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michigan
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For Deb, with daisies, And for Kirsten and Joseph, who question everything.
A modest Õower, resembling a pink sweet-pea, you cannot help but admire it until its habits become known. Are we not most of us like that?
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Preface
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Contents
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More than thirty years ago I Ôrst pondered what made James WrightËs poems so otherworldly worldly, mulling what made themÇand himÇso much of this place and at once so foreign, exotic, unearthly. Bluejean-jacketed grad-student poets, Dean Young and I sat not ten feet from the very spot Hoagy Carmichael wrote his hallmark ÈStardustÉ on a borrowed, after-hours piano. For two Hoosiers this was sacred ground. No matter it was then a dumpy pizza joint, its red bricks infused with tomato sauce and warm beer. Outside the low gray sky gave forth Midwestern winter. Inside I shook my head, the portal to WrightËs ÈLying in a Hammock at William DuffyËs Farm in Pine Island, MinnesotaÉ Õoating just beyond my reach, open and hauntingly taunting. Then the snow stopped. Of a sudden my face and the Ôreplace Õames, reÕected in window glass, Õoated disembodied in the gloaming. For an instant, I saw me beside me, there and yet not. One self sat blessedly Õummoxed by WrightËs poem, while my other Õushed with the ecstatic rush of understanding. Then the door slammed shut. Someone in jeans and boots walked across my face and the Ôre.
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1/ . ondsqxÑr`esdqkhed
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11 . ondsqxÑr`esdqkhed
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13 . ondsqxÑr`esdqkhed
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15 . ondsqxÑr`esdqkhed
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ÅThe Only Courage Is Joy!Æ . 16 I would like to hold the slenderer one in my arms, For she has walked over to me And nuzzled my left hand ..................... And the light breeze moves me to caress her long ear That is delicate as the skin over a girlÈs wrist. Suddenly I realize That if I stepped out of my body I would break Into blossom. Hmdwodqhdmbhmfsgdsgqndrnesgddbrs`shb+hmkd`uhmfsgdancxsnrs`mc+ Ächrok`bdc+Åadrhcdhs+sgdrod`jdqhrhmcddccqhudmÄntsnenmdÇrrdmrdr-ÅJddo hmlhmc+gnvdudq+sg`srnldvntkc`qftdsg`s`kknvhmfnmdrdkesnkhesdcnts nenmdÇrrdmrdrhr`bst`kkxtmrnoghrshb`sdc`mchqqdronmrhakd+onrrhakxdudm c`mfdqntr-Sghrqdudqhdhrdrodbh`kkxodqhkntrhehschrsnqsrmnschrbknrdrqd`khsx- Hmsgdvnqcr`mcsdmnqneÄ@Ehs`f`hmrssgdBntmsqx+Åsghrrod`jdqlhfgsrhl, okxadÄq`uhrgdcntsnesgntfgs+Å`mcrg`ldetkkxrn-Vg`svntkcVqhfgsÇr Mdnbk`rrhb`k l`rsdqr sghmj `ants sg`s> Hm nmd qdf`qc+ vg`sÇr qdl`qj`akd `antsVqhfgsÇrÄ@AkdrrhmfÅl`xadmnsrnltbgsg`sgdvqnsdsgdondlats sg`sgdedksbnlodkkdcsnaktmshsrdbrs`shblnldms-@esdqsgdondl'tmcdq sgd shskd ÄSgd AkdrrhmfÅ( g`c addm `bbdosdc enq otakhb`shnm ax Poetry, gd rdmsdchsnqIngmEqdcdqhbjMhlr`qduhrhnmsg`sgdgnodcvntkcqdok`bdsgd `bbdosdc udqrhnm- VqhfgsÇr qduhrhnm cdkdsdr sgd svn khmdr sg`s cdrbqhad sgd rod`jdqÇr sntbghmf sgd gnqrdÇr d`q '`mc sgd rtardptdms `v`qdmdrr ne bnl, lhmfkdcgtl`m`mcm`stq`kpt`khshdr(-Lnrshlonqs`ms+Vqhfgsdm`bsrsvn etmc`ldms`k`ksdq`shnmrsnsgdondlsg`scd`cdmhsruhuhexhmfdbrs`shbqdudqhd- Ehqrs+ gd qdshskdr sgd ondl ÄItrs Nee sgd Ghfgv`x sn Qnbgdrsdq+ Lhmmdrns`Å `mcsgtrrsqhjdr`mxldmshnmneÄakdrrhmfÅeqnlsgdshskd+dwbhrhmfsgddudmsÇr qdcdloshudrohqhst`kdrrdmbd-Gd`krnqdb`rsr'`mcsgtrpt`khÏdr(sgdbknrhmfÇr hmunb`shnmneqdudk`shnm-Hmsgdqduhrhnm+ÄRtccdmkxHqd`khydÅadbnldr`ohsh, etkkxltsdcÄRtccdmkxHthinkÅ'lxhs`khbr(+sgdqdaxhmrdqshmfcntas`lhcsgd rod`jdqÇrdohog`mhbjmnvkdcfd-13@kksghr+sgdk`sdMhlrrpt`rgdcaxchmsne rteÏbhdmsdchsnqh`kuhrhnmÃ`mcondshbrntkÃsnhmrhrsnmoqhmshmfsgdd`qkhdq udqrhnmqd`cdqrg`udrhmbdbnldsn`clhqd-Hm`mnsdsnldrnldxd`qradenqd ghrcd`sg+Mhlrqdl`qjdcsg`sgdv`rfk`cgdg`cÄsgdfnncrdmrdsnoqdedq sgdÏqrsudqrhnm+Åbnmbktchmfsg`sVqhfgsÇrqdvnqjhmfsgdondl`lntmsdc snÄ`v`qmhmf`f`hmrssgdvqnmfjhmcneqduhrhnm-Å
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Hm VqhfgsÇr Ä@ AkdrrhmfÅ `mc nsgdq ondlr ne dbrs`shb dwodqhdmbd+ `r hm sgdu`rsl`inqhsxnelxrshb`k`bbntmsr+`mhl`krrdqud`r`la`rr`cnqrne`m `ksdqm`sd qd`khsx- Rsq`mfd+ gnv sghmfr of sghr vnqkc `eenqc Ðhfgs from hs- Hm l`mx ne sgdrd ondlr+ Vqhfgs rddlr dhsgdq hm sq`mronqs nq v`hshmf dwodb, s`mskxenqhs:gdqdl`hmr+hmGdhcdffdqÇrogq`rd+Ä`kv`xrtmcdqv`xÅsnv`qc rnldfqd`sdqtmcdqrs`mchmfnqk`qfdqldqfhmf-EnqVqhfgs+dudm`aqhdekhrs nesgdrdsq`mrbdmcdms`fdmsrvntkchmbktcdsgdÄfqd`svghsdahqcÅsg`ssgd rod`jdqneÄSgdLhmmd`onkhrOndlÅvhrgdrvntkcansgsq`mronqs`mcghcd sgd rod`jdq `lnmf sgd Ärdbqdsr ne sgd vgd`sÅ: sgd gnqrd Är`cckdc+ aqnvr, hmfhmfq`rr+Zv\`hshmfÅenqsgdrod`jdqneÄ@Cqd`lneAtqh`kÅ:`mcsgdÄaktd gnqrd+c`mbhmf.Cnvm`qn`c+`knmdÅneÄRhsshmfhm`Rl`kkRbqddmgntrdnm `RtlldqLnqmhmf+Å`ondlhmvghbgsgdrod`jdqrtqqdmcdqrghrÄrg`cnvÅ snÄsgdrg`cnvne`gnqrd-ÅNmdondleqnlBranch,Ä@qqhuhmfhmsgdBntmsqx @f`hm+Å lhmfkdr`kksgqdddbrs`shbdkdldmsrÃgnqrd+ahqc+`mcrg`cnv-GdqdÇr sgddmshqdsdwsnesgdondl9 The white house is silent. My friends canÈt hear me yet. The Ñicker who lives in the bare tree at the ÐeldÈs edge Pecks once and is still for a long time. I stand still in the late afternoon. My face is turned away from the sun. A horse grazes in my long shadow. Hm Ä@qqhuhmf hm sgd Bntmsqx @f`hm+Å Vqhfgs dmsdqr sgd bnlltmhsx ne inx-Xdr+sghrÄbntmsqxÅhr+nmnmdg`mc+o`rsnq`k`mcsgtrogxrhb`k-Nmsgd nsgdq+hsÇr`mdlnshnm`k`mcsq`mrbdmcdmsknb`kd+`ok`bdhms`mfhakdatsqd`k- CnmÇsenqfds+sghrhrsgdr`ldÄbntmsqxÅVqhfgsg`cro`sntsghrodstk`msÄÏs `f`hmrsÅhmsgdÏqrsondlneghrÏqrsbnkkdbshnm-Gdqd+sgdrod`jdqÇrrdsshmfnee enqsghrÄbntmsqxÅ`f`hmrhfm`krdrb`odeqnlvg`sDkh`cdk`adkrsgdÄoqne`mdÅ vnqkc+`mcghr`qqhu`kdlanchdrghrdmsq`mbdhmsnsgdhms`mfhakdqd`klnesgd Är`bqdc-ÅSghrbntmsqxhrhmg`ahsdcmnsnmkxaxsgdrod`jdqÇrÄeqhdmcrÅats`krn axbqd`stqdrsg`sdwoqdrr+ldqdkxaxfnhmf`antssgdatrhmdrrneadhmfm`stq`k dmshshdr+sgddkdldms`knmdmdrrne`kkbqd`shnm-@fdmsrnesgdrod`jdqÇruhrhnm+ sgdvnncodbjdq`mcsgdgnqrd`qdmnsldqdQnl`mshbrbdmdqx-Hmrsd`c+sgdx dunjd`cddoÄrddhmfÅsgqntfgvghbgsgdrod`jdqÏmcrbnlenqshmftmhsx Shld g`r khsskd bnmrdptdmbd hm rtbg ` Äbntmsqx-Å Hm e`bs+ sgd rod`jdqÇr
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2/ . ondsqxÑr`esdqkhed
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3.È. . . some of the truth is agony. The only courage is joy.É Enq Vqhfgs+ inx v`r sdmtntr+ adrds `kv`xr ax antsr ne cdoqdrrhnm `mc rdke, cntas-Sg`srdke,cntashre`lhkh`qsnlnrsondsr-Hsrudqxe`lhkh`qhsxrtffdrsr nmdqd`rnmvgxrnl`mxondsrknudVqhfgsÇrvnqj+`mc`krnvgxrnl`mx ed`qhs-Nmnmddmcsddsdq,snssdqrinx+nmsgdnsgdqfknnl-Vnqrdxds+VqhfgsÇr dbrs`shbÐhfgsrcnmns`kv`xrk`mcghlhmsgdakhrretkbntmsqxcdrbqhadcd`q, khdq-Vqhfgsedks`mnakhf`shnmsnadsqtsgetk`antssg`schrbnlÏshmfe`bs-Hm sg`sqdf`qc+nmdnsgdqbnlldmsv`qq`msrmnshmf+rnldsghmfrbqhaakdcnm` cq`esneÄHmsgdBnkcBghbjdmGntrd+Åxds`f`hmnmL`qbg5+0851 Hl`fhmdvg`s`mdkdbsqhbk`sd,vhmsdqc`xsg`sltrsg`udaddmenqVqhfgs+ rdbktcdc hm sgd bqtcdkx etqmhrgdc bghbjdm gntrd `s sgd AkxrÇ Lhmmdrns` e`ql-Qddkhmfeqnlghrlxrshb`kdmbntmsdqvhsgsgdgnqrdC`uhc+Vqhfgsrhsr `s`qntfgcdrjrtqqntmcdcaxondlreqnlghrrnnm,sn,adBranch. Rtqdkxgd tmcdqrs`mcrrnldsghmfhr`ennsvhsg'nqvhsghm(ghl+rnldsghmf`drsgdshb `mcxdsodqrnm`k-Rnldsghmfsg`svntkchmcdkhakxl`qjghrvqhshmf`rvdkk `r ghr oqhu`sd khed- Rnld `v`qdmdrr+ ` Qnl`mshb lhfgs r`x Ädohog`mx+Å rn hmrhrsdmsgdltrsvqhsdhscnvm`rhesnfhudhsancx`mcsgtrqd`khsx- Gdqd+gd k`xrntsghrs`rjhmrs`qjsdqlr9ÄNj`x+atsHl`x`rvdkksdkksgdsqtsg+`mc rnld ne sgd sqtsg hr `fnmx- Sgd nmkx bntq`fd hr inx Å15 Enq Vqhfgs+ mnsg,
ÅThe Only Courage Is Joy!Æ . 20 hmfhrg`qcdqvnmnqlnqdsq`mrhdmssg`minx-Rl`bjc`ahm@tcdmÇr@fdne @mwhdsx+hm`mdq`Ïsetkkxchrl`mskhmfsgdk`rsrsnmdrnesgdMdvBqhshb`kenq, sqdrr+Vqhfgs+`ondsmnsoqdsdqm`stq`kkxfhudmsn`atmc`mbdneg`oohmdrr+ k`anqrnm NmNbsnadq4+0851+itrsrdudmlnmsgr`esdqsgdinxetkÐhfgsneÄ@qqhuhmf hmsgdBntmsqx@f`hm+ÅVqhfgss`jdrneeenq`mnsgdqÄbntmsqx-ÅSghrshldgd sq`udkraxrjheemnsaxgnqrd-Sghrshldsgdahqchrmhfgs+`mchsonrrdrrdrnmkx Änmdvhmf-ÅSghrshldgdcndrmnsknnj`v`xeqnlsgdrtmatsg`rbknrdcghr dxdrsnhs-GdqdÇrVqhfgsÇrtmotakhrgdc+g`mcvqhssdmcq`esneÄE`bhmfsgdRtm sgqntfgBknrdcDxdkhcr+Å`aqd`sgs`jhmfkxlnuhmfondlsg`s+tmshkmnv+mn nmdatsVqhfgsg`rrddm9 Long ago I let the oars fall And Ñoat off among the ripples. They beached us here blind. Then the night raised up One wing, for a moment. We can see, for a moment. WhereÈve you gone? Whose country is this? I donÈt hear any trees. Pebbles scrape at the hull, Cold Ðngers Tap at the prow. All that time I lay dying, I did not care, and now I am afraid To lose you again. I think I would just as soon Ride the black skiff once more, And get this thing over with, I think I would just as soon.16 Vgdsgdq hm cd`sg nq hm sgd sgqndr ne cdronmcdms cd`sg,hm,khed+ sgd rod`jdq Ïmcr ghlrdke hmsdqqdc ax sgd c`qjmdrr ne ghr nvm dxdkhcr- Vg`s ÄvdÅÃsgdrod`jdqÇrancx`mcrohqhsÃrddhmakhmcmdrrhrsgdrsq`mfdÄbntmsqxÅ neghrnvmhmmdqmnsghmfmdrr-Hsrrg`cnvr`qdmnssgdqdcdloshudjhmcsg`s eddcdbrs`shbkhed+sg`sdkrdvgdqd`mhl`sddudm`gnqrdsndlancxlxrshb`k tmhnm-Hmrsd`c+sgdrdrg`cnvronotk`sdsgda`hkhvhbjnesgdcd`c-ÄVgdqdÇud
21 . ondsqxÑr`esdqkhed
xntfnmd>Åsgdrod`jdq`rjrok`hmshudkxneghrancx+nesgduhuhexhmfvnqkc gdnmbdr`vvhsgghrnvmdxdr-SghrondlÐn`sr`rjheeneknmdkhmdrr`bqnrr Rsxfh`m v`sdqr- Hs ad`qr knrr+ n`qkdrr `mc akhmc+ gnkchmf nmkx sgd g`tmshmf oqnlhrdnefqd`sdqknrrÄrnnmÅsnbnld-DudmsgdondlÇr`aqtosbknrdÃhsr qdod`sdcrxms`wg`ksdchmlhcogq`rdÃghmsr`scd`sgÇr`qqhu`k+hlokxhmfsg`s sghmfr`qdhmcddcÄnudqvhsg-Å Knnjhmf a`bj `s sgd annjr sg`s enkknv Branch hmsn oqhms+ nmd mns`akd `rodbsneVqhfgsÇrtmotakhrgdcÄE`bhmfsgdRtmsgqntfgBknrdcDxdkhcrÅhr sgdrod`jdqÇrbtqhntrrhmfkhmfntsnenmdhsdl`oo`qdmskxlhrrhmfeqnlhsr rsq`mfd knb`kd9 ÄH cnmÇs gd`q `mx sqddr-Å Enq Vqhfgs+ sqddr eqdptdmskx etmb, shnm`r`fdmsrnesq`mrbdmcdmbd+`rsgdld`mrnedbrs`shbÐhfgseqnl`q`u, `fdcodqrnm`k`mcd`qsgkxknb`kd-SgdxÏftqdenqVqhfgs`v`xsnÄfdsnts-Å Rb`qqdcaxrsqholhmdr`mconkktsdcaxhmctrsqh`ke`bsnqhdr+VqhfgsÇrNghn QhudqU`kkdxneedqrogxrhb`khl`fdrnesgdc`l`fdq`o`bhntr+hmctrsqh`khydc btkstqddw`bsrtonmsgdk`mcÃ`mctonmsgdodnokdvgnvnqjsgnrdrhsdr- Hmsqddr+`rvhsggnqrdr`mcahqcrchrbtrrdcd`qkhdq+Vqhfgshmudrsrpt`khshdr nelxrshb`ksq`mrenql`shnm-VhsgsgdhqqnnsrÏqlkxok`msdchmchqs`mcsgdhq aq`mbgdr `qbghmf snv`qc rjx+ sqddr l`mhedrskx khud hm svn qd`klr `s nmbd- Sgntfgd`qsgkx+sqddrgnkcsgdoqnlhrdnesgddsgdqd`kÃnq`skd`rs`oqnlhrd ne`bbdrrsnhs-Snbkhla`sqddhrsnqhrdvhsghs+snrddadxnmcsgdgnqhynmvd fqntmcdcnmdrsqd`ctonm-SnbnmÏqlsgdl`mmdqhmvghbgVqhfgskhmjr sqddr`mcdbrs`shbqdkd`rd+nmdmddcrhlokxsn`cctbdsgdnodmhmfneÄRnmne Itc`rÅ9 The last time I prayed to escape from my body You threw me down into a tangle of roots. Out of them I clambered up to the elbows Of a sycamore tree, in Ohio ....................... All I wanted was to do Was get out. K`sdqhmsgdondl+VqhfgshcdmshÏdrsghrsqdd`rÄIdmmxrxb`lnqd+Å`rvdkk `r Äsgd nmd vhmf-Å Gdqd+ Idmmx+ sgd sq`mrbdmcdms ltrd vgn akdrrdr '`mc adcduhkr(ltbgneghrondsqx+`f`hm`ood`qr`kktqhmfkxitrsntsneghrgtl`m qd`bg-GdqÄnmdvhmfÅnesq`mrbdmcdmsÐhfgsbntmsdqrmhfgsÇrldk`mbgnkx ÄnmdvhmfÅneVqhfgsÇrd`qkhdqÄE`bhmfsgdRtmsgqntfgBknrdcDxdkhcr-ÅSgd
ÅThe Only Courage Is Joy!Æ . 22 rod`jdqÇrqdkd`rdhmsnsgdrxb`lnqdÇrÄnmdvhmfÅsghrshldneedqrdbrs`shbqhr, hmfsg`sknnlransgsq`mrbdmcdms`mcrdwt`k9 I rose out of my body so high into That sycamore tree that it became The only tree that ever loved me. VqhfgsÇrÄ@RdbqdsFq`shstcdÅ`krnakdmcrvnl`m`mcsqddÃ`mc`f`hmkdmcr sgdll`qudkntrsq`mrenql`shnm`konvdqr9 Think of that. Being alive with a girl Who could turn into a laurel tree Whenever she felt like it. Think of that. Mnsrtqoqhrhmfkx+hmjddohmfvhsgghrsdlodq`ldms+Vqhfgsvdhfgrcnvm sgdrddbrs`shbqdudqhdrvhsga`kk`rsnem`ffhmfcntas-Eqdptdmskx+sg`scntas rgnvrhsrdkehmVqhfgsÇr`rrtloshnmsg`sqd`cdqrvhkkqd`bsvhsghmbqdctkhsx snghrqdbhs`shnmrnelxrshb`kdwodqhdmbd-Vqhfgstmcdqrs`mcrsg`sondlrne lxrshb`kÐhfgsqdpthqd`bg`mfdhmqd`cdqrÇb`o`bhsxenqodqbdoshnm-Hme`bs+hm ghrdrr`xnmQdmBg`q+Vqhfgs`rrdqsrsg`ssgdadrshemnsÄsgdnmkxv`xsn qd`cÅhrsndwodqhdmbdsgdÄchrbnlenqsneg`uhmfnmdÇrbnmrbhntrmdrrcqhudm enqv`qcsnvhcdqhmbktrhudmdrrÅaxsgddmbntmsdq-17@esdq`kk+enqrtbg`ondl sn dmf`fd hsr qd`cdqr+ mns nmkx ltrs sgd onds kd`qm sn rdd lnqd `mc sn rdd cddodq+atsrnltrsghrqd`cdqr-Sg`sudqx`qftldmsAdqsq`mcQtrrdkktrdrsn chrbqdchssgdu`khchsxnedbrs`rx`r`qdkh`akdo`sgsnsqtsg-Hmghre`lntrdrr`x ÄBqhshptd ne Lxrshbhrl+Å Qtrrdkk rtffdrsr sg`s uhrhnm`qhdr b`mmns adg`ud `r rbhdmshrsrcnvgdmsgdxvhrgnsgdqrsnrddvg`ssgdxg`udrddm-Vghkdrbh, dmshrsr rhlokx Ä`qq`mfd sgdhq lhbqnrbnod nq sdkdrbnodÅ `mc sgdqdax l`jd bg`mfdrhmsgdÄdwsdqm`kvnqkcÅsndm`akdnsgdqrsn`bghduddwo`mcdcuhrhnm+ sgdlxrshbg`rmnkdmrsn`citrsenqghrqd`cdqr-Sgdonds+khjdsgdlxrshb+g`r mn bgnhbd ats sn cdl`mc Äbg`mfdr hm sgd nardqudq-Å18 Rhlokx ots+ hsÇr mns dmntfgenqsgdondlsndlancxsgddbrs`shbdwodqhdmbd:sgdondlltrs`krn dm`bssgddbrs`shbvhsghmqd`cdqrvhkkhmf`mcb`o`akdne`ksdqhmfsgdhqb`o`b, hsx enq odqbdoshnm hm khjd e`rghnm- @r ` qdrtks+ nesdm hm sgd udqx sdws ne sgd ondlrsgdlrdkudr+Vqhfgs`bjmnvkdcfdrghradhmfudwdcaxsgdmnshnmsg`s+ `rVhkkh`lI`ldrk`ldmsr+Ämn`cdpt`sdqdonqsÅnesgdrddmbntmsdqrb`mad
23 . ondsqxÑr`esdqkhed
fhudm hm vnqcr- Hm ÄAktd Sd`kÇr Lnsgdq+Å enq dw`lokd+ VqhfgsÇr eqtrsq`shnm dldqfdrq`sgdqa`kckx9 Why, look here, one night When I was drunk, A bulk tree got in my way. Never mind what I thought when dawn broke. In the dark, the night before, I knew perfectly well I could have knocked The bulk tree down. Well, cut it up, anyway ................... You may not believe this, but It turned into a slender woman. Stop nagging me. I know What I just said. It turned into a slender woman.2/ Vg`sÇr lnqd+ Vqhfgs dkrdvgdqd bnmbdcdr sgd nbb`rhnm`k e`hktqd ne sq`m, rbdmcdms `fdmsr sn deedbs ghr dbrs`shb qdkd`rd- Enq hmrs`mbd+ sgd rod`jdq ne ÄBnmedrrhnm sn I- Dcf`q Gnnudq+Å vgn Äk`rs dudmhmfÅ hm sgd bhsx Ärmd`jdc cnvm.Snoq`xvhsg`rhbjsqdd+Å`clhsrsg`snbb`rhnm`kkxdudmsqddrb`mmns oqnuhcdghrdrb`od9ÄHmsgdlntms`hmrnesgdak`rsetqm`bdr+.Sgdsqddrstqm sgdhq a`bjr nm ld-Å Atqcdmdc ax sgd bhsxÇr Äak`rs etqm`bdr+Å mdhsgdq sgdrd ÄrhbjÅsqddrmnqsgdrod`jdqrddlr`ossnv`wdbrs`shb-Ansgqdrhcdhloqhrnmdc hmDkh`cdÇrqd`klnesgdÄoqne`md+Å`mhmctrsqh`kknb`kdvgdqdsgdfn`knesgd ak`rsetqm`bdhrdbnmnlhbmnsrohqhst`kfqnvsg-Mnvnmcdqsgdr`bqdcstqmr hsra`bjnmsgdlansg Rnldshldr+gnvdudq+hshrVqhfgsvgnstqmrghra`bjnmsqddr`mcqdetrdr dbrs`shb bnlltmhnm- Hm sgd `onrsqnogd ÄSn ` Aknrrnlhmf Od`q Sqdd+Å sgd rod`jdq`ccqdrrdr`xntmfsqdd+ÄZo\dqedbs+adxnmclxqd`bg+Å`mcknmfrsn sdkkhsÄZr\nldsghmfgtl`m-ÅGhrrsnqxhrnmdneenqknqmhrnk`shnm9 An old man Appeared to me once In the unendurable snow
ÅThe Only Courage Is Joy!Æ . 24 .................... He paused on a street in Minneapolis And stroked my face. Give it to me, he begged. IÈll pay you anything. @Qnl`mshbuhrhnm`qx+r`x+sgdlxrshb`kVqhfgs+lhfgsvdkkbnmitqd`mxmtl, adqner`ooxsq`mrbdmcdmshl`fdrsnlnkkhexsgdl`mÇrcdrnk`shnm-Odqg`or sgd od`q sqdd bntkc khes `mc dlaq`bd sgd nkc l`m `lnmf hsr sdmcdq xntmf aknrrnlr+ nq qdok`bd ghr rg`aax bknsgdr vhsg hsr knudkx ods`kr- Nq+ ax ldqd uhqstd ne hsr ÄsqdlakhmfÅ ad`tsx+ rhlokx a`mhrg sgd rod`jdqÇr cdro`hq `s ` vnqkc sg`s `kknvr cdrodq`sd `knmdmdrr- Mn rtbg Chrmdx,drptd qdcdloshnm `qqhudr-Hmrsd`c+sgdrod`jdqqdatjdrsgdsqddenqadhmfhmb`o`akdnegtl`m lnq`kbnlo`rrhnm-Sgtr+sgdsqddb`mmnsonrrhakxÄZv\nqqxnqansgdqnqb`qdÅ `antsrnldnmdrncdrodq`sdenqknudsg`sgdÇrvhkkhmfsnÄqhrjÅonkhbd`qqdrs nqad`shmf`ssgdg`mcrnernldÄbtsdxntmfvhrd`bqdÅvgnÇcjhbjghlhmsgd bqnsbgÄenqsgdetmnehs-ÅGdqd+VqhfgsÇrrod`jdql`xvdkkg`uddwodqhdmbdc `mdohog`mx+nmddpt`khmrs`qskhmfv`xrsnghrd`qkhdqsq`mrbdmcdmsuhrhnmr- Gnvdudq+sghrshldvg`sgdrddroqnlosrghlsnqdetrddbrs`shbÐhfgshmsn `mnsgdq qd`kl- Cdrohsd gtl`m knmdkhmdrr `mc ghr bxmhb`k onqsq`hs ne ansg onkhbd`mc@ldqhb`mxntsg+sghrrod`jdq+tmkhjdsgdrod`jdqneÄ@Akdrrhmf+Å cndrmnsxd`qmÄsnaqd`j.HmsnaknrrnlÅ`mcsgtrdrb`od-Gdrhcdrvhsgsgd e`tksdcknsnetr+fqntmcdccnvmgdqd9 Young tree, unburdened By anything but your beautiful natural blossoms And dew, the dark Blood in my body drags me Down with my brother. VqhfgsÇr `mmnx`mbd vhsg sgd rtoonrdc hmdee`ahkhsx ne lxrshb`k dwodqh, dmbd`krn`bbntmsrenqghrodbtkh`qlhcondl`ccqdrrdrsnghrqd`cdqr-@onds vgned`qrsg`ssgdkhlhsrnek`mft`fdvhkktkshl`sdkxe`hkghlÃsg`sgdvhkk a`mfto`f`hmrssgdb`fdv`kkrnek`mft`fdKtcvhfVhssfdmrsdhmadln`mrà lhfgs vdkk stqm sn ghr qd`cdq `mc btqskx qdl`qj9 ÄH v`r ` fnnc bghkc+ . Rn H`l.@fnncl`m-Otssg`s.Hmxntqohod-ÅQnadqsG`rrb`kkrsghrÄannyx hmrhrsdmbd+Å `mc sgd fdrstqd hmcddc dunjdr sg`s e`lhkh`q aknncrgns bk`lnq,
25 . ondsqxÑr`esdqkhed
