities), the equal taste of the mind and the clear manifestation of the form of the deity must be stabilized by re maining in contemplation in the natural state. The symbolic salutation upon seeing the face
of one's Rigpa: NAMO As a symbol of seeing that the Dakini of self arisen wisdom Is one 's primordially perfect natural face In the originally liberated space of Samantab hadri, I salute and offer the great primordial purity. ATI PUHOl:f PRATISHTCA HOI:I
1 23
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The presentation of Samantabhadra 's clouds of offerings :
I present the clouds of immaterial offerings Manifesting from the energy of self-originated wisdom, The natural offerings and the five obj ects of enjoyment, (Together with) the Amrita medicine, blood and Torma of self-liberation.
OM VAJRA ARGHAM PADYAM PUSHPE
DHUDPE ALOKE GHANDHE NAIVIDYA SHAPTA
RUPA SHAPTA GHANDHE RA SA SPAR�HE DHARM ADHATU MAHA PANCA AMRJTA RAKTA BHALIMTA MARA SARVA PUCA HOI:I The praise and homage of non-duality: NAMO
To the energy manifestations of the Wisdom Dakini In the self-perfected state of the primordial Base, Who are primordially beyond the duality of union and separation, I praise and pay homage recognizing their pri mordial liberation. NAMO PURUSHAYA HOJ:I
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The dimension of the mantra recitation for vi sualization-contemplation: HRil:I BAM Light spreads from the HRII:l at the heart of Samantabhadra Padma Heruka that hits the BAM of the Wisdom Dakini, activating her samaya and increasing her experience of bliss. Instantly, just like the falling of a shooting star, she arrives in our lap and is united with us. All of the retinue of emanations as Pawos and Dakinis manifest in union while performing the movements of the Vajra Dance. At the heart of the Yabs, upon a moon seat, there is a reddish blue HRil:I on a Gakhyil. At the navel of the Yums, upon a sun seat, there is the red letter BAM in the center of a triangle. The mantra necklace, with the luminous red syllables facing outside, turns clockwise around the letter HRfi:I. Facing inside, they tum counter clockwise around the letter BAM. Through the spreading and reabsorbing of the light rays the power, the capacity, the blessing and the essence of all the Victorious Ones of all times and direc tions are gathered, imagining that the splendor of our potentiality is increasing.
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The essential life-mantra of the Wisdom Da kini is :
OM HRfi:I BAM JNANA DHAKINI HARINISA A}:I HD¥ Recite it with the main point of visualization until the experiential signs manifest. The quintessential life-mantra of the Dakinis : HRfi:I BAM From the secret space of the Wisdom Dakini the mantra necklace comes out like a shooting star and enters the orifice of the vajra of the Yab . It turns clockwise around the seed-syllable HRfi:I and comes out from the tip of the vajra of the Yab. (Then) it enters the space of the Yum and turns counterclockwise around the BAM. Again, imag ine that (the necklace) turns without interruption faster (and faster) like a whirling firebrand while the (natural) sound of the mantra resounds viv idly, so that the wisdom of total bliss increases.
OM HRfi:I BAM IN ANA DHAKINI AI:I HU¥ Recite it with the main point of visualization until the signs manifest in actual experience.
1 29
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The essential life-mantra that unifies all the states of knowledge: HRfi:I BAM The Yab melts completely through (the power of) bliss and suddenly disappears in the seed-syl lable HRfi:L (then) the HRfi:I together with the mantra necklace appears vividly at the heart of the Yum. The mantra necklace, like a whirling firebrand, turns clockwise around the HRfi:I and counterclockwise around the BAM . Through the rays that spread and reabsorb, imagine that all the blessings and powers of the Sugatas, Vidyadharas and Dakinis arrive in the form of rainbow light Thigles which dissolve in the Three Vajras.
OM HRfi:I BAM AI:I HD¥ By transcending (the recitation of) this essen tial five syllable mantra for visualization-con templation and finding oneself beyond concepts
in the authentic condition - the expanse of the inseparability of kayas and wisdom - one enters the dimension of the Vajra Mind. This is the quin tessence of all the yo gas of the Wisdom Dakini.
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Thus is Concluded
The Wish-Fulfilling Jewel, Thigle of the Mind of the Guru Wisdom Dakini From The Luminous Clarity of the Universe, Heart Essence of the Dakinis. SAMA YA GYA GYA GYA
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These are the verses of the complete text. It
was only through the compassionate energy and blessing of the Guru Wisdom Dakini that I suc ceeded in writing down this practice text in its entirety. Wonderful !
