Contemporary Theatre, Film and Television; Volume 8

Contemporary Theatre, Film, and Television

ISSN 0749-064X

Contemporary Theatre, Film, and Television A Biographical Guide Featuring Performers, Directors, Writers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, Dancers, and Critics in the United States and Great Britain

Owen O'Donnell Editor Sara J. Steen Sharon Gamboa Associate Editors

Volume 8

Gale Research Inc. - DETROIT •

LONDON

STAFF Linda S. Hubbard, Senior Editor Owen O'Donnell, Editor Sara J. Steen and Sharon Gamboa, Associate Editors Lillie Balinova, Erin McGrath, James R. Kirkland, Sketchwriters June Barnett, Dorothy Carter, Vincent Henry, Yvette Jones, Liz Menendez, Kay Ohara, Maura Pleckaitis, Bob Van Vooris, Editorial Assistants Rahadyan T. Sastrowardoyo, Contributing Editor Mary Beth Trimper, Production Manager Evi Seoud, Assistant Production Manager Arthur Chartow, Art Director C. J. Jonik, Keyliner Laura Bryant, Production Supervisor Louise Gagne, Internal Production Associate PHOTOGRAPH CREDITS Gerard Depardieu: Richard Delloul; James Goldman: O Barbara Goldman; Tim Luscombe: Shuhei Iwamoto; Paul Pyant: Nicholas Richter 1988; Christian Roberts: Susan Greenhill; M. Edgar Rosenbloom: Gale Zucker. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence Paper for Printed Library Materials, ANSI Z39.48-1984.

While every effort has been made to ensure the reliability of the information presented in this publication, Gale Research Inc. does not guarantee the accuracy of the data contained herein. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

This publication is a creative work copyrighted by Gale Research Inc. and fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information. Gale Research Inc. will vigorously defend all of its rights in this publication. Copyright © 1990 by Gale Research Inc. 835 Penobscot Building Detroit, MI 48226-4094 All rights reserved including the right of reproduction in whole or in part in any form. Library of Congress Catalog Card Number 84-649371 ISBN 0-8103-2071-1 ISSN 0749-064X No part of this book may be reproduced in any form without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages or entries in connection with a review written for inclusion in a magazine or newspaper.

Printed in the United States of America Published simultaneously in the United Kingdom by Gale Research International Limited (An affiliated company of Gale Research Inc.) 10987654

Contents Preface

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Biographies

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Preface The worlds of theatre, film, and television hold an undeniable appeal, and the individuals whose careers are devoted to these fields are subjects of great interest. The people both behind the scenes and in front of the lights and cameras—writers, directors, producers, performers, and others—all have a significant impact on our lives, for they enlighten us as they entertain. Contemporary Theatre, Film, and Television Provides Broad Coverage in the Entertainment Field

Contemporary Theatre, Film, and Television (CTFT) is a comprehensive biographical series designed to meet the need for information on theatre, film, and television personalities. Prior to the publication of CTFT, biographical sources covering entertainment figures were generally limited in scope; for more than seventy years Who's Who in the Theatre (WWT), for example, provided reliable information on theatre people. But today few performers, directors, writers, producers, or technicians limit themselves to the stage. And there are also growing numbers of people who, though not active in the theatre, make significant contributions to other entertainment media. With its broad scope, encompassing not only stage notables but also film and/ or television figures, CTFT is a more comprehensive and, the editors believe, more useful reference tool. Its clear entry format, allowing for the quick location of specific facts, combines with hundreds of photographs to further distinguish C77*Tfrom other biographical sources on entertainment personalities. Moreover, since CTFT is a series, new volumes can cover the steady influx of fresh talent into the entertainment media. The majority of the entries in each CTFT volume present information on people new to the series, but CTFT also includes updated versions of previously published CTFT sketches on especially active figures as well as complete revisions of WWT entries. The CTFT cumulative index makes all listings easily accessible. Scope CTFT is a biographical series covering not only performers, directors, writers, and producers but also designers, managers, choreographers, technicians, composers, executives, dancers, and critics from the United States and Great Britain. With nearly 700 entries in CTFT, Volume 8, the series now provides biographies for more than 5,200 people involved in all aspects of the theatre, film, and television industries. Primary emphasis is given to people who are currently active. CTFT includes major, established figures whose positions in entertainment history are assured, such as award-winning playwright Wendy Wasserstein, film producer Samuel Goldwyn, Jr., actors Gerard Depardieu and Harrison Ford, documentary filmmaker Marcel Ophuls, and the animators William Hanna and Joseph Barbera. Individuals who are beginning to garner acclaim for their work are represented in CTFT as well, including comedienne and television superstar Roseanne Barr; director Tim Luscombe who received the 1989 Olivier Award as Best Newcomer for his work on the London stage; Winona Ryder, the star of such recent films as Beetlejuice, Heathers, and Great Balls of Fire; Craig Safan, composer for the television series Cheers and the film Stand and Deliver among other works; and Anton Furst, 1990 Academy Award-winner for his production design on the film Batman. Selected sketches also record the achievements of theatre, film, and television personalities who have recently passed away but whose work commands lasting interest. Among such notables with listings in this volume are Laurence Olivier, Irving Berlin, Bette Davis, Barbara Stanwyck, Lucille Ball, Mel Blanc, Gilda Radner, and theatre director and executive Nikos Psacharopoulos. With its broad coverage and detailed entries, CTFT is designed to assist a variety of users—a student preparing for a class, a teacher drawing up an assignment, a researcher seeking a specific fact, a librarian searching for the answer to a question, or a general reader looking for information about a favorite personality.

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Compilation Methods Every effort is made to secure information directly from biographees. The editors consult industry directories, biographical dictionaries, published interviews, feature stories, and film, television, and theatre reviews to identify people not previously covered in CTFT. Questionnaires are mailed to prospective listees or, when addresses are unavailable, to their agents, and sketches are compiled from the information they supply. The editors also select major figures included in WWTwhose entries require updating and send them copies of their previously published entries for revision. CTFT sketches are then prepared from the new information submitted by these well-known personalities or their agents. Among the notable figures whose WWT, seventeenth edition, entries have been completely revised for this volume of CTFT are actresses Pauline Collins and Gloria Foster, playwright James Goldman, and stage producer and director Woodie King, Jr. If people of special interest to CTFT users are deceased or fail to reply to requests for information, materials are gathered from reliable secondary sources. Sketches prepared solely through research are clearly marked with an asterisk (*) at the end of the entries. Revised Entries Each volume of CTFTis devoted primarily to people currently active in theatre, film, and television who are not already covered in the series or in WWT. However, to ensure CTFT's timeliness and comprehensiveness, in addition to the updates of WWT sketches mentioned above, the editors also select CTFT listees from earlier volumes who have been active enough to require revision of their previous biographies. Such individuals will merit revised entries as often as there is substantial new information to provide. For example, the update of Woody Allen's entry from CTFT, Volume 1, included in this volume adds his most recent film work and awards; moreover, research has brought to light information about earlier stage and television work that was not included in his previous sketch. Similarly, Volume 8 provides revised entries containing significant new information on Richard Attenborough, Carol Burnett, Dick Cavett, Lee Grant, Harold Prince, Meryl Streep, and Peter Ustinov. Format CTFT entries, modeled after those in Gale Research's highly regarded Contemporary Authors series, are written in a clear, readable style with few abbreviations and no limits set on length. So that a reader needing specific information can quickly focus on the pertinent portion of an entry, typical CrFTlistings are clearly divided into the following sections: Entry heading—Cites the form of the name by which the listee is best known followed by birth and death dates, when available. Personal—Provides the biographee's full or original name if different from the entry heading, date and place of birth, family data, and information about the listee's education (including professional training), politics, religion, and military service. Vocation—Highlights the individual's primary fields of activity in the entertainment industry. Career—Presents a comprehensive listing of principal credits or engagements. The career section lists theatrical debuts (including Broadway and London debuts), principal stage appearances, and major tours; film debuts and principal films; television debuts and television appearances; and plays, films, and television shows directed and produced. Related career items, such as professorships and lecturing, are also included as well as non-entertainment career activities. Writings—Lists published and unpublished plays, screenplays, and scripts along with production information. Published books and articles, often with bibliographical data, are also listed. Recordings—Cites album and single song releases with recording labels, when available. Awards—Notes theatre, film, and television awards and nominations as well as writing awards, military and civic awards, and fellowships and honorary degrees received. Member—Highlights professional, union, civic, and other association memberships, including official posts held. Sidelights—Cites favorite roles, recreational activities, and hobbies. Frequently this section includes portions of agent-prepared biographies or personal statements from the listee. In-depth

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sidelights providing an overview of an individual's career achievements are compiled on selected personalities of special interest. Other Sources—Indicates periodicals, serials, or books where interviews, criticism, and additional types of information can be found. Not intended as full bibliographies, these citations are provided on brief entries, sketches with sidelights, and a small number of other entries. Addresses—Notes home, office, and agent addresses, when available. (In those instances where an individual prefers to withhold his or her home address from publication, the editors make every attempt to include at least one other address in the entry.) Enlivening the text in many instances are large, clear photographs. Often the work of theatrical photographers, these pictures are supplied by the biographees to complement their sketches. This volume, for example, contains nearly 200 such portraits received from various individuals profiled in the following pages. Brief Entries

CTFTusers have indicated that having some information, however brief, on individuals not yet in the series would be preferable to waiting until full-length sketches can be prepared as outlined above under "Compilation Methods." Therefore, CTFT includes abbreviated listings on notables who presently do not have sketches in CTFT. These short profiles, identified by the heading "Brief Entry," highlight the person's career in capsule form. Brief entries are not intended to replace sketches. Instead, they are designed to increase CTFT's comprehensiveness and thus better serve CTFT users by providing pertinent and timely information about well-known people in the entertainment industry, many of whom will be the subjects of full sketches in forthcoming volumes. Cumulative Index

To facilitate locating sketches on the thousands of notables profiled in CTFT, each volume contains a cumulative index to the entire series. As an added feature, this index also includes references to all seventeen editions of WWTand to the four-volume compilation Who Was Who in the Theatre (Gale, 1978). Thus by consulting only one source—the CTFT cumulative index—users have easy access to the tens of thousands of biographical sketches in CTFT, WWT, and Who Was Who in the Theatre. Suggestions Are Welcome

If readers would like to suggest people to be covered in future CTFT volumes, they are encouraged to send these names (along with addresses, if possible) to the editors. Other suggestions and comments are also most welcome and should be addressed to: The Editors, Contemporary Theatre, Film, and Television, Gale Research Inc., 835 Penobscot Bldg., Detroit, MI 48226-4094.

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Contemporary Theatre, Rim, and Television * Indicates that a listing has been compiled from secondary sources believed to be reliable.

ADAMS, Casey See SHOWALTER, Max

ADDY, Wesley

Angeles, 1967; James Mavor Morell, Candida, Great Lakes Shakespeare Festival, Lake wood, OH, 1969, then Longacre Theatre, New York City, 1970. Papa, Mama, Studio Arena Theatre, Buffalo, NY, 1972; Pastor Manders, Ghosts, Roundabout Theatre, New York City, 1973; Sam Pleasant, And Nothing But, Woodstock Playhouse, Woodstock, NY, 1975; Becket, Murder in the Cathedral, Church of the Heavenly Rest, New York City, 1977; Dr. Lucius Bingham, The Stitch in Time, ANTA Theatre, New York City, 1981; Forbes Marston, Curtains!, Westbeth Theatre Center, New York City, 1981; the Man, With Love and Laughter, Harold Clurman Theatre, New York City, 1982. Also appeared in The Grass Is Greener and Not Even in Spring, both Ivanhoe Theatre, Chicago, IL, 1966; Captain Brassbound's Conversion, Pasadena Playhouse, 1966; with the Bucks County Playhouse, New Hope, PA, 1972; in King Lear and Under the Gaslight, both Great Lakes Shakespeare Festival, 1974.

1913-

PERSONAL: Born August 4, 1913, in Omaha, NE; son of John R. and Maren S. Addy; married Celeste Holm (an actress), May 22, 1966. EDUCATION—University of California, Los Angeles, B.A., 1934. MILITARY—U.S. Army, major, 1941-45. VOCATION: Actor. CAREER: BROADWAY DEBUT—Chorus, Panic, Imperial Theatre, 1935. PRINCIPAL STAGE APPEARANCES—Wedding guest, How Beautiful with Shoes, Booth Theatre, New York City, 1935; Marcellus and Fortinbras, Hamlet, Imperial Theatre, New York City, 1936; Earl of Salisbury, Richard II, St. James Theatre, New York City, 1937; Bernardo and Fortinbras, Hamlet, St. James Theatre, 1938; Hotspur, Henry IV, Part One and Melvin Lockhart, Summer Night, both St. James Theatre, 1939; Benvolio, Romeo and Juliet, 51st Street Theatre, New York City, 1940; Orsino, Twelfth Night, St. James Theatre, 1940; Haemon, Antigone and James Mavor Morell, Candida, both Cort Theatre, 1946; Benjamin Hubbard, Another Part of the Forest, Fulton Theatre, New York City, 1947; old Cardinal, Galileo, American National Theatre and Academy (ANTA) Experimental Theatre Company, Maxine Elliott's Theatre, New York City, 1947; Harry, The Leading Lady, National Theatre, New York City, 1948; Professor Allen Carr, The Traitor, 48th Street Theatre, New York City, 1949.

MAJOR TOURS—Dwight Babcock, Mame, U.S. cities, 1967-68; the Man, With Love and Laughter, U.S. cities, 1963; also appeared in An Evening of the Theatre in Concert, international cities, 196667; The Irregular Verb, To Love, U.S. cities, 1973. FILM DEBUT—Father John Fulton, The First Legion, United Artists, 1951. PRINCIPAL FILM APPEARANCES—Hank Teagle, The Big Knife, United Artists, 1955; Pat Chambers, Kiss Me Deadly, United Artists, 1955; Brucker, Timetable, United Artists, 1956; Mr. Paul, The Garment Jungle, Columbia, 1957; Sulke, Ten Seconds to Hell, United Artists, 1959; director, Whatever Happened to Baby Jane?, Warner Brothers, 1962; Trowbridge, Four for Texas, Warner Brothers, 1963; sheriff, Hush . . . Hush, Sweet Charlotte, Twentieth Century-Fox, 1964; dice player, Mister Buddwing (also known as Woman Without a Face), Metro-GoldwynMayer, 1966; John, Seconds, Paramount, 1966; Lieutenant Commander Alvin O. Kramer, Torn! Torn! Tora!, Twentieth CenturyFox, 1970; John P. Blandish, The Grissom Gang, National General/Cinerama, 1971; Nelson Chaney, Network, United Artists, 1976; Mr. Wentworth, The Europeans, Levitt-Pickman, 1979; Dr. Towler, The Verdict, Twentieth Century-Fox, 1982; Dr. Tarrant, The Bostonians, Almi, 1984.

Supervisor of Weights and Measures, The Enchanted, Lyceum Theatre, New York City, 1950; Edgar, King Lear, National Theatre, 1950; Ladislaus Oros, S.]., The Strong Are Lonely, Broadhurst Theatre, New York City, 1953; Mr. Henry Brougham, The First Gentleman, Belasco Theatre, New York City, 1957; narrator, Oedipus Rex, City Center Theatre, New York City, 1959; Commander W. Harbison, South Pacific, City Center Theatre, 1961; Mihail Alexandrovich Rakitin, A Month in the Country, Maidman Playhouse, New York City, 1963; George Henderson, Affairs of State, La Jolla Playhouse, La Jolla, CA, 1964, then Pasadena Playhouse, Pasadena, CA, 1966; Mr. Joseph Chamberlain, The Right Honourable Gentleman, Huntington Hartford Theatre, Los

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Hugh Campbell, The Edge of Night, CBS, 1958-59; Bill Woodard, Ryan's Hope, ABC, 1977-78; Cabot Alden, Loving, ABC, 1983—; also The Days of Our Lives, NBC, 1973. Mini-Series: Andrew Jackson, The Adams Chronicles, PBS, 1976. Pilots: Dr. Livingston, The

1

ADLON

CONTEMPORARY

Love Boat, ABC, 1977. Episodic: Narrator, "The Brick and the Rose," Television Workshop, CBS, 1960; Dr. Rahm, "The Brain of Colonel Barham," The Outer Limits, ABC, 1965; also Slattery's People, CBS, 1965; The Fugitive, ABC, 1965; Perry Mason, CBS, 1966; I Spy, NBC, 1966; Twelve O' Clock High, ABC, 1966; Love on a Rooftop, ABC, 1967; The Doctor (also known as The Visitor), NBC; Short, Short Drama, NBC. Movies: Middleton, Tail Gunner Joe, NBC, 1977; Abner Parker, Rage of Angels, NBC, 1983. Specials: Mr. Smith, "Meet Me in St. Louis," Summer Fun, ABC, 1966.

THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Actor. CAREER: FILM DEBUT—Lieutenant Michael "Mickey" O'Rourke, Fort Apache, RKO, 1948. PRINCIPAL FILM APPEARANCES— Tom Wade, Adventure in Baltimore (also known as Bachelor Bait), RKO, 1949; Private First Class Conway, The Sands oflwo Jima, Republic, 1949; Lieutenant Flint Cohill, She Wore a Yellow Ribbon, RKO, 1949; Lieutenant Joe Mallory, Breakthrough, Warner Brothers, 1950; Don Lowry, The Woman on Pier 13 (also known as I Married a Communist), RKO, 1950; Billy Shear, Along the Great Divide, Warner Brothers, 1951; Ramoth, The Magic Carpet, Columbia, 1951; David Powell, Woman of the North Country, Republic, 1952; Ray Compton, Man of Conflict, Atlas, 1953; Ray, Bait, Columbia, 1954; Bill Buchanan, The Golden Mistress, United Artists, 1954; Tom Baxter, The Rocket Man, Twentieth CenturyFox, 1954; Mark Brewster, Shield for Murder, United Artists, 1954; Joe, Hold Back Tomorrow, Universal, 195 5 ;Clete Ferguson, Revenge of the Creature, Universal, 1955; Dr. Matt Hastings, Tarantula, Universal, 1955; Sheriff Bill Jorden, Star in the Dust, Universal, 1956; Dr. Roger Bentley, The Mole People, Universal, 1956; George Hastings, Daughter of Dr. Jekyll, Allied Artists, 1957; Luke Random/Matthew Random, Flesh and the Spur, American International, 1957; Sergeant Dick Mason, Joe Butterfly, Universal, 1957; Jeff, Ride a Violent Mile, Twentieth CenturyFox, 1957; Bob Westley, Attack of the Puppet People, American International, 1958; Steve, The Brain from the Planet Arous, Howco, 1958; Jim Crayle, Frontier Gun, Twentieth Century-Fox, 1958; Tom Arnett, Jet Attack (also known as Jet Squad), American International, 1958; Major Bruce Jay, Invisible Invaders, United Artists, 1959.

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. ADDRESSES: AGENT—Lionel Larner Ltd., 130 W. 57th Street, New York, NY 10019.*

ADLON, Percy 1935PERSONAL: Born in 1935 in Munich, Germany; wife's name, Eleonore. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Director: Celeste, New Yorker/Artificial Eye, 1982; The Last Five Days (also known as Letze Funf Tage), Bayerischer Rundfunk, 1982; The Swing (also known as Die Schaukel), Filmverlag der Autoren, 1983; (also producer) Sugarbaby (also known as Zuckerbaby), Kino International, 1985; (also producer with Eleonore Adlon) Bagdad Cafe (also known as Out ofRosenheim), Futura/Filmuerlag der Autoren/Island, 1987; (also producer) Rosalie Goes Shopping (also known as Rosalie fait ses courses), Filmverlag der Autoren, 1989, released in the United States by Four Seasons Entertainment, 1990.

Ike, Raymie, Allied Artists, 1960; Joe McElroy, Lisette (also known as Fall Girl and A Crowd for Lisette), Medallion, 1961; Alex Marsh, Hand of Death (also known as Five Fingers of Death), Twentieth Century-Fox, 1962; Don, Journey to the Seventh Planet, American International, 1962; Sergeant Norcutt, Cavalry Command (also known as Cavalleria commandos), Parade Pictures, 1963; Gus Cole, Of Love and Desire, Twentieth Century-Fox, 1963; intelligence officer, The Young and the Brave, MetroGoldwyn-Mayer, 1963; Pete Stone, Law of the Lawless, Paramount, 1964; Dan Carrouthers, Stage to Thunder Rock, Paramount, 1964; Dawson, Young Fury, Paramount, 1965; Ed Tomkins, Johnny Reno, Paramount, 1966; George Gates, Waco, Paramount, 1966; Dr. Farrell, Women of the Prehistoric Planet, Real Art, 1966; Dr. Curt Taylor, Zontar, The Thing from Venus, Azalea, 1966; Dion O'Bannion, The St. Valentine's Day Massacre, Twentieth Century-Fox, 1967; Christian, The Undefeated, Twentieth Century-Fox, 1969; Patton, Chisum, Warner Brothers, 1970; Bert Ryan, Big Jake, National General, 1971; city official, King Kong, Paramount, 1976; Ivan Peter, Miracle Mile, Hemdale, 1988. Also appeared in The Lonesome Trail, Lippert, 1955; Curse of the Swamp Creature, American International, 1966; Hell Raiders, American International, 1968; How's Your Love Life?, 1977; Perfect Victims, Academy Home Video, 1988.

PRINCIPAL TELEVISION WORK—Movies: Director, The Guardian and His Poet, 1979. RELATED CAREER—Creator of more than forty television documentaries; narrator and editor of radio programs. WRITINGS: See production details above. FILM—Celeste, 1982; The Swing, 1983; Sugarbaby, 1985; (with Eleonore Adlon and Christopher Doherty) Bagdad Cafe, 1987; Rosalie Goes Shopping, 1989. TELEVISION—Movies: The Guardian and His Poet, 1979. AWARDS: Adolf Grimme Award in Gold (German television award), 1979, for The Guardian and His Poet. OTHER SOURCES: American Film, May, 1988.*

PRINCIPAL TELEVISION APPEARANCES—Episodic: ' 'The Next to Crash," Fireside Theatre, NBC, 1952; "Desert Honeymoon," The Unexpected, NBC, 1952; "The Old Man's Bride," Ford Theatre, NBC, 1953; "The Farnsworth Case," Fireside Theatre, NBC, 1954; "Little War in San Dede," Schlitz Play house of Stars, CBS, 1954; "The First and Last," Climax, CBS, 1955; "Earthquake," TheLoretta Young Show, NBC, 1956; "Thousand Dollar Gun," General Electric Theatre, CBS, 1957; Perry Mason, CBS, 1959; Rawhide, CBS, 1960; "Band of Brothers," Bestof the Post, ABC, \96\;BatMasterson, NBC, 1961 'Death Valley Days, ABC,

AGAR, John 1921PERSONAL: Born January 31, 1921, in Chicago, IL; married Shirley Temple (an actress and diplomat), 1946 (divorced, 1949). 2

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THEATRE, FILM, AND TELEVISION

• Volume 8

1949; title role, Reuben, Reuben, Shubert Theatre, Boston, MA, 1955; Jack Jordan, Say, Darling, American National Theatre and Academy Theatre, New York City, 1958; Harold Hill, The Music Man, Majestic Theatre, New York City, 1960; George Bartlett, No Hard Feelings, Martin Beck Theatre, New York City, 1973; Martin Vanderhof, You Can't Take It with You, Plymouth Theatre, New York City, 1983; the Stagehand, Parade of Stars Playing the Palace, Palace Theatre, New York City, 1983.

1964; The Virginian, NBC, 1964; Branded, NBC, 1965; Combat, ABC, 1966; Hondo, ABC, 1967; The Name of the Game, NBC, 1968; The Virginian, NBC, 1968; also "Delaying Action," Hollywood Opening Night, NBC. ADDRESSES: AGENT—William Felber and Associates, 2126 Cahuenga Boulevard, Los Angeles, CA 90068.*

ALBERT, Eddie

ALBERT

FILM DEBUT—Bing Edwards, Brother Rat, Warner Brothers, 1938. PRINCIPAL FILM APPEARANCES—Dr. Clinton Forrest, Jr., Four Wives, Warner Brothers, 1939; Phil Dolan, Jr., On Your Toes, Warner Brothers, 1939; Peter Coleman, An Angel from Texas, Warner Brothers, 1940; Bing Edwards, Brother Rat and a Baby (also known as Baby Be Good), Warner Brothers, 1940; Max Stargardt, A Dispatch from Reuters (also known as This Man Renter}, Warner Brothers, 1940; Dusty Rhodes, My Love Came Back, Warner Brothers, 1940; Clint Forrest, Four Mothers, Warner Brothers, 1941; Dreamy, The Great Mr. Nobody, Warner Brothers, 1941; George Watkins, Out of the Fog, Warner Brothers, 1941; Eddie Barnes, Thieves Fall Out, Warner Brothers, 1941; Matt Varney, The Wagons Roll at Night, Warner Brothers, 1941; Leckie, Eagle Squadron, Universal, 1942; Terry Moore, Lady Bodyguard, Paramount, 1942; Bill "Panama Kid" Kingsford, Treat''em Rough, Universal, 1942; Tom Hughes, Bombardier, RKO, 1943; Wacky, Ladies' Day, RKO, 1943; Chris Thomson, Strange Voyage, Signal, 1945; Gil Cummins, The Perfect Marriage, Paramount, 1946; Kip Walker, Hit Parade of 1947, Republic, 1947; Steve, Smash-Up: The Story of a Woman (also known as Woman Destroyed), Universal, 1947; Jake Bullard, Time Out of Mind, Universal, 1947; Daniel Bone, The Dude Goes West, Allied Artists, 1948; Bullets Booker, You Gotta Stay Happy, Universal, 1948.

1908-

PERSONAL: Born Edward Albert Heimberger, April 22, 1908, in Rock Island, IL; son of Frank Daniel (a realtor) and Julia (Jones) Heimberger; married Maria Margarita Guadalupe Teresa Estella Bolado Castilla y O'Donnell (an actress and singer; professional name, Margo Albert), December 5, 1945 (deceased); children: Edward, Maria. EDUCATION—Attended the University of Minnesota, 1927-29. MILITARY—U.S. Navy, lieutenant. VOCATION: Actor. CAREER: BROADWAY DEBUT—O, Evening Star!, Empire Theatre, 1936. PRINCIPAL STAGE APPEARANCES—Bing Edwards, Brother Rat, Biltmore Theatre, New York City, 1936; Leo Davis, Room Service, Cort Theatre, New York City, 1937; Antipholus, The Boys from Syracuse, Alvin Theatre, New York City, 1938; Horace Miller, Miss Liberty, Imperial Theatre, New York City,

Humphrey Briggs, The Fuller Brush Girl (also known as The Affairs of Sally), Columbia, 1950; Christopher Leeds, Meet Me After the Show, Twentieth Century-Fox, 1951; Lieutenant Bill Barron, You're in the Navy Now (also known as U.S.S. Tea Kettle), Twentieth Century-Fox, 1951; Orlando Higgins, "Woman of Sin" in Actors and Sin, United Artists, 1952; Charles Drouet, Carrie, Paramount, 1952; Irving Radovich, Roman Holiday, Paramount, 1953; Eliot Atterbury, The Girl Rush, Paramount, 1955; Burt McGuire, /'// Cry Tomorrow, Metro-Goldwyn-Mayer (MGM), 1955; Ali Hakim, Oklahoma!, Magna Theatres, 1955; Captain Cooney, Attack!, United Artists, 1956; Captain McLean, The Teahouse of the August Moon, MGM, 1956; Austin Mack, The Joker Is Wild (also known as All the Way), Paramount, 1957; Bill Gorton, The Sun Also Rises, Twentieth Century-Fox, 1957; Hanagan, The Gun Runners, United Artists, 1958; Major MacMahon, Orders to Kill, United Motion Picture, 1958; Abe Fields, The Roots of Heaven, Twentieth Century-Fox, 1958; Carter, Beloved Infidel, Twentieth Century-Fox, 1959. Harry Davis, The Two Little Bears, Twentieth Century-Fox, 1961; Dr. Charles Dornberger, The Young Doctors, United Artsts, 1961; Colonel Newton, The Longest Day, Twentieth Century-Fox, 1962; Harvey Ames, Madison Avenue, Twentieth Century-Fox, 1962; Clint Morgan, Who's Got the Action?, Paramount, 1962; Colonel Bliss, Captain Newman, M.D., Universal, 1963; Rider Otto, Miracle of the White Stallions (also known as The Flight of the White Stallions), Buena Vista, 1963; Ben, The Party's Over, Allied Artists, 1966; Charles Pether, Seven Women, MGM, 1966; Mr. Corcoran, The Heartbreak Kid, Twentieth Century-Fox, 1972; Warden Hazen, The Longest Yard, Paramount, 1974; Captain Ed Kosterman, McQ, Warner Brothers, 1974; Chief Berrigan, The Take, Columbia, 1974; Dr. Samuel Richards, The Devil's Rain,

EDDIE ALBERT

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Bryanston, 1975; Jason O'Day, Escape to Witch Mountain, Buena Vista, 1975; Leo Sellars, Hustle, Paramount, 1975; Colonel Lockyer, Whiffs, Twentieth Century-Fox, 1975; Pa Strawacher, Birch Interval, Gamma III, 1976; Alex Warren, Moving Violation, Twentieth Century-Fox, 1976; Eli Sande, The Concorde—Airport'79 (also known as Airport '79 and Airport '80: The Concorde}, Universal, 1979.

Homer Sixx, The Oklahoma City Dolls, ABC, 1981; Festus, Peter and Paul, CBS, 1981; Reverend Harlan Barnum, Rooster, ABC, 1982; Joe Varon, Mercy or Murder?, NBC, 1987; Father Dietrich, The Demon Murder Case, NBC, 1983; Will Larson, Burning Rage, CBS, 1984; Judge Hand, Dress Gray, NBC, 1984; also Nutcracker: Money, Madness, Murder, NBC, 1987. Specials: Bumerli, The Chocolate Soldier, NBC, 1955; Martin Barret, A Connecticut Yankee, NBC, 1955; Dr. Jack Davidson, Johnny Belinda, CBS, 1955; host, The Night of Christmas, NBC, 1959; Paul Hughes, The Ballad of Louie the Louse, CBS, 1959; Hollywood Sings, NBC, 1960; Albeit Warren, "The Spiral Staircase," Theatre '62, NBC, 1961; cameo, Lil Abner, NBC, 1971; narrator, Dr. Seuss' "The Lorax," CBS, 1972; Pod Clock, "The Borrowers," Hallmark Hall of Fame, NBC, 1973; title role, The Lives of Ben Franklin: The Ambassador, CBS, 1974; host, Siegfried and Roy, NBC, 1980; Parade of Stars, ABC, 1983; Sylvia Fine Kaye's Musical Comedy Tonight III: The Spark and the Glue, PBS, 1985; Bill Watson, "Daddy Can't Read," ABC Afterschool Specials, ABC, 1988.

Daggett, Foolin' Around, Columbia, 1980; Max, How to Beat the High Cost of Living, American International, 1980; Bert Kramer, Yesterday, Cinepix, 1980; Samuel Ellison, Take This Job and Shove It, AVCO-Embassy, 1981; Henry Pollack, Yes, Giorgio, Metro-Goldwyn-Mayer/United Artists, 1982; Harry, The Act (also known as Bless 'em All), Film Ventures, 1984; the President, Dreamscape, Twentieth Century-Fox, 1984; Dean Bradley, Stitches, International Film Marketing, 1985; Helmes, Head Office, TriStar, 1986; Captain Danny Jackson, Terminal Entry, United Film, 1988; Police Chief, Brenda Starr, New World, 1989. Also appeared in Rendezvous with Annie, Republic, 1946; This Time Forever, 1981; Turnaround, Rose Productions/A-S-Major, 1987; The Big Picture, Columbia, 1989.

PRINCIPAL RADIO APPEARANCES—Series: Eddie, The Honeymooners—Grace and Eddie, NBC, 1935. RELATED CAREER—Founder, Eddie Albert Productions (a production company specializing in educational films), 1945; appeared in a nightclub act with Margo Albert, 1954; also singer with the Threesome, performing on radio and on stage throughout the United States; theatre manager in Minneapolis, MN.

PRINCIPAL TELEVISION APPEARANCES—Series: Larry Tucker, Leave It to Larry, CBS, 1952; host, Nothing But the Best, ABC, 1953; host, The Eddie Albert Show, CBS, 1953; host, Saturday Night Revue, NBC, 1954; host, On Your Account, CBS, 1954-56; Oliver Wendell Douglas, Green Acres, CBS, 1965-71; Frank McBride, Switch, CBS, 1975-78. Mini-Series: Ogden Towery, The Word, CBS, 1978; Felix Kendrick, BeulahLand, NBC, 1980; Breckinridge Long, War and Remembrance, ABC, 1988. Pilots: Oliver Douglas, Carol, CBS, 1967; Bob Randall, Daddy's Girl, CBS, 1973; Frank McBride, Switch (also known as Las Vegas Roundabout), CBS, 1975; Carroll Yeager, Trouble in High Timber Country, ABC, 1980; Vincent Slattery, Living in Paradise, NBC, 1981; Jason O'Day, Beyond Witch Mountain, CBS, 1982; Bill White, In Like Flynn, ABC, 1985; also Howdy, ABC, 1970.

NON-RELATED CAREER—Special World Envoy, Meals for Millions, 1963; consultant, United Nations Food Conference, Rome, Italy, 1974, and to the governor of Pennsylvania; also chairman, Eddie Albert World Trees Foundation; trustee, National Arbor Day Foundation; national conservation chairman, Boy Scouts of America; trustee, Alaska Pacific University, Anchorage, AK; director, U.S. Committee on Refugees. AWARDS: Academy Award nomination, Best Supporting Actor, 1955, for Roman Holiday; Academy Award nomination, Best Supporting Actor, and National Film Critics' Award, both 1972, for The Heartbreak Kid; Presidential World Without Hunger Award, 1984. HONORARY DEGREES—Southern Illinois University, Doctor of Fine Arts, 1982.

Episodic: Andy Thorne, "Cry of Silence," The Outer Limits, ABC, 1964; Mack Erickson, Hotel, ABC, 1985; Senator Corky McCorkindale, Highway to Heaven, NBC, 1986; Carlton Travis, Falcon Crest, CBS, 1987; Jackson Lane, Murder, She Wrote, CBS, 1988; Charlie Weston, thirty something, ABC, 1989; also Teller of Tales (also known as The Somerset Maugham TV Theatre}, CBS, 1950; Revlon Mirror Theatre, NBC, 1953; "Journey to No where," Philip Morris Playhouse, CBS, 1953; The David Niven Theatre, NBC, 1959; Land of the Giants, ABC, 1964; Hippodrome, CBS, 1966; Turandot, PBS, 1982; "1984," Studio One, CBS; Your Show of Shows, NBC; Alcoa Premiere, ABC; Climax!, CBS; Playhouse 90, CBS; Schlitz Playhouse of Stars, CBS; Chrysler Medallion Theatre, CBS; Ford Theatre Hour, NBC; Front Row Center, CBS; Kraft Suspense Theatre, NBC; Lights Out, NBC; The Loretta Young Theatre, NBC; The Motorola Hour, CBS;Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS; The Alcoa Hour, NBC; Chevrolet Tele-Theatre, NBC; Dupont Show of the Week, NBC; Goodyear Television Playhouse, NBC; U.S. Steel Hour, CBS; The Virginian, NBC; Wagon Train, NBC; Sam Benedict, NBC; Wide Country, NBC; The Naked City, ABC; Dr. Kildare, NBC; The Lieutenant, NBC; The Love Boat, ABC; The Fall Guy, ABC.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, National Recreation and Parks Association (board of trustees), Bohemian Club (San Francisco). SIDELIGHTS: RECREATIONS—Organic gardening, reading philosophical works, playing the guitar, beachcombing, designing and making movies and glass paintings, going on field trips with his son. ADDRESSES: AGENT—Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.*

ALEXANDER, Jason

Movies: Dr. Thomas Spencer, See the Man Run, ABC, 1971; Colonel Douglas Graham, Fireball Forward, ABC, 1972; Pop, Promise Him Anything, ABC, 1975; Brian Murphy, Evening in Byzantium, syndicated, 1978; Captain Dunn, Crash, ABC, 1978; Admiral Wiley Sloan, Goliath Awaits, syndicated, 1981; Coach

1959-

PERSONAL: Born Jay Scott Greenspan, September 23, 1959, in Newark, NJ; son of Alex B. (an accounting manager) and Ruth M. (a nurse and health care administrator; maiden name, Simon) 4

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ALLEN

Sutherland, Darby s Rangers (also known as Young Invaders), Warner Brothers, 1958; Hal MacQueen, Juvenile Jungle, Republic, 1958; Cookie, Party Girl, Metro-Goldwyn-Mayer (MGM), 1958; magician, Key Witness, MGM, 1960; Duke, Private Property, Citations, 1960; Wash Dillon, The Chapman Report, Warner Brothers, 1962; Scotty, Sweet Bird of Youth, MGM, 1962.

Greenspan; married Daena Title (a writer), May 31, 1982. EDUCATION—Attended Boston University. POLITICS—Democrat. VOCATION: Actor. CAREER: BROADWAY DEBUT—Joe Josephson, Merrily We Roll Along, Alvin Theatre, 1981. LONDON DEBUT—Lino, The Rink, Her Majesty's Theatre, 1988. PRINCIPAL STAGE APPEARANCES— Ensemble, Forbidden Broadway (revue), Palsson's Theatre, New York City, 1983; Lino, Lenny, Punk, and Uncle Fausto, The Rink, Martin Beck Theatre, New York City, 1984; Billy, D., Manhattan Theatre Club, New York City, 1985; Louis, Personals, Minetta Lane Theatre, New York City, 1985-86; Stanley, Broadway Bound, Broadhurst Theatre, New York City, 1986; emcee and various roles, Jerome Robbins' Broadway, Imperial Theatre, New York City, 1988-89.

PRINCIPAL FILM WORK—Director, The Erotic Adventures of Pinocchio (also known as It's Not His Nose That Grows), JLT Films, 1970; director, Thunder and Lightning, Twentieth CenturyFox, 1977; director, Avalanche, New World, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Johnny Baker, Men into Space, CBS, 1959-60. Episodic: Perry Mason, CBS; Alfred Hitchcock Presents. Specials: ''Forever James Dean," Crazy About the Movies, Cinemax, 1988.

FILM DEBUT—Dave, The Burning, Filmways, 1981. PRINCIPAL FILM APPEARANCES—Pool hustler, Brighton Beach Memoirs, Universal, 1986; clerk, The Mosquito Coast, Warner Brothers, 1986.

ALLEN, Corey 1934-

PRINCIPAL TELEVISION WORK—All as director. Mini-Series: Spies, CBS, 1987. Pilots: Stone, ABC, 1979; The Return of Frank Cannon, CBS, 1980; I-Man, ABC, 1986; JJ. Starbuck, NBC, 1987; "Encounter at Farpoint," Star Trek: The Next Generation, syndicated, \9%1 \SonnySpoon, NBC, 1988\RoadShow(broadcast as an episode of CBS Summer Playhouse), CBS, 1988; UNSUB, NBC, \989\aholnfiltrator, 1987. Episodic: Kate McShane, CBS, 1975; The Quest, NBC, 1976; Lucan, ABC, 1978; Chicago Story, NBC, 1982; Hill Street Blues, NBC, 1984; Jessie, ABC, 1984; Legmen, NBC, 1984; Code Name: Foxfire, NBC, 1985; The Otherworld, CBS, 1985; Dallas, CBS, 1985 and 1986; "Song of the Younger World," The Twilight Zone, CBS, 1987; Magnum, P.I., CBS, 1987; JJ. Starbuck, NBC, 1987; Hunter, NBC, 1988; Sonny Spoon, NBC, 1988; Supercarrier, ABC, 1988; UNSUB, NBC, 1989; also Police Story, NBC; Movin' On, NBC; Police Woman, NBC; The Rockford Files, NBC; Bronk, CBS; Executive Suite, CBS; Most Wanted, ABC; Quincy, M.E., NBC; Murder, She Wrote, CBS; The Family Holvak, NBC; Trapper John, M.D., CBS; McClain's Law, NBC; Lobo (also known as The BJ.ILobo Show), NEC', Capitol, CBS; Matt Houston, ABC; Simon and Simon, CBS; T.J. Hooker, ABC; The Powers of Matthew Star, NBC; Tucker s Witch, CBS; The Paper Chase: The Second Year, Showtime; Scarecrow and Mrs. King, CBS; The Whiz Kids, CBS; High Chaparral, NBC; Hawaii Five-0, CBS;Mannix, CBS; Dr. Kildare, NBC; Streets of San Francisco, ABC; Ironside, NBC; Barnaby Jones, CBS; This Is the Life. Movies: See the Man Run, ABC, 1971; Cry Rape!, CBS, 1973; (with Bob Rosenbaum) Yesterday's Child, NBC, 1977; The Man in the Santa Claus Suit, NBC, 1979; Beverly Hills Cowgirl Blues, CBS, 1985; Brass, CBS, 1985; The Last Fling, ABC, 1987; Destination: America, ABC, 1987; The Ann Jillian Story, NBC, 1988.

PERSONAL: Born Alan Cohen, June 29, 1934, in Cleveland, OH. EDUCATION—Graduated from the University of California, Los Angeles, 1954; attended the University of California, Los Angeles, Law School, 1954-55.

RELATED CAREER—Actor with the Players Ring and the Players Gallery, both Los Angeles; also producer (with John Herman Shaner), Freeway Circuit Theatre; director (with Guy Stockwell), Actors' Workshop.

TELEVISION DEBUT—Pete, Senior Trip!, CBS, 1981. PRINCIPAL TELEVISION APPEARANCES—Series: Harold Stickley, E/R, CBS, 1984-85; Julian Beeby, Everything's Relative, CBS, 1987. Pilots: George Costanza, The Scheinfeld Chronicles, NBC, 1989. Episodic: Ramming, Newhart, CBS, 1988. Movies: Lieutenant Ernest Foy, Rockabye, CBS, 1986; Chris Van Allen, Favorite Son, NBC, 1988. RELATED CAREER—Company member, Arena Stage, Washington, DC, 1975-76, then 1977-78. WRITINGS: STAGE—Narrative, Jerome Robbins' Broadway, Imperial Theatre, New York City, 1988. AWARDS: Drama Desk Award nomination, Best Musical Actor, 1985; Antoinette Perry Award, Drama Desk Award, and Outer Critics' Circle Award, Best Musical Actor, 1989, all for Jerome Robbins' Broadway. ADDRESSES: AGENT—Bonni Allen, Bonni Allen Talent, 250 W. 57th Street, Suite 1001, New York, NY 10107.

VOCATION: Director, screenwriter, and actor. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, Nite Club Confidential, Los Angeles, 1986.

WRITINGS: FILM—The Erotic Adventures of Pinocchio (also known as It's Not His Nose That Grows), JLT Films, 1970; (with Claude Pola) Avalanche, New World, 1978.

PRINCIPAL FILM APPEARANCES—Young man in town, The Night of the Hunter, United Artists, 1955; Buzz, Rebel Without a Cause, Warner Brothers, 1955; Roy, The Big Caper, United Artists, 1957; Gil Ramsby, The Shadow on the Window, Columbia, 1957; Tony

AWARDS: Emmy Award, Outstanding Directing in a Drama Series (Single Episode), 1984, for Hill Street Blues; Los Angeles Drama Critics' Circle Award nomination, Best Musical Direction, 1987, for Nite Club Confidential. * 5

ALLEN

ALLEN, Elizabeth

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1934-

ABC, \963-StoneyBurke, ABC, 1963 \Burke's Law, ABC, 1963; Girl Talk, ABC, 1963; Chan Canasta, WNEW-TV (New York City), 1963; The Tonight Show, NBC, 1963; Ben Casey, ABC, 1963 and 1965; Slavery's People, CBS, 1964; The Fugitive, ABC, 1964 and 1966; The Man from U.N.C.L.E., NBC, 1966; Dr. Kildare, NBC, 1966. Movies: Jean Michaels, No Other Love, CBS, 1979. Specials: Betty Compton, The Jimmy Walker Story, CBS, 1960; Sergeant Juden, Five-Finger Discount, NBC, 1977; Battle of the Network Stars, ABC, 1977.

PERSONAL: Born Elizabeth Ellen Gillease, January 25, 1934, in Jersey City, NJ; daughter of Joseph and Viola (Mannion) Gillease; married Baron Carl Von Vietinghoff-Scheel, October 23, 1952 (divorced, 1955). EDUCATION—Attended the Traphagen School of Design, 1952-54, and Rutgers University. VOCATION: Actress. CAREER: STAGE DEBUT—Julie, The Tender Trap, summer theatre production, 1955. BROADWAY DEBUT—Juliet, Romanoff and Juliet, Plymouth Theatre, 1957. PRINCIPAL STAGE APPEARANCES—Ophelia, Hamlet, Helen Hayes Group, Brooklyn Academy of Music, Brooklyn, NY, 1956; Viola, Twelfth Night, Helen Hayes Group, Young Men's Hebrew Association, New York City, 1956; Portia, The Merchant of Venice, Helen Hayes Group, City Center Theatre, New York City 1957; Jane, The Reluctant Debutante, Ivy Tower Playhouse, Spring Lake, NJ, 1957; Kitty, Where's Charley?, Coconut Grove Playhouse, Miami, FL, 1959; ensemble, Lend an Ear (revue), Renata Theatre, New York City, 1959; Frenchy, Destry Rides Again, Starlight Theatre, Kansas City, MO, 1961; Magda, The Gay Life, Shubert Theatre, New York City, 1961; Nellie Forbush, South Pacific, Civic Arena, Pittsburgh, PA, 1964; Leona Samish, Do I Hear a Waltz?, 46th Street Theatre, New York City, 1965; Annie Oakley, Annie Get Your Gun, Sacramento Music Circus, Sacramento, CA, 1966; Maggie Cutler, Sherry!, Alvin Theatre, New York City, 1967; Dorothy Brock, 42ndStreet, Winter Garden Theatre, New York City, 1980. Also appeared as Martha, Who's Afraid of Virginia Wool/?, San Diego, CA, 1973.

RELATED CAREER—Show girl and singer; toured in a Pontiac Industrial show, 1957. NON-RELATED CAREER—Fashion designer and model. AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actress in a Musical, 1962, for The Gay Life; Laurel Award, Outstanding New Female Personality, 1963; Variety New York Drama Critics' Poll Award, Best Performance By a Female Lead in a Musical, 1965, for Do I Hear a Waltz? MEMBER: Screen Actors Guild (national recording secretary, 1973 and 1975), Motion Picture Academy of Arts and Sciences (board of governors), Actors' Equity Association, American Federation of Television and Radio Artists, American Guild of Variety Artists. SIDELIGHTS: FAVORITE ROLES—Viola in Twelfth Night and Annie Oakley in Annie Get Your Gun. RECREATIONS—Swimming, sailing, playing the guitar, sewing, and cooking. ADDRESSES: AGENT—International Creative Management, 40 W. 57th Street, New York, NY 10019.*

MAJOR TOURS—Irene, Say, Darling, U.S. cities, 1959; Babe, The Pajama Game, U.S. cities, 1960; Nellie Forbush, South Pacific, U.S. cities, 1960; Julie, Show Boat, U.S. cities, 1963; Nellie Forbush, South Pacific, U.S. cities, 1963; Lois and Bianca, Kiss Me, Kate, U.S. cities, 1964; Nancy, Oliver!, U.S. cities, 1966; Stephanie, Cactus Flower, U.S. cities, 1967; Hannah Warren, "Visitor from New York," Diana Nichols, "Visitors from London," and Gert Franklin, "Visitors from Chicago," all in California Suite, U.S. cities, 1977-78; Dorothy Brock, 42ndStreet, U.S. cities, 1985; also in My Daughter's Rated X, U.S. cities, 1973; Mother Is Engaged, U.S. cities, 1974.

ALLEN, Woody

1935-

PERSONAL: Born Allen Stewart Konigsberg, December 1, 1935, in Brooklyn, NY; legal name, Heywood Allen; son of Martin (a waiter and jewelry engraver) and Nettie (Cherry) Konigsberg; married Harlene Rosen, 1954 (divorced, 1960); married Louise Lasser (an actress), February 2, 1966 (divorced, 1969); children: Dylan Farrow (adopted daughter, with Mia Farrow), Satchel (with Farrow). EDUCATION—Attended New York University, 1953, and the City College of New York, 1953.

PRINCIPAL FILM APPEARANCES—Sage Rimmington, From the Terrace, Twentieth Century-Fox, 1960; Laura Beckett, Diamond Head, Columbia, 1962; Amelia Dedham, Donovan's Reef, Paramount, 1963; Miss Guinevere Plantagenet, Cheyenne Autumn, Warner Brothers, 1964; Mrs. MacKaninee, Star Spangled Girl, Paramount, 1971; Evelyn Randall, The Carey Treatment, MetroGoldwyn-Mayer, 1972.

VOCATION: Actor, director, and writer. CAREER: Also see WRITINGS below. BROADWAY DEBUT— Allan Felix, Play It Again, Sam, Broadhurst Theatre, 1969.

TELEVISION DEBUT—Away-We-Go girl, The Jackie Gleason Show, CBS, 1955. PRINCIPAL TELEVISION APPEARANCES— Series: Regular, Jackie Gleason and His American Scene Magazine, CBS, 1962-66; Laura Deane, Bracken's World, NBC, 196970; Martha Simms, The PaulLynde Show, ABC, 1972-73; Captain Quinlan, C.P.O. Sharkey, NBC, 1976-77; Victoria Bellman, Texas, NBC, 1980-82. Episodic: Saleswoman, "The After Hours," The Twilight Zone, CBS, 1960; also The Jack Paar Show, NBC, 1959; "The Hungry Class," Thriller, NBC, 1960; Tales of Wells Fargo, NBC, 1960; The Alcoa Hour, ABC, 1960; Checkmate, CBS, I960-Bachelor Father, NBC, 1960; The Naked City, ABC, 1960 and 1963; "The Grim Reaper," Thriller, NBC, 1961; 77 Sunset Strip, ABC, 1961; Route 66, CBS, 1961; Alfred Hitchcock Presents, CBS, 1962; The Ed Sullivan Show, CBS, 1962; Combat,

PRINCIPAL FILM APPEARANCES—Victor Shakapopulis, What's New, Pussycat?, United Artists, 1965; narrator, host, and voice characterization, What's Up, Tiger Lily?, American International, 1966; Jimmy Bond and Dr. Noah, Casino Royale, Columbia, 1967; Virgil Starkwell, Take the Money and Run, Cinerama, 1969; Fielding Mellish, Bananas, United Artists, 1971; Allan Felix, Play It Again, Sam, Paramount, 1972; Victor, Fabrizio, Fool, and Sperm, Everything You Always Wanted to Know About Sex* (*but were afraid to ask), United Artists, 1972; Miles Monroe, Sleeper, United Artists, 1973; Boris, Love andDeath, United Artists, 1975; Howard Prince, The Front, Columbia, 1976; Alvy Singer, Annie Hall, United Artists, 1977; Isaac Davis, Manhattan, United Artists,

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ALLEN

RELATED CAREER—As a gag writer, supplied jokes for such performers as Herb Shriner, Art Carney, Kaye Ballard, Buddy Hackett, and Carol Channing during the 1950s; as a stand-up comedian, appeared throughout the United States and Europe during the 1960s; plays jazz clarinet with New Orleans Funeral and Ragtime Orchestra, New York City. WRITINGS: See production details above, unless indicated. STAGE— (Contributor) From A to Z (revue), Plymouth Theatre, New York City, 1960; Don't Drink the Watgr, Morosco Theatre, New York City, 1966, published by Samuel French Inc., 1961; Play It Again, Sam, 1969, published by Random House, 1969; The Floating Light Bulb, Vivian Beaumont Theatre, New York City, 1981, published by Random House, 1982. FILM—What's New, Pussycat?, 1965; (with Frank Buxton, Len Maxwell, Louise Lasser, Mickey Rose, Julie Bennett, Kazuo Yamada, Julie Bennett, and Bryna Wilson) What's Up, Tiger Lily?, 1966; (with Rose) Take the Money and Run, 1969; (with Rose) Bananas, 1971, published in Four Screenplays, Random House, 1978; Play It Again, Sam, 1972; Everything You Always Wanted to Know About Sex* (*but were afraid to ask), 1972; (with Marshall Brickman; also composer), Sleeper, 1973, published in Four Screenplays, 197'8; Love and Death, 1975, published in Four Screenplays, 1978; (with Brickman) Annie Hall, 1977, published in Four Screenplays, 1978, and in Four Films of Woody Allen, Random House, 1982; Interiors, 1978, published in Four Films of Woody Allen, 1982; (with Brickman) Manhattan, 1979, published in Four Films of Woody Allen, 1982; Star-dust Memories, 1980, published in Four Films of Woody Allen, 1982; A Midsummer Night's Sex Comedy, 1982; Zelig, 1983, published in Three Films of Woody Allen, Random House, 1987; Broadway Danny Rose, 1984, published in Three Films of Woody Allen, 1987; The Purple Rose of Cairo, 1985, published in Three Films of Woody Allen, 1987; Hannah and Her Sisters, 1986, published by Random House, 1986', Radio Days, 1987; September, 1987; Another Woman, 1988; "Oedipus Wrecks" in New York Stories, 1989; Crimes and Misdemeanors, 1989.

WOODY ALLEN

1979; Sandy Bates, Stardust Memories, United Artists, 1980; Andrew Hobbs, A Midsummer Night's Sex Comedy, Warner Brothers, 1982; title role, Zelig, Warner Brothers, 1983; title role, Broadway Danny Rose, Orion, 1984; Mickey Sachs, Hannah and Her Sisters, Orion, 1986; narrator, Radio Days, Orion, 1987; Mr. Alien, King Lear, Cannon, 1987; Sheldon Mills, "Oedipus Wrecks" in New York Stories, Buena Vista, 1989; Cliff Stern, Crimes and Misdemeanors, Orion, 1989.

TELEVISION—Series: Staff writer, The Colgate Comedy Hour, NBC; staff writer, Your Show of Shows, NBC; staff writer, The Pat Boone-Chevy Showroom, ABC; staff writer, The Tonight Show, NBC; staff writer, The Garry Moore Show, CBS. Specials: (With Larry Gelbart) The Sid Caesar Show, NBC, 1958; (with Gelbart) Hooray for Love, CBS, 1960; Woody's First Special, CBS, 1969; (with Brickman and Rose) The Woody Allen Special, NBC, 1969.

PRINCIPAL FILM WORK—See production details above, unless indicated; all as director, unless indicated. Associate producer, What's Up, Tiger Lily, 1966; Take the Money and Run, 1969; Bananas, 1971; Everything You Always Wanted to Know About Sex* (*but were afraid to ask), 1972; Sleeper, 1973; Love and Death, 1975; Annie Hall, 1977; Interiors, United Artists, 1978; Manhattan, 1979; Stardust Memories, 1980; A Midsummer Night's Sex Comedy, 1982; Zelig, 1983; Broadway Danny Rose, 1984; The Purple Rose of Cairo, Orion, 1985; Hannah and Her Sisters, 1986; Radio Days, 1987; September, Orion, 1987; Another Woman, Orion, 1988; "Oedipus Wrecks" in New York Stories, 1989; Crimes and Misdemeanors, 1989.

RADIO—God, performed by the National Radio Theatre of Chicago, 1978, published by Samuel French Inc., 1975; Death: A Comedy in One Act (staged as Death Knocks), 1975, published by Samuel French Inc., 1975. OTHER—Getting Even, Random House, 1971; Without Feathers, Random House, 1975; (illustrations by Stuart Hample) Non-Being and Somethingness, Random House, 1978; Side Effects, Random House, 1980; The Lunatic's Tale, Redpath Press, 1986. Also contributor to magazines such as the New Yorker, Saturday Review, Playboy, and Esquire.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Hot Dog, NBC, 1970-71. Episodic: Guest host, Hippodrome, CBS, 1966; host, "Woody Allen Looks at 1967," The Kraft Music Hall, NBC, 1967; also The Dick Cavett Show, ABC. Specials: The Best on Record, NBC, 1965; host, Woody's First Special, CBS, 1969; The Woody Allen Special, NBC, 1969; Plimpton! Did You Hear the One About. . .?, ABC, 1971; The Sensational, Shocking, Wonderful, Wacky 70s, NBC, 1980; Storytellers: TheP.E.N. Celebration, PBS, 1987.

RECORDINGS: ALBUMS—Woody Allen, Colpix, 1964; Woody Allen, Volume 2, Colpix, 1965; Woody Allen: Stand-Up Comic— 1964-68, United Artists, 1978. AWARDS: Sylvania Award, 1957, for The Sid Caesar Show; Emmy Award nomination, 1957; Nebula Award for Dramatic Presentation from the Science Fiction Writers of America, 1974, for Sleeper; 1

ALZADO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Special Silver Bear Award from the Berlin Film Festival, 1975; Academy Awards, Best Director and Best Original Screenplay, Academy Award nomination, Best Actor, British Academy of Film and Television Arts Awards, Best Film, Best Director, and Best Screenplay, National Society of Film Critics' Award, Best Screenplay, and New York Film Critics' Circle Awards, Best Director and Best Screenplay, all 1977, for Annie Hall; Academy Award nominations, Best Director and Best Original Screenplay, 1978, both for Interiors; Academy Award nomination, Best Original Screeplay, British Academy of Film and Television Arts Awards, Best Film and Best Screenplay, and New York Film Critics' Award, Best Director, all 1979, for Manhattan; Academy Award nominations, Best Director and Best Original Screenplay, and British Academy of Film and Television Arts Award, Best Original Screenplay, all 1984, for Broadway Danny Rose.

PRINCIPAL TELEVISION APPEARANCES-^Series: Robert Randall, Learning the Ropes, CTV (Toronto), then syndicated in the United States, 1988. Pilots: Deli very man, She's with Me, CBS, 1982; Iron Butt, The Highwayman, NBC, 1987. Movies: Mamie, The Girl, the Gold Watch, and Dynamite, syndicated, 1981; Witkowski, Oceans of Fire, CBS, 1986; Reggie Diaz, Mickey Spillane' s Mike Hammer: Murder Takes All (also known as Mike Hammer in Las Vegas), CBS, 1989. Specials: Host, Yearbook: Class of 1967, CBS, 1985; Dom DeLuise and Friends—Part IV, ABC, 1986; Sportsworld Looks at Sports Humor, NBC, 1986. PRINCIPAL RADIO APPEARANCES—Host of a sports talk show, KWBZ, Denver, CO, 1976-77. NON-RELATED CAREER—Professional football player with the Denver Broncos, 1971-79, Cleveland Browns, 1979-82, and the Los Angeles Raiders, 1982-85; fought Muhammed Ali in an exhibition boxing match, Denver, CO, 1979; volunteer staff member, Children's Hospital; co-chairman, Bike-a-thon and Read-athon for Cystic Fibrosis; honorary head coach, Special Olympic Program for Retarded Children; honorary chairman, Walk for Mankind; honorary national sports commentator and chairman of Arapahoe County Muscular Dystrophy Association; board of directors, American Cancer Society; member, Fight for Life, St. Anthony's Hospital; active in juvenile delinquent programs and the Police Athletic League of Denver.

Academy Award nomination, Best Original Screenplay, British Academy of Film and Television Arts Award, Best Original Screenplay, and New York Critics' Circle Award, Best Screenplay, all 1985, for The Purple Rose of Cairo; Laurel Award from the Writers Guild of America, Lifetime Achievement in the Motion Picture Industry, 1986; Academy Award, Best Original Screenplay, Academy Award nomination, Best Director, British Academy of Film and Television Arts Awards, Best Director and Best Original Screenplay, British Academy of Film and Television Arts Award nomination, Best Actor, Directors Guild of America Award nomination, Outstanding Feature Film Achievement, Golden Globe nominations, Best Director and Best Screenplay, London Film Critics' Award, Best Screenplay, London Film Critics' Award nomination, Best Director, Los Angeles Film Critics' Association Award, Best Screenplay, D.W. Griffith Award from the National Board of Review, Best Director, New York Film Critics' Award, Best Director, and Writers Guild of America Award, Best Screenplay Written Directly for the Screen, all 1986, and Moussinac Prize for Best Foreign Film from the French Film Critics' Union, 1987, all for Hannah and Her Sisters; Academy Award nomination, Best Original Screenplay, and Writers Guild of America Award nomination, Best Screenplay Written Directly for the Screen, both 1987, for Radio Days; Academy Award nominations, Best Director and Best Original Screenplay, both 1990, for Crimes and Misdemeanors.

WRITINGS: (With Paul Zimmerman) Mile High: The Story of Lyle Alzado and the Amazing Denver Broncos, Atheneum, 1978. AWARDS: Earl Hartman Memorial Award from the National Football League, Outstanding Defensive Lineman, 1975; Man of the Year Award from the Denver Jaycees, 1976; Byron "Whizzer" White Humanitarian Award from the National Football League, Man of the Year Award from the National Football League, named All-Pro Defensive Lineman, and American Football Conference Defensive Player of the Year, all 1977; Friend of Youth Award from Optimists International, 1978. ADDRESSES: AGENT—William Morris Agency, 151 El Camino Boulevard, Beverly Hills, CA 90212.*

SIDELIGHTS: RECREATIONS—Playing jazz clarinet, poker, chess, spectator sports (especially basketball). ADDRESSES: MANAGER—Rollins/Joffe/Morra/Brezner 130 W. 57th Street, New York, NY 10019.*

ALZADO, Lyle

Inc., ANA-ALICIA

1956-

PERSONAL: Full name, Ana-Alicia Ortiz; born December 12, 1956, in Mexico City, Mexico; father, in business; mother, a clothing manufacturing executive. EDUCATION—Received B.A., drama, from the University of Texas, El Paso; also attended Wellesley College for one year; studied law at Southwestern Law School; studied acting with Kim Stanley, Milton Katselas, and Julie Bovasso.

1949-

PERSONAL: Full name, Lyle Martin Alzado; born April 3,1949, in Brooklyn, NY. EDUCATION—Yankton College, B.A., 1971.

VOCATION: Actress. VOCATION: Actor and sports commentator. CAREER: PRINCIPAL STAGE APPEARANCES—Gaslight, The Odd Couple, Busybody, The Sound of Music, and Boeing, Boeing, all Adobe Horseshoe Dinner Theatre, Texas, 1973-76.

CAREER: PRINCIPAL FILM APPEARANCES—Second assassin, The Double McGujfin, Mulberry Square, 1979; Bronk Stinson, Ernest Goes to Camp, Buena Vista, 1987; Ivan Moser, Destroyer, Moviestore Entertainment, 1988; Thor Alexeev, Tapeheads, De Laurentiis Entertainment Group, 1988; also appeared in Who's Harry Crumb?, Tri-Star, 1989.

PRINCIPAL FILM APPEARANCES—Janet, Halloween II, Universal, 1981; Arista Zelada, Romero, Four Seasons Entertainment, 1989.

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ANDERSON

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association. SIDELIGHTS: RECREATIONS—Race car driving, motorcycle riding, scuba diving, horseback riding, and tennis. ADDRESSES: AGENT—Ro Diamond, Century Artists, 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.

ANDERSON, Laurie 1947PERSONAL: Born in 1947 in Glenn Ellyn, IL; daughter of Arthur T. and Mary Louise (Rowland) Anderson. EDUCATION—Barnard College, B.A., art history, 1969; Columbia University, M.F.A., sculpture, 1972. VOCATION: Performance artist and composer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—All performance art pieces: For Instants, Part 5, the Kitchen, New York City, 1977; Handphone Table, Museum of Modern Art, New York City, 1978; Americans on the Move, the Kitchen, 1979; United States, Parts I-IV, Brooklyn Academy of Music, Brooklyn, NY, 1983; Empty Places, Next Wave Festival, Brooklyn Academy of Music, 1989; also Automotive, Town Green, Rochester, VT, 1912; Story Show, 191'2; O-Range, 1973; Duets on Ice, 1973; Songs and Stories for the Insomniac, 1975; Refried Beans for Instants, 1976; Like a Stream—3, It's Cold Outside, and Born, Never Asked.

ANA-ALICIA

MAJOR TOURS—Home of the Brave, U.S. cities, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Alicia Nieves, Ryan's Hope, NBC, 1977-78; Melissa Agretti Cumson, Falcon Crest, CBS, 1982-89. Episodic: Aurora, Battlestar Galactica, ABC, 1979; Mary, Moonlighting, ABC, 1988; Samantha Ross, Falcon Crest, CBS, 1989; also Buck Rogers in the 25th Century, NBC, 1979; Galactica 1980, ABC, 1980; Hotel, ABC; The Love Boat, ABC; Quincy, M.E., NBC; The Hardy Boys Mysteries, ABC; BJ. and the Bear, NBC; McC'Iain's Law, NBQLobo, NEC; Next Step Beyond, syndicated. Movies: Drusilla, Louis LAmour's "The Sacketts," NBC, 1979; Thelma Messenkott, Condominium, HBO, 1980; YolandaSuarez,Roughnecks, syndicated, 1980;LisaSaldonna, The Ordeal of Bill Carney, CBS, 1981; Violet, Coward of the County, CBS, 1981; Veronica, Happy Endings, CBS, 1983. Specials: Battle of the Network Stars, ABC, 1983; Philadelphia host, CBS All-American Thanksgiving Day Parade, CBS, 1985; Walt Disney World host, The Second Annual CBS Easter Parade, CBS, 1986; host, The CBS Cotton Bowl Parade, CBS, 1986; Texas 150: A Celebration Special, CBS, 1986; host, CBS Tournament of Roses Parade, CBS, 1988.

PRINCIPAL FILM APPEARANCES—Home of the Brave, Cinecom International, 1986. PRINCIPAL FILM WORK—Co-producer, director, and soundtrack co-producer, Home of the Brave, Cinecom International, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Host, Alive from Off Center, PBS, 1987. RELATED CAREER—As a performance artist and musician (electronic keyboard and electric violin), has appeared in one-woman shows at Barnard College, New York City, 1970, Harold Rivkin Gallery, Washington, DC, 1973, Artists Space, New York City, 1974, Holly Solomon Gallery, New York City, 1977, Museum of Modern Art, New York City, 1978, Holly Solomon Gallery, 198081, and at the Queens Museum, Queens, NY, 1984; art history instructor, City College of New York, New York City, 1973-75; artist in residence, ZBS Media, 1975; critic for such magazines as Art News and Art Forum.

RELATED CAREER—Founder of Zitro Productions; company member, Twelfth Night Repertory Company.

WRITINGS: STAGE—All as writer, composer, and visual designer of performance art pieces, unless indicated: Story Show, 1972; Automotive, 1972; O-Range, 1913'.Duets on Ice, 1973; Songs and Stories for the Insomniac, 1975; Refried Beans for Instants, 1976; For Instants, Part 5, the Kitchen, New York City, 1977; Handphone Table, Museum of Modern Art, New York City, 1978; Americans on the Move, the Kitchen, 1979; United States, Parts I-IV, Brooklyn Academy of Music, Brooklyn, NY, 1983; Home of the Brave (concert performance), U.S. cities, 1985; (composer only)

NON-RELATED CAREER—Real estate broker; trainee with the Los Angeles Police Reserve. AWARDS: Golden Eagle Award, Best Television Actress, 1984 and 1989.

9

ANDERSON

CONTEMPORARY

Alcestis, American Repertory Theatre, Cambridge, MA, 1986; Empty Places, Next Wave Festival, Brooklyn Academy of Music, 1989; also Like a Stream—3, It's Cold Outside, and Bom, Never Asked.

THEATRE,

FILM, AND TELEVISION

• Volume 8

director, The Shoes of the Fisherman, MGM, 1968; director, Pope Joan (also known as The Devil's Imposter), Columbia, 1972; director, Conduct Unbecoming, Allied Artists, 1975; director, Doc Savage . . . The Man of Bronze, Warner Brothers, 1975; director, Logan's Run, Metro-Goldwyn-Mayer/United Artists, 1976; director, Orca (also known as Orca—The Killer Whale), Paramount, 1977; director, Dominique, Subotsky, 1978; director, Bells (also known as Murder By Phone and The Calling), New World, 1981; director, Second Time Lucky, United International, 1984; director, Separate Vacations, RSL, 1986; director, La Boutique de I'orfevre (also known as The Goldsmith's Shop, The Jeweller's Shop, and La bottega dell' orefice), Alliance Releasing/Produzioni Atlas Consorziate, 1989; director, Millennium, Twentieth CenturyFox/Rank Film Distributors, 1989. Also directed Dial 17 (short film), 1952.

FILM—Composer: (With John Cale) Something Wild, Orion, 1986; (also writer) Home of the Brave, Cinecom International, 1986; Swimming to Cambodia, Cinecom International, 1987. RECORDINGS: ALBUMS—Big Science, Warner Brothers, 1982; (contributor) You're the Guy I Want to Share My Money With, 1982; Mr. Heartbreak, Warner Brothers, 1984; United States Live, Warner Brothers, 1985; Strange Angels, Warner Brothers, 1989. AWARDS: New York State Council on the Arts grants, 1975 and 1977; National Endowment for the Arts grants, 1977 and 1979; Guggenheim fellowship, 1983.

PRINCIPAL TELEVISION WORK—Mini-Series: Director, The Martian Chronicles, NBC, 1980. Movies: Director, Sword of Gideon, HBO, 1986.

MEMBER: Phi Beta Kappa. ADDRESSES: PUBLICIST—Liz Rosenberg, Warner Brothers Records, 3 E. 54th Street, New York, NY 10022.*

RELATED CAREER—Actor. WRITINGS: FILM—(With Peter Ustinov) Private Angelo, Associated British/Pathe, 1949; composer, Twelve to the Moon, Columbia, 1960.

ANDERSON, Michael

AWARDS: Academy Award nomination, Best Director, 1956, for Around the World in Eighty Days.

1920-

PERSONAL: Full name, Michael Joseph Anderson; born January 30, 1920, in London, England; son of John Lawrence (an actor) and Beatrice Gwendoline (Topping) Anderson; married second wife, Adrianne Ellis, 1977; children: David, Michael Jr., Peter, Jan (first marriage). EDUCATION—Attended the London Polytechnical Institute, 1934-36. MILITARY—Royal Signal Corps, 48th Infantry Division, 1942-46.

MEMBER: Directors Guild of America.*

ANDERSON, Richard Dean

VOCATION: Director.

1950-

PERSONAL: Born January 23, 1950, in Minneapolis, MN; son of Stuart Anderson (a jazz musician, school teacher, and director); mother, an artist. EDUCATION—Attended St. Cloud State College and Ohio University; studied acting with Peggy Feury.

CAREER: PRINCIPAL FILM WORK—Assistant director, Pygmalion, Metro-Goldwyn-Mayer (MGM), 1938; assistant director, French Without Tears, Paramount, 1939; unit manager, In Which We Serve, British Lion, 1942; unit manager, School for Secrets (also known as Secret Flight), General Film Distributors, 1946; manager, Vice Versa, General Film Distributors, 1948; director (with Peter Ustinov), Private Angelo, Associated British/Pathe, 1949; director, Hell Is Sold Out, Eros, 1951; director, Night Was Our Friend, Monarch, 1951; director, Waterfront Women (also known as Waterfront), General Film Distributors, 1952; director, The House of the Arrow, Associated British/Pathe, 1953; director, Will Any Gentleman?, Stratford, 1955; director, The Dam Busters, Warner Brothers, 1955; director, Around the World in Eighty Days, United Artists, 1956; director, Battle Hell (also known as Yangtse Incidents), Herbert Wilcox, 1956; director, 1984, Columbia, 1956; director, Chase a Crooked Shadow, Warner Brothers, 1958; producer and director, Shake Hands with the Devil, United Artists, 1959; director, The Wreck of the Mary Deare, MGM, 1959.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Superman in the Bones, Pilgrimage Theatre, Los Angeles. PRINCIPAL FILM APPEARANCES—Spud, Odd Jobs, Tri-Star, 1986; also appeared in Young Doctors in Love, ABC/Twentieth Century-Fox, 1982. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Jeff Webber, General Hospital, ABC, 1976-81; Adam McFadden, Seven Brides for Seven Brothers, CBS, 1982-83; Lieutenant Simon Adams, Emerald Point, N.A.S., CBS, 1983-84; title role, MacGyver, ABC, 1985—. Pilots: Brian Parker, The Parkers (broadcast as an episode of The Facts of Life), NBC, 1981. Episodic: TheLoveBoat, ABC. Movies: Tony Kaiser, Ordinary Heroes, ABC, 1986. Specials: Battle of the Network Stars, ABC, 1984.

Director, All the Fine Young Cannibals, MGM, 1960; director, The Naked Edge, United Artists, 1961; director, Flight from Ashiya (also known as Ashiya Kara No Hiko), United Artists, 1964; director, Wild and Wonderful, Universal, 1964; director, Operation Crossbow (also known as Operazione Crossbow, The Great Spy Mission, and Codename: Operation Crossbow), MGM, 1965; director, The Quiller Memorandum, Twentieth Century-Fox, 1966;

RELATED CAREER—Member of the rock band Ricky Dean and Dante; street mime, jester, and juggler with an Elizabethan-style cabaret, Los Angeles; stage manager, Improvisation Theatre; writer, director, and actor at Marineland.

10

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ANDERSSON

en spegel (also known as Through a Glass Darkly), 1961, released in the United States by Janus, 1962; Isolde, For att inte tala om alia dessa kvinnor (also known as Now, About All These Women and All These Women), Janus, 1964; Louise, Att alska (also known as To Love), Prominent/L&N, 1964; Agda, Alskandepar (also known as Loving Couples), 1964, released in the United States by Prominent, 1966; Ann Dobbs, The Deadly Affair, Columbia, 1967; Sofia Petersen, Mennesker modes och sod musik opstar i hjertet (also known as Manniskor motas och ljuv musik uppstar i hjartat, People Meet and Sweet Music Fills the Heart, and People Meet), 1967, released in the United States by Trans-Lux, 1969; Mathaswintha, Der Kampfum Rom (Part One) (also known as Bataliapentru Roma and Fight for Rome), Constantin Film, 1969. Agnes, Viskningar och rop (also known as Cries and Whispers), New World, 1972; Monika Larsson, Den vita vaggen (also known as The White Wall), Svenska Filminstitutet, 1974; teacher's wife, Monismanien 1995 (also known as Monismania 1995), Taurus/ Film Edis, 1975; Sonja, Hempa's bar (also known as Triumph Tiger '57 and Cry of Triumph), Svenska Filminstitutet, 1977; Monica, La Sabina (also known as The Sabina), Svenska Filminstitutet, 1979; Lilly, Linus eller tegelhusets hemlighet (also known as Linus and Linus and the Mysterious Red Brick House), Svenska Filminstituted, 1979; Justina, Fanny och Alexander (also known as Fanny and Alexander), Embassy, 1983; Cecilia Andersson, Rakenstam (also known as Rakskenstam—The Casanova of Sweden and Casanova of Sweden), Sandrew Film and Teater/Artisfilm/Svenska Filminstitutet, 1983; Magda, Sommarkvallar pa jorden (also known as Nagra sommarkvallar pa jorden, Sommarkvallar, and Summer Nights), Svenska Filminstitutet, 1987; Jasmin, Himmel og Helvede (also known as Heaven and Hell), Metronome Film/Warner Brothers, 1988.

RICHARD DEAN ANDERSON

ADDRESSES: AGENT—Steve Dontanville, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

ANDERSSON, Harriet

Also appeared in Anderssonskans Kalle (also known as Mrs. Andersson s Charlie), Motorkavalierer (also known as Cavaliers on the Road), and Tva trappor over garden (also known as Backyard), all 1950; Biff en och Bananen (also known as Beef and the Banana), Puck heter jag (also known as My Name Is Puck), Darskapens hus (also known as House of Folly), and Franskild (also known as Divorced), all 1951; Ubat39 (also known as U-Boat 39), Sabotage, and Trots (also known as Defiance), all 1952; Sommaren med Monika (also known as Monika and Summer with Monica), \953',Hoppsanf, 1955;Nattbarn(alsokno\vn as Children of the Night) and Sista paret ut (also known as The Last Couple Out and Last Pair Out), both 1956; Synnove Solbakken, 1957; Flottans overman (also known as Commander of the Navy) and Kvinna i leopard (also known as Woman in Leopardskin and Woman in a Leopardskin Coat), both 1958; Brott i Paradiset (also known as Crime in Paradise) and Noc poslubna (also known as Wedding Night, En Brolloppsnatt, andHaayo), both 1959; Barbara, 1961; Siska, 1962; Lyckodrommen (also known as Dream of Happiness) and En Sondag i September (also known as A Sunday in September), both 1963; For vanskaps skull (also known as Just Like Friends, For Friendship, and For the Sake of Friendship), Lianbron (also known as The Vine Bridge and The Vine Garden), and Har borjar aventyret (also known as Taalla Alkaa Seikkilu and Adventure Starts Here), all 1965; Ormen (also known as The Serpent), 1966; Tvarbalk (also known as Rooftree and Crossbeams) and "Hanhon" ("He-She") in Stimulantia, both 1967; Jag alskar du alskar (also known as I Love, You Love), 1968; Flickorna (also known as The Girls), 1968, released in the United States by Lindgren/ Sandrews, 1972; Anna, 1970; narrator, Kallelsen, 1974.

1932-

PERSONAL: Born January 14, 1932, in Stockholm, Sweden; married Jorn Donner (a film director). VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Title role, The Diary of Anne Frank; Ophelia, Hamlet; and in The Beggar s Opera. Also appeared with the Malmo City Theatre, Malmo, Sweden, 1953; Intiman Theatre of Stockholm, Stockholm, Sweden, 1956; Halsingborg Town Theatre, Halsingborg, Sweden, 1961; and the Kunigliga Dramatiska Teatern, Stockholm, during the 1980s. FILM DEBUT—Medan staden sever (also known as While the City Sleeps), 1950. PRINCIPAL FILM APPEARANCES—Anne, Gycklarnas afton (also known as The Naked Night, Sawdust and Tinsel, and Sunset of a Clown), 1953, released in the United States by Times, 1956; Nix, En lektion i karlek (also known as A Lesson in Love), 1954, released in the United States by Janus, 1960; Petra, Sommarnattens leende (also known as Smiles of a Summer Night), 1955, released in the United States by Rank, 1957; Doris, Kvinnodrom (also known as Journey into Autumn, Dreams and Womens Dreams), 1955, released in the United States by Janus, 1960; Karin, Sasom i

PRINCIPAL TELEVISION APPEARANCES—Movies: / havsbandet

11

ANDREW CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(also known as The Seas Hold and On the Archipelago Boundary}, 1971; Bebek (also known as Baby), 1973.

STAGE APPEARANCES—Malcolm, Macbeth and Amiens, As You Like It, both Chichester Festival Theatre, Chichester, U.K., 1983; Anatoly Sergievsky, Chess, Prince Edward Theatre, London, 1986. Also appeared in Musical Chairs and The Final Furlong, both Chichester Festival Theatre, 1983; as Demon, Robinson Crusoe, Swansea Repertory Theatre, Swansea, Wales; chorus, Underneath the Arches, Prince of Wales Theatre, London; clerk and member of barber shop quartet, Poppy, Royal Shakespeare Company, Adelphi Theatre, London; Hank J. Smith, On Your Toes, Palace Theatre, London; Anthony Hope, Sweeney Todd, Manchester Library Theatre, Manchester, U.K.; Bobby, Company, Palace Theatre, Westcliffe, U.K.

RELATED CAREER—Music hall dancer. AWARDS: German Film Critics' Grand Prize, 1962, forSasom i en spegel; Best Actress Award from the Venice Film Festival, 1964, for An alska; Swedish Film Association plaque. ADDRESSES: OFFICE—c/o Sandrew Film and Theatre AB, Box 5612, 114 86 Stockholm, Sweden.*

PRINCIPAL STAGE WORK—Assistant choreographer, Musical Chairs, Chichester Festival Theatre, Chichester, U.K., 1983; also assistant choreographer, Gigi.

ANDREW, Leo

1957MAJOR TOURS—Narrator, Joseph and the Amazing Technicolor Dreamcoat, U.K. cities, 1980; title role, Jesus Christ Superstar, U.K. cities, 1981.

PERSONAL: Born Andrew Prosser Davies, August 17, 1957, in Neath, Wales; son of Vivian (an electrician) and Dorothy Irene (a school secretary; maiden name, Prosser) Davies. EDUCATION— Received education certificate in music and drama from the West Glamorgan Institute of Higher Education, 1978; studied piano at the London College of Music.

TELEVISION DEBUT—Dancer, The Max Wall Special, Southern Television, 1980. PRINCIPAL TELEVISION APPEARANCES—Episodic: The Agatha Christie Hour, Thames. Specials: The Life and Times of David Lloyd George, BBC-Wales;4 'Pebble Mill at One,'' Jerome Kern Special, BBC.

VOCATION: Actor and choreographer.

RELATED CAREER—Teacher of music, drama, and English, Neath, Wales, 1978-79; entertainer on the cruise ship S.S. Canberra; commercial spokesman.

CAREER: STAGE DEBUT—Brother, Joseph and the Amazing Technicolor Dreamcoat, Swansea Repertory Theatre, Swansea, Wales, 1979. LONDON DEBUT—Narrator, Joseph and the Amazing Technicolor Dreamcoat, Vaudeville Theatre, 1980. PRINCIPAL

NON-RELATED CAREER—Tennis umpire. MEMBER: British Actors' Equity Association, British Tennis Umpires Association. SIDELIGHTS: RECREATIONS—Tennis and travel. ADDRESSES: AGENT—Tano Rea, Portfolio Management, 58 Alexandra Road, London NW4 2RY, England.

ANDREWS, Nancy

1924-1989

PERSONAL: Full name, Nancy Currier Andrews; born December 16, 1924, in Minneapolis, MN; died of a heart attack, July 29, 1989, in New York, NY; daughter of James Currier (a hotel owner and grain executive) and Grace Ella (a drama coach; maiden name, Gerrish) Andrews; married Parke N. Bossart, 1945 (divorced, 1952); children: Tanima Cynthia. EDUCATION—Graduated from Los Angeles City College, 1940; trained for the stage at the Pasadena Playhouse College of Theatre Arts, 1940-42, at the American Shakespeare Academy, and with Ethel Chilstrom; studied piano with Dean Fletcher. VOCATION: Actress and singer. CAREER: STAGE DEBUT—Mistress Ford and Mistress Page, The Merry Wives of Windsor, Beverly Hills Shakespeare Theatre, Los Angeles, 1938. BROADWAY DEBUT—Ensemble, Touch and Go (revue), Broadhurst Theatre, 1949. PRINCIPAL STAGE APPEARANCES—Nicki, Break It Up, Theatre By the Sea, Matunuck, RI,

LEO ANDREW

12

ANNIS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Kings, Twentieth Century-Fox, 1975; Mrs. Logan, Night of the Juggler, Columbia, 1980.

1950; Mrs. Sally Adams (understudy), Call Me Madam, Imperial Theatre, New York City, 1950; Julie, Show Boat, Lambertville Music Circus, Lambertville, NJ, 1951; Laura Carew, HazelFlagg, Mark Hellinger Theatre, New York City, 1953; Sister Bessie, Tobacco Road, La Cienega Playhouse, Los Angeles, then Grist Mill Playhouse, Andover, NJ, both 1954; Emma Miller, Plain and Fancy, Mark Hellinger Theatre, 1955;Fauna,P//7£Z)ra2w, Shubert Theatre, New York City, 1956; title role, Panama Hattie and Lavinia, Hit the Deck, both Sacramento Music Circus, Sacramento, CA, 1956; Grace, Bus Stop, Robin Hood Theatre, Arden, DE, 1957; Mrs. Brady, Juno, Winter Garden Theatre, New York City, 1959; Mother Grieg, Song of Norway, St. Louis Municipal Opera, St. Louis, MO, 1959; Amanda, The Glass Menagerie, Totem Pole Playhouse, Fayetteville, PA, 1959; Mrs. Peachum, The Threepenny Opera, Theatre De Lys, New York City, 1959.

TELEVISION DEBUT—The Ed Sullivan Show, CBS, 1950. PRINCIPAL TELEVISION APPEARANCES—Pilots: Amy Kibbe, Kibbe Hates Finch, CBS, 1965; Mrs. Burgess, Kangaroos in the Kitchen, NBC, 1982. Episodic: Aunt Hagatha, Bewitched, ABC, 1966; Maggie Baker, Hawk, ABC, 1966; Mrs. Potts, Pistols and Petticoats, CBS, 1966; Miss Peterson, As the WorldTurns, CBS, 1971; Mrs. Johnson, Faith for Today, syndicated, 1971; also The Perry ComoShow, NBC, 1950; The Ray Milland Show, CBS, 1954', Kraft Television Theatre, NBC, 1954; The Spike Jones Show, NBC, \954',The Betty White Show, ABC, 1954; The Tonight Show, NBC, 1963; Girl Talk, ABC, 1963, 1965, and 1969; The Mike Douglas Show, syndicated, 1964; Queen for a Day, ABC, 1964; "E.E. Cummings' Fairy Tales," Camera Three, CBS, 1968; The Joe Franklin Show, WOR-TV (New York City), 1968 and 1969; Dinah's Diner. Movies: Margie, Twirl, NBC, 1981. Specials: Nurse Carswell, "I'm with Ya, Duke," Happy Endings, ABC, 1975; also TV Telethon, Cincinnati, OH, 1962.

Auntie, Christine, 46th Street Theatre, New York City, i960; Mrs. Peachum, The Threepenny Opera, Theatre De Lys, 1960; Mother Cadman, Madame Spig-Eye, and Irish washerwoman, The Tiger Rag, Cherry Lane Theatre, New York City, 1961; title role, Madame Aphrodite, Orpheum Theatre, New York City, 1961; Helen, A Taste of Honey, Emma, Look Out, Sailor, and Mrs. Peachum, The Threepenny Opera, all Red Barn Theatre, Northport, NY, 1962; Belle Poitrine, Little Me, Lunt-Fontanne Theatre, New York City, 1962; Mrs. Mister, The Cradle Will Rock, Theatre Four, New York City, 1964; Mrs. Bailie, Say Nothing, Jan Hus Playhouse, New York City, 1965; Dragoon, The Day the Lid Blew Off, Jan Hus Playhouse, 1968; Mrs. Venzenzio, A Likely Story, Kennebunkport Theatre, Kennebunkport, ME, 1968; Inez, In the Summer House, Southampton College, Southampton, NY, 1968, then Dublin International Theatre Festival, Gate Theatre, Dublin, Ireland, 1969; Marion Hollender, Don't Drink the Water, Bucks County Playhouse, New Hope, PA, 1969; Sister Bessie, Tobacco Road, Alhambra Dinner Theatre, Jacksonville, FL, 1970; Ida, 70, Girls, 70, Starlight Theatre, Kansas City, MO, 1970; Peggy Monash, How Much, How Much?, Provincetown Playhouse, New York City, 1970; Aunt Demetria, On Borrowed Time, Bucks County Playhouse, 1973; Madame Armfeldt, A Little Night Music, Mall Playhouse, North Bergen, NJ, 1975; Aunt Eller, Oklahoma!, Jones Beach Theatre, Jones Beach, NY, 1975; Mrs. Murray, Dearest Enemy, Goodspeed Opera House, East Haddam, CT, 1976; Lil, Broadway, Wilbur Theatre, Boston, MA, 1978. Also appeared in Hilarities, Adelphi Theatre, New York City, 1948; as an understudy, 70, Girls, 70, Broadhurst Theatre, New York City, 1971; in Mademoiselle Colombe, Playwrights Horizons, New York City, 1977; and as Miss Tweed, Something s Afoot, 1978.

RELATED CAREER—Nightclub and cabaret performer, 1941-68; singer and pianist with U.S.O. shows in the Caribbean, 1943-45; also secretary and vice-president, Pasadena Playhouse Alumni Association; board of directors, Veterans Hospital Radio and Television Guild's Bedside Network. WRITINGS: STAGE—Music and lyrics, Bright Champagne, Melrose Theatre, Los Angeles, 1943. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, American Guild of Variety Artists, Screen Actors Guild, American Federation of Musicians, National Academy of Television Arts and Sciences. AWARDS: Theatre World Award, 1950, for Touch and Go; State of Israel Bonds Award. OBITUARIES AND OTHER SOURCES: New York Times, July 31, 1989; Variety, August 2-8, 1989.*

ANNIS, Francesca

1944-

PERSONAL: Born May 14, 1944, in London, England.

MAJOR TOURS—Dorothy, Gentlemen Prefer Blondes, California cities, 1950; Songs and Laughter (one-woman show), European cities, 1954; Emma Miller, Plain and Fancy, U.S. cities, 1956; Mrs. Livingston, Happy Hunting, U.S. cities, 1959; Bloody Mary, South Pacific, U.S. cities, 1960; Madame Liang, Flower Drum Song, U.S. cities, 1961; Mrs. Peachum, The Threepenny Opera, U.S. cities, 1963; Belle Poitrine, Little Me, U.S. and Canadian cities, 1964, then U.S. cities, 1965; Rosie Brice, Funny Girl, U.S. cities, 1965-66; Marion Hollender, Don't Drink the Water, U.S. cities, 1970; Esther, Two By Two, U.S. cities, 1972.

CAREER: PRINCIPAL STAGE APPEARANCES—Ophelia, Hamlet, Lunt-Fontanne Theatre, New York City, 1969; Isabella, Measure for Measure, Royal Shakespeare Company (RSC), Stratford-onAvon, U.K., 1974; Juliet, Romeo and Juliet, Cressida, Troilus and Cressida, and Luciana, The Comedy of Errors, all RSC, Stratfordon-Avon, 1976; Juliet, Romeo and Juliet and Cressida, Troilus and Cressida, both RSC, Aldwych Theatre, London, 1977.

PRINCIPAL FILM APPEARANCES—Mrs. Hudson, The Sidelong Glances of a Pigeon Kicker (also known as Pigeons), MetroGold wyn-Mayer/Plaza, 1970; Dr. Seaton, Made for Each Other, Twentieth Century-Fox, 1971; Mrs. Pat Hungerford, Summer Wishes, Winter Dreams, Columbia, 1973; Mrs. Captree, Werewolf of Washington, Diplomat, 1973; Rosie, W.W. and the Dixie Dance

PRINCIPAL FILM APPEARANCES—Sylvia, The Cat Gang, Realist/ CFF, 1959; Wanda, His and Hers, Sabre/Eros, 1961; Phyl, West 11, Associated British/Warner Brothers/Pathe, 1963; Annie Jones, The Eyes of Annie Jones, Twentieth Century-Fox, 1963; Eiras, Cleopatra, Twentieth Century-Fox, 1963; Jean, Saturday Night Out, Compton Cameo, 1964; June, Crooks in Cloisters, Associated

VOCATION: Actress.

13

ANSPAUGH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

British/Warner Brothers/Pathe, 1964; Sheila Upward, Murder Most Foul, Metro-Goldwyn-Mayer (MGM), 1964; Gwen, Flipper's New Adventure (also known as Flipper and the Pirates), MGM, 1964; Jean Parker, Run with the Wind, GEFD, 1966; Sally Feathers, The Pleasure Girls, Times Films, 1966; Arabella Dainton, The Walking Stick, MGM, 1970; uptight girl, The Sky Pirate, Filmmakers Distribution Center, 1970; Lady Macbeth, Macbeth, Columbia, 19^7 r l;Kate, StrongerThan the Sun, BBC, 1980; Widow of the Web, Krull, Columbia, 1983; Lady Jessica, Dune, Dino De Laurentiis/Universal, 1984; Dubarry, El rio de oro (also known as The Golden River), Tesauro/Incine S.A./Federal, 1986; Mrs. Wellington, Under the Cherry Moon, Warner Brothers, 1986. Also appeared in Young Jacobites, 1959.

AWARDS: Directors Guild Award, 1982, Emmy Awards, Outstanding Drama Series, 1982 and 1983, and Golden Globes, Best Television Series—Drama, 1982 and 1983, all for Hill Street Blues.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Title role, Madame Bovary, BBC, then Masterpiece Theatre, PBS, 1976; Lillie Langtry, Lillie, London Weekend Television, then Masterpiece Theatre, PBS, 1979; Tuppence Beresford, "Partners in Crime," Mystery!, PBS, 1986; Prudence "Tuppence" Cowley, "The Secret Adversary," Mystery! PBS, 1987. Episodic: Tracy Conway, "Sign It Death," Thriller, ABC, 1974; Penelope St. Clair, Magnum, P.L, CBS, 1985. Movies: Galina, Coming Out of the Ice, CBS, 1982; Lily Amberville, /'// Take Manhattan, CBS, 1987; Jacqueline Kennedy, The Richest Man in the World: The Story of Aristotle Onas sis, ABC, 1988. Specials: Frances Derwent, Why Didn't They Ask Evans?, syndicated, 1981; also The Comedy of Errors, 1978.

ANTONIO, Lou

MEMBER: Directors Guild of America. ADDRESSES: AGENT—John Burnham, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.

PERSONAL: Full name, Louis Demetrios Antonio; born January 23, 1934, in Oklahoma City, OK; son of James Demetrios (a restaurant owner) and Lucille (a cashier; maiden name, Wright) Antonio. EDUCATION—University of Oklahoma, B.A., 1955; trained for the stage with Lee Strasberg, Lonny Chapman, and Curt Conway. VOCATION: Actor, director, producer, and writer. CAREER: STAGE DEBUT—David Slater, The Moon Is Blue, White Barn Theatre, Terre Haute, IN, 1955. PRINCIPAL STAGE APPEARANCES—Sidney Black, Light Up the Sky, Lord Byron, A. Ratt, Nursie, and the Pilot, Camino Real, Preacher Haggler, Dark of the Moon, and John Goronwyn Jones, The Corn Is Green, all White Barn Theatre, Terre Haute, IN, 1955; Hotspur, Richard II and soldier, The Secret Concubine, both McCarter Theatre, Princeton, NJ, 1956; Mickey Argent (understudy) and Tommy Brookman (understudy), The Girls of Summer, Longacre Theatre, New York City, 1956; Larrup Rule, Saddle Tramps and Polo, A Hatful of Rain, both Cecilwood Theatre, Fishkill, NY, 1957; Will Stockdale, No Time for Sergeants, Sergeant Gregovich, Teahouse of the August Moon, Brick, Cat on a Hot Tin Roof, Cornelius, The Matchmaker, and Musician-Husband, Middle of the Night, all Cecilwood Theatre, 1958; Woody, The Buffalo Skinner, Theatre Marquee, New York City, 1959; Jake Latta, Night of the Iguana and ensemble, Album Leaves (revue), both Teatro Caio Melisso, Festival of Two Worlds, Spoleto, Italy, 1959; Cliff Lewis, Look Back in Anger, Capri Theatre, Atlantic Beach, Long Island, NY, 1959; Nikita, The Power of Darkness, York Theatre, New York City, 1959.

AWARDS: British Academy of Film and Television Arts Award, Best Television Actress, 1978, for Lillie and The Comedy of Errors. ADDRESSES: AGENT—Jack Gilardi, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048; International Creative Management, 388-396 Oxford Street, London W1N9HE, England.*

ANSPAUGH, David

1934-

1946-

PERSONAL: Born September 24, 1946, in Decatur, IN; son of Lawrence Earl (a photographer) and Marie Francis (DeMaio) Anspaugh; married Tamara Kramer, April 13, 1974; children: Vanessa Christine. EDUCATION—Indiana University, B.S., education, 1970; University of Southern California, M.F.A., cinema, 1976.

Lieutenant Ferguson Howard, The Golden Fleecing, Jack, Amazing Grace, and Clay, Cry of the Raindrop, all Cecilwood Theatre, 1960; Shady One, third patron, and Lecasse, The Good Soup, Plymouth Theatre, New York City, 1960; Clay, Cry of the Raindrop, Hedgerow Theatre, Moylan, PA, 1960, then St. Mark's Playhouse, New York City, 1961; Stavros, The Garden of Sweets, American National Theatre and Academy Theatre, New York City, 1961; ensemble, Brecht on Brecht (revue), Theatre De Lys, New York City, 1962, then Playhouse-on-the-Mall, Paramus, NJ, later John Drew Theatre, East Hampton, NY, both 1963; sergeant, Andorra, Biltmore Theatre, New York City, 1963; Gaston, The Lady of the Camellias, Winter Garden Theatre, New York City, 1963; Marvin Macy, The Ballad of the Sad Cafe, Martin Beck Theatre, New York City, 1963; Faustus, Tragical History of Doctor Faustus, Phoenix Theatre, New York City, 1964; Jonas, Ready When You Are, C.E.I, Brooks Atkinson Theatre, New York City, 1964.

VOCATION: Director and producer. CAREER: PRINCIPAL FILM WORK—Director, Hoosiers, Orion, 1987; director, Fresh Horses, Columbia, 1988. FIRST TELEVISION WORK—Associate producer, Paris, CBS, 1979. PRINCIPAL TELEVISION WORK—Series: Associate producer, Hill Street Blues, NBC, 1980-81, then producer, 1981-84. Episodic: Director, Hill Street Blues, NBC, 1981 -85; also director, St. Elsewhere, NBC; director, Miami Vice, NBC. Movies: Associate producer, Vampire, ABC, 1979; associate producer, Fighting Back, ABC, 1980; director, Deadly Care, CBS, 1987. Specials: Director, The Last Leaf, syndicated, 1984. NON-RELATED CAREER—Teacher, Aspen, CO, 1970-74.

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL STAGE WORK—Director, Missouri Legend, Cecilwood Theatre, Fishkill, NY, 1960; director, The Chalk Garden, Elmwood Theatre, Nyack, NY, 1962; producer, Hootsudie, Actors' Studio West, Merle Oberon Playhouse, Los Angeles, 1972.

CBS, 1990. Specials: The Steeler and the Pittsburgh Kid, NBC, 1981.

FILM DEBUT—Cadet, The Strange One, Columbia, 1957. PRINCIPAL FILM APPEARANCES—Roustabout, Splendor in the Grass, Warner Brothers, 1961; Abdul, America, America (also known as The Anatolian Smile), Warner Brothers, 1963; Reverend Abraham Hewlett, Hawaii, United Artists, 1966; Koko, Cool Hand Luke, Warner Brothers, 1967; Corrigan, The Phynx, Warner Brothers, 1970.

NON-RELATED CAREER—Sports reporter, chef, waiter, ranchhand, bricklayer's helper, junk and manure dealer, swimming-pool inspector, and Fuller Brush man.

RELATED CAREER—Member, Actors' Studio, 1958—.

WRITINGS: FILM—Mission: Batangas, Manson, 1968. TELEVISION—Episodic: Gentle Ben, CBS; The Young Rebels, ABC. AWARDS: Theatre World Award, 1959, for The Buffalo Skinner; Humanitas Award and Emmy Award nomination, both 1977, for Something for Joey; Emmy Award nomination, Outstanding Director, 1979, for Silent Victory: The Kitty O'Neil Story.

PRINCIPAL FILM WORK—Executive producer, Micki and Maud, Columbia, 1984; also production supervisor, Private Lives, 1983. PRINCIPAL TELEVISION APPEARANCES—Series: Barney, The Snoop Sisters, NBC, 1973-74; Detective Sergeant Jack Ramsey, Dog and Cat, ABC, 1977; Joseph Manucci,Makin' It, ABC, 1979. Pilots: Sam Hatch, Partners in Crime, NBC, 1973; Jack Ramsey, Dog and Cat, ABC, 1977; also Road to Reality, ABC, 1960. Episodic: Lokai, "Let That Be Your Last Battlefield," Star Trek, NBC, 1969; also Love of Life, CBS, 1958 and 1960; Tallahassee 7000, CBS, 1959; Naked City, ABC, 1959 and 1963; My True Story, CBS, 1959-61; "A Piece of Blue Sky," Play of the Week, WNTA, 1960; "The Wendigo," Great Ghost Tales, CBS, 1961; The Defenders, CBS, 1961, 1962, and 1963; Route 66, CBS, 1963; Breaking Point, ABC, 1963; Camera Three, CBS, 1963; The Fugitive, ABC, 1963, 1964, 1965, and 1966; For the People, CBS, 1965; Twelve O'Clock High, ABC, 1965; Gunsmoke, CBS, 1965; The Virginian, NBC, 1966; The Wackiest Ship in the Army, NBC, 1966; The Road West, NBC, 1967; U.S. Steel Hour, CBS; Studio One, CBS; Suspicion, NBC; Have Gun—Will Travel, CBS; The Danny Thomas Hour. Movies: Tony, Sole Survivor, CBS, 1970; Hugo Jenkins, Where the Ladies Go, ABC, 1980; movie producer, Agatha Christie's "Thirteen at Dinner," CBS, 1985; Dr. Calvin Finch, Face to Face, CBS, 1990. Specials: The Power and the Glory, CBS, 1961.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Directors Guild of America, Writers Guild of America. SIDELIGHTS: RECREATIONS—Softball, basketball, reading, and writing. ADDRESSES: AGENT—Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

ARGENTO, Dario

1940-

PERSONAL: Born September 7, 1940, in Rome, Italy; son of Salvatore Argento (a film executive); married Daria Nicolodi (an actress), 1975 (separated, 1985). VOCATION: Director, producer, and screenwriter. CAREER: Also see WRITINGS below. FIRST FILM WORK—Codirector, Probabilita zero, 1968. PRINCIPAL FILM WORK—Director, The Bird with the Crystal Plumage (also known as L'ucello dalle piume di cristalo, The Phantom of Terror, and The Gallery Murders), UM, 1970; director, Cat o' Nine Tails (also known as // gatto a nove code}, National General, 1971; director, Four Flies on Grey Velvet (also known as Quattro mosche di velluto grigio], Paramount, 1972; director, Deep Red (also known as Profondo rosso, The Hatchet Murders, Dripping Deep Red, and Deep Red Hatchet Murder), Seda Spettacoli Mahler, 1975, released in the United States by Rizzoli, 1976; director, Suspiria, International Classics/Twentieth Century-Fox, 1977; director, Inferno, Twentieth Century-Fox, 1980; director, Sotto gli occhi dell assassino (also known as Tenebrae), Intra/Anglo-American/Bedford Entertainment/Film Gallery, 1982; producer and director, Creepers (also known as Phenomena), New Line Cinema, 1985; producer, Demons (also known as Demoni), Titanus/Ascot Entertainment Group, 1985; producer, Demons II: The Nightmare Is Back (also known as Demoni II: L'incubo ritornd), Titanus/Avatar/DAC, 1986; director, Opera, Columbia, 1987. Also co-producer and director, Zombie, 1978.

PRINCIPAL TELEVISION WORK—All as director, unless indicated. Series: Producer, Shell Game, CBS, 1987. Pilots: Fools, Females, and Fun: I've Gotta Be Me, NBC, 1914', Fools, Females, and Fun: Is There a Doctor in the House?, NBC, 1974; Lanigans Rabbi, NBC, 1976; The Girl in the Empty Grave, NBC, 1977; The Gypsy Warriors, CBS, 1978; Heaven on Earth, NBC, 1979; Boston and Kilbride, CBS, 1979; We re Fighting Back, CBS, 19SI', Gabe and Walker, ABC, 1981; Shell Game, CBS, 1987. Episodic: Sons and Daughters, CBS, 197'4; Three for the Road, CBS, 1975; McMillan, NBC, 1977; Lanigan s Rabbi, NBC, 1977; The Contender, CBS, 1980; also Gentle Ben, CBS; Griff, ABC; Owen Marshall: Counselor at Law, ABC; Amy Prentiss, NBC; Banacek, NBC; McMillan andWife, NBC',RichMan, Poor Man—Book II, ABC;Delvecchio, CBS; TheRockfordFiles, NBC;McCloud, NBC. Movies: Someone I Touched, ABC, 1975; Something for Joey, CBS, 1977; The Critical List, NBC, 1978; A Real American Hero, CBS, 1978; Breaking Up Is Hard to Do, ABC, 1979; Silent Victory: The Kitty O'Neil Story, CBS, 1979; The Star Maker, NBC, \9S\; Something SoRight, CBS, 1982; Between Friends, HBO, 1983; A Good Sport, CBS, \9%4;RearviewMirror, NBC, 1984; Threesome, CBS, 1984; Agatha Christie's "Thirteen at Dinner," CBS, 1985; One Terrific Guy, CBS, 1986; Mayflower Madam, CBS, 1987; Pals, CBS, 1987; (also producer) The Outside Woman, CBS, 1989; (also executive producer) Dark Holiday (also known as Passport to Terror and Never Pass This Way Again), NBC ,1989; Face to Face,

RELATED CAREER—Film critic, Paesa Sera. WRITINGS: See production details above, unless indicated. FILM— (With Tonio Cervi) Today It's Me . . . Tomorrow You! (also known 15

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

as Oggi a me domani a te! and Today We Kill. . . Tomorrow We Die), Splendid, 1968, released in the United States by Cinerama, 1971; The Bird with the Crystal Plumage, 1970, published in Profondo Thrilling, 1975; (with Marc Richards) The Five Man Army (also known as Un esercito di 5 uomini), Metro-GoldwynMayer, 1970; Cat o' Nine Tails, 1971, published in Profondo Thrilling, 1975; Four Flies on Grey Velvet, 1972, published in Profondo Thrilling, 1975; (with Bernardino Zapponi) Deep Red, 1975; (with Daria Nicoldi; also composer) Suspiria, 1977; composer, Dawn of the Dead, United Films, 1979; Inferno, 1980; (with George Kemp) Sotto gli occhi dell'assassino, 1982; (with Franco Ferrini) Creepers, 1985; (with Lamberto Bava, Dardano Sacchetti, and Ferrini) Demons, Titanus/Ascot Entertainment Group, 1985; (with Bava, Sacchetti, and Ferrini) Demons II: The Nightmare Is Back, 1986; (with Ferrini) Opera, 1987; (with Ferrini) The Church (also known as La chiesa and L'Eglise), Columbia/Tri-Star, 1989. Also Probabilita zero, 1968; Commandos, 1968; Le rivoluzione sessuale, 1968; La stagione del sensi, 1968; Comandamenti per un gangster, 1968; Metti, una sera a cena (also known as The Love Circle), 1969; Le cinque giornate, 1973; Zombie, 1978. TELEVISION—Series: La porte dans I'obscurite, 1972.*

ARGENZIANO, Carmen 1943PERSONAL: Surname is pronounced "Ar-jen-zi-ano" (rhymes with "piano"); born October 27, 1943, in Sharon, PA; son of Joseph Guy (a restaurateur) and Elizabeth Stella (Falvo) Argenziano. EDUCATION—Attended Youngstown University; trained for the stage at the American Academy of Dramatic Arts and the Actors' Studio; also studied with Lee Grant, Michael V. Gazzo, Milton Katselas, and Sanford Meisner.

CARMEN ARGENZIANO

board member, Big Business, Buena Vista, 1988; District Attorney Paul Rudolph, The Accused, Paramount, 1988; Molina, Stand and Deliver, Warner Brothers, 1988; Zayas, Red Scorpion, Shapiro/ Glickenhaus Entertainment, 1989. Also appeared in The Slams, Metro-Goldwyn-Mayer, 1973; Caged Heat (also known as Renegade Girls), New World, 1974; Death Force, Capricorn Three, 1978; Transit, 1990.

VOCATION: Actor. CAREER: STAGE DEBUT—Coffee house poet, The Hairy Falsetto, Fourth Street Theatre, New York City, 1965. PRINCIPAL STAGE APPEARANCES—John Fletcher, El Salvador, GNU Theatre, Los Angeles, 1988; also appeared in A View from the Bridge, Strasberg Institute, Los Angeles, 1981; with the Center Theatre Group, Mark Taper Forum, Los Angeles, CA, 1983; in Last Lucid Moment and A Prayer for My Daughter, both in Los Angeles; and in productions of Sweet Bird of Youth and Made in America.

TELEVISION DEBUT—Judd, for the Defense, ABC. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Nathan Solt, HeartBeat, ABC, 1989; Charles "Chick" Sterling, Booker, Fox, 1989—. Mini-Series: Adam Brand, Once an Eagle, NBC, 1977; also From Here to Eternity, NBC, 1979. Pilots: Santeen, The 3,000 Mile Chase, NBC, 1977; Kingston, The Phoenix, ABC, 1981; Varela, Waco and Rhinehart (also known as U.S. Marshals: Waco and Rhinehart), ABC, 1987; Tony, Remo Williams, ABC, 1988; also Twin Detectives, ABC, 1976. Episodic: Anarumo, Cagney and Lacey, CBS, 1986; Neil Robertson, L.A. Law, NBC, 1986; Mel, Designing Women, CBS, 1987; Dr. Schneider, Hunter, NBC, 1987; Mr. Mendez, Coming of Age, CBS, 1988; also Stone, ABC, 1980; Scarecrow and Mrs. King, CBS; Cheers, NBC; Hill Street Blues, NBC; TJ. Hooker, ABC; Lou Grant, CBS. Movies: Wheeler, Searchforthe Gods, ABC, 1975; lieutenant, Kill Me If You Can, NBC, 1977; cameraman, Hot Rod (also known as Rebel of the Road), ABC, 1979; Ed Ainsworth, Quarterback Princess, CBS, 1983; Rooney, The Last Ninja, ABC, 1983; Lieutenant Clifford, Best Kept Secrets, ABC, 1984; Colonel Pruett, Fatal Vision, NBC, 1984; Robert Walker, Between Two Women, ABC, 1986; judge, Too Good to Be True (also known as Leave Her to Heaven), NBC, 1988; MacDonald, The Watch Commander (also known as Police

PRINCIPAL FILM APPEARANCES—Student, Cover Me Babe, Twentieth Century-Fox, 1970; gang member, The Jesus Trip, Emco, 1971; Jay Kaufman, Punishment Park, Francoise, 1971; Flavio, The Hot Box, New World, 1972; (as Carmine Argenziano) second Hawk, The Outside Man (also known as Un Homme est mort), United Artists, 1973; Michael's bodyguard, The Godfather, PartII, Paramount, 1974; supermarket manager, Crazy Mama, New World, 1975; Jack McGurn, Capone, Twentieth Century-Fox, 1975; lieutenant, Shark's Treasure, United Artists, 1975; Brian, Vigilante Force, United Artists, 1976; Jennings, Two-Minute Warning, Universal, 1976; Dr. Mandrakis, When a Stranger Calls, Columbia, 1979; Tony Annese, Mystique, Telecine International/Qui, 1981; D'Ambrosia, Sudden Impact, Warner Brothers, 1983; Ron Bell, Heartbreakers, Orion, 1984; Stan, Into the Night, Universal, 1985; voice of Dagg, Starchaser: The Legend of Orin (animated), Atlantic, 1985; Matty, Dangerously Close, Cannon, 1986; Detective Russo, Naked Vengeance (also known as Satan Vengeance), Concorde, 1986; Lieutenant Leonard, Under Cover, Cannon, 1987;

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 ARMSTRONG

Story: The Watch Commander), ABC, 1988; Roy Simmons, Baja Oklahoma, HBO, 1988; Sam Liberace, Liberace, ABC, 1988; also The Man Who Fell to Earth,-ABC, 1987. AWARDS: Drama-Logue Award, 1988, for El Salvador; DramaLogue Award and Los Angeles Weekly Award, both for Last Lucid Moment; Los Angeles Drama Critics' Award and Los Angeles Weekly Award, both for A Prayer for My Daughter. MEMBER: Academy of Motion Picture Arts and Sciences, Actors' Studio. ADDRESSES: AGENT—Rodney Sheldon, Artists Alliance, 8457 Melrose Plaza, Suite 200, Los Angeles, CA 90069.

ARMITAGE, Frank See CARPENTER, John

ARMSTRONG, Curtis

1953-

PERSONAL: Born November 27, 1953, in Detroit, MI; son of Robert Leroy and Norma E. (a teacher; maiden name, D'Amico) Armstrong. EDUCATION—Attended Oakland University (Rochester, MI), 1973-75; studied acting at the Academy of Dramatic Arts.

CURTIS ARMSTRONG

VOCATION: Actor.

ADDRESSES: AGENT—Ro Diamond, Century Artists Ltd., 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.

CAREER: PRINCIPAL STAGE APPEARANCES—The Boy, The Irish Hebrew Lesson and Cooney, Guests of the Nation, both Colonnades Theatre Lab, New York City, 1980; the reporter, Howl Got That Story, Attic Theatre, Detroit, MI, 1983; also apppeared in The Corn Is Green, Meadow Brook Theatre, Rochester, MI, 1977; The Caine Mutiny Court-Martial, Meadow Brook Theatre, 1978; The Life of Galileo, Pittsburgh Public Theatre, Pittsburgh, PA, 1981; Moliere in Spite of Himself, Hartman Theatre Company, Stamford, CT, 1981; Present Laughter, Meadow Brook Theatre, 1985.

ARMSTORNG, R.G. 1917 PERSONAL: Full name, Robert Golden Armstrong; born April 7, 1917, in Birmingham, AL. EDUCATION—Studied acting at the Actors' Studio, 1952.

MAJOR TOURS—Young Charlie, Da, U.S. cities, 1979-80. VOCATION: Actor. PRINCIPAL FILM APPEARANCES—Miles, Risky Business, Warner Brothers, 1983; Booger, Revenge of the Nerds, Twentieth CenturyFox, 1984; Dennis Gladstone, Bad Medicine, Twentieth CenturyFox, 1985; Charles De Mar, Better Off Dead, Warner Brothers, 1985; Goov, The Clan of the Cave Bear, Warner Brothers, 1986; Ack Ack Raymond, One Crazy Summer, Warner Brothers, 1986; Booger, Revenge of the Nerds II: Nerds in Paradise, Twentieth Century-Fox, 1987.

CAREER: PRINCIPAL STAGE APPEARANCES—Doctor Baugh, Cat on a Hot Tin Roof, Morosco Theatre, New York City, 1955; Chief of Police Gerald Canley, The Long Dream, Ambassador Theatre, New York City, 1960. PRINCIPAL FILM APPEARANCES—Jay Lattimore, Garden of Eden, Excelsior, 1954; Flix, Never Love a Stranger, Allied Artists, 1958; Hunter Boyd, From Hell to Texas (also known as Manhunt), Twentieth Century-Fox, 1958; Asa Canfield, No Name on the Bullet, Universal, 1959; Sheriff Talbott, The Fugitive Kind, United Artists, 1960; Oramel Howland, Ten Who Dared, Buena Vista, 1960; Joshua Knudsen, Ride the High Country (also known as Guns in the Afternoon), Metro-Goldwyn-Mayer (MGM), 1962; Josh McCloud, He Rides Tall, Universal, 1964; Reverend Dhalstrom, Major Dundee, Columbia, 1965; Kevin McDonald, El Dorado,

PRINCIPAL TELEVISION APPEARANCES—Series: Herbert Viola, Moonlighting, ABC, 1986-89. RELATED CAREER—Company member, Meadow Brook Theatre, Rochester, MI, 1975-85; company member, New Jersey Shakespeare Festival, Madison, NJ, 1981; company member, Attic Theatre, Detroit, MI; co-founder, Roadside Attractions Inc.

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Paramount, 1967; Mackray, E/g/zry Steps to Jonah, Motion Pictures International, 1969.

LAmour s "The Shadow Riders" (also known as The Shadow Riders), CBS, 1982; Rusty West, Oceans of Fire, CBS, 1986; Samuel Johnson, LBJ: The Early Years, NBC, 1987; Uriah Creed, Independence, NBC, 1987.*

Ben Holmes, Tiger By the Tail, United/COM, 1970; Mel Potter, Angels Die Hard, New World, 1970; Quittner, The Ballad of Cable Hogue, Warner Brothers,. 1970; Captain Dan, The Great White Hope, Twentieth Century-Fox, 1970; Watson, The McMasters (also known as The Blood Crowd and The McMasters . . .Tougher Than the West Itself!), Chevron, 1970; Clell Miller, The Great Northfield, Minnesota Raid, Universal, 1972; Jim Sawyer, J.W. Coop, Columbia, 1971; Bristowe, Who Fears the Devil? (also known as The Legend of Hillbilly John and My Name Is John), Jack H. Harris, 1972; Mr. Freeman, The Final Comedown, New World, 1972; Big Bear, White Lightning, United Artists, 1973; Ollinger, Pat Garrett and Billy the Kid, MGM, 1973; Honest John, My Name Is Nobody, Universal, 1974; Mayor, Boss Nigger (also known as The Black Bounty Killer), Dimension, 1974; prosecutor, White Line Fever, Columbia, 1975; sheriff, Race with the Devil, Twentieth Century-Fox, 1975; Thor Erickson, Stay Hungry, United Artists, 1975; Silas, Slumber Party '57, Cannon/Happy, 1976; Richard, Mean Johnny Barrows, Atlas, 1976; Amos, The Car, Universal, 1977; Cobb, The Pack (also known as The Long Dark Night), Warner Brothers, 1977; Sheriff T.C. Bishop, Mr. Billion, Twentieth Century-Fox, 1977; team manager, Heaven Can Wait, Paramount, 1978; Al Barber, Fast Charlie—The Moonbeam Rider, Universal, 1979.

ARNOLD, Jeanne

1931-

PERSONAL: Born July 30, 1931, in Berkeley, CA; married William C. Stevens (a business executive), April 8, 1978. EDUCATION—Received A.B., drama, from the University of California, Berkeley; studied acting at the American Theatre Wing, with Marion Rich at the HB Studios, and with Mary Tarcai, David Craig, Fanny Bradshaw, Lehman Engel, Lee Henry, and Alan Levitt; studied singing with Amri Galli Campi and Ed Dixon. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Lucy Brown, The Threepenny Opera, Theatre De Lys, 1955. PRINCIPAL STAGE APPEARANCES— Ensemble, Demi-Dozen (revue), Upstairs at the Downstairs, New York City, 1958; ensemble, Medium Rare (revue), Happy Medium, Chicago, IL, 1960-61; ensemble, Put It in Writing (revue), Happy Medium, 1962-63; Suzanne Bonnard, The Happy Time, Broadway Theatre, New York City, 1968; Pignol, Coco, Mark Hellinger Theatre, New York City, 1969; Mrs. Peachum, The Beggar's Opera, Chelsea Theatre Center, Brooklyn Academy of Music, Brooklyn, NY, 1972; Mrs. Whittaker, Marry Me! Marry Me!, Playwrights Horizons, Westside YWCA Clark Center, New

Judge Simpson, Where the Buffalo Roam, Universal, 1980; Kellin, Steel (also known as Look Down and Die, Men of Steel), World Normal, 1980; Dempsey, The Pursuit of D.B. Cooper, Universal, 1981; government agent, Reds, Paramount, 1981; Rigby, Raggedy Man, Universal, 1981; Sarge, Evilspeak, Moreno, 1982; Doc, The Beast Within, Metro-Goldwyn-Mayer/United Artists, 1982; Lieutenant O'Mara, Hammett, Orion/Warner Brothers, 1982; Captain T. Tyler, Lone Wolf McQuade, Orion, 1983; Diehl, Children of the Corn (also known as Stephen King's Children of the Corn), New World, 1984; Scoby, Red-Headed Stranger, Alive, 1984; Schutte, The Best of Times, Universal, 1985; Coach Beetlebom, Jocks, Crown International, 1986; General Phillips, Predator, Twentieth Century-Fox, 1987; Miles Blackburn, Bulletproof, CineTel, 1987; Pop Luddigger, Trapper County War (also known as Trapper County and Porter County), Noble Entertainment Group/ Alpine Releasing Group, 1989; also appeared in Deliver Us from Evil, Dimension, 1975; Dixie Dynamite, Dimension, 1976; Texas Detour, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Captain MacAllister, T.H.E. Cat, NBC, 1966-67; Uncle Lewis, Friday the 13th: The Series, syndicated, 1987. Mini-Series: Billy Soto, "Texas John Slaughter," Walt Disney Presents, ABC, 1958-61; General "Moose" Fitzgerald, War and Remembrance, ABC, 1988. Pilots: Fred Tomlinson, The Sharpshooter (broadcast as an episode of Dick Powell's Zane Grey Theatre), CBS, 1958; Ben Ritt, Hec Ramsey (also known as The Century Turns}, NBC, 1972; Henry Stratemeyer, Manhunter, CBS, 1974; Father Reardon, Kingston: The Power Play, NBC, 1976; Judge Harrison Harding, The Legend of the Golden Gun, NBC, 1979; Mr. Fisk, The Stockers, NBC, 1981. Episodic: Farmer, The Andy Griffith Show, CBS, 1961; man, "Nothing in the Dark," The Twilight Zone, CBS, 1962; Zanski, Skag, NBC, 1980; Stanley Kazmarek, Beauty and the Beast, CBS, 1989; also The Time Tunnel, ABC, 1966; The Invaders, ABC, 1967. Movies: Mr. Turner, Reflections of Murder, ABC, 1974; General Harris, The Time Machine, NBC, 1978; Dunworth, Devil Dog: The Hound of Hell, CBS, 1978; Leland Stanford, The Last Ride of the Dalton Gang, NBC, 1979; Sheriff Miles Gillette, Louis

JEANNE ARNOLD

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 ASHER

ADDRESSES: AGENT—Michael Thomas Agency, 305 Madison Avenue, New York, NY 10165.

York City, 1973;Libby, Valentine's Day, Manhattan Theatre Club, New York City, 1975; Mrs. Hardcastle, She Stoops to Conquer, Rosemary, Picnic, and Miss Moffett, The Corn Is Green, all Meadow Brook Theatre, Rochester, MI, 1977-78; Madame Arcadi, Blithe Spirit, Meadow Brook Theatre, 1979. The Countess, You Can't Take It with You, Meadow Brook Theatre, 1980; Martha, Arsenic and Old Lace and Mrs. Gibbs, Our Town, both Meadow Brook Theatre, 1980-81; Judith Bliss, Hay Fever, Meadow Brook Theatre, 1981-82; grandmother, The Children's Hour and Esther, Morning's at Seven, both Meadow Brook Theatre, 1983; moderator, Side By Side By Sondheim, Meadow Brook Theatre, 1984; Albertine, Toys in the Attic and Lady Bracknell, The Importance of Being Earnest, both Meadow Brook Theatre, 1985; Nurse, Romeo and Juliet and Helene Hanff, 84 Charing Cross Road, both Meadow Brook Theatre, 1985-86; Queen Margaret, Richard III and Helen Kroeger, Pack of Lies, both Meadow Brook Theatre, 1986-87; Big Mama, Cat on a Hot Tin Roof, clairvoyant, Death Trap, and Mrs. Chauvenet, Harvey, all Meadow Brook Theatre, 1987-88.

ASHER, Jane

1946-

PERSONAL: Born April 5, 1946, in London, England; daughter of Richard Alan John (a doctor) and Margaret (Eliot) Asher; married Gerald Scarfe; children: three. VOCATION: Actress and writer. CAREER: STAGE DEBUT—Housemaster, Frinton Summer Theatre, Frinton, U.K., 1957. LONDON DEBUT—Muriel Webster, Will You Walk a Little Easter, Duke of York's Theatre, 1960. BROADWAY DEBUT—Julietta, Measure for Measure and Juliet, Romeo and Juliet, both Bristol Old Vic Company, City Center Theatre, 1967. PRINCIPAL STAGE APPEARANCES—Alice, Through the Looking Glass, Oxford Playhouse, Oxford, U.K., 1958; Wendy, Peter Pan, Scala Theatre, London, 1961; Dinah, Level Crossing, Theatre Royal, Windsor, U.K., 1962; title role, Cinderella (pantomime), New Theatre, Bromley, U.K., 1962; Cassandra, The Trojan Women, Edinburgh Festival, Pop Theatre, Edinburgh, Scotland, 1966; Perdita, The Winter's Tale, Edinburgh Festival, Pop Theatre, then Cambridge Theatre, London, both 1966; Juliet, Romeo and Juliet and Julietta, Measure for Measure, both Bristol Old Vic Company, Bristol, U.K., 1966-67; Lorette, Summer, Fortune

Also appeared in The Dining Room, Meadow Brook Theatre, 1984; as Hesione Hushabye, Heartbreak House and Mrs. Smith, The Bald Soprano, both Center Theatre Group, Los Angeles; Vera Charles, Mame, Civic Light Opera, Pittsburgh, PA; Mrs. Hagarty, Hogan's Goat and the Countess, The Rehearsal, both Stage Society, Los Angeles; Madame Pampinelli, The Torchbearers, ELT, Los Angeles; Linda Loman, Death of a Salesman, Charles Playhouse, Boston, MA; Lady Macbeth, Macbeth, Beatrice, Much Ado About Nothing, and Emilia, Othello, all San Francisco Shakespearean Theatre, San Francisco, CA; Cleopatra, Antony and Cleopatra and in Six Original Plays, both Theatre East, Los Angeles; hippie seductress, Unemployed Saint, New York City; ensemble, Take Five (revue), New York City; ensemble, The Mad Show (revue), New York City and Los Angeles; ensemble, Four on the Floor (revue), Illinois and Florida; and in productions of Mame, The King and I, Do I Hear a Waltz?, Plain and Fancy, Flower Drum Song, The Student Prince, and Gigi. MAJOR TOURS—Pignol, Coco, U.S. cities, 1971. PRINCIPAL FILM APPEARANCES—Grace Munster, Munster Go Home, Universal, 1966; Gertrude, What's So Bad About Feeling Good?, Universal, 1968; also appeared in Dear Heart, Warner Brothers, 1964. PRINCIPAL TELEVISION APPEARANCES—Series: Mary Hammilmeyer, The Cara Williams Show, CBS, 1964-65; also Ellen Mason, The Guiding Light, CBS. Pilots: Mary Jones, The Jones Boys, CBS, 1967; Cloris, Making It, NBC, 1976; also Up Pompeii. Movies: Joan Hartlane, Mr. and Mrs. Bo Jo Jones, ABC, 1971. Specials: Mean stepmother, Cinderella, syndicated. RELATED CAREER—Nightclub performer; actress and voiceover artist for television commercials. RECORDINGS: ALBUMS—The Happy Time (original cast recording), RCA; also Demi-Dozen (original cast recording); Coco (original cast recording); Take Five (original cast recording). MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, American Guild of Variety Artists, Theatre East Workshop (Los Angeles).

JANE ASHER

19

ASHLEY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ASHLEY, Elizabeth (Elizabeth Cole)

Theatre, London, 1968; Alison, Look Back in Anger, Royal Court Theatre, then Criterion Theatre, both London, 1968; Celia, The Philanthropist, Royal Court Theatre, then May Fair Theatre, London, both 1970, later Ethel Barrymore Theatre, New York City, 1971; Sally, Old Flames, New Vic Studio, Bristol, U.K., 1975; Ann, Treats, Royal Court Theatre, then May Fair Theatre, both 1976; Charlotte, Strawberry Fields, National Theatre Company, Cottesloe Theatre, London, 1977; title role, Ophelia, Oxford Playhouse, 1977; Dr. Scott, Whose Life Is It Anyway?, Mermaid Theatre, then Savoy Theatre, both London, 1978; title role, Peter Pan, Shaftesbury Theatre, London, 1978; Ruth, Blithe Spirit, Vaudeville Theatre, London, 1986. Also appeared in Cleo, Great Expectations, The Happiest Days of Your Life, and Sixty Thousand Nights, all Bristol Old Vic Company, 1965; Fifty, Oxford Playhouse, 1973; To Those Born Later, National Theatre Company, Cottesloe Theatre, 1977; Before the Party, Apollo Theatre, London, 1980, then Queens Theatre, London, 1981; Henceforward, Vaudeville Theatre, 1988.

1939-

PERSONAL: Born Elizabeth Ann Cole, August 30, 1939, in Ocala, FL; daughter of Arthur Kingman and Lucille (Ayer) Cole; married James Farentino (an actor), September, 1962 (divorced); married George Peppard (an actor), 1966 (divorced); married James Michael McCarthy; children: Christian Moore (second marriage). EDUCATION—Attended Louisiana State University, 1957-58; trained for the stage at the Neighborhood Playhouse with Philip Burton; studied ballet with Tatiana Semenova. VOCATION: Actress and producer. CAREER: STAGE DEBUT—(As Elizabeth Cole) Esmeralda, Camino Real, Neighborhood Playhouse, New York City, 1959. OFF-BROADWAY DEBUT—(As Elizabeth Cole) Jessica, Dirty Hands, Actors' Playhouse, 1959. BROADWAY DEBUT—(As Elizabeth Cole) Jane Ashe, The Highest Tree, Longacre Theatre, 1959. PRINCIPAL STAGE APPEARANCES—(As Elizabeth Cole) Louise, Marcus in the High Grass, Westport Country Playhouse, Westport, CT, 1959; Elizabeth Brown (understudy), Roman Candle, Cort Theatre, New York City, 1960; title role (understudy), Mary, Mary, Helen Hayes Theatre, New York City, 1961; Mollie Michaelson, Take Her, She'sMine, Biltmore Theatre, New York City, 1961;CorieBratter, Barefoot in the Park, Biltmore Theatre, 1963; Maggie Train, Ring 'round the Bathtub, Martin Beck Theatre, New York City, 1972; Isabel, The Enchanted, Kennedy Center for the Performing Arts, Eisenhower Theatre, Washington, DC, 1973; Maggie, Cat on a Hot Tin Roof, American Shakespeare Festival, Stratford, CT, then American National Theatre and Academy Theatre, New York City, both 1974; Sabina, The Skin of Our Teeth, Kennedy Center for the Performing Arts, Eisenhower Theatre, then Mark Hellinger Theatre, New York City, both 1975; Betsey-No-Name, Legend, Ethel Barrymore Theatre, New York City, 1976; as herself, George Abbott... A Celebration, Shubert Theatre, New York City, 1976; Cleopatra, Caesar and Cleopatra, Kennedy Center for the Performing Arts, 1976, then Palace Theatre, New York City, 1977; Jennifer Crawford, Hide and Seek, Belasco Theatre, New York City, 1980; Dr. Martha Livingstone, Agnes of God, Music Box Theatre, New York City, 1982; Lois, The Perfect Party, Kennedy Center for the Performing Arts, Eisenhower Theatre, 1986; Laura Goforth, The Milk Train Doesn't Stop Here Any More, WPA Theatre, New York City, 1987; as herself, Happy Birthday, Mr. Abbott!, Palace Theatre, 1987; Isadora Duncan, When She Danced, Playwrights Horizons, New York City, 1990. Also appeared at the Green Mansions Theatre, Warrensbury, NY, 1960; as Mary, Vanities, Chicago, IL, 1977; in Carnival of Dreams, New Dramatists Inc., New York City, \911;The Madwoman of Central Park South, New York City.

PRINCIPAL STAGE WORK—Producer, Before the Party, Queens Theatre, London, 1981. MAJOR TOURS—Wendy, Peter Pan, U.K. cities, 1972; title role, Ophelia, U.K. cities, 1977. FILM DEBUT—Nina, Crash of Silence (also known as Mandy), General Film Distributors, 1952. PRINCIPAL FILM APPEARANCES— Hester Grey, Loss of Innocence (also known as The Greengage Summer), Columbia, 1961; Francesca, The Masque of the Red Death, American International, 1964; Lindy Birkett, The Model Murder Case (also known as Girl in the Headlines), Cinema V, 1964; Annie, Alfie, Paramount, 1966; Perdita, The Winter s Tale, Warner Brothers, 1968; Susan, Deep End, Paramount, 1970; Margaret, The Buttercup Chain, Columbia, 1971; Jane Seymour, Henry VIII and His Six Wives, Metro-Goldwyn-Mayer/EMI, 1972; Helen, Runners, Hanstall, 1983; bank manager, Success Is the Best Revenge, Gaumont, 1984; Mrs. Liddell, Dreamchild, Universal, 1985; Pauline, Paris By Night, Cineplex Odeon, 1989. Also appeared in Adventure in the Hopfields, Associated British, 1954. PRINCIPAL TELEVISION APPEARANCES—Series: Wish Me Luck, ITV, 1987-90. Mini-Series: Celia Ryder, Brideshead Revisited, Granada, then PBS, 1982. Episodic: Tales of the Unexpected, syndicated. Also appeared in Bright Smiles, Granada; The Mill on the Floss, The Mistress, A Voyage 'round My Father, EastLynne, and Love Is Old, Love Is New. RELATED CAREER—Company member, Bristol Old Vic Company, Bristol, U.K.; company member, National Theatre Company, London.

MAJOR TOURS—Dr. Martha Livingstone, Agnes of God, U.S. cities, 1983-84; Hannah Mae Bindler, A Coupla White Chicks Sitting Around Talking, U.S. cities, 1985-86.

NON-RELATED CAREER—Trustee, Worldwide Fund for Nature; trustee, Child Accident Prevention Trust. WRITINGS: Jane Ashefs Party Cakes, Pelham, 1982; Jane Asher's Fancy Dress, Pelham, 1983; Silent Night for You and Your Baby, Pelham, 1984.

FILM DEBUT—Monica Winthrop, The Carpetbaggers, Paramount, 1964. PRINCIPAL FILM APPEARANCES—Jenny, Ship of Fools, Columbia, 1965; Alexandria Mallory, The Third Day, Warner Brothers, 1965; Nan, The Marriage of a Young Stockbroker, Twentieth Century-Fox, 1971; Loretta, Paperback Hero, Rumson, 1973; Felicity, Golden Needles (also known as Chase for the Golden Needles), American International, 1974; Cora Brown, Rancho Deluxe, United Artists, 1975; Jeannie Carter, 92 in the Shade, United Artists, 1975; Nancy Sue, The Great Scout and Cathouse Thursday (also known as Wildcat), American Interna-

MEMBER: British Academy of Film and Television Arts, Royal Academy of Dramatic Arts (associate member). SIDELIGHTS: RECREATIONS—Music and cooking. ADDRESSES: AGENT—Chatto and Linnit Ltd., Prince of Wales Theatre, Coventry Street, London W1V 7FE, England. 20

HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH ATTENBOROUGH, Richard

tional, 1976; Mrs. Emerson, Coma, United Artists, 1978; Andrea Classen, Windows, United Artists, 1980; Sophia Thatcher, Paternity, Paramount, 1981; Diana, Split Image, Orion, 1982; Police Commissioner Jane Kirkpatrick, Dragnet, Universal, 1987; Dr. Dorothy Glaser, Vampire's Kiss, Hemdale, 1988. Also appeared in Lookiri to Get Out, Paramount, 1982; Dangerous Curves, Vestron, 1988.

1923-

PERSONAL: Full name, Richard Samuel Attenborough; born August 29, 1923, in Cambridge, England; son of Frederick L. and Mary (Clegg) Attenborough; married Sheila Beryl Grant Sim (an actress), 1945; children: one son, two daughters. EDUCATION— Studied acting at the Royal Academy of Dramatic Art, 1941. MILITARY—Royal Air Force, Film Unit, 1943. VOCATION: Actor, producer, and director.