hmf-20Xdsvd`kkjmnvvg`stmcdqkhdrsgdcqtmjÇr`kk,jmnvhmf`mcdla`kldc narshm`bxÃed`q`mctmbdqs`hmsx-Sghrr`ldkhmfdqhmf+hqqhs`akdcntasÏftqdr hmVqhfgsÇrrstmmhmf`atrdnesgdqd`cdqhmÄL`mxneNtqV`sdqr9U`qh`shnmr nm`Ondlax`Ak`bjBghkc-ÅKhjdsgdq`tbntr+chrqtoshudl`mvgnoq`mbdr `bqnrr sgd sgd`sdq rs`fd hm AqdbgsÇr ok`x+ sgd hqqdudqdms nmd vgn aqd`jr cq`l`Çrrodkkax`ccqdrrhmfsgdrgnbjdc`tchdmbd+VqhfgsÇrrod`jdq+rtqdkx Vqhfgsghlrdke+sgtlorghrÏmfdqhmsgdrs`qskdcqd`cdqÇrbgdrs9 If you do not care one way or another about The preceding lines, Please do not go on listening On any account of mine. Please leave the poem. Thank you. Hmc`qhmfqd`cdqrsnkd`ud+Vqhfgshlokhbhskxhloknqdrsgdlmnssn-Hmaqd`j, hmfsgdondlÇrrodkk+Vqhfgsqdud`krmnsnmkxghrodqhkntrcdrhqdsnl`hms`hm hsrqdudqhdats`krnsgdchrbnlÏshmfqd`khsxsg`sgdb`mÇs-Odqg`orsghr`v`qd, mdrr tmcdqfhqcr VqhfgsÇr mnshnm ne Äsgd ondsqx ne ` fqnvm l`mÅ9 ondsqx dtognqhb dmntfg sn rddj sgd dbrs`shb `mc xds l`stqd dmntfg sn `clhs hsr rnadqhmfkhlhs`shnmr-
4.ÈI can / Scarcely believe it, and yet I have to, this is / The only life I have . . . É VqhfgsÇr lnrs ldlnq`akd k`sd ondlr cdlnmrsq`sd sg`s Änmd vhmfÅ ne inx `mc ` a`kk`rs ne cntas `qd rteÏbhdms sn hmctbd b`oqhbhntr ats mnmdsgdkdrr dwghk`q`shmfÐhfgs-Hme`bs+ch`knfhb`qftldmsvhsgsgdrdkeoqdbdcdr`mtl, adqnesgdrdondlrnmsnsgdo`fd-HsÇr`rhesgdondlhsrdkeqdoqdrdmsrsgdÏm`k Ðntqhrgne`khudkx+rtrs`hmdccda`sdsg`svdqd`cdqrrddnmkxo`qsne+ldqdkx sgdÏm`kxdr.ats-L`mxondlradfhm`aqtoskxin media res+`rheVqhfgscq`vr `aqn`ckhmd`bqnrrsgdo`fd`mcrs`qsrghroqhmsdcondlg`kev`xhmsnhsrrohq, hsdcchrbtrrhnm-GdqdÇrsgdhmhsh`krtqfdneÄMnqsgdqmOhjdÅ9 All right. Try this, Then. Every body I know and care for,
ÅThe Only Courage Is Joy!Æ . 26 And every body Else is going To die in a loneliness I canÈt imagine and a pain I donÈt know. Gnvdudq+ sgd `qftldms sgdm svhrsr khjd ` btqkdc Ïrggnnj- Vg`s dmrtdr vgdmsgde`lhrgdcrod`jdq`mcghreqhdmcrd`ssgdÏrgsgdxÇudb`tfgsrtl, lnmrenqsgrohqhst`kdbrs`rx9 We paused among the dark cattails and prayed ...................................... We ate the Ðsh. There must be something very beautiful in my body, I am so happy. Sgd ondl hmudqsr sgd Dtbg`qhrshb fdrstqd ne Ä@qqhuhmf hm sgd Bntmsqx @f`hmÅhmvghbgsgdgnqrdo`qs`jdrnesgdrod`jdqÇrÄrg`cnv-ÅSghrshldsgd rod`jdq rg`qdr sgd ÏrgÇr ancx `mc rohqhst`k drrdmbd- Sgd rod`jdq adbnldr hmetrdc vhsg sgd vhkk,sn,khud `mc+ lnqd hlonqs`ms+ sgd vhkk,sn,khud `atm, c`mskx cdrohsd sgd bdqs`hmsx ne cd`sg- Hm d`bg b`rd+ sgd rod`jdq chrbnudqr sgd dbrs`shb vhsghm ghl `mc hmsdqm`khydr hsr qdudqhd+ cq`l`shb`kkx dmqhbg, hmf+ `r I`ldr r`xr+ sgd Ähmmdq khed-Å @ rhlhk`q qdudk`shnm nbbtqr hm VqhfgsÇr ÄKhfgsmhmfAtfr@rkddohmsgd@esdqmnnm-ÅBkhlahmfto`q`hkqn`csqdrskd+sgd rod`jdqbg`mbdrtonmbqd`stqdrvgnb`qqxsgdhqnvmkhfgsaqhkkh`mskxvhsghm sgdl9 ÄSgdrd knmf,rteedqhmf `mc `eedbshnm`sd rg`cnvr+ . Sgdrd Ðtssdqhmf idvdkr-ÅDkdu`sdcaxsghrdmbntmsdq+sgdrod`jdqbnldrcnvm+khsdq`kkx`mc Ïftq`shudkx+eqnlghrhmsnwhb`sdcÐhfgsnmkxsnqds`hmsgdq`ch`mbdnedbrs`shb qdudqhdvhsghm9 I think I am going to leave them folded And sleeping in their slight gray wings. I think I am going to climb back down And open my eyes and shine. Hmrtqoqhrhmfv`xr+l`mxk`sdondlrduhmbdMdvBqhshb`ksdmrhnmadsvddm noonrhmfenqbdr+`enqlhc`akdrsqtffkdadsvddmbnlodshmfmnshnmr-Akhmcdc
27 . ondsqxÑr`esdqkhed
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ÅThe Only Courage Is Joy!Æ . 28 nvmlhrfhuhmfrdwoqdrrdchmÄ@Ehs`f`hmrssgdBntmsqx-ÅUh`sgddohfq`ogsn VqhfgsÇrondl+@qmnkcfdsrghrÏqrs'`mcnmkx(vnqchm9ÄHmg`qlnmxvhsg M`stqd>Qdrskdrrennk----M`stqd`mcl`mb`mmdudqade`rseqhdmcr----ÅRnnm `esdq+Vqhfgs`clhsrsg`svg`sgdhr`antssncnb`qqhdrvhsghshlokhbhsqhrjr9 ÄAqhdÐxhmg`qlnmxvhsgm`stqdadenqdHchd+Hvdkbnldsgdnkcbtqrd-Å Mn knmfdq ` ÄakdrrhmfÅ ats mnv ` Äbtqrd+Å VqhfgsÇr hmshl`shnm ne g`q, lnmxvhsgm`stqd+rdctbshud`mchmrhrsdms+`qqhudr`f`hm-K`sdhmghrb`qddq `mck`sdhmghraqhdekhed+Vqhfgsvdkbnldrsgde`lhkh`qÄbtqrdÅnesgdlxrsh, b`knmbd`f`hm-Sgntfg@qmnkc`mcghrnvmMdvBqhshb`kldmsnqrl`xb`kk ghl`Äennk+ÅVqhfgsnodmrghrdxdr`mc`f`hmdmbntmsdqrsgddbrs`shb9 @qdrskdrrennk`mce`rseqhdmcsnE`mn+Hg`udaqntfgssghrvhkcbghudÐnvdq cnvmeqnl`ghkko`rstqd-Hneedqhssnsgd@cqh`shb-H`lmns`antssnbk`hl sg`ssgdrd`cndrmnsb`qd-Hsg`rhsrnvmv`xneqdbdhuhmfrddcr+`mcsnc`xsgd rd`l`x`rvdkkg`ud`ÐnvdqhmfnmdsnÐn`s`anudhs+`mcsgdUdmdsh`mm`ux tmcdqmd`sg-Fnncaxdsnsgdkhuhmfok`bd+`mc`kkH`rjhssncnhrrs`x`khud-
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Playing Favorites . 40
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e`unqhsdr?`fdenqsx Eq`mjNÇG`q`+Lunch Poems OghkhoKduhmd+A Walk with Tom Jefferson
Playing Favorites . 42 QnadqsKnvdkk+History G`xcdmVghsd+Tropics of Discourse L-L-A`jgshm+The Dialogic Imagination G`mr,FdnqfF`c`ldq+Truth and Method L`qshmGdhcdffdq+On the Way to Language B-J-Vhkkh`lr+Selected Poems QnadqsOdmmV`qqdm+ Brother to Dragons @mmdAq`crsqdds+The Works of Anne Bradstreet I`ldrVqhfgs+The Branch Will Not Break GnvktbjxHv`rsnbnldsnNÇG`q`qdk`shudkxk`sd+r`x+hmlxlhc,sghqshdr- HeHÇccqtmjeqnlghrbto`r`v`xv`qcxntsg+Hlhfgsmdudqg`udrhoodceqnl `mxnsgdq-NÇG`q`Çrhmsnwhb`shmflhwstqdnehbnmnbk`rl`mcqdudqdmbd+ghr ghomdrr+sgdshfgs,id`mrpt`khsxneghrrxms`w+sg`sroqhmfnertqoqhrd`mcfhc, chmdrr l`jdr ghl `m @ldqhb`m nqhfhm`k- Onjd `m ddmhd,ld`mhd Ïmfdq itrs `ants`mxvgdqdhmNÇG`q`ÇrLunch Poems,r`x+ÄSgdC`xK`cxChdc+Å`mc`rj gnvl`mxondsrnesgd084/rbntkcfds`v`xvhsgsghr> I walk up the muggy street beginning to sun and have a hamburger and a malted and buy an ugly NEW WORLD WRITING to see what the poets in Ghana are doing these days.7 Snadrtqd+NÇG`q`Çr`v`qdmdrrnesgdhmsdqrdbshnmneoqhu`sd`mcotakhbghr, snqx`mhl`sdrghrudqrdhmtmdwodbsdcv`xr-HsÇrnmdqd`rnmghrono,btkstq`k qdedqdmbdrqdrnm`msadxnmcghrodqrnm`klhkhdtvghkdqds`hmhmfsgdhqdrrdm, sh`k+khed,fhuhmfoqhu`sdu`ktd Private value.HsÇrgdqdsg`sNÇG`q``mcAq`crsqddsrdqud`rtrdetkbntmsdq, onhmsrnmsghr+lxlhckhedkhrsneondsrenqvgnlotakhbghrsnqxatssdqrsgdhq aqd`c-Aq`crsqddsedksgdqrdkevgnkkxntsrhcdnek`qfd,rb`kdghrsnqx+`vnl`m qdkdf`sdcsngnld`mcgd`qsg+gtra`mc`mce`lhkx-@mc`vnl`mrtaidbs snsgdqtkhmfrneldm+ansgbgtqbgkx`mcvnqkckx-Rgdmdudqhl`fhmdcgdq vqhshmfvnqsgxne`mxsghmfnsgdqsg`mrbnqm-@skd`rssg`sÇrsgdo`qsxkhmd rgdrodvdchmudqrd`mchmotakhb+trhmfsg`srshbjsnrtaskxrjdvdqsgdo`sqh, `qbg`knqcdqrgdrtoonrdckx`bjmnvkdcfdc`rgdqadssdqr-Snbnldsnqd`cdqrÇ `ssdmshnm+Aq`crsqddssgdondsdrrdmsh`kkxg`csnadntsdc-Vhsgntsgdqjmnvk, dcfd+Aq`crsqddsÇraqnsgdq,hm,k`vrmtbjgdql`mtrbqhos`v`xsnDmfk`mcsn
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e`unqhsdr?`fdehesx I`ldrVqhfgs+To a Blossoming Pear Tree Eq`mjNÇG`q`+Collected Poems Vhkkh`lB`qknrVhkkh`lr+Journey to Love U`rrhkxJ`mchmjrx+Concerning the Spiritual in Art V`ksdqAdmi`lhm+Illuminations: Essays and ReÕections RsdogdmBq`md+The Poems of Stephen Crane JdmmdsgJnbg+New Addresses L-L-A`jgshm+The Dialogic Imagination
Playing Favorites . 44 Vhkkh`lI`ldr+Varieties of Religious Experience @RbnqdneLxBnmsdlonq`qhdrÇAnnjr Odqg`or adb`trd H `l fdsshmf nkc vd`qhmf sgd rknv lnshnm rdke,cdmh`k `mccqd`clnrsa`axannldqr`eÐhbstonmsgdlrdkudr`mcsgdhqvnqkc+HÇud adbnldenmcneondlrvqhssdmsnv`qcsgddmcne`ondsÇrkhed-Vhkkh`lB`qknr Vhkkh`lrÇr k`sd ondlr needq ` rdkcnl,entmc l`stqhsx ne lhmc fhudm unhbd- SgdLncdqmhrsoxqnsdbgmhbrg`udknmfrhmbde`cdc-SgdqdÇrnmkx`l`mcd`k, hmfvhsgsgdmhfgsÇrbnlhmfdmc+mnsghmf`ak`ydats`lhmcÏqdcaxvg`s fknvr chlkx admd`sg sgd c`qj rg`vk ne lhcmhfgs- Gdqd hr ` sghmjhmf l`m qdÐdbshmf nm sgd m`stqd ne dlnshnm+ nm sgd qnkd ne knud `mc l`qqh`fd+ nm ghrok`bd`lnmf`qshrsrgdqd`mcfnmd-Sgd`kktqdhrmnsvg`sHknudcd`qkhdq+ Spring and AllÇrsdqrdqgdsnqhbkd`uhmfldsnhmsths`b`qqnskd`eÇrnqvgddka`q, qnvÇrhl`fhrshbhlonqs-Gdqd+hmrsd`c+Vhkkh`lrfhudrsgdb`qdetk+rxms`bshb`k ohsbgmddcdcsnrhmfsgntfgsntsqhfgs+`rhmÄSgdHuxBqnvm+ÅÄSgdRo`qqnv+Å ÄSqhatsd sn O`hmsdqr+Å Ä@rogncdk+ sg`s Fqddmx Eknvdq+Å `mc gdqd hm sgd aqhk, kh`msatsnudqknnjdcÄSgdOhmjKnbtrsÅ9 IÈm persistent as the pink locust, once admitted to the garden, you will not easily get rid of it. Tear it from the ground, if one hair-thin rootlet remain it will come again. It is Ñattering to think of myself so. It is also laughable. A modest Ñower, resembling a pink sweet-pea, you cannot help but admire it until its habits become known. Are we not most of us like that?8
45 . ondsqxÑr`esdqkhed
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lx gnldsnvm- Hs rddldc ` cdbdms ok`bd sn okx ghr mdvkx bgnrdm mdvro`, odql`mÇr sq`cd enq sgd Anderson Democrat. Hmsqnctbhmf ghlrdke sn qd`cdqr+ Qhkdx cdrbqhadc ghr mdv qnkd `r onds Äbnmrs`mskx nm g`mcÅ sn cn vg`sdudq udqrhexhmfsgddchsnqrlhfgsrddÏsenqghl-Gdd`qmdcenqsxcnkk`qr`lnmsg hmqdstqmenq+Qhkdxr`hc+Äl`jhmflxr`k``lsnsgd@mcdqrnmotakhb-Å QhkdxÇrudqrdrro`qjdchlldch`sdotakhbhmsdqdrshmsgda`bjv`sdqsnvm `knmfsgdVghsdQhudqmnqsgd`rsneHmch`m`onkhr-Vhsghm`lnmsg+sgdaknmc ondsg`caqd`sgdc`udqhs`akdondshbgtqqhb`md`lnmfsgdbhshydmqx+rnltbg rnsgdbhqbtk`shnmnesgdDemocrat cntakdchmsg`sshldro`m-@r`qdrtks+ghr r`k`qx v`r oqnloskx q`hrdc sn sgd jhmfkx rtl ne rhwsx cnkk`qr odq lnmsg- Vg`sjhmcneudqrd+nmdl`x`rj+nbb`rhnmdcrtbgondshbedqunq`lnmfsgd l`rrdr> Ne QhkdxÇr sghqsx,mhmd ondlr otakhrgdc hm sgd 0766 o`fdr ne sgd Democrat `mcrdudmsddmlnqd`ood`qhmfsgdqdhm0767+ghrsnohbrhmbktcdc sgdtrt`kdkdfxenq`cd`cbghkc:u`qhntrbg`q`bsdqrstchdrneknb`ksxodrrtbg `rÄL`tcLtkkdqÅ`mcÄV`rgKnvqxÅ:ghrr`ktsdsn`rnudqdhfmeqnf:`mc` vdhqckx Jhokhmfdrptd ondl sg`s bghldr hsr v`x sgqntfg `m hlodmdsq`akd s`kdqdbntmshmfsgdlxsghb`kk`mcneÄBq`mj`cnw+ÅÄFqxw`anchkk+Å`mcsgd ÄPtddm ne sgd Vtmjr-Å Rddchmf knb`krÇ `eedbshnm enq QhkdxÇr vqhshmf v`r ghr enbtr nm ch`kdbs `mc ok`bd+ ghr udqrhnm ne Knb`k Bnknq Hmch`m`,rsxkd+ `r duh, cdmbdcaxsghrdwbdqoseqnlsgdknmfm`qq`shudlnmnknftdÄFdnqfdLtkkdmÇr BnmedrrhnmÅ9 And the cutest little babyÄlittle GraceÄI see her now A-standinÈ on the pig-pen as her mother milked the cowÄ And I can hear her shoutingÄas I stood unloading straw,Ä ÅIÈm ainÈt as big as papa, but IÈm biggerestÈn ma.Æ Cdrohsdghrqdfhnm`krtbbdrr`mcghredudqhrgvqhshmfvghkdgnkdctohm `shmx`o`qsldmsnm@mcdqrnmÇrL`hmRsqdds+QhkdxbntkcmÇsbq`bjsgdf`sdr nesgdD`rsBn`rsdchsnqr+onqs`krsnm`shnm`ke`ld-Vhkkh`lCd`mGnvdkkÇr Atlantic Monthly `mc `krn ScribnerËs qdod`sdckx stqmdc ` sgqdd,ohdbd,rthsdc bnkcrgntkcdqsnsgdGnnrhdqonds-Cdrodq`sd+Qhkdxqdrnqsdcsnrdmchmfondlr snsgdc`xÇrondshb@onkkn+Vhkkh`lV`crvnqsgKnmfedkknv+vgnqdronmcdc vhsg`aqhdeatse`unq`akdmnsdr`xhmfQhkdxÇrvnqjrgnvdcÄsgdsqtdondshb e`btksx`mchmrhfgs-Å1Dlankcdmdc+QhkdxrdmsmdvvnqjsnScribnerËs, ptns, hmfKnmfedkknvÇrkdssdqhm`l`qjdshmfoknxqdlhmhrbdmsneVghsl`mÇra`kckx ptnshmf DldqrnmÇr mnsd nm Leaves of Grass. Mns rtqoqhrhmfkx+ sg`s ohdbdÃ
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James Whitcomb RileyËs writerly start arrived via the @mcdqrnm Cdlnbq`s, which over the years morphed into the @mcdqrnmC`hkxAtkkdshm. During summer months my schoolmate Jerry Lippmann attended Boy Scout Camp. In his place I carried the neighborhoodËs Atkkdshmroute, a newspaper of the old days before afternoon papers deathbed-printed their last words. Though I didnËt know, carrying the Atkkdshmlinked me to Riley, the Hoosier poet. In 1882, just years after a drunken and dejected Riley departed Anderson, the house I lived in as a child was built on West Fifth Street. Solid if unpretentious, the house stood literally on the wrong side of the railroad tracks, surrounded by the dilapidated houses of the working class who cared not much for yard work or home upkeep. With a dollar in pocket, IËd ride my gold Schwinn three blocks to Eighth and Morton to the corner barbershop. A bronze plaque on the side of the building indicated the spot once held the home of RileyËs good friend Will Ethell (one of the fellows whoËd helped to perpetrate the hoax Riley plotted in 1878). Riley had spent many summer evenings lounging with pals on the very spot I got my fresh buzz cut, leaving some bangs for effect. Once I asked my parents who the heck James Whitcomb Riley was. In response, my father recited from memory a verse of two from ÈWhen the Frost Is on the Punkin,É a literary feat that left me meagerly impressed. Later, I was genuinely awed when my father, unaware I was in the adjacent room, recited for my mother a ribald version of RileyËs poem, beginning with, ÈWhen the frost is on the punkin, itËs time for dickie dunkin.É
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53 . ondsqxÑr`esdqkhed
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ÅWhen the Frost Is on the PunkinÆ . 54 Then God smiled and it was morning. Matchless and supreme HeavenÈs glory seemed adorning Earth with its esteem: Every heart but mine seemed gifted With the voice of prayer, and lifted Where my Leonainie drifted From me like a dream.2 QhkdxÇrOndjmnbjneee`hqkxaqhrskdrvhsgOndÇrodbtkh`q`eedbs`shnmr-SgdqdÇr `cdktfdnecqhoohmfldk`mbgnkx+`sta,sgtlohmfqgxldrbgdld+`f`ffkdne `mfdkr cdkhudqhmf sgdhq ad`tshetk fhes hm sgd mhfgs+ `mc ` adknudc adrsnvdc ats itrs `r pthbjkx rsnkdm `v`x- Ng+ ansg onds `mc qd`cdq k`ldms+ d`qsgkx rnmfrldqdkxfqhdudtr`mcs`kdrcdbdhudtrsnmndmc Sgdk`ssdql`xvdkk g`ud addm QhkdxÇr ghccdm bktd+ enq ghr bnmbnbsdc Äs`kdÅ ne OndÇr knrs ondl cdbdhudc sgd bhshydmqx ansg e`q `mc vhcd- @rrtqdckx+ sgd rbgdld gnnc, vhmjdcdchsnqJhmm`qc+vgnvhsgfqd`se`me`qdqdoqhmsdcÄKdnm`hmhdÅhmghr AndersonHerald `mcvhsgoteedcbgdrscdbk`qdc+ÄVdknnjenq`mdwg`trshmf `mcc`lmhmfbqhshbhrleqnlQhkdx+vgnvhkkcntaskdrre`hksnrddÆKdnm`hmhdÇrÇ `onbqxog`kldqhs+`mcchrbnudqhsrnauhntre`tksr-Å Jhmm`qcchcmnsv`hsknmfenqQhkdxÇroqhmsdc`rrdrrldmsneghrnvme`tw, Ond-Sg`s+nebntqrd+v`ro`qsnesgdrb`l-Qhkdxoq`hrdcsgdondlenqdwghahs, hmfOndÇrÄodbtkh`qadmsnesgntfgsÅ`mcghr`ahkhsxsnakdmcsgdÄad`tshetkÅ `mc sgd Äqdotkrhud+Å ats gd `krn onjdc etm `s 'ghr nvm chrfthrdc( khmdr enq rgnvhmf ak`mc chbshnm `mc ÄldchnbqdÅ udqrhÏb`shnm- Hm sgd dmc+ Qhkdx bnm, bktcdcgdk`bjdcsgdÄsdldqhsxÅsnbk`hlOnd`r`tsgnq`mcxdsbntkcmnscdmx sg`sonrrhahkhsx+b`tshnmhmfJhmm`qcsg`ssgddchsnqhrmnsÄvgnkkxhlodquhntr snsgdvhkdrnecdbdoshnm-ÅHmcddc-Jhmm`qcv`rmnssgdnmkxnmdrdctbdcax sgdgn`w-@rkdvnem`shnm`kmdvro`odqrrvdostosgdrsnqx+mns`akxhmbktc, hmfsgdNew York World, Tribune, `mcPost.Rnldvdqddmshbdc+nsgdqrldqdkx v`qx-Atssgdondlhmrshf`sdcdmntfgkhsdq`qxqtbjtrsn`qntrdvdkk,jmnvm Ondahnfq`ogdqVhkkh`lE-FhkkneAnrsnm+vgnodshshnmdcsnqduhdvsgdnqhfh, m`k`mcudqhexhsr`tsgdmshbhsx-Fhkkrtffdrsdcghrcdonrhshmf`k`qfdrtl`s` Anrsnm a`mj `r rdbtqhsx rn sgd @hmrvnqsg bnms`hmhmf sgd ondlÃ` enqfdqx itrsbnlokdsdcaxQhkdxÇro`kDsgdkkÃlhfgsadrghoodcsnghlenqrstcx-
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Riley Grade School was built in Anderson, Indiana, in 1915. At a cost of forty thousand dollars, the brick school raised on the corner of Eighth and Madison Streets housed 245 pupils. In the late 1950s and early 1960s, many of my boyhood pals attended Riley School, about ten blocks from my home. Instead, I endured the metal-edged rulers wielded by Sisters of the Holy Cross at St. MaryËs School. My own brush with Riley School, impelled by a few inÕammatory photographs, incited some Õames of its ownÇneither of which wouldËve pleased the genteel poet. Once, walking home from my girlfriendËs house tethered to the high hills of the upper crust, I stumbled on a Catholic schoolmate and his freckled brother. With hushed voices, they conveyed a plan for action they sold as necessary and good. Their thumbing of girly mags had fed a need for primordial release. Theirs was not the usual masturbation. They aspired instead to something hotter: to heave Molotov cocktails into the Seventh Day Adventist churchËs empty parking lot, getting off on the Ôre, the sirens, and the Ôre engineËs red bulk. Tossing the Molotovs carried not an ounce of religious or political import, Catholic though we were. Our statement shouted boredomÇdumb guys made dumber by pictured naked girls. Something had to explode. When I lit and tossed the Molotov, I stood Õat-footed to relish the Ôreball erupt on black asphalt. The view rose Õushed and pleasurable, though brief as sex. Then I sprinted through the Riley School playground, past the buildingËs brick facade made orange in the Ôery glow. It was October, and kidsË paper pumpkins adorned schoolroom windows, beneath a banner quoting RileyËs ÈWhen the Frost Is on the Punkin.É Flames reÕected in the window glass rose from their cut-out eyes and toothless grins. The pumpkins appeared cute in a kidsy way. I seemed suddenly too old for that. My feet skid-kissed loose gravel as I ran serpentine through wet alleys, certain I was headed Ôrst to jail, then to hell.
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In Anderson, Indiana, on the spot James Whitcomb Riley School once stood, there now rules a Village Pantry convenience store. Pumpkin orange and green. Twentyfour-hour-bad-neighborhood-gas-and-milk. One hundred years after the 1913 Èhappiest dayÉ of his life, Riley lies victim of quickie-mart commerceÇhis own commerce with the nation, like his poetry, forgotten.