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Heart Essence of the D akinis
Herein is Contained THE BARDO INSTRUCTIONS SEALED WITH THE HUM
oo C�:)OO !;!oo c�oo "'u · � ,..+;..
THE HISTORY In the year of the Wood-Male-Mouse [on the eighth of April, 1 9 84] , I was in Kathmandu, capi tal of Nepal. On that day I met many Tibetans from my native place, several of whom requested me insistently to give advice about what to do at the moment of death. Maybe due to that circum stance, the following night while I was sleep ing near the great Stupa of Enlightenment (in Boudha), in the early morning I had this dream. I was inside a big crystal cave with a wide entrance which I thought to be the special place where the master Garab Dorje had passe d into the Body of Light. In its innermost part, upon a
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The statue, including the throne, was transparent, as if it had been made of crystal. In front of it I was maintaining the state of unification of my mind with the Primordial State through the Gu ruyoga. Behind that amazing statue, on a smooth half-moon shaped mirror-like surface as if made of sapphire, I saw the root symbolic letter of The
Luminous Clarity of the Universe, Heart Essence of the Dakin is, as if written with molten gold, a cubit in size. Below it in elegant Tibetan Uchen characters, with two dots one on top of the other separating each syllable, and the Terma sign at the end of the line, I clearly saw the following (words) :
The Instructions o n the Moment ofPassing Away. The next line started with the symbolic letter similar to a Tibetan CA with a crescent moon or nament on top, followed by many lines without interruption. I thought, "This is a special upadesha transmitted by the supreme master Garab Dorje.
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I pay homage to the primordial Lord Samantabhadra! The particular Bardos consist of the (Bardo) ofnature, the Bardo between birth and death, the Bardo of the moment ofdying, the Bardo ofDhar mata, and the famous Bardo of existence. The liberating instructions on the Bardo of self-perfected luminous clarity are related to the three periods of the Bardo of nature, the Bardo between birth and death, and the Bardo of the moment of dying. As to the Bardo of nature, the Bodhichitta which is the primordial essence abides in the heart as the inseparability ofessence, nature, and potentiality of energy. Discovering it properly at the time of the path through example, meaning, and sign, when the self-perfected luminous clarity appears, it must be authentically recognized as one s state.
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The example of a clear, pure and limpid crys tal represents the primordially pure essence. The luminosity of the crystal (represents) the Dang of self-perfected nature. The white light of the crys tal represents the potentiality of energy. The meaning is that the essence-Bodhichitta, the condition of non duality between primordial purity and self-perfection, dwells in the mind stream of all beings as the primordially existing sound, light and rays. The sign is that by half-closing one s eyes and directing them toward the sunrays at sunrise or sunset, five-colored rays appear. This is known as the self-perfected luminous clarity. Or, the moment one directly presses one s fin gers on the ocean (the eyes), vision appears as a five-colored light and thus the self-perfected vi sion of Ying manifests. If during this life (the real nature) is authenti-
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While abiding in the Bardo between birth and death, (we should know) the daily vision to be unreal like a dream, and directly concentrate on the luminous clarity in the night. At all times we should sustain the continuity ofpresence and awareness. We should have devotion to the Master and re member the teachings, have a pure vision of our (Vajra) brothers and sisters and observe the sa mayas. We should mend the sacred bond with the Guardians and develop love and kindness for all beings. During the Bardo of the moment of dying, the experiences of the reabsorbing of the elements gradually manifest. At that time, we should main tain the state of instant presence of Guruyoga. Concerning the five (aspects of each) of the five outer, inner and secret elements, the air per vades all elements. First ofall, when the supporting air reabsorbs, wefeel our body heavy and we cannot hold it up. When the radiance-producing air of water reabsorbs, the radiance and luster of the body (complexion) is lost.
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At that time all the airs of the elements com pletely dissolve into the karmic prana, blood gushes forth from all channels resulting in the life channel being covered with blood. In that instant when the outer breathing stops, thoughts completely cease. A lthough the eyes seem to be piercingly staring, they do not see any thing, and remain in a condition of blankness. Though all perceptions of the jive sensory gates have ceased, the inner and secret breath ings have not stopped. When the smell of the de ceased manifests clearly, the inner breathing has stopped. When heat vanishes at the heart, at the spot between the eyebrows, or under the armpits, the secret breathing has stopped. When the outer breathing of(a practitioner) on the path has stopped and until the inner breath ing is reabsorbed inside, the experience ofpri mordial purity like a cloudless, pure sky arises.