TELEVISION DEBUT—"Heaven Can Wait," Dupont Show of the Month, CBS, 1960. PRINCIPAL TELEVISION APPEARANCES— Mini-Series: Kate, Sandburg s Lincoln, NBC, 1974-76. Pilots: Sallie Baker, The Magician, NBC, 1973; Elizabeth Corban, One of My Wives Is Missing, ABC, 1976; Joann Hammil, Tom andJoann, CBS, 1978. Episodic: Mrs. Zal, Cagney and Lacey, CBS, 1985; Linda Colby, Miami Vice, NBC, 1987; Eleanor, Eisenhower and Lutz, CBS, 1988; Vera, Murder, She Wrote, CBS, 1989; Althea Campbell, B.L. Stryker, ABC, 1989; also Run for Your Life, NBC, 1966; Ghost Story, NBC, 1972; The Defenders, CBS; The U.S. Steel Hour, CBS; The Nurses, CBS; Ben Casey, ABC; Stoney Burke, ABC; Sam Benedict, CBS;TheEd$ullivanShow, CBS;The Jack Paar Show, NBC; Mike Wallace's PM East, WNEW (New York City); Route 66, CBS. Movies: Sally Dillman, The Face of Fear, CBS, 1971; Marian, Harpy, CBS, 1971; Diane Craddock, The Heist, ABC, 1972; Ellie Smith, Second Chance, ABC, 1972; Helen Connelly, When Michael Calls, ABC, 1972; Laurel Plunkett, Your Money or Your Wife, CBS, 1972; Erica Tate, The War Between the Tales, NBC, 1977; Sharon Allan, A Fire in the Sky, NBC, 1978; Eve Swiss, Svengali, CBS, 1983; Freddie Fox, He's Fired, She's Hired, CBS, 1984; Dallas, Stagecoach, CBS, 1986; Blanche Webster, Warm Hearts, Cold Feet, CBS, 1987; Babette Van Degan, The Two Mrs. Grenvilles, NBC, 1987; Lolly Fontenot, Blue Bayou, NBC, 1990. Specials: Sally Devlin, "The File on Devlin," Hallmark Hall of Fame, NBC, 1969; Broadway Plays Washington! Kennedy Center Tonight, PBS, 1982; Blondes vs. Brunettes, ABC, 1984; Annie, "The Rope," American Playwrights Theatre, Arts and Entertainment, 1989.

CAREER: STAGE DEBUT—Richard Miller, Ah! Wilderness, Intimate Theatre, London, 1941. PRINCIPAL STAGE APPEARANCES— Sebastian, Twelfth Night, Ralph Berger, Awake and Sing, and Ba, The Holy Isle, all Arts Theatre, London, 1942; Andrew, London Wl, Q Theatre, London, 1942; Leo Hubbard, The Little Foxes, Piccadilly Theatre, London, 1942; Pinkie Brown, Brighton Rock, Garrick Theatre, London, 1943; Coney, The Way Back, Westminster Theatre, London, 1949; Valentine Crisp, Sweet Madness, Vaudeville Theatre, London, 1952; Detective Trotter, The Mousetrap, Ambassadors' Theatre, London, 1952; David and Julian Fanshaw, Double Image, Savoy Theatre, London, 1956; also Toni Rigi, To Dorothy, a Son, 1950; Theseus, The Rape of the Belt, 1957. FILM DEBUT—Young stoker, In Which We Serve, British Lion, 1942. PRINCIPAL FILM APPEARANCES—Tommy Draper, The Hundred Pound Window, Warner Brothers/First National, 1943; railway worker, Schweik's New Adventures (also known as It Started at Midnight), Coronet, 1943; English pilot, Stairway to Heaven (also known as A Matter of Life and Death), Universal, 1946; David Wilton, Journey Together, English Films Inc., 1946; Jack Arnold, School for Secrets (also known as Secret Flight), General Film Distributors, 1946; Pinkie Brown, Brighton Rock (also known as Young Scarf ace), Associated British, 1947; Ted Peters, Dancing with Crime, Paramount, 1947; Percy Boon, Dulcimer Street (also known as London Belongs to Me), General Film Distributors, 1948; Francis Andrews, The Smugglers (also known as The Man Within), Eagle-Lion, 1948; Jackie Knowles, Boys in Brown, General Film Distributors, 1949; Jack Read, The Outsider (also known as The Guinea Pig), Variety, 1949.

PRINCIPAL TELEVISION WORK—Specials: Associate producer, "Cat on a Hot Tin Roof," American Playhouse, PBS, 1984.

Jan, The Lost People, General Film Distributors, 1950; Pierre Bonnet, Hell Is Sold Out, Eros, 1951; Stoker Snipe, Operation Disaster (also known as Morning Departure), Universal, 1951; Dougall, Father's Doing Fine, Associated British, 1952; Dripper Daniels, The Gift Horse (also known as Glory at Sea), Independent Film Distributors, 1952; Jack Carter, The Magic Box, British Lion, 1954; Tom Manning, Eight O'Clock Walk, British Lion, 1954; Private Cox, Private's Progress, British Lion, 1956; George Hoskins, The Ship That Died of Shame (also known as P.T. Raiders), Continental/General Film Distributors, 1956; Knocker White, The Baby and the Battleship, British Lion, 1957; Henry Marshall, Brothers in Law, BC, 1957; Holden, Dunkirk, Metro-GoldwynMayer (MGM), 1958; Sidney de Vere Cox, I'm All Right, Jack, British Lion, 1959; Stephen Leigh, Strange Affection (also known as The Scamp), Brenner, 1959; Peter Watson, The Man Upstairs, British Lion, 1959.

RELATED CAREER—Member, National Council of the Performing Arts, 1965-69; trustee, American Film Institute, 1968-72; professional model.

WRITINGS: (With Ross Firestone) Postcards from the Road (autobiography), M. Evans & Company, 1978.

AWARDS: Antoinette Perry Award, Best Supporting or Featured Actress in a Musical, Theatre World Award, and Southern Woman's Achievement Award, all 1962, for Take Her, She's Mine.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists.

Tom Curtis, The Angry Silence, British Lion, 1960; Captain Bunter Phillips, Breakout (also known as Danger Within), Continental, 1960; Whitey, S.O.S. Pacific, Universal, 1960; Rod Hamilton, All Night Long, Rank, 1961; Ernest Tilley, Jet Storm (also known as Killing Urge and Jetstream), Britannia/British Lion, 1961; Edward

ADDRESSES: OFFICE—31 Union Square W., Suite 10-E, New York City, NY 10037. MANAGER—Raymond Katz Enterprises, 9255 Sunset Boulevard, Suite 1115, Los Angeles, CA 90069.* 21

ATTENBOROUGH

CONTEMPORARY

Lexy, The League of Gentlemen, Kingsley, 1961; Trooper Brody, Desert Patrol (also known as Sea of Sand), Universal, 1962; Gareth Probert, Only Two Can Play, Kingsley/Columbia, 1962; various roles, Trial and Error (also known as The Dock Brief), MGM, 1962; Roger "Big X" Bartlett, The Great Escape, United Artists, 1963; Regimental Sergeant Major Lauderdale, Guns at Batasi, Twentieth Century-Fox, 1964; Billy Savage, Seance on a Wet Afternoon, Artixo, 1964; Alfred Price-Gorham, The Third Secret, Twentieth Century-Fox, 1964; Lew Moran, The Flight of the Phoenix, Twentieth Century-Fox, 1965; Frenchy Burgoyne, The Sand Pebbles, Twentieth Century-Fox, 1966; Albert Blossom, Doctor Dolittle, Twentieth Century-Fox, 1967; Robert Blossom, The Bliss of Mrs. Blossom, Paramount, 1968; Silas, Only When I Larf, Paramount, 1968.

THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM WORK—Producer (with Bryan Forbes), The Angry Silence, British Lion, 1960; producer, Whistle Down the Wind, Pathe-America, 1961; producer (with James Woolf), The LShaped Room, Davis/Royal/Columbia, 1962; producer (with Forbes), Seance on a Wet Afternoon, Artixo, 1964; producer (with Brian Duffy) and director, Oh! What a Lovely War, Paramount, 1969; producer and director, Young Winston, Columbia, 1972; director, A Bridge Too Far, United Artists, 1977; director, Magic, Twentieth Century-Fox, 1978; producer and director, Gandhi, Columbia, 1982; director, A Chorus Line, Columbia, 1985; producer (with Norman Spencer and John Briley) and director, Cry Freedom, Universal, 1987. PRINCIPAL TELEVISION APPEARANCES—Specials: Mr. Tungay, David Copperfield, NBC, 1970; Clue: Movies, Murder, and Mystery, CBS, 1986; Freedomfest: Nelson Mandela's 70th Birthday Celebration, syndicated, 1988.

Mr. Tungay, David Copper field, Twentieth Century-Fox, 1970; General Charles Whiteley, The Last Grenade, Cinerama, 1970; Oxford coach, The Magic Christian, Commonwealth, 1970; Inspector Truscott, Loot, Cinevision, 1971; Palmer Anderson, A Severed Head, Columbia, 1971; John Reginald Halliday Christie, 10 Rillington Place, Columbia, 1971; Commander Swann, Brannigan, United Artists, 1975; Major Lionel Roach, Conduct Unbecoming, Allied Artists, 1975; Judge Cannon, Ten Little Indians (also known as And Then There Were None), AVCO-Embassy, 1975; Sloat, Rosebud, United Artists, 1975; General Outram, The Chess Players (also known as Shatranj ke khilari), Creative Films, 1978; Colonel John Daintry, The Human Factor, Metro-Goldwyn-Mayer/United Artists, 1979; narrator, Mother Teresa, Petrie/Productions du Daummou/CS Associates, 1985. Also narrator, A Boy's Day, 1964; narrator, Don t Make Me Laugh, 1969; narrator, Cup Glory, 1972; The Village (also known as // viaggio), 1974; Death in Persepolis, 1974.

RELATED CAREER—Founder (with Bryan Forbes), Beaver Films (a production company), 1959; founder, Allied Film Makers (a production company), 1960; member, Cinematograph Films Council (1967-73); chairman, Royal Academy of Dramatic Art, 1970; governor, National Film School, 1970—; member, Arts Council of Great Britain (1970-72); chairman, Capital Radio, 1973—; deputy chairman, Channel Four Television, 1980—; chairman, Goldcrest Films, 1981-85, renamed Goldcrest Films and Television, 1985—; chairman, Sussex University Arts Center Board. NON-RELATED CAREER—Pro-chancellor, Sussex University, 1970—; trustee, Tate Gallery, London, 1976—; president, Muscular Dystrophy Group of Great Britain. WRITINGS: In Search of Gandhi (non-fiction), New Century Publications, 1983. AWARDS: Best Actor Awards from the Variety Club of Great Britain, 1959 and 1965; Best Actor Awards from the San Sebastian Film Festival, 1961 and 1964; British Academy of Film and Television Arts Award, Best British Actor, 1964, for Guns at Batasi and Seance on a Wet Afternoon; Golden Globe, Best Supporting Actor, 1967, for The Sand Pebbles; Commander, Order of the British Empire, 1967; Cinematograph Exhibitors Association Award, 1967, for Distinguished Service to British Cinema; Golden Globe, Best Supporting Actor, 1968, for Doctor Dolittle; Golden Globe, Best English Language Foreign Film, 1970, for Oh! What a Lovely War; knighted in the New Year Honours, 1976; United Nations Award, 1977; Academy Awards, Best Picture and Best Director, British Academy of Film and Television Arts Awards, Best Picture and Best Director, Directors Guild of America Award, Outstanding Directorial Achievement for Feature Films, all 1982, and Golden Globes, Best Foreign Film and Best Director, 1983, all for Gandhi; British Academy of Film and Television Arts Award, Film Fellowship, 1983; Martin Luther King, Jr. Non-Violent Peace Prize, 1983; Golden Globe nomination and British Academy of Film and Television Arts Award nomination, both Best Director, 1988, for Cry Freedom; Bancroft Medal from the Royal Academy of Dramatic Art. HONORARY DEGREES—University of Leicester, D. Litt., 1970; University of Newcastle, D.C.L., 1974. MEMBER: British Actors' Equity Association (council member, 1949-73), British Film Institute (governor and chairman, 1982—), British Academy of Film and Television Arts (vice-president, 1971—), Actors' Charitable Trust (chairman), Garrick Club, Beefstake Club, Green Room Club.

RICHARD ATTENBOROUGH

22

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 AUBERJONOIS

Center Repertory Company, Vivian Beaumont Theatre, New York City, 1968; Sebastian Baye, Coco, Mark Hellinger Theatre, New York City, 1969; Malvolio, Twelfth Night, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, 1972; Scapin, Tricks, Alvin Theatre, New York City, 1973; Edgar, King Lear, New York Shakespeare Festival, Delacorte Theatre, New York City, 1973; various roles, The Good Doctor, Eugene O'Neill Theatre, New York City, 1973; Jack, The Ruling Class, American Conservatory Theatre, 1975; John Karslake, The New York Idea and Solynony, The Three Sisters, both Brooklyn Academy of Music, Brooklyn, NY, 1977; Sandor Turai, The Play s the Thing and Brutus, Julius Caesar, both Brooklyn Academy of Music, 1978; Johann Schiml, Break a Leg, Palace Theatre, New York City, 1979; Ivanov, Every Good Boy Deserves Favour, Metropolitan Opera House, New York City, then Kennedy Center for the Performing Arts, Washington, DC, 1979.

SIDELIGHTS: RECREATIONS—Listening to music and collecting paintings. ADDRESSES: AGENT—Martin Baum, Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.

AUBERJONOIS, Rene

1940-

PERSONAL: Full name, Rene Murat Auberjonois; born June 1, 1940, in New York, NY; son of Fernand (a journalist) and Laura (Murat) Auberjonois; married Judith Helen Mihalyi, October 19, 1963; children: Tessa Louise, Remy-Luc. EDUCATION—Carnegie-Mellon University, B.F.A., 1962.

Malvolio, Twelfth Night and Konstantin Sergeivich Stanislavski, Chekhov in Yalta, both Center Theatre Group, Mark Taper Forum, Los Angeles, 1981; Duke of Gloucester, Richard 111 and Kolya, A Month in the Country, both Center Theatre Group, Mark Taper Forum, 1982; Alan Squier, The Petrified Forest, Los Angeles Theatre Center, Los Angeles, 1985; the Duke, Big River, Eugene O'Neill Theatre, New York City, 1985; Mr. Samsa, Metamorphosis, Ethel Barrymore Theatre, New York City, 1989; Buddy Fidler/ Irwin S. Irving, City of Angels, Virginia Theatre, New York City, 1989. Also appeared in Chemin de Fer, Mark Taper Forum, 1969; as Alceste, The Misanthrope, and in A Flea in Her Ear and Twelfth Night, all Mark Taper Forum.

VOCATION: Actor. CAREER: STAGE DEBUT—Arena Stage, Washington, DC. OFFBROADWAY DEBUT—Fool, King Lear, Lincoln Center Repertory Company, Vivian Beaumont Theatre, 1968. BROADWAY DEBUT—Marco, Fire!, Longacre Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Witch boy, Dark of the Moon, Leslie, The Hostage, and Edmund, Long Day's Journey into Night, all Arena Stage, Washington, DC, 1962-64; title role, Tartuffe, title role, King Lear, Fancourt Babberley, Charley's Aunt, and ensemble, Beyond the Fringe (revue), all American Conservatory Theatre, San Francisco, CA, 1965-67; Ned, A Cry of Players, Lincoln

PRINCIPAL STAGE WORK—Director, Beyond the Fringe. FILM DEBUT—Howie, Lilith, Columbia, 1964. PRINCIPAL FILM APPEARANCES—Salesman, Petulia, Warner Brothers, 1968; Dago Red, M*A*S*//, Twentieth Century-Fox, 1970; lecturer, Brewster McCloud, Metro-Goldwyn-Mayer, 1970; Sheehan, McCabe and Mrs. Miller, Warner Brothers, 1971; Hugh, Images, Columbia, 1972; Jimmy Twitchell, Pete 'n' Tillie, Universal, 1972; Major Napier, The Hindenburg, Universal, 1975; Father Kudos, The Big Bus, Paramount, 1976; Bagley, King Kong, Paramount, 1976; Donald Phelps, The Eyes of Laura Mars, Columbia, 1978; Harris, Where the Buffalo Roam, Universal, 1980; voice of the Speaking Skull, The Last Unicorn (animated), ITC, 1982; Principal Horner, 3:15, The Moment of Truth (also known as 3:15), Dakota Entertainment, 1986; Major Siegfried Henningson, Walker, Universal/Northern Distribution Partners, 1987; Modoc, My Best Friend Is a Vampire, Kings Road, 1988; Tony Stark, Police Academy 5: Assignment Miami Beach, Warner Brothers, 1988; voice of Louis, The Little Mermaid (animated), Buena Vista, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Clayton Endicott III, Benson, ABC, 1980-86; voice characterization, The ScoobyDoo and Scrappy-Doo Show (animated), ABC, 1980-82. MiniSeries: Dr. Eugene Lyons, The Rhinemann Exchange, NBC, 1977. Pilots: Andre Stryker, Once Upon a Dead Man, NBC, 1971; title role, Panache, ABC, 1976; news editor, The TV TV Show, NBC, 1977; Captain Sir David Edney, The Wild Wild West Revisited, CBS, 1979; Captain Sir David Edney, More Wild Wild West, CBS, 1980; Dr. Carl Jerrett, Scalpels, NBC, 1980. Episodic: Edgar, "King Lear," Theatre in America, PBS, 1974; voice characterization, Scooby's Mystery Funhouse (animated), ABC, 1985; voice characterization, The Jetsons (animated), syndicated, 1985; voice characterization, Challenge of the GoBots (animated), syndicated, 1985; voice characterization, Superpowers Team: Galactic Guardi-

RENE AUBERJONOIS

23

AUDRAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 AUDRAN, Stephane

ans (animated), ABC, 1985; Alvanor, Wildfire (animated), CBS, 1986; voice characterization, The New Adventures ofJonny Quest (animated), syndicated, 1987; voice characterization, The New Adventures of the Snorks (animated), syndicated, 1987; Harry Papazian, Murder, She Wrote, CBS, 1987; Captain Thorn, Murder, She Wrote, CBS, 1988; Mr. Richardson, L.A. Law, NBC, 1988; voice characterization, Fantastic Max (animated), syndicated, 1988; also "Camera Obscura," Night Gallery, NBC, 1971; The Bob NewhartShow, CBS, 1915; Man from Atlantis, NBC, 197T, Life's Most Embarrassing Moments, NBC, 1985; The Mod Squad, ABC; McMillan and Wife, NBC; Love, American Style, ABC; Rhoda, CBS; "The Frog Prince" and "Sleeping Beauty," Faerie Tale Theatre, Showtime.

1932-

PERSONAL: Born Colette Suzanne Jeannine Dacheville, November 8, 1932, in Versailles, France; daughter of Corneille and Jeanne (Rossi) Dacheville; married Jean-Louis Trintignant (an actor; marriage ended); married Claude Chabrol (a director and writer), December 4, 1964; children: Thomas (second marriage). EDUCATION—Attended Lycee Lamartine, Paris; studied acting with Charles Dullin, Tania Balachova, Michel Vitold, and Rene Simon. VOCATION: Actress. CAREER: STAGE DEBUT—La Maison carree, Theatre Noctambules, 1955.

Movies: Halden Brevik, The Birdmen (also known as Escape of the Birdmen), ABC, 1971; Sidney Krebs, Shirts/Skins, ABC, 1973; Jack Stump, The Dark Secret of Harvest Home, NBC, 1978; Howard, The Kid from Nowhere, NBC, 1982; Sumner, The Christmas Star, ABC, 1986; Ned, A Smoky Mountain Christmas, ABC, 1986; Governor Lew Wallace, Longarm, ABC, 1988; drunk, Gore Vidal's ' 'Billy the Kid,'' TNT, 1989; Merlin, A Connecticut Yankee in King Arthur's Court, NBC, 1989. Specials: King Louis XVI, The Lives of Ben Franklin: The Ambassador, CBS, 1974; Ichabod Crane, "Once Upon a Midnight Dreary," CBS Library, CBS, 1979; The Screen Actors Guild 50th Anniversary Celebration, CBS, 1984; "Death at Dinner," TheBooth, PBS, 1985; Emmanuel Lewis: My Very Own Show, ABC, 1987.

FILM DEBUT—La Bonne Tisane, 1957. PRINCIPAL FILM APPEARANCES—Ginette, Les Bonnes Femmes, Rome-Paris Films, 1960, released in the United States by Harold Cornsweet, 1966; Helene Hartmann, L'Oeil du malin (also known as The Third Lover), Rome-Paris Films, 1962, released in the United States by Atlantic, 1963; Fernande Segret, Landru (also known as Bluebeard), RomeParis Films, 1963, released in the United States by Embassy, 1963; the Wife, "La Muette" in Paris vu par . . . (also known as Six in Paris), Les Films du Losange, 1965, released in the United States by New Yorker, 1968; Jacqueline/Lydia, Le Scandale (also known as The Champagne Murders), Universal France, 1967, released in the United States by Universal, 1968; Frederique, Les Biches (also known as The Heterosexuals, The Does, and The Girlfriends), Films la Boetie/Alexandra, 1968, released in the United States by Jack H. Harris, 1968; Helene Desvallees, La Femme infidele (also known as The Unfaithful Wife), Films la Boetie/Cinegai, 1969, released in the United States by Allied Artists, 1969.

PRINCIPAL TELEVISION WORK—Episodic: Director, Marblehead Manor, syndicated. PRINCIPAL RADIO WORK—Specials: Director, Oh, Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feeling So Sad.

Helene, La Rupture (also known as Le Jour des parques and The Breakup), Films la Boetie/Euro International/Cinevog, 1970; Anita Caldwell, La Dame dans I'auto avec des lunettes et un fusil (also known as The Lady in the Car with Glasses and a Gun), Columbia, 1970; Helene, Le Boucher (also known as The Butcher), Films la Boetie/Euro International, 1970, released in the United States by Cinerama, 1971; the Wife, Aussi loin que Vamour (also known as As Far As Love Can Go), Columbia, 1971; Helen, Juste avant la nuit (also known as Just Before Nightfall), Films la Boetie/ Columbia/Cinegai, 1971, released in the United States by Libra, 1975; Madame Alice Senechal, Le Charme discret de la bourgeoisie (also known as The Discreet Charm of the Bourgeoisie), Twentieth Century-Fox, 1972; Marie-Anne, Un meurtre est un meurtre (also known as A Murder Is a Murder), Planfilm, 1972; Helene Vallee, Sans mobile apparent (also known as Without Apparent Motive), President/Cineteleuro, released in the United States by Twentieth Century-Fox, 1972; Lucienne, Les Noces rouges (also known as Wedding in Blood and Red Wedding Night), Films la Boetie/Canaria Films, 1973, released in the United States by CIC, 1974; Catherine, Vincent, Francois, Paul. . . et les autres (also known as Vincent, Francois, Paul, and the Others), Gaumont, 1974; Cecile, Comment reussir dans la vie quand on est con et pleurnichard (also known as How to Make Good When One Is a Jerk and a Crybaby), Gaumont, 1974; Claire, Le Cri du couer (also known as Cry of the Heart), Films la Boetie/CIC, 1974.

RELATED CAREER—Company member, New Theatre for Now, Center Theatre Group, Mark Taper Forum, Los Angeles, CA, 1969-70; board of directors, California Theatre Council, 1984—; theatre panelist, National Endowment for the Arts, 1988—; founding member, American Conservatory Theatre, San Francisco, CA; founding member, Mark Taper Forum, Los Angeles; founding member, Classic Theatre Works, Los Angeles; acting teacher, University of California at Berkeley, San Francisco State University, and Juilliard School of Music and Drama. AWARDS: Antoinette Perry Award, Best Supporting or Featured Actor in a Musical, 1970, for Coco; Antoinette Perry Award nomination, Best Supporting or Featured Actor in a Drama, 1974, for The Good Doctor; Antoinette Perry Award nomination, Best Featured Actor in a Musical, 1985, for Big River; also Emmy Award nomination for Benson. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Drawing and yoga. FAVORITE ROLES—Tartuffe and Jack in The Ruling Class.

Anna Kemidon, The Black Bird, Columbia, 1975; Ilona Bergen, Ten Little Indians (also known as And Then There Were None), AVCO-Embassy, 1975; the Wife, Folies bourgeoises (also known as Twist), Parafrance/Union Generale Cinematographique, 1976; Anne, Contessa DiSanctis, Des Teufels Advokat (also known as The Devil's Advocate), Rank, 1977; Christiane, Mort d'un pourri (also

ADDRESSES: OFFICE—124 W. 79th Street, New York, NY 10024. AGENT—Strain and Jennett, 1500 Broadway, Suite 2001, New York, NY 10036.

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 AULISI

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Cara, BridesheadRevisited, Granada, then PBS, 1982; Paula, Mistral's Daughter, CBS, 1984; also Orient Express, French television, 1979. Movies: Georgette, Ernest Hemingway's "The Sun Also Rises," NBC, 1984; Gigi, The Blood of Others, HBO, 1984; Pauline Rocher, Poor Little Rich Girl: The Barbara Hutton Story, NBC, 1987; also Champagne Charlie, syndicated, 1989.

known as Death of a Corrupt Man), Adel Productions/CIC/World Northal, 1977; Mrs. Lowrey, Les Liens de sang (also known as Blood Relatives and Blood Ties), Societe Nouvelle de Cinema, 1978; Shireen Firdausi, Silver Bears, Columbia, 1978; Germaine Noziere, Violette Noziere (also known as Violette), Gaumont/New Yorker, 1978; the Widow, Eagle's Wing, Rank, 1979; Genevieve, Le Soleil en face (also known as Face to the Sun), Union General Cinematographique, 1979; Helene Dupre-Granval, Le Gagnant, World Marketing, 1979.

AWARDS: Best Actress Award from the Berlin Film Festival, 1968, for Les Biches; British Academy of Film and Television Arts Award, Best Actress, 1973, for The Discreet Charm of the Bourgeoisie; British Academy of Film and Television Award, Best Actress, 1975, for Just Before Nightfall; Cesar Award, Best Actress, 1978, for Violette Noziere.

Jeanne, Le Coeur a I'envers (also known as My Heart Is UpsideDown), Societe Nouvelle Prodis, 1980; Walloon, The Big Red One, United Artists, 1980; Huguette Cordier, Coup de torchon (also known as Clean Slate), Parafrance, 1981; Edith, Paradise pour tous (also known as Paradise for All), Films A2/Parafrance, 1982; Madame Falques, Le Choc (also known as The Shock), Union Generale Cinematographique, 1982; Minon Palazzi, La Scarlatine (also known as Scarlet Fever), Union Generale Cinematographique/ CAPAC/Europe I/Films A2, 1983, released in the United States by CAP AC, 1985; Blanche, Bay Boy, Orion, 1984; Isabelle's mother, Les Voleurs de la nuit (also known as Thieves After Dark), Parafrance, 1984; Matrimonia, La Cage auxfollqs III:' 'Elles'' se marient (also known as La Cage auxFolles III: The Wedding,), Warner Brothers/ Columbia/Tri-Star, 1985; Madame Boucher, Les Plouffe, International Cinema, 1985; Madame Cuno, Poulet au vinaigre (also known as Cop au vin), MK2/Virgin Vision, 1985; Janice, La Nuit magique (also known as Night Magic) RSL/Spectrafilm, 1985; Brigitte, La Gitane, AMLF/Pathe Cinema, 1986; Babette Hersant, Babette's gastebud (also known as Babette's Feast), Walter Manley, 1987; Bernadette, Les Saisons du plaisir (also known as The Seasons of Pleasure), Bac Film/Films du Volcan, 1987; Edna Chabert, Corps z'a corps (also known as Body to Body and Corps a corps), Exportation Francaise Cinematographique, 1987; Sister Ananda, Manika (also Une vie plus tard, Manika: The Girl Who Lived Twice, Manika Manika, and Une Passerelle sur le Gange), Films du Scorpio/Twentieth Century-Fox/Manley, 1988; Florence, Sons, Pacific, 1989; Madame Villegran, La Messe en si mineur (also known as Mass in C Minor), FCF, 1990.

ADDRESSES: OFFICE—95 bis rue de Chezy, 92200 Neuilly-surSeine, France.*

AULISI, Joseph G. PERSONAL: Full name, Joseph Garibaldi Aulisi; married Marsha L. Eck (a scenic designer). VOCATION: Costume designer. CAREER: PRINCIPAL STAGE APPEARANCES—Townsperson, The Devils, Broadway Theatre, New York City, 1965. PRINCIPAL STAGE WORK—Costume designer: The Ox Cart (also known as La Carreta), Greenwich Mews Theatre, New York City, 1966; The WickedCooks, Orpheum Theatre, New York City, 1967; The Man in the Glass Booth, Royale Theatre, New York City, 1968; Saturday Night, Sheridan Square Playhouse, New York City, 1968; Seven Days of Mourning, Circle in the Square, New York City, 1969; The Transgressor Rides Again, Martinique Theatre, New York City, 1969; Someone's Comin' Hungry, Pocket Theatre, New York City, 1969; "The Son Who Hunted Tigers in Jakarta," "Sunstroke," and "The Burial of Esposito," in Passing Through from Exotic Places, Sheridan Square Playhouse, 1969; Pequod, Mercury Theatre, New York City, 1969; The American Hamburger League, New Theatre, New York City, 1969.

Also appeared in Modigliani of Montparnasse (also known as Montparnasse 19, Montparnasse, and The Lovers of Montparnasse), Franco-London Films/Astra/Pallavicini, 1957, released in the United States by Continental Distributing, 1961; Les Cousins (also known as The Cousins), Ajym Films/Societe Francaise du Cinema, 1958, released in the United States by Films-Around-the-World, 1959; Le Signe du lion, 1959; Saint-Tropez blues, 1960; provided voice dubbing for Presentation ou Charlotte et son steak, 1961; Les Godelureaux, 1961; Le Tigre aime la chair fraiche (also known as The Tiger Likes Fresh Blood), 1964; Les Durs a cuire, 1964; MarieChantal contre le Docteur Kha (also known as Marie Chantal against Dr. Kha), Rome-Paris Films/Dia/Mega and Magreb Unifilm, 1965; La Ligne de demarcation (also known as The Line of Demarcation), Rome-Paris Films/Societe Nouvelle de Cinema, 1965; La Peau de torpedo, 1969; Dead Pigeon on Beethoven Street, Bavaria Atelier Gesellschaft, 1972; Hay que malar a B. (also known as B. Must Die), 1973; Chi dice donna dice . . . donna, 1975; E la donna crea Vamour, 1976; The Prisoner of Zenda, Universal, 1979; Boulevard des assassins, 1982; Mortelle Randonnee (also known as Deadly Circuit), GEF/CCFC/Ofer Omnifilms, 1982; Suivez mon regard (also known as Follow My Gaze), Union Generale Cinematographique, 1985; LI sola (also known as The Island), Sacis, 1986; Les Predateurs de la nuit (also known as Faceless, Angel of Death, Commando Mengele, and L'Ange de la mort), New World/World Marketing, 1987.

Nobody Hears a Broken Drum, Fortune Theatre, New York City, 1970; One Night Stands of a Noisy Passenger, Actors' Playhouse, New York City, 1970; A Dream Out of Time, Promenade Theatre, New York City, 1970; Happy Birthday, Wanda June and Whispers on the Wind, both Theatre De Lys, New York City, 1970; Steambath, Truck and Warehouse Theatre, New York City, 1970; The Birthday Party, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1971; The Shrinking Bride, Mercury Theatre, 1971; F. Jasmine Addams and The Last Analysis, both Circle in the Square, 1971; Inner City, Ethel Barrymore Theatre, New York City, 1971; The Real Inspector Hound and After Magritte (double-bill), Theatre Four, New York City, 1972; All the Girls Came Out to Play, Cort Theatre, New York City, 1972; Tough to Get Help, Royale Theatre, \912;Ring 'round the Bathtub, Martin Beck Theatre, New York City, 1972; An Evening with Richard Nixon and. . ., Shubert Theatre, New York City, 1972; The Kid, American Place Theatre, New York City, 1972; The Trials ofOz, Anderson Theatre, New York City, 1972; The Enemy Is Dead, Bijou Theatre, New York

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AUTEUIL

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 AUTEUIL, Daniel

City, 1973; Rachael Lily Rosenbloom and Don't You Forget It!, Broadhurst Theatre, New York City, 1973; Brainchild, Forrest Theatre, Philadelphia, PA, 1974; Thieves, Broadhurst Theatre, 1974; God's Favorite, Eugene O'Neill Theatre, New York City, 1974.

1950-

PERSONAL: Born January 24, 1950, in Algeria.

VOCATION: Actor.

Murder Among Friends, Biltmore Theatre, New York City, 1975; Rockabye Hamlet, Minskoff Theatre, New York City, 1976; UnexpectedGuests, Little Theatre, New York City, 1977; The November People, Billy Rose Theatre, New York City, 1978; Marilyn: An American Fable, Minskoff Theatre, 1983; Precious Sons, Longacre Theatre, New York City, 1986; The Architect and the Emperor of Assyria, La Mama Experimental Theatre Club, New York City, 1986; Broadway Bound, Broadhurst Theatre, 1986, then Center Theatre Group, Ahmanson Theatre, Los Angeles, 1987; Barbara Cook: A Concert for the Theatre, Ambassador Theatre, New York City, 1987; Rumors, Ethel Barrymore Theatre, 1988; supervising costume designer, Jerome Robbins' Broadway, Imperial Theatre, New York City, 1989. Also The Milliken Breakfast Show, 1973; Sunset, Buffalo, NY, 1977; All Dressed Up, 1986; A Month of Sundays, 1987; Run for Your Wife, New York City, 1989; with Circle in the Square at Ford's Theatre, Washington, DC, 1969-70; and with the Whole Theatre Company, Montclair, NJ, 1982-83.

CAREER: PRINCIPAL STAGE APPEARANCES—Early Morning, Theatre Nationale Populaire, Paris, France, 1970; also appeared in Coup de chapeau (also known as Tribute), Paris, 1979; Le Garcon d'appartement, Paris, 1980; and in productions of Godspell and The Madwoman of Chaillot, both in Paris.

PRINCIPAL STAGE WORK—Director, Le Garcon d'appartement, Paris, 1980.

FILM DEBUT—L'Agression, 1974. PRINCIPAL FILM APPEARANCES—Remy, La Nuit de Saint Germain des Pres, Megalo, 1977; Dede, Monsieur Papa, Gaumont, 1977; Daniel, L'Amour viole (also known as Violated Love), Multicine/Marin Karmitz, 1978; Jean-Bernard, Les Heros nont pas froid aux oreilles (also known as Heroes Are Not Wet Behind the Ears), Atya, 1978; Alain, Bete mais discipline (also known as Dumb But Disciplined), AMLF/ Roissy, 1979; Jean-Yves, Les Hommes preferent les grosses (also known as Men Prefer Fat Girls), GEF/CCFC, 1981; Lum, Que les gros salaires levent le doigt!!! (also known as Will the High Salaried Workers Please Raise Their Hands!!!), Sara Films/T Films, 1982; Bertrand, L'Indic (also known as The Informer), Exportation Francaise Cinematographique/GEF/CCFC, 1983; Berg, Les Fauves (also known as The Beasts), Gaumont/ACM, 1984; Marc, L'Amour en douce (also known as Love on the Quiet), Gaumont, 1984; Lucien Morland, Palace, Parafrance/Exportation Francaise Cinematographique, 1984, released in United States by Third Wave Rapid, 1985; Jeannot, Petit con, Gaumont, 1984, released in United States by Samuel Goldwyn, 1985.

MAJOR TOURS—Costume designer, Broadway Bound, U.S. cities, 1987. PRINCIPAL FILM WORK—Costume designer: The Gang That Couldn't Shoot Straight, Metro-Goldwyn-Mayer (MGM), 1971; Jennifer on My Mind, United Artists, 1971; Shaft, MGM, 1971; Shaft's Big Score, MGM, 1972; The Legend of Nigger Charley, Paramount, 1972; The Seven Ups, Twentieth Century-Fox, 1973; Death Wish, Paramount, 1974; Three Days of the Condor, Paramount, 1975; (with John Buckley) Forever Young, Forever Free (also known as Lollipop, Lollipop), Universal, 1976; Dragonfly (also known as One Summer Love), American International, 1976; Somebody Killed Her Husband, Columbia, 1978; Firepower, Associated Film Distribution, 1979; Little Darlings, Paramount, 1980; The Night the Lights Went Out in Georgia, AVCO-Embassy, 1981; Man, Woman, and Child, Paramount, 1983; Easy Money, Orion, 1983; The Buddy System, Twentieth Century-Fox, 1984; The Pope of Greenwich Village, United Artists, 1984; Slay ground, Universal, 1984; Compromising Positions, Paramount, 1985; Heaven Help Us (also known as Catholic Boys), Tri-Star, 1985; Brighton Beach Memoirs, Universal, 1986; Off Beat, Buena Vista, 1986; Ironweed, Tri-Star, 1987; The Secret of My Success, Universal, 1987; Last Rites, Metro-Goldwyn-Mayer/United Artists, 1988.

Journalist, Le Paltoquet (also known as The Nonentity), AAA/ Roissy/Artificial Eye, 1986; Ugolin Soubeyran ("Galignette"), Jean de Florette, Roissy/AMLF, 1986, released in United States by Orion Classics, 1987; Ugolin Soubeyran, Manon des sources (also known as Manon of the Spring and Manon of the Springs), Roissy/AMLF, released in United States by Orion Classics, 1987; Martial, Quelques jours avec moi (also known as A Few Days with Me), Union Generale Cinematographique/Galaxy International Releasing, 1988; Romuald, Romuald et Juliette, Union Generale Cinematographique/President, 1988. Also appeared in Attention les yeux, 1975; A nous deux (also known as Us Two), AMLF, 1979; Clara et la chic types, 1980; Les Sous-Doues (also known as The Under-Gifted), AMLF, 1980; La Banquiere, 1980; Les Sousdoues en vacances, 1981; Pour 100 briques, t'as plus rien maintenant (also known as For a Hundred Grand, You Cant Get Anything Anymore), Union Generale Cinematographique, 1982; L'Arbalete (also known as The Cross-Bow), ACM/CCFC, 1984; Mama, There's a Man in Your Bed, Miramax, 1990.

PRINCIPAL TELEVISION WORK—All as costume designer. Series: Beacon Hill, CBS, 1975. Pilots: Strike Force, NBC, 1975; We're Fighting Back, CBS, 1981. Episodic: "The Displaced Person," The American Short Story, PBS, 1977; "Paul's Case," American Short Story, PBS, 1978. Movies: F. Scott Fitzgerald and ((The Last of the Belles," ABC, 1974; The Deadliest Season, CBS, 1977; The Last Tenant, ABC, 1978; Hollow Image, ABC, 1979; Too Far to Go, NBC, 1979; Doctor Franken, NBC, 1980; King Crab, ABC, 1980; The Gentleman Bandit, CBS, 1981; Senior Trip!, CBS, l98\',Parole, CBS, 1982; At Mother's Request, CBS, 1987; Gore Vidal's Lincoln (also known as Lincoln), NBC, 1988.

AWARDS: Gerard Philipe Prize, Best Young Actor of the Year, 1979, for Coup de chapeau; Cesar Award and Saint Michael Award, both 1987, for Jean de Florette.*

AWARDS: Drama Desk Award nomination, Best Costume Design, 1989, for Rumors; Emmy Award nomination for Gore Vidal's Lincoln.*

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

AVERY, Margaret

AVERY

CBS, 1985; CeeCee Richards, Rags to Riches, NBC, 1987; Sally Cordova, Miami Vice, NBC, 1987; Iris Marshall, Crime Story, NBC, 1988; Councilwoman Slane, Knightwatch, ABC, 1989; also "For Us, the Living," American Playhouse, PBS, 1983; Sanford and Son, NBC; Harry O, ABC. Movies: Irene, Something Evil, CBS, 1972; Alma Rae, Louis Armstrong—Chicago Style, ABC, 1976; Grace, Single Women, Married Me, CBS, 1989; also The Lathe of Heaven, PBS, 1980.

PERSONAL: Married Robert Gordon Hunt (a director; divorced); children: Aisha. EDUCATION—Graduated from the University of California, Berkeley. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Revolution, Center Theatre Group, New Theatre for Now, Los Angeles, 1972; Does a Tiger Wear a Necktie?, Zodiac Theatre, Los Angeles, 1972; also appeared in Sistuhs, Los Angeles Actors' Theatre, Los Angeles.

RELATED CAREER—Company member, Potters Field Theatre Company, New York City, 1979; also founder (with Robert Gordon Hunt), Zodiac Theatre, Los Angeles; performer in Las Vegas with the Nicholas Brothers; as a singer toured Japan and Indonesia.

PRINCIPAL FILM APPEARANCES—Edwina, Terror House (also known as Terror at Red Wolf Inn and The Folks at Red Wolf Inn), Scope Ill/Far West, 1972; Mercer's mistress, Cool Breeze, MetroGoldwyn-Mayer (MGM), 1972; call girl, Magnum Force, Warner Brothers, 1973; nurse, The Psychopath (also known as An Eye for an Eye), Brentwood, 1973; Sister Jennifer, Hell Up in Harlem, American International, 1973; Belle Joplin, Scott Joplin, Universal, 1977; Annie Mae, Which Way Is Up?, Universal, 1977; Toby Millman, The Fish That Saved Pittsburgh, United Artists, 1979; Shug Avery, The Color Purple, Warner Brothers, 1985; Hattie Cole, Blueberry Hill, Metro-Goldwyn-Mayer/United Artists, 1988; Bell, Riverbend, Intercontinental, 1989.

NON-RELATED CAREER—Teacher and singing waitress. AWARDS: Los Angeles Drama Critics' Circle Award, Outstanding Performance by an Actress, 1972, for Does a Tiger Wear a Necktie?; Academy Award nomination, Best Supporting Actress, 1985, for The Color Purple; Image Award from the NAACP for Scott Joplin; Best Actress nomination from the Academy of Science Fiction, Fantasy, and Horror Films for The Lathe of Heaven. ADDRESSES: AGENT—Beakel and De Bord Agency, 10637 Burbank Boulevard, North Hollywood, CA 91601. PUBLICIST— Mickey Freeman, Freeman and Sutton Public Relations, 8961 Sunset Boulevard, Suite 2-A, Los Angeles, CA 90069.*

PRINCIPAL TELEVISION APPEARANCES—Episodic: Nurse Sawyer, A.E.S. Hudson Street, ABC, 1978; Dixie, Murder, She Wrote,

27

B

BACHMAN, Richard See KING, Stephen

BADHAM, John

VOCATION: Director and producer. CAREER: PRINCIPAL FILM WORK—All as director, unless indicated: Sunshine, Part II (also known as My Sweet Lady), CIC, 1975; The Bingo Long Traveling All-Stars and Motor Kings, Universal, 1976; Saturday Night Fever, Paramount, 1977; Dracula, Universal, 1979; Whose Life Is It Anyway?, Metro-GoldwynMayer/United Artists (MGM/UA), 1981; Blue Thunder, Columbia, 1983; WarGames, MGM/UA, 1983; American Flyers, Warner Brothers, 1985; Short Circuit, Tri-Star, 1986; (also executive producer) Stakeout, Buena Vista, 1987; executive producer, Disorganized Crime, Buena Vista, 1989; Bird on a Wire, Universal, 1990.

1939-

PERSONAL: Full name, John MacDonald Badham; born August 25, 1939, in Luton, England; immigrated to the United States in 1945; naturalized U.S. citizen, 1950; son of Henry Lee and Mary lola (Hewitt) Badham; married Bonnie Sue Hughes, December 28, 1967 (divorced, 1979); married Jan Speck, 1983 (divorced, 1990); children: Kelly MacDonald (first marriage). EDUCATION—Yale University, B.A., 1961, M.F.A., 1963. MILITARY—U.S. Army, 1963-64.

PRINCIPAL TELEVISION WORK—All as director, unless indicated. Pilots: Associate producer, Night Gallery, NBC, 1969; associate producer, Dial Hot Line, ABC, 1970; associate producer, A Clear and Present Danger, NBC, 1970. Episodic: The Senator, NBC, 1970; Sarge, NBC, 1971; "The Boy Who Predicted Earthquakes," "Camera Obscura," and "Green Fingers," all Night Gallery, NBC, 1971; "The Girl with the Hungry Eyes," "You Can Come Up Now, Mrs. Millikan," and "The Doll of Death," all Night Gallery, NBC, 1972; The Sixth Sense, ABC, 1972; Sunshine, NBC, 1975; also The Bold Ones, NBC; Cannon, CBS; Owen Marshall: Counselor at Law, ABC; Cool Million, NBC; Streets of San Francisco, ABC; Police Story, NBC; The Doctors, NBC. Movies: Associate producer, The Neon Ceiling, NBC, 1971; The Impatient Heart, NBC, 1971; Isn't It Shocking?, ABC, 1973; The Godchild, ABC, 1974; The Gun, ABC, 1974; Reflections of Murder, ABC, 1974; The Law, NBC, 1974; TheKeegans, CBS, 1976. RELATED CAREER—President, John Badham Films Inc.; board chairman, JMB Films Inc.; president, Great American Picture Show; guest lecturer, Yale University, Loyola Marymount College, University of Alabama, Amherst College, University of Southern California, and the University of California, Los Angeles. NON-RELATED CAREER—Mailroom worker and tour guide, Universal Studios; board of directors, Indian Spring School. AWARDS: Emmy Award nomination, 1971, for The Senator; Christopher Award, 1971, for The Impatient Heart; Southern California Motion Picture Council Award, 1974, for The Gun; Emmy Award nomination, 1974, and ARD reihe 'das Film Festival Award, 1975, both for The Law; Image Award nomination from the NAACP, 1976, for The Bingo Long Traveling All-Stars and Motor Kings; Grand Prize from the International Science Fiction and Fantasy Festival of Paris and Best Horror Film Award and George Pal Memorial Award from the Academy of Science Fiction, Fantasy, and Horror Films, all 1979, for Dracula; Best Director Award

JOHN BADHAM

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BAKER

son, Rain, 1977. PRINCIPAL STAGE APPEARANCES—Virginia Karger, Come on Strong, Morosco Theatre, New York City, 1962; also appeared in A Hatful of Rain, Actors' Studio Workshop, New York City, 1953; Arms and the Man, Chicago, IL, 1958; Anna Christie, Los Angeles, 1966; Gentleman Prefer Blondes, Dallas, TX, 1967; Bell, Book, and Candle, Atlanta, GA, 1978; 13 Rue de I'Amour, Jacksonville, FL, 1978; Forty Carats, Dallas, 1979; as Lucy, Lucy Crown, in the U.K., 1979; Goodbye Charlie, Chicago, 1979; Motive, in the U.K., 1980; Little Hut, in Canada, 1981; and in 27 Wagons Full of Cotton, in the U.K.

from the Academy of Science Fiction, Fantasy, and Horror Films, 1983, for WarGames. MEMBER: Directors Guild, Academy of Motion Picture Arts and Sciences, American Filmex Society, American Film Institute. ADDRESSES: OFFICE—Universal Studios, Universal City, CA 91608. AGENT—Lee Rosenberg, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. PUBLICIST— Nancy Seltzer and Associates, 8845 Ashcroft Avenue, Los Angeles, CA 90048.

FILM DEBUT—Clarice, Easy to Love, Metro-Goldwyn-Mayer, 1953. PRINCIPAL FILM APPEARANCES—Title role, Baby Doll, Warner Brothers, 1956; Luz Benedict II, Giant, Warner Brothers, 1956; Patricia Terrill, The Big Country, United Artists, 1958; Eleanor Brown, But Not for Me, Paramount, 1959; Teresa, The Miracle, Warner Brothers, 1959; Gwen Terasaki, Bridge to the Sun, Metro-Goldwyn-Mayer (MGM), 1961; Mary Ann, Something Wild, United Artists, 1961; Eve Prescott, How the West Was Won, Cinerama, 1962; Rina, The Carpetbaggers, Paramount, 1964; Deborah Wright, Cheyenne Autumn, Warner Brothers, 1964; Catherine, Station Six-Sahara (also known as Endstation 13 Sahara), Allied Artists, 1964; Veronica, The Greatest Story Ever Told, United Artists, 1965; Jean Harlow, Harlow, Paramount, 1965; Julie Anderson, Mister Moses, United Artists, 1965; Sylvia West, Sylvia, Paramount, 1965; as herself, Jack of Diamonds, MGM, 1967; Deborah, The Sweet Body of Deborah (also known as // dolce corpo di Deborah, L'Adorable corps de Deborah, and The Soft Body of Deborah), Warner Brothers/Seven Arts, 1969; Kathryn West, Orgasmo (also known as Paranoia), Commonwealth United, 1969.

BAKER, Carroll 1931PERSONAL: Born May 28, 1931, in Johnstown, PA; daughter of William W. and Virginia (Duffy) Baker; married Louis Ritter (a furrier), 1952 (divorced, 1952); married Jack Garfein (a director and producer), April 5, 1955 (divorced, 1969); married Donald G. Burton (an actor), March 10, 1982; children: Herschel David, Blanche Joy (second marriage). EDUCATION—Attended St. Petersburg Junior College, 1952; studied acting with Lee Strasberg at the Actors' Studio, 1953. VOCATION: Actress and writer. CAREER: STAGE DEBUT—Escapade on Broadway, Actors' Studio, New York City, 1952. BROADWAY DEBUT—All Summer Long, Coronet Theatre, 1954. LONDON DEBUT—Sadie Thomp-

Maude, Captain Apache, Scotia International, 1971; title role, Baba Yaga—Devil Witch, Jumbo Cinematographica/CoFiCom, 1973; as herself, James Dean--The First American Teenager (documentary), Coral, 1975; Laura, La moglie di mio padre (also known as Confessions of a Frustrated Housewife), Mark Associates, 1976; Mrs. Aiken, Andy Warhol's Bad, New World, 1977; Helen Curtis, The Watcher in the Woods, Buena Vista, 1980; Linda Cooper, The World Is Full of Married Men, New Line, 1980; Brown, Red Monarch, Goldcrest Films and TV Ltd., 1983; Dorothy's mother, Star 80, Warner Brothers, 1983; Mama Freud, The Secret Diary of Sigmund Freud, Twentieth Century-Fox/TLC, 1983; Mrs. Dalton, Native Son, Cinecom, 1986; Annie Phelan, Ironweed, Tri-Star, 1987. Also appeared in L'Harem (also known as Her Harem), 1968; Honeymoon, 1968; Paranoia (also known as Una droga llamada Helen and A Quiet Place to Kill), 1969; Cosi dolce . . . cosiperversa (also known as Perversion, So Sweet. . . So Perverse), 1970; The Fourth Mrs. Anderson, \91l;Infondoala piscina (also known as At the Bottom of the Swimming Pool}, 1971; // diavolo a setteface (also known as The Devil Has Seven Faces), Grand National, 1911; II coltello di ghiaccio (also known as The Icepick), 1972; Detras del silencio (also known as Behind the Silence), 1972; // fiore dai petali d'acciaio (also known as The Flower with the Deadly Sting), P.A.B., 1973; Take This—My Body (also known as // corpo and The Body), Republic, 1974; Lezioni private (also known as The Private Lesson), 1975; DerKoder (also known as L'Appat and The Lure), 1975; La moglie virgine (also known as Valentina-—The Virgin Wife and The Virgin Wife), Silverstein, 1976; Ab Morgen Sind Wir Reich un Ehrlich (also known as / soliti ignoti colpiscona ancore and Rich and Respectable), 1977; Ciclon (also known as Cyclone), 1977; Gipsy Angel, 1989. PRINCIPAL TELEVISION APPEARANCES—Episodic: Sandy Mar-

CARROLL BAKER

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BALL

shall, "The Next Victim," Thriller, ABC, 1975; also Danger, CBS. Movies: Gerda Hoffman, Hitler's SS: Portrait in Evil, NBC, 1985; Maureen Leary, On Fire, ABC, 1987. Specials: The Bob Hope Show, NBC, 1966; First Would-Be Wife, The Bob Hope Show, NBC, 1968; Sadie Thompson, Rain, BBC, 1972; Anne Murray's Ladies' Night, syndicated, 1979; Bob Hope's Women I Love—Beautiful But Funny, NBC, 1982; What Mad Pursuit, BBC, 1985; Sharing Time, Thames Television, 1985; Sex Symbols: Past, Present, and Future, syndicated, 1987; The Story of Hollywood (also known as Talking Pictures), TNT, 1988.

Gresham, A Killing Affair (also known as Monday, Tuesday, Wednesday), Hemdale, 1988; Charlie Standers, Clean and Sober, Warner Brothers, 1988; Martha, Jacknife, Cineplex Odeon, 1989; Annie, Dad, Universal, 1989. Also appeared in My Sister's Keeper, Interpictures Releasing Company/Prism Entertainment, 1986.

RELATED CAREER—Actress in television commercials during the 1950s; television weather reporter, 1952; assistant to magician Burling Hull, "The Great Volta," in Florida; magician and dancer with the Kemp Time Vaudeville Circuit in North Carolina; nightclub dancer and performer, New York City.

NON-RELATED CAREER—Studied at Cordon Bleu Cooking School, Paris, France; founded her own catering service in San Francisco, CA.

PRINCIPAL TELEVISION APPEARANCES—Episodic: Ariel Serra, Mariah, ABC, 1987; Charlene Benton, Amazing Stories, NBC, 1987. Movies: Lucy Stavros, Nobody's Child, CBS, 1986; Marcie Guilford, The Image, HBO, 1990.

AWARDS: Obie Award from the Village Voice, 1983, and Theatre World Award, 1984, both for Fool for Love.

WRITINGS: Baby Doll (autobiography), Arbor House, 1983; To Africa with Love: A Romantic Adventure (autobiography), D.I. Fine, 1986; A Roman Tale (fiction), D.I. Fine, 1986.

ADDRESSES: AGENT—Tracey Jacobs, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

AWARDS: Academy Award nomination, Best Actress, 1956, for Baby Doll; Best Supporting Actress Award from the National League Women's Press Club, 1956; San Francisco Critics' Award, Best Actress, Foreign Press Club Award, Best Dramatic Actress, Hasty Pudding Club Woman of the Year, and Film Achievement Award from Look magazine, all 1957; honorary Kentucky Colonel, 1962.

BAKER, Kathy Whitton See BAKER, Kathy

MEMBER: British Academy of Film and Television Arts, Academy of Motion Picture Arts and Sciences, Authors' Guild, Cheyenne tribe (honorary member). BAKER, Kenny 1934-

ADDRESSES: AGENT—International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.

PERSONAL: Born August 24, 1934, in Birmingham, England. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Artoo-Detoo (R2D2), Star Wars, Twentieth Century-Fox, 1977; Bungo, Wombling Free, Satori, 1978; plumed dwarf, The Elephant Man, Paramount, 1980; Artoo-Detoo (R2-D2), The Empire Strikes Back, Twentieth Century-Fox, 1980; dwarf, Flash Gordon, Universal, 1980; Fidget, Time Bandits, AVCO-Embassy, 1981; Artoo-Detoo (R2-D2), Return of the Jedi, Twentieth Century-Fox, 1983; Parody Commendatore, Amadeus, Orion, 1984; goblin, Labyrinth, TriStar, 1986; Brighton busker, MonaLisa, Island, 1986; elf, Sleeping Beauty, Cannon, 1987; music performer, Perfect Image? (short film), Sankofa, 1989.

BAKER, Kathy 1950-

(Kathy Whitton Baker) PERSONAL: Full name, Kathy Whitton Baker; born June 8, 1950, in Midland, TX; children: one son. EDUCATION—Studied French at the University of California, Berkeley; also attended California Insitute of the Arts. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—(As Kathy Whitton Baker) May, Fool for Love, Circle Repertory Theatre, 1983. PRINCIPAL STAGE APPEARANCES—(As Kathy Whitton Baker) May, Fool for Love, Douglas Fairbanks Theatre, New York City, 1983; (as Kathy Whitton Baker) Abbie Putnam Cabot, Desire Under the Elms, Roundabout Stage One Theatre, New York City, 1984; (as Kathy Whitton Baker) Lemon, Aunt Dan and Lemon, New York Shakespeare Festival, Public Theatre, New York City, 1986. Also appeared as May, Fool for Love, Magic Theatre, San Francisco, CA; and in Under Milk Wood, California Institute of the Arts, Valencia, CA.

PRINCIPAL TELEVISION APPEARANCES—Movies: The Hunchback of Notre Dame, CBS, 1982. Specials: Host, The Making of "Star Wars" as Told by C-3PO andR2-D2, ABC, 1977.*

BALL, Lucille 1911-1989

PERSONAL: Born August 6, 1911, in Celoron (near Jamestown), NY; daughter of Henry D. (a telephone lineman) and Desiree (a concert pianist; maiden name, Hunt) Ball; died of cardiac arrest, April 26, 1989, in Los Angeles, CA; married Desiderio Alberto (Desi) Arnaz (an actor, producer, and bandleader), November 30,

PRINCIPAL FILM APPEARANCES—Louise Shepard, The Right Stuff, Warner Brothers, 198 3; Punchy, Street Smart, Cannon, 1987; Martha Sinclair, Permanent Record, Paramount, 1988; Maggie

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RKO, 1936; girl, Winterset, RKO, 1936; Ann Howell, Dont Tell the Wife, RKO, 1937; Judy Canfield, Stage Door, RKO, 1937; Claire Williams, That Girl from Paris, RKO, 1937; title role, Affairs of Annabel, RKO, 1938; title role, Annabel Takes a Tour, RKO, 1938; Christine, Room Service, RKO, 1938; Carol Meely, Go Chase Yourself, RKO, 1938; Miriam, Having Wonderful Time, RKO, 1938; Nancy Fleming, Next Time I Marry, RKO, 1938; Salina, Joy of Living, RKO, 1938; Jean Russell, Beauty for the Asking, RKO, 1939; Peggy, Five Came Back, RKO, 1939; Lucy, Panama Lady, RKO, 1939; Sandra Sand, That's Right—You re Wrong, RKO, 1939; Paula Sanders, Twelve Crowded Hours, RKO, 1939. Bubbles, Dance, Girl, Dance, RKO, 1940; Joan Grant, The Marines Fly High, RKO, 1940; Connie Casey, Too Many Girls, RKO, 1940; Clara Hinklin/Mercedes Vasquez, You Can't Fool Your Wife, RKO, 1940; Dot Duncan, A Girl, a Guy, and a Gob (also known as The Navy Steps Out), RKO, 1941; Julie Patterson, Look Who's Laughing, RKO, 1941; Gloria, The Big Street, RKO, 1942; Terry, Seven Days' Leave, RKO, 1942; Christine Larson, Valley of the Sun, RKO, 1942; May Daly/Madame du Barry, Du Barry Was a Lady, Metro-Goldwyn-Mayer (MGM), 1943; as herself, Best Foot Forward, MGM, 1943; guest star, Thousands Cheer, MGM, 1943; Julie Hampton, Meet the People, MGM, 1944; Kitty Trimble, WithoutLove, MGM, 1945; Kathleen, The Dark Corner, Twentieth Century-Fox, 1946; Ricki Woodner, Two Smart People, MGM, 1946; Gladys Benton, Easy to Wed, MGM, 1946; Kay Williams, Lover Come Back (also known as When Lovers Meet}, Universal, 1946; Sandra Carpenter, Lured (also known as Personal Column), United Artists, 1947; Margaret Weldon, Her Husband's Affairs, Columbia, 1947; Gladys O'Neill, Sorrowful Jones, Paramount, 1949; Anne, Easy Living, RKO, 1949; Ellen Grant, Miss Grant Takes Richmond (also known as Innocence Is Bliss), Columbia, 1949.

LUCILLE BALL

1940 (divorced, 1960); married Gary Morton (a comedian), November 19, 1961; children: Lucie Desiree, Desiderio Alberto IV (first marriage). EDUCATION—Attended the Chautauqua Institute of Music and the John Murray Anderson-Robert Milton Dramatic School; also studied acting with Lela Rogers, 1935.

Sally Elliot, The Fuller Brush Girl (also known as The Affairs of Sally), Columbia, 1950; Agatha Floud, Fancy Pants, Paramount, 1950; guest, A Woman of Distinction, Columbia, 1950; Narah, The Magic Carpet, Columbia, 1951; Tracy Collini, The Long, Long Trailer, MGM, 1954; Susan Vega, For ever Darling, MGM, 1956; Kitty Weaver, The Facts of Life, United Artists, 1960; Angela Ballantine, Critic's Choice, Warner Brothers, 1963; technical advisor, A Guide for the Married Man, Twentieth Century-Fox, 1967; Helen North, Yours, Mine, and Ours, United Artists, 1968; title role, Mame, Warner Brothers, 1974. Also appeared in Blood Money, Twentieth Century-Fox/United Artists, 1933; The Bowery, Twentieth Century-Fox, 1933; Moulin Rouge, Twentieth CenturyFox/United Artists, 1934; Bottoms Up, Twentieth Century-Fox, 1934; Hold That Girl, Twentieth Century-Fox, 1934; The Affairs of Cellini, Twentieth Century-Fox/United Artists, 1934; Broadway Bill (also known as Strictly Confidential), Columbia, 1934; Three Little Pigskins (short film), Columbia, 1934; Perfectly Mismatched (short film), Columbia, 1934; The Three Musketeers, RKO, 1935; One Live Ghost (short film), Columbia, 1936; So and Sew (short film), RKO, 1936; Abbott and Costello in Hollywood, MGM, 1945; "Meet the Ladies" in Ziegfeld Follies, MGM, 1945.

VOCATION: Actress and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Wildcat Jackson, Wildcat, Alvin Theatre, New York City, 1960. MAJOR TOURS—Title role, Dream Girl, U.S. cities, 1947-48; also toured with Desi Arnaz in a vaudeville music and comedy act, U.S. cities, 1950. FILM DEBUT—Slave girl, Roman Scandals, United Artists, 1933. PRINCIPAL FILM APPEARANCES—Girl at beach, Broadway thru a Keyhole, Twentieth Century-Fox, 1933; girl, Bulldog Drummond Strikes Back, United Artists, 1934; beauty operator, Fugitive Lady, Columbia, 1934; girl, Jealousy, Columbia, 1934; 1934 Goldwyn girl, Kid Millions, United Artists, 1934; Peggy, Men of the Night, Columbia, 1934; chorus girl, Nana (also known as Lady of the Boulevard), United Artists, 1934; nurse, Carnival, Columbia, 1935; Gwendolyn Dilley, I Dream Too Much, RKO, 1935; college girl, Old Man Rhythm, RKO, 1935; flower clerk, Top Hat, RKO, 1935; girl, The Whole Town's Talking (also known as Passport to France), Columbia, 1935; mannequin, Roberta, RKO, 1935; Miss Kelly, Bunker Bean (also known as His Majesty, Bunker Bean), RKO, 1936; Lillian Temple, Chatterbox, RKO, 1936; Gloria, The Farmer in the Dell, RKO, 1936; Kitty Collins, Follow the Fleet,

PRINCIPAL TELEVISION APPEARANCES—Series: Lucy Ricardo, / Love Lucy, CBS, 1951-57; Lucy Ricardo, "The Lucille Ball-Desi Arnaz Show," The Westinghouse Desilu Playhouse, CBS, 195860; Lucy Carmichael, The Lucy Show, CBS, 1962-68; Lucy Carter, Here's Lucy, CBS, 1968-74; Lucy Barker, Life with Lucy, ABC, 1986. Pilots: Sister Hitchcock, The Music Mart, NBC, 1980. Episodic: "K.O. Kitty," The Westinghouse Desilu Playhouse, CBS, 1958; host, "The Desilu Revue," The Westinghouse Desilu

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Fame, Happy NBC, ment, 1989.

Playhouse, CBS, 1959; The Phil Silvers Show, CBS, \959',TheAnn SothernShow, CBS, 1959; The Danny Thomas Show, CBS, 1959; The Greatest Show on Earth, ABC, 1963; Make Room for Granddaddy, ABC, 1971; The Practice, NBC, 1976; The Mary Tyler Moore Hour, CBS, 1979; also The Tonight Show, NBC; The David Frost Revue, syndicated; The Ed Wynn Show, CBS; Inside U.S.A. with Chevrolet, CBS; Lineup, CBS; December Bride, CBS; Those Whiting Girls, CBS; Whirlybird, syndicated; The Milton Eerie Show, ABC; Body Language. Movies: Florabelle, Stone Pillow, NBC, 1986.

Fox, 1987; America's Tribute to Bob Hope, NBC, 1988; Birthday Bob—50 Stars Salute Your 50 Years with NBC, 1988; Hollywood: The Golden Years, Arts and Entertain1988; 61st Annual Academy Awards Presentation, ABC,

PRINCIPAL TELEVISION WORK—Series: Producer (with Desi Arnaz), / Love Lucy, CBS, 1951-57; executive producer and producer (with Arnaz), The Lucy Show, CBS, 1962-68. Pilots: Producer, The Music Mart, NBC, 1980; executive producer and director, Bungle Abbey, NBC, 1981. Specials: Producer, "The Desilu Revue," Desilu Playhouse, CBS, 1959; executive producer, A Lucille Ball Special Starring Lucille Ball and Dean Martin, CBS, 1975; executive producer, A Lucille Ball Special Starring Lucille Ball and Jackie Gleason, CBS, 1975; executive producer, A Lucille Ball Special: What Now Catherine Curtis?, CBS, 1976; executive producer, The Lucille Ball Special, CBS, 1977; executive producer, Lucy Moves to NBC, NBC, 1980.

Specials: The Bob Hope Show, NBC, 1950; Show of the Year, NBC, 1950; The Bob Hope Show, NBC, 1956; The Milton Berle Special, NBC, 1959; Hedda Hopper's Holly'wood, NBC, 1960; The Bob Hope Show, NBC, 1961; Twelve Star Salute, ABC, 1961', The Bob Hope Show, NBC, 1962; The Bob Hope Show, NBC, 1963; Have Girls—Will Travel, NBC, 1964; A Salute to Stan Laurel, CBS, 1965; The Wonderful World of 'Burlesque I, NBC, 1965; Lucy inLondon, CBS, 1966; The Bob Hope Show, NBC, 1966; Carol + 2, CBS, 1967; Bonnie Barton, The Lucille Ball Comedy Hour, CBS, 1967; The Jack Benny Special, NBC, 1968; Ann-Margret: From Hollywood with Love, CBS, 1969; The Dinah Shore Special—Like Hep, CBS, 1969; Jack Benny's Birthday Special, NBC, 1969.

PRINCIPAL RADIO APPEARANCES-Series: Liz Cooper, My Favorite Husband, CBS, 1947-51; Lucy Ricardo, / Love Lucy, CBS, 1952; also a regular on Phil Baker's and Jack Haley's comedyvariety shows, CBS, late 1930s and early 1940s. Episodic: Ford Theatre, CBS, 1948; "A Foreign Affair," Screen Directors' Playhouse, NBC, 1950; The Mar tin and Lewis Show, NEC', Screen GuildTheatre, CBS; Suspense, CBS; Leave It to the Girls, Mutual.

Jack Benny's 20th Anniversary TV Special, NBC, 1970; The Bob Hope Show, NBC, 1970; Everything You Always Wanted to Know About Jack Benny and Were Afraid to Ask, NBC, 1971; host, Super Comedy Bowl I, CBS, 1971; Swing Out, SweetLand, NBC, 1971;A Salute to Television's 25th Anniversary, ABC, 1972; Show Business Salute to Milton Berle, NBC, 1973; Steve and Eydie . . . On Stage, NBC, 1973; The Bob Hope Show, NBC, 1973; Norma Michaels, Happy Anniversary and Goodbye, CBS, 1974; Lucy Collins, A Lucille Ball Special Starring Lucille Ball and Dean Martin, CBS, 1975; A Lucille Ball Special Starring Lucille Ball and Jackie Gleason, CBS, \97 5; Bob Hope's World of Comedy, NBC, 1976; host, CBS Salutes Lucy—The First 25 Years, CBS, 1976; Catherine Curtis, A Lucille Ball Special: What Now Catherine Curtis?, CBS, 1976; Gypsy in My Soul, CBS, 1976; The Lucille Ball Special, CBS, 1977; ringmaster, Circus of the Stars, CBS, 1977; The Barbara Walters Special, ABC, 1977; Bob Hope's AilStar Comedy Tribute to Vaudeville, NBC, 1977; Lucy Comes to Nashville, CBS, 1978; General Electric's All-Star Anniversary, ABC, 1978; CBS: On the Air, CBS, 1978; Gene Kelly . . . An American in Pasadena, CBS, 1978; The American Film Institute Salute to Henry Fonda, CBS, 1978; Dean Martin Celebrity Roast: Jimmy Stewart, NBC, 1978; TV: The Fabulous '50s, NBC, 1978; A Tribute to "Mr. Television" Milton Berle, NBC, 1978; Happy Birthday, Bob!, NBC, 1978; Cher and Other Fantasies, NBC, 1979.

RELATED CAREER—Entertainer, Stage Canteen, during World War II; president, Desilu Productions, Inc., 1962-67; president, Lucille Ball Productions, 1967-89. NON-RELATED CAREER—Waitress and soda jerk; hat model for Hattie Carnegie's salon and Chesterfield cigarettes, both 1933. AWARDS: Motion Picture Daily Awards, Most Promising Star, 1951, Best Performer, 1952, Best Comedy Team (with Desi Arnaz), 1954, and Best Comedienne, 1955 and 1957; Emmy Awards, Best Comedienne, 1952, and Best Actress in a Continuing Performance, 1955, both for / Love Lucy; Emmy Awards, Outstanding Continued Performance By an Actress in a Leading Role in a Comedy Series, 1967 and 1968, both for The Lucy Show; Gold Medal from the International Radio and Television Society, 1971; Golden Apple Award from the Hollywood Women's Press Club, Star of the Year, 1973; Ruby Award, 1974; Entertainer of the Year Award, 1975; Friar's Club Life Achievement Award, 1977; Cecil B. De Mille Award from the Hollywood Foreign Press Association, 1978; inducted into the Television Academy Hall of Fame, 1984; Lifetime Achievement Citation from the Kennedy Center for the Performing Arts, 1986; Hasty Pudding Woman of the Year, 1988; Television Academy Citation as "First Lady of Television"; Presidential Medal of Freedom (awarded posthumously), 1989.

Lucy Moves to NBC, NBC, 1980; Sinatra—The First 40 Years, NBC, 1980; Bob Hope's 30th Anniversary, NBC, 1981; Bob Hope's Road to Hollywood, NBC, 1983; Happy Birthday, Bob!, NBC, 1983; Bob Hope's Hilarious Unrehearsed Antics of the Stars, NBC, 1984; Bob Hope in Who Makes the World Laugh?, Part II, NBC, 1984; Bob Hope Buys NBC?, NBC, 1985; The Night of 100 StarsII, ABC, 1985; All Star Partyfor Clint Eastwood, CBS, 1986; The 38th Annual Emmy Awards, NBC, 1986; The American Film Institute Salute to Billy Wilder, NBC, 1986; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1986; ABC Fall Preview Special, ABC, 1986; Bob Hope's High Flying Birthday Extravaganza, NBC, 1987; A Beverly Hills Christmas, syndicated, 1987; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1987; The Television Academy Hall of

OBITUARIES AND OTHER SOURCES: New York Times, April 27, 1989; Variety, May 3-9, 1989.*

BALLARD, Carroll

1937-

PERSONAL: Born October 14, 1937, in Los Angeles, CA. EDUCATION—Attended the University of California, Los Angeles. VOCATION: Director. 33

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CAREER: PRINCIPAL FILM WORK—Art director, Three Nuts in Search of a Bolt, Harlequin International, 1964; second camera operator, Star Wars, Twentieth Century-Fox, 1977; director, The Black Stallion, United Artists, 1979; director, Never Cry Wolf, Buena Vista, 1983; director, The Nutcracker: The Motion Picture, Atlantic Releasing, 1986.

Puss, Hatch Up Your Troubles, The Cat and the Mermouse, Heavenly Puss, Jerry's Diary, Love That Pup, and Tennis Chumps, all MGM, 1949. Framed Cat, Tom and Jerry in the Hollywood Bowl, Jerry and the Lion (also known as Hold That Lion), Little Quacker, Saturday Evening Puss (also known as Party Cat), Jerry's Cousin (also known as City Cousin and Muscles Mouse), Texas Tom, Cue Ball Cat, and Safety Second (also known as F'r Safety Sake), all MGM, 1950; Casanova Cat, Cat Napping, His Mouse Friday, Jerry and the Goldfish, The Two Mouseketeers, Nit-Witty Kitty, Sleepy-Time Tom, and Slicked-Up Pup, all MGM, 1951; The Flying Cat, Cruise Cat, The Dog House, The Duck Doctor, Fit to Be Tied, Johann Mouse, Little Runaway, Push-Button Kitty, Smitten Kitten, and Triplet Trouble, all MGM, 1952; The Missing Mouse, Jerry and Jumbo, That's My Pup, Just Ducky, Two Little Indians, and Life with Tom, all MGM, 1953; Pet Peeve, Little School Mouse, Baby Butch, Mice Follies, Neapolitan Mouse, Downhearted Duckling, Posse Cat, Hic-Cup Pup (also known as Tyke Takes a Nap), Puppy Tale, and Touche, Pussy Cat, all MGM, 1954; Good Will to Men, Pup on a Picnic, Designs on Jerry, Southbound Duckling, Pecos Pest, Smarty Cat, That's My Mommie, Mouse for Sale, and Tom and Cherie, all MGM, 1955; Barbeque Brawl, The Flying Sorceress, Blue Cat Blues, Give and Take, Busy Buddies, The Egg and Jerry, Scat Cats, Down Beat Bear, and Muscle Beach Tom, all MGM, 1956; One Droopy Knight, Feedin the Kiddie, Mucho Mouse, Timid Tabby, Tom's Photo Finish, and Tops with Pops, all MGM, 1957; Happy Go Ducky (also known as One Quack Mind), Royal Cat Nap, Robin Hoodwinked, Tot Watchers, The Vanishing Duck, Little Bo Bopped, and Wolf Hounded, all MGM, 1958.

ADDRESSES: OFFICE—c/o Lone Dog Ltd., P.O. Box 239, Calistoga, CA 94515.*

BARBERA, Joseph

1911-

PERSONAL: Surname is pronounced "Bar-fo?flr-uh"; full name, Joseph Roland Barbera; born March 24, 1911, in New York, NY; son of Vincente and Frances Barbera; married Dorothy Earl (divorced, 1964); married Sheila Holden; children: Lynn Meredith, Jayne Earl, Neal Francis (first marriage). EDUCATION—Graduated from the American Institute of Banking; also attended Pratt Institute, the Art Students League, and New York University. VOCATION: Animator, producer, director, and writer. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— All with William Hanna: Animation director, Anchors Aweigh, Metro-Goldwyn-Mayer (MGM), 1945; animation director, Holiday in Mexico, MGM, 1946; animation director, Neptune's Daughter, MGM, 1949; animation director (also with Fred Quimby), Dangerous When Wet, MGM, 1953; animation director (also with Quimby), Invitation to the Dance, MGM, 1956; producer and director, Hey There, It's Yogi Bear (animated), Columbia, 1964; producer and director, The Man Called Flintstone (also known as That Man Flintstone; animated), Columbia, 1966; producer and animation director, Project X, Paramount, 1968; producer, Charlotte's Web (animated), Paramount, 1973; producer, C.H.O.M.P.S., AID, 1979; executive producer, Liar's Moon, Crown International, 1982; producer, Heidi's Song (animated), Paramount, 1982; producer, GoBots: Battle of the Rock Lords (animated), Atlantic Releasing, 1986. Also executive producer, The Greatest Adventure: Stories from the Bible (home video release), 1986; producer, Forever Like a Rose.

Creepy Time Pal, Tale of a Wolf, The Do-Good Wolf, Life with Loopy, Snoopy Loopy, No Biz Like Shoe Biz, and Here Kiddie, Kiddie, all Columbia, 1960; Count Down Clown, Happy Go Loopy, Two-Faced Wolf, Catch Meow, Child Sock-Cology, Fee Fie Foes, Kooky Loopy, Loopy's Hare-Do, This Is My Ducky Day, and Zoo Is Company, all Columbia, 1961; Bungle Uncle, Bearly Able, Beeffar and After, Bunnies Abundant, Chicken Fracas-see, Common Scents, Rancid Ransom, Slippery Slippers, and Swash Buckled, all Columbia, 1962; Just a Wolf at Heart, Chicken-Hearted Wolf, Whatcha Watchin, A Fallible Fable, Drum-Sticked, Bear Up!, The Crook That Cried Wolf, Habit Rabbit, Not in Nottingham, Sheep Stealers Anonymous, and Wolf in Sheepdog's Clothing, all Columbia, 1963; Elephantastic, Bear Hug, Bear Knuckles, Trouble Bruin, Raggedy Rug, and Habit Troubles, 1964; Big Mouse-Take, Pork Chop Phooey, Crow's Fete, and Horse Shoo, all Columbia, 1965.

Director (with Hanna) of the following short animated films: Gallopin Gals, Swing Social, Puss Gets the Boot, and Romeo in Rhythm, all MGM, 1940; The Goose Goes South, Midnight Snack, The Night Before Christmas, and Officer Pooch, all MGM, 1941; The Bowling-Alley Cat, Dog Trouble, Fine Feathered Friend, Fraidy Cat, and Puss 'n Toots, all MGM, 1942; Baby Puss, Yankee Doodle Mouse, Lonesome Mouse, Sufferin Cats, and War Dogs, all MGM, 1943; The Bodyguard, The Million Dollar Cat, The Zoot Cat, Puttin' on the Dog, and Mouse Trouble (also known as Cat Nipped and Kitty Foiled}, all MGM, 1944; The Mouse Comes to Dinner (also known as Mouse to Dinner), Flirty Birdy (also known as Love Boids), Mouse in Manhattan (also known as Manhattan Serenade), Quiet, Please!, and Tee for Two, all MGM, 1945; The Milky Waif, Solid Serenade, The Cat Concerto, Springtime for Thomas, and Trap Happy, all MGM, 1946; The Invisible Mouse, Part-Time Pal (also known as Fair Weathered Friend), Cat Fishin', A Mouse in the House, Dr. Jekyll and Mr. Mouse, and Salt Water Tabby, all MGM, 1947; Kitty Foiled, Old Rockin' Chair Tom, The Little Orphan, Professor Tom, Make Mine Freedom, Mouse Cleaning, and The Truce Hurts, all MGM, 1948; Polka Dot

PRINCIPAL TELEVISION APPEARANCES—Specials: The 40th Annual Emmy Awards, Fox, 1988; Hanna-Barber a's 50th: A Yabba Dabba Doo Celebration, TNT, 1989. PRINCIPAL TELEVISION WORK—All as executive producer, unless indicated, with William Hanna. Series (all animated, unless indicated): Producer (also with Bob Cottle), The Ruff and Reddy Show, NBC, 1957-64; producer and director, The Huckleberry Hound Show (also featuring Pixie and Dixie, Hokey Wolf, and Yogi Bear), syndicated, 1958-62; producer and director, Yogi Bear (also featuring Snagglepuss and Yakky Doodle Duck), syndicated, 195862; producer, The Quick Draw McGraw Show (also featuring Snooper and Blabber and Augie Doggie and Doggie Daddy), syndicated, 1959-62; producer and director, TheFlintstones, ABC, 1960-66; producer and director, Top Cat, ABC, 1961-62; producer and director, Lippy the Lion, syndicated, 1962; producer and director, Touche Turtle, syndicated, 1962; producer and director, 34

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BARBERA

78; The Skatebirds (also featuring The Robonic Stooges, Wonder Wheels, Woofer and Wimper, and Mystery Island), CBS, 1977-78; The Tom and Jerry/Great Grape Ape Show, ABC, 1977-78; (also director) The New Super Friends Hour, ABC, 1977-78; Scooby's All-Star Laff-a-Lympics, ABC, 1911-IS; Fred Flintstone and Friends, syndicated, 1977-78; The C.B. Bears (also featuring Blast Off Buzzard and Crazy Legs, Posse Impossible, Undercover Elephant, Shake, Rattle, and Roll, andHeyyyyyy, It's the King), CBS, 1977-78; The Hanna-Barbera Happiness Hour (live-action), NBC, 1978; Yogi's Space Race, NBC, 1978-79; The Galaxy Goofups, NBC, 1978-79; Scooby's All Stars, ABC, 1978-79; Challenge of the Super Friends, ABC, 1978-79; (also director) The World's Greatest Super Heroes, ABC, 1978-80; Godzilla (also known as Godzilla and the Super 90 and The Godzilla Power Hour; also featuring Jana of the Jungle), NBC, 1978-81; producer, The Three Robonic Stooges, CBS, 1978-81; The All-New Popeye Hour, CBS, 1978-81; The New Shmoo, NBC, 1979; Fred and Barney Meet the Thing, NBC, 1979; Buford and the Ghost, NBC, 1979; Scooby-Doo and Scrappy-Doo, ABC, 1979; The Super Globetrotters, NBC, 1919', The New Fred and Barney Show, NBC, 1979; Casper and the Angels, NBC, 1979-80; Fred and Barney Meet the Shmoo, NBC, 1979-80.

Wally Gator, syndicated, 1962; (also director) TheJetsons, ABC, 1962-63; (also director) The Adventures of Jonny Quest (also known as Jonny Quest), ABC, 1964-65; producer and director, The Magilla Gorilla Show (also featuring Ricochet Rabbit and Punkin Puss and Mush Mouse}, syndicated, 1964-67; producer and director, The Peter Potamus Show (also featuring Yippie, Yappie, and Yahooey and Breezly and Sneezly), syndicated, 1964-67. Series (continued; all animated, unless indicated): Producer and director, The Atom Ant/Secret Squirrel Show (also featuring The Hillbilly Bears, Squiddly Diddly, and Precious the Dog), NBC, 1965-68; producer, Sinbad, Jr., the Sailor (also known as The Adventures of Sinbad, Jr.), syndicated, 1966; producer and director, The Abbott and Costello Cartoon Show, syndicated, 1966; producer (also with Larry Harmon), Laurel and Hardy, syndicated, 1966-67; producer and director, Space Kiddettes, NBC, 1966-67; producer and director, Space Ghost (also featuring Dino Boy), CBS, 1966-68; producer and director, Frankenstein, Jr. and the Impossibles, CBS, 1966-68; producer, Sampson and Goliath, NBC, 1967-68; producer and director, Birdman and the Galaxy Trio, NBC, 1967-68; producer and director, TheHerculoids, CBS, 1967-69; producer, Moby Dick and the Mighty Mightor, CBS, 1967-69; producer and director, Shazzanl, CBS, 1967-69; (also director) The Fantastic Four, ABC, 1967-70; Here Come the Stars (live-action), syndicated, 1968; producer, The New Adventures of Huck Finn (live-action and animated), NBC, 1968-69; producer and director, The Wacky Races, CBS, 1968-70; producer, The Banana Splits Adventure Hour (live-action and animated; also featuring The Micro Venture, Danger Island, The Three Musketeers, The Hillbilly Bears, and The Arabian Knights), NBC, 196870; (also director) The Adventures of Gulliver (also known as The Adventures of Young Gulliver), ABC, 1969-70; producer and director, The Perils of Penelope Pitstop, CBS, 1969-71; (also director) The Cattanooga Cats (also featuring It's the Wolf, Around the World in 79 Days, and Auto Cat and Motor Mouse), ABC, 1969-71; (also director) Dastardly and Muttley in Their Flying Machines, CBS, 1969-71; (also director with Charles A. Nichols) Scooby-Doo, Where Are You?, CBS, 1969-74.

Series (continued; all animated, unless indicated): Captain Caveman and the Teen Angels, ABC, 1980; Flintstone Family Adventures (also featuring The Frankenstones and Captain Caveman), NBC, 1980-81; The Scooby-Doo and Scrappy-Doo Show, ABC, 198082; The Drak Pack, CBS, 1980-82; Fonz and the Happy Days Gang, ABC, 1980-82; The Richie Rich Show, ABC, 1980-82; The Flintstones, NBC, 198 \; Space Stars (featuring Space Ghost, Teen Force, The Herculoids, and Astro and the Space Mutts), NBC, 1981-82; The Kwicky Koala Show (also featuring Dirty Dawg, Crazy Claws, and The Bungle Brothers), CBS, 1981-82;7>0//fc//w, CBS, 1981-82; Private Olive Oyl, CBS, 1981-82; Laverne and Shirley in the Army, ABC, 1981-82; The Flintstone Funnies, NBC, 1981-84; The Smurfs, NBC, 1981-88; Laverne and Shirley with the Fonz, ABC, 1982-83; (also director) Jokebook, NBC, 1982; Mork and Mindy, ABC, 1982-83; Scooby, Scrappy, and Yabba Doo, ABC, 1982-83; The Gary Coleman Show, NBC, 1982-83; The Little Rascals, ABC, 1982-84; The Shirt Tales, NBC, 1982-84; Pac-Man, ABC, 1983-84; The Biskitts, CBS, 1983-84; (with Margaret Leosch) Benji, Zax, and the Alien Prince (live-action), CBS, 1983-84; Monchhichis, CBS, 1983-84; The Dukes, CBS, 1983-84; Scooby and Scrappy-Doo, ABC, 1983-84; The Pink Panther and Sons, NBC, 1984-85; The New Scooby-Doo Mysteries, ABC, 1984-85; Super Friends: The Legendary Super Powers Show, ABC, 1984-85; (also with Freddy Monnickendam) Snorks, NBC, 1984-86; Challenge of the GoBots, syndicated, 1984-86; Scooby's Mystery Funhouse, ABC, 1985; The Thirteen Ghosts of Scooby-Doo, ABC, 1985-86; The Super Powers Team: Galactic Guardians, ABC, 1985-86; The New Jetsons, syndicated, 198588; The Funtastic World of Hanna-Barbera (featuring Yogi's Treasure Hunt, Paw Paws, Goltar and the Golden Lance, and The New Adventures of Jonny Quest), syndicated, 1986-87; The Flintstone Kids, ABC, 1986-87; Pound Puppies, ABC, 1986-87; Wildfire, CBS, 1986-87; Foofur, NBC, 1986-87; The Funtastic World of Hanna-Barbera (featuring Yogi's Treasure Hunt, Sky Commanders, The New Adventures of the Snorks, and The New Adventures of Jonny Quest), syndicated, 1987-88; Popeye and Son, CBS, 198788; (also with Jay Wolpert) Skedaddle (live-action), syndicated, 1988—; The Completely Mental Misadventures of Ed Grimley, NBC, 1988-89.

Series (continued; all animated, unless indicated): (Also director) Where's Huddles?, CBS, 1970-71; (also director) The Harlem Globetrotters, CBS, 1970-73; (also director) Josie and the Pussy cats, CBS, 1970-76; Pebbles and Bamm Bamm, CBS, 1971-72; (also director) Help! It's the Hair Bear Bunch, CBS, 1971-72; (also director) The Funky Phantom, ABC, 1971-72; producer and director, Wait til Your Father Gets Home, syndicated, \912;Sealab 2020, NBC, 1972-73; The Roman Holidays, NBC, 1972-73; (also director) The Amazing Chan and the Chan Clan, CBS, 1972-74; (also director) The Flintstone Comedy Hour, CBS, 1972-74; (also director with Nichols) Josie and the Pussycats in Outer Space, CBS, 1972-74; The New Scooby-Doo Movies, CBS, 1972-74; Speed Buggy, CBS, 1973-74; (also director) Butch Cassidy and the Sundance Kids, NBC, 1973-74; producer, Peter Puck, NBC, 1973-74; Inch High, Private Eye, NBC, 1973-74; Yogi's Gang, ABC, 1973-75; Jeannie, CBS, 1973-75; Goober and the Ghost Chasers, ABC, 1973-75; The Addams Family, NBC, 1973-75; Super Friends, ABC, 1973-83; Wheelie and the Chopper Bunch, NBC, 1974-75; The Partridge Family: 2200 A.D., CBS, 1974-75; Korg: 70,000 B.C. (live-action), ABC, 1974-75; Hong Kong Phooey, ABC, 1974-76; These Are the Days, ABC, 1974-76; Devlin, ABC, 1974-76; Valley of the Dinosaurs, CBS, 1974-76. Series (continued; all animated, unless indicated): (Also director) The Scooby-Doo/Dynomutt Hour, ABC, 1976-77; Mumbly, ABC, 1976-77; The Clue Club, CBS, 1976-77; Jabberjaw, ABC, 1976-

Pilots (all live-action, unless indicated): The Beach Girls, syndicated, 1977; The Funny World of Fred and Bunni (live-action and 35

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CONTEMPORARY

animated), CBS, 1978; Sergeant T.K. Yu, NBC, 1979; (with Arthur Weinthel and W.C. Elliott) The B.B. Beegle Show, syndicated, 1980. Movies (all live-action, unless indicated): Hardcase, ABC, 1972; Shootout in a One-Dog Town, ABC, 1974; The Gathering, ABC, 1977; The Beasts Are on the Streets, NBC, 1978; (with William M. Aucoin) KISS Meets the Phantom of the Park, NBC, 1978; The Gathering, PartII, NBC, 1979; (with Barry Krost) Belle Starr, CBS, 1980; Lucky Luke (animated), syndicated, 1987; Stone Fox, NBC, 1987.

THEATRE, FILM, AND TELEVISION • Volume 8

Hanna-Barbera's 50th: A Yabba Dabba Doo Celebration (liveaction and animated), TNT, 1989; also producer, Rock Odyssey. RELATED CAREER—Story board writer and sketch artist, Van Beuren Studio, New York City, 1932-34; animator, Terrytoons, New Rochelle, NY, 1934-37; animator, director, and producer, Metro-Goldwyn-Mayer (MGM), Hollywood, CA, 1937-57; head of animation department (with William Hanna), MGM, 1955-57; founder (with Hanna) and president, Hanna-Barbera Productions, Hollywood, 1957—; also president of the board of directors, Huntington Hartford Theatre, Los Angeles; president, James A. Doolittle Theatre, Hollywood; past president, Greek Theatre Association, Los Angeles; president, Southern California Theatre Association.

Specials (all animated, unless indicated): Alice in Wonderland, ABC, 1966; Jack and the Beanstalk (live-action and animated), NBC, 1967; The Thanksgiving That Almost Wasn't, syndicated, 1971; A Christmas Story, syndicated, 1971; producer, Last of the Curlews, ABC, 1972; Yogi's Ark Lark, ABC, 1972; Robin Hoodnik, ABC, 1972; Oliver and the Artful Dodger, ABC, 191'2; Here Come the Clowns, ABC, 1972; The Banana Splits in Hocus Pocus Park, ABC, 1972; Gidget Makes the Wrong Connection, ABC, 1973; Lost in Space, ABC, 1973; 20,000 Leagues Under the Sea, syndicated, 1973; (also director) The Three Musketeers, syndicated, 1973; The Count of Monte Cristo, syndicated, 1973; The Crazy Comedy Concert (live-action and animated), ABC, 1974; The Runaways (live-action), ABC, 1974; Cyrano de Bergerac, ABC, \914\TheLastoftheMohicans, syndicated, 1975; Phantom RebeI (live-action), NBC, 1976; "Davy Crockett on the Mississippi" (animated), Famous Classic Tales, CBS, 197'6; Taggart's Treasure (live-action), ABC, 1976; Five Weeks in a Balloon, CBS, 1977; Yabba Dabba Doo! The Happy World of Hanna-Barber a (liveaction and animated), CBS, 1977; Energy: A National Is sue, 1977; A Flintstones' Christmas, NBC, 1977; The Flintstones' Little Big League, NBC, 1978; Hanna-Barbera s All Star Comedy Ice Revue (live-action and animated), CBS, 1978; "It Isn't Easy Being a Teenage Millionaire" (live-action), ABC After school Specials, ABC, 1978; Yabba Dabba Doo II, CBS, 197'8; Black Beauty, CBS, 1978; Super Heroes Roast, NBC, 1979; Challenge of the Super Heroes, NBC, 1979; America vs. the World (live-action), NBC, 1979; Scooby Goes Hollywood, ABC, \919\ Casper's First Christmas, NBC, 1979; Popeye Valentine Special: The Sweethearts at Sea, CBS, 1979; Gulliver s Travels, CBS, 1979; Casper's Halloween Special: He Ain't Scary, He's Our Brother, NBC, 1979.

NON-RELATED CAREER—Banking clerk, Irving Trust Company, New York City, 1930-32; also co-chairor, Los Angeles Earthquake Preparedness Committee; board member, Greater Los Angeles Visitors and Convention Bureau; board member, St. Joseph's Medical Center; board member, Children's Village; honorary board member, Wildlife Way station. WRITINGS: FILM—(With William Hanna and Warren Foster) Hey There, It's Yogi Bear (animated), Columbia, 1964; (with Dick Robbins and Duane Poole) C.H.O.M.P.S., AID, 1979; (with Robert Taylor and Jameson Brewer) Heidi's Song (animated), Paramount, 1982. TELEVISION—Series: (With Hanna and Douglas Widley) The Adventures ofJonny Quest (also known as Jonny Quest; animated), ABC, 1964-65. AWARDS: All with William Hanna. Academy Award nomination, Best Animated Short Subject, 1940, for Puss Gets the Boot; Academy Award nomination, Best Animated Short Subject, 1941, for The Night Before Christmas; Academy Award, Best Animated Short Subject, 1943, for Yankee Doodle Mouse; Academy Award, Best Animated Short Subject, 1944, for Mouse Trouble; Academy Award, Best Animated Short Subject, 1945, for Quiet, Please!; Academy Award, Best Animated Short Subject, 1946, for The Cat Concerto; Academy Award nomination, Best Animated Short Subject, 1947, for Dr. Jekyll and Mr. Mouse; Academy Award, Best Animated Short Subject, 1948, for The Little Orphan; Academy Award nomination, Best Animated Short Subject, 1949, for Hatch Up Your Troubles; Academy Award nomination, Best Short Subject, 1950, for Jerry's Cousin; Academy Award, Best Animated Short Subject, 1951, for The Two Mouseketeers; Academy Award, Best Animated Short Subject, 1952, for Johann Mouse; Academy Award nomination, Best Animated Short Subject, 1954, for Touche, Pussy Cat; Academy Award nomination, Best Animated Short Subject, 1955, for Good Will to Men; Academy Award nomination, Best Animated Short Subject, 1957, for One Droopy Knight.

Specials (continued; all animated, unless indicated): The Gymnast (live-action), ABC, 1980; The Hanna-Barbera Arena Show (liveaction), NBC, 1981; Jogging Fever, NBC, 1981; The Great Gilly Hopkins (live-action), CBS, 1981; Daniel Boone, CBS, 1981; Yabba Dabba Doo (live-action and animated), CBS, 1982; The Smurfs Springtime Special, NBC, 1982; The Smurfs' Christmas Special, NBC, 1982; Christmas Comes to Pac-Land, ABC, 1982; Yogi Bear's All-Star Christmas Caper, CBS, 1982; My Smurfy Valentine, NBC, 1983; The Secret World of Og, ABC, 1983; The Amazing Bunjee Venture, CBS, 1984; The Smurfic Games, NBC, 1984; Smurfily-Ever After, NBC, 1985; Star Fairies, syndicated, 1985; The Flintstones' 25th Anniversary Celebration (live-action and animated), CBS, 1986; Ultraman! The Adventure Begins, syndicated, 1987; Yogi and the Magical Flight of the Spruce Goose, syndicated, 1987; Scooby and the Reluctant Werewolf, syndicated, 1987; The Jetsons Meet the Flintstones, syndicated, 1987; Top Cat and the Beverly Hills Cats, syndicated, 1987; Rockin with Judy Jetson (also known as Judy Jetson and the Rockers), syndicated, 1987; Yogi's Great Escape, syndicated, \9%1 \ Scooby-Doo and the Ghoul School, syndicated, 1987; Tis the Season to Be Smurfy, NBC, 1987; The Good, the Bad, and the Huckleberry Hound, syndicated, 1987; Scooby-Doo Meets the Boo Brothers, syndicated, 1987; Yogi and the Invasion of the Space Bears, syndicated, 1987; The Flintstone Kids "Just Say No" Special, ABC, 1988;

Emmy Award, Outstanding Achievement in the Field of Children's Programming, 1960, for The Huckleberry Hound Show; Golden Globe, Outstanding Achievement in International Television Cartoons, 1965, for The Flintstones; Emmy Award, Outstanding Children's Special, 1966, for Jack and the Beanstalk; Emmy Award, Outstanding Achievement in Children's Programming (Informational/Factual), 1973, for The Last of the Curlews; Emmy Award, Outstanding Informational Children's Series, 1974, for The Runaways; Annie Award, 1977, for Charlotte's Web; Christopher Award and Emmy Award, Outstanding Special—Drama or Comedy, both 1978, for The Gathering; Emmy Award, Outstanding Children's Entertainment Series, 1982, for The Smurfs; Golden Reel Award, Animation Sound Editing, and Bronze Award, Best 36

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Children's Special, both from the International Film and Television Festival of New York, 1982, for The Smurfs' Springtime Special; Emmy Award, Outstanding Children's Entertainment Series, 1983, for The Smurfs; Bronze Award, Best Children's Special, 1984, for The Smurfic Games; Men of the Year Award from the National Center for Hyperactive Children, 1986; Gold Angel Award from Religion in Media, 1986, for Excellence in Media; Distinguished Service Award from the National Religious Broadcasters and Award of Excellence from the Film Advisory Board, both 1987, for The Greatest Adventure: Stories from the Bible; Humanitas Prize, 1987, for "Lure of the Orb" episode of The Smurfs; Governor's Award from the National Academy of Television Arts and Sciences, 1988. MEMBER: National Academy of Television Arts and Sciences, Academy of Motion Picture Arts and Sciences, Cousteau Society. ADDRESSES: OFFICE—Hanna-Barbera Productions, 3400 W. Cahuenga Boulevard, Hollywood, CA 90068.*

BARNETT, Ken See FRANCIS, Freddie

BARR, Roseanne

1952ROSEANNE BARR

PERSONAL: Born November 3, 1952, in Salt Lake City, UT; daughter of Jerry (in sales) and Helen Barr; married Bill Pentland, 1974 (divorced, 1989); married Tom Arnold, January 20, 1990; children: Jessica, Jennifer, Jake (first marriage). RELIGION—Jewish.

AWARDS: American Comedy Award, Funniest Female Performer in a Television Special, ACE Awards, Funniest Female in a Comedy and Best Comedy Special, all 1987, for On Location: The Roseanne Barr Show; Golden Globe nomination, Outstanding Lead Actress in a Comedy Series, 1988, and US magazine Second Annual Readers Poll, Best Actress in a Comedy Series, 1989, both for Roseanne.

VOCATION: Comedienne, actress, and writer. CAREER: Also see WRITINGS below. FILM DEBUT—Ruth Patchett, She-Devil, Orion, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Roseanne Conner, Roseanne, ABC, 1988—. Specials:FastCopy, NBC, \9S5;Funny, ABC, 1986; Rodney Dangerfield—It's Not Easy Bein Me, HBO, 1986; The Tonight Show Starring Johnny Carson 24th Anniversary Special, NBC, 1986; On Location: The Roseanne Barr Show, HBO, 1987; Lifetime Salutes Mom, Lifetime, 1987; The American Comedy Awards, ABC, 1987 and 1988; The Comedy Store 15th Year Class Reunion, NBC, 1988; Like Mother, Like Daughter, Lifetime, 1988; The Barbara Walters Special, ABC, 1989.

ADDRESSES: AGENT—Hal Ray, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.

BASSETT, Linda PERSONAL: Born c. 1950; father, a policeman; mother, a typist.

PRINCIPAL TELEVISION WORK—Creative consultant, Roseanne, ABC, 1988—.

VOCATION: Actress and director.

RELATED CAREER—As a comedienne, has appeared in comedy clubs and concert halls throughout the United States.

CAREER: PRINCIPAL STAGE APPEARANCES—Shirley, Shona, Miss Cade, and Margaret, Fen, Joint Stock Theatre Group, London, then New York Shakespeare Festival (NYSF), Public Theatre, New York City, both 1983; doctor, House, and first girl, Woyceck and Mrs. Smith, The Bald Prima Donna, both Haymarket Studio Company, Liverpool, U.K., then Almeida Theatre, London, 1985; mother, June, and Flora, Aunt Dan and Lemon, NYSF, Public Theatre, then Royal Court Theatre, London, both 1985; Marylou Baines, Mrs. Etherington, and Dolcie Star, Serious Money, London

NON-RELATED CAREER—Window dresser and waitress. WRITINGS: TELEVISION—Series: Roseanne, ABC, 1988—. Specials: On Location: The Roseanne Barr Show, HBO, 1987. OTHER—Roseanne—My Life as a Woman (autobiography), Harper and Row, 1989. 37

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

production, then NYSF, Public Theatre, both 1987. Also appeared with the Belgrade Theatre-in-Education Company, Coventry, U.K., 1977; in The Cherry Orchard, Medea, and GeorgeDandin, all Leicester Haymarket Studio, London; and in Abel's Sister, London production.

agement, Columbia Plaza, Building 8, Room 2-B, Burbank, CA 91505.*

PRINCIPAL STAGE WORK—Director, Belgrade Theatre-in-Education Company, Coventry, U.K., 1977.

BAVA, Mario 1914(John Foan, John Hold, John M. Old)

FILM DEBUT—Gertrude Stein, Waiting for the Moon, Skouras, 1987. PRINCIPAL FILM APPEARANCES—Jane Swanton, Paris By Night, Cineplex Odeon, 1989; also appeared in Trqffik, Film Four International, 1989; and Leave to Remain.

PERSONAL: Born July 31, 1914, in San Remo, Italy; son of a sculptor. VOCATION: Director, cinematographer, and screenwriter.

ADDRESSES: AGENT—Megan Willis, Garricks, 7 Garrick Street, London WC2 E 9AR, England.*

CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Cinematographer, L'elisir d'amore (also known as This Wine of Love), Superfilm, 1948; cinematographer, The Taming of Dorothy (also known as Her Favourite Husband), Eagle-Lion/United Artists, 1955; cinematographer, The Devil's Commandment (also known as / vampiri and Lust of the Vampires), RCIP, 1956; cinematographer, Mio figlio Nerone (also known as Nero's Mistress, Nero's Big Weekend, and My Son Nero), 1956, released in the United States by Art Films/Manhattan Films International, 1962; cinematographer, La morte viene dalla spazio (also known as The Day the Sky Exploded, Le Danger vient de /' espace, and Death from Outer Space), 1958, released in the United States by Excelsior, 1961; director (as John Foan) and cinematographer, Caltiki, the Immortal Monster (also known as Caltiki, il monstro immortale), Allied Artists, 1959; cinematographer, La tatiche de Ercole (also known as Hercules), Embassy/Warner Brothers, 1959; cinematographer (with Franco Vodopivec), Agi Murad, il diavolo bianco (also known as The White Warrior and Beli Djavo), 1959, released in the United States by Warner Brothers, 1961.

BAUER, Rocky See BAUER, Steven

BAUER, Steven 1956(Rocky Bauer, Rocky Echevarria) PERSONAL: Born Steven Echevarria, December 2, 1956, in Havana, Cuba; immigrated to the United States in 1959; married Melanie Griffith (an actress), May, 1982 (divorced). EDUCATION—Studied acting at Miami-Dade Community College.

Cinematographer, Esther and the King, Twentieth Century-Fox, 1960; cinematographer, The Giant of Marathon, Metro-GoldwynMayer (MGM), 1960; cinematographer, Ercole e la regina lidia (also known as Hercules Unchained), Warner Brothers/Embassy, 1960; producer, director, cinematographer (with Ubaldo Terzano), and art director (with Giorgio Giovannini), La maschera del demonio (also known as Black Sunday), 1960, released in the United States by American International, 1961; producer, Atom Age Vampire, Topaz, 1961; second unit director, The Wonders of Aladdin (also known as Le meraviglie di Aladino), MGM, 1961; director and cinematographer (with Terzano), Gli invasori (also known as Erik the Conquerer, La Ruee des Vikings, and Fury of the Vikings), 1961, released in the United States by American International, 1963; director and cinematographer, Ercole al centra della terra (also known as Hercules in the Haunted World), 1961, released in the United States by Woolner Brothers, 1964; director, / tre volti della paura (also known as Black Sabbath), 1963, released in the United States by American International, 1964; director and cinematographer, La regazza che sapeva troppo (also known as Evil Eye), 1963, released in the United States by American International, 1964; director (as John M. Old), La frusta e il corpo (also known as What! and Night Is the Phantom), 1963, released in the United States by Futuramic Releasing Organization, 1965; director, Sei donneper Vassassino (also known as Blood and Black Lace, Six femmes pour I'assassin, and Blutige Seide), 1964, released in the United States by Allied Artists/Woolner Brothers, 1965.

VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Waiting for Lefty, 1980. PRINCIPAL STAGE APPEARANCES—Tig, Balm in Gilead, Minetta Lane Theatre, New York City, 1984; Taj Mohamud, Nanawatai, Los Angeles Theatre Center, Los Angeles, 1985. PRINCIPAL FILM APPEARANCES—Manny Ray, Scarf ace, Universal, 1983; Scott Muller, Thief of Hearts, Paramount, 1984; Frank, Running Scared, Metro-Goldwyn-Mayer/United Artists, 1986; Frank, Wildfire, Zupnik Cinema, 1988; Taj, The Beast, Columbia, 1988; Al Lucero, Gleaming the Cube, Twentieth Century-Fox, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: (As Rocky Echevarria) Private First Class Ignacio Carmona, From Here to Eternity, NBC, 1980; also Que Pasa U.S.A.?, PBS. Pilots: (As Rocky Bauer) Nick Donate, She's in the Army Now, ABC, 1981; (as Rocky Bauer) Buck Nichols, Nichols andDymes, NBC, 1981. Episodic: Gambler, "Man from the South," Alfred Hitchcock Presents, NBC, 1985; also Doctors Private Lives, ABC, 1979; The Rockford Files, NBC; Hill Street Blues, NBC; One Day at Time, CBS. Movies: (As Rocky Bauer) Dune Widders, An Innocent Love, CBS, 1982; Avner, Sword of Gideon, HBO, 1986; Enrique "Kiki" Camarena, Drug Wars: The Camarena Story, NBC, 1990. Specials: Montoya, "Tales from the Hollywood Hills: A Table at Giro's," Great Performances, PBS, 1987.

Director, Planet of the Vampires (also known as Terrore nello spazio, Terror en el espacio, Planet of Blood, and Demon Planet), American International, 1965; director (as John M. Old), La strada

ADDRESSES: MANAGER—Phyllis Carlyle, Phyllis Carlyle Man-

38

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BEARD

VOCATION: Actress.

per Fort Alamo (also known as Arizona Bill and The Road to Fort Alamo), 1965, released in the United States by World Entertainment, 1966; director, Dr. Goldfoot and the Girl Bombs (also known as Le spie vengono dal semifreddo and / due mafiosi dell'F.B.I.), American International, 1966; director, Kill Baby Kill (also known as Operazione paura and Curse of the Living Dead), Europix Consolidated, 1966; director (as John Hold), / coltelli del vendicatore (also known as Knives of the Avenger and Raffica di coltelli), 1967, released in the United States by World Entertainment, 1968; director, Danger: Diabolik (also known as Diabolik and Danger Diabolik), Paramount, 1968; director, Hatchet for a Honeymoon (also known as Una hackapara la luna de miel, II roso segno della pollias, and Blood Brides), G.G.P., 1969.

CAREER: PRINCIPAL STAGE APPEARANCES—Liolla, Theatre de la Commune, France, 1974; also The Three Sisters, 1978. FILM DEBUT—Two People, Universal, 1973. PRINCIPAL FILM APPEARANCES—Joelle, La Nuit Americaine (also known as Day for Night), Warner Brothers/Columbia, 1973; Nathalie, La Gueule ouverte (also known as The Mouth Agape), Films la Boetie, 1974; girl, Un Jour la fete (also known as One Day Joy), Union Generale Cinematographique, 1975; Martine Desdoits, LHomme qui aimait lesfemmes (also known as The Man Who Loved Women), Cinema V, 1977; Janine, Monsieur Papa, Gaumont International, 1977; Fabienne, Mon premier amour (also known as My First Love), Gaumont, 1978; Cecilia Mandel, La Chambre verte (also known as The Green Room), New World, 1979; Judith Mesnil, La Memoir e courte (also known as Short Memory), Unite Trois/Paradise, 1979.

Director, Quante volte . . . quella nolle (also known as How Often . . . That Night?), Delfina Cinematografica, 1971; director and cinematographer, Antefatto (also known as Twitch of the Death Nerve, Before the Fact—The Ecology of a Crime, Bloodbath, and Last House on the Left, Part II), New Realm Distributors, 1971; director, Baron Blood (also known as Gli orrori del castello de Norimberga), American International, 1972; special effects coordinator, Moses, AVCO-Embassy, 1976; director and cinematographer, Beyond the Door II (also known as Shock), Film Ventures, 1979; special effects coordinator, Inferno, Twentieth Century-Fox, 1980. Also directed Roy Colt e Winchester Jack, 1970; Reazione a catena, 1973; // diavolo e il morto, 1974; Baby Kong, 1977; La venere dellille, 1979.

Denise Rimbaud, Sauve qui peut la vie (also known as Every Man for Himself and Slow Motion), New Yorker, 1980; Brigitte, Je vais craquer! (also known as The Rat Race), CCFC, 1980; Laurence Cuers, Une semaine de vacances (also known as A Week s Vacation), Curzon Film Distributors/Parafrance, 1980; Charlotte, Beau Pere, New Line Cinema, 1981; Anna, L Ombre rouge (also known as The Red Shadow), MK2, 1981; Christine, La Provinciale (also known as A Girl from Lorraine), New Yorker, 1982; Helene/ Patricia, J'ai espouse une ombre (also known as / Married a Shadow and / Married a Dead Man), AMLF/Sara/New Yorker, 1982; Nicole, La Balance (also known as The Nark), Gala, 1983; Bertrande de Rols, Le Retour de Martin Guerre (also known as The Return of Martin Guerre), European International, 1983; Leonore, Beethoven's Nephew (also known as Le Neveu de Beethoven), Orfilm/Almaro/CBL, 1985; Francoise Chenal, Detective, Spectrafilm, 1985; Cecile Carline, Lune de miel (also known as Honeymoon), International Film Marketing/A A A/Re vcom, 1985; Alice, De guerre lasse (also known as For the Sake of Peace), Jupiter Communications/Sara/CDF, 1987; Catherine, En toute innocence (also known as In All Innocence and No Harm Intended), AMLF/ World Marketing, 1988; Lena Korski, La Baule—Les Pins, Union Generale Cinematographique, 1990. Also appeared in Le Plein de super (also known as Fill It Up, Premium! and Fill 'er Up with Super), Union Generale Cinematographique, 1975; Le Derniere femme (also known as L ultima donna and The Last Woman), Columbia, 1975; La jalousie, 1975; Le Voyage de noces (also known as The Honeymoon Trip), Fox-Lira, 1976; Mado, Films la Boetie, 1976; La Communion solonnelle, 1976; Une Etrange affaire, 1981; Rive Droite, Rive Gauche (also known as Right Bank, Left Bank), Parafrance, 1984.

PRINCIPAL TELEVISION WORK—Mini-Series: Special effects coordinator, Moses—The Lawgiver, CBS, 1975. RELATED CAREER—Assistant cameraman. WRITINGS: See production details above. FILM—(With Ennio De Concini, Marion Serandrei, and Marcello Coscia) La maschera del demonio, 1960; (with Oreste Biancoli and Piero Peirotti) Gli invasori, 1961; (with Alessandro Continenza, Duccio Tessari, and Franco Prosperi) Ercole al centre della terra, 1961; (with Marcello Fondato and Alberto Bevilacqua) / Ire volti della paura, 1963; (with De Concini, Prosperi, Eliana De Sabata, Enzo Corbucci, and Mino Guerrini) La regazza che sapeva troppo, 1963; (with Marcel Fondat and Joe Barilla) Sei donneper Vassassino, 1964; (with Bevilacqua, Callisto Cosulich, Antonio Roman, Rafael J. Salvia, Ib Melchior, anda Louis M. Hey ward) Planet of the Vampires, 1965; (with Romano Migliorini, Roberto Natale, and John Hart) Kill Baby Kill, 1966; (with Alberto Liberati and George Simonelli) / coltelli del vendicatore, 1967; (with Dino Mauri, Brian Degas, and Tudor Gates) Danger: Diabolik, 1968; (with Santiago Moncada) Hatchet for a Honeymoon, 1969; Roy Colt e Winchester Jack, 1970; also (with Carlo Reali) Antefatto, 1971.*

PRINCIPAL TELEVISION APPEARANCES—Madame Sourdis, 1979. RELATED CAREER—Toured the United States with a dance company. AWARDS: Cesar Award, Best Supporting Actress, 1980, for Sauve qui peut la vie; Cesar Award, Best Actress, 1983, for La Balance. *

BAYE, Nathalie

1948-

PERSONAL: Born July 6, 1948, in Mainneville, France; children: one. EDUCATION—Graduated from the Paris Conservatory of Dramatic Art, 1972; studied classical and modern dance in New York; studied acting in Cours (Rene) Simon, France.

BEARD, Winston See GOLDMAN, James 39

BEARSE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BEARSE, Amanda

Toward the Unknown (also known as Brink of Hell), Warner Brothers, 1956; Home Before Dark, Warner Brothers, 1958; Lafayette Escadrille (also known as Hell Bent for Glory), Warner Brothers, 1958; Too Much, Too Soon, Warner Brothers, 1958; The F.B.L Story, Warner Brothers, 1959; The Helen Morgan Story (also known as Both Ends of the Candle), Warner Brothers, 1959.

PERSONAL: EDUCATION—Attended Birmingham Southern College; trained for the stage with Sanford Meisner at the Neighborhood Playhouse. VOCATION: Actress.

Art director: Guns of the Timberland (also known as Stampede), Warner Brothers, 1960; (with Lyle Wheeler) Wake Me When It's Over, Twentieth Century-Fox, 1960; The Devil at Four O'Clock, Columbia, 1961; A Majority of One, Warner Brothers, 1961; Gypsy, Warner Brothers, 1962; Mary, Mary, Warner Brothers, 1963; The Trouble with Angels, Columbia, 1966; Who's Minding the Mint?, Columbia, 1967; Assignment to Kill, Warner Brothers/ Seven Arts, 1968; (with Alexander Golitzen) In Enemy Country, Universal, 1968; Hook, Line, and Sinker, Columbia, 1969; Which Way to the Front?, Warner Brothers, 1970.

CAREER: PRINCIPAL FILM APPEARANCES—Soap opera actress, Protocol, Warner Brothers, 1984; Nicole Ferret, Fraternity Vacation, New World, 1985; Amy Peterson, Fright Night, Columbia, 1985. PRINCIPAL TELEVISION APPEARANCES—Series: Amanda Cousins, All My Children, ABC, 1982-84; Marcy Rhoades, Married . . . With Children, Fox, 1987—. Episodic: Jean Hay wood, Hotel, ABC, 1986. Movies: Karen, First Affair, CBS, 1983; Cathy, The Goddess of Love, NBC, 1988.

PRINCIPAL TELEVISION WORK—All as art director. Series: Gibbsville, NBC, 1976; Joe Forrester, NBC, 1975-76; Ryan's Four, ABC, 1983; (with Herman Zimmerman) All Is Forgiven, NBC, 1986; Designing Women, CBS, 1986-89; also (with Bellah) The Partridge Family, ABC; Call to Glory, ABC; Tabitha, ABC; Cheers, NBC; Webster, ABC. Pilots: (With Ross Bellah) Call Holme, NBC, 1972; (with Bellah) Matt Helm, ABC, 1975; (with Bellah) The Turning Point of Jim Malloy, NBC, 1975; The Cabot Connection, CBS, 1911', Mobile Medics, CBS, 1977; (with Bellah) Annie Flynn, CBS, 1978; (with Bellah) Doctors' Private Lives, ABC, 1978; (with Bellah) Salvage, ABC, 1979; Nero Wolfe, NBC, 1979; Modesty Blaise, ABC, 1982. Movies: Black Noon, CBS, 1971; (with Bellah) Call Her Mom, ABC, 1972; (with Bellah) The Dream Merchants, syndicated, 1980; (with Bellah) To Find My Son, CBS, 1980; (with Bellah) Kate's Secret, NBC, 19&6; Miracle of the Heart: A Boystown Story, syndicated, 1986.

SIDELIGHTS: RECREATIONS—Motorcycling along the California coast. ADDRESSES: AGENT—The Agency, 10351 Santa Monica Boulevard, Suite 211, Los Angeles, CA 90025.*

BECKMAN, John

c. 1898-1989

PERSONAL: Born c. 1898 in Astoria, OR; died October 25, 1989, in Sherman Oaks, CA; father, a doctor; children: one son, one daughter. EDUCATION—Attended the University of California, Berkeley.

RELATED CAREER—Architect, Meyer and Holler, Los Angeles; worked on interior design for Grauman's Chinese Theatre (now Mann's Chinese Theatre); designed murals for the Avalon Casino, Santa Catalina Island, CA.

VOCATION: Art director and set designer. CAREER: FIRST FILM WORK—Set designer, Nana (also known as Lady of the Boulevards), United Artists, 1934. PRINCIPAL FILM WORK—Set designer: Kid Millions, United Artists, 1934; One Night of Love, Columbia, 1934; A Midsummer Night's Dream, Warner Brothers, 1935; Clive of India, United Artists, 1935; The Petrified Forest, Warner Brothers, 1936; Mr. Deeds Goes to Town, Columbia, 1936; Lost Horizon, Columbia, 1937; The Prince and the Pauper, Warner Brothers, 1937; The Adventures of Robin Hood, Warner Brothers, \93S\Juarez, Warner Brothers, 1939; The Roaring Twenties, Warner Brothers, 1939; High Sierra, Warner Brothers, 1941; The Maltese Falcon, Warner Brothers, 1941; Casablanca, Warner Brothers, 1942; This Is the Army, Warner Brothers, 1943; Arsenic and Old Lace, Warner Brothers, 1944; Mr. Skeffington, Warner Brothers, 1944.

OBITUARIES AND OTHER SOURCES: Hollywood Reporter, October 30, 1989; New York Times, October 31, 1989; Variety, November 1, 1989.*

BENNETT, Alan

1934-

PERSONAL: Born May 9, 1934, in Leeds, England; son of Walter (a butcher) and Lilian Mary (Peel) Bennett. EDUCATION—Oxford University, B.A., 1957, M.A., 1962. MILITARY—British Army, Intelligence Corps, 1952-54.

All as art director, unless indicated: Set designer, Mildred Pierce, Warner Brothers, 1945; set designer, Rhapsody In Blue, Warner Brothers, 1945; Monsieur Verdoux, United Artists, 1947; set designer, Johnny Belinda, Warner Brothers, 1948; set designer, The Glass Menagerie, Warner Brothers, 1950; The Iron Mistress, Warner Brothers, 1952; Springfield Rifle, Warner Brothers, 1952; So Big, Warner Brothers, 1953; The System, Warner Brothers, 1953; Calamity Jane, Warner Brothers, 1953; Lucky Me, Warner Brothers, 1953; The McConnell Story (also known as Tiger in the Sky), Warner Brothers, 1955; Young at Heart, Warner Brothers, 1955; Hell on Frisco Bay (also known as The Darkest Hour), Warner Brothers, 1956; The Bad Seed, Warner Brothers, 1956;

VOCATION: Playwright and actor. CAREER: Also see WRITINGS below. STAGE DEBUT—Ensemble, Better Late (revue) Oxford Theatre Group, Edinburgh Festival, Cranston Street Hall, Edinburgh, Scotland, 1959. LONDON DEBUT—Ensemble, Beyond the Fringe (revue), Fortune Theatre, 1961. BROADWAY DEBUT—Ensemble, Beyond the Fringe (revue), John Golden Theatre, 1962. PRINCIPAL STAGE APPEARANCES—Ensemble, Beyond the Fringe (revue), Edinburgh Festival, Lyceum Theatre, Edinburgh, Scotland, 1959; Archbishop of 40

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BENNETT

TELEVISION—Series: On the Margin, BBC, 1966; "Our Winnie," '' A Woman of No Importance," " Rolling Home," " Marks,'' and "Say Something Happened," Objects of Affection, BBC, 1982, all published in Objects of Affection and Other Plays for Television, BBC Publications, 19S2; Talking Heads, BBC, 1987, published by BBC Publications, 1987. Episodic: "Bed Among the Lentils" (broadcast on BBC as an episode of Talking Heads), Masterpiece Theatre, PBS, 1989. Also A Day Out, BBC, 1972, published in Objects of Affection and Other Plays for Television, 1982; Sunset Across the Bay, BBC, 1975; A Little Outing, BBC, 1977; A Visit from Miss Prothero, BBC, 1978, published in Office Suite, Faber andFaber, 1981; Me, I'm Afraid of Virginia Woolf, 1978, published in The Writer in Disguise, Faber and Faber, 1985; Doris and Doreen, 1978, published as Green Forms in Office Suite 1981; The Old Crowd, Afternoon Off, One Fine Day, and All Day on the Sands, all 1979, published in The Writer in Disguise, 1985; Intensive Care, BBC, 1982, published in Objects of Affection and Other Plays for Television, 1982; An Englishman Abroad, BBC-2, 1983, published in Objects of Affection and Other Plays for Television, 1982; The Insurance Man, BBC, 1986, published in Two Kafka Plays, Faber and Faber, 1987.

Canterbury, Blood of the B ambergs, Royal Court Theatre, London, 1962; Reverend Sloley-Jones, A Cuckoo in the Nest, Royal Court Theatre, 1964; Tempest, Forty Years On, Apollo Theatre, London, 1968; Mrs. Swabb, Habeas Corpus, Lyric Theatre, London, 1974; Anthony Blunt, "A Question of Attribution" in Secret Spies, National Theatre, then Queen's Theatre, both London, 1989. PRINCIPAL FILM APPEARANCES—Neville's doctor, Long Shot, Mithras, 1981; voice of Mock Turtle, Dreamchild, Universal/ Columbia/EMI/Warner Brothers, 1985; the Bishop, Little Dorrit, Cannon, 1987; also appeared in Pleasure at Her Majesty's (documentary), Roger Graef, 1976; The Secret Policeman's Other Ball, United International/Almi/Cinema V, 1981. PRINCIPAL TELEVISION APPEARANCES—Series: On the Margin, BBC, 1966; host, The Alan Bennett Series, BBC, 1966-67. MiniSeries: Lord Pinkrose, Fortunes of War, BBC, then Masterpiece Theatre, PBS, 1987. Episodic: Talking Heads, BBC. Specials: Beyond the Fringe (revue), BBC, 1964. Also appeared in various roles, My Father Knew Lloyd George, BBC, 1965; Augustus Hare, Famous Gossips, 1965; Streets Ahead, BBC, 1966; Alice in Wonderland, BBC, 1967; A Day Out, BBC, 1972; Denis Midgley, Intensive Care, 1982; Shallow, The Merry Wives of Windsor, 1982; housemaster, Breaking Up, 1986.

RADIO—Specials: Uncle Clarence, 1986. OTHER—Contributor, London Review of Books.

PRINCIPAL TELEVISION WORK—Episodic: Director, "Bed Among the Lentils," Talking Heads, BBC, then Masterpiece Theatre, PBS, 1989.

AWARDS: London Evening Standard Award, Best Revue or Musical, 1961, for Beyond the Fringe; New York Drama Critics' Circle Award and Antoinette Perry Award, both Special Awards, 1963, for Beyond the Fringe; British Academy of Film and Television Arts Award, Light Entertainment Performance (television), 1967; Guild of Television Producers Award, 1967, for On the Margin; London Evening Standard Award, 1968, for Forty Years On; London Evening Standard Award, 1971, for Getting On; British Academy of Film and Television Arts Award—Television Writers, 1983; Broadcasting Press Guild Award, 1984; Royal Television Society Awards, 1984 and 1986; London Evening Standard Award, 1985.

PRINCIPAL RADIO APPEARANCES—Specials: The Great Jowett, 1980-Dragon, 1982. NON-RELATED CAREER—Junior lecturer in modern history, Oxford University, 1960-62; instructor, Joint Services School for Linguists; professor of medieval history; president, North Craven Heritage Trust. WRITINGS: STAGE—(With Dudley Moore, Peter Cook, and Jonathan Miller) Beyond the Fringe (revue), Edinburgh Festival, Lyceum Theatre, Edinburgh, Scotland, 1959, then Fortune Theatre, London, 1961, later John Golden Theatre, New York City, 1962, published by Souvenir Press, 1962, and Random House, 1963; Forty Years On, Palace Theatre, Manchester, U.K., then Apollo Theatre, London, both 1968, published by Faber and Faber, 1969; (with Carol Brahms and Ned Sherrin) Sing a Rude Song, Greenwich Theatre, London, 1969; Getting On, Theatre Royal, Brighton, U.K., then Queen's Theatre, London, both 1971, published by Faber and Faber, 1972; Habeas Corpus, Oxford Playhouse, Oxford, U.K., then Lyric Theatre, London, both 1973, later Martin Beck Theatre, New York City, 1975, published by Faber and Faber, 1973; The Old Country, Oxford Playhouse, then Queen's Theatre, both 1977, published by Faber and Faber, 1978; Enjoy, Richmond Theatre, Surrey, U.K., then Vaudeville Theatre, London, both 1980, published by Faber and Faber, 1980; Kafka's Dick, first produced in London, 1986, published in Two Kafka Plays, Faber and Faber, 1987; "Green Forms" and "A Visit from Miss Prothero," in Office Suite (double-bill), first produced in London, 1987, published by Faber and Faber, 1981; "An Englishman Abroad" and "A Question of Attribution," in Secret Spies (double-bill), National Theatre, then Queen's Theatre, both 1989.

MEMBER: British Actors' Equity Association, Actors' Equity Association, American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Medieval history. ADDRESSES: AGENT—Anthony Jones, A.D. Peters Ltd., 10 Buckingham Street, London WC2N 6BU, England.*

BENNETT, Harve

1930-

PERSONAL: Born Harve Bennett Fischman, August 17, 1930, in Chicago, IL; son of Yale (a lawyer) and Kathryn (a journalist; maiden name, Susman) Fischman; married Carole Oettinger (an agent); children: Christopher, Susan, Callie, Samantha. EDUCATION—Received B. A. , theatre arts, from the University of California, Los Angeles. VOCATION: Producer and screenwriter.

FILM—A Private Function, Island Alive, 1985, published by Faber and Faber, 1984; Prick Up Your Ears, Samuel Goldwyn, 1987, published by Faber and Faber, 1987.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Flight recorder, Star Trek III: The Search for Spock, Paramount, 1984; Star Fleet commander, Star Trek V: The Final 41

BENSON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Frontier, Paramount, 1989. PRINCIPAL FILM WORK—Executive producer, Star Trek II: The Wrath of Khan, Paramount, 1982; producer, Star Trek HI: The Search for Spock, Paramount, 1984; producer, Star Trek IV: The Voyage Home, Paramount, 1986; producer, Star Trek V: The Final Frontier, Paramount, 1989.

syndicated, 1984. Specials: A Woman Called Golda, syndicated, 1982. PRINCIPAL RADIO APPEARANCES—Series: Regular, The Quiz Kids. RELATED CAREER—President, University of California, Los Angeles Theatre Arts Alumni Association, 1985-1990; also president, Bennett-Katleman Productions; associate producer and special events producer, CBS-TV; vice-president, ABC-TV; director of television commercials; newspaper columnist; drama critic; freelance writer.

PRINCIPAL TELEVISION WORK—All as executive producer, unless indicated. Series: Producer (with Tony Barrett), The Mod Squad, ABC, 1968-73; (also creator) The Young Rebels, ABC, 1970-71; The Invisible Man, NBC, 1975-76; The Gemini Man, NBC, 1976; (with Allan Baiter) The Six Million Dollar Man, ABC, 1973-78; (with Harris Katleman) The American Girls, CBS, 1978; (with Katleman) Salvage 1, ABC, 1979; (with Katleman) From Here to Eternity, NBC, 1980; (with Bruce Lansbury) The Powers of Matthew Star, NBC, 1982-83. Mini-Series: Rich Man, Poor Man, ABC, 1976; (with Katleman) From Here to Eternity, NBC, 1979. Pilots: The Invisible Man, NBC, 1975; GeminiMan (also known as Code Name: Minus One), NBC, 1976; (with Katleman) Go West, Young Girl!, ABC, 1978; (with Katleman) The Legend of the Golden Gun, NBC, 1979; (with Katleman) Salvage, ABC, 1979; (with Katleman) Alex and the Doberman Gang, NBC, 1980; (with Katleman) Nick and the Dobermans, NBC, 1980. Episodic: Producer, The Bionic Woman, ABC. Movies: Producer, The Birdmen (also known as Escape of the Birdmen), ABC, 1971; producer, The Astronaut, ABC, 1972; producer, Family Flight, ABC, 1972; producer, Death Race, ABC, 1973; producer, Money to Burn, ABC, 1973; You'll Never See Me Again, ABC, 1973; The Alpha Caper (also known as Inside Job], ABC, 1973; Houston, We've Got a Problem, ABC, 1974; Heatwave!, ABC, 1974; Guilty or Innocent: The Sam Sheppard Case, NBC, 1975; The Jesse Owens Story,

NON-RELATED CAREER—Civilian aide to the Secretary of the Army, 1988-1990. WRITINGS: FILM—Star Trek III: The Search for Spock, Paramount, 1984; (with Steve Meerson, Peter Krikes, and Nicholas Meyer) Star Trek IV: The Voyage Home, Paramount, 1986. TELEVISION—Episodic: The Mod Squad, ABC, 1968-73; The Young Rebels, ABC, 1970-71. Movies: (With Gerald DiPego, Charles Kuenstle, and Robert S. Biheller) The Astronaut, ABC, 1972. AWARDS: Golden Globe, Best Dramatic Television Series, 1977, for Rich Man, Poor Man; Emmy Award, Outstanding Drama Special, 1982, for A Woman Called Golda; NAACP Image Award, Best Mini-Series, 1984, for The Jesse Owens Story. ADDRESSES: OFFICE—c/o Paramount Pictures, 5555 Melrose Avenue, Los Angeles, CA 90038.

BENSON, Robby

1956-

PERSONAL: Born Robin Segal, January 21, 1956, in Dallas, TX; son of Jerry Segal (a writer) and Ann Benson (an actress and business promotions manager); married Karla DeVito (a singer and actress). EDUCATION—Attended the American Academy of Dramatic Arts. VOCATION: Actor, director, producer, and writer. CAREER: Also see WRITINGS below. BROADWAY DEBUT— David Hartman, Zelda, Ethel Barrymore Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Third urchin, The Rothschilds, LuntFontanne Theatre, New York City, 1970; Frederic, The Pirates of Penzance, Minskoff Theatre, New York City, 1981. PRINCIPAL FILM APPEARANCES—Title role, Jory, AVCO-Embassy, 1972; Jeremy Jones, Jeremy, United Artists, 1973; Billy Webber, Lucky Lady, Twentieth Century-Fox, 1975; Billy Joe McAllister, Ode to Billy Joe, Warner Brothers, 1976; Henry Steele, One on One, Warner Brothers, 1977; priest, The End, United Artists, 1978; Nick Peterson, Ice Castles, Columbia, 1978;Emilio, Walk Proud (also known as Gang), Universal, 1979; Pinsky, Die Laughing, Warner Brothers, 1980; JudTempleton, Tribute, Twentieth Century-Fox, 1980; Brent Falcone, "Municipalians" in National Lampoon Goes to the Movies, Metro-Goldwyn-Mayer/ United Artists, 1981; Danny Saunders, The Chosen, Contemporary, 1982; Billy Mills, Running Brave, Buena Vista, 1983; Howard Keach, Harry and Son, Orion, 1984; Carver, City Limits, Atlantic, 1985; Pitts, Rent-a-Cop, Kings Road, 1988; Scott, White

HARVE BENNETT

42

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BERLIN

known as Crack in the Mirror and Do It Up), Triax Entertainment/ Paul International, 1989. ADDRESSES: OFFICE—P.O. Box 1305, Woodland Hills, CA 91364. AGENT—Sandy Bresler, Bresler-Kelly and Associates, 15760 Ventura Boulevard, Suite 1730, Encino, CA 91436.*

BERGERE, Lee PERSONAL: Born April 10 in New York, NY. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Phil Gorshin, Happiness Is Just a Little Thing Called a Rolls Royce, Ethel Barrymore Theatre, New York City, 1968. MAJOR TOURS—Nelson, Mrs. McThing, U.S. cities, 1953. PRINCIPAL FILM APPEARANCES—Rudi Andujar, Sullivan's Empire, Universal, 1967; Major Maurice Miral, In Enemy Country, Universal, 1968; Emelio, Bob and Carol and Ted and Alice, Columbia, 1969; narrator, Birds Dolt. . . Bees Do It. . . (documentary), Columbia/Warner Distributors, 1974; Zandor, Time Trackers, Concorde, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: George, Hot I Baltimore, ABC, 1975; Joseph Anders, Dynasty, ABC, 1981-83; also Kitty Foyle, NBC, 1958. Mini-Series: Nicholas Fabray, Atorf/z and South, ABC, 1985; Papa Joe Nicollet, Dream West, CBS, 1986. Pilots: Stan Gorman, The Slightly Fallen Angel (broadcast as episode of The Alcoa Hour), NBC, 1959; Masha, The Six Million Dollar Man, ABC, 1973; Doug Braden, Susan and Sam, NBC, 1977. Episodic: Abraham Lincoln, "The Savage Curtain," Star Trek, NBC, 1969; Maxim Soury, Murder, She Wrote, CBS, 1987; Justin Nash, Falcon Crest, CBS, 1989; also "The Storm," One Step Beyond, ABC, 1960; The Dick Van Dyke Show, CBS, 1962; Mr. Terrific, CBS, 1967; All in the Family, CBS, 1976; Wonder Woman, CBS, 1978; The Addams Family, ABC; McHale's Navy, ABC; The Munsters, CBS; My Favorite Martian, CBS; WKRP in Cincinnati, CBS; Get Smart. Movies: Monsieur Carroll, Evening in Byzantium, syndicated, 1978.

ROBBY BENSON

Hot (also known as Crack in the Mirror and Do It Up), Triax Entertainment/Paul International, 1989. PRINCIPAL FILM WORK—Producer (with Mark Canton), Die Laughing, Warner Brothers, 1980; director, White Hot (also known as Crack in the Mirror and Do It Up), Triax Entertainment/Paul International, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Bruce Carson, Search for Tomorrow, CBS, 1971-73; Detective Cliff Brady, Tough Cookies, CBS, 1986. Episodic: Ed Boiling, Alfred HitchcockPresents, NBC, 1985. Movies: Leroy Small, The VirginiaHill Story, NBC, 1974; Frankie Hodges, Remember When (also known as Four Stars in the Window), NBC, 1974; John, All the Kind Strangers, ABC, 1974; Johnnie Gunther, Death Be Not Proud, ABC, 1975; Richie Werner, The Death of Richie, NBC, 1977; Nolie Minor, Two of a Kind, CBS, 1982; Nathan Bowzer, California Girls, ABC, 1985. Specials: George Gibbs, Our Town, NBC, 1977; John Denver in Australia, ABC, 1978; host, Second Annual CBS Easter Parade, CBS, 1986.

