Contemporary Theatre, Film and Television; Volume 8

Contemporary Theatre, Film, and Television ISSN 0749-064X Contemporary Theatre, Film, and Television A Biographical ...

Author: Owen O'Donnell

1475 downloads 3464 Views 46MB Size Report

This content was uploaded by our users and we assume good faith they have the permission to share this book. If you own the copyright to this book and it is wrongfully on our website, we offer a simple DMCA procedure to remove your content from our site. Start by pressing the button below!

Report copyright / DMCA form

DOWNLOAD PDF

Contemporary Theatre, Film, and Television

ISSN 0749-064X

Contemporary Theatre, Film, and Television A Biographical Guide Featuring Performers, Directors, Writers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, Dancers, and Critics in the United States and Great Britain

Owen O'Donnell Editor Sara J. Steen Sharon Gamboa Associate Editors

Volume 8

Gale Research Inc. - DETROIT •

LONDON

STAFF Linda S. Hubbard, Senior Editor Owen O'Donnell, Editor Sara J. Steen and Sharon Gamboa, Associate Editors Lillie Balinova, Erin McGrath, James R. Kirkland, Sketchwriters June Barnett, Dorothy Carter, Vincent Henry, Yvette Jones, Liz Menendez, Kay Ohara, Maura Pleckaitis, Bob Van Vooris, Editorial Assistants Rahadyan T. Sastrowardoyo, Contributing Editor Mary Beth Trimper, Production Manager Evi Seoud, Assistant Production Manager Arthur Chartow, Art Director C. J. Jonik, Keyliner Laura Bryant, Production Supervisor Louise Gagne, Internal Production Associate PHOTOGRAPH CREDITS Gerard Depardieu: Richard Delloul; James Goldman: O Barbara Goldman; Tim Luscombe: Shuhei Iwamoto; Paul Pyant: Nicholas Richter 1988; Christian Roberts: Susan Greenhill; M. Edgar Rosenbloom: Gale Zucker. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence Paper for Printed Library Materials, ANSI Z39.48-1984.

While every effort has been made to ensure the reliability of the information presented in this publication, Gale Research Inc. does not guarantee the accuracy of the data contained herein. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

This publication is a creative work copyrighted by Gale Research Inc. and fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information. Gale Research Inc. will vigorously defend all of its rights in this publication. Copyright © 1990 by Gale Research Inc. 835 Penobscot Building Detroit, MI 48226-4094 All rights reserved including the right of reproduction in whole or in part in any form. Library of Congress Catalog Card Number 84-649371 ISBN 0-8103-2071-1 ISSN 0749-064X No part of this book may be reproduced in any form without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages or entries in connection with a review written for inclusion in a magazine or newspaper.

Printed in the United States of America Published simultaneously in the United Kingdom by Gale Research International Limited (An affiliated company of Gale Research Inc.) 10987654

Contents Preface

vii

Biographies

1

V

Preface The worlds of theatre, film, and television hold an undeniable appeal, and the individuals whose careers are devoted to these fields are subjects of great interest. The people both behind the scenes and in front of the lights and cameras—writers, directors, producers, performers, and others—all have a significant impact on our lives, for they enlighten us as they entertain. Contemporary Theatre, Film, and Television Provides Broad Coverage in the Entertainment Field

Contemporary Theatre, Film, and Television (CTFT) is a comprehensive biographical series designed to meet the need for information on theatre, film, and television personalities. Prior to the publication of CTFT, biographical sources covering entertainment figures were generally limited in scope; for more than seventy years Who's Who in the Theatre (WWT), for example, provided reliable information on theatre people. But today few performers, directors, writers, producers, or technicians limit themselves to the stage. And there are also growing numbers of people who, though not active in the theatre, make significant contributions to other entertainment media. With its broad scope, encompassing not only stage notables but also film and/ or television figures, CTFT is a more comprehensive and, the editors believe, more useful reference tool. Its clear entry format, allowing for the quick location of specific facts, combines with hundreds of photographs to further distinguish C77*Tfrom other biographical sources on entertainment personalities. Moreover, since CTFT is a series, new volumes can cover the steady influx of fresh talent into the entertainment media. The majority of the entries in each CTFT volume present information on people new to the series, but CTFT also includes updated versions of previously published CTFT sketches on especially active figures as well as complete revisions of WWT entries. The CTFT cumulative index makes all listings easily accessible. Scope CTFT is a biographical series covering not only performers, directors, writers, and producers but also designers, managers, choreographers, technicians, composers, executives, dancers, and critics from the United States and Great Britain. With nearly 700 entries in CTFT, Volume 8, the series now provides biographies for more than 5,200 people involved in all aspects of the theatre, film, and television industries. Primary emphasis is given to people who are currently active. CTFT includes major, established figures whose positions in entertainment history are assured, such as award-winning playwright Wendy Wasserstein, film producer Samuel Goldwyn, Jr., actors Gerard Depardieu and Harrison Ford, documentary filmmaker Marcel Ophuls, and the animators William Hanna and Joseph Barbera. Individuals who are beginning to garner acclaim for their work are represented in CTFT as well, including comedienne and television superstar Roseanne Barr; director Tim Luscombe who received the 1989 Olivier Award as Best Newcomer for his work on the London stage; Winona Ryder, the star of such recent films as Beetlejuice, Heathers, and Great Balls of Fire; Craig Safan, composer for the television series Cheers and the film Stand and Deliver among other works; and Anton Furst, 1990 Academy Award-winner for his production design on the film Batman. Selected sketches also record the achievements of theatre, film, and television personalities who have recently passed away but whose work commands lasting interest. Among such notables with listings in this volume are Laurence Olivier, Irving Berlin, Bette Davis, Barbara Stanwyck, Lucille Ball, Mel Blanc, Gilda Radner, and theatre director and executive Nikos Psacharopoulos. With its broad coverage and detailed entries, CTFT is designed to assist a variety of users—a student preparing for a class, a teacher drawing up an assignment, a researcher seeking a specific fact, a librarian searching for the answer to a question, or a general reader looking for information about a favorite personality.

vii

Compilation Methods Every effort is made to secure information directly from biographees. The editors consult industry directories, biographical dictionaries, published interviews, feature stories, and film, television, and theatre reviews to identify people not previously covered in CTFT. Questionnaires are mailed to prospective listees or, when addresses are unavailable, to their agents, and sketches are compiled from the information they supply. The editors also select major figures included in WWTwhose entries require updating and send them copies of their previously published entries for revision. CTFT sketches are then prepared from the new information submitted by these well-known personalities or their agents. Among the notable figures whose WWT, seventeenth edition, entries have been completely revised for this volume of CTFT are actresses Pauline Collins and Gloria Foster, playwright James Goldman, and stage producer and director Woodie King, Jr. If people of special interest to CTFT users are deceased or fail to reply to requests for information, materials are gathered from reliable secondary sources. Sketches prepared solely through research are clearly marked with an asterisk (*) at the end of the entries. Revised Entries Each volume of CTFTis devoted primarily to people currently active in theatre, film, and television who are not already covered in the series or in WWT. However, to ensure CTFT's timeliness and comprehensiveness, in addition to the updates of WWT sketches mentioned above, the editors also select CTFT listees from earlier volumes who have been active enough to require revision of their previous biographies. Such individuals will merit revised entries as often as there is substantial new information to provide. For example, the update of Woody Allen's entry from CTFT, Volume 1, included in this volume adds his most recent film work and awards; moreover, research has brought to light information about earlier stage and television work that was not included in his previous sketch. Similarly, Volume 8 provides revised entries containing significant new information on Richard Attenborough, Carol Burnett, Dick Cavett, Lee Grant, Harold Prince, Meryl Streep, and Peter Ustinov. Format CTFT entries, modeled after those in Gale Research's highly regarded Contemporary Authors series, are written in a clear, readable style with few abbreviations and no limits set on length. So that a reader needing specific information can quickly focus on the pertinent portion of an entry, typical CrFTlistings are clearly divided into the following sections: Entry heading—Cites the form of the name by which the listee is best known followed by birth and death dates, when available. Personal—Provides the biographee's full or original name if different from the entry heading, date and place of birth, family data, and information about the listee's education (including professional training), politics, religion, and military service. Vocation—Highlights the individual's primary fields of activity in the entertainment industry. Career—Presents a comprehensive listing of principal credits or engagements. The career section lists theatrical debuts (including Broadway and London debuts), principal stage appearances, and major tours; film debuts and principal films; television debuts and television appearances; and plays, films, and television shows directed and produced. Related career items, such as professorships and lecturing, are also included as well as non-entertainment career activities. Writings—Lists published and unpublished plays, screenplays, and scripts along with production information. Published books and articles, often with bibliographical data, are also listed. Recordings—Cites album and single song releases with recording labels, when available. Awards—Notes theatre, film, and television awards and nominations as well as writing awards, military and civic awards, and fellowships and honorary degrees received. Member—Highlights professional, union, civic, and other association memberships, including official posts held. Sidelights—Cites favorite roles, recreational activities, and hobbies. Frequently this section includes portions of agent-prepared biographies or personal statements from the listee. In-depth

viii

sidelights providing an overview of an individual's career achievements are compiled on selected personalities of special interest. Other Sources—Indicates periodicals, serials, or books where interviews, criticism, and additional types of information can be found. Not intended as full bibliographies, these citations are provided on brief entries, sketches with sidelights, and a small number of other entries. Addresses—Notes home, office, and agent addresses, when available. (In those instances where an individual prefers to withhold his or her home address from publication, the editors make every attempt to include at least one other address in the entry.) Enlivening the text in many instances are large, clear photographs. Often the work of theatrical photographers, these pictures are supplied by the biographees to complement their sketches. This volume, for example, contains nearly 200 such portraits received from various individuals profiled in the following pages. Brief Entries

CTFTusers have indicated that having some information, however brief, on individuals not yet in the series would be preferable to waiting until full-length sketches can be prepared as outlined above under "Compilation Methods." Therefore, CTFT includes abbreviated listings on notables who presently do not have sketches in CTFT. These short profiles, identified by the heading "Brief Entry," highlight the person's career in capsule form. Brief entries are not intended to replace sketches. Instead, they are designed to increase CTFT's comprehensiveness and thus better serve CTFT users by providing pertinent and timely information about well-known people in the entertainment industry, many of whom will be the subjects of full sketches in forthcoming volumes. Cumulative Index

To facilitate locating sketches on the thousands of notables profiled in CTFT, each volume contains a cumulative index to the entire series. As an added feature, this index also includes references to all seventeen editions of WWTand to the four-volume compilation Who Was Who in the Theatre (Gale, 1978). Thus by consulting only one source—the CTFT cumulative index—users have easy access to the tens of thousands of biographical sketches in CTFT, WWT, and Who Was Who in the Theatre. Suggestions Are Welcome

If readers would like to suggest people to be covered in future CTFT volumes, they are encouraged to send these names (along with addresses, if possible) to the editors. Other suggestions and comments are also most welcome and should be addressed to: The Editors, Contemporary Theatre, Film, and Television, Gale Research Inc., 835 Penobscot Bldg., Detroit, MI 48226-4094.

ix

Contemporary Theatre, Rim, and Television * Indicates that a listing has been compiled from secondary sources believed to be reliable.

ADAMS, Casey See SHOWALTER, Max

ADDY, Wesley

Angeles, 1967; James Mavor Morell, Candida, Great Lakes Shakespeare Festival, Lake wood, OH, 1969, then Longacre Theatre, New York City, 1970. Papa, Mama, Studio Arena Theatre, Buffalo, NY, 1972; Pastor Manders, Ghosts, Roundabout Theatre, New York City, 1973; Sam Pleasant, And Nothing But, Woodstock Playhouse, Woodstock, NY, 1975; Becket, Murder in the Cathedral, Church of the Heavenly Rest, New York City, 1977; Dr. Lucius Bingham, The Stitch in Time, ANTA Theatre, New York City, 1981; Forbes Marston, Curtains!, Westbeth Theatre Center, New York City, 1981; the Man, With Love and Laughter, Harold Clurman Theatre, New York City, 1982. Also appeared in The Grass Is Greener and Not Even in Spring, both Ivanhoe Theatre, Chicago, IL, 1966; Captain Brassbound's Conversion, Pasadena Playhouse, 1966; with the Bucks County Playhouse, New Hope, PA, 1972; in King Lear and Under the Gaslight, both Great Lakes Shakespeare Festival, 1974.

1913-

PERSONAL: Born August 4, 1913, in Omaha, NE; son of John R. and Maren S. Addy; married Celeste Holm (an actress), May 22, 1966. EDUCATION—University of California, Los Angeles, B.A., 1934. MILITARY—U.S. Army, major, 1941-45. VOCATION: Actor. CAREER: BROADWAY DEBUT—Chorus, Panic, Imperial Theatre, 1935. PRINCIPAL STAGE APPEARANCES—Wedding guest, How Beautiful with Shoes, Booth Theatre, New York City, 1935; Marcellus and Fortinbras, Hamlet, Imperial Theatre, New York City, 1936; Earl of Salisbury, Richard II, St. James Theatre, New York City, 1937; Bernardo and Fortinbras, Hamlet, St. James Theatre, 1938; Hotspur, Henry IV, Part One and Melvin Lockhart, Summer Night, both St. James Theatre, 1939; Benvolio, Romeo and Juliet, 51st Street Theatre, New York City, 1940; Orsino, Twelfth Night, St. James Theatre, 1940; Haemon, Antigone and James Mavor Morell, Candida, both Cort Theatre, 1946; Benjamin Hubbard, Another Part of the Forest, Fulton Theatre, New York City, 1947; old Cardinal, Galileo, American National Theatre and Academy (ANTA) Experimental Theatre Company, Maxine Elliott's Theatre, New York City, 1947; Harry, The Leading Lady, National Theatre, New York City, 1948; Professor Allen Carr, The Traitor, 48th Street Theatre, New York City, 1949.

MAJOR TOURS—Dwight Babcock, Mame, U.S. cities, 1967-68; the Man, With Love and Laughter, U.S. cities, 1963; also appeared in An Evening of the Theatre in Concert, international cities, 196667; The Irregular Verb, To Love, U.S. cities, 1973. FILM DEBUT—Father John Fulton, The First Legion, United Artists, 1951. PRINCIPAL FILM APPEARANCES—Hank Teagle, The Big Knife, United Artists, 1955; Pat Chambers, Kiss Me Deadly, United Artists, 1955; Brucker, Timetable, United Artists, 1956; Mr. Paul, The Garment Jungle, Columbia, 1957; Sulke, Ten Seconds to Hell, United Artists, 1959; director, Whatever Happened to Baby Jane?, Warner Brothers, 1962; Trowbridge, Four for Texas, Warner Brothers, 1963; sheriff, Hush . . . Hush, Sweet Charlotte, Twentieth Century-Fox, 1964; dice player, Mister Buddwing (also known as Woman Without a Face), Metro-GoldwynMayer, 1966; John, Seconds, Paramount, 1966; Lieutenant Commander Alvin O. Kramer, Torn! Torn! Tora!, Twentieth CenturyFox, 1970; John P. Blandish, The Grissom Gang, National General/Cinerama, 1971; Nelson Chaney, Network, United Artists, 1976; Mr. Wentworth, The Europeans, Levitt-Pickman, 1979; Dr. Towler, The Verdict, Twentieth Century-Fox, 1982; Dr. Tarrant, The Bostonians, Almi, 1984.

Supervisor of Weights and Measures, The Enchanted, Lyceum Theatre, New York City, 1950; Edgar, King Lear, National Theatre, 1950; Ladislaus Oros, S.]., The Strong Are Lonely, Broadhurst Theatre, New York City, 1953; Mr. Henry Brougham, The First Gentleman, Belasco Theatre, New York City, 1957; narrator, Oedipus Rex, City Center Theatre, New York City, 1959; Commander W. Harbison, South Pacific, City Center Theatre, 1961; Mihail Alexandrovich Rakitin, A Month in the Country, Maidman Playhouse, New York City, 1963; George Henderson, Affairs of State, La Jolla Playhouse, La Jolla, CA, 1964, then Pasadena Playhouse, Pasadena, CA, 1966; Mr. Joseph Chamberlain, The Right Honourable Gentleman, Huntington Hartford Theatre, Los

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Hugh Campbell, The Edge of Night, CBS, 1958-59; Bill Woodard, Ryan's Hope, ABC, 1977-78; Cabot Alden, Loving, ABC, 1983—; also The Days of Our Lives, NBC, 1973. Mini-Series: Andrew Jackson, The Adams Chronicles, PBS, 1976. Pilots: Dr. Livingston, The

1

ADLON

CONTEMPORARY

Love Boat, ABC, 1977. Episodic: Narrator, "The Brick and the Rose," Television Workshop, CBS, 1960; Dr. Rahm, "The Brain of Colonel Barham," The Outer Limits, ABC, 1965; also Slattery's People, CBS, 1965; The Fugitive, ABC, 1965; Perry Mason, CBS, 1966; I Spy, NBC, 1966; Twelve O' Clock High, ABC, 1966; Love on a Rooftop, ABC, 1967; The Doctor (also known as The Visitor), NBC; Short, Short Drama, NBC. Movies: Middleton, Tail Gunner Joe, NBC, 1977; Abner Parker, Rage of Angels, NBC, 1983. Specials: Mr. Smith, "Meet Me in St. Louis," Summer Fun, ABC, 1966.

THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Actor. CAREER: FILM DEBUT—Lieutenant Michael "Mickey" O'Rourke, Fort Apache, RKO, 1948. PRINCIPAL FILM APPEARANCES— Tom Wade, Adventure in Baltimore (also known as Bachelor Bait), RKO, 1949; Private First Class Conway, The Sands oflwo Jima, Republic, 1949; Lieutenant Flint Cohill, She Wore a Yellow Ribbon, RKO, 1949; Lieutenant Joe Mallory, Breakthrough, Warner Brothers, 1950; Don Lowry, The Woman on Pier 13 (also known as I Married a Communist), RKO, 1950; Billy Shear, Along the Great Divide, Warner Brothers, 1951; Ramoth, The Magic Carpet, Columbia, 1951; David Powell, Woman of the North Country, Republic, 1952; Ray Compton, Man of Conflict, Atlas, 1953; Ray, Bait, Columbia, 1954; Bill Buchanan, The Golden Mistress, United Artists, 1954; Tom Baxter, The Rocket Man, Twentieth CenturyFox, 1954; Mark Brewster, Shield for Murder, United Artists, 1954; Joe, Hold Back Tomorrow, Universal, 195 5 ;Clete Ferguson, Revenge of the Creature, Universal, 1955; Dr. Matt Hastings, Tarantula, Universal, 1955; Sheriff Bill Jorden, Star in the Dust, Universal, 1956; Dr. Roger Bentley, The Mole People, Universal, 1956; George Hastings, Daughter of Dr. Jekyll, Allied Artists, 1957; Luke Random/Matthew Random, Flesh and the Spur, American International, 1957; Sergeant Dick Mason, Joe Butterfly, Universal, 1957; Jeff, Ride a Violent Mile, Twentieth CenturyFox, 1957; Bob Westley, Attack of the Puppet People, American International, 1958; Steve, The Brain from the Planet Arous, Howco, 1958; Jim Crayle, Frontier Gun, Twentieth Century-Fox, 1958; Tom Arnett, Jet Attack (also known as Jet Squad), American International, 1958; Major Bruce Jay, Invisible Invaders, United Artists, 1959.

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. ADDRESSES: AGENT—Lionel Larner Ltd., 130 W. 57th Street, New York, NY 10019.*

ADLON, Percy 1935PERSONAL: Born in 1935 in Munich, Germany; wife's name, Eleonore. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Director: Celeste, New Yorker/Artificial Eye, 1982; The Last Five Days (also known as Letze Funf Tage), Bayerischer Rundfunk, 1982; The Swing (also known as Die Schaukel), Filmverlag der Autoren, 1983; (also producer) Sugarbaby (also known as Zuckerbaby), Kino International, 1985; (also producer with Eleonore Adlon) Bagdad Cafe (also known as Out ofRosenheim), Futura/Filmuerlag der Autoren/Island, 1987; (also producer) Rosalie Goes Shopping (also known as Rosalie fait ses courses), Filmverlag der Autoren, 1989, released in the United States by Four Seasons Entertainment, 1990.

Ike, Raymie, Allied Artists, 1960; Joe McElroy, Lisette (also known as Fall Girl and A Crowd for Lisette), Medallion, 1961; Alex Marsh, Hand of Death (also known as Five Fingers of Death), Twentieth Century-Fox, 1962; Don, Journey to the Seventh Planet, American International, 1962; Sergeant Norcutt, Cavalry Command (also known as Cavalleria commandos), Parade Pictures, 1963; Gus Cole, Of Love and Desire, Twentieth Century-Fox, 1963; intelligence officer, The Young and the Brave, MetroGoldwyn-Mayer, 1963; Pete Stone, Law of the Lawless, Paramount, 1964; Dan Carrouthers, Stage to Thunder Rock, Paramount, 1964; Dawson, Young Fury, Paramount, 1965; Ed Tomkins, Johnny Reno, Paramount, 1966; George Gates, Waco, Paramount, 1966; Dr. Farrell, Women of the Prehistoric Planet, Real Art, 1966; Dr. Curt Taylor, Zontar, The Thing from Venus, Azalea, 1966; Dion O'Bannion, The St. Valentine's Day Massacre, Twentieth Century-Fox, 1967; Christian, The Undefeated, Twentieth Century-Fox, 1969; Patton, Chisum, Warner Brothers, 1970; Bert Ryan, Big Jake, National General, 1971; city official, King Kong, Paramount, 1976; Ivan Peter, Miracle Mile, Hemdale, 1988. Also appeared in The Lonesome Trail, Lippert, 1955; Curse of the Swamp Creature, American International, 1966; Hell Raiders, American International, 1968; How's Your Love Life?, 1977; Perfect Victims, Academy Home Video, 1988.

PRINCIPAL TELEVISION WORK—Movies: Director, The Guardian and His Poet, 1979. RELATED CAREER—Creator of more than forty television documentaries; narrator and editor of radio programs. WRITINGS: See production details above. FILM—Celeste, 1982; The Swing, 1983; Sugarbaby, 1985; (with Eleonore Adlon and Christopher Doherty) Bagdad Cafe, 1987; Rosalie Goes Shopping, 1989. TELEVISION—Movies: The Guardian and His Poet, 1979. AWARDS: Adolf Grimme Award in Gold (German television award), 1979, for The Guardian and His Poet. OTHER SOURCES: American Film, May, 1988.*

PRINCIPAL TELEVISION APPEARANCES—Episodic: ' 'The Next to Crash," Fireside Theatre, NBC, 1952; "Desert Honeymoon," The Unexpected, NBC, 1952; "The Old Man's Bride," Ford Theatre, NBC, 1953; "The Farnsworth Case," Fireside Theatre, NBC, 1954; "Little War in San Dede," Schlitz Play house of Stars, CBS, 1954; "The First and Last," Climax, CBS, 1955; "Earthquake," TheLoretta Young Show, NBC, 1956; "Thousand Dollar Gun," General Electric Theatre, CBS, 1957; Perry Mason, CBS, 1959; Rawhide, CBS, 1960; "Band of Brothers," Bestof the Post, ABC, \96\;BatMasterson, NBC, 1961 'Death Valley Days, ABC,

AGAR, John 1921PERSONAL: Born January 31, 1921, in Chicago, IL; married Shirley Temple (an actress and diplomat), 1946 (divorced, 1949). 2

CONTEMPORARY

THEATRE, FILM, AND TELEVISION

• Volume 8

1949; title role, Reuben, Reuben, Shubert Theatre, Boston, MA, 1955; Jack Jordan, Say, Darling, American National Theatre and Academy Theatre, New York City, 1958; Harold Hill, The Music Man, Majestic Theatre, New York City, 1960; George Bartlett, No Hard Feelings, Martin Beck Theatre, New York City, 1973; Martin Vanderhof, You Can't Take It with You, Plymouth Theatre, New York City, 1983; the Stagehand, Parade of Stars Playing the Palace, Palace Theatre, New York City, 1983.

1964; The Virginian, NBC, 1964; Branded, NBC, 1965; Combat, ABC, 1966; Hondo, ABC, 1967; The Name of the Game, NBC, 1968; The Virginian, NBC, 1968; also "Delaying Action," Hollywood Opening Night, NBC. ADDRESSES: AGENT—William Felber and Associates, 2126 Cahuenga Boulevard, Los Angeles, CA 90068.*

ALBERT, Eddie

ALBERT

FILM DEBUT—Bing Edwards, Brother Rat, Warner Brothers, 1938. PRINCIPAL FILM APPEARANCES—Dr. Clinton Forrest, Jr., Four Wives, Warner Brothers, 1939; Phil Dolan, Jr., On Your Toes, Warner Brothers, 1939; Peter Coleman, An Angel from Texas, Warner Brothers, 1940; Bing Edwards, Brother Rat and a Baby (also known as Baby Be Good), Warner Brothers, 1940; Max Stargardt, A Dispatch from Reuters (also known as This Man Renter}, Warner Brothers, 1940; Dusty Rhodes, My Love Came Back, Warner Brothers, 1940; Clint Forrest, Four Mothers, Warner Brothers, 1941; Dreamy, The Great Mr. Nobody, Warner Brothers, 1941; George Watkins, Out of the Fog, Warner Brothers, 1941; Eddie Barnes, Thieves Fall Out, Warner Brothers, 1941; Matt Varney, The Wagons Roll at Night, Warner Brothers, 1941; Leckie, Eagle Squadron, Universal, 1942; Terry Moore, Lady Bodyguard, Paramount, 1942; Bill "Panama Kid" Kingsford, Treat''em Rough, Universal, 1942; Tom Hughes, Bombardier, RKO, 1943; Wacky, Ladies' Day, RKO, 1943; Chris Thomson, Strange Voyage, Signal, 1945; Gil Cummins, The Perfect Marriage, Paramount, 1946; Kip Walker, Hit Parade of 1947, Republic, 1947; Steve, Smash-Up: The Story of a Woman (also known as Woman Destroyed), Universal, 1947; Jake Bullard, Time Out of Mind, Universal, 1947; Daniel Bone, The Dude Goes West, Allied Artists, 1948; Bullets Booker, You Gotta Stay Happy, Universal, 1948.

1908-

PERSONAL: Born Edward Albert Heimberger, April 22, 1908, in Rock Island, IL; son of Frank Daniel (a realtor) and Julia (Jones) Heimberger; married Maria Margarita Guadalupe Teresa Estella Bolado Castilla y O'Donnell (an actress and singer; professional name, Margo Albert), December 5, 1945 (deceased); children: Edward, Maria. EDUCATION—Attended the University of Minnesota, 1927-29. MILITARY—U.S. Navy, lieutenant. VOCATION: Actor. CAREER: BROADWAY DEBUT—O, Evening Star!, Empire Theatre, 1936. PRINCIPAL STAGE APPEARANCES—Bing Edwards, Brother Rat, Biltmore Theatre, New York City, 1936; Leo Davis, Room Service, Cort Theatre, New York City, 1937; Antipholus, The Boys from Syracuse, Alvin Theatre, New York City, 1938; Horace Miller, Miss Liberty, Imperial Theatre, New York City,

Humphrey Briggs, The Fuller Brush Girl (also known as The Affairs of Sally), Columbia, 1950; Christopher Leeds, Meet Me After the Show, Twentieth Century-Fox, 1951; Lieutenant Bill Barron, You're in the Navy Now (also known as U.S.S. Tea Kettle), Twentieth Century-Fox, 1951; Orlando Higgins, "Woman of Sin" in Actors and Sin, United Artists, 1952; Charles Drouet, Carrie, Paramount, 1952; Irving Radovich, Roman Holiday, Paramount, 1953; Eliot Atterbury, The Girl Rush, Paramount, 1955; Burt McGuire, /'// Cry Tomorrow, Metro-Goldwyn-Mayer (MGM), 1955; Ali Hakim, Oklahoma!, Magna Theatres, 1955; Captain Cooney, Attack!, United Artists, 1956; Captain McLean, The Teahouse of the August Moon, MGM, 1956; Austin Mack, The Joker Is Wild (also known as All the Way), Paramount, 1957; Bill Gorton, The Sun Also Rises, Twentieth Century-Fox, 1957; Hanagan, The Gun Runners, United Artists, 1958; Major MacMahon, Orders to Kill, United Motion Picture, 1958; Abe Fields, The Roots of Heaven, Twentieth Century-Fox, 1958; Carter, Beloved Infidel, Twentieth Century-Fox, 1959. Harry Davis, The Two Little Bears, Twentieth Century-Fox, 1961; Dr. Charles Dornberger, The Young Doctors, United Artsts, 1961; Colonel Newton, The Longest Day, Twentieth Century-Fox, 1962; Harvey Ames, Madison Avenue, Twentieth Century-Fox, 1962; Clint Morgan, Who's Got the Action?, Paramount, 1962; Colonel Bliss, Captain Newman, M.D., Universal, 1963; Rider Otto, Miracle of the White Stallions (also known as The Flight of the White Stallions), Buena Vista, 1963; Ben, The Party's Over, Allied Artists, 1966; Charles Pether, Seven Women, MGM, 1966; Mr. Corcoran, The Heartbreak Kid, Twentieth Century-Fox, 1972; Warden Hazen, The Longest Yard, Paramount, 1974; Captain Ed Kosterman, McQ, Warner Brothers, 1974; Chief Berrigan, The Take, Columbia, 1974; Dr. Samuel Richards, The Devil's Rain,

EDDIE ALBERT

3

hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

Bryanston, 1975; Jason O'Day, Escape to Witch Mountain, Buena Vista, 1975; Leo Sellars, Hustle, Paramount, 1975; Colonel Lockyer, Whiffs, Twentieth Century-Fox, 1975; Pa Strawacher, Birch Interval, Gamma III, 1976; Alex Warren, Moving Violation, Twentieth Century-Fox, 1976; Eli Sande, The Concorde—Airport'79 (also known as Airport '79 and Airport '80: The Concorde}, Universal, 1979.

Homer Sixx, The Oklahoma City Dolls, ABC, 1981; Festus, Peter and Paul, CBS, 1981; Reverend Harlan Barnum, Rooster, ABC, 1982; Joe Varon, Mercy or Murder?, NBC, 1987; Father Dietrich, The Demon Murder Case, NBC, 1983; Will Larson, Burning Rage, CBS, 1984; Judge Hand, Dress Gray, NBC, 1984; also Nutcracker: Money, Madness, Murder, NBC, 1987. Specials: Bumerli, The Chocolate Soldier, NBC, 1955; Martin Barret, A Connecticut Yankee, NBC, 1955; Dr. Jack Davidson, Johnny Belinda, CBS, 1955; host, The Night of Christmas, NBC, 1959; Paul Hughes, The Ballad of Louie the Louse, CBS, 1959; Hollywood Sings, NBC, 1960; Albeit Warren, "The Spiral Staircase," Theatre '62, NBC, 1961; cameo, Lil Abner, NBC, 1971; narrator, Dr. Seuss' "The Lorax," CBS, 1972; Pod Clock, "The Borrowers," Hallmark Hall of Fame, NBC, 1973; title role, The Lives of Ben Franklin: The Ambassador, CBS, 1974; host, Siegfried and Roy, NBC, 1980; Parade of Stars, ABC, 1983; Sylvia Fine Kaye's Musical Comedy Tonight III: The Spark and the Glue, PBS, 1985; Bill Watson, "Daddy Can't Read," ABC Afterschool Specials, ABC, 1988.

Daggett, Foolin' Around, Columbia, 1980; Max, How to Beat the High Cost of Living, American International, 1980; Bert Kramer, Yesterday, Cinepix, 1980; Samuel Ellison, Take This Job and Shove It, AVCO-Embassy, 1981; Henry Pollack, Yes, Giorgio, Metro-Goldwyn-Mayer/United Artists, 1982; Harry, The Act (also known as Bless 'em All), Film Ventures, 1984; the President, Dreamscape, Twentieth Century-Fox, 1984; Dean Bradley, Stitches, International Film Marketing, 1985; Helmes, Head Office, TriStar, 1986; Captain Danny Jackson, Terminal Entry, United Film, 1988; Police Chief, Brenda Starr, New World, 1989. Also appeared in Rendezvous with Annie, Republic, 1946; This Time Forever, 1981; Turnaround, Rose Productions/A-S-Major, 1987; The Big Picture, Columbia, 1989.

PRINCIPAL RADIO APPEARANCES—Series: Eddie, The Honeymooners—Grace and Eddie, NBC, 1935. RELATED CAREER—Founder, Eddie Albert Productions (a production company specializing in educational films), 1945; appeared in a nightclub act with Margo Albert, 1954; also singer with the Threesome, performing on radio and on stage throughout the United States; theatre manager in Minneapolis, MN.

PRINCIPAL TELEVISION APPEARANCES—Series: Larry Tucker, Leave It to Larry, CBS, 1952; host, Nothing But the Best, ABC, 1953; host, The Eddie Albert Show, CBS, 1953; host, Saturday Night Revue, NBC, 1954; host, On Your Account, CBS, 1954-56; Oliver Wendell Douglas, Green Acres, CBS, 1965-71; Frank McBride, Switch, CBS, 1975-78. Mini-Series: Ogden Towery, The Word, CBS, 1978; Felix Kendrick, BeulahLand, NBC, 1980; Breckinridge Long, War and Remembrance, ABC, 1988. Pilots: Oliver Douglas, Carol, CBS, 1967; Bob Randall, Daddy's Girl, CBS, 1973; Frank McBride, Switch (also known as Las Vegas Roundabout), CBS, 1975; Carroll Yeager, Trouble in High Timber Country, ABC, 1980; Vincent Slattery, Living in Paradise, NBC, 1981; Jason O'Day, Beyond Witch Mountain, CBS, 1982; Bill White, In Like Flynn, ABC, 1985; also Howdy, ABC, 1970.

NON-RELATED CAREER—Special World Envoy, Meals for Millions, 1963; consultant, United Nations Food Conference, Rome, Italy, 1974, and to the governor of Pennsylvania; also chairman, Eddie Albert World Trees Foundation; trustee, National Arbor Day Foundation; national conservation chairman, Boy Scouts of America; trustee, Alaska Pacific University, Anchorage, AK; director, U.S. Committee on Refugees. AWARDS: Academy Award nomination, Best Supporting Actor, 1955, for Roman Holiday; Academy Award nomination, Best Supporting Actor, and National Film Critics' Award, both 1972, for The Heartbreak Kid; Presidential World Without Hunger Award, 1984. HONORARY DEGREES—Southern Illinois University, Doctor of Fine Arts, 1982.

Episodic: Andy Thorne, "Cry of Silence," The Outer Limits, ABC, 1964; Mack Erickson, Hotel, ABC, 1985; Senator Corky McCorkindale, Highway to Heaven, NBC, 1986; Carlton Travis, Falcon Crest, CBS, 1987; Jackson Lane, Murder, She Wrote, CBS, 1988; Charlie Weston, thirty something, ABC, 1989; also Teller of Tales (also known as The Somerset Maugham TV Theatre}, CBS, 1950; Revlon Mirror Theatre, NBC, 1953; "Journey to No where," Philip Morris Playhouse, CBS, 1953; The David Niven Theatre, NBC, 1959; Land of the Giants, ABC, 1964; Hippodrome, CBS, 1966; Turandot, PBS, 1982; "1984," Studio One, CBS; Your Show of Shows, NBC; Alcoa Premiere, ABC; Climax!, CBS; Playhouse 90, CBS; Schlitz Playhouse of Stars, CBS; Chrysler Medallion Theatre, CBS; Ford Theatre Hour, NBC; Front Row Center, CBS; Kraft Suspense Theatre, NBC; Lights Out, NBC; The Loretta Young Theatre, NBC; The Motorola Hour, CBS;Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS; The Alcoa Hour, NBC; Chevrolet Tele-Theatre, NBC; Dupont Show of the Week, NBC; Goodyear Television Playhouse, NBC; U.S. Steel Hour, CBS; The Virginian, NBC; Wagon Train, NBC; Sam Benedict, NBC; Wide Country, NBC; The Naked City, ABC; Dr. Kildare, NBC; The Lieutenant, NBC; The Love Boat, ABC; The Fall Guy, ABC.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, National Recreation and Parks Association (board of trustees), Bohemian Club (San Francisco). SIDELIGHTS: RECREATIONS—Organic gardening, reading philosophical works, playing the guitar, beachcombing, designing and making movies and glass paintings, going on field trips with his son. ADDRESSES: AGENT—Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.*

ALEXANDER, Jason

Movies: Dr. Thomas Spencer, See the Man Run, ABC, 1971; Colonel Douglas Graham, Fireball Forward, ABC, 1972; Pop, Promise Him Anything, ABC, 1975; Brian Murphy, Evening in Byzantium, syndicated, 1978; Captain Dunn, Crash, ABC, 1978; Admiral Wiley Sloan, Goliath Awaits, syndicated, 1981; Coach

1959-

PERSONAL: Born Jay Scott Greenspan, September 23, 1959, in Newark, NJ; son of Alex B. (an accounting manager) and Ruth M. (a nurse and health care administrator; maiden name, Simon) 4

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

ALLEN

Sutherland, Darby s Rangers (also known as Young Invaders), Warner Brothers, 1958; Hal MacQueen, Juvenile Jungle, Republic, 1958; Cookie, Party Girl, Metro-Goldwyn-Mayer (MGM), 1958; magician, Key Witness, MGM, 1960; Duke, Private Property, Citations, 1960; Wash Dillon, The Chapman Report, Warner Brothers, 1962; Scotty, Sweet Bird of Youth, MGM, 1962.

Greenspan; married Daena Title (a writer), May 31, 1982. EDUCATION—Attended Boston University. POLITICS—Democrat. VOCATION: Actor. CAREER: BROADWAY DEBUT—Joe Josephson, Merrily We Roll Along, Alvin Theatre, 1981. LONDON DEBUT—Lino, The Rink, Her Majesty's Theatre, 1988. PRINCIPAL STAGE APPEARANCES— Ensemble, Forbidden Broadway (revue), Palsson's Theatre, New York City, 1983; Lino, Lenny, Punk, and Uncle Fausto, The Rink, Martin Beck Theatre, New York City, 1984; Billy, D., Manhattan Theatre Club, New York City, 1985; Louis, Personals, Minetta Lane Theatre, New York City, 1985-86; Stanley, Broadway Bound, Broadhurst Theatre, New York City, 1986; emcee and various roles, Jerome Robbins' Broadway, Imperial Theatre, New York City, 1988-89.

PRINCIPAL FILM WORK—Director, The Erotic Adventures of Pinocchio (also known as It's Not His Nose That Grows), JLT Films, 1970; director, Thunder and Lightning, Twentieth CenturyFox, 1977; director, Avalanche, New World, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Johnny Baker, Men into Space, CBS, 1959-60. Episodic: Perry Mason, CBS; Alfred Hitchcock Presents. Specials: ''Forever James Dean," Crazy About the Movies, Cinemax, 1988.

FILM DEBUT—Dave, The Burning, Filmways, 1981. PRINCIPAL FILM APPEARANCES—Pool hustler, Brighton Beach Memoirs, Universal, 1986; clerk, The Mosquito Coast, Warner Brothers, 1986.

ALLEN, Corey 1934-

PRINCIPAL TELEVISION WORK—All as director. Mini-Series: Spies, CBS, 1987. Pilots: Stone, ABC, 1979; The Return of Frank Cannon, CBS, 1980; I-Man, ABC, 1986; JJ. Starbuck, NBC, 1987; "Encounter at Farpoint," Star Trek: The Next Generation, syndicated, \9%1 \SonnySpoon, NBC, 1988\RoadShow(broadcast as an episode of CBS Summer Playhouse), CBS, 1988; UNSUB, NBC, \989\aholnfiltrator, 1987. Episodic: Kate McShane, CBS, 1975; The Quest, NBC, 1976; Lucan, ABC, 1978; Chicago Story, NBC, 1982; Hill Street Blues, NBC, 1984; Jessie, ABC, 1984; Legmen, NBC, 1984; Code Name: Foxfire, NBC, 1985; The Otherworld, CBS, 1985; Dallas, CBS, 1985 and 1986; "Song of the Younger World," The Twilight Zone, CBS, 1987; Magnum, P.I., CBS, 1987; JJ. Starbuck, NBC, 1987; Hunter, NBC, 1988; Sonny Spoon, NBC, 1988; Supercarrier, ABC, 1988; UNSUB, NBC, 1989; also Police Story, NBC; Movin' On, NBC; Police Woman, NBC; The Rockford Files, NBC; Bronk, CBS; Executive Suite, CBS; Most Wanted, ABC; Quincy, M.E., NBC; Murder, She Wrote, CBS; The Family Holvak, NBC; Trapper John, M.D., CBS; McClain's Law, NBC; Lobo (also known as The BJ.ILobo Show), NEC', Capitol, CBS; Matt Houston, ABC; Simon and Simon, CBS; T.J. Hooker, ABC; The Powers of Matthew Star, NBC; Tucker s Witch, CBS; The Paper Chase: The Second Year, Showtime; Scarecrow and Mrs. King, CBS; The Whiz Kids, CBS; High Chaparral, NBC; Hawaii Five-0, CBS;Mannix, CBS; Dr. Kildare, NBC; Streets of San Francisco, ABC; Ironside, NBC; Barnaby Jones, CBS; This Is the Life. Movies: See the Man Run, ABC, 1971; Cry Rape!, CBS, 1973; (with Bob Rosenbaum) Yesterday's Child, NBC, 1977; The Man in the Santa Claus Suit, NBC, 1979; Beverly Hills Cowgirl Blues, CBS, 1985; Brass, CBS, 1985; The Last Fling, ABC, 1987; Destination: America, ABC, 1987; The Ann Jillian Story, NBC, 1988.

PERSONAL: Born Alan Cohen, June 29, 1934, in Cleveland, OH. EDUCATION—Graduated from the University of California, Los Angeles, 1954; attended the University of California, Los Angeles, Law School, 1954-55.

RELATED CAREER—Actor with the Players Ring and the Players Gallery, both Los Angeles; also producer (with John Herman Shaner), Freeway Circuit Theatre; director (with Guy Stockwell), Actors' Workshop.

TELEVISION DEBUT—Pete, Senior Trip!, CBS, 1981. PRINCIPAL TELEVISION APPEARANCES—Series: Harold Stickley, E/R, CBS, 1984-85; Julian Beeby, Everything's Relative, CBS, 1987. Pilots: George Costanza, The Scheinfeld Chronicles, NBC, 1989. Episodic: Ramming, Newhart, CBS, 1988. Movies: Lieutenant Ernest Foy, Rockabye, CBS, 1986; Chris Van Allen, Favorite Son, NBC, 1988. RELATED CAREER—Company member, Arena Stage, Washington, DC, 1975-76, then 1977-78. WRITINGS: STAGE—Narrative, Jerome Robbins' Broadway, Imperial Theatre, New York City, 1988. AWARDS: Drama Desk Award nomination, Best Musical Actor, 1985; Antoinette Perry Award, Drama Desk Award, and Outer Critics' Circle Award, Best Musical Actor, 1989, all for Jerome Robbins' Broadway. ADDRESSES: AGENT—Bonni Allen, Bonni Allen Talent, 250 W. 57th Street, Suite 1001, New York, NY 10107.

VOCATION: Director, screenwriter, and actor. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, Nite Club Confidential, Los Angeles, 1986.

WRITINGS: FILM—The Erotic Adventures of Pinocchio (also known as It's Not His Nose That Grows), JLT Films, 1970; (with Claude Pola) Avalanche, New World, 1978.

PRINCIPAL FILM APPEARANCES—Young man in town, The Night of the Hunter, United Artists, 1955; Buzz, Rebel Without a Cause, Warner Brothers, 1955; Roy, The Big Caper, United Artists, 1957; Gil Ramsby, The Shadow on the Window, Columbia, 1957; Tony

AWARDS: Emmy Award, Outstanding Directing in a Drama Series (Single Episode), 1984, for Hill Street Blues; Los Angeles Drama Critics' Circle Award nomination, Best Musical Direction, 1987, for Nite Club Confidential. * 5

ALLEN

ALLEN, Elizabeth

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1934-

ABC, \963-StoneyBurke, ABC, 1963 \Burke's Law, ABC, 1963; Girl Talk, ABC, 1963; Chan Canasta, WNEW-TV (New York City), 1963; The Tonight Show, NBC, 1963; Ben Casey, ABC, 1963 and 1965; Slavery's People, CBS, 1964; The Fugitive, ABC, 1964 and 1966; The Man from U.N.C.L.E., NBC, 1966; Dr. Kildare, NBC, 1966. Movies: Jean Michaels, No Other Love, CBS, 1979. Specials: Betty Compton, The Jimmy Walker Story, CBS, 1960; Sergeant Juden, Five-Finger Discount, NBC, 1977; Battle of the Network Stars, ABC, 1977.

PERSONAL: Born Elizabeth Ellen Gillease, January 25, 1934, in Jersey City, NJ; daughter of Joseph and Viola (Mannion) Gillease; married Baron Carl Von Vietinghoff-Scheel, October 23, 1952 (divorced, 1955). EDUCATION—Attended the Traphagen School of Design, 1952-54, and Rutgers University. VOCATION: Actress. CAREER: STAGE DEBUT—Julie, The Tender Trap, summer theatre production, 1955. BROADWAY DEBUT—Juliet, Romanoff and Juliet, Plymouth Theatre, 1957. PRINCIPAL STAGE APPEARANCES—Ophelia, Hamlet, Helen Hayes Group, Brooklyn Academy of Music, Brooklyn, NY, 1956; Viola, Twelfth Night, Helen Hayes Group, Young Men's Hebrew Association, New York City, 1956; Portia, The Merchant of Venice, Helen Hayes Group, City Center Theatre, New York City 1957; Jane, The Reluctant Debutante, Ivy Tower Playhouse, Spring Lake, NJ, 1957; Kitty, Where's Charley?, Coconut Grove Playhouse, Miami, FL, 1959; ensemble, Lend an Ear (revue), Renata Theatre, New York City, 1959; Frenchy, Destry Rides Again, Starlight Theatre, Kansas City, MO, 1961; Magda, The Gay Life, Shubert Theatre, New York City, 1961; Nellie Forbush, South Pacific, Civic Arena, Pittsburgh, PA, 1964; Leona Samish, Do I Hear a Waltz?, 46th Street Theatre, New York City, 1965; Annie Oakley, Annie Get Your Gun, Sacramento Music Circus, Sacramento, CA, 1966; Maggie Cutler, Sherry!, Alvin Theatre, New York City, 1967; Dorothy Brock, 42ndStreet, Winter Garden Theatre, New York City, 1980. Also appeared as Martha, Who's Afraid of Virginia Wool/?, San Diego, CA, 1973.

RELATED CAREER—Show girl and singer; toured in a Pontiac Industrial show, 1957. NON-RELATED CAREER—Fashion designer and model. AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actress in a Musical, 1962, for The Gay Life; Laurel Award, Outstanding New Female Personality, 1963; Variety New York Drama Critics' Poll Award, Best Performance By a Female Lead in a Musical, 1965, for Do I Hear a Waltz? MEMBER: Screen Actors Guild (national recording secretary, 1973 and 1975), Motion Picture Academy of Arts and Sciences (board of governors), Actors' Equity Association, American Federation of Television and Radio Artists, American Guild of Variety Artists. SIDELIGHTS: FAVORITE ROLES—Viola in Twelfth Night and Annie Oakley in Annie Get Your Gun. RECREATIONS—Swimming, sailing, playing the guitar, sewing, and cooking. ADDRESSES: AGENT—International Creative Management, 40 W. 57th Street, New York, NY 10019.*

MAJOR TOURS—Irene, Say, Darling, U.S. cities, 1959; Babe, The Pajama Game, U.S. cities, 1960; Nellie Forbush, South Pacific, U.S. cities, 1960; Julie, Show Boat, U.S. cities, 1963; Nellie Forbush, South Pacific, U.S. cities, 1963; Lois and Bianca, Kiss Me, Kate, U.S. cities, 1964; Nancy, Oliver!, U.S. cities, 1966; Stephanie, Cactus Flower, U.S. cities, 1967; Hannah Warren, "Visitor from New York," Diana Nichols, "Visitors from London," and Gert Franklin, "Visitors from Chicago," all in California Suite, U.S. cities, 1977-78; Dorothy Brock, 42ndStreet, U.S. cities, 1985; also in My Daughter's Rated X, U.S. cities, 1973; Mother Is Engaged, U.S. cities, 1974.

ALLEN, Woody

1935-

PERSONAL: Born Allen Stewart Konigsberg, December 1, 1935, in Brooklyn, NY; legal name, Heywood Allen; son of Martin (a waiter and jewelry engraver) and Nettie (Cherry) Konigsberg; married Harlene Rosen, 1954 (divorced, 1960); married Louise Lasser (an actress), February 2, 1966 (divorced, 1969); children: Dylan Farrow (adopted daughter, with Mia Farrow), Satchel (with Farrow). EDUCATION—Attended New York University, 1953, and the City College of New York, 1953.

PRINCIPAL FILM APPEARANCES—Sage Rimmington, From the Terrace, Twentieth Century-Fox, 1960; Laura Beckett, Diamond Head, Columbia, 1962; Amelia Dedham, Donovan's Reef, Paramount, 1963; Miss Guinevere Plantagenet, Cheyenne Autumn, Warner Brothers, 1964; Mrs. MacKaninee, Star Spangled Girl, Paramount, 1971; Evelyn Randall, The Carey Treatment, MetroGoldwyn-Mayer, 1972.

VOCATION: Actor, director, and writer. CAREER: Also see WRITINGS below. BROADWAY DEBUT— Allan Felix, Play It Again, Sam, Broadhurst Theatre, 1969.

TELEVISION DEBUT—Away-We-Go girl, The Jackie Gleason Show, CBS, 1955. PRINCIPAL TELEVISION APPEARANCES— Series: Regular, Jackie Gleason and His American Scene Magazine, CBS, 1962-66; Laura Deane, Bracken's World, NBC, 196970; Martha Simms, The PaulLynde Show, ABC, 1972-73; Captain Quinlan, C.P.O. Sharkey, NBC, 1976-77; Victoria Bellman, Texas, NBC, 1980-82. Episodic: Saleswoman, "The After Hours," The Twilight Zone, CBS, 1960; also The Jack Paar Show, NBC, 1959; "The Hungry Class," Thriller, NBC, 1960; Tales of Wells Fargo, NBC, 1960; The Alcoa Hour, ABC, 1960; Checkmate, CBS, I960-Bachelor Father, NBC, 1960; The Naked City, ABC, 1960 and 1963; "The Grim Reaper," Thriller, NBC, 1961; 77 Sunset Strip, ABC, 1961; Route 66, CBS, 1961; Alfred Hitchcock Presents, CBS, 1962; The Ed Sullivan Show, CBS, 1962; Combat,

PRINCIPAL FILM APPEARANCES—Victor Shakapopulis, What's New, Pussycat?, United Artists, 1965; narrator, host, and voice characterization, What's Up, Tiger Lily?, American International, 1966; Jimmy Bond and Dr. Noah, Casino Royale, Columbia, 1967; Virgil Starkwell, Take the Money and Run, Cinerama, 1969; Fielding Mellish, Bananas, United Artists, 1971; Allan Felix, Play It Again, Sam, Paramount, 1972; Victor, Fabrizio, Fool, and Sperm, Everything You Always Wanted to Know About Sex* (*but were afraid to ask), United Artists, 1972; Miles Monroe, Sleeper, United Artists, 1973; Boris, Love andDeath, United Artists, 1975; Howard Prince, The Front, Columbia, 1976; Alvy Singer, Annie Hall, United Artists, 1977; Isaac Davis, Manhattan, United Artists,

6

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

ALLEN

RELATED CAREER—As a gag writer, supplied jokes for such performers as Herb Shriner, Art Carney, Kaye Ballard, Buddy Hackett, and Carol Channing during the 1950s; as a stand-up comedian, appeared throughout the United States and Europe during the 1960s; plays jazz clarinet with New Orleans Funeral and Ragtime Orchestra, New York City. WRITINGS: See production details above, unless indicated. STAGE— (Contributor) From A to Z (revue), Plymouth Theatre, New York City, 1960; Don't Drink the Watgr, Morosco Theatre, New York City, 1966, published by Samuel French Inc., 1961; Play It Again, Sam, 1969, published by Random House, 1969; The Floating Light Bulb, Vivian Beaumont Theatre, New York City, 1981, published by Random House, 1982. FILM—What's New, Pussycat?, 1965; (with Frank Buxton, Len Maxwell, Louise Lasser, Mickey Rose, Julie Bennett, Kazuo Yamada, Julie Bennett, and Bryna Wilson) What's Up, Tiger Lily?, 1966; (with Rose) Take the Money and Run, 1969; (with Rose) Bananas, 1971, published in Four Screenplays, Random House, 1978; Play It Again, Sam, 1972; Everything You Always Wanted to Know About Sex* (*but were afraid to ask), 1972; (with Marshall Brickman; also composer), Sleeper, 1973, published in Four Screenplays, 197'8; Love and Death, 1975, published in Four Screenplays, 1978; (with Brickman) Annie Hall, 1977, published in Four Screenplays, 1978, and in Four Films of Woody Allen, Random House, 1982; Interiors, 1978, published in Four Films of Woody Allen, 1982; (with Brickman) Manhattan, 1979, published in Four Films of Woody Allen, 1982; Star-dust Memories, 1980, published in Four Films of Woody Allen, 1982; A Midsummer Night's Sex Comedy, 1982; Zelig, 1983, published in Three Films of Woody Allen, Random House, 1987; Broadway Danny Rose, 1984, published in Three Films of Woody Allen, 1987; The Purple Rose of Cairo, 1985, published in Three Films of Woody Allen, 1987; Hannah and Her Sisters, 1986, published by Random House, 1986', Radio Days, 1987; September, 1987; Another Woman, 1988; "Oedipus Wrecks" in New York Stories, 1989; Crimes and Misdemeanors, 1989.

WOODY ALLEN

1979; Sandy Bates, Stardust Memories, United Artists, 1980; Andrew Hobbs, A Midsummer Night's Sex Comedy, Warner Brothers, 1982; title role, Zelig, Warner Brothers, 1983; title role, Broadway Danny Rose, Orion, 1984; Mickey Sachs, Hannah and Her Sisters, Orion, 1986; narrator, Radio Days, Orion, 1987; Mr. Alien, King Lear, Cannon, 1987; Sheldon Mills, "Oedipus Wrecks" in New York Stories, Buena Vista, 1989; Cliff Stern, Crimes and Misdemeanors, Orion, 1989.

TELEVISION—Series: Staff writer, The Colgate Comedy Hour, NBC; staff writer, Your Show of Shows, NBC; staff writer, The Pat Boone-Chevy Showroom, ABC; staff writer, The Tonight Show, NBC; staff writer, The Garry Moore Show, CBS. Specials: (With Larry Gelbart) The Sid Caesar Show, NBC, 1958; (with Gelbart) Hooray for Love, CBS, 1960; Woody's First Special, CBS, 1969; (with Brickman and Rose) The Woody Allen Special, NBC, 1969.

PRINCIPAL FILM WORK—See production details above, unless indicated; all as director, unless indicated. Associate producer, What's Up, Tiger Lily, 1966; Take the Money and Run, 1969; Bananas, 1971; Everything You Always Wanted to Know About Sex* (*but were afraid to ask), 1972; Sleeper, 1973; Love and Death, 1975; Annie Hall, 1977; Interiors, United Artists, 1978; Manhattan, 1979; Stardust Memories, 1980; A Midsummer Night's Sex Comedy, 1982; Zelig, 1983; Broadway Danny Rose, 1984; The Purple Rose of Cairo, Orion, 1985; Hannah and Her Sisters, 1986; Radio Days, 1987; September, Orion, 1987; Another Woman, Orion, 1988; "Oedipus Wrecks" in New York Stories, 1989; Crimes and Misdemeanors, 1989.

RADIO—God, performed by the National Radio Theatre of Chicago, 1978, published by Samuel French Inc., 1975; Death: A Comedy in One Act (staged as Death Knocks), 1975, published by Samuel French Inc., 1975. OTHER—Getting Even, Random House, 1971; Without Feathers, Random House, 1975; (illustrations by Stuart Hample) Non-Being and Somethingness, Random House, 1978; Side Effects, Random House, 1980; The Lunatic's Tale, Redpath Press, 1986. Also contributor to magazines such as the New Yorker, Saturday Review, Playboy, and Esquire.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Hot Dog, NBC, 1970-71. Episodic: Guest host, Hippodrome, CBS, 1966; host, "Woody Allen Looks at 1967," The Kraft Music Hall, NBC, 1967; also The Dick Cavett Show, ABC. Specials: The Best on Record, NBC, 1965; host, Woody's First Special, CBS, 1969; The Woody Allen Special, NBC, 1969; Plimpton! Did You Hear the One About. . .?, ABC, 1971; The Sensational, Shocking, Wonderful, Wacky 70s, NBC, 1980; Storytellers: TheP.E.N. Celebration, PBS, 1987.

RECORDINGS: ALBUMS—Woody Allen, Colpix, 1964; Woody Allen, Volume 2, Colpix, 1965; Woody Allen: Stand-Up Comic— 1964-68, United Artists, 1978. AWARDS: Sylvania Award, 1957, for The Sid Caesar Show; Emmy Award nomination, 1957; Nebula Award for Dramatic Presentation from the Science Fiction Writers of America, 1974, for Sleeper; 1

ALZADO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Special Silver Bear Award from the Berlin Film Festival, 1975; Academy Awards, Best Director and Best Original Screenplay, Academy Award nomination, Best Actor, British Academy of Film and Television Arts Awards, Best Film, Best Director, and Best Screenplay, National Society of Film Critics' Award, Best Screenplay, and New York Film Critics' Circle Awards, Best Director and Best Screenplay, all 1977, for Annie Hall; Academy Award nominations, Best Director and Best Original Screenplay, 1978, both for Interiors; Academy Award nomination, Best Original Screeplay, British Academy of Film and Television Arts Awards, Best Film and Best Screenplay, and New York Film Critics' Award, Best Director, all 1979, for Manhattan; Academy Award nominations, Best Director and Best Original Screenplay, and British Academy of Film and Television Arts Award, Best Original Screenplay, all 1984, for Broadway Danny Rose.

PRINCIPAL TELEVISION APPEARANCES-^Series: Robert Randall, Learning the Ropes, CTV (Toronto), then syndicated in the United States, 1988. Pilots: Deli very man, She's with Me, CBS, 1982; Iron Butt, The Highwayman, NBC, 1987. Movies: Mamie, The Girl, the Gold Watch, and Dynamite, syndicated, 1981; Witkowski, Oceans of Fire, CBS, 1986; Reggie Diaz, Mickey Spillane' s Mike Hammer: Murder Takes All (also known as Mike Hammer in Las Vegas), CBS, 1989. Specials: Host, Yearbook: Class of 1967, CBS, 1985; Dom DeLuise and Friends—Part IV, ABC, 1986; Sportsworld Looks at Sports Humor, NBC, 1986. PRINCIPAL RADIO APPEARANCES—Host of a sports talk show, KWBZ, Denver, CO, 1976-77. NON-RELATED CAREER—Professional football player with the Denver Broncos, 1971-79, Cleveland Browns, 1979-82, and the Los Angeles Raiders, 1982-85; fought Muhammed Ali in an exhibition boxing match, Denver, CO, 1979; volunteer staff member, Children's Hospital; co-chairman, Bike-a-thon and Read-athon for Cystic Fibrosis; honorary head coach, Special Olympic Program for Retarded Children; honorary chairman, Walk for Mankind; honorary national sports commentator and chairman of Arapahoe County Muscular Dystrophy Association; board of directors, American Cancer Society; member, Fight for Life, St. Anthony's Hospital; active in juvenile delinquent programs and the Police Athletic League of Denver.

Academy Award nomination, Best Original Screenplay, British Academy of Film and Television Arts Award, Best Original Screenplay, and New York Critics' Circle Award, Best Screenplay, all 1985, for The Purple Rose of Cairo; Laurel Award from the Writers Guild of America, Lifetime Achievement in the Motion Picture Industry, 1986; Academy Award, Best Original Screenplay, Academy Award nomination, Best Director, British Academy of Film and Television Arts Awards, Best Director and Best Original Screenplay, British Academy of Film and Television Arts Award nomination, Best Actor, Directors Guild of America Award nomination, Outstanding Feature Film Achievement, Golden Globe nominations, Best Director and Best Screenplay, London Film Critics' Award, Best Screenplay, London Film Critics' Award nomination, Best Director, Los Angeles Film Critics' Association Award, Best Screenplay, D.W. Griffith Award from the National Board of Review, Best Director, New York Film Critics' Award, Best Director, and Writers Guild of America Award, Best Screenplay Written Directly for the Screen, all 1986, and Moussinac Prize for Best Foreign Film from the French Film Critics' Union, 1987, all for Hannah and Her Sisters; Academy Award nomination, Best Original Screenplay, and Writers Guild of America Award nomination, Best Screenplay Written Directly for the Screen, both 1987, for Radio Days; Academy Award nominations, Best Director and Best Original Screenplay, both 1990, for Crimes and Misdemeanors.

WRITINGS: (With Paul Zimmerman) Mile High: The Story of Lyle Alzado and the Amazing Denver Broncos, Atheneum, 1978. AWARDS: Earl Hartman Memorial Award from the National Football League, Outstanding Defensive Lineman, 1975; Man of the Year Award from the Denver Jaycees, 1976; Byron "Whizzer" White Humanitarian Award from the National Football League, Man of the Year Award from the National Football League, named All-Pro Defensive Lineman, and American Football Conference Defensive Player of the Year, all 1977; Friend of Youth Award from Optimists International, 1978. ADDRESSES: AGENT—William Morris Agency, 151 El Camino Boulevard, Beverly Hills, CA 90212.*

SIDELIGHTS: RECREATIONS—Playing jazz clarinet, poker, chess, spectator sports (especially basketball). ADDRESSES: MANAGER—Rollins/Joffe/Morra/Brezner 130 W. 57th Street, New York, NY 10019.*

ALZADO, Lyle

Inc., ANA-ALICIA

1956-

PERSONAL: Full name, Ana-Alicia Ortiz; born December 12, 1956, in Mexico City, Mexico; father, in business; mother, a clothing manufacturing executive. EDUCATION—Received B.A., drama, from the University of Texas, El Paso; also attended Wellesley College for one year; studied law at Southwestern Law School; studied acting with Kim Stanley, Milton Katselas, and Julie Bovasso.

1949-

PERSONAL: Full name, Lyle Martin Alzado; born April 3,1949, in Brooklyn, NY. EDUCATION—Yankton College, B.A., 1971.

VOCATION: Actress. VOCATION: Actor and sports commentator. CAREER: PRINCIPAL STAGE APPEARANCES—Gaslight, The Odd Couple, Busybody, The Sound of Music, and Boeing, Boeing, all Adobe Horseshoe Dinner Theatre, Texas, 1973-76.

CAREER: PRINCIPAL FILM APPEARANCES—Second assassin, The Double McGujfin, Mulberry Square, 1979; Bronk Stinson, Ernest Goes to Camp, Buena Vista, 1987; Ivan Moser, Destroyer, Moviestore Entertainment, 1988; Thor Alexeev, Tapeheads, De Laurentiis Entertainment Group, 1988; also appeared in Who's Harry Crumb?, Tri-Star, 1989.

PRINCIPAL FILM APPEARANCES—Janet, Halloween II, Universal, 1981; Arista Zelada, Romero, Four Seasons Entertainment, 1989.

8

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ANDERSON

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association. SIDELIGHTS: RECREATIONS—Race car driving, motorcycle riding, scuba diving, horseback riding, and tennis. ADDRESSES: AGENT—Ro Diamond, Century Artists, 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.

ANDERSON, Laurie 1947PERSONAL: Born in 1947 in Glenn Ellyn, IL; daughter of Arthur T. and Mary Louise (Rowland) Anderson. EDUCATION—Barnard College, B.A., art history, 1969; Columbia University, M.F.A., sculpture, 1972. VOCATION: Performance artist and composer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—All performance art pieces: For Instants, Part 5, the Kitchen, New York City, 1977; Handphone Table, Museum of Modern Art, New York City, 1978; Americans on the Move, the Kitchen, 1979; United States, Parts I-IV, Brooklyn Academy of Music, Brooklyn, NY, 1983; Empty Places, Next Wave Festival, Brooklyn Academy of Music, 1989; also Automotive, Town Green, Rochester, VT, 1912; Story Show, 191'2; O-Range, 1973; Duets on Ice, 1973; Songs and Stories for the Insomniac, 1975; Refried Beans for Instants, 1976; Like a Stream—3, It's Cold Outside, and Born, Never Asked.

ANA-ALICIA

MAJOR TOURS—Home of the Brave, U.S. cities, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Alicia Nieves, Ryan's Hope, NBC, 1977-78; Melissa Agretti Cumson, Falcon Crest, CBS, 1982-89. Episodic: Aurora, Battlestar Galactica, ABC, 1979; Mary, Moonlighting, ABC, 1988; Samantha Ross, Falcon Crest, CBS, 1989; also Buck Rogers in the 25th Century, NBC, 1979; Galactica 1980, ABC, 1980; Hotel, ABC; The Love Boat, ABC; Quincy, M.E., NBC; The Hardy Boys Mysteries, ABC; BJ. and the Bear, NBC; McC'Iain's Law, NBQLobo, NEC; Next Step Beyond, syndicated. Movies: Drusilla, Louis LAmour's "The Sacketts," NBC, 1979; Thelma Messenkott, Condominium, HBO, 1980; YolandaSuarez,Roughnecks, syndicated, 1980;LisaSaldonna, The Ordeal of Bill Carney, CBS, 1981; Violet, Coward of the County, CBS, 1981; Veronica, Happy Endings, CBS, 1983. Specials: Battle of the Network Stars, ABC, 1983; Philadelphia host, CBS All-American Thanksgiving Day Parade, CBS, 1985; Walt Disney World host, The Second Annual CBS Easter Parade, CBS, 1986; host, The CBS Cotton Bowl Parade, CBS, 1986; Texas 150: A Celebration Special, CBS, 1986; host, CBS Tournament of Roses Parade, CBS, 1988.

PRINCIPAL FILM APPEARANCES—Home of the Brave, Cinecom International, 1986. PRINCIPAL FILM WORK—Co-producer, director, and soundtrack co-producer, Home of the Brave, Cinecom International, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Host, Alive from Off Center, PBS, 1987. RELATED CAREER—As a performance artist and musician (electronic keyboard and electric violin), has appeared in one-woman shows at Barnard College, New York City, 1970, Harold Rivkin Gallery, Washington, DC, 1973, Artists Space, New York City, 1974, Holly Solomon Gallery, New York City, 1977, Museum of Modern Art, New York City, 1978, Holly Solomon Gallery, 198081, and at the Queens Museum, Queens, NY, 1984; art history instructor, City College of New York, New York City, 1973-75; artist in residence, ZBS Media, 1975; critic for such magazines as Art News and Art Forum.

RELATED CAREER—Founder of Zitro Productions; company member, Twelfth Night Repertory Company.

WRITINGS: STAGE—All as writer, composer, and visual designer of performance art pieces, unless indicated: Story Show, 1972; Automotive, 1972; O-Range, 1913'.Duets on Ice, 1973; Songs and Stories for the Insomniac, 1975; Refried Beans for Instants, 1976; For Instants, Part 5, the Kitchen, New York City, 1977; Handphone Table, Museum of Modern Art, New York City, 1978; Americans on the Move, the Kitchen, 1979; United States, Parts I-IV, Brooklyn Academy of Music, Brooklyn, NY, 1983; Home of the Brave (concert performance), U.S. cities, 1985; (composer only)

NON-RELATED CAREER—Real estate broker; trainee with the Los Angeles Police Reserve. AWARDS: Golden Eagle Award, Best Television Actress, 1984 and 1989.

9

ANDERSON

CONTEMPORARY

Alcestis, American Repertory Theatre, Cambridge, MA, 1986; Empty Places, Next Wave Festival, Brooklyn Academy of Music, 1989; also Like a Stream—3, It's Cold Outside, and Bom, Never Asked.

THEATRE,

FILM, AND TELEVISION

• Volume 8

director, The Shoes of the Fisherman, MGM, 1968; director, Pope Joan (also known as The Devil's Imposter), Columbia, 1972; director, Conduct Unbecoming, Allied Artists, 1975; director, Doc Savage . . . The Man of Bronze, Warner Brothers, 1975; director, Logan's Run, Metro-Goldwyn-Mayer/United Artists, 1976; director, Orca (also known as Orca—The Killer Whale), Paramount, 1977; director, Dominique, Subotsky, 1978; director, Bells (also known as Murder By Phone and The Calling), New World, 1981; director, Second Time Lucky, United International, 1984; director, Separate Vacations, RSL, 1986; director, La Boutique de I'orfevre (also known as The Goldsmith's Shop, The Jeweller's Shop, and La bottega dell' orefice), Alliance Releasing/Produzioni Atlas Consorziate, 1989; director, Millennium, Twentieth CenturyFox/Rank Film Distributors, 1989. Also directed Dial 17 (short film), 1952.

FILM—Composer: (With John Cale) Something Wild, Orion, 1986; (also writer) Home of the Brave, Cinecom International, 1986; Swimming to Cambodia, Cinecom International, 1987. RECORDINGS: ALBUMS—Big Science, Warner Brothers, 1982; (contributor) You're the Guy I Want to Share My Money With, 1982; Mr. Heartbreak, Warner Brothers, 1984; United States Live, Warner Brothers, 1985; Strange Angels, Warner Brothers, 1989. AWARDS: New York State Council on the Arts grants, 1975 and 1977; National Endowment for the Arts grants, 1977 and 1979; Guggenheim fellowship, 1983.

PRINCIPAL TELEVISION WORK—Mini-Series: Director, The Martian Chronicles, NBC, 1980. Movies: Director, Sword of Gideon, HBO, 1986.

MEMBER: Phi Beta Kappa. ADDRESSES: PUBLICIST—Liz Rosenberg, Warner Brothers Records, 3 E. 54th Street, New York, NY 10022.*

RELATED CAREER—Actor. WRITINGS: FILM—(With Peter Ustinov) Private Angelo, Associated British/Pathe, 1949; composer, Twelve to the Moon, Columbia, 1960.

ANDERSON, Michael

AWARDS: Academy Award nomination, Best Director, 1956, for Around the World in Eighty Days.

1920-

PERSONAL: Full name, Michael Joseph Anderson; born January 30, 1920, in London, England; son of John Lawrence (an actor) and Beatrice Gwendoline (Topping) Anderson; married second wife, Adrianne Ellis, 1977; children: David, Michael Jr., Peter, Jan (first marriage). EDUCATION—Attended the London Polytechnical Institute, 1934-36. MILITARY—Royal Signal Corps, 48th Infantry Division, 1942-46.

MEMBER: Directors Guild of America.*

ANDERSON, Richard Dean

VOCATION: Director.

1950-

PERSONAL: Born January 23, 1950, in Minneapolis, MN; son of Stuart Anderson (a jazz musician, school teacher, and director); mother, an artist. EDUCATION—Attended St. Cloud State College and Ohio University; studied acting with Peggy Feury.

CAREER: PRINCIPAL FILM WORK—Assistant director, Pygmalion, Metro-Goldwyn-Mayer (MGM), 1938; assistant director, French Without Tears, Paramount, 1939; unit manager, In Which We Serve, British Lion, 1942; unit manager, School for Secrets (also known as Secret Flight), General Film Distributors, 1946; manager, Vice Versa, General Film Distributors, 1948; director (with Peter Ustinov), Private Angelo, Associated British/Pathe, 1949; director, Hell Is Sold Out, Eros, 1951; director, Night Was Our Friend, Monarch, 1951; director, Waterfront Women (also known as Waterfront), General Film Distributors, 1952; director, The House of the Arrow, Associated British/Pathe, 1953; director, Will Any Gentleman?, Stratford, 1955; director, The Dam Busters, Warner Brothers, 1955; director, Around the World in Eighty Days, United Artists, 1956; director, Battle Hell (also known as Yangtse Incidents), Herbert Wilcox, 1956; director, 1984, Columbia, 1956; director, Chase a Crooked Shadow, Warner Brothers, 1958; producer and director, Shake Hands with the Devil, United Artists, 1959; director, The Wreck of the Mary Deare, MGM, 1959.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Superman in the Bones, Pilgrimage Theatre, Los Angeles. PRINCIPAL FILM APPEARANCES—Spud, Odd Jobs, Tri-Star, 1986; also appeared in Young Doctors in Love, ABC/Twentieth Century-Fox, 1982. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Jeff Webber, General Hospital, ABC, 1976-81; Adam McFadden, Seven Brides for Seven Brothers, CBS, 1982-83; Lieutenant Simon Adams, Emerald Point, N.A.S., CBS, 1983-84; title role, MacGyver, ABC, 1985—. Pilots: Brian Parker, The Parkers (broadcast as an episode of The Facts of Life), NBC, 1981. Episodic: TheLoveBoat, ABC. Movies: Tony Kaiser, Ordinary Heroes, ABC, 1986. Specials: Battle of the Network Stars, ABC, 1984.

Director, All the Fine Young Cannibals, MGM, 1960; director, The Naked Edge, United Artists, 1961; director, Flight from Ashiya (also known as Ashiya Kara No Hiko), United Artists, 1964; director, Wild and Wonderful, Universal, 1964; director, Operation Crossbow (also known as Operazione Crossbow, The Great Spy Mission, and Codename: Operation Crossbow), MGM, 1965; director, The Quiller Memorandum, Twentieth Century-Fox, 1966;

RELATED CAREER—Member of the rock band Ricky Dean and Dante; street mime, jester, and juggler with an Elizabethan-style cabaret, Los Angeles; stage manager, Improvisation Theatre; writer, director, and actor at Marineland.

10

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ANDERSSON

en spegel (also known as Through a Glass Darkly), 1961, released in the United States by Janus, 1962; Isolde, For att inte tala om alia dessa kvinnor (also known as Now, About All These Women and All These Women), Janus, 1964; Louise, Att alska (also known as To Love), Prominent/L&N, 1964; Agda, Alskandepar (also known as Loving Couples), 1964, released in the United States by Prominent, 1966; Ann Dobbs, The Deadly Affair, Columbia, 1967; Sofia Petersen, Mennesker modes och sod musik opstar i hjertet (also known as Manniskor motas och ljuv musik uppstar i hjartat, People Meet and Sweet Music Fills the Heart, and People Meet), 1967, released in the United States by Trans-Lux, 1969; Mathaswintha, Der Kampfum Rom (Part One) (also known as Bataliapentru Roma and Fight for Rome), Constantin Film, 1969. Agnes, Viskningar och rop (also known as Cries and Whispers), New World, 1972; Monika Larsson, Den vita vaggen (also known as The White Wall), Svenska Filminstitutet, 1974; teacher's wife, Monismanien 1995 (also known as Monismania 1995), Taurus/ Film Edis, 1975; Sonja, Hempa's bar (also known as Triumph Tiger '57 and Cry of Triumph), Svenska Filminstitutet, 1977; Monica, La Sabina (also known as The Sabina), Svenska Filminstitutet, 1979; Lilly, Linus eller tegelhusets hemlighet (also known as Linus and Linus and the Mysterious Red Brick House), Svenska Filminstituted, 1979; Justina, Fanny och Alexander (also known as Fanny and Alexander), Embassy, 1983; Cecilia Andersson, Rakenstam (also known as Rakskenstam—The Casanova of Sweden and Casanova of Sweden), Sandrew Film and Teater/Artisfilm/Svenska Filminstitutet, 1983; Magda, Sommarkvallar pa jorden (also known as Nagra sommarkvallar pa jorden, Sommarkvallar, and Summer Nights), Svenska Filminstitutet, 1987; Jasmin, Himmel og Helvede (also known as Heaven and Hell), Metronome Film/Warner Brothers, 1988.

RICHARD DEAN ANDERSON

ADDRESSES: AGENT—Steve Dontanville, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

ANDERSSON, Harriet

Also appeared in Anderssonskans Kalle (also known as Mrs. Andersson s Charlie), Motorkavalierer (also known as Cavaliers on the Road), and Tva trappor over garden (also known as Backyard), all 1950; Biff en och Bananen (also known as Beef and the Banana), Puck heter jag (also known as My Name Is Puck), Darskapens hus (also known as House of Folly), and Franskild (also known as Divorced), all 1951; Ubat39 (also known as U-Boat 39), Sabotage, and Trots (also known as Defiance), all 1952; Sommaren med Monika (also known as Monika and Summer with Monica), \953',Hoppsanf, 1955;Nattbarn(alsokno\vn as Children of the Night) and Sista paret ut (also known as The Last Couple Out and Last Pair Out), both 1956; Synnove Solbakken, 1957; Flottans overman (also known as Commander of the Navy) and Kvinna i leopard (also known as Woman in Leopardskin and Woman in a Leopardskin Coat), both 1958; Brott i Paradiset (also known as Crime in Paradise) and Noc poslubna (also known as Wedding Night, En Brolloppsnatt, andHaayo), both 1959; Barbara, 1961; Siska, 1962; Lyckodrommen (also known as Dream of Happiness) and En Sondag i September (also known as A Sunday in September), both 1963; For vanskaps skull (also known as Just Like Friends, For Friendship, and For the Sake of Friendship), Lianbron (also known as The Vine Bridge and The Vine Garden), and Har borjar aventyret (also known as Taalla Alkaa Seikkilu and Adventure Starts Here), all 1965; Ormen (also known as The Serpent), 1966; Tvarbalk (also known as Rooftree and Crossbeams) and "Hanhon" ("He-She") in Stimulantia, both 1967; Jag alskar du alskar (also known as I Love, You Love), 1968; Flickorna (also known as The Girls), 1968, released in the United States by Lindgren/ Sandrews, 1972; Anna, 1970; narrator, Kallelsen, 1974.

1932-

PERSONAL: Born January 14, 1932, in Stockholm, Sweden; married Jorn Donner (a film director). VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Title role, The Diary of Anne Frank; Ophelia, Hamlet; and in The Beggar s Opera. Also appeared with the Malmo City Theatre, Malmo, Sweden, 1953; Intiman Theatre of Stockholm, Stockholm, Sweden, 1956; Halsingborg Town Theatre, Halsingborg, Sweden, 1961; and the Kunigliga Dramatiska Teatern, Stockholm, during the 1980s. FILM DEBUT—Medan staden sever (also known as While the City Sleeps), 1950. PRINCIPAL FILM APPEARANCES—Anne, Gycklarnas afton (also known as The Naked Night, Sawdust and Tinsel, and Sunset of a Clown), 1953, released in the United States by Times, 1956; Nix, En lektion i karlek (also known as A Lesson in Love), 1954, released in the United States by Janus, 1960; Petra, Sommarnattens leende (also known as Smiles of a Summer Night), 1955, released in the United States by Rank, 1957; Doris, Kvinnodrom (also known as Journey into Autumn, Dreams and Womens Dreams), 1955, released in the United States by Janus, 1960; Karin, Sasom i

PRINCIPAL TELEVISION APPEARANCES—Movies: / havsbandet

11

ANDREW CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(also known as The Seas Hold and On the Archipelago Boundary}, 1971; Bebek (also known as Baby), 1973.

STAGE APPEARANCES—Malcolm, Macbeth and Amiens, As You Like It, both Chichester Festival Theatre, Chichester, U.K., 1983; Anatoly Sergievsky, Chess, Prince Edward Theatre, London, 1986. Also appeared in Musical Chairs and The Final Furlong, both Chichester Festival Theatre, 1983; as Demon, Robinson Crusoe, Swansea Repertory Theatre, Swansea, Wales; chorus, Underneath the Arches, Prince of Wales Theatre, London; clerk and member of barber shop quartet, Poppy, Royal Shakespeare Company, Adelphi Theatre, London; Hank J. Smith, On Your Toes, Palace Theatre, London; Anthony Hope, Sweeney Todd, Manchester Library Theatre, Manchester, U.K.; Bobby, Company, Palace Theatre, Westcliffe, U.K.

RELATED CAREER—Music hall dancer. AWARDS: German Film Critics' Grand Prize, 1962, forSasom i en spegel; Best Actress Award from the Venice Film Festival, 1964, for An alska; Swedish Film Association plaque. ADDRESSES: OFFICE—c/o Sandrew Film and Theatre AB, Box 5612, 114 86 Stockholm, Sweden.*

PRINCIPAL STAGE WORK—Assistant choreographer, Musical Chairs, Chichester Festival Theatre, Chichester, U.K., 1983; also assistant choreographer, Gigi.

ANDREW, Leo

1957MAJOR TOURS—Narrator, Joseph and the Amazing Technicolor Dreamcoat, U.K. cities, 1980; title role, Jesus Christ Superstar, U.K. cities, 1981.

PERSONAL: Born Andrew Prosser Davies, August 17, 1957, in Neath, Wales; son of Vivian (an electrician) and Dorothy Irene (a school secretary; maiden name, Prosser) Davies. EDUCATION— Received education certificate in music and drama from the West Glamorgan Institute of Higher Education, 1978; studied piano at the London College of Music.

TELEVISION DEBUT—Dancer, The Max Wall Special, Southern Television, 1980. PRINCIPAL TELEVISION APPEARANCES—Episodic: The Agatha Christie Hour, Thames. Specials: The Life and Times of David Lloyd George, BBC-Wales;4 'Pebble Mill at One,'' Jerome Kern Special, BBC.

VOCATION: Actor and choreographer.

RELATED CAREER—Teacher of music, drama, and English, Neath, Wales, 1978-79; entertainer on the cruise ship S.S. Canberra; commercial spokesman.

CAREER: STAGE DEBUT—Brother, Joseph and the Amazing Technicolor Dreamcoat, Swansea Repertory Theatre, Swansea, Wales, 1979. LONDON DEBUT—Narrator, Joseph and the Amazing Technicolor Dreamcoat, Vaudeville Theatre, 1980. PRINCIPAL

NON-RELATED CAREER—Tennis umpire. MEMBER: British Actors' Equity Association, British Tennis Umpires Association. SIDELIGHTS: RECREATIONS—Tennis and travel. ADDRESSES: AGENT—Tano Rea, Portfolio Management, 58 Alexandra Road, London NW4 2RY, England.

ANDREWS, Nancy

1924-1989

PERSONAL: Full name, Nancy Currier Andrews; born December 16, 1924, in Minneapolis, MN; died of a heart attack, July 29, 1989, in New York, NY; daughter of James Currier (a hotel owner and grain executive) and Grace Ella (a drama coach; maiden name, Gerrish) Andrews; married Parke N. Bossart, 1945 (divorced, 1952); children: Tanima Cynthia. EDUCATION—Graduated from Los Angeles City College, 1940; trained for the stage at the Pasadena Playhouse College of Theatre Arts, 1940-42, at the American Shakespeare Academy, and with Ethel Chilstrom; studied piano with Dean Fletcher. VOCATION: Actress and singer. CAREER: STAGE DEBUT—Mistress Ford and Mistress Page, The Merry Wives of Windsor, Beverly Hills Shakespeare Theatre, Los Angeles, 1938. BROADWAY DEBUT—Ensemble, Touch and Go (revue), Broadhurst Theatre, 1949. PRINCIPAL STAGE APPEARANCES—Nicki, Break It Up, Theatre By the Sea, Matunuck, RI,

LEO ANDREW

12

ANNIS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Kings, Twentieth Century-Fox, 1975; Mrs. Logan, Night of the Juggler, Columbia, 1980.

1950; Mrs. Sally Adams (understudy), Call Me Madam, Imperial Theatre, New York City, 1950; Julie, Show Boat, Lambertville Music Circus, Lambertville, NJ, 1951; Laura Carew, HazelFlagg, Mark Hellinger Theatre, New York City, 1953; Sister Bessie, Tobacco Road, La Cienega Playhouse, Los Angeles, then Grist Mill Playhouse, Andover, NJ, both 1954; Emma Miller, Plain and Fancy, Mark Hellinger Theatre, 1955;Fauna,P//7£Z)ra2w, Shubert Theatre, New York City, 1956; title role, Panama Hattie and Lavinia, Hit the Deck, both Sacramento Music Circus, Sacramento, CA, 1956; Grace, Bus Stop, Robin Hood Theatre, Arden, DE, 1957; Mrs. Brady, Juno, Winter Garden Theatre, New York City, 1959; Mother Grieg, Song of Norway, St. Louis Municipal Opera, St. Louis, MO, 1959; Amanda, The Glass Menagerie, Totem Pole Playhouse, Fayetteville, PA, 1959; Mrs. Peachum, The Threepenny Opera, Theatre De Lys, New York City, 1959.

TELEVISION DEBUT—The Ed Sullivan Show, CBS, 1950. PRINCIPAL TELEVISION APPEARANCES—Pilots: Amy Kibbe, Kibbe Hates Finch, CBS, 1965; Mrs. Burgess, Kangaroos in the Kitchen, NBC, 1982. Episodic: Aunt Hagatha, Bewitched, ABC, 1966; Maggie Baker, Hawk, ABC, 1966; Mrs. Potts, Pistols and Petticoats, CBS, 1966; Miss Peterson, As the WorldTurns, CBS, 1971; Mrs. Johnson, Faith for Today, syndicated, 1971; also The Perry ComoShow, NBC, 1950; The Ray Milland Show, CBS, 1954', Kraft Television Theatre, NBC, 1954; The Spike Jones Show, NBC, \954',The Betty White Show, ABC, 1954; The Tonight Show, NBC, 1963; Girl Talk, ABC, 1963, 1965, and 1969; The Mike Douglas Show, syndicated, 1964; Queen for a Day, ABC, 1964; "E.E. Cummings' Fairy Tales," Camera Three, CBS, 1968; The Joe Franklin Show, WOR-TV (New York City), 1968 and 1969; Dinah's Diner. Movies: Margie, Twirl, NBC, 1981. Specials: Nurse Carswell, "I'm with Ya, Duke," Happy Endings, ABC, 1975; also TV Telethon, Cincinnati, OH, 1962.

Auntie, Christine, 46th Street Theatre, New York City, i960; Mrs. Peachum, The Threepenny Opera, Theatre De Lys, 1960; Mother Cadman, Madame Spig-Eye, and Irish washerwoman, The Tiger Rag, Cherry Lane Theatre, New York City, 1961; title role, Madame Aphrodite, Orpheum Theatre, New York City, 1961; Helen, A Taste of Honey, Emma, Look Out, Sailor, and Mrs. Peachum, The Threepenny Opera, all Red Barn Theatre, Northport, NY, 1962; Belle Poitrine, Little Me, Lunt-Fontanne Theatre, New York City, 1962; Mrs. Mister, The Cradle Will Rock, Theatre Four, New York City, 1964; Mrs. Bailie, Say Nothing, Jan Hus Playhouse, New York City, 1965; Dragoon, The Day the Lid Blew Off, Jan Hus Playhouse, 1968; Mrs. Venzenzio, A Likely Story, Kennebunkport Theatre, Kennebunkport, ME, 1968; Inez, In the Summer House, Southampton College, Southampton, NY, 1968, then Dublin International Theatre Festival, Gate Theatre, Dublin, Ireland, 1969; Marion Hollender, Don't Drink the Water, Bucks County Playhouse, New Hope, PA, 1969; Sister Bessie, Tobacco Road, Alhambra Dinner Theatre, Jacksonville, FL, 1970; Ida, 70, Girls, 70, Starlight Theatre, Kansas City, MO, 1970; Peggy Monash, How Much, How Much?, Provincetown Playhouse, New York City, 1970; Aunt Demetria, On Borrowed Time, Bucks County Playhouse, 1973; Madame Armfeldt, A Little Night Music, Mall Playhouse, North Bergen, NJ, 1975; Aunt Eller, Oklahoma!, Jones Beach Theatre, Jones Beach, NY, 1975; Mrs. Murray, Dearest Enemy, Goodspeed Opera House, East Haddam, CT, 1976; Lil, Broadway, Wilbur Theatre, Boston, MA, 1978. Also appeared in Hilarities, Adelphi Theatre, New York City, 1948; as an understudy, 70, Girls, 70, Broadhurst Theatre, New York City, 1971; in Mademoiselle Colombe, Playwrights Horizons, New York City, 1977; and as Miss Tweed, Something s Afoot, 1978.

RELATED CAREER—Nightclub and cabaret performer, 1941-68; singer and pianist with U.S.O. shows in the Caribbean, 1943-45; also secretary and vice-president, Pasadena Playhouse Alumni Association; board of directors, Veterans Hospital Radio and Television Guild's Bedside Network. WRITINGS: STAGE—Music and lyrics, Bright Champagne, Melrose Theatre, Los Angeles, 1943. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, American Guild of Variety Artists, Screen Actors Guild, American Federation of Musicians, National Academy of Television Arts and Sciences. AWARDS: Theatre World Award, 1950, for Touch and Go; State of Israel Bonds Award. OBITUARIES AND OTHER SOURCES: New York Times, July 31, 1989; Variety, August 2-8, 1989.*

ANNIS, Francesca

1944-

PERSONAL: Born May 14, 1944, in London, England.

MAJOR TOURS—Dorothy, Gentlemen Prefer Blondes, California cities, 1950; Songs and Laughter (one-woman show), European cities, 1954; Emma Miller, Plain and Fancy, U.S. cities, 1956; Mrs. Livingston, Happy Hunting, U.S. cities, 1959; Bloody Mary, South Pacific, U.S. cities, 1960; Madame Liang, Flower Drum Song, U.S. cities, 1961; Mrs. Peachum, The Threepenny Opera, U.S. cities, 1963; Belle Poitrine, Little Me, U.S. and Canadian cities, 1964, then U.S. cities, 1965; Rosie Brice, Funny Girl, U.S. cities, 1965-66; Marion Hollender, Don't Drink the Water, U.S. cities, 1970; Esther, Two By Two, U.S. cities, 1972.

CAREER: PRINCIPAL STAGE APPEARANCES—Ophelia, Hamlet, Lunt-Fontanne Theatre, New York City, 1969; Isabella, Measure for Measure, Royal Shakespeare Company (RSC), Stratford-onAvon, U.K., 1974; Juliet, Romeo and Juliet, Cressida, Troilus and Cressida, and Luciana, The Comedy of Errors, all RSC, Stratfordon-Avon, 1976; Juliet, Romeo and Juliet and Cressida, Troilus and Cressida, both RSC, Aldwych Theatre, London, 1977.

PRINCIPAL FILM APPEARANCES—Mrs. Hudson, The Sidelong Glances of a Pigeon Kicker (also known as Pigeons), MetroGold wyn-Mayer/Plaza, 1970; Dr. Seaton, Made for Each Other, Twentieth Century-Fox, 1971; Mrs. Pat Hungerford, Summer Wishes, Winter Dreams, Columbia, 1973; Mrs. Captree, Werewolf of Washington, Diplomat, 1973; Rosie, W.W. and the Dixie Dance

PRINCIPAL FILM APPEARANCES—Sylvia, The Cat Gang, Realist/ CFF, 1959; Wanda, His and Hers, Sabre/Eros, 1961; Phyl, West 11, Associated British/Warner Brothers/Pathe, 1963; Annie Jones, The Eyes of Annie Jones, Twentieth Century-Fox, 1963; Eiras, Cleopatra, Twentieth Century-Fox, 1963; Jean, Saturday Night Out, Compton Cameo, 1964; June, Crooks in Cloisters, Associated

VOCATION: Actress.

13

ANSPAUGH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

British/Warner Brothers/Pathe, 1964; Sheila Upward, Murder Most Foul, Metro-Goldwyn-Mayer (MGM), 1964; Gwen, Flipper's New Adventure (also known as Flipper and the Pirates), MGM, 1964; Jean Parker, Run with the Wind, GEFD, 1966; Sally Feathers, The Pleasure Girls, Times Films, 1966; Arabella Dainton, The Walking Stick, MGM, 1970; uptight girl, The Sky Pirate, Filmmakers Distribution Center, 1970; Lady Macbeth, Macbeth, Columbia, 19^7 r l;Kate, StrongerThan the Sun, BBC, 1980; Widow of the Web, Krull, Columbia, 1983; Lady Jessica, Dune, Dino De Laurentiis/Universal, 1984; Dubarry, El rio de oro (also known as The Golden River), Tesauro/Incine S.A./Federal, 1986; Mrs. Wellington, Under the Cherry Moon, Warner Brothers, 1986. Also appeared in Young Jacobites, 1959.

AWARDS: Directors Guild Award, 1982, Emmy Awards, Outstanding Drama Series, 1982 and 1983, and Golden Globes, Best Television Series—Drama, 1982 and 1983, all for Hill Street Blues.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Title role, Madame Bovary, BBC, then Masterpiece Theatre, PBS, 1976; Lillie Langtry, Lillie, London Weekend Television, then Masterpiece Theatre, PBS, 1979; Tuppence Beresford, "Partners in Crime," Mystery!, PBS, 1986; Prudence "Tuppence" Cowley, "The Secret Adversary," Mystery! PBS, 1987. Episodic: Tracy Conway, "Sign It Death," Thriller, ABC, 1974; Penelope St. Clair, Magnum, P.L, CBS, 1985. Movies: Galina, Coming Out of the Ice, CBS, 1982; Lily Amberville, /'// Take Manhattan, CBS, 1987; Jacqueline Kennedy, The Richest Man in the World: The Story of Aristotle Onas sis, ABC, 1988. Specials: Frances Derwent, Why Didn't They Ask Evans?, syndicated, 1981; also The Comedy of Errors, 1978.

ANTONIO, Lou

MEMBER: Directors Guild of America. ADDRESSES: AGENT—John Burnham, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.

PERSONAL: Full name, Louis Demetrios Antonio; born January 23, 1934, in Oklahoma City, OK; son of James Demetrios (a restaurant owner) and Lucille (a cashier; maiden name, Wright) Antonio. EDUCATION—University of Oklahoma, B.A., 1955; trained for the stage with Lee Strasberg, Lonny Chapman, and Curt Conway. VOCATION: Actor, director, producer, and writer. CAREER: STAGE DEBUT—David Slater, The Moon Is Blue, White Barn Theatre, Terre Haute, IN, 1955. PRINCIPAL STAGE APPEARANCES—Sidney Black, Light Up the Sky, Lord Byron, A. Ratt, Nursie, and the Pilot, Camino Real, Preacher Haggler, Dark of the Moon, and John Goronwyn Jones, The Corn Is Green, all White Barn Theatre, Terre Haute, IN, 1955; Hotspur, Richard II and soldier, The Secret Concubine, both McCarter Theatre, Princeton, NJ, 1956; Mickey Argent (understudy) and Tommy Brookman (understudy), The Girls of Summer, Longacre Theatre, New York City, 1956; Larrup Rule, Saddle Tramps and Polo, A Hatful of Rain, both Cecilwood Theatre, Fishkill, NY, 1957; Will Stockdale, No Time for Sergeants, Sergeant Gregovich, Teahouse of the August Moon, Brick, Cat on a Hot Tin Roof, Cornelius, The Matchmaker, and Musician-Husband, Middle of the Night, all Cecilwood Theatre, 1958; Woody, The Buffalo Skinner, Theatre Marquee, New York City, 1959; Jake Latta, Night of the Iguana and ensemble, Album Leaves (revue), both Teatro Caio Melisso, Festival of Two Worlds, Spoleto, Italy, 1959; Cliff Lewis, Look Back in Anger, Capri Theatre, Atlantic Beach, Long Island, NY, 1959; Nikita, The Power of Darkness, York Theatre, New York City, 1959.

AWARDS: British Academy of Film and Television Arts Award, Best Television Actress, 1978, for Lillie and The Comedy of Errors. ADDRESSES: AGENT—Jack Gilardi, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048; International Creative Management, 388-396 Oxford Street, London W1N9HE, England.*

ANSPAUGH, David

1934-

1946-

PERSONAL: Born September 24, 1946, in Decatur, IN; son of Lawrence Earl (a photographer) and Marie Francis (DeMaio) Anspaugh; married Tamara Kramer, April 13, 1974; children: Vanessa Christine. EDUCATION—Indiana University, B.S., education, 1970; University of Southern California, M.F.A., cinema, 1976.

Lieutenant Ferguson Howard, The Golden Fleecing, Jack, Amazing Grace, and Clay, Cry of the Raindrop, all Cecilwood Theatre, 1960; Shady One, third patron, and Lecasse, The Good Soup, Plymouth Theatre, New York City, 1960; Clay, Cry of the Raindrop, Hedgerow Theatre, Moylan, PA, 1960, then St. Mark's Playhouse, New York City, 1961; Stavros, The Garden of Sweets, American National Theatre and Academy Theatre, New York City, 1961; ensemble, Brecht on Brecht (revue), Theatre De Lys, New York City, 1962, then Playhouse-on-the-Mall, Paramus, NJ, later John Drew Theatre, East Hampton, NY, both 1963; sergeant, Andorra, Biltmore Theatre, New York City, 1963; Gaston, The Lady of the Camellias, Winter Garden Theatre, New York City, 1963; Marvin Macy, The Ballad of the Sad Cafe, Martin Beck Theatre, New York City, 1963; Faustus, Tragical History of Doctor Faustus, Phoenix Theatre, New York City, 1964; Jonas, Ready When You Are, C.E.I, Brooks Atkinson Theatre, New York City, 1964.

VOCATION: Director and producer. CAREER: PRINCIPAL FILM WORK—Director, Hoosiers, Orion, 1987; director, Fresh Horses, Columbia, 1988. FIRST TELEVISION WORK—Associate producer, Paris, CBS, 1979. PRINCIPAL TELEVISION WORK—Series: Associate producer, Hill Street Blues, NBC, 1980-81, then producer, 1981-84. Episodic: Director, Hill Street Blues, NBC, 1981 -85; also director, St. Elsewhere, NBC; director, Miami Vice, NBC. Movies: Associate producer, Vampire, ABC, 1979; associate producer, Fighting Back, ABC, 1980; director, Deadly Care, CBS, 1987. Specials: Director, The Last Leaf, syndicated, 1984. NON-RELATED CAREER—Teacher, Aspen, CO, 1970-74.

14

ARGENTO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL STAGE WORK—Director, Missouri Legend, Cecilwood Theatre, Fishkill, NY, 1960; director, The Chalk Garden, Elmwood Theatre, Nyack, NY, 1962; producer, Hootsudie, Actors' Studio West, Merle Oberon Playhouse, Los Angeles, 1972.

CBS, 1990. Specials: The Steeler and the Pittsburgh Kid, NBC, 1981.

FILM DEBUT—Cadet, The Strange One, Columbia, 1957. PRINCIPAL FILM APPEARANCES—Roustabout, Splendor in the Grass, Warner Brothers, 1961; Abdul, America, America (also known as The Anatolian Smile), Warner Brothers, 1963; Reverend Abraham Hewlett, Hawaii, United Artists, 1966; Koko, Cool Hand Luke, Warner Brothers, 1967; Corrigan, The Phynx, Warner Brothers, 1970.

NON-RELATED CAREER—Sports reporter, chef, waiter, ranchhand, bricklayer's helper, junk and manure dealer, swimming-pool inspector, and Fuller Brush man.

RELATED CAREER—Member, Actors' Studio, 1958—.

WRITINGS: FILM—Mission: Batangas, Manson, 1968. TELEVISION—Episodic: Gentle Ben, CBS; The Young Rebels, ABC. AWARDS: Theatre World Award, 1959, for The Buffalo Skinner; Humanitas Award and Emmy Award nomination, both 1977, for Something for Joey; Emmy Award nomination, Outstanding Director, 1979, for Silent Victory: The Kitty O'Neil Story.

PRINCIPAL FILM WORK—Executive producer, Micki and Maud, Columbia, 1984; also production supervisor, Private Lives, 1983. PRINCIPAL TELEVISION APPEARANCES—Series: Barney, The Snoop Sisters, NBC, 1973-74; Detective Sergeant Jack Ramsey, Dog and Cat, ABC, 1977; Joseph Manucci,Makin' It, ABC, 1979. Pilots: Sam Hatch, Partners in Crime, NBC, 1973; Jack Ramsey, Dog and Cat, ABC, 1977; also Road to Reality, ABC, 1960. Episodic: Lokai, "Let That Be Your Last Battlefield," Star Trek, NBC, 1969; also Love of Life, CBS, 1958 and 1960; Tallahassee 7000, CBS, 1959; Naked City, ABC, 1959 and 1963; My True Story, CBS, 1959-61; "A Piece of Blue Sky," Play of the Week, WNTA, 1960; "The Wendigo," Great Ghost Tales, CBS, 1961; The Defenders, CBS, 1961, 1962, and 1963; Route 66, CBS, 1963; Breaking Point, ABC, 1963; Camera Three, CBS, 1963; The Fugitive, ABC, 1963, 1964, 1965, and 1966; For the People, CBS, 1965; Twelve O'Clock High, ABC, 1965; Gunsmoke, CBS, 1965; The Virginian, NBC, 1966; The Wackiest Ship in the Army, NBC, 1966; The Road West, NBC, 1967; U.S. Steel Hour, CBS; Studio One, CBS; Suspicion, NBC; Have Gun—Will Travel, CBS; The Danny Thomas Hour. Movies: Tony, Sole Survivor, CBS, 1970; Hugo Jenkins, Where the Ladies Go, ABC, 1980; movie producer, Agatha Christie's "Thirteen at Dinner," CBS, 1985; Dr. Calvin Finch, Face to Face, CBS, 1990. Specials: The Power and the Glory, CBS, 1961.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Directors Guild of America, Writers Guild of America. SIDELIGHTS: RECREATIONS—Softball, basketball, reading, and writing. ADDRESSES: AGENT—Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

ARGENTO, Dario

1940-

PERSONAL: Born September 7, 1940, in Rome, Italy; son of Salvatore Argento (a film executive); married Daria Nicolodi (an actress), 1975 (separated, 1985). VOCATION: Director, producer, and screenwriter. CAREER: Also see WRITINGS below. FIRST FILM WORK—Codirector, Probabilita zero, 1968. PRINCIPAL FILM WORK—Director, The Bird with the Crystal Plumage (also known as L'ucello dalle piume di cristalo, The Phantom of Terror, and The Gallery Murders), UM, 1970; director, Cat o' Nine Tails (also known as // gatto a nove code}, National General, 1971; director, Four Flies on Grey Velvet (also known as Quattro mosche di velluto grigio], Paramount, 1972; director, Deep Red (also known as Profondo rosso, The Hatchet Murders, Dripping Deep Red, and Deep Red Hatchet Murder), Seda Spettacoli Mahler, 1975, released in the United States by Rizzoli, 1976; director, Suspiria, International Classics/Twentieth Century-Fox, 1977; director, Inferno, Twentieth Century-Fox, 1980; director, Sotto gli occhi dell assassino (also known as Tenebrae), Intra/Anglo-American/Bedford Entertainment/Film Gallery, 1982; producer and director, Creepers (also known as Phenomena), New Line Cinema, 1985; producer, Demons (also known as Demoni), Titanus/Ascot Entertainment Group, 1985; producer, Demons II: The Nightmare Is Back (also known as Demoni II: L'incubo ritornd), Titanus/Avatar/DAC, 1986; director, Opera, Columbia, 1987. Also co-producer and director, Zombie, 1978.

PRINCIPAL TELEVISION WORK—All as director, unless indicated. Series: Producer, Shell Game, CBS, 1987. Pilots: Fools, Females, and Fun: I've Gotta Be Me, NBC, 1914', Fools, Females, and Fun: Is There a Doctor in the House?, NBC, 1974; Lanigans Rabbi, NBC, 1976; The Girl in the Empty Grave, NBC, 1977; The Gypsy Warriors, CBS, 1978; Heaven on Earth, NBC, 1979; Boston and Kilbride, CBS, 1979; We re Fighting Back, CBS, 19SI', Gabe and Walker, ABC, 1981; Shell Game, CBS, 1987. Episodic: Sons and Daughters, CBS, 197'4; Three for the Road, CBS, 1975; McMillan, NBC, 1977; Lanigan s Rabbi, NBC, 1977; The Contender, CBS, 1980; also Gentle Ben, CBS; Griff, ABC; Owen Marshall: Counselor at Law, ABC; Amy Prentiss, NBC; Banacek, NBC; McMillan andWife, NBC',RichMan, Poor Man—Book II, ABC;Delvecchio, CBS; TheRockfordFiles, NBC;McCloud, NBC. Movies: Someone I Touched, ABC, 1975; Something for Joey, CBS, 1977; The Critical List, NBC, 1978; A Real American Hero, CBS, 1978; Breaking Up Is Hard to Do, ABC, 1979; Silent Victory: The Kitty O'Neil Story, CBS, 1979; The Star Maker, NBC, \9S\; Something SoRight, CBS, 1982; Between Friends, HBO, 1983; A Good Sport, CBS, \9%4;RearviewMirror, NBC, 1984; Threesome, CBS, 1984; Agatha Christie's "Thirteen at Dinner," CBS, 1985; One Terrific Guy, CBS, 1986; Mayflower Madam, CBS, 1987; Pals, CBS, 1987; (also producer) The Outside Woman, CBS, 1989; (also executive producer) Dark Holiday (also known as Passport to Terror and Never Pass This Way Again), NBC ,1989; Face to Face,

RELATED CAREER—Film critic, Paesa Sera. WRITINGS: See production details above, unless indicated. FILM— (With Tonio Cervi) Today It's Me . . . Tomorrow You! (also known 15

ARGENZIANO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

as Oggi a me domani a te! and Today We Kill. . . Tomorrow We Die), Splendid, 1968, released in the United States by Cinerama, 1971; The Bird with the Crystal Plumage, 1970, published in Profondo Thrilling, 1975; (with Marc Richards) The Five Man Army (also known as Un esercito di 5 uomini), Metro-GoldwynMayer, 1970; Cat o' Nine Tails, 1971, published in Profondo Thrilling, 1975; Four Flies on Grey Velvet, 1972, published in Profondo Thrilling, 1975; (with Bernardino Zapponi) Deep Red, 1975; (with Daria Nicoldi; also composer) Suspiria, 1977; composer, Dawn of the Dead, United Films, 1979; Inferno, 1980; (with George Kemp) Sotto gli occhi dell'assassino, 1982; (with Franco Ferrini) Creepers, 1985; (with Lamberto Bava, Dardano Sacchetti, and Ferrini) Demons, Titanus/Ascot Entertainment Group, 1985; (with Bava, Sacchetti, and Ferrini) Demons II: The Nightmare Is Back, 1986; (with Ferrini) Opera, 1987; (with Ferrini) The Church (also known as La chiesa and L'Eglise), Columbia/Tri-Star, 1989. Also Probabilita zero, 1968; Commandos, 1968; Le rivoluzione sessuale, 1968; La stagione del sensi, 1968; Comandamenti per un gangster, 1968; Metti, una sera a cena (also known as The Love Circle), 1969; Le cinque giornate, 1973; Zombie, 1978. TELEVISION—Series: La porte dans I'obscurite, 1972.*

ARGENZIANO, Carmen 1943PERSONAL: Surname is pronounced "Ar-jen-zi-ano" (rhymes with "piano"); born October 27, 1943, in Sharon, PA; son of Joseph Guy (a restaurateur) and Elizabeth Stella (Falvo) Argenziano. EDUCATION—Attended Youngstown University; trained for the stage at the American Academy of Dramatic Arts and the Actors' Studio; also studied with Lee Grant, Michael V. Gazzo, Milton Katselas, and Sanford Meisner.

CARMEN ARGENZIANO

board member, Big Business, Buena Vista, 1988; District Attorney Paul Rudolph, The Accused, Paramount, 1988; Molina, Stand and Deliver, Warner Brothers, 1988; Zayas, Red Scorpion, Shapiro/ Glickenhaus Entertainment, 1989. Also appeared in The Slams, Metro-Goldwyn-Mayer, 1973; Caged Heat (also known as Renegade Girls), New World, 1974; Death Force, Capricorn Three, 1978; Transit, 1990.

VOCATION: Actor. CAREER: STAGE DEBUT—Coffee house poet, The Hairy Falsetto, Fourth Street Theatre, New York City, 1965. PRINCIPAL STAGE APPEARANCES—John Fletcher, El Salvador, GNU Theatre, Los Angeles, 1988; also appeared in A View from the Bridge, Strasberg Institute, Los Angeles, 1981; with the Center Theatre Group, Mark Taper Forum, Los Angeles, CA, 1983; in Last Lucid Moment and A Prayer for My Daughter, both in Los Angeles; and in productions of Sweet Bird of Youth and Made in America.

TELEVISION DEBUT—Judd, for the Defense, ABC. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Nathan Solt, HeartBeat, ABC, 1989; Charles "Chick" Sterling, Booker, Fox, 1989—. Mini-Series: Adam Brand, Once an Eagle, NBC, 1977; also From Here to Eternity, NBC, 1979. Pilots: Santeen, The 3,000 Mile Chase, NBC, 1977; Kingston, The Phoenix, ABC, 1981; Varela, Waco and Rhinehart (also known as U.S. Marshals: Waco and Rhinehart), ABC, 1987; Tony, Remo Williams, ABC, 1988; also Twin Detectives, ABC, 1976. Episodic: Anarumo, Cagney and Lacey, CBS, 1986; Neil Robertson, L.A. Law, NBC, 1986; Mel, Designing Women, CBS, 1987; Dr. Schneider, Hunter, NBC, 1987; Mr. Mendez, Coming of Age, CBS, 1988; also Stone, ABC, 1980; Scarecrow and Mrs. King, CBS; Cheers, NBC; Hill Street Blues, NBC; TJ. Hooker, ABC; Lou Grant, CBS. Movies: Wheeler, Searchforthe Gods, ABC, 1975; lieutenant, Kill Me If You Can, NBC, 1977; cameraman, Hot Rod (also known as Rebel of the Road), ABC, 1979; Ed Ainsworth, Quarterback Princess, CBS, 1983; Rooney, The Last Ninja, ABC, 1983; Lieutenant Clifford, Best Kept Secrets, ABC, 1984; Colonel Pruett, Fatal Vision, NBC, 1984; Robert Walker, Between Two Women, ABC, 1986; judge, Too Good to Be True (also known as Leave Her to Heaven), NBC, 1988; MacDonald, The Watch Commander (also known as Police

PRINCIPAL FILM APPEARANCES—Student, Cover Me Babe, Twentieth Century-Fox, 1970; gang member, The Jesus Trip, Emco, 1971; Jay Kaufman, Punishment Park, Francoise, 1971; Flavio, The Hot Box, New World, 1972; (as Carmine Argenziano) second Hawk, The Outside Man (also known as Un Homme est mort), United Artists, 1973; Michael's bodyguard, The Godfather, PartII, Paramount, 1974; supermarket manager, Crazy Mama, New World, 1975; Jack McGurn, Capone, Twentieth Century-Fox, 1975; lieutenant, Shark's Treasure, United Artists, 1975; Brian, Vigilante Force, United Artists, 1976; Jennings, Two-Minute Warning, Universal, 1976; Dr. Mandrakis, When a Stranger Calls, Columbia, 1979; Tony Annese, Mystique, Telecine International/Qui, 1981; D'Ambrosia, Sudden Impact, Warner Brothers, 1983; Ron Bell, Heartbreakers, Orion, 1984; Stan, Into the Night, Universal, 1985; voice of Dagg, Starchaser: The Legend of Orin (animated), Atlantic, 1985; Matty, Dangerously Close, Cannon, 1986; Detective Russo, Naked Vengeance (also known as Satan Vengeance), Concorde, 1986; Lieutenant Leonard, Under Cover, Cannon, 1987;

16

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 ARMSTRONG

Story: The Watch Commander), ABC, 1988; Roy Simmons, Baja Oklahoma, HBO, 1988; Sam Liberace, Liberace, ABC, 1988; also The Man Who Fell to Earth,-ABC, 1987. AWARDS: Drama-Logue Award, 1988, for El Salvador; DramaLogue Award and Los Angeles Weekly Award, both for Last Lucid Moment; Los Angeles Drama Critics' Award and Los Angeles Weekly Award, both for A Prayer for My Daughter. MEMBER: Academy of Motion Picture Arts and Sciences, Actors' Studio. ADDRESSES: AGENT—Rodney Sheldon, Artists Alliance, 8457 Melrose Plaza, Suite 200, Los Angeles, CA 90069.

ARMITAGE, Frank See CARPENTER, John

ARMSTRONG, Curtis

1953-

PERSONAL: Born November 27, 1953, in Detroit, MI; son of Robert Leroy and Norma E. (a teacher; maiden name, D'Amico) Armstrong. EDUCATION—Attended Oakland University (Rochester, MI), 1973-75; studied acting at the Academy of Dramatic Arts.

CURTIS ARMSTRONG

VOCATION: Actor.

ADDRESSES: AGENT—Ro Diamond, Century Artists Ltd., 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.

CAREER: PRINCIPAL STAGE APPEARANCES—The Boy, The Irish Hebrew Lesson and Cooney, Guests of the Nation, both Colonnades Theatre Lab, New York City, 1980; the reporter, Howl Got That Story, Attic Theatre, Detroit, MI, 1983; also apppeared in The Corn Is Green, Meadow Brook Theatre, Rochester, MI, 1977; The Caine Mutiny Court-Martial, Meadow Brook Theatre, 1978; The Life of Galileo, Pittsburgh Public Theatre, Pittsburgh, PA, 1981; Moliere in Spite of Himself, Hartman Theatre Company, Stamford, CT, 1981; Present Laughter, Meadow Brook Theatre, 1985.

ARMSTORNG, R.G. 1917 PERSONAL: Full name, Robert Golden Armstrong; born April 7, 1917, in Birmingham, AL. EDUCATION—Studied acting at the Actors' Studio, 1952.

MAJOR TOURS—Young Charlie, Da, U.S. cities, 1979-80. VOCATION: Actor. PRINCIPAL FILM APPEARANCES—Miles, Risky Business, Warner Brothers, 1983; Booger, Revenge of the Nerds, Twentieth CenturyFox, 1984; Dennis Gladstone, Bad Medicine, Twentieth CenturyFox, 1985; Charles De Mar, Better Off Dead, Warner Brothers, 1985; Goov, The Clan of the Cave Bear, Warner Brothers, 1986; Ack Ack Raymond, One Crazy Summer, Warner Brothers, 1986; Booger, Revenge of the Nerds II: Nerds in Paradise, Twentieth Century-Fox, 1987.

CAREER: PRINCIPAL STAGE APPEARANCES—Doctor Baugh, Cat on a Hot Tin Roof, Morosco Theatre, New York City, 1955; Chief of Police Gerald Canley, The Long Dream, Ambassador Theatre, New York City, 1960. PRINCIPAL FILM APPEARANCES—Jay Lattimore, Garden of Eden, Excelsior, 1954; Flix, Never Love a Stranger, Allied Artists, 1958; Hunter Boyd, From Hell to Texas (also known as Manhunt), Twentieth Century-Fox, 1958; Asa Canfield, No Name on the Bullet, Universal, 1959; Sheriff Talbott, The Fugitive Kind, United Artists, 1960; Oramel Howland, Ten Who Dared, Buena Vista, 1960; Joshua Knudsen, Ride the High Country (also known as Guns in the Afternoon), Metro-Goldwyn-Mayer (MGM), 1962; Josh McCloud, He Rides Tall, Universal, 1964; Reverend Dhalstrom, Major Dundee, Columbia, 1965; Kevin McDonald, El Dorado,

PRINCIPAL TELEVISION APPEARANCES—Series: Herbert Viola, Moonlighting, ABC, 1986-89. RELATED CAREER—Company member, Meadow Brook Theatre, Rochester, MI, 1975-85; company member, New Jersey Shakespeare Festival, Madison, NJ, 1981; company member, Attic Theatre, Detroit, MI; co-founder, Roadside Attractions Inc.

17

ARNOLD

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Paramount, 1967; Mackray, E/g/zry Steps to Jonah, Motion Pictures International, 1969.

LAmour s "The Shadow Riders" (also known as The Shadow Riders), CBS, 1982; Rusty West, Oceans of Fire, CBS, 1986; Samuel Johnson, LBJ: The Early Years, NBC, 1987; Uriah Creed, Independence, NBC, 1987.*

Ben Holmes, Tiger By the Tail, United/COM, 1970; Mel Potter, Angels Die Hard, New World, 1970; Quittner, The Ballad of Cable Hogue, Warner Brothers,. 1970; Captain Dan, The Great White Hope, Twentieth Century-Fox, 1970; Watson, The McMasters (also known as The Blood Crowd and The McMasters . . .Tougher Than the West Itself!), Chevron, 1970; Clell Miller, The Great Northfield, Minnesota Raid, Universal, 1972; Jim Sawyer, J.W. Coop, Columbia, 1971; Bristowe, Who Fears the Devil? (also known as The Legend of Hillbilly John and My Name Is John), Jack H. Harris, 1972; Mr. Freeman, The Final Comedown, New World, 1972; Big Bear, White Lightning, United Artists, 1973; Ollinger, Pat Garrett and Billy the Kid, MGM, 1973; Honest John, My Name Is Nobody, Universal, 1974; Mayor, Boss Nigger (also known as The Black Bounty Killer), Dimension, 1974; prosecutor, White Line Fever, Columbia, 1975; sheriff, Race with the Devil, Twentieth Century-Fox, 1975; Thor Erickson, Stay Hungry, United Artists, 1975; Silas, Slumber Party '57, Cannon/Happy, 1976; Richard, Mean Johnny Barrows, Atlas, 1976; Amos, The Car, Universal, 1977; Cobb, The Pack (also known as The Long Dark Night), Warner Brothers, 1977; Sheriff T.C. Bishop, Mr. Billion, Twentieth Century-Fox, 1977; team manager, Heaven Can Wait, Paramount, 1978; Al Barber, Fast Charlie—The Moonbeam Rider, Universal, 1979.

ARNOLD, Jeanne

1931-

PERSONAL: Born July 30, 1931, in Berkeley, CA; married William C. Stevens (a business executive), April 8, 1978. EDUCATION—Received A.B., drama, from the University of California, Berkeley; studied acting at the American Theatre Wing, with Marion Rich at the HB Studios, and with Mary Tarcai, David Craig, Fanny Bradshaw, Lehman Engel, Lee Henry, and Alan Levitt; studied singing with Amri Galli Campi and Ed Dixon. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Lucy Brown, The Threepenny Opera, Theatre De Lys, 1955. PRINCIPAL STAGE APPEARANCES— Ensemble, Demi-Dozen (revue), Upstairs at the Downstairs, New York City, 1958; ensemble, Medium Rare (revue), Happy Medium, Chicago, IL, 1960-61; ensemble, Put It in Writing (revue), Happy Medium, 1962-63; Suzanne Bonnard, The Happy Time, Broadway Theatre, New York City, 1968; Pignol, Coco, Mark Hellinger Theatre, New York City, 1969; Mrs. Peachum, The Beggar's Opera, Chelsea Theatre Center, Brooklyn Academy of Music, Brooklyn, NY, 1972; Mrs. Whittaker, Marry Me! Marry Me!, Playwrights Horizons, Westside YWCA Clark Center, New

Judge Simpson, Where the Buffalo Roam, Universal, 1980; Kellin, Steel (also known as Look Down and Die, Men of Steel), World Normal, 1980; Dempsey, The Pursuit of D.B. Cooper, Universal, 1981; government agent, Reds, Paramount, 1981; Rigby, Raggedy Man, Universal, 1981; Sarge, Evilspeak, Moreno, 1982; Doc, The Beast Within, Metro-Goldwyn-Mayer/United Artists, 1982; Lieutenant O'Mara, Hammett, Orion/Warner Brothers, 1982; Captain T. Tyler, Lone Wolf McQuade, Orion, 1983; Diehl, Children of the Corn (also known as Stephen King's Children of the Corn), New World, 1984; Scoby, Red-Headed Stranger, Alive, 1984; Schutte, The Best of Times, Universal, 1985; Coach Beetlebom, Jocks, Crown International, 1986; General Phillips, Predator, Twentieth Century-Fox, 1987; Miles Blackburn, Bulletproof, CineTel, 1987; Pop Luddigger, Trapper County War (also known as Trapper County and Porter County), Noble Entertainment Group/ Alpine Releasing Group, 1989; also appeared in Deliver Us from Evil, Dimension, 1975; Dixie Dynamite, Dimension, 1976; Texas Detour, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Captain MacAllister, T.H.E. Cat, NBC, 1966-67; Uncle Lewis, Friday the 13th: The Series, syndicated, 1987. Mini-Series: Billy Soto, "Texas John Slaughter," Walt Disney Presents, ABC, 1958-61; General "Moose" Fitzgerald, War and Remembrance, ABC, 1988. Pilots: Fred Tomlinson, The Sharpshooter (broadcast as an episode of Dick Powell's Zane Grey Theatre), CBS, 1958; Ben Ritt, Hec Ramsey (also known as The Century Turns}, NBC, 1972; Henry Stratemeyer, Manhunter, CBS, 1974; Father Reardon, Kingston: The Power Play, NBC, 1976; Judge Harrison Harding, The Legend of the Golden Gun, NBC, 1979; Mr. Fisk, The Stockers, NBC, 1981. Episodic: Farmer, The Andy Griffith Show, CBS, 1961; man, "Nothing in the Dark," The Twilight Zone, CBS, 1962; Zanski, Skag, NBC, 1980; Stanley Kazmarek, Beauty and the Beast, CBS, 1989; also The Time Tunnel, ABC, 1966; The Invaders, ABC, 1967. Movies: Mr. Turner, Reflections of Murder, ABC, 1974; General Harris, The Time Machine, NBC, 1978; Dunworth, Devil Dog: The Hound of Hell, CBS, 1978; Leland Stanford, The Last Ride of the Dalton Gang, NBC, 1979; Sheriff Miles Gillette, Louis

JEANNE ARNOLD

18

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 ASHER

ADDRESSES: AGENT—Michael Thomas Agency, 305 Madison Avenue, New York, NY 10165.

York City, 1973;Libby, Valentine's Day, Manhattan Theatre Club, New York City, 1975; Mrs. Hardcastle, She Stoops to Conquer, Rosemary, Picnic, and Miss Moffett, The Corn Is Green, all Meadow Brook Theatre, Rochester, MI, 1977-78; Madame Arcadi, Blithe Spirit, Meadow Brook Theatre, 1979. The Countess, You Can't Take It with You, Meadow Brook Theatre, 1980; Martha, Arsenic and Old Lace and Mrs. Gibbs, Our Town, both Meadow Brook Theatre, 1980-81; Judith Bliss, Hay Fever, Meadow Brook Theatre, 1981-82; grandmother, The Children's Hour and Esther, Morning's at Seven, both Meadow Brook Theatre, 1983; moderator, Side By Side By Sondheim, Meadow Brook Theatre, 1984; Albertine, Toys in the Attic and Lady Bracknell, The Importance of Being Earnest, both Meadow Brook Theatre, 1985; Nurse, Romeo and Juliet and Helene Hanff, 84 Charing Cross Road, both Meadow Brook Theatre, 1985-86; Queen Margaret, Richard III and Helen Kroeger, Pack of Lies, both Meadow Brook Theatre, 1986-87; Big Mama, Cat on a Hot Tin Roof, clairvoyant, Death Trap, and Mrs. Chauvenet, Harvey, all Meadow Brook Theatre, 1987-88.

ASHER, Jane

1946-

PERSONAL: Born April 5, 1946, in London, England; daughter of Richard Alan John (a doctor) and Margaret (Eliot) Asher; married Gerald Scarfe; children: three. VOCATION: Actress and writer. CAREER: STAGE DEBUT—Housemaster, Frinton Summer Theatre, Frinton, U.K., 1957. LONDON DEBUT—Muriel Webster, Will You Walk a Little Easter, Duke of York's Theatre, 1960. BROADWAY DEBUT—Julietta, Measure for Measure and Juliet, Romeo and Juliet, both Bristol Old Vic Company, City Center Theatre, 1967. PRINCIPAL STAGE APPEARANCES—Alice, Through the Looking Glass, Oxford Playhouse, Oxford, U.K., 1958; Wendy, Peter Pan, Scala Theatre, London, 1961; Dinah, Level Crossing, Theatre Royal, Windsor, U.K., 1962; title role, Cinderella (pantomime), New Theatre, Bromley, U.K., 1962; Cassandra, The Trojan Women, Edinburgh Festival, Pop Theatre, Edinburgh, Scotland, 1966; Perdita, The Winter's Tale, Edinburgh Festival, Pop Theatre, then Cambridge Theatre, London, both 1966; Juliet, Romeo and Juliet and Julietta, Measure for Measure, both Bristol Old Vic Company, Bristol, U.K., 1966-67; Lorette, Summer, Fortune

Also appeared in The Dining Room, Meadow Brook Theatre, 1984; as Hesione Hushabye, Heartbreak House and Mrs. Smith, The Bald Soprano, both Center Theatre Group, Los Angeles; Vera Charles, Mame, Civic Light Opera, Pittsburgh, PA; Mrs. Hagarty, Hogan's Goat and the Countess, The Rehearsal, both Stage Society, Los Angeles; Madame Pampinelli, The Torchbearers, ELT, Los Angeles; Linda Loman, Death of a Salesman, Charles Playhouse, Boston, MA; Lady Macbeth, Macbeth, Beatrice, Much Ado About Nothing, and Emilia, Othello, all San Francisco Shakespearean Theatre, San Francisco, CA; Cleopatra, Antony and Cleopatra and in Six Original Plays, both Theatre East, Los Angeles; hippie seductress, Unemployed Saint, New York City; ensemble, Take Five (revue), New York City; ensemble, The Mad Show (revue), New York City and Los Angeles; ensemble, Four on the Floor (revue), Illinois and Florida; and in productions of Mame, The King and I, Do I Hear a Waltz?, Plain and Fancy, Flower Drum Song, The Student Prince, and Gigi. MAJOR TOURS—Pignol, Coco, U.S. cities, 1971. PRINCIPAL FILM APPEARANCES—Grace Munster, Munster Go Home, Universal, 1966; Gertrude, What's So Bad About Feeling Good?, Universal, 1968; also appeared in Dear Heart, Warner Brothers, 1964. PRINCIPAL TELEVISION APPEARANCES—Series: Mary Hammilmeyer, The Cara Williams Show, CBS, 1964-65; also Ellen Mason, The Guiding Light, CBS. Pilots: Mary Jones, The Jones Boys, CBS, 1967; Cloris, Making It, NBC, 1976; also Up Pompeii. Movies: Joan Hartlane, Mr. and Mrs. Bo Jo Jones, ABC, 1971. Specials: Mean stepmother, Cinderella, syndicated. RELATED CAREER—Nightclub performer; actress and voiceover artist for television commercials. RECORDINGS: ALBUMS—The Happy Time (original cast recording), RCA; also Demi-Dozen (original cast recording); Coco (original cast recording); Take Five (original cast recording). MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, American Guild of Variety Artists, Theatre East Workshop (Los Angeles).

JANE ASHER

19

ASHLEY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ASHLEY, Elizabeth (Elizabeth Cole)

Theatre, London, 1968; Alison, Look Back in Anger, Royal Court Theatre, then Criterion Theatre, both London, 1968; Celia, The Philanthropist, Royal Court Theatre, then May Fair Theatre, London, both 1970, later Ethel Barrymore Theatre, New York City, 1971; Sally, Old Flames, New Vic Studio, Bristol, U.K., 1975; Ann, Treats, Royal Court Theatre, then May Fair Theatre, both 1976; Charlotte, Strawberry Fields, National Theatre Company, Cottesloe Theatre, London, 1977; title role, Ophelia, Oxford Playhouse, 1977; Dr. Scott, Whose Life Is It Anyway?, Mermaid Theatre, then Savoy Theatre, both London, 1978; title role, Peter Pan, Shaftesbury Theatre, London, 1978; Ruth, Blithe Spirit, Vaudeville Theatre, London, 1986. Also appeared in Cleo, Great Expectations, The Happiest Days of Your Life, and Sixty Thousand Nights, all Bristol Old Vic Company, 1965; Fifty, Oxford Playhouse, 1973; To Those Born Later, National Theatre Company, Cottesloe Theatre, 1977; Before the Party, Apollo Theatre, London, 1980, then Queens Theatre, London, 1981; Henceforward, Vaudeville Theatre, 1988.

1939-

PERSONAL: Born Elizabeth Ann Cole, August 30, 1939, in Ocala, FL; daughter of Arthur Kingman and Lucille (Ayer) Cole; married James Farentino (an actor), September, 1962 (divorced); married George Peppard (an actor), 1966 (divorced); married James Michael McCarthy; children: Christian Moore (second marriage). EDUCATION—Attended Louisiana State University, 1957-58; trained for the stage at the Neighborhood Playhouse with Philip Burton; studied ballet with Tatiana Semenova. VOCATION: Actress and producer. CAREER: STAGE DEBUT—(As Elizabeth Cole) Esmeralda, Camino Real, Neighborhood Playhouse, New York City, 1959. OFF-BROADWAY DEBUT—(As Elizabeth Cole) Jessica, Dirty Hands, Actors' Playhouse, 1959. BROADWAY DEBUT—(As Elizabeth Cole) Jane Ashe, The Highest Tree, Longacre Theatre, 1959. PRINCIPAL STAGE APPEARANCES—(As Elizabeth Cole) Louise, Marcus in the High Grass, Westport Country Playhouse, Westport, CT, 1959; Elizabeth Brown (understudy), Roman Candle, Cort Theatre, New York City, 1960; title role (understudy), Mary, Mary, Helen Hayes Theatre, New York City, 1961; Mollie Michaelson, Take Her, She'sMine, Biltmore Theatre, New York City, 1961;CorieBratter, Barefoot in the Park, Biltmore Theatre, 1963; Maggie Train, Ring 'round the Bathtub, Martin Beck Theatre, New York City, 1972; Isabel, The Enchanted, Kennedy Center for the Performing Arts, Eisenhower Theatre, Washington, DC, 1973; Maggie, Cat on a Hot Tin Roof, American Shakespeare Festival, Stratford, CT, then American National Theatre and Academy Theatre, New York City, both 1974; Sabina, The Skin of Our Teeth, Kennedy Center for the Performing Arts, Eisenhower Theatre, then Mark Hellinger Theatre, New York City, both 1975; Betsey-No-Name, Legend, Ethel Barrymore Theatre, New York City, 1976; as herself, George Abbott... A Celebration, Shubert Theatre, New York City, 1976; Cleopatra, Caesar and Cleopatra, Kennedy Center for the Performing Arts, 1976, then Palace Theatre, New York City, 1977; Jennifer Crawford, Hide and Seek, Belasco Theatre, New York City, 1980; Dr. Martha Livingstone, Agnes of God, Music Box Theatre, New York City, 1982; Lois, The Perfect Party, Kennedy Center for the Performing Arts, Eisenhower Theatre, 1986; Laura Goforth, The Milk Train Doesn't Stop Here Any More, WPA Theatre, New York City, 1987; as herself, Happy Birthday, Mr. Abbott!, Palace Theatre, 1987; Isadora Duncan, When She Danced, Playwrights Horizons, New York City, 1990. Also appeared at the Green Mansions Theatre, Warrensbury, NY, 1960; as Mary, Vanities, Chicago, IL, 1977; in Carnival of Dreams, New Dramatists Inc., New York City, \911;The Madwoman of Central Park South, New York City.

PRINCIPAL STAGE WORK—Producer, Before the Party, Queens Theatre, London, 1981. MAJOR TOURS—Wendy, Peter Pan, U.K. cities, 1972; title role, Ophelia, U.K. cities, 1977. FILM DEBUT—Nina, Crash of Silence (also known as Mandy), General Film Distributors, 1952. PRINCIPAL FILM APPEARANCES— Hester Grey, Loss of Innocence (also known as The Greengage Summer), Columbia, 1961; Francesca, The Masque of the Red Death, American International, 1964; Lindy Birkett, The Model Murder Case (also known as Girl in the Headlines), Cinema V, 1964; Annie, Alfie, Paramount, 1966; Perdita, The Winter s Tale, Warner Brothers, 1968; Susan, Deep End, Paramount, 1970; Margaret, The Buttercup Chain, Columbia, 1971; Jane Seymour, Henry VIII and His Six Wives, Metro-Goldwyn-Mayer/EMI, 1972; Helen, Runners, Hanstall, 1983; bank manager, Success Is the Best Revenge, Gaumont, 1984; Mrs. Liddell, Dreamchild, Universal, 1985; Pauline, Paris By Night, Cineplex Odeon, 1989. Also appeared in Adventure in the Hopfields, Associated British, 1954. PRINCIPAL TELEVISION APPEARANCES—Series: Wish Me Luck, ITV, 1987-90. Mini-Series: Celia Ryder, Brideshead Revisited, Granada, then PBS, 1982. Episodic: Tales of the Unexpected, syndicated. Also appeared in Bright Smiles, Granada; The Mill on the Floss, The Mistress, A Voyage 'round My Father, EastLynne, and Love Is Old, Love Is New. RELATED CAREER—Company member, Bristol Old Vic Company, Bristol, U.K.; company member, National Theatre Company, London.

MAJOR TOURS—Dr. Martha Livingstone, Agnes of God, U.S. cities, 1983-84; Hannah Mae Bindler, A Coupla White Chicks Sitting Around Talking, U.S. cities, 1985-86.

NON-RELATED CAREER—Trustee, Worldwide Fund for Nature; trustee, Child Accident Prevention Trust. WRITINGS: Jane Ashefs Party Cakes, Pelham, 1982; Jane Asher's Fancy Dress, Pelham, 1983; Silent Night for You and Your Baby, Pelham, 1984.

FILM DEBUT—Monica Winthrop, The Carpetbaggers, Paramount, 1964. PRINCIPAL FILM APPEARANCES—Jenny, Ship of Fools, Columbia, 1965; Alexandria Mallory, The Third Day, Warner Brothers, 1965; Nan, The Marriage of a Young Stockbroker, Twentieth Century-Fox, 1971; Loretta, Paperback Hero, Rumson, 1973; Felicity, Golden Needles (also known as Chase for the Golden Needles), American International, 1974; Cora Brown, Rancho Deluxe, United Artists, 1975; Jeannie Carter, 92 in the Shade, United Artists, 1975; Nancy Sue, The Great Scout and Cathouse Thursday (also known as Wildcat), American Interna-

MEMBER: British Academy of Film and Television Arts, Royal Academy of Dramatic Arts (associate member). SIDELIGHTS: RECREATIONS—Music and cooking. ADDRESSES: AGENT—Chatto and Linnit Ltd., Prince of Wales Theatre, Coventry Street, London W1V 7FE, England. 20

HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH ATTENBOROUGH, Richard

tional, 1976; Mrs. Emerson, Coma, United Artists, 1978; Andrea Classen, Windows, United Artists, 1980; Sophia Thatcher, Paternity, Paramount, 1981; Diana, Split Image, Orion, 1982; Police Commissioner Jane Kirkpatrick, Dragnet, Universal, 1987; Dr. Dorothy Glaser, Vampire's Kiss, Hemdale, 1988. Also appeared in Lookiri to Get Out, Paramount, 1982; Dangerous Curves, Vestron, 1988.

1923-

PERSONAL: Full name, Richard Samuel Attenborough; born August 29, 1923, in Cambridge, England; son of Frederick L. and Mary (Clegg) Attenborough; married Sheila Beryl Grant Sim (an actress), 1945; children: one son, two daughters. EDUCATION— Studied acting at the Royal Academy of Dramatic Art, 1941. MILITARY—Royal Air Force, Film Unit, 1943. VOCATION: Actor, producer, and director.

TELEVISION DEBUT—"Heaven Can Wait," Dupont Show of the Month, CBS, 1960. PRINCIPAL TELEVISION APPEARANCES— Mini-Series: Kate, Sandburg s Lincoln, NBC, 1974-76. Pilots: Sallie Baker, The Magician, NBC, 1973; Elizabeth Corban, One of My Wives Is Missing, ABC, 1976; Joann Hammil, Tom andJoann, CBS, 1978. Episodic: Mrs. Zal, Cagney and Lacey, CBS, 1985; Linda Colby, Miami Vice, NBC, 1987; Eleanor, Eisenhower and Lutz, CBS, 1988; Vera, Murder, She Wrote, CBS, 1989; Althea Campbell, B.L. Stryker, ABC, 1989; also Run for Your Life, NBC, 1966; Ghost Story, NBC, 1972; The Defenders, CBS; The U.S. Steel Hour, CBS; The Nurses, CBS; Ben Casey, ABC; Stoney Burke, ABC; Sam Benedict, CBS;TheEd$ullivanShow, CBS;The Jack Paar Show, NBC; Mike Wallace's PM East, WNEW (New York City); Route 66, CBS. Movies: Sally Dillman, The Face of Fear, CBS, 1971; Marian, Harpy, CBS, 1971; Diane Craddock, The Heist, ABC, 1972; Ellie Smith, Second Chance, ABC, 1972; Helen Connelly, When Michael Calls, ABC, 1972; Laurel Plunkett, Your Money or Your Wife, CBS, 1972; Erica Tate, The War Between the Tales, NBC, 1977; Sharon Allan, A Fire in the Sky, NBC, 1978; Eve Swiss, Svengali, CBS, 1983; Freddie Fox, He's Fired, She's Hired, CBS, 1984; Dallas, Stagecoach, CBS, 1986; Blanche Webster, Warm Hearts, Cold Feet, CBS, 1987; Babette Van Degan, The Two Mrs. Grenvilles, NBC, 1987; Lolly Fontenot, Blue Bayou, NBC, 1990. Specials: Sally Devlin, "The File on Devlin," Hallmark Hall of Fame, NBC, 1969; Broadway Plays Washington! Kennedy Center Tonight, PBS, 1982; Blondes vs. Brunettes, ABC, 1984; Annie, "The Rope," American Playwrights Theatre, Arts and Entertainment, 1989.

CAREER: STAGE DEBUT—Richard Miller, Ah! Wilderness, Intimate Theatre, London, 1941. PRINCIPAL STAGE APPEARANCES— Sebastian, Twelfth Night, Ralph Berger, Awake and Sing, and Ba, The Holy Isle, all Arts Theatre, London, 1942; Andrew, London Wl, Q Theatre, London, 1942; Leo Hubbard, The Little Foxes, Piccadilly Theatre, London, 1942; Pinkie Brown, Brighton Rock, Garrick Theatre, London, 1943; Coney, The Way Back, Westminster Theatre, London, 1949; Valentine Crisp, Sweet Madness, Vaudeville Theatre, London, 1952; Detective Trotter, The Mousetrap, Ambassadors' Theatre, London, 1952; David and Julian Fanshaw, Double Image, Savoy Theatre, London, 1956; also Toni Rigi, To Dorothy, a Son, 1950; Theseus, The Rape of the Belt, 1957. FILM DEBUT—Young stoker, In Which We Serve, British Lion, 1942. PRINCIPAL FILM APPEARANCES—Tommy Draper, The Hundred Pound Window, Warner Brothers/First National, 1943; railway worker, Schweik's New Adventures (also known as It Started at Midnight), Coronet, 1943; English pilot, Stairway to Heaven (also known as A Matter of Life and Death), Universal, 1946; David Wilton, Journey Together, English Films Inc., 1946; Jack Arnold, School for Secrets (also known as Secret Flight), General Film Distributors, 1946; Pinkie Brown, Brighton Rock (also known as Young Scarf ace), Associated British, 1947; Ted Peters, Dancing with Crime, Paramount, 1947; Percy Boon, Dulcimer Street (also known as London Belongs to Me), General Film Distributors, 1948; Francis Andrews, The Smugglers (also known as The Man Within), Eagle-Lion, 1948; Jackie Knowles, Boys in Brown, General Film Distributors, 1949; Jack Read, The Outsider (also known as The Guinea Pig), Variety, 1949.

PRINCIPAL TELEVISION WORK—Specials: Associate producer, "Cat on a Hot Tin Roof," American Playhouse, PBS, 1984.

Jan, The Lost People, General Film Distributors, 1950; Pierre Bonnet, Hell Is Sold Out, Eros, 1951; Stoker Snipe, Operation Disaster (also known as Morning Departure), Universal, 1951; Dougall, Father's Doing Fine, Associated British, 1952; Dripper Daniels, The Gift Horse (also known as Glory at Sea), Independent Film Distributors, 1952; Jack Carter, The Magic Box, British Lion, 1954; Tom Manning, Eight O'Clock Walk, British Lion, 1954; Private Cox, Private's Progress, British Lion, 1956; George Hoskins, The Ship That Died of Shame (also known as P.T. Raiders), Continental/General Film Distributors, 1956; Knocker White, The Baby and the Battleship, British Lion, 1957; Henry Marshall, Brothers in Law, BC, 1957; Holden, Dunkirk, Metro-GoldwynMayer (MGM), 1958; Sidney de Vere Cox, I'm All Right, Jack, British Lion, 1959; Stephen Leigh, Strange Affection (also known as The Scamp), Brenner, 1959; Peter Watson, The Man Upstairs, British Lion, 1959.

RELATED CAREER—Member, National Council of the Performing Arts, 1965-69; trustee, American Film Institute, 1968-72; professional model.

WRITINGS: (With Ross Firestone) Postcards from the Road (autobiography), M. Evans & Company, 1978.

AWARDS: Antoinette Perry Award, Best Supporting or Featured Actress in a Musical, Theatre World Award, and Southern Woman's Achievement Award, all 1962, for Take Her, She's Mine.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists.

Tom Curtis, The Angry Silence, British Lion, 1960; Captain Bunter Phillips, Breakout (also known as Danger Within), Continental, 1960; Whitey, S.O.S. Pacific, Universal, 1960; Rod Hamilton, All Night Long, Rank, 1961; Ernest Tilley, Jet Storm (also known as Killing Urge and Jetstream), Britannia/British Lion, 1961; Edward

ADDRESSES: OFFICE—31 Union Square W., Suite 10-E, New York City, NY 10037. MANAGER—Raymond Katz Enterprises, 9255 Sunset Boulevard, Suite 1115, Los Angeles, CA 90069.* 21

ATTENBOROUGH

CONTEMPORARY

Lexy, The League of Gentlemen, Kingsley, 1961; Trooper Brody, Desert Patrol (also known as Sea of Sand), Universal, 1962; Gareth Probert, Only Two Can Play, Kingsley/Columbia, 1962; various roles, Trial and Error (also known as The Dock Brief), MGM, 1962; Roger "Big X" Bartlett, The Great Escape, United Artists, 1963; Regimental Sergeant Major Lauderdale, Guns at Batasi, Twentieth Century-Fox, 1964; Billy Savage, Seance on a Wet Afternoon, Artixo, 1964; Alfred Price-Gorham, The Third Secret, Twentieth Century-Fox, 1964; Lew Moran, The Flight of the Phoenix, Twentieth Century-Fox, 1965; Frenchy Burgoyne, The Sand Pebbles, Twentieth Century-Fox, 1966; Albert Blossom, Doctor Dolittle, Twentieth Century-Fox, 1967; Robert Blossom, The Bliss of Mrs. Blossom, Paramount, 1968; Silas, Only When I Larf, Paramount, 1968.

THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM WORK—Producer (with Bryan Forbes), The Angry Silence, British Lion, 1960; producer, Whistle Down the Wind, Pathe-America, 1961; producer (with James Woolf), The LShaped Room, Davis/Royal/Columbia, 1962; producer (with Forbes), Seance on a Wet Afternoon, Artixo, 1964; producer (with Brian Duffy) and director, Oh! What a Lovely War, Paramount, 1969; producer and director, Young Winston, Columbia, 1972; director, A Bridge Too Far, United Artists, 1977; director, Magic, Twentieth Century-Fox, 1978; producer and director, Gandhi, Columbia, 1982; director, A Chorus Line, Columbia, 1985; producer (with Norman Spencer and John Briley) and director, Cry Freedom, Universal, 1987. PRINCIPAL TELEVISION APPEARANCES—Specials: Mr. Tungay, David Copperfield, NBC, 1970; Clue: Movies, Murder, and Mystery, CBS, 1986; Freedomfest: Nelson Mandela's 70th Birthday Celebration, syndicated, 1988.

Mr. Tungay, David Copper field, Twentieth Century-Fox, 1970; General Charles Whiteley, The Last Grenade, Cinerama, 1970; Oxford coach, The Magic Christian, Commonwealth, 1970; Inspector Truscott, Loot, Cinevision, 1971; Palmer Anderson, A Severed Head, Columbia, 1971; John Reginald Halliday Christie, 10 Rillington Place, Columbia, 1971; Commander Swann, Brannigan, United Artists, 1975; Major Lionel Roach, Conduct Unbecoming, Allied Artists, 1975; Judge Cannon, Ten Little Indians (also known as And Then There Were None), AVCO-Embassy, 1975; Sloat, Rosebud, United Artists, 1975; General Outram, The Chess Players (also known as Shatranj ke khilari), Creative Films, 1978; Colonel John Daintry, The Human Factor, Metro-Goldwyn-Mayer/United Artists, 1979; narrator, Mother Teresa, Petrie/Productions du Daummou/CS Associates, 1985. Also narrator, A Boy's Day, 1964; narrator, Don t Make Me Laugh, 1969; narrator, Cup Glory, 1972; The Village (also known as // viaggio), 1974; Death in Persepolis, 1974.

RELATED CAREER—Founder (with Bryan Forbes), Beaver Films (a production company), 1959; founder, Allied Film Makers (a production company), 1960; member, Cinematograph Films Council (1967-73); chairman, Royal Academy of Dramatic Art, 1970; governor, National Film School, 1970—; member, Arts Council of Great Britain (1970-72); chairman, Capital Radio, 1973—; deputy chairman, Channel Four Television, 1980—; chairman, Goldcrest Films, 1981-85, renamed Goldcrest Films and Television, 1985—; chairman, Sussex University Arts Center Board. NON-RELATED CAREER—Pro-chancellor, Sussex University, 1970—; trustee, Tate Gallery, London, 1976—; president, Muscular Dystrophy Group of Great Britain. WRITINGS: In Search of Gandhi (non-fiction), New Century Publications, 1983. AWARDS: Best Actor Awards from the Variety Club of Great Britain, 1959 and 1965; Best Actor Awards from the San Sebastian Film Festival, 1961 and 1964; British Academy of Film and Television Arts Award, Best British Actor, 1964, for Guns at Batasi and Seance on a Wet Afternoon; Golden Globe, Best Supporting Actor, 1967, for The Sand Pebbles; Commander, Order of the British Empire, 1967; Cinematograph Exhibitors Association Award, 1967, for Distinguished Service to British Cinema; Golden Globe, Best Supporting Actor, 1968, for Doctor Dolittle; Golden Globe, Best English Language Foreign Film, 1970, for Oh! What a Lovely War; knighted in the New Year Honours, 1976; United Nations Award, 1977; Academy Awards, Best Picture and Best Director, British Academy of Film and Television Arts Awards, Best Picture and Best Director, Directors Guild of America Award, Outstanding Directorial Achievement for Feature Films, all 1982, and Golden Globes, Best Foreign Film and Best Director, 1983, all for Gandhi; British Academy of Film and Television Arts Award, Film Fellowship, 1983; Martin Luther King, Jr. Non-Violent Peace Prize, 1983; Golden Globe nomination and British Academy of Film and Television Arts Award nomination, both Best Director, 1988, for Cry Freedom; Bancroft Medal from the Royal Academy of Dramatic Art. HONORARY DEGREES—University of Leicester, D. Litt., 1970; University of Newcastle, D.C.L., 1974. MEMBER: British Actors' Equity Association (council member, 1949-73), British Film Institute (governor and chairman, 1982—), British Academy of Film and Television Arts (vice-president, 1971—), Actors' Charitable Trust (chairman), Garrick Club, Beefstake Club, Green Room Club.

RICHARD ATTENBOROUGH

22

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 AUBERJONOIS

Center Repertory Company, Vivian Beaumont Theatre, New York City, 1968; Sebastian Baye, Coco, Mark Hellinger Theatre, New York City, 1969; Malvolio, Twelfth Night, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, 1972; Scapin, Tricks, Alvin Theatre, New York City, 1973; Edgar, King Lear, New York Shakespeare Festival, Delacorte Theatre, New York City, 1973; various roles, The Good Doctor, Eugene O'Neill Theatre, New York City, 1973; Jack, The Ruling Class, American Conservatory Theatre, 1975; John Karslake, The New York Idea and Solynony, The Three Sisters, both Brooklyn Academy of Music, Brooklyn, NY, 1977; Sandor Turai, The Play s the Thing and Brutus, Julius Caesar, both Brooklyn Academy of Music, 1978; Johann Schiml, Break a Leg, Palace Theatre, New York City, 1979; Ivanov, Every Good Boy Deserves Favour, Metropolitan Opera House, New York City, then Kennedy Center for the Performing Arts, Washington, DC, 1979.

SIDELIGHTS: RECREATIONS—Listening to music and collecting paintings. ADDRESSES: AGENT—Martin Baum, Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.

AUBERJONOIS, Rene

1940-

PERSONAL: Full name, Rene Murat Auberjonois; born June 1, 1940, in New York, NY; son of Fernand (a journalist) and Laura (Murat) Auberjonois; married Judith Helen Mihalyi, October 19, 1963; children: Tessa Louise, Remy-Luc. EDUCATION—Carnegie-Mellon University, B.F.A., 1962.

Malvolio, Twelfth Night and Konstantin Sergeivich Stanislavski, Chekhov in Yalta, both Center Theatre Group, Mark Taper Forum, Los Angeles, 1981; Duke of Gloucester, Richard 111 and Kolya, A Month in the Country, both Center Theatre Group, Mark Taper Forum, 1982; Alan Squier, The Petrified Forest, Los Angeles Theatre Center, Los Angeles, 1985; the Duke, Big River, Eugene O'Neill Theatre, New York City, 1985; Mr. Samsa, Metamorphosis, Ethel Barrymore Theatre, New York City, 1989; Buddy Fidler/ Irwin S. Irving, City of Angels, Virginia Theatre, New York City, 1989. Also appeared in Chemin de Fer, Mark Taper Forum, 1969; as Alceste, The Misanthrope, and in A Flea in Her Ear and Twelfth Night, all Mark Taper Forum.

VOCATION: Actor. CAREER: STAGE DEBUT—Arena Stage, Washington, DC. OFFBROADWAY DEBUT—Fool, King Lear, Lincoln Center Repertory Company, Vivian Beaumont Theatre, 1968. BROADWAY DEBUT—Marco, Fire!, Longacre Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Witch boy, Dark of the Moon, Leslie, The Hostage, and Edmund, Long Day's Journey into Night, all Arena Stage, Washington, DC, 1962-64; title role, Tartuffe, title role, King Lear, Fancourt Babberley, Charley's Aunt, and ensemble, Beyond the Fringe (revue), all American Conservatory Theatre, San Francisco, CA, 1965-67; Ned, A Cry of Players, Lincoln

PRINCIPAL STAGE WORK—Director, Beyond the Fringe. FILM DEBUT—Howie, Lilith, Columbia, 1964. PRINCIPAL FILM APPEARANCES—Salesman, Petulia, Warner Brothers, 1968; Dago Red, M*A*S*//, Twentieth Century-Fox, 1970; lecturer, Brewster McCloud, Metro-Goldwyn-Mayer, 1970; Sheehan, McCabe and Mrs. Miller, Warner Brothers, 1971; Hugh, Images, Columbia, 1972; Jimmy Twitchell, Pete 'n' Tillie, Universal, 1972; Major Napier, The Hindenburg, Universal, 1975; Father Kudos, The Big Bus, Paramount, 1976; Bagley, King Kong, Paramount, 1976; Donald Phelps, The Eyes of Laura Mars, Columbia, 1978; Harris, Where the Buffalo Roam, Universal, 1980; voice of the Speaking Skull, The Last Unicorn (animated), ITC, 1982; Principal Horner, 3:15, The Moment of Truth (also known as 3:15), Dakota Entertainment, 1986; Major Siegfried Henningson, Walker, Universal/Northern Distribution Partners, 1987; Modoc, My Best Friend Is a Vampire, Kings Road, 1988; Tony Stark, Police Academy 5: Assignment Miami Beach, Warner Brothers, 1988; voice of Louis, The Little Mermaid (animated), Buena Vista, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Clayton Endicott III, Benson, ABC, 1980-86; voice characterization, The ScoobyDoo and Scrappy-Doo Show (animated), ABC, 1980-82. MiniSeries: Dr. Eugene Lyons, The Rhinemann Exchange, NBC, 1977. Pilots: Andre Stryker, Once Upon a Dead Man, NBC, 1971; title role, Panache, ABC, 1976; news editor, The TV TV Show, NBC, 1977; Captain Sir David Edney, The Wild Wild West Revisited, CBS, 1979; Captain Sir David Edney, More Wild Wild West, CBS, 1980; Dr. Carl Jerrett, Scalpels, NBC, 1980. Episodic: Edgar, "King Lear," Theatre in America, PBS, 1974; voice characterization, Scooby's Mystery Funhouse (animated), ABC, 1985; voice characterization, The Jetsons (animated), syndicated, 1985; voice characterization, Challenge of the GoBots (animated), syndicated, 1985; voice characterization, Superpowers Team: Galactic Guardi-

RENE AUBERJONOIS

23

AUDRAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 AUDRAN, Stephane

ans (animated), ABC, 1985; Alvanor, Wildfire (animated), CBS, 1986; voice characterization, The New Adventures ofJonny Quest (animated), syndicated, 1987; voice characterization, The New Adventures of the Snorks (animated), syndicated, 1987; Harry Papazian, Murder, She Wrote, CBS, 1987; Captain Thorn, Murder, She Wrote, CBS, 1988; Mr. Richardson, L.A. Law, NBC, 1988; voice characterization, Fantastic Max (animated), syndicated, 1988; also "Camera Obscura," Night Gallery, NBC, 1971; The Bob NewhartShow, CBS, 1915; Man from Atlantis, NBC, 197T, Life's Most Embarrassing Moments, NBC, 1985; The Mod Squad, ABC; McMillan and Wife, NBC; Love, American Style, ABC; Rhoda, CBS; "The Frog Prince" and "Sleeping Beauty," Faerie Tale Theatre, Showtime.

1932-

PERSONAL: Born Colette Suzanne Jeannine Dacheville, November 8, 1932, in Versailles, France; daughter of Corneille and Jeanne (Rossi) Dacheville; married Jean-Louis Trintignant (an actor; marriage ended); married Claude Chabrol (a director and writer), December 4, 1964; children: Thomas (second marriage). EDUCATION—Attended Lycee Lamartine, Paris; studied acting with Charles Dullin, Tania Balachova, Michel Vitold, and Rene Simon. VOCATION: Actress. CAREER: STAGE DEBUT—La Maison carree, Theatre Noctambules, 1955.

Movies: Halden Brevik, The Birdmen (also known as Escape of the Birdmen), ABC, 1971; Sidney Krebs, Shirts/Skins, ABC, 1973; Jack Stump, The Dark Secret of Harvest Home, NBC, 1978; Howard, The Kid from Nowhere, NBC, 1982; Sumner, The Christmas Star, ABC, 1986; Ned, A Smoky Mountain Christmas, ABC, 1986; Governor Lew Wallace, Longarm, ABC, 1988; drunk, Gore Vidal's ' 'Billy the Kid,'' TNT, 1989; Merlin, A Connecticut Yankee in King Arthur's Court, NBC, 1989. Specials: King Louis XVI, The Lives of Ben Franklin: The Ambassador, CBS, 1974; Ichabod Crane, "Once Upon a Midnight Dreary," CBS Library, CBS, 1979; The Screen Actors Guild 50th Anniversary Celebration, CBS, 1984; "Death at Dinner," TheBooth, PBS, 1985; Emmanuel Lewis: My Very Own Show, ABC, 1987.

FILM DEBUT—La Bonne Tisane, 1957. PRINCIPAL FILM APPEARANCES—Ginette, Les Bonnes Femmes, Rome-Paris Films, 1960, released in the United States by Harold Cornsweet, 1966; Helene Hartmann, L'Oeil du malin (also known as The Third Lover), Rome-Paris Films, 1962, released in the United States by Atlantic, 1963; Fernande Segret, Landru (also known as Bluebeard), RomeParis Films, 1963, released in the United States by Embassy, 1963; the Wife, "La Muette" in Paris vu par . . . (also known as Six in Paris), Les Films du Losange, 1965, released in the United States by New Yorker, 1968; Jacqueline/Lydia, Le Scandale (also known as The Champagne Murders), Universal France, 1967, released in the United States by Universal, 1968; Frederique, Les Biches (also known as The Heterosexuals, The Does, and The Girlfriends), Films la Boetie/Alexandra, 1968, released in the United States by Jack H. Harris, 1968; Helene Desvallees, La Femme infidele (also known as The Unfaithful Wife), Films la Boetie/Cinegai, 1969, released in the United States by Allied Artists, 1969.

PRINCIPAL TELEVISION WORK—Episodic: Director, Marblehead Manor, syndicated. PRINCIPAL RADIO WORK—Specials: Director, Oh, Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feeling So Sad.

Helene, La Rupture (also known as Le Jour des parques and The Breakup), Films la Boetie/Euro International/Cinevog, 1970; Anita Caldwell, La Dame dans I'auto avec des lunettes et un fusil (also known as The Lady in the Car with Glasses and a Gun), Columbia, 1970; Helene, Le Boucher (also known as The Butcher), Films la Boetie/Euro International, 1970, released in the United States by Cinerama, 1971; the Wife, Aussi loin que Vamour (also known as As Far As Love Can Go), Columbia, 1971; Helen, Juste avant la nuit (also known as Just Before Nightfall), Films la Boetie/ Columbia/Cinegai, 1971, released in the United States by Libra, 1975; Madame Alice Senechal, Le Charme discret de la bourgeoisie (also known as The Discreet Charm of the Bourgeoisie), Twentieth Century-Fox, 1972; Marie-Anne, Un meurtre est un meurtre (also known as A Murder Is a Murder), Planfilm, 1972; Helene Vallee, Sans mobile apparent (also known as Without Apparent Motive), President/Cineteleuro, released in the United States by Twentieth Century-Fox, 1972; Lucienne, Les Noces rouges (also known as Wedding in Blood and Red Wedding Night), Films la Boetie/Canaria Films, 1973, released in the United States by CIC, 1974; Catherine, Vincent, Francois, Paul. . . et les autres (also known as Vincent, Francois, Paul, and the Others), Gaumont, 1974; Cecile, Comment reussir dans la vie quand on est con et pleurnichard (also known as How to Make Good When One Is a Jerk and a Crybaby), Gaumont, 1974; Claire, Le Cri du couer (also known as Cry of the Heart), Films la Boetie/CIC, 1974.

RELATED CAREER—Company member, New Theatre for Now, Center Theatre Group, Mark Taper Forum, Los Angeles, CA, 1969-70; board of directors, California Theatre Council, 1984—; theatre panelist, National Endowment for the Arts, 1988—; founding member, American Conservatory Theatre, San Francisco, CA; founding member, Mark Taper Forum, Los Angeles; founding member, Classic Theatre Works, Los Angeles; acting teacher, University of California at Berkeley, San Francisco State University, and Juilliard School of Music and Drama. AWARDS: Antoinette Perry Award, Best Supporting or Featured Actor in a Musical, 1970, for Coco; Antoinette Perry Award nomination, Best Supporting or Featured Actor in a Drama, 1974, for The Good Doctor; Antoinette Perry Award nomination, Best Featured Actor in a Musical, 1985, for Big River; also Emmy Award nomination for Benson. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Drawing and yoga. FAVORITE ROLES—Tartuffe and Jack in The Ruling Class.

Anna Kemidon, The Black Bird, Columbia, 1975; Ilona Bergen, Ten Little Indians (also known as And Then There Were None), AVCO-Embassy, 1975; the Wife, Folies bourgeoises (also known as Twist), Parafrance/Union Generale Cinematographique, 1976; Anne, Contessa DiSanctis, Des Teufels Advokat (also known as The Devil's Advocate), Rank, 1977; Christiane, Mort d'un pourri (also

ADDRESSES: OFFICE—124 W. 79th Street, New York, NY 10024. AGENT—Strain and Jennett, 1500 Broadway, Suite 2001, New York, NY 10036.

24

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 AULISI

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Cara, BridesheadRevisited, Granada, then PBS, 1982; Paula, Mistral's Daughter, CBS, 1984; also Orient Express, French television, 1979. Movies: Georgette, Ernest Hemingway's "The Sun Also Rises," NBC, 1984; Gigi, The Blood of Others, HBO, 1984; Pauline Rocher, Poor Little Rich Girl: The Barbara Hutton Story, NBC, 1987; also Champagne Charlie, syndicated, 1989.

known as Death of a Corrupt Man), Adel Productions/CIC/World Northal, 1977; Mrs. Lowrey, Les Liens de sang (also known as Blood Relatives and Blood Ties), Societe Nouvelle de Cinema, 1978; Shireen Firdausi, Silver Bears, Columbia, 1978; Germaine Noziere, Violette Noziere (also known as Violette), Gaumont/New Yorker, 1978; the Widow, Eagle's Wing, Rank, 1979; Genevieve, Le Soleil en face (also known as Face to the Sun), Union General Cinematographique, 1979; Helene Dupre-Granval, Le Gagnant, World Marketing, 1979.

AWARDS: Best Actress Award from the Berlin Film Festival, 1968, for Les Biches; British Academy of Film and Television Arts Award, Best Actress, 1973, for The Discreet Charm of the Bourgeoisie; British Academy of Film and Television Award, Best Actress, 1975, for Just Before Nightfall; Cesar Award, Best Actress, 1978, for Violette Noziere.

Jeanne, Le Coeur a I'envers (also known as My Heart Is UpsideDown), Societe Nouvelle Prodis, 1980; Walloon, The Big Red One, United Artists, 1980; Huguette Cordier, Coup de torchon (also known as Clean Slate), Parafrance, 1981; Edith, Paradise pour tous (also known as Paradise for All), Films A2/Parafrance, 1982; Madame Falques, Le Choc (also known as The Shock), Union Generale Cinematographique, 1982; Minon Palazzi, La Scarlatine (also known as Scarlet Fever), Union Generale Cinematographique/ CAPAC/Europe I/Films A2, 1983, released in the United States by CAP AC, 1985; Blanche, Bay Boy, Orion, 1984; Isabelle's mother, Les Voleurs de la nuit (also known as Thieves After Dark), Parafrance, 1984; Matrimonia, La Cage auxfollqs III:' 'Elles'' se marient (also known as La Cage auxFolles III: The Wedding,), Warner Brothers/ Columbia/Tri-Star, 1985; Madame Boucher, Les Plouffe, International Cinema, 1985; Madame Cuno, Poulet au vinaigre (also known as Cop au vin), MK2/Virgin Vision, 1985; Janice, La Nuit magique (also known as Night Magic) RSL/Spectrafilm, 1985; Brigitte, La Gitane, AMLF/Pathe Cinema, 1986; Babette Hersant, Babette's gastebud (also known as Babette's Feast), Walter Manley, 1987; Bernadette, Les Saisons du plaisir (also known as The Seasons of Pleasure), Bac Film/Films du Volcan, 1987; Edna Chabert, Corps z'a corps (also known as Body to Body and Corps a corps), Exportation Francaise Cinematographique, 1987; Sister Ananda, Manika (also Une vie plus tard, Manika: The Girl Who Lived Twice, Manika Manika, and Une Passerelle sur le Gange), Films du Scorpio/Twentieth Century-Fox/Manley, 1988; Florence, Sons, Pacific, 1989; Madame Villegran, La Messe en si mineur (also known as Mass in C Minor), FCF, 1990.

ADDRESSES: OFFICE—95 bis rue de Chezy, 92200 Neuilly-surSeine, France.*

AULISI, Joseph G. PERSONAL: Full name, Joseph Garibaldi Aulisi; married Marsha L. Eck (a scenic designer). VOCATION: Costume designer. CAREER: PRINCIPAL STAGE APPEARANCES—Townsperson, The Devils, Broadway Theatre, New York City, 1965. PRINCIPAL STAGE WORK—Costume designer: The Ox Cart (also known as La Carreta), Greenwich Mews Theatre, New York City, 1966; The WickedCooks, Orpheum Theatre, New York City, 1967; The Man in the Glass Booth, Royale Theatre, New York City, 1968; Saturday Night, Sheridan Square Playhouse, New York City, 1968; Seven Days of Mourning, Circle in the Square, New York City, 1969; The Transgressor Rides Again, Martinique Theatre, New York City, 1969; Someone's Comin' Hungry, Pocket Theatre, New York City, 1969; "The Son Who Hunted Tigers in Jakarta," "Sunstroke," and "The Burial of Esposito," in Passing Through from Exotic Places, Sheridan Square Playhouse, 1969; Pequod, Mercury Theatre, New York City, 1969; The American Hamburger League, New Theatre, New York City, 1969.

Also appeared in Modigliani of Montparnasse (also known as Montparnasse 19, Montparnasse, and The Lovers of Montparnasse), Franco-London Films/Astra/Pallavicini, 1957, released in the United States by Continental Distributing, 1961; Les Cousins (also known as The Cousins), Ajym Films/Societe Francaise du Cinema, 1958, released in the United States by Films-Around-the-World, 1959; Le Signe du lion, 1959; Saint-Tropez blues, 1960; provided voice dubbing for Presentation ou Charlotte et son steak, 1961; Les Godelureaux, 1961; Le Tigre aime la chair fraiche (also known as The Tiger Likes Fresh Blood), 1964; Les Durs a cuire, 1964; MarieChantal contre le Docteur Kha (also known as Marie Chantal against Dr. Kha), Rome-Paris Films/Dia/Mega and Magreb Unifilm, 1965; La Ligne de demarcation (also known as The Line of Demarcation), Rome-Paris Films/Societe Nouvelle de Cinema, 1965; La Peau de torpedo, 1969; Dead Pigeon on Beethoven Street, Bavaria Atelier Gesellschaft, 1972; Hay que malar a B. (also known as B. Must Die), 1973; Chi dice donna dice . . . donna, 1975; E la donna crea Vamour, 1976; The Prisoner of Zenda, Universal, 1979; Boulevard des assassins, 1982; Mortelle Randonnee (also known as Deadly Circuit), GEF/CCFC/Ofer Omnifilms, 1982; Suivez mon regard (also known as Follow My Gaze), Union Generale Cinematographique, 1985; LI sola (also known as The Island), Sacis, 1986; Les Predateurs de la nuit (also known as Faceless, Angel of Death, Commando Mengele, and L'Ange de la mort), New World/World Marketing, 1987.

Nobody Hears a Broken Drum, Fortune Theatre, New York City, 1970; One Night Stands of a Noisy Passenger, Actors' Playhouse, New York City, 1970; A Dream Out of Time, Promenade Theatre, New York City, 1970; Happy Birthday, Wanda June and Whispers on the Wind, both Theatre De Lys, New York City, 1970; Steambath, Truck and Warehouse Theatre, New York City, 1970; The Birthday Party, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1971; The Shrinking Bride, Mercury Theatre, 1971; F. Jasmine Addams and The Last Analysis, both Circle in the Square, 1971; Inner City, Ethel Barrymore Theatre, New York City, 1971; The Real Inspector Hound and After Magritte (double-bill), Theatre Four, New York City, 1972; All the Girls Came Out to Play, Cort Theatre, New York City, 1972; Tough to Get Help, Royale Theatre, \912;Ring 'round the Bathtub, Martin Beck Theatre, New York City, 1972; An Evening with Richard Nixon and. . ., Shubert Theatre, New York City, 1972; The Kid, American Place Theatre, New York City, 1972; The Trials ofOz, Anderson Theatre, New York City, 1972; The Enemy Is Dead, Bijou Theatre, New York

25

AUTEUIL

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 AUTEUIL, Daniel

City, 1973; Rachael Lily Rosenbloom and Don't You Forget It!, Broadhurst Theatre, New York City, 1973; Brainchild, Forrest Theatre, Philadelphia, PA, 1974; Thieves, Broadhurst Theatre, 1974; God's Favorite, Eugene O'Neill Theatre, New York City, 1974.

1950-

PERSONAL: Born January 24, 1950, in Algeria.

VOCATION: Actor.

Murder Among Friends, Biltmore Theatre, New York City, 1975; Rockabye Hamlet, Minskoff Theatre, New York City, 1976; UnexpectedGuests, Little Theatre, New York City, 1977; The November People, Billy Rose Theatre, New York City, 1978; Marilyn: An American Fable, Minskoff Theatre, 1983; Precious Sons, Longacre Theatre, New York City, 1986; The Architect and the Emperor of Assyria, La Mama Experimental Theatre Club, New York City, 1986; Broadway Bound, Broadhurst Theatre, 1986, then Center Theatre Group, Ahmanson Theatre, Los Angeles, 1987; Barbara Cook: A Concert for the Theatre, Ambassador Theatre, New York City, 1987; Rumors, Ethel Barrymore Theatre, 1988; supervising costume designer, Jerome Robbins' Broadway, Imperial Theatre, New York City, 1989. Also The Milliken Breakfast Show, 1973; Sunset, Buffalo, NY, 1977; All Dressed Up, 1986; A Month of Sundays, 1987; Run for Your Wife, New York City, 1989; with Circle in the Square at Ford's Theatre, Washington, DC, 1969-70; and with the Whole Theatre Company, Montclair, NJ, 1982-83.

CAREER: PRINCIPAL STAGE APPEARANCES—Early Morning, Theatre Nationale Populaire, Paris, France, 1970; also appeared in Coup de chapeau (also known as Tribute), Paris, 1979; Le Garcon d'appartement, Paris, 1980; and in productions of Godspell and The Madwoman of Chaillot, both in Paris.

PRINCIPAL STAGE WORK—Director, Le Garcon d'appartement, Paris, 1980.

FILM DEBUT—L'Agression, 1974. PRINCIPAL FILM APPEARANCES—Remy, La Nuit de Saint Germain des Pres, Megalo, 1977; Dede, Monsieur Papa, Gaumont, 1977; Daniel, L'Amour viole (also known as Violated Love), Multicine/Marin Karmitz, 1978; Jean-Bernard, Les Heros nont pas froid aux oreilles (also known as Heroes Are Not Wet Behind the Ears), Atya, 1978; Alain, Bete mais discipline (also known as Dumb But Disciplined), AMLF/ Roissy, 1979; Jean-Yves, Les Hommes preferent les grosses (also known as Men Prefer Fat Girls), GEF/CCFC, 1981; Lum, Que les gros salaires levent le doigt!!! (also known as Will the High Salaried Workers Please Raise Their Hands!!!), Sara Films/T Films, 1982; Bertrand, L'Indic (also known as The Informer), Exportation Francaise Cinematographique/GEF/CCFC, 1983; Berg, Les Fauves (also known as The Beasts), Gaumont/ACM, 1984; Marc, L'Amour en douce (also known as Love on the Quiet), Gaumont, 1984; Lucien Morland, Palace, Parafrance/Exportation Francaise Cinematographique, 1984, released in United States by Third Wave Rapid, 1985; Jeannot, Petit con, Gaumont, 1984, released in United States by Samuel Goldwyn, 1985.

MAJOR TOURS—Costume designer, Broadway Bound, U.S. cities, 1987. PRINCIPAL FILM WORK—Costume designer: The Gang That Couldn't Shoot Straight, Metro-Goldwyn-Mayer (MGM), 1971; Jennifer on My Mind, United Artists, 1971; Shaft, MGM, 1971; Shaft's Big Score, MGM, 1972; The Legend of Nigger Charley, Paramount, 1972; The Seven Ups, Twentieth Century-Fox, 1973; Death Wish, Paramount, 1974; Three Days of the Condor, Paramount, 1975; (with John Buckley) Forever Young, Forever Free (also known as Lollipop, Lollipop), Universal, 1976; Dragonfly (also known as One Summer Love), American International, 1976; Somebody Killed Her Husband, Columbia, 1978; Firepower, Associated Film Distribution, 1979; Little Darlings, Paramount, 1980; The Night the Lights Went Out in Georgia, AVCO-Embassy, 1981; Man, Woman, and Child, Paramount, 1983; Easy Money, Orion, 1983; The Buddy System, Twentieth Century-Fox, 1984; The Pope of Greenwich Village, United Artists, 1984; Slay ground, Universal, 1984; Compromising Positions, Paramount, 1985; Heaven Help Us (also known as Catholic Boys), Tri-Star, 1985; Brighton Beach Memoirs, Universal, 1986; Off Beat, Buena Vista, 1986; Ironweed, Tri-Star, 1987; The Secret of My Success, Universal, 1987; Last Rites, Metro-Goldwyn-Mayer/United Artists, 1988.

Journalist, Le Paltoquet (also known as The Nonentity), AAA/ Roissy/Artificial Eye, 1986; Ugolin Soubeyran ("Galignette"), Jean de Florette, Roissy/AMLF, 1986, released in United States by Orion Classics, 1987; Ugolin Soubeyran, Manon des sources (also known as Manon of the Spring and Manon of the Springs), Roissy/AMLF, released in United States by Orion Classics, 1987; Martial, Quelques jours avec moi (also known as A Few Days with Me), Union Generale Cinematographique/Galaxy International Releasing, 1988; Romuald, Romuald et Juliette, Union Generale Cinematographique/President, 1988. Also appeared in Attention les yeux, 1975; A nous deux (also known as Us Two), AMLF, 1979; Clara et la chic types, 1980; Les Sous-Doues (also known as The Under-Gifted), AMLF, 1980; La Banquiere, 1980; Les Sousdoues en vacances, 1981; Pour 100 briques, t'as plus rien maintenant (also known as For a Hundred Grand, You Cant Get Anything Anymore), Union Generale Cinematographique, 1982; L'Arbalete (also known as The Cross-Bow), ACM/CCFC, 1984; Mama, There's a Man in Your Bed, Miramax, 1990.

PRINCIPAL TELEVISION WORK—All as costume designer. Series: Beacon Hill, CBS, 1975. Pilots: Strike Force, NBC, 1975; We're Fighting Back, CBS, 1981. Episodic: "The Displaced Person," The American Short Story, PBS, 1977; "Paul's Case," American Short Story, PBS, 1978. Movies: F. Scott Fitzgerald and ((The Last of the Belles," ABC, 1974; The Deadliest Season, CBS, 1977; The Last Tenant, ABC, 1978; Hollow Image, ABC, 1979; Too Far to Go, NBC, 1979; Doctor Franken, NBC, 1980; King Crab, ABC, 1980; The Gentleman Bandit, CBS, 1981; Senior Trip!, CBS, l98\',Parole, CBS, 1982; At Mother's Request, CBS, 1987; Gore Vidal's Lincoln (also known as Lincoln), NBC, 1988.

AWARDS: Gerard Philipe Prize, Best Young Actor of the Year, 1979, for Coup de chapeau; Cesar Award and Saint Michael Award, both 1987, for Jean de Florette.*

AWARDS: Drama Desk Award nomination, Best Costume Design, 1989, for Rumors; Emmy Award nomination for Gore Vidal's Lincoln.*

26

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

AVERY, Margaret

AVERY

CBS, 1985; CeeCee Richards, Rags to Riches, NBC, 1987; Sally Cordova, Miami Vice, NBC, 1987; Iris Marshall, Crime Story, NBC, 1988; Councilwoman Slane, Knightwatch, ABC, 1989; also "For Us, the Living," American Playhouse, PBS, 1983; Sanford and Son, NBC; Harry O, ABC. Movies: Irene, Something Evil, CBS, 1972; Alma Rae, Louis Armstrong—Chicago Style, ABC, 1976; Grace, Single Women, Married Me, CBS, 1989; also The Lathe of Heaven, PBS, 1980.

PERSONAL: Married Robert Gordon Hunt (a director; divorced); children: Aisha. EDUCATION—Graduated from the University of California, Berkeley. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Revolution, Center Theatre Group, New Theatre for Now, Los Angeles, 1972; Does a Tiger Wear a Necktie?, Zodiac Theatre, Los Angeles, 1972; also appeared in Sistuhs, Los Angeles Actors' Theatre, Los Angeles.

RELATED CAREER—Company member, Potters Field Theatre Company, New York City, 1979; also founder (with Robert Gordon Hunt), Zodiac Theatre, Los Angeles; performer in Las Vegas with the Nicholas Brothers; as a singer toured Japan and Indonesia.

PRINCIPAL FILM APPEARANCES—Edwina, Terror House (also known as Terror at Red Wolf Inn and The Folks at Red Wolf Inn), Scope Ill/Far West, 1972; Mercer's mistress, Cool Breeze, MetroGoldwyn-Mayer (MGM), 1972; call girl, Magnum Force, Warner Brothers, 1973; nurse, The Psychopath (also known as An Eye for an Eye), Brentwood, 1973; Sister Jennifer, Hell Up in Harlem, American International, 1973; Belle Joplin, Scott Joplin, Universal, 1977; Annie Mae, Which Way Is Up?, Universal, 1977; Toby Millman, The Fish That Saved Pittsburgh, United Artists, 1979; Shug Avery, The Color Purple, Warner Brothers, 1985; Hattie Cole, Blueberry Hill, Metro-Goldwyn-Mayer/United Artists, 1988; Bell, Riverbend, Intercontinental, 1989.

NON-RELATED CAREER—Teacher and singing waitress. AWARDS: Los Angeles Drama Critics' Circle Award, Outstanding Performance by an Actress, 1972, for Does a Tiger Wear a Necktie?; Academy Award nomination, Best Supporting Actress, 1985, for The Color Purple; Image Award from the NAACP for Scott Joplin; Best Actress nomination from the Academy of Science Fiction, Fantasy, and Horror Films for The Lathe of Heaven. ADDRESSES: AGENT—Beakel and De Bord Agency, 10637 Burbank Boulevard, North Hollywood, CA 91601. PUBLICIST— Mickey Freeman, Freeman and Sutton Public Relations, 8961 Sunset Boulevard, Suite 2-A, Los Angeles, CA 90069.*

PRINCIPAL TELEVISION APPEARANCES—Episodic: Nurse Sawyer, A.E.S. Hudson Street, ABC, 1978; Dixie, Murder, She Wrote,

27

B

BACHMAN, Richard See KING, Stephen

BADHAM, John

VOCATION: Director and producer. CAREER: PRINCIPAL FILM WORK—All as director, unless indicated: Sunshine, Part II (also known as My Sweet Lady), CIC, 1975; The Bingo Long Traveling All-Stars and Motor Kings, Universal, 1976; Saturday Night Fever, Paramount, 1977; Dracula, Universal, 1979; Whose Life Is It Anyway?, Metro-GoldwynMayer/United Artists (MGM/UA), 1981; Blue Thunder, Columbia, 1983; WarGames, MGM/UA, 1983; American Flyers, Warner Brothers, 1985; Short Circuit, Tri-Star, 1986; (also executive producer) Stakeout, Buena Vista, 1987; executive producer, Disorganized Crime, Buena Vista, 1989; Bird on a Wire, Universal, 1990.

1939-

PERSONAL: Full name, John MacDonald Badham; born August 25, 1939, in Luton, England; immigrated to the United States in 1945; naturalized U.S. citizen, 1950; son of Henry Lee and Mary lola (Hewitt) Badham; married Bonnie Sue Hughes, December 28, 1967 (divorced, 1979); married Jan Speck, 1983 (divorced, 1990); children: Kelly MacDonald (first marriage). EDUCATION—Yale University, B.A., 1961, M.F.A., 1963. MILITARY—U.S. Army, 1963-64.

PRINCIPAL TELEVISION WORK—All as director, unless indicated. Pilots: Associate producer, Night Gallery, NBC, 1969; associate producer, Dial Hot Line, ABC, 1970; associate producer, A Clear and Present Danger, NBC, 1970. Episodic: The Senator, NBC, 1970; Sarge, NBC, 1971; "The Boy Who Predicted Earthquakes," "Camera Obscura," and "Green Fingers," all Night Gallery, NBC, 1971; "The Girl with the Hungry Eyes," "You Can Come Up Now, Mrs. Millikan," and "The Doll of Death," all Night Gallery, NBC, 1972; The Sixth Sense, ABC, 1972; Sunshine, NBC, 1975; also The Bold Ones, NBC; Cannon, CBS; Owen Marshall: Counselor at Law, ABC; Cool Million, NBC; Streets of San Francisco, ABC; Police Story, NBC; The Doctors, NBC. Movies: Associate producer, The Neon Ceiling, NBC, 1971; The Impatient Heart, NBC, 1971; Isn't It Shocking?, ABC, 1973; The Godchild, ABC, 1974; The Gun, ABC, 1974; Reflections of Murder, ABC, 1974; The Law, NBC, 1974; TheKeegans, CBS, 1976. RELATED CAREER—President, John Badham Films Inc.; board chairman, JMB Films Inc.; president, Great American Picture Show; guest lecturer, Yale University, Loyola Marymount College, University of Alabama, Amherst College, University of Southern California, and the University of California, Los Angeles. NON-RELATED CAREER—Mailroom worker and tour guide, Universal Studios; board of directors, Indian Spring School. AWARDS: Emmy Award nomination, 1971, for The Senator; Christopher Award, 1971, for The Impatient Heart; Southern California Motion Picture Council Award, 1974, for The Gun; Emmy Award nomination, 1974, and ARD reihe 'das Film Festival Award, 1975, both for The Law; Image Award nomination from the NAACP, 1976, for The Bingo Long Traveling All-Stars and Motor Kings; Grand Prize from the International Science Fiction and Fantasy Festival of Paris and Best Horror Film Award and George Pal Memorial Award from the Academy of Science Fiction, Fantasy, and Horror Films, all 1979, for Dracula; Best Director Award

JOHN BADHAM

29

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BAKER

son, Rain, 1977. PRINCIPAL STAGE APPEARANCES—Virginia Karger, Come on Strong, Morosco Theatre, New York City, 1962; also appeared in A Hatful of Rain, Actors' Studio Workshop, New York City, 1953; Arms and the Man, Chicago, IL, 1958; Anna Christie, Los Angeles, 1966; Gentleman Prefer Blondes, Dallas, TX, 1967; Bell, Book, and Candle, Atlanta, GA, 1978; 13 Rue de I'Amour, Jacksonville, FL, 1978; Forty Carats, Dallas, 1979; as Lucy, Lucy Crown, in the U.K., 1979; Goodbye Charlie, Chicago, 1979; Motive, in the U.K., 1980; Little Hut, in Canada, 1981; and in 27 Wagons Full of Cotton, in the U.K.

from the Academy of Science Fiction, Fantasy, and Horror Films, 1983, for WarGames. MEMBER: Directors Guild, Academy of Motion Picture Arts and Sciences, American Filmex Society, American Film Institute. ADDRESSES: OFFICE—Universal Studios, Universal City, CA 91608. AGENT—Lee Rosenberg, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. PUBLICIST— Nancy Seltzer and Associates, 8845 Ashcroft Avenue, Los Angeles, CA 90048.

FILM DEBUT—Clarice, Easy to Love, Metro-Goldwyn-Mayer, 1953. PRINCIPAL FILM APPEARANCES—Title role, Baby Doll, Warner Brothers, 1956; Luz Benedict II, Giant, Warner Brothers, 1956; Patricia Terrill, The Big Country, United Artists, 1958; Eleanor Brown, But Not for Me, Paramount, 1959; Teresa, The Miracle, Warner Brothers, 1959; Gwen Terasaki, Bridge to the Sun, Metro-Goldwyn-Mayer (MGM), 1961; Mary Ann, Something Wild, United Artists, 1961; Eve Prescott, How the West Was Won, Cinerama, 1962; Rina, The Carpetbaggers, Paramount, 1964; Deborah Wright, Cheyenne Autumn, Warner Brothers, 1964; Catherine, Station Six-Sahara (also known as Endstation 13 Sahara), Allied Artists, 1964; Veronica, The Greatest Story Ever Told, United Artists, 1965; Jean Harlow, Harlow, Paramount, 1965; Julie Anderson, Mister Moses, United Artists, 1965; Sylvia West, Sylvia, Paramount, 1965; as herself, Jack of Diamonds, MGM, 1967; Deborah, The Sweet Body of Deborah (also known as // dolce corpo di Deborah, L'Adorable corps de Deborah, and The Soft Body of Deborah), Warner Brothers/Seven Arts, 1969; Kathryn West, Orgasmo (also known as Paranoia), Commonwealth United, 1969.

BAKER, Carroll 1931PERSONAL: Born May 28, 1931, in Johnstown, PA; daughter of William W. and Virginia (Duffy) Baker; married Louis Ritter (a furrier), 1952 (divorced, 1952); married Jack Garfein (a director and producer), April 5, 1955 (divorced, 1969); married Donald G. Burton (an actor), March 10, 1982; children: Herschel David, Blanche Joy (second marriage). EDUCATION—Attended St. Petersburg Junior College, 1952; studied acting with Lee Strasberg at the Actors' Studio, 1953. VOCATION: Actress and writer. CAREER: STAGE DEBUT—Escapade on Broadway, Actors' Studio, New York City, 1952. BROADWAY DEBUT—All Summer Long, Coronet Theatre, 1954. LONDON DEBUT—Sadie Thomp-

Maude, Captain Apache, Scotia International, 1971; title role, Baba Yaga—Devil Witch, Jumbo Cinematographica/CoFiCom, 1973; as herself, James Dean--The First American Teenager (documentary), Coral, 1975; Laura, La moglie di mio padre (also known as Confessions of a Frustrated Housewife), Mark Associates, 1976; Mrs. Aiken, Andy Warhol's Bad, New World, 1977; Helen Curtis, The Watcher in the Woods, Buena Vista, 1980; Linda Cooper, The World Is Full of Married Men, New Line, 1980; Brown, Red Monarch, Goldcrest Films and TV Ltd., 1983; Dorothy's mother, Star 80, Warner Brothers, 1983; Mama Freud, The Secret Diary of Sigmund Freud, Twentieth Century-Fox/TLC, 1983; Mrs. Dalton, Native Son, Cinecom, 1986; Annie Phelan, Ironweed, Tri-Star, 1987. Also appeared in L'Harem (also known as Her Harem), 1968; Honeymoon, 1968; Paranoia (also known as Una droga llamada Helen and A Quiet Place to Kill), 1969; Cosi dolce . . . cosiperversa (also known as Perversion, So Sweet. . . So Perverse), 1970; The Fourth Mrs. Anderson, \91l;Infondoala piscina (also known as At the Bottom of the Swimming Pool}, 1971; // diavolo a setteface (also known as The Devil Has Seven Faces), Grand National, 1911; II coltello di ghiaccio (also known as The Icepick), 1972; Detras del silencio (also known as Behind the Silence), 1972; // fiore dai petali d'acciaio (also known as The Flower with the Deadly Sting), P.A.B., 1973; Take This—My Body (also known as // corpo and The Body), Republic, 1974; Lezioni private (also known as The Private Lesson), 1975; DerKoder (also known as L'Appat and The Lure), 1975; La moglie virgine (also known as Valentina-—The Virgin Wife and The Virgin Wife), Silverstein, 1976; Ab Morgen Sind Wir Reich un Ehrlich (also known as / soliti ignoti colpiscona ancore and Rich and Respectable), 1977; Ciclon (also known as Cyclone), 1977; Gipsy Angel, 1989. PRINCIPAL TELEVISION APPEARANCES—Episodic: Sandy Mar-

CARROLL BAKER

30

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

BALL

shall, "The Next Victim," Thriller, ABC, 1975; also Danger, CBS. Movies: Gerda Hoffman, Hitler's SS: Portrait in Evil, NBC, 1985; Maureen Leary, On Fire, ABC, 1987. Specials: The Bob Hope Show, NBC, 1966; First Would-Be Wife, The Bob Hope Show, NBC, 1968; Sadie Thompson, Rain, BBC, 1972; Anne Murray's Ladies' Night, syndicated, 1979; Bob Hope's Women I Love—Beautiful But Funny, NBC, 1982; What Mad Pursuit, BBC, 1985; Sharing Time, Thames Television, 1985; Sex Symbols: Past, Present, and Future, syndicated, 1987; The Story of Hollywood (also known as Talking Pictures), TNT, 1988.

Gresham, A Killing Affair (also known as Monday, Tuesday, Wednesday), Hemdale, 1988; Charlie Standers, Clean and Sober, Warner Brothers, 1988; Martha, Jacknife, Cineplex Odeon, 1989; Annie, Dad, Universal, 1989. Also appeared in My Sister's Keeper, Interpictures Releasing Company/Prism Entertainment, 1986.

RELATED CAREER—Actress in television commercials during the 1950s; television weather reporter, 1952; assistant to magician Burling Hull, "The Great Volta," in Florida; magician and dancer with the Kemp Time Vaudeville Circuit in North Carolina; nightclub dancer and performer, New York City.

NON-RELATED CAREER—Studied at Cordon Bleu Cooking School, Paris, France; founded her own catering service in San Francisco, CA.

PRINCIPAL TELEVISION APPEARANCES—Episodic: Ariel Serra, Mariah, ABC, 1987; Charlene Benton, Amazing Stories, NBC, 1987. Movies: Lucy Stavros, Nobody's Child, CBS, 1986; Marcie Guilford, The Image, HBO, 1990.

AWARDS: Obie Award from the Village Voice, 1983, and Theatre World Award, 1984, both for Fool for Love.

WRITINGS: Baby Doll (autobiography), Arbor House, 1983; To Africa with Love: A Romantic Adventure (autobiography), D.I. Fine, 1986; A Roman Tale (fiction), D.I. Fine, 1986.

ADDRESSES: AGENT—Tracey Jacobs, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

AWARDS: Academy Award nomination, Best Actress, 1956, for Baby Doll; Best Supporting Actress Award from the National League Women's Press Club, 1956; San Francisco Critics' Award, Best Actress, Foreign Press Club Award, Best Dramatic Actress, Hasty Pudding Club Woman of the Year, and Film Achievement Award from Look magazine, all 1957; honorary Kentucky Colonel, 1962.

BAKER, Kathy Whitton See BAKER, Kathy

MEMBER: British Academy of Film and Television Arts, Academy of Motion Picture Arts and Sciences, Authors' Guild, Cheyenne tribe (honorary member). BAKER, Kenny 1934-

ADDRESSES: AGENT—International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.

PERSONAL: Born August 24, 1934, in Birmingham, England. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Artoo-Detoo (R2D2), Star Wars, Twentieth Century-Fox, 1977; Bungo, Wombling Free, Satori, 1978; plumed dwarf, The Elephant Man, Paramount, 1980; Artoo-Detoo (R2-D2), The Empire Strikes Back, Twentieth Century-Fox, 1980; dwarf, Flash Gordon, Universal, 1980; Fidget, Time Bandits, AVCO-Embassy, 1981; Artoo-Detoo (R2-D2), Return of the Jedi, Twentieth Century-Fox, 1983; Parody Commendatore, Amadeus, Orion, 1984; goblin, Labyrinth, TriStar, 1986; Brighton busker, MonaLisa, Island, 1986; elf, Sleeping Beauty, Cannon, 1987; music performer, Perfect Image? (short film), Sankofa, 1989.

BAKER, Kathy 1950-

(Kathy Whitton Baker) PERSONAL: Full name, Kathy Whitton Baker; born June 8, 1950, in Midland, TX; children: one son. EDUCATION—Studied French at the University of California, Berkeley; also attended California Insitute of the Arts. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—(As Kathy Whitton Baker) May, Fool for Love, Circle Repertory Theatre, 1983. PRINCIPAL STAGE APPEARANCES—(As Kathy Whitton Baker) May, Fool for Love, Douglas Fairbanks Theatre, New York City, 1983; (as Kathy Whitton Baker) Abbie Putnam Cabot, Desire Under the Elms, Roundabout Stage One Theatre, New York City, 1984; (as Kathy Whitton Baker) Lemon, Aunt Dan and Lemon, New York Shakespeare Festival, Public Theatre, New York City, 1986. Also appeared as May, Fool for Love, Magic Theatre, San Francisco, CA; and in Under Milk Wood, California Institute of the Arts, Valencia, CA.

PRINCIPAL TELEVISION APPEARANCES—Movies: The Hunchback of Notre Dame, CBS, 1982. Specials: Host, The Making of "Star Wars" as Told by C-3PO andR2-D2, ABC, 1977.*

BALL, Lucille 1911-1989

PERSONAL: Born August 6, 1911, in Celoron (near Jamestown), NY; daughter of Henry D. (a telephone lineman) and Desiree (a concert pianist; maiden name, Hunt) Ball; died of cardiac arrest, April 26, 1989, in Los Angeles, CA; married Desiderio Alberto (Desi) Arnaz (an actor, producer, and bandleader), November 30,

PRINCIPAL FILM APPEARANCES—Louise Shepard, The Right Stuff, Warner Brothers, 198 3; Punchy, Street Smart, Cannon, 1987; Martha Sinclair, Permanent Record, Paramount, 1988; Maggie

31

BALL

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

RKO, 1936; girl, Winterset, RKO, 1936; Ann Howell, Dont Tell the Wife, RKO, 1937; Judy Canfield, Stage Door, RKO, 1937; Claire Williams, That Girl from Paris, RKO, 1937; title role, Affairs of Annabel, RKO, 1938; title role, Annabel Takes a Tour, RKO, 1938; Christine, Room Service, RKO, 1938; Carol Meely, Go Chase Yourself, RKO, 1938; Miriam, Having Wonderful Time, RKO, 1938; Nancy Fleming, Next Time I Marry, RKO, 1938; Salina, Joy of Living, RKO, 1938; Jean Russell, Beauty for the Asking, RKO, 1939; Peggy, Five Came Back, RKO, 1939; Lucy, Panama Lady, RKO, 1939; Sandra Sand, That's Right—You re Wrong, RKO, 1939; Paula Sanders, Twelve Crowded Hours, RKO, 1939. Bubbles, Dance, Girl, Dance, RKO, 1940; Joan Grant, The Marines Fly High, RKO, 1940; Connie Casey, Too Many Girls, RKO, 1940; Clara Hinklin/Mercedes Vasquez, You Can't Fool Your Wife, RKO, 1940; Dot Duncan, A Girl, a Guy, and a Gob (also known as The Navy Steps Out), RKO, 1941; Julie Patterson, Look Who's Laughing, RKO, 1941; Gloria, The Big Street, RKO, 1942; Terry, Seven Days' Leave, RKO, 1942; Christine Larson, Valley of the Sun, RKO, 1942; May Daly/Madame du Barry, Du Barry Was a Lady, Metro-Goldwyn-Mayer (MGM), 1943; as herself, Best Foot Forward, MGM, 1943; guest star, Thousands Cheer, MGM, 1943; Julie Hampton, Meet the People, MGM, 1944; Kitty Trimble, WithoutLove, MGM, 1945; Kathleen, The Dark Corner, Twentieth Century-Fox, 1946; Ricki Woodner, Two Smart People, MGM, 1946; Gladys Benton, Easy to Wed, MGM, 1946; Kay Williams, Lover Come Back (also known as When Lovers Meet}, Universal, 1946; Sandra Carpenter, Lured (also known as Personal Column), United Artists, 1947; Margaret Weldon, Her Husband's Affairs, Columbia, 1947; Gladys O'Neill, Sorrowful Jones, Paramount, 1949; Anne, Easy Living, RKO, 1949; Ellen Grant, Miss Grant Takes Richmond (also known as Innocence Is Bliss), Columbia, 1949.

LUCILLE BALL

1940 (divorced, 1960); married Gary Morton (a comedian), November 19, 1961; children: Lucie Desiree, Desiderio Alberto IV (first marriage). EDUCATION—Attended the Chautauqua Institute of Music and the John Murray Anderson-Robert Milton Dramatic School; also studied acting with Lela Rogers, 1935.

Sally Elliot, The Fuller Brush Girl (also known as The Affairs of Sally), Columbia, 1950; Agatha Floud, Fancy Pants, Paramount, 1950; guest, A Woman of Distinction, Columbia, 1950; Narah, The Magic Carpet, Columbia, 1951; Tracy Collini, The Long, Long Trailer, MGM, 1954; Susan Vega, For ever Darling, MGM, 1956; Kitty Weaver, The Facts of Life, United Artists, 1960; Angela Ballantine, Critic's Choice, Warner Brothers, 1963; technical advisor, A Guide for the Married Man, Twentieth Century-Fox, 1967; Helen North, Yours, Mine, and Ours, United Artists, 1968; title role, Mame, Warner Brothers, 1974. Also appeared in Blood Money, Twentieth Century-Fox/United Artists, 1933; The Bowery, Twentieth Century-Fox, 1933; Moulin Rouge, Twentieth CenturyFox/United Artists, 1934; Bottoms Up, Twentieth Century-Fox, 1934; Hold That Girl, Twentieth Century-Fox, 1934; The Affairs of Cellini, Twentieth Century-Fox/United Artists, 1934; Broadway Bill (also known as Strictly Confidential), Columbia, 1934; Three Little Pigskins (short film), Columbia, 1934; Perfectly Mismatched (short film), Columbia, 1934; The Three Musketeers, RKO, 1935; One Live Ghost (short film), Columbia, 1936; So and Sew (short film), RKO, 1936; Abbott and Costello in Hollywood, MGM, 1945; "Meet the Ladies" in Ziegfeld Follies, MGM, 1945.

VOCATION: Actress and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Wildcat Jackson, Wildcat, Alvin Theatre, New York City, 1960. MAJOR TOURS—Title role, Dream Girl, U.S. cities, 1947-48; also toured with Desi Arnaz in a vaudeville music and comedy act, U.S. cities, 1950. FILM DEBUT—Slave girl, Roman Scandals, United Artists, 1933. PRINCIPAL FILM APPEARANCES—Girl at beach, Broadway thru a Keyhole, Twentieth Century-Fox, 1933; girl, Bulldog Drummond Strikes Back, United Artists, 1934; beauty operator, Fugitive Lady, Columbia, 1934; girl, Jealousy, Columbia, 1934; 1934 Goldwyn girl, Kid Millions, United Artists, 1934; Peggy, Men of the Night, Columbia, 1934; chorus girl, Nana (also known as Lady of the Boulevard), United Artists, 1934; nurse, Carnival, Columbia, 1935; Gwendolyn Dilley, I Dream Too Much, RKO, 1935; college girl, Old Man Rhythm, RKO, 1935; flower clerk, Top Hat, RKO, 1935; girl, The Whole Town's Talking (also known as Passport to France), Columbia, 1935; mannequin, Roberta, RKO, 1935; Miss Kelly, Bunker Bean (also known as His Majesty, Bunker Bean), RKO, 1936; Lillian Temple, Chatterbox, RKO, 1936; Gloria, The Farmer in the Dell, RKO, 1936; Kitty Collins, Follow the Fleet,

PRINCIPAL TELEVISION APPEARANCES—Series: Lucy Ricardo, / Love Lucy, CBS, 1951-57; Lucy Ricardo, "The Lucille Ball-Desi Arnaz Show," The Westinghouse Desilu Playhouse, CBS, 195860; Lucy Carmichael, The Lucy Show, CBS, 1962-68; Lucy Carter, Here's Lucy, CBS, 1968-74; Lucy Barker, Life with Lucy, ABC, 1986. Pilots: Sister Hitchcock, The Music Mart, NBC, 1980. Episodic: "K.O. Kitty," The Westinghouse Desilu Playhouse, CBS, 1958; host, "The Desilu Revue," The Westinghouse Desilu

32

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BALLARD

Fame, Happy NBC, ment, 1989.

Playhouse, CBS, 1959; The Phil Silvers Show, CBS, \959',TheAnn SothernShow, CBS, 1959; The Danny Thomas Show, CBS, 1959; The Greatest Show on Earth, ABC, 1963; Make Room for Granddaddy, ABC, 1971; The Practice, NBC, 1976; The Mary Tyler Moore Hour, CBS, 1979; also The Tonight Show, NBC; The David Frost Revue, syndicated; The Ed Wynn Show, CBS; Inside U.S.A. with Chevrolet, CBS; Lineup, CBS; December Bride, CBS; Those Whiting Girls, CBS; Whirlybird, syndicated; The Milton Eerie Show, ABC; Body Language. Movies: Florabelle, Stone Pillow, NBC, 1986.

Fox, 1987; America's Tribute to Bob Hope, NBC, 1988; Birthday Bob—50 Stars Salute Your 50 Years with NBC, 1988; Hollywood: The Golden Years, Arts and Entertain1988; 61st Annual Academy Awards Presentation, ABC,

PRINCIPAL TELEVISION WORK—Series: Producer (with Desi Arnaz), / Love Lucy, CBS, 1951-57; executive producer and producer (with Arnaz), The Lucy Show, CBS, 1962-68. Pilots: Producer, The Music Mart, NBC, 1980; executive producer and director, Bungle Abbey, NBC, 1981. Specials: Producer, "The Desilu Revue," Desilu Playhouse, CBS, 1959; executive producer, A Lucille Ball Special Starring Lucille Ball and Dean Martin, CBS, 1975; executive producer, A Lucille Ball Special Starring Lucille Ball and Jackie Gleason, CBS, 1975; executive producer, A Lucille Ball Special: What Now Catherine Curtis?, CBS, 1976; executive producer, The Lucille Ball Special, CBS, 1977; executive producer, Lucy Moves to NBC, NBC, 1980.

Specials: The Bob Hope Show, NBC, 1950; Show of the Year, NBC, 1950; The Bob Hope Show, NBC, 1956; The Milton Berle Special, NBC, 1959; Hedda Hopper's Holly'wood, NBC, 1960; The Bob Hope Show, NBC, 1961; Twelve Star Salute, ABC, 1961', The Bob Hope Show, NBC, 1962; The Bob Hope Show, NBC, 1963; Have Girls—Will Travel, NBC, 1964; A Salute to Stan Laurel, CBS, 1965; The Wonderful World of 'Burlesque I, NBC, 1965; Lucy inLondon, CBS, 1966; The Bob Hope Show, NBC, 1966; Carol + 2, CBS, 1967; Bonnie Barton, The Lucille Ball Comedy Hour, CBS, 1967; The Jack Benny Special, NBC, 1968; Ann-Margret: From Hollywood with Love, CBS, 1969; The Dinah Shore Special—Like Hep, CBS, 1969; Jack Benny's Birthday Special, NBC, 1969.

PRINCIPAL RADIO APPEARANCES-Series: Liz Cooper, My Favorite Husband, CBS, 1947-51; Lucy Ricardo, / Love Lucy, CBS, 1952; also a regular on Phil Baker's and Jack Haley's comedyvariety shows, CBS, late 1930s and early 1940s. Episodic: Ford Theatre, CBS, 1948; "A Foreign Affair," Screen Directors' Playhouse, NBC, 1950; The Mar tin and Lewis Show, NEC', Screen GuildTheatre, CBS; Suspense, CBS; Leave It to the Girls, Mutual.

Jack Benny's 20th Anniversary TV Special, NBC, 1970; The Bob Hope Show, NBC, 1970; Everything You Always Wanted to Know About Jack Benny and Were Afraid to Ask, NBC, 1971; host, Super Comedy Bowl I, CBS, 1971; Swing Out, SweetLand, NBC, 1971;A Salute to Television's 25th Anniversary, ABC, 1972; Show Business Salute to Milton Berle, NBC, 1973; Steve and Eydie . . . On Stage, NBC, 1973; The Bob Hope Show, NBC, 1973; Norma Michaels, Happy Anniversary and Goodbye, CBS, 1974; Lucy Collins, A Lucille Ball Special Starring Lucille Ball and Dean Martin, CBS, 1975; A Lucille Ball Special Starring Lucille Ball and Jackie Gleason, CBS, \97 5; Bob Hope's World of Comedy, NBC, 1976; host, CBS Salutes Lucy—The First 25 Years, CBS, 1976; Catherine Curtis, A Lucille Ball Special: What Now Catherine Curtis?, CBS, 1976; Gypsy in My Soul, CBS, 1976; The Lucille Ball Special, CBS, 1977; ringmaster, Circus of the Stars, CBS, 1977; The Barbara Walters Special, ABC, 1977; Bob Hope's AilStar Comedy Tribute to Vaudeville, NBC, 1977; Lucy Comes to Nashville, CBS, 1978; General Electric's All-Star Anniversary, ABC, 1978; CBS: On the Air, CBS, 1978; Gene Kelly . . . An American in Pasadena, CBS, 1978; The American Film Institute Salute to Henry Fonda, CBS, 1978; Dean Martin Celebrity Roast: Jimmy Stewart, NBC, 1978; TV: The Fabulous '50s, NBC, 1978; A Tribute to "Mr. Television" Milton Berle, NBC, 1978; Happy Birthday, Bob!, NBC, 1978; Cher and Other Fantasies, NBC, 1979.

RELATED CAREER—Entertainer, Stage Canteen, during World War II; president, Desilu Productions, Inc., 1962-67; president, Lucille Ball Productions, 1967-89. NON-RELATED CAREER—Waitress and soda jerk; hat model for Hattie Carnegie's salon and Chesterfield cigarettes, both 1933. AWARDS: Motion Picture Daily Awards, Most Promising Star, 1951, Best Performer, 1952, Best Comedy Team (with Desi Arnaz), 1954, and Best Comedienne, 1955 and 1957; Emmy Awards, Best Comedienne, 1952, and Best Actress in a Continuing Performance, 1955, both for / Love Lucy; Emmy Awards, Outstanding Continued Performance By an Actress in a Leading Role in a Comedy Series, 1967 and 1968, both for The Lucy Show; Gold Medal from the International Radio and Television Society, 1971; Golden Apple Award from the Hollywood Women's Press Club, Star of the Year, 1973; Ruby Award, 1974; Entertainer of the Year Award, 1975; Friar's Club Life Achievement Award, 1977; Cecil B. De Mille Award from the Hollywood Foreign Press Association, 1978; inducted into the Television Academy Hall of Fame, 1984; Lifetime Achievement Citation from the Kennedy Center for the Performing Arts, 1986; Hasty Pudding Woman of the Year, 1988; Television Academy Citation as "First Lady of Television"; Presidential Medal of Freedom (awarded posthumously), 1989.

Lucy Moves to NBC, NBC, 1980; Sinatra—The First 40 Years, NBC, 1980; Bob Hope's 30th Anniversary, NBC, 1981; Bob Hope's Road to Hollywood, NBC, 1983; Happy Birthday, Bob!, NBC, 1983; Bob Hope's Hilarious Unrehearsed Antics of the Stars, NBC, 1984; Bob Hope in Who Makes the World Laugh?, Part II, NBC, 1984; Bob Hope Buys NBC?, NBC, 1985; The Night of 100 StarsII, ABC, 1985; All Star Partyfor Clint Eastwood, CBS, 1986; The 38th Annual Emmy Awards, NBC, 1986; The American Film Institute Salute to Billy Wilder, NBC, 1986; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1986; ABC Fall Preview Special, ABC, 1986; Bob Hope's High Flying Birthday Extravaganza, NBC, 1987; A Beverly Hills Christmas, syndicated, 1987; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1987; The Television Academy Hall of

OBITUARIES AND OTHER SOURCES: New York Times, April 27, 1989; Variety, May 3-9, 1989.*

BALLARD, Carroll

1937-

PERSONAL: Born October 14, 1937, in Los Angeles, CA. EDUCATION—Attended the University of California, Los Angeles. VOCATION: Director. 33

BARBERA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

CAREER: PRINCIPAL FILM WORK—Art director, Three Nuts in Search of a Bolt, Harlequin International, 1964; second camera operator, Star Wars, Twentieth Century-Fox, 1977; director, The Black Stallion, United Artists, 1979; director, Never Cry Wolf, Buena Vista, 1983; director, The Nutcracker: The Motion Picture, Atlantic Releasing, 1986.

Puss, Hatch Up Your Troubles, The Cat and the Mermouse, Heavenly Puss, Jerry's Diary, Love That Pup, and Tennis Chumps, all MGM, 1949. Framed Cat, Tom and Jerry in the Hollywood Bowl, Jerry and the Lion (also known as Hold That Lion), Little Quacker, Saturday Evening Puss (also known as Party Cat), Jerry's Cousin (also known as City Cousin and Muscles Mouse), Texas Tom, Cue Ball Cat, and Safety Second (also known as F'r Safety Sake), all MGM, 1950; Casanova Cat, Cat Napping, His Mouse Friday, Jerry and the Goldfish, The Two Mouseketeers, Nit-Witty Kitty, Sleepy-Time Tom, and Slicked-Up Pup, all MGM, 1951; The Flying Cat, Cruise Cat, The Dog House, The Duck Doctor, Fit to Be Tied, Johann Mouse, Little Runaway, Push-Button Kitty, Smitten Kitten, and Triplet Trouble, all MGM, 1952; The Missing Mouse, Jerry and Jumbo, That's My Pup, Just Ducky, Two Little Indians, and Life with Tom, all MGM, 1953; Pet Peeve, Little School Mouse, Baby Butch, Mice Follies, Neapolitan Mouse, Downhearted Duckling, Posse Cat, Hic-Cup Pup (also known as Tyke Takes a Nap), Puppy Tale, and Touche, Pussy Cat, all MGM, 1954; Good Will to Men, Pup on a Picnic, Designs on Jerry, Southbound Duckling, Pecos Pest, Smarty Cat, That's My Mommie, Mouse for Sale, and Tom and Cherie, all MGM, 1955; Barbeque Brawl, The Flying Sorceress, Blue Cat Blues, Give and Take, Busy Buddies, The Egg and Jerry, Scat Cats, Down Beat Bear, and Muscle Beach Tom, all MGM, 1956; One Droopy Knight, Feedin the Kiddie, Mucho Mouse, Timid Tabby, Tom's Photo Finish, and Tops with Pops, all MGM, 1957; Happy Go Ducky (also known as One Quack Mind), Royal Cat Nap, Robin Hoodwinked, Tot Watchers, The Vanishing Duck, Little Bo Bopped, and Wolf Hounded, all MGM, 1958.

ADDRESSES: OFFICE—c/o Lone Dog Ltd., P.O. Box 239, Calistoga, CA 94515.*

BARBERA, Joseph

1911-

PERSONAL: Surname is pronounced "Bar-fo?flr-uh"; full name, Joseph Roland Barbera; born March 24, 1911, in New York, NY; son of Vincente and Frances Barbera; married Dorothy Earl (divorced, 1964); married Sheila Holden; children: Lynn Meredith, Jayne Earl, Neal Francis (first marriage). EDUCATION—Graduated from the American Institute of Banking; also attended Pratt Institute, the Art Students League, and New York University. VOCATION: Animator, producer, director, and writer. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— All with William Hanna: Animation director, Anchors Aweigh, Metro-Goldwyn-Mayer (MGM), 1945; animation director, Holiday in Mexico, MGM, 1946; animation director, Neptune's Daughter, MGM, 1949; animation director (also with Fred Quimby), Dangerous When Wet, MGM, 1953; animation director (also with Quimby), Invitation to the Dance, MGM, 1956; producer and director, Hey There, It's Yogi Bear (animated), Columbia, 1964; producer and director, The Man Called Flintstone (also known as That Man Flintstone; animated), Columbia, 1966; producer and animation director, Project X, Paramount, 1968; producer, Charlotte's Web (animated), Paramount, 1973; producer, C.H.O.M.P.S., AID, 1979; executive producer, Liar's Moon, Crown International, 1982; producer, Heidi's Song (animated), Paramount, 1982; producer, GoBots: Battle of the Rock Lords (animated), Atlantic Releasing, 1986. Also executive producer, The Greatest Adventure: Stories from the Bible (home video release), 1986; producer, Forever Like a Rose.

Creepy Time Pal, Tale of a Wolf, The Do-Good Wolf, Life with Loopy, Snoopy Loopy, No Biz Like Shoe Biz, and Here Kiddie, Kiddie, all Columbia, 1960; Count Down Clown, Happy Go Loopy, Two-Faced Wolf, Catch Meow, Child Sock-Cology, Fee Fie Foes, Kooky Loopy, Loopy's Hare-Do, This Is My Ducky Day, and Zoo Is Company, all Columbia, 1961; Bungle Uncle, Bearly Able, Beeffar and After, Bunnies Abundant, Chicken Fracas-see, Common Scents, Rancid Ransom, Slippery Slippers, and Swash Buckled, all Columbia, 1962; Just a Wolf at Heart, Chicken-Hearted Wolf, Whatcha Watchin, A Fallible Fable, Drum-Sticked, Bear Up!, The Crook That Cried Wolf, Habit Rabbit, Not in Nottingham, Sheep Stealers Anonymous, and Wolf in Sheepdog's Clothing, all Columbia, 1963; Elephantastic, Bear Hug, Bear Knuckles, Trouble Bruin, Raggedy Rug, and Habit Troubles, 1964; Big Mouse-Take, Pork Chop Phooey, Crow's Fete, and Horse Shoo, all Columbia, 1965.

Director (with Hanna) of the following short animated films: Gallopin Gals, Swing Social, Puss Gets the Boot, and Romeo in Rhythm, all MGM, 1940; The Goose Goes South, Midnight Snack, The Night Before Christmas, and Officer Pooch, all MGM, 1941; The Bowling-Alley Cat, Dog Trouble, Fine Feathered Friend, Fraidy Cat, and Puss 'n Toots, all MGM, 1942; Baby Puss, Yankee Doodle Mouse, Lonesome Mouse, Sufferin Cats, and War Dogs, all MGM, 1943; The Bodyguard, The Million Dollar Cat, The Zoot Cat, Puttin' on the Dog, and Mouse Trouble (also known as Cat Nipped and Kitty Foiled}, all MGM, 1944; The Mouse Comes to Dinner (also known as Mouse to Dinner), Flirty Birdy (also known as Love Boids), Mouse in Manhattan (also known as Manhattan Serenade), Quiet, Please!, and Tee for Two, all MGM, 1945; The Milky Waif, Solid Serenade, The Cat Concerto, Springtime for Thomas, and Trap Happy, all MGM, 1946; The Invisible Mouse, Part-Time Pal (also known as Fair Weathered Friend), Cat Fishin', A Mouse in the House, Dr. Jekyll and Mr. Mouse, and Salt Water Tabby, all MGM, 1947; Kitty Foiled, Old Rockin' Chair Tom, The Little Orphan, Professor Tom, Make Mine Freedom, Mouse Cleaning, and The Truce Hurts, all MGM, 1948; Polka Dot

PRINCIPAL TELEVISION APPEARANCES—Specials: The 40th Annual Emmy Awards, Fox, 1988; Hanna-Barber a's 50th: A Yabba Dabba Doo Celebration, TNT, 1989. PRINCIPAL TELEVISION WORK—All as executive producer, unless indicated, with William Hanna. Series (all animated, unless indicated): Producer (also with Bob Cottle), The Ruff and Reddy Show, NBC, 1957-64; producer and director, The Huckleberry Hound Show (also featuring Pixie and Dixie, Hokey Wolf, and Yogi Bear), syndicated, 1958-62; producer and director, Yogi Bear (also featuring Snagglepuss and Yakky Doodle Duck), syndicated, 195862; producer, The Quick Draw McGraw Show (also featuring Snooper and Blabber and Augie Doggie and Doggie Daddy), syndicated, 1959-62; producer and director, TheFlintstones, ABC, 1960-66; producer and director, Top Cat, ABC, 1961-62; producer and director, Lippy the Lion, syndicated, 1962; producer and director, Touche Turtle, syndicated, 1962; producer and director, 34

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BARBERA

78; The Skatebirds (also featuring The Robonic Stooges, Wonder Wheels, Woofer and Wimper, and Mystery Island), CBS, 1977-78; The Tom and Jerry/Great Grape Ape Show, ABC, 1977-78; (also director) The New Super Friends Hour, ABC, 1977-78; Scooby's All-Star Laff-a-Lympics, ABC, 1911-IS; Fred Flintstone and Friends, syndicated, 1977-78; The C.B. Bears (also featuring Blast Off Buzzard and Crazy Legs, Posse Impossible, Undercover Elephant, Shake, Rattle, and Roll, andHeyyyyyy, It's the King), CBS, 1977-78; The Hanna-Barbera Happiness Hour (live-action), NBC, 1978; Yogi's Space Race, NBC, 1978-79; The Galaxy Goofups, NBC, 1978-79; Scooby's All Stars, ABC, 1978-79; Challenge of the Super Friends, ABC, 1978-79; (also director) The World's Greatest Super Heroes, ABC, 1978-80; Godzilla (also known as Godzilla and the Super 90 and The Godzilla Power Hour; also featuring Jana of the Jungle), NBC, 1978-81; producer, The Three Robonic Stooges, CBS, 1978-81; The All-New Popeye Hour, CBS, 1978-81; The New Shmoo, NBC, 1979; Fred and Barney Meet the Thing, NBC, 1979; Buford and the Ghost, NBC, 1979; Scooby-Doo and Scrappy-Doo, ABC, 1979; The Super Globetrotters, NBC, 1919', The New Fred and Barney Show, NBC, 1979; Casper and the Angels, NBC, 1979-80; Fred and Barney Meet the Shmoo, NBC, 1979-80.

Wally Gator, syndicated, 1962; (also director) TheJetsons, ABC, 1962-63; (also director) The Adventures of Jonny Quest (also known as Jonny Quest), ABC, 1964-65; producer and director, The Magilla Gorilla Show (also featuring Ricochet Rabbit and Punkin Puss and Mush Mouse}, syndicated, 1964-67; producer and director, The Peter Potamus Show (also featuring Yippie, Yappie, and Yahooey and Breezly and Sneezly), syndicated, 1964-67. Series (continued; all animated, unless indicated): Producer and director, The Atom Ant/Secret Squirrel Show (also featuring The Hillbilly Bears, Squiddly Diddly, and Precious the Dog), NBC, 1965-68; producer, Sinbad, Jr., the Sailor (also known as The Adventures of Sinbad, Jr.), syndicated, 1966; producer and director, The Abbott and Costello Cartoon Show, syndicated, 1966; producer (also with Larry Harmon), Laurel and Hardy, syndicated, 1966-67; producer and director, Space Kiddettes, NBC, 1966-67; producer and director, Space Ghost (also featuring Dino Boy), CBS, 1966-68; producer and director, Frankenstein, Jr. and the Impossibles, CBS, 1966-68; producer, Sampson and Goliath, NBC, 1967-68; producer and director, Birdman and the Galaxy Trio, NBC, 1967-68; producer and director, TheHerculoids, CBS, 1967-69; producer, Moby Dick and the Mighty Mightor, CBS, 1967-69; producer and director, Shazzanl, CBS, 1967-69; (also director) The Fantastic Four, ABC, 1967-70; Here Come the Stars (live-action), syndicated, 1968; producer, The New Adventures of Huck Finn (live-action and animated), NBC, 1968-69; producer and director, The Wacky Races, CBS, 1968-70; producer, The Banana Splits Adventure Hour (live-action and animated; also featuring The Micro Venture, Danger Island, The Three Musketeers, The Hillbilly Bears, and The Arabian Knights), NBC, 196870; (also director) The Adventures of Gulliver (also known as The Adventures of Young Gulliver), ABC, 1969-70; producer and director, The Perils of Penelope Pitstop, CBS, 1969-71; (also director) The Cattanooga Cats (also featuring It's the Wolf, Around the World in 79 Days, and Auto Cat and Motor Mouse), ABC, 1969-71; (also director) Dastardly and Muttley in Their Flying Machines, CBS, 1969-71; (also director with Charles A. Nichols) Scooby-Doo, Where Are You?, CBS, 1969-74.

Series (continued; all animated, unless indicated): Captain Caveman and the Teen Angels, ABC, 1980; Flintstone Family Adventures (also featuring The Frankenstones and Captain Caveman), NBC, 1980-81; The Scooby-Doo and Scrappy-Doo Show, ABC, 198082; The Drak Pack, CBS, 1980-82; Fonz and the Happy Days Gang, ABC, 1980-82; The Richie Rich Show, ABC, 1980-82; The Flintstones, NBC, 198 \; Space Stars (featuring Space Ghost, Teen Force, The Herculoids, and Astro and the Space Mutts), NBC, 1981-82; The Kwicky Koala Show (also featuring Dirty Dawg, Crazy Claws, and The Bungle Brothers), CBS, 1981-82;7>0//fc//w, CBS, 1981-82; Private Olive Oyl, CBS, 1981-82; Laverne and Shirley in the Army, ABC, 1981-82; The Flintstone Funnies, NBC, 1981-84; The Smurfs, NBC, 1981-88; Laverne and Shirley with the Fonz, ABC, 1982-83; (also director) Jokebook, NBC, 1982; Mork and Mindy, ABC, 1982-83; Scooby, Scrappy, and Yabba Doo, ABC, 1982-83; The Gary Coleman Show, NBC, 1982-83; The Little Rascals, ABC, 1982-84; The Shirt Tales, NBC, 1982-84; Pac-Man, ABC, 1983-84; The Biskitts, CBS, 1983-84; (with Margaret Leosch) Benji, Zax, and the Alien Prince (live-action), CBS, 1983-84; Monchhichis, CBS, 1983-84; The Dukes, CBS, 1983-84; Scooby and Scrappy-Doo, ABC, 1983-84; The Pink Panther and Sons, NBC, 1984-85; The New Scooby-Doo Mysteries, ABC, 1984-85; Super Friends: The Legendary Super Powers Show, ABC, 1984-85; (also with Freddy Monnickendam) Snorks, NBC, 1984-86; Challenge of the GoBots, syndicated, 1984-86; Scooby's Mystery Funhouse, ABC, 1985; The Thirteen Ghosts of Scooby-Doo, ABC, 1985-86; The Super Powers Team: Galactic Guardians, ABC, 1985-86; The New Jetsons, syndicated, 198588; The Funtastic World of Hanna-Barbera (featuring Yogi's Treasure Hunt, Paw Paws, Goltar and the Golden Lance, and The New Adventures of Jonny Quest), syndicated, 1986-87; The Flintstone Kids, ABC, 1986-87; Pound Puppies, ABC, 1986-87; Wildfire, CBS, 1986-87; Foofur, NBC, 1986-87; The Funtastic World of Hanna-Barbera (featuring Yogi's Treasure Hunt, Sky Commanders, The New Adventures of the Snorks, and The New Adventures of Jonny Quest), syndicated, 1987-88; Popeye and Son, CBS, 198788; (also with Jay Wolpert) Skedaddle (live-action), syndicated, 1988—; The Completely Mental Misadventures of Ed Grimley, NBC, 1988-89.

Series (continued; all animated, unless indicated): (Also director) Where's Huddles?, CBS, 1970-71; (also director) The Harlem Globetrotters, CBS, 1970-73; (also director) Josie and the Pussy cats, CBS, 1970-76; Pebbles and Bamm Bamm, CBS, 1971-72; (also director) Help! It's the Hair Bear Bunch, CBS, 1971-72; (also director) The Funky Phantom, ABC, 1971-72; producer and director, Wait til Your Father Gets Home, syndicated, \912;Sealab 2020, NBC, 1972-73; The Roman Holidays, NBC, 1972-73; (also director) The Amazing Chan and the Chan Clan, CBS, 1972-74; (also director) The Flintstone Comedy Hour, CBS, 1972-74; (also director with Nichols) Josie and the Pussycats in Outer Space, CBS, 1972-74; The New Scooby-Doo Movies, CBS, 1972-74; Speed Buggy, CBS, 1973-74; (also director) Butch Cassidy and the Sundance Kids, NBC, 1973-74; producer, Peter Puck, NBC, 1973-74; Inch High, Private Eye, NBC, 1973-74; Yogi's Gang, ABC, 1973-75; Jeannie, CBS, 1973-75; Goober and the Ghost Chasers, ABC, 1973-75; The Addams Family, NBC, 1973-75; Super Friends, ABC, 1973-83; Wheelie and the Chopper Bunch, NBC, 1974-75; The Partridge Family: 2200 A.D., CBS, 1974-75; Korg: 70,000 B.C. (live-action), ABC, 1974-75; Hong Kong Phooey, ABC, 1974-76; These Are the Days, ABC, 1974-76; Devlin, ABC, 1974-76; Valley of the Dinosaurs, CBS, 1974-76. Series (continued; all animated, unless indicated): (Also director) The Scooby-Doo/Dynomutt Hour, ABC, 1976-77; Mumbly, ABC, 1976-77; The Clue Club, CBS, 1976-77; Jabberjaw, ABC, 1976-

Pilots (all live-action, unless indicated): The Beach Girls, syndicated, 1977; The Funny World of Fred and Bunni (live-action and 35

BARBERA

CONTEMPORARY

animated), CBS, 1978; Sergeant T.K. Yu, NBC, 1979; (with Arthur Weinthel and W.C. Elliott) The B.B. Beegle Show, syndicated, 1980. Movies (all live-action, unless indicated): Hardcase, ABC, 1972; Shootout in a One-Dog Town, ABC, 1974; The Gathering, ABC, 1977; The Beasts Are on the Streets, NBC, 1978; (with William M. Aucoin) KISS Meets the Phantom of the Park, NBC, 1978; The Gathering, PartII, NBC, 1979; (with Barry Krost) Belle Starr, CBS, 1980; Lucky Luke (animated), syndicated, 1987; Stone Fox, NBC, 1987.

THEATRE, FILM, AND TELEVISION • Volume 8

Hanna-Barbera's 50th: A Yabba Dabba Doo Celebration (liveaction and animated), TNT, 1989; also producer, Rock Odyssey. RELATED CAREER—Story board writer and sketch artist, Van Beuren Studio, New York City, 1932-34; animator, Terrytoons, New Rochelle, NY, 1934-37; animator, director, and producer, Metro-Goldwyn-Mayer (MGM), Hollywood, CA, 1937-57; head of animation department (with William Hanna), MGM, 1955-57; founder (with Hanna) and president, Hanna-Barbera Productions, Hollywood, 1957—; also president of the board of directors, Huntington Hartford Theatre, Los Angeles; president, James A. Doolittle Theatre, Hollywood; past president, Greek Theatre Association, Los Angeles; president, Southern California Theatre Association.

Specials (all animated, unless indicated): Alice in Wonderland, ABC, 1966; Jack and the Beanstalk (live-action and animated), NBC, 1967; The Thanksgiving That Almost Wasn't, syndicated, 1971; A Christmas Story, syndicated, 1971; producer, Last of the Curlews, ABC, 1972; Yogi's Ark Lark, ABC, 1972; Robin Hoodnik, ABC, 1972; Oliver and the Artful Dodger, ABC, 191'2; Here Come the Clowns, ABC, 1972; The Banana Splits in Hocus Pocus Park, ABC, 1972; Gidget Makes the Wrong Connection, ABC, 1973; Lost in Space, ABC, 1973; 20,000 Leagues Under the Sea, syndicated, 1973; (also director) The Three Musketeers, syndicated, 1973; The Count of Monte Cristo, syndicated, 1973; The Crazy Comedy Concert (live-action and animated), ABC, 1974; The Runaways (live-action), ABC, 1974; Cyrano de Bergerac, ABC, \914\TheLastoftheMohicans, syndicated, 1975; Phantom RebeI (live-action), NBC, 1976; "Davy Crockett on the Mississippi" (animated), Famous Classic Tales, CBS, 197'6; Taggart's Treasure (live-action), ABC, 1976; Five Weeks in a Balloon, CBS, 1977; Yabba Dabba Doo! The Happy World of Hanna-Barber a (liveaction and animated), CBS, 1977; Energy: A National Is sue, 1977; A Flintstones' Christmas, NBC, 1977; The Flintstones' Little Big League, NBC, 1978; Hanna-Barbera s All Star Comedy Ice Revue (live-action and animated), CBS, 1978; "It Isn't Easy Being a Teenage Millionaire" (live-action), ABC After school Specials, ABC, 1978; Yabba Dabba Doo II, CBS, 197'8; Black Beauty, CBS, 1978; Super Heroes Roast, NBC, 1979; Challenge of the Super Heroes, NBC, 1979; America vs. the World (live-action), NBC, 1979; Scooby Goes Hollywood, ABC, \919\ Casper's First Christmas, NBC, 1979; Popeye Valentine Special: The Sweethearts at Sea, CBS, 1979; Gulliver s Travels, CBS, 1979; Casper's Halloween Special: He Ain't Scary, He's Our Brother, NBC, 1979.

NON-RELATED CAREER—Banking clerk, Irving Trust Company, New York City, 1930-32; also co-chairor, Los Angeles Earthquake Preparedness Committee; board member, Greater Los Angeles Visitors and Convention Bureau; board member, St. Joseph's Medical Center; board member, Children's Village; honorary board member, Wildlife Way station. WRITINGS: FILM—(With William Hanna and Warren Foster) Hey There, It's Yogi Bear (animated), Columbia, 1964; (with Dick Robbins and Duane Poole) C.H.O.M.P.S., AID, 1979; (with Robert Taylor and Jameson Brewer) Heidi's Song (animated), Paramount, 1982. TELEVISION—Series: (With Hanna and Douglas Widley) The Adventures ofJonny Quest (also known as Jonny Quest; animated), ABC, 1964-65. AWARDS: All with William Hanna. Academy Award nomination, Best Animated Short Subject, 1940, for Puss Gets the Boot; Academy Award nomination, Best Animated Short Subject, 1941, for The Night Before Christmas; Academy Award, Best Animated Short Subject, 1943, for Yankee Doodle Mouse; Academy Award, Best Animated Short Subject, 1944, for Mouse Trouble; Academy Award, Best Animated Short Subject, 1945, for Quiet, Please!; Academy Award, Best Animated Short Subject, 1946, for The Cat Concerto; Academy Award nomination, Best Animated Short Subject, 1947, for Dr. Jekyll and Mr. Mouse; Academy Award, Best Animated Short Subject, 1948, for The Little Orphan; Academy Award nomination, Best Animated Short Subject, 1949, for Hatch Up Your Troubles; Academy Award nomination, Best Short Subject, 1950, for Jerry's Cousin; Academy Award, Best Animated Short Subject, 1951, for The Two Mouseketeers; Academy Award, Best Animated Short Subject, 1952, for Johann Mouse; Academy Award nomination, Best Animated Short Subject, 1954, for Touche, Pussy Cat; Academy Award nomination, Best Animated Short Subject, 1955, for Good Will to Men; Academy Award nomination, Best Animated Short Subject, 1957, for One Droopy Knight.

Specials (continued; all animated, unless indicated): The Gymnast (live-action), ABC, 1980; The Hanna-Barbera Arena Show (liveaction), NBC, 1981; Jogging Fever, NBC, 1981; The Great Gilly Hopkins (live-action), CBS, 1981; Daniel Boone, CBS, 1981; Yabba Dabba Doo (live-action and animated), CBS, 1982; The Smurfs Springtime Special, NBC, 1982; The Smurfs' Christmas Special, NBC, 1982; Christmas Comes to Pac-Land, ABC, 1982; Yogi Bear's All-Star Christmas Caper, CBS, 1982; My Smurfy Valentine, NBC, 1983; The Secret World of Og, ABC, 1983; The Amazing Bunjee Venture, CBS, 1984; The Smurfic Games, NBC, 1984; Smurfily-Ever After, NBC, 1985; Star Fairies, syndicated, 1985; The Flintstones' 25th Anniversary Celebration (live-action and animated), CBS, 1986; Ultraman! The Adventure Begins, syndicated, 1987; Yogi and the Magical Flight of the Spruce Goose, syndicated, 1987; Scooby and the Reluctant Werewolf, syndicated, 1987; The Jetsons Meet the Flintstones, syndicated, 1987; Top Cat and the Beverly Hills Cats, syndicated, 1987; Rockin with Judy Jetson (also known as Judy Jetson and the Rockers), syndicated, 1987; Yogi's Great Escape, syndicated, \9%1 \ Scooby-Doo and the Ghoul School, syndicated, 1987; Tis the Season to Be Smurfy, NBC, 1987; The Good, the Bad, and the Huckleberry Hound, syndicated, 1987; Scooby-Doo Meets the Boo Brothers, syndicated, 1987; Yogi and the Invasion of the Space Bears, syndicated, 1987; The Flintstone Kids "Just Say No" Special, ABC, 1988;

Emmy Award, Outstanding Achievement in the Field of Children's Programming, 1960, for The Huckleberry Hound Show; Golden Globe, Outstanding Achievement in International Television Cartoons, 1965, for The Flintstones; Emmy Award, Outstanding Children's Special, 1966, for Jack and the Beanstalk; Emmy Award, Outstanding Achievement in Children's Programming (Informational/Factual), 1973, for The Last of the Curlews; Emmy Award, Outstanding Informational Children's Series, 1974, for The Runaways; Annie Award, 1977, for Charlotte's Web; Christopher Award and Emmy Award, Outstanding Special—Drama or Comedy, both 1978, for The Gathering; Emmy Award, Outstanding Children's Entertainment Series, 1982, for The Smurfs; Golden Reel Award, Animation Sound Editing, and Bronze Award, Best 36

BASSETT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Children's Special, both from the International Film and Television Festival of New York, 1982, for The Smurfs' Springtime Special; Emmy Award, Outstanding Children's Entertainment Series, 1983, for The Smurfs; Bronze Award, Best Children's Special, 1984, for The Smurfic Games; Men of the Year Award from the National Center for Hyperactive Children, 1986; Gold Angel Award from Religion in Media, 1986, for Excellence in Media; Distinguished Service Award from the National Religious Broadcasters and Award of Excellence from the Film Advisory Board, both 1987, for The Greatest Adventure: Stories from the Bible; Humanitas Prize, 1987, for "Lure of the Orb" episode of The Smurfs; Governor's Award from the National Academy of Television Arts and Sciences, 1988. MEMBER: National Academy of Television Arts and Sciences, Academy of Motion Picture Arts and Sciences, Cousteau Society. ADDRESSES: OFFICE—Hanna-Barbera Productions, 3400 W. Cahuenga Boulevard, Hollywood, CA 90068.*

BARNETT, Ken See FRANCIS, Freddie

BARR, Roseanne

1952ROSEANNE BARR

PERSONAL: Born November 3, 1952, in Salt Lake City, UT; daughter of Jerry (in sales) and Helen Barr; married Bill Pentland, 1974 (divorced, 1989); married Tom Arnold, January 20, 1990; children: Jessica, Jennifer, Jake (first marriage). RELIGION—Jewish.

AWARDS: American Comedy Award, Funniest Female Performer in a Television Special, ACE Awards, Funniest Female in a Comedy and Best Comedy Special, all 1987, for On Location: The Roseanne Barr Show; Golden Globe nomination, Outstanding Lead Actress in a Comedy Series, 1988, and US magazine Second Annual Readers Poll, Best Actress in a Comedy Series, 1989, both for Roseanne.

VOCATION: Comedienne, actress, and writer. CAREER: Also see WRITINGS below. FILM DEBUT—Ruth Patchett, She-Devil, Orion, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Roseanne Conner, Roseanne, ABC, 1988—. Specials:FastCopy, NBC, \9S5;Funny, ABC, 1986; Rodney Dangerfield—It's Not Easy Bein Me, HBO, 1986; The Tonight Show Starring Johnny Carson 24th Anniversary Special, NBC, 1986; On Location: The Roseanne Barr Show, HBO, 1987; Lifetime Salutes Mom, Lifetime, 1987; The American Comedy Awards, ABC, 1987 and 1988; The Comedy Store 15th Year Class Reunion, NBC, 1988; Like Mother, Like Daughter, Lifetime, 1988; The Barbara Walters Special, ABC, 1989.

ADDRESSES: AGENT—Hal Ray, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.

BASSETT, Linda PERSONAL: Born c. 1950; father, a policeman; mother, a typist.

PRINCIPAL TELEVISION WORK—Creative consultant, Roseanne, ABC, 1988—.

VOCATION: Actress and director.

RELATED CAREER—As a comedienne, has appeared in comedy clubs and concert halls throughout the United States.

CAREER: PRINCIPAL STAGE APPEARANCES—Shirley, Shona, Miss Cade, and Margaret, Fen, Joint Stock Theatre Group, London, then New York Shakespeare Festival (NYSF), Public Theatre, New York City, both 1983; doctor, House, and first girl, Woyceck and Mrs. Smith, The Bald Prima Donna, both Haymarket Studio Company, Liverpool, U.K., then Almeida Theatre, London, 1985; mother, June, and Flora, Aunt Dan and Lemon, NYSF, Public Theatre, then Royal Court Theatre, London, both 1985; Marylou Baines, Mrs. Etherington, and Dolcie Star, Serious Money, London

NON-RELATED CAREER—Window dresser and waitress. WRITINGS: TELEVISION—Series: Roseanne, ABC, 1988—. Specials: On Location: The Roseanne Barr Show, HBO, 1987. OTHER—Roseanne—My Life as a Woman (autobiography), Harper and Row, 1989. 37

BAUER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

production, then NYSF, Public Theatre, both 1987. Also appeared with the Belgrade Theatre-in-Education Company, Coventry, U.K., 1977; in The Cherry Orchard, Medea, and GeorgeDandin, all Leicester Haymarket Studio, London; and in Abel's Sister, London production.

agement, Columbia Plaza, Building 8, Room 2-B, Burbank, CA 91505.*

PRINCIPAL STAGE WORK—Director, Belgrade Theatre-in-Education Company, Coventry, U.K., 1977.

BAVA, Mario 1914(John Foan, John Hold, John M. Old)

FILM DEBUT—Gertrude Stein, Waiting for the Moon, Skouras, 1987. PRINCIPAL FILM APPEARANCES—Jane Swanton, Paris By Night, Cineplex Odeon, 1989; also appeared in Trqffik, Film Four International, 1989; and Leave to Remain.

PERSONAL: Born July 31, 1914, in San Remo, Italy; son of a sculptor. VOCATION: Director, cinematographer, and screenwriter.

ADDRESSES: AGENT—Megan Willis, Garricks, 7 Garrick Street, London WC2 E 9AR, England.*

CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Cinematographer, L'elisir d'amore (also known as This Wine of Love), Superfilm, 1948; cinematographer, The Taming of Dorothy (also known as Her Favourite Husband), Eagle-Lion/United Artists, 1955; cinematographer, The Devil's Commandment (also known as / vampiri and Lust of the Vampires), RCIP, 1956; cinematographer, Mio figlio Nerone (also known as Nero's Mistress, Nero's Big Weekend, and My Son Nero), 1956, released in the United States by Art Films/Manhattan Films International, 1962; cinematographer, La morte viene dalla spazio (also known as The Day the Sky Exploded, Le Danger vient de /' espace, and Death from Outer Space), 1958, released in the United States by Excelsior, 1961; director (as John Foan) and cinematographer, Caltiki, the Immortal Monster (also known as Caltiki, il monstro immortale), Allied Artists, 1959; cinematographer, La tatiche de Ercole (also known as Hercules), Embassy/Warner Brothers, 1959; cinematographer (with Franco Vodopivec), Agi Murad, il diavolo bianco (also known as The White Warrior and Beli Djavo), 1959, released in the United States by Warner Brothers, 1961.

BAUER, Rocky See BAUER, Steven

BAUER, Steven 1956(Rocky Bauer, Rocky Echevarria) PERSONAL: Born Steven Echevarria, December 2, 1956, in Havana, Cuba; immigrated to the United States in 1959; married Melanie Griffith (an actress), May, 1982 (divorced). EDUCATION—Studied acting at Miami-Dade Community College.

Cinematographer, Esther and the King, Twentieth Century-Fox, 1960; cinematographer, The Giant of Marathon, Metro-GoldwynMayer (MGM), 1960; cinematographer, Ercole e la regina lidia (also known as Hercules Unchained), Warner Brothers/Embassy, 1960; producer, director, cinematographer (with Ubaldo Terzano), and art director (with Giorgio Giovannini), La maschera del demonio (also known as Black Sunday), 1960, released in the United States by American International, 1961; producer, Atom Age Vampire, Topaz, 1961; second unit director, The Wonders of Aladdin (also known as Le meraviglie di Aladino), MGM, 1961; director and cinematographer (with Terzano), Gli invasori (also known as Erik the Conquerer, La Ruee des Vikings, and Fury of the Vikings), 1961, released in the United States by American International, 1963; director and cinematographer, Ercole al centra della terra (also known as Hercules in the Haunted World), 1961, released in the United States by Woolner Brothers, 1964; director, / tre volti della paura (also known as Black Sabbath), 1963, released in the United States by American International, 1964; director and cinematographer, La regazza che sapeva troppo (also known as Evil Eye), 1963, released in the United States by American International, 1964; director (as John M. Old), La frusta e il corpo (also known as What! and Night Is the Phantom), 1963, released in the United States by Futuramic Releasing Organization, 1965; director, Sei donneper Vassassino (also known as Blood and Black Lace, Six femmes pour I'assassin, and Blutige Seide), 1964, released in the United States by Allied Artists/Woolner Brothers, 1965.

VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Waiting for Lefty, 1980. PRINCIPAL STAGE APPEARANCES—Tig, Balm in Gilead, Minetta Lane Theatre, New York City, 1984; Taj Mohamud, Nanawatai, Los Angeles Theatre Center, Los Angeles, 1985. PRINCIPAL FILM APPEARANCES—Manny Ray, Scarf ace, Universal, 1983; Scott Muller, Thief of Hearts, Paramount, 1984; Frank, Running Scared, Metro-Goldwyn-Mayer/United Artists, 1986; Frank, Wildfire, Zupnik Cinema, 1988; Taj, The Beast, Columbia, 1988; Al Lucero, Gleaming the Cube, Twentieth Century-Fox, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: (As Rocky Echevarria) Private First Class Ignacio Carmona, From Here to Eternity, NBC, 1980; also Que Pasa U.S.A.?, PBS. Pilots: (As Rocky Bauer) Nick Donate, She's in the Army Now, ABC, 1981; (as Rocky Bauer) Buck Nichols, Nichols andDymes, NBC, 1981. Episodic: Gambler, "Man from the South," Alfred Hitchcock Presents, NBC, 1985; also Doctors Private Lives, ABC, 1979; The Rockford Files, NBC; Hill Street Blues, NBC; One Day at Time, CBS. Movies: (As Rocky Bauer) Dune Widders, An Innocent Love, CBS, 1982; Avner, Sword of Gideon, HBO, 1986; Enrique "Kiki" Camarena, Drug Wars: The Camarena Story, NBC, 1990. Specials: Montoya, "Tales from the Hollywood Hills: A Table at Giro's," Great Performances, PBS, 1987.