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Recognizing this to be the Bardo of the pri mordially pure Dharmakaya and relaxing in the non-grasping dimension of instant presence, one attains liberation in the primordially pure dimen sion of the Dharmakaya. When I reached this point, my host Tashi en tered my room with Sang burning, and thus I woke up. It was already some time after dawn. During breakfast I remembered clearly my dream and I immediately began to write down these notes. I was able to put on paper all the lines that I had read, probably because this is a teaching whose transmission had fallen on n1e. However, since I did not have the time to read more than one fourth of the text on the crystal surface, I knew for cer tain that still many other lines remained. But I couldn't do anything about it.
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In the year of the Metal-Male-Dragon [on the twenty-first of April, 2000] , I was in Namgyalgar, main seat of the Dzogchen Community of Ocea nia, giving teachings on the Ati Dzogpa Chenpo to many local and foreign students who had as sembled there. At that time, my student David Sharp had for a long time been struck by a fatal illness which would inevitably cause him to die a short time thereafter. Therefore, he insistently requested to me to give him some special advice. Accordingly, I gave him some advice and because
of that, the following night in the early morning, I had this dream. In a forest, in an unspecified location, my kind uncle Khyentse Rinpoche Chokyi Wangchuk, ap pearing exactly as I knew him, was sitting under the shade of one of many big trees which were scattered in that place. I was in front of him, and he was asking me many questions about our Dzogchen Community, to all of which I replied in
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detail. On that occasion I clearly told him that Da vid Sharp would soon die and that he had asked me for special advice. Uncle Rinpoche said, "Now the time has come for you to teach The Bardo Instructions sealed
with the HUM from the Luminous Clarity of the Universe, Heart Essence of the Dakinis, whose transmission has fallen upon you." "Until now I have never received any trans mission called The Bardo Instructions sealed
with the HUM', I said. "The small temple near that rock over there is a sacred support of the guardian Dorj e Yiidron ma. Go there right now and request her action," thus Uncle Rinpoche advised me. Accordingly, I immediately went inside the building which was a support of Dorj e Yiidron ma. On the wall of the innermost part of that temple there was a human sized, seemingly self
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and requested her action because I needed the in structions on the moment of dying from
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minous Clarity of the Universe, Heart Essence of the Dakin is. An instant later from the mirror in her left hand many shining golden letters came out slowly and without interruption, manifesting clearly inside the space of the temple:
oM AI:I HOJyl
I pay homage to the primordial Lord Samantabhadra! The particular Bardos consist of the (Bardo) ofnature, the Bardo between birth and death, the Bardo ofthe moment ofdying, the Bardo ofDhar mata, and the famous Bardo of existence. The liberating instructions on the Bardo of self-perfected luminous clarity are related to the three periods of the Bardo of nature, the Bardo between birth and death, and the Bardo of the moment of dying. As to the Bardo of nature, the Bodhichitta which is the primordial essence abides in the
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heart as the inseparability of essence, nature, and potentiality of energy. Discovering it properly at the time of the path through example, meaning, and sign, when the self-perfected luminous clarity appears, it must be authentically recognized as one s state. The example of a clear, pure and limpid crys tal represents the primordially pure essence. The luminosity of the crystal (represents) the Dang of self-perfected nature. The white light of the crys tal represents the potentiality of energy. The meaning is that the essence-Bodhichitta, the condition of non duality between primordial purity and self-perfection, dwells in the mind stream of all beings as the primordially existing sound, light and rays. The sign is that by half-closing one s eyes and directing them toward the sunrays at sunrise or sunset, five-colored rays appear. This is known as the self-perfected luminous clarity. Or, the moment one directly presses one s fin
gers on the ocean (the eyes), vision appears as a five-colored light and thus the self-perfected vi sion of Ying manifests.
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If during this life (the real nature) is authenti cally discovered by means of examples, meaning and signs, it is certain that in the Bardo ofDhar mata the self-perfected mother and son luminous clarities will meet. While abiding in the Bardo between birth and death, (we should know) the daily vision to be unreal like a dream, and directly concentrate on the luminous clarity in the night. A t all times we should sustain the continuity ofpresence and awareness. We should have devotion to the Master and re member the teachings, have a pure vision of our (Vajra) brothers and sisters and observe the sa mayas. We should mend the sacred bond with the Guardians and develop love and kindness for all beings. During the Bardo of the moment of dying, the experiences of the reabsorbing of the elements gradually manifest. At that time, we should main tain the state of instant presence of Guruyoga. Concerning the five (aspects of each) of the five outer, inner and secret elements, the air per vades all elements.