ADDRESSES: AGENT—Calder Agency, 4150 Riverside Drive, Suite 204, Burbank, CA 91505.*

BERLIN, Irving RELATED CAREER—Appeared in television commercials and in summer theatre productions at the age of five; film instructor, University of South Carolina; musician.

1888-1989

PERSONAL: Born Israel Baline, May 11, 1888, in Tyumen, Russia; immigrated to the United States in 1893; died September 22, 1989, in New York, NY; son of Moses (a cantor and shochet [meat/poultry certifier]) and Leah (Lipkin) Baline; married Dorothy Goetz, February, 1913 (died, July 17, 1913); married Ellin Mackay, January 4, 1926 (died, July, 1988); children: Irving (deceased), Mary Ellin, Linda, Elizabeth (second marriage). MILITARY—U.S. Army, Infantry, sergeant, 1917-18.

WRITINGS: FILM—(With Jerry Segal) One on One, Warner Brothers, 1977; (with Don Peake; also composer), Walk Proud, Universal, 1979; (with Segal and Scott Parker; also composer with Segal), Die Laughing, Warner Brothers, 1980; song composer, The Breakfast Club, Universal, 1985; song composer, White Hot (also 43

BERLIN CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Composer and songwriter.

Fiddle, Twentieth Century-Fox, 1939; Louisiana Purchase, Paramount, 1941; Holiday Inn, Paramount, 1942; This Is the Army, Warner Brothers, 1943; Blue Skies, Paramount, 1946; Easter Parade, MGM, 1948; Annie Get Your Gun, MGM, 1950; Call Me Madam, Twentieth Century-Fox, 1953; White Christmas, Paramount, 1954; There's No Business Like Show Business, Twentieth Century-Fox, 1954.

CAREER: Also see WRITINGS below. BROADWAY DEBUT— Ensemble, Up and Down Broadway (revue), Casino Theatre, 1910. PRINCIPAL STAGE APPEARANCES—This Is the Army, Broadway Theatre, New York City, 1942. PRINCIPAL STAGE WORK—Producer, Yip Yip Yaphank, Century Theatre, New York City, 1918; producer (with Robert Sherwood and Moss Hart), Miss Liberty, Imperial Theatre, New York City, 1949.

OTHER—Composer of over 1,500 songs, including: (Lyricist) "Marie from Sunny Italy," 1907; "That Mesmerizing Mendelssohn Tune" and (lyricist with George Whiting) "My Wife's Gone to the Country" both 1909; "Alexander's Ragtime Band," "Ragtime Violin," and "Everybody's Doin' It Now," and (with Ted Snyder)' 'I Want to Be in Dixie,'' all 1911;' 'When I Lost You" and "When the Midnight Choo-Choo Leaves for Alabam'," both 1912; "Down in Chattanooga," 1913; "I Want to Go Back to Michigan" and "Play a Simple Melody," both 1914; "I Love a Piano" and "When I Leave the World Behind," both 1915; "Oh, How I Hate to Get Up in the Morning" and "Mandy," both 1918; "A Pretty Girl Is Like a Melody," 1919; "Say It with Music," 1921; "All Alone" and "What'll I Do?," both 1924; "Always" and "Remember," both 1925; "At Peace with the World" and "Because I Love You," both 1926; "Russian Lullaby," "Blue Skies," "The Song Is Ended," and "Shaking the Blue Skies Away," all 1927; "Marie," 1928; "Puttin' on the Ritz," 1929; "Let Me Sing and I'm Happy" and "Reaching for the Moon," both 1930; "Me!," 1931; "Let's Have Another Cup of Coffee" and "How Deep Is the Ocean," and "Say It Isn't So," all 1932; "Easter Parade," "Supper Time," and "Heat Wave," all 1933; "Cheek to Cheek" and "Top Hat, White Tie, and Tails," and "Isn't This a Lovely Day," all 1935; "Let's Face the Music and Dance," 1936; "I've Got My Love to Keep Me Warm," 1937; "Change Partners," 1938; "God Bless America," 1939; "Any Bonds Today," 1941; "This Is the Army, Mr. Jones," "I Left My Heart at the Stage Door Canteen," "Be Careful, It's My Heart," and "White Christmas," all 1942; "They Say It's Wonderful," "I Got Lost in His Arms," "There's No Business Like Show Business,' '''The Girl That I Marry,'' and ' 'Anything You Can Do," all 1946; "Steppin' Out with My Baby," "It Only Happens When I Dance with You," and "A Couple of Swells," all 1947; "Let's Take an Old Fashioned Walk, 1949; "You're Just in Love," 1950; "Count Your Blessings," 1953; "This Is a Great Country," 1962; "An Old Fashioned Wedding," 1966.

MAJOR TOURS—Show Girl, U.S. cities, 1902. PRINCIPAL FILM APPEARANCES—As himself, Glorifying the American Girl, Paramount, 1930; as himself, This Is the Army, Warner Brothers, 1943. RELATED CAREER—Singer in cafes and for songwriter Harry Von Tilzer, New York City, 1902-05; singing waiter, New York City, 1905-07; staff lyricist, Ted Snyder Company (a music publishing company), New York City, 1909-13; co-founder, Waterson, Berlin, and Snyder (a music publishing company), 1913-1918; cofounder, American Society of Composers, Authors, and Publishers (ASCAP), 1914 (charter member, 1914-1989; director, 1914-18); president, Irving Berlin Inc., renamed Irving Berlin Music Corp., New York City, 1919-1989; founder (with Sam H. Harris and Joseph Schenck), Music Box Theatre, New York City, 1921; also performed in vaudeville. WRITINGS: STAGE—All as composer of music and lyrics, unless indicated: Song contributor, Up and Down Broadway, Casino Theatre, New York City, 1910; song contributor, The Ziegfeld Follies, Jardin de Paris, New York City, 1911; Watch Your Step, New Amsterdam Theatre, New York City, 1914; song contributor, Stop! Look! Listen!, Globe Theatre, New York City, 1915, then retitled Follow the Crowd, Empire Theatre, London, 1916; song contributor, The Century Girl, Century Theatre, New York City, 1916; song contributor, The Cohan Revue of 1918, New Amsterdam Theatre, 1917; (also book) Yip Yip Yaphank, Century Theatre, 1918; song contributor, Canary, Globe Theatre, 1918; song contributor, The Ziegfeld Follies, New Amsterdam Theatre, 1919; song contributor, The Ziegfeld Follies, New Amsterdam Theatre, 1920; Music Box Revue, Music Box Theatre, New York City, 1921; Music Box Revue, Music Box Theatre, 1922; Music Box Revue, Music Box Theatre, 1923; Music Box Revue, Music Box Theatre, 1924; The Cocoanuts, Lyric Theatre, New York City, 1925; song contributor, Betsy, New Amsterdam Theatre, 1926; Ziegfeld Follies, New Amsterdam Theatre, 1927; song contributor, Shoot the Works, George M. Cohan Theatre, New York City, 1931; Face the Music, New Amsterdam Theatre, 1932; As Thousands Cheer, Music Box Theatre, 1933; Louisiana Purchase, Imperial Theatre, New York City, 1940; This Is the Army, Broadway Theatre, New York City, 1942; Annie Get Your Gun, Imperial Theatre, 1946; Miss Liberty, Imperial Theatre, 1949; Call Me Madam, Imperial Theatre, 1950; Mr. President, St. James Theatre, New York City, 1962; (new music and lyrics) Annie Get Your Gun, State Theatre, New York City, 1966.

AWARDS: Academy Award nomination, Best Music (Song), 1935, for "Cheek to Cheek" from Top Hat; Academy Award nomination, Best Music (Song), 1938, for "Change Partners" from Carefree; Academy Award nomination, Best Music (Song), 1938, for "Now It Can Be Told" from Alexander's Ragtime Band; Academy Award nomination, Best Music (Song), 1939, for "I Poured My Heart into a Song" from Second Fiddle; Academy Award, Best Music (Song), 1942, for "White Christmas" from Holiday Inn; Academy Award nomination, Best Writing (Original Story), 1942, for Holiday Inn; Medal of Merit, 1945, for This Is the Army; Theodore Roosevelt Distinguished Service Medal from the Theodore Roosevelt Association, 1946; Academy Award nomination, Best Music (Song), 1946, for' 'You Keep Coming Back Like a Song" from Blue Skies; French Legion of Honor, 1947; Academy Award nomination, Best Music (Song), 1954, for "Count Your Blessings" from White Christmas; Congressional Gold Medal of Honor, 1955, "in recognition of his services in composing many patriotic songs including 'God Bless America' "; Antoinette Perry Award, 1963, for' 'distinguished contribution to the musical theatre for many years"; Lifetime Achievement Award from the National Academy of Recording Arts and Sciences, 1968; Presidential

FILM—All as composer of songs: The Cocoanuts, Paramount, 1929; Hallelujah, Metro-Goldwyn-Mayer (MGM), 1929; Mammy, Warner Brothers, 1930; Reaching for the Moon, United Artists, 1931; Top Hat, RKO, 1935; Follow the Fleet, RKO, 1936; On the Avenue, Twentieth Century-Fox, 1937; Alexander's Ragtime Band, Twentieth Century-Fox, 1938; Carefree, RKO, 1938; Second 44

HHHHHHHHHHHHHHHHHHHHHHHHHHHH

1986; Vern Puckett, Kingpins (broadcast as an episode of CBS Summer Playhouse), CBS, 1987; Cecil Kincaid, Heart and Soul, ABC, 1989. Episodic: Jim Willis, The White Shadow, CBS, 1978; Major Sydney, M*A*S*//, CBS, 1982; Arnie Sandoval, Hardcastle and McCormick, ABC, 1985; Boswell Stokes, The Cosby Show, NBC, 1986; Marquette, Cagney and Lacey, 1986, 1987, and 1988; Hap, Downtown, CBS, 1986; Dexter Rollins, Amen, NBC, 1987; Jack Davis, Beauty and the Beast, CBS, 1987; Richard, A Year in the Life, NBC, 1987; Wilson Brickett, Designing Women, CBS, 1988; Officer Sweeney, It's Garry Shandling's Show, Showtime, 1988; Mr. Noack, Empty Nest, NBC, 1988; Attorney General, Wiseguy, CBS, 1989; Bishop Grace, UNSUB, NBC, 1989; Dr. Martin Luther King, Jr., "The Meeting," American Playhouse, PBS, 1989; Lieutenant Mulvihill, Hardball, NBC, 1989; also Judge Willard, Night Court, NBC; Starman, ABC; St. Elsewhere, NBC; Knots Landing, CBS; Crazy Like a Fox, ABC; Hotel, ABC.

Medal of Freedom, 1977; Lawrence Langer Award for "distinguished lifetime achievement in the American theatre," 1978; Kennedy Center Honors, 1987. HONORARY DEGREES—Bucknell University, D.Mus., 1939; Temple University, D.Mus., 1954; Fordham University, D.H.L., 1969. OBITUARIES AND OTHER SOURCES: New York Times, September 23, 1989; Variety, September 27-October 3, 1989.*

BERNARD, Jason

1938-

PERSONAL: Born Ronald Carl Johnson, May 17, 1938, in Chicago, IL; son of Milton Prentice (a minister) and Bernice Gloria (a government supervisor) Johnson; wife's name, Carole (divorced); children: Jason Kimani. EDUCATION—Received B.A. from the University of Chicago; received M.F.A. in theatre history from New York University; trained for the stage with Uta Hagen, Irene Dailey, Lee Strasberg, and Sanford Meisner. MILITARY—U.S. Army, Special Forces, Airborne Rangers.

Movies: Coach Temple, Wilma, NBC, 1977; Daddy Ben Ross, A Woman Called Moses, NBC, 1978; Dale Wrightson, The Night the City Screamed, ABC, 1980; Judge, / Was a Mail Order Bride, CBS, 1982; Everett, Pray TV, ABC, 1982; Caleb Taylor, V, NBC, 1983; Captain Sydney, City Killer, NBC, 1984; Sergeant Wally Rydell, The Rape of Richard Beck, ABC, 1985; Lieutenant Devins, The Children of Times Square, ABC, 1986; Sergeant Koslow, Perry Mason: The Case of the Murdered Madam, NBC, 1987; Lieutenant Crawford, Gladiator School, ABC, 1988; Dectective Mitchell, Original Sin, NBC, 1989.

VOCATION: Actor and director. CAREER: STAGE DEBUT—Sydney Prince, Light Up the Sky, Drama Inc., Chicago, IL, 1960. OFF-BROADWAY DEBUT—John, Day of Absence and Klan, Happy Ending (double-bill), St. Mark's Playhouse, 1965. PRINCIPAL STAGE APPEARANCES—Prosecutor, Trial of the Catonsville Nine, Center Theatre Group, Mark Taper Forum, Los Angeles, 1971; also appeared in MacBirdf, Village Gate Theatre, New York City, 1967; Krapp's Last Tape, The Threepenny Opera, A Midsummer Night's Dream, and Henry IV, Part One, all Seattle Repertory Theatre, Seattle, WA, 1967-69; In a Fine Castle, Center Theatre Group, New Theatre for Now, Los Angeles, 1972; Seasons, Back Alley Theatre, Van Nuys, CA; Split Second, Santa Monica Playhouse, Santa Monica, CA; The Meeting, Circle Theatre, Los Angeles; Dream on Monkey Mountain, Center Theatre Group; Master Harold and the Boys, New Mexico Repertory Theatre, Albuquerque, NM.

RELATED CAREER—Acting teacher, Black Arts West, Seattle, WA, 1970-73; drama teacher, University of Northern Iowa, Cedar Falls, IA, 1973-75; artistic director, New Phoenix Theatre, Waterloo, IA, 1973-75; acting teacher and director, Hal DeWindt's Actors Studio, 1978-84. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Academy of Motion Picture Arts and Sciences, Actors' Studio. SIDELIGHTS: FAVORITE ROLES—Coach Temple in Wilma, Reverend Grace in UNSUB, and Martin Luther King, Jr. in "The Meeting," American Playhouse.

PRINCIPAL STAGE WORK—Director: The Blacks and Blood Knot, both Seattle Repertory Theatre, Seattle, WA, 1968-69; Dream on Monkey Mountain, In the Wine Time, and Harrangues, all Black Arts West, Seattle, 1970-73; The Rimers ofEldridge, New Phoenix Theatre, Waterloo, IA, 1973-75.

ADDRESSES: OFFICE—Cameleon Productions, P.O. Box 3811, Santa Fe, NM 87501-3811. AGENT—Larry Masser, Agency for the Performing Arts, 9000 Sunset Boulevard, Los Angeles, CA 90069.

PRINCIPAL FILM APPEARANCES—Seldon, Thomasine andBushrod, Columbia, 1974; Charles Foley, Friday Foster, American International, 1975; parole officer, Car Wash, Universal, 1976; Goose, Uncle Joe Shannon, United Artists, 1978; Mayor, Blue Thunder, Columbia, 1983; Judge Bocho, The Star Chamber, Twentieth Century-Fox, 1983; Captain Knewt, WarGames, United Artists, 1983; Tyrone Wattell, All of Me, Universal, 1984; Major Donovan, No Way Out, Orion, 1987; Benny Tate, Bird, Warner Brothers, 1988.

BERRI, Claude 1934-

PERSONAL: Born Claude Langmann, July 1, 1934, in Paris, France. VOCATION: Director, producer, screenwriter, and actor.

TELEVISION DEBUT—Medical Center, CBS, 1969. PRINCIPAL TELEVISION APPEARANCES—Series: Deputy Inspector Marquette, Cagney and Lacey, CBS, 1982-83; Fletch, High Performance, ABC, 1983; Lieutenant Ken Aunola, Hardball, NBC, 1989. MiniSeries: Caleb Taylor, V— The Final Battle, NBC, 1984. Pilots: Sergeant Lindsey Andrews, Flatfoots (broadcast as an episode of Here's Boomer), NBC, 1982; Finney Morgan, The Faculty, ABC,

CAREER: PRINCIPAL FILM APPEARANCES—Student, "Lust" in Les Septpeches capitaux (also known as / Settepeccati capitali and Seven Capital Sins), Embassy, 1962; Bernard, La Bride sur le cou (also known as A Briglia sciolta and Please, Not Now!), Twentieth Century-Fox, 1963; Claude Avram, Mazel Tov ou le manage (also known as Marry Me! Marry Me!}, Allied Artists, 1969; Claude, Le Sex Shop, United Artists/New Line Cinema, 1972; Claude, Le 45

BERRY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Male du Siecle, AMLF, 1975; client, L'Homme blesse (also known as The Wounded Man), Gaumont/World Marketing/Promovision International/Cinevista, 1983, released in the United States in 1985. Also appeared in La Verite (also known as La Verita and The Truth), Kingsley International, 1961; J'irai cracher sur vos tombes (also known as / Spit on Your Grave), Audubon, 1962; Behold a Pale Horse, Columbia, 1964; Les Laches vivent d'espoir (also known as My Baby Is Black!), U.S. Films, 1965; Le Cinema de Papa, 1971.

co-director, La Chance et I amour, 1964; director, Le Cinema de Papa, 1971; producer and director, Le Maitre d'ecole. RELATED CAREER—Owner, Renn Films. NON-RELATED CAREER—Furrier. WRITINGS: See production details above. FILM—(Co-writer) Les Baisers, 1964; (co-writer) La Chance et I'amour, 1964; (with Michel Rivelin and Gerard Brach) Le Vieil homme et /' enfant, 1968; Mazel Tov ou le Mariage, 1969; Le Pistonne, 1910; Le Cinema de Papa, 1971 ;Le Sex Shop, 1972; (with Jean-Louis Richard) LeMale du siecle, 1975; La Premiere fois, 1976; Un Moment d'egarement, 1977; Je vous aime, 1980; (with Alain Page) Tchao Pantin, 1983; (with Brach) Jean de Florette, 1986; (with Brach) Manon des Sources, 1986; also Le Maitre d'ecole.

FIRST FILM WORK—Director, Le Poulet (short film; also known as The Chicken),Pathe Contemporary, 1963. PRINCIPAL FILM WORK— Director, Le VieilHomme et I'enfant (also known as The Two of Us, Claude, and The Old Man and the Boy), Cinema V, 1968; producer and director, Mazel Tov ou le manage (also known as Marry Me! Marry Me!), Allied Artists, 1969; producer and director, Le Pistonne (also known as The Man with Connections), Royal, 1970; producer (with Francois Truffaut, Mag Bodard, and Guy Benier), L'Enfance nue (also known as Me and Naked Childhood), Altura, 1970; producer, L'Oeuf (also known as The Egg), Columbia, 1971; producer (with Alfred W. Crown), Taking Off, Universal, 1971; producer and director, Le Sex Shop, United Artists/New Line Cinema, 1972; producer (with Christian Fechner), Les Fous du stade (also known as Stadium Nuts), CCFC, 1972; producer, Je sais rien maisje dirai tout (also known as Don t Know Anything But I'll Tell All), AMLF, 1973; executive producer, Pleure pas la bouche pleine (also known as Don't Cry with Your Mouth Full), AMLF, 1973; director, Le Male du Siecle, AMLF, 1975; producer (with Jacques-Eric Strauss), Je t'aime moi nonplus (also known as I Love You No Longer), AMLF, 1975; producer, Un Sac de billes (also known as A Bag of Marbles), AMLF, 1975; director, La Premiere Fois (also known as The First Time), Lira/Gala Film Distributors, 1976, released in the United States by EDP, 1978; director, Un Moment d'egarement (also known as A Summer Affair and In a Wild Moment), Roissy/Gala Film Distributors, 1977.

AWARDS: Venice Film Festival Award, 1963, and Academy Award, Best Short Subject, 1965, both for Le Poulet; Academy Award nomination, Best Film, 1980, for Tess.*

BERRY, Ken

1933-

PERSONAL: Born November 3, 1933, in Moline, IL; married Jackie Joseph (an actress); children: John and Jennifer (both adopted). VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Ensemble, The Billy Barnes People (revue), Roy ale Theatre, New York City, 1961; Professor Harold Hill, The Music Man, Paper Mill Playhouse, Millburn, NJ, 1974; George M. Cohan, George Mf, Music Circus, Sacramento, CA, 1976.

Producer, Tess, Columbia, 1980; producer, Inspecteur la Bavure (also known as Inspector Blunder), AMLF, 1980; director and producer, Je vous aime (also known as / Love You), AMLF, 1980; producer (with Tarak Ben Ammar and Pierre Grunstein), Deux heures moins le quart avant Jesus Christ (also known as A Quarter to Two Before Jesus Christ), AMLF, 1982; producer, UAfricain (also known as The African), AMLF/Roissy, 1983; producer, Banzai, Roissy/AMLF, 1983; producer and director, TchaoPantin (also known as So Long, Stooge), Roissy/AMLF/European Classics/Nelson Entertainment, 1983; producer (with Ariel Zeitoun and Marie-Laure Reyre), L'Homme blesse (also known as The Wounded Man), Gaumont/World Marketing/Promovision International/ Cinevista, 1983, released in the United States in 1985; producer (with Alain Sarde), Garcon! (also known as Waiter!), AMLF/ Roissy, 1983, released in the United States in 1985; producer, Le Vengeance du serpent a plumes (also known as The Vengeance of the Winged Serpent), AMLF, 1984; producer (with Pio Angeletti and Adriano De Micheli), Scemo di guerra (also known as Madman at War and Le Fou de guerre), Titanus/Sergio Felicioli, 1985; director, Jean de Florette, Orion Classics, 1986; producer and director, Manon des Sources (also known as Manon of the Springs), Orion Classics, 1986; producer, Hotel de France, Films du Volcan, 1987; producer, Trois places pour le 26 (also known as Three Seats for the 26th), AMLF/Gaumont/Roissy, 1988; executive producer, A Gauche en sortant de Vascenseur (also known as To the Left As You Leave the Elevator and The Door on the Left as You Leave the Elevator), AMLF/Roissy, 1988; producer, The Bear, Tri-Star, 1989; producer (with Paul Rassam and Michael Haussman), Valmont, AMLF/Orion/Roissy, 1989. Also co-director, Les Baisers, 1964;

PRINCIPAL FILM APPEARANCES—Mel Cheever, Hello Down There (also known as Sub-a-Dub-Dub), Paramount, 1969; Willoughby Whitfield, Herbie Rides Again, Buena Vista, 1974; Zachary Moore, Guardian of the Wilderness, Sunn Classic, 1977; Frank, The Cat from Outer Space, Buena Vista, 1978; also appeared in Two for the Seesaw, United Artists, 1962. TELEVISION DEBUT—Talent Patrol, ABC. PRINCIPAL TELEVISION APPEARANCES—Series: Woody, The Ann Sothern Show, CBS, 1960-61; regular, The Bob Newhart Show, NBC, 1962; Captain Wilton Parmenter, F Troop, ABC, 1965-67; Sam Jones, Mayberry R.F.D., CBS, 1968-71; host, The Ken Berry "Wow" Show, ABC, 1972; Vinton Harper, Mama's Family, NBC, 198384, then syndicated 1986—. Pilots: Rowan and Martin s Laugh-In, NBC, 1967; Jack, Letters from Three Lovers, ABC, 1973; Ken Kelly, Kelly's Kids (broadcast as an episode of The Brady Bunch), ABC, 1974; Captain Paddy Patterson, Over and Out, NBC, 1976; Dr. Jim Berkley, The Love Boat II, ABC, 1977; Dr. Charlie Featherstone, Feather stone's Nest, CBS, 1979. Episodic: Sam Jones, The Andy Griffith Show, CBS, 1968; Dave, Gimme a Break, NBC, 1985; also The Dick Van Dyke Show, CBS, 1964; as Dr. Kapish, Dr. Kildare, NBC; The Ed Sullivan Show, CBS; The Carol Burnett Show, CBS; Fantasy Island, ABC; Love, American Style, ABC. Movies: Lieutenant Roger Carrington, Wake Me When the War Is Over, ABC, 1969; Lieutenant Parnell Murphy, The Reluctant Heroes, ABC, 1971; David Chase, Every Man Needs One, ABC, 1972. Specials: Carol and Company, CBS, 1966; Skip, The 46

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

producer, The Cats Pajamas, Sheridan Square Playhouse, 1962; general manager, Riverwind, Actors Playhouse, 1962; general manager, The Typist and The Tiger (double-bill), Orpheum Theatre, 1963; general manager, Yes Is for a Very Young Man, Players Theatre, New York City, 1963; general manager, A Time of the Key, Sheridan Square Playhouse, 1963; general manager, Jo, Orpheum Theatre, 1964; general manager, Cindy and The Alchemist, both Gate Theatre, New York City, 1964; general manager, The Subject Was Roses, Royale Theatre, New York City, 1964; general manager, Gogo Loves You, I Knock at the Door, and Pictures in the Hallway, all Theatre De Lys, 1964.

Royal Follies of 1933, NBC, 1967; The Fabulous Funnies, NBC, 1968; first husband, The First Nine Months Are the Hardest, NBC, 1971; L'ilAbner, NBC, 1971; Dauntless the Drab, Once Upon a Mattress, CBS, 1912; Arthur Godfrey's Portable Electric Medicine Show, NBC, \912\Mitzi. . . The First Time, CBS, \913',Mitziand a Hundred Guys, CBS, 1975; Mitzi . . . Roarin in the Twenties, CBS, 1976; Jimmy Valentine, Valentine's Second Chance, ABC, 1977; CBS: On the Air, CBS, 1978; Texaco Star Theatre: Opening Night, NBC, 1982; Phil Harper, Eunice, CBS, 1982. RELATED CAREER—Toured with Horace Heidt's Youth Opportunity Caravan during the 1940s, and with the Billy Barnes Revue, 1959.

General manager, A View from the Bridge, Sheridan Square Playhouse, 1965; general manager, The Day the Whores Came Out to Play Tennis and Sing to Me Through Open Windows (double-bill), Players Theatre, 1965; general manager, First One Asleep, Whistle, Belasco Theatre, New York City, 1966; general manager (with Bill Levine), Die Mitschuldigen (The Accomplices) and Woyzeck (double-bill) and Die Ratten (The Rats) all Bavarian State Theatre of Munich, City Center Theatre, New York City, 1966; general manager, That Summer—That Fall, Helen Hayes Theatre, New York City, 1967; general manager, Arms and the Man, Sheridan Square Playhouse, 1967; general manager, Fragments, Cherry Lane Theatre, 1967; general manager, In Circles, Cherry Lane Theatre, 1967, then Gramercy Arts Theatre, New York City, 1968; general manager, Love and Let Love and Saturday Night, both Sheridan Square Playhouse, 1968; general manager, Who's Who, Baby?, Players Theatre, 1968; general manager, The Only Game in Town, Broadhurst Theatre, New York City, 1968; general manager, Woman Is My Idea, Belasco Theatre, 1968; general manager, Aw Ordinary Man, Cherry Lane Theatre, 1968; general manager, To Be Young, Gifted, and Black and Love Your Crooked Neighbor, both Cherry Lane Theatre, 1969; general manager, A Way of Life, American National Theatre and Academy Theatre, New York City, 1969; general manager, God Bless You, Harold Fineberg, Actors Playhouse, 1969; producer (with Edgar Lansbury), Promenade, Promenade Theatre, New York City, 1969; general manager, Fireworks, Village South Theatre, New York City, 1969.

ADDRESSES: MANAGER—Richard O. Linke and Associates, 4445 Cartwright Avenue, Suite 110, North Hollywood, CA 91602.*

BERUH, Joseph

BERUH

1924-1989

PERSONAL: Born September 27, 1924, in Pittsburgh, PA; died of a heart attack, October 30, 1989, in New York, NY; son of William Israel (a dry cleaner) and Clara (Parnes) Beruh; married Kathleen Murray (an actress), 1955 (died, August 1969); children: David Marshall and William Israel. EDUCATION—Carnegie-Mellon University, B.F. A., drama, 1950; studied acting and directing with Lee Strasberg, 1950-56, and attended the American Theatre Wing, 1951-52. MILITARY—U.S. Army, Special Services, 1943-46. VOCATION: Producer, theatre manager, and director. CAREER: STAGE DEBUT—Teddy Brewster, Arsenic and Old Lace, Rabbit Run Theatre, Madison, OH, 1946. OFF-BROADWAY DEBUT—Friend Ed, Burning Bright, Loft Players, Circle in the Square, 1951. PRINCIPAL STAGE APPEARANCES—Crookfinger Jake, The Threepenny Opera, Theatre De Lys, New York City, 1954; prison guard, drugstore clerk, waiter, and Danny Mines, Compulsion, Ambassador Theatre, New York City, 1957.

Producer, Instructions for the Running of Trains, Etc. on the Erie Railway To Go into Effect January 1, 1862 and general manager, Golden Bat, both Sheridan Square Playhouse, 1970; general manager, Look to the Lilies, Lunt-Fontanne Theatre, New York City, 1970; general manager, The Engagement Baby, Helen Hayes Theatre, 1970; producer (with Lansbury, Stuart Duncan, and H.B. Lutz) and general manager, Waiting for Godot and producer (with Lansbury, Duncan, and Nan Pearlman), Louis and the Elephant, both Sheridan Square Playhouse, 1971; general manager, Do It Again! and producer (with Lansbury, Duncan, and Jay H. Fuchs) and general manager, Long Day's Journey into Night, both Promenade Theatre, 1971; producer (with Lansbury and Duncan), Godspell, Cherry Lane Theatre, 1971, then Promenade Theatre, 1971-76, later Broadhurst Theatre, 1976, then Plymouth Theatre, 1976, then Ambassador Theatre, 1977; producer (with Lansbury and Duncan), Godspell, Wyndham's Theatre, London, 1971; producer (with Lansbury and Duncan), Elizabeth I, Lyceum Theatre, New York City, 1972; producer (with Lansbury and Duncan), Comedy, Colonial Theatre, Boston, MA, 1972; producer (with Lansbury), Nourish the Beast, American Place Theatre, Cherry Lane Theatre, 1973; producer (with Lansbury and Clinton Wilder), The Enclave, Theatre Four, New York City, 1973; producer (with Lansbury, Barry M. Brown, and Fritz Holt), Gypsy, Piccadilly Theatre, London, 1973, then Shubert Theatre, Los Angeles, later Winter Garden Theatre, New York City, both 1974; producer (with Lansbury and Ivan Reitman), The Magic Show, Cort Theatre, 1974; producer (with

PRINCIPAL STAGE WORK—Director, Missouri Legend, The Male Animal, Harvey, Peg o' My Heart, A Streetcar Named Desire, The Hasty Heart, Of Mice and Men, and Born Yesterday, all Grand Teton National Theatre, Jackson Hole, WY, 1953; director, A Sound of Hunting, Cherry Lane Theatre, New York City, 1953; stage manager, Compulsion, Ambassador Theatre, New York City, 1957; producer (with Peter Kent), Leave It to Jane, Sheridan Square Playhouse, New York City, 1959; general manager, The Goose, Sullivan Street Playhouse, New York City, 1960; producer (with Lawrence Carra), Kittiwake Island, Martinique Theatre, New York City, 1960; general manager, Elsa Lanchester—Herself, 41st Street Theatre, New York City, 1961; director, The Seven at Dawn and general manager, Cockeyed Kite, both Actors Playhouse, New York City, 1961; general manager, Hi, Paisano!, York Playhouse, New York City, 1961; general manager, The Long Voyage Home and Diffrent (double-bill), Mermaid Theatre, New York City, 1961; company manager, Sunday in New York, Cort Theatre, New York City, 1961; general manager, Brecht on Brecht, Theatre De Lys, 1962; company manager, Moon on a Rainbow Shawl, East llth Street Theatre, New York City, 1962; general manager, Creditors, Mermaid Theatre, 1962; company manager, / Can Get It for You Wholesale, Shubert Theatre, New York City, 1962; general manager, Anything Goes, Orpheum Theatre, New York City, 1962; 47

BETTI

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Lansbury), The Night That Made America Famous, Ethel Barrymore Theatre, New York City, 1975; producer (with Lansbury), Blasts and Bravos—An Evening with H.L. Mencken, Cherry Lane Theatre, 1975; producer (with Lansbury), American Buffalo, Ethel Barrymore Theatre, then Belasco Theatre, both 1977; producer (with Lansbury and James Nederlander), Broadway Follies, Nederlander Theatre, New York City, 1981. MAJOR TOURS—General manager, The Porcelain Year, U.S. cities, 1965; general manager, The Subject Was Roses, U.S. cities, 1965-66; producer (with Edgar Lansbury and Stuart Duncan), Godspell, U.S. and Canadian cities, 1972-74; producer (with Lansbury, Barry M. Brown, and Fritz Holt), Gypsy, U.S. and Canadian cities, 1974-75; producer (with Lansbury and Ivan Reitman), The Magic Show, U.S. cities, 1974-75. PRINCIPAL FILM WORK—All with Edgar Lansbury: Producer, Godspell, Columbia, 1973; executive producer, The Wild Party, American International, 1975; executive producer, Squirm, American International, 1976; executive producer, Blue Sunshine, Cinema Shares, 1978; executive producer, He Knows You re Alone, Metro-Goldwyn-Mayer/United Artists, 1980; executive producer, The Killing Hour, Twentieth Century-Fox, 1983; also producer, The Clairvoyant, 1982. RELATED CAREER—Owner (with Philip Minor and Gigi Cascio), Sheridan Square Playhouse, New York City, 1958-73; business manager, South Shore Music Circus, Hyannis, MA, 1960; general manager and co-producer, Gladiators Music Arena, Totowa, NJ, 1963; founder and partner (with Edgar Lansbury), Lansbury/Beruh Productions Inc., 1969-89. AWARDS: New York Drama Critics' Circle Award, Best American Play, 1977, for American Buffalo; Alumni Merit Award from Carnegie-Mellon University, 1987.

LAURA BETTI

tourist, "Senso civico" in Le streghe (also known as The Witches and Les Sorcieres), Dino De Laurentiis Cinematografica, 1967, released in the United States by Lopert, 1969; maid, Teorema (also known as Theorem), Continental Distributing, 1969; Sister, A Man Called Sledge, Columbia, 1971; Franco's mother, In nome del Padre (also known as In the Name of the Father), Vides International, 1971; Clara, Ritorno (also known as Return), Capranica Cinematografica, 1972; Zigaina, Sbatti il mostro in prima pagina (also known as Slap the Monster on Page One), Euro International, 1972; Miss Blandish, Last Tango in Paris, United Artists, 1973; Donna Aparacito, Sonny and Jed (also known as La banda J. andS. Cronaca criminate del far west), Loyola Cinematography/Terra KTel, 1974; Tisa Borghi, Fatti di gente perbene (also known as Drama of the Rich), Produzioni Atlas Consorziate, 1974; Leonore, La Femme aux bottes rouges (also known as The Woman with Red Boots), Union General Cinematographique/Sirius, 1974, released in the United States by Gamma III, 1977.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Association of Theatrical Producers and Managers, League of New York Theatres. OBITUARIES AND OTHER SOURCES: New York Times, October 31, 1989; Variety, November 8, 1989.*

BETTI, Laura PERSONAL: Born May 1, 1934, Bologna, Italy. VOCATION: Actress and singer.

Voice of Signora Vaccari, Salo o le centiventi giornate di Sodoma (also known as Salo, or the 120 Days of Sodom, Pasolini s 120 Days of Sodom, and Salo), United Artists/Cinecenta, 1975; Esther Imbriani, Allonsanfan Artificial Eye, 1975, released in the United States by Italtoons/Wonder Movies, 1985; Regina, 1900 (also known as Novecento), Paramount/United Artists/Twentieth Century-Fox, 1976; Felicia, Le Gang, Warner Brothers, 1976; Therese, Vizi privati, pubbliche virtu (also Private Vices, Public Virtue), Fida Cinematografica, 1976; Irina, // gabbiano (also known as The Seagull), RAI-TV Channel 1, 1977; Jacqueline, La Nuit tous les chat sont gris (also known as At Night All Cats Are Gray), Societe Nouvelle Prodis/Exportation Francaise Cinematographique, 1977;

CAREER: STAGE DEBUT—/ Saltimbanchi (revue), Italy. PRINCIPAL STAGE APPEARANCES—// ventaglio and // crogiuolo, both Italy, 1958; Giro a vuoto (recital), Teatro Gerolamo, Milan, Italy, 1959, then in France, and later at the Venice Biennial Exhibition; Le donne al parlamento, Italy, 1960; Potentissima signora, Italy, 1963;Ilcandelaio and Orgia, both in Italy, 1968'NotI, Italy, 1970; Orgia, Italy, 1984. PRINCIPAL FILM APPEARANCES—Laura, La dolce vita, Astor/ American International, 1961; painter, Labbra rosse (also known as Red Lips and Fausses ingenues), Rotor/Gray/Orsay, 1960, released in the United States by Royal Films International, 1964;

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Madame Carrabo, Un Papillon sur Vepaule (also known as A Butterfly on the Shoulder], Gaumont, 1978; Ludovica, La Luna, Twentieth Century-Fox, 1979; Madame Bondi, // Piccolo Archimede (also known as The Little Archimedes), RAI-TV Channel 2, 1979; Laura, Lovers and Liars (also known as A Trip with Anita and Travels with Anita), Levitt-Pickman, 1981; Virginia Capacelli, La Nuitde Varennes, Triumph, 1983; Carlotta Battucelli, Retenez-moi . . . ou je fais un malheur (also known as To Catch a Cop), Gaumont, 1984; Brunelda, Klassenverhaltnisse (also known as Class Relations), Artificial Eye/New Yorker, 1984; narrator, Whoever Says the Truth Shall Die (documentary), Minnesota Film Center, 1984.

BEVERLEY, Trazana 1945-

PERSONAL: Born August 9, 1945, in Baltimore, MD; father, a brickmason; mother, a schoolteacher. EDUCATION—Graduated from New York University; studied acting with Jerzy Grotowski, Andrei Serban, Jean Erdman, and Omar Shapli. VOCATION: Actress. CAREER: Also see WRITINGS below. OFF-BROADWAY DEBUT—Rules for Running, 1969. PRINCIPAL STAGE APPEARANCES—Erlene and Carolyn's mother, Les Femmes Noires, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1974; a spectre, My Sister, My Sister, Little Theatre, New York City, 1974; Maxine, Attempted Rescue on Avenue B, Cubiculo Theatre, New York City, 1975; lady in red, For Colored Girls Who Have Considered Suicide When the Rainbow IsEnuf, NYSF, Public Theatre, then Booth Theatre, both New York City, 1976; Marietta Edwards, The Brothers, Women's Project, American Place Theatre, New York City, 1982; lyaloja, Death and the King's Horseman, Vivian Beaumont Theatre, New York City, 1987; Reverend Sister Marion Alexander, God's Trombones, New Federal Church, Theatre of the Riverside Church, New York City, 1989. Also appeared in The Increased Difficulty of Concentration, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1969; Wedding Band, Hartford Stage Company, Hartford, CT, 1978; Mother Courage and Her Children, NYSF, Public Theatre, then Center Stage Mainstage, Baltimore, MD, both 1980; Boesman and Lena, Northlight Theatre, Evanston, IL, 1985; as Queenie, Show Boat; and in productions of Geronimo and Antigone.

Lidia Corradi, Mamma Ebe, Clemi Cinematografica, 1985; social worker, Tutta colpa del paradiso (also known as Blame It on Paradise), CEIAD, 1985; Laurie, Corps et biens (also known as Lost with All Hands), Films du Semaphore, 1986; Miss Von Planta, Jenatsch (also known as Jenach), Films Plain Chant/Metropolis, 1987; Keli, Noyade interdite (also known as Widow's Walk), Bac, 1987; Anna's mother, / cammelli (also known as The Camels), Medusa Distribuzione, 1988; Signora Bonelli, Courage Mountain (also known as A Heidi Adventure and The Adventures of Heidi), Emerald Films International/Trans World Entertainment, 1989. Also appeared in Era none a Roma, 1959;' 'La Ricotta,'' Rogopag, Arco, 1963; "Che cosa sono le nuvole?," Capriccio all'italiana, Dino De Laurentiis Cinematografica, 1966; Paulina s'en va, 1969; Hatchet for a Honeymoon (also known as Una hacka para la luna de miel, II roso segmo della pollias, and Blood Brides), G.G.P., 1969; Canterbury Tales, United Artists, 1972; Antefatto (also known as Twitch of the Death Nerve, Before the Fact—The Ecology of a Crime, Bloodbath, and Last House on the Left, Part II), New Realm Distributors, 1971, then Hallmark, 1973; Sepolta viva, 1973; Loin de Manhattan, 1980; Le ali della colomba, RAITV, 1980; La certosa di Parma, RAI-TV, 1981; UArt d'aimer (also known as The Art of Love), Parafrance, 1983; Caramelle da un sconosciuto (also known as Sweets from a Stranger and Bonbons offerts par un inconnu), Numero Uno Cinematografica, 1987; A Futura memoria di Pier Paolo Pasolini (also known as In Remembrance of Pier Paolo Pasolini and A la memoire future de Pier Paolo Pasolini; documentary), Pegaso Inter-Communication, 1987; Jane B. par Agnes V. (also known as Jane V. by Agnes V., Birkin Double Jeu I, and Birkin Diptych I), Capital Cinema/CeneTamaris, 198&; Segno difuoco, Boa Cinematografica, \989',Leros blu, Kitchen, 1989.

MAJOR TOURS—Lady in red, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, U.S. cities, 197778; also The Spirit Moves (one-woman show), U.S. cities. PRINCIPAL FILM APPEARANCES—Dr. Ellen Baxter, Resurrection, Universal, 1980. PRINCIPAL TELEVISION APPEARANCES—Movies: Johnny, Sister Margaret and the Saturday Night Ladies, CBS, 1987. Specials: "For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf," American Playhouse, PBS, 1982. RELATED CAREER—Toured New York State prisons with the theatrical group, the Family; acting and voice production teacher, New York University School of the Arts; company member, Group Ten.

PRINCIPAL TELEVISION APPEARANCES—Movies: Maria, The Word, CBS, 1978. Also Venise en hiver, French television, 1982; Chambre d'amie, French television, 1985.

WRITINGS: STAGE—The Spirit Moves (one-woman show). AWARDS: Antoinette Perry Award, Best Supporting or Featured Actress (Drama), and Audience Development Committee (AUDELCO) Award, both 1977, for For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf.*

RELATED CAREER—Singer with the Filarmonica Romana and with the Accademia Cherubini, Florence, Italy; recorded entire repertory of Bertolt Brecht and Kurt Weill songs; director, Associazione Fondo Pier Paolo Pasolini. WRITINGS: Teta Veleta (fiction). AWARDS: Coppa Volpi from the Vencie Film Festival, Best Actress, 1968, for Teorema; San Sebastian Film Festival Award, Best Actress, 1979; French Legion of Honor, 1984.

BIEHN, Michael

1957-

PERSONAL: Born in 1957; father, a lawyer.

ADDRESSES: OFFICE-^ Via Di Montoro, Rome, Italy.

VOCATION: Actor.

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CAREER: PRINCIPAL FILM APPEARANCES—Jack, Coach, Crown International, 1978; Tim Warner, Hog Wild, AVCO-Embassy, 1980; Douglas Breen, The Fan, Paramount, 1981; Alexander, The Lords of Discipline, Paramount, 1983; Kyle Reese, The Terminator, Orion, 1984; Corporal Hicks, Aliens, Twentieth Century-Fox, 1986; Anthony Fraser, Rampage, DeLaurentiis Entertainment Group (unreleased), 1987; Russell Quinn, The Seventh Sign, Tri-Star, 1988; Garnet Montrose, In a Shallow Grave, Skouras, 1988; Lieutenant Coffey, The Abyss, Twentieth Century-Fox, 1989.

Miller (broadcast as an episode of Just for Laughs), ABC, 1974. Episodic: Sergeant DiSalvo, Joe Bash, ABC, 1986; Gus Albierro, Miami Vice, NBC, 1986; also The Mary Tyler Moore Show, CBS, 1971; All in the Family, CBS, 1972; Barney Miller, ABC, 1975; M*A*S*//, CBS 1981 and \^2\ Hill Street Blues, NBC, 1985. Movies: Detective Lou Jacarrino, The Marcus-Nelson Murders (also known as Kojak and the Marcus-Nelson Murders), CBS, 1973. RELATED CAREER—Associate producer, Colonnades Theatre Lab, New York City, 1980.

TELEVISION DEBUT—Logan's Run, CBS, 1977. PRINCIPAL TELEVISION APPEARANCES—Series: Mark Johnson, Operation: Runaway, NBC, 1978-79. Pilots: Tony, James at 15, NBC, 1977; Larry DeWitt, The Paradise Connection, CBS, 1979; Gibby Anderson, Steeltown, CBS, 1979. Episodic: Hill Street Blues, NBC; Police Story, NBC; Family, ABC. Movies: J.D., Zuma Beach, NBC, 1978; Tom Reardon, A Fire in the Sky, NBC, 1978; Daniel Allen, ChinaRose, CBS, 1983; Charles Raynor, Deadly Intentions, ABC, 1985. Specials: Seth, "The Terrible Secret," ABC Afterschool Specials, ABC, 1979.

ADDRESSES: AGENT—Joshua Gray and Associates Talent Agency, 6736 Laurel Canyon Boulevard, North Hollywood, CA 91606.*

ADDRESSES: AGENT—Ed Limato, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

BLACQUE, Taurean PERSONAL: Born May 10 in Newark, NJ; children: Shelby, Rodney. EDUCATION—Attended the American Musical and Dramatic Academy.

BISOGLIO, Val

1926-

VOCATION: Actor.

PERSONAL: Born May 7, 1926, in New York, NY.

CAREER: BROADWAY DEBUT—The River Niger, Brooks Atkinson Theatre, 1973. PRINCIPAL STAGE APPEARANCES—D.J., Welcome to Black River and title role, Orrin, both Negro Ensemble Company, St. Mark's Playhouse, New York City, 1975; Luke, We Interrupt This Program . . ., Ambassador Theatre, New York City, 1975; Lee, So Nice They Named It Twice, New York Shakespeare Festival, Public Theatre, New York City, 1975-76; Rashad, The Meeting, New Federal Theatre, Henry Street Settlement Playhouse, New York City, 1987.

VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Peter, Kiss Mama, Actors Playhouse, 1964. PRINCIPAL STAGE APPEARANCES—Alfieri, A View from the Bridge, Sheridan Square Playhouse, New York City, 1965; Sergeant Carlino, Wait Until Dark, Ethel Barrymore Theatre, New York City, 1966; detective and Nicholas, Victims of Duty, Theatre for Actors and Playwrights, Colonnades Theatre, New York City, 1982. Also appeared in They'd Come to See Charlie, Hartford Stage Company, Hartford, CT, 1977.

PRINCIPAL FILM APPEARANCES—Levi, House Calls, Universal, 1978; lawyer, Rocky II, United Artists, 1979; hustler, The Hunter, Paramount, 1980; voice of Roscoe, Oliver and Company (animated), Buena Vista, 1988; Laidlaw, Deepstar Six, Tri-Star, 1989.

MAJOR TOURS—Sergeant Carlino, Wait Until Dark, U.S. cities, 1967. PRINCIPAL FILM APPEARANCES—Gangster, The Cool World, Cinema V, 1963; Cheech, The Brotherhood, Paramount, 1968; Detective Monaghan, No Way to Treat a Lady, Paramount, 1968; Pete Lazatti, The Don Is Dead (also known as Beautiful But Deadly} Universal, 1973; Lieutenant Lombardi, The Hindenburg, Universal, 1975;Finley Cummins, St.Ives, Warner Brothers, 1976; Frank Manero, Sr., Saturday Night Fever, Paramount, 1977; Chief Gray Cloud, The Frisco Kid (also known as No Knife}, Warner Brothers, 1979. Also appeared in Hot Rod Hullabaloo, Allied Artists, 1966; Linda Lovelace for President, General Film, 1975.

PRINCIPAL TELEVISION APPEARANCES—Series: Detective Neal Washington, Hill Street Blues, NBC, 1981-1987; Henry Marshall, Generations, NBC, 1989—. Mini-Series: Backstairs at the White House, NBC, 1979. Pilots: Nick, Frankie and Annette: The Second Time Around, NBC, 1978; Barney, Alex and the Doberman Gang, NBC, 1980; Carl Sebastian, Off Duty (broadcast as an episode of CBS Summer Playhouse), CBS, 1988. Episodic: The Bob Newhart Show, CBS, 1977 and 1978 (two episodes); Taxi, ABC, 1978. Movies: Jive, The $5.20 an Hour Dream, CBS, 1980; Oscar, The Night the City Screamed, ABC, 1980.

PRINCIPAL TELEVISION APPEARANCES—Series: Captain Rocco Calvelli, Roll Out, CBS, 1973-74; Lieutenant Paul Marsh, Police Woman, NBC, 1974-76; Danny Tovo, Quincy, M.E., NBC, 197683; Al Sleekier, Working Stiffs, CBS, 1979. Pilots: Bendix man, Inside O.U.T., NBC, 1971; Sergeant James, Matt Helm, ABC, 1975; Curry, Switch (also known as Las Vegas Roundabout), CBS, 1975; Papa Bagranditello, Flying High, CBS, 1978; Frankie Parker, Johnny Garage, CBS, 1983; also The Life and Times of Barney

NON-RELATED CAREER—Mailman. AWARDS: Emmy Award nomination, 1982, for Hill Street Blues. ADDRESSES: AGENT—Jack Fields, Gores/Fields Agency, 10100 Santa Monica Boulevard, Suite 700, Los Angeles, CA 90067.* 50

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BLAKE, Josh

1975-

Columbia, 1964; Dr. Sheldrake, Kiss Me, Stupid, Lopert, 1964; voice of Barney Rubble and Dino, The Man Called Flintstone (also known as That Man Flintstone; animated), Columbia, 1966.

PERSONAL: Born January 7, 1975, in Great Neck, NY; son of Frederick David (a podiatrist) and Elizabeth L. (a teacher; maiden name, Stein).

Voice characterizations, The Phantom Tollbooth (animated), Metro-Goldwyn-Mayer, 1970; voice of Barfly the Parrot, Scalawag, Paramount, 1973; voice characterizations, Journey Back to Oz (animated), Filmation, 1974; voice characterizations, Bugs Bunny, Superstar (animated), Warner Brothers, 1975; voice of Twiki and Dr. Theopolis, Buck Rogers in the 25th Century, Universal, 1979; voice characterizations, The Great American Bugs Bunny-Road Runner Chase (animated; also known as The Bugs Bunny-Road Runner Movie), Warner Brothers, 1979; voice characterizations, TheLooney, Looney, Looney Bugs Bunny Movie, Warner Brothers, 1981; voice characterizations, Bugs Bunny's Third Movie—1001 Rabbit Tales (animated), Warner Brothers, 1982; voice characterizations, Daffy Duck's Movie: Fantastic Island (animated), Warner Brothers, 1983; voice of Mr. McKenzie, Strange Brew, MetroGoldwyn-Mayer/United Artists, 1983; voice of Heathcliff, Heathcliff: The Movie (animated), Atlantic/Clubhouse, 1986; voice of Daffy Duck, Howard the Duck, Universal, 1986; voice characterizations, Porky Pig in Hollywood (animated), Warner Brothers, 1986; voice characterizations, The Duxorcist (short animated film), Warner Brothers, 1987; voice characterizations, Daffy Duck's Quackbusters (animated), Warner Brothers, 1988; voice of Daffy Duck, Night of the Living Duck (short film; animated), Warner Brothers, 1988; voices of Daffy Duck, Tweety Bird, Bugs Bunny, Sylvester, and Porky Pig, Who Framed Roger Rabbit?, Buena Vista, 1988. Also provided voice characterizations for more than 850 short animated films for Warner Brothers, 1937-88.

VOCATION: Actor. CAREER: STAGE DEBUT—Ulysses Macauley, The Human Comedy, New York Shakespeare Festival, Public Theatre, New York City, 1983. BROAD WAY DEBUT—Ulysses Macauley, The Human Comedy, Royale Theatre, 1984. PRINCIPAL STAGE APPEARANCES—Paperboy, For Sale, Playhouse 91, New York City, 1985; Irving Yanover, Today I Am a Fountain Pen, American Jewish Theatre Company, 92nd Street YMHA, New York City, 1985-86, then Theatre 890, New York City, 1986; David Hershkowitz, Rags, Shubert Theatre, Boston, MA, then Mark Hellinger Theatre, New York City, both 1985; also appeared in The Second Hurricane, New York City, 1984. PRINCIPAL FILM APPEARANCES—Older boy, Fat Guy Goes Nutzoid!, Troma, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Craig, Search for Tomorrow, NBC, 1986; Woody Greely, Once a Hero, ABC, 1987; Jake, Alf, NBC, 1988-89; Aristotle Zakalokis, The Famous Teddy Z, CBS, 1989—. Pilots: Jonathan Morgan, Father's Day, ABC, 1986. Episodic: Tony Ramos, Beauty and the Beast, CBS, 1988; Nickt Hackett, "Rock 'n' Roll Mom," Disney Sunday Movie, ABC, 1988; also voice characterization, Comic Strip (animated), 1987. Specials: Voice of child, The Life and Adventures of Santa Claus (animated), CBS, 1985.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Jack Benny Program, CBS, 1950-64, then NBC, 1964-65; panelist, Musical Chairs, NBC, 1955; voice characterizations, The Bugs Bunny Show (animated), ABC, 1960-62; voice of Barney Rubble and Dino, The Flintstones (animated), ABC, 1960-66; voice characterizations, The Dick Tracy Show (animated), syndicated, 1961; voice of Salty the Parrot, "Sinbad, Jr." in The Alvin Show (animated), CBS, 1961-62; voice of Hardy Har Har, Lippy the Lion (animated), syndicated, 1962; voice of Mr. Spacely and other characters, The Jetsons (animated), ABC, 1962-64; voice of Deputy Droop-A-Long, "Ricochet Rabbit," The Magilla Gorilla Show (animated), syndicated, 1964; voice of Sneezly, "Sneezly" in The Peter Potamus Show (animated), syndicated, 1964; voice characterizations, Porky Pig and Friends (animated), ABC, 196467; voice of Secret Squirrel, The Atom AntlSecret Squirrel Show (animated), NBC, 1965-68; voice characterizations, The Abbott and Costello Cartoon Show (animated), syndicated, 1966; voice characterizations, The Tom and Jerry Show (animated), CBS, 1966-72; voice characterizations, The Wacky Races (animated), CBS, 1968-70; voice of Chugaboom, Yak Yak, and Bully Brothers, The Perils of Penelope Pitstop (animated), CBS, 1969-71.

RELATED CAREER—Actor in television commercials. AWARDS: Goldie Award from the American Jewish Theatre, 1985. MEMBER: American Federation of Television and Radio Artists, Screen Actors Guild, Actors' Equity Association. SIDELIGHTS: RECREATIONS—Collecting baseball cards and rocks. ADDRESSES: AGENT—Shirley Grant Management, P.O. Box 866, Teaneck, NJ 07666.

BLANC, Mel

BLANC

1908-1989

PERSONAL: Full name, Melvin Jerome Blanc; born May 30, 1908, in San Francisco, CA; died of heart disease and emphysema, July 10, 1989, in Los Angeles, CA; son of Frederick and Eva (Katz) Blanc (co-managers of a women's clothing business); married Estelle Rosenbaum, 1933; children: Noel.

Voice of Bubba McCoy, Where's Huddles? (animated), CBS, 1970; voice characterizations, The Road Runner Show (animated), ABC, 1971-72; voice characterizations, Curiosity Shop (animated), ABC, 1971-73; voice of Barney Rubble, Dino, Bronto, Zonk, and Stub, The Flintstone Comedy Hour (animated), CBS, 1972-74; voice of Speed Buggy, Speed Buggy (animated), CBS, 1973-74; voice characterizations, The Bugs Bunny Show (animated), CBS, 1975; voice of Bugs Bunny, Road Runner, and others, The Bugs Bunny I Road Runner Show (animated), CBS, 1976; voice characterizations, Sylvester and Tweety (animated), CBS, 1976-77; voice of Captain Caveman, Scooby's All-Star Laff-A-Lympics (animated), ABC, 1977-78; voice of Officer Quack-Up, The Galaxy Goof-

VOCATION: Voice specialist, actor, and producer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Voice of Gideon, Pinocchio (animated), Walt Disney, 1940; Julio, Neptune's Daughter, Metro-Goldwyn-Mayer, 1949; voice of Caesar, Champagne for Caesar, United Artists, 1950; voice characterizations, Gay Purr-ee (animated), Warner Brothers, 1962; voice of Grifter, Hey There, It's Yogi Bear (animated),

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CONTEMPORARY

Ups (animated), NBC, 1978-79; voice of Quack-Up, Yogi's Space Race (animated), NBC, 1978-79; voice of Barney Rubble and Dino, The New Fred and Barney Show (animated), NBC, 1979; voice of Captain Caveman, Captain Caveman (animated), ABC, 1979; voice of Barney Rubble and Dino, Fred and Barney Meet the Thing (animated), NBC, 1979; voice of Twiki, Buck Rogers in the 25th Century, NBC, 1979-81; voice of Captain Caveman, Captain Caveman and the Teen Angels (animated), ABC, 1980; voice characterizations, The Heathdiff and Dingbat Show (animated), ABC, 1980-81; voice of Barney Rubble, Dino, and Chester, The Flintstone Family Adventures (animated), NBC, 1980-81; voice of Barney Rubble, Dino, and a pterodactyl chick, The Flintstones (animated), NBC, 1981; voice of Heathcliff and Spike, The Heathdiff andMarmaduke Show (animated), ABC, 1981-82; voice of Barney Rubble and Dino, The Flintstone Funnies (animated), NBC, 1984; voice characterizations, The New Jetsons (animated), syndicated, 1985; voice characterizations, The Bugs BunnylLooney Tunes Comedy Hour (animated), ABC, 1985; voice of Captain Caveman, Dino, and Robert Rubble, The Flintstone Kids (also known as Captain Caveman and Sons; animated), ABC, 1986. Pilots: Voice of leprechaun, Mr. O'Malley, CBS, 1959; voice of Chickie Baby, Murder Can Hurt You!, ABC, 1980.

THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL RADIO APPEARANCES-^Series: The Hoot Owls, KGW (Portland, OR), 1927; various roles, Cobwebs and Nuts, KEX (Portland), 1933-35; The Johnny Murray Show, KFWB (Los Angeles), 1935-36; The Joe Penner Show, CBS, 1936; Professor LeBlanc, Carmichael the Bear, Sy the gardener, and train dispatcher, The Jack Benny Program, NBC, 1937-48; Uncle Petie and Rover, Tommy Riggs and Betty Lou, NBC, 1938-40; Pedro, The Judy Canova Show, CBS, 1940-48; Mr. Twiggs, Major Hoople, NBC, 1942; August Moon, Point Sublime, ABC, 1942-44; various roles, Nitwit Court, NBC, 1944; as himself and Zookie, The Mel Blanc Show (also known as The Fix-It Shop and Mel Blanc's Fix-It Shop), CBS, 1946-47. Also appeared on The Al Pierce Show, 1938-50; as host, Are You a Genius?, Armed Forces Radio Service; Hubert Peabody, The Jack Carson Show, CBS; Botsford Twink, The Abbott and Costello Program, NBC; Private Sad Sack, G.I. Journal; the Happy Postman, Burns and Allen, NBC; Pancho, The Cisco Kid; Floyd the barber, The Great Guildersleeve; and Dagwood and Blondie. PRINCIPAL RADIO WORK—Series: Producer, Cobwebs and Nitwits, KEX (Portland), 1933-35. RELATED CAREER—Professional musician playing the violin, sousaphone, and bass, 1925-30; musician with the NBC Radio Orchestra, San Francisco, CA, 1928; orchestra conductor, Orpheum Theatre, Portland, OR, 1931; member of Leon Schlesinger productions (production company for Looney Tunes and Merrie Melodies); board chairman, Blanc Communications Corporation (a production company specializing in television and radio commercials, public service announcements, and short fillers), 1960-89.

Specials: Arthur Godfrey Loves Animals, CBS, 1963; Jack Benny's 20th Anniversary TV Special, NBC, 1970; voice of Tucker the Mouse, The Cricket in Times Square (animated), ABC, 1973; voice of Harry the Cat, Yankee Doodle Cricket (animated), ABC, 1975; voice characterizations, Bugs Bunny's Howl-oween Special (animated), CBS, 1977; voice of Barney Rubble and Dino, A Flintstone Christmas (animated), NBC, 1977; voice of Bugs Bunny, Daffy Duck, Yosemite Sam, Foghorn Leghorn, and Pepe Lepew, The Bugs Bunny Easter Special (animated), CBS, 1977; voice of Bugs Bunny, Bugs Bunny in Space (animated), CBS, 1977; voice of Bugs Bunny, How Bugs Bunny Won the West (animated), CBS, 1978; voice characterizations, A Connecticut Rabbit in King Arthur s Court (animated), CBS, 1978; voice characterizations, The Bugs Bunny Thanksgiving Diet (animated), CBS, 1979; voice of Bugs Bunny, Bugs Bunny's Valentine (animated), CBS, 1979; voice characterizations, Bugs Bunny's Looney Christmas Tales (animated), CBS, 1979.

WRITINGS: RADIO—Series: Cobwebs and Nitwits, KEX (Portland), 1933-35. OTHER—(With Philip Bashe) That's Not All, Folks: My Life in the Golden Age of Car toons and Radio (autobiography), Warner Books, 1988. RECORDINGS: SINGLES—(With the Sportsmen) "The Woody Woodpecker Song," Capitol, 1948; "I Tawt I Taw a Puddy Tat," 1950; (with Spike Jones and His City Slickers) "Clink! Clink! Another Drink!''' 'Toot, Toot, Tootsie (Goodbye).'' Blanc recorded comedy and children's records for Capitol Records for fifteen years.

Voice characterizations, The Bugs Bunny Mystery Special (animated), CBS, 1980; voice characterizations, Daffy Duck's Easter Show (animated), NBC, 1980; voice characterizations, Daffy Duck's Thanks-far-Giving Special (animated), NBC, 1980; voice characterizations, Bugs Bunny's Bustin Out All Over (animated), CBS, 1980; voice characterizations, Bugs Bunny: All American Hero (animated), CBS, 1981; voice of Barney Rubble, second security guard, and Bulldog, Yogi Bear's All-Star Comedy (animated), CBS, 1982; voice of Bugs Bunny, Bugs Bunny's Mad World of Comedy (animated), CBS, 1985; Bugs BunnylLooney Tunes AllStar 50th Anniversary (animated), CBS, 1986; voice of Barney Rubble, The Flintstones 25th Anniversary Celebration (animated), CBS, 1986; voice of Mr. Spacely, Rockin' with Judy Jetson (animated), syndicated, 1988; Roger Rabbit and the Secrets of Toontown, CBS, 1988; voice characterizations, Bugs vs. Daffy: Battle of the Music Video Stars (animated), CBS, 1988; voice of Bugs Bunny, the Crusher, Daffy Duck, Yosemite Sam, Elmer Fudd, Tweetie Bird, and Sylvester, Bugs Bunny's Wild World of Sports (animated), CBS, 1989; Hanna Barbera's 50th: A Yabba Dabba Doo Celebration (live-action and animated), TNT, 1989.

AWARDS: Honorary mayor, Pacific Palisades, CA. SIDELIGHTS: Mel Blanc once estimated that he supplied more than 400 different voices in approximately 3,000 cartoons between the mid-1930s and the late 1980s. Among his more familiar characterizations are those of Bugs Bunny, Porky Pig, Daffy Duck, Sylvester and Tweetie, the Road Runner, Yosemite Sam, Speedy Gonzalez, Foghorn Leghorn, Woody Woodpecker, Barney Rubble, Dino the dinosaur, Speed Buggy, Tasmanian Devil, Pepe LePew, the Frito Bandito (on television commercials), and Jack Benny's dilapidated automobile. During World War II, Blanc also provided the voice of Private Snafu for Frank Capra's wartime newsreel, The Army-Navy Screen Magazine, as well as voices for the Trigger Joe film series for the Army Air Forces and for a series of Navy and Marine Corps health films. OBITUARIES AND OTHER SOURCES: The American Animated Cartoon, edited by Danny and Gerald Peary, E.P. Dutton, 1980; Hollywood Reporter, July 11, 1989; New York Times, July 11, 1989; Variety, July 12-18, 1989.*

PRINCIPAL TELEVISION WORK—Producer (with others), The Bugs Bunny Show, ABC, 1960-62.

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ADDRESSES: MANAGER—Miller Management, 82 Broom Park, Teddington, Middlesex TW11 9RR, England.*

PERSONAL: Born October 9, 1937, in Yorkshire, England; father, a coal miner; married Ann Bomann (divorced); married Hildegarde Neil (an actress); children: Catherine (first marriage); Rosalind (second marriage). EDUCATION—Trained for the stage at the Bristol Old Vic Theatre School. MILITARY—Royal Air Force, parachute regiment.

BLIER, Bernard

1916-1989

PERSONAL: Born January 11, 1916, in Buenos Aires, Argentina; died of cancer, March 29, 1989, in Paris, France; children: Bertrand, Brigitte. EDUCATION—Attended Lycee Condorcet; studied acting with Raymond Rouleau and at the Paris Conservatory with Louis Jouvet.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Edmund, The Exorcism, Comedy Theatre, London, 1975; Gorky, State of Revolution, National Theatre Company, Lyttelton Theatre, London, 1977; Old Deuteronomy, Cats, New London Theatre, London, 1981; John Freeman, Metropolis, Piccadilly Theatre, London, 1989. Also appeared with the Royal Shakespeare Company, Stratfordon-Avon, U.K., 1985; in Incident at Vichy and Oedipus, both in London; and in repertory at Nottingham, U.K., and Birmingham, U.K.

VOCATION: Actor. CAREER: STAGE DEBUT—Theatre de FEtoile, Paris, France, 1936. PRINCIPAL STAGE APPEARANCES—L'Ecole des femmes, Comedie Francaise, Paris, 1973; also Le Marie, la femme, et la mort.

PRINCIPAL FILM APPEARANCES—Policeman, The Christmas Tree, CFF, 1966; sergeant, Alf'n Family (also known as Till Death Do Us Part), Sherpix, 1968; Jock Baird, Brotherly Love (also known as Country Dance), Metro-Goldwyn-Mayer (MGM), 1970; Korski, The Last Valley, Cinerama, 1971; Tathybius, The Trojan Women, Cinerama, 1971; Suffolk, Henry VIII and His Six Wives, MGM/EMI, 1972; Pedro, Man of La Mancha, United Artists, 1972; Prince Vultan, Flash Gordon, Universal, 1980; Suleiman Khan, High Road to China, Warner Brothers, 1983; Geoffrey Lyons, The Hound of the Baskervilles, Weintraub, 1983; Exeter, Henry V, Samuel Goldwyn, 1989; voice of Caous (English version), Asterix et le coup du menhir (also known as Asterix and the Big Fight and Asterix and the Stone s Blow; animated), Gaumont/ Palace, 1989. Also appeared in Barry Lyndon, Warner Brothers, 1975.

FILM DEBUT—Gribouille (also known as Heart of Paris}, 1937. PRINCIPAL FILM APPEARANCES—Gaston, Le Jour se leve (also known as Daybreak), 1939, released in the United States by AFE, 1940; Charbonnel, Symphonie fantastique, 1942, released in the United States by AFE, 1947; Remendado, Carmen, Super Film, 1946; Maurice Martineau, Quai des orfevres (also known as Jenny Lamour), 1947, released in the United States by Vog, 1948; Rene, Dedee d'Anvers (also known as Dedee and Woman of Antwerp), 1948, released in the United States by Vog, 1949; Louis, Monseigneur, 1949, released in the United States by Roger Richebe, 1950; Robert, Maneges (also known as The Cheat and Riding for a Fall), Discina International Films, 1950; Pascal Laurent, L'Ecole buissonniere (also known as Passion for Life and / Have a New Master), AGDC/ Brandon, 1951; President, "Le Lit de la Pompadour" in Secrets d'alcove (also known as The Bed and // letto), 1953, released in the United States by Pathe, 1954; Zagoriensky, Le Joueur (also known as The Gambler), Gaumont, 1958; Leader, La Chatte (also known as The Cat), Ellis Films, 1959; Capitano Castelli, La grande guerra (also known as La Grande Guerre and The Great War), 1959, released in the United States by Lopert, 1961; Pichon, Archimede, le clochard (also known as The Magnificent Tramp), 1959, released in the United States by Cameo International, 1962.

PRINCIPAL TELEVISION APPEARANCES—Series: Blackadder, BBC, 1983, then Arts and Entertainment; also My Family and Other Animals, BBC, then Arts and Entertainment; Constable Fancy Smith, Z Cars, BBC. Mini-Series: Augustus, /, Claudius, BBC, then Masterpiece Theatre, PBS, 1977; Olinthus, The Last Days of Pompeii, ABC, 1984; General Ye vlenko, War and Remembrance, ABC, 1988; Long John Silver, Return to Treasure Island, Disney Channel, 1989; also Cold Comfort Farm, BBC, then Masterpiece Theatre, PBS, 1971; Notorious Woman, BBC, then Masterpiece Theatre, PBS, 1975. Episodic: George Briggs, "Appointment with a Killer" (also known as "A Midsummer Nightmare"), Thriller, ABC, 1975; Vargas, Blake's 7, BBC, 1978; also "Death's Other Dominion," Space 1999, syndicated, 1975; "The Metamorph," Space 1999, syndicated, 1976; "Lamb to the Slaughter," Tales of the Unexpected, syndicated, 1979. Movies: Abner, The Story of David, ABC, 1976; Captain Teach, The Master of Ballantrae, CBS, 1984; also The Sweeney, 1984. Specials: Wine of India, BBC, 1970; Rudolf Kammerling, Once in a Lifetime, BBC, then Great Performances, PBS, 1988; voice characterization, Pyramid (animated), PBS, 1988; also host, narrator, and Johann Sebastian Bach, The Joy of Bach, PBS; narrator, The Natural World, BBC. Also appeared in Jackanory, 1976; The Little World of Don Camillo, 1980; The Three Musketeers; William the Conqueror; Lorna and Ted; Arthur of the Britons; Justice; Boy Dominic; Hadleigh; Public Eye; Brahms; The Aphrodite Inheritance; Son of a Man; Churchill's People; and The Recruiting Officer.

The Marshal, // gobbo (also known as The Hunchback of Rome), 1960, released in the United States by Royal, 1963; police superintendent, Crimen (also known as And Suddenly, It's Murder!), 1960, released in the United States by Royal, 1964; Charles, Le Cave se re biffe (also known as The Counterfeiters of Paris and Money, Money, Money), 1961, released in the United States by MetroGoldwyn-Mayer, 1962; Mayor Leproux, Arretez les tambours (also known as Women in War and Women and War), 1961, released in the United States by Parade Releasing, 1965; Gregoire Duval, Le Septieme Jure (also known as The Seventh Juror), 1962, released in the United States by Trans-Lux, 1964; Torenthal, Mathias Sandorf, Union Generale Cinematographique, 1962; director, Germinal, Cocinor, 1963; Martinetti, // compagni (also known as The Organizer, The Strikers, and Les Camarades), 1963, released in the United States by Continental Distributing, 1964; Monsieur Joseph, La Bonne soupe (also known as Careless Love and The Good Soup), International Classics, 1964; Mitch-Mitch, Cent mille dollars au soleil (also known as Greed in the Sun and Centomila dollari al sole), 1964, released in the United States by Metro-Goldwyn-Mayer (MGM), 1965; Reguzzoni, "Modern

SIDELIGHTS: RECREATIONS—Judo (black belt) and mountaineering.

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People" in Alta infedelta (also known as High Infidelity and Haute infidelite), 1964, released in the United States by Magna, 1965; Coma d'Oro, // magnifico cornuto (also known as The Magnificent Cuckold and Le Cocu magnifique), 1964, released in the United States by Continental Distributing, 1965; Monsieur Heurtin, La Chasse a I'homme (also known as Male Hunt and Caccia al maschio), 1964, released in the United States by Pathe, 1965; Cafarelli, Les Barbouzes (also known as The Great Spy Chase), 1964, released in the United States by American International, 1966; commissioner, Casanova '70, Embassy, 1965; chief, LeFou du labo 4 (also known as The Madman of Lab 4), Gaumont, 1967; defense counsel, Lo straniero (also known as The Stranger and L'Etranger), Paramount, 1967; Rhome, Peau d'espion (also known as To Commit a Murder, Congiura di spie, and Der Grausame Job), 1967, released in the United States by Cinerama, 1970; husband, Caroline cherie, Mancori, 1968; Charles, Appellez-moi Mathilde (also known as Call Me Mathilde), 1968, released in the United States by Columbia, 1970; K, Le Cri du cormoran le soir au-dessus desjonques (also known as The Cry of the Cormoran at Night Over the Junks), 1969, released in the United States by Gaumont International, 1970.

by Putnam Square, 1982; Mr. Bottini, Cuore (also known as Heart), RAI-TV Channel 2, 1984; Mr. Guilledou, Ca n'arrive qua moi (also known as It Only Happens to Me), AMLF/Sara/ Films A2, 1984; Major Bellucci, Scemo di guerra (also known as War Jester, Madman at War, and Le Fou de guerre), Titanus/ Sergio Felicioli, 1985; Paleari, Le due vite di Mattia Pascal (also known as The Two Lives of Mattia Pascal), Medusa/SACIS, 1985; J.B. Cobb, Je hais les acteurs (also known as / Hate Actors), Gaumont International, 1986; Uncle Gugo, Pourvu que ce soil une fille (also known as Speriamo che siafemmina, Esperons que ce sont une fille, and Let's Hope It's a Girl), Artificial Eye/President/ CDE/Original, 1986; Minister, Twist again a Moscou (also known as Twist Again in Moscow), AMLF, 1986; Eva's father, Sotto il ristorante Cinese (also known as Under the Chinese Restaurant and Below the Chinese Restaurant), ADMV, 1987; Saltiel, Mangeclous, AAA, 1988; Mondoradini, Les Fanfarons (also known as Una botta di vita, The Boasters, and A Taste of Life), Italian International/Exportation Francaise Cinematographique, 1988; Collins, Ada dans le jungle (also known as Ada in the Jungle), FIT Productions/ AAA/Hugo International, 1988; Caffarelli, Paganini (also known as Kinski Paganini), Medusa Distribuzione, 1989.

Inspector, Laisse alter, c'est une valse (also known as Take It Easy, It's a Waltz), Gaumont International, 1970; Guiton, Le Distrait (also known as The Day dreamer and Absentminded), 1970, released in the United States by Gaumont, 1975; Webb, Catch Me a Spy, Rank, 1971; Chief, Le Tueur (also known as The Killer), Societe nouvelle prodis, 1971; Doctor Mezzini, Homo eroticus (also known as Man of the Year), CIDIF, 1971; Inspector, Jo (also known as The Gazebo), MGM, 1971; Bistingo, Elle cause plus, elle flingue (also known as She No Longer Talks. . .She Shoots), CIC/ Films la Boetie, 1972; Boss, Tout le monde il est beau, tout le monde il est gentil (also known as Everybody He Is Nice, Everybody He Is Beautiful), CFDC, 1972; Uncle, Moi y'ena vouloir des sous (also known as Me, I Want to Have Dough), United Artists, 1972; Milan, Le Grand Blond avec une chaussure noire (also known as The Tall Blond Man with One Black Shoe), Gaumont International, 1972, released in the United States by Almi Cinema V, 1973; the President, Les Chinois a Paris (also known as The Chinese in Paris), Cine Qua Non/Production 2000/Produzioni Europee Associates, 1973; Moreu, La Main a couper. . . (also known as A Hand to Cut Off), Planfilm, 1973; Gastie-Leroy, Je sais rien, mats je dirai tout (also known as Don't Know Anything But Til Tell All), AMLF, 1973; Frank, Bons baisers a lundi (also known as Kisses Till Monday), Films la Boetie, 1974; Mayor, Par le sang des autres (also known as With the Blood of Others), Films la Boetie, 1974, released in the United States in 1980; Priest, // piatto piange (also known as Ante Up), Euro International, 1974; Anselme, Ce cher Victor (also known as That Dear Victor), Lugo Films, 1975; Righi, Amid miei (also known as My Friends), Cineriz, 1975; Maxine, Le Faux-Cul (also known as The Phoney), Gaumont International, 1975; Tardel, C'est dur pour tout le monde (also known as It's Tough for Everybody), Societe nouvelle de cinema, 1975; Liebard, Le Corps de mon ennemi (also known as The Body of My Enemy) AMLF, 1976; Staplin, Serie noire (also known as Thriller Story), Gaumont International/World Marketing, 1979; doctor, // malato immaginario (also known as La Malade imaginaire and The Hypochondriac), Cinema International, 1979.

Also appeared in Trois-six-neuf, Le Messager, La Dame de Malacca, and UHabit vert, all 1937; Altitude 3200 (also known as Youth in Revolt), Entree des artistes (also known as The Curtain Rises), Hotel du Nord, Grisou, Double Crime sur la ligne Maginot (also known as Treachery Within), Place de la Concorde, and Accord final, all 1938; L'Enfer des anges, Quartier Latin, andNuit deDecembre (also known as Heure exquise), all 1939; L'Assassinat du Pere Noel (also known as Who Killed Santa Claus?), Le Pavilion brule, Premier bal, and Caprices, all 1941; La Femme que fai le plus aimee, Romance a trois, LaNuitfantastique, Le Journal tombe a cinq heures, Le Manage de chiffon, andMarie-Martine, all 1942; Les Pelites du quai aux fleurs, Je suis avec toi, and Domino, all 1943; Farandolle, 1944; Seul dans le nuit and Monsieur Gregoire s'evade, both 1945; Messieurs Ludovic and Le Cafe du Cadran, both 1946; Les Casse-pieds (also known as The Spice of Life), 1948, released in the United States by Gaumont Cinemaphonic, 1954; D'homme a hommes (also known as Man to Men), 1948; L'Invite du Mardi and "Xante Emma" in Re tour a la vie, both 1949. Les Anciens de Saint-Loup, La Souriciere, and Souvenirs perdus, all 1950; Sans laisser d'adresse and La Maison Bonnadieu, both 1951; Agence matrimoniale and Je I'ai ete trois fois, both 1952; Suivez cet homme!, 1953; Avant le deluge and Scenes de menage, both 1954; Le Dossier noir and Les Hussards, both 1955; Crime et chatiment (also known as Crime and Punishment), Prigionieri del male, and Rivelazione, all 1956; L'Homme a I'impermeable (also known as The Man in the Raincoat), Retour de Manivelle (also known as There's Always a Price Tag), Quand lafemme s'en mele, and La Bonne Tisane, all 1957; as Javert, Les Miserables, and in Les Grandesfamilies (also known as The Possessors), Sansfamille, En legitime defense, and L'Ecole des cocottes, all 1958; MarieOctobre, Marche ou creve, and Les Yeux de Vamour, all 1959. Le Secret du Chevalier d'Eon, Le President, and Vive Henri IV, vive I'amour!, all 1960; / briganti Italiani (also known as Les Guerilleros), Les Petits Matins, and Le Monocle noir, all 1961; Pourquoi Paris? and Les Saintes Nitouches, both 1962; // magnifico avventuriero, 1963; "Le Jeu de la chance" in La Chance et Vamour, 1964; "LaFermeture" in Les Bon Vivants, Unaquestione d'onore (also known as A Question of Honor), and Quand passent lesfaisans, all 1965; Du mou dans la gachette, Duello net mundo, Delitto quasi perfetto, Le Grand Restaurant, and Un Idiot a Paris,

Police inspector, Buffet froid (also known as Cold Cuts), Interama/ Gala Film Distributors, 1980; Grandfather Eugenio, Eugenio (also known as Voltati Eugenio), Intercontinental/Films du Losange, 1980; the Emir, Petrole, petrole (also known as Petrol, Petrol), IGC, 1981; Major Tarasso, Passione d'amore (also known as Passion of Love), Connoisseur, 1981, released in the United States 54

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RELATED CAREER—Assistant director on films by John Berry, Georges Lautner, Christian-Jaque, Jean Delannoy, and Denys de la Patelliere; director of short documentary films.

all 1966; Copain suave sapeau and Sij'etais un espion (also known as Breakdown and /// Were a Spy), both 1967; Bel Ami 2000 oder: Wie verfuhrt man einen Playboy? (also known as How to Seduce a Playboy and 100 ragazzeper un playboy), Chevron, 196%; Faut pas prendre les enfants du bon Dieu pour les canards sauvages (also known as Operation Leontine), Riusciranno i nostri eroi a trovare il loro amico misteriosamente scomparso in Africa? (also known as Will Your Heroes Find Their Friends Who Disappeared So Mysteriously in Africa?), and Elie bolt pas, elle fume pas, elle drogue pas, mats elle cause, all 1968; Man oncle Benjamin, 1969.

WRITINGS: See production details above, unless indicated. FILM— Hitler? Connais pas!, 1963; La Grimace, 1966; (co-writer) 57 j'etais un espion, 1967; (with Georges Lautner) Laisse aller, c'est une valse (also known as Take It Easy, If s a Waltz), Gaumont International, 1970; (with Philippe Dumarcay) Les Valseuses, 1973; (with Dumarcay) Calmos, 1975; Preparez vos mouchoirs, 1978; Buffet froid, 1979; Beau-pere, 19^1; Notre histoire, AMLF/ Spectrafilm, 1984; (with Gerard Brach) La Femme de mon pote, 1984; Menage, 1986; Trop belle pour toi, 1989.

Ilfurto e I' anima del commercio, 1971; Quarta parete and Boccaccio, both 1972; Les Tontonsflingueurs, 1973; C'est pas parce qu on a rien a dire qu'ilfermer sa gueule and Processo per direttissima, both 1974; Calmos (also known as Femmesfatales and Cool, Calm, and Collected), AMLF, 1975; La Nuit dor (also known as Golden Night), Union Generale Cinematographique, 1976; Le Temoin 1977; Le Compromis, 1978; Amid miei atto HI (also known as My Friends Act ///), Filmauro, 1985; Billy ze kick, A A A/World Marketing, 1985; Lafamiglia (also known as The Family), Vestron, 1987; Ipicari (also known as The Picaros and The Rogues), Warner Brothers, 1987; Les Possedes (also known as The Possessed), Gaumont International, 1987; Migrations (also known as La Guerre la plus glorieuse), Cinexport, 1988.

OTHER—Les Valseuses (novel), 1972; Beau-pere (novel), 1980. AWARDS: Academy Award, Best Foreign Film, 1978, for Preparez vos mouchoirs; Cesar Award, Best Screenplay, 1990, for Trop belle pour toi. *

BLOCK, Larry 1942-

WRITINGS: FILM—(Co-writer) Laisse alter, c est une valse (also known as Take It Easy, It's a Waltz), Gaumont International, 1970.

PERSONAL: Born October 30, 1942, in New York, NY; son of Harold (in the garment industry) and Sonia (a travel agent; maiden name, Kutcher) Block; married Jolly King (an actress), September 25, 1981; children: Zoe Lenna, Zachary Harold. EDUCATION— University of Rhode Island, B.A., English, 1964; trained for the stage with Wynn Handman. POLITICS—Liberal Democrat. RELIGION—Ethical Culture. MILITARY—U.S. Army, Special Services, specialist fourth class, 1967-69.

AWARDS: Brussels Prize, 1949; Prix Feminin de Cinema, 1950; Prix Balzac, 197 3; Cesar Award, 1989; also named Chevalier of the French Legion of Honor. OBITUARIES AND OTHER SOURCES: Variety, April 5-11, 1989.*

VOCATION: Actor.

BLIER, Bertrand

CAREER: STAGE DEBUT—Mercutio's page, Romeo and Juliet, American Shakespeare Festival, Stratford, CT, 1965, for eighty performances. BROADWAY DEBUT—Understudy for Malcolm Scrawdyke, Hail, Scrawdyke, Booth Theatre, 1966. PRINCIPAL STAGE APPEARANCES—Boy, La Turista, St. Clement's Church Theatre, New York City, 1967; Jesse, Fingernails Blue As Flowers, American Place Theatre, New York City, 1971-72; Lucky, Waiting for Godot, St. Clement's Church Theatre, 1974; Johann Sebastian Fabiani (understudy) and Whimsey (understudy), Where Do We Go from Here?, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1974; Dromio of Ephesus, The Comedy of Errors, NYSF, Delacorte Theatre, New York City, 1975; Manny Alter, Coming Attractions, Playwrights Horizons, New York City, 1980-81; Gadshill, Henry IV, Part One, NYSF, Delacorte Theatre, 1981; Sir Toby Belch, Twelfth Night, Shakespeare and Company, Lee, MA, 1981; Leon, The Workroom (also known as LAtelier), Center Stage, Baltimore, MD, 1981; Martin Bormann, The Fuehrer Bunker, American Place Theatre, 1981; Benny Silverman, The Value of Names, Actors Theatre of Louisville, Louisville, KY, 1983, then Hartford Stage Company, Hartford, CT, 1984; the Hotel Manager, Souvenirs, Cubiculo Theatre, New York City, 1984; One-Eyed, The Golem, NYSF, Delacorte Theatre, 1984; Sir Toby Belch, Twelfth Night and Mr. Fezziwig, A Christmas Carol, both Tyrone Guthrie Theatre, Minneapolis, MN, 1984.

1939-

PERSONAL: Surname is pronounced "Blee-ay"; born March 11, 1939, in Paris, France; son of Bernard Blier (an actor). VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Director: Les Valseuses (also known as Going Places), Societe Nouvelle Prodis/Almi Cinema V, 1973; Calmos (also known as Femmes fatales and Cool, Calm, and Collected), AMLF, 1975; (also producer with Georges Dancigers and Alexandre Mnouchkine) Preparez vos mouchoirs (also known as Get Out Your Handkerchiefs), New Line Cinema, 1978; Buffet froid (also known as Cold Cuts), Interama/Gala Film Distributors, 1979; Beau-pere (also known as Stepfather), Parafrance/New Line Cinema, 1981; La Femme de mon pote (also known as My Best Friend's Girl), European International/Cannon Releasing, 1984; Notre histoire (also known as Separate Rooms, Our History, and Our Story), AMLF/Spectrafilm, 1984; Femmes fatales, New Line Cinema, 1985; Menage (also known as Tenue de soiree and Evening Dress), Norstar/Cinecom International, 1986; (also producer) Trop belle pour toi (also known as Too Beautiful for You), AMLF, 1989, released in the United States by Orion Classics, 1990. Also directed Hitler? Connaispas!, 1963; La Grimace, 1966; Sij'etais un espion (also known as Breakdown and If I Were a Spy), 1967.

Randolph, Responsible Parties, Vineyard Theatre, New York City, 1985; Del Bates, The Hit Parade, Manhattan Punch Line, New 55

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York City, 1985; Lada I, Largo Desolato, NYSF, Public Theatre, 1986; Yuri Brushnik, Coup d'Etat, Playwrights Horizons, 1986; Censor, Hunting Cockroaches, Manhattan Theatre Club, New York City, 1987; Elliot Atlas, The Square Root of Three, Jewish Repertory Theatre, New York City, 1987; Antonio, Two Gentlemen of Verona, NYSF, Delacorte Theatre, 1987; Willis, Moonchildren, Second Stage Theatre, New York City, 1987; Cecil, The Yellow Dog Contract, Apple Corps Theatre, New York City, 1988; Augustin Feraillon, A Flea in Her Ear, Long Wharf Theatre, New Haven, CT, 1989; Herbie, The Loman Family Picnic, Manhattan Theatre Club, 1989. Also appeared in Coriolanus, The Taming of the Shrew, and King Lear, all American Shakespeare Festival, Stratford, CT, 1965; Eh?, Circle in the Square, New York City, 1967; Harry, Noon, and Night and The Recruiting Officer, both Theatre of the Living Arts, Philadelphia, PA, 1970; The Last Days of British Honduras, NYSF, 1976; Manhattan Love Songs, Actors' Studio, New York City, 1982; A Tantalizing, Actors Theatre of Louisville, 1983; Temptation, NYSF, Public Theatre, 1989.

Cherry Orchard, Roundabout Theatre, 1976. BROADWAY DEBUT—Venetian, The Merchant, Plymouth Theatre, 1977. PRINCIPAL STAGE APPEARANCES—Valentine, Two Gentlemen of Verona and Cleante, The Miser, both National Shakespeare Company, Ulster County Community College, Stone Ridge, NY, 1974, then Rutgers University, New Brunswick, NJ, 1975; villager, first angel, and man, The World of Sholem Aleichem, Roundabout Theatre, New York City, 1976; Steve, Say Goodnight, Grade, Playwrights Horizons, Manhattan Main Stage Theatre, New York City, 1978, then Actors Playhouse, New York City, 1979; younger son, Table Settings, Playwrights Horizons, then Chelsea Theatre Center, New York City, 1980; Michael, Key Exchange, Orpheum Theatre, New York City, 1981; lago, Othello, Shakespeare Festival of Dallas, Dallas, TX, 1982; Johnson, Loving Reno, New York Theatre Studio, AMDA Studio One, New York City, 1983; Max Whitcomb, An American Comedy, Lee Baum, The American Clock, and Harry, Wild Oats, all Center Theatre Group, Mark Taper Forum, Los Angeles, 1983-84; Peter Austin, It's Only a Play, Manhattan Theatre Club, New York City, 1984; Asher, Messiah, Manhattan Theatre Club, Space at City Center Theatre, New York City, 1985; Ben, Little Footsteps, Playwrights Horizons, 1986; Ben, The Downside, Long Wharf Theatre, New Haven, CT, 1987. Also appeared in Brothers, George Street Playhouse, New Brunswick, NJ, 1976; Close Ties, Long Wharf Theatre, 1981; The Cherry Orchard, Long Wharf Theatre, 1982; Cave Life, Circle Repertory Theatre, New York City, 1988; in Green Julia; and in Moby Dick Rehearsed.

PRINCIPAL FILM APPEARANCES—Springy, Shamus, Columbia, 1973; Peterboro referee, Slap Shot, Universal, 1977; Ted Peters, Heaven Can Wait, Paramount, 1978; Detective Burrows, Hardcore (also known as The Hardcore Life), Columbia, 1979; taxi driver, After Hours, Warner Brothers, 1985; bar owner, Cocktail, Touchstone, 1988. Also appeared in Routed (short film), Izar, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Mickey Potter, The Secret Storm, CBS; Tom, Sesame Street, PBS; Cal Jamison, General Hospital, ABC. Mini-Series: Lasie, "Roanoak," American Playhouse, PBS, 1986. Pilots: Harry, Rosetti and Ryan: Men WhoLoveWomen, NBC, 1977; Private Arnold Fleck, SpaceForce, NBC, 1978. Episodic: Clerk, Tattingers, NBC, 1988;alsoM*A*S*//, CBS, 1977 and 1978; Miami Vice, NBC; One Life to Live, ABC; Barney Miller, ABC; Charlie's Angels, ABC; CHiPS, NBC; Kojak, CBS; Police Story, NBC; Baretta, ABC; Ellery Queen, NBC; Family Matters, ABC. Movies: Springy, A Matter of Wife . . . and Death, NBC, 1976; Leroy Keenan, The Last Ride of the Dalton Gang, NBC, 1979; Kleinfeld, Dead Man Out, HBO, 1989; also The Lindbergh Kidnapping Case, NBC, 1976.

PRINCIPAL STAGE WORK—Stage manager, National Shakespeare Company, Ulster County Community College, Stone Ridge, NY, 1974. PRINCIPAL FILM APPEARANCES—Intern Murphy, Lovesick, Warner Brothers, 1983; Gary Glass, Desperately Seeking Susan, Orion, 1985; George Margolin, Just Between Friends, Orion, 1986; Richard Mason, Crocodile Dundee, Paramount, 1986; Denny Gordon, Blind Date, Tri-Star, 1987; Arthur Peale, The Presidio, Paramount, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Ken Holden, Sweet Surrender, NBC, 1987. Pilots: Ray Litertini, Things Are Looking Up, CBS, 1984. Episodic: Miami Vice, NBC, 1987.

PRINCIPAL RADIO APPEARANCES—Series: Ensemble, Work in Progress. Episodic: "Pilot," National Public Radio Playhouse, National Public Radio (NPR); "Prairie du Chien," Earplay, NPR; Under the Gun, WBAI (New York City).

ADDRESSES: AGENTS—J.J. Harris and Steve Click, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

AWARDS: MILITARY HONORS—Commendation Medal from the U.S. Army, 1969. ADDRESSES: AGENT—The Gage Group, 1650 Broadway, New York, NY 10019.

BLUMENKRANTZ, Jeff

BLUM, Mark

1965-

PERSONAL: Born June 3,1965, in Long Branch, NJ; son of Harold David (a pharmacist) and Nancy Rachel (an interior designer; maiden name, Levy) Blumenkrantz. EDUCATION—Northwestern University, B.S., theatre, 1986. RELIGION—Jewish.

1950-

VOCATION: Actor.

PERSONAL: Born May 14, 1950, in Newark, NJ. EDUCATION— Studied drama at the University of Minnesota, the University of Pennsylvania, and with Andre Gregory, Aaron Frankel, and Daniel Seltzer.

CAREER: STAGE DEBUT—Zebulon and Baker, Joseph and the Amazing Technicolor Dreamcoat, Drury Lane Theatre, Oakbrook, IL, 1986, for fifty performances. OFF-BROADWAY DEBUT— Helper, The Pajama Game, Equity Library Theatre, 1986, for thirty peformances. PRINCIPAL STAGE APPEARANCES—Stewpot, South Pacific, New York City Opera, State Theatre, New York City,

VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Post office clerk, The

56

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BOHT

er's agent) and Edna May (MacDonald) Dance; married William P. Boht (divorced, 1970); married Carl Davis (a composer), December 28, 1970; children: Hannah Louise, Jessie Jo (first marriage). RELIGION—Church of England. VOCATION: Actress. CAREER: STAGE DEBUT—Liverpool Playhouse, Liverpool, U.K., 1962. LONDON DEBUT—Black straw hat girl, St. Joan of the Stockyards, Queen's Theatre, 1964, for twenty-one performances. PRINCIPAL STAGE APPEARANCES—Mrs. Flarty and first woman, Hanky Park, Mermaid Theatre, London, 1971; member of William Blake's family, Tyger, National Theatre Company, New Theatre, London, 1971; Mrs. Ropeen Genockey, The Hostage, Theatre Workshop Company, Stratford Theatre Royal, London, 1972; Eunice, Mecca, Open Space Theatre, London, 1977; Mrs. Moore, In the Blood, Theatre Upstairs, London, 1978; Sal, Wednesday, Bush Theatre, London, 1979. Also appeared in The National Health, National Theatre Company, London, 1967; Mother Courage, Manchester Library Theatre, Manchester, U.K., 1968; Marie Lloyd, Lincoln Theatre Royal, Lincoln, U.K., 1968; Coventry Belgrade, Royal Court Theatre, London, 1969; Finest F' Family (Henry Livings), Lincoln Theatre Royal, 1969; Amphytrion, Mermaid Theatre, 1971; Paradise Lost, Royal Court Theatre, 1974; Kennedy's Children, King's Head Theatre, London, 197'4; Homage to Been Soup, Royal Court Theatre, 1975; Patty Hearst, 1976; Interaction Rupert Street, 197'6; The Wild Duck, Lyric Hammersmith Theatre, London, 1980; Touched, Royal Court Theatre, 1980; To Come Home to This, Royal Court Theatre, 1981; Birds of Passage, Hampstead Theatre Club, London, 1983; Lost, Bush Theatre, 1986; Steel Magnolias, Lyric Theatre, London, 1989.

JEFF BLUMENKRANTZ

1987; understudy for Jack, Rapunzel's Prince, and Steward, Into the Woods, Martin Beck Theatre, New York City, 1987-89; ensemble, Waiting' in the Wings (revue) Triplex Theatre, New York City, 1988; Filch, The Threepenny Opera, National Theatre, Washington, DC, then Lunt-Fontanne Theatre, New York City, both 1989. Also appeared in Henry and Ellen, Playwrights Horizons, New York City; The Pajama Game, Equity Library Theatre, New York City; with Civic Light Opera Company, Pittsburgh, PA; Drury Lane Oakbrook Theatre, Chicago, IL; and with Pennsylvania Center Stage. PRINCIPAL TELEVISION APPEARANCES—Episodic: Hothouse, ABC, 1988; also Sesame Street, PBS. RELATED CAREER—Member, B.M.I. Advanced Workshop; member, Dramatists Guild Musical Theatre Development Program. AWARDS: Mary Martin Award from the National Institute of Music Theatre, 1988; George London grant from the National Institute for Music Theatre, 1988. ADDRESSES: AGENT—Abrams Artists, 420 Madison Avenue, New York, NY 10017.

BOHT, Jean

1936-

PERSONAL: Surname is pronounced ''boat"; born March 6, 1936, in Bebington, England; daughter of Thomas Herbert (a manufactur-

JEAN BOHT

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BRAEDEN CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Mother, "Rapunzel's Story" in Rapunzel Let Down Your Hair, British Film Institute, 1975; Betty, Arthur's Hallowed Ground, Cinecom International, 1983; Mrs. Taswell, The Girl in a Swing, Nordisk, 1988; Aunty Nell, Distant Voices, Still Lives, Avenue Entertainment/British Film Institute, 1988; also appeared in Meddle Not with Change, 1985.

PRINCIPAL TELEVISION APPEARANCES—Series: (As Hans Gudegast) Captain Hauptman Hans Dietrich, The Rat Patrol, ABC, 1966-68; Victor Newman, The Young and the Restless, CBS, 1980—. Pilots: Anton Granicek, The Judge and Jake Wyler, NBC, 1972; Emhardt, Intertect, ABC, 1973; Arlen Findletter, The Six Million Dollar Man, ABC, 1973; Kapitan Drangel, The New. Original Wonder Woman, ABC, 1975; Ernest Graeber, Code Name: Diamond Head, NBC, 1977; Stephens, The Power Within, ABC, 1979; Leonard Nero, The Aliens Are Coming, NBC, 1980. Episodic: Francis Britten, How the West Was Won, ABC, 1978; Nick Kincaid, Airwolf, CBS, 1986; Gerhardt Brunner, Murder, She Wrote, CBS, 1986; also The Mary Tyler Moore Show, CBS, 1977; The Gallant Men, ABC; Combat, ABC; Charlie s Angels, ABC; Vega$, ABC; A Man Called Sloane, NBC; Project UFO, NBC; CHiPs, NBC; The Eddie Capra Mysteries, NBC. Movies: Frederico Caprio, Honeymoon with a Stranger, ABC, 1969; Dr. Roan Morgan, The Mask ofSheba, NBC, 1970; Stoeffer, Death Race, ABC, 1973; Kosinsky, Death Scream, ABC, 1975; Ross Ford, Happily Ever After, CBS, 1978.

PRINCIPAL TELEVISION APPEARANCES—Series: Nellie Boswell, Bread, BBC-1, 1985-86. Mini-Series: Sal, A Perfect Spy, BBC, then Masterpiece Theatre, PBS, 1988; Madame Joliet, "The 4:50 from Paddington," Agatha Christie's Miss Marple, BBC, then Mystery!, PBS, 1989. Episodic: Bergerac, BBC-1. Also appeared in The Boys from the Blackstuff, Sons and Lovers, Spy ship, Some Mothers Do 'ave 'em, Last of the Summer Wine, Funny Man, Scully, Juliet Bravo, I Woke Up One Morning, Sweeney, Where Adam Stood, Cranford, and Arthur's Hallowed Ground. RELATED CAREER—Company member: Liverpool Playhouse, Liverpool, U.K., 1962-64; Bristol Old Vic Theatre, Bristol, U.K., 1964-65; Royal Court Theatre Company, London, 1965-66; Manchester Library Theatre Company, Manchester, U.K., 196667; Theatre 69, Liverpool Playhouse, 1966-67; Lincoln Theatre Royal, Lincoln, U.K., 1967-68; National Theatre Company, London, 1968-69; Joan Little wood's Theatre Workshop, 1969-71; also co-founder and artistic director, Barnes Drama Company for Young People, 1986—.

AWARDS: Daytime TV Magazine poll winner, Best New Daytime Star, for The Young and the Restless. SIDELIGHTS: RECREATIONS—Boxing, soccer, running, tennis, and skiing. ADDRESSES: AGENT—David Windsor, Irv Schechter Company, 9300 Wilshire Boulevard, Suite 410, Beverly Hills, CA 90212.*

MEMBER: British Academy of Film and Television Arts. ADDRESSES: AGENT—Peters, Fraser, and Dunlop, the Chambers, 5th Floor, Chelsea Harbour, Lots Road, London SW10 OXF, England.

BRENNAN, Eileen

1935-

PERSONAL: Born September 3, 1935, in Los Angeles, CA; daughter of John Gerald (a doctor) and Regina "Jeanne" (an actress; maiden name, Menehan) Brennan; married David John Lampson, December 28, 1968 (divorced, 1974); children: Samuel John, Patrick Oliver. EDUCATION—Attended Georgetown University; studied acting at the American Academy of Dramatic Arts, 1955-56.

BRAEDEN, Eric (Hans Gudegast) PERSONAL: Born Hans Gudegast, April 3, in Kiel, Germany; wife's name, Dale; children: Christian. EDUCATION—Attended Montana State University.

VOCATION: Actress. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Title role, Little Mary Sunshine, Orpheum Theatre, 1959-61. PRINCIPAL STAGE APPEARANCES—Anna Leonowens, The King and I, City Center Theatre, New York City, 1963; Merry May Glockenspiel, The Student Gypsy, or The Prince ofLiederkranz, 54th Street Theatre, New York City, 1963; Irene Molloy, Hello, Dolly!, St. James Theatre, New York City, 1964-66; Maxine Faulk, The Night of the Iguana, Morris Mechanic Theatre, Baltimore, MD, 1985. Also appeared in And Where She Stops Nobody Knows, Center Theatre Group, Mark Taper Forum, Los Angeles, 1976; Gethesemane Springs, Center Theatre Group, Mark Taper Forum Laboratory Production, 1977; Triptych, Center Theatre Group, Mark Taper Forum Laboratory Production, 1978; A Coupla White Chicks Sitting Around Talking, Astor Place Theatre, New York City, 1980; and in productions ofCamelot, Guys and Dolls, Bells Are Ringing, and An Evening with Eileen Brennan (one-woman show).

CAREER: PRINCIPAL STAGE APPEARANCES—(As Hans Gudegast) Kurt Schonforn, The Great Indoors, Eugene O'Neill Theatre, New York City, 1966. PRINCIPAL FILM APPEARANCES—(As Hans Gudegast) Klaus, Operation Eichmann, Allied Artists, 1961; (as Hans Gudegast) radio operator, Morituri (also known as The Saboteur: Code Name Morituri and The Saboteur), Twentieth Century-Fox, 1965; (as Hans Gudegast) Max Eckhart, Dayton's Devils, Cue, 1968; (as Hans Gudegast) Von Klemme, One Hundred Rifles, Twentieth Century-Fox, 1969; Dr. Charles Forbin, Colossus: The Forbin Project (also known as The Forbin Project and Colossus 1980), Universal, 1969; Dr. Otto Hasslein, Escape from the Planet of the Apes, Twentieth Century-Fox, 1971; Peter Brinker, Lady Ice, National General, 1973; Roland, The Ultimate Thrill (also known as The Ultimate Chase), General Cinema, 1974; Bruno Von Stickle, Herbie Goes to Monte Carlo, Buena Vista, 1977. Also appeared in The Adultress, 1976.

MAJOR TOURS—Annie Sullivan, The Miracle Worker, U.S. cities, 1961-62; Ellen Manville, Luv, U.S. cities, 1967. 58

hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Mrs. O'Brien, The Cavanaughs, CBS, 1988; Corinne Denby, Newhart, CBS, 1988 and 1989; also All in the Family, CBS, 1972. Movies: Amy, Playmates, ABC, 1972; Glenda, The Blue Knight, NBC, 1973; Mrs. Lindholm, My Father's House, ABC, 1975; Ann Muldoon, The Night That Panicked America, ABC, 1975; Carol Werner, The Death of Richie, NBC, 1977; Mary Jensen, When She WasBad. . ., ABC, 1979;Marie,MyOldMan, CBS, 1979; Jessy, When the Circus Came to Town, CBS, 1981; Sara Davis, Incident at Crestridge, CBS, 1981; Judith, The Fourth Wise Man, ABC, 1985; Mrs. Piper/Widow Hubbard, Babes in Toyland, NBC, 1986; Sylvia Zimmerman, Blood Vows: The Story of a Mafia Wife, NBC, 1987; Maude Roberti, Going to the Chapel, NBC, 1988. Specials: Aunt, Kraft Salutes Walt Disney World's Tenth Anniversary, CBS, 1982; Maggie, Lily for President, CBS, 1982; Working, PBS, 1982; The Screen Actors Guild Fiftieth Anniversary Celebration, CBS, 1984. AWARDS: Page One Award from the Newspaper Guild, Theatre World Award, Obie Award from the Village Voice, and Kit-Kat Artists and Models Award, all 1960, for Little Mary Sunshine; British Academy Award nomination, Best Supporting Actress, 1972, for The Last Picture Show; Academy Award nomination, Best Supporting Actress, 1981, for Private Benjamin; Emmy Award, Outstanding Supporting Actress in a Comedy, Variety, or Music Series, 1981, and Golden Globe, Best Television Actress in a Series—Comedy or Musical, 1982, for Private Benjamin. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, American Guild of Variety Artists. EILEEN BRENNAN

ADDRESSES: AGENT—David Shapira and Associates, 15301 Ventura Boulevard, Suite 345, Sherman Oaks, CA 91403.

FILM DEBUT—Eunice, Divorce: American Style, Columbia, 1967. PRINCIPAL FILM APPEARANCES—Gene vie ve, The Last Picture Show, Columbia, 1971; Darlene, Scarecrow, Warner Brothers, 1973; Billie, The Sting, Universal, 1973; Mrs. Walker, Daisy Miller, Paramount, 1974; Elizabeth, At Long Last Love, Twentieth Century-Fox, 1975; Paula Hollinger, Hustle, Paramount, 1975; Tess Skeffington, Murder By Death, Columbia, 1976; Penelope, The Great Smokey Roadblock (also known as The Last of the Cowboys), Dimension, 1976; Betty DeBoop, The Cheap Detective, Columbia, 1978; Mother, FM (also known as Citizen s Band), Universal, 1978; Captain Doreen Lewis, Private Benjamin, Warner Brothers, 1980; Gail Corbin, The Funny Farm, New World/ Mutual, 1982; Mrs. Peacock, Clue, Paramount, 1985; Stella, Sticky Fingers, Spectrafilm, 198 8; hotel desk clerk, Rented Lips, Cineworld, 1988; Miss Bannister, The New Adventures ofPippiLongstocking, Columbia, 1988; Mrs. Wilkerson, Stella, Touchstone, 1990. Also appeared in Pandemonium (also known as Thursday the 12th), Metro-Goldwyn-Mayer/United Artists, 1981.

BRESSON, Robert

1907-

PERSONAL: Born September 25, 1907, in Bromont-Lamothe (Puy-de-Dome), France; son of Leon and Marie-Elisabeth (Clausels) Bresson; married Leida Van der Zee, December 21, 1926. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Mouchette, Pare Film/Argos Films, 1967, released in the United States by Cinema Ventures, 1970; De Weg Naar Bresson (also known as The Way to Bresson; documentary), Frans Rasker/ Documentary Films, 1984.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Rowan and Martin's Laugh-In, NBC, 1968; Verla Grubb, All My Children, ABC, 1970; Ma Packer, All That Glitters, syndicated, 1977; Felicia Winters, 13 Queens Boulevard, ABC, 1979; Kit Flanagan, A New Kind of Family, ABC, 1979-80; Captain Doreen Lewis, Private Benjamin, CBS, 1981-83; Kate Halloran, Off the Rack, ABC, 1985. Mini-Series: Annie Gray, Black Beauty, NBC, 1978. Pilots: Kate Halloran, Off the Rack, ABC, 1984; Siobhan Owens, Off Duty (broadcast as episode of CBS Summer Playhouse), CBS, 1988. Episodic: Ruth MacKenzie, Taxi, ABC, 1981; host, The Shape of Things, NBC, 1982; Brenda Babcock, Magnum, P.I., CBS, 1987; Marion Simpson, Murder, She Wrote, CBS, 1987;

FIRST FILM WORK—Les Affaires publiques, Arc Films, 1934. PRINCIPAL FILM WORK—Director: Les Anges du peche (also known as Angels of the Street), Synops/Roland Tual, 1943, released in the United States by Metro-Goldwyn-Mayer, 1950; Les Dames du bois de Bologne (also known as Ladies of the Park), Les Films Raoul Ploquin, 1945, released in the United States by Brandon, 1964; Le Journal d'un cure de campagne (also known as Diary of a Country Priest), Union Generale Cinematographique, 1951; Un Condamne a mort s'est echappe (also known as Le Vent souffle ou il veut, A Man Escaped, and The Wind Bloweth Where It Listeth), Societe Nouvelles des Etablissements Gaumont/Nouvelles 59

BRETT CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Editions de Films, 1956, released in the United States by New Yorker, 1957; Pickpocket, Agnes Delahaie, 1959, released in the United States by New Yorker, 1963; Le Proces de Jeanne d'Arc (also known as Trial of Joan of Arc), Agnes Delahaie, 1962, released in the United States by Pathe Contemporary, 1965.

BRETT, Jeremy 1933-

PERSONAL: Born Jeremy Huggins, November 3, 1933, in Berkswell Grange, England; son of H.W. (a military colonel) and Elizabeth Edith Cadbury (Butler) Huggins; married Anna Massey (an actress), May, 1958 (divorced); married Joan Wilson (a television producer), 1977 (died July, 1985); children: David (first marriage); two (second marriage). EDUCATION—Trained for the stage at the Central School of Speech and Drama.

Au hasard, Balthazar (also known as Balthazar), Argos Films/Pare Film/Athos/Svenska Filmindustri/Svenska Filminstitutet, 1966, released in the United States by Cinema Ventures, 1970; Mouchette, Pare Film/Argos Films, 1967, released in the United States by Cinema Ventures, 1970; Une Femme douce (also known as A Gentle Creature), Pare Film/Marianne Productions, 1969, released in the United States by New Yorker, 1971; Quatre nuits d un reveur (also known as Four Nights of a Dreamer), Victoria Films/Albina Films/Films del'Orso, 1971, released in the United States by New Yorker, 1972; Lancelot du lac (also known as Le Graal, Lancelot of the Lake, and The Grail), CFDC, 1974, released in the United States by New Yorker, 1975; Le Diable probablement (also known as The Devil, Probably), Gaumont, 1977; L'Argent (also known as Money), AMLF, 1983, released in the United States by Cinecom International, 1984.

VOCATION: Actor and director. CAREER: STAGE DEBUT—With the Library Theatre, Manchester, U.K., 1954. LONDON DEBUT—Patroclus, Troilus and Cressida, Old Vic Theatre, 1956. BROADWAY DEBUT—Duke of Aumerle, Richard II, Winter Garden Theatre, 1956. PRINCIPAL STAGE APPEARANCES—Mercury, Amphytrion 38 and Duke of Aumerle, RichardII, both Library Theatre, Manchester, U.K., 1954; Malcolm, Macbeth, Paris, Romeo and Juliet, and Duke of Aumerle, RichardII, all Old Vic Theatre, London, 1956; Malcolm, Macbeth, Paris, Romeo and Juliet, and Troilus, Troilus and Cressida, all Winter Garden Theatre, New York City, 1956; Roderick, Meet Me by Moonlight, Aldwych Theatre, London, 1957; Ron, Variations on a Theme, Globe Theatre, London, 1958; William MacFly, Mr. Fox of Venice, Piccadilly Theatre, London, 1959; Archie Forsyth, Marigold, Savoy Theatre, London, 1959; Sebastian, TheEdwardians, Saville Theatre, London, 1959.

RELATED CAREER—Assistant to director Rene Clair on the film L'Air pur, 1939. NON-RELATED CAREER—Painter.

Reverend Richard Highfield, Johnny the Priest, Prince's Theatre, London, 1960; title role, Hamlet, Strand Theatre, London, 1961; Peter, The Kitchen, Royal Court Theatre, London, 1961; Dunois, Saint Joan and Maurice Sweetman, The Workhouse Donkey, both Chichester Festival Theatre, Chichester, U.K., 1963; Father Riccardo Fontana, The Deputy, Brooks Atkinson Theatre, New York City, 1964; Gilbert, A Measure of Cruelty, Birmingham Repertory Theatre, Birmingham, U.K., 1965; Beliaev, A Month in the Country, Cambridge Theatre, London, 1965; Ronnie, Any Just Cause, Adeline Genee Theatre, East Grinstead, U.K., 1967; Orlando, As You Like It and Valere, Tartuffe, both National Theatre Company, Old Vic Theatre, 1967; Kent, Edward II and Berowne, Love's Labour's Lost, both National Theatre Company, Old Vic Theatre, 1968; Che Guevara, Macrune's Guevara, National Theatre Company, Old Vic Theatre, then Jeannetta Cochrane Theatre, London, both 1969.

WRITINGS: FILM—See production details above, unless indicated. C'etait un musicien, 1933; Les Jumeaux de Brighton, 1936; Courrier sud, 1937; (with R.P. Bruckberger and Jean Giraudoux) Les Anges du peche, 1943; (with Jean Cocteau) Les Dames du bois de Bologne, 1945; Le Journal d'un cure de campagne, 1951; Un Condamne a mort s'est echappe, 1956; Pickpocket, 1959; Le Proces de Jeanne d'Arc, 1962; Au hasard, Balthazar, 1966; Mouchette, 1967; Une Femme douce, 1969; Quatre nuits d'un reveur, 1971; Lancelot du lac, 1974; Le Diable probablement, 1977; LArgent, 1983. OTHER—Notes sur le cinematographe, 1976, translated by Jonathan Griffen as Notes on Cinematography, Urizen Books, 1977. AWARDS: Grand Prix du Cinema Francais, 1943, for Les Anges du peche; Prix Louis Delluc, 1950, Grand Prix du Film d'Avant Garde, 1950, Grand Prize from the Venice Film Festival, 1951, and Grand Prix du Cinema Francais, 1951, all for Le Journal d'un cure de campagne; Best Director Award from the Cannes Film Festival and Best Film Award from the French Film Academy, both 1957, for Un Condamne a mort s'est echappe; Prix du Meillieur Film de 1'Annee, 1959, for Pickpocket; Special Jury Prize from the Cannes Film Festival, 1962, for Le Proces de Jeanne d'Arc; honorary mentions from the Venice Film Festival and Panama Festival, both 1966, for Au hasard, Balthazar; Prix du Cinema Francais, 1967, and Panama Festival Grand Prize, 1968, both for Mouchette; International Film Critics' Award from the Cannes Film Festival, 1974, for Lancelot du lac; Grand Prix from the Cannes Film Festival, 1983, for L'Argent; officer, French Legion of Honor.

George Tesman, Hedda Gabler, National Theatre Company, Cambridge Theatre, 1970; Bassanio, The Merchant of Venice, National Theatre Company, Old Vic Theatre, 1970; the Son, A Voyage 'round My Father, Haymarket Theatre, London, 1971; Gaston, Traveller Without Luggage, Thorndike Theatre, Leatherhead, U.K., 1972; John Rosmer, Rosmersholm, Greenwich Theatre, London, 1973; Otto, Design for Living, Phoenix Theatre, London, 1973; Mirabell, The Way of the World and Theseus and Oberon, A Midsummer Night's Dream, both Stratford Shakespeare Festival, Stratford, ON, Canada, 1976; Robert Browning, Robert and Elizabeth and title role, Dracula, both Ahmanson Theatre, Los Angeles, 1978; Dr. Watson, The Crucifer of Blood, Center Theatre Group, Ahmanson Theatre, 1980-81; Honorable William Tatham, Aren't We All?, Brooks Atkinson Theatre, New York City, 1985; title role, The Secret of Sherlock Holmes, Wyndham's Theatre, London, 1988. Also appeared as offstage narrator, Song (ballet), Martha Graham Dance Company, 1982.

MEMBER: Societe des Realisateurs de Films (honorary president).

PRINCIPAL STAGE WORK—Director, The Tempest, in Canada, 1982.

ADDRESSES: HOME—49 Quai Bourbon, Paris 4E, France.* 60

BRILL

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MAJOR TOURS—Duke of Aumerle, Richard II, Paris, Romeo and Juliet, Malcolm, Macbeth, andTroilus, TroilusandCressida, U.S. and Canadian cities, all 1957; title role, Dracula, U.S. cities, 1979. PRINCIPAL FILM APPEARANCES—Nicholas Rostov, War and Peace, Paramount, 1956; Malcolm, Macbeth, Prominent, 1963; Mullen, The Very Edge, British Lion/Garrick, 1963; Jordan Barker, The Model Murder Case (also known as Girl in the Headlines}, Cinema V, 1964; Freddy Eynsford-Hill, My Fair Lady, Warner Brothers, 1964; Gilby, Young and Willing (also known as The Wild and the Willing and The Young and the Willing), Universal, 1964; Edward Parrish, The Medusa Touch, Warner Brothers, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Title role, The Adventures of Sherlock Holmes Series I, Granada, then Mystery!, PBS, 1985; title role, The Adventures of Sherlock Holmes Series II, Granada, then Mystery!, PBS, 1986; title role, The Return of Sherlock Holmes, Granada, then Mystery!, PBS, 1987; title role, The Return of Sherlock Holmes II, Granada, then Mystery!, PBS, 1988. Mini-Series: Maxim de Winter, Rebecca, BBC, then Mystery!, PBS, 1980; Edward Ashburnham, The Good Soldier, Granada, then Masterpiece Theatre, PBS, 1983; also Jennie: Lady Randolph Churchill, BBC, then PBS, 1975; Country Matters II, Granada, then Masterpiece Theatre, PBS, 1979. Episodic: Peter Tower, "One Deadly Owner," Thriller, ABC, 1973; also Hart to Hart, ABC. Movies: Dr. Terrence Keith, MadameX, NBC, 1981; Bryan Foxworth, Deceptions, NBC, 1985; William Nightingale, Florence Nightingale, NBC, 1985. Specials: Malcolm, "Macbeth," Hallmark Hall of Fame, NBC, 1960; also host, Piccadilly Circus, PBS. Also appeared in The Last Visitor, BBC-2, 1982; as Danilo, The Merry Widow, BBC; in Katherine Mansfield, BBC; as Jacques, Dinner with the Family; Joseph Surface, The School for Scandal; and as title role, The Picture of Dorian Gray.

FRAN BRILL

City, 1980; Jenny Wilbur, Knuckle, Hudson Guild Theatre, New York City, 1981; Rita, Skirmishes, Manhattan Theatre Club, New York City, 1983; Helen, Baby with the Bathwater, Playwrights Horizons, New York City, 1983; Mary Hutton, Paris Bound, Long Wharf Theatre, New Haven, CT, 1985; Lydia, A Delicate Situation, Young Playwright's Festival, Playwrights Horizons, 1986; Elizabeth, Taking Steps, York Theatre Company, Church of the Heavenly Rest, New York City, 1986; Sybil Swensen, Claptrap, Manhattan Theatre Club, 1987; Betty Armstrong, Hyde in Hollywood, American Place Theatre, New York City, 1989.

ADDRESSES: AGENT—William Morris Agency Ltd., 147 Wardour Street, London W1V 3TB, England.

BRILL, Fran PERSONAL: Full name, Frances Joan Brill; born September 30, in Chester, PA; daughter of Joseph M. (a doctor) and Linette Brill; married Clint Ramsden, July 14, 1979 (divorced, 1983); married Francis Robert Kelly (a writer), June 17, 1988. EDUCATION— Boston University, B.F.A., 1968. RELIGION—Methodist.

Also appeared in The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Washington Theatre Club, Washington, DC, 1970; The Beaux' Stratagem, Center Stage, Baltimore, MD, 1971; You Can't Take It with You, Actors Theatre of Louisville, Louisville, KY, 1972; The House of Mirth, Long Wharf Theatre, 1976; The Merchant of Venice, Meadow Brook Theatre, Rochester, MI, 1977; Chapter Two, Meadow Brook Theatre, 1982; The Cherry Orchard, Long Wharf Theatre, 1982; Marathon of One-Act Plays '82, Ensemble Studio Theatre, New York City, 1982; Real Estate, Arena Stage, Washington, DC, 1983; Tartuffe, Yale Repertory Theatre, New Haven, CT, 1984; Holding Patterns, Musical Theatre Works, New York City, 1984; Festival of Original One-Act Comedies, Manhattan Punch Line, INTAR Theatre, New York City, 1985-86; in Extremities, Japan, 1983; and in productions of A Streetcar Named Desire, Otherwise Engaged, and A Man for All Seasons.

VOCATION: Actress. CAREER: STAGE DEBUT—Theatre Atlanta, 1968. BROADWAY DEBUT—Student leader, Red, White, and Maddox, Cort Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Nancy Twinkle, Little Mary Sunshine, Equity Library Theatre, Master Theatre, New York City, 1970; Maggie Wylie, What Every Woman Knows, Roundabout Theatre, New York City, 1975; Mrs. June, How He Lied to Her Husband and Overruled, both Counterpoint Theatre Company, New York City, 1977; Ersilia, To Clothe the Naked, Roundabout Theatre, 1977; Lorraine, Scribes, Phoenix Theatre Company, Mary mount Manhattan Theatre, New York City, 1977; Fish, Dusa, Fish, Stas, and Vi, Center Theatre Group, Mark Taper Forum, Los Angeles, 1978; Helena Charles, Look Back in Anger, Roundabout Theatre, 1980; Leona, Jacob's Ladder, WPA Theatre, New York

PRINCIPAL FILM APPEARANCES—Sally Hayes, Being There, United Artists, 1979; Mrs. Sloan, Old Enough, Orion Classics, 1984; Dana Mardukas, Midnight Run, Universal, 1988; also ap61

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peared in Reuben, Reuben, Twentieth Century-Fox, 1983; Routed (short film), Izar, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Fran Bachman, How to Survive a Marriage, NBC, 1974-75; also The Jim Henson Hour, NBC, 1989; Sesame Street, PBS. Episodic: Mother, "Seize the Day," American Playhouse, PBS, 1986; Jill, Kate andAllie, CBS, 1986; Joan Cahill, Spenser: For Hire, ABC, 1987; Katherine, A Year in the Life, NBC, 1988; All My Children, ABC, 1987; Nurse, CBS; Family, ABC; Today sF.B.L, ABC; Barnaby Jones, CBS. Movies: Suze Winter, Amber Waves, ABC, 1980; also Lip Service, HBO, 1988. Specials: Kaye, "Oh, Boy! Babies!," NBC Special Treat, NBC, 1983; Sesame Street . . . Twenty and Still Counting, NBC, 1989; also Look Back in Anger, Showtime. RELATED CAREER—Guest artist, Actors Theatre of Louisville, Louisville, KY, 1983-84; guest artist, Arena Stage, Washington, DC, 1984-85; company member, Hartman Theatre Company, Stamford, CT; company member, Parker Playhouse. RECORDINGS: ALBUMS—Red, White, andMaddox (original cast recording), Metromedia Records. AWARDS: Emmy Award, 1974, for Sesame Street; Drama Desk Award nomination, 1975, for What Every Woman Knows; Drama Desk Award nomination, 1981, for Knuckle. ADDRESSES: AGENT—Writers and Artists Agency, 70 W. 36th Street, Suite 501, New York, NY 10018; Writers and Artists Agency, 11726 San Vicente Boulevard, Suite 300, Los Angeles, CA 90049. ARVIN BROWN

BROWN, Arvin

York City, both 1971; Hamlet, The Iceman Cometh, What Price Glory?, The Changing Room, and "A Swan Song" in Troika, all Long Wharf Theatre, 1972; Juno and the Pay cock and The Widowing of Mrs. Holroyd, both Long Wharf Theatre, 1973; Forget-Me-Not Lane, Long Wharf Theatre, then Center Theatre Group, Mark Taper Forum, Los Angeles, both 1973; The Seagull, Long Wharf Theatre, 1974; The National Health, Long Wharf Theatre, then Circle in the Square, New York City, both 1974; Saint Joan, Ahmanson Theatre, Los Angeles, 1974; Juno and the Pay cock, Williamstown Theatre Festival, Williamstown, MA, 1974; Ah, Wilderness!, Long Wharf Theatre, 1974, then Circle in the Square, 1975; Artichoke, Long Wharf Theatre, 1975; The Archbishop's Ceiling, Kennedy Center for the Performing Arts, Washington, DC, 1976-77; Privates on Parade and / Sent a Letter to My Love, both Long Wharf Theatre, 1978; Mary Barnes and Who's Afraid of Virginia Woolf?, both Long Wharf Theatre, 1979; Strangers, John Golden Theatre, 1979; Watch on the Rhine, Long Wharf Theatre, 1979, then John Golden Theatre, 1980.

1940-

PERSONAL: Born in 1940 in Los Angeles, CA; son of Herman S. and Annette R. (Edelman) Brown; married Joyce Ebert (an actress), November 2, 1969. EDUCATION—Stanford University, B.A., 1961; University of Bristol, certificate in drama, 1962; Harvard University, M.A., 1963; postgraduate work, Yale University, 1963-65. VOCATION: Producer and director. CAREER: FIRST STAGE WORK—Director, The Stronger, University of Bristol, Bristol, U.K. FIRST LONDON WORK—Director, The Indian Wants the Bronx, 1967. FIRST BROADWAY WORK— Director, A Whistle in the Dark, Mercury Theatre, 1969. PRINCIPAL STAGE WORK—Director: Long Days Journey into Night, Long Wharf Theatre, New Haven, CT, 1966; Misalliance, The Glass Menagerie, and The Rehearsal, all Long Wharf Theatre, 1967; A Whistle in the Dark, Don Juan in Hell, and The Lion in Winter, all Long Wharf Theatre, 1968; The Indian Wants the Bronx and It's Called Sugar Plum (double-bill), Ghosts, and Tango, all Long Wharf Theatre, 1969.

American Buffalo, Long Wharf Theatre, 1980, then Circle in the Square Downtown, New York City, 1981-82, later Booth Theatre, New York City, 1983-84; A View from the Bridge, Long Wharf Theatre, 1982, then Ambassador Theatre, New York City, 1983; Open Admissions, The Cherry Orchard, and Free and Clear, all Long Wharf Theatre, 1982; Tobacco Road and Albert Herring, both Long Wharf Theatre, 1984; Requiem for a Heavyweight, Long Wharf Theatre, 1984, then Martin Beck Theatre, New York City, \9%5;The Normal Heart, Long Wharf Theatre, 1985; Joe Egg (also known as A Day in the Death of Joe Egg), Roundabout Theatre, New York City, 1984-85, then Longacre Theatre, New York City,

Hay Fever, Helen Hayes Theatre, New York City, 1970; Country People, Spoon River Anthology, and Yegor Bulichov, all Long Wharf Theatre, 1970; Long Day's Journey into Night, Promenade Theatre, New York City, 1971; You Can't Take It with You and The Contractor, both Long Wharf Theatre, 1971; Solitaire/Double Solitaire, Long Wharf Theatre, then John Golden Theatre, New 62

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Steps Theatre, New York City, 1979; (with Lita Starr, Steven Leber, and David Krebs) Wally's Cafe, Brooks Atkinson Theatre, New York City, 1981; (with Allan Carr, Kenneth D. Greenblatt, Marvin A. Krauss, Steward F. Lane, James M. Nederlander, and Holt) La Cage aux Folles, Palace Theatre, New York City, 1983; (with Barry Weissler, Fran Weissler and Kathy Levin) Gypsy, St. James Theatre, New York City, 1989.

1985; All My Sons, Long Wharf Theatre, 1986, then John Golden Theatre, 1987; Self Defense, Long Wharf Theatre, then Joyce Theatre, New York City, both 1987; Our Town, Long Wharf Theatre, 1987; Ah, Wilderness!, Yale Repertory Theatre, New Haven, CT, then Neil Simon Theatre, New York City, both 1988; Established Price, Long Wharf Theatre, 1990. PRINCIPAL TELEVISION WORK—All as director. Specials: "The Widowing of Mrs. Holroyd," Theatre in America, PBS, 1974; "Forget-Me-Not Lane," Theatre in America, PBS, 1975; "Ah, Wilderness!," Theatre in America, PBS, 1976; Close Ties, Entertainment Channel, 1983.

MAJOR TOURS—Producer (with Edgar Lansbury, Fritz Holt, and Joseph Beruh), Gypsy, U.S. and Canadian cities, 1974. RELATED CAREER—Producing director and manager, Berkshire Theatre Festival, Stockbridge, MA, 1976.

RELATED CAREER—Supervisor, Long Wharf Theatre Apprentice Program, New Haven, CT, 1965; director, Long Wharf Theatre Children's Theatre, 1965-67; artistic director, Long Wharf Theatre, 1967—; associate director, Williamstown Theatre Festival, Williamstown, MA, 1969; lecturer on directing, Salzburg Seminar, Salzburg, Austria, 1972; delegate, International Theatre Conference, Bulgaria, Hungary, 1979; guest lecturer, New Play Center, Vancouver, BC, Canada, 1980; guest lecturer, University of Illinois at Urbana, 1980 and 1982; also theatre advisory panel, National Endowment for the Arts.

AWARDS: Drama Desk Award, Best Revival, 1975, for The Royal Family; Antoinette Perry Award, Best Musical, 1984, for La Cage aux Folles. MEMBER: League of New York Theatres and Producers. SIDELIGHTS: Barry M. Brown told CTFT that in 1985 he, along with Fritz Holt, produced the first major AIDS benefit in the United States which raised $1.3 million at the Metropolitan Opera House in New York City.

AWARDS: Fulbright Scholarship, 1962; Vernon Rice Award, Best Off-Broadway Director, 1971, for Long Day's Journey into Night; Variety Poll Award, Best Off-Broadway Director, 1971; Antoinette Perry Award nomination, Best Director of a Play, 1975, for The National Health; Antoinette Perry Award nomination, Best Reproduction, 1983, for A View from the Bridge; Antoinette Perry Award nomination, Best Reproduction, 1984, tor American Buffalo; Antoinette Perry Award, Best Reproduction, 1985, for Joe Egg; Antoinette Perry Award, Best Reproduction, 1987, for All My Sons. HONORARY DEGREES—University of New Haven, University of Bridgeport, and Fairfield University.

ADDRESSES: OFFICE—250 W. 52nd Street, New York, NY 10019.

BRYAN, Robert

1934-

MEMBER: Theatre Communications Group (co-director, 19721976), International Theatre Institute, Society of Stage Directors and Choreographers, Directors Guild.

PERSONAL: Full name, Robert Hedley Bryan; born August 25, 1934, in Derby, England; son of Joseph William and Gladys (Bacon) Bryan; married Ann Daly, March 1, 1963; children: Joanna, Emma. EDUCATION—Hull University, B.Sc., education, 1957.

ADDRESSES: OFFICE—Long Wharf Theatre, 222 Sargent Drive, New Haven, CT06511.*

VOCATION: Lighting designer.

BROWN, Barry M.

CAREER: FIRST STAGE WORK—Lighting designer, Seagulls Over Sorrento, Opera House, Harrogate, U.K., 1960. FIRST LONDON WORK—Lighting designer, Mr. Whatnot, Arts Theatre, 1963. PRINCIPAL STAGE WORK—Lighting designer: Girlfriend, Apollo Theatre, London, 1910; Butley, Criterion Theatre, London, 1971; Forget-Me-Not Lane, Greenwich Theatre, London, 1971; The Little Giant and Liberty Ranch, both Greenwich Theatre, 1972; Once Upon a Time, Duke of York's Theatre, London, 1972; Jumpers, National Theatre Company, Old Vic Theatre, London, 1972; The Three Sisters and The House of Bernarda Alba, both Greenwich Theatre, 1973; The Wolf, Apollo Theatre, then New London Theatre, London, both 1973; Design for Living, Phoenix Theatre, London, 1973; Engaged, National Theatre Company, Old Vic Theatre, 1975; Kidnapped at Christmas, Dolphin Theatre Company, Shaw Theatre, London, 1975; Separate Tables, Apollo Theatre, 1977; Privates on Parade, Royal Shakespare Company (RSC), Aldwych Theatre, London, 1977; It's All Right If I Do, Mermaid Theatre, London, \911; Fire Angel, Her Majesty's Theatre, London, 1977; A Murder Is Announced, Vaudeville Theatre, London, 1977, restaged in 1979; Kismet, Shaftesbury Theatre, London, 1978; Night and Day, Phoenix Theatre, 1978; Bent, Royal Court Theatre, London, 1979; Undiscovered Country, National

1942-

PERSONAL: Born August 28, 1942; son of Irving R. (a music publisher) and Hannah (Streicher) Brown. EDUCATION—University of Michigan, B.A., 1964. VOCATION: Producer. CAREER: PRINCIPAL STAGE WORK—Producer: (With Edgar Lansbury, Fritz Holt, and Joseph Beruh) Gypsy, Winter Garden Theatre, New York City, 1974; (with Holt and S. Spencer Davids) Saturday Sunday Monday, Martin Beck Theatre, New York City, 1974; (with Burry Fredrik, Holt, and Sally Sears) Summer Brave, American National Theatre and Academy Theatre, New York City, 1975; (with Fredrik, Holt, and Sears) The Royal Family, Helen Hayes Theatre, New York City, 1975; (with Gladys Rackmil and Holt) Platinum, Mark Hellinger Theatre, New York City, 1978; (with Rackmil and Holt) The Madwoman of Central Park West, 22

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Theatre Company, Olivier Theatre, London, 1979; Once in a Lifetime, RSC, Aldwych Theatre, 1979.

Otherwise Engaged, Palace Theatre, Watford, U.K., 1978. Also performed in productions at Christ's College, Cambridge University, and with the English Stage Company, London.

Pygmalion, Shaw Theatre, 1980; All's Well That Ends Well, RSC, Royal Shakespeare Theatre, Stratford-on-Avon, U.K., 1981, then Barbican Theatre, London, 1982, later Martin Beck Theatre, New York City, 1983; Henry V and As You Like It, both RSC, Barbican Theatre, 1985; Mrs. Warren's Profession, National Theatre Company, Lyttelton Theatre, London, 1985; Exclusive, Strand Theatre, London, 1989; Falstaff (opera), Welsh National Opera, Brooklyn Academy of Music, Brooklyn, NY, 1989; Someone Like You, Strand Theatre, London, 1990. Also The National Health, National Theatre, London.