Director, Planet of the Vampires (also known as Terrore nello spazio, Terror en el espacio, Planet of Blood, and Demon Planet), American International, 1965; director (as John M. Old), La strada

ADDRESSES: MANAGER—Phyllis Carlyle, Phyllis Carlyle Man-

38

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BEARD

VOCATION: Actress.

per Fort Alamo (also known as Arizona Bill and The Road to Fort Alamo), 1965, released in the United States by World Entertainment, 1966; director, Dr. Goldfoot and the Girl Bombs (also known as Le spie vengono dal semifreddo and / due mafiosi dell'F.B.I.), American International, 1966; director, Kill Baby Kill (also known as Operazione paura and Curse of the Living Dead), Europix Consolidated, 1966; director (as John Hold), / coltelli del vendicatore (also known as Knives of the Avenger and Raffica di coltelli), 1967, released in the United States by World Entertainment, 1968; director, Danger: Diabolik (also known as Diabolik and Danger Diabolik), Paramount, 1968; director, Hatchet for a Honeymoon (also known as Una hackapara la luna de miel, II roso segno della pollias, and Blood Brides), G.G.P., 1969.

CAREER: PRINCIPAL STAGE APPEARANCES—Liolla, Theatre de la Commune, France, 1974; also The Three Sisters, 1978. FILM DEBUT—Two People, Universal, 1973. PRINCIPAL FILM APPEARANCES—Joelle, La Nuit Americaine (also known as Day for Night), Warner Brothers/Columbia, 1973; Nathalie, La Gueule ouverte (also known as The Mouth Agape), Films la Boetie, 1974; girl, Un Jour la fete (also known as One Day Joy), Union Generale Cinematographique, 1975; Martine Desdoits, LHomme qui aimait lesfemmes (also known as The Man Who Loved Women), Cinema V, 1977; Janine, Monsieur Papa, Gaumont International, 1977; Fabienne, Mon premier amour (also known as My First Love), Gaumont, 1978; Cecilia Mandel, La Chambre verte (also known as The Green Room), New World, 1979; Judith Mesnil, La Memoir e courte (also known as Short Memory), Unite Trois/Paradise, 1979.

Director, Quante volte . . . quella nolle (also known as How Often . . . That Night?), Delfina Cinematografica, 1971; director and cinematographer, Antefatto (also known as Twitch of the Death Nerve, Before the Fact—The Ecology of a Crime, Bloodbath, and Last House on the Left, Part II), New Realm Distributors, 1971; director, Baron Blood (also known as Gli orrori del castello de Norimberga), American International, 1972; special effects coordinator, Moses, AVCO-Embassy, 1976; director and cinematographer, Beyond the Door II (also known as Shock), Film Ventures, 1979; special effects coordinator, Inferno, Twentieth Century-Fox, 1980. Also directed Roy Colt e Winchester Jack, 1970; Reazione a catena, 1973; // diavolo e il morto, 1974; Baby Kong, 1977; La venere dellille, 1979.

Denise Rimbaud, Sauve qui peut la vie (also known as Every Man for Himself and Slow Motion), New Yorker, 1980; Brigitte, Je vais craquer! (also known as The Rat Race), CCFC, 1980; Laurence Cuers, Une semaine de vacances (also known as A Week s Vacation), Curzon Film Distributors/Parafrance, 1980; Charlotte, Beau Pere, New Line Cinema, 1981; Anna, L Ombre rouge (also known as The Red Shadow), MK2, 1981; Christine, La Provinciale (also known as A Girl from Lorraine), New Yorker, 1982; Helene/ Patricia, J'ai espouse une ombre (also known as / Married a Shadow and / Married a Dead Man), AMLF/Sara/New Yorker, 1982; Nicole, La Balance (also known as The Nark), Gala, 1983; Bertrande de Rols, Le Retour de Martin Guerre (also known as The Return of Martin Guerre), European International, 1983; Leonore, Beethoven's Nephew (also known as Le Neveu de Beethoven), Orfilm/Almaro/CBL, 1985; Francoise Chenal, Detective, Spectrafilm, 1985; Cecile Carline, Lune de miel (also known as Honeymoon), International Film Marketing/A A A/Re vcom, 1985; Alice, De guerre lasse (also known as For the Sake of Peace), Jupiter Communications/Sara/CDF, 1987; Catherine, En toute innocence (also known as In All Innocence and No Harm Intended), AMLF/ World Marketing, 1988; Lena Korski, La Baule—Les Pins, Union Generale Cinematographique, 1990. Also appeared in Le Plein de super (also known as Fill It Up, Premium! and Fill 'er Up with Super), Union Generale Cinematographique, 1975; Le Derniere femme (also known as L ultima donna and The Last Woman), Columbia, 1975; La jalousie, 1975; Le Voyage de noces (also known as The Honeymoon Trip), Fox-Lira, 1976; Mado, Films la Boetie, 1976; La Communion solonnelle, 1976; Une Etrange affaire, 1981; Rive Droite, Rive Gauche (also known as Right Bank, Left Bank), Parafrance, 1984.

PRINCIPAL TELEVISION WORK—Mini-Series: Special effects coordinator, Moses—The Lawgiver, CBS, 1975. RELATED CAREER—Assistant cameraman. WRITINGS: See production details above. FILM—(With Ennio De Concini, Marion Serandrei, and Marcello Coscia) La maschera del demonio, 1960; (with Oreste Biancoli and Piero Peirotti) Gli invasori, 1961; (with Alessandro Continenza, Duccio Tessari, and Franco Prosperi) Ercole al centre della terra, 1961; (with Marcello Fondato and Alberto Bevilacqua) / Ire volti della paura, 1963; (with De Concini, Prosperi, Eliana De Sabata, Enzo Corbucci, and Mino Guerrini) La regazza che sapeva troppo, 1963; (with Marcel Fondat and Joe Barilla) Sei donneper Vassassino, 1964; (with Bevilacqua, Callisto Cosulich, Antonio Roman, Rafael J. Salvia, Ib Melchior, anda Louis M. Hey ward) Planet of the Vampires, 1965; (with Romano Migliorini, Roberto Natale, and John Hart) Kill Baby Kill, 1966; (with Alberto Liberati and George Simonelli) / coltelli del vendicatore, 1967; (with Dino Mauri, Brian Degas, and Tudor Gates) Danger: Diabolik, 1968; (with Santiago Moncada) Hatchet for a Honeymoon, 1969; Roy Colt e Winchester Jack, 1970; also (with Carlo Reali) Antefatto, 1971.*

PRINCIPAL TELEVISION APPEARANCES—Madame Sourdis, 1979. RELATED CAREER—Toured the United States with a dance company. AWARDS: Cesar Award, Best Supporting Actress, 1980, for Sauve qui peut la vie; Cesar Award, Best Actress, 1983, for La Balance. *

BAYE, Nathalie

1948-

PERSONAL: Born July 6, 1948, in Mainneville, France; children: one. EDUCATION—Graduated from the Paris Conservatory of Dramatic Art, 1972; studied classical and modern dance in New York; studied acting in Cours (Rene) Simon, France.

BEARD, Winston See GOLDMAN, James 39

BEARSE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BEARSE, Amanda

Toward the Unknown (also known as Brink of Hell), Warner Brothers, 1956; Home Before Dark, Warner Brothers, 1958; Lafayette Escadrille (also known as Hell Bent for Glory), Warner Brothers, 1958; Too Much, Too Soon, Warner Brothers, 1958; The F.B.L Story, Warner Brothers, 1959; The Helen Morgan Story (also known as Both Ends of the Candle), Warner Brothers, 1959.

PERSONAL: EDUCATION—Attended Birmingham Southern College; trained for the stage with Sanford Meisner at the Neighborhood Playhouse. VOCATION: Actress.

Art director: Guns of the Timberland (also known as Stampede), Warner Brothers, 1960; (with Lyle Wheeler) Wake Me When It's Over, Twentieth Century-Fox, 1960; The Devil at Four O'Clock, Columbia, 1961; A Majority of One, Warner Brothers, 1961; Gypsy, Warner Brothers, 1962; Mary, Mary, Warner Brothers, 1963; The Trouble with Angels, Columbia, 1966; Who's Minding the Mint?, Columbia, 1967; Assignment to Kill, Warner Brothers/ Seven Arts, 1968; (with Alexander Golitzen) In Enemy Country, Universal, 1968; Hook, Line, and Sinker, Columbia, 1969; Which Way to the Front?, Warner Brothers, 1970.

CAREER: PRINCIPAL FILM APPEARANCES—Soap opera actress, Protocol, Warner Brothers, 1984; Nicole Ferret, Fraternity Vacation, New World, 1985; Amy Peterson, Fright Night, Columbia, 1985. PRINCIPAL TELEVISION APPEARANCES—Series: Amanda Cousins, All My Children, ABC, 1982-84; Marcy Rhoades, Married . . . With Children, Fox, 1987—. Episodic: Jean Hay wood, Hotel, ABC, 1986. Movies: Karen, First Affair, CBS, 1983; Cathy, The Goddess of Love, NBC, 1988.

PRINCIPAL TELEVISION WORK—All as art director. Series: Gibbsville, NBC, 1976; Joe Forrester, NBC, 1975-76; Ryan's Four, ABC, 1983; (with Herman Zimmerman) All Is Forgiven, NBC, 1986; Designing Women, CBS, 1986-89; also (with Bellah) The Partridge Family, ABC; Call to Glory, ABC; Tabitha, ABC; Cheers, NBC; Webster, ABC. Pilots: (With Ross Bellah) Call Holme, NBC, 1972; (with Bellah) Matt Helm, ABC, 1975; (with Bellah) The Turning Point of Jim Malloy, NBC, 1975; The Cabot Connection, CBS, 1911', Mobile Medics, CBS, 1977; (with Bellah) Annie Flynn, CBS, 1978; (with Bellah) Doctors' Private Lives, ABC, 1978; (with Bellah) Salvage, ABC, 1979; Nero Wolfe, NBC, 1979; Modesty Blaise, ABC, 1982. Movies: Black Noon, CBS, 1971; (with Bellah) Call Her Mom, ABC, 1972; (with Bellah) The Dream Merchants, syndicated, 1980; (with Bellah) To Find My Son, CBS, 1980; (with Bellah) Kate's Secret, NBC, 19&6; Miracle of the Heart: A Boystown Story, syndicated, 1986.

SIDELIGHTS: RECREATIONS—Motorcycling along the California coast. ADDRESSES: AGENT—The Agency, 10351 Santa Monica Boulevard, Suite 211, Los Angeles, CA 90025.*

BECKMAN, John

c. 1898-1989

PERSONAL: Born c. 1898 in Astoria, OR; died October 25, 1989, in Sherman Oaks, CA; father, a doctor; children: one son, one daughter. EDUCATION—Attended the University of California, Berkeley.

RELATED CAREER—Architect, Meyer and Holler, Los Angeles; worked on interior design for Grauman's Chinese Theatre (now Mann's Chinese Theatre); designed murals for the Avalon Casino, Santa Catalina Island, CA.

VOCATION: Art director and set designer. CAREER: FIRST FILM WORK—Set designer, Nana (also known as Lady of the Boulevards), United Artists, 1934. PRINCIPAL FILM WORK—Set designer: Kid Millions, United Artists, 1934; One Night of Love, Columbia, 1934; A Midsummer Night's Dream, Warner Brothers, 1935; Clive of India, United Artists, 1935; The Petrified Forest, Warner Brothers, 1936; Mr. Deeds Goes to Town, Columbia, 1936; Lost Horizon, Columbia, 1937; The Prince and the Pauper, Warner Brothers, 1937; The Adventures of Robin Hood, Warner Brothers, \93S\Juarez, Warner Brothers, 1939; The Roaring Twenties, Warner Brothers, 1939; High Sierra, Warner Brothers, 1941; The Maltese Falcon, Warner Brothers, 1941; Casablanca, Warner Brothers, 1942; This Is the Army, Warner Brothers, 1943; Arsenic and Old Lace, Warner Brothers, 1944; Mr. Skeffington, Warner Brothers, 1944.

OBITUARIES AND OTHER SOURCES: Hollywood Reporter, October 30, 1989; New York Times, October 31, 1989; Variety, November 1, 1989.*

BENNETT, Alan

1934-

PERSONAL: Born May 9, 1934, in Leeds, England; son of Walter (a butcher) and Lilian Mary (Peel) Bennett. EDUCATION—Oxford University, B.A., 1957, M.A., 1962. MILITARY—British Army, Intelligence Corps, 1952-54.

All as art director, unless indicated: Set designer, Mildred Pierce, Warner Brothers, 1945; set designer, Rhapsody In Blue, Warner Brothers, 1945; Monsieur Verdoux, United Artists, 1947; set designer, Johnny Belinda, Warner Brothers, 1948; set designer, The Glass Menagerie, Warner Brothers, 1950; The Iron Mistress, Warner Brothers, 1952; Springfield Rifle, Warner Brothers, 1952; So Big, Warner Brothers, 1953; The System, Warner Brothers, 1953; Calamity Jane, Warner Brothers, 1953; Lucky Me, Warner Brothers, 1953; The McConnell Story (also known as Tiger in the Sky), Warner Brothers, 1955; Young at Heart, Warner Brothers, 1955; Hell on Frisco Bay (also known as The Darkest Hour), Warner Brothers, 1956; The Bad Seed, Warner Brothers, 1956;

VOCATION: Playwright and actor. CAREER: Also see WRITINGS below. STAGE DEBUT—Ensemble, Better Late (revue) Oxford Theatre Group, Edinburgh Festival, Cranston Street Hall, Edinburgh, Scotland, 1959. LONDON DEBUT—Ensemble, Beyond the Fringe (revue), Fortune Theatre, 1961. BROADWAY DEBUT—Ensemble, Beyond the Fringe (revue), John Golden Theatre, 1962. PRINCIPAL STAGE APPEARANCES—Ensemble, Beyond the Fringe (revue), Edinburgh Festival, Lyceum Theatre, Edinburgh, Scotland, 1959; Archbishop of 40

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BENNETT

TELEVISION—Series: On the Margin, BBC, 1966; "Our Winnie," '' A Woman of No Importance," " Rolling Home," " Marks,'' and "Say Something Happened," Objects of Affection, BBC, 1982, all published in Objects of Affection and Other Plays for Television, BBC Publications, 19S2; Talking Heads, BBC, 1987, published by BBC Publications, 1987. Episodic: "Bed Among the Lentils" (broadcast on BBC as an episode of Talking Heads), Masterpiece Theatre, PBS, 1989. Also A Day Out, BBC, 1972, published in Objects of Affection and Other Plays for Television, 1982; Sunset Across the Bay, BBC, 1975; A Little Outing, BBC, 1977; A Visit from Miss Prothero, BBC, 1978, published in Office Suite, Faber andFaber, 1981; Me, I'm Afraid of Virginia Woolf, 1978, published in The Writer in Disguise, Faber and Faber, 1985; Doris and Doreen, 1978, published as Green Forms in Office Suite 1981; The Old Crowd, Afternoon Off, One Fine Day, and All Day on the Sands, all 1979, published in The Writer in Disguise, 1985; Intensive Care, BBC, 1982, published in Objects of Affection and Other Plays for Television, 1982; An Englishman Abroad, BBC-2, 1983, published in Objects of Affection and Other Plays for Television, 1982; The Insurance Man, BBC, 1986, published in Two Kafka Plays, Faber and Faber, 1987.

Canterbury, Blood of the B ambergs, Royal Court Theatre, London, 1962; Reverend Sloley-Jones, A Cuckoo in the Nest, Royal Court Theatre, 1964; Tempest, Forty Years On, Apollo Theatre, London, 1968; Mrs. Swabb, Habeas Corpus, Lyric Theatre, London, 1974; Anthony Blunt, "A Question of Attribution" in Secret Spies, National Theatre, then Queen's Theatre, both London, 1989. PRINCIPAL FILM APPEARANCES—Neville's doctor, Long Shot, Mithras, 1981; voice of Mock Turtle, Dreamchild, Universal/ Columbia/EMI/Warner Brothers, 1985; the Bishop, Little Dorrit, Cannon, 1987; also appeared in Pleasure at Her Majesty's (documentary), Roger Graef, 1976; The Secret Policeman's Other Ball, United International/Almi/Cinema V, 1981. PRINCIPAL TELEVISION APPEARANCES—Series: On the Margin, BBC, 1966; host, The Alan Bennett Series, BBC, 1966-67. MiniSeries: Lord Pinkrose, Fortunes of War, BBC, then Masterpiece Theatre, PBS, 1987. Episodic: Talking Heads, BBC. Specials: Beyond the Fringe (revue), BBC, 1964. Also appeared in various roles, My Father Knew Lloyd George, BBC, 1965; Augustus Hare, Famous Gossips, 1965; Streets Ahead, BBC, 1966; Alice in Wonderland, BBC, 1967; A Day Out, BBC, 1972; Denis Midgley, Intensive Care, 1982; Shallow, The Merry Wives of Windsor, 1982; housemaster, Breaking Up, 1986.

RADIO—Specials: Uncle Clarence, 1986. OTHER—Contributor, London Review of Books.

PRINCIPAL TELEVISION WORK—Episodic: Director, "Bed Among the Lentils," Talking Heads, BBC, then Masterpiece Theatre, PBS, 1989.

AWARDS: London Evening Standard Award, Best Revue or Musical, 1961, for Beyond the Fringe; New York Drama Critics' Circle Award and Antoinette Perry Award, both Special Awards, 1963, for Beyond the Fringe; British Academy of Film and Television Arts Award, Light Entertainment Performance (television), 1967; Guild of Television Producers Award, 1967, for On the Margin; London Evening Standard Award, 1968, for Forty Years On; London Evening Standard Award, 1971, for Getting On; British Academy of Film and Television Arts Award—Television Writers, 1983; Broadcasting Press Guild Award, 1984; Royal Television Society Awards, 1984 and 1986; London Evening Standard Award, 1985.

PRINCIPAL RADIO APPEARANCES—Specials: The Great Jowett, 1980-Dragon, 1982. NON-RELATED CAREER—Junior lecturer in modern history, Oxford University, 1960-62; instructor, Joint Services School for Linguists; professor of medieval history; president, North Craven Heritage Trust. WRITINGS: STAGE—(With Dudley Moore, Peter Cook, and Jonathan Miller) Beyond the Fringe (revue), Edinburgh Festival, Lyceum Theatre, Edinburgh, Scotland, 1959, then Fortune Theatre, London, 1961, later John Golden Theatre, New York City, 1962, published by Souvenir Press, 1962, and Random House, 1963; Forty Years On, Palace Theatre, Manchester, U.K., then Apollo Theatre, London, both 1968, published by Faber and Faber, 1969; (with Carol Brahms and Ned Sherrin) Sing a Rude Song, Greenwich Theatre, London, 1969; Getting On, Theatre Royal, Brighton, U.K., then Queen's Theatre, London, both 1971, published by Faber and Faber, 1972; Habeas Corpus, Oxford Playhouse, Oxford, U.K., then Lyric Theatre, London, both 1973, later Martin Beck Theatre, New York City, 1975, published by Faber and Faber, 1973; The Old Country, Oxford Playhouse, then Queen's Theatre, both 1977, published by Faber and Faber, 1978; Enjoy, Richmond Theatre, Surrey, U.K., then Vaudeville Theatre, London, both 1980, published by Faber and Faber, 1980; Kafka's Dick, first produced in London, 1986, published in Two Kafka Plays, Faber and Faber, 1987; "Green Forms" and "A Visit from Miss Prothero," in Office Suite (double-bill), first produced in London, 1987, published by Faber and Faber, 1981; "An Englishman Abroad" and "A Question of Attribution," in Secret Spies (double-bill), National Theatre, then Queen's Theatre, both 1989.

MEMBER: British Actors' Equity Association, Actors' Equity Association, American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Medieval history. ADDRESSES: AGENT—Anthony Jones, A.D. Peters Ltd., 10 Buckingham Street, London WC2N 6BU, England.*

BENNETT, Harve

1930-

PERSONAL: Born Harve Bennett Fischman, August 17, 1930, in Chicago, IL; son of Yale (a lawyer) and Kathryn (a journalist; maiden name, Susman) Fischman; married Carole Oettinger (an agent); children: Christopher, Susan, Callie, Samantha. EDUCATION—Received B. A. , theatre arts, from the University of California, Los Angeles. VOCATION: Producer and screenwriter.

FILM—A Private Function, Island Alive, 1985, published by Faber and Faber, 1984; Prick Up Your Ears, Samuel Goldwyn, 1987, published by Faber and Faber, 1987.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Flight recorder, Star Trek III: The Search for Spock, Paramount, 1984; Star Fleet commander, Star Trek V: The Final 41

BENSON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Frontier, Paramount, 1989. PRINCIPAL FILM WORK—Executive producer, Star Trek II: The Wrath of Khan, Paramount, 1982; producer, Star Trek HI: The Search for Spock, Paramount, 1984; producer, Star Trek IV: The Voyage Home, Paramount, 1986; producer, Star Trek V: The Final Frontier, Paramount, 1989.

syndicated, 1984. Specials: A Woman Called Golda, syndicated, 1982. PRINCIPAL RADIO APPEARANCES—Series: Regular, The Quiz Kids. RELATED CAREER—President, University of California, Los Angeles Theatre Arts Alumni Association, 1985-1990; also president, Bennett-Katleman Productions; associate producer and special events producer, CBS-TV; vice-president, ABC-TV; director of television commercials; newspaper columnist; drama critic; freelance writer.

PRINCIPAL TELEVISION WORK—All as executive producer, unless indicated. Series: Producer (with Tony Barrett), The Mod Squad, ABC, 1968-73; (also creator) The Young Rebels, ABC, 1970-71; The Invisible Man, NBC, 1975-76; The Gemini Man, NBC, 1976; (with Allan Baiter) The Six Million Dollar Man, ABC, 1973-78; (with Harris Katleman) The American Girls, CBS, 1978; (with Katleman) Salvage 1, ABC, 1979; (with Katleman) From Here to Eternity, NBC, 1980; (with Bruce Lansbury) The Powers of Matthew Star, NBC, 1982-83. Mini-Series: Rich Man, Poor Man, ABC, 1976; (with Katleman) From Here to Eternity, NBC, 1979. Pilots: The Invisible Man, NBC, 1975; GeminiMan (also known as Code Name: Minus One), NBC, 1976; (with Katleman) Go West, Young Girl!, ABC, 1978; (with Katleman) The Legend of the Golden Gun, NBC, 1979; (with Katleman) Salvage, ABC, 1979; (with Katleman) Alex and the Doberman Gang, NBC, 1980; (with Katleman) Nick and the Dobermans, NBC, 1980. Episodic: Producer, The Bionic Woman, ABC. Movies: Producer, The Birdmen (also known as Escape of the Birdmen), ABC, 1971; producer, The Astronaut, ABC, 1972; producer, Family Flight, ABC, 1972; producer, Death Race, ABC, 1973; producer, Money to Burn, ABC, 1973; You'll Never See Me Again, ABC, 1973; The Alpha Caper (also known as Inside Job], ABC, 1973; Houston, We've Got a Problem, ABC, 1974; Heatwave!, ABC, 1974; Guilty or Innocent: The Sam Sheppard Case, NBC, 1975; The Jesse Owens Story,

NON-RELATED CAREER—Civilian aide to the Secretary of the Army, 1988-1990. WRITINGS: FILM—Star Trek III: The Search for Spock, Paramount, 1984; (with Steve Meerson, Peter Krikes, and Nicholas Meyer) Star Trek IV: The Voyage Home, Paramount, 1986. TELEVISION—Episodic: The Mod Squad, ABC, 1968-73; The Young Rebels, ABC, 1970-71. Movies: (With Gerald DiPego, Charles Kuenstle, and Robert S. Biheller) The Astronaut, ABC, 1972. AWARDS: Golden Globe, Best Dramatic Television Series, 1977, for Rich Man, Poor Man; Emmy Award, Outstanding Drama Special, 1982, for A Woman Called Golda; NAACP Image Award, Best Mini-Series, 1984, for The Jesse Owens Story. ADDRESSES: OFFICE—c/o Paramount Pictures, 5555 Melrose Avenue, Los Angeles, CA 90038.

BENSON, Robby

1956-

PERSONAL: Born Robin Segal, January 21, 1956, in Dallas, TX; son of Jerry Segal (a writer) and Ann Benson (an actress and business promotions manager); married Karla DeVito (a singer and actress). EDUCATION—Attended the American Academy of Dramatic Arts. VOCATION: Actor, director, producer, and writer. CAREER: Also see WRITINGS below. BROADWAY DEBUT— David Hartman, Zelda, Ethel Barrymore Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Third urchin, The Rothschilds, LuntFontanne Theatre, New York City, 1970; Frederic, The Pirates of Penzance, Minskoff Theatre, New York City, 1981. PRINCIPAL FILM APPEARANCES—Title role, Jory, AVCO-Embassy, 1972; Jeremy Jones, Jeremy, United Artists, 1973; Billy Webber, Lucky Lady, Twentieth Century-Fox, 1975; Billy Joe McAllister, Ode to Billy Joe, Warner Brothers, 1976; Henry Steele, One on One, Warner Brothers, 1977; priest, The End, United Artists, 1978; Nick Peterson, Ice Castles, Columbia, 1978;Emilio, Walk Proud (also known as Gang), Universal, 1979; Pinsky, Die Laughing, Warner Brothers, 1980; JudTempleton, Tribute, Twentieth Century-Fox, 1980; Brent Falcone, "Municipalians" in National Lampoon Goes to the Movies, Metro-Goldwyn-Mayer/ United Artists, 1981; Danny Saunders, The Chosen, Contemporary, 1982; Billy Mills, Running Brave, Buena Vista, 1983; Howard Keach, Harry and Son, Orion, 1984; Carver, City Limits, Atlantic, 1985; Pitts, Rent-a-Cop, Kings Road, 1988; Scott, White

HARVE BENNETT

42

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BERLIN

known as Crack in the Mirror and Do It Up), Triax Entertainment/ Paul International, 1989. ADDRESSES: OFFICE—P.O. Box 1305, Woodland Hills, CA 91364. AGENT—Sandy Bresler, Bresler-Kelly and Associates, 15760 Ventura Boulevard, Suite 1730, Encino, CA 91436.*

BERGERE, Lee PERSONAL: Born April 10 in New York, NY. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Phil Gorshin, Happiness Is Just a Little Thing Called a Rolls Royce, Ethel Barrymore Theatre, New York City, 1968. MAJOR TOURS—Nelson, Mrs. McThing, U.S. cities, 1953. PRINCIPAL FILM APPEARANCES—Rudi Andujar, Sullivan's Empire, Universal, 1967; Major Maurice Miral, In Enemy Country, Universal, 1968; Emelio, Bob and Carol and Ted and Alice, Columbia, 1969; narrator, Birds Dolt. . . Bees Do It. . . (documentary), Columbia/Warner Distributors, 1974; Zandor, Time Trackers, Concorde, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: George, Hot I Baltimore, ABC, 1975; Joseph Anders, Dynasty, ABC, 1981-83; also Kitty Foyle, NBC, 1958. Mini-Series: Nicholas Fabray, Atorf/z and South, ABC, 1985; Papa Joe Nicollet, Dream West, CBS, 1986. Pilots: Stan Gorman, The Slightly Fallen Angel (broadcast as episode of The Alcoa Hour), NBC, 1959; Masha, The Six Million Dollar Man, ABC, 1973; Doug Braden, Susan and Sam, NBC, 1977. Episodic: Abraham Lincoln, "The Savage Curtain," Star Trek, NBC, 1969; Maxim Soury, Murder, She Wrote, CBS, 1987; Justin Nash, Falcon Crest, CBS, 1989; also "The Storm," One Step Beyond, ABC, 1960; The Dick Van Dyke Show, CBS, 1962; Mr. Terrific, CBS, 1967; All in the Family, CBS, 1976; Wonder Woman, CBS, 1978; The Addams Family, ABC; McHale's Navy, ABC; The Munsters, CBS; My Favorite Martian, CBS; WKRP in Cincinnati, CBS; Get Smart. Movies: Monsieur Carroll, Evening in Byzantium, syndicated, 1978.

ROBBY BENSON

Hot (also known as Crack in the Mirror and Do It Up), Triax Entertainment/Paul International, 1989. PRINCIPAL FILM WORK—Producer (with Mark Canton), Die Laughing, Warner Brothers, 1980; director, White Hot (also known as Crack in the Mirror and Do It Up), Triax Entertainment/Paul International, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Bruce Carson, Search for Tomorrow, CBS, 1971-73; Detective Cliff Brady, Tough Cookies, CBS, 1986. Episodic: Ed Boiling, Alfred HitchcockPresents, NBC, 1985. Movies: Leroy Small, The VirginiaHill Story, NBC, 1974; Frankie Hodges, Remember When (also known as Four Stars in the Window), NBC, 1974; John, All the Kind Strangers, ABC, 1974; Johnnie Gunther, Death Be Not Proud, ABC, 1975; Richie Werner, The Death of Richie, NBC, 1977; Nolie Minor, Two of a Kind, CBS, 1982; Nathan Bowzer, California Girls, ABC, 1985. Specials: George Gibbs, Our Town, NBC, 1977; John Denver in Australia, ABC, 1978; host, Second Annual CBS Easter Parade, CBS, 1986.

ADDRESSES: AGENT—Calder Agency, 4150 Riverside Drive, Suite 204, Burbank, CA 91505.*

BERLIN, Irving RELATED CAREER—Appeared in television commercials and in summer theatre productions at the age of five; film instructor, University of South Carolina; musician.

1888-1989

PERSONAL: Born Israel Baline, May 11, 1888, in Tyumen, Russia; immigrated to the United States in 1893; died September 22, 1989, in New York, NY; son of Moses (a cantor and shochet [meat/poultry certifier]) and Leah (Lipkin) Baline; married Dorothy Goetz, February, 1913 (died, July 17, 1913); married Ellin Mackay, January 4, 1926 (died, July, 1988); children: Irving (deceased), Mary Ellin, Linda, Elizabeth (second marriage). MILITARY—U.S. Army, Infantry, sergeant, 1917-18.

WRITINGS: FILM—(With Jerry Segal) One on One, Warner Brothers, 1977; (with Don Peake; also composer), Walk Proud, Universal, 1979; (with Segal and Scott Parker; also composer with Segal), Die Laughing, Warner Brothers, 1980; song composer, The Breakfast Club, Universal, 1985; song composer, White Hot (also 43

BERLIN CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Composer and songwriter.

Fiddle, Twentieth Century-Fox, 1939; Louisiana Purchase, Paramount, 1941; Holiday Inn, Paramount, 1942; This Is the Army, Warner Brothers, 1943; Blue Skies, Paramount, 1946; Easter Parade, MGM, 1948; Annie Get Your Gun, MGM, 1950; Call Me Madam, Twentieth Century-Fox, 1953; White Christmas, Paramount, 1954; There's No Business Like Show Business, Twentieth Century-Fox, 1954.

CAREER: Also see WRITINGS below. BROADWAY DEBUT— Ensemble, Up and Down Broadway (revue), Casino Theatre, 1910. PRINCIPAL STAGE APPEARANCES—This Is the Army, Broadway Theatre, New York City, 1942. PRINCIPAL STAGE WORK—Producer, Yip Yip Yaphank, Century Theatre, New York City, 1918; producer (with Robert Sherwood and Moss Hart), Miss Liberty, Imperial Theatre, New York City, 1949.

OTHER—Composer of over 1,500 songs, including: (Lyricist) "Marie from Sunny Italy," 1907; "That Mesmerizing Mendelssohn Tune" and (lyricist with George Whiting) "My Wife's Gone to the Country" both 1909; "Alexander's Ragtime Band," "Ragtime Violin," and "Everybody's Doin' It Now," and (with Ted Snyder)' 'I Want to Be in Dixie,'' all 1911;' 'When I Lost You" and "When the Midnight Choo-Choo Leaves for Alabam'," both 1912; "Down in Chattanooga," 1913; "I Want to Go Back to Michigan" and "Play a Simple Melody," both 1914; "I Love a Piano" and "When I Leave the World Behind," both 1915; "Oh, How I Hate to Get Up in the Morning" and "Mandy," both 1918; "A Pretty Girl Is Like a Melody," 1919; "Say It with Music," 1921; "All Alone" and "What'll I Do?," both 1924; "Always" and "Remember," both 1925; "At Peace with the World" and "Because I Love You," both 1926; "Russian Lullaby," "Blue Skies," "The Song Is Ended," and "Shaking the Blue Skies Away," all 1927; "Marie," 1928; "Puttin' on the Ritz," 1929; "Let Me Sing and I'm Happy" and "Reaching for the Moon," both 1930; "Me!," 1931; "Let's Have Another Cup of Coffee" and "How Deep Is the Ocean," and "Say It Isn't So," all 1932; "Easter Parade," "Supper Time," and "Heat Wave," all 1933; "Cheek to Cheek" and "Top Hat, White Tie, and Tails," and "Isn't This a Lovely Day," all 1935; "Let's Face the Music and Dance," 1936; "I've Got My Love to Keep Me Warm," 1937; "Change Partners," 1938; "God Bless America," 1939; "Any Bonds Today," 1941; "This Is the Army, Mr. Jones," "I Left My Heart at the Stage Door Canteen," "Be Careful, It's My Heart," and "White Christmas," all 1942; "They Say It's Wonderful," "I Got Lost in His Arms," "There's No Business Like Show Business,' '''The Girl That I Marry,'' and ' 'Anything You Can Do," all 1946; "Steppin' Out with My Baby," "It Only Happens When I Dance with You," and "A Couple of Swells," all 1947; "Let's Take an Old Fashioned Walk, 1949; "You're Just in Love," 1950; "Count Your Blessings," 1953; "This Is a Great Country," 1962; "An Old Fashioned Wedding," 1966.

MAJOR TOURS—Show Girl, U.S. cities, 1902. PRINCIPAL FILM APPEARANCES—As himself, Glorifying the American Girl, Paramount, 1930; as himself, This Is the Army, Warner Brothers, 1943. RELATED CAREER—Singer in cafes and for songwriter Harry Von Tilzer, New York City, 1902-05; singing waiter, New York City, 1905-07; staff lyricist, Ted Snyder Company (a music publishing company), New York City, 1909-13; co-founder, Waterson, Berlin, and Snyder (a music publishing company), 1913-1918; cofounder, American Society of Composers, Authors, and Publishers (ASCAP), 1914 (charter member, 1914-1989; director, 1914-18); president, Irving Berlin Inc., renamed Irving Berlin Music Corp., New York City, 1919-1989; founder (with Sam H. Harris and Joseph Schenck), Music Box Theatre, New York City, 1921; also performed in vaudeville. WRITINGS: STAGE—All as composer of music and lyrics, unless indicated: Song contributor, Up and Down Broadway, Casino Theatre, New York City, 1910; song contributor, The Ziegfeld Follies, Jardin de Paris, New York City, 1911; Watch Your Step, New Amsterdam Theatre, New York City, 1914; song contributor, Stop! Look! Listen!, Globe Theatre, New York City, 1915, then retitled Follow the Crowd, Empire Theatre, London, 1916; song contributor, The Century Girl, Century Theatre, New York City, 1916; song contributor, The Cohan Revue of 1918, New Amsterdam Theatre, 1917; (also book) Yip Yip Yaphank, Century Theatre, 1918; song contributor, Canary, Globe Theatre, 1918; song contributor, The Ziegfeld Follies, New Amsterdam Theatre, 1919; song contributor, The Ziegfeld Follies, New Amsterdam Theatre, 1920; Music Box Revue, Music Box Theatre, New York City, 1921; Music Box Revue, Music Box Theatre, 1922; Music Box Revue, Music Box Theatre, 1923; Music Box Revue, Music Box Theatre, 1924; The Cocoanuts, Lyric Theatre, New York City, 1925; song contributor, Betsy, New Amsterdam Theatre, 1926; Ziegfeld Follies, New Amsterdam Theatre, 1927; song contributor, Shoot the Works, George M. Cohan Theatre, New York City, 1931; Face the Music, New Amsterdam Theatre, 1932; As Thousands Cheer, Music Box Theatre, 1933; Louisiana Purchase, Imperial Theatre, New York City, 1940; This Is the Army, Broadway Theatre, New York City, 1942; Annie Get Your Gun, Imperial Theatre, 1946; Miss Liberty, Imperial Theatre, 1949; Call Me Madam, Imperial Theatre, 1950; Mr. President, St. James Theatre, New York City, 1962; (new music and lyrics) Annie Get Your Gun, State Theatre, New York City, 1966.

AWARDS: Academy Award nomination, Best Music (Song), 1935, for "Cheek to Cheek" from Top Hat; Academy Award nomination, Best Music (Song), 1938, for "Change Partners" from Carefree; Academy Award nomination, Best Music (Song), 1938, for "Now It Can Be Told" from Alexander's Ragtime Band; Academy Award nomination, Best Music (Song), 1939, for "I Poured My Heart into a Song" from Second Fiddle; Academy Award, Best Music (Song), 1942, for "White Christmas" from Holiday Inn; Academy Award nomination, Best Writing (Original Story), 1942, for Holiday Inn; Medal of Merit, 1945, for This Is the Army; Theodore Roosevelt Distinguished Service Medal from the Theodore Roosevelt Association, 1946; Academy Award nomination, Best Music (Song), 1946, for' 'You Keep Coming Back Like a Song" from Blue Skies; French Legion of Honor, 1947; Academy Award nomination, Best Music (Song), 1954, for "Count Your Blessings" from White Christmas; Congressional Gold Medal of Honor, 1955, "in recognition of his services in composing many patriotic songs including 'God Bless America' "; Antoinette Perry Award, 1963, for' 'distinguished contribution to the musical theatre for many years"; Lifetime Achievement Award from the National Academy of Recording Arts and Sciences, 1968; Presidential

FILM—All as composer of songs: The Cocoanuts, Paramount, 1929; Hallelujah, Metro-Goldwyn-Mayer (MGM), 1929; Mammy, Warner Brothers, 1930; Reaching for the Moon, United Artists, 1931; Top Hat, RKO, 1935; Follow the Fleet, RKO, 1936; On the Avenue, Twentieth Century-Fox, 1937; Alexander's Ragtime Band, Twentieth Century-Fox, 1938; Carefree, RKO, 1938; Second 44

HHHHHHHHHHHHHHHHHHHHHHHHHHHH

1986; Vern Puckett, Kingpins (broadcast as an episode of CBS Summer Playhouse), CBS, 1987; Cecil Kincaid, Heart and Soul, ABC, 1989. Episodic: Jim Willis, The White Shadow, CBS, 1978; Major Sydney, M*A*S*//, CBS, 1982; Arnie Sandoval, Hardcastle and McCormick, ABC, 1985; Boswell Stokes, The Cosby Show, NBC, 1986; Marquette, Cagney and Lacey, 1986, 1987, and 1988; Hap, Downtown, CBS, 1986; Dexter Rollins, Amen, NBC, 1987; Jack Davis, Beauty and the Beast, CBS, 1987; Richard, A Year in the Life, NBC, 1987; Wilson Brickett, Designing Women, CBS, 1988; Officer Sweeney, It's Garry Shandling's Show, Showtime, 1988; Mr. Noack, Empty Nest, NBC, 1988; Attorney General, Wiseguy, CBS, 1989; Bishop Grace, UNSUB, NBC, 1989; Dr. Martin Luther King, Jr., "The Meeting," American Playhouse, PBS, 1989; Lieutenant Mulvihill, Hardball, NBC, 1989; also Judge Willard, Night Court, NBC; Starman, ABC; St. Elsewhere, NBC; Knots Landing, CBS; Crazy Like a Fox, ABC; Hotel, ABC.

Medal of Freedom, 1977; Lawrence Langer Award for "distinguished lifetime achievement in the American theatre," 1978; Kennedy Center Honors, 1987. HONORARY DEGREES—Bucknell University, D.Mus., 1939; Temple University, D.Mus., 1954; Fordham University, D.H.L., 1969. OBITUARIES AND OTHER SOURCES: New York Times, September 23, 1989; Variety, September 27-October 3, 1989.*

BERNARD, Jason

1938-

PERSONAL: Born Ronald Carl Johnson, May 17, 1938, in Chicago, IL; son of Milton Prentice (a minister) and Bernice Gloria (a government supervisor) Johnson; wife's name, Carole (divorced); children: Jason Kimani. EDUCATION—Received B.A. from the University of Chicago; received M.F.A. in theatre history from New York University; trained for the stage with Uta Hagen, Irene Dailey, Lee Strasberg, and Sanford Meisner. MILITARY—U.S. Army, Special Forces, Airborne Rangers.

Movies: Coach Temple, Wilma, NBC, 1977; Daddy Ben Ross, A Woman Called Moses, NBC, 1978; Dale Wrightson, The Night the City Screamed, ABC, 1980; Judge, / Was a Mail Order Bride, CBS, 1982; Everett, Pray TV, ABC, 1982; Caleb Taylor, V, NBC, 1983; Captain Sydney, City Killer, NBC, 1984; Sergeant Wally Rydell, The Rape of Richard Beck, ABC, 1985; Lieutenant Devins, The Children of Times Square, ABC, 1986; Sergeant Koslow, Perry Mason: The Case of the Murdered Madam, NBC, 1987; Lieutenant Crawford, Gladiator School, ABC, 1988; Dectective Mitchell, Original Sin, NBC, 1989.

VOCATION: Actor and director. CAREER: STAGE DEBUT—Sydney Prince, Light Up the Sky, Drama Inc., Chicago, IL, 1960. OFF-BROADWAY DEBUT—John, Day of Absence and Klan, Happy Ending (double-bill), St. Mark's Playhouse, 1965. PRINCIPAL STAGE APPEARANCES—Prosecutor, Trial of the Catonsville Nine, Center Theatre Group, Mark Taper Forum, Los Angeles, 1971; also appeared in MacBirdf, Village Gate Theatre, New York City, 1967; Krapp's Last Tape, The Threepenny Opera, A Midsummer Night's Dream, and Henry IV, Part One, all Seattle Repertory Theatre, Seattle, WA, 1967-69; In a Fine Castle, Center Theatre Group, New Theatre for Now, Los Angeles, 1972; Seasons, Back Alley Theatre, Van Nuys, CA; Split Second, Santa Monica Playhouse, Santa Monica, CA; The Meeting, Circle Theatre, Los Angeles; Dream on Monkey Mountain, Center Theatre Group; Master Harold and the Boys, New Mexico Repertory Theatre, Albuquerque, NM.

RELATED CAREER—Acting teacher, Black Arts West, Seattle, WA, 1970-73; drama teacher, University of Northern Iowa, Cedar Falls, IA, 1973-75; artistic director, New Phoenix Theatre, Waterloo, IA, 1973-75; acting teacher and director, Hal DeWindt's Actors Studio, 1978-84. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Academy of Motion Picture Arts and Sciences, Actors' Studio. SIDELIGHTS: FAVORITE ROLES—Coach Temple in Wilma, Reverend Grace in UNSUB, and Martin Luther King, Jr. in "The Meeting," American Playhouse.

PRINCIPAL STAGE WORK—Director: The Blacks and Blood Knot, both Seattle Repertory Theatre, Seattle, WA, 1968-69; Dream on Monkey Mountain, In the Wine Time, and Harrangues, all Black Arts West, Seattle, 1970-73; The Rimers ofEldridge, New Phoenix Theatre, Waterloo, IA, 1973-75.

ADDRESSES: OFFICE—Cameleon Productions, P.O. Box 3811, Santa Fe, NM 87501-3811. AGENT—Larry Masser, Agency for the Performing Arts, 9000 Sunset Boulevard, Los Angeles, CA 90069.

PRINCIPAL FILM APPEARANCES—Seldon, Thomasine andBushrod, Columbia, 1974; Charles Foley, Friday Foster, American International, 1975; parole officer, Car Wash, Universal, 1976; Goose, Uncle Joe Shannon, United Artists, 1978; Mayor, Blue Thunder, Columbia, 1983; Judge Bocho, The Star Chamber, Twentieth Century-Fox, 1983; Captain Knewt, WarGames, United Artists, 1983; Tyrone Wattell, All of Me, Universal, 1984; Major Donovan, No Way Out, Orion, 1987; Benny Tate, Bird, Warner Brothers, 1988.

BERRI, Claude 1934-

PERSONAL: Born Claude Langmann, July 1, 1934, in Paris, France. VOCATION: Director, producer, screenwriter, and actor.

TELEVISION DEBUT—Medical Center, CBS, 1969. PRINCIPAL TELEVISION APPEARANCES—Series: Deputy Inspector Marquette, Cagney and Lacey, CBS, 1982-83; Fletch, High Performance, ABC, 1983; Lieutenant Ken Aunola, Hardball, NBC, 1989. MiniSeries: Caleb Taylor, V— The Final Battle, NBC, 1984. Pilots: Sergeant Lindsey Andrews, Flatfoots (broadcast as an episode of Here's Boomer), NBC, 1982; Finney Morgan, The Faculty, ABC,

CAREER: PRINCIPAL FILM APPEARANCES—Student, "Lust" in Les Septpeches capitaux (also known as / Settepeccati capitali and Seven Capital Sins), Embassy, 1962; Bernard, La Bride sur le cou (also known as A Briglia sciolta and Please, Not Now!), Twentieth Century-Fox, 1963; Claude Avram, Mazel Tov ou le manage (also known as Marry Me! Marry Me!}, Allied Artists, 1969; Claude, Le Sex Shop, United Artists/New Line Cinema, 1972; Claude, Le 45

BERRY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Male du Siecle, AMLF, 1975; client, L'Homme blesse (also known as The Wounded Man), Gaumont/World Marketing/Promovision International/Cinevista, 1983, released in the United States in 1985. Also appeared in La Verite (also known as La Verita and The Truth), Kingsley International, 1961; J'irai cracher sur vos tombes (also known as / Spit on Your Grave), Audubon, 1962; Behold a Pale Horse, Columbia, 1964; Les Laches vivent d'espoir (also known as My Baby Is Black!), U.S. Films, 1965; Le Cinema de Papa, 1971.

co-director, La Chance et I amour, 1964; director, Le Cinema de Papa, 1971; producer and director, Le Maitre d'ecole. RELATED CAREER—Owner, Renn Films. NON-RELATED CAREER—Furrier. WRITINGS: See production details above. FILM—(Co-writer) Les Baisers, 1964; (co-writer) La Chance et I'amour, 1964; (with Michel Rivelin and Gerard Brach) Le Vieil homme et /' enfant, 1968; Mazel Tov ou le Mariage, 1969; Le Pistonne, 1910; Le Cinema de Papa, 1971 ;Le Sex Shop, 1972; (with Jean-Louis Richard) LeMale du siecle, 1975; La Premiere fois, 1976; Un Moment d'egarement, 1977; Je vous aime, 1980; (with Alain Page) Tchao Pantin, 1983; (with Brach) Jean de Florette, 1986; (with Brach) Manon des Sources, 1986; also Le Maitre d'ecole.

FIRST FILM WORK—Director, Le Poulet (short film; also known as The Chicken),Pathe Contemporary, 1963. PRINCIPAL FILM WORK— Director, Le VieilHomme et I'enfant (also known as The Two of Us, Claude, and The Old Man and the Boy), Cinema V, 1968; producer and director, Mazel Tov ou le manage (also known as Marry Me! Marry Me!), Allied Artists, 1969; producer and director, Le Pistonne (also known as The Man with Connections), Royal, 1970; producer (with Francois Truffaut, Mag Bodard, and Guy Benier), L'Enfance nue (also known as Me and Naked Childhood), Altura, 1970; producer, L'Oeuf (also known as The Egg), Columbia, 1971; producer (with Alfred W. Crown), Taking Off, Universal, 1971; producer and director, Le Sex Shop, United Artists/New Line Cinema, 1972; producer (with Christian Fechner), Les Fous du stade (also known as Stadium Nuts), CCFC, 1972; producer, Je sais rien maisje dirai tout (also known as Don t Know Anything But I'll Tell All), AMLF, 1973; executive producer, Pleure pas la bouche pleine (also known as Don't Cry with Your Mouth Full), AMLF, 1973; director, Le Male du Siecle, AMLF, 1975; producer (with Jacques-Eric Strauss), Je t'aime moi nonplus (also known as I Love You No Longer), AMLF, 1975; producer, Un Sac de billes (also known as A Bag of Marbles), AMLF, 1975; director, La Premiere Fois (also known as The First Time), Lira/Gala Film Distributors, 1976, released in the United States by EDP, 1978; director, Un Moment d'egarement (also known as A Summer Affair and In a Wild Moment), Roissy/Gala Film Distributors, 1977.

AWARDS: Venice Film Festival Award, 1963, and Academy Award, Best Short Subject, 1965, both for Le Poulet; Academy Award nomination, Best Film, 1980, for Tess.*

BERRY, Ken

1933-

PERSONAL: Born November 3, 1933, in Moline, IL; married Jackie Joseph (an actress); children: John and Jennifer (both adopted). VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Ensemble, The Billy Barnes People (revue), Roy ale Theatre, New York City, 1961; Professor Harold Hill, The Music Man, Paper Mill Playhouse, Millburn, NJ, 1974; George M. Cohan, George Mf, Music Circus, Sacramento, CA, 1976.

Producer, Tess, Columbia, 1980; producer, Inspecteur la Bavure (also known as Inspector Blunder), AMLF, 1980; director and producer, Je vous aime (also known as / Love You), AMLF, 1980; producer (with Tarak Ben Ammar and Pierre Grunstein), Deux heures moins le quart avant Jesus Christ (also known as A Quarter to Two Before Jesus Christ), AMLF, 1982; producer, UAfricain (also known as The African), AMLF/Roissy, 1983; producer, Banzai, Roissy/AMLF, 1983; producer and director, TchaoPantin (also known as So Long, Stooge), Roissy/AMLF/European Classics/Nelson Entertainment, 1983; producer (with Ariel Zeitoun and Marie-Laure Reyre), L'Homme blesse (also known as The Wounded Man), Gaumont/World Marketing/Promovision International/ Cinevista, 1983, released in the United States in 1985; producer (with Alain Sarde), Garcon! (also known as Waiter!), AMLF/ Roissy, 1983, released in the United States in 1985; producer, Le Vengeance du serpent a plumes (also known as The Vengeance of the Winged Serpent), AMLF, 1984; producer (with Pio Angeletti and Adriano De Micheli), Scemo di guerra (also known as Madman at War and Le Fou de guerre), Titanus/Sergio Felicioli, 1985; director, Jean de Florette, Orion Classics, 1986; producer and director, Manon des Sources (also known as Manon of the Springs), Orion Classics, 1986; producer, Hotel de France, Films du Volcan, 1987; producer, Trois places pour le 26 (also known as Three Seats for the 26th), AMLF/Gaumont/Roissy, 1988; executive producer, A Gauche en sortant de Vascenseur (also known as To the Left As You Leave the Elevator and The Door on the Left as You Leave the Elevator), AMLF/Roissy, 1988; producer, The Bear, Tri-Star, 1989; producer (with Paul Rassam and Michael Haussman), Valmont, AMLF/Orion/Roissy, 1989. Also co-director, Les Baisers, 1964;

PRINCIPAL FILM APPEARANCES—Mel Cheever, Hello Down There (also known as Sub-a-Dub-Dub), Paramount, 1969; Willoughby Whitfield, Herbie Rides Again, Buena Vista, 1974; Zachary Moore, Guardian of the Wilderness, Sunn Classic, 1977; Frank, The Cat from Outer Space, Buena Vista, 1978; also appeared in Two for the Seesaw, United Artists, 1962. TELEVISION DEBUT—Talent Patrol, ABC. PRINCIPAL TELEVISION APPEARANCES—Series: Woody, The Ann Sothern Show, CBS, 1960-61; regular, The Bob Newhart Show, NBC, 1962; Captain Wilton Parmenter, F Troop, ABC, 1965-67; Sam Jones, Mayberry R.F.D., CBS, 1968-71; host, The Ken Berry "Wow" Show, ABC, 1972; Vinton Harper, Mama's Family, NBC, 198384, then syndicated 1986—. Pilots: Rowan and Martin s Laugh-In, NBC, 1967; Jack, Letters from Three Lovers, ABC, 1973; Ken Kelly, Kelly's Kids (broadcast as an episode of The Brady Bunch), ABC, 1974; Captain Paddy Patterson, Over and Out, NBC, 1976; Dr. Jim Berkley, The Love Boat II, ABC, 1977; Dr. Charlie Featherstone, Feather stone's Nest, CBS, 1979. Episodic: Sam Jones, The Andy Griffith Show, CBS, 1968; Dave, Gimme a Break, NBC, 1985; also The Dick Van Dyke Show, CBS, 1964; as Dr. Kapish, Dr. Kildare, NBC; The Ed Sullivan Show, CBS; The Carol Burnett Show, CBS; Fantasy Island, ABC; Love, American Style, ABC. Movies: Lieutenant Roger Carrington, Wake Me When the War Is Over, ABC, 1969; Lieutenant Parnell Murphy, The Reluctant Heroes, ABC, 1971; David Chase, Every Man Needs One, ABC, 1972. Specials: Carol and Company, CBS, 1966; Skip, The 46

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

producer, The Cats Pajamas, Sheridan Square Playhouse, 1962; general manager, Riverwind, Actors Playhouse, 1962; general manager, The Typist and The Tiger (double-bill), Orpheum Theatre, 1963; general manager, Yes Is for a Very Young Man, Players Theatre, New York City, 1963; general manager, A Time of the Key, Sheridan Square Playhouse, 1963; general manager, Jo, Orpheum Theatre, 1964; general manager, Cindy and The Alchemist, both Gate Theatre, New York City, 1964; general manager, The Subject Was Roses, Royale Theatre, New York City, 1964; general manager, Gogo Loves You, I Knock at the Door, and Pictures in the Hallway, all Theatre De Lys, 1964.

Royal Follies of 1933, NBC, 1967; The Fabulous Funnies, NBC, 1968; first husband, The First Nine Months Are the Hardest, NBC, 1971; L'ilAbner, NBC, 1971; Dauntless the Drab, Once Upon a Mattress, CBS, 1912; Arthur Godfrey's Portable Electric Medicine Show, NBC, \912\Mitzi. . . The First Time, CBS, \913',Mitziand a Hundred Guys, CBS, 1975; Mitzi . . . Roarin in the Twenties, CBS, 1976; Jimmy Valentine, Valentine's Second Chance, ABC, 1977; CBS: On the Air, CBS, 1978; Texaco Star Theatre: Opening Night, NBC, 1982; Phil Harper, Eunice, CBS, 1982. RELATED CAREER—Toured with Horace Heidt's Youth Opportunity Caravan during the 1940s, and with the Billy Barnes Revue, 1959.

General manager, A View from the Bridge, Sheridan Square Playhouse, 1965; general manager, The Day the Whores Came Out to Play Tennis and Sing to Me Through Open Windows (double-bill), Players Theatre, 1965; general manager, First One Asleep, Whistle, Belasco Theatre, New York City, 1966; general manager (with Bill Levine), Die Mitschuldigen (The Accomplices) and Woyzeck (double-bill) and Die Ratten (The Rats) all Bavarian State Theatre of Munich, City Center Theatre, New York City, 1966; general manager, That Summer—That Fall, Helen Hayes Theatre, New York City, 1967; general manager, Arms and the Man, Sheridan Square Playhouse, 1967; general manager, Fragments, Cherry Lane Theatre, 1967; general manager, In Circles, Cherry Lane Theatre, 1967, then Gramercy Arts Theatre, New York City, 1968; general manager, Love and Let Love and Saturday Night, both Sheridan Square Playhouse, 1968; general manager, Who's Who, Baby?, Players Theatre, 1968; general manager, The Only Game in Town, Broadhurst Theatre, New York City, 1968; general manager, Woman Is My Idea, Belasco Theatre, 1968; general manager, Aw Ordinary Man, Cherry Lane Theatre, 1968; general manager, To Be Young, Gifted, and Black and Love Your Crooked Neighbor, both Cherry Lane Theatre, 1969; general manager, A Way of Life, American National Theatre and Academy Theatre, New York City, 1969; general manager, God Bless You, Harold Fineberg, Actors Playhouse, 1969; producer (with Edgar Lansbury), Promenade, Promenade Theatre, New York City, 1969; general manager, Fireworks, Village South Theatre, New York City, 1969.

ADDRESSES: MANAGER—Richard O. Linke and Associates, 4445 Cartwright Avenue, Suite 110, North Hollywood, CA 91602.*

BERUH, Joseph

BERUH

1924-1989

PERSONAL: Born September 27, 1924, in Pittsburgh, PA; died of a heart attack, October 30, 1989, in New York, NY; son of William Israel (a dry cleaner) and Clara (Parnes) Beruh; married Kathleen Murray (an actress), 1955 (died, August 1969); children: David Marshall and William Israel. EDUCATION—Carnegie-Mellon University, B.F. A., drama, 1950; studied acting and directing with Lee Strasberg, 1950-56, and attended the American Theatre Wing, 1951-52. MILITARY—U.S. Army, Special Services, 1943-46. VOCATION: Producer, theatre manager, and director. CAREER: STAGE DEBUT—Teddy Brewster, Arsenic and Old Lace, Rabbit Run Theatre, Madison, OH, 1946. OFF-BROADWAY DEBUT—Friend Ed, Burning Bright, Loft Players, Circle in the Square, 1951. PRINCIPAL STAGE APPEARANCES—Crookfinger Jake, The Threepenny Opera, Theatre De Lys, New York City, 1954; prison guard, drugstore clerk, waiter, and Danny Mines, Compulsion, Ambassador Theatre, New York City, 1957.

Producer, Instructions for the Running of Trains, Etc. on the Erie Railway To Go into Effect January 1, 1862 and general manager, Golden Bat, both Sheridan Square Playhouse, 1970; general manager, Look to the Lilies, Lunt-Fontanne Theatre, New York City, 1970; general manager, The Engagement Baby, Helen Hayes Theatre, 1970; producer (with Lansbury, Stuart Duncan, and H.B. Lutz) and general manager, Waiting for Godot and producer (with Lansbury, Duncan, and Nan Pearlman), Louis and the Elephant, both Sheridan Square Playhouse, 1971; general manager, Do It Again! and producer (with Lansbury, Duncan, and Jay H. Fuchs) and general manager, Long Day's Journey into Night, both Promenade Theatre, 1971; producer (with Lansbury and Duncan), Godspell, Cherry Lane Theatre, 1971, then Promenade Theatre, 1971-76, later Broadhurst Theatre, 1976, then Plymouth Theatre, 1976, then Ambassador Theatre, 1977; producer (with Lansbury and Duncan), Godspell, Wyndham's Theatre, London, 1971; producer (with Lansbury and Duncan), Elizabeth I, Lyceum Theatre, New York City, 1972; producer (with Lansbury and Duncan), Comedy, Colonial Theatre, Boston, MA, 1972; producer (with Lansbury), Nourish the Beast, American Place Theatre, Cherry Lane Theatre, 1973; producer (with Lansbury and Clinton Wilder), The Enclave, Theatre Four, New York City, 1973; producer (with Lansbury, Barry M. Brown, and Fritz Holt), Gypsy, Piccadilly Theatre, London, 1973, then Shubert Theatre, Los Angeles, later Winter Garden Theatre, New York City, both 1974; producer (with Lansbury and Ivan Reitman), The Magic Show, Cort Theatre, 1974; producer (with

PRINCIPAL STAGE WORK—Director, Missouri Legend, The Male Animal, Harvey, Peg o' My Heart, A Streetcar Named Desire, The Hasty Heart, Of Mice and Men, and Born Yesterday, all Grand Teton National Theatre, Jackson Hole, WY, 1953; director, A Sound of Hunting, Cherry Lane Theatre, New York City, 1953; stage manager, Compulsion, Ambassador Theatre, New York City, 1957; producer (with Peter Kent), Leave It to Jane, Sheridan Square Playhouse, New York City, 1959; general manager, The Goose, Sullivan Street Playhouse, New York City, 1960; producer (with Lawrence Carra), Kittiwake Island, Martinique Theatre, New York City, 1960; general manager, Elsa Lanchester—Herself, 41st Street Theatre, New York City, 1961; director, The Seven at Dawn and general manager, Cockeyed Kite, both Actors Playhouse, New York City, 1961; general manager, Hi, Paisano!, York Playhouse, New York City, 1961; general manager, The Long Voyage Home and Diffrent (double-bill), Mermaid Theatre, New York City, 1961; company manager, Sunday in New York, Cort Theatre, New York City, 1961; general manager, Brecht on Brecht, Theatre De Lys, 1962; company manager, Moon on a Rainbow Shawl, East llth Street Theatre, New York City, 1962; general manager, Creditors, Mermaid Theatre, 1962; company manager, / Can Get It for You Wholesale, Shubert Theatre, New York City, 1962; general manager, Anything Goes, Orpheum Theatre, New York City, 1962; 47

BETTI

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Lansbury), The Night That Made America Famous, Ethel Barrymore Theatre, New York City, 1975; producer (with Lansbury), Blasts and Bravos—An Evening with H.L. Mencken, Cherry Lane Theatre, 1975; producer (with Lansbury), American Buffalo, Ethel Barrymore Theatre, then Belasco Theatre, both 1977; producer (with Lansbury and James Nederlander), Broadway Follies, Nederlander Theatre, New York City, 1981. MAJOR TOURS—General manager, The Porcelain Year, U.S. cities, 1965; general manager, The Subject Was Roses, U.S. cities, 1965-66; producer (with Edgar Lansbury and Stuart Duncan), Godspell, U.S. and Canadian cities, 1972-74; producer (with Lansbury, Barry M. Brown, and Fritz Holt), Gypsy, U.S. and Canadian cities, 1974-75; producer (with Lansbury and Ivan Reitman), The Magic Show, U.S. cities, 1974-75. PRINCIPAL FILM WORK—All with Edgar Lansbury: Producer, Godspell, Columbia, 1973; executive producer, The Wild Party, American International, 1975; executive producer, Squirm, American International, 1976; executive producer, Blue Sunshine, Cinema Shares, 1978; executive producer, He Knows You re Alone, Metro-Goldwyn-Mayer/United Artists, 1980; executive producer, The Killing Hour, Twentieth Century-Fox, 1983; also producer, The Clairvoyant, 1982. RELATED CAREER—Owner (with Philip Minor and Gigi Cascio), Sheridan Square Playhouse, New York City, 1958-73; business manager, South Shore Music Circus, Hyannis, MA, 1960; general manager and co-producer, Gladiators Music Arena, Totowa, NJ, 1963; founder and partner (with Edgar Lansbury), Lansbury/Beruh Productions Inc., 1969-89. AWARDS: New York Drama Critics' Circle Award, Best American Play, 1977, for American Buffalo; Alumni Merit Award from Carnegie-Mellon University, 1987.

LAURA BETTI

tourist, "Senso civico" in Le streghe (also known as The Witches and Les Sorcieres), Dino De Laurentiis Cinematografica, 1967, released in the United States by Lopert, 1969; maid, Teorema (also known as Theorem), Continental Distributing, 1969; Sister, A Man Called Sledge, Columbia, 1971; Franco's mother, In nome del Padre (also known as In the Name of the Father), Vides International, 1971; Clara, Ritorno (also known as Return), Capranica Cinematografica, 1972; Zigaina, Sbatti il mostro in prima pagina (also known as Slap the Monster on Page One), Euro International, 1972; Miss Blandish, Last Tango in Paris, United Artists, 1973; Donna Aparacito, Sonny and Jed (also known as La banda J. andS. Cronaca criminate del far west), Loyola Cinematography/Terra KTel, 1974; Tisa Borghi, Fatti di gente perbene (also known as Drama of the Rich), Produzioni Atlas Consorziate, 1974; Leonore, La Femme aux bottes rouges (also known as The Woman with Red Boots), Union General Cinematographique/Sirius, 1974, released in the United States by Gamma III, 1977.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Association of Theatrical Producers and Managers, League of New York Theatres. OBITUARIES AND OTHER SOURCES: New York Times, October 31, 1989; Variety, November 8, 1989.*

BETTI, Laura PERSONAL: Born May 1, 1934, Bologna, Italy. VOCATION: Actress and singer.

Voice of Signora Vaccari, Salo o le centiventi giornate di Sodoma (also known as Salo, or the 120 Days of Sodom, Pasolini s 120 Days of Sodom, and Salo), United Artists/Cinecenta, 1975; Esther Imbriani, Allonsanfan Artificial Eye, 1975, released in the United States by Italtoons/Wonder Movies, 1985; Regina, 1900 (also known as Novecento), Paramount/United Artists/Twentieth Century-Fox, 1976; Felicia, Le Gang, Warner Brothers, 1976; Therese, Vizi privati, pubbliche virtu (also Private Vices, Public Virtue), Fida Cinematografica, 1976; Irina, // gabbiano (also known as The Seagull), RAI-TV Channel 1, 1977; Jacqueline, La Nuit tous les chat sont gris (also known as At Night All Cats Are Gray), Societe Nouvelle Prodis/Exportation Francaise Cinematographique, 1977;

CAREER: STAGE DEBUT—/ Saltimbanchi (revue), Italy. PRINCIPAL STAGE APPEARANCES—// ventaglio and // crogiuolo, both Italy, 1958; Giro a vuoto (recital), Teatro Gerolamo, Milan, Italy, 1959, then in France, and later at the Venice Biennial Exhibition; Le donne al parlamento, Italy, 1960; Potentissima signora, Italy, 1963;Ilcandelaio and Orgia, both in Italy, 1968'NotI, Italy, 1970; Orgia, Italy, 1984. PRINCIPAL FILM APPEARANCES—Laura, La dolce vita, Astor/ American International, 1961; painter, Labbra rosse (also known as Red Lips and Fausses ingenues), Rotor/Gray/Orsay, 1960, released in the United States by Royal Films International, 1964;

48

CONTEMPORARY

BIEHN

THEATRE, FILM, AND TELEVISION • Volume 8

Madame Carrabo, Un Papillon sur Vepaule (also known as A Butterfly on the Shoulder], Gaumont, 1978; Ludovica, La Luna, Twentieth Century-Fox, 1979; Madame Bondi, // Piccolo Archimede (also known as The Little Archimedes), RAI-TV Channel 2, 1979; Laura, Lovers and Liars (also known as A Trip with Anita and Travels with Anita), Levitt-Pickman, 1981; Virginia Capacelli, La Nuitde Varennes, Triumph, 1983; Carlotta Battucelli, Retenez-moi . . . ou je fais un malheur (also known as To Catch a Cop), Gaumont, 1984; Brunelda, Klassenverhaltnisse (also known as Class Relations), Artificial Eye/New Yorker, 1984; narrator, Whoever Says the Truth Shall Die (documentary), Minnesota Film Center, 1984.

BEVERLEY, Trazana 1945-

PERSONAL: Born August 9, 1945, in Baltimore, MD; father, a brickmason; mother, a schoolteacher. EDUCATION—Graduated from New York University; studied acting with Jerzy Grotowski, Andrei Serban, Jean Erdman, and Omar Shapli. VOCATION: Actress. CAREER: Also see WRITINGS below. OFF-BROADWAY DEBUT—Rules for Running, 1969. PRINCIPAL STAGE APPEARANCES—Erlene and Carolyn's mother, Les Femmes Noires, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1974; a spectre, My Sister, My Sister, Little Theatre, New York City, 1974; Maxine, Attempted Rescue on Avenue B, Cubiculo Theatre, New York City, 1975; lady in red, For Colored Girls Who Have Considered Suicide When the Rainbow IsEnuf, NYSF, Public Theatre, then Booth Theatre, both New York City, 1976; Marietta Edwards, The Brothers, Women's Project, American Place Theatre, New York City, 1982; lyaloja, Death and the King's Horseman, Vivian Beaumont Theatre, New York City, 1987; Reverend Sister Marion Alexander, God's Trombones, New Federal Church, Theatre of the Riverside Church, New York City, 1989. Also appeared in The Increased Difficulty of Concentration, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1969; Wedding Band, Hartford Stage Company, Hartford, CT, 1978; Mother Courage and Her Children, NYSF, Public Theatre, then Center Stage Mainstage, Baltimore, MD, both 1980; Boesman and Lena, Northlight Theatre, Evanston, IL, 1985; as Queenie, Show Boat; and in productions of Geronimo and Antigone.

Lidia Corradi, Mamma Ebe, Clemi Cinematografica, 1985; social worker, Tutta colpa del paradiso (also known as Blame It on Paradise), CEIAD, 1985; Laurie, Corps et biens (also known as Lost with All Hands), Films du Semaphore, 1986; Miss Von Planta, Jenatsch (also known as Jenach), Films Plain Chant/Metropolis, 1987; Keli, Noyade interdite (also known as Widow's Walk), Bac, 1987; Anna's mother, / cammelli (also known as The Camels), Medusa Distribuzione, 1988; Signora Bonelli, Courage Mountain (also known as A Heidi Adventure and The Adventures of Heidi), Emerald Films International/Trans World Entertainment, 1989. Also appeared in Era none a Roma, 1959;' 'La Ricotta,'' Rogopag, Arco, 1963; "Che cosa sono le nuvole?," Capriccio all'italiana, Dino De Laurentiis Cinematografica, 1966; Paulina s'en va, 1969; Hatchet for a Honeymoon (also known as Una hacka para la luna de miel, II roso segmo della pollias, and Blood Brides), G.G.P., 1969; Canterbury Tales, United Artists, 1972; Antefatto (also known as Twitch of the Death Nerve, Before the Fact—The Ecology of a Crime, Bloodbath, and Last House on the Left, Part II), New Realm Distributors, 1971, then Hallmark, 1973; Sepolta viva, 1973; Loin de Manhattan, 1980; Le ali della colomba, RAITV, 1980; La certosa di Parma, RAI-TV, 1981; UArt d'aimer (also known as The Art of Love), Parafrance, 1983; Caramelle da un sconosciuto (also known as Sweets from a Stranger and Bonbons offerts par un inconnu), Numero Uno Cinematografica, 1987; A Futura memoria di Pier Paolo Pasolini (also known as In Remembrance of Pier Paolo Pasolini and A la memoire future de Pier Paolo Pasolini; documentary), Pegaso Inter-Communication, 1987; Jane B. par Agnes V. (also known as Jane V. by Agnes V., Birkin Double Jeu I, and Birkin Diptych I), Capital Cinema/CeneTamaris, 198&; Segno difuoco, Boa Cinematografica, \989',Leros blu, Kitchen, 1989.

MAJOR TOURS—Lady in red, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, U.S. cities, 197778; also The Spirit Moves (one-woman show), U.S. cities. PRINCIPAL FILM APPEARANCES—Dr. Ellen Baxter, Resurrection, Universal, 1980. PRINCIPAL TELEVISION APPEARANCES—Movies: Johnny, Sister Margaret and the Saturday Night Ladies, CBS, 1987. Specials: "For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf," American Playhouse, PBS, 1982. RELATED CAREER—Toured New York State prisons with the theatrical group, the Family; acting and voice production teacher, New York University School of the Arts; company member, Group Ten.

PRINCIPAL TELEVISION APPEARANCES—Movies: Maria, The Word, CBS, 1978. Also Venise en hiver, French television, 1982; Chambre d'amie, French television, 1985.

WRITINGS: STAGE—The Spirit Moves (one-woman show). AWARDS: Antoinette Perry Award, Best Supporting or Featured Actress (Drama), and Audience Development Committee (AUDELCO) Award, both 1977, for For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf.*

RELATED CAREER—Singer with the Filarmonica Romana and with the Accademia Cherubini, Florence, Italy; recorded entire repertory of Bertolt Brecht and Kurt Weill songs; director, Associazione Fondo Pier Paolo Pasolini. WRITINGS: Teta Veleta (fiction). AWARDS: Coppa Volpi from the Vencie Film Festival, Best Actress, 1968, for Teorema; San Sebastian Film Festival Award, Best Actress, 1979; French Legion of Honor, 1984.

BIEHN, Michael

1957-

PERSONAL: Born in 1957; father, a lawyer.

ADDRESSES: OFFICE-^ Via Di Montoro, Rome, Italy.

VOCATION: Actor.

49

BISOGLIO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

CAREER: PRINCIPAL FILM APPEARANCES—Jack, Coach, Crown International, 1978; Tim Warner, Hog Wild, AVCO-Embassy, 1980; Douglas Breen, The Fan, Paramount, 1981; Alexander, The Lords of Discipline, Paramount, 1983; Kyle Reese, The Terminator, Orion, 1984; Corporal Hicks, Aliens, Twentieth Century-Fox, 1986; Anthony Fraser, Rampage, DeLaurentiis Entertainment Group (unreleased), 1987; Russell Quinn, The Seventh Sign, Tri-Star, 1988; Garnet Montrose, In a Shallow Grave, Skouras, 1988; Lieutenant Coffey, The Abyss, Twentieth Century-Fox, 1989.

Miller (broadcast as an episode of Just for Laughs), ABC, 1974. Episodic: Sergeant DiSalvo, Joe Bash, ABC, 1986; Gus Albierro, Miami Vice, NBC, 1986; also The Mary Tyler Moore Show, CBS, 1971; All in the Family, CBS, 1972; Barney Miller, ABC, 1975; M*A*S*//, CBS 1981 and \^2\ Hill Street Blues, NBC, 1985. Movies: Detective Lou Jacarrino, The Marcus-Nelson Murders (also known as Kojak and the Marcus-Nelson Murders), CBS, 1973. RELATED CAREER—Associate producer, Colonnades Theatre Lab, New York City, 1980.

TELEVISION DEBUT—Logan's Run, CBS, 1977. PRINCIPAL TELEVISION APPEARANCES—Series: Mark Johnson, Operation: Runaway, NBC, 1978-79. Pilots: Tony, James at 15, NBC, 1977; Larry DeWitt, The Paradise Connection, CBS, 1979; Gibby Anderson, Steeltown, CBS, 1979. Episodic: Hill Street Blues, NBC; Police Story, NBC; Family, ABC. Movies: J.D., Zuma Beach, NBC, 1978; Tom Reardon, A Fire in the Sky, NBC, 1978; Daniel Allen, ChinaRose, CBS, 1983; Charles Raynor, Deadly Intentions, ABC, 1985. Specials: Seth, "The Terrible Secret," ABC Afterschool Specials, ABC, 1979.

ADDRESSES: AGENT—Joshua Gray and Associates Talent Agency, 6736 Laurel Canyon Boulevard, North Hollywood, CA 91606.*

ADDRESSES: AGENT—Ed Limato, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

BLACQUE, Taurean PERSONAL: Born May 10 in Newark, NJ; children: Shelby, Rodney. EDUCATION—Attended the American Musical and Dramatic Academy.

BISOGLIO, Val

1926-

VOCATION: Actor.

PERSONAL: Born May 7, 1926, in New York, NY.

CAREER: BROADWAY DEBUT—The River Niger, Brooks Atkinson Theatre, 1973. PRINCIPAL STAGE APPEARANCES—D.J., Welcome to Black River and title role, Orrin, both Negro Ensemble Company, St. Mark's Playhouse, New York City, 1975; Luke, We Interrupt This Program . . ., Ambassador Theatre, New York City, 1975; Lee, So Nice They Named It Twice, New York Shakespeare Festival, Public Theatre, New York City, 1975-76; Rashad, The Meeting, New Federal Theatre, Henry Street Settlement Playhouse, New York City, 1987.

VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Peter, Kiss Mama, Actors Playhouse, 1964. PRINCIPAL STAGE APPEARANCES—Alfieri, A View from the Bridge, Sheridan Square Playhouse, New York City, 1965; Sergeant Carlino, Wait Until Dark, Ethel Barrymore Theatre, New York City, 1966; detective and Nicholas, Victims of Duty, Theatre for Actors and Playwrights, Colonnades Theatre, New York City, 1982. Also appeared in They'd Come to See Charlie, Hartford Stage Company, Hartford, CT, 1977.

PRINCIPAL FILM APPEARANCES—Levi, House Calls, Universal, 1978; lawyer, Rocky II, United Artists, 1979; hustler, The Hunter, Paramount, 1980; voice of Roscoe, Oliver and Company (animated), Buena Vista, 1988; Laidlaw, Deepstar Six, Tri-Star, 1989.

MAJOR TOURS—Sergeant Carlino, Wait Until Dark, U.S. cities, 1967. PRINCIPAL FILM APPEARANCES—Gangster, The Cool World, Cinema V, 1963; Cheech, The Brotherhood, Paramount, 1968; Detective Monaghan, No Way to Treat a Lady, Paramount, 1968; Pete Lazatti, The Don Is Dead (also known as Beautiful But Deadly} Universal, 1973; Lieutenant Lombardi, The Hindenburg, Universal, 1975;Finley Cummins, St.Ives, Warner Brothers, 1976; Frank Manero, Sr., Saturday Night Fever, Paramount, 1977; Chief Gray Cloud, The Frisco Kid (also known as No Knife}, Warner Brothers, 1979. Also appeared in Hot Rod Hullabaloo, Allied Artists, 1966; Linda Lovelace for President, General Film, 1975.

PRINCIPAL TELEVISION APPEARANCES—Series: Detective Neal Washington, Hill Street Blues, NBC, 1981-1987; Henry Marshall, Generations, NBC, 1989—. Mini-Series: Backstairs at the White House, NBC, 1979. Pilots: Nick, Frankie and Annette: The Second Time Around, NBC, 1978; Barney, Alex and the Doberman Gang, NBC, 1980; Carl Sebastian, Off Duty (broadcast as an episode of CBS Summer Playhouse), CBS, 1988. Episodic: The Bob Newhart Show, CBS, 1977 and 1978 (two episodes); Taxi, ABC, 1978. Movies: Jive, The $5.20 an Hour Dream, CBS, 1980; Oscar, The Night the City Screamed, ABC, 1980.

PRINCIPAL TELEVISION APPEARANCES—Series: Captain Rocco Calvelli, Roll Out, CBS, 1973-74; Lieutenant Paul Marsh, Police Woman, NBC, 1974-76; Danny Tovo, Quincy, M.E., NBC, 197683; Al Sleekier, Working Stiffs, CBS, 1979. Pilots: Bendix man, Inside O.U.T., NBC, 1971; Sergeant James, Matt Helm, ABC, 1975; Curry, Switch (also known as Las Vegas Roundabout), CBS, 1975; Papa Bagranditello, Flying High, CBS, 1978; Frankie Parker, Johnny Garage, CBS, 1983; also The Life and Times of Barney

NON-RELATED CAREER—Mailman. AWARDS: Emmy Award nomination, 1982, for Hill Street Blues. ADDRESSES: AGENT—Jack Fields, Gores/Fields Agency, 10100 Santa Monica Boulevard, Suite 700, Los Angeles, CA 90067.* 50

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BLAKE, Josh

1975-

Columbia, 1964; Dr. Sheldrake, Kiss Me, Stupid, Lopert, 1964; voice of Barney Rubble and Dino, The Man Called Flintstone (also known as That Man Flintstone; animated), Columbia, 1966.

PERSONAL: Born January 7, 1975, in Great Neck, NY; son of Frederick David (a podiatrist) and Elizabeth L. (a teacher; maiden name, Stein).

Voice characterizations, The Phantom Tollbooth (animated), Metro-Goldwyn-Mayer, 1970; voice of Barfly the Parrot, Scalawag, Paramount, 1973; voice characterizations, Journey Back to Oz (animated), Filmation, 1974; voice characterizations, Bugs Bunny, Superstar (animated), Warner Brothers, 1975; voice of Twiki and Dr. Theopolis, Buck Rogers in the 25th Century, Universal, 1979; voice characterizations, The Great American Bugs Bunny-Road Runner Chase (animated; also known as The Bugs Bunny-Road Runner Movie), Warner Brothers, 1979; voice characterizations, TheLooney, Looney, Looney Bugs Bunny Movie, Warner Brothers, 1981; voice characterizations, Bugs Bunny's Third Movie—1001 Rabbit Tales (animated), Warner Brothers, 1982; voice characterizations, Daffy Duck's Movie: Fantastic Island (animated), Warner Brothers, 1983; voice of Mr. McKenzie, Strange Brew, MetroGoldwyn-Mayer/United Artists, 1983; voice of Heathcliff, Heathcliff: The Movie (animated), Atlantic/Clubhouse, 1986; voice of Daffy Duck, Howard the Duck, Universal, 1986; voice characterizations, Porky Pig in Hollywood (animated), Warner Brothers, 1986; voice characterizations, The Duxorcist (short animated film), Warner Brothers, 1987; voice characterizations, Daffy Duck's Quackbusters (animated), Warner Brothers, 1988; voice of Daffy Duck, Night of the Living Duck (short film; animated), Warner Brothers, 1988; voices of Daffy Duck, Tweety Bird, Bugs Bunny, Sylvester, and Porky Pig, Who Framed Roger Rabbit?, Buena Vista, 1988. Also provided voice characterizations for more than 850 short animated films for Warner Brothers, 1937-88.

VOCATION: Actor. CAREER: STAGE DEBUT—Ulysses Macauley, The Human Comedy, New York Shakespeare Festival, Public Theatre, New York City, 1983. BROAD WAY DEBUT—Ulysses Macauley, The Human Comedy, Royale Theatre, 1984. PRINCIPAL STAGE APPEARANCES—Paperboy, For Sale, Playhouse 91, New York City, 1985; Irving Yanover, Today I Am a Fountain Pen, American Jewish Theatre Company, 92nd Street YMHA, New York City, 1985-86, then Theatre 890, New York City, 1986; David Hershkowitz, Rags, Shubert Theatre, Boston, MA, then Mark Hellinger Theatre, New York City, both 1985; also appeared in The Second Hurricane, New York City, 1984. PRINCIPAL FILM APPEARANCES—Older boy, Fat Guy Goes Nutzoid!, Troma, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Craig, Search for Tomorrow, NBC, 1986; Woody Greely, Once a Hero, ABC, 1987; Jake, Alf, NBC, 1988-89; Aristotle Zakalokis, The Famous Teddy Z, CBS, 1989—. Pilots: Jonathan Morgan, Father's Day, ABC, 1986. Episodic: Tony Ramos, Beauty and the Beast, CBS, 1988; Nickt Hackett, "Rock 'n' Roll Mom," Disney Sunday Movie, ABC, 1988; also voice characterization, Comic Strip (animated), 1987. Specials: Voice of child, The Life and Adventures of Santa Claus (animated), CBS, 1985.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Jack Benny Program, CBS, 1950-64, then NBC, 1964-65; panelist, Musical Chairs, NBC, 1955; voice characterizations, The Bugs Bunny Show (animated), ABC, 1960-62; voice of Barney Rubble and Dino, The Flintstones (animated), ABC, 1960-66; voice characterizations, The Dick Tracy Show (animated), syndicated, 1961; voice of Salty the Parrot, "Sinbad, Jr." in The Alvin Show (animated), CBS, 1961-62; voice of Hardy Har Har, Lippy the Lion (animated), syndicated, 1962; voice of Mr. Spacely and other characters, The Jetsons (animated), ABC, 1962-64; voice of Deputy Droop-A-Long, "Ricochet Rabbit," The Magilla Gorilla Show (animated), syndicated, 1964; voice of Sneezly, "Sneezly" in The Peter Potamus Show (animated), syndicated, 1964; voice characterizations, Porky Pig and Friends (animated), ABC, 196467; voice of Secret Squirrel, The Atom AntlSecret Squirrel Show (animated), NBC, 1965-68; voice characterizations, The Abbott and Costello Cartoon Show (animated), syndicated, 1966; voice characterizations, The Tom and Jerry Show (animated), CBS, 1966-72; voice characterizations, The Wacky Races (animated), CBS, 1968-70; voice of Chugaboom, Yak Yak, and Bully Brothers, The Perils of Penelope Pitstop (animated), CBS, 1969-71.

RELATED CAREER—Actor in television commercials. AWARDS: Goldie Award from the American Jewish Theatre, 1985. MEMBER: American Federation of Television and Radio Artists, Screen Actors Guild, Actors' Equity Association. SIDELIGHTS: RECREATIONS—Collecting baseball cards and rocks. ADDRESSES: AGENT—Shirley Grant Management, P.O. Box 866, Teaneck, NJ 07666.

BLANC, Mel

BLANC

1908-1989

PERSONAL: Full name, Melvin Jerome Blanc; born May 30, 1908, in San Francisco, CA; died of heart disease and emphysema, July 10, 1989, in Los Angeles, CA; son of Frederick and Eva (Katz) Blanc (co-managers of a women's clothing business); married Estelle Rosenbaum, 1933; children: Noel.

Voice of Bubba McCoy, Where's Huddles? (animated), CBS, 1970; voice characterizations, The Road Runner Show (animated), ABC, 1971-72; voice characterizations, Curiosity Shop (animated), ABC, 1971-73; voice of Barney Rubble, Dino, Bronto, Zonk, and Stub, The Flintstone Comedy Hour (animated), CBS, 1972-74; voice of Speed Buggy, Speed Buggy (animated), CBS, 1973-74; voice characterizations, The Bugs Bunny Show (animated), CBS, 1975; voice of Bugs Bunny, Road Runner, and others, The Bugs Bunny I Road Runner Show (animated), CBS, 1976; voice characterizations, Sylvester and Tweety (animated), CBS, 1976-77; voice of Captain Caveman, Scooby's All-Star Laff-A-Lympics (animated), ABC, 1977-78; voice of Officer Quack-Up, The Galaxy Goof-

VOCATION: Voice specialist, actor, and producer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Voice of Gideon, Pinocchio (animated), Walt Disney, 1940; Julio, Neptune's Daughter, Metro-Goldwyn-Mayer, 1949; voice of Caesar, Champagne for Caesar, United Artists, 1950; voice characterizations, Gay Purr-ee (animated), Warner Brothers, 1962; voice of Grifter, Hey There, It's Yogi Bear (animated),

51

BLANC

CONTEMPORARY

Ups (animated), NBC, 1978-79; voice of Quack-Up, Yogi's Space Race (animated), NBC, 1978-79; voice of Barney Rubble and Dino, The New Fred and Barney Show (animated), NBC, 1979; voice of Captain Caveman, Captain Caveman (animated), ABC, 1979; voice of Barney Rubble and Dino, Fred and Barney Meet the Thing (animated), NBC, 1979; voice of Twiki, Buck Rogers in the 25th Century, NBC, 1979-81; voice of Captain Caveman, Captain Caveman and the Teen Angels (animated), ABC, 1980; voice characterizations, The Heathdiff and Dingbat Show (animated), ABC, 1980-81; voice of Barney Rubble, Dino, and Chester, The Flintstone Family Adventures (animated), NBC, 1980-81; voice of Barney Rubble, Dino, and a pterodactyl chick, The Flintstones (animated), NBC, 1981; voice of Heathcliff and Spike, The Heathdiff andMarmaduke Show (animated), ABC, 1981-82; voice of Barney Rubble and Dino, The Flintstone Funnies (animated), NBC, 1984; voice characterizations, The New Jetsons (animated), syndicated, 1985; voice characterizations, The Bugs BunnylLooney Tunes Comedy Hour (animated), ABC, 1985; voice of Captain Caveman, Dino, and Robert Rubble, The Flintstone Kids (also known as Captain Caveman and Sons; animated), ABC, 1986. Pilots: Voice of leprechaun, Mr. O'Malley, CBS, 1959; voice of Chickie Baby, Murder Can Hurt You!, ABC, 1980.

THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL RADIO APPEARANCES-^Series: The Hoot Owls, KGW (Portland, OR), 1927; various roles, Cobwebs and Nuts, KEX (Portland), 1933-35; The Johnny Murray Show, KFWB (Los Angeles), 1935-36; The Joe Penner Show, CBS, 1936; Professor LeBlanc, Carmichael the Bear, Sy the gardener, and train dispatcher, The Jack Benny Program, NBC, 1937-48; Uncle Petie and Rover, Tommy Riggs and Betty Lou, NBC, 1938-40; Pedro, The Judy Canova Show, CBS, 1940-48; Mr. Twiggs, Major Hoople, NBC, 1942; August Moon, Point Sublime, ABC, 1942-44; various roles, Nitwit Court, NBC, 1944; as himself and Zookie, The Mel Blanc Show (also known as The Fix-It Shop and Mel Blanc's Fix-It Shop), CBS, 1946-47. Also appeared on The Al Pierce Show, 1938-50; as host, Are You a Genius?, Armed Forces Radio Service; Hubert Peabody, The Jack Carson Show, CBS; Botsford Twink, The Abbott and Costello Program, NBC; Private Sad Sack, G.I. Journal; the Happy Postman, Burns and Allen, NBC; Pancho, The Cisco Kid; Floyd the barber, The Great Guildersleeve; and Dagwood and Blondie. PRINCIPAL RADIO WORK—Series: Producer, Cobwebs and Nitwits, KEX (Portland), 1933-35. RELATED CAREER—Professional musician playing the violin, sousaphone, and bass, 1925-30; musician with the NBC Radio Orchestra, San Francisco, CA, 1928; orchestra conductor, Orpheum Theatre, Portland, OR, 1931; member of Leon Schlesinger productions (production company for Looney Tunes and Merrie Melodies); board chairman, Blanc Communications Corporation (a production company specializing in television and radio commercials, public service announcements, and short fillers), 1960-89.

Specials: Arthur Godfrey Loves Animals, CBS, 1963; Jack Benny's 20th Anniversary TV Special, NBC, 1970; voice of Tucker the Mouse, The Cricket in Times Square (animated), ABC, 1973; voice of Harry the Cat, Yankee Doodle Cricket (animated), ABC, 1975; voice characterizations, Bugs Bunny's Howl-oween Special (animated), CBS, 1977; voice of Barney Rubble and Dino, A Flintstone Christmas (animated), NBC, 1977; voice of Bugs Bunny, Daffy Duck, Yosemite Sam, Foghorn Leghorn, and Pepe Lepew, The Bugs Bunny Easter Special (animated), CBS, 1977; voice of Bugs Bunny, Bugs Bunny in Space (animated), CBS, 1977; voice of Bugs Bunny, How Bugs Bunny Won the West (animated), CBS, 1978; voice characterizations, A Connecticut Rabbit in King Arthur s Court (animated), CBS, 1978; voice characterizations, The Bugs Bunny Thanksgiving Diet (animated), CBS, 1979; voice of Bugs Bunny, Bugs Bunny's Valentine (animated), CBS, 1979; voice characterizations, Bugs Bunny's Looney Christmas Tales (animated), CBS, 1979.

WRITINGS: RADIO—Series: Cobwebs and Nitwits, KEX (Portland), 1933-35. OTHER—(With Philip Bashe) That's Not All, Folks: My Life in the Golden Age of Car toons and Radio (autobiography), Warner Books, 1988. RECORDINGS: SINGLES—(With the Sportsmen) "The Woody Woodpecker Song," Capitol, 1948; "I Tawt I Taw a Puddy Tat," 1950; (with Spike Jones and His City Slickers) "Clink! Clink! Another Drink!''' 'Toot, Toot, Tootsie (Goodbye).'' Blanc recorded comedy and children's records for Capitol Records for fifteen years.

Voice characterizations, The Bugs Bunny Mystery Special (animated), CBS, 1980; voice characterizations, Daffy Duck's Easter Show (animated), NBC, 1980; voice characterizations, Daffy Duck's Thanks-far-Giving Special (animated), NBC, 1980; voice characterizations, Bugs Bunny's Bustin Out All Over (animated), CBS, 1980; voice characterizations, Bugs Bunny: All American Hero (animated), CBS, 1981; voice of Barney Rubble, second security guard, and Bulldog, Yogi Bear's All-Star Comedy (animated), CBS, 1982; voice of Bugs Bunny, Bugs Bunny's Mad World of Comedy (animated), CBS, 1985; Bugs BunnylLooney Tunes AllStar 50th Anniversary (animated), CBS, 1986; voice of Barney Rubble, The Flintstones 25th Anniversary Celebration (animated), CBS, 1986; voice of Mr. Spacely, Rockin' with Judy Jetson (animated), syndicated, 1988; Roger Rabbit and the Secrets of Toontown, CBS, 1988; voice characterizations, Bugs vs. Daffy: Battle of the Music Video Stars (animated), CBS, 1988; voice of Bugs Bunny, the Crusher, Daffy Duck, Yosemite Sam, Elmer Fudd, Tweetie Bird, and Sylvester, Bugs Bunny's Wild World of Sports (animated), CBS, 1989; Hanna Barbera's 50th: A Yabba Dabba Doo Celebration (live-action and animated), TNT, 1989.

AWARDS: Honorary mayor, Pacific Palisades, CA. SIDELIGHTS: Mel Blanc once estimated that he supplied more than 400 different voices in approximately 3,000 cartoons between the mid-1930s and the late 1980s. Among his more familiar characterizations are those of Bugs Bunny, Porky Pig, Daffy Duck, Sylvester and Tweetie, the Road Runner, Yosemite Sam, Speedy Gonzalez, Foghorn Leghorn, Woody Woodpecker, Barney Rubble, Dino the dinosaur, Speed Buggy, Tasmanian Devil, Pepe LePew, the Frito Bandito (on television commercials), and Jack Benny's dilapidated automobile. During World War II, Blanc also provided the voice of Private Snafu for Frank Capra's wartime newsreel, The Army-Navy Screen Magazine, as well as voices for the Trigger Joe film series for the Army Air Forces and for a series of Navy and Marine Corps health films. OBITUARIES AND OTHER SOURCES: The American Animated Cartoon, edited by Danny and Gerald Peary, E.P. Dutton, 1980; Hollywood Reporter, July 11, 1989; New York Times, July 11, 1989; Variety, July 12-18, 1989.*

PRINCIPAL TELEVISION WORK—Producer (with others), The Bugs Bunny Show, ABC, 1960-62.

52

BLIER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BLESSED, Brian 1937-

ADDRESSES: MANAGER—Miller Management, 82 Broom Park, Teddington, Middlesex TW11 9RR, England.*

PERSONAL: Born October 9, 1937, in Yorkshire, England; father, a coal miner; married Ann Bomann (divorced); married Hildegarde Neil (an actress); children: Catherine (first marriage); Rosalind (second marriage). EDUCATION—Trained for the stage at the Bristol Old Vic Theatre School. MILITARY—Royal Air Force, parachute regiment.

BLIER, Bernard

1916-1989

PERSONAL: Born January 11, 1916, in Buenos Aires, Argentina; died of cancer, March 29, 1989, in Paris, France; children: Bertrand, Brigitte. EDUCATION—Attended Lycee Condorcet; studied acting with Raymond Rouleau and at the Paris Conservatory with Louis Jouvet.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Edmund, The Exorcism, Comedy Theatre, London, 1975; Gorky, State of Revolution, National Theatre Company, Lyttelton Theatre, London, 1977; Old Deuteronomy, Cats, New London Theatre, London, 1981; John Freeman, Metropolis, Piccadilly Theatre, London, 1989. Also appeared with the Royal Shakespeare Company, Stratfordon-Avon, U.K., 1985; in Incident at Vichy and Oedipus, both in London; and in repertory at Nottingham, U.K., and Birmingham, U.K.

VOCATION: Actor. CAREER: STAGE DEBUT—Theatre de FEtoile, Paris, France, 1936. PRINCIPAL STAGE APPEARANCES—L'Ecole des femmes, Comedie Francaise, Paris, 1973; also Le Marie, la femme, et la mort.

PRINCIPAL FILM APPEARANCES—Policeman, The Christmas Tree, CFF, 1966; sergeant, Alf'n Family (also known as Till Death Do Us Part), Sherpix, 1968; Jock Baird, Brotherly Love (also known as Country Dance), Metro-Goldwyn-Mayer (MGM), 1970; Korski, The Last Valley, Cinerama, 1971; Tathybius, The Trojan Women, Cinerama, 1971; Suffolk, Henry VIII and His Six Wives, MGM/EMI, 1972; Pedro, Man of La Mancha, United Artists, 1972; Prince Vultan, Flash Gordon, Universal, 1980; Suleiman Khan, High Road to China, Warner Brothers, 1983; Geoffrey Lyons, The Hound of the Baskervilles, Weintraub, 1983; Exeter, Henry V, Samuel Goldwyn, 1989; voice of Caous (English version), Asterix et le coup du menhir (also known as Asterix and the Big Fight and Asterix and the Stone s Blow; animated), Gaumont/ Palace, 1989. Also appeared in Barry Lyndon, Warner Brothers, 1975.

FILM DEBUT—Gribouille (also known as Heart of Paris}, 1937. PRINCIPAL FILM APPEARANCES—Gaston, Le Jour se leve (also known as Daybreak), 1939, released in the United States by AFE, 1940; Charbonnel, Symphonie fantastique, 1942, released in the United States by AFE, 1947; Remendado, Carmen, Super Film, 1946; Maurice Martineau, Quai des orfevres (also known as Jenny Lamour), 1947, released in the United States by Vog, 1948; Rene, Dedee d'Anvers (also known as Dedee and Woman of Antwerp), 1948, released in the United States by Vog, 1949; Louis, Monseigneur, 1949, released in the United States by Roger Richebe, 1950; Robert, Maneges (also known as The Cheat and Riding for a Fall), Discina International Films, 1950; Pascal Laurent, L'Ecole buissonniere (also known as Passion for Life and / Have a New Master), AGDC/ Brandon, 1951; President, "Le Lit de la Pompadour" in Secrets d'alcove (also known as The Bed and // letto), 1953, released in the United States by Pathe, 1954; Zagoriensky, Le Joueur (also known as The Gambler), Gaumont, 1958; Leader, La Chatte (also known as The Cat), Ellis Films, 1959; Capitano Castelli, La grande guerra (also known as La Grande Guerre and The Great War), 1959, released in the United States by Lopert, 1961; Pichon, Archimede, le clochard (also known as The Magnificent Tramp), 1959, released in the United States by Cameo International, 1962.

PRINCIPAL TELEVISION APPEARANCES—Series: Blackadder, BBC, 1983, then Arts and Entertainment; also My Family and Other Animals, BBC, then Arts and Entertainment; Constable Fancy Smith, Z Cars, BBC. Mini-Series: Augustus, /, Claudius, BBC, then Masterpiece Theatre, PBS, 1977; Olinthus, The Last Days of Pompeii, ABC, 1984; General Ye vlenko, War and Remembrance, ABC, 1988; Long John Silver, Return to Treasure Island, Disney Channel, 1989; also Cold Comfort Farm, BBC, then Masterpiece Theatre, PBS, 1971; Notorious Woman, BBC, then Masterpiece Theatre, PBS, 1975. Episodic: George Briggs, "Appointment with a Killer" (also known as "A Midsummer Nightmare"), Thriller, ABC, 1975; Vargas, Blake's 7, BBC, 1978; also "Death's Other Dominion," Space 1999, syndicated, 1975; "The Metamorph," Space 1999, syndicated, 1976; "Lamb to the Slaughter," Tales of the Unexpected, syndicated, 1979. Movies: Abner, The Story of David, ABC, 1976; Captain Teach, The Master of Ballantrae, CBS, 1984; also The Sweeney, 1984. Specials: Wine of India, BBC, 1970; Rudolf Kammerling, Once in a Lifetime, BBC, then Great Performances, PBS, 1988; voice characterization, Pyramid (animated), PBS, 1988; also host, narrator, and Johann Sebastian Bach, The Joy of Bach, PBS; narrator, The Natural World, BBC. Also appeared in Jackanory, 1976; The Little World of Don Camillo, 1980; The Three Musketeers; William the Conqueror; Lorna and Ted; Arthur of the Britons; Justice; Boy Dominic; Hadleigh; Public Eye; Brahms; The Aphrodite Inheritance; Son of a Man; Churchill's People; and The Recruiting Officer.

The Marshal, // gobbo (also known as The Hunchback of Rome), 1960, released in the United States by Royal, 1963; police superintendent, Crimen (also known as And Suddenly, It's Murder!), 1960, released in the United States by Royal, 1964; Charles, Le Cave se re biffe (also known as The Counterfeiters of Paris and Money, Money, Money), 1961, released in the United States by MetroGoldwyn-Mayer, 1962; Mayor Leproux, Arretez les tambours (also known as Women in War and Women and War), 1961, released in the United States by Parade Releasing, 1965; Gregoire Duval, Le Septieme Jure (also known as The Seventh Juror), 1962, released in the United States by Trans-Lux, 1964; Torenthal, Mathias Sandorf, Union Generale Cinematographique, 1962; director, Germinal, Cocinor, 1963; Martinetti, // compagni (also known as The Organizer, The Strikers, and Les Camarades), 1963, released in the United States by Continental Distributing, 1964; Monsieur Joseph, La Bonne soupe (also known as Careless Love and The Good Soup), International Classics, 1964; Mitch-Mitch, Cent mille dollars au soleil (also known as Greed in the Sun and Centomila dollari al sole), 1964, released in the United States by Metro-Goldwyn-Mayer (MGM), 1965; Reguzzoni, "Modern

SIDELIGHTS: RECREATIONS—Judo (black belt) and mountaineering.

53

BLIER

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

People" in Alta infedelta (also known as High Infidelity and Haute infidelite), 1964, released in the United States by Magna, 1965; Coma d'Oro, // magnifico cornuto (also known as The Magnificent Cuckold and Le Cocu magnifique), 1964, released in the United States by Continental Distributing, 1965; Monsieur Heurtin, La Chasse a I'homme (also known as Male Hunt and Caccia al maschio), 1964, released in the United States by Pathe, 1965; Cafarelli, Les Barbouzes (also known as The Great Spy Chase), 1964, released in the United States by American International, 1966; commissioner, Casanova '70, Embassy, 1965; chief, LeFou du labo 4 (also known as The Madman of Lab 4), Gaumont, 1967; defense counsel, Lo straniero (also known as The Stranger and L'Etranger), Paramount, 1967; Rhome, Peau d'espion (also known as To Commit a Murder, Congiura di spie, and Der Grausame Job), 1967, released in the United States by Cinerama, 1970; husband, Caroline cherie, Mancori, 1968; Charles, Appellez-moi Mathilde (also known as Call Me Mathilde), 1968, released in the United States by Columbia, 1970; K, Le Cri du cormoran le soir au-dessus desjonques (also known as The Cry of the Cormoran at Night Over the Junks), 1969, released in the United States by Gaumont International, 1970.

by Putnam Square, 1982; Mr. Bottini, Cuore (also known as Heart), RAI-TV Channel 2, 1984; Mr. Guilledou, Ca n'arrive qua moi (also known as It Only Happens to Me), AMLF/Sara/ Films A2, 1984; Major Bellucci, Scemo di guerra (also known as War Jester, Madman at War, and Le Fou de guerre), Titanus/ Sergio Felicioli, 1985; Paleari, Le due vite di Mattia Pascal (also known as The Two Lives of Mattia Pascal), Medusa/SACIS, 1985; J.B. Cobb, Je hais les acteurs (also known as / Hate Actors), Gaumont International, 1986; Uncle Gugo, Pourvu que ce soil une fille (also known as Speriamo che siafemmina, Esperons que ce sont une fille, and Let's Hope It's a Girl), Artificial Eye/President/ CDE/Original, 1986; Minister, Twist again a Moscou (also known as Twist Again in Moscow), AMLF, 1986; Eva's father, Sotto il ristorante Cinese (also known as Under the Chinese Restaurant and Below the Chinese Restaurant), ADMV, 1987; Saltiel, Mangeclous, AAA, 1988; Mondoradini, Les Fanfarons (also known as Una botta di vita, The Boasters, and A Taste of Life), Italian International/Exportation Francaise Cinematographique, 1988; Collins, Ada dans le jungle (also known as Ada in the Jungle), FIT Productions/ AAA/Hugo International, 1988; Caffarelli, Paganini (also known as Kinski Paganini), Medusa Distribuzione, 1989.

Inspector, Laisse alter, c'est une valse (also known as Take It Easy, It's a Waltz), Gaumont International, 1970; Guiton, Le Distrait (also known as The Day dreamer and Absentminded), 1970, released in the United States by Gaumont, 1975; Webb, Catch Me a Spy, Rank, 1971; Chief, Le Tueur (also known as The Killer), Societe nouvelle prodis, 1971; Doctor Mezzini, Homo eroticus (also known as Man of the Year), CIDIF, 1971; Inspector, Jo (also known as The Gazebo), MGM, 1971; Bistingo, Elle cause plus, elle flingue (also known as She No Longer Talks. . .She Shoots), CIC/ Films la Boetie, 1972; Boss, Tout le monde il est beau, tout le monde il est gentil (also known as Everybody He Is Nice, Everybody He Is Beautiful), CFDC, 1972; Uncle, Moi y'ena vouloir des sous (also known as Me, I Want to Have Dough), United Artists, 1972; Milan, Le Grand Blond avec une chaussure noire (also known as The Tall Blond Man with One Black Shoe), Gaumont International, 1972, released in the United States by Almi Cinema V, 1973; the President, Les Chinois a Paris (also known as The Chinese in Paris), Cine Qua Non/Production 2000/Produzioni Europee Associates, 1973; Moreu, La Main a couper. . . (also known as A Hand to Cut Off), Planfilm, 1973; Gastie-Leroy, Je sais rien, mats je dirai tout (also known as Don't Know Anything But Til Tell All), AMLF, 1973; Frank, Bons baisers a lundi (also known as Kisses Till Monday), Films la Boetie, 1974; Mayor, Par le sang des autres (also known as With the Blood of Others), Films la Boetie, 1974, released in the United States in 1980; Priest, // piatto piange (also known as Ante Up), Euro International, 1974; Anselme, Ce cher Victor (also known as That Dear Victor), Lugo Films, 1975; Righi, Amid miei (also known as My Friends), Cineriz, 1975; Maxine, Le Faux-Cul (also known as The Phoney), Gaumont International, 1975; Tardel, C'est dur pour tout le monde (also known as It's Tough for Everybody), Societe nouvelle de cinema, 1975; Liebard, Le Corps de mon ennemi (also known as The Body of My Enemy) AMLF, 1976; Staplin, Serie noire (also known as Thriller Story), Gaumont International/World Marketing, 1979; doctor, // malato immaginario (also known as La Malade imaginaire and The Hypochondriac), Cinema International, 1979.

Also appeared in Trois-six-neuf, Le Messager, La Dame de Malacca, and UHabit vert, all 1937; Altitude 3200 (also known as Youth in Revolt), Entree des artistes (also known as The Curtain Rises), Hotel du Nord, Grisou, Double Crime sur la ligne Maginot (also known as Treachery Within), Place de la Concorde, and Accord final, all 1938; L'Enfer des anges, Quartier Latin, andNuit deDecembre (also known as Heure exquise), all 1939; L'Assassinat du Pere Noel (also known as Who Killed Santa Claus?), Le Pavilion brule, Premier bal, and Caprices, all 1941; La Femme que fai le plus aimee, Romance a trois, LaNuitfantastique, Le Journal tombe a cinq heures, Le Manage de chiffon, andMarie-Martine, all 1942; Les Pelites du quai aux fleurs, Je suis avec toi, and Domino, all 1943; Farandolle, 1944; Seul dans le nuit and Monsieur Gregoire s'evade, both 1945; Messieurs Ludovic and Le Cafe du Cadran, both 1946; Les Casse-pieds (also known as The Spice of Life), 1948, released in the United States by Gaumont Cinemaphonic, 1954; D'homme a hommes (also known as Man to Men), 1948; L'Invite du Mardi and "Xante Emma" in Re tour a la vie, both 1949. Les Anciens de Saint-Loup, La Souriciere, and Souvenirs perdus, all 1950; Sans laisser d'adresse and La Maison Bonnadieu, both 1951; Agence matrimoniale and Je I'ai ete trois fois, both 1952; Suivez cet homme!, 1953; Avant le deluge and Scenes de menage, both 1954; Le Dossier noir and Les Hussards, both 1955; Crime et chatiment (also known as Crime and Punishment), Prigionieri del male, and Rivelazione, all 1956; L'Homme a I'impermeable (also known as The Man in the Raincoat), Retour de Manivelle (also known as There's Always a Price Tag), Quand lafemme s'en mele, and La Bonne Tisane, all 1957; as Javert, Les Miserables, and in Les Grandesfamilies (also known as The Possessors), Sansfamille, En legitime defense, and L'Ecole des cocottes, all 1958; MarieOctobre, Marche ou creve, and Les Yeux de Vamour, all 1959. Le Secret du Chevalier d'Eon, Le President, and Vive Henri IV, vive I'amour!, all 1960; / briganti Italiani (also known as Les Guerilleros), Les Petits Matins, and Le Monocle noir, all 1961; Pourquoi Paris? and Les Saintes Nitouches, both 1962; // magnifico avventuriero, 1963; "Le Jeu de la chance" in La Chance et Vamour, 1964; "LaFermeture" in Les Bon Vivants, Unaquestione d'onore (also known as A Question of Honor), and Quand passent lesfaisans, all 1965; Du mou dans la gachette, Duello net mundo, Delitto quasi perfetto, Le Grand Restaurant, and Un Idiot a Paris,

Police inspector, Buffet froid (also known as Cold Cuts), Interama/ Gala Film Distributors, 1980; Grandfather Eugenio, Eugenio (also known as Voltati Eugenio), Intercontinental/Films du Losange, 1980; the Emir, Petrole, petrole (also known as Petrol, Petrol), IGC, 1981; Major Tarasso, Passione d'amore (also known as Passion of Love), Connoisseur, 1981, released in the United States 54

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BLOCK

RELATED CAREER—Assistant director on films by John Berry, Georges Lautner, Christian-Jaque, Jean Delannoy, and Denys de la Patelliere; director of short documentary films.

all 1966; Copain suave sapeau and Sij'etais un espion (also known as Breakdown and /// Were a Spy), both 1967; Bel Ami 2000 oder: Wie verfuhrt man einen Playboy? (also known as How to Seduce a Playboy and 100 ragazzeper un playboy), Chevron, 196%; Faut pas prendre les enfants du bon Dieu pour les canards sauvages (also known as Operation Leontine), Riusciranno i nostri eroi a trovare il loro amico misteriosamente scomparso in Africa? (also known as Will Your Heroes Find Their Friends Who Disappeared So Mysteriously in Africa?), and Elie bolt pas, elle fume pas, elle drogue pas, mats elle cause, all 1968; Man oncle Benjamin, 1969.

WRITINGS: See production details above, unless indicated. FILM— Hitler? Connais pas!, 1963; La Grimace, 1966; (co-writer) 57 j'etais un espion, 1967; (with Georges Lautner) Laisse aller, c'est une valse (also known as Take It Easy, If s a Waltz), Gaumont International, 1970; (with Philippe Dumarcay) Les Valseuses, 1973; (with Dumarcay) Calmos, 1975; Preparez vos mouchoirs, 1978; Buffet froid, 1979; Beau-pere, 19^1; Notre histoire, AMLF/ Spectrafilm, 1984; (with Gerard Brach) La Femme de mon pote, 1984; Menage, 1986; Trop belle pour toi, 1989.

Ilfurto e I' anima del commercio, 1971; Quarta parete and Boccaccio, both 1972; Les Tontonsflingueurs, 1973; C'est pas parce qu on a rien a dire qu'ilfermer sa gueule and Processo per direttissima, both 1974; Calmos (also known as Femmesfatales and Cool, Calm, and Collected), AMLF, 1975; La Nuit dor (also known as Golden Night), Union Generale Cinematographique, 1976; Le Temoin 1977; Le Compromis, 1978; Amid miei atto HI (also known as My Friends Act ///), Filmauro, 1985; Billy ze kick, A A A/World Marketing, 1985; Lafamiglia (also known as The Family), Vestron, 1987; Ipicari (also known as The Picaros and The Rogues), Warner Brothers, 1987; Les Possedes (also known as The Possessed), Gaumont International, 1987; Migrations (also known as La Guerre la plus glorieuse), Cinexport, 1988.

OTHER—Les Valseuses (novel), 1972; Beau-pere (novel), 1980. AWARDS: Academy Award, Best Foreign Film, 1978, for Preparez vos mouchoirs; Cesar Award, Best Screenplay, 1990, for Trop belle pour toi. *

BLOCK, Larry 1942-

WRITINGS: FILM—(Co-writer) Laisse alter, c est une valse (also known as Take It Easy, It's a Waltz), Gaumont International, 1970.

PERSONAL: Born October 30, 1942, in New York, NY; son of Harold (in the garment industry) and Sonia (a travel agent; maiden name, Kutcher) Block; married Jolly King (an actress), September 25, 1981; children: Zoe Lenna, Zachary Harold. EDUCATION— University of Rhode Island, B.A., English, 1964; trained for the stage with Wynn Handman. POLITICS—Liberal Democrat. RELIGION—Ethical Culture. MILITARY—U.S. Army, Special Services, specialist fourth class, 1967-69.

AWARDS: Brussels Prize, 1949; Prix Feminin de Cinema, 1950; Prix Balzac, 197 3; Cesar Award, 1989; also named Chevalier of the French Legion of Honor. OBITUARIES AND OTHER SOURCES: Variety, April 5-11, 1989.*

VOCATION: Actor.

BLIER, Bertrand

CAREER: STAGE DEBUT—Mercutio's page, Romeo and Juliet, American Shakespeare Festival, Stratford, CT, 1965, for eighty performances. BROADWAY DEBUT—Understudy for Malcolm Scrawdyke, Hail, Scrawdyke, Booth Theatre, 1966. PRINCIPAL STAGE APPEARANCES—Boy, La Turista, St. Clement's Church Theatre, New York City, 1967; Jesse, Fingernails Blue As Flowers, American Place Theatre, New York City, 1971-72; Lucky, Waiting for Godot, St. Clement's Church Theatre, 1974; Johann Sebastian Fabiani (understudy) and Whimsey (understudy), Where Do We Go from Here?, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1974; Dromio of Ephesus, The Comedy of Errors, NYSF, Delacorte Theatre, New York City, 1975; Manny Alter, Coming Attractions, Playwrights Horizons, New York City, 1980-81; Gadshill, Henry IV, Part One, NYSF, Delacorte Theatre, 1981; Sir Toby Belch, Twelfth Night, Shakespeare and Company, Lee, MA, 1981; Leon, The Workroom (also known as LAtelier), Center Stage, Baltimore, MD, 1981; Martin Bormann, The Fuehrer Bunker, American Place Theatre, 1981; Benny Silverman, The Value of Names, Actors Theatre of Louisville, Louisville, KY, 1983, then Hartford Stage Company, Hartford, CT, 1984; the Hotel Manager, Souvenirs, Cubiculo Theatre, New York City, 1984; One-Eyed, The Golem, NYSF, Delacorte Theatre, 1984; Sir Toby Belch, Twelfth Night and Mr. Fezziwig, A Christmas Carol, both Tyrone Guthrie Theatre, Minneapolis, MN, 1984.

1939-

PERSONAL: Surname is pronounced "Blee-ay"; born March 11, 1939, in Paris, France; son of Bernard Blier (an actor). VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Director: Les Valseuses (also known as Going Places), Societe Nouvelle Prodis/Almi Cinema V, 1973; Calmos (also known as Femmes fatales and Cool, Calm, and Collected), AMLF, 1975; (also producer with Georges Dancigers and Alexandre Mnouchkine) Preparez vos mouchoirs (also known as Get Out Your Handkerchiefs), New Line Cinema, 1978; Buffet froid (also known as Cold Cuts), Interama/Gala Film Distributors, 1979; Beau-pere (also known as Stepfather), Parafrance/New Line Cinema, 1981; La Femme de mon pote (also known as My Best Friend's Girl), European International/Cannon Releasing, 1984; Notre histoire (also known as Separate Rooms, Our History, and Our Story), AMLF/Spectrafilm, 1984; Femmes fatales, New Line Cinema, 1985; Menage (also known as Tenue de soiree and Evening Dress), Norstar/Cinecom International, 1986; (also producer) Trop belle pour toi (also known as Too Beautiful for You), AMLF, 1989, released in the United States by Orion Classics, 1990. Also directed Hitler? Connaispas!, 1963; La Grimace, 1966; Sij'etais un espion (also known as Breakdown and If I Were a Spy), 1967.

Randolph, Responsible Parties, Vineyard Theatre, New York City, 1985; Del Bates, The Hit Parade, Manhattan Punch Line, New 55

BLUM

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

York City, 1985; Lada I, Largo Desolato, NYSF, Public Theatre, 1986; Yuri Brushnik, Coup d'Etat, Playwrights Horizons, 1986; Censor, Hunting Cockroaches, Manhattan Theatre Club, New York City, 1987; Elliot Atlas, The Square Root of Three, Jewish Repertory Theatre, New York City, 1987; Antonio, Two Gentlemen of Verona, NYSF, Delacorte Theatre, 1987; Willis, Moonchildren, Second Stage Theatre, New York City, 1987; Cecil, The Yellow Dog Contract, Apple Corps Theatre, New York City, 1988; Augustin Feraillon, A Flea in Her Ear, Long Wharf Theatre, New Haven, CT, 1989; Herbie, The Loman Family Picnic, Manhattan Theatre Club, 1989. Also appeared in Coriolanus, The Taming of the Shrew, and King Lear, all American Shakespeare Festival, Stratford, CT, 1965; Eh?, Circle in the Square, New York City, 1967; Harry, Noon, and Night and The Recruiting Officer, both Theatre of the Living Arts, Philadelphia, PA, 1970; The Last Days of British Honduras, NYSF, 1976; Manhattan Love Songs, Actors' Studio, New York City, 1982; A Tantalizing, Actors Theatre of Louisville, 1983; Temptation, NYSF, Public Theatre, 1989.

Cherry Orchard, Roundabout Theatre, 1976. BROADWAY DEBUT—Venetian, The Merchant, Plymouth Theatre, 1977. PRINCIPAL STAGE APPEARANCES—Valentine, Two Gentlemen of Verona and Cleante, The Miser, both National Shakespeare Company, Ulster County Community College, Stone Ridge, NY, 1974, then Rutgers University, New Brunswick, NJ, 1975; villager, first angel, and man, The World of Sholem Aleichem, Roundabout Theatre, New York City, 1976; Steve, Say Goodnight, Grade, Playwrights Horizons, Manhattan Main Stage Theatre, New York City, 1978, then Actors Playhouse, New York City, 1979; younger son, Table Settings, Playwrights Horizons, then Chelsea Theatre Center, New York City, 1980; Michael, Key Exchange, Orpheum Theatre, New York City, 1981; lago, Othello, Shakespeare Festival of Dallas, Dallas, TX, 1982; Johnson, Loving Reno, New York Theatre Studio, AMDA Studio One, New York City, 1983; Max Whitcomb, An American Comedy, Lee Baum, The American Clock, and Harry, Wild Oats, all Center Theatre Group, Mark Taper Forum, Los Angeles, 1983-84; Peter Austin, It's Only a Play, Manhattan Theatre Club, New York City, 1984; Asher, Messiah, Manhattan Theatre Club, Space at City Center Theatre, New York City, 1985; Ben, Little Footsteps, Playwrights Horizons, 1986; Ben, The Downside, Long Wharf Theatre, New Haven, CT, 1987. Also appeared in Brothers, George Street Playhouse, New Brunswick, NJ, 1976; Close Ties, Long Wharf Theatre, 1981; The Cherry Orchard, Long Wharf Theatre, 1982; Cave Life, Circle Repertory Theatre, New York City, 1988; in Green Julia; and in Moby Dick Rehearsed.

PRINCIPAL FILM APPEARANCES—Springy, Shamus, Columbia, 1973; Peterboro referee, Slap Shot, Universal, 1977; Ted Peters, Heaven Can Wait, Paramount, 1978; Detective Burrows, Hardcore (also known as The Hardcore Life), Columbia, 1979; taxi driver, After Hours, Warner Brothers, 1985; bar owner, Cocktail, Touchstone, 1988. Also appeared in Routed (short film), Izar, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Mickey Potter, The Secret Storm, CBS; Tom, Sesame Street, PBS; Cal Jamison, General Hospital, ABC. Mini-Series: Lasie, "Roanoak," American Playhouse, PBS, 1986. Pilots: Harry, Rosetti and Ryan: Men WhoLoveWomen, NBC, 1977; Private Arnold Fleck, SpaceForce, NBC, 1978. Episodic: Clerk, Tattingers, NBC, 1988;alsoM*A*S*//, CBS, 1977 and 1978; Miami Vice, NBC; One Life to Live, ABC; Barney Miller, ABC; Charlie's Angels, ABC; CHiPS, NBC; Kojak, CBS; Police Story, NBC; Baretta, ABC; Ellery Queen, NBC; Family Matters, ABC. Movies: Springy, A Matter of Wife . . . and Death, NBC, 1976; Leroy Keenan, The Last Ride of the Dalton Gang, NBC, 1979; Kleinfeld, Dead Man Out, HBO, 1989; also The Lindbergh Kidnapping Case, NBC, 1976.

PRINCIPAL STAGE WORK—Stage manager, National Shakespeare Company, Ulster County Community College, Stone Ridge, NY, 1974. PRINCIPAL FILM APPEARANCES—Intern Murphy, Lovesick, Warner Brothers, 1983; Gary Glass, Desperately Seeking Susan, Orion, 1985; George Margolin, Just Between Friends, Orion, 1986; Richard Mason, Crocodile Dundee, Paramount, 1986; Denny Gordon, Blind Date, Tri-Star, 1987; Arthur Peale, The Presidio, Paramount, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Ken Holden, Sweet Surrender, NBC, 1987. Pilots: Ray Litertini, Things Are Looking Up, CBS, 1984. Episodic: Miami Vice, NBC, 1987.

PRINCIPAL RADIO APPEARANCES—Series: Ensemble, Work in Progress. Episodic: "Pilot," National Public Radio Playhouse, National Public Radio (NPR); "Prairie du Chien," Earplay, NPR; Under the Gun, WBAI (New York City).

ADDRESSES: AGENTS—J.J. Harris and Steve Click, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

AWARDS: MILITARY HONORS—Commendation Medal from the U.S. Army, 1969. ADDRESSES: AGENT—The Gage Group, 1650 Broadway, New York, NY 10019.

BLUMENKRANTZ, Jeff

BLUM, Mark

1965-

PERSONAL: Born June 3,1965, in Long Branch, NJ; son of Harold David (a pharmacist) and Nancy Rachel (an interior designer; maiden name, Levy) Blumenkrantz. EDUCATION—Northwestern University, B.S., theatre, 1986. RELIGION—Jewish.

1950-

VOCATION: Actor.

PERSONAL: Born May 14, 1950, in Newark, NJ. EDUCATION— Studied drama at the University of Minnesota, the University of Pennsylvania, and with Andre Gregory, Aaron Frankel, and Daniel Seltzer.

CAREER: STAGE DEBUT—Zebulon and Baker, Joseph and the Amazing Technicolor Dreamcoat, Drury Lane Theatre, Oakbrook, IL, 1986, for fifty performances. OFF-BROADWAY DEBUT— Helper, The Pajama Game, Equity Library Theatre, 1986, for thirty peformances. PRINCIPAL STAGE APPEARANCES—Stewpot, South Pacific, New York City Opera, State Theatre, New York City,

VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Post office clerk, The

56

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BOHT

er's agent) and Edna May (MacDonald) Dance; married William P. Boht (divorced, 1970); married Carl Davis (a composer), December 28, 1970; children: Hannah Louise, Jessie Jo (first marriage). RELIGION—Church of England. VOCATION: Actress. CAREER: STAGE DEBUT—Liverpool Playhouse, Liverpool, U.K., 1962. LONDON DEBUT—Black straw hat girl, St. Joan of the Stockyards, Queen's Theatre, 1964, for twenty-one performances. PRINCIPAL STAGE APPEARANCES—Mrs. Flarty and first woman, Hanky Park, Mermaid Theatre, London, 1971; member of William Blake's family, Tyger, National Theatre Company, New Theatre, London, 1971; Mrs. Ropeen Genockey, The Hostage, Theatre Workshop Company, Stratford Theatre Royal, London, 1972; Eunice, Mecca, Open Space Theatre, London, 1977; Mrs. Moore, In the Blood, Theatre Upstairs, London, 1978; Sal, Wednesday, Bush Theatre, London, 1979. Also appeared in The National Health, National Theatre Company, London, 1967; Mother Courage, Manchester Library Theatre, Manchester, U.K., 1968; Marie Lloyd, Lincoln Theatre Royal, Lincoln, U.K., 1968; Coventry Belgrade, Royal Court Theatre, London, 1969; Finest F' Family (Henry Livings), Lincoln Theatre Royal, 1969; Amphytrion, Mermaid Theatre, 1971; Paradise Lost, Royal Court Theatre, 1974; Kennedy's Children, King's Head Theatre, London, 197'4; Homage to Been Soup, Royal Court Theatre, 1975; Patty Hearst, 1976; Interaction Rupert Street, 197'6; The Wild Duck, Lyric Hammersmith Theatre, London, 1980; Touched, Royal Court Theatre, 1980; To Come Home to This, Royal Court Theatre, 1981; Birds of Passage, Hampstead Theatre Club, London, 1983; Lost, Bush Theatre, 1986; Steel Magnolias, Lyric Theatre, London, 1989.

JEFF BLUMENKRANTZ

1987; understudy for Jack, Rapunzel's Prince, and Steward, Into the Woods, Martin Beck Theatre, New York City, 1987-89; ensemble, Waiting' in the Wings (revue) Triplex Theatre, New York City, 1988; Filch, The Threepenny Opera, National Theatre, Washington, DC, then Lunt-Fontanne Theatre, New York City, both 1989. Also appeared in Henry and Ellen, Playwrights Horizons, New York City; The Pajama Game, Equity Library Theatre, New York City; with Civic Light Opera Company, Pittsburgh, PA; Drury Lane Oakbrook Theatre, Chicago, IL; and with Pennsylvania Center Stage. PRINCIPAL TELEVISION APPEARANCES—Episodic: Hothouse, ABC, 1988; also Sesame Street, PBS. RELATED CAREER—Member, B.M.I. Advanced Workshop; member, Dramatists Guild Musical Theatre Development Program. AWARDS: Mary Martin Award from the National Institute of Music Theatre, 1988; George London grant from the National Institute for Music Theatre, 1988. ADDRESSES: AGENT—Abrams Artists, 420 Madison Avenue, New York, NY 10017.

BOHT, Jean

1936-

PERSONAL: Surname is pronounced ''boat"; born March 6, 1936, in Bebington, England; daughter of Thomas Herbert (a manufactur-

JEAN BOHT

57

BRAEDEN CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Mother, "Rapunzel's Story" in Rapunzel Let Down Your Hair, British Film Institute, 1975; Betty, Arthur's Hallowed Ground, Cinecom International, 1983; Mrs. Taswell, The Girl in a Swing, Nordisk, 1988; Aunty Nell, Distant Voices, Still Lives, Avenue Entertainment/British Film Institute, 1988; also appeared in Meddle Not with Change, 1985.

PRINCIPAL TELEVISION APPEARANCES—Series: (As Hans Gudegast) Captain Hauptman Hans Dietrich, The Rat Patrol, ABC, 1966-68; Victor Newman, The Young and the Restless, CBS, 1980—. Pilots: Anton Granicek, The Judge and Jake Wyler, NBC, 1972; Emhardt, Intertect, ABC, 1973; Arlen Findletter, The Six Million Dollar Man, ABC, 1973; Kapitan Drangel, The New. Original Wonder Woman, ABC, 1975; Ernest Graeber, Code Name: Diamond Head, NBC, 1977; Stephens, The Power Within, ABC, 1979; Leonard Nero, The Aliens Are Coming, NBC, 1980. Episodic: Francis Britten, How the West Was Won, ABC, 1978; Nick Kincaid, Airwolf, CBS, 1986; Gerhardt Brunner, Murder, She Wrote, CBS, 1986; also The Mary Tyler Moore Show, CBS, 1977; The Gallant Men, ABC; Combat, ABC; Charlie s Angels, ABC; Vega$, ABC; A Man Called Sloane, NBC; Project UFO, NBC; CHiPs, NBC; The Eddie Capra Mysteries, NBC. Movies: Frederico Caprio, Honeymoon with a Stranger, ABC, 1969; Dr. Roan Morgan, The Mask ofSheba, NBC, 1970; Stoeffer, Death Race, ABC, 1973; Kosinsky, Death Scream, ABC, 1975; Ross Ford, Happily Ever After, CBS, 1978.

PRINCIPAL TELEVISION APPEARANCES—Series: Nellie Boswell, Bread, BBC-1, 1985-86. Mini-Series: Sal, A Perfect Spy, BBC, then Masterpiece Theatre, PBS, 1988; Madame Joliet, "The 4:50 from Paddington," Agatha Christie's Miss Marple, BBC, then Mystery!, PBS, 1989. Episodic: Bergerac, BBC-1. Also appeared in The Boys from the Blackstuff, Sons and Lovers, Spy ship, Some Mothers Do 'ave 'em, Last of the Summer Wine, Funny Man, Scully, Juliet Bravo, I Woke Up One Morning, Sweeney, Where Adam Stood, Cranford, and Arthur's Hallowed Ground. RELATED CAREER—Company member: Liverpool Playhouse, Liverpool, U.K., 1962-64; Bristol Old Vic Theatre, Bristol, U.K., 1964-65; Royal Court Theatre Company, London, 1965-66; Manchester Library Theatre Company, Manchester, U.K., 196667; Theatre 69, Liverpool Playhouse, 1966-67; Lincoln Theatre Royal, Lincoln, U.K., 1967-68; National Theatre Company, London, 1968-69; Joan Little wood's Theatre Workshop, 1969-71; also co-founder and artistic director, Barnes Drama Company for Young People, 1986—.

AWARDS: Daytime TV Magazine poll winner, Best New Daytime Star, for The Young and the Restless. SIDELIGHTS: RECREATIONS—Boxing, soccer, running, tennis, and skiing. ADDRESSES: AGENT—David Windsor, Irv Schechter Company, 9300 Wilshire Boulevard, Suite 410, Beverly Hills, CA 90212.*

MEMBER: British Academy of Film and Television Arts. ADDRESSES: AGENT—Peters, Fraser, and Dunlop, the Chambers, 5th Floor, Chelsea Harbour, Lots Road, London SW10 OXF, England.

BRENNAN, Eileen

1935-

PERSONAL: Born September 3, 1935, in Los Angeles, CA; daughter of John Gerald (a doctor) and Regina "Jeanne" (an actress; maiden name, Menehan) Brennan; married David John Lampson, December 28, 1968 (divorced, 1974); children: Samuel John, Patrick Oliver. EDUCATION—Attended Georgetown University; studied acting at the American Academy of Dramatic Arts, 1955-56.

BRAEDEN, Eric (Hans Gudegast) PERSONAL: Born Hans Gudegast, April 3, in Kiel, Germany; wife's name, Dale; children: Christian. EDUCATION—Attended Montana State University.

VOCATION: Actress. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Title role, Little Mary Sunshine, Orpheum Theatre, 1959-61. PRINCIPAL STAGE APPEARANCES—Anna Leonowens, The King and I, City Center Theatre, New York City, 1963; Merry May Glockenspiel, The Student Gypsy, or The Prince ofLiederkranz, 54th Street Theatre, New York City, 1963; Irene Molloy, Hello, Dolly!, St. James Theatre, New York City, 1964-66; Maxine Faulk, The Night of the Iguana, Morris Mechanic Theatre, Baltimore, MD, 1985. Also appeared in And Where She Stops Nobody Knows, Center Theatre Group, Mark Taper Forum, Los Angeles, 1976; Gethesemane Springs, Center Theatre Group, Mark Taper Forum Laboratory Production, 1977; Triptych, Center Theatre Group, Mark Taper Forum Laboratory Production, 1978; A Coupla White Chicks Sitting Around Talking, Astor Place Theatre, New York City, 1980; and in productions ofCamelot, Guys and Dolls, Bells Are Ringing, and An Evening with Eileen Brennan (one-woman show).

CAREER: PRINCIPAL STAGE APPEARANCES—(As Hans Gudegast) Kurt Schonforn, The Great Indoors, Eugene O'Neill Theatre, New York City, 1966. PRINCIPAL FILM APPEARANCES—(As Hans Gudegast) Klaus, Operation Eichmann, Allied Artists, 1961; (as Hans Gudegast) radio operator, Morituri (also known as The Saboteur: Code Name Morituri and The Saboteur), Twentieth Century-Fox, 1965; (as Hans Gudegast) Max Eckhart, Dayton's Devils, Cue, 1968; (as Hans Gudegast) Von Klemme, One Hundred Rifles, Twentieth Century-Fox, 1969; Dr. Charles Forbin, Colossus: The Forbin Project (also known as The Forbin Project and Colossus 1980), Universal, 1969; Dr. Otto Hasslein, Escape from the Planet of the Apes, Twentieth Century-Fox, 1971; Peter Brinker, Lady Ice, National General, 1973; Roland, The Ultimate Thrill (also known as The Ultimate Chase), General Cinema, 1974; Bruno Von Stickle, Herbie Goes to Monte Carlo, Buena Vista, 1977. Also appeared in The Adultress, 1976.

MAJOR TOURS—Annie Sullivan, The Miracle Worker, U.S. cities, 1961-62; Ellen Manville, Luv, U.S. cities, 1967. 58

hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh Mrs. O'Brien, The Cavanaughs, CBS, 1988; Corinne Denby, Newhart, CBS, 1988 and 1989; also All in the Family, CBS, 1972. Movies: Amy, Playmates, ABC, 1972; Glenda, The Blue Knight, NBC, 1973; Mrs. Lindholm, My Father's House, ABC, 1975; Ann Muldoon, The Night That Panicked America, ABC, 1975; Carol Werner, The Death of Richie, NBC, 1977; Mary Jensen, When She WasBad. . ., ABC, 1979;Marie,MyOldMan, CBS, 1979; Jessy, When the Circus Came to Town, CBS, 1981; Sara Davis, Incident at Crestridge, CBS, 1981; Judith, The Fourth Wise Man, ABC, 1985; Mrs. Piper/Widow Hubbard, Babes in Toyland, NBC, 1986; Sylvia Zimmerman, Blood Vows: The Story of a Mafia Wife, NBC, 1987; Maude Roberti, Going to the Chapel, NBC, 1988. Specials: Aunt, Kraft Salutes Walt Disney World's Tenth Anniversary, CBS, 1982; Maggie, Lily for President, CBS, 1982; Working, PBS, 1982; The Screen Actors Guild Fiftieth Anniversary Celebration, CBS, 1984. AWARDS: Page One Award from the Newspaper Guild, Theatre World Award, Obie Award from the Village Voice, and Kit-Kat Artists and Models Award, all 1960, for Little Mary Sunshine; British Academy Award nomination, Best Supporting Actress, 1972, for The Last Picture Show; Academy Award nomination, Best Supporting Actress, 1981, for Private Benjamin; Emmy Award, Outstanding Supporting Actress in a Comedy, Variety, or Music Series, 1981, and Golden Globe, Best Television Actress in a Series—Comedy or Musical, 1982, for Private Benjamin. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, American Guild of Variety Artists. EILEEN BRENNAN

ADDRESSES: AGENT—David Shapira and Associates, 15301 Ventura Boulevard, Suite 345, Sherman Oaks, CA 91403.

FILM DEBUT—Eunice, Divorce: American Style, Columbia, 1967. PRINCIPAL FILM APPEARANCES—Gene vie ve, The Last Picture Show, Columbia, 1971; Darlene, Scarecrow, Warner Brothers, 1973; Billie, The Sting, Universal, 1973; Mrs. Walker, Daisy Miller, Paramount, 1974; Elizabeth, At Long Last Love, Twentieth Century-Fox, 1975; Paula Hollinger, Hustle, Paramount, 1975; Tess Skeffington, Murder By Death, Columbia, 1976; Penelope, The Great Smokey Roadblock (also known as The Last of the Cowboys), Dimension, 1976; Betty DeBoop, The Cheap Detective, Columbia, 1978; Mother, FM (also known as Citizen s Band), Universal, 1978; Captain Doreen Lewis, Private Benjamin, Warner Brothers, 1980; Gail Corbin, The Funny Farm, New World/ Mutual, 1982; Mrs. Peacock, Clue, Paramount, 1985; Stella, Sticky Fingers, Spectrafilm, 198 8; hotel desk clerk, Rented Lips, Cineworld, 1988; Miss Bannister, The New Adventures ofPippiLongstocking, Columbia, 1988; Mrs. Wilkerson, Stella, Touchstone, 1990. Also appeared in Pandemonium (also known as Thursday the 12th), Metro-Goldwyn-Mayer/United Artists, 1981.

BRESSON, Robert

1907-

PERSONAL: Born September 25, 1907, in Bromont-Lamothe (Puy-de-Dome), France; son of Leon and Marie-Elisabeth (Clausels) Bresson; married Leida Van der Zee, December 21, 1926. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Mouchette, Pare Film/Argos Films, 1967, released in the United States by Cinema Ventures, 1970; De Weg Naar Bresson (also known as The Way to Bresson; documentary), Frans Rasker/ Documentary Films, 1984.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Rowan and Martin's Laugh-In, NBC, 1968; Verla Grubb, All My Children, ABC, 1970; Ma Packer, All That Glitters, syndicated, 1977; Felicia Winters, 13 Queens Boulevard, ABC, 1979; Kit Flanagan, A New Kind of Family, ABC, 1979-80; Captain Doreen Lewis, Private Benjamin, CBS, 1981-83; Kate Halloran, Off the Rack, ABC, 1985. Mini-Series: Annie Gray, Black Beauty, NBC, 1978. Pilots: Kate Halloran, Off the Rack, ABC, 1984; Siobhan Owens, Off Duty (broadcast as episode of CBS Summer Playhouse), CBS, 1988. Episodic: Ruth MacKenzie, Taxi, ABC, 1981; host, The Shape of Things, NBC, 1982; Brenda Babcock, Magnum, P.I., CBS, 1987; Marion Simpson, Murder, She Wrote, CBS, 1987;

FIRST FILM WORK—Les Affaires publiques, Arc Films, 1934. PRINCIPAL FILM WORK—Director: Les Anges du peche (also known as Angels of the Street), Synops/Roland Tual, 1943, released in the United States by Metro-Goldwyn-Mayer, 1950; Les Dames du bois de Bologne (also known as Ladies of the Park), Les Films Raoul Ploquin, 1945, released in the United States by Brandon, 1964; Le Journal d'un cure de campagne (also known as Diary of a Country Priest), Union Generale Cinematographique, 1951; Un Condamne a mort s'est echappe (also known as Le Vent souffle ou il veut, A Man Escaped, and The Wind Bloweth Where It Listeth), Societe Nouvelles des Etablissements Gaumont/Nouvelles 59

BRETT CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Editions de Films, 1956, released in the United States by New Yorker, 1957; Pickpocket, Agnes Delahaie, 1959, released in the United States by New Yorker, 1963; Le Proces de Jeanne d'Arc (also known as Trial of Joan of Arc), Agnes Delahaie, 1962, released in the United States by Pathe Contemporary, 1965.

BRETT, Jeremy 1933-

PERSONAL: Born Jeremy Huggins, November 3, 1933, in Berkswell Grange, England; son of H.W. (a military colonel) and Elizabeth Edith Cadbury (Butler) Huggins; married Anna Massey (an actress), May, 1958 (divorced); married Joan Wilson (a television producer), 1977 (died July, 1985); children: David (first marriage); two (second marriage). EDUCATION—Trained for the stage at the Central School of Speech and Drama.

Au hasard, Balthazar (also known as Balthazar), Argos Films/Pare Film/Athos/Svenska Filmindustri/Svenska Filminstitutet, 1966, released in the United States by Cinema Ventures, 1970; Mouchette, Pare Film/Argos Films, 1967, released in the United States by Cinema Ventures, 1970; Une Femme douce (also known as A Gentle Creature), Pare Film/Marianne Productions, 1969, released in the United States by New Yorker, 1971; Quatre nuits d un reveur (also known as Four Nights of a Dreamer), Victoria Films/Albina Films/Films del'Orso, 1971, released in the United States by New Yorker, 1972; Lancelot du lac (also known as Le Graal, Lancelot of the Lake, and The Grail), CFDC, 1974, released in the United States by New Yorker, 1975; Le Diable probablement (also known as The Devil, Probably), Gaumont, 1977; L'Argent (also known as Money), AMLF, 1983, released in the United States by Cinecom International, 1984.

VOCATION: Actor and director. CAREER: STAGE DEBUT—With the Library Theatre, Manchester, U.K., 1954. LONDON DEBUT—Patroclus, Troilus and Cressida, Old Vic Theatre, 1956. BROADWAY DEBUT—Duke of Aumerle, Richard II, Winter Garden Theatre, 1956. PRINCIPAL STAGE APPEARANCES—Mercury, Amphytrion 38 and Duke of Aumerle, RichardII, both Library Theatre, Manchester, U.K., 1954; Malcolm, Macbeth, Paris, Romeo and Juliet, and Duke of Aumerle, RichardII, all Old Vic Theatre, London, 1956; Malcolm, Macbeth, Paris, Romeo and Juliet, and Troilus, Troilus and Cressida, all Winter Garden Theatre, New York City, 1956; Roderick, Meet Me by Moonlight, Aldwych Theatre, London, 1957; Ron, Variations on a Theme, Globe Theatre, London, 1958; William MacFly, Mr. Fox of Venice, Piccadilly Theatre, London, 1959; Archie Forsyth, Marigold, Savoy Theatre, London, 1959; Sebastian, TheEdwardians, Saville Theatre, London, 1959.

RELATED CAREER—Assistant to director Rene Clair on the film L'Air pur, 1939. NON-RELATED CAREER—Painter.

Reverend Richard Highfield, Johnny the Priest, Prince's Theatre, London, 1960; title role, Hamlet, Strand Theatre, London, 1961; Peter, The Kitchen, Royal Court Theatre, London, 1961; Dunois, Saint Joan and Maurice Sweetman, The Workhouse Donkey, both Chichester Festival Theatre, Chichester, U.K., 1963; Father Riccardo Fontana, The Deputy, Brooks Atkinson Theatre, New York City, 1964; Gilbert, A Measure of Cruelty, Birmingham Repertory Theatre, Birmingham, U.K., 1965; Beliaev, A Month in the Country, Cambridge Theatre, London, 1965; Ronnie, Any Just Cause, Adeline Genee Theatre, East Grinstead, U.K., 1967; Orlando, As You Like It and Valere, Tartuffe, both National Theatre Company, Old Vic Theatre, 1967; Kent, Edward II and Berowne, Love's Labour's Lost, both National Theatre Company, Old Vic Theatre, 1968; Che Guevara, Macrune's Guevara, National Theatre Company, Old Vic Theatre, then Jeannetta Cochrane Theatre, London, both 1969.

WRITINGS: FILM—See production details above, unless indicated. C'etait un musicien, 1933; Les Jumeaux de Brighton, 1936; Courrier sud, 1937; (with R.P. Bruckberger and Jean Giraudoux) Les Anges du peche, 1943; (with Jean Cocteau) Les Dames du bois de Bologne, 1945; Le Journal d'un cure de campagne, 1951; Un Condamne a mort s'est echappe, 1956; Pickpocket, 1959; Le Proces de Jeanne d'Arc, 1962; Au hasard, Balthazar, 1966; Mouchette, 1967; Une Femme douce, 1969; Quatre nuits d'un reveur, 1971; Lancelot du lac, 1974; Le Diable probablement, 1977; LArgent, 1983. OTHER—Notes sur le cinematographe, 1976, translated by Jonathan Griffen as Notes on Cinematography, Urizen Books, 1977. AWARDS: Grand Prix du Cinema Francais, 1943, for Les Anges du peche; Prix Louis Delluc, 1950, Grand Prix du Film d'Avant Garde, 1950, Grand Prize from the Venice Film Festival, 1951, and Grand Prix du Cinema Francais, 1951, all for Le Journal d'un cure de campagne; Best Director Award from the Cannes Film Festival and Best Film Award from the French Film Academy, both 1957, for Un Condamne a mort s'est echappe; Prix du Meillieur Film de 1'Annee, 1959, for Pickpocket; Special Jury Prize from the Cannes Film Festival, 1962, for Le Proces de Jeanne d'Arc; honorary mentions from the Venice Film Festival and Panama Festival, both 1966, for Au hasard, Balthazar; Prix du Cinema Francais, 1967, and Panama Festival Grand Prize, 1968, both for Mouchette; International Film Critics' Award from the Cannes Film Festival, 1974, for Lancelot du lac; Grand Prix from the Cannes Film Festival, 1983, for L'Argent; officer, French Legion of Honor.

George Tesman, Hedda Gabler, National Theatre Company, Cambridge Theatre, 1970; Bassanio, The Merchant of Venice, National Theatre Company, Old Vic Theatre, 1970; the Son, A Voyage 'round My Father, Haymarket Theatre, London, 1971; Gaston, Traveller Without Luggage, Thorndike Theatre, Leatherhead, U.K., 1972; John Rosmer, Rosmersholm, Greenwich Theatre, London, 1973; Otto, Design for Living, Phoenix Theatre, London, 1973; Mirabell, The Way of the World and Theseus and Oberon, A Midsummer Night's Dream, both Stratford Shakespeare Festival, Stratford, ON, Canada, 1976; Robert Browning, Robert and Elizabeth and title role, Dracula, both Ahmanson Theatre, Los Angeles, 1978; Dr. Watson, The Crucifer of Blood, Center Theatre Group, Ahmanson Theatre, 1980-81; Honorable William Tatham, Aren't We All?, Brooks Atkinson Theatre, New York City, 1985; title role, The Secret of Sherlock Holmes, Wyndham's Theatre, London, 1988. Also appeared as offstage narrator, Song (ballet), Martha Graham Dance Company, 1982.

MEMBER: Societe des Realisateurs de Films (honorary president).

PRINCIPAL STAGE WORK—Director, The Tempest, in Canada, 1982.

ADDRESSES: HOME—49 Quai Bourbon, Paris 4E, France.* 60

BRILL

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MAJOR TOURS—Duke of Aumerle, Richard II, Paris, Romeo and Juliet, Malcolm, Macbeth, andTroilus, TroilusandCressida, U.S. and Canadian cities, all 1957; title role, Dracula, U.S. cities, 1979. PRINCIPAL FILM APPEARANCES—Nicholas Rostov, War and Peace, Paramount, 1956; Malcolm, Macbeth, Prominent, 1963; Mullen, The Very Edge, British Lion/Garrick, 1963; Jordan Barker, The Model Murder Case (also known as Girl in the Headlines}, Cinema V, 1964; Freddy Eynsford-Hill, My Fair Lady, Warner Brothers, 1964; Gilby, Young and Willing (also known as The Wild and the Willing and The Young and the Willing), Universal, 1964; Edward Parrish, The Medusa Touch, Warner Brothers, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Title role, The Adventures of Sherlock Holmes Series I, Granada, then Mystery!, PBS, 1985; title role, The Adventures of Sherlock Holmes Series II, Granada, then Mystery!, PBS, 1986; title role, The Return of Sherlock Holmes, Granada, then Mystery!, PBS, 1987; title role, The Return of Sherlock Holmes II, Granada, then Mystery!, PBS, 1988. Mini-Series: Maxim de Winter, Rebecca, BBC, then Mystery!, PBS, 1980; Edward Ashburnham, The Good Soldier, Granada, then Masterpiece Theatre, PBS, 1983; also Jennie: Lady Randolph Churchill, BBC, then PBS, 1975; Country Matters II, Granada, then Masterpiece Theatre, PBS, 1979. Episodic: Peter Tower, "One Deadly Owner," Thriller, ABC, 1973; also Hart to Hart, ABC. Movies: Dr. Terrence Keith, MadameX, NBC, 1981; Bryan Foxworth, Deceptions, NBC, 1985; William Nightingale, Florence Nightingale, NBC, 1985. Specials: Malcolm, "Macbeth," Hallmark Hall of Fame, NBC, 1960; also host, Piccadilly Circus, PBS. Also appeared in The Last Visitor, BBC-2, 1982; as Danilo, The Merry Widow, BBC; in Katherine Mansfield, BBC; as Jacques, Dinner with the Family; Joseph Surface, The School for Scandal; and as title role, The Picture of Dorian Gray.

FRAN BRILL

City, 1980; Jenny Wilbur, Knuckle, Hudson Guild Theatre, New York City, 1981; Rita, Skirmishes, Manhattan Theatre Club, New York City, 1983; Helen, Baby with the Bathwater, Playwrights Horizons, New York City, 1983; Mary Hutton, Paris Bound, Long Wharf Theatre, New Haven, CT, 1985; Lydia, A Delicate Situation, Young Playwright's Festival, Playwrights Horizons, 1986; Elizabeth, Taking Steps, York Theatre Company, Church of the Heavenly Rest, New York City, 1986; Sybil Swensen, Claptrap, Manhattan Theatre Club, 1987; Betty Armstrong, Hyde in Hollywood, American Place Theatre, New York City, 1989.

ADDRESSES: AGENT—William Morris Agency Ltd., 147 Wardour Street, London W1V 3TB, England.

BRILL, Fran PERSONAL: Full name, Frances Joan Brill; born September 30, in Chester, PA; daughter of Joseph M. (a doctor) and Linette Brill; married Clint Ramsden, July 14, 1979 (divorced, 1983); married Francis Robert Kelly (a writer), June 17, 1988. EDUCATION— Boston University, B.F.A., 1968. RELIGION—Methodist.

Also appeared in The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Washington Theatre Club, Washington, DC, 1970; The Beaux' Stratagem, Center Stage, Baltimore, MD, 1971; You Can't Take It with You, Actors Theatre of Louisville, Louisville, KY, 1972; The House of Mirth, Long Wharf Theatre, 1976; The Merchant of Venice, Meadow Brook Theatre, Rochester, MI, 1977; Chapter Two, Meadow Brook Theatre, 1982; The Cherry Orchard, Long Wharf Theatre, 1982; Marathon of One-Act Plays '82, Ensemble Studio Theatre, New York City, 1982; Real Estate, Arena Stage, Washington, DC, 1983; Tartuffe, Yale Repertory Theatre, New Haven, CT, 1984; Holding Patterns, Musical Theatre Works, New York City, 1984; Festival of Original One-Act Comedies, Manhattan Punch Line, INTAR Theatre, New York City, 1985-86; in Extremities, Japan, 1983; and in productions of A Streetcar Named Desire, Otherwise Engaged, and A Man for All Seasons.

VOCATION: Actress. CAREER: STAGE DEBUT—Theatre Atlanta, 1968. BROADWAY DEBUT—Student leader, Red, White, and Maddox, Cort Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Nancy Twinkle, Little Mary Sunshine, Equity Library Theatre, Master Theatre, New York City, 1970; Maggie Wylie, What Every Woman Knows, Roundabout Theatre, New York City, 1975; Mrs. June, How He Lied to Her Husband and Overruled, both Counterpoint Theatre Company, New York City, 1977; Ersilia, To Clothe the Naked, Roundabout Theatre, 1977; Lorraine, Scribes, Phoenix Theatre Company, Mary mount Manhattan Theatre, New York City, 1977; Fish, Dusa, Fish, Stas, and Vi, Center Theatre Group, Mark Taper Forum, Los Angeles, 1978; Helena Charles, Look Back in Anger, Roundabout Theatre, 1980; Leona, Jacob's Ladder, WPA Theatre, New York

PRINCIPAL FILM APPEARANCES—Sally Hayes, Being There, United Artists, 1979; Mrs. Sloan, Old Enough, Orion Classics, 1984; Dana Mardukas, Midnight Run, Universal, 1988; also ap61

BROWN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

peared in Reuben, Reuben, Twentieth Century-Fox, 1983; Routed (short film), Izar, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Fran Bachman, How to Survive a Marriage, NBC, 1974-75; also The Jim Henson Hour, NBC, 1989; Sesame Street, PBS. Episodic: Mother, "Seize the Day," American Playhouse, PBS, 1986; Jill, Kate andAllie, CBS, 1986; Joan Cahill, Spenser: For Hire, ABC, 1987; Katherine, A Year in the Life, NBC, 1988; All My Children, ABC, 1987; Nurse, CBS; Family, ABC; Today sF.B.L, ABC; Barnaby Jones, CBS. Movies: Suze Winter, Amber Waves, ABC, 1980; also Lip Service, HBO, 1988. Specials: Kaye, "Oh, Boy! Babies!," NBC Special Treat, NBC, 1983; Sesame Street . . . Twenty and Still Counting, NBC, 1989; also Look Back in Anger, Showtime. RELATED CAREER—Guest artist, Actors Theatre of Louisville, Louisville, KY, 1983-84; guest artist, Arena Stage, Washington, DC, 1984-85; company member, Hartman Theatre Company, Stamford, CT; company member, Parker Playhouse. RECORDINGS: ALBUMS—Red, White, andMaddox (original cast recording), Metromedia Records. AWARDS: Emmy Award, 1974, for Sesame Street; Drama Desk Award nomination, 1975, for What Every Woman Knows; Drama Desk Award nomination, 1981, for Knuckle. ADDRESSES: AGENT—Writers and Artists Agency, 70 W. 36th Street, Suite 501, New York, NY 10018; Writers and Artists Agency, 11726 San Vicente Boulevard, Suite 300, Los Angeles, CA 90049. ARVIN BROWN

BROWN, Arvin

York City, both 1971; Hamlet, The Iceman Cometh, What Price Glory?, The Changing Room, and "A Swan Song" in Troika, all Long Wharf Theatre, 1972; Juno and the Pay cock and The Widowing of Mrs. Holroyd, both Long Wharf Theatre, 1973; Forget-Me-Not Lane, Long Wharf Theatre, then Center Theatre Group, Mark Taper Forum, Los Angeles, both 1973; The Seagull, Long Wharf Theatre, 1974; The National Health, Long Wharf Theatre, then Circle in the Square, New York City, both 1974; Saint Joan, Ahmanson Theatre, Los Angeles, 1974; Juno and the Pay cock, Williamstown Theatre Festival, Williamstown, MA, 1974; Ah, Wilderness!, Long Wharf Theatre, 1974, then Circle in the Square, 1975; Artichoke, Long Wharf Theatre, 1975; The Archbishop's Ceiling, Kennedy Center for the Performing Arts, Washington, DC, 1976-77; Privates on Parade and / Sent a Letter to My Love, both Long Wharf Theatre, 1978; Mary Barnes and Who's Afraid of Virginia Woolf?, both Long Wharf Theatre, 1979; Strangers, John Golden Theatre, 1979; Watch on the Rhine, Long Wharf Theatre, 1979, then John Golden Theatre, 1980.

1940-

PERSONAL: Born in 1940 in Los Angeles, CA; son of Herman S. and Annette R. (Edelman) Brown; married Joyce Ebert (an actress), November 2, 1969. EDUCATION—Stanford University, B.A., 1961; University of Bristol, certificate in drama, 1962; Harvard University, M.A., 1963; postgraduate work, Yale University, 1963-65. VOCATION: Producer and director. CAREER: FIRST STAGE WORK—Director, The Stronger, University of Bristol, Bristol, U.K. FIRST LONDON WORK—Director, The Indian Wants the Bronx, 1967. FIRST BROADWAY WORK— Director, A Whistle in the Dark, Mercury Theatre, 1969. PRINCIPAL STAGE WORK—Director: Long Days Journey into Night, Long Wharf Theatre, New Haven, CT, 1966; Misalliance, The Glass Menagerie, and The Rehearsal, all Long Wharf Theatre, 1967; A Whistle in the Dark, Don Juan in Hell, and The Lion in Winter, all Long Wharf Theatre, 1968; The Indian Wants the Bronx and It's Called Sugar Plum (double-bill), Ghosts, and Tango, all Long Wharf Theatre, 1969.

American Buffalo, Long Wharf Theatre, 1980, then Circle in the Square Downtown, New York City, 1981-82, later Booth Theatre, New York City, 1983-84; A View from the Bridge, Long Wharf Theatre, 1982, then Ambassador Theatre, New York City, 1983; Open Admissions, The Cherry Orchard, and Free and Clear, all Long Wharf Theatre, 1982; Tobacco Road and Albert Herring, both Long Wharf Theatre, 1984; Requiem for a Heavyweight, Long Wharf Theatre, 1984, then Martin Beck Theatre, New York City, \9%5;The Normal Heart, Long Wharf Theatre, 1985; Joe Egg (also known as A Day in the Death of Joe Egg), Roundabout Theatre, New York City, 1984-85, then Longacre Theatre, New York City,

Hay Fever, Helen Hayes Theatre, New York City, 1970; Country People, Spoon River Anthology, and Yegor Bulichov, all Long Wharf Theatre, 1970; Long Day's Journey into Night, Promenade Theatre, New York City, 1971; You Can't Take It with You and The Contractor, both Long Wharf Theatre, 1971; Solitaire/Double Solitaire, Long Wharf Theatre, then John Golden Theatre, New 62

BRYAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Steps Theatre, New York City, 1979; (with Lita Starr, Steven Leber, and David Krebs) Wally's Cafe, Brooks Atkinson Theatre, New York City, 1981; (with Allan Carr, Kenneth D. Greenblatt, Marvin A. Krauss, Steward F. Lane, James M. Nederlander, and Holt) La Cage aux Folles, Palace Theatre, New York City, 1983; (with Barry Weissler, Fran Weissler and Kathy Levin) Gypsy, St. James Theatre, New York City, 1989.

1985; All My Sons, Long Wharf Theatre, 1986, then John Golden Theatre, 1987; Self Defense, Long Wharf Theatre, then Joyce Theatre, New York City, both 1987; Our Town, Long Wharf Theatre, 1987; Ah, Wilderness!, Yale Repertory Theatre, New Haven, CT, then Neil Simon Theatre, New York City, both 1988; Established Price, Long Wharf Theatre, 1990. PRINCIPAL TELEVISION WORK—All as director. Specials: "The Widowing of Mrs. Holroyd," Theatre in America, PBS, 1974; "Forget-Me-Not Lane," Theatre in America, PBS, 1975; "Ah, Wilderness!," Theatre in America, PBS, 1976; Close Ties, Entertainment Channel, 1983.

MAJOR TOURS—Producer (with Edgar Lansbury, Fritz Holt, and Joseph Beruh), Gypsy, U.S. and Canadian cities, 1974. RELATED CAREER—Producing director and manager, Berkshire Theatre Festival, Stockbridge, MA, 1976.

RELATED CAREER—Supervisor, Long Wharf Theatre Apprentice Program, New Haven, CT, 1965; director, Long Wharf Theatre Children's Theatre, 1965-67; artistic director, Long Wharf Theatre, 1967—; associate director, Williamstown Theatre Festival, Williamstown, MA, 1969; lecturer on directing, Salzburg Seminar, Salzburg, Austria, 1972; delegate, International Theatre Conference, Bulgaria, Hungary, 1979; guest lecturer, New Play Center, Vancouver, BC, Canada, 1980; guest lecturer, University of Illinois at Urbana, 1980 and 1982; also theatre advisory panel, National Endowment for the Arts.

AWARDS: Drama Desk Award, Best Revival, 1975, for The Royal Family; Antoinette Perry Award, Best Musical, 1984, for La Cage aux Folles. MEMBER: League of New York Theatres and Producers. SIDELIGHTS: Barry M. Brown told CTFT that in 1985 he, along with Fritz Holt, produced the first major AIDS benefit in the United States which raised $1.3 million at the Metropolitan Opera House in New York City.

AWARDS: Fulbright Scholarship, 1962; Vernon Rice Award, Best Off-Broadway Director, 1971, for Long Day's Journey into Night; Variety Poll Award, Best Off-Broadway Director, 1971; Antoinette Perry Award nomination, Best Director of a Play, 1975, for The National Health; Antoinette Perry Award nomination, Best Reproduction, 1983, for A View from the Bridge; Antoinette Perry Award nomination, Best Reproduction, 1984, tor American Buffalo; Antoinette Perry Award, Best Reproduction, 1985, for Joe Egg; Antoinette Perry Award, Best Reproduction, 1987, for All My Sons. HONORARY DEGREES—University of New Haven, University of Bridgeport, and Fairfield University.

ADDRESSES: OFFICE—250 W. 52nd Street, New York, NY 10019.

BRYAN, Robert

1934-

MEMBER: Theatre Communications Group (co-director, 19721976), International Theatre Institute, Society of Stage Directors and Choreographers, Directors Guild.

PERSONAL: Full name, Robert Hedley Bryan; born August 25, 1934, in Derby, England; son of Joseph William and Gladys (Bacon) Bryan; married Ann Daly, March 1, 1963; children: Joanna, Emma. EDUCATION—Hull University, B.Sc., education, 1957.

ADDRESSES: OFFICE—Long Wharf Theatre, 222 Sargent Drive, New Haven, CT06511.*

VOCATION: Lighting designer.

BROWN, Barry M.

CAREER: FIRST STAGE WORK—Lighting designer, Seagulls Over Sorrento, Opera House, Harrogate, U.K., 1960. FIRST LONDON WORK—Lighting designer, Mr. Whatnot, Arts Theatre, 1963. PRINCIPAL STAGE WORK—Lighting designer: Girlfriend, Apollo Theatre, London, 1910; Butley, Criterion Theatre, London, 1971; Forget-Me-Not Lane, Greenwich Theatre, London, 1971; The Little Giant and Liberty Ranch, both Greenwich Theatre, 1972; Once Upon a Time, Duke of York's Theatre, London, 1972; Jumpers, National Theatre Company, Old Vic Theatre, London, 1972; The Three Sisters and The House of Bernarda Alba, both Greenwich Theatre, 1973; The Wolf, Apollo Theatre, then New London Theatre, London, both 1973; Design for Living, Phoenix Theatre, London, 1973; Engaged, National Theatre Company, Old Vic Theatre, 1975; Kidnapped at Christmas, Dolphin Theatre Company, Shaw Theatre, London, 1975; Separate Tables, Apollo Theatre, 1977; Privates on Parade, Royal Shakespare Company (RSC), Aldwych Theatre, London, 1977; It's All Right If I Do, Mermaid Theatre, London, \911; Fire Angel, Her Majesty's Theatre, London, 1977; A Murder Is Announced, Vaudeville Theatre, London, 1977, restaged in 1979; Kismet, Shaftesbury Theatre, London, 1978; Night and Day, Phoenix Theatre, 1978; Bent, Royal Court Theatre, London, 1979; Undiscovered Country, National

1942-

PERSONAL: Born August 28, 1942; son of Irving R. (a music publisher) and Hannah (Streicher) Brown. EDUCATION—University of Michigan, B.A., 1964. VOCATION: Producer. CAREER: PRINCIPAL STAGE WORK—Producer: (With Edgar Lansbury, Fritz Holt, and Joseph Beruh) Gypsy, Winter Garden Theatre, New York City, 1974; (with Holt and S. Spencer Davids) Saturday Sunday Monday, Martin Beck Theatre, New York City, 1974; (with Burry Fredrik, Holt, and Sally Sears) Summer Brave, American National Theatre and Academy Theatre, New York City, 1975; (with Fredrik, Holt, and Sears) The Royal Family, Helen Hayes Theatre, New York City, 1975; (with Gladys Rackmil and Holt) Platinum, Mark Hellinger Theatre, New York City, 1978; (with Rackmil and Holt) The Madwoman of Central Park West, 22

63

BUCK

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Theatre Company, Olivier Theatre, London, 1979; Once in a Lifetime, RSC, Aldwych Theatre, 1979.

Otherwise Engaged, Palace Theatre, Watford, U.K., 1978. Also performed in productions at Christ's College, Cambridge University, and with the English Stage Company, London.

Pygmalion, Shaw Theatre, 1980; All's Well That Ends Well, RSC, Royal Shakespeare Theatre, Stratford-on-Avon, U.K., 1981, then Barbican Theatre, London, 1982, later Martin Beck Theatre, New York City, 1983; Henry V and As You Like It, both RSC, Barbican Theatre, 1985; Mrs. Warren's Profession, National Theatre Company, Lyttelton Theatre, London, 1985; Exclusive, Strand Theatre, London, 1989; Falstaff (opera), Welsh National Opera, Brooklyn Academy of Music, Brooklyn, NY, 1989; Someone Like You, Strand Theatre, London, 1990. Also The National Health, National Theatre, London.

MAJOR TOURS—Milo, Sleuth, Canadian cities, 1972. PRINCIPAL FILM APPEARANCES—Paul Preston, The Mummy's Shroud, Twentieth Century-Fox, 1967; Salinas, Deadfall, Twentieth Century-Fox, 1968; Paul Hedley, Taste of Excitement, Crispin, 1969; Squadron Leader David Scott, Mosquito Squadron, United Artists, 1970; voice of Slave Master, The Dark Crystal, Universal, 1982. PRINCIPAL TELEVISION APPEARANCES—Pilots: Captain Horatio Hornblower, Hornblower (broadcast as an episode of Alcoa Premiere), ABC, 1963. Episodic: Harry Banks, "The Scarecrow of Romney Marsh," Walt Disney's Wonderful World of Color, NBC, 1964. Also Mystery and Imaginaton, The Idiot, and 1984.

RELATED CAREER—Lighting designer, Opera House, Harrogate, U.K., 1959-60; lighting designer, Theatre Projects Ltd., London, 1960-65, then 1969-78; principal lighting designer, Glyndebourne Festival Opera, Glyndebourne, U.K., 1972-83; principal lighting designer, Royal Opera, Covent Garden, London, 1983—; also lighting designer for the Royal Ballet, London, the Australian Opera, Sydney, Australia, the Burgtheater, Vienna, Austria, and the English and Welsh National Operas; lighting designer for operas broadcast on Southern Television and the BBC.

RELATED CAREER—Associate artist, Royal Shakespeare Company, Stratford-on-Avon, U.K. WRITINGS: RADIO—Plays: The Resurrectionists and The Image of God.

NON-RELATED CAREER—Biology teacher, Yorkshire, U.K., 1957-60, then Nairobi, Kenya, 1965-69.

AWARDS: British Academy of Film and Television Award nominations for The Idiot and 1984.

MEMBER: Society of British Theatre Lighting Designers, Association of British Theatre Technicians, Society of Television Lighting Directors.

OBITUARIES AND OTHER SOURCES: Variety, February 8-14, 1989.*

SIDELIGHTS: RECREATIONS—Reading, squash, and walking. ADDRESSES: OFFICE—Royal Opera House, Covent Garden, London, England. AGENT—Kenneth Cleveland Management, 34 Roland Gardens, London, England.

BUCK, David

BURGE, Stuart

1918-

PERSONAL: Born January 15, 1918, in Brentwood, England; son of Henry Ormsby (an electrical engineer) and Kathleen Mary (a music teacher; maiden name, Haig) Burge; married Josephine Parker (an actress), December 21, 1949; children: Lucy, Stephen, Nicholas, Matthew, Emma. EDUCATION—Studied acting at the Old Vic School, 1936-37.

1936-1989

PERSONAL: Born October 17, 1936, in London, England; died of cancer, January 17, 1989, in Esher, England; son of Joseph and Enid Marguerite (Webb) Buck; married Madeleine Smith (an actress); children: one daughter. EDUCATION—Attended Cambridge University.

VOCATION: Director, actor, and writer. CAREER: Also see WRITINGS below. STAGE DEBUT—Fourth clown, The Witch of Edmonton, Old Vic Theatre, London, 1936. BROADWAY DEBUT—Bates, Venus Observed, New Century Theatre, 1952. PRINCIPAL STAGE APPEARANCES—Player Queen, Hamlet and boy, Henry V, both Old Vic Theatre, London, 1937; company member, Bristol Old Vic Theatre, Bristol, U.K., and Oxford Playhouse, Oxford, U.K., 1939-46.

VOCATION: Actor and writer. CAREER: LONDON DEBUT—Orator, The Chairs, Royal Court Theatre, 1958. PRINCIPAL STAGE APPEARANCES—Captain Dann, The Tent, Royal Court Theatre, London, 1958; Yoshikyo, Prince Genji, Oxford Playhouse, Oxford, U.K., 1959; Diomedes, Troilus and Cressida, Royal Shakespeare Company (RSC), Stratford-onAvon, U.K., 1960; Rosencrantz, Hamlet, Oliver, As You Like It, Tyrell, Richard III, and Montano, Othello, all RSC, 1961; Yasha, The Cherry Orchard, various roles, The Caucasian Chalk Circle, Richard, Curtmantle, and De Cerisay, The Devils, all RSC, Aldwych Theatre, London, 1961-62; title role, Cyrano de Bergerac, Open Air Theatre, London, 1967; Abe\ard,AbelardandHeloise, Belgrade Theatre, Conventry, U.K., 1972; Captain Plume, The Recruiting Officer, Haymarket Theatre, Leicester, U.K., 1973; Polydor, The Sunset Touch, Theatre Royal, Bristol, U.K., 1977; Simon Hench,

FIRST LONDON WORK—Director (with Basil Coleman), Let's Make an Opera, Lyric Hammersmith Theatre, 1949. PRINCIPAL STAGE WORK—Director: Let's Make an Opera (revival), Lyric Hammersmith Theatre, London, 1950; The Workhouse Donkey, Chichester Festival Theatre, Chichester, U.K., 1963; Henry V, Bristol Old Vic Theatre, Bristol, U.K., then Old Vic Theatre, London, both 1964; Richard II, Stratford Shakespeare Festival, Stratford, ON, Canada, 1964; Othello, Dubrovnik Festival, Dubrovnik, Yugoslavia, 1964; Henry IV, Part One and Henry IV, Part Two, both Stratford Shakespeare Festival, 1965; Serjeant Musgrave's Dance, Theatre De Lys, New York City, 1966; King

64

BURKE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 BURGHOFF, Gary

John, Nottingham Playhouse, Nottingham, U.K., 1968; Macbeth, The Demonstration, and The Dandy Lion, all Nottingham Playhouse, 1969; The Ruling Class, Nottingham Playhouse, then Piccadilly Theatre, London, both 1969; The Alchemist, Nottingham Playhouse, then National Theatre, London, both 1969.

1943-

PERSONAL: Born May 24, 1943, in Bristol, CT; married Janet Gale; children: Gena Gayle. EDUCATION—Attended the Music and Dramatic Theatre Academy. VOCATION: Actor.

The Daughter in Law and The Idiot, both Nottingham Playhouse, 1970; A Yard of Sun, Nottingham Playhouse, then National Theatre, both 1970; Lulu, Nottingham Playhouse, then Royal Court Theatre, London, later Apollo Theatre, London, all 1970-71; The Rivals and A Close Shave, both Nottingham Playhouse, 1971; The Tempest and A Doll's House, both Nottingham Playhouse, 1972; The White Raven and The Devil Is an Ass, both Nottingham Playhouse, 1973; Measure for Measure, Edinburgh Festival, Edinburgh, Scotland, 1976; The Devil Is an Ass, Edinburgh Festival, 1976, then National Theatre, 1977; Fair Slaughter, Royal Court Theatre, 1977; Eclipse, Royal Court Theatre, 1978; The London Cuckolds, Royal Court Theatre, 1979; Curtains, Hampstead Theatre Club, then Whitehall Theatre, both London, 1988; The Black Prince, Aldwych Theatre, London, 1989. Also directed The Dock Brief and What Shall We Tell Caroline? (double-bill) and Hook, Line, andSinker, all \958',Curtmantle, 1962; Public and Confidential, 1966; The Judge and The Two Gentlemen of Verona, both 1967; Another Country, Queen's Theatre, London.

CAREER: OFF-BROADWAY DEBUT—Title role, You're a Good Man, Charlie Brown, Theatre 80 St. Mark's, 1967. PRINCIPAL STAGE APPEARANCES—WillumCubbert, The Nerd, Helen Hayes Theatre, New York City, 1987; also appeared in summer theatre productions. PRINCIPAL FILM APPEARANCES—Radar O'Reilly, M*A*S*#, Twentieth Century-Fox, 1970; Ted, B.S., I Love You, Motion Pictures International, 1971. TELEVISION DEBUT—CBS Television Workshop, CBS. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Don KnottsShow, NBC, 1970-71; Corporal Walter "Radar" O'Reilly, M*A*S*#, CBS, 1972-79. Pilots: Bill Taylor, Casino, ABC, 1980; Walter O'Reilly, W*A*L*7*£*fl, CBS, 1984. Episodic: The GoodGuys, CBS, 1969; The Name ofthe Game, NBC, 1970; Love, American Style, ABC, \913',Fernwood2-Night, syndicated, 1977; WonderWoman, CBS, 1918;Sweepstakes, NBC, 1979; alsoDonny and Marie, ABC; The Love Boat, ABC; Fantasy Island, ABC. Movies: Bob Willis, The Man in the Santa Claus Suit, NBC, 1979. Specials: Clergyman, Twigs, CBS, 1975; also Battle of the Network Stars, ABC, 1976; Us Against the World II, ABC, 1978.

MAJOR TOURS—Director, Henry V, international cities, 1964; also stage manager for Old Vic Company tours of European cities, 1939 and 1947; director with a touring repertory company, 1948. PRINCIPAL FILM APPEARANCES—Paolo, Malta Story, United Artists, 1954; Head, Little Dorrit, Cannon, 1988.

RELATED CAREER—Performer in nightclubs throughout the United States.

FIRST FILM WORK—Director, There Was a Crooked Man, Lopert/ United Artists, 1962. PRINCIPAL FILM WORK—Director: Othello, Warner Brothers, 1965; The Mikado, Warner Brothers, 1967; Julius Caesar, American International, 1970; Uncle Vanya, Arthur Cantor, 1977.

AWARDS: Emmy Award, Outstanding Continuing Performance By a Supporting Actor in a Comedy, 1977, for M*A*S*#. ADDRESSES: OFFICE-^c/o Robert Crystal, 146 S. Spaulding Drive, Beverly Hills, CA 90212.*

PRINCIPAL TELEVISION WORK—All as director. Movies: The Rainbow, BBC, then Arts and Entertainment, 1989; also The Old Men at the Zoo, Breaking Up, Naming the Names, Chinese Whispers, and Circles of Deceit, all BBC. Also directed The Power and the Glory, The Devil and John Brown, Under Western Eyes, Luther, School for Scandal, Bill Brand, and Sons and Lovers.

BURKE, Chris

RELATED CAREER—Artistic director, Nottingham Playhouse, Nottingham, U.K., 1968-73; visiting professor, University of California, Davis, 1984; artistic director, Queen's Theatre, Hornchurch, U.K.; artistic director, Royal Court Theatre, London.

PERSONAL: Born August 26, 1965, in New York, NY; son of Francis D. (a police officer) and Marian H. (a trade show manager; maiden name, Brady). EDUCATION—Attended the Kennedy Child Study Center, the Cardinal Gushing School, and the Don Cuanella School (all special education schools).

NON-RELATED CAREER—Civil engineer.

VOCATION: Actor.

WRITINGS: TELEVISION—Under Western Eyes, Luther, School for Scandal, Bill Brand, and Sons and Lovers.

CAREER: PRINCIPAL TELEVISION APPEARANCES-^Series: Corky Thatcher, Life Goes On, ABC, 1989—. Pilots: Louis, Desperate, ABC, 1987.

AWARDS: Commander of the British Empire, 1974; also Desmond Davis Award from the British Academy of Film and Television Arts, 1988, for Outstanding Creative Contribution to Television.

NON-RELATED CAREER—Teacher's aide to multi-handicapped children, New York City Board of Education; volunteer at a camp for the handicapped in New York.

ADDRESSES: AGENT—Harriet Cruickshank, 97 Old S. Lambeth Road, London SW8 1XV, England.

MEMBER: Screen Actors Guild, Association for Help of Retarded Citizens, Young Adult Institute. 65

1965-

BURNETT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Norma Hubley, "Visitor from Forest Hills" in Plaza Suite, Huntington Hartford Theatre, Los Angeles, 1970; Agnes, / Do! I Do!, Huntington Hartford Theatre, 1973; Doris, Same Time, Next Year, Huntington Hartford Theatre, 1977, then Burt Reynolds' Jupiter Dinner Theatre, Jupiter, FL, 1980. FILM DEBUT—Stella Irving, Who's Been Sleeping in My Bed?, Paramount, 1963. PRINCIPAL FILM APPEARANCES—Tillie Schlaine, Pete 'n' Tillie, Universal, 1972; Mollie Malloy, The Front Page, Universal, 1974; Tulip Brenner, A Wedding, Twentieth CenturyFox, 1978; Emily, Chu Chu and the Philly Flash, Twentieth Century-Fox, 1981; Kate Burroughs, The Four Seasons, Universal, 1981; Miss Hannigan,Anm>, Columbia, 1982; also appeared in Health, Twentieth Century-Fox, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Celia, Stanley, NBC, 1956-57; regular, Pantomine Quiz, ABC, 1958-59; regular, The Garry Moore Show, CBS, 1959-62; co-star, The Entertainers, CBS, 1964-65; host, The Carol Burnett Show, CBS, 1967-78; host, Carol Burnett and Company, ABC, 1979; host, Carol and Company, NBC, 1990. Mini-Series: Charlotte Kensington, Fresno, CBS, 1986. Episodic: Agnes Grep, "Cavender Is Coming," The Twilight Zone, CBS, 1962; Verla Grubb, All My Children, ABC, 1976; Eunice Higgins, Mama's Family, NBC, 1983-84; narrator, "Happily Ever After" (animated), WonderWorks, PBS, 1985; Susan Johnson, Magnum, P.I., CBS, 1988; also The Paul Winchell-Jerry Mahoney Show, NBC, 1955; The Lucy Show (five episodes), CBS, \966-61 ;GomerPyle, U.S.M.C., CBS, 1967; Get Smart, NBC, 1967; Here's Lucy, CBS, 1969, 1970, and 1971; The

CHRIS BURKE

SIDELIGHTS: Chris Burke, like his character on Life Goes On, suffers from Down's Syndrome, a birth defect that is a cause of mental retardation. He calls his acting career "a milestone for me and others with a handicap since I have Down's Syndrome. I have always been interested in acting and love what I am doing." ADDRESSES: AGENT—Cynthia Katz, Abrams Artists and Associates, 420 Madison Avenue, New York, NY 10017.

BURNETT, Carol

1933-

PERSONAL: Born April 26, 1933, in San Antonio, TX; daughter of Jody (a movie theatre manager) and Louise (Creighton) Burnett; married Don Saroyan (an actor; divorced); married Joe Hamilton (a television producer), 1963 (divorced); children: Erin Kate, Jody Ann, Carrie Louise. EDUCATION—Attended the University of California, Los Angeles. VOCATION: Actress and comedienne. CAREER: OFF-BROADWAY DEBUT—Princess Winifred Woebegone, Once Upon a Mattress, Phoenix Theatre, 1959. BROADWAY DEBUT—Princess Winifred Woebegone, Once Upon a Mattress, Alvin Theatre, 1960. PRINCIPAL STAGE APPEARANCES—Hope Springfield and Lila Tremaine, Fade Out—Fade In, Mark Hellinger Theatre, New York City, 1964; Karen Nash, "Visitor from

CAROL BURNETT

66

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

BURNETT

Award," University of California, Los Angeles, Theatre Arts School.

Dick Cavett Show, ABC, 1986; The DuPont Show of the Week, NBC; The U.S. Steel Hour, CBS; The Ed Sullivan Show, CBS; The Jack Paar Show, NBC; The Jack Benny Show, CBS; The Tim Conway Show, CBS; The Muppet Show, syndicated. Movies: Dorothy Benson, The Grass Is Always Greener Over the Septic Tank, CBS, 1978; Peg Mullen, Friendly Fire, ABC, 1979; Dori Gray, The Tenth Month, CBS, 1979; Beatrice O'Reilly, Life of the Party: The Story of Beatrice, CBS, 1982; Mary Catherine Castelli, Between Friends, HBO, 1983; Martha Madden, Hostage, CBS, 1988.

NON-RELATED CAREER—Restaurant hat check girl. WRITINGS: One More Time (autobiography), Random House, 1986. AWARDS: American Guild of Variety Artists Award, Outstanding Comedienne, and Theatre World Award, both 1960, for Once Upon a Mattress; TV Guide Awards, Outstanding Female Performer, 1961, 1962, and 1963, all for The Garry Moore Show; Emmy Award, Outstanding Performance in a Variety or Musical Program or Series, 1962, for The Garry Moore Show; Emmy Award, Outstanding Performance in a Variety or Musical Program or Series, 1963, for Julie and Carol at Carnegie Hall; Emmy Award nominations, 1968-71 and 1973-77, for The Carol Burnett Show; Emmy Award nomination, 1973, for Julie and Carol at Lincoln Center; Emmy Award nomination, 1974, for 6 Rms Riv Vu; People's Choice Awards, Best Variety Show, for The Carol Burnett Show, and Favorite All-Around Female Entertainer, both 1975; People's Choice Awards, Favorite Female Television Performer and (co-winner) Favorite All-Around Female Entertainer, both 1976; voted Favorite All-Around Female Entertainer by the public in A.C. Nelson Company polls, (co-winner) 1976, 1977, 1978, and 1979; People's Choice Award, Best Musical Variety Show, 1977, for The Carol Burnett Show; Emmy Award nomination, Christopher Award, and Bronze Rose Award from the Montreaux Television Contest, 1977, for Sills andBurnett at the Met; People's Choice Awards, Favorite All-Around Female Entertainer, 1977, 1978, and 1979; National Critics' Circle Award, Outstanding Performance, 1977-78; Best Actress Award from the San Sebastian Film Festival, 1978, for A Wedding; Emmy Award nomination, 1979, for The Tenth Month; Emmy Award nomination, 1979, for Friendly Fire.

Specials: The General Motors 50th Anniversary Show, NBC, 1957; American Cowboy, CBS, 1960; Julie and Carol at Carnegie Hall, CBS, 1962; title role, Calamity Jane, CBS, 1963; Princess Winifred Woebegone, Once Upon a Mattress, CBS, 1964; Carol and Company, CBS, 1966; Carol + 2, CBS, 1967; The Perry Como Christmas Show, NBC, 1968; Girl Friends and Nabors, CBS, 1968; Carol Channing Proudly Presents the Seven Deadly Sins, ABC, 1969; Bing Crosby and Carol Burnett—Together Again for the First Time, NBC, 1969; A Last Laugh at the '60s, ABC, 1970; Rowan and Martin Bite the Hand That Feeds Them, NBC, 1970; The Tim Conway Special, CBS, 191Q\Li'lAbner, NBC, \91\\Julie and Carol at Lincoln Center, CBS, 1971; Super Comedy Bowl, CBS, 1971; Bing Crosby and His Friends, NBC, 1972; Burt Bacharach: Close to You, ABC, 1972; Princess Winifred Woebegone, Once Upon a Mattress, CBS, 1972; Keep U.S. Beautiful, NBC, 1973; Burt and the Girls, NBC, 1973; Shirley MacLaine: If They Could See Me Now, CBS, 1974; Anne Miller, 6 Rms Riv Vu, CBS, 1974; Emily, Celia, Dorothy, and Mother, Twigs, CBS, 1975; Sills and Burnett at the Met, CBS, 1976; CBS: On the Air, CBS, 1978; Steve andEydie Celebrate Irving Berlin, NBC, 1978; A Special Evening with Carol Burnett, CBS, 1978; Dolly and Carol in Nashville, CBS, 1978; The Sensational, Shocking, Wonderful, Wacky 70s, NBC, 1980; The Bert Convy Special—There's a Meeting Here Tonight, syndicated, 1981; Cheryl Ladd: Scenes from a Special, ABC, 1982; Eunice Higgins, Eunice, CBS, 1982; Texaco Star Theater: Opening Night, NBC, 1982; Hollywood: The Gift of Laughter, 1982; Burnett "Discovers" Domingo, CBS, 1984; The Night of 100 Stars II, ABC, 1985; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1985; Here's Television Entertainment, syndicated, 1985; Alberta Johnson, The Laundromat, HBO, 1985; The American Film Institute Salute to Billy Wilder, NBC, 1986; Neil Diamond . . . Hello Again, CBS, 1986; "Follies in Concert," Great Performances, PBS, 1986; A Carol Burnett Special: Carol, Carl, Whoopi, and Robin, ABC, 1987; Superstars and Their Moms, ABC, 1987; James Stewart: A Wonderful Life, PBS, 1987; Karen Nash, "Visitor from Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Norma Hubley, "Visitor from Forest Hills" in Plaza Suite, ABC, 1987; Happy Birthday Hollywood, ABC, 1987; Great Moments in Disney Animation, ABC, 1987; Secrets Women Never Share, NBC, 1987; A Star-Spangled Celebration, ABC, 1987; Super Dave, Showtime, 1987; This Is Your Life, NBC, 1987; A Conversation with Carol, Disney Channel, 1988; America's All-Star Tribute to Elizabeth Taylor, ABC, 1989; Julie and Carol .'Together Again!, ABC, 1989; The American Comedy Awards, Fox, 1989.

Women Film Crystal Award, 1980; People's Choice Awards, Favorite Female Television Performer, 1981 and 1982; American Guild of Variety Artists Award, Favorite Television Performer, 1981; Jack Benny Humanitarian Award from the March of Dimes, 1981; Humanitarian of the Year Award from Variety Clubs International, 1983; named one of the world's ten most admired women by Good Housekeeping magazine, 1983; Gold Medal Award from the International Radio and Television Society, 1984; Annual Cable Excellence Award, Best Actress in a Dramatic or Theatrical Program, 1984, for Between Friends; inducted into the Academy of Television Arts and Sciences Hall of Fame, 1985; Horatio Alger Distinguished Americans Award from the Horatio Alger Association, 1988; Woman of the Year Award from the Los Angeles Times; Woman of the Year Award from the Academy of Television Arts and Sciences; six Golden Globes; five Gold Medals from Photoplay magazine as Most Popular Television Star; four Entertainer of the Year Awards from the American Guild of Variety Artists, Best Female Comedienne; named Most Popular Television Star by the Newspaper Enterprise Association; Variety Club Award, Top Female Star; New York Friars Award, Entertainer of the Year; named one of the world's 20 most admired women in a Gallup Poll. HONORARY DEGREES—Emerson College, Doctor of Humane Letters, 1980.

PRINCIPAL TELEVISION WORK—Specials: Executive producer, Plaza Suite, ABC, 1987; executive producer, A Conversation with Carol, Disney Channel, 1988.

ADDRESSES: AGENT—Bill Robinson, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. PUBLICIST—Rick Ingersoll Public Relations, 1659 Michael Lane, Pacific Palisades, CA 90272.

RELATED CAREER—President, Kalola Productions Inc.; Franklin D. Murphy Associate and board member, Emerson College, Boston, MA; established the "Carol Burnett Musical Competition

67

BUSFIELD

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

BUSFIELD, Timothy

Two, and Lord Hastings, Richard III, all New York Shakespeare Festival, Delacorte Theater, New York City, 1970; Raniero, The Burnt Flowerbed, Roundabout Theatre, New York City, 1974; Schaaf, A Month in the Country, Center Theatre Group, Mark Taper Forum, Los Angeles, 1983. Also appeared in Candida and Arrah-Na-Pouge, both McCarter Theatre, Princeton, NJ, 196566; The Soldier's Tale and The Knight of the Burning Pestle (double-bill), Long Wharf Theatre, New Haven, CT, 1974.

PERSONAL: Born June 12, in Lansing, MI; married Radha Delamarter (an actress and director; divorced); married Jennifer Merwin (a fashion designer); children: Willy (first marriage); Daisy (second marriage). EDUCATION—Attended East Tennessee State University; trained for the stage at the Actors Theatre of Louisville. VOCATION: Actor.

PRINCIPAL FILM APPEARANCES—Easy Money, Pipe Dreams, AVCO-Embassy, 1976; pet store owner, Rollercoaster, Universal, 1977; conductor, The Turning Point, Twentieth Century-Fox, 1977; dirty movie cameraman, Corvette Summer (also known as The Hot One), United Artists, 1978; Roy, Sunny side, American International, 1979; first man, Battlestar Galactica, Universal, 1979; Paul Obermann, The Formula, Metro-Goldwyn-Mayer, 1980; doorman, Some Kind of Hero, Paramount, 1982; desk clerk, The Man with Two Brains, Warner Brothers, 1983; minister, All of Me, Universal, 1984; boss, School Spirit, Concorde/Cinema Group, 1985; Quentin, Best Seller, Orion, 1987; Deke, Big Top Pee-Wee, Paramount, 1988.

CAREER: PRINCIPAL STAGE APPEARANCES—Hotspur, Richard II, Circle Repertory Company, Entermedia Theatre, New York City, 1982; Eugene and Stanley (understudy), Brighton Beach Memoirs, Alvin Theatre, New York City, 1983; also appeared in A Life, Long Wharf Theatre, New Haven, CT, 1981. PRINCIPAL FILM APPEARANCES—Soldier with mortar, Stripes, Columbia, 1981; Arnold Poindexter, Revenge of the Nerds, Twentieth Century-Fox, 1984; Arnold Poindexter, Revenge of the Nerds II: Nerds in Paradise, Twentieth Century-Fox, 1987; Mark, Field of Dreams, Universal, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Mark Potter, Reggie, ABC, 1983; Dr. John "J.T." Mclntyre, Jr., Trapper John, M.D., CBS, 1984-86; Elliot Weston, thirty something, ABC, 1989—. Episodic: AfterM*A*S*H, CBS; also The Paper Chase. Specials: Host, Don't Divorce the Children, Lifetime, 1990.

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Lester, Highcliffe Manor, NBC, 1979; Vincent Tully, Mary, CBS, 198586. Pilots: Bixby, Lacy and the Mississippi Queen, NBC, 1978. Episodic: Eines, Amazing Stories, NBC, 1986; Judge Shindler, Hooperman, ABC, 1987; Eugene, Murphy'sLaw, ABC, 1989; also All in the Family, CBS, 1979. Movies: Surgeon, Deadman's Curve, CBS, 1978; Dr. Samuels, Transplant, CBS, 1979; headwaiter, Your Place or Mine?, CBS, 1983; Leonard Mann, Rita Hay worth: The Love Goddess, CBS, 1983; motel manager, Missing Pieces, CBS, 1983; principal, My Mother's Secret Life, ABC, 1984; Elon, Samson and Delilah, ABC, 1984; Larry, When the Bough Breaks, NBC, 1986. Specials: Man, "If I'm Lost, How Come I Found You?" ABC Weekend Specials, ABC, 1978; guard, "Tales from the Hollywood Hills: The Closed Set," Great Performances, PBS, 1988.

RELATED CAREER—Company member, Actors Theatre of Louisville, Louisville, KY, 1980-81; also founder, director, and writer, Fantasy Theatre, Sacramento, CA. ADDRESSES: AGENT—Ro Diamond, Century Artists Ltd., 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.*

BYRD, David

RELATED CAREER—Company member, Actors Theatre of Louisville, Louisville, KY, 1972-73.

VOCATION: Actor.

ADDRESSES: AGENT—Arthur Toretsky, ATM Associates, 870 N. Vine Street, Suite G, Los Angeles, CA 90038.*

CAREER: PRINCIPAL STAGE APPEARANCES—Duke of Bedford, Henry VI, Part One, Lord Say and Lord Hastings, Henry VI, Part

68

c CALDWELL, L. Scott

VOCATION: Actor, director, and writer.

VOCATION: Actress.

CAREER: Also see WRITINGS below. STAGE DEBUT—The Thrie Estates, Assembly Hall Theatre, Edinburgh, Scotland, 1973. LONDON DEBUT—Crown Prince Maximilian, Schippel, Open Space Theatre, 1974. PRINCIPAL STAGE APPEARANCES—Crown Prince Maximilian, Schippel, Traverse Theatre, Edinburgh, Scotland, 1974; Redpenny, The Doctor s Dilemma, Mermaid Theatre, London, 1975; Crown Prince Maximilian, Plumber's Progress (previously known as Schippel), Prince of Wales Theatre, London, 1975; Pieter de Groot, Soul of the White Ant, Oliver, Jack, Putter, and Rider, Blood Sports, and in Juvenalia (one-man show), all Bush Theatre, London, 1976; Kutchevski, Devil's Island, Joint Stock Company, Royal Court Theatre, London, 1977; Sayers, A Mad World, My Masters, Joint Stock Company, Young Vic Theatre, London, 1977; Sandy, Epsom Downs, Joint Stock Company, Round House Theatre, London, 1977; title role, Titus Andronicus, Bristol Old Vic Theatre, Bristol, U.K., 1978; Boyd, Flying Blind, Royal Court Theatre, 1978; title role, The Resistible Rise of Arturo Ui and Ure, the old reaper, and a drunk, The Machine Wreckers, both Half Moon Theatre, London, 1978; Eddie, Mary Barnes, Birmingham Repertory Studio, Birmingham, U.K., 1978, then Royal Court Theatre, 1979; Orlando, As You Like It and Mozart, Amadeus, both National Theatre Company, Olivier Theatre, London, 1979; Stafford, Sisterly Feelings, National Theatre Company, Olivier Theatre, 1980; Guy Burgess, "An Englishman Abroad" in Single Spies, National Theatre Company, Queen's Theatre, London, 1989. Also appeared in repertory at Lincoln, U.K., 1973-74; in Mrs. GrabowskV s Academy, Theatre Upstairs, London, 1975; The Beastly Beatitudes of Balthazar B., Bristol Old Vic Theatre, then Duke of York's Theatre, London, 1981; Restoration, Royal Court Theatre, 1981; Kiss of the Spider Woman, Bush Theatre, 1985; and in productions of The Relapse and Faust.

CAREER: PRINCIPAL STAGE APPEARANCES—Gail, The Daughters of the Mock, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1978; Afrodite, A Season to Unravel and Ruth, Old Phantoms, both Negro Ensemble Company, St. Mark's Playhouse, 1979; woman one and Pattie Mae Wells, Home, Negro Ensemble Company, St. Mark's Playhouse, 1979, then Cort Theatre, New York City, 1980; Bertha Holly, Joe Turner's Come and Gone, Yale Repertory Theatre, New Haven, CT, 1985, then Huntington Theatre Company, Boston, MA, 1986; Mrs. Baker, A Month of Sundays, Ritz Theatre, New York City, 1987; Bertha Holly, Joe Turner s Come and Gone, Ethel Barrymore Theatre, New York City, 1988. Also appeared in "Everyman" and "The Imprisonment" in Plays from Africa, Negro Ensemble Company, St. Mark's Playhouse, 1979; Colored People's Time, Negro Ensemble Company, Cherry Lane Theatre, New York City, 1982; A Raisin in the Sun, Studio Arena Theatre, Buffalo, NY, \982;About Heaven and Earth, Negro Ensemble Company, Theatre Four, New York City, 1983. PRINCIPAL FILM APPEARANCES—Janet Smith, Without a Trace, Twentieth Century-Fox, 1983; patron, Exterminator 2, Cannon, 1984. PRINCIPAL TELEVISION APPEARANCES—Episodic: Elizabeth Connolly, The Cosby Show, NBC, 1988; Mrs. Hines, TV 101, CBS, 1989; Selma, Tour of Duty, CBS, 1989; Gloria Tessel, Hunter, NBC, 1989; alsoL.A. Law, NBC, 1989. Movies: Althea, God Bless the Child, ABC, 1988. RELATED CAREER—Company member, Milwaukee Repertory Theatre, Milwaukee, WI, 1981-82. AWARDS: Antoinette Perry Award, Best Featured Actress in a Play, 1988, for Joe Turner's Come and Gone.

PRINCIPAL STAGE WORK—Director: The Passport, Offstage Downstairs Theatre, London, 1985; Jacques and His Master, Los Angeles Theatre Center, Los Angeles, 1987; Shirley Valentine, Vaudeville Theatre, London, 1988, then Booth Theatre, New York City, 1989; (with Alan Bennett) "An Englishman Abroad" in Single Spies, National Theatre Company, Queen's Theatre, London, 1989.

ADDRESSES: AGENT—Bauman Hiller and Associates, 250 W. 57th Street, New York, NY 10107.*

PRINCIPAL FILM APPEARANCES—Emanuel Schikaneder, Amadeus, Orion, 1984; Handel, Honor, Profit, and Pleasure, Spectre Productions, 1985; Mark Varner, The Good Father, Skouras, 1986; Reverend Arthur Beebe, A Room with a View, Cinecom, 1986; Mr. Ducie, Maurice, Cinecom, 1987; Police Chief Hunt, Manifesto (also known as For a Night of Love and Pour une nuit d'amour), Cannon, 1988. Also appeared in Gossip, Boyd's Company, 1983.

CALLOW, Simon 1949PERSONAL: Born June 15, 1949, in London, England; son of Neil Francis and Yvonne Mary (Guise) Callow. EDUCATION—Attended Queen's University (Belfast, Ireland); trained for the stage at the London Drama Centre. 69

CAMPBELL CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM WORK—Director, Charles Laughton: A Difficult Actor (documentary), 1988.

Fox, 1981; Sheila Me Vicar, McVicar, Crown International, 1982; Lady Alice Clayton, Greystoke: The Legend ofTarzan, Lord of the Apes, Warner Brothers, 1984; Lady Aline Hartlip, The Shooting Party, European Classic, 1984.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Mr. Micawber, "David Copperfield," Masterpiece Theatre, PBS, 1988; also Chance of a Lifetime. Episodic: Dr. Theodore Kemp, "The Wolvercote Tongue," Inspector Morse, Granada, then Mystery!, PBS, 1988. Also appeared in Man of Destiny, La Ronde, All the World's a Stage, Wings of Song, The Dybbuk, and Instant Enlightenment.

TELEVISION DEBUT—Z Cars, BBC. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Sarah Bernhardt, Lillie, BBC, 1978, then Masterpiece Theatre, PBS, 1979; Eileen, Pennies from Heaven, BBC, 1978, then PBS, 1979; Vera Brittain, Testament of Youth, BBC, 1979, then Masterpiece Theatre, PBS, 1980; Madeleine Cranmere, Malice Aforethought, BBC, 1979, then Mystery!', PBS, 1984; Griselda Clement, "The Murder at the Vicarage," Agatha Christie's Miss Marple, BBC, then Mystery!, PBS, 1989. Specials: Lady Eileen Brent, The Seven Dials Mystery, syndicated, 1981; Absurd Person Singular, BBC, then Arts and Entertainment, 1985. Also appeared in Emma, 1974; as Janet, Rain on the Roof, 1979; Lady Wellington, The Duke of Wellington, 1979; The Farm, 1982; Emma, Affairs of the Heart; Queen Victoria's daughter, Edward the King.

NON-RELATED CAREER—Box office attendant at a London theatre. WRITINGS: STAGE—(Translator) Jacques and His Master, Los Angeles Theatre Center, Los Angeles, 1987. OTHER—Being an Actor (nonfiction), St. Martin's, 1986; Charles Laughton: A Difficult Actor (biography), Methuen, 1987, Grove, 1988; Acting in Restoration Comedy, Applause Theatre Books, 1989. AWARDS: Drama Desk Award nomination, Best Director, 1989, for Shirley Valentine.

AWARDS: British Academy of Film and Television Arts Award, Best Television Actress, 1979, for Testament of Youth, The Duke of Wellington, and Malice Aforethought; British Broadcasting Press Guild Award, Best Actress, for Testament of Youth.

SIDELIGHTS: Regarding his careers as actor, author, and director, Simon Callow told Vogue magazine (May, 1989), "Of all my occupations, acting is the healthiest and offers the most release; writing is the most difficult but offers the greatest possibility of actually getting it right; and directing is probably what I do best but least enjoy."

ADDRESSES: OFFICE—5 Milner Place, London Nl 1TN, England. AGENT—Michael Whitehall Ltd., 125 Gloucester Road, London SW7, England.*

ADDRESSES: AGENT—Marion Rosenberg, The Lantz Office, 9255 Sunset Boulevard, Suite 505, Los Angeles, CA 90069. MANAGER—Marina Martin, 7 Windmill Street, London Wl, England.*

CAREY, Harry, Jr.

CAMPBELL, Cheryl

1921-

PERSONAL: Born May 16, 1921, in Saugus, CA; son of Harry (an actor) and Oliver (Fuller) Carey; married Marilyn Frances Fix, August 12, 1944; children: Steven, Melinda, Thomas, Gary, Patricia. MILITARY—U.S. Navy, 1941-46.

1951-

PERSONAL: Born in 1951 in Welwyn Garden City, England. EDUCATION—Graduated from the London Academy of Dramatic Art, 1972.

VOCATION: Actor. CAREER: FILM DEBUT—Prentice McComber, Pursued, Warner Brothers, 1947. PRINCIPAL FILM APPEARANCES—Dan Latimer, Red River, United Artists, 1948; Jimmy Biff, Moonrise, Republic, 1948; William Kearney ("The Abilene Kid"), The Three Godfathers, Metro-Goldwyn-Mayer (MGM), 1948; Lieutenant Ross Pennell, She Wore a Yellow Ribbon, RKO, 1949; Lieutenant Ord, Copper Canyon, Paramount, 1950; Trooper Daniel "Sandy" Boone, Rio Grande, Republic, 1950; Sandy Owens, Wagonmaster, RKO, 1950; Captain Gregson, Warpath, Paramount, 1951; reporter, Monkey Business, Twentieth Century-Fox, 1952; Sergeant Shaker Schuker, The WildBlue Yonder (also known as Thunder Across the Pacific), Republic, 1952; Griff, Beneath the Twelve Mile Reef, Twentieth Century-Fox, 1953; Winslow, Gentlemen Prefer Blondes, Twentieth Century-Fox, 1953; Hunt, Island in the Sky, Warner Brothers, 1953; taxi driver, Niagara, Twentieth Century-Fox, 1953; Dobe, SanAntone, Republic, 1953; Jim Riley, Sweethearts on Parade, Republic, 1953; Bert, The Outcast, Republic, 1954; Johnson, Silver Lode, RKO, 1954; John, House of Bamboo, Twentieth Century-Fox, 1955; Dwight Eisenhower, The Long Gray Line, Columbia, 1955; Stefanowski, Mister Roberts, Warner Brothers, 1955; William Bensinger, The Great Locomotive Chase

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Jane Larr, In the Jungle of the Cities, Place Theatre, London, 1973; Frida Foldal, John Gabriel Borkman and Maggie MacFarlane, Engaged, both National Theatre Company, Old Vic Theatre, London, 1975; Lady Wilhelmina Belturbet, The Amazons, Actors' Company, Wimbledon Theatre, London, 1977; Jan, Bedroom Farce, National Theatre Company, Prince of Wales Theatre, London, 1978; Gloria, You Never Can Tell, Lyric Hammersmith Theatre, London, 1979; Diana, All's Well That Ends Well, Royal Shakespeare Company (RSC), Stratford-on-Avon, U.K., 1981, then Barbican Theatre, London, 1982; Nora, A Doll's House, RSC, Pit Theatre, Stratfordon-Avon, then Barbican Theatre, 1982. Also appeared with the Birmingham Repertory Company, Birmingham, U.K., at the Citizens' Theatre, Glasgow, Scotland, and at the Theatre Royal, Windsor, U.K. PRINCIPAL FILM APPEARANCES—Sister Monica, Hawk the Slayer, ITC, 1980; Jennie Liddell, Chariots of Fire, Twentieth Century70

CAREY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 CAREY, MacDonald

(also known as Andrews' Raiders), Buena Vista, 1956; Brad Jorgensen, The Searchers, .Warner Brothers, 1956; Corporal Morrison, Seventh Cavalry, Columbia, 1956; Deputy Lee, Gun the Man Down (also known as Arizona Mission), United Artists, 1957; Roundtree, Kiss Them for Me, Twentieth Century-Fox, 1957; Chet, The River's Edge, Twentieth Century-Fox, 1957;Trueblood, From Hell to Texas (also known as Manhunt), Twentieth CenturyFox, 1958; Travis, Escort West, United Artists, 1959; Harold, Rio Bravo, Warner Brothers, 1959.

1913-

PERSONAL: Born March 15, 1913, in Sioux City, IA; son of Charles S. (a judge) and Elizabeth (Macdonald) Carey; married Christina Green; children: William, Robert, Anne, Susan, Elizabeth. EDUCATION—Attended the University of Wisconsin, 193132; University of Iowa, B.A, 1935, M. A., drama, 1936. MILITARY—U.S. Marine Corps Reserves, first lieutenant, 1942-45. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Charley Johnson, Lady in the Dark, Alvin Theatre, New York City, 1941; also appeared in Anniversary Waltz, Broadhurst Theatre, New York City, 1954; and in summer theatre productions.

Dr. Joseph Mornay, The Great Imposter, Universal, 1960; Jim Ferguson, Noose for a Gunman, United Artists, 1960; Ortho Clegg, Two Rode Together, Columbia, 1961; Bill Martin, A Public Affair, Parade, 1962; Trooper Smith, Cheyenne Autumn, Warner Brothers, 1964; Jellicoe, The Raiders (also known as The Plainsman), Universal, 1964; Lieutenant Hudson, Taggart, Universal, 1964; Jenkins, Shenandoah, Universal, 1965; Corporal Peterson, Alvarez Kelly, Columbia, 1966; Ben, Billy the Kid vs. Dracula, Embassy, 1966; Jay C, Cyborg 2087, Features, 1966; Ed Mabry, The Rare Breed, Universal, 1966; McBee, The Way West, United Artists, 1967; Captain Rose, The Devil's Brigade, United Artists, 1968; Mooney, Ballad of Josie, Universal, 1968; Cort Hyjack, Bandolero, Twentieth Century-Fox, 1968; Reverend Rork, Death of a Gunfighter, Universal, 1969; Webster, The Undefeated, Twentieth Century-Fox, 1969; Stuart, Dirty Dingus Magee, MGM, 1970; Stamper, The Moonshine War, MGM, 1970; Pop Dawson, Big Jake, National General, 1971; Red, One More Train to Rob, Universal, 1971; Joe Pickens, Something Big, National General, 1971; father, Trinity Is Still My Name, Embassy, 1971; Hank, Cahill, United States Marshal, Warner Brothers, 1973; Holy Joe, A Man from the East, United Artists, 1974; Dumper, Take a Hard Ride, Twentieth Century-Fox, 1975; Dobie, Nickelodeon, Columbia, 1976; George Arthur, The Long Riders, United Artists, 1980; Dr. Emmer, Endangered Species, MetroGoldwyn-Mayer/United Artists (MGM/UA), 1982; Mr. Anderson, Gremlins, Warner Brothers, 1984; Red, Mask, Universal, 1985; George Martin, UFOria, Universal, 1985; bartender, Crossroads, Columbia, 1986; Joshua Brackett, The Whales of August, Alive, 1987; Snappy Tom, Cherry 2000, Orion, 1988; Wally, Illegally Yours, MGM/UA, 1988; Shoes, Breaking In, Samuel Goldwyn Company, 1989.

FILM DEBUT—Dr. Timothy Kane, Dr. Broadway, Paramount, 1942. PRINCIPAL FILM APPEARANCES—Louie the Lug, Star Spangled Rhythm, Paramount, 1942; Jonathan Caldwell, Take a Letter, Darling (also known as Green-Eyed Woman), Paramount, 1942; Lieutenant Cameron, Wake Island, Paramount, 1942; Buzz McAllister, Salute for Three, Paramount, 1943; Jack Graham, Shadow of a Doubt, Universal, 1943; Clark Redfield, Dream Girl, Paramount, 1947; Jack Lindsay, Suddenly It's Spring, Paramount, 1947; as himself, Variety Girl, Paramount, 1947; J.D. Storm, Hazard, Paramount, 1948; Cesare Borgia, Bride of Vengeance, Paramount, 1949; Nick Carraway, The Great Gatsby, Paramount, 1949; Bruce Eldridge, Song of Surrender, Paramount, 1949; Lorn Reming, Streets of Laredo, Paramount, 1949. Jim Bowie, Comanche Territory, Universal, 1950; Lane Travis, Copper Canyon, Paramount, 1950; Jesse James, The Great Missouri Raid, Paramount, 1950; Larry Wilder, The Lawless (also known as The Dividing Line), Paramount, 1950; Dr. Brett Young, Mystery Submarine, Universal, 1950; Jake Davis, South Sea Sinner, Universal, 1950; Pete Carver, Cave of Outlaws, Universal, 1951; Cyrus Random, Jr., Excuse My Dust, Metro-Goldwyn-Mayer, 1951; Hugh, Let's Make It Legal, Twentieth Century-Fox, 1951; Jeff, Meet Me After the Show, Twentieth Century-Fox, 1951; George Mason, My Wife's Best Friend, Twentieth Century-Fox, 1952; Doug Madison, Count the Hours (also known as Every Minute Counts), RKO, 1953; Bus Crow, Hannah Lee (also known as Outlaw Territory}, Broder, 1953; Van Logan, Fire Over Africa (also known as Malaga), Columbia, 1954; Steve Stratton, Odongo, Columbia, 1956; Hollis Jarret, Stranger at My Door, Republic, 1956; Maybe Smith, Man or Gun, Republic, 1958; Major Malcolm Bartley, Blue Denim (also known as Blue Jeans), Twentieth Century-Fox, 1959; Patrick Henry, John Paul Jones, Warner Brothers, 1959.

PRINCIPAL TELEVISION APPEARANCES—Series: Bill Burnett, "Spin and Marty," The Mickey Mouse Club, ABC, 1955; Bill Burnett,' 'The Further Adventures of Spin and Marty,'' The Mickey Mouse Club, ABC, 1957; Bill Burnett, "The New Adventures of Spin and Marty," The Mickey Mouse Club, ABC, 1958. MiniSeries: Ben Jenkins, "Texas John Slaughter," Walt Disney Presents, ABC, 1958-61; Mr. Bond, Black Beauty, NBC, 1978. Pilots: Deputy Luke, Kate Bliss and the Ticker Tape Kid, ABC, 1978. Episodic: Little House on the Prairie, NBC. Movies: Fitz Bragg, Wild Times, syndicated, \9&Q', Pa Traven, Louis L'Amour's "The Shadow Riders," CBS, 1982; Herald Fitch, Once Upon a Texas Train, CBS, 1988. Specials: John Wayne Standing Tall, 1989.

Mr. Smith, The Devil's Agent, British Lion, 1962; Bill Morrison, Stranglehold, Rank, 1962; Dr. Wayne Bentley, Tammy and the Doctor, Universal, 1963; Simon Wells, These Are the Damned (also known as The Damned), Columbia, 1965; Dr James McCarey, Foes, Coats/Alexander/Coats, 1977; John Davis, End of the World, Charles Band, 1977; Hollywood actor, American Gigolo, Paramount, 1980; Judge Watson, It's Alive HI: Island of the Alive, Warner Brothers, 1987.

RELATED CAREER—Actor in summer theatre productions, Lakewood Theatre, Skowhegan, ME, 1940.

TELEVISION DEBUT—Studio One, CBS, 1950. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Mark Christian, Dr. Christian, syndicated, 1956; Herbert L. Maris, Lock Up, syndicated, 1959-61; Dr. Thomas Horton, Days of Our Lives, NBC, 1965—. Mini-Series: Squire James, Roots, ABC, 1977. Pilots: Ben Forbes, Eye for an Eye (broadcast as an episode of Suspicion), NBC, 1958;

NON-RELATED CAREER—Page boy, National Broadcasting Company, New York City.* 71

CAREY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Lieutenant Duff Peterson, Last of the Private Eyes (broadcast as an episode of The Dick Powell Theatre), NBC, 1963;Eloner Pike, The Green Felt Jungle (broadcast as an episode of Kraft Suspense Theatre), NBC, 1965; Russell Lawrence, Gidget Gets Married, ABC, 1972; Walton Crumbly, The Girl, the Gold, Watch and Everything, syndicated, 1980.

NON-RELATED CAREER—Board member, Catholic Big Brothers, 1962-64. WRITINGS: A Day in the Life (poetry), 1982; That Further Hill (poetry), 1987. AWARDS: Emmy Awards, Best Actor in a Daytime Drama, 1974 and 1975, and Soap Opera Digest Awards, Outstanding Actor in a Mature Role, 1984 and 1985, all for Days of Our Lives; Knight of the Holy Sepulchre (Papal Order), 1986.

Episodic: Roy Benjamin, "The Special One," The Outer Limits, ABC, 1964; Oscar Ramsey, Murder, She Wrote, CBS, 1986; Dr. Lynch, Murder, She Wrote, CBS, 1986; also "Yellow Jack," Celanese Theater, ABC, 1952; "You Be the Bad Guy," Lux Video Theatre, CBS, 1952; "Edge of the Law," Ford Theatre, NBC, 1952; Hollywood Opening Night, NBC, 1952; "The Sermon of the Gun," Ford Theatre, NBC, 1953; "The Inn of the Eagles" and "Night Call," bothLwjt Video Theatre, CBS, 1953; "Hired Mother," General Electric Theatre, CBS, 1953; "The Quiet Gun," Appointment with Adventure, CBS, 1955; "Unimportant Man" and "Deal a Blow," both Climax!, CBS, 1955; "Where You Love Me" and "The Hayfield," both Stage Seven, CBS, 1955; "Gamble on a Thief," Climax!, CBS, 1956; "Cry Justice," Screen Directors Playhouse, NBC, 1956; "Times Like These," Twentieth Century-Fox Hour, CBS, 1956; "Moments of Courage," The U.S. Steel Hour, CBS, 1956; "Easter Gift," General Electric Theatre, CBS, 1956; "The Kill," Ford Theatre, NBC, 1956; "The Plug Nickel," Undercurrent, CBS, 1956; "Flight into Danger," The Alcoa Hour, NBC, 1956; "The Chinese Game," Climax!, CBS, 1956; "Whereabouts Unknown," The Kaiser Aluminum Hour, NBC, 1957; "Broken Barrier," Ford Theatre, ABC, 1957; "Alibi for Murder," On Trial (also known as The Joseph Cotton Show), NBC, 1957; "Man on the Thirty-Fifth Floor," The Jane Wyman Show (also known as The Fireside Theatre), NBC, 1957; "License to Kill," Dick Powell's Zane Grey Theatre, CBS, 1958; Wagon Train, NBC, 1958; "The Lonely Stage," Studio One, CBS, 1958; "Natchez," Playhouse 90, CBS, 1958; "False Impression," Schlitz Playhouse of Stars, CBS, 1958; "The Vengeance, "Pursuit, CBS, 1958; Rawhide, CBS, 1959; "Coyote Noon," Alfred Hitchcock Presents, CBS, 1959; "The Golden Deed," Moment of Fear, NBC, 1960; "The Devil's Ticket," Thriller, NBC, 1961; "Tangle of Truth," The U.S. Steel Hour, CBS, 1961; Checkmate, CBS, 1962; "House Guest," Alfred Hitchcock Theatre, CBS, 1962; Mr. Novak, NBC, 1963; "The Image Merchants," Kraft Mystery Theatre, NBC, 1963; Burke's Law, ABC, 1963, 1964, and 1965; Arrest and Trial, ABC, 1964; Branded, NBC, 1965\ Daniel Boone, NBC, 1965; Run for Your Life, NBC, 1965; Ben Casey, ABC, 1965; Lassie, CBS, 1966; Bewitched, ABC, 1967; The Magician, NBC, 1973; Owen Marshall, Counselor at Law, ABC, 1974; McMillan and Wife, NBC, 1976; Police Story, NBC, 1976; Buck Rogers in the 25th Century, NBC, 1979; Fantasy Island, ABC.

MEMBER: Screen Actors Guild (vice-president, 1960), Academy of Motion Picture Arts and Sciences (assistant treasurer, 1970), American Federation of Television and Radio Artists, Actors' Equity Association, Alpha Delta Phi. ADDRESSES: AGENT—Contemporary Artists Ltd., 132 Lasky Drive, Beverly Hills, CA 90212.*

CAREY, Ron

1935-

PERSONAL: Born Ronald J. Cicenia, December 11, 1935, in Newark, NJ; son of John and Fanny Cicenia; married Sharon Boyeronus, November 11, 1967. EDUCATION—Seton Hall University, B.A., 1958. VOCATION: Actor. CAREER: BROADWAY DEBUT—Jerry, Lovers and Other Strangers, Brooks Atkinson Theatre, 1968. PRINCIPAL FILM APPEARANCES—Boston cab driver, The Out-ofTowners, Paramount, 1970; part of group, Made for Each Other, Twentieth Century-Fox, 1971; bartender, Who Killed Mary What's 'er Name? (also known as Death of a Hooker), Cannon, 1971; Devour, Silent Movie, Twentieth Century-Fox, 1976; Brophy, High Anxiety, Twentieth Century-Fox, 1977; Frankie, Fatso, Twentieth Century-Fox, 1980; Swiftus Lazarus, History of the World, Parti, Twentieth Century-Fox, 1981; Pat, Johnny Dangerously, Twentieth Century-Fox, 1984. Also appeared in Dynamite Chicken, EYR, 1972. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Garry Moore Show, CBS, 1966-67; regular, The Melba MooreClifton Davis Show, CBS, 1972; Donald Hooten, The Corner Bar, ABC, 1973; Frank Montefusco, The Montefuscos, NBC, 1975; Officer Carl Levitt, Barney Miller, ABC, 1976-82; Father Vincent Paglia, Have Faith, ABC, 1989. Pilots: Regular, Twentieth Century Follies, ABC, 1972; monk, Peeping Times, NBC, 1978; Johnny Antonizzio, Johnny Garage, CBS, 1983; Hugo, Pumpboys and Dinettes on Television, NBC, 1983. Episodic: The New Love, American Style, ABC; The Jack Paar Show, NBC; The Johnny Carson Show, NBC; The Merv Griffin Show, syndicated; The Mike Douglas Show, syndicated; The Steve Allen Show. Specials: The Wonderful World of Aggravation, ABC, 1972; ABC's Silver Anniversary Celebration—25 and Still the One, ABC, 1978.

Movies: Eliot Frost, Ordeal, ABC, 1973; Captain Jack Donahoe, Who Is the Black Dahlia?, NBC, 1975; Professor Jarvis, Stranger in Our House, NBC, 1978; Dr. Church, The Rebels, syndicated, 1979; "Mitch" Mitchell, Top of the Hill, syndicated, 1980; Dr. Arthur Castor, Condominium, syndicated, 1980. Specials: Fred Gailey, Miracle on 34th Street, CBS, 1955; NBC's Sixtieth Anniversary Celebration, NBC, 1986. PRINCIPAL RADIO APPEARANCES—Series: Host (Mr. First Nighter), The First Nighter, NBC, 1938; Jason, Jason and the Golden Fleece, NBC, 1952-53; also Dick Grosvener, Stella Dallas, NBC; host and narrator, Heartbeat Theatre. RELATED CAREER—Company member, Old Globe Shakespeare Company, 1936-37; member, NBC Radio Stock Company, Chicago, IL, 1937-38.

RELATED CAREER—Stand-up comedian; appeared in over one hundred television commercials.

72

CARPENTER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 CARPENTER, Freddie

RECORDINGS: ALBUMS—The Slightly Irreverent Comedy of Ron Carey, 1966.

1908-1989

PERSONAL: Born February 15, 1908, in Melbourne, Australia; died of cancer, January 19,1989, in London, England; son of James and Jean (Dunstone) Carpenter. MILITARY—Royal Air Force, 1941-44.

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association.*

VOCATION: Dancer, choreographer, and director.

CARLTON, Bob

CAREER: STAGE DEBUT—Chorus, The Rise of Rosie O'Reilly, Princess Theatre, Melbourne, Australia, 1924. BROADWAY DEBUT—Young King, Almanac, Erlanger Theatre, 1928. LONDON DEBUT—Dancer with Frances Mann, Palladium Theatre, 1929. PRINCIPAL STAGE APPEARANCES—Dancer: Follow a Star, Winter Garden Theatre, London, 1930; Bow Bells, Hippodrome Theatre, London, 1932; Yours Sincerely, Daly's Theatre, London, 1934; That Certain Something, Aldwych Theatre, London, 1934; Let's Go Gay, Embassy Theatre, then Shaftesbury Theatre, both London, 1935; Cinderella, Coliseum Theatre, London, 1936; I'd Rather Be Right, Music Box Theatre, New York City, 1937.

1950-

PERSONAL: Born June 23, 1950, in Coventry, England; son of Reginald Charles (a postmaster) and Nancy Olwyn (a shop assistant; maiden name, Darlison) Carlton; married Caroline Wildi (an actress), July, 1989. EDUCATION—Hull University, B.A., drama, 1974.

PRINCIPAL STAGE WORK—Choreographer, Tulip Time, Alhambra Theatre, London, 1935; choreographer, The Dancing Years, Drury Lane Theatre, London, 1939; choreographer, Lady Behave, His Majesty's Theatre, London, 1941; choreographer, The Love Racket, Victoria Palace Theatre, London, 1943; director, Danny La Rue at the Palace, Palace Theatre, London, 1970; director, The Danny La Rue Show, Prince of Wales Theatre, London, 1973; director, Hans Andersen, Palladium Theatre, London, 1974; director, Irene, Adelphi Theatre, London, 1976. Also choreographer, Life Begins at Oxford Circus, London, 1935; choreographer, The Town Talks and Mother Goose, both London, 1936; choreographer, And On We Go, London, 1937; choreographer, Maritza and Bobby Get Your Gun, both London, 1938; choreographer, Funny Side Up, London, 1939; choreographer, Up and Doing and Present Arms, both London, 1940; choreographer, The Lilac Domino, London, 1944; choreographer, Irene, The Gaieties, and Big Boy, all London, 1945; director, Follow the Girls, Australia, 1946; director, The Dancing Years and Love Is My Reason, both London, 1947; director, Limelight and Serenade, both London, 1948; director, The Lilac Domino and The Sleeping Beauty, both London, 1949.

VOCATION: Director and writer. CAREER: Also see WRITINGS below. FIRST STAGE WORK— Director, The Foursome, Belgrade Theatre, Coventry, U.K. FIRST LONDON WORK—Artistic director, They Shoot Horses, Don't They?, Bubble Theatre, 1980. PRINCIPAL STAGE WORK—Director: Melon, Haymarket Theatre, London, 1987; Lettice and Lovage, Globe Theatre, London, 1987; Winnie, Victoria Palace Theatre, London, 1988; Return to the Forbidden Planet, Cambridge Theatre, London, 1989. MAJOR TOURS—Director, Cabaret, U.K. cities, 1988-89. FIRST TELEVISION WORK—Director, Brookside, Mersey Television Channel Four. PRINCIPAL TELEVISION WORK—Series: Damon and Debbie, Mersey Television Channel Four. Also directed The New Shoes (short film), Mersey Television Channel Four, 1987; Emmerdale Farm, Yorkshire Television. RELATED CAREER—Assistant director, Belgrade Theatre, Coventry, U.K., 1974; associate director, Duke's Playhouse, Lancaster, U.K., 1975-78; associate director, York Theatre Royal, York, U.K., 1978-80; artistic director, Bubble Theatre, London, 198084; also freelance director with the Newcastle Playhouse, Newcastle, U.K., Oxford Playhouse, Oxford, U.K., Palace Theatre, Watford, U.K., and Everyman Theatre, Liverpool, U.K.

Choreographer, Dear Miss Phoebe, London, 1952; director, Belinda and Sally, both London, 1952; director, One Fair Daughter, London, 1953; director, The Billy Barnes Revue, Rose Marie, and A Wish for Jaime, all London, 1960; director, A Love for Jaime, London, 1962; director, How to Succeed in Business Without Really Trying, Melbourne, Australia, 1963; director, Never Too Late, Melbourne, 1964; director, A Funny Thing Happened on the Way to the Forum, Sydney, Australia, 1964; director, The World of Jaime, London, 1967; director, Let's Get Swinging and Queen Passionella, both London, 1968; director, The Corbett Follies and The Tommy Cooper Show, both London, 1969; director, Cinderella, Manchester, U.K., 1970;director, CharlieGirl, Melbourne, 1971;director, Cinderella, Coventry, U.K., 1971; director, No, No Nanette, Melbourne, 1972; director, Cowardly Custard, South Africa, 1973; director, Irene, Sydney, 1974; director, The Ronnie Corbett Revue, Paignton, U.K., 1975; director, Queen Daniella, London, 1975; director, Something s Afoot, Hong Kong, 1978; director, The Danny La Rue Show, Scarborough, U.K., 1978.

WRITINGS: STAGE—From a Jack to a King, Edinburgh Theatre Festival, Edinburgh, Scotland, 1985; Return to the Forbidden Planet, Cambridge Theatre, London, 1989; also wrote Christmas shows for the Everyman Theatre, Liverpool, U.K., 1984-88. TELEVISION—The New Shoes (short film), Mersey Television Channel Four, 1987. MEMBER: British Actors' Equity Association, Agence de Corporation Culturelle et Technique.

MAJOR TOURS—Dancer, Lavender, U.K. cities, 1931; director, The Merry Widow, U.K. cities, 1959; director, Kind Sir, U.K. cities, 1961; director, A Touch of Tartan, U.K. cities, 1963; director, The Danny La Rue Show, Australian cities, 1979.

SIDELIGHTS: RECREATIONS—Soccer, rock and roll. ADDRESSES: AGENT—Bill Home Personal Management. 73

CARPENTER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Dance director, Easy Money, General Film Distributors, 1948.

1980; (with Nick Castle; also composer with Alan Howarth) Escape from New York, 1981; (with Hill; also composer with Howarth) Halloween II, 1981; composer (with Howarth), Halloween III: Season of the Witch, 1982; composer (with Howarth), Christine, 1983; composer (with Howarth), Big Trouble in Little China, 1986; (with Desmond Nakano and William Gray) Black Moon Rising, New World, 1986; (as Martin Quartermass; also composer with Howarth) Prince of Darkness, 1987; (as Frank Armitage; also composer) They Live, 1988; composer (with Howarth), Halloween 5: The Revenge of Michael Myers, Galaxy International, 1989.

PRINCIPAL FILM WORK—Choreographer: Carnival, General Film Distributors, 1946; (with George King and Leontine Sagan) Showtime (also known Gaiety George], Warner Brothers/English Films Inc., 1948; The Winslow Boy, Eagle-Lion, 1950; My Heart Goes Crazy (also known as London Town), United Artists, 1953. PRINCIPAL TELEVISION WORK—Specials: Choreographer, Sir Winston Churchill: Ninety Years On, British television, 1964. Also associate producer, The Noel Coward Revue; choreographer, The Jimmy Tar buck Show.

TELEVISION—Movies: (With William A. Schwartz) Zuma Beach, NBC, 1978; Someone's Watching Me!, 1978; (with Greg Strangis) Better Late Than Never, NBC, 1979.

WRITINGS: STAGE—A Wish for Jaime, 1960. MEMBER: Directors Guild of America, Writers Guild of America—West, American Society of Composers, Authors, and Publishers.

OBITUARIES AND OTHER SOURCES: Variety, January 25-31, 1989.*

SIDELIGHTS: RECREATIONS—Helicopter piloting, music. As a film student at the University of Southern California, John Carpenter was editor, composer, and co-wrote the screenplay for the short film The Resurrection of Bronco Billy which won an Academy Award in 1970 as Best Short Subject (Live Action). In 1978, his film Halloween became the highest grossing independently made movie of all time.

CARPENTER, John 1948(Frank Armitage, Martin Quartermass) PERSONAL: Full name, John Howard Carpenter; born January 16, 1948, in Carthage, NY (some sources say Bowling Green, KY); son of Howard Ralph (a music professor) and Milton Jean (Carter) Carpenter; married Adrienne Barbeau (an actress), January 1,1979; children: John Cody. EDUCATION—Attended Western Kentucky University; graduate work in film at the University of Southern California, 1972.

ADDRESSES: OFFICE—9454 Wilshire Boulevard, Beverly Hills, CA 90212. AGENT—International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

VOCATION: Director, screenwriter, and composer.

CARR, Darleen CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Bennett, The Fog, AVCO-Embassy, 1980. PRINCIPAL FILM WORK—Editor, The Resurrection of Bronco Billy (short film), Universal, 1970; producer, director, and music director, Dark Star, Jack H. Harris, 1974; director, Assault on Precinct 13, Turtle Releasing Company, 1976; director, Halloween, Compass, 1978; director, The Fog, AVCO-Embassy, 1980; director, Escape from New York, AVCO-Embassy, 1981; producer (with Debra Hill), Halloween II, Universal, 1981; producer (with Hill), Halloween III: Season of the Witch, Universal, 1982; director, The Thing, Universal, 1982; director, Christine, Columbia, 1983; executive producer, The Philadelphia Experiment, New World, 1984; director, Starman, Columbia, 1984; director, Big Trouble in Little China, Twentieth Century-Fox, 1986; director, Prince of Darkness, Universal, 1987; director, They Live, Universal, 1988. Also director of such short films as Revenge of the Colossal Beasts, Gorgo Versus Godzilla, Terror from Space, Sorcerer from Outer Space, The Warrior and the Demon, and Gorgon, the Space Monster.

1950-

PERSONAL: Born in 1950 in Chicago, IL. VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Voice of the girl, The Jungle Book (animated), Buena Vista, 1967; Sidoni Riserau, Monkeys, Go Home!, Buena Vista, 1967; Abbey Kingsley, The Impossible Years, Metro-Goldwyn-Mayer, 1968; Hilda Jorgenson, Death of a Gunfighter, Universal, 1969; Doris, The Beguiled, Universal, 1971. PRINCIPAL TELEVISION APPEARANCES—Series: Kathy, The John Forsythe Show, NBC, 1965-66; regular, Dean Martin Presents the Golddiggers, NBC, 1969; Cindy Smith, The Smith Family, ABC, 1971-72; Margaret Devlin, The Oregon Trail, NBC, 1977; Susan Winslow, Miss Winslow and Son, CBS, 1979; Mary Lou Springer, Bret Maverick, ABC, 1981-82; voice characterization, G.I. Joe (animated), syndicated, 1984. Mini-Series: Tommy Caldwell Damon, Once an Eagle, NBC, 1976-77. Pilots: Joan Chadwick McTaggart, The Chadwick Family, ABC, 1974; Selina Jensen, Law of the Land, NBC, 1976. Episodic: MarlenaLewis,/fr>tate, NBC, 1985; Trish Mercer, Murder, She Wrote, CBS, 1985; Beth Hartley, Blacke's Magic, NBC, 1986; Ginny Malcolm, Magnum, P.I., CBS, 1986; Shannon McGovern, Simon and Simon, CBS, 1986; Sheri Strawn, Probe, ABC, 1988; also Jean Stone, Streets of San Francisco, ABC. Movies: Susan, All My Darling Daughters, ABC, 1972; Margot, The Horror at 37,000 Feet, CBS, 1973; Susan, My Darling Daughters' Anniversary, ABC, 1973; Carol Lerner, Runa-

PRINCIPAL TELEVISION WORK—Movies: Director, Someone's Watching Me!, NBC, 1978; director, Elvis, ABC, 1979. WRITINGS: See production details above, unless indicated. FILM— (Co-writer; also composer) The Resurrection of Bronco Billy, 1970; (with Dan O'Bannon; also composer) Dark Star, 1974; (also composer) Assault on Precinct 13,1976; (with David Zelag Goodman) The Eyes of Laura Mars, Columbia, 1978; (with Debra Hill; also composer) Halloween, 1978; (with Hill; also composer) The Fog, 74

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Guare, and John Klein) Taking Off, Universal, 1971; Un Peu de soleil dans I'eaufroide (also known as A Little Sun in Cold Water), Societe Nouvelle de Cinema, 1971; (with Bunuel) Le Charme discret de la bourgeoisie (also known as The Discreet Charm of the Bourgeoisie), Twentieth Century-Fox/Castle Hill, 1972, published mAvant-Scene, April, 1973; (with Deray and Ian McLellen Hunter) Un Homme est mort (also known as A Man Is Dead and The Outside Man), Valeria, 1972, released in the United States by United Artists, 1973; (with Bunuel) Le Moine (also known as The Monk), Maya, 1973; (with Peter Fleischmann) Dorothea's Rache (also known as Dorothea's Revenge), Planfilm, 1973; (with Marco Ferreri) La cagna, 1972, released in the United States as Liza, CFDC/Pathe/ Oceanic/Sirius, 1976; (with Bunuel) Le Fantome de la liberte (also known as The Phantom of Liberty and The Specter of Freedom), Twentieth Century-Fox, 1974; (with Robert Benayoun) Serieux comme le plaisir (also known as Serious as Pleasure), Lugo, 1974; (with Jean-Claude Brialy) Un Amour de pluie (also known as A Rainy Love), Lira, 1974; (with Patrice Chereau) La Chair de I'orchidee (also known as The Flesh of the Orchid), FoxLira, 1974; France Societe Anonyme (also known as France Incorporated), Albina, 1974.

way! (also known as The Runaway Train}, ABC, 1973; Kathleen Kennedy, Young Joe, the Forgotten Kennedy, ABC, 1977; Hildy, Rage, NBC, 1980; Lisa Reed, Hero in the Family, ABC, 1986. Specials: Katey Summers, Sleepwalker, ABC, 1975; Battle of the Network Stars, ABC, 1976 and 1977; Circus of the Stars, CBS, 1982; voice of Mom, "Chocolate Fever," CBS Storybreak, CBS, 1985. ADDRESSES: AGENT—Perry Hawthorne, CNA and Associates, 8721 Sunset Boulevard, Suite 202, Los Angeles, CA 90069.*

CARRIERE, Jean-Claude

CARRIERE

1931-

PERSONAL: Born September 19, 1931, in Colombieres, France. VOCATION: Screenwriter, actor, and director. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Cure, Le Journal d'une femme de chambre (also known as // diario di una cameriera and Diary of a Chambermaid), Cocinor, 1964; Priscillian, La Vote lactee (also known as La via lattea and The Milky Way), U-M, 1969; Hughes, LAlliance (also known as The Wedding Ring), CAP AC, 1970; Chief, Serieux comme le plaisir (also known as Serious As Pleasure), Lugo, 1974; doctor, Photo Souvenir, FR3, 1977; psychiatrist, Us sont grands ces petits (also known as These Kids Are Grown-Ups), United Artists/Exportation Francaise Cinematographique, 1979. Also appeared in Insomnie, 1963; as narrator, Les Cocardiers, 1967; in Un Peu de soleil dans I'eaufroide (also known as A Little Sun in Cold Water), Societe Nouvelle de Cinema, 1971; La Chute d'un corps, 1973; Adam, Le Jeu du solitaire, 1976; Le Jardin des supplices (also known as The Garden of Torment), New Realm Distributors/Parafrance, 1976.

(With Martin Walser) La Faille (also known as The Weak Spot), Gaumont, 1975; (with Jean Curtelin and Joel Santoni) Les Oeufs brouilles (also known as The Scrambled Eggs), Columbia/Warner Distributors, 1975; (with Alphonse Boudard) Le Gang (also known as The Gang), Warner Brothers, 1976; (with Juan Bunuel, Philippe Nuridzany, Pierre Maintigneux, and Clement Biddle Wood) Leonor, CIC/New Line Cinema, 1977; (with Luis Bunuel) Cet obscur objet du desir (also known as That Obscure Object of Desire), CCFC/ Greenwich/Janus, 1976, released in the United States by First Artists, 1977; (with Pierre Lary and Huguette Debasieux) LeDiable dans la boite (also known as The Devil in the Box), Madeleine/ Societe Novelle de Cinema, 1977; Julie pot de colle (also known as Julie Glue Pot), Davis/Societe Nouvelle Prodis, 1977; (with Edmond Sechan) Photo Souvenir, FR3, 1977; (with Tonino Guerra) Un Papillon sur I'epaule (also known as A Butterfly on the Shoulder), Gaumont, 1978; (with Jean-Francois Davy) Chaussette surprise (also known as Surprise Sock) GEF/CCFC/Albatros, 1978; (with Daniel Boulanger and Joel Santoni) Us sont grands ces petits (also known as These Kids Are Grown-Ups), United Artists/ Exportation Francaise Cinematographiques, 1979; (with Rene Gainville) LAssocie (also known as The Associate), Columbia/ Warner Distributors, 1979; (with Claude Pinoteau and Charles Israel) L Homme en colere (also known as The Angry Man) Films Ariane/United Artists, 1979; (with Volker Schloendorff, Franz Seitz, and Gunter Grass) The Tin Drum (also known as Die Blechtrommel), United Artists/New World, 1979; (with JeanFrancois Adam, Georges Perec, and Benoit Jacquot) Retour a la bien-aimee (also known as Return to the Beloved), Societe Nouvelle Prodis/World Marketing, 1979.

PRINCIPAL FILM WORK—Director (with Jerome Diamant-Berger and Olivier Assayas), L Unique (also known as The One and Only), AA Revcon/Films du Scorpion, 1985; also co-director, Rupture (short film), 1961; co-director, Heureux anniversaire (short film), 1961; director, La Pince a ongles (short film), 1968. WRITINGS: STAGE—L'Aide-Memoire, 1968; (adaptor) The Mahabharata, Brooklyn Academy of Music, New York City, 1989. FILM—(With Pierre Etaix) Le Soupirant (also known as The Suitor), Atlantic, 1963; (with Luis Bunuel) Le Journal dune femme de chambre (also known as // diario di una cameriera and Diary of a Chambermaid), Cocinor, 1964; (with Louis Malle) Viva Maria! United Artists, 1965; (with Jesus Franco) Miss Muerte (also known as Dans les griffes du maniaque and The Diabolical Dr. Z), U.S. Films, 1966; Hotel Paradiso, Metro-Goldwyn-Mayer, 1966; Cartes sur table (also known as Attack of the Robots), American International, 1967; (with Malle) Le Voleur (also known as The Thief of Paris), Lopert, 1967; (with Etaix) Yo Yo, Magna, 1967; (with Bunuel) Belle dejour, Allied Artists, 1968; (with Bunuel) La Vote lactee (also known as La via lattea and The Milky Way), U-M, 1969; (with John-Emmanuel Conil and Jacques Deray) La Piscine (also known as La piscina and The Swimming Pool), 1969, released in the United States by AVCO-Embassy, 1970.

(With Jean-Luc Godard and Anne-Marie Mieville) Sauve qui peut la vie (also known as Every one for Himself, Every Man for Himself, and Slow Motion), Artifical Eye/MK2/New Yorker, 1980; (with Schloendorff, Margarethe Von Trotta, and Kai Hermann) Die Falschung (also known as Circle of Deceit and False Witness), United International/United Artists Classics, 1981; (with Carlos Saura) Antonieta, Gaumont/Conacina/Nuevo Cine, 1982; (with Christian Drillaud) Itineraire bis (also known as Sideroads), Films de 1'Arquebuse, 1982; (with Andrzej Wajda, Agnieszka Holland, Boleslaw Michalek, and Jacek Gasiorowski) Danton, Triumph, 1983; (with Daniel Vigne) Le Retour de Martin Guerre (also known as The Return of Martin Guerre), European International, 1983; (with Luciano Tovoli and Michel Piccoli) Le General de I'armee

(With Christian De Chalong) L Alliance (also known as The Wedding Ring), CAPAC, 1970; (with Jean Cau, Claude Sautet, and Deray) Borsalino, Paramount, 1970; (with Milos Forman, John 75

CARSON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

morte (also known as The General of the Dead Army), World Marketing/Union Generale Cinematographique, 1983; (with Marius Constant and Peter Brook) La Tragedie de Carmen (also known as The Tragedy of Carmen), British Film Institute/MK2, 1983; (with Schloendorff, Peter Brook, and Marie-Helen Estienne) Un Amour de Swann (also known as Swann in Love, Swann's Way, and Remembrance of Things Past), Orion Classics, 1984; La Jeunefille et I'enfer (also known as The Young Girl and Hell), Orphee Arts/ Exportation Francaise Cinematographique, 1984.

1989. Also appeared in The Creature from Black Lake, Howco International, 1976; Charge of the Model-Ts, Ry/MAC, 1979. PRINCIPAL TELEVISION APPEARANCES—Series: Jay Spence, Falcon Crest, CBS, 1987-88. Pilots: Woody Guinness III, Call Her Mom, ABC, 1972; Tommy, "Margie Passes," Of Men of Women, ABC, 1973; Wilder, Mitchell and Woods, NBC, 1981. Episodic: Larry Burns, Murder, She Wrote, CBS, 1985; Billy Maddox, Blackes Magic, NBC, 1986; Stafford, The Law and Harry McGraw, CBS, 1987; Stephen Wainwright, Simon and Simon, CBS, 1988; also Fantastic Journey, NBC, 1977; Taxi, ABC, 1980.

(With Jerome Diamant-Berger, Olivier Assay as, and Jacques Dorfman) U Unique (also known as The One and Only), A A Revcon/Films du Scorpion, 1985; (with Nagisa Oshima) Max mon amour (also known as Max, My Love), Greenwich/AAA, 1986; (with Peter Fleischmann and Gianfranco Mingozzi) Les Exploits d'unjeune Don Juan (also known as The Exploits of a Young Don Juan), Exportation Francaise/AAA, 1987; (with Wajda, Holland, and Edward Zebrowsky) Les Possedes (also known as The Possessed}, Gaumont International, 1987; (with Philip Kaufman) The Unbearable Lightness of Being, Orion, 1988; (with Nicholas Klotz) La Nuit Bengali (also known as Bengali Nights and The Bengali Night), Gaumont International, 1988; (with Jerzy Kawlerowicz) Hostage of Europe, La Societe Cine-Alliance, 1989; (with Milos Forman) Valmont, Orion Classics, 1989. Also Rupture, 1961; Heureux anniversaire (short film), 1961; (with Etaix) Nous n'irons plus au bois, 1963, re-released as Tant qu on a la sante, 1965; (with Etaix) Insomnie, 1963; Le Bestiaire damour, 1963; La Reine verte (also known as The Green Queen), 1964; La Pince a ongles, 1968; Le Grand Amour, 1968; Le Droit daimer, 1972.