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First ofall, when the supporting air reabsorbs, we feel our body heavy and we cannot hold it up. When the radiance-producing air of water reabsorbs, the radiance and luster of the body (complexion) is lost. When the heat-spreading air offire reabsorbs, food is not digested and the bodily heat declines. When the air of the moving breathing reab sorbs, inhaling and exhaling becomes uneasy. At that time, as an evident sign that the earth element has dissolved into water, externally one cannot hold the body up; as an inner sign, vision manifests as yellow. Then as an evident sign that the water element has dissolved intofire, externally one feels thirsty,
and the base of the tongue shortens (so that one cannot extend it),· as an inner sign, vision mani fests as white. After this, as an evident sign that the fire ele ment has dissolved into air, externally the bodily heat is lost; as an inner sign, vision manifests as red.
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Then as an evident sign that the air element has dissolved in the space element, externally one exhales long breathings without being able to in hale; as an inner sign, vision manifests as blue. At that time all the airs of the elements com pletely dissolve into the karn'zic prana, blood gushesforth from all channels resulting in the life channel being covered with blood. In that instant when the outer breathing stops, thoughts completely cease. A lthough the eyes seem to be piercingly staring, they do not see any thing, and remain in a condition of blankness. Though all perceptions of the five sensory gates have ceased, the inner and secret breath ings have not stopped. When the smell of the de ceased manifests clearly, the inner breathing has stopped. When heat vanishes at the heart, at the spot between the eyebrows, or under the armpits, the secret breathing has stopped
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When the outer breathing of(apractitioner) on the path has stopped and until the inner breath ing is reabsorbed inside, the experience of pri mordial purity like a cloudless, pure sky arises. Recognizing this to be the Bardo of the pri mordially pure Dharmakaya and relaxing in the non-grasping dimension of instant presence, one attains liberation in the primordially pure dimen sion of the Dharmakaya. When consciousness departs from the heart through the Kati (channel) and the path of the Far-Reaching (Water Lamp), and moving on the horse of prana separates from the enclosure of the body, the practitioner transfers with knowl edge of the state of the three Kayas according to whatever essential method of the path. The Dharmakaya endowed with the essence of instant presence, together with the Dang of the jive lights, passing through the path of the Kati Crystal Channel comes out from the ocean (the
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1 69
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The time when the mind and instant presence completely separate (from each other) and thefive
consciousnesses ofthefive sensory gates (subside and) remain dormant in (the essence of) the five elements is crucialfor the yogin. When I reached this point, something woke me up. The day had dawned. Since in the mo ment that I woke up the letters were still appear ing, I remembered very clearly my dream. I was certain that this teaching had appeared because of its necessity, and although I knew how it be gan and the fact that it was not yet completed, I remained without knowing what to do. As all the verses that I had read were still clear in my mind, I immediately wrote them down; and since there was a special necessity, I taught all the verses of instructions to David Sharp alone and explained well their meaning. "
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In the year of the Metal-Female-Snake [on the fourth of May, 2001] , while I was in Oakland, near San Francisco, California, in the western part of the United States of America, giving teachings in a hall called Mason House on the preliminary and main practices of the path of Dzogpa Chenpo to many local and foreign students who had assem bled there, I had this dream in the early morning. I was inside the hall together with my local students. I had just finished teaching and I was satisfying the requests of the people, one after the other. At a certain point an elegant elderly woman came to me. She gave me a big long sky-blue cer emonial scarf of superior quality and a (Tibetan style) book with colored wood cover plates con taining several sheets and told me, "Recently I
1 73
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went to Tibet, and in the ancient ruins of the Sha Lhakhang (temple) I found this book. Under standing that it must be a very important book, I have come today to present it to you." I took the scarf and the book in my hands and put another scarf around her neck. I told her, "Thank you ! I will read the book at my leisure." Then the woman went away and another per son came right after. At a certain point when I had finished replying to all of them and was about to leave, I folded well that blue scarf and noticed that upon it, as a design of the scarf itself, the symbolic letter similar to (a Tibetan) CA, as if written with vermillion, was clearly visible. In that moment I finally understood that the woman was a Pramoha. I looked well in every direction to see where she was, but I could not find her.