MAJOR TOURS—Milo, Sleuth, Canadian cities, 1972. PRINCIPAL FILM APPEARANCES—Paul Preston, The Mummy's Shroud, Twentieth Century-Fox, 1967; Salinas, Deadfall, Twentieth Century-Fox, 1968; Paul Hedley, Taste of Excitement, Crispin, 1969; Squadron Leader David Scott, Mosquito Squadron, United Artists, 1970; voice of Slave Master, The Dark Crystal, Universal, 1982. PRINCIPAL TELEVISION APPEARANCES—Pilots: Captain Horatio Hornblower, Hornblower (broadcast as an episode of Alcoa Premiere), ABC, 1963. Episodic: Harry Banks, "The Scarecrow of Romney Marsh," Walt Disney's Wonderful World of Color, NBC, 1964. Also Mystery and Imaginaton, The Idiot, and 1984.

RELATED CAREER—Lighting designer, Opera House, Harrogate, U.K., 1959-60; lighting designer, Theatre Projects Ltd., London, 1960-65, then 1969-78; principal lighting designer, Glyndebourne Festival Opera, Glyndebourne, U.K., 1972-83; principal lighting designer, Royal Opera, Covent Garden, London, 1983—; also lighting designer for the Royal Ballet, London, the Australian Opera, Sydney, Australia, the Burgtheater, Vienna, Austria, and the English and Welsh National Operas; lighting designer for operas broadcast on Southern Television and the BBC.

RELATED CAREER—Associate artist, Royal Shakespeare Company, Stratford-on-Avon, U.K. WRITINGS: RADIO—Plays: The Resurrectionists and The Image of God.

NON-RELATED CAREER—Biology teacher, Yorkshire, U.K., 1957-60, then Nairobi, Kenya, 1965-69.

AWARDS: British Academy of Film and Television Award nominations for The Idiot and 1984.

MEMBER: Society of British Theatre Lighting Designers, Association of British Theatre Technicians, Society of Television Lighting Directors.

OBITUARIES AND OTHER SOURCES: Variety, February 8-14, 1989.*

SIDELIGHTS: RECREATIONS—Reading, squash, and walking. ADDRESSES: OFFICE—Royal Opera House, Covent Garden, London, England. AGENT—Kenneth Cleveland Management, 34 Roland Gardens, London, England.

BUCK, David

BURGE, Stuart

1918-

PERSONAL: Born January 15, 1918, in Brentwood, England; son of Henry Ormsby (an electrical engineer) and Kathleen Mary (a music teacher; maiden name, Haig) Burge; married Josephine Parker (an actress), December 21, 1949; children: Lucy, Stephen, Nicholas, Matthew, Emma. EDUCATION—Studied acting at the Old Vic School, 1936-37.

1936-1989

PERSONAL: Born October 17, 1936, in London, England; died of cancer, January 17, 1989, in Esher, England; son of Joseph and Enid Marguerite (Webb) Buck; married Madeleine Smith (an actress); children: one daughter. EDUCATION—Attended Cambridge University.

VOCATION: Director, actor, and writer. CAREER: Also see WRITINGS below. STAGE DEBUT—Fourth clown, The Witch of Edmonton, Old Vic Theatre, London, 1936. BROADWAY DEBUT—Bates, Venus Observed, New Century Theatre, 1952. PRINCIPAL STAGE APPEARANCES—Player Queen, Hamlet and boy, Henry V, both Old Vic Theatre, London, 1937; company member, Bristol Old Vic Theatre, Bristol, U.K., and Oxford Playhouse, Oxford, U.K., 1939-46.

VOCATION: Actor and writer. CAREER: LONDON DEBUT—Orator, The Chairs, Royal Court Theatre, 1958. PRINCIPAL STAGE APPEARANCES—Captain Dann, The Tent, Royal Court Theatre, London, 1958; Yoshikyo, Prince Genji, Oxford Playhouse, Oxford, U.K., 1959; Diomedes, Troilus and Cressida, Royal Shakespeare Company (RSC), Stratford-onAvon, U.K., 1960; Rosencrantz, Hamlet, Oliver, As You Like It, Tyrell, Richard III, and Montano, Othello, all RSC, 1961; Yasha, The Cherry Orchard, various roles, The Caucasian Chalk Circle, Richard, Curtmantle, and De Cerisay, The Devils, all RSC, Aldwych Theatre, London, 1961-62; title role, Cyrano de Bergerac, Open Air Theatre, London, 1967; Abe\ard,AbelardandHeloise, Belgrade Theatre, Conventry, U.K., 1972; Captain Plume, The Recruiting Officer, Haymarket Theatre, Leicester, U.K., 1973; Polydor, The Sunset Touch, Theatre Royal, Bristol, U.K., 1977; Simon Hench,

FIRST LONDON WORK—Director (with Basil Coleman), Let's Make an Opera, Lyric Hammersmith Theatre, 1949. PRINCIPAL STAGE WORK—Director: Let's Make an Opera (revival), Lyric Hammersmith Theatre, London, 1950; The Workhouse Donkey, Chichester Festival Theatre, Chichester, U.K., 1963; Henry V, Bristol Old Vic Theatre, Bristol, U.K., then Old Vic Theatre, London, both 1964; Richard II, Stratford Shakespeare Festival, Stratford, ON, Canada, 1964; Othello, Dubrovnik Festival, Dubrovnik, Yugoslavia, 1964; Henry IV, Part One and Henry IV, Part Two, both Stratford Shakespeare Festival, 1965; Serjeant Musgrave's Dance, Theatre De Lys, New York City, 1966; King

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John, Nottingham Playhouse, Nottingham, U.K., 1968; Macbeth, The Demonstration, and The Dandy Lion, all Nottingham Playhouse, 1969; The Ruling Class, Nottingham Playhouse, then Piccadilly Theatre, London, both 1969; The Alchemist, Nottingham Playhouse, then National Theatre, London, both 1969.

1943-

PERSONAL: Born May 24, 1943, in Bristol, CT; married Janet Gale; children: Gena Gayle. EDUCATION—Attended the Music and Dramatic Theatre Academy. VOCATION: Actor.

The Daughter in Law and The Idiot, both Nottingham Playhouse, 1970; A Yard of Sun, Nottingham Playhouse, then National Theatre, both 1970; Lulu, Nottingham Playhouse, then Royal Court Theatre, London, later Apollo Theatre, London, all 1970-71; The Rivals and A Close Shave, both Nottingham Playhouse, 1971; The Tempest and A Doll's House, both Nottingham Playhouse, 1972; The White Raven and The Devil Is an Ass, both Nottingham Playhouse, 1973; Measure for Measure, Edinburgh Festival, Edinburgh, Scotland, 1976; The Devil Is an Ass, Edinburgh Festival, 1976, then National Theatre, 1977; Fair Slaughter, Royal Court Theatre, 1977; Eclipse, Royal Court Theatre, 1978; The London Cuckolds, Royal Court Theatre, 1979; Curtains, Hampstead Theatre Club, then Whitehall Theatre, both London, 1988; The Black Prince, Aldwych Theatre, London, 1989. Also directed The Dock Brief and What Shall We Tell Caroline? (double-bill) and Hook, Line, andSinker, all \958',Curtmantle, 1962; Public and Confidential, 1966; The Judge and The Two Gentlemen of Verona, both 1967; Another Country, Queen's Theatre, London.

CAREER: OFF-BROADWAY DEBUT—Title role, You're a Good Man, Charlie Brown, Theatre 80 St. Mark's, 1967. PRINCIPAL STAGE APPEARANCES—WillumCubbert, The Nerd, Helen Hayes Theatre, New York City, 1987; also appeared in summer theatre productions. PRINCIPAL FILM APPEARANCES—Radar O'Reilly, M*A*S*#, Twentieth Century-Fox, 1970; Ted, B.S., I Love You, Motion Pictures International, 1971. TELEVISION DEBUT—CBS Television Workshop, CBS. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Don KnottsShow, NBC, 1970-71; Corporal Walter "Radar" O'Reilly, M*A*S*#, CBS, 1972-79. Pilots: Bill Taylor, Casino, ABC, 1980; Walter O'Reilly, W*A*L*7*£*fl, CBS, 1984. Episodic: The GoodGuys, CBS, 1969; The Name ofthe Game, NBC, 1970; Love, American Style, ABC, \913',Fernwood2-Night, syndicated, 1977; WonderWoman, CBS, 1918;Sweepstakes, NBC, 1979; alsoDonny and Marie, ABC; The Love Boat, ABC; Fantasy Island, ABC. Movies: Bob Willis, The Man in the Santa Claus Suit, NBC, 1979. Specials: Clergyman, Twigs, CBS, 1975; also Battle of the Network Stars, ABC, 1976; Us Against the World II, ABC, 1978.

MAJOR TOURS—Director, Henry V, international cities, 1964; also stage manager for Old Vic Company tours of European cities, 1939 and 1947; director with a touring repertory company, 1948. PRINCIPAL FILM APPEARANCES—Paolo, Malta Story, United Artists, 1954; Head, Little Dorrit, Cannon, 1988.

RELATED CAREER—Performer in nightclubs throughout the United States.

FIRST FILM WORK—Director, There Was a Crooked Man, Lopert/ United Artists, 1962. PRINCIPAL FILM WORK—Director: Othello, Warner Brothers, 1965; The Mikado, Warner Brothers, 1967; Julius Caesar, American International, 1970; Uncle Vanya, Arthur Cantor, 1977.

AWARDS: Emmy Award, Outstanding Continuing Performance By a Supporting Actor in a Comedy, 1977, for M*A*S*#. ADDRESSES: OFFICE-^c/o Robert Crystal, 146 S. Spaulding Drive, Beverly Hills, CA 90212.*

PRINCIPAL TELEVISION WORK—All as director. Movies: The Rainbow, BBC, then Arts and Entertainment, 1989; also The Old Men at the Zoo, Breaking Up, Naming the Names, Chinese Whispers, and Circles of Deceit, all BBC. Also directed The Power and the Glory, The Devil and John Brown, Under Western Eyes, Luther, School for Scandal, Bill Brand, and Sons and Lovers.

BURKE, Chris

RELATED CAREER—Artistic director, Nottingham Playhouse, Nottingham, U.K., 1968-73; visiting professor, University of California, Davis, 1984; artistic director, Queen's Theatre, Hornchurch, U.K.; artistic director, Royal Court Theatre, London.

PERSONAL: Born August 26, 1965, in New York, NY; son of Francis D. (a police officer) and Marian H. (a trade show manager; maiden name, Brady). EDUCATION—Attended the Kennedy Child Study Center, the Cardinal Gushing School, and the Don Cuanella School (all special education schools).

NON-RELATED CAREER—Civil engineer.

VOCATION: Actor.

WRITINGS: TELEVISION—Under Western Eyes, Luther, School for Scandal, Bill Brand, and Sons and Lovers.

CAREER: PRINCIPAL TELEVISION APPEARANCES-^Series: Corky Thatcher, Life Goes On, ABC, 1989—. Pilots: Louis, Desperate, ABC, 1987.

AWARDS: Commander of the British Empire, 1974; also Desmond Davis Award from the British Academy of Film and Television Arts, 1988, for Outstanding Creative Contribution to Television.

NON-RELATED CAREER—Teacher's aide to multi-handicapped children, New York City Board of Education; volunteer at a camp for the handicapped in New York.

ADDRESSES: AGENT—Harriet Cruickshank, 97 Old S. Lambeth Road, London SW8 1XV, England.

MEMBER: Screen Actors Guild, Association for Help of Retarded Citizens, Young Adult Institute. 65

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Norma Hubley, "Visitor from Forest Hills" in Plaza Suite, Huntington Hartford Theatre, Los Angeles, 1970; Agnes, / Do! I Do!, Huntington Hartford Theatre, 1973; Doris, Same Time, Next Year, Huntington Hartford Theatre, 1977, then Burt Reynolds' Jupiter Dinner Theatre, Jupiter, FL, 1980. FILM DEBUT—Stella Irving, Who's Been Sleeping in My Bed?, Paramount, 1963. PRINCIPAL FILM APPEARANCES—Tillie Schlaine, Pete 'n' Tillie, Universal, 1972; Mollie Malloy, The Front Page, Universal, 1974; Tulip Brenner, A Wedding, Twentieth CenturyFox, 1978; Emily, Chu Chu and the Philly Flash, Twentieth Century-Fox, 1981; Kate Burroughs, The Four Seasons, Universal, 1981; Miss Hannigan,Anm>, Columbia, 1982; also appeared in Health, Twentieth Century-Fox, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Celia, Stanley, NBC, 1956-57; regular, Pantomine Quiz, ABC, 1958-59; regular, The Garry Moore Show, CBS, 1959-62; co-star, The Entertainers, CBS, 1964-65; host, The Carol Burnett Show, CBS, 1967-78; host, Carol Burnett and Company, ABC, 1979; host, Carol and Company, NBC, 1990. Mini-Series: Charlotte Kensington, Fresno, CBS, 1986. Episodic: Agnes Grep, "Cavender Is Coming," The Twilight Zone, CBS, 1962; Verla Grubb, All My Children, ABC, 1976; Eunice Higgins, Mama's Family, NBC, 1983-84; narrator, "Happily Ever After" (animated), WonderWorks, PBS, 1985; Susan Johnson, Magnum, P.I., CBS, 1988; also The Paul Winchell-Jerry Mahoney Show, NBC, 1955; The Lucy Show (five episodes), CBS, \966-61 ;GomerPyle, U.S.M.C., CBS, 1967; Get Smart, NBC, 1967; Here's Lucy, CBS, 1969, 1970, and 1971; The

CHRIS BURKE

SIDELIGHTS: Chris Burke, like his character on Life Goes On, suffers from Down's Syndrome, a birth defect that is a cause of mental retardation. He calls his acting career "a milestone for me and others with a handicap since I have Down's Syndrome. I have always been interested in acting and love what I am doing." ADDRESSES: AGENT—Cynthia Katz, Abrams Artists and Associates, 420 Madison Avenue, New York, NY 10017.

BURNETT, Carol

1933-

PERSONAL: Born April 26, 1933, in San Antonio, TX; daughter of Jody (a movie theatre manager) and Louise (Creighton) Burnett; married Don Saroyan (an actor; divorced); married Joe Hamilton (a television producer), 1963 (divorced); children: Erin Kate, Jody Ann, Carrie Louise. EDUCATION—Attended the University of California, Los Angeles. VOCATION: Actress and comedienne. CAREER: OFF-BROADWAY DEBUT—Princess Winifred Woebegone, Once Upon a Mattress, Phoenix Theatre, 1959. BROADWAY DEBUT—Princess Winifred Woebegone, Once Upon a Mattress, Alvin Theatre, 1960. PRINCIPAL STAGE APPEARANCES—Hope Springfield and Lila Tremaine, Fade Out—Fade In, Mark Hellinger Theatre, New York City, 1964; Karen Nash, "Visitor from

CAROL BURNETT

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BURNETT

Award," University of California, Los Angeles, Theatre Arts School.

Dick Cavett Show, ABC, 1986; The DuPont Show of the Week, NBC; The U.S. Steel Hour, CBS; The Ed Sullivan Show, CBS; The Jack Paar Show, NBC; The Jack Benny Show, CBS; The Tim Conway Show, CBS; The Muppet Show, syndicated. Movies: Dorothy Benson, The Grass Is Always Greener Over the Septic Tank, CBS, 1978; Peg Mullen, Friendly Fire, ABC, 1979; Dori Gray, The Tenth Month, CBS, 1979; Beatrice O'Reilly, Life of the Party: The Story of Beatrice, CBS, 1982; Mary Catherine Castelli, Between Friends, HBO, 1983; Martha Madden, Hostage, CBS, 1988.

NON-RELATED CAREER—Restaurant hat check girl. WRITINGS: One More Time (autobiography), Random House, 1986. AWARDS: American Guild of Variety Artists Award, Outstanding Comedienne, and Theatre World Award, both 1960, for Once Upon a Mattress; TV Guide Awards, Outstanding Female Performer, 1961, 1962, and 1963, all for The Garry Moore Show; Emmy Award, Outstanding Performance in a Variety or Musical Program or Series, 1962, for The Garry Moore Show; Emmy Award, Outstanding Performance in a Variety or Musical Program or Series, 1963, for Julie and Carol at Carnegie Hall; Emmy Award nominations, 1968-71 and 1973-77, for The Carol Burnett Show; Emmy Award nomination, 1973, for Julie and Carol at Lincoln Center; Emmy Award nomination, 1974, for 6 Rms Riv Vu; People's Choice Awards, Best Variety Show, for The Carol Burnett Show, and Favorite All-Around Female Entertainer, both 1975; People's Choice Awards, Favorite Female Television Performer and (co-winner) Favorite All-Around Female Entertainer, both 1976; voted Favorite All-Around Female Entertainer by the public in A.C. Nelson Company polls, (co-winner) 1976, 1977, 1978, and 1979; People's Choice Award, Best Musical Variety Show, 1977, for The Carol Burnett Show; Emmy Award nomination, Christopher Award, and Bronze Rose Award from the Montreaux Television Contest, 1977, for Sills andBurnett at the Met; People's Choice Awards, Favorite All-Around Female Entertainer, 1977, 1978, and 1979; National Critics' Circle Award, Outstanding Performance, 1977-78; Best Actress Award from the San Sebastian Film Festival, 1978, for A Wedding; Emmy Award nomination, 1979, for The Tenth Month; Emmy Award nomination, 1979, for Friendly Fire.

Specials: The General Motors 50th Anniversary Show, NBC, 1957; American Cowboy, CBS, 1960; Julie and Carol at Carnegie Hall, CBS, 1962; title role, Calamity Jane, CBS, 1963; Princess Winifred Woebegone, Once Upon a Mattress, CBS, 1964; Carol and Company, CBS, 1966; Carol + 2, CBS, 1967; The Perry Como Christmas Show, NBC, 1968; Girl Friends and Nabors, CBS, 1968; Carol Channing Proudly Presents the Seven Deadly Sins, ABC, 1969; Bing Crosby and Carol Burnett—Together Again for the First Time, NBC, 1969; A Last Laugh at the '60s, ABC, 1970; Rowan and Martin Bite the Hand That Feeds Them, NBC, 1970; The Tim Conway Special, CBS, 191Q\Li'lAbner, NBC, \91\\Julie and Carol at Lincoln Center, CBS, 1971; Super Comedy Bowl, CBS, 1971; Bing Crosby and His Friends, NBC, 1972; Burt Bacharach: Close to You, ABC, 1972; Princess Winifred Woebegone, Once Upon a Mattress, CBS, 1972; Keep U.S. Beautiful, NBC, 1973; Burt and the Girls, NBC, 1973; Shirley MacLaine: If They Could See Me Now, CBS, 1974; Anne Miller, 6 Rms Riv Vu, CBS, 1974; Emily, Celia, Dorothy, and Mother, Twigs, CBS, 1975; Sills and Burnett at the Met, CBS, 1976; CBS: On the Air, CBS, 1978; Steve andEydie Celebrate Irving Berlin, NBC, 1978; A Special Evening with Carol Burnett, CBS, 1978; Dolly and Carol in Nashville, CBS, 1978; The Sensational, Shocking, Wonderful, Wacky 70s, NBC, 1980; The Bert Convy Special—There's a Meeting Here Tonight, syndicated, 1981; Cheryl Ladd: Scenes from a Special, ABC, 1982; Eunice Higgins, Eunice, CBS, 1982; Texaco Star Theater: Opening Night, NBC, 1982; Hollywood: The Gift of Laughter, 1982; Burnett "Discovers" Domingo, CBS, 1984; The Night of 100 Stars II, ABC, 1985; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1985; Here's Television Entertainment, syndicated, 1985; Alberta Johnson, The Laundromat, HBO, 1985; The American Film Institute Salute to Billy Wilder, NBC, 1986; Neil Diamond . . . Hello Again, CBS, 1986; "Follies in Concert," Great Performances, PBS, 1986; A Carol Burnett Special: Carol, Carl, Whoopi, and Robin, ABC, 1987; Superstars and Their Moms, ABC, 1987; James Stewart: A Wonderful Life, PBS, 1987; Karen Nash, "Visitor from Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Norma Hubley, "Visitor from Forest Hills" in Plaza Suite, ABC, 1987; Happy Birthday Hollywood, ABC, 1987; Great Moments in Disney Animation, ABC, 1987; Secrets Women Never Share, NBC, 1987; A Star-Spangled Celebration, ABC, 1987; Super Dave, Showtime, 1987; This Is Your Life, NBC, 1987; A Conversation with Carol, Disney Channel, 1988; America's All-Star Tribute to Elizabeth Taylor, ABC, 1989; Julie and Carol .'Together Again!, ABC, 1989; The American Comedy Awards, Fox, 1989.

Women Film Crystal Award, 1980; People's Choice Awards, Favorite Female Television Performer, 1981 and 1982; American Guild of Variety Artists Award, Favorite Television Performer, 1981; Jack Benny Humanitarian Award from the March of Dimes, 1981; Humanitarian of the Year Award from Variety Clubs International, 1983; named one of the world's ten most admired women by Good Housekeeping magazine, 1983; Gold Medal Award from the International Radio and Television Society, 1984; Annual Cable Excellence Award, Best Actress in a Dramatic or Theatrical Program, 1984, for Between Friends; inducted into the Academy of Television Arts and Sciences Hall of Fame, 1985; Horatio Alger Distinguished Americans Award from the Horatio Alger Association, 1988; Woman of the Year Award from the Los Angeles Times; Woman of the Year Award from the Academy of Television Arts and Sciences; six Golden Globes; five Gold Medals from Photoplay magazine as Most Popular Television Star; four Entertainer of the Year Awards from the American Guild of Variety Artists, Best Female Comedienne; named Most Popular Television Star by the Newspaper Enterprise Association; Variety Club Award, Top Female Star; New York Friars Award, Entertainer of the Year; named one of the world's 20 most admired women in a Gallup Poll. HONORARY DEGREES—Emerson College, Doctor of Humane Letters, 1980.

PRINCIPAL TELEVISION WORK—Specials: Executive producer, Plaza Suite, ABC, 1987; executive producer, A Conversation with Carol, Disney Channel, 1988.

ADDRESSES: AGENT—Bill Robinson, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. PUBLICIST—Rick Ingersoll Public Relations, 1659 Michael Lane, Pacific Palisades, CA 90272.

RELATED CAREER—President, Kalola Productions Inc.; Franklin D. Murphy Associate and board member, Emerson College, Boston, MA; established the "Carol Burnett Musical Competition

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BUSFIELD, Timothy

Two, and Lord Hastings, Richard III, all New York Shakespeare Festival, Delacorte Theater, New York City, 1970; Raniero, The Burnt Flowerbed, Roundabout Theatre, New York City, 1974; Schaaf, A Month in the Country, Center Theatre Group, Mark Taper Forum, Los Angeles, 1983. Also appeared in Candida and Arrah-Na-Pouge, both McCarter Theatre, Princeton, NJ, 196566; The Soldier's Tale and The Knight of the Burning Pestle (double-bill), Long Wharf Theatre, New Haven, CT, 1974.

PERSONAL: Born June 12, in Lansing, MI; married Radha Delamarter (an actress and director; divorced); married Jennifer Merwin (a fashion designer); children: Willy (first marriage); Daisy (second marriage). EDUCATION—Attended East Tennessee State University; trained for the stage at the Actors Theatre of Louisville. VOCATION: Actor.

PRINCIPAL FILM APPEARANCES—Easy Money, Pipe Dreams, AVCO-Embassy, 1976; pet store owner, Rollercoaster, Universal, 1977; conductor, The Turning Point, Twentieth Century-Fox, 1977; dirty movie cameraman, Corvette Summer (also known as The Hot One), United Artists, 1978; Roy, Sunny side, American International, 1979; first man, Battlestar Galactica, Universal, 1979; Paul Obermann, The Formula, Metro-Goldwyn-Mayer, 1980; doorman, Some Kind of Hero, Paramount, 1982; desk clerk, The Man with Two Brains, Warner Brothers, 1983; minister, All of Me, Universal, 1984; boss, School Spirit, Concorde/Cinema Group, 1985; Quentin, Best Seller, Orion, 1987; Deke, Big Top Pee-Wee, Paramount, 1988.

CAREER: PRINCIPAL STAGE APPEARANCES—Hotspur, Richard II, Circle Repertory Company, Entermedia Theatre, New York City, 1982; Eugene and Stanley (understudy), Brighton Beach Memoirs, Alvin Theatre, New York City, 1983; also appeared in A Life, Long Wharf Theatre, New Haven, CT, 1981. PRINCIPAL FILM APPEARANCES—Soldier with mortar, Stripes, Columbia, 1981; Arnold Poindexter, Revenge of the Nerds, Twentieth Century-Fox, 1984; Arnold Poindexter, Revenge of the Nerds II: Nerds in Paradise, Twentieth Century-Fox, 1987; Mark, Field of Dreams, Universal, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Mark Potter, Reggie, ABC, 1983; Dr. John "J.T." Mclntyre, Jr., Trapper John, M.D., CBS, 1984-86; Elliot Weston, thirty something, ABC, 1989—. Episodic: AfterM*A*S*H, CBS; also The Paper Chase. Specials: Host, Don't Divorce the Children, Lifetime, 1990.

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Lester, Highcliffe Manor, NBC, 1979; Vincent Tully, Mary, CBS, 198586. Pilots: Bixby, Lacy and the Mississippi Queen, NBC, 1978. Episodic: Eines, Amazing Stories, NBC, 1986; Judge Shindler, Hooperman, ABC, 1987; Eugene, Murphy'sLaw, ABC, 1989; also All in the Family, CBS, 1979. Movies: Surgeon, Deadman's Curve, CBS, 1978; Dr. Samuels, Transplant, CBS, 1979; headwaiter, Your Place or Mine?, CBS, 1983; Leonard Mann, Rita Hay worth: The Love Goddess, CBS, 1983; motel manager, Missing Pieces, CBS, 1983; principal, My Mother's Secret Life, ABC, 1984; Elon, Samson and Delilah, ABC, 1984; Larry, When the Bough Breaks, NBC, 1986. Specials: Man, "If I'm Lost, How Come I Found You?" ABC Weekend Specials, ABC, 1978; guard, "Tales from the Hollywood Hills: The Closed Set," Great Performances, PBS, 1988.

RELATED CAREER—Company member, Actors Theatre of Louisville, Louisville, KY, 1980-81; also founder, director, and writer, Fantasy Theatre, Sacramento, CA. ADDRESSES: AGENT—Ro Diamond, Century Artists Ltd., 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.*

BYRD, David

RELATED CAREER—Company member, Actors Theatre of Louisville, Louisville, KY, 1972-73.

VOCATION: Actor.

ADDRESSES: AGENT—Arthur Toretsky, ATM Associates, 870 N. Vine Street, Suite G, Los Angeles, CA 90038.*

CAREER: PRINCIPAL STAGE APPEARANCES—Duke of Bedford, Henry VI, Part One, Lord Say and Lord Hastings, Henry VI, Part

68

c CALDWELL, L. Scott

VOCATION: Actor, director, and writer.

VOCATION: Actress.

CAREER: Also see WRITINGS below. STAGE DEBUT—The Thrie Estates, Assembly Hall Theatre, Edinburgh, Scotland, 1973. LONDON DEBUT—Crown Prince Maximilian, Schippel, Open Space Theatre, 1974. PRINCIPAL STAGE APPEARANCES—Crown Prince Maximilian, Schippel, Traverse Theatre, Edinburgh, Scotland, 1974; Redpenny, The Doctor s Dilemma, Mermaid Theatre, London, 1975; Crown Prince Maximilian, Plumber's Progress (previously known as Schippel), Prince of Wales Theatre, London, 1975; Pieter de Groot, Soul of the White Ant, Oliver, Jack, Putter, and Rider, Blood Sports, and in Juvenalia (one-man show), all Bush Theatre, London, 1976; Kutchevski, Devil's Island, Joint Stock Company, Royal Court Theatre, London, 1977; Sayers, A Mad World, My Masters, Joint Stock Company, Young Vic Theatre, London, 1977; Sandy, Epsom Downs, Joint Stock Company, Round House Theatre, London, 1977; title role, Titus Andronicus, Bristol Old Vic Theatre, Bristol, U.K., 1978; Boyd, Flying Blind, Royal Court Theatre, 1978; title role, The Resistible Rise of Arturo Ui and Ure, the old reaper, and a drunk, The Machine Wreckers, both Half Moon Theatre, London, 1978; Eddie, Mary Barnes, Birmingham Repertory Studio, Birmingham, U.K., 1978, then Royal Court Theatre, 1979; Orlando, As You Like It and Mozart, Amadeus, both National Theatre Company, Olivier Theatre, London, 1979; Stafford, Sisterly Feelings, National Theatre Company, Olivier Theatre, 1980; Guy Burgess, "An Englishman Abroad" in Single Spies, National Theatre Company, Queen's Theatre, London, 1989. Also appeared in repertory at Lincoln, U.K., 1973-74; in Mrs. GrabowskV s Academy, Theatre Upstairs, London, 1975; The Beastly Beatitudes of Balthazar B., Bristol Old Vic Theatre, then Duke of York's Theatre, London, 1981; Restoration, Royal Court Theatre, 1981; Kiss of the Spider Woman, Bush Theatre, 1985; and in productions of The Relapse and Faust.

CAREER: PRINCIPAL STAGE APPEARANCES—Gail, The Daughters of the Mock, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1978; Afrodite, A Season to Unravel and Ruth, Old Phantoms, both Negro Ensemble Company, St. Mark's Playhouse, 1979; woman one and Pattie Mae Wells, Home, Negro Ensemble Company, St. Mark's Playhouse, 1979, then Cort Theatre, New York City, 1980; Bertha Holly, Joe Turner's Come and Gone, Yale Repertory Theatre, New Haven, CT, 1985, then Huntington Theatre Company, Boston, MA, 1986; Mrs. Baker, A Month of Sundays, Ritz Theatre, New York City, 1987; Bertha Holly, Joe Turner s Come and Gone, Ethel Barrymore Theatre, New York City, 1988. Also appeared in "Everyman" and "The Imprisonment" in Plays from Africa, Negro Ensemble Company, St. Mark's Playhouse, 1979; Colored People's Time, Negro Ensemble Company, Cherry Lane Theatre, New York City, 1982; A Raisin in the Sun, Studio Arena Theatre, Buffalo, NY, \982;About Heaven and Earth, Negro Ensemble Company, Theatre Four, New York City, 1983. PRINCIPAL FILM APPEARANCES—Janet Smith, Without a Trace, Twentieth Century-Fox, 1983; patron, Exterminator 2, Cannon, 1984. PRINCIPAL TELEVISION APPEARANCES—Episodic: Elizabeth Connolly, The Cosby Show, NBC, 1988; Mrs. Hines, TV 101, CBS, 1989; Selma, Tour of Duty, CBS, 1989; Gloria Tessel, Hunter, NBC, 1989; alsoL.A. Law, NBC, 1989. Movies: Althea, God Bless the Child, ABC, 1988. RELATED CAREER—Company member, Milwaukee Repertory Theatre, Milwaukee, WI, 1981-82. AWARDS: Antoinette Perry Award, Best Featured Actress in a Play, 1988, for Joe Turner's Come and Gone.

PRINCIPAL STAGE WORK—Director: The Passport, Offstage Downstairs Theatre, London, 1985; Jacques and His Master, Los Angeles Theatre Center, Los Angeles, 1987; Shirley Valentine, Vaudeville Theatre, London, 1988, then Booth Theatre, New York City, 1989; (with Alan Bennett) "An Englishman Abroad" in Single Spies, National Theatre Company, Queen's Theatre, London, 1989.

ADDRESSES: AGENT—Bauman Hiller and Associates, 250 W. 57th Street, New York, NY 10107.*

PRINCIPAL FILM APPEARANCES—Emanuel Schikaneder, Amadeus, Orion, 1984; Handel, Honor, Profit, and Pleasure, Spectre Productions, 1985; Mark Varner, The Good Father, Skouras, 1986; Reverend Arthur Beebe, A Room with a View, Cinecom, 1986; Mr. Ducie, Maurice, Cinecom, 1987; Police Chief Hunt, Manifesto (also known as For a Night of Love and Pour une nuit d'amour), Cannon, 1988. Also appeared in Gossip, Boyd's Company, 1983.

CALLOW, Simon 1949PERSONAL: Born June 15, 1949, in London, England; son of Neil Francis and Yvonne Mary (Guise) Callow. EDUCATION—Attended Queen's University (Belfast, Ireland); trained for the stage at the London Drama Centre. 69

CAMPBELL CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM WORK—Director, Charles Laughton: A Difficult Actor (documentary), 1988.

Fox, 1981; Sheila Me Vicar, McVicar, Crown International, 1982; Lady Alice Clayton, Greystoke: The Legend ofTarzan, Lord of the Apes, Warner Brothers, 1984; Lady Aline Hartlip, The Shooting Party, European Classic, 1984.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Mr. Micawber, "David Copperfield," Masterpiece Theatre, PBS, 1988; also Chance of a Lifetime. Episodic: Dr. Theodore Kemp, "The Wolvercote Tongue," Inspector Morse, Granada, then Mystery!, PBS, 1988. Also appeared in Man of Destiny, La Ronde, All the World's a Stage, Wings of Song, The Dybbuk, and Instant Enlightenment.

TELEVISION DEBUT—Z Cars, BBC. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Sarah Bernhardt, Lillie, BBC, 1978, then Masterpiece Theatre, PBS, 1979; Eileen, Pennies from Heaven, BBC, 1978, then PBS, 1979; Vera Brittain, Testament of Youth, BBC, 1979, then Masterpiece Theatre, PBS, 1980; Madeleine Cranmere, Malice Aforethought, BBC, 1979, then Mystery!', PBS, 1984; Griselda Clement, "The Murder at the Vicarage," Agatha Christie's Miss Marple, BBC, then Mystery!, PBS, 1989. Specials: Lady Eileen Brent, The Seven Dials Mystery, syndicated, 1981; Absurd Person Singular, BBC, then Arts and Entertainment, 1985. Also appeared in Emma, 1974; as Janet, Rain on the Roof, 1979; Lady Wellington, The Duke of Wellington, 1979; The Farm, 1982; Emma, Affairs of the Heart; Queen Victoria's daughter, Edward the King.

NON-RELATED CAREER—Box office attendant at a London theatre. WRITINGS: STAGE—(Translator) Jacques and His Master, Los Angeles Theatre Center, Los Angeles, 1987. OTHER—Being an Actor (nonfiction), St. Martin's, 1986; Charles Laughton: A Difficult Actor (biography), Methuen, 1987, Grove, 1988; Acting in Restoration Comedy, Applause Theatre Books, 1989. AWARDS: Drama Desk Award nomination, Best Director, 1989, for Shirley Valentine.

AWARDS: British Academy of Film and Television Arts Award, Best Television Actress, 1979, for Testament of Youth, The Duke of Wellington, and Malice Aforethought; British Broadcasting Press Guild Award, Best Actress, for Testament of Youth.

SIDELIGHTS: Regarding his careers as actor, author, and director, Simon Callow told Vogue magazine (May, 1989), "Of all my occupations, acting is the healthiest and offers the most release; writing is the most difficult but offers the greatest possibility of actually getting it right; and directing is probably what I do best but least enjoy."

ADDRESSES: OFFICE—5 Milner Place, London Nl 1TN, England. AGENT—Michael Whitehall Ltd., 125 Gloucester Road, London SW7, England.*

ADDRESSES: AGENT—Marion Rosenberg, The Lantz Office, 9255 Sunset Boulevard, Suite 505, Los Angeles, CA 90069. MANAGER—Marina Martin, 7 Windmill Street, London Wl, England.*

CAREY, Harry, Jr.

CAMPBELL, Cheryl

1921-

PERSONAL: Born May 16, 1921, in Saugus, CA; son of Harry (an actor) and Oliver (Fuller) Carey; married Marilyn Frances Fix, August 12, 1944; children: Steven, Melinda, Thomas, Gary, Patricia. MILITARY—U.S. Navy, 1941-46.

1951-

PERSONAL: Born in 1951 in Welwyn Garden City, England. EDUCATION—Graduated from the London Academy of Dramatic Art, 1972.

VOCATION: Actor. CAREER: FILM DEBUT—Prentice McComber, Pursued, Warner Brothers, 1947. PRINCIPAL FILM APPEARANCES—Dan Latimer, Red River, United Artists, 1948; Jimmy Biff, Moonrise, Republic, 1948; William Kearney ("The Abilene Kid"), The Three Godfathers, Metro-Goldwyn-Mayer (MGM), 1948; Lieutenant Ross Pennell, She Wore a Yellow Ribbon, RKO, 1949; Lieutenant Ord, Copper Canyon, Paramount, 1950; Trooper Daniel "Sandy" Boone, Rio Grande, Republic, 1950; Sandy Owens, Wagonmaster, RKO, 1950; Captain Gregson, Warpath, Paramount, 1951; reporter, Monkey Business, Twentieth Century-Fox, 1952; Sergeant Shaker Schuker, The WildBlue Yonder (also known as Thunder Across the Pacific), Republic, 1952; Griff, Beneath the Twelve Mile Reef, Twentieth Century-Fox, 1953; Winslow, Gentlemen Prefer Blondes, Twentieth Century-Fox, 1953; Hunt, Island in the Sky, Warner Brothers, 1953; taxi driver, Niagara, Twentieth Century-Fox, 1953; Dobe, SanAntone, Republic, 1953; Jim Riley, Sweethearts on Parade, Republic, 1953; Bert, The Outcast, Republic, 1954; Johnson, Silver Lode, RKO, 1954; John, House of Bamboo, Twentieth Century-Fox, 1955; Dwight Eisenhower, The Long Gray Line, Columbia, 1955; Stefanowski, Mister Roberts, Warner Brothers, 1955; William Bensinger, The Great Locomotive Chase

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Jane Larr, In the Jungle of the Cities, Place Theatre, London, 1973; Frida Foldal, John Gabriel Borkman and Maggie MacFarlane, Engaged, both National Theatre Company, Old Vic Theatre, London, 1975; Lady Wilhelmina Belturbet, The Amazons, Actors' Company, Wimbledon Theatre, London, 1977; Jan, Bedroom Farce, National Theatre Company, Prince of Wales Theatre, London, 1978; Gloria, You Never Can Tell, Lyric Hammersmith Theatre, London, 1979; Diana, All's Well That Ends Well, Royal Shakespeare Company (RSC), Stratford-on-Avon, U.K., 1981, then Barbican Theatre, London, 1982; Nora, A Doll's House, RSC, Pit Theatre, Stratfordon-Avon, then Barbican Theatre, 1982. Also appeared with the Birmingham Repertory Company, Birmingham, U.K., at the Citizens' Theatre, Glasgow, Scotland, and at the Theatre Royal, Windsor, U.K. PRINCIPAL FILM APPEARANCES—Sister Monica, Hawk the Slayer, ITC, 1980; Jennie Liddell, Chariots of Fire, Twentieth Century70

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 CAREY, MacDonald

(also known as Andrews' Raiders), Buena Vista, 1956; Brad Jorgensen, The Searchers, .Warner Brothers, 1956; Corporal Morrison, Seventh Cavalry, Columbia, 1956; Deputy Lee, Gun the Man Down (also known as Arizona Mission), United Artists, 1957; Roundtree, Kiss Them for Me, Twentieth Century-Fox, 1957; Chet, The River's Edge, Twentieth Century-Fox, 1957;Trueblood, From Hell to Texas (also known as Manhunt), Twentieth CenturyFox, 1958; Travis, Escort West, United Artists, 1959; Harold, Rio Bravo, Warner Brothers, 1959.

1913-

PERSONAL: Born March 15, 1913, in Sioux City, IA; son of Charles S. (a judge) and Elizabeth (Macdonald) Carey; married Christina Green; children: William, Robert, Anne, Susan, Elizabeth. EDUCATION—Attended the University of Wisconsin, 193132; University of Iowa, B.A, 1935, M. A., drama, 1936. MILITARY—U.S. Marine Corps Reserves, first lieutenant, 1942-45. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Charley Johnson, Lady in the Dark, Alvin Theatre, New York City, 1941; also appeared in Anniversary Waltz, Broadhurst Theatre, New York City, 1954; and in summer theatre productions.

Dr. Joseph Mornay, The Great Imposter, Universal, 1960; Jim Ferguson, Noose for a Gunman, United Artists, 1960; Ortho Clegg, Two Rode Together, Columbia, 1961; Bill Martin, A Public Affair, Parade, 1962; Trooper Smith, Cheyenne Autumn, Warner Brothers, 1964; Jellicoe, The Raiders (also known as The Plainsman), Universal, 1964; Lieutenant Hudson, Taggart, Universal, 1964; Jenkins, Shenandoah, Universal, 1965; Corporal Peterson, Alvarez Kelly, Columbia, 1966; Ben, Billy the Kid vs. Dracula, Embassy, 1966; Jay C, Cyborg 2087, Features, 1966; Ed Mabry, The Rare Breed, Universal, 1966; McBee, The Way West, United Artists, 1967; Captain Rose, The Devil's Brigade, United Artists, 1968; Mooney, Ballad of Josie, Universal, 1968; Cort Hyjack, Bandolero, Twentieth Century-Fox, 1968; Reverend Rork, Death of a Gunfighter, Universal, 1969; Webster, The Undefeated, Twentieth Century-Fox, 1969; Stuart, Dirty Dingus Magee, MGM, 1970; Stamper, The Moonshine War, MGM, 1970; Pop Dawson, Big Jake, National General, 1971; Red, One More Train to Rob, Universal, 1971; Joe Pickens, Something Big, National General, 1971; father, Trinity Is Still My Name, Embassy, 1971; Hank, Cahill, United States Marshal, Warner Brothers, 1973; Holy Joe, A Man from the East, United Artists, 1974; Dumper, Take a Hard Ride, Twentieth Century-Fox, 1975; Dobie, Nickelodeon, Columbia, 1976; George Arthur, The Long Riders, United Artists, 1980; Dr. Emmer, Endangered Species, MetroGoldwyn-Mayer/United Artists (MGM/UA), 1982; Mr. Anderson, Gremlins, Warner Brothers, 1984; Red, Mask, Universal, 1985; George Martin, UFOria, Universal, 1985; bartender, Crossroads, Columbia, 1986; Joshua Brackett, The Whales of August, Alive, 1987; Snappy Tom, Cherry 2000, Orion, 1988; Wally, Illegally Yours, MGM/UA, 1988; Shoes, Breaking In, Samuel Goldwyn Company, 1989.

FILM DEBUT—Dr. Timothy Kane, Dr. Broadway, Paramount, 1942. PRINCIPAL FILM APPEARANCES—Louie the Lug, Star Spangled Rhythm, Paramount, 1942; Jonathan Caldwell, Take a Letter, Darling (also known as Green-Eyed Woman), Paramount, 1942; Lieutenant Cameron, Wake Island, Paramount, 1942; Buzz McAllister, Salute for Three, Paramount, 1943; Jack Graham, Shadow of a Doubt, Universal, 1943; Clark Redfield, Dream Girl, Paramount, 1947; Jack Lindsay, Suddenly It's Spring, Paramount, 1947; as himself, Variety Girl, Paramount, 1947; J.D. Storm, Hazard, Paramount, 1948; Cesare Borgia, Bride of Vengeance, Paramount, 1949; Nick Carraway, The Great Gatsby, Paramount, 1949; Bruce Eldridge, Song of Surrender, Paramount, 1949; Lorn Reming, Streets of Laredo, Paramount, 1949. Jim Bowie, Comanche Territory, Universal, 1950; Lane Travis, Copper Canyon, Paramount, 1950; Jesse James, The Great Missouri Raid, Paramount, 1950; Larry Wilder, The Lawless (also known as The Dividing Line), Paramount, 1950; Dr. Brett Young, Mystery Submarine, Universal, 1950; Jake Davis, South Sea Sinner, Universal, 1950; Pete Carver, Cave of Outlaws, Universal, 1951; Cyrus Random, Jr., Excuse My Dust, Metro-Goldwyn-Mayer, 1951; Hugh, Let's Make It Legal, Twentieth Century-Fox, 1951; Jeff, Meet Me After the Show, Twentieth Century-Fox, 1951; George Mason, My Wife's Best Friend, Twentieth Century-Fox, 1952; Doug Madison, Count the Hours (also known as Every Minute Counts), RKO, 1953; Bus Crow, Hannah Lee (also known as Outlaw Territory}, Broder, 1953; Van Logan, Fire Over Africa (also known as Malaga), Columbia, 1954; Steve Stratton, Odongo, Columbia, 1956; Hollis Jarret, Stranger at My Door, Republic, 1956; Maybe Smith, Man or Gun, Republic, 1958; Major Malcolm Bartley, Blue Denim (also known as Blue Jeans), Twentieth Century-Fox, 1959; Patrick Henry, John Paul Jones, Warner Brothers, 1959.

PRINCIPAL TELEVISION APPEARANCES—Series: Bill Burnett, "Spin and Marty," The Mickey Mouse Club, ABC, 1955; Bill Burnett,' 'The Further Adventures of Spin and Marty,'' The Mickey Mouse Club, ABC, 1957; Bill Burnett, "The New Adventures of Spin and Marty," The Mickey Mouse Club, ABC, 1958. MiniSeries: Ben Jenkins, "Texas John Slaughter," Walt Disney Presents, ABC, 1958-61; Mr. Bond, Black Beauty, NBC, 1978. Pilots: Deputy Luke, Kate Bliss and the Ticker Tape Kid, ABC, 1978. Episodic: Little House on the Prairie, NBC. Movies: Fitz Bragg, Wild Times, syndicated, \9&Q', Pa Traven, Louis L'Amour's "The Shadow Riders," CBS, 1982; Herald Fitch, Once Upon a Texas Train, CBS, 1988. Specials: John Wayne Standing Tall, 1989.

Mr. Smith, The Devil's Agent, British Lion, 1962; Bill Morrison, Stranglehold, Rank, 1962; Dr. Wayne Bentley, Tammy and the Doctor, Universal, 1963; Simon Wells, These Are the Damned (also known as The Damned), Columbia, 1965; Dr James McCarey, Foes, Coats/Alexander/Coats, 1977; John Davis, End of the World, Charles Band, 1977; Hollywood actor, American Gigolo, Paramount, 1980; Judge Watson, It's Alive HI: Island of the Alive, Warner Brothers, 1987.

RELATED CAREER—Actor in summer theatre productions, Lakewood Theatre, Skowhegan, ME, 1940.

TELEVISION DEBUT—Studio One, CBS, 1950. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Mark Christian, Dr. Christian, syndicated, 1956; Herbert L. Maris, Lock Up, syndicated, 1959-61; Dr. Thomas Horton, Days of Our Lives, NBC, 1965—. Mini-Series: Squire James, Roots, ABC, 1977. Pilots: Ben Forbes, Eye for an Eye (broadcast as an episode of Suspicion), NBC, 1958;

NON-RELATED CAREER—Page boy, National Broadcasting Company, New York City.* 71

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Lieutenant Duff Peterson, Last of the Private Eyes (broadcast as an episode of The Dick Powell Theatre), NBC, 1963;Eloner Pike, The Green Felt Jungle (broadcast as an episode of Kraft Suspense Theatre), NBC, 1965; Russell Lawrence, Gidget Gets Married, ABC, 1972; Walton Crumbly, The Girl, the Gold, Watch and Everything, syndicated, 1980.

NON-RELATED CAREER—Board member, Catholic Big Brothers, 1962-64. WRITINGS: A Day in the Life (poetry), 1982; That Further Hill (poetry), 1987. AWARDS: Emmy Awards, Best Actor in a Daytime Drama, 1974 and 1975, and Soap Opera Digest Awards, Outstanding Actor in a Mature Role, 1984 and 1985, all for Days of Our Lives; Knight of the Holy Sepulchre (Papal Order), 1986.

Episodic: Roy Benjamin, "The Special One," The Outer Limits, ABC, 1964; Oscar Ramsey, Murder, She Wrote, CBS, 1986; Dr. Lynch, Murder, She Wrote, CBS, 1986; also "Yellow Jack," Celanese Theater, ABC, 1952; "You Be the Bad Guy," Lux Video Theatre, CBS, 1952; "Edge of the Law," Ford Theatre, NBC, 1952; Hollywood Opening Night, NBC, 1952; "The Sermon of the Gun," Ford Theatre, NBC, 1953; "The Inn of the Eagles" and "Night Call," bothLwjt Video Theatre, CBS, 1953; "Hired Mother," General Electric Theatre, CBS, 1953; "The Quiet Gun," Appointment with Adventure, CBS, 1955; "Unimportant Man" and "Deal a Blow," both Climax!, CBS, 1955; "Where You Love Me" and "The Hayfield," both Stage Seven, CBS, 1955; "Gamble on a Thief," Climax!, CBS, 1956; "Cry Justice," Screen Directors Playhouse, NBC, 1956; "Times Like These," Twentieth Century-Fox Hour, CBS, 1956; "Moments of Courage," The U.S. Steel Hour, CBS, 1956; "Easter Gift," General Electric Theatre, CBS, 1956; "The Kill," Ford Theatre, NBC, 1956; "The Plug Nickel," Undercurrent, CBS, 1956; "Flight into Danger," The Alcoa Hour, NBC, 1956; "The Chinese Game," Climax!, CBS, 1956; "Whereabouts Unknown," The Kaiser Aluminum Hour, NBC, 1957; "Broken Barrier," Ford Theatre, ABC, 1957; "Alibi for Murder," On Trial (also known as The Joseph Cotton Show), NBC, 1957; "Man on the Thirty-Fifth Floor," The Jane Wyman Show (also known as The Fireside Theatre), NBC, 1957; "License to Kill," Dick Powell's Zane Grey Theatre, CBS, 1958; Wagon Train, NBC, 1958; "The Lonely Stage," Studio One, CBS, 1958; "Natchez," Playhouse 90, CBS, 1958; "False Impression," Schlitz Playhouse of Stars, CBS, 1958; "The Vengeance, "Pursuit, CBS, 1958; Rawhide, CBS, 1959; "Coyote Noon," Alfred Hitchcock Presents, CBS, 1959; "The Golden Deed," Moment of Fear, NBC, 1960; "The Devil's Ticket," Thriller, NBC, 1961; "Tangle of Truth," The U.S. Steel Hour, CBS, 1961; Checkmate, CBS, 1962; "House Guest," Alfred Hitchcock Theatre, CBS, 1962; Mr. Novak, NBC, 1963; "The Image Merchants," Kraft Mystery Theatre, NBC, 1963; Burke's Law, ABC, 1963, 1964, and 1965; Arrest and Trial, ABC, 1964; Branded, NBC, 1965\ Daniel Boone, NBC, 1965; Run for Your Life, NBC, 1965; Ben Casey, ABC, 1965; Lassie, CBS, 1966; Bewitched, ABC, 1967; The Magician, NBC, 1973; Owen Marshall, Counselor at Law, ABC, 1974; McMillan and Wife, NBC, 1976; Police Story, NBC, 1976; Buck Rogers in the 25th Century, NBC, 1979; Fantasy Island, ABC.

MEMBER: Screen Actors Guild (vice-president, 1960), Academy of Motion Picture Arts and Sciences (assistant treasurer, 1970), American Federation of Television and Radio Artists, Actors' Equity Association, Alpha Delta Phi. ADDRESSES: AGENT—Contemporary Artists Ltd., 132 Lasky Drive, Beverly Hills, CA 90212.*

CAREY, Ron

1935-

PERSONAL: Born Ronald J. Cicenia, December 11, 1935, in Newark, NJ; son of John and Fanny Cicenia; married Sharon Boyeronus, November 11, 1967. EDUCATION—Seton Hall University, B.A., 1958. VOCATION: Actor. CAREER: BROADWAY DEBUT—Jerry, Lovers and Other Strangers, Brooks Atkinson Theatre, 1968. PRINCIPAL FILM APPEARANCES—Boston cab driver, The Out-ofTowners, Paramount, 1970; part of group, Made for Each Other, Twentieth Century-Fox, 1971; bartender, Who Killed Mary What's 'er Name? (also known as Death of a Hooker), Cannon, 1971; Devour, Silent Movie, Twentieth Century-Fox, 1976; Brophy, High Anxiety, Twentieth Century-Fox, 1977; Frankie, Fatso, Twentieth Century-Fox, 1980; Swiftus Lazarus, History of the World, Parti, Twentieth Century-Fox, 1981; Pat, Johnny Dangerously, Twentieth Century-Fox, 1984. Also appeared in Dynamite Chicken, EYR, 1972. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Garry Moore Show, CBS, 1966-67; regular, The Melba MooreClifton Davis Show, CBS, 1972; Donald Hooten, The Corner Bar, ABC, 1973; Frank Montefusco, The Montefuscos, NBC, 1975; Officer Carl Levitt, Barney Miller, ABC, 1976-82; Father Vincent Paglia, Have Faith, ABC, 1989. Pilots: Regular, Twentieth Century Follies, ABC, 1972; monk, Peeping Times, NBC, 1978; Johnny Antonizzio, Johnny Garage, CBS, 1983; Hugo, Pumpboys and Dinettes on Television, NBC, 1983. Episodic: The New Love, American Style, ABC; The Jack Paar Show, NBC; The Johnny Carson Show, NBC; The Merv Griffin Show, syndicated; The Mike Douglas Show, syndicated; The Steve Allen Show. Specials: The Wonderful World of Aggravation, ABC, 1972; ABC's Silver Anniversary Celebration—25 and Still the One, ABC, 1978.

Movies: Eliot Frost, Ordeal, ABC, 1973; Captain Jack Donahoe, Who Is the Black Dahlia?, NBC, 1975; Professor Jarvis, Stranger in Our House, NBC, 1978; Dr. Church, The Rebels, syndicated, 1979; "Mitch" Mitchell, Top of the Hill, syndicated, 1980; Dr. Arthur Castor, Condominium, syndicated, 1980. Specials: Fred Gailey, Miracle on 34th Street, CBS, 1955; NBC's Sixtieth Anniversary Celebration, NBC, 1986. PRINCIPAL RADIO APPEARANCES—Series: Host (Mr. First Nighter), The First Nighter, NBC, 1938; Jason, Jason and the Golden Fleece, NBC, 1952-53; also Dick Grosvener, Stella Dallas, NBC; host and narrator, Heartbeat Theatre. RELATED CAREER—Company member, Old Globe Shakespeare Company, 1936-37; member, NBC Radio Stock Company, Chicago, IL, 1937-38.

RELATED CAREER—Stand-up comedian; appeared in over one hundred television commercials.

72

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 CARPENTER, Freddie

RECORDINGS: ALBUMS—The Slightly Irreverent Comedy of Ron Carey, 1966.

1908-1989

PERSONAL: Born February 15, 1908, in Melbourne, Australia; died of cancer, January 19,1989, in London, England; son of James and Jean (Dunstone) Carpenter. MILITARY—Royal Air Force, 1941-44.

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association.*

VOCATION: Dancer, choreographer, and director.

CARLTON, Bob

CAREER: STAGE DEBUT—Chorus, The Rise of Rosie O'Reilly, Princess Theatre, Melbourne, Australia, 1924. BROADWAY DEBUT—Young King, Almanac, Erlanger Theatre, 1928. LONDON DEBUT—Dancer with Frances Mann, Palladium Theatre, 1929. PRINCIPAL STAGE APPEARANCES—Dancer: Follow a Star, Winter Garden Theatre, London, 1930; Bow Bells, Hippodrome Theatre, London, 1932; Yours Sincerely, Daly's Theatre, London, 1934; That Certain Something, Aldwych Theatre, London, 1934; Let's Go Gay, Embassy Theatre, then Shaftesbury Theatre, both London, 1935; Cinderella, Coliseum Theatre, London, 1936; I'd Rather Be Right, Music Box Theatre, New York City, 1937.

1950-

PERSONAL: Born June 23, 1950, in Coventry, England; son of Reginald Charles (a postmaster) and Nancy Olwyn (a shop assistant; maiden name, Darlison) Carlton; married Caroline Wildi (an actress), July, 1989. EDUCATION—Hull University, B.A., drama, 1974.

PRINCIPAL STAGE WORK—Choreographer, Tulip Time, Alhambra Theatre, London, 1935; choreographer, The Dancing Years, Drury Lane Theatre, London, 1939; choreographer, Lady Behave, His Majesty's Theatre, London, 1941; choreographer, The Love Racket, Victoria Palace Theatre, London, 1943; director, Danny La Rue at the Palace, Palace Theatre, London, 1970; director, The Danny La Rue Show, Prince of Wales Theatre, London, 1973; director, Hans Andersen, Palladium Theatre, London, 1974; director, Irene, Adelphi Theatre, London, 1976. Also choreographer, Life Begins at Oxford Circus, London, 1935; choreographer, The Town Talks and Mother Goose, both London, 1936; choreographer, And On We Go, London, 1937; choreographer, Maritza and Bobby Get Your Gun, both London, 1938; choreographer, Funny Side Up, London, 1939; choreographer, Up and Doing and Present Arms, both London, 1940; choreographer, The Lilac Domino, London, 1944; choreographer, Irene, The Gaieties, and Big Boy, all London, 1945; director, Follow the Girls, Australia, 1946; director, The Dancing Years and Love Is My Reason, both London, 1947; director, Limelight and Serenade, both London, 1948; director, The Lilac Domino and The Sleeping Beauty, both London, 1949.

VOCATION: Director and writer. CAREER: Also see WRITINGS below. FIRST STAGE WORK— Director, The Foursome, Belgrade Theatre, Coventry, U.K. FIRST LONDON WORK—Artistic director, They Shoot Horses, Don't They?, Bubble Theatre, 1980. PRINCIPAL STAGE WORK—Director: Melon, Haymarket Theatre, London, 1987; Lettice and Lovage, Globe Theatre, London, 1987; Winnie, Victoria Palace Theatre, London, 1988; Return to the Forbidden Planet, Cambridge Theatre, London, 1989. MAJOR TOURS—Director, Cabaret, U.K. cities, 1988-89. FIRST TELEVISION WORK—Director, Brookside, Mersey Television Channel Four. PRINCIPAL TELEVISION WORK—Series: Damon and Debbie, Mersey Television Channel Four. Also directed The New Shoes (short film), Mersey Television Channel Four, 1987; Emmerdale Farm, Yorkshire Television. RELATED CAREER—Assistant director, Belgrade Theatre, Coventry, U.K., 1974; associate director, Duke's Playhouse, Lancaster, U.K., 1975-78; associate director, York Theatre Royal, York, U.K., 1978-80; artistic director, Bubble Theatre, London, 198084; also freelance director with the Newcastle Playhouse, Newcastle, U.K., Oxford Playhouse, Oxford, U.K., Palace Theatre, Watford, U.K., and Everyman Theatre, Liverpool, U.K.

Choreographer, Dear Miss Phoebe, London, 1952; director, Belinda and Sally, both London, 1952; director, One Fair Daughter, London, 1953; director, The Billy Barnes Revue, Rose Marie, and A Wish for Jaime, all London, 1960; director, A Love for Jaime, London, 1962; director, How to Succeed in Business Without Really Trying, Melbourne, Australia, 1963; director, Never Too Late, Melbourne, 1964; director, A Funny Thing Happened on the Way to the Forum, Sydney, Australia, 1964; director, The World of Jaime, London, 1967; director, Let's Get Swinging and Queen Passionella, both London, 1968; director, The Corbett Follies and The Tommy Cooper Show, both London, 1969; director, Cinderella, Manchester, U.K., 1970;director, CharlieGirl, Melbourne, 1971;director, Cinderella, Coventry, U.K., 1971; director, No, No Nanette, Melbourne, 1972; director, Cowardly Custard, South Africa, 1973; director, Irene, Sydney, 1974; director, The Ronnie Corbett Revue, Paignton, U.K., 1975; director, Queen Daniella, London, 1975; director, Something s Afoot, Hong Kong, 1978; director, The Danny La Rue Show, Scarborough, U.K., 1978.

WRITINGS: STAGE—From a Jack to a King, Edinburgh Theatre Festival, Edinburgh, Scotland, 1985; Return to the Forbidden Planet, Cambridge Theatre, London, 1989; also wrote Christmas shows for the Everyman Theatre, Liverpool, U.K., 1984-88. TELEVISION—The New Shoes (short film), Mersey Television Channel Four, 1987. MEMBER: British Actors' Equity Association, Agence de Corporation Culturelle et Technique.

MAJOR TOURS—Dancer, Lavender, U.K. cities, 1931; director, The Merry Widow, U.K. cities, 1959; director, Kind Sir, U.K. cities, 1961; director, A Touch of Tartan, U.K. cities, 1963; director, The Danny La Rue Show, Australian cities, 1979.

SIDELIGHTS: RECREATIONS—Soccer, rock and roll. ADDRESSES: AGENT—Bill Home Personal Management. 73

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Dance director, Easy Money, General Film Distributors, 1948.

1980; (with Nick Castle; also composer with Alan Howarth) Escape from New York, 1981; (with Hill; also composer with Howarth) Halloween II, 1981; composer (with Howarth), Halloween III: Season of the Witch, 1982; composer (with Howarth), Christine, 1983; composer (with Howarth), Big Trouble in Little China, 1986; (with Desmond Nakano and William Gray) Black Moon Rising, New World, 1986; (as Martin Quartermass; also composer with Howarth) Prince of Darkness, 1987; (as Frank Armitage; also composer) They Live, 1988; composer (with Howarth), Halloween 5: The Revenge of Michael Myers, Galaxy International, 1989.

PRINCIPAL FILM WORK—Choreographer: Carnival, General Film Distributors, 1946; (with George King and Leontine Sagan) Showtime (also known Gaiety George], Warner Brothers/English Films Inc., 1948; The Winslow Boy, Eagle-Lion, 1950; My Heart Goes Crazy (also known as London Town), United Artists, 1953. PRINCIPAL TELEVISION WORK—Specials: Choreographer, Sir Winston Churchill: Ninety Years On, British television, 1964. Also associate producer, The Noel Coward Revue; choreographer, The Jimmy Tar buck Show.

TELEVISION—Movies: (With William A. Schwartz) Zuma Beach, NBC, 1978; Someone's Watching Me!, 1978; (with Greg Strangis) Better Late Than Never, NBC, 1979.

WRITINGS: STAGE—A Wish for Jaime, 1960. MEMBER: Directors Guild of America, Writers Guild of America—West, American Society of Composers, Authors, and Publishers.

OBITUARIES AND OTHER SOURCES: Variety, January 25-31, 1989.*

SIDELIGHTS: RECREATIONS—Helicopter piloting, music. As a film student at the University of Southern California, John Carpenter was editor, composer, and co-wrote the screenplay for the short film The Resurrection of Bronco Billy which won an Academy Award in 1970 as Best Short Subject (Live Action). In 1978, his film Halloween became the highest grossing independently made movie of all time.

CARPENTER, John 1948(Frank Armitage, Martin Quartermass) PERSONAL: Full name, John Howard Carpenter; born January 16, 1948, in Carthage, NY (some sources say Bowling Green, KY); son of Howard Ralph (a music professor) and Milton Jean (Carter) Carpenter; married Adrienne Barbeau (an actress), January 1,1979; children: John Cody. EDUCATION—Attended Western Kentucky University; graduate work in film at the University of Southern California, 1972.

ADDRESSES: OFFICE—9454 Wilshire Boulevard, Beverly Hills, CA 90212. AGENT—International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

VOCATION: Director, screenwriter, and composer.

CARR, Darleen CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Bennett, The Fog, AVCO-Embassy, 1980. PRINCIPAL FILM WORK—Editor, The Resurrection of Bronco Billy (short film), Universal, 1970; producer, director, and music director, Dark Star, Jack H. Harris, 1974; director, Assault on Precinct 13, Turtle Releasing Company, 1976; director, Halloween, Compass, 1978; director, The Fog, AVCO-Embassy, 1980; director, Escape from New York, AVCO-Embassy, 1981; producer (with Debra Hill), Halloween II, Universal, 1981; producer (with Hill), Halloween III: Season of the Witch, Universal, 1982; director, The Thing, Universal, 1982; director, Christine, Columbia, 1983; executive producer, The Philadelphia Experiment, New World, 1984; director, Starman, Columbia, 1984; director, Big Trouble in Little China, Twentieth Century-Fox, 1986; director, Prince of Darkness, Universal, 1987; director, They Live, Universal, 1988. Also director of such short films as Revenge of the Colossal Beasts, Gorgo Versus Godzilla, Terror from Space, Sorcerer from Outer Space, The Warrior and the Demon, and Gorgon, the Space Monster.

1950-

PERSONAL: Born in 1950 in Chicago, IL. VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Voice of the girl, The Jungle Book (animated), Buena Vista, 1967; Sidoni Riserau, Monkeys, Go Home!, Buena Vista, 1967; Abbey Kingsley, The Impossible Years, Metro-Goldwyn-Mayer, 1968; Hilda Jorgenson, Death of a Gunfighter, Universal, 1969; Doris, The Beguiled, Universal, 1971. PRINCIPAL TELEVISION APPEARANCES—Series: Kathy, The John Forsythe Show, NBC, 1965-66; regular, Dean Martin Presents the Golddiggers, NBC, 1969; Cindy Smith, The Smith Family, ABC, 1971-72; Margaret Devlin, The Oregon Trail, NBC, 1977; Susan Winslow, Miss Winslow and Son, CBS, 1979; Mary Lou Springer, Bret Maverick, ABC, 1981-82; voice characterization, G.I. Joe (animated), syndicated, 1984. Mini-Series: Tommy Caldwell Damon, Once an Eagle, NBC, 1976-77. Pilots: Joan Chadwick McTaggart, The Chadwick Family, ABC, 1974; Selina Jensen, Law of the Land, NBC, 1976. Episodic: MarlenaLewis,/fr>tate, NBC, 1985; Trish Mercer, Murder, She Wrote, CBS, 1985; Beth Hartley, Blacke's Magic, NBC, 1986; Ginny Malcolm, Magnum, P.I., CBS, 1986; Shannon McGovern, Simon and Simon, CBS, 1986; Sheri Strawn, Probe, ABC, 1988; also Jean Stone, Streets of San Francisco, ABC. Movies: Susan, All My Darling Daughters, ABC, 1972; Margot, The Horror at 37,000 Feet, CBS, 1973; Susan, My Darling Daughters' Anniversary, ABC, 1973; Carol Lerner, Runa-

PRINCIPAL TELEVISION WORK—Movies: Director, Someone's Watching Me!, NBC, 1978; director, Elvis, ABC, 1979. WRITINGS: See production details above, unless indicated. FILM— (Co-writer; also composer) The Resurrection of Bronco Billy, 1970; (with Dan O'Bannon; also composer) Dark Star, 1974; (also composer) Assault on Precinct 13,1976; (with David Zelag Goodman) The Eyes of Laura Mars, Columbia, 1978; (with Debra Hill; also composer) Halloween, 1978; (with Hill; also composer) The Fog, 74

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Guare, and John Klein) Taking Off, Universal, 1971; Un Peu de soleil dans I'eaufroide (also known as A Little Sun in Cold Water), Societe Nouvelle de Cinema, 1971; (with Bunuel) Le Charme discret de la bourgeoisie (also known as The Discreet Charm of the Bourgeoisie), Twentieth Century-Fox/Castle Hill, 1972, published mAvant-Scene, April, 1973; (with Deray and Ian McLellen Hunter) Un Homme est mort (also known as A Man Is Dead and The Outside Man), Valeria, 1972, released in the United States by United Artists, 1973; (with Bunuel) Le Moine (also known as The Monk), Maya, 1973; (with Peter Fleischmann) Dorothea's Rache (also known as Dorothea's Revenge), Planfilm, 1973; (with Marco Ferreri) La cagna, 1972, released in the United States as Liza, CFDC/Pathe/ Oceanic/Sirius, 1976; (with Bunuel) Le Fantome de la liberte (also known as The Phantom of Liberty and The Specter of Freedom), Twentieth Century-Fox, 1974; (with Robert Benayoun) Serieux comme le plaisir (also known as Serious as Pleasure), Lugo, 1974; (with Jean-Claude Brialy) Un Amour de pluie (also known as A Rainy Love), Lira, 1974; (with Patrice Chereau) La Chair de I'orchidee (also known as The Flesh of the Orchid), FoxLira, 1974; France Societe Anonyme (also known as France Incorporated), Albina, 1974.

way! (also known as The Runaway Train}, ABC, 1973; Kathleen Kennedy, Young Joe, the Forgotten Kennedy, ABC, 1977; Hildy, Rage, NBC, 1980; Lisa Reed, Hero in the Family, ABC, 1986. Specials: Katey Summers, Sleepwalker, ABC, 1975; Battle of the Network Stars, ABC, 1976 and 1977; Circus of the Stars, CBS, 1982; voice of Mom, "Chocolate Fever," CBS Storybreak, CBS, 1985. ADDRESSES: AGENT—Perry Hawthorne, CNA and Associates, 8721 Sunset Boulevard, Suite 202, Los Angeles, CA 90069.*

CARRIERE, Jean-Claude

CARRIERE

1931-

PERSONAL: Born September 19, 1931, in Colombieres, France. VOCATION: Screenwriter, actor, and director. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Cure, Le Journal d'une femme de chambre (also known as // diario di una cameriera and Diary of a Chambermaid), Cocinor, 1964; Priscillian, La Vote lactee (also known as La via lattea and The Milky Way), U-M, 1969; Hughes, LAlliance (also known as The Wedding Ring), CAP AC, 1970; Chief, Serieux comme le plaisir (also known as Serious As Pleasure), Lugo, 1974; doctor, Photo Souvenir, FR3, 1977; psychiatrist, Us sont grands ces petits (also known as These Kids Are Grown-Ups), United Artists/Exportation Francaise Cinematographique, 1979. Also appeared in Insomnie, 1963; as narrator, Les Cocardiers, 1967; in Un Peu de soleil dans I'eaufroide (also known as A Little Sun in Cold Water), Societe Nouvelle de Cinema, 1971; La Chute d'un corps, 1973; Adam, Le Jeu du solitaire, 1976; Le Jardin des supplices (also known as The Garden of Torment), New Realm Distributors/Parafrance, 1976.

(With Martin Walser) La Faille (also known as The Weak Spot), Gaumont, 1975; (with Jean Curtelin and Joel Santoni) Les Oeufs brouilles (also known as The Scrambled Eggs), Columbia/Warner Distributors, 1975; (with Alphonse Boudard) Le Gang (also known as The Gang), Warner Brothers, 1976; (with Juan Bunuel, Philippe Nuridzany, Pierre Maintigneux, and Clement Biddle Wood) Leonor, CIC/New Line Cinema, 1977; (with Luis Bunuel) Cet obscur objet du desir (also known as That Obscure Object of Desire), CCFC/ Greenwich/Janus, 1976, released in the United States by First Artists, 1977; (with Pierre Lary and Huguette Debasieux) LeDiable dans la boite (also known as The Devil in the Box), Madeleine/ Societe Novelle de Cinema, 1977; Julie pot de colle (also known as Julie Glue Pot), Davis/Societe Nouvelle Prodis, 1977; (with Edmond Sechan) Photo Souvenir, FR3, 1977; (with Tonino Guerra) Un Papillon sur I'epaule (also known as A Butterfly on the Shoulder), Gaumont, 1978; (with Jean-Francois Davy) Chaussette surprise (also known as Surprise Sock) GEF/CCFC/Albatros, 1978; (with Daniel Boulanger and Joel Santoni) Us sont grands ces petits (also known as These Kids Are Grown-Ups), United Artists/ Exportation Francaise Cinematographiques, 1979; (with Rene Gainville) LAssocie (also known as The Associate), Columbia/ Warner Distributors, 1979; (with Claude Pinoteau and Charles Israel) L Homme en colere (also known as The Angry Man) Films Ariane/United Artists, 1979; (with Volker Schloendorff, Franz Seitz, and Gunter Grass) The Tin Drum (also known as Die Blechtrommel), United Artists/New World, 1979; (with JeanFrancois Adam, Georges Perec, and Benoit Jacquot) Retour a la bien-aimee (also known as Return to the Beloved), Societe Nouvelle Prodis/World Marketing, 1979.

PRINCIPAL FILM WORK—Director (with Jerome Diamant-Berger and Olivier Assayas), L Unique (also known as The One and Only), AA Revcon/Films du Scorpion, 1985; also co-director, Rupture (short film), 1961; co-director, Heureux anniversaire (short film), 1961; director, La Pince a ongles (short film), 1968. WRITINGS: STAGE—L'Aide-Memoire, 1968; (adaptor) The Mahabharata, Brooklyn Academy of Music, New York City, 1989. FILM—(With Pierre Etaix) Le Soupirant (also known as The Suitor), Atlantic, 1963; (with Luis Bunuel) Le Journal dune femme de chambre (also known as // diario di una cameriera and Diary of a Chambermaid), Cocinor, 1964; (with Louis Malle) Viva Maria! United Artists, 1965; (with Jesus Franco) Miss Muerte (also known as Dans les griffes du maniaque and The Diabolical Dr. Z), U.S. Films, 1966; Hotel Paradiso, Metro-Goldwyn-Mayer, 1966; Cartes sur table (also known as Attack of the Robots), American International, 1967; (with Malle) Le Voleur (also known as The Thief of Paris), Lopert, 1967; (with Etaix) Yo Yo, Magna, 1967; (with Bunuel) Belle dejour, Allied Artists, 1968; (with Bunuel) La Vote lactee (also known as La via lattea and The Milky Way), U-M, 1969; (with John-Emmanuel Conil and Jacques Deray) La Piscine (also known as La piscina and The Swimming Pool), 1969, released in the United States by AVCO-Embassy, 1970.

(With Jean-Luc Godard and Anne-Marie Mieville) Sauve qui peut la vie (also known as Every one for Himself, Every Man for Himself, and Slow Motion), Artifical Eye/MK2/New Yorker, 1980; (with Schloendorff, Margarethe Von Trotta, and Kai Hermann) Die Falschung (also known as Circle of Deceit and False Witness), United International/United Artists Classics, 1981; (with Carlos Saura) Antonieta, Gaumont/Conacina/Nuevo Cine, 1982; (with Christian Drillaud) Itineraire bis (also known as Sideroads), Films de 1'Arquebuse, 1982; (with Andrzej Wajda, Agnieszka Holland, Boleslaw Michalek, and Jacek Gasiorowski) Danton, Triumph, 1983; (with Daniel Vigne) Le Retour de Martin Guerre (also known as The Return of Martin Guerre), European International, 1983; (with Luciano Tovoli and Michel Piccoli) Le General de I'armee

(With Christian De Chalong) L Alliance (also known as The Wedding Ring), CAPAC, 1970; (with Jean Cau, Claude Sautet, and Deray) Borsalino, Paramount, 1970; (with Milos Forman, John 75

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

morte (also known as The General of the Dead Army), World Marketing/Union Generale Cinematographique, 1983; (with Marius Constant and Peter Brook) La Tragedie de Carmen (also known as The Tragedy of Carmen), British Film Institute/MK2, 1983; (with Schloendorff, Peter Brook, and Marie-Helen Estienne) Un Amour de Swann (also known as Swann in Love, Swann's Way, and Remembrance of Things Past), Orion Classics, 1984; La Jeunefille et I'enfer (also known as The Young Girl and Hell), Orphee Arts/ Exportation Francaise Cinematographique, 1984.

1989. Also appeared in The Creature from Black Lake, Howco International, 1976; Charge of the Model-Ts, Ry/MAC, 1979. PRINCIPAL TELEVISION APPEARANCES—Series: Jay Spence, Falcon Crest, CBS, 1987-88. Pilots: Woody Guinness III, Call Her Mom, ABC, 1972; Tommy, "Margie Passes," Of Men of Women, ABC, 1973; Wilder, Mitchell and Woods, NBC, 1981. Episodic: Larry Burns, Murder, She Wrote, CBS, 1985; Billy Maddox, Blackes Magic, NBC, 1986; Stafford, The Law and Harry McGraw, CBS, 1987; Stephen Wainwright, Simon and Simon, CBS, 1988; also Fantastic Journey, NBC, 1977; Taxi, ABC, 1980.

(With Jerome Diamant-Berger, Olivier Assay as, and Jacques Dorfman) U Unique (also known as The One and Only), A A Revcon/Films du Scorpion, 1985; (with Nagisa Oshima) Max mon amour (also known as Max, My Love), Greenwich/AAA, 1986; (with Peter Fleischmann and Gianfranco Mingozzi) Les Exploits d'unjeune Don Juan (also known as The Exploits of a Young Don Juan), Exportation Francaise/AAA, 1987; (with Wajda, Holland, and Edward Zebrowsky) Les Possedes (also known as The Possessed}, Gaumont International, 1987; (with Philip Kaufman) The Unbearable Lightness of Being, Orion, 1988; (with Nicholas Klotz) La Nuit Bengali (also known as Bengali Nights and The Bengali Night), Gaumont International, 1988; (with Jerzy Kawlerowicz) Hostage of Europe, La Societe Cine-Alliance, 1989; (with Milos Forman) Valmont, Orion Classics, 1989. Also Rupture, 1961; Heureux anniversaire (short film), 1961; (with Etaix) Nous n'irons plus au bois, 1963, re-released as Tant qu on a la sante, 1965; (with Etaix) Insomnie, 1963; Le Bestiaire damour, 1963; La Reine verte (also known as The Green Queen), 1964; La Pince a ongles, 1968; Le Grand Amour, 1968; Le Droit daimer, 1972.

ADDRESSES: AGENT—Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212.

GARY, Falkland

1897-1989

PERSONAL: Born January 2, 1897, in Kildare, Ireland; died of a stroke, April 7, 1989, in Fleet, England; son of Henry John Litton and Katherine Frances (Boyd) Gary. EDUCATION—Received M.B. and B.A. from Trinity College (Dublin, Ireland).

TELEVISION—Specials: (Adaptor) The Mahabharata, Channel Four, 1989.

VOCATION: Playwright.

OTHER—Le Lezard, 1957; Monsieur Hulot's Holiday (novelization of film), 1959; LAlliance, 1963; (with Luis Bunuel) Le Moine, \91\\Mon Oncle (novelization of film), 1972; (translator) Le Clou brulant, 1912; Le Part, 1973; (translator) Harold et Maude, 1974; Le Carnaval et lapolitique, 1979; (translator) The Mahabharata, Harper and Row, 1987; also (with Daniel Vigne) Le Retour de Martin Guerre (novelization of film); and contributor to journals and periodicals.

CAREER: See WRITINGS Obstetrician.

below. NON-RELATED CAREER—

WRITINGS: STAGE—Burning Gold, 1943; Candied Peel, 1945; Murder Out of Tune, 1945; But Once a Year, 1948; Bed of Roses's, 1949; (with Philip Weathers) Madam Tic-Tac, 1950; (with Ivan Butler) The Paper Chain, 1953; Pitfall, the Owner of Redfields, 1954; (with Philip King) Sailor Beware!, 1955; (with Weathers) The Hypnotist, 1956; (with King) The Dream House, 1957; (with Butler) Danger Inside, 1958; (with Weathers) The Shadow Witness, 1959; (with King) Watch It, Sailor!, 1960; (with Weathers) The Proof of the Poison, 1962; Rock-a-Bye Sailor, 1962; (with King) Big Bad Mouse, 1964; also (with Don Carrol) Meet Aunt Mildred.

AWARDS: Academy Award nomination (with Luis Bunuel), Best Screenplay Based on Material from Another Medium, 1972, for Le Charme discret de la bourgeoisie; Academy Award nomination (with Bunuel), Best Screenplay Based on Material from Another Medium, 1977, for Get obscure objet du desir; Academy Award nomination (with Philip Kaufman), Best Adapted Screenplay, 1989, for The Unbearable Lightness of Being.*

FILM—(With Philip King) Panic in the Parlour (also known as Sailor Beware!}, Distributors Corporation of America, 1957; (with King) Watch It, Sailor, Columbia, 1961. TELEVISION—Specials: The Hammer, Gentlemen at Twilight, and Pitfall, the Owner of Redfields. RADIO—Plays: Pitfall, the Owner of Redfields.

CARSON, John David VOCATION: Actor.

SIDELIGHTS: Falkland Cary, author of many successful British stage comedies from the 1940s to the 1960s, began his professional career as an obstetrician. He once estimated that he delivered approximately 2,000 babies during his twenty year practice before giving up medicine to concentrate on his stage work.

CAREER: PRINCIPAL FILM APPEARANCES—Ponce de Leon Harper, Pretty Maids All in a Row, Metro-Goldwyn-Mayer, 1971; Larry, The Day of the Dolphin, AVCO-Embassy, 1973; David, The Savage Is Loose, Campbell/Devon, 1974; Halsey, Stay Hungry, United Artists, 1976; Joe Morrison, Empire of the Ants, American International, 1977; Ronnie Denton, The Fifth Floor, Film Ventures International, 1980; Mark, Off the Boulevard, Touchstone,

OBITUARIES AND OTHER SOURCES: Variety, April 12-18, 1989.* 76

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CASON, Barbara

1933-

SIDELIGHTS: RECREATIONS—Flying airplanes, porcelain painting, archaeology, astronomy, and gardening.

PERSONAL: Born November 15, 1933, in Memphis, TN; married Dennis Patrick (an actor). EDUCATION—Received B.A. and M.A. in theatre from the University of Mississippi; postgraduate work in theatre at the University of Iowa.

ADDRESSES: AGENT—Bauman, Hiller, and Associates, 5750 Wilshire Boulevard, Suite 512, Los Angeles, CA 90038.

VOCATION: Actress. CAREER: BROADWAY DEBUT—Madame Coulmier, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, Majestic Theatre, 1967. PRINCIPAL STAGE APPEARANCES—Christina Chenier, The Death of the Well-Loved Boy, St. Mark's Playhouse, New York City, 1967; Babette, The Firebugs, Martinique Theatre, New York City, 1968; Miss Green, Jimmy Shine, Brooks Atkinson Theatre, New York City, 1968; nun, supervisor, grey lady, Mrs. Dart, landlady, and Miss Saunders, Spitting Image, Theatre De Lys, New York City, 1969; Mrs. Stockmann, An Enemy of the People, Repertory Theatre of Lincoln Center, Vivian Beaumont Theater, New York City, 1971; ensemble, Oh Coward! (revue), New Theatre, New York City, 1972; Claire, A Delicate Balance, McCarter Theatre Company, Princeton, NJ, 1982; Arkadina, The Seagull, Circle Repertory Company, American Place Theatre, New York City, 1983. Also appeared in "Bakers' Dozen" in Plaza 9 (revue), 1964; The Skin of Our Teeth, Playhouse in the Park, Cincinnati, OH, 1966; Hay Fever, Hartford Stage Company, Hartford, CT, 1967; and in Night Watch, Morosco Theatre, New York City, 1972.

CASSIDY, David

1950-

PERSONAL: Full name, David Bruce Cassidy; born April 12, 1950, in New Jersey; son of Jack Cassidy (an actor) and Evelyn Ward (an actress and singer); married Kay Lenz (an actress), April 3, 1977 (divorced); married Meryl Tanz (a horse breeder), 1984 (divorced). EDUCATION—Studied psychology at Los Angeles City College; trained for the stage with David Craig and Milton Katselas. VOCATION: Actor, singer, and songwriter. CAREER: BROADWAY DEBUT—Billy, The Fig Leaves Are Falling, Broadhurst Theatre, 1969. PRINCIPAL STAGE APPEARANCES— Title role, Little Johnny Jones, Dorothy Chandler Pavilion, Los Angeles, 1981; George M. Cohan, Parade of Stars Playing the Palace, Palace Theatre, New York City, 1983; Joseph, Joseph and the Amazing Technicolor Dreamcoat, Roy ale Theatre, New York City, 1983. Also appeared in And So to Bed, Los Angeles Theatre Center, Los Angeles; Time, London production.

PRINCIPAL FILM APPEARANCES—Evelyn Long, The Honeymoon Killers (also known as The Lonely Hearts Killers], Cinerama, 1969; Mrs. Johnson, House of Dark Shadows, Metro-Goldwyn-Mayer, 1970; Letitia, Cold Turkey, United Artists, 1971; Mrs. Phalor, Exorcist II: The Heretic, Warner Brothers, 1977; also appeared in Dear Martha.

MAJOR TOURS—Title role, Little Johnny Jones, U.S. cities, 1981;

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Comedy Tonight, CBS, 1970; Miss Tillis, The New Temperature's Rising Show, ABC, 1973-74; Officer Cloris Phebus, Carter Country, ABC, 1977-79; Agnes, Tony the Pony, syndicated, 1979; Mrs. Shandling, It's Garry Shandling's Show, Showtime, 1986—, then Fox, 1988—. Pilots: Ms. Sommerville, Delancey Street: The Crisis Within, NBC, 1975; Roberta, Tabitha, ABC, 1976. Episodic: Dottie Pit, Trapper John, M.D., CBS, 1980 and 1981; Elvira Fritzinger, The Brady Brides, NBC, 1981; Lynn LaVecque, Madame's Place, syndicated, 1982; Lady Di, Hollywood Beat, ABC, 1985; Paula, Crazy Like a Fox, CBS, 1985; Rebecca Winship, Night Court, NBC, 1986; the Lady, Silver Spoons, NBC, 1986; Nurse Rancid, The Law and Harry McGraw, CBS, 1987; Emily Goshen, Murder, She Wrote, CBS, 1988; also All in the Family, CBS, 1971 and 1975; Scene of the Crime, NBC, 1984. Movies: Judge A. J. White, It Couldn't Happen to a NicerGuy, ABC, 1974; Greta Bennett, Let'sSwitch, ABC, 1975; Viola Andrews, WithThis Ring, ABC, 1978; Deenie Gooch, She's Dressed to Kill (also known as Someone's Killing the World's Greatest Models), NBC, 1979; Elvira Fritzinger, The Brady Girls Get Married, NBC, 1981; Nurse Barnes, A Matter of Life and Death, CBS, 1981; Rita Jean Tilford McEwan, Memories Never Die, CBS, 1982. Specials: Mildred Moffett, America, You're On, ABC, 1975; Annie, "The War Widow," Visions, PBS, 1976. RELATED CAREER—Company member, Ford's TCG Theatre, 1956-62; co-founder, Front Street Theatre.

DAVID CASSIDY

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also Joseph, Joseph and the Amazing Technicolor Dreamcoat, U.S. cities; Tribute, U.S. and Canadian cities.

PRINCIPAL TELEVISION APPEARANCES—Series: Terry St. Marie, Bay City Blues, NBC, 1983; Johnny Castle, Dirty Dancing, CBS, 1988. Mini-Series: Captain Hyppolyte Charles, Napoleon and Josephine: A Love Story, ABC, 1987. Pilots: Jack Tree, The Six of Us, NBC, 1982. Movies: Bob Shecky, Angel Dusted, NBC, 1981; David Sterling, Midnight Offerings, ABC, 1981; Patrick, Choices of the Heart, NBC, 1983; Josh Kingsley, Christmas Eve, NBC, 1986; David Hand, Dress Gray, NBC, 1986; Nick Hollander, Something in Common, CBS, 1986; Scott Crossfield, Three on a Match, NBC, 1987.

PRINCIPAL FILM APPEARANCES—Instant Karma and The Spirit of"76. PRINCIPAL TELEVISION APPEARANCES—Series: Keith Partridge, The Partridge Family, ABC, 1970-74; Officer Dan Shay, David Cassidy—Man Undercover, NBC, 1978-79. Episodic: Officer Dan Shay,' 'A Chance to Live,'' Police Story, NBC, 1977; also The Survivors, ABC; Adam-12, NBC; Bonanza, NBC; Mod Squad, ABC; Ironside, NBC; Marcus Welby, M.D., SBC; The F.B.L, ABC; Alfred Hitchcock Presents, USA. Movies: David Greeley, The Night the City Screamed, ABC, 1980. Specials: The Bob Hope Show, NBC, 1972; Keith Partridge, Thanksgiving Reunion with the Partridge Family and My Three Sons, ABC, 1977; Celebrity Challenge of the Sexes, CBS, 1977; Parade ofStars, ABC, 1983.

ADDRESSES: AGENTS—The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210. MANAGER—Litke, Gale, and Associates, 10390 Santa Monica Boulevard, Suite 300, Los Angeles, CA 90025.*

RELATED CAREER—Singer in over three hundred concert appearances. NON-RELATED CAREER—Breeder and racer of thoroughbred horses.

GATES, Madelyn

RECORDINGS: ALBUMS—Cherish, Bell, 1972; also Romance, Arista. With the Partridge Family: The Partridge Family Album, Bell, 1970; Up to Date, Bell, 1971; The Partridge Family Sound Magazine, Bell, 1971; The Partridge Family Shopping Bag, Bell, 1972.

PERSONAL: Born Madelyn Pagan, March 9, in New York, NY; daughter of Ben (a teacher and director) and Dorothy (Smith) Fagan; married Lou Kates (an engineer), March, 1948 (died, January, 1988); children: Mallory June, Kathryn Jane, Joshua Nathan. EDUCATION—Attended Queens College, the Waldorf School, and New York Law School; studied acting with William Hickey at the Herbert Berghof-Uta Hagen Studio, with Lee and

AWARDS: Golden Apple Award from the Hollywood Women's Press Club, Discovery of the Year, 1971; Emmy Award nomination, Best Actor in a Dramatic Role, 1978, for Police Story; also eighteen Gold Record Awards from the Recording Industry Association of America; two Grammy Award nominations. MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association, American Society of Composers, Authors, and Publishers. ADDRESSES: MANAGER—Melanie Greene Management, 152 S. Roxbury Drive, Suite 5, Beverly Hills, CA 90212.

CASSIDY, Patrick

1961-

PERSONAL: Born January 4, 1961, in Los Angeles, CA; son of Jack Cassidy (an actor) and Shirley Jones (an actress). VOCATION: Actor. CAREER: BROADWAY DEBUT—Frederic, The Pirates ofPenzance, Uris Theatre, 1981. PRINCIPAL STAGE APPEARANCES—Jeff Barry, Leader of the Pack, Ambassador Theatre, New York City, 1985. PRINCIPAL FILM APPEARANCES—Randy, Off the Wall, Jensen Farley, 1983; Steve, Just the Way You Are, Metro-GoldwynMayer/United Artists (MGM/UA), 1984; soldier, Fever Pitch, MGM/UA, 1985; Willard Freund, Nickel Mountain, Ziv International, 1985; Miles, Burnin' Love (also known as Love at Stake), De Laurentiis Entertainment Group, 1987.

MADELYN GATES

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nue S., New York, NY 10016; Sutton, Barm, and Vennari Inc., 8322 Beverly Boulevard, Suite 202, Los Angeles, CA 90048; Twentieth Century Artists, 3800 Barham Boulevard, Suite 303, Los Angeles, CA 90068.

Paula Strasberg at the Actors' Studio, and with Charles Nelson Reilly. VOCATION: Actress. CAREER: STAGE DEBUT—Adelaide, Guys and Dolls, Winter Park, FL, 1956, for sixteen performances. OFF-BROADWAY DEBUT—Potopovna, Sunset, 81st Street Theatre, 1966. BROADWAY DEBUT—Patient, The Persecution and Assassination of JeanPaul Marat as Performed by the Inmates of the Asylum ofCharenton Under the Direction of the Marquis de Sade (also known as Mar at I Sade), Majestic Theatre, 1967. PRINCIPAL STAGE APPEARANCES— Bertha, The Kitchen, 81st Street Theatre, New York City, 1966; ensemble, The Fourth Wall (revue), Theatre East, New York City, 1968; Mabel Lamston, Lemonade, Jan Hus Playhouse, New York City, 1968; Anna, A Patriot for Me, Imperial Theatre, New York City, 1969; Connie, Snowangel, Actors Studio, then Circle Theatre Workshop, both New York City, 1972; Jeanette Fisher, Last of the Red Hot Lovers, Elysian Playhouse, New York City, 1975; Maquerelle, The Malcontent, Classic Theatre, Loretto Theatre, New York City, 1977. Also appeared in Follies, Studio Theatre Playhouse, Hollywood, CA, 1981; as Sadie, Coping, Cherry Lane Theatre, New York City; Helen, In the Boom Boom Room, Cubiculo Theatre, New York City; Soft Wonder, Ecclesiazusae, Cooper Union Theatre, New York City; Betty, Winkelberg, Theatre West, Hollywood; Sally Marr, Lenny, Charles Playhouse, Boston, MA; Connie, A Matter of Perspective, Theatre Exchange, North Hollywood, CA; Stella Deems, Follies, Mrs. Paddy, The Curious Savage, Mildred Harmon, Stormless Vows, Sally Marr, Lenny, and ensemble, Side By Side By Sondheim (revue), all the Colony, Los Angeles.

CATTRALL, Kim

1956-

PERSONAL: Born August 21, 1956, in Liverpool, England; father, a construction engineer. EDUCATION—Graduated from the American Academy of Dramatic Arts. VOCATION: Actress. CAREER: BROADWAY DEBUT—Sofya, Wild Honey, Virginia Theatre, 1986. PRINCIPAL STAGE APPEARANCES—Masha, The Three Sisters, Los Angeles Theatre Center, Los Angeles, 1985; also appeared in productions of A View from the Bridge and Agnes of God, both in Los Angeles. FILM DEBUT—Joyce, Rosebud, United Artists, 1975. PRINCIPAL FILM APPEARANCES—Sally Haines, Tribute, Twentieth CenturyFox, 1980; Ruthie, Ticket to Heaven, United Artists, 1981; Honeywell, Porky's, Twentieth Century-Fox, 1982; Karen Thompson, Police Academy, Warner Brothers, 1984; Dr. Helen Wickings, City Limits, Atlantic, 1985; Lise, Hold-Up, AMLF, 1985; Danny Boudreau, Turk 182!, Twentieth Century-Fox, 1985; Gracie Law, Big Trouble in Little China, Twentieth Century-Fox, 1986; Emmy, Mannequin, Twentieth Century-Fox, 1987; Brooke Morrison, Masquerade, Metro-Goldwyn-Mayer/United Artists, 1988; Lexa Shubb, Midnight Crossing, Vestron, 1988; Odessa, Palais Royale, Spectrafilm, 1988; Chris Nelson, For Better or For Worse, Trans World Entertainment, 1989; Justine DeWinter, The Return of the Musketeers (also known as The Return of the Three Musketeers), Universal, 1989; Aunt Eva, Brown Bread Sandwiches, Eagle, 1989. Also appeared in The Other Side of the Mountain—Part II, Universal, 1978.

FILM DEBUT—Concierge, The Producers, Embassy, 1967. PRINCIPAL FILM APPEARANCES—Agnes, A New Leaf, Paramount, 1969; Sylvia, The Heartbreak Kid, Twentieth Century-Fox, 1972; Mrs. Trent, The Devil and Max Devlin, Buena Vista, 1981; Dr. Helen Schneider, Jekyll and Hyde. . . Together Again, Paramount, 1982. TELEVISION DEBUT—Mary, The Resurrection, CBS, 1965. PRINCIPAL TELEVISION APPEARANCES—Pilots: Mrs. Gaskin, The Flamingo Kid, ABC, 1989. Episodic: Flo, Struck by Lightning, CBS, 1979; Evelyn Petschek, St. Elsewhere, NBC, 1982; Ruthie Cook, Night Court, NBC, \9Sl\ahothirtysomething, ABC, 1989; Betty, Archie Bunker's Place, CBS; Flora LaRue, Hill Street Blues, NBC; Bella Noodleman-Chang, Hooperman, ABC; Mabel, The LawandHarryMcGraw, CBS; Mrs. Dunne, The Associates, ABC; Mrs. Pfeiffer, Soap, ABC; landlady, Hunter, NBC; pickpocket, Cagney andLacey, CBS; Mrs. Landowska, Fame. Movies: Zelda, Found Money, NBC, 1983.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Melanie Adams, Scruples, CBS, 1980. Pilots: Regina Kenton, The Night Rider, ABC, 1979; Dina Moran, The Gossip Columnist, syndicated, 1980; also Amanda Tucker, The Good Witch of Laurel Canyon, 1982 (never broadcast). Episodic: The Incredible Hulk, CBS, 1979 and 1980; Columbo, NBC; Family, ABC; The Bionic Woman, ABC. Movies: Linda Isley, Good Against Evil, ABC, 1977; Anne Ware, The Bastard (also known as The Kent Family Chronicles), syndicated, 1978; Anne Kent, The Rebels, syndicated, 1979; Paula Bennett, Sins of the Past, ABC, 1984.*

RELATED CAREER—Company member, Theatre West, Hollywood, CA; company member, the Colony, Los Angeles. AWARDS: Obie Award from the Village Voice, Drama-Logue Award, and Los Angeles Critics' Circle Award.

CAVANI, Liliana

1936-

MEMBER: Actors' Equity Association (1960—), American Federation of Television and Radio Artists (1966—), Screen Actors Guild (1967—), International Women's Writing Guild.

PERSONAL: Born January 12, 1936, in Capri, Italy. EDUCATION—Attended the University of Bologna and Centro Sperimentale.

SIDELIGHTS: RECREATIONS—Writing plays and poetry, travel.

VOCATION: Writer and director.

ADDRESSES: AGENTS—Starkman Agency Inc., 1501 Broadway, New York, NY 10036; Jacobson-Wilder-Kesten, 419 Park Ave-

CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, Iphigenia in Tauris, Paris Opera, Paris, France, 1984.

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PRINCIPAL FILM WORK—Director: / cannibali (also known as The Cannibals], Doria-San Marco, 1970; (also editor) L'ospite (also known as The Guest), RAI-TV Channel 1/Lotar, 1971; The Night Porter (also known as // portiere du nolle], AVCO-Embassy, \914\Milarepa, Istituto Luce Italnoleggio Cinematografico, 1974; Oltre il bene e il male (also known as Beyond Good and Evil], United Artists, 1977; Oltra la porta (also known as Beyond the Door), Premier Releasing/Gaumont, 1982; Interno Berlinese (also known as The Berlin Affair), Cannon, 1985; Francesco (also known as St. Francis of Assist, Franciscus, and St. Francis), Istituto Luce/ Italnoleggio Cinematografico/Sacis, 1989; also La pelle, 1981. PRINCIPAL TELEVISION APPEARANCES—Specials: Three Women Filmmakers, PBS, 1987. PRINCIPAL TELEVISION WORK— Movies: Director, Francesco d'Assist, 1966; director, Galileo, 1968. Specials: The History of the Third Reich (documentary) and The Women of the Resistance (documentary). WRITINGS: See production details above. FILM—(With Italo Moscati) / cannibali, 1969; L'ospite, 1971; (with Moscati) The Night Porter, 1973, published by Einaudi, 1975; (with Moscati) Milarepa, 1974, published by Cappelli, 1974; (with Franco Arcalli and Moscati) Oltre il bene e il male, United Artists, 1977, published by Einaudi, 1977; (with Robert Katz) La pelle, 1981; (with Enrico Medioli) Oltra la porta, 1982; (with Roberta Mazzoni) Interno Berlinese, Cannon, 1985; (with Mazzoni) Francesco, 1989. TELEVISION—(With Moscati) Francesco d'Assisi, 1966, published in Francesco e Galileo: Duo film, Gribaudi, 1970; (with Moscati) Galileo, 1968, published in Francesco e Galileo: Duo film. OTHER—(With Moscati) Lettere dall'interno: Racontoper un film son Simone Weil, Einaudi, 1974.*

DICK CAVETT

as himself, Private Tutor (also known as Before God), Moviestore Entertainment, 1988; as himself, Funny, Original Cinema, 1989; as himself, After School, Quest Entertainment, 1989; also appeared as himself, CS Blues (documentary), 1972.

CAVETT, Dick

1936-

PRINCIPAL TELEVISION APPEARANCES-^Series: Host, This Morning, ABC, 1968-69; host, The Dick Cavett Show, ABC, 1969-74; host, Feeling Good, PBS, 1974-75; host, The Dick Cavett Show, CBS, 1975; host, The Dick Cavett Show, PBS, 1977-82; host, Time Was, HBO, 1979; host and narrator, Yesteryear, HBO, 1982; host, The Dick Cavett Show, USA, 1985-86; host, The Dick Cavett Show, ABC, 1986-87; host, College Bowl, Disney Channel, 1987—; host, Cavett, CNBC, 1989—. Pilots: As himself, Nightside, ABC, 1973. Episodic: Host, "Where It's At," Stage '67, ABC, 1967; as himself, Cheers, NBC, 1983; as himself, Kate andAllie, CBS, 1986; as himself, Amazing Stories, NBC, 1986; also The Ed Sullivan Show, CBS; The Tonight Show, NBC; Saturday Night Live, NBC.

PERSONAL: Full name, Richard Alva Cavett; born November 19, 1936, in Gibbon, NE; son of Alva B. (a teacher) and Eva (a teacher; maiden name, Richards) Cavett; married Carrie Nye McGeoy (an actress; professional name, Carrie Nye), June 4, 1964. EDUCATION—Yale University, B.A., English and drama, 1958. VOCATION: Talk show host, writer, and actor. CAREER: Also see WRITINGS below. BROADWAY DEBUT— Simon, Otherwise Engaged, Plymouth Theatre, 1977. PRINCIPAL STAGE APPEARANCES—Fred Allen, Parade of Stars Playing the Palace, Palace Theatre, New York City, 1983; narrator, Into the Woods, Martin Beck Theatre, New York City, 1988; Andrew Makepeace Ladd III, Love Letters, Promenade Theatre, New York City, 1989. Also appeared in productions in New York City and Williamstown, MA, 1958-60.

Specials: Tin Pan Alley Today, NBC, 1967; Plimpton! Did You Hear the One About. . .?, ABC, 1971; host, Funny Girl to Funny Lady, ABC, 1975; Dick Cavett'sBacklot U.S. A., CBS, 1976; host, "Live from Lincoln Center: The New York Philharmonic," Great Performances, PBS, 1976; host, "Live from Lincoln Center: The Barber of Seville," Great Performances, PBS, 1976; host, "Live from Lincoln Center: Andre Watts," Great Performances, PBS, 1976; host and interviewer, "Live from Lincoln Center: Swan Lake," Great Performances, PBS, 1976; host, "Zubin Mehta, the New York Philharmonic, and Shirley Verrett," Great Performances, PBS, 1977; The Marx Brothers in a Nutshell, PBS, 1982; Teddy Fender grass in Concert, HBO, 1982; Parade ofStars, ABC, 1983; Bob Hope's Super Birthday Special, NBC, 1984; host, "Live

PRINCIPAL FILM APPEARANCES—As himself, Annie Hall, United Artists, 1977; as himself, Power Play, Robert Cooper, 1978; as himself, Health (also known as H.E.A.L.T.H.), Twentieth Century-Fox, 1980; as himself, Simon, Warner Brothers, 1980; as himself, Acting: Lee Strasberg and the Actors' Studio (documentary) , Davida, 1981; as himself, A Nightmare on Elm Street 3: Dream Warriors, New Line Cinema, 1987; Bernard, Beetlejuice, Warner Brothers, 1988; as himself, Moon OverParador, Universal, 1988; 80

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Thieves After Dark), Parafrance, 1984; Lieberman, Je hais les acteurs (also known as / Hate Actors!), Gaumont, 1986; priest, L'Ete en pente douce (also known as Summer on a Soft Slope), Allied Artists, 1987; Jacques' father, Jeux d'artifices (also known as Games of Artifice and Fireworks), Forum Distribution/Films du Volcan, 1987; Pierre Vergne, Alouette, je teplumerai (also known as The Lark and Alouette plumerai), Union Generale Cinematographique, 1988.

from Lincoln Center: Giselle," Great Performances, PBS, 1985; Bob Hope Buys NBC?, NBC, 1985; host, Yesteryear . . . 7927, HBO, 1985; Harry Belafonte: Don't Stop the Carnival, HBO, 1985; host, The Grand Tour, syndicated, 1985; host, Bodywatch: In Search of the Perfect Day, PBS, 1986; host and narrator, Faces of Japan, PBS, 1986; host, Japan's Grand Kabuki in America, PBS, 1986; Penn and Teller's Invisible Thread, Showtime, 1987; The Classical Music Awards, Arts and Entertainment, 1988; The Designing Edge: An Aspen Journal (also known as For Our Times), CBS, 1988.

Also appeared in Le Coup de berger, 1956; Le Beau Serge (also known as Bitter Reunion and Handsome Serge), Ajym Films, 1958, released in the United States by United Motion Pictures, 1959; Les Jeux de I'amour, 1959; A double tour (also known as Doppa mandata, Web of Passion, and Leda), Paris-Titanus, 1959, released in the United States by Times, 1961; Les Bonnes Femmes, Paris-Titanus, 1960, released in the United States by Harold Cornsweet Productions, 1966; Saint-Tropez blues, 1960; Les Distractions, 1960; Paris nous appartient (also known as Paris Belongs to Us and Paris Is Ours), Ajym Films/Films du Carrosse, 1960, released in the United States by Merlyn, 1962; Les Godelureaux, 1961; Les Menteurs (also known as The Liars), Mediterranee Cinema, 1961, released in the United States by Shawn International/Ellis, 1964; "L'Avarice" in Les Sept peches capitaux (also known as Seven Capital Sins and I sette pecati capitali), Gibe/ Franco-London/Titanus, 1962, released in the United States by Embassy, 1962; Les Durs a cuire, 1964; Marie-Chantal contre le Docteur Kha (also known as Marie Chantal against Dr. Kha), Rome-Paris Films/Dia/Mega and Magreb Unifilm, 1965; Le Tigre se parfume a la dynamite (also known as An Orchid for the Tiger and The Tiger Uses Dynamite for Perfume), 1965; Brigitte et Brigitte, 1965; Zoe bonne, 1966; La Femme ecarlate, 1968; Et crad, 1969; Version Latine, 1969; Le Travail, 1969; La Rupture (also known as Le Jour des parques and The Breakup), Films la Boetie/Euro International/Cinevog, 1970; Sortie de secours, Adel Productions, 1970; Aussi loin que Vamour (also known as As Far as Love Can Go), Columbia, 1971; Un Meurtre est un meurtre (also known as A Murder Is a Murder), Planfilm, 1972; Le Flipping, 1973; Les Folies d'Elodie (also known as The Naughty Blue Knickers), New Realm Distributors, 1981; Suivez mon regard (also known as Follow My Gaze), Union General Cinematographique/ World Marketing, 1985; Sale destin! (also known as Rotten Fate!), Allied Artists, 1987.

RELATED CAREER—Nightclub performer, 1963-68; actor in U.S. Army training films; actor in television commercials. NON-RELATED CAREER—Copyboy, Time magazine, New York City, 1960. WRITINGS: TELEVISION—Series: Staff writer, The Tonight Show, NBC, 1960-62; staff writer, The Merv Griffin Show, NBC, 196263; staff writer, The Jerry Lewis Show, ABC, 1963; The Dick CavettShow, CBS, 1975. OTHER—(With Christopher Porterfield) Cavett (autobiography), Harcourt, 1974; (with Porterfield) Eye on Cavett (autobiography), Arbor House, 1983; also contributor to such magazines as Newsweek, Film Comment, and U.S. News and World Report. A WARDS: Emmy Awards, Best Talk Show, 1969, 1972, and 1974, all for The Dick Cavett Show. ADDRESSES: OFFICE—Daphne Productions, 1 W. 67th Street, New York, NY 10023. AGENTS—Jerry Hogan, Henderson/Hogan Associates, 200 W. 57th Street, New York, NY 10019; William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

CHABROL, Claude

CHABROL

1930-

PERSONAL: Born June 24, 1930, in Paris, France; son of Yves and Madeleine (Delarbre) Chabrol; married Agnes Marie-Madeleine Goute, June 26, 1952 (divorced); married Stephane Audran (an actress), December 4, 1964; children: Jean-Yves, Mathieu (first marriage); Thomas (second marriage). EDUCATION—Received licencie es lettres from the Sorbonne.

FIRST FILM WORK—Producer and director, Le Beau Serge (also known as Bitter Reunion and Handsome Serge), Ajym Films, 1958, released in the United States by United Motion Picture, 1959. PRINCIPAL FILM WORK—All as director unless indicated: (Also producer) Les Cousins (also known as The Cousins), Ajym Films/ Societe Francaise de Cinema, 1958, released in the United States by Films-Around-the-World, 1959; A double tour (also known as Doppa mandata, Web of Passion, and Leda), Paris-Titanus, 1960, released in the United States by Times, 1961; art director and technical advisor, A bout de souffle (also known as Breathless), Societe Nouvelle de Cinema, 1960, released in the United States by Films-around-the-World, 1961; Les Bonnes Femmes, Rome-Paris Films, 1960, released in the United States by Harold Cornsweet, 1966; L'Oeil du malin (also known as The Third Lover), RomeParis Films, 1962, released in the United States by Atlantic, 1963; "L'Avarice" in Les Sept peches capitaux (also known as Seven Capital Sins and I sette pecati capitali), Gibe/Franco-London/ Titanus, 1962, released in the United States by Embassy, 1963; Landru (also known as Bluebeard), Rome-Paris Films, 1963, released in the United States by Embassy, 1963; Ophelia, Boreal Film, 1963, released in the United States by Trans-Lux Distributing, 1964.

VOCATION: Director and writer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, Macbeth, Theatre Recamier, Paris, France, 1964. PRINCIPAL FILM APPEARANCES—The Husband, "La Muette" in Paris vu par . . . (also known as Six in Paris), Les Films du Losange, 1965, released in the United States by New Yorker, 1968; Alcibiades, La Route de Corinthe (also known as Who's Got the Black Box? and The Road to Corinth), Films la Boetie, 1967, released in the United States by RAF, 1970; the Filmmaker, Les Biches (also known as The Heterosexuals, The Does, and The Girlfriends), Films la Boetie/Alexandra, 1968, released in the United States by Jack H. Harris, 1968; man in publisher's office, Folies bourgeoises (also known as The Twist and Twist), Union Generale Cinematographique/Parafrance, 1976; metteur en scene, L'Animal, Roissy/AMLF, 1977; Theodore Lyssenko, Po/ar, Films Noirs, 1982; Louis Crepin, Les Voleurs de la nuit (also known as 81

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"Paris" in Les Plus belles escroqueries du monde (also known as The Beautiful Swindlers and The World's Greatest Swindles}, 1964, released in the United States by Ellis/Continental Distributing, 1967; Marie-Chantal centre le Docteur Kha (also known as Marie Chantal Against Dr. Kha), Rome-Paris Films/Dia/Mega and Magreb Unifilm, 1965; La Ligne de demarcation (also known as The Line of Demarcation), Rome-Paris Films/Societe Nouvelle de Cinema, 1966; "La Muette" in Paris vupar. . . (also known as Six in Paris), Les Films du Losange, 1965, released in the United States by New Yorker, 1968; Le Scandale (also known as The Champagne Murders), Universal France, 1967, released in the United States by Universal, 1968; La Route de Corinthe (also known as Who's Got the Black Box? and The Road to Corinth), Films la Boetie, 1967, released in the United States by RAF, 1970; Les Biches (also known as The Heterosexuals, The Does, and The Girlfriends), Films la Boetie/Alexandra, 1968, released in the United States by Jack H. Harris, 1968; La Femme infidele (also known as The Unfaithful Wife), Films la Boetie/Cinegai, 1969, released in the United States by Allied Artists, 1969; Que la bete meure (also known as This Man Must Die, Killer!, and Uccidero un uomo), Films la Boetie/Rizzoli, 1969, released in the United States by Allied Artists, 1970.

1966; technical advisor, Piege a pucelles, 1972; The Bench of Desolation (short film), 1974; Les Magiciens (also known as Initiation a la morte and Profezia di un delitto), 1975. PRINCIPAL TELEVISION WORK—All as director. Episodic: "Monsieur Bebe," "Nul n'est parfait," "Une invitation a la chasse," and "Les Gens de 1'ete," all Histoires insolites, 1974; "De Grey" and "Le Bane de la desolation," both Henry James, \914;Madame lejuge, 1978. Movies: The Blood of Others, HBO, 1984. RELATED CAREER—Film critic, Cahiers du Cinema, 1953-57; public relations director, Twentieth Century-Fox, Paris, 1955; president, Ajym Films (a production company), 1956-61. WRITINGS: See production details above. FILM—Le Beau Serge, 1958; (with Paul Gegauff) Les Cousins, 1958; Le Coup de berger, 1959; (with Gegauff) Les Bonnes Femmes, 1960; (co-adaptor) Les Godelureaux, 1961; L' Oeil du malin, 1961; (with Francoise Sagan) Landru, 1962, published by Julliard, 1963; (with Gegauff) Ophelia, 1963; (with Christian Yves) Marie-Chantal contre le Doctre Kha, 1965; (with Colonel Remy and Daniel Boulanger) La Ligne de demarcation, 1966; "La Muette" in Paris vu par . . ., 1965; (with Gegauff) Les Biches, 1968; La Femme infidel, 1969; (with Gegauff) Que la bete muere, 1969; La Rupture, 1970; Le Boucher, 1970; Juste avant la nuit, 1971; (song only) Docteur Popaul, 1972; Les Noces rouges, 1973, published by Seghers, 1973; (with JeanPatrick Manchette) Nada, 1974; (with Jean-Patrick Manchette) Les innocents aux mains sales, 1975; (with Ennio DeConcini, Maria Piafusto, and Norman Enfield) Folies bourgeoises, 1976; Alice, ou la derniere fugue, 1976; (with R. Sidney) Les Liens de sang, 1977; (with Daniel Boulanger) Le Cheval d'orgueil, 1979; Les Fantomes du chapelier, 1982; (with Dominique Roulet) Poulet au vinaigre, 1985; (with Roulet) Inspecteur Lavardin, 1986; (with Odile Barski) Le Cri du hibou, 1987; (with Barski), Masques, 1987; (with Colo Tavernier O'Hagan) Une Affaire de femmes, 1988; (adaptor) Dr. M., Cori Film Distributors, 1990.

La Rupture (also known as Le Jour desparques and The Breakup), Films la Boetie/Euro International/Cinevog, 1970; Le Boucher (also known as The Butcher), Films la Boetie/Euro International, 1970, released in the United States by Cinerama, 1971; technical advisor, Eglantine, CFDC/Union Generale Cinematographique, 1971; La Decadeprodigieuse (also known as Ten Days' Wonder), Films la Boetie, 1971, released in the United States by LevittPickman, 1972; Juste avant la nuit (also known as Just Before Nightfall), Films la Boetie/Columbia/Cinegai, 1971, released in the United States by Libra, 1975; Docteur Popaul (also known as Scoundrel in White, High Heels, and Doctor Popaul), CIC, 1972; Les Noces rouges (also known as Wedding in Blood and Red Wedding Night), Films la Boetie/Canaria Films, 1973, released in the United States by CIC, 1974; Une Partie deplaisir (also known as A Piece of Pleasure, Pleasure Party, and Love Match), Artificial Eye/Films la Boetie, 1974; Nada (also known as The Nada Gang), Films la Boetie/Italian International Film, 1974, released in the United States by New Line Cinema, 1974; Les Innocents aux mains sales (also known as Dirty Hands and Innocents with Dirty Hands), Films la Boetie/New Line Cinema, 1975; Folies bourgeoises (also known as The Twist and Twist), Union General Cinematographique/ Parafrance, 1976; Alice, ou la derniere fugue (also known as Alice, or the Last Escapade), Filmel/PHPG, 1976; Les Liens de sang (also known as Blood Relatives and Blood Ties), Societe nouvelle de cinema, 1977; VioletteNoziere (also known as Violette), Gaumont/ New Yorker, 1978; Le Cheval d'orgeuil (also known as Horse of Pride and The Proud Ones), Planfilm, 1979.

OTHER—Nonfiction: (With Eric Rohmer) Hitchcock, Editions Universitaires, 1957, translated by Stanley Hochman as Hitchcock: The First Forty-Four Films, Ungar, 1979; Le Recit feminin: Contribution a V analyse semiologique du courrier du coeur et des entrevues ou ' 'enquetes ' sur la femme dans la presse feminine actuelle, Mouton, 1971; (with Louis Marin) Le Recit evangelique, Aubier Montaigne, 1974, translated by Alfred M. Johnson, Jr. as The Gospel Narrative, Pickwick, 1980. AWARDS: Grand Prize from the Locarno Film Festival, 1958, for Le Beau Serge; Golden Bear Award from the Berlin Film Festival, 1959, for Les Cousins. ADDRESSES: OFFICE—15 Quai Conti, 75006 Paris, France.*

Les Fantomes du chapelier (also known as The Hatter's Ghost and The Hatmaker), Gaumont, 1982; Poulet au vinaigre (also known as Cop au vin), MK2/Virgin Vision, 1985; Inspecteur Lavardin, MK2/Artificial Eye, 1986; Le Cri du hibou (also known as The Cry of the Owl), United International, 1987; Masques (also known as Masks), Cannon Releasing/MK2, 1987; Une Affaire de femmes (also known as Story of Women, Women's Affairs, and Women's Business), MK2, 1988, released in the United States by New Yorker, 1989; Dr. M., Cori Film Distributors, 1990. Also director unless indicated: Les Godelureaux, 1961; supervisor, Pies v dezju (also known as Dance in the Rain), 1961; Le Tigre aime la chair fraiche (also known as The Tiger Likes Fresh Blood}, 1964; (linking sequences only) La Chance et I'amour, 1964; Le Tigre separfume a la dynamite (also known as An Orchid for the Tiger and The Tiger Uses Dynamite for Perfume), 1965; technical advisor, Happening,

CHAPMAN, Graham

1941-1989

PERSONAL: Born January 8, 1941, in Leicester, England; died of cancer, October 4, 1989, in Maidstone, England; son of Walter (a policeman) and Edith (Towers) Chapman; children: one son. EDUCATION—Cambridge University, M.A., 1962; St. Bartholomew's Hospital Medical School, M.B., B.Ch., 1966. VOCATION: Actor and writer.

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and Kevin Billington) The Rise and Rise of Michael Rimmer, 1970; (with Bob Larbey, John Esmonde, Dave Freeman, and Barry Cryer) The Magnificent Seven Deadly Sins, Tigon, 1971; (with Monty Python [John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin]) And Now for Something Completely Different, 1972; (with Cleese) Rentadick, Virgin, 1972; (with Monty Python) Monty Python and the Holy Grail, 1975, published by Methuen, 1977, and as Monty Python's Second Film: A First Draft, Methuen, 1977; (with Bernard McKenna) The Odd Job, 1978; (with Monty Python) Monty Python s Life of Brian, 1979, published in Monty Python s Life of Brian (of Nazareth) [and] Montypythonscrapbook, Grosset, 1979; (with Monty Python) Monty Python Live at the Hollywood Bowl, 1982; (with Cook and McKenna) Yellowbeard, 1983; (with Monty Python) Monty Python's The Meaning of Life, 1983, published by Methuen, 1983.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Ensemble, Cambridge Circus (revue), Plymouth Theatre, then Square East Theatre, both New York City, 1964; various roles, Monty Python's First Farewell Tour, Drury Lane Theatre, London, 1974; various roles, Monty Python Live!, City Center Theatre, New York City, 1976; various roles, Monty Python Live at the Hollywood Bowl, Hollywood Bowl, Hollywood, CA, 1980. MAJOR TOURS—As a member of the comedy troupe Monty Python (with John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin), appeared in concert tours of U.S., U.K., and Canadian cities during the 1970s. PRINCIPAL FILM APPEARANCES—Roddy, Doctor in Trouble, Rank, 1970; Oxford stroke, The Magic Christian, Commonwealth, 1970; Fromage, The Rise and Rise of Michael Rimmer, Warner Brothers, 1970; news reader, The Statue, Cinerama, 1971; various roles, And Now for Something Completely Different, Columbia, 1972; King Arthur and various roles, Monty Python and the Holy Grail, Cinema V, 1975; Arthur Harris, The Odd Job, Columbia, 1978; Brian and various roles, Monty Python s Life of Brian (also known as The Life of Brian), Warner Brothers/Orion, 1979; various roles, Monty Python Live at the Hollywood Bowl, Columbia, 1982; title role, Yellowbeard, Orion, 1983; various roles, Monty Python's The Meaning of Life, Universal, 1983. Also appeared in Who's There (short film), 1971; Pleasure at Her Majesty's, Roger Graef, 1978; The Secret Policeman's Other Ball, United International/ Almi Cinema V, 1982.

TELEVISION—Series: The Frost Report, BBC, 1965-67; (with Cleese) At Last, the 1948 Show, BBC, 1966-67; Do Not Adjust Your Set, BBC, 1968; (with Cleese) Marty, BBC, 1968; (with Monty Python) Monty Python's Flying Circus, BBC, 1969-74. Pilots: Jake's Journey, CBS, 1988. Episodic: Doctor in the House, BBC, then syndicated, 1971; also No, That's Me Over There, BBC; Mum's the Word, BBC. Movies: (With Monty Python) Pythons in Deutschland, 1971. Specials: (With Cleese) Broaden Your Mind, 1969; (with others) That Was the Week That Was, ABC, 1985. OTHER—A Liar's Autobiography: Volume VI (autobiography), Methuen, 1980; (contributor) The Courage to Change: Personal Conversations About Alcoholism, Houghton Mifflin, 1984. With Monty Python: Monty Python's Big Red Book, edited by Eric Idle, published by Methuen, 1972, then Warner Books, 1975, and in The Complete Works of Shakespeare and Monty Python, Methuen, 1981; The Brand New Monty Python Book, edited by Idle, published by Methuen, 1973, then as The Brand New Monty Python Papperbok, Methuen, 1974, and in The Complete Works of Shakespeare and Monty Python, 1981; Monty Python's Life of Brian (of Nazareth) [and] Monty pythonscrapbook, Grosset, 1979.

PRINCIPAL FILM WORK—Producer (with Mark Forstater), The Odd Job, Columbia, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, At Last, the 1948 Show, BBC, 1966-67; regular, Monty Python s Flying Circus, BBC, 1969-74, then PBS, 1974-82; regular, The Big Show, NBC, 1980. Pilots: George, Jake's Journey, CBS, 1988. Episodic: The Ed Sullivan Show, CBS. Movies: Various roles, Pythons in Deutschland, Bavaria Atelier, 1971; Inspector Palmer, Still Crazy Like a Fox, CBS, 1987. Specials: Host, The Dangerous Film Club, HBO, 1987; 20 Years of Monty Python, Parrot Sketch Not Included, BBC-1, 1989.

RECORDINGS: ALBUMS—With Monty Python: Monty Python's Flying Circus, BBC Records, 1969; Another Monty Python Record, Charisma, 1970; Monty Python's Previous Record, Charisma, 1972; Monty Python's Matching Tie and Handkerchief, Charisma, 1973, then Arista, 1975; Monty Python Live at Drury Lane, Charisma, 1974; The Album of the Soundtrack of the Trailer of the Film "Monty Python and the Holy Grail," Arista, 1975; Monty Python Live at City Center, Arista, 1976; Monty Python's Instant Record Collection, Charisma, 1977; Monty Python's Life of Brian, Warner Brothers, 1979; Monty Python s Contractual Obligation Album, Arista, 1980; Monty Python s The Meaning of 'Life, Columbia, 1983.

PRINCIPAL TELEVISION WORK—Pilots: Producer, Jake's Journey, CBS, 1988. RELATED CAREER—Member, Monty Python (a comedy troupe), 1969-89; co-founder and director, Python (Monty) Pictures Ltd., Python Productions Ltd., Kay-Gee-Bee Music Ltd., Sea Goat Productions Ltd., and Oversea Goats Ltd. NON-RELATED CAREER—Physician.

TAPED READINGS—A Liar's Autobiography, Dove Books on Tape, 1989.

WRITINGS: See production details above. STAGE—Cambridge Circus, 1964; Monty Python's First Farewell Tour, 1974; Monty Python Live!, 1976; Monty Python Live at the Hollywood Bowl, 1980.

AWARDS: (With Monty Python) Golden Palm Award from the Cannes Film Festival, 1983, for Monty Python's The Meaning of Life. OBITUARIES AND OTHER SOURCES: Contemporary Authors, Vol. 116, Gale, 1986; Hollywood Reporter, October 5, 1989; New York Times, October 5, 1989; Variety, October 11-17, 1989.*

FILM—(With Joseph McGrath, Terry Southern, Peter Sellers, and John Cleese) The Magic Christian, 1970; (with Cleese, Peter Cook, 83

CHAPMAN CHAPMAN, Michael

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1935-

PRINCIPAL FILM APPEARANCES—Cay Rivvers, Desert Hearts, Samuel Goldwyn, 1985; Mrs. Sherman, Manhunter, De Laurentiis Entertainment Group, 1986; Anna, Call Me, Vestron, 1988; Susan Cantrell, Shakedown (also known as Blue Jean Cop), Universal, 1988; Dana Martin, Brain Dead, Concorde, 1990; also appeared in Stalking Danger, Vidmark Entertainment, 1986.

PERSONAL: Born November 21, 1935, in New York, NY; married Amy Jones (a film editor and director). VOCATION: Cinematographer and director.

PRINCIPAL TELEVISION APPEARANCES—Series: Inga Thorson, Crime Story, NBC, 1986-87. Pilots: Nikki Blake, C.A.T. Squad, NBC, 1986; Officer Dakota Goldstein, Dakota's Way, ABC, 1988. Episodic: Linda Shannon, Spenser: For Hire, ABC, 1987; Sally Stevens, The Equalizer, CBS, 1987; Carole Bernstein, Wiseguy, CBS, 1989; Lucille Benoit, UNSUB, NBC, 1989; MadelineMedford, Matlock, NBC, 1989; Clara, Booker, Fox, 1990. Movies: Kathy Fitzgerald, Disaster at Silo 7, ABC, 1988; Emily Harris, Desperado: Badlands Justice, NBC, 1989.

CAREER: PRINCIPAL FILM APPEARANCES—Taxi driver, The Last Detail, Columbia, 1973; lawyer, Shoot to Kill (also known as Deadly Pursuit), Buena Vista, 1988. PRINCIPAL FILM WORK—Camera operator, End of the Road, Allied Artists, 1970; camera operator, The Landlord, United Artists, 1970; camera operator, Klute, Warner Brothers, 1971; camera operator, The Godfather, Paramount, 1972; cinematographer, The Last Detail, Columbia, 1973; cinematographer, The White Dawn, Paramount, 1974; cinematographer, The Front, Columbia, 1976; cinematographer, The Next Man, Allied Artists, 1976; cinematographer, Taxi Driver, Columbia, 1976; production assistant, American Boy (documentary; also known as American Boy: A Profile of Steve Prince}, Cinegate, 1977; cinematographer, Invasion of the Body Snatchers, United Artists, 1978; cinematographer, Fingers, Warner Brothers, 1978; cinematographer, The Last Waltz (concert film), Universal, 1978; cinematographer, Hardcore (also known as The Hardcore Life), Columbia, 1979; cinematographer, The Wanderers, Orion, 1979; cinematographer, Raging Bull, United Artists, 1980; cinematographer, Dead Men Don't Wear Plaid, Universal, 1982; cinematographer, Personal Best, Warner Brothers, 1982; director, All the Right Moves, Twentieth Century-Fox, 1983; cinematographer, The Man with Two Brains, Warner Brothers, 1983; director, The Clan of the Cave Bear, Warner Brothers, 1986; cinematographer, The Lost Boys, Warner Brothers, 1987; cinematographer, Scrooged, Paramount, 1988; cinematographer, Shoot to Kill (also known as Deadly Pursuit), Buena Vista, 1988; cinematographer, Ghostbusters II, Columbia, 1989.

ADDRESSES: AGENT—Steve Dontanville, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

CHAVES, Richard

1951-

PERSONAL: Born October 9, 1951, in Jacksonville, FL; father, a U.S. Marine Corps officer and drug enforcement agent. EDUCATION—Attended Occidental College; studied acting at the Film Actors' Workshop, 1976-80. MILITARY—U.S. Army, 1970-73. VOCATION: Actor and playwright. CAREER: OFF-BROADWAY DEBUT—Tracers, 1985. PRINCIPAL STAGE APPEARANCES—Tracers, Los Angeles, 1980; also appeared in productions of Tracers in Chicago and London, and in Vietnam Trilogy.

PRINCIPAL TELEVISION WORK—Mini-Series: Cinematographer, King, NBC, 1978. Movies: Cinematographer, Death Be Not Proud, ABC, \915', director, The Annihilator, NBC, 1986; cinematographer, Gotham (also known as The Dead Cant Lie), Showtime, 1988. Specials: Cinematographer, Steve Martin: Comedy Is Not Pretty, NBC, 1980.

PRINCIPAL FILM APPEARANCES—Badman, Cease Fire, Cineworld, 1985; detective, Witness, Paramount, 1985; Poncho, Predator, Twentieth Century-Fox, 1987; narrator, Dear America (also known as Dear America: Letters Home from Vietnam), HBO Films, 1988.

RELATED CAREER—Worked on documentary films in New York City.

TELEVISION DEBUT—U.S. Marine captain, Eight Is Enough, ABC. PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Colonel Paul Ironhorse, War of the Worlds, syndicated, 198889. Mini-Series: Turkish lieutenant, Onassis: The Richest Man in the World, ABC, 1988. Episodic: Earl, Ohara, ABC, 1988; also Hill Street Blues, NBC; Miami Vice, NBC; Dallas, CBS; St. Elsewhere, NBC. Movies: Nolan Esherman, Penalty Phase, CBS, 1986; Iron Dog, Kenny Rogers as ' 'The Gambler'' III—The Legend Continues, CBS, 1987; also To Heal a Nation, NBC, 1988.

AWARDS: Academy Award nomination, Best Cinematography, 1981, for Raging Bull.*

CHARBONNEAU, Patricia NON-RELATED CAREER—Truck driver, hotel clerk, and postal worker.

VOCATION: Actress.

WRITINGS: STAGE—(With others) Tracers, Los Angeles, 1980.

CAREER: PRINCIPAL STAGE APPEARANCES—My Sister in This House, New Dramatists Inc., New York City, 1980; Arms and the Man, Merrimack Regional Theatre, Lowell, MA, 1983; also appeared with the Actors Theatre of Louisville, Louisville, KY, 198081 and 1982-83.

AWARDS: Los Angeles Drama Critics' Circle Award (with cast), Best Ensemble, 1980, and Theatre World Award, 1985, both for Tracers. 84

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PRINCIPAL STAGE WORK—Stage manager, The Subject Was Roses, Royale Theatre, then Winthrop Ames Theatre, later Helen Hayes Theatre, Henry Miller's Theatre, and Belasco Theatre, all New York City, 1964-66.

SIDELIGHTS: RECREATIONS—Golf. ADDRESSES: AGENT—Henderson/Hogan Agency, 247 S. Beverly Drive, Suite 102, Beverly Hills, CA 90212.*

CLARK, Matt

CLARK

PRINCIPAL FILM APPEARANCES—Packy Harrison, In the Heat of the Night, United Artists, 1967; Romulus, Will Penny, Paramount, 1968; Colonel Jellicoe, The Bridge at Remagen, United Artists, 1969; jailer, Macho Callahan, AVCO-Embassy, 1970; Rufus Brady, Monte Walsh, National General, 1970; Bailey, The Grissom Gang, Cinerama, 1971; Smiley, The Cowboys, Warner Brothers, 1972; Pete, The Culpepper Cattle Company, Twentieth CenturyFox, 1972; Bob Younger, The Great Northfield, Minnesota Raid, Universal, 1972; Qualen, Jeremiah Johnson, Warner Brothers, 1972; Nick the Grub, The Life and Times of Judge Roy Bean, National General, 1972; Yardlet, Emperor of the North Pole (also known as Emperor of the North), Twentieth Century-Fox, 1973; coroner, The Laughing Policeman (also known as An Investigation of Murder), Twentieth Century-Fox, 1973; Deputy J.W. Bell, Pat Garrett and Billy the Kid, Metro-Goldwyn-Mayer, 1973; Dude Watson, White Lightning (also known as McKlusky), United Artists, 1973; Gerhard, The Terminal Man, Warner Brothers, 1974.

1936-

PERSONAL: Born November 25, 1936, in Washington, DC; son of Frederick William (a carpenter) and Theresa (a teacher; maiden name, Castello) Clark; married Erica Lann (an artist), 1958, (divorced, 1966); children: Matthias, Jason, Seth, Amiee. VOCATION: Actor and director. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Stephen Dedalus, A Portrait of the Artist As a Young Man, Martinique Theatre, New York City, 1963; Timmy Cleary (understudy), The Subject Was Roses, Royale Theatre, then Winthrop Ames Theatre, later Helen Hayes Theatre, Henry Miller's Theatre, and Belasco Theatre, all New York City, 1964-66; also appeared in The Trial of the Catonsville Nine, Center Theatre Group, New Theatre for Now, Los Angeles, 1970; One Flew Over the Cuckoo's Nest, Burt Reynold's Jupiter Dinner Theatre, Jupiter, FL; The Connection and Tonight We Improvise, both with the Living Theatre.

Jackson, Hearts of the West (also known as Hollywood Cowboy), Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1975; Billy Bob, Outlaw Blues, Warner Brothers, 1977; Grover, Kid Vengeance, Golan-Globus/Irwin Yablans, 1977; red plainclothesman, The Driver, Twentieth Century-Fox, 1978; Spider, Dreamer, Twentieth Century-Fox, 1979; Purcell, Brubaker, Twentieth Century-Fox, 1980; Tom McCoy, An Eye for an Eye, AVCOEmbassy, 1981; Sheriff Wiatt, The Legend of the Lone Ranger, Associated Film Distribution, 1981; Dwayne, Bustin Loose, Universal, 1981; Virgil, Honkytonk Man, Warner Brothers, 1982; Mickey, Some Kind of Hero, Paramount, 1982; Chuck Winter, Love Letters (also known as My Love Letters), New World, 1983; Secretary of Defense, The Adventures ofBuckaroo Banzi: Across the Eighth Dimension, Twentieth Century-Fox, 1984; Tom McMullen, Country, Buena Vista, 1984; Uncle Henry, Return to Oz, Buena Vista, 1985; Stuart Killer, Tuff Turf, New World, 1985; Walt Clayton, Let's Get Harry, Tri-Star, 1987; Dr. Tower, The Horror Show, MGM/UA, 1989; bartender, Back to the Future III, Universal, 1990; Judge Symes, Class Action, Twentieth CenturyFox, 1990. Also appeared inHonky, JackH. Harris, \91\\Ruckus (also known as The Loner), New World, 1981. PRINCIPAL FILM WORK—Director, Da, FilmDallas, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Arthur Kipling, Dog and Cat, ABC, 1977. Mini-Series: Chief Clark, War and Remembrance, ABC, 1988; Chief Clark, The Winds of War, ABC, 1983. Pilots: Captain Kipling, Dog and Cat, ABC, 1977; Reynolds, Lacy and the Mississippi Queen, NBC, 1978; Dan O'Keefe, The Big Easy, NBC, 1982; Wolfe Crawley, Highway Honeys, NBC, 1983; Matt, Traveling Man (broadcast as an episode of CBS Summer Playhouse), CBS, 1987. Episodic: Dale Cutler, Hardcastle and McCormick, ABC, 1985; Peter Holden, Midnight Caller, NBC, 1989. Movies: Dunn, The Execution of Private Slovik, NBC, 1974; Georgie, The Great Ice Rip-Off, ABC, 1974; Charles Parimetter, Melvin Purvis: G-Man (also known as The Legend of Machine Gun Kelly), ABC, 1974; Buffalo Bill Cody, This Is the West That Was, NBC, 1974; Verne Miller, The Kansas City Massacre, ABC, 1975; George Newcombe, The Last Ride of the Dalton Gang, NBC, 1979; Bill Westbrook, The Children Nobody Wanted, CBS, 1981; Mike Raines, In the Custody of

MATT CLARK

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Strangers, ABC, 1982; Fennie Groda, Love, Mary, CBS, 1985; John Hubbard, Out of the Darkness, CBS, 1985; Doc Shabitt, The Quick and the Dead, HBO, 1987; Sergeant Grinder, Kenny Rogers as ' 'The Gambler'' III—The Legend Continues (also known as The Gambler ///), CBS, 1987; Jim Warren, Terror on Highway 91, CBS, 1989; also Lieutenant Shapper, Blind Witness. Specials: Phil Cranston, "Andrea's Story: A Hitchhiking Tragedy" (also known as "A Hitchhiking Tragedy"), ABC Afterschool Specials, ABC, 1983; pawnshop clerk, "Gambler," CBS Schoolbreak Special, CBS, 1988.

lighting, ABC, 1987. Movies: Virginia, The Mayflower Madam, CBS, 1987. ADDRESSES: AGENTS—Paul Martino and Sheila Robinson, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

PRINCIPAL TELEVISION WORK—Episodic: Director, Midnight Caller, NBC, 1989. Specials: Director, "My Dissident Mom," CBS Schoolbreak Special, CBS, 1987.