ADDRESSES: AGENT—Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212.

GARY, Falkland

1897-1989

PERSONAL: Born January 2, 1897, in Kildare, Ireland; died of a stroke, April 7, 1989, in Fleet, England; son of Henry John Litton and Katherine Frances (Boyd) Gary. EDUCATION—Received M.B. and B.A. from Trinity College (Dublin, Ireland).

TELEVISION—Specials: (Adaptor) The Mahabharata, Channel Four, 1989.

VOCATION: Playwright.

OTHER—Le Lezard, 1957; Monsieur Hulot's Holiday (novelization of film), 1959; LAlliance, 1963; (with Luis Bunuel) Le Moine, \91\\Mon Oncle (novelization of film), 1972; (translator) Le Clou brulant, 1912; Le Part, 1973; (translator) Harold et Maude, 1974; Le Carnaval et lapolitique, 1979; (translator) The Mahabharata, Harper and Row, 1987; also (with Daniel Vigne) Le Retour de Martin Guerre (novelization of film); and contributor to journals and periodicals.

CAREER: See WRITINGS Obstetrician.

below. NON-RELATED CAREER—

WRITINGS: STAGE—Burning Gold, 1943; Candied Peel, 1945; Murder Out of Tune, 1945; But Once a Year, 1948; Bed of Roses's, 1949; (with Philip Weathers) Madam Tic-Tac, 1950; (with Ivan Butler) The Paper Chain, 1953; Pitfall, the Owner of Redfields, 1954; (with Philip King) Sailor Beware!, 1955; (with Weathers) The Hypnotist, 1956; (with King) The Dream House, 1957; (with Butler) Danger Inside, 1958; (with Weathers) The Shadow Witness, 1959; (with King) Watch It, Sailor!, 1960; (with Weathers) The Proof of the Poison, 1962; Rock-a-Bye Sailor, 1962; (with King) Big Bad Mouse, 1964; also (with Don Carrol) Meet Aunt Mildred.

AWARDS: Academy Award nomination (with Luis Bunuel), Best Screenplay Based on Material from Another Medium, 1972, for Le Charme discret de la bourgeoisie; Academy Award nomination (with Bunuel), Best Screenplay Based on Material from Another Medium, 1977, for Get obscure objet du desir; Academy Award nomination (with Philip Kaufman), Best Adapted Screenplay, 1989, for The Unbearable Lightness of Being.*

FILM—(With Philip King) Panic in the Parlour (also known as Sailor Beware!}, Distributors Corporation of America, 1957; (with King) Watch It, Sailor, Columbia, 1961. TELEVISION—Specials: The Hammer, Gentlemen at Twilight, and Pitfall, the Owner of Redfields. RADIO—Plays: Pitfall, the Owner of Redfields.

CARSON, John David VOCATION: Actor.

SIDELIGHTS: Falkland Cary, author of many successful British stage comedies from the 1940s to the 1960s, began his professional career as an obstetrician. He once estimated that he delivered approximately 2,000 babies during his twenty year practice before giving up medicine to concentrate on his stage work.

CAREER: PRINCIPAL FILM APPEARANCES—Ponce de Leon Harper, Pretty Maids All in a Row, Metro-Goldwyn-Mayer, 1971; Larry, The Day of the Dolphin, AVCO-Embassy, 1973; David, The Savage Is Loose, Campbell/Devon, 1974; Halsey, Stay Hungry, United Artists, 1976; Joe Morrison, Empire of the Ants, American International, 1977; Ronnie Denton, The Fifth Floor, Film Ventures International, 1980; Mark, Off the Boulevard, Touchstone,

OBITUARIES AND OTHER SOURCES: Variety, April 12-18, 1989.* 76

CASSIDY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

CASON, Barbara

1933-

SIDELIGHTS: RECREATIONS—Flying airplanes, porcelain painting, archaeology, astronomy, and gardening.

PERSONAL: Born November 15, 1933, in Memphis, TN; married Dennis Patrick (an actor). EDUCATION—Received B.A. and M.A. in theatre from the University of Mississippi; postgraduate work in theatre at the University of Iowa.

ADDRESSES: AGENT—Bauman, Hiller, and Associates, 5750 Wilshire Boulevard, Suite 512, Los Angeles, CA 90038.

VOCATION: Actress. CAREER: BROADWAY DEBUT—Madame Coulmier, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, Majestic Theatre, 1967. PRINCIPAL STAGE APPEARANCES—Christina Chenier, The Death of the Well-Loved Boy, St. Mark's Playhouse, New York City, 1967; Babette, The Firebugs, Martinique Theatre, New York City, 1968; Miss Green, Jimmy Shine, Brooks Atkinson Theatre, New York City, 1968; nun, supervisor, grey lady, Mrs. Dart, landlady, and Miss Saunders, Spitting Image, Theatre De Lys, New York City, 1969; Mrs. Stockmann, An Enemy of the People, Repertory Theatre of Lincoln Center, Vivian Beaumont Theater, New York City, 1971; ensemble, Oh Coward! (revue), New Theatre, New York City, 1972; Claire, A Delicate Balance, McCarter Theatre Company, Princeton, NJ, 1982; Arkadina, The Seagull, Circle Repertory Company, American Place Theatre, New York City, 1983. Also appeared in "Bakers' Dozen" in Plaza 9 (revue), 1964; The Skin of Our Teeth, Playhouse in the Park, Cincinnati, OH, 1966; Hay Fever, Hartford Stage Company, Hartford, CT, 1967; and in Night Watch, Morosco Theatre, New York City, 1972.

CASSIDY, David

1950-

PERSONAL: Full name, David Bruce Cassidy; born April 12, 1950, in New Jersey; son of Jack Cassidy (an actor) and Evelyn Ward (an actress and singer); married Kay Lenz (an actress), April 3, 1977 (divorced); married Meryl Tanz (a horse breeder), 1984 (divorced). EDUCATION—Studied psychology at Los Angeles City College; trained for the stage with David Craig and Milton Katselas. VOCATION: Actor, singer, and songwriter. CAREER: BROADWAY DEBUT—Billy, The Fig Leaves Are Falling, Broadhurst Theatre, 1969. PRINCIPAL STAGE APPEARANCES— Title role, Little Johnny Jones, Dorothy Chandler Pavilion, Los Angeles, 1981; George M. Cohan, Parade of Stars Playing the Palace, Palace Theatre, New York City, 1983; Joseph, Joseph and the Amazing Technicolor Dreamcoat, Roy ale Theatre, New York City, 1983. Also appeared in And So to Bed, Los Angeles Theatre Center, Los Angeles; Time, London production.

PRINCIPAL FILM APPEARANCES—Evelyn Long, The Honeymoon Killers (also known as The Lonely Hearts Killers], Cinerama, 1969; Mrs. Johnson, House of Dark Shadows, Metro-Goldwyn-Mayer, 1970; Letitia, Cold Turkey, United Artists, 1971; Mrs. Phalor, Exorcist II: The Heretic, Warner Brothers, 1977; also appeared in Dear Martha.

MAJOR TOURS—Title role, Little Johnny Jones, U.S. cities, 1981;

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Comedy Tonight, CBS, 1970; Miss Tillis, The New Temperature's Rising Show, ABC, 1973-74; Officer Cloris Phebus, Carter Country, ABC, 1977-79; Agnes, Tony the Pony, syndicated, 1979; Mrs. Shandling, It's Garry Shandling's Show, Showtime, 1986—, then Fox, 1988—. Pilots: Ms. Sommerville, Delancey Street: The Crisis Within, NBC, 1975; Roberta, Tabitha, ABC, 1976. Episodic: Dottie Pit, Trapper John, M.D., CBS, 1980 and 1981; Elvira Fritzinger, The Brady Brides, NBC, 1981; Lynn LaVecque, Madame's Place, syndicated, 1982; Lady Di, Hollywood Beat, ABC, 1985; Paula, Crazy Like a Fox, CBS, 1985; Rebecca Winship, Night Court, NBC, 1986; the Lady, Silver Spoons, NBC, 1986; Nurse Rancid, The Law and Harry McGraw, CBS, 1987; Emily Goshen, Murder, She Wrote, CBS, 1988; also All in the Family, CBS, 1971 and 1975; Scene of the Crime, NBC, 1984. Movies: Judge A. J. White, It Couldn't Happen to a NicerGuy, ABC, 1974; Greta Bennett, Let'sSwitch, ABC, 1975; Viola Andrews, WithThis Ring, ABC, 1978; Deenie Gooch, She's Dressed to Kill (also known as Someone's Killing the World's Greatest Models), NBC, 1979; Elvira Fritzinger, The Brady Girls Get Married, NBC, 1981; Nurse Barnes, A Matter of Life and Death, CBS, 1981; Rita Jean Tilford McEwan, Memories Never Die, CBS, 1982. Specials: Mildred Moffett, America, You're On, ABC, 1975; Annie, "The War Widow," Visions, PBS, 1976. RELATED CAREER—Company member, Ford's TCG Theatre, 1956-62; co-founder, Front Street Theatre.

DAVID CASSIDY

77

CASSIDY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

also Joseph, Joseph and the Amazing Technicolor Dreamcoat, U.S. cities; Tribute, U.S. and Canadian cities.

PRINCIPAL TELEVISION APPEARANCES—Series: Terry St. Marie, Bay City Blues, NBC, 1983; Johnny Castle, Dirty Dancing, CBS, 1988. Mini-Series: Captain Hyppolyte Charles, Napoleon and Josephine: A Love Story, ABC, 1987. Pilots: Jack Tree, The Six of Us, NBC, 1982. Movies: Bob Shecky, Angel Dusted, NBC, 1981; David Sterling, Midnight Offerings, ABC, 1981; Patrick, Choices of the Heart, NBC, 1983; Josh Kingsley, Christmas Eve, NBC, 1986; David Hand, Dress Gray, NBC, 1986; Nick Hollander, Something in Common, CBS, 1986; Scott Crossfield, Three on a Match, NBC, 1987.

PRINCIPAL FILM APPEARANCES—Instant Karma and The Spirit of"76. PRINCIPAL TELEVISION APPEARANCES—Series: Keith Partridge, The Partridge Family, ABC, 1970-74; Officer Dan Shay, David Cassidy—Man Undercover, NBC, 1978-79. Episodic: Officer Dan Shay,' 'A Chance to Live,'' Police Story, NBC, 1977; also The Survivors, ABC; Adam-12, NBC; Bonanza, NBC; Mod Squad, ABC; Ironside, NBC; Marcus Welby, M.D., SBC; The F.B.L, ABC; Alfred Hitchcock Presents, USA. Movies: David Greeley, The Night the City Screamed, ABC, 1980. Specials: The Bob Hope Show, NBC, 1972; Keith Partridge, Thanksgiving Reunion with the Partridge Family and My Three Sons, ABC, 1977; Celebrity Challenge of the Sexes, CBS, 1977; Parade ofStars, ABC, 1983.

ADDRESSES: AGENTS—The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210. MANAGER—Litke, Gale, and Associates, 10390 Santa Monica Boulevard, Suite 300, Los Angeles, CA 90025.*

RELATED CAREER—Singer in over three hundred concert appearances. NON-RELATED CAREER—Breeder and racer of thoroughbred horses.

GATES, Madelyn

RECORDINGS: ALBUMS—Cherish, Bell, 1972; also Romance, Arista. With the Partridge Family: The Partridge Family Album, Bell, 1970; Up to Date, Bell, 1971; The Partridge Family Sound Magazine, Bell, 1971; The Partridge Family Shopping Bag, Bell, 1972.

PERSONAL: Born Madelyn Pagan, March 9, in New York, NY; daughter of Ben (a teacher and director) and Dorothy (Smith) Fagan; married Lou Kates (an engineer), March, 1948 (died, January, 1988); children: Mallory June, Kathryn Jane, Joshua Nathan. EDUCATION—Attended Queens College, the Waldorf School, and New York Law School; studied acting with William Hickey at the Herbert Berghof-Uta Hagen Studio, with Lee and

AWARDS: Golden Apple Award from the Hollywood Women's Press Club, Discovery of the Year, 1971; Emmy Award nomination, Best Actor in a Dramatic Role, 1978, for Police Story; also eighteen Gold Record Awards from the Recording Industry Association of America; two Grammy Award nominations. MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association, American Society of Composers, Authors, and Publishers. ADDRESSES: MANAGER—Melanie Greene Management, 152 S. Roxbury Drive, Suite 5, Beverly Hills, CA 90212.

CASSIDY, Patrick

1961-

PERSONAL: Born January 4, 1961, in Los Angeles, CA; son of Jack Cassidy (an actor) and Shirley Jones (an actress). VOCATION: Actor. CAREER: BROADWAY DEBUT—Frederic, The Pirates ofPenzance, Uris Theatre, 1981. PRINCIPAL STAGE APPEARANCES—Jeff Barry, Leader of the Pack, Ambassador Theatre, New York City, 1985. PRINCIPAL FILM APPEARANCES—Randy, Off the Wall, Jensen Farley, 1983; Steve, Just the Way You Are, Metro-GoldwynMayer/United Artists (MGM/UA), 1984; soldier, Fever Pitch, MGM/UA, 1985; Willard Freund, Nickel Mountain, Ziv International, 1985; Miles, Burnin' Love (also known as Love at Stake), De Laurentiis Entertainment Group, 1987.

MADELYN GATES

78

CAVANI

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

nue S., New York, NY 10016; Sutton, Barm, and Vennari Inc., 8322 Beverly Boulevard, Suite 202, Los Angeles, CA 90048; Twentieth Century Artists, 3800 Barham Boulevard, Suite 303, Los Angeles, CA 90068.

Paula Strasberg at the Actors' Studio, and with Charles Nelson Reilly. VOCATION: Actress. CAREER: STAGE DEBUT—Adelaide, Guys and Dolls, Winter Park, FL, 1956, for sixteen performances. OFF-BROADWAY DEBUT—Potopovna, Sunset, 81st Street Theatre, 1966. BROADWAY DEBUT—Patient, The Persecution and Assassination of JeanPaul Marat as Performed by the Inmates of the Asylum ofCharenton Under the Direction of the Marquis de Sade (also known as Mar at I Sade), Majestic Theatre, 1967. PRINCIPAL STAGE APPEARANCES— Bertha, The Kitchen, 81st Street Theatre, New York City, 1966; ensemble, The Fourth Wall (revue), Theatre East, New York City, 1968; Mabel Lamston, Lemonade, Jan Hus Playhouse, New York City, 1968; Anna, A Patriot for Me, Imperial Theatre, New York City, 1969; Connie, Snowangel, Actors Studio, then Circle Theatre Workshop, both New York City, 1972; Jeanette Fisher, Last of the Red Hot Lovers, Elysian Playhouse, New York City, 1975; Maquerelle, The Malcontent, Classic Theatre, Loretto Theatre, New York City, 1977. Also appeared in Follies, Studio Theatre Playhouse, Hollywood, CA, 1981; as Sadie, Coping, Cherry Lane Theatre, New York City; Helen, In the Boom Boom Room, Cubiculo Theatre, New York City; Soft Wonder, Ecclesiazusae, Cooper Union Theatre, New York City; Betty, Winkelberg, Theatre West, Hollywood; Sally Marr, Lenny, Charles Playhouse, Boston, MA; Connie, A Matter of Perspective, Theatre Exchange, North Hollywood, CA; Stella Deems, Follies, Mrs. Paddy, The Curious Savage, Mildred Harmon, Stormless Vows, Sally Marr, Lenny, and ensemble, Side By Side By Sondheim (revue), all the Colony, Los Angeles.

CATTRALL, Kim

1956-

PERSONAL: Born August 21, 1956, in Liverpool, England; father, a construction engineer. EDUCATION—Graduated from the American Academy of Dramatic Arts. VOCATION: Actress. CAREER: BROADWAY DEBUT—Sofya, Wild Honey, Virginia Theatre, 1986. PRINCIPAL STAGE APPEARANCES—Masha, The Three Sisters, Los Angeles Theatre Center, Los Angeles, 1985; also appeared in productions of A View from the Bridge and Agnes of God, both in Los Angeles. FILM DEBUT—Joyce, Rosebud, United Artists, 1975. PRINCIPAL FILM APPEARANCES—Sally Haines, Tribute, Twentieth CenturyFox, 1980; Ruthie, Ticket to Heaven, United Artists, 1981; Honeywell, Porky's, Twentieth Century-Fox, 1982; Karen Thompson, Police Academy, Warner Brothers, 1984; Dr. Helen Wickings, City Limits, Atlantic, 1985; Lise, Hold-Up, AMLF, 1985; Danny Boudreau, Turk 182!, Twentieth Century-Fox, 1985; Gracie Law, Big Trouble in Little China, Twentieth Century-Fox, 1986; Emmy, Mannequin, Twentieth Century-Fox, 1987; Brooke Morrison, Masquerade, Metro-Goldwyn-Mayer/United Artists, 1988; Lexa Shubb, Midnight Crossing, Vestron, 1988; Odessa, Palais Royale, Spectrafilm, 1988; Chris Nelson, For Better or For Worse, Trans World Entertainment, 1989; Justine DeWinter, The Return of the Musketeers (also known as The Return of the Three Musketeers), Universal, 1989; Aunt Eva, Brown Bread Sandwiches, Eagle, 1989. Also appeared in The Other Side of the Mountain—Part II, Universal, 1978.

FILM DEBUT—Concierge, The Producers, Embassy, 1967. PRINCIPAL FILM APPEARANCES—Agnes, A New Leaf, Paramount, 1969; Sylvia, The Heartbreak Kid, Twentieth Century-Fox, 1972; Mrs. Trent, The Devil and Max Devlin, Buena Vista, 1981; Dr. Helen Schneider, Jekyll and Hyde. . . Together Again, Paramount, 1982. TELEVISION DEBUT—Mary, The Resurrection, CBS, 1965. PRINCIPAL TELEVISION APPEARANCES—Pilots: Mrs. Gaskin, The Flamingo Kid, ABC, 1989. Episodic: Flo, Struck by Lightning, CBS, 1979; Evelyn Petschek, St. Elsewhere, NBC, 1982; Ruthie Cook, Night Court, NBC, \9Sl\ahothirtysomething, ABC, 1989; Betty, Archie Bunker's Place, CBS; Flora LaRue, Hill Street Blues, NBC; Bella Noodleman-Chang, Hooperman, ABC; Mabel, The LawandHarryMcGraw, CBS; Mrs. Dunne, The Associates, ABC; Mrs. Pfeiffer, Soap, ABC; landlady, Hunter, NBC; pickpocket, Cagney andLacey, CBS; Mrs. Landowska, Fame. Movies: Zelda, Found Money, NBC, 1983.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Melanie Adams, Scruples, CBS, 1980. Pilots: Regina Kenton, The Night Rider, ABC, 1979; Dina Moran, The Gossip Columnist, syndicated, 1980; also Amanda Tucker, The Good Witch of Laurel Canyon, 1982 (never broadcast). Episodic: The Incredible Hulk, CBS, 1979 and 1980; Columbo, NBC; Family, ABC; The Bionic Woman, ABC. Movies: Linda Isley, Good Against Evil, ABC, 1977; Anne Ware, The Bastard (also known as The Kent Family Chronicles), syndicated, 1978; Anne Kent, The Rebels, syndicated, 1979; Paula Bennett, Sins of the Past, ABC, 1984.*

RELATED CAREER—Company member, Theatre West, Hollywood, CA; company member, the Colony, Los Angeles. AWARDS: Obie Award from the Village Voice, Drama-Logue Award, and Los Angeles Critics' Circle Award.

CAVANI, Liliana

1936-

MEMBER: Actors' Equity Association (1960—), American Federation of Television and Radio Artists (1966—), Screen Actors Guild (1967—), International Women's Writing Guild.

PERSONAL: Born January 12, 1936, in Capri, Italy. EDUCATION—Attended the University of Bologna and Centro Sperimentale.

SIDELIGHTS: RECREATIONS—Writing plays and poetry, travel.

VOCATION: Writer and director.

ADDRESSES: AGENTS—Starkman Agency Inc., 1501 Broadway, New York, NY 10036; Jacobson-Wilder-Kesten, 419 Park Ave-

CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, Iphigenia in Tauris, Paris Opera, Paris, France, 1984.

79

CAVETT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM WORK—Director: / cannibali (also known as The Cannibals], Doria-San Marco, 1970; (also editor) L'ospite (also known as The Guest), RAI-TV Channel 1/Lotar, 1971; The Night Porter (also known as // portiere du nolle], AVCO-Embassy, \914\Milarepa, Istituto Luce Italnoleggio Cinematografico, 1974; Oltre il bene e il male (also known as Beyond Good and Evil], United Artists, 1977; Oltra la porta (also known as Beyond the Door), Premier Releasing/Gaumont, 1982; Interno Berlinese (also known as The Berlin Affair), Cannon, 1985; Francesco (also known as St. Francis of Assist, Franciscus, and St. Francis), Istituto Luce/ Italnoleggio Cinematografico/Sacis, 1989; also La pelle, 1981. PRINCIPAL TELEVISION APPEARANCES—Specials: Three Women Filmmakers, PBS, 1987. PRINCIPAL TELEVISION WORK— Movies: Director, Francesco d'Assist, 1966; director, Galileo, 1968. Specials: The History of the Third Reich (documentary) and The Women of the Resistance (documentary). WRITINGS: See production details above. FILM—(With Italo Moscati) / cannibali, 1969; L'ospite, 1971; (with Moscati) The Night Porter, 1973, published by Einaudi, 1975; (with Moscati) Milarepa, 1974, published by Cappelli, 1974; (with Franco Arcalli and Moscati) Oltre il bene e il male, United Artists, 1977, published by Einaudi, 1977; (with Robert Katz) La pelle, 1981; (with Enrico Medioli) Oltra la porta, 1982; (with Roberta Mazzoni) Interno Berlinese, Cannon, 1985; (with Mazzoni) Francesco, 1989. TELEVISION—(With Moscati) Francesco d'Assisi, 1966, published in Francesco e Galileo: Duo film, Gribaudi, 1970; (with Moscati) Galileo, 1968, published in Francesco e Galileo: Duo film. OTHER—(With Moscati) Lettere dall'interno: Racontoper un film son Simone Weil, Einaudi, 1974.*

DICK CAVETT

as himself, Private Tutor (also known as Before God), Moviestore Entertainment, 1988; as himself, Funny, Original Cinema, 1989; as himself, After School, Quest Entertainment, 1989; also appeared as himself, CS Blues (documentary), 1972.

CAVETT, Dick

1936-

PRINCIPAL TELEVISION APPEARANCES-^Series: Host, This Morning, ABC, 1968-69; host, The Dick Cavett Show, ABC, 1969-74; host, Feeling Good, PBS, 1974-75; host, The Dick Cavett Show, CBS, 1975; host, The Dick Cavett Show, PBS, 1977-82; host, Time Was, HBO, 1979; host and narrator, Yesteryear, HBO, 1982; host, The Dick Cavett Show, USA, 1985-86; host, The Dick Cavett Show, ABC, 1986-87; host, College Bowl, Disney Channel, 1987—; host, Cavett, CNBC, 1989—. Pilots: As himself, Nightside, ABC, 1973. Episodic: Host, "Where It's At," Stage '67, ABC, 1967; as himself, Cheers, NBC, 1983; as himself, Kate andAllie, CBS, 1986; as himself, Amazing Stories, NBC, 1986; also The Ed Sullivan Show, CBS; The Tonight Show, NBC; Saturday Night Live, NBC.

PERSONAL: Full name, Richard Alva Cavett; born November 19, 1936, in Gibbon, NE; son of Alva B. (a teacher) and Eva (a teacher; maiden name, Richards) Cavett; married Carrie Nye McGeoy (an actress; professional name, Carrie Nye), June 4, 1964. EDUCATION—Yale University, B.A., English and drama, 1958. VOCATION: Talk show host, writer, and actor. CAREER: Also see WRITINGS below. BROADWAY DEBUT— Simon, Otherwise Engaged, Plymouth Theatre, 1977. PRINCIPAL STAGE APPEARANCES—Fred Allen, Parade of Stars Playing the Palace, Palace Theatre, New York City, 1983; narrator, Into the Woods, Martin Beck Theatre, New York City, 1988; Andrew Makepeace Ladd III, Love Letters, Promenade Theatre, New York City, 1989. Also appeared in productions in New York City and Williamstown, MA, 1958-60.

Specials: Tin Pan Alley Today, NBC, 1967; Plimpton! Did You Hear the One About. . .?, ABC, 1971; host, Funny Girl to Funny Lady, ABC, 1975; Dick Cavett'sBacklot U.S. A., CBS, 1976; host, "Live from Lincoln Center: The New York Philharmonic," Great Performances, PBS, 1976; host, "Live from Lincoln Center: The Barber of Seville," Great Performances, PBS, 1976; host, "Live from Lincoln Center: Andre Watts," Great Performances, PBS, 1976; host and interviewer, "Live from Lincoln Center: Swan Lake," Great Performances, PBS, 1976; host, "Zubin Mehta, the New York Philharmonic, and Shirley Verrett," Great Performances, PBS, 1977; The Marx Brothers in a Nutshell, PBS, 1982; Teddy Fender grass in Concert, HBO, 1982; Parade ofStars, ABC, 1983; Bob Hope's Super Birthday Special, NBC, 1984; host, "Live

PRINCIPAL FILM APPEARANCES—As himself, Annie Hall, United Artists, 1977; as himself, Power Play, Robert Cooper, 1978; as himself, Health (also known as H.E.A.L.T.H.), Twentieth Century-Fox, 1980; as himself, Simon, Warner Brothers, 1980; as himself, Acting: Lee Strasberg and the Actors' Studio (documentary) , Davida, 1981; as himself, A Nightmare on Elm Street 3: Dream Warriors, New Line Cinema, 1987; Bernard, Beetlejuice, Warner Brothers, 1988; as himself, Moon OverParador, Universal, 1988; 80

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Thieves After Dark), Parafrance, 1984; Lieberman, Je hais les acteurs (also known as / Hate Actors!), Gaumont, 1986; priest, L'Ete en pente douce (also known as Summer on a Soft Slope), Allied Artists, 1987; Jacques' father, Jeux d'artifices (also known as Games of Artifice and Fireworks), Forum Distribution/Films du Volcan, 1987; Pierre Vergne, Alouette, je teplumerai (also known as The Lark and Alouette plumerai), Union Generale Cinematographique, 1988.

from Lincoln Center: Giselle," Great Performances, PBS, 1985; Bob Hope Buys NBC?, NBC, 1985; host, Yesteryear . . . 7927, HBO, 1985; Harry Belafonte: Don't Stop the Carnival, HBO, 1985; host, The Grand Tour, syndicated, 1985; host, Bodywatch: In Search of the Perfect Day, PBS, 1986; host and narrator, Faces of Japan, PBS, 1986; host, Japan's Grand Kabuki in America, PBS, 1986; Penn and Teller's Invisible Thread, Showtime, 1987; The Classical Music Awards, Arts and Entertainment, 1988; The Designing Edge: An Aspen Journal (also known as For Our Times), CBS, 1988.

Also appeared in Le Coup de berger, 1956; Le Beau Serge (also known as Bitter Reunion and Handsome Serge), Ajym Films, 1958, released in the United States by United Motion Pictures, 1959; Les Jeux de I'amour, 1959; A double tour (also known as Doppa mandata, Web of Passion, and Leda), Paris-Titanus, 1959, released in the United States by Times, 1961; Les Bonnes Femmes, Paris-Titanus, 1960, released in the United States by Harold Cornsweet Productions, 1966; Saint-Tropez blues, 1960; Les Distractions, 1960; Paris nous appartient (also known as Paris Belongs to Us and Paris Is Ours), Ajym Films/Films du Carrosse, 1960, released in the United States by Merlyn, 1962; Les Godelureaux, 1961; Les Menteurs (also known as The Liars), Mediterranee Cinema, 1961, released in the United States by Shawn International/Ellis, 1964; "L'Avarice" in Les Sept peches capitaux (also known as Seven Capital Sins and I sette pecati capitali), Gibe/ Franco-London/Titanus, 1962, released in the United States by Embassy, 1962; Les Durs a cuire, 1964; Marie-Chantal contre le Docteur Kha (also known as Marie Chantal against Dr. Kha), Rome-Paris Films/Dia/Mega and Magreb Unifilm, 1965; Le Tigre se parfume a la dynamite (also known as An Orchid for the Tiger and The Tiger Uses Dynamite for Perfume), 1965; Brigitte et Brigitte, 1965; Zoe bonne, 1966; La Femme ecarlate, 1968; Et crad, 1969; Version Latine, 1969; Le Travail, 1969; La Rupture (also known as Le Jour des parques and The Breakup), Films la Boetie/Euro International/Cinevog, 1970; Sortie de secours, Adel Productions, 1970; Aussi loin que Vamour (also known as As Far as Love Can Go), Columbia, 1971; Un Meurtre est un meurtre (also known as A Murder Is a Murder), Planfilm, 1972; Le Flipping, 1973; Les Folies d'Elodie (also known as The Naughty Blue Knickers), New Realm Distributors, 1981; Suivez mon regard (also known as Follow My Gaze), Union General Cinematographique/ World Marketing, 1985; Sale destin! (also known as Rotten Fate!), Allied Artists, 1987.

RELATED CAREER—Nightclub performer, 1963-68; actor in U.S. Army training films; actor in television commercials. NON-RELATED CAREER—Copyboy, Time magazine, New York City, 1960. WRITINGS: TELEVISION—Series: Staff writer, The Tonight Show, NBC, 1960-62; staff writer, The Merv Griffin Show, NBC, 196263; staff writer, The Jerry Lewis Show, ABC, 1963; The Dick CavettShow, CBS, 1975. OTHER—(With Christopher Porterfield) Cavett (autobiography), Harcourt, 1974; (with Porterfield) Eye on Cavett (autobiography), Arbor House, 1983; also contributor to such magazines as Newsweek, Film Comment, and U.S. News and World Report. A WARDS: Emmy Awards, Best Talk Show, 1969, 1972, and 1974, all for The Dick Cavett Show. ADDRESSES: OFFICE—Daphne Productions, 1 W. 67th Street, New York, NY 10023. AGENTS—Jerry Hogan, Henderson/Hogan Associates, 200 W. 57th Street, New York, NY 10019; William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

CHABROL, Claude

CHABROL

1930-

PERSONAL: Born June 24, 1930, in Paris, France; son of Yves and Madeleine (Delarbre) Chabrol; married Agnes Marie-Madeleine Goute, June 26, 1952 (divorced); married Stephane Audran (an actress), December 4, 1964; children: Jean-Yves, Mathieu (first marriage); Thomas (second marriage). EDUCATION—Received licencie es lettres from the Sorbonne.

FIRST FILM WORK—Producer and director, Le Beau Serge (also known as Bitter Reunion and Handsome Serge), Ajym Films, 1958, released in the United States by United Motion Picture, 1959. PRINCIPAL FILM WORK—All as director unless indicated: (Also producer) Les Cousins (also known as The Cousins), Ajym Films/ Societe Francaise de Cinema, 1958, released in the United States by Films-Around-the-World, 1959; A double tour (also known as Doppa mandata, Web of Passion, and Leda), Paris-Titanus, 1960, released in the United States by Times, 1961; art director and technical advisor, A bout de souffle (also known as Breathless), Societe Nouvelle de Cinema, 1960, released in the United States by Films-around-the-World, 1961; Les Bonnes Femmes, Rome-Paris Films, 1960, released in the United States by Harold Cornsweet, 1966; L'Oeil du malin (also known as The Third Lover), RomeParis Films, 1962, released in the United States by Atlantic, 1963; "L'Avarice" in Les Sept peches capitaux (also known as Seven Capital Sins and I sette pecati capitali), Gibe/Franco-London/ Titanus, 1962, released in the United States by Embassy, 1963; Landru (also known as Bluebeard), Rome-Paris Films, 1963, released in the United States by Embassy, 1963; Ophelia, Boreal Film, 1963, released in the United States by Trans-Lux Distributing, 1964.

VOCATION: Director and writer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, Macbeth, Theatre Recamier, Paris, France, 1964. PRINCIPAL FILM APPEARANCES—The Husband, "La Muette" in Paris vu par . . . (also known as Six in Paris), Les Films du Losange, 1965, released in the United States by New Yorker, 1968; Alcibiades, La Route de Corinthe (also known as Who's Got the Black Box? and The Road to Corinth), Films la Boetie, 1967, released in the United States by RAF, 1970; the Filmmaker, Les Biches (also known as The Heterosexuals, The Does, and The Girlfriends), Films la Boetie/Alexandra, 1968, released in the United States by Jack H. Harris, 1968; man in publisher's office, Folies bourgeoises (also known as The Twist and Twist), Union Generale Cinematographique/Parafrance, 1976; metteur en scene, L'Animal, Roissy/AMLF, 1977; Theodore Lyssenko, Po/ar, Films Noirs, 1982; Louis Crepin, Les Voleurs de la nuit (also known as 81

CHAPMAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

"Paris" in Les Plus belles escroqueries du monde (also known as The Beautiful Swindlers and The World's Greatest Swindles}, 1964, released in the United States by Ellis/Continental Distributing, 1967; Marie-Chantal centre le Docteur Kha (also known as Marie Chantal Against Dr. Kha), Rome-Paris Films/Dia/Mega and Magreb Unifilm, 1965; La Ligne de demarcation (also known as The Line of Demarcation), Rome-Paris Films/Societe Nouvelle de Cinema, 1966; "La Muette" in Paris vupar. . . (also known as Six in Paris), Les Films du Losange, 1965, released in the United States by New Yorker, 1968; Le Scandale (also known as The Champagne Murders), Universal France, 1967, released in the United States by Universal, 1968; La Route de Corinthe (also known as Who's Got the Black Box? and The Road to Corinth), Films la Boetie, 1967, released in the United States by RAF, 1970; Les Biches (also known as The Heterosexuals, The Does, and The Girlfriends), Films la Boetie/Alexandra, 1968, released in the United States by Jack H. Harris, 1968; La Femme infidele (also known as The Unfaithful Wife), Films la Boetie/Cinegai, 1969, released in the United States by Allied Artists, 1969; Que la bete meure (also known as This Man Must Die, Killer!, and Uccidero un uomo), Films la Boetie/Rizzoli, 1969, released in the United States by Allied Artists, 1970.

1966; technical advisor, Piege a pucelles, 1972; The Bench of Desolation (short film), 1974; Les Magiciens (also known as Initiation a la morte and Profezia di un delitto), 1975. PRINCIPAL TELEVISION WORK—All as director. Episodic: "Monsieur Bebe," "Nul n'est parfait," "Une invitation a la chasse," and "Les Gens de 1'ete," all Histoires insolites, 1974; "De Grey" and "Le Bane de la desolation," both Henry James, \914;Madame lejuge, 1978. Movies: The Blood of Others, HBO, 1984. RELATED CAREER—Film critic, Cahiers du Cinema, 1953-57; public relations director, Twentieth Century-Fox, Paris, 1955; president, Ajym Films (a production company), 1956-61. WRITINGS: See production details above. FILM—Le Beau Serge, 1958; (with Paul Gegauff) Les Cousins, 1958; Le Coup de berger, 1959; (with Gegauff) Les Bonnes Femmes, 1960; (co-adaptor) Les Godelureaux, 1961; L' Oeil du malin, 1961; (with Francoise Sagan) Landru, 1962, published by Julliard, 1963; (with Gegauff) Ophelia, 1963; (with Christian Yves) Marie-Chantal contre le Doctre Kha, 1965; (with Colonel Remy and Daniel Boulanger) La Ligne de demarcation, 1966; "La Muette" in Paris vu par . . ., 1965; (with Gegauff) Les Biches, 1968; La Femme infidel, 1969; (with Gegauff) Que la bete muere, 1969; La Rupture, 1970; Le Boucher, 1970; Juste avant la nuit, 1971; (song only) Docteur Popaul, 1972; Les Noces rouges, 1973, published by Seghers, 1973; (with JeanPatrick Manchette) Nada, 1974; (with Jean-Patrick Manchette) Les innocents aux mains sales, 1975; (with Ennio DeConcini, Maria Piafusto, and Norman Enfield) Folies bourgeoises, 1976; Alice, ou la derniere fugue, 1976; (with R. Sidney) Les Liens de sang, 1977; (with Daniel Boulanger) Le Cheval d'orgueil, 1979; Les Fantomes du chapelier, 1982; (with Dominique Roulet) Poulet au vinaigre, 1985; (with Roulet) Inspecteur Lavardin, 1986; (with Odile Barski) Le Cri du hibou, 1987; (with Barski), Masques, 1987; (with Colo Tavernier O'Hagan) Une Affaire de femmes, 1988; (adaptor) Dr. M., Cori Film Distributors, 1990.

La Rupture (also known as Le Jour desparques and The Breakup), Films la Boetie/Euro International/Cinevog, 1970; Le Boucher (also known as The Butcher), Films la Boetie/Euro International, 1970, released in the United States by Cinerama, 1971; technical advisor, Eglantine, CFDC/Union Generale Cinematographique, 1971; La Decadeprodigieuse (also known as Ten Days' Wonder), Films la Boetie, 1971, released in the United States by LevittPickman, 1972; Juste avant la nuit (also known as Just Before Nightfall), Films la Boetie/Columbia/Cinegai, 1971, released in the United States by Libra, 1975; Docteur Popaul (also known as Scoundrel in White, High Heels, and Doctor Popaul), CIC, 1972; Les Noces rouges (also known as Wedding in Blood and Red Wedding Night), Films la Boetie/Canaria Films, 1973, released in the United States by CIC, 1974; Une Partie deplaisir (also known as A Piece of Pleasure, Pleasure Party, and Love Match), Artificial Eye/Films la Boetie, 1974; Nada (also known as The Nada Gang), Films la Boetie/Italian International Film, 1974, released in the United States by New Line Cinema, 1974; Les Innocents aux mains sales (also known as Dirty Hands and Innocents with Dirty Hands), Films la Boetie/New Line Cinema, 1975; Folies bourgeoises (also known as The Twist and Twist), Union General Cinematographique/ Parafrance, 1976; Alice, ou la derniere fugue (also known as Alice, or the Last Escapade), Filmel/PHPG, 1976; Les Liens de sang (also known as Blood Relatives and Blood Ties), Societe nouvelle de cinema, 1977; VioletteNoziere (also known as Violette), Gaumont/ New Yorker, 1978; Le Cheval d'orgeuil (also known as Horse of Pride and The Proud Ones), Planfilm, 1979.

OTHER—Nonfiction: (With Eric Rohmer) Hitchcock, Editions Universitaires, 1957, translated by Stanley Hochman as Hitchcock: The First Forty-Four Films, Ungar, 1979; Le Recit feminin: Contribution a V analyse semiologique du courrier du coeur et des entrevues ou ' 'enquetes ' sur la femme dans la presse feminine actuelle, Mouton, 1971; (with Louis Marin) Le Recit evangelique, Aubier Montaigne, 1974, translated by Alfred M. Johnson, Jr. as The Gospel Narrative, Pickwick, 1980. AWARDS: Grand Prize from the Locarno Film Festival, 1958, for Le Beau Serge; Golden Bear Award from the Berlin Film Festival, 1959, for Les Cousins. ADDRESSES: OFFICE—15 Quai Conti, 75006 Paris, France.*

Les Fantomes du chapelier (also known as The Hatter's Ghost and The Hatmaker), Gaumont, 1982; Poulet au vinaigre (also known as Cop au vin), MK2/Virgin Vision, 1985; Inspecteur Lavardin, MK2/Artificial Eye, 1986; Le Cri du hibou (also known as The Cry of the Owl), United International, 1987; Masques (also known as Masks), Cannon Releasing/MK2, 1987; Une Affaire de femmes (also known as Story of Women, Women's Affairs, and Women's Business), MK2, 1988, released in the United States by New Yorker, 1989; Dr. M., Cori Film Distributors, 1990. Also director unless indicated: Les Godelureaux, 1961; supervisor, Pies v dezju (also known as Dance in the Rain), 1961; Le Tigre aime la chair fraiche (also known as The Tiger Likes Fresh Blood}, 1964; (linking sequences only) La Chance et I'amour, 1964; Le Tigre separfume a la dynamite (also known as An Orchid for the Tiger and The Tiger Uses Dynamite for Perfume), 1965; technical advisor, Happening,

CHAPMAN, Graham

1941-1989

PERSONAL: Born January 8, 1941, in Leicester, England; died of cancer, October 4, 1989, in Maidstone, England; son of Walter (a policeman) and Edith (Towers) Chapman; children: one son. EDUCATION—Cambridge University, M.A., 1962; St. Bartholomew's Hospital Medical School, M.B., B.Ch., 1966. VOCATION: Actor and writer.

82

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 CHAPMAN

and Kevin Billington) The Rise and Rise of Michael Rimmer, 1970; (with Bob Larbey, John Esmonde, Dave Freeman, and Barry Cryer) The Magnificent Seven Deadly Sins, Tigon, 1971; (with Monty Python [John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin]) And Now for Something Completely Different, 1972; (with Cleese) Rentadick, Virgin, 1972; (with Monty Python) Monty Python and the Holy Grail, 1975, published by Methuen, 1977, and as Monty Python's Second Film: A First Draft, Methuen, 1977; (with Bernard McKenna) The Odd Job, 1978; (with Monty Python) Monty Python s Life of Brian, 1979, published in Monty Python s Life of Brian (of Nazareth) [and] Montypythonscrapbook, Grosset, 1979; (with Monty Python) Monty Python Live at the Hollywood Bowl, 1982; (with Cook and McKenna) Yellowbeard, 1983; (with Monty Python) Monty Python's The Meaning of Life, 1983, published by Methuen, 1983.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Ensemble, Cambridge Circus (revue), Plymouth Theatre, then Square East Theatre, both New York City, 1964; various roles, Monty Python's First Farewell Tour, Drury Lane Theatre, London, 1974; various roles, Monty Python Live!, City Center Theatre, New York City, 1976; various roles, Monty Python Live at the Hollywood Bowl, Hollywood Bowl, Hollywood, CA, 1980. MAJOR TOURS—As a member of the comedy troupe Monty Python (with John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin), appeared in concert tours of U.S., U.K., and Canadian cities during the 1970s. PRINCIPAL FILM APPEARANCES—Roddy, Doctor in Trouble, Rank, 1970; Oxford stroke, The Magic Christian, Commonwealth, 1970; Fromage, The Rise and Rise of Michael Rimmer, Warner Brothers, 1970; news reader, The Statue, Cinerama, 1971; various roles, And Now for Something Completely Different, Columbia, 1972; King Arthur and various roles, Monty Python and the Holy Grail, Cinema V, 1975; Arthur Harris, The Odd Job, Columbia, 1978; Brian and various roles, Monty Python s Life of Brian (also known as The Life of Brian), Warner Brothers/Orion, 1979; various roles, Monty Python Live at the Hollywood Bowl, Columbia, 1982; title role, Yellowbeard, Orion, 1983; various roles, Monty Python's The Meaning of Life, Universal, 1983. Also appeared in Who's There (short film), 1971; Pleasure at Her Majesty's, Roger Graef, 1978; The Secret Policeman's Other Ball, United International/ Almi Cinema V, 1982.

TELEVISION—Series: The Frost Report, BBC, 1965-67; (with Cleese) At Last, the 1948 Show, BBC, 1966-67; Do Not Adjust Your Set, BBC, 1968; (with Cleese) Marty, BBC, 1968; (with Monty Python) Monty Python's Flying Circus, BBC, 1969-74. Pilots: Jake's Journey, CBS, 1988. Episodic: Doctor in the House, BBC, then syndicated, 1971; also No, That's Me Over There, BBC; Mum's the Word, BBC. Movies: (With Monty Python) Pythons in Deutschland, 1971. Specials: (With Cleese) Broaden Your Mind, 1969; (with others) That Was the Week That Was, ABC, 1985. OTHER—A Liar's Autobiography: Volume VI (autobiography), Methuen, 1980; (contributor) The Courage to Change: Personal Conversations About Alcoholism, Houghton Mifflin, 1984. With Monty Python: Monty Python's Big Red Book, edited by Eric Idle, published by Methuen, 1972, then Warner Books, 1975, and in The Complete Works of Shakespeare and Monty Python, Methuen, 1981; The Brand New Monty Python Book, edited by Idle, published by Methuen, 1973, then as The Brand New Monty Python Papperbok, Methuen, 1974, and in The Complete Works of Shakespeare and Monty Python, 1981; Monty Python's Life of Brian (of Nazareth) [and] Monty pythonscrapbook, Grosset, 1979.

PRINCIPAL FILM WORK—Producer (with Mark Forstater), The Odd Job, Columbia, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, At Last, the 1948 Show, BBC, 1966-67; regular, Monty Python s Flying Circus, BBC, 1969-74, then PBS, 1974-82; regular, The Big Show, NBC, 1980. Pilots: George, Jake's Journey, CBS, 1988. Episodic: The Ed Sullivan Show, CBS. Movies: Various roles, Pythons in Deutschland, Bavaria Atelier, 1971; Inspector Palmer, Still Crazy Like a Fox, CBS, 1987. Specials: Host, The Dangerous Film Club, HBO, 1987; 20 Years of Monty Python, Parrot Sketch Not Included, BBC-1, 1989.

RECORDINGS: ALBUMS—With Monty Python: Monty Python's Flying Circus, BBC Records, 1969; Another Monty Python Record, Charisma, 1970; Monty Python's Previous Record, Charisma, 1972; Monty Python's Matching Tie and Handkerchief, Charisma, 1973, then Arista, 1975; Monty Python Live at Drury Lane, Charisma, 1974; The Album of the Soundtrack of the Trailer of the Film "Monty Python and the Holy Grail," Arista, 1975; Monty Python Live at City Center, Arista, 1976; Monty Python's Instant Record Collection, Charisma, 1977; Monty Python's Life of Brian, Warner Brothers, 1979; Monty Python s Contractual Obligation Album, Arista, 1980; Monty Python s The Meaning of 'Life, Columbia, 1983.

PRINCIPAL TELEVISION WORK—Pilots: Producer, Jake's Journey, CBS, 1988. RELATED CAREER—Member, Monty Python (a comedy troupe), 1969-89; co-founder and director, Python (Monty) Pictures Ltd., Python Productions Ltd., Kay-Gee-Bee Music Ltd., Sea Goat Productions Ltd., and Oversea Goats Ltd. NON-RELATED CAREER—Physician.

TAPED READINGS—A Liar's Autobiography, Dove Books on Tape, 1989.

WRITINGS: See production details above. STAGE—Cambridge Circus, 1964; Monty Python's First Farewell Tour, 1974; Monty Python Live!, 1976; Monty Python Live at the Hollywood Bowl, 1980.

AWARDS: (With Monty Python) Golden Palm Award from the Cannes Film Festival, 1983, for Monty Python's The Meaning of Life. OBITUARIES AND OTHER SOURCES: Contemporary Authors, Vol. 116, Gale, 1986; Hollywood Reporter, October 5, 1989; New York Times, October 5, 1989; Variety, October 11-17, 1989.*

FILM—(With Joseph McGrath, Terry Southern, Peter Sellers, and John Cleese) The Magic Christian, 1970; (with Cleese, Peter Cook, 83

CHAPMAN CHAPMAN, Michael

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1935-

PRINCIPAL FILM APPEARANCES—Cay Rivvers, Desert Hearts, Samuel Goldwyn, 1985; Mrs. Sherman, Manhunter, De Laurentiis Entertainment Group, 1986; Anna, Call Me, Vestron, 1988; Susan Cantrell, Shakedown (also known as Blue Jean Cop), Universal, 1988; Dana Martin, Brain Dead, Concorde, 1990; also appeared in Stalking Danger, Vidmark Entertainment, 1986.

PERSONAL: Born November 21, 1935, in New York, NY; married Amy Jones (a film editor and director). VOCATION: Cinematographer and director.

PRINCIPAL TELEVISION APPEARANCES—Series: Inga Thorson, Crime Story, NBC, 1986-87. Pilots: Nikki Blake, C.A.T. Squad, NBC, 1986; Officer Dakota Goldstein, Dakota's Way, ABC, 1988. Episodic: Linda Shannon, Spenser: For Hire, ABC, 1987; Sally Stevens, The Equalizer, CBS, 1987; Carole Bernstein, Wiseguy, CBS, 1989; Lucille Benoit, UNSUB, NBC, 1989; MadelineMedford, Matlock, NBC, 1989; Clara, Booker, Fox, 1990. Movies: Kathy Fitzgerald, Disaster at Silo 7, ABC, 1988; Emily Harris, Desperado: Badlands Justice, NBC, 1989.

CAREER: PRINCIPAL FILM APPEARANCES—Taxi driver, The Last Detail, Columbia, 1973; lawyer, Shoot to Kill (also known as Deadly Pursuit), Buena Vista, 1988. PRINCIPAL FILM WORK—Camera operator, End of the Road, Allied Artists, 1970; camera operator, The Landlord, United Artists, 1970; camera operator, Klute, Warner Brothers, 1971; camera operator, The Godfather, Paramount, 1972; cinematographer, The Last Detail, Columbia, 1973; cinematographer, The White Dawn, Paramount, 1974; cinematographer, The Front, Columbia, 1976; cinematographer, The Next Man, Allied Artists, 1976; cinematographer, Taxi Driver, Columbia, 1976; production assistant, American Boy (documentary; also known as American Boy: A Profile of Steve Prince}, Cinegate, 1977; cinematographer, Invasion of the Body Snatchers, United Artists, 1978; cinematographer, Fingers, Warner Brothers, 1978; cinematographer, The Last Waltz (concert film), Universal, 1978; cinematographer, Hardcore (also known as The Hardcore Life), Columbia, 1979; cinematographer, The Wanderers, Orion, 1979; cinematographer, Raging Bull, United Artists, 1980; cinematographer, Dead Men Don't Wear Plaid, Universal, 1982; cinematographer, Personal Best, Warner Brothers, 1982; director, All the Right Moves, Twentieth Century-Fox, 1983; cinematographer, The Man with Two Brains, Warner Brothers, 1983; director, The Clan of the Cave Bear, Warner Brothers, 1986; cinematographer, The Lost Boys, Warner Brothers, 1987; cinematographer, Scrooged, Paramount, 1988; cinematographer, Shoot to Kill (also known as Deadly Pursuit), Buena Vista, 1988; cinematographer, Ghostbusters II, Columbia, 1989.

ADDRESSES: AGENT—Steve Dontanville, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

CHAVES, Richard

1951-

PERSONAL: Born October 9, 1951, in Jacksonville, FL; father, a U.S. Marine Corps officer and drug enforcement agent. EDUCATION—Attended Occidental College; studied acting at the Film Actors' Workshop, 1976-80. MILITARY—U.S. Army, 1970-73. VOCATION: Actor and playwright. CAREER: OFF-BROADWAY DEBUT—Tracers, 1985. PRINCIPAL STAGE APPEARANCES—Tracers, Los Angeles, 1980; also appeared in productions of Tracers in Chicago and London, and in Vietnam Trilogy.

PRINCIPAL TELEVISION WORK—Mini-Series: Cinematographer, King, NBC, 1978. Movies: Cinematographer, Death Be Not Proud, ABC, \915', director, The Annihilator, NBC, 1986; cinematographer, Gotham (also known as The Dead Cant Lie), Showtime, 1988. Specials: Cinematographer, Steve Martin: Comedy Is Not Pretty, NBC, 1980.

PRINCIPAL FILM APPEARANCES—Badman, Cease Fire, Cineworld, 1985; detective, Witness, Paramount, 1985; Poncho, Predator, Twentieth Century-Fox, 1987; narrator, Dear America (also known as Dear America: Letters Home from Vietnam), HBO Films, 1988.

RELATED CAREER—Worked on documentary films in New York City.

TELEVISION DEBUT—U.S. Marine captain, Eight Is Enough, ABC. PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Colonel Paul Ironhorse, War of the Worlds, syndicated, 198889. Mini-Series: Turkish lieutenant, Onassis: The Richest Man in the World, ABC, 1988. Episodic: Earl, Ohara, ABC, 1988; also Hill Street Blues, NBC; Miami Vice, NBC; Dallas, CBS; St. Elsewhere, NBC. Movies: Nolan Esherman, Penalty Phase, CBS, 1986; Iron Dog, Kenny Rogers as ' 'The Gambler'' III—The Legend Continues, CBS, 1987; also To Heal a Nation, NBC, 1988.

AWARDS: Academy Award nomination, Best Cinematography, 1981, for Raging Bull.*

CHARBONNEAU, Patricia NON-RELATED CAREER—Truck driver, hotel clerk, and postal worker.

VOCATION: Actress.

WRITINGS: STAGE—(With others) Tracers, Los Angeles, 1980.

CAREER: PRINCIPAL STAGE APPEARANCES—My Sister in This House, New Dramatists Inc., New York City, 1980; Arms and the Man, Merrimack Regional Theatre, Lowell, MA, 1983; also appeared with the Actors Theatre of Louisville, Louisville, KY, 198081 and 1982-83.

AWARDS: Los Angeles Drama Critics' Circle Award (with cast), Best Ensemble, 1980, and Theatre World Award, 1985, both for Tracers. 84

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL STAGE WORK—Stage manager, The Subject Was Roses, Royale Theatre, then Winthrop Ames Theatre, later Helen Hayes Theatre, Henry Miller's Theatre, and Belasco Theatre, all New York City, 1964-66.

SIDELIGHTS: RECREATIONS—Golf. ADDRESSES: AGENT—Henderson/Hogan Agency, 247 S. Beverly Drive, Suite 102, Beverly Hills, CA 90212.*

CLARK, Matt

CLARK

PRINCIPAL FILM APPEARANCES—Packy Harrison, In the Heat of the Night, United Artists, 1967; Romulus, Will Penny, Paramount, 1968; Colonel Jellicoe, The Bridge at Remagen, United Artists, 1969; jailer, Macho Callahan, AVCO-Embassy, 1970; Rufus Brady, Monte Walsh, National General, 1970; Bailey, The Grissom Gang, Cinerama, 1971; Smiley, The Cowboys, Warner Brothers, 1972; Pete, The Culpepper Cattle Company, Twentieth CenturyFox, 1972; Bob Younger, The Great Northfield, Minnesota Raid, Universal, 1972; Qualen, Jeremiah Johnson, Warner Brothers, 1972; Nick the Grub, The Life and Times of Judge Roy Bean, National General, 1972; Yardlet, Emperor of the North Pole (also known as Emperor of the North), Twentieth Century-Fox, 1973; coroner, The Laughing Policeman (also known as An Investigation of Murder), Twentieth Century-Fox, 1973; Deputy J.W. Bell, Pat Garrett and Billy the Kid, Metro-Goldwyn-Mayer, 1973; Dude Watson, White Lightning (also known as McKlusky), United Artists, 1973; Gerhard, The Terminal Man, Warner Brothers, 1974.

1936-

PERSONAL: Born November 25, 1936, in Washington, DC; son of Frederick William (a carpenter) and Theresa (a teacher; maiden name, Castello) Clark; married Erica Lann (an artist), 1958, (divorced, 1966); children: Matthias, Jason, Seth, Amiee. VOCATION: Actor and director. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Stephen Dedalus, A Portrait of the Artist As a Young Man, Martinique Theatre, New York City, 1963; Timmy Cleary (understudy), The Subject Was Roses, Royale Theatre, then Winthrop Ames Theatre, later Helen Hayes Theatre, Henry Miller's Theatre, and Belasco Theatre, all New York City, 1964-66; also appeared in The Trial of the Catonsville Nine, Center Theatre Group, New Theatre for Now, Los Angeles, 1970; One Flew Over the Cuckoo's Nest, Burt Reynold's Jupiter Dinner Theatre, Jupiter, FL; The Connection and Tonight We Improvise, both with the Living Theatre.

Jackson, Hearts of the West (also known as Hollywood Cowboy), Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1975; Billy Bob, Outlaw Blues, Warner Brothers, 1977; Grover, Kid Vengeance, Golan-Globus/Irwin Yablans, 1977; red plainclothesman, The Driver, Twentieth Century-Fox, 1978; Spider, Dreamer, Twentieth Century-Fox, 1979; Purcell, Brubaker, Twentieth Century-Fox, 1980; Tom McCoy, An Eye for an Eye, AVCOEmbassy, 1981; Sheriff Wiatt, The Legend of the Lone Ranger, Associated Film Distribution, 1981; Dwayne, Bustin Loose, Universal, 1981; Virgil, Honkytonk Man, Warner Brothers, 1982; Mickey, Some Kind of Hero, Paramount, 1982; Chuck Winter, Love Letters (also known as My Love Letters), New World, 1983; Secretary of Defense, The Adventures ofBuckaroo Banzi: Across the Eighth Dimension, Twentieth Century-Fox, 1984; Tom McMullen, Country, Buena Vista, 1984; Uncle Henry, Return to Oz, Buena Vista, 1985; Stuart Killer, Tuff Turf, New World, 1985; Walt Clayton, Let's Get Harry, Tri-Star, 1987; Dr. Tower, The Horror Show, MGM/UA, 1989; bartender, Back to the Future III, Universal, 1990; Judge Symes, Class Action, Twentieth CenturyFox, 1990. Also appeared inHonky, JackH. Harris, \91\\Ruckus (also known as The Loner), New World, 1981. PRINCIPAL FILM WORK—Director, Da, FilmDallas, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Arthur Kipling, Dog and Cat, ABC, 1977. Mini-Series: Chief Clark, War and Remembrance, ABC, 1988; Chief Clark, The Winds of War, ABC, 1983. Pilots: Captain Kipling, Dog and Cat, ABC, 1977; Reynolds, Lacy and the Mississippi Queen, NBC, 1978; Dan O'Keefe, The Big Easy, NBC, 1982; Wolfe Crawley, Highway Honeys, NBC, 1983; Matt, Traveling Man (broadcast as an episode of CBS Summer Playhouse), CBS, 1987. Episodic: Dale Cutler, Hardcastle and McCormick, ABC, 1985; Peter Holden, Midnight Caller, NBC, 1989. Movies: Dunn, The Execution of Private Slovik, NBC, 1974; Georgie, The Great Ice Rip-Off, ABC, 1974; Charles Parimetter, Melvin Purvis: G-Man (also known as The Legend of Machine Gun Kelly), ABC, 1974; Buffalo Bill Cody, This Is the West That Was, NBC, 1974; Verne Miller, The Kansas City Massacre, ABC, 1975; George Newcombe, The Last Ride of the Dalton Gang, NBC, 1979; Bill Westbrook, The Children Nobody Wanted, CBS, 1981; Mike Raines, In the Custody of

MATT CLARK

85

CLARKE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Strangers, ABC, 1982; Fennie Groda, Love, Mary, CBS, 1985; John Hubbard, Out of the Darkness, CBS, 1985; Doc Shabitt, The Quick and the Dead, HBO, 1987; Sergeant Grinder, Kenny Rogers as ' 'The Gambler'' III—The Legend Continues (also known as The Gambler ///), CBS, 1987; Jim Warren, Terror on Highway 91, CBS, 1989; also Lieutenant Shapper, Blind Witness. Specials: Phil Cranston, "Andrea's Story: A Hitchhiking Tragedy" (also known as "A Hitchhiking Tragedy"), ABC Afterschool Specials, ABC, 1983; pawnshop clerk, "Gambler," CBS Schoolbreak Special, CBS, 1988.

lighting, ABC, 1987. Movies: Virginia, The Mayflower Madam, CBS, 1987. ADDRESSES: AGENTS—Paul Martino and Sheila Robinson, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

PRINCIPAL TELEVISION WORK—Episodic: Director, Midnight Caller, NBC, 1989. Specials: Director, "My Dissident Mom," CBS Schoolbreak Special, CBS, 1987.

CLENNON, David

WRITINGS: FILM—(With Claude Harz) Homer, National General, 1970.

CAREER: PRINCIPAL STAGE APPEARANCES—Messenger to King John, King John and Martius, Titus Andronicus, both New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1967; Kid, The Unseen Hand and Emmett, Forensic and the Navigators (double-bill), Astor Place Theatre, New York City, 1970; Oliver, As You Like It, NYSF, Delacorte Theatre, 1973; boy, Welcome to Andromeda and narrator, Variety Obit (double-bill), Cherry Lane Theatre, New York City, 1973; Alfred Allmers, Little Eyolf, Manhattan Theatre Club, New York City, 1974; doctor, Medal of Honor Rag, Folger Theatre Group, Washington, DC, then Theatre De Lys, New York City, both 1976; Pyotr Sergeyevich Trofimov, The Cherry Orchard, NYSF, Vivian Beaumont Theatre, New York City, 1977; Jeremy M., Talking Things Over with Chekov, Victory Theatre, Hollywood, CA, 1987. Also appeared in "The Golden Goose" in Story Theatre, Yale Repertory Theatre, New Haven, CT, 1968; The Blood Knot, Long Wharf Theatre, New

VOCATION: Actor.

ADDRESSES: AGENT—The Kohner Agency, 9169 Sunset Boulevard, Los Angeles, CA 90069.

CLARKE, Caitlin

1952-

PERSONAL: Born May 3, 1952, in Pittsburgh, PA. EDUCATION— Graduated from Mt. Holyoke College and Yale University. VOCATION: Actress. CAREER: BROADWAY DEBUT—Title role, Teaneck Tanzi: The Venus Flytrap, Nederlander Theatre, 1983. PRINCIPAL STAGE APPEARANCES—Ilona and secretary, No End of Blame, Manhattan Theatre Club Downstage, New York City, 1982; Anita Manchip, Quartermaine's Terms, Playhouse 91, New York City, 1983; Ann, Summer, Manhattan Theatre Club Downstage, 1983; Jo, Thin Ice, WPA Theatre, New York City, 1984; Isabelle Rimbaud, Total Eclipse, Westside Arts Theatre, New York City, 1984; Madeline Arnold, Strange Interlude, Nederlander Theatre, New York City, 1985; Louka, Arms and the Man and Cherubino, The Marriage of Figaro, both Circle in the Square, New York City, 1985; Liz Morden, Our Country's Good, Center Theatre Group, Mark Taper Forum, Los Angeles, 1989. Also appeared in Othello, New York Shakespeare Festival, Delacorte Theatre, New York City, 1979; Bal, Chicago Theatre Group, Goodman Theatre, Chicago, IL, 1979; Summer Vacation Madness, Tyrone Guthrie Theatre, Minneapolis, MN, 1982; Not Quite Jerusalem, Long Wharf Theatre, New Haven, CT, 1983; with Arena Stage, Washington, DC, 1979-80; and in Lorenzaccio. PRINCIPAL FILM APPEARANCES—Valerian, Dragonslayer, Paramount, 1981; Simone, Crocodile Dundee, Paramount, 1986; Sharon, The Kid Brother, Kinema Amerika/Yoshimura/Gagnon Toho, l981;C2Lr\otta,PennandTeller Get Killed, Warner Brothers, 1989; Sharon, The Big Picture, Columbia, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Emma Greely, Once a Hero, ABC, 1987. Pilots: Emma Greely, Once a Hero, ABC, 1987; Jessica Hildy, The Saint (broadcast as an episode of CBS Summer Playhouse), CBS, 1987. Episodic: Elaine, Moon-

DAVID CLENNON

86

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

COLE

CAREER: BROADWAY DEBUT—Second Lieutenant Edward Millington, Conduct Unbecoming, Ethel Barry more Theatre, 1970. PRINCIPAL STAGE APPEARANCES—Sir Henry Green, Richard II and groom, Macbeth, both National Theatre Company, Old Vic Theatre, London, 1972; Clitandre, The Misanthrope, National Theatre Company, Old Vic Theatre, 1973. Also appeared in Pump Boys and Dinettes, Piccadilly Theatre, London, 1985.

Haven, CT, 1970; Loot, Hartford Stage Company, Hartford, CT, 1972; MaratlSade, Actors' Theatre of Louisville, Louisville, KY, 1972; The Seagull Long Wharf Theatre, 1974; Tales from the Vienna Woods and Mistaken Identities, both Yale Repertory Theatre, 1978; S.S. Glencairn, Long Wharf Theatre, 1978; Beyond Therapy, Los Angeles Public Theatre, Los Angeles, 1983; Operation Sidewinder and Rosencrantz and Guildenstern Are Dead, both Williamstown Theatre Festival, Williamstown, MA.

PRINCIPAL FILM APPEARANCES—Monty, The Great St. Trinians Train Robbery, Bray wild/British Lion, 1966; Nick Topping, Silver Bears, Columbia, 1978; Tipping, Efolkes (also known as North Sea Hijack and Assault Force], Universal, 1980; Teddy Barrington, Invitation to the Wedding, New Realm Distributors Ltd., 1983.

PRINCIPAL FILM APPEARANCES—Toombs, The Paper Chase, Twentieth Century-Fox, 1973; Tim, Coming Home, United Artists, 1977; Captain, The Greatest, Columbia, 1977; Lieutenant Finley Wattsberg, Go Tell the Spartans, AVCO-Embassy, 1978; social worker, Billy in the Lowlands, FIF Inc., 1978; psychiatrist, On the Yard, Midwest Film, 1978; Thomas Franklin, Being There, United Artists, 1979; Richard Fieldston, Hide in Plain Sight, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1980; Dave Robell, Ladies and Gentlemen, the Fabulous Stains, Paramount, 1981; Consul Phil Putnam, Missing, Universal, 1981;Geb,Star50, Warner Brothers, 1982; Palmer, The Thing, Universal, 1982; newspaper editor, The Escape Artist, Orion/Warner Brothers, 1982; liaison man, The Right Stuff, Warner Brothers, 1983; Amnon, Hannah K., Universal, 1983; Brian Gilmore, Falling in Love, Paramount, 1984; Randy Hughes, Sweet Dreams, Tri-Star, 1985; Lars, The Trouble with Dick, Prolix, 1986; Blanchard, Legal Eagles, Universal, 1986; Mason Mogan, He's My Girl, Scotti Brothers, 1987; Lawrence Baird, The Couch Trip, Orion, 1988; Jack Carpenter, Betrayed, MGM/UA, 1988. Also appeared in Gray Lady Down, Universal, 1977.

PRINCIPAL TELEVISION APPEARANCES—Series: Gessler, Crossbow, Family Channel, 1987—, then as William Tell, ITV, 1988—. MiniSeries: Edward, Moll Flanders, BBC, 1975, then PBS, 1980; Gerard, The Pallisers, PBS, 1977; David Postgate, Campaign, BBC, then Dramaworks, Arts and Entertainment, both 1988; also Charles I, "By the Sword Divided," Masterpiece Theatre, PBS; The Way We Live Now, BBC. Episodic: The Dick Van Dyke Show, CBS, 1965; Batman, ABC, 1966; Tales of the Unexpected, NBC, 1977; also The Patty Duke Show, ABC; Hullabaloo, NBC; The Beverly Hillbillies, CBS; My Three Sons, CBS. Movies: Andrew Parker-Bowles, Charles and Diana: A Royal Love Story, ABC, 1982. Specials: The Julie London Special, syndicated, 1968; Algernon Moncrieff, The Importance of Being Earnest, London Weekend Television, then PBS, 1985. RELATED CAREER—Member of the singing duo Chad and Jeremy (with Chad Stuart), 1963-69, reformed briefly in 1982.

PRINCIPAL TELEVISION APPEARANCES—Series: Jeff O'Neal, Park Place, CBS, 1981. Pilots: Peter Karpf, Crime Club, CBS, 1975; David, Marriage Is Alive and Well, NBC, 1980; Steve Rawlin, Reward, ABC, 1980; Lester Brotman, First Time, Second Time, CBS, 1980; also Panic in Echo Park, NBC, 1977. Episodic: John Tate, Alfred Hitchcock Presents, NBC, 1985; Harold Bell, Sledge Hammer!, ABC, 1987; Cullen, Beauty and the Beast, CBS, 1988; Wilton Tibbies, Murder, She Wrote, CBS, 1988; Miles Drentell, thirty something, ABC, 1989 (three episodes); Mitch Duprete, Almost Grown, CBS, 1989; also Barney Miller, ABC, 1977-81 (four episodes). Movies: Tom Trimpin, The Migrants, CBS, 1974; Harry Jones, Helter Skelter, CBS, 1976; James Fitzpatrick, Gideon's Trumpet, CBS, 1980; Dr. Bruce Lyman, Special Bulletin, NBC, 1983; Reverend Werner, Best Kept Secrets, ABC, 1984; Phillip Murray, Blood and Orchids, CBS, 1986; U.S. Attorney Richard Schultz, Conspiracy: The Trial of the Chicago 8, HBO, 1987; also The Day the Bubble Burst, NBC, 1982. Specials: Medvedenko, "The Seagull," Theatre in America, PBS, 1975.

RECORDINGS: ALBUMS—With Chad and Jeremy: Yesterday s Gone, World Artists, 1965; Before and After, Columbia, 1965; also The Best of Chad and Jeremy, Capitol; Cabbages and Kings; The Arc; I Don't Want to Lose You Baby. SIDELIGHTS: FAVORITE ROLES—Charles I in By the Sword Divided. RECREATIONS—Horseback riding. ADDRESSES: AGENT—Joy Jameson Ltd., 7 W. Eaton Place Mews, London SW1X SLY, England.*

COLE, Elizabeth See ASHLEY, Elizabeth

ADDRESSES: AGENT—Smith-Freedman and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211.*

COLE, Gary CLYDE, Jeremy 1941-

PERSONAL: Born September 20, in Park Ridge, IL. EDUCATION—Studied theatre at Illinois State University.

PERSONAL: Born March 22, 1941, in Dorney, England; children: two. EDUCATION—Attended Grenoble University.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Austin, True West, Cherry Lane Theatre, New York City, 1983; Captain Marvin

VOCATION: Actor and singer. 87

COLE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Holahan, Landscape of the Body, Goodman Theatre, Chicago, IL, 1987; also appeared in Gardenia, Goodman Theatre, 1982.

PRINCIPAL FILM APPEARANCES—Jane Adcox, Heroes, Universal, 1977; Corinne, Coming Home, United Artists, 1978; Jesse Keller, Some Kind of Hero, Paramount, 1982; Elizabeth Grimes, Go Tell It on the Mountain, Learning in Focus, 1984; Mrs. Newton, Big Shots, Twentieth Century-Fox, 1987.

PRINCIPAL FILM APPEARANCES—Assistant coach, Lucas, Twentieth Century-Fox, 1986.

PRINCIPAL TELEVISION APPEARANCES—Series: Ms. Harrison, Szysznyk, CBS, 1977-78; Blanche Nesbitt, Report to Murphy, CBS, 1982; also Deborah Mehren, The Guiding Light, CBS. MiniSeries: Mathilda, Roots, ABC, 1977; Maggie Rogers, Backstairs at the White House, NBC, 1979; Maum Sally, North and South, ABC, 1985. Pilots: Sarah Brookford, Fly Away Home, ABC, 1981. Episodic: Aunt Nanny, "The Fig Tree," WonderWorks, PBS, 1987; Ruth, A Man Called Hawk, ABC, 1989; judge, L.A. Law, NBC, 1990; also Police Woman, NBC, 1975. Movies: Betty Williams, Children of Divorce, NBC, 1980; Victorine, Mistress of Paradise, ABC, 1981; Ruth Walters, Something About Amelia, ABC, 1984; Miss Sophie, The Women of Brewster Place, ABC, 1989. Specials: ABC's Silver Anniversary Celebration: 25 Years and Still the One, ABC, 1978; Variety '77—The Year in Entertainment, CBS, 1978; teacher, When, Jenny? When?, syndicated, 1980.

PRINCIPAL TELEVISION APPEARANCES—Series: Jack Killian, Midnight Caller, NBC, 1988—. Pilots: Gordon, After Midnight, ABC, 1988. Episodic: Man with a Christmas tree, "A Matter of Principle," American Playhouse, PBS, 1984; Daniel Gaddis, "Her Pilgrim Soul," The Twilight Zone, CBS, 1985; Chris Sykes, Jack and Mike, ABC, 1986; Alan, Moonlighting, ABC, 1987; Jackson, Miami Vice, NBC, 1987. Movies: Lee, Heart of Steel, ABC, 1983; Jeffrey MacDonald, Fatal Vision, NBC, 1984; Manny, First Steps, CBS, 1985; Dr. David Hayward, Vital Signs, CBS, 1986; Detective Jack Holtz, Echoes in the Darkness, CBS, 1987; Scott Grimes, Those She Left Behind (also known as Daddy), NBC, 1987. RELATED CAREER—Co-founder and member, Remains Theatre, 1979-86; resident company member, Goodman Theatre, Chicago, IL, 1985; actor with the Steppenwolf Theatre Company, Chicago. NON-RELATED CAREER—Bartender and house painter.

AWARDS: Emmy Award, Outstanding Single Performance By a Supporting Actress in a Comedy or Drama Series, 1977, for Roots; NAACP Image Award; Ira Aldridge Award from the Roxbury Outreach Shakespeare Experience.

ADDRESSES: AGENT—Alan lezman, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild.

COLE, Olivia

ADDRESSES: AGENT—Century Artists Ltd., 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.

1942-

PERSONAL: Born November 26, 1942, in Memphis, TN; daughter of William and Arvelia (Cage) Cole; married Richard Venture. EDUCATION—Received M.A. from the University of Minnesota; studied acting at the Royal Academy of Dramatic Art.

COLEMAN, Jack 1958-

VOCATION: Actress.

PERSONAL: Born February 21, 1958, in Easton, PA. EDUCATION—Graduated from Duke University.

CAREER: PRINCIPAL STAGE APPEARANCES—Sip, The School for Scandal, APA Repertory Company, Lyceum Theatre, New York City, 1966; Lisa, War and Peace, APA Repertory Company, Lyceum Theatre, 1967; title role, Electra, New York Shakespeare Festival, Mobile Theatre, New York City, 1969; Nerissa, The Merchant of Venice, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, New York City, 1973; Nurse Lake, TheNational Health, Long Wharf Theatre, New Haven, CT, 1973, then Circle in the Square, New York City, 1974; Cariola, The Duchess of Malfi, Center Theatre Group, Mark Taper Forum, Los Angeles, 1975; Lena Younger, A Raisin in the Sun, Roundabout Theatre, New York City, 1986. Also appeared in The Tragedy ofCoriolanus, Romeo and Juliet, and The Taming of the Shrew, all American Shakespeare Festival, Stratford, CT, 1965; Six Characters in Search of an Author, Arena Stage, Washington, DC, 1968; as Gerd, Brand; Beatrice, Much Ado About Nothing; Sabina, The Skin of Our Teeth; Kate, She Stoops to Conquer; Jenny, The Threepenny Opera; Electra, The Flies; Clea, Black Comedy; Adelaide, Guys and Dolls; and with the Seattle Repertory Theatre, Seattle, WA, 1967-68; Long Wharf Theatre, 1970-71; Williamstown Playhouse, Williamstown, MA; and the Tyrone Guthrie Theatre, Minneapolis, MN.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Peter Whetworth, The Common Pursuit, Promenade Theatre, New York City, 1987; also company member, Globe of the Great Southwest, Odessa, TX, 1978. PRINCIPAL FILM APPEARANCES—Stan, The Pursuit of Happiness, Jequerity, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Jack Kositchek, Days of Our Lives, NBC, 1981-82; Steven Carrington, Dynasty, ABC, 1982-1989. Movies: Matt, Bridesmaids, CBS, 1989; Jack Devlin, Daughter of Darkness, CBS, 1990. Specials: Battle of the Network Stars, ABC, 1985. WRITINGS: FILM—(With others) The Pursuit of Happiness, Jequerity, 1987.

88

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ADDRESSES: AGENT—Howard Goldberg, Harris and Goldberg, 2121 Avenue of the Stars, Suite 950, Los Angeles, CA 90067.*

COLICOS, John

COLLINS

Night Gallery), NBC, 1971; Profiles in Courage, NBC. Movies: Paul Jamison, Goodbye Raggedy Ann, CBS, 1971; Lester Maypole, /'// Take Manhattan, CBS, 1987. Specials: Lucentio, "Taming of the Shrew," Hallmark Hall of Fame, NBC, 1956; Tom Pettigrew, "Berkeley Square," Hallmark Hall of Fame, NBC, 1959; Comte de Guiche, "Cyrano de Bergerac," Hallmark Hall of Fame, NBC, 1962; Porthos, The Three Musketeers, CBS, 1960; Rawdon Crawley, Vanity Fair, CBS, 1961; Wentworth, The Lives of Ben Franklin: The Ambassador, CBS, 1971.*

1928-

PERSONAL: Born December 10, 1928, in Toronto, ON, Canada. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Edmund, King Lear, City Center Theatre, 1956. BROADWAY DEBUT—De Laubardemont, The Devils, Broadway Theatre, 1965. PRINCIPAL STAGE APPEARANCES—Lodovico, Othello, Gratiano, The Merchant of Venice, and Leonato, Much Ado About Nothing, all American Shakespeare Festival, Stratford, CT, 1957; Sir Edward Mortimer, Mary Stuart, Phoenix Theatre, New York City, 1957; Laertes, Hamlet, Leontes, A Winter's Tale, and Lysander, A Midsummer Night's Dream, all American Shakespeare Festival, 1958; Tullus Aufidius, Coriolanus and Berowne, Love's Labour's Lost, both Stratford Shakespeare Festival, Stratford, ON, Canada, 1961; Caliban, The Tempest, Petruchio, The Taming of the Shrew, and Comte de Guiche, Cyrano de Bergerac, all Stratford Shakespeare Festival, 1962; Hector, Troilus and Cressida, title role, Cyrano de Bergerac, and title role, Timon of Athens, all Stratford Shakespeare Festival, 1963; title role, King Lear and Mr. Horner, The Country Wife, both Stratford Shakespeare Festival, 1964; title role, Serjeant Musgrave's Dance, Theatre De Lys, New York City, 1966; title role, Macbeth, American Shakespeare Festival, 1967; Churchill, Soldiers, Billy Rose Theatre, New York City, 1968, then New Theatre, London, 1968. Also appeared in Hogan's Goat, Olney, MD, 1966.

COLLINS, Joan

1933-

PERSONAL: Full name, Joan Henrietta Collins; born May 23, 1933 (some sources say 1931 or 1935), in London, England; daughter of Joseph William (an agent) and Elsa (Bessant) Collins; married Maxwell Reed (an actor; divorced); married Anthony Newley (an actor, singer, director, and composer), May 27, 1963 (divorced, 1971); married Ronald S. Kass (a film producer), March, 1972 (divorced); married Peter Holm, 1985 (divorced); children: Tara Cynara, Alexander Anthony (second marriage); Katyana (third marriage). EDUCATION—Attended the Royal Academy of Dramatic Art. VOCATION: Actress. CAREER: STAGE DEBUT—A Doll's House, Arts Theatre, London,

PRINCIPAL FILM APPEARANCES—Student, Forbidden Journey, United Artists, 1950; Dewar, Bond of Fear, Eros, 1956; first man, Murder on Approval (also known as Barbados Quest), RKO, 1956; Pietro, Passport to Treason, Astor, 1956; Chino, War Drums, United Artists, 1957; Cromwell, Anne of the Thousand Days, Universal, 1969; MortDellman, Doctors' Wives, Columbia, 1971; Sergeant Major Al MacKenzie, Raid on Rommel, Universal, 1971; Jimbob Buel, Red Sky at Morning, Universal, 1971; Colonel Santilla, The Wrath of God, Metro-Goldwyn-Mayer, 1972; McLeod, Scorpio, United Artists, 1973; Vincent Karbone, Breaking Point, Twentieth Century-Fox, 1976; DeMarigny, Drum, United Artists, 1976; Allan Quartermain, King Solomon's Treasure, Canafox/Towers, 1978; Count Baltar, Battlestar Galactica, Universal, 1979; Count Baltar, Mission Galactica: The Cylon Attack, Universal, 1979; DeWitt, The Changeling, Associated Film Distributors, 1980; Count Baltar, Conquest of the Earth, Glen A. Larson, 1980; Inspector Barnes, Phobia, Paramount, 1980; Nick Papadakis, The Postman Always Rings Twice, Paramount, 1981; General Howard, Nowhere to Hide, New Century/Vista, 1987; Anthony Podopolis, Shadow Dancing, Glickenhaus, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Count Baltar, Battlestar Galactica, ABC, 1978-79; Mikkos Cassadine, General Hospital, ABC, 1981. Mini-Series: Lord North, The Bastard (also known as The Kent Family Chronicles), syndicated, 1978. Pilots: Joe Ruby, A Matter of Wife . . . and Death, NBC, 1976; Major Derek Barclay-Battles, The Paradise Connection, CBS, 1979. Episodic: Kor, "Errand of Mercy," Star Trek, NBC, 1967; Lech, Night Heat, CBS, 1987; Kavakonis, Night Heat, CBS, 1988; also "Lone Survivor," Rod Serling's Night Gallery (also known as

JOAN COLLINS

89

COLLINS CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

1946. PRINCIPAL STAGE APPEARANCES—Appeared in productions of Jassy, The Praying Mantis, The Skin of Our Teeth, Claudia and David, The Last of Mrs. Cheyney, and Murder in Mind.

Siren, "Ring Around the Riddler" and "The Wail of the Siren," Batman, ABC, 1967; Edith Keeler, "The City on the Edge of Forever," Star Trek, NBC, 1967; also "Mission of the Dariens," Space 1999, syndicated, 1976; Fantastic Journey, NBC, 1977; Tales of the Unexpected, NBC, 1977; "Hansel and Gretel," Fairie Tale Theater, Showtime, 1982; Fame, Fortune, and Romance, syndicated, 1986; The Virginian, NBC; Run for Your Life, NBC; Mission: Impossible, CBS; Baretta, ABC; Ellery Queen, NBC; Switch, CBS; Starsky and Hutch, ABC; Police Woman, NBC; Fantasy Island, ABC; Orson Welles' Great Mysteries, syndicated.

PRINCIPAL FILM APPEARANCES—Lil Carter, Judgment Deferred, Associated British, 1952; Pampinea, Decameron Nights, Film Locations, 1953; Norma, I Believe in You, Universal, 1953; Rene Collins, The Slasher (also known as Cosh Boy), Lippert, 1953; Mary, The Good Die Young, Independent Film Distributors, 1954; Stella Jarvis, Turn the Key Softly, Arvis, 1954; Marina, The Woman's Angle, Stratford, 1954; Sadie Patch, The Adventures of Sadie (also known as Our Girl Friday), Twentieth Century-Fox, 1955; Evelyn Nesbit Thaw, The Girl in the Red Velvet Swing, Twentieth Century-Fox, 1955; Princess Nellifer, Land of the Pharaohs, Warner Brothers, 1955; Frankie, The Square Ring, Republic, 1955; Beth Throgmorton, The Virgin Queen, Twentieth Century-Fox, 1955; Crystal Allen, The Opposite Sex, MetroGoldwyn-Mayer, 1956; Jocelyn Fleury, Island in the Sun, Twentieth Century-Fox, 1957; title role, Sea W(ife (also known as Sea Wyf and Biscuit), Twentieth Century-Fox, 1957; Tina, Stopover Tokyo, Twentieth Century-Fox, 1957; Alice Chicoy, The Wayward Bus, Twentieth Century-Fox, 1957; Josefa Velarde, The Bravados, Twentieth Century-Fox, 1958; Angela Hoffa, Rally 'round the Flag, Boys!, Twentieth Century-Fox, 1958; Esther, Esther and the King, Twentieth Century-Fox, 1960; Melanie, Seven Thieves, Twentieth Century-Fox, 1960; Diane, The Road to Hong Kong, United Artists, 1962; Jane, One Million Dollars (also known as La congiuntura), Columbia, 1965; Joanie Valens, Warning Shot, Paramount, 1967; Polyester Poontang, Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Regional, 1969; Anne Langley, Subterfuge, Commonwealth United Entertainment, 1969.

Movies: Carole Bradley, Drive Hard, Drive Fast, NBC, 1973; Kay Dillon, The Making of a Male Model, ABC, 1983; Carder Rand, The Cartier Affair, NBC, 1984; Pam Dugan, Her Life As a Man, NBC, 1984; KatrmaPetrovna, Monte C0r/0, CBS, 1986. Specials: The Bob Hope Show, NBC, 1959; The Bob Hope Show, NBC, 1962; The Bob Hope Show, NBC, 1966; Lorraine, ' The Man Who Came to Dinner," Hallmark Hall of Fame, NBC, 1972; Steve Martin—Comedy Is Not Pretty, NBC, 1980; Battle of the Network Stars, ABC, 1982; Bob Hope's Women I Love—Beautiful But Funny, NBC, 1982; Blondes vs. Brunettes, ABC, 1984; The Dean Martin Celebrity Roast: Joan Collins, NBC, 1984; All Star Party for Lucille Ball, CBS, 1984; ABC All-Star Spectacular, ABC, 1985; The Night of 100 Stars II, ABC, 1985; On Top All Over the World, syndicated, 1985; Hollywood Christmas Parade, syndicated, 1987; Secrets Women Never Share, NBC, 1987; All Star Party for Joan Collins, CBS, 1987; The 75th Anniversary of Beverly Hills, ABC, 1989. Also appeared in The Human Jungle. PRINCIPAL TELEVISION WORK—Mini-Series: Executive producer, Sins, CBS, 1986. Movies: Costume designer, The Cartier Affair, NBC, 1984; producer (with Peter Holm), Monte Carlo, CBS, 1986.

Pat Camber, Up in the Cellar (also known as Three in the Cellar), American International, 1970; Sarah Booth, The Executioner, Columbia, 1970; Carol Radford, Terror from Under the House (also known as Revenge, Inn of the Frightened People, and After Jenny Died), Hemisphere, 1971; Ottilie, Quest for Love, Rank, 1971; Joanne Clayton, "All Through the House" in Tales from the Crypt, Cinerama, 1972; Molly Carmichael, Fear in the Night, International, 1972; Bella Thompson, "Mel" in Tales That Witness Madness, Paramount, 1973; Fay, Alfie Darling, EMI, 1974; Sarah Mandeville, Dark Places, Cinerama, 1974; Black Bess, The Bawdy Adventures of Tom Jones, Universal, 1976; Lucy, The Devil within Her (also known as I Don't Want to Be Born), American International, 1976; Marilyn Pry ser, Empire of the Ants, American International, 1977; Agnes Lozelle, The Big Sleep, United Artists, 1978; Gloria, Zero to Sixty (also known as Repo), First Artists, 1978; Fontaine Khaled, The Stud, Trans-American, 1979; Fontaine Khaled, The Bitch, Brent Walker, 1979; Nera, Sunburn, Paramount, 1979; Nicolle, A Game for Vultures, New Line Cinema, 1980; Diana, Homework, Jensen Farley, 1982; Madame Carrere, Nutcracker, Rank, 1982. Also appeared in Lady Godiva Rides Again, Carroll, 1955;//It's Tuesday, This Must Be Belgium, United Artists, \969\The Aquarian, 1972; State ofSiege, Cinema V, 1973; The Referee, 1974; The Great Adventure, Pacific International, 1976; Poliziotto senza Paula, 1977; Neck, 1983; Georgy Porgy, 1983.

RELATED CAREER—Appeared in the home video release, The Joan Collins Video Special, 1981. WRITINGS: Past Imperfect: An Autobiography, W.H. Allen, 1978, revised edition published by Simon & Schuster, 1984; The Joan Collins Beauty Book, Macmillan, 1980; Katy: A Fight for Life (biography), Gollancz, 1982; Prime Time (novel), Simon & Schuster, 1988. AWARDS: Golden Apple Star of the Year from the Hollywood Women's Press Club, 1982; Golden Globe, Best Television Actress—Series (Drama), 1982, for Dynasty. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. SIDELIGHTS: RECREATIONS—Travel. ADDRESSES: AGENT—Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212.*

PRINCIPAL TELEVISION APPEARANCES—Series: Alexis Carrington Colby, Dynasty, ABC, 1981-89. Mini-Series: Avril Devereaux, Arthur Hailey's "The Moneychangers" (also known as The Moneychangers), NBC, 1976; Helene Junot, Sins, CBS, 1986. Pilots: Racine, Paper Dolls, ABC, 1982; Annie McCulloch, The Wild Women of Chastity Gulch, ABC, 1982. Episodic: Lorelei Circe/the

COLLINS, Pauline 1940PERSONAL: Born September 3, 1940, in Exmouth, England; daughter of William Henry and Mary Honora (a school teacher; maiden name, Callanan) Collins; married John Alderton (an actor);

90

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

CONSIDINE

CAREER: FIRST TELEVISION WORK—Associate producer, Dr. Kildare, NBC, 1961. PRINCIPAL TELEVISION WORK—Producer, The Love Boat, ABC, 1977-86; producer, "Parent Trap, "Magical World of Disney, NBC, 1989; producer, Top of the Hill, CBS, 1989; also producer, Hotel, ABC. Pilots: Associate producer, The Love Boat, ABC, 1976; producer, The Love Boat II, ABC, 1977; producer, The New Love Boat, ABC, 1977; also producer, Lame Duck. Movies: Producer, The Dead Don't Die, NBC, 1975; producer, Who Is the Black Dahlia?, NBC, 1975; producer, Body of Evidence, CBS, 1988; supervising producer, Terror on Highway 91, CBS, 1989; producer, The Parent Trap III, Disney Channel, 1989.

children: four. EDUCATION—Trained for the stage at Central School of Speech and Drama. VOCATION: Actress. CAREER: STAGE DEBUT—Sabina, A Gazelle in Park Lane, Theatre Royal, Windsor, U.K., 1962. LONDON DEBUT—Lady Janet Wigton, Passion Flower Hotel, Prince of Wales Theatre, 1965. BROADWAY DEBUT—Title role, Shirley Valentine, Booth Theatre, 1989. PRINCIPAL STAGE APPEARANCES—Lou, The Erpingham Camp, Royal Court Theatre, London, 1967; Nancy Gray, The Happy Apple, Hampstead Theatre Club, London, 1967; Cecily Cardew, The Importance of Being Earnest, Hay market Theatre, London, 1968; Brenda Cooper, The Night I Chased the Women with an Eel, Comedy Theatre, London, 1969; Rosemary and Claire, Come As You Are, New Theatre, London, 1970; Nancy Gray, The Happy Apple, Apollo Theatre, London, 1970; Judy, Judies, Comedy Theatre, 1974; Minnie Symperson, Engaged, National Theatre Company, Old Vic Theatre, London, 1975; Lucy, "Mother Figure," Paula, "Drinking Companion," Polly, "Between Mouthfuls," Milly, "Gosforth'sFete," and Beryl, "A Talk in the Park,'' in Confusions, Apollo Theatre, 1976; Yeliena Ivanovna, The Bear, Royal Court Theatre, 1978; Phoebe Craddock, Romantic Comedy, Apollo Theatre, 1983; title role, Shirley Valentine, Vaudeville Theatre, London, 1988.

RELATED CAREER—Guest lecturer, University of California, Los Angeles, 1980-87; guest lecturer, University of Southern California, 1980-87; guest lecturer on film and television, University of Michigan, 1987. WRITINGS: TELEVISION—Episodic: The Love Boat (ten episodes), ABC; Hotel, ABC. MEMBER: Writers Guild of America—West. ADDRESSES: OFFICE—7083 Hollywood Boulevard, Los Angeles, CA 90028. AGENT—Cooper Agency, 10100 Santa Monica Boulevard, Los Angeles, CA 90067.

PRINCIPAL FILM APPEARANCES—Pat Lord, Secrets of a Windmill Girl, Compton, 1966; title role, Shirley Valentine, Paramount, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Clara Danby, No—Honestly, PBS, 1975; Sarah, Upstairs, Downstairs, London Weekend Television, then Masterpiece Theatre, PBS, 1974; also Forever Green, ITV, 1989; Thomas and Sarah and Wodehouse Playhouse. Mini-Series: Maggie Hewson, The Black Tower, Anglia Television, then Mystery!, PBS, \9$8', also Country Matters II, Granada, then Masterpiece Theatre, PBS, 1979. Movies: Knockback.

CONSIDINE, John VOCATION: Actor and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—John, The Greatest Story Ever Told, United Artists, 1965; title role, Doctor Death: Seeker of Souls, Cinerama, 1973; man at bar, California Split, Columbia, 1974; Frank Butler, Buffalo Bill and the Indians, or Sitting Bull's History Lesson, United Artists, 1976; Jack Goode, Welcome to L.A., United Artists, 1976; Lamar, The Late Show, Warner Brothers, 1977; Jeff Kuykendall, A Wedding, Twentieth Century-Fox, 1978; Webster, When Time Ran Out, Warner Brothers, 1980; Jordan Carelli, Mystique, Television International/Qui, 1981; Burnside, Endangered Species, MetroGold wyn-Mayer/United Artists, 1982; Dr. Ernest Greene, Choose Me, Island Alive, 1984; Nate Nathanson, Trouble in Mind, Alive, 1985; angel with tophat, Made in Heaven, Lorimar, 1987; General MacDonald, Opposing Force, Orion, 1987. Also appeared in The Thirsty Dead (also known as The Blood Cult of Shangra-La), International Amusements, 1975.

NON-RELATED CAREER—School teacher. AWARDS: Laurence Olivier Award, Best Actress in a New Play, 1988, Drama Desk Award, Best Actress in a Play, Antoinette Perry Award, Best Actress in a Play, Drama League of New York Award, Distinguished Performance, and special Theatre World Award, all 1989, for Shirley Valentine; Academy Award nomination, Best Actress, 1990, for Shirley Valentine. SIDELIGHTS: RECREATIONS—Writing. ADDRESSES: AGENT—James Sharkey Associates, 15 Golden Square, Third Floor Suite, London W1R 3AG, England.*

PRINCIPAL TELEVISION APPEARANCES-^Series: Dr. Brian Walsh, Bright Promise, NBC, 1969-72; also Vic Hastings, Another World, NBC; Reginald Love, Another World, NBC. Pilots: Lou Krone, Mickey Spillane's Margin for Murder, CBS, 1981. Episodic: Bertram Cabot, "The Man Who Was Never Born," The Outer Limits, ABC, 1963; Claude Dashelle, Hollywood Beat, ABC, 1985; Eric, Hardcastle and McCormick, ABC, 1985; Philip Nordstrom, Knight Rider, NBC, 1985; Lean, The A-Tearn, NBC, 1986; Lieutenant Braden, The Colbys, ABC, 1986; Reverend Rawlinson, Remington Steele, NBC, 1986; John Nottingham, Simon and Simon, CBS, 1988; Alex Caulfield, Highway to Heaven, NBC, 1989; David Prescott, Dynasty, ABC, 1989; also Taxi, ABC, 1981. Movies: Larry Quinn, See How She Runs, CBS, 1978;

COLMAN, Henry PERSONAL: Born September 15, in Altoona, PA. EDUCATION— Received B.S.in drama from Columbia University; also attended the University of Michigan. VOCATION: Producer, director, and screenwriter.

91

COODER CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

interviewer, The Shadow Box, ABC, 1980; Dr. Coleman, Mother's Day on Walton's Mountain, NBC, 1982; Frank Wells, MarionRose White, CBS, 1982; Curtis Bittan, Forbidden Love, CBS, 1982; Steve Moss, Dixie: Changing Habits, CBS, 1983; Ed Judson, Rita Hayworth: The Love Goddess, CBS, 1983; Jack Blaine, Passions, CBS, 1984; Dr. Mathew Crawford, Timestalkers, CBS, 1987; also Incident in San Francisco, ABC, 1971. Specials: Richard Coburn, Time for Elizabeth, NBC, 1964.

Paris, Texas (original soundtrack), Warner Brothers, 1984; Alamo Bay (original soundtrack), Warner Brothers, 1985; Blue City (original soundtrack), Warner Brothers, 1986; Crossroads (original soundtrack), Warner Brothers, 1986. ADDRESSES: PUBLICIST—Press Relations, Warner Brother Records, 3300 Warner Boulevard, Burbank, CA 91510.*

WRITINGS: FILM—(With Lee Erwin, Jack A. Robinson, and Tim Considine) Tarzans Deadly Silence (also known as The Deadly Silence], National General, 1970; (with Patricia Resnick, Allan Nicholls, and Robert Altman) A Wedding, Twentieth Century-Fox, 1978. TELEVISION—Dixie: Changing Habits, CBS, 1983.

COOK, Elisha, Jr.

1906-

PERSONAL: Born December 26, 1906, in San Francisco, CA; son of Elisha and Helen (an actress; maiden name, Henry) Cook; married first wife, Mary, 1929 (divorced, 1942). MILITARY—U.S. Army Air Corps, 1942-43.

ADDRESSES: AGENT—Susan Smith, Smith-Freedman and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211 .*

VOCATION: Actor.

COODER, Ry

CAREER: STAGE DEBUT—Lightniri, Chicago, IL, 1921. LONDON DEBUT—Jimmie Besant, Coquette, Apollo Theatre, 1929. PRINCIPAL STAGE APPEARANCES—Felix, The Crooked Friday, Bijou Theatre, New York City, 1925; Joe Bullitt, Hello, Lola, Eltinge Theatre, New York City, 1926; ensemble, Great Temptations (revue), Winter Garden Theatre, New York City, 1926; Dick Wilton, Henry—Behave and Jimmie, Gertie, both Nora Bayes Theatre, New York City, 1926; Algernon Simpson, Jimmy's Women, Biltmore Theatre, New York City, 1927; Stewart Kennedy, Her Unborn Child, Eltinge Theatre, 1928; Felix, The Kingdom of God, Ethel Barrymore Theatre, New York City, 1928; Stan Price, Many a Slip, Little Theatre, New York City, 1930; Emptyhead, Privilege Car, 48th Street Theatre, New York City, 1931; Francis Demarco, Lost Boy, Mansfield Theatre, New York City, 1932; Ed Martin, Merry-Go-Round, Provincetown Playhouse, New York City, 1932; Honey Rogers, Chrysalis, Martin Beck Theatre, New York City, 1932; Ed Rumplegar, Three-Cornered Moon, Cort Theatre, New York City, 1933; Richard, Ah, Wilderness!, Guild Theatre, New York City, 1933; Russell Gibbons, Crime Marches On, Morosco Theatre, New York City, 1935; Bird, Come Angel Band, 46th Street Theatre, New York City, 1936; reporter, Lightin', John Golden Theatre, New York City, 1938; Guiseppe Givola, Arturo Ui, Lunt-Fontanne Theatre, New York City, 1963. Also appeared in Goodbye Again, Grossinger Playhouse, Ferndale, NY, 1933; and as Mel Frank, Once Upon a Night, Wilmington, DE, 1938.

1947-

PERSONAL: Full name, Ryland Peter Cooder; born March 15, 1947, in Los Angeles, CA. VOCATION: Composer, arranger, guitarist, and singer. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Music arranger, The Long Riders, United Artists, 1980; music arranger, Southern Comfort, Twentieth Century-Fox, 1981. PRINCIPAL TELEVISION APPEARANCES—Specials: Jim Henson's Ghost of Faffner Hall, HBO, 1989. RELATED CAREER—Guitarist with the rock band the Rising Sons, 1966-67; studio guitarist on albums by Captain Beefheart, the Rolling Stones, Randy Newman, Arlo Guthrie, John Cougar Mellencamp, and others; recording artist. WRITINGS: All as composer. FILM—(Contributor) Candy, Cinerama, 1968; (contributor) Performance, Warner Brothers, 1970; (with Jack Nitzche) Blue Collar, Universal, 1978; The Long Riders, United Artists, 1980; Southern Comfort, Twentieth Century-Fox, \9%\\ The Border, Universal, 1982; Paris, Texas, Twentieth Century-Fox, 1984; Streets of Fire, Universal/RKO, 1984; Alamo Bay, Tri-Star, 1985; Brewstef s Millions, Universal, 1985; Blue City, Paramount, 1986; Crossroads, Columbia, 1986; Johnny Handsome, Tri-Star, 1989.

MAJOR TOURS—Richard, Ah, Wilderness!, U.S. cities, 1934-35; also appeared in Twelfth Night and When Hell Froze, U.S. cities, both 1929.

TELEVISION—Series: (Theme music) Beverly Hills Buntz, 1987. Pilots: Cowboy Joe, ABC, 1988. Specials: Episodic: "Annie Oakley," Shelley Duvall's Tall Tales and Legends, Showtime, 1985; "The Man Who Was Death," Tales from the Crypt, HBO, 1989.

FILM DEBUT—Stewart Kennedy, Her Unborn Child, 1930. PRINCIPAL FILM APPEARANCES—Herbert Terwilliger Van Dyck, Pigskin Parade (also known as Harmony Parade), Twentieth Century-Fox, 1936; Skeeter, Two in a Crowd, Universal, 1936; Pete, Breezing Home, Universal, 1937; chemist, Danger—Love at Work, Twentieth Century-Fox, 1937; Tony Stevens, The Devil Is Driving, Columbia, 1937; Ollie Stearns, Life Begins in College (also known as The Joy Parade), Twentieth Century-Fox, 1937; Egbert Eggleston, Love Is News, Twentieth Century-Fox, 1937; Joe Turner, They Won't Forget, Warner Brothers, 1937; Glen Wylie, Wife, Doctor, and Nurse, Twentieth Century-Fox, 1937; Waldo, My Lucky Star, Twentieth Century-Fox, 1938; "Professor" Pratt, Submarine Patrol, Twentieth Century-Fox, 1938; boy, Three Blind Mice, Twentieth Century-Fox, 1938; Robert Austin

RECORDINGS: ALBUMS—/ty Cooder, Reprise, 1970; Into the Purple Valley, Reprise, 1971; Boomer's Story, Reprise, 1972; Paradise and Lunch, Reprise, 1974; Chicken Skin Music, Warner Brothers, 1976; Show Time, Warner Brothers, 1977; Jazz, Warner Brothers, 1978; Bop Till You Drop, Warner Brothers, 1979; Borderline, Warner Brothers, 1980; The Long Riders (original soundtrack), Warner Brothers, 1980; Southern Comfort (original soundtrack), Warner Brothers, 1981; The Border (original soundtrack), Warner Brothers, 1982; The Slide Area, Warner Brothers, 1982;

92

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

COOK

nesota Raid, Universal, 1972; Gray Cat, Emperor of the North Pole (also known as Emperor of the North), Twentieth Century-Fox, 1973; Willie, Electra Glide in Blue, United Artists, 1973; Carl, The Outfit (also known as The Good Guys Always Win), MGM, 1973; Cody, Pat Garrett and Billy the Kid, MGM, 1973; Charlie, Dead People (also known as Messiah of Evil, Return of the Living Dead, Revenge of the Screaming Dead, and The Second Coming), Cinefilm, 1974; Wilmer, The Black Bird, Columbia, 1975; Eddie, St. Ives, Warner Brothers, 1976; Reverend Will Finley, Winterhawk, Howco International, 1976; Georgie, The Champ, Metro-Goldwyn-Mayer/ United Artists MGM/UA), 1979; patron, 1941, Universal, 1979; On-Your-Mark, Carny, United Artists, 1980; stable hand, Tom Horn, Warner Brothers, 1980; Sergeant Billy, Harry's War, Taft International, 1981; Mousy, "Municipalians" in National Lampoon Goes to the Movies, MGM/UA, 1981; Eli (the taxi driver), Hammett, Warner Brothers, 1982. Also appeared in Bullets or Ballots, Warner Brothers, 1936; Casanova Brown, RKO, 1944.

and Norman Hazlitt, Grand Jury Secrets, Paramount, 1939; Danny, Newsboy's Home, Universal, 1939. Communist, Public Deb No. 1, Twentieth Century-Fox, 1940; Joe Briggs, Stranger on the Third Floor, RKO, 1940; Joe Cadd, Tin Pan Alley, Twentieth Century-Fox, 1940; Dicky Brown, He Married His Wife, Twentieth Century-Fox, 1940; cook, Ball of Fire, RKO, 1941; assistant director, Hellzapoppiri, Universal, 1941; elevator boy, Love Crazy, Metro-Goldwyn-Mayer (MGM), 1941; Wilmer Cook, The Maltese Falcon, Warner Brothers, 1941; hotel clerk, Man at Large, Twentieth Century-Fox, 1941; piano player, Sergeant York, Warner Brothers, 1941; Frank Lucas, AHaunting We Will Go, Twentieth Century-Fox, 1942; genius, A Gentleman at Heart, Twentieth Century-Fox, 1942; Harry Williams, / Wake Up Screaming (also known as Hotspof), Twentieth Century-Fox, 1942; roadhouse customer, In This Our Life, Warner Brothers, 1942; Gillman, Manila Calling, Twentieth Century-Fox, 1942; Ernie, Sleepytime Gal, Republic, 1942; "Chicopee" Nevins, Wildcat, Paramount, 1942; Whitey, Dark Mountain, Paramount, 1944; Cleeve, Dark Waters, United Artists, 1944; Cliff March, Phantom Lady, Universal, 1944; Info Jones, Up in Arms, RKO, 1944; Kirk, Dillinger, Monogram, 1945; Jimmie Lobo, Why Girls Leave Home, Producers Releasing Corporation, 1945; Harry Jones, The Big Sleep, Warner Brothers, 1946; Sam, Blonde Alibi, Universal, 1946; Oliver S. Patch, Cinderella Jones, Warner Brothers, 1946; Nick, The Falcon's Alibi, RKO, 1946; Eugene, Joe Palooka— Champ, Monogram, 1946; Fly Felleti, Two Smart People, MGM, 1946; Marty, Born to Kill (also known as Lady of Deceit), RKO, 1947; Joe, Fall Guy, Monogram, 1947; Oval, The Gangster, Allied Artists, 1947; Frank, The Long Night, RKO, 1947; Roper, Flaxy Martin, Warner Brothers, 1949; Klipspringer, The Great Gatsby, Paramount, 1949.

TELEVISION DEBUT--Coffeehead,D/c£Tracy, ABC, 1949. PRINCIPAL TELEVISION APPEARANCES—Series: Francis "Ice Pick" Hofstetler, Magnum, P.I., CBS, 1983-88. Pilots: The Judge (broadcast as an episode of The Dick Powell Show), NBC, 1963; coach, McNab's Lab (broadcast as an episode of Summer Fun), ABC, 1966; hotel clerk, Terror at Alcatraz, NBC, 1982; Dutch Silver, Shadow of Sam Penny, CBS, 1983; Eddie, This Girl for Hire, CBS, 1983. Episodic: Charles Pulaski, "Emergency!," No Warning, NBC, 1958; Samuel T. Cogley, "Court-Martial," Star Trek, NBC, 1967; also The Adventures of Superman, syndicated, 1953; "Brandenburg Gate," TV Hour, ABC, 1953; Treasury Men in Action, ABC, 1955; "Salvage," Alfred Hitchcock Presents, CBS, 1955; "The Trigger Finger Clue, "TVReader' s Digest, ABC, 1956; "Round Trip," George Sanders' Mystery Theatre, syndicated, 1956; The Millionaire, CBS, 1957; Wyatt Earp, ABC, 1957; "Silent Ambush," General Electric Theatre, CBS, 1958; Trackdown, CBS, \95%\ Bat Master son, NBC, 1958; Perry Mason, CBS, 1958 and 1964; Rawhide, CBS, 1959; Johnny Ringo, CBS, 1959; Gunsmoke, CBS, 1959 and 1965.

Jonas, Behave Yourself!, RKO, 1951; Eddie, Don't Bother to Knock, Twentieth Century-Fox, 1952; Bobo, /, the Jury, United Artists, 1953; Torrey, Shane, Paramount, 1953; Standish, Thunder Over the Plains, Warner Brothers, 1953; Crackel, Drum Beat, Warner Brothers, 1954; Tulsa, The Outlaw's Daughter, Twentieth Century-Fox, 1954; Briggs, The Indian Fighter, United Artists, 1955; Punky, Timberjack, Republic, 1955; Finn, Trial, MGM, 1955; Whitey Pollack, Accused of Murder, Republic, 1956; George Peatty, The Killing, United Artists, 1956; Van Meter, Baby Face Nelson, United Artists, 1957; Candymouth, Chicago Confidential, United Artists, 1957; Willie, The Lonely Man, Paramount, 1957; Skeets, Plunder Road, Twentieth Century-Fox, 1957; Martin Schuyler, Voodoo Island (also known as Silent Death), United Artists, 1957; Watson Pritchard, House on Haunted Hill, Allied Artists, 1958; Larry, Day of the Outlaw, United Artists, 1959. Ted Blake, College Confidential, Universal, 1960; Harry Nesbitt, Platinum High School (also known as Rich, Young, and Deadly and Trouble at Sixteen), MGM, 1960; bank teller, One-Eyed Jacks, Paramount, 1961; Joe, Black Zoo, Allied Artists, 1963; Peter Smith, The Haunted Palace, American International, 1963; undertaker, Johnny Cool, United Artists, 1963; Mr. Keith, Papa's Delicate Condition, Paramount, 1963; Tex, Blood on the Arrow, Allied Artists, 1964; father, The Glass Cage (also known as Den of Doom, Don't Touch My Sister, and Bed of Fire), Allied Artists, 1964; Arnold, The Spy in the Green Hat, MGM, 1966; Hanson, Welcome to Hard Times (also known as Killer on a Horse), MGM, 1967; Mr. Nicklas, Rosemary's Baby, Paramount, 1968; Jeb, The Great Bank Robbery, Warner Brothers, 1969.

"The Fatal Impulse," Thriller, NBC, 1960; Tightrope, CBS, 1960; "The Young Juggler," Ford Star Time, NBC, 1960; The Rebel, ABC, 1960; Wagon Train, NBC, 1960 and 1961; "Open House," General Electric Theatre, CBS, 1961; The Real McCoys, ABC, 1961; "Borderline," The Dick Powell Theatre, NBC, 1962; Surfside 6, ABC, 1962; The Fugitive, ABC, 1963; Destry, ABC, 1964; Profiles in Courage, NBC, \965;TheWild, WildWest, CBS, 1966; / Spy, CBS, 1966; The Road West, NBC, 1966; Bonanza, NBC, 1966 and 1970; The Monroes, ABC, 1967; Batman, ABC, 1967; McCloud, NBC, 1971; The Chicago Teddy Bears, CBS, 1971; The Persuaders, ABC, 1972; The OddCouple, ABC, 1974; Mannix, CBS, 1974; Movin' On, NBC, 1974; Starsky and Hutch, ABC, \915\S.W.A.T., ABC, 1975; The Blue Knight, CBS, 1976; Chicago Story, NBC, 1982; The Motorola Television Hour, CBS; The Outlaws, NBC; Bring 'em Back Alive, CBS. Movies: Proprietor, Night Chase, CBS, 1970; Willie Peanuts, The Movie Murderer, NBC, 1970; Mickey Crawford, The Night Stalker, ABC, 1972; sweeper, Mad Bull, CBS, 1977; Weasel, Salem's Lot (also known as Salem's Lot: The Movie), CBS, 1979; Jetter, Leave 'em Laughing, CBS, 1981; Mr. Bibbs, It Came Upon the Midnight Clear, syndicated, 1984; Novatney, Off Sides, NBC, 1984; Pappy Glue, The Man Who Broke WOO Chains, HBO, 1987. Specials: Grandfather, The Trouble with Grandpa, syndicated, 1981.

Old convict, El Condor, National General, 1970; Sam, Blacula, American International, 1972; Bunker, The Great Northfield, Min-

RELATED CAREER—Actor in vaudeville and in summer theatre productions.

93

COOKE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild.*

COOKE, Alistair

mencement Address, Knopf, 1954; editor, The Vintage Mencken, Vintage, 1955; Around the World in Fifty Years: A Political Travelogue, Field Enterprises, 1966 ;Talk A bout America (essays), Knopf, 1968; General Eisenhower on the Military Churchill: A Conversation with Alistair Cooke, Norton, 1970; Alistair Cooke's America, Knopf, 1973; Six Men, Knopf, 1977; The Americans: Fifty Letters from America on Our Life and Times, Penguin, 1979; (with Robert Cameron) Above London, Cameron and Company, 1980; Masterpieces: A Decade of Masterpiece Theatre, Knopf, 1982; The Patient Has the Floor, Knopf, 1986; America Observed, Knopf, 1988. Also writer of a weekly column in Listener; contributor of articles to Theatre Arts Monthly, New Republic, Encore, Fortnightly Review, and the Spectator.

1908-

PERSONAL: Full name, Alfred Alistair Cooke; born November 20, 1908, in Manchester, England; naturalized U.S. citizen, 1941; son of Samuel (a minister) and Mary Elizabeth (Byrne) Cooke; married Ruth Emerson, August 24, 1934 (divorced); married Jane White Hawkes, April 30, 1946; children: John Byrne (first marriage); Susan Byrne (second marriage). EDUCATION—Cambridge University, B.A., 1930, diploma in education, 1931; graduate work, Yale University, 1932-33, then Harvard University, 1933-34.

AWARDS: Commonwealth Fund Fellow, Yale University, 193233; Commonwealth Fund Fellow, Harvard University, 1933-34; George Foster Peabody Broadcasting Award, Contribution to International Understanding, 1951, for Letters from America; Emmy Award, 1958, for Omnibus; Richard Dimbleby Award from the British Academy of Film and Television Arts, 1972; Emmy Awards, Outstanding Documentary Program Achievement (Individual— Writer) and Outstanding Documentary Program Achievement (Individual—Narrator), George Foster Peabody Broadcasting Award, and Writers Guild Award, Best Documentary, all 1973, for America: A Personal History of the United States; Benjamin Franklin Medal from the Royal Society of the Arts, 1973; Knight Commander, Order of the British Empire, 1973; Emmy Award, Special Classification of Outstanding Individual Achievement, 1975, for Masterpiece Theatre; Howland Medal from Yale University, 1977; special George Foster Peabody Broadcasting Award, 1983; Medal for Spoken Language from the American Academy of Arts and Letters, 1983; Governor's Award from the Academy of Television Arts and Sciences, 1985; named a Literary Lion by the New York Public Library, 1986; honorary fellow, Cambridge University, 1986. HONORARY DEGREES—University of Edinburgh, L.L.D., 1969; University of Manchester, L.L.D., 1973; University of St. Andrews, Litt. D., 1975.

VOCATION: Journalist, broadcaster, and television host. CAREER: PRINCIPAL STAGE APPEARANCES—Host, An American Evening of Humor, International Festival of Music and Arts, Theatre Royal, Bath, U.K., 1988. PRINCIPAL FILM APPEARANCES—Narrator, The Three Faces of Eve, Twentieth Century-Fox, 1957; also narrator, The March of Time (newsreel), 1938-39. PRINCIPAL TELEVISION APPEARANCES—Series: Host, Omnibus, CBS, 1952-56, then ABC, 1956-57, later NBC, 1957-61; host, Masterpiece Theatre, PBS, 1971—; narrator, America: A Personal History of the United States, NBC, 1972-73, then PBS, 1974; also host, International Zone, 1961-67. Specials: "Bacallon Bogart," Great Performances, PBS, 1988; The Congress, PBS, 1989. PRINCIPAL TELEVISION WORK—Producer, International Zone, 1961-67.

MEMBER: National Press Club, Savile Club, Athenaeum Club, Royal and Ancient Golf Club, San Francisco Golf Club, Players Club, National Arts.

PRINCIPAL RADIO APPEARANCES—Film critic, BBC, 1934-37; London correspondent, NBC, 1936-37; commentator on American affairs, BBC, 1938—; host, Letters from America, BBC, 1947—.

SIDELIGHTS: RECREATIONS—Golf, photography, music, playing the piano, motion pictures, beachcombing, the American West, travel, and chess.

PRINCIPAL RADIO WORK—Creator, Transatlantic Quiz, BBC, 1944. RELATED CAREER—Special correspondent on American affairs, London Times, 1938-42; American features correspondent, London Daily Herald, 1942-44; United Nations correspondent, Manchester Guardian (now known as the Guardian), 1945-48, then chief American correspondent, 1948-72.

ADDRESSES: OFFICE—1150 Fifth Avenue, New York, NY 10028.*

WRITINGS: TELEVISION—America: A Personal History of the United States, NBC, 1972-73.

COOLIDGE, Martha

1946-

PERSONAL: Born August 17, 1946, in New Haven, CT; married Michael Backes (a producer). EDUCATION—Attended the Rhode Island School of Design, the School of Visual Arts, and Columbia University; graduate work at the New York University Institute of Film and Television.

OTHER—Editor, Garbo and the Night Watchmen: A Selection from the Writings of British and American Film Critics, J. Cape, 1937, then Seeker and Warburg, 1971, published as Garbo and the Night Watchmen: A Selection Made in 1937 from the Writings of British and American Film Critics, McGraw-Hill, 1971; Douglas Fairbanks: The Making of a Screen Character, Museum of Modern Art, 1940; A Generation on Trial: U.S.A. vs. AlgerHiss, Knopf, 1950; (contributor) Challenge of Ideas, Odyssey, 1950; Letters from America (essays), Hart-Davis, 1951; One Man's America (essays), Knopf, 1952; Christmas Eve (short stories), Knopf, 1952; A Com-

VOCATION: Director, producer, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—As herself, Not a Pretty Picture (documentary), Other Cinema Ltd., 1975; as herself, Fifty Years of Action! (documenta-

94

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 COOPER

ry), Directors Guild of America Golden Jubilee Committee, 1986; as herself, That's Adequate, Manley/Vidmark Entertainment, 1988. Also appeared in Calling the Shots (documentary), World Artists Releasing/Cineplex Odeon, 1988. PRINCIPAL FILM WORK—Producer, director, and editor, Old Fashioned Woman (documentary), Films Inc., 1974; producer, director, and editor, Not a Pretty Picture (documentary), Other Cinema Ltd., 1976; director, Valley Girl, Atlantic, 1983; producer and director, The City Girl, Moon, 1984; director, Joy of Sex, Paramount, 1984; director, Real Genius, Tri-Star, 1985; director, Plain Clothes (also known as Glory Days), Paramount, 1988. Also producer and director, David: Off and On (documentary), 1972; producer and director, More Than a School (documentary), 1973; producer and director, Passing Quietly Through (documentary); producer and director, The Friendly (short film); producer and director, Bimbo (short film). PRINCIPAL TELEVISION WORK—Series: Producer, Magic Tom, 1968. Pilots: Director, Sledge Hammer!, ABC, 1987; director, Roughhouse (also known as ''House and Home"; broadcast as an episode of CBS Summer Playhouse), CBS, 1988. Episodic: Director, The Twilight Zone, CBS, 1985. RELATED CAREER—As an American Film Institute Academy intern, worked with director Robert Wise on Audrey Rose, United Artists, 1977; also co-founder, Association of Independent Video and Filmmakers Inc.; directed and appeared in the student film Mondo Linoleum; worked on television commercials and political documentaries; creator of an experimental video for Toyota. JACKIE COOPER

WRITINGS: FILM—David: Off and On, 1972; More Than a School, 1973; Old Fashioned Woman, Films Inc., 1974; Not a Pretty Picture, Other Cinema Ltd., 1976; The City Girl, Moon, 1984; and Passing Quietly Through. TELEVISION—Series: Magic Tom, 1968.

MAJOR TOURS—Ensign Pulver, Mr. Roberts, U.S. cities, 194950. FILM DEBUT—In a Lloyd Hamilton comedy, Educational, 1925. PRINCIPAL FILM APPEARANCES—Tenement boy, Sunny Side Up, Twentieth Century-Fox, 1929; Dink, The Champ, Metro-GoldwynMayer (MGM), 1931; Skippy Skinner, Skippy, Paramount, 1931; Skippy Skinner, Sooky, Paramount, 1931; Midge Murray, Young Donovan's Kid (also known as Donovan's Kid), RKO, 1931; as himself, Jackie Cooper's Christmas Party (short film), MGM, 1931; Terry Parker, Divorce in the Family, MGM, 1932; Eddie Randall, Feller Needs a Friend (also known as When a Feller Needs a Friend), Cosmopolitan, 1932; Swipes McGurk, The Bowery, Twentieth Century-Fox, 1933; Ted Hackett, Jr. (as a child), Broadway to Hollywood (also known as Ring Up the Curtain), MGM, 1933; Scooter O'Neal, Lone Cowboy, Paramount, 1934; Bill Peck, Peck's Bad Boy, Twentieth Century-Fox, 1934; Jim Hawkins, Treasure Island, MGM, 1934; title role, Dinky, Warner Brothers, 1935; Stubby, O'Shaughnessy's Boy, MGM, 1935; "Buck" Murphy, The Devil Is a Sissy (also known as The Devil Takes the Count), MGM, 1936; Freddie, Tough Guy, MGM, 1936; Chuck, Boy of the Streets, Monogram, 1937; Larry Kelly, Gangster's Boy, Monogram, 1938; Ken, That Certain Age, Universal, 1938; Peter Trimble, White Banners, Warner Brothers, 1938; Timmy Hutchins, The Big Guy, Universal, 1939; "Rifle" Edwards, Newsboy's Home, Universal, 1939; Tom Allen, The Spirit of Culver (also known as Man's Heritage), Universal, 1939; Jimmy, Streets of New York, Monogram, 1939; Roy O'Donnell, Two Bright Boys, Universal, 1939; Henry Aldrich, What a Life, Paramount, 1939.

AWARDS: American Film Festival Eagle Award for David: Off and On; CINE Golden Eagle Award for Old Fashioned Woman; American Film Festival Blue Ribbon Award for Not a Pretty Picture. *

COOPER, Jackie

1922-

PERSONAL: Full name, John Cooper, Jr.; born September 15, 1922, in Los Angeles, CA; son of Jack Cooper (an actor); married June Home (marriage ended); married Hildy Parks (an actress; divorced, 1951); married Barbara Kraus (an advertising executive), 1954; children: John (first marriage); Russell, Julie, Christina (third marriage). EDUCATION—Attended the University of Notre Dame. MILITARY—U.S. Navy, captain, World War II; U.S. Naval Reserve. VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Andy Hamill, Magnolia Alley, Mansfield Theatre, New York City, 1949; Waldo Walton, Remains to Be Seen, Morosco Theatre, New York City, 1951; also appeared as Ensign Pulver, Mr. Roberts, London, 1951; and in King of Hearts, Lyceum Theatre, New York City, 1955.

Byron "By" Newbold, GallantSons, MGM, 1940; Clem and Tom

95

COOPER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Gray son, The Return of Frank James, Twentieth Century-Fox, 1940; William Sylvanus Baxter, Seventeen, Paramount, 1940; Tiny Barlow, Glamour Boy (also known as Hearts in Springtime), Paramount, 1941; Chuck Harris, Her First Beau, Columbia, 1941; Henry Aldrich, Life with Henry, Paramount, 1941; Jerry Regan, Ziegfeld Girl, MGM, 1941; Robert Houston Scott, Men of Texas (also known as Men of Destiny), Universal, 1942; Babe, The Navy Comes Through, RKO, 1942; Johnnie, Syncopation, RKO, 1942; Danny, Where Are Your Children?, Monogram, 1943; John J. Kilroy, Kilroy Was Here, Monogram, 1947; Ernie, Stork Bites Man, Universal, 1947; Skitch, French Leave (also known as Kilroy on Deck), Monogram, 1948; Lieutenant Parnell, Every thing's Ducky, Columbia, 1961; Danton Miller, The Love Machine, Columbia, 1971; Raymond Couzins, Chosen Survivors, Columbia, 1974; Perry White, Superman, Warner Brothers, 1978; Perry White, Superman II, Warner Brothers, 1980; Perry White, Superman III, Warner Brothers, 1983; Perry White, Superman IV: The Quest for Peace, Warner Brothers, 1987; Ace Morgan, Surrender, Warner Brothers, 1987. Also appeared in Fox Movietone Follies of '29, Twentieth Century-Fox, 1929; Scouts to the Rescue (twelve part serial), 1939; Going Hollywood: The War Years (documentary), 1988.

lars," Armstrong Circle Theatre, NBC, 1955; "A Dreamer of Summer," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1954; "The Pardon-Me Boy," PhilcoPlayhouse, NBC, 1955; "Yankee Peddler," General Electric Theatre, CBS, 1955; "It Depends on You," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1955; "End of Morning" and "Really the Blues," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1956; "The Old Lady Shows Her Medals," U.S. SteelHour, CBS, 1956; "The Fair-Haired Boy," Studio One, CBS, 1958; "The Hasty Heart," Dupont Show of the Month, CBS, 1958; "Curtain Call," Goodyear Theatre, CBS, 1958; "Mid-Summer," U.S. SteelHour, CBS, 1958; Hayes and Henderson, NBC, 1959; Mrs. G. Goes to College, CBS, 1961; "Special Assignment," The Dick Powell Show, NBC, 1962; "TheFourposter," GoldenShowcase, CBS, 1962; "Thunder in a Forgotten Town," The Dick Powell Show, NBC, 1963', Hawaii Five-O, CBS, \91\\McCloud, NBC, 1972; "Cry of the Cat," Ghost Story, NBC, 1972; Ironside, NBC, 1972, 1973 and 1975; Columbo, NBC, 1973; Hec Ramsay, NBC, \914-Kojak, CBS, 1974; Police Story, NBC, 1974, 1975, and 1976; TheRockfordFiles, NBC, 197'5; Starlight Theatre, CBS; "The Hunley," The Great Adventure, CBS. Movies: Lieutenant Colonel Andy Davis, Shadow on the Land, ABC, l968;EdMi\\er, Maybe I'll Come Home in the Spring, ABC, 1971; Kurt Anderson, The Astronaut, ABC, 1972; Steve Barker, The Day the Earth Moved, ABC, 1974. Specials: Host, What's Up, America?, NBC, 1971.

Appeared in the following Our Gang (also know as the Little Rascals) short comedy films: Boxing Gloves, Bouncing Babies, Moan and Groan Inc., and Shivering Shakespeare, all MGM, 1929; The First Seven Years, When the Wind Blows, Bear Shooters, A Tough Winter, Pups Is Pups, Teacher's Pet, and School's Out, all MGM, 1930; Helping Grandma, Love Business, Little Daddy, and Bargain Day, all MGM, 1931.

PRINCIPAL TELEVISION WORK—All as director unless indicated. Series: (Also producer) The People's Choice, CBS, 1955-58; (with Hy Averback; also producer with Don McGuire and Dan Cooper) Hennessey, CBS, 1959-62. Pilots: Producer, Charlie Angelo, CBS, 1962; Keep the Faith, CBS, 1972; (also producer) Doctor Dan, CBS, 1974; Snafu, NBC, 1976; Having Babies HI (also known as Julie Farr, M.D.), ABC, 1978; Paris, CBS, 1979; The White Shadow, CBS, 1979; Trapper John, M.D., CBS, 1979; Family in Blue, CBS, 1982; (also producer) The Ladies, NBC, 1987; also The Last Detail, 1975. Episodic: M*A*S*// (thirteen episodes), CBS, 1973-74; The Mary Tyler Moore Show, CBS, 1974; The Texas Wheelers, ABC, 1974; The Rockford Files, NBC, 1974-75; Mobile One, ABC, 1975; (also producer) Holmes and YoYo, ABC, \916', McMillan, NBC, 1971',The Feather and Father Gang, ABC, 1977; The Black Sheep Squadron, NBC, 1977-78; Lou Grant, CBS, 1977-82; The White Shadow, CBS, 1979; Glitter, ABC, 1984; Jessie, ABC, 1984; "The Deacon Street Deer," Disney Sunday Movie, ABC, 1986; Sledge Hammer!, ABC, 1986 and 1987; The Law and Harry McGraw, CBS, 1987; Magnum, P.I., CBS, 1987; Mr. President, Fox, 1987; Spies, CBS, 1987; Ohara, ABC, 1987; Cagney and Lacey, CBS, 1987 and 1988; Simon and Simon, CBS, 1988; Supercarrier, ABC, 1988; Superboy>, syndicated, 1988; Jake and the Fatman, CBS, 1988; also Quincy, M.E., NBC.

PRINCIPAL FILM WORK—Director, Stand Up and Be Counted, Columbia, 1972; also director, Go for the Gold, 1984. PRINCIPAL TELEVISION APPEARANCES-^Series: Socrates "Sock" Miller, The People's Choice, CBS, 1955-58; Charles J. "Chick" Hennessey, Hennessey, CBS, 1959-62; host, The Dean Martin Comedy World, NBC, 1974; Peter Campbell, Mobile One, ABC, 1975. Pilots: Host, What's Up?, NBC, 1971; the Widower, "Hot Machine, Cold Machine" in Of Men Of Women, ABC, 1972; Father, Keeping an Eye on Denise, CBS, 1973; Dr. Dan Morgan, Doctor Dan, CBS, 1974; Walter Carlson, The Invisible Man, NBC, 1975; Peter Campbell, Mobile Two, ABC, 1975; Admiral, Operation Petticoat (also known as Life in the Pink), ABC, 1977. Episodic: Jonathan West, "Caesar and Me," The Twilight Zone, CBS, 1964; Neil Fletcher, Murder, She Wrote, CBS, 1986; Dr. Domedion, St. Elsewhere, NBC, 1986; also "The Invisible Killer," Suspense, CBS, 1952; "The Cocoon," Tales of Tomorrow, ABC, 1952; "Life, Liberty, and Orrin Dooley" and "A Message for Janice," Lux Video Theatre, NBC, 1952; "The Fall Guy," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1952; "Something Old, Something New," Ford Theatre, NBC, 1952; "The Outer Limit," Robert Montgomery Presents Your Lucky Strike Theatre, NBC, 1953; "Birthright" and "Hound Dog Man," Studio One, CBS, 1953; "Big Jim's Boy," Schlitz Playhouse of Stars, CBS, 1953; "The Middle Son" and "Tour of Duty," Armstrong Circle Theatre, NBC, 1953; "A Reputation," Revlon Mirror Theatre, CBS, 1953; "The Diehard," Kraft Theatre, NBC, 1953; "Grand'ma Rebel" and "Twenty-Four Men to a Plane," Medallion Theatre, CBS, 1953; "Westward the Sun," Motorola TV Hour, ABC, 1953; "Towerman," Danger, CBS, 1953; "The 39th Bomb," Medallion Theatre, syndicated, 1954; "Falling Star," The Elgin Hour, ABC, 1954; "Yellow Jack," Producer's Showcase, NBC, 1955; "I Found Sixty Million Dol-

Movies: (Also producer) Perfect Gentlemen, CBS, 1978; Rainbow, NBC, 1978; Sex and the Single Parent, CBS, 1979; White Mama, CBS, 1980; Rodeo Girl, CBS, 19W', Marathon, CBS, 1980; Leave 'em Laughing, CBS, 1981; (also producer) Rosie: The Rosemary Clooney Story, CBS, \9%2;The Night They Saved Christmas, ABC, 1984; Izzy and Moe, CBS, 1985; also Uncommon Courage. Specials: Producer (with Bob Finkel) of Bing Crosby and Perry Como specials, 1970-72. RELATED CAREER—Vice-president in charge of television program production, Columbia Pictures Corporation, 1964-69; founder (with Bob Finkel), producer, and director, Cooper-Finkel 96

CONTEMPORARY

COREY

THEATRE, FILM, AND TELEVISION • Volume 8

Company, 1969-73; also board of directors, Cinema Circulus, University of Southern California. WRITINGS: (With Dick Kliener) Please Don't Shoot My Dog (autobiography), William Morrow, 1981. AWARDS: Academy Award nomination, Best Actor, 1931, for Skippy; Emmy Award, Best Comedy Director, 1974, for M*A*S*H; Emmy Award, Best Dramatic Director, 1979, for pilot episode of The White Shadow; Film Advisory Board Awards as producer and director, 1982, forRosie: The Rosemary Clooney Story; two Emmy Award nominations as Best Actor, special citation from the American Medical Association, and Public Service Medal from the United States Navy, all for Hennessey. Also received awards from the Academy of Motion Picture Arts and Sciences, Directors Guild of America, Writers Guild of America, Caucus for Writers, Producers, and Directors, Hollywood Radio and Television Society, American Center of Films for Children, United Funds and Community Chest, March of Dimes, American Academy of General Practice, Cinema Circulus, University of California at Los Angeles, University of Southern California, Special Olympics, International Motor Sports of America, and the Center for Improvement of Child Caring. MILITARY HONORS—Honorary Naval Aviator Wings of Gold award, 1970; Commendation Medal with citation and the Legion of Merit with citation upon retirement from the U.S. Naval Reserve, 1974; also received awards from the Pearl Harbor Survivors Association, U.S. Navy Recruiting Service, Navy League, Association of Naval Aviation, Society of Experimental Test Pilots, and the Combat Pilots Association. MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, American Federation of Musicians, Directors Guild of America (council member and member of the national board of directors), Cinema Circulus (board of directors), Naval Aviation Society, Naval Reserve Association, Aircraft Owners and Pilots Association, VIVA to return Missing In Action Prisoners of War from Vietnam (charter member), Sports Car Club of America (former member).

JEFF COREY

York City, 1939; In the Matter ofJ. Robert Oppenheimer, Center Theatre Group, Mark Taper Forum, Los Angeles, 1968; Hamlet, Center Theatre Group, Mark Taper Forum, 1973; and with the Stage Society Theatre, Los Angeles.

SIDELIGHTS: RECREATIONS—Racing sports cars, playing the drums, skeet shooting, piloting, sailing, and cooking.

PRINCIPAL FILM APPEARANCES—Johann, Third Finger, Left Hand, Metro-Goldwyn-Mayer (MGM), 1940; Tom Sharp, The Devil and Daniel Webster (also known as All That Money Can Buy, HerelsaMan, andA CertainMr. Scratch), RKO, 1941; secretary, Paris Calling, Universal, 1941; Henry Trotter, Petticoat Politics, Republic, 1941; an animator, The Reluctant Dragon (live-action/ animated), RKO, 1941; Hector, Small Town Deb, Twentieth Century-Fox, 1941; Mr. Mooney, Girl Trouble, Twentieth CenturyFox, 1942; Coroner Larson, The Man Who Wouldn't Die, Twentieth Century-Fox, 1942; man, North to the Klondike, Universal, 1942; Harwood Green, The Postman Didn't Ring, Twentieth Century-Fox, 1942; orderly, Roxie Hart, Twentieth Century-Fox, 1942; Albert, The Moon Is Down, Twentieth Century-Fox, 1943; Tim Murphy, My Friend Flicka, Twentieth Century-Fox, 1943; man, California, Paramount, 1946; Sam Black, It Shouldn't Happen to a Dog, Twentieth Century-Fox, 1946; Blinky, The Killers, Universal, 1946; bank teller, Somewhere in the Night, Twentieth Century-Fox, 1946; freshman, Brute Force, Universal, 1947; brother-in-law, The Gangster, Allied Artists, 1947; Jed, Hoppy's Holiday, United Artists, 1947; reporter, Miracle on 34th Street (also known as The Big Heart), Twentieth Century-Fox, 1947; Bice, Ramrod, United Artists, 1947; Zu, Alias a Gentleman, MGM, 1948; Schwartzmiller, Canon City, Eagle-Lion, 1948; stranger, The Flame, Republic, 1948; cigarette smoker, Homecoming, MGM, 1948; immigration officer, /, Jane Doe (also known as Diary of a Bride}, Republic, 1948; prison guard, JoanofArc, RKO,

ADDRESSES: OFFICE—David Licht Associates, 9171 Wilshire Boulevard, Beverly Hills, CA 90210. AGENT—Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.*

COREY, Jeff

1914-

PERSONAL: Born August 10, 1914, in New York, NY; son of Nathan and Mary (Peskin) Corey; married Hope Victorson, February 26, 1938; children: Eve, Jane, Emily. EDUCATION—University of California, Los Angeles, B.A., theatre arts, 1955; trained for the stage at the Feagin School of Dramatic Art, 1930-32. MILITARY—U.S. Navy, combat photographer, 1943-45. VOCATION: Actor, director, and teacher. CAREER: PRINCIPAL STAGE APPEARANCES—Rosencrantz, Hamlet, Imperial Theatre, New York City, 1936; title role, King Lear, Theatre Venture '73, Beverly, MA, 1973. Also appeared in The Life and Death of an American, Maxine Elliott's Theatre, New

97

COREY

CONTEMPORARY

1948; Shuan, Kidnapped, Monogram, 1948; Union cavalry sergeant, A Southern Yankee (also known as My Hero!), MGM, 1948; Mohammad ]ad, Bagdad, Universal, 1949; LieutenantMacon,C7fy Across the River, Universal, 1949; Collins, Follow Me Quietly, RKO, 1949; Beecham, Hideout, Republic, 1949; doctor, Home of the Brave, United Artists, 1949; Jed Graham, Roughshod, RKO, 1949; Mr. Loring, Wake of the Red Witch, Republic, 1949.

THEATRE, FILM, AND TELEVISION • Volume 8

posse, The Gun and the Pulpit, ABC, 1974; Judge Janeway, Banjo Hackett: Roamin Free, NBC, 1976; Dean Miller, The Oath: The Sad and Lonely Sundays, ABC, 1976; Alex Hagopian, Roxy Page, NBC, 1976. Episodic: Byron Lomax, "O.B.I.T.," The Outer Limits, ABC, 1963; Plasus, "The Cloudminders," Star Trek, NBC, 1969; A.J. Bancroft, The A- Team, NBC, 1986; Judge Robert Hirsch, Night Court, NBC, 1986; Hal Walker, Starman, ABC, 1986; Mr. Casselman, Perfect Strangers, ABC, 1987; Judge Ralph Colella, Jake and the Fat Man, CBS, 1989; salesman, Roseanne, ABC, 1989; Vincenzo, Wolf, CBS, 1989; also The Untouchables, ABC, 1960; "The Dead Man," Night Gallery, NBC, 1970; The Bob Newhart Show, CBS, 1973; Barney Miller, ABC, 1978 and 1979; The Powers of Matthew Star, NBC, 1982; "The Boy Who Left Home to Find Out About the Shivers," Faerie Tale Theatre, Showtime; Mr. Romano, One Day At a Time, CBS; War of the Worlds, syndicated; Channing, ABC; The Doctors and the Nurses, CBS-Perry Mason, CBS; Corner Pyle, U.S.M.C., CBS; The Wild, Wild West, CBS; Run for Your Life, NBC; Bonanza, NEC'The Iron Horse, ABC; Judd, for the Defense, ABC; Garrison s Gorillas, ABC; Gunsmoke, CBS; Hawaii Five-0, CBS; The Bionic Woman, \BC\Today'sF.B.L, ABC; Knots Landing, CBS; Archie Bunker's Place, CBS; The New Love, American Style, ABC; Kojak, CBS; McCloud, NBC; Beauty and the Beast, CBS.

John Barton, Bright Leaf, Warner Brothers, 1950; Bart, The Nevadan (also known as The Man from Nevada), Columbia, 1950; Freddie, The Next Voice You Hear, MGM, 1950; Keeley, The Outriders, MGM, 1950; Abe Lincoln, Rock Island Trail (also known as Transcontinent Express], Republic, 1950; Richards, Singing Guns, Republic, 1950; Sergeant Farley, Fourteen Hours, Twentieth Century-Fox, 1951; Lou Brecker, Never Trust a Gambler, Columbia, 1951; Coyote, New Mexico, United Artists, 1951; Joe Harmony, Only the Valiant, Warner Brothers, 1951; Mokar, The Prince Who Was a Thief, Universal, 1951; Luke Davis, Rawhide (also known as Desperate Siege), Twentieth CenturyFox, 1951; Skee, Red Mountain, Paramount, 1951; Luke Benson, Superman and the Mole Men (also known as Superman and the Strange People), Lippert, 1951; Bishop, The Balcony, Continental, 1963; Joe, The Yellow Canary, Twentieth Century-Fox, 1963; the wino, Lady in a Cage, Paramount, 1964; Hoban, The Cincinnati Kid, MGM, 1965; Fryer, Mickey One, Columbia, 1965; Lieutenant Kebner, Once a Thief, MGM, 1965; Mr. Ruby, Seconds, Paramount, 1966; Hickock's father, In Cold Blood, Columbia, 1967; John Asgeirsson, The Boston Strangler, Twentieth Century-Fox, 1968; Sheriff Bledsoe, Butch Cassidy and the Sundance Kid, Twentieth Century-Fox, 1969; Wombat, Impasse, United Artists, 1969; Tom Chaney, True Grit, Paramount, 1969.

Movies: Collier Landis, The Movie Murderer, NBC, 1970; Gehrmann, Something Evil, CBS, 1972; Walter Stafford, Set This Town on Fire, NBC, 1973; Salters, Captains Courageous, ABC, 1977; Aspa Soldado, Curse of the Black Widow (also known as Love Trap), ABC, 1977; Prince Feiyad, Harold Robbins' "The Pirate," CBS, 1978; George, Homeward Bound, CBS, 1980; Riley, Cry for the Strangers, CBS, 1982; Lawyer Sam, Father of Hell Town, NBC, 1985; derelict, Final Jeopardy, NBC, 1985; Dr. Benjamin, Second Serve, CBS, 1986; Justice Harvey Sherman, A Deadly Silence, ABC, 1989.

Caspay, Beneath the Planet of the Apes, Twentieth Century-Fox, 1970; Paul, Cover Me Babe, Twentieth Century-Fox, 1970; Dr. Willhunt, Getting Straight, Columbia, 1970; Wild Bill Hickok, Little Big Man, National General, 1970; Captain Marden, They Call Me Mister Tibbs!, United Artists, 1970;Merridew, Catlow, MGM, 1971; clinic doctor, Clay Pigeon (also known as Trip to Kill), MGM, 1971; trooper, Shoot Out, Universal, 1971; Mr. King, Paper Tiger, MacLean, 1975; doctor, The Last Tycoon, Paramount, 1976; Detective Mark Denver, The Premonition, AVCOEmbassy, 1976; Preacher Hagen, Moonshine County Express, New World, 1977; Rabbi Silverstein, Oh, God!, Warner Brothers, 1977; Luke Baylor, Jennifer (also known as Jennifer, The Snake Goddess), American International, 1978; Mr. Martin, The Wild Geese, Allied Artists, 1978; Ray Bledsoe, Butch and Sundance: The Early Days, Twentieth Century-Fox, 1979; Zed, Battle Beyond the Stars, New World, 1980; Craccus, The Sword and the Sorcerer, Group 1, 1982; Grand Vizier, Conan the Destroyer, Universal, 1984; Dean Harrington, Creator, Universal, 1985; Willis Beecham, Messenger of Death, Cannon, 1988. Also appeared in You Belong to Me (also known as Good Morning Doctor), Columbia, 1941; Frankenstein Meets the Wolf Man, Universal, 1943; Unconquered, Paramount, 1947; Let's Live Again, Twentieth Century-Fox, 1948; The Wreck of the Hesperus, 1948; narrator, Black Shadows, 1949; Up River, 1979; Bird on a Wire, Universal, 1990; High Flying Lowe; Shine; Rooster; Secret Ingredient; Syncopation; The Golden Bullet; Land of the Free; Delicatessen; and The Judas Project.

FIRST TELEVISION WORK—Director, The Psychiatrist, NBC, 1971. PRINCIPAL TELEVISION WORK—All as director. Series: Hawkins, CBS, 1973-74. Episodic: Night Gallery, NBC, 1970-72 (ten episodes); The Sixth Sense, ABC, 1972; also Police Story, NBC; Alias Smith and Jones, ABC; Meeting of Minds, PBS. RELATED CAREER—Instructor and director of independent actors' workshops, 1950s—; drama professor, California State University, Northridge, 1966-71; drama professor, Chapman College's World Campus Afloat, 1973; drama teacher, the Stage Society, Los Angeles; creative drama workshop founder, Los Angeles Juvenile Hall; lecturer, University of Texas, Ball State University, and University of Southern California; board of directors, Ojai Music Festivals Inc.; faculty member, American Film Institute for Advanced Film Studies. NON-RELATED CAREER—Sewing machine salesman and speech therapist. WRITINGS: (Contributor) Closeups, Workman Press. AWARDS: MILITARY HONORS—Citation from the U.S. Navy, 1945. MEMBER: Academy of Motion Picture Arts and Sciences (actors' executive committee, 1970—), Screen Actors Guild (board of directors), Directors Guild of America, Actors' Equity Association.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Richard Pryor Show, NBC, 1977; Lawyer Sam, Hell Town, NBC, 1985; Bill McGregor, MorningstarlEveningstar, CBS, 1986. Mini-Series: William Simpson, Testimony of Two Men, syndicated, 1977. Pilots: Beiseker, A Clear and Present Danger, NBC, 1970; Captain Philip Lean, The Fuzz Brothers, ABC, 1973; head of

ADDRESSES: AGENT—Bauman, Hiller, and Associates, 5750 Wilshire Boulevard, Suite 512, Los Angeles, CA 90038. 98

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 COSGRAVE, Peggy

COULOURIS

Wedding; Aggie, Love Gifts; Reba Speldine, A Visit to a Small Planet; Eunice Hubble, A Streetcar Named Desire.

PERSONAL: Born June 23, in San Mateo, CA; daughter of John (in real estate) and Beryl Marie (a secretary; maiden name, Seeley) Cosgrave. EDUCATION—Received B.A. in drama from San Jose State College; also attended Catholic University. RELIGION— Roman Catholic.

MAJOR TOURS—Hilary, Tribute, U.S. cities, 1980; Hannah Mae, A Coupla White Chicks Sitting Around Talking, U.S. cities, 1982; also Cathleen, Long Day's Journey into Night, U.S. cities; Rosemary, Eccentricities of a Nightingale, U.S. cities; Mae, Cat on a Hot Tin Roof, U.S. cities; Kitty, The Royal Family, U.S. cities; Saunders, Fallen Angels, U.S. cities; Blanche, Romantic Comedy, U.S. cities; Florrie, Supporting Cast, U.S. cities; Maxine and Megan, 84 Charing Cross Road, U.S. cities; and The Dining Room, U.S. cities.

VOCATION: Actress. CAREER: STAGE DEBUT—Cathleen, Long Day's Journey into Night, Hartke Theatre, Washington, DC, 1971. OFF-BROADWAY DEBUT—Stella Mae, Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, Hudson Guild Theatre, 1980. BROADWAY DEBUT—Clelia Waldgrave, The Nerd, Helen Hayes Theatre, 1987, for 190 performances. PRINCIPAL STAGE APPEARANCES— Saunders, Fallen Angels, Paper Mill Playhouse, Millburn, NJ, 1977; Hannah Mae, A Coupla White Chicks Sitting Around Talking, Cincinnati Playhouse-in-the-Park, Cincinnati, OH, 1982; Jane, Fallen Angels, Coconut Grove Playhouse, Coconut Grove, FL, 1982; Zelda Spearman, Fugue, Long Wharf Theatre, New Haven, CT, 1986; Mrs. Hedges, Born Yesterday, 46th Street Theatre, New York City, 1989. Also appeared in Straight Up and The Importance of Being Earnest, both PAF Playhouse, Huntington Station, NY, 1975; Sally's Gone, She Left Her Name, Center Stage, Baltimore, MD, 1980; Holiday, Long Wharf Theatre, 1982; as Charlotte Wallace, Beyond Therapy, Berkshire Theatre Festival, Stockbridge, MA; Chick, Crimes of the Heart; Lorraine Sheldon, The Man Who Came to Dinner; Jessie, 'night Mother; Mrs. West, Member of the

PRINCIPAL FILM APPEARANCES—Ticket agent, Penn and Teller Get Killed, Warner Brothers, 1989. RELATED CAREER—Company member: Tyrone Guthrie Theatre, Minneapolis, MN, 1971-72; Seattle Repertory Theatre, Seattle, WA; Indiana Repertory Theatre, Indianapolis, IN; Manitoba Theatre Center, Winnipeg, MB, Canada; Bucks County Playhouse, New Hope, PA; Cleveland Playhouse, Cleveland, OH. NON-RELATED CAREER—Volunteer, Project Hope. AWARDS: Hartke Awards, 1969 and 1970; Helen Hayes Award nomination, Best Supporting Actress, 1986, for Crimes of the Heart. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild, Canadian Actors' Equity Association. SIDELIGHTS: FAVORITE ROLES—Chick in Crimes of the Heart, Stella Mae in Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, Charlotte Wallace in Beyond Therapy, and Cathleen in Long Day's Journey into Night. Among her other credits, Peggy Cosgrave also provided the voiceover narration for the ABC-TV network's soap opera update, Sneak Preview. ADDRESSES: AGENTS—Kenny Kaplan and David Kolander, Agency for the Performing Arts, 888 Seventh Avenue, New York, NY 10019.

COULOURIS, George

1903-1989

PERSONAL: Born October 1, 1903, in Manchester, England; died of a heart attack, April 25, 1989, in London, England; son of Nicholas (a merchant) and Abigail (Redfern) Coulouris; married Louise Franklin (died, 1976); married Elizabeth Clarke; children: George, Mary Louise (first marriage). EDUCATION—Studied for the stage at the Central School of Speech Training and Dramatic Art. VOCATION: Actor. CAREER: STAGE DEBUT—Reverend William Duke, Outward Bound, Rusholme Repertory Theatre, Manchester, U.K., 1926. LONDON DEBUT—Sir Thomas Grey, Henry V, Old Vic Theatre, 1926. BROADWAY DEBUT—Friar Peter, The Novice and the Duke,

PEGGY COSGRAVE

99

COULOURIS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Assembly Theatre, 1929. PRINCIPAL STAGE APPEARANCES— Giuseppe, Sirocco, Daly's Theatre, London, 1927; Yank, The Hairy Ape, Mercutio, Romeo and Juliet, and Jacques, As You Like It, all Cambridge Festival Theatre, Cambridge, U.K., 1928; Petronius, The Theatre of Life, Arts Theatre, London, 1929; Jacques Bonalie, The Black Ace, Globe Theatre, London, 1929; Sempronius, The Apple Cart, Martin Beck Theatre, New York City, 1930; Tybalt, Romeo and Juliet, Embassy Theatre, London, 1932; the Bank Manager, From Morn to Midnight, Gate Theatre, London, 1932; Tallant, The Late Christopher Bean, Henry Miller's Theatre, New York City, 1932; Julian Mosca, Best Sellers, Morosco Theatre, New York City, 1933; Lord Burleigh, Mary of Scotland, Alvin Theatre, New York City, 1933; Lieutenant Cutting, Valley Forge, Guild Theatre, New York City, 1934; Dr. Shelby, Blind Alley, Booth Theatre, New York City, 1935; John de Stogumber, Saint Joan, Martin Beck Theatre, 1936; Zacharey, Ten Million Ghosts, St. James Theatre, New York City, 1936; Marc Antony, Julius Caesar, Mercury Theatre, New York City, 1937; the King, The Shoemaker's Holiday and Boss Mangan, Heartbreak House, both Mercury Theatre, 1938; Mirabeau, Madame Capet, Cort Theatre, New York City, 1938; Father Shaughnessy, The White Steed, Cort Theatre, 1939.

in the Overcoat, Edinburgh Festival, Edinburgh, Scotland, 1950; and in stock companies, 1930-32. PRINCIPAL STAGE WORK—Producer and director, Richard III, Forrest Theatre, New York City, 1943. MAJOR TOURS—Teck de Brancovis, Watch on the Rhine, U.S. cities, 1941-42; Dr. Shelby, Blind Alley, U.S. cities, 1946-47; Smiley Coy, The Big Knife, U.K. cities, 1953; the General, The Soldier and the Lady, U.K. cities, 1954. FILM DEBUT—Tallant, Christopher Bean (also known as Her Sweetheart), Metro-Goldwyn-Mayer, 1933. PRINCIPAL FILM APPEARANCES—Defense attorney, The Lady in Question (also known as It Happened in Paris), Columbia, 1940; Charpentier, All This and HeavenToo, Warner Brothers, 1940; Walter Parks Thatcher, Citizen Kane, RKO, 1941; Captain Holz, Assignment in Brittany, Metro-Goldwyn-Mayer (MGM), 1943; Andre, For Whom the Bell Tolls, Paramount, 1943; prosecuting attorney, This Land Is Mine, RKO, 1943; Teck de Brancovis, Watch on the Rhine, Warner Brothers, 1943; Lingley, Between Two Worlds, Warner Brothers, 1944; Von Beck, The Master Race, RKO, 1944; Dr. Byles, Mr. Skeffington, Warner Brothers, 1944; Jim Mordiney, None But the Lonely Heart, RKO, 1944; Captain Currie, Confidential Agent, Warner Brothers, 1945; Joachim Helm, Hotel Berlin, Warner Brothers, 1945; Mr. Saunders, Lady on a Train, Universal, 1945; Louis Pleyel, A Song to Remember, Columbia, 1945; Pharoah, California, Paramount, 1946; James Randolph, Mr. District Attorney, Columbia, 1946; Doc Ganson, Nobody Lives Forever, Warner Brothers, 1946; Superintendent Buckley, The Verdict, Warner Brothers, 1946; Krivoc, Where There's Life, Paramount, 1947; Lew Proctor, Beyond Glory, Paramount, 1948; Sir Robert D. Baudricort, Joan of Arc, RKO, 1948; Charles Vernay, Sleep, My Love, United Artists, 1948; Major Jack Drumman, A Southern Yankee (also known as My Hero), MGM, 1948.

John Elliott, Cue for Passion, Roy ale Theatre, New York City, 1940; Teck de Brancovis, Watch on the Rhine, Martin Beck Theatre, 1941; title role, Richard HI, Forrest Theatre, New York City, 1943; Waldo Cruikshank, Bonanza Bound, Shubert Theatre, Philadelphia, PA, 1947-48; Subtle, The Alchemist, the Donkey Man, The Moon of the Caribbees, and the Vagrant, The Insect Comedy (or The World We Live In), all City Center Theatre, New York City, 1948; Jacques, As You Like It, title role, Tartuffe, Brutus, Julius Caesar, and Sir John Brute, The Provokd Wife, all Bristol Old Vic Company, Bristol, U.K., 1950; title role, Tartuffe, Bristol Old Vic Company, Lyric Hammersmith Theatre, London, 1950; Ulric Brendel, Rosmersholm, St. Martin's Theatre, London, 1950; title role, King Lear, Glasgow Citizens' Theatre, Glasgow, Scotland, 1952; King James I, Fool's Mate, Under Thirty Group, Criterion Theatre, London, 1953; Clumber Holmes, The Full Treatment, Q Theatre, London, 1953; Malvolio, Twelfth Night and Claudius, Hamlet, both Embassy Theatre, 1953; Smiley Coy, The Big Knife, Duke of York's Theatre, London, 1954; Paul Finch, The Ghost Writers, Arts Theatre, London, 1955; Charles Touchdown, Moonshine, Q Theatre, 1955; Hawkshaw, The Ticket-of-Leave Man, Arts Theatre, Cambridge, U.K., 1956; John Pope, Sr., A Hatful of Rain, Princes' Theatre, London, 1957, then 1958; Dr. Stockmann, An Enemy of the People, Arts Theatre, Cambridge, 1959.

Victor Sloma, Kill or Be Killed, Eagle-Lion, 1950; Captain Weiss, Island Rescue (also known as Appointment with Venus), Universal, 1952; Babalatchi, An Outcast of the Islands, British Lion, 1952; Spadoni, The Assassin, United Artists, 1953; the Captain, A Day to Remember, General Film Distributors, 1953; Briggs, Doctor in the House, General Film Distributors, 1954; Captain Malburn, Duel in the Jungle, Warner Brothers, 1954; Portuguese captain, The Heart of the Matter, Associated Artists, 1954; Edward Schroeder, The Runaway Bus, Eros, 1954; Carpenter, Doctor at Sea, Rank, 1955; Dallapiccola, A Race for Life (also known as Handful of Dusk), Lippert, 1955; Garvin, The Teckman Mystery, Associated Artists, 1955; Padre, Private's Progress, British Lion, 1956; Pascoe, Doctor at Large, Rank, 1957; Karl Brussard, The Man Without a Body, Eros, 1957; Carl Kraski, Tarzan and the Lost Safari, MGM, 1957; Colonel Sandherr, / Accuse!, MGM, 1958; Heinz Webber, Kill Me Tomorrow, Ren-Tudor, 1958; Bennie, Law and Disorder, RKO, 1958; Colonel Benedict, Spy in the Sky, Allied Artists, 1958; Commandant, Tank Force (also known as No Time to Die), Columbia, 1958; Bourdin, The Beasts of Marseilles (also known as Seven Thunders), R.F.D. Productions, 1959; Alan A. Dale, Son of Robin Hood, Twentieth Century-Fox, 1959; Dr. James Moran, The Woman Eater, Columbia, 1959.

Squeezum, Lock Up Your Daughters and Peter Flynn, The Plough and the Stars, both Mermaid Theatre, London, 1962; performed in scenes from Tartuffe and The Way of the World, Georgian Theatre, Richmond, U.K., 1963; Shylock, The Merchant of Venice, Flora Robson Theatre, Newcastle-on-Tyne, U.K., 1963; Sir Samuel Holt, Beekman Place, Morosco Theatre, 1964; Father, The Condemned of Altona, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, New York City, 1966; Voltaire, The Sorrows of Frederick, Mark Taper Forum, Los Angeles, 1967; Earl of Theign, The Outcry, Arts Theatre, London, 1968; Sikorski, Soldiers, New Theatre, London, 1968; Philip Bummidge, The Last Analysis, Theatre Royal, Derby, U.K., 1970; Big Daddy, Cat on a Hot Tin Roof, Richmond Theatre, London, 1970; Shylock, The Merchant of Venice, Gardner Arts Theatre, Brighton, U.K., 1973; title role, King Lear, Globe Playhouse, Los Angeles, 1977. Also appeared in The Admirable Crichton, Bristol Old Vic Company, 1950; The Man

Lacoste, Bluebeard's Ten Honey moons, Allied Artists, 1960; bank manager, The Boy Who Stole a Million, British Lion, 1960;Petrelli, Conspiracy of Hearts, R.F.D. Productions, 1960; Dr. Hugo Panzer, Surprise Package, Columbia, 1960; camel driver, King of Kings, MGM, 1961; the colonel, The Big Money, Lopert, 1962; Forbes, The Dog and the Diamonds, Associated British, 1962; Francois 100

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 COVER Lejeune, Fury at Smugglers Bay, Embassy, 1963; Carlos, The Crooked Road, Seven Arts, 1965; Dr. Londe, The Skull, Paramount, 1965; Ragheeb, Arabesque, Universal, 1966; Cardenas, Land Raiders (also known as Day of the Landgrabbers), Columbia, 1969; Swiss peasant, The Assassination Bureau, Paramount, 1969; Mr. Sturdevant, No Blade of Grass, MGM, 1970; Berigan, Blood from the Mummy's Tomb, Hammer, 1972; Dr. Chatal, Papillon, Allied Artists, 1973; Dr. Roth, Mahler (also known as Mahler Lives), Visual Programme System, 1974; Dr. Constantine, Murder on the Orient Express, Paramount, 1974; Dr. Powys, The Last Days of Man on Earth (also known as The Final Programme), New World, 1975; Old Man Vespucci, TheRitz, Warner Brothers, 1976; El Keb, Shout at the Devil, American International, 1976; Father Mittner, The Tempter (also known as L'Anti Cristo and Anticristo), AVCO-Embassy, 1978; professor, It's Not the Size That Counts (also known as Percy's Progress), Joseph Brenner, 1979; John Gurney, Beyond the Fog (also known as Tower of Evil and Horror on Snape Island), Independent-International, 1981; Lablache, Vivement Dimanche (also known as Let It Be Sunday and Confidenttially Yours), Spectrafilm, 1982; Gus, The Long Good Friday, Embassy, 1982. Also appeared in In the Cool of the Day, MGM, 1963; Too Many Thieves, MGM, 1968; and in / Love You, I Hate You. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: DeBono, Mussolini: The Untold Story, NBC, 1985; also Clouds of Witness, BBC, then Masterpiece Theatre, PBS, 1973. Episodic: Trials of O'Brien, CBS, 1966; Dundee and the Culhane, CBS, 1967; Search, NBC, 1972 and 1973; also Hart to Hart, ABC. Movies: Max Greene, The Stranger, NBC, 1973; doctor, Coffee, Tea, or Me?, CBS, 1973. Specials: The Suicide Club, ABC, 1973. FRANKLIN COVER

PRINCIPAL RADIO APPEARANCES—Series: To Hollywood and Back, BBC.

Stars, all Phoenix Repertory Company, Phoenix Theatre, New York City, 1960; Salem Scudder, The Octoroon and Marcellus and First Player, Hamlet, both Phoenix Repertory Company, Phoenix Theatre, 1961; Logan Harvey, Giants, Sons of Giants, Alvin Theatre, New York City, 1962; Roger Parkhurst, Calculated Risk, Ambassador Theatre, New York City, 1962; Brock Holliday, Abraham Cochrane, Belasco Theatre, New York City, 1964; John Cleves (understudy), Any Wednesday, Music Box Theatre, New York City, 1964-66, then George Abbott Theatre, New York City, 1966; prosecuting attorney, The Investigation, Ambassador Theatre, New York City, 1966; Charles, A Warm Body, Cort Theatre, New York City, 1967; Hamilton Reed, The Freaking Out of Stephanie Blake, Eugene O'Neill Theatre, New York City, 1967; Eddy Edwards, Forty Carats, Morosco Theatre, New York City, 1968-70; Howard Benedict, Applause, Palace Theatre, New York City, 1972; Marty, The Killdeer, New York Shakespeare Festival, Public Theatre, New York City, 1974; Colonel Triletzky, Wild Honey, Virginia Theatre, New York City, 1986; Ed Devery, Born Yesterday, Morris Mechanic Theatre, Baltimore, MD, 1988, then 46th Street Theatre, New York City, 1989. Also appeared with the Cleveland Playhouse, Cleveland, OH, 1954-58; and in title role, Macbeth, American Shakespeare Festival, Stratford, CT.

RELATED CAREER—Member, Mercury Theatre Company, New York City, 1937-38. NON-RELATED CAREER—Waiter on the ocean liner Majestic. OBITUARIES AND OTHER SOURCES: New York Times, April 27, 1989; Variety, May 3-9, 1989.*

COVER, Franklin

1928-

PERSONAL: Full name, Franklin Edward Cover; born November 20, 1928, in Cleveland, OH; son of Franklin Held and Britta (Schreck) Cover; married Mary Bradford Stone (a dance company director), January 30, 1965; children: Bradford Franklin, Susan Henderson. EDUCATION—Denison University, B.A., theatre, 1951; Case Western Reserve University, M.A., 1954, M.F.A., 1955. MILITARY—U.S. Air Force, lieutenant, 1951-53. VOCATION: Actor.

PRINCIPAL FILM APPEARANCES—Group leader, Mirage, Universal, 1965;EdWimpiris, TheStepfordWives, Columbia, 1975;Dan, Wall Street, Twentieth Century-Fox, 1987; also appeared in What's So Bad About Feeling Good?, Universal, 1968; Such Good Friends, Paramount, 1971; The Great Gatsby, Paramount, 1974.

CAREER: STAGE DEBUT—With the Cain Park Theatre, Cleveland, OH, 1945. PRINCIPAL STAGE APPEARANCES—Flavius and Publius, Julius Caesar, Belvedere Lake Theatre, New York City, 1959; Sir Walter Blunt and Sheriff, Henry IV, Part One, Travers and Silence, Henry IV, Part Two, Dick Muggins and Jeremy, She Stoops to Conquer, and Captain Brennan, The Plough and the

PRINCIPAL TELEVISION APPEARANCES—Series: Tom Willis, The Jejfersons, CBS, 1975-85. Pilots: Mr. Murray, Change at

101

CRICHTON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

125th Street, CBS, 1974. Episodic: Tom Willis, All in the Family, CBS, 1975; Sheriff Joe Gates, Hothouse, CBS, 1988; Albert Blotchbinder, 227, NBC, 1988; also Naked City, ABC, 1959; The Defenders, CBS, 1960; Armstrong Circle Theatre, CBS, 1960; Play of the Week, WNTA, 1960; Love of Life, CBS, 1960; The Trials of O'Brien, CBS, 1962; The Doctors, NBC, 1966; The Edge of Night, CBS, 1967; The Secret Storm, CBS, 1969; All My Children, ABC, 1970; The Love Boat, ABC, 1975; The Jackie Gleason Show, CBS. Movies: Conductor, Short Walk to Daylight, ABC, 1972; Lee Harris, The Connection, ABC, 1973; Hubert Humphrey, A Woman Called Golda, syndicated, 1982; Herbert Hoover, The Day the Bubble Burst, NBC, 1982. Also appeared in What Makes Sammy Run?, 1959; The Investigation, 1967.

Artists/British Filmmakers, 1951, released in the United States by Universal, 1952; director, The TitfieId Thunderbolt, Ealing, 1952, released in the United States by Universal, 1953; director, The Love Lottery, Ealing, 1953, released in the United States by General Film Distributors, 1954; director, The Divided Heart, Ealing, 1954, released in the United States by Republic, 1955; director, The Man in the Sky (also known as Decision Against Time), Ealing, 1956, released in the United States by Metro-Goldwyn-Mayer, 1957; director, Law and Disorder, Continental Distributing, 1958; director, Floods of Fear, Rank/Universal, 1958; director, The Battle of the Sexes, Continental, 1960; director, The Boy Who Stole a Million, British Lion, 1960; director, The Third Secret, Twentieth Century-Fox, 1964; director, He Who Rides a Tiger, Sigma III, 1965; director, A Fish Called Wanda, Metro-Goldwyn-Mayer/ United Artists, 1988. Also editor, Yellow Caesar (also known as The Heel of Italy), 1940; editor, Guests of Honour, 1941; editor, Young Veteran, 1941; associate producer and editor, Find, Fix, and Strike, 1941; associate producer, Greek Testament (also known as The Shrine of Victory), 1942; director, Tomorrow's Island, 1968.

MEMBER: Screen Actors Guild (director), American Federation of Television and Radio Artists, Actors' Equity Association, Cleveland Playhouse (honorary trustee), Players Club, English Speaking Union, Union Club (New York City), Blue Key, Kappa Sigma, Omicron Delta Kappa. ADDRESSES: AGENT—Writers and Artists Agency, 70 W. 36th Street, New York, NY 10018.*

CRICHTON, Charles

PRINCIPAL TELEVISION WORK—All as director. Series: The Adventures of Black Beauty, London Weekend Television, then syndicated, 1972-73; Space 1999, syndicated, 1975-76. Episodic: Secret Agent, ITV, then CBS, both 1965; The Avengers, ITV, 1965, then ABC, 1966; Man in a Suitcase, ABC, 1968; The Strange Report, NBC, 1971; Shirley's World, ABC, 1971; The Protectors, ATV, then syndicated, 1973; Return of the Saint, ATV, then CBS, 1979-80; also and Dick Turpin. Movies: London—Through My Eyes, 1970. Also directed The Wild Duck, British television; The Smuggler.

1910-

PERSONAL: Born August 6, 1910, in Wallasey, England. EDUCATION—Attended Oxford University.

RELATED CAREER—Director of training films, Video Arts (a production company), London.

VOCATION: Director, screenwriter, and film editor. CAREER: PRINCIPAL FILM WORK—Assistant editor, Men of Tomorrow, London Films, 1932; assistant editor, Cash (also known as For Love or Money), London Films, 1933; assistant editor, The Private Life of Henry VIII, London Films, 1933; assistant editor, The Girl from Maxim's, London Films, 1933; editor (with William Hornbeck), Sanders of the River (also known as Bosambo), London Films/United Artists, 1935; editor (with Francis Lyon), Things to Come, London Films, 1935, released in the United States by United Artists, 1936; editor (with Hornbeck), Elephant Boy, London Films/United Artists, 1937; editor (with Hornbeck), Twenty-One Days Together (also known as Twenty-One Days and The First and the Last), London Films, 1937, released in the United States by Columbia, 1940; editor, Prison Without Bars, London Films, 1938, released in the United States by United Artists, 1969; editor, Old Bill and Son, General Film Distributors, 1940; editor (with Hornbeck), The Thief of Baghdad, London Films/United Artists, 1940; editor, The Big Blockade, Baling, 1941; associate producer and editor (with Hornbeck), Nine Men, Ealing, 1942, released in the United States by United Artists, 1943; director, For Those in Peril, Ealing, 1944; director, The Girl on the Canal (also known as Painted Boats), Ealing, 1945; director, "The Golfing Story" in Dead of Night, Ealing, 1945; director, Hue and Cry, Ealing, 1946, released in the United States by General Film Distributors, 1950; director, Against the Wind, Baling/General Film Distributors, 1948; director, Another Shore, Baling/General Film Distributors, 1948; director, "The Orchestra Conductor" in Train of Events, Ealing, 1949, released in the United States by Film Arts, 1952.

WRITINGS: FILM—(With Vivienne Knight) Floods of Fear, Rank, 1958; (with John Eldridge) The Boy Who Stole a Million, British Lion, 1960; Tomorrow's Island, 1968; (with John Cleese) A Fish Called Wanda, Metro-Goldwyn-Mayer/United Artists, 1988. TELEVISION—Episodic: (With Christopher Penford) "The Last Sunset," Space 1999, syndicated, 1975. AWARDS: Academy Award nominations, Best Director and (with John Cleese) Best Original Screenplay, both 1989, for A Fish Called Wanda*

CRINKLEY, Richmond

1940-1989

PERSONAL: Full name, Richmond Dillard Crinkley; born January 20, 1940, in Blackstone, VA; died of cancer, January 29, 1989, in Richmond, VA; son of James Epes and Sarah Elizabeth (Beck) Crinkley. EDUCATION—University of Virginia, B.A., 1961, M.A., 1962, and Ph.D., 1966; postgraduate work, Oxford University, 1965-67. VOCATION: Producer and theatre executive. CAREER: PRINCIPAL STAGE WORK—Producer: Total Eclipse, Happy Days, and Subject to Fits, all Folger Theatre Group, Washington, DC, 1969-73; (with Roger L. Stevens) The Freedom of the City, Kennedy Center for the Performing Arts, Washington, DC, 1973, then (also with Konrad Matthaei and Hale Matthews)

Director, Dance Hall, Baling/General Film Distributors, 1950; director, The Lavender Hill Mob, Baling/Universal, 1951; director, Hunted (also known as The Stranger in Between), Independent

102

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Alvin Theatre, New York City, 1974; (with Stevens) The Skin of Our Teeth, Kennedy Center for the Performing Arts, Washington, DC, then (also with Ken Marsolais) Mark Hellinger Theatre, New York City, both 1975; (with Stevens) Summer Brave, Kennedy Center for the Performing Arts, then (also with Barry M. Brown, Burry Fredrik, Fritz Holt, Sally Sears, and Robert V. Straus) American National Theatre and Academy (ANTA) Theatre, New York City, both 1975; (with Stevens) The Royal Family, Kennedy Center for the Performing Arts, then (also with Brown, Fredrik, Holt, and Sears) Helen Hayes Theatre, New York City, both 1975; (with Stevens) The Scarecrow, Sweet Bird of Youth, Long Day's Journey into Night, Rip Van Winkle, and A Texas Trilogy, all Kennedy Center for the Performing Arts, 1975-76; (with Stevens) The Heiress, Kennedy Center for the Performing Arts, then (also with Steven Beckler and Thomas C. Smith) Broadhurst Theatre, New York City, both 1976; Out of Our Father's House, ANTA Theatre, 1978; (with Elizabeth I. McCann and Nelle Nugent) The Elephant Man, ANTA, Booth Theatre, New York City, 1979; LadyhouseBlues, ANTA, Theatre at St. Peter's Church, New York City, 1979.

CROWLEY

MEMBER: Raven Society, Phi Beta Kappa. OBITUARIES AND OTHER SOURCES: New York Times, January 31, 1989.*

CROSBY, Denise VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Sally, 48 Hours, Paramount, 1982; Bruno's moll, The Curse of the Pink Panther, United Artists, 1983; Enid, The Man Who Loved Women, Columbia, 1983; Nora Hunter, Eliminators, Empire, 1986; Pat, Desert Hearts, Samuel Goldwyn, 1985; Jill Andrews, Arizona Heat, Spectrum, 1988; Rachel Creed, Pet Sematary, Paramount, 1989. Also appeared in The Trail of the Pink Panther, United Artists, 1982.

Tintypes, ANTA, Theatre at St. Peter's Church, then John Golden Theatre, New York City, both 1980; Judgement, ANTA, Theatre at St. Peter's Church, 1980; The Philadelphia Story, Lincoln Center Theatre Company, Vivian Beaumont Theatre, New York City, 1980; The Floating Light Bulb and Macbeth, both Lincoln Center Theatre Company, Vivian Beaumont Theatre, 1981; "Stops Along the Way," "In Fireworks Lie Secret Codes," and "Vivien," in The One Act Play Festival, Lincoln Center Theatre Company, Mitzi E. Newhouse Theatre, New York City, 1981; Poor Little Lambs, Theatre at St. Peter's Church, 1982; (with Eve Skina, Tina Chen, Martin Markinson, Mike Merrick, and John Roach) Passion, Longacre Theatre, New York City, 1983.

PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Tasha Yar, Star Trek: The Next Generation, syndicated, 1987-88. Pilots: Kim Parker, Stark, CBS, 1985. Movies: Teller, Cocaine: One Man's Seduction, NBC, 1983; Carole Lombard, Malice in Wonderland, CBS, 1985; Diana Dyrenforth, My W/cte/, Wicked Ways. . . The Legend of Errol Flynn, CBS, 1985. ADDRESSES: AGENT—Harris and Goldberg, 2121 Avenue of the Stars, Suite 950, Los Angeles, CA 90067.*

MAJOR TOURS—Producer (with Elizabeth I. McCann and Nelle Nugent), The Elephant Man, U.S. cities, 1979-81.

CROWDER, Jack See RASULALA, Thalmus

PRINCIPAL TELEVISION WORK—All as producer. Specials: Out of Our Father's House, PBS, 1978; The Elephant Man, ABC, 1979; Macbeth, ABC, 1983; also Diary of a Madman. RELATED CAREER—Director of programs, Folger Shakespeare Library, and producer, Folger Theatre Group, Washington, DC, 1969-73; board member, WETA-TV, Washington, DC, 1969-73; board member, Shakespeare Quarterly, 1971-73; assistant to the chairman, John F. Kennedy Center for the Performing Arts, Washington, DC, 1973-76; executive director, American National Theatre and Academy, New York City, 1976-79; executive director, Lincoln Center Theatre Company, Vivian Beaumont Theatre, New York City, 1979-84; trustee, John F. Kennedy Center for the Performing Arts, 1981-89; founder and president, Cerberus Enterprises Inc. (a theatrical production company), 1984-89; trustee, Stage II, London; advisory board member (Washington chapter), National Society of Arts and Letters.

CROWLEY, Pat (Patricia Crowley) PERSONAL: Born September 17, in Olyphant, PA; daughter of Vincent and Helen (Swartz) Crowley; married E. Gregory Hookstratten, February 2, 1958 (divorced); married A. Friendly, April 5, 1986; children: Jon, Ann (first marriage). EDUCATION—Attended the High School of the Performing Arts, New York City. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Carol Randall, Southern Exposure, Biltmore Theatre, New York City, 1950; Dorothy Bawke, Four Twelves are Forty-Eight, 48th Street Theatre, New York City, 1951; Helene Dupont, Tovarich, City Center Theatre, New York City, 1952.

NON-RELATED CAREER—Assistant professor of English literature, University of North Carolina, 1967-69. WRITINGS: Walter Pater: Humanist, University Press of Kentucky, 1971.

PRINCIPAL FILM APPEARANCES—Sally Carver, Forever Female, Paramount, 1953; Autumn Clay pool, Money from Home, Paramount, 1953; Susana Martinez De La Cruz, Red Garters, Paramount, 1954; Julie Walsh, The Square Jungle, Universal, 1955; Terry, Hollywood or Bust, Paramount, 1956; Ann, There's Always

AWARDS: Fulbright fellowship, 1965-67; New York Drama Critics' Circle Award and Antoinette Perry Award, both Best Play, 1979, for The Elephant Man.

103

CROWLEY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Tomorrow, Universal, 1956; Mary Dennison, Walk the Proud Land, Universal, 1956; Ann Morrow, Key Witness, Metro-GoldwynMayer (MGM), 1960; (as Patricia Crowley) Betty Anderson, The Scarf ace Mob (also known as Tueur de Chicago), Cari Releasing/ Desilu, 1962; (as Patricia Crowley) Eloise, The Wheeler Dealers (also known as Separate Beds), MGM, 1963; (as Patricia Crowley) Elaine May Donaldson, To Trap a Spy, MGM, 1966; (as Patricia Crowley) Mary Lee McNeil, The Biscuit Eater, Buena Vista, 1972; Lennie Howe, Off the Wall, Gregory, 1977. Also appeared in The Wild Women ofWongo, Tropical, 1959.

"Boomerang," World of Disney, NBC, 1968; "Love and the Wonderful Wife,'' Love, American Style, ABC, 1969; "Menace on the Mountain," World of Disney, NBC, 1970; Marcus Welby, M.D., ABC, 1971; Alias Smith and Jones, ABC, \91\\Columbo, NBC, \91l;TheBoldOnes, NBC, 197'1; Owen Marshall, Counselor at Law, ABC, 1972; Griff, ABC, 1973; World of Disney, NBC, 1914', Police Story, NBC, 1974,1975, and 197'6; Matt Helm, ABC, 1915; Police Woman, NBC, 1916; Streets of San Francisco, ABC, 1976; also The Web, CBS; The Chevrolet Tele-Theatre, NBC; The Love Boat, ABC. Movies: Carol Long, A Family Upside Down, NBC, 1978.

PRINCIPAL TELEVISION APPEARANCES—Series: Judy Foster, A Date with Judy, ABC, 1951-52; Joan Nash, Please Don't Eat the Daisies, NBC, 1965-67; Georgia Cameron, Joe Forrester, NBC, 1975-76; Emily Fallmont, Dynasty, ABC, 1986; (as Patricia Crowley) Rebecca Whitmore, Generations, NBC, 1989—. Pilots: Maggie Randall, / Remember Caviar (broadcast as an episode of Goodyear Theatre), NBC, 1959; J.B., The Rumor (broadcast as an episode of Stripe Playhouse), CBS, 1959; Betty Anderson, The Untouchables (broadcast as an episode of Desilu Playhouse), CBS, 1959; Maggie Randall, All in the Family (broadcast as an episode of Goodyear Theatre), NBC, 1960; Elizabeth Williams, The Two of Us, CBS, 1966; Joan, You're Only Young Twice, CBS, 1967; Georgia Cameron, The Return of Joe Forrester, NBC, 1975; Maggie Haines, The Millionaire, CBS, 1978; Lucy Faber, Return to Fantasy Island, ABC, 1978; Beverly Gerber, International Airport, ABC, 1985; also The World of Entertainment, syndicated, 1982.

RELATED CAREER—Child model.

NON-RELATED CAREER—Vice-president, Share Inc.; board of directors, West Lake School; board of directors, Good Shepherd School. AWARDS: Theatre World Award, 1951. ADDRESSES: AGENT—Light/Gordon/Rosson Agency, 901 Bringham Avenue, Los Angeles, CA 90049.*

CROWLEY, Patricia See CROWLEY, Pat

Episodic: Jackie Benson, "Printer's Devil," The Twilight Zone, CBS, 1963; Claudia Baron, Blacke's Magic, NBC, 1986; Edie Howard, Murder, She Wrote, CBS, 1987; also "Sixteen," Television Theatre, NBC, 1950; Magnavox Theatre, CBS, 1950; "The Laughing Shoes," "Fairy Tale," and "Caprice," Armstrong Circle Theatre, NBC, 1952; "Treasure Chest," Television Playhouse, NBC, 1952; "Night of Evil," Suspense, CBS, 1952; "The Pretext," Video Theatre, CBS, 1954; "Two," The U.S. Steel Hour, ABC, 1954; "Guilty Is the Stranger," Goody ear Play house, NBC, 1954; "Bachelor's Bride," General Electric Theatre, CBS, 1955; "Here Comes the Groom," Lux Video Theatre, NBC, 1956; "The 78th Floor," Climax, CBS, 1956; "Heat of Anger," West Point, CBS, 1956; "Girl with a Glow," Schlitz Playhouse of Stars, CBS, 1957; "The Deadline," Crossroads, ABC, 1957; "A Gun at His Back," The Frank Sinatra Show, ABC, 1957; "Blizzard," The Loretta Young Show, NBC, 1957; "Time to Go Now," General Electric Theatre, CBS, 1958; "The Bargain," The Loretta Young Show, NBC, 195%; Maverick, ABC, 1959; Wanted Dead or Alive, CBS, 1959; 77 Sunset Strip, ABC, 1959; "Trouble in Fenton

CRUTCHLEY, Rosalie 1921PERSONAL: Born January 4, 1921, in London, England; daughter of Gerald and Betty (Spottiswoode) Crutchley; married Danson Cunningham (divorced); married Peter Ashmore (divorced). EDUCATION—Attended the Francis Holland School; trained for the stage at the Royal Academy of Music. VOCATION: Actress. CAREER: STAGE DEBUT—Saint Joan, Liverpool Playhouse, Liverpool, U.K., 1938. LONDON DEBUT—Angelica, Love for Love, Phoenix Theatre, 1943. PRINCIPAL STAGE APPEARANCES— Elizabeth, The Circle, Angelica, Love for Love, and Hippolyta, A Midsummer Night's Dream, all Hay market Theatre, London, 194445; Goneril, King Lear and Beatrice, Much Ado About Nothing, both Bristol Old Vic Theatre, Bristol, U.K., 1946-47, then Embassy Theatre, London, 1947; Friedl von Gerhardt, The Compelled People, New Lindsey Theatre, London, 1949; Helen Rolt, The Heart of the Matter, Wilbur Theatre, Boston, MA, 1950; Madeleine, Intimate Relations, Arts Theatre, London, 1951; Helen Manifold, All the Year Round, Duke of York's Theatre, London, 1951; Marie Chassaigne, The River Line, Strand Theatre, London, 1953; Kristine Linde, A Doll's House, Lyric Hammersmith Theatre, London, 1953; Elizabeth Proctor, The Crucible, Royal Court Theatre, London, 1956; Dona Ana, Don Juan and Marcia Lissenden, The Death of Satan, both Royal Court Theatre, 1956. Also appeared in repertory at the Liverpool Playhouse, Liverpool, U.K., 1938-39, with the H.M. Tennent Players, 1940, in Edinburgh and Glasgow, Scotland, 1940, at the Oxford Playhouse, Oxford, U.K., 1940-42, and with the Old Vic Company, Liverpool Playhouse, 1945-46.

Valley," The Loretta Young Show, NBC, 1959; Bronco, ABC,

1959.

Riverboat, NBC, 1960; "Threat of Evil," The June Ally son Show, CBS, I960; Maverick, ABC, 1960; The Tab Hunter Show, NBC, I960; Hong Kong, ABC, 1960; The Roaring Twenties, ABC, 1960; Michael Shayne, NBC, 1961; Hong Kong, ABC, 1961; Tales of Wells Fargo, NBC, 1961; 87th Precinct, NBC, 1961; The Detectives, NBC, 1961; Dr. Kildare, NBC, 1962; "Quick Brown Fox," Cain's Hundred, NBC, 1962; Rawhide, CBS, 1963; Bonanza, NBC, 1963; The Eleventh Hour, NBC, 1963; The Fugitive, ABC, 1963; Mr. Novak, NBC, 1963; 77 Sunset Strip, ABC, 1963; The Lieutenant, NBC, 1964; Arrest and Trial, CBS, 1964;£>r. Kildare, NBC, 1964; The Man from U.N.C.L.E., NBC, 1964; "Mr. Biddie's Crime Wave," The Bob Hope Chrysler Theatre, NBC, 1964; "A Matter of Murder," Alfred Hitchcock Theatre, CBS, 1964; Judd, for the Defense, ABC, 1968; The Virginian, NBC, 1968; 104

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

CUSACK

FILM DEBUT—Elizabeth Rusman, Take My Life, Eagle-Lion/ Rank, 1948. PRINCIPAL FILM APPEARANCES—Julio's wife, Salt to the Devil (also known as Give Us This Day), Eagle-Lion/Rank, 1949; Carlotta, Prelude to Fame, Universal, 1950; Mrs. Sidney Herbert, The Lady with a Lamp, British Lion, 1951; Acte, Quo Vadis, Metro-Goldwyn-Mayer (MGM), 1951; Queen Katherine of Aragon, The Sword and the Rose (also known as When Knighthood Was in Flower), RKO, 1953; Francesca, Flame and the Flesh, MGM, 1954; Bella, Make Me an Offer, British Lion, 1954; Carmella, Malta Story, United Artists, 1954; Frau Bikstein, The Gamma People, Columbia, 1956; Mafalda Gozzi, Miracle in Soho, Rank, 1957; Theater Sister, No Time for Tears, Associated British/ Pathe, 1957; Magdalena, The Spanish Gardener, Rank, 1957; Madame DeFarge, A Tale of Two Cities, Rank, 1958; Therese Blanchard, The Beasts of Marseilles (also known as Seven Thunders), Rank Film Distributors, 1959; Sister Eleanor, The Nun's Story, Warner Brothers, 1959.

Jones, Queenie, ABC, 1987; Mrs. Markham, Beryl Markham: A Shadow on the Sun (also known as Shadow on the Sun: The Life of Beryl Markham), CBS, 1988. Specials: Mrs. Sparsit, Hard Times, Granada, then Great Performances, PBS, 1977; Teresa, Monsignor Quixote, Thames Television, then Great Performances, PBS, 1987; Euridice, The Theban Plays, BBC, then PBS, 1988. Also appeared in Carrie's War, 1973; Elektra, 1974; North and South, 1975; Trilby, \916\Oedipus, \916\Jackanory, \916; Gentle Folk, 1977; Horse in the House, \911\RomanyRye, \911\ThePeppermintPig, 1918; Destiny, 1978; Escape from the West, 1981; Passing Through, 1981; The Testament of John; Chessgame; Antigone; Brandon Chase; Cribb; Women of Troy; The Winter's Tale; The Complaisant Lover; and The Count of Monte Cristo.

Miriam's mother, Sons and Lovers, Twentieth Century-Fox, 1960; farmer's wife, Grey friars Bobby, Buena Vista, 1961; Alice Byrne, No Love for Johnnie, Embassy, 1961; Frau Freud, Freud (also known as The Secret Passion and Freud: The Secret Passion}, Universal, 1962; Mrs. Dudley, The Haunting, MGM, 1963; Teresa, Behold a Pale Horse, Columbia, 1964; Maude Klein, The Model Murder Case (also known as Girl in the Headlines}, Cinema V, 1964; Mrs. Earnshaw, Wuthering Heights, American International, 1970; old crone, Creatures the World Forgot, Columbia, 1971; Miss Henley, Who Slew Auntie Roo? (also known as Gingerbread House), American International, 1971; Helen Dickerson, Blood from the Mummy's Tomb, Hammer, 1972; housekeeper, Man of La Mancha, United Artists, 1972; Mrs. Luke, And Now the Screaming Starts (also known as Fengriffen), Cinerama, 1973; Marie Mahler, Mahler, Visual Programme Systems, 1974; Somaya, Mohammad, Messenger of God (also known as Al-Ris-Alah and The Message), Tarik/Yablans, 1976; Josefa, The Keep, Paramount, 1983; Hatche's mother, Memed My Hawk, Focus, 1983; Grandmother, Eleni, Warner Brothers, 1985; Mrs. Harris, A World Apart, Atlantic Releasing, 1988; magnate from the bench's wife, Little Dorrit, Curzon Film Distributors/Cannon Releasing, 1988; Gladys, She's Been Away, Sales Company/BBC Enterprises, 1989. Also appeared in Beyond This Place (also known as Web of Evidence), Allied Artists, 1959; Frederic Chopin, 1961; Au Pair Girls, 1972; House in Nightmare Park, 1973; The Return, 1973.

ADDRESSES: MANAGER—London Management, 235/241 Regent Street, London W1A 2OT, England.*

AWARDS: Guild of Television Award, Best Actress of the Year, 1956; International Television Award, 1970, for The Six Wives of Henry VIII.

CUSACK, John 1966PERSONAL: Surname is pronounced "gw-zack"; born June 28, 1966, in Evanston, IL; son of Richard (an actor and producer) and Nancy Cusack. EDUCATION—Trained for the stage with Byrne and Joyce Piven at the Piven Theatre Workshop, Chicago, IL. VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE WORK—Director and producer, Alagazam . . . After the Dog Wars, Chicago, IL, 1988. FILM DEBUT—Roscoe, Class, Orion, 1983. PRINCIPAL FILM APPEARANCES—Johnny Maine, Grandview, U.S.A., Warner Brothers, 1984; Bryce, Sixteen Candles, Universal, 1984; Lane Myer, Better Off Dead, Warner Brothers, 1985; Harry, The Journey of Natty Gann, Buena Vista, 1985; Walter "Gib" Gibson, The Sure Thing, Embassy, 1985; Hoops McCann, One Crazy Summer, Warner Brothers, 1986; Denny Lachance, Stand By Me, Columbia, 1986; angry messenger, Broadcast News, Twentieth Century-Fox, 1987; Dan Bartlett, Hot Pursuit, Paramount, 1987; Ivan Alexeev, Tapeheads, De Laurentiis Entertainment Group, 1988; George "Buck" Weaver, Eight Men Out, Orion, 1988; Lloyd Dobler, Say Anything, Twentieth Century-Fox, 1989; Michale Merriman, Fat Man and Little Boy, Paramount, 1989.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Catherine Parr, The Six Wives of Henry VIII, BBC, 1970, then CBS, 1971, later Masterpiece Theatre, PBS, 1972; Catherine Parr, Elizabeth R, BBC, then Masterpiece Theatre, PBS, 1972; Mother Felicity, Smiley's People, syndicated, 1982; Goodwife Margaret, By the Sword Divided, BBC, then Masterpiece Theatre, PBS, 1986; Goodwife Margaret, By the Sword Divided II, BBC, then Masterpiece Theatre, PBS, 1988; also The Possessed, BBC, then Masterpiece Theatre, PBS, 1971; Cold Comfort Farm, BBC, then Masterpiece Theatre, PBS, 1971; Country Matters, Granada, then Masterpiece Theatre, PBS, 1975; Testament of Youth, BBC, then Masterpiece Theatre, PBS, 1980; The Franchise Affair, BBC-1, 1988. Episodic: The Queen, "Checkmate," The Prisoner, CBS, 1968; Mrs. Lexington, "The Norwood Builder," The Adventures of Sherlock Holmes, Granada, then Mystery!, PBS, 1986; Mrs. Price-Ridley, "The Murder at the Vicarage," Agatha Christie's MissMarple, BBC, then Mystery!, PBS, 1989; Lisa, "Death of a Ghost," Campion, BBC, then Mystery/, PBS, 1989; also "Moving on the Edge," Play for Today, 1982.

PRINCIPAL TELEVISION APPEARANCES—Specials: An All-Star Celebration: The '88 Vote, ABC, 1988. RELATED CAREER—Founder, New Crime Productions; writer and director of musicals for Evanston Township High School; appeared in industrial films and commercials. ADDRESSES: HOME—Chicago, IL. AGENT—Ann Geddes, The Geddes Agency, 8457 Melrose Place, Los Angeles, CA 90069. PUBLICIST—Elizabeth Much, Baker/Winokur/Ryder Public Relations, 9348 Civic Center Drive, Suite 407, Beverly Hills, CA 90210.

Movies: Simone, The Hunchback of Notre Dame, CBS, 1982; Mrs. 105

D DALY, Timothy

DANIELS, Marc

1956-

c. 1912-1989

PERSONAL: Born March 1, 1956, in New York, NY; son of James Daly (an actor) and Hope Newell (an actress); married Amy Van Nostrand (an actress); children: Sam. EDUCATION—Received B.A. from Bennington College.

PERSONAL: Born Danny Marcus, c. 1912 in Pittsburgh, PA; died of heart failure, April 23, 1989, in Santa Monica, CA; wife's name Emily; children: two daughters, one son. EDUCATION—Graduated from the University of Michigan; studied acting and directing at the American Academy of Dramatic Arts. MILITARY—U.S. Army, 1941-46.

VOCATION: Actor.

VOCATION: Director, producer, and actor.

CAREER: OFF-BROADWAY DEBUT—Trevor, Chris, Nicky, Victor, and Eddie, Fables for Friends, Playwrights Horizons, 1984. BROADWAY DEBUT—Leo Hart, Coastal Disturbances, Circle in the Square, 1987. PRINCIPAL STAGE APPEARANCES—Title role, Oliver Oliver, Manhattan Theatre Club, City Center Theatre Space, New York City, 1985; Leo Hart, Coastal Disturbances, Second Stage Theatre, New York City, 1987; also appeared in The Fifth of July and Buried Child, both Trinity Square Repertory Company, Providence, RI, 1981; Mass Appeal and Bus Stop, both Trinity Square Repertory Company; The Glass Menagerie, Santa Fe Festival Theatre, Santa Fe, NM; Jenny Kissed Me, Bucks County Playhouse, New Hope, PA.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Dead End, Belasco Theatre, New York City; The Yeoman of the Guard, New York City. PRINCIPAL STAGE WORK—Director: Phoenix '55 (revue), Phoenix Theatre, New York City, 1955; Copper and Brass, Martin Beck Theatre, New York City, 1957; Linda Stone Is Brutal, Bucks County Playhouse, New Hope, PA, 1964; The Girl in the Freudian Slip, Booth Theatre, New York City, 1967; 36, Jewish Repertory Theatre, New York City, 1980. Also assistant stage manager, Dead End, Belasco Theatre, New York City. PRINCIPAL FILM WORK—Director, Squeeze a Flower, NLT Group W, 1970; also director, The Big Fun Carnival, 1957.

PRINCIPAL FILM APPEARANCES—William "Billy" Howard, Diner, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1982; Frank, Just the Way You Are, MGM/UA, 1984; Tom Donnelly, Made in Heaven, Lorimar, 1987; Jeff Mills, Spellbinder, MGM/ UA, 1988; also appeared in Love or Money, 1989.

PRINCIPAL TELEVISION APPEARANCES—Pilots: That's Our Sherman, NBC, 1948. PRINCIPAL TELEVISION WORK—All as director, unless indicated. Series: (Also producer with Jules Bricken) Ford Theatre Hour, CBS, 1948-51; (with Walter Hart and Willliam Berke) The Goldbergs, CBS, 1949-51, then Dumont, 1954, later syndicated, 1955-56; producer, The Nash Airflyte Theatre, CBS, 1950-51; / Love Lucy, CBS, 1951-52; My Hero (also known as The Robert Cummings Show), NBC, 1952-53; (with John Rich) Where's Raymond? (also known as The Ray Bolger Show), ABC, 1953-55; (with Ernest D. Glucksman; also producer with Glucksman and Don Appel) The Imogene Coca Show, NBC, 1954-55; (with William A. Graham) Witness, CBS, 1960-61; producer, Saints and Sinners, NBC, 1962-63; executive producer (with Anne Marcus) and producer (with Leonard Friedlander), The Life and Times of Eddie Roberts, syndicated, 1980; Life with Lucy, ABC, 1986; creative consultant, Can This Marriage Be Saved?, syndicated, 1989. Pilots: Last of the Private Eyes (broadcast as an episode of The Dick Powell Show; also known as The Hollywood Showcase), NBC, 1963; Assignment: Earth (broadcast as an episode of Star Trek), NBC, 1968; Prudence and the Chief, ABC, 1970; Planet Earth, ABC, 1974; Co-Ed Fever, CBS, 1979.

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Edward Gillian, Ryan's Four, ABC, 1983; Norman Foley, Almost Grown, CBS, 1988. Mini-Series: Toby Amberville, /'// Take Manhattan, CBS, 1987. Episodic: Richard, "The Rise and Rise of Daniel Rocket," American Playhouse, PBS, 1986; Elliot Chase, Midnight Caller, NBC, 1989; also///// Street Blues, NBC'Alfred Hitchcock Presents. Movies: Kevin Coates, / Married a Centerfold, NBC, 1984; Chris Philips, Mirrors, NBC, 1985; Guy Pehrsson, Red Earth, White Earth, CBS, 1989. RELATED CAREER—Guitarist, singer, and composer in rock bands; performed in cabaret at the Williamstown Theatre Festival, Williamstown, MA, and at benefits in New York City. AWARDS: Theatre World Award, 1987, for Coastal Disturbances. MEMBER: Actors' Equity Association.*

Episodic: Soldiers of Fortune, syndicated, 1955; Shane, ABC,

107

DANO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

1966; Star Trek, NBC, 1966-69 (fourteen episodes); Paris 7000, ABC, 1970; Here We Go Again, ABC, 1973; "One of Our Planets Is Missing," Star Trek (animated), NBC, 1973; Gibbsville, NBC, 1976; Spencer's Pilots, CBS, 1976; The Andros Targets, CBS, 1911 ^Husbands, Wives, and Lovers, CBS, 1978; Doctors' Private Lives, ABC, 1979; The Life and Times of Eddie Roberts, syndicated, 1980; Amanda's, ABC, 1983; Gun Shy, CBS, 1983; Mr. President, Fox, 1987 (ten episodes); also The Survivors (also known as HaroldRobbins' ' 'The Survivors"), ABC; Hawaii Five0, CBS; Ben Casey, ABC; Branded, NBC; Burke's Law, ABC; Love, American Style, ABC; Colt .45, ABC; Eight Is Enough, ABC; Apple's Way, CBS; Bonanza, NBC; Gunsmoke, CBS (ten episodes); Cannon, CBS; Alice, CBS (eighty-six episodes); Search, NBC; I Married Joan, NBC (twenty-six episodes); The Doris Day Show, CBS (eleven episodes); The Man from U.N.C.L.E., NBC; The Men from Shiloh, NBC; Mission: Impossible, CBS; Owen Marshall, Counselor at Law, ABC', Flo, CBS (ten episodes); James at 15, NBC; The Man from Atlantis, NBC; Marcus Welby, M.D., ABC (thirty-three episodes); Private Benjamin, CBS; Toma, ABC; Vega$, ABC; Saints and Sinners, NBC; Jigsaw, ABC; Hogan's Heroes, CBS (nineteen episodes); Z)r. Kildare, NBC; Mickey Spillane's "Mike Hammer," CBS; Crazy Lfe 0 Fox, CBS; The Name of the Game, NBC; Barnaby Jones, CBS; #wrcg Fw, ABC; The F.B.I., ABC; F<m Side/West Side, CBS; Slavery's People, CBS; Fame. Movies: Father Knows Best: Home for Christmas, NBC, 1977; He's Fired, She's Hired, CBS, 1984; Special People, CBS, 1984; Vengeance: The Story of Tony Cimo, CBS, 1986. Specials: Arsenic and Old Lace, CBS, 1949; (also producer) Jane Eyre, CBS, 1961; The Power and the Glory, CBS, 1961; The Heiress, CBS, 1961; "Emily, Emily," Hallmark Hall of Fame, NBC, 1977; "Have I Got a Christmas for You," Hallmark Hall of Fame, NBC, 1977; Lucy Calls the President, CBS, 1977; "Fame," Hallmark Hall of Fame, NBC, 1978; (also producer) Skinflint, NBC, 1979. Also director, All the Money in the World. RELATED CAREER—Executive officer and general manager, This Is the Army (World War II entertainment troup); instructor, American Academy of Dramatic Arts; director, Jane Cowl's Stock Company; senior vice-president, Theatre Network Television, which created closed-circuit broadcasts for business corporations; director of television commercials.

VOCATION: Actor. CAREER: BROADWAY DEBUT—Mr. Shears, Finian's Rainbow, 46th Street Theatre, 1947. PRINCIPAL STAGE APPEARANCES— Ernie "Horse" Wagner, Mrs. Gibbons' Boys, Music Box Theatre, New York City, 1949; Ellington, Metropole, Lyceum Theatre, New York City, 1949; Roger, She Stoops to Conquer, City Center Theatre, New York City, 1950; Joe Hungry Horse, Four Twelves Are Forty-Eight, 48th Street Theatre, New York City, 1951; Jess Proddy, Three Wishes for Jamie, Mark Hellinger Theatre, New York City, 1952. Also appeared in That's the Ticket, Shubert Theatre, Philadelphia, PA, 1948. MAJOR TOURS—Gus, Barnaby and Mr. O'Malley, U.S. cities, 1946. PRINCIPAL FILM APPEARANCES—Moocher, Undercover Girl, Universal, 1950; Basra, Flame ofAraby, Universal, 1951; tattered man, The Red Badge of Courage, Metro-Goldwyn-Mayer (MGM), 1951; Nugent, Under the Gun, Universal, 1951; captain, Carrie, Paramount, 1952; Corey, Johnny Guitar, Republic, 1954; Luke, The Far Country, Universal, 1955; Calvin Wiggs, The Trouble with Harry, Paramount, 1955; Elijah, Moby Dick, Warner Brothers, 1956; Lobo, Santiago (also known as The Gun Runners), Warner Brothers, 1956; Jameson, Tension at Table Rock, RKO, 1956; Abe, Tribute to a Badman, MGM, 1956; Howard Tyler, All MinetoGive (also known as The Day They Gave Babies Away), Universal, 1957; Alidos, Crime of Passion, United Artists, 1957; Aiken Clay, Man in the Shadow (also known as Pay the Devil), Universal, 1957; Trude, Trooper Hook, United Artists, 1957; Al Lees, Handle with Care, MGM, 1958; Trout, Man of the West, United Artists, 1958; Clay Ellison, Saddle the Wind, MGM, 1958; evangelist, The Boy and the Bridge, Columbia, 1959; Jake Winter, Face of Fire, Allied Artists, 1959; Fiddling Tom Waller, Hound-Dog Man, Twentieth Century-Fox, 1959; Words Cannon, Never Steal Anything Small, Universal, 1959; Carmichael, These Thousand Hills, Twentieth Century-Fox, 1959. Sheriff, The Adventures of Huckleberry Finn, MGM, 1960; Ike Howes, Cimarron, MGM, 1960; Peter, King of Kings, MGM, 1961; Uncle Billy Caldwell, Posse from Hell, Universal, 1961; Pack Underwood, Savage Sam, Buena Vista, 1963; Carey, The Seven Faces of Dr. Lao, MGM, 1964; Ode, Gunpoint, Universal, 1966; Pretty Horse, The Last Challenge, MGM, 1967; John Bear, Welcome to Hard Times (also known as Killer on a Horse), MGM, 1967; Doctor Prather, Day of the Evil Gun, MGM, 1968; Carl Blair, If He Hollers, Let Him Go, Cinerama, 1968; Faraway, Backtrack, Universal, 1969; Arch Brandt, Death of a Gunflghter, Universal, 1969; Major Sanders, The Undefeated, Twentieth Century-Fox, 1969.

AWARDS: Emmy Award nomination, Outstanding Directorial Achievement in Drama, 1961, for The Power and the Glory; Emmy Award nomination and Directors Guild of America Award nomination, both for Fame; Emmy Award nomination for Marcus Welby, M.D.; Directors Guild of America Award nominations for All the Money in the World and Alice; Variety Showmanship Award; Director of the Year Award from the Radio and Television Editors of America.

Zach, Machismo—Forty Graves for Forty Guns (also known as Forty Graves for Forty Guns), Boxoffice International, 1970; voice of Marley's Ghost, Mr. Magoo's Holiday Festival (animated), Maron, 1970; Sal Sachese, Chandler, MGM, 1971; John Brown, Skin Game, Warner Brothers, 1971; rustler, The Culpepper Cattle Company, Twentieth Century-Fox, 1972; Gustavson, The Great Northfield, Minnesota Raid, Universal, 1972; Jake, Ace Eli and Rodger of the Skies, Twentieth Century-Fox, 1973; MacDonald, Cahill, United States Marshal, Warner Brothers, 1973; coroner, Electra Glide in Blue, United Artists, 1973; Nick Murack, Howzer, URI, 1973; Reverend Johnson, Big Bad Mama, New World, 1974; Joseph Lang, Dead People (also known as Messiah of Evil, Return of the Living Dead, Revenge of the Screaming Dead, and The Second Coming), International Cinefilm, 1974; Mayor Anton

OBITUARIES AND OTHER SOURCES: New York Times, April 29, 1989; Variety, May 3-9, 1989.*

DANO, Royal 1922PERSONAL: Born November 16, 1922, in New York, NY. EDUCATION—Attended New York University.

108

CONTEMPORARY

DARDEN

THEATRE, FILM, AND TELEVISION • Volume 8

Cermak, Capone, Twentieth Century-Fox, 1975; Tex, The Wild Party, American International, 1975; Zeke Montgomery, Drum, United Artists, 1976; father, The Killer Inside Me, Warner Brothers, 1976; Ten Spot, The Outlaw Josey Wales, Warner Brothers, 1976; bartender, One Man Jury, Cal-Am Artists, 1978. Prophet, In Search of Historic Jesus, Sunn Classic, 1980; Beeber, Take This Job and Shove It, AVCO-Embassy, 1981; Pops, Hammett, Warner Brothers, 1982; minister, The Right Stuff, Warner Brothers, 1983; Tom Fury, Something Wicked This Way Comes, Buena Vista, 1983; Ditto, Teachers, Metro-Goldwyn-Mayer/United Artists, 1984; Bailey, Cocaine Wars, Concorde, 1986; Gramps, House II: The Second Story, New World, 1987; Larn Claver, RedHeaded Stranger, Alive, 1987; Uncle Ned, Ghoulies II, Empire Entertainment, 1988; Farmer Green, Killer Klowns from Outer Space (also known as Killer Klowns), Trans World Entertainment, 1988. Also appeared in Slingshot, 1971; Bad Georgia Road, Dimension, 1977; Hughes and Harlow: Angels in Hell, PRO International, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Elam Hanks, How the West Was Won, ABC, 1977. Pilots: Otto, The Dangerous Days ofKiowa Jones, ABC, 1966; Cow John, Murder 1, Dancer 0, NBC, 1983. Episodic: Salvation Army officer, Amazing Stories, NBC, 1986; Elmer Quick, Amazing Stories, NBC, 1986; also Lost in Space, CBS, 1966; "I'll Never Leave You—Ever," Night Gallery, NBC, \91\\PlanetoftheApes, CBS, 1974; Death Valley Days, syndicated; From Here to Eternity, NBC. Movies: Sheriff Tackaberry, Run Simon Run, ABC, 1970; Tom Gurmandy, Sr., Moon of the Wolf, ABC, 1972; Mark Twain, Huckleberry Finn, ABC, 1975; Pa Bocock, The Manhunter, NBC, 1976; Bo Buehler, Murder in Peyton Place, NBC, 1977; Sutter, Donner Pass: The Road to Survival, NBC, 1978; Mr. Willis, Strangers: The Story of a Mother and Daughter, CBS, 1979; Pa Dalton, The Last Ride of the Dalton Gang, NBC, 1979; Ernest Farmer, Will There Really Be a Morning?, CBS, 1983; southern senator, LBJ: The Early Years, NBC, 1987; Nitro Jones, Once Upon a Texas Train, CBS, 1988; zkoCrash, ABC, 1978. Specials: Uncle "Sherlock" George, "My Dear Uncle Sherlock," ABC Short Story Special, ABC, 1977; voice, Funny, You Don't Look 200, ABC, 1987.

SEVERN DARDEN

1958; Foma Fomitch, Friend of the Family, Crystal Palace, St. Louis, MO, 1958; Peter, Romeo and Juliet, Snug, A Midsummer Night's Dream, Nym, The Merry Wives of Windsor, and French lord, All's Well That Ends Well, all American Shakespeare Festival, 1959; Jonathan Kobitz, P.5. 793, Writers' Stage Theatre, New York City, 1962; ensemble, Seacoast of Bohemia and My Friend Art Is Dead (revues), both Second City at Square East Theatre, New York City, 1962; ensemble, To the Water Tower (revue), Second City at Square East Theatre, 1963; Birgasse, A Murderer Among Us, Morosco Theatre, New York City, 1964; ensemble, Open Season at Second City and A View from Under the Bridge, (revues), both Second City at Square East Theatre, 1964; Harry, Leda Had a Little Swan, Cort Theatre, New York City, 1968; Sam Adams and Robinson, The American Revolution, Parti, Ford's Theatre, Washington, DC, 1973; ensemble, Sills and Company (revue), Lamb's Theatre, New York City, 1986. Also appeared in The Second City Revue, Chicago, IL, 1959; Too Many Hats, The Third Program, and Seacoast of Bohemia (revues), all with the Second City comedy troupe, Chicago, 1960; with the Second City comedy troupe at the Ivar Theatre, Los Angeles, 1961; Metamorphoses, Festival of Two Worlds, Spoleto, Italy, 1973; Tales of the Hasidim, New York Shakespeare Festival, Public Theatre, New York City, 1977; The FrontPage, Long Wharf Theatre, New Haven, CT, 1982; Sills and Company (revue), Los Angeles, 1983-85.

ADDRESSES: AGENT—William Morris Agency, 151 El Camino Drive, Beverly Hills, CA, 90212.*

DARDEN, Severn 1929PERSONAL: Full name, Severn Teackle Darden; born November 9, 1929, in New Orleans, LA; son of Severn T. and Geraldine (Rubenstein) Darden; married Heather Ingrid Bleackley, 1984; children: Scott Lachlan MacKinnon. EDUCATION—Attended Mexico City College, the University of Chicago, and Bard College. VOCATION: Actor. CAREER: BROADWAY DEBUT—Ensemble, From the Second City (revue), Royale Theatre, 1961. PRINCIPAL STAGE APPEARANCES— Joseph, My Three Angels, M.P., Mr. Roberts, and Corporal Shultz, Stalag 17, all Barter Theatre, Abington, VA, 1954; Henry Cabot Lodge, The Hall of Mirrors, Barter Theatre, 1956; Voltemand, Hamlet, Snug, A Midsummer Night's Dream, and officer, The Winter's Tale, all American Shakespeare Festival, Stratford, CT,

MAJOR TOURS—With the Second City comedy troupe, U.S. and U.K. cities, 1957-59; From the Second City (revue), U.S. cities, 1965. PRINCIPAL FILM APPEARANCES—Doctor, Goldstein, Montrose, 1964; H.S. Stevens, The Double-Barrelled Detective Story, Saloon 109

DaRE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Productions, 1965; Miles Fisher, Dead Heat on a Merry-GoRound, Columbia, 1966; doctor and Claude, Fearless Frank (also known as Frank's Greatest Adventure), American International, 1967; Vandergrist, Luv, Columbia, 1967; Kropotkin, The President's Analyst, Paramount, 1967; Shelton Quell, P.J. (also known as New Face in Hell), Universal, 1968; Henry F. Millmore, Fillard Millmore, narrator, and Millmore's Ghost, The Virgin President, New Line Cinema, 1968; Balthazar, Justine, Twentieth CenturyFox, 1969; Nate, The Mad Room, Columbia, 1969; portly man, The Model Shop, Columbia, 1969; Cecil, They Shoot Horses, Don't They? ABC/Cinerama, 1969; Dr. Fahrquardt, Pussycat, Pussycat, I Love You, United Artists, 1970; Cisco's lawyer, Cisco Pike, Columbia, 1971; McVey, The Hired Hand, Universal, 1971; mayor, The Last Movie (also known as Chinchero), Universal, 1971; J. Hovah, Vanishing Point, Twentieth Century-Fox, 1971; One (high priest), Werewolves on Wheels, Fanfare, 1971; Kolp, Conquest of the Planet of the Apes, Twentieth Century-Fox, 1972; Dominick, Every Little Crook and Nanny, Metro-Goldwyn-Mayer, 1972; hypnotist, Play It As It Lays, Universal, 1972; Dr. Harris, The War Between Men and Women, National General, 1972; Mr. Marduke, Who Fears the Devil? (also known as The Legend of Hillbilly John and My Name Is John), Jack H. Harris, 1972; Big Jim, Dirty Little Billy, Columbia, 1972; Kolp, Battle for the Planet of the Apes, Twentieth Century-Fox, 1973; Schwinn, The Day of the Dolphin, AVCO-Embassy, 1973; Sheriff Dempsey, Jackson County Jail, New World, 1976; Moran, Mother, Jugs, and Speed, Twentieth Century-Fox, 1976; Merlin Bitterstix, Wanda Nevada, United Artists, l979',Maddox, Hopscotch, AVCO-Embassy, 1980;priest, In God We Trust, Universal, 1980; art editor, A Small Circle of Friends, United Artists, 1980; Dr. Barbour, Why Would I Lie? Metro-Goldwyn-Mayer/United Artists, 1980; Van Helsing, Saturday the 14th, New World, 1981; seminary provincial, Young Giants, Miracle, 1983; Dr. Meredith, Real Genius, Tri-Star, 1985: Dr. Barazini, Back to School, Orion, 1986; Max, The Telephone, New World, 1988. Also appeared in Hands of the Ripper, Universal, 1971.

RELATED CAREER—Monologist, Gate of Horn (nightclub), Chicago, IL, 1959. WRITINGS: FILM—(With Graeme Ferguson) The Virgin President, New Line Cinema, 1968; composer, The Last Movie, Universal, 1971. MEMBER: Academy of Motion Picture Arts and Sciences. ADDRESSES: AGENT—Belson and Klass Associates, 144 S. Beverly Drive, Beverly Hills, CA 90212.

DaRE, Aldo See RAY, Aldo

DAVID, Keith VOCATION: Actor. PERSONAL: Born Keith David Williams, June 4, in New York, NY; son of Lester and Delores (Dickenson) Williams. EDUCATION—Graduated from the High School of Performing Arts, 1973; received B.F. A. from the Juilliard Theatre Center; studied acting at

PRINCIPAL FILM WORK—Producer (with Graeme Ferguson and Jim Hubbard), The Virgin President, New Line Cinema, 1968. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Story Theatre, syndicated, 1971; Dr. Popesco, Forever Fern wood, syndicated, 1977-78; Foley, Beyond Westworld, CBS, 1980; Dr. Noah Wolf, Take Five, CBS, 1987. Mini-Series: Gideon, Sandburg's Lincoln, NBC, 1974-76; Plover, Captains and the Kings, NBC, 1976. Pilots: Bad guy, The New, Original Wonder Woman, ABC, 1975; Cap, The Feather and Father Gang: Never Con a Killer (also known as Never Con a Killer}, ABC, 1977; Albeit Church, Rendezvous Hotel, CBS, 1979; Mr. Melish, Home Room, ABC, 1981; Conway, Rooster, ABC, 1982. Episodic: Kolchak: The Night Stalker, ABC, 1974; Barney Miller, ABC, 1976; Cheers, NBC, 1983; and as Aploy, The Six Million Dollar Man, ABC. Movies: Jimmy Apache, The Movie Murderer, NBC, 1970; Roger, Playmates, ABC, 1972; Harry, The Man Who Died Twice, CBS, 1973; Steve Kramer, Skyway to Death, ABC, 1974; S.I. Gilbert, The Disappearance of Aimee, NBC, 1976; Moshe Meyer, Victory at Entebbe, ABC, 1976; Sheriff Dempsey, Outside Chance, CBS, 1978; Fred Hallem, Love for Rent, ABC, 1979; Mr. Barrington, Orphan Train, CBS, 1979; Hobart, Quarterback Princess, CBS, \983;Pau\,ACryforLove, NBC 1980; Alfredo Suero, Evita Peron, NBC, 1981. Specials: Marvin Simeon, The Prison Game, PBS, 1979; Jonathan Barnavelt, "Once Upon a Midnight Dreary," CBS Library, CBS, 1979; Farmer Silas, The Princess Who Had Never Laughed, Showtime, 1986; also Second City Revue, 1961.

KEITH DAVID

110

DAVIS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

the the Edith Skinner Institute and with the La Mama Repertory Company. CAREER: STAGE DEBUT—Title role (understudy), Othello, New York Shakespeare Festival, Delacorte Theatre, New York City, 1979. PRINCIPAL STAGE APPEARANCES—Pirate King (understudy), pirate, and policeman, The Pirates ofPenzance, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1980; Pozzo, Waiting for Godot and Theseus and Oberon, A Midsummer Night's Dream, both NYSF, Public Theatre, New York City, 1981; Earl Dancer and narrator, Miss Waters, to You, AMAS Repertory Theatre, New York City, 1982; Macheath, The Threepenny Opera, Alliance Theatre Company, Atlanta, GA, 1984; Colline, La Boheme, NYSF, Public Theatre, 1984; Blue Heaven, Ceremonies in Dark Old Men, Ford's Theatre, Washington, DC, then Negro Ensemble Company, New York City, both 1985; Dr. Mo, The Tale of Madame Zora, Ensemble Studio Theatre, New York City, 1986; Ben, Africanis Instructus, St. Clement's Church Theatre, New York City, 1986; Tullus Aufidius, Coriolanus, NYSF, Public Theatre, 1988; Aaron, the Moor, Titus Andronicus, NYSF, Delacorte Theatre, 1989. Also appeared in Coriolanus, NYSF, Delacorte Theatre, 1979; Mother Courage and Her Children, Center Stage, Baltimore, MD, 1979; TheHaggadah: A Passover Cantata, NYSF, Public Theatre, 1980; Mahalia, Hartman Theatre, Stamford, CT, 1981; Alec Wilder: Clues to a Life, Vineyard Theatre, New York City, 1982; The Fantasticks, Meadow Brook Theatre, Rochester, MI, 1983; A Map of the World, NYSF, Public Theatre, 1985; Shakespeare on Broadway for the Schools, NYSF, Belasco Theatre, New York City, 1986; Fragments of a Greek Trilogy, La Mama Experimental Theatre Club, New York City, 1987; A Midsummer Night's Dream, San Diego Repertory Theatre, San Diego, CA; and in The Lady from Dubuque. BETTE DAVIS

PRINCIPAL FILM APPEARANCES—Childs, The Thing, Universal, 1982; King, Platoon, Orion, 1986; Alphonso, Hot Pursuit, Paramount, 1987; Buster Franklin, Bird, Warner Brothers, 1988; Frank, They Live, Universal, 1988; captain, Braddock: Missing in Action III (also known as Braddock: An American M.I.A., Missing in Action III, and Braddock: Missing in Action), Cannon Releasing, 1988; Maurice, Off Limits (also known as Saigon), Twentieth Century-Fox, 1988; Teagarden, Stars and Bars, Columbia, 1988; Ernie Bass, Road House, Metro-Goldwyn-Mayer/United Artists, 1989; Powerhouse, Always, Universal, 1990. Also appeared in Men at Work.

DAVIS, Bette

1908-1989

PERSONAL: Born Ruth Elizabeth Davis, April 5, 1908, in Lowell, MA; died of cancer, October 6, 1989, in Neuilly-sur-Seine, France; daughter of Harlow Morrell (a patent attorney) and Ruth Elizabeth (a portrait photographer; maiden name, Favor) Davis; married Harmon Oscar Nelson, Jr. (a band leader), August 18, 1932 (divorced, 1937); married Arthur Farnsworth (a businessman), December 31, 1940 (died, August 25, 1943); married William Grant Sherry (an artist), November 30,1945 (divorced, July 4, 1950); married Gary Merrill (an actor), July 28, 1950 (divorced, 1960); children: Barbara ("BD"; third marriage); Margot and Michael (fourth marriage; both adopted). EDUCATION—Attended the John Murray Anderson School of Theatre; studied acting with Michael Mordkin, Robert Bell, George Currie, and Robert Milton; studied dance with Roshanara and Martha Graham.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Roots: The Next Generations, ABC, 1979. Episodic: Roman Criston, The Equalizer, CBS, 1988; Jesse Turner, A Man Called Hawk, ABC, 1989. Movies: Abe Nicholson, Ladykillers, ABC, 1988; Martin Stover, Murder in Black and White, CBS, 1990. Also appeared in Christmas in Tattertown.

VOCATION: Actress.

AWARDS: St. Clair Bayfield Award from Actors' Equity Association, Best Shakespearean Performance, 1989, for Coriolanus.

CAREER: Also see WRITINGS below. STAGE DEBUT—Broadway, Lyceum Theatre, Rochester, NY, 1928. OFF-BROADWAY DEBUT—Floy Jennings, The Earth Between, Provincetown Playhouse, 1929. BROADWAY DEBUT—The Lady from the Sea, Bijou Theatre, 1929. LONDON DEBUT—An Informal Evening with Bette Davis, Palladium, 1975. PRINCIPAL STAGE APPEARANCES— Elaine Bumpstead, Broken Dishes, Ritz Theatre, New York City, 1929; Dinah, Mr. Pirn Passes By, Cape Players, Cape Dennis Playhouse, Cape Dennis, MA, 1930; Alabama Follensby, Solid South, Lyceum Theatre, New York City, 1930; ensemble, Two's Company (revue), Shubert Theatre, Detriot, MI, then Alvin Thea-

MEMBER: Screen Actors Guild, Actors' Equity Association, American Federation of Television and Radio Artists. ADDRESSES: AGENT—Triad Artists Inc., 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. MANAGER— Joshua Silver, MSI Entertainment, 10866 Wilshire Boulevard, 10th Floor, Los Angeles, CA 90024. PUBLICIST—Ken Amorosano, Amorosano and Associates, 3327 Deronda Drive, Los Angeles, CA 90028.

111

DAVIS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

tre, New York City, both 1952; Maxine Faulk, The Night of the Iguana, Blackstone Theatre, Chicago, IL, then Royale Theatre, New York City, both 1961; Miss Lilly Moffatt, Miss Moffatt, Shubert Theatre, Philadelphia, PA, 1974; The World of Carl Sandburg (staged reading), State Theatre, Portland, ME, 1959, then Henry Miller's Theatre, New York City, 1960; Legendary Ladies of the Movies: An Informal Evening with Bette Davis, Town Hall, New York City, 1973. Also appeared in Excess Baggage, Yellow, and The Squall, all George Cukor/George Kondolf Stock Company, Temple Theatre, Rochester, NY, 1928.

Brothers, 1940; Leslie Crosbie, TheLetter, Warner Brothers, 1940; nurse, Shining Victory, Warner Brothers, 1941; Joan Winfield, The Bride Came C.O.D., Warner Brothers, 1941; Maggie Patterson, The Great Lie, Warner Brothers, 1941; Regina Hubbard Giddens, The Little Foxes, RKO, 1941; Stanley Timberlake, In This Our Life, Warner Brothers, 1942; Maggie Cutler, The Man Who Came to Dinner, Warner Brothers, 1942; Charlotte Vale, Now, Voyager, Warner Brothers, 1942; Katharine "Kit" Marlowe, Old Acquaintance, Warner Brothers/First National, 1943; as herself, Thank Your Lucky Stars, Warner Brothers, 1943; Sara Muller, Watch on the Rhine, Warner Brothers, 1943; as herself, Hollywood Canteen, Warner Brothers, 1944; Fanny Trellis Skeffington, Mr. Skeffington, Warner Brothers/First National, 1944; Miss Lilly Moffat, The Corn Is Green, Warner Brothers, 1945; Christine Radcliffe, Deception, Warner Brothers, 1946; Kate and Pat Bosworth, A Stolen Life, Warner Brothers, 1946; Linda Gilman, June Bride, Warner Brothers, 1948; Susan Grieve, Winter Meeting, Warner Brothers/First National, 1948; Rosa Moline, Beyond the Forest, Warner Brothers, 1949.

MAJOR TOURS—Hedvig, The Wild Duck, Blanche Yurka Company, U.S. cities, 1929; ensemble, Two's Company (revue), U.S. cities, 1952-53; The World of Carl Sandburg (staged reading), U.S. cities, 1959-60; Legendary Ladies of the Movies: An Informal Evening with Bette Davis, U.S., Canadian, and New Zealand cities, 1973-1r5; Miss Bette Davis on Stage and Screen, U.K. cities, 1975. FILM DEBUT—Laura Madison, Bad Sister, Universal, 1931. PRINCIPAL FILM APPEARANCES—Janet, Waterloo Bridge, Universal, 1931; Margaret Carter, Seed, Universal, 1931; Madge Norwood, Cabin in the Cotton, Warner Brothers/First National, 1932; Kay Russell, TheDarkHorse, Warner Brothers, 1932; Peggy Gardner, Hell's House, Capital Films Exchange, 1932; Grace Blair, The Man Who Played God (also known as The Silent Voice), Warner Brothers, 1932; Peggy, The Menace, Columbia, 1932; Malbro, The Rich Are Always with Us, Warner Brothers/First National, 1932; Dallas O'Mara, So Big, Warner Brothers, 1932; Ruth Westcott, Three on a Match, Warner Brothers/First National, 1932; Mary Lucy, Way Back Home (also known as Old Greatheart and Other People's Business), RKO, 1932; Norma Phillips, Bureau of Missing Persons, Warner Brothers, 1933; Helen Bauer, ExLady, Warner Brothers, 1933; Alabama, Parachute Jumper, Warner Brothers, 1933; Jenny Hartland, The Working Man (also known as The Adopted Father}, Warner Brothers, 1933; Fay, 20,000 Years in Sing Sing, Warner Brothers, 1933; Norma Frank, The Big Shakedown, Warner Brothers, 1934; Lynn Mason, Fashions of 1934 (also known as Fashions), First National, 1934; Arlene Bradford, Fog Over Frisco, Warner Brothers, 1934; Patricia Barclay and Ruth Smith, Housewife, Warner Brothers, 1934; Joan Martin, Jimmy the Gent, Warner Brothers, 1934; Mildred Rogers, Of Human Bondage, RKO, 1934.

Margo Channing, All About Eve, Twentieth Century-Fox, 1950; Joyce Ramsey, Payment on Demand (also known as The Story of a Divorce), RKO, 1951; Janet Frobisher, Another Man's Poison, United Artists, 1952; Marie Hoke, Phone Call from a Stranger, Twentieth Century-Fox, 1952; Margaret Elliot, The Star, Twentieth Century-Fox, 1953; Queen Elizabeth I, The Virgin Queen, Twentieth Century-Fox, 1955; Aggie Hurley, The Catered Affair, Metro-Goldwyn-Mayer (MGM), 1956; Alicia Hull, Storm Center, Columbia, 1956; Catherine the Great, John Paul Jones, Warner Brothers, 1959; Dowager Countess deGue, The Scapegoat, MGM, 1959; Apple Annie/ 4 'Mrs. E. Worthington Manville," Pocketful of Miracles, United Artists, 1961; Jane Hudson, Whatever Happened to Baby Jane?, Warner Brothers, 1962; Margaret de Lorca and Edith Phillips, Dead Ringer (also known as Dead Image), Warner Brothers, 1964; Dino's mother, The Empty Canvas (also known as La Noia: L'Ennui et sa diversion and L'Erotisme), Embassy, 1964; Charlotte Hollis, Hush . . . Hush, Sweet Charlotte, Twentieth Century-Fox, 1964; Mrs. Gerald Hayden, Where Love Has Gone, Paramount, 1964; title role, The Nanny, Twentieth Century-Fox, 1965; Mrs. Taggart, The Anniversary, Hammer, 1968. Title role, Bunny O'Hare, American International, 1971; Wanda Fleming, Connecting Rooms, London Screen, 1971; millionairess, Lo scopane scientifico (also known as The Scientific Cardplayer and The Game), CIC, 1972; Aunt Elizabeth, Burnt Offerings, United Artists, 1976; Mrs. Van Schuyler, Death on the Nile, Paramount, 1978; Letha Wedge, Return from Witch Mountain, Buena Vista, 1978; Mrs. Aylwood, The Watcher in the Woods, Buena Vista, 1980; Libby Strong, The Whales of August, Alive, 1987; Miranda, Wicked Stepmother, Metro-Goldwyn-Mayer/ United Artists, 1989. Also appeared in Stars on Horseback (documentary), 1943; Second Victory Loan Campaign Fund (short film), 1945; A Present with a Future (short film), 1943; A Day at Santa Anita (short film), Warner Brothers.

Marie Roark, Bordertown, Warner Brothers, 1935; Ellen Garfield, Front Page Woman, Warner Brothers, 1935; Miriam Brady, The Girl from Tenth Avenue (also known as Men on Her Mind), Warner Brothers/First National, 1935; Julie Carston, Special Agent, Warner Brothers, 1935; Joyce Heath, Dangerous, Warner Brothers, 1936; Daisy Appleby, The Golden Arrow, Warner Brothers/First National, 1936; Gabrielle Maple, The Petrified Forest, Warner Brothers, 1936; Valerie Purvis, Satan Met a Lady, Warner Brothers, 1936; Joyce Arden, It's Love I'm After, Warner Brothers/First National, 1937; Louise ' 'Fluff' Phillips, Kid Galahad (also known as The Battling Bellhop}, Warner Brothers, 1937; Mary Dwight, Marked Woman, Warner Brothers, 1937; Mary Donnell, That Certain Woman, Warner Brothers, 1937; Julie Marsden, Jezebel, Warner Brothers, 1938; Louise Elliott, The Sisters, Warner Brothers, 1938; Judith Traherne, Dark Victory, Warner Brothers/First National, 1939; Empress Carlotta Von Habsburg, Juarez, Warner Brothers, 1939; Charlotte Lovell, The Old Maid, Warner Brothers/ First National, 1939; Queen Elizabeth I, The Private Lives of Elizabeth and Essex (also known as Elizabeth the Queen}, Warner Brothers, 1939.

PRINCIPAL FILM WORK—Producer, A Stolen Life, Warner Brothers, 1946. PRINCIPAL TELEVISION APPEARANCES—Pilots: Beatrice Enters, Stranded (broadcast as an episode of Telephone Time), ABC, 1957; the agent, The Star Maker (broadcast as an episode of Studio 57) syndicated, 1958; title role, The Elisabeth McQueeney Story (broadcast as an episode of Wagon Train), NBC, 1959; Judge Meredith, The Judge and Jake Wyler, NBC, 1972; title role, Madame Sin, ABC, 1972; Laura Trent, Hotel, ABC, 1983; also Hello Mother,

Henriette Deluzy Desportes, All This and Heaven Too, Warner

112

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

DAVISON

RECORDINGS: ALBUMS—Thank Your Lucky Stars (original soundtrack), Hollywood Soundstage, 1943; Two's Company (original cast recording), RCA, 1952; Fifty Years of Film, Warner Brothers, 1973; Miss Bette Davis, EMI, 1976. SINGLES—"Hush . . . Hush Sweet Charlotte," MGM, 1965.

Goodbye, NBC, 1973. Episodic: Marie Hoke, "Crackup," Twentieth Century-Fox Hour, CBS, 1956; Dolly Madison, "Footnote on a Dolly," Ford Theatre, ABC, 1957; Ella Lindstrom, Wagon Train, NBC, 1959; Delia Miller, The Virginian, NBC, 1962; also Person to Person, CBS, 1956; "With Malice Toward One," General Electric Theatre, CBS, 1957; "For Better, For Worse," Schlitz Playhouse of Stars, CBS, 1957; "The Cold Touch," General Electric Theatre, CBS, 1958; "Fraction of a Second," Suspicion, NBC, 1958; "Out There—Darkness," Alfred Hitchcock Theatre, CBS, 1959; "Dark Morning," The Dupont Show with June Allyson, CBS, 1959; Wagon Train, NBC, 1961; The Andy Williams Show, NBC, 1962; Perry Mason, CBS, 1963; The Tonight Show, NBC, 1964 and 1968; Gunsmoke, CBS, 1966; The Mike Douglas Show, syndicated, 1966; The Milton Eerie Variety Show, ABC, 1966; // Takes a Thief, ABC, 1970; The Dick Cavett Show, ABC, 1971; The David Frost Show, syndicated, 1971; This Is Your Life, syndicated, 1972; The Dean Martin Show, NBC, 1973; "Directed by William Wyler," American Masters, PBS, 1987; Rowan and Martin s Laugh-In, NBC.

AWARDS: Academy Award, Best Actress, 1935, for Dangerous; Best Actress Award from the Venice Film Festival, 1937, for Marked Woman and Kid Galahad; Academy Award, Best Actress, 1938, for Jezebel; Academy Award nomination, Best Actress, 1939, and Picturegoer Annual Gold Medal, 1940, both for Dark Victory; voted one of the Top Ten Money-Making Stars of 1939, 1940, 1941, and 1944 by the Motion Picture Herald-¥ame Poll; Academy Award nomination, Best Actress, 1940, for The Letter; Academy Award nomination, Best Actress, 1941, for The Little Foxes; Golden Apple Star of the Year Award from the Hollywood Women's Press Club, 1941; Academy Award nomination, 1942, for Now, Voyager; Academy Award nomination, Best Actress, 1944, for Mr. Skeffington; Academy Award nomination, Best Actress, New York Film Critics' Circle Award, Best Female Performance, San Francisco Critics' Award, all 1950, and Best Actress Award from the Cannes Film Festival, 1951, all for All About Eve; Academy Award nomination, Best Actress, 1952, for The Star; Academy Award nomination, Best Actress, 1962, for Whatever Happened to Baby Jane?; Golden Apple Star of the Year Award from the Hollywood Women's Press Club, 1963.

Movies: Mrs. Elliot, Scream, Pretty Peggy, ABC, 1973; Minnie Kennedy, The Disappearance of Aimee, NBC, 1976; Widow Fortune, Dark Secret of Harvest Home, NBC, 1978; Lucy Mason, Strangers: The Story of a Mother and Daughter, CBS, 1979; Billie Dupree, Skyward, NBC, 1980;EstelleMalone, White Mama, CBS, 1980; Elizabeth Winfield, Family Reunion, NBC, 1981; Alice Claypoole Vanderbilt, Little Gloria . . . Happy at Last, NBC, 1982; Esther Cimino, A Piano for Mrs. Cimino, CBS, 1982; Mini Dwyer, Right of Way, HBO, 1983; Carrie Louise Serrocold, Agatha Christie's "Murder with Mirrors," CBS, 1985; Hannah Loftin, As Summers Die, HBO, 1986. Specials: "The Movie Crazy Years," NET Playhouse, PBS, \91\\Johnny Carson Presents the Sun City Scandals '72, NBC, 1972; Warner Brothers' Movies—A Fifty Year Salute, NBC, 1973; The American Film Institute Salute to Henry Fonda, CBS, 1978; Variety '77—The Year in Entertainment, CBS, 1978; The American Film Institute Salute to Frank Capra, CBS, 1982; The Barbara Walters Special, ABC, 1987.

Straw Hat Award from the Council of Stock Theatres, 1970; Sarah Siddons Award, 1973; Cecil B. De Mille Award, 1974, for Outstanding Contributions to the Entertainment Field; Life Achievement in Motion Pictures Award from the American Film Institute, 1977; Emmy Award, Outstanding Lead Actress in a Limited Series or Special, 1979, for Strangers: The Story of a Mother and Daughter; Emmy Award nomination, 1980, for White Mama; Rudolf Valentino Life Achievement Award, 1982; Louella Parsons Award, 1983; American Academy of Arts Award, 1983; Medal for Distinguished Public Service from the Department of Defense, 1983; Crystal Award from Women in Films, 1983; Cesar Award from the French Film Institute, 1986; Ordre Arts et Belles Lettres from the French Ministry of Culture, 1986; Legion of Honor from the French Ministry of Culture, 1987; Kennedy Center Honors, 1987; honors from the Film Society of Lincoln Center and the San Sebastian Film Festival, both 1989.

PRINCIPAL RADIO APPEARANCES—Series: Host and narrator, The Whispering Streets, ABC, 1958. Episodic: Title role, "Elizabeth the Queen," Judith Traherne, "Dark Victory," and in "The Small Servant," Hollywood Players, CBS, 1946; also Your HollywoodParade, NBC, 1937; Arch Oboler'sPlays, NBC, 1939; "Of Human Bondage" and "Baby," Everyman's Theatre, NBC, 1940; Plays for Americans, NBC, 1942; Julie Marsden, "Jezebel," Academy Award Theatre, 1946; Linda Oilman, "June Bride" and Julie Marsden, "Jezebel," Screen Directors' Playhouse, NBC; "Alien Corn," The Theatre Guild on the Air, CBS; "Skylark," Ford Theatre, CBS; Screen Guild Theatre, CBS; "Of Human Bondage," Everything for the Boys, NBC; Shell Chateau, NBC; Millions for Defense, CBS', Prudential Family Hour of Stars, CBS; Charlotte Vale, "Now, Voyager," Lux Radio Theatre; "Chicago, Germany," Treasury Star Parade; Texaco Star Theatre. Also Tess Harding, Woman of the Year, 1951; Madame von Meek, Beloved.

MEMBER: Academy of Motion Picture Arts and Sciences (president, 1941), Screen Actors Guild, Actors' Equity Association, American Federation of Television and Radio Artists. OBITUARIES AND OTHER SOURCES: [New York] Newsday, October 8, 1989; New York Times, October 8, 1989.*

RELATED CAREER—Founder and first president, Hollywood Canteen, 1942.

DAVISON, Peter PERSONAL: Born in London, England; married Sandra Dickenson (an actress); children: Georgia. EDUCATION—Attended the Central School of Speech and Drama for three years.

WRITINGS: (Author of introduction) Bette Davis (biography), Robinson, 1948; (with Sanford Doty) The Lonely Life: An Autobiography, Putnam, 1962; (author of commentary) Mother Goddam: The Story of the Career of Bette Davis, Hawthorn, 1974; (with Michael Herskowitz) This V That, Putnam, 1987.

VOCATION: Actor.

113

DAWSON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

NON-RELATED CAREER—Merchant seaman.

CAREER: PRINCIPAL FILM APPEARANCES—Policeman, The Elephant Man, Paramount, 1980.

AWARDS: Emmy Award, Best Host of a Game Show, 1978, for Family Feud.

TELEVISION DEBUT—The Tomorrow People. PRINCIPAL TELEVISION APPEARANCES—Series: Tristan Farnan, All Creatures Great and Small, BBC, 1977-81, then PBS; title role, Doctor Who, BBC, then PBS, 1982-84; title role, Campion, BBC, then Mystery!, PBS, 1989; also Dr. Steven Daker, A Very Peculiar Practice, EEC; Holding the Fort, EEC; Sink or Swim, EEC; Anna of the Five Towns, BBC; Print-Out; Once Upon a Time. Mini-Series: Tom, Love for Lydia, London Weekend Television, then Masterpiece Theatre, PBS, 1979; Lance, "A Pocketful of Rye," Agatha Christie s Miss Marple, BBC, then Mystery!, PBS, 1986. Episodic: Ian, Magnum P.I. t CBS, 1985. Specials: The Fifth Doctor Who, Doctor Who—The Five Doctors, BBC, then PBS, 1983.

ADDRESSES: OFFICE—c/o Leonard Granger, 9903 Kip Drive, Beverly Hills, CA 90210.*

DAY, Lynda See GEORGE, Lynda Day

RELATED CAREER—Actor in repertory theatres in England. ADDRESSES: MANAGER—John Mahoney Management, 30 Chalfont Court, Baker Street, London NW1, England.*

DAWSON, Richard

DENVER, John

1943-

PERSONAL: Born Henry John Deutschendorf, Jr., December 31, 1943, in Roswell, NM; son of Henry John (an officer in the U.S. Air Force) and Erma Deutschendorf; married Ann Marie Martell, June 9, 1967 (divorced, 1983); children: Zachary, Anna Kate. EDUCATION—Studied architecture at Texas Tech University.

1932-

PERSONAL: Born November 20, 1932, in Gosport, England; married Diana Dors (an actress; divorced, 1964); children: Mark, Gary.

VOCATION: Singer, songwriter, and actor.

VOCATION: Actor, comedian, and television host. CAREER: PRINCIPAL FILM APPEARANCES—Weaver, King Rat, Columbia, 1965; Joey, Munster, Go Home, Universal, 1966; Hugh MacDonald, The Devil's Brigade, United Artists, 1968; Damon Killian, The Running Man, Tri-Star, 1987. Also appeared in Promises, Promises (also known as Promise Her Anything), NTD, 1963. PRINCIPAL TELEVISION APPEARANCES—Series: Peter Newkirk, Hogan's Heroes, CBS, 1965-71; regular, Can You Top This?, syndicated, 1969-70; regular, Rowan and Martin's Laugh-In, NBC, 1971-73; Richard Richardson, The New Dick Van Dyke Show, CBS, 1973-74; emcee, Masquerade Party, syndicated, 1974-75; panelist, Match Game, P.M., syndicated, 1975-78; panelist, I've Got a Secret, CBS, 1976; host, Family Feud, syndicated, 1977-85. Pilots: Friend, Keeping an Eye on Denise, CBS, 1973; host, Bizarre, ABC, 1979. Episodic: Tracy Rattigan, The Dick Van Dyke Show, CBS, 1963; Oliver Fair, "The Invisibles," The Outer Limits, ABC, 1964; guest host, Good Morning America, ABC, 1978; also voice characterizations, Hong Kong Phooey (animated), ABC; Shiperly, The Saturday Superstar Movie (animated), ABC. Movies: Chandler Corey, How to Pick Up Girls!, ABC, 1978. Specials: All-Star Family Feud, ABC, 1978; David Frost Presents the Seventh Guinness Book of World Records, ABC, 1978; The Daytime Emmy Awards, ABC, 1978; Celebrity Challenge of the Sexes, CBS, 1979; TV's Funniest Game Show Moments, ABC, 1984. RELATED CAREER—Appeared in repertory theatre productions throughout the U.K.; stand-up comedian in nightclubs throughout the U.K. and U.S.