1 75
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Then I got into the car of my student Carol Fields, and while I was returning to my place, I thought, "The book that the Pramoha brought me must certainly be very important. I want to see what it contains." Right away I untied the cord of the cover and looked. On each of the sky blue pages, made with a paper as thick as the skin at the cen ter of the back of a yak, there was the symbolic letter of The Luminous Clarity of the Universe,
Heart Essence of the Dakinis similar to a (Tibet an) CA with a crescent moon ornament on top. It was followed by very elegant Tibetan Uchen characters with two dots one on top of the other separating each syllable and the Terma sign at the end of the line : �
�� � From The Luminous Clarity of the Universe, Hearl Essence of the Dakin is Herein is Contained
THE BARDO INSTR UCTIONS SEALED WITH THE HUM HU¥ OMAijHOJr!
I pay homage to the primordial Lord Samantabhadra!
1 77
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The particular Bardos consist of the (Bardo) ofnature, the Bardo between birth and death, the Bardo of the moment ofdying, the Bardo ofDhar mata, and the famous Bardo of existence. The liberating instructions on the Bardo of self-perfected luminous clarity are related to the three periods of the Bardo of nature, the Bardo between birth and death, and the Bardo of the moment of dying. As to the Bardo of nature, the Bodhichitta which is the primordial essence abides in the heart as the inseparability ofessence, nature, and potentiality of energy. Discovering it properly at the time of the path through example, meaning, and sign, when the self-perfected luminous clarity appears, it must be authentically recognized as one s state. The example of a clear, pure and limpid crys tal represents the primordially pure essence. The luminosity of the crystal (represents) the Dang of self-perfected nature. The white light of the crys tal represents the potentiality of energy.
1 79
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The meaning is that the essence-Bodhichitta, the condition of non duality between primordial purity and self-perfection, dwells in the mind stream of all beings as the primordially existing sound, light and rays. The sign is that by half-closing one s eyes and directing them toward the sunrays at sunrise or sunset, five-colored rays appear. This is known as the self-perfected luminous clarity. Or, the moment one directly presses one s fin gers on the ocean (the eyes), vision appears as a five-colored light and thus the self-perfected vi sion of Ying manifests. If during this life (the real nature) is authenti cally discovered by means of examples, meaning and signs, it is certain that in the Bardo ofDhar mata the self-perfected mother and son luminous clarities will meet. While abiding in the Bardo between birth
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be unreal like a dream, and directly concentrate on the luminous clarity in the night. A t all times we should sustain the continuity ofpresence and awareness.
181
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1 82
We should have devotion to the Master and re member the teachings, have a pure vision of our (Vajra) brothers and sisters and observe the sa mayas. We should mend the sacred bond with the Guardians and develop love and kindness for all beings. During the Bardo of the moment of dying, the experiences of the reabsorbing of the elements gradually manifest. At that time, we should main tain the state of instant presence of Guruyoga. Concerning the five (aspects of each) of the five outer, inner and secret elements, the air per vades all elements. First ofall, when the supporting air reabsorbs, we feel our body heavy and we cannot hold it up. When the radiance-producing air of water reabsorbs, the radiance and luster of the body (complexion) is lost. When the heat-spreading air offire reabsorbs, food is not digested and the bodily heat declines. When the air of the moving breathing reab sorbs, inhaling and exhaling becomes uneasy. At that time, as an evident sign that the earth element has dissolved into water, externally one cannot hold the body up; as an inner sign, vision manifests as yellow.
1 83
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1 84
Then as an evident sign that the water element has dissolved into fire, externally onefeels thirsty, and the base of the tongue shortens (so that one cannot extend it); as an inner sign, vision mani fests as white. After this, as an evident sign that the fire ele ment has dissolved into air, externally the bodily heat is lost,· as an inner sign, vision manifests as red. Then as an evident sign that the air element has dissolved in the space element, externally one exhales long breathings without being able to in hale,· as an inner sign, vision manifests as blue. At that time all the airs of the elements com pletely dissolve into the karmic prana, blood gushes forth from all channels resulting in the life channel being covered with blood. In that instant when the outer breathing stops, thoughts completely cease. Although the eyes seem to be piercingly staring) they do not see any thing) and remain in a condition of blankness.