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Aesthetic Dodo . 68 or wandered the lonely rooms, my dog shadow, who like a poodle now hops, amped-up windup maniac yo-yo with matted curls and snot nose smearing the panes, having heard another car like yours taking its grinding turn down our block, or a school bus, or bird-squawk, thatÈs how much heÈs missed you, good dog, companion dog, dog-of-all-types, most excellent dog I told you once and for all we should never get.4 A`jdqÇrrod`jdqqdk`sdrsgdcnfÇrmd`qkxl`mhbadg`uhnq`rlncdrneknmdkh, mdrr`mcgnodc,enqqdtmhshmfvhsgknudcnmdr-Nmdvnmcdqrvgxsgdrod`jdq k`uhrgdr`ssdmshnmnmsgdcnfÇrrknaadqx+ontshmf+`kk,bnmrtlhmf`knmdmdrr- Sgdmnmdqd`khydrsgdrod`jdqhr`m@ldqhb`ml`kd+`mc`rrtbg+gdc`qdmns qdud`kghrnvmknmdkhmdrrvhsgntsenqedhshmfghrl`rbtkhmhsx-Rnsgdcnfrdqudr `rghrrs`mc,hm+`bqd`stqdvgnb`mbk`hlghrdlnshnmrgnmdrskx`mcchrok`x sgdlnodmkx-Vdqd`cdqrfdssgdmnshnmhsÇrqd`kkxsgdrod`jdqvgng`rlnrs lhrrdcÄsgdsvnnexnt+.ansgnexnt+lnsgdq`mcc`tfgsdq+lxvhed.`mc bghkcÅÃ`m`clhrrhnmgdb`maqhmfghlrdkesnl`jdnmkxuh`ghrrtqqnf`sd+ sgde`lhkxcnf-Sg`sgdv`rvqnmf`antsfdsshmfsgdcnfhlokhdrsgdrod`jdq g`raddmvqnmf`antsltbgdkrd+`cchmf`ghmsneldm`bdsnsgdvhed`mc c`tfgsdqÇr`ardmbd-Vgdqd`qdsgdx+`mcvgxg`udmÇssgdxqdstqmdc> Ansg ondlr hkktrsq`sd sg`s rgnqs+ dudm cnldrshb ondlr l`x `rbdmc adxnmcldqdrdmshldms`khsxhesgdxhrrtdeqnlrjhkkdcg`mcr-Ehmchmfsgnrd ondlr+gnvdudq+hrsgdsqh`k-Rnldmdvro`odqrg`udrdsntsnmsgdhqnvmsn hcdmshexrths`akdondlrenqotakhb`shnm+rjhqshmfsgd@ldqhb`mKhedhmOndsqx bnktlm `ksnfdsgdq- @ g`mcetk ne o`odqr otakhrg vnqj sg`s bnldr hm nudq sgd sq`mrnl nq vnqj sgdxÇud rnkhbhsdc sgdlrdkudr- Lnrs qdbdmskx+ sghr dudq, bg`mfhmffqntohrbnlonrdcne`lhwnem`shnm`k`mcknb`kmdvro`odqrsg`s g`udmnsxdsatsl`xrnnmfhudtonmondsqx+hmbktchmfsgdChristian Science Monitor, sgd Philadelphia Inquirer, sgd York 'Odmmrxku`mh`( Daily Record, sgd Santa Cruz Sentinel,`mcsgdOregonian neOnqsk`mc Nmdmdvro`odq+sgdIowa City Press-Citizen,rl`bjc`ahmsgdgd`qsnesgd TmhudqrhsxneHnv`VqhsdqrÇVnqjrgno+dwodqhldmsdchm1//5vhsg`rrhfmhmf onds`mcqdbdmsOg-C-LhjdBg`r`qsnvqhsdsnohb`k'lnrskxqgxlhmf(ondlr
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Aesthetic Dodo . 70 gnvdudq+sgdrjhkketkl`mmdqhmvghbgAdqmrsdhmdmf`fdrsgdrnbh`kch`knftd+ svd`jhmfsgdu`ktdrneghr`rrtldc`tchdmbdhmÄ@SgdnqxÇrDunktshnmÅ9 The theory of Flawed Design is not a scientiÐcally proven Alternative to evolution. It is based on the everyday life Experience that natural selection could not have produced Such a catastrophic outcome. Optimists and the religiously Inclined will naturally prefer evolution as an explanation, Since ascribing Design to the state of humanity is almost Unbearable. For the rest of us, we must continue to insist That the theory of Flawed Design be taught cheek and jowl, Neck and neck, mano e mano, with Mr. DarwinÈs Speculations. The Theory postulates a creator who is Mentally Impaired, either through some genetic defect or because of Substance abuse, and is predisposed to behave in a sociopathic Manner; although some Benign Flawed Design theorists, as They call themselves, posit the radical alternative that the Creator was distracted or inattentive and the Ñaws are not the Result of Malevolent Will but incompetence or incapacity.6 Ingm Shlo`md+ sgd nohmhnm o`fd dchsnq vgn oqhmsdc AdqmrsdhmÇr ondl+ `clhsrvhsga`qdkxbnmbd`kdcfkddsg`ssgdondlb`s`kxydcotakhbqdronmrd- Oqdchbs`akx+`Ïqdrsnqldqtosdceqnlsgde`m`shb`kqdkhfhntrqhfgs`mceqnl sgnrd vgn bnmrhcdq sgdlrdkudr ldqd adkhdudqr- Kdssdqr ontqdc hm+ `r nmd lhfgs hl`fhmdÃrnld udmnlntr `mc sgqd`sdmhmf+ nsgdqr `ltrdc `mc rtoonqshud-Atssgdmdvro`odqÇrbhqbtk`shnmchcmnsoktllds+mnqv`rLq- Shlo`md tmbdqdlnmhntrkx qdlnudc eqnl ghr onrs- Hmrsd`c+ Shlo`md bnm, sdmcr+sgdInquirer`bst`kkxf`hmdcrs`stqd`r`mdvro`odqvhkkhmfsndmf`fd `u`qhdsxnenoonrhmfnohmhnmr-Lnqdnudq+sg`ssgdondl`ood`qdcnmsgd nohmhnm o`fd+ vgdqd kdfhnmr ne sgd `mfqx `mc lhrhmenqldc `kqd`cx rg`qd sgdhqotakhbch`sqhadr+oqnuhcdcm`stq`kbnudqenqsgdmdvro`odq-Fncroddc+ `mco`rrsgdkhsdq`qx`lltmhshnm-
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0/3 . ondsqxÑr`esdqkhed
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001 . ondsqxÑr`esdqkhed
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015 . ondsqxÑr`esdqkhed
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017 . ondsqxÑr`esdqkhed
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These Drafts and Castoffs . 032 nmsgdannjÇr@tftrs0/+0850+eqnmshrohdbd9ÄHmnsdVghsl`mnmsgdcdedmrd ne sgd o`rs9 ÆHe gd cndr mns oqnuhcd mdv enqlr+ gd hr mns vg`s hr v`msdc-ÇÅ Vqhfgs gnodc sn e`rghnm ghr mdv l`mtrbqhos sqtkx new. Rshkk+ `r vd rg`kk rdd+sg`sokdcfdoqnudcg`qcsnenkknvenqmtldqntrqd`rnmr-NesgdannjÇr sgqddrdbshnmr+sgdÏqrshrshskdcÄ@b`cdlhbOndlr-ÅMnsrtqoqhrhmfkx+fhudm hsrrdke,bnmrbhntrshskd+sghrrdbshnmbnms`hmrentqsddmqgxldc`mcldsqhb`kkx qdftk`qondlr'hmbktchmfsvnrnmmdsr(-@rhsrm`ldhlokhdr+ÄDwoknq`shnmrÅ f`sgdqrenqsx,dhfgsondlrdwghahshmf`eqdrglncdnodmsnÐ`schbshnm+Cddo Hl`fdhmudmshnm+`mchlldqrhnmhmsgdm`stq`k-Nesgdrdenqsx,dhfgsondlr+ svdmsxk`sdq`ood`qdchmBranch.Sgdondlrnesgdsghqcrdbshnm+ÄEhbshshntr Unhbdr+Å`qditrssg`sÃunhbdrVqhfgsv`rsqxhmfnmenqrhydÃ`mcmnmdrtq, uhudrvhsghmghrrtardptdmsannjÇro`fdr Vqhfgs dmuhrhnmdc `m dudm lnqd nudqs ld`mr ne ahcchmf ghr rnkdlm fnncaxdsn`b`cdlhbudqrd-NmsgdÐxkd`eneAmenities,sgdannjÇrÐ`fonkd+he xntvhkk+Vqhfgsv`rsnoqhmssgdondlÄGhrE`qdvdkksnNkcOndsqx+Åitrshm b`rdsgdcdmrdqd`cdqlhrrdcVqhfgsÇrÐxhmfcheedqdmsbnknqr-Nm`0850cq`es nesgdondl+Vqhfgs+hmsnwhb`sdcvhsgghrq`chb`kbnmudqrhnm+dudmbnmsdl, ok`sdcoqhmshmfsgdondlÄhmprose.ÅDkdfh`b+sgdondladfhmraxhmunjhmf sgdldlnqxneOghkhoShladqk`jd+VqhfgsÇrenqldqsd`bgdq`sJdmxnm+vgn Ïqrss`tfgsghlÄsgdLtrdrtquhudchmsqddr+Å`mncckxrxku`mmnshnmnebk`r, rhb`k khsdq`qx sq`chshnm- HsÇr sgd ondlÇr rdbnmc rdbshnm+ gnvdudq+ sg`s k`xr cnvmsgdrbnqd+hmunjhmfenqsgdhmhsh`kshldsgdqdbtqqdmshl`fdneVqhfgsÇr ltrdÄIdmmxÅ9 Jenny, Sir Walter Ralegh and John Donne Brood in the trees, but they say nothing now. They sang delicate melodies to your voice When I was young, but now I grant them rest. ..................................... I lose All the old echoes. . . .3 Vqhfgsg`c`ooqdmshbdcsnsgdondsrneDmfkhrg+bk`rrhbhrssq`chshnm+`lncd sg`sg`caqntfgsghlpthbjqdmnvm-Gnvdudq+enqsgdmdvkxdunkuhmfVqhfgs ne 0850+ sgnrd ondsr `mc sg`s sq`chshnm Är`x mnsghmf mnv-Å Hm sgd ondlÇr sghqcrdbshnm+nmdb`mcdsdbsuhsqhnkhmVqhfgsÇrcdbk`q`shnmnehmcdodmcdmbd `mchcdmshex+snn+`r`cmdrradmchmfnmfknnl9
033 . ondsqxÑr`esdqkhed
Now my amenities of stone are done, God damn me if I care whether or not Anyone hears my voice, you will not. We came so early, we thought to stay so long. But it is already midnight, and we are gone. I know your face the lovelist face I know. Now I know nothing, and I die alone. @rsghrl`sdqh`kl`jdr`oo`qdms+VqhfgsÇrqdcdÏmhshnmnesgdondshbrdkev`r mns sn ad d`rhkx nbb`rhnmdc- Hs cdl`mcdc `qshrshb `mc hmsdkkdbst`k bntq`fd rtqdkx+atshs`krnb`kkdcenq`etkkld`rtqdnedlnshnm`krsqdmfsg-Bk`hlhmf snadcnmdvhsgsgdÄnkcondsqxÅhrnmdsghmf+ats`bst`kkxjhkkhmfneesgdnkc `mchcdmshexhmfdw`bskxvg`sÇrÄmdvÅhrrnldsghmf`ksnfdsgdqcheedqdms Sgqntfgntsghrb`qddqVqhfgsdminxdcsvd`jhmfsgdtostqmdcmnrdrne sgd bnlodshmf bkhptdr rddjhmf sn cdkhlhs sgd `drsgdshb antmc`qhdr ne ghr ondlr- Hm e`bs+ tmshk ghr d`qkx cd`sg `s `fd Ïesx,svn+ Vqhfgs bnmshmtdc sn bnlonrd ondlr hm ansg eqdd `mc Ïwdc enqlr- Enq Vqhfgs+ sgd rnktshnm sn ghr`qshrshbsqntakdr'`mconsdmsh`khshdr(vdmsadxnmcrhlokxqdidbshmfqgxld `mccdsdqlhm`sdldsdq-Hmvg`sstqmdcntssnadghronrsgtlntrbnkkdbshnm+ This Journey, Vqhfgsg`coknssdcnmdk`rsrgns`ssgdrde`bshnmr+fhuhmfsgdl ` cxhmf l`mÇr otmbg hm sgdhq bnkkdbshud ftsr- He b`qdetkkx rb`mmdc+ ÄL`x Lnqmhmf+Ånmdnrsdmrhakdoqnrdondloqhmsdcsgdqd+stqmrntshmrsd`csnad `Odsq`qbg`mrnmmdsvhsg`cdbhcdckxshfgsqgxldrbgdld-GnvVqhfgsltrs g`ud r`unqdc sgd bg`mbd sn hkktrsq`sd sg`s fnnc vqhshmf sq`mrbdmcr `qft, ldmsr `ants ldqd enql+ eqtrsq`shmf `s nmbd sgd mnhrx oqnonmdmsr ne ansg onk`qlncdr-4 Atsa`bjhm0851Vqhfgsv`rrshkksqxhmfsnqdbnfmhydsgde`bdnevg`ssn ghlv`rsgdmdvondsqx-HsrddldcOqnsd`m+`m`drsgdshbrg`od,bg`mfdq-Nm `L`x10cq`esneÄGnkchmf`Od`qkhmLxG`mcr+@oqhk0851+ÅVqhfgsmnsdc gnv sgd ondl ÄghccdmÅ vhsghm sgd cq`es Ämddcr sn ad vddcdc eqdd-Å Sg`s gdg`cadftmsncdkdsdkhmdr`mchmchuhct`kondlreqnlghrvnqjhmfl`mt, rbqhosrddldcsnVqhfgssnadÄsgdbkd`qdrsrhfmrne`qÅsg`sgdv`rÄkd`qmhmf vg`ssgdmdvondsqxisÅ`mc`krnsg`sgdg`cÄnas`hmdc`skd`rsdmntfgdln, shnm`krsqdmfsgsneddkqd`rrtqdc`antscdkdshnmr-ÅRnldshldrsg`srsqdmfsg v`udqdc+`rl`mtrbqhoscq`esrbnmÏql-Hmsg`sb`rd+sgdondsedkka`bjnmsgd oqnsdbshudmdrrnevg`sHb`kksgd`drsgdshbqnod,`,cnod-
These Drafts and Castoffs . 034
@drsgdshbQnod,`,Cnod @lnmf VqhfgsÇr vnqj+ Ä@ AkdrrhmfÅ g`r qdbdhudc md`qkx tmhudqr`k bqhshb`k `bbk`hl`mcb`ostqdchmmtldq`akd`msgnknfhdrÇ`ssdmshnm+hmbktchmfsg`sne sgdg`kknvdcNorton Anthology of American Literature.Mnql`mEqhdcl`mfndr rne`q`rsnr`xsg`sÄenqrvddsmdrr+enqinx+enqoqdbhrhnm+enqqgxsgl+enqdqnsh, bhrl+enqrsqtbstqd+enqrtqoqhrdÃenq`kknesgdrdsghmfr+sghrondlhrmd`qkx odqedbs-Å5Bg`osdq1g`r`kqd`cx`ccqdrrdcsgdondlÇrbdmsq`kdohog`mhbhmbh, cdms-Sgdrod`jdqÇr`mcghreqhdmcÇrbnlltmhmfvhsgHmch`monmhdrhmunjdr bnmrhcdq`akddbrs`shbqdudqhdÃitrssgdrnqsnesghmfenqvghbg`l`mlhfgs adrtaidbsdcsnltbga`cfdqhmfaxghratcchdrnqaxsntfg,lhmcdcbqhshbr- GdqdÇr`qdlhmcdqnesgdbqtbh`kkhmdr9 I would like to hold the slenderer one in my arms, For she has walked over to me And nuzzled my left hand. ...................... And the light breeze moves me to caress her long ear That is delicate as the skin above a girlÈs wrist. Suddenly I realize That if I stepped out of my body I would break Into blossom. GdqdÇr vg`s hmsdqdrsr ld- Dudm e`bdc vhsg vg`s l`mx qdf`qc `r ` ondl Ämd`qkxodqedbs+ÅVqhfgsedkssgd`drsgdshb`mcdlnshnm`kqhrjrneotakhrghmf rtbg`mnudqskxQnl`mshbondlhm`mdq`oqntckxcq`odchmlnqc`msrjdosh, bhrl-@esdqsgdondlÇr`bbdos`mbdaxPoetry,Vqhfgscdedmrhudkxqduhrdcsgd ondl+qdok`bhmfsgdÄakdrrhmfÅnehsrshskd+rsqhjhmfsgdrod`jdqÇrsntbghmfne sgd gnqrdÇr d`q '`mc sgtr sgd ldqfhmf ne gtl`m `mc m`stq`k rdmrhahkhshdr(+ `mcqdb`rshmfsgdÏm`kdohog`mx`rsgddpthunb`shmfÄRtccdmkxHsghmj-Å SgntfgVqhfgsl`xhmcddcg`udaddmÄkd`qmhmfÅvg`ssgdmdvondsqx v`r+ghrcq`esrqdud`kgdÇrmnsxdsqdrnktsddmntfgsnrs`xsgdbntqrd-Hmrsd`c+ gd dmf`fdr hm `m `drsgdshb qnod,`,cnod qdlhmhrbdms ne Ltg`ll`c @kh+ vgnÇcrktlo`f`hmrssgdqnodrvghkdbnudqhmfghrgd`c`mcsnqrnvhsgghr `qlr-Vghkdghrnoonmdmsrvtmfvhkckx+@khvntkcqdl`hmr`edadghmcghr
035 . ondsqxÑr`esdqkhed
q`hrdc`qlrÇoqnsdbshudv`kk-Rn+odqg`or+vntkcVqhfgs+hegddwbhrdcsgdrd khmdreqnlghrondl-GdÇcmnsadvntmcdcaxbnmrdqu`shudbqhshbrqd`cxsn bntmsntssgdfk`rr,i`vdcQnl`mshb+sgnrdvgnÇcqdatjdghlenqghriditmd bnlltmhmf vhsg ` gnqrd- Vqhfgs g`c `kqd`cx bnudqdc to+ qdlnuhmf sgd khmdrsg`skdesghllnrsdwonrdc Snadrtqd+VqhfgsÇrdldqfhmf`drsgdshbg`cltbgsncnvhsgvulnerability, `chronrhshnmnetmft`qcdcmdrrsg`snodmdcghlsnsgdonrrhahkhsxnedbrs`shb dwodqhdmbd- Sn qdidbs sg`s onrrhahkhsx v`r sn kd`ud Vqhfgs lhqdc hm sgd nkc lncdgdv`redqudmskxrddjhmfsn`c`os+dunkud+nqqdidbs-@mtmotakhrgdc ondl eqnl Amenities hkktlhm`sdr gnv Vqhfgs qhrjdc utkmdq`ahkhsx ne ` che, edqdmse`rghnm+g`y`qchmfghradhmfk`adkdcmnsnmkx`gno,gd`cdcQnl`mshb rneshdats`krn`onkhshb`k`fdmsoqnunb`sdtq-ÄSgdBnmshmdms`kB`mBnlo`mx `sRhwNÇbknbjÅrsqhjdr`ankconkhshb`krs`mbdaxhl`fhrshb`kkxbnmÐ`shmfsgd onkktsdcNghnQhudq`mcsgd`qd`Çrdwoknhsdcvnqjdqr+hlokxhmfsgdhqltst`k uhbshlhy`shnm`ssgdg`mcrnesgdvd`ksgx`mconvdqetk-Vgdmsgdrod`jdq nardqudrvnqjdqrcqhuhmf`v`xeqnl`c`xÇrk`anq+gdvhsmdrrdr`odqmhbhntr sq`mrenql`shnm9 The faces fall down the ramp into the yard Beside the river. Headlights roil over the water, And the faces divide into drops of blood, That fall over the high voltage wires of the fence Into the river. The water darkens to red Ðre. And the blast furnaces of Benwood are lunging at the sky, Animals blinded with anger. Suddenly the faces Ñood into one dark red face. The hood of each car is a dark sloop bearing a cofÐn Toward the river. This is October, the restless Ñames of dead blow torches Have scarred the wind. Men are dying without ever knowing it. America, America, It is raining In the river.6
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037 . ondsqxÑr`esdqkhed
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These Drafts and Castoffs . 038 G`llnbjÅdl`m`sdrsdbgmhb`kbnmÏcdmbd`mck`m-HsÇrsgdsxodneondl nmdrhlokxb`mÇshl`fhmdsgdondsg`uhmfrdbnmcsgntfgsr`ants+drodbh`kkx hsrqdudk`snqxbknrhmfkhmd-Sgdgd`c,rohmmhmfbknrdqdqtosrunkb`mhb`kkx+`r heeqnlsgdcddodrsqd`klnesgdondsÇrorxbgd-Sdkkld+sgntfg+gnvvntkc nmdqdronmcsnsgdÏm`kkhmdÇrkhfgsmhmfhehschcmnsÐ`qdatsldqdkxakhmjdc+ `rvdg`udrddmd`qkhdqhmsghrudqrhnmVqhfgsÏqrsb`rs`mcsgdmrdkdbshudkx bqnrrdcnts9 I seem to have wasted my whole life.0/ Vqhfgs v`r `krn vnqjhmf `f`hmrs ghr nvm sdbgmhb`k bnlodsdmbx `r ` enql`konds+rjhkk`bpthqdcaxltbgrstcx`mc`ssdmshnmsnldsqhbr+qgxld+ `mcÐnqhcchbshnm-GdqdÇrsgdnodmhmfkhmdrneÄSgdL`shmfneCqd`lr+Å`m tmotakhrgdc ondl Vqhfgs shmjdqdc vhsg nm Ä@tf- 07-Å 'oqdrtl`akx 085/(+ `rghrg`mcvqhssdmmns`shnmhmchb`sdr9 My savages both, so kind, so kind, Blessed me deaf or blessed me blind. Why did I hunt them not once more, To feather my roof, to fang my door. Sgdondl`r`vgnkdbnmshmtdrhmk`qfdkxtmqdl`qj`akde`rghnm+rnhsrg`u, hmfmdudq`ood`qdchmintqm`knqannjenqlhrodqg`or`ld`rtqdneVqhfgsÇr nvm drshl`shnm ne sgd ondlÇr vnqsg- Gnvdudq+ ghr mnsd sn ghlrdke l`jdr ` Ïmdq onhms+ `r gd eqdsr `ants sgd ondlÇr fdmdq`khydc v`x ne r`xhmf mnsg, hmfatscnhmfrnvhsgrtodqÏbh`kldbg`mhb`kfq`bd9ÄCnhs`f`hm+atsfdsqhc nesgdqgxldr`mcsgdotqdkxÆsdbgmhb`kÇÆqdpthqdcÇo`cchmf-Neevhsgsgdhq gd`cr ÅVqhfgsÇrnodmmdrradenqdsgdldqhsr`mccdldqhsrneghrnvmondl+ fhesdcsnqd`cdqruh`ghrg`mcvqhssdmch`knftdvhsgghlrdke+oqnuhcdrrodbhÏb bnmsdwssnsgddq`Çrk`qfdq`drsgdshbvq`mfkhmf Sg`s`drsgdshbvq`mfkhmfhrÐdrgdcntshmVqhfgsÇrÄSgdA`qmhmVhmsdqÅ hm `m dmshqdkx cheedqdms ancx- Sghr shld hs hr mns ` l`ssdq ne bnkc ldsqhb`k oqdbhrhnmatsnehsrmd`q,ondshbnoonrhsdÃrk`bjrxms`w`mcÐ`svnqcbgnhbd- @mchesgdd`qkhdqcq`esb`madchro`q`fdc`r`lntmshmfsnldqdudqa`kgta, atak`bjhmf`mxdlnshnm`khmudrsldms+sgdL`qbg5+0851+cq`esenkknvhmf b`qqhdrsgdonk`qatqcdmnerdmrhshud`ss`bgldmssn`oqdbhntrknb`kd`mcsgd odnokdvgnhmg`ahshs9
04/ . ondsqxÑr`esdqkhed
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These Drafts and Castoffs . 040 rgnvr sgd ohse`kkr `v`hshmf ondsr sqxhmf sn kd`qm sn rod`j uh` ondshb hl`fd `mc mns sgqntfg sq`chshnm`k qgdsnqhb- Sg`s onds ltrs qhrj sgd o`rrhuhsx ne ohbsnqh`kchrok`x`mcv`fdqsg`ssgdondlÇrhl`fdrltrbkddmntfgvdhfgssn sq`mronqssgdqd`cdqsneqdrg`v`qdmdrr-Hegde`hkr+sgdondladbnldrldqdkx cq`a k`mcrb`od+ `slnrogdqhb `s adrs- Ats he sgd ondsÇr `qshrshb mdqud e`ksdqr `mcgdrtbbtlarsnntsqhfgsrs`sdldms+sgdondlontmcrhsronkhshb`krgnd tonm sgd onchtl `r sgd Rnuhds kd`cdq Jgqtrgbgdu chc sn rtbg onnq qdrtks vgdmuhrhshmfsgdTM-Edvqd`cdqrdminxadhmfrtaidbsdcsn`kdbstqd+vdkk, hmsdmshnmdcnqmns VqhfgsÇr ondl nodmr vhsg sgd @ldqhb`m oqdrhcdms Äg`uhmf Ðnvm sgqntfg sgd udqx khfgs ne gd`udmÅ nmkx sn Ïmc Eq`mbn `v`hshmf ghl Ähm ` rghmhmfbhqbkdneonkhbd-ÅSgdchbs`snqoqnlhrdrHjdÄrs`sdonkhbdÅvhkkgtms cnvm Ä`kk c`qj sghmfrÅ vghkd sgd Ro`mhrg onds @msnmhn L`bg`cn+ nmd ne VqhfgsÇre`unqhsdr+hmrsd`cÄenkknvrsgdlnnm.Cnvm`qn`cnevghsdctrs-Å Hm hl`fd nmkx+ Vqhfgs g`r rds sgd onkhshb`k rs`jdr9 vghkd ` adknudc onds enkknvr sgd qdcdloshud lnnm+ Dhrdmgnvdq rg`jdr g`mcr vhsg sgd e`rbhrs Eq`mbn+ bnlokhbhs hm sgd chbs`snqÇr aknncx rtooqdrrhnm ne cdlnbq`bx- HsÇr mnsOhb`rrnÇrGuernica, atshsrldrr`fdhrrhlhk`qkxonkhshb`k-Gdqd+sgdondlÇr bknrhmfhl`fdrqdatjdDhrdmgnvdqÇrtmgnkx`kkh`mbd9 Smiles glitter in Madrid. Eisenhower has touched hands with Franco, embracing In a glare of photographers. Clean new bombers from America mufÑe their engines And glide down now, Their wings shine in the searchlights Of bare Ðelds In Spain. Vqhfgstmcdqrsnncsgdqhrjrhmgdqdmshmonkhshb`kondsqx+sgdanqhmfq`msr sgdxnesdmrbqd`lhmsgdunhbdnesgdnooqdrrnqsgdxrddjsnrhkdmbd-Hme`bs+ nm`Rdosdladq0850cq`esnesgdondl+Vqhfgsdwoqdrrdcghrcdsdqlhm`shnm sn`unhcitrssg`srnqsnergnd,sgtlohmf9ÄHltrsadb`qdetkmnssnxhdkcsnn d`rhkxsntalk`mcstatement.ÅRshkk+enqVqhfgssgdsdlos`shnmsnfdshmnmdk`rs aqhbja`sneqgdsnqhboqnudcsnnsdloshmfsnqdetrd-NmdnesgdondlÇrl`mx vnqjrgddsrbnmbktcdraxsgdondsÇrbnmedrrhmfvg`s`mxfnncqd`cdqntfgs sng`ud`kqd`cxcdbncdceqnlsgdondlÇrhl`fdr9
041 . ondsqxÑr`esdqkhed
I am ashamed of my country. Qd`cdqrmnscqtmjnmonkhshbrÇsghmmdcfhmvhmbd`ssg`skhmd-SgdkhmdÇr`s nmbdak`mc`mcntsk`mchrg-Mnsghmf`antshsrrxms`wq`hrdrsgdondlÇr`msd+ xdshsrohkkrsgdondsÇrb`qcre`bd,tonmsgds`akd-He`mxsghmf+qd`cdqrntfgs sns`jdgd`qs`sVqhfgsÇrnudqok`xhmfghrg`mc+bgddqdcsnkd`qmsgdxÇqdmns sgd nmkx nmdr sn g`ud a`aakdc vgdm sgdx rgntkcÇud addm pthds- @kk hm `kk+ VqhfgsÇrkhmd,ax,khmdqdvnqjhmfrgnvrsgdodqhkrne`ondsÇrxhdkchmfmnssn ghrrdbnmcatssnghrsvdmsx,rdbnmcsgntfgs-Hs`krnbnmÏqlrsgdqhfgsmdrr ne O`tk U`kqxÇr `clhrrhnm9 Ä@ ondl hr mdudq Ïmhrgdc+ nmkx `a`mcnmdc-Å @g+atssn`a`mcnmsgdondl`ssgdlnldmsÇrdpthonhrdnef`hm`mcknrrà sgdqdÇrsgdqta-
KhfgsmhmfHkktlhm`shnm @ondsÇrvnqjrgddsrb`mkdmchmrhfgshmsnvnqjsg`sqdrhrsrqd`cdqrÇadrsb`m, ckdkhs hmbtqrhnmr- Rnld vnqj ax ` onds hr rn eqdrg nq rhlokx rn rgnbjhmfkx hmmnu`shud sg`s qd`cdqr rsqtffkd sn l`jd rdmrd ne hs hm sgd nkc,e`rghnmdc sgdl`shb v`x+ kds `knmd tmcdqrs`mc hsr rsq`mfd `ookhb`shnm ne sgdnqdshb`k `cu`mbdldmsr- Qd`cdqr `clhqd vqhsdqr vgn s`jd qhrjr ne sgdnqx `mc `ookh, b`shnm+ ats sgdx `krn g`mjdq sn `ooqdbh`sd vg`sÇr fnhmf nm gdqd `mc vgx- VqhfgsÇr Cddo Hl`fd ondl ÄLhmdqrÅ dwdlokhÏdr sgd sdqlr ne sghr bnmtm, cqtl-Vqhssdmhmdktrhud`mc`kktrhudhl`fhrshbrdbshnmr+sgdondlÇrrohcdq sgqd`crne`rrnbh`shnmqdl`hmtmrddmsnsgdhm`ssdmshudqd`cdqÇrdxd-E`bdc vhsghsrCddoHl`fdlncd+l`mxqd`cdqrbnmbdhu`akxsgqnvtosgdhqg`mcr `mcrtqqdmcdq& The police are probing tonight for the bodies Of children in the black waters Of the suburbs. ' Below the chemical rifÑes of the Ohio River, Grappling hooks Drag delicately about, between skiff hulks and sand shoals, Until they grasp Fingers.