JOHN DENVER

114

CONTEMPORARY

DEPARDIEU

THEATRE, FILM, AND TELEVISION • Volume 8

RCA, 1977; John Denver's Greatest Hits, Volume 2, RCA, 197 John Denver, RCA, 1979; A Christmas Together with the Muppets, RCA, 1979; Autograph, RCA, 1980; Some Days Are Diamonds, RCA, 1981; Perhaps Love, RCA, 1981; Seasons of the Heart, RCA, 1982; It's About Time, RCA, 1983; Collection, Telstar, 1984; Dreamland Express, RCA, 1985; One World, RCA, 1986. With the Chad Mitchell Trio: That's the Way It's Gonna Be, Mercury, 1965.

CAREER: PRINCIPAL FILM APPEARANCES—Jerry Landers, Oh, God!, Warner Brothers, 1977; narrator, Fire and Ice, Concorde, 1987. PRINCIPAL TELEVISION APPEARANCES—Pilots: Jim Clayton, Higher Ground, CBS, 1988. Episodic: Saturday Night Live with Howard Cosell, ABC, 1975. Movies: George Billings, The Christmas Gift, CBS, 1986; Max Sinclair, The Leftovers, ABC, 1986; Dillard Nations, "Foxfire," Hallmark Hall of Fame, CBS, 1987. Specials: The Bob Hope Show, NBC, 1973; The John Denver Special, ABC, 197'4; Doris Day Today, CBS, 197'5; John Denver's Rocky Mountain Christmas, ABC, 1975; The Carpenters, ABC, 1976; John Denver and Friend, ABC, 1976; The John Denver Special, ABC, 1976; John Denver—Thank God I'm a Country Boy, ABC, 1977; Sinatra and Friends, ABC, 1977; Grammy Awards Show, CBS, 1978; John Denver in Australia, ABC, 197 Alaska: The American Child, ABC, 1978; John Denver and the Ladies, ABC, 1979; The Third Barry Manilow Special, ABC, 1979; John Denver and the Muppets: A Christmas Together, ABC, 1980; John Denver: Music and the Mountains, ABC, 1981; Two of a Kind: George Burns and John Denver, ABC, 1981; Bob Hope's Salute to NASA—25 Years of Reaching for the Stars, NBC, 1983; Salute to Lady Liberty, CBS, 1984; 7985 Miss Universe Pageant, CBS, 1985; How to Be a Man, CBS, 1985; America Censored (documentary), CBS, 1985; The Twelfth Annual People's Choice Awards, CBS, 1986; Kraft Salutes the George Burns 90th Birthday Special, CBS, 1986; Liberty Weekend, ABC, 1986; The Special Olympics Opening Ceremonies, ABC, 1987; From Tahiti, Bob Hope's Tropical Comedy Special, NBC, 1987; Julie Andrews: The Sound of Christmas, ABC, 1987; John Denver's Christmas in Aspen, CBS, 1988; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1988; The New South Wales Royal Bicentennial Concert, Network Ten (Australia), 1988, then Arts and Entertainment, 1989; Our Common Future, Arts and Entertainment, 1989; In Performance at the White House, PBS, 1989.

AWARDS: Top Male Recording Artist Award from Record World, 1974-75; Entertainer of the Year Award from the Country Music Association, 1975; People's Choice Award, Favorite Musical Performer, 1975; Singing Star of the Year Award from the American Guild of Variety Artists, 1975; Male Vocalist of the Year Award from the Academy of Country Music, 1975; Golden Apple Prize from the Hollywood Women's Press Club, 1977; also received fifteen Gold Record Awards and eight Platinum Record Awards from the Recording Industry Association of America. MEMBER: National Space Institute, Cousteau Society, Friends of the Earth, Human/Dolphin Foundation, European Space Agency, Save the Children Foundation. SIDELIGHTS: RECREATIONS—Aviation and photography. ADDRESSES: OFFICE—John Denver Concerts Inc., P.O. Box 1587, Aspen, CO 81612.*

DEPARDIEU, Gerard

1948-

PERSONAL: Born December 27, 1948, in Chateauroux, France; son of Rene (a metal worker) and Alice (Marillier) Depardieu; married Elisabeth Guignot (an actress), 1970; children: Guillaume, Julie. EDUCATION—Studied acting with Charles Dullin and Jean Laurent Cochet; also studied at the Theatre National Populaire.

PRINCIPAL TELEVISION WORK—Pilots: Executive producer (with Jim Green and Allen Epstein), Higher Ground, CBS, 1988. RELATED CAREER—Member, Chad Mitchell Trio (a folk music group), 1965-68; as a solo singer and performer since 1968, has appeared in concert halls throughout the world.

VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Boudu sauve des eaux, 1968; Les Garcons de la bande, 1969; Une Fille dans ma soupe, 1970; Sauves, Galapagos, and Clair obscure, all 1971; Home, 1972; La Chevauchee sur le lac de Constance, 1974; Les Insenses sont en voie d'extinction, 1978; Tartuffe, 1984. PRINCIPAL STAGE WORK—Director, Tartuffe, 1984.

NON-RELATED CAREER—Founder, Windstar Foundation, Snowmass, CO, 1976; founder, World Hunger Project, 1977; member, Presidential Commission on World Hunger, 1978; chairman, National UNICEF Day, 1984. WRITINGS: All as composer. FILM—(With Harold Faltermeyer, Gary Wright, Panarama, and Alan Parsons), Fire and Ice, Concorde, 1987. TELEVISION—Series: Theme song (with Richard L. Kniss and Michael Taylor), "Sunshine on My Shoulders," Sunshine, NBC, 1975. Pilots: (With Lee Holdridge) Higher Ground, CBS, 1988.

FILM DEBUT—Le Beatnik et le minet (short film), 1965. PRINCIPAL FILM APPEARANCES—Pierre, Un peu de soleil dans I'eau froide (also known as A Little Sun in Cold Water), Imperia, 1971; door-to-door salesman, Nathalie Granger, French Consulate/ Moullet et Compagnie/Mouflet et Cie, 1972; postman, Les Gaspards, Albina, 1973; Jean-Claude, Les Valseuses (also known as Going Places), Societe nouvelle prodis/Almi Cinema V, 1973; Matriscope inventor, Stavisky, CCFC/Almi/Cinema V, 1974; Jean, Vincent, Francois, Paul. . . et les autres (also known as Vincent, Francois, Paul. . . and the Others), Gaumont, 1974; Pierre, Pas si mechant que ca (also known as Not As Wicked As All That . . . and The Wonderful Crook), Gaumont, 1974.

RECORDINGS: ALBUMS—Rhymes and Reasons, RCA, 1969; Take Me to Tomorrow, RCA, 1970; Whose Garden Was This?, RCA, 1970; Poems, Prayers, and Promises, RCA, 1971; Aerie, RCA, 1972; Rocky Mountain High, RCA, 1972; Farewell Andromeda, RCA, \913; Back Home Again, RCA, 197'4; John Denver's Greatest Hits, RCA, 1914; Rocky Mountain Christmas, RCA, 1975; An Evening with John Denver, RCA, 1975; Windsong, RCA, 197 Live in London, RCA, 1976; Spirit, RCA, 1976; / Want to Liv

Olivier, Maitresse (also known as Mistress), Gaumont Internation115

DEPARDIEU CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Artists, 1981; Bernard Coudray, La Femme d'a cote (also known as The Woman Next Door), United Artists, 1981; Mickey, Le Choix des armes (also known as Choice of Arms), Parafrance, 1983; Georges Danton, Danton, Triumph, 1983; as himself, Wajda's Danton (documentary), Con Films International/Channel Four, 1983; Gerard Delmas, La Lune dans le caniveau (also known as The Moon in the Gutter), Columbia/Triumph, 1983; title role, Le Retour de Martin Guerre (also known as The Return of Martin Guerre), European International, 1983; Jean Lucas, Les Comperes (also known as The Co-Fathers), European International, 1984; title role, Le Tartuffe, Gaumont International, 1984; Charles Saganne, FortSaganne, Roissy/AAA, 1984. Campana, La Chevre, European Classics, 1985; Mangin, Police, Gaumont/TFl, 1985; Mien Chayssac, Une Femme ou deux (also known as One Woman or Two), AAA/World Marketing/Orion Classics, 1985; Jean Cadoret, Jean de Florette, Orion Classics, 1986; Jean Lucas, Les Fugitifs (also known as The Fugitives), Gaumont/Roissy/Buena Vista, 1986; Bob, Menage (also known as Tenue de soiree), Norstar, 1986; Dr. Lombart, Rue du depart (also known as Street of Departures), AA A/Films du Volcan/ Allied Artists, 1986; Father Donissan, Sous le soleil de Satan (also known as Under the Sun of Satan and Under Satan's Sun), Gaumont, 1987, released in the United States by Alive Films, 1989; Marc, Deux (also known as Two), AMLF/Roissy, 1988; Auguste Rodin, Camille Claudel, Gaumont, 1988, released in the United States by Orion Classics, 1989; Charles, Drole a"endroitpour une rencontre (also known as A Funny Placefor a Meeting, A Strange Placefor an Encounter, and A Strange Place to Meet), Union Generale Cinematographique/Roissy, 1988; Bernard Barthelemy, Trop belle pour toi (also known as Too Beautiful for You), AMLF, 1989, released in the United States by Orion Classics, 1990; Christian Gauthier, Je veux rentrer a la maison (also known as / Want to Go Home and Voglio tornare a casa), Marin Karmitz, 1989; title role, Cyrano de Bergerac, President, 1990.

GERARD DEPARDIEU

al, 1975; Gerard, La Derniere Femme (also known as The Last Woman and L'ultima donna), Columbia, 1975; Berg, Sept marts sur ordonnance (also known as Seven Deaths By Prescription), AMLF, 1975; Samson, Barocco, Films la Boetie, 1976; Olmo Dalco, 1900 (also known as Novecento), Paramount/United Artists/Twentieth Century-Fox, 1976; Michel Cayre, Baxter, Vera Baxter, Sunchild, 1976; man, Le Camion (also known as The Truck), Cinema 9/Films Moliere, 1977; title role, Rene la Canne, Rizzoli, 1977; Philibert, La Nuit tous les chats sont gris (also known as At Night All Cats Are Gray), Societe Nouvelle Prodis/ Exportation Francaise Cinematographique/SAM, 1977; David Martinaud, Dites-lui que je I'aime (also known as Tell Him I Love Him), World Marketing, 1977; man with t-shirt, Die Linkshandige Frau (also known as The Left-Handed Woman), Marin Karmitz, 1977, released in the United States by New Yorker, 1980; Raoul, Preparez vos mouchoirs (also known as Get Out Your Handkerchiefs), Capac/Belga/New Line Cinema, 1978; Gerard Lafayette, Ciao maschio (also known as Affentraum and Bye Bye Monkey), Gaumont/Filverlag der Autoren, 1978; Raoul-Renaud Homecourt, Le Sucre (also known as The Sugar), SFP/Gaumont International/ Cineproduction, 1978; Morel, Les Chiens (also known as The Dogs), World Marketing/GEF/CCFC, 1979.

Also appeared in Christmas Carol, 1965; Le Cri du cormoran, le soir au-dessus desjonques (also known as The Cry of the Cormoran at Night Over the Junks), Gaumont International, 1970; Le Tueur (also known as The Killer), Societe Nouvelle Prodis, 1971; Le Viager (also known as The Annuity), United Artists, 1972; La Scoumoune (also known as Killer Man), Fox-Lira, 1972; Au rendez-vous de la mort joyeuse, United Artists, 1972; L Affaire Dominici, Societe Nouvelle de Cinema/Imperia, 1972; Rudejournee pour la reine (also known as Rough Day for the Queen), Nouvelles Editions de Films/Planfilm, 1973; Deux hommes dans la ville (also known as Two Men in Town), Valoria, 1973; La Femme du Gange, 1973; Bertolucci secondo il cinema (documentary), 1975; Je t'aime, moi non plus (also known as / Love You, Me No Longer), AMLF/ Sinfonia, \915; Les Plages del'Atlantique, 1976; Violanta, Jordan Bojilov/Daniel Carrillo, 1977; Reve de singe, 1978; Lingorgo (also known as Traffic Jam and Bottleneck), CineTel, 1978; Temporale Rosy, 1979; Le Grand Frere, 1982; Rive droite, rive gauche (also known as Right Bank, Left Bank), Parafrance, 1984. PRINCIPAL FILM WORK—Co-producer, Les Comperes (also known as The Co-Fathers), European International, 1984; director, Le Tartuffe, Gaumont International, 1984; co-producer, Menage (also known as Tenue de soiree), Norstar, 1986; co-producer, Jean de Florette, Orion Classics, 1986; co-producer, Les Fugitifs (also known The Fugitives), Gaumont/Roissy/Buena Vista, 1986; coproducer, Sous le soleil de Satan (also known as Under the Sun of Satan and Under Satan s Sun), Gaumont, 1987, released in the

Patrick, Je vous aime (also known as / Love You), AMLF, 1980; Alphonse Tram, Buffetfroid (also known as Cold Cuts), Interama, 1980; title role, Loulou, Gaumont International/New Yorker, 1980; Roger Morzini, Inspecteur la Bavure (also known as Inspector Blunder), AMLF, 1980; Rene Ragueneau, Mon oncle d'Amerique (also known as Les Somnambules), New World, 1980; Bernard Granger, Le Dernier Metro (also known as The Last Metro), United

116

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

DiCENZO

different. But I've learned that I'd much rather take chances with something of my own than be on the sidelines when it fails."

United States by Alive Films, 1989; co-producer, Drole d'endroit pour une rencontre (also known as A Funny Place for a Meeting, A Strange Place for an Encounter, and A Strange Place to Meet), Union Generale Cinematographique/Roissy, 1988; co-producer, Camille Claudel, Gaumont, 1988; co-producer, Deux (also known as Two), AMLF/Roissy, 1988; co-producer, Je veux rentrer a la maison (also known as / Want to Go Home and Voglio tornare a casa), Marin Karmitz, 1989; co-producer, Trop belle pour toi (also known as Too Beautiful for You), AMLF, 1989; co-producer, Cyrano de Bergerac, President, 1990.

ADDRESSES: OFFICE—73 Market Street, Venice, CA 90291. AGENT—Darris Hatch, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.

PRINCIPAL TELEVISION APPEARANCES—Series: L'Inconnu, 1974.

DiCENZO, George AWARDS: Prix Gerard Philipe, 1973; Cesar Award, Best Actor, 1980, for Le Dernier Metro; Montreal World Film Festival Award (co-winner), Best Actor, 1983, for Danton; Best Actor Award from the Venice Film Festival, 1985, for Police; Fellowship Award from the British Film Institute, 1989; Cesar Award, Best Actor, 1990, for Trop belle pour toi.

PERSONAL: Full name, George Ralph DiCenzo. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Frank Eaton, Whitsuntide, Martinique Theatre, New York City, 1972.

ADDRESSES: AGENT—Art Media, 10 Avenue George V, 75008 Paris, France. PUBLICIST—Claude Davy, Conseil en Relations Publiques, 43 Rue de Lille, 75007 Paris, France.

DESCHANEL, Caleb

PRINCIPAL FILM APPEARANCES—Sergeant, Going Home, Metro-Goldwyn-Mayer (MGM), 1971; George, Shoot It: Black, Shoot It: Blue, Levitt-Pickman, 1974; Eversull, Las Vegas Lady, Crown International, 1976; Major Benchley, Close Encounters of the Third Kind, Columbia, 1977; Lieutenant "Hardass" Grimsley, The Choirboys, Universal, 1977; Darryl Diggs, The Frisco Kid (also known as No Knife), Warner Brothers, 1979; Captain Fairbanks, The Ninth Configuration (also known as Twinkle, Twinkle, Killer Kane), Warner Brothers, 1980; Hordak, The Secret of the Sword (animated), Atlantic, 1985; Sam Baines, Back to the Future, Universal, 1985; Mr. Favio, About Last Night, Tri-Star, 1986; DeFranco, TheLongshot, Orion, 1986; Philadelphia "Phil" Horton, Omega Syndrome (also known as Omega Seven), New World, 1987; Mr. Blackhart, The New Adventures ofPippi Longstocking, Columbia, 1988; coach, Eighteen Again!', New World, 1988; Mr. Marowitz, Sing, Tri-Star, 1989. Also appeared in Walk Like a Man (also known as Bobo and Bobo the Dog Boy), Metro-GoldwynMayer/United Artists, 1987; Face of the Enemy, Tri-Culture, 1989.

1944-

PERSONAL: Born September 21, 1944, in Philadelphia, PA; wife's name, Mary Jo (an actress); children: two daughters. EDUCATION—Attended Johns Hopkins University; studied film at the University of Southern California Film School, at the American Film Institute, and with Gordon Willis. VOCATION: Cinematographer and director. CAREER: PRINCIPAL FILM WORK—Camera operator, A Woman Under the Influence, Faces International, 1974; cinematographer, Being There, United Artists, 1979; cinematographer, The Black Stallion, United Artists, 1979; cinematographer, More American Graffiti, Universal, 1979; cinematographer (second unit), Apocalypse Now, United Artists, 1979; director, The Escape Artist, Orion/Warner Brothers, 1982; cinematographer, Let's Spend the Night Together, Ronald Schwary, 1982; cinematographer, The Right Stuff, Warner Brothers, 1983; cinematographer, The Natural, Tri-Star, 1984; cinematographer, The Slugger s Wife (also known as Neil Simon s The Slugger s Wife), Columbia, 1985; director, Crusoe, Island, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: Voices of Hercules and Sentinal One, The Young Sentinals (animated), NBC, 1977-78; voice of John Blackstar, Blackstar (animated), CBS, 1981-82; Lieutenant Edward DeNisco, McClain's Law, NBC, 1981-82; voice characterization, Spider-Man and His Amazing Friends (animated), NBC, 1981-86; voice of Lou Albano, Hulk Hogan'sRock 'n' Wrestling! (animated), CBS, 1985-87; voice of He-Man, He-Man and the Masters of the Universe (animated), syndicated, 1983—; voice of He-Man, She Ra: Princess of Power (animated), syndicated, 1985; voice characterization, Collar and the Golden Lance (animated), syndicated, 1985; voice characterization, Scoobys Mystery Funhouse (animated), ABC, 1985-86; voice characterization, Wildfire (animated), CBS, 1986-87; also Equal Justice, ABC, 1989. Mini-Series: Abe Singer, Aspen (also known as The Innocent and the Damned), NBC, 1977; Anthony Orsatti, If Tomorrow Comes, CBS, 1986. Pilots: Zoot Lafferty, The Blue Knight, NBC, 1973; Suramin, The Swiss Family Robinson, ABC, 1975; Sam Downing, McLaren's Riders, CBS, 1977; Sheriff Alfredo De Vega, The Jordan Chance, CBS, 1978; Captain Cornworth, To Kill a Cop, NBC, 1978; Rudolph Ulmer, The Tom Swift and Linda Craig Mystery Hour, ABC, 1983; also The Norliss Tapes, ABC, 1973; Equal Justice, ABC, 1989.

RELATED CAREER—Director of short films, documentaries, and television commercials. AWARDS: National Society of Film Critics Award, Best Cinematography, 1979, for The Black Stallion; Academy Award nomination, Best Cinematography, 1984, for The Right Stuff; Academy Award nomination, Best Cinematography, 1985, for The Natural. SIDELIGHTS: Regarding his career change from cinematographer to director, Caleb Deschanel told Matthew Flamm of Premiere (March, 1989), "I don't see being the director as that much

117

DILLON CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Episodic: Charles, Dynasty, ABC, 1984 and 1985; Richard Margolis, Alfred Hitchcock Presents, NBC, 1985; Andy's stepfather, Spenser: For Hire, ABC, 1986; Johnny Blaze, Murder, She Wrote, CBS, 1986; Max Merrill, Blacke's Magic, NBC, 1986; Frank Dorgan, The Equalizer, CBS, 1987 and 1988; Dominic, The Equalizer, CBS, 1988; John Yancy, Tattinger's, NBC, 1988; Sergeant Kettler, Murder, She Wrote, CBS, 1988. Movies: Owings, Last Hours Before Morning, NBC, 1975; Vincent Bugliosi, Helter Skelter, CBS, 1976; Chief Reinhold, The Hostage Heart, CBS, 1977; Bennet, High Midnight, CBS, 1979; Cliff Barrankos, TheNightthe City Screamed, ABC, 1980; Vincent Scozzola, Reunion, CBS, 1980; Sam Caldwell, Killing at Hell's Gate, CBS, 1981; Tony Caruso, Rivkin: Bounty Hunter, CBS, 1981; Davis Bentlow, Cowboy, CBS, 1983; Bowdish, Starflight: The Plane That Couldn't Land, ABC, 1983; Scotty, Warm Hearts, Cold Feet, CBS, 1987. Specials: Voice of He-Man, He-Man and She-Ra: A Christmas Special (animated), syndicated, 1985. ADDRESSES: AGENT—Ronald Leif, Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212.

DILLON, Kevin 1965-

PERSONAL: Born in 1965 in Mamaroneck, NY. VOCATION: Actor. GREGORY S. DINALLO

CAREER: PRINCIPAL STAGE APPEARANCES—Appeared in productions of Dark at the Top of the Stairs and The Indian Wants the Bronx.

VOCATION: Producer and writer.

FILM DEBUT—Rooney, Heaven Help Us (also known as Catholic Boys), Tri-Star, 1985. PRINCIPAL FILM APPEARANCES—Bunny, Platoon, Orion, 1986; narrator, Dear America: Letters Home from Vietnam, HBO Films, 1987; Brian Flagg, The Blob, Tri-Star, 1988; J.J. Merrill, The Rescue, Buena Vista, 1988; Cosmo, Remote Control, Vista Organization, 1988; Skitty, War Party, Tri-Star, 1988; Sam, Immediate Family, Columbia, 1989.

CAREER: Also see WRITINGS below. PRINCIPAL TELEVISION WORK—Series: Executive script consultant, The Powers of Matthew Star, NBC, 1982-83; executive script consultant, The Renegades, ABC, 1983; producer, Hawaiian Heat, ABC, 1984; supervising producer, The New Mike Hammer, CBS, 1986-87; supervising producer, Houston Knights, CBS, 1987-88; also coordinating producer, Knight Rider, NBC.

TELEVISION DEBUT—No Big Deal, HBO. PRINCIPAL TELEVISION APPEARANCES—Movies: Rick, When He's Not a Stranger, CBS, 1989.

RELATED CAREER—Writer, producer, and director of industrial and exhibit films. NON-RELATED CAREER—Designer for the 1964, 1967, and 1970 World's Fairs.

ADDRESSES: AGENT—Steve Dontanville, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

WRITINGS: FILM—The Cregor Find, Buena Vista. TELEVISION—Episodic: Switch, CBS, 1975; Hunter, CBS, 1977; The American Girls, CBS, 1978; The Amazing Spider-Man, CBS, 1978;Mrs. Columbo, NBC, 1979', Beyond Westworld, CBS, 1980; Walking Tall, NBC, 1981; The Renegades, ABC, 1983; Hawaiian Heat, ABC, 1984; Knight Rider, NBC, 1985 and 1986; The New Mike Hammer, CBS, 1987; Houston Knights, CBS, 1988; also Scarecrow and Mrs. King, CBS; Quincy, M.E. CBS; McCloud, NEC; Family, ABC; The Equalizer, CBS; Charlie's Angels, ABC; The Powers of Matthew Star, NBC; The Six Million Dollar Man, ABC; The Hardy Boys Mysteries, ABC; The Nancy Drew Mysteries, ABC; From Here to Eternity, NBC; also Command Five and Breaker's Way. Pilots: T.R.A.C., NBC. Movies: (With Scott

DINALLO, Gregory S. 1941-

PERSONAL: Born March 22, 1941, in Brooklyn, NY; son of Gregory H. (a mechanic) and Amelia L. (a school teacher; maiden name, Pisicelli) Dinallo; married Gloria Carrubba (a printmaker), June 16, 1962; children: Eric. EDUCATION—Pratt Institute, Bachelor of Industrial Design, 1962. 118

CONTEMPORARY THEATRE, FILM, AND TELEVISION

• Volume 8

DIXON

\964-, The Fugitive, ABC, 1964 and \961-1 Spy, NBC, 1965; "The Final War of Ollie Winter," NET Playhouse, WNET, 1961'Felony Squad, ABC, 1967; Ironside, NBC, 1967; It Takes a Thief, ABC, 1968; The Name of the Game, NBC, 1968 and 1969; The Mod Squad, ABC, 1970; The F.B.I., ABC, 1970; Love, American Style, ABC, 1971. Movies: Joe Voit, Per de Lance, CBS, 1974; judge, Perry Mason: The Case of the Shooting Star, NBC, 1986. Specials: "Arrowsmith," Dupont Show of the Month, CBS, 1960.

Swanton) The Calendar Girl Murders, ABC, 1984; Ladykiller, ABC, 1988; also Goals, CBS. OTHER—Rockets Red Glare (fiction), St. Martin's, 1988; In the Service of His Country (fiction), St. Martin's, 1989. AWARDS: Hugo Award from the Chicago Film Festival, 1972, for Sears Cinema Circus (industrial film).

PRINCIPAL TELEVISION WORK—All as director. Series: Counterattack: Crime in America, NBC, 1982. Pilots: Palms Precinct, NBC, 1982. Episodic: Khan!, CBS, 1974; Harris and Company, NBC, \919\TenspeedandBrownshoe, ABC, mfyLegmen, NBC, 1984; Blue Thunder, ABC, 1984; Magnum, P.I., CBS, 1985 and 1986; Downtown, CBS, 1986; Houston Knights, CBS, 1987 and 1988; QuantumLeap, NBC, 1989; alsoHogan'sHeroes, CBS; The Bill Cosby Show, NBC; Get Christie Love!, ABC; Nichols, NBC; Apple's Way, CBS; The Waltons, CBS; Shaft, CBS; Delvecchio, NBC; The Black Sheep Squadron (also known as Baa Baa Black Sheep), NBC; The Nancy Drew Mysteries, ABC; The New Adventures of Wonder Woman, CBS; The Rockford Files, NBC; The Righteous Apples, PBS; Palmerstown, U.S.A., CBS; The Greatest American Hero, ABC; Bret Maverick, NBC; Tales of the Gold Monkey, ABC; Airwolf, CBS; The A-Tearn, NBC. Movies: Love Is Not Enough, NBC, 1978. Specials: The Bill Cosby Special, or ?, NBC, 1971.

MEMBER: Writers Guild of America—West, Mystery Writers of America, International Association of Crime Writers, P.E.N. ADDRESSES: OFFICE—958 24th Street, Santa Monica, CA 90403. AGENT—Don Kline, Irv Schechter Company, 9300 Wilshire Boulevard, Beverly Hills, CA 90212. PUBLICIST—Jacqueline Green, Jacqueline Green Public Relations, 9230 Olympic Boulevard, Suite 202, Beverly Hills, CA 90212.

DIXON, Ivan 1931PERSONAL: Born April 6, 1931, in New York, NY.

ADDRESSES: OFFICE—Bokari Productions, Inc., 3432 N. Marengo Avenue, Altadena, CA 91001.

VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Jamie, The Cave Dwellers, Bijou Theatre, New York City, 1957; Joseph Asagai, A Raisin in the Sun, Ethel Barrymore Theatre, New York City, 1959. PRINCIPAL FILM APPEARANCES—Lathela, Something of Value, Metro-Goldwyn-Mayer (MGM), 1957; Jim, Porgy and Bess, Columbia, 1959; Tiger Blair, Battle at Bloody Beach (also known as Battle on the Beach), Twentieth Century-Fox, 1961; Asagai, A Raisin in the Sun, Columbia, 1961; Duff Anderson, Nothing But a Man, Cinema V, 1964; Mark Ralfe, A Patch of Blue, MGM, 1965; Soumarin, To Trap a Spy, MGM, 1966; naval officer, Where's Jack? (also known as Run, Rebel, Run), Paramount, 1969; Sergeant Jones, Suppose They Gave a War and Nobody Came? (also known as War Games], Cinerama, 1970; Simon, Clay Pigeon, MGM, 1971; Lonnie, Car Wash, Universal, 1976.

DIXON, Maclntyre 1931PERSONAL: Born December 22, 1931, in Everett, MA. EDUCATION—Graduated from Emerson College. VOCATION: Actor. CAREER: BROADWAY DEBUT—Willy, Xmas in Las Vegas, Ethel Barrymore Theatre, 1965. PRINCIPAL STAGE APPEARANCES— Ensemble, Stewed Prunes (revue), Circle in the Square, then Showplace Theatre, both New York City, 1960; Tommy, "Infancy" in Plays for Bleecker Street, Circle in the Square, 1962; (with Richard Libertini as the Stewed Prunes) The Cat's Pajamas (revue), Sheridan Square Playhouse, New York City, 1962; ensemble, The Mad Show (revue), New Theatre, New York City, 1966; Valentine Brose, Eh?, Circle in the Square, 1967; Peter Smith, "Home Fires" in Cop-Out, Cort Theatre, New York City, 1969; various roles, Paul Sills' Story Theatre, Ambassador Theatre, New York City, 1970; Walrus, Meeow!, Cabaret Theatre, New York City, 1971;priest, "Ma" inTwigs, Broadhurst Theatre, New York City, 1971, then Plymouth Theatre, New York City, 1972; father, Over Here!, Shubert Theatre, New York City, 1974; Bub, Lotta, Or the Best Thing Evolution s Ever Come Up With, New York Shakespeare Festival, Public Theatre, New York City, 1973; Mr. Pard, Rubbers, American Place Theatre, New York City, 1975; Rudolph Kammerling, Once in a Lifetime, Circle in the Square, 1978; man, Conjuring an Event, American Place Theatre, 1978.

PRINCIPAL FILM WORK—Director, Trouble Man, Twentieth Century-Fox, 1972; producer (with Sam Greenlee) and director, The Spook Who Sat By the Door, United Artists, 1973. PRINCIPAL TELEVISION APPEARANCES—Series: Corporal James Kinchloe, Hogan's Heroes, CBS, 1965-70. Mini-Series: Alan Drummond, Amerika, ABC, 1987. Episodic: Bolie Jackson, "The Big Tall Wish," The Twilight Zone, CBS, 1960; Major Harold Giles, "The Human Factor," The Outer Limits, ABC, 1963; Reverend Anderson, "I Am the Night—Color Me Black," The Twilight Zone, CBS, 1964; Sergeant James Conover, "The Inheritors," The Outer Limits, ABC, 1964; also Have Gun, Will Travel, CBS, \96\; Cain's Hundred, CBS, 1962; Target: TheCorruptors, ABC, 1962; Dr. Kildare, NBC, 1962; Laramie, NBC, 1962; Stoney Burke, ABC, 1963; Perry Mason, CBS, 1963; The Defenders, CBS, 1963 and 1965; "The Special Courage of Captain Pratt," Great Adventures, CBS, 1964; "Murder in the First," Bob Hope Chrysler Theatre, NBC, 1964; The Man from U.N.C.L.E., NBC, 119

DODSON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Burglar, My Husband's Wild Desires Almost Drove Me Mad, Studio Arena Theatre, Buffalo, NY, 1980; ensemble, Tomfoolery (revue), Village Gate Theatre Upstairs, New York City ,1981; Mad Hatter, Alice in Wonderland, Virginia Theatre, New York City, 1982; Blackie Caroon, Rockaway, Vineyard Theatre, New York City, 1982; Dr. Bourges, Pere Abbe, Dogmouth, Ducarre, doctor, critic, and announcer, Times and Appetites of Toulouse-Lautrec, American Place Theatre, 1985; Chubby Waters, Broadway Bound, Broadhurst Theatre, 1986; Simon Jenkins and Timothy Hogarth, Room Service, Roundabout Theatre, New York City, 1986; Carol Newquist, Little Murders, Second Stage Theatre, New York City, 1987; policeman, Threepenny Opera, Lunt-Fontanne Theatre, New York City, 1989. Also The Quare Fellow, Circle in the Square, 1958; Three By Three, Maidman Theatre, New York City, 1961; When the Owl Screams, Second City at Square East, New York City, 1963; Staircase and Under Milk Wood, both Actors Theatre of Louisville, Louisville, KY, 1969-70; Ovid's Metamorphosis, Ambassador Theatre, 1971; People from Division Street, Cubiculo Theatre, New York City, 1975; Windy City, Paper Mill Playhouse, Millburn, NJ, 1985; Sills and Company, Lamb's Theatre, then Actors Playhouse, both New York City, 1986; appeared with the McCarter Theatre company, Princeton, NJ, 1972-73; with the Arena Stage company, Washington, DC, 1975-76; and in productions of The Three Sisters, His Majesty the Devil, and A Christmas Carol.

er), August 28, 1959; children: Cristina, Amy. EDUCATION— Carnegie-Mellon University, B.F.A., drama, 1953. MILITARY— U.S. Army, sergeant, 1953-56. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Father Zossima, The Trial ofDimitri Karazamov, Jan Hus Auditorium, New York City, 1958; man in audience, first dead man, and townsperson, Our Town, Circle in the Square, New York City, 1959; Blind One, The Golem, St. Mark's Playhouse, New York City, 1959; the General, The Balcony, Circle in the Square, 1960; Captain Cat, Butcher Banyon, Organ Morgan, and P.C. Attila Rees, Under Milk Wood, Circle in the Square, 1961; tramp, Pullman Car Hiawatha, Circle in the Square, 1962; the Director, Six Characters in Search of an Author, Martinique Theatre, New York City, 1963; the Nightclerk, Hughie, Royale Theatre, New York City, 1964; Paul Sycamore, You Can't Take It with You, Plymouth Theatre, New York City, 1983. Also appeared in The Italian Straw Hat, Fourth Street Theatre, New York City, 1957; The Country Wife, New York City, 1957; The Quare Fellow, Circle in the Square, 1958; The Torchbearers, New York City, 1960; Plays for Bleecker Street, Circle in the Square, 1962; Follies of Scapin, New York City, \962;Chemin de Fer, Mark Taper Forum, Los Angeles, 1968; Who's Happy Now?, Mark Taper Forum, 1976; A Penny for a Song, New York City.

PRINCIPAL FILM APPEARANCES—First deconsecration minister, Alice's Restaurant, United Artists, 1969; Harry Stone, The Front, Columbia, 1976; painter, Fire Sale, Twentieth Century-Fox, 1977; passenger, Thieves, Paramount, 1977; bartender, Thank God It's Friday, Columbia, 1978; courthouse reporter, King of the Gypsies, Paramount, 1978; counterman, Corvette Summer (also known as The Hot One), United Artists, 1978; Dan Ryan, Starting Over, Paramount, 1979; Cole Oyl,Popeye, Paramount, 1980; nature walk teacher, Paternity, Paramount, 1981; Carl Walters, Reds, Paramount, 1981; Ernie Weaver, Dead Ringer, Feature Film/CBS Video, 1982; DeWitt, Batteries Not Included, Universal, 1987; Ferguson, The Secret of My Success, Universal, 1987; Mayor Barclay, Funny Farm, Warner Brothers, 1988; Dr. Verboven, The Dream Team, Universal, 1989.

PRINCIPAL FILM APPEARANCES—Shipmate, Munster, Go Home, Universal, 1966; narrator, Why Man Creates (short documentary film), Saul Bass and Associates, 1968; Norman Gresham, Angel in My Pocket, Universal, 1969; Harold Clinton, The Getaway, National General, 1972; Llewellyn Howland, Pat Garrett and Billy the Kid, Metro-Goldwyn-Mayer, 1973; vault manager, Thunderbolt and Lightfoot, United Artists, 1974; Dr. Douglas, Something Wicked This Way Comes, Buena Vista, 1983. PRINCIPAL TELEVISION APPEARANCES—Series: Howard Sprague, The Andy Griffith Show, CBS, 1966-68; Howard Sprague, Mayberry R.F.D., CBS, 1968-71; Senator Wayne Joplin, All's Fair, CBS, 1976-77; Monsignor Francis X. Barlow, In the Beginning, CBS, 1978; Edgar "Truck" Morley, Phyl andMikhy, CBS, 1980. Pilots: Wendell Henderson, Walkin' Walter, ABC, 1977; Mr. Bishop, Snavely, ABC, 1978. Episodic: Mickey Malph, Happy Days, ABC, 1974; Carstairs, Cagney and Lacey, CBS, 1985; Senator Gate, Benson, ABC, 1986; Carl Putnam, Mr. Belvedere, ABC, 1986 and 1989; Judge Farnham, St. Elsewhere, NBC, 1987 and 1988; Walter Johnson, Duet, Fox, 1988; Jack Austin, Matlock, NBC, 1989; also Barney Miller, ABC, 1975 and 1980; The Nancy Walker Show, ABC, 1976; 13 Queens Boulevard, ABC, 1979; Room 222, ABC; Manhunter, CBS; CPO Sharkey, NBC; Maude, CBS; Hawaii Five-0, CBS; A.E.S. Hudson Street, ABC; Carter Country, ABC; Police Story, NBC; Quincy, NBC; One Day At a Time, CBS; Welcome Back, Kotter, ABC; The Practice, NBC; Mork and Mindy, ABC; Lou Grant, CBS; Newhart, CBS; Amen!, NBC. Movies: Chuck, Million Dollar Infield, CBS, 1982; Howard Sprague, Return to Mayberry, NBC, 1986. Specials: "Who's Happy Now?," Theatre in America, PBS, 1976; the Nightclerk, Hughie, Showtime, 1981.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Comedy Tonight, CBS, 1970. Pilots: Principal, Popi, CBS, 1975; F.B.I, official, Big Shots in America, NBC, 1985; also Windows, Doors, andKeyholes, NBC, 1978. Episodic: All in the Family, CBS, 1977; "The Ghost Writer," American Playhouse, PBS, 1984. Movies: Mr. Estes, Delta County, U.S.A., ABC, 1977; post office clerk, How to Pick Up Girls!, ABC, 1978; Father Danzig, Word of Honor, CBS, 1981; reporter, Izzy and Moe, CBS, 1985. Specials: We Interrupt This Season, NBC, 1967; I'm a Fan, CBS, 1972. ADDRESSES: AGENT—J. Michael Bloom, 233 Park Avenue S., New York, NY 10003.*

DODSON, Jack 1931ADDRESSES: OFFICE—MJD Enterprises Inc., c/o Equitable Investment Corporation, 6253 Hollywood Boulevard, Suite 1122, Hollywood, CA 90028. AGENT—STE Representation Ltd., 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210.*

PERSONAL: Full name, John S. Dodson; born May 16, 1931, in Pittsburgh, PA; son of John M. and Margaret S. Dodson; married Mary Weaver (a motion picture and television production design120

DOOHAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

DONAHUE, Troy

DONNELLY, Candice

1936-

1954-

PERSONAL: Born January 2, 1954, in Boston, MA; daughter of James and Elinor (Di Napoli) Donnelly; children: Bronwen Boy an. EDUCATION—University of Massachusetts, B.F.A., 1975; Yale University, M.F.A., 1985.

PERSONAL: Born Merle Johnson, Jr., January 27, 1936 (some sources say January 17, 1937), in New York, NY; married Suzanne Pleshette (an actress; divorced); EDUCATION—Attended Columbia University.

VOCATION: Costume designer. VOCATION: Actor.

CAREER: FIRST BROADWAY WORK—Costume designer, Fences, 46th Street Theatre, New York City, 1987. PRINCIPAL STAGE WORK—Costume designer: Chopin in Space, Yale Repertory Theatre, New Haven, CT, 1984; The Wonder Years, TOMI Terrace Theatre, New York City, 1985; Ondine, New York Stage and Film, New York City, 1985; Fences, Seattle Repertory Theatre, Seattle, WA, then Goodman Theatre, Chicago, IL, both 1985-86; Rich Relations, Second Stage Theatre, New York City, 1986; Dry Land, Judith Anderson Theatre, New York City, 1986; The Return of Pinocchio, 47th Street Theatre, New York City, 1986; The Skin of Our Teeth, Classic Stage Company, New York City, 1986; Happy Days, Goodman Theatre, 1986; The Maderati, Playwrights Horizons, New York City, 1987; Elektra, Classic Stage Company, 1987; The Johnstown Vindicator, Harold Clurman Theatre, New York City, 1987'\Little Murders, Second Stage Theatre, 1987; Flee as a Bird (dance piece), Joyce Theatre, New York City, 1987; Tartuffe, Portland Stage Company, Portland, ME, 1987; The Milk Train Doesn't Stop Here Anymore, WPA Theatre, New York City, 1987; Right Behind the Flag Boys, Playwrights Horizons, 1988; 4 'Dirty Work" in Three Pieces for a Warehouse, 500 Greenwich Street, New York City, 1988; Eastern Standard, Seattle Repertory Theatre, then Manhattan Theatre Club, New York City, both 1988; Loose Ends, Second Stage Theatre, 1988; The Film Society, Second Stage Theatre, 1988; Rameau's Nephew, Classic Stage Company, 1988; Monte (dance piece), Joyce Theatre, 1988; The Good Moment of Lily Baker, New York Stage and Film, 1988; Joe Turner's Come and Gone, Center Stage Theatre, Baltimore, MD, 1988; Moon Over Miami, Yale Repertory Theatre, 1989; Master gate, American Repertory Theatre, Cambridge, MA, then Criterion Theatre, New York City, both 1989; As You Like It, Folger Shakespeare Theatre, Washington, DC, 1989; Rebel Armies Deep into Chad, Long Wharf Theatre, New Haven, CT, 1989; Baba Goya, Second Stage Theatre, 1989; The Merry Wives of Windsor, Texas, St. Louis Repertory Theatre, St. Louis, MO, then Players Theatre, Columbus, OH, both 1989; The Rose Tattoo, Williamstown Theatre Festival, Williamstown, MA, 1989; The Bald Soprano and The Chairs, both American Repertory Theatre, 1989.

CAREER: PRINCIPAL FILM APPEARANCES—Frank Burnham, The Tarnished Angels, Universal, 1957; Artie, Live Fast, Die Young, Universal, 1958; Jimmy Flanders, Monster on the Campus, Universal, 1958; Sergeant Nickles, The Perfect Furlough (also known as Strictly for Pleasure), Universal, 1958; Sax Lewis, Summer Love, Universal, 1958; Tony Manza, This Happy Feeling, Universal, 1958; Paul Cunningham, Voice in the Mirror, Universal, 1958; Jesse Bascomb, Wild Heritage, Universal, 1958; Frankie, Imitation of Life, Universal, 1959; Johnny Hunter, A Summer Place, Warner Brothers, 1959; McVey, The Crowded Sky, Warner Brothers, 1960; Parrish McLean, Parrish, Warner Brothers, 1961; Hoyt Breckner, Susan Slade, Warner Brothers, 1961; Don Porter, Rome Adventure, Warner Brothers, 1962; Jim Munroe, Palm Springs Weekend, Warner Brothers, 1963; Lieutenant Matthew Hagard, A Distant Trumpet, Apex, 1964; Ben Gunther, My Blood Runs Cold, Warner Brothers, 1965; Pete Barker, Come Spy with Me, Twentieth Century-Fox, 1967; Gay lord Sullivan, Those Fantastic Flying Fools (also known as Jules Verne's Rocket to the Moon and Blast Off), American International, 1967. Moon, Sweet Savior, Trans World Attractions, 1971; Merle Johnson, The Godfather, Part II, Paramount, 1974; Mark, Seizure, American International, 1974; Randall Mansfield, Born to Kill (also known as Cockfighter), New World, 1975; Donny Vinton, Grandview, U.S.A., Warner Brothers, 1984; John Templeton, Low Blow, Crown International, 1986; Bob Jenkins, Cyclone, Cinetel, 1987; Don Michaelson, Deadly Prey, Action, 1987; Lieutenant Maxwell, Hollywood Cop, Peacock, 1988; Philip, Sexpot, Platinum/Academy Home Entertainment, 1988; Dr. Ackerman, Dr. Alien (also known as / Was a Teenage Sex Mutant), Phantom Video, 1988; Jack Barnes, Bad Blood, Platinum/Academy Home Entertainment, 1989; Sid Witherspoon, Attach of the Party Nerds (also known as Party Nerds), Prism Entertainment, 1989; Slim, Terminal Force, New World, 1989; Steve, South Seas Massacre, Prism Entertainment, 1989. Also appeared in The Legend of Frank Woods, 1977; Tin Man, Westcom, 1983; Back to the Beach, Paramount, 1987.

PRINCIPAL FILM WORK—Assistant designer, Crossing Delancey, Midwest Films, 1987; designer, Over, New York Stage and Film/ Rebo High Definition Studio, 1988; assistant designer, The House on Carroll Street, HBO Films, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: Sandy Winfield II, Surfside Six, ABC, 1960-62; Philip Barton, Hawaiian Eye, ABC, 1962-63; Keefer, The Secret Storm, CBS, 1970. Pilots: Clint Redman, Malibu, ABC, 1983. Episodic: Fantasy Island, ABC, 1978 and 1981; Esquire: About Men, for Women, Lifetime, 1989; also Wagon Train, NBC; 77 Sunset Strip, ABC; Colt .45, ABCMatt Houston, ABC. Specials: The Bob Hope Show, NBC, 1960.

PRINCIPAL TELEVISION WORK—Pilots: Assistant designer, The Clinic, 1987. RELATED CAREER—Assistant designer for the Michael Jackson music video, Bad, 1986. ADDRESSES: OFFICE—935 St. Nicholas Avenue, Apartment 6F, New York, NY 10032.

RELATED CAREER—Actor in summer theatre productions, Bucks County Playhouse, New Hope, PA. AWARDS: Golden Globe, Most Promising Newcomer, 1960.

DOOHAN, James

ADDRESSES: AGENT—Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212.*

1920-

PERSONAL: Full name, James Montgomery Doohan; born March 3, 1920, in Vancouver, BC, Canada; father, a chemist; married

121

DOUGLAS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Welby, M.D., ABC; The Fugitive, ABC; The Virginian, NBC; Tales of Tomorrow, ABC; The Man from U.N.C.L.E., NBC; Then Came Bronson, NBC; Peyton Place, ABC; Daniel Boone, NBC; TheF.B.L, ABC; Thriller, NBC; TVi* Twilight Zone, CBS'Return to Peyton Place, NBC; The Iron Horse, ABC; Magnum, P.I., CBS; Shenandoah. Specials: 53rd Annual King Orange Jamboree Parade, NBC, 1986. RELATED CAREER—Actor in 400 live television shows and 4,000 radio shows for the Canadian Broadcasting Corporation; actor in approximately 120 stage productions; acting teacher, Neighborhood Playhouse, New York City; speaker, college tour circuit; appeared in television commercials. SIDELIGHTS: RECREATIONS—Carpentry and woodcarving. ADDRESSES: AGENT—Twentieth Century Artists, 3800 Barham Boulevard, Suite 303, Los Angeles, CA 90068.*

DOUGLAS, Juliet

1962-

PERSONAL: Born Juliet Brown, August 18, 1962, in Redhill, England; daughter of Dennis Francis Douglas (in the garment business) and Pamela Dorothy (a teacher; maiden name, Watling) Brown. EDUCATION—Attended County Secretarial College, 198081; studied for the theatre at the Guildhall School of Music and Drama. RELIGION—Church of England.

JAMES DOOHAN

third wife, Wendy Braunberger, October 12, 1974; children: four (first marriage); two (third marriage). EDUCATION—Studied acting at the Neighborhood Playhouse, 1946. MILITARY—Royal Canadian Artillery, pilot captain. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Bishop, 36 Hours, Metro-Goldwyn-Mayer (MGM), 1965; Phillip Bainbridge, One of Our Spies Is Missing, MGM, 1966; building superintendent, Jigsaw, Universal, 1968; Benoit, Man in the Wilderness, Warner Brothers, 1971; Folio, Pretty Maids All in a Row, MGM, 1971; Chief Engineer Montgomery "Scotty" Scott, Star Trek: The Motion Picture, Paramount, 1979; Scotty, Star Trek II: The Wrath of Khan, Paramount, 1982; Scotty, Star Trek HI: The Search for Spock, Paramount, 1984; Scotty, Star Trek IV: The Voyage Home, Paramount, 1986; Scotty, Star Trek V: The Final Frontier, Paramount, 1989. Also appeared in The Wheeler Dealers (also known as Separate Beds), MGM, 1963; The Satan Bug, United Artists, 1965; Bus Riley's Back in Town, Universal, 1965. TELEVISION DEBUT—Detective, Martin Kane, Private Eye, NBC, 1949. PRINCIPAL TELEVISION APPEARANCES—Series: Engineer Montgomery "Scotty" Scott, Star Trek, NBC, 1966-69; voice of Lieutenant Montgomery Scott, Lieutenant Arex, and others, Star Trek (animated), NBC, 1973-75; Commander Carnarvin, Jason of Star Command, CBS, 1979-81. Pilots: Scrimp, Scalplock, ABC, 1966. Episodic: Lieutenant Branch, "Expanding Human," The Outer Limits, ABC, 1964; also Hazel, NBC, 1962; Voyage to the Bottom of the Sea, ABC, 1964; Blue Light, ABC, 1966; Bewitched, ABC; Gunsmoke, CBS; Fantasy Island, ABC; Suspense, CBS; Bonanza, NBC; Ben Casey, ABC; The Gallant Men, ABC; Marcus

JULIET DOUGLAS

122

DRAKE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Actress.

DRAKE, Fabia

1904-1990

CAREER: STAGE DEBUT—W.P.C. Hughes, Anagram of Murder, Frinton Repertory Theatre. LONDON DEBUT—Valerie, Exclusive, Strand Theatre, 1989. PRINCIPAL STAGE APPEARANCES—Appeared in repertory theatre productions of Blood Brothers, A Midsummer Night's Dream, Oliver, Equus, Why Not Stay for Breakfast?, My Cousin Rachel, The Big Killing, My Giddy Aunt, Intent to Murder, The Gingerbread Lady, and Pardon Me, Prime Minister.

PERSONAL: Full name, Fabia Drake McGlinchy; born January 20, 1904, in Herne Bay, England; died February 28, 1990; daughter of Francis Drake and Annie (Dalton) McGlinchy; married Maxwell Turner (a lawyer), 1938 (died, 1960). EDUCATION—Studied acting at the Royal Academy of Dramatic Art, 1922. VOCATION: Actress. CAREER: STAGE DEBUT—Tommy, The Fairy Doll, Court Theatre, London, 1913. PRINCIPAL STAGE APPEARANCES—Brer Rabbit, Brer Rabbit and Mr. Fox, Little Theatre, London, 1914; Elsie Pennithorne, The Happy Family, Prince of Wales Theatre, London, 1916, then Strand Theatre, London, 1917; Sarah Undershaft, Major Barbara, Everyman Theatre, London, 1921; Lola de la Carte, Quarantine and Audrey Carlton, Secrets, both Comedy Theatre, London, 1922; Yasmin and Pervaneh, Hassan, His Majesty's Theatre, London, 1923; Sylvia Latter, The Creaking Chair, Comedy Theatre, 1924; Monica Desmond, Possessions, Vaudeville Theatre, London, 1925; Maud Leverton, Easy Money, St. Martin's Theatre, London, 1925; Viola, Twelfth Night, Fellowship of Players, Scala Theatre, London, 1925; Peggy Winton, The Scarlet Lady, Criterion Theatre, London, 1926; the Shingled Lady, Escape and Mary, The Spot on the Sun, both Ambassadors' Theatre, London, 1927; Lady Beryl, The Wrecker, New Theatre, London, 1927; Margaret Orme, Loyalties and Countess of Westhaven, The Love-Lorn Lady, both Wyndham's Theatre, London, 1928; Nancy Bird, Young Love, Arts Theatre, London, 1929.

MAJOR TOURS—You Never Can Tell and A Winter s Tale, both in Northern Italy. PRINCIPAL TELEVISION WORK—Episodic: Max Headroom, ABC. Also appeared in Don't Wait Up, BBC; Call Me Mister, BBC; Bergerac, BBC; Life without George, BBC; Prospects, Euston Films; Bust, London Weekend Television; Piggy Bank, Channel Four. ADDRESSES: AGENT—Carole James Management, London, England.

DOWNEY, Robert VOCATION: Director, producer, actor, and screenwriter.

Nora, No. 17, Royalty Theatre, London, 1930; Enid Deckle, The World of Light, Royalty Theatre ,1931; Lady Percy, King Henry IV, Part One, Viola, Twelfth Night, Calpurnia, Julius Caesar, Rosalind, As You Like It, Helena, A Midsummer Night's Dream, and Portia, The Merchant of Venice, all Stratford-on-Avon Company, New Stratford Memorial Theatre, Stratford-on-Avon, U.K., 1932; Mrs. Guy Daunt, Cecilia, Arts Theatre, 1933; Rosalind, As You Like It, Phoenix Theatre, London, 1933; Lulu Davenant, Poison Flower and Mary Lascelles, The Rose Without a Thorn, both Croydon Theatre, Croyden, U.K., 1934; Jennifer Lawrence, Sixteen, Embassy Theatre, London, then Criterion Theatre, both 1934; Elaine Taunton, Our Mutual Father, Repertory Players, Piccadilly Theatre, London, 1934; Princess, Lady Precious Stream, Little Theatre, 1934; Miss Vulliamy, Frolic Wind, Royalty Theatre, 1935; Lady Cynthia, Anthony and Anna, Whitehall Theatre, London, 1935; Frances Dane, Indian Summer, Arts Theatre, 1936; Ruth Wilder, Comedienne, Haymarket Theatre, London, 1938; Dowager Empress, The Nightingale, Aldwych Theatre, London, 1947. Also appeared with the Stratford-on-Avon Company, 1933; and with the Repertory Players, Play Actors, Playmates, Renaissance, and London International Theatre companies, all in the U.K.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Film sequences, The Experiment, Orpheum Theatre, New York City, 1967. PRINCIPAL FILM APPEARANCES—Private Stewart Thompson, No More Excuses, Rogosin/Impact, 1968; as himself, Is There Sex After Death?, New Line Cinema, 1971; NCAA investigator, Johnny Be Good (also known as Quarterback Sneak), Orion, 1988. PRINCIPAL FILM WORK—Director: (Also producer) Babo 73, Film-makers' Cooperative, 1964; (also producer) Chafed Elbows, Filmmakers Distribution Center, 1967;Afo More Excuses, Rogosin/ Impact, 1968; Putney Swope, Cinema V, 1969; Pound, United Artists, 1970; (also producer) Greaser's Palace, Greaser's Palace Ltd., 1972; Up the Academy (also known as Mad Magazine's Up the Academy and The Brave Young Men of Weinberg), Warner Brothers, 1980; This Is America—The Movie, Not the Country (also known as America), ASA, 1986; Rented Lips, Cineworld, 1988. Also director, Two Tons of Turquoise to Taos, 1967. WRITINGS: FILM—See production details above, unless indicated. Babo73, 1964; Chafed Elbows, 1967; No More Excuses, 1968; Putney Swope, \969; Pound, 1970; Greaser s Palace, 1972; (with Chuck Barris) The Gong Show Movie, Universal, 1980; (with Sidney Davis) This Is America—The Movie, Not the Country, 1986.

PRINCIPAL STAGE WORK—Producer, Much Ado About Nothing, Aldwych Theatre, London, 1946. MAJOR TOURS—Christina, The Silver Cord, U.K. cities, 1928; Lady Macbeth, Macbeth, Viola, Twelfth Night, and Beatrice, Much Ado About Nothing, all Stratford-on-Avon Festival Company, U.S. and Canadian cities, 1929-30.

SIDELIGHTS: Robert Downey is the father of actor Robert Downey, Jr.

PRINCIPAL FILM APPEARANCES—Annie Penny, Meet Mr. Penny, Associated British, 1938; Miss Gelding, All Over the Town, General Film Distributors, 1949; Lady Mercy Cotton, Poet's Pub, General Film Distributors, 1949; Lady Elmbridge, The Hour of Thirteen, Metro-Goldwyn-Mayer, 1952; Miss Farmer, White

ADDRESSES: MANAGER—Loree Rodkin Management, 8600 Melrose Avenue, Los Angeles, CA 90069. PUBLICIST—Nanci Ryder, Baker/Winokur/Ryder Public Relations, 9348 Civic Center Drive, Suite 407, Beverly Hills, CA 90210.* 123

DRAPER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 appeared in Buried Child, Yale Repertory Theatre, New Haven, CT, 1978; As You Like It and Measure for Measure, both Yale Repertory Theatre, 1979; and in Thorn Hill, New York City.

Corridors, Jaro, 1952; Lady Probus, Isn't Life Wonderful?, Pathe, 1953; Mrs. Crabb, Fast and Loose, General Film Distributors, 1954; Nurse Blott, Young Wives' Tale, Allied Artists, 1954; opulent lady, All for Mary, Rank, 1956; Mrs. Tarvin, The Good Companions, Associated British/Pathe, 1957; Mrs. Brough, Not Wanted on Voyage, Renown, 1957; Sister Veronica, Violent Stranger (also known as Man in the Shadow), Amalgamated, 1957; Lady Hewitt, Girls at Sea, Seven Arts, 1958; Mrs. Pinner, What a Whopper, Regal, 1961; Arabella Parker, My Wife's Family, Pathe, 1962; Mrs. Piggott, Seven Keys, Allied Artists, 1962; Junior Commander Maddox, Operation Bullshine, Seven Arts/Manhattan, 1963; Miss Grimsby, A Nice Girl Like Me, AVCO-Embassy, 1969; Miss Gibbons, The Devil's Widow (also known as Tarn Lin), British International, 1972; Aunt Olive, Sweet Virgin (also known as Got It Made), Target International, 1974; nun, Year of the Dragon, Metro-Goldwyn-Mayer/United Artists, 1985; Catherine Alan, A Room with a View, Cinecom, 1986; Madame de Rosemonde, Valmont, Orion, 1989. Also appeared in Dulcimer Street (also known as London Belongs to Me), General Film Distributors, 1948.

PRINCIPAL FILM APPEARANCES—Aileen Jones, Seven Minutes in Heaven, Warner Brothers, 1986; Suzy Duncan, Making Mr. Right, Orion, 1987; Pat, The Pick-Up Artist, Twentieth Century-Fox, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Ellyn, thirty something, ABC, 1987—; also Winnie Robin, Ryan's Hope, ABC. Pilots: Bernadette Pascoe, Adams Apple, CBS, 1986. Specials: "Merrill Markoe's Guide to Glamorous Living," Cinemax Comedy Experiment, Cinemax, 1988. ADDRESSES: AGENT—Jonathan Howard, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Countess Midlothian, The Pallisers, BBC, then PBS, 1977; Mabel Layton, The Jewel in the Crown, Granada, then Masterpiece Theatre, PBS, 1984; Miss Henderson, "A Pocketful of Rye," Agatha Christie's MissMarple, BBC, then Mystery/, PBS, 1986; Mrs. Jarman, "Last Bus to Woodstock,'' Inspector Morse Series II, Central Television, then Mystery!, PBS, 1988; also The Rainbow, BBC, then Arts and Entertainment, 1989. Episodic: Welfare worker, "Arrival," The Prisoner, CBS, 1968. Movies: Bookshop owner, Out on a Limb, ABC, 1987. Specials: Frances, A Wreath of Roses, Granada, then Masterpiece Theatre, PBS, 1989.

DUGAN, Dennis

1946-

PERSONAL: Born September 5, 1946, in Wheaton, IL; married Joyce Van Patten (an actress). EDUCATION—Studied acting at the Goodman Theatre School. VOCATION: Actor and director. CAREER: OFF-BROADWAY DEBUT—The House of Blue Leaves, Truck and Warehouse Theatre, 1971. PRINCIPAL STAGE APPEARANCES—Rainbows for Sale, Center Theatre Group, New Theatre for Now, Music Center of Los Angeles, Los Angeles, 1972.

OBITUARIES AND OTHER SOURCES: New York Times, March 2, 1990.*

PRINCIPAL STAGE WORK—Stage manager, Rice and Beans, International Arts Relations (INTAR) Theatre, New York City, 1979; also lighting designer, INTAR Theatre, 1979-80. PRINCIPAL FILM APPEARANCES—Apprentice, The Day of the Locust, Paramount, 1975; young man, Night Mo ves, Warner Brothers, 1975; Logan, Smile, United Artists, 1975; Lewis, Harry and Walter Go to New York, Columbia, 1976; Garson Hobart, Norman . . . Is That You?, Metro-Goldwyn-Mayer/United Artists, 1976; Tom Trimble, Unidentified Flying Oddball (also known as The Spaceman and King Arthur and U.F.O.), Buena Vista, 1979; Chris, The Howling, AVCO-Embassy, 1981; Rob, Water, Rank, 1985; David Miller, Can't Buy Me Love, Buena Vista, 1987; Mr. Settigren, The New Adventures ofPippi Longstocking, Columbia, 1988; David Brodsky, Parenthood, Universal, 1989. Also appeared in Night Call Nurses, New World, 1974; She's Having a Baby, Paramount, 1988.

DRAPER, Polly PERSONAL: Born June 15, in Gary, IN; married Kevin Wade (a playwright). EDUCATION—Received B.A. and M.F.A. from Yale University. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Jean, Split, Second Stage, 1980. PRINCIPAL STAGE APPEARANCES—Caroline Lou Bingham, The Stitch in Time, American National Theatre and Academy Theatre, New York City, 1980-81; Gertrude Cayce, The Freak, WPA Theatre, New York City, 1981, then Douglas Fairbanks Theatre, New York City, 1982; Meg, The Actor's Nightmare and Diane Symonds, Sister Mary Ignatius Explains It All for You (double-bill), Playwrights Horizons, then Westside Arts Theatre, both New York City, 1981-82; Cheryl, Hooters, Hudson Guild Theatre, New York City, 1982; Marlene, Top Girls, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1983; Blake Upton, Mr. and Mrs., WPA Theatre, 1984; Lucy, "Want Ad, "Danny, "Folie a'deux," Heather, "Only a Woman," and Lois, "Separate Vacation/Grounds for Divorce/Sexual History," all in Love As We Know It, Manhattan Punch Line, INTAR Theatre, New York City, 1985;Fiona, "The Ground Zero Club" in The Young Playwrights Festival, Playwrights Horizons, 1985; Linda Seward, Rum and Coke, NYSF, Public Theatre, 1986. Also

PRINCIPAL TELEVISION APPEARANCES—Series: Title role, Richie Brockelman, Private Eye, NBC, 1978; Ben Christian, Empire, CBS, 1984; Edgar "Benny" Benedek, Shadow Chasers, ABC, 1885-86. Mini-Series: Claude Tinker, Rich Man, Poor Man, ABC, 1976. Pilots: Joel Snedeger, Alice, CBS, 1976; title role, Richie Brockelman: Missing 24 Hours, NBC, 1976; Father Morgan, Father, O Father, ABC, 1977; Josh Fowler, Did You Hear About Josh and Kelly?!, CBS, 1980; Ivan Travalian, Full House, CBS, 1983; Marty Kessler, Channel 99, NBC, 1988. Episodic: Shadow, Hooperman, ABC, 1988; Walter Bishop, Moonlighting, ABC, 1988; also M*A*S*#, CBS, 1975 and 1983; Scene of the Crime, NBC, 1985; Richie Brockelman, TheRockfordFiles, NBC;

124

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

well, Eugene, Helen Hayes Theatre, New York City, 1960; title role, Elizabeth the Queen, University of Utah, Salt Lake City, UT, 1961; Mary Tyrone, Long Day's Journey into Night, Theatre du Nouveau Monde, Montreal, 1961; Mrs. Perpetua, The Cantilevered Terrace, 41st Street Theatre, New York City, 1962; Vera Ridgeway Condotti, The Milk Train Doesn't Stop Here Anymore, Festival of Two Worlds, Teatro Nuovo, Spoleto, Italy, then Morosco Theatre, both 1962; Hecuba, The Trojan Women, Festival of Two Worlds, Teatro Nuovo, then Circle in the Square, New York City, both 1963; Madame Renaud, Traveller Without Luggage, ANTA Theatre, 1964; Lucy Lewis, Brother to Dragons, American Place Theatre, New York City, 1965; Oenone, Phedre, Greenwich Mews Theatre, New York City, then at the American Embassy, London, both 1966; Mary Tyrone, Long Day's Journey into Night, Long Wharf Theatre, New Haven, CT, 1966; Amanda Wingfield, The Glass Menagerie, National Repertory Theatre, Oakland, CA, 1966; narrator, Chansons de Bilitis (ballet), Caramoor Festival, Caramoor, NY, 1967; Mrs. Edna Nichols, Willie Doesn't Live Here Anymore, ANTA Matinee Series, Theatre De Lys, New York City, 1967; Hecuba, The Trojan Women, Circle in the Square, 1967; Sido, Colette, Ellen Stewart Theatre, New York City, 1970; Beth, Landscape, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1970; Clair Lannes, A Place without Doors, Stairway Theatre, New York City, then Long Wharf Theatre, both 1970, later Goodman Theatre, Chicago, IL, 1971; Emily Dickinson, An Evening with Emily Dickinson and Robert Schumann, Manhattan Theatre Club, New York City, 1971; the Mother, Days in the Trees, Circle in the Square, 1976; Madame Pernelle, Tartuffe, Circle in the Square, 1977. Also appeared in summer theatre productions at the Westchester County Playhouse, Mt. Kisco, NY, 1932, then 1934-38; in Pictures in the Hallway (staged reading), Phoenix Theatre, New York City, 1959; Just Wild About Harry, Festival of Two Worlds, Teatro Nuovo, 1963; with the Yale Repertory Theatre, New Haven, CT, 1967-70; Long Wharf Theatre, 1968-70, and 1972-73; Ring 'round the Moon, Williamstown Theatre Festival, Williamstown, MA, 1975; What Every Woman Knows, Long Wharf Theatre, 1975.

Lloyd Hoffmeyer, Making a Living, ABC; voice characterization, These Are the Days (animated), ABC. Movies: Private Becker, Death Race, ABC, 1973; Charlie Elliott, The Girl Most Likely To . . ., ABC, 1973; Officer Johnny Lucas, Last of the Good Guys, CBS, 1978; Daryl, Country Gold, CBS, 1982; Dick, The Toughest Man in the World, CBS, 1984. Specials: Battle of the Network Stars, ABC, 1978; Officer Needham, Leadfoot, syndicated, 1982; Andy Martin, "The Girl Who Couldn't Lose," ABC Afternoon Playbreak, ABC, 1975. PRINCIPAL TELEVISION WORK—All as director. Episodic: Hunter, NBC, 1987; Sonny Spoon, NBC, 1988; Wiseguy, CBS, 1988; Moonlighting, ABC, 1988 and 1989. ADDRESSES: AGENT—Bob Gersh, The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210.*

DUNNOCK, Mildred

DUNNOCK

1900-

PERSONAL: Full name, Mildred Dorothy Dunnock; born January 25, 1900 (some sources say 1906), in Baltimore, MD; daughter of Walter (a textile merchant) and Florence (Saynook) Dunnock; married Keith M. Urmy (a banker), August 21, 1933; children: one daughter. EDUCATION—Received B.A. from Goucher College and M.A. from Columbia University; studied acting with Maria Ouspenskaya, Lee Strasberg, Robert Lewis, Elia Kazan, and Tamara Daykarhanova. VOCATION: Actress. CAREER: BROADWAY DEBUT—Miss Pinty, Life Begins, Selwyn Theatre, 1932. PRINCIPAL STAGE APPEARANCES—Woman of the congregation, The Eternal Road, Manhattan Opera House, New York City, 1937; Agnes Riddle, The Hill Between, Little Theatre, New York City, 1938; Miss Ronberry, The Corn Is Green, National Theatre, New York City, 1940; Miss Giddon, The Cat Screams, Martin Beck Theatre, New York City, 1942; Queen Margaret, Richard III, Forrest Theatre, Philadelphia, PA, 1943; India Hamilton, Only the Heart, Bijou Theatre, New York City, 1944; Rose and Flora, Foolish Notion, Martin Beck Theatre, 1945; Madame Tsai, Lute Song, Plymouth Theatre, New York City, 1946; Lavinia Hubbard, Another Part of the Forest, Fulton Theatre, New York City, 1946; Etta Hallam, TheHallams, Booth Theatre, New York City, 1948; Williams, The Leading Lady, National Theatre, 1948; Linda Loman, Death of a Salesman, Morosco Theatre, New York City, 1949; Mrs. Bayard Goodale, Pride's Crossing, Biltmore Theatre, New York City, 1950; Aase, Peer Gynt, American National Theatre and Academy (ANTA) Theatre, New York City, 1951; Gina, The Wild Duck, City Center Theatre, New York City, 1951; Signora Frola, Right You Are!, Westport Country Playhouse, Westport, CT, 1952; Mrs. Constable, In the Summer House, Playhouse Theatre, New York City, 1953; Big Mama, Cat on a Hot Tin Roof, Morosco Theatre, 1955; Constance, King John, American Shakespeare Festival, Stratford, CT, 1956; Susan Shepherd, Child of Fortune, Royale Theatre, New York City, 1956; Hera, Maiden Voyage, Forrest Theatre, 1957; Mary Tyrone, Long Day's Journey into Night, Orpheum Theatre, Montreal, PQ, Canada, 1959.

PRINCIPAL STAGE WORK—Director, Graduation, Theatre De Lys, New York City, 1965; director, Luminosity Without Radiance: A Self-Portrait, Manhattan Theatre Club, New York City, 1973. MAJOR TOURS—Herod and Mariamne, U.S. cities, 1938; Madam, Will You Walk?, U.S. cities, 1941; The Corn Is Green, U.S. cities, 1942; Sido, Colette, U.S. cities, 1974. FILM DEBUT—Miss Ronberry, The Corn Is Green, Warner Brothers, 1945. PRINCIPAL FILM APPEARANCES—Ma Rizzo, Kiss of Death, Twentieth Century-Fox, 1947; Sarah Greer, / Want You, RKO, 1951; Linda Loman, Death of a Salesman, Columbia, 1952; Dr. Marie Yeomans, The Girl in White (also known as So Bright the Flame), Metro-Goldwyn-Mayer (MGM), 1952; Senora Espejo, Viva Zapata!, Twentieth Century-Fox, 1952; Mrs. Golding, The Jazz Singer, Warner Brothers, 1953; Mrs. Mary Owen, Bad for Each Other, Columbia, 1954; mother, Hansel and Gretel, RKO, 1954; Mrs. Wiggs, The Trouble with Harry, Paramount, 1955; Aunt Rose Comfort, Baby Doll, Warner Brothers, 1956; Mother, Love Me Tender, Twentieth Century-Fox, 1956; Mrs. Thorton, Peyton Place, Twentieth Century-Fox, 1957; Sister Margharita, The Nun's Story, Warner Brothers, 1959; Mrs. Ellis, The Story on Page One, Twentieth Century-Fox, 1959; Mrs. Wandrous, Butterfield 8, MGM, 1960; Mrs. Gates, Something Wild, United Artists, 1961; Aunt Nonnie, Sweet Bird of Youth, MGM, 1962; Pilar, Behold a Pale Horse, Columbia, 1964; Mrs. Sarah Hawke, Youngblood Hawke, Warner Brothers, 1964; Jane Argent, Seven

Mistress Phoebe Ricketts, The Crystal Heart, East 74th Street Theatre, New York City, 1960; Gertrude Povis, Farewell, Fare-

125

DUSENBERRY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 DUSENBERRY, Ann

Women, MGM, 1966; Miss Tinsley, What Ever Happened to Aunt Alice?, Cinerama, 1969; Mrs. Sherman, The Spiral Staircase, Warner Brothers, 1975; Mrs. Barrow, One Summer Love (also known as Dragonfly), American International, 1976; Nellie, The Pick-Up Artist, Twentieth Century-Fox, 1987.

PERSONAL: Born September 13, in Tucson, AZ. VOCATION: Actress.

PRINCIPAL TELEVISION APPEARANCES—Episodic: "The Last Step," Television Theatre, NBC, 1950; "The Handcuff," The Web, CBS, 1952; "On Borrowed Time," Celanese Theatre, ABC, 1952; "The Rose," Gulf Playhouse, NBC, 1952; Broadway Television Theatre, syndicated, 1952; "Mark of Cain," Studio One, CBS, 1953; "The Boy in the Front Row," "Like Father," and "Speak No Evil," The Web, CBS, 1953; "The Queen's Ring," Suspense, CBS, 1953; "The Young and the Fair," Goodyear Playhouse, NBC, 1953; "Miracle in the Rain," Tales of the City (also known as Ben Hecht's Tales of the City), CBS, 1953; "Game of Hide and Seek," Goody ear Playhouse, NBC, 1954; "Sinners," Medallion Theatre, CBS, 1954; "Treasure Trove," Armstrong Circle Theatre, NBC, 1954; "The Almighty Dollar," Television Soundstage, NBC, 1954; "The Worried Songbirds," "Uncle Harry," "The Happy Journey," and "A Child Is Born," Kraft Theatre, ABC, 1954; "Guilty Secrets" and "The Sisters," Inner Sanctum, syndicated, 1954; "The Hickory Limb," Kraft Theatre, ABC, 1955; "A Business Proposition," Philco Playhouse, NBC, 1955; "President," Alcoa Hour, NBC, 1956; "None Are So Blind," Alfred Hitchcock Presents, CBS, 1956; "The Wonderful Gifts," Kraft Theatre, NBC, 1956; "Don't Touch Me," Climax!, CBS, 1957; "The Traveling Lady," Studio One, CBS, 1957; "Winter Dreams" and "The Play Room," Playhouse 90, CBS, 1957; "The West Warlock Time Capsule" and "Heart of Gold," Alfred Hitchcock Presents, CBS, 1957; "The Sound of Trouble," Kraft Theatre, NBC, 1957; "Diary of a Nurse," Playhouse 90, CBS, 1959; "A Trip to Cardis," RobertHerridge Theatre, CBS, \96Q',The Tom Ewell Show, CBS, 1960; "TheCheaters," Thriller, NBC, 1960; "Night of the Story," Dupont Theatre, CBS, 1961; "The Mind's Own Fire," The Investigators, CBS, 1961; "The First Day," Westinghouse Presents, CBS, 1962; "Beyond the Sea of Death," Alfred Hitchcock Theatre, CBS, 1964; The Defenders, CBS, 1964; "The Hamster of Happiness," Experiment in Television, NBC, 1968; The F.B.L, ABC, 1969; Ghost Story, NBC, 1972; Camera Three, CBS; The Reporters, CBS.

CAREER: PRINCIPAL FILM APPEARANCES—Tina Wilcox (Miss Amity), Jaws II, Universal, 1978; Stevie, Heart Beat, Warner Brothers, 1979; Valerie Duran, Cutter's Way (also known as Cutter and Bone), United Artists, 1981; Dominique Corsaire, "Success Wanters" in National Lampoon Goes to the Movies, Metro-GoldwynMayer/United Artists, 1981; Robyn Wallace, Lies, Alpha, 1984; Melinda, Basic Training, Movie Store, 1985; Page, The Men's Club, Atlantic Releasing, 1986. Also appeared in Goodbye Franklin High, Cal-Am, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Amy March Laurence, Little Women, NBC, 1979; Molly Nichols Tanner, The Family Tree, NBC, 1983; Margo McGibbon, Life withLucy, ABC, 1986. Mini-Series: Ann-Marie, Captains and the Kings, NBC, 1976. Pilots: Weezie Summer, The Possessed, NBC, 1977; Amory Osborn, Stonestreet: Who Killed the Centerfold Model?, NBC, 1977; Amy March, Little Women, NBC, 1978; Donna, The Secret War of Jackie s Girls, NBC, 1980; Deputy Kelly Myerson, Fraud Squad, ABC, 1985. Episodic: Liz Gordon, Murder, She Wrote, CBS, 1986; Carol Selby, Murder, She Wrote, CBS, 1987; Jean Merrick, Mr. President, Fox, 1988; Leslie Randall, Jake and the Fatman, CBS, 1988; Belva McPherson, Designing Women, CBS, 1989; Lorna, Paradise, CBS, 1989. Movies: Joanna Dance, Desperate Women, NBC, 1978; Joy Morgan and Elaine Steel, Killjoy, CBS, 1981; Jeannie LeMay, Elvis and the Beauty Queen, NBC, 1981; Jennifer, Confessions of a Married Man, ABC, 1983; Holly Barnes, He's Not Your Son, CBS, 1984; Marilyn, Long Time Gone, ABC, 1986. Specials: Connie, Close Ties, Entertainment Channel, 1983. ADDRESSES: AGENT—Doug Warner, Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.*

Movies: Mother, A Brand New Life, ABC, 1973; Mrs. LaCava, A Summer Without Boys, ABC, 1973; Lois Harrelson, Murder or Mercy, ABC, 1974; Serena Fox, And Baby Makes Six, NBC, 1979; Rose Price, The Best Place to Be, NBC, 1979; Serena Fox, Baby Comes Home, CBS, 1980; Helen, Isabel's Choice, CBS, 1981; as herself, The Patricia Neal Story, CBS, 1981. Specials: Spinster, The Power and the Glory, CBS, 1961; Linda Loman, Death of a Salesman, CBS, 1966; Arthur Miller on Home Ground, CBC, 1979; grandmother, The Big Stuffed Dog, NBC, 1980.

DYKSTRA, John VOCATION: Special effects designer and producer. CAREER: PRINCIPAL FILM WORK—Special effects designer: Silent Running, Universal, 1972; (also special effects cinematographer) Star Wars, Twentieth Century-Fox, 1977; Avalanche Express, Twentieth Century-Fox, 1979; Star Trek: The Motion Picture, Paramount, 1979; Caddyshack, Warner Brothers, 1980; (with Robert Shepherd, Roger Dorney, and Al Miller) Firefox, Warner Brothers, 1982; (with John Grant) Lifeforce, Tri-Star, 1985; Invaders from Mars, Cannon, 1986.

RELATED CAREER—Member, Actors' Studio, New York City, 1949—. NON-RELATED CAREER—Teacher, Friends School, Baltimore, MD, then Brearly School, New York.

PRINCIPAL TELEVISION WORK—All as special effects designer. Series: (Also producer) Battlestar Galactica, ABC, 1978-80. Pilots: Return of the Six Million Dollar Man and the Bionic Woman II, NBC, 1989. Movies: Starflight: The Plane That Couldn't Land, ABC, 1983.

AWARDS: Elected to the Theatre Hall of Fame, 1984. MEMBER: Screen Actors Guild, Actors' Equity Association (council member), American Federation of Television and Radio Artists.

RELATED CAREER—Supervisor of special effects, Apogee Productions, Van Nuys, CA; cinematographer, National Science Foundation; special effects designer, "Voyage to the Outer Planets,"

ADDRESSES: AGENT—S.T.E. Representation, 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210.*

126

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Ruben H. Fleet Space Theatre, San Diego, CA; (with Douglas Trumbull) producer and creator of amusement park rides and aircraft simulator films; inventor, Dykstraflex camera. AWARDS: Academy Awards, Best Visual Effects and Development of Facility Oriented Toward Visual Effects Photography, both 1977, for Star Wars; Academy Award nomination, Best Visual Effects, 1979, for Star Trek: The Motion Picture; Emmy Award, Outstanding Individual Achievement (Creative Technical Crafts division), 1979, for Battlestar Galactica. ADDRESSES: OFFICE—Apogee Productions, 6842 Valjean Avenue, Van Nuys, CA 91406.*

127

DYKSTRA

E

ECHEVARRIA, Rocky See BAUER, Steven

EGGAR, Samantha

by William Wyler (documentary), Tatge, 1986. Also appeared in A Name for Evil, Cinerama, 1970; and in Mareth Line. PRINCIPAL TELEVISION APPEARANCES—Series: Anna Owens, Anna and the King, CBS, 1972. Pilots: Anne Roland, The Killer Who Wouldn't Die, ABC, 1976. Episodic: Helena Marsh, Fantasy Island, ABC, 1979; Mrs. Cratchit, George Burns Comedy Week, CBS, 1985; Nanny, Hotel, ABC, 1985; Sister Rachel, Outlaws, CBS, 1987; Camilla Rousseau, Stingray, NBC, 1987; Ory Palmer, "Davy Crockett," The Magical World of Disney, NBC, 1988; Claire Stiggs, HeartBeat, ABC, 1989; also The Saint, ABC, 1965; Love Story, NBC, 1973; Lucas Tanner, NBC, 1975; "The Man of Destiny," Hollywood Television Theatre, PBS, 1975; "The Hemingway Play,'' Hollywood Television Theatre, PBS, 1976; Baretta, ABC, 1976; McMillan and Wife, NBC; Streets of San Francisco, ABC; Starsky and Hutch, ABC; Columbo, NBC; The Love Boat, ABC; Kojak, CBS; Hart to Hart, ABC; Murder, She Wrote, CBS; Finder of Lost Loves, ABC; Family, ABC. Movies: Phyllis Dietrichson, Double Indemnity, ABC, 1973; Carol Ann, All the Kind Strangers, ABC, 1974; Billie Burke, Ziegfeld: The Man and His Women, NBC, 1978; Solange DuLac, Love Among Thieves, ABC, 1987. Specials: Evelyn Walsh McLean, "The Legendary Curse of the Hope Diamond," Smithsonian Institution Specials, CBS, 1975.

1939-

PERSONAL: Full name, Victoria Louise Samantha Marie Elizabeth Therese Eggar; born March 5, 1939, in London, England; daughter of Ralph Alfred James (a brigadier general in the British Army) and Muriel Olga (Palache-Bouman) Eggar; married Tom Stern (an actor, producer, and concert promoter) October 24, 1964 (divorced); children: Nicholas, Jenna Louise. EDUCATION—Attended the Thanet School of Art, the Slade School of Art, and the Webber-Douglas Dramatic School. RELIGION—Roman Catholic. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Appeared in British productions of A Midsummer Night's Dream, Twelfth Night, The Taming of the Shrew, and Hamlet during the 1960s; also appeared at the Oxford Playhouse, Oxford, U.K., for two seasons and at the Royal Court Theatre, London.

AWARDS: Best Actress Award from the Cannes Film Festival, 1965, Academy Award nomination, Best Actress, 1966, and Golden Globe, Best Motion Picture Actress, 1966, all for The Collector.

PRINCIPAL FILM APPEARANCES—Delia, Doctor in Distress, Rank, 1963; Ethel Le Neve, Dr. Crippen, Warner Brothers, 1963; Robin, Psyche 59, Columbia/Royal, 1964; Josie, Young and Willing (also known as The Wild and the Willing and The Young and the Willing), Universal, 1964; Miranda Grey, The Collector, Columbia, 1965; Fabienne, Return from the Ashes, United Artists, 1965; Christine Easton, Walk, Don't Run, Columbia, 1966; Emma Fairfax, Doctor Dolittle, Twentieth Century-Fox, 1967; Dany Lang, La Dame dans I'auto avec des lunettes et unfusil (also known as The Lady in the Car with Glasses and a Gun), Columbia, 1970; Mary Raines, The Molly Maguires, Paramount, 1970; Deborah Dainton, The Walking Stick, Metro-Goldwyn-Mayer, 1970; Arabella, The Light at the Edge of the World, National General, 1971; Myra, The Dead Are Alive, National General, 1972; Mary Watson, The Seven-Per-Cent Solution, Universal, 1977; Edina Hamilton, "Film Studio Story" in The Uncanny, Rank, 1977; Katherine, Welcome to Blood City, EMI-Famous Players, 1977; Alice Field, Why Shoot the Teacher?, Ambassador/Quartet, 1977; Nola Carveth, The Brood, New World, 1979; Dr. Megan Stewart, The Exterminator, AVCO-Embassy, 1980; Jennifer Baines, Demonoid (also known as Macabra), American Panorama, 1981; Samantha O'Brien, Hot Touch, Astral Films/Trans-Atlantic, 1982; Samantha Sherwood, Curtains, Jensen Farley, 1983; Julie Vickers, For the Term of His Natural Life, Filmco, 1985; as herself, Directed

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association, Association of Canadian Television and Radio Artists, Academy of Motion Picture Arts and Sciences, Daughters of the British Empire, Cousteau Society, Greenpeace, Centre for Environmental Education, Special Olympics, British Olympics (entertainment committee, 1983-84), Kidney Foundation (board member, 1968-73), Young Musicians Foundation. ADDRESSES: OFFICE—Tucker, Morgan, and Martindale, 9200 Sunset Boulevard, Los Angeles, CA 90069. AGENT—The Craig Agency, 8485 Melrose Place, Suite E, Los Angeles, CA 90069.*

ENGLUND, Robert

1949-

PERSONAL: Born June 6, 1949, in Glendale, CA; son of C. Kent (an aeronautics engineer) and Janis (McDonald) Englund; married Nancy Ellen Booth (a set designer), October 1, 1988. EDUCA129

EPHRON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Elm Street, New Line Cinema, 1984; Freddy Krueger, A Nightmare on Elm Street, Part 2: Freddy's Revenge, New Line Cinema, 1985; Riley, Never Too Young to Die, Paul Entertainment, 1986; Freddy Krueger, A Nightmare on Elm Street 3: Dream Warriors, New Line Cinema, 1987; Freddy Krueger, A Nightmare on Elm Street 4: The Dream Master, New Line Cinema, 1988; Freddy Krueger, A Nightmare on Elm Street 5: The Dream Child, New Line Cinema, 1989; Eric Destler/title role, Phantom of the Opera, Twenty-First Century, 1989; Smiley, Ford Fair lane, Twentieth Century-Fox, 1989. Also appeared as Michael, Sunburst. PRINCIPAL FILM WORK—Director, 976-EVIL (also known as Horror scope}, New Line Cinema, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Willie, V, NBC, 1984-85; Dennis Shothoffer, Downtown, CBS, 1986-87; Freddy Krueger (host), A Nightmare on Elm Street—Freddy's Nightmares: The Series, syndicated, 1988-90. Mini-Series: Willie, V: The Final Battle, NBC, 1984; deserter, North and South, BookII, ABC, 1986. Pilots: Boone, The Mysterious Two, NBC, 1982. Episodic: Captain Crusader, Holly wood Beat, ABC, 1985; Vaughn, Hunter, NBC, 1985; Edward Kent, Knight Rider, NBC, 1986; Tim Wexler, MacGyver, ABC, 1986; also Police Story, NBC; Paris, CBS; Police Woman, NBC; Soap, ABC. Movies: Willy, Young Joe, the Forgotten Kennedy, ABC, 1977; Sergeant Bell, The Courage and the Passion, NBC, 1978; informer, The Ordeal of Patty Hearst, ABC, 1979; Ted Beasly, Mind Over Murder, CBS, 1979; Bobby Collins, Thou Shalt Not Kill, NBC, 1982; Mason, Journey s End, Showtime, 1982; Charlie, The Fighter, CBS, 1983; Willie, V, NBC, 1983; Freddy Beenstock, Hobson's Choice, CBS, 1983; Scott, Starflight: The Plane That Couldn't Land, ABC, 1983; Sam Cooper, / Want to Live, ABC, 1983; Scott, Infidelity, ABC, 1987. ROBERT ENGLUND

PRINCIPAL TELEVISION WORK—Episodic: Director, A Nightmare on Elm Street—Freddy's Nightmares: The Series (seven episodes), syndicated, 1988—.

TION—Attended Oakland University, the University of California, Northridge, and the University of California, Los Angeles; studied acting at the Academy of Dramatic Arts.

RELATED CAREER—Resident actor, Great Lakes Shakespeare Festival, Cleveland, OH, 1970-71; resident actor, Meadow Brook Theatre, Rochester, MI, 1969-72, then guest artist, 1973.

VOCATION: Actor, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—The Apple Cart, Meadow Brook Theatre, Rochester, MI, 1968; Saint Joan, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1975; also appeared in Godspell, New York City, 1971; and at the Mark Taper Forum, Los Angeles, 1985.

MEMBER: Actors' Equity Association (1968—), Screen Actors Guild (1973—), American Federation of Television and Radio Artists, Directors Guild of America. ADDRESSES: AGENT—Joe Rice, Abrams Artists, 9200 Sunset Boulevard, Los Angeles, CA 90069.

PRINCIPAL STAGE WORK—Producer (with Cast Theatre), Savage in Limbo, Hollywood, CA, 1987. FILM DEBUT—Whitey, Buster and Billie, Columbia, 1974. PRINCIPAL FILM APPEARANCES—Holdup man, Hustle, Paramount, 1975; Buck, Death Trap (also known as Legend of the Bayou, Horror Hotel, Eaten Alive, and Starlight Slaughter}, Motion Picture Marketing, 1976; hood, St. Ives, Warner Brothers, 1976; Marty, A Star Is Born, Warner Brothers, 1976; Franklin, Stay Hungry, United Artists, 1976; narrator and Fly, Big Wednesday, Warner Brothers, 1978; Mott, Bloodbrothers, Warner Brothers, 1978; Beebo Crozier, The Great Smokey Roadblock (also known as The Last of the Cowboys), Dimension, 1978; Benny, The Fifth Floor, Film Ventures International, 1980; Harry, Dead and Buried, AVCO-Embassy, 1981; Ranger, Galaxy of Terror (also known as Mindwarp, An Infinity of Terror, The Quest, and Planet of Horrors), New World, 1981; Tripper, Don't Cry, It's Only Thunder, Sanrio Communications, 1982; Freddy Krueger, A Nightmare on

EPHRON, Nora

1941-

PERSONAL: Born May 19, 1941, in New York, NY; daughter of Henry (a writer) and Phoebe (a writer; maiden name, Wolkind) Ephron; married Dan Greenberg (a writer), April 9, 1967 (divorced); married Carl Bernstein (a journalist), April 14, 1976 (divorced); married Nicholas Pileggi (a writer); children: Jacob, Max (second marriage). EDUCATION—Wellesley College, B.A., 1962. VOCATION: Writer and producer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEAR130

CONTEMPORARY

EVERETT

THEATRE, FILM, AND TELEVISION • Volume 8

EVERETT, Rupert

ANCES—Wedding guest, Crimes and Misdemeanors, Orion, 1989. PRINCIPAL FILM WORK—Executive producer (with Susan Seidelman and Alice Arlen), Cookie, Warner Brothers, 1989; associate producer, When Harry Met Sally, Columbia, 1989.

1959-

PERSONAL: Born in 1959 in Norfolk, England. EDUCATION— Attended the Ampleforth Central School for Speech and Drama; also trained for the stage at the Glasgow Citizens' Theatre.

RELATED CAREER—Reporter, New York Post, New York City, 1963-68; freelance journalist, 1968-72; columnist and contributing editor, Esquire magazine, New York City, 1972-73, then senior editor and columnist, 1974-76; contributing editor, New York magazine, New York City, 1973-74.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Guy Bennett, Another Country, Queen's Theatre, London, 1982.

WRITINGS: FILM—(With Alice Arlen) Silkwood, Twentieth Century-Fox, 1983; Heartburn, Paramount, 1983; (with Arlen) Cookie, Warner Brothers, 1989; When Harry Met Sally, Columbia, 1989. TELEVISION—Episodic: Adam's Rib, ABC, 1973. Movies: Perfect Gentlemen, CBS, 1978. OTHER—Wallflower at the Orgy, Viking, 1970; Crazy Salad: Some Things About Women, Knopf, 1975; Scribble, Scribble: Notes on the Media, Knopf, 1979; Heartburn, Knopf, 1983; also contributor to magazines and journals.

FILM DEBUT—Guy Bennett, Another Country, Orion Classics, 1984. PRINCIPAL FILM APPEARANCES—Tim, Real Life, Bedford, 1984; David Blakely, Dance with a Stranger, Twentieth Century-Fox, 1985; Constantine Kassanis, Duet for One, Cannon, 1986; Bayardo San Roman, Chronicle of a Death Foretold (also known as Cronaca di una morte annunciata), Istituto LuceItalnoleggio Cinematografico, 1987; David Lattes, Gli occhiali d'oro (also known as The Gold Spectacles and The Gold Rimmed Glasses}, D.M.V., 1987; James Colt, Hearts of Fire, Lorimar, 1987; Harry Ironminister, The Right-Hand Man, New World, 1987; also appeared in Haunted Summer and Jigsaw.

AWARDS: Penney-Missouri Award from the University of Missouri Journalism School and J.C. Penney and Company, 1973; Academy Award nomination (with Alice Arlen), Best Original Screenplay, 1984, for Silkwood; named a Literary Lion by the New York City Public Library, 1986; Academy Award nomination, Best Original Screenplay, \989JorWhenHarryMetSally. HONORARY DEGREES—Briarcliff College, D.H.L., 1974.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: George Garforth, The Far Pavilions, HBO, 1984. Movies: Ram Valensky, Princess Daisy, NBC, 1983; Lancelot, Arthur the King, CBS, 1985.

MEMBER: Writers Guild of America, Authors Guild, P.E.N., Academy of Motion Picture Arts and Sciences.

ADDRESSES: AGENTS—Duncan Heath Associates Ltd., Paramount House, 162-170, Wardour Street, London Wl, England; Michael Black and Hildy Gottlieb, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

ADDRESSES: AGENT—Lynn Nesbit, International Creative Management, 40 W. 57th Street, New York, NY, 10019.*

131

F

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Hot Hero Sandwich, NBC, 1979-80. Episodic: Zudo, The Equalizer, CBS, 1987; Mr. Carver, A Man Called Hawk, ABC, 1989. Movies: Intern, Sessions, ABC, 1983.

FAISON, Frankie PERSONAL: Full name, Frankie Russell Faison. VOCATION: Actor.

AWARDS: Antoinette Perry Award nomination, Best Actor in a Featured Role in a Play, 1987, for Fences.

CAREER: PRINCIPAL STAGE APPEARANCES—(As Frankie Russell Faison) Paul, "Andrew" in The Comer, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1972; lord attending Duke Senior, As You Like It, NYSF, Delacorte Theater, New York City, 1973; understudy for Ajax, Menelaus, Aeneas, and servant, TroilusandCressida, NYSF, Mitzi E. NewhouseTheatre, New York City, 1973; Sam Wilde, "Nowhere to Run, Nowhere to Hide" in A Season-Within-a Season, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1974; Walter, The Last Days of British Honduras, NYSF, Public Theatre, 1974; understudy for Lennie and Crooks, Of Mice and Men, Brooks Atkinson Theatre, New York City, 1974; Billy, Welcome to Black River, Negro Ensemble Company, St. Mark's Playhouse, 1975; cabin dweller, Jo Anne!, Theatre of the Riverside Church, New York City, 1976; Stagolee, Scagolee, and Skulleton, The GreatMacDaddy, Theatre De Lys, New York City, 1977; Gus Washington, Broadway, Broadway, Forrest Theatre, Philadelphia, PA, 1978; Louis, Black Body Blues, Negro Ensemble Company, St. Mark's Playhouse, 1978; guard, Coriolanus, NYSF, Public Theatre, 1979; Bruh, "Escape from Deep Hammock During the Hurricane of '52," Bominishus, "The Organ Recital at the New Grand," and Ham Shandy, "The Men's Room" in The Men's Room (triplebill), Actors Repertory Theatre, New York City, 1982; man two, The Box, New Directors Project, Perry Street Theatre, New York City, 1984; actor two, District Line, Negro Ensemble Company, Theatre Four, New York City, 1984; Gabriel, Fences, Goodman Theatre, Chicago, IL, 1986, then 46th Street Theatre, New York City, 1987. Also appeared Remembrance, NYSF, Public Theatre, 1979; Jass (staged reading), New Dramatists Inc., New York City, 1980.

ADDRESSES: AGENT—Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210; Gersh Agency, 130 W. 42nd Street, New York, NY 10036.*

FAISON, George

1947-

PERSONAL: Born in 1947 in Washington, DC. EDUCATION— Attended Howard University, 1964-66. VOCATION: Choreographer, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Dancer, Purlie, Broadway Theatre, then Winter Garden Theatre, both New York City, 1970, then American National Theatre and Academy Theatre, New York City, 1971; dancer (with the George Faison Universal Dance Experience), Interludes series, Town Hall, New York City, 1975; also dancer, Sinner Man (ballet), Alvin Ailey American Dance Theatre. PRINCIPAL STAGE WORK—All as choreographer, unless indicated: Nigger Nightmare, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1971-72; Don't Bother Me, I Can't Cope, Playhouse Theatre, then Edison Theatre, both New York City, 1972; (also assistant director) Ti-Jean and His Brothers, NYSF, Delacorte Theatre, New York City, 1972; Everyman and Roach, Everyman Theatre Company, New York City, 1972; The Wiz, Majestic Theatre, New York City, 1975, then Broadway Theatre, New York City, 1977; Al GreenlAshford and Simpson, Uris Theatre, New York City, 1976; director, Inner City, New Theatre of Washington, Washington, DC, 1976; (with Gilbert Moses; also director) 1600 Pennsylvania Avenue, Mark Hellinger Theatre, New York City, 1976; Hobo Sapiens, Gazelle, and Suite Otis (ballets), all Alvin Ailey American Dance Theatre, City Center Theatre, New York City, 1977; creator (with Anita L. Thomas) and director, Fixed, Theatre of the Riverside Church, New York City, 1977; (also director) Up on the Mountain, Kennedy Center Musical Theatre Lab, Washington, DC, 1980; The Moony Shapiro Songbook, Morosco Theatre, New York City, 1981; Rhinestone, Richard Allen Center, New York City, 1982; Porgy and Bess, Radio

PRINCIPAL STAGE WORK—Stage manager, Of Mice and Men, Brooks Atkinson Theatre, New York City, 1974. PRINCIPAL FILM APPEARANCES—Detective Brandt, Cat People, RKO, 1982; electrician, A Little Sex, Universal, 1982; man in lobby, Permanent Vacation, Gray City, 1982; driver, HankyPanky, Columbia, 1982; Parker, C.H.U.D., New World, 1984; Be Gee, Exterminator II, Cannon, 1984; Lieutenant Fisk, Manhunter, De Laurentiis Entertainment Group, 1986; Handy, Maximum Overdrive, Dino De Laurentiis, 1986; James, The Money Pit, Universal, 1986; eulogist, Mississippi Burning, Orion, 1988; landlord, Coming to America, Paramount, 1988; Coconut Sid, Do the Right Thing, Universal, 1989; also appeared in Ragtime, Paramount, 1981.

133

FAISON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

City Music Hall, New York City, 1983; The Wiz, Lunt-Fontanne Theatre, New York City, 1984; also Billie Holliday Ballet, Alvin Ailey American Dance Theatre.

Natty Gann, Buena Vista, 1985; Stan, Friday the 13th Part VI: Jason Lives, Paramount, 1986; Sergeant Daley, Pray for Death, American Distribution Group, 1986; man in gay bar, Tough Guys, Buena Vista, 1986; judge, Bird, Warner Brothers, 1988.

MAJOR TOURS—Choreographer, The Wiz, U.S. cities, 1978-79. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Dick Peterson, Robert Kennedy and His Times, CBS, 1985. Pilots: Dr. Igmar Nordquist, Stephanie, CBS, 1981; Arnie, Happy Endings, CBS, 1983. Episodic: Dr. Tower, Wiseguy, CBS, 1990; also M*A*S*//, CBS 1982; Taxi, ABC, 1982. Movies: Association man, Act of Violence, CBS, 1979; Dwight Nance, The Night the City Screamed, ABC, 1980; Williams, Rape and Marriage—The RideoutCase, CBS, 1980; Packard, Callie and Son, CBS, 1981; Paul Clark, A Gun in the House, CBS, 1981; Earl Rice, A Small Killing, CBS, 1981; Lawrence Holmes, Not in Front of the Children, CBS, 1982; Dwight Curry, Prime Suspect, CBS, 1982; Sy Dellinger, Take Your Best Shot, CBS, 1982; Jack Sapunor, M.A.D.D.: Mothers Against Drunk Drivers, NBC, 1983; Dr. Barrett, Anatomy of an Illness, CBS, 1984; Dr. Bronstein, Fatal Vision, NBC, 1984; judge, Something About Amelia, ABC, 1984; judge, Deadly Intentions, ABC, 1985; Evan Harris, Kids Don't Tell, CBS, 1985; Jack Mayberry, A Reason to Live, NBC, 1985; Johnson, This Child Is Mine, NBC, 1985; George Morrison, A Fight for Jenny, NBC, 1986; also Sins of the Past, ABC, 1984; TTze Richest Cat in the World, ABC, 1986; Go Toward the Light, CBS, 1988; The Case of the Hillside Strangler, NBC, 1989. Specials: Narrator, Carnivore, PBS, 1976.

PRINCIPAL FILM APPEARANCES—The choreographer, Driving Me Crazy, First-Run Features, 1990. PRINCIPAL FILM WORK—Choreographer (with Michael Smuin, Henry LeTang, Gregory Hines, Claudia Asbury, Arthur Mitchell, and Michael Meachum), The Cotton Club, Orion, 1984. PRINCIPAL TELEVISION APPEARANCES—Specials: Bill Cosby Salutes Alvin Ailey, NBC, 1989. PRINCIPAL TELEVISION WORK— Specials: Choreographer, The Natalie Cole Special, CBS, 1978; creator, executive producer (with Joe Cates), and production supervisor, Bill Cosby Salutes Alvin Ailey, NBC, 1989; also choreographer, The Wiz, 1975; co-creator, Graffiti the Great, NBC. RELATED CAREER—Dancer, Arthur Mitchell's Dance Company, 1966; principal dancer, Alvin Ailey American Dance Theatre, 1967-69; founder, artistic director, choreographer, and dancer, George Faison Universal Dance Experience, 1971-75; director and choreographer, Earth, Wind, and Fire concert, Madison Square Garden, New York City, 1977; choreographer with the AfroAmerican Total Theatre, Lincoln Center Repertory Company, Negro Ensemble Company, Capitol Ballet Company, and the Alvin Ailey American Dance Theatre; director and choreographer for concert appearances of singers Stevie Wonder, Roberta Flack, Ashford and Simpson, Dionne Warwick, Jennifer Holiday, Irene Cara, Sister Sledge, Stephanie Milles, Deniece Williams, the Supremes, and Melba Moore; choreographer of industrial shows; choreographer of more than twenty ballets; founder, Fais One Productions (a production company); costume designer for singers and for the Alvin Ailey American Dance Theatre.

RELATED CAREER—Company member, National Shakespeare Festival, Old Globe Theatre, San Diego, CA, 1976; company member, Actors Theatre of Louisville, Louisville, KY, 1977; company member, Alabama Shakespeare Festival, Anniston, AL, 1977-78. ADDRESSES: AGENT—Stone Manners Agency, 9113 Sunset Boulevard, Los Angeles, CA 90069.*

AWARDS: Antoinette Perry Award, Best Choreographer, 1975, for The Wiz; Antoinette Perry Award nomination, Best Choreographer, 1983, for Porgy and Bess.

FAISON, Sandy

OTHER SOURCES: Black Theatre Alliance Newsletter, January, 1979; New Amsterdam News, July 16, 1975 and May 26,1984; New York Times, November 27, 1977; Washington Post, April 20, 1980.*

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Grace Farrell, Annie, Alvin Theatre, New York City, 1977; Alice Kinnian, Charlie and Algernon, Folger Theatre Group, Washington, DC, 1979, then Helen Hayes Theatre, New York City, 1980; Alice, You Can't Take It with You, Plymouth Theatre, New York City, 1983. Also appeared in La Ronde, Syracuse Stage, Syracuse, NY, 1974; The Collected Works of Billy the Kid, Folger Theatre Group, 1975; The Neighborhood Playhouse at 50: A Celebration, Shubert Theatre, New York City, 1978; Custer, Hartman Theatre Company, Stamford, CT, 1980; Loose Ends, Cincinnati Playhouse, Cincinnati, OH, 1981; Is There Life After High School?, Ethel Barrymore Theatre, New York City, 1982; The Great Magoo, Hartford Stage Company, Hartford, CT, 1982.

FAISON, Matthew PERSONAL: Full name, Matthew James Faison. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Love's Labour's Lost, Alabama Shakespeare Festival, Anniston, AL, 1977; A Christmas Carol, Alliance Theatre Company, Atlanta, GA, 1977; Bodies, South Coast Repertory Theatre, Costa Mesa, CA, 1982.

PRINCIPAL FILM APPEARANCES—Suzie, All the Right Moves, Twentieth Century-Fox, 1983.

PRINCIPAL FILM APPEARANCES—Leonard, Getting Even, Quantum, 1981; executive, Mommie Dearest, Paramount, 1981; reporter, True Confessions, United Artists, 1981; Judge Stoner, The Star Chamber, Twentieth Century-Fox, 1983; Buzz, The Journey of

PRINCIPAL TELEVISION APPEARANCES—Series: Brandy Shelooe, The Guiding Light, CBS, 1977; Dr. BethCorell, The Edge of Night, ABC, 1983-84; Mamie Grolnick, The Days and Nights of Molly 134

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 FELDMAN

Warner Brothers, 1980; taxi driver, Firestarter, United International, 1984; blind man, Crimewave (also known as Broken Hearts and Noses and Broken Hearts and Bloody Noses), Embassy, 1985; Finesse, Streetwalkin', Concorde, 1985; Nicky Carr, Shakedown (also known as Blue Jean Cop), Universal, 1988; Flyguy, I'm Gonna Git You Sucka, Metro-Goldwyn-Mayer/United Artists, 1988. Also appeared in Pound, United Artists, 1970; Busting, United Artists, 1973; Model Behavior, Inter-Ocean Film Sales, 1984; The Night of the Sharks (also known as La notte degli squall), VIP International, 1987.

Dodd, NBC, 1987-88, then Lifetime, 1989—; Pamela PeytonFinch, Anything But Love, ABC, 1989. Pilots: Janice, Making It, NBC, 1976; Susan Brenner, Street Killing, ABC, 1976; Pam Kowalski, Time Outfor Dad (also known as Kowalski Loves Ya and Kowalski's Way), NBC, 1987; Felicity, Old Money (broadcast as an episode of CBS Summer Playhouse), CBS, 1988; Pamela PeytonFinch, Anything But Love, ABC, 1989. Episodic: Scarecrow and Mrs. King, CBS. Movies: Abby Bradford, An Eight Is Enough Wedding, NBC, 1989. ADDRESSES: AGENT—S.T.E. Representation, 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210.*

FARGAS, Antonio

PRINCIPAL TELEVISION APPEARANCES—Series: Huggy Bear, Starsky and Hutch, ABC, 1975-79; Les Baxter, All My Children, ABC, 1982-83. Pilots: Rick, Hereafter, NBC, 1975; Huggy Bear, Starsky and Hutch, ABC, 1975; Leonard Jones, Adventuring with the Chopper, NBC, 1976; Marshall Gripps, Nurse, CBS, 1980; Oliver, Paper Dolls, ABC, 1983; Frank Wilkey, P.O.P., NBC, 1984. Episodic: Alejandro, Miami Vice, NBC, 1988. Movies: Jim Watson, Huckleberry Finn, ABC, 1975; Jaime Valdez, Escape, CBS, 1980; Vaness, The Ambush Murders, CBS, 1982; Clifford, A Good Sport, CBS, 1984; El Gato Negro, Florida Straits, HBO, 1986. Specials: All Commercials—A Steve Martin Special, NBC, 1980; Steve Martin s The Winds ofWhoopie, NBC, 1983.

1946-

PERSONAL: Born August 14, 1946, in New York, NY; son of Manuel and Mildred (Bailey) Fargas; married Taylor Hustie (a fashion designer), July 13, 1979; children: Matthew, Justin. EDUCATION—Attended Fashion Industry High School, 1965; trained for the stage at the Negro Ensemble Company. POLITICS—Liberal. RELIGION—Christian.

MEMBER: California Volunteers of America, Family Services of Westchester Big Brothers.

VOCATION: Actor.

SIDELIGHTS: RECREATIONS—Restoration of colonial houses and travel abroad.

CAREER: STAGE DEBUT—George Davis, The Toilet, St. Mark's Playhouse, New York City, 1963. LONDON DEBUT—David, The Amen Corner, Saville Theatre, 1965. PRINCIPAL STAGE APPEARANCES—Scipio, The Great White Hope, Arena Stage, Washington, DC, 1967, then Alvin Theatre, New York City, 1968; Sampson, Romeo and Juliet, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1968; Moustique, The Dream on Monkey Mountain, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1971; B.B. Gunn, The Roast, Winter Garden Theatre, New York City, 1980; Starbuck, The Rainmaker, Stagewest Theatre, West Springfield, MA, 1984; Abhorson, Measure for Measure, NYSF, Delacorte Theatre, 1985. Also appeared in Ceremonies in Dark Old Men, Negro Ensemble Company, St. Mark's Playhouse, 1969; Who's Got His Own, Center Stage, Baltimore, MD, 1969; Isle Is Full of Noises, Hartford Stage Company, Hartford, CT, 1982; Ain' t Supposed to Die a Natural Death, Theatre of Universal Images, 1983; The Amen Corner, Philadelphia Drama Guild, Philadelphia, PA, 1986; and with the Denver Center Theatre Company, Denver, CO, 1985-86.

ADDRESSES: AGENT—Fred Amsel and Associates, 6310 San Vicente Boulevard, Suite 407, Los Angeles, CA 90048.*

FELDMAN, Corey

1971-

PERSONAL: Born July 16, 1971, in Reseda, CA; father, a musician. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Boy at museum, Time After Time, Warner Brothers/Orion, 1979; voice of Young Copper, The Fox and the Hound (animated), Buena Vista, 1981; Tommy, Friday the 13th—The Final Chapter, Paramount, 1984; Pete, Gremlins, Warner Brothers, 1984; Tommy at age 12, Friday the 13th, Part V: A New Beginning (also known as Friday the 13th: A New Be ginning), Paramount, 1985; Mouth, TheGoonies, Warner Brothers, 1985; Teddy DuChamp, Stand By Me, Columbia, 1986; Edgar Frog, The Lost Boys, Warner Brothers, 1987; Dean, License to Drive, Twentieth Century-Fox, 1988; Bobby Keller, Dream a Little Dream, Vestron, 1989; Ricky Butler, TheBurbs, Universal, 1989.

MAJOR TOURS—The Amen Corner, international cities, 1965; also toured in The Dream on Monkey Mountain. FILM DEBUT—Coolie, The Cool World, Cinema V, 1963. PRINCIPAL FILM APPEARANCES—The Arab, Putney Swope, Cinema V, 1969; Boy, Believe in Me, Metro-Goldwyn-Mayer (MGM), 1971; Buffalo, Cisco Pike, Columbia, 1971; Bunky, Shaft, MGM, 1971; Henry Jackson, Across 11 Oth Street, United Artists, 1972; Doodlebug, Cleopatra Jones, Warner Brothers, 1973; Quickfellow, Conrack, Twentieth Century-Fox, 1974; Link Brown, Foxy Brown, American International, 1974; pimp, The Gambler, Paramount, 1974; One Eye, Cornbread, Earl, and Me, American International, 1975; Lindy, Car Wash, Universal, 1976; Bernstein, Next Stop, Greenwich Village, Twentieth Century-Fox, 1976; Professor (piano player), Pretty Baby, Paramount, 1978; Doc, Milo Milo, Filmverlag der Autoren, 1979; Coach, Up the Academy (also known as Mad Magazine's Up the Academy and The Brave Young Men ofWeinberg),

PRINCIPAL FILM WORK—Choreographer, Dream a Little Dream, Vestron, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Regi Tower, The Bad News Bears, CBS, 1979-80; Buzzy St. James, Madame's Place, syndicated, 1982. Pilots: Franklin Miller, Love, Natalie, NBC, 1980; Rudy, The Kid with the Broken Halo, NBC, 1982; 135

FERRELL

CONTEMPORARY

Little Big Jim Malloy, Cass Malloy, CBS, 1982; Corey Cleaver, Still the Beaver, CBS, 1983; Keith Schneider, Another Man's Shoes, CBS, 1984; Calvin Harlan, Jr., Rowdies, ABC, 1986. Episodic: Radical Conrad, Heart of the City, ABC, 1987; Bill, "The Boss," Trying Times, PBS, 1989; James Fenimore Schenke, "Exile," The Magical World of Disney, NBC, 1990; also Foul Play, ABC, 1981; Cheers, NBC, 1983; What's Up, Dr. Ruth?, Lifetime, 1989; The Love Boat, ABC; Father Murphy, NEC; Alice, CBS; Eight Is Enough, ABC; Gloria, CBS'Billy, Mork and Mindy, ABC. Movies: T.C., Willa, CBS, 1979; Bobby, Father Figure, CBS, 1980. Specials: Jeff, "Fifteen and Getting Straight" (also known as "Getting Straight"), CBS Schoolbreak Special, CBS, 1989.

Katie, Old Money (broadcast as an episode of CBS Summer Playhouse], CBS, 1988. Episodic: Harriet, Murder, She Wrote, CBS, 1989; Faye Doyle, "Miss Lonelyhearts," American Playhouse, PBS, 1983; also Frances, Who's the Boss?, ABC. Movies: Nurse Rhinehart, The Girl Called Hatter Fox, CBS, 1977; Rita Parsons, A Death in Canaan, CBS, 1978; Dodie Hart, Who'll Save Our Children?, CBS, 1978; Marge, Before and After, ABC, 1979; Helen, Rape and Marriage—The Rideout Case, CBS, 1980; Toni Owens, Reunion, CBS, 1980; Hazel Dawson, The Seduction of Miss Leona, CBS, 1980; Captain Burnside, Life of the Party: The Story of Beatrice, CBS, 1982; Nurse Sylvia Kaye, Emergency Room, syndicated, 1983;Mili Simonecu,Atad/#, syndicated, 1984; Dr. Gardner, The Three Wishes of Billy Grier, ABC, 1984; Doc Norman, North Beach and Rawhide, CBS, 1985; Ida Sinclair, Samaritan: The Mitch Snyder Story, CBS, 1986; Mary, Eye on the Sparrow, NBC, 1987; Mononaghee, Your Mother Wears Combat Boots (also known as Your Mother Wears Army Boots), NBC, 1989; Mrs. Bixby, Goodbye, Miss Fourth of July, Disney Channel, 1989; also Martin Mull in ' 'Portrait of a White Marriage'' (also known as Portrait of a White Marriage, Scenes from a White Marriage, and Martin Mull in "Scenes from a White Marriage" ),Cinema\, 1988. Specials: Mamie Trotter, "The Great Gilley Hopkins," CBS Afternoon Play house, CBS, 1981; Helen Potts, Picnic, Showtime, 1986; AuntJill, "Runaway Ralph," ABC Weekend Specials, ABC, 1988.

RELATED CAREER—Actor in television commercials. AWARDS: Youth in Film Award for The Lost Boys. ADDRESSES: AGENT—Chris Black, Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.

FERRELL, Conchata

THEATRE, FILM, AND TELEVISION • Volume 8

AWARDS: Obie Award from the Village Voice, Drama Desk Award, and Theatre World Award, all 1974, for The Sea Horse; Wrangler Award from the National Cowboy Hall of Fame, 1981.

1943-

PERSONAL: Full name, Conchata Galen Ferrell; born March 28, 1943, in Charleston, WV; daughter of Luther Martin and Mescal Loraine (George) Ferrell; married Arnold A. Anderson; children: Samantha. EDUCATION—Attended West Virginia University, 1961-64, and Marshall University, 1967-68.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Circle Repertory Theatre West, American Civil Liberties Union, National Organization for Women.

VOCATION: Actress.

ADDRESSES: OFFICE—Jack Fields, Gores/Fields Agency, 10100 Santa Monica Boulevard, Suite 700, Los Angeles, CA 90067.*

CAREER: PRINCIPAL STAGE APPEARANCES—Maid, The Three Sisters, Circle Theatre, New York City, 1970; April, The Hot I Baltimore, Circle Theatre Company, Circle Theatre, then Circle in the Square, New York City, both 1973; Vee Talbot, Battle of Angels, Circle Repertory Theatre, New York City, 1974; Gertrude Blum, The Sea Horse, Circle Repertory Company, Westside Arts Theatre, New York City, 1974; Molly, Elephant in the House, Circle Repertory Company, 1975; Ann, Wine Untouched, 18th Street Playhouse, New York City, 1976; Helen Potts, Picnic, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1986; also appeared in Getting Out, Center Theatre Group, Mark Taper Forum, Los Angeles, 1977; Here Wait, 1980; and in Time Framed, New York City.

FERRIGNO, Lou

1952-

PERSONAL: Born November 9, 1952, in Brooklyn, NY; father, a police lieutenant; second wife's name, Carla (a psychotherapist and television talk show host); children: Shanna, Lou. EDUCATION— Studied acting with Milton Katselas and Howard Fine. VOCATION: Actor.

PRINCIPAL FILM APPEARANCES—Barbara Schlesinger, Network, United Artists, 1976; Slugger Ann, Deadly Hero, AVCO-Embassy, 1976; Elinore, Heartland, Filmhaus, 1980; Faye Doyle, Miss Lonelyhearts, H. Jay Holman/American Film Institute Center for Advanced Film Studies, 1983; Mother Marta, Where the River Runs Black, Metro-Goldwyn-Mayer/United International, 1986; Mrs. Bobrucz, For Keeps, Tri-Star, 1988; Leona Valsouano, Mystic Pizza, Samuel Goldwyn Company, 1988.

CAREER: STAGE DEBUT—Jonathan Brewster, Arsenic and Old Lace, Drury Lane Theatre, Chicago, IL, 1985. MAJOR TOURS— Jonathan Brewster, Arsenic and Old Lace, U.S. cities. PRINCIPAL FILM APPEARANCES—As himself, Pumping Iron (documentary), Cinema V, 1977; Han, The Seven Magnificent Gladiators, Cannon, 1982; title role, Hercules, Metro-GoldwynMayer/United Artists/Cannon, 1983; title role, Hercules II (also known as The Adventures of Hercules), Cannon, 1983; title role, Sinbad of the Seven Seas, Pathe International, 1989; Zerak, Desert Warriors (also known as Sand Wars), Silver Star/Prism, 1989; Klaus, All's Fair, Moviestore Entertainment, 1989; Sergeant Billy Thomas, Cage, United Artists, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: April Green, The Hot I Baltimore, ABC, 1975; Wilhelmina "The Fox "Johnson, BJ. and the Bear, NBC, 1979-80; Vangie Cruise, McClainsLaw, NBC, 1981-82; Nurse Joan Thor, E/R, CBS, 1984-85; Kate Galindo, Peaceable Kingdom, CBS, 1989. Pilots: Nurse Cassidy, Mixed Nuts, ABC, 1977; Connie, The Rag Business, ABC, 1978; 136

FISK

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 FISHER, Frances VOCATION: Actress.

CAREER: PRINCIPAL STAGE APPEARANCES—May, Fool for Love, Douglas Fairbanks Theatre, New York City, 1984; Abbie Putnam, Desire Under the Elms, Hartford Stage Company, Hartford, CT, 1985; Ruth, The Hitch-Hikers, WPA Theatre, New York City, 1985; also appeared in Warsaw Opera, Actors' Studio, New York City, 1980; The War Brides, New Dramatists Inc., New York City, 1981. PRINCIPAL FILM APPEARANCES—Louise, Can She Bake a Cherry Pie?, JagFilm, 1983; Jessica Pond, Tough Guys Don't Dance, Cannon, 1987; Jeannie, Heart, New World, 1987; Yolanda, Patty Hearst, Atlantic, 1988; Phyllis, Bum Rap, Millennium, 1988; Actress, Heavy Petting, Skouras, 1989; Dinah, Pink Cadillac, Warner Brothers, 1989; Judith Loftis, Lost Angels, Orion, 1989; also appeared in The Principal, Tri-Star, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Deborah Saxon, The Edge of Night, ABC, 1976-81; Suzette Saxon, The Guiding Light, CBS, 1985. Pilots: Violet Coffin, Elysian Fields (broadcast as an episode of CBS Summer Playhouse), CBS, 1989. Episodic: Amanda, The Equalizer, CBS, 1986; Francesca, The Equalizer, CBS, 1987; Savannah, Roseanne, ABC, 1988; Libby Harcourt, Newhart, CBS, 1989; Nancy Proctor, Matlock, NBC, 1989; Tina Miller, Top of the Hill, CBS, 1989. Movies: Maureen Phelan, Broken Vows (also known as Where the Dark Streets Go and Hennessey), CBS, 1987.*

LOU FERRIGNO

TELEVISION DEBUT—Title role, The Incredible Hulk, CBS, 1977. PRINCIPAL TELEVISION APPEARANCES—Series: Title role, The Incredible Hulk, CBS, 1978-82; John Six, Trauma Center, ABC, 1983. Pilots: Title role, The Incredible Hulk, CBS, 1977; title role, The Return of the Incredible Hulk, CBS, 1977. Movies: Title role, The Trial of the Incredible Hulk, NBC, 1988; title role, The Incredible Hulk Returns (also known as The Return of the Incredible Hulk), NBC, 1988; title role, The Death of the Incredible Hulk, NBC, 1990. Specials: Battle of the Network Stars, ABC, 1976 and 1979; Celebrity Challenge of the Sexes, CBS, 1979; Bob Hope for President, NBC, 1980.

FISK, Jack

1934-

PERSONAL: Born December 19, 1934, in Ipava, IL; married Sissy Spacek (an actress). EDUCATION—Studied design at Cooper Union. VOCATION: Production designer and director. CAREER: PRINCIPAL FILM APPEARANCES—Man in the Planet, Eraserhead, Libra, 1978.

NON-RELATED CAREER—Bodybuilding instructor; lecturer on bodybuilding and fitness at seminars and universities; professional football player with the Toronto Argonauts; sheet metal worker.

PRINCIPAL FILM WORK—Production designer, Angels Hard As They Come, New World, 1971; production designer, Cool Breeze, Metro-Goldwyn-Mayer (MGM), 1972; production designer, The Slams, MGM, 197 3; production designer, Terminal Is land, Dimension, 1973production designer, Badlands, Warner Brothers, 1974; production designer, Phantom of the Paradise, Twentieth CenturyFox, 1974; set designer, Darktown Strutters (also known as Get Down and Boogie), New World, 1975; production designer (with William Kenny), Carrie, United Artists, 1976; production designer, Vigilante Force, United Artists, 1976; production designer, Days of Heaven, Paramount, 1978; production designer, Movie, Movie, Warner Brothers, 1978; production designer, Heart Beat, Warner Brothers, 1979; director, Raggedy Man, Universal, 1981; director, Violets Are Blue, Columbia, 1986.

RECORDINGS: VIDEOS—Body Perfection. SIDELIGHTS: Lou Ferrigno, who is best known to television audiences as "The Incredible Hulk," is also an award-winning bodybuilder. In 1971 he became Teenage Mr. America and by 1974 he had won all of bodybuilding's major titles including Mr. America (1972), Mr. Universe (1973 and 1974), and Mr. International (1974). ADDRESSES: PUBLICIST—Levine/Schneider Public Relations, 8730 Sunset Boulevard, 6th Floor, Los Angeles, CA 90069.

ADDRESSES: AGENT—Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.* 137

FITZGERALD CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 FITZGERALD, Geraldine

1914-

reading), Public Theatre, New York City, 1979; Waitin in the Wings, Triplex Theatre, New York City, 1986 and 1988.

PERSONAL: Born November 24, 1914, in Dublin, Ireland; came to the United States in 1938; naturalized U.S. citizen, 1954; daughter of Edward (an attorney) and Edith Fitzgerald; married Edward Lindsay Hogg (a songwriter), 1936 (divorced, 1946); married Stuart Scheftel (a business executive), September, 10, 1946; children: Michael (first marriage); Susan (second marriage). EDUCATION—Attended Queens College, London, and the Dublin Art School.

PRINCIPAL STAGE WORK—Director: Mass Appeal, Manhattan Theatre Club, then Booth Theatre, both New York City, 1980; The Lunch Girls, Theatre Row Theatre, New York City, 1981; Long Day's Journey into Night, Theatre at St. Peter's Church, then Public Theatre, both New York City, 1981; Mass Appeal, Paper Mill Playhouse, Millburn, NJ, 1982; Wednesday, Hudson Guild Theatre, New York City, 1983; (also choreographer) Take Me Along, Manhattan Community College Performing Art Center, New York City, 1984; The Return of Herbert Bracewell, Chelsea Playhouse, New York City, 1985; To Whom It May Concern, St. Stephen's Church, New York City, 1985.

VOCATION: Actress and director. CAREER: STAGE DEBUT—With the Gate Theatre, Dublin, Ireland, 1932. BROADWAY DEBUT—Ellie Dunn, Heartbreak House, Mercury Theatre, 1938. PRINCIPAL STAGE APPEARANCES—Rebecca, Sons and Soldiers, Morosco Theatre, New York City, 1943; Tanis Talbot, Portrait in Black, Shubert Theatre, New Haven, CT, 1945; Jennifer Dubedat, The Doctor's Dilemma, Phoenix Theatre, New York City, 1955; Goneril, King Lear, City Center Theatre, New York City, 1956; Ann Richards, Hide and Seek, Ethel Barrymore Theatre, New York City, 1957; Gertrude, Hamlet, American Shakespeare Festival, Stratford, CT, 1958; the Queen, The Cave Dwellers, Greenwich Mews Theatre, New York City, 1961; third woman, Pigeons, New Playwrights Series II, Cherry Lane Theatre, New York City, 1965; Essie Miller, Ah, Wilderness!, Circle in the Square, Ford's Theatre, Washington, DC, 1969.

MAJOR TOURS—Tanis Talbot, Portrait in Black, U.S. cities, 1946; Songs of the Streets (one-woman show), U.S. cities, 1976. PRINCIPAL FILM APPEARANCES—Peggy Summers, Blind Justice, Real Art, 1934; Jill, Open All Night, RKO, 1934; Ruth Fosdyck, Turn of the Tide, Gaumont, 1935; Evelyn, The Ace of Spades, Real Art, 1935; Jane Grey, Department Store (also known as Bargain Basement), Real Art, 1935; Joan, The Lad, Universal, 1935; Joan Fayre, Lieutenant Daring, R.N., Butchers Film Service, 1935; Diane Morton, Three Witnesses, Universal, 1935; Moira O'Flynn, Cafe Mascot, Paramount, 1936; Peggy Mayhew, Debt of Honor, General Films Distributors, 1936; Ann King, Dark Victory, First National, 1939; Maggie Tulliver, Mill on the Floss, Standard, 1939; Isabella Linton, Wuthering Heights, United Artists, 1939; Grace Sutton, A Child Is Born, Warner Brothers, 1940; Bonnie Coburn, 'Til We Meet Again, Warner Brothers, 1940; Betty Farroway, Flight from Destiny, Warner Brothers, 1941; Dr. Mary Murray, Shining Victory, Warner Brothers, 1941; Evelyn Gaylord, The Gay Sisters, Warner Brothers/First National, 1942; Marthe de Brancovis, Watch on the Rhine, Warner Brothers, 1943; Edith Wilson, Wilson, Twentieth Century-Fox, 1944; Virgie Alford, Ladies Courageous, Universal, 1944; Lettie Quincy, Uncle Harry (also known as The Strange Affair of Uncle Harry), Universal, 1945; Gladys Halvorsen, Nobody Lives Forever, Warner Brothers, 1946; Ellen Rogers, O.S.S., Paramount, 1946; Crystal, Three Strangers, Warner Brothers/First General, 1946; Susan Courtney, So Evil My Love, Paramount, 1948.

Mary Tyrone, Long Day's Journey into Night, Promenade Theatre, New York City, 1971; Jenny, The Threepenny Opera, WPA Theatre, New York City, 1972; Juno Boyle, Juno and the Paycock, Hartke Theatre, Catholic University, Washington, DC, 1972; Amy, Forget-Me-Not Lane, Grandmother, The Widowing of Mrs. Holroyd, and Aline Solness, The Master Builder, all Long Wharf Theatre, New Haven, CT, 1973; Essie Miller, Ah, Wilderness!, Long Wharf Theatre, 1974, then Circle in the Square, New York City, 1975; Mary Tyrone, Long Day's Journey into Night and Amanda Wingfield, The Glass Menagerie, both Philadelphia Drama Guild, Walnut Theatre, Philadelphia, PA, 1975; Mrs. Webb, Our Town, American Shakespeare Festival, 1975; Geraldine Fitzgerald in Songs of the Streets (one-woman show), Circle in the Square, 1976; Stage Manager, Our Town, Williamstown Theatre Festival, Williamstown, MA, 1976; Felicity, The Shadow Box, Long Wharf Theatre, then Morosco Theatre, New York City, both 1977; Nora Melody, A Touch of the Poet, Helen Hayes Theatre, New York City, 1977.

Elizabeth, Obsessed (also known as The Late Edwina Black), United Artists, 1951; Edith Chapin, Ten North Frederick, Twentieth Century-Fox, 1958; Tante Maria, The Fiercest Heart, Twentieth Century-Fox, 1961; Marilyn Birchfield, The Pawnbroker, Landau Releasing/Allied Artists/American International, 1965; Reverend Wood, Rachel, Rachel, Warner Brothers, 1968; Mrs. Jackson, The Last American Hero (also known as Hard Driver), Twentieth Century-Fox, 1973; Jessie, Harry and Tonto, Twentieth Century-Fox, 1974; Sara, Echoes of a Summer (also known as The Last Castle), Cine Artists, 1976; Toland, Ciao maschio (also known as Bye Bye Monkey), Gaumont, 1978; Martha Bach, Arthur, Warner Brothers, 1981; Grandma Carr, The Mango Tree, Satori, 1981; Mrs. Monahan, Easy Money, Orion, 1983; Mrs. Thomason, The Link, Zadar, 1985; Gramma Jess, Poltergeist II (also known as Poltergeist II: The Other Side), Metro-Goldwyn-Mayer/United Artists, 1986.

Geraldine Fitzgerald in Streetsongs (one-woman show), Roundabout Stage One Theatre, New York City, then Pittsburgh Public Theatre, Pittsburgh, PA, both 1980; Rose Kossew, Flight, Royal Shakespeare Company, Other Place Theatre, Stratford-on Avon, U.K., 1986; Leonora, "I Can't Remember Anything" in Danger: Memory!, Mitzi E. Newhouse Theatre, New York City, 1987. Also appeared in Everyman and Roach, Society for Ethical Culture Auditorium, New York City, 1971; Everyman at La Mama, La Mama Experimental Theatre Club, New York City, 1972; Cabaret in the Sky, New York Cultural Center, New York City, 1974; in a conceit reading, New York Cultural Center, New York City, 1975; at the Countee Cullen Great Storyteller Series, Afro-American Total Theatre, New York City, 1975; in An Evening of Street Songs and Clown Songs, Theatre for the New City, New York City, 1975; with the St. Nicholas Theatre Company, Chicago, IL, 1977-78; in Darlin' June, Long Wharf Theatre, 1976; Out of My Father's House, White House, Washington, DC, 1978; / Sent a Letter to My Love, Long Wharf Theatre, 1978; O'Neill and Carlotta (staged

PRINCIPAL TELEVISION APPEARANCES—Series: Helen Eldredge, Our Private World, CBS, 1965; Violet Jordan, The Best of Everything, ABC, 1970. Mini-Series: Rose Kennedy, Kennedy, NBC, 1983. Pilots: Starr, First Baseman, CBS, 1965; Peggy Quinn, The Quinns, ABC, 1977; Mabel Oberdeen, Mabel and Max (broadcast

138

FLANAGAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

director) and Variety New York Drama Critics Poll, Best Actress in a Leading Role Off-Broadway, both 1971, for Long Day's Journey into Night; Handel Medallion, 1974, for the Everyman Street Theatre; National Society of Arts and Letters Lifetime Achievement Award, 1989.

as an episode of CBS Summer Playhouse), CBS, 1987. Episodic: Grandmother, "The Widowing of Mrs. Holroyd," Theatre in America, PBS, 1974; Amy Bisley, "Forget-Me-Not Lane," Theatre in America, PBS, 1975; Essie Miller, "Ah, Wilderness!" and Mrs. Atkins, "Beyond the Horizon," both Theatre in America, PBS, 1976; Madame Pernelle, "Tartuffe," Theatre in America, PBS, 1978; Margaret Ryan, St. Elsewhere, NBC, 1987; Anna, Golden Girls, NBC, 1988; Mrs. Wilbourne, A Year in the Life, NBC, 1988; also "The Marble Faun," Theatre Hour, CBS, 1950; "To Walk the Night," Robert Montgomery Presents, NBC, 1951; "The Daughter" and "Fear," both Schlitz Playhouse of Stars, CBS, 1952; "The Gallows Tree," Television Workshop, CBS, 1952; "Pontius Pilate," Studio One, CBS, 1952; "House of Masks," Suspense, CBS, 1953; "Summer Tempest," Robert Montgomery Presents, NBC, 1953; "The Others," Suspense, CBS, 1953; Theatre for You, 1953; "Dark Possession," Studio One, CBS, 1954; "Love Story," Robert Montgomery Presents, NBC, 1954; "The Lawn Party," Goodyear Playhouse, NBC, 1954; "The Iron Cobweb," Robert Montgomery Presents, NBC, 1955; "The Secret of Emily," Armstrong Circle Theatre, NBC, 1955; "The Healer," Climax!, CBS, 1955; "Like Father, Like Son," Studio One, CBS, 1955; "Isobel," Robert Montgomery Presents, NBC, 1955; "Flower of Pride," Studio One, CBS, 1956; "Dodsworth," Producer's Showcase, NBC, 1956; Ellery Queen, NBC, 1959; "The Twisted Image" and "Child's Play," both Thriller, NBC, 1960;' 'The Black Sheep," Shirley Temple Theatre, NBC, I960; Naked City, ABC, 1961; The Nurses, CBS, 1964; The Defenders, CBS, 1964; "Power of Attorney," Alfred Hitchcock Theatre, NBC, 1965; "Babylon Revisited," Conflict, 1973; "A Touch of the Poet," Theatre in America, PBS, 1974; Ben Casey, ABC; The Desilu Playhouse, CBS; The Detectives (also known as Robert Taylor's The Detectives), ABC; The Dick Powell Show, NBC; The Rifleman, ABC; Route 66, CBS; Target: The Corrupters, ABC; Perry Mason, CBS; Charlotte Vernon, Oh Madeline, ABC; "The Jilting of Granny Weatherall," American Short Story, PBS; Wagon Train; Teller of Tales.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Painting. ADDRESSES: OFFICE—655 Madison Avenue, New York, NY 10021. AGENT—Iris Grossman, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. MANAGER—Alan Eichler, Alan Eichler Associates, 1524 La Baig Avenue, Los Angeles, CA 90028.*

FITZSIMMONS, Maureen See O'HARA, Maureen

FLANAGAN, Fionnula

1941-

PERSONAL: Full name, Fionnula Manon Flanagan; born December 10, 1941, in Dublin, Ireland; immigrated to the United States in 1968; daughter of Terence Niall and Rosanna (McGuirk) Flanagan; married Garrett O'Connor, November 26, 1972. EDUCATION— Attended Fribourg University (Switzerland), 1962; trained for the stage at the Abbey Theatre School, Dublin, 1964-66.

Movies: Emma Talbot, Yesterday's Child, NBC, 1977; Sister Agnes, Dixie: Changing Habits, CBS, 1983; Lorraine Wyatt, Do You Remember Love?, CBS, 1985; Charlotte Kessling, Circle of Violence: A Family Drama, CBS, 1986; Abby Abelson, Night of Courage, ABC, 1987. Specials: Elizabeth Barrett, The Barretts of Wimpole Street, CBS, 1955; Amy Strickland, The Moon and Sixpence, NBC, 1959; Carrie Chapman Catt, "We the Women," The American Parade, CBS, 1974; Ella McCune, "Rodeo Red and the Runaway," Special Treat, NBC, 1975; Street Songs, PBS, 1979.

VOCATION: Actress. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Mag, "Winners" in Lovers, Vivian Beaumont Theatre, New York City, 1968; Molly Bloom, Ulysses inNighttown, Winter Garden Theatre, New York City, 1974; also James Joyce's Women (one-woman show), Los Angeles, 1977. PRINCIPAL FILM APPEARANCES—Gerty McDowell, Ulysses, Continental Distributing, 1967; Penelope, Sinful Davey, United Artists, 1969; Abadaba, Mr. Patman, Film Consortium of Canada, 1980; Charlotte Lawless, Reflections, Artificial Eye, 1984; Nora Joyce, Sylvia Beach, Harriet Shaw Weaver, Gerty MacDowell, washerwoman, and Molly Bloom, James Joyce's Women, Universal, 1985. Also appeared in In the Region of Ice, 1980; Chain Reaction, Morning Star Productions, 1985. PRINCIPAL FILM WORK—Executive producer and producer (with Garrett O'Connor), James Joyce's Women, Universal, 1985.

RELATED CAREER—Co-producer, Lincoln Center Community Street Festival, New York City, 1972 and 1973; member, New York State Council of the Arts, 1977; founder (with Brother Jonathan Ringkamp) and artistic director, Everyman Street Theatre, New York City, 1978—. NON-RELATED CAREER—Painter.

PRINCIPAL TELEVISION APPEARANCES—Series: Aunt Molly Culhane, How the West Was Won, ABC, 1978-79. Mini-Series: ClothMe, Rich Man, Poor Man, ABC, 1976. Movies: Felicia, The Picture of Dorian Gray, ABC, 1973; Virginia, The Godchild, ABC, 1974; Bridget Sullivan, The Legend of Lizzie Borden, ABC, 1975; Dulcie, Nightmare in Badham County, ABC, 1976; Sallie White, Mary White, ABC, 1977; Audrey Gibson, Young Love, First Love, CBS, 1979; Dr. Frances Muller, Through Naked Eyes, ABC, 1983; Catarine Towani, The Ewok Adventure, ABC, 1984;

WRITINGS: STAGE—(With Brother Jonathan Ringkamp) Everyman and Roach, Society for Ethical Culture Auditorium, New York City, 1971; (adaptor) Hamlet, Everyman Theatre, New York City, 1978; Geraldine Fitzgerald in Streetsongs (one-woman show), Roundabout Stage One Theatre, New York City, then Pittsburgh Public Theatre, both 1980. AWARDS: Academy Award nomination, Best Supporting Actress, 1939, for Wuthering Heights; Vernon Rice Awards (as actress and

139

FOAN

CONTEMPORARY

Margaret, Scorned and Swindled, CBS, 1984; Mrs. Wyshner, A Winner Never Quits, ABC, 1986.

THEATRE, FILM, AND TELEVISION • Volume 8

the 1989 feature films Shag, the Movie and Strapless, on television's 21 Jump Street, and as Louise Bradshaw in "Jacob I Have Loved" for the PBS series WonderWorks.

NON-RELATED CAREER—Fellow, Study Center for Organization and Leadership Authority, 1976—; president, the Rejoycing Company, 1978—.

In many of her films to date Fonda has appeared in rebellious and sexually uninhibited roles, but she does not feel her career will continue along those lines. "I'm not out to do the same thing over and over again—you know, sex kitten types. I'm not that interested in playing them unless they're interesting. I like being thrown a challenge."

WRITINGS: STAGE—James Joyce's Women (one-woman-show), 1977. FILM—,James Joyce's Women, Universal, 1985. AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actress, 1974, for Ulysses in Nighttown; Emmy Award, Best Supporting Actress in a Single Appearance, 1976, for Rich Man, Poor Man; Drama-Logue Award, Los Angeles Drama Critics' Award, and San Francisco Theatre Critics' Award, all 1977, for James Joyce's Women; Emmy Award nomination, 1978, for How the West Was Won.

OTHER SOURCES: US, May 29, 1989.*

FORAY, June

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Irish Actors' Equity Association.

PERSONAL: Born in Springfield, MA. VOCATION: Voice specialist.

ADDRESSES: AGENT—Abrams, Harris, and Goldberg Ltd., 9220 Sunset Boulevard, Garden Suite B, Los Angeles, CA 90069.*

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Voice of Lucifer, Cinderella (animated), Walt Disney, 1950; voice of Witch Hazel, Trick or Treat (short animated film), Walt Disney, 1952; Marku, The Hindu (also known as Sabaka), United Artists, 1953; voice of Court Raven, The Snow Queen (animated), Universal, 1959; voice characterizations, The Man Called Flintstone (also known as That Man Flintstone; animated), Columbia, 1966; voice characterizations, The Phantom Tollboth

FOAN, John See BAVA, Mario

FONDA, Bridget BRIEF ENTRY: Born c. 1964; daughter of Peter (an actor, director, producer, and writer) and Susan Fonda. A member of one of America's most celebrated acting families, Bridget Fonda has in a brief period carved out a distinct career on her own merits, most notably in the film Scandal (Miramax, 1989), for which she captured critical accolades as Mandy Rice-Davies, a British showgirl involved in the 1963 sex scandal that toppled England's conservative government. Although she grew up in a show business environment, Fonda is reluctant to credit her family background with influencing her career decision. As she noted in an interview with US, ' 'It may have affected me slightly, but only because I grew up around creative people.'' Instead of turning to her family for an entree into the film industry, she studied at the Lee Strasberg Theatre Institute in New York City for four years and also attended acting classes taught by Harold Gruskin and David Mamet. Her first professional credits include the plays Confession at the Warren Robertson Workshop and Pastels at the Lee Strasberg Theatre Institute. For her film debut, Fonda appeared in the erotic and sensational "Tristan and Isolde" segment of the 1988 feature Aria and, later that year, she displayed her comedic talents in the romantic comedy You Can't Hurry Love. Both films received mixed reviews, but with the release of Scandal, Fonda was acknowledged as a new and genuine talent, receiving a Golden Globe nomination for her performance. Her subsequent appearances have included roles in

JUNE FORAY

140

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

FORD

and Aunt Agatha, Raggedy Ann and Andy in (
(animated), Metro-Goldwyn-Mayer, 1970; voice characterizations, The White Seal (short animated film), Chuck Jones Enterprises, 1975; voice characterizations, TheLooney, Looney, Looney Bugs Bunny Movie (animated), Warner Brothers, 1981; voice characterizations, Daffy Duck's Movie: Fantastic Island (animated), Warner Brothers, 1983; voice of Wheezy and Lena Hyena, Who Framed Roger Rabbit?, Buena Vista, 1988.

Voice of Mrs Spitznagle, "The Incredible Book Escape" (animated), CBS Library, CBS, 1980; voice of Duchess, "Scruffy" (animated), ABC Weekend Specials, ABC, 1980; voice characterizations, Faeries (animated), CBS, 1981; voice of Old Woman and Saturna, "Miss Switch to the Rescue" (animated), ABC Weekend Specials, ABC, 1981; voice of Mother, The Chipmunk's Christmas (animated), NBC, 1982; voice characterizations, "The Wrong Way Kid" (animated), CBS Library, CBS, 1982; voice of Jokey and Smurfberry Bird, My Smurfy Valentine (animated), NBC, 1983; voice of Jokey, Smurfily Ever After (animated), NBC, 1985; voice of Mrs. Sweetly, "Harry, the Fat Bear Spy" (animated), CBS Storybreak, CBS, 1985; voice of Vinnie, A Chipmunk Reunion (animated), 1985; voice of Jokey and Squirrel, The Smurfs Christmas Special (animated), NBC, 1986; voice of Witch Hazel, Disney's DTV Monster Hits (animated), NBC, 1987; voice of Aunt Alice, "The Double Disappearance of Walter Fozbek" (animated), CBS Storybreak, CBS, 1987; voice of Sister Mouse, "Runaway Ralph," ABC Weekend Specials, ABC, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: Voice of Midnight the Cat and Grandie, The Buster Brown TV Show with Smilin' Ed McConnell and the Buster Brown Gang, NBC, 1950-51, renamed Smilin' Ed McConnell and His Gang, 1951-55, later renamed Andy's Gang, 1955-58; voice characterizations, The Woody Woodpecker Show (animated), ABC, 1957-58, then NBC, 1970-72; voice characterizations, The Dick Tracy Show (animated), syndicated, 1960; voice characterizations, The Alvin Show (animated), CBS, 1961-62; voice of Rocket J. Squirrel and Natasha Fatale, "Rocky and Bullwinkle," and Nell Fenwick, "Dudley DoRight," in Rocky and His Friends (animated), ABC, 1959-61, then The Bullwinkle Show NBC, 1961-62; voice of Jerry, The Tom and Jerry Show (animated), CBS, 1966-72; voice of Ursula, "George of the Jungle," and Marigold and Granny, "Tom Slick," in George of the Jungle (animated), ABC, 1967-70; voice of Nell Fenwick, The Dudley Do-Right Show (animated), ABC, 1969-70.

PRINCIPAL TELEVISION WORK—Movies: Producer, You Can't Teach an Old Dog New Tricks (But You Can to a Naughty Old Man) (animated), HBO, 1985.

Voice characterizations, Curiosity Shop (live-action and animated), ABC, 1971-73; voice characterizations, The Bugs Bunny/ Road Runner Show (animated), CBS, 1975-88; voice of Broom Hilda and Sluggo, The Fabulous Funnies (animated), NBC, 197879; voice of Jokey Smurf and Mother Nature, The Smurfs (animated), NBC, 1981—; voice characterizations, The New Jetsons (animated), syndicated, 1985; voice of Grammi Gummi, Disney's Adventures of the Gummi Bears (also known as The Gummi Bears and The Adventures of the Gummi Bears; animated), NBC, 198589; voice characterizations, Foofur (animated), NBC, 1986-88; voice of Grandma Howard, Teen Wolf (animated), 1986-89; voice of Dweeb's mother, The Real Ghostbusters (also known as Slimer! and the Real Ghostbusters; animated), ABC, 1986—; voice characterizations, The Flintstone Kids (also known as Captain Caveman and Son; animated), ABC, 1986—; voice of Ma Beagle and Magica Despell, Ducktales (also known as Disney's Ducktales; animated), syndicated, 1987-89; voice characterizations, The Bugs Bunny and Tweety Show, (animated), ABC, 1988—; voice of Ma Beagle, Super Ducktales (animated), syndicated, 1989—; voice of Grammi Gummi, Disney's Gummi Bears/Winnie the Pooh Hour (animated), ABC, 1989—; voice characterizations, The Simpsons (animated), Fox, 1990—.

RADIO APPEARANCES—Series: The Stan Freberg Show, CBS, 1957; also Smilin' Ed McConnell's Buster Brown Gang, NBC; Emily Williams, The Fitch Bandwagon, renamed The Phil Harris— Alice Faye Show, NBC; Junie, Smile Time, Mutual. Episodic: The Halls of Ivy, NBC; The Jimmy Durante Show, NBC; The Bob Hope Show, NBC; The Screen Guild Theatre, CBS; The Great Guildersleeve, NBC; The Screen Directors' Playhouse, NBC; Suspense, CBS; Stars Over Hollywood, CBS; also Fibber McGee and Molly and Lux Radio Theatre. RELATED CAREER—Voice characterizations for children's records and television commercials; voice-over instructor, University of Southern California. WRITINGS: TELEVISION—Movies: You Can't Teach an Old Dog New Tricks (But You Can to a Naughty Old Man) (animated), HBO, 1985. RECORDINGS: ALBUMS—Snow White, RCA Victor; also thirtyfive albums for Capitol Records. MEMBER: Academy of Motion Picture Arts and Sciences (board of governors, 1977—), National Academy of Recording Arts and Sciences (board member).

Episodic: Voice characterizations, Lone Ranger (animated), syndicated; voice characterizations, These Are the Days (animated), ABC; Carmelita, Green Acres, CBS; voice of Granny, Tiny Toons (animated). Movies: Narrator, You Can't Teach an Old Dog New Tricks (But You Can to a Naughty Old Man) (animated), HBO, 1985. Specials: Arthur Godfrey in Hollywood, CBS, 1962; Jenny, Death of a Salesman, CBS, 1966; voice of Karen, Frosty the Snowman (animated), CBS, 1969; voice of Mother, The Cricket in Times Square (animated), ABC, 1973; voice of Mother, RikkiTikki-Tavi (animated), CBS, 1975; voice of Tucker the Mouse, Yankee Doodle Cricket (animated), ABC, 1975; voice of Mother Wolf, Mowgli's Brothers (animated), CBS, 1976; voice of Granny, The Bugs Bunny Easter Special (animated), CBS, 1977; voice of Hazel, Bugs Bunny's Howl-oween Special (animated), CBS, 1977; voice characterizations, Bugs Bunny's Looney Christmas Tales (animated), CBS, 1979; voice characterizations, The Bugs Bunny Thanksgiving Diet (animated), CBS, 1979; voice of Raggedy Ann

ADDRESSES: OFFICE—c/o The Bugs Bunny and Tweety Show, Warner Brothers Cartoons, 3601 W. Olive Avenue, Suite 450, Burbank, CA 91505. AGENT—Joseph, Helfond, and Rix, 1717 N. Highland Avenue, Suite 414, Hollywood, CA 90028.

FORD, Harrison 1942PERSONAL: Born July 13, 1942, in Chicago, IL; first wife's name, Mary (divorced); married Melissa Matheson (a screenwriter), 1983; 141

FOSSEY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

and the Last Crusade, Paramount, 1989. Also appeared in Luv, Columbia, 1967; Zabriskie Point, Metro-Goldwyn-Mayer, 1970. PRINCIPAL TELEVISION APPEARANCES—Pilots: Mark Blackwood, James A. Michener's "Dynasty" (also known as Dynasty), NBC, 1976; Paul Winjam, The Possessed, NBC, 1977. Episodic: Chester Anderson, Leave It to Beaver, ABC; also The F.B.I., ABC; Gunsmoke, CBS; The Virginian, NBC. Movies: Carl, The Intruders, NBC, 1970; also The Court-Martial of Lieutenant William Calley, 1975. Specials: Host and narrator, Great Movie Stunts: Raiders of the Lost Ark, CBS, 1981; also Great Adventurers and Their Quests: Indiana Jones and the Last Crusade, 1989; Premiere: Inside the Summer Blockbusters, 1989. NON-RELATED CAREER—Carpenter, chef, pizza maker, yacht broker, and management trainee for Bullock's department store. AWARDS: Academy Award nomination, Best Actor, 1985, for Witness. ADDRESSES: MANAGER—Pat McQueeney, McQueeney Management, 146 N. Almont Drive, Los Angeles, CA 90048.*

FOSSEY, Brigitte 1946-

PERSONAL: Born March 11, 1946, in Tourcoing, France.

HARRISON FORD

VOCATION: Actress.

children: Willard, Benjamin (first marriage); Malcolm (second marriage). EDUCATION—Attended Ripon College.

CAREER: FILM DEBUT—Paulette, Forbidden Games (also known as Les Jeux interdits), Times, 1953. PRINCIPAL FILM APPEARANCES—Jane Duval, The Happy Road, Metro-Goldwyn-Mayer, 1957; Dominique "Waterloo" Austerlitze, Farewell, Friend (also known as Adieu I'ami), Medusa Distribuzione, 1968; Yvonne de Galais, The Wanderer (also known as Le Grand Meaulnes), LeacockPennebaker, 1969; young mother, Going Places (also known as Les Valseuses), Cinema V, 1974; Louise, The Blue Country (also known as Le Pays bleu), Gaumont, 1977; Gene vie ve Bigey, The Man Who Loved Women (also known as L'Homme qui aimait les femmes), Cinema V, 1977; Anne, Mais ou et done Ornicar, Mallia, 1979; Vivia, Quintet, Twentieth Century-Fox, 1979; Adrienne, Chanel solitaire, United Film Distribution, 1981; Francoise, La Bourn, Triumph, 1983; Yvonne, Imperative, Teleculture, 1985; Nicole Palazzi, La Scarlatine (also known as Scarlet Fever), CAP AC, 1985; Isabelle, The Future of Emily (also known as L'Avenir d'Emile and Flugel und Fessein), Mainline, 1986. Also appeared in M comme Mathieu, 1971; Raphael ou le debauche, 1971; L'Ironie du sort, 1974; La Brigade, 1974; Femmes fatales (also known as Calmos), 1975; Le Chant de depart, 1976; Le Bon et les mechants (also known as The Good and the Bad), 1976; Les Fleurs du Miel, 1976; Les Enfants du placard, 1911; Die Glaserne Zelle, 1978; LAffaire Suisse (also known as The Swiss Affair), 1978; Enigma, 1983; Le Jeune Marie, T. Films, 1985; and in Making It, The Triple Death of the Third Character, A Bad Son, The Party, A Bite of Living, The Party—2, Au nom de tous les Meins, A Strange Passion, A Case of Irresponsibility, The False Confidences, and New Cinema Paradise. *

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES-^John Brown's Body, Laguna Beach Playhouse, Laguna Beach, CA; also appeared in summer theatre productions in Wisconsin. FILM DEBUT—Dead Heat on a Merry-Go-Round, Columbia, 1966. PRINCIPAL FILM APPEARANCES—Lieutenant Shaffer, A Time for Killing (also known as The Long Ride Home), Columbia, 1967; Willie Bill Bearden, Journey to Shiloh, Universal, 1968; Jake, Getting Straight, Columbia, 1970; Bob Flafa, American Grafitti, Universal, 1973; Martin Stett, The Conversation, Paramount, 1974; Han Solo, Star Wars, Twentieth Century-Fox, 1977; Kenny Boyd, Heroes, Universal, 1977; Lieutenant Colonel Mike Barnsby, Force Ten from Navarone, American International, 1978; Colonel Lucas, Apocalypse Now, United Artists, 1979; Tommy, The Frisco Kid (also known as No Knife), Warner Brothers, 1979; David Halloran, Hanover Street, Columbia, 1979; motorcycle cop, More American Grafitti, Universal, 1979; Han Solo, The Empire Strikes Back, Twentieth Century-Fox, 1980; Indiana Jones, Raiders of the Lost Ark, Paramount, 1981; Rick Deckard, Blade Runner, Warner Brothers, 1982; Han Solo, Return of the Jedi, Twentieth Century-Fox, 1983; Indiana Jones, Indiana Jones and the Temple of Doom, Paramount, 1984; John Book, Witness, Paramount, 1985; Allie Fox, The Mosquito Coast, Warner Brothers 1986; Dr. Richard Walker, Frantic, Warner Brothers, 1988; Jack Trainer, Working Girl, Twentieth Century-Fox, 1988; Indiana Jones, Indiana Jones

142

FOWLER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

FOSTER, Gloria

1936-

PERSONAL: Born November 15, 1936, in Chicago, IL; married Clarence Williams III (an actor), November, 1967. EDUCATION— Attended Illinois State University; studied for the stage at the University of Chicago Court Theater and with Bella Itkin at the Goodman Theatre. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—In White America, Sheridan Square Playhouse, 1963. PRINCIPAL STAGE APPEARANCES— Ruth, A Raisin in the Sun, Regent Theatre, Syracuse, NY, 1961; Andromache, The Trojan Women, Murray Theatre, Ravinia, IL, 1965; title role, Medea, Martinique Theatre, New York City, 196566; title role, Yerma, Vivian Beaumont Theatre, New York City, 1966-67; Hippolyta and Titania, A Midsummer Night's Dream, Theatre DeLys, New York City, 1967; title role, "Sister Son/ji" in Black Visions, New York Shakespeare Festival (NYSF), Public Theater, New York City, 1972; Lubov Andreyevna Ranevskaya, The Cherry Orchard, NYSF, Public Theatre, 1973; Clytemnestra, Agamemnon, NYSF, Delacorte Theatre, New York City, 1977; Volumnia, Coriolanus, NYSF, Public Theatre, then Delacorte Theatre, both 1979; Mother Courage, Mother Courage and Her Children, NYSF, Public Theatre, 1980; Mary Tyrone, Long Day's Journey into Night, Theater at St. Peter's Church, New York City, then Public Theatre, both 1981; Molly Hoffenburg, The Forbidden City, NYSF, Public Theatre, 1989. Also appeared as an understudy in Purlie Victorious, Cort Theatre, then Longacre Theatre, both New York City, 1961-62; in A Hand Is on the Gate, Longacre Theatre, 1966; A Dream Play, Goodman Theatre, Chicago, IL, 1967; as title role, Medea, Oparre, Wingless Victory, and Sabina, The Skin of Our Teeth, all Goodman Theatre; and as Jocasta, Oedipus Rex, Hecuba, The Trojan Women, and Volumnia, Coriolanus, all Court Theatre, University of Chicago, Chicago, IL.

BETH FOWLER

VOCATION: Actress.

MAJOR TOURS—Ruth, A Raisin in the Sun, U.S. cities, 1962.

CAREER: BROADWAY DEBUT—Gantry, George Abbott Theatre, 1970. PRINCIPAL STAGE APPEARANCES—Mrs. Segstrom, A Little Night Music, Shubert Theatre, then Majestic Theatre, both New York City, 1973; understudy for the role of the President's Wife, 1600 Pennsylvania Avenue, Mark Hellinger Theatre, New York City, 1976; Julie, Showboat, Jones Beach Theatre, Jones Beach, NY, 1976; Rodgers and Hart (revue), Arlington Park Theatre, Arlington Heights, IL, 1976; Sharon McLonergan, Finian's Rainbow, Jones Beach Theatre, 1977; Mrs. Darling, Peter Pan, Lunt-Fontanne Theatre, New York City, 1979; Marie, Preppies, Promenade Theatre, New York City, 1983; Arlene MacNally, Baby, Ethel Barrymore Theatre, New York City, 1983-84; Lily Miller, Take Me Along, Goodspeed Opera House, East Haddam, CT, 1984, then Martin Beck Theatre, New York City, 1985; Mrs. Webb, Our Town, Alliance Theatre Company, Atlanta, GA, 1986; Jeannie Jeannine, Lucky Guy, Plaza Theatre, Dallas, TX, 1987; Edith Roosevelt, Teddy and Alice, Tampa Bay Performing Arts Center, Tampa Bay, FL, 1987, then Minskoff Theatre, New York City, 1987-88; Mrs. Lovett, Sweeney Todd, Circle in the Square, New York City, 1989-90; also appeared in Tintypes, Cincinnati Playhouse, Cincinnati, OH, 1981; Georgia Avenue, Goodspeed Opera House, 1986.

FILM DEBUT—Mrs. Custis, The Cool World, Cinema V, 1963. PRINCIPAL FILM APPEARANCES—Lee, Nothing But a Man, Cinema V, 1964; Mrs. Philpot, The Comedians, Metro-GoldwynMayer, 1967; Sally, The Angel Levine, United Artists, 1970; Ivy Revers, Man and Boy, Levitt-Pickman, 1972; Medusa, Leonard, Part 6, Columbia, 1987. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Camille Bell, The Atlanta Child Murders, CBS, 1985. Pilots: Judith, Top Secret, NBC, 1978. Movies: Serena, To All My Friends on Shore, CBS, 1972. Also appeared in Shakespeare's Women. AWARDS: Obie Award from the Village Voice and Vernon Rice Award, both 1963, for In White America; Theatre World Award, 1966, for Medea; Alpha Kappa Alpha Award, 1966, for Outstanding Contribution in the Field of the Arts; Drama Desk Award nomination, Best Actress in a Play, 1989, for The Forbidden City. *

FOWLER, Beth

AWARDS: Drama Desk Award nomination, Best Actress in a Musical, 1989, for Sweeney Todd.

1940-

PERSONAL: Born November 1, 1940, in New Jersey. EDUCATION—Graduated from Caldwell College, 1962.

ADDRESSES: AGENT—Peggy Hadley Enterprises Ltd., 250 W. 57th Street, New York, NY 10107.*

143

FOX

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

FOX, Bernard

William Fox) Waling, She Always Gets Their Man, United Artists, 1962; (as William Fox) Philip Goodwin, What Every Woman Wants, United Artists, 1962; Tony, The Servant, Landau, 1964; Oliver, Tamahine, MGM, 1964; Flight Lieutenant Marlow, King Rat, Columbia, 1965; Richard Mays, Those Magnificent Men in Their Flying Machines, or How I Flew from London to Paris in 25 Hours and 11 Minutes, Twentieth Century-Fox, 1965; Jason ("Jake"), The Chase, Columbia, 1966; Jimmy Smith, Thoroughly Modern Millie, Universal, 1967; Stefane, Duffy, Columbia, 1968; Gordon Craig, Isadora (also known as The Loves of Isadora), Universal, 1968; Giorgio, Arabella, Universal, 1969; Alan Richards, No Longer Alone, World Wide, 1978; Tom, Runners, Hanstall, 1983; Lord Esker, Greystoke: The Legend ofTarzan, Lord of the Apes, Warner Brothers, 1984; Richard Fielding, A Passage to India, Columbia, 1984; Henley of Mayfair, Absolute Beginners, Orion, 1986; Norfolk, Comrades, Film Four International, 1986; Patrick, High Season, Hemdale, 1987; Lord, The Whistle Blower, Hemdale, 1987. Also appeared (as William Fox) in No Place for Jennifer, Associated British Films/Pathe, 1950; (as William Fox) One Wild Oat, Eros, 1951; (as William Fox) The Loneliness of the Long Distance Runner (also known as Rebel with a Cause], Continental Distributing, 1962; Performance, Warner Brothers, 1970; Pavlova—A Woman for All Time, Poseidon, 1985; and Finding Maubee.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Duchotel, 13 Rue de VAmour, Circle in the Square, New York City, 1978. PRINCIPAL FILM APPEARANCES—McLeod, Spin a Dark Web (also known as Soho Incident), Columbia, 1956; Shafter, The Safecracker, Metro-Goldwyn-Mayer (MGM), 1958; lieutenant, The Two-Headed Spy, Columbia, 1959; Lynch, The List of Adrian Messenger, Universal, 1963; room clerk, Honeymoon Hotel, MGM, 1964; Leslie Folliott, Quick, Before It Melts, MGM, 1964; policeman, Strange Bedfellows, Universal, 1965; Dudley, Hold On, MGM, 1966; Squire Moresby, Munster, Go Home, Universal, 1966; Jordin, One of Our Spies Is Missing, MGM, 1966; Ephram, The Bamboo Saucer, NTA, 1968; assistant to Lord Chamberlain, Star! (also known as Those Were the Happy Times) Twentieth Century-Fox, 1968; Constable Hooks, Arnold, Cinerama, 1973; Max, Herbie Goes to Monte Carlo, Buena Vista, 1977; voice of Chairman, The Rescuers (animated), Buena Vista, 1977; Justin, The Private Eyes, New World, 1980; Tarbuck, Yellowbeard, Orion, 1983; Horton, Eighteen Again!, New World, 1988. Also appeared Home and Away, Guest/Conquest, 1956; $1,000,000 Duck, Buena Vista, 1971; House of the Dead, 1980.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Waldorf, Nancy Astor, PBS, 1984. Movies: Mansfield Markham, Beryl Markham: A Shadow on the Sun, CBS, 1988; also Sun Child, ITV, 1988. Also appeared in The Door, Espionage, Farewell to the King, Country, New World, and Love Is Old, Love Is New.

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Bombay, Bewitched, ABC, 1967-72; also Nigel Pennysmith, General Hospital, ABC. Pilots: Dr. John H. Watson, The Hound of the Baskervilles, ABC, 1972; Barrett, Intertect, ABC, 1973; Mr. Muirfield, The Son-In-Law, NBC, 1980. Episodic: Malcolm Merriweather, The Andy Griffith Show, CBS, 1963 and 1964; Jock, "The Wide Open Door," ABC Stage '67, ABC, 1967; Dr. Bombay, Tabitha, ABC, 1977; Kris Winter, The Fall Guy, ABC, 1985; Edgar Wyckham, Murder, She Wrote, CBS, 1986; Professor Stubbs, Mr. Sunshine, ABC, 1986; Holcomb, Riptide, NBC, 1986; also The Dick Van Dyke Show, CBS, 1964 and 1965; M*A*S*//, CBS, 1978; Alfie, Make Room for Daddy, ABC; Colonel Crittendon, Hogan's Heroes, CBS; Randolph Svenson, Soap, ABC; Farmer's Daughter, ABC; The Monkees, NBC; F Troop, ABC; Love, American Style, ABC; The Partridge Family, ABC. Movies: Captain Chablat, Gauguin the Savage, CBS, 1980.

NON-RELATED CAREER—Evangelist, 1973-83. ADDRESSES: AGENT—Michael Whitehall Limited, 125 Gloucester Road, London SW7, England.*

FOX, William See FOX, James

ADDRESSES: AGENT—Joshua Gray and Associates, 6736 Laurel Canyon Boulevard, North Hollywood, CA 91606.*

FRANCIS, Freddie (Ken Barnett) FOX, James 1939(William Fox)

1917-

PERSONAL: Born in 1917 in London, England; married Pamela Mann; children: Kevin. MILITARY—British Army, Kinetograph Services, 1939-46.

PERSONAL: Born May 19, 1939, in London, England; son of Robin (a theatrical agent) and Angela Fox.

VOCATION: Cinematographer and director.

VOCATION: Actor.

CAREER: PRINCIPAL FILM WORK—Camera operator (second unit), The Macomber Affair, United Artists, 1947; camera operator, Mine Own Executioner, Twentieth Century-Fox, 1947; camera operator, Night Beat, British Lion, 1947; camera operator, The Small Back Room (also known as Hour of Glory), British Lion, 1948; camera operator, The Elusive Pimpernel (also known as The Fighting Pimpernel), British Lion, 1950; camera operator, Gone to Earth (also known as The Wild Heart and Gypsy Blood}, RKO/ Selznick, 1950; camera operator, Golden Salamander, General

CAREER: PRINCIPAL FILM APPEARANCES—(As William Fox) Johnny Brent, The Magnet, General Films Distributors, 1950; (as William Fox) Toby Miniver, The Miniver Story, Metro-GoldwynMayer (MGM), 1950; (as William Fox) Gregory, The Lavender Hill Mob, Universal, 1951; (as William Fox) busboy, Serenade, Warner Brothers, 1956; (as William Fox) Brinton, The Secret Partner (also known as The Street Partner), MGM, 1961; (as 144

FRANK

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Dark Tower, Spectrafilm, 1989; cinematographer, Her Alibi, Warner Brothers, 1989; cinematographer, Glory, Tri-Star, 1989. Also camera operator, The Sorcerer's Apprentice (short film), 1955; director, The Intrepid Mr. Twigg (short film), 1968; director, Legend of the Werewolf, 1975.

Film Distributors, 1950; camera operator, Angels One Five, Templar, 1951; camera operator, The Tales of Hoffman, Lopert, 1951; camera operator, 24 Hours of a Woman's Life (also known as Affair in Monte Carlo), Allied Artists, 1952; camera operator, Outcast of the Islands, British Lion, 1952; camera operator, Moulin Rouge, United Artists, 1952; camera operator, Beat the Devil, United Artists, 1953; camera operator, Rough Shoot (also known as Shoot First), United Artists, 1953; camera operator, Twice Upon a Time, Fine Arts, 1953; camera operator, Beau Brummell, Metro-GoldwynMayer (MGM), 1954; camera operator, Monsieur Ripois (also known as Knave of Hearts, Lover Boy, and Lovers, Happy Lovers!), Twentieth Century-Fox, 1954; camera operator (second unit), Dry Rot, Independent Film Distributors/British Lion, 1956; camera operator (second unit and special effects), Moby Dick, Warner Brothers, 1956; cinematographer, A Hill in Korea (also known as Hell in Korea), British Lion, 1956; cinematographer, Time Without Pity (also known as No Time for Pity), Eros/Astor, 1957; cinematographer, Room at the Top, Romulus, 1959; cinematographer, Strange Affection (also known as The Scamp), Brenner, 1959.

PRINCIPAL TELEVISION WORK—Series: Director, Star Maidens, syndicated, 1977. Episodic: Director, Man in a Suitcase, ABC, 1968. Movies: Cinematographer, The Executioner's Song, NBC, 1982. RELATED CAREER—Apprentice to stills photographer, Gaumont Studios, then clapper boy, B.I.P. Studios, later camera assistant, British and Dominions Studios, all 1936-39. AWARDS: Academy Award, Best Cinematography, 1961, for Sons and Lovers.*

Cinematographer, The Battle of the Sexes, Continental, 1960; cinematographer, Next to No Time!, Show, 1960; cinematographer, Sons and Lovers, Twentieth Century-Fox, 1960; cinematographer, Virgin Island (also known as Our Virgin Island), Films-aroundthe-World, 1960; cinematographer, The Horsemasters, Buena Vista, 1961; cinematographer, The Innocents, Twentieth CenturyFox, 1961; cinematographer, Never Take Candy from a Stranger (also known as Never Take Sweets from a Stranger and The Molester), Sutton/Pathe, 1961; cinematographer, Saturday Night and Sunday Morning, Continental Distributing, 1961; director, Two and Two Make Six (also known as A Change of Heart and The Girl Swappers), Union, 1962; director, The Day of the Trif/ids, Allied Artists, 1963; director, Nightmare, Universal, 1963; director, Paranoiac, Universal, 1963; director, The Evil of Frankenstein, Universal, 1964; cinematographer, Night Must Fall, MGM, 1964; director, Hysteria, MGM, 1965; director, The Brain (also known as Vengeance and Le cerveau), Paramount, 1965; director, Dr. Terror's House of Horrors, Regal, 1965; director, The Skull, Paramount, 1965; director, The Psychopath, Paramount, 1966; director, Traitor's Gate (also known as Das Verratertor), Columbia, 1966; director, The Deadly Bees, Paramount, 1967; director, They Came from Beyond Space, Embassy, 1967; director, Dracula Has Risen from His Grave, Warner Brothers, 1968; director, Torture Garden, Columbia, 1968.

FRANK, Richard

1953-

PERSONAL: Born January 4, 1953, in Boston, MA; son of Phillip L. and Jeanne E. (a medical secretary; maiden name, Bennett) Frank. EDUCATION—University of Michigan, B.A., speech, 1974; studied acting at the Juilliard School, 1974-78. VOCATION: Actor and writer.

Director, Mumsy, Nanny, Sonny, andGirly (also known as Girly), Cinerama, 1970; director, Trog, Warner Brothers, 1970; director, Gebissen wird nur Nachts—Happening der Vampire (also known as Vampire Happening), Constantin Film, 1971; director, Tales from the Crypt, Cinerama, 1972; director, The Creeping Flesh, Columbia, 1972; director, Tales That Witness Madness, Paramount, 1973; director, Craze (also known as The Infernal Idol), Warner Brothers, 1974; director, Son of Dracula (also known as Young Dracula), Apple, 1974; director, The Ghoul, Rank, 1975; director (with Andre Pieters), Golden Rendezvous, Film Trust/ Milton Okun, 1977; cinematographer, The Elephant Man, Paramount, 1980; cinematographer, The French Lieutenant's Woman, United Artists, 1981; cinematographer, Dune, Dino De Laurentiis/ Universal, 1984; cinematographer, The Jigsaw Man, United Film Distribution, 1984; cinematographer, Memed My Hawk, Focus, 1984; cinematographer, Code Name: Emerald, Metro-GoldwynMayer/United Artists, 1985; director, The Doctor and the Devils, Twentieth Century-Fox, 1985; cinematographer, Clara s Heart, Warner Brothers, 1988; director (as Ken Bamett) and cinematographer,

RICHARD FRANK

145

FRANKLIN

CONTEMPORARY

CAREER: STAGE DEBUT—Moritz Steifel, Spring Awakening, New York Shakespeare Festival, Public Theatre, New York City, 1978. BROADWAY DEBUT—Gentleman and second knight, The Dresser, Brooks Atkinson Theatre, 1981-82. PRINCIPAL STAGE APPEARANCES—Guard, Salt Lake City Skyline, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1980; Herman, Five of Us, Center Theatre Group, Mark Taper Forum, Taper Too, Los Angeles, 1985; Horatio, Hamlet, NYSF, Public Theatre, 1986; Greta, Bent, Coast Playhouse, Hollywood, CA, 1987; Molina, Kiss of the Spider Woman, Yale Repertory Theatre, New Haven, CT, 1988; Salieri, Amadeus, Alliance Theatre, Atlanta, GA, 1989. Also appeared in Da, Studio Arena Theatre, Buffalo, NY, 1979; Moliere in Spite of Himself, Hartman Theatre Company, Stamford, CT, 1981; The Keeper, Philadelphia Drama Guild, Philadelphia, PA, 1982; The Palace of Amateurs, Plaza Theatre, Dallas, TX, 1983; Hang On to Me and Twelfth Night, both Tyrone Guthrie Theatre, Minneapolis, MN, 1984-85.

THEATRE, FILM, AND TELEVISION • Volume 8

Century-Fox, 1962; Penny, Flipper's New Adventure (also known as Flipper and the Pirates), Metro-Goldwyn-Mayer (MGM), 1964; Catherine Whitset, The Third Secret, Twentieth CenturyFox, 1964; Julie Williams, A Tiger Walks, Buena Vista, 1964; Bobby, The Nanny, Twentieth Century-Fox, 1965; Diana Hook, Our M other's House, MGM, 1967; girl, The Night of the Following Day, United Artists, 1969; Sandy, The Prime of Miss Jean Brodie, Twentieth Century-Fox, 1969; Annie, Sinful Davey, United Artists, 1969; Jane, And Soon the Darkness, EMI, 1970; Dora Spenlow, David Copperfield, Twentieth Century-Fox, 1970; Lori Brandon, Necromancy (also known as The Witching}, Cinerama, 1972; Shelby, Ace Eli and Rodger of the Skies, Twentieth Century-Fox, 1973; Florence Tanner, The Legend of Hell House, Twentieth Century-Fox, 1973; Lorna, The Food of the Gods, American International, 1976. PRINCIPAL TELEVISION APPEARANCES—Pilots: Amanda Hollister, Intertect, ABC, 1973; Karen Forrester, "The Forresters: Dear Karen," The Letters, ABC, 1973; Sheila Fielding, Crossfire, NBC, 1975. Episodic: Nicola Stevens, "Screamer," Wide World of Mystery, ABC, 1974; Abby Stevens, "Won't You Write Home, I'm Dead" (also known as "Terror from Within"), Wide World of Mystery, ABC, 1975; also "The Horse Without a Head," The World of Disney, NBC, 1963; The Name of the Game, NBC, 1970; Strange Report, NBC, 1971; Green Acres, CBS, 1971; Medical Center, CBS, 1971, 1973, and 1914'Bonanza, NBC, 1972; Ghost Story, NBC, 1972; Sixth Sense, ABC, 1972; Cool Million, NBC, 1972 and 1973; Cannon, CBS, 1972 and 1974; "Mirabelle's Summer," Love Story, NBC, 1973; Streets of San Francisco, ABC, 1974; Six Million Dollar Man, ABC, 197'4; The Magician, NBC, \914-Mannix, CBS, 1974; Barnaby Jones, CBS, 1974 and 1975; Petrocelli, NBC, 1975. Movies: Tirza, See How They Run, NBC, 1964; Dora Spenlow, David Copperfield, NBC, 1970; Elizabeth Sayres, Satan's School for Girls, ABC, 1973; Anna Hall, Eleanor and Franklin, ABC, 1976. Specials: Betsy Balcombe, "Eagle in a Cage," Hallmark Hall of Fame, NBC, 1965.*

FILM DEBUT—Father Vogler, Amadeus, Orion, 1985. TELEVISION DEBUT—Stefan Mazor, The Wall, CBS, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Jules "Julie" Kramer, Anything But Love, ABC, 1989—. Pilots: Jules, Anything But Love, ABC, 1989. Episodic: Eli Leavitt, Cagney andLacey, CBS, 1985; Jesse Morgan, Stir Crazy, CBS, 1985; Bailey, "Roanoak," American Playhouse, PBS, 1986; Biller, Max Headroom, ABC, 1987; Gary Fenton, Night Court, NBC, 1987; Frank Peterson, Perfect Strangers, ABC, 1987; Jason, Newhart, CBS, 1988; Mr. Standish, Valerie's Family, NBC, 1988; also Remington Steele, NBC; Falcon Crest, CBS. Movies: Resident doctor, Cracked Up, ABC, 1987. RELATED CAREER—Company member, Arena Stage, Washington, DC, 1978-79; company member, Tyrone Guthrie Theatre, Minneapolis, MN, 1982-83. NON-RELATED CAREER—Instructor, Practical Aesthetics workshop, New York University, 1982; watercolorist. WRITINGS: STAGE—Plato's Symposium, Court Theatre, Los Angeles, 1987. OTHER—(Also illustrator) The Struggling Actor's Coloring Book, Volume 1, 1979, Volume 2, 1980.

FRELENG, Friz (I. Freleng)

AWARDS: Drama-Loque Award, Best Actor, 1986, for Five of Us; LA. Weekly Award, Best Production, 1986, for Plato's Symposium.

1906-

PERSONAL: Born Isadore Freleng, August 21, 1906, in Kansas City, MO.

SIDELIGHTS: FAVORITE ROLES—Molina in Kiss of the Spider Woman. RECREATIONS—European travel.

VOCATION: Producer, director, writer, and animator.

VOCATION: Actress.

CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Animation director, Two Guys from Texas (also known as Two Texas Knights), Warner Brothers, 1948; title sequence director and animator, The Pink Panther, United Artists, 1963; producer and director, The Looney Looney Looney Bugs Bunny Movie (animated), Warner Brothers, 1981; director (with others), Uncensored Cartoons (animated), United American Classics, 1981; producer and director, Bugs Bunny's Third Movie—1001 Rabbit Tales (animated) Warner Brothers, 1982; producer and (with others) director, Daffy Duck's Movie: Fantastic Island (animated), Warner Brothers, 1983; director (with others), Porky Pig in Hollywood (animated), Warner Brothers, 1986; director, Daffy Duck's Quackbusters (animated), Warner Brothers, 1988.

CAREER: PRINCIPAL FILM APPEARANCES—Flora, The Innocents, Twentieth Century-Fox, 1961; Tina, The Lion, Twentieth

Director of the following short animated films: Wicked West, Universal, 1929; Bosko in Dutch and Shuffle Off to Buffalo, both

ADDRESSES: AGENT—Judy Schoen and Associates, 606 N. Larchmont Boulevard, Suite 309, Los Angeles, CA 90004.

FRANKLIN, Pamela 1950-

PERSONAL: Born February 4, 1950, in Toyko, Japan. EDUCATION—Attended Elmshurst Ballet School.

146

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

FRELENG

Doctor JerkyI's Hide, Muzzle Tough, Satan's Waitin', Yankee Doodle Bugs, Sandy Claws, Goo Goo Goliath, and By Word of Mouse, all Warner Brothers, 1954; Pizzicato Pussycat, Pests for Guests, Stork Naked, Sahara Hare, Hare Brush, Tweety's Circus, Lumber Jerks, This Is a Life?, A Kiddie's Kitty, Hyde and Hare, Speedy Gonzales, Red Riding Hoodwinked, Roman Legion Hare, Heir Conditioned, and Pappy's Puppy, all Warner Brothers, 1955; Tweet and Sour, Rabbitson Crusoe, Tree Cornered Tweety, Napoleon Bunny-Part, Tugboat Granny, A Star Is Bored, Yankee Dood It, and Two Crows from Tacos, all Warner Brothers, 1956; The Three Little Bops, Tweet Zoo, Tweety and the Beanstalk, Piker's Peak, Birds Anonymous, Bugsy and Mugsy, Greedy for Tweety, Show Biz Bugs, Mouse-Taken Identity, and Gonzales' Tamales, all Warner Brothers, 1957; Tortilla Flaps, Hare-Less Wolf, A Pizza Tweety Pie, A Waggily Tale, Knighty Knight Bugs, and A Bird in a Bonnet, all Warner Brothers, 1958; Trick or Tweet, Apes of Wrath, Mexicali Shmoes, Tweet and Lovely, Wild and Wooly Hare, Tweet Dreams, and Here Today, Gone Tamale, all Warner Brothers, 1959.

Warner Brothers, 1933; Buddy the Gob, Buddy and Towser, Beauty and the Beast, Buddy's Trolley Troubles, Coin' to Heaven on a Mule, How Do I Know It's Sunday?, Why Do I Dream Those Dreams?, The Miller's Daughter, The Girl at the Ironing Board, Shake Your Powder Puff, Those Beautiful Dames, and Pop Goes Your Heart, all Warner Brothers, 1934; Mr. and Mrs. Is the Name, Country Boy, I Haven't Got a Hat, Along Flirtation Walk, My Green Fedora, Into Your Dance, Country Mouse, The Merry Old Soul, The Lady in Red, Little Dutch Plate, Billboard Frolics, and Flowers for Madame, all Warner Brothers, 1935; / Wanna Play House, The Cat Came Back, I'm a Big Shot Now, Let It Be Me, Bingo Crosby ana, WhenlYooHoo, Sunday Go toMeetin' Time, At Your Service, Madame, Toy Town Hall, Boulevardier from the Bronx, and Coo-Coo Nut Grove, all Warner Brothers, 1936; He Was Her Man, Pigs Is Pigs, The Fella with the Fiddle, She Was an Acrobat's Daughter, Clean Pastures, Streamlined Greta Green, Sweet Sioux, Plenty of Money and You, Dog Daze, The Lyin' Mouse, and September in the Rain, all Warner Brothers, 1937; My Little Buckeroo, Jungle Jitters, and A Star Is Hatched, all Warner Brothers, 1938.

West of the Pesos, Horse Hare, Goldimouse and the Three Cats, Person to Bunny, Hyde and Go Tweet, Mouse and Garden, From Hare to Heir, Trip for Tat, and Lighter Than Hare, all Warner Brothers, 1960; Cannery Woe, D' Fightin' Ones, The Rebel without Claws, The Piped Piper ofGuadalupe, Prince Violent (also known as Prince Varmint), and The Last Hungry Cat, all Warner Brothers, 1961; Quackodile Tears, Crow's Feat, Mexican Boarders, Honey's Money, The Jet Cage, andShishkabugs, all Warner Brothers, 1962; Devil's Feud Cake, Mexican Cat Dance, Chili Weather, and The Unmentionables, all Warner Brothers, 1963; Nuts and Volts, Panchos's Hideaway, and Road to Andalay, all Warner Brothers, 1964; It's Nice to Have a Mouse Around the House and Cats and Bruises, both Warner Brothers, 1965.

Confederate Honey, The Hardship of Miles Standish, You Ought to Be in Pictures, Porky's Baseball Broadcast, Little Blabbermouse, Malibu Beach Party, Calling Dr. Porky, Porky's Hired Hand, and Shop, Look, andListen, all Warner Brothers, 1940; The Fighting 69 I/2th, The Cat's Tale, Porky's Bear Facts, The Trial of Mr. Wolf, Hiawatha's Rabbit Hunt, The Wacky Worm, Sport Chumpions, Notes to You, Rookie Revue, and Rhapsody in Rivets, all Warner Brothers, 1941; Hop, Skip, and a Chump, Porky's Pastry Pirates, The Wabbit Who Came to Supper, Saps in Chaps, Lights Fantastic, Double Chaser, Foney Fables, Fresh Hare, The Sheepish Wolf, The Hare-Brained Hypnotist, Pigs in a Polka, and Ding Dog Daddy, all Warner Brothers, 1942; Fifth Column Mouse, Greetings Bait, Jack-Wabbit and the Beanstalk, Yankee Doodle Daffy, Hiss and Make Up, Daffy the Commando, and Slightly Daffy, all Warner Brothers, 1943; Little Red Riding Rabbit, Meatless Fly day, Bugs Bunny Nips the Nips, Duck Soup to Nuts, Hare Force, Goldilocks and the Jivin Bears, and Stage Door Cartoon, all Warner Brothers, 1944; Herr Meets Hare, Life with Feathers, Hare Trigger, Ain't That Ducky, and Peck Up Your Troubles, all Warner Brothers, 1945; Baseball Bugs, Holiday for Shoestrings, Hollywood Daffy, Of Thee I Sing, Racketeer Rabbit, and Rhapsody Rabbit, all Warner Brothers, 1946; The Gay Anties, A Hare Grows in Manhattan, Tweetie Pie, Rabbit Transit, Along Came Daffy, and Slick Hare, all Warner Brothers, 1947; Back Alley Oproar, I Taw a Putty Tat, Buccaneer Bunny, Bugs Bunny Rides Again, Hare Splitter, and Kit for Cat, all Warner Brothers, 1948; WiseQuackers, Hare Do, High Diving Hare, Curtain Razor, Mouse Mazurka, Knights Must Fall, Bad Ol' Putty Tat, Dough for the Do-Do, Each Dawn I Crow, and Which Is Witch?, all Warner Brothers, 1949.

Producer of the following short animated films, all with David H. De Patie: (Also director) Suspense Account, United Artists, 1964 (never released); (also director with Hawley Pratt) The PinkPhink, United Artists, 1964; Pink Pajamas, United Artists, \964\We Give PinkStamps, Dial <1P" for Pink, SinkPink, PickledPink, Shocking Pink, Pinkfinger, Pink Ice, The Pink Tail Fly, Pink Panzer, An Ounce of Pink, Reel Pink, and Bully for Pink, all United Artists, 1965; Rushing Roulette, Boulder Wham, Just Plane Beep, Chaser on the Rocks, Tired and Feathered, Harried and Hurried, Highway Runnery, and Run, Run, Sweet RoadRunner, all Warner Brothers, 1965; Pink Panic, Pink Punch, Pink Piston, Vitamin Pink, The Pink Blueprint, Pink-a-Boo, Genie with the Light Pink Fur, Super Pink, Rock-a-Bye Pinky, Pink, Plunk, Plink, and Smile Pretty, Say Pink, all United Artists, 1966; Out and Out Rout, Shot and Bothered, The Solid Tin Coyote, Clippety Clobbered, and Never Bug an Ant, all United Artists, 1966; Pinknic, Pink Posies, Pink of the Litter, In the Pink, Pink Paradise, Jet Pink, Pinto Pink, Congratulations! It's Pink, Prefabricated Pink, and The Hand Is Pinker Than the Eye, all United Artists, 1967; Sky Blue Pink, Pinkadilly Circus, Psychedelic Pink, Come on In! The Water's Pink, Put-Put-Pink, G.L Pink, Lucky Pink, The Pink Quarterback, Pinkcome Tax, Pink Valiant, The Pink Bill, Prehistoric Pink, Pink in the Clink, Tickled Pink, Little Beaux Beaux, The Pink Sphinx, Pink Is a Many Splintered Thing, The Pink Package Plot, and Twinkle, Twinkle, Little Pink, all United Artists, 1968; Fast and Furry-ous, De Patie-Freleng Enterprises, 1968; Pink-a-Rella, Pink Pest Control, Think Before You Pink, Slink Pink, In the Pink of the Night, Pink on the Cob, and Extinct Pink, all United Artists, 1969.

Home Tweet Home, Mutiny on the Bunny, The Lion's Busy, Big House Bunny, His Bitter Half, All Bir-r—rd, Golden Yeggs, Bunker Hill Bunny, Canary Row, and Stooge for a Mouse, all Warner Brothers, 1950; Canned Feud, Rabbit Every Monday, Putty Tat Trouble, A Bone for a Bone, Fair-Haired Hare, Room and Bird, His Hare Raising Tale, Tweety's S.O.S., Ballot Box Bunny, and Tweet, Tweet, Tweety, all Warner Brothers, 1951; Gift Wrapped, Foxy By Proxy, Fourteen Carrot Rabbit, Little Red Rodent Hood, Ain't She Tweet, Cracked Quack, Bird in a Guilty Cage, Tree for Two, and Hare Lift, all Warner Brothers, 1952; Snow Business, A Mouse Divided, Fowl Weather, Southern Fried Rabbit, Ant Pasted, Hare Trimmed, Tom-Tom Tomcat, A Street Cat Name Sylvester, Catty Cornered, and Robot Rabbit, all Warner Brothers, 1953;Dog Pounded, Captain Hareblower, I Gopher You, Bugs and Thugs,

Fly in the Pink, Pink Blue Plate, Pink Tuba-Dore, Pink Pranks, Psst Pink, The Pink Flea, Going with the Pink, and Pink-In, all 147

FRELENG

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

United Artists, \91\\Pink8-Ball, United Artists, 1972; Pink Aye, United Artists, 1974; Pink Da Vinci, Pink Streaker, Salmon Pink, Forty Pink Winks, Pink Plasma, Pink Elephant, Keep Our Forests Pink, Pink Campaign, Bobolink Pink, If s Pink But I sit Mink?, and The Scarlet Pinkernel, all United Artists, \915\MystickPink, The Pink of Arabee, The Pink Pro, The Pink Piper, Pinky Doodle, Sherlock Pink, and Rocky Pink, all United Artists, 197'6; Therapeutic Pink, United Artists, 1977; Yankee Doodle Pink, Pink of Baghdad, and Pinkologist, all United Artists, 1981.

Stole Christmas,'' CBS, 1966; executive producer (with De Patie), Dr. Seuss' "HortonHearsa Who," CBS, 1970; executive producer (with De Patie), Dr. Seuss' "The Cat in the Hat," CBS, 1971; producer (with Geisel and De Patie), Dr. Seuss' "The Lorax," CBS, 1972; producer (with De Patie), 'The Incredible, Indelible, Magical, Physical Mystery Trip," ABC Afterschool Specials, ABC, 1973; producer (with De Patie), Dr. Seuss on the Loose, CBS, 1973; producer (with De Patie), The Bear Who Slept Through Christmas, NBC, 1973; producer (with De Patie), "The Magical Mystery Trip Through Little Red's Head," ABC Out-of-School Special, ABC, 1974; executive producer (with De Patie), "The Tiny Tree," Bell System Family Theatre, NBC, 1975; producer (with Geisel and De Patie), Dr. Seuss' "The Hoober-Bloob Highway," CBS, 1975; producer and director (with Bob McKimson and Jones), The Bugs Bunny Easter Special, CBS, 1977; director (with Jones), Bugs Bunny in Space, CBS, 1977; director (with Jones), Bugs Bunny's Howl-oween Special, CBS, 1977; executive producer (with De Patie), Halloween Is Grinch Night, ABC, 1977; executive producer (with De Patie), "My Mom's Having a Baby," ABC Afterschool Specials (live-action), ABC, 1977; producer (with De Patie), The Pink Panther's Christmas, ABC, 1978; producer (with De Patie), "Michel's Mixed-Up Musical Bird," ABC Afterschool Specials (live-action), ABC, 1978; director (with others), Bugs Bunny's Valentine, CBS, 1979; producer (with Jones) and director, Bugs Bunny's Looney Christmas Tales, CBS, 1979; director (with Jones), The Bugs Bunny Thanksgiving Diet, CBS, 1979; producer (with De Patie), Dr. Seuss' "PontoffelPock, Where Are You?," CBS, 1980; executive producer (with De Patie), "Where Do Teenagers Come From?," ABC Afterschool Specials, ABC, 1980; producer and director, Daffy Duck's Easter Show, NBC, 1980; director (with Jones), The Bugs Bunny Mystery Special, CBS, 1980; producer (with De Patie), The Pink Panther in Olym-Pinks, syndicated, 1980; producer (with De Patie), Dennis the Menace: Mayday for Mother, NBC, 1981; director, Bugs Bunny: All American Hero, CBS, 1981; producer (with De Patie), The Grinch Grinches the Cat in the Hat, ABC, 1982; director (with Jones), Bugs Bunny's Mad World of Television, CBS, 1985; director (with Jones and McKimson), Bugs Bunny's Wild World of Sports, ABC, 1989.

Producer (with De Patie) and director (with others) of the following short animated films: The Ant and the Aardvark, Hasty But Tasty, The Ant from Uncle, I've Got Ants in My Plans, Technology Phooey, Mumbo Jumbo, Dune Bug, Isle of Caprice, The Tijuana Toads, A Pair of Greenbacks, and Go for Croak, all United Artists, 1969; Don't Hustle an Ant with Muscle, Hop and Chop, Never on Thirsty, A Dopey Hacienda, Scratch a Tiger, Odd Ant Out, Ants in the Pantry, Science Friction, The Froze Nose Knows, and The Froggy, Froggy Duo, all United Artists, 1970; Rough Bunch, Snake in the Gracias, Two Jumps and a Chump, Mud Squad, The Egg of Ay-Yi-Yi, A Leap in the Deep, The Fastest Tongue in the West, CroakusPocus, and Serape Happy, all United Artists, 1971; Frog Jog and Flight to the Finish, both United Artists, 1972; Kloofs Kounty, Apache on the County Seat, The Shoe Must Go On!, A Self-Winding Side-Winder, Pay Your Buffalo Bill, Ten Miles to the Gallop, and Stirrups and Hiccups, all United Artists, 1973; Phoney Express, Giddy-Up Woe!, Gold Struck, As the Tumbleweed Turns, The Badge and the Beautiful, Strange on the Range, Big Beef at the O.K. Corral, By Hoot or By Brook, Mesa Trouble, and Saddle Soap Opera, all United Artists, 1974. PRINCIPAL TELEVISION APPEARANCES—Specials: Bugs Bunny I Looney Tunes All Star 50th Anniversary, CBS, 1986; Roger Rabbit and the Secrets ofToontown, CBS, 1988. PRINCIPAL TELEVISION WORK—Series (all animated, unless indicated): Producer (with David H. De Patie), The Super Six, NBC, 1966-69; producer (with De Patie), Super President, NBC, 1967-68; director of animated sequences, My World and Welcome to It, NBC, 1969-70; producer (with De Patie), Here Comes the Grump, NBC, 1969-71; producer (with De Patie), The Pink Panther Show, NBC, 1969-76; producer (with De Patie), Doctor Dolittle, NBC, 1970-72; (as I. Freleng) director (with Chuck Jones), The Road Runner Show, ABC, 1971-72; producer (with De Patie), TheBarkleys, NBC, 1972-73; producer (with De Patie), The Houndcats, NBC, 1972-73; producer (with De Patie), Bailey's Comets, NBC, 1973-74; executive producer and director (both with others), The Bugs Bunny I Road Runner Show, CBS, 1975-85; producer (with De Patie), Return to the Planet of the Apes, NBC, 1975-76; producer (with De Patie), The Oddball Couple, ABC, 1975-77; producer (with De Patie), The Pink Panther Laff and a Half-Hour, NBC, 1976-77; producer (with De Patie), What's New, Mr. Magoo?, CBS, 1977-78; executive producer (with De Patie), Baggy Pants and the Nitwits, NBC, 1977-78; producer (with De Patie), The Fantastic Four, NBC, 1978-79; producer (with De Patie), The All-New Pink Panther Show, ABC, 1978-79; executive producer (with De Patie), Spider-Woman, ABC, 197980; producer (with De Patie), Pink Panther and Sons, NBC, 1984; director (with Jones and Bob McKimson), The Bugs BunnyI Looney Tunes Comedy Hour, ABC, 1985—; senior director (with Jones and McKimson), The Bugs Bunny and Tweety Show, CBS, 1988—. Pilots: Creator, Philbert, 1961 (never broadcast).

RELATED CAREER—Animator, United Film Ad Service, 192427; animator, Walt Disney Studio, 1928-29; animator, Charles Mintz Studio, 1929-30; head animator, Warner Brothers, 1930-63, except for a brief period as animation director, Metro-GoldwynMayer, 1938-39; founder (with David H. De Patie), De PatieFreleng Enterprises, 1963—; producer of television commercials. NON-RELATED CAREER—Office boy with Armour Packing, Kansas City, MO. WRITINGS: FILM—See production details above. The Looney Looney Looney Bugs Bunny Movie, 1981; (with John Dunn and David Detigee) Bugs Bunny's Third Movie—1001 Rabbit Tales, 1982; (with Dunn and Detigee) Daffy Duck's Movie: Fantastic Island, 1983. TELEVISION—Specials: Bugs Bunny's Looney ChristmasTales, 1979; Daffy Duck's Easter Show, 1980; Bugs Bunny: All American Hero, 1981. AWARDS: Academy Award nominations, both Best Short Subject (Cartoon), 1941, for Hiawatha's Rabbit Hunt and Rhapsody in Rivets; Academy Award nomination, Best Short Subject (Cartoon), 1942, for Pigs in a Polka; Academy Award nomination, Best Short Subject (Cartoon), 1943, for Greetings Bait; Academy Award nomination, Best Short Subject (Cartoon), 1945, for Life with Feathers; Academy Award, Best Short Subject (Cartoon), 1947,

Specials (all animated, unless indicated): Producer (with Theodor Geisel, Chuck Jones, and De Patie), Dr. Seuss' "How the Grinch 148

FREWER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

for Tweety Pie; Academy Award nomination, Best Short Subject (Cartoon), 1954, for Sandy Claws; Academy Award, Best Short Subject (Cartoon), 1955, for Speedy Gonzales; Academy Award, Best Short Subject (Cartoon), 1957, for Birds Anonymous; Academy Award, Best Short Subject (Cartoon), 1958, forKnighty Knight Bugs; Academy Award nomination, Best Short Subject (Cartoon), 1959, for Mexicali Shmoes; Academy Award nomination, Best Short Subject (Cartoon), 1960, for Mouse and Garden; Academy Award nomination, Best Short Subject (Cartoon), 1961, for The Pied Piper of Guadalupe; Academy Award, Best Short Subject (Cartoon), 1964, for The PinkPhink; Academy Award nomination, Best Short Subject (Cartoon), 1966, for The Pink Blueprint; Emmy Award, Outstanding Evening Children's Special, 1977, for Halloween Is Grinch Night; Emmy Award, Outstanding Animated Program, 1982, for Grinch Grinches the Cat in the Hat. ADDRESSES: OFFICE—DePatie/Freleng Enterprises, 7017 Havenhurst Avenue, Van Nuys, CA 91406.*

FRELENG, I. See FRELENG, Friz

MATT FREWER

FREWER, Matt

19581989; Alec, Speed Zone, Orion, 1989; also appeared in Monty Python's the Meaning of Life, Universal, 1983.

PERSONAL: Surname rhymes with "Brewer"; born January 4, 1958, in Washington, DC; son of Frederick Charlesley (a captain in the Canadian Navy) and Gillian Anne (German) Frewer; married Amanda Hill wood (an actress), November 10, 1985. EDUCATION—Studied acting at the Bristol Old Vic Theatre School. RELIGION—Roman Catholic.

TELEVISION DEBUT—American at bar, Tender Is the Night, BBC, 1983, then Showtime, 1985. PRINCIPAL TELEVISION APPEARANCES—Series: Edison Carter and Max Headroom, Max Headroom, Channel Four, 1984; Max Headroom, The Max Headroom Show, Cinemax, 1985; Max Headroom—host, The Original Max Talking Headroom Show, Cinemax, 1987; Edison Carter and Max Headroom, Max Headroom, ABC, 1987; Michael Stratford, Doctor, Doctor, CBS, 1989—. Episodic: Soldier, "Displaced Person," American Playhouse, PBS, 1985; Pee Wee, St. Elsewhere, NBC, 1987; Cliff King, Miami Vice, NBC, 1988. Movies: Francis Lane, The First Olympics—Athens 1896, NBC, 1984. Specials: Max Headroom, The Max Headroom Christmas Special, Cinemax, 1986; Max Headroom, Tina Turner: Break Every Rule, HBO, 1987. Also appeared in Robin of Sherwood, HTV (English television), 1984.

VOCATION: Actor. CAREER: STAGE DEBUT—Wolf, Bent, Theatre Royal, York, U.K., 1980, for four weeks. LONDON DEBUT—Murph, The Indian Wants the Bronx, Soho Poly Theatre, 1981, for three weeks. PRINCIPAL STAGE APPEARANCES—Lysander, A Midsummer Night's Dream, Round House Theatre, London, 1981; Prince, Romeo and Juliet, Shaw Theatre, London, 1982; Malcolm, Macbeth, Shaw Theatre, 1983; also appeared in Deathtrap, Northcott Theatre, Exeter, U.K., 1984; On the Razzle, Leeds Playhouse, Leeds, U.K., 1984.

RELATED CAREER—As Max Headroom, commercial spokesman for New Coke.

MAJOR TOURS—Vladimir, Waiting for Godot, U.K. cities, 1980; the Gentleman Caller, The Glass Menagerie, U.K. cities, 1981; also The Comedy of Errors, Androcles and the Lion, and Much Ado About Nothing, all New Shakespeare Company, U.K. cities, 1981.

WRITINGS: (With Amanda Hillwood) The Fez Brothers (juvenile).

FILM DEBUT—Senior, The Lords of Discipline, Paramount, 1983. PRINCIPAL FILM APPEARANCES—Truck driver, Supergirl, TriStar, 1984; soldier, Spies Like Us, Warner Brothers, 1985; Tom MacWhirter, The Fourth Protocol, Lorimar, 1987; C.I.A. agent, Ishtar, Columbia, 1987; Charlie Cross, Far from Home, Vestron, 1989; Big Russ Thompson, Honey, I Shrunk the Kids, Buena Vista,

SIDELIGHTS: RECREATIONS—Playing banjo, going to movies, and hockey. ADDRESSES: AGENT—Harry Abrams, Abrams Artists Ltd., 9200 Sunset Boulevard, Suite 625, Los Angeles, CA 90069. 149

FRIELS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

FRIELS, Colin

AWARDS: Special Award from the International Film and Television Festival of New York, 1967; Golden Globe, 1968, Producer of the Year Award from the Producers Guild of America, 1968, Emmy Awards, Outstanding Musical or Variety Series, 1968 and 1969, and Scout Awards, Best Weekly Series and Show of the Year, 1969, all for Rowan and Martin's Laugh-In; Gold Medal Award from the International Radio and Television Society, 1970; Christopher Award, 1975; Western Heritage Award from the National Cowboy Hall of Fame, 1975, for Little House on the Prairie; Emmy Award nomination, 1978, for Backstairs at the White House; Emmy Award nomination, 1977, and Western Heritage Award, 1978, both for Peter Lundy and the Medicine Hat Stallion.

PERSONAL: EDUCATION—Studied acting at the National Institute of Dramatic Art (Australia), 1976. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES^Swef Bird of Youth, Royal Haymarket Theatre, London, 1985; also appeared in Hamlet, Macbeth, and The Man from Muckinupin, all Sydney Theatre Company, Sydney, Australia; King Lear and Zastrozzi, both Nimrod Theatre Company. PRINCIPAL FILM APPEARANCES—Mike, Buddies, PTY Ltd., 1983; Javo, Monkey Grip, Cinecom/Mainline, 1983; Rufus Dawes, For the Term of His Natural Life, Filmco, 1985; Adam Lucas, The Coolangatta Gold, Hoyts Distribution/Republic, 1985; Richard Lovat Somers, Kangaroo, Enterprise/Filmways, 1986; title role, Malcolm, Vestron, 1986; Harvey Denton, Ground Zero, Hoyts, 1987; Mick, High Tide, Hemdale, 1987; the man, Warm Nights on a Slow Moving Train, Filmpac Holdings, 1987; Tom Stewart, Grievous Bodily Harm, International Film Management, 1988. Also appeared in Prisoners, Endeavor Film Management, 1983.

MEMBER: Caucus for Producers, Writers, and Directors (cochairor of steering committee). ADDRESSES: OFFICE—8501 Wilshire Boulevard, Suite 250, Beverly Hills, CA 90211.*

FULLER, Samuel AWARDS: Best Actor Award from the Australian Film Institute for Malcolm.

1911-

PERSONAL: Full name, Samuel Michael Fuller; born August 12, 1911, in Worcester, MA; first marriage ended in divorce, 1959; married Christa Lang (an actress), July 25, 1967; children: Samantha. MILITARY—U.S. Army, First Infantry Division, 16th Regiment, corporal, 1942-45.

ADDRESSES: AGENT—Ed Limato, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

VOCATION: Director, producer, writer, and actor.

FRIENDLY, Ed

CAREER: PRINCIPAL FILM APPEARANCES—Policeman, House of Bamboo, Twentieth Century-Fox, 1955; as himself, Pierrot le fou, Corinth-Pathe, 1968; the director, The Last Movie (also known as Chinchero), Universal, 1971; senator, Dead Pigeon on Beethoven Street, Bavarian Atelier Gesellschaft, 1972; the American, The American Friend, New Yorker, 1977; theatre impressario, Scott Joplin, Universal, 1977; Interceptor commander, 1941, Universal, 1979; old man in pool hall, Hammett, Warner Brothers, 1982; Charlie Felton, White Dog (also known as Trained to Kill), Paramount, 1982; Joe the cameraman, The State of Things, Artificial Eye, 1983; Colonel Sharp, Slapstick of Another Kind, International Film Marketing, 1984; Van Meer, A Return to Salem's Lot, Warner Brothers, 1988; also appeared in Brigitte et Brigitte, 1966; and in The Young Nurses (also known as Nightingale), New World, 1973.

1922-

PERSONAL: Full name, Edwin S. Friendly, Jr.; born April 8, 1922, in New York, NY; son of Edwin S. and Henrietta (Steinmeier) Friendly; married Natalie Coulson Brooks, January 21, 1952; children: Brooke, Edwin S. III. MILITARY—U.S. Army, infantry, 1942-45. VOCATION: Producer. CAREER: PRINCIPAL TELEVISION WORK—Series: Executive producer and creator (with George Schlatter), Rowan and Martin's Laugh-In, NBC, 1967-69; executive producer (with Michael Landon), Little House on the Prairie, NBC, 1974-82; executive producer (with Earl Hamner, Jr. and Lee Rich), The Young Pioneers, ABC, 1978. Mini-Series: Executive producer, Backstairs at the White House, NBC, 1979. Pilots: Producer, The Young Pioneers, ABC, 1976; producer, The Young Pioneers' Christmas, ABC, 1976; producer, Judgement Day, NBC, 1981. Movies: Producer, Peter Lundy and the Medicine Hat Stallion, NBC, 1977; executive producer, The Flame Is Love, NBC, 1979; executive producer, The Ladies, NBC, 1987.

PRINCIPAL FILM WORK—Director: / Shot Jesse James, Lippert, 1949; The Baron of Arizona, Lippert, 1950; (also producer) The Steel Helmet, Lippert, 1951; Fixed Bayonets, Twentieth CenturyFox, 1951; (also producer) Park Row, United Artists, 1952; Pickup on South Street, Twentieth Century-Fox, 1953; Hell and High Water, Twentieth Century-Fox, 1954; House of Bamboo, Twentieth Century-Fox, 1955; (also producer) China Gate, Twentieth Century-Fox, 1957; (also producer) Forty Guns (also known as Woman with a Whip), Twentieth Century-Fox, 1957; (also producer) Run of the Arrow, Universal, 1957; (also producer) The Crimson Kimono, Columbia, 1959; (also producer) Verbotenf, Columbia, 1959; (also producer) Underworld U.S.A., Columbia, 1961; Merrill's Marauders, Warner Brothers, 1962; (also producer and cinematographer with Stanley Cortez) Shock Corridor, Allied Artists, 1963; (also producer) The Naked Kiss (also known as The Iron Kiss), Allied Artists, 1964; Shark (also known as Maneater), Excelsior, 1970; Dead Pigeon on Beethoven Street, Bavarian

RELATED CAREER—Sales executive, WABC-TV, New York City, 1949-53; producer and program executive, WCBS-TV, New York City, 1956-59; vice-president of special programs, WNBCTV, New York City, 1959-67; president, Ed Friendly Productions, Los Angeles, 1967—. NON-RELATED CAREER—Director, Batten, Barton, Derstine, and Osborn Advertising Agency, New York City, 1946-49. 150

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 FULLERTON

Atelier Gesellschaft, 197'2; The Big Red One, United Artists, 1980; White Dog (also known as Trained to Kill), Paramount, 1982; also Thieves After Dark (unreleased). PRINCIPAL TELEVISION APPEARANCES—Movies: Old man in small cafe, The Blood of Others, HBO, 1984. PRINCIPAL TELEVISION WORK—Episodic: Director, "It Tolls for Thee," The Virginian, NBC, 1962; director, "330 Independence S.W." The Dick Powell Show, NBC, 1962; director, The Iron Horse, ABC, 1966 (five episodes). NON-RELATED CAREER—Newspaper reporter for the New York Evening Journal, New York Graphic, and the San Diego Sun. WRITINGS: See production details above, unless indicated. FILM— (With Edmund Joseph) Hats Off, Grand National, 1937; (with Ethel Hill and Harvey Fergusson) It Happened in Hollywood, Columbia, 1937; (with Wellyn Totman, Jack Townley, and Charles Francis Royal) Gangs of New York, Republic, 1938; (with Helen Deutsch) Shockproof, Columbia, 1949;/ Shot Jesse James, 1949; The Baron of Arizona, 1950; The Steel Helmet, 1951; Fixed Bayonets, 1951; Park Row, 1952; Pickup on South Street, 1953; (with Russell Hughes) The Command, Warner Brothers, 1954; (with Jesse L. Lasky, Jr.) Hell and High Water, 1954; (with Harry Kleiner) House of Bamboo, \955\ChinaGate, 1957; Forty Guns, 1957'; Run ofthe Arrow, 1957; The Crimson Kimono, 1959; Verboten!, 1959; Underworld U.S.A., 1961; (with Milton Sperling) Merrill's Marauders, 1962; Shock Corridor, 1963; The Naked Kiss, 1964; (with Harold Medford) Capetown Affair, Twentieth Century-Fox, 1967; (with John Kingsbridge) Shark, 1970; Dead Pigeon on Beethoven Street, 1972; (with Millard Kaufman) The Klansman, Paramount, 1974; The Big Red One, 1980; (with Curtis Hanson) White Dog, 1982; also Thieves After Dark (unreleased).

FIONA FULLERTON

TELEVISION—Episodic: "It Tolls for Thee," The Virginian, NBC, 1962; "High Devil" and (with Oliver Crawford) "Hellcat," The Iron Horse, ABC, 1966.

officer) and Pamela Fullerton; married Simon MacCorkindale (an actor), July 10, 1976 (divorced, September, 1983). EDUCATION— Studied dance at the Elmhurst Ballet School. RELIGION—Church of England.

OTHER—Novels: Burn, Baby, Burn!, Phoenix Press, 1935; Test Tube Baby, William Godwin, 1936; Make Up and Kiss, William Godwin, 1938; The Dark Page, Duell, Sloan & Pearce, 1944; 144 Picadilly Street, R.W. Baron, 1971; Dead Pigeon on Beethoven Street, Pyramid, 1974; The Big Red One, Bantam, 1980; Quint's World, Harlequin, 1988; also Crown of India, 1966; The Rifle, 1981; Pecos Bill and the Soho Kid, 1986.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Title role, Cinderella, Palladium, London, 1976; also appeared in The Royal Baccarat Scandal, Hay market Theatre, London, 1989; as Guinevere, Came lot, Apollo Victoria Theatre, London; Gypsy Rose Lee, Gypsy Haymarket Theatre; Polly Peacham, The Beggar's Opera, Lyric Hammersmith Theatre, London; Sally Bowles, / Am a Camera, Plymouth Theatre Company; Hope Langdon, Something's Afoot, in Hong Kong.

AWARDS: Writers Guild Award, Best Written American Low Budget Film, 1951, for The Steel Helmet; Bronze Lion Award from the Venice Film Festival, 1953, for Pickup on South Street; Creative Arts Award (Film) from Brandeis University, 1981. MILITARY HONORS—Bronze Star, Silver Star, and Purple Heart.

MAJOR TOURS—Polly Brown, The Boyfriend, Far Eastern and Middle Eastern cities; Jill Potts, Caught Napping, U.K. cities.

ADDRESSES: OFFICE—c/o Charles Silverberg, One Century Plaza, Suite 1900, 2029 Century Park E., Los Angeles, CA 900673088.*

FILM DEBUT—Diana, Run Wild, Run Free, Columbia, 1969. PRINCIPAL FILM APPEARANCES—Anastasia, Nicholas and Alexandra, Columbia, 1971; Alice, Alice's Adventures in Wonderland, American National Enterprises, 1972; Elizabeth, The Human Factor, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1979; Pola Ivanova, A View to a Kill, MGM/UA, 1985.

FULLERTON, Fiona 1956-

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Elizabeth Farewell, Shaka Zulu, syndicated, 1985; Clarice Manners, The Charmer, London Weekend Television, 1987, then Masterpiece Theatre, PBS, 1989; Lady Duff Twysden,//emmgwa;y, syndicated,

PERSONAL: Full name, Fiona Elizabeth Fullerton; born October 10, 1956, in Kaduna, Nigeria; daughter of Bernard (a British Army 151

FURST

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Production designer.

1988; Lady Barbara Berowne, A Taste for Death, Anglia Television, then Mystery, PBS, 1989. Movies: Rachel, Gauguin the Savage, CBS, 1980; Skye Smith, Hold That Dream, syndicated, 1986; Lady Isobel Gillingham, A Hazard of Hearts, CBS, 1987. Also appeared as Nurse Rutherford, Angels, BBC; in A Friend Indeed, Anglia Television; Leo Tolstoy: A Question of Faith, BBC; Dick Barton, Special Agent, Southern Television.

CAREER: PRINCIPAL FILM WORK—All as production designer, unless indicated: Assistant designer, 2001: A Space Odyssey, Metro-Goldwyn-Mayer, 1968; Lady Chatter ley's Lover, Prodis, 1981; An Unsuitable Job for a Woman, Goldcrest, 1982; The Company of Wolves, Cannon, 1985; The Frog Prince (also known as French Lesson), Goldcrest/Warner Brothers, 1985; Full Metal Jacket, Warner Brothers, 1987; High Spirits, Tri-Star, 1988; Batman, Warner Brothers, 1989.

ADDRESSES: AGENTS—Jean Diamond, London Management, 235 Regent Street, London Wl, England; Mary Greek, McCartt, Greek, Barrett, 10390 Santa Monica Boulevard, Suite 310, Los Angeles, CA 90025.

RELATED CAREER—Founder, Holoco (a special effects studio), which has produced effects for such films as Outland, Flash Gordon, Alien, and Moonraker. AWARDS: Academy Award, Best Art Direction, 1990, for Batman.

FURST, Anton

ADDRESSES: OFFICE—c/o Pine wood Studios, Iver Heath, Buckinghamshire SLO ONH, England.*

PERSONAL: Born c. 1945. EDUCATION—Attended the Royal College of Art.

152

G

GANZ, Bruno 1941-

GAINES, Boyd 1953-

PERSONAL: Born March 22, 1941, in Zurich, Switzerland; married in 1965; children: one son.

PERSONAL: Born May 11, 1953, in Atlanta, GA. EDUCATIONGraduated from the Juilliard School.

VOCATION: Actor. VOCATION: Actor.

CAREER: PRINCIPAL STAGE APPEARANCES—Hamlet, Berlin, West Germany, 1967; also appeared in Dans la jungle des villes, Torquato Tasso, La Chevauchee sur le lac de Constance, and Peer Gynt, all with the Schaubuhne theatre troupe, Berlin, West Germany, 1970-76; and in Hamlet, Shaubuhne, 1982.

CAREER: OFF-BROADWAY DEBUT—Melchior Gabor, Spring Awakening, New York Shakespeare Festival, Public Theater, 1978. PRINCIPAL STAGE APPEARANCES—Aleksei Belyayev, A Month in the Country, Roundabout Stage One Theatre, New York City, 1979; Stepan, Barbarians, Florizel, The Winter's Tale, bailiff, Chronicle, and cameraman and radio announcer, Johnny on a Spot, all Brooklyn Academy of Music, Brooklyn, NY, 1980; Gunnar Larsen, Vikings, Manhattan Theatre Club, New York City, 1980; double bassist, The Double Bass, New Theatre of Brooklyn, Brooklyn, NY, 1985; Chuck deButts, The Maderati, Playwrights Horizons, New York City, 1987; Peter Patrone, The Heidi Chronicles, Playwrights Horizons, 1988, then Plymouth Theatre, New York City, 1989. Also appeared in Philadelphia, Here I Come!, Philadelphia Drama Guild, Philadelphia, PA, 1980; Love's Labour's Lost, Center Stage Theatre, Baltimore, MD, 1982; Oliver Oliver, Long Wharf Theatre, New Haven, CT, 1984.

FILM DEBUT—Chikita, 1961. PRINCIPAL FILM APPEARANCES— Yakov Schalimov, Sommergaeste (also known as Summer Guests), Constantin/Exportfilm Bischoff and Company, 1975; Henrich Grun, Lumiere (also known as Light), Gaumont, 1975, released in the United States by New World, 1976; Gregors, Die Wildente (also known as The Wild Duck), Solaris Film Produktion/Sascha Film/ Westdeutscher Rundfunk, 1976, released in the United States by New Yorker, 1977; Le Conte, La Marquise d'O (also known as The Marquise ofO and Die Marquise von O), Gaumont, 1976; Jonathan Zimmermann, Der Amerikanische Freund (also known as The American Friend), CineGate/New Yorker, 1977; Bruno, Die Linkshandige Frau (also known as The Left-Handed Woman), Marin Karmitz/Artificial Eye, 1977, released in the United States by New Yorker, 1980; Dr. Berthold Hoffmann, Messer im Kopf (also known as Knife in the Head), New Yorker, 1978; Professor Bruckner, The Boys from Brazil, Twentieth Century-Fox, 1978; Thomas Rosenmund, Schwarz und Weiss Wie Tage und Naechte (also known as Black and White Like Days and Nights), Monaco/ Radiant, 1978; Jonathan Harker, Nosferatu, Phantom der Nacht (also known as Nosferatu, the Vampire and Nosferatu, the Vampyre), Gaumont International/Twentieth Century-Fox, 1979; Kern, Retour a la bien-aimee (also known as Return to the Beloved), Societe Nouvelle Prodis/World Marketing Films, 1979.

PRINCIPAL FILM APPEARANCES—Michael, Fame, Metro-GoldwynMayer/United Artists, 1980; Coach Brackett, Porky's, Twentieth Century-Fox, 1982; Jason, The Sure Thing, Embassy, 1985; Lieutenant Ring, Heartbreak Ridge, Warner Brothers, 1986; Bill, Call Me, Vestron, 1988; Sam Logan, Ray's Male Heterosexual Dance Hall (short film), Fox/Lorber, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Mark Royer, One Day At a Time, CBS, 1981-84. Mini-Series: Chris Bradford, Evergreen, NBC, 1985. Episodic: Todd Myerson, Remington Steele, NBC, 1985; Jim Perkins, LA. Law, NBC, 1986; Lieutenant Rodger Gage, Hotel, ABC, 1986; Gates, Spenser: For Hire, ABC, 1988. Specials: "Pigeon Feathers," American Playhouse, PBS, 1988.

Jakob Nuessli, Der Erfinder (also known as The Inventor), Rex Film, 1980; Jules, Polenta, EOS Film/SSR, 1980; Remy, La Provinciale (also known as The Provincial and A Girl from Lorraine), Gala Film Distributors/Cotel Films Distribution, 1980, released in the United States by New Yorker, 1982; Werner, Oggetti Smarriti (also known as Lost and Found), Twentieth Century-Fox, 1980; Georg Laschen, Die Falschung (also known as Circle of Deceit and False Witness), United International, 1981, released in the United States by United Artists Classics, 1982; Paul, Dans la ville blanche (also known as In the White City), Contemporary Films Ltd., 1982, released in the United States by Grey City, 1983; Faber, System ohne Schatten (also known as System without Shadow and Closed Circuit), Munic Film, 1983; Gustav, De Ijssalon, Tuschinski Film Distribution, 1985; Peter, El Rio de Oro

RELATED CAREER—Company member, Tyrone Guthrie Theater, Minneapolis, MN, 1981-82. AWARDS: Theatre World Award, 1980, for A Month in the Country. ADDRESSES: AGENT—J. Michael Bloom and Associates, 9200 Sunset Boulevard, Suite 710, Los Angeles, CA 90069.*

153

GARCIA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(also known as The Golden River), Tesauaro/Incine SA/Federal, 1986; Steiner, DerPendler (also known as The Informer), InterTeam/ Metropolis, 1986; Daniel, DerHimmel uber Berlin (also known as Wings of Desire and The Sky over Berlin), Orion Classics/Road Movies/Argos/Westdeutscher Rundfunk, 1987; Bruno, Bankomatt, Pegaso Inter-Communication, 1989; Raymond Forbes, Strapless, Gavin Films, 1989. Also appeared in Es Dach uberem Chopf, 1962; as Bernard Krai, Der sanfte Lauf, 1967; in 5% de Risque (also knownas5%/?/5-A:), Gaumont, 1980; La Dame aux camelias, 1980; Etwas wird sichtbar, 1981; Fermata Etna, 1981; Gedaechtnis: Ein Film fur CurtBois undBernhardMinetti (documentary; also known as Remembrance and Gedaechtnis), Common Film/Westdeutscher Rundfunk, 1982; Krieg undFrieden, (documentary; also known as War and Peace), Filverlag der Autoren/New Line Cinema, 1982; as himself, Logik des Gefuhls 1982; in Killer aus Florida (also known as Killer from Florida), Xanadu, 1983; and in An Italian Woman and Hande Hoch. PRINCIPAL FILM WORK—Co-director and editor, Gedaechtnis: Ein Film fur Curt Bois und Bernhard Minetti (documentary; also known as Remembrance and Gedaechtnis), Common Film/ Westdeutscher Rundfunk, 1982. PRINCIPAL TELEVISION APPEARANCES—Movies: Heinrich Beck, Sins of the Fathers (also known as Fathers and Sons), Showtime, 1988. Also appeared in Geschichte einer Liebe, 1981. RELATED CAREER—Co-founder, Schaubuhne theatre troupe, Berlin, West Germany, 1970. AWARDS: Federal German Prize, Best Actor, for La Marquise d'O.* ANDY GARCIA

RELATED CAREER—Actor in regional theatre in Florida.

GARCIA, Andy

ADDRESSES: AGENT—David Eidenberg, S.T.E. Representation, 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210.*

1956-

PERSONAL: Born in 1956 in Havana, Cuba; came to the United States in 1961; father, a lawyer and businessman; wife's name, Maravi; children: Daniella. EDUCATION—Attended Florida International University.

GARSON, Greer

1908-

VOCATION: Actor. PERSONAL: Born September 29, 1908, in County Down, Northern Ireland; naturalized United States citizen; daughter of George and Nina Sophia (Greer) Garson; married Edward A. Snelson, 1933 (divorced, 1941); married Richard Ney (an actor), 1943 (divorced, 1947); married Elijah E. "Buddy" Fogelson, 1949. EDUCATION— Received B.A. from London University; graduate work at the University of Grenoble.

CAREER: FILM DEBUT—Ken, Blue Skies Again, Samuel Bronston, 1983. PRINCIPAL FILM APPEARANCES—T.J., A Night in Heaven, Kirkwood Fox, 1983; Ray Martinez, The Mean Season, Orion, 1985; Angel Maldonado, Eight Million Ways to Die, Tri-Star, 1986; George Stone, The Untouchables, Paramount, 1987; Dr. Ramirez, Stand and Deliver, Warner Brothers, 1988; Carlos Quintas, American Roulette, Film Four, 1988; Charlie Vincent, Black Rain, Paramount, 1989; Sergeant Raymond Avila, Internal Affairs, Paramount, 1990. Also appeared in The Lonely Guy, Universal, 1984; Encounters of the Deep, 1984.

VOCATION: Actress and producer. CAREER: STAGE DEBUT—Shirley Kaplan, Street Scene, Birmingham Repertory Theatre, Birmingham, U.K., 1932. LONDON DEBUT—Iris, The Tempest, Open Air Theatre, 1934. PRINCIPAL STAGE APPEARANCES—The Court Lady, The Six of Calais and courtesan, The Comedy of Errors, both Open Air Theatre, London, 1934; Fanny Field, Golden Arrow, Whitehall Theatre, London, 1935; Nina Popinot, Vintage Wine, Victoria Palace Theatre, London, 1935; Linda Brown, Accent on Youth, Globe Theatre, London, 1935; Peggy Admaston, A Butterfly on the Wheel, Playhouse

PRINCIPAL TELEVISION APPEARANCES—Episodic: Alejandro, Alfred Hitchcock Presents, NBC, 1985; Tony Rosselli, Foley Square, CBS, 1986; also Hill Street Blues, NBC, 1981; Brothers, Showtime; Archie Bunker's Place, CBS; From Here to Eternity, NBC; Que Pasa, USA?, PBS. Movies: Clinton Earl Dillard, Clinton and Nadine (also known as Blood Money), HBO, 1988. Also appeared in The Murder of Sherlock Holmes. 154

CONTEMPORARY

GASSMAN

THEATRE, FILM, AND TELEVISION • Volume 8

Actress, 1946, for The Valley of Decision; Sour Apple Award (with Fred MacMurray) from the Hollywood Women's Press Club, 1945; Academy Award nomination, Best Actress, and Golden Globe, Best Motion Picture Actress, both 1961, for Sunrise at Campobello.

Theatre, London, 1935; Vivienne, Page from a Diary, Garrick Theatre, London, 1936; Diana, The Visitor, Daly's Theatre, London, 1936; Christianne Galvoisier, Mademoiselle, Wyndham's Theatre, London, 1936; Geraldine, Old Music, St. James's Theatre, London, 1937; title role, Auntie Mame, Broadhurst Theatre, New York City, 1958.

ADDRESSES: AGENT—Judy Scott-Fox, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

PRINCIPAL STAGE WORK—Producer (with Arthur Cantor), St. Mark's Gospel, Marymount Manhattan Theatre, Playhouse Theatre, New York City, 1978; producer (with Cantor), The Playboy of the Weekend World, Playhouse Theatre, 1978; producer (with Cantor), On Golden Pond, Hudson Theatre Guild, New Apollo Theatre, New York City, 1979, then Center Theatre Group, Ahmanson Theatre, Los Angeles, 1980.

GASSMAN, Vittorio

1922-

PERSONAL: Born September 1, 1922, in Genoa, Italy; married second wife, Shelley Winters (an actress), April 28, 1952 (divorced, June 2, 1954). EDUCATION—Attended the Law University of Rome; studied acting at the Academy of Dramatic Art, Rome, with Silvio D'Amico.

MAJOR TOURS—Patient, Too Good to Be True, U.K. cities, 1932. FILM DEBUT—Katherine Ellis, Goodbye Mr. Chips, MetroGoldwyn-Mayer(MGM), 1939. PRINCIPAL FILM APPEARANCES— Linda Bronson, Remember?, MGM, 1939; Elizabeth Bennett, Pride and Prejudice, MGM, 1940; Edna Gladney, Blossoms in the Dust, MGM, 1941; Claire Woodruff, When Ladies Meet, MGM, 1941; title role, Mrs. Miniver, MGM, 1942; Paula, Random Harvest, MGM, 1942; title role, Madame Curie, MGM, 1943; as herself, The Youngest Profession, MGM, 1943; title role, Mrs. Parkington, MGM, 1944; Emily Sears, Adventure, MGM, 1945; Mary Rafferty, The Valley of Decision, MGM, 1945; Marise Aubert, Desire Me, MGM, 1947; Julia Packett, Julia Misbehaves, MGM, 1948; Irene Forsyte, That Forsyte Woman (also known as The Forsyte Saga), MGM, 1949; Kay Miniver, The Miniver Story, MGM, 1950; Jane Hoskins, The Law and the Lady, MGM, 1951; Calpurnia, Julius Caesar, MGM, 1953; Mrs. Patrick McChesney, Scandal at Scourie, MGM, 1953; Jan Stewart, Her Twelve Men, MGM, 1954; Dr. Julia Winslow Garth, Strange Lady in Town, Warner Brothers, 1955; as herself, Pepe, Columbia, 1960; Eleanor Roosevelt, Sunrise at Campobello, Warner Brothers, 1960; Mother Prioress, The Singing Nun, MGM, 1966; Mrs. Cordelia Biddle, The Happiest Millionaire, Buena Vista, 1967; as herself, Directed by William Wyler (documentary), Tatge, 1986.

VOCATION: Actor and director. CAREER: PRINCIPAL STAGE APPEARANCES—Agamemnon, Oresteia, Syracuse, Greece, 1960; Viva Vittorio! (one-man show), Center Theatre Group, Mark Taper Forum, Los Angeles, then Promenade Theatre, New York City, both 1984. Also appeared in productions of Hamlet, Othello, As You Like It, Troilus and Cressida, Oedipus Rex, Prometheus Bound, Ghosts, Peer Gynt, Orestes, Rosencrantz and Guildenstern Are Dead, and Richard III. PRINCIPAL STAGE WORK—Director, Oresteia, Syracuse, Greece, 1960; director, Viva Vittorio! (one-man show), Center Theatre

PRINCIPAL TELEVISION APPEARANCES—Pilots: Aunt March, Little Women, NBC, 1978. Episodic: Star Stage, NBC; The Love Boat, ABC; also Telephone Time. Specials: Elena Krug, Reunion in Vienna, NBC, 1955; The Bob Hope Show, NBC, 1956; Regina Giddens, "The Little Foxes," Hallmark Hall of Fame, NBC, 1956; The Big Party for Revlon, CBS, 1959; Lady Cicely Wayneflete, "Captain Brassbound's Conversion," Hallmark Hall of Fame, NBC, 1960; Queen Mary, "Crown Matrimonial," Hallmark Hall of Fame, NBC, 1974; narrator, The Little Drummer Boy, Book II, NBC, 1975; Dean Martin Celebrity Roast: Jimmy Stewart, NBC, 1978; Perry Como's Christmas in New Mexico, ABC, 1979; Bob Hope's Women I Love—Beautiful But Funny, NBC, 1979; also How He Lied to Her Husband, BBC; My Father Gave Me America; Holiday Tribute to Radio City Music Hall; and A Gift of Music. NON-RELATED CAREER—Worked in an advertising firm in London. AWARDS: Academy Award nomination, Best Actress, 1940, for Goodbye Mr. Chips; Academy Award nomination, Best Actress, 1942, for Blossoms in the Dust; Academy Award, Best Actress, 1943, for Mrs. Miniver; Academy Award nomination, Best Actress, 1944, for Madame Curie; Gold Medal Award from Photoplay magazine, 1944-45; Academy Award nomination, Best Actress, 1945, for Mrs. Parkington; Academy Award nomination, Best

VITTORIO GASSMAN

155

GASSMAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Group, Mark Taper Forum, Los Angeles, then Promenade Theatre, New York City, both 1984; also director, Irma la Douce.

role, Brancaleone alle Crociate (also known as Brancaleone at the Crusades), Fair Film, 1971; Prince Donati, L'udienza (also known as The Audience), Istituto Luce/Italnoleggio Cinematografico, 1972; Armando, Senza famiglia Nullatenenti cercano affetto (also known as Without Family), Interfilm, 1972; Gianni, C'eravamo tanto amati (also known as Those Were the Years), Delta Film, 1974; Captain Fausto Censolo, Profumo di donna (also known as Scent of a Woman), Curzon Film Distributors/Fida Cinematografica, 1974, released in the United States by United Artists, 1976.

FILM DEBUT—Davide, Preludio d'amore, 1946. PRINCIPAL FILM APPEARANCES—Mathieu Blumenthal, LEbreo errante (also known as The Wandering Jew), 1947, released in the United States by Globe, 1948; Walter, Riso amaro (also known as Bitter Rice), 1948, released in the United States by Lux, 1950; Paolo Baldini, Una voce nel tuo cuore (also known as A Voice in Your Heart), 1949, released in the United States by Lupa, 1952; Vittorio, Anna, I.F.E., 1951; Alejandro Castillo, Sombrero, Metro-GoldwynMayer (MGM), 1952; Peter, The Glass Wall, Columbia, 1953; Jory, Cry of the Hunted, MGM, 1953; Paul Bronte, Rhapsody, MGM, 1954; Mario Rossi, Mambo, Paramount, 1954; Giovanni, Difendo il mio amore (also known as /'// Defend My Love and Defend My Love), Hal Roach, 1956; Anatole Kuragin, War and Peace (also known as Guerra e pace), Paramount, 1956; Prince Piero, La ragazza del palio (also known as The Love Specialist), 1957, released in the United States by Medallion, 1959; prosecutor, La tempesta (also known as The Tempest), Paramount, 1958; Peppe, / soliti ignoti (also known as Big Deal on Madonna Street), 1958, released in the United States by United Motion Picture Organization, 1960; Guido, The Miracle, Warner Brothers, 1959; Giovanni Busacca, La grande guerra (also known as The Great War), 1959, released in the United States by Lopert, 1961; Peppe, Audace colpo dei soliti ignoti (also known as Fiasco in Milan and Hold-Up a la Milanaise), 1959, released in the United States by Avion/Trans-Uni verse/Jerand, 1963.

Andrea Sansoni, A mezzanotte va la ronda delpiacere (also known as Midnight Pleasures), Cineriz/Film Ventures, 1975; Fabio Stolz, Anima persa (also known as The Forbidden Room), Twentieth Century-Fox, 1976; Colonel Filimore, Le Desert des tartares (also known as // deserto dei tartari and The Desert of the Tartars), Gaurnont, 1976, released in the United States by Reggane, 1977; Tuttunpezzo, Signore e signori, buonanotte (also known as Goodnight, Ladies and Gentlemen), Titanus Distribuzione, 1977; Kardinal, Ehemann, and Kellner, / nuovi mostri (also known as The New Monsters and Viva Italia!), Cinema V, 1978; Luigi Corelli, A Wedding, Twentieth Century-Fox, 1978; Albino Millozza, Caro Papa (also known as Dear Papa), AMLF/Dean/Prospect, 1979; Mario, La Terrazza (also known as The Terrace), United Artists, 1979; Pippo Mifa, Duepezzi dipane (also known as Two Pieces of Bread), United Artists, 1979; St. Christopher, Quintet, Twentieth Century-Fox, 1979. Andrea Sansoni, The Immortal Bachelor, S.J. International, 1980; Nino Salvatore Sebastiani, The Nude Bomb (also known as The Return of Maxwell Smart), Universal, 1980; Victor D'Anton, Sharky's Machine, Warner Brothers, 1981; Prince, // Conte Tacchia (also known as Count Tacchia), Gaumont/Distributori Audiovisivi Consorziati, 1982; Alonzo, Tempest, Columbia, 1982; Livio, Benvenuta, Union Generale Cinematographique/Artificial Eye, 1983; Walter Guarini, La Vie est un roman (also known as Life Is a Bed of Roses and Life Is a Novel), Spectrafilm, 1984; Peppe, / soliti ignoti vent'anni dopo (also known as Big Deal on Madonna Street . . . Twenty Years Later), Medusa, 1985; Gotried, Le Pouvoir du mal (also known as The Power of Evil), Pierson/TFl/Maki/ Challenge, 1985; Carlo and Carlo's grandfather, La famiglia (also known as The Family and La Famille), Roissy/Vestron, 1987; baron, / picari (also known as The Rogues and The Picaros), Warner Brothers, 1987; Uncle Lucca, Lo zio indegno (also known as The Sleazy Uncle, The Uncle, and The Unworthy Uncle), Filmexport Group/Titanus Distribuzione, 1989.

Gerardo, // mattatore (also known as Love and Larceny and L'Homme aux cent visages), 1960, released in the United States by Major, 1963; Remo, Crimcn (also known as And Suddenly It's Murder!), 1960, released in the United States by Royal, 1964; Sahak, Barabba (also known as Barabbas), 1961, released in the United States by Columbia, 1962; Bruno Cortona, // sorpasso (also known as The Easy Life), 1962, released in the United States by Embassy, 1963; Mazzano, La smania andosso (also known as The Eye of the Needle), 1962, released in the United States by Eldorado, 1965; Giulio Ceriani, // successo, 1963, released in the United States by Embassy, 1965; various roles, / mostri (also known as Opiate '67 and Fifteen from Rome), 1963, released in the United States by Me Abbe/Janus, 1967; various roles, Se permettete parliamo di donne (also known as Parliamo di donne and Let's Talk About Women), Embassy, 1964; Don Giuliano, La congiuntura (also known as One Million Dollars), 1964, released in the United States by Columbia, 1965; Perego, La guerra segreta (also known as The Dirty Game), 1965, released in the United States by American International, 1966; Prince Don Vincenzo Gonzaga, Una vergine per il principe (also known as A Maiden for a Prince), 1965, released in the United States by Royal, 1967; Belfagor Arcidiavolo, L'arcidiavolo (also known as The Devil in Love and // diavolo innamorato), 1966, released in the United States by Warner Brothers, 1968; Francesco Vincenzini, // tigre (also known as The Tiger and the Pussycat), Embassy, 1967; Cenci, Woman Times Seven (also known as Sette volta donna), Embassy, 1967; Bob Chiaramonte, Lo scatenato (also known as Catch As Catch Can and Tuttifrutti), 1967, released in the United States by Fair Film, 1968; Pasquale Lojacono, Questifantasmi (also known as Ghosts, Italian Style and Three Ghosts), 1967, released in the United States by MGM, 1969; Mario Beretti, Una su tredici (also known as Twelve Plus One), 1969, released in the United States by COFCI/CEF, 1970.

Also appeared as title role, Daniele Cortis, 1946; Svabrin, Lafiglia del capitano, 1947; in Le avventure de Pinocchio, 1947; Casanova, // cavaliere misterioso (also known as Mysterious Rider), 1948; Pietro, // lupo della Sila (also known as The Lure ofSila), 1949; Turi, / fuorilegge, 1949; Giorgio, Ho sognato il paradiso, 1949; Yusef, Lo sparviero del Nilo, 1949; Mauro, // leone di Amalfi, 1950; Renato Salvi, // tradimento, 1951; Don Antonio, // sogno di Zorro, 1951; Mauricio, La corona negra (also known as La coronna nerd), 1952; Michele, La tratta delle bianche, 1952; Prince Sergio, La donna piu bella del mondo (also known as The Worlds Most Beautiful Woman and Beautiful But Dangerous), 1955; Giovanni d'Medici, Giovanni delle Bande Nere, 1956; title role, Kean, 1956; Michele, La cambiale, 1959; Le sorprese dell'amore, 1959; Caparra, Fantasmi a Roma, 1960; O'Caporale, / briganti italiani, 1961; Cimino, // giudizio universale, 1961; Una vita difficile, 1961; Adriano, AnimaNera, 1962; Domenico Rocchetti, La marcia su Roma, 1962; L'Avvocato, "L'avaro" in L amore difficile, 1962; Captain Nardoni, Frenesia dell'estate, 1963; Mario Ravicchio, // gaucho, 1964; Luci Ridolfi, Slalom, 1965; Brancaleone

Lorenzo Santenocito, In nome delpopolo italiano (also known as In the Name of the Italian People), Fida Cinematografica, 1971; title

156

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

GAYNES

CAREER: STAGE DEBUT—(As George Jongejans) Merlin, The Wizard (opera), Teatro della Triennale, Milan, Italy, 1940. BROADWAY DEBUT—(As George Jongejans) Mr. Kofner, The Consul (opera), Ethel Barrymore Theatre, 1950. LONDON DEBUT—Jeff Moss, Bells Are Ringing, Coliseum Theatre, 1957. PRINCIPAL STAGE APPEARANCES—(As George Jongejans) Jupiter, Out of This World, New Century Theatre, New York City, 1951; Danilo, The Merry Widow (opera), University of Utah, Salt Lake City, UT, 1951; Bob Baker, Wonderful Town, Winter Garden Theatre, New York City, 1953; King David, Absalom, Artists Theatre, New York City, 1956; Mr. Lockit, The Beggar's Opera, City Center Theatre, New York City, 1957; Erno Gero, Shadow of Heroes, York Playhouse, New York City, 1961; ensemble, Brecht on Brecht (revue), American National Theatre and Academy (ANTA) Theatre Matinee Series, Theatre De Lys, New York City, 1961; Judge Aristide Forestier, Can-Can, City Center Theatre, 1962; Private Willis, lolante, Don Alhambra de Bolero, The Gondoliers, and title role, The Mikado, all City Center Theatre, \962;buyer,TheLadyof the Camellias, Winter Garden Theatre, 1963; the Prisoner, Dynamite Tonight, York Playhouse, 1964; Don Pedro, Beatrice et Benedict (opera), Washington DC Opera Company, Washington, DC, 1964; title role, The Mikado and Sergeant Meryll, The Yeoman of the Guard, both City Center Theatre, 1965; John Cleves, Any Wednesday, Music Box Theatre, New York City, 1965, then George Abbott Theatre, New York City, 1966; the Father, Of Love Remembered, ANTA Theatre, 1967; the Prisoner, Dynamite Tonight, Martinique Theatre, New York City, 1967; Mr. Scott, Posterity for Sale, American Place Theatre, St. Clement's Church Theatre, New York City, 1967; Orgon, Tartuffe, Inner City Repertory Theatre, Los Angeles, 1967; Henry Higgins, My Fair Lady, Civic Light Opera, Honolulu, HI, 1968.

da Norcia, L'armata Brancaleone, 1966; Bastiano da Sangallo, Le piacevoli notti, 1966; Pietro Breccia, Ilprofeta, 1967; Rafus, Dove vai tutta nuda?, 1969;FulvioBertuccia,//'0rcage/0, 1969;Filippo/ Giulio, La pecora nera, 1969; Vittorio, Lalibi, 1969. Riccardo, "Labombaallatelevisione" in Contestazione generate, 1970; Leonardo, // divorzio, 1970; title role, Scipione detto anche I'Africano, 1970; Guido Guidi, Che c'entriamo noi con la rivoluzione?, 1972; Scarpia, La Tosca, 1973; The Prophet, 1976; Franco Denza, / Telefoni bianchi, 1976; Antonie Mancuso, Come una rosa al naso (also known as Pure As a Rose), 1976; We All Loved Each Other So Much, Almi Cinema V, 1977; Achille Mengaroni, Camera d'albergo, 1980; Sonofotogenico (also known as I'm Photogenic), United Artists, 1980; Giro Coppa, // turno, 1981; Di padre in figlio (also known as From Father to Son), SACIS, 1983; and in The Outlaws, Streets of Sorrow, Girls Marked Danger, The House of the Lord, and The Hateful Dead. PRINCIPAL FILM WORK—Director, Senza famiglia nullatenenti cercano affetto (also known as Without Family), Interfilm, 1972; director, Di padre in figlio (also known as From Father to Son), SACIS, 1983; also directed (with Francesco Rosi),Kean, 1956; and (with Adolfo Celi and Luciano Lucignani), Ualibi, 1969. PRINCIPAL TELEVISION APPEARANCES—Series: Gerardo, // mattatore, 1958-59. Specials: Host, Night of Music, Arts and Entertainment, 1990. RELATED CAREER—Founder, Teatro Popolare Italiano (a theatre company), 1960. WRITINGS: STAGE—Viva Vittorio! (one-man show), Center Theatre Group, Mark Taper Forum, Los Angeles, then Promenade Theatre, New York City, both 1984. FILM—(Co-writer) Kean, 1956; (co-writer) L'alibi, 1969; (co-writer) Senza famiglia nullatenenti cercano affetto (also known as Without Family), Interfilm, 1972; Di padre in figlio (also known as From Father to Son), SACIS, 1983. TELEVISION—Episodic: // attatore, 1958-59. OTHER—Une grande avvenire dietro le spalle, 1981.