CLENNON, David

WRITINGS: FILM—(With Claude Harz) Homer, National General, 1970.

CAREER: PRINCIPAL STAGE APPEARANCES—Messenger to King John, King John and Martius, Titus Andronicus, both New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1967; Kid, The Unseen Hand and Emmett, Forensic and the Navigators (double-bill), Astor Place Theatre, New York City, 1970; Oliver, As You Like It, NYSF, Delacorte Theatre, 1973; boy, Welcome to Andromeda and narrator, Variety Obit (double-bill), Cherry Lane Theatre, New York City, 1973; Alfred Allmers, Little Eyolf, Manhattan Theatre Club, New York City, 1974; doctor, Medal of Honor Rag, Folger Theatre Group, Washington, DC, then Theatre De Lys, New York City, both 1976; Pyotr Sergeyevich Trofimov, The Cherry Orchard, NYSF, Vivian Beaumont Theatre, New York City, 1977; Jeremy M., Talking Things Over with Chekov, Victory Theatre, Hollywood, CA, 1987. Also appeared in "The Golden Goose" in Story Theatre, Yale Repertory Theatre, New Haven, CT, 1968; The Blood Knot, Long Wharf Theatre, New

VOCATION: Actor.

ADDRESSES: AGENT—The Kohner Agency, 9169 Sunset Boulevard, Los Angeles, CA 90069.

CLARKE, Caitlin

1952-

PERSONAL: Born May 3, 1952, in Pittsburgh, PA. EDUCATION— Graduated from Mt. Holyoke College and Yale University. VOCATION: Actress. CAREER: BROADWAY DEBUT—Title role, Teaneck Tanzi: The Venus Flytrap, Nederlander Theatre, 1983. PRINCIPAL STAGE APPEARANCES—Ilona and secretary, No End of Blame, Manhattan Theatre Club Downstage, New York City, 1982; Anita Manchip, Quartermaine's Terms, Playhouse 91, New York City, 1983; Ann, Summer, Manhattan Theatre Club Downstage, 1983; Jo, Thin Ice, WPA Theatre, New York City, 1984; Isabelle Rimbaud, Total Eclipse, Westside Arts Theatre, New York City, 1984; Madeline Arnold, Strange Interlude, Nederlander Theatre, New York City, 1985; Louka, Arms and the Man and Cherubino, The Marriage of Figaro, both Circle in the Square, New York City, 1985; Liz Morden, Our Country's Good, Center Theatre Group, Mark Taper Forum, Los Angeles, 1989. Also appeared in Othello, New York Shakespeare Festival, Delacorte Theatre, New York City, 1979; Bal, Chicago Theatre Group, Goodman Theatre, Chicago, IL, 1979; Summer Vacation Madness, Tyrone Guthrie Theatre, Minneapolis, MN, 1982; Not Quite Jerusalem, Long Wharf Theatre, New Haven, CT, 1983; with Arena Stage, Washington, DC, 1979-80; and in Lorenzaccio. PRINCIPAL FILM APPEARANCES—Valerian, Dragonslayer, Paramount, 1981; Simone, Crocodile Dundee, Paramount, 1986; Sharon, The Kid Brother, Kinema Amerika/Yoshimura/Gagnon Toho, l981;C2Lr\otta,PennandTeller Get Killed, Warner Brothers, 1989; Sharon, The Big Picture, Columbia, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Emma Greely, Once a Hero, ABC, 1987. Pilots: Emma Greely, Once a Hero, ABC, 1987; Jessica Hildy, The Saint (broadcast as an episode of CBS Summer Playhouse), CBS, 1987. Episodic: Elaine, Moon-

DAVID CLENNON

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COLE

CAREER: BROADWAY DEBUT—Second Lieutenant Edward Millington, Conduct Unbecoming, Ethel Barry more Theatre, 1970. PRINCIPAL STAGE APPEARANCES—Sir Henry Green, Richard II and groom, Macbeth, both National Theatre Company, Old Vic Theatre, London, 1972; Clitandre, The Misanthrope, National Theatre Company, Old Vic Theatre, 1973. Also appeared in Pump Boys and Dinettes, Piccadilly Theatre, London, 1985.

Haven, CT, 1970; Loot, Hartford Stage Company, Hartford, CT, 1972; MaratlSade, Actors' Theatre of Louisville, Louisville, KY, 1972; The Seagull Long Wharf Theatre, 1974; Tales from the Vienna Woods and Mistaken Identities, both Yale Repertory Theatre, 1978; S.S. Glencairn, Long Wharf Theatre, 1978; Beyond Therapy, Los Angeles Public Theatre, Los Angeles, 1983; Operation Sidewinder and Rosencrantz and Guildenstern Are Dead, both Williamstown Theatre Festival, Williamstown, MA.

PRINCIPAL FILM APPEARANCES—Monty, The Great St. Trinians Train Robbery, Bray wild/British Lion, 1966; Nick Topping, Silver Bears, Columbia, 1978; Tipping, Efolkes (also known as North Sea Hijack and Assault Force], Universal, 1980; Teddy Barrington, Invitation to the Wedding, New Realm Distributors Ltd., 1983.

PRINCIPAL FILM APPEARANCES—Toombs, The Paper Chase, Twentieth Century-Fox, 1973; Tim, Coming Home, United Artists, 1977; Captain, The Greatest, Columbia, 1977; Lieutenant Finley Wattsberg, Go Tell the Spartans, AVCO-Embassy, 1978; social worker, Billy in the Lowlands, FIF Inc., 1978; psychiatrist, On the Yard, Midwest Film, 1978; Thomas Franklin, Being There, United Artists, 1979; Richard Fieldston, Hide in Plain Sight, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1980; Dave Robell, Ladies and Gentlemen, the Fabulous Stains, Paramount, 1981; Consul Phil Putnam, Missing, Universal, 1981;Geb,Star50, Warner Brothers, 1982; Palmer, The Thing, Universal, 1982; newspaper editor, The Escape Artist, Orion/Warner Brothers, 1982; liaison man, The Right Stuff, Warner Brothers, 1983; Amnon, Hannah K., Universal, 1983; Brian Gilmore, Falling in Love, Paramount, 1984; Randy Hughes, Sweet Dreams, Tri-Star, 1985; Lars, The Trouble with Dick, Prolix, 1986; Blanchard, Legal Eagles, Universal, 1986; Mason Mogan, He's My Girl, Scotti Brothers, 1987; Lawrence Baird, The Couch Trip, Orion, 1988; Jack Carpenter, Betrayed, MGM/UA, 1988. Also appeared in Gray Lady Down, Universal, 1977.

PRINCIPAL TELEVISION APPEARANCES—Series: Gessler, Crossbow, Family Channel, 1987—, then as William Tell, ITV, 1988—. MiniSeries: Edward, Moll Flanders, BBC, 1975, then PBS, 1980; Gerard, The Pallisers, PBS, 1977; David Postgate, Campaign, BBC, then Dramaworks, Arts and Entertainment, both 1988; also Charles I, "By the Sword Divided," Masterpiece Theatre, PBS; The Way We Live Now, BBC. Episodic: The Dick Van Dyke Show, CBS, 1965; Batman, ABC, 1966; Tales of the Unexpected, NBC, 1977; also The Patty Duke Show, ABC; Hullabaloo, NBC; The Beverly Hillbillies, CBS; My Three Sons, CBS. Movies: Andrew Parker-Bowles, Charles and Diana: A Royal Love Story, ABC, 1982. Specials: The Julie London Special, syndicated, 1968; Algernon Moncrieff, The Importance of Being Earnest, London Weekend Television, then PBS, 1985. RELATED CAREER—Member of the singing duo Chad and Jeremy (with Chad Stuart), 1963-69, reformed briefly in 1982.

PRINCIPAL TELEVISION APPEARANCES—Series: Jeff O'Neal, Park Place, CBS, 1981. Pilots: Peter Karpf, Crime Club, CBS, 1975; David, Marriage Is Alive and Well, NBC, 1980; Steve Rawlin, Reward, ABC, 1980; Lester Brotman, First Time, Second Time, CBS, 1980; also Panic in Echo Park, NBC, 1977. Episodic: John Tate, Alfred Hitchcock Presents, NBC, 1985; Harold Bell, Sledge Hammer!, ABC, 1987; Cullen, Beauty and the Beast, CBS, 1988; Wilton Tibbies, Murder, She Wrote, CBS, 1988; Miles Drentell, thirty something, ABC, 1989 (three episodes); Mitch Duprete, Almost Grown, CBS, 1989; also Barney Miller, ABC, 1977-81 (four episodes). Movies: Tom Trimpin, The Migrants, CBS, 1974; Harry Jones, Helter Skelter, CBS, 1976; James Fitzpatrick, Gideon's Trumpet, CBS, 1980; Dr. Bruce Lyman, Special Bulletin, NBC, 1983; Reverend Werner, Best Kept Secrets, ABC, 1984; Phillip Murray, Blood and Orchids, CBS, 1986; U.S. Attorney Richard Schultz, Conspiracy: The Trial of the Chicago 8, HBO, 1987; also The Day the Bubble Burst, NBC, 1982. Specials: Medvedenko, "The Seagull," Theatre in America, PBS, 1975.

RECORDINGS: ALBUMS—With Chad and Jeremy: Yesterday s Gone, World Artists, 1965; Before and After, Columbia, 1965; also The Best of Chad and Jeremy, Capitol; Cabbages and Kings; The Arc; I Don't Want to Lose You Baby. SIDELIGHTS: FAVORITE ROLES—Charles I in By the Sword Divided. RECREATIONS—Horseback riding. ADDRESSES: AGENT—Joy Jameson Ltd., 7 W. Eaton Place Mews, London SW1X SLY, England.*

COLE, Elizabeth See ASHLEY, Elizabeth

ADDRESSES: AGENT—Smith-Freedman and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211.*

COLE, Gary CLYDE, Jeremy 1941-

PERSONAL: Born September 20, in Park Ridge, IL. EDUCATION—Studied theatre at Illinois State University.

PERSONAL: Born March 22, 1941, in Dorney, England; children: two. EDUCATION—Attended Grenoble University.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Austin, True West, Cherry Lane Theatre, New York City, 1983; Captain Marvin

VOCATION: Actor and singer. 87

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Holahan, Landscape of the Body, Goodman Theatre, Chicago, IL, 1987; also appeared in Gardenia, Goodman Theatre, 1982.

PRINCIPAL FILM APPEARANCES—Jane Adcox, Heroes, Universal, 1977; Corinne, Coming Home, United Artists, 1978; Jesse Keller, Some Kind of Hero, Paramount, 1982; Elizabeth Grimes, Go Tell It on the Mountain, Learning in Focus, 1984; Mrs. Newton, Big Shots, Twentieth Century-Fox, 1987.

PRINCIPAL FILM APPEARANCES—Assistant coach, Lucas, Twentieth Century-Fox, 1986.

PRINCIPAL TELEVISION APPEARANCES—Series: Ms. Harrison, Szysznyk, CBS, 1977-78; Blanche Nesbitt, Report to Murphy, CBS, 1982; also Deborah Mehren, The Guiding Light, CBS. MiniSeries: Mathilda, Roots, ABC, 1977; Maggie Rogers, Backstairs at the White House, NBC, 1979; Maum Sally, North and South, ABC, 1985. Pilots: Sarah Brookford, Fly Away Home, ABC, 1981. Episodic: Aunt Nanny, "The Fig Tree," WonderWorks, PBS, 1987; Ruth, A Man Called Hawk, ABC, 1989; judge, L.A. Law, NBC, 1990; also Police Woman, NBC, 1975. Movies: Betty Williams, Children of Divorce, NBC, 1980; Victorine, Mistress of Paradise, ABC, 1981; Ruth Walters, Something About Amelia, ABC, 1984; Miss Sophie, The Women of Brewster Place, ABC, 1989. Specials: ABC's Silver Anniversary Celebration: 25 Years and Still the One, ABC, 1978; Variety '77—The Year in Entertainment, CBS, 1978; teacher, When, Jenny? When?, syndicated, 1980.

PRINCIPAL TELEVISION APPEARANCES—Series: Jack Killian, Midnight Caller, NBC, 1988—. Pilots: Gordon, After Midnight, ABC, 1988. Episodic: Man with a Christmas tree, "A Matter of Principle," American Playhouse, PBS, 1984; Daniel Gaddis, "Her Pilgrim Soul," The Twilight Zone, CBS, 1985; Chris Sykes, Jack and Mike, ABC, 1986; Alan, Moonlighting, ABC, 1987; Jackson, Miami Vice, NBC, 1987. Movies: Lee, Heart of Steel, ABC, 1983; Jeffrey MacDonald, Fatal Vision, NBC, 1984; Manny, First Steps, CBS, 1985; Dr. David Hayward, Vital Signs, CBS, 1986; Detective Jack Holtz, Echoes in the Darkness, CBS, 1987; Scott Grimes, Those She Left Behind (also known as Daddy), NBC, 1987. RELATED CAREER—Co-founder and member, Remains Theatre, 1979-86; resident company member, Goodman Theatre, Chicago, IL, 1985; actor with the Steppenwolf Theatre Company, Chicago. NON-RELATED CAREER—Bartender and house painter.

AWARDS: Emmy Award, Outstanding Single Performance By a Supporting Actress in a Comedy or Drama Series, 1977, for Roots; NAACP Image Award; Ira Aldridge Award from the Roxbury Outreach Shakespeare Experience.

ADDRESSES: AGENT—Alan lezman, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild.

COLE, Olivia

ADDRESSES: AGENT—Century Artists Ltd., 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.

1942-

PERSONAL: Born November 26, 1942, in Memphis, TN; daughter of William and Arvelia (Cage) Cole; married Richard Venture. EDUCATION—Received M.A. from the University of Minnesota; studied acting at the Royal Academy of Dramatic Art.

COLEMAN, Jack 1958-

VOCATION: Actress.

PERSONAL: Born February 21, 1958, in Easton, PA. EDUCATION—Graduated from Duke University.

CAREER: PRINCIPAL STAGE APPEARANCES—Sip, The School for Scandal, APA Repertory Company, Lyceum Theatre, New York City, 1966; Lisa, War and Peace, APA Repertory Company, Lyceum Theatre, 1967; title role, Electra, New York Shakespeare Festival, Mobile Theatre, New York City, 1969; Nerissa, The Merchant of Venice, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, New York City, 1973; Nurse Lake, TheNational Health, Long Wharf Theatre, New Haven, CT, 1973, then Circle in the Square, New York City, 1974; Cariola, The Duchess of Malfi, Center Theatre Group, Mark Taper Forum, Los Angeles, 1975; Lena Younger, A Raisin in the Sun, Roundabout Theatre, New York City, 1986. Also appeared in The Tragedy ofCoriolanus, Romeo and Juliet, and The Taming of the Shrew, all American Shakespeare Festival, Stratford, CT, 1965; Six Characters in Search of an Author, Arena Stage, Washington, DC, 1968; as Gerd, Brand; Beatrice, Much Ado About Nothing; Sabina, The Skin of Our Teeth; Kate, She Stoops to Conquer; Jenny, The Threepenny Opera; Electra, The Flies; Clea, Black Comedy; Adelaide, Guys and Dolls; and with the Seattle Repertory Theatre, Seattle, WA, 1967-68; Long Wharf Theatre, 1970-71; Williamstown Playhouse, Williamstown, MA; and the Tyrone Guthrie Theatre, Minneapolis, MN.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Peter Whetworth, The Common Pursuit, Promenade Theatre, New York City, 1987; also company member, Globe of the Great Southwest, Odessa, TX, 1978. PRINCIPAL FILM APPEARANCES—Stan, The Pursuit of Happiness, Jequerity, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Jack Kositchek, Days of Our Lives, NBC, 1981-82; Steven Carrington, Dynasty, ABC, 1982-1989. Movies: Matt, Bridesmaids, CBS, 1989; Jack Devlin, Daughter of Darkness, CBS, 1990. Specials: Battle of the Network Stars, ABC, 1985. WRITINGS: FILM—(With others) The Pursuit of Happiness, Jequerity, 1987.

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ADDRESSES: AGENT—Howard Goldberg, Harris and Goldberg, 2121 Avenue of the Stars, Suite 950, Los Angeles, CA 90067.*

COLICOS, John

COLLINS

Night Gallery), NBC, 1971; Profiles in Courage, NBC. Movies: Paul Jamison, Goodbye Raggedy Ann, CBS, 1971; Lester Maypole, /'// Take Manhattan, CBS, 1987. Specials: Lucentio, "Taming of the Shrew," Hallmark Hall of Fame, NBC, 1956; Tom Pettigrew, "Berkeley Square," Hallmark Hall of Fame, NBC, 1959; Comte de Guiche, "Cyrano de Bergerac," Hallmark Hall of Fame, NBC, 1962; Porthos, The Three Musketeers, CBS, 1960; Rawdon Crawley, Vanity Fair, CBS, 1961; Wentworth, The Lives of Ben Franklin: The Ambassador, CBS, 1971.*

1928-

PERSONAL: Born December 10, 1928, in Toronto, ON, Canada. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Edmund, King Lear, City Center Theatre, 1956. BROADWAY DEBUT—De Laubardemont, The Devils, Broadway Theatre, 1965. PRINCIPAL STAGE APPEARANCES—Lodovico, Othello, Gratiano, The Merchant of Venice, and Leonato, Much Ado About Nothing, all American Shakespeare Festival, Stratford, CT, 1957; Sir Edward Mortimer, Mary Stuart, Phoenix Theatre, New York City, 1957; Laertes, Hamlet, Leontes, A Winter's Tale, and Lysander, A Midsummer Night's Dream, all American Shakespeare Festival, 1958; Tullus Aufidius, Coriolanus and Berowne, Love's Labour's Lost, both Stratford Shakespeare Festival, Stratford, ON, Canada, 1961; Caliban, The Tempest, Petruchio, The Taming of the Shrew, and Comte de Guiche, Cyrano de Bergerac, all Stratford Shakespeare Festival, 1962; Hector, Troilus and Cressida, title role, Cyrano de Bergerac, and title role, Timon of Athens, all Stratford Shakespeare Festival, 1963; title role, King Lear and Mr. Horner, The Country Wife, both Stratford Shakespeare Festival, 1964; title role, Serjeant Musgrave's Dance, Theatre De Lys, New York City, 1966; title role, Macbeth, American Shakespeare Festival, 1967; Churchill, Soldiers, Billy Rose Theatre, New York City, 1968, then New Theatre, London, 1968. Also appeared in Hogan's Goat, Olney, MD, 1966.

COLLINS, Joan

1933-

PERSONAL: Full name, Joan Henrietta Collins; born May 23, 1933 (some sources say 1931 or 1935), in London, England; daughter of Joseph William (an agent) and Elsa (Bessant) Collins; married Maxwell Reed (an actor; divorced); married Anthony Newley (an actor, singer, director, and composer), May 27, 1963 (divorced, 1971); married Ronald S. Kass (a film producer), March, 1972 (divorced); married Peter Holm, 1985 (divorced); children: Tara Cynara, Alexander Anthony (second marriage); Katyana (third marriage). EDUCATION—Attended the Royal Academy of Dramatic Art. VOCATION: Actress. CAREER: STAGE DEBUT—A Doll's House, Arts Theatre, London,

PRINCIPAL FILM APPEARANCES—Student, Forbidden Journey, United Artists, 1950; Dewar, Bond of Fear, Eros, 1956; first man, Murder on Approval (also known as Barbados Quest), RKO, 1956; Pietro, Passport to Treason, Astor, 1956; Chino, War Drums, United Artists, 1957; Cromwell, Anne of the Thousand Days, Universal, 1969; MortDellman, Doctors' Wives, Columbia, 1971; Sergeant Major Al MacKenzie, Raid on Rommel, Universal, 1971; Jimbob Buel, Red Sky at Morning, Universal, 1971; Colonel Santilla, The Wrath of God, Metro-Goldwyn-Mayer, 1972; McLeod, Scorpio, United Artists, 1973; Vincent Karbone, Breaking Point, Twentieth Century-Fox, 1976; DeMarigny, Drum, United Artists, 1976; Allan Quartermain, King Solomon's Treasure, Canafox/Towers, 1978; Count Baltar, Battlestar Galactica, Universal, 1979; Count Baltar, Mission Galactica: The Cylon Attack, Universal, 1979; DeWitt, The Changeling, Associated Film Distributors, 1980; Count Baltar, Conquest of the Earth, Glen A. Larson, 1980; Inspector Barnes, Phobia, Paramount, 1980; Nick Papadakis, The Postman Always Rings Twice, Paramount, 1981; General Howard, Nowhere to Hide, New Century/Vista, 1987; Anthony Podopolis, Shadow Dancing, Glickenhaus, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Count Baltar, Battlestar Galactica, ABC, 1978-79; Mikkos Cassadine, General Hospital, ABC, 1981. Mini-Series: Lord North, The Bastard (also known as The Kent Family Chronicles), syndicated, 1978. Pilots: Joe Ruby, A Matter of Wife . . . and Death, NBC, 1976; Major Derek Barclay-Battles, The Paradise Connection, CBS, 1979. Episodic: Kor, "Errand of Mercy," Star Trek, NBC, 1967; Lech, Night Heat, CBS, 1987; Kavakonis, Night Heat, CBS, 1988; also "Lone Survivor," Rod Serling's Night Gallery (also known as

JOAN COLLINS

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1946. PRINCIPAL STAGE APPEARANCES—Appeared in productions of Jassy, The Praying Mantis, The Skin of Our Teeth, Claudia and David, The Last of Mrs. Cheyney, and Murder in Mind.

Siren, "Ring Around the Riddler" and "The Wail of the Siren," Batman, ABC, 1967; Edith Keeler, "The City on the Edge of Forever," Star Trek, NBC, 1967; also "Mission of the Dariens," Space 1999, syndicated, 1976; Fantastic Journey, NBC, 1977; Tales of the Unexpected, NBC, 1977; "Hansel and Gretel," Fairie Tale Theater, Showtime, 1982; Fame, Fortune, and Romance, syndicated, 1986; The Virginian, NBC; Run for Your Life, NBC; Mission: Impossible, CBS; Baretta, ABC; Ellery Queen, NBC; Switch, CBS; Starsky and Hutch, ABC; Police Woman, NBC; Fantasy Island, ABC; Orson Welles' Great Mysteries, syndicated.

PRINCIPAL FILM APPEARANCES—Lil Carter, Judgment Deferred, Associated British, 1952; Pampinea, Decameron Nights, Film Locations, 1953; Norma, I Believe in You, Universal, 1953; Rene Collins, The Slasher (also known as Cosh Boy), Lippert, 1953; Mary, The Good Die Young, Independent Film Distributors, 1954; Stella Jarvis, Turn the Key Softly, Arvis, 1954; Marina, The Woman's Angle, Stratford, 1954; Sadie Patch, The Adventures of Sadie (also known as Our Girl Friday), Twentieth Century-Fox, 1955; Evelyn Nesbit Thaw, The Girl in the Red Velvet Swing, Twentieth Century-Fox, 1955; Princess Nellifer, Land of the Pharaohs, Warner Brothers, 1955; Frankie, The Square Ring, Republic, 1955; Beth Throgmorton, The Virgin Queen, Twentieth Century-Fox, 1955; Crystal Allen, The Opposite Sex, MetroGoldwyn-Mayer, 1956; Jocelyn Fleury, Island in the Sun, Twentieth Century-Fox, 1957; title role, Sea W(ife (also known as Sea Wyf and Biscuit), Twentieth Century-Fox, 1957; Tina, Stopover Tokyo, Twentieth Century-Fox, 1957; Alice Chicoy, The Wayward Bus, Twentieth Century-Fox, 1957; Josefa Velarde, The Bravados, Twentieth Century-Fox, 1958; Angela Hoffa, Rally 'round the Flag, Boys!, Twentieth Century-Fox, 1958; Esther, Esther and the King, Twentieth Century-Fox, 1960; Melanie, Seven Thieves, Twentieth Century-Fox, 1960; Diane, The Road to Hong Kong, United Artists, 1962; Jane, One Million Dollars (also known as La congiuntura), Columbia, 1965; Joanie Valens, Warning Shot, Paramount, 1967; Polyester Poontang, Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Regional, 1969; Anne Langley, Subterfuge, Commonwealth United Entertainment, 1969.

Movies: Carole Bradley, Drive Hard, Drive Fast, NBC, 1973; Kay Dillon, The Making of a Male Model, ABC, 1983; Carder Rand, The Cartier Affair, NBC, 1984; Pam Dugan, Her Life As a Man, NBC, 1984; KatrmaPetrovna, Monte C0r/0, CBS, 1986. Specials: The Bob Hope Show, NBC, 1959; The Bob Hope Show, NBC, 1962; The Bob Hope Show, NBC, 1966; Lorraine, ' The Man Who Came to Dinner," Hallmark Hall of Fame, NBC, 1972; Steve Martin—Comedy Is Not Pretty, NBC, 1980; Battle of the Network Stars, ABC, 1982; Bob Hope's Women I Love—Beautiful But Funny, NBC, 1982; Blondes vs. Brunettes, ABC, 1984; The Dean Martin Celebrity Roast: Joan Collins, NBC, 1984; All Star Party for Lucille Ball, CBS, 1984; ABC All-Star Spectacular, ABC, 1985; The Night of 100 Stars II, ABC, 1985; On Top All Over the World, syndicated, 1985; Hollywood Christmas Parade, syndicated, 1987; Secrets Women Never Share, NBC, 1987; All Star Party for Joan Collins, CBS, 1987; The 75th Anniversary of Beverly Hills, ABC, 1989. Also appeared in The Human Jungle. PRINCIPAL TELEVISION WORK—Mini-Series: Executive producer, Sins, CBS, 1986. Movies: Costume designer, The Cartier Affair, NBC, 1984; producer (with Peter Holm), Monte Carlo, CBS, 1986.

Pat Camber, Up in the Cellar (also known as Three in the Cellar), American International, 1970; Sarah Booth, The Executioner, Columbia, 1970; Carol Radford, Terror from Under the House (also known as Revenge, Inn of the Frightened People, and After Jenny Died), Hemisphere, 1971; Ottilie, Quest for Love, Rank, 1971; Joanne Clayton, "All Through the House" in Tales from the Crypt, Cinerama, 1972; Molly Carmichael, Fear in the Night, International, 1972; Bella Thompson, "Mel" in Tales That Witness Madness, Paramount, 1973; Fay, Alfie Darling, EMI, 1974; Sarah Mandeville, Dark Places, Cinerama, 1974; Black Bess, The Bawdy Adventures of Tom Jones, Universal, 1976; Lucy, The Devil within Her (also known as I Don't Want to Be Born), American International, 1976; Marilyn Pry ser, Empire of the Ants, American International, 1977; Agnes Lozelle, The Big Sleep, United Artists, 1978; Gloria, Zero to Sixty (also known as Repo), First Artists, 1978; Fontaine Khaled, The Stud, Trans-American, 1979; Fontaine Khaled, The Bitch, Brent Walker, 1979; Nera, Sunburn, Paramount, 1979; Nicolle, A Game for Vultures, New Line Cinema, 1980; Diana, Homework, Jensen Farley, 1982; Madame Carrere, Nutcracker, Rank, 1982. Also appeared in Lady Godiva Rides Again, Carroll, 1955;//It's Tuesday, This Must Be Belgium, United Artists, \969\The Aquarian, 1972; State ofSiege, Cinema V, 1973; The Referee, 1974; The Great Adventure, Pacific International, 1976; Poliziotto senza Paula, 1977; Neck, 1983; Georgy Porgy, 1983.

RELATED CAREER—Appeared in the home video release, The Joan Collins Video Special, 1981. WRITINGS: Past Imperfect: An Autobiography, W.H. Allen, 1978, revised edition published by Simon & Schuster, 1984; The Joan Collins Beauty Book, Macmillan, 1980; Katy: A Fight for Life (biography), Gollancz, 1982; Prime Time (novel), Simon & Schuster, 1988. AWARDS: Golden Apple Star of the Year from the Hollywood Women's Press Club, 1982; Golden Globe, Best Television Actress—Series (Drama), 1982, for Dynasty. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. SIDELIGHTS: RECREATIONS—Travel. ADDRESSES: AGENT—Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212.*

PRINCIPAL TELEVISION APPEARANCES—Series: Alexis Carrington Colby, Dynasty, ABC, 1981-89. Mini-Series: Avril Devereaux, Arthur Hailey's "The Moneychangers" (also known as The Moneychangers), NBC, 1976; Helene Junot, Sins, CBS, 1986. Pilots: Racine, Paper Dolls, ABC, 1982; Annie McCulloch, The Wild Women of Chastity Gulch, ABC, 1982. Episodic: Lorelei Circe/the

COLLINS, Pauline 1940PERSONAL: Born September 3, 1940, in Exmouth, England; daughter of William Henry and Mary Honora (a school teacher; maiden name, Callanan) Collins; married John Alderton (an actor);

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CONSIDINE

CAREER: FIRST TELEVISION WORK—Associate producer, Dr. Kildare, NBC, 1961. PRINCIPAL TELEVISION WORK—Producer, The Love Boat, ABC, 1977-86; producer, "Parent Trap, "Magical World of Disney, NBC, 1989; producer, Top of the Hill, CBS, 1989; also producer, Hotel, ABC. Pilots: Associate producer, The Love Boat, ABC, 1976; producer, The Love Boat II, ABC, 1977; producer, The New Love Boat, ABC, 1977; also producer, Lame Duck. Movies: Producer, The Dead Don't Die, NBC, 1975; producer, Who Is the Black Dahlia?, NBC, 1975; producer, Body of Evidence, CBS, 1988; supervising producer, Terror on Highway 91, CBS, 1989; producer, The Parent Trap III, Disney Channel, 1989.

children: four. EDUCATION—Trained for the stage at Central School of Speech and Drama. VOCATION: Actress. CAREER: STAGE DEBUT—Sabina, A Gazelle in Park Lane, Theatre Royal, Windsor, U.K., 1962. LONDON DEBUT—Lady Janet Wigton, Passion Flower Hotel, Prince of Wales Theatre, 1965. BROADWAY DEBUT—Title role, Shirley Valentine, Booth Theatre, 1989. PRINCIPAL STAGE APPEARANCES—Lou, The Erpingham Camp, Royal Court Theatre, London, 1967; Nancy Gray, The Happy Apple, Hampstead Theatre Club, London, 1967; Cecily Cardew, The Importance of Being Earnest, Hay market Theatre, London, 1968; Brenda Cooper, The Night I Chased the Women with an Eel, Comedy Theatre, London, 1969; Rosemary and Claire, Come As You Are, New Theatre, London, 1970; Nancy Gray, The Happy Apple, Apollo Theatre, London, 1970; Judy, Judies, Comedy Theatre, 1974; Minnie Symperson, Engaged, National Theatre Company, Old Vic Theatre, London, 1975; Lucy, "Mother Figure," Paula, "Drinking Companion," Polly, "Between Mouthfuls," Milly, "Gosforth'sFete," and Beryl, "A Talk in the Park,'' in Confusions, Apollo Theatre, 1976; Yeliena Ivanovna, The Bear, Royal Court Theatre, 1978; Phoebe Craddock, Romantic Comedy, Apollo Theatre, 1983; title role, Shirley Valentine, Vaudeville Theatre, London, 1988.

RELATED CAREER—Guest lecturer, University of California, Los Angeles, 1980-87; guest lecturer, University of Southern California, 1980-87; guest lecturer on film and television, University of Michigan, 1987. WRITINGS: TELEVISION—Episodic: The Love Boat (ten episodes), ABC; Hotel, ABC. MEMBER: Writers Guild of America—West. ADDRESSES: OFFICE—7083 Hollywood Boulevard, Los Angeles, CA 90028. AGENT—Cooper Agency, 10100 Santa Monica Boulevard, Los Angeles, CA 90067.

PRINCIPAL FILM APPEARANCES—Pat Lord, Secrets of a Windmill Girl, Compton, 1966; title role, Shirley Valentine, Paramount, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Clara Danby, No—Honestly, PBS, 1975; Sarah, Upstairs, Downstairs, London Weekend Television, then Masterpiece Theatre, PBS, 1974; also Forever Green, ITV, 1989; Thomas and Sarah and Wodehouse Playhouse. Mini-Series: Maggie Hewson, The Black Tower, Anglia Television, then Mystery!, PBS, \9$8', also Country Matters II, Granada, then Masterpiece Theatre, PBS, 1979. Movies: Knockback.

CONSIDINE, John VOCATION: Actor and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—John, The Greatest Story Ever Told, United Artists, 1965; title role, Doctor Death: Seeker of Souls, Cinerama, 1973; man at bar, California Split, Columbia, 1974; Frank Butler, Buffalo Bill and the Indians, or Sitting Bull's History Lesson, United Artists, 1976; Jack Goode, Welcome to L.A., United Artists, 1976; Lamar, The Late Show, Warner Brothers, 1977; Jeff Kuykendall, A Wedding, Twentieth Century-Fox, 1978; Webster, When Time Ran Out, Warner Brothers, 1980; Jordan Carelli, Mystique, Television International/Qui, 1981; Burnside, Endangered Species, MetroGold wyn-Mayer/United Artists, 1982; Dr. Ernest Greene, Choose Me, Island Alive, 1984; Nate Nathanson, Trouble in Mind, Alive, 1985; angel with tophat, Made in Heaven, Lorimar, 1987; General MacDonald, Opposing Force, Orion, 1987. Also appeared in The Thirsty Dead (also known as The Blood Cult of Shangra-La), International Amusements, 1975.

NON-RELATED CAREER—School teacher. AWARDS: Laurence Olivier Award, Best Actress in a New Play, 1988, Drama Desk Award, Best Actress in a Play, Antoinette Perry Award, Best Actress in a Play, Drama League of New York Award, Distinguished Performance, and special Theatre World Award, all 1989, for Shirley Valentine; Academy Award nomination, Best Actress, 1990, for Shirley Valentine. SIDELIGHTS: RECREATIONS—Writing. ADDRESSES: AGENT—James Sharkey Associates, 15 Golden Square, Third Floor Suite, London W1R 3AG, England.*

PRINCIPAL TELEVISION APPEARANCES-^Series: Dr. Brian Walsh, Bright Promise, NBC, 1969-72; also Vic Hastings, Another World, NBC; Reginald Love, Another World, NBC. Pilots: Lou Krone, Mickey Spillane's Margin for Murder, CBS, 1981. Episodic: Bertram Cabot, "The Man Who Was Never Born," The Outer Limits, ABC, 1963; Claude Dashelle, Hollywood Beat, ABC, 1985; Eric, Hardcastle and McCormick, ABC, 1985; Philip Nordstrom, Knight Rider, NBC, 1985; Lean, The A-Tearn, NBC, 1986; Lieutenant Braden, The Colbys, ABC, 1986; Reverend Rawlinson, Remington Steele, NBC, 1986; John Nottingham, Simon and Simon, CBS, 1988; Alex Caulfield, Highway to Heaven, NBC, 1989; David Prescott, Dynasty, ABC, 1989; also Taxi, ABC, 1981. Movies: Larry Quinn, See How She Runs, CBS, 1978;

COLMAN, Henry PERSONAL: Born September 15, in Altoona, PA. EDUCATION— Received B.S.in drama from Columbia University; also attended the University of Michigan. VOCATION: Producer, director, and screenwriter.

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interviewer, The Shadow Box, ABC, 1980; Dr. Coleman, Mother's Day on Walton's Mountain, NBC, 1982; Frank Wells, MarionRose White, CBS, 1982; Curtis Bittan, Forbidden Love, CBS, 1982; Steve Moss, Dixie: Changing Habits, CBS, 1983; Ed Judson, Rita Hayworth: The Love Goddess, CBS, 1983; Jack Blaine, Passions, CBS, 1984; Dr. Mathew Crawford, Timestalkers, CBS, 1987; also Incident in San Francisco, ABC, 1971. Specials: Richard Coburn, Time for Elizabeth, NBC, 1964.

Paris, Texas (original soundtrack), Warner Brothers, 1984; Alamo Bay (original soundtrack), Warner Brothers, 1985; Blue City (original soundtrack), Warner Brothers, 1986; Crossroads (original soundtrack), Warner Brothers, 1986. ADDRESSES: PUBLICIST—Press Relations, Warner Brother Records, 3300 Warner Boulevard, Burbank, CA 91510.*

WRITINGS: FILM—(With Lee Erwin, Jack A. Robinson, and Tim Considine) Tarzans Deadly Silence (also known as The Deadly Silence], National General, 1970; (with Patricia Resnick, Allan Nicholls, and Robert Altman) A Wedding, Twentieth Century-Fox, 1978. TELEVISION—Dixie: Changing Habits, CBS, 1983.

COOK, Elisha, Jr.

1906-

PERSONAL: Born December 26, 1906, in San Francisco, CA; son of Elisha and Helen (an actress; maiden name, Henry) Cook; married first wife, Mary, 1929 (divorced, 1942). MILITARY—U.S. Army Air Corps, 1942-43.

ADDRESSES: AGENT—Susan Smith, Smith-Freedman and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211 .*

VOCATION: Actor.

COODER, Ry

CAREER: STAGE DEBUT—Lightniri, Chicago, IL, 1921. LONDON DEBUT—Jimmie Besant, Coquette, Apollo Theatre, 1929. PRINCIPAL STAGE APPEARANCES—Felix, The Crooked Friday, Bijou Theatre, New York City, 1925; Joe Bullitt, Hello, Lola, Eltinge Theatre, New York City, 1926; ensemble, Great Temptations (revue), Winter Garden Theatre, New York City, 1926; Dick Wilton, Henry—Behave and Jimmie, Gertie, both Nora Bayes Theatre, New York City, 1926; Algernon Simpson, Jimmy's Women, Biltmore Theatre, New York City, 1927; Stewart Kennedy, Her Unborn Child, Eltinge Theatre, 1928; Felix, The Kingdom of God, Ethel Barrymore Theatre, New York City, 1928; Stan Price, Many a Slip, Little Theatre, New York City, 1930; Emptyhead, Privilege Car, 48th Street Theatre, New York City, 1931; Francis Demarco, Lost Boy, Mansfield Theatre, New York City, 1932; Ed Martin, Merry-Go-Round, Provincetown Playhouse, New York City, 1932; Honey Rogers, Chrysalis, Martin Beck Theatre, New York City, 1932; Ed Rumplegar, Three-Cornered Moon, Cort Theatre, New York City, 1933; Richard, Ah, Wilderness!, Guild Theatre, New York City, 1933; Russell Gibbons, Crime Marches On, Morosco Theatre, New York City, 1935; Bird, Come Angel Band, 46th Street Theatre, New York City, 1936; reporter, Lightin', John Golden Theatre, New York City, 1938; Guiseppe Givola, Arturo Ui, Lunt-Fontanne Theatre, New York City, 1963. Also appeared in Goodbye Again, Grossinger Playhouse, Ferndale, NY, 1933; and as Mel Frank, Once Upon a Night, Wilmington, DE, 1938.

1947-

PERSONAL: Full name, Ryland Peter Cooder; born March 15, 1947, in Los Angeles, CA. VOCATION: Composer, arranger, guitarist, and singer. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Music arranger, The Long Riders, United Artists, 1980; music arranger, Southern Comfort, Twentieth Century-Fox, 1981. PRINCIPAL TELEVISION APPEARANCES—Specials: Jim Henson's Ghost of Faffner Hall, HBO, 1989. RELATED CAREER—Guitarist with the rock band the Rising Sons, 1966-67; studio guitarist on albums by Captain Beefheart, the Rolling Stones, Randy Newman, Arlo Guthrie, John Cougar Mellencamp, and others; recording artist. WRITINGS: All as composer. FILM—(Contributor) Candy, Cinerama, 1968; (contributor) Performance, Warner Brothers, 1970; (with Jack Nitzche) Blue Collar, Universal, 1978; The Long Riders, United Artists, 1980; Southern Comfort, Twentieth Century-Fox, \9%\\ The Border, Universal, 1982; Paris, Texas, Twentieth Century-Fox, 1984; Streets of Fire, Universal/RKO, 1984; Alamo Bay, Tri-Star, 1985; Brewstef s Millions, Universal, 1985; Blue City, Paramount, 1986; Crossroads, Columbia, 1986; Johnny Handsome, Tri-Star, 1989.

MAJOR TOURS—Richard, Ah, Wilderness!, U.S. cities, 1934-35; also appeared in Twelfth Night and When Hell Froze, U.S. cities, both 1929.

TELEVISION—Series: (Theme music) Beverly Hills Buntz, 1987. Pilots: Cowboy Joe, ABC, 1988. Specials: Episodic: "Annie Oakley," Shelley Duvall's Tall Tales and Legends, Showtime, 1985; "The Man Who Was Death," Tales from the Crypt, HBO, 1989.

FILM DEBUT—Stewart Kennedy, Her Unborn Child, 1930. PRINCIPAL FILM APPEARANCES—Herbert Terwilliger Van Dyck, Pigskin Parade (also known as Harmony Parade), Twentieth Century-Fox, 1936; Skeeter, Two in a Crowd, Universal, 1936; Pete, Breezing Home, Universal, 1937; chemist, Danger—Love at Work, Twentieth Century-Fox, 1937; Tony Stevens, The Devil Is Driving, Columbia, 1937; Ollie Stearns, Life Begins in College (also known as The Joy Parade), Twentieth Century-Fox, 1937; Egbert Eggleston, Love Is News, Twentieth Century-Fox, 1937; Joe Turner, They Won't Forget, Warner Brothers, 1937; Glen Wylie, Wife, Doctor, and Nurse, Twentieth Century-Fox, 1937; Waldo, My Lucky Star, Twentieth Century-Fox, 1938; "Professor" Pratt, Submarine Patrol, Twentieth Century-Fox, 1938; boy, Three Blind Mice, Twentieth Century-Fox, 1938; Robert Austin

RECORDINGS: ALBUMS—/ty Cooder, Reprise, 1970; Into the Purple Valley, Reprise, 1971; Boomer's Story, Reprise, 1972; Paradise and Lunch, Reprise, 1974; Chicken Skin Music, Warner Brothers, 1976; Show Time, Warner Brothers, 1977; Jazz, Warner Brothers, 1978; Bop Till You Drop, Warner Brothers, 1979; Borderline, Warner Brothers, 1980; The Long Riders (original soundtrack), Warner Brothers, 1980; Southern Comfort (original soundtrack), Warner Brothers, 1981; The Border (original soundtrack), Warner Brothers, 1982; The Slide Area, Warner Brothers, 1982;

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COOK

nesota Raid, Universal, 1972; Gray Cat, Emperor of the North Pole (also known as Emperor of the North), Twentieth Century-Fox, 1973; Willie, Electra Glide in Blue, United Artists, 1973; Carl, The Outfit (also known as The Good Guys Always Win), MGM, 1973; Cody, Pat Garrett and Billy the Kid, MGM, 1973; Charlie, Dead People (also known as Messiah of Evil, Return of the Living Dead, Revenge of the Screaming Dead, and The Second Coming), Cinefilm, 1974; Wilmer, The Black Bird, Columbia, 1975; Eddie, St. Ives, Warner Brothers, 1976; Reverend Will Finley, Winterhawk, Howco International, 1976; Georgie, The Champ, Metro-Goldwyn-Mayer/ United Artists MGM/UA), 1979; patron, 1941, Universal, 1979; On-Your-Mark, Carny, United Artists, 1980; stable hand, Tom Horn, Warner Brothers, 1980; Sergeant Billy, Harry's War, Taft International, 1981; Mousy, "Municipalians" in National Lampoon Goes to the Movies, MGM/UA, 1981; Eli (the taxi driver), Hammett, Warner Brothers, 1982. Also appeared in Bullets or Ballots, Warner Brothers, 1936; Casanova Brown, RKO, 1944.

and Norman Hazlitt, Grand Jury Secrets, Paramount, 1939; Danny, Newsboy's Home, Universal, 1939. Communist, Public Deb No. 1, Twentieth Century-Fox, 1940; Joe Briggs, Stranger on the Third Floor, RKO, 1940; Joe Cadd, Tin Pan Alley, Twentieth Century-Fox, 1940; Dicky Brown, He Married His Wife, Twentieth Century-Fox, 1940; cook, Ball of Fire, RKO, 1941; assistant director, Hellzapoppiri, Universal, 1941; elevator boy, Love Crazy, Metro-Goldwyn-Mayer (MGM), 1941; Wilmer Cook, The Maltese Falcon, Warner Brothers, 1941; hotel clerk, Man at Large, Twentieth Century-Fox, 1941; piano player, Sergeant York, Warner Brothers, 1941; Frank Lucas, AHaunting We Will Go, Twentieth Century-Fox, 1942; genius, A Gentleman at Heart, Twentieth Century-Fox, 1942; Harry Williams, / Wake Up Screaming (also known as Hotspof), Twentieth Century-Fox, 1942; roadhouse customer, In This Our Life, Warner Brothers, 1942; Gillman, Manila Calling, Twentieth Century-Fox, 1942; Ernie, Sleepytime Gal, Republic, 1942; "Chicopee" Nevins, Wildcat, Paramount, 1942; Whitey, Dark Mountain, Paramount, 1944; Cleeve, Dark Waters, United Artists, 1944; Cliff March, Phantom Lady, Universal, 1944; Info Jones, Up in Arms, RKO, 1944; Kirk, Dillinger, Monogram, 1945; Jimmie Lobo, Why Girls Leave Home, Producers Releasing Corporation, 1945; Harry Jones, The Big Sleep, Warner Brothers, 1946; Sam, Blonde Alibi, Universal, 1946; Oliver S. Patch, Cinderella Jones, Warner Brothers, 1946; Nick, The Falcon's Alibi, RKO, 1946; Eugene, Joe Palooka— Champ, Monogram, 1946; Fly Felleti, Two Smart People, MGM, 1946; Marty, Born to Kill (also known as Lady of Deceit), RKO, 1947; Joe, Fall Guy, Monogram, 1947; Oval, The Gangster, Allied Artists, 1947; Frank, The Long Night, RKO, 1947; Roper, Flaxy Martin, Warner Brothers, 1949; Klipspringer, The Great Gatsby, Paramount, 1949.

TELEVISION DEBUT--Coffeehead,D/c£Tracy, ABC, 1949. PRINCIPAL TELEVISION APPEARANCES—Series: Francis "Ice Pick" Hofstetler, Magnum, P.I., CBS, 1983-88. Pilots: The Judge (broadcast as an episode of The Dick Powell Show), NBC, 1963; coach, McNab's Lab (broadcast as an episode of Summer Fun), ABC, 1966; hotel clerk, Terror at Alcatraz, NBC, 1982; Dutch Silver, Shadow of Sam Penny, CBS, 1983; Eddie, This Girl for Hire, CBS, 1983. Episodic: Charles Pulaski, "Emergency!," No Warning, NBC, 1958; Samuel T. Cogley, "Court-Martial," Star Trek, NBC, 1967; also The Adventures of Superman, syndicated, 1953; "Brandenburg Gate," TV Hour, ABC, 1953; Treasury Men in Action, ABC, 1955; "Salvage," Alfred Hitchcock Presents, CBS, 1955; "The Trigger Finger Clue, "TVReader' s Digest, ABC, 1956; "Round Trip," George Sanders' Mystery Theatre, syndicated, 1956; The Millionaire, CBS, 1957; Wyatt Earp, ABC, 1957; "Silent Ambush," General Electric Theatre, CBS, 1958; Trackdown, CBS, \95%\ Bat Master son, NBC, 1958; Perry Mason, CBS, 1958 and 1964; Rawhide, CBS, 1959; Johnny Ringo, CBS, 1959; Gunsmoke, CBS, 1959 and 1965.

Jonas, Behave Yourself!, RKO, 1951; Eddie, Don't Bother to Knock, Twentieth Century-Fox, 1952; Bobo, /, the Jury, United Artists, 1953; Torrey, Shane, Paramount, 1953; Standish, Thunder Over the Plains, Warner Brothers, 1953; Crackel, Drum Beat, Warner Brothers, 1954; Tulsa, The Outlaw's Daughter, Twentieth Century-Fox, 1954; Briggs, The Indian Fighter, United Artists, 1955; Punky, Timberjack, Republic, 1955; Finn, Trial, MGM, 1955; Whitey Pollack, Accused of Murder, Republic, 1956; George Peatty, The Killing, United Artists, 1956; Van Meter, Baby Face Nelson, United Artists, 1957; Candymouth, Chicago Confidential, United Artists, 1957; Willie, The Lonely Man, Paramount, 1957; Skeets, Plunder Road, Twentieth Century-Fox, 1957; Martin Schuyler, Voodoo Island (also known as Silent Death), United Artists, 1957; Watson Pritchard, House on Haunted Hill, Allied Artists, 1958; Larry, Day of the Outlaw, United Artists, 1959. Ted Blake, College Confidential, Universal, 1960; Harry Nesbitt, Platinum High School (also known as Rich, Young, and Deadly and Trouble at Sixteen), MGM, 1960; bank teller, One-Eyed Jacks, Paramount, 1961; Joe, Black Zoo, Allied Artists, 1963; Peter Smith, The Haunted Palace, American International, 1963; undertaker, Johnny Cool, United Artists, 1963; Mr. Keith, Papa's Delicate Condition, Paramount, 1963; Tex, Blood on the Arrow, Allied Artists, 1964; father, The Glass Cage (also known as Den of Doom, Don't Touch My Sister, and Bed of Fire), Allied Artists, 1964; Arnold, The Spy in the Green Hat, MGM, 1966; Hanson, Welcome to Hard Times (also known as Killer on a Horse), MGM, 1967; Mr. Nicklas, Rosemary's Baby, Paramount, 1968; Jeb, The Great Bank Robbery, Warner Brothers, 1969.

"The Fatal Impulse," Thriller, NBC, 1960; Tightrope, CBS, 1960; "The Young Juggler," Ford Star Time, NBC, 1960; The Rebel, ABC, 1960; Wagon Train, NBC, 1960 and 1961; "Open House," General Electric Theatre, CBS, 1961; The Real McCoys, ABC, 1961; "Borderline," The Dick Powell Theatre, NBC, 1962; Surfside 6, ABC, 1962; The Fugitive, ABC, 1963; Destry, ABC, 1964; Profiles in Courage, NBC, \965;TheWild, WildWest, CBS, 1966; / Spy, CBS, 1966; The Road West, NBC, 1966; Bonanza, NBC, 1966 and 1970; The Monroes, ABC, 1967; Batman, ABC, 1967; McCloud, NBC, 1971; The Chicago Teddy Bears, CBS, 1971; The Persuaders, ABC, 1972; The OddCouple, ABC, 1974; Mannix, CBS, 1974; Movin' On, NBC, 1974; Starsky and Hutch, ABC, \915\S.W.A.T., ABC, 1975; The Blue Knight, CBS, 1976; Chicago Story, NBC, 1982; The Motorola Television Hour, CBS; The Outlaws, NBC; Bring 'em Back Alive, CBS. Movies: Proprietor, Night Chase, CBS, 1970; Willie Peanuts, The Movie Murderer, NBC, 1970; Mickey Crawford, The Night Stalker, ABC, 1972; sweeper, Mad Bull, CBS, 1977; Weasel, Salem's Lot (also known as Salem's Lot: The Movie), CBS, 1979; Jetter, Leave 'em Laughing, CBS, 1981; Mr. Bibbs, It Came Upon the Midnight Clear, syndicated, 1984; Novatney, Off Sides, NBC, 1984; Pappy Glue, The Man Who Broke WOO Chains, HBO, 1987. Specials: Grandfather, The Trouble with Grandpa, syndicated, 1981.

Old convict, El Condor, National General, 1970; Sam, Blacula, American International, 1972; Bunker, The Great Northfield, Min-

RELATED CAREER—Actor in vaudeville and in summer theatre productions.

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MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild.*

COOKE, Alistair

mencement Address, Knopf, 1954; editor, The Vintage Mencken, Vintage, 1955; Around the World in Fifty Years: A Political Travelogue, Field Enterprises, 1966 ;Talk A bout America (essays), Knopf, 1968; General Eisenhower on the Military Churchill: A Conversation with Alistair Cooke, Norton, 1970; Alistair Cooke's America, Knopf, 1973; Six Men, Knopf, 1977; The Americans: Fifty Letters from America on Our Life and Times, Penguin, 1979; (with Robert Cameron) Above London, Cameron and Company, 1980; Masterpieces: A Decade of Masterpiece Theatre, Knopf, 1982; The Patient Has the Floor, Knopf, 1986; America Observed, Knopf, 1988. Also writer of a weekly column in Listener; contributor of articles to Theatre Arts Monthly, New Republic, Encore, Fortnightly Review, and the Spectator.

1908-

PERSONAL: Full name, Alfred Alistair Cooke; born November 20, 1908, in Manchester, England; naturalized U.S. citizen, 1941; son of Samuel (a minister) and Mary Elizabeth (Byrne) Cooke; married Ruth Emerson, August 24, 1934 (divorced); married Jane White Hawkes, April 30, 1946; children: John Byrne (first marriage); Susan Byrne (second marriage). EDUCATION—Cambridge University, B.A., 1930, diploma in education, 1931; graduate work, Yale University, 1932-33, then Harvard University, 1933-34.

AWARDS: Commonwealth Fund Fellow, Yale University, 193233; Commonwealth Fund Fellow, Harvard University, 1933-34; George Foster Peabody Broadcasting Award, Contribution to International Understanding, 1951, for Letters from America; Emmy Award, 1958, for Omnibus; Richard Dimbleby Award from the British Academy of Film and Television Arts, 1972; Emmy Awards, Outstanding Documentary Program Achievement (Individual— Writer) and Outstanding Documentary Program Achievement (Individual—Narrator), George Foster Peabody Broadcasting Award, and Writers Guild Award, Best Documentary, all 1973, for America: A Personal History of the United States; Benjamin Franklin Medal from the Royal Society of the Arts, 1973; Knight Commander, Order of the British Empire, 1973; Emmy Award, Special Classification of Outstanding Individual Achievement, 1975, for Masterpiece Theatre; Howland Medal from Yale University, 1977; special George Foster Peabody Broadcasting Award, 1983; Medal for Spoken Language from the American Academy of Arts and Letters, 1983; Governor's Award from the Academy of Television Arts and Sciences, 1985; named a Literary Lion by the New York Public Library, 1986; honorary fellow, Cambridge University, 1986. HONORARY DEGREES—University of Edinburgh, L.L.D., 1969; University of Manchester, L.L.D., 1973; University of St. Andrews, Litt. D., 1975.

VOCATION: Journalist, broadcaster, and television host. CAREER: PRINCIPAL STAGE APPEARANCES—Host, An American Evening of Humor, International Festival of Music and Arts, Theatre Royal, Bath, U.K., 1988. PRINCIPAL FILM APPEARANCES—Narrator, The Three Faces of Eve, Twentieth Century-Fox, 1957; also narrator, The March of Time (newsreel), 1938-39. PRINCIPAL TELEVISION APPEARANCES—Series: Host, Omnibus, CBS, 1952-56, then ABC, 1956-57, later NBC, 1957-61; host, Masterpiece Theatre, PBS, 1971—; narrator, America: A Personal History of the United States, NBC, 1972-73, then PBS, 1974; also host, International Zone, 1961-67. Specials: "Bacallon Bogart," Great Performances, PBS, 1988; The Congress, PBS, 1989. PRINCIPAL TELEVISION WORK—Producer, International Zone, 1961-67.

MEMBER: National Press Club, Savile Club, Athenaeum Club, Royal and Ancient Golf Club, San Francisco Golf Club, Players Club, National Arts.

PRINCIPAL RADIO APPEARANCES—Film critic, BBC, 1934-37; London correspondent, NBC, 1936-37; commentator on American affairs, BBC, 1938—; host, Letters from America, BBC, 1947—.

SIDELIGHTS: RECREATIONS—Golf, photography, music, playing the piano, motion pictures, beachcombing, the American West, travel, and chess.

PRINCIPAL RADIO WORK—Creator, Transatlantic Quiz, BBC, 1944. RELATED CAREER—Special correspondent on American affairs, London Times, 1938-42; American features correspondent, London Daily Herald, 1942-44; United Nations correspondent, Manchester Guardian (now known as the Guardian), 1945-48, then chief American correspondent, 1948-72.

ADDRESSES: OFFICE—1150 Fifth Avenue, New York, NY 10028.*

WRITINGS: TELEVISION—America: A Personal History of the United States, NBC, 1972-73.

COOLIDGE, Martha

1946-

PERSONAL: Born August 17, 1946, in New Haven, CT; married Michael Backes (a producer). EDUCATION—Attended the Rhode Island School of Design, the School of Visual Arts, and Columbia University; graduate work at the New York University Institute of Film and Television.

OTHER—Editor, Garbo and the Night Watchmen: A Selection from the Writings of British and American Film Critics, J. Cape, 1937, then Seeker and Warburg, 1971, published as Garbo and the Night Watchmen: A Selection Made in 1937 from the Writings of British and American Film Critics, McGraw-Hill, 1971; Douglas Fairbanks: The Making of a Screen Character, Museum of Modern Art, 1940; A Generation on Trial: U.S.A. vs. AlgerHiss, Knopf, 1950; (contributor) Challenge of Ideas, Odyssey, 1950; Letters from America (essays), Hart-Davis, 1951; One Man's America (essays), Knopf, 1952; Christmas Eve (short stories), Knopf, 1952; A Com-

VOCATION: Director, producer, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—As herself, Not a Pretty Picture (documentary), Other Cinema Ltd., 1975; as herself, Fifty Years of Action! (documenta-

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ry), Directors Guild of America Golden Jubilee Committee, 1986; as herself, That's Adequate, Manley/Vidmark Entertainment, 1988. Also appeared in Calling the Shots (documentary), World Artists Releasing/Cineplex Odeon, 1988. PRINCIPAL FILM WORK—Producer, director, and editor, Old Fashioned Woman (documentary), Films Inc., 1974; producer, director, and editor, Not a Pretty Picture (documentary), Other Cinema Ltd., 1976; director, Valley Girl, Atlantic, 1983; producer and director, The City Girl, Moon, 1984; director, Joy of Sex, Paramount, 1984; director, Real Genius, Tri-Star, 1985; director, Plain Clothes (also known as Glory Days), Paramount, 1988. Also producer and director, David: Off and On (documentary), 1972; producer and director, More Than a School (documentary), 1973; producer and director, Passing Quietly Through (documentary); producer and director, The Friendly (short film); producer and director, Bimbo (short film). PRINCIPAL TELEVISION WORK—Series: Producer, Magic Tom, 1968. Pilots: Director, Sledge Hammer!, ABC, 1987; director, Roughhouse (also known as ''House and Home"; broadcast as an episode of CBS Summer Playhouse), CBS, 1988. Episodic: Director, The Twilight Zone, CBS, 1985. RELATED CAREER—As an American Film Institute Academy intern, worked with director Robert Wise on Audrey Rose, United Artists, 1977; also co-founder, Association of Independent Video and Filmmakers Inc.; directed and appeared in the student film Mondo Linoleum; worked on television commercials and political documentaries; creator of an experimental video for Toyota. JACKIE COOPER

WRITINGS: FILM—David: Off and On, 1972; More Than a School, 1973; Old Fashioned Woman, Films Inc., 1974; Not a Pretty Picture, Other Cinema Ltd., 1976; The City Girl, Moon, 1984; and Passing Quietly Through. TELEVISION—Series: Magic Tom, 1968.

MAJOR TOURS—Ensign Pulver, Mr. Roberts, U.S. cities, 194950. FILM DEBUT—In a Lloyd Hamilton comedy, Educational, 1925. PRINCIPAL FILM APPEARANCES—Tenement boy, Sunny Side Up, Twentieth Century-Fox, 1929; Dink, The Champ, Metro-GoldwynMayer (MGM), 1931; Skippy Skinner, Skippy, Paramount, 1931; Skippy Skinner, Sooky, Paramount, 1931; Midge Murray, Young Donovan's Kid (also known as Donovan's Kid), RKO, 1931; as himself, Jackie Cooper's Christmas Party (short film), MGM, 1931; Terry Parker, Divorce in the Family, MGM, 1932; Eddie Randall, Feller Needs a Friend (also known as When a Feller Needs a Friend), Cosmopolitan, 1932; Swipes McGurk, The Bowery, Twentieth Century-Fox, 1933; Ted Hackett, Jr. (as a child), Broadway to Hollywood (also known as Ring Up the Curtain), MGM, 1933; Scooter O'Neal, Lone Cowboy, Paramount, 1934; Bill Peck, Peck's Bad Boy, Twentieth Century-Fox, 1934; Jim Hawkins, Treasure Island, MGM, 1934; title role, Dinky, Warner Brothers, 1935; Stubby, O'Shaughnessy's Boy, MGM, 1935; "Buck" Murphy, The Devil Is a Sissy (also known as The Devil Takes the Count), MGM, 1936; Freddie, Tough Guy, MGM, 1936; Chuck, Boy of the Streets, Monogram, 1937; Larry Kelly, Gangster's Boy, Monogram, 1938; Ken, That Certain Age, Universal, 1938; Peter Trimble, White Banners, Warner Brothers, 1938; Timmy Hutchins, The Big Guy, Universal, 1939; "Rifle" Edwards, Newsboy's Home, Universal, 1939; Tom Allen, The Spirit of Culver (also known as Man's Heritage), Universal, 1939; Jimmy, Streets of New York, Monogram, 1939; Roy O'Donnell, Two Bright Boys, Universal, 1939; Henry Aldrich, What a Life, Paramount, 1939.

AWARDS: American Film Festival Eagle Award for David: Off and On; CINE Golden Eagle Award for Old Fashioned Woman; American Film Festival Blue Ribbon Award for Not a Pretty Picture. *

COOPER, Jackie

1922-

PERSONAL: Full name, John Cooper, Jr.; born September 15, 1922, in Los Angeles, CA; son of Jack Cooper (an actor); married June Home (marriage ended); married Hildy Parks (an actress; divorced, 1951); married Barbara Kraus (an advertising executive), 1954; children: John (first marriage); Russell, Julie, Christina (third marriage). EDUCATION—Attended the University of Notre Dame. MILITARY—U.S. Navy, captain, World War II; U.S. Naval Reserve. VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Andy Hamill, Magnolia Alley, Mansfield Theatre, New York City, 1949; Waldo Walton, Remains to Be Seen, Morosco Theatre, New York City, 1951; also appeared as Ensign Pulver, Mr. Roberts, London, 1951; and in King of Hearts, Lyceum Theatre, New York City, 1955.

Byron "By" Newbold, GallantSons, MGM, 1940; Clem and Tom

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Gray son, The Return of Frank James, Twentieth Century-Fox, 1940; William Sylvanus Baxter, Seventeen, Paramount, 1940; Tiny Barlow, Glamour Boy (also known as Hearts in Springtime), Paramount, 1941; Chuck Harris, Her First Beau, Columbia, 1941; Henry Aldrich, Life with Henry, Paramount, 1941; Jerry Regan, Ziegfeld Girl, MGM, 1941; Robert Houston Scott, Men of Texas (also known as Men of Destiny), Universal, 1942; Babe, The Navy Comes Through, RKO, 1942; Johnnie, Syncopation, RKO, 1942; Danny, Where Are Your Children?, Monogram, 1943; John J. Kilroy, Kilroy Was Here, Monogram, 1947; Ernie, Stork Bites Man, Universal, 1947; Skitch, French Leave (also known as Kilroy on Deck), Monogram, 1948; Lieutenant Parnell, Every thing's Ducky, Columbia, 1961; Danton Miller, The Love Machine, Columbia, 1971; Raymond Couzins, Chosen Survivors, Columbia, 1974; Perry White, Superman, Warner Brothers, 1978; Perry White, Superman II, Warner Brothers, 1980; Perry White, Superman III, Warner Brothers, 1983; Perry White, Superman IV: The Quest for Peace, Warner Brothers, 1987; Ace Morgan, Surrender, Warner Brothers, 1987. Also appeared in Fox Movietone Follies of '29, Twentieth Century-Fox, 1929; Scouts to the Rescue (twelve part serial), 1939; Going Hollywood: The War Years (documentary), 1988.

lars," Armstrong Circle Theatre, NBC, 1955; "A Dreamer of Summer," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1954; "The Pardon-Me Boy," PhilcoPlayhouse, NBC, 1955; "Yankee Peddler," General Electric Theatre, CBS, 1955; "It Depends on You," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1955; "End of Morning" and "Really the Blues," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1956; "The Old Lady Shows Her Medals," U.S. SteelHour, CBS, 1956; "The Fair-Haired Boy," Studio One, CBS, 1958; "The Hasty Heart," Dupont Show of the Month, CBS, 1958; "Curtain Call," Goodyear Theatre, CBS, 1958; "Mid-Summer," U.S. SteelHour, CBS, 1958; Hayes and Henderson, NBC, 1959; Mrs. G. Goes to College, CBS, 1961; "Special Assignment," The Dick Powell Show, NBC, 1962; "TheFourposter," GoldenShowcase, CBS, 1962; "Thunder in a Forgotten Town," The Dick Powell Show, NBC, 1963', Hawaii Five-O, CBS, \91\\McCloud, NBC, 1972; "Cry of the Cat," Ghost Story, NBC, 1972; Ironside, NBC, 1972, 1973 and 1975; Columbo, NBC, 1973; Hec Ramsay, NBC, \914-Kojak, CBS, 1974; Police Story, NBC, 1974, 1975, and 1976; TheRockfordFiles, NBC, 197'5; Starlight Theatre, CBS; "The Hunley," The Great Adventure, CBS. Movies: Lieutenant Colonel Andy Davis, Shadow on the Land, ABC, l968;EdMi\\er, Maybe I'll Come Home in the Spring, ABC, 1971; Kurt Anderson, The Astronaut, ABC, 1972; Steve Barker, The Day the Earth Moved, ABC, 1974. Specials: Host, What's Up, America?, NBC, 1971.

Appeared in the following Our Gang (also know as the Little Rascals) short comedy films: Boxing Gloves, Bouncing Babies, Moan and Groan Inc., and Shivering Shakespeare, all MGM, 1929; The First Seven Years, When the Wind Blows, Bear Shooters, A Tough Winter, Pups Is Pups, Teacher's Pet, and School's Out, all MGM, 1930; Helping Grandma, Love Business, Little Daddy, and Bargain Day, all MGM, 1931.

PRINCIPAL TELEVISION WORK—All as director unless indicated. Series: (Also producer) The People's Choice, CBS, 1955-58; (with Hy Averback; also producer with Don McGuire and Dan Cooper) Hennessey, CBS, 1959-62. Pilots: Producer, Charlie Angelo, CBS, 1962; Keep the Faith, CBS, 1972; (also producer) Doctor Dan, CBS, 1974; Snafu, NBC, 1976; Having Babies HI (also known as Julie Farr, M.D.), ABC, 1978; Paris, CBS, 1979; The White Shadow, CBS, 1979; Trapper John, M.D., CBS, 1979; Family in Blue, CBS, 1982; (also producer) The Ladies, NBC, 1987; also The Last Detail, 1975. Episodic: M*A*S*// (thirteen episodes), CBS, 1973-74; The Mary Tyler Moore Show, CBS, 1974; The Texas Wheelers, ABC, 1974; The Rockford Files, NBC, 1974-75; Mobile One, ABC, 1975; (also producer) Holmes and YoYo, ABC, \916', McMillan, NBC, 1971',The Feather and Father Gang, ABC, 1977; The Black Sheep Squadron, NBC, 1977-78; Lou Grant, CBS, 1977-82; The White Shadow, CBS, 1979; Glitter, ABC, 1984; Jessie, ABC, 1984; "The Deacon Street Deer," Disney Sunday Movie, ABC, 1986; Sledge Hammer!, ABC, 1986 and 1987; The Law and Harry McGraw, CBS, 1987; Magnum, P.I., CBS, 1987; Mr. President, Fox, 1987; Spies, CBS, 1987; Ohara, ABC, 1987; Cagney and Lacey, CBS, 1987 and 1988; Simon and Simon, CBS, 1988; Supercarrier, ABC, 1988; Superboy>, syndicated, 1988; Jake and the Fatman, CBS, 1988; also Quincy, M.E., NBC.

PRINCIPAL FILM WORK—Director, Stand Up and Be Counted, Columbia, 1972; also director, Go for the Gold, 1984. PRINCIPAL TELEVISION APPEARANCES-^Series: Socrates "Sock" Miller, The People's Choice, CBS, 1955-58; Charles J. "Chick" Hennessey, Hennessey, CBS, 1959-62; host, The Dean Martin Comedy World, NBC, 1974; Peter Campbell, Mobile One, ABC, 1975. Pilots: Host, What's Up?, NBC, 1971; the Widower, "Hot Machine, Cold Machine" in Of Men Of Women, ABC, 1972; Father, Keeping an Eye on Denise, CBS, 1973; Dr. Dan Morgan, Doctor Dan, CBS, 1974; Walter Carlson, The Invisible Man, NBC, 1975; Peter Campbell, Mobile Two, ABC, 1975; Admiral, Operation Petticoat (also known as Life in the Pink), ABC, 1977. Episodic: Jonathan West, "Caesar and Me," The Twilight Zone, CBS, 1964; Neil Fletcher, Murder, She Wrote, CBS, 1986; Dr. Domedion, St. Elsewhere, NBC, 1986; also "The Invisible Killer," Suspense, CBS, 1952; "The Cocoon," Tales of Tomorrow, ABC, 1952; "Life, Liberty, and Orrin Dooley" and "A Message for Janice," Lux Video Theatre, NBC, 1952; "The Fall Guy," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1952; "Something Old, Something New," Ford Theatre, NBC, 1952; "The Outer Limit," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1953; "Birthright" and "Hound Dog Man," Studio One, CBS, 1953; "Big Jim's Boy," Schlitz Playhouse of Stars, CBS, 1953; "The Middle Son" and "Tour of Duty," Armstrong Circle Theatre, NBC, 1953; "A Reputation," Revlon Mirror Theatre, CBS, 1953; "The Diehard," Kraft Theatre, NBC, 1953; "Grand'ma Rebel" and "Twenty-Four Men to a Plane," Medallion Theatre, CBS, 1953; "Westward the Sun," Motorola TV Hour, ABC, 1953; "Towerman," Danger, CBS, 1953; "The 39th Bomb," Medallion Theatre, syndicated, 1954; "Falling Star," The Elgin Hour, ABC, 1954; "Yellow Jack," Producer's Showcase, NBC, 1955; "I Found Sixty Million Dol-

Movies: (Also producer) Perfect Gentlemen, CBS, 1978; Rainbow, NBC, 1978; Sex and the Single Parent, CBS, 1979; White Mama, CBS, 1980; Rodeo Girl, CBS, 19W', Marathon, CBS, 1980; Leave 'em Laughing, CBS, 1981; (also producer) Rosie: The Rosemary Clooney Story, CBS, \9%2;The Night They Saved Christmas, ABC, 1984; Izzy and Moe, CBS, 1985; also Uncommon Courage. Specials: Producer (with Bob Finkel) of Bing Crosby and Perry Como specials, 1970-72. RELATED CAREER—Vice-president in charge of television program production, Columbia Pictures Corporation, 1964-69; founder (with Bob Finkel), producer, and director, Cooper-Finkel 96

CONTEMPORARY

COREY

THEATRE, FILM, AND TELEVISION • Volume 8

Company, 1969-73; also board of directors, Cinema Circulus, University of Southern California. WRITINGS: (With Dick Kliener) Please Don't Shoot My Dog (autobiography), William Morrow, 1981. AWARDS: Academy Award nomination, Best Actor, 1931, for Skippy; Emmy Award, Best Comedy Director, 1974, for M*A*S*H; Emmy Award, Best Dramatic Director, 1979, for pilot episode of The White Shadow; Film Advisory Board Awards as producer and director, 1982, forRosie: The Rosemary Clooney Story; two Emmy Award nominations as Best Actor, special citation from the American Medical Association, and Public Service Medal from the United States Navy, all for Hennessey. Also received awards from the Academy of Motion Picture Arts and Sciences, Directors Guild of America, Writers Guild of America, Caucus for Writers, Producers, and Directors, Hollywood Radio and Television Society, American Center of Films for Children, United Funds and Community Chest, March of Dimes, American Academy of General Practice, Cinema Circulus, University of California at Los Angeles, University of Southern California, Special Olympics, International Motor Sports of America, and the Center for Improvement of Child Caring. MILITARY HONORS—Honorary Naval Aviator Wings of Gold award, 1970; Commendation Medal with citation and the Legion of Merit with citation upon retirement from the U.S. Naval Reserve, 1974; also received awards from the Pearl Harbor Survivors Association, U.S. Navy Recruiting Service, Navy League, Association of Naval Aviation, Society of Experimental Test Pilots, and the Combat Pilots Association. MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, American Federation of Musicians, Directors Guild of America (council member and member of the national board of directors), Cinema Circulus (board of directors), Naval Aviation Society, Naval Reserve Association, Aircraft Owners and Pilots Association, VIVA to return Missing In Action Prisoners of War from Vietnam (charter member), Sports Car Club of America (former member).

JEFF COREY

York City, 1939; In the Matter ofJ. Robert Oppenheimer, Center Theatre Group, Mark Taper Forum, Los Angeles, 1968; Hamlet, Center Theatre Group, Mark Taper Forum, 1973; and with the Stage Society Theatre, Los Angeles.

SIDELIGHTS: RECREATIONS—Racing sports cars, playing the drums, skeet shooting, piloting, sailing, and cooking.

PRINCIPAL FILM APPEARANCES—Johann, Third Finger, Left Hand, Metro-Goldwyn-Mayer (MGM), 1940; Tom Sharp, The Devil and Daniel Webster (also known as All That Money Can Buy, HerelsaMan, andA CertainMr. Scratch), RKO, 1941; secretary, Paris Calling, Universal, 1941; Henry Trotter, Petticoat Politics, Republic, 1941; an animator, The Reluctant Dragon (live-action/ animated), RKO, 1941; Hector, Small Town Deb, Twentieth Century-Fox, 1941; Mr. Mooney, Girl Trouble, Twentieth CenturyFox, 1942; Coroner Larson, The Man Who Wouldn't Die, Twentieth Century-Fox, 1942; man, North to the Klondike, Universal, 1942; Harwood Green, The Postman Didn't Ring, Twentieth Century-Fox, 1942; orderly, Roxie Hart, Twentieth Century-Fox, 1942; Albert, The Moon Is Down, Twentieth Century-Fox, 1943; Tim Murphy, My Friend Flicka, Twentieth Century-Fox, 1943; man, California, Paramount, 1946; Sam Black, It Shouldn't Happen to a Dog, Twentieth Century-Fox, 1946; Blinky, The Killers, Universal, 1946; bank teller, Somewhere in the Night, Twentieth Century-Fox, 1946; freshman, Brute Force, Universal, 1947; brother-in-law, The Gangster, Allied Artists, 1947; Jed, Hoppy's Holiday, United Artists, 1947; reporter, Miracle on 34th Street (also known as The Big Heart), Twentieth Century-Fox, 1947; Bice, Ramrod, United Artists, 1947; Zu, Alias a Gentleman, MGM, 1948; Schwartzmiller, Canon City, Eagle-Lion, 1948; stranger, The Flame, Republic, 1948; cigarette smoker, Homecoming, MGM, 1948; immigration officer, /, Jane Doe (also known as Diary of a Bride}, Republic, 1948; prison guard, JoanofArc, RKO,

ADDRESSES: OFFICE—David Licht Associates, 9171 Wilshire Boulevard, Beverly Hills, CA 90210. AGENT—Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.*

COREY, Jeff

1914-

PERSONAL: Born August 10, 1914, in New York, NY; son of Nathan and Mary (Peskin) Corey; married Hope Victorson, February 26, 1938; children: Eve, Jane, Emily. EDUCATION—University of California, Los Angeles, B.A., theatre arts, 1955; trained for the stage at the Feagin School of Dramatic Art, 1930-32. MILITARY—U.S. Navy, combat photographer, 1943-45. VOCATION: Actor, director, and teacher. CAREER: PRINCIPAL STAGE APPEARANCES—Rosencrantz, Hamlet, Imperial Theatre, New York City, 1936; title role, King Lear, Theatre Venture '73, Beverly, MA, 1973. Also appeared in The Life and Death of an American, Maxine Elliott's Theatre, New

97

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1948; Shuan, Kidnapped, Monogram, 1948; Union cavalry sergeant, A Southern Yankee (also known as My Hero!), MGM, 1948; Mohammad ]ad, Bagdad, Universal, 1949; LieutenantMacon,C7fy Across the River, Universal, 1949; Collins, Follow Me Quietly, RKO, 1949; Beecham, Hideout, Republic, 1949; doctor, Home of the Brave, United Artists, 1949; Jed Graham, Roughshod, RKO, 1949; Mr. Loring, Wake of the Red Witch, Republic, 1949.

THEATRE, FILM, AND TELEVISION • Volume 8

posse, The Gun and the Pulpit, ABC, 1974; Judge Janeway, Banjo Hackett: Roamin Free, NBC, 1976; Dean Miller, The Oath: The Sad and Lonely Sundays, ABC, 1976; Alex Hagopian, Roxy Page, NBC, 1976. Episodic: Byron Lomax, "O.B.I.T.," The Outer Limits, ABC, 1963; Plasus, "The Cloudminders," Star Trek, NBC, 1969; A.J. Bancroft, The A- Team, NBC, 1986; Judge Robert Hirsch, Night Court, NBC, 1986; Hal Walker, Starman, ABC, 1986; Mr. Casselman, Perfect Strangers, ABC, 1987; Judge Ralph Colella, Jake and the Fat Man, CBS, 1989; salesman, Roseanne, ABC, 1989; Vincenzo, Wolf, CBS, 1989; also The Untouchables, ABC, 1960; "The Dead Man," Night Gallery, NBC, 1970; The Bob Newhart Show, CBS, 1973; Barney Miller, ABC, 1978 and 1979; The Powers of Matthew Star, NBC, 1982; "The Boy Who Left Home to Find Out About the Shivers," Faerie Tale Theatre, Showtime; Mr. Romano, One Day At a Time, CBS; War of the Worlds, syndicated; Channing, ABC; The Doctors and the Nurses, CBS-Perry Mason, CBS; Corner Pyle, U.S.M.C., CBS; The Wild, Wild West, CBS; Run for Your Life, NBC; Bonanza, NEC'The Iron Horse, ABC; Judd, for the Defense, ABC; Garrison s Gorillas, ABC; Gunsmoke, CBS; Hawaii Five-0, CBS; The Bionic Woman, \BC\Today'sF.B.L, ABC; Knots Landing, CBS; Archie Bunker's Place, CBS; The New Love, American Style, ABC; Kojak, CBS; McCloud, NBC; Beauty and the Beast, CBS.

John Barton, Bright Leaf, Warner Brothers, 1950; Bart, The Nevadan (also known as The Man from Nevada), Columbia, 1950; Freddie, The Next Voice You Hear, MGM, 1950; Keeley, The Outriders, MGM, 1950; Abe Lincoln, Rock Island Trail (also known as Transcontinent Express], Republic, 1950; Richards, Singing Guns, Republic, 1950; Sergeant Farley, Fourteen Hours, Twentieth Century-Fox, 1951; Lou Brecker, Never Trust a Gambler, Columbia, 1951; Coyote, New Mexico, United Artists, 1951; Joe Harmony, Only the Valiant, Warner Brothers, 1951; Mokar, The Prince Who Was a Thief, Universal, 1951; Luke Davis, Rawhide (also known as Desperate Siege), Twentieth CenturyFox, 1951; Skee, Red Mountain, Paramount, 1951; Luke Benson, Superman and the Mole Men (also known as Superman and the Strange People), Lippert, 1951; Bishop, The Balcony, Continental, 1963; Joe, The Yellow Canary, Twentieth Century-Fox, 1963; the wino, Lady in a Cage, Paramount, 1964; Hoban, The Cincinnati Kid, MGM, 1965; Fryer, Mickey One, Columbia, 1965; Lieutenant Kebner, Once a Thief, MGM, 1965; Mr. Ruby, Seconds, Paramount, 1966; Hickock's father, In Cold Blood, Columbia, 1967; John Asgeirsson, The Boston Strangler, Twentieth Century-Fox, 1968; Sheriff Bledsoe, Butch Cassidy and the Sundance Kid, Twentieth Century-Fox, 1969; Wombat, Impasse, United Artists, 1969; Tom Chaney, True Grit, Paramount, 1969.

Movies: Collier Landis, The Movie Murderer, NBC, 1970; Gehrmann, Something Evil, CBS, 1972; Walter Stafford, Set This Town on Fire, NBC, 1973; Salters, Captains Courageous, ABC, 1977; Aspa Soldado, Curse of the Black Widow (also known as Love Trap), ABC, 1977; Prince Feiyad, Harold Robbins' "The Pirate," CBS, 1978; George, Homeward Bound, CBS, 1980; Riley, Cry for the Strangers, CBS, 1982; Lawyer Sam, Father of Hell Town, NBC, 1985; derelict, Final Jeopardy, NBC, 1985; Dr. Benjamin, Second Serve, CBS, 1986; Justice Harvey Sherman, A Deadly Silence, ABC, 1989.

Caspay, Beneath the Planet of the Apes, Twentieth Century-Fox, 1970; Paul, Cover Me Babe, Twentieth Century-Fox, 1970; Dr. Willhunt, Getting Straight, Columbia, 1970; Wild Bill Hickok, Little Big Man, National General, 1970; Captain Marden, They Call Me Mister Tibbs!, United Artists, 1970;Merridew, Catlow, MGM, 1971; clinic doctor, Clay Pigeon (also known as Trip to Kill), MGM, 1971; trooper, Shoot Out, Universal, 1971; Mr. King, Paper Tiger, MacLean, 1975; doctor, The Last Tycoon, Paramount, 1976; Detective Mark Denver, The Premonition, AVCOEmbassy, 1976; Preacher Hagen, Moonshine County Express, New World, 1977; Rabbi Silverstein, Oh, God!, Warner Brothers, 1977; Luke Baylor, Jennifer (also known as Jennifer, The Snake Goddess), American International, 1978; Mr. Martin, The Wild Geese, Allied Artists, 1978; Ray Bledsoe, Butch and Sundance: The Early Days, Twentieth Century-Fox, 1979; Zed, Battle Beyond the Stars, New World, 1980; Craccus, The Sword and the Sorcerer, Group 1, 1982; Grand Vizier, Conan the Destroyer, Universal, 1984; Dean Harrington, Creator, Universal, 1985; Willis Beecham, Messenger of Death, Cannon, 1988. Also appeared in You Belong to Me (also known as Good Morning Doctor), Columbia, 1941; Frankenstein Meets the Wolf Man, Universal, 1943; Unconquered, Paramount, 1947; Let's Live Again, Twentieth Century-Fox, 1948; The Wreck of the Hesperus, 1948; narrator, Black Shadows, 1949; Up River, 1979; Bird on a Wire, Universal, 1990; High Flying Lowe; Shine; Rooster; Secret Ingredient; Syncopation; The Golden Bullet; Land of the Free; Delicatessen; and The Judas Project.

FIRST TELEVISION WORK—Director, The Psychiatrist, NBC, 1971. PRINCIPAL TELEVISION WORK—All as director. Series: Hawkins, CBS, 1973-74. Episodic: Night Gallery, NBC, 1970-72 (ten episodes); The Sixth Sense, ABC, 1972; also Police Story, NBC; Alias Smith and Jones, ABC; Meeting of Minds, PBS. RELATED CAREER—Instructor and director of independent actors' workshops, 1950s—; drama professor, California State University, Northridge, 1966-71; drama professor, Chapman College's World Campus Afloat, 1973; drama teacher, the Stage Society, Los Angeles; creative drama workshop founder, Los Angeles Juvenile Hall; lecturer, University of Texas, Ball State University, and University of Southern California; board of directors, Ojai Music Festivals Inc.; faculty member, American Film Institute for Advanced Film Studies. NON-RELATED CAREER—Sewing machine salesman and speech therapist. WRITINGS: (Contributor) Closeups, Workman Press. AWARDS: MILITARY HONORS—Citation from the U.S. Navy, 1945. MEMBER: Academy of Motion Picture Arts and Sciences (actors' executive committee, 1970—), Screen Actors Guild (board of directors), Directors Guild of America, Actors' Equity Association.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Richard Pryor Show, NBC, 1977; Lawyer Sam, Hell Town, NBC, 1985; Bill McGregor, MorningstarlEveningstar, CBS, 1986. Mini-Series: William Simpson, Testimony of Two Men, syndicated, 1977. Pilots: Beiseker, A Clear and Present Danger, NBC, 1970; Captain Philip Lean, The Fuzz Brothers, ABC, 1973; head of

ADDRESSES: AGENT—Bauman, Hiller, and Associates, 5750 Wilshire Boulevard, Suite 512, Los Angeles, CA 90038. 98

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 COSGRAVE, Peggy

COULOURIS

Wedding; Aggie, Love Gifts; Reba Speldine, A Visit to a Small Planet; Eunice Hubble, A Streetcar Named Desire.

PERSONAL: Born June 23, in San Mateo, CA; daughter of John (in real estate) and Beryl Marie (a secretary; maiden name, Seeley) Cosgrave. EDUCATION—Received B.A. in drama from San Jose State College; also attended Catholic University. RELIGION— Roman Catholic.

MAJOR TOURS—Hilary, Tribute, U.S. cities, 1980; Hannah Mae, A Coupla White Chicks Sitting Around Talking, U.S. cities, 1982; also Cathleen, Long Day's Journey into Night, U.S. cities; Rosemary, Eccentricities of a Nightingale, U.S. cities; Mae, Cat on a Hot Tin Roof, U.S. cities; Kitty, The Royal Family, U.S. cities; Saunders, Fallen Angels, U.S. cities; Blanche, Romantic Comedy, U.S. cities; Florrie, Supporting Cast, U.S. cities; Maxine and Megan, 84 Charing Cross Road, U.S. cities; and The Dining Room, U.S. cities.

VOCATION: Actress. CAREER: STAGE DEBUT—Cathleen, Long Day's Journey into Night, Hartke Theatre, Washington, DC, 1971. OFF-BROADWAY DEBUT—Stella Mae, Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, Hudson Guild Theatre, 1980. BROADWAY DEBUT—Clelia Waldgrave, The Nerd, Helen Hayes Theatre, 1987, for 190 performances. PRINCIPAL STAGE APPEARANCES— Saunders, Fallen Angels, Paper Mill Playhouse, Millburn, NJ, 1977; Hannah Mae, A Coupla White Chicks Sitting Around Talking, Cincinnati Playhouse-in-the-Park, Cincinnati, OH, 1982; Jane, Fallen Angels, Coconut Grove Playhouse, Coconut Grove, FL, 1982; Zelda Spearman, Fugue, Long Wharf Theatre, New Haven, CT, 1986; Mrs. Hedges, Born Yesterday, 46th Street Theatre, New York City, 1989. Also appeared in Straight Up and The Importance of Being Earnest, both PAF Playhouse, Huntington Station, NY, 1975; Sally's Gone, She Left Her Name, Center Stage, Baltimore, MD, 1980; Holiday, Long Wharf Theatre, 1982; as Charlotte Wallace, Beyond Therapy, Berkshire Theatre Festival, Stockbridge, MA; Chick, Crimes of the Heart; Lorraine Sheldon, The Man Who Came to Dinner; Jessie, 'night Mother; Mrs. West, Member of the

PRINCIPAL FILM APPEARANCES—Ticket agent, Penn and Teller Get Killed, Warner Brothers, 1989. RELATED CAREER—Company member: Tyrone Guthrie Theatre, Minneapolis, MN, 1971-72; Seattle Repertory Theatre, Seattle, WA; Indiana Repertory Theatre, Indianapolis, IN; Manitoba Theatre Center, Winnipeg, MB, Canada; Bucks County Playhouse, New Hope, PA; Cleveland Playhouse, Cleveland, OH. NON-RELATED CAREER—Volunteer, Project Hope. AWARDS: Hartke Awards, 1969 and 1970; Helen Hayes Award nomination, Best Supporting Actress, 1986, for Crimes of the Heart. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild, Canadian Actors' Equity Association. SIDELIGHTS: FAVORITE ROLES—Chick in Crimes of the Heart, Stella Mae in Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, Charlotte Wallace in Beyond Therapy, and Cathleen in Long Day's Journey into Night. Among her other credits, Peggy Cosgrave also provided the voiceover narration for the ABC-TV network's soap opera update, Sneak Preview. ADDRESSES: AGENTS—Kenny Kaplan and David Kolander, Agency for the Performing Arts, 888 Seventh Avenue, New York, NY 10019.

COULOURIS, George

1903-1989

PERSONAL: Born October 1, 1903, in Manchester, England; died of a heart attack, April 25, 1989, in London, England; son of Nicholas (a merchant) and Abigail (Redfern) Coulouris; married Louise Franklin (died, 1976); married Elizabeth Clarke; children: George, Mary Louise (first marriage). EDUCATION—Studied for the stage at the Central School of Speech Training and Dramatic Art. VOCATION: Actor. CAREER: STAGE DEBUT—Reverend William Duke, Outward Bound, Rusholme Repertory Theatre, Manchester, U.K., 1926. LONDON DEBUT—Sir Thomas Grey, Henry V, Old Vic Theatre, 1926. BROADWAY DEBUT—Friar Peter, The Novice and the Duke,

PEGGY COSGRAVE

99

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Assembly Theatre, 1929. PRINCIPAL STAGE APPEARANCES— Giuseppe, Sirocco, Daly's Theatre, London, 1927; Yank, The Hairy Ape, Mercutio, Romeo and Juliet, and Jacques, As You Like It, all Cambridge Festival Theatre, Cambridge, U.K., 1928; Petronius, The Theatre of Life, Arts Theatre, London, 1929; Jacques Bonalie, The Black Ace, Globe Theatre, London, 1929; Sempronius, The Apple Cart, Martin Beck Theatre, New York City, 1930; Tybalt, Romeo and Juliet, Embassy Theatre, London, 1932; the Bank Manager, From Morn to Midnight, Gate Theatre, London, 1932; Tallant, The Late Christopher Bean, Henry Miller's Theatre, New York City, 1932; Julian Mosca, Best Sellers, Morosco Theatre, New York City, 1933; Lord Burleigh, Mary of Scotland, Alvin Theatre, New York City, 1933; Lieutenant Cutting, Valley Forge, Guild Theatre, New York City, 1934; Dr. Shelby, Blind Alley, Booth Theatre, New York City, 1935; John de Stogumber, Saint Joan, Martin Beck Theatre, 1936; Zacharey, Ten Million Ghosts, St. James Theatre, New York City, 1936; Marc Antony, Julius Caesar, Mercury Theatre, New York City, 1937; the King, The Shoemaker's Holiday and Boss Mangan, Heartbreak House, both Mercury Theatre, 1938; Mirabeau, Madame Capet, Cort Theatre, New York City, 1938; Father Shaughnessy, The White Steed, Cort Theatre, 1939.

in the Overcoat, Edinburgh Festival, Edinburgh, Scotland, 1950; and in stock companies, 1930-32. PRINCIPAL STAGE WORK—Producer and director, Richard III, Forrest Theatre, New York City, 1943. MAJOR TOURS—Teck de Brancovis, Watch on the Rhine, U.S. cities, 1941-42; Dr. Shelby, Blind Alley, U.S. cities, 1946-47; Smiley Coy, The Big Knife, U.K. cities, 1953; the General, The Soldier and the Lady, U.K. cities, 1954. FILM DEBUT—Tallant, Christopher Bean (also known as Her Sweetheart), Metro-Goldwyn-Mayer, 1933. PRINCIPAL FILM APPEARANCES—Defense attorney, The Lady in Question (also known as It Happened in Paris), Columbia, 1940; Charpentier, All This and HeavenToo, Warner Brothers, 1940; Walter Parks Thatcher, Citizen Kane, RKO, 1941; Captain Holz, Assignment in Brittany, Metro-Goldwyn-Mayer (MGM), 1943; Andre, For Whom the Bell Tolls, Paramount, 1943; prosecuting attorney, This Land Is Mine, RKO, 1943; Teck de Brancovis, Watch on the Rhine, Warner Brothers, 1943; Lingley, Between Two Worlds, Warner Brothers, 1944; Von Beck, The Master Race, RKO, 1944; Dr. Byles, Mr. Skeffington, Warner Brothers, 1944; Jim Mordiney, None But the Lonely Heart, RKO, 1944; Captain Currie, Confidential Agent, Warner Brothers, 1945; Joachim Helm, Hotel Berlin, Warner Brothers, 1945; Mr. Saunders, Lady on a Train, Universal, 1945; Louis Pleyel, A Song to Remember, Columbia, 1945; Pharoah, California, Paramount, 1946; James Randolph, Mr. District Attorney, Columbia, 1946; Doc Ganson, Nobody Lives Forever, Warner Brothers, 1946; Superintendent Buckley, The Verdict, Warner Brothers, 1946; Krivoc, Where There's Life, Paramount, 1947; Lew Proctor, Beyond Glory, Paramount, 1948; Sir Robert D. Baudricort, Joan of Arc, RKO, 1948; Charles Vernay, Sleep, My Love, United Artists, 1948; Major Jack Drumman, A Southern Yankee (also known as My Hero), MGM, 1948.

John Elliott, Cue for Passion, Roy ale Theatre, New York City, 1940; Teck de Brancovis, Watch on the Rhine, Martin Beck Theatre, 1941; title role, Richard HI, Forrest Theatre, New York City, 1943; Waldo Cruikshank, Bonanza Bound, Shubert Theatre, Philadelphia, PA, 1947-48; Subtle, The Alchemist, the Donkey Man, The Moon of the Caribbees, and the Vagrant, The Insect Comedy (or The World We Live In), all City Center Theatre, New York City, 1948; Jacques, As You Like It, title role, Tartuffe, Brutus, Julius Caesar, and Sir John Brute, The Provokd Wife, all Bristol Old Vic Company, Bristol, U.K., 1950; title role, Tartuffe, Bristol Old Vic Company, Lyric Hammersmith Theatre, London, 1950; Ulric Brendel, Rosmersholm, St. Martin's Theatre, London, 1950; title role, King Lear, Glasgow Citizens' Theatre, Glasgow, Scotland, 1952; King James I, Fool's Mate, Under Thirty Group, Criterion Theatre, London, 1953; Clumber Holmes, The Full Treatment, Q Theatre, London, 1953; Malvolio, Twelfth Night and Claudius, Hamlet, both Embassy Theatre, 1953; Smiley Coy, The Big Knife, Duke of York's Theatre, London, 1954; Paul Finch, The Ghost Writers, Arts Theatre, London, 1955; Charles Touchdown, Moonshine, Q Theatre, 1955; Hawkshaw, The Ticket-of-Leave Man, Arts Theatre, Cambridge, U.K., 1956; John Pope, Sr., A Hatful of Rain, Princes' Theatre, London, 1957, then 1958; Dr. Stockmann, An Enemy of the People, Arts Theatre, Cambridge, 1959.

Victor Sloma, Kill or Be Killed, Eagle-Lion, 1950; Captain Weiss, Island Rescue (also known as Appointment with Venus), Universal, 1952; Babalatchi, An Outcast of the Islands, British Lion, 1952; Spadoni, The Assassin, United Artists, 1953; the Captain, A Day to Remember, General Film Distributors, 1953; Briggs, Doctor in the House, General Film Distributors, 1954; Captain Malburn, Duel in the Jungle, Warner Brothers, 1954; Portuguese captain, The Heart of the Matter, Associated Artists, 1954; Edward Schroeder, The Runaway Bus, Eros, 1954; Carpenter, Doctor at Sea, Rank, 1955; Dallapiccola, A Race for Life (also known as Handful of Dusk), Lippert, 1955; Garvin, The Teckman Mystery, Associated Artists, 1955; Padre, Private's Progress, British Lion, 1956; Pascoe, Doctor at Large, Rank, 1957; Karl Brussard, The Man Without a Body, Eros, 1957; Carl Kraski, Tarzan and the Lost Safari, MGM, 1957; Colonel Sandherr, / Accuse!, MGM, 1958; Heinz Webber, Kill Me Tomorrow, Ren-Tudor, 1958; Bennie, Law and Disorder, RKO, 1958; Colonel Benedict, Spy in the Sky, Allied Artists, 1958; Commandant, Tank Force (also known as No Time to Die), Columbia, 1958; Bourdin, The Beasts of Marseilles (also known as Seven Thunders), R.F.D. Productions, 1959; Alan A. Dale, Son of Robin Hood, Twentieth Century-Fox, 1959; Dr. James Moran, The Woman Eater, Columbia, 1959.

Squeezum, Lock Up Your Daughters and Peter Flynn, The Plough and the Stars, both Mermaid Theatre, London, 1962; performed in scenes from Tartuffe and The Way of the World, Georgian Theatre, Richmond, U.K., 1963; Shylock, The Merchant of Venice, Flora Robson Theatre, Newcastle-on-Tyne, U.K., 1963; Sir Samuel Holt, Beekman Place, Morosco Theatre, 1964; Father, The Condemned of Altona, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, New York City, 1966; Voltaire, The Sorrows of Frederick, Mark Taper Forum, Los Angeles, 1967; Earl of Theign, The Outcry, Arts Theatre, London, 1968; Sikorski, Soldiers, New Theatre, London, 1968; Philip Bummidge, The Last Analysis, Theatre Royal, Derby, U.K., 1970; Big Daddy, Cat on a Hot Tin Roof, Richmond Theatre, London, 1970; Shylock, The Merchant of Venice, Gardner Arts Theatre, Brighton, U.K., 1973; title role, King Lear, Globe Playhouse, Los Angeles, 1977. Also appeared in The Admirable Crichton, Bristol Old Vic Company, 1950; The Man

Lacoste, Bluebeard's Ten Honey moons, Allied Artists, 1960; bank manager, The Boy Who Stole a Million, British Lion, 1960;Petrelli, Conspiracy of Hearts, R.F.D. Productions, 1960; Dr. Hugo Panzer, Surprise Package, Columbia, 1960; camel driver, King of Kings, MGM, 1961; the colonel, The Big Money, Lopert, 1962; Forbes, The Dog and the Diamonds, Associated British, 1962; Francois 100

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 COVER Lejeune, Fury at Smugglers Bay, Embassy, 1963; Carlos, The Crooked Road, Seven Arts, 1965; Dr. Londe, The Skull, Paramount, 1965; Ragheeb, Arabesque, Universal, 1966; Cardenas, Land Raiders (also known as Day of the Landgrabbers), Columbia, 1969; Swiss peasant, The Assassination Bureau, Paramount, 1969; Mr. Sturdevant, No Blade of Grass, MGM, 1970; Berigan, Blood from the Mummy's Tomb, Hammer, 1972; Dr. Chatal, Papillon, Allied Artists, 1973; Dr. Roth, Mahler (also known as Mahler Lives), Visual Programme System, 1974; Dr. Constantine, Murder on the Orient Express, Paramount, 1974; Dr. Powys, The Last Days of Man on Earth (also known as The Final Programme), New World, 1975; Old Man Vespucci, TheRitz, Warner Brothers, 1976; El Keb, Shout at the Devil, American International, 1976; Father Mittner, The Tempter (also known as L'Anti Cristo and Anticristo), AVCO-Embassy, 1978; professor, It's Not the Size That Counts (also known as Percy's Progress), Joseph Brenner, 1979; John Gurney, Beyond the Fog (also known as Tower of Evil and Horror on Snape Island), Independent-International, 1981; Lablache, Vivement Dimanche (also known as Let It Be Sunday and Confidenttially Yours), Spectrafilm, 1982; Gus, The Long Good Friday, Embassy, 1982. Also appeared in In the Cool of the Day, MGM, 1963; Too Many Thieves, MGM, 1968; and in / Love You, I Hate You. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: DeBono, Mussolini: The Untold Story, NBC, 1985; also Clouds of Witness, BBC, then Masterpiece Theatre, PBS, 1973. Episodic: Trials of O'Brien, CBS, 1966; Dundee and the Culhane, CBS, 1967; Search, NBC, 1972 and 1973; also Hart to Hart, ABC. Movies: Max Greene, The Stranger, NBC, 1973; doctor, Coffee, Tea, or Me?, CBS, 1973. Specials: The Suicide Club, ABC, 1973. FRANKLIN COVER

PRINCIPAL RADIO APPEARANCES—Series: To Hollywood and Back, BBC.

Stars, all Phoenix Repertory Company, Phoenix Theatre, New York City, 1960; Salem Scudder, The Octoroon and Marcellus and First Player, Hamlet, both Phoenix Repertory Company, Phoenix Theatre, 1961; Logan Harvey, Giants, Sons of Giants, Alvin Theatre, New York City, 1962; Roger Parkhurst, Calculated Risk, Ambassador Theatre, New York City, 1962; Brock Holliday, Abraham Cochrane, Belasco Theatre, New York City, 1964; John Cleves (understudy), Any Wednesday, Music Box Theatre, New York City, 1964-66, then George Abbott Theatre, New York City, 1966; prosecuting attorney, The Investigation, Ambassador Theatre, New York City, 1966; Charles, A Warm Body, Cort Theatre, New York City, 1967; Hamilton Reed, The Freaking Out of Stephanie Blake, Eugene O'Neill Theatre, New York City, 1967; Eddy Edwards, Forty Carats, Morosco Theatre, New York City, 1968-70; Howard Benedict, Applause, Palace Theatre, New York City, 1972; Marty, The Killdeer, New York Shakespeare Festival, Public Theatre, New York City, 1974; Colonel Triletzky, Wild Honey, Virginia Theatre, New York City, 1986; Ed Devery, Born Yesterday, Morris Mechanic Theatre, Baltimore, MD, 1988, then 46th Street Theatre, New York City, 1989. Also appeared with the Cleveland Playhouse, Cleveland, OH, 1954-58; and in title role, Macbeth, American Shakespeare Festival, Stratford, CT.

RELATED CAREER—Member, Mercury Theatre Company, New York City, 1937-38. NON-RELATED CAREER—Waiter on the ocean liner Majestic. OBITUARIES AND OTHER SOURCES: New York Times, April 27, 1989; Variety, May 3-9, 1989.*

COVER, Franklin

1928-

PERSONAL: Full name, Franklin Edward Cover; born November 20, 1928, in Cleveland, OH; son of Franklin Held and Britta (Schreck) Cover; married Mary Bradford Stone (a dance company director), January 30, 1965; children: Bradford Franklin, Susan Henderson. EDUCATION—Denison University, B.A., theatre, 1951; Case Western Reserve University, M.A., 1954, M.F.A., 1955. MILITARY—U.S. Air Force, lieutenant, 1951-53. VOCATION: Actor.

PRINCIPAL FILM APPEARANCES—Group leader, Mirage, Universal, 1965;EdWimpiris, TheStepfordWives, Columbia, 1975;Dan, Wall Street, Twentieth Century-Fox, 1987; also appeared in What's So Bad About Feeling Good?, Universal, 1968; Such Good Friends, Paramount, 1971; The Great Gatsby, Paramount, 1974.

CAREER: STAGE DEBUT—With the Cain Park Theatre, Cleveland, OH, 1945. PRINCIPAL STAGE APPEARANCES—Flavius and Publius, Julius Caesar, Belvedere Lake Theatre, New York City, 1959; Sir Walter Blunt and Sheriff, Henry IV, Part One, Travers and Silence, Henry IV, Part Two, Dick Muggins and Jeremy, She Stoops to Conquer, and Captain Brennan, The Plough and the

PRINCIPAL TELEVISION APPEARANCES—Series: Tom Willis, The Jejfersons, CBS, 1975-85. Pilots: Mr. Murray, Change at

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125th Street, CBS, 1974. Episodic: Tom Willis, All in the Family, CBS, 1975; Sheriff Joe Gates, Hothouse, CBS, 1988; Albert Blotchbinder, 227, NBC, 1988; also Naked City, ABC, 1959; The Defenders, CBS, 1960; Armstrong Circle Theatre, CBS, 1960; Play of the Week, WNTA, 1960; Love of Life, CBS, 1960; The Trials of O'Brien, CBS, 1962; The Doctors, NBC, 1966; The Edge of Night, CBS, 1967; The Secret Storm, CBS, 1969; All My Children, ABC, 1970; The Love Boat, ABC, 1975; The Jackie Gleason Show, CBS. Movies: Conductor, Short Walk to Daylight, ABC, 1972; Lee Harris, The Connection, ABC, 1973; Hubert Humphrey, A Woman Called Golda, syndicated, 1982; Herbert Hoover, The Day the Bubble Burst, NBC, 1982. Also appeared in What Makes Sammy Run?, 1959; The Investigation, 1967.

Artists/British Filmmakers, 1951, released in the United States by Universal, 1952; director, The TitfieId Thunderbolt, Ealing, 1952, released in the United States by Universal, 1953; director, The Love Lottery, Ealing, 1953, released in the United States by General Film Distributors, 1954; director, The Divided Heart, Ealing, 1954, released in the United States by Republic, 1955; director, The Man in the Sky (also known as Decision Against Time), Ealing, 1956, released in the United States by Metro-Goldwyn-Mayer, 1957; director, Law and Disorder, Continental Distributing, 1958; director, Floods of Fear, Rank/Universal, 1958; director, The Battle of the Sexes, Continental, 1960; director, The Boy Who Stole a Million, British Lion, 1960; director, The Third Secret, Twentieth Century-Fox, 1964; director, He Who Rides a Tiger, Sigma III, 1965; director, A Fish Called Wanda, Metro-Goldwyn-Mayer/ United Artists, 1988. Also editor, Yellow Caesar (also known as The Heel of Italy), 1940; editor, Guests of Honour, 1941; editor, Young Veteran, 1941; associate producer and editor, Find, Fix, and Strike, 1941; associate producer, Greek Testament (also known as The Shrine of Victory), 1942; director, Tomorrow's Island, 1968.

MEMBER: Screen Actors Guild (director), American Federation of Television and Radio Artists, Actors' Equity Association, Cleveland Playhouse (honorary trustee), Players Club, English Speaking Union, Union Club (New York City), Blue Key, Kappa Sigma, Omicron Delta Kappa. ADDRESSES: AGENT—Writers and Artists Agency, 70 W. 36th Street, New York, NY 10018.*

CRICHTON, Charles

PRINCIPAL TELEVISION WORK—All as director. Series: The Adventures of Black Beauty, London Weekend Television, then syndicated, 1972-73; Space 1999, syndicated, 1975-76. Episodic: Secret Agent, ITV, then CBS, both 1965; The Avengers, ITV, 1965, then ABC, 1966; Man in a Suitcase, ABC, 1968; The Strange Report, NBC, 1971; Shirley's World, ABC, 1971; The Protectors, ATV, then syndicated, 1973; Return of the Saint, ATV, then CBS, 1979-80; also and Dick Turpin. Movies: London—Through My Eyes, 1970. Also directed The Wild Duck, British television; The Smuggler.

1910-

PERSONAL: Born August 6, 1910, in Wallasey, England. EDUCATION—Attended Oxford University.

RELATED CAREER—Director of training films, Video Arts (a production company), London.

VOCATION: Director, screenwriter, and film editor. CAREER: PRINCIPAL FILM WORK—Assistant editor, Men of Tomorrow, London Films, 1932; assistant editor, Cash (also known as For Love or Money), London Films, 1933; assistant editor, The Private Life of Henry VIII, London Films, 1933; assistant editor, The Girl from Maxim's, London Films, 1933; editor (with William Hornbeck), Sanders of the River (also known as Bosambo), London Films/United Artists, 1935; editor (with Francis Lyon), Things to Come, London Films, 1935, released in the United States by United Artists, 1936; editor (with Hornbeck), Elephant Boy, London Films/United Artists, 1937; editor (with Hornbeck), Twenty-One Days Together (also known as Twenty-One Days and The First and the Last), London Films, 1937, released in the United States by Columbia, 1940; editor, Prison Without Bars, London Films, 1938, released in the United States by United Artists, 1969; editor, Old Bill and Son, General Film Distributors, 1940; editor (with Hornbeck), The Thief of Baghdad, London Films/United Artists, 1940; editor, The Big Blockade, Baling, 1941; associate producer and editor (with Hornbeck), Nine Men, Ealing, 1942, released in the United States by United Artists, 1943; director, For Those in Peril, Ealing, 1944; director, The Girl on the Canal (also known as Painted Boats), Ealing, 1945; director, "The Golfing Story" in Dead of Night, Ealing, 1945; director, Hue and Cry, Ealing, 1946, released in the United States by General Film Distributors, 1950; director, Against the Wind, Baling/General Film Distributors, 1948; director, Another Shore, Baling/General Film Distributors, 1948; director, "The Orchestra Conductor" in Train of Events, Ealing, 1949, released in the United States by Film Arts, 1952.

WRITINGS: FILM—(With Vivienne Knight) Floods of Fear, Rank, 1958; (with John Eldridge) The Boy Who Stole a Million, British Lion, 1960; Tomorrow's Island, 1968; (with John Cleese) A Fish Called Wanda, Metro-Goldwyn-Mayer/United Artists, 1988. TELEVISION—Episodic: (With Christopher Penford) "The Last Sunset," Space 1999, syndicated, 1975. AWARDS: Academy Award nominations, Best Director and (with John Cleese) Best Original Screenplay, both 1989, for A Fish Called Wanda*

CRINKLEY, Richmond

1940-1989

PERSONAL: Full name, Richmond Dillard Crinkley; born January 20, 1940, in Blackstone, VA; died of cancer, January 29, 1989, in Richmond, VA; son of James Epes and Sarah Elizabeth (Beck) Crinkley. EDUCATION—University of Virginia, B.A., 1961, M.A., 1962, and Ph.D., 1966; postgraduate work, Oxford University, 1965-67. VOCATION: Producer and theatre executive. CAREER: PRINCIPAL STAGE WORK—Producer: Total Eclipse, Happy Days, and Subject to Fits, all Folger Theatre Group, Washington, DC, 1969-73; (with Roger L. Stevens) The Freedom of the City, Kennedy Center for the Performing Arts, Washington, DC, 1973, then (also with Konrad Matthaei and Hale Matthews)

Director, Dance Hall, Baling/General Film Distributors, 1950; director, The Lavender Hill Mob, Baling/Universal, 1951; director, Hunted (also known as The Stranger in Between), Independent

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Alvin Theatre, New York City, 1974; (with Stevens) The Skin of Our Teeth, Kennedy Center for the Performing Arts, Washington, DC, then (also with Ken Marsolais) Mark Hellinger Theatre, New York City, both 1975; (with Stevens) Summer Brave, Kennedy Center for the Performing Arts, then (also with Barry M. Brown, Burry Fredrik, Fritz Holt, Sally Sears, and Robert V. Straus) American National Theatre and Academy (ANTA) Theatre, New York City, both 1975; (with Stevens) The Royal Family, Kennedy Center for the Performing Arts, then (also with Brown, Fredrik, Holt, and Sears) Helen Hayes Theatre, New York City, both 1975; (with Stevens) The Scarecrow, Sweet Bird of Youth, Long Day's Journey into Night, Rip Van Winkle, and A Texas Trilogy, all Kennedy Center for the Performing Arts, 1975-76; (with Stevens) The Heiress, Kennedy Center for the Performing Arts, then (also with Steven Beckler and Thomas C. Smith) Broadhurst Theatre, New York City, both 1976; Out of Our Father's House, ANTA Theatre, 1978; (with Elizabeth I. McCann and Nelle Nugent) The Elephant Man, ANTA, Booth Theatre, New York City, 1979; LadyhouseBlues, ANTA, Theatre at St. Peter's Church, New York City, 1979.

CROWLEY

MEMBER: Raven Society, Phi Beta Kappa. OBITUARIES AND OTHER SOURCES: New York Times, January 31, 1989.*

CROSBY, Denise VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Sally, 48 Hours, Paramount, 1982; Bruno's moll, The Curse of the Pink Panther, United Artists, 1983; Enid, The Man Who Loved Women, Columbia, 1983; Nora Hunter, Eliminators, Empire, 1986; Pat, Desert Hearts, Samuel Goldwyn, 1985; Jill Andrews, Arizona Heat, Spectrum, 1988; Rachel Creed, Pet Sematary, Paramount, 1989. Also appeared in The Trail of the Pink Panther, United Artists, 1982.

Tintypes, ANTA, Theatre at St. Peter's Church, then John Golden Theatre, New York City, both 1980; Judgement, ANTA, Theatre at St. Peter's Church, 1980; The Philadelphia Story, Lincoln Center Theatre Company, Vivian Beaumont Theatre, New York City, 1980; The Floating Light Bulb and Macbeth, both Lincoln Center Theatre Company, Vivian Beaumont Theatre, 1981; "Stops Along the Way," "In Fireworks Lie Secret Codes," and "Vivien," in The One Act Play Festival, Lincoln Center Theatre Company, Mitzi E. Newhouse Theatre, New York City, 1981; Poor Little Lambs, Theatre at St. Peter's Church, 1982; (with Eve Skina, Tina Chen, Martin Markinson, Mike Merrick, and John Roach) Passion, Longacre Theatre, New York City, 1983.

PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Tasha Yar, Star Trek: The Next Generation, syndicated, 1987-88. Pilots: Kim Parker, Stark, CBS, 1985. Movies: Teller, Cocaine: One Man's Seduction, NBC, 1983; Carole Lombard, Malice in Wonderland, CBS, 1985; Diana Dyrenforth, My W/cte/, Wicked Ways. . . The Legend of Errol Flynn, CBS, 1985. ADDRESSES: AGENT—Harris and Goldberg, 2121 Avenue of the Stars, Suite 950, Los Angeles, CA 90067.*

MAJOR TOURS—Producer (with Elizabeth I. McCann and Nelle Nugent), The Elephant Man, U.S. cities, 1979-81.

CROWDER, Jack See RASULALA, Thalmus

PRINCIPAL TELEVISION WORK—All as producer. Specials: Out of Our Father's House, PBS, 1978; The Elephant Man, ABC, 1979; Macbeth, ABC, 1983; also Diary of a Madman. RELATED CAREER—Director of programs, Folger Shakespeare Library, and producer, Folger Theatre Group, Washington, DC, 1969-73; board member, WETA-TV, Washington, DC, 1969-73; board member, Shakespeare Quarterly, 1971-73; assistant to the chairman, John F. Kennedy Center for the Performing Arts, Washington, DC, 1973-76; executive director, American National Theatre and Academy, New York City, 1976-79; executive director, Lincoln Center Theatre Company, Vivian Beaumont Theatre, New York City, 1979-84; trustee, John F. Kennedy Center for the Performing Arts, 1981-89; founder and president, Cerberus Enterprises Inc. (a theatrical production company), 1984-89; trustee, Stage II, London; advisory board member (Washington chapter), National Society of Arts and Letters.

CROWLEY, Pat (Patricia Crowley) PERSONAL: Born September 17, in Olyphant, PA; daughter of Vincent and Helen (Swartz) Crowley; married E. Gregory Hookstratten, February 2, 1958 (divorced); married A. Friendly, April 5, 1986; children: Jon, Ann (first marriage). EDUCATION—Attended the High School of the Performing Arts, New York City. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Carol Randall, Southern Exposure, Biltmore Theatre, New York City, 1950; Dorothy Bawke, Four Twelves are Forty-Eight, 48th Street Theatre, New York City, 1951; Helene Dupont, Tovarich, City Center Theatre, New York City, 1952.

NON-RELATED CAREER—Assistant professor of English literature, University of North Carolina, 1967-69. WRITINGS: Walter Pater: Humanist, University Press of Kentucky, 1971.

PRINCIPAL FILM APPEARANCES—Sally Carver, Forever Female, Paramount, 1953; Autumn Clay pool, Money from Home, Paramount, 1953; Susana Martinez De La Cruz, Red Garters, Paramount, 1954; Julie Walsh, The Square Jungle, Universal, 1955; Terry, Hollywood or Bust, Paramount, 1956; Ann, There's Always

AWARDS: Fulbright fellowship, 1965-67; New York Drama Critics' Circle Award and Antoinette Perry Award, both Best Play, 1979, for The Elephant Man.

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CROWLEY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Tomorrow, Universal, 1956; Mary Dennison, Walk the Proud Land, Universal, 1956; Ann Morrow, Key Witness, Metro-GoldwynMayer (MGM), 1960; (as Patricia Crowley) Betty Anderson, The Scarf ace Mob (also known as Tueur de Chicago), Cari Releasing/ Desilu, 1962; (as Patricia Crowley) Eloise, The Wheeler Dealers (also known as Separate Beds), MGM, 1963; (as Patricia Crowley) Elaine May Donaldson, To Trap a Spy, MGM, 1966; (as Patricia Crowley) Mary Lee McNeil, The Biscuit Eater, Buena Vista, 1972; Lennie Howe, Off the Wall, Gregory, 1977. Also appeared in The Wild Women ofWongo, Tropical, 1959.

"Boomerang," World of Disney, NBC, 1968; "Love and the Wonderful Wife,'' Love, American Style, ABC, 1969; "Menace on the Mountain," World of Disney, NBC, 1970; Marcus Welby, M.D., ABC, 1971; Alias Smith and Jones, ABC, \91\\Columbo, NBC, \91l;TheBoldOnes, NBC, 197'1; Owen Marshall, Counselor at Law, ABC, 1972; Griff, ABC, 1973; World of Disney, NBC, 1914', Police Story, NBC, 1974,1975, and 197'6; Matt Helm, ABC, 1915; Police Woman, NBC, 1916; Streets of San Francisco, ABC, 1976; also The Web, CBS; The Chevrolet Tele-Theatre, NBC; The Love Boat, ABC. Movies: Carol Long, A Family Upside Down, NBC, 1978.

PRINCIPAL TELEVISION APPEARANCES—Series: Judy Foster, A Date with Judy, ABC, 1951-52; Joan Nash, Please Don't Eat the Daisies, NBC, 1965-67; Georgia Cameron, Joe Forrester, NBC, 1975-76; Emily Fallmont, Dynasty, ABC, 1986; (as Patricia Crowley) Rebecca Whitmore, Generations, NBC, 1989—. Pilots: Maggie Randall, / Remember Caviar (broadcast as an episode of Goodyear Theatre), NBC, 1959; J.B., The Rumor (broadcast as an episode of Stripe Playhouse), CBS, 1959; Betty Anderson, The Untouchables (broadcast as an episode of Desilu Playhouse), CBS, 1959; Maggie Randall, All in the Family (broadcast as an episode of Goodyear Theatre), NBC, 1960; Elizabeth Williams, The Two of Us, CBS, 1966; Joan, You're Only Young Twice, CBS, 1967; Georgia Cameron, The Return of Joe Forrester, NBC, 1975; Maggie Haines, The Millionaire, CBS, 1978; Lucy Faber, Return to Fantasy Island, ABC, 1978; Beverly Gerber, International Airport, ABC, 1985; also The World of Entertainment, syndicated, 1982.

RELATED CAREER—Child model.

NON-RELATED CAREER—Vice-president, Share Inc.; board of directors, West Lake School; board of directors, Good Shepherd School. AWARDS: Theatre World Award, 1951. ADDRESSES: AGENT—Light/Gordon/Rosson Agency, 901 Bringham Avenue, Los Angeles, CA 90049.*

CROWLEY, Patricia See CROWLEY, Pat

Episodic: Jackie Benson, "Printer's Devil," The Twilight Zone, CBS, 1963; Claudia Baron, Blacke's Magic, NBC, 1986; Edie Howard, Murder, She Wrote, CBS, 1987; also "Sixteen," Television Theatre, NBC, 1950; Magnavox Theatre, CBS, 1950; "The Laughing Shoes," "Fairy Tale," and "Caprice," Armstrong Circle Theatre, NBC, 1952; "Treasure Chest," Television Playhouse, NBC, 1952; "Night of Evil," Suspense, CBS, 1952; "The Pretext," Video Theatre, CBS, 1954; "Two," The U.S. Steel Hour, ABC, 1954; "Guilty Is the Stranger," Goody ear Play house, NBC, 1954; "Bachelor's Bride," General Electric Theatre, CBS, 1955; "Here Comes the Groom," Lux Video Theatre, NBC, 1956; "The 78th Floor," Climax, CBS, 1956; "Heat of Anger," West Point, CBS, 1956; "Girl with a Glow," Schlitz Playhouse of Stars, CBS, 1957; "The Deadline," Crossroads, ABC, 1957; "A Gun at His Back," The Frank Sinatra Show, ABC, 1957; "Blizzard," The Loretta Young Show, NBC, 1957; "Time to Go Now," General Electric Theatre, CBS, 1958; "The Bargain," The Loretta Young Show, NBC, 195%; Maverick, ABC, 1959; Wanted Dead or Alive, CBS, 1959; 77 Sunset Strip, ABC, 1959; "Trouble in Fenton

CRUTCHLEY, Rosalie 1921PERSONAL: Born January 4, 1921, in London, England; daughter of Gerald and Betty (Spottiswoode) Crutchley; married Danson Cunningham (divorced); married Peter Ashmore (divorced). EDUCATION—Attended the Francis Holland School; trained for the stage at the Royal Academy of Music. VOCATION: Actress. CAREER: STAGE DEBUT—Saint Joan, Liverpool Playhouse, Liverpool, U.K., 1938. LONDON DEBUT—Angelica, Love for Love, Phoenix Theatre, 1943. PRINCIPAL STAGE APPEARANCES— Elizabeth, The Circle, Angelica, Love for Love, and Hippolyta, A Midsummer Night's Dream, all Hay market Theatre, London, 194445; Goneril, King Lear and Beatrice, Much Ado About Nothing, both Bristol Old Vic Theatre, Bristol, U.K., 1946-47, then Embassy Theatre, London, 1947; Friedl von Gerhardt, The Compelled People, New Lindsey Theatre, London, 1949; Helen Rolt, The Heart of the Matter, Wilbur Theatre, Boston, MA, 1950; Madeleine, Intimate Relations, Arts Theatre, London, 1951; Helen Manifold, All the Year Round, Duke of York's Theatre, London, 1951; Marie Chassaigne, The River Line, Strand Theatre, London, 1953; Kristine Linde, A Doll's House, Lyric Hammersmith Theatre, London, 1953; Elizabeth Proctor, The Crucible, Royal Court Theatre, London, 1956; Dona Ana, Don Juan and Marcia Lissenden, The Death of Satan, both Royal Court Theatre, 1956. Also appeared in repertory at the Liverpool Playhouse, Liverpool, U.K., 1938-39, with the H.M. Tennent Players, 1940, in Edinburgh and Glasgow, Scotland, 1940, at the Oxford Playhouse, Oxford, U.K., 1940-42, and with the Old Vic Company, Liverpool Playhouse, 1945-46.

Valley," The Loretta Young Show, NBC, 1959; Bronco, ABC,

1959.

Riverboat, NBC, 1960; "Threat of Evil," The June Ally son Show, CBS, I960; Maverick, ABC, 1960; The Tab Hunter Show, NBC, I960; Hong Kong, ABC, 1960; The Roaring Twenties, ABC, 1960; Michael Shayne, NBC, 1961; Hong Kong, ABC, 1961; Tales of Wells Fargo, NBC, 1961; 87th Precinct, NBC, 1961; The Detectives, NBC, 1961; Dr. Kildare, NBC, 1962; "Quick Brown Fox," Cain's Hundred, NBC, 1962; Rawhide, CBS, 1963; Bonanza, NBC, 1963; The Eleventh Hour, NBC, 1963; The Fugitive, ABC, 1963; Mr. Novak, NBC, 1963; 77 Sunset Strip, ABC, 1963; The Lieutenant, NBC, 1964; Arrest and Trial, CBS, 1964;£>r. Kildare, NBC, 1964; The Man from U.N.C.L.E., NBC, 1964; "Mr. Biddie's Crime Wave," The Bob Hope Chrysler Theatre, NBC, 1964; "A Matter of Murder," Alfred Hitchcock Theatre, CBS, 1964; Judd, for the Defense, ABC, 1968; The Virginian, NBC, 1968; 104

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CUSACK

FILM DEBUT—Elizabeth Rusman, Take My Life, Eagle-Lion/ Rank, 1948. PRINCIPAL FILM APPEARANCES—Julio's wife, Salt to the Devil (also known as Give Us This Day), Eagle-Lion/Rank, 1949; Carlotta, Prelude to Fame, Universal, 1950; Mrs. Sidney Herbert, The Lady with a Lamp, British Lion, 1951; Acte, Quo Vadis, Metro-Goldwyn-Mayer (MGM), 1951; Queen Katherine of Aragon, The Sword and the Rose (also known as When Knighthood Was in Flower), RKO, 1953; Francesca, Flame and the Flesh, MGM, 1954; Bella, Make Me an Offer, British Lion, 1954; Carmella, Malta Story, United Artists, 1954; Frau Bikstein, The Gamma People, Columbia, 1956; Mafalda Gozzi, Miracle in Soho, Rank, 1957; Theater Sister, No Time for Tears, Associated British/ Pathe, 1957; Magdalena, The Spanish Gardener, Rank, 1957; Madame DeFarge, A Tale of Two Cities, Rank, 1958; Therese Blanchard, The Beasts of Marseilles (also known as Seven Thunders), Rank Film Distributors, 1959; Sister Eleanor, The Nun's Story, Warner Brothers, 1959.

Jones, Queenie, ABC, 1987; Mrs. Markham, Beryl Markham: A Shadow on the Sun (also known as Shadow on the Sun: The Life of Beryl Markham), CBS, 1988. Specials: Mrs. Sparsit, Hard Times, Granada, then Great Performances, PBS, 1977; Teresa, Monsignor Quixote, Thames Television, then Great Performances, PBS, 1987; Euridice, The Theban Plays, BBC, then PBS, 1988. Also appeared in Carrie's War, 1973; Elektra, 1974; North and South, 1975; Trilby, \916\Oedipus, \916\Jackanory, \916; Gentle Folk, 1977; Horse in the House, \911\RomanyRye, \911\ThePeppermintPig, 1918; Destiny, 1978; Escape from the West, 1981; Passing Through, 1981; The Testament of John; Chessgame; Antigone; Brandon Chase; Cribb; Women of Troy; The Winter's Tale; The Complaisant Lover; and The Count of Monte Cristo.

Miriam's mother, Sons and Lovers, Twentieth Century-Fox, 1960; farmer's wife, Grey friars Bobby, Buena Vista, 1961; Alice Byrne, No Love for Johnnie, Embassy, 1961; Frau Freud, Freud (also known as The Secret Passion and Freud: The Secret Passion}, Universal, 1962; Mrs. Dudley, The Haunting, MGM, 1963; Teresa, Behold a Pale Horse, Columbia, 1964; Maude Klein, The Model Murder Case (also known as Girl in the Headlines}, Cinema V, 1964; Mrs. Earnshaw, Wuthering Heights, American International, 1970; old crone, Creatures the World Forgot, Columbia, 1971; Miss Henley, Who Slew Auntie Roo? (also known as Gingerbread House), American International, 1971; Helen Dickerson, Blood from the Mummy's Tomb, Hammer, 1972; housekeeper, Man of La Mancha, United Artists, 1972; Mrs. Luke, And Now the Screaming Starts (also known as Fengriffen), Cinerama, 1973; Marie Mahler, Mahler, Visual Programme Systems, 1974; Somaya, Mohammad, Messenger of God (also known as Al-Ris-Alah and The Message), Tarik/Yablans, 1976; Josefa, The Keep, Paramount, 1983; Hatche's mother, Memed My Hawk, Focus, 1983; Grandmother, Eleni, Warner Brothers, 1985; Mrs. Harris, A World Apart, Atlantic Releasing, 1988; magnate from the bench's wife, Little Dorrit, Curzon Film Distributors/Cannon Releasing, 1988; Gladys, She's Been Away, Sales Company/BBC Enterprises, 1989. Also appeared in Beyond This Place (also known as Web of Evidence), Allied Artists, 1959; Frederic Chopin, 1961; Au Pair Girls, 1972; House in Nightmare Park, 1973; The Return, 1973.

ADDRESSES: MANAGER—London Management, 235/241 Regent Street, London W1A 2OT, England.*

AWARDS: Guild of Television Award, Best Actress of the Year, 1956; International Television Award, 1970, for The Six Wives of Henry VIII.

CUSACK, John 1966PERSONAL: Surname is pronounced "gw-zack"; born June 28, 1966, in Evanston, IL; son of Richard (an actor and producer) and Nancy Cusack. EDUCATION—Trained for the stage with Byrne and Joyce Piven at the Piven Theatre Workshop, Chicago, IL. VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE WORK—Director and producer, Alagazam . . . After the Dog Wars, Chicago, IL, 1988. FILM DEBUT—Roscoe, Class, Orion, 1983. PRINCIPAL FILM APPEARANCES—Johnny Maine, Grandview, U.S.A., Warner Brothers, 1984; Bryce, Sixteen Candles, Universal, 1984; Lane Myer, Better Off Dead, Warner Brothers, 1985; Harry, The Journey of Natty Gann, Buena Vista, 1985; Walter "Gib" Gibson, The Sure Thing, Embassy, 1985; Hoops McCann, One Crazy Summer, Warner Brothers, 1986; Denny Lachance, Stand By Me, Columbia, 1986; angry messenger, Broadcast News, Twentieth Century-Fox, 1987; Dan Bartlett, Hot Pursuit, Paramount, 1987; Ivan Alexeev, Tapeheads, De Laurentiis Entertainment Group, 1988; George "Buck" Weaver, Eight Men Out, Orion, 1988; Lloyd Dobler, Say Anything, Twentieth Century-Fox, 1989; Michale Merriman, Fat Man and Little Boy, Paramount, 1989.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Catherine Parr, The Six Wives of Henry VIII, BBC, 1970, then CBS, 1971, later Masterpiece Theatre, PBS, 1972; Catherine Parr, Elizabeth R, BBC, then Masterpiece Theatre, PBS, 1972; Mother Felicity, Smiley's People, syndicated, 1982; Goodwife Margaret, By the Sword Divided, BBC, then Masterpiece Theatre, PBS, 1986; Goodwife Margaret, By the Sword Divided II, BBC, then Masterpiece Theatre, PBS, 1988; also The Possessed, BBC, then Masterpiece Theatre, PBS, 1971; Cold Comfort Farm, BBC, then Masterpiece Theatre, PBS, 1971; Country Matters, Granada, then Masterpiece Theatre, PBS, 1975; Testament of Youth, BBC, then Masterpiece Theatre, PBS, 1980; The Franchise Affair, BBC-1, 1988. Episodic: The Queen, "Checkmate," The Prisoner, CBS, 1968; Mrs. Lexington, "The Norwood Builder," The Adventures of Sherlock Holmes, Granada, then Mystery!, PBS, 1986; Mrs. Price-Ridley, "The Murder at the Vicarage," Agatha Christie's MissMarple, BBC, then Mystery!, PBS, 1989; Lisa, "Death of a Ghost," Campion, BBC, then Mystery/, PBS, 1989; also "Moving on the Edge," Play for Today, 1982.

PRINCIPAL TELEVISION APPEARANCES—Specials: An All-Star Celebration: The '88 Vote, ABC, 1988. RELATED CAREER—Founder, New Crime Productions; writer and director of musicals for Evanston Township High School; appeared in industrial films and commercials. ADDRESSES: HOME—Chicago, IL. AGENT—Ann Geddes, The Geddes Agency, 8457 Melrose Place, Los Angeles, CA 90069. PUBLICIST—Elizabeth Much, Baker/Winokur/Ryder Public Relations, 9348 Civic Center Drive, Suite 407, Beverly Hills, CA 90210.

Movies: Simone, The Hunchback of Notre Dame, CBS, 1982; Mrs. 105

D DALY, Timothy

DANIELS, Marc

1956-

c. 1912-1989

PERSONAL: Born March 1, 1956, in New York, NY; son of James Daly (an actor) and Hope Newell (an actress); married Amy Van Nostrand (an actress); children: Sam. EDUCATION—Received B.A. from Bennington College.

PERSONAL: Born Danny Marcus, c. 1912 in Pittsburgh, PA; died of heart failure, April 23, 1989, in Santa Monica, CA; wife's name Emily; children: two daughters, one son. EDUCATION—Graduated from the University of Michigan; studied acting and directing at the American Academy of Dramatic Arts. MILITARY—U.S. Army, 1941-46.

VOCATION: Actor.

VOCATION: Director, producer, and actor.

CAREER: OFF-BROADWAY DEBUT—Trevor, Chris, Nicky, Victor, and Eddie, Fables for Friends, Playwrights Horizons, 1984. BROADWAY DEBUT—Leo Hart, Coastal Disturbances, Circle in the Square, 1987. PRINCIPAL STAGE APPEARANCES—Title role, Oliver Oliver, Manhattan Theatre Club, City Center Theatre Space, New York City, 1985; Leo Hart, Coastal Disturbances, Second Stage Theatre, New York City, 1987; also appeared in The Fifth of July and Buried Child, both Trinity Square Repertory Company, Providence, RI, 1981; Mass Appeal and Bus Stop, both Trinity Square Repertory Company; The Glass Menagerie, Santa Fe Festival Theatre, Santa Fe, NM; Jenny Kissed Me, Bucks County Playhouse, New Hope, PA.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Dead End, Belasco Theatre, New York City; The Yeoman of the Guard, New York City. PRINCIPAL STAGE WORK—Director: Phoenix '55 (revue), Phoenix Theatre, New York City, 1955; Copper and Brass, Martin Beck Theatre, New York City, 1957; Linda Stone Is Brutal, Bucks County Playhouse, New Hope, PA, 1964; The Girl in the Freudian Slip, Booth Theatre, New York City, 1967; 36, Jewish Repertory Theatre, New York City, 1980. Also assistant stage manager, Dead End, Belasco Theatre, New York City. PRINCIPAL FILM WORK—Director, Squeeze a Flower, NLT Group W, 1970; also director, The Big Fun Carnival, 1957.