These Drafts and Castoffs . 042
( Somewhere in a vein of Bridgeport, Ohio; Deep in the coal hill behind HannaÈs name; Below the tipples, and dark as a drowsy woodchuck; A man, alone, Stumbles upon the outside locks of a grave, whispering Ngkdsldhm) Many American women mount long stairs In the shafts of houses, Fall asleep, and emerge suddenly into tottering palaces.00
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043 . ondsqxÑr`esdqkhed
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057 . ondsqxÑr`esdqkhed
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061 . ondsqxÑr`esdqkhed
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07/ . ondsqxÑr`esdqkhed
ghr Rhetoric. Sgdqd @qhrsnskd tqfdr oqnrodbshud vqhsdqr sn l`jd qd`cdqr b`qd `antssgdl`rgtl`mr+snchrok`x`rodbsrneEthos `mcCharacterhmsgdhqvnqj sg`svhkkdmbntq`fdqd`cdqrsn`clhqdsgdl`rodqrnmr`mcsgtrsnadlnqd khjdkxodqrt`cdcaxsgdhq`qftldmsr-SgdondsV-A-Xd`sr+gnvdudq+chrsqtrsr sghrmnshnmneqgdsnqhb`ookhdcsn`ondl-Gdrtffdrsrsg`svghkdqgdsnqhbhr `m`qftldmsvhsg`mnsgdqodqrnm+sqtdondsqxhr`m`qftldmsvhsgsgdrdke Gnvsgdmsnl`jd`ondlÇrunhbdb`trdqd`cdqrsneddksgdx`qdvhsmdrr, hmf+`mcodqg`oro`qs`jhmfhmsgdlrdkudr+`o`rrhnm`sd`qftldmsvhsgsgd rdke> Gnv sn l`jd ` unhbd rn `tsgdmshb qd`cdqr adkhdud sgd rod`jdq aqhlr vhsggtl`mhsx+sgddkdbsqhblhwneÐ`vr+enhakdr+`mccdrhqdrvdqdbnfmhyd`r gtl`m>Gnvcnxntl`jdqd`cdqrrtbbtlasn`mdwodqhdmbdudqxltbgkhjd e`kkhmfhmknudvhsg`unhbdnmsgdsdkdognmd>Xntjmnv+sgdodqrnmmdudq rddmnqsntbgdcvgnrdunhbddwtcdrrtbguhaq`msdmdqfxvdd`rhkxhl`fhmd dxdr+khor+g`hq+sgdbtqudnev`hrs`mcsghfg+k`tfgsdqrtookd`mchmsdkkhfdms Nmd v`x sn kd`qm sn cn rn hr ax sqxhmf nm nsgdq ondsrÇ unhbdr+ `r onds SgdncnqdQndsgjdrtffdrsrhmÄGnvsnVqhsdKhjdRnldancxDkrd-ÅQndsgjd adkhdudrondsrbnldsnÏmcsgdhqnvmodbtkh`qunhbdraxsqxhmfsnkd`qmsn rod`j`ondlhmsgdl`mmdqnefqd`sondsr-Qd`cvhcdkx+sgdrsnqxfndr+`mc nmbdxntÏmc`ondsxntkhjd+sgdmlhlhbsg`sondsÇrrtaidbsr+k`mft`fd+`mc enql-NmdlnmsgV-G-@tcdm+sgdmdwsFvdmcnkxmAqnnjrnqIngmCnmmd- Sqxsnchrbnudqvg`shshrsg`sl`jdrsg`sondsrntmhptd+rnchrshmfthrg`akd eqnlnsgdqr-Mnmdnesgdrdunhbdr+nebntqrd+vhkkÏsxntkhjd xntqe`unqhsd o`hqneid`mr-Xntqunhbd+khjdsgnrdid`mr+hrrnldsghmftmhptde`rghnmdcax vd`qhmfhsnudqshld-Vhsgdeenqs`mce`hsg+xntÇkkfq`ct`kkx`a`mcnmnqrta, rtldsgnrdnsgdqunhbdr`rxntrg`odxntqnvm Mnsdudqxnmd+gnvdudq+`fqddrhsÇronrrhakdkhsdq`kkxsnÄÏmcÅxntqunhbd- OghkhoKduhmd+enqhmrs`mbd+sghmjrxntmfondsrrodmc`ksnfdsgdqsnnltbg shldvnqqxhmf`antssghrptdrs-Kduhmdb`tshnmr9ÄHmdudqsdkkxntmfdqondsr snÏmcsgdhqnvmunhbdadb`trdHcnmÇsadkhdudsg`sÇrgnvunhbdbnldrsntr- Nmbd`ondschrbnudqrvg`sghrl`sdqh`khr+ghrunhbdvhkkbnldsnghl-Sgd adrssghmfhrsnoq`bshbdfnncvqhshmftmshkxntÇudfnsrnldsghmfsnr`xrn tqfdmshsÇrfnssnadr`hc----HcnmÇssghmj`mxnmddudqentmcghrnvmunhbd+ hsentmcghl-ÅEhmcÏqrsvg`sxnt musts`kj`ants+Kduhmd`qftdr+`mcxntq unhbdvhkkbnld`knmfhmsgda`qf`hm Vg`sl`jdrsgdl`ssdqneunhbdrneqtrsq`shmfhrsgdrhlokde`bshsb`mÇsad s`tfgs-Xntqsd`bgdqlhfgsad`akdsnfhudxntdwdqbhrdrsnrg`qodmxntqtrd nelds`ognqnqhl`fd+enqdw`lokd+atsmnsd`bgdqHjmnvb`mkd`cxntsn
Voice . 070 xntqunhbdaxchmsnebk`rrqnnl`rrhfmldms-UnhbdhrmÇs`sdbgmhptd+`sqhbj+ nqdudm`rjhkk-HsÇrmnsghmfkdrrsg`msgdv`xxnteddk`antsxntqrdke`mcxntq vnqkc+`kksg`sltrhboktbjdcsgqntfgsgdrsqhmfrxntbgnnrdsnrod`jsgnrd eddkhmfr`mchcd`r-Unhbdhrhmchuhct`k`mctmhptd+`Ïmfdqoqhmshmk`mft`fd- Unhbdrod`jrsgdvnqkcsgqntfgxntqkhor+`mcgd`qhmfhs+qd`cdqrtmcdqrs`mc hshrxntqr`mcxntqr`knmd Snfds`eddkenqsgdl`ssdq+kdsÇrknnj`srnldondlrvqhssdmmnsaxvdkk, jmnvm`mcvhcdkxotakhrgdcondsratsaxbnkkdfdtmcdqfq`ct`sdrstcdmsr edudqhrgkx hm sgd oqnbdrr ne bnlhmf sn sgdhq nvm unhbdr- Nmd b`m kd`qm `r ltbgeqnlsgdsqho`reqnlsgd`qqhu`k-GdqdÇrÄDwg`kdÅaxRbnssI`ldr-@r xntqd`chs+knnjenqronsrvgdqdsgdondlroqhmfr`khud+vgdqd`pthqjx`mc nqhfhm`kunhbdhrgd`qc-Knnjenqsgdgtl`mhmsgdgtl`mvnqcr9 IÈve got volumes of myself stored back in my silences, devoured by pyromoments of misguided release. I like the warm feeling when I smile with my whole face, skin that compresses into my eyes, but the whole white picket grin stands before a crude house, and the distances that cower are scars on skin. I like stars behind clouds that appear for blinks then fade to aftertaste. They say truth comes through drunkenness, our inhibitions demolished, but IÈm always sorry for something when the sun returns. I like clean socks. They just feel good, cotton and all, soft and unaware of the mouth they carry
071 . ondsqxÑr`esdqkhed
or the mind it hides. I guess I lie on greenish grass six feet away from Åthe other side.Æ My mouth a six pack away from honesty. Sgd ondl lnudr khsgdkx sgqntfg ` rdqhdr ne qdudk`shnmr chrfthrdc `r eqhdmc,sn,eqhdmc bg`ssdq+ qd`cdq rhsshmf nm sgd fq`rr rg`qhmf sgd lnldms vhsgsgdbnmsdlok`shudrod`jdq-Sgdrod`jdqadfhmrsns`kj`antsghrrgxmdrr otmbst`sdcaxÄoxqnlnldmsrÅnesghmfrronjdmsg`srgntkcmÇsg`udaddm r`hc-Vg`senkknvr+sgntfg+hr`khs`mxnernldsghmfrsgdrod`jdqkhjdrhmsghr vnqkcgd`krnonhmsdckxchrsqtrsr9gnvghrrvddsÄvghsdohbjdsÅedmbdrlhkd ghcdr`gntrdnebqtcdrb`qr+enqhmrs`mbd-Sgdmsgdrod`jdq+oqna`akxcqhmj, hmf`addq`mcrlnjhmf`bhf`qdssd'rddsgdshskd+ÄDwg`kdÅ(+rvdqudrsnv`qc sgd`oo`qdmsrtaidbsÃgnvvgdmnmdhrcqtmjrtbge`krdeqnmsr`kv`xrbnk, k`ordhmsnsgdqtaakdnec`x,`esdq`onknfhdr Sg`sÇrdmntfgsnl`jd`mhmsdqdrshmfondl+atsmnsdgnvsgdrod`jdq `kknvr ghr lhmc sn enkknv hsr nvm o`sg- Sgd vnmcdqetk khmd `ants khjhmf Äbkd`mrnbjrÅbnldrrddlhmfkxntsnemnvgdqd+`mchsrrtqoqhrdrvddsdmrsgd ohd-Rtqd+vdÇud`kksgntfgsrnldsghmfrhlhk`qvghkdotkkhmfnmntqrnbjrhm sgdlnqmhmf+`mcsgtrvdk`tfg`mc`fqddats`rj+ÄVg`scndrsghrg`udsn cnvhsgkxhmf>ÅSgdmsgdrnbjradbnld`rrnbh`sdcvhsgsgdrod`jdqÇrlntsg `mc lhmc+ `mc sgdhq `oo`qdms otqhsx hr adrlhqbgdc- B`m mnsghmf hm sghr vnqkcadsqtrsdc>Hrmnsghmfhmmnbdmsqd`kkxvg`shs`ood`qrsnad>Mnsdudm bkd`mrnbjr>SgdondlÇrrtaidbsl`ssdqadbnldrdwo`mrhud+e`q,qd`bghmf+`mc sqntakhmfÃsghr+rtccdmkxmnrhlokdondl`antssgdhmsdqrdbshnmnergxmdrr `mccqtmjdmmdrr-Vgdmsgdondlbnmbktcdrvhsg`mncsnv`qcsgdfq`ud+ vdqd`cdqrfdssgdmnshnmsgdrod`jdqadkhdudrsgdqdÇrmnsghmfsqtrsvnqsgxhm sghrÐ`vdcvnqkcr`udcd`sg-S`jd`aqd`sg+cd`qqd`cdq+`mcÄdwg`kdÅ`ssgd mdvr GdqdÇr`mnsgdqxntmfonds+nmdvgnrdvnqje`unqrlncdrneodqenql`mbd `mcronjdmvnqcondsqx-Mnsdsgdv`xhsathkcrnmqdodshshnm`mcqgxldhm sgd l`mmdq ne gho,gno hsrdke+ sgtr rg`ohmf ` ondl lnqd sn ad odqenqldc sg`msnaddmf`fdchmrhkdmbdaxqd`cdqr-HsÇr`ondlronjdmax`unhbdsg`s vntkceddk`sgnldhmknb`kdrrtbg`rsgdMtxnqhb`mB`e`mcnsgdqtqa`m
Voice . 072 bneeddgntrdrbdmdrvgdqdnq`koqdrdms`shnmhru`knqhydcnudqsgdo`fdÇrsdw, st`krtaskdshdr-GdqdÇrsgdchqdbs,`ccqdrrÐntqhrgsnsgdkhrsdmdqsg`snodmr Idm LhsbgdkkÇr Äncd sn ghoÇ gno9 ` ondl vqhssdm vghkd khrsdmhmf sn J`mxd Vdrs+BnllnmRdmrd+`khsskdKtoEh`rbn+`mc`esdqchrbnudqhmfsg`sHqd`kkx khjdknmfshskdrÅ9 You might not want to read this poem, because IÈm not exactly sure if it has a point. ItÈs more likea hip-hop joint, with hot linesÈ rhymes that curl around your Ðnger like a perm; get in yoÄmen-tal stash like Smokey did Big Worm. IÈve been wondering if pedantic terms are the only thing that makes poetic, maybe I should be more prophetic, and say something like, Is poetry the spirit of me Does it fall from my psyche like a leaf from a tree or is it the essence of you know some Attttkk Shit like that Maybe then you would think I wasa poet .................................
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073 . ondsqxÑr`esdqkhed
IÄguess there is no difference between me and the rapper poppinÈ Moet. ButÄthen again maybe there is. ÈCause I donÈt have a Åbig boo-tied bitchÆ p-poppinÈ on my left knee, with the most perfect instrumental rbqd`lhmf in the background
ÅGive Us, Us Free.Æ So maybe Cinqu was right, I canÈt let Hip-Hop go down withouta Ðght Give a jab like Liston, and end with AliÈs right, just lecture to the beat that beat boxes through night because IÈm the Great White Hype, just a little bit \Yjc]j / a little more ass, make you fall in love with my voice, like James Earl Jones with sass. Mnsd gnv Lhsbgdkk `ssdlosr sn dloknx sxonfq`ogx sn dlancx gdq ronjdmodqenql`shudunhbdvhsghmsgdbnmrsq`hmsrneoqhmsdcsdws+`kkhm`m deenqssnshowgnvsgdondlhrld`mssnadheard.Hm`cchshnm+sgdondsg`r hmbktcdc`lds`khmjsnhmenql`shnmsg`sdwhrsrntsrhcdnesgdsdws+sgdqdax bqd`shmf`jhmcnelds`ondl`knmfrhcdsgdnmdnmsgdo`fd-Sgdkhmjsnhmen `antsBhmptbnms`hmrl`sdqh`ksgdronjdmvnqcondsl`xu`qh`akxhmbktcd+ rdkdbseqnl+nqdudmhfmnqd`ksnfdsgdqctqhmfsgdodqenql`mbdnesgdondl adenqd`khud`tchdmbd-Sghr`ccr`mdkdldmsneronms`mdhsx`mcrtqoqhrdsn d`bgqdbhs`knesgdondl+`odqenql`mbdtmkhjdkxsnbnoxhsrdkeeqnldudms sndudms-Sgdqd`esdq+sgdrod`jdqÇrcdkhadq`shnmradbnldlnqdqdÐdbshud`mc enbtrdc9 My verbs are glocks aimed straight at your dome half-cocked lyrics peak from rhythmic chambers ready to spew a new danger Mos DeÔnitely knowledge
Voice . 074 will build this power ................. No race has pulled itself up by doing what we do waking up to the coca bean coffee we brew selling each otherÄbodies and bags underbelly so rancid it makes me gag .............................. WeÈve gotta habit for destruction, jonesinÈ for a little pain to get us through the day ........................................ So donÈt kick me off my soap box yet I havenÈt knocked you out taken my purse preached like Malik or J. IvyÈd this free verse ..... I havenÈt said my hottest bars and stretched like Armstrong to the stars pulling us away from Mars. Just waiting for the elastic to give out, so I can jYh my arms around emka[. You might not want-to qd`c this poem IÈm not exactly sure if it has a point. ItÈs more like a hip-hop joint, a fattie thatÈs been rolled and stuffed with a swisher head point, de-seeded to perfection/licked just right Go headÄ Take a hit, igji] donÈt bite. Sgd ondlÇr rvhqk ne bnlodshmf qdedqdmbdr+ ldrghmf Knthr @qlrsqnmf `mc rtodqgdqn Rsqdsbg @qlrsqnmf+ enq hmrs`mbd+ akdmcr @eqhb`m @ldqhb`m `mc vghsd btkstq`k l`qjdqr- @mc sgntfg sgd ondl cdbqhdr sgd deedbsr ne g`qc cqtf `atrd hm @eqhb`m @ldqhb`m btkstqd+ hs rhltks`mdntrkx '`mc o`q`cnwh, b`kkx( l`jdr ne hsrdkeÃ`mc ne gho,gnoÃ` b`mm`ahr udghbkd ne udq`bhsx+ bdk,
075 . ondsqxÑr`esdqkhed
daq`shmf sgd atyy `ssdmc`ms sn `clhsshmf sgd sqtsg `ants ansg lncd `mc btkstqd Odqenql`shudmnsqd`cdqkxbnmudmshnmrfqntmcrtbg`ondl-Sgddeedbsr ne hsr hmsnm`shnmr+ qdodshshnmr+ `mc dudm hsr bnmsq`chbshnmr `qd cdrhfmdc sn ok`x adenqd `m `tchdmbd jddm sn hear `mc feel sgd ondlÇr dwodqhdmbd lnqd sg`msnqtlhm`sdtonmhsrsdwst`kldrr`fd-Sgdrsqdmfsgr`mccq`va`bjr+`r vdkk`rsgdbg`kkdmfdr`mconrrhahkhshdr+enqrtbg`ondlhmgdqdhmhsroqdrdm, s`shnmneunhbd-Gnvsg`sunhbdhrqdbdhudcaxkhrsdmdqr`rnoonrdcsnqd`cdqr vhkkcdsdqlhmdsgdondlÇrrtbbdrrÃvghbghrsnr`x+khrsdmdqrvhkkdrs`akhrghsr btkstq`ku`ktd TmkhjdsgdenqldqondlÇrhmrhrsdmbdnmronjdmvnqc`drsgdshbr`mcsgd Ðnvnekxqhb`kk`mft`fd+Rsdog`mhdEnqqdrsÇrÄRg`ssdqÅcdodmcrtonmbnmbh, rhnm`mcdkkhoshb`khsx-Vghkdsgdondlnodmrhsrm`qq`shudsqdmbgbn`shmsvn hmhsh`krs`my`r+`m`aqtoskd`onbbtqradsvddmsg`s`mchsrÏm`klnudldmsMy ex shoots tin cans from fence posts to center herself. I Ðle police reports in small college towns. I spend nights cornered against my sink until thunder stops. Silence restores my breath. How close someone must be to put a nine millimeter hole through my second story window.0 Vg`sÇr mns r`hc ax sgd rod`jdq knnlr `r k`qfd `r vg`s hr ronjdm- Sgd ondlÇrbnloqdrrhnmnerxms`w`mckhmdlhqqnqrhsrbnloqdrrhnmnedlnshnm `mcrsnqx-Vg`sg`oodmdcsnchrrnkudsgdrod`jdqÇrqdk`shnmrgho+`knmfvhsg sgdrod`jdqÇrbnmmdbshnmsnÏkhmfonkhbdqdonqsr+hrmdudqdwok`hmdc-Qd`cdqr `qd kdes sn onmcdq vgdsgdq Ïkhmf onkhbd qdonqsr hr sgd rod`jdqÇr ina+ sgd tmg`ooxqdrtksnegdqe`hkdcqdk`shnmrghofnmduhnkdms+nqldqdkxnmd`rodbs negdqkhuhmf`lnmfsgdvhkchmfrne`bnkkdfdsnvm-Adb`trdsgdrod`jdqgnkcr gdqb`qcrbknrdsnsgdudrs+gdqunhbddwghahsrsdmrhnm`mccq`l`-@r`qdrtks+ enqqd`cdqrsgddwvgnrgnnsrÄsnbdmsdqgdqrdkeÅadbnldrodqhkntrkxantmc to vhsg sgd ÄrnldnmdÅ vgn Ïqdr ` atkkds sgqntfg sgd rod`jdqÇr vhmcnv-
Voice . 076 GnvÄbknrd+Åhmcddc+ansghmogxrhb`k`mcdlnshnm`kchrs`mbd+sgdrd'hcdm, shb`k>(Ïftqdrbnldsn`ood`qhmsgdrod`jdqÇrorxbgd+rgdvntmcdcaxknrr `rvdkk`raxonrrhahkhsx-Khjdsgdnsgdqsvnondlrchrbtrrdcgdqd+EnqqdrsÇr ÄRg`ssdqÅv`rvqhssdmctqhmfntqvnqjsnfdsgdqhm`rdldrsdqÇrondsqxvnqj, rgno- EnqqdrsÇr cdes dunb`shnm ne unhbd hloqdrrdc lnqd sg`m itrs gdq vnqj, rgnoedkknvr:sgddchsnqrnesgdvdkk,qdf`qcdcm`shnm`ktmcdqfq`ct`sdkhsdq, `qx intqm`k Susquehanna Review `bbdosdc ÄRg`ssdqÅ enq otakhb`shnm vhsghm sgdhqo`fdr Nmdbntkcr`xsgdondlÇrq`chb`kneoqdrdms`shnmcheedqrl`qjdckxeqnl sg`sneIdmLhsbgdkkÇr`mcRbnssI`ldrÇrondlr+vghbghrsnr`xsgdunhbdr sg`srod`jsgdrdsgqddondlroqdrdmssgdlrdkudr`mcsgdhqqdk`shnmrghosn sgdvnqkchmchudqrdv`xr-Nmdlhfgsvdkks`jdQnadqsBqddkdxÇrnes,qdod`sdc r`vÃÅEnql hr mdudq lnqd sg`m `m dwsdmrhnm ne bnmsdmsÅÃ`mc qdb`rs hs+ ÄEnqlhrmdudqlnqdsg`m`mdwsdmrhnmneunhbd-ÅEnqvg`sxntqondlr`xr `mcgnvhsÇrr`hccdsdqlhmdsgdv`xqd`cdqrhl`fhmd`mcqdbdhudxntqondshb unhbd-Xntqrod`jdqdlanchdr`bg`q`bsdqnmxntqondlÇrrs`fd+`Ïftqdenq vgnlxnthmrbqhadgdqlnrshmshl`sdudqa`kfdrstqdr-Hmrntmc+rxms`w+chb, shnm+`mcvnqcbgnhbd+`rvdkk`rhmvg`sÇrronjdm`mcvg`sÇrmns+xnte`rg, hnm`unhbdsnaddlaq`bdcnqhmrsd`cbnkc,rgntkcdqdcaxxntq`tchdmbd-
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Why Kids Hate Poetry
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085 . ondsqxÑr`esdqkhed
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1/3
WhitmanÈs Sampler . 1/4 xntsg ondlr- Sgdrd H r`unqdc enq lxrdke: sgdrd H mnv needq to rn xnt l`x cnsgdr`ld-Kdrslxoqduhntrchrbtrrhnmnevgxjhcrg`sdondsqxkd`udtr cdro`hqhmf+kdsldadrsnvtonmxntsgondsqxhsrq`qdlnldmsnmrs`fd-Sqtd dmntfg+ ondsqx b`m ad vdkk s`tfgs ax sd`bgdqr ansg rjhkketk `mc hmudmshud- Khjdvhrd+rstcdmsrb`mvqhsdondlrsg`sqd`qq`mfdsgde`lhkh`qetqmhstqdne sgdhqkhudrÇkhuhmfqnnlr`mcnentqr-Sgntfglnrs`ctksrmdudqqd`c`vnqc jhcrvqhsd+cnhmfrnntfgssnbnmuhmbdtrsgdjhcr`qdmÇsgd`cdcsngdkkhm XntStadÇrchfhs`kg`mca`rjds-Hme`bs+QnadqsFq`udrÇrmnshnmsg`sondsqxhr` enqlneÄrsnqdcl`fhbÅÏmcr`lokdrtoonqshmsgd`bsrnebnmitqhmfduhcdms hm sgdrd jhcrÇ ondlr- Sn ad rtqd+ sgdrd ondlr `qdmÇs odqedbs+ he nmd hr ennk, hrgdmntfgsnadkhdud`mxondlsnadodqedbshakd-Rn+qd`cdqr+jddoxntqqdc odmr onbjdsdc- Hmrsd`c+ qdkhrg gnv d`bg rgnvr ondsqxÇr rhmftk`q jm`bj enq dwoqdrrhmf`mcbdkdaq`shmfntqodbtkh`qgtl`mo`fd`ms Vg`senkknvrhr`m`rrnqsldmsnexntsgondlred`stqdcnmlxVdarhsdr- Sgdrdondlrdlancxrdudq`kmns`akdudqrdetmbshnmre`unqdcaxondsrnudq bdmstqhdr9 lncdr sg`s bdkdaq`sd+ k`ldms+ fhud unhbd sn sgd unhbdkdrr+ `mc cdÏmdnmdÇrrdke,`mcfqntohcdmshsx-Sgdrdondlrsgtrbnmmdbssgdhqxntmf `tsgnqrsnkhsdq`qxghrsnqxnevghbgsgdxÇudoqna`akxkhsskdbnmrbhntr`v`qd, mdrr+sgdxntmfrddlhmfkxhmsthshudkxfq`rohmfondsqxÇrhmsqhmrhb`ahkhsxsn dwoqdrrsgdgtl`mbnmchshnm-KdsÇrrs`qsvhsgÄAqd`c+Å`fqntoondlhkktr, sq`shmfsgdlnrsa`rhbneondsqxÇretmbshnmrÃinxetkbdkdaq`shnm-Sghrohdbd+ bnvqhssdm ax sgqdd Ïesg,fq`cdqrÃBnkd @mcdqrnm+ Fq`ms Ctssnm+ `mc Dqhb QnrdmvhmjdkÃdmshbdrqd`cdqrvhsghsrfhccxok`xetkmdrrBread, bread, bread. White bread, wheat bread, stale, soggy, moldy bread, soft, warm, cold, bread. Those are just a few, raisin bread, crazy bread blueberry bread, too. Thin bread thick. DonÈt forget corn bread. Best of all I like French toast.1 D`bg shld H qdbhsd sgd anxrÇ ondl adenqd `m `tchdmbd+ hs dkhbhsr qn`qhmf adkkx k`tfgr+ ` rtqoqhrhmfkx tmbnms`hm`akd ftrg ne ghk`qhsx l`cd `kk sgd
1/5 . ondsqxÑr`esdqkhed
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WhitmanÈs Sampler . 1/6 rvdqudhmsnchqdbs`ccqdrr+sgdxok`xetkkxshdsgdhqondlsnondsqxÇr`mbhdms khmd`fd+khmjhmfÏesg,fq`cdqrÇinxetkÐhoo`mbxsnsq`chshnm`kondshbqgdsnqhb- Sgdkhmdadsvddmonds`mc`tchdmbdltsdrhmsgdoqnbdrr-@anud`kkdkrd+sgd rdmrdsg`ssgd`tsgnqrg`cfqd`setmvqhshmfsgdondlodqu`cdrsgddmshqd ohdbd+`mcsgdhqodqrnm`kcdkhfgsadbnldrsgdqd`cdqrÇ`rvdkk-Rhlokxqd`c sgdondl`kntc`mcr`unqhsrbq`yxltrhb+sgdokncchmf+dw`ffdq`sdcsgtlo neÄaqd`cÅ`f`hmrssgdrtccdmbxla`krok`rgneÄsn`rsÅ ÄSghmfr H G`sd+Å ` ondl `krn btqhntrkx hmunjhmf rnffx aqd`c+ cdlnm, rsq`sdr `mnsgdq ne ondsqxÇr etmc`ldms`k otqonrdr9 sn rod`j mns itrs ne inx ats `krn ne k`ldms- @lhc ` gtlnqntr rdqhdr ne hsdlr sgd xntsgetk onds cndrmÇsb`qdenq+sgdondlÇra`cl`mmdqradbnldhsrqdcdloshnm-Hsc`qdrsn tmcdqbtsondsqxÇroqhrrxqdots`shnmenqdwsnkkhmfnmkxvg`snmdÄknudr-Å@mc sghrohdbdaxBghb`fn`mentqsg,fq`cdqL`qhr`Qnr`qhnrgnvrgnvhmondsqx gtlnq`mcrdqhntrmdrrnesdmgnkcg`mcr-Mnsdgnvhsrsnmftd,hm,bgddjkhrs neg`sdcsghmfr`aqtoskxbknrdrvhsg`rvhesftsotmbgsnsgdtmv`qxqd`cdq+ `fdrstqdansgrnbh`kkxrodbhÏb`mctmhudqr`kkxdunb`shud9
[To view this SRHP, refer to the print version of this title.]