Jupiter, Metamorphoses, Center Theatre Group, Mark Taper Forum, Los Angeles, 1971; Maitre du Frene, Gigi, Uris Theatre, New York City, then Playhouse Theatre, Wilmington, DE, both 1973; Robert Baker, Wonderful Town, Dorothy Chandler Pavilion, Los Angeles, then San Francisco, CA, both 1975. Also appeared in (as George Jongejans) La Malade imaginaire, Maison du Peuple, Lausanne, Switzerland, 1935; (as George Jongejans) Pulcinella (opera), Teatro della Triennale, Milan, Italy, 1940; (as George Jongejans) in concert, Salle du Conservatoire, Paris, France, 1947; God Bless, Yale Drama School, New Haven, CT, 1968; and as Leporello, Don Giovanni, Figaro, Le Nozze di Figaro, and Dandini, Cenerentola (operas), all with the New York City Opera Company.

AWARDS: Best Actor Award from the Cannes Film Festival, 1975, for Profumo di donna; also received Italian awards as theatre actor of the year (four times) and film actor of the year (four times). ADDRESSES: OFFICE—Via Flaminia 497, 00191 Rome, Italy.

MAJOR TOURS—Henry Higgins, My Fair Lady, U.S. cities, 1964; Michael Jardeen, A Community of Two, U.S. cities, 1973; Maitre du Frene, Gigi, U.S. cities, 1974; also appeared inJacobowskyand the Colonel, U.S. cities, 1967. FILM DEBUT—P.T. 109, Warner Brothers, 1962. PRINCIPAL FILM APPEARANCES—Brook Latham, The Group, United Artists, 1966; Paul McGill, Doctors' Wives, Columbia, 1971; El Morocco captain, The Way We Were, Columbia, 1973; mission director, Marooned, Twentieth Century-Fox, 1973; Dr. Marderosian, The Boy Who Cried Werewolf, Universal, 1973; Reginald Kingsley, Nickelodeon, Columbia, 1976; Prince, Harry and Walter Go to New York, Columbia, 1976; Dr. Wissenschaft, Altered States, Warner Brothers, 1980; Dr. Forrest, Dead Men Don't Wear Plaid, Universal, 1982; John Van Horn, Tootsie, Columbia, 1982; Ravitch, To Be or Not to Be, Twentieth Century-Fox, 1983; Dr. Eugene Glztszki, Micki and Maude, Columbia, 1984; Commandant Lassard, Police Academy, Warner Brothers, 1984; Commandant Lassard, Police Academy 2: Their First Assignment, Warner Brothers, 1985; Commandant Lassard, Police Academy 3: Back in Training, Warn-

GAYNES, George 1917(George Jongejans) PERSONAL: Born George Jongejans, May 3, 1917, in Helsinki, Finland; son of Gerritt (in business) and lya Grigorievna Gay, Lady Abdy (an artist) Jongejans; married Allyn Ann McLerie (an actress), December 20, 1953; children: one son, one daughter. EDUCATION—Graduated from the College Classique Cantonal (Lausanne, Switzerland), 1937; attended Scuola Musicale di Milano, 1938-39; trained for the stage with Lee Strasberg, 1953-58, and with John Daggett Howell, 1960. MILITARY—Royal Netherlands Navy, sub-lieutenant, 1943-45; Royal British Navy, 1945-46. VOCATION: Actor and opera singer. 157

GAZZO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

er Brothers, 1986; Commandant Lassard, Police Academy 4: Citizens on Patrol, Warner Brothers, 1987; Commandant Lassard, Police Academy 5: Assignment Miami Beach, Warner Brothers, 1988; Commandant Lassard, Police Academy 6: City Under Siege, Warner Brothers, 1989. Also appeared in Joy House (also known as Les Felins and The Love Cage}, Metro-Goldwyn-Mayer, 1964; Ternosecco (also known as /'// Be Right Back, I numeri del lotto, The Numbers Game, Nini Ternosecco, and The Lottery Game), Cecchi Gori Group/Fair Film, 1986; Un tassinaro a New York (also known as A Taxi Driver in New York), Italian International, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Sam Reynolds, Search for Tomorrow, CBS, 1971; Frank Smith, General Hospital, ABC, 1980; Henry Warnimont, Punky Brewster, NBC, 1984-86; voice of Henry Warnimont, Punky Brewster (animated), NBC, 1985-87; Arthur Feldman, The Days and Nights of Molly Dodd, NBC, 1988, then Lifetime, 1989—. Mini-Series: Orestes Bradley, Captains and the Kings, NBC, 1976; Max Vincent, Rich Man, Poor Man—Book II, ABC, 1976-77; Brewster Perry, Washington: Behind Closed Doors, ABC, 1977; John Prince, Scruples, CBS, 1980. Pilots: David Allen, The Girl in the Empty Grave, NBC, 1977. Episodic: Gerald Millburn, Hotel, ABC, 1986; Judge Dunaway, Matlock, NBC, 1987; also East Side/West Side, CBS, 1963; Cheers, NBC, 1983; The Defenders, CBS; Armstrong Circle Theatre, NBC; The U.S. Steel Hour, CBS; Alfred Hitchcock, CBS; Accent, CBS; Bonanza, NBC; Columbo, NBC; The Law, NBC; The Six Million Dollar Man, ABC;Mannix, CBS; Hawaii Five-0, CBS; Mission: Impossible, CBS. Movies: Dr. Chester Ramsey, Trilogy of Terror, ABC, 1975; Harding, Woman of the Year, CBS, 1976; Wylie, Breaking Up Is Hard to Do, ABC, 1979; Evita's doctor, Evita Peron, NBC, 1981; Archangel, // Came Upon the Midnight Clear, syndicated, 1984. Specials: Dancing master, The Would-Be Gentleman, CBS, 1955; Whitelaw Savory, One Touch of Venus, NBC, 1955; commander, "Mom's on Strike," ABC Afterschool Specials, ABC, 1984; also Hallmark Hall of Fame, NBC.

MICHAEL V. GAZZO

for the stage at the Actors' Studio. MILITARY—U.S. Army Air Forces, 1942-44.

PRINCIPAL TELEVISION WORK—Episodic: Director, WKRP in Cincinnati, CBS.

VOCATION: Actor, director, and writer.

RELATED CAREER—(As George Jongejans) First and second basso, Opera House, Mulhouse, France, 1947-48; (as George Jongejans) first basso, Opera House, Strasbourg, France, 1948-49; (as George Jongejans) basso, New York City Opera; member, Actors' Studio, New York City, 1960—; acting teacher, Yale University, New Haven, CT, 1968-69.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Tripe Face, The Aristocrats, President Theatre, New York City, 1946; Dr. Einstein, Arsenic and Old Lace, Great Neck Playhouse, Great Neck, NY, 1946; Ben Hubbard, The Little Foxes, Shields, Shadow of a Gunman, Captain Boyle, Juno and the Pay cock, Uncle, The Trial, and in The Sheepwell and The Petrified Forest, all with the Dramatic Workshop of the New School for Social Research, President Theatre and Rooftop Theatre, New York City, 1946-49; Destructive Desmond, The Dog Beneath the Skin, Cherry Lane Theatre, New York City, 1947; beggar, Night Music, Equity Library Theatre, American National Theatre and Academy Theatre, New York City, 1951; A. Ratt, Camino Real, National Theatre, New York City, 1953.

MEMBER: American Guild of Musical Artists, Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. ADDRESSES: AGENT—Jonathan Howard, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

GAZZO, Michael V.

PRINCIPAL STAGE WORK—All as director, unless indicated. Associate director, Alfred, Great Neck Playhouse, Great Neck, NY, 1946; Androcles and the Lion, Great Neck Playhouse, 1946; (with Alexis Solomas) The Dog Beneath the Skin, Cherry Lane Theatre, New York City, 1947; Within the Gates, Provincetown Playhouse, New York City, 1947; Yes Is for a Very Young Man, Off-Broadway Inc., New York City, 1949. Also The Imbecile and The Cause of It All, both with the Dramatic Workshop of the New School for Social Research.

1923-

PERSONAL: Full name, Michael Vincente Gazzo; born April 5, 1923, in Hillside, NJ; son of Michael Basile (a bartender) and Elvira (Lunga) Gazzo; married Grace Benn, July 8, 1944; children: Peppi, Michael, Christopher. EDUCATION—Graduated from the Dramatic Workshop of the New School for Social Research, 1949; trained

PRINCIPAL FILM APPEARANCES—Black suit, The Gang That 158

GEESON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Couldn't Shoot Straight, Metro-Goldwyn-Mayer, 1971; Frank Pentangeli, The Godfather, Part II, Paramount, 1974; Muzi, Black Sunday, Paramount, 1977; Ben Angelelli, Fingers, Brut, 1978; Spiro Georgio, King of the Gypsies, Paramount, 1978; Harry, The Fish That Saved Pittsburgh, United Artists, 1979; Lobo, Love and Bullets, Associated Film Distribution, 1979; Police Chief Clark, Alligator, Group I, 1980; Rosselini, Cuba Crossing (also known as Kill Castro and Assignment: Kill Castro), Key West, 1980; Tazio, Back Roads, Warner Brothers, 1981; Frankie, Body and Soul, Cannon, 1981; Sonny, CannonballRunll, Warner Brothers, 1984; Mike, Fear City, Chevy Chase Distribution, 1984; Carmine, Cookie, Warner Brothers, 1989. Also appeared in On the Waterfront, Columbia, 1954; The Pride and the Passion, United Artists, 1957; A Man Called Adam, Embassy, 1966; Crazy Joe, Columbia, 1974; Sudden Impact, Warner Brothers, 1983; The Gun, Columbia.

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artist, Dramatists Guild, Screen Writers Guild, Screen Actors Guild.

TELEVISION DEBUT—Russian officer, Philco Television Playhouse, NBC, 1950. PRINCIPAL TELEVISION APPEARANCES— Pilots: Banker, Beach Patrol, ABC, 1979. Episodic: The Quest, NBC, 1916'Future Cop, ABC, 1977; Taxi, ABC, 1979; Supertrain, NBC, 1979; Sweepstakes, NBC, 1979; B.A.D. Cats, ABC, 1980; Small andFrye, CBS, 1983; also Crime Syndicated, CBS; Goodyear Television Playhouse, NBC; Danger, CBS; Crime Photographer, CBS; Robert Montgomery Presents Your Lucky Strike Theatre, NBC; Suspense, CBS; Assignment Manhunt (also known as Manhunt), NBC; The Defenders, CBS; Kojak, CBS; Medical Center, CBS; Baretta, ABC; Alice, CBS; Welcome Back, Kotter, ABC; Switch, CBS; Starsky and Hutch, ABC; Feather and Father Gang, ABC; Serpico, NBC; Columbo, NBC; Barnaby Jones, CBS; Vega$, ABC; Fantasy Island, ABC; Magnum P.L, CBS; The Fall Guy, ABC; Cagney and Lacey, CBS; Darkroom, ABC; Ellery Queen; Beach Patrol; The Clock; Celebrity Time; and Crime of the Century. Movies: Mario Russo, Brink's: The Great Robbery, CBS, 1976; Sartene, Beggarman, Thief, NBC, 1979; Tripoli, Sizzle, ABC, 1981; Johnny Masseta, Blood Feud, syndicated, 1983; Marullo, John Steinbeck's "TheWinter of Our Discontent," CBS, 1983; Sal Arcola, First and Ten, HBO, 1985; Joseph Salina, Blood Ties, Showtime, 1986.

PERSONAL: Born September 10, 1948, in Arundel, England. EDUCATION—Studied acting at the Corona Stage School.

SIDELIGHTS: RECREATIONS—Painting, photography, films, and sculpting. ADDRESSES: AGENT—Mike Greenfield, Charter Management, 9000 Sunset Boulevard, Los Angeles, CA 90069.

GEESON, Judy

1948-

VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Marigold Watson, The Common Pursuit, Promenade Theatre, New York City, 1986. PRINCIPAL STAGE APPEARANCES—Desdemona, An Othello, Open Space Theatre, London, 1972; Lavinia, Titus Andronicus, Royal Shakespeare Company (RSC), Aldwych Theatre, London, 1973; Vivien 532, Section Nine, RSC, the Place, Stratford-onAvon, U.K., 1973; Lizzie, Next Time I'll Sing to You, Greenwich Theatre, London, 1980; Lemon's mother, Aunt Dan and Lemon, Mark Taper Forum, Taper Too, Los Angeles, 1987; Zoe, Henceforward . . ., Alley Theatre, Houston, TX, 1987. Also appeared in The Real Thing, Strand Theatre, London, 1985; and in productions of Two Gentlemen of Verona and An Ideal Husband.

WRITINGS: STAGE—A Hatful of Rain, Lyceum Theatre, New York City, 1955; Night Circus, John Golden Theatre, New York City, 1958; The Death of the Kitchen Table in Our Fair City, 1966; What Do You Really Know About Your Husband?, Shubert Theatre, New Haven, CT, 1967; And All That Jazz and Like They Did the Buffalo, both Actors' Studio, New York City, 1967; also My Name Ain't Abe, Dramatic Workshop, New York City. FILM—(With Alfred Hayes) A Hatful of Rain, Twentieth Century-Fox, 1957; King Creole, Paramount, 1958; The World of Johnny Cool, United Artists, 1964. TELEVISION—A Hatful of Rain, ABC, 1968.

PRINCIPAL FILM APPEARANCES—Jane, Wings of Mystery, Children's Film Foundation, 1963; Angela Rivers, Berserk, Columbia, 1967; Pamela Dare, To Sir, with Love, Columbia, 1967; Sue Trenton, Hammerhead, Columbia, 1968; Mary Gloucester, Here We Go Round the Mulberry Bush, United Artists, 1968; Geraldine Hardcastle, Prudence and the Pill, Twentieth Century-Fox, 1968; Ella Patterson, Three into Two Wont Go, Universal, 1969; Jane, Two Gentlemen Sharing, American International, 1969; Polly Bendel, The Executioner, Columbia, 1970; Jacki Dewar, Goodbye Gemini, Cinerama, 1970; Beryl Evans, 10 Rillington Place, Columbia, 1971; Peggy Heller, Fear in the Night, International, 1972; Jennifer Thatcher, Brannigan, United Artists, 1975; Sergeant Tilly Willing, Carry On England, Rank, 1976; Pamela Verecker, The Eagle Has Landed, Columbia, 1976; Marjorie Craven, Dominique, Subotsky, 1978; Dr. Fairweather, It's Not the Size That Counts (also known as Percy's Progress), Joseph Brenner, 1979; Sandy, Horror Planet (also known as Inseminoid), Almi, 1982; voice of Pekinese, The Plague Dogs (animated), United International, 1984; Anthea, The Price of Life, Discovery Program/Chanticleer, 1988. Also appeared in Haendeligt Uheld (also known as One of Those Things), NordiskFilmKompagni, \910\Doomwatch, Tigon, \912;Diagnosis: Murder, Silhouette, 1974.

AWARDS: Variety Drama Critics' Poll Award, Most Promising Playwright (tied with Paddy Chayefsky), 1955-56, for A Hatful of Rain; the screenplay for the film version of A Hatful of Rain was named One of the Best Screenplays of 1957 by Film Daily; Rockefeller Foundation grant, 1966, for The Death of the Kitchen Table in Our Fair City; Academy Award nomination, Best Supporting Actor, 1975, for The Godfather, Part II; Lee Strasberg Actors' Studio Award.

PRINCIPAL TELEVISION APPEARANCES—Series: Fulvia, Star Maidens, syndicated, 1977. Mini-Series: Caroline Penvenen, Poldark II, BBC, then Masterpiece Theatre, PBS, 1978; Susan, Danger UXB, Thames Television, then Masterpiece Theatre, PBS, 1981. Pilots: Jody Kenyon, Sam Hill: Who Killed the Mysterious Mr. Foster?, NBC, 1971. Episodic: Sister Ruth, Murder, She Wrote, CBS, 1986; Marlena, The A-Team, NBC, 1986; Patricia Magnuson, Hotel, ABC, 1986; Elena/Liane, MacGyver, ABC,

RELATED CAREER—Acting teacher, 1950—; member, Actors' Studio, 1952—; founder, Gazzo Theatre Workshop, Los Angeles, CA. NON-RELATED CAREER—Machinist.

159

GEORGE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

1988; also Secret Agent, CBS, 1966; "Night Is the Time for Killing," Wide World of Mystery, ABC, 1975; "Another Time, Another Place," Space 7999, syndicated, 1976. Movies: Babs, The Secret Life of Kathy McCormick, NBC, 1988. Specials: Helen Marlow, Murder on the Midnight Express, ABC, 1975.

RELATED CAREER—Professional model. AWARDS: Emmy Award nomination, 1981, for Archie Bunker's Place; also received an Emmy Award nomination for Mission: Impossible.

ADDRESSES: AGENTS—Richard Stone Partnership, 25 Whitehall Street, London SW1A 2BS, England; Writers and Artists Agency, 11726 San Vicente Boulevard, Suite 300, Los Angeles, CA 90049.*

GEORGE, Lynda Day (Lynda Day)

ADDRESSES: AGENT—Irv Schecter Company, 9300 Wilshire Boulevard, Suite 410, Beverly Hills, CA 90212.*

1946GOLDMAN, Bo

PERSONAL: Born December 11, 1946, in San Marcos, TX; married second husband, Christopher George (an actor), May 15, 1970 (died, November 29, 1983); children: Nicky (first marriage).

1932-

PERSONAL: Born September 10, 1932, in New York, NY; son of Julian (a Broadway producer and proprietor of retail stores) and Lillian (a hat model; maiden name, Levy) Goldman; married Mab Ashforth (a jewelry designer), January 2, 1954; children: Mia, Amy, Diana, Jesse, Serena, Justin. EDUCATION—Princeton University, A.B., 1953. MILITARY—U.S. Army, sergeant, 195456.

VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—(As Lynda Day) Kim, The Outsider, Universal, 1962; (as Lynda Day) Judy Reynolds, The Gentle Rain, Allied Artists, 1966; (as Lynda Day) Sue McSween, Chisum, Warner Brothers, 1970; Terry Marsh, Day of the Animals (also known as Something Is Out There), Film Ventures, 1977; Kate, The Amazing Captain Nemo, Columbia/EMI/ Warner, 1978; Monica, Racquet, Cal-Am, 1979; Barbara, Beyond Evil, Scope III, 1980; Eve Parsons, Mortuary, Film Ventures, 1983; Mary Riggs, Pieces, Spectacular, 1983; Beverly Carrigan, Young Warriors, Cannon, 1983. Also appeared in Nitro, 1978; Beyond Reasonable Doubt, Satori, 1980; and The Junkman, Halicki, 1982.

VOCATION: Screenwriter, producer, and director. CAREER: Also see WRITINGS below. PRINCIPAL TELEVISION WORK—Series: Associate producer, Playhouse 90, CBS, 195860; producer, NET Playhouse, WNET, 1970-71; producer, Theater in America, PBS, 1972-74. WRITINGS: STAGE—Lyricist (with Glen Paxton), First Impressions, Alvin Theatre, New York City, 1959. FILM—(With Lawrence Hauben) One Flew Over the Cuckoo's Nest, United Artists, 1975; (with Maximilian Schell and Friedrich Duerrenmatt) Der Richter und Sein Henker (also known as End of the Game and Murder on the Bridge), Twentieth Century-Fox, 1975; (with William Kerby and Michael Cimino) The Rose, Twentieth CenturyFox, 1979; Melvin and Howard, Universal, 1980; Shoot the Moon, Metro-Goldwyn-Mayer/United Artists, 1982; (with Rob Morton) Swing Shift, Warner Brothers, 1984; (with John Hill) Little Nikita, Columbia, 1988. TELEVISION—Series: NET Playhouse, PBS, 1970-71; Theatre in America, PBS, 1972-74. OTHER—Contributor of articles to the New York Times.

PRINCIPAL TELEVISION APPEARANCES—Series: (As Lynda Day) Amelia Cole, The Silent Force, ABC, 1970-71; Lisa Casey, Mission: Impossible, CBS, 1971-73; Kate Melton, The Return of Captain Nemo, CBS, 1978. Mini-Series: Linda Quales,/?/c7z Man, Poor Man, ABC, 1976; Marge Chrysler, Once an Eagle, NBC, 1976-77; Mrs. Reynolds, Roots, ABC, 1977. Pilots: (As Lynda Day) Barbara Keeley, The Sound of Anger, NBC, 1968; (as Lynda Day) Lillian Crane, The House on Greenapple Road, ABC, 1970; (as Lynda Day) Christie, Cannon, CBS, 1971; Clio DuBois, The Barbary Coast, ABC, 1975; Lisa Manning, Mrs. R—Death Among Friends, NBC, 1975; Nancy Pendleton, Twin Detectives, ABC, 1976; Carol, Casino, ABC, 1980; Margo Hilliard, Quick and Quiet, CBS, 1981. Episodic: Nazi superwoman, Wonder Woman, CBS, 1976; Louise Richmond, Blacke's Magic, NBC, 1986; Lisa Casey, Mission: Impossible, ABC, 1989; also Archie Bunker's Place, CBS, 1981; Fantasy Island, ABC. Movies: (As Lynda Day) Barbara, FearNoEvil, NBC, 1969; (as Lynda Day)Almy Gregory, The Sheriff, ABC, 1971; (as Lynda Day) Molly Thornburgh, Set This Town on Fire, NBC, 1973; Sara Cornell, She Cried Murder, CBS, 1973; Mary Ellen Lewis, Panic on the 5:22, ABC, 1974; Louise Kennelly, The Trial of Chaplain Jensen, ABC, 1975; Cathy Armello, Mayday at 40,000 Feet!, CBS, 1976; Valerie Adams, It Happened at Lakewood Manor, ABC, 1977; Margo Mannering, Murder at the World Series, ABC, 1977; Sandra Barry, Cruise into Terror, ABC, 1978. Specials: Cathy Moore, Come Out, Come Out, Wherever You Are, ABC, 197'4; Battle of the Network Stars, ABC, 1977; ABC's Silver Anniversary Special—25 and Still the One, ABC, 1978.

AWARDS: Academy Award, Best Screenplay Adapted from Other Material, Golden Globe Award, Best Screenplay, and Writers Guild Award, all 1976, for One Flew Over the Cuckoo's Nest; Academy Award, Best Original Screenplay, New York Film Critics' Award, and Writers Guild Award, all 1981, for Melvin and Howard. MEMBER: Writers Guild of America-West, Academy of Motion Pictures Arts and Sciences, Dramatists Guild, American Society of Composers, Authors, and Publishers. ADDRESSES: AGENT—Jim Wiatt, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.* 160

GOLDWYN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

GOLDMAN, James (Winston Beard)

1927-

PERSONAL: Born June 30, 1927, in Chicago, IL; son of Maurice Clarence (in business) and Marion (Weil) Goldman; married Marie McKeon, March 5, 1962 (divorced, 1972); married Barbara Deren (a producer and manager), October 25, 1975; children: Julia, Matthew (first marriage). EDUCATION—University of Chicago, Ph.B., 1947, M.A., 1950; post-graduate work in musicology, Columbia University, 1950-52. MILITARY—U.S. Army, private first class, 1952-54. VOCATION: Writer. CAREER: See WRITINGS below. RELATED CAREER—Associate, Department of Film, Brooklyn College, Brooklyn, NY; member, Mayor's Ad Hoc Committee on Theatre, New York City. WRITINGS: STAGE—They Might Be Giants, Stratford Theatre Royal, London, 1961; (with William Goldman) Blood, Sweat, and Stanley Poole, Morosco Theatre, New York City, 1961, published by Dramatists Play Service, 1962; lyrics and (with William Goldman) book, A Family Affair, Billy Rose Theatre, New York City, 1962; The Lion in Winter, Ambassador Theatre, New York City, 1966, first produced in London, 1969, published by Random House, 1966; book, Follies, Winter Garden Theatre, New York City, 1971, published by Random House, 1971, revised version produced in Manchester, U.K., 1985, then in London, 1987. FILM—The Lion in Winter, AVCO-Embassy, 1968, published by Dell, 1968; (with Edward Bond) Nicholas and Alexandra, Columbia, 1971; They Might Be Giants, Universal, 1971, published by Lancer Books, 1970; Robin and Marian, Columbia, 1976, published by Bantam, 1976; (with Eric Hughes) White Nights, Columbia, 1985.

JAMES GOLDMAN

MEMBER: Dramatists Guild (council member, 1966—), Authors League of America (council member, 1966—), Academy of Motion Picture Arts and Sciences, National Academy of Television Arts and Sciences, Writers Guild, Broadcast Music Incorporated, French Academy of Playwrights, National Academy of Recording Artists, P.E.N., Explorers Club (fellow), Les Compagnons du Beaujolais, New York Athletic Club.

TELEVISION—Mini-Series: (As Winston Beard; with April Smith) Queenie, ABC, 1987. Movies: Oliver Twist, CBS, 1982; (with Simon Langton) Anna Karenina, CBS, 1985; Anastasia: The Mystery of Anna, NBC, 1986. Specials: Evening Primrose, ABC, 1967; "Follies in Concert," Great Performances, PBS, 1986.

SIDELIGHTS: RECREATIONS—Croquet, tennis, music, and reading. OTHER—Waldorf (novel), Random House, 1965; The Man from Greek and Roman (novel), Random House, 1974; Myself as Witness (novel), Random House, 1980; (contributor) Where to Eat in America (nonfiction), Scribners, 1987; (contributor) Feast of Wine and Food (nonfiction), Morrow, 1987; Fulton County (novel), Morrow, 1989; also contributor to such periodicals as Atlantic Monthly, Chicago Tribune Book World, Dramatics Magazine, Harpers Bazaar, Penthouse, and Food and Wine.

ADDRESSES: AGENTS—Hal Ross and Ron Mardigian, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212. MANAGER—Barbara Deren Goldman, Barbara Deren Associates Inc., 965 Fifth Avenue, Penthouse, New York, NY 10021.

AWARDS: Academy Award, Best Adapted Screenplay, 1968, American Screenwriters Award, 1968, Writers Guild Award, 1968, Golden Globe nomination, 1968, British Screenwriters Award, 1969, and Zeta Plaque from the Writers Guild of Great Britain, 1969, all for A Lion in Winter; New York Drama Critics Award (with Stephen Sondheim), Best New Musical, 1971, and Antoinette Perry Award nomination, Best Book for a Musical, 1972, both for Follies; Writers Guild Award nomination, Best Teleplay, 1983, for Oliver Twist; Diplome d'Honneur from the Corporation des Vignerons de Champagne, 1985; Drama Magazine Award, Evening Standard Award, Olivier Award, and Plays and Players Award, all Best Musical, 1987, for Follies (revised version); Writers Guild Award nomination, Best Teleplay, 1988, for Anastasia: The Mystery of Anna.

GOLDWYN, Samuel, Jr.

1926-

PERSONAL: Full name, Samuel John Goldwyn, Jr.; born September 7, 1926, in Los Angeles, CA; son of Samuel John (a film producer) and Frances (Howard) Goldwyn; married Peggy Elliott, August 23, 1969; children: Catherine, Francis, John, Anthony, Elizabeth, Peter. EDUCATION—Attended the University of Virgina. MILITARY—U.S. Army, 1944-46 and 1951-52. VOCATION: Producer and director. CAREER: PRINCIPAL STAGE WORK—Producer, Gathering Storm, London, England. 161

GORDON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

FIRST FILM WORK—Producer, Man with the Gun (also known as Man Without a Gun and The Trouble Shooter), United Artists, 1955. PRINCIPAL FILM WORK—All as producer, unless indicated: The Sharkfighters, United Artists, 1956; The Proud Rebel, Buena Vista, 1958; The Adventures of Huckleberry Finn, Metro-Gold wynMayer (MGM), 1960; (also director) The Young Lovers, MGM, 1964; Cotton Comes to Harlem, United Artists, 1970; Come Back, Charleston Blue, Warner Brothers, 1972; The Golden Seal, Samuel Goldwyn Company/New Realm, 1983; executive producer, Once Bitten, Samuel Goldwyn Company, 1985; executive producer, A Prayer for the Dying, Samuel Goldwyn Company, 1987; Mr. North, Samuel Goldwyn Company, 1988; executive producer, Mystic Pizza, Samuel Goldwyn Company, 1988. Also director of Alliance for Peace and other documentaries for the U.S. Army.

1966; (director only) How to Succeed with Sex (also known as How to Succeed with the Opposite Sex), Medford, 1970; Necromancy (also known as The Witching), Cinerama, 1972; (also cinematographer) The Mad Bomber (also known as Police Connection: Detective Geronimo), Cinemation, 1973; (also special effects coordinator) The Food of the Gods, American International, 1976; (also special effects coordinator with Roy Downey) Empire of the Ants, American International, 1977; The Big Bet, Golden Communications/ Golden Harvest, 1986. PRINCIPAL TELEVISION WORK—Series: Production supervisor, The Racket Squad, CBS, 1951-53. RELATED CAREER—Producer of television commercials; television production supervisor.

PRINCIPAL TELEVISION WORK—All as producer, unless indicated. Series: Adventure, CBS, 1952-53; also The Unexpected, 1954. Pilots: The Unexplained, NBC, 1956. Specials: 59th Annual Academy Awards Presentation, ABC, 1987; executive producer, "April Morning," Hallmark Hall of Fame, CBS, 1988; 60th Annual Academy Awards Presentation, ABC, 1988.

WRITINGS: See production details above. FILM—Serpent Island, 1954; (with Al Zimbalist and Tom Cries) King Dinosaur, 1955; (with Mark Hanna) The Amazing Colossal Man, 1957; Cyclops, 1957; The Spider, 1958; Attack of the Puppet People, 1958; Tormented, 1960; The Magic Sword, 1962; Village of the Giants, 1965; How to Succeed with Sex, 1970; Necromancy, 1972; TheMadBomber, 197'3; The Food of the Gods, 197'6; The Big Bet, 1986.*

RELATED CAREER—Writer and associate producer, J. Arthur Rank Organization; owner and chief executive officer, Samuel Goldwyn Company, Los Angeles, 1978—; trustee, American Film Institute; board of directors, Centre Theatre Group, Los Angeles. NON-RELATED CAREER—President of the board of trustees, Fountain Valley School, CO; president, Samuel Goldwyn Foundation.

GOULD, Harold AWARDS: Emmy Award, Outstanding Variety/Music Events Programming, 1988, for 60th Annual Academy Awards Presentation; also Edinburgh Film Festival Prize for Alliance for Peace.

1923-

PERSONAL: Born Harold V. Goldstein, December 10, 1923, in Schenectady, NY; son of Louis Glen (a post office clerk) and Lillian (a clerk for the New York State Department of Health) Goldstein; married Lea Shampanier (an actress; professional name, Lea Vernon), August 20, 1950; children: Deborah, Joshua, Lowell. EDUCATION—New York State College for Teachers (now State University of New York at Albany), B.A., 1947; Cornell University, M.A., 1948, Ph.D., 1953. MILITARY—U.S. Army, 1943-45.

ADDRESSES: OFFICE—Samuel Goldwyn Company, 10203 Santa Monica Boulevard, Los Angeles, CA 90067.*

CAREER: Actor.

GORDON, Bert I.

1922CAREER: STAGE DEBUT—Thomas Jefferson, The Common Glory, Amphitheatre, Williamsburg, VA, 1955. OFF-BROADWAY DEBUT—Dr. Edward Huml, The Increased Difficulty of Concentration, Repertory Theatre of Lincoln Center, Forum Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Edmund, King Lear and Benedick, Much Ado about Nothing, both Oregon Shakespeare Festival, Ashland, OR, 1958; Old Man, The World of Ray Bradbury, Coronet Theatre, Los Angeles, 1964; Goldberg, The Birthday Party, University of California at Los Angeles Theatre Group, Los Angeles, 1966; Anselme and Harpagon, The Miser, Center Theatre Group, Mark Taper Forum, Los Angeles, 1968; Sosias, Amphitryon, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1970; Artie Shaughnessy, The House of Blue Leaves, Truck and Warehouse Theatre, New York City, 1971; Glogauer, Once in a Lifetime, Center Theatre Group, Mark Taper Forum, 1975; Dr. Zubritsky, Fools, Eugene O'Neill Theatre, New York City, 1981; Jack, Grownups, Lyceum Theatre, New York City, 1981, then Center Theatre Group, Mark Taper Forum, 1982; Mr. Antrobus, The Skin of Our Teeth, Old Globe Theatre, San Diego, CA, 1983; Nat, FmNotRappaport, Seattle Repertory Theatre, Seattle, WA, 1984; Goldberg, The Birthday Party, Los Angeles Theatre Center, Los Angeles, 1986; Tom Garrison, / Never Sang for My Father, Eisenhower Theatre, Kennedy Center for the Performing Arts,

PERSONAL: Born September 24, 1922, in Kenosha, WI; wife's name, Flora; children: Susan. EDUCATION—Attended the University of Wisconsin. VOCATION: Producer, director, special effects coordinator, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— All as producer and director, unless indicated: Serpent Island, Medallion-TV, 1954; King Dinosaur, Lippert, 1955; Beginning of the End, Republic, 1957; (also special effects coordinator) The Amazing Colossal Man, American International, 1957; (also special effects coordinator) Cyclops, Allied Artists, 1957; (also special effects coordinator) Attack of the Puppet People, American International, 1958; (also special effects coordinator) The Spider (also known as Earth vs. the Spider), American International, 1958; (also special effects coordinator) War of the Colossal Beast (also known as The Terror Strikes), American International, 1958; The Boy and the Pirates, United Artists, 1960; producer (with Joe Steinberg) and director, Tormented, Allied Artists, 1960; The Magic Sword, United Artists, 1962; (also special effects coordinator) Village of the Giants, Embassy, 1965; Picture Mommy Dead, Embassy,

162

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 GOULD

Seasons Entertainment, 1989. Also appeared in Two for the Seesaw, United Artists, 1962; Mamie, Universal, 1964. TELEVISION DEBUT—Hong Kong, To Catch a Star, 1960. PRINCIPAL TELEVISION APPEARANCES—Series: Chamberlain, The Long, Hot Summer, ABC, 1965-66; Norman Nugent, He and She, CBS, 1967-68; Martin Morgenstern, Rhoda, CBS, 1974-78; Harry Danton, The Feather and Father Gang, ABC, 1977; David Ross, ParkPlace, CBS, 1981; Jonah Foot, Foot in the Door, CBS, 1983; Ben Sprague, Under One Roof, NBC, 1985. Mini-Series: Carl Tessler, Washington: Behind Closed Doors, ABC, 1977. Pilots: Mr. Hunnicutt, Under the Yum Yum Tree, NBC, 1969; Carlson, Ransom for a Dead Man, NBC, 1971; Howard Cunningham, Love and the Happy Days (broadcast as an episode of Love, American Style), ABC, 1972; Dave Ryker, Murdoch's Gang, CBS, 1973; Matthew Brandon, Bachelor at Law, CBS, 1973; Dr. Federicci, Medical Story, NBC, 1975; Samuel Quilt, Flannery and Quilt, NBC, 1976; Harry Danton, Never Con a Killer, ABC, 1977; Jack Waine, No Complaints!, NBC, 1985; Jack Traynor, Tickets, Please (broadcast as an episode of CBS Summer Playhouse), CBS, 1988. Episodic: General Larrabee, "Probe 7—Over and Out," The Twilight Zone, CBS, 1963; radio announcer, "The Bewitchin' Pool," The Twilight Zone, CBS, 1964; Martin Morgenstern, The Mary Tyler Moore Show, CBS, 1972 and 1973; George Antrobus, "The Skin of Our Teeth," American Play house, PBS, 1983; Arnie, The Golden Girls, NBC, 1985; Dr. Victor Kosciusko, Trapper John, M.D., CBS, 1985; Andrei Zernov, Scarecrow and Mrs. King, CBS, 1986; Harry Finneman, LA. Law, NBC, 1986; Walter Wise, Night Court, NBC, 1986; Tom Garrison, "I Never Sang for My Father," American Playhouse, PBS, 1988; Charlie Drexel, Midnight Caller, NBC, 1989; also The Invaders, ABC, 1967 and 1968; Police Story, NBC, 1974; "To the Chicago Abyss," TheRay Bradbury Theatre, USA, 1989; The Jack Benny Show, NBC; The Danny Kaye Show, CBS; The Red Skelton Show, CBS; Dennis the Menace, CBS; Gunsmoke, CBS; The Donna Reed Show, ABC; Hazel, NBC; The Dick Van Dyke Show, CBS; The Farmer's Daughter, ABC; The Big Valley, ABC; The Flying Nun, ABC; Wild, WildWest, CBS; Get Smart, NBC;/ Dream ofJeannie, NBC; Hawaii Five-O, CBS; Love on a Rooftop, ABC; Petrocelli, NBC; Streets of San Francisco, ABC; Soap, ABC; Lou Grant, CBS; The Love Boat, ABC; St. Elsewhere, NBC.

HAROLD GOULD

Washington, DC, then Center Theatre Group, Ahmanson Theatre, Los Angeles, both 1987; Beauchamp, Artist Descending a Staircase, Helen Hayes Theatre, New York City, 1989. Also appeared in The Devils, Center Theatre Group, Mark Taper Forum, 1967; Buying Out, Studio Arena Theatre, Buffalo, NY, 1971; Touching Bottom, American Place Theatre, New York City, 1978; with the Center Theatre Group, Mark Taper Forum, 1961; and in productions ofSeidman and Son, Rhinoceros, The Price, and Freud (oneman show).

Movies: Alexander Weisberg, A Death of Innocence, CBS, 1971; Mr. Henshaw, How to Break Up a Happy Divorce, NBC, 1976; Benny Barnet, The Eleventh Victim, CBS, 1979; Dr. Hoxley, Aunt Mary, CBS, 1979; Harry Landers, Better Late Than Never, NBC, 1979; Dickie Dayton, The Man in the Santa Claus Suit, NBC, 1979; Arthur Stowbridge, Kenny Rogers as "The Gambler," CBS, 1980; Louis B. Mayer, Moviola: The Silent Lovers, NBC, 1980; Louis B. Mayer, Moviola: The Scarlett O'Hara War, NBC, 1980; Mr. Campana, King Crab, ABC, 1980; Robert Westfield, Born to Be Sold, NBC, 1981; Eliot Bingham, Help Wanted:Male, CBS, 1982; Arthur Stowbridge, Kenny Rogers as "The Gambler"—The Adventure Continues, CBS, 1983; Oliver Sully, The Red Light Sting, CBS, 1984; Dr. Marvin Elias, Mrs. Delafield Wants to Marry, CBS, 1986; Nicholas Dimente, Get Smart, Again!, ABC, 1989. Specials: Leo Silver, "Have I Got a Christmas for You," The Hallmark Hall of Fame, NBC, 1977; Sol Wurtzel, Actor, PBS, 1978; Rabbi, The Fourth Wise Man, ABC, 1985; B.J., "Tales from the Hollywood Hills: The Closed Set," Great Performances, PBS, 1988.

FILM DEBUT—The Couch, Warner Brothers, 1962. PRINCIPAL FILM APPEARANCES—Ponelli, The Yellow Canary, Twentieth Century-Fox, 1963; Arnie Tomkins, Ready for the People, Warner Brothers, 1964; cop, Inside Daisy Clover, Warner Brothers, 1965; Dr. Ostrer, The Satan Bug, United Artists, 1965; Ganucci's lawyer, An American Dream (also known as See You in Hell, Darling), Warner Brothers, 1966; Sheriff Spanner, Harper (also known as The Moving Target), Warner Brothers, 1966; doctor, The Spy with My Face, Metro-Goldwyn-Mayer, 1966; Colonel Holt, Project X, Paramount, 1968; Dr. Liebman, The Arrangement, Warner Brothers, 1969; Eric P. Scott, The Lawyer, Paramount, 1969; Colonel Nexdhet, Mrs. Pollifax—Spy, United Artists, 1971; Dr. Zerny, Where Does It Hurt?, Cinerama, 1972; Kid Twist, The Sting, Universal, 1973; mayor, The Front Page, Universal, 1974; Count Anton, Love and Death, United Artists, 1975; Dietz, The Strongest Man in the World, Buena Vista, 1975; Professor Baxter, The Big Bus, Paramount, 1976; Charles Gwynn, Gus, Buena Vista, 1976; Engulf, Silent Movie, Twentieth Century-Fox, 1976; Hector Moses, The One and Only, Paramount, 1978; judge, Seems Like Old Times, Columbia, 1980; Rockerfeller, Playing for Keeps, Universal, 1986; Francisco Galedo, Romero, August Entertainment/Four

RELATED CAREER—Instructor in theatre and speech, 1953-56, then assistant professor of drama and speech, 1956-60. 163

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

GRANGER

College; studied acting at the Webber-Douglas School of Dramatic Art. MILITARY—British Army, 1940-42.

AWARDS: Obie Award from the Village Voice, 1969, for The Increased Difficulty of Concentration; Emmy Award nomination, 1974, for Police Story; Emmy Award nomination, 1977, for Rhoda; Emmy Award nomination, 1979, for Moviola: The Scarlett O'Hara War; Emmy Award nomination, 1986, for Mrs. Delafield Wants to Marry; ACE Award, Best Actor in a Dramatic Series, 1990, for The Ray Bradbury Theatre; Centennial Alumnus Award, State University of New York at Albany, National Association of State Universities and Land-Grant Colleges, 1987.

VOCATION: Actor. CAREER: STAGE DEBUT—Andrea Strozzi, The Cardinal, Hull Repertory Company, Little Theatre, Hull, U.K., 1935. LONDON DEBUT—Captain Hamilton, The Sun Never Sets, Drury Lane Theatre, 1938. PRINCIPAL STAGE APPEARANCES—Warwick, Saint Joan, Sir Broadfoot Basham, On the Rocks, Sir John Melvil, The Clandestine Marriage, St. John Rivers, Jane Eyre, General Su, Lady Precious Stream, Alastair, The Millionairess, King Magnus, The Apple Cart, Charles Surface, The School for Scandal, and Glundalca, Tom Thumb the Great, all Birmingham Repertory Company, Malvern Festival, Malvern, U.K., 1936-37; Lord Ivor Cream, Serena Blandish, Gate Theatre, London, 1938; Grand Duke Stephan, I Am the King, Richmond Theatre, London, 1939; Titus, Jerusalem, Playhouse Theatre, London, 1939; Tybalt, Romeo and Juliet, Leontine, The Good-Natured Man, Dunois, Saint Joan, and Anthony Anderson, The Devil's Disciple, all Old Vic Company, Buxton Festival, Buxton, U.K., then Streatham Hill Theatre, London, both 1939; Dr. Fleming, Tony Draws a Horse, Criterion Theatre, London, 1940; George Winthrop, A House in the Square, St. Martin's Theatre, London, 1940; Max de Winter, Rebecca, Lyric Theatre, London, 1949; Nikita, The Power of Darkness, Lyric Theatre, 1949; Clive Champion-Cheney, The Circle, Morris Mechanic Theatre, Baltimore, MD, then Ambassador Theatre, New York City, both 1989. Also appeared with the Hull Repertory Company, Hull, U.K., 1935-36; with the Birmingham Repertory Company, Birmingham, U.K., 1936-38; and in Autumn, St. Martin's Theatre, 1937.

MEMBER: Academy of Motion Picture Arts and Sciences. SIDELIGHTS: RECREATIONS—Reading, jogging, and swimming. ADDRESSES: AGENT—Sylvia Gold, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

GRANGER, Stewart (James Stewart)

1913-

PERSONAL: Born James Lablache Stewart, May 6, 1913, in London, England; naturalized U.S. citizen, June, 1956; son of James (an officer in the British Army) and Frederica (Lablache) Stewart; married Elspeth March (an actress), 1938 (divorced, 1948); married Jean Simmons (an actress), 1950 (divorced, 1960); married Viviane Lecerf, 1964 (divorced, 1969); children: two (first marriage); one (second marriage). EDUCATION—Attended Epsom

MAJOR TOURS—Michael Davidson, Titian Red, U.K. cities, 1940; Robert Eden, To Dream Again, U.K. cities, 1942. FILM DEBUT—(As James Stewart) A Southern Maid, Wardour, 1933. PRINCIPAL FILM APPEARANCES—Diner, Give Her a Ring, British International, 1936; Sutton, Convoy, Associated British, 1940; Lawrence, So This Is London, Twentieth Century-Fox, 1940; Larry Rains, The Lamp Still Burns, General Film Distributors, 1943; Peter Rokeby, The Man in Grey, Universal, 1943; David Penley, Thursday's Child, Pathe, 1943; Sub-Lieutenant Jackson, Secret Mission, General Films Distributors, 1944; Nino Barucci, Madonna of the Seven Moons, Universal, 1945; Apollodorus, Caesar and Cleopatra, Rank, 1946; Richard Darrel, Caravan, Gainsborough, 1946; Hugh Davin, Captain Boycott, General Film Distributors, 1947; Kit Firth, A Lady Surrenders (also known as Love Story), Universal, 1947; Paganini, The Magic Bow, Universal, 1947; Philip Thorn, Blanche Fury, Universal, 1948; Harry Somerford, Man of Evil (also known as Fanny By Gaslight), United Artists, 1948; Count Philip Koenigsmark, Saraband (also known as Saraband for Dead Lovers), Eagle-Lion, 1949; Ted Purvis, Waterloo Road, General Film Distributors/Eagle-Lion, 1949; Lord Terence Datchett, Woman Hater, Universal, 1949. Adam Black, Adam and Evelyn, Two Cities, 1950; Allan Quartermaine, King Solomon's Mines, Metro-Goldwyn-Mayer (MGM), 1950; Sam Conride, The Light Touch, MGM, 1951; Private Archibald Ackroyd, Soldiers Three, MGM, 1951; Rudolf Rassendyll/King Rudolf V, The Prisoner ofZenda, MGM, 1952; Andre Moreau/ title role, Scaramouche, MGM, 1952; Jules Vincent, The Wild North (also known as The Big North), MGM, 1952; Mark Shore, All the Brothers Were Valiant, MGM, 1953; Commander Claudius, Salome, Columbia, 1953; Thomas Seymour, Young Bess, MGM, 1953; title role, Beau Brummell, MGM, 1954; Stephen Lowry,

STEWART GRANGER

164

GRANT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Actor.

Footsteps in the Fog, Columbia, 1955; Rian X. Mitchell, Green Fire, MGM, 1955; Jeremy Fox, Moonfleet, MGM, 1955; Colonel Rodney Savage, Bhowani Junction, MGM, 1956; Sandy McKenzie, The Last Hunt, MGM, 195 6; Tom Early, GunGlory, MGM, 1957; Sir Philip Ashlow, The Little Hut, MGM, 1957; Harry Black, Harry Black and the Tiger (also known as Harry Black), Twentieth Century-Fox, 1958; Max Paulton, The Whole Truth, Columbia, 1958.

CAREER: STAGE DEBUT—Nottingham Playhouse, Nottingham, U.K. PRINCIPAL STAGE APPEARANCES—The Jockeys of Norfolk (revue), King's Head Theatre, London, 1985; also appeared with the Oxford University Dramatic Society. FILM DEBUT—(As Hughie Grant) Lord Adrian, Privileged, Oxford Film Foundation/New Yorker, 1982. PRINCIPAL FILM APPEARANCES—Clive Durham, Maurice, Cinecom, 1987; Hugh Dickinson, White Mischief, Columbia, 1988; Lord James D'Ampton, The Lair of the White Worm, Vestron, 1988; Harry, The Dawning, TVS Entertainment/Vista, 1988; Lord Byron, Remando al viento (also known as Rowing with the Wind), Ditirambo/Viking, 1988; Allan, La Nuit Bengali (also known as The Bengali Night), Gaumont, 1988.

George Pratt, North to Alaska, Twentieth Century-Fox, 1960; John Brent, The Secret Partner (also known as The Street Partner), MGM, 1961; Captain LeBlanc, Commando (also known as Mar da o crepa and Legion's Last Patrol), American International, 1962; Lot, Sodom and Gomorrah (also known as Sodome et Gomorrhe, Sodoma e Gomorra, and The Last Days of Sodom and Gomorrah), Twentieth Century-Fox, 1962; Thomas Stanwood, The Swordsman of Siena (also known as Le Mercenaire, Lo spadaccino di Sienna, and // mercenario), MGM, 1962; Surehand, Among Vultures (also known as Frontier Hellcat), Columbia, 1964; Major Richard Mace, The Secret Invasion, United Artists, 1964; Duke of Orgagna, The Crooked Road, Seven Arts, 1965; Old Surehand, Rampage at Apache Wells, Columbia, 1966; John "Bingo" Merrill, Requiem for a Secret Agent, Intercontinental/Metheus, 1966; Miles Gilchrist, The Last Safari, Paramount, 1967; Michael Scott, Red-Dragon (also known as An 009 Mission to Hong Kong), Woolner Brothers, 1967; Old Surehand, Flaming Frontier, Warner Brothers, 1968; Superintendent Cooper-Smith, The Trygon Factor, Warner Brothers, 1969; Sir Edward Matherson, The Wild Geese, Allied Artists, 1978; Dr. Martin Hoffman, Hell Hunter, Cinevest, 1988. Also appeared in Over the Garden Wall, Wardour, 1934; Under Secret Orders, Guaranteed, 1943; // giorno piu corto, 1963; Target for Killing, 1966; Spy Against the World (also known as Killer's Carnival), 1966.

PRINCIPAL TELEVISION APPEARANCES—Series: The Demon Lover, 1986; Ladies in Charge, 1986. Mini-Series: Apsley Cherry Garrard, The Last Place on Earth, Central Television, then Masterpiece Theatre, PBS, 1985; Bruno de Lancel, 'Til We Meet Again, CBS, 1989. Episodic: Shades of Darkness. Movies: Peter Baines, Jenny's War, syndicated, 1985; Lord Lucius Vyne (the Highwayman), The Lady and the Highwayman, CBS, 1989; Charles Heidseick, Champagne Charlie, syndicated, 1989. Specials: William Hamilton, Lord Elgin and Some Stones of No Value (documentary), PBS, 1987. Also appeared in The Detective, Handel, Dangerous Love, and Honour, Profit, and Pleasure. RELATED CAREER—Member of the Jockeys of Norfolk (threeman comedy troupe). ADDRESSES: AGENT—Duncan Heath Associates, Paramount House, 162-170 Wardour Street, London W1V 3AT, England.*

PRINCIPAL TELEVISION APPEARANCES—Series: Colonel Alan MacKenzie, The Men from Shiloh, NBC, 1970-71. Mini-Series: George Hackett, Crossings, ABC, 1986. Pilots: Sherlock Holmes, Sherlock Holmes: The Hound of the Baskervilles, ABC, 1971. Episodic: Hotel, ABC. Movies: Paul Dennison, Any Second Now, ABC, 1969; Prince Philip, The Royal Romance of Charles and Diana, CBS, 1982; Jason, Chameleons, NBC, 1989; also A Hazard of Hearts, CBS, 1987.

GRANT, Lee

1931-

PERSONAL: Born Lyova Haskell Rosenthal, October 31, 1931, in New York, NY; daughter of A.W. (an educator and realtor) and Witia (a teacher; maiden name, Haskell) Rosenthal; married Arnold Manoff (a playwright; died, 1965); married Joseph Feury (a producer), 1967; children: Dinah (first marriage); Belinda (second marriage). EDUCATION—Attended the Art Student League and the High School of Music and Art; studied voice, violin, and dance at the Juilliard School of Music; attended the Metropolitan Opera Ballet School; studied acting at the Neighborhood Playhouse with Sanford Meisner and at the Actors' Studio.

WRITINGS: Sparks Fly Upward (autobiography), Granada, 1981. AWARDS: Voted one of Britain's top ten money-making stars in Herald-Fame motion picture polls, 1943-47 and 1949. SIDELIGHTS: FAVORITE ROLES—King Magnus in The Apple Cart. RECREATIONS—Riding and shooting. ADDRESSES: AGENTS—Jerry Martin, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212; David Shapira and Associates, 15301 Ventura Boulevard, Suite 345, Sherman Oaks, CA 91403.

VOCATION: Actress and director. CAREER: STAGE DEBUT—Princess Ho Chee, L'Oracolo (opera), Metropolitan Opera House, New York City, 1933. BROADWAY DEBUT—Mildred, Joy to the World, Plymouth Theatre, 1948. PRINCIPAL STAGE APPEARANCES—Shoplifter, Detective Story, Hudson Theatre, New York City, 1949; Diane, All YouNeedls One Good Break, Mansfield Theatre, New York City, 1950; Raina Petkoff, Arms and the Man, Arena Theatre, New York City, 1950; Daisy Durole, Lo and Behold!, Booth Theatre, New York City, 1951; Sally, I Am a Camera, Mount Kisco Playhouse, Mt. Kisco, NY, 1952; Amy, They Knew What They Wanted, Mount Kisco Playhouse, 1953; title role, Gigi, Mount Kisco Playhouse, 1954;

GRANT, Hugh PERSONAL: Born in London, England. EDUCATION—Attended Oxford University. 165

GRANT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Stella, Wedding Breakfast, 48th Street Theatre, New York City, 1954; Eliza, Pygmalion, Mount Kisco Playhouse, 1956; Lizzie, The Rainmaker, Mount Kisco Playhouse, 1957; Mrs. Rogers, A Hole in the Head, Plymouth Theatre, New York City, 1957; Gittel Mosca, Two for the Seesaw, Booth Theatre, 1959; Rose Collins, Captains and the Kings, Playhouse Theatre, New York City, 1962; Solange, The Maids, One Sheridan Square Theatre, New York City, 1963; title role, Electra, New York Shakespeare Festival, Delacorte Theatre, New York City, 1964; title role, Saint Joan, Moorestown Theatre, Moorestown, NJ, 1966; Edna Edison, The Prisoner of Second Avenue, Eugene O'Neill Theatre, New York City, 1971. Also appeared in a series of one-act plays with Henry Fonda, American National Theatre and Academy Theatre, New York City, 1949; in Liliom and This Property Is Condemned, both Green Mansions Theatre, Warrensburg, NY, 1947; and as Regina, The Little Foxes, 1975.

Town, Columbia, 1987. Also appeared in Arriving Tuesday, Cinepro/ New Zealand Film Commission/Walker, 1986; Calling the Shots (documentary), World Artists Releasing, 1988. FIRST FILM WORK—Director, The Stronger (short film), American Film Institute, 1976. PRINCIPAL FILM WORK—Director: Tell Me a Riddle, Filmways, 1980; The Wilmar Eight (documentary), California Newsreel, 1981; What Sex Am I? (documentary), Joseph Feury Productions, 1984; Down and Out in America (documentary), Joseph Feury Productions, 1986; Staying Together, Hemdale, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Rose Peabody, Search for Tomorrow, CBS, 1953-54; Stella Chernak, Peyton Place, ABC, 1965-66; Fay Stewart, Fay, NBC, 1975-76. MiniSeries: Grace Coolidge, Backstairs at the White House, NBC, 1979; Ava Marshall, Bare Essence, CBS, 1982; Rachele Mussolini, Mussolini: The Untold Story, NBC, 1985. Pilots: Wife, Justice (broadcast as an episode of Plymouth Playhouse), ABC, 1953; Leslie Williams, Ransom for a Dead Man, NBC, 1971; Diane Harper, The Ted Bessell Show, CBS, 1973; Meredith Leland, Partners in Crime, NBC, 1973; Maxine Lochman, Thou Shalt Not Kill, NBC, 1981;Evalyna, The Million Dollar Face, NBC, 1981.

PRINCIPAL STAGE WORK—Director, The Adventures of Jack and Max, Actors' Studio West, Los Angeles, 1968; director, A Private View, New York Shakespeare Festival, Public Theatre, New York City, 1983. MAJOR TOURS—Ninotchka, Silk Stockings, U.S. cities, 1963; Karen Nash, "Visitor from Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Norma Hubley, "Visitor from Forest Hills," in Plaza Suite, U.S. cities, 1968; also appeared in Oklahoma, U.S. cities, 1948; The Tender Trap, U.S. cities, 1962.

Episodic: Martirio, "The House of Bernarda Alba," Play of the Week, WNTA, 1960; Avenging Angel, "The World of Sholem Aleichem," Play of the Week, WNTA, 1962; Laura, "The Love Song of Barney Kempinski," ABC Stage '67, ABC, 1966; also "Screwball," The P lay s the Thing, CBS, 1950; "Zone of Quiet," Comedy Theatre, CBS, 1950; "Dark as Night," "Death to the Lonely," and "The Face of Fear," Danger, CBS, 1952; "Justice," ABC Album, ABC, 1953; "The Noose," Broadway Television Theatre, syndicated, 1953; "The Blonde Comes First," Summer Theatre, CBS, 1953; "Death Is a Spanish Dancer," Ponds Theatre, ABC, 1955; "Shadow of the Champ," Philco Playhouse, NBC, 1955; "Keyhole," Playwrights '56, NBC, 1956; "Even the Weariest River," Alcoa Hour, NBC, 1956; "Mooney's Kids Don't Cry," "Three Plays by Tennessee Williams," and "Look What's Going On," Kraft Television Theatre, NBC, 1958; Great Ghost Tales, NBC, 1961; "Saturday's Children," Golden Showcase, CBS, 1962; The Nurses, CBS, 1963; East Side/West Side, CBS, 1963; The Defenders, CBS, 1963 and 1965; Slavery's People, CBS, 1964; Brenner, CBS, 1964; The Fugitive, ABC, 1964; Ben Casey, ABC, 1964 and 1965; For the People, CBS, 1965; Doctors! Nurses, CBS, 1965; "The People Trap," ABC Stage '67, ABC, 1966; The Big Valley, ABC, 1967; "Deadlock," The Bob Hope Chrysler Theatre, NBC, 1967; Ironside, NBC, 1961-Juddfor the Defense, ABC, 1968; Mission: Impossible, CBS, 1968; Medical Center, CBS, 1969; Mod Squad, ABC, 1910; Name of the Game, NBC, 1970; Bracken's World, NBC, 1970; Men at Law, CBS, 1971; Studio One, CBS; Laugh-In, NBC; One Day ataTime, CBS.

PRINCIPAL FILM APPEARANCES—Shoplifter, Detective Story, Paramount, 1951; Edna, Storm Fear, United Artists, 1956; Marilyn, Middle of the Night, Columbia, 1959; Carmen, The Balcony, Continental, 1963; Katherine McCleod, An Affair of the Skin, Zenith, 1964; Suzy, Pie in the Sky (also known as Terror in the City), Allied Artists, 1964; Dede Murphy, Divorce American Style, Columbia, 1967; Mrs. Leslie Colbert, In the Heat of the Night, United Artists, 1967; Miriam, Valley of the Dolls, Twentieth Century-Fox, 1967; Fritzie Braddock, Buona Sera, Mrs. Campbell, United Artists, 1968; motel resident, The Big Bounce, Warner Brothers/Seven Arts, 1969; Celia Pruett, Marooned, Columbia, 1969; Mrs. Enders, The Landlord, United Artists, 1970; Mrs. Bullard, There Was a Crooked Man, Warner Brothers, 1970; Norma Hubley, Plaza Suite, Paramount, 1971; Sophie Portnoy, Portnoy' s Complaint, Warner Brothers, 1972; Jean Robertson, The Internecine Project, Allied Artists, 1974; Felicia Carr, Shampoo, Columbia, 1975; Lillian Rosen, Voyage of the Damned, AVCOEmbassy, 1976; Karen Wallace, Airport'77, Universal, 1977; Ann Thorn, Damien—Omen II, Twentieth Century-Fox, 1978; Ellen, The Mafu Cage (also known as My Sister, My Love}, Clouds, 1978; Anne MacGregor, The Swarm, Warner Brothers, 1978; Clarisse Ethridge, When You Comin Back Red Ryder?, Columbia, 1979. Judge, Little Miss Marker, Universal, 1980; Mrs. Lupowitz, Charlie Chan and the Curse of the Dragon Queen, American Cinema, 1981; Deborah Ballin, Visiting Hours (also known as The Fright and Get Well Soon), Twentieth Century-Fox, 1981; narrator, The Wilmar Eight (documentary), California Newsreel, 1981; narrator, What Sex Am I? (documentary), Joseph Feury Productions, 1984; Mrs. Barr, Constance, Mirage/New Zealand Film Commission/ Miramax/Enterprise, 1984; Mrs. Jones, Trial Run, Miracle Films/ New Zealand Film Commission, 1984; Dr. Burke, Teachers, Metro-Goldwyn-Mayer/United Artists, 1984; as herself, Sanford Meisner—The Theatre's Best Kept Secret (documentary), Columbia, 1984; narrator, Down and Out in America (documentary), Joseph Feury Productions, 1986; as herself, Hello Actors' Studio (documentary), Actors' Studio, 1987; Ferguson Edwards, The Big

Movies: Lizzie, The Respectful Prostitute, BBC, 1964; Marjorie Howard, Night Slaves, ABC, 1970; Carrie Miller, The Neon Ceiling, NBC, 1971; Ellie Schuster, Lieutenant Schuster's Wife, ABC, 1972; Adele Ross, What Are Best Friends For?, ABC, 1973; Virginia Monroe, Perilous Voyage, NBC, 1976; Marion Matchett, The Spell, NBC, 1977; Esther Jack, You Can't Go Home Again, CBS, 1979; Anne Holt, For Ladies Only, NBC, 1981; Lillian Farmer, Will There Really Be a Morning?, CBS, 1983; Marilyn Klinghoffer, The Hijacking of the Achille Lauro (also known as Sea of Terror, The Last Voyage, and Achille Lauro: Terror at Sea), NBC, 1989. Specials: Florrie Sands, Saturday's Children, CBS, 1962; Robert Young and the Family, CBS, 1971; The Wonderful World of Aggravation, ABC, 1972; wife, "Raincheck," Three for 166

CONTEMPORARY

GRAY

THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Actor.

the Girls, CBS, 1973; The Shape of Things, CBS, 1973; Irina Arkadina, "The Seagull," Great Performances, PBS, 1975; hostess, Once Upon a Time . . . Is Now: The Story of Princess Grace (documentary), NBC, 1977; Karen Nash, "Visitor from Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Claire Hubley, "Visitor from Forest Hills," Plaza Suite, HBO, 1982; narrator, ' 'When Women Kill'' (documentary), America Undercover, HBO, 1984; Harry Belafonte: Don't Stop the Carnival, HBO, 1985; At Rona's, NBC, 1989.

CAREER: STAGE DEBUT—Alistair Graham/Mr. Toad, The Killing of Mr. Toad, King's Head Theatre, London, 1983. PRINCIPAL STAGE APPEARANCES—Giovanni, '77$ Pity She's a Whore, National Theatre, London, 1988; David,' 'A Table for a King" and Barnby Grace, "Keeps Rain All the Night," in A Madhouse in Goa, Lyric Hammersmith Theatre, London, 1989; also appeared in Sufficient Carbohydrate, Albery Theatre, London, 1984; Torch Song Trilogy, Albery Theatre, 1985; Teddy, St. Ursula's in Danger; and in productions of Good and Bad at Games and Amadeus.

PRINCIPAL TELEVISION WORK—All as director. Episodic: "For the Use of the Hall," Hollywood Television Theatre, PBS, 1975. Movies: A Matter of Sex, NBC, 19&4', Nobody's Child, CBS, 1986; Battered, HBO, 1989; No Place Like Home, CBS, 1989. Specials: (With Carolyn Raskin) The Shape of Things, CBS, 1973; "When Women Kill" (documentary), America Undercover, HBO, 1984; "Cindy Eller: A Modern Fairy Tale," ABC Afterschool Specials, ABC, 1985.

FILM DEBUT—Freddy Honeychurch, A Room with a View, Cinecom, 1986. PRINCIPAL FILM APPEARANCES—Alec Scudder, Maurice, Cinecom, 1987; John Beaver, A Handful of Dust, New Line Cinema, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Tipping, Vice Versa, BBC, 1980-81. Mini-Series: Simon Boulderstone, Fortunes of War, BBC, then Masterpiece Theatre, PBS, 1988. Also appeared in All for Love and in A Life of Puccini.

RELATED CAREER—Ballet dancer, Metropolitan Opera Company, New York City; company member, American Ballet Theatre, New York City. NON-RELATED CAREER—Painter.

RELATED CAREER—Worked as a clown with a traveling circus in England.

WRITINGS: TELEVISION—Specials: (Co-writer) The Shape of Things, CBS, 1973.

MEMBER: Pre-Raphaelite Seahorse Club (co-chairman, 198789). SIDELIGHTS: RECREATIONS—Playing guitar, running, and reading.

AWARDS: New York Drama Critics' Circle Award, 1949, for Detective Story; Academy Award nomination, Best Supporting Actress, 1951, and Best Actress Award from the Cannes Film Festival, 1952, both for Detective Story; Obie Award from the Village Voice, 1964, for The Maids; Emmy Award, Outstanding Performance By an Actress in a Supporting Role in a Drama, 1966, for Peyton Place; Academy Award nomination, Best Supporting Actress, 1970, for The Landlord; Emmy Award, Outstanding Single Performance By an Actress in a Lead Role, 1971, for The Neon Ceiling; Emmy Award nomination, 1971, for Ransom for a Dead Man; Academy Award, Best Supporting Actress, 1975, for Shampoo; Academy Award nomination, Best Supporting Actress, 1976, for Voyage of the Damned; Congressional Arts Caucus Award, Outstanding Achievement in Acting and Independent Filmmaking, 1983, for Tell Me a Riddle; Academy Award, Best Documentary Feature, 1986, for Down and Out in America; Directors Guild Award, Best Dramatic Television Special, 1987, for Nobody's Child; Crystal Award from Women in Film, 1988; also Emmy Award nomination for The Bob Hope Chrysler Theatre,

ADDRESSES: AGENT—Jean Diamond, London Management, 235 Regent Street, London Wl, England.

GRAY, Charles (Oliver Gray)

PERSONAL: Born Donald Marshall Gray, August 29, 1928, in Bournemouth, England; son of Donald (a surveyor) and Maude Elizabeth (Marshall) Gray. VOCATION: Actor. CAREER: Also see WRITINGS below. STAGE DEBUT—Charles the Wrestler, As You Like It, Open Air Theatre, London, 1952. BROADWAY DEBUT—Henry Bolingbroke, Richard II, Old Vic Company, Winter Garden Theatre, 1956. PRINCIPAL STAGE APPEARANCES—Roman captain and Jupiter, Cymbeline, Demiwulf, Boy with a Cart, and title role (understudy), Comus, all Open Air Theatre, London, 1952; Lord Marshall, Richard II, Duke Frederick, As You Like It, Hastings, Henry IV, Part One, the Vinter, Henry IV, Part Two, the Lord, The Taming of the Shrew, Marullus, Julius Caesar, Polyxenes, The Winter's Tale, and Duke of Burgundy and Constable of France, Henry V, all Old Vic Company, Old Vic Theatre, London, 1955; Lodovico, Othello, chorus and Escalus, Romeo and Juliet, Achilles, Troilus and Cressida, Macduff, Macbeth, and Henry Bolingbroke, Richard II, all Old Vic Company, Old Vic Theatre, 1956; chorus and Escalus, Romeo and Juliet, Lennox, Macbeth, and Achilles, Troilus and Cressida, all Old Vic Company, Winter Garden Theatre, 1956; Captain Cyril Mavors, Expresso Bongo, Saville Theatre, London, 1958.

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild, Directors Guild of America. ADDRESSES: AGENT—Jim Wyatt, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90045.*

GRAVES, Rupert

1928-

1963-

PERSONAL: Born June 30, 1963, in Weston-Super-Mare, England; son of Richard Harding (a musician) and Mary Lousilla (a travel coordinator; maiden name, Roberts) Graves. 167

GRAY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(As Oliver Gray) Prince of Wales, Kean, Broadway Theatre, New York City, 1961; Bernard Acton, Everything in the Garden, Duke of York's Theatre, London, 1962; Sir Epicure Mammom, The Alchemist, Old Vic Theatre, 1962; Maxime, Poor Bitos, Arts Theatre, London, 1963, then Duke of York's Theatre, 1964, later Cort Theatre, New York City, 1964; ensemble, Hang Down Your Head and Die (revue), Comedy Theatre, London, 1964; Sir Charles Dilke, The Right Honourable Gentleman, Billy Rose Theatre, New York City, 1965; Braham, The Philanthropist, Royal Court Theatre, then May Fair Theatre, both London, 1970; General St. Pe, Ardele, Queen's Theatre, London, 1975; Sheridan Whiteside, The Man Who Came to Dinner, Chichester Theatre Festival, Chichester, U.K., 1979. Also appeared in The Merchant of Venice, Richard HI, Antony and Cleopatra, and King Lear, all with the Shakespeare Memorial Theatre Company, Shakespeare Memorial Theatre, Stratford-on-Avon, U.K., 1953.

Columbia, 1967; Henderson, You Only Live Twice, United Artists, 1967; Mocata, The Devil's Bride (also known as The Devil Rides Out), Twentieth Century-Fox, 1968; Charles Griddon, The Man Outside, Allied Artists, 1968; General Cox-Roberts, The Secret War of Harry Frigg, Universal, 1968; Nick Harrison, "The Owl" in The File of the Golden Goose, United Artists, 1969; Lord Essex, Cromwell, Columbia, 1970; Vaughan Jones, The Executioner, Columbia, 1970; Air Commodore Hufford, Mosquito Squadron, United Artists, 1970; Blofeld, Diamonds Are Forever, United Artists, 1971; Cotton's father, Bless the Beasts and Children, Columbia, 1971; Bennington, The Beast Must Die, Cinerama, 1974; criminologist, The Rocky Horror Picture Show, Twentieth Century-Fox, 1975; Ambassador Hollander, Seven Nights in Japan, Paramount, 1976; Mycroft Holmes, The Seven-Per-Cent Solution, Universal, 1977; Charles Cook, Silver Bears, Columbia, 1978; Karl Liebknecht, The Legacy, (also known as The Legacy of Maggie Walsh), Universal, 1979; Bates, The Mirror Crack'd, Associated Film Distribution, 1980; Judge Oliver Wright, Shock Treatment, Twentieth Century-Fox, 1981; Sir James Chorley, The Jigsaw Man, United Film Distribution, 1984. Also appeared in Wild Rovers, Metro-Goldwyn-Mayer, 1971; Junior Bonner, Cinerama, 1972.

MAJOR TOURS—Ross, Macbeth, U.K. cities, 1952; Henry Bolingbroke, Richard II, chorus and Escalus, Romeo and Juliet, Lennox, Macbeth, and Achilles, Troilus and Cressida, U.S. and Canadian cities, 1957; also Antony and Cleopatra, U.K. cities, 1954.

PRINCIPAL TELEVISION APPEARANCES—Series: Sir Edwin, Upstairs, Downstairs, London Weekend Tele vision, then Masterpiece Theatre, PBS, 1974-77. Mini-Series: Mr. Calvin, Captains and the Kings, NBC, 1976; General Lucian Truscott, Ike, ABC, 1979; also Champagne Charlie, syndicated, 1989. Episodic: Mycroft Holmes, "The Greek Interpreter," The Adventures of Sherlock Holmes Series II, Granada, 1986, then Mystery!, PBS, 1987; Mycroft Holmes, "The Bruce-Partington Plans," The Return of Sherlock Holmes Series II, Granada, then Mystery!, PBS, 1988; also "Sanatorium" and "The Ant and the Grasshopper," both Somerset Maugham Hour, AR, 1961. Movies: General Lischke, The House on Garibaldi Street, ABC, 1979; Earl Spencer, Charles and Diana: A Royal Love Story, ABC, 1982. Specials: Escalus, Romeo and Juliet, NBC, 1957; Bounine, "Anastasia," Hallmark Hall of Fame, NBC, 1967; title role, Julius Caesar, BBC, then The Shakespeare Plays, PBS, 1979; Claudius, An Englishman Abroad, BBC, 1983, then Great Performances, PBS. Also appeared in Small Backroom, BBC, 1959; The Big Client, ABC, 1959; No Hiding Place, AR, 1959; The First Gentleman, Southern Television, 1960; Tiger at the Gates, Granada, 1961; You Can't Escape, BBC, 1961; Any Other Business, ATV, 1961; Design for Murder, BBC, 1961; Voices from the Past, BBC, 1962; The Tycoons, ABC, 1962; A Matter of Principal, ATV, 1962; Private and Personal, BBC, 1963; The Perfect Friday, ATV, 1963; Tea Party, BBC, 1965; and in The Cherry Orchard, Richard HI, Porterhouse Blue, Small World, and The Gourmet.

PRINCIPAL FILM APPEARANCES—Captain Brossard, / Accuse!, Metro-Goldwyn-Mayer, 1958; Lawson, The Desperate Man, Allied Artists, 1959; columnist, The Entertainer, British Lion, 1960; Gomez, Tommy the Toreador, Warner Brothers, 1960; Leo, Man in the Moon (also known as Operation Masquerade and The Shabby Tiger), United Artists, 1965; General Von Seidlitz-Gablear, The Night of the Generals (also known as La Nuit de generaux),

WRITINGS: STAGE—The Old Soldier, 1971; The Pot Plant, 1972. AWARDS: Clarence Derwent Award, 1964, for Poor Bitos. MEMBER: Actors' Equity Association, British Actors' Equity Association. ADDRESSES: AGENT—London Management, 235 Regent Street, London Wl, England.

GRAY, Oliver See GRAY, Charles

CHARLES GRAY

168

GREEK

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 GREENHUT, Robert VOCATION: Producer. CAREER: PRINCIPAL FILM WORK—Unit production manager, The Owl and the Pussycat, Columbia, 1970; assistant director, Panic in Needle Park, Twentieth Century-Fox, 1971; production manager, Born to Win, United Artists, 1971; associate director, Last of the Red Hot Lovers, Paramount, 1972; executive producer and production manager, Annie Hall, United Artists, 1977; executive producer, Interiors, United Artists, 1978; associate producer and production manager, Hair, United Artists, 1979; executive producer, Manhattan, United Artists, 1979; producer, Stardust Memories, United Artists, 1980; producer and assistant director, Arthur, Warner Brothers, 1981; producer, A Midsummer Night's Sex Comedy, Warner Brothers, 1982; executive producer, The King of Comedy, Twentieth Century-Fox, 1983; producer, Zelig, Warner Brothers, 1983; producer, Broadway Danny Rose, Orion, 1984; producer, The Purple Rose of Cairo, Orion, 1985; producer, Hannah and Her Sisters, Orion, 1986; producer (with Mike Nichols), Heartburn, Paramount, 1986; producer, Radio Days, Orion, 1987; producer, September, Orion, 1987; producer (with James L. Brooks) and unit production manager, Big, Twentieth CenturyFox, 1988; executive producer (with Laurence Mark) and unit production manager, Working Girl, Twentieth Century-Fox, 1988; producer, Another Woman, Orion, 1989; producer, "Oedipus Wrecks" in New York Stories, Touchstone, 1989; producer, Crimes and Misdemeanors, Orion, 1989. PRINCIPAL TELEVISION WORK—Movies: Associate producer, The Silence, NBC, 1975; associate producer, Panic in Echo Park, NBC, 1977. DABBS GREER

AWARDS: Academy Award nomination, Best Picture, 1987, for Hannah and Her Sisters. ADDRESSES: MANAGER—Rollins/Joffe/Morra/Brezner 130 W. 57th Street, New York, NY 10019.*

and You and I, all 1936; Wingless Victory, 1937; The Imaginary Invalid, 1938; Tonight at 8:30, He Who Gets Slapped, and The Pirates of Penzance, all 1939; The Nurse Wears Silk and The Intruder, both 1941; The College Widow, Good Gracious Annabelle, and Penny Wise, all 1942; Our Town, Arsenic and Old Lace, Intimate Strangers, and Monsieur Beaucaire, all 1943; One in Every Family, Personal Appearance, The Master Builder, A Christmas Carol, The Great Galeoto, Pursuit of Happiness, Defiance, Candida, My Sister Eileen, Young Man of Today, and It's a Wise Child, all 1944; The Makropolous Secret, Little Women, Autumn Crocus, King Lear, Janie, Spring Again, Tomorrow and Tomorrow, and Mary of Scotland, all 1945; Men Coming Home, Snafu, Night Must Fall, Hang on to Love, The Avon Flows, Lovers' Lane, But Not Goodbye, and Yankee Fable, all 1946; Mrs. Wiggs of the Cabbage Patch, The Great God Brown, and Years Ago, all 1947; Woman Bites Dog, Gauguin, and Time Is a Dream, all 1948; Command Decision, The Willow and I, and Polly anna, all 1949; Two Blind Mice, The Two Mrs. Carrolls, Mother Is a Freshman, and Madam Ada, all 1950; Goodbye My Fancy, 1951; Gramercy Ghost, 1952; The Taming of the Shrew and Point of No Return, both 1953; Me, Candida, 1957; The Iceman Cometh, 1958.

Inc.,

GREER, Bettejane See GREER, Jane

GREER, Dabbs

1917-

PERSONAL: Born Robert William Greer, April 2,1917, in Fairview, MO; son of Randall Alexander (a druggist) and Bernice Irene (a speech teacher; maiden name, Dabbs) Greer. EDUCATION—Drury College, A.B., 1939; studied acting at the Pasadena Playhouse School of Theatre.

PRINCIPAL STAGE WORK—Director: How Come Christmas and Time Is a Dream, both 1937; Dear Brutus, 1938; He Who Gets Slapped, 1939; The Late Christopher Bean and Penny Wise, both 1940; Seven Sisters and Air Raid, both 1941; Penny Wise, Lady Windemere's Fan, Our Town, George Washington Slept Here, Time Is a Dream, and Outward Bound, all 1942; Ladies Retirement, Arsenic and Old Lace, The Women, and Cradle Song, all 1943; Camille, The Youngest Profession, Sister Beatrice, and The Fan,

VOCATION: Actor and director. CAREER: STAGE DEBUT—Prince Rupert, Cinderella, 1924. PRINCIPAL STAGE APPEARANCES—Appeared in productions of The Yankee, \926\CityandCountry, 1932; Wild Ginger, \934\Spider and the Fly, The Queen's Husband, and Outward Bound, all 1935; The Big Pond, Sky High, Passing of the Third Floor Back, Candida, 169

GREEK

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

all 1944; The Makropolous Secret, Iphigenia in Tauris, Romeo and Juliet, Autumn Crocus, The Cid, The Country Wife, The Bandersnatch, Sara Sampson, and Festival, all 1945; TheBacchae, Oedipus Rex, Uncertain Seas, It's All Been Done Before, Song with Distant Words, The Boor, Subway Circus, Young April, and Pierre Pate tin, all 1946; Tournament of Roses Coronation Pageant and Time Is a Dream, both 1948; Out of the Frying Pan, Odin Against Christus, Shucks!, andThe Willow and I, all 1949; Her Clothing Is Purple and The Traitor, both 1950; The Live Wire, 1951.

United Artists, 1956; Henry, Hot Rod Girl (also known as Hot Car Girl), American International, 1956; Mac, Invasion of the Body Snatchers, Allied Artists, 1956; Mr. Clendening, All Mine to Give (also known as The Day They Gave Babies Away), Universal, 1957; Bonner, Baby Face Nelson, United Artists, 1957; Dr. Ainsley, Chain of Evidence, Allied Artists, 1957; Lieutenant O'Connor, My Man Godfrey, Universal, 1957; Brewster, Pawnee (also known as Pale Arrow), Republic, 1957; Goldsborough, The Spirit of St. Louis, Warner Brothers, 1957; Dr. Will Beaumont, The Vampire (also known as Mark of the Vampire), United Artists, 1957; John Clinton, Young and Dangerous, Twentieth Century-Fox, 1957; San Quentin captain, / Want to Live!, United Artists, 1958; Eric Royce, It! The Terror from Beyond Space (also known as It! The Vampire from Beyond Space), United Artists, 1959; Doc Langer, Day of the Outlaw, United Artists, 1959; gas station attendant, Edge of Eternity, Columbia, 1959; Andy, LastTrain from Gun Hill, Paramount, 1959; Doc Jansen, Lone Texan, Twentieth CenturyFox, 1959.

FILM DEBUT—Guard at the gate, The Black Book (also known as Reign of Terror), Eagle-Lion, 1948. PRINCIPAL FILM APPEARANCES—Reporter, The Damned Don't Cry, Warner Brothers, 1950; Mike, The Sound of Fury (also known as Try and Get Me), United Artists, 1950; police attendant, Storm Warning, Warner Brothers, 1950; Spud Keith, Devil's Doorway, Metro-GoldwynMayer (MGM), 1950; communications officer, Trial without Jury, Republic, 1950; dealer, California Pas sage, Republic, 1950; bailiff, The Lady from Texas, Universal, 1951; first man, Weekend with Father, Universal, 1951; aide to the Colonel, Call Me Mister, Twentieth Century-Fox, 1951; taxi driver, Father's Little Dividend, MGM, 1951; driver, The Unknown Man, MGM, 1951; reporter, Deadline-USA, (also known as Deadline], Twentieth Century-Fox, 1952; Parker, Sally and Saint Anne, Universal, 1952; technician, Million Dollar Mermaid (also known as The One-Piece Bathing Suit), MGM, 1952; court clerk, My Man and I, MGM, 1952; curio shop owner, Because of You, Universal, 1952; intelligence clerk, Diplomatic Courier, Twentieth Century-Fox, 1952; cab driver, Monkey Business, Twentieth Century-Fox, 1952; scoutmaster, Room for One More (also known as The Easy Way), Warner Brothers, 1952; reporter, The Bad and the Beautiful, MGM, 1952; man at the bar, Scarlet Angel, Universal, 1952; man at Mississippi contest, We're Not Married, Twentieth CenturyFox, 1952; Shorty, Take the High Ground, MGM, 1953; jet leader, Mission Over Korea, Columbia, 1953; Eddie, A Slight Case of Larceny, MGM, 1953; a citizen, Julius Caesar, MGM, 1953; Haddock, Above and Beyond, MGM, 1953; Happy Murray, Affair with a Stranger, RKO, 1953; Galuppo, China Venture, Columbia, 1953; elevator boy, Dream Wife, MGM, 1953; George Payson, Half a Hero, MGM, 1953; Sergeant Jim Shane, House of Wax, Warner Brothers, 1953; Julius, Remains to Be Seen, MGM, 1953; Father Mahoney, Trouble Along the Way, Warner Brothers, 1953; fireman, Mr. Scoutmaster, Twentieth Century-Fox, 1953; sheriff, Bitter Creek, Allied Artists, 1954; Jim Langley, The Desperado, Allied Artists, 1954; head ranger, Living It Up, Paramount, 1954; bartender, Private Hell 36, Filmmaker, 1954; Schuyler, Riot in Cell Block 11, Allied Artists, 1954; committeeman, Rose Marie, MGM, 1954; She Couldn't Say No (also known as Beautiful But Dangerous), RKO, 1954.

John Burton, Cash McCall, Warner Brothers, 1960; aide, Hell Is for Heroes, Paramount, 1962; waiter, Wives and Lovers, Paramount, 1963; youth leader, Palm Springs Weekend, Warner Brothers, 1963; express man, Showdown (also known as The Iron Collar), Universal, 1963; Arthur Nielsen, Roustabout, Paramount, 1964; Abernathy, Shenandoah, Universal, 1965; voice of second man, Two Mules for Sister Sara, Universal, 1970; Jedediah W. Willowby, The Cheyenne Social Club, National General, 1970; Dr. Thompson, Rage, Warner Brothers, 1972; Pa McKlusky, White Lightning (also known as McKlusky), United Artists, 1973; voice of Collins, The Last American Hero (also known as Hard Driver), Twentieth Century-Fox, 1975; Wally, Chu Chu and the Philly Flash, American International, 1981; Kyle, Two Moon Junction, Lorimar, 1988; Otto Klausberg, Sundown, The Retreat of the Vampires, Vestron, 1988. Also appeared as Lyle Phelps, . . . And God Bless Grandma and Grandpa, 1973; in God Bless Dr. Shagetz, 1977; Evil Town, Trans World Entertainment, 1987. TELEVISION DEBUT—Dr. Herdal, The Master Builder, 1944. PRINCIPAL TELEVISION APPEARANCES—Series: Various roles, Fireside Theatre, NBC, 1950-51; Sergeant Jim Ward, Big Town, NBC, 1954; Mr. Wilbur Jonas, Gunsmoke, CBS, 1955-62; Ossie Weiss, Hank, NBC, 1965-66; Reverend Robert Alden, Little House on the Prairie, NBC, 1974-82; Reverend Robert Alden, Little House: A New Beginning, NBC, 1982-83. Pilots: Tom Quine, Lineup, CBS, 1954; Sidney Bascomb, Sally, NBC, 1956; policeman, Christabel (broadcast as an episode of Goodyear Theatre), NBC, 1959; Sheriff Jim Roarke, Checkmate (broadcast as an episode of Zane Grey Theatre; also known as Dick Powell's Zane Grey Theatre), CBS, 1959; Professor Atkins, Best Years, ABC, 1962; minister, The Brady Bunch, ABC, 1968; theatre owner, The Boys, NBC, 1970; Deacon Hurd, The Greatest Gift, NBC, 1974; Milt Mullins, First Impressions, CBS, 1987; also Bill Rockwell, Code Three, 1954; Lee Clark, The Marie Wilson Show, 1956; Ted Borton, Forest Ranger, 1956 (unaired); Arthur Pierson, Juvenile Court, 1958; Mike Sampson, Luke and the Tenderfoot, 1958; Uncle Nabob, The Minnie Pearl Show, 1968; Mr. Landers, Two Boys, 1969; Vern Carson, The Pink Panther, 1989.

Hotel clerk, Stranger on Horseback, United Artists, 1955; Commander Holleck, An Annapolis Story (also known as The Blue and the Gold), Allied Artists, 1955; stage manager, Hit the Deck, MGM, 1955; minister, At Gunpoint (also known as Gunpoint), Allied Artists, 1955; bus driver, Foxfire, Universal, 1955; pilot instructor, The McConnell Story (also known as Tiger in the Sky), Warner Brothers, 1955; Captain Brewster, The Scarlet Coat, MGM, 1955; doctor, Seven Angry Men, Allied Artists, 1955; tutor, The Seven Little Foys, Paramount, 1955; Lieutenant Harrison, Away All Boats, Universal, 1956; Smith-Johnson, Meet Me in Las Vegas (also known as Viva Las Vegas), MGM, 1956; Potter, The First Texan, Allied Artists, 1956; doctor, Tension at Table Rock, RKO, 1956; Ephraim, The Young Guns, Allied Artists, 1956; Arkinson, D-Day, the Sixth of June (also known as The Sixth of June), Twentieth Century-Fox, 1956; Detective Davenport, Hot Cars,

Episodic: Paul Marin, Space Patrol, ABC, 1951; Guy, The Adventures of Superman, syndicated, 1951; Shaky, Dick Tracy, ABC, 1951; Doc Halliday, "Let the Cards Decide," Fireside Theatre, NBC, 1952; Joe, Big Town (also known as City Assignment), CBS, 1952; Jeff Markworth, This Is the Life, Dumont, 1952; Toby Durbin, The Lone Ranger, ABC, 1952; John Adams, "Poor Richard," Cavalcade of America, NBC, 1952; Pierson, "No Gods 170

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

GREEK

Quill and the Gun," The Web, NBC, 1957; James Edwards, Sr., Tombstone Territory, ABC, 1957; Walter Harrison, "The Understanding Heart" and Mr. Blanchard, "The Accused," The Loretta Young Show, NBC, 1957; Sam Pike, MeetMcGraw (also known as The Adventures of McGraw), NBC, 1957; Harrison Peeble/Dan Dobey, The Adventures of Superman, syndicated, 1957; Blandish, How to Marry a Millionaire, syndicated, 1957; Sam Higgens, Man without a Gun, syndicated, 1957; Dave Kirby, Perry Mason, CBS, 1957.

to Serve," The Visitor (also known as The Doctor), NBC, 1952; Jerome McVey, "First Prize" and Saul Marcus, "Valley of the Shadow," Fireside Theatre, NBC, 1953; Joe Winters, The Adventures of Superman, syndicated, 1953; Jack, Topper, CBS, 1954; Johann, "Escape" and Mark Wilson, "The Saturday Story," Cavalcade of America, ABC, 1954; George McCadden, Lineup, CBS, 1954; Joe Baker, Lassie, CBS, 1954; George Alton, This Is the Life, syndicated, 1954; attendant, "Case for Father Darling," dentist, "Feeling No Pain," and Dewey Mason, "No Evil for Evil," The Loretta Young Show, NBC, 1954; Adams, "The After House," Climax, CBS, 1954; Mr. Collins, Father Knows Best, CBS, 1954; Merrick, "Case of the Capitol Crime," The Man Behind the Badge, CBS, 1954.

Jim Burdette, The Whirlybirds, syndicated, 1958; Ed Grines, State Trooper, syndicated, 1958; Sheriff ¥arow, Trackdown, CBS, 1958; Kirby, "Backfire," Target, syndicated, 1958; Mike Kilroy, Trackdown, syndicated, 1958; Ed McColl, "Handful of Ashes," Sheriff Will, "Pressure Point," and ex-Confederate, "Welcome Home a Stranger," Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS, 1958; Tom Wade, Wanted: Dead or Alive, CBS, 1958; storekeeper, "Texas John Slaughter," Disneyland (also known as Walt Disney), ABC, 1958; Roy Stanton, "Peligroso," Restless Gun, NBC, 1958; Elder Boone, Wanted: Dead or Alive, CBS, 1958; Joe Burton, U.S. Marshal, syndicated, 1958; police captain, Colonel Flack, syndicated, 1958; Lewis, "The Image of Fear," Studio One, CBS, 1958; Lester Newby, The Ed Wynn Show, NBC, 1958.

Keith Fowler, The Bob Cummings Show (also known as Love That Bob), NBC, 1955; Doctor Carlson, "Payment in Kind," Henry Fonda Presents the Star and the Story (also known as Star and Story), syndicated, 1955; Trusty, Dear Phoebe, NBC, 1955; Herb, The Ray Milland Show, CBS, 1955; Marshal Crawford, The Life and Legend of Wyatt Earp (also known as WyattEarp), ABC, 1955; Dave, "Lou Gehrig's Greatest Day" and Colonel Venable, "Grant and Lee at Appomattox,'' You Are There, CBS, 1955; Tom Denby, Dr. Hudson's Secret Journal, syndicated, 1955; MacGuire, "It Grows on Trees," Lux Video Theatre, NBC, 1955; Walter Sanger, This Is the Life, syndicated, 1955; Phil Harvey, Waterfront, syndicated, 1955; Tyler, Dr. Hudson's Secret Journal, syndicated, 1955; Arthur Kern, "Strange People at Pecos'' and MacNamara,' 'Operation Flypaper," Science Fiction Theatre, syndicated, 1955; Tom, "Prosper's Old Mother," General Electric Theatre, CBS, 1955; Germy, "Gusher City," Jane Wyman Presents the Fireside Theatre, CBS, 1955; Ray, "Paper Gunman" and Marshal, "King of Dakota," Frontier, NBC, 1955; Josef, Man CalledX, syndicated, 1955; Mr. Sayre, "Navy Corpsman," Navy Log, CBS, 1955; Chester Ives, "Tropical Secretary" and Les Shaw, "Ticket for May," The Loretta Young Show, NBC, 1955; Charlie, "Gift of Life," Schlitz Playhouse of Stars, CBS, 1955; Don Dogdon, Lineup, CBS, 1955.

Franklyn Finch, Colonel Flack, syndicated, 1959; Jake Bender, The Adventures of Ellery Queen, NBC, 1959; Ben Moore, Steve Canyon, NBC, 1959; Amboy, The Thin Man, NBC, 1959; Denver Pollock, Black Saddle, NBC, 1959; Bryson, Colonel Flack, syndicated, 1959; Sheriff Jenkins, The Rough Riders, ABC, 1959; Clayton Beard, "The Day Before Atlanta," Playhouse 90, CBS, 1959; Owen Edwards, Black Saddle, NBC, 1959; Tanner, Wagon Train, NBC, 1959; Will, BatMasterson, NBC, 1959; Tory Jasper, "Swampfox," Walt Disney Presents, ABC, 1959; John LePage, Troubleshooters, NBC, 1959; Hennesey's father, Hennesey, CBS, 1959; Marcus Trimble, The Rifleman, ABC, 1959; Sam Elder, The Rifleman, ABC, 1959; Brett Conway, The Rifleman, ABC, 1959; Doctor Baker, "The Red Dress" and Doctor Merrill, "The Grenade," The Loretta Young Show, NBC, 1959; Skeet, Tightrope, CBS, 1959; Ben McClaren, Man without a Gun, syndicated, 1959; Matty Burton, "Omaha Beach," Alcoa-Goodyear Theatre, NBC, 1959; bartender, Wanted: Dead or Alive, CBS, 1959; Scooter Jaffee, Private Detective Richard Diamond, CBS, 1959; Mr. Gilroy, The Many Loves ofDobie Gillis (also known as Dobie Gillis), CBS, 1959; Deacon Matthews, Wichita Town, NBC, 1959; Hal Kirkwood, Perry Mason, CBS, 1959.

Bert Keith, The George Burns and Grade Allen Show, CBS, 1956; milkman,' 'There Was an Old Woman'' and sheriff,' 'The Belfry,'' Alfred Hitchcock Presents, CBS, 1956; Doctor Hendricks, The George Burns and Grade Allen Show, CBS, 1956; Stoolie, "The Ed Murdock Story," The Millionaire, CBS, 1956; Professor Reimers, "One Hundred Years from Now," Science Fiction Theatre, syndicated, 1956; Mr. Erwin, "We Who Love Her," On Trial, NBC, 1956; John Compton, "Family Affair," Stage Seven, CBS, 1956; Doctor English, "Call of Duty," The West Point Story, CBS, 1956; Nathaniel Lome, "Johnny Tremain," Disneyland (also known as Walt Disney), ABC, 1956; Henry Blaine, "Helpmate," Jane Wyman Presents the Fireside Theatre, NBC, 1956; Pete Maxwell, Dr. Hudson's Secret Journal, syndicated, 1956; Shammy, "You Can't Escape Forever," Lux Video Theatre, NBC, 1956; Keever, Mr. Adams and Eve, CBS, 1956; Si Marsh, "Muletown Gold Strike," Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS, 1956; Joe Randolph, Broken Arrow, ABC, 1956; Charles Jackson, Sheriff of Cochise, syndicated, 1956.

Jack Scully, The Rifleman, ABC, 1960; Mark Twain, Laramie, NBC, 1960; Harvey Cleere, Rescue Eight, syndicated, 1960; Leo Harris, "One Man Tank" and Slim Newell, "Who's fer Divide," Death Valley Days, syndicated, 1960; Colby, Laramie, NBC, 1960; Mr. Gilroy, The Many Loves ofDobie Gillis (also known as Dobie Gillis), CBS, 1960; Farley Weaver, The Rifleman, ABC, 1960; Finley, Wagon Train, NBC, 1960; Sam, Johnny Ringo, CBS, 1960; Finney, The Rifleman, ABC, 1960; Knudsen, Perry Mason, CBS, 1960; Judge Blau, Harrigan and Son, ABC, 1960; Doc Meeker, "Night Song,'' The Dupont Show with June Ally son, CBS, 1960; Dan Reider, Stagecoach West, ABC, 1960; driver, Klondike, NBC, 1960; Ben Wilson, Tales of Wells Fargo (also known as Wells Fargo), NBC, 1960; Poe, The Law and Mr. Jones, ABC, 1960; nervous shepherd, "The Reluctant Dragon," Shirley Temple's Storybook, NBC, 1960; Lester Courtney, The Lawman, ABC, 1960; townsman, Rawhide, CBS, 1960; HelmMerriweather, The Detectives, Starring Robert Taylor (also known as Robert Taylor's Detectives), ABC, 1960.

Dan Malloy, The Whirlybirds, syndicated, 1957; Pete Maxwell, Dr. Hudson's Secret Journal, syndicated, 1957; Zac West, Charlie Chan, syndicated, 1957; Tom Nolan, The West Point Story, ABC, 1957; Keever, Mr. Adams and Eve, CBS, 1957; Germie, "The Wildcatter" and Mr. Boggs, "Roadblock," Jane Wyman Presents the Fireside Theatre, NBC, 1957; Cass Baker, The Court of Last Resort, NBC, 1957; Ethan Phelps, "Easton, Texas" and Ward Barrett, "The Witness," Trackdown, CBS, 1957; Haw, "The 171

GREEK

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Tom Randall, The Untouchables, ABC, 1961; first clerk, The Jack Benny Show, CBS, 1961; Sam, Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS, 1961; Al Stehl, The Asphalt Jungle, ABC, 1961; Ned Ferber, The Untouchables, ABC, 1961; Harry Cole, This Is the Life, syndicated, 1961; Todd Adams, "Time for Decision," Mr. Blane, "A Barrel Full of Monkeys," and Ed Foster, "The Outsider," The Detectives, Starring Robert Taylor (also known as Robert Taylor's Detectives), ABC, 1961; Ed Brandon, Shotgun Slade, syndicated, 1961; Foster, Stagecoach West, ABC, 1961; Haber, The Aquanauts (also known as Malibu Run), CBS, 1961; Henry Creasy, Checkmate, CBS, 1961; Reverend Forbes, Adventures in Paradise, ABC, 1961; Harry Wilson, Hawaiian Eye, ABC, 1961; Oscar Cleete, The Aquanauts (also known as Malibu Run), CBS, 1961; Hokey, Checkmate, CBS, 1961; Finney Tate, Surfside Six, ABC, 1961; Will Cass, Bonanza, NBC, 1961; Jefty, Bus Stop, ABC, 1961; Bert Taylor, The Rifleman, ABC, 1961; Willie Beal, Cain s Hundred, NBC, 1961; Mr. Willis, Dr. Kildare, NBC, 1961; Elmo Regis, Laramie, NBC, 1961; Buzz Farrell, Perry Mason, CBS, 1961; Mr. Halliday, Ichabod and Me, CBS, 1961; Councilman Dobbs, The Andy Griffith Show, CBS, 1961; Doc Halop, Have Gun Will Travel, CBS, 1961.

The Virginian, NBC, 1965; Harper Caldwell, GomerPyte, U.S.M.C., CBS, 1965; Mr. Brumley, The Dick Van Dyke Show, CBS, 1965. Paul Leonard, The F.B.L, ABC, 1966; Charles Fletcher, The Fugitive, ABC, 1966; Wilbur Jonas, Gunsmoke, CBS, 1966; Bill Cotton, Perry Mason, CBS, 1966; Ira, Laredo, NBC, 1966; Thomas Gimmer, The Road West, NBC, 1966; Roger Porter, The F.B.L, ABC, 1966; Thomas, The Fugitive, ABC, 1966; Sam Bryant, Bonanza, NBC, 1966; minister, The Invaders, ABC, 1966; Sheriff Simmons, Rango, ABC, 1966; chaplain, The Dick Van Dyke Show, CBS, 1966; Mr. Thompson, The Danny Kaye Show, CBS, 1967; Sam Jensen, The Fugitive, ABC, 1967; Alvin Van Doyle, The F.B.L, ABC, 1967; Ed Harger, The Virginian, NBC, 1967; Hub Dawes, Bonanza, NBC, 1967; Daniel Turpin, Mannix, CBS, 1967; Matt Carson, The Big Valley, ABC, 1967; motorcycle cop, GomerPyle, U.S.M.C., CBS, 1967; Judge Quayle, Cimarron Strip, CBS, 1967; General Craven, The Second Hundred Years, ABC, 1967; Doctor Zellmer, Jwdd, for the Defense, ABC, 1967; Wilbur Jonas, Gunsmoke, CBS, 1967; Senator Seth Buckley, The Wild Wild West, CBS, 1968; Patrick Owens, The F.B.L, ABC, 1968; Peck, Petticoat Junction, CBS, 1968; Petey O'Grady, Mannix, CBS, 1968; Norrie Coolidge, The Ghost and Mrs. Muir, NBC, 1968; Orkin, The F.B.L, ABC, 1968; Captain Lyman Butler, The Wild Wild West, CBS, 1968; Ralph Lebow, Judd, for the Defense, ABC, 1968; Doc Tasker Dunkett, Bonanza, NBC, 1968; Nome Coolidge, The Ghost and Mrs. Muir, NBC, 1969; Wilkie Coombs, Mannix, CBS, 1969; Thomas Gibbs, Ironside, NBC, 1969; sheriff, Lancer, CBS, 1969; Stilts, "The Boy Who Stole the Elephant," The Wonderful World of Disney, NBC, 1969; Arlie Sessions, The F.B.L, ABC, 1969; Mr. Carew, Ironside, NBC, 1969; man on the bus, Bracken's World, NBC, 1969.

Mr. Berger, The Dick Van Dyke Show, CBS, 1962; Doctor Ellis, "All Day to Live" and Herb Raymond, "The Very Custom Special,'' Alcoa Premiere, ABC, 1962; General Fulton, Follow the Sun, ABC, 1962; Joe Brockway, The Lawman, ABC, 1962; chaplain, The Dick Van Dyke Show, CBS, 1962; Scanlon, "HocusPocus and Frisby" and Evans, "Valley of the Shadow," The Twilight Zone, CBS, 1962; Gavin, "Pericles on Thirty-First Street,'' The Dick Powell Theatre (also known as The Dick Powell Show), NBC, 1962; hardware store clerk, The Andy Griffith Show, CBS, 1962; man at post office, The Danny Thomas Show, NBC, 1962; Joe Williams, Empire, NBC, 1962; Walter Horner, Saints and Sinners, NBC, 1962; Doctor Banner, Stoney Burke, ABC, 1962; Ed Crain, The Eleventh Hour, NBC, 1962; Fairfield, The Fugitive, ABC, 1962; Brower, The Untouchables, ABC, 1962; Jebediah Haddlebird, Rawhide, CBS, 1963; Charlie Piedmont, I'm Dickens—He's Fenster, ABC, 1963; Henshaw, Bonanza, NBC, 1963; Wilbur Jonas, Gunsmoke, CBS, 1963; Jack Tabor, Perry Mason, CBS, 1963; Newton Yort, "A Hero for Our Time," Kraft Suspense Theatre, NBC, 1963; Marshal Cloud, Temple Huston, NBC, 1963; Sladowski, Grindl, NBC, 1963; Halstead, Perry Mason, CBS, 1963; Charley Ward, The Greatest Show on Earth, ABC, 1963; Madigan, The Rogues, NBC, 1963.

Victor Bychek, The Name of the Game, NBC, 1970; judge, Bonanza, NBC, 1970; Edgar Jarvis, The Interns, CBS, 1970; Howard Deal, The F.B.L, ABC, 1970; Fred Smith, Bonanza, NBC, 1970; Jacobi, The Young Lawyers, ABC, 1970; Sam Dawson, Bonanza, NBC, 1970; Casey, The Bold Ones, NBC, 1971; Sal Cleary, The F.B.L, ABC, 1971; Billy Jack, O'Hara, U.S. Treasury, CBS, 1971; Harrigan, Sr., Nichols, NBC, 1971; bus stop owner, The Mod Squad, ABC, 1972; studio guard, The Rookies, ABC, 1971; Harry Bell, "Earth, Air, Fire, and Water," Ghost Story (also known as Circle of Fire), ABC, 1972; Andy Spake, Barnaby Jones, CBS, 1972; Kelsey Waller, The F.B.L, ABC, 1973; William Salter, Cannon, CBS, 1973; old filekeeper, Ironside, NBC, 1973; Dave Carson, Adam-12, NBC, 1973; Billy Levinson, The Rookies, ABC, 1973; Joe Bean, Gunsmoke, CBS, 1973; motel owner, Chopper One, ABC, 1973; Charles, Firehouse, ABC, 1973; Larry Parino, Chase, NBC, 1974; Orville Norton, Paper Moon, ABC, 1974; Walt Fox, Cannon, CBS, 1974; Harry Bell, The Manhunter, CBS, 1974; Seldom Seen Sam, Shazam!, CBS, 1975; Peter Preli, The Rockford Files, NBC, 1975; Rudy Zender, Bert D'AngelolSuperstar, ABC, 1976; watchman, Streets of San Francisco, NBC, 1976; Doctor Hubert Nippert, Emergency, NBC, 1976; Doctor Malone, The Incredible Hulk, CBS, 1978; BlufordCatlin, Charlie s Angels, ABC, 1979; The Greatest American Hero, ABC, 1981; Henry, Matt Houston, ABC, 1982; Ralph Woolsey, Starman, ABC, 1985; Russell, Werewolf, Fox, 1987; Buzz Benson, Charles in Charge, syndicated, 1987; Ben Farber, Something Is Out There, NBC, 1988; voice characterizations, The AnnJillian Show, NBC, 1989; Joe, Roseanne, ABC, 1989; minister, The Brady s, CBS, 1990.

Mr. Bishop, "The Children of Spider Country," The Outer Limits, ABC, 1964; E.F. Larkin, "The Inheritors," The Outer Limits, ABC, 1964; Naylor Sweet, The Andy Griffith Show, CBS, 1964; Doctor Forbes, Destry, ABC, 1964; Wilbur Jonas, Gunsmoke, CBS, 1964; Jules H. Soloman, Arrest and Trial, ABC, 1964; Hiram Snow, Wagon Train, ABC, 1964; Ossie Weiss, Hank, NBC, 1964; Sheriff Claypool, The Fugitive, ABC, 1964; Mr. Sims, The Andy Griffith Show, CBS, 1964; Doctor Fenner, "Prudence Crandall," Profiles in Courage, NBC, 1964; sheriff, Rawhide, CBS, 1964; filling station man, Ninety Bristol Court, NBC, 1964; mayor, The Fugitive, ABC, 1964; Mr. Clark, The Bill Dana Show, NBC, 1964; Orville Beaumont, Wendy and Me, ABC, 1964; Casey, Lassie, CBS, 1964; Taggart, Peyton Place, ABC, 1965; night court judge, The Danny Kaye Show, CBS, 1965; Dodson, Perry Mason, CBS, 1965; Taylor, "John Marshall," Profiles in Courage, NBC, 1965; Detective Fullmer, The Cara Williams Show, CBS, 1965; Mr. Waring, The Dick Van Dyke Show, CBS, 1965; reformed crook, The Danny Kaye Show, CBS, 1965; doctor,

Also Paul Barrows,' 'Miracle at Eagle Bluff' and Max Klein, "116 E. 20th Street," Jeweler's Showcase, 1952; Sandy, Mr. McNutley, 1953; Fred Fielding, "Doc," Erwin Martin, "The Catbird Seat," 172

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

GREEK

Macintosh, "Ask Me No Questions," and Papa Kirk, "At Mrs. Lelands," Matinee Theatre, 1956; Doctor Petrie, "Trigger-Finger Clue," Tad Duncan, Sr., "Courage," Doctor Rayborn, "TheOld, Old Story," Paul Diamond, "Go Fight City Hall," and Captain Larsen, "The Smuggler," Readers Digest, 1956; Louis Johnson, Code Three, 1956; Melvin Sanders, Fury, 1956; Sheriff Barton, "Swing Your Partner, Hector," Heinz Playhouse, 1956; James Andrews, Official Detective, 1957; Mr. Boswaithe, Anything, Incorporated, 1957; Ben Tait, "The Party Dress," Matinee Theatre, 1957; Dan Seery, Best of the Post, 1957; John Cooper, Grey Ghost, 1957; Hez Crabtree, "Hickory Heart," Matinee Theatre, 1958; Emil Roland, Night Watch, 1958; George Hamlin, This Is the Answer, 1959; Paul Feeney, Rogue for Hire, 1959; Wesley, The Plainsman, 1959; Charlie, Gringo, 1959; Joe Kane, J.P., 1960; Sheriff Barrett, The Pony Express, 1960; Sergeant Croft, Unsolved, 1960; Willy Medford, Two Faces West, 1960; Ed Morgan, Counter intelligence Corps, 1961; Joe Bartle, Lone Sierra, 1961; the Old Fox, The Park Ranger, 1963; Caswell, The Lawyer, 1964; Henry Fogle, "Secret of the Lost Creek," Disney's Mickey Mouse Club, 1989. Movies: Captain John Sharke, Dick Tracy, syndicated, 1952; Mr. Cousins, Green Eyes, ABC, 1977; Ace Hutchkins, The Winds of Kitty Hawk, NBC, 1978; Reverend Robert Alden, Little House: Look Back to Yesterday, NBC, 1983; Reverend Robert Alden, Little House: The Last Farewell, NBC, 1984; Sills, Bonanza: The Next Generation, syndicated, 1988. Also appeared as Nico Van Eyden, Time Is a Dream, 1948. PRINCIPAL TELEVISION WORK—Director, Time Is a Dream, 1948.

JANE GREER

RELATED CAREER—Head of public schools drama department, Mountain Grove, MO, 1940-43, head of community theatre, Mountain Grove, 1941-43; instructor, director, and dean of academic studies, Pasadena Playhouse School of Theatre, 1943-50; actor in television commercials, public service messages, industrial films, and educational programs.

1946; Helen, Sunset Pass, RKO, 1946; Kathie Moffett, Out of the Past (also known as Build My Gallows High), RKO, 1947; Janice Bell, They Won't Believe Me, RKO, 1947; Pirouze, Sinbad the Sailor, RKO, 1947; Charlie, Station West, RKO, 1948; Joan, The Big Steal, RKO, 1949; Diane, The Company She Keeps, RKO, 1950; Ellie, You're in the Navy Now (also known as U.S.S. Tea Kettle), Twentieth Century-Fox, 1951; Julie Heldon, Desperate Search, Metro-Goldwyn-Mayer (MGM), 1952; Antoinette de Mauban, The Prisoner ofZenda, MGM, 1952; Katie McDermad, You for Me, MGM, 1952; Paula Henderson, The Clown, MGM, 1953; Diana Forrester, Down Among the Sheltering Palms, Twentieth Century-Fox, 1953; Katy Connors, Run for the Sun, United Artists, 1956; Hazel Bennet, Man of a Thousand Faces, Universal, 1957; Marian Spicer, Where Love Has Gone, Paramount, 1964; Agnes Carol, Billie, United Artists, 1965; Alma, The Outfit (also known as The Good Guys Always Win), MGM, 1973; Mrs. Wyler, Against All Odds, Columbia, 1984; Ruth Chadwick, JustxBetween Friends, Orion, 1986; Michael's mother, Immediate Family, Columbia, 1989.

MEMBER: Lambda Chi Alpha. ADDRESSES: OFFICE—P.O. Box 322 (M), Pasadena, CA 91102. AGENT—Dade, Rosen, and Schultz, 15010 Ventura Boulevard, Suite 219, Sherman Oaks, CA 91403.

GREEK, Jane 1924(Bettejane Greer) PERSONAL: Born Bettejane Greer, September 9, 1924, in Washington, DC; married Rudy Vallee (a singer and actor), 1943 (divorced, 1944).

PRINCIPAL TELEVISION APPEARANCES—Episodic: Kathleen Kane, Stagecoach West, ABC, 1960; Charlotte Pershing, Falcon Crest, CBS, 1984; Louise Browning, The Insiders, ABC, 1985; Augusta Stillman, The Law and Harry McGraw, CBS, 1987; Bonnie Phelps, Murder, She Wrote, CBS, 1988; Valerie Jeffries, HeartBeat, ABC, 1989; also "Look for Tomorrow," Ford Theatre, NBC, 1953; "Summer Dance," Mirror Theatre, CBS, 1953; "One Man Missing," Playhouse 90, NBC, 1955; "Moment of Decision," Ford Theatre, ABC, 1957; "A Gun for My Bride," Zane Grey Theatre, CBS, 1957; "Meeting in Paris," Suspicion, NBC, 1958; Alfred Hitchcock Presents, CBS, 1958; Bonanza, NBC, 1959; "Portrait of a Face," Thriller, NBC, 1961; Burke s

VOCATION: Actress. CAREER: FILM DEBUT—(As Bettejane Greer) Miss Dowling, Pan-Americana, RKO, 1945. PRINCIPAL FILM APPEARANCES— (As Bettejane Greer) Helen, Two O'Clock Courage, RKO, 1945; (as Bettejane Greer) Billie Randall, George White's Scandals, RKO, 1945; Judith Owens, Dick Tracy (also known as Splitface and Dick Tracy, Detective), RKO, 1945; Eileen Sawyer, The Bamboo Blonde, RKO, 1946; Lola Carpenter, The Falcons Alibi, RKO, 173

GRIMALDI

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Law, ABC, 1964. Movies: Ma Traven, Louis LAmour's "The Shadow Riders," CBS, 1982.

Fox, 1976; Lovers and Liars (also known as A Trip with Anita and Travels with Anita), Levitt/Pickman, 1981; Ginger et Fred (also known as Ginger and Fred, Metro-Goldwyn-Mayer/United Artists, 1986.

RELATED CAREER—Professional model from the age 12; appeared as a WAC on the cover of Life magazine and on recruiting posters; singer with nightclub band.

RELATED CAREER—President, P.E.A. (Produzioni Europee Associate, S.A.S.) Films Inc; lawyer for Italian film companies.*

ADDRESSES: AGENT—Merritt Blake, Camden Artists, 2121 Avenue of the Stars, Suite 410, Los Angeles, CA 90067.

GROENER, Harry GRIMALDI, Alberto

1927-

1951-

PERSONAL: Born September 10, 1951, in Augsburg, Germany; father, a concert pianist, composer, and office clerk; mother, an opera singer; married Dawn Didawick (an actress). EDUCATION— Graduated from the University of Washington; studied dance at the San Francisco Conservatory of Ballet; studied acting at the Pacific Conservatory of Performing Arts and with the Bachelor of Fine Arts Professional Actors Training Program at the University of Washington.

PERSONAL: Born in 1927 in Naples, Italy. VOCATION: Producer. CAREER: FIRST FILM WORK—Producer, L'ombra di Zorro, 1963. PRINCIPAL FILM WORK—All as producer unless indicated: Faccia afaccia (also known as Face to Face), Arturo Gonzales, 1967; Per qualche dollaro inpiu (also known as For a Few Dollars More), 1966, released in the United States by United Artists, 1967; // buono, il brutto, il cattivo (also known as The Good, the Bad, and the Ugly), 1966, released in the United States by United Artists, 1967; La resa dei conti (also known as The Big Gundown), Columbia, 1968; Scusi,facciamo I'amore? (also known as Listen, Let's Make Love and Et si onfaisait I'amour?), 1968, released in the United States by Lopert, 1969; // mercenario (also known as The Mercenary and Salario para matar), 1968, released in the United Artists by 1970; Un tranquillo posto di campagna (also known as A Quiet Place in the Country and Un coin tranquille a la campagne), 1968, released in the United States by Lopert, 1970; Fellini Satyricon (also known as Satyricon), United Artists, 1969; Ehi, amico . . . c e Sabata, hai chiuso (also known as Sabata), United Artists, 1969.

VOCATION: Actor. CAREER: BROADWAY DEBUT—Will Parker, Oklahoma!, Palace Theatre, 1979. PRINCIPAL STAGE APPEARANCES—Floyd Beavis, Back Country, Wilbur Theatre, Boston, MA, 1978; Bix Beiderbecke, Hoagy, Bix, and Wolfgang Beethoven Bunkhaus, Center Theatre Group, Mark Taper Forum, Los Angeles, 1980; Western Mousada, Oh, Brother!, American National Theatre and Academy Theatre, New York City, 1981; Munkustrap, Cats, Winter Garden Theatre,

The Bounty Hunters, P.E.A. Cinematografica, 1970; Quemada! (also known as Burn!), United Artists, 1970; Companeros (also known as Vamos a malar, companerosf), TerraFilmkunst, 1970; Adios Sabata (also known as Indio Black sai che to dico: sei un gran figlio di. . .), United Artists, 1911; IIDecamerone (also known as The Decameron), United Artists, 1971; Oceano (also known as The Wind Blows Free), P.E.A., 1971; executive producer, Man of La Mancha (also known as L'uomo della Manch), United Artists, 1972; Last Tango in Paris (also known as Ultimo tango a Parigi), United Artists, 1972; / racconti di Canterbury (also known as The Canterbury Tales), United Artists, 1972; Trastevere, P.E.A., 1972; Return of Sabata (also known as E'tomato Sabata and Hai chiuso un'altra volta), United Artists, 1972; Storie scellerate (also known as Roguish Stories), United Artists/P. E. A., 1973; Epio lo chiamarono il magnifico (also known as A Man from the East and And Then They'll Call Him the Magnificent), United Artists, 1974; // fiore delle mille e una notte (also known as A Thousand and One Nights and The Arabian Nights), P.E.A., 1974, released in the United States by United Artists, 1980; Salo o le centiventi giornate di Sodoma (also known as Salo—The 100 Days of Sodom, Pasolini's Days of Sodom, and Salo), United Artists/Cenecenta, 1975; Cadaveri eccellenti (also known as Illustrious Corpses and The Context), Cinegate, 1975, released in the United States by United Artists, 1976; Casanova (also known as Fellini's Casanova and // Casanova di Federico Fellini), Universal, 1976; 1900 (also known as Novecento), Paramount/United Artists/Twentieth Century-

HARRY GROENER

174

GUARE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Brothers, 1988; Wendell, The Experts, Paramount, 1989; Maxwell Glass, A Matter of Degrees, Backbeat Productions, 1990.

New York City, 1982; Algernon, The Importance of Being Earnest and Billy Bishop, Billy Bishop Goes to War, both Old Globe Theatre, San Diego, CA, 1982; Julian, "The Public Eye" and Brindsley, "Black Comedy," in Light Comedies, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1983; title role, Scapino!, Old Globe Theatre, 1984; title role, Sunday in the Park with George, Booth Theatre, New York City, 1985; Edward Harrigan, Harrigan V Hart, Longacre Theatre, New York City, 1985; Dickie Wentworth, Girl Crazy, Seattle Repertory Theatre, Seattle, WA, 1985; Paul, Sleight of Hand, Cort Theatre, New York City, 1987; Stephen Wheeler, Eastern Standard, Seattle Repertory Theatre, 1988; title role, Sunday in the Park with George, South Coast Repertory Theatre, Costa Mesa, CA, 1989. Also appeared with the Actors Theatre of Louisville, Louisville, KY, 1976-77; in Hobson's Choice, Long Wharf Theatre, New Haven, CT, 1977; Journey's End, Long Wharf Theatre, 1978; Merlon of the Movies, Hartman Theatre Company, Stamford, CT, 1981; Is There Life After High School?, Ethel Barrymore Theatre, New York City, 1982; Ghetto, Center Theatre Group, Mark Taper Forum, 1986; and in Beside the Seaside.

PRINCIPAL TELEVISION APPEARANCES—Episodic: Albert Wellington, Remington Steele, NBC, 1986; Otis, Heart of the City, ABC, 1986. Movies: Joel Baskin, Into the Homeland (also known as Swallows Come Back and When the Swallows Come Back), HBO, 1987. ADDRESSES: AGENTS—Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069; Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.*

GUARE, John

1938-

PERSONAL: Born February 5, 1938, in New York, NY; son of Edward and Helen Claire (Grady) Guare; married Adele ChatfieldTaylor (an artist), May 20, 1981. EDUCATION—Georgetown University, A.B., 1961; Yale University School of Drama, M.F.A., 1963. MILITARY—U.S. Air Force Reserve, 1963.

FILM DEBUT—Dr. Campbell, Brubaker, Twentieth Century-Fox, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Ralph, Dear John, NBC, 1988—. Mini-Series: Patrick Henry, George Washington, CBS, 1984; Lowell Kane, Kane and Abel, CBS, 1985. Episodic: Preston Hayes, Remington Steele, NBC, 1985; Klaus Brinkman, St. Elsewhere, NBC, 1987; Colin Johnson, Jack and Mike, ABC, 1987; George Lynwood, Spenser: For Hire, ABC, 1988; Michael Talbert, Studio 5-B, ABC, 1989; Rod Greenwood, Matlock, NBC, 1989; also Star Trek: The Next Generation, syndicated, 1990; Captain Kangaroo. Movies: The Country Girl, Showtime. Specials: The Macy's Thanksgiving Day Parade, NBC, 1988.

VOCATION: Playwright. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, In Fireworks Lie Secret Codes, Mitzi E. Newhouse Theatre, New York City, 1981. RELATED CAREER—Assistant to the manager, National Theatre, Washington, DC, 1960; member, Barr/Wilder/Albee Playwrights Unit, New York City, 1964; founding member, Eugene O'Neill Playwrights Conference, Waterford, CT, 1965; playwright-inresidence, New York Shakespeare Festival, New York City, 1977; seminar in writing fellow, Yale University, New Haven, CT, 197778, then adjunct professor of play writing, 1978-81; vice-president, Theatre Communications Group, 1986; lecturer, New York University, New York City; fellow, New York Institute for Humanities; member of board of directors, Municipal Arts Society, New York City.

AWARDS: Antoinette Perry Award nomination, Best Featured Actor in a Musical, and Theatre World Award, both 1980, for Oklahoma!; Antoinette Perry Award nomination, Best Featured Actor in a Musical, 1983, for Cats. SIDELIGHTS: RECREATIONS—Traveling throughout America. ADDRESSES: AGENT—Smith-Freedman and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211.

WRITINGS: STAGE—Universe, first produced in New York City, 1949; Theatre Girl, first produced in Washington, DC, 1959; The Toadstool Boy, first produced in Washington, DC, 1960; The Golden Cherub, first produced in New Haven, CT, 1962; Did You Write My Name in the Snow?, Yale University, New Haven, CT, 1962; To Wally Pantoni, We Leave a Credenza, New Dramatists Community Workshop, New York City, 1964; The Loveliest Afternoon of the Year and Something I'll Tell You Tuesday (double-bill), Caffe Cino, New York City, 1966, published by Dramatists Play Service, 1968; Muzeeka, first produced in Waterford, CT, 1967, then Mark Taper Forum, Los Angeles, 1967, later Provincetown Playhouse, New York City, 1968, then Open Space Theatre, London, 1969, published by Dramatists Play Service, 1968, in Muzeeka and Other Plays, Grove, 1969, Off Broadway Plays, Penguin, 1970, and in Cop-Out, Muzeeka, Home Fires, Grove, 1971; (also composer and lyricist) Cop-Out and Home Fires (double-bill), first produced in Waterford, CT, 1968, then Cort Theatre, New York City, 1969, published by Samuel French, 1968, in Muzeeka and Other Plays, 1969, Off Broadway Plays, 1970, and in Cop-Out, Muzeeka, Home Fires, 1971; A Play by Brecht, Broadhurst Theatre, New York City, 1969.

GROSS, Arye VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Troilus, Troilus andCressida, Globe Playhouse, Los Angeles, 1985; Second Lieutenant Rode, The Three Sisters, Los Angeles Theatre Center, Los Angeles, 1985; also appeared with the South Coast Repertory Theatre, Costa Mesa, CA, 1978-80. PRINCIPAL FILM APPEARANCES—Turbo, Exterminator II, Cannon, 1984; Willie, Just One of the Guys, Columbia, 1985; Gordon Bloomfeld, Soul Man, New World, 1986; Jesse McLaughlin, House II: The Second Story, New World, 1987; Perry Kovin, The Couch Trip, Orion, 1988; Andy Leonard, Tequila Sunrise, Warner 175

GUDEGAST CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(Also composer and lyricist) The House of Blue Leaves, Truck and Warehouse Theatre, New York City, 1971, later revived at the Mitzi E. Newhouse Theatre, then Vivian Beaumont Theatre, both New York City, 1986, published as The House of Blue Leaves: A Play, Viking, 1972, in Three Exposures, Harcourt, 1982, and in The House of Blue Leaves and Two Other Plays, New American Library, 1987; (adaptor with Mel Shapiro and lyricist) Two Gentlemen of Verona, New York Shakespeare Festival (NYSF), Delacorte Theatre, then St. James Theatre, both New York City, 1971, later Phoenix Theatre, London, 1973, published by Holt, 1973; A Day for Surprises, Basement Theatre, London, 1971, published by Dramatists Play Service, 1970; (with Harold Stone) Optimism, or the Adventures ofCandide, Eugene O'Neill Foundation Theatre, Waterford, CT, 1973; Marco Polo Sings a Solo, Cyrus Pierce Theatre, Nantucket, MA, 1973, then NYSF, Public Theatre, New York City, 1977, published by Dramatists Play Service, 1977; (also composer and lyricist) Rich and Famous, first produced in Lake Forest, IL, 1974, then NYSF, Public Theatre, 1976, published by Dramatists Play Service, 1977; (also composer and lyricist) Landscape of the Body, Academy Festival Theatre, Lake Forest, IL, then NYSF, Public Theatre, both 1977, published by Dramatists Play Service, 1978, in Three Exposures, 1982, and in The House of Blue Leaves and Two Other Plays, 1987; Take a Dream, produced in New York City, 1978; Bosoms and Neglect, Goodman Theatre, Chicago, IL, 1979, then Longacre Theatre, New York City, 1979, published by Dramatists Play Service, 1979, in Three Exposures, 1982, and in The House of Blue Leaves and Two Other Plays, 1981.

National Society of Film Critics' Award, and Grand Prize from the Venice Film Festival, all Best Screenplay, and Academy Award nomination, Best Original Screenplay, all 1981, for Atlantic City; New York Institute of the Humanities fellowship, 1982; Antoinette Perry Award, Best Play, 1986, for The House of Blue Leaves; Rockefeller grant in play writing. MEMBER: Dramatists Guild (board of directors), Authors League of America, P.E.N. (executive board). ADDRESSES: AGENT—R. Andrew Boose, Collyer and Boose, One Dag Hammarskjold Plaza, New York, NY 10017.*

GUDEGAST, Hans See BRAEDEN, Eric

GUERRA, Tonino

1920-

PERSONAL: Full name, Antonio Guerra; born March 16, 1920, in Santarcangelo di Romagna, Italy; married Lora labloskina. EDUCATION—Received a degree in education.

In Fireworks Lie Secret Codes, Mitzi E. Newhouse Theatre, 1981, published by Dramatists Play Service, 1981; Lydie Breeze, American Place Theatre, New York City, 1982, published by Dramatists Play Service, 1982; Gardenia, Manhattan Theatre Club, New York City, 1982, then London, 1983, published by Dramatists Play Service, 1982; (also composer and lyricist) Hey, Stay a While, Goodman Theatre, 1984; Women and Water, first produced in Los Angeles, 1984, then Arena Stage, Washington, DC, 1985; "Gluttony" in The Show of the Seven Deadly Sins, McCarter Theatre, Princeton, NJ, 1985; The Talking Dog, first produced in Urbana, IL, 1985, then in Orchards, Lucille Lortel Theatre, New York City, 1986, published by Knopf, 1986; Moon OverMiami, Yale Repertory Theatre, New Haven, CT, 1989.

VOCATION: Screenwriter. WRITINGS: FILM—(With Michelangelo Antonioni and Elio Bartolini) Lavventura (also known as The Adventure), 1960, released in the United States by Janus, 1961, published in 1969; (with Antonioni and Ernio Flaiano) La notte (also known as The Night), Dino De Laurentiis, 1961, released in the United States by Lopert, 1962, published in Screenplays by Michelangelo Antonioni, 1963; (with Elio Petri, Pasquale Festa Campanile, and Massimo Franciosa) L'assassino (also known as The Assassin and The Lady Killer of Rome), Titanus, 1961, released in the United States by Manson Distributing, 1965; (with Antonioni, Bartolini, and Otliero Ottieri) L'eclisse (also known as Eclipse and UEclipse), Times, 1962, published in Screenplays by Michelangelo Antonioni, 1963; (with Damiano Damiani and Ugo Liberatore) La noia (also known as The Empty Canvas, L ennui et sa diversion, and L'erotisme), 1963, released in the United States by Embassy, 1964; (with Alberto Moravia) Le ore nude (also known as The Naked Hours), Atlantica, 1964; (with Eduardo De Filippo, Renato Castellani, Leo Benvenuti, and Piero De Bernardi) Matrimonia all'Italiana (also known as Marriage, Italian Style), Embassy, 1964; (with Antonioni) // deserto rosso (also known as Red Desert and Le Desert rouge), 1964, released in the United States by Rizzoli, 1965; (with Alberto De Martino, Sandro Continenza, and Natividad Zaro) Gli invincibili sette (also known as The Secret Seven and Los invincibles), 1964, released in the United States by Metro-Goldwyn-Mayer (MGM), 1966.

FILM—(With Milos Foreman, Jean-Claude Carriere, and John Klein) Taking Off, Universal, 1971, published by New American Library, 1971; Atlantic City, Paramount, 1981. TELEVISION— Episodic: "Kissing Sweet," Foul!, PBS, 1969, published by Dramatists Play Service, 1970. OTHER—(Contributor) Showcase I: Plays from the Eugene O'Neill Foundation, edited by John Lahr, Grove, 1969; (preface) From Ibsen: Workshop, Da Capo Press, 1978. AWARDS: ABC-Yale University fellowship, 1966; Obie Award from the Village Voice, Distinguished Play, 1968, for Muzeeka; Variety New York Drama Critics' Poll Award, Most Promising Playwright, 1969, for Cop-Out; New York Drama Critics' Circle Award, Best American Play, Outer Critic' Circle Award, and Obie Award, Best New Play, all 1971, for The House of Blue Leaves; New York Drama Critics' Circle Award, Best Musical, Antoinette Perry Awards, Best Musical and Best Libretto, Drama Desk Awards, Best Book and Lyrics, and Variety New York Drama Critics' Poll Award, Best Lyricist, all 1972, for Two Gentlemen of Verona; Joseph Jefferson Award, 1977, for Landscape of the Body; Award of Merit from the American Academy of Arts and Letters, 1981; New York Film Critics' Award, Los Angeles Film Critics' Award,

(With Petri, Ennio Flaiano, and Giorgio Salvioni) The Tenth Victim (also known as La decima vittima and La Dixieme victime), Embassy, 1965; (with Ottavio Jemma, Flavio Nicolini, and Marcello Baldi) Saul e David (also known as Saul and David and Saul y David), 1965, released in the United States by Rizzoli, 1968; (with Antonioni and Edward Bond) Blow-Up, Premier, 1966; (with Ruggero Maccari, Suso Lecchi D'Amico, Giorgio Salvioni, and

176

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 GUINNESS

United States by Grange, 1984; (with Rosi) Bizet's Carmen (also known as Carmen), Triumph, 1984; (with Paolo Taviani and Vittorio Taviani) Kaos (also known as Chaos), Cannon Film Distributors/Gala Film Distributors/Metro-Goldwyn-Mayer/ United Artists Classics, 1984; (with Theo Angelopoulos and Theo Valtinos) Taxidi stin Kythera (also known as Voyage to Cythera), Greek Film Center, 1984; (with Marco Bellocchio) Enrico IV (also known as Henry IV), Gaumont, 1984, released in the United States by Orion Classics, 1985.

Rodolfo Sonego) "Fata Armenia" in Le fate (also known as The Queens and Les Ogresses), 1966, released in the United States by Royal, 1968; (with Raffaele La Capria, Giuseppe Patroni Griffi, and Francesco Rosi) More Than a Miracle (also known as Cera, una volta, La Belle et le cavalier, Cinderella— Italian Style, Happily Ever After, and Once Upon a Time), MGM, 1967; (with Franco Indovina and Luigi Malerba) Lo scatenato (also known as Catch as Catch Can and Tutti Frutti), 1967, released in the United States by Fair Film, 1968; (with Paolo Cavara and Moravia) Locchio selvaggio (also known as The Wild Eye), 1967, released in the United States by American International, 1968; (with Julian Haleavy, Peter Baldwin, Ennio De Concini, Cesara Zavattini, and Vittorio DeSica) Amanti (also known as A Place for Lovers and Le Temps des amants), 1968, released in the United States by MGM, 1969.

(With Fellini and Tullio Pinelli) Ginger et Fred (also known as Ginger and Fred), Metro-Goldwyn-Mayer/United Artists, 1986; (with Angelopoulos and Dimitris Nollas) O Melissokomos (also known as The Bee Keeper), Greek Film Center/Marin Karmitz/ Artificial Eye, 1986; (with Rosi) Cronaca di una morte annunciata (also known as Chronicle of a Death Foretold, Chronique d'une morte announcee, Cronica de una muerte anunciada, and Chronicle of a Death Announced), Istituto Luce Italnoleggio/Virgin Vision/Gaumont/AAA/Island, 1987; (with Paolo Taviani and Vittorio Taviani) Good Morning Babylon (also known as Good Morning Babilonia), Vestron/Artificial Eye, 1987; (with Angelopoulos and Thanassis Valtinos) Topio stin omichli (also known as Pay sage dans le brouillard, Landscape in the Mist, and Paesaggio nella nebbia), Alliance Vivafilm/Bac/ Artificial Eye/Films du Volcan, 1988; (with Gianfranco Mingozzi and Roberto Roversi) La Femme de mes amours (also known as // frutto del passero, L'Envoi du moineau, and The Sparrow's Fluttering), Medusa Distribuzione/ AAA/Initial Groupe, 1988; (with Antonio Guerra) Burro (also known as Butter), Artisti Associati/Filmexport, 1989.

(With Lucille Laks and Ken Levison) In Search of Gregory (also known as Alia ricerca di Gregory), Universal, 1970; (with Rosi and Raffaele LaCapria) Uomini contra (also known as Just Another War), Euro International, 1970; (with Elio Petri and Luciano Vincenzoni) A Quiet Place in the Country (also known as Un tranquillo posto di campagna and Un coin tranquille a la campagne), Lopert, 1970; (with Zavattini and Gregory Molivani) Sunflower (also known as Les Fleurs du soleil and / girasoli), AVCOEmbassy, 1970; (with Antonioni, Fred Gardner, Sam Shepard, and Clare Peploe) Zabriskie Point, MGM, 1970; (with Rosi) // caso Mattel (also known as The Mattel Affair and The Enrico Mattel Affair), Cinema International, 1971; (with laia Fiastri, Lattuada, and Ruggero Maccari) Bianco, rosso, e . . . (also known as White, Red, and . . ., White Sister, and The Sin), Columbia/Warner Brothers, 1973; (with Federico Fellini) Amarcord, Warner Brothers/New World, 1974; (with Rosi and Lino Jannuzzi) Re: Lucky Luciano (also known as Lucky Luciano and A proposito Luciano), Titanus Distribuzione, 1973, released in the United States by AVCO-Embassy, 1974; (with Laks and Pierre Grimblat) Dites-le avec les fleurs (also known as Say It with Flowers), Gaumont, 1974.

Also Uomini e lupe (also known as Men and Wolves), 1956; Un ettaro di cielo, 1957; Cesta duga godinu dana (also known as La strada lung a un'anno), 1958; Le signore, 1960; // carro armata dell'otto Settembre, 1960; / giorni contati, 1962;' 'Una donna dolce dolce" in La Donna e una cosa meravigliosa, 1964; "Una donna d' affari'' in Controsesso, 1964; / grandi condottieri, 1965; Sissignore, 1968; L'invitee, 1969; Tre nel mille, 1970; Giochi particolari, 1970; La supertestimone, 1971; Gli ordini sono ordini, 1972; Carne per Frankenstein (also known as Flesh for Frankenstein), 1973.

(With Sergio Martino and Giorgio Salvioni) 40 gradi soto il lenzuolo (also known as 40 gradi alVombra del'lenzuolo and Sex with a Smile), Medusa Distribuzione, 1975; (with Rosi and Jannuzzi) Cadaveri eccellenti (also known as Illustrious Corpses and The Context), Cinegate, 1975, released in the United States by United Artists, 1976; (with Suso Cecchi D'Amico) Caro Michele (also known as Dear Michael), Cineriz, 1976; Letti selvaggi (also known as Wilde Betten), Avis Filmverleih/Ascot Filmverleih, 1978; (with Giorgio Salvioni) Tigers in Lipstick (also known as Wild Beds and Hijinks), Zodiac, 1978; (with Rosi and LaCapria) Cristo si e fermato a Eboli (also known as Christ Stopped at Eboli and Eboli), Titanus Distribuzione/Artificial Eye, 1978; (with Jean-Claude Carriere and Jacques Deray) Un Papillon sur Vepaule (also known as A Butterfly on the Shoulder), Gaumont International/Roissy, 1978.

OTHER—U equilibria, 1967, then as Equilibrium, London, 1969; / bu, 1972; (with Federico Fellini) Amarcord, 1973, then as Amarcord: Portrait of a Town, London, 1974; / cento uccelli, 1974; // polverone, 1978; / guardatori della luna, 1981; // miele, 1981; Aquilone: Unafavola del nostro tempo with Antonioni, 1982; Leone dallabarbabianca, 1983; La pioggia tiepida, 1984; also contributor to journals and periodicals. ADDRESSES: OFFICE—Piazzale Clodio 32, 00195 Rome, Italy.*

(With Antonioni) // mistero di Oberwald (also known as The Mystery of Oberwald), Artificial Eye/Films sans Frontieres, 1980; (with Rosi) Trefratelli (also known as Three Brothers), Gaumont International/Artificial Eye, 1981; (with Vittorio Taviani and Giuliani G. De Negri) La nolle di San Lorenzo (also known as The Night of the Shooting Stars and The Night of San Lorenzo), United Artists, 1982; (with Fellini) E la nave va (also known as And the Ship Sails On), Vides, 1983; (with Antonioni and Gerard Brach) Identificazione di una donna (also known as Identification of a Woman), Gaumont, 1983; (with Andrei Tarkovsky) Nostalghia (also known as Nostalgia), Artificial Eye, 1983, released in the

GUINNESS, Alec

1914-

PERSONAL: Born April 2, 1914, in London, England; son of Andrew (a banker) and Agnes (Cuffe) Guinness; married Merula Salaman (an actress), June 20, 1938; children: Matthew. EDUCATION—Trained for the stage at the Fay Compton Studio of Dramatic Art, 1934, and with Martita Hunt, 1934. MILITARY— Royal Navy, lieutenant, 1941-45. VOCATION: Actor, director, and writer.

177

GUINNESS CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

role, Richard II, and the Dauphin, Saint Joan, all Old Vic Theatre Company, New Theatre, 1947; Hlestakov, The Government Inspector and Menenius Agrippa, Coriolanus, both Old Vic Theatre Company, New Theatre, 1948; Dr. James Y. Simpson, The Human Touch, Savoy Theatre, London, 1949; Unidentified Guest, The Cocktail Party, Lyceum Theatre, Edinburgh, Scotland, U.K., 1949, then Henry Miller's Theatre, 1950; title role, Hamlet, New Theatre, 1951; the Scientist, Under the Sycamore Tree, Aldwych Theatre, London, 1952; title role, Richard III and King, All's Well That Ends Well, both Stratford Shakespeare Festival, Stratford, ON, Canada, 1953; title role, The Prisoner, Globe Theatre, 1954; Boniface, HotelParadiso, Winter Garden Theatre, New York City, 1956. Title role, Ross, Haymarket Theatre, London, 1960; Berenger the First, Exit the King, Edinburgh Festival, then Royal Court Theatre, London, both 1963; title role, Dylan, Plymouth Theatre, New York City, 1964; Von Berg, Incidental Vichy, Phoenix Theatre, London, 1966; title role, Macbeth, Royal Court Theatre, 1966; Mrs. Artminster, Wise Child, Wyndham's Theatre, London, 1968; Harcourt-Reilly, The Cocktail Party, Chichester Festival, Chichester, U.K., then Wyndham's Theatre, both 1968; John, Time Out of Mind, Yvonne Arnaud Theatre, Guildford, U.K., 1970; Father, Voyage 'round My Father, Haymarket Theatre, 1971; Arthur Wicksteed, Habeas Corpus, Lyric Theatre, 1973; Dudley, A Family and a Fortune, Apollo Theatre, London, 1975; Jonathan Swift, Yahoo, Queen's Theatre, 1976; Hilary, The Old Country, Queen's Theatre, 1977; Andrey Botvinnik, A Walk in the Woods, Comedy Theatre, London, 1989. Also appeared in Queer Cargo, Piccadilly Theatre, London, 1934; Louis Debedat, The Doctor's Dilemma, Richmond, 1938; The Merchant of Venice, Chichester Festival, 1984. ALEC GUINNESS

PRINCIPAL STAGE WORK—Director: Twelfth Night, Old Vic Theatre Company, New Theatre, London, 1948; Hamlet, New Theatre, 195 \; The Cocktail Party, Chichester Festival, Chichester, U.K., then Wyndham's Theatre, London, both 1968.

CAREER: Also see WRITINGS below. STAGE DEBUT—Libel!, Playhouse Theatre, London, 1934. PRINCIPAL STAGE APPEARANCES—Osric and Third Player, Hamlet, New Theatre, London, 1934; the Wolf, Noah and Sampson and apothecary, Romeo and Juliet, both New Theatre, 1935; workman and Yakov, The Seagull, New Theatre, 1936; Boyet, Love's Labour's Lost, Le Beau and William, As You Like It, and Old Thorney, The Witch of Edmonton, all Old Vic Theatre Company, London, 1936; Reynaldo and Osric, Hamlet, Sir Andrew Aguecheek, Twelfth Night, and Exeter, Henry V, all Old Vic Theatre Company, 1937; Aumerle and the Groom, Richard II and Snake, The School for Scandal, both John Gielgud Company, Queen's Theatre, London, 1937; Osric, Reynaldo, and Player Queen, Hamlet, Kronborg Castle, Elsinore, Denmark, 1937; Feodotik, The Three Sisters and Lorenzo, The Merchant of Venice, John Gielgud Company, Queen's Theatre, 1938; Arthur Gower, Trelawny of the Wells, title role, Hamlet, and Bob Acres, The Rivals, all Old Vic Theatre Company, 1938; Michael Ransom, The Ascent ofF.6, Old Vic Theatre Company, 1939; Romeo, Romeo and Juliet, Scottish Theatre Festival, Perth, Scotland, U.K., 1939; Herbert Pockett, Great Expectations, Rudolf Steiner Hall, London, 1939.

MAJOR TOURS—Title role, Hamlet, Bob Acres, The Rivals, Chorus, Henry V, and Emile Flordon, Libel!, European and Egyptian cities, all 1938; Charleston, Thunder Rock, U.K. cities, 1940. FILM DEBUT—Herbert Pocket, Great Expectations, Universal, 1946. PRINCIPAL FILM APPEARANCES—The Duke, the Parson, the Banker, the General, the Admiral, Young Ascoyne D'Ascoyne, Young Henry, and Lady Agatha, Kind Hearts and Coronets, General Film Distributors, 1949; George Bird, Last Holiday, Stratford, 1950; Prime Minister Benjamin Disraeli, The Mudlark, Twentieth Century-Fox, 1950; Whimple, A Run for Your Money, Universal, 1950; Henry Holland, The Lavender Hill Mob, Universal, 1951; Fagin, Oliver Twist, Rank/United Artists, 1951; Sidney Stratton, The Man in the White Suit, Rank/Universal, 1952; Edward Henry "Denry" Machin, The Promoter (also known as The Card), Universal, 1952; Captain Henry St. James, The Captain's Paradise, British Lion, 1953; Father Brown, The Detective (also known as Father Brown), Columbia, 1954; Peter Ross, Malta Story, United Artists, 1954; title role, The Prisoner, Columbia, 1955; Colonel Sir Edgar Fraser, To Paris with Love, Continental Distributing, 1955; Professor Marcus, The Lady Killers, Continental Distributing, 1956; Prince Albert, The Swan, Metro-GoldwynMayer (MGM), 1956; Colonel Nicholson, The Bridge on the River Kwai, Columbia, 1957; Captain Ambrose, All at Sea (also known as Barnacle Bill), MGM, 1958; Gully Jimson, The Horse's Mouth, United Artists, 1958; Jacques De Gue and John Barrett, The Scapegoat, MGM, 1959.

Richard Meilhac, Cousin Muriel, Globe Theatre, London, 1940; Ferdinand, The Tempest, Old Vic Theatre, 1940; Lieutenant Teddy Graham, Flare Path, Henry Miller's Theatre, New York City, 1942; Mitya Karamazov, The Brothers Karamazov, Lyric Hammersmith Theatre, London, 1946; Garcin, Vicious Circle, Arts Theatre, London, 1946; Fool, King Lear and Eric Birling, An Inspector Calls, both Old Vic Theatre Company, New Theatre, 1946; Comte deGuiche, Cyrano de Bergerac, AbelDrugger, The Alchemist, title

178

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

GUINNESS

York, and Variety-New York Drama Critics' Poll Award, Best Performance By a Male Lead in a Straight Play, all 1964, for Dylan; Academy Award nomination, Best Supporting Actor, 1977, for Star Wars; British Academy of Film and Television Arts Award, Best Television Actor, 1979, for Tinker, Tailor, Soldier, Spy; Special Academy Award for Contributions to Film, 1980; British Academy of Film and Television Arts Award, Best Television Actor, 1982, for Smiley's People; Shakespeare Prize, 1985;Ehron Baer Award for Lifetime Achievement from the Berlin Film Festival, 1988; Fellowship Award from the British Academy of Film and Television Arts Award, 1988; Academy Award nomination, Best Supporting Actor, 1989, for Little Dorrit; Olivier Award nomination, 1989, for A Walk in the Woods. HONORARY DEGREES— Boston College, D.F.A., 1962; Oxford University, D. Lilt., 1978.

Jim Wormold, Our Man in Havana, Columbia, 1960; Lieutenant Colonel Jock Sinclair, Tunes of Glory, Lopert, 1960; Koichi Asano, A Majority of One, Warner Brothers, 1961; Captain Crawford, Damn the Defiant! (also known as H.M.S. Defiant), Columbia, 1962; Prince Feisal, Lawrence of Arabia, Columbia, 1962; Marcus Aurelius, TTie Fall of the Roman Empire, Paramount, 1964; General Yevgraf, DoctorZhivago, MGM, 1965; Herr Frick, Situation Hopeless—But Not Serious, Paramount, 1965; Benedict Boniface, Hotel Paradiso, MGM, 1966; Pol, The Quiller Memorandum, Twentieth Century-Fox, 1966; Major Jones, The Comedians, MGM, 1967; King Charles I, Cromwell, Columbia, 1970; Jacob Marley's ghost, Scrooge, National General, 1970; Pope Innocent III, Brother Sun, Sister Moon (also known as Fratello Sole, Sorella Luna), Paramount, 1973; Adolf Hitler, Hitler: The Last Ten Days, Paramount/Tomorrow Entertainment, 1973; Butler Bensonmum, Murder By Death, Columbia, 1976; Ben Obi-Wan Kenobi, Star Wars, Twentieth Century-Fox, 1977; Ben Obi-Wan Kenobi, The Empire Strikes Back, Twentieth Century-Fox, 1980; John Bigalow, Raise the Titanic, Associated Film Distribution, 1980; Sigmund Freud, Lovesick, Warner Brothers, 1983; Ben ObiWan Kenobi, Return of the Jedi, Twentieth Century-Fox, 1983; Professor Godbole, A Passage to India, Columbia, 1984; William Dorrit, Little Dorrit, Sands Films/Cannon, 1987; Mr. Todd, A Handful of Dust, New Line Cinema, 1988. Also appeared in the following short films: As narrator, The Square Miles, 1953; in Stratford Adventure, 1954; as narrator, Rowlandson's England, 1955; The Comedians in Africa, 1967.

MEMBER: British Actors' Equity Association, Screen Actors Guild, Atheneum (London), Garrick Club. ADDRESSES: AGENT—London Management, 235-241 Regent Street, London W1A 2JT, England.*

GUINNESS, Matthew 1942-

PERSONAL: Born in 1942; son of Alec Guinness (an actor) and Merula Salaman (an actress).

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: George Smiley, Tinker, Tailor, Soldier, Spy, BBC, 1979, then Great Performances, PBS, 1980; George Smiley, Smiley'sPeople, BBC, then syndicated, 1982. Episodic: "The Wicked Scheme of Jebal Deeks,'' Ford Startime, NBC, 1959; performed a scene from Dylan on The Ed Sullivan Show, CBS, 1964. Movies: Earl of Dorincourt, Little Lord Fauntleroy, CBS, 1980. Specials: Host, The Actor (documentary), ABC (British television), 1968; Caesar, "Caesar and Cleopatra," Hallmark Hall of Fame, NBC, 1976; Father Quixote, Monsignor Quixote, Thames, 1985, then Great Performances, PBS, 1987; "Grace Kelly—The American Princess," Crazy About the Movies, Cinemax, 1987. Also appeared as Maivolio, Twelfth Night, 1969; in Solo, 1970; The Gift of Friendship, 1974; Edwin, 1983; Conversation at Night; e.e. cummings; and Little Gidding.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—First workman, old sailor, wounded sailor, and Soldier N, Lear, English Stage Company, Royal Court Theatre, London, 1971; John Clegg, The Changing Room, Royal Court Theatre, London, 1971; Ross, Macbeth, Royal Shakespeare Company (RSC), Stratford-on-Avon, U.K., 1974, then Aldwych Theatre, London, 1975; Frank Kilb, They Are Dying Out, National Theatre Company, Young Vic Theatre, London, 1976; Hicks and interrogator, Weapons of Happiness, National Theatre Company, Lyttelton Theatre, London, 1976; sixth Roman citizen, Coriolanus, RSC, Stratford-on-Avon, 1977; Bonaventura, 'Tis Pity She's a Whore, RSC, Other Place Theatre, Stratford-on-Avon, 1977, then Warehouse Theatre, London, 1978; Marquess of Montague, Henry VI, Part Three and Gower, Henry V, both RSC, Stratford-on-Avon, 1977, then Aldwych Theatre, 1978; Acres, The Rivals and Fool, King Lear, both Prospect Theatre Company, Old Vic Theatre, London, 1978; Friar Peter and Elbow, Measure for Measure, Riverside Studios, London, 1979; Totty, Land Marks, Lyric Studio Theatre, London, 1979.

NON-RELATED CAREER—Copywriter, Arks Publicity, 1933-34. WRITINGS: STAGE—(Adaptor) Great Expectations, Rudolf Steiner Hall, 1939; (adaptor) The Brothers Karamazov, Lyric Hammersmith Theatre, London, 1946; (creator with Alan Strachan) Yahoo, Queen's Theatre, London, 1976. FILM—The Horse's Mouth, United Artists, 1958. OTHER—Blessings in Disguise (autobiography), Knopf, 1985.

PRINCIPAL FILM APPEARANCES—Denry as a boy, The Promoter (also known as The Card), Universal, 1952; Major Cusper, The Virgin Soldiers, Columbia, 1970; Kilgas, One Day in the Life of Ivan Denisovich, Cinerama, 1971; reading monk, Luther, American Film Theatre, 1974; first patron, The Bride, Columbia, 1985; soe man, Plenty, Twentieth Century-Fox, 1985; Randall, Wetherby, Metro-Goldwyn-Mayer/United Artists, 1985; Dr. Owen, Lady Jane, Paramount, 1986. Also appeared in The Duellists, Paramount, 1977.

AWARDS: Academy Award nomination, Best Actor, 1952, for The Lavender Hill Mob; Commander, Order of the British Empire, 1955, created Knight Bachelor, 1959; Academy Award, New York Film Critics' Award, Golden Globe, and National Board of Review Award, all Best Actor, and British Academy of Film and Television Arts Award, Best British Film Actor, all 1957, for The Bridge on the River Kwai; Best Actor Award from the Venice Film Festival and Academy Award nomination, Best Adaptation, both 1958, for The Horse's Mouth; London Evening Standard Award, 1960, for Ross; Antoinette Perry Award, Best Actor (Dramatic), Delia Austrian Medal for Distinguished Performance from the Drama League of New York, Page One Award from the Newspaper Guild of New

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Hans Bethe, Oppenheimer, PBS, 1982. Movies: Father Byles, S.O.S. Titanic, ABC, 1979.* 179

GUNN GUNN, Bill

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1934-1989

named one of the Ten Best American Films of the Decade by the Cannes Film Festival, 1973; Audelco Award, Best Play of the Year, 1975, for Black Picture Show; Guggenheim fellowship in filmmaking, 1980.

PERSONAL: Full name, William Harrison Gunn; born July 15, 1934, in Philadelphia, PA; died of encephalitis, April 5, 1989, in Nyack, NY; son of William Harrison and Louise (Alexander) Gunn. MILITARY—U.S. Navy.

OBITUARIES AND OTHER SOURCES: New York Times, April 7, 1989; Hollywood Reporter, April 10, 1989; Variety, April 12-18, 1989.*

VOCATION: Writer, director, and actor. CAREER: Also see WRITINGS below. BROADWAY DEBUT—The Immoralist, Royale Theatre, 1954. PRINCIPAL STAGE APPEARANCES—Prince, Moon on a Rainbow Shawl, East llth Street Theatre, New York City, 1962; Patroclus, Troilus and Cressida, New York Shakespeare Festival, Delacorte Theatre, New York City, 1965; also appeared in Take a Giant Step, Jan Hus Playhouse, New York City, 1956.

GWYNNE, Fred

1926-

PRINCIPAL STAGE WORK—Director, Black Picture Show, New York Shakespeare Festival, Vivian Beaumont Theatre, New York City, 1975; director, Rhinestone, Richard Allen Center, New York City, 1982.

PERSONAL: Full name, Frederick Hubbard Gwynne; born July 10, 1926, in New York, NY; father, a stockbroker; married Jean Reynard, 1952; children: four. EDUCATION—Harvard University, B.A., 1951; also attended the Phoenix School of Design. MILITARY—U.S. Navy, 1944-46.

MAJOR TOURS—A Member of the Wedding, U.S. cities.

VOCATION: Actor, writer, and illustrator.

PRINCIPAL FILM APPEARANCES—T.P., The Sound and the Fury, Twentieth Century-Fox, 1959; Roscoe, The Interns, Columbia, 1962; Sergeant Rothschild, Penelope, Metro-Goldwyn-Mayer (MGM), 1966; Namana, The Spy with My Face, MGM, 1966; George Meda, Ganja and Hess (also known as Double Possession and Blood Couple), Kelly-Jordon, 1973.

CAREER: BROADWAY DEBUT—Stinker, Mrs. McThing, Morosco Theatre, 1952. PRINCIPAL STAGE APPEARANCES—Bottom, A Midsummer Night's Dream and Silence, Henry IV, Part Two, both Brattle Theatre, Cambridge, MA, 1951; Dull, Love's Labour's Lost, City Center Theatre, New York City, 1953; Luther Raubel, The Frogs of Spring, Broadhurst Theatre, New York City, 1953; Polyte-le-Mou, Irma la Douce, Plymouth Theatre, New York City, 1960; Marvin Shellhammer, Here's Love, Shubert Theatre, New York City, 1963; Abraham Lincoln, The Lincoln Mask, Plymouth Theatre, New York City, 1972; inspector, The Enchanted, Eisenhower Theatre, Washington, DC, 1973; Major Michael Dillon, More Than You Deserve, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1974; Sir Toby Belch, Twelfth Night, American Shakespeare Theatre, Stratford, CT, 1974; Big Daddy, Cat on a Hot Tin Roof, American Shakespeare Theatre, then American National Theatre and Academy Theatre, New York City, both 1974, later Eisenhower Theatre, 1975.

PRINCIPAL FILM WORK—Director, Ganja and Hess (also known as Double Possession and Blood Couple), Kelly-Jordon, 1973. PRINCIPAL TELEVISION APPEARANCES—Episodic: Homer Dobson, The Cosby Show, NBC, 1986; also Look Up and Live, CBS. PRINCIPAL TELEVISION WORK—Director, The Alberta Hunter Story, BBC, 1982. WRITINGS: STAGE—Marcus in the High Grass, Greenwich Mews Theatre, New York City, 1960; Johnnas, Chelsea Theatre, New York City, 1968; Black Picture Show, New York Shakespeare Festival (NYSF), Vivian Beaumont Theatre, New York City, 1975, published by Reed, Cannon, 1975; Rhinestone, Richard Allen Center, New York City, 1982; Family Employment, NYSF, Public Theatre, New York City, 1985; The Forbidden City, NYSF, Public Theatre, 1989; also Celebration, Mark Taper Forum, Los Angeles.

Stage Manager, Our Town and Autolycus, The Winter's Tale, both American Shakespeare Festival, 1975; "The Last Meeting of the Knights of the White Magnolia" and Colonel J.C. Kincaid, "The Oldest Living Graduate," in A Texas Trilogy, Broadhurst Theatre, 1976; W.O. Gant, Angel, Minskoff Theatre, New York City, 1978; Jock Riley, Players, Lyceum Theatre, New York City, 1978; Otto Marvuglia, Grand Magic, Manhattan Theatre Club, New York City, 1979; judge, Salt Lake City Skyline, NYSF, Public Theatre, 1980; Claudius, Hamlet, American Shakespeare Festival, 1983; Inspector Bowden, Whodunnit?, Biltmore Theatre, New York City, 1983. Also appeared in The Imaginary Invalid and Androcles and the Lion, both Brattle Theatre.

FILM—Fame Game, Columbia, 1968; Friends, Universal, 1968; Stop, Warner Brothers, 1969 (unreleased); Don't the Moon Look Lonesome, Chuck Barris Productions, 1970; (with Ronald Ribman) The Angel Levine, United Artists, 1970; The Landlord, United Artists, 1970; Ganja and Hess (also known as Double Possession and Blood Couple), Kelly-Jordon Enterprises, 1973; (contributor) The Greatest, Columbia, 1977.

PRINCIPAL FILM APPEARANCES—Slim, On the Waterfront, Columbia, 1954; Herman Munster, Munster, Go Home, Universal, 1966; Douglas Winter, Luna, Twentieth Century-Fox, 1979; Korey, Simon, Warner Brothers, 1980; Chairman Lincoln, So Fine, Warner Brothers, 1981; Frenchy Demange, The Cotton Club, Orion, 1984; Spender, Water, Rank, 1985; Uncle Hugo, The Boy Who Could Fly, Twentieth Century-Fox, 1986; commissioner, Off Beat, Buena Vista, 1986; Arthur, Fatal Attraction, Paramount, 1987; Oscar Reo, Ironweed, Tri-Star, 1987; Donald Davenport, The Secret of My Success, Universal, 1987; Max Green, Disorgan-

TELEVISION—Series: (With Ilunga Adell, Osa lyaun, Michael Griffin, Gregory Robinson, and Chriz Schultz) Watch Your Mouth, PBS, 1978. Movies: Johnnas, NBC, 1972. Specials: Sojourner, CBS, 1975; The Alberta Hunter Story, BBC, 1982. OTHER—All the Rest Have Died (novel), Delacorte, 1964; Rhinestone Sharecropping (novel), Reed, Cannon, 1981. AWARDS: Emmy Award, 1972, for Johnnas; Ganja and Hess 180

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 GWYNNE

Lofgren, "Harvey," Hallmark Hall of Fame, NBC, 1972; Charles Dickens, Any Friend of Nicholas Nickleby Is a Friend of Mine, PBS, 1982; Balathasar Hoffman, The Mysterious Stranger, PBS, 1982.

ized Crime, Buena Vista, 1989; Jud Crandall, Pet Sematary, Paramount, 1989. Also appeared in Jack-a-Boy, Phoenix, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Officer Francis Muldoon, Car 54, Where Are You?, NBC, 1961-63; Herman Munster, The Munsters, CBS, 1964-66. Mini-Series: Davis LeRoy, Kane and Abel, CBS, 1985. Pilots: Warren Springer, Guess What I Did Today, NBC, 1968; Marshall Anderson, Anderson and Company, NBC, 1969; Judge Potter, Sanctuary of Fear, NBC, 1979; Jake Tekulve, Jake's M.O., NBC, 1987. Episodic: Jonathan Brewster, "Arsenic and Old Lace," The Best of Broadway, CBS, 1955; also The Phil Silvers Show, CBS, 1955; "The Landlady's Daughter, "Studio One, CBS, 1956; "Hand in Glove," Suspicion, NBC, 1957; "The Big Heist," Kraft Theatre, NBC, 1957; "The Old Foolishness," Play of the Week, WNTA, 1961; "Don't Shake the Family Tree," U.S. Steel Hour, CBS, 1963; "The Lesson," New York Television Theatre, WNDT, 1966; "Infancy," NET Playhouse, WNET, 1967; "The Police," Hollywood Television Theatre, PBS, 1971; "Paradise Lost," NET Playhouse, WNET, 1971. Movies: Long Jack, Captains Courageous, ABC, 1977; Herman Munster, The Munsters Revenge, NBC, 1981; Waters, The Christmas Star, ABC, 1986; Father Macklin, Vanishing Act, CBS, 1986; Victor Grenville, Murder By the Book, CBS, 1987; Brannagan, Murder in Black and White, CBS, 1990. Specials: EJ. Lofgren, "Harvey," Dupont Show of the Month, CBS, 1958; "The Hasty Heart," Dupont Show of the Month, CBS, 195 8; Herman Munster, Marine land Carnival, CBS, 1965; It's What's Happening, Baby!, CBS, 1965; A Salute to Stan Laurel, CBS, 1965; Patience, "The Littlest Angel, "Hallmark Hall of Fame, NBC, 1969; Jonathan Brewster, Arsenic and Old Lace, ABC, 1969; "Dames at Sea," Family Theatre, NBC, 1971; E.J.

NON-RELATED CAREER—Advertising copywriter, J. Walter Thompson Agency, New York City, 1954-60. WRITINGS: (Also illustrator) Best in Show (juvenile), Dutton, 1958; What's Nude? (humor), I. Obolensky, 1960; illustrator, The Battle of the Frogs and the Mice: An Homeric Fable (juvenile), Dodd, 1962; (also illustrator) God's First World (juvenile), Harper, 1970; (also illustrator) The King Who Rained (juvenile), Windmill Books, 1970; (also illustrator) The Story oflck (juvenile), Windmill Books, 1971; (also illustrator) Ick's ABC (juvenile), Windmill Books, 1971; (also illustrator) A Chocolate Moose for Dinner (juvenile), Windmill Books, 1976; (also illustrator) The Sixteen-HandHorse (juvenile), Windmill Books, 1980; illustrator, The King's Trousers (juvenile), Windmill Books, 1981; (also illustrator) A Little Pigeon Toad (juvenile), Simon & Schuster, 1988. AWARDS: Obie Award from the Village Voice, Best Actor, 1979, for Grand Magic. MEMBER: American Federation of Television and Radio Artists, Screen Actors Guild, Actors' Equity Association. ADDRESSES: OFFICE—Triad Artists Inc., 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

181

H

HAAS, Lukas 1976-

PRINCIPAL TELEVISION APPEARANCES—Pilots: Luke, Brothersin-Law, ABC, 1985. Episodic: Brian Globe, "Ghosttrain," Amazing Stories, NBC, 1985; Mike, "What Are Friends For?," The Twilight Zone, CBS, 1986. Movies: Bobby Loeb, Love Thy Neighbor, ABC, 1984; Brian Mollencamp, Shattered Spirits, ABC, 1986; Charlie Williams, A Place at the Table, NBC, 1988; title role, The Ryan White Story, ABC, 1989. Specials: Mike Sanders, My Dissident Mom, CBS, 1987.

PERSONAL: Born April 16, 1976, in Los Angeles, CA. VOCATION: Actor. CAREER: STAGE DEDUT—Boy, Waiting for Godot, Mitzi E. Newhouse Theatre, New York City, 1988.

ADDRESSES: AGENT—Carol Bodie, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.

FILM DEB,UT—Scottie Wetherly, Testament, Paramount, 1983. PRINCIPAL FILM APPEARANCES—Samuel Lapp, Witness, Paramount, 1985; Daniel, Solar Babies, Metro-Goldwyn-Mayer/ United Artists, 1986; Frankie Scarlatti, Lady in White, New Century/Vista, 1988; Wendall Oler, The Wizard of Loneliness, Skouras, 1988; Petey Goodwin, See You in the Morning, Warner Brothers, 1989; Mikey Talbot, Music Box, Tri-Star, 1990; Horace Robedaux, Convicts, MCEG, 1990.

HACKETT, Buddy 1924PERSONAL: Born Leonard Hacker, August 31, 1924, in Brooklyn, NY; son of Philip (an upholsterer) and Anna (Geller) Hacker; married Sherry Cohen, June 12, 1955; children: Sandy Zade, Ivy Julie, Lisa Jean. MILITARY—U.S. Army. VOCATION: Actor, comedian, and writer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Call Me Mister, National Theatre, New York City, 1946; Lunatics and Lovers, Broadhurst Theatre, New York City, 1954; / Had a Ball, Martin Beck Theatre, New York City, 1964. PRINCIPAL FILM APPEARANCES—Blimp Edwards, Walking My Baby Back Home, Universal, 1953; Smokey, Fireman Save My Child, Universal, 1954; Pluto, God's Little Acre, United Artists, 1958; Garfield, All Hands on Deck, Twentieth Century-Fox, 1961; Admiral John Paul Jones, Everything's Ducky, Columbia, 1961; Marcellus Washburn, The Music Man, Warner Brothers, 1962; Hans, "The Singing Bone" in The Wonderful World of the Brothers Grimm, Metro-Goldwyn-Mayer, 1962; Benjy Benjamin, It's a Mad, Mad, Mad, Mad World, United Artists, 1963; S.Z. Matts, Muscle Beach Party, American International, 1964; Lionel Pack, The Golden Head, Cinerama/Hungarofilms, 1965; Tennessee Steinmetz, The Love Bug, Buena Vista, 1968; townsman, The Good Guys and the Bad Guys, Warner Brothers, 1969; as himself, Loose Shoes (also known as Coming Attractions), Atlantic, 1980; Sammy Cohen, Hey Babe!, Rafal, 1984; Scrooge, Scrooged, Paramount, 1988; voice of Scuttle, The Little Mermaid (animated), Buena Vista, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, School House, Dumont, 1949; Stanley Peck, Stanley, NBC, 1956-57; regular, The Jackie Gleason Show, CBS, 1958-59; regular, The

LUKAS HAAS

183

HAIM

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Jack Paar Show, NBC, 1958-62; regular, Celebrity Sweepstakes, NBC, 1974-76; regular, The Liar's Club, syndicated, 1976; host, You Bet Your Life, syndicated, 1980. Pilots: Leonard "Boxcar" Mumfred, There Goes the Neighborhood, CBS, 1983. Episodic: Murray Gruen, Murder, She Wrote, CBS, 1987; also The Golddiggers, syndicated, \91l; The New Love, American Style, ABC, 1985;Ato Liebman Presents, NEC', Dan Raven, NBC; The Big Valley, ABC; Quincy, M.E., NBC; The Lucy Show, CBS; Get Smart. Movies: Lou Costello, Bud and Lou, NBC, 1978. Specials: Variety, NBC, 1955; Entertainment—1955, NBC, 1955; The Arthur Godfrey Show, CBS, 1961; The All-Star Comedy Show, ABC, 1962; The Alan King Special, ABC, 1969; The Bob Hope Show, NBC, 1969; Plimpton! Did You Hear the One About. . .?, ABC, \91l\Disney World—A Gala Opening—Disneyland East, NBC, 1971; The Scoey Mitchlll Show, syndicated, 1972; Superstunt, NBC, 1977; Circus of the Stars, CBS, 1979; host, Celebrity Challenge of the Sexes HI, CBS, 1979; voice of Pardon Me Pete and Story Teller, Jack Frost (animated), NBC, 1980; Buddy Hackett—Live and Uncensored, HBO, 1983; George Burns Celebrates 80 Years in Show Business, NBC, 1983; Comic Relief, HBO, 1986; "Buddy Hackett II—On Stage at Caesar's Atlantic City," On Location, HBO, 1986; Life's Most Embarrassing Moments, syndicated, 1988.

Roomies, NBC, 1987; also The Edison Twins, Canadian television, 1982. Movies: Peter Weisman, A Time to Live, NBC, 1985. RELATED CAREER—Actor in television commercials since the age of 10; appeared in the video Corey Haim: Me, Myself, and I, Twin Tower, 1989.*

HALSTON, Julie

1954-

PERSONAL: Born Julie Abatelli, December 7, 1954, in Flushing, NY; daughter of Rudy (a tobacco salesman) and Julia Madeline (a teacher's assistant; maiden name, Gardner) Abatelli. EDUCATION— Hofstra University, B.A., theatre, 1976; studied acting with Terry Schreiber, speech with Clyde Vinson, and dance with Carl Morris. VOCATION: Actress and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Mrs. Tooley and Betty, Times Square Angel, Provincetown Playhouse, New York City, 1985-86; Enid Whetwhistle, Sleeping Beauty, or Coma, Provincetown Playhouse, 1986; La Condesa, Vampire Lesbians of Sodom, Provincetown Playhouse, 1986; Kitty, The Lady in Question, WPA Theatre, then Orpheum Theatre, both New York City, 1989; also appeared as Aunt Vulva, Theodora, She-Bitch of Byzantium, Theatre-in-Limbo, New York City; Evangeline and Mrs. Mooney, TheDubliners, Theatre 22, New York City; She, My Type, 45th Street Theatre, New York City.

PRINCIPAL TELEVISION WORK—Executive producer (with Ken Weinstock), Buddy Hackett—Live and Uncensored, HBO, 1983; executive producer, "Buddy Hackett II—On Stage at Caesar's Atlantic City," On Location, HBO, 1986. RELATED CAREER—As a comedian, has performed in the Catskill resort circuit and in nightclubs throughout the United States. NON-RELATED CAREER—Waiter. WRITINGS: TELEVISION—Buddy Hackett—Live and Uncensored, HBO, 1983. OTHER—The Truth about Golf, and Other Lies, Doubleday, 1968; The Naked Mind of Buddy Hackett, Nash Publishing, 1974. AWARDS: Donaldson Award, Best Debut Performance—Male, 1955, for Lunatics and Lovers. ADDRESSES: OFFICE—800 Whittier Drive, Beverly Hills, CA 90210.*

HAIM, Corey

1972-

PERSONAL: Born in 1972 in Toronto, ON, Canada. VOCATION: Actor. CAREER: FILM DEBUT—Brian, Firstborn, Paramount, 1984. PRINCIPAL FILM APPEARANCES—Jake Moriarity, Murphy's Romance, Columbia, 1985; Jeff, Secret Admirer, Orion, 1985; Marty Coslaw, Stephen King's Silver Bullet, Paramount, 1985; Lucas Blye, Lucas, Twentieth Century-Fox, 1986; Sam, The Lost Boys, Warner Brothers, 1987; Les, License to Drive, Twentieth CenturyFox, 1988; Travis, Watchers, Universal, 1988; Dinger, Dream a Little Dream, Vestron, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Matthew Wiggins,

JULIE HALSTON

184

HAMILTON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

RELATED CAREER—Apprentice, Victorine Studio, Nice, France, 1939.

PRINCIPAL STAGE WORK—Associate producer, Psycho Beach Party, Players Theatre, New York City, 1987-88; executive producer, Sex Slaves of the Lost Kingdom, the World, New York City, 1988; assistant to the producer, The Lady in Question, Orpheum Theatre, New York City, 1989.

WRITINGS: FILM—See production details above. (With Ivan Foxwell) The Colditz Story, 1955; (with Foxwell and William Woods) Stowaway Girl, 1957; (with Foxwell, Roger MacDougall, and Paul Winterton) A Touch of Larceny, 1960; (with Alec Medioff and Sergio Gobbi) Saufvotre respect, 1989.*

MAJOR TOURS--Julie Halston Speaks (one-woman show), U.S. cities, 1984-85. FILM DEBUT—The Silence of the Lambs, Orion, 1990. RELATED CAREER—Actress in television commercials; comedy writer; member of the comedy duo, Halston and Pearl.

HAMILTON, Joe

NON-RELATED CAREER—Registered investment counselor; librarian; council member, Fresh Air Fund; board member, Dearknows Ltd.

1929-

PERSONAL: Full name, Joseph Henry Michael Hamilton, Jr.; born January 6, 1929, in Los Angeles, CA; son of Joseph Henry Michael and Marie (Sullivan) Hamilton; married Gloria Hartley (divorced); married Carol Burnett (an actress and comedienne), May 4, 1963 (divorced); children: Kathleen, Dana, Joseph Henry Michael III, Jeffrey, Judith, John, Jennifer, Nancy, Carrie, Jody, Erin Kate. EDUCATION—Graduated from the Los Angeles Conservatory of Music and Arts, 1951.

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Special Library Association. SIDELIGHTS: RECREATIONS—Reading. ADDRESSES: AGENT—Ambrosio/Mortimer, 165 W. 46th Street, New York, NY 10036.

VOCATION: Producer. CAREER: PRINCIPAL TELEVISION APPEARANCES—Series: As a member of the Skylarks (singing group), The Dinah Shore Show, NBC, 1955-57.

HAMILTON, Guy

PRINCIPAL TELEVISION WORK—Series: Producer, The Garry Moore Show, CBS, 1958-64; producer, The Entertainers, CBS, 1964-65; producer, The Sammy Davis, Jr. Show, NBC, 1966; producer (with Bob Banner), The Garry Moore Show, CBS, 196667; executive producer, The Carol Burnett Show, CBS, 1967-78; executive producer, The JimmieRodger-s Show, CBS, 1969; executive producer, The Smothers Brothers Show, NBC, 1975; producer, Carol Burnett and Company, ABC, 1979; executive producer, The Tim Conway Show, CBS, 1980-81; executive producer, Mama's Family, NBC, 1983-84, then syndicated, 1987—. Pilots: Producer, The Primary English Class, ABC, 1977. Movies: Producer, The Grass Is Always Greener Over the Septic Tank, CBS, 1978; producer, The Tenth Month, CBS, 1979. Specials: Associate producer, The Ginger Rogers Show, CBS, 1958; producer and director, Julie and Carol at Carnegie Hall, CBS, 1962; producer, Carol and Company, CBS, 1966; producer, The Tim Conway Special, CBS, 1970; producer, Julie and Carol at Lincoln Center, CBS, 1971; producer, Once Upon a Mattress, CBS, 1972; producer, 6 RmsRiv Vu, CBS, 1974; producer, Twigs, CBS, 1975; producer, Sills and Burnett at the Met, CBS, 1976; producer, Uncle Tim Wants You!, CBS, 1977; executive producer, A Special Evening with Carol Burnett, CBS, 1978; producer, Eunice, CBS, 1982; producer, Calamity Jane, CBS, 1983.

1922-

PERSONAL: Born September, 1922, in Paris, France. MILITARY—Royal Navy, 1940-45. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Assistant director, The Fallen Idol (also known as The Lost Illusion), British Lion, 1949; assistant director, The Third Man, Selznick Releasing Organization, 1950; assistant director, The African Queen, United Artists, 1951; assistant director, Outcast of the Islands, BritishLion, 195 2; director, The Ringer, Regent, 1953; director, An Inspector Calls, British Lion, 1954; director, The Colditz Story, British Lion, 1955; director, The Intruder, British Lion, 1955; director, Charley Moon, British Lion, 1956; director, Stowaway Girl (also known as Manuela), Paramount, 1957; director, The Devil's Disciple, United Artists, 1959; director, A Touch of Larceny, Paramount, 1960; director, The Best of Enemies (also known as / due nemici), Columbia, 1962; director, Goldfinger, United Artists, 1964; director, Man in the Middle (also known as The Winston Affair), Twentieth Century-Fox, 1964; director, Funeral in Berlin, Paramount, 1966; director, The Party's Over, Allied Artists, 1966; director, The Battle of Britain, United Artists, 1969; director, Diamonds Are Forever, United Artists, 1971; director, Live and Let Die, United Artists, 1973; director, The Man with the Golden Gun, United Artists, 1974; producer and director, Force TenfromNavarone, American International, 1978; director, The Mirror Crack'd, Associated Film Distribution, 1980; director, Evil Under the Sun, Universal, 1982; director, Remo Williams: The Adventure Begins, Orion, 1985; director, Saufvotre respect (also known as La Grande Fauche, Try This On for Size, and Try This One On for Size), Films Number One/Twentieth Century-Fox/ Filmexport/GCR, 1989.

RELATED CAREER—Musician and singer, 1948-51; writer and associate producer of television programs, 1951-57. WRITINGS: TELEVISION—Pilots: Composer of theme music (with Peter Matz), The Primary English Class, ABC, 1977. AWARDS: Emmy Award, Outstanding Variety Series (Musical), 1972, for The Carol Burnett Show; Emmy Award, Outstanding Music-Variety Series, 1974, for The Carol Burnett Show; Emmy Award, Outstanding Comedy-Variety or Music Series, 1975, for The Carol Burnett Show. 185

HAMMOND CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MEMBER: Bel Air Country Club, Westchester Country Club, Wialea Country Club (Maui, HI). ADDRESSES: OFFICE—c/o EBM, Joe Hamilton Productions, 132 S. Rodeo Drive, Beverly Hills, CA 90212.

HAMMOND, Nicholas VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Robin Rhodes, The Complaisant Lover, Ethel Barrymore Theatre, New York City, 1961; Second Lieutenant John Truly, Conduct Unbecoming, Ethel Barrymore Theatre, 1970; Sandy Tyrrell, Hay Fever, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1984; also appeared in Juno and the Pay cock, Center Theatre Group, Mark Taper Forum, Los Angeles, 1974; Travesties and The Importance of Being Earnest, both Center Theatre Group, Mark Taper Forum, 1976-77. PRINCIPAL FILM APPEARANCES—Friedrich, The Sound of Music, Twentieth Century-Fox, 1965; Peter Lindner, Skyjacked (also known as Sky Terror), Metro-Goldwyn-Mayer, 1972; Peter Parker/Spider-Man, Spider-Man, Columbia-Warner Distributors, 1977; Peter Parker/Spider-Man, Spider-Man Strikes Back, Columbia-EMI-Warner Distributors, 1978; Peter Parker/SpiderMan, Spider-Man: The Dragon s Challenge, Columbia-EMIWarner Distributors, 1980. Also appeared in Lord of the Flies, Continental Distributing, 1963; Superdad, Buena Vista, 1974.

HERBIE HANCOCK

PRINCIPAL TELEVISION APPEARANCES—Series: Peter Parker/ Spider-Man, The Amazing Spider-Man, CBS, 1978-79. MiniSeries: Walters, Rich Man, Poor Man, ABC, 1976; Commander Arthur Black, The Martian Chronicles, NBC, 1980; John Carpenter, The Manions of America, ABC, 1981. Pilots: Brad Jensen, Law of the Land, NBC, 1976; Peter Parker/Spider-Man, Spider-Man, CBS, 1977; Jack Travis, The Home Front, CBS, 1980; Reverend Tull, The Adventures of Polly anna, CBS, 1982. Episodic: Jeff Daley, Two Marriages, ABC, 1983; Todd Worthy, Murder, She Wrote, CBS, 1985; Woodward, Mission: Impossible, ABC, 1989. Movies: Evan Clark, Mr. andMrs. Bo Jo Jones, ABC, 1971; Ron Werner, Outrage!, ABC, 1973; Arthur, Trouble in Paradise, CBS, 1989.

VOCATION: Composer and musician. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Eddie Wayne, 'RoundMidnight, Warner Brothers, 1986. PRINCIPAL FILM WORK—Music director, 'Round Midnight, Warner Brothers, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Host, RockSchool, PBS. Episodic: Gideon, Concrete Cowboys, CBS, 1981; also Saturday Night Live, NBC; Sesame Street, PBS; The Mike Douglas Show, CBS; Phil Donahue, NBC; Late Night with David Letterman, NBC. Specials: Sun City, MTV, 1985; "Miles Ahead: The Music of Miles Davis," Great Performances, PBS, 1986; A Jazz Session—Sass and Brass, Cinemax, 1987; host, Showtime Coast to Coast, Showtime, 1987; Late Night with David Letterman Fifth Anniversary Show, NBC, 1987; Celebrating a Jazz Master: Thelonious Sphere Monk, PBS, 1987; host, The New Orleans Jazz and Heritage Festival, Showtime, 1988; "A Duke Named Ellington," American Masters, PBS, 1988; Newport Jazz '88, PBS, 1988; AilStar Tribute to Kareem Abdul-Jabbar, NBC, 1989; Grammy Living Legends, CBS, 1989; Our Common Future, syndicated, then Arts and Entertainment, 1989; The Neville Brothers: Tell It Like It Is, Cinemax, 1989.

ADDRESSES: AGENT—The Artists Group, 1930 Century Park W., Suite 303, Los Angeles, CA 90067. MANAGER—SchumerOubre Management Ltd., 1697 Broad way, New York, NY 10019.*

HANCOCK, Herbie

1940-

PERSONAL: Full name, Herbert Jeffrey Hancock; born April 12, 1940, in Chicago, IL; son of Wayman Edward (a government meat inspector) and Winnie Belle (Griffin) Hancock; married Gudrun Meixner (a decorator and art collector), August 31, 1968; children: Jessica Dru. EDUCATION—Grinnell College, B.A., 1960; graduate work, Roosevelt University, 1960; also studied at the Manhattan School of Music, 1962, and the New School for Social Research, 1967. RELIGION—Nichiren Shoshu Buddhist.

PRINCIPAL TELEVISION WORK—Specials: Music director, The Neville Brothers: Tell It Like It Is, Cinemax, 1989. RELATED CAREER—Keyboardist with Coleman Hawkins, 1960, Donald Byrd, 1960-63, Miles Davis, 1963-68, and with the Herbie Hancock Sextet, V.S.O.P. Quintet, Chick Corea, Oscar Peterson, and various other projects, 1968—; founder, owner, and publisher, Hancock Music Company, Los Angeles, 1962—; founder, Han-

186

HANNA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Federation of Television and Radio Artists, Pioneer Club of Grinnell College.

cock and Joe Productions, Los Angeles, 1989—; president, Harlem Jazz Music Center, New York City; as a jazz musician, has appeared in concerts throughout the world including a limited engagement with Natalie Cole and the Manhattans at the Winter Garden Theatre, New York City, in 1976.

SIDELIGHTS: RECREATIONS—Computers and international travel. Herbie Hancock told CTFT that he began playing the piano when he was seven years old and, at the age of 11, he performed with the Chicago Symphony Orchestra. Of his many compositions, Hancock noted that his favorite is ' 'Maiden Voyage'' from the album of the same name.

WRITINGS: All as composer. FILM—Blow Up, Premier Productions, 1966; The Spook Who Sat By the Door, United Artists, 1973; Death Wish, Paramount, 1974; A Soldier's Story, Columbia, 1984; 'RoundMidnight, Warner Brothers, 1986; Jo Jo Dancer, Your Life Is Calling, Columbia, 1986; (with Michael Kamen) Action Jackson, Lorimar, 1988; Colors, Orion, 1988; Harlem Nights, Paramount, 1989.

ADDRESSES: AGENT—Rob Light, Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212. PUBLICIST—Bobbi Marcus, Bobbi Marcus Public Relations, 1616 Butler Avenue, W. Los Angeles, CA 90025. MANAGER—AGM Management, 1680 N. Vine Street, Suite 1101, Los Angeles, CA 90028.

TELEVISION—Specials: Hey, Hey, Hey, It's Fat Albert, 1969; The George McKenna Story, CBS, 1986. RECORDINGS: ALBUMS—Takin' Off, Blue Note, 1963; Succotash, Pausa, 1964; Speak Like a Child, Blue Note, 1968; Fat Albert Rotunda, Warner Brothers, 1969; Mwandishi, Warner Brothers, 1971; Crossings, Warner Brothers, 1972; Sextant, Columbia, 1972; Headhunters, Columbia, 1973; Thrust, Columbia, 1974; Death Wish (original soundtrack), Columbia, 1974; The Best of Herbie Hancock, Blue Note, \914\Man-Child, Columbia, 1975; Secrets, Columbia, 1976; (with V.S.O.P.) The Quintet, Columbia, 1977; V.S.O.P., Columbia, 1977; Sunlight, Columbia, 197'8; An Evening with Herbie Hancock and Chick Corea in Concert, Columbia, 1979; Feets Don't Fail Me Now, Columbia, 1979; Monster, Columbia, 1980; Greatest Hits, Columbia, 1980; Lite Me Up, Columbia, 1982; Future Shock, Columbia, 1983;(with Foday Musa Suso) Village Life, Columbia, 1985; 'RoundMidnight (original soundtrack), Columbia, 1986; Jo Jo Dancer, Your Life Is Calling (original soundtrack), Warner Brothers, 1986; (with Dexter Gordon) The Other Side of'Round Midnight, Blue Note, 1987'^Perfect Machine, Columbia, 1988; also My Point of View, Blue Note; Maiden Voyage, Blue Note; Inventions and Dimensions, Blue Note; Empyrean Isles, Blue Note; The Prisoner, Blue Note; Herbie Hancock, Blue Note; Magic Windows, Columbia; Corea/Hancock, Polydor; Quartet, Columbia; (with V.S.O.P.) Live Under the Sky, Columbia; Mr. Hands, Columbia; Sound-System, Columbia; (with Chick Corea) In Concert, 1978, Polydor.

HANNA, William

1910-

PERSONAL: Full name, William Denby Hanna; born July 14, 1910, in Melrose, NM; son of William John and A vice Joyce (Denby) Hanna; married Violet Blanch Wogatzke, August 7, 1936; children: David William, Bonnie Jean. EDUCATION—Studied engineering and journalism at Compton Junior College, 1929-30. VOCATION: Animator, producer, director, and writer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Tyre salesman, Roadie, United Artists, 1980. PRINCIPAL FILM WORK—All with Joseph Barbera: Animation director, Anchors Aweigh, Metro-Goldwyn-Mayer (MGM), 1945; animation director, Holiday in Mexico, MGM, 1946; animation director, Neptune's Daughter, MGM, 1949; animation director (also with Fred Quimby), Dangerous When Wet, MGM, 1953; animation director (also with Quimby), Invitation to the Dance, MGM, 1956; producer and director, Hey There, It's Yogi Bear (animated), Columbia, 1964; producer and director, The Man Called Flintstone (also known as That Man Flintstone; animated), Columbia, 1966; producer and animation director, Project X, Paramount, 1968; producer, Charlotte's Web (animated), Paramount, 1973; producer, C.H.O.M.P.S., AID, 1979; executive producer, Liar's Moon, Crown International, 1982; producer, Heidi's Song (animated), Paramount, 1982; producer, GoBots: Battle of the Rock Lords (animated), Atlantic Releasing, 1986. Also executive producer, The Greatest Adventure: Stories from the Bible (home video release), 1986; producer, Forever Like a Rose.

AWARDS: Citation of Achievement from Broadcast Music Inc., 1963; Jay Award from Jazz magazine, 1964; Downbeat magazine Critics' Poll Award, Talent Deserving Wider Recognition, 1967; Record World magazine Award, New Artist—All-Star Band, 1968, for the Herbie Hancock Sextet; Downbeat magazine Critics' Poll Award, Keyboard Player of the Year, 1968, 1969, and 1970; Downbeat magazine Critic's Poll Award, Composer of the Year, 1971; Gold Record Award from the Recording Industry Association of America, 1973, for Headhunters; Black Music magazine Award, Top Jazz Artist, 1974; Grammy Award, Best R&B Instrumental Performance, 1983, for "Rockit" from Future Shock; Rolling Stone magazine Critics' Poll Award, Jazz Artist of the Year, and Rolling Stone magazine Readers' Poll Award, Jazz Artist of the Year, both 1984; Grammy Award, Best R&B Instrumental Performance, 1984, for Sound-System; Academy Award, Best Original Score, 1986, for 'RoundMidnight; Grammy Award, Best Jazz Instrumental Composition, 1987, for "Call Street Blues" from 'RoundMidnight. HONORARY DEGREES—Grinnell College; Berklee College of Music.

Director of the following short animated films: Blue Monday, What a Lion, and OldSmokey, all MGM, 1938; director (with Barbera) of the following short animated films: Gallopin' Gals, Swing Social, Puss Gets the Boot, and Romeo in Rhythm, all MGM, 1940; The Goose Goes South, Midnight Snack, The Night Before Christmas, and Officer Pooch, all MGM, 1941; The Bowling-Alley Cat, Dog Trouble, Fine Feathered Friend, Fraidy Cat, and Puss 'n' Toots, all MGM, 1942; Baby Puss, Yankee Doodle Mouse, Lonesome Mouse, Sufferin' Cats, and War Dogs, all MGM, 1943; The Bodyguard, The Million Dollar Cat, The Zoot Cat, Puttin' on the Dog, and Mouse Trouble (also known as Cat Nipped and Kitty Foiled), all MGM, 1944; The Mouse Comes to Dinner (also known as Mouse to Dinner), Flirty Birdy (also known as Love Boids),

MEMBER: National Academy of Recording Arts and Sciences, American Federation of Musicians, Screen Actors Guild, American 187

HANNA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Mouse in Manhattan (also known as Manhattan Serenade), Quiet, Please!, and Tee for Two, all MGM, 1945; The Milky Waif, Solid Serenade, The Cat Concerto, Springtime for Thomas, and Trap Happy, all MGM, 1946; The Invisible Mouse, Part-Time Pal (also known as Fair Weathered Friend), Cat Fishin , A Mouse in the House, Dr. Jekyll and Mr. Mouse, and Salt Water Tabby, all MGM, 1947; Kitty Foiled, Old Rockiri Chair Tom, The Little Orphan, Professor Tom, Make Mine Freedom, Mouse Cleaning, and The Truce Hurts, all MGM, 1948; Polka Dot Puss, Hatch Up Your Troubles, The Cat and the Mermouse, Heavenly Puss, Jerry's Diary, Love That Pup, and Tennis Chumps, all MGM, 1949.

Bear), syndicated, 1958-62; producer and director, Yogi Bear (also featuring Snagglepuss and Yakky Doodle Duck), syndicated, 195862; producer, The Quick Draw McGraw Show (also featuring Snooper and Blabber and Augie Doggie and Doggie Daddy), syndicated, 1959-62; producer and director, TheFlintstones, ABC, 1960-66; producer and director, Top Cat, ABC, 1961-62; producer and director, Lippy the Lion, syndicated, 1962; producer and director, Touche Turtle, syndicated, 1962; producer and director, Wally Gator, syndicated, 1962; (also director) TheJetsons, ABC, 1962-63; (also director) The Adventures of Jonny Quest (also known as Jonny Quest), ABC, 1964-65; producer and director, The Magilla Gorilla Show (also featuring Ricochet Rabbit and Punkin Puss and Mush Mouse), syndicated, 1964-67; producer and director, The Peter Potamus Show (also featuring Yippie, Yappie, and Yahooey and Breezly and Sneezly), syndicated, 1964-67'.

Framed Cat, Tom and Jerry in the Hollywood Bowl, Jerry and the Lion (also known as Hold That Lion), Little Quacker, Saturday Evening Puss (also known as Party Cat), Jerry's Cousin (also known as City Cousin and Muscles Mouse), Texas Tom, Cue Ball Cat, and Safety Second (also known as F'r Safety Sake), all MGM, 1950; Casanova Cat, Cat Napping, His Mouse Friday, Jerry and the Goldfish, The Two Mouseketeers, Nit-Witty Kitty, Sleepy-Time Tom, andSlicked-UpPup, all MGM, 1951; The Flying Cat, Cruise Cat, The Dog House, The Duck Doctor, Fit to Be Tied, Johann Mouse, Little Runaway, Push-Button Kitty, Smitten Kitten, and Triplet Trouble, all MGM, 1952; The Missing Mouse, Jerry and Jumbo, That's My Pup, Just Ducky, Two Little Indians, and Life with Tom, all MGM, 1953; Pet Peeve, Little School Mouse, Baby Butch, Mice Follies, Neapolitan Mouse, Downhearted Duckling, Posse Cat, Hic-Cup Pup (also known as Tyke Takes a Nap), Puppy Tale, and Touche, Pussy Cat, all MGM, 1954; Good Will to Men, Pup on a Picnic, Designs on Jerry, Southbound Duckling, Pecos Pest, Smarty Cat, That's My Mommie, Mouse for Sale, and Tom and Cherie, all MGM, 1955; Barbeque Brawl, The Flying Sorceress, Blue Cat Blues, Give and Take, Busy Buddies, The Egg and Jerry, Scat Cats, Down Beat Bear, and Muscle Beach Tom, all MGM, 1956; One Droopy Knight, Feedin the Kiddie, Mucho Mouse, Timid Tabby, Tom's Photo Finish, and Tops with Pops, all MGM, 1957; Happy Go Ducky (also known as One Quack Mind), Royal Cat Nap, Robin Hoodwinked, Tot Watchers, The Vanishing Duck, Little Bo Bopped, and Wolf Hounded, all MGM, 1958.

Series (continued; all animated, unless indicated): Producer and director, The Atom AntI Secret Squirrel Show (also featuring The Hillbilly Bears, Squiddly Diddly, and Precious the Dog), NBC, 1965-68; producer, Sinbad, Jr., the Sailor (also known as The Adventures of Sinbad, Jr.), syndicated, 1966; producer and director, The Abbott and Costello Cartoon Show, syndicated, 1966; producer (also with Larry Harmon), Laurel and Hardy, syndicated, 1966-67; producer and director, Space Kiddettes, NBC, 1966-67; producer and director, Space Ghost (also featuring Dino Boy), CBS, 1966-68; producer and director, Frankenstein, Jr. and the Impossibles, CBS, 1966-68; producer, Sampson and Goliath, NBC, 1967-68; producer and director, Birdman and the Galaxy Trio, NBC, 1967-68; producer and director, TheHerculoids, CBS, 1967-69; producer, Moby Dick and the Mighty Mightor, CBS, 1967-69; producer and director, Shazzan!, CBS, 1967-69; (also director) The Fantastic Four, ABC, 1967-70; Here Come the Stars (live-action), syndicated, 1968; producer, The New Adventures of Huck Finn (live-action and animated), NBC, 1968-69; producer and director, The Wacky Races, CBS, 1968-70; producer, The Banana Splits Adventure Hour (live-action and animated; also featuring The Micro Venture, Danger Island, The Three Musketeers, The Hillbilly Bears, and The Arabian Knights), NBC, 196870; (also director) The Adventures of Gulliver (also known as The Adventures of Young Gulliver), ABC, 1969-70; producer and director, The Perils of Penelope Pitstop, CBS, 1969-71; (also director) The Cattanooga Cats (also featuring It's the Wolf, Around the World in 79 Days, and Auto Cat and Motor Mouse), ABC, 1969-71; (also director) Dastardly and Muttley in Their Flying Machines, CBS, 1969-71; (also director with Charles A. Nichols) Scooby-Doo, Where Are You?, CBS, 1969-74.

Creepy Time Pal, Tale of a Wolf, The Do-Good Wolf, Life with Loopy, Snoopy Loopy, No Biz Like Shoe Biz, and Here Kiddie, Kiddie, all Columbia, 1960; Count Down Clown, Happy Go Loopy, Two-Faced Wolf, Catch Meow, Child Sock-Cology, Fee Fie Foes, Kooky Loopy, Loopy's Hare-Do, This Is My Ducky Day, and Zoo Is Company, all Columbia, 1961; Bungle Uncle, Bearly Able, Beeffar and After, Bunnies Abundant, Chicken Fracas-see, Common Scents, Rancid Ransom, Slippery Slippers, and Swash Buckled, all Columbia, 1962; Just a Wolf at Heart, Chicken-Hearted Wolf, Whatcha Watchin, A Fallible Fable, Drum-Sticked, Bear Up!, The Crook That Cried Wolf, Habit Rabbit, Not in Nottingham, Sheep Stealers Anonymous, and Wolf in Sheepdog s Clothing, all Columbia, 1963; Elephantastic, Bear Hug, Bear Knuckles, Trouble Bruin, Raggedy Rug, and Habit Troubles, 1964; Big Mouse-Take, Pork Chop Phooey, Crow's Fete, and Horse Shoo, all Columbia, 1965.

Series (continued; all animated, unless indicated): (Also director) Where's Huddles?, CBS, 1970-71; (also director) The Harlem Globetrotters, CBS, 1970-73; (also director) Josie and the Pussycats, CBS, 1970-76; Pebbles and Bamm Bamm, CBS, 1971-72; (also director) Help! It's the Hair Bear Bunch, CBS, 1971-72; (also director) The Funky Phantom, ABC, 1971-72; producer and director, Wait til Your Father Gets Home, syndicated, 1972; Sealab 2020, NBC, 1972-73; The Roman Holidays, NBC, 1972-73; (also director) The Amazing Chan and the Chan Clan, CBS, 1972-74; (also director) The Flintstone Comedy Hour, CBS, 1972-74; (also director with Nichols) Josie and the Pussycats in Outer Space, CBS, 1972-74; The New Scooby-Doo Movies, CBS, 1972-74; Speed Buggy, CBS, 1973-74; (also director) Butch Cassidy and the Sundance Kids, NBC, 1973-74; producer, Peter Puck, NBC, 1973-74; Inch High, Private Eye, NBC, 1973-74; Yogi's Gang, ABC, 1973-75; Jeannie, CBS, 1973-75; Goober and the Ghost Chasers, ABC, 1973-75; The Addams Family, NBC, 1973-75; Super Friends, ABC, 1973-83; Wheelie and the Chopper Bunch,

PRINCIPAL TELEVISION APPEARANCES—Specials: The 40th Annual Emmy Awards, Fox, 1988; Hanna-Barbera s 50th: A Yabba Dabba Doo Celebration, TNT, 1989. PRINCIPAL TELEVISION WORK—All as executive producer, unless indicated; all with Joseph Barbera. Series (all animated, unless indicated): Producer (also with Bob Cottle), The Ruff and Reddy Show, NBC, 1957-64; producer and director, The Huckleberry Hound Show (also featuring Pixie and Dixie, Hokey Wolf, and Yogi 188

COCONTEMPORARY NTEMPORARYTHEATRE,FILM,ANDTELEVISION•Volume8aAaaaaHHH THEATRE, FILM, AND TELEVISION • Volume 8 HANNAAN A

NBC, 1974-75; 1974-75; The The Partridge Partridge Family: Family: 2200 2200 A.D., A.D., CBS, CBS, 1974-75; 1974-75; Korg: 70,000 70,000 B.C. B.C. (live-action), (live-action), ABC, ABC, 1974-75; 1974-75; Hong Hong Kong Kong Phooey, Phooey, ABC, ABC, 1974-76; 1974-76; These These Are Are the the Days, Days, ABC, ABC, 1974-76; 1974-76; Devlin, Devlin, ABC, ABC, 1974-76; 1974-76; Valley Valley of of the the Dinosaurs, Dinosaurs, CBS, CBS, 1974-76. 1974-76.

1987-88; 1987-88; Popeye Popeye and and Son, Son, CBS, CBS, 1987-88; 1987-88; (also (also with with Jay Jay Wolpert) Wolpert) Skedaddle Skedaddle (live-action), (live-action), syndicated, syndicated, 1988—; 1988—; The The Completely Completely MenMental Misadventures Misadventures of of Ed Ed Grimley, Grimley, NBC, NBC, 1988-89. 1988-89. tal Pilots Pilots (all (all live-action, live-action, unless unlessindicated): indicated): The TheBeach Beach Girls, Girls, syndicatsyndicated, ed, 1977; 1977; The The Funny Funny World World of of Fred Fred and and Bunni Bunni (live-action (live-action and and animated), CBS, CBS, \91&; 1978; Sergeant Sergeant T.K. T.K. Yu, Yu, NBC, NBC, 1979. 1979. Movies Movies(all (all animated), live-action, unless unless indicated): indicated): Hardcase, Hardcase, ABC, ABC, 1972; 1972; Shootout in a live-action, One-Dog Town, Town, ABC, ABC, 1974; 1974; The The Gathering, Gathering, ABC, ABC, 1977; 1977; The The One-Dog Beasts Are Are on on the the Streets, Streets, NBC, NBC, 1978; 1978; The The Gathering, Gathering, Part Part II, II, Beasts NBC, 1979; 1979; Lucky Fox, NBC, Lucky Luke Luke (animated), (animated), syndicated, 1987; 1987; Stone Fox, NBC, 1987. 1987. NBC,

Series Series (continued; all all animated, animated, unless unless indicated): indicated): (Also (Also director) director) The Scooby-DoolDynomuttHour, Scooby-DoolDynomutt Hour, ABC, ABC, \916-ll\Mumbly, 1976-77; Mumbly,ABC, ABC, 1976-77; The The Clue Clue Club, Club, CBS, CBS, 1976-77; 1976-77; Jabberjaw, Jabberjaw, ABC, ABC, 197619761976-77; Skatebirds (also (also featuring featuring The The Robonic Robonic Stooges, Stooges, Wonder Wonder 78; The Skatebirds Wheels, Woofer Woofer and and Wimper, Wimper, and and Mystery Mystery IIsland), CBS, 1977-78; 1977-78; Wheels, stand), CBS, The Tom and and Jerry/Great Jerry/Great Grape Grape Ape Ape Show, Show, ABC, ABC, 1977-78; 1977-78; (also (also New Super Super Friends Friends Hour, Hour, ABC, ABC, 1977-78; 1977-78; Scooby's Scooby's director) The New All-Star All-Star Lajf-a-Lympics, Laff-a-Lympics, ABC, ABC, 1977-78; 1977-78; Fred Fred Flintstone Flintstone and and Friends, syndicated, 1977-78; 1977-78; The The C.B. C.B. Bears Bears (also (also featuring featuring Blast Blast Friends, Buzzard and Crazy Crazy Legs, Legs, Posse Posse Impossible, Impossible, Undercover UndercoverEleEleOff Buzzard phant, Shake, Shake, Rattle, Rattle, and and Roll, Roll, and andHeyyyyyy, Heyyyyyy, It's It's the the King), King),CBS, CBS, 1977-78; The Hanna-Barbera Hanna-Barbera Happiness Happiness Hour Hour (live-action), (live-action), 1977-78; 1978; Yogi's Yogi's Space Space Race, Race, NBC, NBC, 1978-79; 1978-79; The The Galaxy Galaxy NBC, 1978; 1978-79; Scooby's Scooby's All All Stars, Stars, ABC, ABC, 1978-79; 1978-79; Goofups, NBC, 1978-79; Challenge of the the Super Super Friends, Friends, ABC, ABC, 1978-79; 1978-79; (also (also director) director) The The Greatest Super Super Heroes, Heroes, ABC, ABC, 1978-80; 1978-80; Godzilla Godzilla (also (also World's Greatest known as Godzilla Godzilla and and the the Super Super 90 90 and and The The Godzilla Godzilla Power Power Hour; Hour; known Jana of the the Jungle), Jungle), NBC, NBC, 1978-81; 1978-81; producer, producer, The The also featuring Jana Three Robonic Robonic Stooges, CBS, 1978-81; 1978-81; The The All-New All-New Poveve Popeye Hour, CBS, 1978-81; The New Shmoo, NBC, 1979; Fred and Barney Meet the Thing, NBC, 1979; Buford and the Ghost, NBC, 1979; Scooby-Doo and Scrappy-Doo, ABC, 1979; The Super Globetrotters, NBC, 1979; The New Fred and Barney Show, NBC, 1979; Casper and the Angels, NBC, 1979-80; Fred and Barney Meet the Shmoo, NBC, 1979-80.

Specials (all (all animated, animated, unless unless indicated): indicated): Alice Alice in in Wonderland, Wonderland, Specials ABC, 1966; 1966; Jack Jack and and the the Beanstalk Beanstalk (live-action (live-action and and animated), animated), ABC, NBC, 1967; 1967; The The Thanksgiving Thanksgiving That That Almost Almost Wasn't, Wasn't, syndicated, syndicated, NBC, 1971; A A Christmas Christmas Story, Story, syndicated, syndicated, 1971; 1971; producer, producer, Last Last ofof the the 1971; Curlews, ABC, ABC, 1972; 1972; Yogi's Yogi's Ark Ark Lark, Lark, ABC, ABC, 1972; 1972;Robin RobinHoodnik, Hoodnik, Curlews, ABC, 1972; 1972; Oliver ABC, Oliver and and the the Artful Dodger, ABC, ABC, 1972; Here Come the Clowns, Clowns, ABC, ABC, 1972; 1972; The The Banana Banana Splits Splits in inHocus HocusPocus Pocus Park, Park, the ABC, 1972; 1972; Gidget Gidget Makes Makes the the Wrong Wrong Connection, Connection, ABC, ABC, 1973; 1973; ABC, Lost in in Space, Space, ABC, ABC, 1973; 1973; 20,000 20,000 Leagues Leagues Under Under the theSea, Sea, syndisyndiLost cated, 1973; 1973; (also (also director) director) The The Three Three Musketeers, Musketeers, syndicated, syndicated, cated, 1973; The The Count Count of of Monte Monte Cristo. Cristo, svndicated. syndicated, 1973: 1973; The The Crazv Crazy 1973; Comedy Concert (live-action and animated), ABC, 1974; The Runaways (live-action), ABC, 1974; Cyrano de Bergerac, ABC, 1974; The Last of the Mohicans, syndicated, 1975; Phantom Rebel (live-action), NBC, 1976; "Davy Crockett on the Mississippi" (animated), Famous Classic Tales, CBS, 197'6; Taggart's Treasure (live-action), ABC, 1976; Five Weeks in a Balloon, CBS, 1977; Yabba Dabba Doo! The Happy World of Hanna-Barbera (liveaction and animated), CBS, 1977; Energy: A National Issue, 1977; A Flintstones' Christmas, NBC, 1977; The Flintstones' Little Big League, NBC, 1978; Hanna-Barbera''s All Star Comedy Ice Revue (live-action and animated), CBS, 1978; "It Isn't Easy Being a Teenage Millionaire" (live-action), ABC Afterschool Specials, ABC, 1978; Yabba Dabba Doo II', CBS, 1978; Black Beauty, CBS, 1978; Super Heroes Roast, NBC, 1979; Challenge of the Super Heroes, NBC, 1979; America vs. the World (live-action), NBC, 1979; Scooby Goes Hollywood, ABC, 1979; Casper's First Christmas, NBC, 1979; Popeye Valentine Special: The Sweethearts at Sea, CBS, 1979; Gulliver's Travels, CBS, 1979; Casper's Halloween Special: He Ain't Scary, He's Our Brother, NBC, 1979.

Series (continued; all animated, unless indicated): Captain Caveman and the Teen Angels, ABC, 1980; Flintstone Family Adventures (also featuring The Frankenstones and Captain Caveman), NBC, 1980-81; The Scooby-Doo and Scrappy-Doo Show, ABC, 198082; The Drak Pack, CBS, 1980-82; Fonz and the Happy Days Gang, ABC, 1980-82; The Richie Rich Show, ABC, 1980-82; The Flintstones, NBC, 1981; Space Stars (featuring Space Ghost, Teen Force, The Herculoids, and Astro and the Space Mutts), NBC, 1981-82; The Kwicky Koala Show (also featuring Dirty Dawg, CrazyClaws, and The Bungle Brothers), CBS, 1981-82; Trollkins, CBS, 1981-82; Private Olive Oyl, CBS, 1981-82; Laverne and Shirley in the Army, ABC, 1981-82; The Flintstone Funnies, NBC, 1981-84; TheSmurfs, NBC, 1981-88; Laverne and Shirley with the Fonz, ABC, 1982-83; (also director) Jokebook, NBC, 1982; Merit and Mindy, ABC, 1982-83; Scooby, Scrappy, and Yabba Doo, ABC, 1982-83; The Gary Coleman Show, NBC, 1982-83; The Little Rascals, ABC, 1982-84; The Shirt Tales, NBC, 1982-84; Pac-Man, ABC, 1983-84; The Biskitts, CBS, 1983-84; Monchhichis, CBS, 1983-84; The Dukes, CBS, 1983-84; Scooby and ScrappyDoo, ABC, 1983-84; The Pink Panther and Sons, NBC, 1984-85; The New Scooby-Doo Mysteries, ABC, 1984-85; Super Friends: The Legendary Super Powers Show, ABC, 1984-85; (also with Freddy Monnickendam) Snorks, NBC, 1984-86; Challenge of the GoBots, syndicated, 1984-86; Scooby's Mystery Funhouse, ABC, 1985; The Thirteen Ghosts of Scooby-Doo, ABC, 1985-86; The Super Powers Team: Galactic Guardians, ABC, 1985-86; The NewJetsons, syndicated, 1985-88; The Funtastic World of HannaBarbera (featuring Yogi's Treasure Hunt, Paw Paws, Goltar and the Golden Lance, and The New Adventures of Jonny Quest), syndicated, 1986-87; The Flintstone Kids, ABC, 1986-87; Pound Puppies, ABC, 1986-87; Wildfire, CBS, 1986-87; Foofur, NBC, 1986-87; The Funtastic World of Hanna-Barbera (featuring Yogi's Treasure Hunt, Sky Commanders, The New Adventures of the Snorks, and The New Adventures of Jonny Quest), syndicated,

Specials (continued; all animated, unless indicated): The Gymnast (live-action), ABC, 1980; The Hanna-Barbera Arena Show (liveaction), NBC, 1981; Jogging Fever, NBC, 1981; The Great Gilly Hopkins (live-action), CBS, 1981; Daniel Boone, CBS, 1981; Yabba Dabba Doo (live-action and animated), CBS, 1982; The Smurfs' Springtime Special, NBC, 1982; The Smurfs' Christmas Special, NBC, 1982; Christmas Comes to Pac-Land, ABC, 1982; Yogi Bear's All-Star Christmas Caper, CBS, 1982; My Smurfy Valentine, NBC, 1983; The Secret World ofOg, ABC, 1983; The Amazing Bunjee Venture, CBS, 1984; The Smurfic Games, NBC, 1984; Smurfily-Ever After, NBC, 1985; Star Fairies, syndicated, 1985; The Flintstones' 25th Anniversary Celebration (live-action and animated), CBS, 1986; Ultraman! The Adventure Begins, syndicated, 1987; Yogi and the Magical Flight of the Spruce Goose, syndicated, 1987', Scooby and the Reluctant Werewolf, syndicated, 1987; The Jetsons Meet the Flintstones, syndicated, 1987; Top Cat and the Beverly Hills Cats, syndicated, 1987; Rockin' with Judy Jetson (also known as Judy Jetson and the Rockers), syndicated, 1987; Yogi's Great Escape, syndicated, 1987; Scooby-Doo and the Ghoul School, syndicated, 1987; Tis the Season to Be Smurfy, NBC, 1987; The Good, the Bad, and the Huckleberry Hound,

189

HARDWICKE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

syndicated, 1987; Scooby-Doo Meets the Boo Brothers, syndicated, 1987; Yogi and the Invasion of the Space Bears, syndicated, 1987; The Flintstone Kids "Just Say No" Special, ABC, 1988; Hanna-Barber a's 50th: A Yabba Dabba Doo Celebration (liveaction and animated), TNT, 1989; also producer, Rock Odyssey.

Religion in Media, 1986, for Excellence in Media; Distinguished Service Award from the National Religious Broadcasters and Award of Excellence from the Film Advisory Board, both 1987, for The Greatest Adventure: Stories from the Bible; Humanitas Prize, 1987, for "Lure of the Orb" episode of The Smurfs; Governor's Award from the National Academy of Television Arts and Sciences, 1988.

RELATED CAREER—Animator, scriptwriter, and story editor, Warner Brothers, Burbank, CA, 1931-33; animator, scriptwriter, lyricist, and composer, Harman-Ising Animation Studios, Hollywood, CA, 1933-37; animator, director, producer, and story editor, Metro-Goldwyn-Mayer (MGM), Hollywood, 1937-57; head of animation department (with Joseph Barbera), MGM, 195557; founder (with Barbera) and senior vice-president, HannaBarbera Productions, Hollywood, 1957—.

ADDRESSES: OFFICE—Hanna-Barbera Productions, 3400 W. Cahuenga Boulevard, Hollywood, CA 90068.*

NON-RELATED CAREER—Structural engineer.

HARDWICKE, Edward

WRITINGS: FILM—(With Joseph Barbera and Warren Foster) Hey There, It's Yogi Bear (animated), Columbia, 1964. TELEVISION— Series: (With Barbera and Douglas Widley) The Adventures of Jonny Quest (also known as Jonny Quest; animated), ABC, 196465. Specials: Composer, The Three Musketeers (animated), syndicated, 1973.

1932-

PERSONAL: Born August 7, 1932, in London, England; son of Cedric (an actor) and Helena (an actress; maiden name, Pickard) Hardwicke; married Anne Iddon (an actress), June 21, 1957 (divorced); children: Kate, Emma. EDUCATION—Trained for the stage at the Royal Academy of Dramatic Art. MILITARY—Royal Air Force, pilot officer, 1951-52.

AWARDS: All with Joseph Barbera. Academy Award nomination, Best Animated Short Subject, 1940, for Puss Gets the Boot; Academy Award nomination, Best Animated Short Subject, 1941, for The Night Before Christmas; Academy Award, Best Animated Short Subject, 1943, for Yankee Doodle Mouse; Academy Award, Best Animated Short Subject, 1944, for Mouse Trouble; Academy Award, Best Animated Short Subject, 1945, for Quiet, Please!; Academy Award, Best Animated Short Subject, 1946, for The Cat Concerto; Academy Award nomination, Best Animated Short Subject, 1947, for Dr. Jekyll and Mr. Mouse; Academy Award, Best Animated Short Subject, 1948, for The Little Orphan; Academy Award nomination, Best Animated Short Subject, 1949, for Hatch Up Your Troubles; Academy Award nomination, Best Short Subject, 1950, for Jerry's Cousin; Academy Award, Best Animated Short Subject, 1951, for The Two Mouseketeers; Academy Award, Best Animated Short Subject, 1952, for Johann Mouse; Academy Award nomination, Best Animated Short Subject, 1954, for Touche, Pussy Cat; Academy Award nomination, Best Animated Short Subject, 1955, for Good Will to Men; Academy Award nomination, Best Animated Short Subject, 1957, for One Droopy Knight.

VOCATION: Actor. CAREER: LONDON DEBUT-^S/jt Characters in Search of an Author, Arts Theatre, 1954. PRINCIPAL STAGE APPEARANCES-

Emmy Award, Outstanding Achievement in the Field of Children's Programming, 1960, for The Huckleberry Hound Show; Golden Globe, Outstanding Achievement in International Television Cartoons, 1965, for The Flintstones; Emmy Award, Outstanding Children's Special, 1966, for Jack and the Beanstalk; Emmy Award, Outstanding Achievement in Children's Programming (Informational/Factual), 1973, for The Last of the Curlews; Emmy Award, Outstanding Informational Children's Series, 1974, for The Runaways; Annie Award, 1977, for Charlotte's Web; Christopher Award and Emmy Award, Outstanding Special—Drama or Comedy, both 1978, for The Gathering; Emmy Award, Outstanding Children's Entertainment Series, 1982, for The Smurfs; Golden Reel Award, Animation Sound Editing, and Bronze Award, Best Children's Special, both from the International Film and Television Festival of New York, 1982, for The Smurfs' Springtime Special; Emmy Award, Outstanding Children's Entertainment Series, 1983, for The Smurfs; Bronze Award, Best Children's Special, 1984, for The Smurfic Games; Men of the Year Award from the National Center for Hyperactive Children, 1986; Gold Angel Award from

EDWARD HARDWICKE

190

HARRIS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Mr. Muffle, Wildest Dreams, Vaudeville Theatre, London, 1961; Sam Young, Photo Finish, Saville Theatre, London, 1962; Tailor and Justice, The Provoked Wife, Vaudeville Theatre, 1963;Montano, Othello, National Theatre Company, London, 1964; Camille Chandebise, A Flea in Her Ear and Ben, Love for Love, both National Theatre Company, 1966; Rosencrantz, Rosencrantz and Guildenstern Are Dead, National Theatre Company, 1968; Anthony Witwoud, The Way of the World and Jacques, The White Devil, both National Theatre Company, 1969; Lebedev, The Idiot and Praed, Mrs. Warren s Profession, both National Theatre Company, 1970; Guido Veranzi, The Rules of the Game, National Theatre Company, 1971; Howard Joyce, The Letter, Palace Theatre, Watford, U.K., 1973; Astrov, Uncle Vanya, Bristol Old Vic Theatre, Bristol, U.K., 1973; Richard Halton, On Approval, Haymarket Theatre, London, 1975; Sir Robert Chiltern, An Ideal Husband, Yvonne Arnaud Theatre, Guildford, U.K., 1976; Dr. Mongicourt, The Lady from Maxim's, National Theatre Company, Lyttelton Theatre, London, 1977; Jack Hartnoll, Can You Hear Me At the Back?, Piccadilly Theatre, London, 1979; Dr. Watson, The Secret of Sherlock Holmes, Wyndham's Theatre, London, 198889; also appeared in The Impresario of Smyrna, Arts Theatre, London, 1954. MAJOR TOURS—Camille Chandebise, A Flea in Her Ear and Ben, Love for Love, National Theatre Company, Canadian cities, 1967; also toured the Soviet Union with the National Theatre Company, 1965. FILM DEBUT—George, A Guy Named Joe, Metro-GoldwynMayer, 1943. PRINCIPAL FILM APPEARANCES—Pierre, A Flea in Her Ear, Twentieth Century-Fox, 1968; Montano, Othello, Warner Brothers, 1965; Lambert, Otley, Columbia, 1969; Mitchell, The Reckoning, Columbia, 1971; Mike McCarthy, The Black Windmill, Universal, 1974; Captain Paul Winter, Full Circle, CIC, 1977; Inspector Black, The Odd Job, Columbia, 1978; Lord Dunning, Venom, Paramount, 1982; Dr. Pierre Dubois, Baby: The Secret of the Lost Legend, Buena Vista, 1985. Also appeared in Hell Below Zero, Columbia, 1954; Men ofSherwood Forest, Astor, \951;The Day of the Jackal, Universal, 1973.

JULIE HARRIS

HARRIS, Julie

1925-

PERSONAL: Full name, Julia Ann Harris; born December 2, 1925, in Grosse Pointe Park, MI; daughter of William Pickett (an investment banker) and Elsie (a nurse; maiden name, Smith) Harris; married Jay I. Julien (an attorney and film producer), August 16, 1946 (divorced, July, 1954); married Manning Gurian (a stage manager), October 21, 1954 (divorced, 1967); married Walter Erwin Carroll (a writer), April 27, 1977 (divorced, 1982); children: Peter Alston (second marriage). EDUCATION—Attended Yale University School of Drama, 1944-45; trained for the stage at the Perry-Mansfield School of the Dance and Theatre, 1941-43, and at the Actors' Studio.

TELEVISION DEBUT—Pat Grant, Colditz, BBC, 1972. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. John Watson, The Adventures of Sherlock Holmes I, Granada, then Mystery!, PBS, 1985; Dr. John Watson, The Adventures of Sherlock Holmes II, Granada, then Mystery!, PBS, 1986; Dr. John Watson, The Return of Sherlock Holmes, Granada, then Mystery!, PBS, 1987; Dr. John Watson, The Return of Sherlock Holmes II, Granada, then Mystery!, PBS, 1988. Mini-Series: Biberstein, Holocaust, NBC, 1978; Enrico, Oppenheimer, BBC, 1978, then American Playhouse, PBS, 1982. Movies: Dieter Stahl, The Bunker, CBS, 1981. Specials: Gifford, Not Guilty!, ABC, 1974. Also appeared in Son of Man and The Withered Arm.

VOCATION: Actress. CAREER: BROADWAY DEBUT—Atlanta, It's a Gift, Playhouse Theatre, 1945. LONDON DEBUT—Emily Dickinson, The Belle of Amherst (one-woman show), Phoenix Theatre, 1977. PRINCIPAL STAGE APPEARANCES—Nelly, The Playboy of the Western World, Booth Theatre, New York City, 1946; White Rabbit, Alice in Wonderland, International Theatre, then Majestic Theatre, both New York City, 1947; Arianne, We Love a Lassie, Shubert Theatre, Boston, MA, then National Theatre, Washington, DC, both 1947; Weird Sister, Macbeth, National Theatre, New York City, 1948; Ida Mae, Sundown Beach, Belasco Theatre, New York City, 1948; Nancy Gear, The Young and Fair, Fulton Theatre, New York City, 1948; Angel Tuttle, Magnolia Alley, Mansfield Theatre, New York City, 1949; Felisa, Montserrat, Fulton Theatre, 1949; Frankie Addams, The Member of the Wedding, Empire Theatre, New York City, 1950; Sally Bowles, I Am a Camera, Empire Theatre, 1951;

RELATED CAREER—Company member: Bristol Old Vic Company, Bristol, U.K., 1954-57; Old Vic Company, London, 1958-59; Oxford Playhouse, Oxford, U.K., 1959-60; National Theatre Company, London, 1964-70. AWARDS: Clarence Derwent Award, 1966, for A Flea in Her Ear. ADDRESSES: AGENT—International Creative Management, 396 Oxford Street, London Wl, England.

191

HARRIS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

title role, Mademoiselle Colombe, Longacre Theatre, New York City, 1954; Jeanne d'Arc, The Lark, Longacre Theatre, 1955; Mrs. Margery Pinch wife, The Country Wife, Adelphi Theatre, New York City, 1957; Ruth Arnold, The Warm Peninsula, Helen Hayes Theatre, New York City, 1959.

1988. Also appeared in Journey into Midnight, Twentieth CenturyFox, 1968; in Prostitute, Connaught International, 1980; voice, Brooklyn Bridge (documentary), 1981. TELEVISION DEBUT—Actors' Studio, ABC, 1948. PRINCIPAL TELEVISION APPEARANCES—Series: Nellie Paine, Thicker Than Water, ABC, 1973; Elizabeth Holvak, The Family Holvak, NBC, 1975; Lilimae Clements, Knots Landing, CBS, 1981-87. MiniSeries: Helen "Nellie" Taft, Backstairs at the White House, NBC, 1979; hostess, The Prime of Miss Jean Brodie, PBS, 1979. Pilots: Leona Miller, The House on Greenapple Road, ABC, 1970; Elizabeth Holvak, The Greatest Gift, NBC, 1974. Episodic: Catherine Sloper, "The Heiress," Family Classics, CBS, 1961; Margaret Hollings, Family Ties, NBC, 1986; Irene Culver, The Love Boat, ABC, 1987; also Philco Television Playhouse, NBC, 194855; "Bernice Bobs Her Hair," Starlight Theatre, CBS, 1951; "October Story," Goodyear Television Playhouse, NBC, 1951; "The Happy Rest," Goodyear Television Playhouse, NBC, 1953; "A Wind from the South," U.S. Steel Hour, CBS, 1955; "Ethan Frome," Dupont Show of the Month, CBS, 1960; "Turn the Key Softly," Sunday Showcase, NBC, 1960; "Night of the Storm," Dupont Show of the Month, CBS, 1961; "He Who Gets Slapped," Play of the Week, WNTA, 1961; Ben Casey, ABC, 1964; "The Robrioz Ring," Kraft Suspense Theatre, NBC, 1964; Rawhide, CBS, 1965; Laredo, NBC, 1965; "Nightmare," Bob Hope Chrysler Theatre, NBC, 1966; The Bell Telephone Hour, NBC, 1966; Tarzan, NBC, 1967; Garrison's Gorillas, ABC, 1968; Run for Your Life, NBC, 1968; The Big Valley, ABC, 196S; Daniel Boone, NBC, 1968;7arzfl/i, NBC, 1968; Bonanza, NBC, 196&, Journey to the Unknown, ABC, 1968; Name of the Game, NBC, 1969 and 1970; Men from Shiloh, NBC, 1971; The Evil Touch, syndicated, 1972; Medical Center, CBS, 197'3; Hawkins, CBS, 1973; The Bob NewhartShow, CBS, 1973; Columbo, NBC, 1974;Harry O, ABC, 1975.

Brigid Mary Mangan, Little Moon of Alban, Longacre Theatre, 1960; Juliet, Romeo and Juliet and Blanche of Spain, King John, both Stratford Shakespeare Festival, Stratford, ON, Canada, 1960; Josefa Lantenay, A Shot in the Dark, Booth Theatre, 1961; June, Marathon '33, American National Theatre and Academy (ANTA) Theatre, New York City, 1963; Ophelia, Hamlet, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, then Playhouse in the Park, Philadelphia, PA, both 1964; Annie, Ready When You Are, C.B.f, Brooks Atkinson Theatre, New York City, 1964; Teresa, The Hostage, Bucks County Playhouse, New Hope, PA, 1965; Georgina, Skyscraper, Lunt-Fontanne Theatre, New York City, 1965; Blanche Dubois, A Streetcar Named Desire, Falmouth Playhouse, Falmouth, MA, then Tappan Zee Playhouse, Nyack, NY, 1967; Ann Stanley, Forty Carats, Morosco Theatre, New York City, 1968; Anna Reardon, And Miss Reardon Drinks a Little, Morosco Theatre, 1971; Claire, Voices, Ethel Barrymore Theatre, New York City, 1972; Mary Lincoln, The Last of Mrs. Lincoln, ANTA Theatre, 1972; Mrs. Rogers, The Au Pair Man, NYSF, Vivian Beaumont Theatre, New York City, 1973; Lydia Cruttwell, In Praise of Love, Morosco Theatre, 1974; Emily Dickinson, The Belle of Amherst (one-woman show), Longacre Theatre, 1976; Gertie Kessel, Break a Leg, Palace Theatre, New York City, 1979; Ethel Thayer, On Golden Pond, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1980; Clarice, Mixed Couples, Brooks Atkinson Theatre, 1980; Melissa Gardner, Love Letters, Promenade Theatre, New York City, 1989. Also appeared in Henry IV, Part Two and Oedipus, both Old Vic Company, Century Theatre, New York City, 1946; The Women, Repertory Theatre of New Orleans, New Orleans, LA, 1970; Under the Ilex, Repertory Theatre of St. Louis, St. Louis, MO, 1983, then Long Wharf Theatre, New Haven, CT, 1984; and in Currer Bell (onewoman show).

Movies: KatherinQCo\\eigh,How Awful About Allan, ABC, 1970; Elizabeth Hall Morgan, Home for the Holidays, ABC, 1972; Anne Devlin, The Gift, CBS, 1979; Alice Warfield, The Woman He Loved, CBS, 1988; Margaret Berent, Too Good to Be True (also known as Leave Her to Heaven), NBC, 1988; Iris, The Christmas Wife, HBO, 1988; Lucille, Single Women, Married Men, CBS, 1989. Specials: Lu, "The Good Fairy," Hallmark Hall of Fame, NBC, 1956; Jeanne d'Arc, "The Lark," Hallmark Hall of Fame, NBC, 1957; Belinda McDonald, "Johnny Belinda" and Brigid Mary Mangan, "Little Moon of Alban," Hallmark Hall of Fame, NBC, 1958; Nora Helmer, "A Doll's House," Hallmark Hall of Fame, NBC, 1959; title role, " Victoria Regina," Hallmark Hall of Fame, NBC, 1961; Maria, The Power and the Glory, NBC, 1961; Eliza Doolittle, "Pygmalion," Hallmark Hall of Fame, NBC, 1963; Brigid Mary Mangan, "Little Moon of Alban," Hallmark Hall of Fame, NBC, 1964; Ophelia, Hamlet, CBS, 1964; Florence Nightingale, "The Holy Terror," Hallmark Hall of Fame, NBC, 1965; title role, "Anastasia," Hallmark Hall ofFame, NBC, 1967; Ed Sullivan's Broadway, CBS, 1973; Emily Dickinson, The Belle of Amherst, PBS, 1976; Jolene Henderson, "Stubby Pringle's Christmas," Hallmark Hall of Fame, NBC, 1978; Actors on Acting, PBS, 1984; NBC's 60th Anniversary Celebration, NBC, 1986; "Forever James Dean," Crazy About the Movies, Cinemax, 1988; Iris, "The Christmas Wife," HBO Showcase, HBO, 1988; voice, The Congress, PBS, 1989; "Harold Clurman," American Masters, PBS, 1989.

MAJOR TOURS—Sally Bowles, / Am a Camera, U.S. and Canadian cities, 1952-53; Jeanne d'Arc, The Lark, U.S. cities, 1956; Anna Reardon, And Miss Reardon Drinks a Little, U.S. cities, 1971-72; Emily Dickinson, The Belle of Amherst (one-woman show), international cities, 1976-77; Daisy Werthan, Driving Miss Daisy, U.S. cities, 1988. FILM DEBUT—Frankie Addams, The Member of the Wedding, Columbia, 1952. PRINCIPAL FILM APPEARANCES—Abra, East of Eden, Warner Brothers, 1955; Sally Bowles, / Am a Camera, Distributors Corporation of America, 1955; Helen Cooper, The Truth about Women, Continental Distributing, 1958; Sally Hamil, The Poachers Daughter (also known as Sallys Irish Rogue}, Show Corporation of America, 1960; Grace Miller, Requiem for a Heavyweight, Columbia, 1962; Eleanor Vance, The Haunting, MetroGoldwyn-Mayer (MGM), 1963; Miss Thing, You re a Big Boy Now, Seven Arts, 1966; Beth Fraley, Harper (also known as The Moving Target), Warner Brothers, 1966; Allison Landon, Reflections in a Golden Eye, Warner Brothers, 1967; Gladys, The Split, MGM, 1968; Genie Mason, The People Next Door, AVCOEmbassy, 1970;Betsie, The Hiding Place, Worldwide, 1975; Alice Feinchild, Voyage of the Damned, AVCO-Embassy, 1976; Mrs. Greenwood, The Bell Jar, AVCO-Embassy, 1979; Charlotte Bronte, Bronte, Charlotte Ltd./Radio Telefis Eireann, 1983; narrator, Isadore Duncan: Movement from the Soul (documentary), Geller/Goldfine, 1988; Roz Carr, Gorillas in the Mist, Universal,

PRINCIPAL RADIO APPEARANCES—Episodic: "The Queen of Darkness," WOR Mystery Theatre, WOR (New York City), 1975.

192

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

himself, Raga (documentary), Apple Films, 1971; as himself, A Concert for Bangla-Desh (concert film), Twentieth Century-Fox, 1972; Mr. Papadopoulis, Monty Python's Life of Brian (also known as The Life of Brian), Warner Brothers/Orion, 1979; as himself, Eric Clapton and His Rolling Hotel (concert film), Angle Films, 1980; member of the Singing Rebel Band, Water, Atlantic, 1986; nightclub singer, Shanghai Surprise, United Artists/Metro-GoldwynMayer, 1986; as himself, Imagine (also known as Imagine: John Lennon and In My Life—The Story of John Lennon; documentary), Warner Brothers, 1988; also appeared in Checking Out, Warner Brothers, 1989.

RELATED CAREER—Member, Actors' Studio, New York City. WRITINGS: (With Barry Tarshis) Julie Harris Talks to Young Actors (nonfiction), Lothrop, 1971. RECORDINGS: The Hostage, Columbia, 1965; Heroes, Gods, and Monsters of the Greek Myths, Spoken Arts, 1968; The Belle of Amherst, Credo, 1976; also Curious George, The Diary of a Young Girl, and Little House in the Big Woods. AWARDS: Theatre World Award, 1949, for Sundown Beach; Donaldson Award, Best Supporting Actress, 1950, for The Member of the Wedding; Antoinette Perry Award, Donaldson Award, and Variety-New York Drama Critics' Poll, all Best Actress, all 1952, for / Am a Camera; Academy Award nomination, Best Actress, 1952, for The Member of the Wedding; Sylvania Award, 1955, for "A Wind from the South," U.S. Steel Hour; Antoinette Perry Award, Best Actress (Dramatic), 1956, for The Lark; Emmy Award, Best Single Performance By an Actress, 1959, for "Little Moon of Alban," Hallmark Hall of Fame; Emmy Award, Outstanding Single Performance By an Actress in a Leading Role, 1962, for "Victoria Regina," Hallmark Hall of Fame; Antoinette Perry Award nomination, Best Actress (Dramatic), 1964, for Marathon '33; Antoinette Perry Award nomination, Best Actress (Musical), 1966, for Skyscraper; Antoinette Perry Award, Best Actress (Dramatic), 1969, for Forty Carats; Antoinette Perry Award, Best Actress (Dramatic), Drama Desk Award, and Outer Critics' Circle Award, all 1973, for The Last of Mrs. Lincoln; Antoinette Perry Award nomination, Best Actress (Dramatic), 1974, for The Au Pair Man; Grammy Award, Best Spoken Word Recording, and Antoinette Perry Award, Best Actress (Play), both 1977, for The Belle of Amherst; inducted into the Theatre Hall of Fame. HONORARY DEGREES—Mount Holyoke College, D.F.A., 1976; also received honorary degrees from Smith College, LaSalle College, Ithaca College, and Wayne State University.

PRINCIPAL FILM WORK—All as executive producer, unless indicated: (With the Beatles [John Lennon, Paul McCartney, and Ringo Starr]) Let It Be, United Artists, 1970; producer (with Allen Klein) and music producer (with Phil Spector), A Concert for BanglaDesh, Twentieth Century-Fox, 1972; producer (with Gavric Losey), Little Malcolm (also known as Little Malcolm and His Struggle Against the Eunuchs), Multicetera, 1974; (with Denis O'Brien) Monty Python's Life of Brian (also known as The Life of Brian), Warner Brothers/Orion, 1979; (with O'Brien) The Missionary, Columbia, 1981; (with O'Brien) Time Bandits, AVCO-Embassy, 1981; (with O'Brien) Monty Python Live at the Hollywood Bowl, Columbia, 1982; (with O'Brien) Privates on Parade, Orion Classics, 1982; (with O'Brien) Scrubbers, Orion, 1982; (with O'Brien) Bullshot, Handmade, 1983; (with O'Brien) A Private Function, Island Alive, 1984; Water, Atlantic, 1986; (with O'Brien) Mona Lisa, Island, 1986; (with O'Brien) Shanghai Surprise, MetroGoldwyn-Mayer/United Artists, 1986; (with O'Brien) Withnail and I, Cineplex Odeon, 1986; (with O'Brien, John Hambley, and Johnny Goodman) Bellman and True, Island, 1987; (with O'Brien) Five Corners, Cineplex Odeon, 1987; (with O'Brien) The Lonely Passion of Judith Hearne, Island, 1987; Track 29, Island, 1987; (with O'Brien) Pow Wow Highway, Warner Brothers, 1988; (with O'Brien) The Raggedy Rawney (also known as The Rawney), Island, 1988; (with O'Brien) How to Get Ahead in Advertising, Warner Brothers, 1989; (with O'Brien) Checking Out, Warner Brothers, 1989; (with O'Brien) Nuns on the Run, Twentieth Century-Fox, 1990.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, American Guild of Variety Artists. SIDELIGHTS: RECREATIONS—Tennis, reading, gardening, knitting, and cooking.

PRINCIPAL TELEVISION APPEARANCES—Episodic: Saturday Night Live, NBC, 1976. Specials: Magical Mystery Tour, BBC, 1967; Ringo, NBC, 197 8; interviewer, AII You Need Is Cash, NBC, 1978; A Rockabilly Session—Carl Perkins and Friends, Cinemax, 1986; Sgt. Pepper: It Was Twenty Years Ago Today (also known as It Was Twenty Years Ago Today), PBS, 1987; The Prince's Trust All-Star Rock Concert, HBO, 1987; Rolling Stone Magazine's 20 Years of Rock 'n' Roll, ABC, 1987.

ADDRESSES: AGENT—William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90210.*

HARRISON, George

HARRISON

RELATED CAREER—Guitarist with the rock and roll groups the Rebels, 1956-58, the Quarrymen, 1958-60, and the Beatles, 196070; founder (with the Beatles), Apple Corporation Ltd., 1968; founder, Dark Horse Records, 1976; founder, Material World Charitable Foundation; founder (with Denis O'Brien), Handmade Films (a production and financing company).

1943-

PERSONAL: Born February 25, 1943, in Liverpool, England; son of Harold (a bus driver) and Louise Harrison; married Patricia Ann Boyd (a model), 1966, (divorced, 1977); married Olivia Arias, 1978; children: Dhani (second marriage). EDUCATION—Attended the Liverpool Art Institute.

NON-RELATED CAREER—Electrician's assistant. VOCATION: Musician, composer, and producer. WRITINGS: See production details above, unless indicated. FILM— Composer: (With the Beatles) A Hard Day's Night, 1964; (with the Beatles) Help!, 1965; (with the Beatles) Yellow Submarine, 1968; Wonderwall, Cinecenta, 1969; (with the Beatles) Let It Be, 1970; Time Bandits, 19^1; Water, 1986; Shanghai Surprise, 1986; Walking After Midnight, Festival Films, 1988; Die Sonne Kommt (also

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—As himself, A Hard Day's Night, United Artists, 1964; as himself, Help!, United Artists, 1965; as himself (live-action sequence only), Yellow Submarine (animated and live-action), United Artists, 1968; as himself, Let It Be, United Artists, 1970; as 193

HARROW

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

known as Here Comes the Sun; animated), German Film and Television Academy, 1988.

don, 1974; Lady Amaranth, Wild Oats, RSC, Aldwych Theatre, 1976; Portia, The Merchant of Venice, RSC, Other Place Theatre, Stratford-on-Avon, 1978, then Warehouse Theatre, London, 1979. Also appeared in Double Act, London, 1988.

TELEVISION—Specials: Magical Mystery Tour, 1967. OTHER—/, Me, Mine (autobiography), Genesis Publications, 1980.

PRINCIPAL FILM APPEARANCES—Emily, The Tempter, EuroInternational/Lifeguard, 1974; Helen, All Creatures Great and Small, EMI, 1975; Emily, The Devil Is a Woman, Twentieth Century-Fox, 1975; Helen, All Things Bright and Beautiful (also known as It Shouldn't Happen to a Vet), World Northal, 1979; Kate Reynolds, The Final Conflict, Twentieth Century-Fox, 1981; Liz Harvey, Other Halves, Oringham, 1985; Dr. Christine Rubin, Shaker Run, Mirage/Aviscom/Laurelwood, 1985; also appeared as Lady Henrietta, Under Capricorn, 1982.

RECORDINGS: ALBUMS—Wonderwall Music (original soundtrack), Apple, 1968; Electronic Sounds, Apple, 1969; All Things Must Pass, Apple, 1970; A Concert for Bangla-Desh, Apple, 1972; Living in the Material World, Apple, 1973; Dark Horse, Apple, 1974; ExtraTexture (Read All About It), Apple, 1975; 331/3, Dark Horse, 1976; George Harrison, Dark Horse, 1979; Somewhere in England, Dark Horse, 1981; Gone Troppo, Dark Horse, 1982; Cloud 9, Dark Horse, 1987; (with the Traveling Wilburys [Jeff Lynn, Roy Orbison, Tom Petty, and Bob Dylan]) Traveling Wilburys, Volume One, Wilbury Records/Warner Brothers, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: Liz Becker, Star Maidens, syndicated, 1977. Mini-Series: Title role, Nancy Astor, BBC, 1982, then Masterpiece Theatre, PBS, 1984; also Act of Betrayal, ITV, 1988; Playing Shakespeare, London Weekend Television, then PBS, 1983. Episodic: "The Testament of Arkadia," Space 1999, syndicated, 1975. Movies: Wanda, From a Far Country: Pope John Paul II, NBC, 1981. Specials: Helen Alderson, "All Creatures Great and Small," Hallmark Hall of Fame, NBC, 1975.

With the Beatles: Please Please Me, EMI, 1963; With the Beatles, EMI, 1963; A Hard Day's Night, EMI, 1964; Beatles for Sale, EMI, \964;Help!, EMI, 1965; Rubber Soul, EMI, 1965; Revolver, EMI, 1966; Sgt. Pepper's Lonely Hearts Club Band, EMI, 1967; The Beatles (also known as The White Album), Apple, 1968; Yellow Submarine, Apple, 1969; Abbey Road, Apple, 1969; Let It Be, Apple, 1970.

ADDRESSES: AGENTS—Julian Belfrage Associates, 60 St. James's Street, London SW1, England; Smith-Freedman and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211.*

AWARDS: Grammy Award (with the Beatles), Best Performance by a Vocal Group, 1964, for "A Hard Day's Night"; Grammy Award (with the Beatles), Best New Artist, 1964; Order of the British Empire, 1965; Grammy Awards (with the Beatles), Album of the Year and Best Contemporary Album, both 1967, for Sgt. Pepper's Lonely Hearts Club Band; Academy Award (with the Beatles), Best Original Song Score, and Grammy Award (with the Beatles), Best Original Score Written for a Motion Picture or Television Special, both 1970, for Let It Be; Trustee Award (with the Beatles) from the National Academy of Recording Arts and Sciences, 1972; Grammy Award, Album of the Year, 1972, in A Concert for Bangla-Desh; Rolling Stone magazine Readers' Poll, Comeback of the Year, 1987; inducted into the Rock and Roll Hall of Fame (with the Beatles), 1988; Grammy Award (with the Traveling Wilburys), Best Rock Vocal (Duo or Group), 1990, for Traveling Wilburys, Volume One.

HARRY, Deborah

1945-

PERSONAL: Full name, Deborah Ann Harry; born July 1, 1945, in Miami, FL; daughter of Richard Smith and Catherine (Peters) Harry. EDUCATION—Centenary College, A.A., 1965. VOCATION: Singer and actress. CAREER: PRINCIPAL STAGE APPEARANCES—Title role, Teaneck Tanzi: The Venus Flytrap, Nederlander Theatre, New York City, 1983.