PRINCIPAL FILM APPEARANCES—William "Billy" Howard, Diner, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1982; Frank, Just the Way You Are, MGM/UA, 1984; Tom Donnelly, Made in Heaven, Lorimar, 1987; Jeff Mills, Spellbinder, MGM/ UA, 1988; also appeared in Love or Money, 1989.

PRINCIPAL TELEVISION APPEARANCES—Pilots: That's Our Sherman, NBC, 1948. PRINCIPAL TELEVISION WORK—All as director, unless indicated. Series: (Also producer with Jules Bricken) Ford Theatre Hour, CBS, 1948-51; (with Walter Hart and Willliam Berke) The Goldbergs, CBS, 1949-51, then Dumont, 1954, later syndicated, 1955-56; producer, The Nash Airflyte Theatre, CBS, 1950-51; / Love Lucy, CBS, 1951-52; My Hero (also known as The Robert Cummings Show), NBC, 1952-53; (with John Rich) Where's Raymond? (also known as The Ray Bolger Show), ABC, 1953-55; (with Ernest D. Glucksman; also producer with Glucksman and Don Appel) The Imogene Coca Show, NBC, 1954-55; (with William A. Graham) Witness, CBS, 1960-61; producer, Saints and Sinners, NBC, 1962-63; executive producer (with Anne Marcus) and producer (with Leonard Friedlander), The Life and Times of Eddie Roberts, syndicated, 1980; Life with Lucy, ABC, 1986; creative consultant, Can This Marriage Be Saved?, syndicated, 1989. Pilots: Last of the Private Eyes (broadcast as an episode of The Dick Powell Show; also known as The Hollywood Showcase), NBC, 1963; Assignment: Earth (broadcast as an episode of Star Trek), NBC, 1968; Prudence and the Chief, ABC, 1970; Planet Earth, ABC, 1974; Co-Ed Fever, CBS, 1979.

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Edward Gillian, Ryan's Four, ABC, 1983; Norman Foley, Almost Grown, CBS, 1988. Mini-Series: Toby Amberville, /'// Take Manhattan, CBS, 1987. Episodic: Richard, "The Rise and Rise of Daniel Rocket," American Playhouse, PBS, 1986; Elliot Chase, Midnight Caller, NBC, 1989; also///// Street Blues, NBC'Alfred Hitchcock Presents. Movies: Kevin Coates, / Married a Centerfold, NBC, 1984; Chris Philips, Mirrors, NBC, 1985; Guy Pehrsson, Red Earth, White Earth, CBS, 1989. RELATED CAREER—Guitarist, singer, and composer in rock bands; performed in cabaret at the Williamstown Theatre Festival, Williamstown, MA, and at benefits in New York City. AWARDS: Theatre World Award, 1987, for Coastal Disturbances. MEMBER: Actors' Equity Association.*

Episodic: Soldiers of Fortune, syndicated, 1955; Shane, ABC,

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1966; Star Trek, NBC, 1966-69 (fourteen episodes); Paris 7000, ABC, 1970; Here We Go Again, ABC, 1973; "One of Our Planets Is Missing," Star Trek (animated), NBC, 1973; Gibbsville, NBC, 1976; Spencer's Pilots, CBS, 1976; The Andros Targets, CBS, 1911 ^Husbands, Wives, and Lovers, CBS, 1978; Doctors' Private Lives, ABC, 1979; The Life and Times of Eddie Roberts, syndicated, 1980; Amanda's, ABC, 1983; Gun Shy, CBS, 1983; Mr. President, Fox, 1987 (ten episodes); also The Survivors (also known as HaroldRobbins' ' 'The Survivors"), ABC; Hawaii Five0, CBS; Ben Casey, ABC; Branded, NBC; Burke's Law, ABC; Love, American Style, ABC; Colt .45, ABC; Eight Is Enough, ABC; Apple's Way, CBS; Bonanza, NBC; Gunsmoke, CBS (ten episodes); Cannon, CBS; Alice, CBS (eighty-six episodes); Search, NBC; I Married Joan, NBC (twenty-six episodes); The Doris Day Show, CBS (eleven episodes); The Man from U.N.C.L.E., NBC; The Men from Shiloh, NBC; Mission: Impossible, CBS; Owen Marshall, Counselor at Law, ABC', Flo, CBS (ten episodes); James at 15, NBC; The Man from Atlantis, NBC; Marcus Welby, M.D., ABC (thirty-three episodes); Private Benjamin, CBS; Toma, ABC; Vega$, ABC; Saints and Sinners, NBC; Jigsaw, ABC; Hogan's Heroes, CBS (nineteen episodes); Z)r. Kildare, NBC; Mickey Spillane's "Mike Hammer," CBS; Crazy Lfe 0 Fox, CBS; The Name of the Game, NBC; Barnaby Jones, CBS; #wrcg Fw, ABC; The F.B.I., ABC; F<m Side/West Side, CBS; Slavery's People, CBS; Fame. Movies: Father Knows Best: Home for Christmas, NBC, 1977; He's Fired, She's Hired, CBS, 1984; Special People, CBS, 1984; Vengeance: The Story of Tony Cimo, CBS, 1986. Specials: Arsenic and Old Lace, CBS, 1949; (also producer) Jane Eyre, CBS, 1961; The Power and the Glory, CBS, 1961; The Heiress, CBS, 1961; "Emily, Emily," Hallmark Hall of Fame, NBC, 1977; "Have I Got a Christmas for You," Hallmark Hall of Fame, NBC, 1977; Lucy Calls the President, CBS, 1977; "Fame," Hallmark Hall of Fame, NBC, 1978; (also producer) Skinflint, NBC, 1979. Also director, All the Money in the World. RELATED CAREER—Executive officer and general manager, This Is the Army (World War II entertainment troup); instructor, American Academy of Dramatic Arts; director, Jane Cowl's Stock Company; senior vice-president, Theatre Network Television, which created closed-circuit broadcasts for business corporations; director of television commercials.

VOCATION: Actor. CAREER: BROADWAY DEBUT—Mr. Shears, Finian's Rainbow, 46th Street Theatre, 1947. PRINCIPAL STAGE APPEARANCES— Ernie "Horse" Wagner, Mrs. Gibbons' Boys, Music Box Theatre, New York City, 1949; Ellington, Metropole, Lyceum Theatre, New York City, 1949; Roger, She Stoops to Conquer, City Center Theatre, New York City, 1950; Joe Hungry Horse, Four Twelves Are Forty-Eight, 48th Street Theatre, New York City, 1951; Jess Proddy, Three Wishes for Jamie, Mark Hellinger Theatre, New York City, 1952. Also appeared in That's the Ticket, Shubert Theatre, Philadelphia, PA, 1948. MAJOR TOURS—Gus, Barnaby and Mr. O'Malley, U.S. cities, 1946. PRINCIPAL FILM APPEARANCES—Moocher, Undercover Girl, Universal, 1950; Basra, Flame ofAraby, Universal, 1951; tattered man, The Red Badge of Courage, Metro-Goldwyn-Mayer (MGM), 1951; Nugent, Under the Gun, Universal, 1951; captain, Carrie, Paramount, 1952; Corey, Johnny Guitar, Republic, 1954; Luke, The Far Country, Universal, 1955; Calvin Wiggs, The Trouble with Harry, Paramount, 1955; Elijah, Moby Dick, Warner Brothers, 1956; Lobo, Santiago (also known as The Gun Runners), Warner Brothers, 1956; Jameson, Tension at Table Rock, RKO, 1956; Abe, Tribute to a Badman, MGM, 1956; Howard Tyler, All MinetoGive (also known as The Day They Gave Babies Away), Universal, 1957; Alidos, Crime of Passion, United Artists, 1957; Aiken Clay, Man in the Shadow (also known as Pay the Devil), Universal, 1957; Trude, Trooper Hook, United Artists, 1957; Al Lees, Handle with Care, MGM, 1958; Trout, Man of the West, United Artists, 1958; Clay Ellison, Saddle the Wind, MGM, 1958; evangelist, The Boy and the Bridge, Columbia, 1959; Jake Winter, Face of Fire, Allied Artists, 1959; Fiddling Tom Waller, Hound-Dog Man, Twentieth Century-Fox, 1959; Words Cannon, Never Steal Anything Small, Universal, 1959; Carmichael, These Thousand Hills, Twentieth Century-Fox, 1959. Sheriff, The Adventures of Huckleberry Finn, MGM, 1960; Ike Howes, Cimarron, MGM, 1960; Peter, King of Kings, MGM, 1961; Uncle Billy Caldwell, Posse from Hell, Universal, 1961; Pack Underwood, Savage Sam, Buena Vista, 1963; Carey, The Seven Faces of Dr. Lao, MGM, 1964; Ode, Gunpoint, Universal, 1966; Pretty Horse, The Last Challenge, MGM, 1967; John Bear, Welcome to Hard Times (also known as Killer on a Horse), MGM, 1967; Doctor Prather, Day of the Evil Gun, MGM, 1968; Carl Blair, If He Hollers, Let Him Go, Cinerama, 1968; Faraway, Backtrack, Universal, 1969; Arch Brandt, Death of a Gunflghter, Universal, 1969; Major Sanders, The Undefeated, Twentieth Century-Fox, 1969.

AWARDS: Emmy Award nomination, Outstanding Directorial Achievement in Drama, 1961, for The Power and the Glory; Emmy Award nomination and Directors Guild of America Award nomination, both for Fame; Emmy Award nomination for Marcus Welby, M.D.; Directors Guild of America Award nominations for All the Money in the World and Alice; Variety Showmanship Award; Director of the Year Award from the Radio and Television Editors of America.

Zach, Machismo—Forty Graves for Forty Guns (also known as Forty Graves for Forty Guns), Boxoffice International, 1970; voice of Marley's Ghost, Mr. Magoo's Holiday Festival (animated), Maron, 1970; Sal Sachese, Chandler, MGM, 1971; John Brown, Skin Game, Warner Brothers, 1971; rustler, The Culpepper Cattle Company, Twentieth Century-Fox, 1972; Gustavson, The Great Northfield, Minnesota Raid, Universal, 1972; Jake, Ace Eli and Rodger of the Skies, Twentieth Century-Fox, 1973; MacDonald, Cahill, United States Marshal, Warner Brothers, 1973; coroner, Electra Glide in Blue, United Artists, 1973; Nick Murack, Howzer, URI, 1973; Reverend Johnson, Big Bad Mama, New World, 1974; Joseph Lang, Dead People (also known as Messiah of Evil, Return of the Living Dead, Revenge of the Screaming Dead, and The Second Coming), International Cinefilm, 1974; Mayor Anton

OBITUARIES AND OTHER SOURCES: New York Times, April 29, 1989; Variety, May 3-9, 1989.*

DANO, Royal 1922PERSONAL: Born November 16, 1922, in New York, NY. EDUCATION—Attended New York University.

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Cermak, Capone, Twentieth Century-Fox, 1975; Tex, The Wild Party, American International, 1975; Zeke Montgomery, Drum, United Artists, 1976; father, The Killer Inside Me, Warner Brothers, 1976; Ten Spot, The Outlaw Josey Wales, Warner Brothers, 1976; bartender, One Man Jury, Cal-Am Artists, 1978. Prophet, In Search of Historic Jesus, Sunn Classic, 1980; Beeber, Take This Job and Shove It, AVCO-Embassy, 1981; Pops, Hammett, Warner Brothers, 1982; minister, The Right Stuff, Warner Brothers, 1983; Tom Fury, Something Wicked This Way Comes, Buena Vista, 1983; Ditto, Teachers, Metro-Goldwyn-Mayer/United Artists, 1984; Bailey, Cocaine Wars, Concorde, 1986; Gramps, House II: The Second Story, New World, 1987; Larn Claver, RedHeaded Stranger, Alive, 1987; Uncle Ned, Ghoulies II, Empire Entertainment, 1988; Farmer Green, Killer Klowns from Outer Space (also known as Killer Klowns), Trans World Entertainment, 1988. Also appeared in Slingshot, 1971; Bad Georgia Road, Dimension, 1977; Hughes and Harlow: Angels in Hell, PRO International, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Elam Hanks, How the West Was Won, ABC, 1977. Pilots: Otto, The Dangerous Days ofKiowa Jones, ABC, 1966; Cow John, Murder 1, Dancer 0, NBC, 1983. Episodic: Salvation Army officer, Amazing Stories, NBC, 1986; Elmer Quick, Amazing Stories, NBC, 1986; also Lost in Space, CBS, 1966; "I'll Never Leave You—Ever," Night Gallery, NBC, \91\\PlanetoftheApes, CBS, 1974; Death Valley Days, syndicated; From Here to Eternity, NBC. Movies: Sheriff Tackaberry, Run Simon Run, ABC, 1970; Tom Gurmandy, Sr., Moon of the Wolf, ABC, 1972; Mark Twain, Huckleberry Finn, ABC, 1975; Pa Bocock, The Manhunter, NBC, 1976; Bo Buehler, Murder in Peyton Place, NBC, 1977; Sutter, Donner Pass: The Road to Survival, NBC, 1978; Mr. Willis, Strangers: The Story of a Mother and Daughter, CBS, 1979; Pa Dalton, The Last Ride of the Dalton Gang, NBC, 1979; Ernest Farmer, Will There Really Be a Morning?, CBS, 1983; southern senator, LBJ: The Early Years, NBC, 1987; Nitro Jones, Once Upon a Texas Train, CBS, 1988; zkoCrash, ABC, 1978. Specials: Uncle "Sherlock" George, "My Dear Uncle Sherlock," ABC Short Story Special, ABC, 1977; voice, Funny, You Don't Look 200, ABC, 1987.

SEVERN DARDEN

1958; Foma Fomitch, Friend of the Family, Crystal Palace, St. Louis, MO, 1958; Peter, Romeo and Juliet, Snug, A Midsummer Night's Dream, Nym, The Merry Wives of Windsor, and French lord, All's Well That Ends Well, all American Shakespeare Festival, 1959; Jonathan Kobitz, P.5. 793, Writers' Stage Theatre, New York City, 1962; ensemble, Seacoast of Bohemia and My Friend Art Is Dead (revues), both Second City at Square East Theatre, New York City, 1962; ensemble, To the Water Tower (revue), Second City at Square East Theatre, 1963; Birgasse, A Murderer Among Us, Morosco Theatre, New York City, 1964; ensemble, Open Season at Second City and A View from Under the Bridge, (revues), both Second City at Square East Theatre, 1964; Harry, Leda Had a Little Swan, Cort Theatre, New York City, 1968; Sam Adams and Robinson, The American Revolution, Parti, Ford's Theatre, Washington, DC, 1973; ensemble, Sills and Company (revue), Lamb's Theatre, New York City, 1986. Also appeared in The Second City Revue, Chicago, IL, 1959; Too Many Hats, The Third Program, and Seacoast of Bohemia (revues), all with the Second City comedy troupe, Chicago, 1960; with the Second City comedy troupe at the Ivar Theatre, Los Angeles, 1961; Metamorphoses, Festival of Two Worlds, Spoleto, Italy, 1973; Tales of the Hasidim, New York Shakespeare Festival, Public Theatre, New York City, 1977; The FrontPage, Long Wharf Theatre, New Haven, CT, 1982; Sills and Company (revue), Los Angeles, 1983-85.

ADDRESSES: AGENT—William Morris Agency, 151 El Camino Drive, Beverly Hills, CA, 90212.*

DARDEN, Severn 1929PERSONAL: Full name, Severn Teackle Darden; born November 9, 1929, in New Orleans, LA; son of Severn T. and Geraldine (Rubenstein) Darden; married Heather Ingrid Bleackley, 1984; children: Scott Lachlan MacKinnon. EDUCATION—Attended Mexico City College, the University of Chicago, and Bard College. VOCATION: Actor. CAREER: BROADWAY DEBUT—Ensemble, From the Second City (revue), Royale Theatre, 1961. PRINCIPAL STAGE APPEARANCES— Joseph, My Three Angels, M.P., Mr. Roberts, and Corporal Shultz, Stalag 17, all Barter Theatre, Abington, VA, 1954; Henry Cabot Lodge, The Hall of Mirrors, Barter Theatre, 1956; Voltemand, Hamlet, Snug, A Midsummer Night's Dream, and officer, The Winter's Tale, all American Shakespeare Festival, Stratford, CT,

MAJOR TOURS—With the Second City comedy troupe, U.S. and U.K. cities, 1957-59; From the Second City (revue), U.S. cities, 1965. PRINCIPAL FILM APPEARANCES—Doctor, Goldstein, Montrose, 1964; H.S. Stevens, The Double-Barrelled Detective Story, Saloon 109

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Productions, 1965; Miles Fisher, Dead Heat on a Merry-GoRound, Columbia, 1966; doctor and Claude, Fearless Frank (also known as Frank's Greatest Adventure), American International, 1967; Vandergrist, Luv, Columbia, 1967; Kropotkin, The President's Analyst, Paramount, 1967; Shelton Quell, P.J. (also known as New Face in Hell), Universal, 1968; Henry F. Millmore, Fillard Millmore, narrator, and Millmore's Ghost, The Virgin President, New Line Cinema, 1968; Balthazar, Justine, Twentieth CenturyFox, 1969; Nate, The Mad Room, Columbia, 1969; portly man, The Model Shop, Columbia, 1969; Cecil, They Shoot Horses, Don't They? ABC/Cinerama, 1969; Dr. Fahrquardt, Pussycat, Pussycat, I Love You, United Artists, 1970; Cisco's lawyer, Cisco Pike, Columbia, 1971; McVey, The Hired Hand, Universal, 1971; mayor, The Last Movie (also known as Chinchero), Universal, 1971; J. Hovah, Vanishing Point, Twentieth Century-Fox, 1971; One (high priest), Werewolves on Wheels, Fanfare, 1971; Kolp, Conquest of the Planet of the Apes, Twentieth Century-Fox, 1972; Dominick, Every Little Crook and Nanny, Metro-Goldwyn-Mayer, 1972; hypnotist, Play It As It Lays, Universal, 1972; Dr. Harris, The War Between Men and Women, National General, 1972; Mr. Marduke, Who Fears the Devil? (also known as The Legend of Hillbilly John and My Name Is John), Jack H. Harris, 1972; Big Jim, Dirty Little Billy, Columbia, 1972; Kolp, Battle for the Planet of the Apes, Twentieth Century-Fox, 1973; Schwinn, The Day of the Dolphin, AVCO-Embassy, 1973; Sheriff Dempsey, Jackson County Jail, New World, 1976; Moran, Mother, Jugs, and Speed, Twentieth Century-Fox, 1976; Merlin Bitterstix, Wanda Nevada, United Artists, l979',Maddox, Hopscotch, AVCO-Embassy, 1980;priest, In God We Trust, Universal, 1980; art editor, A Small Circle of Friends, United Artists, 1980; Dr. Barbour, Why Would I Lie? Metro-Goldwyn-Mayer/United Artists, 1980; Van Helsing, Saturday the 14th, New World, 1981; seminary provincial, Young Giants, Miracle, 1983; Dr. Meredith, Real Genius, Tri-Star, 1985: Dr. Barazini, Back to School, Orion, 1986; Max, The Telephone, New World, 1988. Also appeared in Hands of the Ripper, Universal, 1971.

RELATED CAREER—Monologist, Gate of Horn (nightclub), Chicago, IL, 1959. WRITINGS: FILM—(With Graeme Ferguson) The Virgin President, New Line Cinema, 1968; composer, The Last Movie, Universal, 1971. MEMBER: Academy of Motion Picture Arts and Sciences. ADDRESSES: AGENT—Belson and Klass Associates, 144 S. Beverly Drive, Beverly Hills, CA 90212.

DaRE, Aldo See RAY, Aldo

DAVID, Keith VOCATION: Actor. PERSONAL: Born Keith David Williams, June 4, in New York, NY; son of Lester and Delores (Dickenson) Williams. EDUCATION—Graduated from the High School of Performing Arts, 1973; received B.F. A. from the Juilliard Theatre Center; studied acting at

PRINCIPAL FILM WORK—Producer (with Graeme Ferguson and Jim Hubbard), The Virgin President, New Line Cinema, 1968. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Story Theatre, syndicated, 1971; Dr. Popesco, Forever Fern wood, syndicated, 1977-78; Foley, Beyond Westworld, CBS, 1980; Dr. Noah Wolf, Take Five, CBS, 1987. Mini-Series: Gideon, Sandburg's Lincoln, NBC, 1974-76; Plover, Captains and the Kings, NBC, 1976. Pilots: Bad guy, The New, Original Wonder Woman, ABC, 1975; Cap, The Feather and Father Gang: Never Con a Killer (also known as Never Con a Killer}, ABC, 1977; Albeit Church, Rendezvous Hotel, CBS, 1979; Mr. Melish, Home Room, ABC, 1981; Conway, Rooster, ABC, 1982. Episodic: Kolchak: The Night Stalker, ABC, 1974; Barney Miller, ABC, 1976; Cheers, NBC, 1983; and as Aploy, The Six Million Dollar Man, ABC. Movies: Jimmy Apache, The Movie Murderer, NBC, 1970; Roger, Playmates, ABC, 1972; Harry, The Man Who Died Twice, CBS, 1973; Steve Kramer, Skyway to Death, ABC, 1974; S.I. Gilbert, The Disappearance of Aimee, NBC, 1976; Moshe Meyer, Victory at Entebbe, ABC, 1976; Sheriff Dempsey, Outside Chance, CBS, 1978; Fred Hallem, Love for Rent, ABC, 1979; Mr. Barrington, Orphan Train, CBS, 1979; Hobart, Quarterback Princess, CBS, \983;Pau\,ACryforLove, NBC 1980; Alfredo Suero, Evita Peron, NBC, 1981. Specials: Marvin Simeon, The Prison Game, PBS, 1979; Jonathan Barnavelt, "Once Upon a Midnight Dreary," CBS Library, CBS, 1979; Farmer Silas, The Princess Who Had Never Laughed, Showtime, 1986; also Second City Revue, 1961.

KEITH DAVID

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the the Edith Skinner Institute and with the La Mama Repertory Company. CAREER: STAGE DEBUT—Title role (understudy), Othello, New York Shakespeare Festival, Delacorte Theatre, New York City, 1979. PRINCIPAL STAGE APPEARANCES—Pirate King (understudy), pirate, and policeman, The Pirates ofPenzance, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1980; Pozzo, Waiting for Godot and Theseus and Oberon, A Midsummer Night's Dream, both NYSF, Public Theatre, New York City, 1981; Earl Dancer and narrator, Miss Waters, to You, AMAS Repertory Theatre, New York City, 1982; Macheath, The Threepenny Opera, Alliance Theatre Company, Atlanta, GA, 1984; Colline, La Boheme, NYSF, Public Theatre, 1984; Blue Heaven, Ceremonies in Dark Old Men, Ford's Theatre, Washington, DC, then Negro Ensemble Company, New York City, both 1985; Dr. Mo, The Tale of Madame Zora, Ensemble Studio Theatre, New York City, 1986; Ben, Africanis Instructus, St. Clement's Church Theatre, New York City, 1986; Tullus Aufidius, Coriolanus, NYSF, Public Theatre, 1988; Aaron, the Moor, Titus Andronicus, NYSF, Delacorte Theatre, 1989. Also appeared in Coriolanus, NYSF, Delacorte Theatre, 1979; Mother Courage and Her Children, Center Stage, Baltimore, MD, 1979; TheHaggadah: A Passover Cantata, NYSF, Public Theatre, 1980; Mahalia, Hartman Theatre, Stamford, CT, 1981; Alec Wilder: Clues to a Life, Vineyard Theatre, New York City, 1982; The Fantasticks, Meadow Brook Theatre, Rochester, MI, 1983; A Map of the World, NYSF, Public Theatre, 1985; Shakespeare on Broadway for the Schools, NYSF, Belasco Theatre, New York City, 1986; Fragments of a Greek Trilogy, La Mama Experimental Theatre Club, New York City, 1987; A Midsummer Night's Dream, San Diego Repertory Theatre, San Diego, CA; and in The Lady from Dubuque. BETTE DAVIS

PRINCIPAL FILM APPEARANCES—Childs, The Thing, Universal, 1982; King, Platoon, Orion, 1986; Alphonso, Hot Pursuit, Paramount, 1987; Buster Franklin, Bird, Warner Brothers, 1988; Frank, They Live, Universal, 1988; captain, Braddock: Missing in Action III (also known as Braddock: An American M.I.A., Missing in Action III, and Braddock: Missing in Action), Cannon Releasing, 1988; Maurice, Off Limits (also known as Saigon), Twentieth Century-Fox, 1988; Teagarden, Stars and Bars, Columbia, 1988; Ernie Bass, Road House, Metro-Goldwyn-Mayer/United Artists, 1989; Powerhouse, Always, Universal, 1990. Also appeared in Men at Work.

DAVIS, Bette

1908-1989

PERSONAL: Born Ruth Elizabeth Davis, April 5, 1908, in Lowell, MA; died of cancer, October 6, 1989, in Neuilly-sur-Seine, France; daughter of Harlow Morrell (a patent attorney) and Ruth Elizabeth (a portrait photographer; maiden name, Favor) Davis; married Harmon Oscar Nelson, Jr. (a band leader), August 18, 1932 (divorced, 1937); married Arthur Farnsworth (a businessman), December 31, 1940 (died, August 25, 1943); married William Grant Sherry (an artist), November 30,1945 (divorced, July 4, 1950); married Gary Merrill (an actor), July 28, 1950 (divorced, 1960); children: Barbara ("BD"; third marriage); Margot and Michael (fourth marriage; both adopted). EDUCATION—Attended the John Murray Anderson School of Theatre; studied acting with Michael Mordkin, Robert Bell, George Currie, and Robert Milton; studied dance with Roshanara and Martha Graham.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Roots: The Next Generations, ABC, 1979. Episodic: Roman Criston, The Equalizer, CBS, 1988; Jesse Turner, A Man Called Hawk, ABC, 1989. Movies: Abe Nicholson, Ladykillers, ABC, 1988; Martin Stover, Murder in Black and White, CBS, 1990. Also appeared in Christmas in Tattertown.

VOCATION: Actress.

AWARDS: St. Clair Bayfield Award from Actors' Equity Association, Best Shakespearean Performance, 1989, for Coriolanus.

CAREER: Also see WRITINGS below. STAGE DEBUT—Broadway, Lyceum Theatre, Rochester, NY, 1928. OFF-BROADWAY DEBUT—Floy Jennings, The Earth Between, Provincetown Playhouse, 1929. BROADWAY DEBUT—The Lady from the Sea, Bijou Theatre, 1929. LONDON DEBUT—An Informal Evening with Bette Davis, Palladium, 1975. PRINCIPAL STAGE APPEARANCES— Elaine Bumpstead, Broken Dishes, Ritz Theatre, New York City, 1929; Dinah, Mr. Pirn Passes By, Cape Players, Cape Dennis Playhouse, Cape Dennis, MA, 1930; Alabama Follensby, Solid South, Lyceum Theatre, New York City, 1930; ensemble, Two's Company (revue), Shubert Theatre, Detriot, MI, then Alvin Thea-

MEMBER: Screen Actors Guild, Actors' Equity Association, American Federation of Television and Radio Artists. ADDRESSES: AGENT—Triad Artists Inc., 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. MANAGER— Joshua Silver, MSI Entertainment, 10866 Wilshire Boulevard, 10th Floor, Los Angeles, CA 90024. PUBLICIST—Ken Amorosano, Amorosano and Associates, 3327 Deronda Drive, Los Angeles, CA 90028.

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tre, New York City, both 1952; Maxine Faulk, The Night of the Iguana, Blackstone Theatre, Chicago, IL, then Royale Theatre, New York City, both 1961; Miss Lilly Moffatt, Miss Moffatt, Shubert Theatre, Philadelphia, PA, 1974; The World of Carl Sandburg (staged reading), State Theatre, Portland, ME, 1959, then Henry Miller's Theatre, New York City, 1960; Legendary Ladies of the Movies: An Informal Evening with Bette Davis, Town Hall, New York City, 1973. Also appeared in Excess Baggage, Yellow, and The Squall, all George Cukor/George Kondolf Stock Company, Temple Theatre, Rochester, NY, 1928.

Brothers, 1940; Leslie Crosbie, TheLetter, Warner Brothers, 1940; nurse, Shining Victory, Warner Brothers, 1941; Joan Winfield, The Bride Came C.O.D., Warner Brothers, 1941; Maggie Patterson, The Great Lie, Warner Brothers, 1941; Regina Hubbard Giddens, The Little Foxes, RKO, 1941; Stanley Timberlake, In This Our Life, Warner Brothers, 1942; Maggie Cutler, The Man Who Came to Dinner, Warner Brothers, 1942; Charlotte Vale, Now, Voyager, Warner Brothers, 1942; Katharine "Kit" Marlowe, Old Acquaintance, Warner Brothers/First National, 1943; as herself, Thank Your Lucky Stars, Warner Brothers, 1943; Sara Muller, Watch on the Rhine, Warner Brothers, 1943; as herself, Hollywood Canteen, Warner Brothers, 1944; Fanny Trellis Skeffington, Mr. Skeffington, Warner Brothers/First National, 1944; Miss Lilly Moffat, The Corn Is Green, Warner Brothers, 1945; Christine Radcliffe, Deception, Warner Brothers, 1946; Kate and Pat Bosworth, A Stolen Life, Warner Brothers, 1946; Linda Gilman, June Bride, Warner Brothers, 1948; Susan Grieve, Winter Meeting, Warner Brothers/First National, 1948; Rosa Moline, Beyond the Forest, Warner Brothers, 1949.

MAJOR TOURS—Hedvig, The Wild Duck, Blanche Yurka Company, U.S. cities, 1929; ensemble, Two's Company (revue), U.S. cities, 1952-53; The World of Carl Sandburg (staged reading), U.S. cities, 1959-60; Legendary Ladies of the Movies: An Informal Evening with Bette Davis, U.S., Canadian, and New Zealand cities, 1973-1r5; Miss Bette Davis on Stage and Screen, U.K. cities, 1975. FILM DEBUT—Laura Madison, Bad Sister, Universal, 1931. PRINCIPAL FILM APPEARANCES—Janet, Waterloo Bridge, Universal, 1931; Margaret Carter, Seed, Universal, 1931; Madge Norwood, Cabin in the Cotton, Warner Brothers/First National, 1932; Kay Russell, TheDarkHorse, Warner Brothers, 1932; Peggy Gardner, Hell's House, Capital Films Exchange, 1932; Grace Blair, The Man Who Played God (also known as The Silent Voice), Warner Brothers, 1932; Peggy, The Menace, Columbia, 1932; Malbro, The Rich Are Always with Us, Warner Brothers/First National, 1932; Dallas O'Mara, So Big, Warner Brothers, 1932; Ruth Westcott, Three on a Match, Warner Brothers/First National, 1932; Mary Lucy, Way Back Home (also known as Old Greatheart and Other People's Business), RKO, 1932; Norma Phillips, Bureau of Missing Persons, Warner Brothers, 1933; Helen Bauer, ExLady, Warner Brothers, 1933; Alabama, Parachute Jumper, Warner Brothers, 1933; Jenny Hartland, The Working Man (also known as The Adopted Father}, Warner Brothers, 1933; Fay, 20,000 Years in Sing Sing, Warner Brothers, 1933; Norma Frank, The Big Shakedown, Warner Brothers, 1934; Lynn Mason, Fashions of 1934 (also known as Fashions), First National, 1934; Arlene Bradford, Fog Over Frisco, Warner Brothers, 1934; Patricia Barclay and Ruth Smith, Housewife, Warner Brothers, 1934; Joan Martin, Jimmy the Gent, Warner Brothers, 1934; Mildred Rogers, Of Human Bondage, RKO, 1934.

Margo Channing, All About Eve, Twentieth Century-Fox, 1950; Joyce Ramsey, Payment on Demand (also known as The Story of a Divorce), RKO, 1951; Janet Frobisher, Another Man's Poison, United Artists, 1952; Marie Hoke, Phone Call from a Stranger, Twentieth Century-Fox, 1952; Margaret Elliot, The Star, Twentieth Century-Fox, 1953; Queen Elizabeth I, The Virgin Queen, Twentieth Century-Fox, 1955; Aggie Hurley, The Catered Affair, Metro-Goldwyn-Mayer (MGM), 1956; Alicia Hull, Storm Center, Columbia, 1956; Catherine the Great, John Paul Jones, Warner Brothers, 1959; Dowager Countess deGue, The Scapegoat, MGM, 1959; Apple Annie/ 4 'Mrs. E. Worthington Manville," Pocketful of Miracles, United Artists, 1961; Jane Hudson, Whatever Happened to Baby Jane?, Warner Brothers, 1962; Margaret de Lorca and Edith Phillips, Dead Ringer (also known as Dead Image), Warner Brothers, 1964; Dino's mother, The Empty Canvas (also known as La Noia: L'Ennui et sa diversion and L'Erotisme), Embassy, 1964; Charlotte Hollis, Hush . . . Hush, Sweet Charlotte, Twentieth Century-Fox, 1964; Mrs. Gerald Hayden, Where Love Has Gone, Paramount, 1964; title role, The Nanny, Twentieth Century-Fox, 1965; Mrs. Taggart, The Anniversary, Hammer, 1968. Title role, Bunny O'Hare, American International, 1971; Wanda Fleming, Connecting Rooms, London Screen, 1971; millionairess, Lo scopane scientifico (also known as The Scientific Cardplayer and The Game), CIC, 1972; Aunt Elizabeth, Burnt Offerings, United Artists, 1976; Mrs. Van Schuyler, Death on the Nile, Paramount, 1978; Letha Wedge, Return from Witch Mountain, Buena Vista, 1978; Mrs. Aylwood, The Watcher in the Woods, Buena Vista, 1980; Libby Strong, The Whales of August, Alive, 1987; Miranda, Wicked Stepmother, Metro-Goldwyn-Mayer/ United Artists, 1989. Also appeared in Stars on Horseback (documentary), 1943; Second Victory Loan Campaign Fund (short film), 1945; A Present with a Future (short film), 1943; A Day at Santa Anita (short film), Warner Brothers.

Marie Roark, Bordertown, Warner Brothers, 1935; Ellen Garfield, Front Page Woman, Warner Brothers, 1935; Miriam Brady, The Girl from Tenth Avenue (also known as Men on Her Mind), Warner Brothers/First National, 1935; Julie Carston, Special Agent, Warner Brothers, 1935; Joyce Heath, Dangerous, Warner Brothers, 1936; Daisy Appleby, The Golden Arrow, Warner Brothers/First National, 1936; Gabrielle Maple, The Petrified Forest, Warner Brothers, 1936; Valerie Purvis, Satan Met a Lady, Warner Brothers, 1936; Joyce Arden, It's Love I'm After, Warner Brothers/First National, 1937; Louise ' 'Fluff' Phillips, Kid Galahad (also known as The Battling Bellhop}, Warner Brothers, 1937; Mary Dwight, Marked Woman, Warner Brothers, 1937; Mary Donnell, That Certain Woman, Warner Brothers, 1937; Julie Marsden, Jezebel, Warner Brothers, 1938; Louise Elliott, The Sisters, Warner Brothers, 1938; Judith Traherne, Dark Victory, Warner Brothers/First National, 1939; Empress Carlotta Von Habsburg, Juarez, Warner Brothers, 1939; Charlotte Lovell, The Old Maid, Warner Brothers/ First National, 1939; Queen Elizabeth I, The Private Lives of Elizabeth and Essex (also known as Elizabeth the Queen}, Warner Brothers, 1939.

PRINCIPAL FILM WORK—Producer, A Stolen Life, Warner Brothers, 1946. PRINCIPAL TELEVISION APPEARANCES—Pilots: Beatrice Enters, Stranded (broadcast as an episode of Telephone Time), ABC, 1957; the agent, The Star Maker (broadcast as an episode of Studio 57) syndicated, 1958; title role, The Elisabeth McQueeney Story (broadcast as an episode of Wagon Train), NBC, 1959; Judge Meredith, The Judge and Jake Wyler, NBC, 1972; title role, Madame Sin, ABC, 1972; Laura Trent, Hotel, ABC, 1983; also Hello Mother,

Henriette Deluzy Desportes, All This and Heaven Too, Warner

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RECORDINGS: ALBUMS—Thank Your Lucky Stars (original soundtrack), Hollywood Soundstage, 1943; Two's Company (original cast recording), RCA, 1952; Fifty Years of Film, Warner Brothers, 1973; Miss Bette Davis, EMI, 1976. SINGLES—"Hush . . . Hush Sweet Charlotte," MGM, 1965.

Goodbye, NBC, 1973. Episodic: Marie Hoke, "Crackup," Twentieth Century-Fox Hour, CBS, 1956; Dolly Madison, "Footnote on a Dolly," Ford Theatre, ABC, 1957; Ella Lindstrom, Wagon Train, NBC, 1959; Delia Miller, The Virginian, NBC, 1962; also Person to Person, CBS, 1956; "With Malice Toward One," General Electric Theatre, CBS, 1957; "For Better, For Worse," Schlitz Playhouse of Stars, CBS, 1957; "The Cold Touch," General Electric Theatre, CBS, 1958; "Fraction of a Second," Suspicion, NBC, 1958; "Out There—Darkness," Alfred Hitchcock Theatre, CBS, 1959; "Dark Morning," The Dupont Show with June Allyson, CBS, 1959; Wagon Train, NBC, 1961; The Andy Williams Show, NBC, 1962; Perry Mason, CBS, 1963; The Tonight Show, NBC, 1964 and 1968; Gunsmoke, CBS, 1966; The Mike Douglas Show, syndicated, 1966; The Milton Eerie Variety Show, ABC, 1966; // Takes a Thief, ABC, 1970; The Dick Cavett Show, ABC, 1971; The David Frost Show, syndicated, 1971; This Is Your Life, syndicated, 1972; The Dean Martin Show, NBC, 1973; "Directed by William Wyler," American Masters, PBS, 1987; Rowan and Martin s Laugh-In, NBC.

AWARDS: Academy Award, Best Actress, 1935, for Dangerous; Best Actress Award from the Venice Film Festival, 1937, for Marked Woman and Kid Galahad; Academy Award, Best Actress, 1938, for Jezebel; Academy Award nomination, Best Actress, 1939, and Picturegoer Annual Gold Medal, 1940, both for Dark Victory; voted one of the Top Ten Money-Making Stars of 1939, 1940, 1941, and 1944 by the Motion Picture Herald-¥ame Poll; Academy Award nomination, Best Actress, 1940, for The Letter; Academy Award nomination, Best Actress, 1941, for The Little Foxes; Golden Apple Star of the Year Award from the Hollywood Women's Press Club, 1941; Academy Award nomination, 1942, for Now, Voyager; Academy Award nomination, Best Actress, 1944, for Mr. Skeffington; Academy Award nomination, Best Actress, New York Film Critics' Circle Award, Best Female Performance, San Francisco Critics' Award, all 1950, and Best Actress Award from the Cannes Film Festival, 1951, all for All About Eve; Academy Award nomination, Best Actress, 1952, for The Star; Academy Award nomination, Best Actress, 1962, for Whatever Happened to Baby Jane?; Golden Apple Star of the Year Award from the Hollywood Women's Press Club, 1963.

Movies: Mrs. Elliot, Scream, Pretty Peggy, ABC, 1973; Minnie Kennedy, The Disappearance of Aimee, NBC, 1976; Widow Fortune, Dark Secret of Harvest Home, NBC, 1978; Lucy Mason, Strangers: The Story of a Mother and Daughter, CBS, 1979; Billie Dupree, Skyward, NBC, 1980;EstelleMalone, White Mama, CBS, 1980; Elizabeth Winfield, Family Reunion, NBC, 1981; Alice Claypoole Vanderbilt, Little Gloria . . . Happy at Last, NBC, 1982; Esther Cimino, A Piano for Mrs. Cimino, CBS, 1982; Mini Dwyer, Right of Way, HBO, 1983; Carrie Louise Serrocold, Agatha Christie's "Murder with Mirrors," CBS, 1985; Hannah Loftin, As Summers Die, HBO, 1986. Specials: "The Movie Crazy Years," NET Playhouse, PBS, \91\\Johnny Carson Presents the Sun City Scandals '72, NBC, 1972; Warner Brothers' Movies—A Fifty Year Salute, NBC, 1973; The American Film Institute Salute to Henry Fonda, CBS, 1978; Variety '77—The Year in Entertainment, CBS, 1978; The American Film Institute Salute to Frank Capra, CBS, 1982; The Barbara Walters Special, ABC, 1987.

Straw Hat Award from the Council of Stock Theatres, 1970; Sarah Siddons Award, 1973; Cecil B. De Mille Award, 1974, for Outstanding Contributions to the Entertainment Field; Life Achievement in Motion Pictures Award from the American Film Institute, 1977; Emmy Award, Outstanding Lead Actress in a Limited Series or Special, 1979, for Strangers: The Story of a Mother and Daughter; Emmy Award nomination, 1980, for White Mama; Rudolf Valentino Life Achievement Award, 1982; Louella Parsons Award, 1983; American Academy of Arts Award, 1983; Medal for Distinguished Public Service from the Department of Defense, 1983; Crystal Award from Women in Films, 1983; Cesar Award from the French Film Institute, 1986; Ordre Arts et Belles Lettres from the French Ministry of Culture, 1986; Legion of Honor from the French Ministry of Culture, 1987; Kennedy Center Honors, 1987; honors from the Film Society of Lincoln Center and the San Sebastian Film Festival, both 1989.

PRINCIPAL RADIO APPEARANCES—Series: Host and narrator, The Whispering Streets, ABC, 1958. Episodic: Title role, "Elizabeth the Queen," Judith Traherne, "Dark Victory," and in "The Small Servant," Hollywood Players, CBS, 1946; also Your HollywoodParade, NBC, 1937; Arch Oboler'sPlays, NBC, 1939; "Of Human Bondage" and "Baby," Everyman's Theatre, NBC, 1940; Plays for Americans, NBC, 1942; Julie Marsden, "Jezebel," Academy Award Theatre, 1946; Linda Oilman, "June Bride" and Julie Marsden, "Jezebel," Screen Directors' Playhouse, NBC; "Alien Corn," The Theatre Guild on the Air, CBS; "Skylark," Ford Theatre, CBS; Screen Guild Theatre, CBS; "Of Human Bondage," Everything for the Boys, NBC; Shell Chateau, NBC; Millions for Defense, CBS', Prudential Family Hour of Stars, CBS; Charlotte Vale, "Now, Voyager," Lux Radio Theatre; "Chicago, Germany," Treasury Star Parade; Texaco Star Theatre. Also Tess Harding, Woman of the Year, 1951; Madame von Meek, Beloved.

MEMBER: Academy of Motion Picture Arts and Sciences (president, 1941), Screen Actors Guild, Actors' Equity Association, American Federation of Television and Radio Artists. OBITUARIES AND OTHER SOURCES: [New York] Newsday, October 8, 1989; New York Times, October 8, 1989.*

RELATED CAREER—Founder and first president, Hollywood Canteen, 1942.

DAVISON, Peter PERSONAL: Born in London, England; married Sandra Dickenson (an actress); children: Georgia. EDUCATION—Attended the Central School of Speech and Drama for three years.

WRITINGS: (Author of introduction) Bette Davis (biography), Robinson, 1948; (with Sanford Doty) The Lonely Life: An Autobiography, Putnam, 1962; (author of commentary) Mother Goddam: The Story of the Career of Bette Davis, Hawthorn, 1974; (with Michael Herskowitz) This V That, Putnam, 1987.

VOCATION: Actor.

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NON-RELATED CAREER—Merchant seaman.

CAREER: PRINCIPAL FILM APPEARANCES—Policeman, The Elephant Man, Paramount, 1980.

AWARDS: Emmy Award, Best Host of a Game Show, 1978, for Family Feud.

TELEVISION DEBUT—The Tomorrow People. PRINCIPAL TELEVISION APPEARANCES—Series: Tristan Farnan, All Creatures Great and Small, BBC, 1977-81, then PBS; title role, Doctor Who, BBC, then PBS, 1982-84; title role, Campion, BBC, then Mystery!, PBS, 1989; also Dr. Steven Daker, A Very Peculiar Practice, EEC; Holding the Fort, EEC; Sink or Swim, EEC; Anna of the Five Towns, BBC; Print-Out; Once Upon a Time. Mini-Series: Tom, Love for Lydia, London Weekend Television, then Masterpiece Theatre, PBS, 1979; Lance, "A Pocketful of Rye," Agatha Christie s Miss Marple, BBC, then Mystery!, PBS, 1986. Episodic: Ian, Magnum P.I. t CBS, 1985. Specials: The Fifth Doctor Who, Doctor Who—The Five Doctors, BBC, then PBS, 1983.

ADDRESSES: OFFICE—c/o Leonard Granger, 9903 Kip Drive, Beverly Hills, CA 90210.*

DAY, Lynda See GEORGE, Lynda Day

RELATED CAREER—Actor in repertory theatres in England. ADDRESSES: MANAGER—John Mahoney Management, 30 Chalfont Court, Baker Street, London NW1, England.*

DAWSON, Richard

DENVER, John

1943-

PERSONAL: Born Henry John Deutschendorf, Jr., December 31, 1943, in Roswell, NM; son of Henry John (an officer in the U.S. Air Force) and Erma Deutschendorf; married Ann Marie Martell, June 9, 1967 (divorced, 1983); children: Zachary, Anna Kate. EDUCATION—Studied architecture at Texas Tech University.

1932-

PERSONAL: Born November 20, 1932, in Gosport, England; married Diana Dors (an actress; divorced, 1964); children: Mark, Gary.

VOCATION: Singer, songwriter, and actor.

VOCATION: Actor, comedian, and television host. CAREER: PRINCIPAL FILM APPEARANCES—Weaver, King Rat, Columbia, 1965; Joey, Munster, Go Home, Universal, 1966; Hugh MacDonald, The Devil's Brigade, United Artists, 1968; Damon Killian, The Running Man, Tri-Star, 1987. Also appeared in Promises, Promises (also known as Promise Her Anything), NTD, 1963. PRINCIPAL TELEVISION APPEARANCES—Series: Peter Newkirk, Hogan's Heroes, CBS, 1965-71; regular, Can You Top This?, syndicated, 1969-70; regular, Rowan and Martin's Laugh-In, NBC, 1971-73; Richard Richardson, The New Dick Van Dyke Show, CBS, 1973-74; emcee, Masquerade Party, syndicated, 1974-75; panelist, Match Game, P.M., syndicated, 1975-78; panelist, I've Got a Secret, CBS, 1976; host, Family Feud, syndicated, 1977-85. Pilots: Friend, Keeping an Eye on Denise, CBS, 1973; host, Bizarre, ABC, 1979. Episodic: Tracy Rattigan, The Dick Van Dyke Show, CBS, 1963; Oliver Fair, "The Invisibles," The Outer Limits, ABC, 1964; guest host, Good Morning America, ABC, 1978; also voice characterizations, Hong Kong Phooey (animated), ABC; Shiperly, The Saturday Superstar Movie (animated), ABC. Movies: Chandler Corey, How to Pick Up Girls!, ABC, 1978. Specials: All-Star Family Feud, ABC, 1978; David Frost Presents the Seventh Guinness Book of World Records, ABC, 1978; The Daytime Emmy Awards, ABC, 1978; Celebrity Challenge of the Sexes, CBS, 1979; TV's Funniest Game Show Moments, ABC, 1984. RELATED CAREER—Appeared in repertory theatre productions throughout the U.K.; stand-up comedian in nightclubs throughout the U.K. and U.S.

JOHN DENVER

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RCA, 1977; John Denver's Greatest Hits, Volume 2, RCA, 197 John Denver, RCA, 1979; A Christmas Together with the Muppets, RCA, 1979; Autograph, RCA, 1980; Some Days Are Diamonds, RCA, 1981; Perhaps Love, RCA, 1981; Seasons of the Heart, RCA, 1982; It's About Time, RCA, 1983; Collection, Telstar, 1984; Dreamland Express, RCA, 1985; One World, RCA, 1986. With the Chad Mitchell Trio: That's the Way It's Gonna Be, Mercury, 1965.

CAREER: PRINCIPAL FILM APPEARANCES—Jerry Landers, Oh, God!, Warner Brothers, 1977; narrator, Fire and Ice, Concorde, 1987. PRINCIPAL TELEVISION APPEARANCES—Pilots: Jim Clayton, Higher Ground, CBS, 1988. Episodic: Saturday Night Live with Howard Cosell, ABC, 1975. Movies: George Billings, The Christmas Gift, CBS, 1986; Max Sinclair, The Leftovers, ABC, 1986; Dillard Nations, "Foxfire," Hallmark Hall of Fame, CBS, 1987. Specials: The Bob Hope Show, NBC, 1973; The John Denver Special, ABC, 197'4; Doris Day Today, CBS, 197'5; John Denver's Rocky Mountain Christmas, ABC, 1975; The Carpenters, ABC, 1976; John Denver and Friend, ABC, 1976; The John Denver Special, ABC, 1976; John Denver—Thank God I'm a Country Boy, ABC, 1977; Sinatra and Friends, ABC, 1977; Grammy Awards Show, CBS, 1978; John Denver in Australia, ABC, 197 Alaska: The American Child, ABC, 1978; John Denver and the Ladies, ABC, 1979; The Third Barry Manilow Special, ABC, 1979; John Denver and the Muppets: A Christmas Together, ABC, 1980; John Denver: Music and the Mountains, ABC, 1981; Two of a Kind: George Burns and John Denver, ABC, 1981; Bob Hope's Salute to NASA—25 Years of Reaching for the Stars, NBC, 1983; Salute to Lady Liberty, CBS, 1984; 7985 Miss Universe Pageant, CBS, 1985; How to Be a Man, CBS, 1985; America Censored (documentary), CBS, 1985; The Twelfth Annual People's Choice Awards, CBS, 1986; Kraft Salutes the George Burns 90th Birthday Special, CBS, 1986; Liberty Weekend, ABC, 1986; The Special Olympics Opening Ceremonies, ABC, 1987; From Tahiti, Bob Hope's Tropical Comedy Special, NBC, 1987; Julie Andrews: The Sound of Christmas, ABC, 1987; John Denver's Christmas in Aspen, CBS, 1988; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1988; The New South Wales Royal Bicentennial Concert, Network Ten (Australia), 1988, then Arts and Entertainment, 1989; Our Common Future, Arts and Entertainment, 1989; In Performance at the White House, PBS, 1989.

AWARDS: Top Male Recording Artist Award from Record World, 1974-75; Entertainer of the Year Award from the Country Music Association, 1975; People's Choice Award, Favorite Musical Performer, 1975; Singing Star of the Year Award from the American Guild of Variety Artists, 1975; Male Vocalist of the Year Award from the Academy of Country Music, 1975; Golden Apple Prize from the Hollywood Women's Press Club, 1977; also received fifteen Gold Record Awards and eight Platinum Record Awards from the Recording Industry Association of America. MEMBER: National Space Institute, Cousteau Society, Friends of the Earth, Human/Dolphin Foundation, European Space Agency, Save the Children Foundation. SIDELIGHTS: RECREATIONS—Aviation and photography. ADDRESSES: OFFICE—John Denver Concerts Inc., P.O. Box 1587, Aspen, CO 81612.*

DEPARDIEU, Gerard

1948-

PERSONAL: Born December 27, 1948, in Chateauroux, France; son of Rene (a metal worker) and Alice (Marillier) Depardieu; married Elisabeth Guignot (an actress), 1970; children: Guillaume, Julie. EDUCATION—Studied acting with Charles Dullin and Jean Laurent Cochet; also studied at the Theatre National Populaire.

PRINCIPAL TELEVISION WORK—Pilots: Executive producer (with Jim Green and Allen Epstein), Higher Ground, CBS, 1988. RELATED CAREER—Member, Chad Mitchell Trio (a folk music group), 1965-68; as a solo singer and performer since 1968, has appeared in concert halls throughout the world.

VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Boudu sauve des eaux, 1968; Les Garcons de la bande, 1969; Une Fille dans ma soupe, 1970; Sauves, Galapagos, and Clair obscure, all 1971; Home, 1972; La Chevauchee sur le lac de Constance, 1974; Les Insenses sont en voie d'extinction, 1978; Tartuffe, 1984. PRINCIPAL STAGE WORK—Director, Tartuffe, 1984.

NON-RELATED CAREER—Founder, Windstar Foundation, Snowmass, CO, 1976; founder, World Hunger Project, 1977; member, Presidential Commission on World Hunger, 1978; chairman, National UNICEF Day, 1984. WRITINGS: All as composer. FILM—(With Harold Faltermeyer, Gary Wright, Panarama, and Alan Parsons), Fire and Ice, Concorde, 1987. TELEVISION—Series: Theme song (with Richard L. Kniss and Michael Taylor), "Sunshine on My Shoulders," Sunshine, NBC, 1975. Pilots: (With Lee Holdridge) Higher Ground, CBS, 1988.

FILM DEBUT—Le Beatnik et le minet (short film), 1965. PRINCIPAL FILM APPEARANCES—Pierre, Un peu de soleil dans I'eau froide (also known as A Little Sun in Cold Water), Imperia, 1971; door-to-door salesman, Nathalie Granger, French Consulate/ Moullet et Compagnie/Mouflet et Cie, 1972; postman, Les Gaspards, Albina, 1973; Jean-Claude, Les Valseuses (also known as Going Places), Societe nouvelle prodis/Almi Cinema V, 1973; Matriscope inventor, Stavisky, CCFC/Almi/Cinema V, 1974; Jean, Vincent, Francois, Paul. . . et les autres (also known as Vincent, Francois, Paul. . . and the Others), Gaumont, 1974; Pierre, Pas si mechant que ca (also known as Not As Wicked As All That . . . and The Wonderful Crook), Gaumont, 1974.

RECORDINGS: ALBUMS—Rhymes and Reasons, RCA, 1969; Take Me to Tomorrow, RCA, 1970; Whose Garden Was This?, RCA, 1970; Poems, Prayers, and Promises, RCA, 1971; Aerie, RCA, 1972; Rocky Mountain High, RCA, 1972; Farewell Andromeda, RCA, \913; Back Home Again, RCA, 197'4; John Denver's Greatest Hits, RCA, 1914; Rocky Mountain Christmas, RCA, 1975; An Evening with John Denver, RCA, 1975; Windsong, RCA, 197 Live in London, RCA, 1976; Spirit, RCA, 1976; / Want to Liv

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Artists, 1981; Bernard Coudray, La Femme d'a cote (also known as The Woman Next Door), United Artists, 1981; Mickey, Le Choix des armes (also known as Choice of Arms), Parafrance, 1983; Georges Danton, Danton, Triumph, 1983; as himself, Wajda's Danton (documentary), Con Films International/Channel Four, 1983; Gerard Delmas, La Lune dans le caniveau (also known as The Moon in the Gutter), Columbia/Triumph, 1983; title role, Le Retour de Martin Guerre (also known as The Return of Martin Guerre), European International, 1983; Jean Lucas, Les Comperes (also known as The Co-Fathers), European International, 1984; title role, Le Tartuffe, Gaumont International, 1984; Charles Saganne, FortSaganne, Roissy/AAA, 1984. Campana, La Chevre, European Classics, 1985; Mangin, Police, Gaumont/TFl, 1985; Mien Chayssac, Une Femme ou deux (also known as One Woman or Two), AAA/World Marketing/Orion Classics, 1985; Jean Cadoret, Jean de Florette, Orion Classics, 1986; Jean Lucas, Les Fugitifs (also known as The Fugitives), Gaumont/Roissy/Buena Vista, 1986; Bob, Menage (also known as Tenue de soiree), Norstar, 1986; Dr. Lombart, Rue du depart (also known as Street of Departures), AA A/Films du Volcan/ Allied Artists, 1986; Father Donissan, Sous le soleil de Satan (also known as Under the Sun of Satan and Under Satan's Sun), Gaumont, 1987, released in the United States by Alive Films, 1989; Marc, Deux (also known as Two), AMLF/Roissy, 1988; Auguste Rodin, Camille Claudel, Gaumont, 1988, released in the United States by Orion Classics, 1989; Charles, Drole a"endroitpour une rencontre (also known as A Funny Placefor a Meeting, A Strange Placefor an Encounter, and A Strange Place to Meet), Union Generale Cinematographique/Roissy, 1988; Bernard Barthelemy, Trop belle pour toi (also known as Too Beautiful for You), AMLF, 1989, released in the United States by Orion Classics, 1990; Christian Gauthier, Je veux rentrer a la maison (also known as / Want to Go Home and Voglio tornare a casa), Marin Karmitz, 1989; title role, Cyrano de Bergerac, President, 1990.

GERARD DEPARDIEU

al, 1975; Gerard, La Derniere Femme (also known as The Last Woman and L'ultima donna), Columbia, 1975; Berg, Sept marts sur ordonnance (also known as Seven Deaths By Prescription), AMLF, 1975; Samson, Barocco, Films la Boetie, 1976; Olmo Dalco, 1900 (also known as Novecento), Paramount/United Artists/Twentieth Century-Fox, 1976; Michel Cayre, Baxter, Vera Baxter, Sunchild, 1976; man, Le Camion (also known as The Truck), Cinema 9/Films Moliere, 1977; title role, Rene la Canne, Rizzoli, 1977; Philibert, La Nuit tous les chats sont gris (also known as At Night All Cats Are Gray), Societe Nouvelle Prodis/ Exportation Francaise Cinematographique/SAM, 1977; David Martinaud, Dites-lui que je I'aime (also known as Tell Him I Love Him), World Marketing, 1977; man with t-shirt, Die Linkshandige Frau (also known as The Left-Handed Woman), Marin Karmitz, 1977, released in the United States by New Yorker, 1980; Raoul, Preparez vos mouchoirs (also known as Get Out Your Handkerchiefs), Capac/Belga/New Line Cinema, 1978; Gerard Lafayette, Ciao maschio (also known as Affentraum and Bye Bye Monkey), Gaumont/Filverlag der Autoren, 1978; Raoul-Renaud Homecourt, Le Sucre (also known as The Sugar), SFP/Gaumont International/ Cineproduction, 1978; Morel, Les Chiens (also known as The Dogs), World Marketing/GEF/CCFC, 1979.

Also appeared in Christmas Carol, 1965; Le Cri du cormoran, le soir au-dessus desjonques (also known as The Cry of the Cormoran at Night Over the Junks), Gaumont International, 1970; Le Tueur (also known as The Killer), Societe Nouvelle Prodis, 1971; Le Viager (also known as The Annuity), United Artists, 1972; La Scoumoune (also known as Killer Man), Fox-Lira, 1972; Au rendez-vous de la mort joyeuse, United Artists, 1972; L Affaire Dominici, Societe Nouvelle de Cinema/Imperia, 1972; Rudejournee pour la reine (also known as Rough Day for the Queen), Nouvelles Editions de Films/Planfilm, 1973; Deux hommes dans la ville (also known as Two Men in Town), Valoria, 1973; La Femme du Gange, 1973; Bertolucci secondo il cinema (documentary), 1975; Je t'aime, moi non plus (also known as / Love You, Me No Longer), AMLF/ Sinfonia, \915; Les Plages del'Atlantique, 1976; Violanta, Jordan Bojilov/Daniel Carrillo, 1977; Reve de singe, 1978; Lingorgo (also known as Traffic Jam and Bottleneck), CineTel, 1978; Temporale Rosy, 1979; Le Grand Frere, 1982; Rive droite, rive gauche (also known as Right Bank, Left Bank), Parafrance, 1984. PRINCIPAL FILM WORK—Co-producer, Les Comperes (also known as The Co-Fathers), European International, 1984; director, Le Tartuffe, Gaumont International, 1984; co-producer, Menage (also known as Tenue de soiree), Norstar, 1986; co-producer, Jean de Florette, Orion Classics, 1986; co-producer, Les Fugitifs (also known The Fugitives), Gaumont/Roissy/Buena Vista, 1986; coproducer, Sous le soleil de Satan (also known as Under the Sun of Satan and Under Satan s Sun), Gaumont, 1987, released in the

Patrick, Je vous aime (also known as / Love You), AMLF, 1980; Alphonse Tram, Buffetfroid (also known as Cold Cuts), Interama, 1980; title role, Loulou, Gaumont International/New Yorker, 1980; Roger Morzini, Inspecteur la Bavure (also known as Inspector Blunder), AMLF, 1980; Rene Ragueneau, Mon oncle d'Amerique (also known as Les Somnambules), New World, 1980; Bernard Granger, Le Dernier Metro (also known as The Last Metro), United

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different. But I've learned that I'd much rather take chances with something of my own than be on the sidelines when it fails."

United States by Alive Films, 1989; co-producer, Drole d'endroit pour une rencontre (also known as A Funny Place for a Meeting, A Strange Place for an Encounter, and A Strange Place to Meet), Union Generale Cinematographique/Roissy, 1988; co-producer, Camille Claudel, Gaumont, 1988; co-producer, Deux (also known as Two), AMLF/Roissy, 1988; co-producer, Je veux rentrer a la maison (also known as / Want to Go Home and Voglio tornare a casa), Marin Karmitz, 1989; co-producer, Trop belle pour toi (also known as Too Beautiful for You), AMLF, 1989; co-producer, Cyrano de Bergerac, President, 1990.

ADDRESSES: OFFICE—73 Market Street, Venice, CA 90291. AGENT—Darris Hatch, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.

PRINCIPAL TELEVISION APPEARANCES—Series: L'Inconnu, 1974.

DiCENZO, George AWARDS: Prix Gerard Philipe, 1973; Cesar Award, Best Actor, 1980, for Le Dernier Metro; Montreal World Film Festival Award (co-winner), Best Actor, 1983, for Danton; Best Actor Award from the Venice Film Festival, 1985, for Police; Fellowship Award from the British Film Institute, 1989; Cesar Award, Best Actor, 1990, for Trop belle pour toi.

PERSONAL: Full name, George Ralph DiCenzo. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Frank Eaton, Whitsuntide, Martinique Theatre, New York City, 1972.

ADDRESSES: AGENT—Art Media, 10 Avenue George V, 75008 Paris, France. PUBLICIST—Claude Davy, Conseil en Relations Publiques, 43 Rue de Lille, 75007 Paris, France.

DESCHANEL, Caleb

PRINCIPAL FILM APPEARANCES—Sergeant, Going Home, Metro-Goldwyn-Mayer (MGM), 1971; George, Shoot It: Black, Shoot It: Blue, Levitt-Pickman, 1974; Eversull, Las Vegas Lady, Crown International, 1976; Major Benchley, Close Encounters of the Third Kind, Columbia, 1977; Lieutenant "Hardass" Grimsley, The Choirboys, Universal, 1977; Darryl Diggs, The Frisco Kid (also known as No Knife), Warner Brothers, 1979; Captain Fairbanks, The Ninth Configuration (also known as Twinkle, Twinkle, Killer Kane), Warner Brothers, 1980; Hordak, The Secret of the Sword (animated), Atlantic, 1985; Sam Baines, Back to the Future, Universal, 1985; Mr. Favio, About Last Night, Tri-Star, 1986; DeFranco, TheLongshot, Orion, 1986; Philadelphia "Phil" Horton, Omega Syndrome (also known as Omega Seven), New World, 1987; Mr. Blackhart, The New Adventures ofPippi Longstocking, Columbia, 1988; coach, Eighteen Again!', New World, 1988; Mr. Marowitz, Sing, Tri-Star, 1989. Also appeared in Walk Like a Man (also known as Bobo and Bobo the Dog Boy), Metro-GoldwynMayer/United Artists, 1987; Face of the Enemy, Tri-Culture, 1989.

1944-

PERSONAL: Born September 21, 1944, in Philadelphia, PA; wife's name, Mary Jo (an actress); children: two daughters. EDUCATION—Attended Johns Hopkins University; studied film at the University of Southern California Film School, at the American Film Institute, and with Gordon Willis. VOCATION: Cinematographer and director. CAREER: PRINCIPAL FILM WORK—Camera operator, A Woman Under the Influence, Faces International, 1974; cinematographer, Being There, United Artists, 1979; cinematographer, The Black Stallion, United Artists, 1979; cinematographer, More American Graffiti, Universal, 1979; cinematographer (second unit), Apocalypse Now, United Artists, 1979; director, The Escape Artist, Orion/Warner Brothers, 1982; cinematographer, Let's Spend the Night Together, Ronald Schwary, 1982; cinematographer, The Right Stuff, Warner Brothers, 1983; cinematographer, The Natural, Tri-Star, 1984; cinematographer, The Slugger s Wife (also known as Neil Simon s The Slugger s Wife), Columbia, 1985; director, Crusoe, Island, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: Voices of Hercules and Sentinal One, The Young Sentinals (animated), NBC, 1977-78; voice of John Blackstar, Blackstar (animated), CBS, 1981-82; Lieutenant Edward DeNisco, McClain's Law, NBC, 1981-82; voice characterization, Spider-Man and His Amazing Friends (animated), NBC, 1981-86; voice of Lou Albano, Hulk Hogan'sRock 'n' Wrestling! (animated), CBS, 1985-87; voice of He-Man, He-Man and the Masters of the Universe (animated), syndicated, 1983—; voice of He-Man, She Ra: Princess of Power (animated), syndicated, 1985; voice characterization, Collar and the Golden Lance (animated), syndicated, 1985; voice characterization, Scoobys Mystery Funhouse (animated), ABC, 1985-86; voice characterization, Wildfire (animated), CBS, 1986-87; also Equal Justice, ABC, 1989. Mini-Series: Abe Singer, Aspen (also known as The Innocent and the Damned), NBC, 1977; Anthony Orsatti, If Tomorrow Comes, CBS, 1986. Pilots: Zoot Lafferty, The Blue Knight, NBC, 1973; Suramin, The Swiss Family Robinson, ABC, 1975; Sam Downing, McLaren's Riders, CBS, 1977; Sheriff Alfredo De Vega, The Jordan Chance, CBS, 1978; Captain Cornworth, To Kill a Cop, NBC, 1978; Rudolph Ulmer, The Tom Swift and Linda Craig Mystery Hour, ABC, 1983; also The Norliss Tapes, ABC, 1973; Equal Justice, ABC, 1989.

RELATED CAREER—Director of short films, documentaries, and television commercials. AWARDS: National Society of Film Critics Award, Best Cinematography, 1979, for The Black Stallion; Academy Award nomination, Best Cinematography, 1984, for The Right Stuff; Academy Award nomination, Best Cinematography, 1985, for The Natural. SIDELIGHTS: Regarding his career change from cinematographer to director, Caleb Deschanel told Matthew Flamm of Premiere (March, 1989), "I don't see being the director as that much

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Episodic: Charles, Dynasty, ABC, 1984 and 1985; Richard Margolis, Alfred Hitchcock Presents, NBC, 1985; Andy's stepfather, Spenser: For Hire, ABC, 1986; Johnny Blaze, Murder, She Wrote, CBS, 1986; Max Merrill, Blacke's Magic, NBC, 1986; Frank Dorgan, The Equalizer, CBS, 1987 and 1988; Dominic, The Equalizer, CBS, 1988; John Yancy, Tattinger's, NBC, 1988; Sergeant Kettler, Murder, She Wrote, CBS, 1988. Movies: Owings, Last Hours Before Morning, NBC, 1975; Vincent Bugliosi, Helter Skelter, CBS, 1976; Chief Reinhold, The Hostage Heart, CBS, 1977; Bennet, High Midnight, CBS, 1979; Cliff Barrankos, TheNightthe City Screamed, ABC, 1980; Vincent Scozzola, Reunion, CBS, 1980; Sam Caldwell, Killing at Hell's Gate, CBS, 1981; Tony Caruso, Rivkin: Bounty Hunter, CBS, 1981; Davis Bentlow, Cowboy, CBS, 1983; Bowdish, Starflight: The Plane That Couldn't Land, ABC, 1983; Scotty, Warm Hearts, Cold Feet, CBS, 1987. Specials: Voice of He-Man, He-Man and She-Ra: A Christmas Special (animated), syndicated, 1985. ADDRESSES: AGENT—Ronald Leif, Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212.

DILLON, Kevin 1965-

PERSONAL: Born in 1965 in Mamaroneck, NY. VOCATION: Actor. GREGORY S. DINALLO

CAREER: PRINCIPAL STAGE APPEARANCES—Appeared in productions of Dark at the Top of the Stairs and The Indian Wants the Bronx.

VOCATION: Producer and writer.

FILM DEBUT—Rooney, Heaven Help Us (also known as Catholic Boys), Tri-Star, 1985. PRINCIPAL FILM APPEARANCES—Bunny, Platoon, Orion, 1986; narrator, Dear America: Letters Home from Vietnam, HBO Films, 1987; Brian Flagg, The Blob, Tri-Star, 1988; J.J. Merrill, The Rescue, Buena Vista, 1988; Cosmo, Remote Control, Vista Organization, 1988; Skitty, War Party, Tri-Star, 1988; Sam, Immediate Family, Columbia, 1989.

CAREER: Also see WRITINGS below. PRINCIPAL TELEVISION WORK—Series: Executive script consultant, The Powers of Matthew Star, NBC, 1982-83; executive script consultant, The Renegades, ABC, 1983; producer, Hawaiian Heat, ABC, 1984; supervising producer, The New Mike Hammer, CBS, 1986-87; supervising producer, Houston Knights, CBS, 1987-88; also coordinating producer, Knight Rider, NBC.

TELEVISION DEBUT—No Big Deal, HBO. PRINCIPAL TELEVISION APPEARANCES—Movies: Rick, When He's Not a Stranger, CBS, 1989.

RELATED CAREER—Writer, producer, and director of industrial and exhibit films. NON-RELATED CAREER—Designer for the 1964, 1967, and 1970 World's Fairs.

ADDRESSES: AGENT—Steve Dontanville, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

WRITINGS: FILM—The Cregor Find, Buena Vista. TELEVISION—Episodic: Switch, CBS, 1975; Hunter, CBS, 1977; The American Girls, CBS, 1978; The Amazing Spider-Man, CBS, 1978;Mrs. Columbo, NBC, 1979', Beyond Westworld, CBS, 1980; Walking Tall, NBC, 1981; The Renegades, ABC, 1983; Hawaiian Heat, ABC, 1984; Knight Rider, NBC, 1985 and 1986; The New Mike Hammer, CBS, 1987; Houston Knights, CBS, 1988; also Scarecrow and Mrs. King, CBS; Quincy, M.E. CBS; McCloud, NEC; Family, ABC; The Equalizer, CBS; Charlie's Angels, ABC; The Powers of Matthew Star, NBC; The Six Million Dollar Man, ABC; The Hardy Boys Mysteries, ABC; The Nancy Drew Mysteries, ABC; From Here to Eternity, NBC; also Command Five and Breaker's Way. Pilots: T.R.A.C., NBC. Movies: (With Scott

DINALLO, Gregory S. 1941-

PERSONAL: Born March 22, 1941, in Brooklyn, NY; son of Gregory H. (a mechanic) and Amelia L. (a school teacher; maiden name, Pisicelli) Dinallo; married Gloria Carrubba (a printmaker), June 16, 1962; children: Eric. EDUCATION—Pratt Institute, Bachelor of Industrial Design, 1962. 118

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\964-, The Fugitive, ABC, 1964 and \961-1 Spy, NBC, 1965; "The Final War of Ollie Winter," NET Playhouse, WNET, 1961'Felony Squad, ABC, 1967; Ironside, NBC, 1967; It Takes a Thief, ABC, 1968; The Name of the Game, NBC, 1968 and 1969; The Mod Squad, ABC, 1970; The F.B.I., ABC, 1970; Love, American Style, ABC, 1971. Movies: Joe Voit, Per de Lance, CBS, 1974; judge, Perry Mason: The Case of the Shooting Star, NBC, 1986. Specials: "Arrowsmith," Dupont Show of the Month, CBS, 1960.

Swanton) The Calendar Girl Murders, ABC, 1984; Ladykiller, ABC, 1988; also Goals, CBS. OTHER—Rockets Red Glare (fiction), St. Martin's, 1988; In the Service of His Country (fiction), St. Martin's, 1989. AWARDS: Hugo Award from the Chicago Film Festival, 1972, for Sears Cinema Circus (industrial film).

PRINCIPAL TELEVISION WORK—All as director. Series: Counterattack: Crime in America, NBC, 1982. Pilots: Palms Precinct, NBC, 1982. Episodic: Khan!, CBS, 1974; Harris and Company, NBC, \919\TenspeedandBrownshoe, ABC, mfyLegmen, NBC, 1984; Blue Thunder, ABC, 1984; Magnum, P.I., CBS, 1985 and 1986; Downtown, CBS, 1986; Houston Knights, CBS, 1987 and 1988; QuantumLeap, NBC, 1989; alsoHogan'sHeroes, CBS; The Bill Cosby Show, NBC; Get Christie Love!, ABC; Nichols, NBC; Apple's Way, CBS; The Waltons, CBS; Shaft, CBS; Delvecchio, NBC; The Black Sheep Squadron (also known as Baa Baa Black Sheep), NBC; The Nancy Drew Mysteries, ABC; The New Adventures of Wonder Woman, CBS; The Rockford Files, NBC; The Righteous Apples, PBS; Palmerstown, U.S.A., CBS; The Greatest American Hero, ABC; Bret Maverick, NBC; Tales of the Gold Monkey, ABC; Airwolf, CBS; The A-Tearn, NBC. Movies: Love Is Not Enough, NBC, 1978. Specials: The Bill Cosby Special, or ?, NBC, 1971.

MEMBER: Writers Guild of America—West, Mystery Writers of America, International Association of Crime Writers, P.E.N. ADDRESSES: OFFICE—958 24th Street, Santa Monica, CA 90403. AGENT—Don Kline, Irv Schechter Company, 9300 Wilshire Boulevard, Beverly Hills, CA 90212. PUBLICIST—Jacqueline Green, Jacqueline Green Public Relations, 9230 Olympic Boulevard, Suite 202, Beverly Hills, CA 90212.

DIXON, Ivan 1931PERSONAL: Born April 6, 1931, in New York, NY.

ADDRESSES: OFFICE—Bokari Productions, Inc., 3432 N. Marengo Avenue, Altadena, CA 91001.

VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Jamie, The Cave Dwellers, Bijou Theatre, New York City, 1957; Joseph Asagai, A Raisin in the Sun, Ethel Barrymore Theatre, New York City, 1959. PRINCIPAL FILM APPEARANCES—Lathela, Something of Value, Metro-Goldwyn-Mayer (MGM), 1957; Jim, Porgy and Bess, Columbia, 1959; Tiger Blair, Battle at Bloody Beach (also known as Battle on the Beach), Twentieth Century-Fox, 1961; Asagai, A Raisin in the Sun, Columbia, 1961; Duff Anderson, Nothing But a Man, Cinema V, 1964; Mark Ralfe, A Patch of Blue, MGM, 1965; Soumarin, To Trap a Spy, MGM, 1966; naval officer, Where's Jack? (also known as Run, Rebel, Run), Paramount, 1969; Sergeant Jones, Suppose They Gave a War and Nobody Came? (also known as War Games], Cinerama, 1970; Simon, Clay Pigeon, MGM, 1971; Lonnie, Car Wash, Universal, 1976.

DIXON, Maclntyre 1931PERSONAL: Born December 22, 1931, in Everett, MA. EDUCATION—Graduated from Emerson College. VOCATION: Actor. CAREER: BROADWAY DEBUT—Willy, Xmas in Las Vegas, Ethel Barrymore Theatre, 1965. PRINCIPAL STAGE APPEARANCES— Ensemble, Stewed Prunes (revue), Circle in the Square, then Showplace Theatre, both New York City, 1960; Tommy, "Infancy" in Plays for Bleecker Street, Circle in the Square, 1962; (with Richard Libertini as the Stewed Prunes) The Cat's Pajamas (revue), Sheridan Square Playhouse, New York City, 1962; ensemble, The Mad Show (revue), New Theatre, New York City, 1966; Valentine Brose, Eh?, Circle in the Square, 1967; Peter Smith, "Home Fires" in Cop-Out, Cort Theatre, New York City, 1969; various roles, Paul Sills' Story Theatre, Ambassador Theatre, New York City, 1970; Walrus, Meeow!, Cabaret Theatre, New York City, 1971;priest, "Ma" inTwigs, Broadhurst Theatre, New York City, 1971, then Plymouth Theatre, New York City, 1972; father, Over Here!, Shubert Theatre, New York City, 1974; Bub, Lotta, Or the Best Thing Evolution s Ever Come Up With, New York Shakespeare Festival, Public Theatre, New York City, 1973; Mr. Pard, Rubbers, American Place Theatre, New York City, 1975; Rudolph Kammerling, Once in a Lifetime, Circle in the Square, 1978; man, Conjuring an Event, American Place Theatre, 1978.

PRINCIPAL FILM WORK—Director, Trouble Man, Twentieth Century-Fox, 1972; producer (with Sam Greenlee) and director, The Spook Who Sat By the Door, United Artists, 1973. PRINCIPAL TELEVISION APPEARANCES—Series: Corporal James Kinchloe, Hogan's Heroes, CBS, 1965-70. Mini-Series: Alan Drummond, Amerika, ABC, 1987. Episodic: Bolie Jackson, "The Big Tall Wish," The Twilight Zone, CBS, 1960; Major Harold Giles, "The Human Factor," The Outer Limits, ABC, 1963; Reverend Anderson, "I Am the Night—Color Me Black," The Twilight Zone, CBS, 1964; Sergeant James Conover, "The Inheritors," The Outer Limits, ABC, 1964; also Have Gun, Will Travel, CBS, \96\; Cain's Hundred, CBS, 1962; Target: TheCorruptors, ABC, 1962; Dr. Kildare, NBC, 1962; Laramie, NBC, 1962; Stoney Burke, ABC, 1963; Perry Mason, CBS, 1963; The Defenders, CBS, 1963 and 1965; "The Special Courage of Captain Pratt," Great Adventures, CBS, 1964; "Murder in the First," Bob Hope Chrysler Theatre, NBC, 1964; The Man from U.N.C.L.E., NBC, 119

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Burglar, My Husband's Wild Desires Almost Drove Me Mad, Studio Arena Theatre, Buffalo, NY, 1980; ensemble, Tomfoolery (revue), Village Gate Theatre Upstairs, New York City ,1981; Mad Hatter, Alice in Wonderland, Virginia Theatre, New York City, 1982; Blackie Caroon, Rockaway, Vineyard Theatre, New York City, 1982; Dr. Bourges, Pere Abbe, Dogmouth, Ducarre, doctor, critic, and announcer, Times and Appetites of Toulouse-Lautrec, American Place Theatre, 1985; Chubby Waters, Broadway Bound, Broadhurst Theatre, 1986; Simon Jenkins and Timothy Hogarth, Room Service, Roundabout Theatre, New York City, 1986; Carol Newquist, Little Murders, Second Stage Theatre, New York City, 1987; policeman, Threepenny Opera, Lunt-Fontanne Theatre, New York City, 1989. Also The Quare Fellow, Circle in the Square, 1958; Three By Three, Maidman Theatre, New York City, 1961; When the Owl Screams, Second City at Square East, New York City, 1963; Staircase and Under Milk Wood, both Actors Theatre of Louisville, Louisville, KY, 1969-70; Ovid's Metamorphosis, Ambassador Theatre, 1971; People from Division Street, Cubiculo Theatre, New York City, 1975; Windy City, Paper Mill Playhouse, Millburn, NJ, 1985; Sills and Company, Lamb's Theatre, then Actors Playhouse, both New York City, 1986; appeared with the McCarter Theatre company, Princeton, NJ, 1972-73; with the Arena Stage company, Washington, DC, 1975-76; and in productions of The Three Sisters, His Majesty the Devil, and A Christmas Carol.

er), August 28, 1959; children: Cristina, Amy. EDUCATION— Carnegie-Mellon University, B.F.A., drama, 1953. MILITARY— U.S. Army, sergeant, 1953-56. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Father Zossima, The Trial ofDimitri Karazamov, Jan Hus Auditorium, New York City, 1958; man in audience, first dead man, and townsperson, Our Town, Circle in the Square, New York City, 1959; Blind One, The Golem, St. Mark's Playhouse, New York City, 1959; the General, The Balcony, Circle in the Square, 1960; Captain Cat, Butcher Banyon, Organ Morgan, and P.C. Attila Rees, Under Milk Wood, Circle in the Square, 1961; tramp, Pullman Car Hiawatha, Circle in the Square, 1962; the Director, Six Characters in Search of an Author, Martinique Theatre, New York City, 1963; the Nightclerk, Hughie, Royale Theatre, New York City, 1964; Paul Sycamore, You Can't Take It with You, Plymouth Theatre, New York City, 1983. Also appeared in The Italian Straw Hat, Fourth Street Theatre, New York City, 1957; The Country Wife, New York City, 1957; The Quare Fellow, Circle in the Square, 1958; The Torchbearers, New York City, 1960; Plays for Bleecker Street, Circle in the Square, 1962; Follies of Scapin, New York City, \962;Chemin de Fer, Mark Taper Forum, Los Angeles, 1968; Who's Happy Now?, Mark Taper Forum, 1976; A Penny for a Song, New York City.

PRINCIPAL FILM APPEARANCES—First deconsecration minister, Alice's Restaurant, United Artists, 1969; Harry Stone, The Front, Columbia, 1976; painter, Fire Sale, Twentieth Century-Fox, 1977; passenger, Thieves, Paramount, 1977; bartender, Thank God It's Friday, Columbia, 1978; courthouse reporter, King of the Gypsies, Paramount, 1978; counterman, Corvette Summer (also known as The Hot One), United Artists, 1978; Dan Ryan, Starting Over, Paramount, 1979; Cole Oyl,Popeye, Paramount, 1980; nature walk teacher, Paternity, Paramount, 1981; Carl Walters, Reds, Paramount, 1981; Ernie Weaver, Dead Ringer, Feature Film/CBS Video, 1982; DeWitt, Batteries Not Included, Universal, 1987; Ferguson, The Secret of My Success, Universal, 1987; Mayor Barclay, Funny Farm, Warner Brothers, 1988; Dr. Verboven, The Dream Team, Universal, 1989.

PRINCIPAL FILM APPEARANCES—Shipmate, Munster, Go Home, Universal, 1966; narrator, Why Man Creates (short documentary film), Saul Bass and Associates, 1968; Norman Gresham, Angel in My Pocket, Universal, 1969; Harold Clinton, The Getaway, National General, 1972; Llewellyn Howland, Pat Garrett and Billy the Kid, Metro-Goldwyn-Mayer, 1973; vault manager, Thunderbolt and Lightfoot, United Artists, 1974; Dr. Douglas, Something Wicked This Way Comes, Buena Vista, 1983. PRINCIPAL TELEVISION APPEARANCES—Series: Howard Sprague, The Andy Griffith Show, CBS, 1966-68; Howard Sprague, Mayberry R.F.D., CBS, 1968-71; Senator Wayne Joplin, All's Fair, CBS, 1976-77; Monsignor Francis X. Barlow, In the Beginning, CBS, 1978; Edgar "Truck" Morley, Phyl andMikhy, CBS, 1980. Pilots: Wendell Henderson, Walkin' Walter, ABC, 1977; Mr. Bishop, Snavely, ABC, 1978. Episodic: Mickey Malph, Happy Days, ABC, 1974; Carstairs, Cagney and Lacey, CBS, 1985; Senator Gate, Benson, ABC, 1986; Carl Putnam, Mr. Belvedere, ABC, 1986 and 1989; Judge Farnham, St. Elsewhere, NBC, 1987 and 1988; Walter Johnson, Duet, Fox, 1988; Jack Austin, Matlock, NBC, 1989; also Barney Miller, ABC, 1975 and 1980; The Nancy Walker Show, ABC, 1976; 13 Queens Boulevard, ABC, 1979; Room 222, ABC; Manhunter, CBS; CPO Sharkey, NBC; Maude, CBS; Hawaii Five-0, CBS; A.E.S. Hudson Street, ABC; Carter Country, ABC; Police Story, NBC; Quincy, NBC; One Day At a Time, CBS; Welcome Back, Kotter, ABC; The Practice, NBC; Mork and Mindy, ABC; Lou Grant, CBS; Newhart, CBS; Amen!, NBC. Movies: Chuck, Million Dollar Infield, CBS, 1982; Howard Sprague, Return to Mayberry, NBC, 1986. Specials: "Who's Happy Now?," Theatre in America, PBS, 1976; the Nightclerk, Hughie, Showtime, 1981.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Comedy Tonight, CBS, 1970. Pilots: Principal, Popi, CBS, 1975; F.B.I, official, Big Shots in America, NBC, 1985; also Windows, Doors, andKeyholes, NBC, 1978. Episodic: All in the Family, CBS, 1977; "The Ghost Writer," American Playhouse, PBS, 1984. Movies: Mr. Estes, Delta County, U.S.A., ABC, 1977; post office clerk, How to Pick Up Girls!, ABC, 1978; Father Danzig, Word of Honor, CBS, 1981; reporter, Izzy and Moe, CBS, 1985. Specials: We Interrupt This Season, NBC, 1967; I'm a Fan, CBS, 1972. ADDRESSES: AGENT—J. Michael Bloom, 233 Park Avenue S., New York, NY 10003.*

DODSON, Jack 1931ADDRESSES: OFFICE—MJD Enterprises Inc., c/o Equitable Investment Corporation, 6253 Hollywood Boulevard, Suite 1122, Hollywood, CA 90028. AGENT—STE Representation Ltd., 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210.*

PERSONAL: Full name, John S. Dodson; born May 16, 1931, in Pittsburgh, PA; son of John M. and Margaret S. Dodson; married Mary Weaver (a motion picture and television production design120

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DONAHUE, Troy

DONNELLY, Candice

1936-

1954-

PERSONAL: Born January 2, 1954, in Boston, MA; daughter of James and Elinor (Di Napoli) Donnelly; children: Bronwen Boy an. EDUCATION—University of Massachusetts, B.F.A., 1975; Yale University, M.F.A., 1985.

PERSONAL: Born Merle Johnson, Jr., January 27, 1936 (some sources say January 17, 1937), in New York, NY; married Suzanne Pleshette (an actress; divorced); EDUCATION—Attended Columbia University.

VOCATION: Costume designer. VOCATION: Actor.

CAREER: FIRST BROADWAY WORK—Costume designer, Fences, 46th Street Theatre, New York City, 1987. PRINCIPAL STAGE WORK—Costume designer: Chopin in Space, Yale Repertory Theatre, New Haven, CT, 1984; The Wonder Years, TOMI Terrace Theatre, New York City, 1985; Ondine, New York Stage and Film, New York City, 1985; Fences, Seattle Repertory Theatre, Seattle, WA, then Goodman Theatre, Chicago, IL, both 1985-86; Rich Relations, Second Stage Theatre, New York City, 1986; Dry Land, Judith Anderson Theatre, New York City, 1986; The Return of Pinocchio, 47th Street Theatre, New York City, 1986; The Skin of Our Teeth, Classic Stage Company, New York City, 1986; Happy Days, Goodman Theatre, 1986; The Maderati, Playwrights Horizons, New York City, 1987; Elektra, Classic Stage Company, 1987; The Johnstown Vindicator, Harold Clurman Theatre, New York City, 1987'\Little Murders, Second Stage Theatre, 1987; Flee as a Bird (dance piece), Joyce Theatre, New York City, 1987; Tartuffe, Portland Stage Company, Portland, ME, 1987; The Milk Train Doesn't Stop Here Anymore, WPA Theatre, New York City, 1987; Right Behind the Flag Boys, Playwrights Horizons, 1988; 4 'Dirty Work" in Three Pieces for a Warehouse, 500 Greenwich Street, New York City, 1988; Eastern Standard, Seattle Repertory Theatre, then Manhattan Theatre Club, New York City, both 1988; Loose Ends, Second Stage Theatre, 1988; The Film Society, Second Stage Theatre, 1988; Rameau's Nephew, Classic Stage Company, 1988; Monte (dance piece), Joyce Theatre, 1988; The Good Moment of Lily Baker, New York Stage and Film, 1988; Joe Turner's Come and Gone, Center Stage Theatre, Baltimore, MD, 1988; Moon Over Miami, Yale Repertory Theatre, 1989; Master gate, American Repertory Theatre, Cambridge, MA, then Criterion Theatre, New York City, both 1989; As You Like It, Folger Shakespeare Theatre, Washington, DC, 1989; Rebel Armies Deep into Chad, Long Wharf Theatre, New Haven, CT, 1989; Baba Goya, Second Stage Theatre, 1989; The Merry Wives of Windsor, Texas, St. Louis Repertory Theatre, St. Louis, MO, then Players Theatre, Columbus, OH, both 1989; The Rose Tattoo, Williamstown Theatre Festival, Williamstown, MA, 1989; The Bald Soprano and The Chairs, both American Repertory Theatre, 1989.

CAREER: PRINCIPAL FILM APPEARANCES—Frank Burnham, The Tarnished Angels, Universal, 1957; Artie, Live Fast, Die Young, Universal, 1958; Jimmy Flanders, Monster on the Campus, Universal, 1958; Sergeant Nickles, The Perfect Furlough (also known as Strictly for Pleasure), Universal, 1958; Sax Lewis, Summer Love, Universal, 1958; Tony Manza, This Happy Feeling, Universal, 1958; Paul Cunningham, Voice in the Mirror, Universal, 1958; Jesse Bascomb, Wild Heritage, Universal, 1958; Frankie, Imitation of Life, Universal, 1959; Johnny Hunter, A Summer Place, Warner Brothers, 1959; McVey, The Crowded Sky, Warner Brothers, 1960; Parrish McLean, Parrish, Warner Brothers, 1961; Hoyt Breckner, Susan Slade, Warner Brothers, 1961; Don Porter, Rome Adventure, Warner Brothers, 1962; Jim Munroe, Palm Springs Weekend, Warner Brothers, 1963; Lieutenant Matthew Hagard, A Distant Trumpet, Apex, 1964; Ben Gunther, My Blood Runs Cold, Warner Brothers, 1965; Pete Barker, Come Spy with Me, Twentieth Century-Fox, 1967; Gay lord Sullivan, Those Fantastic Flying Fools (also known as Jules Verne's Rocket to the Moon and Blast Off), American International, 1967. Moon, Sweet Savior, Trans World Attractions, 1971; Merle Johnson, The Godfather, Part II, Paramount, 1974; Mark, Seizure, American International, 1974; Randall Mansfield, Born to Kill (also known as Cockfighter), New World, 1975; Donny Vinton, Grandview, U.S.A., Warner Brothers, 1984; John Templeton, Low Blow, Crown International, 1986; Bob Jenkins, Cyclone, Cinetel, 1987; Don Michaelson, Deadly Prey, Action, 1987; Lieutenant Maxwell, Hollywood Cop, Peacock, 1988; Philip, Sexpot, Platinum/Academy Home Entertainment, 1988; Dr. Ackerman, Dr. Alien (also known as / Was a Teenage Sex Mutant), Phantom Video, 1988; Jack Barnes, Bad Blood, Platinum/Academy Home Entertainment, 1989; Sid Witherspoon, Attach of the Party Nerds (also known as Party Nerds), Prism Entertainment, 1989; Slim, Terminal Force, New World, 1989; Steve, South Seas Massacre, Prism Entertainment, 1989. Also appeared in The Legend of Frank Woods, 1977; Tin Man, Westcom, 1983; Back to the Beach, Paramount, 1987.

PRINCIPAL FILM WORK—Assistant designer, Crossing Delancey, Midwest Films, 1987; designer, Over, New York Stage and Film/ Rebo High Definition Studio, 1988; assistant designer, The House on Carroll Street, HBO Films, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: Sandy Winfield II, Surfside Six, ABC, 1960-62; Philip Barton, Hawaiian Eye, ABC, 1962-63; Keefer, The Secret Storm, CBS, 1970. Pilots: Clint Redman, Malibu, ABC, 1983. Episodic: Fantasy Island, ABC, 1978 and 1981; Esquire: About Men, for Women, Lifetime, 1989; also Wagon Train, NBC; 77 Sunset Strip, ABC; Colt .45, ABCMatt Houston, ABC. Specials: The Bob Hope Show, NBC, 1960.

PRINCIPAL TELEVISION WORK—Pilots: Assistant designer, The Clinic, 1987. RELATED CAREER—Assistant designer for the Michael Jackson music video, Bad, 1986. ADDRESSES: OFFICE—935 St. Nicholas Avenue, Apartment 6F, New York, NY 10032.

RELATED CAREER—Actor in summer theatre productions, Bucks County Playhouse, New Hope, PA. AWARDS: Golden Globe, Most Promising Newcomer, 1960.

DOOHAN, James

ADDRESSES: AGENT—Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212.*

1920-

PERSONAL: Full name, James Montgomery Doohan; born March 3, 1920, in Vancouver, BC, Canada; father, a chemist; married

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Welby, M.D., ABC; The Fugitive, ABC; The Virginian, NBC; Tales of Tomorrow, ABC; The Man from U.N.C.L.E., NBC; Then Came Bronson, NBC; Peyton Place, ABC; Daniel Boone, NBC; TheF.B.L, ABC; Thriller, NBC; TVi* Twilight Zone, CBS'Return to Peyton Place, NBC; The Iron Horse, ABC; Magnum, P.I., CBS; Shenandoah. Specials: 53rd Annual King Orange Jamboree Parade, NBC, 1986. RELATED CAREER—Actor in 400 live television shows and 4,000 radio shows for the Canadian Broadcasting Corporation; actor in approximately 120 stage productions; acting teacher, Neighborhood Playhouse, New York City; speaker, college tour circuit; appeared in television commercials. SIDELIGHTS: RECREATIONS—Carpentry and woodcarving. ADDRESSES: AGENT—Twentieth Century Artists, 3800 Barham Boulevard, Suite 303, Los Angeles, CA 90068.*

DOUGLAS, Juliet

1962-

PERSONAL: Born Juliet Brown, August 18, 1962, in Redhill, England; daughter of Dennis Francis Douglas (in the garment business) and Pamela Dorothy (a teacher; maiden name, Watling) Brown. EDUCATION—Attended County Secretarial College, 198081; studied for the theatre at the Guildhall School of Music and Drama. RELIGION—Church of England.

JAMES DOOHAN

third wife, Wendy Braunberger, October 12, 1974; children: four (first marriage); two (third marriage). EDUCATION—Studied acting at the Neighborhood Playhouse, 1946. MILITARY—Royal Canadian Artillery, pilot captain. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Bishop, 36 Hours, Metro-Goldwyn-Mayer (MGM), 1965; Phillip Bainbridge, One of Our Spies Is Missing, MGM, 1966; building superintendent, Jigsaw, Universal, 1968; Benoit, Man in the Wilderness, Warner Brothers, 1971; Folio, Pretty Maids All in a Row, MGM, 1971; Chief Engineer Montgomery "Scotty" Scott, Star Trek: The Motion Picture, Paramount, 1979; Scotty, Star Trek II: The Wrath of Khan, Paramount, 1982; Scotty, Star Trek HI: The Search for Spock, Paramount, 1984; Scotty, Star Trek IV: The Voyage Home, Paramount, 1986; Scotty, Star Trek V: The Final Frontier, Paramount, 1989. Also appeared in The Wheeler Dealers (also known as Separate Beds), MGM, 1963; The Satan Bug, United Artists, 1965; Bus Riley's Back in Town, Universal, 1965. TELEVISION DEBUT—Detective, Martin Kane, Private Eye, NBC, 1949. PRINCIPAL TELEVISION APPEARANCES—Series: Engineer Montgomery "Scotty" Scott, Star Trek, NBC, 1966-69; voice of Lieutenant Montgomery Scott, Lieutenant Arex, and others, Star Trek (animated), NBC, 1973-75; Commander Carnarvin, Jason of Star Command, CBS, 1979-81. Pilots: Scrimp, Scalplock, ABC, 1966. Episodic: Lieutenant Branch, "Expanding Human," The Outer Limits, ABC, 1964; also Hazel, NBC, 1962; Voyage to the Bottom of the Sea, ABC, 1964; Blue Light, ABC, 1966; Bewitched, ABC; Gunsmoke, CBS; Fantasy Island, ABC; Suspense, CBS; Bonanza, NBC; Ben Casey, ABC; The Gallant Men, ABC; Marcus

JULIET DOUGLAS

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VOCATION: Actress.

DRAKE, Fabia

1904-1990

CAREER: STAGE DEBUT—W.P.C. Hughes, Anagram of Murder, Frinton Repertory Theatre. LONDON DEBUT—Valerie, Exclusive, Strand Theatre, 1989. PRINCIPAL STAGE APPEARANCES—Appeared in repertory theatre productions of Blood Brothers, A Midsummer Night's Dream, Oliver, Equus, Why Not Stay for Breakfast?, My Cousin Rachel, The Big Killing, My Giddy Aunt, Intent to Murder, The Gingerbread Lady, and Pardon Me, Prime Minister.

PERSONAL: Full name, Fabia Drake McGlinchy; born January 20, 1904, in Herne Bay, England; died February 28, 1990; daughter of Francis Drake and Annie (Dalton) McGlinchy; married Maxwell Turner (a lawyer), 1938 (died, 1960). EDUCATION—Studied acting at the Royal Academy of Dramatic Art, 1922. VOCATION: Actress. CAREER: STAGE DEBUT—Tommy, The Fairy Doll, Court Theatre, London, 1913. PRINCIPAL STAGE APPEARANCES—Brer Rabbit, Brer Rabbit and Mr. Fox, Little Theatre, London, 1914; Elsie Pennithorne, The Happy Family, Prince of Wales Theatre, London, 1916, then Strand Theatre, London, 1917; Sarah Undershaft, Major Barbara, Everyman Theatre, London, 1921; Lola de la Carte, Quarantine and Audrey Carlton, Secrets, both Comedy Theatre, London, 1922; Yasmin and Pervaneh, Hassan, His Majesty's Theatre, London, 1923; Sylvia Latter, The Creaking Chair, Comedy Theatre, 1924; Monica Desmond, Possessions, Vaudeville Theatre, London, 1925; Maud Leverton, Easy Money, St. Martin's Theatre, London, 1925; Viola, Twelfth Night, Fellowship of Players, Scala Theatre, London, 1925; Peggy Winton, The Scarlet Lady, Criterion Theatre, London, 1926; the Shingled Lady, Escape and Mary, The Spot on the Sun, both Ambassadors' Theatre, London, 1927; Lady Beryl, The Wrecker, New Theatre, London, 1927; Margaret Orme, Loyalties and Countess of Westhaven, The Love-Lorn Lady, both Wyndham's Theatre, London, 1928; Nancy Bird, Young Love, Arts Theatre, London, 1929.

MAJOR TOURS—You Never Can Tell and A Winter s Tale, both in Northern Italy. PRINCIPAL TELEVISION WORK—Episodic: Max Headroom, ABC. Also appeared in Don't Wait Up, BBC; Call Me Mister, BBC; Bergerac, BBC; Life without George, BBC; Prospects, Euston Films; Bust, London Weekend Television; Piggy Bank, Channel Four. ADDRESSES: AGENT—Carole James Management, London, England.

DOWNEY, Robert VOCATION: Director, producer, actor, and screenwriter.

Nora, No. 17, Royalty Theatre, London, 1930; Enid Deckle, The World of Light, Royalty Theatre ,1931; Lady Percy, King Henry IV, Part One, Viola, Twelfth Night, Calpurnia, Julius Caesar, Rosalind, As You Like It, Helena, A Midsummer Night's Dream, and Portia, The Merchant of Venice, all Stratford-on-Avon Company, New Stratford Memorial Theatre, Stratford-on-Avon, U.K., 1932; Mrs. Guy Daunt, Cecilia, Arts Theatre, 1933; Rosalind, As You Like It, Phoenix Theatre, London, 1933; Lulu Davenant, Poison Flower and Mary Lascelles, The Rose Without a Thorn, both Croydon Theatre, Croyden, U.K., 1934; Jennifer Lawrence, Sixteen, Embassy Theatre, London, then Criterion Theatre, both 1934; Elaine Taunton, Our Mutual Father, Repertory Players, Piccadilly Theatre, London, 1934; Princess, Lady Precious Stream, Little Theatre, 1934; Miss Vulliamy, Frolic Wind, Royalty Theatre, 1935; Lady Cynthia, Anthony and Anna, Whitehall Theatre, London, 1935; Frances Dane, Indian Summer, Arts Theatre, 1936; Ruth Wilder, Comedienne, Haymarket Theatre, London, 1938; Dowager Empress, The Nightingale, Aldwych Theatre, London, 1947. Also appeared with the Stratford-on-Avon Company, 1933; and with the Repertory Players, Play Actors, Playmates, Renaissance, and London International Theatre companies, all in the U.K.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Film sequences, The Experiment, Orpheum Theatre, New York City, 1967. PRINCIPAL FILM APPEARANCES—Private Stewart Thompson, No More Excuses, Rogosin/Impact, 1968; as himself, Is There Sex After Death?, New Line Cinema, 1971; NCAA investigator, Johnny Be Good (also known as Quarterback Sneak), Orion, 1988. PRINCIPAL FILM WORK—Director: (Also producer) Babo 73, Film-makers' Cooperative, 1964; (also producer) Chafed Elbows, Filmmakers Distribution Center, 1967;Afo More Excuses, Rogosin/ Impact, 1968; Putney Swope, Cinema V, 1969; Pound, United Artists, 1970; (also producer) Greaser's Palace, Greaser's Palace Ltd., 1972; Up the Academy (also known as Mad Magazine's Up the Academy and The Brave Young Men of Weinberg), Warner Brothers, 1980; This Is America—The Movie, Not the Country (also known as America), ASA, 1986; Rented Lips, Cineworld, 1988. Also director, Two Tons of Turquoise to Taos, 1967. WRITINGS: FILM—See production details above, unless indicated. Babo73, 1964; Chafed Elbows, 1967; No More Excuses, 1968; Putney Swope, \969; Pound, 1970; Greaser s Palace, 1972; (with Chuck Barris) The Gong Show Movie, Universal, 1980; (with Sidney Davis) This Is America—The Movie, Not the Country, 1986.

PRINCIPAL STAGE WORK—Producer, Much Ado About Nothing, Aldwych Theatre, London, 1946. MAJOR TOURS—Christina, The Silver Cord, U.K. cities, 1928; Lady Macbeth, Macbeth, Viola, Twelfth Night, and Beatrice, Much Ado About Nothing, all Stratford-on-Avon Festival Company, U.S. and Canadian cities, 1929-30.

SIDELIGHTS: Robert Downey is the father of actor Robert Downey, Jr.

PRINCIPAL FILM APPEARANCES—Annie Penny, Meet Mr. Penny, Associated British, 1938; Miss Gelding, All Over the Town, General Film Distributors, 1949; Lady Mercy Cotton, Poet's Pub, General Film Distributors, 1949; Lady Elmbridge, The Hour of Thirteen, Metro-Goldwyn-Mayer, 1952; Miss Farmer, White

ADDRESSES: MANAGER—Loree Rodkin Management, 8600 Melrose Avenue, Los Angeles, CA 90069. PUBLICIST—Nanci Ryder, Baker/Winokur/Ryder Public Relations, 9348 Civic Center Drive, Suite 407, Beverly Hills, CA 90210.* 123

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 appeared in Buried Child, Yale Repertory Theatre, New Haven, CT, 1978; As You Like It and Measure for Measure, both Yale Repertory Theatre, 1979; and in Thorn Hill, New York City.

Corridors, Jaro, 1952; Lady Probus, Isn't Life Wonderful?, Pathe, 1953; Mrs. Crabb, Fast and Loose, General Film Distributors, 1954; Nurse Blott, Young Wives' Tale, Allied Artists, 1954; opulent lady, All for Mary, Rank, 1956; Mrs. Tarvin, The Good Companions, Associated British/Pathe, 1957; Mrs. Brough, Not Wanted on Voyage, Renown, 1957; Sister Veronica, Violent Stranger (also known as Man in the Shadow), Amalgamated, 1957; Lady Hewitt, Girls at Sea, Seven Arts, 1958; Mrs. Pinner, What a Whopper, Regal, 1961; Arabella Parker, My Wife's Family, Pathe, 1962; Mrs. Piggott, Seven Keys, Allied Artists, 1962; Junior Commander Maddox, Operation Bullshine, Seven Arts/Manhattan, 1963; Miss Grimsby, A Nice Girl Like Me, AVCO-Embassy, 1969; Miss Gibbons, The Devil's Widow (also known as Tarn Lin), British International, 1972; Aunt Olive, Sweet Virgin (also known as Got It Made), Target International, 1974; nun, Year of the Dragon, Metro-Goldwyn-Mayer/United Artists, 1985; Catherine Alan, A Room with a View, Cinecom, 1986; Madame de Rosemonde, Valmont, Orion, 1989. Also appeared in Dulcimer Street (also known as London Belongs to Me), General Film Distributors, 1948.

PRINCIPAL FILM APPEARANCES—Aileen Jones, Seven Minutes in Heaven, Warner Brothers, 1986; Suzy Duncan, Making Mr. Right, Orion, 1987; Pat, The Pick-Up Artist, Twentieth Century-Fox, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Ellyn, thirty something, ABC, 1987—; also Winnie Robin, Ryan's Hope, ABC. Pilots: Bernadette Pascoe, Adams Apple, CBS, 1986. Specials: "Merrill Markoe's Guide to Glamorous Living," Cinemax Comedy Experiment, Cinemax, 1988. ADDRESSES: AGENT—Jonathan Howard, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Countess Midlothian, The Pallisers, BBC, then PBS, 1977; Mabel Layton, The Jewel in the Crown, Granada, then Masterpiece Theatre, PBS, 1984; Miss Henderson, "A Pocketful of Rye," Agatha Christie's MissMarple, BBC, then Mystery/, PBS, 1986; Mrs. Jarman, "Last Bus to Woodstock,'' Inspector Morse Series II, Central Television, then Mystery!, PBS, 1988; also The Rainbow, BBC, then Arts and Entertainment, 1989. Episodic: Welfare worker, "Arrival," The Prisoner, CBS, 1968. Movies: Bookshop owner, Out on a Limb, ABC, 1987. Specials: Frances, A Wreath of Roses, Granada, then Masterpiece Theatre, PBS, 1989.

DUGAN, Dennis

1946-

PERSONAL: Born September 5, 1946, in Wheaton, IL; married Joyce Van Patten (an actress). EDUCATION—Studied acting at the Goodman Theatre School. VOCATION: Actor and director. CAREER: OFF-BROADWAY DEBUT—The House of Blue Leaves, Truck and Warehouse Theatre, 1971. PRINCIPAL STAGE APPEARANCES—Rainbows for Sale, Center Theatre Group, New Theatre for Now, Music Center of Los Angeles, Los Angeles, 1972.

OBITUARIES AND OTHER SOURCES: New York Times, March 2, 1990.*

PRINCIPAL STAGE WORK—Stage manager, Rice and Beans, International Arts Relations (INTAR) Theatre, New York City, 1979; also lighting designer, INTAR Theatre, 1979-80. PRINCIPAL FILM APPEARANCES—Apprentice, The Day of the Locust, Paramount, 1975; young man, Night Mo ves, Warner Brothers, 1975; Logan, Smile, United Artists, 1975; Lewis, Harry and Walter Go to New York, Columbia, 1976; Garson Hobart, Norman . . . Is That You?, Metro-Goldwyn-Mayer/United Artists, 1976; Tom Trimble, Unidentified Flying Oddball (also known as The Spaceman and King Arthur and U.F.O.), Buena Vista, 1979; Chris, The Howling, AVCO-Embassy, 1981; Rob, Water, Rank, 1985; David Miller, Can't Buy Me Love, Buena Vista, 1987; Mr. Settigren, The New Adventures ofPippi Longstocking, Columbia, 1988; David Brodsky, Parenthood, Universal, 1989. Also appeared in Night Call Nurses, New World, 1974; She's Having a Baby, Paramount, 1988.

DRAPER, Polly PERSONAL: Born June 15, in Gary, IN; married Kevin Wade (a playwright). EDUCATION—Received B.A. and M.F.A. from Yale University. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Jean, Split, Second Stage, 1980. PRINCIPAL STAGE APPEARANCES—Caroline Lou Bingham, The Stitch in Time, American National Theatre and Academy Theatre, New York City, 1980-81; Gertrude Cayce, The Freak, WPA Theatre, New York City, 1981, then Douglas Fairbanks Theatre, New York City, 1982; Meg, The Actor's Nightmare and Diane Symonds, Sister Mary Ignatius Explains It All for You (double-bill), Playwrights Horizons, then Westside Arts Theatre, both New York City, 1981-82; Cheryl, Hooters, Hudson Guild Theatre, New York City, 1982; Marlene, Top Girls, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1983; Blake Upton, Mr. and Mrs., WPA Theatre, 1984; Lucy, "Want Ad, "Danny, "Folie a'deux," Heather, "Only a Woman," and Lois, "Separate Vacation/Grounds for Divorce/Sexual History," all in Love As We Know It, Manhattan Punch Line, INTAR Theatre, New York City, 1985;Fiona, "The Ground Zero Club" in The Young Playwrights Festival, Playwrights Horizons, 1985; Linda Seward, Rum and Coke, NYSF, Public Theatre, 1986. Also

PRINCIPAL TELEVISION APPEARANCES—Series: Title role, Richie Brockelman, Private Eye, NBC, 1978; Ben Christian, Empire, CBS, 1984; Edgar "Benny" Benedek, Shadow Chasers, ABC, 1885-86. Mini-Series: Claude Tinker, Rich Man, Poor Man, ABC, 1976. Pilots: Joel Snedeger, Alice, CBS, 1976; title role, Richie Brockelman: Missing 24 Hours, NBC, 1976; Father Morgan, Father, O Father, ABC, 1977; Josh Fowler, Did You Hear About Josh and Kelly?!, CBS, 1980; Ivan Travalian, Full House, CBS, 1983; Marty Kessler, Channel 99, NBC, 1988. Episodic: Shadow, Hooperman, ABC, 1988; Walter Bishop, Moonlighting, ABC, 1988; also M*A*S*#, CBS, 1975 and 1983; Scene of the Crime, NBC, 1985; Richie Brockelman, TheRockfordFiles, NBC;

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well, Eugene, Helen Hayes Theatre, New York City, 1960; title role, Elizabeth the Queen, University of Utah, Salt Lake City, UT, 1961; Mary Tyrone, Long Day's Journey into Night, Theatre du Nouveau Monde, Montreal, 1961; Mrs. Perpetua, The Cantilevered Terrace, 41st Street Theatre, New York City, 1962; Vera Ridgeway Condotti, The Milk Train Doesn't Stop Here Anymore, Festival of Two Worlds, Teatro Nuovo, Spoleto, Italy, then Morosco Theatre, both 1962; Hecuba, The Trojan Women, Festival of Two Worlds, Teatro Nuovo, then Circle in the Square, New York City, both 1963; Madame Renaud, Traveller Without Luggage, ANTA Theatre, 1964; Lucy Lewis, Brother to Dragons, American Place Theatre, New York City, 1965; Oenone, Phedre, Greenwich Mews Theatre, New York City, then at the American Embassy, London, both 1966; Mary Tyrone, Long Day's Journey into Night, Long Wharf Theatre, New Haven, CT, 1966; Amanda Wingfield, The Glass Menagerie, National Repertory Theatre, Oakland, CA, 1966; narrator, Chansons de Bilitis (ballet), Caramoor Festival, Caramoor, NY, 1967; Mrs. Edna Nichols, Willie Doesn't Live Here Anymore, ANTA Matinee Series, Theatre De Lys, New York City, 1967; Hecuba, The Trojan Women, Circle in the Square, 1967; Sido, Colette, Ellen Stewart Theatre, New York City, 1970; Beth, Landscape, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1970; Clair Lannes, A Place without Doors, Stairway Theatre, New York City, then Long Wharf Theatre, both 1970, later Goodman Theatre, Chicago, IL, 1971; Emily Dickinson, An Evening with Emily Dickinson and Robert Schumann, Manhattan Theatre Club, New York City, 1971; the Mother, Days in the Trees, Circle in the Square, 1976; Madame Pernelle, Tartuffe, Circle in the Square, 1977. Also appeared in summer theatre productions at the Westchester County Playhouse, Mt. Kisco, NY, 1932, then 1934-38; in Pictures in the Hallway (staged reading), Phoenix Theatre, New York City, 1959; Just Wild About Harry, Festival of Two Worlds, Teatro Nuovo, 1963; with the Yale Repertory Theatre, New Haven, CT, 1967-70; Long Wharf Theatre, 1968-70, and 1972-73; Ring 'round the Moon, Williamstown Theatre Festival, Williamstown, MA, 1975; What Every Woman Knows, Long Wharf Theatre, 1975.

Lloyd Hoffmeyer, Making a Living, ABC; voice characterization, These Are the Days (animated), ABC. Movies: Private Becker, Death Race, ABC, 1973; Charlie Elliott, The Girl Most Likely To . . ., ABC, 1973; Officer Johnny Lucas, Last of the Good Guys, CBS, 1978; Daryl, Country Gold, CBS, 1982; Dick, The Toughest Man in the World, CBS, 1984. Specials: Battle of the Network Stars, ABC, 1978; Officer Needham, Leadfoot, syndicated, 1982; Andy Martin, "The Girl Who Couldn't Lose," ABC Afternoon Playbreak, ABC, 1975. PRINCIPAL TELEVISION WORK—All as director. Episodic: Hunter, NBC, 1987; Sonny Spoon, NBC, 1988; Wiseguy, CBS, 1988; Moonlighting, ABC, 1988 and 1989. ADDRESSES: AGENT—Bob Gersh, The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210.*

DUNNOCK, Mildred

DUNNOCK

1900-

PERSONAL: Full name, Mildred Dorothy Dunnock; born January 25, 1900 (some sources say 1906), in Baltimore, MD; daughter of Walter (a textile merchant) and Florence (Saynook) Dunnock; married Keith M. Urmy (a banker), August 21, 1933; children: one daughter. EDUCATION—Received B.A. from Goucher College and M.A. from Columbia University; studied acting with Maria Ouspenskaya, Lee Strasberg, Robert Lewis, Elia Kazan, and Tamara Daykarhanova. VOCATION: Actress. CAREER: BROADWAY DEBUT—Miss Pinty, Life Begins, Selwyn Theatre, 1932. PRINCIPAL STAGE APPEARANCES—Woman of the congregation, The Eternal Road, Manhattan Opera House, New York City, 1937; Agnes Riddle, The Hill Between, Little Theatre, New York City, 1938; Miss Ronberry, The Corn Is Green, National Theatre, New York City, 1940; Miss Giddon, The Cat Screams, Martin Beck Theatre, New York City, 1942; Queen Margaret, Richard III, Forrest Theatre, Philadelphia, PA, 1943; India Hamilton, Only the Heart, Bijou Theatre, New York City, 1944; Rose and Flora, Foolish Notion, Martin Beck Theatre, 1945; Madame Tsai, Lute Song, Plymouth Theatre, New York City, 1946; Lavinia Hubbard, Another Part of the Forest, Fulton Theatre, New York City, 1946; Etta Hallam, TheHallams, Booth Theatre, New York City, 1948; Williams, The Leading Lady, National Theatre, 1948; Linda Loman, Death of a Salesman, Morosco Theatre, New York City, 1949; Mrs. Bayard Goodale, Pride's Crossing, Biltmore Theatre, New York City, 1950; Aase, Peer Gynt, American National Theatre and Academy (ANTA) Theatre, New York City, 1951; Gina, The Wild Duck, City Center Theatre, New York City, 1951; Signora Frola, Right You Are!, Westport Country Playhouse, Westport, CT, 1952; Mrs. Constable, In the Summer House, Playhouse Theatre, New York City, 1953; Big Mama, Cat on a Hot Tin Roof, Morosco Theatre, 1955; Constance, King John, American Shakespeare Festival, Stratford, CT, 1956; Susan Shepherd, Child of Fortune, Royale Theatre, New York City, 1956; Hera, Maiden Voyage, Forrest Theatre, 1957; Mary Tyrone, Long Day's Journey into Night, Orpheum Theatre, Montreal, PQ, Canada, 1959.

PRINCIPAL STAGE WORK—Director, Graduation, Theatre De Lys, New York City, 1965; director, Luminosity Without Radiance: A Self-Portrait, Manhattan Theatre Club, New York City, 1973. MAJOR TOURS—Herod and Mariamne, U.S. cities, 1938; Madam, Will You Walk?, U.S. cities, 1941; The Corn Is Green, U.S. cities, 1942; Sido, Colette, U.S. cities, 1974. FILM DEBUT—Miss Ronberry, The Corn Is Green, Warner Brothers, 1945. PRINCIPAL FILM APPEARANCES—Ma Rizzo, Kiss of Death, Twentieth Century-Fox, 1947; Sarah Greer, / Want You, RKO, 1951; Linda Loman, Death of a Salesman, Columbia, 1952; Dr. Marie Yeomans, The Girl in White (also known as So Bright the Flame), Metro-Goldwyn-Mayer (MGM), 1952; Senora Espejo, Viva Zapata!, Twentieth Century-Fox, 1952; Mrs. Golding, The Jazz Singer, Warner Brothers, 1953; Mrs. Mary Owen, Bad for Each Other, Columbia, 1954; mother, Hansel and Gretel, RKO, 1954; Mrs. Wiggs, The Trouble with Harry, Paramount, 1955; Aunt Rose Comfort, Baby Doll, Warner Brothers, 1956; Mother, Love Me Tender, Twentieth Century-Fox, 1956; Mrs. Thorton, Peyton Place, Twentieth Century-Fox, 1957; Sister Margharita, The Nun's Story, Warner Brothers, 1959; Mrs. Ellis, The Story on Page One, Twentieth Century-Fox, 1959; Mrs. Wandrous, Butterfield 8, MGM, 1960; Mrs. Gates, Something Wild, United Artists, 1961; Aunt Nonnie, Sweet Bird of Youth, MGM, 1962; Pilar, Behold a Pale Horse, Columbia, 1964; Mrs. Sarah Hawke, Youngblood Hawke, Warner Brothers, 1964; Jane Argent, Seven

Mistress Phoebe Ricketts, The Crystal Heart, East 74th Street Theatre, New York City, 1960; Gertrude Povis, Farewell, Fare-

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Women, MGM, 1966; Miss Tinsley, What Ever Happened to Aunt Alice?, Cinerama, 1969; Mrs. Sherman, The Spiral Staircase, Warner Brothers, 1975; Mrs. Barrow, One Summer Love (also known as Dragonfly), American International, 1976; Nellie, The Pick-Up Artist, Twentieth Century-Fox, 1987.

PERSONAL: Born September 13, in Tucson, AZ. VOCATION: Actress.

PRINCIPAL TELEVISION APPEARANCES—Episodic: "The Last Step," Television Theatre, NBC, 1950; "The Handcuff," The Web, CBS, 1952; "On Borrowed Time," Celanese Theatre, ABC, 1952; "The Rose," Gulf Playhouse, NBC, 1952; Broadway Television Theatre, syndicated, 1952; "Mark of Cain," Studio One, CBS, 1953; "The Boy in the Front Row," "Like Father," and "Speak No Evil," The Web, CBS, 1953; "The Queen's Ring," Suspense, CBS, 1953; "The Young and the Fair," Goodyear Playhouse, NBC, 1953; "Miracle in the Rain," Tales of the City (also known as Ben Hecht's Tales of the City), CBS, 1953; "Game of Hide and Seek," Goody ear Playhouse, NBC, 1954; "Sinners," Medallion Theatre, CBS, 1954; "Treasure Trove," Armstrong Circle Theatre, NBC, 1954; "The Almighty Dollar," Television Soundstage, NBC, 1954; "The Worried Songbirds," "Uncle Harry," "The Happy Journey," and "A Child Is Born," Kraft Theatre, ABC, 1954; "Guilty Secrets" and "The Sisters," Inner Sanctum, syndicated, 1954; "The Hickory Limb," Kraft Theatre, ABC, 1955; "A Business Proposition," Philco Playhouse, NBC, 1955; "President," Alcoa Hour, NBC, 1956; "None Are So Blind," Alfred Hitchcock Presents, CBS, 1956; "The Wonderful Gifts," Kraft Theatre, NBC, 1956; "Don't Touch Me," Climax!, CBS, 1957; "The Traveling Lady," Studio One, CBS, 1957; "Winter Dreams" and "The Play Room," Playhouse 90, CBS, 1957; "The West Warlock Time Capsule" and "Heart of Gold," Alfred Hitchcock Presents, CBS, 1957; "The Sound of Trouble," Kraft Theatre, NBC, 1957; "Diary of a Nurse," Playhouse 90, CBS, 1959; "A Trip to Cardis," RobertHerridge Theatre, CBS, \96Q',The Tom Ewell Show, CBS, 1960; "TheCheaters," Thriller, NBC, 1960; "Night of the Story," Dupont Theatre, CBS, 1961; "The Mind's Own Fire," The Investigators, CBS, 1961; "The First Day," Westinghouse Presents, CBS, 1962; "Beyond the Sea of Death," Alfred Hitchcock Theatre, CBS, 1964; The Defenders, CBS, 1964; "The Hamster of Happiness," Experiment in Television, NBC, 1968; The F.B.L, ABC, 1969; Ghost Story, NBC, 1972; Camera Three, CBS; The Reporters, CBS.

CAREER: PRINCIPAL FILM APPEARANCES—Tina Wilcox (Miss Amity), Jaws II, Universal, 1978; Stevie, Heart Beat, Warner Brothers, 1979; Valerie Duran, Cutter's Way (also known as Cutter and Bone), United Artists, 1981; Dominique Corsaire, "Success Wanters" in National Lampoon Goes to the Movies, Metro-GoldwynMayer/United Artists, 1981; Robyn Wallace, Lies, Alpha, 1984; Melinda, Basic Training, Movie Store, 1985; Page, The Men's Club, Atlantic Releasing, 1986. Also appeared in Goodbye Franklin High, Cal-Am, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Amy March Laurence, Little Women, NBC, 1979; Molly Nichols Tanner, The Family Tree, NBC, 1983; Margo McGibbon, Life withLucy, ABC, 1986. Mini-Series: Ann-Marie, Captains and the Kings, NBC, 1976. Pilots: Weezie Summer, The Possessed, NBC, 1977; Amory Osborn, Stonestreet: Who Killed the Centerfold Model?, NBC, 1977; Amy March, Little Women, NBC, 1978; Donna, The Secret War of Jackie s Girls, NBC, 1980; Deputy Kelly Myerson, Fraud Squad, ABC, 1985. Episodic: Liz Gordon, Murder, She Wrote, CBS, 1986; Carol Selby, Murder, She Wrote, CBS, 1987; Jean Merrick, Mr. President, Fox, 1988; Leslie Randall, Jake and the Fatman, CBS, 1988; Belva McPherson, Designing Women, CBS, 1989; Lorna, Paradise, CBS, 1989. Movies: Joanna Dance, Desperate Women, NBC, 1978; Joy Morgan and Elaine Steel, Killjoy, CBS, 1981; Jeannie LeMay, Elvis and the Beauty Queen, NBC, 1981; Jennifer, Confessions of a Married Man, ABC, 1983; Holly Barnes, He's Not Your Son, CBS, 1984; Marilyn, Long Time Gone, ABC, 1986. Specials: Connie, Close Ties, Entertainment Channel, 1983. ADDRESSES: AGENT—Doug Warner, Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.*

Movies: Mother, A Brand New Life, ABC, 1973; Mrs. LaCava, A Summer Without Boys, ABC, 1973; Lois Harrelson, Murder or Mercy, ABC, 1974; Serena Fox, And Baby Makes Six, NBC, 1979; Rose Price, The Best Place to Be, NBC, 1979; Serena Fox, Baby Comes Home, CBS, 1980; Helen, Isabel's Choice, CBS, 1981; as herself, The Patricia Neal Story, CBS, 1981. Specials: Spinster, The Power and the Glory, CBS, 1961; Linda Loman, Death of a Salesman, CBS, 1966; Arthur Miller on Home Ground, CBC, 1979; grandmother, The Big Stuffed Dog, NBC, 1980.

DYKSTRA, John VOCATION: Special effects designer and producer. CAREER: PRINCIPAL FILM WORK—Special effects designer: Silent Running, Universal, 1972; (also special effects cinematographer) Star Wars, Twentieth Century-Fox, 1977; Avalanche Express, Twentieth Century-Fox, 1979; Star Trek: The Motion Picture, Paramount, 1979; Caddyshack, Warner Brothers, 1980; (with Robert Shepherd, Roger Dorney, and Al Miller) Firefox, Warner Brothers, 1982; (with John Grant) Lifeforce, Tri-Star, 1985; Invaders from Mars, Cannon, 1986.

RELATED CAREER—Member, Actors' Studio, New York City, 1949—. NON-RELATED CAREER—Teacher, Friends School, Baltimore, MD, then Brearly School, New York.

PRINCIPAL TELEVISION WORK—All as special effects designer. Series: (Also producer) Battlestar Galactica, ABC, 1978-80. Pilots: Return of the Six Million Dollar Man and the Bionic Woman II, NBC, 1989. Movies: Starflight: The Plane That Couldn't Land, ABC, 1983.

AWARDS: Elected to the Theatre Hall of Fame, 1984. MEMBER: Screen Actors Guild, Actors' Equity Association (council member), American Federation of Television and Radio Artists.

RELATED CAREER—Supervisor of special effects, Apogee Productions, Van Nuys, CA; cinematographer, National Science Foundation; special effects designer, "Voyage to the Outer Planets,"

ADDRESSES: AGENT—S.T.E. Representation, 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210.*

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Ruben H. Fleet Space Theatre, San Diego, CA; (with Douglas Trumbull) producer and creator of amusement park rides and aircraft simulator films; inventor, Dykstraflex camera. AWARDS: Academy Awards, Best Visual Effects and Development of Facility Oriented Toward Visual Effects Photography, both 1977, for Star Wars; Academy Award nomination, Best Visual Effects, 1979, for Star Trek: The Motion Picture; Emmy Award, Outstanding Individual Achievement (Creative Technical Crafts division), 1979, for Battlestar Galactica. ADDRESSES: OFFICE—Apogee Productions, 6842 Valjean Avenue, Van Nuys, CA 91406.*

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E

ECHEVARRIA, Rocky See BAUER, Steven

EGGAR, Samantha

by William Wyler (documentary), Tatge, 1986. Also appeared in A Name for Evil, Cinerama, 1970; and in Mareth Line. PRINCIPAL TELEVISION APPEARANCES—Series: Anna Owens, Anna and the King, CBS, 1972. Pilots: Anne Roland, The Killer Who Wouldn't Die, ABC, 1976. Episodic: Helena Marsh, Fantasy Island, ABC, 1979; Mrs. Cratchit, George Burns Comedy Week, CBS, 1985; Nanny, Hotel, ABC, 1985; Sister Rachel, Outlaws, CBS, 1987; Camilla Rousseau, Stingray, NBC, 1987; Ory Palmer, "Davy Crockett," The Magical World of Disney, NBC, 1988; Claire Stiggs, HeartBeat, ABC, 1989; also The Saint, ABC, 1965; Love Story, NBC, 1973; Lucas Tanner, NBC, 1975; "The Man of Destiny," Hollywood Television Theatre, PBS, 1975; "The Hemingway Play,'' Hollywood Television Theatre, PBS, 1976; Baretta, ABC, 1976; McMillan and Wife, NBC; Streets of San Francisco, ABC; Starsky and Hutch, ABC; Columbo, NBC; The Love Boat, ABC; Kojak, CBS; Hart to Hart, ABC; Murder, She Wrote, CBS; Finder of Lost Loves, ABC; Family, ABC. Movies: Phyllis Dietrichson, Double Indemnity, ABC, 1973; Carol Ann, All the Kind Strangers, ABC, 1974; Billie Burke, Ziegfeld: The Man and His Women, NBC, 1978; Solange DuLac, Love Among Thieves, ABC, 1987. Specials: Evelyn Walsh McLean, "The Legendary Curse of the Hope Diamond," Smithsonian Institution Specials, CBS, 1975.

1939-

PERSONAL: Full name, Victoria Louise Samantha Marie Elizabeth Therese Eggar; born March 5, 1939, in London, England; daughter of Ralph Alfred James (a brigadier general in the British Army) and Muriel Olga (Palache-Bouman) Eggar; married Tom Stern (an actor, producer, and concert promoter) October 24, 1964 (divorced); children: Nicholas, Jenna Louise. EDUCATION—Attended the Thanet School of Art, the Slade School of Art, and the Webber-Douglas Dramatic School. RELIGION—Roman Catholic. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Appeared in British productions of A Midsummer Night's Dream, Twelfth Night, The Taming of the Shrew, and Hamlet during the 1960s; also appeared at the Oxford Playhouse, Oxford, U.K., for two seasons and at the Royal Court Theatre, London.

AWARDS: Best Actress Award from the Cannes Film Festival, 1965, Academy Award nomination, Best Actress, 1966, and Golden Globe, Best Motion Picture Actress, 1966, all for The Collector.

PRINCIPAL FILM APPEARANCES—Delia, Doctor in Distress, Rank, 1963; Ethel Le Neve, Dr. Crippen, Warner Brothers, 1963; Robin, Psyche 59, Columbia/Royal, 1964; Josie, Young and Willing (also known as The Wild and the Willing and The Young and the Willing), Universal, 1964; Miranda Grey, The Collector, Columbia, 1965; Fabienne, Return from the Ashes, United Artists, 1965; Christine Easton, Walk, Don't Run, Columbia, 1966; Emma Fairfax, Doctor Dolittle, Twentieth Century-Fox, 1967; Dany Lang, La Dame dans I'auto avec des lunettes et unfusil (also known as The Lady in the Car with Glasses and a Gun), Columbia, 1970; Mary Raines, The Molly Maguires, Paramount, 1970; Deborah Dainton, The Walking Stick, Metro-Goldwyn-Mayer, 1970; Arabella, The Light at the Edge of the World, National General, 1971; Myra, The Dead Are Alive, National General, 1972; Mary Watson, The Seven-Per-Cent Solution, Universal, 1977; Edina Hamilton, "Film Studio Story" in The Uncanny, Rank, 1977; Katherine, Welcome to Blood City, EMI-Famous Players, 1977; Alice Field, Why Shoot the Teacher?, Ambassador/Quartet, 1977; Nola Carveth, The Brood, New World, 1979; Dr. Megan Stewart, The Exterminator, AVCO-Embassy, 1980; Jennifer Baines, Demonoid (also known as Macabra), American Panorama, 1981; Samantha O'Brien, Hot Touch, Astral Films/Trans-Atlantic, 1982; Samantha Sherwood, Curtains, Jensen Farley, 1983; Julie Vickers, For the Term of His Natural Life, Filmco, 1985; as herself, Directed

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association, Association of Canadian Television and Radio Artists, Academy of Motion Picture Arts and Sciences, Daughters of the British Empire, Cousteau Society, Greenpeace, Centre for Environmental Education, Special Olympics, British Olympics (entertainment committee, 1983-84), Kidney Foundation (board member, 1968-73), Young Musicians Foundation. ADDRESSES: OFFICE—Tucker, Morgan, and Martindale, 9200 Sunset Boulevard, Los Angeles, CA 90069. AGENT—The Craig Agency, 8485 Melrose Place, Suite E, Los Angeles, CA 90069.*

ENGLUND, Robert

1949-

PERSONAL: Born June 6, 1949, in Glendale, CA; son of C. Kent (an aeronautics engineer) and Janis (McDonald) Englund; married Nancy Ellen Booth (a set designer), October 1, 1988. EDUCA129

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PRINCIPAL TELEVISION WORK—Episodic: Director, A Nightmare on Elm Street—Freddy's Nightmares: The Series (seven episodes), syndicated, 1988—.

TION—Attended Oakland University, the University of California, Northridge, and the University of California, Los Angeles; studied acting at the Academy of Dramatic Arts.

RELATED CAREER—Resident actor, Great Lakes Shakespeare Festival, Cleveland, OH, 1970-71; resident actor, Meadow Brook Theatre, Rochester, MI, 1969-72, then guest artist, 1973.

VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—The Apple Cart, Meadow Brook Theatre, Rochester, MI, 1968; Saint Joan, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1975; also appeared in Godspell, New York City, 1971; and at the Mark Taper Forum, Los Angeles, 1985.

MEMBER: Actors' Equity Association (1968—), Screen Actors Guild (1973—), American Federation of Television and Radio Artists, Directors Guild of America. ADDRESSES: AGENT—Joe Rice, Abrams Artists, 9200 Sunset Boulevard, Los Angeles, CA 90069.

PRINCIPAL STAGE WORK—Producer (with Cast Theatre), Savage in Limbo, Hollywood, CA, 1987. FILM DEBUT—Whitey, Buster and Billie, Columbia, 1974. PRINCIPAL FILM APPEARANCES—Holdup man, Hustle, Paramount, 1975; Buck, Death Trap (also known as Legend of the Bayou, Horror Hotel, Eaten Alive, and Starlight Slaughter}, Motion Picture Marketing, 1976; hood, St. Ives, Warner Brothers, 1976; Marty, A Star Is Born, Warner Brothers, 1976; Franklin, Stay Hungry, United Artists, 1976; narrator and Fly, Big Wednesday, Warner Brothers, 1978; Mott, Bloodbrothers, Warner Brothers, 1978; Beebo Crozier, The Great Smokey Roadblock (also known as The Last of the Cowboys), Dimension, 1978; Benny, The Fifth Floor, Film Ventures International, 1980; Harry, Dead and Buried, AVCO-Embassy, 1981; Ranger, Galaxy of Terror (also known as Mindwarp, An Infinity of Terror, The Quest, and Planet of Horrors), New World, 1981; Tripper, Don't Cry, It's Only Thunder, Sanrio Communications, 1982; Freddy Krueger, A Nightmare on

EPHRON, Nora

1941-

PERSONAL: Born May 19, 1941, in New York, NY; daughter of Henry (a writer) and Phoebe (a writer; maiden name, Wolkind) Ephron; married Dan Greenberg (a writer), April 9, 1967 (divorced); married Carl Bernstein (a journalist), April 14, 1976 (divorced); married Nicholas Pileggi (a writer); children: Jacob, Max (second marriage). EDUCATION—Wellesley College, B.A., 1962. VOCATION: Writer and producer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEAR130

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ANCES—Wedding guest, Crimes and Misdemeanors, Orion, 1989. PRINCIPAL FILM WORK—Executive producer (with Susan Seidelman and Alice Arlen), Cookie, Warner Brothers, 1989; associate producer, When Harry Met Sally, Columbia, 1989.