1 85
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1 86
Though all perceptions of the five sensory gates have ceased, the inner and secret breath ings have not stopped. When the smell of the de ceased manifests clearly, the inner breathing has stopped. When heat vanishes at the heart, at the spot between the eyebrows, or under the armpits, the secret breathing has stopped. When the outer breathing of(a practitioner) on the path has stopped and until the inner breath ing is reabsorbed inside, the experience of pri mordial purity like a cloudless, pure sky arises. Recognizing this to be the Bardo of the pri mordially pure Dharmakaya and relaxing in the non-grasping dimension of instant presence, one attains liberation in the primordially pure dimen sion of the Dharmakaya. When consciousness departs from the heart through the Kati (channel) and the path of the Far-Reaching (Water Lamp), it moves on the
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1 87
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1 88
In that moment any yogin, male or female, having real knowledge of the essence of the path, transfers with knowledge of the state of the three Kayas according to whatever essential upade sha. The Dharmakaya endowed with the essence of instant presence, together with the Dang of the five lights, passing through the path of the Kati Crystal Channel comes out from the ocean (the eyes) into the Ying. The time when the mind and instant presence completely separate (from each other) and thejive consciousnesses ofthefive sensory gates (subside and) remain dormant in (the essence of) the five elements is crucial for the yogin. At this time, just like a beautiful girl seeing precisely herself the very moment she looks into a
mirror, one must recognize (the real condition) through example, meaning and sign. The example is like lighting a lamp inside a
vase of clay. As to its meaning, the vase symbol izes the body, the lamp symbolizes the heart. The light of the lamp symbolizes the Dang of inner most luminosity of self-originated instant pres ence.
1 89
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1 90
Just as when the vase breaks the light of the lamp shines outside and the darkness disappears, when the enclosure of the body breaks and the Bardo of Dharmata arises, the Dang ofprimor dial sound, light and rays supremely manifests as the light ofself-perfected wisdom. At that time, for those who have experience and knowledge, the manifestation of sound, light and rays in one s vision arises as infinite peace ful and wrathful forms. By recognizing them as one s state, one attains liberation in the Samb hogakaya. Otherwise, we are terrified by the radiance of the five lights of wisdom (appearing) as the bril liance ofsubtle and distinctly appearing massive spear heads aimed at oneself, and as the unbear able sounds of "Strike! Kill! " At that time, by recognizing all visions and sounds as the natura/ light and sound ofDharma fa, without any doubt one self-liberates in one s own condition.
191
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1 92
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As to the sign, by directing one s instant pres ence on the eyes and the eyes on the vision of light, when the Manifest Dharmata appears, one recognizes the meeting of the mother and son wisdoms. At this point, her car collided with another car and stopped abruptly. Because of this, I woke up as the day was dawning. What had really hap pened that made me wake up is that two cars on the street below the house had been about to col lide and the sound of the brakes in their abrupt stop had reached my ears. In fact after I woke up, I saw some people still talking to each other. During breakfast I remembered clearly my dream and immediately searched for paper and pen and wrote down these notes. Although I felt quite sor ry
for not having had the possibility to read the
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again the possibility to read the continuation of this text.
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1 93
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In the year of the Metal-Female-Snake [on the ninth of May, 200 1 ] , while I was in Seattle, Wash ington, in the western part of the United States of America, giving an introduction to the three gates and three paths of liberation to an audience at the University of Washington, I had this dream in the early morning. I was alone in an unspecified place, practicing Namkha Arted
in the midst of a very thick forest.
At a certain moment I saw three men coming to ward me. Their hair tied in a topknot, they were dressed in white cotton and held sticks just like Indian Sadhus. When they arrived in front of me, they all joined their palms at the heart and said, "N a maste ! " I understood they were Indians and s o I also
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possess a sp ecial teaching on the B ardo, there fore we have come to request it from you. Please transmit to us that special teaching ! ' ' In that moment, o n a small rock of white stone at my right, I saw that book on the Bardo, includ ing the wood cover plates and the string for bind ing it, that I had received while I was in Oakland. I thought, "Although these three men look Indian, they must actually be emanations of the Pramo has that are exhorting me to spread this special teaching." "So be it! I will transmit to you this special teaching," I replied. I immediately took the book and untied the string, and slowly read this special teaching on the Bardo belonging to The Luminous Clarity of
the Universe, Heart Essence of the Dakin is:
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���From The Luminous Clarity of the Universe, �
Heart Essence of the D akinis
Herein is Contained THE BARDO INSTRUCTIONS SEALED WITH THE HUM
HU1y1 O M AI:I HU1y1 I pay homage to the primordial Lord Sa mantabhadra! The particular Bardos consist of the (Bardo) of nature, the Bardo between birth and death, the Bardo of the moment of dying, the Bardo of Dharmata, and the famous Bardo of existence. The liberating instructions on the Bardo of self-perfected luminous clarity are related to the three periods of the Bardo of nature, the Bardo between birth and death, and the Bardo of the m oment of dying.