ADDRESSES: OFFICE—Handmade Films Ltd., 26 Cadogan Square, London SW1, England.*

PRINCIPAL FILM APPEARANCES—Dee Trick, The Foreigner, Visions, 1978; as herself, Roadie, United Artists, 1980; Lillian, Union City, Kinesis, 1980; Nicki Brand, Videodrome, Universal, 1983; title role, Forever, Lulu, Tri-Star, 1987; Velma Von Tussle, Hair spray, New Line Cinema, 1988; Tina, Satisfaction, Twentieth Century-Fox, 1988; girl at Blind Alley, "Life Lessons" in New York Stories, Buena Vista, 1989; also appeared in Mr. Mike's Mondo Video, New Line Cinema, 1979; Tales from the Dark Side, 1990.

HARROW, Lisa PERSONAL: Born in New Zealand. EDUCATION—Attended the Royal Academy of Dramatic Art.

PRINCIPAL TELEVISION APPEARANCES—Pilots: Music Central, syndicated, 1981. Episodic: Diana Price, Wiseguy, CBS, 1989; also New Visions, VH-1, \9%9;RollerGames, syndicated, \9%9; Saturday Night Live, NBC; Tales from the Dark Side, syndicated; The MuppetShow, syndicated. Specials: Blondie, HBO, l983;Rapido, BBC-2, 1989.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Olivia, Twelfth Night, Royal Shakespeare Company (RSC), Stratford-on-Avon, U.K., 1969; Lady, Much Ado About Nothing and Desdemona, Othello, both RSC, Stratford-on-Avon, 1971; Natasha, The Lower Depths, Pictish Princess, The Island of the Mighty, and Desdemona, Othello, all RSC, Aldwych Theatre, London, 1972; Diana, The Great Caper, English Stage Company, Royal Court Theatre, Lon-

RELATED CAREER—Singer and songwriter with the rock group Blondie, 1975-83; also member of the folk-rock group Wind in the Willows. 194

HARWOOD

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 HARRYHAUSEN, Ray

RECORDINGS: ALBUMS—Koo Koo, Chrysalis, 1981; Rockbird, Geffen, 1986; Def, Dumb, and Blonde, Sire, 1989. With Blondie: Blondie, Chrysalis, 1977; Plastic Letters, Chrysalis, 1918; Parallel Lines, Chrysalis, 1979; Eat to the Beat, Chrysalis, \919\Autoamerican, Chrysalis, 1980; The Hunter, Chrysalis, 1982.

1920-

PERSONAL: Born June 29, 1920, in Los Angeles, CA; wife's name, Diana; children: Vanessa. EDUCATION—Attended Los Angeles City College. MILITARY—U.S. Army, Signal Corps. VOCATION: Special effects designer and producer.

SINGLES—"Backfired," Chrysalis, 1981. With Blondie: "Heart of Glass," Chrysalis, 1979; "One Way or Another," Chrysalis, 1979; "Dreaming," Chrysalis, 1979; "Call Me," Chrysalis, 1980; "Atomic," Chrysalis, 1980; "The Tide Is High," Chrysalis, 1980; "Rapture," Chrysalis, 1981; "Island of Lost Souls," Chrysalis, 1982.

CAREER: PRINCIPAL FILM APPEARANCES—Man feeding elephants, Twenty Million Miles to Earth, Columbia, 1957; Dr. Marston, Spies Like Us, Warner Brothers, 1985. PRINCIPAL FILM WORK—All as special effects designer, unless indicated: Assistant special effects designer, Mighty Joe Young, RKO, 1949; The Beast from 20,000 Fathoms, Warner Brothers, 1953; (with Jack Erickson) // Came from Beneath the Sea, Columbia, 1955; The Animal World, Warner Brothers, 1955; (with Russ Kelley) Earth vs. the Flying Saucers (also known as Invasion of the Flying Saucers), Columbia, 1956; Twenty Million Miles to Earth, Columbia, 1957; The Seventh Voyage ofSinbad, Columbia, 1958; The Three Worlds of Gulliver (also known as The Worlds of Gulliver), Columbia, 1960; Mysterious Island, Columbia, 1961; Jason and the Argonauts (also known as Jason and the Golden Fleece), Columbia, 1963; First Men in the Moon, Columbia, 1964; One Million Years B.C., Twentieth Century-Fox, 1967; (also associate producer) The Valley ofGwangi, Warner Brothers, 1969; Trog, Warner Brothers, 1970; (also producer with Charles H. Schneer) The Golden Voyage of Sinbad, Columbia, 1974; (also producer with Schneer) Sinbad and the Eye of the Tiger, Columbia, 1977; (also producer with Schneer) Clash of the Titans, MetroGoldwyn-Mayer/United Artists, 1981.

WRITINGS: Ten Cents a Dance with a Nickel Change! (fiction). AWARDS: American Society of Composers, Artists, and Publishers Award, 1979, for "Heart of Glass"; National Jewish Book Award for Fiction, 1979, for Ten Cents a Dance with a Nickel Change!; also recipient of Silver, Gold, and Platinum Record Awards (with Blondie) from the Recording Industries Association of America. MEMBER: American Federation of Television and Radio Artists, Screen Actors Guild, American Society of Composers, Artists, and Publishers. ADDRESSES: AGENT—Creative Artists Agency Inc., 9830 Wilshire Boulevard, Beverly Hills, CA 90212. MANAGER—Gary Kurfirst, Overland Productions, 1775 Broadway, New York, NY 10019.*

RELATED CAREER—Model animator, George Pal's Puppetoons, during the 1940s; creator, producer, and director of a series of animated fairy tales including Mother Goose Presents Humpty Dumpty, The Story of Red Riding Hood, The Story of Hansel and Gretel, and The Story of King Midas; creator of Dynarama (a model animation system); lecturer at college campuses and film festivals. AWARDS: Honored at the San Jose Film Festival, 1986, for Outstanding Contribution to Fantasy in Film. WRITINGS: Film Fantasy Scrapbook (3 volumes), 1974-81.*

HARWOOD, Ronald

1934-

PERSONAL: Born Ronald Horwitz, November 9, 1934, in Cape Town, South Africa; son of Isaac and Isobel (Pepper) Horwitz; married Natasha Riehle, 1959; children: Anthony, Deborah, Alexandra. EDUCATION—Trained for the stage at the Royal Academy of Dramatic Art, 1952. VOCATION: Writer and actor. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Captain Arago, The Strong Are Lonely, London, 1955; also appeared in Macbeth, The Wandering Jew, The Taming of the Shrew, Hamlet, Volpone, Twelfth Night, A New Way to Pay Old Debts, The Clandestine Marriage, and Henry IV, Part One, all

DEBORAH HARRY

195

HAUSER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Donald Wolfit's Shakespeare Company, London, 1953; Salome, London, 1954; and in repertory productions at Salisbury, U.K., and Chesterfield, U.K.

1967; The Long Lease of Summer, 1972; The Guests, 1972; (with John Selwyn) A Sense of Loss, 1978; Breakthrough at Reykjavik Granada Television, 1987, then as The Summit: A Nuclear Age Drama, PBS, 1987; Countdown to War, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: Host, Read All About It, BBC, 1978-79.

RADIO—Plays: All the Same Shadows, 1971. OTHER—All the Same Shadows (novel), J. Cape, 1961, published in the United States as George Washington September, Sir!, Farrar Straus, 1961; The Guilt Merchants (novel), J. Cape, 1963, then Holt Rinehart, 1969; The Girl in Melanie Klein (novel), Seeker and Warburg, 1969, then Holt Rinehart, 1973; Sir Donald Wolfit, C.B.E.—His Life and Work in the Unfashionable Theatre (biography), Seeker and Warburg, then St. Martin's, both 1971; Articles of Faith (novel), Seeker and Warburg, 1973, then Holt Rinehart, 1974; The Genoa Ferry (novel), Seeker and Warburg, 1976, then Mason/Charter, 1977; Cesar and Augusta (biographical novel), Seeker and Warburg, 1978, then Little Brown, 1979; One.Interior.Day.—Adventures in the Film Trade (short stories), Seeker and Warburg, 1978; editor (with Francis King), New Stories 3 (short stories), Hutchinson, 1978; editor, A Night at the Theatre (essays), Methuen, 1982; All the Worlds a Stage (essays), Seeker and Warburg, 1984, then Little Brown, 1985; editor, The Ages of Gielgud: An Actor at Eighty (biography), Hodder and Stoughton, then Limelight, both 1984; also Dear Alec (biography), 1989.

PRINCIPAL RADIO APPEARANCES—Series: Host, Kaleidoscope, BBC, 1973. RELATED CAREER—Company member, Donald Wolfit's Shakespeare Company, London, 1953; company member, 59 Theatre Company, Lyric Hammersmith Theatre, London, 1959; member of literature panel, Arts Council of Great Britain, 1973-78; artistic director, Cheltenham Festival of Literature, Cheltenham, U.K., 1975; visitor in theatre, Balliol College, Oxford University, 1986. WRITINGS: STAGE—Country Matters, Sixty Nine Theatre Company, University Theatre, Manchester, U.K., 1969; (libretto) The Good Companions, Her Majesty's Theatre, London, 1974, published by Chappell, 1974; The Ordeal of Gilbert Pinfold, Royal Exchange Theatre, Manchester, U.K., 1977, then Round House Theatre, London, 1979, published by Amber Lane Press, 1983; A Family, Royal Exchange Theatre, then Royal Haymarket Theatre, London, both 1978, published by Heinemann, 1978; The Dresser, Royal Exchange Theatre, then Queen's Theatre, London, both 1980, later Brooks Atkinson Theatre, New York City, 1981, published by Amber Lane Press, 1980, then Grove Press, 1981; (with Christopher Hampton) A Night of the Day of the Imprisoned Writer, first produced in London, 1981; After the Lions, Royal Exchange Theatre, 1982, published by Amber Lane Press, 1983; All the Worlds a Stage, first produced in 1983; Tramway Road, Lyric Hammersmith Theatre, London, 1984, published by Amber Lane Press, 1984; The Deliberate Death of a Polish Priest, Almeida Theatre, London, 1985, published by Amber Lane Press, 1985; Interpreters: A Fantasia on English and Russian Themes, Queen's Theatre, 1985, published by Amber Lane Press, 1985; J.J. Farr, first produced in Bath, U.K., then London, both 1987; Another Time, Wyndham's Theatre, London, 1989.

AWARDS: Winifred Holtby Prize from the Royal Society of Literature, 1974, for Articles of Faith; Evening Standard Award and Drama Critics Award, both Best Play, 1980, and Antoinette Perry Award nomination, Best Play, 1982, all for The Dresser. MEMBER: Writers Guild of Great Britain (chairman, 1969), English P.E.N. (president, 1990), Royal Society of Literature, Garrick Club, Marylebone Cricket Club. ADDRESSES: AGENT—Judy Daish, Judy Daish Associates, 83 Eastbourne Mews, London W2 6LQ, England.

FILM—The Barber of Stamford Hill, British Lion, 1963; (with Casper Wrede) Private Potter, Metro-Goldwyn-Mayer (MGM), 1963; (with Stanley Mann and Denis Cannan) A High Wind in Jamaica, Twentieth Century-Fox, 1965; (with Pierre Rouve and N.F. Simpson) Diamonds for Breakfast, Paramount, \968;TheGirl with a Pistol (also known as La ragazza con lapistola), Paramount, 1968; (with Ken Hughes) Cromwell, Columbia, 1970; Sudden Terror (also known as Eyewitness), National General, 1970; One Day in the Life of Ivan Denisovich, Cinerama, 1971, screenplay published by Sphere, then Ballantine, both 1971; Operation Daybreak (also known as The Price of Freedom), Warner Brothers, 1976; The Dresser, Columbia, 1983; The Doctor and the Devils, Twentieth Century-Fox, 1985. Also Lost Empires.

HAUSER, Wings PERSONAL: Married Nancy Locke (an actress; divorced). VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Marine driver, Who II Stop the Rain? (also known as Dog Soldiers), United Artists, 1978; Red Dog, Homework, Jensen Farley, 1982; Ramrod, Vice Squad, AVCO-Embassy/Hemdale/Brent Walker, 1982; Stoney Cooper, Deadly Force, Embassy, 1983; Josh Cameron, Night Shadows (also known as Mutant), Film Ventures, 1984; Lieutenant Bird, A Soldier's Story, Columbia, 1984; Cliff, Jo Jo Dancer, Your Life Is Calling, Columbia, 1986; Mr. Havilland, 3:15, the Moment of Truth (also known as 3:15), Dakota Entertainment, 1986; Regency, Tough Guys Don't Dance, Cannon, 1987; Phil, The Wind, Omega, 1987; Sam Striker, Hostage, Noble Entertainment, 1987; John Luger, Dead Man Walking, Metropolis/Hit Films, 1988; Ed, The Carpenter, Cinepix/Capstone, 1988; Ken Griffiths, Nightmare at Noon (also known as Deathstreet U.S.A.), Omega Entertainment,

TELEVISION—Series: All the World's a Stage, 1984. Episodic: "The Way Up to Heaven," Tales of the Unexpected, syndicated, 1979; "Parson's Pleasure" and "The Umbrella Man," both Tales of the Unexpected, syndicated, 1986. Movies: EvitaPeron, NBC, \9%\;Mandela, HBO, 1987, screenplay published by Boxtree, then New American Library, both 1987. Specials: The Barber of Stamford Hill, 1960; (with Casper Wrede) Private Potter, 1961; Take a Fellow Like Me, 1961; The Lads, 1963; Convalescence, 1964; Guests of Honour, 1965; The Paris Trip, 1966; The New Assistant, 196

HAWKESWORTH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 HAWKESWORTH, John

1920-

PERSONAL: Born in 1920 in London, England. EDUCATION— Graduated from Oxford University; studied painting with Pablo Picasso. MILITARY—British Army, Grenadier Guards. VOCATION: Producer, art director, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Production designer (with Vincent Korda and James Sawyer), The Fallen Idol (also known as The Lost Illusion), British Lion, 1949; production designer (with Korda and Joseph Bato), The Third Man, Korda-Selznick Releasing, 1950; production designer, Pandora and the Flying Dutchman, Metro-Goldwyn-Mayer (MGM), 1951; production designer (with Bato), Breaking the Sound Barrier (also known as The Sound Barrier), British Lion, 1952; production designer, Saadia, MGM, 1953; production designer, The Prisoner, Columbia, 1955; producer, Tiger Bay, Rank/ Continental, 1959. PRINCIPAL TELEVISION WORK—Series: Producer, Upstairs, Downstairs, London Weekend Television, then Masterpiece Theatre, PBS, 1974-77; creator and executive producer, Q.E.D., CBS, 1982; producer, The Adventures of Sherlock Holmes I, Granada, then Mystery!, PBS, 1985; producer, The Adventures of Sherlock Holmes II, Granada, then Mystery!, PBS, 1986; producer, The Return of Sherlock Holmes II, Granada, then Mystery •'> PBS, 1988; executive producer, Campion, BBC, then Mystery!, PBS, 1989; also producer, The Gold Robbers. Mini-Series: Producer (with WINGS HAUSER

1988; Corporal DiNardo, The Siege ofFirebase Gloria (also known as Forward Firebase Gloria), Fries Entertainment, 1989; Clete Harris, No Safe Haven, Overseas Filmgroup, 1989; Cavanaugh, L.A. Bounty, Noble Entertainment Group/Alpine Releasing Group, 1989. PRINCIPAL FILM WORK—Associate producer, Uncommon Valor, Paramount, 1983. PRINCIPAL TELEVISION APPEARANCES—Series: Greg Foster, The Young and the Restless, CBS, 1977-81; Lieutenant Ronald Hobbs, The Last Precinct, NBC, 1986. Mini-Series: Aspen (also known as The Innocent and the Damned), NBC, 1977. Pilots: Don Gerrard, Hear No Evil, CBS, 1982; Jack Coburn, Command 5, ABC, 1985; Lieutenant Ronald Hobbs, The Last Precinct, NBC, 1986; Sheriff Wyatt, The Highwayman, NBC, 1987. Episodic: Carl, Murder, She Wrote, CBS, 1985; Harlen Jenkins, Airwolf, CBS, 1985; Kyle Ludwig, The A-Team, NBC, 1985. Movies: Frank Carswell, Ghost Dancing, ABC, 1983; Wilson Mahood, The Long, Hot Summer, NBC, 1985; Major Frank Hollins, Sweet Revenge, CBS, 1984; James Rivers, Perry Mason: The Case of the Scandalous Scoundrel, NBC, 1987. WRITINGS: FILM—(With Nancy Locke) No Safe Haven, Overseas Filmgroup, 1989. ADDRESSES: AGENT—Stone Manners Agency, 9113 Sunset Boulevard, Los Angeles, CA 90069. MANAGER—Joel Stevens Management, 11524 Amanda Drive, Studio City Hills, CA 91604.*

JOHN HAWKESWORTH

197

HEADLY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Lola, Four Friends (also known as Georgia's Friends), Twentieth Century-Fox, 1981; Miss Debbylike, Doctor Detroit, Universal, 1983; Joan, Eleni, Warner Brothers, 1985;Trelis,F0m&wg0, Warner Brothers, 1985; hooker, The Purple Rose of Cairo, Orion, 1985; Trish, Making Mr. Right, Orion, 1987; Renee Lomax, Nadine, Tri-Star, 1987; Kate, Paperhouse, Vestron, 1988; Janet Colgate, Dirty Rotten Scoundrels, Orion, 1988; Cora Gage, Stars and Bars, Columbia, 1988.

Christopher Neame), The Flame Trees of Thika, Euston Film, 1979-80, then Masterpiece Theatre, PBS, 1982; creator and producer, The Duchess of Duke Street I and II, BBC, 1975-76, then Masterpiece Theatre, PBS, 1978-80; creator and producer, Danger UXB, Thames Television, 1978, then Masterpiece Theatre, PBS, 1981; executive producer, The Tale of Beatrix Potter, BBC, then Masterpiece Theatre, PBS, 1984; creator and executive producer, By the Sword Divided I and II, BBC, then Masterpiece Theatre, PBS, 1986 and 1988; also producer, Oscar, 1984.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Elmira Johnson, Lonesome Dove, CBS, 1989. Specials: Olive, "Seize the Day," Great Performances, PBS, 1987; voice characterization, Santabear's Highflying Adventure (animated), CBS, 1987.

WRITINGS: See production details above, unless indicated. FILM— (With Shelley Smith) Tiger Bay, 1959. TELEVISION—Series: Conan Doyle. Mini-Series: The Flame Trees of Thika, 1979-80; The Tale of Beatrix Potter, 1984; Oscar, 1984. Episodic: Upstairs, Downstairs, 1974-77; Danger UXB, 1978; The Duchess of Duke Street, 1975-76; "The Greek Interpreter," "The Red-Headed League," and "The Final Problem," The Adventures of Sherlock Holmes II, 1986; By the Sword Divided, 1986; "The Empty House" and "The Second Stain," The Return of Sherlock Holmes I, Granada, then Mystery!, PBS, 1987; "Silver Blaze" and "The Bruce Partington Plans," The Return of Sherlock Holmes II, 1988; By the Sword Divided II, 1988; also The Gold Robbers, Blackmail, The Hidden Truth, and Crime of Passion. Also The Million Pound Bank Note and The Elusive Pimpernel.

RELATED CAREER—Company member, Steppenwolf Theatre Company, Chicago, IL; company member, St. Nicholas New Works Ensemble, Chicago, IL. AWARDS: Theatre World Award, 1984, for The Philanthropist; Drama Desk Award (with company), Best Ensemble Acting, 1984, for Balm in Gilead; three Joseph Jefferson Awards for her work with the Steppenwolf Theatre Company, Chicago, IL. SIDELIGHTS: RECREATIONS—Shopping. FAVORITE ROLES— Emma in Curse of the Starving Class.

AWARDS: Emmy Awards, Outstanding Drama Series, 1974, 1975, and 1977, and Outstanding Limited Series, 1976, all for Upstairs, Downstairs.

ADDRESSES: AGENT—Brian Mann, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. MANAGER—Phyllis Carlyle Management, Columbia Plaza Production Building 8, Room 2-B, Burbank, CA 91505.*

ADDRESSES: OFFICES—Flat 2, 24 Cottesmore Gardens, London W8, England; Consolidated Productions, 5 Jubilee Place, London SW3, England.

HEALD, Anthony 1944HEADLY, Glenne

1955-

PERSONAL: Born August 25, 1944, in New Rochelle, NY. EDUCATION—Graduated from Michigan State University.

PERSONAL: Born March 13, 1955, in New London, CT; married John Malkovich (an actor and director), August 2, 1982 (divorced). EDUCATION—Graduated from the High School of the Performing Arts; graduated from American College of Switzerland; trained for the stage at the HB Studios.

VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Tom Wingfield, The Glass Menagerie, Lion Theatre, 1980. BROADWAY DEBUT—Wayne Foster, The Wake ofJamey Foster, Eugene O'Neill Theatre, 1982. PRINCIPAL STAGE APPEARANCES—Orestes, The Electra Myth, Equity Library Theatre, Lincoln Center Library and Museum, New York City, 1979; Jones, Inadmissable Evidence and Gunner, Misalliance, both Roundabout Theatre, New York City, 1981; Aston, The Caretaker and Henry Grenfel, The Fox, both Roundabout Theatre, 1982; Derek Meadle, Quartermaine's Terms, Long Wharf Theatre, New Haven, CT, 1982, then Playhouse 91, New York City, 1983; Donald, The Philanthropist, Manhattan Theatre Club, New York City, 1983; Fluellen, Henry V, New York Shakespeare Festival, Delacorte Theatre, New York City, 1984; Charlie Baker, The Foreigner, Astor Place Theatre, New York City, 1984; title role, The Marriage of Figaro, Circle in the Square, New York City, 1985; Digby Merton, Digby, City Center Theatre, New York City, 1985; Bill Howell, Principia Scriptoriae, Manhattan Theatre Club, City Center Theatre, 1986; Stephen, The Lisbon Traviata, Manhattan Theatre Club, 1989, then Promenade Theatre, New York City, 1989-90. Also appeared in J.B. and Look Back in Anger, both Asolo Theatre Festival, Sarasota, FL, 1968; The Rose

VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Terry, Extremities, Westside Arts Center, Cheryl Crawford Theatre, 1983. PRINCIPAL STAGE APPEARANCES—Emma, Curse of the Starving Class, Goodman Theatre, Chicago, IL, 1979; Laura Wingfield, The Glass Menagerie, North Light Repertory Theatre, Evanston, IL, 1982; Celia, The Philanthropist, Manhattan Theatre Club, New York City, 1983; Ann, Balm in Gilead, Steppenwolf Theatre Company, Chicago, then Circle Repertory Theatre, New York City, both 1984, later Minetta Lane Theatre, New York City, 1984-85; Raina Petkoff, Arms and the Man, Circle in the Square, New York City, 1985; Billie Dawn, Born Yesterday, Steppenwolf Theatre Company, 1988. Also appeared in productions of Say Goodnight Grade, Miss Firecracker Contest, Coyote Ugly, and Loose Ends, all with the Steppenwolf Theatre Company. PRINCIPAL STAGE WORK—Director, Canadian Gothic.

198

CONTEMPORARY

HECHT

THEATRE, FILM, AND TELEVISION • Volume 8

Tattoo, Hartford Stage Company, Hartford, CT, 1968; Bonjour la Bonjour and The Matchmaker, both Hartford Stage Company, 1979; Fables for Friends, Playwrights Horizons, New York City, 1980. PRINCIPAL FILM APPEARANCES—Doctor, Silkwood, Twentieth Century-Fox, 1983; narcotics officer, Teachers, United Artists, 1984; Weldon, Outrageous Fortune, Buena Vista, 1987;maninthe park, Orphans, Lorimar, 1987; also appeared in Happy New Year, Columbia, 1987. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Kevin Kensington, Fresno, CBS, 1986. Pilots: Nick, After Midnight, ABC, 1988. Episodic: Reverend Robert Morgan, HardCopy, CBS, 1987; Roger Jankowski, Crime Story, NBC, 1987. Movies: Dave O'Brien, A Case of Deadly Force, CBS, 1986. RELATED CAREER—Company member: Asolo State Theatre, Sarasota, FL, 1968-69; Hartford Stage Company, Hartford, CT, 1968-69, then 1970-71; Milwaukee Repertory Company, Milwaukee, WI, 1969-70, then 1977-78; Actors Theatre of Louisville, Louisville, KY, 1979-80. AWARDS: Theatre World Award, 1982, for Misalliance.*

HECHT, Paul

1941-

PAUL HECHT

PERSONAL: Born August 16, 1941, in London, England; married Ingeberg Uta; children: one daughter. EDUCATION—Attended McGill University; trained for the stage at the National Theatre School of Canada, 1963.

the Country, McCarter Theatre, Princeton, NJ, 1978; Dick Wagner, Night and Day, American National Theatre and Academy Theatre, New York City, 1979; Lloyd Dallas, Noises Off, Brooks Atkinson Theatre, New York City, 1985; Menenius Agrippa, Coriolanus, NYSF, Public Theatre, 1988; title role, Enrico IV, Roundabout Theatre, New York City, 1989. Also appeared in Look After Lu Lu, Equity Library Theatre, New York City, 1965; The Ride Across Lake Constance, Repertory Theatre of Lincoln Center, Forum Theatre, New York City, 1972; The Three Sisters, Hartman Theatre, Stamford, CT, 1986; as Dick Dudgeon, The Devil's Disciple, Shaw Festival, Niagara-on-the Lake, ON, Canada; Macduff, Macbeth, NYSF.

VOCATION: Actor. CAREER: STAGE DEBUT—Henry IV, Part One and An Enemy of the People, both with the Canadian Players Touring Company, U.S. and Canadian cities, 1963-64. OFF-BROADWAY DEBUT— The Pugnacious Collier, Sergeant Musgrave's Dance, Theatre De Lys, 1966. BROADWAY DEBUT—The Player, Rosencrantz and Guildenstern Are Dead, Alvin Theatre, 1967. PRINCIPAL STAGE APPEARANCES—Jacques Dumaine, All's Well That Ends Well, Friar Peter, Measure for Measure, and George, Duke of Clarence, Richard III, all New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1966; John Ken O'Dunc and Wayne of Morse, MacBird!, Village Gate Theatre, New York City, 1967; Voltore, Volpone, NYSF, Mobile Theatre, New York City, 1967; John Dickinson, 7776, 46th Street Theatre, New York City, 1969.

PRINCIPAL FILM APPEARANCES—Rabbi Isaac Sherman, Only God Knows, Canart and Queensbury, 1974; Dr. Samuel Goodman, The Reincarnation of Peter Proud, American International, 1975; Khalid, Rollover, Warner Brothers, 1981; Paul, Tempest, Columbia, 1982; Fallaci, Threshold, Twentieth Century-Fox, 1983; narrator, Ezra Pound/American Odyssey (documentary), NYC for Visual History, 1984; Eli Seligson, Joshua Then and Now, Twentieth Century-Fox, 1985; Barry, A New Life, Paramount, 1988.

Nathan Rothschild, The Rothschilds, Lunt-Fontanne Theatre, New York City, 1970; title role, Cyrano de Bergerac, Tyrone Guthrie Theatre, Minneapolis, MN, 1971; Marcus Antonius, Julius Caesar and Antony and Cleopatra, both American Shakespeare Festival, Stratford, CT, 1972; Mr. Brown, The Great God Brown and title role, Don Juan, both New Phoenix Repertory Company, Lyceum Theatre, New York City, 1972; Baron Tito Belcredi, Emperor Henry IV, Ethel Barrymore Theatre, New York City, 1973; Theodor Herzl, Herzl, Palace Theatre, New York City, 1976; Oronte, The Misanthrope, NYSF, Public Theatre, New York City, 1977; Rufio, Caesar and Cleopatra, Palace Theatre, 1977; Rakityin, A Month in

PRINCIPAL TELEVISION APPEARANCES—Series: Charles Lowell, Kate andAllie, CBS, 1984-86. Mini-Series: Jay Gould, The Adams Chronicles, PBS, 1976. Pilots: Joe Tyler, The Imposter, NBC, 1975; Carelli, Street Killing, ABC, 1976. Episodic: Fielding, Remington Steele, NBC; All My Children, ABC; The Guiding Light, CBS; Another World, NBC; Starsky and Hutch, ABC. Movies: Paul, Fear on Trial, CBS, 1975; Dr. Rufus Carter, The Savage Bees, NBC, 1976; Joachim, Mary and Joseph: A Story of Faith, NBC, 1979; Thomas Eichen, Ohms, CBS, 1980; Vernon 199

HEDISON CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Markham, Family Reunion, NBC, 1981; Michel Genet, Running Out, CBS, 1983; Pavka Meyer, I'll Take Manhattan, CBS, 1987. Specials: Lieutenant F.R. Harris, "Pueblo," ABC Theatre, ABC, 1973; narrator, The Selfish Giant, CBS, 1973; Mr. Wilson, The Haunted Mansion Mystery, ABC, 1983; host, Journey into Sleep, PBS, 1989.

Cannon, 1984; Frank Wheeler, Smart Alec, American Twist/Boulevard, 1986; Felix Leiter, License to Kill, United Artists, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Victor Sebastian, Five Fingers, NBC, 1959-60; Commander/Captain Lee Crane, Voyage to the Bottom of the Sea, ABC, 1964-68; Sir Roger Langdon, Dynasty II: The Colbys, ABC, 1985-87. Mini-Series: Porcius Festus, A.D., NBC, 1985. Pilots: Nick Kelton, Crime Club, CBS, 1973; Parker Sharon, The An of Crime, NBC, 1975; Wes Dolan, The Lives of Jenny Dolan, NBC, 1975; David Royce, Colorado C.L, CBS, 1978; Danton, The Power Within, ABC, 1979.

PRINCIPAL RADIO APPEARANCES—Series: Regular, Hi Brown's Radio Mystery Theatre, CBS. RELATED CAREER—Commercial voice-over performer; also provided voices for productions by puppeteer Bil Baird.

Episodic: Ed Galbin, Crazy Like a Fox, CBS, 1985; Miles Warner, Trapper John, M.D., CBS, 1985; Vaughn, The A-Tearn, NBC, 1985; Mitch Payne, Murder, She Wrote, CBS, 1986; Howard Bentley, Hotel, ABC, 1987; Mr. Ratcliff, Who's the Boss?, ABC, 1987; Victor Caspar, Murder, She Wrote, CBS, 1989; also Hong Kong, ABC, 1961; Bus Stop, ABC, 1961; Perry Mason, CBS, \962\TheSaint, NBC, 1966; Journey to the Unknown, ABC, 1968; Love, American Style, ABC, 1969; The F.B.L, ABC, 1972 and 1973;C0/w0/i, CBS, 1972, 1973, and 197'5; The New Adventures of Perry Mason, CBS, 1973; Shaft, CBS, 1974; Medical Center, CBS, 1974; Manhunter, CBS, 1974; Ellery Queen, NBC, 1976; Family, ABC, 1976; Wonder Woman, CBS, 1977; The Bob Newhart Show, CBS, 1978; The Law and Harry McGraw, CBS, 1987; Miles, Hart to Hart, ABC; John Taylor, Benson, ABC; The Love Boat, ABC. Movies: Roger Edmonds, The Cat Creature, ABC, 1973; Dr. Peter Brooks, Adventures of the Queen, CBS, 1975; Steven Cord, Murder in Peyton Place, NBC, 1977; Carson, Kenny Rogers as ''The Gambler"—The Adventure Continues, CBS, 1983. Specials: Clay Hollinger, "Can I Save My Children?" ABC Afternoon Play break, ABC, 1974; ABC's Silver Anniversary Special—25 and Still the One, ABC, 1978; also Summer and Smoke, BBC.

AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actor in a Drama, 1967, for Rosencrantz and Guildenstern Are Dead. ADDRESSES: AGENT—Susan Smith, 850 Seventh Avenue, New York, NY 10036. MANAGER—Schumer-Oubre Management Ltd., 1697 Broadway, Suite 1102, New York, NY 10019.*

HEDISON, Al See HEDISON, David

HEDISON, David (Al Hedison)

1928-

PERSONAL: Born Albert David Heditsian, Jr., May 20, 1928 (some sources say 1930), in Providence, RI; son of Albert David and Rose (Boghosian) Heditsian; married Bridget Mori, June 29, 1968; children: Alexandra Mary, Serena Rose. EDUCATION— Attended Brown University, 1949-51; studied acting at the Neighborhood Playhouse School of Theatre, 1953.

AWARDS: Theatre World Award, 1956, for A Month in the Country; Barter Theatre Award for Summer and Smoke. MEMBER: Actors' Studio.

VOCATION: Actor.

ADDRESSES: AGENT—Triad Artists Inc., 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

CAREER: PRINCIPAL STAGE APPEARANCES—Beliaev, A Month in the Country, Phoenix Theatre, New York City, 1956. Also appeared in Are You Now or Have You Ever Been?, 1985; Forty Deuce, 1985; Clash By Night, New York City; Bad Bad Jo Jo, London; Return Engagement.

HEMION, Dwight 1926PERSONAL: Full name, Dwight Arlington Hemion, Jr.; born March 14, 1926, in New Haven, CT; son of Dwight Arlington and Bernice Ruby (Berquist) Hemion; married Katherine Bridget Morrissy, September 1, 1973; children: Katherine, Dwight Gustav. MILITARY—U.S. Army, Air Corps, 1944-46.

MAJOR TOURS—Chapter II, U.S. cities; Come into My Parlor, U.S. cities. PRINCIPAL FILM APPEARANCES—(As Al Hedison) Lieutenant Ware, The Enemy Below, Twentieth Century-Fox, 1957; (as Al Hedison) Andre, The Fly, Twentieth Century-Fox, 1958; (as Al Hedison) Jamie, Son of Robin Hood, Twentieth Century-Fox, 1959; Ed Malone, The Lost World, Twentieth Century-Fox, 1960; David Chatfield, Marines, Let's Go, Twentieth Century-Fox, 1961; Philip, The Greatest Story Ever Told, United Artists, 1965; Nick, Kemek, GHM, 1970; Felix Leiter, Live and Let Die, United Artists, 1973; King, Ffolkes (also known as North Sea Hijack and Assault Force), Universal, 1980; Dr. Hadley, The Naked Face,

VOCATION: Producer and director. CAREER: PRINCIPAL TELEVISION WORK-^Series: Director, Rootie Kazootie, NBC, 1950-52, then ABC, 1952-54; director, The Tonight Show, NBC, 1954-56; director, The Steve Allen Show, NBC, 1956-60; director, The Perry Como Show, NBC, 1960-63; director, The New Steve Allen Show, ABC, 1961; producer (with 200

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 HEMION

Smith) and director, The Dorothy Hamill Special, ABC, 1976; executive producer (with Smith) and director, Glen Campbell. . . Down Home—Down Under, CBS, 1976; director, Jubilee, NBC, 1976; executive producer (with Smith) and director, Mac Davis Christmas Special . . . When I Grow Up, NBC, 1976; executive producer (with Smith) and director, Peter Pan, NBC, 1976; producer (with Smith) and director, America Salutes the Queen, NBC, 1977; producer (with Smith) and director, Steve Lawrence and Eydie Gorme: From This Moment On . . . Cole Porter, ABC, 1977; producer (with Smith) and director, The Neil Diamond Special, NBC, 1977; producer (with Smith) and director, Mac Davis . . . Sounds Like Home, NBC, 1977; producer (with Smith) and director, Bette Midler—OT Red Hair Is Back, NBC, 1977; producer (with Smith) and director, Ann-Margret. . . Rhinestone Cowgirl, NBC, 1977; producer (with Smith) and director, Bing Crosby's Merrie Olde Christmas, NBC, 1977; producer (with Smith) and director, Ben Vereen—His Roots, ABC, 1978; producer (with Smith) and director, The Kraft 75th Anniversary Special, CBS, 1978; producer (with Smith) and director, Lucy Comes to Nashville, CBS, 1978; producer (with Smith) and director, Steve and Eydie Celebrate Irving Berlin, NBC, 1978; producer (with Smith) and director, Elvis in Concert, CBS, 1978; executive producer (with Smith) and director, Mac Davis' Christmas Odyssey: Two Thousand and Ten, NBC, 1978; executive producer (with Smith and Tom McDermott) and director, Las Vegas Palace of Stars, CBS, 1979; producer (with Smith), Shirley MacLaine at the Lido, CBS, 1979; executive producer (with Smith) and director, The Cheryl Ladd Special, ABC, 1979; producer (with Smith) and director, Merry Christmas from the Grand Ole Opry, ABC, 1979.

Gary Smith) and director, The New Christy Minstrels Show, NBC, 1964; producer (with Smith) and director, The Roger Miller Show, NBC, 1966-67; producer (with Smith) and director, The Kraft Music Hall, NBC, 1967-71; producer (with Smith) and director, The Kopykats, ABC, 1972; executive producer (with Smith), The Mac Davis Show, NBC, 1976; executive producer (with Smith), Three Girls Three, NBC, 1977; executive producer (with Smith and Nick Vanoff) and director, On Stage America, syndicated, 1984. Pilots: Director, The Timex All-Star Jazz Show, NBC, 1957. Episodic: Director, Honey West, ABC. Specials: Director, The Perry Como Special, NBC, 1963; director, Texaco Star Parade II, CBS, 1964; director, The Perry Como Special, NBC, 1964; director, The Perry Como Christmas Show, NBC, 1964; producer (with Smith) and director, The Frank Sinatra Show, NBC, 1965; director, The Perry Como Show, NBC, 1965; director, The Perry Como Thanksgiving Show, NBC, 1965; director, My Name Is Barbra, CBS, 1965; director, The Perry Como Christmas Show, NBC, 1965; producer and director, Frank Sinatra— A Man and His Music, CBS, 1966; director, The Perry Como Springtime Special, NBC, 1966; director, Perry Como's Summer Show, NBC, 1966; producer (with Smith) and director, The Tony Bennett Show, ABC, 1966;director, The Perry Como Thanksgiving Special, NBC, 1966; director, The Perry Como Christmas Show, NBC, 1966; director, The Perry Como Winter Show, NBC, 1967; producer (with Smith) and director, Herb Alpert and the Tijuana Brass, CBS, 1967; director, The Perry Como Valentine Special, NBC, 1967; director, The Perry Como Springtime Show, NBC, 1967; producer (with Smith) and director, Tin Pan Alley Today, NBC, 1967; director, The Perry Como Special, NBC, 1967; producer (with Smith) and director, Zero Hour, ABC, 1967.

Producer (with Smith) and director, Baryshnikov on Broadway, ABC, 1980; executive producer (with Smith) and director, Disneyland's 25th Anniversary, CBS, 1980; executive producer (with Smith) and director, The Eddie Rabbin Special, NBC, 1980; executive producer (with Smith) and director, Linda in Wonderland, CBS, 1980; executive producer (with Smith) and director, Shirley MacLaine . . . Every Little Movement, CBS, 1980; executive producer (with Smith) and director, Ann-Margret's Hollywood Movie Girls, ABC, 1980; producer (with Smith) and director, Uptown, NBC, 1980; executive producer (with Smith) and director, Larry Gatlin and the Gatlin Brothers, ABC, 1981; executive producer (with Smith) and director, Walt Disney: One Man's Dream, CBS, 1981; producer (with Smith) and director, A Special Anne Murray Christmas, CBS, 1981; producer (with Smith) and director, Pavarotti and Friends, ABC, 1982; executive producer (with Smith) and director, Kraft Salutes Walt Disney World's 10th Anniversary, CBS, 1982; producer (with Smith) and director, Goldie and Kids: Listen to Us, ABC, 1982; producer (with Smith) and director, Christmas in Washington, NBC, 1982; producer (with Smith) and director, Anne Murray's Caribbean Cruise, CBS, 1983; executive producer (with Smith), Dorothy Hamill in Romeo and Juliet on Ice, CBS, 1983; executive producer (with Smith and Jack Cellcio), An Evening at the Moulin Rouge, HBO, 1983; producer (with Smith) and director, Sheena Easton, Act 1, NBC, 1983; executive producer (with Smith) and director, The Screen Actors Guild 50th Anniversary Celebration, CBS, 1984; producer (with Smith) and director, Anne Murray's Winter Carnival . . . From Quebec, CBS, 1984; producer (with Smith), Christmas in Washington, NBC, 1984.

Director, Petula, ABC, 1970; executive producer (with Smith), The Klowns, ABC, 1970; producer (with Smith) and director, The Burt Bacharach Special, CBS, 1971; producer (with Smith) and director, Burt Bacharach!, ABC, 1972; producer (with Smith) and director, Burt Bacharach: Close to You, ABC, 1972; producer (with Smith) and director, The Magical Music of Burt Bacharach, syndicated, 1972; producer (with Smith) and director, Burt Bacharach—Opus No. 3, ABC, 1973; producer (with Smith and Joe Layton) and director, Barbra Streisand and Other Musical Instruments, CBS, 1973; producer (with Smith) and director, James Paul McCartney, ABC, 1973; producer (with Smith) and director, Julie on Sesame Street, ABC, 1973; producer (with Smith) and director, Burt Bacharach in Shangri-La, ABC, 1973; producer (with Smith) and director, Mario Thomas in Acts of Love—and Other Comedies, ABC, 1973; producer (with Smith) and director, Royal Variety Performance, ABC, 1973; producer (with Smith) and director, The Very First Glen Campbell Special, NBC, 1973; producer (with Smith) and director, The Burt Bacharach Special, CBS, 1974; producer (with Smith) and director, The Glen Campbell Special: The Musical West, NBC, 1974; director, The Sandy Duncan Show, CBS, 1974; executive producer (with Smith) and director, Herb Alpert and the Tijuana Brass, ABC, 1974. Producer (with Smith) and director, Steve and Eydie: Our Love Is Here to Stay, CBS, 1975; producer (with Smith) and director, AnnMar-gret Smith, NBC, 1975; director, Funny Girl to Funny Lady, ABC, 1975; producer (with Smith) and director, Ann-Mar gret Olsson, NBC, 1975; executive producer (with Smith) and director, Merry Christmas from the Crosbys, NBC, 1975; producer (with Smith) and director, America Salutes Richard Rodgers: The Sound of His Music, CBS, 1976; executive producer (with Smith) and director, Dick Cavett's Backlot USA, CBS, 1976; producer (with

Producer (with Smith) and director, Bob Hope's Happy Birthday Homecoming, NBC, 1985; producer (with Smith) and director, Rich Little and a Night of 42 Stars, HBO, 1985; executive producer (with Smith) and director, The 50th Presidential Inaugural Gala, 201

HENRIKSEN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ABC, 1985; director, Anne Murray: The Sounds of London, CBS, 1985; producer (with Smith) and director, Christmas in Washington, NBC, 1985; executive producer (with Smith) and director, Here's Television Entertainment, syndicated, 1985; director, Andy Williams and the NBC Kids Search for Santa, NBC, 1985; producer (with Smith) and director, The Television Academy Hall of Fame, NBC, 1985 and 1986; director, Liberty Weekend, ABC, 1986; producer (with Smith) and director, Neil Diamond . . . Hello Again, CBS, 1986; producer (with Smith) and director, Barbra Streisand: One Voice, HBO, 1986; producer (with Smith) and director, Christmas in Washington, NBC, 1986; producer (with Smith) and director, Amy Grant. . . Headin Home for the Holidays, NBC, 1986; executive producer (with Smith), producer, and director, We the People 200: The Constitutional Gala, CBS, 1987; producer (with Smith) and director, Christmas in Washington, NBC, 1987; director, The American Film Institute Salute to Barbara Stanwyck, ABC, 1987; director, Julie Andrews: The Sound of Christmas, ABC, 1987; producer (with Smith) and director, The Television Academy Hall of Fame, Fox, 1987; director, The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1988; producer (with Smith) and director, America s Tribute to Bob Hope, NBC, 1988; producer (with Smith) and director, Christmas in Washington, NBC, 1988; director, "Jackie Mason on Broadway," On Location, HBO, 1988; producer (with Smith) and director, Neil Diamond's Greatest Hits, HBO, 1988; executive producer (with Smith) and director, The People's Choice Awards, CBS, 1988 and 1989; director, Ooh-La-La—It's Bob Hope's Fun Birthday Spectacular from Paris's Bicentennial, NBC, 1989; director, The llth Annual Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1989; producer (with Smith) and director, From the Heart . . . The First International Very Special Arts Festival, NBC, 1989; producer (with Smith) and director, Christmas in Washington, NBC, 1989; executive producer (with Smith) and director, The Television Academy Hall of Fame, Fox, 1989 and 1990. Also director, The Sound of BurtBacharach, 1969; director, Singer Presents Burt Bacharach, 1970.

Directing in a Variety, Music, or Comedy Program, and Outstanding Directorial Achievement Award from the Directors Guild of America, both 1985, for Here's Television Entertainment; Outstanding Directorial Achievement Award from the Directors Guild of America, 1987, for Julie Andrews: The Sound of Christmas; Emmy Award, Individual Achievement in Directing for Special Events, 1989, for The llth Annual Kennedy Center Honors: A Celebration of the Performing Arts. MEMBER: Directors Guild of America, Bel-Air Country Club. ADDRESSES: OFFICE—Smith-Hemion Productions, Gower, Box 15, Los Angeles, CA 90028.*

1438 N.

HENRIKSEN, Lance VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Pierce, The Basic Training of Pavlo Hummel, Longacre Theatre, New York City, 1977; also appeared in Saved, Theatre Company of Boston, Boston, MA, 1971. PRINCIPAL FILM APPEARANCES—Randy, It Ain't Easy, Dandelion, 1972; Murphy, Dog Day Afternoon, Warner Brothers, 1975; Dr. Dan Bryan, Mansion of the Doomed (also known as The Terror of Dr. Chaney), Group I, 1976; federal security agent, The Next Man, Allied Artists, 1976; Robert, Close Encounters of the Third Kind, Columbia, 1977; Sergeant Neff, Damien—Omen II, Twentieth Century-Fox, 1978; Raymond, The Visitor (also known as // visitatore}, International Picture Show/Marvin, 1980; Jimmy, The Dark End of the Street, First Run Features, 1981; District Attorney Burano, Prince of the City, Warner Brothers, 1981; Steve Kimbrough, Piranha II: The Spawning (also known as Piranha II: Flying Killers), Columbia, 1981; Wally Schirra, The Right Stuff, Warner Brothers, 1983; Ben Stryker, Savage Dawn, Media Home Entertainment, 1984; Vukovich, The Terminator, Orion, 1984; Frank Martin, Jagged Edge, Columbia, 1985; Brook Alistair, Choke Canyon, United Film Distribution, 1986; Jesse, Near Dark, De Laurentiis Entertainment Group, 1987; Raymond Keaton, Deadly Intent, Fries Distribution, 1988; Ed Harley, Pumpkin Head, MetroGoldwyn-Mayer/United Artists (MGM/UA), 1988; Chris Caleek, Hit List, New Line Cinema, 1989; Lucas McCarthy, The Horror Show, MGM/UA, 1989; Rafe Garrett, Johnny Handsome, TriStar, 1989.

RELATED CAREER—Associate director, ABC-TV, New York City, 1946-49; producer and director, Yorkshire Productions, New York City, 1967-70; founder, producer, and director, SmithHemion Productions, Los Angeles, 1975—. AWARDS: Director of the Year Award from the Television Directors Guild of America, 1965; Emmy Award, Outstanding Musical Program, 1966, for Frank Sinatra—A Man and His Music; Emmy Award, Outstanding Directorial Achievement in a Comedy, Variety, or Music Special, 1970, for The Sound of Burt Bacharach; Emmy Award, Outstanding Directorial Achievement in a Comedy, Variety, or Music Special, 1971, for Singer Presents Burt Bacharach; Emmy Award, Outstanding Directorial Achievement in a ComedyVariety or Music Special, 1974, for Barbra Streisand and Other Musical Instruments; Emmy Award, Outstanding Directing in a Comedy-Variety or Music Special, 1976, for Steve andEydie: Our Love Is Here to Stay; Emmy Award, Outstanding Directing in a Comedy-Variety or Music Special, 1977, for America Salutes Richard Rodger s: The Sound of His Music; Emmy Award, Outstanding Directing in a Comedy-Variety or Music Special, 1978, for Ben Vere en—His Roots; Emmy Award, Outstanding ComedyVariety or Music Program, 1978, for Steve and Eydie Celebrate Irving Berlin; Emmy Awards, Outstanding Special and Outstanding Directing in a Special, both 1980, for Baryshnikov on Broadway; Emmy Award, Outstanding Directing in a Variety or Musical Program, 1982, for Goldie and Kids . . . Listen to Us; Emmy Award, Outstanding Directing in a Variety or Musical Program, 1983, for Sheena Easton, Act 1; Emmy Awards Outstanding

PRINCIPAL TELEVISION APPEARANCES—Episodic: Scene of the Crime, NBC, 1984. Specials: "Paul Reiser: Out on a Whim," HBO: On Location, HBO, 1987. RELATED CAREER—Company member, Theatre Company of Boston, Boston, MA, 1971-73. WRITINGS: FILM—(With James Cameron, Gale Ann Hurd, Rick Rossovich, Bess Motta, and Karl Boen) The Terminator, Orion, 1984. ADDRESSES: AGENT—Bob Gersh, The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, 90210. MANAGER— Raymond Katz Enterprises, 9255 Sunset Boulevard, Suite 1115, Los Angeles, CA 90069.*

202

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

HIGGINS

CBS; Hell Town, NBC; Trapper John, M.D., CBS', Likely Stories, Showtime. Movies: Jamie, Your Place or Mine, CBS, 1983; Todd Sweeney, The Ratings Game, Movie Channel, 1984; Clint, Little Spies, ABC, 1986; also Gabe and Walker, ABC. Specials: Roy, "Daddy, I'm Their Momma Now," ABC Afterschool Specials, ABC. RELATED CAREER—National youth host, Jerry Lewis Muscular Dystrophy Telethon, 1988; actor in television commercials. AWARDS: Youth in Film Award nomination, Best Young Actor in a Television Movie, for "Daddy I'm Their Momma Now," ABC Afterschool Specials; Youth in Film Award nomination, Best Young Actor as a Guest in a Television Series; Halo Award from Faces magazine. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Variety Club. SIDELIGHTS: RECREATIONS—Sports. ADDRESSES: AGENT—Abrams Artists and Associates, 9200 Sunset Boulevard, Suite 625, Los Angeles, CA 90069. PUBLICIST—Freeman and Sutton, 8961 Sunset Boulevard, Suite 2-A, Los Angeles, CA 90069.

JASON HERVEY

HERVEY, Jason

HIGGINS, Clare

1972-

PERSONAL: Born April 6, 1972; son of Alan and Marsha Hervey. EDUCATION—Trained for the stage at the Ernie Lively Actors Workshop, the Michael Cutt Actors Workshop, the Virgil Frye Actors Workshop, and with the Dupree Dance Studio.

PERSONAL: Born c. 1957 in Yorkshire, England.

VOCATION: Actor.

CAREER: PRINCIPAL STAGE APPEARANCES—Judith, Blood Black and Gold, Royal Exchange Theatre, Manchester, U.K., 1980; Irmgard, Beethoven's Tenth, Vaudeville Theatre, London, 1983; Katherine Glass, The Secret Rapture, National Theatre Company, Lyttelton Theatre, London, 1988; Gertrude, Hamlet and Hippolyta and Titania, A Midsummer Night's Dream, both Royal Shakespeare Company, Royal Shakespeare Theatre, Stratford-on-Avon, U.K., 1989; Gertrude, Hamlet, National Theatre Company, Olivier Theatre, London, 1989.

VOCATION: Actress.

CAREER: STAGE DEBUT—Sonny, Cat on a Hot Tin Roof, Center Theatre Group, Mark Taper Forum, Los Angeles, 1984. PRINCIPAL FILM APPEARANCES—Potato, The Buddy System, Twentieth Century-Fox, 1984; Steve, Meatballs, Part II, Tri-Star, 1984; Milton Raines, Back to the Future, Universal, 1985; Kevin Morton, Pee-Wee's Big Adventure, Warner Brothers, 1985; brat, Police Academy II: Their First Assignment, Warner Brothers, 1985; young Thornton, Back to School, Orion, 1986; E.J., The Monster Squad, Tri-Star, 1987; also appeared in Children on Their Birthday, American Film Institute; and in Frankenweenie (short film). PRINCIPAL TELEVISION APPEARANCES—Series: Zeke, Wildside, ABC, 1985; Charlie Hunter, Diffrent Strokes, ABC, 1985-86; Curtis Spicoli, Fast Times, CBS, 1986; Wayne Arnold, The Wonder Years, ABC, 1988—; host, Wide World of Kids, syndicated, 1989. Pilots: The O'Brians. Episodic: Little Jim, Gun Shy, CBS, 1983; Bobby, "The Last Electric Knight," Magical World of Disney, ABC, 1986; Bradley, Simon and Simon, CBS, 1988; also Louie as a child, Taxi, ABC; A Year in the Life, NBC; Punky Brewster, NBC; Alice, CBS; The Love Boat, ABC; The Two of Us, 203

PRINCIPAL FILM APPEARANCES—Young Sophie, 7979, British Film Institute/Channel 4, 1984; Julia Cotton, Hellraiser, New World, 1987; Eve, The Fruit Machine, Vestron, 1988; Julia Cotton, Hellhound: Hellraiser II, New World, 1989. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Kitty Bennett, Pride and Prejudice, BBC, then Masterpiece Theatre, PBS, 1980; Christine Barlow, The Citadel, BBC, then Masterpiece Theatre, PBS, 1983-84; Sophie, Cover Her Face, Anglia Television, then Mystery!, PBS, 1987; Rachel Jordan, After the War, Granada, 1989, then Masterpiece Theatre, PBS, 1989-90; also Love for Lydia, BBC, then Masterpiece Theatre, PBS.*

HILL

HILL, Steven

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

1922-

PRINCIPAL FILM WORK—Director: The Careless Years, United Artists, 1957; Miracle of the White Stallions (also known as The Flight of the White Stallions), Buena Vista, 1963; The Wheeler Dealers (also known as Separate Beds), Metro-Goldwyn-Mayer (MGM), 1963; The Americanization of Emily, MGM, 1964; Penelope, MGM, 1966; Promise Her Anything, Paramount, 1966; Tobruk, Universal, 1966; The Tiger Makes Out, Columbia, 1967; Popi, United Artists, 1969>;Love Story, Paramount, \91Q\TheOutof-Towners, Paramount, 1970; The Hospital, United Artists, 1971; Plaza Suite, Paramount, 1971; (also producer) Man of La Mancha, United Artists, 1972; (also producer with Edward Rissien) The Crazy World of Julius Vrooder (also known as Vrooder's Hooch), Twentieth Century-Fox, 1974; The Man in the Glass Booth, American Film Theatre, 1975; W.C. Fields and Me, Universal, 1976; Silver Streak, Twentieth Century-Fox, 1976; (also producer with William Sackheim) The In-Laws, Warner Brothers, 1979; Nightwing, Columbia, 1979; Author! Author!, Twentieth CenturyFox, 1982', Making Love, Twentieth Century-Fox, 1982; Romantic Comedy, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1983; (also producer) The Lonely Guy, Universal, 1984; Teachers, MGM/UA, 1984; Outrageous Fortune, Buena Vista, 1987; See No Evil, Hear No Evil, Tri-Star, 1989; also Confrontation (short film), 1970.

PERSONAL: Born February 24,. 1922, in Seattle, WA. EDUCATION—Attended the University of Washington. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Soldier, A Flag Is Born, Alvin Theatre, then Adelphi Theatre, later Music Box Theatre, then Broadway Theatre, all New York City, 1946; Stefanowski, Mister Roberts, Alvin Theatre, 1948; Thaddeus Long, Sundown Beach, Belasco Theatre, New York City, 1948; Bernie Dodd, The Country Girl, Lyceum Theatre, New York City, 1950; Lyngstrand, The Lady from the Sea, Fulton Theatre, New York City, 1950; Sigmund Freud, A Far Country, Music Box Theatre, 1961. MAJOR TOURS—Anthony Harker, Josephine, U.S. cities, 1953; Thad Tale, The Midnight Sun, U.S. cities, 1959. PRINCIPAL FILM APPEARANCES—Jack, A Lady without Passport, Metro-Goldwyn-Mayer, 1950; Benjie, Storm Fear, United Artists, 1956; John Tower, The Goddess, Columbia, 1958; Ted Widdicombe, A Child Is Waiting, United Artists, 1963; Mark Dyson, The Slender Thread, Paramount, 1965; Jacob, It's My Turn, Columbia, 1980; Lieutenant Jacobs, Eyewitness (also known as The Janitor), Twentieth Century-Fox, 1981; Jules Levi, Rich and Famous, Metro-Goldwyn-Mayer/United Artists (MGM/ UA), 1981; Reb Alter Vishkower, Yentl, MGM/UA, 1983; Walter Rolfe, Garbo Talks, United Artists, 1984; Sloan, Teachers, United Artists, 1984; Harry, Heartburn, Paramount, 1986;Lamanski,/tow Deal, De Laurentiis Entertainment Group, 1986; Mr. Stroheim, Brighton Beach Memoirs, Universal, 1986; George Tyler, On Valentine's Day (also known as Story of a Marriage, Part //), Angelika/Cinecom International/J & M Enterprises, 1988; Max, The Boost, Hemdale, 1988; Mr. Patterson, Running on Empty, Warner Brothers, 1988. Also appeared in Kiss Her Goodbye, 1959.

PRINCIPAL TELEVISION WORK—All as director. Pilots: Starr, First Baseman, CBS, 1965. Episodic: "The Twisted Image" and "Child's Play," Thriller, NBC, 1960; also "Massacre at Sand Creek," Playhouse 90, CBS; Matinee Theatre, NBC; Naked City, ABC; Ben Casey, ABC; The Desilu Playhouse, CBS; The Detectives (also known as Robert Taylor s Detectives), ABC; The Dick Powell Show, NBC; The Rifleman, ABC; Climax!, CBS; Target: TheCorrupters, ABC; Gunsmoke, CBS; Perry Mason, CBS;Route 66, CBS; Wagon Train; and Alfred Hitchcock Presents. RELATED CAREER—Director of public service broadcasts, Canadian Broadcast Corporation, 1953-55. AWARDS: Canadian Radio Awards, 1951 and 1952; Institute for Education Radio and Television Awards, 1952 and 1953; Emmy Award nomination, Best Director, 1962, for Naked City; Golden Globe, Directors Guild of America Award, New York Foreign Critics' Award, and Academy Award nomination, all Best Director, 1970, for Love Story; Yugoslav Film Festival Award, 1974, for The Hospital. HONORARY DEGREES—London Institute of Applied Research, L.H.D., 1973.

PRINCIPAL TELEVISION APPEARANCES—Series: Frank Sartene, The Greatest Show on Earth, ABC, 1952-53; Daniel Briggs, Mission: Impossible, CBS, 1966-67. Episodic: George Tyler, "Story of a Marriage," American Playhouse, PBS, 1987; Leo Steadman, thirty something, ABC, 1988; Mr. Morosco, "Murder, Smoke, and Shadows," Columbo, ABC, 1989; also Espionage, NBC; Actor's Studio. Movies: Stanley Levinson, King, NBC, 1978; Teddy Petherton, Between Two Women, ABC, 1986.*

MEMBER: Academy of Motion Picture Arts and Sciences (board of governors), Directors Guild of America (president), Anti-Defamation League (regional board member), Commission on Soviet Jewry (board member).

HILLER, Arthur

1923-

ADDRESSES: AGENT—The Gersh Agency, 222 N. Canon Drive, Beverly Hills, CA 90212.

PERSONAL: Born November 22, 1923, in Edmonton, AB, Canada; son of Harry and Rose (Garfin) Hiller; married Gwen Pechet, February 14, 1948; children: Henryk, Erica. EDUCATION—University of Toronto, B.A., 1947, M.A., psychology, 1950; studied law at the University of British Columbia, 1948; also attended the University of Alberta. MILITARY—Royal Canadian Air Force, flying officer, 1942-45.

HILLERMAN, John

1932-

PERSONAL: Full name, John Benedict Hillerman; born December 20, 1932 in Denison, TX; son of Christopher Benedict and Lenora Jo Ann (Medinger) Hillerman. EDUCATION—Attended the University of Texas, 1949-52; studied acting at the American Theatre Wing, 1958-59. MILITARY—U.S. Air Force, 1953-57.

VOCATION: Director. CAREER: FIRST STAGE WORK—Director, Blithe Spirit, summer theatre production, Niagara-on-the-Lake, ON, Canada, 1953.

204

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

HINDMAN

PRINCIPAL TELEVISION APPEARANCES—Series: Simon Brimmer, The Adventures ofEllery Queen, NBC, 1975-76; John Elliot, The Betty White Show, CBS, 1977-78; Jonathan Quale Higgins III, Magnum, P.I., CBS, 1980-88. Mini-Series: Sir Francis Commarty, Around the World in 80 Days, NBC, 1989. Pilots: Tree inspector, The Last Angry Man, ABC, 1974; Simon Brimmer, Ellery Queen: Too Many Suspects, NBC, 1975; John Peacock, Beane's of Boston, CBS, 1979; Mr. Dempster, Gossip, NBC, 1979; voice of IFR 7000, Institute for Revenge, NBC, 1979; Paul Harrison, Battles: The Murder That Wouldn't Die, NBC, 1980. Episodic: William Whitney, Tenspeed and Brown Shoe, ABC, 1980; also Claude "Al" Connors, One Day at a Time, CBS; Comedy Break, syndicated; The F.B.L, ABC; Mannix, CBS; Maude, CBS; Kojak, CBS; Serpico, NBC; Little House on the Prairie, NBC; The Love Boat, ABC; Soap, ABC; Lou Grant, CBS, Movies: Medical examiner, Sweet, Sweet Rachel, ABC, 1971; Major Underwood, The Great Man's Whiskers, NBC, 1973; Thomas Q. Rachel, The Law, NBC, 1974; Major Walcott, The Invasion of Johnson County, NBC, 1976; Major Leo Hargit, Relentless, CBS, 1977; George Davis, Kill Me If You Can, NBC, 1977; Marvin, A Guide for the Married Woman, ABC, 1978; Victor Slavin, Betrayal, NBC, 1978; Greg Previn, Marathon, CBS, 1980; Maury Paul, Little Gloria . . . Happy at Last, NBC, 1982; Cyril Combs, A ssault and Matrimony, NBC, 1987;Raymond Kepler, Street of Dreams, CBS, 1988. Specials: The Dean Martin Celebrity Roast :Betty White, NBC, 191$; The Funniest Joke I Ever Heard, ABC, 1984; host, CBS Ail-American Thanksgiving Day Parade, CBS, 1983-87; Texas 150: A Celebration Special, ABC, 1986; Sea World's All-Star Lone Star Celebration, CBS, 1988; Stop the Madness, CBS, 1989. NON-RELATED CAREER—Company member, Theatre Club, Washington, DC, 1965-69. JOHN HILLERMAN

AWARDS: Golden Globe, Best Supporting Actor in a Television Series, 1982, and Emmy Award, Outstanding Supporting Actor in a Drama Series, 1987, both for Magnum, P.I.

VOCATION: Actor.

MEMBER: Actors' Equity Association, Academy of Motion Picture Arts and Sciences, Academy of Television Arts and Sciences, Screen Actors Guild, American Federation of Television and Radio Artists.

CAREER: PRINCIPAL STAGE APPEARANCES—Lady of the Camellias, Winter Garden Theatre, New York City, 1963; also The Great God Brown, Broadway production; and in productions of Death of a Salesman, The Lion in Winter, The Little Foxes, Come Blow Your Horn, Caligula, Rhinoceros, The Fourposter, The Lark, and The Devil's Disciple.

ADDRESSES: AGENT—McCartt, Oreck, Barrett, 9200 Sunset Boulevard, Suite 1009, Los Angeles, CA 90069. PUBLICIST—The Garrett Company, 6922 Hollywood Boulevard, Los Angeles, CA 90028.

PRINCIPAL FILM APPEARANCES—Teacher, The Last Picture Show, Columbia, 1971; Totts, Lawman, United Artists, 1971; Jenkins, The Carey Treatment, Metro-Goldwyn-Mayer (MGM), 1972; Walter Brandt, Skyjacked (also known as Sky Terror}, MGM, 1972; Mr. Kaltenborn, What's Up Doc?, Warner Brothers, 1972; bootmaker, High Plains Drifter, Universal, 1973; department store manager, The Outside Man (also known as Un Homme est mort), United Artists, 1973; Sheriff Hardin and Jess Hardin, Paper Moon, Paramount, 1973; Laxker, The Thief Who Came to Dinner, Warner Brothers, 1973; Howard Johnson, Blazing Saddles, Warner Brothers, 1974; Yelburton, Chinatown, Paramount, 1974; Carl, The Nickel Ride, Twentieth Century-Fox, 1974; Rodney James, At Long Last Love, Twentieth Century-Fox, 1975; Ned Grote, The Day of the Locust, Paramount, 1975; Christy McTeague, Lucky Lady, Twentieth Century-Fox, 1975; Scott Velie, Audrey Rose, United Artists, 1977; Webb, Sunburn, Paramount, 1979; rich man, History of the World, Parti, Twentieth Century-Fox, 1981; Dean Burch, Up the Creek, Orion, 1984; Pfarrer, Gummibarchen Kusst Man Nicht (also known as Real Men Don't Eat Gummi Bears), Tivoli Filmverleih, 1989.

HINDMAN, Earl VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Marvin Hudgins, Dark of the Moon, Mercer-Shaw Arena Theatre, New York City, 1970; Kress, The Basic Training of Pavlo Hummel, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1971; Captain Martin, The Love Suicide at the SchofieId Barracks, American National Theatre and Academy Theatre, New York City, 1972; Asa Trenchard, The Lincoln Mask, Plymouth Theatre, New York City, 1972; Rubin Flood, The Dark at the Top of the Stairs, Roundabout Theatre, New York City, 1979; Red, Red and Blue, NYSF, Public Theatre, 1982; Exeter, Henry V, NYSF, Delacorte

205

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

HINGLE

Theatre, New York City, 1984; Owen Musser, The Foreigner, Studio Arena Theatre, Buffalo, NY, 1986; Gaspard Caderousse, The Count of Monte Cristo, Kennedy Center for the Performing Arts, Washington, DC, 1986; Big Albert Connor, The Stick Wife, Hartford Stage Company, Hartford, CT, 1987; T. John Blessington, The Solid Gold Cadillac, Yale Repertory Theatre, New Haven, CT, 1989. Also appeared in The Rivalry, Mummers Theatre, Oklahoma City, OK, 1970; Henry IV, Part One, Folger Theatre Group, Washington, DC, 1974; The Magnificent Cuckold, Yale Repertory Theatre, 1981; Flint and Roses, Alliance Theatre Company, Atlanta, GA, 1986. MAJOR TOURS—The Great White Hope, U.S. cities, 1969-70. PRINCIPAL FILM APPEARANCES—Whitey, Who Killed Mary What's 'er Name? (also known as Death of a Hooker), Cannon, 1971; Brown, The Taking of Pelham One, Two, Three, United Artists, 1974; Deputy Red, The Parallax View, Paramount, 1974; Garrity, Shoot It: Black, Shoot It: Blue, Levitt/Pickman, 1974; Beau Welles, Greased Lightning, Warner Brothers, 1977; F.B.I. agent, The Brinks Job, Universal, 1978; Lieutenant Hanson, Taps, Twentieth Century-Fox, 1981; J.T., Silverado, Columbia, 1985; Satch, Three Men and a Baby, Buena Vista, 1987; voices of Chet, Black John, and Jerry, Talk Radio, Universal, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Detective Bob Reid, Ryan's Hope, ABC, 1975-84. Mini-Series: Lieutenant Commander Wade McClusky, War and Remembrance, ABC, 1988. Pilots: Rick, Key West, NBC, 1973. Episodic: Clayton, Spenser: For Hire, ABC, 1985; Findlay, The Equalizer, CBS, 1986; Lieutenant Elmer, The Equalizer, CBS, 1986 and 1987 (three episodes); Max Ordella, Spenser: For Hire, ABC, 1987. Movies: J.H. Potts, Murder in Coweta County, CBS, 1983; Detective Jake Stern, One Police Plaza, CBS, 1986; Danny Keeler, Kojak: The Price of Justice, CBS, 1987; Stern, The Red Spider, CBS, 1988. Specials: D. Law, "Pueblo," ABC Theatre, ABC, 1974; William, "A Memory of Two Mondays," Great Performances, PBS, 1974.

PAT HINGLE

CAREER: STAGE DEBUT—Lachie, Johnny Belinda, Center Playhouse, Rockville Center, NY, 1950. OFF-BROADWAY DEBUT— Harold Koble, End As a Man, Theatre De Lys, 1953. PRINCIPAL STAGE APPEARANCES—Fritz, Claudia, Lexy, Candida, prosecutor, Redemption, gentleman caller, The Glass Menagerie, and Sergeant Rough, Angel Street, all Center Playhouse, Rockville Center, NY, 1950; Dowdy, Mister Roberts, Cecilwood Theatre, Fishkill, NY, 1953; Harold Koble, End As a Man, Vanderbilt Theatre, New York City, 1953; Joe Foster, Festival, Longacre Theatre, New York City, 1955; Cooper, Cat on a Hot Tin Roof, Morosco Theatre, New York City, 1955; Jules Taggert, Girls of Summer, Longacre Theatre, 1956; Rubin Flood, The Dark at the Top of the Stairs, Music Box Theatre, New York City, 1957; title role, J.B., American National Theatre and Academy (ANTA) Theatre, New York City, 1958; Howard Trapp, The Deadly Game, Longacre Theatre, 1960; title role, Macbeth and Hector, Troilus andCressida, both American Shakespeare Festival, Stratford, CT, 1961; Sam Evans, Strange Interlude, Hudson Theatre, New York City, 1963; Parnell, Blues for Mr. Charlie, ANTA Theatre, 1964; Andy Willard, A Girl Could Get Lucky, Cort Theatre, New York City, 1964; gentleman caller, The Glass Menagerie, Paper Mill Playhouse, Millburn, NJ, then Brooks Atkinson Theatre, New York City, both 1965; Oscar Madison, The Odd Couple, Plymouth Theatre, New York City, 1966; Harry Armstrong, Johnny NoTrump, Cort Theatre, 1967; Victor Franz, The Price, Morosco Theatre, 1968.

RELATED CAREER—Company member: Syracuse Repertory Theatre, Syracuse, NY, 1967; A Contemporary Theatre, Seattle, WA, 1974-75; New Jersey Shakespeare Festival, Drew University, Madison, NJ, 1976. ADDRESSES: AGENT—Michael Hartig Agency, 114 E. 28th Street, New York, NY 10016.*

HINGLE, Pat

1923-

PERSONAL: Full name, Martin Patterson Hingle; born July 19, 1924, in Miami, FL; son of Clarence Martin (a building contractor) and Marvin Louise (a school teacher and musician; maiden name, Patterson) Hingle; married Alyce Dorsey, June 3, 1947 (divorced); married Julia Wright, October 25, 1979; children: Jody, Billy, Molly (first marriage). EDUCATION—University of Texas, B.F.A., 1949; trained for the stage at the American Theatre Wing, 1949-50, at the HB Studios with Uta Hagen, and at the Actors' Studio; studied voice with Albert Malver. MILITARY—U.S. Naval Reserve, 1941-46 and 1951-52.

Joseph Dobbs, Child's Play, Roy ale Theatre, New York City, 1970; Senator George W. Mason, The Selling of the President, Shubert Theatre, New York City, 1972; Coach, That Championship Season, Booth Theatre, New York City, 1973; Hermann Starr, A Grave Undertaking, McCarter Theatre, Princeton, NJ, 1975; Dr.

VOCATION: Actor. 206

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

HINGLE

1968; M*A*S*//, CBS, 1980; "Noon Wine," American Playhouse, PBS, 1985; Dr. John Chapman, Gunsmoke, CBS; Suspense, CBS; Studio One, CBS; Alcoa/Goody ear Theatre, NBC; Suspicion, CBS; Play of the Week, PBS; Danger, CBS; The Phil Silvers Show, NBC; Doctor Kildare, NBC; The Untouchables, ABC; Route 66, CBS; Kraft Television Theatre, NBC; Armstrong Circle Theatre, NBC; The Eleventh Hour, NBC; Alfred Hitchcock Presents, CBS; The Defenders, CBS; Lamp Unto My Feet, CBS; The Fugitive, ABC; Look Up and Live, CBS; Kraft Suspense Theatre, NBC; Eternal Light, NBC; Rawhide, CBS; Daniel Boone, NBC; The Andy Griffith Show, CBS; The Loner, CBS; Shenandoah, ABC; Mission: Impossible, CBS; Juddfor the Defense, ABC; The Bob Hope Chrysler Theatre, NBC; Felony Squad, ABC; High Chapparal, NBC; The Bold Ones, NBC; Bonanza, NBC; Lancer, CBS; Medical Center, CBS; The Young Lawyers, ABC; Ironside, NBC; Owen Marshall, Counselor at Law, ABC; Trapper John, M.D., CBS.

Wangel, The Lady from the Sea, Circle in the Square, New York City, 1976; Willy Loman, Death of a Salesman, Studio Arena Theatre, Buffalo, NY, 1976; Kearns, A Life, Morosco Theatre, 1980; Big Daddy, Cat on a Hot Tin Roof, Center Theatre Group, Mark Taper Forum, Los Angeles, 1983. Also appeared at Burt Reynolds' Jupiter Theatre, Jupiter, FL, 1985-86. MAJOR TOURS—Title role, Thomas A. Edison: Reflections of a Genius (one-man show), U.S. cities, 1978—. FILM DEBUT—Bartender, On the Waterfront, Columbia, 1954. PRINCIPAL FILM APPEARANCES—Herman Kreitzer, No Down Payment, Twentieth Century-Fox, 1957; Harold Knoble, The Strange One (also known as End As a Man), Columbia, 1957; Ace Stamper, Splendor in the Grass, Warner Brothers, 1961; Ralph, All the Way Home, Paramount, 1963; Homer Atkins, The Ugly American, Universal, 1963; Sam Brewster, Invitation to a Gunfighter, United Artists, 1964; narrator, A Texas Romance, 1909 (short film), Janus, 1965; Big Foot, Nevada Smith, Paramount, 1966; Judge Adam Fenton, Hang 'em High, United Artists, 1968; Lew Haley, Jigsaw, Universal, 1968; Harry Mitchell, Sol Madrid (also known as The Heroin Gang), Metro-Goldwyn-Mayer (MGM), 1968; Sam Pendlebury, Bloody Mama, American International, 1970; Grady Fring, Norwood, Paramount, 1970; Bingamon, WUSA, Paramount, 1970; Captain Pearson, The Carey Treatment, MGM, 1972; Eli, Happy As the Grass Was Green (also known as Hazel's People and A People's Place), Martin, 1973; Captain Stewart, One Little Indian, Buena Vista, 1973; Henry Binghamton, Nightmare Honeymoon (also known as Deadly Honeymoon), MGM, 1973; Lieutenant Novik, The Super Cops, Metro-Goldwyn-Mayer/ United Artists (MGM/UA), 1974; John Adams, Independence, Twentieth Century-Fox, 1975; Josephson, The Gauntlet, Warner Brothers, 1977; Vernon, Norma Rae, Twentieth Century-Fox, 1979; narrator, America Lost and Found (documentary), American Portrait Unit of Media Study/Buffalo, 1979; Lyle Striker, When You Comin' Back, Red Ryder?, Columbia, 1979.

Movies: Earl Crocker, The Ballad of Andy Crocker, ABC, 1969; sheriff, If Tomorrow Comes, ABC, 1971; Cecil Tabor, Trouble Comes to Town, ABC, 1973; Gus Reed, The Secret Life of John Chapman, CBS, 1976; Judge Henry Martin, Escape from Bogen County, CBS, 1977; Joe Hay den, Sunshine Christmas, NBC, 1977; Doc Hodgins, Tarantulas: The Deadly Cargo, CBS, 1977; John Marsh, Disaster on the Coastliner, ABC, 1979; Colonel Tom Parker, Elvis, ABC, 1979; BobHalburton, WildTimes, syndicated, 1980; Jackson, Of Mice and Men, NBC, 1981; Senator Ross Clayton, Washington Mistress, CBS, 1982; Henry Banks, The Fighter, CBS, 1983; Jim Bartlett, The Lady from Yesterday, CBS, 1985; Chappy Beck, The Rape of Richard Beck, ABC, 1985; George Nielsen, Manhunt for Claude Dallas, CBS, 1986; Sam Rayburn, LBJ: The Early Years, NBC, 1987; George Keeler, Kojak: The Price of Justice, CBS, 1987; Charlie King, The Town Bully, ABC, 1988; Judge Munson, Stranger on My Land, ABC, 1988; Fire Chief James Roberts, Everybody's Baby: The Rescue of Jessica McClure, ABC, 1989. Specials: Ghost of Christmas Past, Carol for Another Christmas, ABC, 1964; Jim O'Conner, The Glass Menagerie, CBS, 1966; Ralph, "All the Way Home," Hallmark Hall of Fame, NBC, 1971; Lou, Twigs, CBS, 1975; General Electric's All-Star Anniversary, ABC, 1978; Dr. Gerald Lyman, Bus Stop, HBO, 1982; also narrator, The Victims, NET; narrator, Let Us Now Praise Famous Men (documentary).

Ed Reese, Going Berserk, Universal, 1983;CoachEaston,/?wwzwg Brave, Buena Vista, 1983; Chief Jannings, Sudden Impact, Warner Brothers, 1983; Frank Boda, The Act (also known as Bless 'em All), Film Ventures, 1984; Edward Roundfield, Brewster's Millions, Universal, 1985; Mr. Boyce, The Falcon and the Snowman, Orion, 1985; Oscar Milstone, In 'n Out (also known as Gringo Mojado), New World, 1986; Hendershot, Maximum Overdrive, De Laurentiis Entertainment Group, 1986; Hughes Larrabee, Baby Boom, MGM/ UA, 1987; voice of Rooter and narrator, The Land Before Time (animated), Universal, 1988; Police Commissioner James Gordon, Batman, Twentieth Century-Fox, 1989. Also appeared in The Long Gray Line, Paramount, 1955; Running Wild, Golden Circle, 1973; and in Deliver Us from Evil, Dimension, 1975.

PRINCIPAL RADIO APPEARANCES—Voice of America. RELATED CAREER—Member, Actors' Studio, New York City, 1952—; stage director, McCarter Theatre Company, Princeton, NJ, 1977-78; also performed at the White House, 1965, and at the Library of Congress, 1984; appeared as Thomas Edison in television commercials for General Electric.

TELEVISION DEBUT—Cockney panhandler, Dr. Jekyll and Mr. Hyde, 1950. PRINCIPAL TELEVISION APPEARANCES—Series: Chief Gene Paulton, Stone, ABC, 1980; Henry Cobb, Blue Skies, CBS, 1988. Mini-Series: Admiral William F. "Bull" Halsey, War and Remembrance, ABC, 1988. Pilots: Salem Chase, A Clear and Present Danger, NBC, 1970; Ira Groom, The City, ABC, 1971; Arthur Piper, Sweet, Sweet Rachel, ABC, 1971; Dr. Sam Abelman, The Last Angry Man, ABC, 1974; Deputy Chief Gene Paulton, Stone, ABC, 1979. Episodic: Horace Ford, "The Incredible World of Horace Ford," The Twilight Zone, CBS, 1963; Sheriff Smivey, Amazing Stories, NBC, 1985; narrator and Sam Donohue, "Casebusters," Disney Sunday Movie, ABC, 1986; Barney Kale, Murder, She Wrote, CBS, 1986; Tom McCabe, Matlock, NBC, 1986; Waldo, The Equalizer, CBS, 1989; also The Invaders, ABC,

NON-RELATED CAREER—Waiter, laborer, and construction worker. AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actor, 1958, for The Dark at the Top of the Stairs; also received a Clio Award for his portrayal of Thomas Edison in General Electric television commercials. HONORARY DEGREES— Otterbein College, Doctor of Humanities, 1974. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. ADDRESSES: AGENT—Sylvia Gold, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. 207

HODGE HODGE, Patricia

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1946-

1978; understudy for the roles of Johanna, Marlies, and Ruth, Three Acts of Recognition, New York Shakespeare Festival, Public Theatre, New York City, 1982; Comrade and Airwoman, No End of Blame, Manhattan Theatre Club, New York City, 1981-82; Peggy, Bhutan, South Street Theatre, New York City, 1983; Sarah, No Direction Home, New York Theatre Studio, New Dramatists, New York City, 1984; Fanny, On the Verge, or The Geography of Yearning, John Houseman Theatre, New York City, 1987; Louisa, Emma Gordon, Mrs. Blackpool, and Mrs. Pegler, Hard Times, American Theatre Exchange, Theatre 890, New York City, 1987; also appeared with the Actors Theatre of Louisville, Louisville, KY, 1982-83; and in The Three Sisters, Hartman Theatre, Stamford, CT, 1986.

PERSONAL: Born September 29, 1946, in Lincolnshire, England; married Peter Owen (a music publisher); children: one son. EDUCATION—Attended the London Academy of Music and Dramatic Arts. VOCATION: Actress. CAREER: LONDON DEBUT—Rookery Nook. PRINCIPAL STAGE APPEARANCES—Clara Popkiss, Popkiss, Globe Theatre, London, 1972; Catherine, Pippin, Her Majesty's Theatre, London, 1973; Jeannie, Hair, Queen's Theatre, London, 1974; Jackie Page, Happy Yellow, Bush Theatre, London, 1977; Emma, Then and Now, Hampstead Theatre Club, London, 1979; Rosalind, As You Like It, Chichester Festival Theatre, Chichester, U.K., 1983; Gertrude Lawrence, Noel and Gertie, Comedy Theatre, London, 1989.

PRINCIPAL FILM APPEARANCES—Heaven s Gate, United Artists, 1980. PRINCIPAL TELEVISION APPEARANCES—Episodic: Cookie, Cagney and Lacey, CBS, 1988. Movies: Liz, Muggable Mary: Street Cop, CBS, 1982.

PRINCIPAL FILM APPEARANCES—Screaming woman, The Elephant Man, Paramount, 1980; Miss Hemmings, Riding High, Enterprise, 1980; Edward's wife, Hud (also known as Skin), Synchron, 1986; Emma, Betrayal, Twentieth Century-Fox, 1983; Christina Alperin, Sunset, Tri-Star, 1988; Brenda Von Falkenberg, Just Ask for Diamond (also known as Falcon's Malteser), Twentieth Century-Fox/Kings Road Entertainment, 1988.

ADDRESSES: AGENT—Ambrosio, Mortimer, and Associates, 165 W. 46th Street, Suite 1109, New York, NY 10036.*

PRINCIPAL TELEVISION APPEARANCES—Series: Phyllida ErskineBrown, Rumpole of the Bailey, Thames, 1977—, then Mystery!, PBS, 1984—; also Holding the Fort; Jemima Shore Investigates. Mini-Series: Anna Quayne, The Death of the Heart, Granada, 1986, then Masterpiece Theatre, PBS, 1987; Mary Fisher, The Life and Loves of a She-Devil (also known as She Devil), BBC, then Arts and Entertainment, 1987; Lady Hilda Trelawney Hope, "The Second Stain," The Return of Sherlock Holmes, Granada, then Mystery!, PBS, 1988; also Edward and Mrs. Simpson, BBC, then Masterpiece Theatre, PBS. Pilots: Kate, Quiller: Night of the Father, ABC, 1975. Movies: Elizabeth Beaumont, Behind Enemy Lines, NBC, 1985; also Hotel du Lac, BBC, then Arts and Entertainment, 1986; The Heat of the Day, ITV; 92 Grosvenor Street. Specials: Olivia, "The Shell Seekers," Hallmark Hall of Fame, ABC, 1989. Also appeared in The Naked Civil Servant, PBS.

HOLD, John See BAVA, Mario

HOLDRIDGE, Lee

1944-

PERSONAL: Born March 3, 1944, in Port-au-Prince, Haiti. EDUCATION—Attended the Manhattan School of Music. VOCATION: Composer.

ADDRESSES: AGENT—Michael Anderson, International Creative Management, 388 Oxford Street, London Wl, England. MANAGER—D&J Arlon Ltd., 59-A Connaught Street, London W2, England.*

CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Dance arranger, By Jupiter, Theatre Four, New York City, 1967; orchestrator, The Harold Arlen Songbook, Stage 73, New York City, 1967; conductor, Neil Diamond One Man Show, Winter Garden Theatre, New York City, 1972. PRINCIPAL FILM WORK—Music director, Mahogany, Paramount, 1975; music director, E'Lollipop, Columbia-Warner Distributors, 1975; music director, Winterhawk, Howco International, 1976; music director, Dead Men Don't Wear Plaid, Universal, 1982; orchestrator, The Beastmaster, Metro-Goldwyn-Mayer/United Artists, 1982; orchestrator, Mr. Mom, Twentieth Century-Fox, 1983; music arranger and conductor, Flashdance, Paramount, 1983; orchestrator, Transylvania 6-5000, New World, 1985; orchestrator, The Men's Club, Atlantic Releasing, 1986; orchestrator, Born in EastL.A., Universal, 1987; music arranger, A Tiger's Tale, Atlantic Entertainment, 1988.

HODGES, Patricia PERSONAL: Born in Puyallup, WA. EDUCATION—Graduated from the University of Washington. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Yvette, Mother Courage and Her Children, Regan, King Lear, and Edna St. Vincent Millay, Mrs. Thrale, Christina Rossetti, Charlotte Bronte, and Mrs. Cadwallader, The Other Half, all with the Acting Company, American Place Theatre, New York City, 1978; lady in waiting, Twelfth Night, American Shakespeare Theatre, Stratford, CT,

PRINCIPAL TELEVISION WORK—Movies: Music conductor, Sunshine, CBS, 1973. Specials: Music conductor (with Eddie Karam), The John Denver Special, ABC, 1976. 208

HOLLAND

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Like Mom, Like Me, CBS, 1978; Valentine, ABC, 1979; Mother and Daughter: The Loving War, ABC, 1980; // Things Were Different, CBS, \9W; Skyward, NBC, 1980; Three Hundred Miles for Stephanie, NBC, 1981; Freedom, ABC, 1981; The Day the Loving Stopped, ABC, \9S\', For Ladies Only, NBC, 1981; Thou Shalt Not Kill, NBC, 1982; In Love with an Older Woman, CBS, 1982; Running Out, CBS, 1983; First Affair, CBS, 1983; Agatha Christie's "A Caribbean Mystery," CBS, 1983; Thursday's Child, CBS, 1983; (title song) Love Is Forever, NBC, 1983; Legs, ABC, 1983; / Want to Live, ABC, 1983; He's Fired, She's Hired, CBS, 1984; Shattered Vows, NBC, 1984; The Other Lover, CBS, 1985; Letting Go, ABC, 1985; Pleasures, ABC, 1986; Miracle of the Heart: A Boystown Story, syndicated, 1986; Mafia Princess, NBC, 1986; /'// Take Manhattan, CBS, 1987; Eight Is Enough: A Family Reunion, NBC, \9%1', Fatal Judgment, CBS, 1988; A Friendship in Vienna, Disney Channel, 1988; Do You Know the Muffin Man?, CBS, 1989; Incident at Dark River (also known as The Smell of Money}, TNT, 1989.

RELATED CAREER—Music arranger for Neil Diamond, 1969-73; also composer of orchestral works. WRITINGS: All as composer of score, unless indicated. STAGE— Composer of dance music, A Joyful Noise, Mark Hellinger Theatre, New York City, 1966; composer of dance music, The Education of //*F*M*4*W K*A*P*L*A*N, Alvin Theatre, New York City, 1968; Into the Light, Neil Simon Theatre, New York City, 1986. FILM—(With Pat Williams, Edd Kaleroff, Chris Dedrick, and Warren Marley) The Sidelong Glances of a Pigeon Kicker (also known as Pigeons], Metro-Goldwyn-Mayer/Plaza, 1970; (with Joseph Brook) Jeremy, United Artists, 1973; (with Neil Diamond) Jonathan Livingston Seagull, Paramount, 1973; Nothing By Chance (documentary), R.C. Riddell and Associates, 1974; Sunshine Part II (also known as My Sweet Lady), CIC, 1975; E'Lollipop, Columbia-Warner Distributors, 1975; Forever Young, Forever Free (also known as E lollipop, lollipop], Universal, 1976; Goin Home, Prentiis, 1976; Mustang Country, Universal, 1976; Winterhawk, Howco International, 1976; The Pack (also known as The Long Dark Night), Warner Brothers, 1977; Moment By Moment, Universal, 1978; Oliver's Story, Paramount, 1978; The Other Side of the Mountain, Part II, Universal, 1978; French Postcards, Paramount, 1979; Tilt, Warner Brothers, 1979; American Pop, Columbia, 1981; The Beastmaster, Metro-Goldwyn-Mayer/United Artists, 1982; Mr. Mom, Twentieth Century-Fox, 1983; Micki and Maude, Columbia, \9M\Splash, Buena Vista, 1984; Sylvester, Columbia, 1985; (with Alfie Kabiljo) Transylvania 6-5000, New World, 1985; The Men's Club, Atlantic Releasing, 1986; Sixteen Days of Glory (documentary), Paramount, 1986; Born in East L.A., Universal, 1987; Walk Like a Man (also known as Bobo and Bobo the Dog Boy), Metro-Goldwyn-Mayer/United Artists/United International, 1987; Big Business, Buena Vista, 1988; A Tiger's Tale, Atlantic Entertainment, 1988; Old Gringo, Columbia, 1989.

Specials: The General, CBS, 1974; "Power and the Presidency," American Parade, CBS, 1974; We the Women, CBS, 1974; F.D.R.: The Man Who Changed America, CBS, 1975; Sojourner, CBS, 1975; Song of Myself, CBS, 1976; "Stop, Thief!," American Parade, CBS, 1976; With All Deliberate Speed, CBS, 1976; (with Eddie Karam) John Denver—Thank God I'm a Country Boy, ABC, 1977; (with Glen D. Hardin and Doug Gilmore) John Denver in Australia, ABC, 1978; John Denver: Music and the Mountains, ABC, 1981; "The Sharks," National Geographic Special, PBS, 1982; The Best Legs in the Eighth Grade, HBO, 1984; "Graham Greene's 'The Tenth Man,' " Hallmark Hall of'Fame, CBS, 1988; "The Explorers: A Century of Discovery," National Geographic Special, PBS, 1988. RECORDINGS: ALBUMS—(With the London Symphony) Concerto No. 2 for Violin and OrchestralLazarus and His Beloved, Varese/Sarabande; (with the London Symphony) Music ofHoldridge, Varese/Sarabande; Beauty and the Beast (original soundtrack), Capitol; Moonlighting (original soundtrack), MCA; Old Gringo (original soundtrack), GNP/Crescendo.

TELEVISION—Series: (Theme music) McCloud, NBC, 1970-77; (theme music) Hec Ramsey, NBC, 1972-74; Sierra, NBC, 1974; (with Dick De Benedictis) The Family Holvak, NBC, 1975; (theme music) Sara, CBS, 1976; (with Mark Snow) The Gemini Man, NBC, 1976; Code R, CBS, 1977; (with George Aliceson Tipton) Julie Farr, M.D., ABC, 1978-79; (with Lex DeAvezedo) Young Maverick, CBS, 1979-80; Wizards and Warriors, CBS, 1983; The Mississippi, CBS, 1983-84; (also theme music) Lime Street, ABC, 1985; (theme song) Moonlighting, ABC, 1985-89; (also theme music) Beauty and the Beast, CBS, 1987-90; Just in Time, ABC, 1988. Mini-Series: John Steinbeck's "East of Eden," ABC, 1981. Pilots: The Rangers, NBC, 1974; (with Jerry Fielding) Fools, Females, and Fun: Is There a Doctor in the House?, NBC, 1974; (with Fielding) Fools, Females, and Fun: I've Gotta Be Me, NBC, 1974; (with Fielding) Fools, Females, and Fun: What About That One?, NBC, 1974; Pine Canyon Is Burning, NBC, 1977; Having Babies III, ABC, 1978; Skyward Christmas, NBC, 1981; Two the HardWay, CBS, \98\-Fly Away Home, ABC, 1981; This Is Kate Bennett, ABC, 1982; The Boys inBlue, CBS, 1984; Adams Apple, CBS, 1986; Desperate, ABC, 1987; My Africa (broadcast as an episode of CBS Summer Playhouse}, CBS, 1988; (with John Denver) Higher Ground, CBS, 1988. Episodic: "Young Harry Houdini," Disney Sunday Movie, ABC, 1987; "14 Going on 30" (also known as "Fassst Forward") Disney Sunday Movie, ABC, 1988; "A Mother's Courage: The Mary Thomas Story" (also known as "The Mary Thomas Story" and "Long Shot"), The Magical World of Disney, NBC, 1989; "Things That Go Bump in the Night," Christine Cromwell, ABC, 1989.

AWARDS: Circle of Friends of Music Award, Arenzano, Italy, 1972; Emmy Award, Outstanding Dramatic Underscoring, 1988, for Beauty and the Beast; Emmy Award, Outstanding Music and Lyrics, 1989, for Beauty and the Beast; Emmy Award, Outstanding Underscoring of a Documentary, 1989, for The Explorers. ADDRESSES: AGENT—Bart-Milander Associates Inc., 4146 Lankershim Boulevard, Suite 300, North Hollywood, CA 91602.

HOLLAND, Jeffrey

1946-

PERSONAL: Born Jeffrey Michael Parkes, July 17, 1946, in Walsall, England; son of Samuel and Doris Maud (Harrison) Parkes; married Eleanor Hartopp (an actress), October 2, 1971; children: Lucy, Sam. EDUCATION—Studied acting at the Birmingham School of Speech and Drama, 1965-68. VOCATION: Actor. CAREER: STAGE DEBUT—Judge's clerk, No Fear or Favour, Alexandra Theatre, Birmingham, U.K., 1967, for fourteen per-

Movies: Skyway to Death, ABC, 1974; To Kill a Cop, NBC, 1978;

209

HOMEIER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

formances. LONDON DEBUT—German inventor, Dad's Army, Shaftesbury Theatre, 1975, for more than two hundred performances. PRINCIPAL STAGE APPEARANCES—Jodelet, Cyrano de Bergerac, Chichester Festival Theatre, Chichester, U.K., 1975; Stephano, The Tempest and Snug, A Midsummer Night's Dream, both Assembly Halls, Edinburgh, Scotland, 1978; Spike Dixon, Hi De Hi!—The Musical, Victoria Palace Theatre, London, 1983-84; John Smith, Run for Your Wife!, Criterion Theatre, London, 198588, then Whitehall Theatre, London, 1989.

ry-Fox, 1956; Jack Sutton, The Burning Hills, Warner Brothers, 1956; Brank Banner, Dakota Incident, Republic, 1956; Clay Anderson, Stranger at My Door, Republic, 1956; John Railton, No Road Back, RKO, 1957; Billy Jack, The Tall T, Columbia, 1957; Howard Hayes, Day of the Bad Man, Universal, 1958; Joe Martin, Plunderers of Painted Flats, Republic, 1959; Frank, Comanche Station, Columbia, 1960; Caslon, Showdown, Universal, 1963; Gerald Winslow, Stark Fear, Ellis, 1963; Pink, Bullet for a Badman, Universal, 1964; Ollie, The Ghost and Mr. Chicken, Universal, 1966; Deputy Sheriff Laswell, Tiger By the Tail, Commonwealth, 1970; major, The Greatest, Columbia, 1977. Also appeared in Thunder Over Arizona, Republic, 1956; Lure of the Swamp, Twentieth Century-Fox, 1957; Starbird and Sweet William, 1976; and in The Captives and Decision at Durango.

MAJOR TOURS—Private Walker, Dad's Army, U.K. cities, 1976. TELEVISION DEBUT—Alan Hunt, Dixon of Dock Green, BBC, 1972. PRINCIPAL TELEVISION APPEARANCES—Series: Spike Dixon, Hi De Hi, BBC, 1979-87; regular, Russ Abbot's Madhouse, London Weekend Television, 1981-85; James Twelvetrees, You Rang, M'Lord?, BBC, 1988—. Mini-Series: Carter, The Mayor of Casterbridge, BBC, then Masterpiece Theatre, PBS, both 1978. Specials: Earl Marshall, RichardII, BBC, 1978, then PBS, 1979; William, As You Like It, BBC, 1979; Nym, Henry V, BBC, 1979.

PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Dan Raven, Dan Raven, NBC, 1960-61; Doctor Hugh Jacoby, The Interns, CBS, 1970-71. Mini-Series: Ross Mantee, "Elfego Baca" (also known as "The Nine Lives of Elfego Baca"), Walt Disney Presents, ABC, 1958-60; Lars Haglund, Washington: Behind Closed Doors, ABC, 1977. Pilots: Joseph, The Wild Wild West Revisited, CBS, 1979. Episodic: Dr. Roy Clinton, "Expanding Human," The Outer Limits, ABC, 1964; Melakon, Star Trek, NBC, 1968; Dr. Sevrin, Star Trek, NBC, 1969; Dr. Jacoby, The Interns, CBS, 1970; Steve, "Bad Connections," Circle of Fear, NBC, 1973;also "The Bride Possessed," One Step Beyond, ABC, 1959; The Addams Family, ABC, 1964; Voyage to the Bottom of the Sea, ABC, 1965, 1966, and l96&',The Incredible Hulk, CBS, 1979; astronomer, "The Dark Side," Science Fiction Theatre, syndicated; "Autumn in New York," Schlitz Playhouse of Stars, CBS; Studio One, CBS; Suspense, CBS; Playhouse 90, CBS; The Alcoa Hour, NBC; Kraft Theatre; Armstrong Circle Theatre; Alfred Hitchcock Presents. Movies: Lyman George, The Challenge, ABC, 1970; doctor, Two for the Money, ABC, 1972; Arnold Markwell, The Voyage of the Yes, CBS, 1973; Judge Charles H. Older, Heller Skelter, CBS, 1976; Dr. Medlow, Overboard, NBC, 1978.

RELATED CAREER—Company member, Belgrade Theatre, Coventry, U.K., 1968-73. MEMBER: The Sons of the Desert. ADDRESSES: AGENT—Jean Diamond, London Management, 235 Regent Street, London W1A 2JT, England.

HOMEIER, Skip 1930(Skippy Homeier) PERSONAL: Full name, George Vincent Homeier; born October 5, 1930, in Chicago, IL. EDUCATION—Attended the University of California, Los Angeles.

RELATED CAREER—Radio actor, 1936-43.*

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Emil Bruckner, Tomorrow the World, Ethel Barrymore Theatre, New York City, 1943-44.

HOPKINS, Anthony

1937-

PERSONAL: First name is pronounced "An-tony"; born December 31, 1937, in Port Talbot, Wales; son of Richard Arthur (a baker) and Muriel Annie (Yeates) Hopkins; married Petronella Barker, 1967 (divorced, 1972); married Jennifer Lynton, January 13, 1973; children: Abigail (first marriage). EDUCATION—Attended the Welsh College of Music and Drama, 1954-56; studied acting at the Royal Academy of Dramatic Art, 1961-63. MILITARY—British Army, Royal Artillery, 1958-60.

FILM DEBUT—(As Skippy Homeier) Emil Bruckner, Tomorrow the World, United Artists, 1944. PRINCIPAL FILM APPEARANCES— (As Skippy Homeier) Skippy, Boy's Ranch, Metro-GoldwynMayer, 1946; (as Skippy Homeier) Hank Evans, Mickey, EagleLion, 1948; Arthur Bixby, Arthur Takes Over, Twentieth CenturyFox, 1948; Jim, The Big Cat, Eagle-Lion, 1949; Hunt Bromley, The Gunfighter, Twentieth Century-Fox, 1950; Whitey, Fixed Bayonets, Twentieth Century-Fox, 1951; Mac, Sailor Beware, Paramount, 1951; Pretty Boy, Halls of Montezuma, Twentieth Century-Fox, 1951; Steve, Sealed Cargo, RKO, 1951; Carl Pennock, Has Anybody Seen My Gal?, Universal, 1952; Art Romer, The Last Posse, Columbia, 1953; Reynolds, Beachhead, United Artists, 1954; John, Black Widow, Twentieth Century-Fox, 1954; Roxey, Cry Vengeance, Allied Artists, 1954; Buddy Ferris, Dawn at Socorro, Universal, 1954; Cass Downing, The Last Gun, United Artists, 1954; Bob Dennis, At Gunpoint (also known as Gunpoint), Allied Artists, 1955; Sam Mayhew, The Road to Denver, Republic, 1955; Howie Stewart, Ten Wanted Men, Columbia, 1955; Swanson, Between Heaven and Hell, Twentieth Centu-

VOCATION: Actor. CAREER: STAGE DEBUT—Mickser, The Quare Fellow, Library Theatre, Manchester, U.K., 1960. LONDON DEBUT—Metellus Cimber, Julius Caesar, Royal Court Theatre, 1964. BROADWAY DEBUT—Martin Dysart, Equus, Plymouth Theatre, 1974. PRINCIPAL STAGE APPEARANCES—Undershaft, Major Barbara, Phoenix Theatre, Leicester, U.K., 1963; Irregular Mobiliser, Juno and the Pay cock and Etienne Plucheaux, A Flea in Her Ear, both National Theatre Company, Old Vic Theatre, London, 1966; Blagovo, A Provincial Life, Royal Court Theatre, London, 1966; 210

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

HOPKINS

Universal, 1974; Superintendent John McCteod, Juggernaut, United Artists, 1974; Siegfried Farnan, All Creatures Great and Small, EMI, 1975; Elliot Hoover, Audrey Rose, United Artists, 1977; Lieutenant Colonel John Frost, A Bridge Too Far, United Artists, 1977; Captain Johnson, International Velvet, Metro-GoldwynMayer/United Artists, 1978; Corky/voice of Fats, Magic, Twentieth Century-Fox, 1978; Adam Evans, A Change of Seasons, Twentieth Century-Fox, 1980; Dr. Frederick Treves, The Elephant Man, Paramount, 1980; Lieutenant William Bligh, The Bounty, Orion, 1984; Bill Hooper, The Good Father, Skouras, 1986; Frank Doel, 84 Charing Cross Road, Columbia, 1987; Dafydd Llewellyn, A Chorus of Disapproval, Southgate Entertainment, 1987; Major Angus Barry ("Cassius"), The Dawning, TVS Entertainment/ Vista, 1988. TELEVISION DEBUT—A Heritage and Its History, 1968. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Dr. Adam Kelno, QB VII, ABC, 1974; Neil Gray, Hollywood Wives, ABC, 1985. Movies: Dr. Michael Grant, Dark Victory, NBC, 1976; Bruno Richard Hauptmann, The Lindbergh Kidnapping Case, NBC, 1976; Yitzhak Rabin, Victory at Entebbe, ABC, 1976; Captain Christopher Jones, Mayflower: The Pilgrim's Adventure (also known as The Voyage of the Mayflower), CBS, 1979; Hitler, The Bunker, CBS, 1981; Paul, Peter and Paul (also known as The Acts of Peter and Paul), CBS, 1981; John Strickland, A Married Man, Channel Four, BBC, then syndicated in the United States, 1984; Quasimodo, The Hunchback of Notre Dame, CBS, 1982; Ravic, Arch of Triumph, CBS, 1985; Arthur Jamison, Guilty Conscience, CBS, 1985; Galeazzo Ciano, Mussolini: The Decline and Fall of II Duce (also known as Mussolini and I), HBO, 1985; Guy Burgess, Blunt, BBC, 1985; Jean Louis Chavel, The Tenth Man (also known as Graham Greene's "The Tenth Man"), CBS, 1988; Abel Magwitch, Great Expectations, Disney Channel, 1989; also A Company of Five, \968\AWalkThroughtheForest, 1968; The Three Sisters, 1969; The Peasants Revolt, 1969; Astrov, Uncle Vanya, 1970; title role, Danton, 1970; Hearts and Flowers, 1970; The Poet Game, 1971; The Edwardians, 1972; title role, Lloyd George, 1972; DandoHamer, "Possessions," Childhood, 1974;Marek,FwdMe, 1974; title role, Kean, 1978; Othello, BBC, 1981; Little Eyolf, BBC, 1981; Strangers and Brothers, 1983; Old Times. Specials: Pierre Bezuhov, War and Peace, PBS, 1973-74; Siegfried Farnon, "All Creatures Great and Small," Hallmark Hall of Fame, NBC, 1975; Theo Gunge, "The Arcata Promise," Great Performances, PBS, 1977.

ANTHONY HOPKINS

Edgar, The Dance of Death, Andrei Prosorov, The Three Sisters, and Audrey, As You Like It, all National Theatre Company, Old Vic Theatre, 1966-67; Emperor, The Architect and the Emperor of Assyria, John Frankford, A Woman Killed with Kindness, and title role, Coriolanus, all National Theatre Company, Old Vic Theatre, 1971; title role, Macbeth, National Theatre Company, Old Vic Theatre, 1972; Petruchio, The Taming of the Shrew, Chichester Festival Theatre, Chichester, U.K., 1972; Martin Dysart, Equus, Huntington Hartford Theatre, Los Angeles, 1977; Prospero, The Tempest, Mark Taper Forum, Los Angeles, 1979; Deeley, Old Times, Roundabout Theatre, New York City, 1983-84; title role, King Lear, National Theatre, London, 1986-87; Antony, Antony and Cleopatra, National Theatre, 1987; Rene Gallimard, M. Butterfly, Shaftesbury Theatre, London, 1989. Also in The Lonely Road, Old Vic Theatre, 1985; Pravda, Olivier Theatre, London, 1985-86; and appeared with the Nottingham Repertory Company, Nottingham, U.K., Phoenix Theatre, Leicester, U.K., the Liverpool Playhouse, Liverpool, U.K., and the Hornchurch Repertory Company, Hornchurch, U.K.

RECORDINGS: First voice, Under Milk Wood, 1988. AWARDS: British Academy of Film and Television Arts Award, Best Actor, 1972, for War and Peace; New York Drama Desk Award and Outer Circle Award, both Best Actor, 1975, for Equus; American Authors and Celebrity Forum Award, 1975; Emmy Award, Outstanding Lead Actor in a Drama or Comedy Special, 1976, for The Lindbergh Kidnapping Case; Los Angeles Drama Critics' Award, 1977, for Equus; Emmy Award, Outstanding Lead Actor in a Limited Series or a Special, 1981, for The Bunker; Emmy Award nomination, Outstanding Lead Actor in a Limited Series or a Special, 1982, for The Hunchback of Notre Dame; Film Actor Award from the Variety Club, 1984, for The Bounty; British Theatre Association Award, Best Actor, Olivier Award, and Stage Actor Award from the Variety Club, all 1985, for Pravda; Best Actor Award from the Moscow Film Festival, 1987, for 84 Charing Cross Road; Commander, Order of the British Empire, 1987.

PRINCIPAL STAGE WORK—Assistant stage manager, Library Theatre, Manchester, U.K., 1960. FILM DEBUT—Brechtian, The White Bus, 1967. PRINCIPAL FILM APPEARANCES—Prince Richard the Lion Hearted, The Lion in Winter, AVCO-Embassy, 1968; Claudius, Hamlet, Columbia, 1969; John Avery, The Looking Glass War, Columbia, 1970; Philip Calvert, When Eight Bells Toll, Cinerama, 1971; David Lloyd George, Young Winston, Columbia, 1972; Torvald Helmer, A Doll's House, Paramount, 1973; Kostya, The Girl from Petrovka,

MEMBER: Motion Picture Academy, American Film Institute, British Association of Film and Television Arts. 211

HORTON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

SIDELIGHTS: RECREATIONS—Music, playing the piano, astronomy, reading philosophy and European history. ADDRESSES: AGENTS—Jeremy Conway Ltd., 109 Jermyn Street, London SW1, England; Harris and Goldberg, 2121 Avenue of the Stars, Los Angeles, CA 90067.

HORTON, Peter PERSONAL: Born August 20, in Bellevue, WA; father, in the shipping business; married Michelle Pfeiffer (an actress; divorced). EDUCATION—Received degree in music composition from the University of California, Santa Barbara; also attended Principia College. VOCATION: Actor and director. CAREER: PRINCIPAL STAGE APPEARANCES—Butterflies Are Free, Masquers Theatre, Los Angeles; also appeared with the Lobero Repertory Company Theatre, Santa Barbara, CA. PRINCIPAL FILM APPEARANCES—Joey Madona, Fade to Black, American Cinema, 1980; Jacob, Split Image, Orion, 1982; Dr. Hurt Stanton, Stephen King's Children of the Corn (also known as Children of the Corn), New World, 1984; Father Mahoney, Where the River Runs Black, Metro-Goldwyn-Mayer/United Artists, 1986; Harry, "Hospital" in Amazon Women on the Moon, Universal, 1987. Also appeared in Serial, Paramount, 1980.

C. THOMAS HO WELL

HOWELL, C. Thomas (Tom Howell)

1966-

PERSONAL: Born December 7, 1966, in Los Angeles, CA; son of Chris Howell (a stunt coordinator); married Rae Dawn Chong (an actress).

PRINCIPAL FILM WORK—Director, "Two I.D.s" in Amazon Women on the Moon, Universal, 1987.

VOCATION: Actor.

PRINCIPAL TELEVISION APPEARANCES—Series: Crane McFadden, Seven Brides for Seven Brothers, CBS, 1982-83; Professor Gary Shepherd, thirty something, ABC, 1987—. Pilots: Tom Sawyer, Sawyer and Finn, NBC, 1983. Movies: Tony Smith, She's Dressed toKill, NBC, 1979; Jack O'Callahan,M/racfe on Ice, ABC, 1981; Bill, Freedom, ABC, 1981; Doug, Choices of the Heart, NBC, 1983.

CAREER: PRINCIPAL FILM APPEARANCES—(As Tom Howell) Tyler, E.T. The Extra-Terrestrial, Universal, 1982; Ponyboy Curtis, The Outsiders, Warner Brothers, 1983; Tim Pearson, Grandview, U.S.A., Warner Brothers, 1984; Robert, Red Dawn, Metro-Goldwyn-Mayer/United Artists, 1984; Billy Carey, Tank, Universal, 1984; Michael Ryan, Secret Admirer, Orion, 1985; Jim Halsey, The Hitcher, Tri-Star, 1986; Mark Watson, Soul Man, New World, 1986; Bubber Drumm, A Tiger's Tale, Atlantic, 1987; Arturo Toscanini, // giovane Toscanini (also known as Young Toscanini), Carthago, 1988; Raoul, The Return of the Musketeers (also known as The Return of the Three Musketeers), Universal, 1989; Monroe Clark, Side Out, Tri-Star, 1989. Also appeared in Far Out, Man, New Line Cinema/Prism Entertainment, 1989.

PRINCIPAL TELEVISION WORK—Episodic: Director, thirty something, ABC, 1988 and 1989; director, The Wonder Years, ABC, 1989. Specials: Director, "One Too Many," ABC After school Specials, ABC, 1985. RELATED CAREER—Musical composer.

PRINCIPAL TELEVISION APPEARANCES—Series: Scott, Two Marriages, ABC, 1983-84; also The Little People (also known as The Brian Keith Show), NBC. Episodic: Jenner Brading, "The Eyes of the Panther," Nightmare Classics, Showtime, 1989. Movies: Tripp, Into the Homeland, HBO, 1987. Specials: Battle of the Network Stars, ABC, 1984.

SIDELIGHTS: RECREATIONS—Playing classical piano. ADDRESSES: AGENTS—Martin Bauer and Peter Benedek, Bauer/ Benedek Agency. 9255 Sunset Boulevard, Suite 710, Los Angeles, CA 90069.*

212

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

HUDSON

HUDSON, Ernie

RELATED CAREER—Owner and producer (with Scott Shore), Buckwheat Films.

PERSONAL: Born in Benton Harbour, MI. EDUCATION—Graduated from Wayne State University; also attended the University of Minnesota; trained for the stage at the Yale University School of Drama. MILITARY—U.S. Marine Corps.

NON-RELATED CAREER—Junior rodeo circuit champion. ADDRESSES: AGENT—Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212. PUBLICIST—Jeff Ballard Public Relations, 4814 Lemona Avenue, Sherman Oaks, CA 91413.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—77ze Cage, Los Angeles Actors Theatre, Los Angeles, 1984; also appeared in The Great White Hope, Theatre-in-the-Round, Minneapolis, MN, then Los Angeles; and in Daddy Goodness, Los Angeles.

HOWELL, Tom See HOWELL, C. Thomas

HUDSON, Bill

PRINCIPAL FILM APPEARANCES—Killer, The Main Event, Warner Brothers, 1979; Quinine, The Octagon, American Cinema Releasing, 1980; heckler, The Jazz Singer, Associated Film Distributors, 1980; Half Dead, Penitentiary II, Metro-Goldwyn-Mayer/ United Artists (MGM/UA), 1982; Muhammed, Going Berserk, Universal, 1983; Washington, Spacehunter: Adventures in the Forbidden Zone (also known as Road Gangs and Adventures in the Creep Zone), Columbia, 1983; Detective Staggs, Two of a Kind, Twentieth Century-Fox, 1983; Mr. Porter, Joy of Sex, Paramount, 1984; Winston Zeddemore, Ghostbusters, Columbia, 1984; Bagdad, Weeds, De Laurentiis Entertainment Group, 1986; Dawson, The Wrong Guys, New World, 1988; Justin Jones, Leviathan, MGM/ UA, 1989; Winston Zeddemore, Ghostbusters II, Columbia, 1989; Jefferson Carter, Trapper County War (also known as Trapper County and Porter Country), Noble Entertainment Group/Alpine Releasing Group/Titan, 1989. Also appeared in Leadbelly, Paramount, 1976; and in Joni, World Wide, 1980.

1949-

PERSONAL: Born October 17, 1949, in Portland, OR; married Goldie Hawn (an actress and producer), 1976 (divorced); married Cindy Williams (an actress). EDUCATION—Attended Portland State University. VOCATION: Actor, producer, and musician. CAREER: PRINCIPAL FILM APPEARANCES—Repo crew member, Zero to Sixty (also known as Repo), First Artists, 1978; Frederick, Hysterical, Embassy, 1983; Obie's dad, Big Shots, Twentieth Century-Fox, 1987.

RELATED CAREER—With brothers Mark and Brett performed as the Hudson Brothers; founder, TaylorMade Productions (a television and film production company).

PRINCIPAL TELEVISION APPEARANCES—Series: Smythe, Highcliffe Manor, NBC, 1979; Detective Sergeant Tremaine "Night Train" Lane, The Last Precinct, NBC, 1986. Mini-Series: E.D. Nixon, King, NBC, 1978; also Roots: The Next Generations, ABC, 1981. Pilots: Harold "Jazzman" Malloy, Crazy Times, ABC, 1981; Kwame Botulo, Almost American, NBC, 1981; Leo Kelly, 100 Centre Street, ABC, 1984; Detective Sergeant Tremaine "Night Train" Lane, The Last Precinct, NBC, 1986; also Skag, NBC, 1980. Episodic: "Digger" Love, The New Mike Hammer, CBS, 1986; Prince Gilbert Kassa-Myboto, Gimme a Break, NBC, 1987; Reggie "The Sandman" Martin, Full House, ABC, 1987; Samuel Obae, Private Eye, ABC, 1987; also The Incredible Hulk, CBS, 1979; Tor/, ABC, 1981; The Insiders, ABC, 1985; Fantasy Island, ABC; Little House on the Prairie, NBC; Webster, ABC. Movies: Black Bart, Mad Bull, CBS, 1977; El Caliph, Last of the Good Guys, CBS, 1978; counselor, White Mama, CBS, 1980; Homer Burden, The $5.20 an Hour Dream, CBS, 1980; Mr. Harrison, A Matter of Life and Death, CBS, 1981; Ernie, California Girls, ABC, 1985; Lamar, Love on the Run, NBC, 1985; Joe Hamilton, The Dirty Dozen: The Fatal Mission (also known as Dirty Dozen IV), NBC, 1988; also Women of San Quentin, NBC, 1983. Specials: Ted Young, Journey Together, CBS, 1978.

WRITINGS: FILM—(With Mark Hudson, Brett Hudson, and Trace Johnston) Hysterical, Embassy, 1983.

RELATED CAREER—Resident playwright, Concept East (a theatrical company), Detroit, MI.

ADDRESSES: AGENT—Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. PUBLICIST—Russell L. Patrick, The Disney Channel, 3800 W. Alameda Avenue, Burbank, CA 91505.*

ADDRESSES: AGENT—Bob Gersh, The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210. PUBLICIST— Monique Moss, Levine-Schneider Public Relations, 8730 Sunset Boulevard, Sixth Floor, Los Angeles, CA 90069.

PRINCIPAL TELEVISION APPEARANCES—Series: Co-host, The Hudson Brothers Show, CBS, 1974; co-host, The Hudson Brothers Razzle Dazzle Comedy Show, CBS, 1974-77; co-host, Bonkers, syndicated, 1978-79; Tom Burke, Just Like Family, Disney Channel, 1989—; also A Family Tree, Showtime. Pilots: Eddie Reardon, The Millionaire, CBS, 1978; Tom Burke, Help Wanted: Kids, ABC, 1986. Episodic: Donald Travers, The Highwayman, NBC, 1988; Mr. Plenn, Doogie Bowser, M.D., ABC, 1989. Movies: Man in KISS booth, KISS Meets the Phantom of the Park, NBC, 1978. Specials: Host, National Family Safety Test, Disney Channel, 1989. PRINCIPAL TELEVISION WORK—Series: Producer, A Family Tree, Showtime. Pilots: Producer, Joanna, ABC, 1985.

213

HUNT HUNT, Helen

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1963-

PRINCIPAL TELEVISION APPEARANCES—Series: Jill Prentiss, Amy Prentiss, NBC, 1974-75; Helga Wagner, The Swiss Family Robinson, ABC, 1975-76; Kerry Gerardi, The Fitzpatricks, CBS, 1977-78; Lisa Quinn, It Takes Two, ABC, 1982-83. Pilots: Sharon McNamara, Having Babies, ABC, 1976. Episodic: Mary Austin, "Land of Little Rain," American Playhouse, PBS, 1988; also ' 'Weekend,'' American Playhouse, PBS, 1982; Robin Trask, Family, ABC; Laurie Slaughter, The Mary Tyler Moore Show, CBS; Clancy, St. Elsewhere, NBC. Movies: Sarah Sergeant, Pioneer Woman, ABC, 1973; Susan Lindsay, All Together Now, ABC, 1975; Teila Rodriguez, Death Scream (also known as The Woman Who Cried Murder), ABC, 1975; Kristina Matchett, The Spell, NBC, 1977; Janice Hurley, Transplant, CBS, 1979; Lizzie Eaton, Angel Dusted, NBC, 1981; Naomi, Child Bride of Short Creek, NBC, 1981; Kathy Miller, The Miracle of Kathy Miller, CBS, 1981; Sandy Cameron, Desperate Lives, CBS, 1982; Tami Maida, Quarterback Princess, CBS, 1983; Jenny Wells, Bill: On His Own, CBS, 1983; Kathy, Choices of the Heart, NBC, 1983; Debbie Markham, Sweet Revenge, CBS, 1984; also Why Are You Here? Specials: Battle of the Network Stars, ABC, 1982.

PERSONAL: Born June 15, 1963, in Los Angeles, CA; daughter of Gordon Hunt (a director); mother, a photographer. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Jill, Been Taken, Ensemble Studio Theatre, New York City, 1985; Emily Webb, Our Town, Lyceum Theatre, New York City 1989. Also appeared in The Good War and Vital Signs, both Mark Taper Forum, Los Angeles; Alice in Wonderland, Los Angeles Cultural Arts Center, Los Angeles; Gladiators, Cast Theatre, Hollywood, CA; Methusalem, Wallenboyd Theatre; The Value of Names, Skylight Theatre. PRINCIPAL FILM APPEARANCES—Tracy Calder, Rollercoaster, Universal, 1977; Lynne Stone, Girls Just Want to Have Fun, New World, 1985; Leena, Trancers (also known as Future Cops), Empire, 1985; Beth Bodell, Peggy Sue Got Married, Tri-Star, 1986; Teresa "Teri" McDonald, Project X, Twentieth CenturyFox, 1987; Jennifer, Miles from Home, Cinecom, 1988; Jessie Gates, Next of Kin, Warner Brothers, 1989. Also appeared in The Frog Prince.

ADDRESSES: AGENT—International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

214

I

IRELAND, John

1916-

Severe, Joan of Arc, RKO, 1948; Paul Lester, Open Secret, EagleLion, 1948; Fantail, Raw Deal, Eagle-Lion/Reliance, 1948; Cherry Valance, Red River, United Artists, 1948; Captain Jed Calbern, A Southern Yankee (also known as My Hero!), MetroGoldwyn-Mayer (MGM), 1948; Jack Burden, All the King's Men, Columbia, 1949; narrator, The Undercover Man, Columbia, 1949; Danny Johnson, Anna Lucasta, Columbia, 1949; Bitter Creek, The Doolins of Oklahoma (also known as The Great Manhunt), Columbia, 1949; Bob Ford, / Shot Jesse James, Screen Guild, 1949; "Early" Byrd, Mr. Soft Touch (also known as House of Settlement), Columbia, 1949; Lednov, Roughshod, RKO, 1949; Frazee, The Walking Hills, Columbia, 1949.

PERSONAL: Full name, John Benjamin Ireland; born January 30, 1916, in Victoria, BC, Canada; son of John Benjamin (a rancher) and Katherine (an educator; maiden name, Ferguson) Ireland; married Elaine Sheldon Gudman, 1940 (divorced, 1949); married Joanne Dru (an actress), 1949 (divorced, 1958); married Daphne Cameron Myrick, 1962; children: two sons (first marriage); Daphne. EDUCATION—Studied acting at the Davenport Free Theatre, New York City. VOCATION: Actor and director. CAREER: STAGE DEBUT—Robin Hood Theatre, Arden, DE, 1939. OFF-BROADWAY DEBUT—With the Irish Repertory Players, Cherry Lane Theatre, 1939. BROADWAY DEBUT—Sergeant and first murderer, Macbeth, National Theatre, 1941. PRINCIPAL STAGE APPEARANCES—Reporter, Native Son, Majestic Theatre, New York City, 1942; Krafft, Counterattack, Windsor Theatre, New York City, 1943; first murderer, Richard III, Forrest Theatre, New York City, 1943; Gustave Jensen, A New Life, Royale Theatre, New York City, 1943; Mr. Deane, Doctors Disagree, Bijou Theatre, New York City, 1943; Sir Archibald Mackenzie, A Highland Fling, Plymouth Theatre, New York City, 1944; Buck Carpenter, Deadfall, Holiday Theatre, New York City, 1955; Brutos, Infidel Caesar, Music Box Theatre, New York City, 1962. Also appeared in Macbeth, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1975; The Pleasure of His Company, Toronto, ON, Canada, 1985; An Evening of Samuel Beckett, Dublin Theatre Festival, Dublin, Ireland; at the Oxford Playhouse, Oxford, U.K.; and in Robert W. Service (one-man show).

Steve Con way, Cargo to Capetown, Columbia, 1950; Johnny, The Return of Jesse James, Lippert, 1950; Pete Ferreday, The Basketbail Fix (also known as The Big Decision), Real Art, 1951; Lieutenant John Hay wood, Little Big Horn (also known as The Fighting Seventh), Lippert, 1951; Quantrell, Red Mountain, Paramount, 1951; John Barrington, The Scarf, United Artists, 1951; Hub Fasken, Vengeance Valley, MGM, 1951; Jeff Waring, The Bushwhackers (also known as The Rebel), Real Art, 1952; title role, Hurricane Smith, Paramount, 1952; Sergeant Fletcher, Combat Squad, Columbia, 1953; John Williams, The Forty-Ninth Man, Columbia, 1953; Rochelle, Hannah Lee (also known as Outlaw Territory), Broder, 1953; Frank Webster, The Fast and the Furious, American Releasing, 1954; Eddie, The Good Die Young, Independent Film Distributors, 1954; Ralph Payne, Security Risk, Allied Artists, 1954; Clint McDonald, Southwest Passage (also known as Lands West), United Artists, 1954; ringleader, "The Hostages" in The Steel Cage, United Artists, 1954; Pel, The Glass Tomb (also known as The Glass Cage), Lippert, 1955; Judson Prentiss, Queen Bee, Columbia, 1955; Cane Miro, Gunslinger, Associated Releasing, 1956; Johnny Ringo, Gunfight at the O.K. Corral, Paramount, 1957; Jonas Bailey, No Place to Land (also known as Man Mad), Republic, 1958; Louis Canetto, Party Girl, MGM, 1958; Griff Parker, Stormy Crossing (also known as Black Tide), Eros, 1958.

MAJOR TOURS—Captain Hook, Peter Pan, Clare Tree Children's Theatre, U.S. cities, 1940; Horatio, Hamlet, Lorenzo, The Merchant of Venice, Macduff, Macbeth, andlago, Othello, U.S. cities, all 1940; miner, The Moon Is Down, U.S. cities, 1942; Dr. John Buchanan, Jr., Summer and Smoke, U.S. cities, 1950; Murray Burns, A Thousand Clowns, U.S. cities, 1963-64; Outward Bound, U.S. cities, 1983.

Max Hammond, Faces in the Dark, Rank, 1960; Crixus, Spartacus, Universal, 1960; Phil Macy, Wild in the Country, Twentieth Century-Fox, 1961; Jeff Saygure, Brushfire, Paramount, 1962; Ray Reed, Return of a Stranger, WPD, 1962; prison warden, The Ceremony (also known as La ceremonia), United Artists, 1963; Johnny Greco, Med mord i bagaget (also known as No Time to Kill), Agnes DeLahaie, 1963; Sergeant Harry, 55 Days at Peking, Allied Artists, 1963; Ballomar, The Fall of the Roman Empire, Paramount, 1964; Steve Marak, / Saw What You Did, Universal, 1965; Tom Horn, Fort Utah, Paramount, 1967; Dan Shelby, Arizona Bushwhackers, Paramount, 1968; Dave, Villa Rides, Paramount, 1968; detective, Una sull'altra (also known as One on Top

FILM DEBUT—Windy, A Walk in the Sun (also known as Salerno Beachhead), Twentieth Century-Fox, 1945. PRINCIPAL FILM APPEARANCES—Detective Engelhofer, Behind Green Lights, Twentieth Century-Fox, 1946; Bennie Smith, It Shouldn't Happen to a Dog, Twentieth Century-Fox, 1946; Billy Clanton, My Darling Clementine, Twentieth Century-Fox, 1946; Howard Williams, Wake Up and Dream, Twentieth Century-Fox, 1946; voice of police stenographer, Somewhere in the Night, Twentieth Century Fox, 1946; narrator, Repeat Performance, Eagle-Lion, 1947; Karty, The Gangster, Allied Artists, 1947; Reno, I Love Trouble, Columbia, 1947; Duke Martin, Railroaded, Eagle-Lion, 1947; St.

215

IRELAND

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

of the Other), 1969, released in the United States by GGP Releasing, 1971.

house, NBC, 1951. PRINCIPAL TELEVISION APPEARANCES— Series: John Hunter, The Cheaters, BBC, 1961; Jed Colby, Rawhide, CBS, 1965-66; Lyman "Shack" Shackelford, Cassie and Company, NBC, 1982. Pilots: Marshall Wayburn, The Millionaire, CBS, 1978; Joe Virgil, Sr., Tourist, syndicated, 1980. Episodic: Rhymes, Buck James, ABC, 1988; Charles Redstone, Sr., J.J. Starbuck, NBC, 1988; Franken, Snoops, CBS, 1989; also "The Man I Marry," Schlitz Playhouse of Stars, CBS, 1952; "A Tale of Two Cities," Plymouth Playhouse, ABC, 1953; "Prisoner in Town" and "Reunion at Steepler's Hill," Schlitz Playhouse of Stars, CBS, 1954; "Time Bomb," Philco Television Playhouse, NBC, 1954; Pall Mall Playhouse, ABC, 1955; "Lonely Man," Studio 57, NBC, 1955; "There's No Forever," Damon Runyon Theatre, CBS, 1955; "Murder in Paradise" and "Ride to the West," Schlitz Playhouse of Stars, CBS, 1955; "The Bridge," The ElginHour, ABC, 1955; "Dealer's Choice" and "Ordeal," Schlitz Playhouse of Stars, CBS, 1956; "This Land Is Mine," Fireside Theatre, NBC, 1956; "Prologue to Glory," General Electric Theatre, CBS, 1956; "Return to Nowhere," Zane Grey Theatre, CBS, 1956; "Without Incident" and "A Sound of Different Drummers," Playhouse 90, CBS, 1957; "Black Angel," Lux VideoTheatre, NBC, 1957; "Avalanche at Devil's Pass," Climax, CBS, 1957; "End of Violence," Suspicion, NBC, 1958; Riverboat, NBC, 1959.

Mr. Hadley, The Adventurers, Paramount, 1970; Captain O'Connor, La dalle Ardenne all'inferno (also known as Dirty Heroes], Golden Eagle, 1971; Jacob Kagan, Habricha el hashemesh (also known as Escape to the Sun and Nietf), Cinevision, 1972; the director, The House of Seven Corpses, International Amusements, 1974; Mr. Milton, // letto in piazza (also known as Sex-Diary), Americine, 1975; Lieutenant Nulty, Farewell, My Lovely, AVCO-Embassy, 1975; Sheriff H. "Duke" Bingham, Tender Flesh (also known as Welcome to Arrow Beach), Warner Brothers, 1976; Dwight McGowan, The Swiss Conspiracy, Warner Brothers/S.J. International, 1976; Clift, Salon Kitty (also known as Madam Kitty), Trans American/American International, 1976; Sheriff Bub/High Priest, Satan's Cheerleaders, World Amusements, 1977; Tony Santore, Love and the Midnight Auto Supply, Producers Capitol, 1978; captain, Tomorrow Never Comes, Rank, 1978; Lucas Johnson, Delta Fox, Sebastian International, 1979; judge, Bordello, Prism Entertainment, 1979; Senator Smedley, The Shape of Things to Come (also known as H.G. Wells' "The Shape of Things to Come"), Film Ventures International, 1979. David Cole, Guyana, Cult of the Damned (also known as Guyana: El crimen del siglo and Guyana, Crime of the Century), Universal, 1980; Hank Walden, The Incubus, Artists Releasing, 1982; priest, El tesoro del Amazones (also known as The Treasure of the Amazon), Videocine/S.A., 1985; George Adams, Thunder Run, Cannon, 1985; Brewer, Martin's Day, Metro-Goldwyn-Mayer/ United Artists, 1985; Zenas Beecham, Messenger of Death, Cannon, 1988. Also narrator, This Is Korea!, 1951; appeared in Hell's Horizon, Columbia, 1955; Day of the Nightmare, Herts-Lion, 1965; Hate for Hate (also known as Odio per odio), West Film, 1967; Caxambuf, 1967; Fidarsi e benem sparare e meglio (also known as Trusting Is Good, Shooting Is Better), 1967; Stuart, El ( 'Che" Guevara (also known as Rebel With a Cause), 1968; Una pistola per cento bare, 1968; Tutto per tutto (also known as All Out), 1968; Corri, uomo, corri (also known as Run, Man, Run), 1968; T'ammazzo! Raccomandanti a Dio (also known as / Kill You and Commend You to God), 1968; Quel caldo maleditto giorno di fuoco (also known as That Damned Hot Day of Fire), 1968; Once Upon a Time in the West, Paramount, 1969; Quanta costa morire (also known as The Cost of Dying), 1969; Gli insaziabili (also known as Femmine insaziabili and Carnal Circuit), 1969; Zenabel, 1969.

"Close Set," Ford Star Time, NBC, 1960; Asphalt Jungle, ABC, 1961; "Papa Benjamin," Thriller, NBC, 1961; The Cheaters, syndicated, 1961; "Obituary for Mr. 'X'," Dick Powell Theatre, NBC, 1962; "The Matched Pearl," Alfred Hitchcock Theatre, NBC, 1962; Rawhide, CBS, 1962; "A Hero for Our Times, "Kraft Suspense Theatre, NBC, 1963; Mr. Broadway, CBS, 1964; Burke's Law, ABC, 1965; Branded, NBC, 1965 and 1966; Shenandoah, ABC, 1966; The Man Who Never Was, ABC, 1966; Gunsmoke, CBS, 1966 and 1967; Bonanza, NBC, 1967; Daniel Boone, NBC, 1967; The Iron Horse, ABC, 1967; The Name of the Game, NBC, 1969; Men from Shiloh, NBC, 1970; "Creatures of the Canyon," GhostStory, NBC, 1972;Mission:Impossible, CBS, \912;Khan!, CBS, 1975-PoliceStory, NBC, 1975; Quest, NBC, 1976;Beverly Hills Buntz, NBC, 1988; Sheriff Evers, Quincy, M.E., NBC. Movies: Bruno Walters, The Girl on the Late, Late Show, NBC, 1974; Lieutenant Gifford, The Phantom of Hollywood, CBS, 1974; George Hunter, The Courage ofKavik, the Wolf Dog (also known as Kavik the Wolf Dog}, NBC, 1980; John Huston, Marilyn: The Untold Story, ABC, 1980; Jonathan Aaron Cartwright, Bonanza: The Next Generation, syndicated, 1988; Walter Haslitt, Perry Mason: The Case of the Lady in the Lake, NBC, 1988; also Crossbar, CBS, 1979; The Last Tycoon, BBC. Specials: When the West Was Fun: A Western Reunion, ABC, 1979.

The Challenge of the Mackennas, 1970; Der Wuger Kommt auf Leisen Socken (also known as The Strangler of Vienna and The Mad Butcher), 1972; Died bianchi uccidi da un piccolo Indiano (also known as Ten Whites Killed by One Little Indian), 1974; Lafurie du desir, 1975; Noi non siamo angeli (also known as We're No Angels), 1975; Quel pomeriggio maledetto (also known as The Perfect Killer), JPT and Metheus/Prism Entertainment, 1977; Maniac! (also known as Assault on Paradise and The Town That Cried Terror), New World, 1977; Kino, the Padre on Horseback, Key International, 1977; On the Air Live with Captain Midnight (also known as Captain Midnight), Sebastian International, 1979; Garden of Venus, 1981; Miami Golem, Uniexport, 1986.

NON-RELATED CAREER—Professional swimmer. WRITINGS: Lyricist, "No Head on My Pillow" (song). AWARDS: Academy Award nomination, Best Supporting Actor, 1949, for All the King's Men. MEMBER: Screen Actors Guild, Actors' Equity Association, Directors Guild of America, Writers Guild of America.

PRINCIPAL FILM WORK—Producer and director (with Lee Garmes), Hannah Lee (also known as Outlaw Territory), Broder, 1953; director (with Edward Sampson), The Fast and the Furious, American Releasing, 1954.

SIDELIGHTS: RECREATIONS—Painting, swimming, tennis, reading, and writing. ADDRESSES: AGENT—Burton Moss Agency, 113 N. San Vicente Boulevard, Suite 202, Beverly Hills, CA 90211.*

TELEVISION DEBUT—"Confession," Philco Television Play216

IVEY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

IRVIN, John

1940-

PERSONAL: Born May 7, 1940, in England. VOCATION: Director. CAREER: FIRST FILM WORK—Director, Gala Day (documentary). PRINCIPAL FILM WORK—Director: The Dogs of War, United Artists, 1980; Ghost Story, Universal, 1981; Champions, Embassy, \984\Turtle Diary, Samuel Goldwyn, 1985; Raw Deal, DeLaurentiis Entertainment Group, 1986; Hamburger Hill, Paramount, 1987; Next of Kin, Warner Brothers, 1989. PRINCIPAL TELEVISION WORK—Series: Broadcast operations, It's Back to School, syndicated, 1987—. Mini-Series: Director, Tinker, Tailor, Soldier, Spy, PBS, 1980. Specials: Director, "Hard Times," Great Performances, PBS, 1977; director, "Possessions," Childhood, Granada, then Great Performances, PBS, 1977. RELATED CAREER—Worked in the cutting room at Rank Film studios. ADDRESSES: AGENT—Jim Wiatt, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

IVEY, Judith

1951-

JUDITH IVEY

PERSONAL: Born September 4, 1951, in El Paso, TX; daughter of Nathan Aldean (a college president) and Dorothy Lee (a teacher; maiden name, Lewis) Ivey; married Tim Braine (a producer and television executive), May 14, 1989. EDUCATION—Illinois State University, B.S., 1973. RELIGION—Roman Catholic.

Bea, Precious Sons, Longacre Theatre, New York City, 1986; Ruth, Blithe Spirit, Morris Mechanic Theatre, Baltimore, MD, then Neil Simon Theatre, New York City, both 1987. Also appeared in The Philanthropist, Goodman Theatre Center, 1974; Mourning Becomes Electra, Goodman Theatre Center, 1975; Statues and The Bridge at Belharbour (double-bill), Goodman Theatre Center, 1976; Design for Living, Don Juan, and The Sport of My Mad Mother, all Goodman Theatre Center, 1976-77; Much Ado About Nothing, Goodman Theatre Center, 1977; Whose Life Is It Anyway?, Folger Theatre Group, Washington, DC, 1978; The Dumping Ground, Ensemble Studio Theatre, New York City, 1981; Much Ado About Nothing, McCarter Theatre Company, Princeton, NJ.

VOCATION: Actress. CAREER: STAGE DEBUT—Jilly, The Sea, Goodman Theatre Center, Chicago, IL, 1974. BROADWAY DEBUT—Kate, Bedroom Farce, Brooks Atkinson Theatre, 1979, for one hundred forty performances. PRINCIPAL STAGE APPEARANCES—Shirley, The Goodbye People, Jean, TheMoundbuilders, and various roles, Oh, Coward!, all Evanston Theatre Company, Evanston, IL, 1911-IS', Margaret, Much Ado About Nothing, American Shakespeare Festival, Philadelphia, PA, 1978; Gilda, Design for Living, Arena Stage, Washington, DC, 1979.

FILM DEBUT—Sally, Harry and Son, Orion, 1984. PRINCIPAL FILM APPEARANCES—Iris, The Lonely Guy, Universal, 1984; Didi, The Woman in Red, Orion, 1984; Nancy Miller, Compromising Positions, Paramount, 1985; Blanche, Brighton Beach Memoirs, Universal, 1986; Zelda, Hello Again, Buena Vista, 1987; Charlotte Bonnard, Sister, Sister, New World, 1988; Frances, Miles from Home, Cinecom International/Norstar Releasing, 1988.

Kathleen Herlihy, Sunday Runners in the Rain and woman in overalls, Girls, Girls, Girls, both New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1980; Fish, Dusa, Fish, Stas, and Vi, Manhattan Theatre Club, New York City, 1980; Piaf and Madeleine, Piaf, Plymouth Theatre, New York City, 1981; Evelyn, The Rimers of Eldritch, La Mama Experimental Theatre Club, New York City, 1981; Melanie, Pastorale, Second Stage Theatre, New York City, 1982; Eileen, Two Small Bodies, Production Company, Theatre Guinevere, New York City, then Matrix Theatre, Los Angeles, both 1982; Joyce, Jazz Poets at the Grotto and Kathy, Second Lady, both Production Company, Theatre Guinevere, 1983; Josie, Steaming, Brooks Atkinson Theatre, New York City, 1983; Bonnie, Hurlyburly, Goodman Theatre Center, Chicago, IL, 1983, then Promenade Theatre, New York City, later Ethel Barrymore Theatre, New York City, both 1984.

TELEVISION DEBUT—Louise, "The Shady Hill Kidnapping," American Playhouse, PBS, 1982. PRINCIPAL TELEVISION APPEARANCES—Movies: Sister Margaret, Dixie: Changing Habits, CBS, 1983; Noel Varner, The Long, Hot Summer, NBC, 1985; Sister Brenda Hayes, We Are the Children, ABC, 1987. AWARDS: Joseph Jefferson Award nomination, 1978, for The Goodbye People; Drama-Logue Award, 1982, for Two Small Bodies; Antoinette Perry Award, Best Featured Actress in a Play, Drama Critics' Award, and Drama-Logue Award, all 1983, for 217

IVEY CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Steaming; Antoinette Perry Award, Best Featured Actress in a Play, and Drama Desk Award, both 1985, for Hurlyburly. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, National Organization for Women, American Society for the Prevention of Cruelty to Animals. ADDRESSES: AGENT—Nicole David, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

218

J JACKSON, Sherry

1942-

1975. Specials: Joanna, "The Story of Daniel in the Lion's Den," Greatest Heroes of the Bible, NBC, 1978.*

PERSONAL: Born in 1942 in Wendell, ID. VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Jane at age six, You're My Everything, Twentieth Century-Fox, 1949; Amelia, The Breaking Point, Warner Brothers, 1950; Susie, Covered Wagon Raid, Republic, 1950; girl, Louisa, Universal, 1950; Susie Kettle, Ma and Pa Kettle Go to Town (also known as Going to Town), Universal, 1950; girl in iron lung, Where Danger Lives, RKO, 1950; Musetta as a child, The Great Caruso, Metro-GoldwynMayer (MGM), 1951; little Italian girl, Hello God, Flynn, 1951; Annie Ridd as a child, Lorna Doone, Columbia, 1951; Ruthie Reed, When I Grow Up, Eagle-Lion, 1951; Jenny, The Lion and the Horse, Warner Brothers, 1952; Susie Kettle, Ma and Pa at the Fair, Universal, 1952; Jacinta Marto, The Miracle of Our Lady of Fatima (also known as The Miracle ofFatima), Warner Brothers, 1952; child, Something to Live For, Paramount, 1952; Susan Halleck, This Woman Is Dangerous, Warner Brothers, 1952; Susie Kettle, Ma and Pa Kettle on Vacation (also known as Ma and Pa Kettle Go to Paris), Universal, 1953; Carole Williams, Trouble Along the Way, Warner Brothers, 1953; Annie, Come Next Spring, Republic, 1956; Mary Jane, The Adventures of Huckleberry Finn, MGM, 1960; young Evelyn, A Modern Marriage (also known as Frigid Wife), Monogram, 1962; Lee Sullivan, Wild on the Beach, Twentieth Century-Fox, 1965; Samantha, Gunn, Paramount, 1967; Connie Logan, The Mini-Skirt Mob, American International, 1968; Mona, The Monitors, Commonwealth United Entertainment, 1969; Jennifer Randall, Bare Knuckles, Intercontinental Releasing, 1978. Also appeared in Cotter, 1972; The Curse of the Moon Child, 1972; Stingray, AVCO-Embassy, 1978.

JAFFREY, Saeed

1929-

PERSONAL: Born in 1929 in Maler Kotla, India; father, in the Indian Medical Service; wife's name, Madhur (an actress), 1957 (divorced); children: three. EDUCATION—Received M. A. in history from the University of Allahabad; also attended Catholic University, 1956-57; graduated from the Staff Training School, All India Radio; studied acting at the Royal Academy of Dramatic Art, 1956; and with Lee Strasberg and Elia Kazan at the Actors' Studio. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Poet, The Eagle Has Two Heads, Unity Theatre, New Delhi, India, 1954; father, Blood Wedding, Actors Playhouse, New York City, 1958; Professor Godbole, A Passage to India, Ambassador Theatre, New York City, 1962; merchant, "From India: A Prologue" and Haiku reader, "From Japan: Kendo," in A Tenth of an Inch Makes the Difference, East End Theatre, New York City, 1962; Chief Kim Bong Choy, Nathan Weinstein, Mystic, Connecticut, Brooks Atkinson Theatre, New York City, 1966; Osman, Captain Brassbound's Conversion, Cambridge Theatre, London, 1971. Also appeared in Othello, The Firstborn, A Phoenix Too Frequent, Under Milk Wood, Auto-Da-Fe, The Importance of Being Earnest, The Cocktail Party, and Le Bourgeois Gentilhomme, all Unity Theatre, New Delhi, India, 1951-56; Twelfth Night, Equity Library Theatre, New York City, 1960; King of the Dark Chamber, Jan Hus House, New York City, 1961; India: A Dancer's Pilgrimage, Kaufman Concert Hall, New York City, \96\\Rashoman, The Little World of Don Camillo, Bus Stop, Rain, A Thurber Carnival, Witness for the Prosecution, Teahouse of the August Moon, and The Little Hut, all summer theatre productions, 1958-64; The Private Life of the Master Race and The Harmfulness of Tobacco, both New York Public Library, New York City; The Physician in Spite of Himself, Theatre-in-the-Street Group, New York City; Tagore Suite, Jacob's Pillow, 92nd Street Y, Cooper Union; Kindly Monkeys, Arts Theatre, London; A Touch of Brightness, Royal Court Theatre, London; The Mother Country, Riverside Theatre, London.

PRINCIPAL TELEVISION APPEARANCES—Series: Terry Williams, The Danny Thomas Show (also known as Make Room for Daddy), ABC, 1953-57, then CBS, 1957-58. Pilots: Alice Watson, Come a Running, CBS, 1963; Kate Valentine, Enigma, CBS, 1977; title role, Brenda Starr, Reporter, syndicated, 1979; Jennifer, Casino, ABC, 1980. Episodic: Comfort Gatewood, "The Last Rites of Jeff Myrtlebank," The Twilight Zone, CBS, 1962; Andrea, "What Are Little Girls Made Of?," Star Trek, NBC, 1966; Terry Johnson, Make Room for Granddaddy, ABC, 1970; also LostinSpace, CBS, 1965; "Death in Slow Motion" and "The Riddler's False Notion," Batman, ABC, 1966; The Incredible Hulk, CBS, 1978; voice characterization, Jeannie (animated), CBS; Alice, CBS; Love, American Style, ABC; GomerPyle, U.S.M.C., CBS; Bringing Up Buddy, CBS; The Many Loves of Dobie Gillis, CBS; My Three Sons. Movies: Nancy Delacourt, Wild Women, ABC, 1970; Pat Clauson, The Girl on the Late, Late Show, NBC, 1974; Stefanie, Hitchhike!, ABC, 1974; Marie Deny, Returning Home, ABC,

PRINCIPAL STAGE WORK—Director, Under Milk Wood and King of the Dark Chamber, both Unity Theatre, Delhi, India. MAJOR TOURS—Friar Lawrence, Romeo and Juliet and Gremio, The Taming of the Shrew, both Players Inc. Repertory Company,

219

JAMES

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

U.S. cities, 1957-58; ensemble, Brecht on Brecht (revue), American National Theatre and Academy, U.S. cities, 1963.

AWARDS: Best Travel Advertisement citation from British Advertising Magazines, 1960.

PRINCIPAL FILM APPEARANCES—Murad, The Guru, Twentieth Century-Fox, 1969; district chief, The Horsemen, Columbia, 1971; Billy Fish, The Man Who Would Be King, Allied Artists, 1975; Dr. Anil Mukerjee, The Wilby Conspiracy, United Artists, 1975; Mir Roshan Ali, Shatranj ke khilari (also known as The Chess Players), Connoisseur, 1977, released in the United States by Creative Films, 1978; Sri Narain, Hullabaloo Over Georgie and Bonnie's Pictures, Contemporary, 1979; Selim, Sphinx, Warner Brothers, 1981; Sardar Patel, Gandhi, Columbia, 1982; Actor, The Courtesans of Bombay (documentary), Enterprise/New Yorker/Cinecom International, 1982; narrator, Pandit Nehru (also known as Jawaharlal Nehru; documentary), National Film Development Corporation, 1982; Hamidullah, A Passage to India, Columbia, 1984; Raaz, The Razor's Edge, Columbia, 1984; Nasser, My Beautiful Laundrette, Orion, 1986; Hussein, The Deceivers, Cinecom, 1988; Mr. Patel, Just Ask for Diamond (also known as The Falcon's Malteser}, Twentieth Century-Fox/Kings Road Entertaiment, 1988; Saeed, Partition, Jane Balfour Films, 1988. Also appeared inMandi (also known as Marketplace), 1983;Jalwa, \9Sl\Tamas, Blaze, 1987; Manika (also known as Manika: Une vie plus tard, Manika: The Girl Who Lived Twice, Manika Manika, and Une Passerelle sur le Gange), Films du Scorpion/Twentieth Century-Fox/Manley, 1988.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. ADDRESSES: AGENT—Crouch Associates, 59 Frith Street, London Wl, England.*

JAMES, Geraldine

1950-

PERSONAL: Born July 6, 1950, in Maidenhead, England; father, a cardiologist. EDUCATION—Studied acting at the London Drama Center. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Dr. Helga Von Zandt, The Passion ofDracula, Queen's Theatre, London, 1978; Imogen, Cymbeline, National Theatre, London, 1988; Portia, The Merchant of Venice, Phoenix Theatre, London, 1989, then 46th Street Theatre, New York City, 1989-90. Also appeared as Jessica, The Merchant of Venice, Coventry, U.K., 1979; in When I Was a Girl, I Used to Scream and Shout, Whitehall Theatre, London; A Betrothal, Man in the Moon Theatre, London; Miss Julie, The Corn Is Green, The Miracle Worker, Arms and the Man, The Entertain-

PRINCIPAL TELEVISION APPEARANCES—Series: The Sun Rises in the East, 1972; Rafiq, Gangsters, BBC; Tandoori Nights, Channel Four. Mini-Series: Biju, The Far Pavilions, HBO, 1984; Nawab, The Jewel in the Crown, Granada, then Masterpiece Theatre, PBS, 1984. Episodic: Armstrong Circle Theatre, CBS; The Jack Benny Show, CBS; The Nurses, CBS; The Defenders, CBS; Camera Three, CBS; CBS Workshop, CBS; File Seven, Movies: Taj, The Last Giraffe, CBS, 1979. Specials: Frank Bhoolabhoy, Staying On, Granada, then Great Performances, PBS, 1981. Also appeared as Musquat Singh, A Killing on the Exchange, Anglia Television; in A Passage to India, BBC; and in The Lion of the Punjab. PRINCIPAL RADIO APPEARANCES—Series: Reflections of India, WQXR (New York City), 1961-62. Specials: All Indian roles, The Pump, BBC, 1973. Also disk-jockey, newscaster, and actor, All India Radio, 1951-56; United Nations Radio, 1958-60. PRINCIPAL RADIO WORK—Series: Producer, Reflections of India, WQXR, 1961-62. RELATED CAREER—Founder, Unity Theatre, New Delhi, India, 1951-56; director, All India Radio, 1951-56, also public relations director, 1955-56; program manager, director, interviewer, and actor for India's first television station, 1955-56; director of publicity and advertising, Government of India Tourist Office, United States, 1958-60; member, Actors' Studio, New York City, 1958—; advertising copywriter; actor in television and radio commercials; appeared in print advertisements; cartoonist for New York Mirror and Delhi Times. WRITINGS: RADIO—Series: Reflections of India, WQXR, 196162. Also staff writer, All India Radio, 1951-56. RECORDINGS: ALBUMS—Readings of Asian poems, Adventures in Appreciation.

GERALDINE JAMES

220

CONTEMPORARY

JOHNSON

THEATRE, FILM, AND TELEVISION • Volume 8

er, The White Devil, and Othello, all in repertory productions at Chester, Exeter, Coventry, and Oxford, U.K.; If Five Years Pass and Grandma's Faust, both in London; and at the Second World Arts Festival, Lagos, Nigeria. PRINCIPAL FILM APPEARANCES—Ritchie's wife, Bloody Kids, Palace/British Film Institute, 1979; Pamela, Sweet William, World Northal, 1980; Mirabehn, Gandhi, Columbia, 1982; Harriet Ambrose, She's Been Away, Sales Company/BBC Enterprises, 1989; Mrs. Brisket, The Wolves of Willoughby Chase, Zenith, 1989; Carmen, The Tall Guy (also known as The Tall Guys), Vestron/Virgin Vision, 1989; also appeared in The Storm. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Sarah Lay ton, The Jewel in the Crown, Granada, then Masterpiece Theatre, PBS, 1984; Lady Maud Lynchwood, Blott on the Landscape, BBC, then Arts and Entertainment, 1986; Angela O'Hara, Echoes, Channel Four, 1988, then Arts and Entertainment, 1989. Movies: Krista Conner, Freedom Fighter (also known as Wall of Tyranny), NBC, 1987. Specials: Who' Who, BBC-2, 1982. Also appeared in Dummy, 1977; Night Cruiser, 1980; / Remember Nelson, 1981; and Love Among the Artists, The History Man, and Time and the Conways. RELATED CAREER—Dresser, Royal Shakespeare Company, Stratford-on-Avon, U.K., and London. AWARDS: Best Actress Award from the Venice Film Festival, 1989, for She's Been Away. ADDRESSES: AGENTS—Sam Cohn, International Creative Management, 40 W. 57th Street, New York, NY 10019; Julian Belfrage Associates, 60 St. James's Street, London SW1, England.

JOHN JAMES

Parade, NBC, 1986; Philadelphia Thanksgiving Day Parade, Lifetime, 1987; The Second Annual Star Spangled Celebration, ABC, 1988; One Day in America, syndicated, 1989.

JAMES, John

1956RELATED CAREER—Actor in stage productions in New York City and in television commercials; spokesperson for Great American Savings in California; national spokesperson for Farah Clothing; also singer and songwriter.

PERSONAL: Born April 18, 1956, in Minneapolis, MN; son of Herb Oscar Anderson (a radio personality); mother, a film editor. EDUCATION—Studied acting at the American Academy of Dramatic Arts and with Richard Adelman, Doug Taylor, and Barbara Baxley.

AWARDS: Received the Belding Award as spokesperson for Great American Savings; Golden Globe nomination for Dynasty.

VOCATION: Actor. SIDELIGHTS: RECREATIONS—Tennis, skiing, traveling, scuba diving, horseback riding, trap shooting, and playing the guitar.

CAREER: STAGE DEBUT—Don Baxter, Butterflies Are Free, Tiffany's Attic Theatre, Kansas City, MO, 1978, for eighty performances. PRINCIPAL STAGE APPEARANCES—They're Playing Our Song, Hirschfeld Theatre, Miami, FL, 1989; also appeared in Social Security, Cherry County Playhouse.

ADDRESSES: AGENT—Badgley and Connor, 9229 Sunset Boulevard, Los Angeles, CA 90069.

MAJOR TOURS—Chuck Baxter, Promises, Promises, U.S. cities. PRINCIPAL FILM APPEARANCES—Man in stands, Back to School, Orion, 1986.

JOHNSON, Chas. Floyd

PRINCIPAL TELEVISION APPEARANCES—Series: Tom Bergman, Search for Tomorrow, CBS, 1977-78; Jeff Colby, Dynasty, ABC, 1981-85, then 1987-89; Jeff Colby, The Colbys, ABC, 1985-87. Movies: Ted Barnes, He's Not Your Son, CBS, 1984; Eric Beckett, Haunted By Her Past, NBC, 1987. Specials: Battle of the Network Stars, ABC, 1980, 1982, and 1983; Macy's Thanksgiving Day

PERSONAL: Born Charles Johnson, February 12, in Camden, NJ; son of Orange Maull (a real property officer) and Bertha Ellen (a school principal; maiden name, Seagers) Johnson; married Sandra Brashears, June 5, 1967 (divorced, 1971); married Anne Burford (a television production executive), June 18, 1983; children: Kristin Suzanne. EDUCATION—Attended the University of Delaware, 221

JONES

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

1960-61; Howard University, B.A., political science, 1962; Howard University Law School, J.D., 1965. POLITICS—Democrat. RELIGION—Methodist. MILITARY—U.S. Army, Judge Advocate General's Corps, specialist fifth class, 1965-67.

Award nominations, 1983 and 1984, for Magnum, P.I.; Outstanding Alumnus Award from Howard University, 1985. MILITARY HONORS—U.S. Army Commendation Medal, 1968. MEMBER: Screen Actors Guild, Producers Guild of America, Writers Guild of America—West, American Federation of Television and Radio Artists, National Academy of Television Arts and Sciences, American Film Institute, Omega Psi Phi.

VOCATION: Actor, producer, and writer. CAREER: Also see WRITINGS below. STAGE DEBUT—Focus on Blacks in American Theatre, Back Alley Theatre, Washington, DC, 1967, for thirty performances. PRINCIPAL STAGE APPEARANCES—Alton Scales, The Sign in Sidney Brustein's Window, Theatre Lobby, Washington, DC, 1967; Bernard, The Boys in the Band, Morgan Theatre, Santa Monica, CA, 1972; lieutenant, The Drumhead, Merle Oberon Theatre, Los Angeles, 1974.

ADDRESSES: OFFICE—c/o Glen A. Larson Productions, Universal Television, 100 Universal City Plaza, Universal City, CA 91608. AGENT—McCartt, Oreck, and Barrett, 10390 Santa Monica Boulevard, Suite 310, Los Angeles, CA 90025.

TELEVISION DEBUT—Leroy, Toma, ABC, 1973. PRINCIPAL TELEVISION APPEARANCES—Episodic: Corporal, The Six Million Dollar Man, ABC, 1973; police officer, Kojak, CBS, 1974. Specials: Voices of Our People. . . In Celebration of Black Poetry, PBS, 1982.

JONES, Jeffrey

1947-

PERSONAL: Full name, Jeffrey Duncan Jones; born September 28, 1947, in Buffalo, NY; son of Douglas Bennett and Ruth (an art historian; maiden name, Schooley) Jones. EDUCATION—Lawrence University, B.A., 1968; trained for the stage at the London Academy of Music and Dramatic Arts.

PRINCIPAL TELEVISION WORK—Series: Associate producer, then producer, later co-executive producer, The Rockford Files, NBC, 1974-80; producer (with Geoffrey Fischer), Bret Maverick, NBC, 1981-82; producer (with Richard Chapman), Simon and Simon, CBS, 1982-83; producer, Magnum, P.I., CBS, 1982-84, then supervising producer, 1985-86, later co-executive producer, 198788; co-executive producer, B.L. Stryker, ABC, 1989—. Pilots: Producer, Hellinger's Law, CBS, 1981; producer (with Nick Thiel and Reuben Leder), The Return of Luther Gillis, CBS, 1984. Specials: Producer, Voices of Our People . . . In Celebration of Black Poetry, PBS, 1982.

VOCATION: Actor. CAREER: STAGE DEBUT—Chorus, The House ofAtreus, Tyrone Guthrie Theatre, Minneapolis, MN, 1967. LONDON DEBUT— Joseph Surface, A School for Scandal, Logan Place Theatre, 1970,

RELATED CAREER—Production coordinator, Universal Television, 1971-74, then associate producer, 1974-76, producer, 197682, supervising producer, 1982, and executive producer, 1985-87; vice-president, Communications Bridge (a media organization for minority-training in video technology), Los Angeles; founding member and vice-president, Media Forum. NON-RELATED CAREER—Attorney, Howard Berg Law Offices, Wilmington, DE, 1965; Courts and Boards defense counsel, U.S. Army, 1965-67; attorney, U.S. Copyright Office, Washington, DC, 1967-70; member of the American delegation, UNESCO International Copyright Conference, Paris, France, 1970; attorney, Swedish Ministry of Justice, Stockholm, Sweden, 1970. WRITINGS: TELEVISION—Episodic: "The Deep Blue Sleep," The Rockford Files, NBC, 1975; "The Prisoner of Rosemont Avenue," The Rockford Files, NBC, 1976; "Paradise Blues," Magnum, P.I., CBS, 1984; "Photoplay," Magnum, P./., CBS, 1985. Specials: Voices of Our People . . . In Celebration of Black Poetry, PBS, 1982. OTHER—The Origins of the Stockholm Protocol, U.S. Copyright Society, 1970. AWARDS: Emmy Award, Outstanding Drama Series, 1978, for The Rockford Files; Alumni Achievement Award from Stony Brook College Preparatory School, 1979; Emmy Award nominations, Outstanding Drama Series, 1979 and 1980, for The Rockford Files; Los Angeles Area Emmy Award, Best Entertainment Special, 1981, for Voices of Our People . . . In Celebration of Black Poetry; Outstanding Alumnus Award from the Howard University Alumni Club of Southern California, 1982; Commendations from the California State Legislature, the California State Senate, the City of Los Angeles, and the Hawaii State Senate, all 1982; Emmy

JEFFREY JONES

222

CONTEMPORARY

JONES

THEATRE, FILM, AND TELEVISION • Volume 8

1988; Eliot Draisen, Who's Harry Crumb?, Tri-Star, 1989; Gercourt, Valmont, Orion, 1989.

for six performances. OFF-BROADWAY DEBUT—(As Jeffrey Duncan Jones) Limester, Lotta, New York Shakespeare Festival, Public Theatre, 1973, for sixty performances. PRINCIPAL STAGE APPEARANCES—Watch, Much Ado About Nothing, third murderer and messenger, Macbeth, officer, The Duchess of Malfi, and guide, Volpone, all Stratford Shakespeare Festival, Festival Stage, Stratford, ON, Canada, 1971; Crookfinger Jake, The Threepenny Opera, Stratford Shakespeare Festival, Avon Stage, 1972; (as Jeffrey Duncan Jones) Francisco, The Tempest, New York Shakespeare Festival (NYSF), Mitzi E. Newhouse Theatre, New York City, 1974; Ivan, Carmilla, Kerry, Noon, Baron Frank, Frankenstein, Matt, The Threepenny Opera, title role, The Real Inspector Hound, Feraillon, A Flea in Her Ear, Merlie, The Ballad of the Sad Cafe, and Sarge, Female Transport, all Actors Theatre of Louisville, Louisville, KY, 1974-75; Captain DeFoenix, Trelawney of the Wells, NYSF, Vivian Beaumont Theatre, New York City, 1975; Dr. Pinch, The Comedy of Errors, NYSF, Delacorte Theatre, New York City, 1975; Randall Underwood, Heartbreak House, Arena Stage, Washington, DC, 1975; Roy, Scribes, Phoenix Theatre, Mary mount Manhattan Theatre, New York City, 1976; Sergeant Wilson, Secret Service and Major Thompson, Boy Meets Girl, both Phoenix Theatre, Playhouse Theatre, New York City, 1976; Giles Ralston, The Mousetrap, Seattle Repertory Theatre, Seattle, WA, 1976; Chandebise and Poche, A Flea in Her Ear, Hartford Stage Company, Hartford, CT, 1977; Carver (Leo), Design for Living, McCarter Theatre, Princeton, NJ, 1977; Tom, The Utter Glory of Morrisey Hall, McCarter Theatre, 1978; Harold, They Are Dying Out, Yale Repertory Theatre, New Haven, CT, 1979; Sherlock Holmes (understudy), The Crucifer of Blood, Booth Theatre, New York City, 1979.

TELEVISION DEBUT—Kojak, CBS, 1971. PRINCIPAL TELEVISION APPEARANCES—Series: Walter Kellogg, The People Next Door, CBS, 1989. Mini-Series: Mr. Acme, Fresno, CBS, 1986; also The Adams Chronicles, PBS, 1976. Pilots: Harry, A Fine Romance, CBS, 1983. Episodic: Sergeant Jones, "Secret Service," Theatre in America, PBS, 1977; Carl Wilkerson, "Opening Day," The Twilight Zone, CBS, 1985; John Baldwin, Amazing Stories, NBC, 1986; also Clifford Connant, Remington Steele, NBC; Ryan's Hope, ABC; One Life to Live, ABC. Movies: Budge Hollander, If Tomorrow Comes, CBS, 1986; Thomas Jefferson, George Washington II: The Forging of a Nation, CBS, 1986; Buffalo Bill, Kenny Rogers as "The Gambler" III—The Legend Continues, CBS, 1987. Specials: Voice of the Man in the Magic Mirror, Disney's DTV Monster Hits (animated), NBC, 1987. AWARDS: Tyrone Guthrie Award, 1971. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. ADDRESSES: AGENT—Marilyn Szatmary, J. Michael Bloom, 9200 Sunset Boulevard, Suite 710, Los Angeles, CA 90069.

JONES, Quincy

Pinhead manager, policeman, Will, and Lord John, The Elephant Man, Booth Theatre, 1980; Clive and Edward, Cloud 9, Theatre De Lys, New York City, 1981; Karl Bodenschatz, The Death of Von Richthofen as Witnessed from Earth, NYSF, Public Theatre, 1982; Montjoy, Henry V, NYSF, Delacorte Theatre, 1984; Maurice Stapleton, Love Letters on Blue Paper, Hudson Guild Theatre, New York City, 1984; Hans Christian Anderson, Rainsnakes, Long Wharf Theatre, New Haven, CT, 1984. Also appeared in Heartbreak House, Philadelphia Drama Guild, Philadelphia, PA, 1976; as Donald, Porcelain Time, Berkshire Theatre Festival, Stockbridge, MA; Antipholus of Syracuse, The Comedy of Errors, Manitoba Theatre Centre, Winnipeg, MB, Canada; Tony Cavendish, The Royal Family and Jim, The Glass Menagerie, both American Stage Festival, Milford, NH; Raymond de Chelles, Custom of the Country, Shakespeare and Company, Lee, MA; Sarge, Female Transport, NYSF, Public Theatre; in The Merchant of Venice, Stratford Shakespeare Festival; as Sergius, Arms and the Man, Vancouver Playhouse, Vancouver, BC, Canada; and in The Shoemaker's Holiday, The Visit, Harper's Ferry, and The Second Shepherd's Play, all Tyrone Guthrie Theatre, Minneapolis, MN.

1933-

PERSONAL: Full name, Quincy Delight Jones, Jr; born March 14, 1933 (some sources say 1934), in Chicago, IL; son of Quincy Delight and Sarah Jones; married second wife, Peggy Lipton (an actress), 1974 (divorced, 1986); children: Jolie, Martina-Lisa, Quincy III (first marriage); Kidada, Rashida (second marriage). EDUCATION—Attended Seattle University, the Berklee College of Music, and studied music with Nadia Boulanger and Messiaen in Paris. VOCATION: Composer, arranger, producer, and musician. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Save the Children (documentary), Paramount, 1973; Blues for Trumpet and Koto. PRINCIPAL FILM WORK—Music director, A Dandy in Aspic, Columbia, 1968; music supervisor, Man and Boy, Levitt-Pickman, 1971; music supervisor, Come Back Charleston Blue, Warner Brothers, 1972; music supervisor, The Wiz, Universal, 1978; producer (with Steven Spielberg, Kathleen Kennedy, and Frank Marshall), The Color Purple, Warner Brothers, 1985; executive music producer, Fast Forward, Columbia, 1985; executive music producer, The Slugger's Wife, Columbia, 1985; executive music producer, Fever Pitch, Metro-Goldwyn-Mayer/United Artists, 1985. Also executive producer, Stalingrad.

MAJOR TOURS—Pinhead manager, policeman, Will, and Lord John, The Elephant Man, U.S. cities, 1979-80. FILM DEBUT—Fred, The Revolutionary, United Artists, 1970. PRINCIPAL FILM APPEARANCES—Ruteledge child, A Wedding, Twentieth Century-Fox, 1978; U.S. Assistant Secretary of Defense, The Soldier (also known as Codename: The Soldier), Embassy, 1982; Clive Barlow, Easy Money, Orion, 1983; Emperor Joseph II, Amadeus, Orion, 1984; Mayor Lepescu, Transylvania 6-5000, New World, 1985; Ed Rooney, Ferris Bueller's Day Off, Paramount, 1986; Dr. Jenning, Howard the Duck, Universal, 1986; Major Fischer, The Hanoi Hilton, Cannon, 1987; Charles, Beetlejuice, Warner Brothers, 1988; Inspector Lestrade, Without a Clue, Orion,

PRINCIPAL TELEVISION APPEARANCES—Episodic: Host, Saturday Night Live, NBC, 1990. Specials: Duke Ellington . . . We Love You Madly, CBS, 1973; Diana, CBS, 1981; Bugs Bunny/Looney Tunes All-Star 50th Anniversary, CBS, 1986; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1986; Whatta Year . . . 1986, ABC, 1986; An All-Star Celebration Honoring Martin Luther King, Jr., NBC, 1986; Mancini and Friends, PBS, 223

JONES

CONTEMPORARY

1987; All-Star Tribute to Kareem Abdul-Jabbar, NBC, 1989; "Bernstein at Seventy," Great Performances, PBS, 1989; The Songwriters Hall of Fame Twentieth Anniversary. . .The Magic of Music, CBS, 1989; The Unforgettable Nat "King' Cole, Disney Channel, 1989; Sammy Davis, Jr. 's Sixtieth Anniversary Celebration, ABC, 1990.

THEATRE, FILM, AND TELEVISION • Volume 8

Mini-Series: (With Gerald Fried) Roots, ABC, 1977. Pilots: Ironside, NBC, 1967; Split Second to an Epitaph, NBC, 1968; Killer By Night, CBS, 1972. RECORDINGS: ALBUMS—Big BandBossa Nova, Mercury, 1962; Walking in Space, A&M, 1969; Gula Matari, A&M, 1970; Smackwater Jack, A&M, 197'1; Summer in the City, A&M, 1973; Body Heat, A&M, 1974; Mellow Madness, A&M, 1975; I Heard That!!, A&M, 197'6; Quintessential Charts, Impulse, 1976; Sounds . . .and Stuff Like That, A&M, 1978; Great Wide World of Quincy Jones, Mercury, 1981; The Dude, A&M, 1981; Best of Quincy Jones, A&M, 1982; also Quincy Jones and Billy Eckstine, Mercury; You've Got It Bad Girl, A&M.

PRINCIPAL TELEVISION WORK—Series: Music director, The New Bill Cosby Show, CBS, 1972-73. Pilots: Co-executive producer, Heart and Soul, NBC, 1988; executive producer, Livin' Large, ABC, 1989. Specials: Producer and music director, Duke Ellington . . . We Love You Madly, CBS, 1973; music director, Show Business Salute to Milton Berle, NBC, 1973; music director, An All-Star Celebration Honoring Martin Luther King, Jr., NBC, 1986.

WRITINGS: All as composer. PILM—Pojken i tradet (also known as The Boy in the Tree), 1964; The Pawnbroker, Landau/Allied Artists/American International, 1965; The Slender Thread, Paramount, 1965; Walk Don't Run, Columbia, 1966; (contributor) Made in Paris, Metro-Goldwyn-Mayer (MGM), 1966; Banning, Universal, 1967; The Deadly Affair, Columbia, 1967'; Enter Laughing, Columbia, 1967; In Cold Blood, Columbia, 1967; In the Heat of the Night, United Artists, 1967; Mirage, Universal, 1968; The Counterfeit Killer, Universal, 1968; A Dandy in Aspic, Columbia, 1968; For Love of Ivy, Cinerama, 1968; The Hell with Heroes, Universal, 1968; Jigsaw, Universal, 1968; The Split, MGM, 1968; Bob and Carol and Ted and Alice, Columbia, 1969; Cactus Flower, Columbia, 1969; The Italian Job, Paramount, 1969; John and Mary, Twentieth Century-Fox, 1969; The Lost Man, Universal, 1969; Mackenna's Gold, Columbia, 1969;Eggs (short film), 1970; Of Men and Demons (short film), 1970; The Out-of-Towners, Paramount, 1970; They Call Me Mister Tibbsf, United Artists, 1970; Up Your Teddy Bear (also known as The Toy Grabbers and Mother), Geneni/Richard, 1970; The Last of the Mobile Hotshots (also known as Blood Kin), Warner Brothers, 1970; The Anderson Tapes, Columbia, 1971; Brother John, Columbia, 1971; Honky, Jack H. Harris, 1971; $ (Dollars) (also known as The Heist), Columbia, 1971; (with Donny Hathaway) Come Back Charleston Blue, Warner Brothers, 1972; The Getaway, National General, 1972; The Hot Rock (also known as How to Steal a Diamond in Four Easy Lessons), Twentieth Century-Fox, 1972; The New Centurions (also known as Precinct 45: Los Angeles Police), Columbia, 1972; Mother, Jugs, and Speed, Twentieth Century-Fox, 1976; The Wiz, Universal, 1978; The Color Purple, Warner Brothers, 1985; (with Thomas Dolby) Fever Pitch, Metro-Goldwyn-Mayer/United Artists, 1985; also Blues for Trumpet and Koto.

AWARDS: Grammy Award, Best Instrumental Arrangement, 1963, for "I Can't Stop Loving You" by Count Basie; Academy Award nomination, Best Song, 1967, for "The Eyes of Love" from Banning; Academy Award nomination, Best Original Music Score, 1967, for/rc Cold Blood; Academy Award nomination, Best Music (Song), 1968, for the title song from For Love of Ivy; Grammy Award, Best Instrumental Jazz Performance (Large Group or Soloist with Large Group), 1969, for Walking in Space; Grammy Award, Best Pop Instrumental Performance, 1971, for Smackwater Jack; Grammy Award, Best Instrumental Arrangement, 1973, for Summer in the City; Gold Record Award from the Recording Industry Association of America, 1974, for Body Heat; Emmy Award, Best Music Composition, 1977, for Roots; Grammy Award, Best R&B Performance By a Duo or Group with Vocal, 1981, for The Dude; Grammy Award (as producer), Best Cast Show Album, 1981, for Lena Home: The Lady and Her Music Live on Broadway; Grammy Award (with Johnny Mandel), Best Arrangement on an Instrumental Recording, 1981, for " Velas" from The Dude; Grammy Award (with Jerry Hey), Best Instrumental Arrangement Accompanying Vocal(s), 1981, for "Ai No Corrida" from The Dude; Grammy Award, Producer of the Year, 1981; Golden Note Award from the American Society of Composers, Authors, and Publishers, 1982; Grammy Award (as producer with Michael Jackson), Record of the Year, 1983 for "Beat It" by Jackson; Grammy Award (as producer), Album of the Year, 1983, for Thriller by Jackson; Grammy Award (as producer), Best Recording for Children, 1983, for E.T. The Extra-Terrestrial; Grammy Award (with Jackson), Producer of the Year, 1983; Rolling Stone magazine Readers' Poll, Producer of the Year, 1983; Trendsetters Award from Billboard magazine, 1983; Grammy Award (with Jeremy Lubbock), Best Arrangement on an Instrumental, 1984, for "Grace (Gymnastics Theme)" from Official Music of the XXIII Olympiad in Los Angeles; Academy Award nominations, Best Picture (with Steven Spielberg, Kathleen Kennedy, and Frank Marshall) and Best Original Musical Score, both 1985, for The Color Purple; Academy Award nomination, Best Song, 1985, for "Miss Celie's Blues (Sister)" from The Color Purple; Grammy Award (as producer), Record of the Year, 1985, for "We Are the World" by USA for Africa; Grammy Award (as record producer), Best Music Video (Short Form), 1985, for We Are the World—The Video Event; Humanitarian Award from the T.J. Martell Foundation 1986; French Legion of Honor, 1990; Downbeat magazine Critics' Poll Award; Downbeat magazine Readers' Poll Award; Antonio Carlos Jobim Award; German Jazz Federation Award; Edison International Award of Sweden. HONORARY DEGREES—Berklee College of Music.

TELEVISION—Series: Hey Landlord, NBC, 1966-67; The Bill Cosby Show, NBC, 1969-71; The New Bill Cosby Show, CBS, 1972-73; Sanford and Son, NBC, 1972-77; Sanford Arms, NBC, 1977; (theme music) The Oprah Winfrey Show, syndicated, 1989.

ADDRESSES: OFFICE—Quincy Jones Productions, 7250 Beverly Boulevard, Los Angeles, CA 90036. AGENT—Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

RELATED CAREER—Trumpeter and music arranger, Lionel Hampton Orchestra, 1950-53; music director and trumpeter, Dizzy Gillespie's Orchestra, 1956; music director, Mercury Records, 1961, then vice-president in charge of artists and repertory, 1964; founder, Qwest Records, 1981; music arranger, Disques Barclay, Paris, France; music arranger for Ray Anthony, Tony Bennett, Count Basie, Ray Charles, Peggy Lee, Johnny Mathis, Frank Sinatra, Sarah Vaughan, Dinah Washington, Andy Williams, and others; record producer for Patti Austin, George Benson, Brook Benton, Billy Eckstine, Aretha Franklin, Lesley Gore, Lena Home, James Ingram, Michael Jackson, Al Jarreau, the Brothers Johnson, Little Richard, Rufus, Rod Temperton, USA for Africa, and others.

224

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 JOSEPHSON JONGEJANS, George See GAYNES, George

JOSEPHS, Wilfred

Weekend Television, then syndicated, 1984; Pope John Paul II, CBS, 1984. Also A Voyage 'round My Father, The Beast in the Jungle, The Fosters, and Pitchi Poi, all 1969; Sweeney Todd, The Warmonger, and Doc—Shadow of Progress, all 1970; Cider with Rosie, 197172; Cherie, 1974; A Provincial Lady and Making Faces, both 1975; The Inventing of America, BBC, then NBC, 1975; The House of Bernarda Alba, 1976; The Parenthood Game, 1977; The Moles, both 1982; The Atom Spies, A Case of Cruelty to Prawns, Stage Equus—the Ballet, Fanfare for Young Musicians, Carpathian Eagle, and Churchill and the Generals, all 1979-80; The Gay Lord Quex, BBC, 1983-85; A Crack in the Ice, 1983-85; People Like Us; A Walk in the Dark; The Appointment (television opera); Redbrick; Evil; Jumping the Queue.

1927-

PERSONAL: Born July 24, 1927, in Newcastle-upon-Tyne, England; son of Philip and Rachel (Block) Josephs; married Valerie Wisbey, 1956; children: two daughters. EDUCATION—Attended the University of Durham at Newcastle and the Guildhall School of Music; studied composition in Paris with Max Deutsch as a Leverhulme Scholar. MILITARY—British Army, 1951-53. VOCATION: Composer.

OTHER—Composer of symphonic, choral, and chamber music, including ten symphonies, a quartet, and a requiem.

CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Music director, Bomb in the High Street, Hemisphere, 1964.

NON-RELATED CAREER—Dentist. AWARDS: First Prize, La Scala, Milan, 1963, for Requiem; Guardian/ Arts Council Prize, 1969, for King of the Coast; Golden Mercury Award from the Venice Film Festival, 1970, for Doc—Shadow of Progress; Harriet Cohen Commonwealth Medal. HONORARY DEGREES—University of Durham at Newcastle, Doctor of Music, 1978.

WRITINGS: All as composer. STAGE—Alice Through the Looking Glass (opera), 1978; also King of the Coast (children's musical); Rebecca (opera). FILM—Cash on Demand, Columbia, 1962; The Webster Boy (also known as Middle of Nowhere), Regal, 1962; Bomb in the High Street, Hemisphere, 1964; Die, Die, My Darling (also known as Fanatic}, Columbia, 1965; Twenty-Four Hours to Kill, Seven Arts, 1966; The Deadly Bees, Paramount, 1967; My Side of the Mountain, Paramount, 1969; Ben Gurion, 1969; Dark Places, Cinerama, 1914', A Heritage to Build On, \91'4; All Creatures Great and Small, EMI, \915;Callan, Cinema National, 1915; Sea Areas Forties, 1975; Noah (animated), 1976; Swallows and Amazons, LDS, 1977; The Uncanny, Rank, 1977; The Flame Moves East (documentary), 1977; Mannen i skuggan (also known as Black Sun), Stockholm Film, 1978; Cocoa (documentary), 1979; Project North Sea (documentary), 1979; Martin's Day, Metro-GoldwynMayer/United Artists, 1985; (with Sri Hastanto) Mata Hari, Cannon, 1985. Also Sixty Years of Fashion, Seven Hundred Million, Land of Britain, Oxford, Death and the Sky Above, and The Inheritance (documentary).

MEMBER: Society for the Promotion of New Music Inc. (council member), Society of Musicians, Composers' Guild of Great Britain. SIDELIGHTS: RECREATIONS—Writing music, swimming, reading, opera, theatre, and films. ADDRESSES: OFFICE—15 Douglas Court, Quex Road, London NW6 4PT, England. AGENTS—Nigel Britten, London Management, London Wl, England; Robert Lantz, The Lantz Office, 888 Seventh Avenue, New York, NY 10016.*

JOSEPHSON, Erland TELEVISION—(All for British television, unless indicated). Series: The Somerset Maugham Series, 1969, then 1971-72; Grasshopper Island, 1970; Horizon, BBC, 1970-74, then 1983-85; Suspicion, 1971-72; The British Empire, 1971-72; The Guardians, 1971-72; Pollyanna, 197'2; The Brontes of Haworth, 197'3; Love Story, 1973; The Pallisers, BBC, 1974, then PBS, 1977; A Place in Europe, 1974; The Great War, 1974; The Ghosts of Motley Hall, 1975-77; The Enemy at the Door, 1977; Gammon and Spinach, 1977; The Avenue, 1977; The Voyage of Charles Darwin, 1978; (theme music) Diary of Britain, \918;The Human Race, 1919-80', Quest of Eagles, 1979-80; Sunday at Nine, 1982; The Home Front, 1982; The Making of Britain, 1982-83; TheReturnof the Antelope, 1986; Newcastle University, 1986; Drummonds; The Brief. Mini-Series: (Theme music)/, Claudius, BBC, 1976, then Masterpiece Theatre, PBS, 1977; Pride and Prejudice, BBC, then Masterpiece Theatre, PBS, \9^\ Disraeli, ATV, 1977, then Masterpiece Theatre, PBS, 1980; Sister Dora, 1977; The Norman Conquests, Thames, then Great Performances, PBS, 1978. Episodic: " Catherine Cookson," The South Bank Show. Movies: Robinson Crusoe, BBC, then NBC, 1974; All Creatures Great and Small, NBC, 1975; The Hunchback of Notre Dame, BBC, then NBC, 1977; A Married Man, London

1923-

PERSONAL: Born June 15, 1923, in Stockholm, Sweden. VOCATION: Actor, director, producer, and writer. CAREER: PRINCIPAL STAGE APPEARANCES—Gaev, The Cherry Orchard, Brooklyn Academy of Music, Majestic Theatre, Brooklyn, NY, 1988; also appeared with the Municipal Theatre, Helsingborg, Sweden, 1945-49; Gothenburg Theatre, Gothenburg, Sweden, 1949-56; Royal Dramatic Theatre, Stockholm, Sweden, 1956—; and in over one hundred plays in Sweden. PRINCIPAL FILM APPEARANCES—Egerman, Ansiktet (also known as The Magician and The Face), Janus, 1959; Anders, Brink of Life, Nordisk Tonefilm, 1960; Baron Von Merkens, Vargtimmen (also known as Hour of the Wolf), Lopert, 1968; Elis Vergerus, En passion (also known as The Passion of Anna), Svensk FilmindustriCinematograph, 1969, released in the United States by United Artists, 1970; doctor, Viskingar och Rop (also known as Cries and Whispers), New World, 1972; Johan, Scenes from a Marriage, Cinema V, 1974; teacher, Monismanien 1995 (also known as

225

JOSEPHSON

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

Monismania 1995), Taurus/Film Edis, 1975; Dr. Tomas Jacob!, Ansikte mot Ansikte (also known as Face to Face), Paramount, 1976; Editor-in-Chief Doncker, Den Allvarsamma Leken (also known as Games of Love and Loneliness and The Serious Game), Svenska Filminstitutet, 1977; Friedrich "Fritz" Nietzsche, Oltre il bene e il male (also known as Beyond Good and Evil), United Artists, 1977, Films Inc., 1984; Josef, Hostsonaten (also known as Autumn Sonata and Herbstsonate), New World, 1978; Leo Maria, Die Erste Polka (also known as The First Polka), Bavaria Atelier/ Jugendfilm Verleih, 1978; Uncle Dan, En och En (also known as One and One), Svenska Filminstitutet/Sandrew Film and Teater, 1978; Nicky, Dimenticare Venezia (also known as To Forget Venice), Quartet/Connoisseur, 1979.

Murdered Jewish Poet), TFI Swan/Court de Coeur/World Marketing, 1987; the Ambassador, The Unbearable Lightness of Being, Orion, 1988; Maurizio, La Donna Spezzata (also known as A Woman Destroyed), SACIS, 1988; narrator (Swedish version), Directed by Andrei Tarkovsky (also known as Regi: Andrej Tarkovskij; documentary), Svenska Filminstitutet/Artificial Eye, 1988; Dr. Bettelheim, Hanussen, Columbia, 1988. Also appeared in Flickorna (also known as The Girls), Lindgren/Sandrews, 1972; Variola Vera, Art Film/Croatia Film, 1982; Bakom Jalusin (also known as Behind the Shutters), Farago/Svenska Filminstitutet, 1984; // giorno prima (also known as The Day Before and La Veille), Cristaldi/Columbia Pictures Italia, 1987; Migrations (also known as La Guerre la plus glorieuse), Cinexport, 1988.

Karl Henrik Eller, Marmeladupproret (also known as The Marmalade Revolution, The Revolution Marmalade, and La Revolte des confitures), Svenska Filminstitutet, 1980; Erland, Karleken (also known as Love), Svenska Filminstitutet, 1980; Martin Jordan, Montenegro (also known as Montenegro—Or Pigs and Pearls), New Realm/Atlantic, 1981; Max, Bella Donna, Von Vietinghoff Filmproduktion Westdeutscher Rundfunk/Sender Freies Berlin, 1982; Isak Jacobi, Fanny och Alexander (also known as Fanny and Alexander), Svenska Filminstitutet, 1982, released in the United States by Embassy, 1983; stranger, La Casa del tappetto giallo (also known as House of the Yellow Carpet), Gaumont/SACIS/ RPA International, 1983; Domenico, Nostalghia (also known as Nostalgia), Artificial Eye, 1983, released in the United States by Grange, 1984; Erik Sander, Un Caso di incoscienza (also known as A Case of Irresponsibility), Asa Cinematografica/RAI-TV Channel 2, 1984; Gabriel Berggren, Dirty Story, Golden, 1984; Henrik Vogler, After the Rehearsal, Columbia/Triumph, 1984; Goldberg, Angelan SotalAngelas Krig (also known as Angela s War), Jorn Donner, 1984.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Johan, Scenes from a Marriage, PBS, 1977. Movies: Hans Swanson, Control, HBO, 1987. PRINCIPAL FILM WORK—Producer (with Sven Nyqvist and Bengt Forslund) and director (with Nyqvist and Ingrid Thulin), En och En (also known as One and One), Svenska Filminstitutet/Sandrew Film and Teater, 1978; director (with Nyqvist) and producer, Marmeladupproret (also known as The Marmalade Revolution, The Revolution Marmalade, and La Revolte des confitures), Svenska Filminstitutet, 1980. RELATED CAREER—Director, Royal Dramatic Theatre, Stockholm, Sweden, 1966-75. WRITINGS: FILM—(With Ingmar Bergman) All These Women (also known as Now About All These Women), Janus, 1964; En och En (also known as One and One), Svenska Filminstitutet/ Sandrew Film and Teater, 1978; Marmeladupproret (also known as The Marmalade Revolution, The Revolution Marmalade, and La Revolte des Confitures), Svenska Filminstitutet, 1980; also The Pleasure Garden. OTHER—Cirkel, \946;Spegelnochenportvakt, 1946; Spel med bedrovade artister, 1947; Ensam och fri, 1948; Lyssnarpost, 1949; De vuxna barnen, 1952; Utflykt, 1954; Sallskapslek, 1955; En berattelse om herr Silberstein, 1957; Kungen ur leken, 1959; Doktor Meyers sista dagar, 1964; Kandidat Nilssonsforsta nan, 1964; Lejon i Overgangsaldern (pjas Dromaten), 1981.

Oscar Seidenbaum, The Flying Devils (also known as De Flyngande Djavlarna), Continental/Metronome, 1985; David Sprengel, Amorosa (also known as Amarosa), Sandrew Film and Teater/ Curzon Film Distributors, 1986; Robert's father, Le Mai d'aimer (also known as The Malady of Love, La Queue du diable, La coda del diavolo, and The Devil's Tail), AAA/SACIS/Film du Volcan, 1986; Alexander, Offret-Sacrificatio (also known as The Sacrifice, Le Sacrifice, and OffretlSacrificatio), Orion, 1986; Monsignor Francesco Ghezzi, Saving Grace, Columbia, 1986; Serra, L'Ultima Mazurka (also known as The Last Mazurka), SACIS/Istituto Luce Italnoleggio Cinematografica, 1986; Cavour, Garibaldi—The General, RAI-TV Channel 2/Antenne 2/Jadran, 1986; Zupanev, Testament d'unpoete Juifassassine (also known as Testament of a

ADDRESSES: OFFICE—Royal Dramatic Theatre, Nybroplan, Box 5037, 102 41 Stockholm, Sweden. AGENT—Paul Kohner Inc., 9169 Sunset Boulevard, Los Angeles, CA 90069.*

226

K City, 1973; Amalia Balash, She Loves Me, Town Hall, New York City, 1977; Diane McBride, Marco Polo Sings a Solo, NYSF, Public Theatre, New York City, 1977; Mildred Plotka and Lily Garland, On the Twentieth Century, St. James Theatre, New York City, 1978; Madame Arcati, Blithe Spirit, Santa Fe Festival Theatre, Santa Fe, NM, 1983; Shirley, What's Wrong with This Picture?, Manhattan Theatre Club, New York City, 1985; Billie Dawn, Born Yesterday, 46th Street Theatre, New York City, 1989. Also appeared in Kiss Me Kate, City Center Theatre, New York City, 1965; America, Santa Fe Festival Theatre; La Boheme (opera), Washington Opera Society, Washington, DC; La Perichole (opera), Carnegie Hall, New York City.

KAHN, Madeline 1942PERSONAL: Born Madeline Gail Wolfson, September 29,1942, in Boston, MA; daughter of Bernard B. and Paula (Kahn) Wolfson. EDUCATION—Hofstra University, B.A., 1964; studied acting at the Warren Robertson Actors' Workshop. VOCATION: Actress and singer. CAREER: BROADWAY DEBUT—Ensemble, New Faces of 1968 (revue), Booth Theatre, 1968. PRINCIPAL STAGE APPEARANCES— Cunegonde, Candide in Concert (opera), Philharmonic Hall, New York City, 1968; servant, Promenade, Promenade Theatre, New York City, 1969; Goldie, Two By Two, Imperial Theatre, New York City, 1970; Chrissy, Boom Boom Room, New York Shakespeare Festival (NYSF), Vivian Beaumont Theatre, New York

FILM DEBUT—The Dove (short film), Coe/Davis/Love, 1968. PRINCIPAL FILM APPEARANCES—Eunice Burns, What's Up, Doc?, Warner Brothers, 1972; school teacher, From the Mixed-Up Files of Mrs. Basil E. Frankweiler (also known as The Hideaways), Cinema V, 1973; Trixie Delight, Paper Moon, Paramount, 1973; Lili Von Shtupp, Blazing Saddles, Warner Brothers, 1974; Elizabeth, Young Frankenstein, Twentieth Century-Fox, 1974; Jenny Hill, The Adventures of Sherlock Holmes' Smarter Brother, Twentieth Century-Fox, 1975; Kitty O'Kelly, At Long Last Love, Twentieth Century-Fox, 1975; Estie Del Ruth, Won Ton Ton, the Dog Who Saved Hollywood, Paramount, 1976; Victoria Brisbane, High Anxiety, Twentieth Century-Fox, 1977; Mrs. Montenegro, The Cheap Detective, Columbia, 1978; El Sleezo patron, The Muppet Movie, Associated Film Distribution, 1979; Mrs. Constance Link, First Family, Warner Brothers, 1980; Bunny Weinberger, Happy Birthday, Gemini, United Artists, 1980; Cynthia, Simon, Warner Brothers, 1980; sorceress, Wholly Moses!, Columbia, 1980; Empress Nympho, History of the World, Part I, Twentieth Century-Fox, 1981; Betty, Yellowbeard, Orion, 1983; Caroline Howley, City Heat, Warner Brothers, 1984; Eliza Swain and Letitia Swain, Slapstick of Another Kind, Entertainment Releasing Company/International Film Marketing, 1984; Mrs. White, Clue, Paramount, 1985; voice of Draggle, My Little Pony (animated), De Laurentiis Entertainment Group, 1986; voice of Gussie Mausheimer, An American Tale (animated), Universal, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Comedy Tonight, CBS, 1970; Madeline Wayne, Oh Madeline, ABC, 1983-84; Lois Gullickson, Mr. President, Fox, 1987-88. Pilots: KleinTime, CBS, 1977. Episodic: Evening at the Improv, syndicated, 1981; The ABC Comedy Special, ABC, 1986; also The Carol Burnett Show, CBS; The Muppet Show, syndicated', Saturday Night Live, NBC. Movies: Violet Kingsley, Chameleon, ABC, 1986. Specials: Miss Kelly, "Harvey," Hallmark Hall of Fame, NBC, \912\TheGeorge Burns Special, CBS, 1976; Comic Relief, HBO, 1986; Ellie Coleman, "Wanted: The Perfect Guy," ABC Afterschool Specials, ABC, 1986; "Celebrating Gershwin," Great Perform-

MADELINE KAHN

227

KAREN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ances, PBS, 1987; Irving Berlin's 100th Birthday Celebration, CBS, 1988; Sesame Street Special PBS, 1988. RELATED CAREER—Nightclub performer, Upstairs at the Downstairs, New York City, 1966-67. RECORDINGS: ALBUMS—New Faces of 1968 (original cast recording), Warner Brothers, 1968; Two By Two (original cast recording), Columbia, 1970; Blazing Saddles (original soundtrack), Elektra, 1974; Young Frankenstein (original soundtrack), ABC, 197'5; At Long Last Love (original soundtrack), RCA-Victor, 1975; Frank Loesser Revisited, Painted Smiles, 1975; On the Twentieth Century (original cast recording), Columbia, 1978; also Two Revues (original cast recording). VIDEOS—Various roles, Scrambled Feet, RKO, 1983. AWARDS: Academy Award nomination, Best Supporting Actress, and Golden Globe nomination, both 1973, for Paper Moon; Antoinette Perry Award nomination, Best Actress in a Drama, and Drama Desk Award, both 1974, for Boom Boom Room; Academy Award nomination, Best Supporting Actress, 1974, for Blazing Saddles; First Annual Academy of Humor Award, 1975; Distinguished Service Award from the Hofstra University Alumni Association, 1975; Golden Globe nomination, 1975, for Young Frankenstein; Antoinette Perry Award nomination, Best Actress in a Musical, 1978, for On the Twentieth Century; Emmy Award, 1986, for "Wanted: The Perfect Guy," ABC Afterschool Specials. ADDRESSES: AGENT—Jeffrey Richards Association, Alwyn Court, 911 Seventh Avenue, New York, NY 10019. JAMES KAREN

KAREN, James

Virginia Woolf?, Music Box Theatre, New York City, 1976. Also appeared in The Time of Storm, Greenwich Mews Theatre, New York City, 1954; Tiny Alice, Billy Rose Theatre, 1964', Everything in the Garden, Plymouth Theatre, New York City, 1967; Who's Afraid of Virginia Woolf?, London production; and A Moon for the Misbegotten, Broadway production.

1923-

PERSONAL: Born November 28, 1923, in Wilkes-Barre, PA. son of Joseph H. (a produce dealer) and Mae (Freed) Karnufsky; married Susan Reed (a folk singer), September 2, 1949 (divorced); married Alba Francesca (an actress and producer), May 14, 1989; children: son's name Reed. EDUCATION—Studied acting with Sanford Meisner at the Neighborhood Playhouse. MILITARY— U.S. Air Force, 1942-45.

PRINCIPAL FILM APPEARANCES—Dr. Adam Steele, Frankenstein Meets the Space Monster (also known as Mars Invades Puerto Rico and Frankenstein Meets the Spacemen), Allied Artists, 1965; professor, Hercules in New York (also known as Hercules: The Movie), RAF-United, 1970; Mr. Tucker, / Never Sang for My Father, Columbia, 1970; child psychiatrist, Rivals, AVCO-Embassy, 1972; Annenberg, Amazing Grace, United Artists, 1974; Hugh Sloan's lawyer, All the President's Men, Warner Brothers, 1976; newsstand operator, Opening Night, Faces, 1977; Vice President Price, Capricorn One, Warner Brothers, 1978; Andrews, F.I.S.T., United Artists, 1978; Mac Churchill, The China Syndrome, Columbia, 1979; Barney Callahan, The Jazz Singer, Associated Film, 1980; Loomis, Take This Job and Shove It, AVCOEmbassy, 1981; Teague, Poltergeist, Metro-Goldwyn-Mayer/ United Artists, 1982; Judge Hillierarold, Frances, Universal, 1982; Wendell Rossmore, Time Walker, New World, 1982; Mr. Collins, Sam's Son, Invictus, 1984; Andrew Hardesty, Jagged Edge, Columbia, 1985; colonel, Latino, Manson International, 1985; Frank, Return of the Living Dead, Orion, 1985; General Wilson, Invaders from Mars, Cannon, 1986; Logan, Hardbodies II, Cinetel, 1986; Lynch, Wall Street, Twentieth Century-Fox, 1987; Ed, Return of the Living Dead, Part II, Lorimar, 1988. Also appeared in Jeremy, United Artists, 1973; Kiss Me Goodbye, Twentieth Century-Fox, 1982; Micki and Maude, Columbia, 1984; The Roommate (short

VOCATION: Actor. CAREER: BROADWAY DEBUT—A Streetcar Named Desire, Ethel Barrymore Theatre, 1948. PRINCIPAL STAGE APPEARANCES— Tom, Celebration, Six O'Clock Theatre's Studio Productions, Maxine Elliot's Theatre, New York City, 1948; townsperson, An Enemy of the People, Broadhurst Theatre, New York City, 1950; Chuck Robbins, Third Best Sport, Ambassador Theatre, New York City, 1958; Howard Merrick, Deep Are the Roots, St. Mark's Playhouse, New York City, 1960; Captain Moss, A Cook for Mr. General, Playhouse Theatre, New York City, 1961; Jerry, The Jackhammer, Theatre Marquee, New York City, 1962; Dean Maveeda, A Matter of Like Life and Death, East End Theatre, New York City, 1963; understudy for Julian, The Cactus Flower, Roy ale Theatre, New York City, 1965; understudy for Petey, The Birthday Party, Booth Theatre, New York City, 1967; understudy, The Only Game in Town, Broadhurst Theatre, 1968; Reverend Henning and job dispenser, The Engagement Baby, Helen Hayes Theatre, New York City, 1970; Larry, The Country Girl, Billy Rose Theatre, New York City, 1972; understudy for George, Who's Afraid of

228

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 KARINA

film), Asa Nisi Masa, 1988; as narrator, Spirit of the Eagle, August Entertainment (upcoming); in Vital Signs, Twentieth Century-Fox (upcoming); The Closer Ion (upcoming); Herbie, Buena Vista.

SIDELIGHTS: RECREATIONS—Sailing, antique and classic cars, and travel. James Karen informed CTFT that "filming abroad always interests me."

TELEVISION DEBUT—Bob Cratchett, A Christmas Carol, NBC, 1948. PRINCIPAL TELEVISION APPEARANCES—Series: Lincoln Tyler, All My Children, ABC, 1970; Major Wymore, The Powers of Matthew Star, NBC, 1983. Mini-Series: Earl Silbert, Blind Ambition, CBS, 1979. Pilots: Powerbroker, Institute for Revenge, NBC, 1979; Carol's father, Me and Ducky, NBC, 1979; Fred Korbell, Topper, ABC, 1979; also Richie Brockelman: Missing Twenty-Four Hours, NBC, 1976. Episodic: Lawyer, 227, NBC, 1985; Mr. Slater, Melba, CBS, 1986; Dr. Hightower, Magnum, P.I., CBS, 1987; James Whitlow, Who's the Boss?, ABC, 1987; mayor, Jake and the Fatman, CBS, 1987; Governor E.J. LaChatte, Sledge Hammer!, ABC, 1988; Raymond, Golden Girls, NBC, 1988; Arvin Johns, Murphy Brown, CBS, 1989; Jack Wingate, Booker, Fox, 1989; Lyle Vandergrift, Jake and the Fatman, CBS, 1989; Mr. Simenton, Highway to Heaven, NBC, 1989; Nagen, Mancuso, F.B.I., NBC, 1989; Robert Sanborn, MacGyver, ABC, 1989; Stepfield, "Wild Jack" (also known as "Jack of the Wild," "McCall!," and "McCall of the Wild"), The Magical World of Disney, NBC, 1989; also Gibbsville, NBC, 1976; The San Pedro Beach Bums, ABC, 1977; The Kallikaks, NBC, 1977; Executive Suite, CBS, 1977; Rajferty, CBS, 1977; M*A*S*tf, CBS, 1983; Cheers, NBC, 1985; Elliott Randolph, Eight Is Enough, ABC; "The Boy Who Loved Trolls," WonderWorks, PBS; Family Ties, NBC; Dynasty, ABC; Knots Landing, CBS; Moonlighting, ABC; Amazing Stories, NBC; Three's Company, ABC; Emerald Point, N.A.S., CBS; Hardcastle and McCormick, ABC; Tucker's Witch, CBS; Trapper John, M.D., CBS; Simon and Simon, CBS; Quincy, M.E., NBC; The Jeffersons, CBS; One Day at a Time, CBS; The Rockford Files, NBC; The Love Boat, ABC; Family, ABC; Lou Grant, CBS; Delvecchio, CBS; The Blue Knight, CBS; Serpico, NBC; Police Woman, NBC; McMillan and Wife, NBC; The Streets of San Francisco, ABC; Starsky and Hutch, ABC; Hawaii Five-O, CBS; The Paper Chase; The Bionic Woman; Charles in Charge; Lassie; Mathnet.

ADDRESSES: AGENTS—Mary Ellen White, M.E.W. Inc., 151 N. San Vicente Boulevard, Beverly Hills, CA 90211; Mary Greek, 10390 Santa Monica Boulevard, Suite 310, Los Angeles, CA 90025.

KARINA, Anna 1940-

PERSONAL: Born Hanne Karin Blarke Bayer, September 22, 1940, in Copenhagen, Denmark; married Jean-Luc Godard (a film director, producer, and writer), March 2, 1961 (divorced, 1967); married Pierre-Antoine Fabre, 1968 (divorced); married DanielGeorges Duval, 1978. VOCATION: Actress. CAREER: FILM DEBUT—Pigen og skoene (also known as The Girl and the Shoes; short film), 1959. PRINCIPAL FILM APPEARANCES—Veronica Dreyer, Le Petit Soldat (also known as The Little Soldier), filmed in 1960, released by Georges de Beauregard/ Societe Nouvelle de Cinema, 1963, released in the United States by West End, 1965; Angela, Une Femme est unefemme (also known as A Woman Is a Woman and La donna e donna}, Rome-Paris Films, 1961, released in the United States by Pathe Contemporary, 1961; Toni, She'll Have to Go (also known as Maid for Murder), 1961, released in the United States by Janus, 1963; actress in comedy film, Cleo de 5 a 7 (also known as Cleofrom 5 to 7), Rome-Paris Films, 1962, released in the United States by Zenith International, 1962; Nana, Vivre sa vie (also known as My Life to Live and It's My Life), Les Films de la Pleieade, 1962, released in the United States by Union/Pathe Contemporary, 1963; title role, Sheherazade (also known as Scheherazade and La Schiavadi Bagdad), 1962, released in the United States by Shawn International, 1965; Colombe, "The Fox and the Crow" in Les Quatres Verites (also known as Le quattro verita and Three Fables of Love), Janus, 1963; Giselle, Dragees au poivre (also known as Confette al pepe and Sweet and Sour), Pathe, 1963; chambermaid, La Ronde (also known as Circle of Love), 1964, released in the United States by STER, 1965; Odile, Band a part (also known as Band of Outsiders and The Outsiders), Anouchka Films, 1964, released in the United States by Royal, 1966; Helene, De I'amour, 1964, released in the United States by Goldstone, 1968.

Movies: Bob Block, The Gathering, ABC, 1977; Dr. Sutterman, Mary Jane Harper Cried Last Night, CBS, 1977; Dr. Wingreen, Something for Joey, CBS, 1977; psychologist, The Ordeal of Patty Hearst, ABC, 1979; Alvin Heller, Once Upon a Family, CBS, 1980; Untermeyer, Portrait of a Rebel: Margaret Sanger, CBS, 1980; Admiral Mclntire, F.D.R.—The Last Year, NBC, 1980; Dr. Spandler, The Violation of Sarah McDavid, CBS, 1981; Nathan Lassiter, Little House: The Last Farewell, NBC, 1984; Mr. Fairmont, The Billionaire Boys Club, NBC, 1987; Aide, Drug Wars: The Camarena Story, NBC, 1990; also Women in White, NBC, 1979; Jacqueline Bouvier Kennedy, ABC, 1981; The Day the Bubble Burst, NBC, 1982; Eight Is Enough: A Family Reunion, NBC, 1987; Mr. McCabe, Rich Men, Single Women, ABC, 1990. Specials: Mr. Fairchild, "Have You Ever Been Ashamed of Your Parents?," ABC After school Special, ABC, 1983; " Buster Keaton: A Hard Act to Follow," American Masters, PBS, 1987.

Natasha Von Braun, Alphaville (also know as Une Etrange Aventure de Lemmy Caution and A Strange Case of Lemmy Caution), Chaumiane Productions and Filmstudio, 1965, released in the United States by Pathe, 1965; Marianne Renoir, Pierrot le fou, Rome-Paris Films, 1965, released in the United States by Pathe/ Corinth, 1968; Suzanne Simonin, LaReligieuse (also known as The Nun, La Religieuse de Diderot, and Suzanne Simonin), 1965, released in the United States by Altura, 1971; Paula Nelson, Made in U.S.A. (also known as Made in America), Rome-Paris Films, 1966; Miss Conversation, "Anticipation, ou L'Amour en 1'an 2000'' in Le Plus vieux metier du monde (also known as The Oldest Profession), Francoriz, 1966, released in the United States by Goldstone/VIP, 1968; Marie Cardona, Lo straniero (also known as L'Etranger and The Stranger), Paramount, 1967; Anne, The Magus, Twentieth Century-Fox, 1968; Maria Holz, Before Winter Comes,

RELATED CAREER—Actor in television and radio commercials; commercial spokesperson for Pathmark supermarkets in the New York and Philadelphia area for twenty-two years. MEMBER: Academy of Motion Picture Arts and Sciences, Academy of Science Fiction, Fantasy, and Horror Films, Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association, Players Club.

229

KAUFMAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 KAUFMAN, Victor A. 1943-

Columbia, 1968; Margot, Laughter in the Dark, Lopert, 1969; Melissa, Justine, Twentieth Century-Fox, 1969.

PERSONAL: Born June 21, 1943, in New York, NY. EDUCATION—Graduated from Queens College; New York University School of Law, J.D., 1967.

Jeanne, LAlliance (also known as The Wedding Ring), CAPAC, 1970; Elle, Rendez-vous a Bray (also known as Rendezvous at Bray and Meeting in Bray), CFDC/Essential Cinema, 1971; Anna Bryant, The Salzburg Connection, Twentieth Century-Fox, 1972; Julie, Vivre ensemble, Societe Nouvelle de Cinema/Imperia, 1973; Elena, Pane e cioccolata (also known as Bread and Chocolate), 1973, released in the United States by CIC/World Normal, 1978; Louise, L'Assassin musicien (also known as The Musician Killer), Sunchild, 1975; Clara, Les Oeufs brouilles (also known as The Scrambled Eggs), Columbia-Warner Distributors, 1975; Columbine, Also es war so. . . . (also known as Willie and the Chinese Cat and Willie Eine Zauberposse), New International Cinema, 1976; Irene, Chinesisches roulette (also known as Chinese Roulette), Cinegate/Films Moliere/New Yorker, 1977; Nathalie, Chaussette surprise (also known as Surprise Sock), GEF/CCFC/ Albatros Films, 1978; mother, Historien om en moder (also known as The Story of a Mother), Statens Filmcentral, 1979.

VOCATION: Film executive and attorney. CAREER: PRINCIPAL FILM WORK—Assistant general counsel, Columbia Pictures Industries Inc., 1974, then deputy general counsel and corporate secretary, 1975, general counsel, 1976-81, vice-president, 1976-79, senior vice-president, 1979-81, and executive vice-president, 1981-83; vice-chairman, Columbia Pictures, 1981-83; chairman and chief executive officer, Tri-Star Pictures Inc., 1983-87; president and chief executive officer, Columbia Pictures Entertainment Inc., 1987—. RELATED CAREER—Teacher of criminal law, University of California, Los Angeles, School of Law; attorney, Simpson, Thacher, and Bartlett, New York City. ADDRESSES: OFFICE—Columbia Pictures Entertainment Inc., 711 Fifth Avenue, New York, NY 10022.

Berthe Granjeux, Ave Maria, AAA, 1984, released in the United States by Greenwich, 1984; Jim's mother, L'lle au tresor (also known as Treasure Island), Films du Passage/Cannon Releasing, 1985; Lola, Cayenne-Palace, Metropolis/Union Generale Cimematographique, 1987; Myrrha, L'Ete dernier a Tanger (also known as Last Summer in Tangiers), AAA, 1987; Catherine, L'Oeuvre au noir (also known as The Abyss), Union Generale Cinematographique/Twentieth Century-Fox/Philippe Dussart Productions, 1988. Also Presentation ou Charlotte et son steak (short film), filmed in 1953, Karina's voice dubbed onto soundtrack in 1961; Ce soir oujamais, 1961; Le Soleil dans I'oeil, 1961; Les Fiances du Pont Macdonald (short film), \96\;Le JoliMai, 1962; Un Mari aprixfixe, 1963; Petit jour (short film), 1964; Le Voleur du Tibidabo (also known as La vida es magnifica), 1964; Le Soldatess, 1965; Zarliche Haie (also known as Tendres requins), 1966; Lamiel, 1967; Michael Kohlhaas—Der Rebell, 1969; Le Temps de mourir, 1969; LInvenzione di moral (also known as Morals Invention), Mount Street Film/Alga Cinematografica, 1974; as Anna, Just Like at Home, 1979; in LAmi de Vincent (also known as A Friend of Vincent), AMLF/World Marketing, 1983; Derniere chansons (also know as Last Song), La Cecilia, 1986, released in the United States by MBO/Metropolis, 1987.

KECK, Michael 1946PERSONAL: Born December 17, 1946, in Raleigh, NC; son of Dementrious Hiawatha (a university administrator) and Thelma Inez (in public relations; maiden name, Mitchell) Keck; married Rebecca Boyd, April 26, 1966 (divorced, 1976); children: Shannon Michele. EDUCATION—St. Augustine's College, B.S., 1969; also studied at the Virginia State Music Institute, Callanwolde Fine Arts Center, and attended workshops with Eric Morris, Sylvia Mays, Steven Kent, and Joseph Chaikin. VOCATION: Actor, sound director, and composer. CAREER: OFF-BROADWAY DEBUT—Hollywood Scheherazade, 45th Street Theatre, 1989, for twenty performances. PRINCIPAL STAGE APPEARANCES—Spider Evans, Wasted, Seven Stages Theatre, Atlanta, GA, 1984; detective, Tales from Edgar Allan Poe, Atlanta Children's Theatre, Alliance Theatre Company, Atlanta, 1986; Avery Arable and Zuckerman, Charlotte's Web, Atlanta Children's Theatre, Alliance Theatre Company, 1987; Jodie Montgomery, Ain't No Use in Going Home, Jodie's Got Your Gal and Gone, Oakland Ensemble Theatre, Oakland, CA, 1989. Also appeared as Jake, The Threepenny Opera, Nelson, Rising Upon the Land, Crow, The Tooth of Crime, title role, Sizwe Banzi Is Dead, Spurlock, Earthling, Tonio, Victor, and Camilo, Dreams Against the State, Jingo, Burning Bridges and the Troll, and Tofie, Kanna He Is Coming Home, all Seven Stages Theatre; Lee Cocker, To Gleem It Around to Show My Shine, Alliance Theatre Company; street musician, A Christmas Carol, Academy Theatre, Atlanta; priest, Roshomon and Charlie, Split Second, both Theatrical Outfit, Atlanta; title role, Puss in Boots, Center for Puppetry Arts, Atlanta; title role, Johnny Rucker, Intown Theatre; Tom Robinson, To Kill a Mockingbird, Avalon Theatre; Magnolia, Splendora; narrator and local lad, Tommy: The Rock Opera.

PRINCIPAL FILM WORK—Director, Vivre ensemble, Societe Nouvelle de Cinema/Imperia, 1973. PRINCIPAL TELEVISION APPEARANCES—Movies: Anna, 1965. RELATED CAREER—Photographer's model; founder, Raska (a production company), 1972. WRITINGS: FILM—Vivre ensemble, Societe Nouvelle de Cinema/ Imperia, 1973; (with Denis Berry) Derniere chansons (also known as Last Song), La Cecilia, 1986, released in the United States by MBO/Metropolis, 1987. OTHER—Golden City, 1983. A WARDS: Best Actress Award from the Berlin Film Festival, 1961, for A Woman Is a Woman. ADDRESSES: AGENT—78 Boulevard Malesherbes, 75008 Paris, France.*

230

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

KECK

Sky, Room to Move; Seven Exits, Solo to Solo with June Schneider; Cycles and Plants, both Dance South; and Rainforest and Modern Art, both Carl Ratcliff Dance Theatre. RELATED CAREER—Appeared on tour of U.S. and Canadian cities with the Who, 1976; music instructor, theatre department, Emory University, 1983-89; artist in residence, Cornell University, department of theatre arts, 1988; actor in commercials and industrial films. WRITINGS: STAGE—Composer: The Blacks: A Clown Show, Seven Stages Theatre, Atlanta, GA, 1981; Wasted, Seven Stages Theatre, 1984; Tales from Edgar Allan Poe, Atlanta Children's Theatre, Alliance Theatre Company, Atlanta, 1986; Charlotte's Web, Atlanta Children's Theatre, Alliance Theatre Company, 1987; Hollywood Scheherazade, 45th Street Theatre, New York City, 1989; Ain't No Use in Going Home, Jodie's Got Your Gal and Gone, Oakland Ensemble Theatre, Oakland, CA, 1989; aho Burning Bridges and the Troll, Southern Comfort, Kanna He Is Coming Home, Dreams Against the State, Sizwe Bansi Is Dead, Bang Bang Uber Alles, The Tooth of Crime, and Black Cat Bones, all Seven Stages Theatre; A Christmas Carol, People of the Brick, Cyparis, and The Keepers, all Academy Theatre, Atlanta; Laundry and Bourbon, Lone Star, Fool for Love, Othello, TheHobbit, Return to Middle Earth, Lysistrata, Terra Nova, The Actor's Nightmare, Sister Mary Ignatius Explains It All for You, and Roshomon, all Theatrical Outfit, Atlanta; The Rainmaker, On Stage Atlanta, Atlanta; Prior Engagements, Two Masters, The Changeling, Pericles, The House ofBernada Alba, and Moby Dick Rehearsed, all Theatre Emory, Atlanta; HenryV and As You Like It, both Callanwolde Fine Arts Center, Atlanta; Gardinia, Homesteaders, and Waiting for the Parade, all Horizon Theatre, Atlanta; A Doll's House, Alliance Theatre Company, Atlanta; Puss In Boots, Center for Puppetry Arts, Atlanta; Mr. Universe, Henry Street Settlement Theatre, New York City; Flowers for Algernon and To Kill a Mockingbird, both Avalon Theatre; King Lear, The Taming of the Shrew, and A Winter's Tale, all Georgia Shakespeare Festival; Macbeth, Performace Gallery; The Andersonville Trial, Theatre in the Square; Sluts, Southern Theatre Conspiracy; Freedom for the City, Theatre Gale; Splendor a; Tommy: The Rock Opera; Out of Florida; Sea Scape; Bananaland; Rhodes Hall (Haunted House); You Can t Judge a Book; and for the dance pieces Earth, Sea, and Sky, Room to Move; Seven Exits, Solo to Solo with June Schneider; Cycles and Plants, both Dance South; and Rainforest and Modern Art, both Carl Ratcliff Dance Theatre.

MICHAEL KECK

PRINCIPAL STAGE WORK—Sound designer: The Blacks: A Clown Show, Seven Stages Theatre, Atlanta, GA, 1981; Wasted, Seven Stages Theatre, \9$4;Tales from Edgar Allan Poe, Atlanta Children's Theatre, Alliance Theatre Company, Atlanta, 1986; Charlotte's Web, Atlanta Children's Theatre, Alliance Theatre Company, 1987; Hollywood Scheherazade, 45th Street Theatre, New York City, 1989; Ain't No Use in Going Home, Jodie's Got Your Gal and Gone, Oakland Ensemble Theatre, Oakland, CA, 1989; also Burning Bridges and the Troll, Southern Comfort, Kanna He Is Coming Home, Dreams Against the State, Sizwe Banzi Is Dead, Bang Bang Uber Alles, The Tooth of Crime, and Black Cat Bones, all Seven Stages Theatre; A Christmas Carol, People of the Brick, Cyparis, and The Keepers, all Academy Theatre, Atlanta; Laundry and Bourbon, Lone Star, Fool for Love, Othello, TheHobbit, Return to Middle Earth, Lysistrata, Terra Nova, The Actor's Nightmare, Sister Mary Ignatius Explains It All for You, and Roshomon, all Theatrical Outfit, Atlanta; The Rainmaker, On Stage Atlanta, Atlanta; Prior Engagements, Two Masters, The Changeling, Pericles, The House ofBernada Alba, and Moby Dick Rehearsed, all Theatre Emory, Atlanta; Henry V and As You Like It, both Callanwolde Fine Arts Center, Atlanta; Gardinia, Homesteaders, and Waiting for the Parade, all Horizon Theatre, Atlanta; A Doll's House, Alliance Theatre Company, Atlanta; Puss In Boots, Center for Puppetry Arts, Atlanta; Mr. Universe, Henry Street Settlement Theatre, New York City; Flowers for Algernon and To Kill a Mockingbird, both Avalon Theatre; King Lear, The Taming of the Shrew, and A Winter's Tale, all Georgia Shakespeare Festival; Macbeth, Performace Gallery; The Andersonville Trial, Theatre in the Square; Sluts, Southern Theatre Conspiracy; Freedom for the City, Theatre Gale; Splendor a; Tommy: The Rock Opera; Out of Florida; Sea Scape; Bananaland; Rhodes Hall (Haunted House); You Can't Judge a Book; and for the dance pieces Earth, Sea, and

AWARDS:B.A.C. grants for music, 1984, 1986, and 1987; Atlanta Mayor's fellowship, 1985; C. A.C. grant from the Ford Foundation, 1986; Georgia Arts Council grants, 1986, 1987, and 1988. MEMBER: Actors' Equity Association, American Federation of Radio and Television Artists, American Society of Composers, Authors, and Publishers. SIDELIGHTS: RECREATIONS—Jogging, reading, roller skating, and travel. ADDRESSES: AGENT—Theresa Holden, Western and Southern Arts Management, P.O. Box 50120, Austin, TX 78763.

231

KELLEY

KELLEY, DeForest

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

1920-

PERSONAL: Born January 20, 1920, in Atlanta, GA. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Vince Grayson, Fear in the Night, Paramount, 1947; Bob Kirby, Variety Girl, Paramount, 1947; Smalley, Canon City, Eagle-Lion, 1948; Ace Martin, Duke of Chicago, Republic, 1949; Lieutenant Glenson, Malaya (also known as East of the Rising Sun), Metro-GoldwynMayer (MGM), 1950; Fred, Taxi, Twentieth Century-Fox, 1953; Charlie, House of Bamboo, Twentieth Century-Fox, 1955; Edward Clary, Illegal, Warner Brothers, 1955; hotel clerk, The View from Pompey'sHead (also known as Secret Interlude), Twentieth Century-Fox, 1955; medic, The Man in the Grey Flannel Suit, Twentieth Century-Fox, 1956; Breck, Tension at Table Rock, RKO, 1956; Morgan Earp, Gunfight at the O.K. Corral, Paramount, 1957; Southern officer, Raintree County, MGM, 1957; Wexler, The Law and Jake Wade, MGM, 1958; Curley Burne, Warlock, Twentieth Century-Fox, 1959; Troop, Gunfight at Comanche Creek, Allied Artists, 1964; Sam Corwin, Where Love Has Gone, Paramount, 1964; first sheriff, Black Spurs, Paramount, 1965; Mr. Turner, Marriage on the Rocks, Warner Brothers, 1965; Guy Tavenner, Town Tamer, Paramount, 1965; Toby Jack Saunders, Apache Uprising, Paramount, 1966; Bill Rile, Waco, Paramount, 1966; Dr. Elgin Clark, Night of the Lepus, MGM, 1972; Dr. Leonard "Bones" McCoy, Star Trek: The Motion Picture, Paramount, 1979; Dr. Leonard "Bones" McCoy, Star Trek II: The Wrath of Khan, Paramount, 1982; Dr. Leonard "Bones" McCoy, Star Trek III: The Search for Spock, Paramount, 1984; Dr. Leonard "Bones" McCoy, Star Trek IV: The Voyage Home, Paramount, 1986; Dr. Leonard "Bones" McCoy, Star Trek V: The Final Frontier, Paramount, 1989. Also appeared in The Men (also known as Battle Stripe), United Artists, 1950. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Leonard "Bones" McCoy, Star Trek, NBC, 1966-69; voice of Dr. Leonard "Bones" McCoy, Star Trek (animated), NBC, 1973. Pilots: Jake Brittin, 333 Montgomery, NBC, 1960; lab chief, Police Story, NBC, 1967; Dr. Goldstone, "I Never Said Goodbye," ABC's Matinee Today, ABC, 1973; Dr. Leonard "Bones" McCoy, "Encounter at Far Point,'' Star Trek: The Next Generation, syndicated, 1987; also Johnny Risk, NBC, 1958; The Cowboys, ABC, 1974. Episodic: Ike Clanton, "Gunfight at the O.K. Corral," You Are There, CBS; Gunsmoke, CBS; Rawhide, CBS; Death Valley Days, syndicated; Dick Powell's Zane Grey Theatre, CBS; Bonanza, NBC; The Virginian, NBC; Silent Service, syndicated; Navy Log. ADDRESSES: AGENTS—Contemporary Artists, 132 Lasky Drive, Beverly Hills, CA 90212; Camden Artists, 2121 Avenue of the Stars, Suite 410, Los Angeles, CA 90067.*

KEMP, Elizabeth

ELIZABETH KEMP

VOCATION: Actress. CAREER: STAGE DEBUT—Gabby, The Petrified Forest, Center Stage, Baltimore, MD, 1973. OFF-BROADWAY DEBUT—Susan, Heat, New York Shakespeare Festival, Public Theatre, 1974. PRINCIPAL STAGE APPEARANCES—Girl, Lunch Hour and Cousin, Playing with Fire, both Counterpoint Theatre Company, New York City, 1977; maid, woman, and script girl, Once in a Lifetime, Circle in the Square, New York City, 1978; Maureen Vega, North Shore Fish, WPA Theatre, New York City, 1987. Also appeared in The Best Little Whorehouse in Texas, Actors' Studio, New York City, 1977; Bright, New Dramatists Inc., New York City, 1977; Tiger Tail, Alliance Theatre Company, Atlanta, GA, 1978; Mackerel, Folger Theatre Group, Washington, DC, 1978; Bus Stop, Playing with Fire, Holiday, and Twelfth Night, all California Actors Theatre, Los Gatos, CA, 1978-79. FILM DEBUT—Nancy, He Knows You're Alone, Metro-GoldwynMayer/United Artists, 1980. PRINCIPAL FILM APPEARANCES— Virna Nightbourne, The Killing Hour (also known as The Clairvoyant), Twentieth Century-Fox, 1981; Nancy, Sticky Fingers, Spectrafilm, 1988; also Nancy, Eating, Jagfilm.

1957-

PRINCIPAL TELEVISION APPEARANCES—Series: Betsy, Love of Life, CBS, 1973-77. Episodic: Police Story, NBC; Vietnam War Story, HBO. Movies: Kay, Family of Spies, CBS, 1990.

PERSONAL: Born November 5, 1957, in Key West, FL; daughter of Joseph Clifton (a captain in the U.S. Navy and a business executive) and Nancy Jean (Haycock) Kemp; married Michael Margotta (an actor), January 21, 1983. EDUCATION—Attended the Art Students League of New York and the American Academy of Dramatic Arts.

RELATED CAREER—Member, Actors' Studio. ADDRESSES: AGENT—Bill Treusch, 853 Seventh Avenue, Suite 9-A, New York, NY 10019. 232

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

KENNEDY

1966; Hall, Assignment K, Columbia, 1968; Detective Sergeant Pierce, The Strange Affair, Paramount, 1968; Harry Riker, A Twist of Sand, United Artists, 1968; Galleria, Eyewitness (also known as Sudden Terror], National General, 1970; Kurt Von Ruger, Darling Lili, Paramount, 1970; Jim Harcourt, The Games, Twentieth Century-Fox, 1970; Joan's father, Pope Joan (also known as The Devil's Imposter), Columbia, 1972; Grabinski, The Blockhouse, Hemdale, 1974; Kendrick, The Belstone Fox, Rank/Twentieth Century-Fox, 1976; Baron Von Leinsdorf, The Seven-Per-Cent Solution, Universal, 1977; RAF briefing officer, A Bridge Too Far, United Artists, 1977; Dr. Smythe, Caravans, Universal/Ibex, 1978; Duke Michael, The Prisoner of Zenda, Universal, 1979; Frank, Return of the Soldier, Twentieth Century-Fox, 1983; Ferryman, Uncommon Valor, Paramount, 1983; General Streck, Top Secret!, Paramount, 1984; Mr. Wellbeloved, When the Whales Came, Twentieth Century-Fox, 1989. Also appeared in Jamaican Gold, 1971; The Salzburg Connection, Twentieth Century-Fox, 1972; East of Elephant Rock, Kendon, 1976; Leopard in the Snow, New World, 1979. PRINCIPAL TELEVISION APPEARANCES—Series: Z Cars and Colditz, both British television. Mini-Series: Brigadier General Armin Von Roon, The Winds of War, ABC, 1983; General Horatio Gates, George Washington, CBS, 1984; General Patrick Gordon, Peter the Great, NBC, 1986; Brigadier General Armin Von Roon, War and Remembrance, ABC, 1989; also Summer's Lease, BBC2. Pilots: Kleist, Keefer, ABC, 1978. Episodic: MinisterMelnikov, Murder, She Wrote, CBS, 1989; also Space 1999, syndicated, 1976. Movies: Geoffrey Moore, The Rhinemann Exchange, NBC, 1977; German official, Evita Peron, NBC, 1981; Baron Hunyadi, Phantom of the Opera, CBS, 1983; Thompson, Sadat, syndicated, 1983. Specials: Duke of Norfolk, Henry VIII; Warwick, Saint Joan; Leontes, The Winter s Tale; also King Lear. Also appeared in The Lovers of Florence, Brassneck, Lisa, Goodbye, Unity, The Contract, Sherlock Holmes, Slip-Up, and The Last Reunion.

JEREMY KEMP

KEMP, Jeremy

1935-

MEMBER: British Actors' Equity Association (council member for six years), Lords Taverners, Stage Golfing Society, Sparks.

PERSONAL: Born Jeremy Walker, February 3, 1935, near Chesterfield, England; son of Edmund Reginald (an engineer) and Elsa May (Kemp) Walker. EDUCATION—Studied acting at the Central School of Speech and Drama, London, 1955-58. MILITARY— British Army, Gordon Highlanders.

SIDELIGHTS: RECREATIONS—"As much sport as my age will allow: skiing, cricket, tennis, swimming, hiking, etc." ADDRESSES: AGENT—Marina Martin, 6-A Danbury Street, London NW 8JU, England.

VOCATION: Actor. CAREER: STAGE DEBUT—Landlord, Misery Me, Arts Theatre, Felixstowe, U.K., 1957. LONDON DEBUT—Orator, The Chairs, Royal Court Theatre, 1958. PRINCIPAL STAGE APPEARANCES— Malcolm, Macbeth, Old Vic Theatre, London, 1958; Sergeant Lugg, The Magistrate and Oliver, As You Like It, both Old Vic Theatre, 1959; Frank Broadbent, Celebration, Nottingham Playhouse, Nottingham, U.K., 1960, then Duchess Theatre, London, 1961; Hector Barlow, Afternoon Men, Arts Theatre, London, 1963; the Major, Incident at Vichy, Phoenix Theatre, London, 1966; Richard Howarth, Spoiled, Haymarket Theatre, London, 1971; Aston, The Caretaker, Mermaid TTieatre, London, 1972; Buckingham, Richard III, Olivier Theatre, London, 1979.

KENNEDY, Mimi

1948-

PERSONAL: Born September 25, 1948, in Rochester, NY; daughter of Daniel Gerald and Nancy Helen (Colgan) Kennedy; married Lawrence Edwin Dilg, May 27, 1978; children: John Francisco, Mary Jacinta. EDUCATION-^Graduated from Smith College, 1970. VOCATION: Actress.

PRINCIPAL FILM APPEARANCES—Vince Howard, Face of a Stranger, Allied Artists, 1964; Drake, Dr. Terror's House of Horrors, Regal Films, 1965; Phil Bradley, Operation Crossbow (also known as Operazione Crossbow, The Great Spy Mission, and Codename: Operation Crossbow), Metro-Goldwyn-Mayer, 1965; Willi Von Klugermann, The Blue Max, Twentieth Century-Fox, 1966; senior British officer, Cast a Giant Shadow, United Artists,

CAREER: BROADWAY DEBUT—Jan, Grease, Broadhurst Theatre, 1975. OFF-BROADWAY DEBUT—Anne Bonney, Hot Grog, Marymount Manhattan Theatre, 1977. PRINCIPAL STAGE APPEARANCES—Marilyn, Grownups, Center Theatre Group, Mark Taper Forum, Los Angeles, 1982; also appeared in Last of the Red Hot Lovers, 1972.

233

KERNS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Sally, Chances Are, Tri-Star, 1989; Eli's mom, Immediate Family, Columbia, 1989.

Richard Beck, ABC, 1985; Lana Singer, Stormin Home, CBS, 1985; Stephanie Blume, Mistress, CBS, 1987; Diane Pappas, Those She Left Behind, NBC, 1989; also V, NBC, 1983. Specials: Are You a Missing Heir?, ABC, 1978; Lifetime Salutes Mom, Lifetime, 1987; The Regis Philbin Show, Lifetime, 1987; The National Love and Sex Test, ABC, 1988; Second Annual StarSpangled Celebration, ABC, 1988; Like Mother, Like Daughter, Lifetime, 1988; host, Sea World's Miracle Babies and Friends, ABC, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Three Girls Three, NBC, 1977; Victoria Chasen, Stockard Channing in Just Friends, CBS, 1979; regular, The Big Show, NBC, 1980; Nan Gallagher, The Two of Us, CBS, 1981-82; Doris Winger, Spencer (also known as Under One Roof), NBC, 1984-85; Andrea Tobin, Family Man, ABC, 1988. Mini-Series: Pat Kennedy, Robert Kennedy and His Times, CBS, 1985. Episodic: Kristi Carruthers, "Aqua Vita," The Twilight Zone, CBS, 1986; Mrs. Parker, "Davy Crockett," Shelley Duvall's Tall Tales and Legends, Showtime, 1987; Miss Wagner, Homeroom, ABC, 1989; also "Popular Neurotics," American Playhouse, PBS, 1984; "The Man Who Was Death," Tales from the Crypt, HBO, 1989. Movies: Jenny, Getting Married, CBS, 1978; Arlene Gilbert, Thinlce, CBS, 1981; Eloise Davis, Bride ofBoogedy, ABC, 1987; Jane, Baby Girl Scott, CBS, 1987. Specials: Battle of the Network Stars, ABC, 1981; I've Had It Up to Here, NBC, 1981; Eloise Davis, Mr. Boogedy, ABC, 1986; voice of Mrs. Gridley, "The Mouse and the Motorcycle" (animated), ABC Weekend Specials, ABC, 1986.

RELATED CAREER—Actress in television commercials. NON-RELATED CAREER—Gymnast. WRITINGS: TELEVISION—Episodic: "Guess Who's Coming to Dinner," Growing Pains, ABC, 1989. ADDRESSES: AGENT—John Kimble, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.

WRITINGS: STAGE—(Contributor) Hard Sell, New York Shakespeare Festival, Public Theatre, New York City, 1980.

KERWIN, Brian

ADDRESSES: AGENT—Triad Artists, 10100 Santa Monica Boulevard, Los Angeles, CA 90067.*

1949-

PERSONAL: Born October 25, 1949, in Chicago, IL. EDUCATION—Attended the University of Southern California. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Emily, Manhattan Theatre Club, 1988. PRINCIPAL STAGE APPEARANCES—Title role, The Incredibly Famous Willy Rivers, Old Globe Theatre, San Diego, CA, 1986; also appeared in Strange Snow, Coast Playhouse, Los Angeles, 1986.

KERNS, Joanna 1953(Joanna de Varona) PERSONAL: Born Joanna de Varona, February 12, 1955, in San Francisco, CA; married Richard Kerns (a producer and director; divorced, 1985); children: Ashley.

MAJOR TOURS—Ed, Torch Song Trilogy, U.S. cities, 1983. VOCATION: Actress. PRINCIPAL FILM APPEARANCES—T.J. Swackhammer, Hometown, U.S.A., Film Ventures International, 1979; Bobby Jack Moriarty, Murphy's Romance, Columbia, 1985; George, Nickel Mountain, Ziv International, 1985; Hank Mitchell, King Kong Lives, De Laurentiis Entertainment, 1986; Ed, Torch Song Trilogy, New Line Cinema, 1988; also appeared in Getting Wasted, 1980; and Soft Explosion.

CAREER: PRINCIPAL STAGE APPEARANCES—(As Joanna de Varona) Zoe, blushing bride, nymph, pygmy, and Yew, Ulysses in Nigthtown, Winter Garden Theatre, New York City, 1974. PRINCIPAL STAGE WORK—Director, What Every Woman Knows, West Coast Ensemble Theatre, Los Angeles, 1989. MAJOR TOURS—(As Joanna de Varona) Two Gentlemen of Verona, New York Shakespeare Festival, U.S. and Canadian cities, 1973.

PRINCIPAL TELEVISION APPEARANCES—Series: Greg "Snapper" Foster, The Young and the Restless, CBS, 1976-77; Deputy Birdwell "Birdie" Hawkins, The Misadventures of Sheriff Lobo (also known as The B.J.ILobo Show), NBC, 1979-80; Deputy Birdwell "Birdie" Hawkins, Lobo, NBC, 1980-81. Mini-Series: Gideon Chisholm, The Chisholms, CBS, 1979; Malachy Hale, The Blue and the Gray, CBS, 1982; Dancy Cutler, Bluegrass, CBS, 1988. Pilots: Albie McRae, The Busters, CBS, 1978; Bruce Douglas, The Paradise Connection, CBS, 1979; Willie James, The James Boys, NBC, 1982. Episodic: The American Girls, CBS, 1978; Terence O'Casey, St. Elsewhere, NBC, 1986; also Birdwell "Birdie" Hawkins, B.J. and the Bear, NBC. Movies: Til Johnson, A Real American Hero, CBS, 1978; Jack Vanda, Power, NBC, 1980; Michael Carrington, Miss All-American Beauty, CBS, 1982; NickTodd, Intimate Agony, ABC, 1983;Keating, WetGold, ABC, 1984; also The Greatest Thing That Almost Happened, CBS, 1977. Specials: Battle of the Network Stars, ABC, 1980 and 1981; Hal

PRINCIPAL FILM APPEARANCES—Diana, Coma, United Artists, 1978; Nancy, Cross My Heart, Universal, 1987; Katharine Watson, Street Justice, Lorimar, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Pat Devon, The Four Seasons, CBS, 1984; Maggie Seaver, Growing Pains, ABC, 1985—. Mini-Series: Maria Marshall, Blind Faith, NBC, 1990. Pilots: Paula Saletta, The Return of Marcus Welby, M.D., ABC, 1984. Episodic: Cheryl Blaste, Hooperman, ABC, 1988; also Hill Street Blues, NBC; Laverne and Shirley, ABC; The Associates, ABC. Movies: Meg, Marriage Is Alive and Well, NBC, 1980; Doris Marshall, Mother's Day on Walton's Mountain, NBC, 1982; Doris Marshall, A Wedding on Walton's Mountain, NBC, 1982; Doris Marshall, A Day of Thanks on Walton's Mountain, NBC, 1982; Andrea, A Bunny's Tale, ABC, 1985; Anita Parrish, The Rape of 234

KING

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Library, 1985; Skeleton Crew, Putnam, 1985; Silver Bullet, New American Library, 1985; Maximum Overdrive, New American Library, 1986; It, Viking, 1986; The Eyes of the Dragon, Viking, 1981; Misery, Viking, 1987; The Tommyknockers, Putnam, 1987; The Dark Tower: The Gunslinger, New American Library, 1988; Nightmares in the Sky, Viking, 1988; The Dark Tower: The Drawing of the Three, New American Library, 1989; The Dark Half, Viking, 1989.

Graham, "Tales from the Hollywood Hills: Natica Jackson," Great Performances, PBS, 1987. AWARDS: Los Angeles Drama Critics' Circle Award nomination, Best Lead Performance, 1987, for Strange Snow; Theatre World Award, 1988, for Emily. ADDRESSES: AGENT—The Lantz Office, 9255 Sunset Boulevard, Suite 505, Los Angeles, CA 90069.*

MEMBER: Authors Guild, Screen Writers of America, Writers Guild of America, Screen Actors Guild. SIDELIGHTS: In addition to the films noted above for which Stephen King has written the screenplay, his novels and short stories have been adapted to such other projects as Carrie, United Artists, 1976; The Shining, Warner Brothers, 1980; The Dead Zone, Paramount, 1983; Cujo, Warner Brothers, 1983; Christine, Columbia, 1983; Firestarter, Universal, 1984; Children of the Corn, New World, 1984; Stand By Me, Columbia, 1986; the made for television movie Salem's Lot, CBS, 1979; and the stage musical Carrie, produced by the Royal Shakespeare Company in 1988.

KING, Stephen 1947(Richard Bachman) PERSONAL: Full name, Stephen Edwin King; born September 21, 1947, in Portland, ME; son of Donald (a sailor) and Nellie Ruth (Pillsbury) King; married Tabitha Jane Spruce (a writer), January 2, 1971; children: Naomi Rachel, Joseph Hillstrom, Owen Phillip. EDUCATION—University of Maine, B.S., 1970.

ADDRESSES: HOME—Bangor, ME.* VOCATION: Writer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Jordy, Creepshow, Warner Brothers, 1982; truck driver, Creepshow2, New World, 1987; priest, Pet Sematary, Paramount, 1989; also appeared in Knightriders, United Film Distribution, 1981; Maximum Overdrive, Dino De Laurentiis Entertainment, 1986.

KING, Woodie, Jr.

1937-

PERSONAL: Born July 27, 1937, in Mobile, AL; son of Woodie and Ruby (Johnson) King; married Willie Mae Washington (a teacher); children: Michelle, Woodie Geoffrey, Michael. EDUCATION—Graduated from the Will-o-Way School of Theatre, 1962; graduate work in theatre at Wayne State University; also attended the Detroit School of Arts and Crafts.

PRINCIPAL FILM WORK—Director, Maximum Overdrive, Dino De Laurentiis Entertainment, 1986; creative consultant, A Return to Salem's Lot, Warner Brothers, 1987. RELATED CAREER—Writer in residence, University of Maine, Orono, 1978-79.

VOCATION: Producer, director, writer, and actor.

NON-RELATED CAREER—High school English teacher, Hampden Academy, Hampden, ME, 1971-73; also worked as a janitor, mill worker, and laundry worker.

CAREER: STAGE DEBUT—Green Grow the Lilacs, Time Community Playhouse, Detroit, MI, 1957, for twenty five performances. OFF-BROADWAY DEBUT—White, A Study in Color, St. Mark's Playhouse, 1964, for sixteen performances. BROADWAY DEBUT— Young Negro, The Great White Hope, Alvin Theatre, New York City, 1968-69. PRINCIPAL STAGE APPEARANCES—Sulk, The Displaced Person, American Place Theatre, St. Clement's Church Theatre, New York City, 1966-67; Ed, The Perfect Party, Tambellini's Gate Theatre, New York City, 1969. Also appeared in ' 'Benito Cereno'' in The Old Glory, St. Clement's Church Theatre, 1965; Day of Absence, St. Mark's Playhouse, New York City, 1966; Who's Got His Own, American Place Theatre, New York City, 1966; Lost in the Stars, Equity Library Theatre, New York City, 1967.