1959-

PERSONAL: Born in 1959 in Norfolk, England. EDUCATION— Attended the Ampleforth Central School for Speech and Drama; also trained for the stage at the Glasgow Citizens' Theatre.

RELATED CAREER—Reporter, New York Post, New York City, 1963-68; freelance journalist, 1968-72; columnist and contributing editor, Esquire magazine, New York City, 1972-73, then senior editor and columnist, 1974-76; contributing editor, New York magazine, New York City, 1973-74.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Guy Bennett, Another Country, Queen's Theatre, London, 1982.

WRITINGS: FILM—(With Alice Arlen) Silkwood, Twentieth Century-Fox, 1983; Heartburn, Paramount, 1983; (with Arlen) Cookie, Warner Brothers, 1989; When Harry Met Sally, Columbia, 1989. TELEVISION—Episodic: Adam's Rib, ABC, 1973. Movies: Perfect Gentlemen, CBS, 1978. OTHER—Wallflower at the Orgy, Viking, 1970; Crazy Salad: Some Things About Women, Knopf, 1975; Scribble, Scribble: Notes on the Media, Knopf, 1979; Heartburn, Knopf, 1983; also contributor to magazines and journals.

FILM DEBUT—Guy Bennett, Another Country, Orion Classics, 1984. PRINCIPAL FILM APPEARANCES—Tim, Real Life, Bedford, 1984; David Blakely, Dance with a Stranger, Twentieth Century-Fox, 1985; Constantine Kassanis, Duet for One, Cannon, 1986; Bayardo San Roman, Chronicle of a Death Foretold (also known as Cronaca di una morte annunciata), Istituto LuceItalnoleggio Cinematografico, 1987; David Lattes, Gli occhiali d'oro (also known as The Gold Spectacles and The Gold Rimmed Glasses}, D.M.V., 1987; James Colt, Hearts of Fire, Lorimar, 1987; Harry Ironminister, The Right-Hand Man, New World, 1987; also appeared in Haunted Summer and Jigsaw.

AWARDS: Penney-Missouri Award from the University of Missouri Journalism School and J.C. Penney and Company, 1973; Academy Award nomination (with Alice Arlen), Best Original Screenplay, 1984, for Silkwood; named a Literary Lion by the New York City Public Library, 1986; Academy Award nomination, Best Original Screenplay, \989JorWhenHarryMetSally. HONORARY DEGREES—Briarcliff College, D.H.L., 1974.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: George Garforth, The Far Pavilions, HBO, 1984. Movies: Ram Valensky, Princess Daisy, NBC, 1983; Lancelot, Arthur the King, CBS, 1985.

MEMBER: Writers Guild of America, Authors Guild, P.E.N., Academy of Motion Picture Arts and Sciences.

ADDRESSES: AGENTS—Duncan Heath Associates Ltd., Paramount House, 162-170, Wardour Street, London Wl, England; Michael Black and Hildy Gottlieb, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

ADDRESSES: AGENT—Lynn Nesbit, International Creative Management, 40 W. 57th Street, New York, NY, 10019.*

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PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Hot Hero Sandwich, NBC, 1979-80. Episodic: Zudo, The Equalizer, CBS, 1987; Mr. Carver, A Man Called Hawk, ABC, 1989. Movies: Intern, Sessions, ABC, 1983.

FAISON, Frankie PERSONAL: Full name, Frankie Russell Faison. VOCATION: Actor.

AWARDS: Antoinette Perry Award nomination, Best Actor in a Featured Role in a Play, 1987, for Fences.

CAREER: PRINCIPAL STAGE APPEARANCES—(As Frankie Russell Faison) Paul, "Andrew" in The Comer, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1972; lord attending Duke Senior, As You Like It, NYSF, Delacorte Theater, New York City, 1973; understudy for Ajax, Menelaus, Aeneas, and servant, TroilusandCressida, NYSF, Mitzi E. NewhouseTheatre, New York City, 1973; Sam Wilde, "Nowhere to Run, Nowhere to Hide" in A Season-Within-a Season, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1974; Walter, The Last Days of British Honduras, NYSF, Public Theatre, 1974; understudy for Lennie and Crooks, Of Mice and Men, Brooks Atkinson Theatre, New York City, 1974; Billy, Welcome to Black River, Negro Ensemble Company, St. Mark's Playhouse, 1975; cabin dweller, Jo Anne!, Theatre of the Riverside Church, New York City, 1976; Stagolee, Scagolee, and Skulleton, The GreatMacDaddy, Theatre De Lys, New York City, 1977; Gus Washington, Broadway, Broadway, Forrest Theatre, Philadelphia, PA, 1978; Louis, Black Body Blues, Negro Ensemble Company, St. Mark's Playhouse, 1978; guard, Coriolanus, NYSF, Public Theatre, 1979; Bruh, "Escape from Deep Hammock During the Hurricane of '52," Bominishus, "The Organ Recital at the New Grand," and Ham Shandy, "The Men's Room" in The Men's Room (triplebill), Actors Repertory Theatre, New York City, 1982; man two, The Box, New Directors Project, Perry Street Theatre, New York City, 1984; actor two, District Line, Negro Ensemble Company, Theatre Four, New York City, 1984; Gabriel, Fences, Goodman Theatre, Chicago, IL, 1986, then 46th Street Theatre, New York City, 1987. Also appeared Remembrance, NYSF, Public Theatre, 1979; Jass (staged reading), New Dramatists Inc., New York City, 1980.

ADDRESSES: AGENT—Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210; Gersh Agency, 130 W. 42nd Street, New York, NY 10036.*

FAISON, George

1947-

PERSONAL: Born in 1947 in Washington, DC. EDUCATION— Attended Howard University, 1964-66. VOCATION: Choreographer, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Dancer, Purlie, Broadway Theatre, then Winter Garden Theatre, both New York City, 1970, then American National Theatre and Academy Theatre, New York City, 1971; dancer (with the George Faison Universal Dance Experience), Interludes series, Town Hall, New York City, 1975; also dancer, Sinner Man (ballet), Alvin Ailey American Dance Theatre. PRINCIPAL STAGE WORK—All as choreographer, unless indicated: Nigger Nightmare, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1971-72; Don't Bother Me, I Can't Cope, Playhouse Theatre, then Edison Theatre, both New York City, 1972; (also assistant director) Ti-Jean and His Brothers, NYSF, Delacorte Theatre, New York City, 1972; Everyman and Roach, Everyman Theatre Company, New York City, 1972; The Wiz, Majestic Theatre, New York City, 1975, then Broadway Theatre, New York City, 1977; Al GreenlAshford and Simpson, Uris Theatre, New York City, 1976; director, Inner City, New Theatre of Washington, Washington, DC, 1976; (with Gilbert Moses; also director) 1600 Pennsylvania Avenue, Mark Hellinger Theatre, New York City, 1976; Hobo Sapiens, Gazelle, and Suite Otis (ballets), all Alvin Ailey American Dance Theatre, City Center Theatre, New York City, 1977; creator (with Anita L. Thomas) and director, Fixed, Theatre of the Riverside Church, New York City, 1977; (also director) Up on the Mountain, Kennedy Center Musical Theatre Lab, Washington, DC, 1980; The Moony Shapiro Songbook, Morosco Theatre, New York City, 1981; Rhinestone, Richard Allen Center, New York City, 1982; Porgy and Bess, Radio

PRINCIPAL STAGE WORK—Stage manager, Of Mice and Men, Brooks Atkinson Theatre, New York City, 1974. PRINCIPAL FILM APPEARANCES—Detective Brandt, Cat People, RKO, 1982; electrician, A Little Sex, Universal, 1982; man in lobby, Permanent Vacation, Gray City, 1982; driver, HankyPanky, Columbia, 1982; Parker, C.H.U.D., New World, 1984; Be Gee, Exterminator II, Cannon, 1984; Lieutenant Fisk, Manhunter, De Laurentiis Entertainment Group, 1986; Handy, Maximum Overdrive, Dino De Laurentiis, 1986; James, The Money Pit, Universal, 1986; eulogist, Mississippi Burning, Orion, 1988; landlord, Coming to America, Paramount, 1988; Coconut Sid, Do the Right Thing, Universal, 1989; also appeared in Ragtime, Paramount, 1981.

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City Music Hall, New York City, 1983; The Wiz, Lunt-Fontanne Theatre, New York City, 1984; also Billie Holliday Ballet, Alvin Ailey American Dance Theatre.

Natty Gann, Buena Vista, 1985; Stan, Friday the 13th Part VI: Jason Lives, Paramount, 1986; Sergeant Daley, Pray for Death, American Distribution Group, 1986; man in gay bar, Tough Guys, Buena Vista, 1986; judge, Bird, Warner Brothers, 1988.

MAJOR TOURS—Choreographer, The Wiz, U.S. cities, 1978-79. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Dick Peterson, Robert Kennedy and His Times, CBS, 1985. Pilots: Dr. Igmar Nordquist, Stephanie, CBS, 1981; Arnie, Happy Endings, CBS, 1983. Episodic: Dr. Tower, Wiseguy, CBS, 1990; also M*A*S*//, CBS 1982; Taxi, ABC, 1982. Movies: Association man, Act of Violence, CBS, 1979; Dwight Nance, The Night the City Screamed, ABC, 1980; Williams, Rape and Marriage—The RideoutCase, CBS, 1980; Packard, Callie and Son, CBS, 1981; Paul Clark, A Gun in the House, CBS, 1981; Earl Rice, A Small Killing, CBS, 1981; Lawrence Holmes, Not in Front of the Children, CBS, 1982; Dwight Curry, Prime Suspect, CBS, 1982; Sy Dellinger, Take Your Best Shot, CBS, 1982; Jack Sapunor, M.A.D.D.: Mothers Against Drunk Drivers, NBC, 1983; Dr. Barrett, Anatomy of an Illness, CBS, 1984; Dr. Bronstein, Fatal Vision, NBC, 1984; judge, Something About Amelia, ABC, 1984; judge, Deadly Intentions, ABC, 1985; Evan Harris, Kids Don't Tell, CBS, 1985; Jack Mayberry, A Reason to Live, NBC, 1985; Johnson, This Child Is Mine, NBC, 1985; George Morrison, A Fight for Jenny, NBC, 1986; also Sins of the Past, ABC, 1984; TTze Richest Cat in the World, ABC, 1986; Go Toward the Light, CBS, 1988; The Case of the Hillside Strangler, NBC, 1989. Specials: Narrator, Carnivore, PBS, 1976.

PRINCIPAL FILM APPEARANCES—The choreographer, Driving Me Crazy, First-Run Features, 1990. PRINCIPAL FILM WORK—Choreographer (with Michael Smuin, Henry LeTang, Gregory Hines, Claudia Asbury, Arthur Mitchell, and Michael Meachum), The Cotton Club, Orion, 1984. PRINCIPAL TELEVISION APPEARANCES—Specials: Bill Cosby Salutes Alvin Ailey, NBC, 1989. PRINCIPAL TELEVISION WORK— Specials: Choreographer, The Natalie Cole Special, CBS, 1978; creator, executive producer (with Joe Cates), and production supervisor, Bill Cosby Salutes Alvin Ailey, NBC, 1989; also choreographer, The Wiz, 1975; co-creator, Graffiti the Great, NBC. RELATED CAREER—Dancer, Arthur Mitchell's Dance Company, 1966; principal dancer, Alvin Ailey American Dance Theatre, 1967-69; founder, artistic director, choreographer, and dancer, George Faison Universal Dance Experience, 1971-75; director and choreographer, Earth, Wind, and Fire concert, Madison Square Garden, New York City, 1977; choreographer with the AfroAmerican Total Theatre, Lincoln Center Repertory Company, Negro Ensemble Company, Capitol Ballet Company, and the Alvin Ailey American Dance Theatre; director and choreographer for concert appearances of singers Stevie Wonder, Roberta Flack, Ashford and Simpson, Dionne Warwick, Jennifer Holiday, Irene Cara, Sister Sledge, Stephanie Milles, Deniece Williams, the Supremes, and Melba Moore; choreographer of industrial shows; choreographer of more than twenty ballets; founder, Fais One Productions (a production company); costume designer for singers and for the Alvin Ailey American Dance Theatre.

RELATED CAREER—Company member, National Shakespeare Festival, Old Globe Theatre, San Diego, CA, 1976; company member, Actors Theatre of Louisville, Louisville, KY, 1977; company member, Alabama Shakespeare Festival, Anniston, AL, 1977-78. ADDRESSES: AGENT—Stone Manners Agency, 9113 Sunset Boulevard, Los Angeles, CA 90069.*

AWARDS: Antoinette Perry Award, Best Choreographer, 1975, for The Wiz; Antoinette Perry Award nomination, Best Choreographer, 1983, for Porgy and Bess.

FAISON, Sandy

OTHER SOURCES: Black Theatre Alliance Newsletter, January, 1979; New Amsterdam News, July 16, 1975 and May 26,1984; New York Times, November 27, 1977; Washington Post, April 20, 1980.*

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Grace Farrell, Annie, Alvin Theatre, New York City, 1977; Alice Kinnian, Charlie and Algernon, Folger Theatre Group, Washington, DC, 1979, then Helen Hayes Theatre, New York City, 1980; Alice, You Can't Take It with You, Plymouth Theatre, New York City, 1983. Also appeared in La Ronde, Syracuse Stage, Syracuse, NY, 1974; The Collected Works of Billy the Kid, Folger Theatre Group, 1975; The Neighborhood Playhouse at 50: A Celebration, Shubert Theatre, New York City, 1978; Custer, Hartman Theatre Company, Stamford, CT, 1980; Loose Ends, Cincinnati Playhouse, Cincinnati, OH, 1981; Is There Life After High School?, Ethel Barrymore Theatre, New York City, 1982; The Great Magoo, Hartford Stage Company, Hartford, CT, 1982.

FAISON, Matthew PERSONAL: Full name, Matthew James Faison. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Love's Labour's Lost, Alabama Shakespeare Festival, Anniston, AL, 1977; A Christmas Carol, Alliance Theatre Company, Atlanta, GA, 1977; Bodies, South Coast Repertory Theatre, Costa Mesa, CA, 1982.

PRINCIPAL FILM APPEARANCES—Suzie, All the Right Moves, Twentieth Century-Fox, 1983.

PRINCIPAL FILM APPEARANCES—Leonard, Getting Even, Quantum, 1981; executive, Mommie Dearest, Paramount, 1981; reporter, True Confessions, United Artists, 1981; Judge Stoner, The Star Chamber, Twentieth Century-Fox, 1983; Buzz, The Journey of

PRINCIPAL TELEVISION APPEARANCES—Series: Brandy Shelooe, The Guiding Light, CBS, 1977; Dr. BethCorell, The Edge of Night, ABC, 1983-84; Mamie Grolnick, The Days and Nights of Molly 134

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 FELDMAN

Warner Brothers, 1980; taxi driver, Firestarter, United International, 1984; blind man, Crimewave (also known as Broken Hearts and Noses and Broken Hearts and Bloody Noses), Embassy, 1985; Finesse, Streetwalkin', Concorde, 1985; Nicky Carr, Shakedown (also known as Blue Jean Cop), Universal, 1988; Flyguy, I'm Gonna Git You Sucka, Metro-Goldwyn-Mayer/United Artists, 1988. Also appeared in Pound, United Artists, 1970; Busting, United Artists, 1973; Model Behavior, Inter-Ocean Film Sales, 1984; The Night of the Sharks (also known as La notte degli squall), VIP International, 1987.

Dodd, NBC, 1987-88, then Lifetime, 1989—; Pamela PeytonFinch, Anything But Love, ABC, 1989. Pilots: Janice, Making It, NBC, 1976; Susan Brenner, Street Killing, ABC, 1976; Pam Kowalski, Time Outfor Dad (also known as Kowalski Loves Ya and Kowalski's Way), NBC, 1987; Felicity, Old Money (broadcast as an episode of CBS Summer Playhouse), CBS, 1988; Pamela PeytonFinch, Anything But Love, ABC, 1989. Episodic: Scarecrow and Mrs. King, CBS. Movies: Abby Bradford, An Eight Is Enough Wedding, NBC, 1989. ADDRESSES: AGENT—S.T.E. Representation, 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210.*

FARGAS, Antonio

PRINCIPAL TELEVISION APPEARANCES—Series: Huggy Bear, Starsky and Hutch, ABC, 1975-79; Les Baxter, All My Children, ABC, 1982-83. Pilots: Rick, Hereafter, NBC, 1975; Huggy Bear, Starsky and Hutch, ABC, 1975; Leonard Jones, Adventuring with the Chopper, NBC, 1976; Marshall Gripps, Nurse, CBS, 1980; Oliver, Paper Dolls, ABC, 1983; Frank Wilkey, P.O.P., NBC, 1984. Episodic: Alejandro, Miami Vice, NBC, 1988. Movies: Jim Watson, Huckleberry Finn, ABC, 1975; Jaime Valdez, Escape, CBS, 1980; Vaness, The Ambush Murders, CBS, 1982; Clifford, A Good Sport, CBS, 1984; El Gato Negro, Florida Straits, HBO, 1986. Specials: All Commercials—A Steve Martin Special, NBC, 1980; Steve Martin s The Winds ofWhoopie, NBC, 1983.

1946-

PERSONAL: Born August 14, 1946, in New York, NY; son of Manuel and Mildred (Bailey) Fargas; married Taylor Hustie (a fashion designer), July 13, 1979; children: Matthew, Justin. EDUCATION—Attended Fashion Industry High School, 1965; trained for the stage at the Negro Ensemble Company. POLITICS—Liberal. RELIGION—Christian.

MEMBER: California Volunteers of America, Family Services of Westchester Big Brothers.

VOCATION: Actor.

SIDELIGHTS: RECREATIONS—Restoration of colonial houses and travel abroad.

CAREER: STAGE DEBUT—George Davis, The Toilet, St. Mark's Playhouse, New York City, 1963. LONDON DEBUT—David, The Amen Corner, Saville Theatre, 1965. PRINCIPAL STAGE APPEARANCES—Scipio, The Great White Hope, Arena Stage, Washington, DC, 1967, then Alvin Theatre, New York City, 1968; Sampson, Romeo and Juliet, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1968; Moustique, The Dream on Monkey Mountain, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1971; B.B. Gunn, The Roast, Winter Garden Theatre, New York City, 1980; Starbuck, The Rainmaker, Stagewest Theatre, West Springfield, MA, 1984; Abhorson, Measure for Measure, NYSF, Delacorte Theatre, 1985. Also appeared in Ceremonies in Dark Old Men, Negro Ensemble Company, St. Mark's Playhouse, 1969; Who's Got His Own, Center Stage, Baltimore, MD, 1969; Isle Is Full of Noises, Hartford Stage Company, Hartford, CT, 1982; Ain' t Supposed to Die a Natural Death, Theatre of Universal Images, 1983; The Amen Corner, Philadelphia Drama Guild, Philadelphia, PA, 1986; and with the Denver Center Theatre Company, Denver, CO, 1985-86.

ADDRESSES: AGENT—Fred Amsel and Associates, 6310 San Vicente Boulevard, Suite 407, Los Angeles, CA 90048.*

FELDMAN, Corey

1971-

PERSONAL: Born July 16, 1971, in Reseda, CA; father, a musician. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Boy at museum, Time After Time, Warner Brothers/Orion, 1979; voice of Young Copper, The Fox and the Hound (animated), Buena Vista, 1981; Tommy, Friday the 13th—The Final Chapter, Paramount, 1984; Pete, Gremlins, Warner Brothers, 1984; Tommy at age 12, Friday the 13th, Part V: A New Beginning (also known as Friday the 13th: A New Be ginning), Paramount, 1985; Mouth, TheGoonies, Warner Brothers, 1985; Teddy DuChamp, Stand By Me, Columbia, 1986; Edgar Frog, The Lost Boys, Warner Brothers, 1987; Dean, License to Drive, Twentieth Century-Fox, 1988; Bobby Keller, Dream a Little Dream, Vestron, 1989; Ricky Butler, TheBurbs, Universal, 1989.

MAJOR TOURS—The Amen Corner, international cities, 1965; also toured in The Dream on Monkey Mountain. FILM DEBUT—Coolie, The Cool World, Cinema V, 1963. PRINCIPAL FILM APPEARANCES—The Arab, Putney Swope, Cinema V, 1969; Boy, Believe in Me, Metro-Goldwyn-Mayer (MGM), 1971; Buffalo, Cisco Pike, Columbia, 1971; Bunky, Shaft, MGM, 1971; Henry Jackson, Across 11 Oth Street, United Artists, 1972; Doodlebug, Cleopatra Jones, Warner Brothers, 1973; Quickfellow, Conrack, Twentieth Century-Fox, 1974; Link Brown, Foxy Brown, American International, 1974; pimp, The Gambler, Paramount, 1974; One Eye, Cornbread, Earl, and Me, American International, 1975; Lindy, Car Wash, Universal, 1976; Bernstein, Next Stop, Greenwich Village, Twentieth Century-Fox, 1976; Professor (piano player), Pretty Baby, Paramount, 1978; Doc, Milo Milo, Filmverlag der Autoren, 1979; Coach, Up the Academy (also known as Mad Magazine's Up the Academy and The Brave Young Men ofWeinberg),

PRINCIPAL FILM WORK—Choreographer, Dream a Little Dream, Vestron, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Regi Tower, The Bad News Bears, CBS, 1979-80; Buzzy St. James, Madame's Place, syndicated, 1982. Pilots: Franklin Miller, Love, Natalie, NBC, 1980; Rudy, The Kid with the Broken Halo, NBC, 1982; 135

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CONTEMPORARY

Little Big Jim Malloy, Cass Malloy, CBS, 1982; Corey Cleaver, Still the Beaver, CBS, 1983; Keith Schneider, Another Man's Shoes, CBS, 1984; Calvin Harlan, Jr., Rowdies, ABC, 1986. Episodic: Radical Conrad, Heart of the City, ABC, 1987; Bill, "The Boss," Trying Times, PBS, 1989; James Fenimore Schenke, "Exile," The Magical World of Disney, NBC, 1990; also Foul Play, ABC, 1981; Cheers, NBC, 1983; What's Up, Dr. Ruth?, Lifetime, 1989; The Love Boat, ABC; Father Murphy, NEC; Alice, CBS; Eight Is Enough, ABC; Gloria, CBS'Billy, Mork and Mindy, ABC. Movies: T.C., Willa, CBS, 1979; Bobby, Father Figure, CBS, 1980. Specials: Jeff, "Fifteen and Getting Straight" (also known as "Getting Straight"), CBS Schoolbreak Special, CBS, 1989.

Katie, Old Money (broadcast as an episode of CBS Summer Playhouse], CBS, 1988. Episodic: Harriet, Murder, She Wrote, CBS, 1989; Faye Doyle, "Miss Lonelyhearts," American Playhouse, PBS, 1983; also Frances, Who's the Boss?, ABC. Movies: Nurse Rhinehart, The Girl Called Hatter Fox, CBS, 1977; Rita Parsons, A Death in Canaan, CBS, 1978; Dodie Hart, Who'll Save Our Children?, CBS, 1978; Marge, Before and After, ABC, 1979; Helen, Rape and Marriage—The Rideout Case, CBS, 1980; Toni Owens, Reunion, CBS, 1980; Hazel Dawson, The Seduction of Miss Leona, CBS, 1980; Captain Burnside, Life of the Party: The Story of Beatrice, CBS, 1982; Nurse Sylvia Kaye, Emergency Room, syndicated, 1983;Mili Simonecu,Atad/#, syndicated, 1984; Dr. Gardner, The Three Wishes of Billy Grier, ABC, 1984; Doc Norman, North Beach and Rawhide, CBS, 1985; Ida Sinclair, Samaritan: The Mitch Snyder Story, CBS, 1986; Mary, Eye on the Sparrow, NBC, 1987; Mononaghee, Your Mother Wears Combat Boots (also known as Your Mother Wears Army Boots), NBC, 1989; Mrs. Bixby, Goodbye, Miss Fourth of July, Disney Channel, 1989; also Martin Mull in ' 'Portrait of a White Marriage'' (also known as Portrait of a White Marriage, Scenes from a White Marriage, and Martin Mull in "Scenes from a White Marriage" ),Cinema\, 1988. Specials: Mamie Trotter, "The Great Gilley Hopkins," CBS Afternoon Play house, CBS, 1981; Helen Potts, Picnic, Showtime, 1986; AuntJill, "Runaway Ralph," ABC Weekend Specials, ABC, 1988.

RELATED CAREER—Actor in television commercials. AWARDS: Youth in Film Award for The Lost Boys. ADDRESSES: AGENT—Chris Black, Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.

FERRELL, Conchata

THEATRE, FILM, AND TELEVISION • Volume 8

AWARDS: Obie Award from the Village Voice, Drama Desk Award, and Theatre World Award, all 1974, for The Sea Horse; Wrangler Award from the National Cowboy Hall of Fame, 1981.

1943-

PERSONAL: Full name, Conchata Galen Ferrell; born March 28, 1943, in Charleston, WV; daughter of Luther Martin and Mescal Loraine (George) Ferrell; married Arnold A. Anderson; children: Samantha. EDUCATION—Attended West Virginia University, 1961-64, and Marshall University, 1967-68.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Circle Repertory Theatre West, American Civil Liberties Union, National Organization for Women.

VOCATION: Actress.

ADDRESSES: OFFICE—Jack Fields, Gores/Fields Agency, 10100 Santa Monica Boulevard, Suite 700, Los Angeles, CA 90067.*

CAREER: PRINCIPAL STAGE APPEARANCES—Maid, The Three Sisters, Circle Theatre, New York City, 1970; April, The Hot I Baltimore, Circle Theatre Company, Circle Theatre, then Circle in the Square, New York City, both 1973; Vee Talbot, Battle of Angels, Circle Repertory Theatre, New York City, 1974; Gertrude Blum, The Sea Horse, Circle Repertory Company, Westside Arts Theatre, New York City, 1974; Molly, Elephant in the House, Circle Repertory Company, 1975; Ann, Wine Untouched, 18th Street Playhouse, New York City, 1976; Helen Potts, Picnic, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1986; also appeared in Getting Out, Center Theatre Group, Mark Taper Forum, Los Angeles, 1977; Here Wait, 1980; and in Time Framed, New York City.

FERRIGNO, Lou

1952-

PERSONAL: Born November 9, 1952, in Brooklyn, NY; father, a police lieutenant; second wife's name, Carla (a psychotherapist and television talk show host); children: Shanna, Lou. EDUCATION— Studied acting with Milton Katselas and Howard Fine. VOCATION: Actor.

PRINCIPAL FILM APPEARANCES—Barbara Schlesinger, Network, United Artists, 1976; Slugger Ann, Deadly Hero, AVCO-Embassy, 1976; Elinore, Heartland, Filmhaus, 1980; Faye Doyle, Miss Lonelyhearts, H. Jay Holman/American Film Institute Center for Advanced Film Studies, 1983; Mother Marta, Where the River Runs Black, Metro-Goldwyn-Mayer/United International, 1986; Mrs. Bobrucz, For Keeps, Tri-Star, 1988; Leona Valsouano, Mystic Pizza, Samuel Goldwyn Company, 1988.

CAREER: STAGE DEBUT—Jonathan Brewster, Arsenic and Old Lace, Drury Lane Theatre, Chicago, IL, 1985. MAJOR TOURS— Jonathan Brewster, Arsenic and Old Lace, U.S. cities. PRINCIPAL FILM APPEARANCES—As himself, Pumping Iron (documentary), Cinema V, 1977; Han, The Seven Magnificent Gladiators, Cannon, 1982; title role, Hercules, Metro-GoldwynMayer/United Artists/Cannon, 1983; title role, Hercules II (also known as The Adventures of Hercules), Cannon, 1983; title role, Sinbad of the Seven Seas, Pathe International, 1989; Zerak, Desert Warriors (also known as Sand Wars), Silver Star/Prism, 1989; Klaus, All's Fair, Moviestore Entertainment, 1989; Sergeant Billy Thomas, Cage, United Artists, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: April Green, The Hot I Baltimore, ABC, 1975; Wilhelmina "The Fox "Johnson, BJ. and the Bear, NBC, 1979-80; Vangie Cruise, McClainsLaw, NBC, 1981-82; Nurse Joan Thor, E/R, CBS, 1984-85; Kate Galindo, Peaceable Kingdom, CBS, 1989. Pilots: Nurse Cassidy, Mixed Nuts, ABC, 1977; Connie, The Rag Business, ABC, 1978; 136

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 FISHER, Frances VOCATION: Actress.

CAREER: PRINCIPAL STAGE APPEARANCES—May, Fool for Love, Douglas Fairbanks Theatre, New York City, 1984; Abbie Putnam, Desire Under the Elms, Hartford Stage Company, Hartford, CT, 1985; Ruth, The Hitch-Hikers, WPA Theatre, New York City, 1985; also appeared in Warsaw Opera, Actors' Studio, New York City, 1980; The War Brides, New Dramatists Inc., New York City, 1981. PRINCIPAL FILM APPEARANCES—Louise, Can She Bake a Cherry Pie?, JagFilm, 1983; Jessica Pond, Tough Guys Don't Dance, Cannon, 1987; Jeannie, Heart, New World, 1987; Yolanda, Patty Hearst, Atlantic, 1988; Phyllis, Bum Rap, Millennium, 1988; Actress, Heavy Petting, Skouras, 1989; Dinah, Pink Cadillac, Warner Brothers, 1989; Judith Loftis, Lost Angels, Orion, 1989; also appeared in The Principal, Tri-Star, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Deborah Saxon, The Edge of Night, ABC, 1976-81; Suzette Saxon, The Guiding Light, CBS, 1985. Pilots: Violet Coffin, Elysian Fields (broadcast as an episode of CBS Summer Playhouse), CBS, 1989. Episodic: Amanda, The Equalizer, CBS, 1986; Francesca, The Equalizer, CBS, 1987; Savannah, Roseanne, ABC, 1988; Libby Harcourt, Newhart, CBS, 1989; Nancy Proctor, Matlock, NBC, 1989; Tina Miller, Top of the Hill, CBS, 1989. Movies: Maureen Phelan, Broken Vows (also known as Where the Dark Streets Go and Hennessey), CBS, 1987.*

LOU FERRIGNO

TELEVISION DEBUT—Title role, The Incredible Hulk, CBS, 1977. PRINCIPAL TELEVISION APPEARANCES—Series: Title role, The Incredible Hulk, CBS, 1978-82; John Six, Trauma Center, ABC, 1983. Pilots: Title role, The Incredible Hulk, CBS, 1977; title role, The Return of the Incredible Hulk, CBS, 1977. Movies: Title role, The Trial of the Incredible Hulk, NBC, 1988; title role, The Incredible Hulk Returns (also known as The Return of the Incredible Hulk), NBC, 1988; title role, The Death of the Incredible Hulk, NBC, 1990. Specials: Battle of the Network Stars, ABC, 1976 and 1979; Celebrity Challenge of the Sexes, CBS, 1979; Bob Hope for President, NBC, 1980.

FISK, Jack

1934-

PERSONAL: Born December 19, 1934, in Ipava, IL; married Sissy Spacek (an actress). EDUCATION—Studied design at Cooper Union. VOCATION: Production designer and director. CAREER: PRINCIPAL FILM APPEARANCES—Man in the Planet, Eraserhead, Libra, 1978.

NON-RELATED CAREER—Bodybuilding instructor; lecturer on bodybuilding and fitness at seminars and universities; professional football player with the Toronto Argonauts; sheet metal worker.

PRINCIPAL FILM WORK—Production designer, Angels Hard As They Come, New World, 1971; production designer, Cool Breeze, Metro-Goldwyn-Mayer (MGM), 1972; production designer, The Slams, MGM, 197 3; production designer, Terminal Is land, Dimension, 1973production designer, Badlands, Warner Brothers, 1974; production designer, Phantom of the Paradise, Twentieth CenturyFox, 1974; set designer, Darktown Strutters (also known as Get Down and Boogie), New World, 1975; production designer (with William Kenny), Carrie, United Artists, 1976; production designer, Vigilante Force, United Artists, 1976; production designer, Days of Heaven, Paramount, 1978; production designer, Movie, Movie, Warner Brothers, 1978; production designer, Heart Beat, Warner Brothers, 1979; director, Raggedy Man, Universal, 1981; director, Violets Are Blue, Columbia, 1986.

RECORDINGS: VIDEOS—Body Perfection. SIDELIGHTS: Lou Ferrigno, who is best known to television audiences as "The Incredible Hulk," is also an award-winning bodybuilder. In 1971 he became Teenage Mr. America and by 1974 he had won all of bodybuilding's major titles including Mr. America (1972), Mr. Universe (1973 and 1974), and Mr. International (1974). ADDRESSES: PUBLICIST—Levine/Schneider Public Relations, 8730 Sunset Boulevard, 6th Floor, Los Angeles, CA 90069.

ADDRESSES: AGENT—Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.* 137

FITZGERALD CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 FITZGERALD, Geraldine

1914-

reading), Public Theatre, New York City, 1979; Waitin in the Wings, Triplex Theatre, New York City, 1986 and 1988.

PERSONAL: Born November 24, 1914, in Dublin, Ireland; came to the United States in 1938; naturalized U.S. citizen, 1954; daughter of Edward (an attorney) and Edith Fitzgerald; married Edward Lindsay Hogg (a songwriter), 1936 (divorced, 1946); married Stuart Scheftel (a business executive), September, 10, 1946; children: Michael (first marriage); Susan (second marriage). EDUCATION—Attended Queens College, London, and the Dublin Art School.

PRINCIPAL STAGE WORK—Director: Mass Appeal, Manhattan Theatre Club, then Booth Theatre, both New York City, 1980; The Lunch Girls, Theatre Row Theatre, New York City, 1981; Long Day's Journey into Night, Theatre at St. Peter's Church, then Public Theatre, both New York City, 1981; Mass Appeal, Paper Mill Playhouse, Millburn, NJ, 1982; Wednesday, Hudson Guild Theatre, New York City, 1983; (also choreographer) Take Me Along, Manhattan Community College Performing Art Center, New York City, 1984; The Return of Herbert Bracewell, Chelsea Playhouse, New York City, 1985; To Whom It May Concern, St. Stephen's Church, New York City, 1985.

VOCATION: Actress and director. CAREER: STAGE DEBUT—With the Gate Theatre, Dublin, Ireland, 1932. BROADWAY DEBUT—Ellie Dunn, Heartbreak House, Mercury Theatre, 1938. PRINCIPAL STAGE APPEARANCES—Rebecca, Sons and Soldiers, Morosco Theatre, New York City, 1943; Tanis Talbot, Portrait in Black, Shubert Theatre, New Haven, CT, 1945; Jennifer Dubedat, The Doctor's Dilemma, Phoenix Theatre, New York City, 1955; Goneril, King Lear, City Center Theatre, New York City, 1956; Ann Richards, Hide and Seek, Ethel Barrymore Theatre, New York City, 1957; Gertrude, Hamlet, American Shakespeare Festival, Stratford, CT, 1958; the Queen, The Cave Dwellers, Greenwich Mews Theatre, New York City, 1961; third woman, Pigeons, New Playwrights Series II, Cherry Lane Theatre, New York City, 1965; Essie Miller, Ah, Wilderness!, Circle in the Square, Ford's Theatre, Washington, DC, 1969.

MAJOR TOURS—Tanis Talbot, Portrait in Black, U.S. cities, 1946; Songs of the Streets (one-woman show), U.S. cities, 1976. PRINCIPAL FILM APPEARANCES—Peggy Summers, Blind Justice, Real Art, 1934; Jill, Open All Night, RKO, 1934; Ruth Fosdyck, Turn of the Tide, Gaumont, 1935; Evelyn, The Ace of Spades, Real Art, 1935; Jane Grey, Department Store (also known as Bargain Basement), Real Art, 1935; Joan, The Lad, Universal, 1935; Joan Fayre, Lieutenant Daring, R.N., Butchers Film Service, 1935; Diane Morton, Three Witnesses, Universal, 1935; Moira O'Flynn, Cafe Mascot, Paramount, 1936; Peggy Mayhew, Debt of Honor, General Films Distributors, 1936; Ann King, Dark Victory, First National, 1939; Maggie Tulliver, Mill on the Floss, Standard, 1939; Isabella Linton, Wuthering Heights, United Artists, 1939; Grace Sutton, A Child Is Born, Warner Brothers, 1940; Bonnie Coburn, 'Til We Meet Again, Warner Brothers, 1940; Betty Farroway, Flight from Destiny, Warner Brothers, 1941; Dr. Mary Murray, Shining Victory, Warner Brothers, 1941; Evelyn Gaylord, The Gay Sisters, Warner Brothers/First National, 1942; Marthe de Brancovis, Watch on the Rhine, Warner Brothers, 1943; Edith Wilson, Wilson, Twentieth Century-Fox, 1944; Virgie Alford, Ladies Courageous, Universal, 1944; Lettie Quincy, Uncle Harry (also known as The Strange Affair of Uncle Harry), Universal, 1945; Gladys Halvorsen, Nobody Lives Forever, Warner Brothers, 1946; Ellen Rogers, O.S.S., Paramount, 1946; Crystal, Three Strangers, Warner Brothers/First General, 1946; Susan Courtney, So Evil My Love, Paramount, 1948.

Mary Tyrone, Long Day's Journey into Night, Promenade Theatre, New York City, 1971; Jenny, The Threepenny Opera, WPA Theatre, New York City, 1972; Juno Boyle, Juno and the Paycock, Hartke Theatre, Catholic University, Washington, DC, 1972; Amy, Forget-Me-Not Lane, Grandmother, The Widowing of Mrs. Holroyd, and Aline Solness, The Master Builder, all Long Wharf Theatre, New Haven, CT, 1973; Essie Miller, Ah, Wilderness!, Long Wharf Theatre, 1974, then Circle in the Square, New York City, 1975; Mary Tyrone, Long Day's Journey into Night and Amanda Wingfield, The Glass Menagerie, both Philadelphia Drama Guild, Walnut Theatre, Philadelphia, PA, 1975; Mrs. Webb, Our Town, American Shakespeare Festival, 1975; Geraldine Fitzgerald in Songs of the Streets (one-woman show), Circle in the Square, 1976; Stage Manager, Our Town, Williamstown Theatre Festival, Williamstown, MA, 1976; Felicity, The Shadow Box, Long Wharf Theatre, then Morosco Theatre, New York City, both 1977; Nora Melody, A Touch of the Poet, Helen Hayes Theatre, New York City, 1977.

Elizabeth, Obsessed (also known as The Late Edwina Black), United Artists, 1951; Edith Chapin, Ten North Frederick, Twentieth Century-Fox, 1958; Tante Maria, The Fiercest Heart, Twentieth Century-Fox, 1961; Marilyn Birchfield, The Pawnbroker, Landau Releasing/Allied Artists/American International, 1965; Reverend Wood, Rachel, Rachel, Warner Brothers, 1968; Mrs. Jackson, The Last American Hero (also known as Hard Driver), Twentieth Century-Fox, 1973; Jessie, Harry and Tonto, Twentieth Century-Fox, 1974; Sara, Echoes of a Summer (also known as The Last Castle), Cine Artists, 1976; Toland, Ciao maschio (also known as Bye Bye Monkey), Gaumont, 1978; Martha Bach, Arthur, Warner Brothers, 1981; Grandma Carr, The Mango Tree, Satori, 1981; Mrs. Monahan, Easy Money, Orion, 1983; Mrs. Thomason, The Link, Zadar, 1985; Gramma Jess, Poltergeist II (also known as Poltergeist II: The Other Side), Metro-Goldwyn-Mayer/United Artists, 1986.

Geraldine Fitzgerald in Streetsongs (one-woman show), Roundabout Stage One Theatre, New York City, then Pittsburgh Public Theatre, Pittsburgh, PA, both 1980; Rose Kossew, Flight, Royal Shakespeare Company, Other Place Theatre, Stratford-on Avon, U.K., 1986; Leonora, "I Can't Remember Anything" in Danger: Memory!, Mitzi E. Newhouse Theatre, New York City, 1987. Also appeared in Everyman and Roach, Society for Ethical Culture Auditorium, New York City, 1971; Everyman at La Mama, La Mama Experimental Theatre Club, New York City, 1972; Cabaret in the Sky, New York Cultural Center, New York City, 1974; in a conceit reading, New York Cultural Center, New York City, 1975; at the Countee Cullen Great Storyteller Series, Afro-American Total Theatre, New York City, 1975; in An Evening of Street Songs and Clown Songs, Theatre for the New City, New York City, 1975; with the St. Nicholas Theatre Company, Chicago, IL, 1977-78; in Darlin' June, Long Wharf Theatre, 1976; Out of My Father's House, White House, Washington, DC, 1978; / Sent a Letter to My Love, Long Wharf Theatre, 1978; O'Neill and Carlotta (staged

PRINCIPAL TELEVISION APPEARANCES—Series: Helen Eldredge, Our Private World, CBS, 1965; Violet Jordan, The Best of Everything, ABC, 1970. Mini-Series: Rose Kennedy, Kennedy, NBC, 1983. Pilots: Starr, First Baseman, CBS, 1965; Peggy Quinn, The Quinns, ABC, 1977; Mabel Oberdeen, Mabel and Max (broadcast

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CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

director) and Variety New York Drama Critics Poll, Best Actress in a Leading Role Off-Broadway, both 1971, for Long Day's Journey into Night; Handel Medallion, 1974, for the Everyman Street Theatre; National Society of Arts and Letters Lifetime Achievement Award, 1989.

as an episode of CBS Summer Playhouse), CBS, 1987. Episodic: Grandmother, "The Widowing of Mrs. Holroyd," Theatre in America, PBS, 1974; Amy Bisley, "Forget-Me-Not Lane," Theatre in America, PBS, 1975; Essie Miller, "Ah, Wilderness!" and Mrs. Atkins, "Beyond the Horizon," both Theatre in America, PBS, 1976; Madame Pernelle, "Tartuffe," Theatre in America, PBS, 1978; Margaret Ryan, St. Elsewhere, NBC, 1987; Anna, Golden Girls, NBC, 1988; Mrs. Wilbourne, A Year in the Life, NBC, 1988; also "The Marble Faun," Theatre Hour, CBS, 1950; "To Walk the Night," Robert Montgomery Presents, NBC, 1951; "The Daughter" and "Fear," both Schlitz Playhouse of Stars, CBS, 1952; "The Gallows Tree," Television Workshop, CBS, 1952; "Pontius Pilate," Studio One, CBS, 1952; "House of Masks," Suspense, CBS, 1953; "Summer Tempest," Robert Montgomery Presents, NBC, 1953; "The Others," Suspense, CBS, 1953; Theatre for You, 1953; "Dark Possession," Studio One, CBS, 1954; "Love Story," Robert Montgomery Presents, NBC, 1954; "The Lawn Party," Goodyear Playhouse, NBC, 1954; "The Iron Cobweb," Robert Montgomery Presents, NBC, 1955; "The Secret of Emily," Armstrong Circle Theatre, NBC, 1955; "The Healer," Climax!, CBS, 1955; "Like Father, Like Son," Studio One, CBS, 1955; "Isobel," Robert Montgomery Presents, NBC, 1955; "Flower of Pride," Studio One, CBS, 1956; "Dodsworth," Producer's Showcase, NBC, 1956; Ellery Queen, NBC, 1959; "The Twisted Image" and "Child's Play," both Thriller, NBC, 1960;' 'The Black Sheep," Shirley Temple Theatre, NBC, I960; Naked City, ABC, 1961; The Nurses, CBS, 1964; The Defenders, CBS, 1964; "Power of Attorney," Alfred Hitchcock Theatre, NBC, 1965; "Babylon Revisited," Conflict, 1973; "A Touch of the Poet," Theatre in America, PBS, 1974; Ben Casey, ABC; The Desilu Playhouse, CBS; The Detectives (also known as Robert Taylor's The Detectives), ABC; The Dick Powell Show, NBC; The Rifleman, ABC; Route 66, CBS; Target: The Corrupters, ABC; Perry Mason, CBS; Charlotte Vernon, Oh Madeline, ABC; "The Jilting of Granny Weatherall," American Short Story, PBS; Wagon Train; Teller of Tales.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Painting. ADDRESSES: OFFICE—655 Madison Avenue, New York, NY 10021. AGENT—Iris Grossman, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. MANAGER—Alan Eichler, Alan Eichler Associates, 1524 La Baig Avenue, Los Angeles, CA 90028.*

FITZSIMMONS, Maureen See O'HARA, Maureen

FLANAGAN, Fionnula

1941-

PERSONAL: Full name, Fionnula Manon Flanagan; born December 10, 1941, in Dublin, Ireland; immigrated to the United States in 1968; daughter of Terence Niall and Rosanna (McGuirk) Flanagan; married Garrett O'Connor, November 26, 1972. EDUCATION— Attended Fribourg University (Switzerland), 1962; trained for the stage at the Abbey Theatre School, Dublin, 1964-66.

Movies: Emma Talbot, Yesterday's Child, NBC, 1977; Sister Agnes, Dixie: Changing Habits, CBS, 1983; Lorraine Wyatt, Do You Remember Love?, CBS, 1985; Charlotte Kessling, Circle of Violence: A Family Drama, CBS, 1986; Abby Abelson, Night of Courage, ABC, 1987. Specials: Elizabeth Barrett, The Barretts of Wimpole Street, CBS, 1955; Amy Strickland, The Moon and Sixpence, NBC, 1959; Carrie Chapman Catt, "We the Women," The American Parade, CBS, 1974; Ella McCune, "Rodeo Red and the Runaway," Special Treat, NBC, 1975; Street Songs, PBS, 1979.

VOCATION: Actress. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Mag, "Winners" in Lovers, Vivian Beaumont Theatre, New York City, 1968; Molly Bloom, Ulysses inNighttown, Winter Garden Theatre, New York City, 1974; also James Joyce's Women (one-woman show), Los Angeles, 1977. PRINCIPAL FILM APPEARANCES—Gerty McDowell, Ulysses, Continental Distributing, 1967; Penelope, Sinful Davey, United Artists, 1969; Abadaba, Mr. Patman, Film Consortium of Canada, 1980; Charlotte Lawless, Reflections, Artificial Eye, 1984; Nora Joyce, Sylvia Beach, Harriet Shaw Weaver, Gerty MacDowell, washerwoman, and Molly Bloom, James Joyce's Women, Universal, 1985. Also appeared in In the Region of Ice, 1980; Chain Reaction, Morning Star Productions, 1985. PRINCIPAL FILM WORK—Executive producer and producer (with Garrett O'Connor), James Joyce's Women, Universal, 1985.

RELATED CAREER—Co-producer, Lincoln Center Community Street Festival, New York City, 1972 and 1973; member, New York State Council of the Arts, 1977; founder (with Brother Jonathan Ringkamp) and artistic director, Everyman Street Theatre, New York City, 1978—. NON-RELATED CAREER—Painter.

PRINCIPAL TELEVISION APPEARANCES—Series: Aunt Molly Culhane, How the West Was Won, ABC, 1978-79. Mini-Series: ClothMe, Rich Man, Poor Man, ABC, 1976. Movies: Felicia, The Picture of Dorian Gray, ABC, 1973; Virginia, The Godchild, ABC, 1974; Bridget Sullivan, The Legend of Lizzie Borden, ABC, 1975; Dulcie, Nightmare in Badham County, ABC, 1976; Sallie White, Mary White, ABC, 1977; Audrey Gibson, Young Love, First Love, CBS, 1979; Dr. Frances Muller, Through Naked Eyes, ABC, 1983; Catarine Towani, The Ewok Adventure, ABC, 1984;

WRITINGS: STAGE—(With Brother Jonathan Ringkamp) Everyman and Roach, Society for Ethical Culture Auditorium, New York City, 1971; (adaptor) Hamlet, Everyman Theatre, New York City, 1978; Geraldine Fitzgerald in Streetsongs (one-woman show), Roundabout Stage One Theatre, New York City, then Pittsburgh Public Theatre, both 1980. AWARDS: Academy Award nomination, Best Supporting Actress, 1939, for Wuthering Heights; Vernon Rice Awards (as actress and

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Margaret, Scorned and Swindled, CBS, 1984; Mrs. Wyshner, A Winner Never Quits, ABC, 1986.

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the 1989 feature films Shag, the Movie and Strapless, on television's 21 Jump Street, and as Louise Bradshaw in "Jacob I Have Loved" for the PBS series WonderWorks.

NON-RELATED CAREER—Fellow, Study Center for Organization and Leadership Authority, 1976—; president, the Rejoycing Company, 1978—.

In many of her films to date Fonda has appeared in rebellious and sexually uninhibited roles, but she does not feel her career will continue along those lines. "I'm not out to do the same thing over and over again—you know, sex kitten types. I'm not that interested in playing them unless they're interesting. I like being thrown a challenge."

WRITINGS: STAGE—James Joyce's Women (one-woman-show), 1977. FILM—,James Joyce's Women, Universal, 1985. AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actress, 1974, for Ulysses in Nighttown; Emmy Award, Best Supporting Actress in a Single Appearance, 1976, for Rich Man, Poor Man; Drama-Logue Award, Los Angeles Drama Critics' Award, and San Francisco Theatre Critics' Award, all 1977, for James Joyce's Women; Emmy Award nomination, 1978, for How the West Was Won.

OTHER SOURCES: US, May 29, 1989.*

FORAY, June

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Irish Actors' Equity Association.

PERSONAL: Born in Springfield, MA. VOCATION: Voice specialist.

ADDRESSES: AGENT—Abrams, Harris, and Goldberg Ltd., 9220 Sunset Boulevard, Garden Suite B, Los Angeles, CA 90069.*

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Voice of Lucifer, Cinderella (animated), Walt Disney, 1950; voice of Witch Hazel, Trick or Treat (short animated film), Walt Disney, 1952; Marku, The Hindu (also known as Sabaka), United Artists, 1953; voice of Court Raven, The Snow Queen (animated), Universal, 1959; voice characterizations, The Man Called Flintstone (also known as That Man Flintstone; animated), Columbia, 1966; voice characterizations, The Phantom Tollboth

FOAN, John See BAVA, Mario

FONDA, Bridget BRIEF ENTRY: Born c. 1964; daughter of Peter (an actor, director, producer, and writer) and Susan Fonda. A member of one of America's most celebrated acting families, Bridget Fonda has in a brief period carved out a distinct career on her own merits, most notably in the film Scandal (Miramax, 1989), for which she captured critical accolades as Mandy Rice-Davies, a British showgirl involved in the 1963 sex scandal that toppled England's conservative government. Although she grew up in a show business environment, Fonda is reluctant to credit her family background with influencing her career decision. As she noted in an interview with US, ' 'It may have affected me slightly, but only because I grew up around creative people.'' Instead of turning to her family for an entree into the film industry, she studied at the Lee Strasberg Theatre Institute in New York City for four years and also attended acting classes taught by Harold Gruskin and David Mamet. Her first professional credits include the plays Confession at the Warren Robertson Workshop and Pastels at the Lee Strasberg Theatre Institute. For her film debut, Fonda appeared in the erotic and sensational "Tristan and Isolde" segment of the 1988 feature Aria and, later that year, she displayed her comedic talents in the romantic comedy You Can't Hurry Love. Both films received mixed reviews, but with the release of Scandal, Fonda was acknowledged as a new and genuine talent, receiving a Golden Globe nomination for her performance. Her subsequent appearances have included roles in

JUNE FORAY

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and Aunt Agatha, Raggedy Ann and Andy in (
(animated), Metro-Goldwyn-Mayer, 1970; voice characterizations, The White Seal (short animated film), Chuck Jones Enterprises, 1975; voice characterizations, TheLooney, Looney, Looney Bugs Bunny Movie (animated), Warner Brothers, 1981; voice characterizations, Daffy Duck's Movie: Fantastic Island (animated), Warner Brothers, 1983; voice of Wheezy and Lena Hyena, Who Framed Roger Rabbit?, Buena Vista, 1988.

Voice of Mrs Spitznagle, "The Incredible Book Escape" (animated), CBS Library, CBS, 1980; voice of Duchess, "Scruffy" (animated), ABC Weekend Specials, ABC, 1980; voice characterizations, Faeries (animated), CBS, 1981; voice of Old Woman and Saturna, "Miss Switch to the Rescue" (animated), ABC Weekend Specials, ABC, 1981; voice of Mother, The Chipmunk's Christmas (animated), NBC, 1982; voice characterizations, "The Wrong Way Kid" (animated), CBS Library, CBS, 1982; voice of Jokey and Smurfberry Bird, My Smurfy Valentine (animated), NBC, 1983; voice of Jokey, Smurfily Ever After (animated), NBC, 1985; voice of Mrs. Sweetly, "Harry, the Fat Bear Spy" (animated), CBS Storybreak, CBS, 1985; voice of Vinnie, A Chipmunk Reunion (animated), 1985; voice of Jokey and Squirrel, The Smurfs Christmas Special (animated), NBC, 1986; voice of Witch Hazel, Disney's DTV Monster Hits (animated), NBC, 1987; voice of Aunt Alice, "The Double Disappearance of Walter Fozbek" (animated), CBS Storybreak, CBS, 1987; voice of Sister Mouse, "Runaway Ralph," ABC Weekend Specials, ABC, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: Voice of Midnight the Cat and Grandie, The Buster Brown TV Show with Smilin' Ed McConnell and the Buster Brown Gang, NBC, 1950-51, renamed Smilin' Ed McConnell and His Gang, 1951-55, later renamed Andy's Gang, 1955-58; voice characterizations, The Woody Woodpecker Show (animated), ABC, 1957-58, then NBC, 1970-72; voice characterizations, The Dick Tracy Show (animated), syndicated, 1960; voice characterizations, The Alvin Show (animated), CBS, 1961-62; voice of Rocket J. Squirrel and Natasha Fatale, "Rocky and Bullwinkle," and Nell Fenwick, "Dudley DoRight," in Rocky and His Friends (animated), ABC, 1959-61, then The Bullwinkle Show NBC, 1961-62; voice of Jerry, The Tom and Jerry Show (animated), CBS, 1966-72; voice of Ursula, "George of the Jungle," and Marigold and Granny, "Tom Slick," in George of the Jungle (animated), ABC, 1967-70; voice of Nell Fenwick, The Dudley Do-Right Show (animated), ABC, 1969-70.

PRINCIPAL TELEVISION WORK—Movies: Producer, You Can't Teach an Old Dog New Tricks (But You Can to a Naughty Old Man) (animated), HBO, 1985.

Voice characterizations, Curiosity Shop (live-action and animated), ABC, 1971-73; voice characterizations, The Bugs Bunny/ Road Runner Show (animated), CBS, 1975-88; voice of Broom Hilda and Sluggo, The Fabulous Funnies (animated), NBC, 197879; voice of Jokey Smurf and Mother Nature, The Smurfs (animated), NBC, 1981—; voice characterizations, The New Jetsons (animated), syndicated, 1985; voice of Grammi Gummi, Disney's Adventures of the Gummi Bears (also known as The Gummi Bears and The Adventures of the Gummi Bears; animated), NBC, 198589; voice characterizations, Foofur (animated), NBC, 1986-88; voice of Grandma Howard, Teen Wolf (animated), 1986-89; voice of Dweeb's mother, The Real Ghostbusters (also known as Slimer! and the Real Ghostbusters; animated), ABC, 1986—; voice characterizations, The Flintstone Kids (also known as Captain Caveman and Son; animated), ABC, 1986—; voice of Ma Beagle and Magica Despell, Ducktales (also known as Disney's Ducktales; animated), syndicated, 1987-89; voice characterizations, The Bugs Bunny and Tweety Show, (animated), ABC, 1988—; voice of Ma Beagle, Super Ducktales (animated), syndicated, 1989—; voice of Grammi Gummi, Disney's Gummi Bears/Winnie the Pooh Hour (animated), ABC, 1989—; voice characterizations, The Simpsons (animated), Fox, 1990—.

RADIO APPEARANCES—Series: The Stan Freberg Show, CBS, 1957; also Smilin' Ed McConnell's Buster Brown Gang, NBC; Emily Williams, The Fitch Bandwagon, renamed The Phil Harris— Alice Faye Show, NBC; Junie, Smile Time, Mutual. Episodic: The Halls of Ivy, NBC; The Jimmy Durante Show, NBC; The Bob Hope Show, NBC; The Screen Guild Theatre, CBS; The Great Guildersleeve, NBC; The Screen Directors' Playhouse, NBC; Suspense, CBS; Stars Over Hollywood, CBS; also Fibber McGee and Molly and Lux Radio Theatre. RELATED CAREER—Voice characterizations for children's records and television commercials; voice-over instructor, University of Southern California. WRITINGS: TELEVISION—Movies: You Can't Teach an Old Dog New Tricks (But You Can to a Naughty Old Man) (animated), HBO, 1985. RECORDINGS: ALBUMS—Snow White, RCA Victor; also thirtyfive albums for Capitol Records. MEMBER: Academy of Motion Picture Arts and Sciences (board of governors, 1977—), National Academy of Recording Arts and Sciences (board member).

Episodic: Voice characterizations, Lone Ranger (animated), syndicated; voice characterizations, These Are the Days (animated), ABC; Carmelita, Green Acres, CBS; voice of Granny, Tiny Toons (animated). Movies: Narrator, You Can't Teach an Old Dog New Tricks (But You Can to a Naughty Old Man) (animated), HBO, 1985. Specials: Arthur Godfrey in Hollywood, CBS, 1962; Jenny, Death of a Salesman, CBS, 1966; voice of Karen, Frosty the Snowman (animated), CBS, 1969; voice of Mother, The Cricket in Times Square (animated), ABC, 1973; voice of Mother, RikkiTikki-Tavi (animated), CBS, 1975; voice of Tucker the Mouse, Yankee Doodle Cricket (animated), ABC, 1975; voice of Mother Wolf, Mowgli's Brothers (animated), CBS, 1976; voice of Granny, The Bugs Bunny Easter Special (animated), CBS, 1977; voice of Hazel, Bugs Bunny's Howl-oween Special (animated), CBS, 1977; voice characterizations, Bugs Bunny's Looney Christmas Tales (animated), CBS, 1979; voice characterizations, The Bugs Bunny Thanksgiving Diet (animated), CBS, 1979; voice of Raggedy Ann

ADDRESSES: OFFICE—c/o The Bugs Bunny and Tweety Show, Warner Brothers Cartoons, 3601 W. Olive Avenue, Suite 450, Burbank, CA 91505. AGENT—Joseph, Helfond, and Rix, 1717 N. Highland Avenue, Suite 414, Hollywood, CA 90028.

FORD, Harrison 1942PERSONAL: Born July 13, 1942, in Chicago, IL; first wife's name, Mary (divorced); married Melissa Matheson (a screenwriter), 1983; 141

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and the Last Crusade, Paramount, 1989. Also appeared in Luv, Columbia, 1967; Zabriskie Point, Metro-Goldwyn-Mayer, 1970. PRINCIPAL TELEVISION APPEARANCES—Pilots: Mark Blackwood, James A. Michener's "Dynasty" (also known as Dynasty), NBC, 1976; Paul Winjam, The Possessed, NBC, 1977. Episodic: Chester Anderson, Leave It to Beaver, ABC; also The F.B.I., ABC; Gunsmoke, CBS; The Virginian, NBC. Movies: Carl, The Intruders, NBC, 1970; also The Court-Martial of Lieutenant William Calley, 1975. Specials: Host and narrator, Great Movie Stunts: Raiders of the Lost Ark, CBS, 1981; also Great Adventurers and Their Quests: Indiana Jones and the Last Crusade, 1989; Premiere: Inside the Summer Blockbusters, 1989. NON-RELATED CAREER—Carpenter, chef, pizza maker, yacht broker, and management trainee for Bullock's department store. AWARDS: Academy Award nomination, Best Actor, 1985, for Witness. ADDRESSES: MANAGER—Pat McQueeney, McQueeney Management, 146 N. Almont Drive, Los Angeles, CA 90048.*

FOSSEY, Brigitte 1946-

PERSONAL: Born March 11, 1946, in Tourcoing, France.

HARRISON FORD

VOCATION: Actress.

children: Willard, Benjamin (first marriage); Malcolm (second marriage). EDUCATION—Attended Ripon College.

CAREER: FILM DEBUT—Paulette, Forbidden Games (also known as Les Jeux interdits), Times, 1953. PRINCIPAL FILM APPEARANCES—Jane Duval, The Happy Road, Metro-Goldwyn-Mayer, 1957; Dominique "Waterloo" Austerlitze, Farewell, Friend (also known as Adieu I'ami), Medusa Distribuzione, 1968; Yvonne de Galais, The Wanderer (also known as Le Grand Meaulnes), LeacockPennebaker, 1969; young mother, Going Places (also known as Les Valseuses), Cinema V, 1974; Louise, The Blue Country (also known as Le Pays bleu), Gaumont, 1977; Gene vie ve Bigey, The Man Who Loved Women (also known as L'Homme qui aimait les femmes), Cinema V, 1977; Anne, Mais ou et done Ornicar, Mallia, 1979; Vivia, Quintet, Twentieth Century-Fox, 1979; Adrienne, Chanel solitaire, United Film Distribution, 1981; Francoise, La Bourn, Triumph, 1983; Yvonne, Imperative, Teleculture, 1985; Nicole Palazzi, La Scarlatine (also known as Scarlet Fever), CAP AC, 1985; Isabelle, The Future of Emily (also known as L'Avenir d'Emile and Flugel und Fessein), Mainline, 1986. Also appeared in M comme Mathieu, 1971; Raphael ou le debauche, 1971; L'Ironie du sort, 1974; La Brigade, 1974; Femmes fatales (also known as Calmos), 1975; Le Chant de depart, 1976; Le Bon et les mechants (also known as The Good and the Bad), 1976; Les Fleurs du Miel, 1976; Les Enfants du placard, 1911; Die Glaserne Zelle, 1978; LAffaire Suisse (also known as The Swiss Affair), 1978; Enigma, 1983; Le Jeune Marie, T. Films, 1985; and in Making It, The Triple Death of the Third Character, A Bad Son, The Party, A Bite of Living, The Party—2, Au nom de tous les Meins, A Strange Passion, A Case of Irresponsibility, The False Confidences, and New Cinema Paradise. *

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES-^John Brown's Body, Laguna Beach Playhouse, Laguna Beach, CA; also appeared in summer theatre productions in Wisconsin. FILM DEBUT—Dead Heat on a Merry-Go-Round, Columbia, 1966. PRINCIPAL FILM APPEARANCES—Lieutenant Shaffer, A Time for Killing (also known as The Long Ride Home), Columbia, 1967; Willie Bill Bearden, Journey to Shiloh, Universal, 1968; Jake, Getting Straight, Columbia, 1970; Bob Flafa, American Grafitti, Universal, 1973; Martin Stett, The Conversation, Paramount, 1974; Han Solo, Star Wars, Twentieth Century-Fox, 1977; Kenny Boyd, Heroes, Universal, 1977; Lieutenant Colonel Mike Barnsby, Force Ten from Navarone, American International, 1978; Colonel Lucas, Apocalypse Now, United Artists, 1979; Tommy, The Frisco Kid (also known as No Knife), Warner Brothers, 1979; David Halloran, Hanover Street, Columbia, 1979; motorcycle cop, More American Grafitti, Universal, 1979; Han Solo, The Empire Strikes Back, Twentieth Century-Fox, 1980; Indiana Jones, Raiders of the Lost Ark, Paramount, 1981; Rick Deckard, Blade Runner, Warner Brothers, 1982; Han Solo, Return of the Jedi, Twentieth Century-Fox, 1983; Indiana Jones, Indiana Jones and the Temple of Doom, Paramount, 1984; John Book, Witness, Paramount, 1985; Allie Fox, The Mosquito Coast, Warner Brothers 1986; Dr. Richard Walker, Frantic, Warner Brothers, 1988; Jack Trainer, Working Girl, Twentieth Century-Fox, 1988; Indiana Jones, Indiana Jones

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FOSTER, Gloria

1936-

PERSONAL: Born November 15, 1936, in Chicago, IL; married Clarence Williams III (an actor), November, 1967. EDUCATION— Attended Illinois State University; studied for the stage at the University of Chicago Court Theater and with Bella Itkin at the Goodman Theatre. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—In White America, Sheridan Square Playhouse, 1963. PRINCIPAL STAGE APPEARANCES— Ruth, A Raisin in the Sun, Regent Theatre, Syracuse, NY, 1961; Andromache, The Trojan Women, Murray Theatre, Ravinia, IL, 1965; title role, Medea, Martinique Theatre, New York City, 196566; title role, Yerma, Vivian Beaumont Theatre, New York City, 1966-67; Hippolyta and Titania, A Midsummer Night's Dream, Theatre DeLys, New York City, 1967; title role, "Sister Son/ji" in Black Visions, New York Shakespeare Festival (NYSF), Public Theater, New York City, 1972; Lubov Andreyevna Ranevskaya, The Cherry Orchard, NYSF, Public Theatre, 1973; Clytemnestra, Agamemnon, NYSF, Delacorte Theatre, New York City, 1977; Volumnia, Coriolanus, NYSF, Public Theatre, then Delacorte Theatre, both 1979; Mother Courage, Mother Courage and Her Children, NYSF, Public Theatre, 1980; Mary Tyrone, Long Day's Journey into Night, Theater at St. Peter's Church, New York City, then Public Theatre, both 1981; Molly Hoffenburg, The Forbidden City, NYSF, Public Theatre, 1989. Also appeared as an understudy in Purlie Victorious, Cort Theatre, then Longacre Theatre, both New York City, 1961-62; in A Hand Is on the Gate, Longacre Theatre, 1966; A Dream Play, Goodman Theatre, Chicago, IL, 1967; as title role, Medea, Oparre, Wingless Victory, and Sabina, The Skin of Our Teeth, all Goodman Theatre; and as Jocasta, Oedipus Rex, Hecuba, The Trojan Women, and Volumnia, Coriolanus, all Court Theatre, University of Chicago, Chicago, IL.

BETH FOWLER

VOCATION: Actress.

MAJOR TOURS—Ruth, A Raisin in the Sun, U.S. cities, 1962.

CAREER: BROADWAY DEBUT—Gantry, George Abbott Theatre, 1970. PRINCIPAL STAGE APPEARANCES—Mrs. Segstrom, A Little Night Music, Shubert Theatre, then Majestic Theatre, both New York City, 1973; understudy for the role of the President's Wife, 1600 Pennsylvania Avenue, Mark Hellinger Theatre, New York City, 1976; Julie, Showboat, Jones Beach Theatre, Jones Beach, NY, 1976; Rodgers and Hart (revue), Arlington Park Theatre, Arlington Heights, IL, 1976; Sharon McLonergan, Finian's Rainbow, Jones Beach Theatre, 1977; Mrs. Darling, Peter Pan, Lunt-Fontanne Theatre, New York City, 1979; Marie, Preppies, Promenade Theatre, New York City, 1983; Arlene MacNally, Baby, Ethel Barrymore Theatre, New York City, 1983-84; Lily Miller, Take Me Along, Goodspeed Opera House, East Haddam, CT, 1984, then Martin Beck Theatre, New York City, 1985; Mrs. Webb, Our Town, Alliance Theatre Company, Atlanta, GA, 1986; Jeannie Jeannine, Lucky Guy, Plaza Theatre, Dallas, TX, 1987; Edith Roosevelt, Teddy and Alice, Tampa Bay Performing Arts Center, Tampa Bay, FL, 1987, then Minskoff Theatre, New York City, 1987-88; Mrs. Lovett, Sweeney Todd, Circle in the Square, New York City, 1989-90; also appeared in Tintypes, Cincinnati Playhouse, Cincinnati, OH, 1981; Georgia Avenue, Goodspeed Opera House, 1986.

FILM DEBUT—Mrs. Custis, The Cool World, Cinema V, 1963. PRINCIPAL FILM APPEARANCES—Lee, Nothing But a Man, Cinema V, 1964; Mrs. Philpot, The Comedians, Metro-GoldwynMayer, 1967; Sally, The Angel Levine, United Artists, 1970; Ivy Revers, Man and Boy, Levitt-Pickman, 1972; Medusa, Leonard, Part 6, Columbia, 1987. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Camille Bell, The Atlanta Child Murders, CBS, 1985. Pilots: Judith, Top Secret, NBC, 1978. Movies: Serena, To All My Friends on Shore, CBS, 1972. Also appeared in Shakespeare's Women. AWARDS: Obie Award from the Village Voice and Vernon Rice Award, both 1963, for In White America; Theatre World Award, 1966, for Medea; Alpha Kappa Alpha Award, 1966, for Outstanding Contribution in the Field of the Arts; Drama Desk Award nomination, Best Actress in a Play, 1989, for The Forbidden City. *

FOWLER, Beth

AWARDS: Drama Desk Award nomination, Best Actress in a Musical, 1989, for Sweeney Todd.

1940-

PERSONAL: Born November 1, 1940, in New Jersey. EDUCATION—Graduated from Caldwell College, 1962.

ADDRESSES: AGENT—Peggy Hadley Enterprises Ltd., 250 W. 57th Street, New York, NY 10107.*

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William Fox) Waling, She Always Gets Their Man, United Artists, 1962; (as William Fox) Philip Goodwin, What Every Woman Wants, United Artists, 1962; Tony, The Servant, Landau, 1964; Oliver, Tamahine, MGM, 1964; Flight Lieutenant Marlow, King Rat, Columbia, 1965; Richard Mays, Those Magnificent Men in Their Flying Machines, or How I Flew from London to Paris in 25 Hours and 11 Minutes, Twentieth Century-Fox, 1965; Jason ("Jake"), The Chase, Columbia, 1966; Jimmy Smith, Thoroughly Modern Millie, Universal, 1967; Stefane, Duffy, Columbia, 1968; Gordon Craig, Isadora (also known as The Loves of Isadora), Universal, 1968; Giorgio, Arabella, Universal, 1969; Alan Richards, No Longer Alone, World Wide, 1978; Tom, Runners, Hanstall, 1983; Lord Esker, Greystoke: The Legend ofTarzan, Lord of the Apes, Warner Brothers, 1984; Richard Fielding, A Passage to India, Columbia, 1984; Henley of Mayfair, Absolute Beginners, Orion, 1986; Norfolk, Comrades, Film Four International, 1986; Patrick, High Season, Hemdale, 1987; Lord, The Whistle Blower, Hemdale, 1987. Also appeared (as William Fox) in No Place for Jennifer, Associated British Films/Pathe, 1950; (as William Fox) One Wild Oat, Eros, 1951; (as William Fox) The Loneliness of the Long Distance Runner (also known as Rebel with a Cause], Continental Distributing, 1962; Performance, Warner Brothers, 1970; Pavlova—A Woman for All Time, Poseidon, 1985; and Finding Maubee.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Duchotel, 13 Rue de VAmour, Circle in the Square, New York City, 1978. PRINCIPAL FILM APPEARANCES—McLeod, Spin a Dark Web (also known as Soho Incident), Columbia, 1956; Shafter, The Safecracker, Metro-Goldwyn-Mayer (MGM), 1958; lieutenant, The Two-Headed Spy, Columbia, 1959; Lynch, The List of Adrian Messenger, Universal, 1963; room clerk, Honeymoon Hotel, MGM, 1964; Leslie Folliott, Quick, Before It Melts, MGM, 1964; policeman, Strange Bedfellows, Universal, 1965; Dudley, Hold On, MGM, 1966; Squire Moresby, Munster, Go Home, Universal, 1966; Jordin, One of Our Spies Is Missing, MGM, 1966; Ephram, The Bamboo Saucer, NTA, 1968; assistant to Lord Chamberlain, Star! (also known as Those Were the Happy Times) Twentieth Century-Fox, 1968; Constable Hooks, Arnold, Cinerama, 1973; Max, Herbie Goes to Monte Carlo, Buena Vista, 1977; voice of Chairman, The Rescuers (animated), Buena Vista, 1977; Justin, The Private Eyes, New World, 1980; Tarbuck, Yellowbeard, Orion, 1983; Horton, Eighteen Again!, New World, 1988. Also appeared Home and Away, Guest/Conquest, 1956; $1,000,000 Duck, Buena Vista, 1971; House of the Dead, 1980.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Waldorf, Nancy Astor, PBS, 1984. Movies: Mansfield Markham, Beryl Markham: A Shadow on the Sun, CBS, 1988; also Sun Child, ITV, 1988. Also appeared in The Door, Espionage, Farewell to the King, Country, New World, and Love Is Old, Love Is New.

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Bombay, Bewitched, ABC, 1967-72; also Nigel Pennysmith, General Hospital, ABC. Pilots: Dr. John H. Watson, The Hound of the Baskervilles, ABC, 1972; Barrett, Intertect, ABC, 1973; Mr. Muirfield, The Son-In-Law, NBC, 1980. Episodic: Malcolm Merriweather, The Andy Griffith Show, CBS, 1963 and 1964; Jock, "The Wide Open Door," ABC Stage '67, ABC, 1967; Dr. Bombay, Tabitha, ABC, 1977; Kris Winter, The Fall Guy, ABC, 1985; Edgar Wyckham, Murder, She Wrote, CBS, 1986; Professor Stubbs, Mr. Sunshine, ABC, 1986; Holcomb, Riptide, NBC, 1986; also The Dick Van Dyke Show, CBS, 1964 and 1965; M*A*S*//, CBS, 1978; Alfie, Make Room for Daddy, ABC; Colonel Crittendon, Hogan's Heroes, CBS; Randolph Svenson, Soap, ABC; Farmer's Daughter, ABC; The Monkees, NBC; F Troop, ABC; Love, American Style, ABC; The Partridge Family, ABC. Movies: Captain Chablat, Gauguin the Savage, CBS, 1980.

NON-RELATED CAREER—Evangelist, 1973-83. ADDRESSES: AGENT—Michael Whitehall Limited, 125 Gloucester Road, London SW7, England.*

FOX, William See FOX, James

ADDRESSES: AGENT—Joshua Gray and Associates, 6736 Laurel Canyon Boulevard, North Hollywood, CA 91606.*

FRANCIS, Freddie (Ken Barnett) FOX, James 1939(William Fox)

1917-

PERSONAL: Born in 1917 in London, England; married Pamela Mann; children: Kevin. MILITARY—British Army, Kinetograph Services, 1939-46.

PERSONAL: Born May 19, 1939, in London, England; son of Robin (a theatrical agent) and Angela Fox.

VOCATION: Cinematographer and director.

VOCATION: Actor.

CAREER: PRINCIPAL FILM WORK—Camera operator (second unit), The Macomber Affair, United Artists, 1947; camera operator, Mine Own Executioner, Twentieth Century-Fox, 1947; camera operator, Night Beat, British Lion, 1947; camera operator, The Small Back Room (also known as Hour of Glory), British Lion, 1948; camera operator, The Elusive Pimpernel (also known as The Fighting Pimpernel), British Lion, 1950; camera operator, Gone to Earth (also known as The Wild Heart and Gypsy Blood}, RKO/ Selznick, 1950; camera operator, Golden Salamander, General

CAREER: PRINCIPAL FILM APPEARANCES—(As William Fox) Johnny Brent, The Magnet, General Films Distributors, 1950; (as William Fox) Toby Miniver, The Miniver Story, Metro-GoldwynMayer (MGM), 1950; (as William Fox) Gregory, The Lavender Hill Mob, Universal, 1951; (as William Fox) busboy, Serenade, Warner Brothers, 1956; (as William Fox) Brinton, The Secret Partner (also known as The Street Partner), MGM, 1961; (as 144

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Dark Tower, Spectrafilm, 1989; cinematographer, Her Alibi, Warner Brothers, 1989; cinematographer, Glory, Tri-Star, 1989. Also camera operator, The Sorcerer's Apprentice (short film), 1955; director, The Intrepid Mr. Twigg (short film), 1968; director, Legend of the Werewolf, 1975.

Film Distributors, 1950; camera operator, Angels One Five, Templar, 1951; camera operator, The Tales of Hoffman, Lopert, 1951; camera operator, 24 Hours of a Woman's Life (also known as Affair in Monte Carlo), Allied Artists, 1952; camera operator, Outcast of the Islands, British Lion, 1952; camera operator, Moulin Rouge, United Artists, 1952; camera operator, Beat the Devil, United Artists, 1953; camera operator, Rough Shoot (also known as Shoot First), United Artists, 1953; camera operator, Twice Upon a Time, Fine Arts, 1953; camera operator, Beau Brummell, Metro-GoldwynMayer (MGM), 1954; camera operator, Monsieur Ripois (also known as Knave of Hearts, Lover Boy, and Lovers, Happy Lovers!), Twentieth Century-Fox, 1954; camera operator (second unit), Dry Rot, Independent Film Distributors/British Lion, 1956; camera operator (second unit and special effects), Moby Dick, Warner Brothers, 1956; cinematographer, A Hill in Korea (also known as Hell in Korea), British Lion, 1956; cinematographer, Time Without Pity (also known as No Time for Pity), Eros/Astor, 1957; cinematographer, Room at the Top, Romulus, 1959; cinematographer, Strange Affection (also known as The Scamp), Brenner, 1959.

PRINCIPAL TELEVISION WORK—Series: Director, Star Maidens, syndicated, 1977. Episodic: Director, Man in a Suitcase, ABC, 1968. Movies: Cinematographer, The Executioner's Song, NBC, 1982. RELATED CAREER—Apprentice to stills photographer, Gaumont Studios, then clapper boy, B.I.P. Studios, later camera assistant, British and Dominions Studios, all 1936-39. AWARDS: Academy Award, Best Cinematography, 1961, for Sons and Lovers.*

Cinematographer, The Battle of the Sexes, Continental, 1960; cinematographer, Next to No Time!, Show, 1960; cinematographer, Sons and Lovers, Twentieth Century-Fox, 1960; cinematographer, Virgin Island (also known as Our Virgin Island), Films-aroundthe-World, 1960; cinematographer, The Horsemasters, Buena Vista, 1961; cinematographer, The Innocents, Twentieth CenturyFox, 1961; cinematographer, Never Take Candy from a Stranger (also known as Never Take Sweets from a Stranger and The Molester), Sutton/Pathe, 1961; cinematographer, Saturday Night and Sunday Morning, Continental Distributing, 1961; director, Two and Two Make Six (also known as A Change of Heart and The Girl Swappers), Union, 1962; director, The Day of the Trif/ids, Allied Artists, 1963; director, Nightmare, Universal, 1963; director, Paranoiac, Universal, 1963; director, The Evil of Frankenstein, Universal, 1964; cinematographer, Night Must Fall, MGM, 1964; director, Hysteria, MGM, 1965; director, The Brain (also known as Vengeance and Le cerveau), Paramount, 1965; director, Dr. Terror's House of Horrors, Regal, 1965; director, The Skull, Paramount, 1965; director, The Psychopath, Paramount, 1966; director, Traitor's Gate (also known as Das Verratertor), Columbia, 1966; director, The Deadly Bees, Paramount, 1967; director, They Came from Beyond Space, Embassy, 1967; director, Dracula Has Risen from His Grave, Warner Brothers, 1968; director, Torture Garden, Columbia, 1968.

FRANK, Richard

1953-

PERSONAL: Born January 4, 1953, in Boston, MA; son of Phillip L. and Jeanne E. (a medical secretary; maiden name, Bennett) Frank. EDUCATION—University of Michigan, B.A., speech, 1974; studied acting at the Juilliard School, 1974-78. VOCATION: Actor and writer.

Director, Mumsy, Nanny, Sonny, andGirly (also known as Girly), Cinerama, 1970; director, Trog, Warner Brothers, 1970; director, Gebissen wird nur Nachts—Happening der Vampire (also known as Vampire Happening), Constantin Film, 1971; director, Tales from the Crypt, Cinerama, 1972; director, The Creeping Flesh, Columbia, 1972; director, Tales That Witness Madness, Paramount, 1973; director, Craze (also known as The Infernal Idol), Warner Brothers, 1974; director, Son of Dracula (also known as Young Dracula), Apple, 1974; director, The Ghoul, Rank, 1975; director (with Andre Pieters), Golden Rendezvous, Film Trust/ Milton Okun, 1977; cinematographer, The Elephant Man, Paramount, 1980; cinematographer, The French Lieutenant's Woman, United Artists, 1981; cinematographer, Dune, Dino De Laurentiis/ Universal, 1984; cinematographer, The Jigsaw Man, United Film Distribution, 1984; cinematographer, Memed My Hawk, Focus, 1984; cinematographer, Code Name: Emerald, Metro-GoldwynMayer/United Artists, 1985; director, The Doctor and the Devils, Twentieth Century-Fox, 1985; cinematographer, Clara s Heart, Warner Brothers, 1988; director (as Ken Bamett) and cinematographer,

RICHARD FRANK

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CAREER: STAGE DEBUT—Moritz Steifel, Spring Awakening, New York Shakespeare Festival, Public Theatre, New York City, 1978. BROADWAY DEBUT—Gentleman and second knight, The Dresser, Brooks Atkinson Theatre, 1981-82. PRINCIPAL STAGE APPEARANCES—Guard, Salt Lake City Skyline, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1980; Herman, Five of Us, Center Theatre Group, Mark Taper Forum, Taper Too, Los Angeles, 1985; Horatio, Hamlet, NYSF, Public Theatre, 1986; Greta, Bent, Coast Playhouse, Hollywood, CA, 1987; Molina, Kiss of the Spider Woman, Yale Repertory Theatre, New Haven, CT, 1988; Salieri, Amadeus, Alliance Theatre, Atlanta, GA, 1989. Also appeared in Da, Studio Arena Theatre, Buffalo, NY, 1979; Moliere in Spite of Himself, Hartman Theatre Company, Stamford, CT, 1981; The Keeper, Philadelphia Drama Guild, Philadelphia, PA, 1982; The Palace of Amateurs, Plaza Theatre, Dallas, TX, 1983; Hang On to Me and Twelfth Night, both Tyrone Guthrie Theatre, Minneapolis, MN, 1984-85.

THEATRE, FILM, AND TELEVISION • Volume 8

Century-Fox, 1962; Penny, Flipper's New Adventure (also known as Flipper and the Pirates), Metro-Goldwyn-Mayer (MGM), 1964; Catherine Whitset, The Third Secret, Twentieth CenturyFox, 1964; Julie Williams, A Tiger Walks, Buena Vista, 1964; Bobby, The Nanny, Twentieth Century-Fox, 1965; Diana Hook, Our M other's House, MGM, 1967; girl, The Night of the Following Day, United Artists, 1969; Sandy, The Prime of Miss Jean Brodie, Twentieth Century-Fox, 1969; Annie, Sinful Davey, United Artists, 1969; Jane, And Soon the Darkness, EMI, 1970; Dora Spenlow, David Copperfield, Twentieth Century-Fox, 1970; Lori Brandon, Necromancy (also known as The Witching}, Cinerama, 1972; Shelby, Ace Eli and Rodger of the Skies, Twentieth Century-Fox, 1973; Florence Tanner, The Legend of Hell House, Twentieth Century-Fox, 1973; Lorna, The Food of the Gods, American International, 1976. PRINCIPAL TELEVISION APPEARANCES—Pilots: Amanda Hollister, Intertect, ABC, 1973; Karen Forrester, "The Forresters: Dear Karen," The Letters, ABC, 1973; Sheila Fielding, Crossfire, NBC, 1975. Episodic: Nicola Stevens, "Screamer," Wide World of Mystery, ABC, 1974; Abby Stevens, "Won't You Write Home, I'm Dead" (also known as "Terror from Within"), Wide World of Mystery, ABC, 1975; also "The Horse Without a Head," The World of Disney, NBC, 1963; The Name of the Game, NBC, 1970; Strange Report, NBC, 1971; Green Acres, CBS, 1971; Medical Center, CBS, 1971, 1973, and 1914'Bonanza, NBC, 1972; Ghost Story, NBC, 1972; Sixth Sense, ABC, 1972; Cool Million, NBC, 1972 and 1973; Cannon, CBS, 1972 and 1974; "Mirabelle's Summer," Love Story, NBC, 1973; Streets of San Francisco, ABC, 1974; Six Million Dollar Man, ABC, 197'4; The Magician, NBC, \914-Mannix, CBS, 1974; Barnaby Jones, CBS, 1974 and 1975; Petrocelli, NBC, 1975. Movies: Tirza, See How They Run, NBC, 1964; Dora Spenlow, David Copperfield, NBC, 1970; Elizabeth Sayres, Satan's School for Girls, ABC, 1973; Anna Hall, Eleanor and Franklin, ABC, 1976. Specials: Betsy Balcombe, "Eagle in a Cage," Hallmark Hall of Fame, NBC, 1965.*

FILM DEBUT—Father Vogler, Amadeus, Orion, 1985. TELEVISION DEBUT—Stefan Mazor, The Wall, CBS, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Jules "Julie" Kramer, Anything But Love, ABC, 1989—. Pilots: Jules, Anything But Love, ABC, 1989. Episodic: Eli Leavitt, Cagney andLacey, CBS, 1985; Jesse Morgan, Stir Crazy, CBS, 1985; Bailey, "Roanoak," American Playhouse, PBS, 1986; Biller, Max Headroom, ABC, 1987; Gary Fenton, Night Court, NBC, 1987; Frank Peterson, Perfect Strangers, ABC, 1987; Jason, Newhart, CBS, 1988; Mr. Standish, Valerie's Family, NBC, 1988; also Remington Steele, NBC; Falcon Crest, CBS. Movies: Resident doctor, Cracked Up, ABC, 1987. RELATED CAREER—Company member, Arena Stage, Washington, DC, 1978-79; company member, Tyrone Guthrie Theatre, Minneapolis, MN, 1982-83. NON-RELATED CAREER—Instructor, Practical Aesthetics workshop, New York University, 1982; watercolorist. WRITINGS: STAGE—Plato's Symposium, Court Theatre, Los Angeles, 1987. OTHER—(Also illustrator) The Struggling Actor's Coloring Book, Volume 1, 1979, Volume 2, 1980.

FRELENG, Friz (I. Freleng)

AWARDS: Drama-Loque Award, Best Actor, 1986, for Five of Us; LA. Weekly Award, Best Production, 1986, for Plato's Symposium.

1906-

PERSONAL: Born Isadore Freleng, August 21, 1906, in Kansas City, MO.

SIDELIGHTS: FAVORITE ROLES—Molina in Kiss of the Spider Woman. RECREATIONS—European travel.

VOCATION: Producer, director, writer, and animator.

VOCATION: Actress.

CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Animation director, Two Guys from Texas (also known as Two Texas Knights), Warner Brothers, 1948; title sequence director and animator, The Pink Panther, United Artists, 1963; producer and director, The Looney Looney Looney Bugs Bunny Movie (animated), Warner Brothers, 1981; director (with others), Uncensored Cartoons (animated), United American Classics, 1981; producer and director, Bugs Bunny's Third Movie—1001 Rabbit Tales (animated) Warner Brothers, 1982; producer and (with others) director, Daffy Duck's Movie: Fantastic Island (animated), Warner Brothers, 1983; director (with others), Porky Pig in Hollywood (animated), Warner Brothers, 1986; director, Daffy Duck's Quackbusters (animated), Warner Brothers, 1988.

CAREER: PRINCIPAL FILM APPEARANCES—Flora, The Innocents, Twentieth Century-Fox, 1961; Tina, The Lion, Twentieth

Director of the following short animated films: Wicked West, Universal, 1929; Bosko in Dutch and Shuffle Off to Buffalo, both

ADDRESSES: AGENT—Judy Schoen and Associates, 606 N. Larchmont Boulevard, Suite 309, Los Angeles, CA 90004.

FRANKLIN, Pamela 1950-

PERSONAL: Born February 4, 1950, in Toyko, Japan. EDUCATION—Attended Elmshurst Ballet School.

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Doctor JerkyI's Hide, Muzzle Tough, Satan's Waitin', Yankee Doodle Bugs, Sandy Claws, Goo Goo Goliath, and By Word of Mouse, all Warner Brothers, 1954; Pizzicato Pussycat, Pests for Guests, Stork Naked, Sahara Hare, Hare Brush, Tweety's Circus, Lumber Jerks, This Is a Life?, A Kiddie's Kitty, Hyde and Hare, Speedy Gonzales, Red Riding Hoodwinked, Roman Legion Hare, Heir Conditioned, and Pappy's Puppy, all Warner Brothers, 1955; Tweet and Sour, Rabbitson Crusoe, Tree Cornered Tweety, Napoleon Bunny-Part, Tugboat Granny, A Star Is Bored, Yankee Dood It, and Two Crows from Tacos, all Warner Brothers, 1956; The Three Little Bops, Tweet Zoo, Tweety and the Beanstalk, Piker's Peak, Birds Anonymous, Bugsy and Mugsy, Greedy for Tweety, Show Biz Bugs, Mouse-Taken Identity, and Gonzales' Tamales, all Warner Brothers, 1957; Tortilla Flaps, Hare-Less Wolf, A Pizza Tweety Pie, A Waggily Tale, Knighty Knight Bugs, and A Bird in a Bonnet, all Warner Brothers, 1958; Trick or Tweet, Apes of Wrath, Mexicali Shmoes, Tweet and Lovely, Wild and Wooly Hare, Tweet Dreams, and Here Today, Gone Tamale, all Warner Brothers, 1959.

Warner Brothers, 1933; Buddy the Gob, Buddy and Towser, Beauty and the Beast, Buddy's Trolley Troubles, Coin' to Heaven on a Mule, How Do I Know It's Sunday?, Why Do I Dream Those Dreams?, The Miller's Daughter, The Girl at the Ironing Board, Shake Your Powder Puff, Those Beautiful Dames, and Pop Goes Your Heart, all Warner Brothers, 1934; Mr. and Mrs. Is the Name, Country Boy, I Haven't Got a Hat, Along Flirtation Walk, My Green Fedora, Into Your Dance, Country Mouse, The Merry Old Soul, The Lady in Red, Little Dutch Plate, Billboard Frolics, and Flowers for Madame, all Warner Brothers, 1935; / Wanna Play House, The Cat Came Back, I'm a Big Shot Now, Let It Be Me, Bingo Crosby ana, WhenlYooHoo, Sunday Go toMeetin' Time, At Your Service, Madame, Toy Town Hall, Boulevardier from the Bronx, and Coo-Coo Nut Grove, all Warner Brothers, 1936; He Was Her Man, Pigs Is Pigs, The Fella with the Fiddle, She Was an Acrobat's Daughter, Clean Pastures, Streamlined Greta Green, Sweet Sioux, Plenty of Money and You, Dog Daze, The Lyin' Mouse, and September in the Rain, all Warner Brothers, 1937; My Little Buckeroo, Jungle Jitters, and A Star Is Hatched, all Warner Brothers, 1938.

West of the Pesos, Horse Hare, Goldimouse and the Three Cats, Person to Bunny, Hyde and Go Tweet, Mouse and Garden, From Hare to Heir, Trip for Tat, and Lighter Than Hare, all Warner Brothers, 1960; Cannery Woe, D' Fightin' Ones, The Rebel without Claws, The Piped Piper ofGuadalupe, Prince Violent (also known as Prince Varmint), and The Last Hungry Cat, all Warner Brothers, 1961; Quackodile Tears, Crow's Feat, Mexican Boarders, Honey's Money, The Jet Cage, andShishkabugs, all Warner Brothers, 1962; Devil's Feud Cake, Mexican Cat Dance, Chili Weather, and The Unmentionables, all Warner Brothers, 1963; Nuts and Volts, Panchos's Hideaway, and Road to Andalay, all Warner Brothers, 1964; It's Nice to Have a Mouse Around the House and Cats and Bruises, both Warner Brothers, 1965.

Confederate Honey, The Hardship of Miles Standish, You Ought to Be in Pictures, Porky's Baseball Broadcast, Little Blabbermouse, Malibu Beach Party, Calling Dr. Porky, Porky's Hired Hand, and Shop, Look, andListen, all Warner Brothers, 1940; The Fighting 69 I/2th, The Cat's Tale, Porky's Bear Facts, The Trial of Mr. Wolf, Hiawatha's Rabbit Hunt, The Wacky Worm, Sport Chumpions, Notes to You, Rookie Revue, and Rhapsody in Rivets, all Warner Brothers, 1941; Hop, Skip, and a Chump, Porky's Pastry Pirates, The Wabbit Who Came to Supper, Saps in Chaps, Lights Fantastic, Double Chaser, Foney Fables, Fresh Hare, The Sheepish Wolf, The Hare-Brained Hypnotist, Pigs in a Polka, and Ding Dog Daddy, all Warner Brothers, 1942; Fifth Column Mouse, Greetings Bait, Jack-Wabbit and the Beanstalk, Yankee Doodle Daffy, Hiss and Make Up, Daffy the Commando, and Slightly Daffy, all Warner Brothers, 1943; Little Red Riding Rabbit, Meatless Fly day, Bugs Bunny Nips the Nips, Duck Soup to Nuts, Hare Force, Goldilocks and the Jivin Bears, and Stage Door Cartoon, all Warner Brothers, 1944; Herr Meets Hare, Life with Feathers, Hare Trigger, Ain't That Ducky, and Peck Up Your Troubles, all Warner Brothers, 1945; Baseball Bugs, Holiday for Shoestrings, Hollywood Daffy, Of Thee I Sing, Racketeer Rabbit, and Rhapsody Rabbit, all Warner Brothers, 1946; The Gay Anties, A Hare Grows in Manhattan, Tweetie Pie, Rabbit Transit, Along Came Daffy, and Slick Hare, all Warner Brothers, 1947; Back Alley Oproar, I Taw a Putty Tat, Buccaneer Bunny, Bugs Bunny Rides Again, Hare Splitter, and Kit for Cat, all Warner Brothers, 1948; WiseQuackers, Hare Do, High Diving Hare, Curtain Razor, Mouse Mazurka, Knights Must Fall, Bad Ol' Putty Tat, Dough for the Do-Do, Each Dawn I Crow, and Which Is Witch?, all Warner Brothers, 1949.

Producer of the following short animated films, all with David H. De Patie: (Also director) Suspense Account, United Artists, 1964 (never released); (also director with Hawley Pratt) The PinkPhink, United Artists, 1964; Pink Pajamas, United Artists, \964\We Give PinkStamps, Dial <1P" for Pink, SinkPink, PickledPink, Shocking Pink, Pinkfinger, Pink Ice, The Pink Tail Fly, Pink Panzer, An Ounce of Pink, Reel Pink, and Bully for Pink, all United Artists, 1965; Rushing Roulette, Boulder Wham, Just Plane Beep, Chaser on the Rocks, Tired and Feathered, Harried and Hurried, Highway Runnery, and Run, Run, Sweet RoadRunner, all Warner Brothers, 1965; Pink Panic, Pink Punch, Pink Piston, Vitamin Pink, The Pink Blueprint, Pink-a-Boo, Genie with the Light Pink Fur, Super Pink, Rock-a-Bye Pinky, Pink, Plunk, Plink, and Smile Pretty, Say Pink, all United Artists, 1966; Out and Out Rout, Shot and Bothered, The Solid Tin Coyote, Clippety Clobbered, and Never Bug an Ant, all United Artists, 1966; Pinknic, Pink Posies, Pink of the Litter, In the Pink, Pink Paradise, Jet Pink, Pinto Pink, Congratulations! It's Pink, Prefabricated Pink, and The Hand Is Pinker Than the Eye, all United Artists, 1967; Sky Blue Pink, Pinkadilly Circus, Psychedelic Pink, Come on In! The Water's Pink, Put-Put-Pink, G.L Pink, Lucky Pink, The Pink Quarterback, Pinkcome Tax, Pink Valiant, The Pink Bill, Prehistoric Pink, Pink in the Clink, Tickled Pink, Little Beaux Beaux, The Pink Sphinx, Pink Is a Many Splintered Thing, The Pink Package Plot, and Twinkle, Twinkle, Little Pink, all United Artists, 1968; Fast and Furry-ous, De Patie-Freleng Enterprises, 1968; Pink-a-Rella, Pink Pest Control, Think Before You Pink, Slink Pink, In the Pink of the Night, Pink on the Cob, and Extinct Pink, all United Artists, 1969.

Home Tweet Home, Mutiny on the Bunny, The Lion's Busy, Big House Bunny, His Bitter Half, All Bir-r—rd, Golden Yeggs, Bunker Hill Bunny, Canary Row, and Stooge for a Mouse, all Warner Brothers, 1950; Canned Feud, Rabbit Every Monday, Putty Tat Trouble, A Bone for a Bone, Fair-Haired Hare, Room and Bird, His Hare Raising Tale, Tweety's S.O.S., Ballot Box Bunny, and Tweet, Tweet, Tweety, all Warner Brothers, 1951; Gift Wrapped, Foxy By Proxy, Fourteen Carrot Rabbit, Little Red Rodent Hood, Ain't She Tweet, Cracked Quack, Bird in a Guilty Cage, Tree for Two, and Hare Lift, all Warner Brothers, 1952; Snow Business, A Mouse Divided, Fowl Weather, Southern Fried Rabbit, Ant Pasted, Hare Trimmed, Tom-Tom Tomcat, A Street Cat Name Sylvester, Catty Cornered, and Robot Rabbit, all Warner Brothers, 1953;Dog Pounded, Captain Hareblower, I Gopher You, Bugs and Thugs,

Fly in the Pink, Pink Blue Plate, Pink Tuba-Dore, Pink Pranks, Psst Pink, The Pink Flea, Going with the Pink, and Pink-In, all 147

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United Artists, \91\\Pink8-Ball, United Artists, 1972; Pink Aye, United Artists, 1974; Pink Da Vinci, Pink Streaker, Salmon Pink, Forty Pink Winks, Pink Plasma, Pink Elephant, Keep Our Forests Pink, Pink Campaign, Bobolink Pink, If s Pink But I sit Mink?, and The Scarlet Pinkernel, all United Artists, \915\MystickPink, The Pink of Arabee, The Pink Pro, The Pink Piper, Pinky Doodle, Sherlock Pink, and Rocky Pink, all United Artists, 197'6; Therapeutic Pink, United Artists, 1977; Yankee Doodle Pink, Pink of Baghdad, and Pinkologist, all United Artists, 1981.

Stole Christmas,'' CBS, 1966; executive producer (with De Patie), Dr. Seuss' "HortonHearsa Who," CBS, 1970; executive producer (with De Patie), Dr. Seuss' "The Cat in the Hat," CBS, 1971; producer (with Geisel and De Patie), Dr. Seuss' "The Lorax," CBS, 1972; producer (with De Patie), 'The Incredible, Indelible, Magical, Physical Mystery Trip," ABC Afterschool Specials, ABC, 1973; producer (with De Patie), Dr. Seuss on the Loose, CBS, 1973; producer (with De Patie), The Bear Who Slept Through Christmas, NBC, 1973; producer (with De Patie), "The Magical Mystery Trip Through Little Red's Head," ABC Out-of-School Special, ABC, 1974; executive producer (with De Patie), "The Tiny Tree," Bell System Family Theatre, NBC, 1975; producer (with Geisel and De Patie), Dr. Seuss' "The Hoober-Bloob Highway," CBS, 1975; producer and director (with Bob McKimson and Jones), The Bugs Bunny Easter Special, CBS, 1977; director (with Jones), Bugs Bunny in Space, CBS, 1977; director (with Jones), Bugs Bunny's Howl-oween Special, CBS, 1977; executive producer (with De Patie), Halloween Is Grinch Night, ABC, 1977; executive producer (with De Patie), "My Mom's Having a Baby," ABC Afterschool Specials (live-action), ABC, 1977; producer (with De Patie), The Pink Panther's Christmas, ABC, 1978; producer (with De Patie), "Michel's Mixed-Up Musical Bird," ABC Afterschool Specials (live-action), ABC, 1978; director (with others), Bugs Bunny's Valentine, CBS, 1979; producer (with Jones) and director, Bugs Bunny's Looney Christmas Tales, CBS, 1979; director (with Jones), The Bugs Bunny Thanksgiving Diet, CBS, 1979; producer (with De Patie), Dr. Seuss' "PontoffelPock, Where Are You?," CBS, 1980; executive producer (with De Patie), "Where Do Teenagers Come From?," ABC Afterschool Specials, ABC, 1980; producer and director, Daffy Duck's Easter Show, NBC, 1980; director (with Jones), The Bugs Bunny Mystery Special, CBS, 1980; producer (with De Patie), The Pink Panther in Olym-Pinks, syndicated, 1980; producer (with De Patie), Dennis the Menace: Mayday for Mother, NBC, 1981; director, Bugs Bunny: All American Hero, CBS, 1981; producer (with De Patie), The Grinch Grinches the Cat in the Hat, ABC, 1982; director (with Jones), Bugs Bunny's Mad World of Television, CBS, 1985; director (with Jones and McKimson), Bugs Bunny's Wild World of Sports, ABC, 1989.

Producer (with De Patie) and director (with others) of the following short animated films: The Ant and the Aardvark, Hasty But Tasty, The Ant from Uncle, I've Got Ants in My Plans, Technology Phooey, Mumbo Jumbo, Dune Bug, Isle of Caprice, The Tijuana Toads, A Pair of Greenbacks, and Go for Croak, all United Artists, 1969; Don't Hustle an Ant with Muscle, Hop and Chop, Never on Thirsty, A Dopey Hacienda, Scratch a Tiger, Odd Ant Out, Ants in the Pantry, Science Friction, The Froze Nose Knows, and The Froggy, Froggy Duo, all United Artists, 1970; Rough Bunch, Snake in the Gracias, Two Jumps and a Chump, Mud Squad, The Egg of Ay-Yi-Yi, A Leap in the Deep, The Fastest Tongue in the West, CroakusPocus, and Serape Happy, all United Artists, 1971; Frog Jog and Flight to the Finish, both United Artists, 1972; Kloofs Kounty, Apache on the County Seat, The Shoe Must Go On!, A Self-Winding Side-Winder, Pay Your Buffalo Bill, Ten Miles to the Gallop, and Stirrups and Hiccups, all United Artists, 1973; Phoney Express, Giddy-Up Woe!, Gold Struck, As the Tumbleweed Turns, The Badge and the Beautiful, Strange on the Range, Big Beef at the O.K. Corral, By Hoot or By Brook, Mesa Trouble, and Saddle Soap Opera, all United Artists, 1974. PRINCIPAL TELEVISION APPEARANCES—Specials: Bugs Bunny I Looney Tunes All Star 50th Anniversary, CBS, 1986; Roger Rabbit and the Secrets ofToontown, CBS, 1988. PRINCIPAL TELEVISION WORK—Series (all animated, unless indicated): Producer (with David H. De Patie), The Super Six, NBC, 1966-69; producer (with De Patie), Super President, NBC, 1967-68; director of animated sequences, My World and Welcome to It, NBC, 1969-70; producer (with De Patie), Here Comes the Grump, NBC, 1969-71; producer (with De Patie), The Pink Panther Show, NBC, 1969-76; producer (with De Patie), Doctor Dolittle, NBC, 1970-72; (as I. Freleng) director (with Chuck Jones), The Road Runner Show, ABC, 1971-72; producer (with De Patie), TheBarkleys, NBC, 1972-73; producer (with De Patie), The Houndcats, NBC, 1972-73; producer (with De Patie), Bailey's Comets, NBC, 1973-74; executive producer and director (both with others), The Bugs Bunny I Road Runner Show, CBS, 1975-85; producer (with De Patie), Return to the Planet of the Apes, NBC, 1975-76; producer (with De Patie), The Oddball Couple, ABC, 1975-77; producer (with De Patie), The Pink Panther Laff and a Half-Hour, NBC, 1976-77; producer (with De Patie), What's New, Mr. Magoo?, CBS, 1977-78; executive producer (with De Patie), Baggy Pants and the Nitwits, NBC, 1977-78; producer (with De Patie), The Fantastic Four, NBC, 1978-79; producer (with De Patie), The All-New Pink Panther Show, ABC, 1978-79; executive producer (with De Patie), Spider-Woman, ABC, 197980; producer (with De Patie), Pink Panther and Sons, NBC, 1984; director (with Jones and Bob McKimson), The Bugs BunnyI Looney Tunes Comedy Hour, ABC, 1985—; senior director (with Jones and McKimson), The Bugs Bunny and Tweety Show, CBS, 1988—. Pilots: Creator, Philbert, 1961 (never broadcast).

RELATED CAREER—Animator, United Film Ad Service, 192427; animator, Walt Disney Studio, 1928-29; animator, Charles Mintz Studio, 1929-30; head animator, Warner Brothers, 1930-63, except for a brief period as animation director, Metro-GoldwynMayer, 1938-39; founder (with David H. De Patie), De PatieFreleng Enterprises, 1963—; producer of television commercials. NON-RELATED CAREER—Office boy with Armour Packing, Kansas City, MO. WRITINGS: FILM—See production details above. The Looney Looney Looney Bugs Bunny Movie, 1981; (with John Dunn and David Detigee) Bugs Bunny's Third Movie—1001 Rabbit Tales, 1982; (with Dunn and Detigee) Daffy Duck's Movie: Fantastic Island, 1983. TELEVISION—Specials: Bugs Bunny's Looney ChristmasTales, 1979; Daffy Duck's Easter Show, 1980; Bugs Bunny: All American Hero, 1981. AWARDS: Academy Award nominations, both Best Short Subject (Cartoon), 1941, for Hiawatha's Rabbit Hunt and Rhapsody in Rivets; Academy Award nomination, Best Short Subject (Cartoon), 1942, for Pigs in a Polka; Academy Award nomination, Best Short Subject (Cartoon), 1943, for Greetings Bait; Academy Award nomination, Best Short Subject (Cartoon), 1945, for Life with Feathers; Academy Award, Best Short Subject (Cartoon), 1947,

Specials (all animated, unless indicated): Producer (with Theodor Geisel, Chuck Jones, and De Patie), Dr. Seuss' "How the Grinch 148

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for Tweety Pie; Academy Award nomination, Best Short Subject (Cartoon), 1954, for Sandy Claws; Academy Award, Best Short Subject (Cartoon), 1955, for Speedy Gonzales; Academy Award, Best Short Subject (Cartoon), 1957, for Birds Anonymous; Academy Award, Best Short Subject (Cartoon), 1958, forKnighty Knight Bugs; Academy Award nomination, Best Short Subject (Cartoon), 1959, for Mexicali Shmoes; Academy Award nomination, Best Short Subject (Cartoon), 1960, for Mouse and Garden; Academy Award nomination, Best Short Subject (Cartoon), 1961, for The Pied Piper of Guadalupe; Academy Award, Best Short Subject (Cartoon), 1964, for The PinkPhink; Academy Award nomination, Best Short Subject (Cartoon), 1966, for The Pink Blueprint; Emmy Award, Outstanding Evening Children's Special, 1977, for Halloween Is Grinch Night; Emmy Award, Outstanding Animated Program, 1982, for Grinch Grinches the Cat in the Hat. ADDRESSES: OFFICE—DePatie/Freleng Enterprises, 7017 Havenhurst Avenue, Van Nuys, CA 91406.*

FRELENG, I. See FRELENG, Friz

MATT FREWER

FREWER, Matt

19581989; Alec, Speed Zone, Orion, 1989; also appeared in Monty Python's the Meaning of Life, Universal, 1983.

PERSONAL: Surname rhymes with "Brewer"; born January 4, 1958, in Washington, DC; son of Frederick Charlesley (a captain in the Canadian Navy) and Gillian Anne (German) Frewer; married Amanda Hill wood (an actress), November 10, 1985. EDUCATION—Studied acting at the Bristol Old Vic Theatre School. RELIGION—Roman Catholic.

TELEVISION DEBUT—American at bar, Tender Is the Night, BBC, 1983, then Showtime, 1985. PRINCIPAL TELEVISION APPEARANCES—Series: Edison Carter and Max Headroom, Max Headroom, Channel Four, 1984; Max Headroom, The Max Headroom Show, Cinemax, 1985; Max Headroom—host, The Original Max Talking Headroom Show, Cinemax, 1987; Edison Carter and Max Headroom, Max Headroom, ABC, 1987; Michael Stratford, Doctor, Doctor, CBS, 1989—. Episodic: Soldier, "Displaced Person," American Playhouse, PBS, 1985; Pee Wee, St. Elsewhere, NBC, 1987; Cliff King, Miami Vice, NBC, 1988. Movies: Francis Lane, The First Olympics—Athens 1896, NBC, 1984. Specials: Max Headroom, The Max Headroom Christmas Special, Cinemax, 1986; Max Headroom, Tina Turner: Break Every Rule, HBO, 1987. Also appeared in Robin of Sherwood, HTV (English television), 1984.

VOCATION: Actor. CAREER: STAGE DEBUT—Wolf, Bent, Theatre Royal, York, U.K., 1980, for four weeks. LONDON DEBUT—Murph, The Indian Wants the Bronx, Soho Poly Theatre, 1981, for three weeks. PRINCIPAL STAGE APPEARANCES—Lysander, A Midsummer Night's Dream, Round House Theatre, London, 1981; Prince, Romeo and Juliet, Shaw Theatre, London, 1982; Malcolm, Macbeth, Shaw Theatre, 1983; also appeared in Deathtrap, Northcott Theatre, Exeter, U.K., 1984; On the Razzle, Leeds Playhouse, Leeds, U.K., 1984.

RELATED CAREER—As Max Headroom, commercial spokesman for New Coke.

MAJOR TOURS—Vladimir, Waiting for Godot, U.K. cities, 1980; the Gentleman Caller, The Glass Menagerie, U.K. cities, 1981; also The Comedy of Errors, Androcles and the Lion, and Much Ado About Nothing, all New Shakespeare Company, U.K. cities, 1981.

WRITINGS: (With Amanda Hillwood) The Fez Brothers (juvenile).

FILM DEBUT—Senior, The Lords of Discipline, Paramount, 1983. PRINCIPAL FILM APPEARANCES—Truck driver, Supergirl, TriStar, 1984; soldier, Spies Like Us, Warner Brothers, 1985; Tom MacWhirter, The Fourth Protocol, Lorimar, 1987; C.I.A. agent, Ishtar, Columbia, 1987; Charlie Cross, Far from Home, Vestron, 1989; Big Russ Thompson, Honey, I Shrunk the Kids, Buena Vista,

SIDELIGHTS: RECREATIONS—Playing banjo, going to movies, and hockey. ADDRESSES: AGENT—Harry Abrams, Abrams Artists Ltd., 9200 Sunset Boulevard, Suite 625, Los Angeles, CA 90069. 149

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FRIELS, Colin

AWARDS: Special Award from the International Film and Television Festival of New York, 1967; Golden Globe, 1968, Producer of the Year Award from the Producers Guild of America, 1968, Emmy Awards, Outstanding Musical or Variety Series, 1968 and 1969, and Scout Awards, Best Weekly Series and Show of the Year, 1969, all for Rowan and Martin's Laugh-In; Gold Medal Award from the International Radio and Television Society, 1970; Christopher Award, 1975; Western Heritage Award from the National Cowboy Hall of Fame, 1975, for Little House on the Prairie; Emmy Award nomination, 1978, for Backstairs at the White House; Emmy Award nomination, 1977, and Western Heritage Award, 1978, both for Peter Lundy and the Medicine Hat Stallion.

PERSONAL: EDUCATION—Studied acting at the National Institute of Dramatic Art (Australia), 1976. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES^Swef Bird of Youth, Royal Haymarket Theatre, London, 1985; also appeared in Hamlet, Macbeth, and The Man from Muckinupin, all Sydney Theatre Company, Sydney, Australia; King Lear and Zastrozzi, both Nimrod Theatre Company. PRINCIPAL FILM APPEARANCES—Mike, Buddies, PTY Ltd., 1983; Javo, Monkey Grip, Cinecom/Mainline, 1983; Rufus Dawes, For the Term of His Natural Life, Filmco, 1985; Adam Lucas, The Coolangatta Gold, Hoyts Distribution/Republic, 1985; Richard Lovat Somers, Kangaroo, Enterprise/Filmways, 1986; title role, Malcolm, Vestron, 1986; Harvey Denton, Ground Zero, Hoyts, 1987; Mick, High Tide, Hemdale, 1987; the man, Warm Nights on a Slow Moving Train, Filmpac Holdings, 1987; Tom Stewart, Grievous Bodily Harm, International Film Management, 1988. Also appeared in Prisoners, Endeavor Film Management, 1983.

MEMBER: Caucus for Producers, Writers, and Directors (cochairor of steering committee). ADDRESSES: OFFICE—8501 Wilshire Boulevard, Suite 250, Beverly Hills, CA 90211.*

FULLER, Samuel AWARDS: Best Actor Award from the Australian Film Institute for Malcolm.

1911-

PERSONAL: Full name, Samuel Michael Fuller; born August 12, 1911, in Worcester, MA; first marriage ended in divorce, 1959; married Christa Lang (an actress), July 25, 1967; children: Samantha. MILITARY—U.S. Army, First Infantry Division, 16th Regiment, corporal, 1942-45.

ADDRESSES: AGENT—Ed Limato, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

VOCATION: Director, producer, writer, and actor.

FRIENDLY, Ed

CAREER: PRINCIPAL FILM APPEARANCES—Policeman, House of Bamboo, Twentieth Century-Fox, 1955; as himself, Pierrot le fou, Corinth-Pathe, 1968; the director, The Last Movie (also known as Chinchero), Universal, 1971; senator, Dead Pigeon on Beethoven Street, Bavarian Atelier Gesellschaft, 1972; the American, The American Friend, New Yorker, 1977; theatre impressario, Scott Joplin, Universal, 1977; Interceptor commander, 1941, Universal, 1979; old man in pool hall, Hammett, Warner Brothers, 1982; Charlie Felton, White Dog (also known as Trained to Kill), Paramount, 1982; Joe the cameraman, The State of Things, Artificial Eye, 1983; Colonel Sharp, Slapstick of Another Kind, International Film Marketing, 1984; Van Meer, A Return to Salem's Lot, Warner Brothers, 1988; also appeared in Brigitte et Brigitte, 1966; and in The Young Nurses (also known as Nightingale), New World, 1973.

1922-

PERSONAL: Full name, Edwin S. Friendly, Jr.; born April 8, 1922, in New York, NY; son of Edwin S. and Henrietta (Steinmeier) Friendly; married Natalie Coulson Brooks, January 21, 1952; children: Brooke, Edwin S. III. MILITARY—U.S. Army, infantry, 1942-45. VOCATION: Producer. CAREER: PRINCIPAL TELEVISION WORK—Series: Executive producer and creator (with George Schlatter), Rowan and Martin's Laugh-In, NBC, 1967-69; executive producer (with Michael Landon), Little House on the Prairie, NBC, 1974-82; executive producer (with Earl Hamner, Jr. and Lee Rich), The Young Pioneers, ABC, 1978. Mini-Series: Executive producer, Backstairs at the White House, NBC, 1979. Pilots: Producer, The Young Pioneers, ABC, 1976; producer, The Young Pioneers' Christmas, ABC, 1976; producer, Judgement Day, NBC, 1981. Movies: Producer, Peter Lundy and the Medicine Hat Stallion, NBC, 1977; executive producer, The Flame Is Love, NBC, 1979; executive producer, The Ladies, NBC, 1987.

PRINCIPAL FILM WORK—Director: / Shot Jesse James, Lippert, 1949; The Baron of Arizona, Lippert, 1950; (also producer) The Steel Helmet, Lippert, 1951; Fixed Bayonets, Twentieth CenturyFox, 1951; (also producer) Park Row, United Artists, 1952; Pickup on South Street, Twentieth Century-Fox, 1953; Hell and High Water, Twentieth Century-Fox, 1954; House of Bamboo, Twentieth Century-Fox, 1955; (also producer) China Gate, Twentieth Century-Fox, 1957; (also producer) Forty Guns (also known as Woman with a Whip), Twentieth Century-Fox, 1957; (also producer) Run of the Arrow, Universal, 1957; (also producer) The Crimson Kimono, Columbia, 1959; (also producer) Verbotenf, Columbia, 1959; (also producer) Underworld U.S.A., Columbia, 1961; Merrill's Marauders, Warner Brothers, 1962; (also producer and cinematographer with Stanley Cortez) Shock Corridor, Allied Artists, 1963; (also producer) The Naked Kiss (also known as The Iron Kiss), Allied Artists, 1964; Shark (also known as Maneater), Excelsior, 1970; Dead Pigeon on Beethoven Street, Bavarian

RELATED CAREER—Sales executive, WABC-TV, New York City, 1949-53; producer and program executive, WCBS-TV, New York City, 1956-59; vice-president of special programs, WNBCTV, New York City, 1959-67; president, Ed Friendly Productions, Los Angeles, 1967—. NON-RELATED CAREER—Director, Batten, Barton, Derstine, and Osborn Advertising Agency, New York City, 1946-49. 150

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Atelier Gesellschaft, 197'2; The Big Red One, United Artists, 1980; White Dog (also known as Trained to Kill), Paramount, 1982; also Thieves After Dark (unreleased). PRINCIPAL TELEVISION APPEARANCES—Movies: Old man in small cafe, The Blood of Others, HBO, 1984. PRINCIPAL TELEVISION WORK—Episodic: Director, "It Tolls for Thee," The Virginian, NBC, 1962; director, "330 Independence S.W." The Dick Powell Show, NBC, 1962; director, The Iron Horse, ABC, 1966 (five episodes). NON-RELATED CAREER—Newspaper reporter for the New York Evening Journal, New York Graphic, and the San Diego Sun. WRITINGS: See production details above, unless indicated. FILM— (With Edmund Joseph) Hats Off, Grand National, 1937; (with Ethel Hill and Harvey Fergusson) It Happened in Hollywood, Columbia, 1937; (with Wellyn Totman, Jack Townley, and Charles Francis Royal) Gangs of New York, Republic, 1938; (with Helen Deutsch) Shockproof, Columbia, 1949;/ Shot Jesse James, 1949; The Baron of Arizona, 1950; The Steel Helmet, 1951; Fixed Bayonets, 1951; Park Row, 1952; Pickup on South Street, 1953; (with Russell Hughes) The Command, Warner Brothers, 1954; (with Jesse L. Lasky, Jr.) Hell and High Water, 1954; (with Harry Kleiner) House of Bamboo, \955\ChinaGate, 1957; Forty Guns, 1957'; Run ofthe Arrow, 1957; The Crimson Kimono, 1959; Verboten!, 1959; Underworld U.S.A., 1961; (with Milton Sperling) Merrill's Marauders, 1962; Shock Corridor, 1963; The Naked Kiss, 1964; (with Harold Medford) Capetown Affair, Twentieth Century-Fox, 1967; (with John Kingsbridge) Shark, 1970; Dead Pigeon on Beethoven Street, 1972; (with Millard Kaufman) The Klansman, Paramount, 1974; The Big Red One, 1980; (with Curtis Hanson) White Dog, 1982; also Thieves After Dark (unreleased).

FIONA FULLERTON

TELEVISION—Episodic: "It Tolls for Thee," The Virginian, NBC, 1962; "High Devil" and (with Oliver Crawford) "Hellcat," The Iron Horse, ABC, 1966.

officer) and Pamela Fullerton; married Simon MacCorkindale (an actor), July 10, 1976 (divorced, September, 1983). EDUCATION— Studied dance at the Elmhurst Ballet School. RELIGION—Church of England.

OTHER—Novels: Burn, Baby, Burn!, Phoenix Press, 1935; Test Tube Baby, William Godwin, 1936; Make Up and Kiss, William Godwin, 1938; The Dark Page, Duell, Sloan & Pearce, 1944; 144 Picadilly Street, R.W. Baron, 1971; Dead Pigeon on Beethoven Street, Pyramid, 1974; The Big Red One, Bantam, 1980; Quint's World, Harlequin, 1988; also Crown of India, 1966; The Rifle, 1981; Pecos Bill and the Soho Kid, 1986.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Title role, Cinderella, Palladium, London, 1976; also appeared in The Royal Baccarat Scandal, Hay market Theatre, London, 1989; as Guinevere, Came lot, Apollo Victoria Theatre, London; Gypsy Rose Lee, Gypsy Haymarket Theatre; Polly Peacham, The Beggar's Opera, Lyric Hammersmith Theatre, London; Sally Bowles, / Am a Camera, Plymouth Theatre Company; Hope Langdon, Something's Afoot, in Hong Kong.

AWARDS: Writers Guild Award, Best Written American Low Budget Film, 1951, for The Steel Helmet; Bronze Lion Award from the Venice Film Festival, 1953, for Pickup on South Street; Creative Arts Award (Film) from Brandeis University, 1981. MILITARY HONORS—Bronze Star, Silver Star, and Purple Heart.

MAJOR TOURS—Polly Brown, The Boyfriend, Far Eastern and Middle Eastern cities; Jill Potts, Caught Napping, U.K. cities.

ADDRESSES: OFFICE—c/o Charles Silverberg, One Century Plaza, Suite 1900, 2029 Century Park E., Los Angeles, CA 900673088.*

FILM DEBUT—Diana, Run Wild, Run Free, Columbia, 1969. PRINCIPAL FILM APPEARANCES—Anastasia, Nicholas and Alexandra, Columbia, 1971; Alice, Alice's Adventures in Wonderland, American National Enterprises, 1972; Elizabeth, The Human Factor, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1979; Pola Ivanova, A View to a Kill, MGM/UA, 1985.

FULLERTON, Fiona 1956-

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Elizabeth Farewell, Shaka Zulu, syndicated, 1985; Clarice Manners, The Charmer, London Weekend Television, 1987, then Masterpiece Theatre, PBS, 1989; Lady Duff Twysden,//emmgwa;y, syndicated,

PERSONAL: Full name, Fiona Elizabeth Fullerton; born October 10, 1956, in Kaduna, Nigeria; daughter of Bernard (a British Army 151

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VOCATION: Production designer.

1988; Lady Barbara Berowne, A Taste for Death, Anglia Television, then Mystery, PBS, 1989. Movies: Rachel, Gauguin the Savage, CBS, 1980; Skye Smith, Hold That Dream, syndicated, 1986; Lady Isobel Gillingham, A Hazard of Hearts, CBS, 1987. Also appeared as Nurse Rutherford, Angels, BBC; in A Friend Indeed, Anglia Television; Leo Tolstoy: A Question of Faith, BBC; Dick Barton, Special Agent, Southern Television.

CAREER: PRINCIPAL FILM WORK—All as production designer, unless indicated: Assistant designer, 2001: A Space Odyssey, Metro-Goldwyn-Mayer, 1968; Lady Chatter ley's Lover, Prodis, 1981; An Unsuitable Job for a Woman, Goldcrest, 1982; The Company of Wolves, Cannon, 1985; The Frog Prince (also known as French Lesson), Goldcrest/Warner Brothers, 1985; Full Metal Jacket, Warner Brothers, 1987; High Spirits, Tri-Star, 1988; Batman, Warner Brothers, 1989.

ADDRESSES: AGENTS—Jean Diamond, London Management, 235 Regent Street, London Wl, England; Mary Greek, McCartt, Greek, Barrett, 10390 Santa Monica Boulevard, Suite 310, Los Angeles, CA 90025.

RELATED CAREER—Founder, Holoco (a special effects studio), which has produced effects for such films as Outland, Flash Gordon, Alien, and Moonraker. AWARDS: Academy Award, Best Art Direction, 1990, for Batman.

FURST, Anton

ADDRESSES: OFFICE—c/o Pine wood Studios, Iver Heath, Buckinghamshire SLO ONH, England.*

PERSONAL: Born c. 1945. EDUCATION—Attended the Royal College of Art.

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GANZ, Bruno 1941-

GAINES, Boyd 1953-

PERSONAL: Born March 22, 1941, in Zurich, Switzerland; married in 1965; children: one son.

PERSONAL: Born May 11, 1953, in Atlanta, GA. EDUCATIONGraduated from the Juilliard School.

VOCATION: Actor. VOCATION: Actor.

CAREER: PRINCIPAL STAGE APPEARANCES—Hamlet, Berlin, West Germany, 1967; also appeared in Dans la jungle des villes, Torquato Tasso, La Chevauchee sur le lac de Constance, and Peer Gynt, all with the Schaubuhne theatre troupe, Berlin, West Germany, 1970-76; and in Hamlet, Shaubuhne, 1982.

CAREER: OFF-BROADWAY DEBUT—Melchior Gabor, Spring Awakening, New York Shakespeare Festival, Public Theater, 1978. PRINCIPAL STAGE APPEARANCES—Aleksei Belyayev, A Month in the Country, Roundabout Stage One Theatre, New York City, 1979; Stepan, Barbarians, Florizel, The Winter's Tale, bailiff, Chronicle, and cameraman and radio announcer, Johnny on a Spot, all Brooklyn Academy of Music, Brooklyn, NY, 1980; Gunnar Larsen, Vikings, Manhattan Theatre Club, New York City, 1980; double bassist, The Double Bass, New Theatre of Brooklyn, Brooklyn, NY, 1985; Chuck deButts, The Maderati, Playwrights Horizons, New York City, 1987; Peter Patrone, The Heidi Chronicles, Playwrights Horizons, 1988, then Plymouth Theatre, New York City, 1989. Also appeared in Philadelphia, Here I Come!, Philadelphia Drama Guild, Philadelphia, PA, 1980; Love's Labour's Lost, Center Stage Theatre, Baltimore, MD, 1982; Oliver Oliver, Long Wharf Theatre, New Haven, CT, 1984.

FILM DEBUT—Chikita, 1961. PRINCIPAL FILM APPEARANCES— Yakov Schalimov, Sommergaeste (also known as Summer Guests), Constantin/Exportfilm Bischoff and Company, 1975; Henrich Grun, Lumiere (also known as Light), Gaumont, 1975, released in the United States by New World, 1976; Gregors, Die Wildente (also known as The Wild Duck), Solaris Film Produktion/Sascha Film/ Westdeutscher Rundfunk, 1976, released in the United States by New Yorker, 1977; Le Conte, La Marquise d'O (also known as The Marquise ofO and Die Marquise von O), Gaumont, 1976; Jonathan Zimmermann, Der Amerikanische Freund (also known as The American Friend), CineGate/New Yorker, 1977; Bruno, Die Linkshandige Frau (also known as The Left-Handed Woman), Marin Karmitz/Artificial Eye, 1977, released in the United States by New Yorker, 1980; Dr. Berthold Hoffmann, Messer im Kopf (also known as Knife in the Head), New Yorker, 1978; Professor Bruckner, The Boys from Brazil, Twentieth Century-Fox, 1978; Thomas Rosenmund, Schwarz und Weiss Wie Tage und Naechte (also known as Black and White Like Days and Nights), Monaco/ Radiant, 1978; Jonathan Harker, Nosferatu, Phantom der Nacht (also known as Nosferatu, the Vampire and Nosferatu, the Vampyre), Gaumont International/Twentieth Century-Fox, 1979; Kern, Retour a la bien-aimee (also known as Return to the Beloved), Societe Nouvelle Prodis/World Marketing Films, 1979.

PRINCIPAL FILM APPEARANCES—Michael, Fame, Metro-GoldwynMayer/United Artists, 1980; Coach Brackett, Porky's, Twentieth Century-Fox, 1982; Jason, The Sure Thing, Embassy, 1985; Lieutenant Ring, Heartbreak Ridge, Warner Brothers, 1986; Bill, Call Me, Vestron, 1988; Sam Logan, Ray's Male Heterosexual Dance Hall (short film), Fox/Lorber, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Mark Royer, One Day At a Time, CBS, 1981-84. Mini-Series: Chris Bradford, Evergreen, NBC, 1985. Episodic: Todd Myerson, Remington Steele, NBC, 1985; Jim Perkins, LA. Law, NBC, 1986; Lieutenant Rodger Gage, Hotel, ABC, 1986; Gates, Spenser: For Hire, ABC, 1988. Specials: "Pigeon Feathers," American Playhouse, PBS, 1988.

Jakob Nuessli, Der Erfinder (also known as The Inventor), Rex Film, 1980; Jules, Polenta, EOS Film/SSR, 1980; Remy, La Provinciale (also known as The Provincial and A Girl from Lorraine), Gala Film Distributors/Cotel Films Distribution, 1980, released in the United States by New Yorker, 1982; Werner, Oggetti Smarriti (also known as Lost and Found), Twentieth Century-Fox, 1980; Georg Laschen, Die Falschung (also known as Circle of Deceit and False Witness), United International, 1981, released in the United States by United Artists Classics, 1982; Paul, Dans la ville blanche (also known as In the White City), Contemporary Films Ltd., 1982, released in the United States by Grey City, 1983; Faber, System ohne Schatten (also known as System without Shadow and Closed Circuit), Munic Film, 1983; Gustav, De Ijssalon, Tuschinski Film Distribution, 1985; Peter, El Rio de Oro

RELATED CAREER—Company member, Tyrone Guthrie Theater, Minneapolis, MN, 1981-82. AWARDS: Theatre World Award, 1980, for A Month in the Country. ADDRESSES: AGENT—J. Michael Bloom and Associates, 9200 Sunset Boulevard, Suite 710, Los Angeles, CA 90069.*

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(also known as The Golden River), Tesauaro/Incine SA/Federal, 1986; Steiner, DerPendler (also known as The Informer), InterTeam/ Metropolis, 1986; Daniel, DerHimmel uber Berlin (also known as Wings of Desire and The Sky over Berlin), Orion Classics/Road Movies/Argos/Westdeutscher Rundfunk, 1987; Bruno, Bankomatt, Pegaso Inter-Communication, 1989; Raymond Forbes, Strapless, Gavin Films, 1989. Also appeared in Es Dach uberem Chopf, 1962; as Bernard Krai, Der sanfte Lauf, 1967; in 5% de Risque (also knownas5%/?/5-A:), Gaumont, 1980; La Dame aux camelias, 1980; Etwas wird sichtbar, 1981; Fermata Etna, 1981; Gedaechtnis: Ein Film fur CurtBois undBernhardMinetti (documentary; also known as Remembrance and Gedaechtnis), Common Film/Westdeutscher Rundfunk, 1982; Krieg undFrieden, (documentary; also known as War and Peace), Filverlag der Autoren/New Line Cinema, 1982; as himself, Logik des Gefuhls 1982; in Killer aus Florida (also known as Killer from Florida), Xanadu, 1983; and in An Italian Woman and Hande Hoch. PRINCIPAL FILM WORK—Co-director and editor, Gedaechtnis: Ein Film fur Curt Bois und Bernhard Minetti (documentary; also known as Remembrance and Gedaechtnis), Common Film/ Westdeutscher Rundfunk, 1982. PRINCIPAL TELEVISION APPEARANCES—Movies: Heinrich Beck, Sins of the Fathers (also known as Fathers and Sons), Showtime, 1988. Also appeared in Geschichte einer Liebe, 1981. RELATED CAREER—Co-founder, Schaubuhne theatre troupe, Berlin, West Germany, 1970. AWARDS: Federal German Prize, Best Actor, for La Marquise d'O.* ANDY GARCIA

RELATED CAREER—Actor in regional theatre in Florida.

GARCIA, Andy

ADDRESSES: AGENT—David Eidenberg, S.T.E. Representation, 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210.*

1956-

PERSONAL: Born in 1956 in Havana, Cuba; came to the United States in 1961; father, a lawyer and businessman; wife's name, Maravi; children: Daniella. EDUCATION—Attended Florida International University.

GARSON, Greer

1908-

VOCATION: Actor. PERSONAL: Born September 29, 1908, in County Down, Northern Ireland; naturalized United States citizen; daughter of George and Nina Sophia (Greer) Garson; married Edward A. Snelson, 1933 (divorced, 1941); married Richard Ney (an actor), 1943 (divorced, 1947); married Elijah E. "Buddy" Fogelson, 1949. EDUCATION— Received B.A. from London University; graduate work at the University of Grenoble.

CAREER: FILM DEBUT—Ken, Blue Skies Again, Samuel Bronston, 1983. PRINCIPAL FILM APPEARANCES—T.J., A Night in Heaven, Kirkwood Fox, 1983; Ray Martinez, The Mean Season, Orion, 1985; Angel Maldonado, Eight Million Ways to Die, Tri-Star, 1986; George Stone, The Untouchables, Paramount, 1987; Dr. Ramirez, Stand and Deliver, Warner Brothers, 1988; Carlos Quintas, American Roulette, Film Four, 1988; Charlie Vincent, Black Rain, Paramount, 1989; Sergeant Raymond Avila, Internal Affairs, Paramount, 1990. Also appeared in The Lonely Guy, Universal, 1984; Encounters of the Deep, 1984.

VOCATION: Actress and producer. CAREER: STAGE DEBUT—Shirley Kaplan, Street Scene, Birmingham Repertory Theatre, Birmingham, U.K., 1932. LONDON DEBUT—Iris, The Tempest, Open Air Theatre, 1934. PRINCIPAL STAGE APPEARANCES—The Court Lady, The Six of Calais and courtesan, The Comedy of Errors, both Open Air Theatre, London, 1934; Fanny Field, Golden Arrow, Whitehall Theatre, London, 1935; Nina Popinot, Vintage Wine, Victoria Palace Theatre, London, 1935; Linda Brown, Accent on Youth, Globe Theatre, London, 1935; Peggy Admaston, A Butterfly on the Wheel, Playhouse

PRINCIPAL TELEVISION APPEARANCES—Episodic: Alejandro, Alfred Hitchcock Presents, NBC, 1985; Tony Rosselli, Foley Square, CBS, 1986; also Hill Street Blues, NBC, 1981; Brothers, Showtime; Archie Bunker's Place, CBS; From Here to Eternity, NBC; Que Pasa, USA?, PBS. Movies: Clinton Earl Dillard, Clinton and Nadine (also known as Blood Money), HBO, 1988. Also appeared in The Murder of Sherlock Holmes. 154

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Actress, 1946, for The Valley of Decision; Sour Apple Award (with Fred MacMurray) from the Hollywood Women's Press Club, 1945; Academy Award nomination, Best Actress, and Golden Globe, Best Motion Picture Actress, both 1961, for Sunrise at Campobello.

Theatre, London, 1935; Vivienne, Page from a Diary, Garrick Theatre, London, 1936; Diana, The Visitor, Daly's Theatre, London, 1936; Christianne Galvoisier, Mademoiselle, Wyndham's Theatre, London, 1936; Geraldine, Old Music, St. James's Theatre, London, 1937; title role, Auntie Mame, Broadhurst Theatre, New York City, 1958.

ADDRESSES: AGENT—Judy Scott-Fox, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

PRINCIPAL STAGE WORK—Producer (with Arthur Cantor), St. Mark's Gospel, Marymount Manhattan Theatre, Playhouse Theatre, New York City, 1978; producer (with Cantor), The Playboy of the Weekend World, Playhouse Theatre, 1978; producer (with Cantor), On Golden Pond, Hudson Theatre Guild, New Apollo Theatre, New York City, 1979, then Center Theatre Group, Ahmanson Theatre, Los Angeles, 1980.

GASSMAN, Vittorio

1922-

PERSONAL: Born September 1, 1922, in Genoa, Italy; married second wife, Shelley Winters (an actress), April 28, 1952 (divorced, June 2, 1954). EDUCATION—Attended the Law University of Rome; studied acting at the Academy of Dramatic Art, Rome, with Silvio D'Amico.