As to the Bardo of nature, the Bodhichitta which is the primordial essence abides in the heart as the inseparability of essence, nature, and potentiality of energy.
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Discovering it properly at the time of the path through example, meaning, and sign, when the self-perfected luminous clarity appears, it must be authentically recognized as one's state. The example of a clear, pure and limpid crys tal represents the primordially pure essence. The luminosity of the crystal (represents) the Dang of self-perfected nature. The white light of the crys tal represents the potentiality of energy. The meaning is that the essence-Bodhichitta, the condition of non duality between primordial purity and self-perfection, dwells in the mind stream of all beings as the primordially existing sound, light and rays. The sign is that by half-closing one's eyes and directing them toward the sunrays at sunrise or sunset, five-colored rays appear. This is known as the self-perfected luminous clarity. Or, the moment one directly presses one 's fin gers on the ocean (the eyes), vision appears as a five-colored light and thus the self-perfected vi sion of Ying manifests.
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If during this life (the real nature) is authenti cally discovered by means of examples, meaning and signs, it is certain that in the Bardo of Dhar mata the self-perfected mother and son luminous clarities will meet. While abiding in the Bardo between birth and death, (we should know) the daily vision to be unreal like a dream, and directly concentrate on the luminous clarity in the night. At all times we should sustain the continuity of presence and awareness. We should have devotion to the Master and remember the teachings, have a pure vision of our (Vajra) brothers and sisters and observe the samayas. We should mend the sacred bond with the Guardians and develop love and kindness for all beings. During the B ardo of the moment of dying, the experiences of the reabsorbing of the elements gradually manifest. At that time, we should main tain the state of instant presence of Guruyoga. Concerning the five (aspects of each) of the five outer, inner and secret elements, the air per vades all elements.
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First of all, when the supporting air reabsorbs, we feel our body heavy and we cannot hold it up. When the radiance-producing air of water re absorbs, the radiance and luster of the body (com plexion) is lost. When the heat-spreading air of fire reabsorbs, food is not digested and the bodily heat declines. When the air of the moving breathing reab sorbs, inhaling and exhaling becomes uneasy. At that time, as an evident sign that the earth element has dissolved into water, externally one cannot hold the body up; as an inner sign, vision manifests as yellow. Then as an evident sign that the water ele ment has dissolved into fire, externally one feels thirsty, and the base of the tongue shortens (so that one cannot extend it) ; as an inner sign, vision manifests as white. After this, as an evident sign that the fire ele
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Then as an evident sign that the air element has dissolved in the space element, externally one exhales long breathings without being able to in hale; as an inner sign, vision manifests as blue. At that time all the airs of the elements com pletely dissolve into the karmic prana, blood gushes forth from all channels resulting in the life channel being covered with blood. In that instant when the outer breathing stops, thoughts completely cease. Although the eyes seem to be piercingly staring, they do not see any thing, and remain in a condition of blankness. Though all perceptions of the five sensory gates have ceased, the inner and secret breath ings have not stopped. When the smell of the de ceased manifests clearly, the inner breathing has stopped. When heat vanishes at the heart, at the spot between the eyebrows, or under the armpits, the secret breathing has stopped.