WRITINGS: FILM—Creepshow, Warner Brothers, 1982; Cat's Eye, Metro-Goldwyn-Mayer/United Artists, 1985; Stephen King's Silver Bullet, Paramount, 1985; Maximum Overdrive, Dino De Laurentiis Entertainment, 1986; Pet Sematary, Paramount, 1989. OTHER—All novels, unless indicated. Carrie, Doubleday, 1974; Salem's Lot, Doubleday, 1975; The Shining, Doubleday, 1977; (as Richard Bachman) Rage, New American Library, 1977, also published in The Bachman Books: Four Early Novels, New American Library, 1985; Night Shift (short stories), Doubleday, 1978; The Stand, Doubleday, 1978; The Dead Zone, Viking, 1979; (as Bachman) The Long Walk, New American Library, 1979, also published in The Bachman Books, \985;Firestarter, Viking, 1980; (as Bachman) Roadwork, New American Library, 1981, also published in The Bachman Books, 1985; Danse Macabre (nonfiction), Everest, 1981; Cujo, Viking, 1981; (as Bachman) The Running Man, New American Library, 1982, also published in The Bachman Books, 1985; Different Seasons (novellas), Viking, 1982; Creepshow (graphic novel), New American Library, 1982; Christine, Viking, 1983; Pet Sematary, Doubleday, 1983; (with Peter Straub) The Talisman, Viking, 1984; (as Bachman) Thinner, New American Library, 1985; Cycle of the Werewolf, New American

FIRST LONDON WORK—Director, / Have a Dream, University of Sussex, 1989. PRINCIPAL STAGE WORK—Producer, A Black Quartet, Tambellini's Gate Theatre, then Frances Adler Theatre, both New York City, 1969; producer, Slave Ship, Chelsea Theatre Center, Brooklyn Academy of Music, Brooklyn, NY, 1969-70, then Washington Square Methodist Church, New York City, 1970; producer (with Dick Williams), In New England Winter, New Federal Theatre, Henry Street Playhouse, New York City, 1971; producer, Behold! Cometh the Vanderkellans, Theatre De Lys, New York City, 1971; producer (with Williams), Black Girl, New Federal Theatre, New York City, 1972; producer (with Williams), 235

KING

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Executive producer, Reggae, Biltmore Theatre, New York City, 1980; producer (with Steve Tennen), Branches from the Same Tree, New Federal Theatre, Harry DeJur Playhouse, 1980; producer (with Tennen), The Trial of Dr. Beck, Louis, Boy and Tarzan Appear in a Clearing, A Day Out of Time, and Child of the Sun, all New Federal Theatre, Harry DeJur Playhouse, 1981; producer (with Tennen), Things of the Heart: Marian Anderson s Story, The Dance and the Railroad, Widows, No, Steal Away, The Black People's Party, and Zora and When the Chickens Came Home to Roost (double-bill), all New Federal Theatre, Louis Abrons Arts for Living Center, New York City, 1981; director, Appear and Show Cause, Pittsburgh Public Theatre, 1981; producer (with Tennen), Dreams Deferred, Keyboard, La Chef a, Paper Angels, Love, and Jazz Set, all New Federal Theatre, Louis Abrons Arts for Living Center, 1982; producer (with Tennen), Who Loves the Dancer, The World of Ben Caldwell, and Portrait of Jennie, all New Federal Theatre, Harry DeJur Playhouse, 1982; producer, The Upper Depths, Wonderhorse Theatre, New York City, 1982; producer (with Tennen), Adam, Champeeen!, Trio, and Basin Street, all New Federal Theatre, Harry DeJur Playhouse, 1983; producer, Shades of Brown and The Trial of Adam Clayton Powell, Jr., both New Federal Theatre, Louis Abrons Arts for Living Center, 1983; director, Appear and Show Cause, Cleveland Playhouse, Cleveland, OH, 1983; producer (with others) and director, Dinah! Queen of the Blues, Westside Arts Center, Cheryl Crawford Theatre, New York City, 1983-84; producer, Oh! Oh! Obesity, New Federal Theatre, 1984. Producer, Long Time Since Yesterday, New Federal Theatre, Harry DeJur Playhouse, 1985; producer, Nonsectarian Conversations with the Dead, New Federal Theatre, Experimental Theatre, New York City, 1985; producer and director, Appear and Show Cause, New Federal Theatre, Theatre Guinevere, New York City, 1985; producer, In the House of Blues, New Federal Theatre, Louis Abrons Arts for Living Center, 1985; director, Love to All, American Place Theatre, 1985; director, Boesman and Lena, Northlight Theatre, Evanston, IL, 1985; producer and director, / Have a Dream, New Federal Theatre, Louis Abrons Arts for Living Center, 1985-86; producer, December Seventh, New Federal Theatre, Theatre Guinevere, 1986; producer, Williams and Walker, New Federal Theatre, 1986; producer, Stories About the Old Days, The Sovereign State of Boogedy Boogedy, and Time Out of Time, all New Federal Theatre, Louis Abrons Arts for Living Center, 1986; producer, Lillian Wald: At Home on Henry Street, New Federal Theatre, Harry DeJur Playhouse, 1986; director, Lady Day at Emerson s Bar and Grill, Alliance Theatre Company, Atlanta, GA, 1986; producer, Brother Malcolm, New Heritage Repertory Theatre, New York City, 1986; producer, Hats and Boogie Woogie and Booker, both New Federal Theatre, Louis Abrons Arts for Living Center, 1987; producer, The Meeting, From the Mississippi Delta, and Trinity, all New Federal Theatre, Harry DeJur Playhouse, 1987; director, 'night Mother, Virginia Museum Theatre, Richmond, VA, 1987; director, Checkmates, 46th Street Theatre, New York City, 1988; artistic consultant, Don't Get God Started, Longacre Theatre, New York City, 1987-88; producer, After Crystal Night and Mr. Universe, both New Federal Theatre, 1988; director, Splendid Mummer, American Place Theatre, 1988; director, God's Trombones, Shubert Theatre, Philadelphia, PA, 1988, then Ford's Theatre, Washington, DC, 1989, later Theatre of the Riverside Church, New York City, 1989.

WOODIE KING, JR.

A Recent Killing, New Federal Theatre, 1973; producer, What the Wine-Sellers Buy, New Federal Theatre, 1973, then (with Joseph Papp) New York Shakespeare Festival (NYSF), Vivian Beaumont Theatre, later (also director) NYSF, Mobile Theatre, both New York City, 1974; producer, The Prodigal Sister, Theatre De Lys, 1974. Producer, The First Breeze of Summer, Negro Ensemble Company, St. Mark's Playhouse, then Palace Theatre, both New York City, 1975; producer, The Taking of Miss Janie, St. Mark's Playhouse, then (with Papp) NYSF, Mitzi E. Newhouse Theatre, New York City, 1975; producer (with Paul Berkowsky and Lucille Lortel), Medal of Honor Rag, Theatre De Lys, 1976; director, Sizwe Banzi Is Dead, Pittsburgh Public Theatre, Pittsburgh, PA, 1976; producer, For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, New Federal Theatre, then (with Papp), NYSF, Public Theatre, New York City, 1976, then Booth Theatre, New York City, 1976-78; director, Cockfight, American Place Theatre, New York City, 1977; director, The First Breeze of Summer, Center Stage Theatre, Baltimore, MD, 1977; director, Siwze Banzi Is Dead, Studio Arena Theatre, Buffalo, NY, 1977; Daddy, New Federal Theatre, Henry Street Playhouse, 1977; director, Sizwe Banzi Is Dead, Indiana Repertory Theatre, Indianapolis, IN, 1978; director, A Raisin in the Sun, GeVa Theatre, Rochester, NY, 1978; producer, Hot Dishes!, Anna Lucasta, The God of Vengeance, and Black Medea, all New Federal Theatre, Harry DeJur Playhouse, New York City, 1978; producer, Take a Giant Step and In Splendid Error, both New Federal Theatre, Pilgrim Theatre, New York City, 1978; producer, Take Itfrom the Top andFlamingoFlomongo, both New Federal Theatre, Harry DeJur Playhouse, 1979; producer, Trouble in Mind and Raisin in the Sun, both New Federal Theatre, Pilgrim Theatre, 1979.

MAJOR TOURS—Producer (with Joseph Papp), What the WineSellers Buy, U.S. cities, 1975; producer (with Papp), For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, U.S. cities, 1978; director, Love to All, U.S. cities, 1981; director,

236

KIRCHENBAUER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Anthology, Columbia University Press, 1972; We Be Word Sorcerers, Bantam, 1973; also City Streets, Bantam. Has also written for such periodicals as Negro Digest, Black Creation, Black Scholar, Rockefeller Foundation Quarterly, Black American Literature Forum, Variety, Liberator, Black World, Drama Review, Black Theatre Magazine, New York Times, and Association for Study on Negro Life and History.

Home, U.S. cities, 1981-86; director, Appear and Show Cause, U.S. cities, 1985-86; director, I Have a Dream, U.S. cities, 1986; director, Checkmates, U.S. cities, 1987-88. PRINCIPAL FILM APPEARANCES—Jerry, Together for Days (also known as Black Cream), Olas, 1972; Larry, Serpico, Paramount, 1973. PRINCIPAL FILM WORK—Producer (with Herbert Danska) Right On! (documentary), Leacock-Pennebaker, 1970; producer (with St. Claire Burne) and director, The Long Night, Howard Mahler, 1976; producer and director, The Black Theatre Movement: "A Raisin in the Sun" to the Present (documentary), National Black Theatre Touring Circuit, 1978; director, The Torture of Mothers (documentary), Woodie King Associates, 1980; director, Death of a Prophet, National Black Theatre Touring Circuit, 1982.

RECORDINGS: ALBUMS—Producer, New Black Poets in America, Motown, 1972; producer, Nation Time, Motown, 1972. AWARDS: John Hay Whitney Fellowship for directing at the American Place Theatre, 1965-66; International Film Critics Award, 1970, for Right On!; New York Drama Critics' Circle Award, Best American Play, 1975, for The Taking of Miss Janie; Audelco Award, Best Director, 1986, for Appear and Show Cause; Joseph Jefferson Award nomination, Best Director, 1986, for Boesman and Lena; Carbonell Award nomination, Best Director, 1985, for Home; NAACP Image Award, Best Director, 1987, for Checkmates; also received an award from the American Women in Radio and Television for Women of the Regent Hotel; and fourteen Audelco Awards for Best Production or Best Director.

PRINCIPAL TELEVISION APPEARANCES—Episodic: NYPD, ABC; As the World Turns, CBS. PRINCIPAL TELEVISION WORK— Specials: Producer and director, Women of the Regent Hotel, CBS, 1988. RELATED CAREER—Professional model, 1955-68; drama critic, Detroit Tribune, 1959-62; co-founder and manager, Concept-East Theatre, Detriot, MI, 1960-63; cultural arts director, Mobilizations for Youth, New York City, 1965-70; arts and humanities consultant, Rockefeller Foundation, 1968-70; founder and director, New Federal Theatre, Henry Street Settlement, New York City, 1970—; lecturer, Yale University, New Haven, CT, 1973-77; founder, National Black Touring Circuit, 1980—; lecturer, Columbia University, New York City, 1984-86; visiting professor, Oberlin College, Oberlin, OH, 1985-86; also instructor, Penn State University, University Park, PA; founder, president, and cultural arts director, Woodie King Associates.

MEMBER: Actors' Equity Association, Screen Actors Guild, Directors Guild of America, Black Filmmakers Foundation, National Theatre Conference, Society of Stage Directors and Choreographers, Audelco, Theatre Communication Group, Association for Study of Negro Life and History. ADDRESSES: OFFICES—Woodie King Associates, 417 Convent Avenue, New York, NY 10031; New Federal Theatre, 466 Grand Street, New York, NY 10002.

WRITINGS: STAGE—The Weary Blues, Lincoln Center Library, New York City, 1966; Simple's Blues, Clark Center of Performing Arts, New York City, 1967.

KIRCHENBAUER, Bill

FILM—Right On!, Leacock-Pennebaker, 1970; (with Julian Mayfield) The Long Night, Howard Mahler, 1976; The Black Theatre Movement: "A Raisin in the Sun" to the Present (documentary), National Black Theatre Touring Circuit, 1978; The Torture of Mothers (documentary), Woodie King Associates, 1980; Death of a Prophet (documentary), National Black Theatre Touring Circuit, 1982; also The Beast of Harlem, Jet!, Black Dreams, Sunday February 21: The Day Malcolm X Died, and (with others) Harlem Transfer.

1953-

PERSONAL: Surname is pronounced "Kir-ken-bower"; born February 19, 1953, in Salzburg, Austria; son of Alfred Ellsworth (in the U.S. Army) and Hester Elaine (Andrews) Kirchenbauer; married Lynn Allison Robbins, April 25, 1987. EDUCATION— Attended St. Petersburg Junior College, 1972-73; studied improvisation and mime with Howard Storm. VOCATION: Actor and comedian.

TELEVISION—Episodic: Sanford and Son, NBC, 1974; Hot I Baltimore, ABC, 1975.

CAREER: PRINCIPAL FILM APPEARANCES—Doctor, Skatetown U.S.A., Columbia, 1979; crazed husband, "Municipalians" in National Lampoon Goes to the Movies (also known as National Lampoon's Movie Madness), Metro-Gold wyn-Mayer/United Artists, 1981; Jack Flyrm, Full Moon High, Filmways, 1982; Polish killer, They Call Me Bruce (also known as A Fistful of Chopsticks), Film Ventures, 1982; Gower, Stoogemania, Atlantic, 1986. Also appeared in Airplane, Paramount, 1980; G.O.R.P., Filmways, 1980; Night Patrol, New World, 1984.

OTHER—Editor, A Black Quartet, New American Library, 1970; editor (with Ron Milner), Black Drama Anthology, Columbia University Press, 1972, then New American Library, 1986; editor (with Earl Anthony), Black Poets and Prophets: The Theory, Practice, and Esthetics of the Pan-Africanist Revolution, New American Library, 1972; editor, Black Short Story Anthology, Columbia University Press, 1972; editor, Black Spirits: A Festival of New Black Poets in America, Random House, 1972; editor, The Forerunners: Black Poets in America, Howard University Press, 1975; Black Theatre: Present Condition (essays), Publishing Center for Cultural Resources, 1981; also editor, The Pan African Movement, 1974; editor, New Plays for the Black Theatre, Third World, 1988; also editor, Short Stories By Black Writers, New American Library. Short stories have appeared in The Best Short Stories By Negro Writers, Little, Brown, 1967; Black Short Story

PRINCIPAL TELEVISION APPEARANCES—Series: Tony Roletti, Fernwood Tonight, syndicated, 1977, retitled America 2-Night, syndicated, 1977-78; regular, Barbara Mandrell and the Mandrell Sisters, NBC, 1980-82; regular, The Book of Lists, CBS, 1982; Angry Arnie, The Investigators, HBO, 1984; Coach Graham Lubbock, Growing Pains, ABC, 1987-88; Coach Graham Lubbock, Just the Ten of Us, ABC, 1988—. Pilots: Guest, The Lisa Hartman 237

KITCHEN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ADDRESSES: AGENT—Bernie Young Agency, 6006 Greenbelt Road, Suite 285, Greenbelt, MD 20770.

KITCHEN, Michael

1948-

PERSONAL: Born October 31, 1948, in Leicester, England; children: one son. EDUCATION—Trained for the stage with the Belgrade Theatre, Coventry, U.K., 1965, with the National Youth Theatre, 1965, and at the Royal Academy of Dramatic Art, 1966-1969. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Cragge, Skyvers, Theatre Upstairs, London, 1971;BandoandMask,#/g Wolf, Royal Court Theatre, London, 1972; Will, Magnificence, Royal Court Theatre, 1973; Moritz Stiefel, Spring Awakening and Benvolio, Romeo and Juliet, both National Theatre Company, Old Vic Theatre, London, 1974; title role, The Picture of Dorian Gray, Greenwich Theatre, London, 1975; lago, Othello, Macbeth II, third murderer, and Porter, Macbeth, and Jack Chesney, Charley's Aunt, all National Theatre Company, Young Vic Theatre, London, 1975; Howard Needham, Sparrowfall, Hampstead Theatre Club, London, 1976; Foster, No Man's Land, National Theatre Company, Longacre Theatre, New York City, 1976, then Lyttelton Theatre, London, 1977; Nick, Bedroom Farce and Trotsky, State of Revolution, both National Theatre Company, Lyttelton Theatre, 1977; Lenny, The Homecoming, Garrick Theatre, London, 1978; Mercutio, Romeo and Juliet, Royal Shakespeare Company (RSC), Royal Shakespeare Theatre, Stratford-on-Avon, U.K., 1986; Hogarth, The Art of Success and Bolingbroke, Richard II, RSC, Stratford-on-Avon, then Barbican Theatre, London, both 1987. Also appeared at the Forum Theatre, Billingham, U.K, 1970; King's Head Theatre, Islington, U.K., 1970; and in On the Razzle and Rough Crossing, both National Theatre Company.

BILL KIRCHENBAUER

Show, ABC, 1979; Angry Arnie, Stopwatch: Thirty Minutes of Investigative Ticking, HBO, 1983; Kid's Crosswits, NBC, 1986. Episodic: Tony Roletti, Thicke of the Night, syndicated, 1984; Floyd, Mama's Family, syndicated, 1987; also Night Court, NBC, 1985; Crosswits, NBC, 1986; Win, Lose, or Draw, NBC, 1988; Todd Norman Taylor, Mork and Mindy, ABC; Madame's Place, syndicated; The Merv Griffin Show, syndicated; The Tonight Show, NBC; Late Night with David Letterman, NBC; Hour Magazine, syndicated; Make Me Laugh, syndicated; An Evening at the Improv, syndicated. Movies: Nick Grady, Jury Duty: The Comedy, ABC, 1990. Specials: Chevy Chase and Friends, NBC, 1977; Gallagher's Melon Crazy, Showtime, 1984; The Smothers Brothers Present the Young Comedians, HBO, 1985; Stand-Up Comics Take a Stand!, Family Channel, 1989; A Comedy Celebration: The Comedy and Magic Club's Tenth Anniversary Special, Showtime, 1989; also The Best of the American Comedians, BBC; The Dick Shawn Special.

PRINCIPAL FILM APPEARANCES—Bungabine, Unman, Wittering, andZigo, Paramount, 1971;Greg,DracM/# A.D. 7972 (also known as Dracula Today), Warner Brothers, 1972; Larner, Breaking Glass, GTO, 1980; Peter, Caught on a Train, British Film Institute, 1980; Berkeley Cole, Out of Africa, Universal, 1985; Bricks, Dykket (also known as The Dive), Gavin, 1989. Also appeared in Towards the Morning, 1980; Diessen, Pied Piper, 1989; Quinton, Fools of Fortune, 1990; Clive, The Russia House, 1990.

AWARDS: Winner of the first Los Angeles Stand-Up Comedy Competition, 1978.

TELEVISION DEBUT—Is That Your Body, Boy?, BBC. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: William Hatchard, Love Song, Anglia Television, then Masterpiece Theatre, PBS, 1987; also Branwell Bronte, The Brontes of Howarth. Movies: Rochus Misch, The Bunker, CBS, 1981; also The Justice Game, BBC-1, 1989. Specials: George Newton, Once the Killing Starts, ABC, 1974; Ian, Sleepwalker, ABC, 1975; Edmund, King Lear, BBC-2, 1982; also The Comedy of Errors, 1983. Also appeared in Brimstone and Treacle, produced in 1976, broadcast in 1985; Freud, 1982; as title role, Young Stephen Hind; D.H. Lawrence, Lawrence and Freda; and in No Man's Land, Bedroom Farce, The Long and the Short and the Tall, A Room for the Winter, Churchill's People, Fall of Eagles, The Best of Everything, Man at the Top, Ball Trap at the Cote Sauvage, and Benefactors.

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists.

RELATED CAREER—Assistant stage manager, Belgrade Theatre, Coventry, U.K., 1965.

RELATED CAREER—As a stand-up comedian, has appeared in comedy clubs and concert halls throughout the United States and Canada. NON-RELATED CAREER—Video electronics salesman. WRITINGS: TELEVISION—Episodic: Just the Ten of Us, ABC, 1990.

238

KONCHALOVSKY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 KONCHALOVSKY, Andrei

ADDRESSES: AGENT—Markham and Froggat Ltd., 4 Windmill Street, London Wl, England.

KNOPFLER, Mark

1937-

PERSONAL: Full name, Andrei Sergeyevich Mikhalkov-Konchalovsky; some sources note first name as Andron; born in 1937 in Moscow, U.S.S.R.; immigrated to the United States in 1980; son of Sergey Mikhalkov (a writer) and Natalia Konchalovskaia (a poet); married Natalya Arinbasarova (marriage ended); married second wife, 1969 (divorced); married third wife; children: two. EDUCATION—Graduated from the State Film School (VGIK), 1964, studying under Mikhail Romm; also studied piano at the Moscow Conservatoire, 1947-57.

1949-

PERSONAL: Born August 12, 1949, in Glasgow, Scotland; father, an architect; mother, a school teacher; second wife's name, Lourdes Salamone. EDUCATION—Received a degree in English literature from the University of Leeds, 1973.

VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Ivanovo detstvo (also known as My Name Is Ivan and Ivan's Childhood), Mosfilm, 1962, released in the United States by Sig Shore, 1963. PRINCIPAL FILM WORK—All as director, unless indicated: Assistant director, Ivanovo detsvo (also known as My Name Is Ivan and Ivan's Childhood), Mosfilm, 1962, released in the United States by Sig Shore, \963;Dyadya Vanya (also known as Uncle Vanya), Mosfilm, 1971, released in the United States by Artkino, 1972; Siberiade (also known as The Siberiad), Soviexport, 1979; Maria's Lovers, Cannon, 1985; Runaway Train, Cannon, 1985; Duet for One, Cannon, 1986; Shy People, Cannon, 1987; Tango and Cash, Warner Brothers, 1989; Homer and Eddie, Skouras, 1990. Also directed Malchik i golub (also known as The Boy and the Pigeon; short film), 1961; Pyervy uchityel (also known as The First Teacher), 1965; Istoriya Asi Klyachinoy, kotoraya lyubila, da nye vyshla zamuzh (also known as The Happiness of Asya, Happy Asya, Asya's Happiness, and The Story of Asya Klyachina, Who Loved But Did Not Marry), 1966; Dvoryanskoye gnezdo (also known as A Nest of Gentlefolk), 1969; Romans a uljublennyh (also known as Lovers' Romance and The Romance of Lovers), 1974.

VOCATION: Composer, singer, and guitarist. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—The Secret Policeman s Third Ball (conceit film), Virgin Vision, 1987. PRINCIPAL FILM WORK—Theme song arranger, The Princess Bride, Twentieth Century-Fox, 1987. PRINCIPAL TELEVISION APPEARANCES—Specials: The Prince's Trust All-Star Rock Concert, HBO, 1986; A Session with Chet Atkins, Certified Guitar Player (also known as Chet Atkins and Friends: Music from the Heart), Cinemax, 1987. RELATED CAREER—Member of the rock groups Brewer's Droop and Cafe Racers, both in London; founder and lead guitarist with the rock group Dire Straits, 1977—. NON-RELATED CAREER—Reporter and rock music critic, Yorkshire Evening Post, 1968-70; lecturer, Loughton College, 1973-77.

PRINCIPAL TELEVISION WORK—Movies: Director, Split Cherry Tree, HBO, 1982.

WRITINGS: All as composer. FILM—Local Hero, Warner Brothers, 1983; Cal, Warner Brothers, 1984; Comfort and Joy, Universal, 1984; Lucas, Twentieth Century-Fox, 1986; The Princess Bride, Twentieth Century-Fox, 1987. TELEVISION—In Private and Public: The Prince and Princess of Wales (documentary), British television, 1986.

WRITINGS: FILM—See production details above, unless indicated. (With Andrei Tarkovsky) Katok i skripka (also known as Violin and Roller, The Steamroller and the Violin, The Skating-Rink and the Violin, and The Violin and the Roller), Mosfilm, 1961, released in the United States by Artkino, 1962; (with Tarkovsky) Andrey Rubliov (also known as Andrei Rublev), Mosfilm, 1964; (with others) Pyervy uchityel, 1965; Istoriya Asi Klyachinov, kotoraya lyubila, da nye vyshla zamuzh, 1966; (with others) Dvoryanskoye gnezdo, 1969; Tashkent—gorod khlyebny (also known as TashkentCity of Bread), 1969; Pyesn o Manshuk (also known as The Song of Manshuk), 1969; The End of the Chieftain, 1970; Dyadya Vanya, 197'1; Romans o uljublennyh, 1914', Siberiade, 1978; (with Gerard Brach, Paul Zindel, and Marjorie David) Maria's Lovers, 1985; (with Tom Kempinsky and Jeremy Lipp) Duet for One, 1986; (with Brach and David) Shy People, 1987.

RECORDINGS: ALBUMS—Local Hero (original soundtrack), Warner Brothers, 1983; Cal (original soundtrack), Warner Brothers, 1984; Comfort and Joy (original soundtrack), Phonogram, 1985; The Princess Bride (original soundtrack), Warner Brothers, 1987. With Dire Straits: Dire Straits, Warner Brothers, 1978; Communique, Warner Brothers, 1979; Making Movies, Warner Brothers, 1980; Love Over Gold, Warner Brothers, 1982; Twisting By the Pool, Warner Brothers, 1983; Alchemy, Warner Brothers, 1984; Brothers in Arms, Warner Brothers, 1985.

TELEVISION—Movies: Split Cherry Tree, HBO, 1982.

AWARDS: Grammy Award (with Dire Straits), Best Performance by a Group, and MTV Video Music Awards (with Dire Straits), Best Group Video and Best Video of the Year, all 1986, for "Money for Nothing" from Brothers in Arms.

AWARDS: Special Jury Prize from the Cannes Film Festival, 1979, for Siberiade.

ADDRESSES: PUBLICIST—Warner Brothers Records, 3300 Warner Boulevard, Burbank, CA 91505.*

ADDRESSES: AGENT—Marty Baum, Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.* 239

KRISTEL KRISTEL, Sylvia

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1952-

RELATED CAREER—Professional model; winner of Miss TV Europe beauty contest.

PERSONAL: Born September 28, 1952, in Utrecht, the Netherlands; daughter of innkeepers.

NON-RELATED CAREER—Secretary and gas station attendant.*

VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Diana, Le Jeu avec le feu (also known as Playing with Fire), Union Generale Cinematographique, 1974; title role, Emmanuelle, Parafrance, 1974; Avril, Un Linceul n'a pas de poches (also known as No Pockets in a Shroud}, Societe Nouvelle Prodis, 1974; Julia, Der Lieberschuler (also known as Julia and Julia: Innocence Once Removed}, Cine-Media International, 1975; title role, Emmanuelle II (also known as Emmanuelle—The Joys of a Woman), Parafrance, 1976; Alice, Alice ou le derniere fugue (also known as Alice, or the Last Escapade), Filmel/PHPG, 1977; Diana, La Marge (also known as The Margin and The Streetwalker), Paris/New Realm Distributors, 1976; Mathilde Leroy, UneFemmefidele (also known as A Faithful Woman and Game of Seduction), Alpha/Spectro/ Virgin Vision, 1976; Krista, Rene la Canne (also known as Rene the Cane), President/AMLF, 1977; Marie Therese, Behind the Iron Mask (also known as The Fifth Musketeer), Columbia, 1977; title role, Goodbye Emmanuelle, Parafrance/Columbia-Warner Distributors, 1978, released in the United States by Miramax, 1980; Isabelle, The Concorde—Airport '79 (also known as Airport '79: The Concorde, Airport '79, and Airport '80: The Concorde), Universal, 1979; Dany Kielland, Mysteries, Cinevog, 1979.

KURYS, Diane

1949-

PERSONAL: Born in 1949 in France; daughter of Daniel (a clothing store owner) and Lena Kurys. VOCATION: Director, screenwriter, and actress. CAREER: PRINCIPAL FILM APPEARANCES—Casanova (also known as Fellini's Casanova), Universal, 1976. PRINCIPAL FILM WORK—Director and co-producer, Diabolo menthe (also known as Peppermint Soda), Gaumont, 1978, released in the United States by New Yorker, 1979; co-producer, Coup de sirocco (also known as Sirocco Blow), Gaumont/World Marketing, 1979; director, CocktailMolotov (also known as Molotov Cocktail), AMLF, 1979, released in the United States by New Yorker, 1981; co-producer, Le Grand Pardon (also known as The Big Pardon), Gaumont, 1981; director, Coup de foudre (also known as Entre nous, Between Us, and At First Sight), Gaumont/ Metro-Goldwyn-Mayer/United Artists Classics, 1983; director, Un Homme amoureux (also known as A Man in Love), Gaumont/ Cinecom International, 1987; director, La Baule—Les Pins, Union Generale Cinematographique, 1990.

Agent 34, The Nude Bomb (also known as The Return of Maxwell Smart), Universal, 1980; Constance Chatterley, Lady Chatterley's Lover, Prodis, 1981; Nicole Mallow, Private Lessons (also known as Philly), Jensen Farley, 1981; Ms. Regina Copuletta, Private School, Universal, 1983; Sylvia, Emmanuelle IV', Cannon, 1983; title role, Matatiari, Cannon, 1985; Sophia, Red Heat (also known as Rote Hitze), TAT Filmproduction/Inter-Ocean/Miracle, 1985; Vanessa, Draculas Widow, De Laurentiis Entertainment Group, 1989; Julie, The Arrogant (also known as Sylvia Kristel's Desires), Cannon, 1989. Also appeared inNiet voordepoesen (also known as Because of the Cats), Cinevog, 1972; Frank and Eva—Living Apart Together, Actueel, 1973; Letti Selvaggi (also known as Wilde Betten), Avis Filmverleih/Ascot Filmverleih, 1978; Tigers in Lipstick (also known as Wild Bed and Hijinks), Zodiac, 1978; The Big Bet, Golden Communications/Golden Harvest, 1986.

RELATED CAREER—Actress with Jean-Louis Barrault's theatre group; adaptor and translator of plays. WRITINGS: FILM—Diabolo menthe (also known as Peppermint Soda), Gaumont, 1978; (with Phillipe Adrien and Alain LeHenry) Cocktail Molotov (also known as Molotov Cocktail), AMLF, 1979; Coup de foudre (also known as Entre nous, Between Us, and At First Sight), Gaumont/Metro-Goldwyn-Mayer/United Artists Classics, 1983; (with Oliver Schatzky and Israel Horovitz) Un Homme amoureux (also known as A Man in Love), Gaumont/ Cinecom International, 1987; (with LeHenry) La Baule—Les Pins, Union General Cinematographique, 1990. AWARDS: Prix Louis Deluc, Best Picture, 1978, for Diabolo menthe; Academy Award nomination, Best Foreign Language Film, 1983, for Coup de foudre *

PRINCIPAL TELEVISION APPEARANCES—Pilots: Brett Devereaux, The Million Dollar Face, NBC, 1981. Movies: Maddalena, Casanova, CBS, 1987.

240

L LAKE, Harriette See SOTHERN, Ann

Law, NBC, 1974. Specials: Davy Henderson, "A Homerun for Love," ABC After school Specials, ABC, 1978; Hollywood's Most Sensational Mysteries, NBC, 1984. RELATED CAREER—Lecturer on theater arts, music, and speech, University of the Pacific, Santa Clara, CA; stage actor with the Cleveland Playhouse, Cleveland, OH.

LAMPKIN, Charles

1913-1989 OBITUARIES AND OTHER SOURCES: Variety, May 10-16, 1989.*

PERSONAL: Born in 1913 in Cleveland, OH; died of natural causes, April 17, 1989, in San Jose, CA; children: three stepchildren. EDUCATION—Attended John Carroll University and the Cleveland School of Music. VOCATION: Actor.

LANG, Belinda 1953CAREER: FILM DEBUT—Charles, Five, Columbia, 1951. PRINCIPAL FILM APPEARANCES—Taylor, Rider on a Dead Horse, Allied Artists, 1962; Gus, Toys in the Attic, United Artists, 1963; Lafe, One Man's Way, United Artists, 1964; Porter, The Rare Breed, Universal, 1966; Edward, Journey to Shiloh, Universal, 1968; cashroom guard, The Thomas Crown Affair (also known as Thomas Crown and Company and The Crown Caper), United Artists, 1968; Dr. Catlin, Watermelon Man, Columbia, 1970; Big Sid, Hammer, United Artists, 1972; Congressman Walding, The Man, Paramount, 1972; Jenkins, Cornbread, Earl, and Me, American International, 1975; mailman, Special Delivery, American International, 1976; Constable, Islands in the Stream, Paramount, 1977; Justice Josiah Clewes, First Monday in October, Paramount, 1981; Butler, 5.0.B., Paramount, 1981; Judge Richards, Second Thoughts, Universal, 1983; Willie Walsh, Swordkill, Empire, 1984; Pops, Cocoon, Twentieth Century-Fox, 1985; also appeared in Twilight of Honor (also known as The Charge Is Murder), Metro-GoldwynMayer, 1963; The Great White Hope, Twentieth Century-Fox, 1970.

PERSONAL: Born December 23, 1953; daughter of Jeremy (an actor) and Joan (an actress; maiden name, Heal) Hawk; married Hugh Fraser (an actor), October 15, 1988. EDUCATION—Trained for the stage at the Central School of Speech and Drama for three years. VOCATION: Actress and singer. CAREER: STAGE DEBUT—Amanda, Private Lives, Frinton Summer Theatre, Frinton, U.K., 1974. LONDON DEBUT—Daphne Stillington, Present Laughter, Vaudeville Theatre. PRINCIPAL STAGE APPEARANCES—Dolly, You Never Can Tell and Polly Peachum, The Threepenny Opera, both Oxford Playhouse, Oxford, U.K., 1977; Gerd, Brand and Helena, All's Well That Ends Well, both Oxford Playhouse, 1978; Vickey Hobson, Hobsons Choice, Hay market Theatre, London, 1982; Catherine, The Dark River, Orange Tree Theatre, London, 1984; Miss Sterling, The Clandestine Marriage, Albery Theatre, London, 1984; Ismene, Antigone, National Theatre, London, 1984; Melitta, Mrs. Klein, Apollo Theatre, London, 1989. Also appeared in Trouble in Paradise, Stratford Theatre Royal, London, 1984; Rumblings, Bush Theatre, London, 1985.

PRINCIPAL TELEVISION APPEARANCES—Series: Tiger Shepin, Frank's Place, CBS, 1987-88. Pilots: Captain Kingsley, Nick and Nora, ABC, 1975; also Deadlock, NBC, 1969; Jigsaw (also known as Man on the Move), ABC, 1972. Episodic: Clarence Robinson, Night Court, CBS, 1985; Bill, Bridges to Cross, CBS, 1986; Ezra, He's the Mayor, ABC, 1986; Felix, 227, NBC, 1987; Sam, Webster, ABC, 1987; also The Untouchables, ABC; The Bold Ones, NBC; TheF.B.L, ABC; The Jeffersons, CBS; The Incredible Hulk, CBS; Too Close for Comfort, ABC; Father Murphy, NBC; Scarecrow and Mrs. King, CBS; Highway to Heaven, NBC. Movies: Cook, Breakout, NBC, 1970; Wyn Stokey, Hurricane, ABC, 1974; George Lincoln, Panic on the 5:22, ABC, 1974; Irvin McDuffie, Eleanor and Franklin: The White House Years, ABC, 1977; Elroy, Last of the Great Survivors, CBS, 1984; Judge Clement Autley, The Last Innocent Man, HBO, 1987; also The

MAJOR TOURS—Dolly, You Never Can Tell and Polly Peachum, The Threepenny Opera, U.K. cities, 1977; Gerd, Brand and Helena, All's Well That Ends Well, U.K. cities, 1978. PRINCIPAL FILM APPEARANCES—Girl in bath, The Imitation Game, British Film Institute, 1980. TELEVISION DEBUT—Beth, To Serve Them All My Days, BBC, then Masterpiece Theatre, PBS, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Kate, Dear John, BBC, 1985 and 1987; Sheila, Bust, London Weekend Television, 1988. Mini-Series: 241

LATHAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Mae, reporter, and understudy for Miss Mona Stangley, The Best Little Whorehouse in Texas, 46th Street Theatre, 1978-79. PRINCIPAL STAGE APPEARANCES—Billie Fenstermacher, The Guys in the Truck, New Apollo Theatre, New York City, 1983; Miss Lucy, Sweet Bird of Youth, Playhouse in the Park, Cincinnati, OH, 1983. Also appeared as Dolly, Rainbow Dancing, Actors' Studio, New York City; Kate, What the Hell Nell!, Michael Bennett Studio, New York City; Maggie Murphy, Zapata, Goodspeed Opera House, East Haddam, CT; Titania, A Midsummer Night's Dream, Casa Manana Theatre, Fort Worth, TX; Mary, Drumwright, Tennessee Theatre. MAJOR TOURS—Gloria, Everybody Loves Opal, U.S. cities; Miss Mona Stangley, The Best Little Whorehouse in Texas, U.S. cities. FILM DEBUT—Charmane, In a Pig's Eye, Elsinore, 1989. PRINCIPAL TELEVISION APPEARANCES—Pilots: Party guest, A Fine Romance, CBS, 1983. Episodic: Susie, Downtown, CBS, 1986; Vera, Simon and Simon, CBS, 1986; State Trooper McElroy, St. Elsewhere, NBC, \9Sl;Shem,HeartBeat, ABC, 1988; Ginger, Night Court, NBC, 1988; Donna, In the Heat of the Night, NBC, 19%9'Lydia, Perfect Strangers, ABC, 1989; Angela Wilder, Hunter, NBC, 1989; also Out of This World, syndicated, 1987; The Van Dyke Show, CBS, 1988; Texas, NBC; Capitol, CBS; Matlock, NBC; LA. Law, NBC; Scarecrow and Mrs. King, CBS; 1st and Ten, HBO; One Big Family, syndicated. Movies: Christine, Love and Betrayal, CBS, 1989; also The Dain Curse, CBS, 1978; Broken Promise, CBS, 1981; The Man Who Fell to Earth, ABC, 1987. BELINDA LANG

Martha Brett, The Bretts, Central Television, 1986, then Masterpiece Theatre, PBS, 1987; Martha Brett, The Bretts II, Central Television, 1987, then Masterpiece Theatre, PBS, 1989. RELATED CAREER—Cabaret singer. SIDELIGHTS: RECREATIONS—Travel. ADDRESSES: AGENT—Ken McReddie, 91 Regent Street, London Wl, England.

LATHAN, Bobbi Jo

1951-

PERSONAL: Born Barbara Jo Lathan, October 5, 1951, in Dallas, TX; daughter of Allan Adale (a colonel in the U.S. Air Force) and Lillian Iris (a concert pianist; maiden name, Watson) Lathan; married Thanos Karris (an entertainment manager), June 6, 1976. EDUCATION—Received B.A. in English, speech, and drama from North Texas State University; studied acting with Peter Flood, Wynn Handman, and Bob Me Andrew. RELIGION—Christian Scientist. VOCATION: Actress. CAREER: STAGE DEBUT—Ursula, Sweet Charity, Casa Manana Theatre, Fort Worth, TX, 1973. BROADWAY DEBUT—Doatsey

BOBBI JO LATHAN

242

LEACH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

RELATED CAREER—Actress in television commercials, Dallas, TX; performer in a nightclub tour. NON-RELATED CAREER—School teacher. MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association. ADDRESSES: AGENT—Harry Gold and Associates, 12725 Ventura Boulevard, Suite E, Studio City, CA 91604. MANAGER—Karris/ Magerman Management, 4444 Woodman Avenue, Suite 4, Sherman Oaks, CA 91423.

LAURANCE, Matthew PERSONAL: Born in Hewlett, NY. EDUCATION—Received B.A. in political science from Tufts University; trained for the stage with Sanford Meisner at the Neighborhood Playhouse and with Uta Hagen at the HB Studios. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Dream House, Los Angeles; also appeared in productions of Tartuffe, Guys and Dolls, Romeo and Juliet, Who's Afraid of Virginia Woolf?, and The Glass Menagerie.

ROSEMARY LEACH

PRINCIPAL STAGE WORK—Assistant to director, On Golden Pond, New Apollo Theatre, New York City, 1979.

LEACH, Rosemary

1935-

PERSONAL: Born December 18, 1935, in Much Wenlock, England; daughter of Sidney (a teacher) and Mary Eileen (a teacher; maiden name, Parker) Leach; married Colin Starkey (an actor), November 3, 1981. EDUCATION—Attended the Royal Academy of Dramatic Art.

PRINCIPAL FILM APPEARANCES—Ronnie Ciello, Prince of the City, Warner Brothers, 1981; Sal Amato, Eddie and the Cruisers, Embassy, 1983; Ali, Best Defense, Paramount, 1984; Ardmore cop, Streets of Fire, Universal/RKO, 1984; Ron Dellasandro, St. Elmo's Fire, Columbia, 1985; Sal Amato, Eddie and the Cruisers II: Eddie Lives, Scotti Brothers, 1989. Also appeared in Dead Men Don't Wear Plaid, Universal, 1982.

VOCATION: Actress.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Saturday Night Live, NBC, 1981; Ben Coleman, Duet, Fox, 1987-89. Pilots: Tony Parese, Popeye Doyle, NBC, 1986. Episodic: Mark Forsch, Foley Square, CBS, 1985; Steve, My Sister Sam, CBS, 1986 and 1987; also Taxi, NBC, 1982; Cagney and Lacey, CBS; It's a Living, ABC. Movies: Nate, Consenting Adult, ABC, 1985; Dan, The Leftovers, ABC, 1986; Dr. Farber, Ordinary Heroes, ABC, 1986; Max, Samaritan: TheMitch Snyder Story, CBS, 1986; Marvin Bernstein, Do You Know the Muffin Man?, CBS, 1989.

CAREER: STAGE DEBUT—With the Amersham Repertory Theatre, Amersham, U.K., 1955. PRINCIPAL STAGE APPEARANCES— Queen Elizabeth, Richard III, St. George's Theatre, London, 1976; Vera, Just Between Ourselves, Queen's Theatre, London, 1977; Amy Evans, / Sent a Letter to My Love, Greenwich Theatre, London, 1979; Rosalind, As You Like It, St. George's Theatre, 1979; Helene Hanff, 84 Charing Cross Road, Ambassador's Theatre, London, 1981; Anne Wheatley, Other Worlds, Royal Court Theatre, London, 1983; also appeared in The Health Farm, King's Head Theatre, London, 1989.

SIDELIGHTS: RECREATIONS—Golf, basketball, Softball, and reading detective novels.

MAJOR TOURS—Lettice Douffet, Lettice andLovage, U.K. cities, 1990; also Daisy, Gert and Daisy, U.K. cities.

ADDRESSES: AGENT—Steve Dontanville, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. MANAGER—Mike Hewitson, DeMann Entertainment, 9200 Sunset Boulevard, Suite 915, Los Angeles, CA 90069. PUBLICIST— Baker/Winokur/Ryder Public Relations, 9348 Civic Center Drive, Suite 407, Beverly Hills, CA 90210.*

PRINCIPAL FILM APPEARANCES—Mary Bell, Face of a Stranger, Allied Artists, 1964; Kate, Ghost in the Noonday Sun, Columbia, 1973; Mrs. MacLaine, That'll Be the Day, EMI, 1974; voice of Vera, The Plague Dogs (animated), United International, 1984; Mrs. Inchcliff, Turtle Diary, Samuel Goldwyn, 1985; Mrs. Honeychurch, A Room with a View, Cinecom, 1986; Miss Scope,

243

LEAR

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

The Children, Isolde, 1989; also appeared in The Bride, Columbia, 1985.

1965; Divorce American Style, Columbia, 1967; The Night They Raided Minsky's (also known as The Night They Invented Striptease), United Artists, 1968; executive producer, Start the Revolution Without Me, Warner Brothers, 1970; (also director) Cold Turkey, United Artists, 1971; executive producer, The Princess Bride, Twentieth Century-Fox, 1987.

TELEVISION DEBUT—"Mr. Big," Armchair Theatre, ATV. PRINCIPAL TELEVISION APPEARANCES—Series: Now Look Here, 1973-74; Sadie, It's Cold Outside, 1975; Life Begins at Forty, 1978-79. Mini-Series: Aunt Fenny, The Jewel in the Crown, Granada, then Masterpiece Theatre, PBS, 1984; Joan PlumleighBruce, The Charmer, London Weekend Television (LWT), then Masterpiece Theatre, PBS, 1989; also Disraeli, ATV, 1977, then Masterpiece Theatre, PBS, 1980. Pilots: Philippa, To Sir, with Love, CBS, 1974. Episodic: Sister Agnes, "Displaced Person," American Playhouse, PBS, 1985; also Rumpole of the Bailey, Thames, 1979, thenMysteryf, PBS. Movies: Dulcinea, The Adventures of Don Quixote, CBS, 1973; Mrs. Gaines, Brief Encounter, NBC, 1974; Eleanor Trundle, Still Crazy Like a Fox, CBS, 1987; ahoS.O.S. Titanic, ABC, 1979. Specials: Marcelle, The Roads to Freedom, BBC, then PBS, 1972; Mrs. Walker, Once in a Lifetime, BBC, then Great Performances, PBS, 1988; Violet, "The Winslow Boy," Great Performances, PBS, 1990. Also appeared in Germinal, 1970; Chariots of Fire, 1970; No That's Me Over Here, 1970; The Wild Duck, 1970; Cider with Rosie, 1971; When the Wheel Turns, \912;Bermondsey, 1972; When Day Is Done, 1974; Tip Through the Tulips, 1976; Dad, 1976; Six Women, 1976; Hindle Wakes, 1977; Just Between Ourselves, \91%\Hands, 1979; All's Well That Ends Well, 1980; Swallows and Amazons, 1982; Leaving Home, LWT, 1987; Boon, Central Television, 1988; Summers' Lease, BBC, 1989; Othello; The Critic; The Power Game; Pleasure Where She Finds It; The Cupboard.

PRINCIPAL TELEVISION APPEARANCES—Specials: Bob Hope's World of Comedy, NBC, 1976; The American Comedy Awards, ABC, 1987; Hollywood's Favorite Heavy: Businessmen on Primetime TV, PBS, 1987; The Television Academy Hall of Fame, Fox, 1987; Fifty Years of Television: A Golden Celebration, CBS, 1989. PRINCIPAL TELEVISION WORK—Series: Producer (with Ed Simmons and Karl Hoffenberg) and director, The Martha Raye Show, NBC, 1954-56; producer, The Andy Williams Show, NBC, 1965; creator and executive producer, All in the Family, CBS, 1971-79; creator (with Aaron Ruben and Bud Yorkin) and executive producer (with Yorkin), Sanford and Son, NBC, 1972-77; creator and executive producer (with Rod Parker), Maude, CBS, 1972-78; executive producer, Good Times, CBS, 1974-79; creator, The Jeffersons, CBS, 1975-85; producer (with Ron Clark and Gene Marcione), Hot I Baltimore, ABC, 1975; executive producer, One Day At a Time, CBS, 1975-84; creator (with Parker) and executive producer, The Nancy Walker Show, ABC, 1976-77; creator, All's Fair, CBS, 1976-77; executive producer, Mary Hartman, Mary Hartman, syndicated, 1976-77; creator, All That Glitters, syndicated, 1977; executive producer, A Year At the Top, CBS, 1977; creator, Fernwood 2-Night, syndicated, 1977; executive producer, Forever Fernwood, syndicated, 1977-78; creator, Apple Pie, ABC, 1978; executive producer, Mr. Dugan, CBS, 1979 (three episodes produced but never broadcast); executive producer, Hanging In, CBS, 1979; creator and executive producer, The Baxters, syndicated, 1979; creator (with Alex Haley) and executive producer (with Haley and Ronald Rubin), Paimerstown, U.S.A., CBS, 1980-81; creator and executive producer, a.k.a. Pablo, ABC, 1984.

RELATED CAREER—Appeared with repertory companies in Coventry, Birmingham, and Liverpool, 1955-59. AWARDS: Society of West End Theatres Award nomination, Best Supporting Performance, 1977, for Just Between Friends; Olivier Award, Best Actress, 1981, for 84 Charing Cross Road. SIDELIGHTS: Rosemary Leach informed CTFT that she does not have a favorite role, but she "enjoyed playing Helene Hanff in 84 Charing Cross Road, Lettice Douffet in Lettice and Lovage, and Adelaide in Guys and Dolls." In addition she stated, "[I] prefer theatre and radio to other media."

Pilots: Producer, Band of Gold (broadcast as an episode of General Electric Theatre), CBS, 1961; executive producer (with Jerry Weintraub), King of the Road, CBS, 1978; executive producer (with Richard Dorso), P.O.P., NBC, 1984. Movies: Executive producer, Heartsounds, ABC, 1984. Specials: Producer (with Yorkin), The Danny Kaye Show, CBS, 1961; producer (with Yorkin), Henry Fonda and the Family, CBS, 1962; producer (with Yorkin), The Andy Williams Special, NBC, 1962; producer, Robert Young and the Family, 1970; executive producer (with Yorkin), / Love Liberty, ABC, 1982; also producer, The TV Guide Awards Show, 1962; creator and producer (with Yorkin), Another Evening with FredAstaire; creator and producer (with Yorkin), An Evening with Carol Channing; creator and producer (with Yorkin), The Many Sides of Don Rickles.

ADDRESSES: AGENT—William Morris Agency, 31-32 Soho Square, London WIV 5DG, England.

LEAR, Norman

1922-

PERSONAL: Full name, Norman Milton Lear; born July 27, 1922, in New Haven, CT; son of Herman (in sales) and Jeanette (Seicol) Lear; married second wife, Frances A. Loeb, December 7, 1956 (divorced); married Lyn Davis; children: Ellen (first marriage); Kate, Maggie (second marriage); Benjamin (third marriage). EDUCATION—Attended Emerson College, 1940-42. MILITARY— U.S. Army Air Force, technical sergeant, 1942-45.

RELATED CAREER—Worked in public relations, 1945-49; freelance comedy writer, 1950-54; founder (with Bud Yorkin), Tandem Productions, 1959; founder, T.A.T. Communications, later known as Embassy Communications, 1974; founder, Act III Communications, 1987. NON-RELATED CAREER—President, American Civil Liberties Foundation of Southern California; co-founder, People for the American Way; board of directors: Constitutional Rights Foundation, Helsinki Watch, Los Angeles Urban League, Mexican-American Legal Defense and Education Fund, and National Women's

VOCATION: Producer, director, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— All as producer, unless indicated: (With Bud Yorkin) Come Blow Your Horn, Paramount, 1963; Never Too Late, Warner Brothers,

244

LEIGH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Political Caucus; previously worked as furniture salesman and as a sidewalk photographer (specializing in baby pictures). WRITINGS: FILM—(With Herbert Baker, Walter DeLeon, and Ed Simmons) Scared Stiff, Paramount, 1953; Come Blow Your Horn, Paramount, 1963\DivorceAmericanStyle, Columbia, 1967; (with Arnold Schulman and Sidney Michaels) The Night They Raided Minsky's (also known as The Night They Invented Striptease), United Artists, 1968; Cold Turkey, United Artists, 1971. TELEVISION—Series: Staff writer, Ford Star Revue, NBC, 1951; staff writer, The Tennessee Ernie Ford Show, NBC, 1955-57; head writer, All in the Family, CBS, 1971-72. Episodic: a.k.a. Pablo, ABC, 1984; also The Colgate Comedy Hour, NBC; The George GobelShow, NBC. Pilots: P.O.P., NBC, 1984. Specials: (With Hal Kanter) The Danny Kaye Show, CBS, 1961; (with Toni Koch) Henry Fonda and the Family, CBS, 1962; (with Bud Yorkin) The Andy Williams Special, NBC, 1962; (with Richard Alfieri, Rita Mae Brown, Rick Mitz, and Arthur Allan Seidelman) / Love Liberty, ABC, 1982. AWARDS: Named one of the Top Ten Motion Picture Producers of the Year by the Motion Picture Exhibitors, 1963, 1967, and 1968; Academy Award nomination, Best Story and Screenplay Written Directly for the Screen, and Writers Guild Award nomination, both 1967, for Divorce American Style; Emmy Awards, 1970, 1971, 1972, and 1973, all for All in the Family; Showman of the Year Award from the Publicists Guild, 1971; Showman of the Year Award from the Association of Business Managers, 1972; Broadcaster of the Year Award from the International Radio and TV Society, 1973; Man of the Year Award from the National Academy of Television Arts and Sciences (Hollywood chapter), 1973; Humanitarian Award from the National Conference of Christians and Jews, 1976; Mark Twain Award from the International Platform Association, 1977; Valentine Davies Award from the Writers Guild of America, 1977; Showman of the Year Award from the Publicists Guild, 1977; Peabody Award, 1977, for All in the Family; William O. Douglas Public Counsel Award, 1981; First Amendment Lectureship Award from Ford Hall Forum, 1981; Gold Medal from the International Radio and TV Society, 1981; Distinguished American Award, 1984; inducted into the TV Academy Hall of Fame, 1984; Emmy Award nomination, Outstanding Drama, 1984, for Heartsounds; Mass Media Award from the American Jewish Committee Institute of Human Relations, 1986; International Award of the Year from the National Association of TV Program Executives, 1987; American Comedy Award, Lifetime Achievement Award, 1987. MILITARY A WARDS—Air Medal with four oak leaf clusters. HONORARY DEGREES—Emerson College, H.H.D., 1968.

JENNIFER JASON LEIGH

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Madge Owens, Picnic, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1986; title role, Sunshine, Circle Repertory Theatre, New York City, 1989. Also appeared in The Shadow Box, Los Angeles, 1979. FILM DEBUT—Tracy, Eyes of a Stranger, Warner Brothers, 1980. PRINCIPAL FILM APPEARANCES—Young girl, Wrong Is Right (also known as The Man with the Deadly Lens), Columbia, 1982; Stacy Hamilton, Fast Times at Ridgemont High, Universal, 1982; Allison, Easy Money, Orion, 1983; Candy Webster, Grandview, U.S.A., Warner Brothers, 1984; Agnes, Flesh and Blood, Orion/ Riverside, 1985; Nash, The Hitcher, Tri-Star, 1986; Teensy, The Men's Club, Atlantic Releasing, 1986; Tanille LaRoux, Under Cover, Cannon, 1987; Lucy Bonnard, Sister, Sister, New World, 1987; Carol Rivers, Heart of Midnight, Samuel Goldwyn, 1988; Lydia Johnson, The Big Picture, Columbia, 1989; Tralala, Last Exit to Brooklyn, AMLF/Cinecom, 1989.

MEMBER: Writers Guild of America, Screen Producers Guild (executive board member, 1968), Directors Guild of America, Producers Guild of America, American Federation of Television and Radio Artists, Caucus of Producers, Writers, and Directors. ADDRESSES: OFFICE—Act III Communications, 1800 Century Park E., Los Angeles, CA 90067.*

LEIGH, Jennifer Jason

PRINCIPAL TELEVISION APPEARANCES—Movies: Kristy Teeter, Angel City, CBS, 1980; Amy Wheeler, The Killing of Randy Webster, CBS, 1981; Casey Powell, The Best Little Girl in the World, ABC, 1981; Bonny Dillon, The First Time, ABC, 1982; Carol Heath, Girls of the White Orchid, NBC, 1983. Specials: Laurie, "I Think I'm Having a Baby," CBS Afternoon Playhouse, CBS, 1981; Andrea Fairchild, "Have You Ever Been Ashamed of Your Parents?," ABC Afterschool Specials, ABC, 1983; Madge Owens, Picnic, Showtime, 1986.

1958-

PERSONAL: Born in 1958 in Los Angeles, CA; daughter of Vic Morrow (an actor) and Barbara Turner (a television writer).

245

LELOUCH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

AWARDS: Best Actress Award from Los Angeles Valley College, 1979, for The Shadow Box.

mechants (also known as The Good and the Bad and The Good Guy and the Bad Guys), Films 13, 1975; producer and director, Le Chat et la souris (also known as Cat and Mouse), Films 13, 1975, released in the United States by Quartet, 1978; producer and director, Si c'etait a refaire (also known as Second Chance, If It Were to Do Over Again, and If I Had to Do It All Over Again), United Artists, 1976; director, Another Man, Another Chance (also known as Un Autre Homme, un autre chance), United Artists, 1977; executive producer, Moliere, Gades Film International/United Artists/Films 13, 1978; director and camera operator, Robert et Robert (also known as Robert and Robert), AMLF/Films 13, 1978; producer, Alors, Heureux?, Films 13, 1979; director, A nous deux (also known as An Adventure for Two and Us Two), AMLF, 1979.

ADDRESSES: AGENT—Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. MANAGER—Elaine Rich Management, 2400 Whitman Place, Los Angeles, CA 90068.*

LELOUCH, Claude

1937-

PERSONAL: Full name, Claude Barruck Joseph Lelouch; born October 30, 1937, in Paris, France; son of Simon and Charlotte (Abeilard) Lelouch; married Christine Cochet, 1968 (divorced); children: one son, two daughters. MILITARY—Served with Service-Cinema des Armees, 1958-60.

Producer and director, Les Uns et les autres (also known as Bolero), Sharp Features, 1981, released in the United States by Double, 1982; director, Edith et Marcel (also known as Edith and Marcel), Films 13/Parafrance, 1982, released in the United States by Miramax, 1984; producer and director, Viva la vie! (also known as Long Live Life!), Union Generale Cinematographique, 1984; producer and director, Partir revenir (also known as Going and Coming Back and Departing Return), Films 13/Union Generale Cinematographique, 1985; producer and director, Un Homme et une femme: vingt ans deja (also known as A Man and a Woman: Twenty Years Later), Warner Brothers, 1986; producer and director, Attention Bandits (also known as Les Nouveau bandits, Bandits, and Warning, Bandits), JP2A Audiovisuel/Grange Communications/Films 13/AAA, 1987; producer (with Jean-Paul Belmondo) and director, Itineraire d'un enfant gate (also known as Itinerary of a Spoiled Child and Der Gluckspilz), AFMD/JP2A Audiovisuel, 1988. Also producer, director, and editor, Le Mai du siecle, 1953; producer, director, and editor, USA en vrac, 1953; producer, director, and editor, Quand le rideau se leve, 1957; producer, director, and editor, La Guerre du silence, 1959; producer, director, and editor, Les Mecaniciens de I'armee de I'air, 1959; producer, director, and editor, S.O.S. Helicoptere, 1959; producer and director, Le Propre de I'homme (also known as The Right of Man), 1960; producer and director, 24 heures d'amant, 1964; producer, director, and cinematographer, Les Grands moments, 1965; producer and director, Jean-Paul Belmondo, 1965; producer and director, Pour un maillot jaune, 1965; producer and director, Rendez-vous, 1976.

VOCATION: Director, producer, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Metteur en scene, Confidences pour confidences (also known as Confidences for Confidences), Exportation Francaise Cinematographique, 1979; man on train, Happy New Year, Columbia, 1987; also appeared as Claude, Le Propre de I'homme (also known as The Right of Man), 1960. PRINCIPAL FILM WORK—Producer and director, La Femme spectacle (also known as Night Women), 1964, released in the United States by Olympic International, 1967; producer, director, and editor (with Claude Barrois), Une Fille et des fusils (also known as To Be a Crook), 1965, released in the United States by International/Comet, 1967; producer, director, cinematographer, and editor (with Barrois and G. Boisser), Un Homme et unfemme (also known as A Man and a Woman), Allied Artists, 1966; director, camera operator, and editor, Vivre pour vivre (also known as Live for Life and Vivere per vivere), United Artists/Lopert, 1967; director (with others), Loin de Vietnam (also known as Far from Vietnam), 1967, released in the United States by New Yorker, 1968; producer (with Alexandre Mnouchkine and Georges Dancigers), Les Gauloises bleues, 1968, released in the United States by Lopert, 1969; director (with Francois Reichenbach), 13 jours en France (also known as Grenoble; documentary), 1968, released in the United States by United Productions of America, 1969; director, La Vie, I'amour, la mort (also known as Life Love Death), Lopert, 1969; director and cinematographer, Un Homme qui me plait (also known as Histoire d'aimer, Again a Love Story, Un tipo chimi place, and Love Is a Funny Thing), 1969, released in the United States by United Artists, 1970.

RELATED CAREER—Made several short films as a "cinereporter," 1956-58; founder, Les Films 13 (a film production company), 1960—; produced 250 scopitones (short musicals shown on a video jukebox), 1960-62; publicist, Films and Scopitones, 1961-62; president and director-general, General Societe les Films 13, 1966—. WRITINGS: See production details above, unless indicated. FILM—Le Mai du siecle, 1953; USA en vrac, 1953; Quand le rideau se leve, 1957; La Guerre du silence, 1959; Les Mecaniciens de I'armee de I'air, 1959; S.O.S. Helicoptere, 1959; Le Propre de I'homme, 1960; La Femme spectacle, 1964; 24 heures d'amant, 1964; Les Grands Moments, 1965; Jean-Paul Belmondo, 1965; Pour un maillot jaune, 1965; (with Pierre Uytterhoeven) Une Fille et des fusils, 1965; (with Uytterhoeven) Une Homme et une femme, Allied Artists, 1966; (with Uytterhoeven) Vivre pour vivre, United Artists/ Lopert, 1967; (with Uytterhoeven and Francois Reichenbach) 13 jours en France, 1968; (with Uytterhoeven) La Vie, I'amour, la morte, 1969; (with Uytterhoeven) Un Homme qui me plait, 1969; (with Uytterhoeven) Le Voyou, 1971; Smie, Smae, Smoe, 1971; L'Aventure c'est I'aventure, 1972; (with Uytterhoeven) La Bonne Annee, 1973; (with Uytterhoeven) Toute une vie, 1974; (with

Director, Le Voyou (also known as The Crook), United Artists, 1971; director and cinematographer, Smie, Smae, Smoe, Films 13, 1971; producer, Ca n'arrive qu'aux autres (also known as It Only Happens to Others), GSF, 1971; director and cinematographer (with Jean Collomb), L'Aventure c'est I'aventure (also known as Money, Money, Money and Adventure Is Adventure), Films 13, 1972; director, "The Losers" in Visions of Eight (also known as Olympic Visions; documentary), Cinema V, 1973; producer, director, and cinematographer (with Collomb), La Bonne Annee (also known as Happy New Year and The Good Year), Films 13, 1973; director, Manage (also known as Marriage), Films 13, 1974; director, Toute une vie (also known as And Now My Love and A Lifetime), CFDC, 1974, released in the United States by AVCOEmbassy, 1975; director and cinematographer, Le Bon et les

246

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Uytterhoeven) Manage, 1974; Le Bon et les mechants, 1975; Le Chat et la souris, 1975; Si c'etait a refaire, 1976; Another Man, Another Chance, 1911'; Robert et Robert, 197'8; A nous deux, 1979; Les Uns et les autres, 1981; (with Uytterhoeven and Gilles Durieux) Edith et Marcel, 1982; (with Jerome Tonnerre) Viva la vie!, 1984; (with Uytterhoeven, Tonnerre, and Julie Pavesi) Partir revenir, 1985; (with Uytterhoeven, Monique Lange, and Tonnerre) Un Homme et unefemme: vingt ans deja, 1986; (with Uytterhoeven) Attention Bandits, 1987; Itineraire d'un enfant gate, 1988.

lege, 1944; Columbia University, M.A., 1947, Ph.D., 1952; studied at the Actors Workshop, 1947-55. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—The Ice Man Cometh, Circle in the Square, New York City, 1956. MAJOR TOURS—Bell boy, The Best Man, Hanna Theatre, Cleveland, OH, 1961.

AWARDS: Academy Awards, Best Foreign Film and (with Pierre Uytterhoeven) Best Story and Screenplay Written Directly for the Screen, Academy Award nomination, Best Director, and Golden Palm from the Cannes Film Festival, all 1966, for Une Homme et unefemme; Grand Prix du Cinema Francaise, 1967, for Vivre pour vivre; Prix Raoul Levy, 1970; chevalier, Ordre National du Merite, officier, Ordre des Arts et des Lettres.

PRINCIPAL FILM APPEARANCES—Machine Gun Manny, Pretty Boy Floyd, Continental, 1960; store owner, The World of Henry Orient, United Artists, 1964; Grandpa Munster, Munster, Go Home, Universal, 1966; Turkey, They Shoot Horses, Don't They?, ABC/Cinerama, 1969; Bert, The Boatniks, Buena Vista, 1970; messenger, They Might Be Giants, Universal, 1971; Judge Harrison, Used Cars, Columbia, 1980; Uncle Joe Russo, Married to the Mob, Orion, 1988; Mr. Wolfstadt, Bum Rap, Millennium, 1988. Also appeared in Black Starlet, Omni, 1974.

ADDRESSES: OFFICE—15 Avenue Hoche, 75008 Paris, France. PUBLICIST—Roberta Barrows, Warner Brothers Publicity Department, 4000 Warner Boulevard, Burbank, CA 91522.*

LEWIS, Al

LEWIS

PRINCIPAL TELEVISION APPEARANCES—Series: Uncle Al, The Uncle Al Show, ABC, 1958-59; Officer Leo Schnauser, Car 54, Where Are You?, NBC, 1961-63; Grandpa Munster, The Munsters, CBS, 1964-66. Episodic: Taxi, ABC, 1981. Movies: Mike Jacobs, Ring of Passion, NBC, 1978; Grandpa, The Munster's Revenge, NBC, 1981; also Save the Dog!, Disney Channel, 1988. Specials: Grandpa Munster, Marineland Carnival, CBS, 1965.

1923-

PERSONAL: Born Alexander Meister, April 30, 1923, in New York, NY; son of Alexander and Ida (Nedal) Meister; married Marge Domowitz, November 1, 1956; children: David, Theodore, Paul. EDUCATION—Graduated from Oswego State Teachers Col-

NON-RELATED CAREER—Lecturer on Black history in America; restaurateur. MEMBER: American Federation of Television and Radio Artists, Actors' Equity Association, Screen Actors Guild, American Guild of Musicians and Artists. ADDRESSES: AGENT—Abrams Artists and Associates, 9200 Sunset Boulevard, Suite 625, Los Angeles, CA 90048.*

LEWIS, Edmund

1959-

PERSONAL: Born Edmund Grossman, February 12, 1959, in London, England; son of Alfred (a shopkeeper) and Vera (a landlady; maiden name, Smith) Grossman. EDUCATION—Trained for the stage at the Royal Academy of Dramatic Art. VOCATION: Actor. CAREER: STAGE DEBUT—Anaethetist, Having a Ball, Palace Theatre, Watford, U.K. LONDON DEBUT—Skylight, Class Enemy, Man in the Moon Theatre, 1983. OFF-BROADWAY DEBUT— Tinkler, The Longboat, Harold Clurman Theatre, 1987. PRINCIPAL STAGE APPEARANCES—Willie, Without Apologies, Hudson Guild Theatre, New York City, 1988; also appeared as Steve/Reg, Up 'n Under, Hudson Guild Theatre; Tony, A Most Secret War, Harold Clurman Theatre, New York City; Walter Hamilton, Saint Florence, Capital Repertory Company, Albany, NY; Billy, Billy Liar, Paris, Romeo and Juliet, Mark, Kiss Me Hard, Kiss Me Quick, Kevin, What's My Handicap?, and various roles, Japanese No Plays, all in London.

AL LEWIS

247

LIGHT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

All Star, 1982; Anthony, "It's a Good Life" in Twilight Zone: The Movie, Warner Brothers, 1983. TELEVISION DEBUT—Tommy, And Your Name Is Jonah, CBS, 1979. PRINCIPAL TELEVISION APPEARANCES—Series: Mark Hogan, Valerie, NBC, 1986-87, retitled Valerie's Family, NBC, 1987-88, retitled The Hogan Family, NBC, 1988—. Pilots: Jed, Skeezer, NBC, 1982; also Jessie, CBS; Close to Home, NBC. Episodic: Angie, ABC; The Phoenix, ABC; St. Elsewhere, NBC; Hotel, ABC; Bay City Blues, NBC; Finder of Lost Loves, ABC. Movies: Jarod at age three, The Seekers, HBO, 1979; Paul, The Comeback Kid, ABC, 1980; Nick Harris, A Cry for Love, NBC, 1980; Byron, Father Figure, CBS, 1980; D.W. Demerjian, Once Upon a Family, CBS, 1980; Willie Carney, The Ordeal of Bill Carney, CBS, 1981; Michael Gibbs, Lois Gibbs and the Love Canal, CBS, 1982; David Maris, Lots of Luck, Disney Channel, 1985. Specials: Rufus, "All the Way Home," NBC Live Theatre, NBC, 1981; Matt Elder, "All the Kids Do It," CBS After school Special, CBS, 1984; as himself, Alvin Goes Back to School, NBC, 1986. RELATED CAREER—Actor in television commercials; model. NON-RELATED CAREER—Honorary chairor, annual Cystic Fibrosis "Bowl-for-Breath"; spokesperson for the March of Dimes. AWARDS: Youth in Film Award nomination, Best Actor in a Feature Film, 1984, for Twilight Zone: The Movie; Youth in Film Award, Best Actor in a Comedy Series, 1986, for Valerie. MEMBER: American Film Institute, International Thespian Society, Extraordinary Students of America, Students Against Driving

EDMUND LEWIS

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Parmenas, A.D., NBC, 1985. AWARDS: Drama Desk Award nomination, Outstanding Featured Actor in a Play, 1989, for Without Apologies; Silver Medal from the Royal Academy of Dramatic Art; recipient of stage fighting awards. MEMBER: Actors' Equity Association. SIDELIGHTS: RECREATIONS—Karate and all sports. ADDRESSES: AGENT—David Drummond Agency, 102 W. 75th Street, New York, NY 10023.

LICHT, Jeremy

1971-

PERSONAL: Surname is pronounced "licked"; full name, Jeremy Adam Licht; born January 4, 1971, in Los Angeles, CA; son of Dennis Howard and Trudi Marsha Licht. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—David, Lies My Father Told Me, Westwood Playhouse, Los Angeles. PRINCIPAL FILM APPEARANCES—Tim Johnson, The Next One,

JEREMY LICHT

248

LOGAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ADDRESSES: AGENT—Chris Black, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

Drunk, United Friends of the Children, Kidsnet, Famous Fone Friends, Purina Pet Program. SIDELIGHTS: RECREATIONS—Bowling. ADDRESSES: OFFICE—c/o The Hogan Family, Lorimar Studios, 10202 Washington Boulevard, Culver City, CA 90230.

LOGAN, Nedda Harrigan

1900-1989

PERSONAL: Born in 1900 in Rumson, NJ; died of lung cancer, April 1, 1989, in New York, NY; daughter of Edward "Ned" (a composer, writer, and vaudeville performer) and Anne Theresa (Braham) Harrigan; married Walter Connolly (an actor; died, May 28, 1940); married Joshua Logan (a director, producer, and writer), 1945 (died, July 1988); children: Ann (first marriage); Harrigan and Thomas (second marriage). EDUCATION—Graduated from the National Park Seminary.

LINNEA See QUIGLEY, Linnea

VOCATION: Actress.

LINVILLE, Joanne CAREER: PRINCIPAL STAGE APPEARANCES—Sister, The Childrens' Tragedy, Greenwich Village Theatre, New York City, 1921; Lisa Toselli, Treat 'em Rough, Klaw Theatre, New York City, 1926; Wells, Dracula, Fulson Theatre, New York City, 1927; Janet Aiken, Merry Andrew, Henry Miller's Theatre, New York City, 1929; Fifine, Becky Sharp, Knickerbocker Theatre, New York City, 1929; Estelle Fenley, Monkey, Mansfield Theatre, New York City, 1932; Myra Crana, Bidding High, Vanderbilt Theatre, New York City, 1932; Frieda Chatfield, Dangerous Corner, Empire Theatre, New York City, 1932; Felicia Mitchell, A Hat, a Coat, and a Glove, Selwyn Theatre, New York City, 1934; Natalia, Field of Ermine, Mansfield Theatre, 1935; Donna Lucia D'Alvadorez, Charley's Aunt, Cort Theatre, New York City, 1940; Edith Boiling Wilson, In Time to Come, Mansfield Theatre, 1941. Also appeared in A Woman of No Importance, Fulton Theatre, New York City, 1916; Cardinal Richelieu, Mohawk Drama Festival, Schenectady, NY, 1940; and in Three's a Family, Personal Appearance, and other plays produced in Europe by the U. S. O. during World War II.

PERSONAL: Born c. 1926, in California; father, in the oil business; married Mark Rydell (a director, producer, and actor), November 23, 1962 (divorced); children: Christopher. EDUCATION—Attended Compton Junior College; studied acting with Stella Adler. VOCATION: Actress. CAREER: BROADWAY DEBUT—Valeria, Daughter of Silence, Music Box Theatre, 1961. PRINCIPAL STAGE APPEARANCES— Johnny Johnson, Carnegie Hall Theatre, New York City, 1956; Gethsemane Springs, New Theatre for Now, Mark Taper Forum, Los Angeles, 1978. FILM DEBUT—Joanna, The Goddess, Columbia, 1958. PRINCIPAL FILM APPEARANCES—Sarah Cross, Scorpio, United Artists, 1973; Ria Gable, Gable and Lombard, Universal, 1976; Freddie, A Star Is Born, Warner Brothers, 1976; Dr. Weston, The Seduction, AVCO-Embassy, 1982.

MAJOR TOURS—A Woman's a Fool to Be Clever, U.S. cities, 1938; also appeared in Musical Moments (revue), U.S. cities.

TELEVISION DEBUT—Studio One, CBS, 1956. PRINCIPAL TELEVISION APPEARANCES—Series: Zina Willow, Behind the Screen, CBS, 1981-82. Pilots: Connie Durstine, The House on Greenapple Road, ABC, 1970. Episodic: Daisy Sage, "The Animal Kingdom," The Alcoa Hour, NBC, 1957; Lavinia, "The Passerby," The Twilight Zone, CBS, 196 l;Romulan commander, "The Enterprise Incident," Star Trek, NBC, 1968; Samuels, L.A. Law, NBC, 1988; also ' 'The Dead Part of the House'' and * 'Moment of Hate,'' One Step Beyond, ABC, 1959; Route 66, CBS, 1962; Dr. Kildare, NBC, 1962; Empire, NBC, 1962; Gunsmoke, CBS, 1962; Sam Benedict, NBC, \962'The Defenders, CBS, \962'The Dick Powell Show, NBC, 1962; The Nurses, CBS, 1962; Ben Casey, ABC, 1962; "The Pit," The Invaders, ABC, 1968; The Kaiser Aluminum Hour, NBC; "Mrs. 'arris Goes to Paris" and "American Primitive," Studio One, CBS; U.S. Steel Hour. CBS; Robert Montgomery Presents, NBC; Suspicion, NBC. Movies: Helen Warner, Secrets, ABC, 1977; Nan Forester, The Critical List, NBC, 1978; Elena's mother, The Users, ABC, 1978; Rosalind, The Right of the People, ABC, 1986; Dr. Anne Morgan, From the Dead of Night, NBC, 1989. Specials: Anvar, "The Ascent of Mount Fuji," Hollywood Television Theatre, PBS, 1978.

PRINCIPAL FILM APPEARANCES—Miss Burns, /' // Fix It, Columbia, 1934; Louise DeVoe, The Case of the Black Cat, Warner Brothers, 1936; Madame Lucretia Barelli, Charlie Chan at the Opera, Twentieth Century-Fox, 1936; Mrs. Tristo, Fugitive in the Sky, Warner Brothers, 1937; Madame Tchernov, Thank You, Mr. Moto, Twentieth Century-Fox, 1937; Mrs. Nelson, Men Are Such Fools, Warner Brothers, 1938; Countess Varloff, A Trip to Paris, Twentieth Century-Fox, 1938; Mrs. Burton, The Honeymoon's Over, Twentieth Century-Fox, 1939; Joan Trask, On Trial, Warner Brothers, 1939; Mrs. Long, Castle on the Hudson (also known as Years Without Days), Warner Brothers, 1940; Madame Lucien, Devil's Island, Warner Brothers, 1940; Seena Haynes, Scandal Sheet, Columbia, 1940. RELATED CAREER—Founder, Stage Door Canteen, New York City, 1942; trustee, National Corporate Theater Fund. NON-RELATED CAREER—Trustee, Museum of the City of New York.

RELATED CAREER—Member, Actors Studio; dancer, Las Vegas, NV.

AWARDS: Woman of the Year Award from the United Service Organizations (U.S.O.), 1983. 249

LOM

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MEMBER: Actors' Equity Association, Screen Actors Guild, Actors' Fund (president, 1979-89).

Distributors, 1944; Gregory Lang, Appointment with Crime, British National, 1945; Monsieur Andrea Roux, Hotel Reserve, RKO, 1946; Keitel, Night Boat to Dublin, Associated British/Pathe, 1946; Dr. Larson, The Seventh Veil, General Film Distributors/ Universal, 1946; Jules and George de Lisle, Dual Alibi, British National, 1947; Hendleman, The Girl in the Painting, Universal, 1948; Keramikos, Snowbound, Universal, 1949.

OBITUARIES AND OTHER SOURCES: New York Times, April 3, 1989; Variety, April 5-11, 1989.*

LOM, Herbert

Anthemus, The Black Rose, Twentieth Century-Fox, 1950; Rahman, Cage of Gold, Baling, 1950; Ranki, Golden Salamander, General Film Distributors, 1950; Max, Good Time Girl, Film Classics, 1950; Kristo, Night and the City, Twentieth Century-Fox, 1950; Dominic Danges, Hell Is Sold Out, Eros, 1951; Karl Theodor, The Great Manhunt, Columbia, 1951; Peter Hobart, The Lucky Mascot (also known as The Brass Monkey), Allied Artists, 1951; Ford, Schoolfor Brides (also known as Two on the Tiles], Hoffberg, 1952; Ford, Whispering Smith Versus Scotland Yard (also known as Whispering Smith Hits London}, RKO, 1952; Julius de Koster, Jr., The Paris Express (also known as The Man Who Watched Trains Go By), George Schaefer, 1953; Mados, Mr. Denning Drives North, Carroll, 1953; Alex Leon, Project M7 (also known as The Net), Universal, 1953; Maurice Meister, The Ringer, Regent, 1953; Peter Sandorski, Shoot First (also known as Rough Shoot), United Artists, 1953; Emil Landosh, Beautiful Stranger (also known as Twist of Fate), British Lion, 1954; Amico, The Love Lottery, General Film Distributors, 1954; Louis, TheLadykillers, Continental Distributors, 1956; Narbonne, Star of India, United Artists, 1956; Napoleon, War and Peace, United Artists, 1956; Vargas, Chase a Crooked Shadow, Warner Brothers, 1958; harbor master, Fire Down Below, Columbia, 1957; Trifon, Action of the Tiger, Metro-Goldwyn-Mayer(MGM), 1957; Gino, Hell Drivers, Rank, 1958; Major DuPaty de Clam, / Accuse!, MGM, 1958; Juan Menda, Intent to Kill, Twentieth Century-Fox, 1958; Orsini, The Roots of Heaven, Twentieth Century-Fox, 1958; Herod Antipas, The Big Fisherman, Buena Vista, 1959; Nick, Room 43 (also known as Passport to Shame), Cory, 1959; Emil Saxon, Third Man on the Mountain (also known as Banner in the Sky), Buena Vista, 1959.

1917-

PERSONAL: Born September 11, 1917, in Prague, Czechoslovakia; son of Charles and Olga (Gottlieb) Lorn; married Dina Scheu (divorced). EDUCATION—Studied acting at the Prague School of Acting, the London Embassy School, the Old Vic Theatre School, the Sadlers Wells School, and the Westminster School. VOCATION: Actor. CAREER: LONDON DEBUT—Dr. Larson, The Seventh Veil, Prince's Theatre, 1951. PRINCIPAL STAGE APPEARANCES—Pless, The Trap, Duke of York's Theatre, London, 1952; the King, The King and I, Drury Lane Theatre, London, 1953-55; Napoleon Bonaparte, Betzi, Haymarket Theatre, London, 1975. PRINCIPAL FILM APPEARANCES—Napoleon, The Young Mr. Pitt, Twentieth Century-Fox, 1942; Torg, The Dark Tower, Warner Brothers, 1943; medical officer, Secret Mission, General Film

Van Leyden, Flame Over India (also known as North West Frontier), Twentieth Century-Fox, 1960; Anton Reger, / Aim at the Stars, Columbia, \96Q;Tigranes,Spartacus, Universal, 1960; Ben Yussef, El Cid, Allied Artists, 1961; Waldo Zhernikov, The Frightened City, Allied Artists, 1961; Captain Nemo, Mysterious Island, Columbia, 1961; Castel Benac, I Like Money (also known as Mr. Topaze), Twentieth Century-Fox, 1962; Chong Sing, Tiara Tahiti, Zenith, 1962; title role, The Phantom of the Opera, Universal, 1962; Wilkie, No Tree in the Street (also known as No Trees on the Street), Seven Arts, 1964; Chief Inspector Charles Dreyfus, A Shot in the Dark, United Artists, 1964; Dr. Charles Bovard, Return from the Ashes, United Artists, 1965; Brinkley, Treasure of Silver Lake, Columbia, 1965; Mr. Casimir, Bang, Bang, You're Dead (also known as Marrakesh), American International, 1966; Shabhandar, Gambit, Universal, 1966; Randolph, The Karate Killers, MGM, 1967; Simon Legree, Uncle Tom's Cabin, Kroger Babb, 1968;Matt Wilson, Assignment to Kill, Warner Brothers, 1968; Diego, Eve (also known as The Face of Eve), Commonwealth, 1968; governor, 99 Women, Commonwealth United, 1969; Matt Wilson, Assignment to Kill (also known as The Assignment), Warner Brothers/ Seven Arts, 1969; General Huerta, Villa Rides, Paramount, 1968; Dr. Hassler, Journey to the Far Side of the Sun (also known as Doppelganger), Universal, 1969. Lord Henry Wotten, Dorian Gray (also known as The Secret of Dorian Gray, Das Bildnis des Dorian Gray, and // dio chiamato

HERBERT LOM

250

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

LONG

1979; Altar Boys, Theatre Four, New York City, 1979; The 1940's Radio Hour, St. James Theatre, New York City, 1979; The Impossible H.L. Mencken, American Place Theatre, 1979 and 1980; Passione, Playwrights Horizons, then Morosco Theatre, New York City, both 1980; Johnny on a Spot, Brooklyn Academy of Music, Brooklyn, NY, 1980; True West, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1980; Mass Appeal, Manhattan Theatre Club, New York City, 1980, then Booth Theatre, New York City, 1981; A Midsummer Night's Dream, Alaska Repertory Theatre, Anchorage/Fairbanks, AK, 1981; The Actor's Nightmare and Sister Mary Ignatius Explains It All for You (doublebill), Playwrights Horizons, 1981; Hunting Scenes from Lower Bavaria, Manhattan Theatre Club, 1981; Twelve Dreams, NYSF, Public Theatre, 1981; Nine, 46th Street Theatre, New York City, 1982; Poor Little Lambs, Theatre at St. Peter's Church, New York City, 1982; The Lady and the Clarinet, Lucille Lortel Theatre, New York City, 1983; American Passion, Joyce Theater, New York City, 1983; Play Memory, Longacre Theatre, New York City, 1984; The Tap Dance Kid, Broadhurst Theatre, New York City, 1983, then Minskoff Theatre, New York City, 1984; End of the World, Music Box Theatre, New York City, 1984; Nine, Opera House, Kennedy Center for the Performing Arts, Washington, DC, 1984; Hey Ma ... Kaye Ballard, Promenade Theatre, New York City, 1984; After the Fall, Playhouse 91, New York City, 1984.

Dorian), American International, 1970; Van Helsing, CountDracula, Phoenix, 1971; Marot, Murders in the Rue Morgue, American International, 1971; Byron, Asylum (also known as House of Crazies], Cinerama, 1972; Count Cumberland, Mark of the Devil (also known as Burn Witch Burn, Brenn Hexe Brenn, and Bis Aufs Blut Gequali), Hallmark Releasing, 1972; Henry Fengriffen, And Now the Screaming Starts, Cinerama, 1973; Prescott, Dark Places, Cinerama, 1974; Chief Inspector Charles Dreyfus, The Return of the Pink Panther, United Artists, 1975; Dr. Armstrong, Ten Little Indians (also known as And Then There Were None), AVCOEmbassy, 1975; ex-Chief Inspector Charles Dreyfus, The Pink Panther Strikes Again, United Artists, 1976; Inspector Watkins, Charleston, Analysis, 1978; former Chief Inspector Charles Dreyfus, Revenge of the Pink Panther, United Artists, 1978. Mikhail Yaskov, Hopscotch, AVCO-Embassy, 1980; Dr. Hartz, The Lady Vanishes, Rank/Group 1, 1980; Mr. Zebra, The Man with Bogart's Face (also known as Sam Marlow, Private Eye), Twentieth Century-Fox, 1980; Charles Dreyfus, The Trail of the Pink Panther, Metro-Goldwyn-Mayer/United Artists (MGM/U A), 1982; Charles Dreyfus, Curse of the Pink Panther, MGM/UA, 1983; Dr. Sam Weizak, TheDeadZone, Paramount, 1983; Ali Safa Bey, Memed My Hawk, Focus, 1984; Colonel Bockner, King Solomon s Mines, Cannon Group, 1985; General Mosquera, Whoops Apocalypse, ITC, 1987; Mackintosh, Going Bananas (also known as My African Adventure], Cannon Releasing, 1987; Elia, Skeleton Coast, Nelson Entertainment, 1988; Colonel Diaz, River of Death, Pathe Communications/Viacom, 1989; General Romensky, Ten Little Indians, Cannon Group, 1989; Ludwig, Masque of the Red Death, Twenty First Century, 1989. Also appeared in Mein Kempf— My Crimes, Associated British, 1940; Horse Without a Head, Buena Vista, 1963; Dragonard (also known as Master ofDragonard Hill), Cannon Releasing, 1987.

A Broadway Baby, Goodspeed Opera House, East Haddam, CT, 1985; The Marriage of Bette and Boo, NYSF, Public Theatre, 1985; One Man Band, South Street Theatre, New York City, \985;PrincipiaScriptoriae, Manhattan Theatre Club, 1986; Hamlet, NYSF, Public Theatre, 1986; Smile, Lunt-Fontanne Theatre, New York City, 1986; Sleight of Hand, Cort Theatre, New York City, 1987; Laughing Wild, Playwrights Horizons, 1987; Wenceslas Square, NYSF, Public Theatre, 1988; Mail, Music Box Theatre, 1988; Italian American Reconciliation, Manhattan Theatre Club, 1988; Lend Me a Tenor, Royale Theatre, New York City, 1989. Also Jungle Coup, Playwrights Horizons; A Quiet Place and Trouble in Tahiti, both Vienna Staatsoper, Vienna, Austria; Wozzeck, Welsh National Opera; Men's Fugue, Twyla Tharp Dance Company.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Monsieur Chardin, Lace, ABC, 1984. Pilots: Victor Russo, Mr. Jerico, ABC, 1970. Episodic: The Errol Flynn Theatre, Dumont, 1957. Movies: Dr. Roger Corder, The Human Jungle, syndicated, 1964; Barnabas, Peter and Paul, CBS, 1981. WRITINGS: Enter a Spy (novel), Merlin Press, 1978.

MAJOR TOURS—Costume designer, Nine, U.S. cities, 1984; costume designer, The Tap Dance Kid, U.S. cities, 1987.

MEMBER: British Actors' Equity Association, Screen Actors Guild, Reform Club. ADDRESSES: AGENTS—Camden Artists, 2121 Avenue of the Stars, Suite 401, Los Angeles, CA 90067; Duncan Heath Ltd., 162 Wardour Street, London W1V 3AT, England.

PRINCIPAL TELEVISION WORK—All as costume designer. Episodic: "Ask Me Again," American Playhouse, PBS, 1989. Specials: The 1985 Miss Universe Pageant, CBS, 1985; The 1988 Miss Universe Pageant, CBS, 1988; Miss Teen U.S.A., CBS, 1988; "Paul Taylor: Roses and Last Look," Great Performances, PBS, 1988.

LONG, William Ivey

RELATED CAREER—Costume designer: Yale Repertory Theatre, New Haven, CT, 1973-75; (also set designer) PAF Playhouse, Huntington Station, NY, 1977-79; Arena Stage, Washington, DC, 1978-79; American Repertory Theatre, Cambridge, MA, 1979; Goodman Theatre, Chicago, IL, 1981-82; Long Wharf Theatre, New Haven, CT, 1983-84; and with the Paul Taylor Dance Company.

VOCATION: Costume designer. CAREER: PRINCIPAL STAGE WORK—Costume designer: Two Small Bodies and Earth-Worms, both Playwrights Horizons, New York City, 1977; Conjuring an Event, American Place Theatre, New York City, 1978; The Vienna Notes, Playwrights Horizons, 1979; The Inspector General, Circle in the Square, New York City,

AWARDS: Antoinette Perry Award and Drama Desk Award, both Best Costume Designer, and Joseph Maharam Award, all 1982, for Nine; Antoinette Perry Award nomination, and Drama Desk Award, both Best Costume Designer, 1989, for Lend Me a Tenor.* 251

LONSDALE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

LONSDALE, Michael See LONSDALE, Michel

United Artists, 1975; President, Les Oeufs brouilles (also known as The Scrambled Eggs), Columbia-Warner Distributors, 1975; doctor, Aloise, Framo Diffusion, 1975; Fournier, Serieux comme le plaisir (also known as Serious As Pleasure), Lugo, 1975; David, La Traque (also known as The Track), Columbia-Warner Distributors, 1975; Morrison, Le Telephone rose (also known as The Pink Telephone), Gala Film Distributors/Gaumont International, 1975; Swan, The Romantic Englishwoman, New World, 1975; Pierre, Mr. Klein (also known as M. Klein), Twentieth Century-Fox/Lira/ Quartet, 1976; Aberaud, LImprecateur (also known as The Accuser and Der Anklager), Exportation Francaise Cinematographique/ Parafrance, 1977; Georges Aubert, Le Diable dans la boite (also known as The Devil in the Box), Madeleine/Societe Nouvelle de Cinema, 1977; storyteller (first story), Une sale histoire (also known as A Dirty Story), Films du Losange, 1977; waiter, Die Linkshandige Frau (also known as The Left-Handed Woman), Marin Karmitz/Artificial Eye, 1977, released in the United States by New Yorker, 1980; L'Huissier, Bartleby, Antenne 2, 1978; (as Michael Lonsdale) Alain Renoudot, The Passage, United Artists, 1979; (as Michael Lonsdale) Hugo Drax, Moonraker, United Artists, 1979.

LONSDALE, Michel 1931(Michael Lonsdale) PERSONAL: Born in 1931 in Paris, France. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—L'lnterrogateur, L'Amant Anglaise, Le Treteau de Paris, Barbizon-Plaza Theatre, New York City, 1971; recorded voice, The Human Voice, University Theatre, New York City, 1984. PRINCIPAL FILM APPEARANCES—(As Michael Lonsdale) Priest, LeProces (also known as The Trial, DerProzess, andllprocesso), Astor, 1963; secretary, Je vous salue Mafia (also known as Hail Mafia and Da New York: Mafia uccide), Goldstone, 1965; DebuBridel, Paris brule-t-il? (also known as Is Paris Burning?), Paramount, 1966; Morane, La Mariee etait en noir (also known as The Bride Wore Black), Artistes Associes, 1968; (as Michael Lonsdale) Cardinal Maffeo Barberini (later Pope Urban VIII), Galileo, Fenice Cinematografica/Rizzoli/Kinozenter, 1968, released in the United States by American Film Theatre, 1975; Stein, Detruire, dit-elle (also known as Destroy, She Said), Grove, 1969; Monsieur Tabard, Baisers voles (also known as Stolen Kisses), Lopert, 1969.

Narrator, Le Risque de vivre (also known as The Risk of Living), Roissy, 1984;Bodley,Em'gwtf, Embassy, 1983; St. E\igius,LeBon Roi Dagobert (also known as Good King Dagobert), Gaumont, 1984; (as Michael Lonsdale) the Senator, Erendira, Miramax, 1984; doctor, LeJuge (also known as The Judge), GEF, 1984; Ernst Manfredi, The Holcroft Covenant, Universal, 1985; (as Michael Lonsdale) Commissioner Bellanger, Billy-Ze-Kick, AAA/World Marketing, 1985; (as Michael Lonsdale) the Abbott, The Name of the Rose, Twentieth Century-Fox, 1986; Tanzmann, Der Madonna Mann (also known as The Madonna Man), Radiant/Studio Hamburg/Friedlander, 1988; XavierLorion, Souvenir, Palisades, 1988; Cammerschulze, Niezwylka Podroz Baltazara Kobera (also known as The Fabulous Journey of Balthazar Kober, The Tribulations of Balthazar Kobera, and Les Tribulations de Balthasar Kober), Film Polski/Jeck Films/La Sept, 1988. Also appeared in C'est arrive a Aden, 1956; Une Balle dans le canon, 1958; Les Fortes claquent, 1961; La Main chaude, 1960; Adorable Menteuse, 1961; Les Snobs, 1961; La Denonciation (also known as The Immoral Moment), 1962, released in the United States by Jerand Film Distributors, 1967; Tous les enfants du monde, 1963; Behold a Pale Horse, Columbia, 1964; Jaloux comme untigre, 1964;LesCopains, 1964; La Bourse et la vie, 1965; Le Judoka agent secret, 1966; Les Compagnons de la marguerite, 1966', L'Homme a laBuick, 1967; LAuthentique proces de Carl Emmanuel Jung, 1967; La Pince a angles (also known as The Nail Clippers), 1968; L'Hiver, 1969; Hibernatus, 1969; La Rose et le revolver, 1970; LEtalon, 1970; LAutomne, 1971; Jaune le soleil, 1971; La Grande Paulette, 1972; La Raison du plus fou (also known as The Right of the Maddest), Gaumont International, 1972; Les Jeux de la comtesse, 1981; Chariots of Fire, Twentieth Century-Fox, 1981; LEveille dupont d'Alma (also known as The Insomniac on the Bridge), Cite vox, 1985.

Man, Le Printemps (also known as Spring), Euro Images, 1971; French narrator, Les Annees Lumiere—1895-1900 (documentary; also known as The Lumiere Years), Planfilm, 1971; inspector, Les Assasins de Vordre (also known as The Assassins of Order), Productions Belles Rives, 1971; Lucas, // etait unfois unflic (also known as There Was Once a Cop), Gaumont, 1971; Father Henri, Le Souffle au coeur (also known as Murmur of the Heart and Dearest Love), Minerva/Walter Reade/Continental Distributing, 1971; Pasteur, La Vieille Fille (also known as The Old Maid), Valeria, 1971; Polyte, Papa lespetits bateaux (also known as Papa the Little Boats), CCFC, 1971; Thomas, Out One: Noli me tangere, Sunchild, 1971; Thomas, Out One: Spectre (also known as Spectre), Sunchild, 1972; Sergei, Chut!, Parafrance, 1971; Commissioner Lebel, The Day of the Jackal, Universal, 1973; Philippe, La Fille au violoncelle (also known as The Girl with the Cello), Albina Distribution, 1973; judge, Glissements progressifs du plaisir (also known as Successive Slidings of Pleasure), Fox-Lira, 1973; Stephane, Les Grands sentiments font les bons gueuletons (also known as Big Sentiments Make for Good Sports), Films la Boetie, 1973; Due de Croytor, Caravan to Vaccares, Rank, 1974; French Vice-Consul of Lahore, India Song, Artificial Eye, 1974; Jean Bermans, Le Fantome de la liberte (also known as The Phantom of Liberty and The Specter of Freedom), Twentieth Century-Fox, 1974; Dr. Mezy, Stavisky, Cinemation, 1974; Carlille, UnLinceul napas depoches (also known as No Pockets in a Shroud), Societe Nouvelle Prodis, 1974; judge, Les Suspects (also known as The Suspects), Valeria, 1974; painter, Une Baleine qui avail mal aux dents (also known as A Whale That Had a Toothache), Films 88, 1974.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: (As Michael Lonsdale) Grigoriev, Smiley's People, syndicated, 1982. Movies: (As Michael Lonsdale) Martin Bormann, The Bunker, CBS, 1981; Detective Dubois, Riviera, ABC, 1987. Specials: (As Michael Lonsdale) Narrator, "Tahiti: Fire Waters," Cousteaus Rediscovery of the World, TBS, 1988. RELATED CAREER—Stage actor in Paris, France.

Uncle, Folle a tuer (also known as Mad Enough to Kill), Fox-Lira, 1975; minister, Section speciale (also known as Special Section),

ADDRESSES: AGENTS—Plunket Greene Limited, 4 Ovington

252

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

of Four Colonels, Wyndham's Theatre, London, 1952; Major Petkoff, Arms and the Man, Arts Theatre, 1953; Oderbruch, The Devil's General, Savoy Theatre, London, 1953; the Vicar, / Capture the Castle, Aldwych Theatre, London, 1954; Ali, The Impresario from Smyrna, Arts Theatre, 1954; Fairchild, Sabrina Fair, Palace Theatre, London, 1954; Felix Dulay, My Three Angels, Lyric Theatre, London, 1955; the Honorable Gerald Piper, The Family Reunion, Phoenix Theatre, London, 1956; Duke Senior, As You Like It, King of France, King John, title role, Julius Caesar, Belarius, Cymbeline, and Gonzalo, The Tempest, all Shakespeare Memorial Theatre, Stratford-on-Avon, U.K., 1957; Friar Laurence, Romeo and Juliet, Feste, Twelfth Night, Polonius, Hamlet, Helicanus, Pericles, and Leonato, Much Ado About Nothing, all Shakespeare Memorial Theatre, 1958; Parolles, All's Well That Ends Well, Quince, A Midsummer Night's Dream, and Gloucester, King Lear, all Shakespeare Memorial Theatre, 1959; Sorin, The Seagull, Old Vic Theatre, London, 1960; Reginald Kinsale, Photo Finish, Saville Theatre, London, 1962; Dr. Wolfgang Himmelmann, Night Conspirators, Saville Theatre, 1963; David Lancaster, The Vortex, Yvonne Arnaud Theatre, Guildford, U.K., 1965; NT Comas, You Never Can Tell, Haymarket Theatre, London, 1966.

Gardens London SW3 1LS, England; Isabelle Kloucowsky, 16 Avenue de Bretevil, Paris 7E, France.*

LOUGHLIN, Lori PERSONAL: Surname is pronounced "Lock-in"; born July 28. in Long Island, NY. VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Susan Baxter, Amityville 3-D, Orion, 1983; Abby, The New Kids, Columbia, 1985; Toni, Secret Admirer, Orion, 1985; Christian, RAD, TriStar, 1986; Sandi, Back to the Beach, Paramount, 1987; Tara Mitchell, The Night Before, HBO Video/ITC Entertainment, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Jody Travis, The Edge of Night, ABC, 1980-83; Rebecca Donaldson, Full House, ABC, 1988-89. Pilots: Linda Craig, The Tom Swift and Linda Craig Mystery Hour, ABC, 1983; Christie, Brotherhood of Justice, ABC, 1986; Tammy, Old Money (broadcast as an episode of CBS Summer Playhouse), CBS, 1988. Episodic: Jenny Morrow, The Equalizer, CBS, 1986 and 1987. Movies: Judith Maple at age 14, Too Far to Go, NBC, 1979; Candy Cassidy, North Beach and Rawhide, CBS, 1985; Jenny Gavin, A Place to Call Home, CBS, 1987. Specials: Kelly, "Babies Having Babies," CBS Schoolbreak Special, CBS, 1986; Kay Cork, "Tales from the Hollywood Hills: The Old Reliable," Great Performances, PBS, 1988; Sally, "No Means No," CBS Schoolbreak Special, CBS, 1988.

MAJOR TOURS—Francis Morgan, Strip the Willow, U.K. cities, 1960. PRINCIPAL FILM APPEARANCES—Dr. Meinard, The Stranger from Venus (also known as Immediate Disaster and The Venusian), Princess Pictures, 1954; Hugh Ferguson, The Hostage, Eros, 1956; magistrate, The Birthday Present, British Lion, 1957; coroner, How to Murder a Rich Uncle, Columbia, 1957; doctor, Out of the Clouds, Rank, 1957; Colonel Harbottle, Invasion Quartet, MetroGoldwyn-Mayer (MGM), 1961; doctor, The Pumpkin Eater, Royal/Columbia, 1964; magistrate, Some People, American International, 1964; Sir Carmichael Clarke, The Alphabet Murders (also known as The ABC Murders), MGM, 1966; Archbishop Cranmer, A Man for All Seasons, Columbia, 1966; cabinet minister, The Naked Runner, Warner Brothers, 1967; Prior Houghton, Anne of the Thousand Days, Universal, 1969; Josiah Swineyard, Happy Deathday, MR A, 1969; magistrate, One More Time, United Artists, 1970; Professor Tringham, Cry of the Penguins (also known as Mr. Forbush and the Penguins), British Lion, 1972; Dr. Mark Eddington, Providence, Cinema V, 1977; also appeared in Murder in Reverse, Four Continents, 1946.

RELATED CAREER—Print model; appeared in television commercials. ADDRESSES: AGENT—Alan lezman, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

LUCKHAM, Cyril

LUCKHAM

1907-1989

PRINCIPAL TELEVISION APPEARANCES—Series: Lawrence Mont, The Forsyte Saga, BBC, then PBS, 1969-70. Mini-Series: Duke of Marlborough, Jennie: Lady Randolph Churchill, Thames, then PBS, both 1975; Edward Drexel, The Omega Factor, BBC, 1979, then syndicated, 1981; Bishop Proudie, "The Barchester Chronicles," Masterpiece Theatre, PBS, 1984. Movies: Murder at the Wedding and Donkey's Years. Specials: Dr. Baston, The Potting Shed, Yorkshire Television, then PBS, 1982; Bishop, Mrs. Silly, Granada, 1988, then PBS, 1989. Also appeared in The Guardians.

PERSONAL: Born July 25, 1907, in Salisbury, England; died February 7, 1989, in London, England; son of Charles Minty and Mary Emmeline (Browne) Luckham; married Violet Sylvia Lamb; children: two sons, one daughter. EDUCATION—Attended the Royal Naval College; studied for the stage with the Arthur Brough Players and at the Folkestone Dramatic School. MILITARY—Royal Navy, lieutenant. VOCATION: Actor.

RELATED CAREER—Actor with repertory companies at Folkestone, U.K., Manchester, U.K., Bristol, U.K., Coventry, U.K., and Southport, U.K., 1935-44; company member, Liverpool Playhouse, Liverpool, U.K., and the Old Vic Company, London, 194551.

CAREER: STAGE DEBUT—Footman, The Admirable Crichton, Leas Pavilion, Folkestone, U.K., 1935. LONDON DEBUT—Torvald Helmer, A Doll's House, Arts Theatre, 1945. PRINCIPAL STAGE APPEARANCES—Leonid Gayev, The Cherry Orchard, St. James's Theatre, London, 1948; the Victor, The Moment of Truth, Adelphi Theatre, London, 1951; Aaron, The Firstborn, Winter Garden Theatre, London, 1952; Voinitsky, Uncle Vanya, Arts Theatre, London, 1952; Colonel Desmond De S. Rinder-Sparrow, The Love

OBITUARIES AND OTHER SOURCES: Variety, February 15-21, 1989.*

253

LUCKINBILL

LUCKINBILL, Laurence

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1934-

for Now, Mark Taper Forum, 1973; Too Much Johnson, Center Theatre Group, Mark Taper Forum, 1975; The Guardsman, University of Arkansas, 1983, then Paper Mill Playhouse, Millburn, NJ, 1984; and The Fantasticks.

PERSONAL: Full name, Laurence George Luckinbill; born November 21, 1934, in Fort Smith, AR; son of Laurence Benedict and Agnes (Nulph) Luckinbill; married Robin Strasser (an actress), November 19, 1966 (divorced); married Lucie Arnaz (an actress), June 23, 1980; children: Laurence Nicholas, Benjamin Joseph (first marriage); Simon (second marriage); Jennifer (step-daughter). EDUCATION—Attended Fort Smith Junior College, 1951-52; University of Arkansas, B. A., 1955; Catholic University of America, M.F.A., 1957; postgraduate work at New York University, 1960; trained for the stage with Uta Hagen at the HB Studios and with George Kernodle at the University of Arkansas. MILITARY— U.S. Army, Chemical Corps, first lieutenant, 1956.

PRINCIPAL STAGE WORK—Director: Macbeth (Arabic production), Sudan, 1961; Our Town (Italian production), Rome, 1961; Old Acquaintance, Paramus, NJ, 1967. MAJOR TOURS—Will Roper, A Man for All Seasons, U.S. cities, 1963-64; Frank Bryant, Educating Rita, U.S. cities, 1981; He (Michael), I Do! I Do!, U.S. cities, 1983; and as Lyndon Johnson in a one-man show, U.S. cities, 1988. PRINCIPAL FILM APPEARANCES—Hank, The Boys in the Band, Cinema Center, 1970; Richard Messenger, Such Good Friends, Paramount, 1971; Wayne Nesbitt, Corky, Metro-Goldwyn-Mayer, 1972; narrator, Moonwalk One, Francis Thompson, 1972; Banks, The Money, Calliope, 1975; Noel Grossman, Jr., The November Plan, CIC, 1976; Dr. Gregson, The Promise, Universal, 1979; Mayor Claude Franklyn, Not for Publication, Samuel Goldwyn/ Thorne, 1984; Mr. Mooney, Cocktail, Buena Vista, 1988; Homer Foxx, Messenger of Death (also known as Avenging Angels), Pathe Releasing/Trans World, 1988; Sybok, Star Trek V: The Final Frontier, Paramount, 1989.

VOCATION: Actor and director. CAREER: OFF-BROADWAY DEBUT—Old shepherd, Oedipus Rex, Carnegie Playhouse, 1959. BROADWAY DEBUT—Will Roper, A Man for All Seasons, American National Theatre and Academy Theatre, New York City, 1963. LONDON DEBUT—Hank, The Boys in the Band, Wyndham's Theatre, 1969. PRINCIPAL STAGE APPEARANCES—George Fabry, There Is a Play Tonight, Theatre Marquee, New York City, 1961; lago, Othello, Hotspur, Henry IV, Part One, and Justice Swallow, Henry IV, Part Two, all Great Lakes Shakespeare Festival, Cleveland, OH, 1962; title role, Caligula, McCarter Theatre, Princeton, NJ, 1962; Simon Holt, Beekman Place, Morosco Theatre, New York City, 1964; Damis, Tartuffe, American National Theatre and Academy, Washington Square Theatre, New York City, 1965; title role, Galileo, McCarter Theatre, 1965; Biff Loman, Death of a Salesman and Edmund, King Lear, both American Conservatory Theatre, San Francisco, CA, 1966; Orestes, The Flies, APA Repertory Theatre, New York City, 1966; Hank, The Boys in the Band, Theatre Four, New York City, 1968; Sensuality, Horseman, Pass By, Fortune Theatre, New York City, 1969.

PRINCIPAL TELEVISION APPEARANCES—Series: Frank Carver, The Secret Storm, CBS, 1967-68; Steve Prescott, Where the Heart Is, CBS, 1969-70; Glenn Garth Gregory, The Delphi Bureau, ABC, 1972-73. Mini-Series: Major Richard Arnold, Ike (also known as Ike: The War Years}, ABC, 1979; narrator, James A. Michener's "Space" (also known as Space), CBS, 1985. Pilots: Howard, Lights Out, NBC, 1972; Glen Garth Gregory, The Delphi Bureau, ABC, 1972; Dr. Glickman, Momma the Detective, NBC, 1981; Adam Margolin, OneMore Try, CBS, 1982; also Someoneto Watch Over Me, NBC, 1975. Episodic: Howard, Murder, She Wrote, CBS, 1985; Frank Bradford, Hotel, ABC, 1987; narrator, "Robert Frost," Voice sand Visions, PBS, 198 8; Sergeant Cooper, Murder, She Wrote, CBS, 1988; also N.Y.P.D., ABC, 1968; The Bold Ones, NBC, 1970; NET Playhouse Biography, NET, 1971; Bonanza, NBC, 1971; Mission: Impossible, CBS, 1912; The F.B.I., ABC, 1974; Harry O, ABC, 1974; The Rookies, ABC, 1974; Barnaby Jones, CBS, 1974; The Mary Tyler Moore Show, CBS, 1975; City of Angels, NBC, 1976.

Ted, "The Electric Map" in The Memory Bank, Tambellini's Gate Theatre, New York City, 1970; Dr. Prentice, What the Butler Saw, McAlpin Rooftop Theatre, New York City, 1970; Patrick, A Meeting By the River, Center Theatre Group, New Theatre for Now, Los Angeles, then Phoenix Theatre Sideshows, Edison Theatre, New York City, both 1972; Frank Elliot, Alpha Beta, Eastside Playhouse, New York City, 1973; Brian, The Shadow Box, Center Theatre Group, Mark Taper Forum, Los Angeles, 1975, then Long Wharf Theatre, New Haven, CT, 1976, later Morosco Theatre, New York City, 1977; Anton Ignatyevich Kerzhentsen and Hamlet, Poor Murderer, Ethel Barry more Theatre, New York City, 1976; Simon, A Prayer for My Daughter, New York Shakespeare Festival, Public Theatre, New York City, 1978; title role, Galileo, New York Actors Theatre, Havemeyer Hall, Columbia University, New York City, 1978; George Schneider, Chapter Two, Imperial Theatre, New York City, 1979.

Movies: Lawrence Lewis, Panic on the 5:22, ABC, 1974; Don Davies, Death Sentence, ABC, 1974; Bill Anderson, Winner Take All, NBC, 1975; Governor Hal Hoffman, The Lindbergh Kidnapping Case, NBC, 1976; Harry McClain, The Mating Season, CBS, 1980; Jim Burton, One Terrific Guy, CBS, 1986; Senator Bob Mathias, To Heal a Nation, NBC, 1988; also Murder Impossible, ABC, 1974. Specials: And the Bones Came Together, ABC, 1973; " A Special Act of Love," ABC Afternoon Playbreak, ABC, 1973; title role, Lyndon Johnson, PBS, 1987. Also appeared as Pabundren, As I Lay Dying.

Ralph Michaelson, Past Tense, Circle in the Square, New York City, 1980; Ken Harrison, Whose Life Is It Anyway?, Wilshire Theatre, Los Angeles, 1980; Vernon Gersch, They're Playing Our Song, St. Louis Municipal Opera, St. Louis, MO, 1982; He (Michael),/ Do! I Do!, Dallas Music Hall, Dallas, TX, 1983; Dick Biehm, Dancing in the End Zone, Ritz Theatre, New York City, 1985; David Kahn, Social Security, Ahmanson Theatre, Los Angeles, then Royal Poinciana Playhouse, Palm Beach, FL, both 1987. Also appeared in Faces in the American Mirror, 1963; Arms and the Man, 1965; Sodom and Gomorrah, Playhouse in the Park, Cincinnati, OH, 1966-67; Tadpole, Center Theatre Group, New Theatre

RELATED CAREER—Manager, National Players Inc., 1957-60; drama advisor, U. S. State Department, Khartoum, Sudan, 1961; visiting lecturer, University of Rome, Rome, Italy, 1962; drama lecturer, Queensborough Community College, Queens, NY, 196768; founding director, New York Actors Theatre, New York City, 1978; stage carpenter. NON-RELATED CAREER—Cannery worker.

254

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

Collegiate (also known as Farewell to Fame), Monogram, 1941; Kumi, Mr. and Mrs. North, MGM, 1941; Mr. Toy, They Met in Bombay, MGM, 1941; steamship officer clerk, Across the Pacific, Warner Brothers, 1942; secretary, Destination Unknown, Universal, 1942; Dr. Lee Wong How, Dr. Gillespie's New Assistant, MGM, 1942; Jerry, The Falcon s Brother, RKO, 1942; surgeon, Invisible Agent, Universal, 1942; Japanese statesman, Journey for Margaret, MGM, 1942; Lao Lee, Mexican Spitfire's Elephant, RKO, 1942; Wellington Wong, North to the Klondike, Universal, 1942; Thomas Chang, Somewhere I'll Find You, MGM, 1942; Haru, Spy Ship, Warner Brothers, 1942; Ah Foo, A Tragedy at Midnight, Republic, 1942; Kim How, A Yank on the Burma Road (also known as China Caravan), MGM, 1942; Dr. Lee Wong How, Dr. Gillespie's Criminal Case (also known as Crazy to Kill), MGM, 1943; Flashy Logaz, Salute to the Marines, MGM, 1943; Captain Wing, The Adventures ofSmilin Jack (serial), Universal, 1943; Dr. Lee, Andy Hardy's Blonde Trouble, MGM, 1944; Dr. Lee Wong How, Between Two Women, MGM, 1944; Dr. Lee Wong How, Three Men in White, MGM, 1944.

WRITINGS: STAGE—Roy Brightswood (also known as Roy Hurd); The Golden Gate. OTHER—Feature People; also contributor to journals and periodicals. AWARDS: Variety New York Drama Critics' Poll, Best Actor, 1970, for The Memory Bank; Distinguished Achievement Award from the Catholic University Alumni, 1976; Antoinette Perry Award nomination, 1977, for The Shadow Box; Arkansas Traveller Award, 1979. MEMBER: Actors' Equity Association (council member, 196869), Screen Actors Guild (director, 1971-72), American Federation of Television and Radio Artists, American Civil Liberties Union, Players Club, Underwater Society, Democratic Club. SIDELIGHTS: FAVORITE ROLE--Galileo. RECREATIONS—Writing articles about the theatre and film. ADDRESSES: OFFICE—c/o Richard M. Rosenthal, 445 Park Avenue, New York, NY 10022. AGENT—Artists Agency, 10000 Santa Monica Boulevard, Suite 305, Los Angeles, CA 90067.*

LUKE, Keye

LUKE

Haan-Soo, First Yank into Tokyo (also known as Mask of Fury), RKO, 1945; Ah Fong, Secret Agent X-9 (serial), Universal, 1945; Charlie Otani, Tokyo Rose, Paramount, 1945; as himself, How Do You Do?, Producers Releasing, 1946; Tal Shan, Lost City of the Jungle (serial), Universal, 1946; Dr. Lee Wong How, Dark Delusion (also known as Cynthia's Secret), MGM, 1947; Lee Chan, The Feathered Serpent, Monogram, 1948; Jimmie, Sleep, My Love, United Artists, 1948; Loy, Waterfront at Midnight, Paramount, 1948; Lee Chan, Sky Dragon, Monogram, 1949; Ramundo, Young Man with a Horn (also known as Young Man of Music), Warner Brothers, 1950; Pidada, Fair Wind to Java, Republic, 1953; Japanese officer, South Sea Woman (also known as Pearl of the South Pacific), Warner Brothers, 1953; Chief Don, Hell's Half Acre, Republic, 1954; Wong, World for Ransom, Allied Artists, 1954; Li Ching, The Bamboo Prison, Columbia, 1955; elder brother, Love Is a Many-Splendored Thing, Twentieth CenturyFox, 1955; Captain Kuo Tai, Battle Hell (also known as Yangtse Incident), Herbert Wilcox, 1956.

1904-

PERSONAL: Born June, 1904, in Canton, China. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Wang Chi Yang, Flower Drum Song, St. James Theatre, New York City, 1958-60. MAJOR TOURS—Wang Chi Yang, Flower Drum Song, U.S. cities, 1960. FILM DEBUT—Shay Kee Seng, The Painted Veil, Metro-GoldwynMayer, 1934. PRINCIPAL FILM APPEARANCES—Taki, The Casino Murder Case, Metro-Goldwyn-Mayer (MGM), 1935; Lee Chan, Charlie Chan in Paris, Twentieth Century-Fox, 1935; Dr. Wong, Mad Love (also known as The Hands of Orlac), MGM, 1935; young Chinese, Oil for the Lamps of China, Warner Brothers, 1935; ambassador's son, Shanghai, Paramount, 1935; Lee Chan, Charlie Chan in Shanghai, Twentieth Century-Fox, 1935; Lee Chan, Charlie Chan at the Circus, Twentieth Century-Fox, 1936; Lee Chan, Charlie Chan at the Opera, Twentieth CenturyFox, 1936; Lee Chan, Charlie Chan at the Race Track, Twentieth Century-Fox, 1936; Wong, King of Burlesque, Twentieth CenturyFox, 1936; Lee Chan, Charlie Chan at Monte Carlo, Twentieth Century-Fox, 1937; Lee Chan, Charlie Chan at the Olympics, Twentieth Century-Fox, 1937; Lee Chan, Charlie Chan on Broadway, Twentieth Century-Fox, 1937; elder son, The Good Earth, MGM, 1937; Dr. Wong, Inter national Settlement, Twentieth Century-Fox, 1938; Lee Chan, Mr. Moto's Gamble, Twentieth Century-Fox, 1938; Ling, Barricade, Twentieth Century-Fox, 1939; Andrew Abbott, Disputed Passage, Paramount, 1939; Jimmy Riley, North of Shanghai, Columbia, 1939.

Gondai-San, Nobody's Perfect, Universal, 1968; Sen Chiu, Project X, Paramount, 1968; Professor Soong Li, The Chairman (also known as The Most Dangerous Man in the World), Twentieth Century-Fox, 1969; Foo Sen, The Hawaiians (also known as Master of the Islands}, United Artists, 1970; cook in kitchen, Won Ton Ton, the Dog Who Saved Hollywood, Paramount, 1976; Chung Wei, The Amsterdam Kill, Columbia, 1978; Dr. Device, Just You and Me, Kid, Columbia, 1979; Grandfather, Gremlins, Warner Brothers, 1984; Ishimine, A Fine Mess, Columbia, 1986; Mr. Thule, Dead Heat, New World, 1988; Dr. Raj, The Mighty Quinn. Metro-Goldwyn-Mayer/United Artists, 1989. Also appeared in Here's to Romance, Twentieth Century-Fox, 1935; Eight Bells, Columbia, 1935; Anything Goes (also known as Tops Is the Limit), Paramount, 1936; No Hands on the Clock, Paramount, 1941; Passage from Hong Kong, Warner Brothers, 1941; Around the World in Eighty Days, United Artists, 1956; The Hunters, Twentieth Century-Fox, 1958; They Call Me Bruce (also known as A Fistful of Chopsticks) Film Ventures International, 1982; Noon Sunday; and Their Greatest Glory.

Man, No, No Nanette, RKO, 1940; Kato, The Green Hornet (serial), Universal, 1940; Jimmy Wong, The Phantom of Chinatown, Monogram, 1940; Chang Howe, Sued for Libel, RKO, 1940; Clancy, Bowery Blitzkrieg (also known as Stand and Deliver), Monogram, 1941; Lin Tai Yen, Burma Convoy, Universal, 1941; George, Gang's All Here, Monogram, 1941; Buck Wing, Let's Go

PRINCIPAL TELEVISION APPEARANCES—Series: Thomas Wong, Kentucky Jones, NBC, 1964-65; Kralahome, Anna and the King, CBS, 1972; Master Po, KungFu, ABC, 1972-75; voice of Charlie Chan, The Amazing Chan and the Chan Clan (animated), CBS, 1972-74; Dr. Fong, Harry O, ABC, 1976; voice characterization, Jabber jaws (animated), ABC, 1977-78; voice of Zoltar, Battle of 255

LUNGHI

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

the Planets (animated), syndicated, 1978; voice characterization, Spider-Man and His Amazing Friends (animated), NBC, 1981; voice characterization, Alvin and the Chipmunks (animated), NBC, 1983; Sabasan, Sidekicks, ABC, 1986-87; voice characterization, The New Adventures of Jonny Quest (animated), syndicated, 1987. Pilots: Master Po, Kung Fu, ABC, 1972; Lord Sun Ming, Judge Dee and the Monastery Murders, ABC, 1974; Mr. Hu, Brothers, CBS, 1980; Due, Fly Away Home, ABC, 1981; Jimmy Yew, Unit 4, CBS, 19SI-TanNg, Cocaine and Blue Eyes, NBC, 1983;Chang Ching-Tzu, Blade in Hong Kong, CBS, 1985; Sabasan, The Last Electric Knight, ABC, 1986.

ment: The Court Martial of the Tiger of Malaya—General Yamashita," ABC Theatre, ABC, 1974. NON-RELATED CAREER—Artist and poster designer, Twentieth Century-Fox and RKO Studios.*

LUNGHI, Cherie

1953-

PERSONAL: Born in 1953 in London, England.

Episodic: Charlie Lee, The Andy Griffith Show, CBS, 1967; Donald Cory, Star Trek, NBC, 1969; narrator, Reading Rainbow, PBS, 1982; Jimmy Wong, Crazy Like a Fox, CBS, 1985; Grandfather Ho, Night Court, NBC, 1986; Hwan Li, Downtown, CBS, 1986; Mitsumo, The Golden Girls, NBC, 1986; Mr. Shibata, Night Court, NBC, 1987; Master, Beauty and the Beast, CBS, 1988; Adam Chung, MacGyver, ABC, 1988; also Texaco Star Theatre (also known as The Milton Berle Show), NBC, 1950; "Task Force Smith," Hollywood Playhouse, 1952; "The Traitor" and "The Reign of Amelia Jo," Fireside Theatre (also known as Jane Wyman Presents the Fireside Theatre), NBC, 1954; Crusader, CBS, 1955; "Ring Once for Death," Studio 57 (also known as Heinz Studio 57), Dumont, 1955; Gunsmoke, CBS, 1955; "ChineseLuck," The Ray Milland Show, CBS, 1955; My Little Margie, NBC, 1955; "Cavalry in China," Crossroads, CBS, 1956; "Time Bomb," Telephone Time, CBS, 1956; "The Smuggler," TV Reader's Digest, ABC, 1956; Wire Service, ABC, 1957; May Day, "Panic!, NBC, 1957; "Into the Dark," Alcoa Theatre, NBC, 1958; The Gale Storm Show (also known as OhSusanna), CBS, 1958; Richard Diamond, CBS, 1958.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Laura, Teeth 'n' Smiles, English Stage Company, Royal Court Theatre, London, 1975; Hero, Much Ado About Nothing, Royal Shakespeare Company (RSC), Royal Shakespeare Theatre, Stratford-on-Avon, U.K., 1976, then Aldwych Theatre, London, 1977; Liz and Carol, Destiny, RSC, Other Place Theatre, Stratford-on-Avon, 1976, then Aldwych Theatre, 1977; Cordelia, King Lear and Genevieve, The Days of the Commune, both RSC, Aldwych Theatre, 1977; Rhoda, That Good Between Us and Madeline and Pat, Bandits, both RSC, Warehouse Theatre, London, 1977; Celia, As You Like It and Lucy Carter, Saratoga, both RSC, Aldwych Theatre, 1978; Viola, Twelfth Night, RSC, Royal Shakespeare Theatre, 1979; Yelena Andreyevna, Uncle Vanya, National Theatre Company, Lyttelton Theatre, London, 1982. PRINCIPAL FILM APPEARANCES—Guenevere, Excalibur, Warner Brothers, 1981; Beatrice Manceau, Pray ing Mantis, Channel Four, 1982; Mary Morstan, The Sign of Four, Mapleton, 1983; Michal, King David, Paramount, 1985; Helene, Letters to an Unknown Lover (also known as Les Louves], Channel Four/Anttene-2/ Portman, 1985; Jenny Parker, Parker, Moving Picture Company/ Virgin, 1985; Carlotta, The Mission, Warner Brothers, 1986; Susan, Coast to Coast, BBC/Britannica/Dean-Clough, 1986; Halina, Popielusko (also known as To Kill a Priest, Le Complot, and Le Complot a priest), Imperia/AMLF/Columbia, 1988.

Follow the Sun, ABC, 1961; Fair Exchange, CBS, 1962; Target: The Corrupters, ABC, 1962; The Mickey Rooney Show, ABC, 1964; / Spy, NBC, 1965; The Wackiest Ship in the Army, NBC, 1965; Jonny Quest (animated), ABC, 1965; The Littlest Hobo, 1965; Perry Mason, CBS, 1965; The Smothers Brothers Show, CBS, \966-TheF.B.I., ABC, 1966 and 1967; Family Affair, CBS, 1968; The Outsider, NBC, 1968; Big Valley, ABC, 1968; Hawaii Five-0, CBS, 1969; The New Adventures of Huckleberry Finn, NBC, 1969; It Takes a Thief, ABC, 1970; Paris 7000, ABC, 1970; Marcus Welby, M.D., ABC, 1971; Adam-12, NBC, 1971 and 1972; Here's Lucy, CBS, 1972; Love, American Style, ABC, 1974; Cannon, CBS, 1975; Khan, CBS, 1975; M*A*S*//, CBS, 1978, 1979, and 1980; Street Hawk, ABC, 1985; voice characterization, Fangface (animated), ABC; Danger, CBS; December Bride, CBS; Soldiers of Fortune, syndicated; Annie Oakley, syndicated; Medic, NBC; Climax, CBS; The Jerry Lewis Show, ABC; Trackdown, CBS; This Is the Life, ABC; The Bob Hope Chrysler Show, NBC; Dragnet, NBC; Quincy, M.E., NBC; How the West Was Won, ABC; Vega$, ABC; Charlie's Angels, ABC; Remington Steele, NBC; Magnum P.I., CBS; Falcon Crest, CBS; Voyagers, NBC; The A-Team, NBC; Mickey Spillane's Mike Hammer, CBS; Miami Vice, NBC; Trapper John, M.D., CBS; TJ. Hooker, ABC; General Hospital, ABC; Friday the 13th, syndicated; The Judge, syndicated; Meeting of Minds, PBS; Down to Earth; 9 to 5; Citizen Chang; Never Too Young; The Yee Family; Might Man and Yukk; Rickety Racket; Reach for the Sun; and The Adventures of Goldie Gold.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Una Marbury, Ellis Island, CBS, 1984; Margaret Van der Merwe, Master of the Game, CBS, 1984; also Kean, BBC, then Masterpiece Theatre, PBS, 1979. Pilots: Adriana, Intrigue, CBS, 1988. Movies: Nancy, Oliver Twist, CBS, 1982; Usta, Harem, ABC, 1986; Lili Gloebocka, The Man Who Lived at the Ritz, syndicated, 1988. ADDRESSES: AGENT—Jeremy Conway Ltd., 109 Jermyn Street, London SW1Y 6HB, England.*

LUSCOMBE, Tim

1960-

PERSONAL: Born November 12, 1960, in Epsom, England; son of David William (a surveyor) and Jill Patricia (Oxley) Luscombe. EDUCATION—Received B. A. in geography from Oxford University; attended the Bristol Old Vic Theatre School as a director trainee.

Movies: Thief, The Cat Creature, ABC, 1973; Dr. Makimura, Blood Sport, CBS, 1986; Master Po, Kung Fu: The Movie, CBS, 1986. Specials: America Pausesfor Springtime, CBS, 1959; "Judge-

VOCATION: Director.

256

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

LUSCOMBE

CAREER: FIRST STAGE WORK—Director, Hamlet, Redgrave Theatre, Farnham, U.K., 1985. FIRST LONDON WORK—Director, The Browning Version and Harlequinade, both Royalty Theatre, London, 1988. FIRST BROADWAY WORK—Director, Artist Descending a Staircase, Helen Hayes Theatre, 1989. FIRST OFFBROADWAY WORK—Director, When She Danced, Playwrights Horizons, 1990. PRINCIPAL STAGE WORK—Director: Warrior, Chichester Festival Theatre, Chichester, U.K., 1988; When She Danced, King's Head Theatre, London, 1988; Easy Virtue, Garrick Theatre, London, 1988; Artist Descending a Staircase, Duke of York's Theatre, London, 1988; The Parasol, Royal Exchange Theatre, Manchester, U.K., 1989. MAJOR TOURS—Director, Hamlet, U.K. cities, 1985. AWARDS: Olivier Award nomination, Best Newcomer, 1989, for The Browning Version, Harlequinade, and Easy Virtue. MEMBER: British Actors' Equity Association, Society of Stage Directors and Choreographers, Directors Guild of Great Britain. ADDRESSES: AGENT—David Watson, Simpson Fox Associates, 52 Shaftesbury Avenue, London W1V 7DE, England.

TIM LUSCOMBE

257

M MacINTOSH, Joan

1945-

PRINCIPAL TELEVISION APPEARANCES—Episodic: Another World, NBC; As the World Turns, CBS; One Life to Live, ABC. Specials: Woman in graveyard, "Our Town," Great Performances, PBS, 1989.

PERSONAL: Born November 25, 1945, in New Jersey. EDUCATION—Graduated from Beaver College; also attended New York University.

AWARDS: Obie Award from the Village Voice, Distinguished Performance, 1971, for Commune; Drama Desk Award, 1981, for Request Concert.

VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Dionysus in '69, Performance Group, Performing Garage Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Dark Power, Makbeth, Performance Group, Performing Garage Theatre, New York City, 1969; Big Time Clementine, Commune, Performance Group, Performing Garage Theatre, 1970; Becky, The Tooth of Crime, Performance Group, Performing Garage Theatre, 1973; title role, Mother Courage and Her Children and Star, The Marilyn Project, both Performance Group, Performing Garage Theatre, 1975; Jocasta, Seneca s Oedipus, Performance Group, Performing Garage Theatre, 1977; Worker, Saint Joan of the Stockyards, Emcompass Theatre, New York City, 1978; Nell, Endgame, Manhattan Theatre Club, New York City, 1980; Ellis, Killings on the Last Line, American Place Theatre, New York City, 1980; Request Concert (one-woman show), Interart Theatre, New York City, 1981; Frances Anna Duffy Walsh and Gertrude Graham Finn (understudy), The Curse of an Aching Heart, Little Theatre, New York City, 1982; Suzanne, Three Acts of Recognition, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1982.

ADDRESSES: AGENT—J. Michael Bloom, 233 Park Avenue S., New York, NY 10003.*

MacKENZIE, Philip Charles VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Doctor, Dog Day Afternoon, Warner Brothers, 1975; also appeared in Wedding Band.

Jana Latvis, Whispers, Open Space Theatre, New York City, 1987; Elizabeth, Almost By Chance a Woman: Elizabeth, Yale Repertory Theatre, New Haven, CT, 1987; Mama, A ShaynaMaidel, Westside Arts Theatre, New York City, 1987; Portia, Julius Caesar, NYSF, Public Theatre, 1988; lady in the box, Our Town, Lincoln Center Theatre Company, Lyceum Theatre, New York City, 1989; Queen, Cymbeline, NYSF, Public Theatre, 1989. Also appeared in The Beard, Performance Group, Performing Garage Theatre, 1973; Alice in Concert, NYSF, Public Theatre, 1978; Dispatches, NYSF, Public Theatre, 1979; Plenty, Arena Stage, Washington, DC, 1980; Sore Throats, Repertory Theatre of St. Louis, St. Louis, MO, 1982; Hedda Gabler, Tyrone Guthrie Theatre, Minneapolis, MN, 1983; Screenplay, Arena Stage, 1983; The Balcony, American Repertory Theatre, Cambridge, MA, 1985; The Goddess Project, Whole Theatre, Montclair, NJ; The Three Sisters, Tyrone Guthrie Theatre; Consequence, New York City; and with the Mirror Repertory Company, New York City, 1983-86.

PRINCIPAL TELEVISION APPEARANCES-^Series: Midas Metcovitch, The Six O'Clock Follies, NBC, 1980; David Wasserman, Making the Grade, CBS, 1982; Donald, Brothers, Showtime, 1984-88; Ted Nichols, Duet, Fox, 1989; Ted Nichols, Open House, Fox, 1989—. Pilots: Jack Elmdorf, Characters, NBC, 1980. Episodic: Jerry Nurko, Newhart, CBS, 1986; also Cheers, NBC, 1982. Movies: Cavanaugh, Girls of the White Orchid (also known as Death Ride to Osaka), NBC, 1983; Ruber, The Red-Light Sting, CBS, 1984; John Pierson, Blind Justice, CBS, 1986. Specials: Dr. LaFleur, "Heartbreak Winner," ABC Afterschool Specials, ABC, 1980. PRINCIPAL TELEVISION WORK—Episodic: Director, Brothers, Showtime. AWARDS: ACE Award, Best Actor in a Comedy Series, 1985, for Brothers.

PRINCIPAL FILM APPEARANCES—Nan Haas, A Flash of Green, Spectra, 1984; Evelyn, Chain Letters, Chain Letters Production, 1985; Larkin's mother, Fresh Horses, Weintraub Entertainment Group, 1988; also appeared in Dionysus in '69, Sigma III, 1970.

ADDRESSES: AGENT—Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.* 259

MAGGART

MAGGART, Brandon

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1933-

PERSONAL: Born December 12, 1933, in Carthage, TN. EDUCATION—Graduated from the University of Tennessee. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Patroklos, Sing Muse!, Van Dam Theatre, New York City, 1961; Berenger, The Killer, Theatre 1962, Cherry Lane Theatre, New York City, 1962; Colin, Like Other People, Village South Theatre, New York City, 1963; ensemble, Put It in Writing (revue), Theatre De Lys, New York City, 1963; Carruthers, Kelly, Broadhurst Theatre, New York City, 1965; ensemble, New Faces of 1968 (revue), Booth Theatre, New York City, 1968; ensemble, FreeFall (revue), Upstairs at the Downstairs, New York City, 1969; Buzz Richards, Applause, Palace Theatre, New York City, 1970-72; Bell Man, Wedding Band, New York Shakespeare Festival, Public Theatre, New York City, 1972; Josephus Gage, Lorelei, or "Gentlemen Still Prefer Blondes," Palace Theatre, 1974; ensemble, Straws in the Wind (revue), American Place Theatre, New York City, 1975; Sam Williams, We Interrupt This Program, Ambassador Theatre, New York City, 1975; ensemble, Potholes (revue), Cherry Lane Theatre, 1979; Harold, Musical Chairs, Equity Library Theatre, Rialto Theatre, New York City, 1980; Nat and voice of Sol, One Night Stand, Nederlander Theatre, New York City, 1980. Also appeared in The Long Valley, Theatre De Lys, 1975; Nurse Jane Goes to Hawaii, Pennsylvania Stage Company, Allentown, PA, 1982. JOSEPH MAHER

PRINCIPAL STAGE WORK—Associate producer (with James Catusi and Zenon R. Mocarski Inc.), Hay Fever, Helen Hayes Theatre, New York City, 1970.

MAHER, Joseph

1933-

PERSONAL: Surname is pronounced "Ma-fozr"; born December 29, 1933, in Westport, Ireland; son of Joseph (a school teacher) and Delia A. (O'Malley) Maher.

MAJOR TOURS—Josephus Gage, Lorelei, or ''Gentlemen Still Prefer Blondes," U.S. cities, 1973; ensemble, Hellzapoppin' (revue), U.S. cities, 1976-77.

VOCATION: Actor, director, and playwright. PRINCIPAL FILM APPEARANCES—Dr. Arthur Osgood and man in cafe, The Magic Garden of Stanley Sweetheart, Metro-GoldwynMayer, 1970; National Guard sergeant, Hail (also known as Hail to the Chief and Washington B.C.), Cine-Globe, 1973; Cleveland Sam, Dressed to Kill, Filmways, 1980; Harry Stadling, You Better Watch Out (also known as Christmas Evil), Pressman, 1980; Ernie Holm, The World According to Garp, Warner Brothers, 1982.

CAREER: Also see WRITINGS below. STAGE DEBUT—Biondello, The Taming of the Shrew, Canadian Players Theatre, Toronto, ON, Canada, 1959. OFF-BROADWAY DEBUT—I.R.A. officer, The Hostage, One Sheridan Square Theatre, 1962. BROADWAY DEBUT—Red Gus Risto (understudy), The Chinese Prime Minister, Roy ale Theatre, 1964. PRINCIPAL STAGE APPEARANCES—Col, Live Like Pigs, Actors' Playhouse, New York City, 1965; Reverend Mort, Eh?, Circle in the Square, New York City, 1966-67; Sir Andrew Aguecheek, Twelfth Night, Roderigo, Othello, and interpreter, All's Well That Ends Well, all San Diego National Shakespeare Festival, Old Globe Theatre, San Diego, CA, 1967; Gordon Lowther, The Prime of Miss Jean Brodie, Helen Hayes Theatre, New York City, 1968; various roles, The Local Stigmatic, Actors' Playhouse, 1969; Canterbury, Henry V, American Shakespeare Festival, Stratford, CT, then American National Theatre and Academy (ANTA) Theatre, New York City, both 1969; Sir Andrew Melvil, Mary Stuart, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, New York City, 1971; Gerome, There's One in Every Marriage, Royale Theatre, New York City, 1972; Fitzpatrick, The Contractor, Chelsea Manhattan Theatre, New York City, 1973; Captain, Juno and the Pay cock, Long Wharf Theatre, New Haven, CT, 1973; Sir Augustus Ludbourne, Who's Who in Hell, Lunt-Fontanne Theatre, New York City, 1974; Herbert Dean, The

PRINCIPAL TELEVISION APPEARANCES—Series: George Elliot, Jennifer Slept Here, NBC, 1983-84; Lou Waters, Brothers, Showtime, 1984-88; Michael, Chicken Soup, ABC, 1989. Movies: Mule, My Old Man, CBS, 1979; Bert, Running Out, CBS, 1983; Charlie, Dream Date, NBC, 1989. Specials: I'm a Fan, CBS, 1972. AWARDS: Theatre World Award, 1963, for Put It in Writing. ADDRESSES: AGENT—International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. MANAGER—Green and Siegel Management, 1140 N. Alta Loma Drive, Suite 105, Los Angeles, CA 90069.* 260

MAKAVEJEV

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

"Tales from the Hollywood Hills: The Old Reliable," Great Performances, PBS, 1988.

Royal Family, Kennedy Center for the Performing Arts, Washington, DC, then Brooklyn Academy Playhouse, Brooklyn, NY, both 1975, later Helen Hayes Theatre, 1975-76; Alan West, Savages, Center Theatre Group, Mark Taper Forum, Los Angeles, 1975; the Son, Days in the Trees, Circle in the Square, 1976; Alan West, Savages, Hudson Guild Theatre, New York City, 1977; Martin, Black Angel, Center Theatre Group, Mark Taper Forum, 1978; the Trick Cyclist, Spokesong, Long Wharf Theatre, 1978, then Circle in the Square, 1979; Geoffrey Carson, Night and Day, ANTA Theatre, 1979.

RELATED CAREER—Company member: Theatre Company of Boston, Boston, MA, 1965; Charles Playhouse, Boston, 1969-70; American Shakespeare Festival, Stratford, CT, 1969, 1970, and 1972; Tyrone Guthrie Theatre Company, Minneapolis, MN, 197172; Alley Theatre, Houston, TX, 1972-73. WRITINGS: STAGE—Dance for Me, Simeon, George Street Playhouse, New Brunswick, NJ, 1979, and A.T. A. Theatre, New York City.

Ed, Entertaining Mr. Sloane, Westside Mainstage Theatre, then Cherry Lane Theatre, both New York City, 1981; Bernard, Dear Daddy, Philadelphia Drama Guild, Philadelphia, PA, 1981-82; Frank Doel, 84 Charing Cross Road, Nederlander Theatre, New York City, 1982-83; Truscott, Loot, Manhattan Theatre Club, Space at City Center Theatre, then Music Box Theatre, both New York City, 1986; Ed, Entertaining Mr. Sloane and Truscott, Loot, both Center Theatre Group, Mark Taper Forum, 1987; Dr. Ranee, What the Butler Saw, Manhattan Theatre Club, City Center Stage One Theatre, New York City, 1989. Also appeared in Forget-MeNot-Lane, Long Wharf Theatre, 1973; Saint Joan, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1974; The National Health, Long Wharf Theatre, 1974; Henry V, New York City, 1974; Afore Night Come, Long Wharf Theatre, 197'5; Richard III, Long Wharf Theatre, 1976; Absent Friends, Long Wharf Theatre, 1977; Live Like Pigs, New York City ,1981; Tales from Hollywood, Center Theatre Group, Mark Taper Forum, 1982; The Hostage, Long Wharf Theatre, 1983; The Importance of Being Earnest, OffBroadway production.

AWARDS: Los Angeles Critics' Award nomination, 1975, and Obie Award from the Village Voice, 1978, both for Savages; Antoinette Perry Award nomination, Best Actor in a Featured Role in a Play, 1979, for Spokesong; Antoinette Perry Award nomination, 1980, for Night and Day; Antoinette Perry Award nomination, Best Actor in a Featured Role in a Play, Outer Critics' Circle Award nomination, and Drama Desk Award, all 1986, Los Angeles Drama Critics' Award and Drama-Logue Award, both 1987, all for Loot; Drama-Logue Award, 1987, for Entertaining Mr. Sloane. MEMBER: Academy of Motion Picture Arts and Sciences. SIDELIGHTS: FAVORITE ROLES—Captain in Juno and the Paycock and Alan West in Savages. ADDRESSES: AGENT—Joan Scott, Writers and Artists Agency, 70 W. 36th Street, Suite 501, New York, NY 10018 and 11726 San Vicente Boulevard, Los Angeles, CA 90049.

PRINCIPAL STAGE WORK—Director, The Hostage, Long Wharf Theatre, New Haven, CT, 1983. MAJOR TOURS—Dr. Talacryn (Bishop of Caerleon), Hadrian VII, U.S. cities, 1971. MAKAVEJEV, Dusan PRINCIPAL FILM APPEARANCES—Charlie, It Ain't Easy, Dandelion, 1972; Mr. Coates, For Pete's Sake (also known as July Pork Bellies), Columbia, 1974; Sisk, Heaven Can Wait, Paramount, 1978; Adams, Time After Time, Warner Brothers/Orion, 1979; Dr. Coleson, Just Tell Me What You Want, Warner Brothers, 1980; Fibber Geyer, Those Lips, Those Eyes, United Artists, 1980; Dr. Kalman, I'm Dancing As Fast As I Can, Paramount, 1981; Gridley, Going Ape!, Paramount, 1981; Duke, Under the Rainbow, Orion/ Warner Brothers, 1981; Mulloch, The Evil That Men Do, Tri-Star, 1984; Dr. Lucas Budlong, My Stepmother Is an Alien, Columbia, 1988; Michael Sinclair, Funny Farm, Warner Brothers, 1988.

1932-

PERSONAL: Born October 13, 1932, in Belgrade, Yugoslavia; married Bojana Marijan, 1964. EDUCATION—Received a degree in psychology from Belgrade University, 1955; studied at the Academy for Theatre, Radio, Film, and Television (Belgrade). MILITARY—Yugoslavian Army, 1959-60. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Director: Ljubavni Slucaj, Hi tragedija sluzbenice P.T.T. (also known as Love Affair, or the Case of the Missing Switchboard Operator and An Affair of the Heart), 1967, released in the United States by Brandon, 1968; Nevinost bez zastite (also known as Innocence Unprotected), 1968, released in the United States by Avala/Grove Press, 1971; WR Misterite organizma (also known as WR: The Mysteries of the Organism and WR—Misterije Organizma), Yugoslavia Film/Cinema V, 1971; Sweet Movie, CFDC, 1974; Montenegro (also known as Montenegro, or Pigs and Pearls), New Realm/Atlantic, 1981; The Coca-Cola Kid, Cinecom International/Film Gallery, 1985; Manifesto (also known as For One Night of Love and Pour une nuit d'amour), Cannon Releasing, 1988; also Covek nije tica (also known as Man Is Not a Bird), 1966. Also director of the following short films and documentaries: Jatagan Mala, 1953; Pecat (also known as The Seal), 1955; Antonijevo razbijeno ogledalo (also known as Anthony's Broken Mirror), 1957; Spomenicima ne treba verovati (also known as Don't Believe in Monuments), 1958; Slikovnicapcelara (also known as Beekeep-

TELEVISION DEBUT—"Little Moon of Alban," Hallmark Hall of Fame, NBC, 1964. PRINCIPAL TELEVISION APPEARANCES— Series: Sylvester, Double Dare, CBS, 1985; St. Peter, Second Chance, Fox, 1987; Brian Alquist, Anything But Love, ABC, 1989—; also Leonard Brooks, Another World, NBC. Pilots: Albert Vogel, At Your Service, NBC, 1984; Stockwell, Mr. and Mrs. Ryan, ABC, 1986; Mr. Bell, Why On Earth? (also known as Down to Earth), ABC, 1988. Episodic: Mr. Dudley, Gimme a Break, NBC, 1987; Bob, ALF, NBC, 1988; Charles Van Duren, My Two Dads, NBC, 1988; also M*A*$*//, CBS, 1975; The Cavanaughs, CBS; Moonlighting, ABC; Tattinger's, NBC; Wonder Woman. Movies: Doctor, My Father's House, ABC, 1975; Phil Kiley, My Old Man, CBS, 1979; Smythe, Little Gloria . . . Happy at Last, NBC, 1982; doctor, Will There Really Be a Morning?, CBS, 1983; Jack Kendrix, Bigfoot, ABC, 1987. Specials: Giorgio Vasari, /, Leonardo: A Journey of the Mind, CBS, 1983; Smedley Cork, 261

MAKO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

er's Scrapbook), 1958; Prokleti praznik (also known as Damned Holiday), 1958; Boje sanjaju (also known as Colors Are Dreaming), 1958; Sto je radnicki savjet? (also known as What Is a Workers' Council?), 1959; Ed, pec, pec (also known as One Potato, Two Potato), 1961; Pedagoska bajka (also known as Educational Fairy Tale), 1961; Osmjeh 61 (also known as Smile 61), 1961; Parada (also known as Parade), 1962; Dole plotovi (also known as Down with the Fences), 1962; Ljepotica 62 (also known as Miss Yugoslavia 1962), 1962; Film o knjiziA.B.C. (also known as Film About the Book), 1962; Nova igracka (also known as New Toy), 1964; Nova domaca zivotinja (also known as New Domestic Animal), 1964. WRITINGS: STAGE—New Man of the Flower Market, Students' Theatre, Belgrade, Yugoslavia, 1962. FILM—See production details above: Jatagan Mala, 1953; Pecat, 1955; Antonijevo razbijeno ogledalo, 1957; Spomenicima ne treba verovati, 1958; Slikovnica pcelara, 1958; Prokleti praznik, 1958; Boje sanjaju, 1958', Sto je radnicki savjet?, 1959; Eci, pec, pec, 1961; Pedagoska bajka, 1961; Osmjeh 61, \96\;Parada, 1962; Dole plotovi, 1962; Ljepotica 62, \962-, Film o knjizi A.B.C., 1962; Nova igracka, 1964; Nova domaca zivotinja, 1964; Covek nije tica, 1966; Ljubavni Slucaj, Hi tragedijasluzbeniceP.T.T., 1961; Nevinost bez zastite, 1968; WR Misterite organizma, 1971; Sweet Movie, 1974; (with Bon Jonsson, Donald Arthur, Arnie Gelbert, Branko Vucicevic, and Bojana Marian) Montenegro, 1981; Manifesto, 1988. OTHER—A Kiss for Komradess Slogan, 1964. AWARDS: Ford Foundation grant, 1968.* MAKO

MAKO

Twentieth Century-Fox, 1966; Kenji, The Ugly Dachshund, Buena Vista, 1966; Calvin Coolidge Ishimura, The Private Navy of Sergeant O'Farrell, United Artists, 1968; Secret Service Agent Eliot Fong, The Great Bank Robbery, Warner Brothers, 1969; psychiatrist, Fools, Cinerama, 1970; Mun Ki, TheHawaiians (also known as Master of the Islands}, United Artists, 1970; Oomiak, The Island at the Top of the World, Buena Vista, 1974; Yuen Chung, The Killer Elite, United Artists, 1975; Herbert, The Big Brawl, Warner Brothers, 1980; James Chan, An Eye for an Eye, AVCO-Embassy, 1981; Nakamura, Under the Rainbow, Orion/ Warner Brothers, 1981; friend, The Bushido Blade (also known as The Bloody Bushido Blade), Trident, 1982; Akiro the Wizard, Conan the Barbarian, Universal, 1982; Mike, Testament, Paramount, 1983; Akiro the Wizard, Conan the Destroyer, Universal, 1984; Akira Tanaka, Armed Response, CineTel, 1986; Captain Vinh, P.O.W.: The Escape, Cannon, 1986; Nobu, The Wash, Skouras, 1988; Dyama, Silent Assassins, Action Brothers, 1988; Jimmy Sakuyama, Tucker: The Man and His Dream, Paramount, 1988; Max Chin, An Unremarkable Life, CFG, 1989. Also appeared in Tor a! Tor a! Toraf, Twentieth Century-Fox, 1970; Chinmoku, 1972; Prisoners, 1975.

1932-

PERSONAL: Full name, Makoto Iwamatsu; born December 10, 1932, in Kobe, Japan; married Shizuko Hoshi (a dancer, choreographer, dance teacher, and actress); children: two daughters. EDUCATION—Attended Pratt Institute; studied for the theatre at the Pasadena Playhouse. MILITARY—U.S. Armed Forces. VOCATION: Actor, director, and playwright. CAREER: Also see WRITINGS below. BROADWAY DEBUT—The Reciter, Shogun, and Jonathan Goble, Pacific Overtures, Winter Garden Theatre, 1976. PRINCIPAL STAGE APPEARANCES—Taki, A Banquet for the Moon, Theatre Marquee, New York City, 1961; Sam Shikaze, Yellow Fever, Pan Asian Repertory Theatre, 47th Street Theatre, New York City, 1983; Nobu, The Wash, Center Theatre Group, Mark Taper Forum, Los Angeles, 1985. Also appeared in Gold Watch, Inner City Repertory Theatre, Los Angeles, 1972; Station J, East/West Players, Los Angeles, 1981; Pacific Overtures and Hokusai Sketchbooks, both East/West Players, Los Angeles; with the Inner City Repertory Theatre, Los Angeles, 1967-68.

PRINCIPAL TELEVISION APPEARANCES—Series: Major Taro Oshira, Hawaiian Heat, ABC, 1984. Pilots: Simba, Alfred of the Amazon, CBS, 1967; Kenji, Streets of San Francisco, ABC, 1972; Tao Gan, Judge Dee in the Monastery Murders, ABC, 1974; Mataro Sakura, The Last Ninja, ABC, 1983. Episodic: Inspector Toshi, Ohara, ABC, 1987; Tommy Nguyen, Spenser: For Hire, ABC, 1987; Trahn, Tour of Duty, CBS, 1987; Thanarat, The Equalizer, CBS, 1988; Yo Tin, Supercarrier, ABC, 1988; Kao, Paradise, CBS, 1990; also M*A*S*#, CBS, 1974, 1976, and 1980; The Incredible Hulk, CBS, 1978 and 1979; Hawaiian Eye,

PRINCIPAL STAGE WORK—All as director: (With Shizuko Hoshi) The Fisher King, Center Theatre Group, Mark Taper Forum, 1976; The Music Lessons and F.O.B. (Fresh Off the Boat), both New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1980. PRINCIPAL FILM APPEARANCES—Po-Han, The Sand Pebbles, 262

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MALONEY

Stockbridge, MA; and in productions of No Time for Comedy and The Chalk Garden.

ABC; The F.B.I., ABC; Ironside, NBC; Hawaii Five-0, CBS; Mannix, CBS; F Troop, ABC. Movies: Yuro, The Challenge, ABC, 1970; Tadashi, //Tomorrow Comes, ABC, 1971;Fukimoto, Farewell to Manzanar, NBC, 1976; Bai, When Hell Was in Session, NBC, 1979; Mori, Girls of the White Orchid (also known as Death Ride to Osaka), NBC, 1983; the Manchu, Kung Fu: The Movie, CBS, 1986; Captain Kilalo, Murder in Paradise, NBC, 1990.

PRINCIPAL STAGE WORK—All as director, unless indicated: Stage manager, Doubletalk, Theatre De Lys, New York City, 1964; Time Trial, New York Shakespeare Festival, Public Theatre, New York City, 1975; The Elusive Angel, New Dramatists Inc., New York City, 1975; The Slab Boys, Hudson Guild Theatre, New York City, 1980; The New Yorkers, Morse Center Trinity Theatre, New York City, 1984; magic consultant, Feathertop, WPA Theatre, New York City, 1984; The Frog Prince, Marathon '85, Ensemble Studio Theatre, New York City, 1985; Mandragola, Folger Shakespeare Theatre, Washington, DC, 1986. Also choreographer, Circle in the Square at Ford's Theatre, Washington, DC, 1971; director, Syracuse Stage, Syracuse, NY, 1977-78 and 1980-81; director, Actors Theatre of Louisville, Louisville, KY, 1979-80.

RELATED CAREER—Founder and artistic director, East/West Players and the Children's Workshop, both Los Angeles, 1966—. WRITINGS: STAGE—(With Dom Magwili) Christmas in Camp, East/West Players, Los Angeles, 1981; There's No Place Like a Tired Ghost, Inner City Repertory Theatre, Los Angeles, 1972. AWARDS: Academy Award nomination, Best Supporting Actor, 1966, for The Sand Pebbles; Antoinette Perry Award nomination, Best Actor in a Musical, 1976, for Pacific Overtures.

MAJOR TOURS—Charlie Hughes, Hughie, U.S. cities.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists.

PRINCIPAL FILM APPEARANCES—Putney's chauffeur, Putney Swope, Cinema V, 1969; pharmacist, Hi, Mom!, Sigma III, 1970; Jake Guzik, Capone, Twentieth Century-Fox, 1975; doctor, Breaking Away, Twentieth Century-Fox, 1979; newspaper clerk, The Amityville Horror, American International, 1979; Martin, A Little Romance, Orion, 1979; Lee McHugh, Hide in Plain Sight, MetroGoldwyn-Mayer/United Artists (MGM/UA), 1980; Bennings, The Thing, Universal, 1982; Ian, Desperately Seeking Susan, Orion, 1985; Dr. Dominick Princi, Manhunter, De Laurentiis Entertainment Group, 1986; waiter, Bright Lights, Big City, MGM/ UA, 1988; Dr. Peter Ames, Lost Angels, Orion/Vestron, 1989; also appeared in The Appointments of Dennis Jennings, HBO Films, 1989.

ADDRESSES: AGENT—Fred Amsel and Associates, 6310 San Vicente Boulevard, Suite 407, Los Angeles, CA 90048.*

MALONEY, Peter PERSONAL: Married Ellen Sandier (an actress and playwright; marriage ended); married Kristin Griffith (an actress); children: one son. EDUCATION—Graduated from Syracuse University; studied acting with Uta Hagen.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: John Steinbeck's "East of Eden," ABC, 1981. Pilots: Mr. Hardy, TheFourof Us, ABC, 1977; Eli Clay, Sanctuary of Fear, NBC, 1979; Mustaf, Callahan, ABC, 1982; the Fixer, The Saint (broadcast as an episode of CBS Summer Playhouse), CBS, 1987. Episodic: N.Y.P.D., ABC; Columbo, NBC. Movies: Veterinarian, My Old Man, CBS, 1979; Darryl F. Zanuck, Moviola: This Year's Blonde, NBC, 1980; Henry, Revenge of the Stepford Wives, NBC, 1980.

VOCATION: Actor, director, and playwright. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Peter Mitchell, The Fisherman and Goodfellow Pincher, The Fourth Pig (double-bill), Maidman Playhouse, New York City, 1965; sailor, Hotel Passionate, East 74th Street Theatre, New York City, 1965; Nicholas Tyler, The Experiment, Orpheum Theatre, New York City, 1967; Forensic, Forensic and the Navigators, Astor Place Theatre, New York City, 1970; the sheep, The Serpent and Clov, Endgame, both Open Theatre, Washington Square Methodist Church, New York City, 1970; jury member, Twelve Angry Men, Queens Playhouse, Queens, NY, 1972; Katar, And They Put Handcuffs on the Flowers, Mercer-O'Casey Theatre, New York City, 1972; Pylades and family member, The Orphan, New York Shakespeare Festival, Public Theatre, New York City, 1973; Charlie Hughes, Hughie, John Golden Theatre, New York City, 1975; fourth actor, cashier, newspaper vendor, conductor, gypsy, Francisco, and Polonius II, Poor Murderer, Ethel Barrymore Theatre, New York City, 1976; Soren, Bernard, and Alf, Big and Little, Phoenix Theatre Company, Mary mount Manhattan Theatre, New York City, 1979; Mr. Webb, Our Town, Lincoln Center Theatre Company, Lyceum Theatre, New York City, 1988. Also appeared in Terminal, Open Theatre, Washington Square Methodist Church, 1970; with the Asolo State Theatre, Sarasota,FL, 197677; in Candida, Massachusetts Center Repertory Company Theatre, Boston, MA, 1977; Hunger and Thirst, The Skin of Our Teeth, and The Merchant of Venice, all Berkshire Theatre Festival,

RELATED CAREER—Company member, Open Theatre, New York City, 1966-70; also member of Actors' Studio, New Dramatists Inc., and the Ensemble Studio Theatre. NON-RELATED CAREER—Encyclopedia salesman. WRITINGS: STAGE—Amazing Grace, New Dramatists Inc., New York City, 1977; Bicycle Boys, Ensemble Studio Theatre, New York City, 1978; (adaptor) Mandragola, Folger Shakespeare Theatre, Washington, DC, 1986; also Bad Blood, Lost and Found, American Garage, and Pastorale. AWARDS: Burns Mantle Theatre Yearbook Award, Best Actor of the Year, 1970, for The Serpent. ADDRESSES: AGENT—Writers and Artists Agency, 70 W. 36th Street, New York, NY 10018.*

263

MAMET

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Perversity in Chicago, Organic Theatre Company, Chicago, IL, 1974, then St. Clement's Church Theatre, 1975, later in Sexual Perversity in Chicago and Duck Variations (double-bill), Cherry Lane Theatre, 1976, then Regent Theatre, 1977, published in Sexual Perversity in Chicago and Duck Variations, 1978; Squirrels, St. Nicholas Theatre, 1974, published by Samuel French, 1982; The Poet and the Rent: A Play for Kids from Seven to 8:15, first produced in Chicago, 1974, published in Three Children's Plays, Grove, 1986.

MAMET, David 1947-

PERSONAL: Surname is pronounced "Mam-it"', full name, David Alan Mamet; born November 30, 1947, in Chicago, IL; son of Bernard Morris (an attorney) and Lenore June (a teacher; maiden name, Silver) Mamet; married Lindsay Grouse (an actress), December 21, 1977; children: Willa. EDUCATION—Goddard College, B.A., English, 1969; studied acting at the Neighborhood Playhouse, 1968-69.

American Buffalo, Goodman Theatre, Stage Two, Chicago, 1975, then St. Clement's Church Theatre, New York City, 1976, later (revised version) Ethel Barrymore Theatre, New York City, 1977, then Cottesloe Theatre, London, 1978, later Booth Theatre, New York City, 1983, published by Grove, 1977; Reunion, St. Nicholas Theatre, then Actors Theatre of Louisville, Louisville, KY, both 1976, later Yale Repertory Theatre, New Haven, CT, 1977, then Circle Repertory Theatre, New York City, 1979, published by Grove, 1979; The Woods, St. Nicholas Theatre, 1977, then New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1979, later London, 1984, published by Grove, \919\AllMen Are Whores, Yale Cabaret, New Haven, CT, 1977, published in Short Plays and Monologues, Dramatists Play Service, 1981; A Life in the Theatre, Goodman Theatre, Stage Two, then Theatre De Lys, New York City, both 1977, later Open Space Theatre, London, 1979, published by Grove, 1978; The Revenge of the Space Pandas, or Binky Rudich and the Two Speed-Clock, St. Nicholas Theatre, then Flushing Town Hall, Queens, NY, both 1977, published by Sergei, 1978, then in Three Children's Plays, 1986; Dark Pony, Yale Repertory Theatre, 1977, then in Reunion, Circle Repertory Theatre, later London, 1981, published by Grove, 1979; "The Sanctity of Marriage" in Reunion, Circle Repertory Theatre, 1979, published by Samuel French, 1982; The Water Engine: An American Fable and Mr. Happiness (double-bill), St. Nicholas Theatre, 1977, then NYSF, Public Theatre, later Plymouth Theatre, New York City, both 1978, published by Grove, 1978; Lone Canoe, or the Explorer, Goodman Theatre, 1979; Shoeshine, Ensemble Studio Theatre, New York City, 1979, published in Short Plays and Monologues, 1981.

VOCATION: Playwright and director. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Stage manager, The Fantasticks, Sullivan Street Playhouse, New York City, 1969-70; director, Beyond the Horizon, St. Nicholas Theatre, Chicago, IL, 1974; director, The Woods, St. Nicholas Theatre, 1977; director, "The Sancity of Marriage," "Dark Pony," and "Reunion," in Reunion, Circle Repertory Theatre, New York City, 1979; director, Twelfth Night, Circle Repertory Theatre, 1980; director, A Sermon, Ensemble Studio Theatre, New York City, 1981; director, The Woods, Second Stage Theatre, New York City, 1982; director, "Litko" in Litko and Shoehorn (double-bill), Hartley House Theatre, New York City, 1984. PRINCIPAL FILM APPEARANCES—As himself, Sanford Meisner— The Theatre's Best Kept Secret (documentary), Columbia, 1984; Herb, Black Widow, Twentieth Century-Fox, 1987. PRINCIPAL FILM WORK—Director, House of Games, Orion, 1987; director, Things Change, Columbia, 1988. PRINCIPAL TELEVISION WORK—Specials: Executive producer (with Michael Hausman), "Lip Service," HBO Showcase, HBO, 1988. RELATED CAREER—Stagehand, Hull House Theatre, Chicago, IL; actor, New England summer theatre productions, 1969; drama instructor, Marlboro College, Marlboro, VT, 1970; artist-inresidence and drama instructor, Goddard College, Plainfield, VT, 1971-73; founding member and artistic director, St. Nicholas Company, Plainfield, VT, 1972; faculty member, Illinois Arts Council, 1974; founder (with Steven Schachter, William H. Macy, and Patricia Cox) and director, St. Nicholas Players, Chicago, 1974-76; contributing editor, Oui magazine, 1975-76; visiting lecturer, University of Chicago, Chicago, IL, 1975, 1976, and 1979, and at New York University, New York City, 1981; teaching fellow, Yale University School of Drama, New Haven, CT, 197677; associate artistic director and playwright-in-residence, Goodman Theatre, Chicago, 1978-84; associate director, New Theatre Company, Chicago, 1985; co-founder, Dinglefest Theatre.

A Sermon, Ensemble Studio Theatre, 1981, then London, 1987, published in Short Plays and Monologues, 1981; Edmond, Goodman Theatre, 1982, then Provincetown Playhouse, New York City, 1982, later London, 1985, published by Grove, 1983, then Methuen, 1986; The Disappearance of the Jews, Goodman Theatre, 1983; "Two Conversations," "Two Scenes," and "Yes, But So What," in Five Unrelated Pieces, Ensemble Studio Theatre, 1983, published in Dramatic Sketches and Monologues, Samuel French, 1985; Glengarry Glen Ross, National Theatre, London, 1983, then Goodman Theatre, later John Golden Theatre, New York City, both 1984, published by Grove and Methuen, both 1984; (adaptor) Red River, Goodman Theatre, 1983; The Dog, Film Crew, and 4 A.M., all first produced in 1983, published in Dramatic Sketches and Monologues, 1985; "Pint's a Pound the World Around," "Deer Dogs," "Conversations with the Spirit World," and "Dowsing," in Vermont Sketches, first produced in New York City, 1984, published in Dramatic Sketches and Monologues, 1985;' 'Litko'' in Litko and Shoehorn (double-bill), Hartley House Theatre, New York City, 1984, published in Short Play sand Monologues, 1981; The Frog Prince, first produced in Louisville, KY, 1984, then Marathon '85, Ensemble Studio Theatre, 1985, published in Three Children's Plays, Grove, 1986.

NON-RELATED CAREER—Busboy, Second City Theatre, Chicago, IL; also factory worker, real estate agent, window washer, office cleaner, taxi driver, short-order cook, and telephone salesman. WRITINGS: STAGE—Lakeboat, Marlboro Theatre Workshop, Marlboro, VT, 1970, revised version produced in Milwaukee, WI, 1980, then Goodman Theatre, Chicago, IL, later Long Wharf Theatre, New Haven, CT, both 1982, published by Grove, 1981; Duck Variations, St. Nicholas Company, Goddard College, Plainfield, VT, 1972, then St. Clement's Church Theatre, New York City, 1975, later in Sexual Perversity in Chicago and Duck Variations (double-bill), Cherry Lane Theatre, New York City, 1976, then Regent Theatre, London, 1977, published in Sexual Perversity in Chicago and Duck Variations, Grove, 1978; Sexual

The Spanish Prisoner and The Shawl, both New Theatre Company, Goodman Theatre, 1985; Prairie du Chien, Mitzi E. Newhouse

264

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

MANFREDI

MANFREDI, Nino 1921-

Theatre, New York City, 1985, then London, 1986, published in Short Plays and Monologues, 1981; The Shawl, Mitzi E. Newhouse Theatre, 1985, then London, 1986, published by Grove, 1985; (adaptor) The Cherry Orchard, New Theatre Company, Goodman Theatre, 1985, published by Grove, 1987; "Vint" in Orchards, first produced in Urbana, IL, 1985, then the Acting Company, New York City, 1986, published by Knopf, 1986; Speed-the-Plow, Royale Theatre, New York City, 1988, published by Grove, 1988; "Where Were You When It Went Down?" in Urban Blight, Manhattan Theatre Club, City Center Theatre, New York City, 1988; "Bobby Gould in Hell" in Oh, Hell, Mitzie E. Newhouse Theatre, 1989. Also wrote Donny March, first produced in 1981; Mackinac and Marranos, both Saint Nicholas Theatre.

PERSONAL: Born Nino Saturnino, March 22, 1921, in Castro del Volsci, Italy; married Erminia Ferrari, 1955; children: two daughters, one son. EDUCATION—Studied law; also attended the Academy of Dramatic Art (Rome), 1944-47. VOCATION: Actor, director, and screenwriter. CAREER: Also see WRITINGS below. FILM DEBUT—Monastero de Santa Chiara, 1949. PRINCIPAL FILM APPEARANCES—Ugo Nardi, Audace colpo dei soliti ignoti (also known as Holdup a la Milanaise and Fiasco in Milan), 1959, released in the United States by Avion-Trans-Universe/Jerand, 1963; Nino Pasqui, Le pillole d'Ercole (also known as Hercules' Pills), Dino De Laurentiis, 1960; Quirino Filonzi, Crimen (also known as And Suddenly It's Murder!), 1960, released in the United States by Royal, 1964; Tomagra, "L'avventura di un soldato" ("The Soldier") inL'Amore difficile (also known as Of Wayward Love and Erotica), 1962, released in the United States by Pathe, 1964; Francesco,''Scandalosa'' ("The Scandal") in Alia infedelta (also known as High Infidelity and Haute infidelite), 1964, released in the United States by Magna, 1965; Jose Luis, El verdugo (also known as Not on Your Life and La ballata del boia), 1964, released in the United States by Pathe Contemporary, 1965; Giorgio, "La telefonata" ("The Telephone Call") in Le Bambole (also known as Four Kinds of Love, The Dolls, and Bambole!), Columbia, 1965; Lamporecchi, Made in Italy (also known as A I'ltalienne), 1965, released in the United States by Royal, 1967; Dudu, Operazione San Gennaro (also known as Treasure of San Gennaro and Operation San Gennaro), 1966, released in the United States by Paramount, 1968; the Doctor, Una rosa per tutti (also known as A Rose for Everyone and Everyman's Woman), Royal, 1967; Natalino, Italian Secret Service, Cineriz, 1968; Marco, IIpadre difamiglia (also known as Head of the Family and Jeux d'adultes), Paramount, 1968, released in the United States by Allied Artists, 1970.

FILM—The Postman Always Rings Twice, Paramount, 1981; The Verdict, Twentieth Century-Fox, 1982; House of Games, Orion, 1987, published by Grove, 1987; The Untouchables, Paramount, 1987; (with Shel Silverstein) Things Change, Columbia, published by Grove, 1988; We're No Angels, Paramount, 1989. TELEVISION—Episodic: Hill Street Blues, NBC, 1987; also L.A. Law., NBC. Specials: "A Life in the Theatre," Great Performances, PBS, 1979. RADIO—Specials: "The Water Engine," Earplay, National Public Radio, 1978; Prairie du Chien, National Public Radio, 1978; also Cross Patch and Goldberg Street, both 1985, published in Dramatic Sketches and Monologues, 1985. OTHER—(Contributor) The Ensemble Studio Theatre Marathon '84, Broadway Play Publishing, 1985; Writing in Restaurants (essays), Viking, 1986; (with Donald Sultan) Warm and Cold (juvenile), Solo, 1984; (with Lindsay Grouse) The Owl (juvenile), Kipling, 1987; Five Television Plays, Grove, 1990. AWARDS: Joseph Jefferson Award, 1975, for Sexual Perversity in Chicago; Joseph Jefferson Award, 1976, for American Buffalo; Obie Award from the Village Voice, Best New Playwright, 1976, for American Buffalo and Sexual Perversity in Chicago; Children's Theatre Grant from the New York State Council on the Arts, Rockefeller Grant, and CBS Creative Writing Fellow, all 1976; New York Drama Critics' Circle Award, Best American Play, 1977, for American Buffalo; Outer Critics' Circle Award, 1978, for "contributions to the American theatre;" Obie Award, 1983, for Edmond; Society of West End Theatres Award, 1983; Academy Award nomination, Best Adapted Screenplay, 1983, for The Verdict; Hull-Warriner Award from the Dramatists Guild, 1984; New York Drama Critics' Circle Award, Best American Play, Pulitzer Prize, Joseph Dintenfass Award, and Antoinette Perry Award nomination, Best Play, all 1984, for Glengarry Glen Ross; Antoinette Perry Award nomination, Best Reproduction of a Play, 1984, for American Buffalo; Academy-Institute Award in Literature, 1986; Golden Globe nomination, Best Screenplay, 1988, for House of Games; Writers Guild Award nomination, Best Screenplay Based on Material from Another Medium, 1988, for The Untouchables.

Benedetto Parisi, Per grazia ricevuta (also known as The CrossEyed Saint), Cineriz, 1970; Zilio, La betia (also known as In Love, Every Pleasure Has Its Pain), Titanus Distribuzione, 1971; title role, Girolimoni, il mostro diRoma (also known as The Assassin of Rome), Columbia, 1972; Paolo Antonazzi, Lo chiameremo Andrea (also known as We'll Call Him Andrea), Cinema International/ Verona Produzione, 1972;CarmeloMazzullo,7ra.stev£re, Produzioni Europee Associates, 1972; Nino Garafalo, Pane e cioccolata (also known as Bread and Chocolate), CIC/World Normal, 1973; Antonio, C'eravamo tanto amati (also known as We All Loved Each Other So Much), Almi/Cinema V, 1974; Marcello Ferrari, Attenti al buff one! (also known as Eye of the Cat), Medusa Distribuzione, 1975; Antonio Pecorari, "II cavallucio svedese" in Quelle strane occasioni (also known as Strange Events), Cineriz, 1976; Giacinto Mazzatella, Brutti, sporchi, e cattivi (also known as Down and Dirty and Ugly, Dirty, and Bad), Gold Film, 1976; Cardinal Caprettari, "Le Soleil du Vatican" in Signore e signori, buonanotte (also known as Goodnight, Ladies and Gentlemen), Titanus Distribuzione, 1977; Don Colombo, In nome del Papa Re (also known as In the Name of the Pope King), Rizzoli, 1977; Sasa lovine, La mazzetta (also known as The Payoff), United Artists, 1978; Mr. Parisy, Gros Colin, Exportation Francaise Cinematographique, 1979.

MEMBER: Dramatists Guild, Writers Guild of America, Actors' Equity Association, P.E.N., United Steelworkers of America, Randolph Hollister Association.

Michele, Cafe Express, Vides International, 1980; Bedouin, Testa o croce (also known as Heads or Tails), CIDIF/SACIS, 1982; Domenico, Spaghetti House, Titanus Distribuzione, 1982; Sandro, "In the Red Beret" in Questo e quello (also known as This and

ADDRESSES: OFFICE—St. Nicholas Theatre, 2851 N. Halstead Street, Chicago, EL 60657. AGENT—Howard Rosenstone, Rosenstone/ Wender, 3 E. 48th Street, New York, NY 10017.* 265

MARLOWE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

That), CIDIF, 1983; Salvietti, Grandi magazzini (also known as Department Store), Columbia Pictures Italia, 1986; beggar, Ipicari (also known as The Picaros and The Rogues), Warner Brothers, 1987; Pontius Pilate, Secondo Ponzio Pilato (also known as According to Pontius Pilate), United International, 1987; Stella's father, Helsinki Napoli All Night Long, Cofimedia/Capital Cinema, 1988. Also appeared as Francisco, Torna a Napoli, 1951; in Anema e core, 1951; as Stornello, Prigionera della torre fuoco, 1952; in Ho scelto Vamore, 1952; Canzoni, Canzoni, Canzoni, 1953; Viva il cinema!, 1953; Lo scapolo, 1955; La domenica della buono gente, 1955; Toto, Pepino, e la mala femmina, 1956; as Otello, Gli innamorati, 1956; Paolo, Guardia, guardia scelta brigadiere e maresciallo, 1956; Carletto, Tempo di villeggiatura, 1956; in Prigionieri del male, 1957; Susanna tutta panna, 1957; Femmine tre volte, \951; II bacto del sole, l95S;Pezzo, capopezzo e capitano, 1958; as Mario, Adorabili e bugiarde, 1958; Nino, Camping, 1958; Enea Serafino, Carporale di giornata, 1958; Otello Cucchiaroni, Guardia ladro e cameriera, 1958; Toni, Venezia, la luna, ettu, 1958; Toto Improta, Came la e una bambola, 1959; / ragazzi dei paroli, 1959.

(With others) Camping, 1958; (with others) Le pillole d'Ercole, 1959; (with Fabio Carpi, Giuseppe Orlandini, and Ettore Scola) " L' avventura di un soldato " in L Amore difficile, 1962; (with Dino Risi, Adriano Baracco, and Ennio De Concini) Operazione San Gennaro, 1966; (with Eduardo Borras, De Concini, and Franco Rossi) Una rosa per tutti, 1967; (with Leo Benvenuti and Piero DeBernardi) Per grazia ricevuta, 1970; (with Franco Brusati and laia Fiastri) Pane e cioccolata, 1973; (with Nanni Loy and Elvio Porta) Cafe Express, 1980; (with Agenore Incrocci ("Age"), Ruggero Maccari, and Furio Scarpelli) Nudo di donna, 1981; (with Loy, Franco Ferrini, Enrico Oldoini, and Renato Pozzetto) Testa o croce, 1982; (with Age, Scarpelli, Peter Barnes, and Giulio Paradisi) Spaghetti House, 1982; (with Bernardino Zapponi) "In the Red Beret" in Questo e quello, 1983. AWARDS: Prize for First Work from the Cannes Film Festival, 1971, for Per grazia ricevuta.*

Nando, Limpiegato, 1960; in / giudizio universale (also known as The Last Judgement), 1961; as Giacinto Rossi, A cavallo della tigre, 1961; Franco Bartolucci, // carabiniere a Cavallo, 1961; Nino Borsetti, / motorizzati, 1962; Omero, Anni Ruggenti, 1962; Nino, Laparmigiana, 1962; Quirino, "E vissero felici" in/cuori infranti, 1963;StephanoLiberati,//gawc/z0, 1963; Andrea, "Cocaina dedomenica" and Spadini, "Donna d'affair" in Controsesso, 1964; Nanni Galassi, "II Vittimista" in Thrilling, 1965; Guido Roganelli, "Una giornata decisiva" in / complessi, 1965; various roles, Questa volta parliamo di uomini (also known as Let's Talk About Men), 1965; in lo, io, io . . . e gli altri (also known as /, /, / . . . and the Others), 1965; as Cianfanna, Io, la conoscevo bene, 1965; Franco, Adulterio alVitaliana, 1966; Balestrini, Straziami ma di bad saziami, 1968; Oreste Sabatini, Riusciranno i nostri eroi a ritrovare I'amico misteriosamente scomparso in Africa?, 1968; various roles, Vedu nudo, 1969.

MARLOWE, Theresa

1957-

PERSONAL: Born Theresa Aceves, July 20, 1957, in Monroe, MI. EDUCATION—Studied acting at the British Theatre Association, the Folger Theatre, and the Source Theatre; studied voice with Marion Rich and Lucille Rubin; studied singing with Bill Reed. VOCATION: Actress. CAREER: STAGE DEBUT—Nora, Riders to the Sea, WPA Theatre,

Cornacchia/Pasquino, NelVanno del signore, 1970; title role, Rosolino Paterno—Soldato, 1970; "Concerto a tre pifferi" in Contestazione generale, 1970; Gepetto, Le avventure di Pinocchio, 1971; Quitilio Teramella, Roma bene, 1971; Un sorriso, uno schiaffo, un baccio in bocca, 1975; Enzo Lucarelli, "II superiore" and Paolo Gallizzi, "L'equivoco" in Basta che non si sappia in giro!, 1976; in // Conte di Monte Cristo, 1977; / nuovi Mostri (also known as Viva Italia! and The New Monsters), Filmverlag der Autoren/Cinema V, 1977; as Vittorio Barletta, // gioccattolo, 1979; in // viaggiatori della Sera, 1979; Insieme, 1979; Nudo di donna (also known as Portrait of a Woman, Nude), Cineriz, 1981; // tenente dei carabinieri (also known as The Lieutenant Carabineer and The Police Lieutenant), Columbia, 1986. PRINCIPAL FILM WORK—Director: "L'avventura di un soldato" ("The Soldier") in UAmore difficile (also known as Of Wayward Love and Erotica), 1962, released in the United States by Pathe, 1964; (also producer) Per grazia ricevuta (also known as The Cross-Eyed Saint), Cineriz, 1970; Nudo di donna (also known as Portrait of a Woman, Nude), Cineriz, 1981. RELATED CAREER—Worked on radio and in stage revues before World War II; member, Maltagliati-Gassman stage company, 1947; actor with the Piccolo Teatro di Milano, 1948; dubbed voices in Italian films. WRITINGS: See production details above, unless indicated. FILM—

THERESA MARLOWE

266

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MARSHALL

Washington, DC, for twenty-five performances. OFF-BROADWAY DEBUT—Anthea Arlo, "Sleeping Beauty, or Coma" and Renee Vain and Tracy, "Vampire Lesbians of Sodom," in Vampire Lesbians of Sodom, Provincetown Playhouse, 1985. PRINCIPAL STAGE APPEARANCES—Irina, The Three Sisters, Source Theatre, Washington, DC, 1979; Bettina Barnes, Psycho Beach Party, Players Theatre, New York City, 1987; Heidi Mittelhoffer, The Lady in Question, Orpheum Theatre, New York City, 1989. Also appeared as Valerie Waverly, Times Square Angel, Provincetown Playhouse; Ashes Mercredi, Champagne and Jenna, Triplets in Uniform, both La Mama Experimental Theatre Company, New York City; Rita, Theodora, Theatre-in-Limbo, New York City; Angel, Trade, Tiffany, Cold Rubber Room, and Zera, Rouge and Lace, all Rendezvous Productions, New York City; Canada, Summer of Education, Meat and Potatoes Company, New York City; Chorus, Helen, Classic Theatre, New York City; Kath, Entertaining Mr. Sloane, the Writer, Lady of Larkspur Lotion, Curley's wife, Of Mice and Men, the Woman, Talk to Me Like the Rain, Perfect Peggy, A Late Snow, Kate, The Long Voyage Home, Maria, The Queen and the Rebels, and Hera, Persephone, all Source Theatre Company, Washington, DC; May, Dressing for Parts, the Wife, Hello Out There, and Cecelia, Tears of My Sister, all Rendezvous Productions, Washington, DC; third witch, Macbeth, Georgetown Classical Theatre; Terese, Sherlock Holmes, Trinity Players; Dunyasha, The Cherry Orchard, Georgetown Repertory; Janice Vickery, The Effect of Gamma Rays on Man-in-the-Moon Marigolds, Fine Line Actors Theatre; Hermia, A Midsummer's Night Dream, Shakespeare Summer Festival.

York City, 1950; the Lawd, The Green Pastures, Broadway Theatre, 1951; Kelly, Time to Go, Yugoslavian Hall, New York City, 1952; title role, Othello, Mother Zion Church, New York City, 1953; title role, Oedipus Rex, Chicago Playwrights Company, Chicago, IL, 1955; title role, Othello, Brattle Theatre, Cambridge, MA, then City Center Theatre, New York City, 1955; Chief Uturo, The Virtuous Island, Carnegie Hall Playhouse, New York City, 1957; title role, Othello, New York Shakespeare Festival, Belvedere Lake Theatre, New York City, 1958; Henry Simpson, Toys in the Attic, Piccadilly Theatre, London, 1960; Bear Baiter, When We Dead Awaken, Gate Theatre, Dublin, Ireland, 1961; Saul, Javelin, Actors Playhouse, New York City, 1966; Othello, Catch My Soul, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1968; Captain, Leviathan 99, Samuel Goldwyn Studios, Los Angeles, 1972; title role, Othello, National Shakespeare Festival, Old Globe Theatre, San Diego, CA, 1976. Also appeared in Trial By Fire, Blackfriars Theatre, New York City, 1947; An Enemy of the People, Chicago Theatre Group, Goodman Theatre, Chicago, 1979.

AWARDS: Best Actress Award from the Source Theatre, 1979, for The Three Sisters.

FILM DEBUT—King Dick, Lydia Bailey, Twentieth Century-Fox, 1952. PRINCIPAL FILM APPEARANCES—Glycon, Demetrius and the Gladiators, Twentieth Century-Fox, 1954; leader, Something of Value, Metro-Goldwyn-Mayer (MGM), 1957; Ashumen, To Trap a Spy, MGM, 1966; Al Poland, The Hell with Heroes, Universal, 1968; Edward W. Brooke, The Boston Strangler, Twentieth Century-Fox, 1968; attorney general, Skullduggery, Universal, 1970; Tatakombi, Tarzan's Jungle Rebellion, New General, 1970; Morrie Bronson, Zigzag (also known as False Witness), MGM, 1970; Doctor Craig Smith, Honky, Jack H. Harris, 1971; title role, Blacula, American International, 1972; Manuwalde/ Blacula, Scream Blacula Scream, American International, 1973; Bishop Garnet Williams, Abby, American International, 1974; Attorney General William Klinger, Twilight's Last Gleaming, Allied Artists, 1977; attendant, Curtains, Jensen Farley, 1983; pirate captain, "Video Pirates," Amazon Women on the Moon, Universal, 1987. Also appeared in Piedra de Toque, Asturia Films, 1953; Sabu and the Magic Ring, Allied Artists, 1957; The Great Skycopter Rescue, 1982; Vasectomy, a Delicate Matter (also known as Vasectomy), Vandom International/Seymour Borde and Associates, 1986.

PRINCIPAL STAGE WORK—Producer, Othello, Mother Zion Church, New York City, 1953; director, Long Voyage Home, American Artists and Students Center, Paris, 1962. MAJOR TOURS—Title role, Othello, Dublin Theatre Festival, European cities, 1962-63; also Call Me Mister, 1948; and (also director) The Bear and The Marriage Proposal, U.S. Air Force bases, France, 1961.

MEMBER: Actors' Equity Association. SIDELIGHTS: RECREATIONS—Writing, aerobics, reading, and going to movies. ADDRESSES: AGENT—Lynn Oliver Moore, Spotlight.

MARSHALL, William

1924-

PERSONAL: Full name, William Horace Marshall; born August 19, 1924, in Gary, IN; son of Vereen (a dentist) and Thelma (Edwards) Marshall. EDUCATION—Attended the Art Institute of Chicago, 1938-40, the Alliance Francaise, Paris, 1959-63, and New York University; studied acting at the American Theatre Wing, 1947, the Actors Studio, 1952-54, and the Neighborhood Playhouse, 1958. MILITARY—U.S. Army, 1943.

PRINCIPAL TELEVISION APPEARANCES—Series: Judge Marcus Black, Rosetti and Ryan, NBC, 1977; King of Cartoons, PeeWee's Playhouse, CBS, 1986—; also Mr. Kano, Danger Man, British television, 1959. Pilots: Doctor Harold Tawn, U.M.C., CBS, 1969; Judge Marcus Black, Rosetti and Ryan: Men Who Love Women, NBC, 1977; Ubal, Sabu and the Magic Ring (never broadcast). Episodic: "As Adam, Early in the Morning," Repertoire Workshop, CBS, 1966; Daniel Boone, NBC, 1967; also Alfred Hitchcock Presents, CBS; TheManfrom U.N.C.L.E.,NBC', Ben Casey, ABC; Secret Agent, CBS; Tarzan, NBC. Movies: Captain Condor Sekallie, The Mask of Sheba, NBC, 1970; Mr. Poore, Killer Instinct (also known as Over the Edge), NBC, 1988; also Beverly Hills Madam, NBC, 1986. Specials: The Lawd, The Green Pastures, BBC, 1958; Don Cheek, "One More Hurdle,"

VOCATION: Actor. CAREER: BROADWAY DEBUT—Chorus, Carmen Jones, Broadway Theatre, 1944. PRINCIPAL STAGE APPEARANCES—Title role (understudy), Jeb, Martin Beck Theatre, New York City, 1946; Joshua (understudy) and freed man, Our Lan', Roy ale Theatre, New York City, 1947; Sad-Act, A Long Way from Home, Maxine Elliott's Theatre, New York City, 1948; Rolla Bennett, Set My People Free, Hudson Theatre, New York City, 1948; General Joe Hooker, The Washington Years, American Negro Theatre, New York City, 1948; Hlabeni, Lost in the Stars, Music Box Theatre, New York City, 1949; Cookson, Peter Pan, Imperial Theatre, New 267

MARTIN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

NBC Special Treat, NBC, 1984; King of Cartoons, A Special Evening of Pee-Wee'sPlayhouse, CBS, 1987. Also appeared as the Battler, The World of Nick Adams, NBC, 1957; The Big Pride, BBC, 1961. PRINCIPAL RADIO APPEARANCES—Yank, Bound East of Cardiff, NBC, \952\TheLowerBasinStreet, 1952; title role, The Emperor Jones, BBC, 1959. RELATED CAREER—With the New York Shakespeare Festival, toured New York City schools in a performance of Othello, 1953; played gospel music as a disc jockey for radio station WLIB (New York City), 1956; singer at the Moulin Rouge, Paris, 1962-63. NON-RELATED CAREER—Steel mill worker, stevedore, and commercial artist. MEMBER: Actors' Equity Association (recording secretary, 195051), Avant-Garde Francaise d'Amerique, American Federation of Television and Radio Artists, Screen Actors Guild. SIDELIGHTS: RECREATIONS—Horseback riding, swimming, dancing, and writing poetry.*

MARTIN, Dean

1917-

PERSONAL: Born Dino Paul Crocetti, June 17,1917, in Steubenville, OH; son of Guy Crocetti (a barber); married Elizabeth Ann McDonald, 1940 (divorced, 1949); married Jeanne Bieggers, 1949 (divorced); married Cathy Mae Hawn, 1973 (divorced, 1976); children: Craig, Claudia, Gail, Deanna (first marriage); Dean Paul (Dino, Jr.; deceased), Ricci, Gina (second marriage); Sasha (third marriage; adopted).

DEAN MARTIN

Paramount, 1961; as himself, The Road to Hong Kong, United Artists, 1962; Sergeant Chip Deal, Sergeants 3, United Artists, 1962; Steve Flood, Who's Got the Action?, Paramount, 1962; bum, Come Blow Your Horn, Paramount, 1963; Joe Jarrett, Four for Texas, Warner Brothers, 1963; Julian Berniers, Toys in the Attic, United Artists, 1963; Jason Steel, Who's Been Sleeping in My Bed?, Paramount, 1963; Dino, Kiss Me, Stupid, Lopert, 1964; Little John, Robin and the Seven Hoods, Warner Brothers, 1964; Leonard Crawley, What a Way to Go!, Twentieth Century-Fox, 1964; Ernie Brewer, Marriage on the Rocks, Warner Brothers, 1965; Tom Elder, The Sons of Katie Elder, Paramount, 1965; Matt Helm, Murderer's Row, Columbia, 1966; Matt Helm, The Silencers, Columbia, 1966; Sam Hollis, Texas Across the River, Universal, 1966; Matt Helm, The Ambushers, Columbia, 1967; Alex Flood, Rough Night in Jericho, Universal, 1967; Dee Bishop, Bandolero!, Twentieth Century-Fox, 1968; Van Morgan, Five Card Stud, Paramount, 1968; David Sloane, How to Save a Marriage—And Ruin Your Life (also known as Band of Gold), Columbia, 1968; Matt Helm, The Wrecking Crew, Columbia, 1968; Captain Vernon Demarest, Airport, Universal, 1970; Joe Baker, Something Big, National General, 1971; Billy Massey, Showdown, Universal, 1973; Joe Ricco, Mr. Ricco, MGM, 1975; Jamie Blake, The Cannonball Run, Twentieth Century-Fox, 1981; Jamie Blake, Cannonball Run II, Warner Brothers, 1984.

VOCATION: Singer and actor. CAREER: FILM DEBUT—Steve Baird, My Friend Irma, Paramount, 1949. PRINCIPAL FILM APPEARANCES—Sergeant Puccinelli, At War with the Army, Paramount, 1950; Steve Baird, My Friend Irma Goes West, Paramount, 1950; Al Crowthers, Sailor Beware, Paramount, 1951; Bill Baker, That's My Boy, Paramount, 1951; Chick Allen, Jumping Jacks, Paramount, 1952; as himself, The Road to Bali, Paramount, 1952; Bill Miller, The Stooge, Paramount, 1952; Joe Anthony, The Caddy, Paramount, 1953; Honey Talk Nelson, Money from Home, Paramount, 1953; Larry Todd, Scared Stiff, Paramount, 1953; Steve, Living It Up, Paramount, 1954; Pete Nelson, Three Ring Circus (also known as Jerrico, the Wonder Clown), Paramount, 1954; Bob Miles, You're Never Too Young, Paramount, 1955; Rick Todd, Artists and Models, Paramount, 1955; Slim Mosely, Jr., Partners, Paramount, 1956; Steve Wiley, Hollywood or Bust, Paramount, 1956; Ray Hunter, Ten Thousand Bedrooms, Metro-Goldwyn-Mayer (MGM), 1957; Michael Whiteacre, The Young Lions, Twentieth Century-Fox, 1958; Dude, Rio Bravo, Warner Brothers, 1959; Bama Dillert, Some Came Running, MGM, 1959; Maury Novak, Career, Paramount, 1959.

TELEVISION DEBUT—Toast of the Town, CBS. PRINCIPAL TELEVISION APPEARANCES—Series: Host (with Jerry Lewis), The Colgate Comedy Hour, NBC, 1950-55; host, The Dean Martin Show, NBC, 1965-74; as himself, Half Nelson, NBC, 1985. Pilots: Host, The Powder Room, NBC, 1971; host, Dean's Place, NBC,

Jeffrey Moss, Bells Are Ringing, MGM, 1960; Sam Harmon, Ocean's Eleven, Warner Brothers, 1960; as himself, Pepe, Columbia, 1960; Michael Haney, Who Was That Lady?, Columbia, 1960; Bo Gillis, Ada, MGM, 1961; Tony Ryder, All in a Night's Work, 268

MARTIN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

soundtrack), Capitol, 1960; Everybody Loves Somebody, Reprise, 1964; Dream with Dean, Reprise, 1964; The Door Is Still Open to My Heart, Reprise, 1964; Dean Martin Hits Again, Reprise, 1965; (Remember Me) I'm the One Who Loves You, Reprise, 1965; Houston, Reprise, 1965; Somewhere There's a Someone, Reprise, 1966; The Dean Martin TV Show, Reprise, 1967; Welcome to My World, Reprise, 1967; Gentle on My Mind, Reprise, 1969; I Take a Lot of Pride in What I Am, Reprise, 1969; My Woman, My Woman, My Wife, Reprise, 1970; For the Good Times, Reprise, 1970; You're the Best Thing That Ever Happened to Me, Reprise, 1973; The Nashville Sessions, Warner Brothers, 1983.

1975. Episodic: Welcome Aboard, NBC, 1948; The Danny Thomas Show, CBS, \95fr, Startime, NBC, 1959 and 1960;Rawhide, CBS, 1964; Vega$, ABC, 1979; guest host, The Big Show, NBC, 1980; On Stage America, syndicated, 1984; The Motown Revue, NBC, 1985; The Dom DeLuise Show, syndicated, 1987; also Club Oasis, NBC. Specials: Show of the Year, NBC, 1950; The General Motors 50th Anniversary Show, NBC, 1957; The Dean Martin Show, NBC, 1958; Bing Crosby and His Friends, CBS, 1958; The Dean Martin Show, NBC, 1958; The Bob Hope Show, NBC, 1959; The Phil Harris Show, NBC, 1959; The Dean Martin Show, NBC, 1959'The Frank Sinatra Show, ABC, 1959; The Dean Martin Show, NBC, 1960; The Bob Hope Show, NBC, 1961; The Judy Garland Show, CBS, 1962; The Bob Hope Show, NBC, 1963; Favorite Songs, NBC, 1964; The Best on Record, NBC, 1965; The Wonderful World of Burlesque, NBC, 1966; Movin with Nancy, NBC, 1967; Ann-Margret: From Hollywood with Love, CBS, 1969; Bing Crosby—Cooling It, NBC, 1970; Jack Benny's 20th Anniversary TV Special, NBC, 1970; Petula, ABC, 1970; City vs. Country, ABC, 1971; Swing Out, Sweet Land, NBC, 1971; Bing CrosbyCooling It, CBS, 1973; Jack Benny's First Farewell Show, NBC, 1973; The Bob Hope Special, NBC, 1974; Dean Martin's Celebrity Roast (a series of 28 specials), NBC, 1974-79; A Lucille Ball Special Starring Lucille Ball and Dean Martin, CBS, 1975; The Don Rickles Show, CBS, 1975; Dean Martin's California Christmas, NBC, 1975; Dean Martin's Red Hot Scandals of 1926, NBC, 1976; The First 50 Years, NBC, 1976; Sinatra and Friends, ABC, 1977; Dean Martin's Christmas in California, NBC, 1977; Dean Martin's Red Hot Scandals, Part 2, NBC, 1977; Bob Hope's AilStar Comedy Spectacular from Lake Tahoe, NBC, 1977; The Stars Salute Israel at 30, ABC, 1978; Highlights of the Dean Martin Roasts, NBC, 1980; Shirley MacLaine . . . Every Little Movement, CBS, 1980; The Mac Davis Tenth Anniversary Special: I Still Believe in Music, NBC, 1980; Sinatra—The First 40 Years, NBC, 1980; The Dean Martin Christmas Special, NBC, 1980; Dean Martin's Comedy Classics, NBC, 1981; Ladies and Gentlemen, BobNewhart. . . Part II, CBS, \9%\\ Dean Martin's Christmas at Sea World, NBC, 1981; Dean Martin at the Wild Animal Park, NBC, 1982; Bob Hope's Pink Panther Thanksgiving Gala, NBC, 1982; George Burns' 100th Birthday Party, NBC, 1982; Dom DeLuise and Friends, ABC, 1983; Dean Martin in London, Showtime, 1983; The Dean Martin Celebrity Roast: Joan Collins, NBC, 1984; Dom DeLuise and Friends, Part 2, ABC, 1984; The Dean Martin Celebrity Roast: Mr. T, NBC, 1984; All Star Party for Lucille Ball, CBS, 1984; The Dean Martin Celebrity Roast: Michael Landon, NBC, 1984; The 50th Presidential Inaugural Gala, ABC, 1985; Bob Hope Buys NBC?, NBC, 1985; All-Star Party for "Dutch" Reagan, CBS, 1985; Dom DeLuise and Friends, PartIV, ABC, 1986; Las Vegas: An All-Star 75th Anniversary, ABC, 1987; America's Tribute to Bob Hope, NBC, 1988.

SINGLES—"Powder Your Face with Sunshine," Capitol, 1949; "I'll Always Love You," Capitol, 1950; "If," Capitol, 1951; "You Belong to Me," Capitol, 1952; "Love Me, Love Me," Capitol, 1953; "That's Amore," Capitol, 1953; "I'd Cry Like a Baby," Capitol, 1954; "Memories Are Made of This," Capitol, 1955; "Innamorata," Capitol, 1956; "Standing on the Corner," Capitol, 1956; "Return to Me," Capitol, 1958; "Angel Baby," Capitol, 1958; "Volare (Nel Blu Dipinto Di Blu)," Capitol, 1958; "Everybody Loves Somebody," Reprise, 1964; "The Door Is Still Open to My Heart," Reprise, 1964; "You're Nobody Till Somebody Loves You," Reprise, 1965; "Send Me the Pillow You Dream On," Reprise, 1965; "(Remember Me) I'm the One Who Loves You, "Reprise, 1965; "Houston, "Reprise, 1965; "I Will," Reprise, 1965; "Somewhere There's a Someone," Reprise, 1966; "Come Running Back," Reprise, 1966; "In the Chapel in the Moonlight," Reprise, 1967; "Little Ole Wine Drinker, Me," Reprise, 1967; "For the Good Times," Reprise, 1970; "L.A. Is My Home," MCA, 1985. AWARDS: Motion Picture Herald-Fame poll winner (with Jerry Lewis), One of the Top Ten Money Making Stars, 1951, 1952 (number one), 1953, 1954, and 1955; Golden Apple Star of the Year Award from the Hollywood Women's Press Club (with Jerry Lewis), 1954; Golden Globe, Best Television Star, 1967, for The Dean Martin Show. ADDRESSES: AGENT—Chasin/Park/Citron Agency, 9255 Sunset Boulevard, Los Angeles, CA 90069.*

MARTIN, George

1926-

PERSONAL: Born January 3, 1926, in London, England. EDUCATION—Studied oboe at the Guildhall School of Music. VOCATION: Music director, composer, and record producer.

PRINCIPAL RADIO APPEARANCES—Series: The Martin and Lewis Show, NBC. Episodic: The Big Show, NBC.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Give My Regards to Broad Street, Twentieth CenturyFox, 1984. PRINCIPAL FILM WORK—Music director: A Hard Day's Night, United Artists, 1964; Ferry Across the Mersey, United Artists, 1964; Yellow Submarine, United Artists, 1968; Pulp, United Artists, 1972; The Optimists (also known as The Optimists of Nine Elms), Paramount, 1973; Sergeant Pepper's Lonely Hearts Club Band, Universal, 1978; Give My Regards to Broad Street, Twentieth Century-Fox, 1984.

RELATED CAREER—(As Dino Martino) Singer with Ernie McKay's Band; partner with Jerry Lewis in the comedy team of Martin and Lewis, 1946-56. NON-RELATED CAREER—Amateur welterweight boxer under the name "Kid Crocket," gas station attendant, steel mill worker, clerk, and croupier.

RELATED CAREER—Record producer for comedians Peter Sellers, Spike Milligan, and Flanders and Swann and for such recording artists as the Beatles, Gerry and the Pacemakers, Billy J. Kramer

RECORDINGS: ALBUMS—Dean Martin Sings, Capitol, 1955; This Is Dean Martin, Capitol, 1958; Bells Are Ringing (original 269

MARTIN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

and the Dakotas, Cilia Black, Ringo Starr, Paul McCartney, Sea Train, Stackridge, John McLaughlin, America, and Jeff Beck.

Academy Theatre, New York City, 1971, then Billy Rose Theatre, New York City, 1972; Mrs. Johnson, Raisin, Arena Stage, then 46th Street Theatre, New York City, both 1973, later Lunt-Fontanne Theatre, New York City, 1975; Sookey, Cat on a Hot Tin Roof, Center Theatre Group, Mark Taper Forum, Los Angeles, 1983. Also appeared as Ruby Jackson, Striver'sRow, the Maid, Three's a Family, and in Hits, Bits, and Skits (revue), all American Negro Theatre, New York City; as the Maid, Three's a Family and little girl, Mamba's Daughter, both in New York City, 1943; in Chicken Every Sunday, Blackstone Theatre, Chicago, IL, 1944; The String, Inner City Cultural Center, Los Angeles, 1978; and in Stevedore, Off-Broadway production.

WRITINGS: FILMS—Composer: Yellow Submarine, United Artists, 1968; Live and Let Die, United Artists, 1973; (with Elmer Bernstein) Honky Tonk Freeway, Universal, 1981. AWARDS: Grammy Awards (as producer), Record of the Year and Best Contemporary Album, both 1967, for Sergeant Pepper's Lonely Hearts Club Band by the Beatles; Grammy Award, Best Arrangement Accompanying Vocalist, 1973, for "Live and Let Die" by Paul McCartney and Wings; Rolling Stone magazine Reader's Poll, Producer of the Year, 1982, for Tug of War by McCartney.*

MAJOR TOURS—Vera Thomas, Native Son, U.S. cities, 1941; Honey Turner, Deep Are the Roots, U.K. cities, 1947; Rheba, You Can't Take It with You, U.S. cities, 1954-55; Millie, Anniversary Waltz, U.S. cities, 1955; Adelaide Bobo, The Blacks, U.S. cities, 1963; Millie, Happy Anniversary, U.S. cities, 1964; Rheba, You Can't Take It with You, U.S. cities, 1966; Idella, Purlie, U.S. cities, 1971-72.

MARTIN, Helen PERSONAL: Full name, Helen Dorothy Martin; born July 28, in St. Louis, MO; daughter of William (a minister) and Amanda Frankie (Fox) Martin. EDUCATION—Attended Fisk University and A&I State College; studied acting at the Paul Mann Workshop.

PRINCIPAL FILM APPEARANCES—Helen Ward, The Phoenix City Story, Allied Artists, 1955; church sister, Cotton Comes to Harlem, United Artists, 1970; job applicant, Where's Poppa? (also known as Going Ape), United Artists, 1970; Alma Lee Brown, Death Wish, Paramount, 1974; Mrs. Bell, A Hero Ain't Nothing But a Sandwich, New World, 1977; Baptist, Deal of the Century, Warner Brothers, 1983; Mrs. Parks, Repo Man, Universal, 1984; Bobby's grandmother, Hollywood Shuffle, Samuel Goldwyn, 1987. Also appeared in The Anderson Tapes, Columbia, 1971.

VOCATION: Actress. CAREER: STAGE DEBUT—With the Rose McClendon Players, New York City, 1939. BROADWAY DEBUT—Vera Thomas, Native Son, St. James Theatre, 1941. PRINCIPAL STAGE APPEARANCES—Honey Turner, Deep Are the Roots, Fulton Theatre, New York City, 1945, then Wyndham's Theatre, London, 1947; Delia, The Royal Family and Paula, The Petrified Forest, both Salt Creek Theatre, Hinsdale, IL, 1951; Poppy, Take a Giant Step, Lyceum Theatre, New York City, 1953; Rummy Mitchins, Major Barbara, Greenwich Mews Theatre, New York City, 1954; Mrs. Tancred, Juno and the Pay cock, Greenwich Mews Theatre, 1955; Jeniella, King of Hearts, Woodstock Theatre, Woodstock, NY, 1956; Martha Lane, A Land Beyond the River, Greenwich Mews Theatre, 1957; Auntie Alice, Fever of Life, Westport Country Playhouse, Westport, CT, 1957; Jessie, The Ballad of Jazz Street, Greenwich Mews Theatre, 1959.

PRINCIPAL TELEVISION APPEARANCES—Series: Luzelle Carter, Baby, I'm Back, CBS, 1978; Pearl Shay, 227, NBC, 1985—. Pilots: Mother, Big Daddy, CBS, 1973; Grandma Johnson, The Jerk, Too, NBC, 1984; also Wash and Dry, WNYC (New York City), 1974. Episodic: Laura, That's My Mama, ABC, 1974-75; Shirley Luskin, Full House, ABC, 1989; Mrs. Johnson, "A Raisin in the Sun," American Playhouse, PBS, 1989; also "The Bitter Cup," Frontiers of Faith, NBC, 1960; The Nurses, CBS, 1964; The Defenders, CBS, 1964; Aunt Lil, Benson, ABC; Police Woman, NBC; Starsky and Hutch, ABC; Sanford and Son, NBC; The Jeffersons, CBS; Maude, CBS; Good Times, CBS; Hill Street Blues, NBC; St. Elsewhere, NBC. Movies: Flower lady, Cindy, ABC, 1978; Mrs. Cartwright, This Man Stands Alone (also known as Lawman Without a Gun), NBC, 1979; Mrs. Harrod, Dummy, CBS, 1979; Mrs. McKenzie, Amos, CBS, 1985; also Better Late Than Never, NBC, 1979. Specials: "Green Pastures," Hallmark Hall of Fame, NBC, 1959; "J.T.," CBS Children's Hour, CBS, 1969; Living the Dream: A Tribute to Dr. Martin Luther King, syndicated, 1988.

Maude Carter, The Long Dream, Ambassador Theatre, New York City, 1960; Susie, Period of Adjustment, Helen Hayes Theatre, New York City, 1960; Felicity Trollop Pardon, The Blacks, St. Mark's Playhouse, New York City, 1961; Missy Judson, Purlie Victorious, Cort Theatre, then Longacre Theatre, both New York City, 1961; Essie, Critic's Choice, Colonie Theatre, Latham, NY, then Playhouse in the Park, Philadelphia, PA, both 1962; Hannah, My Mother, My Father, and Me, Plymouth Theatre, New York City, 1963; Adelaide Bobo, The Blacks, St. Mark's Playhouse, 1963; Ruby Grant, One Is a Lonely Number, Mermaid Theatre, New York City, 1964; Maria Pleasant, The Cat and the Canary, Stage 73, New York City, 1965; Sister Douglas, The Amen Corner, Ethel Barry more Theatre, New York City, then Lyceum Theatre, Edinburgh, Scotland, later Saville Theatre, London, all 1965; Ann Hall, What Do You Really Know About Your Husband?, Shubert Theatre, New Haven, CT, 1967; Sarah Goldfine (understudy), Something Different, Cort Theatre, 1967;Rheba, You Can't Take It with You, Arena Stage, Washington, DC, 1969.

PRINCIPAL RADIO APPEARANCES—Specials: Honey Turner, Deep Are the Roots, BBC, 1947. RELATED CAREER—Founding member, American Negro Theatre, New York City, 1940; disk jockey, WOV, 195 3; also conductor and singer with jazz bands in Tennessee. NON-RELATED CAREER—Factory worker, postal worker, hotel maid, elevator operator, Western Union clerk. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists.*

Idella, Purlie, Broadway Theatre, then Winter Garden Theatre, both New York City, 1970, later American National Theatre and 270

MAXFIELD

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 MASINA, Giulietta

1921-

VOCATION: Playwright. WRITINGS: STAGE—The Woolgatherer, first produced in New Brunswick, NJ, 1979, then Circle Repertory Company, Circle Repertory Theatre, New York City, 1980, later in London, 1985, published by Samuel French, 1981; Extremities, Theatre Center Philadelphia, Philadelphia, PA, 1980, then Westside Arts Center, Cheryl Crawford Theatre, New York City, 1982, later in London, 1984, published by Samuel French, 1985; A Tantalizing, 1982 Shorts Festival, Actors Theatre of Louisville, Louisville, KY, 1982, published by Samuel French, 1985; Shivaree, Seattle Repertory Theatre, Seattle, WA, 1983, published by Samuel French, 1984; The Undoing, Humana Festival of New American Plays, Actors Theatre of Louisville, 1984; Nanawatai, first produced in Bergen, Norway, 1984, then Los Angeles Theatre Center, Los Angeles, 1985, published by Samuel French, 1986; Tamer of Horses, Crossroads Theatre Company, New Brunswick, NJ, 1985, then Los Angeles Theatre Center, 1986; Cat's Paw, Poncho Forum, Seattle Repertory Theatre, 1986, published by Samuel French, 1987; The Understanding, New-Plays-in-Progess Series, Seattle Repertory Theatre, 1985; Sunshine, Circle Repertory Company, Circle Repertory Theatre, 1989.

PERSONAL: Full name, Giulia Anna Masina; born February 22, 1921, in Bologna, Italy; married Federico Fellini (a director and writer), October 30, 1943. EDUCATION—Attended the University of Rome. VOCATION: Actress. CAREER: STAGE DEBUT—Felice Viaggio, Rome, Italy, 1939. PRINCIPAL STAGE APPEARANCES—Angelica, University of Rome, 1948. FILM DEBUT—Paisa (also known as Paisan), Mayer/Burstyn, 1948. PRINCIPAL FILM APPEARANCES—Marcella, Senza pieta (also known as Without Pity), Lux, 1949; Melina Amour, Luci del varieta (also known as Variety Lights and Lights of Variety), 1951, released in the United States by Pathe Contemporary, 1965; Pippo, Persiane chiuse (also known as Behind Closed Shutters), Lux, 1952; Passerotto, Europa '51 (also known as The Greatest Love), 1952, released in the United States by Lux, 1954; Cabiria, Lo sceicco bianco (also known as The White Sheik), 1952, released in the United States by Janus/Api, 1956; Rosita, Donneproibite (also known as Angels of Darkness), 1953, released in the United States by Supra, 1956; Gelsomina, La Strada, 1954, released in the United States by Trans-Lux, 1956; Iris, // bidone (also known as The Swindle), Astor, 1955, released in the United States by Pathe Contemporary, 1962; Cabiria, Le notti di Cabiria (also known as Cabiria and The Nights of Cabiria), 1956, released in the United States by Lopert, 1957; Lina, Nella citta Vinferno (also known as The Wild, Wild Women and Hell in the City), Rima, 1958, released in the United States by Trans-Lux Distributing, 1961; title role, Giulietta degli spiriti (also known as Juliet of the Spirits), Rizzoli, 1965; Gabrielle, The Madwoman of Chaillot (also known as The Madwoman of Sulpice), Warner Brothers/Seven Arts, 1969.

FILM—(With Edwin Cook, Wendy Cutler, Andy Goldberg, and Roger Steffens) Extremities, Atlantic, 1986; The Beast, Columbia, 1988. AWARDS: Los Angeles Drama Critics' Circle Award, 1982; John Gassner Award from the Outer Critics' Circle, 1983. ADDRESSES: AGENT—George Lane, William Morris Agency, 1350 Avenue of the Americas, New York, NY 10019.*

Title role/Mrs. Winter, Perinbaba, Omnia, 1985; title role, Frau Holle, Jugendfilm, 1985; AmeliaBonnetti (Ginger), Ginger etFred (also known as Ginger and Fred), Metro-Goldwyn-Mayer/United Artists, 1986. Also appeared in Via Padova, 1946; Wanda la Peccatrice, 1946; Sette ore di guai, 1946; // romanzo della mia vita, 1946; Ai margini della metropoli, 1946; Cameriera bella presenza offresi. . ., 1951; Cento anni d'amore, 1954; Buonanotte Avvocato!, 1957; Fortunella, 1958; La Grande Vie (also known as Das Kunstseidene Madchen and La gran vita), 1960; Non stuzzicate la Zanzara, 1967.

MAXFIELD, James

PERSONAL: Born October 11, 1939, in Philadelphia, PA; son of C. James, Jr. (in business) and Patricia A. (Redman) Maxfield; married Leslie Patterson Wheeler, November 24, 1961 (divorced, 1974); children: Carolyn, Lesley. EDUCATION—Attended the Wharton School of Business, University of Pennsylvania, 195961; studied acting with Robert X. Modica, David Man, and Jacqueline Bartone; studied voice and speech with Nancy Andrews and Geoff Prysirr; attended Mary Jo Slater soap opera workshop and Weist Barren commercial courses. RELIGION—Presbyterian.

RELATED CAREER—Radio actress in Rome.

VOCATION: Actor.

NON-RELATED CAREER—School teacher.

CAREER: STAGE DEBUT—Policeman, You Touched Me, TRG Repertory Company, Off Center Theatre, New York City, 1980, for thirty-six performances. PRINCIPAL STAGE APPEARANCES— Allen, Something for the Boys, AMDA Studio One, New York City, 1981; Alan, Magic Time, Penta Players, Midtown Repertory Company, New York City, 1988.

AWARDS: Best Actress Award from the Cannes Film Festival, 1957, for Le notti di Cabiria; also Italian Film Critics' Award, Best Supporting Actress, for Senza pieta.*

MASTROSIMONE, William

1939-

PRINCIPAL FILM APPEARANCES—Governor's aide, Arthur, Warner Brothers, 1981; also appeared in Trading Places, Paramount, 1983; Wall Street, Twentieth Century-Fox, 1987; Arthur 2: On the Rocks (also known as Arthur //), Warner Brothers, 1988; Working Girl, Twentieth Century-Fox, 1988; When Harry Met Sally, Columbia, 1989; See You in the Morning, Warner Brothers, 1989; Blue Steel, Metro-Goldwyn-Mayer/United Artists, 1990.

1947-

PERSONAL: Born August 19, 1947, in Trenton, NJ. EDUCATION—Attended Tulane University, 1966-70; Rider College, B.A., English, 1974; Rutgers University, M.F.A., 1976.

271

MAXWELL

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

The Decision of Chirstopher Blake, Warner Brothers, 1948; Jane Darrin, The Crime Doctor's Diary, Columbia, 1949; Louise Maitlin, Kazan, Columbia, 1949;Erika, Brief Rapture, Jewel, 1952; Peggy, Scotland Yard Inspector (also known as Lady in the Fog), Lippert, 1952; Christine Ralston, Twilight Women (also known as Women of Twilight), Lippert, 1953; Thelma Tasman, Woman in Hiding (also known as Man Trap and Man in Hiding), United Artists, 1953; Lily, The Great Hope (also known as La grande speranza), Minerva, 1954; Amneris (sung by Ebe Stignanai), Aida, Eagle Films, 1954; Enid Mansell, The Woman's Angle, Stratford, 1954; Diane Boyd, Passport to Treason, Astor, 1956; Kim, Satellite in the Sky, Warner Brothers, 1956; Stephanie Blake, High Terrace, RKO/Allied Artists, 1957; Vicky Barker, Time Without Pity, Eros/ Astor, 1957; Jill Brook, Kill Me Tomorrow, Ren/Tudor, 1958; Ethel Winter, Face of Fire, Allied Artists, 1959; Helen Kennedy, The Unstoppable Man, Sutton, 1961; Miss Moneypenny, Dr. No, United Artists, 1962; Nurse Mary Lore, Lolita, Metro-GoldwynMayer (MGM), 1962; Gwen, Come Fly with Me, MGM, 1963; Miss Moneypenny, From Russia with Love, United Artists, 1963; Grace Markway, The Haunting, MGM, 1963; Miss Moneypenny, Goldfinger, United Artists, 1964; Miss Moneypenny, Thunderball, United Artists, 1965; Max, Operation Kid Brother (also known as O.K. Connery), United Artists, 1967; Miss Moneypenny, You Only Live Twice, United Artists, 1967; Miss Moneypenny, On Her Majesty's Secret Service, United Artists, 1969. Woman at fashion show, The Adventurers, Paramount, 1970; Miss Moneypenny, Diamonds Are Forever, United Artists, 1971; Miss Moneypenny, Live and Let Die, United Artists, 1973; Miss Moneypenny, The Man with the Golden Gun, United Artists, 1974; Miss Moneypenny, The Spy Who Loved Me, United Artists, 1977; Mrs. Hogarth, Age of Innocence, Willoughby, 1977; Englishwoman, Lost and Found, Columbia, 1979; Miss Moneypenny, Moonraker, United Artists, 1979; the Director, Mr. Patman, Film Consortium of Canada, 1980; Miss Moneypenny, For Your Eyes Only, United Artists, 1981; Miss Moneypenny, Octopussy, Metro-GoldwynMayer/United Artists (MGM/UA), 1983; Miss Moneypenny, A View to a Kill, MGM/UA, 1985; Monica, The Blue Man (also known as Eternal Evil), Cine 360/New Century/Seymour Borde and Associates, 1985; Edie, Martha, Ruth, and Edie, Simcom International/Norstar, 1988. Also appeared inAmori e veleni (also known as Brief Rapture], 1950; Domani e troppo tardi (also known as Tomorrow Is Too Late), 1950; Endless Night (also known as Agatha Christie's Endless Night), British Lion, 1971.

JAMES MAXFIELD

TELEVISION DEBUT—Mr. Monteweize, The File of Jill Hatch, PBS, 1983. PRINCIPAL TELEVISION APPEARANCES—Series: Brad, Another World, NBC, 1988—; also One Life to Live, ABC; As the World Turns, CBS; Search for Tomorrow, CBS; Edge of Night, ABC. Episodic: C.I.A. agent, The Equalizer, CBS, 1988. Movies: Rage of Angels, NBC, 1983. Specials: The Big Blonde, PBS. RELATED CAREER—Professional model; appeared in print advertising and television commercials. NON-RELATED CAREER—Real estate salesman.

PRINCIPAL TELEVISION APPEARANCES—Series: Earth girl, Stingray, syndicated, 1965; Miss Holland, U.F.O., syndicated, 1972; Nancy Williams, Adventures in Rainbow Country, syndicated, 1972. Episodic: Douglas Fairbanks, Jr. Presents the Rheingold Theatre, syndicated. Movies: Mary Smith, Lady in a Corner, NBC, 1989.*

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Main Line Board of Realtors, 1973-81 (salesman of the year, 1975, and Million Round Table for Realtors), Chester County Board of Realtors, 1973-81.

MAXWELL, Lois

1927McBRIDE, Jim

1941-

PERSONAL: Born Lois Hooker, 1927, in Canada. PERSONAL: Born September 16, 1941, in New York, NY; married Tracy Tynan (a costume designer); children: three sons. EDUCATION—Attended New York University.

VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Julia Kane, That Hagen Girl, Warner Brothers, 1947; Karen Long, The Big Punch, Warner Brothers, 1948; Imogene, Corridor of Mirrors, Apollo, 1948; Ruth Collins, The Dark Past, Columbia, 1948; Miss Mclntyre,

VOCATION: Director, screenwriter, and producer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEAR272

CONTEMPORARY

McCALLUM

THEATRE, FILM, AND TELEVISION • Volume 8

ANCES—Man at elevator, Hot Times, William Mishkin, 1974; man in cantina, The Last Embrace, United Artists, 1979; also appeared in My Girlfriend's Wedding, Paradigm/New Yorker, 1969. FIRST FILM WORK—Producer, director, and editor, David Holzmaris Diary, Paradigm, 1968. PRINCIPAL FILM WORK— Director: (Also editor) My Girlfriend's Wedding, Paradigm/New Yorker, 1969; Glen and Randa, UMC, 197'1; Hot Times, William Mishkin, 1974; The Last Embrace, United Artists, 1979; Breathless, Orion, 1983; The Big Easy, Columbia, 1987; Great Balls of Fire, Orion, 1989. PRINCIPAL TELEVISION WORK—Episodic: Director, "The Once and Future King," The Twilight Zone, CBS, 1986. RELATED CAREER—Instructor, New York University. NON-RELATED CAREER—Cab driver. WRITINGS: FILM—David Holzman's Diary, Paradigm, 1968; My Girlfriend's Wedding, Paradigm/New Yorker, 1969; (with Lorenzo Mans and Rudy Wurlitzer) Glen and Randa, UMC, 1971; Hot Times, William Mishkin, 1974; The Last Embrace, United Artists, 1979; (with L.M. Kit Carson) Breathless, Orion, 1983; Great Balls of Fire, Orion, 1989. AWARDS: Grand Prizes from the Manheim and Pesaro Film Festivals, both 1967, for David Holzman's Diary.*

JOANNA McCALLUM

McCALLUM, Joanna

Marguerite Blakeney, The Scarlet Pimpernel, both Chichester Theatre Festival, 1985, then Her Majesty's Theatre, London, 198586.

PERSONAL: Daughter of John McCallum (an actor, director, and producer) and Googie Withers (an actress). VOCATION: Actress.

MAJOR TOURS—Lady Macbeth, Macbeth, Young Vic Theatre, Mexico and Spain, 1976; Katherine, The Taming of the Shrew, U.K., U.S., and Canadian cities, 1976; Elizabeth ChampionCheney, The Circle, Triumph Theatre, U.K. cities, 1978.

CAREER: PRINCIPAL STAGE APPEARANCES—Kitty Verdun, Charley's Aunt, Apollo Theatre, London, 1971; Diana Claiborne, Friends and Romans, Yvonne Arnaud Theatre, Guildford, U.K., 1972; Bianca, The Taming of the Shrew, Chorus and Prologue, The Persians, Rosie Probert and Mrs. Ogmore Pritchard, Under Milkwood, and Good Fairy, Pinnochio, all Crucible Theatre, Sheffield, U.K., 1972; Helena and second queen, A Midsummer Night's Dream, New Shakespeare Company, Open Air Theatre, Regent's Park, London, 1974; Amanda, Mr. Whatnot and lawyer, / Am the Vicar, both Belgrade Theatre, Coventry, U.K., 1974; Ophelia, Rosencrantz and Guildenstern Are Dead, Lady Macbeth, Macbeth, and Sylvia, Two Gentleman of Verona, all Young Vic Theatre, London, 1974; Amy Spettigue, Charley's Aunt, Rosalind, As You Like It, and Katherine, The Taming of the Shrew, all Young Vic Theatre, 1975-76; Princess of France, Love's Labour's Lost, reporter, The Winslow Boy, Edith, Golden Pathway Annual, and Gwendoline, The Importance of Being Earnest, all Bristol Old Vic Theatre, Bristol, U.K., 1976; Zerbinetta, Scapino, Katherine, The Taming of the Shrew, and Cynthia, The Real Inspector Hound, all Young Vic Theatre, 1977; Virginia Vanderpool, Saratoga, Royal Shakespeare Company, Aldwych Theatre, London, 1978; Ruth, Blithe Spirit, Thorndike Theatre, Leatherhead, U.K., 1979; Nora, A Doll's House, Perth Theatre Festival, Perth, Australia, 1982; Portia, The Merchant of Venice, Chichester Theatre Festival, Chichester, U.K., 1984; Jane Marryot, Cavalcade and Lady

PRINCIPAL FILM APPEARANCES—Jenny Blake, The Nickel Queen, Woomera, 1971; bookshop cashier, Hopscotch, AVCO-Embassy, 1980. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Winifred Holtby, Testament of Youth, BBC, 1979, then Masterpiece Theatre, PBS, 1980; Mrs. Frances Neville, By the Sword Divided, BBC, 1984, then Masterpiece Theatre, PBS, 1986. Episodic: Title role, "Barbara, of the House of Grebe," Thomas Hardy, BBC, 1973; Carol Waterlow, "When the Bough Breaks," Within These Walls, London Weekend Television (LWT), 1974; Helen, "Marriage Ring No. 20," For Better or Worse, Thames, 1975; Monica Becket, "Unbecoming Habits," "Deadline," and "Let Sleeping Dogs Die," Bognor, Thames, 1980; "Just Desserts," Bognor, Thames, 1981; Hilary Rogers, "Love and War," Crown Court, Granada, 1984. Specials: Camilla, A Wreath of Roses, Granada, 1987, then Masterpiece Theatre, PBS, 1989. Also appeared as Julia Shepherd, Last Year's Confetti, LWT, 1971; Miss Eynsford-Hill, Pygmalion, BBC, 1973; Lady Macbeth, Macbeth, Dramacourt Ltd., 1975; the Countess, Henry VI, Parti, BBC, 1981; Iris Aroon St. Charles, Good Behaviour, BBC, 1982-83; Virgilla, Coriolanus, BBC, 1983; Bunty, Struggle, LWT, 1983; lift girl, A Still Small 273

McCALLUM

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Shout, BBC, 1985; Lady Christine Collett, Rockliffes' Babies, BBC, 1988; Marion Sharpe, The Franchise Affair, BBC, 1989; Alicia, The Ginger Tree, BBC, 1989.

the Park, Lyric Hammersmith Theatre, London, 1950; James Manning, Waiting for Gillian, St. James's Theatre, London, 1954; Mr. Darling, Peter Pan, Scala Theatre, Brisbane, Australia, 1956; Gil, Janus, Aldwych Theatre, London, 1957; Lord Dungavel, Roar Like a Dove, Phoenix Theatre, London, 1957, then Comedy Theatre, Melbourne, Australia, 1959; John Middleton, The Constant Wife, Albery Theatre, London, 1973; Campbell Sinclair, As It's Played Today, Comedy Theatre, 1974; Clive Champion-Cheney, The Circle, Chichester Theatre Festival, Chichester, U.K., then Haymarket Theatre, London, both 1976; Cecil, The Kingfisher, Comedy Theatre, 1978; Sir Oliver Surface, School for Scandal, Duke of York's Theatre, London, 1985; the Judge, The Chalk Garden, Chichester Theatre Festival, 1986; David, Hay Fever, Chichester Theatre Festival, 1988; General Wilkins, The Royal Baccarat Scandal, Haymarket Theatre, 1989. Also appeared in Hamlet and RichardII, both Scala Theatre, 1935; with the Memorial Theatre Company, Stratford-on-Avon, U.K., 1939; Francisco, The Tempest and the Herald, King Lear, both with the Old Vic Company, 1939.

ADDRESSES: AGENT—Joyce Edwards Representation, 275 Kennington Road, London SE11 6BY, England.

McCALLUM, John

1918-

PERSONAL: Born March 14, 1918, in Brisbane, Australia; son of John Neil (a theatre owner and producer) and Lillian Elsie (an actress; maiden name, Dyson) McCallum; married Googie Withers (an actress), January 24, 1948; children: Joanna, Nicholas, Amanda. EDUCATION—Trained for the stage at the Royal Academy of Dramatic Art. MILITARY—Australian Imperial Forces, 2/5 Field Regiment, 1941-45.

PRINCIPAL STAGE WORK—All as director, unless indicated: The Wind and the Rain, Theatre Royal, Sydney, Australia, 1945; Roar Like a Dove and The Piccadilly Bushman, both Comedy Theatre, Melbourne, Australia, 1959; My Fair Lady, Her Majesty's Theatre, Melbourne, Australia, 1960; (also designer) Plaza Suite, Theatre Royal, Sydney, Australia, 1969; My Fair Lady, Her Majesty's Theatre, 1970; As It's Played Today, Comedy Theatre, 1974.

VOCATION: Actor, director, producer, and theatre manager. CAREER: STAGE DEBUT—Wolsey, Henry VIII, Cremorne Theatre, Brisbane, Australia, 1934, for three performances. PRINCIPAL STAGE APPEARANCES—Ex-officer, Cornelius, Westminster Theatre, London, 1940; Baldasarre, The Maid of the Mountains and General Esteban, Rio Rita, both Theatre Royal, Sydney, Australia, 1945; Tony Macrae, Western Wind, Q Theatre, then Piccadilly Theatre, both London, 1949; Sir Philip Hayes, K.B.E., View Over

MAJOR TOURS—Director and appeared as Simon Foster, Simon and Laura and director and appeared as Freddie Page, The Deep Blue Sea, Australian and New Zealand cities, both 1955; director and appeared in Relatively Speaking, Australian cities, 1968; Cecil, The Kingfisher, Australian cities, 1978; Hillcrist, The Skin Game, Gayev, The Cherry Orchard, and Sir Tristam, Dandy Dick, U.K. cities, all 1983; David, Stardust, U.K. and Australian cities, 1984; Sir Oliver Surface, School for Scandal, British Council tour, European cities, 1985; Cecil, The Kingfisher, Far East and Middle East cities, 1987; General Wilkins, The Royal Baccarat Scandal, U.K. cities, 1988. FILM DEBUT—Joe Bartle, The Root of All Evil, General Film Distributors, 1947. PRINCIPAL FILM APPEARANCES—Narrator, Bush Christmas, Universal, 1947; Arthur Alee, The Loves of Joanna Godden, General Film Distributors, 1947; Garry, The Calendar, General Film Distributors, 1948; store helper, Letter from an Unknown Woman, Universal, 1948; David Howarth, A Boy, a Girl, and a Bike, General Film Distributors, 1949; Nigel Hood, Miranda, Eagle-Lion, 1949; Tommy Swann, It Always Rains on Sunday, Eagle-Lion, 1949; Murray, Five Angles on Murder (also known as The Woman in Question), General Film Distributors, 1950; Reggie Pelham, Traveller s Joy, General Film Distributors, 1951; Tommy Dillon, Four Against Fate (also known as Derby Day}, British Lion, 1952; sitter in Bath studio, The Magic Box, British Lion, 1952; Dr. Nils Ahlen, Valley of Eagles, Lippert, 1952; Detective Inspector Lowther, The Long Memory, General Film Distributors, 1953; Charles Armstrong, Melba, United Artists, 1953; John Marlowe, Trent's Last Case, British Lion, 1953; Charles Roberts, Devil on Horseback, British Lion, 1954; Malcolm, Trouble in the Glen, Republic, 1954; Larry Burns, Lady Godiva Rides Again, Carroll, 1955; Mitchell Gillie, Port of Escape, Renown, 1955; Rankin, Smiley, Twentieth Century-Fox, 1957. Also appeared in Three in One, Tradition, 1956. PRINCIPAL FILM WORK—Producer and director, The Nickel Queen, Woomera, 1971; executive producer, Attack Force Z (also known

JOHN McCALLUM

274

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

McCLURG

Hammersmith Theatre, 1966; George Moore's Celibate Lives (oneman show), King's Head Theatre, London, 1973; George Moore, The Singular Life of Albert Nobbs, New End Theatre, London, 1978.

as The Z Men), Virgin Vision, 1981; executive producer, The Highest Honor—A True Story (also known as Southern Cross), Enterprise/Nelson Entertainment, 1982. TELEVISION DEBUT—Alexandra Place, BBC, 1948. PRINCIPAL TELEVISION APPEARANCES-^Specials: George Musgrove, "Melba," Great Performances, PBS, 1989.

PRINCIPAL FILM APPEARANCES—Mr. Stuart, These Are the Damned (also known as The Damned), Columbia, 1965; doctor, The Looking Glass War, Columbia, 1970; also appeared in The Smugglers (also known as The Man Within), Eagle-Lion, 1948.

PRINCIPAL TELEVISION WORK—Series: Executive producer (with Bob Austin), Skippy: The Bush Kangaroo, syndicated, 1969; also producer, Barrier Reef, 1970; producer, Boney, 1971-72; producer, Bailey's Bird, 1976. Also producer, Shannon s Mob.

RELATED CAREER—Appeared in numerous television plays. NON-RELATED CAREER—Speech therapist.

RELATED CAREER—Assistant managing director, J.C. Williamson's Theatres Ltd., Australia, 1958-60, then joint managing director, 1960-67; chairman, managing director, and executive producer, Fauna Productions Ltd., 1967—; chairman and managing director, John McCallum Productions Ltd., 1973—.

WRITINGS: STAGE—Call It Madness, New Lindsey Theatre, London, 1949; George Moore's Celibate Lives, King's Head Theatre, London, 1973. OTHER—Plays and short stories for the BBC. OBITUARIES AND OTHER SOURCES: Variety, February 8-14, 1989.*

WRITINGS: STAGE—As It's Played Today, Comedy Theatre, Melbourne, Australia, 1974. FILM—(With Henry C. James and Joy Cavill) The Nickel Queen, Woomera, 1971. OTHER—Life with Googie, Heinemann, 1977. AWARDS: Commander, Order of the British Empire, 1971.

McCLURG, Edie

MEMBER: Australian Producers and Directors Guild (president, 1970-71), Australian Film Council (founder and president, 197071), Lords Taverners—Australia (president); Lords Taverners— U.K., Garrick Club, Melbourne Club, Australian Club, Elanora Country Club, Royal Sydney Golf Club, MCC (U.K.), MCG (Melbourne).

PERSONAL: Born July 23, in Kansas City, MO. EDUCATION— Received degree in radio and television communications from the University of Missouri; received master's degree in communications from Syracuse University. VOCATION: Actress and writer.

SIDELIGHTS: FAVORITE ROLES—Lord Dungavel in Roar Like a Dove and Cecil in The Kingfisher. RECREATIONS—Cricket, golf, and gardening.

CAREER: Also see WRITINGS below. FILM DEBUT—Carrie, United Artists, 1976. PRINCIPAL FILM APPEARANCES—Gloria's mother, Cheech and Chong's Next Movie, Universal, 1980; Susan, Eating Raoul, Twentieth Century-Fox, 1982; voice of Miss Right, The Secret of NIMH (animated), Metro-Goldwyn-Mayer/United Artists, 1982; checkout lady, Mr. Mom, Twentieth Century-Fox, 1983; Queen, Cheech and Chong's The Corsican Brothers, Orion, 1984; Marge, Back to School, Orion, 1986; school secretary, Ferris Bueller'sDay Off, Paramount, 1986; Donna, TheLongshot, Orion, 1986; car rental agent, Planes, Trains, and Automobiles, Paramount, 1987; Chastity Pariah, Elvira, Mistress of the Dark, New World, 1988; voice of Carlotta, The Little Mermaid (animated), Buena Vista, 1989. Also appeared in Cracking Up, American International, 1977; Pandemonium (also known as Thursday the 12th), Metro-Goldwyn-Mayer, 1982; She's Having a Baby, Paramount, 1988.

ADDRESSES: OFFICE—c/o Hardings, One York Street, Sydney 2000, Australia. AGENT—Larry Dalzell and Associates, Suite 12, 17 Broad Court, London WC2 B5QN, England.

MCCLELLAND, Allan 1917-1989 PERSONAL: Born December 31, 1917, in Dunmurry, Northern Ireland; died February, 1989, in London, England; son of William and Nell (Worland) M'Clelland; married Charlotte French Cox. VOCATION: Actor and writer.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Tony Orlando and Dawn, CBS, 1976; Venus Kallikak, The Kallikaks, NBC, 1977; regular, The Big Show, NBC, 1980; regular, The David Letterman Show, NBC, 1980; Willamae Jones, Harper Valley P.T.A., NBC, 1981; Marion, No Soap, Radio, ABC, 1982; Salaria, Madame's Place, syndicated, 1982; voice of Mrs. Seaworth, The Snorks (animated), NBC, 1984; voice characterization, The 13 Ghosts ofScooby-Doo (animated), ABC, 1985; voice characterization, The New Jet sons (animated), syndicated, 1985; Bonnie Brendl, Small Wonder, syndicated, 1985-86; Fannie, Together We Stand (also known as Nothing Is Easy), CBS, 1986; Mrs. Poole, Valerie, NBC, 1986-87, retitled Valerie's Family, 1987, later retitled The Hogan Family, 1988—. Pilots: Helen, Pottsville, CBS, 1980;

CAREER: STAGE DEBUT—Raleigh, Journey's End, Playhouse Theatre, Belfast, Ireland, 1936. LONDON DEBUT—St. John Hotchkiss, Getting Married, Arts Theatre, 1945. PRINCIPAL STAGE APPEARANCES—Clincher, The Constant Couple, Laertes, Hamlet, and Charles Surface, The School for Scandal, all Arts Theatre, London, 1945; Denzil, Call It Madness, New Lindsey Theatre, London, 1949; Josef Lausman, The Ivory Tower, Vaudeville Theatre, London, 1950; Craig, Danger, Men Working, Lyric Hammersmith Theatre, London, 1951; Peter, The Passing Day, Ambassadors' Theatre, London, 1951; Christopher Wren, The Mousetrap, Ambassadors' Theatre, 1952; narrator, Ulysses in Nighttown, Arts Theatre, London, 1959; captain's secretary, Santa Cruz, Lyric 275

McCORMACK

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

regular, Top Ten, NBC, 1980; Ida Antoine, Second Edition, CBS, 1984. Episodic: Lucille Tarlek, WKRP in Cincinnati, CBS; The Richard Pryor Show, NBC. Movies: Angela, Bill: On His Own, CBS, 1983; Beth Crawford, Crash Course, NBC, 1988; Ruth, Dance 'til Dawn (also known as Senior Prom), NBC, 1988. Specials: Esmerelda, "Hansel and Gretel," Once Upon a Brothers Grimm, CBS, 1977; The Chevy Chase Show, NBC, 1977; Esther Greene, "A Home Run for Love," ABC After school Specials, ABC, 1978; Hermit Hattie, The Pee Wee Herman Show, HBO, 1981; The Paragon of Comedy, Showtime, 1984; Candid Camera on Wheels, CBS, 1989.

The Young Runaways, MGM, 1968; Sylvia Ross, Bug, Paramount, 1975; Kate, Saturday the 14th Strikes Back, Concorde, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Ingeborg, Mama (also known as / Remember Mama), CBS, 1953-57; Torey Peck, Peck's Bad Girl, CBS, 1959-60; Lisha Steele, Young Dr. Malone, NBC, 1962; Linda Warren, The Best of Everything, ABC, 1970; Kim Reynolds, As the World Turns, CBS, 1975-76; Anne Brookes, The Ropers, ABC, 1979-80; Evelyn Michaelson, Dallas, CBS, 1981-82. Mini-Series: Liz Coburn, On Wings of Eagles, NBC, 1986. Pilots: Sophie Metzmtm, Night Partners, CBS, 1983; Mrs. Brody, The Flamingo Kid, ABC, 1989.

RELATED CAREER—Company member, Pitschel Players (an improvisation group).

Episodic: Wendy North, Second Chance, Fox, 1987; also Kraft Theatre, NBC, 1952; "The Party," Revlon Mirror Theatre, NBC, 1953; Ben Hecht's Tales of the City (also known as Tales of the City), CBS, 1953; "A Handful of Stars," The Web, CBS, 1954; "I Remember, I Remember" and "The Golden Box," The Campbell Television Soundstage (also known as TVSoundstage), NBC, 1954; "Jody and Me," Armstrong Circle Theatre, NBC, 1954; "Somebody Special," Philco Playhouse, NBC, 1954; "An Episode of Sparrows," Climax, CBS, 1956; "Alien Angel," General Electric Theatre, CBS, 1956; "The Miracle Worker," "The Clouded Image," and "Child of Trouble," all Playhouse 90, CBS, 1957; "Dan Marshall's Brat," Dupont Theatre, ABC, 1957; "We Won't Be Any Trouble," Matinee Theatre, NBC, 1957; "Sing a Song," Kraft Theatre, NBC, 1957; "The Spell of the Tigress," Kraft Theatre, NBC, 1958; "The Devil's Violin," Matinee Theatre, NBC, 1958; "The Dungeon," Playhouse 90, CBS, 1958; "Chain and the River," Goodyear Theatre, NBC, 1958; "Project Immortality," Playhouse 90, CBS, 1959; "Rachel's Summer," U.S. Steel Hour, CBS, 1959; "Make Me Not a Witch," Alcoa Premiere Theatre, ABC, 1959; "Summer Hero," TheChevy Mystery Show, NBC, I960', Route 66, CBS, I960', Death Valley Days, syndicated, I960', Route 66, CBS, 1961; The New Breed, ABC, 1962; Rawhide, CBS, 1962; The Doctors, NBC, 1963; Rawhide, CBS, 1963; Farmer's Daughter, ABC, 1964; "Burning Bright," Play of the Week, WNTA, 1966; The Wild, Wild West, CBS, 1968; Lancer, CBS, 1969; Police Story, NBC, 1974; Streets of San Francisco, ABC, 1974; Barnaby Jones, CBS, 1974; Marcus Welby, M.D., ABC, 1914-Manhunter, CBS, 1974; Cannon, CBS, 1975; Wagon Train, NBC; Cavalcade of America, ABC; Freddy's Nightmares, syndicated. Movies: Mary Peterson, Invitation to Hell, ABC, 1984.

NON-RELATED CAREER—Newswoman and documentary producer for National Public Radio, Kansas City, MO. WRITINGS: TELEVISION—Series: Staff writer, The David Letterman Show, NBC, 1980. Specials: (With others) The Pee Wee Herman Show, HBO, 1981; (with John Paragon and Paul Reubens) The Paragon of Comedy, Showtime, 1984. SIDELIGHTS: RECREATIONS—Bowling. ADDRESSES: AGENT—Chris Barret, McCartt/Oreck/Barrett, 10390 Santa Monica Boulevard, Suite 310, Los Angeles, CA 90025. PUBLICIST—Paulette Cohn, Michael Dalling Company, 8150 Beverly Boulevard, Suite 203, Los Angeles, CA 90048.*

McCORMACK, Patty

1945-

PERSONAL: Born Patricia Ellen Russo, August 21, 1945, in New York, NY; daughter of Frank (a fireman) and Elizabeth (a professional roller skater; maiden name, McCormack) Russo; married Bob Catania (a restaurateur), 1967 (divorced); children: Bobby, Danielle. EDUCATION—Attended the Wallard Mace Professional Children's School; studied speech with Eleanor Raab. VOCATION: Actress.

PRINCIPAL RADIO APPEARANCES—Series: The Second Mrs. Burton.

CAREER: BROADWAY DEBUT—Cathy Roberts, Touchstone, Music Box Theatre, New York City, 1953. PRINCIPAL STAGE APPEARANCES—Rhoda Penmark, The Bad Seed, 46th Street Theatre, New York City, 1954.

RELATED CAREER—Child model, singer with the rock band Mikey Vee and the Imperials, and talent agent. AWARDS: Academy Award nomination, Best Supporting Actress, 1956, for The Bad Seed.