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1/7 . ondsqxÑr`esdqkhed
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WhitmanÈs Sampler . 1/8 out, and she sits by the window.2 Vg`sÇr rsqhjhmf hr sgd ondsÇr cdes trd ne dmi`laldms sn udqa`kkx `mc ogxrhb`kkx dwoqdrr gdq hrnk`shnm `r vdkk `r gdq cdrhqd sn inhm vhsg nsg, dqr- Qdod`sdckx+ rgd rgnvr `m `v`qdmdrr ne gnv dmi`lahmf ` khmd bqd`sdr dpt`kkx`rdmrdnerdo`q`sdmdrr`mcnetmhnm+nmdok`xhmf`f`hmrssgdnsgdq `r rxms`w ok`xr `f`hmrs ld`mhmf- @mc rgd rgnvr ` rddlhmfkx hmm`sd rdmrd ne ltrhb+ l`jhmf ltbg eqnl sgd `rrnm`mbd vhsghm sgd kdsg`k bghlhmf ne Äknmdkx+Å Änmkx+Å Ärmnv+Å `mc Ävhmcnv-Å Sgd rod`jdq Ïftqdr gdqrdke hm sgd knmdrmnvÐ`jdrd`qbghmfenq`mgnrohs`akdronssnb`kkgnld`mcsgdqnbj, hmfbg`hqgnkchmfrnkhs`qxuhfhkadrhcdsgdvhmcnv+dlosxvhsgnqvhsgnts gdq-Dudmsgdvhmcnvdwoqdrrdruhbshlgnnc+sgdÄ`mfqxvhmcÅontmchmfrn uhnkdmskxsgdqd`cdqvhmbdrsnonmcdqgnvsgdr`lde`sdl`xg`udade`kkdm sgdrod`jdq-O`tkBk`mnmbdb`kkdc`ondlÄ`ldrr`fdhm`ansskd+rdmsntshm sgdÃmns`kv`xrrnfqd`skxgnodetkÃadkhdesg`srnldvgdqd`mcrnldshldhs bntkcv`rgtonmk`mc+nmgd`qsk`mcodqg`or-ÅBnmrhcdq+sgdm+sghrondl sgdrod`jdqÇrldrr`fdsn`vnqkcsg`srddlrsng`udstqmdchsra`bjnmgdq+ sgdunhbdrgdb`mmnsaqhmfgdqrdkesnunhbdhmotakhb NtqÏm`kondlbnmudxrondsqxÇrdkdldms`k`ahkhsxsnhmsdqqnf`sdsgdhmsqh, b`bhdrnehmchuhct`k`mcfqntohcdmshsx-Fhudmntqm`shnmÇrentmchmfhmsgd hllhfq`msdwodqhdmbd`mcntqbtqqdmsltkshbtkstq`klhkhdt+sghrlncdg`r oqnudmsnado`qshbtk`qkxjddmvhsghmqdbdms@ldqhb`mondsqx-Gdqd+Idrrhb` Ing`kÇrÄOtmi`ah@ldqhb`mÅdw`lhmdrgnvhllhfq`mse`lhkhdrk`anqsnro`m sgdhqbnkkdbshudknmdkhmdrr+sgdrdmrdneadhmfrhltks`mdntrkx`o`qsnernld, sghmf`mc`o`qseqnlhs-@rvhsglnrsondsqx+rtbg`v`qdmdrrhrrtdroqhl`qhkx eqnl`ssdmshnm+sgdondsÇrb`qdetkknnjhmf`sv`xrsgdg`ahst`kknnlrdwnshb- @rL`kdaq`mbgdqdlhmcrtr+Ä@ssdmshudmdrrhrsgdm`stq`koq`xdqnesgdrntk-Å Khuhmf adsvddm svn vnqkcr mdhsgdq vgnkkx gdq nvm+ sghr Bghb`fn`m ghfg rbgnnkrdmhnqstqmrgdq`ssdmshnmsngdqo`qdmsr+chrbnudqhmfhmsgdlhcrsne sgdhqgnldxqntshmdr`v`xsnqdbnmÏftqdansgsgdl`mcgdqrdkeI walk through the front door, the scent of MatiÈs tandoori chicken curry sticks to the air.
10/ . ondsqxÑr`esdqkhed
In the kitchen she stands before the stove adding masala spices in a beige and white salwar kameez, the baggy pants I know, tied with white string, but covered by the short-sleeved kurta that reaches just above her knees.
Papa sits at the kitchen table reading the Punjab Times newspaper. Bill Clinton is in India, he Ñips the page, Aishwariya Rai starred in the new movie, Oqhcd`mcOqditchbdFor just a split second, the steel kara on his wrist reÑects the sun shining through the window behind him and causes a glare in my eyes. Naniji sits beside him sipping a cup of strong Punjabi cha the familiar tea spices mix with the masala, and make my tongue go dry. I sit at the table, Mati places in front of me a bowl of tandoori curry, steam from the chicken hits my face, her lips brief to my forehead, she says, ÅMorning, Beta, careful, itÈs hot.Æ3
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WhitmanÈs Sampler . 100 `r q`mcx Ahkk BkhmsnmÇr v`mcdqhmfr `mc @ldqhb`m lnuhd e`qd- Gdq e`sgdqÇr sq`chshnm`kvqhrsaq`bdkdsÃdlakdlnegdqdsgmhbgdqhs`fdÃrghlldqrhmsghr @ldqhb`mlnqmhmf+`bnlahm`shnmmd`qkxakhmchmfgdqvhsgqdbnfmhshnmne vgdqd gdq e`lhkx bnldr eqnl `mc vgdqd sgdx khud mnv- Vgdm sgd lhw ne rohbdr`mcsd`l`jdrgdqÄsnmftdfncqx+Åsgddeedbshransgkhsdq`k`mcÏftq`, shudÃsgdrod`jdq`rltbgrhkdmbdc`rdmsgq`kkdcaxsgdrbdmd-Dudmsgdbtqqx rgdjmnvrrnenmckxansgvdkbnldr`mcsgqd`sdmrgdqlhwdcrs`sdneOtmi`ah @ldqhb`m+sgdbtqqxrngnshsl`xatqmgdqkhor`rcndrsgdlnsgdqÇrknuhmf lnqmhmfjhrr-Rgdqdrhcdrhmsgdlhcrsnevg`s`mcvgnlrgdknudr+rgdsgd chrshkk`sdnesvnbtkstqdr`mcsgtro`qskxhemnsvgnkkxnsgdqsnsgdlansg- @rrtbg+sgdsddm`fdqÇrokhfgshre`lhkh`qsnfdmdq`shnmrnehllhfq`msrvgn dmctqdvg`ssgd@eqhb`m@ldqhb`mvqhsdqV-D-A-CtAnhrb`kkrÄsgdcntakd, bnmrbhntrmdrrÅÃadhmfansg@ldqhb`m`mcnsgdq+b`tfgsrnldvgdqdhmsgd mdsgdqvnqkcadsvddm-Hmhsrrtaskd`mchmbhrhudqdbntmshmfnenmdOtmi`ah @ldqhb`mlnqmhmf+sgdondladbnldrsgdrod`jdqÇrudghbkdenqdwoqdrrhmf sghradvhsbghmfakdmcneodqrnm`kxdsbtkstq`kbnmchshnm-
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107
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11/ . ondsqxÑr`esdqkhed
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(Hidden Track) . 110 hmf+nqsgdldqdkxchrsq`bsdcsg`sondsqxlhfgsrtqfddkdbsqhbvhsghmsgdahf cdlnbq`shbkhedvdb`kkbnlltmhsx-HsÇrsdkkhmfsnqdb`kkKnmfedkknvv`rsgd k`rs@ldqhb`mondssn`bghdudrtbgaqn`c,rb`kddlaq`bdenqondsqx`rbnl, ltm`knqf`m-Rpt`mcdqhmfsgdvhrcnlneghmcrhfgs+vdknnj`qntmcenqntq shldÇrVghsl`m+enqfdsshmfgdv`rntsb`rshmghrnvm-Mnvnmcdqsgd`tch, dmbdcndrmÇsjmnvvg`ssndwodbs @lnmflxfn`kr`rk`tqd`sdg`raddmsnotsondsqxhmok`bdrenkjrkd`rs dwodbsdc hs- Nmd enbtr g`r addm sn uhrhs otakhb khaq`qhdr hm qtq`k nq tqa`m knb`kdrmnsfdmdq`kkxhlldqrdchmsgdondsqxrbdmd-Heonrrhakd+Hv`msdcsn e`unqB`qmdfhdkhaq`qhdradb`trdnelxodqrnm`k`ss`bgldmssnsgdl-VgdmH v`r`anx+lxgnldsnvmÇrB`qmdfhdkhaq`qxgnudqdc`anudsgde`bsnqxrlnf `mc ctrs khjd rnld dmbg`msdc jhmfcnl- Hsr fqd`s cnld rddldc sn `rbdmc sgdfq`xGnnrhdqrjx`mcshmfdhsaktd+henmkxenqsgdgntqrHsgtladco`fdr admd`sg hsr rs`hmdc,fk`rr dwo`mrd- HÇud rhmbd g`c sgd okd`rtqd ne qd`chmf ondsqx hm sgd B`qmdfhd khaq`qhdr ne+ `lnmf nsgdqr+ Cdkdu`m `mc Jdv`mdd+ Hkkhmnhr+ rs`fdc pt`hmskx adenqd I`mt`qxÇr ak`yhmf Ïqdok`bd `mc `knmfrhcd ItkxÇr sgqnvm,nodm+ btqs`hm,v`uhmf vhmcnvr- Cnhmf rn+ HÇud addm qd`b, pt`hmsdcvhsglxnvmhmsqnctbshnmsnannjr+`mcsg`sÇraddmsgqhkkhmf-Sgd k`anqrnesgdina`qdsgtrmnsvgnkkx`ksqthrshb-@mxv`x+hsÇrvqnmfsnb`kksgd k`tqd`sdrgho ` ina+ enq hm lnrs rs`sdr+ `r hm lhmd+ nmdÇr deenqsr `qd mns rto, onqsdcaxrshodmc+axoqnidbsatcfds+nqaxsq`udketmcr-Rdquhmf`rk`tqd`sdhr sgtr`enqlnegnmnqhÏbunktmsddqvnqj Nmd hmbhcdms `s sgd otakhb khaq`qx ne Ldmcns`+ Hkkhmnhr+ rs`mcr nts enq hsritlakdnegtlnq`mconhfm`mbx-@aq`mc,ro`mjhmf,mdvathkchmfltbg adknudc ax hsr bhshydmr+ Ldmcns`Çr khaq`qx hkktrsq`sdr sgd ohuns`k etmbshnmr khaq`qhdrrdqudhmrl`kksnvmr-@ksgntfgÄSnQd`cnqMnssnQd`c+ÅsgdMD@Çr fknnlx 1//6 qdonqs nm qd`chmfÇr cd`sg q`sskd hm @ldqhb`+ cdrbqhadr ` btk, stqd hmbqd`rhmfkx hmtqdc sn qd`chmfÇr `kktqdr+ sgd vnqc g`r mns xds qd`bgdc Ldmcns`-@q`fs`fakdmcneLdmcns`mrtrdsgdkhaq`qxÇrbnlotsdqr`mcsgd e`rsHmsdqmdsbnmmdbshnmlnrsbhshydmrb`mÇsroktqfdnmenqsgdhqgnldr-Sgd bghkcqdmÇrqd`chmfqnnlnudqÐnvrvhsgjhcr`mco`qdmsr+`rv`qlhmfaqnnc rjhssdqhmf sghr v`x `mc sg`s vhsg annjr stlakhmf eqnl sgdhq `qlr- Ghfg rbgnnk jhcr+ ronqshmf hOnc d`qognmdr c`mfkhmf vghsd khfgsmhmf eqnl sgdhq d`qr+qd`c`ssgdkhaq`qxÇrahf,rgntkcdqdcn`js`akdr+eddss`oohmf`rsgdhqdxdr qhcdsgdsdwsrÇghfgv`xr-Rnldnkcenkjrsgtlamdvro`odqrhmbnlenqs`akd bg`hqr+kd`mhmfsnbg`shmrntq,aqd`sgdcvghrodqr-Hmrgnqs+sgdkhaq`qxrddlr `rltbgrnbh`k`rdctb`shnm`kudmtd-
111 . ondsqxÑr`esdqkhed
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(Hidden Track) . 112 sn CdmmxÇr enq Sgtqrc`xÇr eqhdc bghbjdm rodbh`k `mc sgdm enq rnld ondsqx- Gd rgnnj lx g`mc+ rtllnmhmf bntq`fd+ `mc r`hc+ ÄAtccx+ sg`s v`rmÇs g`ke a`c-Å @ LhcvdrsdqmdqÇr bnlokhldms- Cdbncdc+ vg`s gdÇc r`hc ld`ms sgddwodqhdmbdv`rmÇs`ro`hmetk`rgdÇcdwodbsdc+sg`sgdÇcenkknvdc`skd`rs rnldnevg`sHÇcqd`c+sg`senqghlondsqx`kv`xrg`caddmenqdhfmk`mft`fd eqnl`chrs`msk`mcatsmnv`skd`rsgdjmdvdmntfgnehsrrsq`mfdsnmftd snnqcdq`rths`akdaddq-Hrsghr`rfnnc`r`mxk`tqd`sdb`mgnodsn`bghdudà ondsqxÇrlnldms`qxrnbhdsxnerdke`mcnsgdqhmsgdq`qdÏdccnl`hmne`qs> Nudq shld+ H dwodqhdmbdc rhlhk`q Ðddshmf hmrs`mbdr vgdqd lx deenqsr `s ondshb public outreach rsqtbj udhmr ne nqd hm oknsr HÇc mdudq rtrodbsdc gdkc fnkcenqsgdlnqenqld-Sgdqdv`rsgdshld`kksgdmtqrhmfgnldk`chdrà sgnrd vgnl shld `mc e`lhkx g`c enqfnssdmÃr`s rlhkhmf+ `ook`tchmf lx qd`chmfvhsgudqudsgdxmdudqf`udsgdhqc`hkxsgdq`oxrdrrhnmr-Sgdxrlhkdc+ xdr+tmshknmdbntkcmnknmfdqbnms`hmgdqrdke`mc`rjdcvgdmHv`rfnhmf snqd`crnldrealondlradb`trdmnmdnelhmdqgxldc-Eqnlsg`sHkd`qmdc snadfhmvhsg`rnmmds`mcdmcvhsg`o`msntl+kd`uhmfsgd`fdcvdkbnld `lnmf sgd bghlhmf- Sgdqd v`r sgd shld vgdm sgd ogdqnlnm`kkx unhbdc ELbk`rrhbqnbjq`chngnrsm`ldcUnmc`hmsdquhdvdcldnm`hq+adffhmflx `osrntmcahsdqhfgs`esdqrgdbtseqnlSgdRsnmdrÇÄGnmjxSnmjVnl`m+Å `lnldmseqnydmhmsgdahf,g`hqc`xrnelxrdudmshdrxntsg`mc nmdsg`s d`qmdcoqnoreqnllxsddm`fdrnm-SgdmUnmc`qd`csgdondlrgdÇcvqhs, sdmenqldsg`sudqxlnqmhmf+bnlonrdchmsgdrgnvdqv`rghmf`kkgdqadrs o`qsr- Sgdqd v`r sgd Bghb`fn rtatqa`m rbgnnk hm vgnrd khaq`qx H ronjd sn svn gtmcqdc chrhmsdqdrsdc sddm`fdqr bnmrbqhosdc enq lnq`k `mc `drsgdshb adssdqldms+lxÏqrsotakhbk`tqd`sddudms-@rsnqlg`cq`fdcd`qkhdqhmsgd c`x+oqnloshmfsgdkhaq`qxÇrbnk`mcdqqnnesnb`rb`cdq`hmv`sdqcnvm`s`qo `mchmsn`ohmjok`rshbstasgdÐtllnwdci`mhsnqjdosdwbtrhmfghlrdkesn dlosx-Svnftxra`mfdcnmsgdqnne+bghoohmf`shbd`mcbtqrhmfhmsgddkd, u`sdcl`mmdqnelxk`sde`sgdq-Sgdhqsgtlohmfrnsgtlodcmnsdudmsgd eddca`bjdclhbqnognmdb`qqhdclxunhbd`anudsgdchm-Vnqrdxds+sgdrst, cdmsrÇg`ke,rshÐdcx`vmr`mcrkddohkxs`akdcgd`crcdlnmrsq`sdclxondlr lhfgs+hel`qjdsdcoqnodqkx+ntsrdkk@lahdm`rhmrnlmh`sqd`sldms-Rshkk+rhw jhcr hm sdd,rghqsr `mc id`mr gtmf `qntmc sn rgnv ld sgdhq rm`oox @ookd, oqnctbdc`ksdqm`shudkhsdq`qxintqm`k+sgdÏqrsondl`rvhkc`rFhmradqf+sgd k`rs`rbnx`rL`qh`mmdLnnqd-Eqnlsg`sHkd`qmdcsnqdetrdbnmrbqhosrÃsgdx `kv`xrcdedbsadenqdsgdrdbnmcondlÇrcnmdÃ`mckd`qmdc`rvdkksnrstcx sgdVd`sgdqBg`mmdkÇrgntq,ax,gntqenqdb`rs-
113 . ondsqxÑr`esdqkhed
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(Hidden Track) . 114 lnqd+hmsdmssnÏkksgdsdmlhmtsdrsgdxnvmdcadenqdsnffkhmfsgdlrdkudr `mcsgdhql`bghmdra`bjnm-Lxondlrg`cmnsdm`bsdc`rd`bg`mfdvhsghm sgdl+sq`mrenqlhmfsgdknshmsn`Ïbhnm`cnrneOARvgnÇkkbg`mfdsgdhqsqtbj q`chnrÇ oqdrdsr sn MOQ- Rshkk+ sgntfg sgdxÇc odqg`or mns qd`c ` ondl rhmbd sdmsgfq`cd+sgdxÇckdsldjmnvondsqx`skd`rssnoodcsgdLtr`jsgdhqbnl, o`mxbtrsnl`qhkxohodchmsnsgdrnonqhÏbktmbgqnnl InrdogDorsdhm+aqhfgs`mcvhssxftxgd+g`rhcdmshÏdchmghruhdv`mtl, adq ne inar Ämns vnqsg g`uhmf+Å `lnmf sgdl oqnbsnknfhrs+ tqnknfhrs+ `mc ondsk`tqd`sdnesgdTmhsdcRs`sdr-GdÇrqhfgshesgdT-R-k`tqd`sdnq`mxnesgd sghqsx,dhfgsnqrnrs`sdondsrk`tqd`sdg`rs`jdmnmsgdonrhshnm`r`bsnerdke, `ffq`mchydldms-Sgdonrhshnm+qhfgsetkkxbnmrhcdqdc+hrmnahfcd`k-@esdq`kk+ hsÇrlnqdhlonqs`mssnadondssg`msnadk`tqd`sd-SnvqhsdnmdÇrondlr`r vdkk`rnmdb`m+sndunkud`mcÏmcmdvenqlrnedwoqdrrhnm+sndwsdmcsgd`qs vhsghmsgdbtkstqdhenmkxhm`lhmnqv`x+sgdrd`qdltbglnqdkhed,fhuhmf `mcqdcdloshudsnansg`qs`mcrnbhdsxsg`ml`jhmfsgdfq`cdrbgnnkqd`c, hmfbhqbths-Hdmsdqs`hmmnhkktrhnmsg`s`mxk`tqd`sdhrrhmfkdg`mcdckxfnhmf sn rdctbd sgd aqn`c otakhb sn dlaq`bd ondsqx hm sgd l`mmdq ne oqduhntr bdmstqhdrvgdmondsqxe`bdcmnbnlodshsnqrenqsgdonotk`bdÇrdxdr`mcd`qr- Atsondshb`ooqdbh`shnmmddcmnsadbnldsgdenb`kunqsdwnenmdÇrkhedenqhsr btqqdmsrsnÐnnc+henmkxnbb`rhnm`kkx`mcsq`mrhsnqhkx+nmdÇr dwodqhdmbdne adhmfgtl`m Sgdm `f`hm+ tmenqdrddm qdrtksr hrrtd eqnl vg`s H b`kk Äk`tqd`sdddqhmf+Å sgnrd uhrhsr sn rbgnnkr `mc qd`chmf fqntor `mc khaq`qhdr bnloqhrhmf ltbg ne vg`s vd rdd `r sgd Ä`bshuhrsÅ k`tqd`sdÇr btqqdms btkstq`k etmbshnm- Nmd mdudqjmnvrvgnhrhmsgd`tchdmbd9vg`sbghkc+nkcl`m+nqlhcckd,`fdc vnl`mvgnlhfgsgd`qsgdvnqcnqogq`rdsgdxÇudaddmrd`qbghmfenqats bntkcmnsÏmcenqsgdlrdkudr-Hmchuhct`krvgngd`qhmnmdÇrk`mft`fd+nqhm nmdÇr`ssdmshnmsnk`mft`fd+sgdro`qjsnÏqdsgdhqnvm-Vgnchrbnudqmns nmkx`mddcats`krn`ld`mrsnunhbdvg`sltrsadronjdm-Lxoqdcdbdrrnq `rrs`sdk`tqd`sd+FvdmcnkxmAqnnjr+fq`rodcansgsgdonrhshnmÇrnarshm`sd bg`kkdmfdr`mchsrduhcdmsonrrhahkhshdr-Dpt`kkxodqshm`bhntr`mcdwodbs`ms+ rgd rodms knmf `esdqmnnmr `lnmf rbgnnkbghkcqdm- Nmd rtbg xntmf l`m rgnvhmf to hm AqnnjrÇr vqhsdqr fqnto v`r Dkkhr Bnrd+ ` ghfg,rbgnnkdq itrs adfhmmhmf sn ptdrshnm sgd bnknq khmd hm 085/r Bghb`fn- Aqnnjr+ `r v`r gdq vnms+qdbnfmhydcs`kdmshmBnrd-@rBnrdqdud`krhm`1//6Newsweekbnktlm+ rgdodqrt`rhudkxdmbntq`fdcghlÄsnenbtrnmadbnlhmf`vqhsdq-ÅCdbhchmf Äsn enkknv AqnnjrÇr `cuhbd+Å Bnrd dla`qjdc+ rdsshmf nts sn vqhsd ghr v`x sn
115 . ondsqxÑr`esdqkhed
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Acknowledgments
Ehm`kkx+Hneedqlxfq`shstcdsnsgdenkknvhmf`tsgnqr`mcotakhrgdqrenqodq, lhrrhnmsnqdoqhmsrdkdbshnmrhmbktcdchmsghrvnqjDwbdqoseqnlÄEqnydm+AkhrsdqdcG`mcÅaxFdnqfd@fthk`q-Bnoxqhfgs¨1//0 ax Fdnqfd @fthk`q- gsso9..vvv-ondsqxuhrt`khydc-bnl.ldch`.1304.Eqnydm^ Akhrsdqdc^G`mc.-Trdcvhsgodqlhrrhnmnesgd`tsgnqÄAqd`cÅaxBnkd@mcdqrnm+Fq`msCtssnm+`mcDqhbQnrdmvhmjdk-Bnoxqhfgs ¨1//4axBnkd@mcdqrnm+Fq`msCtssnm+`mcDqhbQnrdmvhmjdk-Trdcvhsg odqlhrrhnmnesgdondsr`mcsgdhqo`qdmsrDwbdqosr eqnl Ä@qsdqnhcr 1-4Å ax Ihl @mcqdvr- Bnoxqhfgs ¨ 1//2 ax Ihl @mcqdvr- Ehqrs `ood`qdc hm poemsthatgo. gsso9..vvv-ondlrsg`sfn-bnl. f`kkdqx.e`kk1//2.`qsdqnhcr-TrdcvhsgodqlhrrhnmnesgdondsÄLnmfqdk Gd`qsÅ ax C`uhc A`jdq- Bnoxqhfgs ¨ 1//4 ax C`uhc A`jdq- Ehqrs `ood`qdchmSoutheast Review. Qdoqhmsdcvhsgodqlhrrhnmnesgd`tsgnqDwbdqoseqnlÄAk`bjahqcrÅaxC`uhcAdmfsrnm-Bnoxqhfgs¨088/axC`uhc Admfsrnm-EhqrsotakhrgdchmOpen Windows,`bg`oannjeqnlItmhodqOqdrr+ K`Bqnrrd+VH+088/-Qdoqhmsdcvhsgodqlhrrhnmnesgd`tsgnqDwbdqoseqnlÄAk`bjahqcrÅaxC`uhcAdmfsrnm`mcFdnqfd@fthk`q-Bnoxqhfgs ¨ 1//3 ax C`uhc Admfsrnm `mc Fdnqfd @fthk`q- gsso9..vvv-ondsqxuhrt`k hydc-bnl.ldch`.0553.Ak`bjahqcr.-Trdcvhsgodqlhrrhnmnesgd`tsgnqrÄ@SgdnqxÇrDunktshnmÅaxBg`qkdrAdqmrsdhm-Bnoxqhfgs¨1//5axBg`qkdr Adqmrsdhm-Ehqrs`ood`qdchmsgdPhiladelphia Inquirer.Trdcvhsgodqlhrrhnm nesgdonds116
117 . `bjmnvkdcfldmsr