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When the outer breathing of (a p ractitioner) on the path has stopped and until the inner breathing is reabsorbed inside, the experience of primordial purity like a cloudless, pure sky arises. Recognizing this to be the Bardo of the pri mordially pure Dharmakaya and relaxing in the non-grasping dimension of instant presence, one attains liberation in the primordially pure dimen sion of the Dharmakaya. When consciousness departs from the heart through the Kati (channel) and the path of the Far-Reaching (Water Lamp), it moves on the horse of prana and separates from the enclosure of the materially defiled body. In that moment any yogin, male or female, having real knowledge of the essence of the path, transfers with knowledge of the state of the three Kayas according to whatever essential upadesha. The Dharmakaya endowed with the essence of instant presence, together with the Dang of the
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The time when the mind and instant presence completely separate (from each other) and the five consciousnesses of the five sensory gates (subside and) remain dormant in (the essence of) the five elements is crucial for the yogin. At this time, just like a beautiful girl seeing precisely herself the very moment she looks into a mirror, one must recognize (the real condition) through example, meaning and sign. The example is like lighting a lamp inside a vase of clay. As to its meaning, the vase symbol izes the body, the lamp symbolizes the heart. The light of the lamp symbolizes the Dang of inner most luminosity of self-originated instant pres ence. Just as when the vase breaks the light of the lamp shines outside and the darkness disappears, when the enclosure of the body breaks and the Bardo of Dharmata arises, the Dang of primordial sound, light and rays supremely manifests as the
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As to the way in which (the practitioner) on the path attains liberation in the B ardo of self perfected luminous clarity, one must directly dis cover one 's real condition by means of example, meaning and sign. As a means of introducing through example, (the practitioner) on the path should hang a piece of five-colored silk in front of oneself, such as on a tree, and gaze at it through a crystal. As to its meaning, due to secondary causes for its appearance, the inner Ying, like five-colored streamers extended in the space of the sky, mani fests clearly through the path of the Far Reaching (Water Lamp). As to its sign, one can be assured of this be cause of the countless qualities of natural self perfection appearing concretely as Tsal vision in front of our senses . When one 's natural blue light shines more strongly, that is the wisdom of the Dharmadhatu of instant presence and emptiness, the state of glorious Vajrasattva, and one attains true enlight enment in the Naturally Perfected Dimension.
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In the same way, one 's natural white, yellow, red, (and green) lights are the Mirror-(Like), Equality, Discriminating and All-accomplishing (wisdoms) of instant presence and emptiness, and thus the forms and dimensions of the four fami lies are perfected. SAMAYA GYA GYA GYA
Thus is Concluded The Bardo Instructions Sealed with the HUM From The Luminous Clarity of the Universe, Heart Essence of the Dakinis.
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also j oined me into singing the Song of Vajra in unison with a very melodious voice. When we had reached more than half of it, something woke me up. Since at the moment I woke up I was still sing ing the Song of Vajra, I remembered very clearly my dream. Right away I got up and started to write down my notes. Thus I was able to write down without any omission or addition all the verses of this special and essential upadesha. As in the very same moment that I finished writing these notes the morning sun was rising, I thought this to be a very auspicious coincidence of time and place. Wonderful! 00
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ACKNOWLED GEMENT
These texts were translated from Tibetan thanks to the generous offerings for the Project Complete Works of Cho gyal Namkhai Norbu that were made by the following do nors during the year 2006:
Chogyal Namkhai Norbu Marco Almici Tanya Ansghuladze David Sharp Bequest Rita Bizzotto Clara Bordeu Paolo Brunatto Lilianne Busby Ugo Cardea Dzogchen Community Austria, Regions Dzogchen Community Austria, Vienna Dzogchen Community Chicago Dzogchen Community Germany Dzogchen Community Kundrol-ling Dzogchen Community New Zealand Dzogchen Community Poland Dzogchen Community Tsegyalgar Dzogchen Community Venezia Dzogchen Community Zen Pheling Miguel Angel Couchonnal Judith L Daugherty Gianpiero Dessole Shang Shung Edition Austria Thomas Eifler Joanna Fagg Mark Farrington Gregory Forgues Tides Foundation Liz Fukushima Alastair Gager Riccardo Giambarresi Francesco Gracis
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Stefano Guidotti Frances Han Gabor Hardy Ed Hayes, Tsagyalgar Raiffeisenbank Ilz Larissa Katayeva Andy Kozhushnyy Viola Krapivina Carla Lanzoni Tony Laurent
Igor & Anna Legati
Gabriele & Oliver Leick
Otavia, Roberto & Ciro Lilla Peter Lincenyi
Libor Maly David Marsh Giovanna Melone Domenico Mercogliano Angela Mijares Riccardo Moraglia Massimo Orsi Gloria Pera Desgue Phillipe J.S.A. Plugge Ricardo Rebaza Shambavi Sarasvati Bernhard Schweizer Andrea Sertoli Shannon Siegel Artur Skura Gerald Steinberg Lynn Sutherland Ans Swart Thea Tamburini Sarah Theiss Roberto Zamparo Paola Zamperini Paola Zingali Gabriela Zollner
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