MAJOR TOURS—Patient, Too Good to Be True, U.K. cities, 1932. FILM DEBUT—Katherine Ellis, Goodbye Mr. Chips, MetroGoldwyn-Mayer(MGM), 1939. PRINCIPAL FILM APPEARANCES— Linda Bronson, Remember?, MGM, 1939; Elizabeth Bennett, Pride and Prejudice, MGM, 1940; Edna Gladney, Blossoms in the Dust, MGM, 1941; Claire Woodruff, When Ladies Meet, MGM, 1941; title role, Mrs. Miniver, MGM, 1942; Paula, Random Harvest, MGM, 1942; title role, Madame Curie, MGM, 1943; as herself, The Youngest Profession, MGM, 1943; title role, Mrs. Parkington, MGM, 1944; Emily Sears, Adventure, MGM, 1945; Mary Rafferty, The Valley of Decision, MGM, 1945; Marise Aubert, Desire Me, MGM, 1947; Julia Packett, Julia Misbehaves, MGM, 1948; Irene Forsyte, That Forsyte Woman (also known as The Forsyte Saga), MGM, 1949; Kay Miniver, The Miniver Story, MGM, 1950; Jane Hoskins, The Law and the Lady, MGM, 1951; Calpurnia, Julius Caesar, MGM, 1953; Mrs. Patrick McChesney, Scandal at Scourie, MGM, 1953; Jan Stewart, Her Twelve Men, MGM, 1954; Dr. Julia Winslow Garth, Strange Lady in Town, Warner Brothers, 1955; as herself, Pepe, Columbia, 1960; Eleanor Roosevelt, Sunrise at Campobello, Warner Brothers, 1960; Mother Prioress, The Singing Nun, MGM, 1966; Mrs. Cordelia Biddle, The Happiest Millionaire, Buena Vista, 1967; as herself, Directed by William Wyler (documentary), Tatge, 1986.

VOCATION: Actor and director. CAREER: PRINCIPAL STAGE APPEARANCES—Agamemnon, Oresteia, Syracuse, Greece, 1960; Viva Vittorio! (one-man show), Center Theatre Group, Mark Taper Forum, Los Angeles, then Promenade Theatre, New York City, both 1984. Also appeared in productions of Hamlet, Othello, As You Like It, Troilus and Cressida, Oedipus Rex, Prometheus Bound, Ghosts, Peer Gynt, Orestes, Rosencrantz and Guildenstern Are Dead, and Richard III. PRINCIPAL STAGE WORK—Director, Oresteia, Syracuse, Greece, 1960; director, Viva Vittorio! (one-man show), Center Theatre

PRINCIPAL TELEVISION APPEARANCES—Pilots: Aunt March, Little Women, NBC, 1978. Episodic: Star Stage, NBC; The Love Boat, ABC; also Telephone Time. Specials: Elena Krug, Reunion in Vienna, NBC, 1955; The Bob Hope Show, NBC, 1956; Regina Giddens, "The Little Foxes," Hallmark Hall of Fame, NBC, 1956; The Big Party for Revlon, CBS, 1959; Lady Cicely Wayneflete, "Captain Brassbound's Conversion," Hallmark Hall of Fame, NBC, 1960; Queen Mary, "Crown Matrimonial," Hallmark Hall of Fame, NBC, 1974; narrator, The Little Drummer Boy, Book II, NBC, 1975; Dean Martin Celebrity Roast: Jimmy Stewart, NBC, 1978; Perry Como's Christmas in New Mexico, ABC, 1979; Bob Hope's Women I Love—Beautiful But Funny, NBC, 1979; also How He Lied to Her Husband, BBC; My Father Gave Me America; Holiday Tribute to Radio City Music Hall; and A Gift of Music. NON-RELATED CAREER—Worked in an advertising firm in London. AWARDS: Academy Award nomination, Best Actress, 1940, for Goodbye Mr. Chips; Academy Award nomination, Best Actress, 1942, for Blossoms in the Dust; Academy Award, Best Actress, 1943, for Mrs. Miniver; Academy Award nomination, Best Actress, 1944, for Madame Curie; Gold Medal Award from Photoplay magazine, 1944-45; Academy Award nomination, Best Actress, 1945, for Mrs. Parkington; Academy Award nomination, Best

VITTORIO GASSMAN

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Group, Mark Taper Forum, Los Angeles, then Promenade Theatre, New York City, both 1984; also director, Irma la Douce.

role, Brancaleone alle Crociate (also known as Brancaleone at the Crusades), Fair Film, 1971; Prince Donati, L'udienza (also known as The Audience), Istituto Luce/Italnoleggio Cinematografico, 1972; Armando, Senza famiglia Nullatenenti cercano affetto (also known as Without Family), Interfilm, 1972; Gianni, C'eravamo tanto amati (also known as Those Were the Years), Delta Film, 1974; Captain Fausto Censolo, Profumo di donna (also known as Scent of a Woman), Curzon Film Distributors/Fida Cinematografica, 1974, released in the United States by United Artists, 1976.

FILM DEBUT—Davide, Preludio d'amore, 1946. PRINCIPAL FILM APPEARANCES—Mathieu Blumenthal, LEbreo errante (also known as The Wandering Jew), 1947, released in the United States by Globe, 1948; Walter, Riso amaro (also known as Bitter Rice), 1948, released in the United States by Lux, 1950; Paolo Baldini, Una voce nel tuo cuore (also known as A Voice in Your Heart), 1949, released in the United States by Lupa, 1952; Vittorio, Anna, I.F.E., 1951; Alejandro Castillo, Sombrero, Metro-GoldwynMayer (MGM), 1952; Peter, The Glass Wall, Columbia, 1953; Jory, Cry of the Hunted, MGM, 1953; Paul Bronte, Rhapsody, MGM, 1954; Mario Rossi, Mambo, Paramount, 1954; Giovanni, Difendo il mio amore (also known as /'// Defend My Love and Defend My Love), Hal Roach, 1956; Anatole Kuragin, War and Peace (also known as Guerra e pace), Paramount, 1956; Prince Piero, La ragazza del palio (also known as The Love Specialist), 1957, released in the United States by Medallion, 1959; prosecutor, La tempesta (also known as The Tempest), Paramount, 1958; Peppe, / soliti ignoti (also known as Big Deal on Madonna Street), 1958, released in the United States by United Motion Picture Organization, 1960; Guido, The Miracle, Warner Brothers, 1959; Giovanni Busacca, La grande guerra (also known as The Great War), 1959, released in the United States by Lopert, 1961; Peppe, Audace colpo dei soliti ignoti (also known as Fiasco in Milan and Hold-Up a la Milanaise), 1959, released in the United States by Avion/Trans-Uni verse/Jerand, 1963.

Andrea Sansoni, A mezzanotte va la ronda delpiacere (also known as Midnight Pleasures), Cineriz/Film Ventures, 1975; Fabio Stolz, Anima persa (also known as The Forbidden Room), Twentieth Century-Fox, 1976; Colonel Filimore, Le Desert des tartares (also known as // deserto dei tartari and The Desert of the Tartars), Gaurnont, 1976, released in the United States by Reggane, 1977; Tuttunpezzo, Signore e signori, buonanotte (also known as Goodnight, Ladies and Gentlemen), Titanus Distribuzione, 1977; Kardinal, Ehemann, and Kellner, / nuovi mostri (also known as The New Monsters and Viva Italia!), Cinema V, 1978; Luigi Corelli, A Wedding, Twentieth Century-Fox, 1978; Albino Millozza, Caro Papa (also known as Dear Papa), AMLF/Dean/Prospect, 1979; Mario, La Terrazza (also known as The Terrace), United Artists, 1979; Pippo Mifa, Duepezzi dipane (also known as Two Pieces of Bread), United Artists, 1979; St. Christopher, Quintet, Twentieth Century-Fox, 1979. Andrea Sansoni, The Immortal Bachelor, S.J. International, 1980; Nino Salvatore Sebastiani, The Nude Bomb (also known as The Return of Maxwell Smart), Universal, 1980; Victor D'Anton, Sharky's Machine, Warner Brothers, 1981; Prince, // Conte Tacchia (also known as Count Tacchia), Gaumont/Distributori Audiovisivi Consorziati, 1982; Alonzo, Tempest, Columbia, 1982; Livio, Benvenuta, Union Generale Cinematographique/Artificial Eye, 1983; Walter Guarini, La Vie est un roman (also known as Life Is a Bed of Roses and Life Is a Novel), Spectrafilm, 1984; Peppe, / soliti ignoti vent'anni dopo (also known as Big Deal on Madonna Street . . . Twenty Years Later), Medusa, 1985; Gotried, Le Pouvoir du mal (also known as The Power of Evil), Pierson/TFl/Maki/ Challenge, 1985; Carlo and Carlo's grandfather, La famiglia (also known as The Family and La Famille), Roissy/Vestron, 1987; baron, / picari (also known as The Rogues and The Picaros), Warner Brothers, 1987; Uncle Lucca, Lo zio indegno (also known as The Sleazy Uncle, The Uncle, and The Unworthy Uncle), Filmexport Group/Titanus Distribuzione, 1989.

Gerardo, // mattatore (also known as Love and Larceny and L'Homme aux cent visages), 1960, released in the United States by Major, 1963; Remo, Crimcn (also known as And Suddenly It's Murder!), 1960, released in the United States by Royal, 1964; Sahak, Barabba (also known as Barabbas), 1961, released in the United States by Columbia, 1962; Bruno Cortona, // sorpasso (also known as The Easy Life), 1962, released in the United States by Embassy, 1963; Mazzano, La smania andosso (also known as The Eye of the Needle), 1962, released in the United States by Eldorado, 1965; Giulio Ceriani, // successo, 1963, released in the United States by Embassy, 1965; various roles, / mostri (also known as Opiate '67 and Fifteen from Rome), 1963, released in the United States by Me Abbe/Janus, 1967; various roles, Se permettete parliamo di donne (also known as Parliamo di donne and Let's Talk About Women), Embassy, 1964; Don Giuliano, La congiuntura (also known as One Million Dollars), 1964, released in the United States by Columbia, 1965; Perego, La guerra segreta (also known as The Dirty Game), 1965, released in the United States by American International, 1966; Prince Don Vincenzo Gonzaga, Una vergine per il principe (also known as A Maiden for a Prince), 1965, released in the United States by Royal, 1967; Belfagor Arcidiavolo, L'arcidiavolo (also known as The Devil in Love and // diavolo innamorato), 1966, released in the United States by Warner Brothers, 1968; Francesco Vincenzini, // tigre (also known as The Tiger and the Pussycat), Embassy, 1967; Cenci, Woman Times Seven (also known as Sette volta donna), Embassy, 1967; Bob Chiaramonte, Lo scatenato (also known as Catch As Catch Can and Tuttifrutti), 1967, released in the United States by Fair Film, 1968; Pasquale Lojacono, Questifantasmi (also known as Ghosts, Italian Style and Three Ghosts), 1967, released in the United States by MGM, 1969; Mario Beretti, Una su tredici (also known as Twelve Plus One), 1969, released in the United States by COFCI/CEF, 1970.

Also appeared as title role, Daniele Cortis, 1946; Svabrin, Lafiglia del capitano, 1947; in Le avventure de Pinocchio, 1947; Casanova, // cavaliere misterioso (also known as Mysterious Rider), 1948; Pietro, // lupo della Sila (also known as The Lure ofSila), 1949; Turi, / fuorilegge, 1949; Giorgio, Ho sognato il paradiso, 1949; Yusef, Lo sparviero del Nilo, 1949; Mauro, // leone di Amalfi, 1950; Renato Salvi, // tradimento, 1951; Don Antonio, // sogno di Zorro, 1951; Mauricio, La corona negra (also known as La coronna nerd), 1952; Michele, La tratta delle bianche, 1952; Prince Sergio, La donna piu bella del mondo (also known as The Worlds Most Beautiful Woman and Beautiful But Dangerous), 1955; Giovanni d'Medici, Giovanni delle Bande Nere, 1956; title role, Kean, 1956; Michele, La cambiale, 1959; Le sorprese dell'amore, 1959; Caparra, Fantasmi a Roma, 1960; O'Caporale, / briganti italiani, 1961; Cimino, // giudizio universale, 1961; Una vita difficile, 1961; Adriano, AnimaNera, 1962; Domenico Rocchetti, La marcia su Roma, 1962; L'Avvocato, "L'avaro" in L amore difficile, 1962; Captain Nardoni, Frenesia dell'estate, 1963; Mario Ravicchio, // gaucho, 1964; Luci Ridolfi, Slalom, 1965; Brancaleone

Lorenzo Santenocito, In nome delpopolo italiano (also known as In the Name of the Italian People), Fida Cinematografica, 1971; title

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GAYNES

CAREER: STAGE DEBUT—(As George Jongejans) Merlin, The Wizard (opera), Teatro della Triennale, Milan, Italy, 1940. BROADWAY DEBUT—(As George Jongejans) Mr. Kofner, The Consul (opera), Ethel Barrymore Theatre, 1950. LONDON DEBUT—Jeff Moss, Bells Are Ringing, Coliseum Theatre, 1957. PRINCIPAL STAGE APPEARANCES—(As George Jongejans) Jupiter, Out of This World, New Century Theatre, New York City, 1951; Danilo, The Merry Widow (opera), University of Utah, Salt Lake City, UT, 1951; Bob Baker, Wonderful Town, Winter Garden Theatre, New York City, 1953; King David, Absalom, Artists Theatre, New York City, 1956; Mr. Lockit, The Beggar's Opera, City Center Theatre, New York City, 1957; Erno Gero, Shadow of Heroes, York Playhouse, New York City, 1961; ensemble, Brecht on Brecht (revue), American National Theatre and Academy (ANTA) Theatre Matinee Series, Theatre De Lys, New York City, 1961; Judge Aristide Forestier, Can-Can, City Center Theatre, 1962; Private Willis, lolante, Don Alhambra de Bolero, The Gondoliers, and title role, The Mikado, all City Center Theatre, \962;buyer,TheLadyof the Camellias, Winter Garden Theatre, 1963; the Prisoner, Dynamite Tonight, York Playhouse, 1964; Don Pedro, Beatrice et Benedict (opera), Washington DC Opera Company, Washington, DC, 1964; title role, The Mikado and Sergeant Meryll, The Yeoman of the Guard, both City Center Theatre, 1965; John Cleves, Any Wednesday, Music Box Theatre, New York City, 1965, then George Abbott Theatre, New York City, 1966; the Father, Of Love Remembered, ANTA Theatre, 1967; the Prisoner, Dynamite Tonight, Martinique Theatre, New York City, 1967; Mr. Scott, Posterity for Sale, American Place Theatre, St. Clement's Church Theatre, New York City, 1967; Orgon, Tartuffe, Inner City Repertory Theatre, Los Angeles, 1967; Henry Higgins, My Fair Lady, Civic Light Opera, Honolulu, HI, 1968.

da Norcia, L'armata Brancaleone, 1966; Bastiano da Sangallo, Le piacevoli notti, 1966; Pietro Breccia, Ilprofeta, 1967; Rafus, Dove vai tutta nuda?, 1969;FulvioBertuccia,//'0rcage/0, 1969;Filippo/ Giulio, La pecora nera, 1969; Vittorio, Lalibi, 1969. Riccardo, "Labombaallatelevisione" in Contestazione generate, 1970; Leonardo, // divorzio, 1970; title role, Scipione detto anche I'Africano, 1970; Guido Guidi, Che c'entriamo noi con la rivoluzione?, 1972; Scarpia, La Tosca, 1973; The Prophet, 1976; Franco Denza, / Telefoni bianchi, 1976; Antonie Mancuso, Come una rosa al naso (also known as Pure As a Rose), 1976; We All Loved Each Other So Much, Almi Cinema V, 1977; Achille Mengaroni, Camera d'albergo, 1980; Sonofotogenico (also known as I'm Photogenic), United Artists, 1980; Giro Coppa, // turno, 1981; Di padre in figlio (also known as From Father to Son), SACIS, 1983; and in The Outlaws, Streets of Sorrow, Girls Marked Danger, The House of the Lord, and The Hateful Dead. PRINCIPAL FILM WORK—Director, Senza famiglia nullatenenti cercano affetto (also known as Without Family), Interfilm, 1972; director, Di padre in figlio (also known as From Father to Son), SACIS, 1983; also directed (with Francesco Rosi),Kean, 1956; and (with Adolfo Celi and Luciano Lucignani), Ualibi, 1969. PRINCIPAL TELEVISION APPEARANCES—Series: Gerardo, // mattatore, 1958-59. Specials: Host, Night of Music, Arts and Entertainment, 1990. RELATED CAREER—Founder, Teatro Popolare Italiano (a theatre company), 1960. WRITINGS: STAGE—Viva Vittorio! (one-man show), Center Theatre Group, Mark Taper Forum, Los Angeles, then Promenade Theatre, New York City, both 1984. FILM—(Co-writer) Kean, 1956; (co-writer) L'alibi, 1969; (co-writer) Senza famiglia nullatenenti cercano affetto (also known as Without Family), Interfilm, 1972; Di padre in figlio (also known as From Father to Son), SACIS, 1983. TELEVISION—Episodic: // attatore, 1958-59. OTHER—Une grande avvenire dietro le spalle, 1981.

Jupiter, Metamorphoses, Center Theatre Group, Mark Taper Forum, Los Angeles, 1971; Maitre du Frene, Gigi, Uris Theatre, New York City, then Playhouse Theatre, Wilmington, DE, both 1973; Robert Baker, Wonderful Town, Dorothy Chandler Pavilion, Los Angeles, then San Francisco, CA, both 1975. Also appeared in (as George Jongejans) La Malade imaginaire, Maison du Peuple, Lausanne, Switzerland, 1935; (as George Jongejans) Pulcinella (opera), Teatro della Triennale, Milan, Italy, 1940; (as George Jongejans) in concert, Salle du Conservatoire, Paris, France, 1947; God Bless, Yale Drama School, New Haven, CT, 1968; and as Leporello, Don Giovanni, Figaro, Le Nozze di Figaro, and Dandini, Cenerentola (operas), all with the New York City Opera Company.

AWARDS: Best Actor Award from the Cannes Film Festival, 1975, for Profumo di donna; also received Italian awards as theatre actor of the year (four times) and film actor of the year (four times). ADDRESSES: OFFICE—Via Flaminia 497, 00191 Rome, Italy.

MAJOR TOURS—Henry Higgins, My Fair Lady, U.S. cities, 1964; Michael Jardeen, A Community of Two, U.S. cities, 1973; Maitre du Frene, Gigi, U.S. cities, 1974; also appeared inJacobowskyand the Colonel, U.S. cities, 1967. FILM DEBUT—P.T. 109, Warner Brothers, 1962. PRINCIPAL FILM APPEARANCES—Brook Latham, The Group, United Artists, 1966; Paul McGill, Doctors' Wives, Columbia, 1971; El Morocco captain, The Way We Were, Columbia, 1973; mission director, Marooned, Twentieth Century-Fox, 1973; Dr. Marderosian, The Boy Who Cried Werewolf, Universal, 1973; Reginald Kingsley, Nickelodeon, Columbia, 1976; Prince, Harry and Walter Go to New York, Columbia, 1976; Dr. Wissenschaft, Altered States, Warner Brothers, 1980; Dr. Forrest, Dead Men Don't Wear Plaid, Universal, 1982; John Van Horn, Tootsie, Columbia, 1982; Ravitch, To Be or Not to Be, Twentieth Century-Fox, 1983; Dr. Eugene Glztszki, Micki and Maude, Columbia, 1984; Commandant Lassard, Police Academy, Warner Brothers, 1984; Commandant Lassard, Police Academy 2: Their First Assignment, Warner Brothers, 1985; Commandant Lassard, Police Academy 3: Back in Training, Warn-

GAYNES, George 1917(George Jongejans) PERSONAL: Born George Jongejans, May 3, 1917, in Helsinki, Finland; son of Gerritt (in business) and lya Grigorievna Gay, Lady Abdy (an artist) Jongejans; married Allyn Ann McLerie (an actress), December 20, 1953; children: one son, one daughter. EDUCATION—Graduated from the College Classique Cantonal (Lausanne, Switzerland), 1937; attended Scuola Musicale di Milano, 1938-39; trained for the stage with Lee Strasberg, 1953-58, and with John Daggett Howell, 1960. MILITARY—Royal Netherlands Navy, sub-lieutenant, 1943-45; Royal British Navy, 1945-46. VOCATION: Actor and opera singer. 157

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er Brothers, 1986; Commandant Lassard, Police Academy 4: Citizens on Patrol, Warner Brothers, 1987; Commandant Lassard, Police Academy 5: Assignment Miami Beach, Warner Brothers, 1988; Commandant Lassard, Police Academy 6: City Under Siege, Warner Brothers, 1989. Also appeared in Joy House (also known as Les Felins and The Love Cage}, Metro-Goldwyn-Mayer, 1964; Ternosecco (also known as /'// Be Right Back, I numeri del lotto, The Numbers Game, Nini Ternosecco, and The Lottery Game), Cecchi Gori Group/Fair Film, 1986; Un tassinaro a New York (also known as A Taxi Driver in New York), Italian International, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Sam Reynolds, Search for Tomorrow, CBS, 1971; Frank Smith, General Hospital, ABC, 1980; Henry Warnimont, Punky Brewster, NBC, 1984-86; voice of Henry Warnimont, Punky Brewster (animated), NBC, 1985-87; Arthur Feldman, The Days and Nights of Molly Dodd, NBC, 1988, then Lifetime, 1989—. Mini-Series: Orestes Bradley, Captains and the Kings, NBC, 1976; Max Vincent, Rich Man, Poor Man—Book II, ABC, 1976-77; Brewster Perry, Washington: Behind Closed Doors, ABC, 1977; John Prince, Scruples, CBS, 1980. Pilots: David Allen, The Girl in the Empty Grave, NBC, 1977. Episodic: Gerald Millburn, Hotel, ABC, 1986; Judge Dunaway, Matlock, NBC, 1987; also East Side/West Side, CBS, 1963; Cheers, NBC, 1983; The Defenders, CBS; Armstrong Circle Theatre, NBC; The U.S. Steel Hour, CBS; Alfred Hitchcock, CBS; Accent, CBS; Bonanza, NBC; Columbo, NBC; The Law, NBC; The Six Million Dollar Man, ABC;Mannix, CBS; Hawaii Five-0, CBS; Mission: Impossible, CBS. Movies: Dr. Chester Ramsey, Trilogy of Terror, ABC, 1975; Harding, Woman of the Year, CBS, 1976; Wylie, Breaking Up Is Hard to Do, ABC, 1979; Evita's doctor, Evita Peron, NBC, 1981; Archangel, // Came Upon the Midnight Clear, syndicated, 1984. Specials: Dancing master, The Would-Be Gentleman, CBS, 1955; Whitelaw Savory, One Touch of Venus, NBC, 1955; commander, "Mom's on Strike," ABC Afterschool Specials, ABC, 1984; also Hallmark Hall of Fame, NBC.

MICHAEL V. GAZZO

for the stage at the Actors' Studio. MILITARY—U.S. Army Air Forces, 1942-44.

PRINCIPAL TELEVISION WORK—Episodic: Director, WKRP in Cincinnati, CBS.

VOCATION: Actor, director, and writer.

RELATED CAREER—(As George Jongejans) First and second basso, Opera House, Mulhouse, France, 1947-48; (as George Jongejans) first basso, Opera House, Strasbourg, France, 1948-49; (as George Jongejans) basso, New York City Opera; member, Actors' Studio, New York City, 1960—; acting teacher, Yale University, New Haven, CT, 1968-69.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Tripe Face, The Aristocrats, President Theatre, New York City, 1946; Dr. Einstein, Arsenic and Old Lace, Great Neck Playhouse, Great Neck, NY, 1946; Ben Hubbard, The Little Foxes, Shields, Shadow of a Gunman, Captain Boyle, Juno and the Pay cock, Uncle, The Trial, and in The Sheepwell and The Petrified Forest, all with the Dramatic Workshop of the New School for Social Research, President Theatre and Rooftop Theatre, New York City, 1946-49; Destructive Desmond, The Dog Beneath the Skin, Cherry Lane Theatre, New York City, 1947; beggar, Night Music, Equity Library Theatre, American National Theatre and Academy Theatre, New York City, 1951; A. Ratt, Camino Real, National Theatre, New York City, 1953.

MEMBER: American Guild of Musical Artists, Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. ADDRESSES: AGENT—Jonathan Howard, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

GAZZO, Michael V.

PRINCIPAL STAGE WORK—All as director, unless indicated. Associate director, Alfred, Great Neck Playhouse, Great Neck, NY, 1946; Androcles and the Lion, Great Neck Playhouse, 1946; (with Alexis Solomas) The Dog Beneath the Skin, Cherry Lane Theatre, New York City, 1947; Within the Gates, Provincetown Playhouse, New York City, 1947; Yes Is for a Very Young Man, Off-Broadway Inc., New York City, 1949. Also The Imbecile and The Cause of It All, both with the Dramatic Workshop of the New School for Social Research.

1923-

PERSONAL: Full name, Michael Vincente Gazzo; born April 5, 1923, in Hillside, NJ; son of Michael Basile (a bartender) and Elvira (Lunga) Gazzo; married Grace Benn, July 8, 1944; children: Peppi, Michael, Christopher. EDUCATION—Graduated from the Dramatic Workshop of the New School for Social Research, 1949; trained

PRINCIPAL FILM APPEARANCES—Black suit, The Gang That 158

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Couldn't Shoot Straight, Metro-Goldwyn-Mayer, 1971; Frank Pentangeli, The Godfather, Part II, Paramount, 1974; Muzi, Black Sunday, Paramount, 1977; Ben Angelelli, Fingers, Brut, 1978; Spiro Georgio, King of the Gypsies, Paramount, 1978; Harry, The Fish That Saved Pittsburgh, United Artists, 1979; Lobo, Love and Bullets, Associated Film Distribution, 1979; Police Chief Clark, Alligator, Group I, 1980; Rosselini, Cuba Crossing (also known as Kill Castro and Assignment: Kill Castro), Key West, 1980; Tazio, Back Roads, Warner Brothers, 1981; Frankie, Body and Soul, Cannon, 1981; Sonny, CannonballRunll, Warner Brothers, 1984; Mike, Fear City, Chevy Chase Distribution, 1984; Carmine, Cookie, Warner Brothers, 1989. Also appeared in On the Waterfront, Columbia, 1954; The Pride and the Passion, United Artists, 1957; A Man Called Adam, Embassy, 1966; Crazy Joe, Columbia, 1974; Sudden Impact, Warner Brothers, 1983; The Gun, Columbia.

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artist, Dramatists Guild, Screen Writers Guild, Screen Actors Guild.

TELEVISION DEBUT—Russian officer, Philco Television Playhouse, NBC, 1950. PRINCIPAL TELEVISION APPEARANCES— Pilots: Banker, Beach Patrol, ABC, 1979. Episodic: The Quest, NBC, 1916'Future Cop, ABC, 1977; Taxi, ABC, 1979; Supertrain, NBC, 1979; Sweepstakes, NBC, 1979; B.A.D. Cats, ABC, 1980; Small andFrye, CBS, 1983; also Crime Syndicated, CBS; Goodyear Television Playhouse, NBC; Danger, CBS; Crime Photographer, CBS; Robert Montgomery Presents Your Lucky Strike Theatre, NBC; Suspense, CBS; Assignment Manhunt (also known as Manhunt), NBC; The Defenders, CBS; Kojak, CBS; Medical Center, CBS; Baretta, ABC; Alice, CBS; Welcome Back, Kotter, ABC; Switch, CBS; Starsky and Hutch, ABC; Feather and Father Gang, ABC; Serpico, NBC; Columbo, NBC; Barnaby Jones, CBS; Vega$, ABC; Fantasy Island, ABC; Magnum P.L, CBS; The Fall Guy, ABC; Cagney and Lacey, CBS; Darkroom, ABC; Ellery Queen; Beach Patrol; The Clock; Celebrity Time; and Crime of the Century. Movies: Mario Russo, Brink's: The Great Robbery, CBS, 1976; Sartene, Beggarman, Thief, NBC, 1979; Tripoli, Sizzle, ABC, 1981; Johnny Masseta, Blood Feud, syndicated, 1983; Marullo, John Steinbeck's "TheWinter of Our Discontent," CBS, 1983; Sal Arcola, First and Ten, HBO, 1985; Joseph Salina, Blood Ties, Showtime, 1986.

PERSONAL: Born September 10, 1948, in Arundel, England. EDUCATION—Studied acting at the Corona Stage School.

SIDELIGHTS: RECREATIONS—Painting, photography, films, and sculpting. ADDRESSES: AGENT—Mike Greenfield, Charter Management, 9000 Sunset Boulevard, Los Angeles, CA 90069.

GEESON, Judy

1948-

VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Marigold Watson, The Common Pursuit, Promenade Theatre, New York City, 1986. PRINCIPAL STAGE APPEARANCES—Desdemona, An Othello, Open Space Theatre, London, 1972; Lavinia, Titus Andronicus, Royal Shakespeare Company (RSC), Aldwych Theatre, London, 1973; Vivien 532, Section Nine, RSC, the Place, Stratford-onAvon, U.K., 1973; Lizzie, Next Time I'll Sing to You, Greenwich Theatre, London, 1980; Lemon's mother, Aunt Dan and Lemon, Mark Taper Forum, Taper Too, Los Angeles, 1987; Zoe, Henceforward . . ., Alley Theatre, Houston, TX, 1987. Also appeared in The Real Thing, Strand Theatre, London, 1985; and in productions of Two Gentlemen of Verona and An Ideal Husband.

WRITINGS: STAGE—A Hatful of Rain, Lyceum Theatre, New York City, 1955; Night Circus, John Golden Theatre, New York City, 1958; The Death of the Kitchen Table in Our Fair City, 1966; What Do You Really Know About Your Husband?, Shubert Theatre, New Haven, CT, 1967; And All That Jazz and Like They Did the Buffalo, both Actors' Studio, New York City, 1967; also My Name Ain't Abe, Dramatic Workshop, New York City. FILM—(With Alfred Hayes) A Hatful of Rain, Twentieth Century-Fox, 1957; King Creole, Paramount, 1958; The World of Johnny Cool, United Artists, 1964. TELEVISION—A Hatful of Rain, ABC, 1968.

PRINCIPAL FILM APPEARANCES—Jane, Wings of Mystery, Children's Film Foundation, 1963; Angela Rivers, Berserk, Columbia, 1967; Pamela Dare, To Sir, with Love, Columbia, 1967; Sue Trenton, Hammerhead, Columbia, 1968; Mary Gloucester, Here We Go Round the Mulberry Bush, United Artists, 1968; Geraldine Hardcastle, Prudence and the Pill, Twentieth Century-Fox, 1968; Ella Patterson, Three into Two Wont Go, Universal, 1969; Jane, Two Gentlemen Sharing, American International, 1969; Polly Bendel, The Executioner, Columbia, 1970; Jacki Dewar, Goodbye Gemini, Cinerama, 1970; Beryl Evans, 10 Rillington Place, Columbia, 1971; Peggy Heller, Fear in the Night, International, 1972; Jennifer Thatcher, Brannigan, United Artists, 1975; Sergeant Tilly Willing, Carry On England, Rank, 1976; Pamela Verecker, The Eagle Has Landed, Columbia, 1976; Marjorie Craven, Dominique, Subotsky, 1978; Dr. Fairweather, It's Not the Size That Counts (also known as Percy's Progress), Joseph Brenner, 1979; Sandy, Horror Planet (also known as Inseminoid), Almi, 1982; voice of Pekinese, The Plague Dogs (animated), United International, 1984; Anthea, The Price of Life, Discovery Program/Chanticleer, 1988. Also appeared in Haendeligt Uheld (also known as One of Those Things), NordiskFilmKompagni, \910\Doomwatch, Tigon, \912;Diagnosis: Murder, Silhouette, 1974.

AWARDS: Variety Drama Critics' Poll Award, Most Promising Playwright (tied with Paddy Chayefsky), 1955-56, for A Hatful of Rain; the screenplay for the film version of A Hatful of Rain was named One of the Best Screenplays of 1957 by Film Daily; Rockefeller Foundation grant, 1966, for The Death of the Kitchen Table in Our Fair City; Academy Award nomination, Best Supporting Actor, 1975, for The Godfather, Part II; Lee Strasberg Actors' Studio Award.

PRINCIPAL TELEVISION APPEARANCES—Series: Fulvia, Star Maidens, syndicated, 1977. Mini-Series: Caroline Penvenen, Poldark II, BBC, then Masterpiece Theatre, PBS, 1978; Susan, Danger UXB, Thames Television, then Masterpiece Theatre, PBS, 1981. Pilots: Jody Kenyon, Sam Hill: Who Killed the Mysterious Mr. Foster?, NBC, 1971. Episodic: Sister Ruth, Murder, She Wrote, CBS, 1986; Marlena, The A-Team, NBC, 1986; Patricia Magnuson, Hotel, ABC, 1986; Elena/Liane, MacGyver, ABC,

RELATED CAREER—Acting teacher, 1950—; member, Actors' Studio, 1952—; founder, Gazzo Theatre Workshop, Los Angeles, CA. NON-RELATED CAREER—Machinist.

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1988; also Secret Agent, CBS, 1966; "Night Is the Time for Killing," Wide World of Mystery, ABC, 1975; "Another Time, Another Place," Space 7999, syndicated, 1976. Movies: Babs, The Secret Life of Kathy McCormick, NBC, 1988. Specials: Helen Marlow, Murder on the Midnight Express, ABC, 1975.

RELATED CAREER—Professional model. AWARDS: Emmy Award nomination, 1981, for Archie Bunker's Place; also received an Emmy Award nomination for Mission: Impossible.

ADDRESSES: AGENTS—Richard Stone Partnership, 25 Whitehall Street, London SW1A 2BS, England; Writers and Artists Agency, 11726 San Vicente Boulevard, Suite 300, Los Angeles, CA 90049.*

GEORGE, Lynda Day (Lynda Day)

ADDRESSES: AGENT—Irv Schecter Company, 9300 Wilshire Boulevard, Suite 410, Beverly Hills, CA 90212.*

1946GOLDMAN, Bo

PERSONAL: Born December 11, 1946, in San Marcos, TX; married second husband, Christopher George (an actor), May 15, 1970 (died, November 29, 1983); children: Nicky (first marriage).

1932-

PERSONAL: Born September 10, 1932, in New York, NY; son of Julian (a Broadway producer and proprietor of retail stores) and Lillian (a hat model; maiden name, Levy) Goldman; married Mab Ashforth (a jewelry designer), January 2, 1954; children: Mia, Amy, Diana, Jesse, Serena, Justin. EDUCATION—Princeton University, A.B., 1953. MILITARY—U.S. Army, sergeant, 195456.

VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—(As Lynda Day) Kim, The Outsider, Universal, 1962; (as Lynda Day) Judy Reynolds, The Gentle Rain, Allied Artists, 1966; (as Lynda Day) Sue McSween, Chisum, Warner Brothers, 1970; Terry Marsh, Day of the Animals (also known as Something Is Out There), Film Ventures, 1977; Kate, The Amazing Captain Nemo, Columbia/EMI/ Warner, 1978; Monica, Racquet, Cal-Am, 1979; Barbara, Beyond Evil, Scope III, 1980; Eve Parsons, Mortuary, Film Ventures, 1983; Mary Riggs, Pieces, Spectacular, 1983; Beverly Carrigan, Young Warriors, Cannon, 1983. Also appeared in Nitro, 1978; Beyond Reasonable Doubt, Satori, 1980; and The Junkman, Halicki, 1982.

VOCATION: Screenwriter, producer, and director. CAREER: Also see WRITINGS below. PRINCIPAL TELEVISION WORK—Series: Associate producer, Playhouse 90, CBS, 195860; producer, NET Playhouse, WNET, 1970-71; producer, Theater in America, PBS, 1972-74. WRITINGS: STAGE—Lyricist (with Glen Paxton), First Impressions, Alvin Theatre, New York City, 1959. FILM—(With Lawrence Hauben) One Flew Over the Cuckoo's Nest, United Artists, 1975; (with Maximilian Schell and Friedrich Duerrenmatt) Der Richter und Sein Henker (also known as End of the Game and Murder on the Bridge), Twentieth Century-Fox, 1975; (with William Kerby and Michael Cimino) The Rose, Twentieth CenturyFox, 1979; Melvin and Howard, Universal, 1980; Shoot the Moon, Metro-Goldwyn-Mayer/United Artists, 1982; (with Rob Morton) Swing Shift, Warner Brothers, 1984; (with John Hill) Little Nikita, Columbia, 1988. TELEVISION—Series: NET Playhouse, PBS, 1970-71; Theatre in America, PBS, 1972-74. OTHER—Contributor of articles to the New York Times.

PRINCIPAL TELEVISION APPEARANCES—Series: (As Lynda Day) Amelia Cole, The Silent Force, ABC, 1970-71; Lisa Casey, Mission: Impossible, CBS, 1971-73; Kate Melton, The Return of Captain Nemo, CBS, 1978. Mini-Series: Linda Quales,/?/c7z Man, Poor Man, ABC, 1976; Marge Chrysler, Once an Eagle, NBC, 1976-77; Mrs. Reynolds, Roots, ABC, 1977. Pilots: (As Lynda Day) Barbara Keeley, The Sound of Anger, NBC, 1968; (as Lynda Day) Lillian Crane, The House on Greenapple Road, ABC, 1970; (as Lynda Day) Christie, Cannon, CBS, 1971; Clio DuBois, The Barbary Coast, ABC, 1975; Lisa Manning, Mrs. R—Death Among Friends, NBC, 1975; Nancy Pendleton, Twin Detectives, ABC, 1976; Carol, Casino, ABC, 1980; Margo Hilliard, Quick and Quiet, CBS, 1981. Episodic: Nazi superwoman, Wonder Woman, CBS, 1976; Louise Richmond, Blacke's Magic, NBC, 1986; Lisa Casey, Mission: Impossible, ABC, 1989; also Archie Bunker's Place, CBS, 1981; Fantasy Island, ABC. Movies: (As Lynda Day) Barbara, FearNoEvil, NBC, 1969; (as Lynda Day)Almy Gregory, The Sheriff, ABC, 1971; (as Lynda Day) Molly Thornburgh, Set This Town on Fire, NBC, 1973; Sara Cornell, She Cried Murder, CBS, 1973; Mary Ellen Lewis, Panic on the 5:22, ABC, 1974; Louise Kennelly, The Trial of Chaplain Jensen, ABC, 1975; Cathy Armello, Mayday at 40,000 Feet!, CBS, 1976; Valerie Adams, It Happened at Lakewood Manor, ABC, 1977; Margo Mannering, Murder at the World Series, ABC, 1977; Sandra Barry, Cruise into Terror, ABC, 1978. Specials: Cathy Moore, Come Out, Come Out, Wherever You Are, ABC, 197'4; Battle of the Network Stars, ABC, 1977; ABC's Silver Anniversary Special—25 and Still the One, ABC, 1978.

AWARDS: Academy Award, Best Screenplay Adapted from Other Material, Golden Globe Award, Best Screenplay, and Writers Guild Award, all 1976, for One Flew Over the Cuckoo's Nest; Academy Award, Best Original Screenplay, New York Film Critics' Award, and Writers Guild Award, all 1981, for Melvin and Howard. MEMBER: Writers Guild of America-West, Academy of Motion Pictures Arts and Sciences, Dramatists Guild, American Society of Composers, Authors, and Publishers. ADDRESSES: AGENT—Jim Wiatt, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.* 160

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GOLDMAN, James (Winston Beard)

1927-

PERSONAL: Born June 30, 1927, in Chicago, IL; son of Maurice Clarence (in business) and Marion (Weil) Goldman; married Marie McKeon, March 5, 1962 (divorced, 1972); married Barbara Deren (a producer and manager), October 25, 1975; children: Julia, Matthew (first marriage). EDUCATION—University of Chicago, Ph.B., 1947, M.A., 1950; post-graduate work in musicology, Columbia University, 1950-52. MILITARY—U.S. Army, private first class, 1952-54. VOCATION: Writer. CAREER: See WRITINGS below. RELATED CAREER—Associate, Department of Film, Brooklyn College, Brooklyn, NY; member, Mayor's Ad Hoc Committee on Theatre, New York City. WRITINGS: STAGE—They Might Be Giants, Stratford Theatre Royal, London, 1961; (with William Goldman) Blood, Sweat, and Stanley Poole, Morosco Theatre, New York City, 1961, published by Dramatists Play Service, 1962; lyrics and (with William Goldman) book, A Family Affair, Billy Rose Theatre, New York City, 1962; The Lion in Winter, Ambassador Theatre, New York City, 1966, first produced in London, 1969, published by Random House, 1966; book, Follies, Winter Garden Theatre, New York City, 1971, published by Random House, 1971, revised version produced in Manchester, U.K., 1985, then in London, 1987. FILM—The Lion in Winter, AVCO-Embassy, 1968, published by Dell, 1968; (with Edward Bond) Nicholas and Alexandra, Columbia, 1971; They Might Be Giants, Universal, 1971, published by Lancer Books, 1970; Robin and Marian, Columbia, 1976, published by Bantam, 1976; (with Eric Hughes) White Nights, Columbia, 1985.

JAMES GOLDMAN

MEMBER: Dramatists Guild (council member, 1966—), Authors League of America (council member, 1966—), Academy of Motion Picture Arts and Sciences, National Academy of Television Arts and Sciences, Writers Guild, Broadcast Music Incorporated, French Academy of Playwrights, National Academy of Recording Artists, P.E.N., Explorers Club (fellow), Les Compagnons du Beaujolais, New York Athletic Club.

TELEVISION—Mini-Series: (As Winston Beard; with April Smith) Queenie, ABC, 1987. Movies: Oliver Twist, CBS, 1982; (with Simon Langton) Anna Karenina, CBS, 1985; Anastasia: The Mystery of Anna, NBC, 1986. Specials: Evening Primrose, ABC, 1967; "Follies in Concert," Great Performances, PBS, 1986.

SIDELIGHTS: RECREATIONS—Croquet, tennis, music, and reading. OTHER—Waldorf (novel), Random House, 1965; The Man from Greek and Roman (novel), Random House, 1974; Myself as Witness (novel), Random House, 1980; (contributor) Where to Eat in America (nonfiction), Scribners, 1987; (contributor) Feast of Wine and Food (nonfiction), Morrow, 1987; Fulton County (novel), Morrow, 1989; also contributor to such periodicals as Atlantic Monthly, Chicago Tribune Book World, Dramatics Magazine, Harpers Bazaar, Penthouse, and Food and Wine.

ADDRESSES: AGENTS—Hal Ross and Ron Mardigian, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212. MANAGER—Barbara Deren Goldman, Barbara Deren Associates Inc., 965 Fifth Avenue, Penthouse, New York, NY 10021.

AWARDS: Academy Award, Best Adapted Screenplay, 1968, American Screenwriters Award, 1968, Writers Guild Award, 1968, Golden Globe nomination, 1968, British Screenwriters Award, 1969, and Zeta Plaque from the Writers Guild of Great Britain, 1969, all for A Lion in Winter; New York Drama Critics Award (with Stephen Sondheim), Best New Musical, 1971, and Antoinette Perry Award nomination, Best Book for a Musical, 1972, both for Follies; Writers Guild Award nomination, Best Teleplay, 1983, for Oliver Twist; Diplome d'Honneur from the Corporation des Vignerons de Champagne, 1985; Drama Magazine Award, Evening Standard Award, Olivier Award, and Plays and Players Award, all Best Musical, 1987, for Follies (revised version); Writers Guild Award nomination, Best Teleplay, 1988, for Anastasia: The Mystery of Anna.

GOLDWYN, Samuel, Jr.

1926-

PERSONAL: Full name, Samuel John Goldwyn, Jr.; born September 7, 1926, in Los Angeles, CA; son of Samuel John (a film producer) and Frances (Howard) Goldwyn; married Peggy Elliott, August 23, 1969; children: Catherine, Francis, John, Anthony, Elizabeth, Peter. EDUCATION—Attended the University of Virgina. MILITARY—U.S. Army, 1944-46 and 1951-52. VOCATION: Producer and director. CAREER: PRINCIPAL STAGE WORK—Producer, Gathering Storm, London, England. 161

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FIRST FILM WORK—Producer, Man with the Gun (also known as Man Without a Gun and The Trouble Shooter), United Artists, 1955. PRINCIPAL FILM WORK—All as producer, unless indicated: The Sharkfighters, United Artists, 1956; The Proud Rebel, Buena Vista, 1958; The Adventures of Huckleberry Finn, Metro-Gold wynMayer (MGM), 1960; (also director) The Young Lovers, MGM, 1964; Cotton Comes to Harlem, United Artists, 1970; Come Back, Charleston Blue, Warner Brothers, 1972; The Golden Seal, Samuel Goldwyn Company/New Realm, 1983; executive producer, Once Bitten, Samuel Goldwyn Company, 1985; executive producer, A Prayer for the Dying, Samuel Goldwyn Company, 1987; Mr. North, Samuel Goldwyn Company, 1988; executive producer, Mystic Pizza, Samuel Goldwyn Company, 1988. Also director of Alliance for Peace and other documentaries for the U.S. Army.

1966; (director only) How to Succeed with Sex (also known as How to Succeed with the Opposite Sex), Medford, 1970; Necromancy (also known as The Witching), Cinerama, 1972; (also cinematographer) The Mad Bomber (also known as Police Connection: Detective Geronimo), Cinemation, 1973; (also special effects coordinator) The Food of the Gods, American International, 1976; (also special effects coordinator with Roy Downey) Empire of the Ants, American International, 1977; The Big Bet, Golden Communications/ Golden Harvest, 1986. PRINCIPAL TELEVISION WORK—Series: Production supervisor, The Racket Squad, CBS, 1951-53. RELATED CAREER—Producer of television commercials; television production supervisor.

PRINCIPAL TELEVISION WORK—All as producer, unless indicated. Series: Adventure, CBS, 1952-53; also The Unexpected, 1954. Pilots: The Unexplained, NBC, 1956. Specials: 59th Annual Academy Awards Presentation, ABC, 1987; executive producer, "April Morning," Hallmark Hall of Fame, CBS, 1988; 60th Annual Academy Awards Presentation, ABC, 1988.

WRITINGS: See production details above. FILM—Serpent Island, 1954; (with Al Zimbalist and Tom Cries) King Dinosaur, 1955; (with Mark Hanna) The Amazing Colossal Man, 1957; Cyclops, 1957; The Spider, 1958; Attack of the Puppet People, 1958; Tormented, 1960; The Magic Sword, 1962; Village of the Giants, 1965; How to Succeed with Sex, 1970; Necromancy, 1972; TheMadBomber, 197'3; The Food of the Gods, 197'6; The Big Bet, 1986.*

RELATED CAREER—Writer and associate producer, J. Arthur Rank Organization; owner and chief executive officer, Samuel Goldwyn Company, Los Angeles, 1978—; trustee, American Film Institute; board of directors, Centre Theatre Group, Los Angeles. NON-RELATED CAREER—President of the board of trustees, Fountain Valley School, CO; president, Samuel Goldwyn Foundation.

GOULD, Harold AWARDS: Emmy Award, Outstanding Variety/Music Events Programming, 1988, for 60th Annual Academy Awards Presentation; also Edinburgh Film Festival Prize for Alliance for Peace.

1923-

PERSONAL: Born Harold V. Goldstein, December 10, 1923, in Schenectady, NY; son of Louis Glen (a post office clerk) and Lillian (a clerk for the New York State Department of Health) Goldstein; married Lea Shampanier (an actress; professional name, Lea Vernon), August 20, 1950; children: Deborah, Joshua, Lowell. EDUCATION—New York State College for Teachers (now State University of New York at Albany), B.A., 1947; Cornell University, M.A., 1948, Ph.D., 1953. MILITARY—U.S. Army, 1943-45.

ADDRESSES: OFFICE—Samuel Goldwyn Company, 10203 Santa Monica Boulevard, Los Angeles, CA 90067.*

CAREER: Actor.

GORDON, Bert I.

1922CAREER: STAGE DEBUT—Thomas Jefferson, The Common Glory, Amphitheatre, Williamsburg, VA, 1955. OFF-BROADWAY DEBUT—Dr. Edward Huml, The Increased Difficulty of Concentration, Repertory Theatre of Lincoln Center, Forum Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Edmund, King Lear and Benedick, Much Ado about Nothing, both Oregon Shakespeare Festival, Ashland, OR, 1958; Old Man, The World of Ray Bradbury, Coronet Theatre, Los Angeles, 1964; Goldberg, The Birthday Party, University of California at Los Angeles Theatre Group, Los Angeles, 1966; Anselme and Harpagon, The Miser, Center Theatre Group, Mark Taper Forum, Los Angeles, 1968; Sosias, Amphitryon, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1970; Artie Shaughnessy, The House of Blue Leaves, Truck and Warehouse Theatre, New York City, 1971; Glogauer, Once in a Lifetime, Center Theatre Group, Mark Taper Forum, 1975; Dr. Zubritsky, Fools, Eugene O'Neill Theatre, New York City, 1981; Jack, Grownups, Lyceum Theatre, New York City, 1981, then Center Theatre Group, Mark Taper Forum, 1982; Mr. Antrobus, The Skin of Our Teeth, Old Globe Theatre, San Diego, CA, 1983; Nat, FmNotRappaport, Seattle Repertory Theatre, Seattle, WA, 1984; Goldberg, The Birthday Party, Los Angeles Theatre Center, Los Angeles, 1986; Tom Garrison, / Never Sang for My Father, Eisenhower Theatre, Kennedy Center for the Performing Arts,

PERSONAL: Born September 24, 1922, in Kenosha, WI; wife's name, Flora; children: Susan. EDUCATION—Attended the University of Wisconsin. VOCATION: Producer, director, special effects coordinator, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— All as producer and director, unless indicated: Serpent Island, Medallion-TV, 1954; King Dinosaur, Lippert, 1955; Beginning of the End, Republic, 1957; (also special effects coordinator) The Amazing Colossal Man, American International, 1957; (also special effects coordinator) Cyclops, Allied Artists, 1957; (also special effects coordinator) Attack of the Puppet People, American International, 1958; (also special effects coordinator) The Spider (also known as Earth vs. the Spider), American International, 1958; (also special effects coordinator) War of the Colossal Beast (also known as The Terror Strikes), American International, 1958; The Boy and the Pirates, United Artists, 1960; producer (with Joe Steinberg) and director, Tormented, Allied Artists, 1960; The Magic Sword, United Artists, 1962; (also special effects coordinator) Village of the Giants, Embassy, 1965; Picture Mommy Dead, Embassy,

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Seasons Entertainment, 1989. Also appeared in Two for the Seesaw, United Artists, 1962; Mamie, Universal, 1964. TELEVISION DEBUT—Hong Kong, To Catch a Star, 1960. PRINCIPAL TELEVISION APPEARANCES—Series: Chamberlain, The Long, Hot Summer, ABC, 1965-66; Norman Nugent, He and She, CBS, 1967-68; Martin Morgenstern, Rhoda, CBS, 1974-78; Harry Danton, The Feather and Father Gang, ABC, 1977; David Ross, ParkPlace, CBS, 1981; Jonah Foot, Foot in the Door, CBS, 1983; Ben Sprague, Under One Roof, NBC, 1985. Mini-Series: Carl Tessler, Washington: Behind Closed Doors, ABC, 1977. Pilots: Mr. Hunnicutt, Under the Yum Yum Tree, NBC, 1969; Carlson, Ransom for a Dead Man, NBC, 1971; Howard Cunningham, Love and the Happy Days (broadcast as an episode of Love, American Style), ABC, 1972; Dave Ryker, Murdoch's Gang, CBS, 1973; Matthew Brandon, Bachelor at Law, CBS, 1973; Dr. Federicci, Medical Story, NBC, 1975; Samuel Quilt, Flannery and Quilt, NBC, 1976; Harry Danton, Never Con a Killer, ABC, 1977; Jack Waine, No Complaints!, NBC, 1985; Jack Traynor, Tickets, Please (broadcast as an episode of CBS Summer Playhouse), CBS, 1988. Episodic: General Larrabee, "Probe 7—Over and Out," The Twilight Zone, CBS, 1963; radio announcer, "The Bewitchin' Pool," The Twilight Zone, CBS, 1964; Martin Morgenstern, The Mary Tyler Moore Show, CBS, 1972 and 1973; George Antrobus, "The Skin of Our Teeth," American Play house, PBS, 1983; Arnie, The Golden Girls, NBC, 1985; Dr. Victor Kosciusko, Trapper John, M.D., CBS, 1985; Andrei Zernov, Scarecrow and Mrs. King, CBS, 1986; Harry Finneman, LA. Law, NBC, 1986; Walter Wise, Night Court, NBC, 1986; Tom Garrison, "I Never Sang for My Father," American Playhouse, PBS, 1988; Charlie Drexel, Midnight Caller, NBC, 1989; also The Invaders, ABC, 1967 and 1968; Police Story, NBC, 1974; "To the Chicago Abyss," TheRay Bradbury Theatre, USA, 1989; The Jack Benny Show, NBC; The Danny Kaye Show, CBS; The Red Skelton Show, CBS; Dennis the Menace, CBS; Gunsmoke, CBS; The Donna Reed Show, ABC; Hazel, NBC; The Dick Van Dyke Show, CBS; The Farmer's Daughter, ABC; The Big Valley, ABC; The Flying Nun, ABC; Wild, WildWest, CBS; Get Smart, NBC;/ Dream ofJeannie, NBC; Hawaii Five-O, CBS; Love on a Rooftop, ABC; Petrocelli, NBC; Streets of San Francisco, ABC; Soap, ABC; Lou Grant, CBS; The Love Boat, ABC; St. Elsewhere, NBC.

HAROLD GOULD

Washington, DC, then Center Theatre Group, Ahmanson Theatre, Los Angeles, both 1987; Beauchamp, Artist Descending a Staircase, Helen Hayes Theatre, New York City, 1989. Also appeared in The Devils, Center Theatre Group, Mark Taper Forum, 1967; Buying Out, Studio Arena Theatre, Buffalo, NY, 1971; Touching Bottom, American Place Theatre, New York City, 1978; with the Center Theatre Group, Mark Taper Forum, 1961; and in productions ofSeidman and Son, Rhinoceros, The Price, and Freud (oneman show).

Movies: Alexander Weisberg, A Death of Innocence, CBS, 1971; Mr. Henshaw, How to Break Up a Happy Divorce, NBC, 1976; Benny Barnet, The Eleventh Victim, CBS, 1979; Dr. Hoxley, Aunt Mary, CBS, 1979; Harry Landers, Better Late Than Never, NBC, 1979; Dickie Dayton, The Man in the Santa Claus Suit, NBC, 1979; Arthur Stowbridge, Kenny Rogers as "The Gambler," CBS, 1980; Louis B. Mayer, Moviola: The Silent Lovers, NBC, 1980; Louis B. Mayer, Moviola: The Scarlett O'Hara War, NBC, 1980; Mr. Campana, King Crab, ABC, 1980; Robert Westfield, Born to Be Sold, NBC, 1981; Eliot Bingham, Help Wanted:Male, CBS, 1982; Arthur Stowbridge, Kenny Rogers as "The Gambler"—The Adventure Continues, CBS, 1983; Oliver Sully, The Red Light Sting, CBS, 1984; Dr. Marvin Elias, Mrs. Delafield Wants to Marry, CBS, 1986; Nicholas Dimente, Get Smart, Again!, ABC, 1989. Specials: Leo Silver, "Have I Got a Christmas for You," The Hallmark Hall of Fame, NBC, 1977; Sol Wurtzel, Actor, PBS, 1978; Rabbi, The Fourth Wise Man, ABC, 1985; B.J., "Tales from the Hollywood Hills: The Closed Set," Great Performances, PBS, 1988.

FILM DEBUT—The Couch, Warner Brothers, 1962. PRINCIPAL FILM APPEARANCES—Ponelli, The Yellow Canary, Twentieth Century-Fox, 1963; Arnie Tomkins, Ready for the People, Warner Brothers, 1964; cop, Inside Daisy Clover, Warner Brothers, 1965; Dr. Ostrer, The Satan Bug, United Artists, 1965; Ganucci's lawyer, An American Dream (also known as See You in Hell, Darling), Warner Brothers, 1966; Sheriff Spanner, Harper (also known as The Moving Target), Warner Brothers, 1966; doctor, The Spy with My Face, Metro-Goldwyn-Mayer, 1966; Colonel Holt, Project X, Paramount, 1968; Dr. Liebman, The Arrangement, Warner Brothers, 1969; Eric P. Scott, The Lawyer, Paramount, 1969; Colonel Nexdhet, Mrs. Pollifax—Spy, United Artists, 1971; Dr. Zerny, Where Does It Hurt?, Cinerama, 1972; Kid Twist, The Sting, Universal, 1973; mayor, The Front Page, Universal, 1974; Count Anton, Love and Death, United Artists, 1975; Dietz, The Strongest Man in the World, Buena Vista, 1975; Professor Baxter, The Big Bus, Paramount, 1976; Charles Gwynn, Gus, Buena Vista, 1976; Engulf, Silent Movie, Twentieth Century-Fox, 1976; Hector Moses, The One and Only, Paramount, 1978; judge, Seems Like Old Times, Columbia, 1980; Rockerfeller, Playing for Keeps, Universal, 1986; Francisco Galedo, Romero, August Entertainment/Four

RELATED CAREER—Instructor in theatre and speech, 1953-56, then assistant professor of drama and speech, 1956-60. 163

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GRANGER

College; studied acting at the Webber-Douglas School of Dramatic Art. MILITARY—British Army, 1940-42.

AWARDS: Obie Award from the Village Voice, 1969, for The Increased Difficulty of Concentration; Emmy Award nomination, 1974, for Police Story; Emmy Award nomination, 1977, for Rhoda; Emmy Award nomination, 1979, for Moviola: The Scarlett O'Hara War; Emmy Award nomination, 1986, for Mrs. Delafield Wants to Marry; ACE Award, Best Actor in a Dramatic Series, 1990, for The Ray Bradbury Theatre; Centennial Alumnus Award, State University of New York at Albany, National Association of State Universities and Land-Grant Colleges, 1987.

VOCATION: Actor. CAREER: STAGE DEBUT—Andrea Strozzi, The Cardinal, Hull Repertory Company, Little Theatre, Hull, U.K., 1935. LONDON DEBUT—Captain Hamilton, The Sun Never Sets, Drury Lane Theatre, 1938. PRINCIPAL STAGE APPEARANCES—Warwick, Saint Joan, Sir Broadfoot Basham, On the Rocks, Sir John Melvil, The Clandestine Marriage, St. John Rivers, Jane Eyre, General Su, Lady Precious Stream, Alastair, The Millionairess, King Magnus, The Apple Cart, Charles Surface, The School for Scandal, and Glundalca, Tom Thumb the Great, all Birmingham Repertory Company, Malvern Festival, Malvern, U.K., 1936-37; Lord Ivor Cream, Serena Blandish, Gate Theatre, London, 1938; Grand Duke Stephan, I Am the King, Richmond Theatre, London, 1939; Titus, Jerusalem, Playhouse Theatre, London, 1939; Tybalt, Romeo and Juliet, Leontine, The Good-Natured Man, Dunois, Saint Joan, and Anthony Anderson, The Devil's Disciple, all Old Vic Company, Buxton Festival, Buxton, U.K., then Streatham Hill Theatre, London, both 1939; Dr. Fleming, Tony Draws a Horse, Criterion Theatre, London, 1940; George Winthrop, A House in the Square, St. Martin's Theatre, London, 1940; Max de Winter, Rebecca, Lyric Theatre, London, 1949; Nikita, The Power of Darkness, Lyric Theatre, 1949; Clive Champion-Cheney, The Circle, Morris Mechanic Theatre, Baltimore, MD, then Ambassador Theatre, New York City, both 1989. Also appeared with the Hull Repertory Company, Hull, U.K., 1935-36; with the Birmingham Repertory Company, Birmingham, U.K., 1936-38; and in Autumn, St. Martin's Theatre, 1937.

MEMBER: Academy of Motion Picture Arts and Sciences. SIDELIGHTS: RECREATIONS—Reading, jogging, and swimming. ADDRESSES: AGENT—Sylvia Gold, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

GRANGER, Stewart (James Stewart)

1913-

PERSONAL: Born James Lablache Stewart, May 6, 1913, in London, England; naturalized U.S. citizen, June, 1956; son of James (an officer in the British Army) and Frederica (Lablache) Stewart; married Elspeth March (an actress), 1938 (divorced, 1948); married Jean Simmons (an actress), 1950 (divorced, 1960); married Viviane Lecerf, 1964 (divorced, 1969); children: two (first marriage); one (second marriage). EDUCATION—Attended Epsom

MAJOR TOURS—Michael Davidson, Titian Red, U.K. cities, 1940; Robert Eden, To Dream Again, U.K. cities, 1942. FILM DEBUT—(As James Stewart) A Southern Maid, Wardour, 1933. PRINCIPAL FILM APPEARANCES—Diner, Give Her a Ring, British International, 1936; Sutton, Convoy, Associated British, 1940; Lawrence, So This Is London, Twentieth Century-Fox, 1940; Larry Rains, The Lamp Still Burns, General Film Distributors, 1943; Peter Rokeby, The Man in Grey, Universal, 1943; David Penley, Thursday's Child, Pathe, 1943; Sub-Lieutenant Jackson, Secret Mission, General Films Distributors, 1944; Nino Barucci, Madonna of the Seven Moons, Universal, 1945; Apollodorus, Caesar and Cleopatra, Rank, 1946; Richard Darrel, Caravan, Gainsborough, 1946; Hugh Davin, Captain Boycott, General Film Distributors, 1947; Kit Firth, A Lady Surrenders (also known as Love Story), Universal, 1947; Paganini, The Magic Bow, Universal, 1947; Philip Thorn, Blanche Fury, Universal, 1948; Harry Somerford, Man of Evil (also known as Fanny By Gaslight), United Artists, 1948; Count Philip Koenigsmark, Saraband (also known as Saraband for Dead Lovers), Eagle-Lion, 1949; Ted Purvis, Waterloo Road, General Film Distributors/Eagle-Lion, 1949; Lord Terence Datchett, Woman Hater, Universal, 1949. Adam Black, Adam and Evelyn, Two Cities, 1950; Allan Quartermaine, King Solomon's Mines, Metro-Goldwyn-Mayer (MGM), 1950; Sam Conride, The Light Touch, MGM, 1951; Private Archibald Ackroyd, Soldiers Three, MGM, 1951; Rudolf Rassendyll/King Rudolf V, The Prisoner ofZenda, MGM, 1952; Andre Moreau/ title role, Scaramouche, MGM, 1952; Jules Vincent, The Wild North (also known as The Big North), MGM, 1952; Mark Shore, All the Brothers Were Valiant, MGM, 1953; Commander Claudius, Salome, Columbia, 1953; Thomas Seymour, Young Bess, MGM, 1953; title role, Beau Brummell, MGM, 1954; Stephen Lowry,

STEWART GRANGER

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VOCATION: Actor.

Footsteps in the Fog, Columbia, 1955; Rian X. Mitchell, Green Fire, MGM, 1955; Jeremy Fox, Moonfleet, MGM, 1955; Colonel Rodney Savage, Bhowani Junction, MGM, 1956; Sandy McKenzie, The Last Hunt, MGM, 195 6; Tom Early, GunGlory, MGM, 1957; Sir Philip Ashlow, The Little Hut, MGM, 1957; Harry Black, Harry Black and the Tiger (also known as Harry Black), Twentieth Century-Fox, 1958; Max Paulton, The Whole Truth, Columbia, 1958.

CAREER: STAGE DEBUT—Nottingham Playhouse, Nottingham, U.K. PRINCIPAL STAGE APPEARANCES—The Jockeys of Norfolk (revue), King's Head Theatre, London, 1985; also appeared with the Oxford University Dramatic Society. FILM DEBUT—(As Hughie Grant) Lord Adrian, Privileged, Oxford Film Foundation/New Yorker, 1982. PRINCIPAL FILM APPEARANCES—Clive Durham, Maurice, Cinecom, 1987; Hugh Dickinson, White Mischief, Columbia, 1988; Lord James D'Ampton, The Lair of the White Worm, Vestron, 1988; Harry, The Dawning, TVS Entertainment/Vista, 1988; Lord Byron, Remando al viento (also known as Rowing with the Wind), Ditirambo/Viking, 1988; Allan, La Nuit Bengali (also known as The Bengali Night), Gaumont, 1988.

George Pratt, North to Alaska, Twentieth Century-Fox, 1960; John Brent, The Secret Partner (also known as The Street Partner), MGM, 1961; Captain LeBlanc, Commando (also known as Mar da o crepa and Legion's Last Patrol), American International, 1962; Lot, Sodom and Gomorrah (also known as Sodome et Gomorrhe, Sodoma e Gomorra, and The Last Days of Sodom and Gomorrah), Twentieth Century-Fox, 1962; Thomas Stanwood, The Swordsman of Siena (also known as Le Mercenaire, Lo spadaccino di Sienna, and // mercenario), MGM, 1962; Surehand, Among Vultures (also known as Frontier Hellcat), Columbia, 1964; Major Richard Mace, The Secret Invasion, United Artists, 1964; Duke of Orgagna, The Crooked Road, Seven Arts, 1965; Old Surehand, Rampage at Apache Wells, Columbia, 1966; John "Bingo" Merrill, Requiem for a Secret Agent, Intercontinental/Metheus, 1966; Miles Gilchrist, The Last Safari, Paramount, 1967; Michael Scott, Red-Dragon (also known as An 009 Mission to Hong Kong), Woolner Brothers, 1967; Old Surehand, Flaming Frontier, Warner Brothers, 1968; Superintendent Cooper-Smith, The Trygon Factor, Warner Brothers, 1969; Sir Edward Matherson, The Wild Geese, Allied Artists, 1978; Dr. Martin Hoffman, Hell Hunter, Cinevest, 1988. Also appeared in Over the Garden Wall, Wardour, 1934; Under Secret Orders, Guaranteed, 1943; // giorno piu corto, 1963; Target for Killing, 1966; Spy Against the World (also known as Killer's Carnival), 1966.

PRINCIPAL TELEVISION APPEARANCES—Series: The Demon Lover, 1986; Ladies in Charge, 1986. Mini-Series: Apsley Cherry Garrard, The Last Place on Earth, Central Television, then Masterpiece Theatre, PBS, 1985; Bruno de Lancel, 'Til We Meet Again, CBS, 1989. Episodic: Shades of Darkness. Movies: Peter Baines, Jenny's War, syndicated, 1985; Lord Lucius Vyne (the Highwayman), The Lady and the Highwayman, CBS, 1989; Charles Heidseick, Champagne Charlie, syndicated, 1989. Specials: William Hamilton, Lord Elgin and Some Stones of No Value (documentary), PBS, 1987. Also appeared in The Detective, Handel, Dangerous Love, and Honour, Profit, and Pleasure. RELATED CAREER—Member of the Jockeys of Norfolk (threeman comedy troupe). ADDRESSES: AGENT—Duncan Heath Associates, Paramount House, 162-170 Wardour Street, London W1V 3AT, England.*

PRINCIPAL TELEVISION APPEARANCES—Series: Colonel Alan MacKenzie, The Men from Shiloh, NBC, 1970-71. Mini-Series: George Hackett, Crossings, ABC, 1986. Pilots: Sherlock Holmes, Sherlock Holmes: The Hound of the Baskervilles, ABC, 1971. Episodic: Hotel, ABC. Movies: Paul Dennison, Any Second Now, ABC, 1969; Prince Philip, The Royal Romance of Charles and Diana, CBS, 1982; Jason, Chameleons, NBC, 1989; also A Hazard of Hearts, CBS, 1987.

GRANT, Lee

1931-

PERSONAL: Born Lyova Haskell Rosenthal, October 31, 1931, in New York, NY; daughter of A.W. (an educator and realtor) and Witia (a teacher; maiden name, Haskell) Rosenthal; married Arnold Manoff (a playwright; died, 1965); married Joseph Feury (a producer), 1967; children: Dinah (first marriage); Belinda (second marriage). EDUCATION—Attended the Art Student League and the High School of Music and Art; studied voice, violin, and dance at the Juilliard School of Music; attended the Metropolitan Opera Ballet School; studied acting at the Neighborhood Playhouse with Sanford Meisner and at the Actors' Studio.

WRITINGS: Sparks Fly Upward (autobiography), Granada, 1981. AWARDS: Voted one of Britain's top ten money-making stars in Herald-Fame motion picture polls, 1943-47 and 1949. SIDELIGHTS: FAVORITE ROLES—King Magnus in The Apple Cart. RECREATIONS—Riding and shooting. ADDRESSES: AGENTS—Jerry Martin, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212; David Shapira and Associates, 15301 Ventura Boulevard, Suite 345, Sherman Oaks, CA 91403.

VOCATION: Actress and director. CAREER: STAGE DEBUT—Princess Ho Chee, L'Oracolo (opera), Metropolitan Opera House, New York City, 1933. BROADWAY DEBUT—Mildred, Joy to the World, Plymouth Theatre, 1948. PRINCIPAL STAGE APPEARANCES—Shoplifter, Detective Story, Hudson Theatre, New York City, 1949; Diane, All YouNeedls One Good Break, Mansfield Theatre, New York City, 1950; Raina Petkoff, Arms and the Man, Arena Theatre, New York City, 1950; Daisy Durole, Lo and Behold!, Booth Theatre, New York City, 1951; Sally, I Am a Camera, Mount Kisco Playhouse, Mt. Kisco, NY, 1952; Amy, They Knew What They Wanted, Mount Kisco Playhouse, 1953; title role, Gigi, Mount Kisco Playhouse, 1954;

GRANT, Hugh PERSONAL: Born in London, England. EDUCATION—Attended Oxford University. 165

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Stella, Wedding Breakfast, 48th Street Theatre, New York City, 1954; Eliza, Pygmalion, Mount Kisco Playhouse, 1956; Lizzie, The Rainmaker, Mount Kisco Playhouse, 1957; Mrs. Rogers, A Hole in the Head, Plymouth Theatre, New York City, 1957; Gittel Mosca, Two for the Seesaw, Booth Theatre, 1959; Rose Collins, Captains and the Kings, Playhouse Theatre, New York City, 1962; Solange, The Maids, One Sheridan Square Theatre, New York City, 1963; title role, Electra, New York Shakespeare Festival, Delacorte Theatre, New York City, 1964; title role, Saint Joan, Moorestown Theatre, Moorestown, NJ, 1966; Edna Edison, The Prisoner of Second Avenue, Eugene O'Neill Theatre, New York City, 1971. Also appeared in a series of one-act plays with Henry Fonda, American National Theatre and Academy Theatre, New York City, 1949; in Liliom and This Property Is Condemned, both Green Mansions Theatre, Warrensburg, NY, 1947; and as Regina, The Little Foxes, 1975.

Town, Columbia, 1987. Also appeared in Arriving Tuesday, Cinepro/ New Zealand Film Commission/Walker, 1986; Calling the Shots (documentary), World Artists Releasing, 1988. FIRST FILM WORK—Director, The Stronger (short film), American Film Institute, 1976. PRINCIPAL FILM WORK—Director: Tell Me a Riddle, Filmways, 1980; The Wilmar Eight (documentary), California Newsreel, 1981; What Sex Am I? (documentary), Joseph Feury Productions, 1984; Down and Out in America (documentary), Joseph Feury Productions, 1986; Staying Together, Hemdale, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Rose Peabody, Search for Tomorrow, CBS, 1953-54; Stella Chernak, Peyton Place, ABC, 1965-66; Fay Stewart, Fay, NBC, 1975-76. MiniSeries: Grace Coolidge, Backstairs at the White House, NBC, 1979; Ava Marshall, Bare Essence, CBS, 1982; Rachele Mussolini, Mussolini: The Untold Story, NBC, 1985. Pilots: Wife, Justice (broadcast as an episode of Plymouth Playhouse), ABC, 1953; Leslie Williams, Ransom for a Dead Man, NBC, 1971; Diane Harper, The Ted Bessell Show, CBS, 1973; Meredith Leland, Partners in Crime, NBC, 1973; Maxine Lochman, Thou Shalt Not Kill, NBC, 1981;Evalyna, The Million Dollar Face, NBC, 1981.

PRINCIPAL STAGE WORK—Director, The Adventures of Jack and Max, Actors' Studio West, Los Angeles, 1968; director, A Private View, New York Shakespeare Festival, Public Theatre, New York City, 1983. MAJOR TOURS—Ninotchka, Silk Stockings, U.S. cities, 1963; Karen Nash, "Visitor from Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Norma Hubley, "Visitor from Forest Hills," in Plaza Suite, U.S. cities, 1968; also appeared in Oklahoma, U.S. cities, 1948; The Tender Trap, U.S. cities, 1962.

Episodic: Martirio, "The House of Bernarda Alba," Play of the Week, WNTA, 1960; Avenging Angel, "The World of Sholem Aleichem," Play of the Week, WNTA, 1962; Laura, "The Love Song of Barney Kempinski," ABC Stage '67, ABC, 1966; also "Screwball," The P lay s the Thing, CBS, 1950; "Zone of Quiet," Comedy Theatre, CBS, 1950; "Dark as Night," "Death to the Lonely," and "The Face of Fear," Danger, CBS, 1952; "Justice," ABC Album, ABC, 1953; "The Noose," Broadway Television Theatre, syndicated, 1953; "The Blonde Comes First," Summer Theatre, CBS, 1953; "Death Is a Spanish Dancer," Ponds Theatre, ABC, 1955; "Shadow of the Champ," Philco Playhouse, NBC, 1955; "Keyhole," Playwrights '56, NBC, 1956; "Even the Weariest River," Alcoa Hour, NBC, 1956; "Mooney's Kids Don't Cry," "Three Plays by Tennessee Williams," and "Look What's Going On," Kraft Television Theatre, NBC, 1958; Great Ghost Tales, NBC, 1961; "Saturday's Children," Golden Showcase, CBS, 1962; The Nurses, CBS, 1963; East Side/West Side, CBS, 1963; The Defenders, CBS, 1963 and 1965; Slavery's People, CBS, 1964; Brenner, CBS, 1964; The Fugitive, ABC, 1964; Ben Casey, ABC, 1964 and 1965; For the People, CBS, 1965; Doctors! Nurses, CBS, 1965; "The People Trap," ABC Stage '67, ABC, 1966; The Big Valley, ABC, 1967; "Deadlock," The Bob Hope Chrysler Theatre, NBC, 1967; Ironside, NBC, 1961-Juddfor the Defense, ABC, 1968; Mission: Impossible, CBS, 1968; Medical Center, CBS, 1969; Mod Squad, ABC, 1910; Name of the Game, NBC, 1970; Bracken's World, NBC, 1970; Men at Law, CBS, 1971; Studio One, CBS; Laugh-In, NBC; One Day ataTime, CBS.

PRINCIPAL FILM APPEARANCES—Shoplifter, Detective Story, Paramount, 1951; Edna, Storm Fear, United Artists, 1956; Marilyn, Middle of the Night, Columbia, 1959; Carmen, The Balcony, Continental, 1963; Katherine McCleod, An Affair of the Skin, Zenith, 1964; Suzy, Pie in the Sky (also known as Terror in the City), Allied Artists, 1964; Dede Murphy, Divorce American Style, Columbia, 1967; Mrs. Leslie Colbert, In the Heat of the Night, United Artists, 1967; Miriam, Valley of the Dolls, Twentieth Century-Fox, 1967; Fritzie Braddock, Buona Sera, Mrs. Campbell, United Artists, 1968; motel resident, The Big Bounce, Warner Brothers/Seven Arts, 1969; Celia Pruett, Marooned, Columbia, 1969; Mrs. Enders, The Landlord, United Artists, 1970; Mrs. Bullard, There Was a Crooked Man, Warner Brothers, 1970; Norma Hubley, Plaza Suite, Paramount, 1971; Sophie Portnoy, Portnoy' s Complaint, Warner Brothers, 1972; Jean Robertson, The Internecine Project, Allied Artists, 1974; Felicia Carr, Shampoo, Columbia, 1975; Lillian Rosen, Voyage of the Damned, AVCOEmbassy, 1976; Karen Wallace, Airport'77, Universal, 1977; Ann Thorn, Damien—Omen II, Twentieth Century-Fox, 1978; Ellen, The Mafu Cage (also known as My Sister, My Love}, Clouds, 1978; Anne MacGregor, The Swarm, Warner Brothers, 1978; Clarisse Ethridge, When You Comin Back Red Ryder?, Columbia, 1979. Judge, Little Miss Marker, Universal, 1980; Mrs. Lupowitz, Charlie Chan and the Curse of the Dragon Queen, American Cinema, 1981; Deborah Ballin, Visiting Hours (also known as The Fright and Get Well Soon), Twentieth Century-Fox, 1981; narrator, The Wilmar Eight (documentary), California Newsreel, 1981; narrator, What Sex Am I? (documentary), Joseph Feury Productions, 1984; Mrs. Barr, Constance, Mirage/New Zealand Film Commission/ Miramax/Enterprise, 1984; Mrs. Jones, Trial Run, Miracle Films/ New Zealand Film Commission, 1984; Dr. Burke, Teachers, Metro-Goldwyn-Mayer/United Artists, 1984; as herself, Sanford Meisner—The Theatre's Best Kept Secret (documentary), Columbia, 1984; narrator, Down and Out in America (documentary), Joseph Feury Productions, 1986; as herself, Hello Actors' Studio (documentary), Actors' Studio, 1987; Ferguson Edwards, The Big

Movies: Lizzie, The Respectful Prostitute, BBC, 1964; Marjorie Howard, Night Slaves, ABC, 1970; Carrie Miller, The Neon Ceiling, NBC, 1971; Ellie Schuster, Lieutenant Schuster's Wife, ABC, 1972; Adele Ross, What Are Best Friends For?, ABC, 1973; Virginia Monroe, Perilous Voyage, NBC, 1976; Marion Matchett, The Spell, NBC, 1977; Esther Jack, You Can't Go Home Again, CBS, 1979; Anne Holt, For Ladies Only, NBC, 1981; Lillian Farmer, Will There Really Be a Morning?, CBS, 1983; Marilyn Klinghoffer, The Hijacking of the Achille Lauro (also known as Sea of Terror, The Last Voyage, and Achille Lauro: Terror at Sea), NBC, 1989. Specials: Florrie Sands, Saturday's Children, CBS, 1962; Robert Young and the Family, CBS, 1971; The Wonderful World of Aggravation, ABC, 1972; wife, "Raincheck," Three for 166

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VOCATION: Actor.

the Girls, CBS, 1973; The Shape of Things, CBS, 1973; Irina Arkadina, "The Seagull," Great Performances, PBS, 1975; hostess, Once Upon a Time . . . Is Now: The Story of Princess Grace (documentary), NBC, 1977; Karen Nash, "Visitor from Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Claire Hubley, "Visitor from Forest Hills," Plaza Suite, HBO, 1982; narrator, ' 'When Women Kill'' (documentary), America Undercover, HBO, 1984; Harry Belafonte: Don't Stop the Carnival, HBO, 1985; At Rona's, NBC, 1989.

CAREER: STAGE DEBUT—Alistair Graham/Mr. Toad, The Killing of Mr. Toad, King's Head Theatre, London, 1983. PRINCIPAL STAGE APPEARANCES—Giovanni, '77$ Pity She's a Whore, National Theatre, London, 1988; David,' 'A Table for a King" and Barnby Grace, "Keeps Rain All the Night," in A Madhouse in Goa, Lyric Hammersmith Theatre, London, 1989; also appeared in Sufficient Carbohydrate, Albery Theatre, London, 1984; Torch Song Trilogy, Albery Theatre, 1985; Teddy, St. Ursula's in Danger; and in productions of Good and Bad at Games and Amadeus.

PRINCIPAL TELEVISION WORK—All as director. Episodic: "For the Use of the Hall," Hollywood Television Theatre, PBS, 1975. Movies: A Matter of Sex, NBC, 19&4', Nobody's Child, CBS, 1986; Battered, HBO, 1989; No Place Like Home, CBS, 1989. Specials: (With Carolyn Raskin) The Shape of Things, CBS, 1973; "When Women Kill" (documentary), America Undercover, HBO, 1984; "Cindy Eller: A Modern Fairy Tale," ABC Afterschool Specials, ABC, 1985.

FILM DEBUT—Freddy Honeychurch, A Room with a View, Cinecom, 1986. PRINCIPAL FILM APPEARANCES—Alec Scudder, Maurice, Cinecom, 1987; John Beaver, A Handful of Dust, New Line Cinema, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Tipping, Vice Versa, BBC, 1980-81. Mini-Series: Simon Boulderstone, Fortunes of War, BBC, then Masterpiece Theatre, PBS, 1988. Also appeared in All for Love and in A Life of Puccini.

RELATED CAREER—Ballet dancer, Metropolitan Opera Company, New York City; company member, American Ballet Theatre, New York City. NON-RELATED CAREER—Painter.

RELATED CAREER—Worked as a clown with a traveling circus in England.

WRITINGS: TELEVISION—Specials: (Co-writer) The Shape of Things, CBS, 1973.

MEMBER: Pre-Raphaelite Seahorse Club (co-chairman, 198789). SIDELIGHTS: RECREATIONS—Playing guitar, running, and reading.

AWARDS: New York Drama Critics' Circle Award, 1949, for Detective Story; Academy Award nomination, Best Supporting Actress, 1951, and Best Actress Award from the Cannes Film Festival, 1952, both for Detective Story; Obie Award from the Village Voice, 1964, for The Maids; Emmy Award, Outstanding Performance By an Actress in a Supporting Role in a Drama, 1966, for Peyton Place; Academy Award nomination, Best Supporting Actress, 1970, for The Landlord; Emmy Award, Outstanding Single Performance By an Actress in a Lead Role, 1971, for The Neon Ceiling; Emmy Award nomination, 1971, for Ransom for a Dead Man; Academy Award, Best Supporting Actress, 1975, for Shampoo; Academy Award nomination, Best Supporting Actress, 1976, for Voyage of the Damned; Congressional Arts Caucus Award, Outstanding Achievement in Acting and Independent Filmmaking, 1983, for Tell Me a Riddle; Academy Award, Best Documentary Feature, 1986, for Down and Out in America; Directors Guild Award, Best Dramatic Television Special, 1987, for Nobody's Child; Crystal Award from Women in Film, 1988; also Emmy Award nomination for The Bob Hope Chrysler Theatre,

ADDRESSES: AGENT—Jean Diamond, London Management, 235 Regent Street, London Wl, England.

GRAY, Charles (Oliver Gray)

PERSONAL: Born Donald Marshall Gray, August 29, 1928, in Bournemouth, England; son of Donald (a surveyor) and Maude Elizabeth (Marshall) Gray. VOCATION: Actor. CAREER: Also see WRITINGS below. STAGE DEBUT—Charles the Wrestler, As You Like It, Open Air Theatre, London, 1952. BROADWAY DEBUT—Henry Bolingbroke, Richard II, Old Vic Company, Winter Garden Theatre, 1956. PRINCIPAL STAGE APPEARANCES—Roman captain and Jupiter, Cymbeline, Demiwulf, Boy with a Cart, and title role (understudy), Comus, all Open Air Theatre, London, 1952; Lord Marshall, Richard II, Duke Frederick, As You Like It, Hastings, Henry IV, Part One, the Vinter, Henry IV, Part Two, the Lord, The Taming of the Shrew, Marullus, Julius Caesar, Polyxenes, The Winter's Tale, and Duke of Burgundy and Constable of France, Henry V, all Old Vic Company, Old Vic Theatre, London, 1955; Lodovico, Othello, chorus and Escalus, Romeo and Juliet, Achilles, Troilus and Cressida, Macduff, Macbeth, and Henry Bolingbroke, Richard II, all Old Vic Company, Old Vic Theatre, 1956; chorus and Escalus, Romeo and Juliet, Lennox, Macbeth, and Achilles, Troilus and Cressida, all Old Vic Company, Winter Garden Theatre, 1956; Captain Cyril Mavors, Expresso Bongo, Saville Theatre, London, 1958.

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild, Directors Guild of America. ADDRESSES: AGENT—Jim Wyatt, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90045.*

GRAVES, Rupert

1928-

1963-

PERSONAL: Born June 30, 1963, in Weston-Super-Mare, England; son of Richard Harding (a musician) and Mary Lousilla (a travel coordinator; maiden name, Roberts) Graves. 167

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(As Oliver Gray) Prince of Wales, Kean, Broadway Theatre, New York City, 1961; Bernard Acton, Everything in the Garden, Duke of York's Theatre, London, 1962; Sir Epicure Mammom, The Alchemist, Old Vic Theatre, 1962; Maxime, Poor Bitos, Arts Theatre, London, 1963, then Duke of York's Theatre, 1964, later Cort Theatre, New York City, 1964; ensemble, Hang Down Your Head and Die (revue), Comedy Theatre, London, 1964; Sir Charles Dilke, The Right Honourable Gentleman, Billy Rose Theatre, New York City, 1965; Braham, The Philanthropist, Royal Court Theatre, then May Fair Theatre, both London, 1970; General St. Pe, Ardele, Queen's Theatre, London, 1975; Sheridan Whiteside, The Man Who Came to Dinner, Chichester Theatre Festival, Chichester, U.K., 1979. Also appeared in The Merchant of Venice, Richard HI, Antony and Cleopatra, and King Lear, all with the Shakespeare Memorial Theatre Company, Shakespeare Memorial Theatre, Stratford-on-Avon, U.K., 1953.

Columbia, 1967; Henderson, You Only Live Twice, United Artists, 1967; Mocata, The Devil's Bride (also known as The Devil Rides Out), Twentieth Century-Fox, 1968; Charles Griddon, The Man Outside, Allied Artists, 1968; General Cox-Roberts, The Secret War of Harry Frigg, Universal, 1968; Nick Harrison, "The Owl" in The File of the Golden Goose, United Artists, 1969; Lord Essex, Cromwell, Columbia, 1970; Vaughan Jones, The Executioner, Columbia, 1970; Air Commodore Hufford, Mosquito Squadron, United Artists, 1970; Blofeld, Diamonds Are Forever, United Artists, 1971; Cotton's father, Bless the Beasts and Children, Columbia, 1971; Bennington, The Beast Must Die, Cinerama, 1974; criminologist, The Rocky Horror Picture Show, Twentieth Century-Fox, 1975; Ambassador Hollander, Seven Nights in Japan, Paramount, 1976; Mycroft Holmes, The Seven-Per-Cent Solution, Universal, 1977; Charles Cook, Silver Bears, Columbia, 1978; Karl Liebknecht, The Legacy, (also known as The Legacy of Maggie Walsh), Universal, 1979; Bates, The Mirror Crack'd, Associated Film Distribution, 1980; Judge Oliver Wright, Shock Treatment, Twentieth Century-Fox, 1981; Sir James Chorley, The Jigsaw Man, United Film Distribution, 1984. Also appeared in Wild Rovers, Metro-Goldwyn-Mayer, 1971; Junior Bonner, Cinerama, 1972.

MAJOR TOURS—Ross, Macbeth, U.K. cities, 1952; Henry Bolingbroke, Richard II, chorus and Escalus, Romeo and Juliet, Lennox, Macbeth, and Achilles, Troilus and Cressida, U.S. and Canadian cities, 1957; also Antony and Cleopatra, U.K. cities, 1954.

PRINCIPAL TELEVISION APPEARANCES—Series: Sir Edwin, Upstairs, Downstairs, London Weekend Tele vision, then Masterpiece Theatre, PBS, 1974-77. Mini-Series: Mr. Calvin, Captains and the Kings, NBC, 1976; General Lucian Truscott, Ike, ABC, 1979; also Champagne Charlie, syndicated, 1989. Episodic: Mycroft Holmes, "The Greek Interpreter," The Adventures of Sherlock Holmes Series II, Granada, 1986, then Mystery!, PBS, 1987; Mycroft Holmes, "The Bruce-Partington Plans," The Return of Sherlock Holmes Series II, Granada, then Mystery!, PBS, 1988; also "Sanatorium" and "The Ant and the Grasshopper," both Somerset Maugham Hour, AR, 1961. Movies: General Lischke, The House on Garibaldi Street, ABC, 1979; Earl Spencer, Charles and Diana: A Royal Love Story, ABC, 1982. Specials: Escalus, Romeo and Juliet, NBC, 1957; Bounine, "Anastasia," Hallmark Hall of Fame, NBC, 1967; title role, Julius Caesar, BBC, then The Shakespeare Plays, PBS, 1979; Claudius, An Englishman Abroad, BBC, 1983, then Great Performances, PBS. Also appeared in Small Backroom, BBC, 1959; The Big Client, ABC, 1959; No Hiding Place, AR, 1959; The First Gentleman, Southern Television, 1960; Tiger at the Gates, Granada, 1961; You Can't Escape, BBC, 1961; Any Other Business, ATV, 1961; Design for Murder, BBC, 1961; Voices from the Past, BBC, 1962; The Tycoons, ABC, 1962; A Matter of Principal, ATV, 1962; Private and Personal, BBC, 1963; The Perfect Friday, ATV, 1963; Tea Party, BBC, 1965; and in The Cherry Orchard, Richard HI, Porterhouse Blue, Small World, and The Gourmet.

PRINCIPAL FILM APPEARANCES—Captain Brossard, / Accuse!, Metro-Goldwyn-Mayer, 1958; Lawson, The Desperate Man, Allied Artists, 1959; columnist, The Entertainer, British Lion, 1960; Gomez, Tommy the Toreador, Warner Brothers, 1960; Leo, Man in the Moon (also known as Operation Masquerade and The Shabby Tiger), United Artists, 1965; General Von Seidlitz-Gablear, The Night of the Generals (also known as La Nuit de generaux),

WRITINGS: STAGE—The Old Soldier, 1971; The Pot Plant, 1972. AWARDS: Clarence Derwent Award, 1964, for Poor Bitos. MEMBER: Actors' Equity Association, British Actors' Equity Association. ADDRESSES: AGENT—London Management, 235 Regent Street, London Wl, England.

GRAY, Oliver See GRAY, Charles

CHARLES GRAY

168

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AWARDS: Academy Award nomination, Best Picture, 1987, for Hannah and Her Sisters. ADDRESSES: MANAGER—Rollins/Joffe/Morra/Brezner 130 W. 57th Street, New York, NY 10019.*

and You and I, all 1936; Wingless Victory, 1937; The Imaginary Invalid, 1938; Tonight at 8:30, He Who Gets Slapped, and The Pirates of Penzance, all 1939; The Nurse Wears Silk and The Intruder, both 1941; The College Widow, Good Gracious Annabelle, and Penny Wise, all 1942; Our Town, Arsenic and Old Lace, Intimate Strangers, and Monsieur Beaucaire, all 1943; One in Every Family, Personal Appearance, The Master Builder, A Christmas Carol, The Great Galeoto, Pursuit of Happiness, Defiance, Candida, My Sister Eileen, Young Man of Today, and It's a Wise Child, all 1944; The Makropolous Secret, Little Women, Autumn Crocus, King Lear, Janie, Spring Again, Tomorrow and Tomorrow, and Mary of Scotland, all 1945; Men Coming Home, Snafu, Night Must Fall, Hang on to Love, The Avon Flows, Lovers' Lane, But Not Goodbye, and Yankee Fable, all 1946; Mrs. Wiggs of the Cabbage Patch, The Great God Brown, and Years Ago, all 1947; Woman Bites Dog, Gauguin, and Time Is a Dream, all 1948; Command Decision, The Willow and I, and Polly anna, all 1949; Two Blind Mice, The Two Mrs. Carrolls, Mother Is a Freshman, and Madam Ada, all 1950; Goodbye My Fancy, 1951; Gramercy Ghost, 1952; The Taming of the Shrew and Point of No Return, both 1953; Me, Candida, 1957; The Iceman Cometh, 1958.

Inc.,

GREER, Bettejane See GREER, Jane

GREER, Dabbs

1917-

PERSONAL: Born Robert William Greer, April 2,1917, in Fairview, MO; son of Randall Alexander (a druggist) and Bernice Irene (a speech teacher; maiden name, Dabbs) Greer. EDUCATION—Drury College, A.B., 1939; studied acting at the Pasadena Playhouse School of Theatre.

PRINCIPAL STAGE WORK—Director: How Come Christmas and Time Is a Dream, both 1937; Dear Brutus, 1938; He Who Gets Slapped, 1939; The Late Christopher Bean and Penny Wise, both 1940; Seven Sisters and Air Raid, both 1941; Penny Wise, Lady Windemere's Fan, Our Town, George Washington Slept Here, Time Is a Dream, and Outward Bound, all 1942; Ladies Retirement, Arsenic and Old Lace, The Women, and Cradle Song, all 1943; Camille, The Youngest Profession, Sister Beatrice, and The Fan,

VOCATION: Actor and director. CAREER: STAGE DEBUT—Prince Rupert, Cinderella, 1924. PRINCIPAL STAGE APPEARANCES—Appeared in productions of The Yankee, \926\CityandCountry, 1932; Wild Ginger, \934\Spider and the Fly, The Queen's Husband, and Outward Bound, all 1935; The Big Pond, Sky High, Passing of the Third Floor Back, Candida, 169

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all 1944; The Makropolous Secret, Iphigenia in Tauris, Romeo and Juliet, Autumn Crocus, The Cid, The Country Wife, The Bandersnatch, Sara Sampson, and Festival, all 1945; TheBacchae, Oedipus Rex, Uncertain Seas, It's All Been Done Before, Song with Distant Words, The Boor, Subway Circus, Young April, and Pierre Pate tin, all 1946; Tournament of Roses Coronation Pageant and Time Is a Dream, both 1948; Out of the Frying Pan, Odin Against Christus, Shucks!, andThe Willow and I, all 1949; Her Clothing Is Purple and The Traitor, both 1950; The Live Wire, 1951.

United Artists, 1956; Henry, Hot Rod Girl (also known as Hot Car Girl), American International, 1956; Mac, Invasion of the Body Snatchers, Allied Artists, 1956; Mr. Clendening, All Mine to Give (also known as The Day They Gave Babies Away), Universal, 1957; Bonner, Baby Face Nelson, United Artists, 1957; Dr. Ainsley, Chain of Evidence, Allied Artists, 1957; Lieutenant O'Connor, My Man Godfrey, Universal, 1957; Brewster, Pawnee (also known as Pale Arrow), Republic, 1957; Goldsborough, The Spirit of St. Louis, Warner Brothers, 1957; Dr. Will Beaumont, The Vampire (also known as Mark of the Vampire), United Artists, 1957; John Clinton, Young and Dangerous, Twentieth Century-Fox, 1957; San Quentin captain, / Want to Live!, United Artists, 1958; Eric Royce, It! The Terror from Beyond Space (also known as It! The Vampire from Beyond Space), United Artists, 1959; Doc Langer, Day of the Outlaw, United Artists, 1959; gas station attendant, Edge of Eternity, Columbia, 1959; Andy, LastTrain from Gun Hill, Paramount, 1959; Doc Jansen, Lone Texan, Twentieth CenturyFox, 1959.

FILM DEBUT—Guard at the gate, The Black Book (also known as Reign of Terror), Eagle-Lion, 1948. PRINCIPAL FILM APPEARANCES—Reporter, The Damned Don't Cry, Warner Brothers, 1950; Mike, The Sound of Fury (also known as Try and Get Me), United Artists, 1950; police attendant, Storm Warning, Warner Brothers, 1950; Spud Keith, Devil's Doorway, Metro-GoldwynMayer (MGM), 1950; communications officer, Trial without Jury, Republic, 1950; dealer, California Pas sage, Republic, 1950; bailiff, The Lady from Texas, Universal, 1951; first man, Weekend with Father, Universal, 1951; aide to the Colonel, Call Me Mister, Twentieth Century-Fox, 1951; taxi driver, Father's Little Dividend, MGM, 1951; driver, The Unknown Man, MGM, 1951; reporter, Deadline-USA, (also known as Deadline], Twentieth Century-Fox, 1952; Parker, Sally and Saint Anne, Universal, 1952; technician, Million Dollar Mermaid (also known as The One-Piece Bathing Suit), MGM, 1952; court clerk, My Man and I, MGM, 1952; curio shop owner, Because of You, Universal, 1952; intelligence clerk, Diplomatic Courier, Twentieth Century-Fox, 1952; cab driver, Monkey Business, Twentieth Century-Fox, 1952; scoutmaster, Room for One More (also known as The Easy Way), Warner Brothers, 1952; reporter, The Bad and the Beautiful, MGM, 1952; man at the bar, Scarlet Angel, Universal, 1952; man at Mississippi contest, We're Not Married, Twentieth CenturyFox, 1952; Shorty, Take the High Ground, MGM, 1953; jet leader, Mission Over Korea, Columbia, 1953; Eddie, A Slight Case of Larceny, MGM, 1953; a citizen, Julius Caesar, MGM, 1953; Haddock, Above and Beyond, MGM, 1953; Happy Murray, Affair with a Stranger, RKO, 1953; Galuppo, China Venture, Columbia, 1953; elevator boy, Dream Wife, MGM, 1953; George Payson, Half a Hero, MGM, 1953; Sergeant Jim Shane, House of Wax, Warner Brothers, 1953; Julius, Remains to Be Seen, MGM, 1953; Father Mahoney, Trouble Along the Way, Warner Brothers, 1953; fireman, Mr. Scoutmaster, Twentieth Century-Fox, 1953; sheriff, Bitter Creek, Allied Artists, 1954; Jim Langley, The Desperado, Allied Artists, 1954; head ranger, Living It Up, Paramount, 1954; bartender, Private Hell 36, Filmmaker, 1954; Schuyler, Riot in Cell Block 11, Allied Artists, 1954; committeeman, Rose Marie, MGM, 1954; She Couldn't Say No (also known as Beautiful But Dangerous), RKO, 1954.

John Burton, Cash McCall, Warner Brothers, 1960; aide, Hell Is for Heroes, Paramount, 1962; waiter, Wives and Lovers, Paramount, 1963; youth leader, Palm Springs Weekend, Warner Brothers, 1963; express man, Showdown (also known as The Iron Collar), Universal, 1963; Arthur Nielsen, Roustabout, Paramount, 1964; Abernathy, Shenandoah, Universal, 1965; voice of second man, Two Mules for Sister Sara, Universal, 1970; Jedediah W. Willowby, The Cheyenne Social Club, National General, 1970; Dr. Thompson, Rage, Warner Brothers, 1972; Pa McKlusky, White Lightning (also known as McKlusky), United Artists, 1973; voice of Collins, The Last American Hero (also known as Hard Driver), Twentieth Century-Fox, 1975; Wally, Chu Chu and the Philly Flash, American International, 1981; Kyle, Two Moon Junction, Lorimar, 1988; Otto Klausberg, Sundown, The Retreat of the Vampires, Vestron, 1988. Also appeared as Lyle Phelps, . . . And God Bless Grandma and Grandpa, 1973; in God Bless Dr. Shagetz, 1977; Evil Town, Trans World Entertainment, 1987. TELEVISION DEBUT—Dr. Herdal, The Master Builder, 1944. PRINCIPAL TELEVISION APPEARANCES—Series: Various roles, Fireside Theatre, NBC, 1950-51; Sergeant Jim Ward, Big Town, NBC, 1954; Mr. Wilbur Jonas, Gunsmoke, CBS, 1955-62; Ossie Weiss, Hank, NBC, 1965-66; Reverend Robert Alden, Little House on the Prairie, NBC, 1974-82; Reverend Robert Alden, Little House: A New Beginning, NBC, 1982-83. Pilots: Tom Quine, Lineup, CBS, 1954; Sidney Bascomb, Sally, NBC, 1956; policeman, Christabel (broadcast as an episode of Goodyear Theatre), NBC, 1959; Sheriff Jim Roarke, Checkmate (broadcast as an episode of Zane Grey Theatre; also known as Dick Powell's Zane Grey Theatre), CBS, 1959; Professor Atkins, Best Years, ABC, 1962; minister, The Brady Bunch, ABC, 1968; theatre owner, The Boys, NBC, 1970; Deacon Hurd, The Greatest Gift, NBC, 1974; Milt Mullins, First Impressions, CBS, 1987; also Bill Rockwell, Code Three, 1954; Lee Clark, The Marie Wilson Show, 1956; Ted Borton, Forest Ranger, 1956 (unaired); Arthur Pierson, Juvenile Court, 1958; Mike Sampson, Luke and the Tenderfoot, 1958; Uncle Nabob, The Minnie Pearl Show, 1968; Mr. Landers, Two Boys, 1969; Vern Carson, The Pink Panther, 1989.

Hotel clerk, Stranger on Horseback, United Artists, 1955; Commander Holleck, An Annapolis Story (also known as The Blue and the Gold), Allied Artists, 1955; stage manager, Hit the Deck, MGM, 1955; minister, At Gunpoint (also known as Gunpoint), Allied Artists, 1955; bus driver, Foxfire, Universal, 1955; pilot instructor, The McConnell Story (also known as Tiger in the Sky), Warner Brothers, 1955; Captain Brewster, The Scarlet Coat, MGM, 1955; doctor, Seven Angry Men, Allied Artists, 1955; tutor, The Seven Little Foys, Paramount, 1955; Lieutenant Harrison, Away All Boats, Universal, 1956; Smith-Johnson, Meet Me in Las Vegas (also known as Viva Las Vegas), MGM, 1956; Potter, The First Texan, Allied Artists, 1956; doctor, Tension at Table Rock, RKO, 1956; Ephraim, The Young Guns, Allied Artists, 1956; Arkinson, D-Day, the Sixth of June (also known as The Sixth of June), Twentieth Century-Fox, 1956; Detective Davenport, Hot Cars,

Episodic: Paul Marin, Space Patrol, ABC, 1951; Guy, The Adventures of Superman, syndicated, 1951; Shaky, Dick Tracy, ABC, 1951; Doc Halliday, "Let the Cards Decide," Fireside Theatre, NBC, 1952; Joe, Big Town (also known as City Assignment), CBS, 1952; Jeff Markworth, This Is the Life, Dumont, 1952; Toby Durbin, The Lone Ranger, ABC, 1952; John Adams, "Poor Richard," Cavalcade of America, NBC, 1952; Pierson, "No Gods 170

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Quill and the Gun," The Web, NBC, 1957; James Edwards, Sr., Tombstone Territory, ABC, 1957; Walter Harrison, "The Understanding Heart" and Mr. Blanchard, "The Accused," The Loretta Young Show, NBC, 1957; Sam Pike, MeetMcGraw (also known as The Adventures of McGraw), NBC, 1957; Harrison Peeble/Dan Dobey, The Adventures of Superman, syndicated, 1957; Blandish, How to Marry a Millionaire, syndicated, 1957; Sam Higgens, Man without a Gun, syndicated, 1957; Dave Kirby, Perry Mason, CBS, 1957.

to Serve," The Visitor (also known as The Doctor), NBC, 1952; Jerome McVey, "First Prize" and Saul Marcus, "Valley of the Shadow," Fireside Theatre, NBC, 1953; Joe Winters, The Adventures of Superman, syndicated, 1953; Jack, Topper, CBS, 1954; Johann, "Escape" and Mark Wilson, "The Saturday Story," Cavalcade of America, ABC, 1954; George McCadden, Lineup, CBS, 1954; Joe Baker, Lassie, CBS, 1954; George Alton, This Is the Life, syndicated, 1954; attendant, "Case for Father Darling," dentist, "Feeling No Pain," and Dewey Mason, "No Evil for Evil," The Loretta Young Show, NBC, 1954; Adams, "The After House," Climax, CBS, 1954; Mr. Collins, Father Knows Best, CBS, 1954; Merrick, "Case of the Capitol Crime," The Man Behind the Badge, CBS, 1954.

Jim Burdette, The Whirlybirds, syndicated, 1958; Ed Grines, State Trooper, syndicated, 1958; Sheriff ¥arow, Trackdown, CBS, 1958; Kirby, "Backfire," Target, syndicated, 1958; Mike Kilroy, Trackdown, syndicated, 1958; Ed McColl, "Handful of Ashes," Sheriff Will, "Pressure Point," and ex-Confederate, "Welcome Home a Stranger," Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS, 1958; Tom Wade, Wanted: Dead or Alive, CBS, 1958; storekeeper, "Texas John Slaughter," Disneyland (also known as Walt Disney), ABC, 1958; Roy Stanton, "Peligroso," Restless Gun, NBC, 1958; Elder Boone, Wanted: Dead or Alive, CBS, 1958; Joe Burton, U.S. Marshal, syndicated, 1958; police captain, Colonel Flack, syndicated, 1958; Lewis, "The Image of Fear," Studio One, CBS, 1958; Lester Newby, The Ed Wynn Show, NBC, 1958.

Keith Fowler, The Bob Cummings Show (also known as Love That Bob), NBC, 1955; Doctor Carlson, "Payment in Kind," Henry Fonda Presents the Star and the Story (also known as Star and Story), syndicated, 1955; Trusty, Dear Phoebe, NBC, 1955; Herb, The Ray Milland Show, CBS, 1955; Marshal Crawford, The Life and Legend of Wyatt Earp (also known as WyattEarp), ABC, 1955; Dave, "Lou Gehrig's Greatest Day" and Colonel Venable, "Grant and Lee at Appomattox,'' You Are There, CBS, 1955; Tom Denby, Dr. Hudson's Secret Journal, syndicated, 1955; MacGuire, "It Grows on Trees," Lux Video Theatre, NBC, 1955; Walter Sanger, This Is the Life, syndicated, 1955; Phil Harvey, Waterfront, syndicated, 1955; Tyler, Dr. Hudson's Secret Journal, syndicated, 1955; Arthur Kern, "Strange People at Pecos'' and MacNamara,' 'Operation Flypaper," Science Fiction Theatre, syndicated, 1955; Tom, "Prosper's Old Mother," General Electric Theatre, CBS, 1955; Germy, "Gusher City," Jane Wyman Presents the Fireside Theatre, CBS, 1955; Ray, "Paper Gunman" and Marshal, "King of Dakota," Frontier, NBC, 1955; Josef, Man CalledX, syndicated, 1955; Mr. Sayre, "Navy Corpsman," Navy Log, CBS, 1955; Chester Ives, "Tropical Secretary" and Les Shaw, "Ticket for May," The Loretta Young Show, NBC, 1955; Charlie, "Gift of Life," Schlitz Playhouse of Stars, CBS, 1955; Don Dogdon, Lineup, CBS, 1955.

Franklyn Finch, Colonel Flack, syndicated, 1959; Jake Bender, The Adventures of Ellery Queen, NBC, 1959; Ben Moore, Steve Canyon, NBC, 1959; Amboy, The Thin Man, NBC, 1959; Denver Pollock, Black Saddle, NBC, 1959; Bryson, Colonel Flack, syndicated, 1959; Sheriff Jenkins, The Rough Riders, ABC, 1959; Clayton Beard, "The Day Before Atlanta," Playhouse 90, CBS, 1959; Owen Edwards, Black Saddle, NBC, 1959; Tanner, Wagon Train, NBC, 1959; Will, BatMasterson, NBC, 1959; Tory Jasper, "Swampfox," Walt Disney Presents, ABC, 1959; John LePage, Troubleshooters, NBC, 1959; Hennesey's father, Hennesey, CBS, 1959; Marcus Trimble, The Rifleman, ABC, 1959; Sam Elder, The Rifleman, ABC, 1959; Brett Conway, The Rifleman, ABC, 1959; Doctor Baker, "The Red Dress" and Doctor Merrill, "The Grenade," The Loretta Young Show, NBC, 1959; Skeet, Tightrope, CBS, 1959; Ben McClaren, Man without a Gun, syndicated, 1959; Matty Burton, "Omaha Beach," Alcoa-Goodyear Theatre, NBC, 1959; bartender, Wanted: Dead or Alive, CBS, 1959; Scooter Jaffee, Private Detective Richard Diamond, CBS, 1959; Mr. Gilroy, The Many Loves ofDobie Gillis (also known as Dobie Gillis), CBS, 1959; Deacon Matthews, Wichita Town, NBC, 1959; Hal Kirkwood, Perry Mason, CBS, 1959.

Bert Keith, The George Burns and Grade Allen Show, CBS, 1956; milkman,' 'There Was an Old Woman'' and sheriff,' 'The Belfry,'' Alfred Hitchcock Presents, CBS, 1956; Doctor Hendricks, The George Burns and Grade Allen Show, CBS, 1956; Stoolie, "The Ed Murdock Story," The Millionaire, CBS, 1956; Professor Reimers, "One Hundred Years from Now," Science Fiction Theatre, syndicated, 1956; Mr. Erwin, "We Who Love Her," On Trial, NBC, 1956; John Compton, "Family Affair," Stage Seven, CBS, 1956; Doctor English, "Call of Duty," The West Point Story, CBS, 1956; Nathaniel Lome, "Johnny Tremain," Disneyland (also known as Walt Disney), ABC, 1956; Henry Blaine, "Helpmate," Jane Wyman Presents the Fireside Theatre, NBC, 1956; Pete Maxwell, Dr. Hudson's Secret Journal, syndicated, 1956; Shammy, "You Can't Escape Forever," Lux Video Theatre, NBC, 1956; Keever, Mr. Adams and Eve, CBS, 1956; Si Marsh, "Muletown Gold Strike," Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS, 1956; Joe Randolph, Broken Arrow, ABC, 1956; Charles Jackson, Sheriff of Cochise, syndicated, 1956.

Jack Scully, The Rifleman, ABC, 1960; Mark Twain, Laramie, NBC, 1960; Harvey Cleere, Rescue Eight, syndicated, 1960; Leo Harris, "One Man Tank" and Slim Newell, "Who's fer Divide," Death Valley Days, syndicated, 1960; Colby, Laramie, NBC, 1960; Mr. Gilroy, The Many Loves ofDobie Gillis (also known as Dobie Gillis), CBS, 1960; Farley Weaver, The Rifleman, ABC, 1960; Finley, Wagon Train, NBC, 1960; Sam, Johnny Ringo, CBS, 1960; Finney, The Rifleman, ABC, 1960; Knudsen, Perry Mason, CBS, 1960; Judge Blau, Harrigan and Son, ABC, 1960; Doc Meeker, "Night Song,'' The Dupont Show with June Ally son, CBS, 1960; Dan Reider, Stagecoach West, ABC, 1960; driver, Klondike, NBC, 1960; Ben Wilson, Tales of Wells Fargo (also known as Wells Fargo), NBC, 1960; Poe, The Law and Mr. Jones, ABC, 1960; nervous shepherd, "The Reluctant Dragon," Shirley Temple's Storybook, NBC, 1960; Lester Courtney, The Lawman, ABC, 1960; townsman, Rawhide, CBS, 1960; HelmMerriweather, The Detectives, Starring Robert Taylor (also known as Robert Taylor's Detectives), ABC, 1960.

Dan Malloy, The Whirlybirds, syndicated, 1957; Pete Maxwell, Dr. Hudson's Secret Journal, syndicated, 1957; Zac West, Charlie Chan, syndicated, 1957; Tom Nolan, The West Point Story, ABC, 1957; Keever, Mr. Adams and Eve, CBS, 1957; Germie, "The Wildcatter" and Mr. Boggs, "Roadblock," Jane Wyman Presents the Fireside Theatre, NBC, 1957; Cass Baker, The Court of Last Resort, NBC, 1957; Ethan Phelps, "Easton, Texas" and Ward Barrett, "The Witness," Trackdown, CBS, 1957; Haw, "The 171

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Tom Randall, The Untouchables, ABC, 1961; first clerk, The Jack Benny Show, CBS, 1961; Sam, Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS, 1961; Al Stehl, The Asphalt Jungle, ABC, 1961; Ned Ferber, The Untouchables, ABC, 1961; Harry Cole, This Is the Life, syndicated, 1961; Todd Adams, "Time for Decision," Mr. Blane, "A Barrel Full of Monkeys," and Ed Foster, "The Outsider," The Detectives, Starring Robert Taylor (also known as Robert Taylor's Detectives), ABC, 1961; Ed Brandon, Shotgun Slade, syndicated, 1961; Foster, Stagecoach West, ABC, 1961; Haber, The Aquanauts (also known as Malibu Run), CBS, 1961; Henry Creasy, Checkmate, CBS, 1961; Reverend Forbes, Adventures in Paradise, ABC, 1961; Harry Wilson, Hawaiian Eye, ABC, 1961; Oscar Cleete, The Aquanauts (also known as Malibu Run), CBS, 1961; Hokey, Checkmate, CBS, 1961; Finney Tate, Surfside Six, ABC, 1961; Will Cass, Bonanza, NBC, 1961; Jefty, Bus Stop, ABC, 1961; Bert Taylor, The Rifleman, ABC, 1961; Willie Beal, Cain s Hundred, NBC, 1961; Mr. Willis, Dr. Kildare, NBC, 1961; Elmo Regis, Laramie, NBC, 1961; Buzz Farrell, Perry Mason, CBS, 1961; Mr. Halliday, Ichabod and Me, CBS, 1961; Councilman Dobbs, The Andy Griffith Show, CBS, 1961; Doc Halop, Have Gun Will Travel, CBS, 1961.

The Virginian, NBC, 1965; Harper Caldwell, GomerPyte, U.S.M.C., CBS, 1965; Mr. Brumley, The Dick Van Dyke Show, CBS, 1965. Paul Leonard, The F.B.L, ABC, 1966; Charles Fletcher, The Fugitive, ABC, 1966; Wilbur Jonas, Gunsmoke, CBS, 1966; Bill Cotton, Perry Mason, CBS, 1966; Ira, Laredo, NBC, 1966; Thomas Gimmer, The Road West, NBC, 1966; Roger Porter, The F.B.L, ABC, 1966; Thomas, The Fugitive, ABC, 1966; Sam Bryant, Bonanza, NBC, 1966; minister, The Invaders, ABC, 1966; Sheriff Simmons, Rango, ABC, 1966; chaplain, The Dick Van Dyke Show, CBS, 1966; Mr. Thompson, The Danny Kaye Show, CBS, 1967; Sam Jensen, The Fugitive, ABC, 1967; Alvin Van Doyle, The F.B.L, ABC, 1967; Ed Harger, The Virginian, NBC, 1967; Hub Dawes, Bonanza, NBC, 1967; Daniel Turpin, Mannix, CBS, 1967; Matt Carson, The Big Valley, ABC, 1967; motorcycle cop, GomerPyle, U.S.M.C., CBS, 1967; Judge Quayle, Cimarron Strip, CBS, 1967; General Craven, The Second Hundred Years, ABC, 1967; Doctor Zellmer, Jwdd, for the Defense, ABC, 1967; Wilbur Jonas, Gunsmoke, CBS, 1967; Senator Seth Buckley, The Wild Wild West, CBS, 1968; Patrick Owens, The F.B.L, ABC, 1968; Peck, Petticoat Junction, CBS, 1968; Petey O'Grady, Mannix, CBS, 1968; Norrie Coolidge, The Ghost and Mrs. Muir, NBC, 1968; Orkin, The F.B.L, ABC, 1968; Captain Lyman Butler, The Wild Wild West, CBS, 1968; Ralph Lebow, Judd, for the Defense, ABC, 1968; Doc Tasker Dunkett, Bonanza, NBC, 1968; Nome Coolidge, The Ghost and Mrs. Muir, NBC, 1969; Wilkie Coombs, Mannix, CBS, 1969; Thomas Gibbs, Ironside, NBC, 1969; sheriff, Lancer, CBS, 1969; Stilts, "The Boy Who Stole the Elephant," The Wonderful World of Disney, NBC, 1969; Arlie Sessions, The F.B.L, ABC, 1969; Mr. Carew, Ironside, NBC, 1969; man on the bus, Bracken's World, NBC, 1969.

Mr. Berger, The Dick Van Dyke Show, CBS, 1962; Doctor Ellis, "All Day to Live" and Herb Raymond, "The Very Custom Special,'' Alcoa Premiere, ABC, 1962; General Fulton, Follow the Sun, ABC, 1962; Joe Brockway, The Lawman, ABC, 1962; chaplain, The Dick Van Dyke Show, CBS, 1962; Scanlon, "HocusPocus and Frisby" and Evans, "Valley of the Shadow," The Twilight Zone, CBS, 1962; Gavin, "Pericles on Thirty-First Street,'' The Dick Powell Theatre (also known as The Dick Powell Show), NBC, 1962; hardware store clerk, The Andy Griffith Show, CBS, 1962; man at post office, The Danny Thomas Show, NBC, 1962; Joe Williams, Empire, NBC, 1962; Walter Horner, Saints and Sinners, NBC, 1962; Doctor Banner, Stoney Burke, ABC, 1962; Ed Crain, The Eleventh Hour, NBC, 1962; Fairfield, The Fugitive, ABC, 1962; Brower, The Untouchables, ABC, 1962; Jebediah Haddlebird, Rawhide, CBS, 1963; Charlie Piedmont, I'm Dickens—He's Fenster, ABC, 1963; Henshaw, Bonanza, NBC, 1963; Wilbur Jonas, Gunsmoke, CBS, 1963; Jack Tabor, Perry Mason, CBS, 1963; Newton Yort, "A Hero for Our Time," Kraft Suspense Theatre, NBC, 1963; Marshal Cloud, Temple Huston, NBC, 1963; Sladowski, Grindl, NBC, 1963; Halstead, Perry Mason, CBS, 1963; Charley Ward, The Greatest Show on Earth, ABC, 1963; Madigan, The Rogues, NBC, 1963.

Victor Bychek, The Name of the Game, NBC, 1970; judge, Bonanza, NBC, 1970; Edgar Jarvis, The Interns, CBS, 1970; Howard Deal, The F.B.L, ABC, 1970; Fred Smith, Bonanza, NBC, 1970; Jacobi, The Young Lawyers, ABC, 1970; Sam Dawson, Bonanza, NBC, 1970; Casey, The Bold Ones, NBC, 1971; Sal Cleary, The F.B.L, ABC, 1971; Billy Jack, O'Hara, U.S. Treasury, CBS, 1971; Harrigan, Sr., Nichols, NBC, 1971; bus stop owner, The Mod Squad, ABC, 1972; studio guard, The Rookies, ABC, 1971; Harry Bell, "Earth, Air, Fire, and Water," Ghost Story (also known as Circle of Fire), ABC, 1972; Andy Spake, Barnaby Jones, CBS, 1972; Kelsey Waller, The F.B.L, ABC, 1973; William Salter, Cannon, CBS, 1973; old filekeeper, Ironside, NBC, 1973; Dave Carson, Adam-12, NBC, 1973; Billy Levinson, The Rookies, ABC, 1973; Joe Bean, Gunsmoke, CBS, 1973; motel owner, Chopper One, ABC, 1973; Charles, Firehouse, ABC, 1973; Larry Parino, Chase, NBC, 1974; Orville Norton, Paper Moon, ABC, 1974; Walt Fox, Cannon, CBS, 1974; Harry Bell, The Manhunter, CBS, 1974; Seldom Seen Sam, Shazam!, CBS, 1975; Peter Preli, The Rockford Files, NBC, 1975; Rudy Zender, Bert D'AngelolSuperstar, ABC, 1976; watchman, Streets of San Francisco, NBC, 1976; Doctor Hubert Nippert, Emergency, NBC, 1976; Doctor Malone, The Incredible Hulk, CBS, 1978; BlufordCatlin, Charlie s Angels, ABC, 1979; The Greatest American Hero, ABC, 1981; Henry, Matt Houston, ABC, 1982; Ralph Woolsey, Starman, ABC, 1985; Russell, Werewolf, Fox, 1987; Buzz Benson, Charles in Charge, syndicated, 1987; Ben Farber, Something Is Out There, NBC, 1988; voice characterizations, The AnnJillian Show, NBC, 1989; Joe, Roseanne, ABC, 1989; minister, The Brady s, CBS, 1990.

Mr. Bishop, "The Children of Spider Country," The Outer Limits, ABC, 1964; E.F. Larkin, "The Inheritors," The Outer Limits, ABC, 1964; Naylor Sweet, The Andy Griffith Show, CBS, 1964; Doctor Forbes, Destry, ABC, 1964; Wilbur Jonas, Gunsmoke, CBS, 1964; Jules H. Soloman, Arrest and Trial, ABC, 1964; Hiram Snow, Wagon Train, ABC, 1964; Ossie Weiss, Hank, NBC, 1964; Sheriff Claypool, The Fugitive, ABC, 1964; Mr. Sims, The Andy Griffith Show, CBS, 1964; Doctor Fenner, "Prudence Crandall," Profiles in Courage, NBC, 1964; sheriff, Rawhide, CBS, 1964; filling station man, Ninety Bristol Court, NBC, 1964; mayor, The Fugitive, ABC, 1964; Mr. Clark, The Bill Dana Show, NBC, 1964; Orville Beaumont, Wendy and Me, ABC, 1964; Casey, Lassie, CBS, 1964; Taggart, Peyton Place, ABC, 1965; night court judge, The Danny Kaye Show, CBS, 1965; Dodson, Perry Mason, CBS, 1965; Taylor, "John Marshall," Profiles in Courage, NBC, 1965; Detective Fullmer, The Cara Williams Show, CBS, 1965; Mr. Waring, The Dick Van Dyke Show, CBS, 1965; reformed crook, The Danny Kaye Show, CBS, 1965; doctor,

Also Paul Barrows,' 'Miracle at Eagle Bluff' and Max Klein, "116 E. 20th Street," Jeweler's Showcase, 1952; Sandy, Mr. McNutley, 1953; Fred Fielding, "Doc," Erwin Martin, "The Catbird Seat," 172

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Macintosh, "Ask Me No Questions," and Papa Kirk, "At Mrs. Lelands," Matinee Theatre, 1956; Doctor Petrie, "Trigger-Finger Clue," Tad Duncan, Sr., "Courage," Doctor Rayborn, "TheOld, Old Story," Paul Diamond, "Go Fight City Hall," and Captain Larsen, "The Smuggler," Readers Digest, 1956; Louis Johnson, Code Three, 1956; Melvin Sanders, Fury, 1956; Sheriff Barton, "Swing Your Partner, Hector," Heinz Playhouse, 1956; James Andrews, Official Detective, 1957; Mr. Boswaithe, Anything, Incorporated, 1957; Ben Tait, "The Party Dress," Matinee Theatre, 1957; Dan Seery, Best of the Post, 1957; John Cooper, Grey Ghost, 1957; Hez Crabtree, "Hickory Heart," Matinee Theatre, 1958; Emil Roland, Night Watch, 1958; George Hamlin, This Is the Answer, 1959; Paul Feeney, Rogue for Hire, 1959; Wesley, The Plainsman, 1959; Charlie, Gringo, 1959; Joe Kane, J.P., 1960; Sheriff Barrett, The Pony Express, 1960; Sergeant Croft, Unsolved, 1960; Willy Medford, Two Faces West, 1960; Ed Morgan, Counter intelligence Corps, 1961; Joe Bartle, Lone Sierra, 1961; the Old Fox, The Park Ranger, 1963; Caswell, The Lawyer, 1964; Henry Fogle, "Secret of the Lost Creek," Disney's Mickey Mouse Club, 1989. Movies: Captain John Sharke, Dick Tracy, syndicated, 1952; Mr. Cousins, Green Eyes, ABC, 1977; Ace Hutchkins, The Winds of Kitty Hawk, NBC, 1978; Reverend Robert Alden, Little House: Look Back to Yesterday, NBC, 1983; Reverend Robert Alden, Little House: The Last Farewell, NBC, 1984; Sills, Bonanza: The Next Generation, syndicated, 1988. Also appeared as Nico Van Eyden, Time Is a Dream, 1948. PRINCIPAL TELEVISION WORK—Director, Time Is a Dream, 1948.

JANE GREER

RELATED CAREER—Head of public schools drama department, Mountain Grove, MO, 1940-43, head of community theatre, Mountain Grove, 1941-43; instructor, director, and dean of academic studies, Pasadena Playhouse School of Theatre, 1943-50; actor in television commercials, public service messages, industrial films, and educational programs.

1946; Helen, Sunset Pass, RKO, 1946; Kathie Moffett, Out of the Past (also known as Build My Gallows High), RKO, 1947; Janice Bell, They Won't Believe Me, RKO, 1947; Pirouze, Sinbad the Sailor, RKO, 1947; Charlie, Station West, RKO, 1948; Joan, The Big Steal, RKO, 1949; Diane, The Company She Keeps, RKO, 1950; Ellie, You're in the Navy Now (also known as U.S.S. Tea Kettle), Twentieth Century-Fox, 1951; Julie Heldon, Desperate Search, Metro-Goldwyn-Mayer (MGM), 1952; Antoinette de Mauban, The Prisoner ofZenda, MGM, 1952; Katie McDermad, You for Me, MGM, 1952; Paula Henderson, The Clown, MGM, 1953; Diana Forrester, Down Among the Sheltering Palms, Twentieth Century-Fox, 1953; Katy Connors, Run for the Sun, United Artists, 1956; Hazel Bennet, Man of a Thousand Faces, Universal, 1957; Marian Spicer, Where Love Has Gone, Paramount, 1964; Agnes Carol, Billie, United Artists, 1965; Alma, The Outfit (also known as The Good Guys Always Win), MGM, 1973; Mrs. Wyler, Against All Odds, Columbia, 1984; Ruth Chadwick, JustxBetween Friends, Orion, 1986; Michael's mother, Immediate Family, Columbia, 1989.

MEMBER: Lambda Chi Alpha. ADDRESSES: OFFICE—P.O. Box 322 (M), Pasadena, CA 91102. AGENT—Dade, Rosen, and Schultz, 15010 Ventura Boulevard, Suite 219, Sherman Oaks, CA 91403.

GREEK, Jane 1924(Bettejane Greer) PERSONAL: Born Bettejane Greer, September 9, 1924, in Washington, DC; married Rudy Vallee (a singer and actor), 1943 (divorced, 1944).

PRINCIPAL TELEVISION APPEARANCES—Episodic: Kathleen Kane, Stagecoach West, ABC, 1960; Charlotte Pershing, Falcon Crest, CBS, 1984; Louise Browning, The Insiders, ABC, 1985; Augusta Stillman, The Law and Harry McGraw, CBS, 1987; Bonnie Phelps, Murder, She Wrote, CBS, 1988; Valerie Jeffries, HeartBeat, ABC, 1989; also "Look for Tomorrow," Ford Theatre, NBC, 1953; "Summer Dance," Mirror Theatre, CBS, 1953; "One Man Missing," Playhouse 90, NBC, 1955; "Moment of Decision," Ford Theatre, ABC, 1957; "A Gun for My Bride," Zane Grey Theatre, CBS, 1957; "Meeting in Paris," Suspicion, NBC, 1958; Alfred Hitchcock Presents, CBS, 1958; Bonanza, NBC, 1959; "Portrait of a Face," Thriller, NBC, 1961; Burke s

VOCATION: Actress. CAREER: FILM DEBUT—(As Bettejane Greer) Miss Dowling, Pan-Americana, RKO, 1945. PRINCIPAL FILM APPEARANCES— (As Bettejane Greer) Helen, Two O'Clock Courage, RKO, 1945; (as Bettejane Greer) Billie Randall, George White's Scandals, RKO, 1945; Judith Owens, Dick Tracy (also known as Splitface and Dick Tracy, Detective), RKO, 1945; Eileen Sawyer, The Bamboo Blonde, RKO, 1946; Lola Carpenter, The Falcons Alibi, RKO, 173

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Law, ABC, 1964. Movies: Ma Traven, Louis LAmour's "The Shadow Riders," CBS, 1982.

Fox, 1976; Lovers and Liars (also known as A Trip with Anita and Travels with Anita), Levitt/Pickman, 1981; Ginger et Fred (also known as Ginger and Fred, Metro-Goldwyn-Mayer/United Artists, 1986.

RELATED CAREER—Professional model from the age 12; appeared as a WAC on the cover of Life magazine and on recruiting posters; singer with nightclub band.

RELATED CAREER—President, P.E.A. (Produzioni Europee Associate, S.A.S.) Films Inc; lawyer for Italian film companies.*

ADDRESSES: AGENT—Merritt Blake, Camden Artists, 2121 Avenue of the Stars, Suite 410, Los Angeles, CA 90067.

GROENER, Harry GRIMALDI, Alberto

1927-

1951-

PERSONAL: Born September 10, 1951, in Augsburg, Germany; father, a concert pianist, composer, and office clerk; mother, an opera singer; married Dawn Didawick (an actress). EDUCATION— Graduated from the University of Washington; studied dance at the San Francisco Conservatory of Ballet; studied acting at the Pacific Conservatory of Performing Arts and with the Bachelor of Fine Arts Professional Actors Training Program at the University of Washington.

PERSONAL: Born in 1927 in Naples, Italy. VOCATION: Producer. CAREER: FIRST FILM WORK—Producer, L'ombra di Zorro, 1963. PRINCIPAL FILM WORK—All as producer unless indicated: Faccia afaccia (also known as Face to Face), Arturo Gonzales, 1967; Per qualche dollaro inpiu (also known as For a Few Dollars More), 1966, released in the United States by United Artists, 1967; // buono, il brutto, il cattivo (also known as The Good, the Bad, and the Ugly), 1966, released in the United States by United Artists, 1967; La resa dei conti (also known as The Big Gundown), Columbia, 1968; Scusi,facciamo I'amore? (also known as Listen, Let's Make Love and Et si onfaisait I'amour?), 1968, released in the United States by Lopert, 1969; // mercenario (also known as The Mercenary and Salario para matar), 1968, released in the United Artists by 1970; Un tranquillo posto di campagna (also known as A Quiet Place in the Country and Un coin tranquille a la campagne), 1968, released in the United States by Lopert, 1970; Fellini Satyricon (also known as Satyricon), United Artists, 1969; Ehi, amico . . . c e Sabata, hai chiuso (also known as Sabata), United Artists, 1969.

VOCATION: Actor. CAREER: BROADWAY DEBUT—Will Parker, Oklahoma!, Palace Theatre, 1979. PRINCIPAL STAGE APPEARANCES—Floyd Beavis, Back Country, Wilbur Theatre, Boston, MA, 1978; Bix Beiderbecke, Hoagy, Bix, and Wolfgang Beethoven Bunkhaus, Center Theatre Group, Mark Taper Forum, Los Angeles, 1980; Western Mousada, Oh, Brother!, American National Theatre and Academy Theatre, New York City, 1981; Munkustrap, Cats, Winter Garden Theatre,

The Bounty Hunters, P.E.A. Cinematografica, 1970; Quemada! (also known as Burn!), United Artists, 1970; Companeros (also known as Vamos a malar, companerosf), TerraFilmkunst, 1970; Adios Sabata (also known as Indio Black sai che to dico: sei un gran figlio di. . .), United Artists, 1911; IIDecamerone (also known as The Decameron), United Artists, 1971; Oceano (also known as The Wind Blows Free), P.E.A., 1971; executive producer, Man of La Mancha (also known as L'uomo della Manch), United Artists, 1972; Last Tango in Paris (also known as Ultimo tango a Parigi), United Artists, 1972; / racconti di Canterbury (also known as The Canterbury Tales), United Artists, 1972; Trastevere, P.E.A., 1972; Return of Sabata (also known as E'tomato Sabata and Hai chiuso un'altra volta), United Artists, 1972; Storie scellerate (also known as Roguish Stories), United Artists/P. E. A., 1973; Epio lo chiamarono il magnifico (also known as A Man from the East and And Then They'll Call Him the Magnificent), United Artists, 1974; // fiore delle mille e una notte (also known as A Thousand and One Nights and The Arabian Nights), P.E.A., 1974, released in the United States by United Artists, 1980; Salo o le centiventi giornate di Sodoma (also known as Salo—The 100 Days of Sodom, Pasolini's Days of Sodom, and Salo), United Artists/Cenecenta, 1975; Cadaveri eccellenti (also known as Illustrious Corpses and The Context), Cinegate, 1975, released in the United States by United Artists, 1976; Casanova (also known as Fellini's Casanova and // Casanova di Federico Fellini), Universal, 1976; 1900 (also known as Novecento), Paramount/United Artists/Twentieth Century-

HARRY GROENER

174

GUARE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Brothers, 1988; Wendell, The Experts, Paramount, 1989; Maxwell Glass, A Matter of Degrees, Backbeat Productions, 1990.

New York City, 1982; Algernon, The Importance of Being Earnest and Billy Bishop, Billy Bishop Goes to War, both Old Globe Theatre, San Diego, CA, 1982; Julian, "The Public Eye" and Brindsley, "Black Comedy," in Light Comedies, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1983; title role, Scapino!, Old Globe Theatre, 1984; title role, Sunday in the Park with George, Booth Theatre, New York City, 1985; Edward Harrigan, Harrigan V Hart, Longacre Theatre, New York City, 1985; Dickie Wentworth, Girl Crazy, Seattle Repertory Theatre, Seattle, WA, 1985; Paul, Sleight of Hand, Cort Theatre, New York City, 1987; Stephen Wheeler, Eastern Standard, Seattle Repertory Theatre, 1988; title role, Sunday in the Park with George, South Coast Repertory Theatre, Costa Mesa, CA, 1989. Also appeared with the Actors Theatre of Louisville, Louisville, KY, 1976-77; in Hobson's Choice, Long Wharf Theatre, New Haven, CT, 1977; Journey's End, Long Wharf Theatre, 1978; Merlon of the Movies, Hartman Theatre Company, Stamford, CT, 1981; Is There Life After High School?, Ethel Barrymore Theatre, New York City, 1982; Ghetto, Center Theatre Group, Mark Taper Forum, 1986; and in Beside the Seaside.

PRINCIPAL TELEVISION APPEARANCES—Episodic: Albert Wellington, Remington Steele, NBC, 1986; Otis, Heart of the City, ABC, 1986. Movies: Joel Baskin, Into the Homeland (also known as Swallows Come Back and When the Swallows Come Back), HBO, 1987. ADDRESSES: AGENTS—Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069; Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.*

GUARE, John

1938-

PERSONAL: Born February 5, 1938, in New York, NY; son of Edward and Helen Claire (Grady) Guare; married Adele ChatfieldTaylor (an artist), May 20, 1981. EDUCATION—Georgetown University, A.B., 1961; Yale University School of Drama, M.F.A., 1963. MILITARY—U.S. Air Force Reserve, 1963.

FILM DEBUT—Dr. Campbell, Brubaker, Twentieth Century-Fox, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Ralph, Dear John, NBC, 1988—. Mini-Series: Patrick Henry, George Washington, CBS, 1984; Lowell Kane, Kane and Abel, CBS, 1985. Episodic: Preston Hayes, Remington Steele, NBC, 1985; Klaus Brinkman, St. Elsewhere, NBC, 1987; Colin Johnson, Jack and Mike, ABC, 1987; George Lynwood, Spenser: For Hire, ABC, 1988; Michael Talbert, Studio 5-B, ABC, 1989; Rod Greenwood, Matlock, NBC, 1989; also Star Trek: The Next Generation, syndicated, 1990; Captain Kangaroo. Movies: The Country Girl, Showtime. Specials: The Macy's Thanksgiving Day Parade, NBC, 1988.

VOCATION: Playwright. CAREER: Also see WRI