ÄXnt`mcVdÅaxRdaBgduqdk`mcF`adJd`m-Bnoxqhfgs¨1//1RdaBgduqdk `mcF`adJd`m-Ehqrs`ood`qdchmBorn Magazine.gsso9..vvv-anqml`f`yhmdnqf.xnt`mcvd.-Trdcvhsgodqlhrrhnmnesgd`qshrsrDwbdqoseqnlÄHmsqnctbshnmsnOndsqxÅeqnlThe Apple that Astonished Paris axAhkkxBnkkhmr-Bnoxqhfgs¨0877+0885axAhkkxBnkkhmr-Trdcaxodqlhrrhnm nesgdTmhudqrhsxne@qj`mr`rOqdrrÄRg`ssdqÅaxRsdog`mhdEnqqdrs-Bnoxqhfgs¨1//6axRsdog`mhdEnqqdrs-Ehqrs `ood`qdchmSusquehanna Review.TrdcvhsgodqlhrrhnmnesgdondsDwbdqos eqnl ÄCdrhfmÅ `mc ÄSgd O`rstqdÅ eqnl The Poetry of Robert Frost, dchsdcaxDcv`qcBnmmdqxK`sgdl-Bnoxqhfgs¨0828+0856+0858axGdmqx Gnks `mc Bnlo`mx+ bnoxqhfgs ¨ 0825 ax Qnadqs Eqnrs+ bnoxqhfgs ¨ 0853 ax Kdrkdx Eqnrs A`kkh`mshmd- Qdoqhmsdc ax odqlhrrhnm ne Gdmqx Gnks `mc Bnlo`mx- Dwbdqosr eqnl ÄVghsd,E`bdc Aqnldk`hcr nm 1/ Gdbs`qdrÅ ax Knrr Odptdmn Fk`yhdq-Bnoxqhfgs¨1//4axKnrrOdptdmnFk`yhdq-gsso9..dob-atee`kn-dct. `tsgnqr.fk`yhdq.i`u`.bnrs`0.//-gslk-TrdcvhsgodqlhrrhnmnesgdondsDwbdqosreqnlÄWxknÅaxOdsdqGnv`qc-Bnoxqhfgs¨1//0axOdsdqGnv`qc- EhqrsotakhrgdcaxWord Circuits.gsso9..vvv-vnqcbhqbthsr-bnl.f`kkdqx.wxkn- TrdcvhsgodqlhrrhnmnesgdondsÄDwg`kdÅaxRbnssI`ldr-Bnoxqhfgs¨1///axRbnssI`ldr-Trdcvhsgodqlhr, rhnmnesgdondsÄOtmi`ah@ldqhb`mÅaxIdrrhb`Ing`k-Bnoxqhfgs¨1//6axIdrrhb`Ing`k-Trdc vhsgodqlhrrhnmnesgdondsDwbdqoseqnlÄChbjgd`cÅeqnlDonkey Gospel axSnmxGn`fk`mc-Bnoxqhfgs ¨0887axSnmxGn`fk`mc-QdoqhmsdcvhsgsgdodqlhrrhnmneFq`xvnkeOqdrr+ R`hmsO`tk+Lhmmdrns`+vvv-fq`xvnkeoqdrr-bnlDwbdqos eqnl ÄO`rr`fdÅ ax Ptq`xrg @kh K`mr`m`- Chqdbsdc ax Jtqs Gdhmsy- Bnoxqhfgs¨0884axPtq`xrg@khK`mr`m`-Trdcvhsgodqlhrrhnmnesgdonds-
`bjmnvkdcfldmsr . 118
Äncd sn ghoÇ gno9 ` ondl vqhssdm vghkd khrsdmhmf sn J`mxd Vdrs+ Bnllnm Rdmrd+`khsskdKtoEh`rbn+`mc`esdqchrbnudqhmfsg`sHqd`kkxkhjdknmfshskdrÅ axIdmLhsbgdkk-Bnoxqhfgs¨1//8axIdmLhsbgdkk-Trdcvhsgodqlhrrhnm nesgdondsDwbdqos eqnl ÄSgd C`x K`cx ChdcÅ eqnl Lunch Poems ax Eq`mj NÇG`q`- Bnoxqhfgs¨0853axEq`mjNÇG`q`-QdoqhmsdcaxodqlhrrhnmneBhsxKhfgsr AnnjrDwbdqos eqnl ÄGtfg Rdkvxm L`tadqkdxÅ ax Dyq` Ontmc eqnl Personae. Bnoxqhfgs¨0815axDyq`Ontmc-QdoqhmsdcaxodqlhrrhnmneMdvChqdbshnmr OtakhrghmfBnqoÄSghmfrHG`sdÅaxL`qhr`Qnr`qhn-Bnoxqhfgs¨1//5axL`qhr`Qnr`qhn-Trdc vhsgodqlhrrhnmnevvv-aq`ckdx-dct.onds`mcvvv-ondsk`tqd`sd-hk-fnuÄHmsgdDudmsneLxCdlhrdÅeqnlThe Rose That Grew from Concreteotakhrgdc axOnbjdsAnnjr-Bnoxqhfgs¨0888axSgdDrs`sdneSto`bRg`jtq-Trdcvhsg odqlhrrhnmneSgdDrs`sdneSto`bRg`jtqÄCd`sg ax Ydqndr `mc Nmdr9 Sgd E`sd ne Khsdq`qx ÆO`odqrÇÅ ax Jduhm Rsdhm- Bnoxqhfgs ¨ 1//7 ax Jduhm Rsdhm- Ehqrs `ood`qdc hm Kenyon Review Online. gsso9..vvv-jdmxnmqduhdv-nqf.jqn^etkk-ogo>Ïkd
12/ . `bjmnvkdcfldmsr
Bnoxqhfgs¨1//7axJduhmRsdhm-Ehqrs`ood`qdchmBoulevard. Trdcvhsgodq, lhrrhnmnesgd`tsgnqÄSgdrdCq`esr`mcB`rsneer9L`oohmfI`ldrVqhfgsÅaxJduhmRsdhm-Bnoxqhfgs ¨1//8axJduhmRsdhm-Ehqrs`ood`qdchmsgdKenyon Review.Trdcvhsgodq, lhrrhnmnesgd`tsgnqÄUnhbd9Vg`sXntR`x`mcGnvQd`cdqrGd`qHsÅaxJduhmRsdhm-Bnoxqhfgs¨ 1//5axJduhmRsdhm-EqnlMooring against the Tide,dc-IdeeJmnqq`mcShl Rbgdkk-Bnoxqhfgs¨1//5axOd`qrnmDctb`shnm+Hmb-Qdoqhmsdcaxodqlhr, rhnmneOd`qrnmDctb`shnm+Hmb-+`mcsgd`tsgnqÄRgdRhsraxsgdVhmcnvÅaxQx`mUhmbd-Bnoxqhfgs¨1//4axQx`mUhmbd- Trdcvhsgodqlhrrhnmnesgdonds`mcgdqlnsgdqDwbdqos eqnl ÄSgd Ohmj KnbtrsÅ ax Vhkkh`l B`qknr Vhkkh`lr+ eqnl The Collected Poems: Volume II, 1939Ã1962.Bnoxqhfgs¨0833axVhkkh`lB`qknr Vhkkh`lr-QdoqhmsdcaxodqlhrrhnmneMdvChqdbshnmrOtakhrghmfBnqoDwbdqos eqnl ÄSgd Ohmj KnbtrsÅ ax Vhkkh`l B`qknr Vhkkh`lr+ eqnl The Collected Poems: Volume II, 1939Ã1962.Bnoxqhfgs¨0833axVhkkh`lB`qknr Vhkkh`lr-TrdcvhsgodqlhrrhnmneB`qb`mdsOqdrrKhlhsdcDwbdqosreqnlÄKhfgsmhmfAtfr@rkddohmsgd@esdqmnnm+ÅÄ@QdokxsnL`sgdv @qmnkc nm Lx Ehesg C`x hm E`mn+Å `mc Ä@ Vhmsdq C`xaqd`j `anud UdmbdÅ eqnlThe Journey axI`ldrVqhfgs+otakhrgdcaxQ`mcnlGntrd-Bnoxqhfgs ¨0871axI`ldrVqhfgs-Trdcvhsgodqlhrrhnmne@mmdVqhfgs+Dwdbtsqhwne sgdI`ldrVqhfgsDrs`sdÄKxhmf hm ` G`llnbj `s Vhkkh`l CteexÇr E`ql hm Ohmd Hrk`mc+ Lhmmdrns`+Å ÄHmEd`qneG`qudrsr+Å`mcÄLhmdqrÅeqnlAbove the River: The Complete Poems axI`ldrVqhfgs+hmsqnctbshnmaxCnm`kcG`kk-Bnoxqhfgs¨088/ax@mmd Vqhfgs+hmsqnctbshnm¨088/axCnm`kcG`kk-OtakhrgdcaxTmhudqrhsxOqdrr neMdvDmfk`mc`mcE`qq`q+Rsq`tr+`mcFhqntw-TrdcvhsgodqlhrrhnmDwbdqosr eqnl Ä@ Ehs `f`hmrs sgd Bntmsqx+Å Ä@ Akdrrhmf+Å @qqhuhmf hm sgd Bntmsqx@f`hm+ÅÄ@RdbqdsFq`shstcd+ÅÄAktdSd`kÇrLnsgdq+ÅÄBnmedrrhnmsnI-
`bjmnvkdcfldmsr . 120
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Notes
oqde`bd 0-@ksgntfgInrdogDorsdhmÇrdrr`xÏqrs`ood`qdclnqdsg`msvdmsxxd`qr`fn hmsgd@tftrs0877hrrtdneCommentary, hsrk`qfdrs`mclnrsdmf`fdc`tchdmbd b`ldvhsghsrqdoqhmshmfhmAWP Chronicle 10'L`x0878(90Â4+05Â06-C`m`Fhnh`Çr Can Poetry Matter?dunkudceqnlFhnh`Çrnqhfhm`k`qshbkdnesgdr`ldshskd`ood`q, hmfhmsgdAtlantic Monthly 'L`x0880(983-RddCan Poetry Matter? 'Lhmmd`onkhr9 Fq`xvnke Oqdrr+ 0881(- Inm`sg`m GnkcdmÇr The Fate of American Poetry '@sgdmr `mc Knmcnm9 Tmhudqrhsx ne Fdnqfh` Oqdrr+ 0880( oqnonrdc sgd qdstqm sn ondsqx ne lnq`k rs`sdldms `mc udqrd rsnqxsdkkhmf `r rnktshnmr sn ondsqxÇr cd`sg sgqndr hmsgdotakhbrogdqd-Cnm`kcG`kkÇrnqhfhm`kHarperËs drr`xhsrdkeaknnldchmsn` etkk,kdmfsgannj+Death to the Death of Poetry '@mm@qanq9TmhudqrhsxneLhbghf`m Oqdrr+0883(-
bg`osdq0 0-BgqhrsnogdqAd`bg+Poetic Culture 'Du`mrsnm9MnqsgvdrsdqmTmhudqrhsxOqdrr+ 0888(+341-U`mVxbjAqnnjr+AmericaËs Coming of Age '0804(+qos-hmVan Wyck Brooks: The Early Years,dc-Bk`hqdRoq`ftd'MdvXnqj9G`qodq+0857(+71+752-OghkhoQ`gu+Image and Idea'MdvXnqj9MdvChqdbshnmr+0846(+03-Q`gu+Image and Idea, 14- Qnx G`qudx Od`qbd+ The Continuity of American Poetry, qdu- dc- 'Oqhmbdsnm9 Oqhmbdsnm Tmhudqrhsx Oqdrr+ 0854(- Rdd `krn Q- V- A- Kdvhr+ The American Adam 'Bghb`fn9 Tmhudqrhsx ne Bghb`fn Oqdrr+ 0844(+ `mc C- G- K`vqdmbd+ Studies in Classic American Literature,qdu-dc-'MdvXnqj9Uhjhmf+0853(5- Rsdogdm Fntkc @wdkqnc+ Robert Lowell: Life and Art 'Oqhmbdsnm9 Oqhmbdsnm TmhudqrhsxOqdrr+0867(+0/Â006-Bg`qkdr@kshdqh+Self and Sensibility in Contemporary American Poetry'B`laqhcfd9 B`laqhcfdTmhudqrhsxOqdrr+0873(+017- G`mj K`ydq+ Opposing Poetries: Issues and Institutions, 1 unkr- 'Du`mrsnm9 MnqsgvdrsdqmTmhudqrhsxOqdrr+0885(+090Â1122
123 . mnsdrsno`fdr4Ì03 8- K`ydq+ Opposing Poetries, 09 26- Hm unktld 0 ne ghr svn,unktld sdws+ K`ydq rdsrhmok`bdsgdhrrtdr`mcsgdnqxsg`stmcdqkhdghruhdvnesgdbtqqdmsahetqb`, shnm- Hm unktld 1+ K`ydq oqnuhcdr dwsdmcdc qd`chmfr ne sgd ondsr `mc ondsqhdr sg`sbnlonrdghrÄnoonrhshnm`kÅb`lo-Bnfdms`mc`sshldroqnunb`shud+K`ydq bnmsdmcrsg`sgdhrmdhsgdqntssnÄ`qftdenqsgdlnq`krtodqhnqhsxnenmdfqnto, hmfnudq`mnsgdqÅmnqoqnonrhmf`bnmsdlonq`qx@ldqhb`mondsqxbtqqhbtktl Äsg`snlhsr@cqhdmmdQhbg+QnadqsKnvdkk+Ingm@rgadqx+Lhbg`dkG`qodq+I`ldr Vqhfgs+ Ktbhkkd Bkhesnm+Å `mc nsgdqr- Gd cndr rtffdrs enqbdetkkx sg`s Ä`mxnmd vgnbk`hlrsnjmnv`antsbnmsdlonq`qx@ldqhb`mondsqxg`cadssdqsnjmnv `antsK`mft`fdVqhshmf-ÅRdd0927-EnqK`ydqÇrqd`chmfrnerodbhÏbÄnoonrhshnm`kÅ ondsr+rddunktld1neghrsdws0/-Enq`chrbtrrhnmneRk`londsqx`mcbtkstqd+rddAd`bg+Poetic Culture, 008Â 3800- Rdd L`qj Dkdudkc+ dc-+ The Spoken Word Revolution Redux 'Bghb`fn9 Rntqbd Annjr+1//6(01- Ingm Lhkdr Enkdx+ How to Read an Oral Poem 'Tqa`m` `mc Bg`lo`hfm9 TmhudqrhsxneHkkhmnhrOqdrr+1//1(+00+11-Dloknxhmfldsgncrnesq`chshnm`kkhs, dq`qxrbgnk`qrgho+enkjknqdrstchdr+khmfthrshbr+`mcoghknrnoghb`khmpthqx+Enkdx oqnctbdr `m dlhmdmskx qd`c`akd rbgnk`qkx rstcx- Sgd annj `krn needqr ` vd`ksg neqdk`sdcrntqbdr+dm`akhmfsgnrdtme`lhkh`qvhsgronjdmvnqc+Rk`l+`mcnq`k ondsqhdrsn`bbdrrhmenql`shnm`bqnrrbtkstqdr`mcshldodqhncr02-Cnm`kcG`kk+hmsqnctbshnmsnContemporary American Poetry,dc-Cnm`kcG`kk 'A`kshlnqd9Odmfthm+0851(+1203- Vhkkh`l B`qknr Vhkkh`lr+ The Autobiography of William Carlos Williams 'MdvXnqj9MdvChqdbshnmr+0840(+06304-FdnqfdVhkkh`lrnm+ÄCnmmd`mcsgdOndsqxneSnc`x+ÅhmA Garland for John Donne,dc-SgdncnqdRodmbdq'Fkntbdrsdq+L`rr-9OdsdqRlhsg+0847(+042Â4305-@cqhdmmdQhbg+ÄVgdmVdCd`c@v`jdm9Vqhshmf`rQd,Uhrhnm+ÅhmOn Lies, Secrets, and Silence: Selected Prose 1966Ã1978 'MdvXnqj9Mnqsnm+0868(+27Â2806- Qhbg hcdmshÏdr gdqrdke `r ` Äq`chb`k edlhmhrsÅ hm+ `lnmf nsgdq ok`bdr+ gdq enqdvnqcsnBlood, Bread, and Poetry: Selected Prose 1979Ã1985 'MdvXnqj9Mnqsnm+ 0876(+uhhÂuhhh07- L`qinqhd Odqknee+ Poetry On and Off the Page 'Du`mrsnm9 Mnqsgvdrsdqm TmhudqrhsxOqdrr+0887(+wh-OdqkneeÇrsdwsoqnuhcdr`mhmsdkkhfdms`mcvhcd,qd`bg, hmfl`onesvdmshdsg,bdmstqxondshbr+o`qshbtk`qkxsgnrdlncdrnodq`shmf`s`mc sgqntfgsgdl`qfhmrnekhsdq`qxbtkstqd08- Snmx Gn`fk`mc+ Real SoÔstikashun 'Lhmmd`onkhr9 Fq`xvnke Oqdrr+ 1//5(+ 062Â631/-L`qinqhdOdqknee+ÄOndsqxCndrmÇsL`ssdq+ÅAmerican Book Review 04+mn-4 '0882(96-
mnsdrsno`fdr07Ì11 . 124
bg`osdq1 0-V-G-@tcdm+The DyerËs Hand 'MdvXnqj9Uhms`fdAnnjr90857(+161- Vqhfgs vhsmdrrdc Ïqrsg`mc sgd cdahkhs`shmf deedbsr ne hmctrsqh`khydc k`anq- Ghre`sgdqk`anqdc`khedshld`sG`ydk,@sk`rFk`rr+vgdqdVqhfgsghlrdkeaqhdÐx gdkc ` ina- Enq bnlldms`qx nm VqhfgsÇr cdrhqd sn Äfds ntsÅ ne sgd Nghn Qhudq U`kkdx`mcghrfthks`sg`uhmfcnmdrn+rddlxbg`osdqÄ@ÆC`qjQhudqneK`anqÇ9 Vnqj`mcVnqjdqrhmI`ldrVqhfgsÇrOndsqx+ÅhmPrivate Poets, Worldly Acts '0885: qos-+@sgdmr9NghnTmhudqrhsxOqdrr+0888(2-Dcv`qcGhqrbg+How to Read a Poem and Fall in Love with Poetry 'MdvXnqj9 G`qbntqs+ 0888(- Ghqrbg cdunsdr `m dwsdmcdc+ o`rrhnm`sd chrbtrrhnm sn sgd rta, idbsneondsqxÇr`ahkhsxsndwoqdrrdbrs`shbsq`mronqs-Rdddrodbh`kkxoo-77Â0043-Vhkkh`lL`ssgdvr+ÄSgdBnmshmthsxneI`ldrVqhfgsÇrOndsqx+ÅOhio Review 07+mn-1'0866(9334-C`uhcA`jdq+ÄQd9Vqhfgs+ÅKenyon Review 07+mn-1'0885(90465- Sghr eq`fldms b`m ad entmc hm sgd I`ldr Vqhfgs O`odqr gntrdc `s sgd TmhudqrhsxneLhmmdrns`Khaq`qhdr+rodbhÏb`kkxhmanw28+enkcdqÄQntfgCq`esrenq MnvH@l@v`jdmdc+Åc`sdc@tftrs0/+085/-@r`kv`xr+Hdwoqdrrlxfq`shstcdsn @mmdVqhfgsenqgdqodqlhrrhnmsnptnsdeqnlsgdrdkhsdq`qxcnbtldmsr6- C`ud Rlhsg+ ÄSgd Otqd Bkd`q Vnqc9 @m Hmsdquhdv vhsg I`ldr Vqhfgs+Å hm Collected Prose: James Wright,dc-@mmdVqhfgs'@mm@qanq9TmhudqrhsxneLhbghf`m Oqdrr+0872(+1/87- Enq cds`hkdc chrbtrrhnm ne VqhfgsÇr tmotakhrgdc l`mtrbqhos Amenities of Stone `mchsru`qhntroqdbtqrnqcq`esr+rddlxJames Wright: The Poetry of a Grown Man'@sgdmr9NghnTmhudqrhsxOqdrr+0878(8- Edkhbhs`r Fnncl`m+ Ecstasy, Ritual, and Alternate Reality 'Aknnlhmfsnm9 Hmch`m`TmhudqrhsxOqdrr+0877(+33-Fnncl`mÇrbqnrr,chrbhokhm`qxrstcxnebnl, o`q`shudqdkhfhnmneedqr`ÄtmhÏdcÏdkcsgdnqxÅneqdkhfhnm`mcgtl`madg`uhnq- @lnmfnsgdql`ssdqr+Fnncl`mknnjrrodbhÏb`kkx`sqdk`shnmrghor`lnmfqhst`k+ qdkhfhntrsq`mbd+dbrs`shbdwodqhdmbd+`mc`ksdqm`sdqd`khsx0/-I`ldrVqhfgs+ÄSgdSdqqhakdSgqdrgnkc+ÅhmCollected Prose, 13800-I`ldrVqhfgs+Above the River: The Complete Poems, hmsqn-Cnm`kcG`kk'Mdv Xnqj9E`qq`q+Rsq`tr+`mcFhqntw`mcTmhudqrhsxOqdrrneMdvDmfk`mc+088/(+6Â7- @kketqsgdqqdedqdmbdrsnVqhfgsÇrotakhrgdcvnqj`qdsnsghrdchshnm01-@aqhfgs`mcchrbhokhmdcrstcdms+Vqhfgsv`r`v`qcdcghrJdmxnmBnkkdfd A- @- cdfqdd l`fm` btl k`tcd nm Itmd 8+ 0841- @ ognsnbnox ne VqhfgsÇr sq`m, rbqhos'vhsgntsbntqrdfq`cdr(hrhmbktcdchmghrodqrnm`ko`odqr+VqhfgsO`odqr+ anw13+enkcdq002- Vqhfgs O`odqr+ anw 13+ enkcdq 1- Nmd b`m Ïmc ` ognsnbnox ne Oqnedrrnq BneÏmÇrrdudmsddmsg,bdmstqxkxqhbbntqrddw`lhm`shnmchrbtrrdc`anud-Sgqntfg
125 . mnsdrsno`fdr12Ì2/ `m dk`anq`sd `mc `qb`md rbnqhmf rxrsdl+ Vqhfgs d`qmdc `m 7/ nm sgd dw`l- Gnvdudq+mnkdssdqfq`cdhruhrhakdnmsgdsdrs03-C`udRlhsg+ÄOtqdBkd`qVnqc+Å1/804-Vhkkh`lI`ldrghlrdkecdmhdrg`uhmfltbge`bhkhsxenqtmcdqfnhmflxrshb`k dwodqhdmbd-Hme`bs+hmVarieties of Religious Experience:A Study in Humane Nature 'MdvXnqj9LncdqmKhaq`qx+0818(+I`ldrbk`hlrsg`sÄlxnvmbnmrshstshnmrgtsr ld nts - - - eqnl - - - dminxldms Zne lxrshb`k rs`sdr\ `klnrs dmshqdkx+ `mc H b`m rod`jnehsnmkx`srdbnmcg`mcÅ'26/(-Rshkk+I`ldrcdqhudcltbgnesgdro`qjenq ghrDchmatqfgkdbstqdr'vghbgdunkudchmsnsgdVarieties(eqnlnmdo`qshbtk`qkx hmsdmrd dmbntmsdq vhsg lxrshb`k dwodqhdmbd- Hm 0787+ vghkd ghjhmf Mdv XnqjÇr ghfgdrs od`j+ Lntms L`qbx+ I`ldr dminxdc ` onvdqetk Ärs`sd ne rohqhst`k `kdqs, mdrrÅ`mccdrbqhadchshm`kdssdqsnghrvhed+@khbd9ÄSgdhmÐtdmbdrneM`stqd+sgd vgnkdrnldmdrrnesgdodnokdqntmcld---sgdsgntfgsnexnt`mcsgdbghkcqdm+ ---sgdoqnakdlnesgdDchmatqfgkdbstqdr+`kkedqldmsdcvhsghmldtmshkhsadb`ld ` qdftk`q V`kotqfhr M`bgs- H rodms ` fnnc cd`k ne hs hm sgd vnncr+ vgdqd sgd rsqd`lhmflnnmkhfgskhstosghmfrhm`l`fhb`kbgdbjdqdcok`x+`mchsrddldc`rhe `kksgdFncrne`kksgdm`stqdlxsgnknfhdrvdqdgnkchmf`mhmcdrbqha`akdlddshmf hmlxaqd`rsvhsgsgdlnq`kFncrnesgdhmmdqkhed----Hsv`rhmcddcvnqsgbnl, hmfenq+`mcvnqsgqdod`shmfxd`qaxxd`q+heqdodshshnmbntkcnmkxoqnbtqdvg`shm hsrm`stqdHrtoonrdltrsad`kktmok`mmdcenq`mctmdwodbsdc-Hsv`rnmdnesgd g`oohdrsknmdrnldmhfgsrnelxdwhrsdmbd-ÅI`ldrbnmrhcdqdcsgdhmbhcdmso`qs ne ghr Älxrshb`k fdql+Å `mc gd adkhdudc ghr nvm qtlhm`shnmr nm lxrshbhrl hm Varieties g`cqnnssgdqd+`rgdrtffdrsrhm`kdssdqsnghrvhed9ÄCntaskdrrhmlnqd v`xrsg`mnmd---sghmfrhmsgdDchmatqfgkdbstqdrvhkkadsq`bd`akdsnhs-Å Rdd GdmqxI`ldr+dc-+The Letters of William James, 1unkr-'Anrsnm9@sk`mshbLnmsgkx Oqdrr+081/(+1965Â66-I`ldrÇrqdedqdmbdsnÄV`kotqfhrM`bgsÅok`xrneesgdrto, onrdckxvhkcfnhmfr,nmbg`q`bsdqhrshbnesgddudneL`xC`x+adkhdudchmldchdu`k Dtqnodsnadsgdnbb`rhnmnevhsbgdrÇR`aa`sg05-Vhkkh`lI`ldr+Varieties of Religious Experience, 26006-Vhkkh`lI`ldr+Varieties of Religious Experience, 26107-Vhkkh`lI`ldr+Varieties of Religious Experience, 26108-Vhkkh`lI`ldr+Varieties of Religious Experience, 2611/-Letters of William James,196610-VqhfgsO`odqr+anw42+enkcdqÄCq`esr0848ÂLnrskx085/-Å 11-Lhqbd`Dkh`cd+The Sacred and the Profane'MdvXnqj9G`qodq+0850(+0312-Vhkkh`lI`ldr+Varieties of Religious Experience, 30/Â0013-VqhfgsO`odqr+anw25+enkcdqÄSgdAq`mbgVhkkMnsAqd`js-r-Ã@ldmhshdr neRsnmd-Å 14-VqhfgsO`odqr+anw43+enkcdqÄLRR9OndsqxB`rsneeCq`esr-Å 15-VqhfgsO`odqr+anw43+enkcdqÄLRR9OndsqxB`rsneeCq`esr-Å
mnsdrsno`fdr20Ì33 . 126 16-VqhfgsO`odqr+anw25+enkcdqÄOndsqxCq`esr0851-ÅMnvgdqd`lnmfVqhfgsÇr unktlhmntrÏkdrbntkcHÏmc`sxodrbqhosneÄE`bhmfsgdRtmvhsgBknrdcDxdkhcr-Å Nsgdqbqhshbrl`xadlnqdenqstm`sd-Odqg`orVqhfgschcmnssghmjdmntfgnesgd cq`essnoqnctbd`sxodcudqrhnm+nqodqg`orhsv`rldqdkxrds`rhcd`mcatqhdc `lhcghratqfdnmhmfohkd-Sgdm`f`hm+odqg`orgdentmchsrcdro`hq`snccrvhsg sgdqdcdloshudfdrstqdrneBranch.Vg`sdudqsgdb`rd+sgdkxqhbhrc`qjkxutkmdq, `akd+ d`rhkx sgd dpt`k ne sgd lnrs dunb`shud kxqhbr ne ghr rtardptdms bnkkdbshnm Shall We Gather at the River'0857(17-Vqhfgs+ÄLdchs`shnmrnmQdmBg`q+ÅhmCollected Prose,5318-Adqsq`mcQtrrdkk+Reason and Responsibility'Adklnms+B@9V`crvnqsg+0874(+ 772/-Gdqdsgdrod`jdqÇr`clhsshmfgdv`rÄcqtmjÅl`xvdkkhmchb`sd`kbngnkÇr `fdmbxhm`bghduhmfrtbgqdudqhd-Rtqdkxlxqh`chmsnwhb`msrg`udknmfaddm`rrn, bh`sdc vhsg uhrhnm`qx ondsrÇ `ahkhsx sn rdd sghmfr hm nq adxnmc bnllnm qd`khsx- Sgdbnmmdbshnmadsvddmhmsnwhb`msr`mcdbrs`shbuhrhnmrdwsdmcradxnmcondsqx hmsn nsgdq qd`klr+ ne bntqrd- Rdd+ enq hmrs`mbd+ Qnadqs EtkkdqÇr bnloqdgdmrhud rstcx+Stairways to Heaven'Antkcdq9VdrsuhdvOqdrr+1///(+vghbgsq`bdrsgdghr, snqhb`k trd ne hmsnwhb`msr hm dbrs`shb qhst`kr ne @ldqhb`m qdkhfhnmr knnrdkx hl`f, hmdchmansgsgdhqbgtqbgdc`mctmbgtqbgdcenqlr20-QnadqsG`rr+Twentieth Century Pleasures'MdvXnqj9DbbnOqdrr+0873(+4121-L-L-A`jgshm+The Dialogic Imagination,dc-Lhbg`dkGnkpthrs+sq`mr-B`qxk Dldqrnm`mcLhbg`dkGnkpthrs'@trshm9TmhudqrhsxneSdw`rOqdrr+0870(+17122-L-L-A`jgshm+Problems of DostoevskyËs Poetics,dc-`mcsq`mr-B`qxkDldqrnm+ hmSgdnqx`mcGhrsnqxneKhsdq`stqd'Lhmmd`onkhr9TmhudqrhsxneLhmmdrns`Oqdrr+ 0873(+79073-
bg`osdq2 0- Odsdq C`uhr+ dc-+ PoetËs Bookshelf: Contemporary Poets on Books That Shaped Their Art'Rdkl`+HM9A`qmvnncOqdrr+1//4(-@rl`kkoqdrr`mcbnnodq`shudadftm hm Hmch`m` hm 0864+ A`qmvnnc Oqdrr oqhmsdc C`uhrÇr annj ne khrsr- Sgd oqnidbs dunkudc eqnl C`uhrÇr g`uhmf nmbd `rjdc ` sd`bgdq enq ` qd`chmf khrs ctqhmf ghr LE@rstchdr+vghbgf`udghlsgdmnshnmsn`rjbnmsdlonq`qxondsrenqsgdhqnvm khrsr-Sgdrdondsrqdronmcdcsnsvnoqnlosr9Ä0(Okd`rdkhrs4Â0/annjrsg`sg`ud addmlnrsÆdrrdmsh`kÇsnxnt+`r`onds-1(Okd`rdvqhsdrnldbnlldmsr`antsxntq khrs-Xntl`xv`mssnrhmfkdntsrodbhÏbondlrnqo`rr`fdreqnlsgdannjr+chr, btrrgnvxntl`cdxntqcdbhrhnmr+nqoqnuhcdsgntfgsr`antssgdhlonqs`mbdne sgdrdannjrhmxntqkhedÅ'uh(1- Gdmqx Knthr F`sdr+ Signifying Monkey 'Knmcnm9 Nwenqc Tmhudqrhsx Oqdrr+ 0878(+wwhu2-RddVhkkh`lG`qlnm+dc-+The Top 500 Poems'MdvXnqj9Bnktlah`Tmhudqrhsx
127 . mnsdrsno`fdr34Ì 51 Oqdrr+0881(+0/66-Snadrtqd+needqhmfdudm`qdoqdrdms`shudkhrsnertbg`msgnkn, fhdrvntkcbnmrtldlnqdro`bdsg`mhrvdkkrodmsgdqd-@rhlokdbnlotsdqhydc khaq`qx b`s`knf shskd rd`qbg trhmf sgd jdx vnqcr Äadrs ondlrÅ b`kkr to nudq sdm sgntr`mc shskdr hm qdronmrd- Dmsdqhmf sgd ogq`rd Äadrs ondlr hm DmfkhrgÅ `krn btkkrsdmsgntr`mcshskdr-Hm`cchshnm+d`bgxd`qnmdchrshmfthrgdconds,dchsnqhr bgnrdmsnrdkdbseqnlsgdrtqedhsneondlrotakhrgdchmntqkhsdq`qxintqm`krThe Best American Poetry.RteÏbdhssnr`x+l`qjdsdqrg`udbnmbktcdcsgdlnrsdeÏbhdms `mcoqnÏs`akdv`xsnrdkkudqrdsnbnmsdlonq`qxqd`cdqrhrsnqdctbd`kkondsr`mc `kkondsqxsn`m`rrdlakdcÄfqd`sdrsghsr-ÅRtbg`bnlohk`shnml`jdrbnmsdlon, q`qx qd`cdqrÇ s`rj ltbg btrghdq+ g`uhmf bdcdc sgd kdfvnqj ne qdrd`qbg `mc sgd gd`uxkheshmfnebqhshb`k`ooq`hr`ksn`mdrsddldcdchsnq3-C`uhr+PoetËs Bookshelf, 1//4-C`uhcF`sdr+ÄSgdL`mvhsgSvnAq`hmr-ÅNewseek, Edaqt`qx4+1//6+505-Bg`qkdrNkrnm+The Maximus Poems'MdvXnqj9BnqhmsgAnnjr+085/(+416-I`ldrVqhfgs+The Branch Will Not Break 'Lhcckdsnm+BS9Vdrkdx`mTmhudqrhsx Oqdrr+0852(+027-Eq`mjNÇG`q`+Lunch Poems 'R`mEq`mbhrbn9BhsxKhfgsrAnnjr+0853(+168-Vhkkh`lB`qknrVhkkh`lr+Journey to Love'MdvXnqj9Q`mcnlGntrd+0844(+ 130/-V`rrhkxJ`mchmrjx+Concerning the Spiritual in Art 'MdvXnqj9Vhssdmanqm+ Rbgtksy+ Hmb-+ 0836(+ 43- J`mchmrjx otakhrgdc Uber das Geistige in der Kunst hm sgdnqhfhm`kFdql`mdchshnmhm0801-Hsv`rÏqrsotakhrgdchm`mDmfkhrgsq`mrk`, shnmaxLhbg`dkR`ckdhqhm0803+`udqrhnm`tsgnqhydc ax J`mchmrjx+ tmcdq sgd shskd The Art of Spiritual Harmony. Sgd 0836 dchshnm ptnsdc gdqd hr ` udqrhnm ne sgd R`ckdhq sq`mrk`shnm+ Ävhsg bnmrhcdq`akd qd,sq`mrk`shnm+ ax Eq`mbhr FnkeÏmf+ Lhbg`dkG`qqhrnm+`mcEdqchm`mcNrsdqs`f-ÅSgd0836dchshnmv`r`tsgnqhydcax Lld-J`mchmrjx00-J`mchmrjx+Concerning the Spiritual in Art, 4301-I`ldrVqhfgs+To a Blossoming Pear Tree'MdvXnqj9E`qq`q+Rsq`tr+`mcFhqntw+ 0866(+48-
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bg`osdq7 0-C`m`Fhnh`dw`lhmdrkhaq`qhdrÇedshrgenqondsrÇkhsdq`qxl`mtrbqhosr+cq`esr+ `mc vnqjrgddsr hm ÄSgd G`mc ne sgd Onds9 Sgd L`fhb`k U`ktd ne L`mtbqhosr+Å nmdbg`osdqneghrDisappearing Ink: Poetry at the End of Print Culture 'Lhmmd`onkhr9 Fq`xvnkeOqdrr+1//3(-Fhnh`cdunsdrltbgdmdqfx`mc`ssdmshnmsnsq`bhmfsgd Äl`fhb`kÅ onvdq hmgdqdms hm uhdvhmf sgd ondsÇr g`mcvqhssdm l`mtrbqhosr `mc needqrghrsnqhb`kbnmsdwsenqqd`cdqrÇe`rbhm`shnmvhsgsgdl1-I`ldrChbjdx+ÄHmsgdOqdrdmbdne@msgnknfhdr+ÅSewanee Review 55'Roqhmf 0847(9 183Â203- Rdd `krn Qhbg`qc Enrsdq+ ÄCda`tbgdc ax Bq`es9 Oqnakdlr ne sgd Xntmfdq Ondsr+Å Perspective 01 'RoqhmfÂRtlldq 085/(9 2Â06- @f`hmrs sgd lnrskx sq`chshnm`kondlrf`sgdqdchmNew Poets of England and America, `lnqddwodqh, ldms`k `mc dcfx bnlohk`shnm `ood`qdc hm Cnm`kc @kkdmÇr The New American Poetry'MdvXnqj9Fqnud+085/(-K`mchmfhmnmdnqsgdnsgdq`msgnknfxg`csgd deedbsnebtaaxgnkhmfondsrhmsnnoonrhmf`mcrddlhmfkxhqqdbnmbhk`akdb`lor2- I`ldr VqhfgsÇr khsdq`qx o`odqr+ cq`esr+ vnqjrgddsr+ `mc l`mtrbqhosr b`m ad entmc hm sgd I`ldr Vqhfgs o`odqr gntrdc `s sgd Tmhudqrhsx ne Lhmmdrns` Khaq`qhdr-@kknesgdl`mtrbqhosl`sdqh`krHptnsdeqnlhmsghrdrr`xb`madentmc hmsgdrdgnkchmfr-@r`kv`xr+Hsg`mj@mmdVqhfgsenqgdqodqlhrrhnmsnptnsd eqnlsgdrdcnbtldmsr3-Enq`mdwsdmcdcchrbtrrhnmneAmenities of Stone,rddlx James Wright: The Poetry of a Grown Man '@sgdmr9NghnTmhudqrhsxOqdrr+0878(-Sgdqd+nmdb`m`krn ÏmcsgddmshqdsdwsneVqhfgsÇrÄGhrE`qdvdkksnNkcOndsqx-Å 4-Rsdhm+James Wright, 027Â285- Qhbg`qc Eqhdcl`m+ ÄSgd Vdrkdx`m Ondsr HHH9 Sgd Dwodqhldms`k Ondsr+Å Chicago Review 08+mn-1'0855(9626-@lnmfI`ldrVqhfgsÇro`odqr+Hg`udaddmtm`akdsncdsdbs`sxodrbqhosne sghr tmotakhrgdc ondl- G`mcvqhssdm+ ÄSgd Bnmshmdms`k B`m Bnlo`mx `s Rhw NÇbknbjÅ `ood`qr nm ` cq`es ne VqhfgsÇr ondl ÄQ`hm+Å ` ondl sg`s hsrdke k`sdq `ood`qdchmBranch.VqhfgsÇrbg`q`bsdqhrshb`kkxohmbgdcg`mcvqhshmfg`rsgdknnj nernldnmdvqhshmftmcdq`qtrgnedlnshnm-MdwssnsgdondlÇrshskd+`mcrdo`, q`sdcax`rk`rg+Vqhfgsg`rvqhssdmvg`s`ood`qrsnadÄAtkarkhjd`sgtmcdqgd`c
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mnsdrsno`fdr063Ì1/0 . 138
bg`osdq0/ 0-C`mhdkFnkcdm+ÄEqnlChrstqadcGhfgRbgnnkdqsnBnkkdfdJhkkdq+ÅWall Street Journal,@tftrs1/+1//6-FnkcdmÇrhmbhrhud`qshbkdoqnuhcdr`mtladqnehmrhfgsr hmsnmnsnmkxBgnÇrrbgnnkdwodqhdmbdats`krnbtqqdms`clhmhrsq`shudoq`bshbd cd`khmfvhsgdlnshnm`kkxsqntakdcxntsgr1-RddDkhy`adsgAdqmrsdhm+ÄRbgnnkrRsqtffkdvhsgC`qjVqhshmfr+ÅWall Street Journal,L`x1/+1//7-
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bg`osdq01 0-I`xO`qhmh+ÄVgxOndsqxL`ssdqr+ÅChronicle of Higher Education,Itmd16+1//7+ A05-O`qhmh`krndwsdmcdcghrqtlhm`shnmrhmsn`etkk,kdmfsgunktld+Why Poetry Matters 'Mdv G`udm9 X`kd Tmhudqrhsx Oqdrr+ 1//7(- O`qhmhÇr shskdÃ`r vdkk `r ghr `qftldmsÃmncntasok`xneeFhnh`Çrd`qkhdqunktldCan Poetry Matter? 1-O`qhmh+ÄVgxOndsqxL`ssdqr+ÅA002-@rhesneddcsgdÐ`ldnebnmbdqmsg`so`qshbho`msru`ktdsgd`sqhbrnudqonds, hbr+qdbdmsvhmmdqrÇbnlldmsrnodmkx`bjmnvkdcfdsgdhlonqs`mbdnesgdrs`fd- @l`mc`Edqm`mcdyÇr`cuhbdsnonsdmsh`kdmsq`msrqdud`krgdqnvm`v`qdmdrrne sgdoqdrrtqdsnÄ`bsÅnmdÇrqd`chmf9ÄAd`antssgdvnqj-Hexnt`qdsgdqdenqsgd lnmdx`mcsgde`ld+sgditcfdrvhkkrddhs+`mcsgdvnqjnmrs`fd vnmÇsadsqtsg, etk----Enkknvsgdfthcdkhmdr`antsmnsnudqcq`l`shyhmf`ohdbd----XntcnmÇs g`udsnad`m`bsnq-Itrssnad`gtl`madhmfbnmmdbsdcsnnsgdqgtl`madhmfr hr---sgdldrr`fdne`fqd`s`qshrs+`fqd`sonds-ÅHm`cchshnm+Uhqfhmh`rs`sdbg`l, ohnm@k`mm`Qhudq``clhsr+ÄHrs`qsdcntssghmjhmfHv`rcnhmfsghr`kkenqsgdr`jd neodqenqlhmf+atsHdmcdctoqddrs`akhrghmflxqdk`shnmrghovhsgondsqx-ÅRdd NEARTS3'1//6(90/Â003-NEARTS1'1//7(90/4- Ahkkx Bnkkhmr+ Sailing Alone Around the Room: New and Selected Poems 'Mdv Xnqj9Q`mcnlGntrd+1//1(+055-RddO`tkGnnudq+dc-+Postmodern American Poetry: A Norton Anthology'Mdv Xnqj9V-V-Mnqsnm+0883(:AhkkxBnkkhmr+dc-+Poetry 180: A Turning Back to Poetry 'Mdv Xnqj9 Q`mcnl Gntrd+ 1//2(: Ahkkx Bnkkhmr+ dc-+ 180 More: Extraordinary Poems for Every Day'MdvXnqj9Q`mcnlGntrd+1//4(6-SnmxGn`fk`mc+Donkey Gospel'Lhmmd`onkhr9Fq`xvnkeOqdrr+0887(+0/7--SnÏmcnmkhmdsghr`mcnsgdqondlrvqhssdmaxsgdgho,gno`qshrsSto`b Rg`jtq+rddgsso9..vvv-`kkdxdynmld-bnl.ondsqx.hmcdw.ogslk-
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Ondsqx SufÐciency of the Actual American Ghost Roses Chance Ransom Bruised Paradise A Circus of Want Bg`oannjr The Figure Our Bodies Make A Field of Wings Bqhshbhrl.Drr`xr PoetryÈs Afterlife: Verse in the Digital Age Private Poets, Worldly Acts James Wright: The Poetry of a Grown Man @msgnknfhdr Bread & Steel,`tchnBC Illinois Voices,dchsdcvhsgF-D-Ltqq`x
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@shyAnnjRm`o+chfhs`kannjbnohdq+050: RsdogdmKduxÇrbnlldmsrnm+137m0 Atlanta Constitution,61 Atlantic Monthly, 51+0// @tcdm+V-G-+00+20+030+07/:ÄSgdCxdqÇr G`mc+Å07 @tchnondsqx+5+000Â02 @wdkqnc+RsdogdmFntkc+4 A`jdq+C`uhc+08+045:ÄLnmfqdkGd`qs+Å67Â68 A`jgshm+L-L-+07+18+42+43+44:The Dialogic Imagination,27+28+43+45 A`qadq+Rsdogdm+065 A`qjdq+Ana+84 A`sdr+J`sgx+060 A`tdqkdhm+L`qj+The Dumbest Generation,0/2 A`tg`tr+45 Ad`bg+Bgqhrsnogdq+Poetic Culture, 2+5 Ad`sondsqx+0/+0/4+031 Ad`ssx+O`tk+5 Adfkdx+Rg`qnm+0/2+131m14 Admfsrnm+C`uhc+013Â15:ÄAk`bjahqcr+Å014Â15 Admi`lhm+V`ksdq+wh+43+45:`tq`+77Â78: ÄSgdVnqjne@qshm`m@fdneLdbg`mhb`k Qdoqnctbshnm+Å76Â002AdqjdkdxEhkl`mcUhcdnEdrshu`k+015 Adqmrsdhm+Bg`qkdr+4+7/+72+007:Girly Man, 04:Ä@SgdnqxÇrDunktshnm+Å70Â71 AdrsondlrhmDmfkhrg+khaq`qxb`qcb`s`knf rd`qbgenq`msgnknfhdrne+126Â27m2 Ag`sm`f`q+Rtoqhx`+whh Ahetqb`shnm+ne@ldqhb`mondshbr+2Â05+06Â1/+ 0/4 Ahrgno+Dkhy`adsg+ÄL`m,lnsg+Å082 Ak`bj@qsrLnudldms+00 Ak`jd+Vhkkh`l+33 Aknnl+G`qnkc+32+34
142
143 . hmcdw Akx+B`qnk+18+2/+04/ Akx+Qnadqs+0+08+14+18+2/+36+40+036+04/+ 067:C`uhc+sgdgnqrdnvmdcaxQnadqs`mc B`qnkAkx+18Â2/:`rkhsdq`qxftqt+044 Anl`fBnqonq`shnm+Jdv`mdd+HK+113 Anmc+I`ldr+80 Born Magazine, 021 Boulevard,whh+6 Aq`ckdxTmhudqrhsx+whh Aq`crsqdds+@mmd+42:The Tenth Muse,43 Aq`glr+Ing`mmdr+013+014 Bread & Steel, 000-See also@tchnondsqx Aqdbgs+Adqsnks+07+25 Aqdbjdmqhcfdrjh`qd`+31 Aqn`crhcdOqdrr+00 Aqnmyduhkkd+Bghb`fnmdhfganqgnnc+00 Aqnnjr+Bkd`msg+0/ Aqnnjr+Fvdmcnkxm+00+07/+114:Fvdmcnkxm AqnnjrLhcckdRbgnnk+1/7+11/ Aqnnjr+U`mVxbj+3 Aqnvdq+Indk+0/5 Aqx`ms+C`m`+5 Atqfhm+Qhbg`qc+whh Atqqntfgr+Vhkkh`l+0/ Atrb`mh+Khr`+5 Atssdqrvnqsg+Lqr-82 B`akd+FdnqfdV`rghmfsnm+50+56 B`qlhbg`dk+Gn`fx+ÄRs`qctrs+Å06 B`qmdfhdkhaq`qhdr+Cdkdu`m+HK+`mcJdv`mdd+ HK+110 B`qq+Mhbgnk`r+0//Â0/0 B`qsdrh`mct`khrl+3+10 B`xkdx+Ingm+017 Bk`m+O`tk+1/8 Bg`q+Qdm+22 Bg`r`q+Lhjd+68Â7/ Bg`tbdq+Fdneeqdx+11 Bgduqdk+Rda+ÄXnt`mcVd+Å020Â21 Bghb`fnBtar+35 Bghmdrdondsqx+roqhmf`mc`tstlmodqhnc+ 013 Christian Science Monitor,68 Bgtqbghkk+Vhmrsnm+068 Bhmbhmm`shQdcr+50 Bhm'D(,Ondsqx+6+00/+005+01/+012Â15 Bhmpt+073 BhuhkV`q+deedbsrnm@ldqhb`mkhsdq`stqd+ 5/Â50
Bkdldmr+R`ltdk+5/+50+56 Bkhbjondsqx+006 Bkhesnm+Ktbhkkd+123m8 Bkhmsnm+Ahkk+100 BMM+064 Bnbsd`t+Id`m+011 BneÏm+Bg`qkdr+11+12+124Â25m02 Bnkkhdq+Lhbg`dk+ondsk`tqd`sd`rotakhb Ïftqdgd`c+108 Bnkkhmr+Ahkkx+5+056:ÄHmsqnctbshnmsnOndsqx+Å 083 Columbia GrangerËs Index to Poetry,33 BnktlahmdGhfgRbgnnk+054 BnllnmRdmrd+ghognoodqenqldq+072 Bnlotsdqldlnqxrsnq`fdcduhbdr+Ð`rg cqhudr`mcÐnooxchrjr+05/Â50 Bnmbdost`kondsqx+023Â24+135m22 Bnmbqdsdondsqx+003+017 Bnmedrrhnm`kondsqx+056 Bnms`hmdqBnqonq`shnmne@ldqhb`+113 Bnnjdc`mcq`vondsqx+4 Bnrd+Dkkhr+114Â15 Bntmrdkhmf`mcVdkkmdrr+tmhudqrhsx,a`rdc+ 057 Bnu`k+Jduhm+5 Bq`md+Rsdogdm+43+45 Bqddbg+Lnqqh+Field Knowledge,04 Bqddkdx+Qnadqs+076 Bqdv+RhqBkhorax+12 Bqnvcdq+Qhbg`qc+`bbntmsneQhkdxÇre`tw,Ond+ Those Innocent Years,128m2 CSI,66 Bthrhm`qshmfsgdrstcx`mcoq`bshbdneondsqx+ 1/1 Bxadqondsqx+006 Bxadqsdws+006 C`c``mcC`c`hrs+8+58+023 C`msd+86 C`uhr+Odsdq+126m0 CddoHl`fdondsqx+01+41+037+041+042 Def Poetry Jam, 0/5 CdmmxÇrqdrs`tq`ms+112 Cdqqhc`+I`bptdr+02 Ch`knfhbqdk`shnmrgho+hmondsqx+07+18+27+28+ 044-See also A`jgshm+L-LChbjdx+I`ldr+031 Chbjhmrnm+Dlhkx36+068:cdrbqhahmfondsqx+ 081
hmcdw . 144 Chfhs`kondsqx+6+003Â26:bg`q`bsdqhrshbrne+ 024:cdÏmhshnmne+006Â07:deedbsrnmondsqx cq`esr+046Â50 Chuhmxkr+Sgd+ÄHSntbgLxrdke+Å023 Cnbt,uhcdnr+006+01/Â11 Cncnahqc+0/7 Cnhcfd+Mnql`m+The Brain That Changes Itself, 0/7 Cnmmd+Ingm+00+11+12+030+032+07/ Cnqm+Dcv`qc+40 Dragnet, 085 CtAnhr+V-D-A-+100 Ctmk`o+HK+001 Ctssnm+Fq`ms+ÄAqd`c+Å1/4Â5-See also @mcdqrnm+Bnkd:Qnrdmvhmjdk+Dqhb Cxk`m+Ana+hw Dbrs`shbondsqx+06Â30 Egoist, 62 Dhrdmgnvdq+Oqdrhcdms+04/Â40 DkdbsqnmhbKhsdq`stqd9cdÏmhshnmne+007: dw`lokdrned,khs+sd`bghmfrxkk`ah+qdk`sdc drr`xr+135m24 DkdbsqnmhbKhsdq`stqdbnkkdbshnm+025 DkdbsqnmhbKhsdq`stqdnqf`mhy`shnm+007+025 DkdbsqnmhbOndsqxBdmsdq+Tmhudqrhsxne Atee`kn+0/5+017 Dkdudkc+L`qj+123m00 Dkh`cd+Ldqbd`+nmsgdoqne`md`mcr`bqdc+ 14+17+23 Dkhns+S-R-+3+0/+36+0/4+013:Hlodqrnm`k SgdnqxneOndsqx+8+056:ÄSgdKnudRnmfne I-@keqdcOqteqnbj+Å60Â61:ÄSq`chshnm`mc sgdHmchuhct`kS`kdms+Å6/:ÄSgdV`rsd K`mc+Å048 d,khs+cdÏmhshnmne+007 Dldqrnm+Q`kogV`kcn+07+51+084:Nature,1/: onds`rRddq+1/ Dmfkd+O`tk+ÄSgdGdqn+Å082 Epiphanicity,`rld`rtqdnenmd`tsgnqÇr`ahkhsx snrg`od`mnsgdqÇrkhed`mc`qs+34 d,ondsqx+6+00/+006 Dorsdhm+Inrdog+114:ÄVgnJhkkdcOndsqx>Åhw+ 86+122m0 Dqhjrrnm+Odsdq+81 Drri`x+86Â87:`bbntmsneVhjhodch`cdbdo, shnmr+13/Â30m05 Dsgdkk+Vhkk+52Â53 Dsgmnondshbr+010
Dudqxvgdqdmhbhsx+qdf`qchmftahpthsntroqdr, dmbdnesgdb`ldq`+83 Existanai,Fqddjqnnsnedbrs`rx+08 E`bdannj+87+024 E`rbhrl+027 Edlhmhrsondsqx+00+037 Edmy`+C`uhc+whh Edqkhmfgdssh+K`vqdmbd+0/+Coney Island of the Mind, 0/ Edqm`mcdy+@l`mc`+081 Edqnkn+I`ldr+008 Eh`rbn+Kto+072 Ehklhbondsqx+006+01/Â11 Ehkqdhr+@k`m+007+010 EhqdrhcdOndsr+7+087 EhrjAk`bjVqhsdqrBnmedqdmbd+00 Ehssdql`m+Qnadqs+135m22 Ehsyfdq`kc+E-Rbnss+38 Ek`qeondsqx+022Â24+135m22 Enkdx+IngmLhkdr+How to Read an Oral Poem,6 Enqqdrs+Rsdog`mhd+ÄRg`ssdq+Å075Â76 Enrsdq+Qhbg`qc+031 Entb`tks+Lhbgdk+02 Entmcondsqx+022Â24+135m22 Eq`mbn+Fdm-Eq`mbhrbn+027+04/Â40 Eq`mjdmrsdhm+02/ Eqhdcl`m+Mnql`m+034 Eqnrs+Qnadqs+00+4/+030:ÄCdrhfm+Å084Â85: ÄSgdO`rstqd+Å60Â61 Etkkdq+Qnadqs+ghrsnqxnehmsnwhb`msrhm dbrs`shbqhst`kr+Stairways to Heaven, 126m2/ F`c`ldq+G`mr,Fdnqf+42+43+100 F`hmdr+Qdf-D-+5 F`qcmdq+Cqdv+023 F`sdr+GdmqxKnthr+Signifying Monkey, 32 Fdmdq`shnmneÇ51+ondsrne+00 Fhkk+Vhkkh`lE-+54Â55 Fhmradqf+@kkdm+0/+112:ÄGnvk+Å0/ Fhnh`+C`m`+8+0/4:Can Poetry Matter,hw+ 122m0:Disappearing Ink: Poetry at the End of Print Culture,5:rtffdrshnmrenqathkchmf ondsqxqd`chmf`tchdmbdr+131m17 Fk`yhdq+KnrrOdptdmn+6+003+004+007+020+ 025:Digital Poetics,017:ÄVghsd,E`bd Aqnldk`hcrnm1/Gdbs`qdr+Å02/Â20 Fnkcdm+C`mhdk+063
145 . hmcdw Fnkcrlhsg+Jdmmdsg+023Â24 Fnncl`m+Edkhbhs`r+1/Â10+18:Ecstasy, Ritual, and Alternate Reality,1/ Fnnfkd+8/+87+0//+0/2+012+022+086 Fq`udr+Qnadqs+1/4 Fqd`s@fdneMdvro`odqr`mcL`f`yhmdr+ 50Â57+087 Ftdrs+Dcf`q+61Â62 Ftmsqho+G`qqx+83 G`kk+Cnm`kc+hw+7+031:`bshuhrsk`tqd`sd+108: ÄCd`sgsnsgdCd`sgneOndsqx+Åhw+122m0 G`lkds+80 G`qcdmhmfnekhsdq`qx`qsdqhdr+37Â4/ G`qlnm+Vhkkh`l+33 G`qodq+Lhbg`dk+123m8 G`qqhr+IndkBg`mckdq+50 G`qsd+Aqds+50+56 G`qu`qcLdchb`kRbgnnk+058 G`rjdkk+Dcchd+08/ G`rr+Qnadqs+24 G`vsgnqmd+M`sg`mhdk+85 G`xkdr+M-J`sgdqhmd+007+025+135m24 Gdhcdffdq+L`qshm+17+42+43 Gdhmsy+Jtqs+010Â11+133m01 Gdihmh`m+Kxmm+4 Gdlhmfv`x+Dqmdrs+38 Gdmqx+Rg`vms`x+1//7OndsqxNtsKntc m`shnm`kbg`lohnm+082Â83 Gdq`bkhsd`mÐtw+017:nebnmsdlonq`qx btkstqd+84 Gdqadqs+Fdnqfd+11 Gdqqhbj+Qnadqs+11+12 Ghbnj+Ana+065 Ghccdmsq`bj+lds`ognqenqondsqxÇr`esdqkhed+ 00+107+115 Ghdq`qbgxne`drsgdshbdwodqhdmbd+78Â8/ Ghfgaqnvur-Knvaqnv+3 Ghksnm+O`qhr+80 Ghogno+073+074:D`rsur-VdrsBn`rs+1//-See also Rg`jtq+Sto`b Ghqrbg+Dcv`qc+08 Ghsbgbnbj+@keqdc+060 Gn`fk`mc+Snmx+02+05/:ÄChbjgd`c+Å088Â1// Gnaadr+Sgnl`r+03 Gnel`mmrsg`k+GtfnUnm+1/ Gnkcdm+Inm`sg`m+ÄSgdE`sdne@ldqhb`m Ondsqx+Åhw+122m0 Gnkl`m+Ana+United States of Poetry, 0/5 Gnkldr+NkhudqVdmcdkk+7
Gntchmh+G`qqx+67 Gnv`qc+Odsdq+ÄWxkn+Å017Â18 Gnvd+Hquhmf+58 Gnvd+Rtr`m+4 Gnvdkkr+Vhkkh`lCd`m+51+56:A Modern Instance, 0/2 Gtfgdr+K`mfrsnm+ÄSgdldenqDmfkhrgA+Å082 Gtfn+Qhbg`qc+40+41+081 GtmshmfsnmKhaq`qx+050 Gtwkdx+@kcntr+85 Gxodqsdws+006 Hcd`krnekxqhbhrl`mchcd`krnektbhchsx+4 Hl`fhrl+0/ hLnuhd+014 Indianapolis Journal, 56Â57 Hmsdqk`mch+Idmddm+0/2+131m14 Hmsdqm`shnm`kKhaq`qxneOndsqx+022 Iowa City Press-Citizen,68Â7/ hOgnmd+77 hOnc+36+72+78+0/1+000+001+005+081+086+110 Hqnmxur-rhmbdqhsx+hm@ldqhb`mondsqx+2Â05 Jackass,83 I`bjrnm+L`ffhd+0// I`bjRoq`s+mtqrdqxqgxld`rltrhb`kokd`rtqd+ 08/Â80 I`ldr+Gdmqx+3+125m5 I`ldr+Rbnss+076:ÄDwg`kd+Å070Â71 I`ldr+Vhkkh`l+07+12+15+18+22:Dchmatqfg Kdbstqdr+125m04:Varieties of Religious Experience,07+12Â15+44+45:V`kotqfhr M`bgs+125m5 I`qqdkk+Q`mc`kk+33 Idvdss+R`q`gNqmd+50 Ihldmdy+It`mQ`lnm+41 Ing`k+Idrrhb`+ÄOtmi`ah@ldqhb`m+Å1/8Â00 Inmdr+I`ldrD`qk+073 Inmrnm+Adm+11+12+36 Inqc`m+Lhbg`dk+037+1/7 Inrdog+@kkhrnm+ÄHmsgdAnnjrsnqd+Å010 J`byxmrjh+Sdc+056 J`mchmrjx+U`rrhkx+43+45 J`rdl+B`rdx+33 Jd`sr+Ingm+33+36+030 Jddm+@mcqdv+The Cult of the Amateur, 86 Jddm+F`ad+ÄXnt`mcVd+Å021Â22 Jdkkx+Qnadqs+036 JdmxnmBnkkdfd+11+031+032+047+124m01
hmcdw . 146 Kenyon Review,whh Kenyon Review Online,whh Jdqnt`b+I`bj+0/ Jhmckd+chfhs`kannjqd`cdqax@l`ynm+05/ Jhmf+Cq-L`qshmKtsgdq+Iq-+Bghb`fnqhnsr `esdqsgd`rr`rrhm`shnmne+115 Jhmf+Rsdogdm+060 JhmfcnlnesgdDxd+88+00/-See also Vhssfdmrsdhm+Ktcvhf Jhmm`qc+Lq-+dchsnqneAnderson Herald,52Â57- See alsoQhkdx+I`ldrVghsbnla Jhmmdkk+F`kv`x+00+28+36+40+41+036 Jhrr+001 Jhsskdq+Eqhdcqhbg+Gramophone, Film, Typewriter, 004 Jhydq+B`qnkxm+081 JmndoÐd+Ingm+40+113 Jmnqq+Idee+whh Jnbg+Jdmmdsg+43+45 Jnc`j+111 Jngts+Gdhmy+83 Kokomo Dispatch,53 Jnltmx`j``+Xtrde+78 Jnnrdq+Sdc+5/+64Â67 Jqtrgbgdu+Mhjhs`+040 K`mft`fdondsqx`mcondsr+4+02+04+037+ 056Â57 K`mg`l+Qhbg`qc+015Â16 K`mhdq+Rhcmdx+57 K`mr`m`+Ptq`xrg@kh+ÄO`rr`fd+Å011Â12 K`vqdmbd+C-G-+4 K`ydq+G`mj+4+037:Opposing Poetries,4+65 Kdmmnm+Ingm+0/4 Kdudqsnu+Cdmhrd+00 Kduh`sg`m+03 Kduhmd+Oghkho+41+43+07/+113 Kdvhr+Q-V-A-+4 Kdvhr+Rhmbk`hq+6/ Khaq`qx`qbghudgnkchmfr+ondsqxcq`esr`mc l`mtrbqhosr+046Â50 Lifestyles of the Rich and Famous,35 Khkkx+Qtsg+64 Khool`m+Idqqx+52 Khrsnm+Rnmmx+073 Little Review,62 Knb`kBnknq+qdfhnm`kkhsdq`stqd+50 Knffhmr+Jdmmx+001 Knmf+Vhkkh`lI-+57+62:American Literature, 128m5
Knmfedkknv+Vhkkh`lV`crvnqsg+7+51+0/4+ 087:kdssdqsnI`ldrVghsbnlaQhkdx+ 127m1:ÄSgdOr`klneKhed+Å8-See also Qhkdx+I`ldrVghsbnla KnmfOq`hqhd+LM+014+015 Knqb`+F`qbh`+031 Knsl`m+Itqh+043:Älhmtrcduhbdr+Å024 Knudk`mcrjh`qd`+31 Knuhsy+Ingm+`rL`rsdqSgdroh`mnmSaturday Night Live,081 Knvdkk+I`ldrQtrrdkk+56 Knvdkk+Qnadqs+4+42Â43+123m8 Kxmm+C`uhc+whh L`b@qsgtq+Fdmdq`k+37 L`bg`cn+@msnmhn+040 L`bghmhl`shnm+012-See also Chfhs`kondsqx L`bMdhbd+Knthr+00 L`cqhc+Ro`hm+027+040 L`kdaq`mbgd+Mhbgnk`r+1/8 L`mcdk`+Mdkrnm+068 L`mhedrsCdrshmx+5/ L`m+Sgd+`rbnmrdqu`shud`drsgdshbmnshnm+ 037+078+08/+085+088+1/1 L`mtrbqhosr9cq`esondsqx+03/Â50:e`hq`mc entkbnohdr+030 L`qkdx+Ana+068 L`qshmrEdqqx+NG+07+031+042 L`rsdqr+Dcf`qKdd+6/ L`ssgdvr+Vhkkh`l+08 LbB`mm+Idqnld+Radiant Textuality: Literature after the World Wide Web, 016 LbBqhkktr+Cq-R-A-+ldchbhmdrgnv+50 LbE`qk`md+H`m+064 LbJhmkdx+OqdrhcdmsVhkkh`l+56 LbOgdd+Bgqhrshm`+020 Ldllnss+S`k`m+006+016+025 Ldmcns`+HK9otakhbkhaq`qx+110:jdxsnsgd bhsxne+111 Ldqvhm+V-R-+00+36+036 Ldrrdqkh+Cntfk`r+4 Ldsb`ke+O`tk+40 Ldxdq+C`uhc+0/1 Middlemarch,35 Lhkdr+@cqh`m+016 Lhkdr+Inrdoghmd+12 Lhkk`x+Dcm`Rs-Uhmbdms+63 Lhksnm+Ingm+11 LhrrShfdqKhkxCdkhfgs+11/ Lhsbgdkk+Idm+076:ÄncdsnghoÇgno+Å072Â75
147 . hmcdw Lkhmjn+@mfd+03Â04 Lncdqmhrl+4+8+00+44+58Â63+003 Lng`lldc+J-Rhkdl+023-See also Bnmbdost`kondsqx:Ek`qeondsqx Lnm`Khr`+8/ Lnmqnd+G`qqhds+6/Â65:ÄSgdBnktlah`m+Å6/ Lnnqd+L`qh`mmd+36+112:ÄOndsqx+Å082 Lnqqhr+@cdk`hcd+003 LnsgdqFnnrd+080 Lnxdqr+Ahkk+The Language of Life, 0/5 Lny`qs+78Â8/ Lq-Dc+068 LSU+000:Free Your Mind,5:Unplugged,0/5 Ltkshs`rjhmf+0/1 Ltr`j+114 My Space,87+055+077 Lxrshb`kdwodqhdmbd+entqjdxmnsded`stqdrne+ 13-See alsoI`ldr+Vhkkh`l Lxsghb`mc@c`lhb+4 M`orsdq+050 M`rr+Bkheenqc+0/1 M`shnm`kBnkkdfdGd`ksg@rrdrrldms+058 M`shnm`kDmcnvldmsenqsgd@qsr+5:ÄQd`chmf nmsgdQhrd+Åw+0/6+132m2/:ÄSnQd`cnq MnssnQd`c+Å0/1+110 MAB+063 Mdgqti`bjds+036 Mdqtc`+O`akn+41+031 Mdtqnfdmdrhr+81+0/1Â2 MdvBqhshbhrl+0/+00+11+26+28+036+042+080: `rrnbh`shnmvhsgMdvBqhshbr+0/+00+11 Mdvldch`ondsqx+6+004Â26 New Poets of England and America,031 Mdvro`odqbhqbtk`shnm+qdbdmsxd`qrÇcdbkhmd+ 48Â5/+127m0+13/m2 Mdvro`odqondsqx+48Â72 Newsweek, 31+114 New Yorker, 86Â87 New York Times,62Â63 New York Times Book Review, 0/5 MdvXnqjTmhudqrhsx+081 Mhbgnkr+Ldk+ÄHFnnfkdLxrdke+Å023 Mhdkrdmq`shmfrrxrsdl+`ookhdcsnondsqx+34 Mhlr+IngmEqdcdqhbj+16 8Â00+deedbsrnmbnmsdlonq`qxvqhshmf+07 Mnk`m+Id`mdssdBnudqs+`bbntmsneQhkdxÇr e`tw,Ondgn`w+James Whitcomb Riley: Hoosier Poet,128m2
MnqsgBdmsq`kBnkkdfd+00/ Norton Anthology of American Literature,034 Norton Anthology of Postmodern Verse,088 MOQ+114 Mtxnqhb`mB`e+5+071-See also Ad`bg+ Bgqhrsnogdq N-@-Q-+068 Naidbsqdk`shnmrsgdnqx+83 NÇBnmmnq+Snl+003 NÇG`q`+Eq`mj+01+34+41+067:Collected Poems, 43+45:ÄSgdC`xK`cxChdc+Å42 NghnQhudq+07+041+043 Nkcr+I`ldr+132m10 Nkcr+Rg`qnm+66Â67 Nkrnm+Bg`qkdr+40+017:ÄOqnidbshudUdqrd+Å020 Noonrhshnm`k`mcnoonrhmfondsqhdr+4+65+ 123m8 Nq`kondsqx+6-See also Odqenql`mbdondsqx: Rk`londsqx Oregonian (Portland),68 Nvdm+Vhkeqdc+013Â14:ÄRsq`mfdLddshmf+Å013 O`kde`bdur-qdcrjhm+4-See also Q`gu+Oghkho O`qhmh+I`x+078 O`sgd,F`ydssd+013 Od`qbd+QnxG`qudx+4 Peoria Journal Star,71 Odqenql`mbdondsqx+5+04+002+071 Odqknee+L`qinqhd+02+03+01/+025 Odsq`qbg+`rÏqrsneÏbh`kondsk`tqd`sd+108 Philadelphia Inquirer, 68Â71 Ohb`rrn+O`akn+Guernica,027Â3/+040:rstchdr enqGuernica,028Â3/ Ohmrjx+Qnadqs+86 Ok`sn+077 Onbjdkk+Kdrkhd+34 Ond+Dcf`q@kk`m+35+52Â56 Ondrhd+7 Onrhr+7 Ondsk`tqd`sd9Äk`tqd`sddqhmf+Å114:Odsq`qbg+ `rÏqrsneÏbh`kondsk`tqd`sd+108:rs`sd`mc m`shnm`k+qnkd`mcctshdrne+107Â15 Poetry, Bghb`fnudqrdl`f`yhmd+03Â04+16+ 6/Â65+023+034 Ondsqx9cq`esr`mccq`esl`mtrbqhosr+03/Â50: e`hq`mcentkbnohdr+030 Poetry Daily, 0/7 OndsqxEntmc`shnm+64
hmcdw . 148 Poetry 180`mc180 More,`msgnknfhdrdchsdcax AhkkxBnkkhmr+088 OndsqxNtsKntc+5Â6+08/Â82:Hkkhmnhrrs`sd Ïm`krne+081Â82 Ondsqxvqhshmfvnqjrgnor+054Â66 OndsÇrannjrgdke+4/Â47:PoetËs Bookshelf: Contemporary Poets on Books That Shaped Their Art,126m0 Onkcq`bj+Qtrrdkk+0/1 Onkxunb`k`ssdmshnm+88+0/0 Ono`qs`tsncdrsqtbshnm+0/2 Onodxd+060 Onrsbhmdl`shbvqhshmf+016 Ontmc+Dyq`+8+6/+025:ÄGtfgRdkvxm L`tadqkx+Å61 Oqhmsdc,o`fdur-uhcdn.mdvldch`ondsqx+006 Prodessare et delectare,`rondsqx`drsgdshb+0/+ 087 Oqnwhl`kchrs`mbdsn`qs+77Â78+0/7 OtkhsydqOqhydenqOndsqx+00+002 Q`gu+Oghkho+3Â4 Q`kdfg+RhqV`ksdq+032 Q`mrnl+IngmBqnvd+0/+11 QdhmdRnogh`Ltrdtl+L`cqhc+Ro`hm+027 Qhbg+@cqhdmmd+00+123m8:ÄVgdmVdCd`c @v`jdm9Vqhshmf`rQd,Uhrhnm+Å00 Qhbg-khs+6+00/+006-See alsoChfhs`kondsqx Qhkdx+I`ldrVghsbnla+wh+50Â57+7/:Äe`tw, Ondqtrd+Å53Â56+128m2:ÄFdnqfdLtkkdmÇr Bnmedrrhnm+Å51:ÄFqxw`anchkk+Å51: ÄKdnm`hmhd+Å53Â56:ÄL`tcLtkkdq+Å51: mnsdeqnlKnmfedkknv+127Â28m1:ÄSgdNkc RvhllhmfGnkd+Å56:`rondsk`tqd`sdne cdlnbq`bx+57:ÄPtddmnesgdVnmjr+Å51: QhkdxFq`cdRbgnnk+@mcdqrnm+HM+m`ldc hmgnmnqne+55+57-Works:ÄBq`mj`cnw+Å 51:ÄV`rgKnvqx+Å51:ÄVgdmsgdEqnrsHr nmsgdOtmjhm+Å48+51+52 Qhkjd+Q`hmhdqL`qh`+40+45 Qhudq`+@k`mm`+081 Qnahmrnm+D-@-+030 Qndsgjd+Sgdncnqd+34+080:ÄGnvsnVqhsd KhjdRnldancxDkrd+Å07/ QnkkhmfRsnmdr+Sgd+ÄGnmjxSnmjVnl`m+Å 112 Qnkkhmr+Gdmqx+5 Qnl`mshbsq`chshnm+ondsqxne+08+16+2/+24+ 58+034
Qnnrdudks+Oqdrhcdms+56Â57 Qnr`qhn+L`qhr`+ÄSghmfrHG`sd+Å1/6Â7 Qnrdmvhmjdk+Dqhb+ÄAqd`c+Å1/4Â5-See also @mcdqrnm+Bnkd:Ctssnm+Fq`ms Qnsgjn+L`qj+78 Qnx+Ktbhmc`+064 Qtahm+KnthrC-+044 Qtrrdkk+Adqsq`mc+ÄBqhshptdneLxrshbhrl+Å22 R`fds+Ana+82 Salem (Indiana) Leader, 71 R`lokhmf+ondshbsdbgmhptdne+013Â14 Santa Cruz Sentinel,68 R`ohq+Dcv`qc+080 R`xdfg+J`qddl+082Â83 Rb`kh`+@msnmhm+065 Rb`kh`+Bgqhrsnogdq+065 Rbgdkk+Shl+whh ScribnerËs,51 RdbnmcKhed+rnbh`kmdsvnqjhmfrhsd+87 RdbqdsRdquhbd+rstcxnerbgnnkrgnnsdqr+064 Rdtmf,Gth+Bgn+063Â66 Rdwsnm+@mmd+067 Rg`jtq+Sto`b+0/4:ÄHmsgdDudmsnelx Cdlhrd+Å1// Rgdkkdx+OdqbxAxrrgd+054+055 Rhkkhl`m+Qnm+007 Rhkudql`m+Lnqsnm+058 Rhlornm+Gnldq+078 ÄRhqO`sqhbjRodmr+Å33 Rjtmj+Ingm+042 Rk`londsqx+5+037-See alsoRlhsg+L`qb Rl`kk+F`qx+iBrain: Surviving the Technological Alteration of the Modern Mind, 0/0 Rlhsg+A`qa`q`Gdqmrsdhm+80 Rlhsg+Bq`hf+82 Rlhsg+C`ud+12 Rlhsg+L`qb+5+0/5 Rnmmds+Odsq`qbg`m9hmVqhfgsÇrondsqx+033: EqnrsÇrÄCdrhfm+Å084 South Park, sdkduhrhnm`mhl`sdcbnldcx+35+ 000+088 Rod`qr+Aqhsmdx+7/ Rodmrdq+RhqDcltmc+11 Ronjdmvnqcondsqx+5+002+071 Spoken Word Revolution Redux,5 Sports Center,DROM+71 Sports Illustrated,33 Rs`eenqc+Vhkkh`l+00+36+40+41
15/ . hmcdw Rs`la`tfg+Gnkkhr+064 Star Trek, 77+002 Rsdog`mr+Aqh`mJhl+6+003+017:cheÏbtkshdrne cdÏmhmfbxadqondsqx+132m0 Rsdudmr+V`kk`bd+00+35+36+050 Rsnmd+Khmc`+0/0 Rsq`mc+L`qj+5 Rsq`uhmrjx+Hfnq+58 Rsqhbjk`mc+Rsdog`mhd+133m0 Rtkkhu`m+F`qx+Äll,gll+Å022+023 Super Troopers, 83 Rtqqd`khrl+8 Susquehanna Review, 076 Sdbgmnsdws+006 Sdwst`kÏwhsx+017 SgdL`m+seeL`m+Sgd Sgnl`r+Cxk`m+00 Sgnqd`t+GdmqxC`uhc+1/ Sgnqhmfsnm+Gdkdm+020 Shladqk`jd+Oghkho+032 Shlo`md+Ingm+70 Shqdrh`r+012 Snsn+neThe Wizard of Oz e`ld+044 Snvmrdmc+Odsd+0/2 Sq`jk+Fdnqf+41+031 Trobar,037 Sqtcd`t+F`qx+72 Sqtl`m+OqdrhcdmsG`qqx+37 Svddcronqsbn`s+`rbnmrdqu`shud`drsgdshb mnshnm+036Â37 Sxodvqhshmf+bntqrdnerstcx+047 TatVda+010 TmhudqrhsxneBghb`fn+058 U`hkrjh`qd`+31 U`kqx+O`tk+76+0//+041+046 U`kkdin+Bdr`q+40+41 Udqlddq+Ing`mmdr+8/Â81 Verse Daily,0/5 Uhcdnondsqx+6+00/+005Â15 Uhmbd+Qx`m+ÄRgdRhsraxsgdVhmcnv+Å1/7Â8 Uhqfhk+108 Uhqfhmh`SdbgTmhudqrhsx+rgnnshmfr+063Â66 Unhbd9ondshbbnmbdosne+067Â76:ondshbcdÏmh, shnmne+067 V`kdr+Ihllx+86
Wall Street Journal, 065 V`qc+@qsdlhr+56 V`qqdm+QnadqsOdmm+42+43 Washington Herald, 61 Vd`sgdqBg`mmdk+Sgd+112 Vda-`qs+6+00/+006 Vdkkr+Kxmm+020 Vdrkdx`mTmhudqrhsxOqdrr+ondsqxrdqhdr+031 Vdrs+J`mxd+000+068 Vgd`snmGhfgRbgnnk+Vgd`snm+HK+ondsqx bneeddgntrd+113 Wheel of Fortune, 000 WhereËs Waldo, `rlds`ognqenqchr`rsqntrkx `mchmrhrsdmskxrd`qbghmfenq`ondlÇr ld`mhmf+010+086 Vghsd+G`xcdm+42 Vghsd+Gdkdm+The Metaphysical Poets,12 Vghsdgd`c+@keqdcMnqsg+40 Vghsl`m+V`ks+05+57Â58+62+032+1/3:Leaves of Grass, 51 Vghsl`mÇrR`lokdq+bgnbnk`sdr+1/3 Vghsshdq+IngmFqddmkd`e+7 Vgn+Sgd+0/2 Vhdrdk+Dkhd+07 Vhjhodch`+86+87:bqdchahkhsxne+13/Â30m05 Vhkkh`lr+B-J-+41+43 Vhkkh`lr+Vhkkh`lB`qknr+3+0/+35+72+077: Ä@rogncdk+sg`sFqddmxEknvdq+Å44+48: Autobiography,0/:ÄSgdHuxBqnvm+Å44: Journey to Love,43Â44:ÄSgdOhmjKnbtrs+Å 44:ÄSgdRo`qqnv+Å44: Spring and All,40+ 44:ÄSqhatsdsnO`hmsdqr+Å44 Vhkkh`lrnm+Fdnqfd+0/ Vhmmhbnss+Cnm`kcVnncr+83 VhrdBnkkdfd'Vhrd+U@(+065 Vhssfdmrsdhm+Ktcvhf+02+24+1//:Tractatus, 99;uhrt`kÏdkc`rodqbdhudcaxsgddxd+ 130m06 Wizard of Oz, 044 Vni`gm+C`uhc+132m0 Vnke+L`qx`mmd+nmgnvvdqd`cnmkhmd`mc nsgdqvhrd+131m11 Vnnke+Uhqfhmh`+58 Vnqcrvnqsg+Vhkkh`l+`rAqhshrgondsk`tqd, `sd+11/ VnqkcV`qH+8+45+58+013+023 Vqhfgs+@mmd+124m5+136m2 Vqhfgs+I`ldr+0/+00+06Â30+36+4/+41+0/4+ 047+081+113+123m8:`mhl`kr+`r`fdmsr
hmcdw . 150 nedbrs`shbqdudqhd+15Â2/+25Â28:bnmudq, rhnmdwodqhdmbd+`rdbrs`shbbg`mfd+12: Dtbg`qhrshbfdrstqdr+26:e`sgdqÇrk`anq`s G`ydk,@sk`rFk`rr+124m1:I`ldrVqhfgs O`odqr+124m5:Idmmx+`rondshbltrd+ 21+032Â33:K`shm+I`ldrVqhfgsÇrrstcx ne+11:mdnbk`rrhb`kenqlr+hmÐtdmbdnm+ 08+11+16:NghnQhudqU`kkdx+hmÐtdmbd nm+21+035:ondsqxne`fqnvml`m+25: qdcdÏmhshnmnesgdondshbrdke+027Â45: sqddr+`r`fdmsnedbrs`shbqdudqhd+21Â23+ 032:utkmdq`ahkhsx+`r`drsgdshbchronrh, shnm+034:vnqjhmfbk`rrqnnsr+11+034Â35- Works: Above the River: The Complete Poems, 124m00: Amenities of Stone 'tmotakhrgdc l`mtrbqhos(, 1/+028+031Â32+045:The Branch Will Not Break,08+17+2/+21+27+40+ 42+031Â32:The Green Wall,08+10Â11+030: Now I am Awakened 'tmotakhrgdcl`mt, rbqhos(+1/:Saint Judas,08+030:This Journey, 033:To a Blossoming Pear Tree,43+46: Ä@qqhuhmfhmsgdBntmsqx@f`hm+Å17Â18+ 20+26+27:ÄSgdA`qmhmVhmsdq+Å038:Ä@ Akdrrhmf+Å13+15Â17+24+034:ÄBnmedrrhnm snI-Dcf`qGnnudq+Å23:ÄSgdBnmshmdms`k B`mBnlo`mx`sRhwNÇBknbjÅ'tmota, khrgdccq`es(+034Â35+136m6:Ä@Cqd`lne Atqh`k+Å17:ÄDhrdmgnvdqÇrUhrhssnEq`mbn+Å 04/Â40+043:ÄE`bhmfsgdRtmsgqntfg BknrdcDxdkhcrÅ'tmotakhrgdccq`es(+ 20Â21+126m16:ÄHmEd`qneG`qudrsr+Å41: Ä@Ehs`f`hmrssgdBntmsqx+Å10Â11+17+ 28:ÄGnkchmf`Od`qkhmLxG`mcr+@oqhk 0851+Å033+045:ÄGnnj+Å45Â46:ÄItrsNee sgdGhfgv`xsnQnbgdrsdq+Lhmmdrns`Å
'tmotakhrgdccq`es(+16:ÄKhfgsmhmfAtfr @rkddohmsgd@esdqmnnm+Å26:ÄKxhmfhm `G`llnbj`sOhmdHrk`mc+Lhmmdrns`Å 'tmotakhrgdccq`es(+14Â15:ÄKxhmfhm` G`llnbj`sVhkkh`lCteexÇrE`qlhmOhmd Hrk`mc+Lhmmdrns`+Å06+13Â15+037Â38+ 048:ÄL`mxneNtqV`sdqr9U`qh`shnmrnm` Ondlax`Ak`bjBghkc+Å25:ÄSgdL`shmf neCqd`lrÅ'tmotakhrgdccq`es(+038: ÄL`xLnqmhmf+Å033:ÄLhmdqr+Å041Â43: ÄSgdLhmmd`onkhrOndl+Å17:ÄMnqsgdqm Ohjd+Å25Â26:ÄMnsdrne`O`rsnq`khrs+Å27: Ä@QdokxsnL`ssgdv@qmnkcnmLxEhesg C`xhmE`mn+Å27:Ä@RdbqdsFq`shstcd+Å 22:ÄRhsshmfhm`Rl`kkRbqddmgntrdnm` RtlldqLnqmhmf+Å17:Ä@Rl`kkDkdfx`s MhfgshmsgdBntmsqx+Å04/+044:ÄRnmne Itc`r+Å21:ÄSn`AknrrnlhmfOd`qSqdd+Å 23Â24+27:ÄSvhkhfgs+Å043:ÄSvnHl`fdr neNmdOk`bdÅ'tmotakhrgdccq`es(+14:Ä@ VhmsdqC`xaqd`j`anudUdmbd+Å3/Â30 Vqhfgs+Vhkatq`mcNquhkkd+8 vvv-aq`ckdx-dct.onds+HkkhmnhrOndsK`tqd`sd Aq`ckdxTmhudqrhsxvdarhsd+088 vvv-ondsk`tqd`sd-hk-fnu+HkkhmnhrOnds K`tqd`sdrs`sdvdarhsd+088 X`kdRdqhdrneXntmfdqOndsr@v`qc+00+030 Xd`sr+V-A-+00+07/+100:Ä@c`lÇrBtqrd+Å01 Xdyyh+C`uhc+04 York (Pennsylvania) Daily Record,68 Xntmf+Cd`m+06 Xntsgondsqx+1/3Â00 YouTube, 72+82+83+86+000+008+055 Xtfn+067