MAJOR TOURS—Rumors, U.S. cities, 1989; also Corie Bratter, Barefoot in the Park, U.S. cities.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists.*

FILM DEBUT—Two Gals and a Guy, United Artists, 1951. PRINCIPAL FILM APPEARANCES—Rhoda Penmark, The Bad Seed, Warner Brothers, 1956; Annabella, All Mine to Give (also known as The Day They Gave Babies Away), Universal, 1957; Kathy O'Rourke, Kathy O, Universal, 1958; Angel, The Snow Queen, Universal, 1959; Joanna, The Adventures of Huckleberry Finn, Metro-GoldwynMayer (MGM), 1960; Janet Somers, The Explosive Generation, United Artists, 1961; Warden's daughter, Jacktown, Pictorial International, 1962; Janet, Born Wild, American International, 1968; Susan Hoffman, Mary Jane, American International, 1968; Edie, The Mini-Skin Mob, American International, 1968; Deanie Donford,

McCOWEN, Alec

1925-

PERSONAL: Full name, Alexander Duncan McCowen; born May 26, 1925, in Tunbridge Wells, England; son of Duncan and Mary 276

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

McCOWEN

Mercutio, Romeo and Juliet, Oberon, A Midsummer Night1 s Dream, and Malvolio, Twelfth Night, all Old Vic Theatre Company, London, 1960-61; Sebastian, Castle in Sweden, Piccadilly Theatre, London, 1962; ensemble, Not to Worry (revue), Garrick Theatre, 1962; Antipholus of Syracuse, The Comedy of Errors and Fool, King Lear, both Royal Shakespeare Company (RSC), Stratford-on-Avon, U.K., then Aldwych Theatre, London, both 1962; Father Riccardo Fontana, The Representative and Antipholus of Syracuse, The Comedy of Errors, both RSC, Aldwych Theatre, 1963; Fool, King Lear, RSC, Aldwych Theatre, 1964; Antipholus of Syracuse, The Comedy of Errors and Fool, King Lear, both RSC, State Theatre, New York City, 1964; Ronald Gamble, Thark, Yvonne Arnaud Theatre, Guildford, U.K., then Garrick Theatre, both 1965; the Author, The Cavern, Strand Theatre, London, 1965; Arthur Henderson, After the Rain, Hampstead Theatre Club, London, 1966, then Duchess Theatre, London, 1967, later John Golden Theatre, New York City, 1967; Father William Rolfe, Hadrian VII, Birmingham Repertory Theatre, Birmingham, U.K., 1967, then Mermaid Theatre, London, 1968, later Helen Hayes Theatre, New York City, 1969. Title role, Hamlet, Birmingham Repertory Theatre, 1970; Philip, The Philanthropist, Royal Court Theatre, then May Fair Theatre, both London, 1970, later Ethel Barrymore Theatre, New York City, 1971; title role, Butley, Criterion Theatre, London, 1972; Alceste, The Misanthrope and Martin Dysart, Equus, both National Theatre Company, Old Vic Theatre, London, 1973; Professor Higgins, Pygmalion, Albery Theatre, London, 1974; Alceste, The Misanthrope, National Theatre Company, Kennedy Center for the Performing Arts, Washington, DC, then St. James Theatre, New York City, both 1975, later Old Vic Theatre, 1975; Ben Musgrave, The Family Dance, Criterion Theatre, 1976; Martin Dysart, Equus, Helen Hayes Theatre, 1977; Antony, Antony and Cleopatra, Prospect Theatre Company, Edinburgh Festival, then Old Vic Theatre, both 1977; St. Mark's Gospel (one-man show), Riverside Studio Theatre, then Mermaid Theatre, later Comedy Theatre, all London, 1978, then Marymount Manhattan Theatre, later Playhouse Theatre, both New York City, 1978; Frank, Tishoo!, Wyndham's Theatre, 1979.

ALEC McCOWEN

(Walkden) McCowen. EDUCATION—Trained for the stage at the Royal Academy of Dramatic Art. VOCATION: Actor, director, and writer. CAREER: Also see WRITINGS below. STAGE DEBUT—Micky, Paddy, the Next Best Thing, Macclesfield Repertory Theatre, Macclesfield, U.K., 1942. LONDON DEBUT—Maxim, Ivanov, Arts Theatre, 1950. BROADWAY DEBUT—Messenger, Antony and Cleopatra, Ziegfeld Theatre, 1951. PRINCIPAL STAGE APPEARANCES—Georges Almaire, The Mask and the Face and Kitts, Preserving Mr. Panmure, both Arts Theatre, London, 1950; Brian, The Martin s Nest, Westminster Theatre, London, 1951; Hugh Voysey, The Voysey Inheritance and the Announcer, The Holy Terrors, both Arts Theatre, 1952; Daventry, Escapade, St. James's Theatre, London, 1953; Larry Thompson, Serious Charge, Repertory Players, Adelphi Theatre, London, 1953; Julian Heath, Shadow of the Vine, Wyndham's Theatre, London, 1954; Henri de Toulouse-Lautrec, Moulin Rouge, New Theatre, Bromley, U.K., 1954; Barnaby Tucker, The Matchmaker, Haymarket Theatre, London, 1954; Vicomte Octave de Clerambard, The Count of Clerambard, Garrick Theatre, London, 1955; Dr. Bird, The Caine Mutiny Court Martial, Hippodrome Theatre, London, 1956; Lancelot Berenson, No Laughing Matter, Arts Theatre, 1957; Michael Claverton-Ferry, The Elder Statesman, Edinburgh Festival, Edinburgh, Scotland, then Cambridge Theatre, London, both 1958; Mr. Brisk, The Double Dealer, Touchstone, As You Like It, Algernon Moncrieff, The Importance of Being Earnest, Ford, The Merry Wives of Windsor, Dauphin, Saint Joan, and title role, Richard II, all Old Vic Theatre Company, London, 1959-60.

Andrew Crocker-Harris, The Browning Version and Arthur Gosport, Harlequinade (double-bill), National Theatre, London, 1980; Captain Corcoran, H.M.S. Pinafore, National Theatre, 1981; St. Mark's Gospel (one-man show), Playhouse Theatre, 1981; Hitler, The Portage to San Christabel of A.M., Mermaid Theatre, 1982; title role, Kipling (one-man show), Mermaid Theatre, then Roy ale Theatre, New York City, both 1984; Harry Rivers, Exclusive, Strand Theatre, 1989; St. Mark's Gospel (one-man show), Lambs Theatre, New York City, 1990. Also appeared in The Silver Box, Lyric Hammersmith Theatre, London, 1951; A Month in the Country and Waiting for Godot, both National Theatre, 1988-89; and in repertory theatre productions, 1943-49. PRINCIPAL STAGE WORK—Director, While the Sun Shines, Hampstead Theatre Club, London, 1972; director, St. Mark's Gospel (one-man show), Riverside Studio Theatre, then Mermaid Theatre, later Comedy Theatre, all London, 1978, then Marymount Manhattan Theatre, later Playhouse Theatre, both New York City, 1978, later Playhouse Theatre, 1981, then Lambs Theatre, New York City, 1990. MAJOR TOURS—Antipholus of Syracuse, The Comedy of Errors and Fool, King Lear, RSC, Soviet, European, and U.S. cities, 1964; also Love in a Mist, Indian and Burmese cities, 1945.

277

McDOWALL

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

FILM DEBUT—The Cruel Sea, General Film Distributors. PRINCIPAL FILM APPEARANCES—Ken Thompson, The Deep Blue Sea, Twentieth Century-Fox, 1954; Peter Crowley, Town on Trial, Columbia, 1956; Albert, The Good Companions, Associated British/Pathe, 1957; surgeon, The Third Key (also known as The Long Arm), Rank, 1957; Alec Graham, Time Without Pity, Eros/Astor, 1957; Redpenny, The Doctor s Dilemma, Metro-Goldwyn-Mayer (MGM), 1958; Cottan, A Night to Remember, Rank, 1958; Duty Officer Hucknall, The One That Got Away, Rank, 1958; Able Seaman Morgan, The Silent Enemy, Universal, 1959; voice of Bottom, A Midsummer Night's Dream, Show Corporation, 1961; Brown, The Loneliness of the Long Distance Runner (also known as Rebel with a Cause], Continental Distributing, 1962; Dickie Bayliss, In the Cool of the Day, MGM, 1963; Alan Bax, The Devil's Own (also known as The Witches), Twentieth Century-Fox, 1967. Micah Hale, The Hawaiians (also known as Master of the Islands), United Artists, 1970; Chief Inspector Oxford, Frenzy, Universal, 1972; Henry Pulling, Travels with My Aunt, MGM, 1972; Freddy, Stevie, First Artists, 1918; Major Trumbo, Hanover Street, Columbia, 1979; Q/Algy, Never Say Never Again, Warner Brothers, 1983; J.M. Barrie, The Young Visiters, James Hill Productions, 1984; Father Vincent, Forever Young, Cinecom International/ Twentieth Century-Fox, 1984; Mr. Philpott, The Assam Garden, Moving Picture Company, 1985; Acting High Commissioner, Cry Freedom, Universal, 1987; Wing Commander Morton, Personal Services, VIP/Vestron, 1987; Ely, Henry V, Samuel Goldwyn, 1989. Also appeared in The Divided Heart, Republic, 1955; The Agony and the Ecstasy, Twentieth Century-Fox, 1965. RODDY McDOWALL

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: The Secret Adversary, London Weekend Television, then PBS, 1987. Episodic: "Hunted Down," Story board, Thames, 1989. Movies: Private Lives, 1976; Mr. Palfrey of Westminster, 1984. Specials: Malvolio, Twelfth Night, BBC, then PBS, 1980; David Hume, Dialogue in the Dark, BBC-2, 1989.

McDOWALL, Roddy

1928-

PERSONAL: Full name, Roderick Andrew McDowall; born September 17, 1928, in London, England; son of Thomas Andrew (a merchant seaman) and Winifred (Corcoran) McDowall. EDUCATION—Attended St. Joseph's College (London); studied acting with Mira Rostova and David Craig.

WRITINGS: STAGE—(Adaptor) St. Mark's Gospel, Riverside Studio Theatre, London, 1978. OTHER—Young Gemini (autobiography), 1979; Double Bill, 1980; Personal Mark, 1984.

VOCATION: Actor. AWARDS: Clarence Derwent Award, 1960, for As You Like It; Evening Standard Award, Best Actor, London Critics' Award, and Plays and Players Award, 1968, Best Actor Award from the Drama League of New York and Antoinette Perry Award nomination, Best Actor in a Play, 1969, all for Hadrian VII; Variety Club of Great Britain Award and Best Actor Award from the Drama League of New York, 1970, and Antoinette Perry Award nomination, Best Actor in a Play, 1971, all for The Philanthropist; Evening Standard Award, 1973, for The Misanthrope; Antoinette Perry Award nomination, Best Actor in a Play, 1979, for St. Marks Gospel; Evening Standard Award, 1982; Commander, Order of the British Empire.

CAREER: STAGE DEBUT—Roger Woodley, Young Woodley, Westport Country Playhouse, Westport, CT, 1946. BROADWAY DEBUT—Bentley Summerhayes, Misalliance, City Center Theatre, 1953. PRINCIPAL STAGE APPEARANCES—Malcolm, Macbeth, Salt Lake City Centennial Theatre, Salt Lake City, UT, 1947; Ninian, The First Mrs. Eraser, La Jolla Playhouse, La Jolla, CA, 1948; Walton, Remains to Be Seen, Alcazar Theatre, San Francisco, CA, 1952; Daventry, Escapade, 48th Street Theatre, New York City, 1953; Louis Dubedat, The Doctor's Dilemma, Phoenix Theatre, New York City, 1955; Ariel, The Tempest and Octavius, Julius Caesar, both American Shakespeare Festival, Stratford, CT, 1955; Ben Witledge, No Time for Sergeants, Alvin Theatre, New York City, 1955; Yegor Gloumov, The Diary of a Scoundrel, Phoenix Theatre, 1956; Benjamin, Good As Gold, Belasco Theatre, New York City, 1957; Artie Strauss, Compulsion, Ambassador Theatre, New York City, 1957; Pepe, A Handful of Fire, Martin Beck Theatre, New York City, 1958; Marcel Blanchard, Look After Lulu, Henry Miller's Theatre, New York City, 1959; Tarquin, The Fighting Cock, American National Theatre and Academy Theatre, New York City, 1959; Mordred, Came lot, Majestic Theatre, New York City, 1960; Claud, The Astrakhan Coat, Helen Hayes Thea-

MEMBER: Buckstone Club. SIDELIGHTS: RECREATIONS—Playing piano and gardening. FAVORITE ROLES—Astrov in Uncle Vanya. ADDRESSES: AGENT—STE Representation, 888 Seventh Avenue, New York, NY 10019. MANAGER—Jeremy Conway, Eagle House, 109 Jermyn Street, London SW1 76HB, England.* 278

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

McDOWALL

Tony Da Vinci, Mean Johnny Barrows, Atlas, 1976; Skateboard, Sixth and Main, National Cinema, 1977; Mr. Stallwood, The Cat from Outer Space, Buena Vista, 1978; Dr. Mellon, Laserblast, Irwin Yablans, 1978; Gypsy grandmother/Dr. Fishbind, Rabbit Test, AVCO-Embassy, 1978; White Robe, Circle of Iron (also known as The Silent Flute), AVCO-Embassy, 1979; voice of Franz Prince Fritz, Nutcracker Fantasy (animated), Sanrio, 1979; Jenkins, Scavenger Hunt, Twentieth Century-Fox, 1979; voice of robot, The Black Hole, Buena Vista, 1979.

tre, New York City, 1967. Also appeared in Otherwise Engaged, 1978; and as Elwood P. Dowd, Harvey, 1980. MAJOR TOURS—Lachie, The Hasty Heart, U.S. cities, 1949-50; Richard, The Youngest, U.S. cities, 1951-52; also appeared in O Mistress Mine, U.S. cities, 1950-51; and as Fancourt Babberly, Charley's Aunt, U.S. cities, 1976. FILM DEBUT—Peter Osborne, Murder in the Family, Twentieth Century-Fox, 1938. PRINCIPAL FILM APPEARANCES—Ginger, Just William, Associated British/Pathe, 1939; Albert Perkins, Confirm or Deny, Twentieth Century-Fox, 1941; Huw, How Green Was My Valley, Twentieth Century-Fox, 1941; Vaner the cabin boy, Man Hunt, Twentieth Century-Fox, 1941; young Bob Stoler, You Will Remember, British Lion, 1941; Hugh Aylesworth, On the Sunny Side, Twentieth Century-Fox, 1942; Ronnie Cavanaugh, The Pied Piper, Twentieth Century-Fox, 1942; Benjamin Blake as a boy, Son of Fury, Twentieth Century-Fox, 1942; Joe Carraclough, Lassie, Come Home, Metro-Goldwyn-Mayer (MGM), 1943; Ken McLaughin, My Friend Flicka, Twentieth Century-Fox, 1943; Francis as a boy, The Keys of the Kingdom, Twentieth CenturyFox, 1944; John Ash wood II as a boy, The White Cliffs of Dover, MGM, 1944; Jimmy Graham, Molly and Me, Twentieth CenturyFox, 1945; Ken McLaughlin, Thunderhead—Son of Flicka, Twentieth Century-Fox, 1945; voice, Hangover Square, Twentieth Century-Fox, 1945; Stanley Owen, Holiday in Mexico, MGM, 1946; David Balfour, Kidnapped, Monogram, 1948; Malcolm, Macbeth, Republic, 1948; Scott Jordan, Black Midnight, Monogram, 1949; Alec, Tuna Clipper, Monogram, 1949; Jimmy, Big Timber, Monogram, 1950; Ted, Killer Shark, Monogram, 1950; Erik, The Steel Fist, Monogram, 1952.

Gillespie, Charlie Chan and the Curse of the Dragon Queen, American Cinema, 1981; Terry Corrigan, Class of 1984, United Film Distribution, 1982; Rex Brewster, Evil Under the Sun, Universal, 1982; Peter Vincent, Fright Night, Columbia, 1985; voice of Nuggit, GoBots: Battle of the Rocklords (animated), Clubhouse/ Atlantic, 1986; Thomas Franklin Murray, Dead of Winter, MetroGoldwyn-Mayer/United Artists (MGM/UA), 1986; Andrew, Overboard, MGM/UA, 1986; minister, Doin Time on Planet Earth (also known as Coming Down to Earth), Cannon Releasing, 1988; Peter Vincent, Fright Night, Part II (also known as Fright Night //), New Century/Vista, 1988; as himself, Going Hollywood: The War Years (also known as Going Home), Warner Home Video, 1988; Dr. Dante, Cutting Class, Republic, 1989; judge, The Big Picture, Columbia, 1989. Also appeared in Hey! Hey! USA!, General Film Distributors, 1938; Convict 99, General Film Distributors, 1938; / See Ice, Associated British, 1938; John HalifaxGentleman, MGM, 1938; Scruffy, British Independent, 1938; Yellow Sands, Associated British, 1938; Dead Man's Shoes, Associated British, 1939; Murder Will Out, Warner Brothers, 1939; Dirt, 1939; Brother's Keeper, 1939; The Outsider, Associated British, 1940; Saloon Bar, Associated British, 1940; This England (also known as Our Heritage), Twentieth Century-Fox, 1941; Poison Pen, Republic, 1941; Rocky, Monogram, 1948; Green Grass of Wyoming, World, 1948; Everybody's Dancin', Lippert, 1950; Paris brule-t-il?, (also known as Is Paris Burning?), Paramount, 1966.

Malcolm, Midnight Lace, Universal, 1960; Yuri Gligoric, The Subterraneans, MGM, 1960; Private Morris, The Longest Day, Twentieth Century-Fox, 1962; Octavian, Cleopatra, Twentieth Century-Fox, 1963; Martin Ashley, Shock Treatment, Twentieth Century-Fox, 1964; D.J., Jr., The Loved One, MGM, 1965; Gregory Benson, That Darn Cat, Buena Vista, 1965; Oliver Parsons, The Third Day, Warner Brothers, 1965; Matthew, The Greatest Story Ever Told, United Artists, 1965; Walter Baines, Inside Daisy Clover, Warner Brothers, 1965; Alan "Mollymauk" Musgrave, Lord Love a Duck, United Artists, 1966; CIA Agent Adam, The Defector (also known as Lautlose Waffen and L'Espion), Warner Brothers/Seven Arts, 1966; title role, The Adventures of Bullwhip Griffin, Buena Vista, 1967; Tony, The Cool Ones, Warner Brothers, 1967; Arthur Pimm, It! (also known as Curse of the Golem), Warner Brothers, 1967; Nick Evers, Five Card Stud, Paramount, 1968; Cornelius, Planet of the Apes, Twentieth Century-Fox, 1968; Santoro, Angel, Angel, Down We Go (also known as Cult of the Damned), American International, 1969; Nate Ashbury, Hello Down There (also known as Sub-a-Dub-Dub), Paramount, 1969; Wister, Midas Run (also known as Run on Gold), Cinerama, 1969.

PRINCIPAL FILM WORK—Co-associate producer, Tuna Clipper, Monogram, 1949; co-executive producer, Killer Shark, Monogram, 1950; director, The Devil's Widow (also known as Tarn Lin), British International, 1971; executive producer, Overboard, MGM/ UA, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Galen, The Planet of the Apes, CBS, 1974; Dr. Jonathan Willaway, The Fantastic Journey, NBC, 1977; Bon Chance Louis, Tales of the Gold Monkey, ABC, 1982-83; Norman Parks, Bridges to Cross, CBS, 1986; Chiun, Remo Williams, ABC, 1988. Mini-Series: Bobby Ballard, The Rhinemann Exchange, NBC, 1977; Father Stone, The Martian Chronicles, NBC, 1980; Jason Swankle, Hollywood Wives, ABC, 1985. Pilots: Jeremy, Night Gallery, NBC, 1969; Cosmo Topper, Jr., Topper Returns, NBC, 1973; Dr. Peterson, Hart to Hart, ABC, 1979; Derek, The Million Dollar Face, NBC, 1981; Mr. Heller, Judgement Day, NBC, 1981; host, Twilight Theatre, NBC, 1982; Manfred Hayes, This Girl for Hire, CBS, 1983; Paul Fisk, London and Davis in New York, CBS, 1984.

Mr. Jelk, Bedknobs and Broomsticks, Buena Vista, 1971; Cornelius, Escape from the Planet of the Apes, Twentieth Century-Fox, 1971;Mr. Pi-oiTer, Pretty Maids All in a Row, MGM, 1971;Caesar, Conquest of the Planet of the Apes, Twentieth Century-Fox, 1972; Frank Gass, The Life and Times of Judge Roy Bean, National General, 1972; Acres, The Poseidon Adventure, Twentieth Century-Fox, 1972; Robert, Arnold, Cinerama, 1973; Caesar, Battle for the Planet of the Apes, Twentieth Century-Fox, 1973; Ben Fischer, The Legend of Hell House, Twentieth Century-Fox, 1973;Stanton, Dirty Mary, Crazy Larry, Twentieth Century-Fox, 1974; Bobby, Funny Lady, Columbia, 1975; Riley, Embryo, Cine Artists, 1976;

Episodic: Sam Conrad,''People Are Alike All Over," The Twilight Zone, CBS, 1960; the Bookworm, "The Bookworm Turns While Gotham City Burns," Batman, ABC, 1966; Bob Cratchit, George Burns Comedy Week, CBS, 1985; Alger Kenyon, Murder, She Wrote, CBS, 1985; Christopher Hoyt, Matlock, NBC, 1987; Carmilla, Nightmare Classics, Showtime, 1989; also Faith Baldwin's Theatre of Romance, ABC, 1951; Campbell Television Soundstage (also known as TV Soundstage), NBC, 1953; Ponds

279

McFADDEN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Theatre, ABC, 1955; Oldsmobile Music Theatre, NBC, 1959; The Invaders, ABC, 1967; Wonder Woman, CBS, 1977 and 1978; "Heart of Darkness," Playhouse 90, CBS; "Billy Budd," Dupont Show of the Month, CBS; "He's for Me," The Alcoa Hour, NBC; the Devil (Mephistopheles), Fantasy Island, ABC; The Kaiser Aluminum Hour, NBC; Matinee Theatre, NBC; Robert Montgomery Presents Your Lucky Strike Theatre, NBC; Suspicion, NBC; Chrysler Medallion Theatre (also known as Medallion Theatre}, CBS; The Elgin Hour, NBC; Goodyear Television Playhouse, NBC; Naked City, ABC; Arrest and Trial, ABC; McMillan and Wife, NBC; The Arthur Murray Party. Movies: Dr. Michael Lomas, A Taste of Evil, ABC, 1971; Dr. Ralph Baird, Terror in the Sky, CBS, 1971; Albert Soames, What's aNice Girl Like You. . .?, ABC, 1971; Dr. Henry Sawyer, Miracle on 34th Street, CBS, 1973; Marvin Ellis, The Elevator, ABC, 1974; Franklin, Flood, NBC, 1976; Calvin Braderman, The Immigrants, syndicated, 1978; Hasan, The Thief of Baghdad, NBC, 1978; MacFarland, The Memory of Eva Ryker, CBS, 1980; Rene Valentine, Mae West, ABC, 1982; Prince John, The Zany Adventures of Robin Hood, CBS, 1984; March Hare, Alice in Wonderland, CBS, 1985; voice of Ratty, The Wind in the Willows (animated), ABC, 1987; Bank of England assistant, Around the World in Eighty Days, NBC, 1989. Specials: Waiter, "The Good Fairy," Hallmark Hall of Fame, NBC, 1956; The Best of Anything, NBC, 1960; Ariel, "The Tempest," Hallmark Hall of Fame, NBC, 1960; "Not Without Honor," Equitable's American Heritage, NBC, 1960; Mestizo, The Power and the Glory, CBS, 1961; Charles, "Saint Joan," Hallmark Hall of Fame, NBC, 1967; voices of Mowgli, Shere Khan, Akela, Tabaqui, Bagheera, Baloo, and narrator, Mowgli's Brothers (animated), CBS, 1976; An All-Star Tribute to Elizabeth Taylor, CBS, 1977; Circus of the Stars, CBS, 1982; Happy Birthday, Hollywood, ABC, 1987; Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1988; America's AilStar Tribute to Elizabeth Taylor (also known as America's Hope Award), ABC, 1989; also Ah! Wilderness, 1951.

GATES McFADDEN

McFADDEN, Gates (Cheryl McFadden, Jesse Stuart Gates) PERSONAL: EDUCATION—Received B.A. in theatre arts from Brandeis University; studied acting and mime under Jacques LeCoq at the Ecole Mime et Theatre, Paris, France.

NON-RELATED CAREER—Photographer.

VOCATION: Actress, choreographer, director, and playwright.

WRITINGS: Double Exposure Take Two (celebrity photo essays), Morrow, 1989; also Double Exposure (celebrity photo essays), 1966.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—(As Cheryl McFadden) Ellen/Mrs. Saunders and Betty, Cloud9, Theatre De Lys, New York City, 1981; (as Cheryl McFadden) Gillian, To Gillian on Her 37th Birthday, Ensemble Studio Theatre, New York City, 1983, then Circle in the Square Downtown, New York City, 1984; (as Cheryl McFadden) Ruth, The Homecoming, Jewish Repertory Theatre, New York City, 1984; (as Cheryl McFadden) Annie Sutter, The Bloodletters, Ensemble Studio Theatre, 1984; (as Cheryl McFadden) Casey Staiger, How to Say Goodbye, Vineyard Theatre, New York City, 1986; (as Cheryl McFadden) Dr. Handleman, Couch Tandem, Women's InterArt Center, New York City, 1987; Kate, Emerald City, Perry Street Theatre, New York City, 1988; also appeared in (as Cheryl McFadden) Mary, Rosario and the Gypsies, Ensemble Studio Theatre; (as Cheryl McFadden) Mrs. Malloy, The Matchmaker, La Jolla Playhouse, La Jolla, CA.

AWARDS: Star of Tomorrow, 1944; Antoinette Perry Award, Best Supporting or Featured Actor in a Play, 1960, for The Fighting Cock; Emmy Award, Best Supporting Actor in a Dramatic Special, 1961, for "Not Without Honor," Equitable's American Heritage; American Cinema Foundation Award, 1985. SIDELIGHTS: FAVORITE ROLES—Artie Strauss in Compulsion and Ariel in The Tempest. RECREATIONS—Collecting film memorabilia. *

PRINCIPAL STAGE WORK—(As Cheryl McFadden) Choreographer, The Winter's Tale, Brooklyn Academy of Music Theatre Company, Helen Owen Carey Playhouse, Brooklyn, NY, 1980; (as Cheryl McFadden) fight choreographer, Johnny on the Spot, Brooklyn Academy of Music Theatre Company, Brooklyn Academy of

McFADDEN, Cheryl See McFADDEN, Gates 280

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 McKEON

VOCATION: Writer.

Music, Brooklyn, NY, 1980; (as Cheryl McFadden) choreographer, A Midsummer Night's Dream, Brooklyn Academy of Music Theatre Company, Brooklyn Academy of Music, 1981. Also choreographer, Yesterday Is Over, Women's InterArt Center, New York City; director, Bottleneck at the Bar, Golden Lion Theatre, New York City. Also director and choreographer: Bumps and Knots, Lyric Hammersmith Theatre, London; Women ofTrachis, He Who Gets Slapped, and Old Times, all Springold Theatre, Waltham, MA; and Medea, Studio Theatre, Pittsburgh, PA.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Cowboy in bar, Cold Feet, Avenue, 1989. PRINCIPAL FILM WORK—Director, 92 in the Shade, United Artists, 1975. RELATED CAREER—Special contributor, Sports Illustrated, 196973. WRITINGS: FILM—Rancho Deluxe, United Artists, 1975; 92 in the Shade, United Artists, 1975; The Missouri Breaks, United Artists, 1976; (with Bud Shrake) Tom Horn, Warner Brothers, 1980; (with Jim Harrison) Cold Feet, Avenue, 1989. OTHER—The Sporting Club (novel), Simon & Schuster, 1969; The Bushwacked Piano (novel), Simon & Schuster, 1971; Ninety-Two in the Shade (novel), Farrar, Straus & Giroux, 1973; Panama (novel), Farrar, Straus & Giroux, 1978; An Outside Chance: Essays on Sport (nonfiction), Farrar, Straus & Giroux, 1980; Nobody's Angel (novel), Random House, 1982; Something to Be Desired (novel), Random House, 1984; In the Crazies: Book and Portfolio (signed limited edition), Winn Books, 1984; To Skin a Cat (short stories), Dutton, 1986; Keep the Change (novel), Houghton Mifflin, 1989.

PRINCIPAL FILM APPEARANCES—(As Cheryl McFadden) Mr. Price's secretary, The Muppets Take Manhattan, Tri-Star, 1984; (as Cheryl McFadden) Gena, When Nature Calls, Troma, 1985; Caroline Ryan, Hunt for Red October, Paramount, 1990; Diane Conners, Filofax, Buena Vista, 1990. PRINCIPAL FILM WORK— (As Cheryl McFadden) Choreographer and director of fantasy sequences, Dreamchild, Universal, 1985; (as Cheryl McFadden) choreographer (with Charles Augins and Michael Moschen), Labyrinth, Tri-Star, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Beverly Crusher, Star Trek: The Next Generation, syndicated, 1987-88, then 1989—; also Beyond the Groove, Channel 4. Pilots: Darcy Stafford, The Wizard, CBS, 1986. Episodic: Anita Garcia, The Cosby Show, NBC, 1987; also Tammy Dryden, The Edge of Night; Mrs. Mallory, All My Children, ABC; Another World, NBC.

AWARDS: Wallace Stegner fellowship from Stanford University, 1966-67; Richard and Hinda Rosenthal Foundation Award for Fiction from the National Institute of Arts and Letters, 1971, for The Bushwacked Piano; National Book Award nomination, 1974, for 92 in the Shade.

RELATED CAREER—Teacher of acting and improvisation, New York University Graduate School of the Arts; full-time undergraduate and graduate lecturer and instructor at the University of Pittsburgh; assistant professor, Brandeis University Graduate School of Theatre Arts; guest artist and faculty member at numerous universities and schools, including Harvard University, Perdue University, Brooklyn College, Fairleigh Dickinson University, Lincoln Center Institute for the Arts, Nashville Institute for the Arts, and the American Academy of Dramatic Arts; founder and artistic director, New York Theatre Commotion (a touring theatre company which performed original scripts in New York City, Pittsburgh, Philadelphia, and Boston).

MEMBER: Mandible Club (Key West, FL). SIDELIGHTS: A film version of Thomas McGuane's novel The Sporting Club, adapted by Lorenzo Semple, Jr., was released by AVCO-Embassy in 1971. ADDRESSES: AGENT—John Hawkins Associates, 71 W. 23rd Street, Suite 1600, New York, NY 10010.*

WRITINGS: STAGE—(As Jesse Stuart Gates) Bottleneck at the Bar, Golden Lion Theatre, New York City.

McKEON, Nancy

ADDRESSES: AGENT—Susan Smith and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211 and 192 Lexington Avenue, New York, NY 10016.

1966-

PERSONAL: Born April 4, 1966, in Westbury, NY; father, a travel agent. VOCATION: Actress and producer.

McGUANE, Thomas

CAREER: PRINCIPAL TELEVISION APPEARANCES—Series: Jill Stone, Stone, ABC, 1980; Jo Polniaszek, The Facts of Life, NBC, 1980-89. Pilots: Ann, Return to Fantasy Island, ABC, 1978; Jill Stone, Stone, ABC, 1979; Beth Franklin, High School U.S.A., ABC, 1983; Slugger, Dusty, NBC, 1983. Movies: Susan Moreland, A Question of Love, NBC, 1978; Jo Polniaszek, The Facts of Life Goes to Paris, NBC, 1982; Kimberly Downs, This Child Is Mine, NBC, 1985; Rhonda Mzlone, Poison Ivy, NBC, 1985; Cindy Fralick, Firefighter, CBS, 1986; Jo Polniaszek, The Facts of Life Down Under, NBC, 1987; Nikki Glover, Strange Voices, NBC, 1987; title role, A Cry for Help: The Tracey Thurman Story, NBC, 1989. Specials: Lucy, "Schoolboy Father," ABC Afterschool Specials, ABC, 1980; voice of Scruffy, "Scruffy" (animated), ABC Weekend Specials, ABC, 1980; Nancy Parks, "Please Don't Hit Me, Mom," ABC Afterschool Specials, ABC, 1981; Battle of the Network Stars, ABC, 1980, 1982, and 1983; voice characteriza-

1939-

PERSONAL: Full name, Thomas Francis McGuane III; born December 11, 1939, in Wyandotte, MI; son of Thomas Francis (a manufacturer) and Alice Rita (Torphy) McGuane; married Portia Rebecca Crockett, September 8, 1962 (divorced, 1975); married Margot Kidder (an actress), August, 1976 (divorced, May, 1977); married Laurie Buffett, September 19, 1977; children: Thomas Francis IV (first marriage); Maggie (second marriage); Anne Buffett (third marriage); Heather Hume (stepdaughter). EDUCATION— Michigan State University, B.A., 1962; Yale University, M.F.A., 1965; postgraduate work at Stanford University, 1966-67; also attended the University of Michigan and Olivet College.

281

McKERN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

messenger, Electra, and confectioner, The Wedding, all Old Vic Company, 1951; Fool, King Lear and Apemantus, Timon of Athens, both Old Vic Company, 1952; Ulysses, TroilusandCressida, Gremio, The Taming of the Shrew, Quince, A Midsummer Night's Dream, and Friar Lawrence, Romeo and Juliet, all Shakespeare Memorial Theatre Company, Stratford-on-Avon, U.K., 1954; title role, Toad of Toad Hall, Prince's Theatre, London, 1954; traveller, The Queen and the Rebels, Haymarket Theatre, London, 1955; Claggart, The Good Sailor, Lyric Hammersmith Theatre, London, 1956; Big Daddy, Cat on a Hot Tin Roof, Comedy Theatre, London, 1958; Tyepkin, Brouhaha, Aldwych Theatre, London, 1958; title role, Rollo, Strand Theatre, London, 1959.

tion, The Puppy Saves the Circus (animated), ABC, 1981; voice of Amelia Day, "Miss Switch to the Rescue" (animated), ABC Weekend Specials, ABC, 1981; co-host, CandidKids, NBC, 1985. PRINCIPAL TELEVISION WORK—Movies: Executive producer (with Greg H. Sims), Firefighter, CBS, 1986; executive producer (with Sims), Strange Voices, NBC, 1987. RELATED CAREER—As a child, worked as a model, in television commercials, and in soap operas.*

McKERN, Leo

The Common Man, A Man for All Seasons, Globe Theatre, London, 1960; Ferrante, Queen After Death, Oxford Playhouse, Oxford, U.K., 1961, then American National Theatre and Academy Theatre, New York City, 1961; title role, Peer Gyntand Subtle, The Alchemist, both Old Vic Company, 1962; lago, Othello, Old Vic Company, 1963; Menenius, Coriolanus and Governor, The Life in My Hands, both Nottingham Playhouse, Nottingham, U.K., 196364; Baron Bolligrew, The Thwarting of Baron Bolligrew, Aldwych Theatre, 1965; title role, Volpone, Oxford Playhouse, then Garrick Theatre, London, 1966-67; Shylock, The Merchant of Venice, Oxford Playhouse, 1973; title role, Rollo, Royal Exchange Company, Manchester, U.K., 1978; Kelemen, The Wolf, Oxford Playhouse, then Apollo Theatre, later Queen's Theatre, then New London Theatre, all London, 1973; Matt Quintan, The Housekeeper, Apollo Theatre, 1982; James Boswell, Boswellfor the Defense, Playhouse Theatre, Melbourne, Australia, then Playhouse Theatre, London, both 1989. Also appeared as Governor Bligh, The Man Who Shot the Albatross and Rollo, Palate, both in Melbourne, 1970-71; in Uncle Vanya and Crime and Punishment, both Royal Exchange Company, 1978; Number One, Queen's Theatre, 1983.

1920-

PERSONAL: Born Reginald McKern, March 16, 1920, in Sydney, New South Wales, Australia; son of Norman Walton and Vera (Martin) McKern; married Jane Holland (an artist), 1946; children: two daughters. MILITARY—Australian Army, 1940-42. VOCATION: Actor. CAREER: Also see WRITINGS below. STAGE DEBUT—Chemist, Uncle Harry, Theatre Royal, Sydney, Australia, 1944. LONDON DEBUT—Forester, Love's Labour's Lost, Old Vic Company, New Theatre, 1949. PRINCIPAL STAGE APPEARANCES—Jeremy, She Stoops to Conquer, Old Vic Company, London, 1949; Guildenstern, Hamlet, Simon, The Miser, Feste, Twelfth Night, and Nightingale, Bartholomew Fair, all Old Vic Company, 1950; Nym and Sir Thomas Erpingham, Henry V, Nym, The Merry Wives of Windsor,

MAJOR TOURS—Arts Council tours of U.K. cities, 1947; also Confederation of Shipbuilding and Engineering Unions tour of Germany. PRINCIPAL FILM APPEARANCES—Third knight, Murder in the Cathedral, Classics, 1952; Gaston Nikopopoulos, All for Mary, Rank, 1956; Max, Yesterday's Enemy, Columbia, 1959; Robert Stanford, Time Without Pity, Eros/Astor, 1957; McGill, X the Unknown, Warner Brothers, 1957; attorney general, A Tale of Two Cities, Rank, 1958; Benter, The Mouse That Roared, Columbia, 1959; inspector, Jazz Boat, Columbia, 1960; Tommy Kennedy, Scent of Mystery (also known as Holiday in Spain), Michael Todd, Jr., 1960; Bill Maguire, The Day the Earth Caught Fire, Universal, 1961; Headmaster Muche, / Like Money (also known as Mr. Topaze), Twentieth Century-Fox, 1962; Brandt, Lisa (also known as The Inspector), Twentieth Century-Fox, 1962; Simenova, Agent 8 3/4 (also known as Hot Enough for June), Continental, 1963; Heibronn, Doctor in Distress, Rank, 1963; Professor BowlesOttery, A Jolly Bad Fellow (also known as They All Died Laughing), Continental Distributing, 1964; Captain O'Sullivan, King and Country, Allied Artists, 1964; Squint, The Amorous Adventures of Moll Flanders, Paramount, 1965; Clang, Help!, United Artists, 1965; Thomas Cromwell, A Man for All Seasons, Columbia, 1966; Smith, Assignment K, Columbia, 1968; Flannery, The High Commissioner (also known as Nobody Runs Forever), Cinerama, 1968; Cardinal Leone, The Shoes of the Fisherman, Metro-GoldwynMayer (MGM), 1968; Captain Grimes, Decline and Fall. . . of a Bird Watcher (also known as Decline and Fall), Twentieth Century-Fox, 1969. Tom Ryan, Ryan's Daughter, MGM, 1970; General Kurt Maelzer,

LEO McKERN

282

McRANEY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ance, Warner Brothers, 1972; Red Terwiliger, Junior Banner, Cinerama, 1972; Fennel Parlee, The Life and Times of Judge Roy Bean, National General, 1972; Officer Purdy, Cleopatra Jones, Warner Brothers, 1973; Buck, The Outfit (also known as The Good Guys Always Win), Metro-Goldwyn-Mayer, 1973; Art, The Parallax View, Paramount, 1974; crazy driver, Thunderbolt and Lightfoot, United Artists, 1974; Cade Redman, Cannonball (also known as Car quake), New World, 1976; Terrill, The Outlaw Josey Wales, Warner Brothers, 1976; Cobb, The Shootist, Paramount, 1976; Rocky, For Pete's Sake (also known as July Pork Bellies), Columbia, 1974; Reverend Theodore Peabody, Breakheart Pass, United Artists, 1976; Constable, The Gauntlet, Warner Brothers, 1977; jail cop, Valentino, United Artists, 1977; Dallas, Every Which Way But Loose, Warner Brothers, 1978; Tommy Clark, When You Comiri Back, Red Ryder?, Columbia, 1979.

Massacre in Rome, National General/Compagnia Cinematografica Champion, 1973; Moriarty, The Adventures of Sherlock Holmes' Smarter Brother, Twentieth Century-Fox, 1975; Bugenhagen, The Omen (also known as Birthmark), Twentieth Century-Fox, 1976; Harry Bundage, Candleshoe, Buena Vista, 1978; Bugenhagen, Damien: Omen II, Twentieth Century-Fox, 1978; narrator, The Last Tasmanian (documentary), Artis/Australian Film Commission/Tasmanian Film Commission, 1979; Paddy Button, The Blue Lagoon, Columbia, 1980; Dr. Grogan, The French Lieutenant's Woman, United Artists, 1981; Sir Frederick Carlion, Country, British Film Institute, 1981; narrator, Voyage of Bounty's Child (documentary), Look Film Productions, 1983; Thomas, The Chain, Rank, 1985; Imperius, Ladyhawke, Warner Brothers/Twentieth Century-Fox, 1985; Frank, Travelling North, CEL, 1987. Also appeared in Beyond This Place (also known as Web of Evidence), 1956; as narrator, Mikhali, 1960; voice, The Lion, the Witch, and the Wardrobe, 1979.

Dallas, Any Which Way You Can, Warner Brothers, 1980; Lefty LeBow, Bronco Billy, Warner Brothers, 1980; Dill, Carny, United Artists, 1980; Kern, First Blood, Orion, 1982; Pop McCormick, Tex, Buena Vista, 1982; "Big Daddy" Don Garlits, Heart Like a Wheel, Twentieth Century-Fox, 1983; head coach, Against All Odds, Columbia, 1984; Chief Wilson, Final Justice, Mediterranean-Arista, 1985; bartender, Pink Cadillac, Warner Brothers, 1989; Father Burke, Kinjite (also known as Kinjite: Forbidden Subjects), Cannon, 1989; Miller, Under the Gun, Magnum Entertainment, 1989. Also appeared in St. Helens, Parnell, 1981.

PRINCIPAL TELEVISION APPEARANCES—Series: Horace Rumpole, Rumpole of the Bailey, Thames, 1977—, then Mystery!, PBS, 1984—. Mini-Series: Nicodemus Boffin, Our Mutual Friend, BBC, then Masterpiece Theatre, PBS, 1978;BasilZaharov,/te///;y, Ace of Spies, 1983, then Mystery!, PBS, 1984. Episodic: Number Two, "The Chimes of Big Ben," "Once Upon a Time," and "Fall Out," The Prisoner, CBS, 1968; also Space 1999, syndicated, 1976. Movies: Herod, The Nativity, ABC, 1978; David BenGurion, The House on Garibaldi Street, ABC, 1979; Inspector Curry, Agatha Christie's "Murder with Mirrors," CBS, 1985. Specials: Duke of Gloucester, King Lear, PBS, 1984; Sancho, Monsignor Quixote, Thames, 1985, then PBS, 1987. Also appeared in The Boxwallah, Yorkshire Television, 1982.

PRINCIPAL TELEVISION APPEARANCES—Series: Deputy Jim Shanks, The Family Holvak, NBC, 1975. Pilots: Lobo, Alias Smith and Jones, ABC, 1971; Mr. Brown, The Healers, NBC, 1974; Willie Coggins, The Underground Man, NBC, 1974; Badger, Strange New World, ABC, 1975; Deputy Stebbins, The Highwayman, NBC, 1987. Episodic: Dempsey, Murder, She Wrote, CBS, 1986; Jake Gordon, Ohara, ABC, 1987; Lipscombe, Houston Knights, CBS, 1987; Tom Warner, Falcon Crest, CBS, 1987; Micah, Beauty and the Beast, CBS, 1989. Movies: Sergeant, The Execution of Private Slovik, NBC, 1974; Corporal Crawley, The Godchild, ABC, 1974; Pratt, The Strange and Deadly Occurrence, NBC, 1974; Drago Wellman, This Is the West That Was, NBC, 1974; Willie, Christmas Miracle in Caulfield, U.S.A. (also known as The Christmas Coal Mine Miracle), NBC, 1977.*

PRINCIPAL RADIO APPEARANCES—Le Bourgeois Gentilhomme, R3, 1982. NON-RELATED CAREER—Engineering artist, 1937-40.

apprentice,

1935-37;

WRITINGS: RADIO—Plays: Chain of Events. OTHER—Just Resting (memoir), Methuen, 1983; (introduction) Volpone, Longman, 1985. AWARDS: Radio Industries Play of the Year; Officer of the Australian Order (A.O.). MEMBER: British Actors' Equity Association, National Trust, Amnesty International, Earthcare.

McRANEY, Gerald

ADDRESSES: AGENT—International Creative Management, 388396 Oxford Street, London WIN 9HE, England.*

1948-

PERSONAL: Born August 19, 1948, in Collins, MS; married Pat Rae Moran (divorced); married Delta Burke (an actress), May 27, 1989; children: Jessica, Angus, Kate (first marriage). EDUCATION—Attended the University of Mississippi; studied acting with Jeff Corey. VOCATION: Actor.

McKINNEY, Bill CAREER: PRINCIPAL FILM APPEARANCES—Wesley Stuart, Night of Bloody Horror, Howco, 1969; Terrance Bradford, Women and Bloody Terror, Howco, 1970; Bastian's father, The Neverending Story, Warner Brothers, 1984; Jake Wheeler, American Justice (also known as Jackals), Movie Store, 1986; also appeared in The Brain Machine, 1972; and Keep Off! Keep Off!, Gamalex, 1975.

PERSONAL: Full name, William McKinney. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Steve St. John, She Freak (also known as Alley of Nightmares), Sonney, 1967; Hays, The Road Hustlers, American International, 1968; Shotgun, Angel Unchained, American International, 1970; mountain man, Deliver-

TELEVISION DEBUT—Night Gallery, NBC. PRINCIPAL TELEVISION APPEARANCES—Series: Richard "Rick" Simon, Simon and 283

MEANEY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Simon, CBS, 1981-88; J.D. "Mac" MacGillis, Major Dad, CBS, 1989. Mini-Series: Roots: The Next Generations, ABC, 1979. Pilots: Sid Burton, The Jordan Chance, CBS, 1978; Jennings, The Seal, NBC, 1981; Rick Simon, Shadow of Sam Penny, CBS, 1983. Episodic: Ricky, The Incredible Hulk, CBS, 1978 and 1979; Dash Goff, Designing Women, CBS, 1988; also Logan s Run, CBS, 191T, Newhart, CBS, 1990; The RockfordFiles, NBC; The Dukes ofHazzard, CBS; Eight Is Enough, ABC; How the West Was Won, ABC; Hawaii Five-0, CBS; Barnaby Jones, CBS; Gunsmoke, CBS. Movies: Smith, The F.B.L Story: The F.B.I. vs. Alvin Karpis, Public Enemy Number One, CBS, 1974; Denny, The Return of the Incredible Hulk, CBS, 1977; Dr. Gus Henderson, Women in White, NBC, 1979; Patrolman Ashley, The Aliens Are Coming, NBC, 1980; Merle, Where the Ladies Go, ABC, 1980; Cliff Suites, Rape and Marriage—The Rideout Case, CBS, 1980; Howdy Tilford, Memories Never Die, CBS, 1982; Dan Evans, The Haunting Passion, NBC, 1983; Lieutenant Eckford, City Killer, NBC, 1984; Christopher Wilder, Easy Prey, ABC, 1986; Charlie Carson, A Hobo's Christmas, CBS, 1987; Jones, Where the Hell's That Gold?!!? (also known as Love and Curses}, CBS, 1988; Chuck Yoman, The People Across the Lake, NBC, 1988; Huff, Murder By Moonlight, CBS, 1989; also The Law, NBC, 1974; The Trial of Chaplain Jensen, ABC, 1975. Specials: CBS Tournament of Roses Parade, CBS, 1985; America Picks the All-Time Favorite Movies, NBC, 1988.

Perfect Witness, HBO, 1989; also The Hidden Curriculum, BBC; Strangers, Granada; Nailed, Granada. RELATED CAREER—Company member, Great Lakes Shakespeare Festival, Cleveland, OH, 1982-83. AWARDS: Drama-Logue Award, 1986, for Diary of a Hunger Strike. ADDRESSES: AGENT—The Gage Group, 9229 Sunset Boulevard, Suite 306, Los Angeles, CA 90069.*

MERRILL, Dina 1925PERSONAL: Born Nedenia Hutton, December 29, 1925, in New York, NY; daughter of Edward F. Hutton (a stockbroker) and Marjorie Merriweather Post; married Stanley M. Rumbough, Jr., March 23,1946 (divorced, December, 1966); married Cliff Robertson (an actor), December 21, 1966 (divorced); married Ted Hartley (a business executive), November 18, 1989; children: Stanley M., Nina, David (first marriage); Heather (second marriage). EDUCATION—Attended George Washington University, 1940-41; studied acting at the American Academy of Dramatic Arts and at the American Music and Dramatic Academy; also studied with Uta Hagen, Sanford Meisner, and David Craig. POLITICS—Republican.

PRINCIPAL TELEVISION WORK—Episodic: Director, Simon and Simon, CBS, 1986 and 1988. RELATED CAREER—Actor in repertory theatre productions, New Orleans, LA, 1970. WRITINGS: TELEVISION—Episodic: Simon and Simon, CBS, 1987. ADDRESSES: OFFICE—c/o Michael Karg, 247 S. Beverly Drive, Beverly Hills, CA 90212.*

MEANEY, Colm VOCATION: Actor. CAREER: STAGE DEBUT—Abbey Theatre, Dublin, Ireland. PRINCIPAL STAGE APPEARANCES—Derek and Vince, Fish in the Sea, Half Moon Theatre, London, 1975; Lin Piao, History of the Tenth Struggle, Scarab Theatre, ICA Theatre, London, 1976; Kevin, The Poker Session, Theatre-Off-Park, New York City, 1984; Patrick O'Connor, Diary of a Hunger Strike, Los Angeles Theatre Centre, Los Angeles, 1985; Mick Ross, Breaking the Code, Kennedy Center for the Performing Arts, Washington, DC, 1987, then Neil Simon Theatre, New York City, 1987-88; also appeared in Yobbo Nowt, 7:84 Theatre Company, Shaw Theatre, London, 1975; Alpha and The Birthday Party, both Los Angeles Theatre Centre. PRINCIPAL FILM APPEARANCES—Mr. Bergin, The Dead, Vestron/ Zenith, 1987; also appeared in Omega Syndrome (also known as Omega Seven), New World, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Transporter Chief O'Brien, Star Trek: The Next Generation, syndicated, 1987—. Episodic: Remington Steele, NBC; Moonlighting, ABC. Movies:

DINA MERRILL

284

MERRITT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

the Month, CBS, 1960; Checkmate, CBS, 1961; Hong Kong, ABC, 1961; "Brandenburg Gate," U.S. Steel Hour, CBS, 1961; "The Dispossessed," Westinghouse Presents, CBS, 1961; The Investigators, CBS, 1961; "Obituary for Mr. 'X' " and "The Court-Martial of Captain Wycliff," The Dick Powell Show, NBC, 1962; "Footnote to Fame," Westinghouse Presents, CBS, 1962; Dr. Kildare, NBC, 1962; The Expendables, ABC, 1962; "Bonfire," Alfred Hitchcock Theatre, CBS, 1962; The New Breed, ABC, 1962; The Eleventh Hour, NBC, 1963; Burke's Law, ABC, 1963; "The Candidate," Bob Hope Chrysler Theatre, NBC, 1963; The Rogues, NBC, 1964; The Mickey Rooney Show, ABC, 1964; "The Gun," Kraft Suspense Theatre, NBC, 1964.

VOCATION: Actress. CAREER: STAGE DEBUT—June, The Man Who Came to Dinner, Bucks County Playhouse, New Hope, PA, 1944. BROADWAY DEBUT—The Mermaids Singing, Empire Theatre, 1946. PRINCIPAL STAGE APPEARANCES—Title role, Major Barbara and aviatrix, Misalliance, both Shaw Festival, Niagara-on-the-Lake, ON, Canada, 1965; Mrs. Manningham, Angel Street, Lyceum Theatre, New York City, 1975; Lillian Hellman, Are You Now, or Have You Ever Been, Promenade Theatre, New York City, 1979; Mrs. Venable, Suddenly Last Summer, Horace Mann Theatre, New York City, 1981; Peggy Porterfield, On Your Toes, Virginia Theatre, New York City, then Dorothy Chandler Pavilion, Los Angeles, both 1983; Lady Bracknell, The Importance of Being Earnest, Samuel Beckett Theatre, New York City, 1985; also appeared in George Washington Slept Here, New York City, 1945; Desdemona, Othello, 1960; The Torch-Bearers, McCarter Theatre, Princeton, NJ, 1977; Loved, Syracuse Stage, Syracuse, NY, then PAF Playhouse, Huntington Station, NY, both 1978; The Unexpected Guest, Hartman Theatre Company, Stamford, CT, 1979; The V.I.P.s, John Drew Theatre, East Hampton, NY, 1981; with the Mirror Repertory Company, New York City, 1985; and in productions of The Smile of the Cardboard Man, HB Playwrights Foundation, New York City; Surprise, John Drew Theatre; as Olivia, Twelfth Night; and in My Sister Eileen.

The Rogues, NBC, 1965; "The Game," Bob Hope Chrysler Theatre, NBC, 1965; The F.B.I., ABC, 1965; Daniel Boone, NBC, 1965; Twelve O'clock High, ABC, 1966; Daktari, CBS, 1966;Shenandoah, ABC, 1966; Bonanza, NBC, 1966; "The Trap of Solid Gold," Stage '67, ABC, 1967; Mission: Impossible, CBS, 1969; The Name of the Game, NBC, 1969 and 1970; The Bold Ones, NBC, 1971; The Men from Shiloh, NBC, 1971; Medical Center, CBS, 1971; The F.B.I., ABC, 1972; "Waiting Room," Night Gallery, NBC, 1972; Cannon, CBS, 1973; Marcus Welby, M.D., CBS, 1973; "Hatred Unto Death," Night Gallery, NBC, 1973; The Odd Couple, ABC, 1974; Ellery Queen, NBC, 1975; Switch, CBS, 1976; Hawaii Five-0, CBS, 1976; Quincy, M.E., NBC, 1976; also The Alcoa Theatre, NBC; To Tell the Truth, CBS. Movies: Brancie Hagen, The Sunshine Patriot, NBC, 1968; Emily Garth Pleasant, Seven in Darkness, ABC, 1969; Mrs. Greher, Mr. and Mrs. Bo Jo Jones, ABC, 1971; Florence Carlyle, Family Flight, ABC, 1972; Cele, The Tenth Month, CBS, 1979; also Do Me a Favor—Don't Vote for My Mom and The Brass Ring. Specials: Bob Hope's Road to Hollywood, NBC, 1983; also Nan Cooper, The Alan King Show, 1986.

MAJOR TOURS—Voice of the Turtle, U.S. cities, 1961; Write Me a Murder, U.S. cities, 1963. FILM DEBUT—Sylvia, Desk Set (also known as His Other Woman), Twentieth Century-Fox, 1957. PRINCIPAL FILM APPEARANCES— Margie Solitaire, A Nice Little Bank That Should Be Robbed (also known as How to Rob a Bank), Twentieth Century-Fox, 1958; Ensign Benson, Don't Give Up the Ship, Paramount, 1959; Lieutenant Barbara Duran, Operation Petticoat, Universal, 1959; Emily Liggett, Butterfield 8, Metro-Goldwyn-Mayer (MGM), 1960; Jean Halstead, The Sundowners, Warner Brothers, 1960; Nikki Kovacs and Doris Delaney, Twenty Plus Two, Allied Artists, 1961; Karin Bell, The Young Savages, United Artists, 1961; Rita Behrens, The Courtship of Eddie's Father, MGM, 1963; Karin Grandstedt, /'// Take Sweden, United Artists, 1965; Velvet Green, The Greatest, Columbia, 1977; Antoinette Sloan Goddard, A Wedding, Twentieth Century-Fox, 1978; Connie Herschel, Just Tell Me What You Want, Warner Brothers, 1980; Cynthia Young, Caddyshack II, Warner Brothers, 1988; also appearaed in Catch Me If You Can, 1959; Walking Major, 1970; Running Wild, Golden Circle, 1973; The Meal, Ambassador, 1975; Throw Out the Anchor, 1972; Deadly Encounter, 1979; Twisted, Greenroom Entertainment.

RELATED CAREER—Fashion model, 1944-46; creative director, RKO Pavilion (a film production company); board member, American Music and Dramatic Academy. NON-RELATED CAREER—Board of directors, E.F. Hutton, 1980—; board of directors, Continental Telecom, 1981—; vice-chairman, County of Manhattan Republican Party; president, New York Mission Society; board member, Juvenile Diabetes Foundation; board member, Joslin Diabetes Foundation; board member, New York Committee Olympic Ski Team. ADDRESSES: AGENT—The Gersh Agency, 222 N. Canon Drive, Beverly Hills, CA 90210.*

PRINCIPAL TELEVISION APPEARANCES—Series: Estelle Modrian, Hot Pursuit, NBC, 1984. Mini-Series: Mrs. Hickinger, Roots: The Next Generations, ABC, 1979. Pilots: Beatrice Savarona, The Lonely Profession, NBC, 1969; Penelope Parkington, "The Parkingtons: Dear Penelope," The Letters, ABC, 1973; Helen Martinson, Kingston: The Power Play, NBC, 1976. Episodic: Calamity Jan, "The Great Escape" and Calamity Jan, "The Great Train Robbery, "Batman, ABC, 1968; Jessica Cabot, Hotel, ABC, 1986; also "A Place Full of Strangers," Four Star Playhouse, CBS, 1955; "Return to Cassino" and "The Center of the Maze," Playwrights '56, NBC, 1956; "One for All," Matinee Theatre, NBC, 1958; "Spider Web," Climax!, CBS, 1958; "The Time of Your Life," Playhouse 90, CBS, 1958; "What Makes Sammy Run," Sunday Showcase, NBC, 1959; "The Fallen Idol," Dupont Show of the Month, CBS, 1959; "Murder Is a Private Affair," Desilu Playhouse, CBS, 1960; "Men in White," Dupont Show of

MERRITT, Theresa

1922-

PERSONAL: Born September 24, 1922, in Newport News, VA. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Sister Henrietta Pinkston, Trumpets of the Lord, Brooks Atkinson Theatre, New York City, 1969; Ruby, Five on the Black Hand Side, American Place Theatre, St. Clement's Church Theatre, New York City, 1970; Berenice Sadie Brown, F. Jasmine Addams, Circle in the Square, New York City, 1971; Miss Maybell, Don't Play Us Cheap, Ethel Barrymore Theatre, New York City, 1972; Tituba, 285

METCALF

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

The Crucible, Vivian Beaumont Theatre, New York City, 1972; Mammy, Gone with the Wind, Dorothy Chandler Pavilion, Los Angeles, then Curran Theatre, San Francisco, CA, both 1973; Evillene, The Wiz, Broadway Theatre, New York City, 1976; Berenice Sadie Brown, The Member of the Wedding, Hartford Stage Company, Hartford, CT, 1980; Mrs. Bruchinski, Division Street, Ambassador Theatre, Los Angeles, 1980; ensemble, Talking With (revue), Manhattan Theatre Club Downstage, New York City, 1982; Sarah Goldfine, Something Different, South Street Theatre, New York City, 1983; Ma Rainey, Ma Rainey's Black Bottom, Yale Repertory Theatre, New Haven, CT, 1983, then Cort Theatre, New York City, 1984; Mistress Quickly, Henry IV, Part One, New York Shakespeare Festival, Delacorte Theatre, New York City, 1987; Reverend Sister Rena Pinkston, God's Trombones, New Federal Theatre, Theatre of the Riverside Church, New York City, 1989. Also appeared in La Dispute, Theatre National Populaire, Lyttelton Theatre, London, 1976; Trouble in Mind, Pilgrim Theatre, New York City, 1979; A Raisin in the Sun, Studio Arena Theatre, Buffalo, NY, 1982; Marriage, Yale Repertory Theatre, 1985.

New York City, 1984; Theseus and Oberon, A Midsummer Night's Dream, Directors Company, Musical Theatre Works, New York City, 1985; Marshall, Trinity Site, WPA Theatre, 1986; Dan Woodruf, Talk Radio, NYSF, Public Theatre, 1987; Zack, Men in the Kitchen, Long Wharf Theatre, New Haven, CT, 1986. Also appeared in The Tempest, McCarter Theatre, Princeton, NJ, 1972; Macrune's Guevara, Phoenix Sideshows, Playhouse II, New York City, \915; Long Day's Journey into Night, Arena Stage, Washington, DC, 1975; The Tooth of Crime, Stagewest, West Springfield, MA, 1976; Coyote Ugly, Yale Repertory Theatre, New Haven, CT, 1982; Accent on Youth, Long Wharf Theatre, 1983; All My Sons, Stagewest, 1984; Of Mice and Men, Roundabout Theatre, New York City, 1987; with the Milwaukee Repertory Company, Milwaukee, WI, 1970-71; with the Seattle Repertory Theatre, Seattle, WA, 1974-75.

PRINCIPAL FILM APPEARANCES—Peggy, They Might Be Giants, Universal, 1977; Mrs. Crosby, The Goodbye Girl, Warner Brothers, 1977; Aunt Em, The Wiz, Universal, 1978; Arrabelle Smalls, The Great Santini, Orion/Warner Brothers, 1979; Jewel, The Best Little Whorehouse in Texas, Universal, 1982; Simone, The Serpent and the Rainbow, Universal, 1988.

PRINCIPAL FILM APPEARANCES—Pratt, Julia, Twentieth Century-Fox, 1977; Doug Neidermeyer, National Lampoon s Animal House, Universal, 1978;Dooley, Where the Buffalo Roam, Universal, 1980; Jim "Ox" Connolly, Chilly Scenes of Winter (also known as Head Over Heels}, United Artists, 1982; Mike, The Final Terror (also known as Campsite Massacre, Bump in the Night, and The Forest Primeval), Com world/Watershed/Roth, 1983; Andrews, Almost You, Twentieth Century-Fox/TLC, 1984; Eric, The Oasis, Titan, 1984; Joe, The Heavenly Kid, Orion, 1985; Aguilla Beckersted, One Crazy Summer, Warner Brothers, 1986; George Harkness Skeel, Mr. North, Samuel Goldwyn, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: "Mama" Eloise Curtis, That's My Mama, ABC, 1974-75. Movies: Miracle at Beekmaris Place, NBC, 1989.

PRINCIPAL FILM WORK—Producer (with Amy Robinson and Griffin Dunne), Chilly Scenes of Winter (also known as Head Over Heels), United Artists, 1982.

AWARDS: Antoinette Perry Award nomination, Best Featured Actress in a Play, 1985, for Ma Rainey's Black Bottom.

PRINCIPAL TELEVISION APPEARANCES—Episodic: David Lewis, Teachers Only, NBC, 1982; Brody, Miami Vice, NBC, 1988; Nathan Kirkpatrick, A Man Called Hawk, ABC, 1989.

ADDRESSES: AGENT—Bauman, Hiller, and Associates, 250 W. 57th Street, New York, NY 10107 and 5750 Wilshire Boulevard, Suite 512, Los Angeles, CA 90038.*

ADDRESSES: AGENT—Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.*

METCALF, Mark

MICHAELS, Marilyn

PERSONAL: Born March 11, in Findlay, OH. EDUCATION— Attended the University of Michigan.

PERSONAL: Born Marilyn Sternberg, February 26, 1943; daughter of Harold (an opera singer) and Fraydele (a performer on the Yiddish stage; maiden name, Oyshera) Sternberg; married Peter Wilk (a surgeon), March 27, 1983; children: Mark Edward. EDUCATION—Graduated from the High School of Music and Art. POLITICS—Democrat. RELIGION—Jewish.

VOCATION: Actor and producer. CAREER: OFF-BROADWAY DEBUT—Tom, Creeps, Folger Theatre Group, Playhouse II, 1973. PRINCIPAL STAGE APPEARANCES— Marcellus and Player King, Hamlet, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1975; Jimmy, The Beach Children and Banner, The Far-Off Sweet Forever, both New Dramatists Inc., New York City, 1976; Leif, Patrick Henry Lake Liquors, Manhattan Theatre Club, New York City, 1976; Clark, then Billy, Streamers, NYSF, Mitzi E. Newhouse Theatre, New York City, 1976; Richard, Mother Ryan, New Dramatists Inc., 1977; Defense, Salt Lake City Skyline, NYSF, Public Theatre, New York City, 1980; Griever, Blue Window, Production Company, Theatre Guinevere, New York City, 1984; Jake Marlowe, Mr. and Mrs., WPA Theatre, New York City, 1984; Romeo, Romeo and Juliet, Boat Basin Rotunda, New York City, 1984; Hank, No Direction Home, New Dramatists Inc., New York Theatre Studio,

1943-

VOCATION: Comedienne, actress, and impressionist. CAREER: STAGE DEBUT—Fanny Brice, Funny Girl, State Fair Music Hall, Dallas, TX, 1965. PRINCIPAL STAGE APPEARANCES— One-woman concert, Town Hall, New York City; also appeared in Who Does She Think She Is? (one-woman show). MAJOR TOURS—Fanny Brice, Funny Girl, U.S. cities, 1965-66. TELEVISION DEBUT—The Ed Sullivan Show, CBS, 1962. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Kopykats, ABC, 1972; regular, ABC Comedy Hour, ABC, 1972. Pilots: The Singers, CBS, 1969. Episodic: The Love Boat, ABC, 1985; On 286

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

New York City, 1963; Robert Browning, Robert and Elizabeth, Lyric Theatre, 1964; Kain Sutherland, Kain, Yvonne Arnaud Theatre, Guildford, U.K., 1966; Henry VIII, The King's Mare, Garrick Theatre, London, 1966; Don Quixote, Man of La Mancha, Piccadilly Theatre, London, 1968, then Martin Beck Theatre, New York City, 1969.

Stage America, syndicated, 1985; also On Broadway Tonight, CBS; The Wil Schreiner Show, syndicated; The Tonight Show, NBC; Star Search, syndicated; Truth or Consequences, syndicated; Regis Philbin's Morning Show, syndicated; Hollywood Squares, syndicated; Wordplay, syndicated; Win, Lose, or Draw, syndicated; P.M. Magazine, syndicated; A.M. Los Angeles. Specials: Ed Sullivan's Broadway, CBS, 1973; Dean Martin Celebrity Roast: Dan Haggerty, NBC, 1977; Juke Box Award Show, NBC.

Peter AbQ\srd,AbelardandHeloise, Wyndham's Theatre, London, 1970, then Ahmanson Theatre, Los Angeles, 1971, later Brooks Atkinson Theatre, New York City, 1971; title role, Hamlet, Bankside Globe Theatre, London, 1972; Robert Browning, Dear Love, Comedy Theatre, London, 1973; the Director, Tonight We Improvise, title role, Oedipus Tyrannus, and Keith Michell in Concert (one-man show), all Chichester Theatre Festival, 1973; title role, Cyrano de Bergerac and lago, Othello, both Chichester Theatre Festival, 1975, then Hong Kong Arts Festival, Hong Kong, 1976; Becket, Murder in the Cathedral, Chichester Theatre Festival, 1977; Magnus, The Apple Cart, Chichester Theatre Festival, then Phoenix Theatre, London, both 1977; Sherlock Holmes, The Crucifer of Blood, Haymarket Theatre, London, 1979; Oscar Jaffe, On the Twentieth Century, Her Majesty's Theatre, London, 1980; Pete McGynty, Pete McGinty and the Dreamtime, Melbourne Theatre Company, Melbourne, Australia, 1981; Rochester, Jane Eyre, Chichester Theatre Festival, 1986; Georges, La Cage aux Folles, Palace Theatre, New York City, 1984; Sir W. Gordon Gumming, The Royal Baccarat Scandal, Chichester Theatre, Festival, 1988, then Haymarket Theatre, 1989. Also appeared in The First Four Hundred Years, Comedy Theatre, Melbourne, Australia, 1964; The Fire of London, Mermaid Theatre, London, 1966; as Major Mathieu, M. Perichons Travels, 1976; in The Captain Beaky Christmas Show, London, 1981-82; On the Rocks, Chichester Theatre Festival, 1982; and as Prospero, The Tempest, Brisbane, Australia, 1982.

RELATED CAREER—Actress and impressionist in television commercials; nightclub and cabaret performer throughout the United States, including the Riviera and Sahara, both Las Vegas, NV; the Rainbow Grill and Les Mouches, both New York City; the Improv and Hollywood's Backlot (Studio One), both Los Angeles; and at resorts in Atlantic City, Lake Tahoe, Chicago, and Miami. NON-RELATED CAREER—Artist, paintings exhibited at the Norval Gallery, New York City, and the Gallery of Fine Arts, Palm Beach, FL. RECORDINGS: ALBUMS—(Performer with Fradele and Moishe Oysher; also producer) An Oysher Album and Sex Symbol—Superstar. WRITINGS: Short story published in US magazine. ADDRESSES: AGENT—William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212 and 1350 Avenue of the Americas, New York, NY 10019. MANAGER—Richard Gordon, 8401 Fountain Avenue, Los Angeles, CA 90069.

MICHELL, Keith

MICHELL

1928-

PRINCIPAL STAGE WORK—Co-producer, Kain, Yvonne Arnaud Theatre, Guildford, U.K., 1966; director, A Month in the Country and The Confederacy, both Chichester Theatre Festival, Chichester, U.K., both 1973; director and designer, Twelfth Night, Chichester Theatre Festival, 1976; director and designer, In Order of Appearance, Chichester Theatre Festival, 1977.

PERSONAL: Born December 1, 1928, in Adelaide, South Australia; son of Joseph (a furniture manufacturer) and Maud Alice (Aslat) Michell; married Jeannette Laura Sterke (an actress and art instructor), October 18, 1957; children: Paul Joseph, Helena Elizabeth Anne. EDUCATION—Attended Adelaide University, 1948; trained for the stage at the Old Vic Theatre School, 1949-50.

MAJOR TOURS—Bassanio, The Merchant of Venice, Duckworth, Black Arrow, and Merrythought, Knight of the Burning Pestle, Young Vic Theatre Company, U.K. and European cities, 1950-51; Orlando, As You Like It and Hotspur, Henry IV, Parti, Shakespeare Memorial Theatre Company, Australian cities, 1952-53; Thomas, The Lady's Not for Burning, New Zealand Players Company, New Zealand cities, 1954; Magnus, The Apple Cart and title role, Othello, both Chichester Festival Company, European cities, 1977; Georges, La Cage aux Folles, U.S. and Australian cities, 1984-85; Augustus John, Portraits, U.K. cities, 1987; also appeared in The First Four Hundred Years, Australian and New Zealand cities, \964;Amadeus, U.K. cities, 1983.

VOCATION: Actor, director, writer, and producer. CAREER: STAGE DEBUT—Roger, Lover's Leap, Playbox Theatre, Adelaide, South Australia, 1947. LONDON DEBUT—Charles II, And So to Bed, New Theatre, 1951. BROADWAY DEBUT— Nestor and Oscar, Irma La Douce, Plymouth Theatre, 1960. PRINCIPAL STAGE APPEARANCES—Petruchio, The Taming of the Shrew, Theseus, A Midsummer Night's Dream, Tybalt, Romeo and Juliet, and Troilus, Troilus andCressida, all Shakespeare Memorial Theatre Company, Stratford-on-Avon, U.K., 1954; Macduff, Macbeth, Master Ford, The Merry Wives of Windsor, Orsino, Twelfth Night, and Parolles, All's Well That Ends Well, all Shakespeare Memorial Theatre Company, 1955; title role, Don Juan, Royal Court Theatre, London, 1956; Benedick, Much Ado About Nothing, Old Vic Company, London, 1956; Proteus, Two Gentlemen of Verona, Antony, Antony and Cleopatra, and Aaron, Titus Andronicus, all Old Vic Company, 1957; Nestor-le-Fripe and Oscar, Irma La Douce, Lyric Theatre, London, 1958, then National Theatre, Washington, DC, 1960; Vicomte de Valmont, The Art of Seduction, Aldwych Theatre, London, 1962; Don John, The Chances and Ithocles, The Broken Heart, both Chichester Theatre Festival, Chichester, U.K., 1962; Count, The Rehearsal, Royale Theatre,

FILM DEBUT—Harry Bell, True As a Turtle, Rank, 1957. PRINCIPAL FILM APPEARANCES—Colonel St. Gerard, Dangerous Exile, Rank, 1958; Sir Paul Deverill, The Gypsy and the Gentleman, Rank, 1958; Cass Michaels, All Night Long, Rank, 1961; Jason, The Hellfire Club, Embassy, 1963; Malcolm Marsh, Seven Seas to Calais, Metro-Goldwyn-Mayer (MGM), 1963; Dr. Alan Hewitt, Prudence and the Pill, Twentieth Century-Fox, 1968; Hubert Morillon, House of Cards, Universal, 1969; Adam Booth, The Executioner, Columbia, 1970; King Henry VIII, Henry VIII and His Six Wives, MGM/EMI, 1972; voice characterization, Grendel, Grendel, Grendel (animated), Victorian Film Corporation, 1981; 287

MIDDLEMASS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Preston Turner, Cross Creek, Universal, 1983; Colonel Wilson, The Deceivers, Cinecom, 1988; also appeared in Moments, Pemini Organisation, 1974.

Since 1959 Keith Michell's paintings, silk screens, and lithographs have been exhibited at one-man shows in England and the United States. His work has been displayed at the John Whibley Gallery in London and the Wright-Hepburn Webster Gallery in New York City. He has also provided illustrations Captain Beaky, Captain Beaky, Volume 2, Alice in Wonderland (BBC presentation), Pete McGynty, and Practically Macrobiotic.

PRINCIPAL TELEVISION APPEARANCES—Series: My Brother Tom, 1987. Mini-Series: Henry VIII, The Six Wives of Henry VIII, BBC, 1970, then CBS, 1971, later Masterpiece Theatre, PBS, 1972; Captain James Cook, Captain Cook, 1988, then TNT, 1989. Episodic: Mark Antony, "Antony and Cleopatra," Spread of the Eagle, BBC, 1963; Dennis Stanton, Murder, She Wrote, CBS, 1988 and 1989. Movies: Jacob, The Story of Jacob and Joseph, ABC, 1974; King David, The Story of David, ABC, 1976; Matthew Poole, The Tenth Month, CBS, 1979; Pontius Pilate, The Day Christ Died, CBS, 1980. Specials: John Churchill, "Soldier in Love," Hallmark Hall of Fame, NBC, 1967; Mark Antony, Julius Caesar, BBC, then The Shakespeare Plays, PBS, 1979; Robin Oakapple, Ruddigore, PBS, 1985; also Keith Michell in Concert at Chichester, 1974; Grand Inquisitor, The Gondoliers, PBS; Major General Stanley, The Pirates ofPenzance, PBS; The Keith Michell Special; The Keith Michell Christmas Show; Keith Michell at the Shows. Also appeared as Professor Higgins, Pygmalion, BBC, 1956; Rudolph, Mayer ling Affair, BBC, 1956; Gaston, Traveller Without Luggage, ATV, 1959; Paul, Guardian Angel, ITV, 1960; Hector, Tiger at the Gates, ITV, 1960; Heathcliff, Wuthering Heights, BBC, 1962; Clarry, Shifting Heart, ITV, 1962; Cordiner, Bergonzi Hand, BBC, 1963; Sir Robert Chiltern, An Ideal Husband, 1970; in Ring 'round the Moon, BBC, 1964; The Story of the Marlboroughs, BBC; as Kain Sutherland, Kain; Robert Browning, Dear Love; Captain Beaky, Captain Beaky and His Band; Captain Beaky, Captain Beaky Volume 2; in The Great Impersonation; Loyalties; and Act of Violence.

ADDRESSES: AGENT—Jean Diamond, London Management Ltd., 235 Regent Street, London Wl, England.

MIDDLEMASS, Frank

1919-

PERSONAL: Born in 1919. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Polonius, Hamlet, Chorus, Romeo and Juliet, and Pompey, Measure for Measure, all Bristol Old Vic Theatre Company, City Center Theatre, New York City, 1967; Dr. Grapielkof, Spitting Image, Hampstead Theatre Club, London, 1968; Sir Epicure Mammon, The Alchemist and Fool, King Lear, both Nottingham Playhouse, Nottingham, U.K., 1969, then Old Vic Theatre, London, 1970; Gripe, The Confederacy, Chichester Festival Theatre, Chichester, U.K., 1974; Ulrik Brendel, Rosmersholm, Royal Haymarket Theatre, London, 1977; Major Petkoff, Arms and the Man, Greenwich Theatre, London, 1978; M'Comas, You Never Can Tell, Lyric Hammersmith Theatre, London, 1979; Boss Mangan, Heartbreak House, Royal Haymarket Theatre, 1983. Also appeared in Widowers' Houses, English Stage Company, Royal Court Theatre, London, 1970.

RELATED CAREER—Artistic director, Chichester Theatre Festival, Chichester, U.K., 1972-76. NON-RELATED CAREER—Artist and art teacher. WRITINGS: STAGE—In Order of Appearance, Chichester Theatre Festival, Chichester, U.K., 1977'; Pete McGynty and the Dreamtime, Melbourne Theatre Company, Melbourne, Australia, 1981. OTHER—Practically Macrobiotic (cookbook), 1987.

MAJOR TOURS—Chorus, Romeo and Juliet, U.S. cities, 1967. PRINCIPAL FILM APPEARANCES—Guest, Frankenstein Must Be Destroyed!, Warner Brothers, 1969; Bruce, Otley, Columbia, 1969; Sir Charles Lyndon, Barry Lyndon, Warner Brothers, 1975; Dr. Windsor, The Island, Universal, 1980; Dr. Sunderland,ASw0rmm May, 1C A Projects, 1983; voice of Caterpillar, Dreamchild, Universal, 1985; also appeared in Say Hello to Yesterday, Cinerama, 1971; Squaring the Circle (documentary), TVS/Metromedia Producers Corporation/Television South/Britannic Films, 1983.

RECORDINGS: ALBUMS—Ancient and Modern, Spark; At the Shows, Spark; Words, Words, Words, Spark; also The Sonnets and the Prophets; Captain Beaky and His Band; Captain Beaky Volume 2. AWARDS: London Critics' Award, Best Actor in a Musical, 1968, for Man of La Mancha; Society of Film and Television Arts Award, Best Actor, 1970; British Academy of Film and Television Arts Award, Best Television Actor, 1970, for The Six Wives of Henry VIII and An Ideal Husband; Emmy Award, Outstanding Single Performance By an Actor in a Leading Role, 1971, for The Six Wives of Henry VIII; Show Business Personality of the Year Award from the Grand Order of Water Rats, Sun Television Award, Top Actor, Special Award from the Royal Variety Club of Great Britain, and Royal Academy of Television Arts Award, Outstanding Single Performance By an Actor in a Leading Role, all 1971; British Film Award from the Evening News, 1973; Logie Award, 1974.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Charles Poldark, Poldark, BBC, then Masterpiece Theatre, PBS, 1977; Henry Barnes, A Family Affair, Entertainment Channel, 1982; King Maajid, Lace, ABC, 1984; Uncle Pumblechook, Great Expectations, Disney Channel, 1989; also Kean, BBC, then Masterpiece Theatre, PBS, 1979; Crime and Punishment, BBC, then Masterpiece Theatre, PBS, 1980; To Serve Them All My Days, 1980, then Masterpiece Theatre, PBS; "Winston Churchill: The Wilderness Years," Masterpiece Theatre, PBS, 1981; The Bretts, Central Television, then Masterpiece Theatre, PBS, 1987. Pilots: Dr. Henriques, Madame Sin, ABC, 1972. Specials: Pompey, Measure for Measure, BBC, then The Shakespeare Plays, PBS, 1979; Masterpiece Theatre: Fifteen Years, PBS, 1986. Also appeared in The Invisible Man, 1982; The First Part of King Henry VI, 1983; The Second Part of King Henry VI, 1983; King Lear and The Blue Carbuncle.

MEMBER: British Actors' Equity Association. SIDELIGHTS: RECREATIONS—Painting, photography, swimming, and riding. 288

MILLER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL RADIO APPEARANCES—Episodic: "Mad for the Love of Old Balconies," Globe Theatre, BBC Radio 4, 1989.

Based on Material from Another Medium, and Writers Guild of America Award nomination, both 1979, for Apocalypse Now.

ADDRESSES: AGENT—Vernon Conway Ltd., 19 London Street, Paddington, London W2, England.*

SIDELIGHTS: RECREATIONS—History, surfing, collecting guns. ADDRESSES: AGENT—Jeff Berg, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

MILIUS, John

1944MILLER, Dick

PERSONAL: Full name, John Frederick Milius; born April 11, 1944, in St. Louis, MO; son of William Styx (a shoe manufacturer) and Elizabeth (Roe) Milius; married Renee Fabri, January 7, 1967 (marriage ended); married Celia Kaye (an actress), February 26, 1978; children: Ethan Jedediah, Marco Alexander (first marriage). EDUCATION—Attended Los Angeles City College, 1966; studied filmmaking at the University of Southern California, 1968.

1928-

PERSONAL: Born December 25, 1928, in New York, NY. EDUCATION—Graduated from Columbia University; graduate work at the New York University School of Dramatic Arts; also attended the City College of New York. MILITARY—U.S. Navy. VOCATION: Actor.

VOCATION: Screenwriter, director, and producer. CAREER: PRINCIPAL STAGE APPEARANCES—Understudy, It's a Bird. . . It's a Plane . . . It's Superman, Alvin Theatre, New York City, 1966.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—State trooper, Deadhead Miles, filmed in 1970, released by Paramount, 1982; also appeared in Conan the Barbarian, Universal, 1982.

PRINCIPAL FILM APPEARANCES—Tall Tree, Apache Woman, Associated Releasing, 1955; Sergeant Neil, It Conquered the World, American International, 1956; Ben, Carnival Rock, Howco, 1957; Joe Piper, Not of This Earth, Allied Artists, 1957; Jimmy Tonto, Gunslinger, Associated Releasing Corporation, 1957; Shorty, Rock All Night, American International, 1957; Mort, Sorority Girl (also known as The Bad One and Confessions of a Sorority Girl), American International, 1957; Dave Royer, War of the Satellites, Allied Artists, 1958; Walter, A Bucket of Blood, American International, 1959; Fouch, Little Shop of Horrors, Filmgroup, 1961; Stefan, The Terror (also known as Lady of the Shadows), American International, 1963; Rills, Wild, Wild Winter, Universal, 1966; Zollicoffer, A Time for Killing (also known as The Long Ride Home), Columbia, 1967; Cash, The Trip, American International, 1967; rifleman, Executive Action, National General, 1973; Forgarty, Truck Turner, American International, 1974; Bonny, Big Bad Mama, New World, 1974; Wilbur Jane way, Crazy Mama, New World, 1975; Hugo, Darktown Strutters (also known as Get Down and Boogie), New World, 1975; Birdie, White Line Fever, Columbia, 1975; Walter Paisley, Hollywood Boulevard, New World, 1976; Mack, Moving Violation, Twentieth Century-Fox, 1976; Bernie, Mr. Billion, Twentieth Century-Fox, 1977; Palm Club owner, New York, New York, United Artists, 1977; Sam, Summer School Teachers, New World, 1977; Sergeant Bresner, / Wanna Hold Your Hand, Universal, 1978; Buck Gardner, Piranha, New World, 1978; Jerry, Starhops, First American, 1978; Patek, The Lady in Red (also known as Guns, Sin, and Bathtub Gin), New World, 1979; Police Chief Klein, Rock 'n' Roll High School, New World, 1979.

PRINCIPAL FILM WORK—All as director, unless indicated: Dillinger, American International, 1973; The Wind and the Lion, MetroGoldwyn-Mayer/United Artists (MGM/UA), 1975; Big Wednesday, Warner Brothers, 1978; executive producer, 1941, Universal, 1979; executive producer, Hardcore (also known as The Hardcore Life), Columbia, 1979; executive producer, Used Cars, Columbia, 1980; Conan the Barbarian, Universal, 1982; producer (with Buzz Feitshans), Uncommon Valor, Paramount, 1983; Red Dawn, MGM/ UA, 1984; Farewell to the King, Orion, 1989. RELATED CAREER—Production assistant, American International Pictures, 1968; co-founder, American Zoetrope (a film production company), 1969; instructor of motion picture script analysis, University of Southern California, 1973, and advanced motion picture script analysis, 1974; founder, A-Team Productions, 1979. WRITINGS: FILM—(With James Gordon White and Willard Huyck) The Devil's 8, American International, 1969; (with Alan Caillou) Evel Knievel, Fanfare, 1971; (uncredited) Dirty Harry, Warner Brothers, 1972; (with Edward Anhalt) Jeremiah Johnson, Warner Brothers, 1972; The Life and Times of Judge Roy Bean, National General, 1972; (with Michael Cimino) Magnum Force, Warner Brothers, l913',Dillinger, American International, 1973; The Wind and the Lion, Metro-Goldwyn-Mayer/United Artists (MGM/ UA), 1975; (with Dennis Aaberg) Big Wednesday, Warner Brothers, 1978; (with Francis Ford Coppola) Apocalypse Now, United Artists, 1979; (with Oliver Stone) Conan the Barbarian, Universal, 1982; (with Kevin Reynolds) Red Dawn, MGM/UA, 1984; Farewell to the King, Orion, 1989. TELEVISION—Pilots: (With William F. Nolan) Melvin Purvis—G Man, ABC, 1974. OTHER—The Life and Times of Judge Roy Bean (novel), Bantam, 1973.

Watchman, Heartbeeps, Universal, 1981; Walter Paisley, The Howling, AVCO-Embassy, 1981; Crazy Mel, Space Raiders (also known as Starchild), New World, 1983; Walter Paisley, Twilight Zone—The Movie, Warner Brothers, 1983; Mr. Futterman, Gremlins, Warner Brothers, 1984; pawn shop clerk, The Terminator, Orion, 1984; waiter, After Hours, Warner Brothers, 1985; Charles Drake, Explorers, Paramount, 1985; Steve, Armed Response, Cinetel, 1986; Walter Paisley, Chopping Mall (also known as Killbots and R.O.B.O.T.), Concorde, 1986; police armorer, Night of the Creeps, Tri-Star, 1986; cab driver, Inner Space, Warner

AWARDS: National Student Film Festival Award, 1968; Heritage Wrangler Award, 1972, for Jeremiah Johnson; Writers Guild of America Award nomination, 1975, for The Wind and the Lion; National Bell Ringer Educational Award and Writers Guild of America Award nomination, both 1978, for Big Wednesday; Academy Award nomination (with Francis Ford Coppola), Best Screenplay 289

MILLER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Brothers, 1987; Max King, Project X, Twentieth Century-Fox, 1987. Also appeared in The Oklahoma Woman, American Releasing, 1956; Naked Paradise (also known as Thunder Over Hawaii), American International, 1957; The Undead, American International, 1957; Attack of the Crab Monsters, Allied Artists, 1957; The Intruder (also known as The Stranger, I Hate Your Guts, and Shame}, Pathe-American, 1962; Ski Party, American International, 1965; The Dirty Dozen, Metro-Goldwyn-Mayer (MGM), 1967; St. Valentine's Day Massacre Twentieth Century-Fox, 1967; Targets, Paramount, 1968; The Legend of Lylah Clare, MGM, 1968; The Wild Racers, American International, 1968; The Grissom Gang, Cinerama, 1971; Ulzanas Raid, Universal, 1972; The Slams, MGM, 1973; The Student Teachers, New World, 1973; Night Call Nurses, New World, 1974; Candy Stripe Nurses, New World, 1974; Capone, Twentieth Century-Fox, 1975; Hustle, Paramount, 1975; Cannonball (also known as Carquake), New World, 1976; Grand Theft Auto, New World, 1977; Corvette Summer (also known as The Hot One), United Artists, 1978; Game Show Models, 1978; Dr. Heckyl and Mr. Hype, Cannon, 1980; Used Cars, Columbia, 1980; Vortex, B Movies, 1982; White Dog (also known as Trained to Kill), Paramount, 1982; Get Crazy, Embassy, 1983; All the Right Moves, Twentieth Century-Fox, 1983; Heart Like a Wheel, Twentieth Century-Fox, 1983; Lies, Alpha, 1984; The Burbs, Universal, 1988.

66; Green Acres, CBS, 1965-71; The Survivors (also known as Harold Robbins' "The Survivors"), ABC, 1969-70; Charlie's Angels, ABC, 1976-81; The Love Boat, ABC, 1977-86; Vega$, ABC, 1978-81; Hart to Hart, ABC, 1979-84; Aloha Paradise, ABC, 19SI; Dynasty, ABC, 1981-89; Matt Houston, ABC, 198285; wardrobe consultant, Hotel, ABC, 1983-88; The Colbys, ABC, 1985-87; wardrobe consultant, Life with Lucy, ABC, 1986; wardrobe consultant, HeartBeat, ABC, 1988. Mini-Series: Hollywood Wives, ABC, 1985; Crossings, ABC, 1985. Pilots: Charlie s Angels, ABC, 1976; Lanigan's Rabbi (also known as Friday the Rabbi Slept Late), NBC, 1976; Return to Fantasy Island, ABC, 1978; Kate Bliss and the Ticker Tape Kid, ABC, 1978; Casino, ABC, 1980; Shooting Stars, ABC, 1983; Letters from Three Lovers, ABC, 1978; Velvet, ABC, 1984; No Mans Land, NBC, 1984; International Airport, ABC, 1985; Mr. and Mrs. Ryan, ABC, 1986; wardrobe consultant, Hope Division, ABC, 1987; Divided We Stand, ABC, 1988; The Loner, ABC, 1988. Episodic: Zane Gray Theatre (also known as Dick Powells Zane Gray Theatre), CBS. Movies: The House That Would Not Die, ABC, 1970; Crowhaven Farm, ABC, 1970; Love, Hate, Love, ABC, 1971; Taste of Evil, ABC, 1971; Say Goodbye, Maggie Cole, ABC, 1972; Heat of Anger, CBS, 1972; The Great American Beauty Contest, ABC, 1973; The Bait, ABC, 1973; The Affair, ABC, 1973; Hit Lady, ABC, 1974; The Legend of Valentino, ABC, 1975; Lady of the House, NBC, 1978; The Users, ABC, 1978; Wild and Wooly, ABC, 1978; Love's Savage Fury, ABC, 1979; The French Atlantic Affair, ABC, 1979; Murder Can Hurt You!, ABC, 1980; Sizzle, ABC, 1981; Help Wanted: Male, CBS, 1981; Paper Dolls, ABC, 1982; Bare Essence, CBS, 1982; The Day the Bubble Burst, NBC, \9%2\ Fantasies, ABC, 1982; Don't Go to Sleep, ABC, 1982; The Making of a Male Model, ABC, 1983; The Wild Women of Chastity Gulch, ABC, 1983; Dark Mirror, ABC, 1984', Malice in Wonderland, CBS, 1985; There Must Be a Pony, ABC, 1986; The Two Mrs. Grenvilles, CBS, 1987; Poker Alice, CBS, 1987; wardrobe consultant, Harry's Hong Kong, ABC, 1987; A Stranger Waits, CBS, 1987; Cracked Up, ABC, 1987; Peter Gunn, ABC, 1989; Sweet Bird of Youth, NBC, 1989. Specials: 58th Annual Academy Awards Presentation, ABC, 1986.

PRINCIPAL TELEVISION APPEARANCES—Series: Host (with Bobby Sherwood), Midnight Snack, CBS, 1950; Mr. Lou Mackie, Fame, Fox, 1985-87; also host, The Dick Miller Show, WOR-TV. Mini-Series: Drunk, V— The Final Battle, NBC, 1984. Pilots: Theater owner, W*A*L*r*£*/?, CBS, 1984. Episodic: Taxi, ABC, 1979. Movies: Investigator Ned, The Eleventh Victim, CBS, 1979. PRINCIPAL RADIO APPEARANCES—Series: The Dick Miller Show, WMCA (New York City). RELATED CAREER—Producer, director, and writer of television and radio shows during the 1950s; disk jockey. NON-RELATED CAREER—Commercial artist; psychologist at Bellevue Mental Hygiene Clinic, New York City, and Queens General Hospital Pyschiatric Department, Queens, NY; semi-professional football player; boxer.*

RELATED CAREER—Founder, Nolan Miller Enterprises Inc. and Nolan Miller Ltd.; costume designer for theatre and Las Vegas stage productions and for television commercials.

MILLER, Nolan

1935-

NON-RELATED CAREER—Worked in a florist shop, Beverly Hills, CA.

PERSONAL: Born January 8, 1935, in Texas; son of Bert (an oil rigger) and Marie (English) Miller; married Sandra Stream, August 23, 1980. EDUCATION—Attended Chouinard Art Academy.

AWARDS: Emmy Award, Best Costume Design, 1983, for Dynasty; Emmy Award nomination, Best Costume Design, 1985, for Malice in Wonderland; named Designer of the Year by the Atlanta Apparel Mart, 1989.

VOCATION: Costume designer. CAREER: PRINCIPAL FILM WORK—Costume designer: Harlow, Magna, 1965; How to Commit Marriage, Cinerama, 1969; Mr. Mom (also known as Mr. Mum), Twentieth Century-Fox, 1983; The Princess Academy, Empire, 1987; Skin Deep, Twentieth Century-Fox, 1989.

MEMBER: Costume Designers Guild, Screen Actors Guild, Academy of Television Arts and Sciences. ADDRESSES: OFFICE—241 S. Robertson Boulevard, Beverly Hills, CA 90211. PUBLICIST—Michelle Bega, Levine/Schneider Public Relations, 8730 Sunset Boulevard, Sixth Floor, Los Angeles, CA 90069.

FIRST TELEVISION WORK—Costume designer, Matinee Theatre, NBC. PRINCIPAL TELEVISION WORK—All as costume designer, unless indicated. Series: The June Ally son Show, CBS, 1959-61; The Dick Powell Show, NBC, l96l-63;Burke's Law, ABC, 1963290

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MINNELLI

City, 1976; An Evening with Alan Jay Lerner, State Theatre, New York City, 1989; narrator, The Owl and the Pussycat, Martha Graham Dance Company, Metropolitan Opera House. MAJOR TOURS—Title role, The Diary of Anne Frank, U.S. and European cities, 1962; Lili, Carnival!, U.S. cities, 1964; Liza with a Z (concert performance), international cities, 1975. PRINCIPAL FILM APPEARANCES—Eliza, Charlie Bubbles, Universal, 1968; Pookie Adams, The Sterile Cuckoo (also known as Pookie), Paramount, 1969; Junie Moon, Tell Me That You Love Me, Junie Moon, Paramount, 1970; Sally Bowles, Cabaret, Allied Artists, 1972; voice of Dorothy, Journey Back to Oz (animated), Filmation, 1974; narrator, That's Entertainment!, Metro-GoldwynMayer/United Artists (MGM/UA), 1974; Claire, Lucky Lady, Twentieth Century-Fox, 1975; Nina, A Matter of Time, American International, 1976; as herself, Silent Movie, Twentieth CenturyFox, 1976; Francine Evans, New York, New York, United Artists, 1977; Linda Marolla, Arthur, Warner Brothers, 1981; as herself, The King of Comedy, Twentieth Century-Fox, 1983; as herself, The Muppets Take Manhattan, Tri-Star, 1984; narrator, That's Dancing!, MGM/UA, 1984; Delia Roberts, Rent-a-Cop, Kings Road Entertainment, 1988; Linda Marolla Bach, Arthur II: On the Rocks, Warner Brothers, 1988. Also appeared as child, In the Good Old Summertime, Metro-Goldwyn-Mayer, 1949; A Great Wind Cometh, 1984. PRINCIPAL TELEVISION APPEARANCES—Episodic: Ford Star Jubilee, CBS, 1956; "The Princess and the Pea," Faerie Tale Theatre, Showtime, 1983; also Mr. Broadway, NBC; That's Life, ABC; The Keefe Brasselle Show, NBC; The Judy Garland Show, CBS; The Ed Sullivan Show, CBS. Movies: Mary-Lou Weisman, A Time to Live, NBC, 1985. Specials: The Gene Kelly Pontiac Special, CBS, 1959; The Arthur Godfrey Show, NBC, 1963; Little Red, The Dangerous Christmas of Red Riding Hood, ABC, 1965; The Perry Como Springtime Special, NBC, 1966; The Alan King Show, NBC, 1968; Comedy Is King, NBC, 1968; Movin', CBS, 1970; The Anthony Newley Show, ABC, 1971; Liza with a Z, NBC, 1972; Royal Variety Performance, ABC, 1973; The Mac Davis Special, NBC, 1975; host, Jubilee, NBC, 1976; Gene Kelly. . . An American in Pasadena, CBS, 1978; Baryshnikov on Broadway, ABC, 1980; Goldie and Liza Together, CBS, 1980; Mac Davis Tenth Anniversary Special: I Still Believe in Music, NBC, 1980; Salute to Lady Liberty, CBS, 1984; Those Fabulous Clowns, HBO, 1984; Liberty Weekend, ABC, 1986; Standing Room Only: Liza in London, HBO, 1986; Carnegie Hall: The Grand Reopening, CBS, 1987; Happy Birthday Hollywood, ABC, 1987; In Performance at the White House, PBS, 1987; host, Minnelli on Minnelli: Liza Remembers Vincente, PBS, 1987; "Celebrating Gershwin," Great Performances, PBS, 1987; prostitute, Max, and Norman, Liza Minnelli in Sam Found Out: A Triple Play, ABC, 1988; "Gregory Peck—His Own Man," Crazy About the Movies, Cinemax, 1988; Frank, Liza, and Sammy: The Ultimate Event, Showtime, 1989; The Songwriters Hall of Fame Twentieth Anniversary . . . The Magic of Music, CBS, 1989.

LIZA MINNELLI

MINNELLI, Liza

1946-

PERSONAL: Full name, Liza May Minnelli; born March 12, 1946, in Los Angeles, CA; daughter of Vincente Minnelli (a film director and producer) and Judy Garland (a singer and actress); married Peter Allen (a singer, songwriter, and actor), 1967 (divorced, 1972); married Jack Haley, Jr. (a producer), September 15, 1974 (divorced, 1979); married Mark Gero (a sculptor and producer), December 4, 1979. EDUCATION—Attended the University of Paris (Sorbonne), 1962-63; trained for the stage at the HB Studios with Uta Hagen and Herbert Berghof. VOCATION: Singer, actress, and entertainer. CAREER: OFF-BROADWAY DEBUT—Ethel Hofflinger, Best Foot Forward, Stage 73, 1963. PRINCIPAL STAGE APPEARANCES— Lili, Carnival!, Mineola Playhouse, Mineola, NY, 1964; title role, Flora, the Red Menace, Alvin Theatre, New York City, 1965; Liza with a Z (concert performance), Winter Garden Theatre, New York City, 1974; Roxie Hart, Chicago, 46th Street Theatre, New York City, 1975; Michelle Craig, The Act, Majestic Theatre, New York City, 1977; Lillian Hellman, Are You Now, or Have You Ever Been, Promenade Theatre, New York City, 1979; Liza Minnelli in Concert with Roger Minami and Obba Babatunde (concert performance), Carnegie Hall, New York City, 1979; Angel, The Rink, Martin Beck Theatre, New York City, 1984; Liza Minnelli (concert performance), Carnegie Hall, 1987. Also appeared in Take Me Along and Flower Drum Song, both Cape Cod Melody Top Theatre, Hyannis, MA, 1962; title role, The Diary of Anne Frank, 1962; A Star-Spangled Gala, Metropolitan Opera House, New York

RELATED CAREER—Performer in concerts and nightclubs throughout the world. RECORDINGS: ALBUMS—Best Foot Forward, Cadence, 1963; Judy and Liza at the London Palladium, Capitol, 1964; Flora, the Red Menace (original cast recording), RCA, 1965; The Dangerous Christmas of Red Riding Hood (original soundtrack), ABC/Paramount, 1965; New York, New York (original soundtrack), United Artists, 1977; The Act (original cast recording), DRG, 1977; The 291

MIOU-MIOU

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Rink (original cast recording), Polydor, 1984. Also Tropical Nights, 1977; Liza Minnelli at Carnegie Hall, 1987; Liza Minnelli, A&M; Come Saturday Morning, A&M; It Amazes Me, Capitol; There Is a Time, Capitol; Liza with a Z, Columbia; Liza Minnelli: The Singer, Columbia; Liza Minnelli: Live at the Winter Garden, Columbia; Foursider, A&M; Maybe This Time, Capitol.

Cop), AMLF, 1980; title role, Josepha, GEF/CCFC, 1981; Julie Boucher, Est-ce bien raisonnable? (also known as Is This Really Reasonable?), AMLF, 1981; Marie, La Gueule du loup (also known as The Jaws of the Wolf), Union Generale Cinematographique, 1981; Madeleine, Coup de foudre (also known as Entre Nous, Between Us, and At First Sight), Metro-Goldwyn-Mayer/United Artists, 1983; Jessica, Canicule (also known as Dog Day), Union Generale Cinematographique, 1984; Laura, Le Vol du sphinx (also known as The Flight of the Phoenix), President/Distributeurs Associes, 1984; Alice, Attention! Une Femme peut en cacher une autre (also known as My Other Husband), Gaumont International/ Triumph, 1985; Monique, Menage (also known as Tenue de soiree and Evening Dress), AAA Classics/Cinecom International/Roissy/ Norstar, 1986; Lauda, Les Fortes tournantes (also known as The Revolving Doors), Union Generale Cinematographiques/Image, 1988; title role, La Lectrice (also known as The Reader), Orion Classics, 1989.

AWARDS: Theatre World Award, 1963, for Best Foot Forward; Best Plays Citation, Best New Performer, and Antoinette Perry Award, Best Actress in a Musical, both 1965, for Flora, the Red Menace; David Di Donatello Award, Best Foreign Actress of the Year, and Academy Award nomination, Best Actress, both 1970, for The Sterile Cuckoo; Academy Award and British Academy Award, both Best Actress, 1972, and Golden Globe, Best Actress (Musical/Comedy), 1973, all for Cabaret; Las Vegas Entertainment Female Star of the Year, 1972 and 1974; special Antoinette Perry Award, 1974; Antoinette Perry Award, Best Actress in a Musical, 1978, for The Act; Antoinette Perry Award nomination, Best Actress in a Musical, 1984, for The Rink; Golden Globe, Best Performance By an Actress in a Mini-Series or Motion Picture Made for Television, 1986, for A Time to Live.

Also appeared in Quelques messieurs trop tranquilles (also known as Some Too Quiet Gentleman), Gaumont International, 1911; La Cavale (also known as On the Lam), Prodis, 1971; Themroc, CIC, 1972; Elle court, elle court la banlieue (also known as The Suburbs Are Everywhere), United Artists, 1973; The Adventures of Rabbi Jacob (also known as The Mad Adventures of Rabbi Jacob), Societe Nouvelle de Cinema, 1973; L'Ingorgo (also known as Bottleneck and Traffic Jam), CineTel, 1978; Blanche et Marie, FR3/Canal Plus/G.A./Odessa, 1985; Tendre Dracula; The Bottom Line; and Guy de Maupassant.

MEMBER: American Federation of Television and Radio Artists, Actors' Equity Association, Screen Actors Guild. ADDRESSES: AGENTS—International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048 and 40 W. 57th Street, New York, NY 10022.*

RELATED CAREER—Co-founder and appeared in revues, Cafe de la Gare (nightclub), Paris, France. NON-RELATED CAREER—Worked in an upholsterer's shop.*

MIOU-MIOU

1950-

PERSONAL: Born Sylvette Herry, February 22, 1950, in Paris, France; father, a policeman; mother, an operator of a fruit and vegetable stand; children: Angel (with Patrick Dewaere; an actor); Jeanne (with Julien Clerc; a singer).

MIRISCH, Walter

1921-

PERSONAL: Full name, Walter Mortimer Mirisch; born November 8, 1921, in New York, NY; son of Max and Josephine (Urbach) Mirisch; married Patricia Kahan, October 11, 1947; children: Anne, Andrew, Lawrence. EDUCATION—Attended City College of New York, 1938-40; University of Wisconsin, B.A., 1942; Harvard University, Graduate School of Business, LA., 1943.

VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Marie-Ange, Les Valseuses (also known as Going Places), Cinema V, 1973; Monique, Les Granges brulees (also known as The Burned Barns}, Twentieth Century-Fox/Lira, 1973; girl, La Grande Trouille (also known as The Big Scare), AMLF, 1974; Anita, Pas de probleme! (also known as No Problem!), Gaumont International, 1975; Rita, Fraiche (also known as Love and Cool Water), Gaumont International, 1975; Rosanna, Marcia Trionfale (also known as La Marche triomphante and Victory March), Cineriz, 1975; Lucy, Un genio, due compari, unpolio (also known as The Genius), Titanus, 1976; Marie, Jonas—Qui aura 25 ans en I'an 2000 (also known as Jonah—Who Will Be 25 in the Year 2000), New Yorker, 1976; friend, On aura tout vu (also known as We've Seen Everything), Gaumont International, 1976; Marie, F comme Fairbanks (also known as F for Fairbanks), Gaumont International, 1976; Juliette, Dites-lui queje Vaime (also known as Tell Him I Love Him), World Marketing, 1977; Julia, Les Routes du sud (also known as The Roads of the South), Parafrance/Trinacra, 1978; Nicole, Au revoir, a lundi (also known as Goodbye, See You Monday), Gades, 1979; Marie Mage, La Derobade (also known as The Getaway), World Marketing, 1979.

VOCATION: Producer. CAREER: PRINCIPAL FILM WORK—All as producer, unless indicated: Fall Guy, Monogram, 1947; / Wouldn't Be in Your Shoes, Monogram, 1948; Bomba the Jungle Boy, Monogram, 1949; Bomba on Panther Island, Monogram, 1949; Bomba and the Hidden City (also known as The Hidden City), Monogram, 1950; County Fair, Monogram, 1950; The Lost Volcano, Monogram, 1950; Cavalry Scout, Monogram, 1951; Elephant Stampede (also known as Bomba and the Elephant Stampede), Monogram, 1951; Flight to Mars, Monogram, 1951; Fort Osage, Monogram, 1951; The Lion Hunters (also known as Bomba and the Lion Hunters), Monogram, 1951; African Treasure (also known as Bomba and the African Treasure), Monogram, 1952; Bomba and the Jungle Girl, Monogram, 1952; Flat Top, Allied Artists, 1952; Hiawatha, Monogram, 1952; Rodeo, Monogram, 1952; Wild Stallion, Monogram, 1952; executive producer, The Maze, Allied Artists, 1953; An Annapolis Story (also known as The Blue and the Gold), Allied Artists, 1955;

Corinne Levasseur, La Femme Flic (also known as The Woman

292

CONTEMPORARY

MITCHELL

THEATRE, FILM, AND TELEVISION • Volume 8

The Warriors (also known as The Dark Avenger), Allied Artists, 1955; (with Richard Heermance) Wichita, Allied Artists, 1955; The First Texan, Allied Artists, 1956; The Oklahoman, Allied Artists, 1957; The Tall Stranger, Allied Artists, 1957; Fort Massacre, United Artists, 1958; The Gunfight at Dodge City, United Artists, 1958; Man of the West, United Artists, 1958; Cast a Long Shadow, United Artists, 1959; The Horse Soldiers, United Artists, \959\The Man in the Net, United Artists, 1959. The Magnificent Seven, United Artists, 1960; By Love Possessed, United Artists, 1961; executive producer, West Side Story, United Artists, 1961; Two for the Seesaw, United Artists, 1962; Toys in the Attic, United Artists, 1963; Hawaii, United Artists, \966\Fitzwilly (also known as Fitzwilly Strikes Back), United Artists, 1967; In the Heat of the Night, United Artists, 1967; Sinful Davy, United Artists, \969\SomeKindofaNut, United Artists, 1969; executive producer, Halls of Anger, United Artists, 1970; The Hawaiians (also known as Master of the Islands), United Artists, 1970; executive producer, They Call Me Mister Tibbsf, United Artists, 1970; The Organization, United Artists, 1971; Scorpio, United Artists, 1973; Mr. Majestyk, United Artists, 1974; Serpico, Paramount, 197'4; The Spikes Gang, United Artists, 1974; Midway (also known as The Battle of Midway), Universal, 1976; Gray Lady Down, Universal, 1978; (with Morton Gottlieb) Same Time, Next Year, Universal, 1978; Dracw/a, Universal, 1979; The Prisoner of Zenda, Universal, 1979; (with Gottlieb) Romantic Comedy, MetroGoldwyn-Mayer/United Artists, 1983. PRINCIPAL TELEVISION WORK—Series: Producer, Wichita Town, NBC, 1959-60. Movies: Executive producer, High Midnight, CBS, 1979.

GREGORY MITCHELL

RELATED CAREER—Movie usher; management trainee, Skouras Theatres, 1938-40, and Oriental Theatre Corporation, 1940-42; executive producer, Allied Artists, 1946-57; founder (with Marvin and Harold Mirisch) and vice-president in charge of production, Mirisch Company, 1957, then president and head of production, 1969—; trustee, American Film Institute; trustee, Filmax; board member, Performing Arts Council, Los Angeles Music Center; president, Center Theatre Group of Los Angeles.

maiden name, Musto) Mitchell; married Cheryl Jones (a dancer), June 10, 1982; children: Garrett. EDUCATION—Attended the Juilliard School, 1969-75; studied acting with Uta Hagen at the HB Studios, 1986—. RELIGION—Christian. VOCATION: Actor and dancer. CAREER: BROADWAY DEBUT—Queen's companion, Merlin, Mark Bellinger Theatre, 1982. PRINCIPAL STAGE APPEARANCES— Jazz teacher, One More Song, One More Dance, Joyce Theatre, New York City, 1983; Escort, Song and Dance, Royale Theatre, New York City, 1985-86; Edouardo, Tango Apasionado, Westbeth Theatre Center, New York City, 1987; slavemaster and marksman, Phantom of the Opera, Majestic Theatre, New York City, 1988; Gregorio and Orfeo, Dangerous Games, Nederlander Theatre, New York City, 1989. Also appeared as Eddie Correlli, Kicks, Tony Milano, The Young Strangers, and Orfeo, Orfeo del Campo, all in New York City; Gregorio and Orfeo, Dangerous Games, American Musical Theatre Festival, Philadelphia, PA, then Spoleto Festival USA, Charleston, SC, later La Jolla Playhouse, La Jolla, CA; Leonardo, Blood Wedding, Great Lakes Theatre Festival, Cleveland, OH, then Old Globe Theatre, San Diego, CA, later Coconut Grove Playhouse, Miami, FL; Alexi Petrikov, Woman of the Year.

NON-RELATED CAREER—Board member, University of Wisconsin Alumni Association, 1967-73; board member, Cedars-Sinai Medical Center, Los Angeles; board member, California State University, Northridge, CA. AWARDS: Academy Award, Best Picture, 1967, for In the Heat of the Night; Irving Thalberg Award from the Academy of Motion Picture Arts and Sciences, 1977; Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences, 1982; Producer of the Year Award; Order of Arts and Letters (France). MEMBER: Screen Producers Guild (president, 1960-61), Academy of Motion Picture Arts and Sciences (board of directors, 1962, board of governors, 1964, president, 1973-77).*

PRINCIPAL FILM APPEARANCES—Dancer, A Chorus Line: The Movie, Columbia, 1985. MITCHELL, Gregory

1951-

PRINCIPAL FILM WORK—Assistant to the choreographer, Naked Tango.

PERSONAL: Born December 9, 1951, in Brooklyn, NY; son of Patrick (a psychologist) and Margaret (a voice and piano teacher;

PRINCIPAL TELEVISION APPEARANCES—Episodic: Bryce, One

293

MIYORI

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Life to Live, ABC. Specials: Dance in America, PBS', I Feel a Song Coming On, PBS.

ADDRESSES: AGENT—Smith-Freedman and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211.*

RELATED CAREER—Co-founder, past president, and board member, New York Arts Group; member, Feld Ballet Company; actor in television commercials. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild.

MOLINA, Alfred

ADDRESSES: AGENT—Abrams Artists and Associates Ltd., 420 Madison Avenue, Suite 1400, New York, NY 10017.

PERSONAL: Born c. 1953 in London, England; married Jill Gascoine (an actress). EDUCATION—Graduated from the Guildhall School of Music and Drama. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Policeman, Destiny, Margarelon, Troilus and Cressida, and Fat Gentleman and Bismarck, The Days of the Commune, all Royal Shakespeare Company (RSC), Aldwych Theatre, London, 1977; P.C. Boyd and Pathologist, Bandits, Keeper #2, Soldier #2, and San-ko, The Bundle, and Al, Frozen Assets, all RSC, Warehouse Theatre, London, 1977; Hero Aussie and Willie, Dingo, RSC, Warehouse Theatre, 1978; Brick, Irish Eyes and English Tears, Theatre Upstairs, London, 1978; Teddington Ted, Wheelchair Willie, Royal Court Theatre, London, 1978; the Maniac, Accidental Death of an Anarchist, Half Moon Theatre, London, 1979. Also appeared in That Good Between Us, RSC, Warehouse Theatre, 1977; King Lear, RSC, Aldwych Theatre, 1977; Destry Rides Again, Donmar

MIYORI, Kim PERSONAL: Born in Santa Maria, CA; father, a federal corrections officer; mother, a bookkeeper and receptionist. EDUCATION— Graduated from Carnegie-Mellon University; also attended the University of Utah; trained for the stage at the Pacific Conservatory of Performing Arts; also trained in Kabuki, Japanese dancing, and swordfighting. VOCATION: Actress. CAREER: BROADWAY DEBUT—Pacific Overtures, Winter Garden Theatre, 1976. PRINCIPAL STAGE APPEARANCES—Manchuka, Zoot Suit, Winter Garden Theatre, New York City, 1979; Zeng Wencai, Peking Man, Horace Mann Theatre, New York City, 1980; Marsha, The Wash, Mark Taper Forum, Los Angeles, 1986; Qeisha, Teahouse of the August Moon, Burt Reynolds Dinner Theatre, Jupiter, FL, 1987. Also appeared in Wind Dances, East/ West Players, Los Angeles, 1982; and at Potter's Field Theatre, New York City, 1980. PRINCIPAL FILM APPEARANCES—Kyoko Bruckner, Loverboy, Tri-Star, 1989; Jenny Sumner, The Big Picture, Columbia, 1989; also appeared in Sergeant Pepper's Lonely Hearts Club Band, Universal, 1978. PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Wendy Armstrong, St. Elsewhere, NBC, 1982-84; Paula Hershon, Hard Copy, CBS, 1987. Episodic: Lia, Airwolf, CBS, 1985; Midori Kimura, Our House, NBC, 1986; Gayle McGiveny, Murder, She Wrote, CBS, 1987; Ho Xuan, Simon and Simon, CBS, 1988; Dr. Triwai, MacGyver, ABC, 1989; also Scene of the Crime, NBC, 1984. Movies: Teri Tanaka, Generation, ABC, 1985; Yoko Ono, John and Yoko: A Love Story, NBC, 1985; Barbara Grayle, Blood Sport, CBS, 1986; Kim Hinkle, When the Bough Breaks, NBC, 1986; Diana Ishimura, Island Sons, ABC, 1987. RELATED CAREER—Ballet teacher. SIDELIGHTS: RECREATIONS—Community work.

ALFRED MOLINA

294

MOODY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Rosen/Schultz, 15010 Ventura Boulevard, Suite 219, Sherman Oaks, CA 91403.*

Warehouse Theatre, London, 1982; Dreyfus, Hampstead Theatre Club, London, 1982; Viva, Stratford Theatre Royal, London, 1985; and in productions of The Biko Inquest, The Taming of the Shrew, Happy End, and Serious Money. PRINCIPAL FILM APPEARANCES—Satipo, Raiders of the Lost Ark, Paramount, 1981; John, Meantime, Film Four International, 1983; Detective Constable Rogers, Number One, Stageforum, 1984; young Christos, Eleni, Warner Brothers, 1985; Cezar, Ladyhawke, Warner Brothers/Twentieth Century-Fox, 1985; Pierre, Water, Rank, 1985; Sergei, Letter to Brezhnev, Circle, 1986; Kenneth Halliwell, Prick Up Your Ears, Samuel Goldwyn, 1987; Avanti, Manifesto (also known as For a Night of Love, For One Night of Love, and Pour une nuit d'amour), Cannon, 1988. Also appeared in Not Without My Daughter, Pathe, 1990.

MOLINARO, Edouard

PERSONAL: Born May 13, 1928, in Bordeaux, France. VOCATION: Director. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Secretary, The Season for Love (also known as La mortesaison des amours), Gaston Hakim, 1963.

PRINCIPAL TELEVISION APPEARANCES—Series: El C.LD., ITV, 1990. Movies: Drowning in the Shallow End, BBC-2, 1990. Also appeared in The Losers, Anyone for Dennis, Joni Jones, Blat, The Accountant, and Virtuoso.

PRINCIPAL FILM WORK—Director: Back to the Wall, Chavane, 1959; The Passion of Slow Fire, Trans-Lux, 1962; The Road to Shame, Atlantic, 1962; "Envy" in Seven Capital Sins (also known as Les Sept Peches capitaux and / sette pecati capitali), Embassy, 1962; A Mistress for the Summer (also known as Une Fille pour l'ete, Una ragazza per restate, Girls for the Summer, and A Lover for the Summer), American, 1964; Male Hunt (also known as La Chasse a I'homme and Caccia al maschio), Pathe, 1965; A Ravishing Idiot (also known as Une ravissante idiote, The Ravishing Idiot, Agent 38-24-36, The Warm-Blooded Spy, Adorable Idiot, and Bewitching Scatterbrain), Seven Arts, 1966; To Commit a Murder (also known as Peau d'espion, Congiura di spie, and Grausame job), Cinerama, 1970; Dracula and Son (also known as Dracula pere etfils), Gaumont, 1976; La Cage auxfolles (also known as The Mad Cage and Birds of a Feather), United Artists, 1979; "The French Method" in Sunday Lovers, United Artists, 1980; La Cage auxfolles II, United Artists, 1981; Just the Way You Are, MetroGoldwyn-Mayer/United Artists, 1984; L Amour en douce, Gaumont, 1985; Palace, Wonderland/Third Wave/Rapid, 1985; also Le Dos au mur, 1957; The Gentle Art of Seduction; and The Door on the Left As You Leave the Elevator.

RELATED CAREER—Stand-up comic with a street theatre group. AWARDS: Plays and Players Award, Most Promising New Actor, 1979, for Accidental Death of an Anarchist. ADDRESSES: AGENT—Lou Coulson, 37 Berwick Street, London Wl, England.

MOLINARO, Al

1928-

1919-

PERSONAL: Born June 24, 1919, in Kenosha, WI; father, a tavern operator; married Jackie Martin (a television time buyer), 1948; children: Michael.

RELATED CAREER—Director of award-winning short technical films.

VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Drapery man, Freaky Friday, Buena Vista, 1976.

WRITINGS: FILM—See production details above. (With Maurice Clavel) A Mistress for the Summer, 1964; (with Andre Tabet and Georges Tabet) A Ravishing Idiot, 1966; (with Jacques Robert) To Commit a Murder, 1970; (with Jean-Marie Poire and Alain Goddard) Dracula and Son, 1976; (with Marcello Dannon, Francis Veber, and Jean Poiret) La Cage auxfolles, 1979.

TELEVISION DEBUT—Green Acres, CBS. PRINCIPAL TELEVISION APPEARANCES—Series: Murray Greshner, The Odd Couple, ABC, 1970-75; Alfred Delvecchio, Happy Days, ABC, 1976-82; Alfred Delvecchio, Joanie Loves Chachi, ABC, 1982-83. Pilots: Peavey, Great Day, ABC, 1977; Benny, Rosetti and Ryan: Men Who Love Women, NBC, 1977; Casey, A Christmas for Boomer, NBC, 1979; Sal Ugily, The Ugily Family, ABC, 1980; ahoAnson and Lorrie, NBC, 1981. Episodic: Bewitched, ABC; That Girl, ABC; Agent 44, Get Smart. Movies: Forenzo, Mayday at 40,000 Feet!, CBS, 1976; sightseer, Gridlock (also known as The Great American Traffic Jam), NBC, 1980.

AWARDS: Academy Award nomination, Best Director, 1979, for La Cage auxfolles.*

RELATED CAREER—Television producer in Los Angeles, 1960; also actor in television commercials and musician.

MOODY, Ron

1924-

PERSONAL: Born Ronald Moodnick, January 8, 1924, in London, England; name legally changed in 1930; son of Bernard (a studio

ADDRESSES: AGENTS—Michael Rosen and Ernest Dade, Dade/

295

MOODY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 title role, Richard III, Canada, 1978; Marino Faliero, Young Vic Theatre, London, 1982. PRINCIPAL STAGE WORK—Director, Saturnalia, Belgrade Theatre, Coventry, U.K., 1971. MAJOR TOURS—Right Honorable Sir Joseph Porter, K.C.B., H.M.S. Pinafore, U.S. cities, 1988; also appeared in Move Along Sideways, U.S. and U.K. cities. FILM DEBUT—Davy, Metro-Goldwyn-Mayer, 1958. PRINCIPAL FILM APPEARANCES—Violinist, Follow a Star, Rank, 1959; Jelks, Make Mine Mink, Continental Distributing, 1960; Gabrielle, Five Golden Hours, Columbia, 1961; Mountjoy, The Mouse on the Moon, United Artists, 1963; Sid Pudney, A Pair of Briefs, Davis, 1963; Orlando, Summer Holiday, American International, 1963; Inspector, Ladies Who Do, Continental Distributing, 1964; H. Driffold Cosgood, Murder Most Foul, Metro-Goldwyn-Mayer, 1964; German, San Ferry Ann, British Lion, 1965; Professor Bastinado, Seaside Swingers (also known as Every Day's a Holiday), Embassy, 1965; Coach, The Sandwich Man, Rank, 1966; Fagin, Oliver!, Columbia, 1968; Uriah Heep, David Copper field, Twentieth Century-Fox, 1970; Ippolit Vorobyaninov, The Twelve Chairs, UMC, 1970; Hawk Dove, Flight of the Doves, Columbia, 1971; Steps, DogpoundShuffle (also known as Spot), Bloom, 1975; Dr. Rogers, Dominique, Subotsky, 1978; Merlin, The Unidentified Flying Oddball (also known as The Spacemen and King Arthur and UFO), Buena Vista, 1979; King Awad, Wrong Is Right (also known as The Man with the Deadly Lens), Columbia, 1982; Baron Gaspard Beersbohm, Where Is Parsifal?, Terence Young, 1984; voice of Prolix, Asterix and the Big Fight (also known as Asterix and the Stone's Blow), Gaumont/Palace/Extrafilm, 1989. Also appeared in The Bed Sitting Room, United Artists, 1969.

RON MOODY

executive) and Kate (Ogus) Moodnick. EDUCATION—London School of Economics, B.Sc., 1950.

PRINCIPAL TELEVISION APPEARANCES—Series: Detective Inspector Roger Hart, Nobody's Perfect, ABC, 1980; Bon Chance Louis, Tales of the Gold Monkey, ABC, 1981. Mini-Series: LeBrun, The Word, CBS, 1978. Episodic: Hart to Hart, ABC, 1981; Highway to Heaven, NBC, \984;Murder, She Wrote, CBS, 1985. Movies: Uriah Heep, David Copperfield, NBC, 1970; Captain Lesgate "Swann", Dial M for Murder, NBC, 1981; The Caucasian Chalk Circle, Thames, 1985; Hideaway, BBC, 1985. Specials: Portrait of Petula, NBC, 1969; Bing Crosby's Merrie Olde Christmas, NBC, 1977; The David Soul and Friends Special, ABC, 1977. Also appeared in Winter's Tale, 1980; as lago, Othello, 1981; in Ither Side of London, 1983; Is That Your Body, Boy?; Taste; and Baden Powell.

VOCATION: Actor. CAREER: STAGE DEBUT—Intimacy at Eight, New Lindsey Theatre, London, 1952. PRINCIPAL STAGE APPEARANCES—Vagabond student, For Amusement Only, Apollo Theatre, London, 1956; Pierrot, For Adults Only, Strand Theatre, London, 1958; Governor of Buenos Aires, Candide, Saville Theatre, London, 1959; Fagin, Oliver!, New Theatre, London, 1960; title role, Joey, Joey, Bristol Old Vic Theatre, Bristol, U.K., 1962; Mr. Darling/ Captain Hook, Peter Pan, Scala Theatre, London, 1966; Aristophanes, Liz, Marlowe Theatre, Canterbury, U.K., 1968; Polonius and first gravedigger, Hamlet, Bankside Globe Theatre, London, 1971; Mr. Darling/Captain Hook, Peter Pan, Coliseum Theatre, London, 1972; Fagin, Oliver!, Dorothy Chandler Pavilion, Los Angeles, then Curran Theatre, San Francisco, CA, both 1973; Mr. Sterling, The Clandestine Marriage, Savoy Theatre, London, 1975; Mr. Darling/Captain Hook, Peter Pan, Palladium Theatre, London, 1975; title role, The Showman, Stratford Theatre Royal, London, 1976; Mr. Darling/Captain Hook, Peter Pan, Casino Theatre, London, 1977; Fagin, Oliver!, Aldwych Theatre, London, then Mark Hellinger Theatre, New York City, 1984; title role, Sherlock Holmes—The Musical, Cambridge Theatre, London, 1989. Also appeared in Intimacy at 8:30, Criterion Theatre, London, 1954; Royal Command Performance, Palladium Theatre, London, 1968;

WRITINGS: STAGE—(Also composer and lyricist) Joey, Joey, Bristol Old Vic Theatre, Bristol, U.K., 1962, then Saville Theatre, London, 1966; (also composer) Saturnalia, Belgrade Theatre, Coventry, U.K., 1971; Move Along Sideways, Stratford Theatre Royal, London, 1976; (also composer and lyricist) The Showman, Stratford Theatre Royal, 1976. OTHER—(Contributor) My L.S.E. (nonfiction), Robson Books, 1977; The Devil You Don't (novel), Robson Books, 1979; Very Very Slightly Imperfect (novel), Robson Books, 1983. AWARDS: Academy Award nomination, Variety Club of Great Britain Award, Golden Bear Award from the Moscow Film Festi-

296

CONTEMPORARY

MOORE

THEATRE, FILM, AND TELEVISION • Volume 8

Century-Fox, 1967; Rupert Street, Thirty Is a Dangerous Age, Cynthia, Columbia, 1968; police sergeant, The Bed Sitting Room, United Artists, 1969; Lieutenant Kit Barrington, Those Daring Young Men in Their Jaunty Jalopies (also known as Monte Carlo or Bust!), Paramount, 1969; Dormouse, Alice's Adventures in Wonderland, American National Enterprises, 1972; Stanley Tibbets, Foul Play, Paramount, 1978; George Webber, 10, Warner Brothers, 1979; narrator, To Russia . . . With Elton (documentary), ITC Entertainment, 1979; Harvey Orkin and Herschel, Wholly Moses!, Columbia, 1980; Dr. Watson, Mrs. Ada Holmes, and Mrs. Spiggott, The Hound of the Baskervilles, Atlantic, 1980; Arthur Bach, Arthur, Warner Brothers, 1981; Patrick Dalton, Six Weeks, Universal, 1982; Saul Benjamin, Lovesick, Warner Brothers, 1983; Jason Carmichael, Romantic Comedy, Metro-Goldwyn-Mayer/United Artists, 1983; Wylie Cooper, Best Defense, Paramount, 1984; Rob Salinger, Micki and Maude, Columbia, 1984; Claude Eastman, Unfaithfully Yours, Twentieth Century-Fox, 1984; Patch, Santa Claus: The Movie, Tri-Star, 1985; Dr. Jack Hammond, Like Father, Like Son, Tri-Star, 1987; Arthur Bach, Arthur II: On the Rocks, Warner Brothers, 1988; narrator, Milo and Otis, Columbia, 1989. Also appeared in Derek and Clive Get the Horn, 1980; Crazy People, Paramount, 1990.

val, and Golden Globe, Best Actor, all 1968, for Oliver!; Antoinette Perry Award nomination, Best Actor in a Musical, and Theatre World Award, both 1984, for Oliver!. MEMBER: Academy of Motion Picture Arts and Sciences, Screen Actors Guild, Performing Rights Society, British Actors' Equity Association, Variety Club of Great Britain, Clowns International (president, 1984). SIDELIGHTS: FAVORITE ROLES—Vagabond student in For Amusement Only, Pierrot in For Adults Only, governor in Candide, and Fagin in Oliver!. RECREATIONS—Writing, music, painting, theatre history, and archaeology. ADDRESSES: OFFICE—Ingleside, 41 the Green, London N14, England.*

PRINCIPAL FILM WORK—Executive producer, Arthur II: On the Rocks, Warner Brothers, 1988; also executive producer, Derek and Clive Get the Horn, 1980.

MOONBLOOD, Q. See STALLONE, Sylvester

PRINCIPAL TELEVISION APPEARANCES—Series: Not Only . . . But Also, BBC, 1964, 1966, and \91Q-Goodbye Again, ITV, 1968; Here's Lulu . . . Not to Mention Dudley Moore, BBC, 1972; also MOORE, Dudley 1935-

PERSONAL: Full name, Dudley Stuart John Moore; born April 19, 1935, in Dagenham, England; son of John and Ada Francis (Hughes) Moore; married Suzy Kendall (an actress), 1968 (divorced); married Tuesday Weld (an actress), 1975 (divorced, 1980); married Brogan Lane, February 21, 1988; children: Patrick (second marriage). EDUCATION—Oxford University, B.A., 1957, B.Mus., 1958; also attended the Guildhall School of Music, London. VOCATION: Actor, composer, musician, writer, and producer. CAREER: Also see WRITINGS below. STAGE DEBUT—With the Oxford University Drama Society, 1955. LONDON DEBUT—Ensemble, Beyond the Fringe (revue), Fortune Theatre, 1961. BROADWAY DEBUT—Ensemble, Beyond the Fringe (revue), John Golden Theatre, 1962. PRINCIPAL STAGE APPEARANCES—Ensemble, Beyond the Fringe (revue), Edinburgh Festival, Lyceum Theatre, Edinburgh, Scotland, 1959; Allan Felix, Play It Again, Sam, Globe Theatre, London, 1970; Behind the Fridge (two-man show with Peter Cook), Cambridge Theatre, London, 1972-73, then retitled Good Evening, Plymouth Theatre, New York City, 1973. MAJOR TOURS—Behind the Fridge (two-man show with Peter Cook), Australian and New Zealand cities, 1971-72; Good Evening (two-man show with Cook), U.S. cities, 1975. FILM DEBUT—Narrator, The Hat (animated), Contemporary Films, 1964. PRINCIPAL FILM APPEARANCES—John Finsbury, The Wrong Box, Columbia, 1966; Stanley Moon, Bedazzled, Twentieth

DUDLEY MOORE

297

MOREAU

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Strictly for the Birds. Episodic: Dolly, ABC, l9Sl;TheJimHenson Hour, NBC, 1989; The Jack Parr Show, NBC; The Tonight Show, NBC. Specials: A Trip to the Moon, CBS, 1964; Royal Command Performance, ITV, 1965; Us Against the Worldll, ABC, 1978; The Muppets Go to the Movies, ABC, 1981; Bob Hope's Pink Panther Thanksgiving Gala, NBC, 1982; Bob Hope Special: Happy Birthday, Bob!, NBC, 1983; The American Film Institute Salute to John Huston, CBS, 1983; Comic Relief, HBO, 1987; Mancini and Friends, PBS, 1987; The American Comedy Awards, ABC, 1988; The 75th Anniversary of Beverly Hills (also known as Beverly Hills Seventy-Fifth Diamond Jubilee), ABC, 1989; America's All-Star Tribute to Elizabeth Taylor (also known as America's Hope Award), ABC, 1989; also narrator, Pleasure at Her Majesty's, 1976; host, The Comedy Club Special, 1988.

Light Entertainment Performance (Television), 1965; Grammy Award (with Cook), Best Spoken Word Recording, 1974, for Good Evening; Golden Apple Award, Discovery of the Year, 1979; Academy Award nomination, Best Actor, 1981, for Arthur; National Association of Theatre Operators (NATO) Award, Male Star of the Year, 1983; Golden Globe, Best Performance By an Actor in a Motion Picture—Comedy or Musical, 1985, for Micki and Maude.

RELATED CAREER—Composed incidental music for productions of the Royal Shakespeare Company, London, 1958-60; jazz pianist with the John Dankworth Band and with the Vic Lewis Band which toured U.S. cities in 1959; performed in concert at the Royal Festival Hall, London, 1960; composed incidental music for productions of the Gillian Lynne Dance Company, Saville Theatre, London, 1963; nightclub performer at the Establishment Club, London, 1961, the Blue Angel, New York City, 1963, the Village Vanguard and Rainbow Grill, both New York City, 1964, Small's, London, 1973, and at Michael's Pub, New York City, 1974; guest pianist with the Los Angeles Philharmonic Orchestra, 1981.

ADDRESSES: OFFICES—73 Market Street, Venice, CA 90291; c/o Mary Walker, 21 Hasker Street, London SW3, England. AGENTS— Louis Pitt, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048; Oscar Beuselinck, Wright and Webb, 10 Soho Square, London Wl, England.*

WRITINGS: STAGE—(Composer of incidental music) Serjeant Musgrave's Dance and One-Way Pendulum, both English Stage Company, Royal Court Theatre, London, 1959; (composer of incidental music) Platonov, English Stage Company, Royal Court Theatre, 1960; (composer of incidental music) The Caucasian Chalk Circle, Royal Shakespeare Company, Aldwych Theatre, London, 1962; (composer) England, Our England, Prince's Theatre, London, 1962; (composer of incidental music) The Owl and the Pussycat (ballet), Western Theatre Ballet Company, London, 1962; (with Alan Bennett, Peter Cook, and Jonathan Miller) Beyond the Fringe (revue), Edinburgh Festival, Lyceum Theatre, Edinburgh, Scotland, 1959, then Fortune Theatre, London, 1961, later John Golden Theatre, New York City, 1962, published by Souvenir Press, 1962, and Random House, 1963; (adaptor) Play It Again, Sam, Globe Theatre, London, 1970; (with Cook) Behind the Fridge (revue), Cambridge Theatre, London, 1972, then retitled Good Evening, Plymouth Theatre, New York City, 1973.

PERSONAL: Born January 23, 1928, in Paris, France; daughter of Anatole-Desire (a restaurateur) and Katherine (a dancer; maiden name, Buckley) Moreau; married Jean-Louis Richard (an actor), 1949 (divorced, 1951); married Teodoro Rubanis (divorced, 1977); married William Friedkin (a director), 1977 (divorced, 1980); children: Jerome (first marriage). EDUCATION—Attended Lycee Edgar-Quinet and the Conservatoire National d'Art Dramatique.

MEMBER: British Actors' Equity Association, Actors' Equity Association, Screen Actors Guild, Writers Guild, Performing Rights Society. SIDELIGHTS: RECREATIONS—Films, theatre, and music.

MOREAU, Jeanne

1928-

VOCATION: Actress. CAREER: STAGE DEBUT—A Month in the Country, Comedie Francaise, Paris, France. PRINCIPAL STAGE APPEARANCES— Sarah Bernhardt, Parade of Stars Playing the Palace, Palace Theatre, New York City, 1983; Hannah Jelkes, The Night of the Iguana, Morris Mechanic Theatre, Baltimore, MD, 1985; also appeared in French productions of L'Heure eblouissante (The Dazzling Hour), 1953; La Chatte sur un toil brulant (Cat on a Hot Tin Roof)', La Chevauchee sur le lac de Constance (The Ride Across Lake Constance)', La Machine infernale; Pygmalion; La Bonne Soupe; Lulu; and L'Intoxe.

FILM—(With Cook; also composer) Bedazzled, Twentieth Century-Fox, 1967; (with Joseph McGrath and John Wells; also composer) Thirty Is a Dangerous Age, Cynthia, Columbia, 1968 ^composer) Inadmissable Evidence, Paramount, 1968; (composer) Staircase, Twentieth Century-Fox, 1969; (with Cook and Paul Morrissey; also composer) The Hound of the Baskervilles, Atlantic, 1980; (composer) Six Weeks, Universal, 1982; also (composer) Derek and Clive Get the Horn, 1980. TELEVISION—Series: (With Cook) Not Only . . . But Also, BBC, 1964, 1966, and 1970. OTHER—Dud and Pete: The Dagenham Dialogues, 1971.

FILM DEBUT—Dernier amour, 1948. PRINCIPAL FILM APPEARANCES—Rosie Facibey, Julietta, 1953, released in the United States by Kingsley International, 1957; Mother, Secrets d'alcove, Pathe, 1954; Marianne, Les Hommes en blanc (also known as The Doctors), 1955, released in the United States by Kingsley International, 1956; Agnes, Demoniaque (also known as Les Louves and The She Wolves), 1956, released in the United States by Fernard Rivers S. A., 1958; Le Dos au mur (also known as Back to the Wall), 1958, released in the United States by Chavane, 1959; Jeanne Tournier, Les Amants (also known as The Lovers), 1958, released in the United States by Zenith, 1959; Florence Carala, Ascenseur pour Vechafaud (also known as Frantic), 1958, released in the United States by Times, 1961; woman with dog, Les Quatres cents coups (also known as The Four Hundred Blows), Janus, 1959; Juliette de Merteuil, Les Liaisons danger'euses (also known as Relazioni pericolose and Dangerous Love Affairs), 1959, released in the United States by Astor, 1961.

RECORDINGS: ALBUMS—Good Evening (original cast recording), 1973; Beyond the Fringe (original cast recording); Bedazzled (original soundtrack); The Other Side of Dudley Moore; Today; Genuine Dud; Derek and Clive—Live; All That Jazz; and Dudley Moore Trio—Down Under. AWARDS: Special Antoinette Perry Award (with Alan Bennett, Peter Cook, and Jonathan Miller), Award, 1963, for Beyond the Fringe; British Academy of Film and Television Arts Award, Best

298

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

MOREAU

ein pakt mit dem teufel (also known as Querelle and Querelle—A Pact with the Devil), Palace, 1982, released in the United States by Triumph, 1983; the Hostess, Le Paltoquet (also known as The Nonentity), A A A/Roissy/Artificial Eye, 1986; Marie-Aude, Sauve-toi Lola, Onyx/AAA Classics, 1986; Sabine, Le Miracule (also known as The Miracle Healing), Films du Volcan, 1986, released in the United States by Cannon Releasing, 1987; narrator, Hotel Terminus: Klaus Barbie, His Life and Times (also known as Hotel Terminus: Klaus Barbie et son temps; documentary), Samuel Goldwyn/Orion International, 1988.

Ljuba, Five Branded Women, Paramount, 1960; Anne Desbaredes, Moderate cantabile, 1960, released in the United States by Royal, 1964; Lidia, La none (also known as The Night and La Nuit), Dino De Laurentiis, 1961, released in the United States by Lopert, 1962; woman in bar, Unefemme est unefemme (also known as A Woman Is a Woman and La donna e donna), 1961, released in the United States by Pathe Contemporary, 1964; Catherine, Jules etJim (also known as Jules and Jim), Janus, 1962; Miss Burstner, Le Proces (also known as The Trial, Der Prozess, and // processo), 1962, released in the United States by Astor, 1963; title role, Eva (also known as Eva, the Devils Woman), Paris Film/Interopa, 1962, released in the United States by Times, 1964; Frenchwoman, The Victors, Columbia, 1963; Jeanne, Le Feufollet (also known as The Fire Within and Fuocofatuo), 1963, released in the United States by Governor/Gibralter, 1964; Jackie Demaistre, La Baie des anges (also known as Bay of Angels), Pathe Contemporary, 1964; Celestine, Le Journal d' une femme de chambre (also known as Diary of a Chambermaid and // diario di una cameriera), Cocinor, 1964, released in the United States by International Classics, 1965; Cathy, Peau de banane (also known as Banana Peel), 1964, released in the United States by Pathe, 1965; Christine, Le Train (also known as The Train and // treno), 1964, released in the United States by United Artists, 1965.

Also appeared in Meurtes (also known as Three Sinners), 1950; Pigalle Sainte-Germain-des-Pres, 1950; L'Homme de ma vie, 1951; // est minuit, Docteur Schweitzer, 1952; Dortoir des grandes (also known as Inside a Girls' Dormitory), 1953; Touchez pas au grisbi, 1953; Les Intriguantes, 1954; La Reine Mar got, 1954; M'sieurlacaille, 1955; Gas-Oil, \955', Jusqu-audernier, \956;Le Salaire dupeche, 1956; L'Etrange Mr. Steve, 1957; Trois jours a vivre, 1957; Echec a porteur, 1957; Le Dialogue des Carmelites, 1959; L'Amour a trovers les ages, 1967; Le Petit Theatre de Jean Renoir (also known as The Little Theatre of Jean Renoir), 1969; Le Corps de Diane, 1969; Langlois (short documentary film), 1970; Pleurs, 1974; Madame Rosa, \91%;L'Intoxe, 1980; Lucien chez les barbares, 1981; Mille milliards de dollars, 1982; Au-dela de cette limite votre billet n'est pas valable (also known as Your Ticket Is No Longer Valid), 1982; The Wizard of Babylon, New Yorker, 1983; Jean-Louis Barrault—A Man of the Theatre (documentary), Beta Film, 1984; Lillian Gish (documentary), Acapella Films, 1984; Francois Simon—La Presence (documentary), CSS Geneva, 1986; Calling the Shots (documentary), World Artists Releasing/Cineplex Odeon/Films Transit, 1988; La Nuit de I'ocean (also known as The Night of the Ocean), Forum Distribution/World Marketing, 1988; Nikita, Gaumont, 1990.

Title role, Mata Hari Agent H-21 (also known as Mata Hari and Mata Hari, agente segreto H 21), Magna, 1965; Maria I, Viva Maria, United Artists, 1965; Marchioness Eloise of Frinton, The Yellow Rolls-Royce, Metro-Goldwyn-Mayer (MGM), 1965; title role, Mademoiselle, Lopert, 1966; Doll Tearsheet, Chimes at Midnight (also known as Campanadas a medianoche and Falstaff), Peppercorn-Wormser/U-M Film Distributors, 1967; Anna, The Sailor from Gibraltar, Lopert, 1967; title role, "Mademoiselle Mimi'' in Le Plus vieux metier du monde (also known as The Oldest Profession, L'amore attraverso i secoli, and Das alteste gewerbe der welt), 1967, released in the United States by Goldstone/VIP, 1968; Julie Kohler, La Mariee etait en noir (also known as The Bride Wore Black), Artistes Associes, 1968; Catherine the Great, Great Catherine, Warner Brothers, 1968; Virginie Ducrot, Une Histoire immortelle (also known as The Immortal Story), 1968, released in the United States by Fleetwood/Altura, 1969.

FIRST FILM WORK—Director, Lumiere (also known as Light), Gaumont, 1975, released in the United States by New World, 1976. PRINCIPAL FILM WORK—Director, L'Adolescente (also known as The Adolescent), Parafrance, 1978; producer and director, Lillian Gish (documentary), Acapella Films, 1984. PRINCIPAL TELEVISION APPEARANCES—Specials: The American Film Institute Salute to Lillian Gish, CBS, 1984; With Orson Welles: Stories from a Life in Film, TNT, 1990.

As herself, Alex in Wonderland, MGM, 1970; Martine Bernard, Monte Walsh, National General, 1970; Madeleine, Comptes a rebours (also known as Reckonings Against the Grain), CCFC, 1971; Myriam, L'Humeur vagabonde (also known as Vagabond Humor), Sodor Films, 1971; L'Aimie—the Other Woman, Nathalie Granger, French Consulate/Moullet et Compagnie, 1972; Louise, Chere Louise (also known as Dear Louise), Columbia-Warner Distributors, 1972; Renee, La Race des <(Seigneurs" (also known as The "Elite" Group), Films la Boetie, 1973; Jeanne, Les Valseuses (also known as Going Places), Cinema V, 1974; Elisa Boussac, Je t'aime (also known as I Love You), Films Mutuels, 1974; Maria, Le Jar din qui bascule (also known as The Garden That Tilts), Coline Distribution, 1975; Berthe, Souvenirs d'en France (also known as French Provincial and Inside Memories of France), AMLF, 1975; Sylvana, Hu-Man, Romantique/ORTF/Camera One, 1975; Sarah Dedieu, Lumiere (also known as Light), Gaumont, 1975, released in the United States by New World, 1976; Didi, The Last Tycoon, Paramount, 1976; Florence, Mr. Klein (also known as M. Klein), Fox-Lira/Quartet, 1976.

RELATED CAREER—Member, Comedie Francaise, Paris, France, 1948-52; member, Theatre Nationale Populaire, Paris, 1953; president, Cannes Film Festival, 1975; founder (with Klaus Hellwig), Moreau Productions, 1982. WRITINGS: FILM—Lumiere (also known as Light), Gaumont, 1975, released in the United States by New World, 1976; (with Henriette Jelinek) L'Adolescente (also known as The Adolescent), Parafrance, 1978. AWARDS: Best Actress Award from the Cannes Film Festival, 1960, for Moderato cantabile; British Academy of Film and Television Arts Award, 1966, Best Foreign Actress, for Viva Maria; Chevalier, Legion d'honneur, Ordre Nationale du Merite et des Arts et Lettres. SIDELIGHTS: RECREATIONS—Theatre, art, painting, books, music, sculpture, and landscapes.

Helene, Plein sud (also known as Heat of Desire), Triumph, 1980; title role, Joanna Francesa (also known as Jeanne the Frenchwoman), Unifilm/New Yorker, 1981; Lou, La Truite (also known as The Trout), Gaumont/TFl/Triumph, 1982; Lysiane, Querelly—

ADDRESSES: OFFICE—Artmedia, 10 Avenue George V, 75008 Paris, France. AGENT—Ed Limato, William Morris Agency, 151 299

MORRIS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 MORRIS, Garrett

El Camino Drive, Beverly Hills, CA 90212. PUBLICIST—Solters/ Roskin/Friedman Inc., 5455 Wilshire Boulevard, Suite 2200, Los Angeles, CA 90036.*

1944-

PERSONAL: Born February 1, 1944, in New Orleans, LA; wife's name, Freda. EDUCATION—Graduated from Dillard University; studied music at the Juilliard School of Music, at the Manhattan School of Music, and at Tanglewood, MA. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Leroy, The Bible Salesman, Broadway Congregational Church, New York City, 1960, then Martinique Theatre, New York City, 1961; Peter, Porgy and Bess, City Center Light Opera Company, City Center Theatre, New York City, 1964; aide to Ranor, I'm Solomon, Mark Hellinger Theatre, New York City, 1968; second barker, Show Boat, Music Theatre of Lincoln Center, State Theatre, New York City, 1966; Prover, Hallelujah, Baby!, Martin Beck Theatre, New York City, 1967; Lalu, Slave Ship, Brooklyn Academy of Music, Brooklyn, NY, 1969-70, then Washington Square Methodist Church, New York City, 1970; Mack, Transfers, Village South Theatre, New York City, 1970; Blood, Operation Sidewinder, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, New York City, 1970; Crook, In New England Winter, Henry Street Playhouse, New York City, 1971; Corporal Jones, The Basic Training ofPavlo Hummel, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1971; cop, What the Wine-Sellers Buy, NYSF, Vivian Beaumont Theatre, then Center Theatre Group, New Theatre for Now, Mark Taper Forum, Los Angeles, both 1974. Also appeared in Porgy and Bess, City Center Light Opera Company, City Center Theatre, 1961; Finians Rainbow, City Center Light Opera Company, City Center Theatre, 1967; The Great White Hope, Alvin Theatre, New York City, 1968; Ododo (Truth), Negro Ensemble Company, St. Mark's Playhouse, New York City, 1970; Nigger Nightmare, NYSF, Public Theatre, 1971; Ain'tSupposed to Die a Natural Death, Ethel Barry more Theatre, New York City, 1971, then Ambassador Theatre, New York City, 1971-72; Don't Bother Me, I Cant Cope, Ford's Theatre, Washington, DC, 1974; Sweet Talk, NYSF, Public Theatre, 1974; The World of Ben Caldwell, New Federal Theatre, New York City, 1982; The Unvarnished Truth, Ahmanson Theatre, Los Angeles, 1985.

MORRIS, Anita PERSONAL: Born in Durham, NC. VOCATION: Actress. CAREER: BROADWAY DEBUT—Reporter, apostle woman, temple lady, and leper, Jesus Christ Superstar, Mark Hellinger Theatre, 1971. PRINCIPAL STAGE APPEARANCES—Citizen of New York City, Seesaw, Uris Theatre, New York City, 1973; Academy Awards guest, Stella Starfuckoff, Rachael's Ocho Rios twin, one man girl, and Doris, RachaelLily Rosenbloom and Don't You Ever Forget It!, Broadhurst Theatre, New York City, 1973; Charmin, The Magic Show, Cort Theatre, New York City, 1974; ensemble, Unsung Cole (revue), Circle Repertory Company, Circle Repertory Theatre, New York City, 1977; ensemble, Sugar Babies (revue), Mark Hellinger Theatre, New York City, 1979; Eileen, Two Small Bodies, Playwrights Horizons, Queens, NY, 1979; Carla, Nine, 46th Street Theatre, New York City, 1982. Also appeared with the Hartford Stage Company, Hartford, CT, 1975-76. MAJOR TOURS—Lila, Home Again, Home Again, U.S. and Canadian cities, 1979. PRINCIPAL FILM APPEARANCES—Linda Jo/May, The Happy Hooker, Cannon, 1975; So Fine dancer, So Fine, Warner Brothers, 1981; Ronda Ray, The Hotel New Hampshire, Orion, 1984; Mrs. Wynic, Maria s Lovers, Cannon, 1985; Dido Lament, Absolute Beginners, Orion, 1986; Malvina Kerch, Blue City, Paramount, 1986; Carol, Ruthless People, Buena Vista, 1986; Phoebe, "Rigoletto" in Aria, Virgin Vision, 1987; Madelyn, Eighteen Again!, New World, 1988; Clair Vin Blanc, A Sinful Life, New Line Cinema, 1989; Missouri Martin, Bloodhounds of Broadway, Vestron, 1989; also appeared in The Broad Coalition, August Films, 1972; and What Do I Tell the Boys at the Station?, August Films, 1972.

MAJOR TOURS—Second barker, Show Boat, U.S. cities, 1966. PRINCIPAL FILM APPEARANCES—Garrett, Where's Poppa? (also known as Going Ape), United Artists, 1970; Everson, The Anderson Tapes, Columbia, 1971; Mr. Mason, Cooley High, American International, 1975; Slide, Car Wash, Universal, 1976; Power and Light man, How to Beat the High Cost of Living, American International, 1980; Harvey McGraw, The Census Taker, Seymour Borde, 1984; Chocolate Chip Charlie, The Stuff, New World, 1985; helicopter junkie, Critical Condition, Paramount, 1987; Dummont, The Under achievers, Lightning, 1988; con, Dance to Win, MetroGoldwyn-Mayer/United Artists, 1989; census taker, Husbands, Wives, Money, and Murder, Trans World Entertainment, 1989.

PRINCIPAL TELEVISION APPEARANCES-Series: Barbara "Babs" Berrenger-DeGava, Berrenger's, NBC, 1985; Barbara Whiteman, Down and Out in Beverly Hills, Fox, 1987. Episodic: Leona Proverb, Miami Vice, NBC, 1987; Madeline Keith, Cheers, NBC, 1987; Betty, Who's the Boss?, ABC, 1989; Catherine McKay, Matlock, NBC, 1989; Leona Schumann, Murder, She Wrote, CBS, 1989. Movies: Lola Crane, A Masterpiece of Murder, NBC, 1986; Jezebel, A Smoky Mountain Christmas, ABC, 1986. Specials: Circus of the Stars, CBS, 1982, 1986, and 1988; Eubie Blake: A Century of Music, PBS, 1983.

PRINCIPAL TELEVISION APPEARANCES—Series: "Wheels" Dawson, RollOut!, CBS, 1973-74; regular, Saturday Night Live, NBC, 1975-80; Principal Dwight Ellis, It's Your Move, NBC, 1984-85; Arnold "Sporty" James, Hunter, NBC, 1986—. Pilots: Janitor, Change at 125th Street, CBS, 1974; Lieutenant Greg Larkin, The Invisible Woman, NBC, 1983; Dwayne, At Your Service, NBC, 1984. Episodic: Asam Ali Shamba, Scarecrow and Mrs. King, CBS, 1985; Gary Samuels, The Love Boat, ABC, 1986; Bob Winslow, 227, NBC, 1987; Russ, Married with Children, Fox, 1987 and 1989; Officer Audette, Who's the Boss?, ABC, 1988; also

ADDRESSES: AGENT—Sylvia Gold, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.* 300

MORRISSEY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Pimpernel Smith (also known as Mister V), United Artists, 1942; Anna Petrovich, Underground Guerrillas (also known as Undercover and Chetnik), Columbia, 1944; Sarah Duboste, The Man from Morocco, Pathe, 1946; Lettie Shackleton, The Agitator, Four Continents, 1949; Anna Braun, High Treason, General Film Distributors/Pacemaker/Mayer/Kingsley, 1951; Louise, "The Actor" in Train of Events, Film Arts, 1952.

Murder, She Wrote, CBS, 1985; "Dealer's Choice," The Twilight Zone, CBS, 1985; Hill Street Blues, NBC; The Jeffersons, CBS. Specials: Things We Did Last Summer, NBC, 1978; Saturday Night Live Fifteenth Anniversary, NBC, 1989. RELATED CAREER—Singer and musical arranger with the Harry Belafonte Folk Singers.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Countess Vronsky, "Anna Karenina," BBC, then Masterpiece Theatre, PBS, 1978. Episodic: Number Two, "Dance of the Dead," The Prisoner, ITC, then CBS, 1968. Also An Unofficial Rose, The Spread of the Eagle, Richard II, A Family Reunion, The Velvet Glove, and Cleopatra.

WRITINGS: STAGE—The Secret Place, Playwrights Horizons, New York City, 1972; also Daddy Picou and Marie LeVeau, 1981. MEMBER: American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Jogging.

RELATED CAREER—Founder, Strange Players (a theatrical repertory company), Oxted, U.K., 1936-37.

ADDRESSES: AGENTS—J. Michael Bloom Ltd., 9200 Sunset Boulevard, Suite 1210, Los Angeles, CA 90069; Abrams Artists, 9200 Sunset Boulevard, Suite 625, Los Angeles, CA 90069.*

OBITUARIES AND OTHER SOURCES: Variety, November 22, 1988.*

MORRIS, Mary 1915-1988 MORRISSEY, Paul

1939-

PERSONAL: Born December 13, 1915, in Suva, Fiji Islands; died October 14, 1988, in Aigle, Switzerland; daughter of Herbert Stanley and Sylvia Ena (de Creft-Harford) Morris. EDUCATION— Trained for the stage at the Royal Academy of Dramatic Art.

PERSONAL: Born in 1939 in New York, NY. EDUCATION— Attended Fordham University. MILITARY—U.S. Army.

VOCATION: Actress and producer.

VOCATION: Director, producer, and screenwriter.

CAREER: LONDON DEBUT—Third old woman, Lysistrata, Gate Theatre, 1936. PRINCIPAL STAGE APPEARANCES—Antonia, Squaring the Circle, Vaudeville Theatre, London, 1941; Glasha, Distant Point, Westminster Theatre, London, 1941; Esther, On Life's Sunny Side and Anne Pedersdotter, The Witch, both Arts Theatre, London, 1943; Abigail Sarclet, Duet for Two Hands, Lyric Theatre, London, 1945; Julia, The Day of Glory, Embassy Theatre, London, 1946; title role, Peter Pan, Scala Theatre, London, 1946; Lucie, Men Without Shadows, Lyric Hammersmith Theatre, London, 1947; the Strange Lady, As You Desire Me, Embassy Theatre, 1948; Nina Moore, If This Be Error, Q Theatre, London, 1949, then Lyric Hammersmith Theatre, 1950; chorus, Pericles, Rudolf Steiner Hall, London, 1950; Elizabeth Tudor, The Young Elizabeth, New Theatre, London, 1952; the Stepdaughter, Six Characters in Search of an Author, Arts Theatre, then St. James's Theatre, both London, 1954; Lavinia Mannon, Mourning Becomes Electra, Arts Theatre, 1955; title role, Electra, Oxford Playhouse, Oxford, U.K., 1956; also appeared as Caesonia, Caligula, 1949.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, Man on the Moon, Little Theatre, New York City, 1975. PRINCIPAL FILM APPEARANCES—Party guest, Midnight Cowboy, United Artists, 1969; Malibu party guest, Rich and Famous, Metro-Goldwyn-Mayer/United Artists, 1981; as himself, Chambre 666 (also known as Room 666 and Chambre 666 n'importe quand . . .), Gray City/Classic, 1982. PRINCIPAL FILM WORK—Producer and director, Civilization and Its Discontents, Film-Makers Cooperative, 1964; production assistant, My Hustler, Film-Makers Distribution Center/Andy Warhol Films, 1965; production assistant, Space, Andy Warhol Films, 1965; production assistant, Chelsea Girls, Film-Makers Cooperative/Film-Makers Distribution Center/Andy Warhol Films, 1966; production assistant, More Milk Evette (also known as Lana Turner and More Milk Yvette), Film-Makers Cooperative, 1966; production assistant, Nude Restaurant, Factory Films/Film-Makers Cooperative, 1967; cinematographer, Bike Boy, Andy Warhol Films/Film-Makers Cooperative, 1967; executive producer, The Loves of Ondine, Film-Makers Cooperative, 1968; executive producer, cinematographer, and editor, Lonesome Cowboys, Factory Films/Film-Makers Cooperative/Sherpix, 1968; director and cinematographer, Flesh, Sherpix, 1968; executive producer, Blue Movie, Andy Warhol Films, 1969; director, Trash, Almi Cinema V, 1970; director, Andy Warhol's Women (also known as Women in Revolt), Andy Warhol Films, 1971; director and cinematographer, Heat, Levitt-Pickman/Andy Warhol Films, 1972; director, Andy Warhol's Frankenstein (also known as Carne per Frankenstein and De la chair pour Frankenstein), CFDC/Bryanston, 1973; producer and director, L'Amour, Altura, 1973; director, Blood for Dracula (also known as Andy Warhol's Dracula and Dracula vuole vivere: cerca sangue di verginef), CFDC/Bryanston, 1974; director, The

PRINCIPAL STAGE WORK—Producer, Beauty and the Beast, Mercury Theatre, London, 1949; producer, Celestina, Embassy Theatre, London, 1951. MAJOR TOURS—Emmy Baudine, They Walk Alone, U.K. cities, 1942; Kathy, Wuthering Heights, U.K. cities, 1943; also The Maids, U.K. cities, 1964. PRINCIPAL FILM APPEARANCES—Victoria Van Brett, Double Door, Paramount, 1934; Duchess of Kent, Victoria the Great, RKO, 1937; Renee, Prison Without Bars, United Artists, 1939; chauffeuse, U-Boat 29 (also known as The Spy in Black), Columbia, 1939; Halima, The Thief of Baghdad, United Artists, 1940; girl, Major Barbara, United Artists, 1941; Ludmilla Koslowski, 301

MOSTEL

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Hound of the Baskervilles, Atlantic, 1980; director, Forty Deuce, Island, 1982; director, Mixed Blood (also known as Cocaine), Sara/ Cinevista/Promovision International, 1984; Beethoven's Nephew (also known as Akaile neveu de Beethoven}, Oro Film/Almaro/ CBL, 1985; director, Spike of Bensonhurst, FilmDallas, 1988. Also director, Madame Wang's, 1981.

CAREER: STAGE DEBUT—Joey, The Homecoming, Provincetown Theatre, Provincetown, MA, 1968. OFF-BROADWAY DEBUT— Ensemble, The Proposition (revue), Gramercy Arts Theatre, then Mercer-Shaw Theatre, both 1971. BROADWAY DEBUT—Private Larry Fishbein, "Defender of the Faith," folk singer, "Epstein," and first intern, "Eli, the Fanatic," in Unlikely Heroes, Plymouth Theatre, 1971. PRINCIPAL STAGE APPEARANCES—Harvey and Frank Likk, Soft Touch, Wilbur Theatre, Boston, MA, 1973; messenger, An American Millionaire, Circle in the Square, New York City, 1975; ensemble, Straws in the Wind (revue), American Place Theatre, New York City, 1975; Milo Crawford, "Lu Ann Hampton Laverty Oberlander" and "The Last Meeting of the Knights of the White Magnolia" in A Texas Trilogy, Kennedy Center for the Performing Arts, Washington, DC, then Broadhurst Theatre, New York City, both 1976; Dubois, The Misanthrope, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1977; Hirschel, Gemini, Arena Stage, Washington, DC, 1978; Louie, Every Place Is Newark and Orville, The Wright Brothers, both Aspen Playwrights Conference, Aspen, CO, 1978; Bottom, A Midsummer Night's Dream, Kenyon Theatre Festival, Warren, OH, 1980; Norman Bulansky, The Boys Next Door, Lambs Theatre, New York City, 1987; Charlie Langman, The Road toUrga, Lincoln Center Theatre, New York City, 1987; Matt of the Mint, Threepenny Opera, Lunt-Fontanne Theatre, New York City, 1989. Also appeared in The Hostage and Lysistrata, both Provincetown Theatre, Provincetown, MA, 1968; ensemble, The Proposition (revue), in Massachusetts, 1969; in Curse You, Spread Eagle, Washington Theatre Club, Washington, DC, 1971; More Than You Deserve, NYSF, Public Theatre, 1974; as C.K., Men in the Kitchen, Long Wharf Theatre, New Haven, CT.

NON-RELATED CAREER—In the insurance business. WRITINGS: See production details above. FILM—Flesh, 1968; Trash, 1970; (with John Hollowell) Heat, 1972; Andy Warhol's Frankenstein, 1973; Blood for Dracula, 1974; (with Peter Cook and Dudley Moore) The Hound of the Baskervilles, 1980; Madame Wang's, 1981; (with Alan Browne) Mixed Blood, 1984; (with Mathieu Carriere) Beethoven's Nephew, 1985; (with Browne) Spike of Bensonhurst, 1988.*

MOSTEL, Josh

1946-

PERSONAL: Full name, Joshua Mostel; born December 21, 1946, in New York, NY; son of Zero (an actor) and Kathryn Celia (an actress, dancer, and writer; maiden name, Harken) Mostel; married Peggy Rajski (a producer and director), June 24, 1983. EDUCATION—Brandeis University, B.A., 1970. VOCATION: Actor and director.

PRINCIPAL STAGE WORK—Director, Ferocious Kisses, Manhattan Punchline Theatre, New York City, 1981; director, Love As We Know It, Manhattan Punchline Theatre, 1986. FILM DEBUT—Borrelli, Going Home, Metro-Goldwyn-Mayer, 1971. PRINCIPAL FILM APPEARANCES—Frank, The King of Marvin Gardens, Columbia, 1972; King Herod, Jesus Christ, Superstar, Universal, 1973; Norman, Harry and Tonto, Twentieth Century-Fox, 1974; Victor, Deadly Hero, AVCO-Embassy, 1976; Morris Fink, Sophie's Choice, Universal, 1982; Duster, Fighting Back, Paramount, 1982; private detective, Star 80, Warner Brothers, 1983; David, Almost You, Twentieth Century-Fox, 1984; Casio vendor, Brother from Another Planet, Cinecom, 1984; Sol, Windy City, Warner Brothers, 1984; Dicky Dunck, Compromising Positions, Paramount, 1985; Jack Schnittman, The Money Pit, Universal, 1986; Howard F. Howard, Stoogemania, Atlantic, 1986; Mayor Cabell Testerman, Matewan, Cinecom, 1987; Uncle Abe, Radio Days, Orion, 1987; Ollie, Wall Street, Twentieth CenturyFox, 1987; actor, Heavy Petting (documentary), Skouras, 1988; Mel Gorsky, Amimal Behavior, Cinestar, 1989. Also appeared as Russell, Dead Ringer, 1982. PRINCIPAL TELEVISION APPEARANCES—Series: Jim "Blotto" Blutarski, Delta House, ABC, 1979; Private Maxwell, At Ease, ABC, 1983; Wesley Harden, Murphy's Law, ABC, 1988. Pilots: Nathan, Hereafter, NBC, 1975; Steve, Off Campus, CBS, 1977. Episodic: Leonard, Spenser: For Hire, ABC, 1986; Taurus, The Equalizer, CBS, 1986; Winston Erdlow, The Equalizer, CBS, 1987; Barney Green, Seventh Avenue, NBC, 1977; also The Boy Who Loved Trolls, PBS. Specials: Zero Hour, ABC, 1967. RELATED CAREER—Operatic soprano as a child.

JOSH MOSTEL

302

CONTEMPORARY

MUMY

THEATRE, FILM, AND TELEVISION • Volume 8

NBC, \91\'Ironside, NBC, \91\', Banyon, NBC, 1972; Medical Center, CBS, 1972; Owen Marshall, Counselor at Law, ABC, 1972 and 1973; The Bold Ones, NBC, 1973; Hec Ramsey, NBC, 1973; Kung Fu, ABC, 1973; Search, NBC, 1973; "Hog Wild," The World of Disney, NBC, 1974; Cannon, CBS, 1974; Insight, ABC, 1974; The RockfordFiles, NBC, 1975; Caribe, ABC, 1975; S.W.A.T., ABC, \915; Insight, syndicated, 1975; Ellery Queen, NBC, 1976; Dr. Janet Carlisle, Quincy, M.E., NBC. Movies: Kay Damian, Ordeal, ABC, 1973; Florence Kowski, To Kill a Cop, NBC, 1978; May Purce\\,Maneaters Are Loose!, CBS, 1978; Kate Keller, The Miracle Worker, NBC, 1979; Sally Bingham, The Return of Frank Cannon, CBS, 1980; Angela Stafford, Agatha Christie's "Murder in Three Acts," CBS, 1986; Chris Coughlin, The Return of Sam McCloud, CBS, 1989. Specials: Julie Sears, It Can't Happen to Me, syndicated, 1979; also "A Special Act of Love," ABC Afternoon Playbreak, ABC, 1973.

WRITINGS: TELEVISION—Specials: (With Mickey Lemle) Media Probes: The Language Show. AWARDS: Outer Critics' Circle Award nomination, Best Actor, 1987, for The Boys Next Door. ADDRESSES: AGENT—Tim Angle, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.

MULDAUR, Diana

1938-

PERSONAL: Full name, Diana Charlton Muldaur; born August 19, 1938, in New York, NY; daughter of Charles Edward Arrowsmith and Alice Patricia (Jones) Muldaur; married James Mitchell Vickery, July 26, 1969 (died, 1979); married Robert J. Dozier, October 11, 1981. EDUCATION—Sweet Briar College, B.A., 1960.

RELATED CAREER—Board of advisors, National Center for Film and Video Preservation, John F. Kennedy Center for the Performing Arts, Washington, DC, 1986. NON-RELATED CAREER—Board of directors, Asthma and Allergy Foundation of America (Los Angeles chapter).

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Miss Moran, A Very Rich Woman, Belasco Theatre, New York City, 1965.

MEMBER: Academy of Motion Picture Arts and Sciences, Screen Actors Guild (director, 1978), Academy of Television Arts and Sciences (executive board member, director, president, 1983-85), Conservation Society of Martha's Vineyard Island.

PRINCIPAL FILM APPEARANCES—Cynthia, The Swimmer, Columbia, 1968; Anne Marley, Number One (also known as The Pro), United Artists, 1969; Ruth Petrocelli, The Lawyer, Paramount, 1969; Katy, One More Train to Rob, Universal, 1971; Alexandra Perry, The Other, Twentieth Century-Fox, 1972; Alana Fitzgerald, Chosen Survivors, Columbia, 1974; Lois Boyle, McQ, Warner Brothers, 1974; Elaine, Beyond Reason, Allwyn, 1977.

ADDRESSES: AGENTS—Alexander Tucker, 10780 Santa Monica Boulevard, Suite 280, Los Angeles, CA 90025; Clarke Lilly, 333 Apolina Avenue, Balboa Island, CA 92662.*

PRINCIPAL TELEVISION APPEARANCES—Series: Ann Wicker, The Secret Storm, CBS, 1965; Belle, The Survivors, ABC, 196970; Chris Coughlin, McCloud, NBC, 1970-77; Joy Adamson, Born Free, NBC, 1974; Judge Eleanor Hooper, The Tony Randall Show, ABC, 1976-77, then CBS, 1977-78; Ginny Linden, Hizzoner, NBC, 1979; Terri Seymour, Fitz and Bones, NBC, 1981; Dr. Alice Foley, A Year in the Life, NBC, 1987-88; Dr. Katherine Pulaski, Star Trek: The Next Generation, syndicated, 1988-89; Rosalind Shays, L.A. Law, NBC, 1989—. Mini-Series: Claire Randall, The Word, CBS, 1978; Elizabeth Sutton, Black Beauty, NBC, 1978. Pilots: Chris Coughlin, McCloud: Who Killed Miss U.S.A. ?, NBC, 1970; Carrie Donovan, Call to Danger, CBS, 1973; Marg, Planet Earth, ABC, 1974; Rachel LeMaire, Charlie's Angels, ABC, 1976; Edith Cole, The Deadly Triangle, NBC, 1977; Sandra, Pine Canyon Is Burning, NBC, 1977; Terri Seymour, Terror at Alcatraz, NBC, 1982', Claire Shelton, Too Good to Be True, ABC, 1983; Dr. Alice Foley, A Year in the Life, NBC, 1986.

MUMY, Bill

1954-

PERSONAL: Surname is pronounced "Moo-my"; born in 1954; son of Charles Mumy (a cattle rancher); wife's name, Eileen. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Neil Bateman, Tammy, Tell Me True, Universal, 1961; Boom-Boom, Palm Springs Weekend, Warner Brothers, 1963; Alex Martin, A Ticklish Affair, Metro-Goldwyn-Mayer, 1963; child, A Child Is Waiting, United Artists, 1963; Erasmus Leaf, Dear Brigette, Twentieth Century-Fox, 1965; Sterling North, Rascal, Buena Vista, 1969; Teft, Bless the Beasts and Children, Columbia, 1971; Lariot, Papillon, Allied Artists, 1973; Tim, "It's aGood Life" in Twilight Zone—The Movie, Warner Brothers, 1983; member of the James Roberts Band, Hard to Hold, Universal, 1983.

Episodic: Dr. Anne Mulhall, "Return to Tomorrow" and Dr. Miranda Jones, "Is There in Truth No Beauty," Star Trek, NBC, 1968; also The Americans, NBC, 1961; Dr. Kildare, NBC, 1966; Hawk, ABC, 1966; "Dark Lady of the Sonnets," New York Television Theatre, WNET (New York City), 1966; T.H.E. Cat, NBC, 1966; Run for Your Life, NBC, \961\Gunsmoke, CBS, 1967; Mannix, CBS, 1967, 1971, and 1973; The F.B.I., ABC, 1968 and 1972; / Spy, NBC, 1968; The Invaders, ABC, 1968; Outcasts, ABC, \968-Bonanza, NBC, 1968; Felony Squad, ABC, 1968; The Courtship of Eddie's Father, ABC, 1969; Mod Squad, ABC, 1970; Dan August, ABC, 1970; Hawaii Five-0, CBS, 1970 and 1972; Alias Smith and Jones, ABC, 1971; The Name of the Game, NBC, 1971; Marcus Welby, M.D., ABC, 1971; The Men from Shiloh,

TELEVISION DEBUT—Romper Room, syndicated. PRINCIPAL TELEVISION APPEARANCES—Series: Will Robinson, Lost in Space, CBS, 1965-68; Weaver, Sunshine, NBC, 1975; also voice of Matty Matel, Matty's Funday Funnies (animated), ABC. Pilots: Chris Williams, The Two of Us, CBS, 1966; Nick Butler, The Rockford Files, NBC, 1974; Larry, Archie, ABC, 1976; also Will Robinson, Space Family Robinson. Episodic: Anthony Fremont, "It's a Good Life," The Twilight Zone, CBS, 1961; Billy Bayles, "Long Distance Call," The Twilight Zone, CBS, 1961; Pip, "In Praise of Pip," The Twilight Zone, CBS, 1963; Googie, The 303

MURDOCH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Munsters, CBS, 1965; clerk, "Bang! You're Dead," Alfred HitchcockPresents, NBC, 1985; Doctor Irwin Bruckner, Matlock, NBC, 1988; also Bewitched, ABC, 1964; The Virginian, NBC, 1964; / Dream of Jeannie, NBC, 1965; Lancer, CBS; Here Come the Brides, ABC; Riverboat, NBC; Have Gun, Will Travel, CBS; The Adventures of Ozzie and Harriet, ABC; Ben Casey, ABC; Playhouse 90, CBS; The RedSkelton Show. Movies: Weaver, Sunshine, CBS, 1973; Weaver, Sunshine Christmas, NBC, 1977.

CAREER: STAGE DEBUT—Chorus, The Blue Train, King's Theatre, Southsea, U.K., 1927. LONDON DEBUT—Chorus, The Blue Train, Prince of Wales Theatre, 1927. PRINCIPAL STAGE APPEARANCES—Ronnie Webb, The Five O'Clock Girl, London Hippodrome, London, 1929; ensemble, Cochrans 1930 Revue, London Pavilion, London, 1930; Percy Pirn, Stand Up and Sing, London Hippodrome, 1931; Sergeant Oliver, Over She Goes, Saville Theatre, London, 1936; Queen Hysteria, Little Miss Muffet, Casino Theatre, London, 1949; Buttons, Cinderella, Wimbledon Theatre, London, 1952; Bobby Denver, As Long As They're Happy, Grand Theatre, Blackpool, U.K., 1953; ensemble, Happy Returns (revue), Belgrade Theatre, Coventry, U.K., 1962; General de la Petadiere-Frenouillou, The General's Tea Party, Harrogate Festival, Harrogate, U.K., then Jeanetta Cochrane Theatre, London, both 1966; Aubrey Allington, Tons of Money, May Fair Theatre, London, 1968; William, You Never Can Tell, Shaw Festival, Niagara-on-the-Lake, ON, Canada, 1973; Ernest, Bedroom Farce, Athenaeum Theatre, Plymouth, U.K., 1979; Lord Caversham, An Ideal Husband, Westminster Theatre, London, 1989. Also appeared in Ballyhoo, Comedy Theatre, London, 1932; Chariot's Char-a Bang, Stop-Go!, The Sleeping Beauty, and The Town Talks, all Vaudeville Theatre, London, 1935-36; Band Wagon, London Palladium, London, 1939; the Headmaster, Forty Years On; and the Headmaster, The Happiest Days Of Your Life.

RELATED CAREER—Lead singer and musician for the rock group Bill Mumy and the Igloos. WRITINGS: (With Miguel Ferrer) Comet Man (comic book), Marvel Comics, 1986. ADDRESSES: AGENT—The Kohner Agency, 9169 Sunset Boulevard, Los Angeles, CA 90069.*

MURDOCH, Richard

1907-

PERSONAL: Born April 6, 1907, in Keston, England; son of Bernard (a tea broker) and Amy Florence (Scott) Murdoch; married Peggy Rawlings (an actress), 1932; children: Belinda, Jane, Timothy. EDUCATION—Attended Cambridge University. MILITARY— Royal Air Force, squadron leader, 1939-45.

MAJOR TOURS—Philip Brown, Oh, Letty!, U.K. cities, 1929; Paul Daventry, Mother of Pearl, U.K. cities, 1933; Guy Holden, Gay Divorce, U.K. cities, 1936; Tommy Towers, Tax Free, U.K. cities, 1961; William, You Never Can Tell, U.S. and Canadian cities, 1973; Colonel Barstow, Not in the Book, South African cities, 1974; farmer, Birds of Paradise, U.K. cities, 1976; Sir William Boothroyd, Lloyd George Knew My Father, U.K. cities, 1977; Lord Caversham, An Ideal Husband, U.K. cities, 1989; also Band Waggon, U.K. cities, 1938; Strike a New Note, U.K. cities, 1946.

VOCATION: Actor.

FILM DEBUT—P.C. Lewis, The Terror, 1935, released in the United States by Alliance, 1941. PRINCIPAL FILM APPEARANCES— Sergeant Oliver, Over She Goes, Associated British, 1937; Stinker, Band Wagon, General Film Distributors, 1940; Stinker Burton, Charley's (Big-Hearted) Aunt, General Film Distributors, 1940; Stinker, / Thank You, General Film Distributors, 1941; Teddy Deakin, The Ghost Train, General Film Distributors, 1941; illusionist, You Can't Do Without Love, Columbia, 1946; Bill Scott, It Happened in Soho, Associated British, 1948; Captain Wimpole, Lilli Marlene, RKO, 1951; sitter in Bath studio, The Magic Box, British Lion, 1952; David Felton, The Gay Adventure (also known as Golden Arrow and Three Men and a Girl), United Artists, 1953; Commander Bissham-Ryley, Strictly Confidential, Rank, 1959; Cabinet Minister Who Should Have Kept His Mouth Shut, Whoops Apocalypse, Miracle Films/Metro-Goldwyn-Mayer/United Artists, 1986. TELEVISION DEBUT—TV Follies, BBC. PRINCIPAL TELEVISION APPEARANCES—Series: Uncle Tom, Rumpole of the Bailey, Thames, 1977—, thenMysteryf, PBS, 1984—. Episodic -.Never the Twain, Thames, then PBS, 1987; The New Avengers, CBS. Also appeared in In the Looking Glass, The Three Kisses, Doctor's Daughters, Old Boy Network, This is Your Life, Wogan, and Mr. Majeika. PRINCIPAL RADIO APPEARANCES—Much Murdoch, Australian Broadcasting Commission, 1954; also in Band Wagon, Much Binding-in-the-Marsh, The Men from the Ministry, and in Service programs during World War II.

RICHARD MURDOCH 304

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(animated), CBS, 1987; voice of Garfield, Garfield Goes to Hollywood (animated), CBS, 1987; voice of Garfield, Garfield: His Nine Lives (animated), CBS, 1988; voice of Garfield, Happy Birthday, Garfield! (animated), CBS, 1988; voice of Garfield, Garfield's Thanksgiving (animated), CBS, 1989; voices of Garfield and Sam Spade, Garfield's Babes and Bullets (animated), CBS, 1989.

MEMBER: Royal Automobile Club, Stage Golfing Society, (former captain and president), Walton Heath Golf Club. SIDELIGHTS: FAVORITE ROLES—William in You Never Can Tell and Sir William Boothroyd in Lloyd George Knew My Father. RECREATIONS—Golf and sailing. ADDRESSES: AGENT- -Essanay Ltd., 2 Bruton Street, London W1R 9TG, England.

MUSIC, Lorenzo

MUSIC

PRINCIPAL TELEVISION WORK—Series: Creator (with David Davis), The Bob Newhart Show, CBS, 1972-78; producer (with Davis, Allan Katz, Don Reo, and Bob Ellison), Rhoda, CBS, 197478; executive producer (with Lewis Arquette), The Lorenzo and Henrietta Music Show, syndicated, 1976. Pilots: Executive producer, The New Lorenzo Music Show, ABC, 1976; creator and producer (both with Steve Pritzker), Friends, CBS, 1978; producer (with Barton Dean), Carlton Your Doorman (animated), CBS, 1980.

1937-

PERSONAL: Born May 2, 1937, in Brooklyn, NY; wife's name, Henrietta; children: three. EDUCATION—Graduated from the University of Minnesota.

RELATED CAREER—(With Henrietta Music) Performer in nightclubs and on tour with the USO; folk singer.

VOCATION: Producer, writer, voice specialist, and actor.

WRITINGS: TELEVISION—See production details above, unless indicated. Series: Composer of theme music, The Bob Newhart Show, 1972-78. Pilots: (With Carl Gottlieb, James L. Brooks, Jerry Davis, and Allan Burns) The New Lorenzo Music Show, 1976; (with Steve Pritzker) Friends, 1978; (with Barton Dean) Carlton Your Doorman (animated), 1980. Episodic: (With Davis) "The Snow Must Go,'' (with Davis)'' 1040 or Fight,'' and ' 'Anchorman Overboard," all The Mary Tyler Moore Show, CBS, 1970; (with Davis) "The Boss Isn't Coming to Dinner," (with Davis) "I Am Curious Cooper," (with Davis) "A Girl's Best Mother Is Not Her Friend," (with Davis) "Don't Break the Chain," and (with Davis) "Ted Over Heels," all The Mary Tyler Moore Show, CBS, 1971; (with Davis) "Fly the Unfriendly Skies," (with Davis) "Tennis, Emily?," (with Davis) "P-I-L-O-T," and (with Davis) "His Busiest Season," all The Bob Newhart Show, 1972; (with Davis) "A Home Is Not Necessarily a House," The Bob Newhart Show, 1973; The Lorenzo and Henrietta Music Show, 1976; also The Smothers Brothers Show, CBS; Rhoda. Specials: Garfield on the Town (animated), 1983.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Cobb's writer, Nickelodeon, Columbia, 1976; Carlton, Oh, Heavenly Dog!, Twentieth Century-Fox, 1980; voice of Ralph, Twice Upon a Time (animated), Warner Brothers, 1983; voice of Ping Pong, The Adventures of the American Rabbit (animated), Atlantic/Clubhouse, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Voice of Carlton the doorman, Rhoda, CBS, 1974-78; host, The Lorenzo and Henrietta Music Show, syndicated, 1976; voice of Super-Pac, PacMan (animated), ABC, 1984; voice of Tummi, Disney's Adventures of the Gummi Bears (also known as The Gummi Bears and The Adventures of the Gummi Bears; animated), NBC, 1985-1989; voice of Ozzie, Disney's Fluppy Dogs (animated), ABC, 1986; voice of Peter, The Real Ghostbusters (also known as Slimer! and the Real Ghostbusters; animated), ABC, 1986; voice of Tummi, Disney's Gummi Bears/Winnie the Pooh Hour (animated), ABC, 1989—. Pilots: Host, The New Lorenzo Music Show, ABC, 1976; voice of Carlton, Carlton Your Doorman (animated), CBS, 1980. Specials: The Smothers Brothers Comedy Hour 20th Reunion Show, CBS, 1988; voice of Garfield, Here Comes Garfield (animated), CBS, 1982; voice of Garfield, Garfield on the Town (animated), CBS, 1983; voice of Garfield, Garfield in the Rough (animated), CBS, 1984; voice of Garfield, Garfield's Halloween Adventure (animated), CBS, 1985; voice of Garfield, Garfield in Paradise (animated), CBS, 1986; voice of Garfield, A Garfield Christmas

AWARDS: Emmy Award, Outstanding Animated Program (Special or Series), 1980, for Carlton, Your Doorman. ADDRESSES: OFFICE—160 S. Windsor Boulevard, Los Angeles, CA 90004. AGENT—Sutton, Barth, and Vennari, 8322 Beverly Boulevard, Suite 202, Los Angeles, CA 90048.*

305

N

NADER, Michael

1945-

VOCATION: Playwright. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director (with Ted D'Arms), Between East and West, Seattle, WA, 1984.

PERSONAL: Born February 19, 1945, in St. Louis, MO; wife' name, Robin; children: Lindsay Michelle. EDUCATION—Attended Santa Monica City College; studied acting at the Actors' Studio, the HB Studios, and with Alan Miller.

RELATED CAREER—Literary manager, Brooklyn Academy of Music Theatre Company, Brooklyn, NY, 1979-81; associate director, Goodman Theatre, Chicago, IL, 1980-83; dramaturg, Tyrone Guthrie Theatre, Minneapolis, MN, 1981-82.

CAREER: PRINCIPAL STAGE APPEARANCES—Sterling Hayden and Jerome Robbins, Are You Now or Have You Ever Been. . .?, Theatre of the Riverside Church, New York City, 1973; Ron, "The Wake" in Love-Death Plays of William Inge, Billy Munk Theatre, New York City, 1975; also Tye McCool, Vieux Carre, Beverly Hills Playhouse, Beverly Hills, CA; performed in regional theater in Hawaii.

WRITINGS: STAGE—The Killing of Yablonski, New Theatre for Now, Los Angeles, 1975, then PAF Playhouse, Huntington Station, NY, 1978; Conjuring an Event, Center Theatre Group, Mark Taper Forum, Los Angeles, 1976, then American Place Theatre, New York City, 1978, published in An American Comedy and Other Plays, Performing Arts Journal Publications, 1984; Scooping, Arena Stage, Washington, DC, 1977; Jungle Coup, Playwrights Horizons, New York City, 1978, published in Plays from Playwrights Horizon, Broadway Play Publishing, 1987; The Vienna Notes, first produced in Minneapolis, MN, 1978, then Playwrights Horizons, Mainstage Theatre, New York City, later Mark Taper Forum, and in Sheffield, U.K., all 1979, published in Wordplays 1, Performing Arts Journal Publications, 1980; (adaptor) Don Juan, Arena Stage, 1979.

PRINCIPAL FILM APPEARANCES—Pajama boy, Pajama Party, American International, 1964; surfer, Muscle Beach Party, American International, 1964; Mike, How to Stuff a Wild Bikini, American International, 1965; Butch, Beach Blanket Bingo, American International, 1965; air police, Sergeant Deadhead (also known as Sergeant Deadhead, the Astronaut), American International, 1965; Bobby, Ski Party, American International, 1965; Joey, Fireball 500, American International, 1966. PRINCIPAL TELEVISION APPEARANCES—Series: Peter "Siddo" Stone, Gidget, ABC, 1965-66; Kevin Thompson, As the World Turns, CBS, 1976-78; Alexi Theopolous, Bare Essence, NBC, 1983; Farnsworth "Dex" Dexter, Dynasty, ABC, 1983-89. MiniSeries: Burchardt, The Great Escape II: The Untold Story, NBC, 1988. Pilots: LaCroix, Nick Knight, CBS, 1989. Movies: Nick Scalfone, Lady Mobster, ABC, 1988.

(Adaptor) The Suicide, first produced in Chicago, IL, 1980; Bal, Chicago Theatre Group, Goodman Theatre, Chicago, 1980, published in An American Comedy and Other Plays, 1984; (translator with Helen Ciulei) "The Wedding" in The Marriage Dance, Lepercq Space, Brooklyn Academy of Music, Brooklyn, NY, 1980, then Seattle Repertory Theatre, Seattle, WA, 1984; (adaptor) Jungle of Cities, Playhouse Theatre, Brooklyn Academy of Music, 1981; (adaptor) // Campiello: A Venetian Comedy, New York Shakespeare Festival, Public Theatre, New York City, 1981, published by Theatre Communications Group, 1981; Rip Van Winkle or l 'The Works,'' Yale Repertory Theatre, New Haven, CT, 1981, published by Broadway Play Publishing, 1986; (adaptor) The Marriage of Figaro, Tyrone Guthrie Theatre, Minneapolis, 1982, then Circle in the Square, New York City, 1985; An American Comedy, Center Theatre Group, Mark Taper Forum, 1983, published in An American Comedy and Other Plays, 1984; The Return of Pinocchio, first produced in Seattle, 1983, then 47th Street Theatre, New York City, 1986, published in An American Comedy and Other Plays, 1984; (adaptor) The Three Sisters, first produced in Minneapolis, 1984; Between East and West, first produced in Seattle, 1984, published inNew Plays USA 3, Theatre Communications Group, 1986; (adaptor) The Accidental Death of an Anarchist, Arena Stage, then Belasco Theatre, New York City, both 1984, published by Samuel French Inc., 1987; Principia Scriptoriae, Manhattan Theatre Club, New York City, then Royal Shakespeare

RELATED CAREER—Producer of workshop theater; as a model with the Zoli Agency, appeared on magazine covers. SIDELIGHTS: RECREATIONS—Surfing, skiing, and restoring old cars. ADDRESSES: AGENT—Dee Dee Davidson, Gores/Fields Agency, 10100 Santa Monica Boulevard, Suite 700, Los Angeles, CA 90067.*

NELSON, Richard

1950-

PERSONAL: Born October 17, 1950, in Chicago, IL; married Cynthia B. Bacon, 1972; children: one daughter. EDUCATION— Hamilton College, B.A., 1972. 307

NEWELL

CONTEMPORARY

Company, London, both 1986, published by Broadway Play Publishing, 1986; (book for musical) Chess, Imperial Theatre, New York City, 1988; Sensibility and Sense, Mitzi E. Newhouse Theatre, New York City, 1989; Some Americans Abroad, Mitzi E. Newhouse Theatre, 1990.

THEATRE, FILM, AND TELEVISION • Volume 8

NEWMAN, Lionel

1916-1989

PERSONAL: Born January 4, 1916, in New Haven, CT; died of cardiac arrest, February 3, 1989, in Los Angeles, CA; married Beverly Carroll; children: three daughters. VOCATION: Composer, conductor, music director, and studio executive.

TELEVISION—Episodic: Kojak, CBS. Movies: (With Elinor and Stephen Karpf) Terror in the Sky, CBS, \91\\Houston, We've Got a Problem, ABC, 1974.

CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— All as music director, unless indicated: Son of Frankenstein, Universal, 1939; Bill and Coo, Republic, 1947; Kiss of Death and Nightmare Alley, both Twentieth Century-Fox, 1947; Apartment for Peggy, Cry of the City, Deep Waters, Give My Regards to Broadway, Green Grass of Wyoming, Luck of the Irish, Road House, Scudda-Hoo! Scudda-Hay! (also known as Summer Lightining), The Street with No Name, That Wonderful Urge, Walls of Jericho, and You Were Meant for Me, all Twentieth CenturyFox, 1948; Come to the Stable, Father Was a Fullback, I Was a Male War Bride (also known as You Can't Sleep Here), It Happens Every Spring, Slattery's Hurricane, and Thieves' Highway, all Twentieth Century-Fox, 1949.

OTHER—(Editor) Strictly Dishonorable and Other Lost American Plays, Theatre Communications Group, 1986. AWARDS: Watson fellowship, 1972; Rockefeller grant, 1979; Obie Award from the Village Voice, 1979, for The Vienna Notes; Obie Award, 1980; National Endowment for the Arts fellowships, 1980 and 1985; Guggenheim fellowship, 1983; ABC Award, 1985; Playwrights USA Award, 1986; HBO Award, 1986; Time Out Award (London), 1987. ADDRESSES: AGENT—Peter Franklin, William Morris Agency, 1350 Avenue of the Americas, New York, NY 10019.*

Cheaper By the Dozen, I'll Get By, Love That Brute, Mister 880, Mother Didn't Tell Me, Stella, Three Came Home, Ticket to Tomahawk, Wabash Avenue, When Willie Comes Marching Home, and Where the Sidewalk Ends, all Twentieth Century-Fox, 1950; As Young As You Feel, Elopement, Fixed Bayonets, Follow the Sun, The Frogmen, Golden Girl, The Guy Who Came Back, Halls ofMontezuma, I Can Get It for You Wholesale (also known as Only the Best), I'd Climb the Highest Mountain, Let's Make It Legal, Love Nest, Meet Me After the Show, The Model and the Marriage Broker, Mr. Belvedere Rings the Bell, Rawhide (also known as Desperate Siege), The Secret of Convict Lake, The Thirteenth Letter, and You're in the Navy (also known as U.S.S. Tea Kettle), all Twentieth Century-Fox, 1951; Belles on Their Toes, Deadline—U.S.A. (also known as Deadline), Diplomatic Courier, Dreamboat, The I Don't Care Girl, Les Miserables, Lydia Bailey, Monkey Business, My Pal Gus, My Wife's Best Friend, Night Without Sleep, The Outcasts of Poker Flat, The Pride of St. Louis, Red Skies of Montana (also known as Smoke Jumpers), Return of the Texan, Something for the Birds, and We're Not Married, all Twentieth Century-Fox, 1952; A Blueprint for Murder, Down Among the Sheltering Palms, Gentlemen Prefer Blondes, The Girl Next Door, Inferno, Man in the Attic, Mr. Scoutmaster, Niagara, Pickup on South Street, Powder River, The Silver Whip, Taxi, Titanic, and Vicki, all Twentieth Century-Fox, 1953; Broken Lance, Gorilla at Large, Night People, River of No Return, (with Alfred Newman) There's No Business Like Show Business, and Three Young Texans, all Twentieth Century-Fox, 1954.

NEWELL, Patrick VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Herbert Price, The Ghost Train, Old Vic Theatre, London, 1976, then Vaudeville Theatre, London, 1977. PRINCIPAL FILM APPEARANCES—Doctor, Night Without Pity, Golden Era, 1962; first warder, Trial and Error (also known as The Dock Brief), Metro-Goldwyn-Mayer (MGM), 1962; King Harold, Father Came Too, Rank, 1964; Major Clarke, The Unearthly Stranger, American International, 1964; Mr. Hoskins, Seaside Swingers (also known as Every Day's a Holiday), Embassy, 1965; Cracknell, The Alphabet Murders (also known as The ABC Murders), MGM, 1966; P.C. Benson, A Study in Terror (also known as Fog and Sherlock Holmes Grosster Fall), Columbia, 1966; Colonel, The Long Duel, Paramount, 1967; victim, The Strange Affair, Paramount, 1968; man in hotel, Old Dracula (also known as Vampira and Old Drac), American International, 1975; Captain Billings, Stand Up Virgin Soldier, Warner Brothers, 1977; Charlie Whitlock, The Golden Lady, Target International, 1979; Bentley Bobster, Young Sherlock Holmes, Paramount, 1985; Jose Maria Gil Ramos, Redondela, Pedro Costa, 1987; Lester, Consuming Passions, Samuel Goldwyn, 1988. Also appeared in Go for a Take, 1972; Dr. Fischer of Geneva, Consolidated/BBC, 1984.

The Girl in the Red Velvet Swing, Good Morning Miss Dove, House of Bamboo, The Racers (also known as Such Men Are Dangerous), Rains ofRanchipur, Seven Cities of Gold, Soldier of Fortune, The View from Pompey's Head (also known as Secret Interlude), Violent Saturday, White Feather, and How to Be Very, Very Popular, all Twentieth Century-Fox, 1955; The Best Things in Life Are Free, D-Day, the Sixth of June (also known as The Sixth of June), The Girl Can't Help It, Hilda Crane, The Lieutenant Wore Skirts, On the Threshold of Space, The Revolt of Mamie Stover, Teenage Rebel, and Twenty-Three Paces to Baker Street, all Twentieth Century-Fox, 1956; The Harder They Fall and The Solid Gold Cadillac, both Columbia, 1956; An Affair to Remember, Desk Set (also known as His Other Woman), The Enemy Below, No Down Payment, (with Ramon Hernandez) The Sun Also Rises, The True

PRINCIPAL TELEVISION APPEARANCES—Series: "Mother," The Avengers, ABC, 1968-69; regular, Kraft Music Hall Presents the Des O'Connor Show, NBC, 1970. Mini-Series: Thomas, Moll Flanders, BBC, 1975, then PBS, 1980; Schalon, Casanova, syndicated, 1981. Episodic: Blessington, "The Resident Patient," The Adventures of Sherlock Holmes, Granada, then Mystery!, PBS, 1986; also The Benny Hill Show, syndicated. Movies: Julius Bates, Destiny of a Spy, NBC, 1969.*

308

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

NEWMAN

tion, ABC, 1986; The 59th Annual Academy Awards Presentation, ABC, 1987. Also Goodbye Char lie, 1985; Sam, 1985; Crazy Dan, 1986.

Story of Jesse James (also known as The James Brothers), The Wayward Bus, and Will Success Spoil Rock Hunter? (also known as Oh! For a Man), all Twentieth Century-Fox, 1957; The Gift of Love, In Love and War, Mardi Gras, The Young Lions, Ten North Frederick, Rally 'round the Flag, Boys!, and The Long, Hot Summer, all Twentieth Century-Fox, 1958; Journey to the Center of the Earth, Hound-Dog Man, A Private's Affair, The Remarkable Mr. Pennypacker, Say One for Me, The Sound and the Fury, Warlock, and Woman Obsessed, all Twentieth Century-Fox, 1959.

RELATED CAREER—Head of music department, Twentieth Century-Fox, 1970-85; vice-president and music director, Twentieth Century-Fox, 1977-82, then senior vice-president and music director of the film and television divisions, 1982-85; senior vicepresident of music, Metro-Goldwyn-Mayer/United Artists Communications Company, 1988-89; also conductor and pianist with stage productions of Earl Carroll's Vanities; pianist for Mae West; as a guest conductor toured the United States, Canada, New Zealand, and appeared at the Royal Albert Hall, London.

North to Alaska, Wake Me When It's Over, and (with Earle H. Hagen) Let's Make Love, all Twentieth Century-Fox, 1960; music conductor, Cleopatra, Twentieth Century-Fox, 1963; (with Alexander Courage) The Pleasure Seekers, Twentieth Century-Fox, 1964; The Sand Pebbles, Twentieth Century-Fox, 1966; The St. Valentine's Day Massacre and (with Courage) Doctor Dolittle, both Twentieth Century-Fox, 1967; A Flea in Her Ear and music conductor, Planet of the Apes, both Twentieth Century-Fox, 1968; (with Lennie Hayton) Hello, Dolly!, Twentieth Century-Fox, 1969; The Salzburg Connection and When Legends Die, both Twentieth Century-Fox, 1972; music conductor, The Omen, Twentieth Century-Fox, 1976; Alien, Twentieth Century-Fox, 1979; The Final Conflict, Twentieth Century-Fox, 1981; music conductor, Cross Creek, Universal, 1983; Unfaithfully Yours, Twentieth Century-Fox, 1984.

WRITINGS: STAGE—Song contributor, Earl Carroll's Vanities. FILM—All as composer, unless indicated: Song contributor (with Arthur Quenzer), The Cowboy and the Lady, United Artists, 1938; (with Frank Loesser, Alfred Newman, and Mack Gordon) Johnny Apollo, Twentieth Century-Fox, 1940; song contributor (with Charles Henderson and Harry James), Do You Love Me? (also known as Kitten on the Keys), Twentieth Century-Fox, 1946; song contributor (with David Buttolph, Royal Foster, B.G. "Buddy" DeSylva, Lew Brown, and Ray Henderson) Bill and Coo, Republic, 1947; song contributor (with Dorcas Cochran), Road House, Twentieth Century-Fox, 1948; The Jackpot, Twentieth CenturyFox, 1950; (with Sol Kaplan) Rawhide (also known as Desperate Siege) and song contributor (with Eliot Daniel), Golden Girl, both Twentieth Century-Fox, 1951; Bloodhounds of Broadway and Don't Bother to Knock, both Twentieth Century-Fox, 1952; City of Bad Men, Dangerous Crossing, and The Kid from Left Field, all Twentieth Century-Fox, 1953; The Gambler from Natchez, Princess of the Nile, The Rocketman, The Siege at Red River (also known as The Siege of Red River), and song contributor (with Ken Darby), River of No Return, all Twentieth Century-Fox, 1954; The Best Things in Life Are Free, The Last Wagon, Love Me Tender, and The Proud Ones, all Twentieth Century-Fox, 1956; The Killer Is Loose and (also song contributor with Carroll Coates) A Kiss Before Dying, both United Artists, 1956; Bernardine, The Way to the Gold, and (also song contributor with Coates) Kiss Them for Me, all Twentieth Century-Fox, 1957; The Bravados, Mardi Gras, A Nice Little Bank That Should Be Robbed (also known as How to Rob a Bank), and Sing, Boy, Sing, all Twentieth Century-Fox, 1958; Compulsion, Twentieth Century-Fox, 1959; Let's Make Love and North to Alaska, both Twentieth Century-Fox, 1960; Move Over, Darling, Twentieth Century-Fox, 1963; The Pleasure Seekers, Twentieth Century-Fox, \964\DoNotDisturb, Twentieth Century-Fox, 1965; The Boston Str-angler, Twentieth CenturyFox, 1968; (with Lennie Hayton) Hello, Dolly!, Twentieth Century-Fox, 1969; The Great White Hope and Myra Breckinridge, both Twentieth Century-Fox, 1970; The Salzburg Connection, Twentieth Century-Fox, 1972; (with Irwin Kostal) The Blue Bird, Twentieth Century-Fox, 1976. TELEVISION—Series: Title theme (with Dorcas Cochran) Adventures in Paradise, ABC, 1959-62; Valentine's Day, ABC, 1964-65; title theme (with Vera Matson), Daniel Boone, NBC, 1964-70. Movies: Fireball Forward, ABC, 1972; When Michael Calls, ABC, 1972.

PRINCIPAL TELEVISION APPEARANCES—Specials: The Jerry Lewis Show, NBC, 1960. PRINCIPAL TELEVISION WORK—All as music supervisor, unless indicated. Series: Batman, ABC, 196668; Paris 7000, ABC, 1970; The Most Deadly Game, ABC, 197071; The Young Rebels, ABC, 1970-71; Arnie, CBS, 1970-72; M*A*S*//, CBS, 1972-83; The New Adventures of Perry Mason, CBS, 1973-74; Roll Out!, CBS, 1973-74; Planetof the Apes, CBS, 1974; The Swiss Family Robinson, ABC, 1975-76; Loves Me, Loves Me Not, CBS, 191T, Nashville 99, CBS, 1977; Young Dan'I Boone, CBS, 1977; James at Fifteen, NBC, 1977-78; Husbands, Wives, and Lovers, CBS, 1978; W.E.B., NBC, 1978; The Paper Chase, CBS, 1978-79; Billy, CBS, 1979; Trapper John, M.D., CBS, 1979-86; Hagen, CBS, 1980; Breaking Away, ABC, 198081; Ladies' Man, CBS, 1980-81; Jessica Novak, CBS, 1981; Mammal, NBC, 1983; Automan, ABC, 1983-84; Masquerade, ABC, 1983-84; Cover Up, CBS, 1984-85; Charlie and Company, CBS, 1985-86; Mr. Belvedere, ABC, 1985-89. Mini-Series: Jacqueline Susann's ''Valley of the Dolls 1981," CBS, 1981. Pilots: They Call It Murder, NBC, 1971; Big Rose, CBS, 1974; Time Travelers, ABC, 1976; The Fighting Nightingales, CBS, 1978; music director and music conductor, Breaking Away, ABC, 1979; Hunter's Moon, CBS, 1979; Characters, NBC, \98fy Jake's Way, CBS, l9%0;Hardcase, NBC, \98\\NormaRae, NBC, 1981; Rise and Shine, CBS, 1981; Adams House, CBS, 1983; Mr. Mom, ABC, 1984; W*A*L*r*E*#, CBS, 1984; Second Edition, CBS, 1984; In Like Flynn, ABC, 1985; also Fathers and Sons, 1985. Movies: The Challenge, ABC, 1970; Tribes (also known as The Soldier Who Declared Peace), ABC, 1970; music conductor, When Michael Calls, ABC, 1972; Terror on the Beach, CBS, 1973; The Mark ofZorro, ABC, 1974; The Red Badge of Courage, NBC, 197'4; A Girl Named Sooner, NBC, 197'5; Good Against Evil, ABC, \911\MurderinPeytonPlace, NBC, 1977\Ringof Passion, NBC, l918;The Day Christ Died, CBS, 1980; Towns/, syndicated, 1980; The Rules of Marriage, CBS, 1982; Tomorrow's Child, ABC, 1982; Blood Feud, syndicated, 1983; Kentucky Woman, CBS, 1983; Ernest Hemingway's "The Sun Also Rises," NBC, 1984; Love Thy Neighbor, ABC, 1984; Covenant, NBC, \9&5; A Letter to Three Wives, NBC, 1985; Peyton Place: The Next Generaton, NBC, 1985. Specials: The 58th Annual Academy Awards Presenta-

AWARDS: Academy Award nomination (with Arthur Quenzer), Best Music (Song), 1938, for the title song from The Cowboy and the Lady; Academy Award nomination, Best Music (Scoring of a Musical Picture), 1950, for /'// Get By; Academy Award nomination (with Eliot Daniel), Best Music (Song), 1951, for "Never" from Golden Girl; Academy Award nomination (with Alfred Newman), Best Music (Scoring of a Musical Picture), 1954, for There's No Business Like Show Business; Academy Award nomi-

309

NICHOLS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Daisy (first marriage); Max, Jenny (third marriage). EDUCATION— Attended the University of Chicago, 1950-53; trained for the stage with Lee Strasberg, 1954.

nation, Best Music (Scoring of a Musical Picture), 1956, for The Best Things in Life Are Free; Academy Award nomination, Best Music (Scoring of a Musical Picture), 1958, for Mardi Gras; Academy Award nomination, Best Music (Scoring of a Musical Picture), 1959, for Say One for Me; Academy Award nomination (with Earle H. Hagen), Best Music (Scoring of a Musical Picture), 1960, for Let's Make Love; Academy Award nomination (with Alexander Courage), Best Music (Scoring of Music—Adaptation or Treatment), 1965, for The Pleasure Seekers; Academy Award nomination (with Courage), Best Music (Scoring of Music— Adaptation or Treatment), 1967, for Doctor Dolittle; Academy Award (with Lennie Hayton), Best Music (Score of a Musical Picture [Original or Adaptation], 1969, for Hello, Dolly!

VOCATION: Actor, director, producer, and writer. CAREER: Also see WRITINGS below. STAGE DEBUT—With the Playwrights Theatre Club, Chicago, IL. BROADWAY DEBUT—An Evening with Mike Nichols and Elaine May, John Golden Theatre, 1960. PRINCIPAL STAGE APPEARANCES—Howard Miller, A Matter of Position, Walnut Street Theatre, Philadelphia, PA, 1962; George, Who's Afraid of Virginia Wool/?, Long Wharf Theatre, New Haven, CT, 1980; also appeared in Saint Joan, Vancouver, BC, Canada.

OBITUARIES AND OTHER SOURCES: New York Times, February 8, 1989; Variety, February 8-14, 1989.*

NICHOLS, Mike

PRINCIPAL STAGE WORK—All as director, unless indicated: Barefoot in the Park, Biltmore Theatre, New York City, 1963; The Knack, New Theatre, New York City, 1964; Luv, Booth Theatre, New York City, 1964; The Odd Couple, Plymouth Theatre, New York City, 1965; The Apple Tree, Shubert Theatre, New York City, 1966; The Little Foxes, Vivian Beaumont Theatre, New York City, \961;PlazaSuite, Ply mouth Theatre, 1968; The Prisoner ofSecond Avenue, Eugene O'Neill Theatre, New York City, 1971; Uncle Vanya, Circle in the Square/Joseph E. Levine Theatre, New York City, 1973; Comedians, Music Box Theatre, New York City, 1976; Streamers, New York Shakespeare Festival (NYSF), Mitzi E. Newhouse Theatre, New York City, 1976; producer, Annie, Alvin Theatre, New York City, 1977; (also producer with Hume Cronyn) The Gin Game, Long Wharf Theatre, New Haven, CT, then John Golden Theatre, New York City, both 1977, later Lyric Theatre, London, 1979; Drinks Before Dinner, NYSF, Public Theatre, New York City, 1978; producer (with Allen Lewis), Billy Bishop Goes to War, Theatre de Lys, then Morosco Theatre, both New York City, 1980; Who's Afraid of Virginia Woolf?, Long Wharf Theatre, New Haven, CT, 1980; Lunch Hour, Ethel Barrymore Theatre, New York City, 1980; Fools, Eugene O'Neill Theatre, 1981; producer (with Emanuel Azenberg), Grownups, Lyceum Theatre, New York City, 1981; The Real Thing, Plymouth Theatre, 1984; Hurlyburly, Goodman Theatre, Chicago, IL, then Promenade Theatre, New York City, later Ethel Barrymore Theatre, all 1984; producer (with Azenberg) and production supervisor, Whoopi Goldberg, Lyceum Theatre, 1984; Social Security, Ethel Barrymore Theatre, 1986; Standup Shakespeare, Theatre 890, New York City, 1987; Waiting for Godot, Mitzi E. Newhouse Theatre, 1988; also director, The Importance of Being Earnest, Vancouver, BC, Canada.

1931-

PERSONAL: Born Michael Igor Peschkowsky, November6, 1931, in Berlin, Germany; surname legally changed in 1939; naturalized U.S. citizen, 1944; son of Nicholaievitch (a physician) and Brigitte (Landauer) Peschkowsky; married Patricia Scott (a singer), 1957 (divorced, 1960); married Margot Callas, 1963 (divorced, 1974); married Annabel Davis-Goff (a screenwriter; divorced); married Diane Sawyer (a television journalist), April 19, 1988; children:

MAJOR TOURS—Director, Barefoot in the Park, U.S. cities, 1964; director, The Prisoner of Second Avenue, U.S. cities, 1972-73; producer (with Hume Cronyn) and director, The Gin Game, U.S. cities, 1978; producer, Annie, U.S. and Canadian cities, 1978-81. PRINCIPAL FILM WORK—Director: Who's Afraid of Virginia Woolf?, Warner Brothers, 1966; The Graduate, Embassy, 1967; Catch-22, Filmways, 1970; (also producer) Carnal Knowledge, AVCO-Embassy, 1971; The Day of the Dolphin, AVCO-Embassy, 1973; (also producer with Don Devlin) The Fortune, Columbia, 1975; Gilda Live, Warner Brothers, 1980; (also producer with Michael Hausman) Silkwood, Twentieth Century-Fox, 1983; (also producer with Robert Greenhut) Heartburn, Paramount, 1986; Biloxi Blues, Universal, 1988; Working Girl, Twentieth CenturyFox, 1988. PRINCIPAL TELEVISION APPEARANCES—Episodic: The Jack Paar Show, NBC, 1957; Laugh Line, NBC, 1959; also The Today Show, NBC; The Perry Como Show, NBC; The Dinah Shore Show,

MIKE NICHOLS 310

NITZSCHE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

NBC. Specials: Accent on Love, NBC, 1959; The Fabulous '50s, CBS, 1960; Jack Parr Presents, NBC, 1960; The Jack Paar Special, NBC, 1960; A Last Laugh at the '60s, ABC, 1970.

NICHOLS, Nichelle

1936-

PRINCIPAL TELEVISION WORK—Series: Executive producer (with Aaron Spelling and Leonard Goldberg), Family, ABC, 1976-80; executive producer, The Thorns, ABC, 1988. Specials: Executive producer, The "Annie" Christmas Show, NBC, 1977; also Broadway, An Evening with Mike Nichols and Elaine May.

VOCATION: Actress and singer.

PERSONAL: Born in 1936 in Chicago, IL; father, a mayor and chief magistrate.

CAREER: PRINCIPAL STAGE APPEARANCES—May, Italian-American Reconciliation, GNU Theatre, Los Angeles, 1987; also appeared in No Strings, 54th Street Theatre, New York City, 1952; Reflections (one-woman show), Los Angeles, 1990; as Hazel Sharp, Kicks and Company; title role, Carmen Jones, Chicago, IL; and in productions of The Blacks, Blues for Mr. Charlie, For My People, and The Roar of the Greasepaint, the Smell of the Crowd.

RELATED CAREER—Member, Compass Players (an improvisational theatrical company), Chicago, IL, 1955-57; performer (with Elaine May) in an improvisational comedy act, appearing in nightclubs and cabarets throughout the United States, 1957-61; performer at the Inaugural Gala for President Lyndon B. Johnson, Washington, DC, 1965; recorded albums with Elaine May.

PRINCIPAL FILM APPEARANCES—Dancer, Porgy and Bess, Columbia, 1959; dice player, Mister Buddwing (also known as Woman Without a Face), Metro-Goldwyn-Mayer (MGM), 1966; Jenny Ribbock, Doctor, You've Got to Be Kidding, MGM, 1967; Dorinda, Truck Turner, American International, 1974; Lieutenant Commander Uhura, Star Trek: The Motion Picture, Paramount, 1979; Lieutenant Commander Uhura, Star Trek II: The Wrath of Khan, Paramount, 1982; Lieutenant Commander Uhura, Star Trek III: The Search for Spock, Paramount, 1984; Lieutenant Commander Uhura, Star Trek IV: The Voyage Home, Paramount, 1986; Sergeant Leona Hawkins, The Supernatural, Republic Entertainment, 1987; Lieutenant Commander Uhura, Star Trek V: The Final Frontier, Paramount, 1989. Also appeared in Made in Paris, MGM, 1966.

WRITINGS: STAGE—Speical material, The Carol Burnett Show, Greek Theatre, Los Angeles, CA, 1966; (adaptor with Albeit Todd) Uncle Vanya, Circle in the Square/Joseph E. Levine Theatre, New York City, 1973. TELEVISION—(With Ken Welch) Julie and Carol at Carnegie Hall, CBS, 1962. AWARDS: Antionette Perry Award, Best Director, 1964, for Barefoot in the Park; Antionette Perry Award and Vanefy-New York Critics' Poll Award, both Best Director, 1965, for The Odd Couple and Luv; Outer Critics' Circle Award "for directing four current hits," 1965; Sam S. Shubert Foundation Award "for outstanding contributions to the New York legitimate theatre for the 1964-65 season," 1965; Cue magazine Award, Entertainer of the Year "for directorial achievements," 1965; Famous Fives Poll, Outstanding Director, and Academy Award nomination, Best Director, both 1966, for Who's Afraid of Virginia Woolf?; Academy Award, Best Director, 1967, New York Film Critics' Award, Best Director, 1967, Directors Guild of America Award, Outstanding Directorial Achievement, 1967, Golden Globe, Best Motion Picture Director, 1968, and British Academy of Film and Television Arts Award, Best Film Director, 1968, all for The Graduate; Antoinette Perry Award, Best Director, 1968, for Plaza Suite; Antoinette Perry Award, Best Director, 1972, for The Prisoner of Second Avenue; Antoinette Perry Award nomination, Best Director of a Drama, 1974, for Uncle Vanya; Antionette Perry Award nominations, Best Director of a Play, 1977, for Comedians and Streamers; Antoinette Perry Award, Best Musical, 1977, for Annie; Antoinette Perry Award nomination, Best Director of a Play, 1978, for The Gin Game; Academy Award nomination, Best Director, 1983, for Silkwood; Antoinette Perry Award, Best Director of a Play, 1984, for The Real Thing; Academy Award nomination, Best Director, 1988, for Working Girl.

PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Uhura, Star Trek, NBC, 1966-69; voice of Lieutenant Uhura, Star Trek (animated), NBC, 1973-75. Episodic: Ruana, Tarzan, NBC, 1966; also The Lieutenant, NBC, 1964; Head of the Class, ABC, 1988. Specials: Black Stars in Orbit, PBS, 1990. RELATED CAREER—Toured the United States, Canada, and Europe as a singer with the Duke Ellington and Lionel Hampton bands; nightclub performer at the Blue Note and the Playboy Club, both in New York City. NON-RELATED CAREER—Spokesperson for the Kwanza Foundation; founder, Women in Motion (astronaut recruiting company); board member, National Space Institute; contributor to National Space Institute publications. RECORDINGS: ALBUMS—Dark Side of the Moon, Americana. SINGLES—"Snoop Shoop," Twentieth Century. AWARDS: Sara Siddons Award nominations for The Blacks and Kicks and Company. SIDELIGHTS: RECREATIONS—Oil painting, designing clothes, reading science fiction, writing, sculpting, and sports cars.

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Society of Stage Directors and Choreographers, Screen Actors Guild, American Guild of Variety Artists, Writers Guild of America.

ADDRESSES: AGENT—The Artists Group, 1930 Century Park W., Suite 303, Los Angeles, CA 90067.*

SIDELIGHTS: RECREATIONS—Raising Arabian horses.

NITZSCHE, Jack

ADDRESSES: OFFICE—c/o Marvin B. Meyer, Rosenfeld, Meyer, and Sussman, 9601 Wilshire Boulevard, Beverly Hills, CA 90210. AGENT—Sam Cohn, International Creative Management, 40 W. 57th Street, New York, NY 10019.*

PERSONAL: Born Bernard Nitzsche, c. 1937, in Michigan. EDUCATION—Attended Westlake College of Music.

311

NOONAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Composer, music director, and orchestrator.

NOONAN, Tom

1951-

CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Music director, Village of the Giants, Embassy, 1965; music director and orchestrator, When You Comin' Back, Red Ryder?, Columbia, 1979. PRINCIPAL TELEVISION WORK—Specials: Music director, Rolling Stone: The 10th Anniversary, CBS, 1977.

PERSONAL: Born April 12, 1951, in Greenwich, CT; married Karen Young (an actress). EDUCATION—Graduated from Yale University.

RELATED CAREER—Music arranger for record producer Phil Spector, 1962-66; session musician with the Rolling Stones, 196566, and with Buffalo Springfield, 1967; keyboardist and producer for the music group Crazy Horse, 1970-71; keyboardist for the music group the Stray Gators, 1973; also music arranger for Specialty Records, Original Sound Records, record producer Lee Hazlewood, and for the Rolling Stones, the James Gang, Neil Young, and Ringo Starr; record producer for Neil Young, Buffy Sainte-Marie, Rick Nelson, Graham Parker, and Mink DeVille.

CAREER: OFF-BROADWAY DEBUT—Tilden, Buried Child, Theatre De Lys, 1978. PRINCIPAL STAGE APPEARANCES—Sepp, Farmyard, Theater for the New City, New York City, 1981; Rube Janik, Spookhouse, Playhouse 91, New York City, 1984; also appeared in productions of The Invitational, The Breakers, Five of Us, and Marathon '88, all in New York City.

VOCATION: Actor.

PRINCIPAL FILM APPEARANCES—Man in park, Willie and Phil, Twentieth Century-Fox, 1980; gangster, Gloria, Columbia, 1980; Jake, Heaven's Gate, United Artists, 1980; Ferguson, Wolf en, Warner Brothers, 1981; Paddy, Easy Money, Orion, 1983; Daryl Potts, Eddie Macon's Run, Universal, 1983; Holtzman, Best Defense, Paramount, 1984; Reese, The Man with One Red Shoe, Twentieth Century-Fox, 1985; Varrick, FIX, Orion, 1986; Francis Dollarhyde, Manhunter, De Laurentiis Entertainment Group, 1986; Frankenstein, The Monster Squad, Tri-Star, 1987; man in diner, "A Ghost" in Mystery Train, Orion Classics, 1989. Also appeared in Tom Goes to the Bar (short film), Cinecom International, 1986; Collision Course (also known as East/West Cop), Recorded Releasing/Rich International, 1989.

WRITINGS: All as composer. FILM—Village of the Giants, Embassy, 1965; Performance, Warner Brothers, 1970; Greaser's Palace, Greaser's Palace Ltd., 1972; The Exorcist, Warner Brothers, 1973; One Flew Over the Cuckoo's Nest, United Artists, 1975; (with Richard Hazard) Heroes, Universal, 1977; (with Ry Cooder) Blue Collar, Universal, 1978; When You Comin' Back, Red Ryder?, Columbia, 1979; Hardcore, Columbia, \919\HeartBeat, Warner Brothers, 1979; Melvin and Howard, Universal, 1980; Cruising, United Artists, 1980; Cutter's Way (also known as Cutter and Bone), United Artists, 1981; An Officer and a Gentleman, Paramount, 1982; Cannery Row, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1982; Personal Best, Warner Brothers, 1982; Without a Trace, Twentieth Century-Fox, 1983; Breathless, Orion, 1983; The Razor's Edge, Columbia, 1984; Starman, Columbia, 1984; Windy City, Warner Brothers, 1984; The Jewel of the Nile, Twentieth Century-Fox, 1985; (with Michael Hoenig) 9 1/2 Weeks, MGM/UA, 1986; Stand By Me, Columbia, 1986; Streets of Gold, Twentieth Century-Fox, 1986; (with Buffy Sainte-Marie) Stripper, Twentieth Century-Fox, 1986; The Whoopee Boys, Paramount, 1986; The Seventh Sign, Tri-Star, 1988; Next of Kin, Warner Brothers, 1989. TELEVISION—Series: Starman, ABC, 1986-87.

PRINCIPAL TELEVISION APPEARANCES—Episodic: Brandon Thonton, The Equalizer, CBS, 1989. Movies: Bo, Rage, NBC, 1980.*

NOYES, Thomas

1922-1989

PERSONAL: Full name, Thomas Ewing Noyes; born October 24, 1922, in Washington, DC; died of heart failure, October 28, 1989, in Washington, DC; son of Newbold (a journalist) and Alexandra (Ewing) Noyes; married Ann Lilienthal, December 19, 1944 (divorced, 1951): married Elizabeth Ross (an actress), February 22, 1952; children: Christopher, Alexander, Victoria. EDUCATION— Yale University, B.A., 1947. MILITARY—U.S. Navy Air Corps, flight instructor, ensign, 1942-43.

OTHER—Songs: (With Sonny Bono) "Needles and Pins," 1963; 'The Lonely Surfer," 1963; "Gone Dead Train," 1970; (with Ry Cooder and Paul Schrader) "Hard Working Man," 1978; "No One Knows Better Than You," 1979; "I Love Her Too," 1979; "We're Old Enough to Know," 1981; (with Will Jennings and Buffy Sainte-Marie) "Up Where We Belong," 1982; "Hit and Run Lovers," 1984.

VOCATION: Producer and actor.

RECORDINGS: ALBUMS—The Lonely Surfer, Reprise, 1963; (with the London Symphony Orchestra) St. Giles Cripplegate, Reprise, 1972; One Flew Over the Cuckoo's Nest (original soundtrack), Fantasy, 1975; Blue Collar (original soundtrack), MCA, 1978; The Razor's Edge (original soundtrack), Southern Cross, 1984; Starman (original soundtrack), Varese/Sarabande, 1984.

CAREER: STAGE DEBUT—Mr. Bonaparte, Golden Boy, Yale University Dramatic Association, New Haven, CT, 1946. PRINCIPAL STAGE APPEARANCES—Second gendarme and second seaman, Now I Lay Me Down to Sleep, Broadhurst Theatre, New York City, 1950; Carter Reynolds, The Small Hours, National Theatre, New York City, 1951; Duncan, Billy Budd, Biltmore Theatre, New York City, 1951.

AWARDS: Academy Award (with Will Jennings and Buffy SainteMarie), Best Song, 1983, for "Up Where We Belong" (from An Officer and a Gentleman).

FIRST STAGE WORK—Producer of a season of plays for the Yale Players, Siasconset, MA, 1946. PRINCIPAL STAGE WORK—(With Ann Noyes) The Innocents, Pocono Playhouse, Mountainhome, PA, 1949; (with Lyn Austin) Take a Giant Step, Lyceum Theatre, New York City, 1953; (with Austin) The Frogs of Spring, Broadhurst Theatre, New York City, 1953; (with Austin) Portrait of a Lady, American National Theatre and Academy Theatre, New York City,

OTHER SOURCES: The Illustrated Encyclopedia of Rock, Harmony Books, 1977; Rolling Stone Encyclopedia of Rock & Roll, Summit Books, 1983.*

312

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

1954; (with Austin and Roger Stevens) Blue Denim, Westport Country Playhouse, Westport, CT, 1955; (with Austin) Joyce Grenfell Requests the Pleasure . . ., Bijou Theatre, New York City, 1955; (with Austin and Stevens) The Crystal Heart, Saville Theatre, London, 1957; (with Austin) Copper and Brass, Martin Beck Theatre, New York City, 1957. PRINCIPAL TELEVISION APPEARANCES—Episodic: Lux Video Theatre, NBC, 1951. PRINCIPAL RADIO APPEARANCES—Series: Host of a talk show, WRC-AM (Washington, DC), during the 1980s; commentator, All Things Considered, NPR. RELATED CAREER—Consultant to the National Endowment for the Humanities and to National Public Radio, both during the 1970s. NON-RELATED CAREER—General assigment reporter, Long Island Press, 1959-64; reporter and editorial writer, Washington Evening Star, Washington, DC, 1964-72. OBITUARIES AND OTHER SOURCES: New York Times, October 31, 1989; Variety, November 8, 1989.*

313

NOYES

o

O'BANNON, Dan 1946-

VOCATION: Director.

PERSONAL: Full name, Daniel Thomas O'Bannon; born September 30, 1946, in St. Louis, MO; son of Thomas Sidney and Bertha (Lowenthal) O'Bannon; married Diane Louise Lindley, January 18, 1986. EDUCATION—University of Southern California, B.F.A., cinema, 1970; also attended the Washington University School of Fine Arts, 1964-66, and MacMurray College, 1966-68.

CAREER: PRINCIPAL STAGE WORK—Assistant director, You Can't Take It with You, War and Peace, Pantagleize, and The Cherry Orchard, all APA Phoenix Repertory Company, Lyceum Theatre, New York City, 1967; assistant director, Pantagleize and The Cocktail Party, both APA Phoenix Repertory Company, Lyceum Theatre, 1968; assistant director, Hamlet and director, Cock-aDoodle Dandy, both APA Phoenix Repertory Company, Lyceum Theatre, 1969; assistant director, Hamlet, National Shakespeare Festival, Old Globe Theatre, San Diego, CA, 1969; director, Merry Wives of Windsor, National Shakespeare Festival, Old Globe Theatre, 1972; director, Dido and Aeneas (opera), Dallas Civic Opera, Dallas, TX, 1972; associate artistic director, The Three Sisters, Billy Rose Theatre, New York City, 1973; director, Much Ado About Nothing, National Shakespeare Festival, Old Globe Theatre, 1975; director, The Abduction from the Seraglio (opera), San Francisco Spring Opera, San Francisco, CA, 1975; director, The Magic Flute (opera), San Francisco Opera, San Francisco, CA, 1975; director, The Time of Your Life, Harkness Theatre, New York City, 1975; director, As You Like It National Shakespeare Festival, Old Globe Theatre, 1976; director, Our Town, Old Globe Theatre, 1976; director, Porgy and Bess, Houston Grand Opera, Uris Theatre, then Mark Hellinger Theatre, both New York City, 1976; director, Nefertiti, Blackstone Theatre, Chicago, IL, 1977; director, Hamlet, National Shakespeare Festival, Old Globe Theatre, 1977; director, Street Scene, New York City Opera, State Theatre, New York City, 1977; director, A Midsummer Night's Dream, National Shakespeare Festival, Old Globe Theatre, 1978; director, To sea (opera), Santa Fe Opera, Santa Fe, MN, 1978; director, Aida (opera), Houston Grand Opera, Houston, TX, 1979; director, A Man for All Seasons, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1979; director, The Most Happy Fella, Majestic Theatre, New York City, 1979.

VOCATION: Screenwriter and director. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Finback, Dark Star, Jack H. Harris, 1975. PRINCIPAL FILM WORK—Editor, production designer, set decorator, special effects photographer, and special effects director (with Bill Taylor), Dark Star, Jack H. Harris, 1975; computer animator, Star Wars, Twentieth-Century Fox, 1977; animation designer (with Thomas Warkentin, Angus McKie, Richard Corben, Juan Gimenez, and Lee Mishkin), Heavy Metal, Columbia, 1981; director, The Return of the Living Dead, Orion, 1985. WRITINGS: FILM—(With John Carpenter) Dark Star, Jack H. Harris, 1975; Alien, Twentieth Century-Fox, 1979; (with Ronald ShusQtt) Dead and Buried, AVCO-Embassy, 1981; (with Warkentin, McKie, Corben, Dan Goldberg, Len Blum, and Berni Wrightson) Heavy Metal, Columbia, 1981; (with Don Jakoby) Blue Thunder, Columbia, 1983; (with Jakoby) Lifeforce, Tri-Star, 1985; The Return of the Living Dead, Orion, 1985; (with Jakoby) Invaders from Mars, Cannon, 1986. TELEVISION—Episodic: Blue Thunder, ABC, 1984. MEMBERS: Writers Guild of America—West. ADDRESSES: OFFICE—c/o Jim Rogers and Associates, 8285 Sunset Boulevard, Los Angeles, CA 90046. AGENT—Morton Agency, 1105 Glendon Avenue, Los Angeles, CA 90024. PUBLICIST—Nan Herst Public Relations, 8733 Sunset Boulevard, Suite 103, Los Angeles, CA 90069.*

Director, Romeo and Juliet, National Shakespeare Festival, Old Globe Theatre, 1980; director, King Lear and The Country Wife, both National Shakespeare Festival, Old Globe Theatre, 1981; director, Mary Stuart, Center Theatre Group, Ahmanson Theatre, 1981; director, The Gin Game, The Tempest, and Yankee Wives, all Old Globe Theatre, 1982-83; director, Porgy and Bess Radio City Music Hall, New York City, 1983; director, The Skin of Our Teeth, Twelfth Night, and Macbeth, all Old Globe Theatre, 1983; director, Othello, Season's Greetings, and The Torch-Bearers, all Old Globe Theatre, 1984-85; director, A Midsummer Night's Dream and (with Tom Moore) Fallen Angels, both Old Globe Theatre, 1985; director, The Lighthouse (opera), San Diego Chamber Opera, San Diego, CA, 1986; director, Emily and The Incredibly Famous Willy Rivers, both Old Globe Theatre, 1986-87; director, The Cocktail Hour, Old Globe Theatre, 1988, then Promenade Theatre, New York City, 1989; director, Up in Saratoga, Old Globe

O'BRIEN, Jack 1939PERSONAL: Full name, Jack George O'Brien; born June 18, 1939, in Saginaw, MI; son of J. George (a business representative) and Evelyn Mae (MacArthur Martens) O'Brien. EDUCATION—University of Michigan, A. B., 1961, M. A., 1962; trained for the stage with Ellis Rabb and John Houseman. 315

O'HARA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Theatre, 1989. Also director, The Tavern, Lake Forest Playhouse, 1972; director, // Cordovano (opera), American Opera Center, 1976; director, Cost Fan Tutti (opera), Texas Opera Theatre, 1980; director, White Linen, Antony and Cleopatra, and Kiss Me Kate, all Old Globe Theatre; executive producer, National Shakespeare Festival, Old Globe Theatre, 1983; director of productions with the American Conservatory Theatre, San Francisco, CA, 1970-71, 1972-74, 1976-77, and 1980-81, and with the Studio Arena Theatre, Buffalo, NY, 1980-81.

CAREER: BROADWAY DEBUT—Dylan, Plymouth Theatre, 1964. PRINCIPAL STAGE APPEARANCES—Louka, Arms and the Man, Sheridan Square Playhouse, New York City, 1967; Pookie Chapman, The Fig Leaves Are Falling, Broadhurst Theatre, New York City, 1969; the Tiger, Sambo, New York Shakespeare Festival, Public Theatre, New York City, 1969; Lucy Tyler, My House Is Your House, Players Theatre, New York City, 1970; Fran Kubelik, Promises, Promises, Shubert Theatre, New York City, 1971; Belle, The Kid, American Place Theatre, New York City, 1972; Pearl, The Iceman Cometh, Circle in the Square/Joseph E. Levine Theatre, New York City, 1973; Nelli March, The Fox, Roundabout Theatre, New York City, 1982; Sylvie, The Odd Couple, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1984, then Broadhurst Theatre, New York City, 1985-86; Miss Ritter, She Loves Me, Ahmanson Theatre, 1987. Also appeared in Play with a Tiger, Renata Theatre, New York City, 1964; Hang Your Head and Die, Mayfair Theatre, New York City, 1964; Kid Twist, Center Theatre Group, Mark Taper Forum, Los Angeles, 1978; Hello and Goodbye, Yale Repertory Theatre, New Haven, CT, 1982; Daughters, Philadelphia Drama Guild, Philadelphia, PA, 1982.

MAJOR TOURS—Director, Porgy and Bess, U.S. and European cities, 1977-78, then in fourteen opera company consortium, 198687. PRINCIPAL TELEVISION WORK—All as director. Episodic: "The Time of Your Life," Theatre in America, PBS, 1976; "The Skin of Our Teeth," American Playhouse, PBS, 1983; "Painting Churches," American Playhouse, PBS, 1986; "All My Sons," American Playhouse, PBS, 1987; "I Never Sang for My Father," American Playhouse, PBS; 1988. Specials: "The Good Doctor," Great Performances, PBS, 1977; "The Most Happy Fella," Great Performances, PBS, 1980; also "Street Scene," Live from Lincoln Center, PBS.

PRINCIPAL FILM APPEARANCES—Betty Bendix, Heart Beat, Warner Brothers, 1979; first party dancer, The Last Married Couple in America, Universal, 1980.

RELATED CAREER—Theatre instructor, Hunter College, New York City, 1963-64; associate artistic director, the Acting Company, New York City, 1974-75; artistic director, Old Globe Theatre, San Diego, CA, 1981—; member, board of directors, Theatre Communications Group, 1989—; member, Opera/Musical Theatre Professional Companies Panel of the National Endowment for the Arts.

PRINCIPAL TELEVISION APPEARANCES—Series: Miss Emily Mahoney, The Facts of Life, NBC, 1979; Rebecca, Highcliffe Manor, NBC, 1979; Lucy Dexter, Secrets of Midland Heights, CBS, 1980-81; Dixie Randazzo, My Sister Sam, CBS, 1986-88; Muriel Spiegelman, Live-In, CBS, 1989. Mini-Series: Ruth Manly, Black Beauty, NBC, 1978; Liz Garfield, Blind Ambition, CBS, 1979; resistance fighter, V—The Final Battle, NBC, 1984. Pilots: Dr. Joan Watson, The Return of the World's Greatest Detective, NBC, 1976. Episodic: Mrs. Montebello, Family, ABC, 1976; Miss Chase, Family, ABC, 1976; Lisa, Murphy Brown, CBS, 1988; also Barney Miller, ABC, 1978 and 1979. Movies: Maggie Hefner, Brink's: The Great Robbery, CBS, 1976; Carol Arizzio, The Hunted Lady, NBC, 1977; the woman, Good Against Evil, ABC, 1977; Ann Webster, A Fire in the Sky, NBC, 1978; Patty Miller, Letters from Frank, CBS, 1979; Deb Pierce, The Last Song, CBS, 1980; Rose, Blinded By the Light, CBS, 1980; Mrs. Martinelli, The Women's Room, ABC, 1980; Peggy, Another Woman's Child, CBS, 1983; Lisa Mason, The Secret Life ofKathy McCormick, NBC, 1988; Miriam, Winnie, NBC, 1988. Specials: Host, Rollin' on the River, 1971.

WRITINGS: STAGE—(Adaptor and translator) Orpheus in the Underworld, Dallas Civic Opera, Dallas, TX, and Kansas City Civic Opera, Kansas City, MO, 1968; (adaptor and translator) Le Coq d'Or, Dallas Civic Opera, 1971; (book with Stuart Hample and lyrics) The Selling of the President, American Conservatory Theatre, San Francisco, CA, 1971, then Shubert Theatre, New York City, 1972. AWARDS: Antoinette Perry Award nomination, Best Director, 1977, for Porgy and Bess; Drama Desk Award nomination, Best Director, 1989, for The Cocktail Hour. MEMBER: Actors' Equity Association, Society of Stage Directors and Choreographers, Directors Guild, American Society of Composers, Authors, and Publishers, National Fund for New American Plays.

ADDRESSES: AGENTS—Century Artists, 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.*

ADDRESSES: OFFICE—Old Globe Theatre, P.O. Box 2171, San Diego, CA 92112. AGENT—Phyllis Wender, Rosenstone/Wender, 3 E. 48th Street, New York, NY 10017.

O'HARA, Maureen 1921(Maureen Fitzsimmons)

PERSONAL: Born February 24, in Sonora, CA. EDUCATION— Attended the Carnegie School of Technology (now CarnegieMellon University).

PERSONAL: Born Maureen Fitzsimmons, August 17, 1921, in Milltown, Ireland; naturalized U.S. citizen, 1946; married George Hanley Brown (a director), 1939 (divorced, 1941); married Will Price (a director), 1941 (divorced, 1952); married Charles F. Blair, 1968 (died, 1978); children: one daughter (second marriage). EDUCATION—Trained for the stage at the Abbey Theatre School, the Guildhall School of Music, and the London College of Music.

VOCATION: Actress.

VOCATION: Actress.

O'HARA, Jenny

316

OLIVIER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

mark Hall of Fame, NBC, 1963; The Andy Williams Show, NBC, 1964; Mother Goose, Who's Afraid of Mother Goose?, ABC, 1967; The Fabulous Fordies, NBC, 1972. Also appeared in Mrs. Miniver, The Scarlet Pimpernel, and High Button Shoes.

CAREER: FILM DEBUT—(As Maureen Fitzsimmons) Secretary, Kicking the Moon Around (also known as The Playboy and Millionaire Merry-Go-Round), General Film Distributors, 1938. PRINCIPAL FILM APPEARANCES—Mary Yelland, Jamaica Inn, Paramount, 1939; Esmeralda, The Hunchback of Notre Dame, RKO, 1939; Sidney Fairfield, A Bill of Divorcement (also known as Never to Love), RKO, 1940; Judy, Dance, Girl, Dance, RKO, 1940; Eileen O'Shea, Little Miss Molly (also known as My Irish Molly), Alliance, 1940; Angharad Morgan, How Green Was My Valley, Twentieth Century-Fox, 1941; Lolita, They Met in Argentina, RKO, 1941; Margaret Denby, TheBlackSwan, Twentieth CenturyFox, 1942; Carolyn Bainbridge, Ten Gentlemen from West Point, Twentieth Century-Fox, 1942; Second Lieutenant Mary Carter, To the Shores of Tripoli, Twentieth Century-Fox, 1942; Toni Donne, The Fallen Sparrow, RKO, 1943; Valentine, The Immortal Sergeant, Twentieth Century-Fox, 1943; Louise Martin, This Land Is Mine, RKO, 1943; Louisa Cody, Buffalo Bill, Twentieth CenturyFox, 1944; Francisca, The Spanish Main, RKO, 1945; Katherine Milliard, Do You Love Me? (also known as Kitten on the Keys), Twentieth Century-Fox, 1946; Julie, SentimentalJourney, Twentieth Century-Fox, 1946; Odalie D'Arceneaux, The Foxes of Harrow, Twentieth Century-Fox, 1947; Leslie Hale, The Homestretch, Twentieth Century-Fox, 1947; Doris Walker, Miracle on 34th Street, Twentieth Century-Fox, 1947; Shireen, Sinbad the Sailor, RKO, 1947 ;Tracey,S/rfwg Pretty* Twentieth Century-Fox, 1948; Adelaide Culver, Affairs of Adelaide (also known as Forbidden Street and Britannia Mews), Twentieth Century-Fox, 1949; Princess Marjan, Bagdad, Universal, 1949; Elizabeth Cooper, Father Was a Fullback, Twentieth Century-Fox, 1949; Marian Washburn, A Woman's Secret, RKO, 1949.

RELATED CAREER—Radio performer from age twelve; co-founder, Price Merman Productions, 1951; also appeared in repertory with the Abbey Theatre, Dublin, Ireland.*

OLD, John M. See BAVA, Mario

OLIVIER, Laurence

1907-1989

PERSONAL: Full name, Laurence Kerr Olivier; born May 22, 1907, in Dorking, England; died July 11, 1989, in Steyning, England; son of Gerard Kerr (a clergyman) and Agnes Louise (Crookenden) Olivier; married Jill Esmond (an actress), 1930 (divorced, 1940); married Vivien Leigh (an actress), August 30, 1940 (divorced, 1960); married Joan Plowright (an actress), March 17, 1961; children: Simon Tarquin (first marriage); Richard Kerr, Tarns in Agnes Margaret, and Julie Kate (third marriage). EDUCA-

Katie, Commanche Territory, Universal, 1950; Mrs. Kathleen Yorke, Rio Grande, Republic, 1950; Countess D'Arneau, Tripoli (also known as First Marines), Paramount, 1950; Claire, At Sword's Point (also known as Sons of the Musketeers), RKO, 1951; Princess Tanya, Flame ofAraby, Universal, 1951; Spitfire Stevens, Against All Flags, Universal, 1952; Dell McGuire, Kangaroo, Twentieth Century-Fox, 1952; Mary Kate Danaher, The Quiet Man, Republic, 1952; Kate Maxwell, The Redhead from Wyoming, Universal, 1953; Elaine Corwin, War Arrow, Universal, 1953; Joanna Dane, Fire Over Africa (also known as Malaga), Columbia, 1954; title role, Lady Godiva, Universal, 1955; Mary O'Donnell, The Long Gray Line, Columbia, 1955; Karen Harrison, The Magnificent Matador (also known as The Brave and the Beautiful), Twentieth Century-Fox, 1955; Joan Madison, Everything But the Truth, Universal, 1956; Sylvia Merrill, Lisbon, Republic, 1956; Minnie Wead, The Wings of Eagles, Metro-Goldwyn-Mayer, 1957. Beatrice Severn, Our Man in Havana, Columbia, 1960; KitTilden, The Deadly Companions (also known as Trigger Happy), Pathe/ American, 1961; Maggie McKendrick, The Parent Trap, Buena Vista, 1961; Peggy Hobbs, Mr. Hobbs Takes a Vacation, Twentieth Century-Fox, 1962; Katherine McLintock, McLintock!, United Artists, 1963; Olivia Spencer, Spencer's Mountain, Warner Brothers, 1963; Moira, The Battle of the Villa Fiorita (also known as Affair at the Villa Fiorita), Warner Brothers, 1965; Martha Price, The Rare Breed, Universal, 1966; Elsie Waltz, How Do I Love Thee?, Cinerama, 1970; Martha McCandles, Big Jake, National General, 1971. PRINCIPAL TELEVISION APPEARANCES—Episodic: Constance Peterson, "Spellbound," Theater '62, NBC, 1962. Movies: Ruth Tiflin, The Red Pony, NBC, 1973. Specials: The Bob Hope Show, NBC, 1959; The Talent Scouts Program, NBC, 1960; Talent Search, NBC, 1960; Susanna Cibber, "A Cry of Angels," Hall-

LAURENCE OLIVIER 317

OLIVIER CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

TION—Attended St. Edward's School, 1921-24; studied acting with Elsie Fogerty at the Central School of Speech Training and Dramatic Art. MILITARY—Royal Navy, Fleet Air Arm, 1944.

Cleopatra, both St. James' Theatre, then Ziegfeld Theatre, New York City, both 1951; Grand Duke, The Sleeping Prince, Phoenix Theatre, 1953; title role, Macbeth, title role, Titus Andronicus, and Malvolio, Twelfth Night, all Shakespeare Memorial Theatre Company, Shakespeare Memorial Theatre, Stratford-on-Avon, U.K., 1955; title role, Titus Andronicus, Stoll Theatre, London, 1957; Archie Rice, The Entertainer, English Stage Company, Royal Court Theatre, then Palace Theatre, both London, 1957, later Royale Theatre, New York City, 1958; title role, Coriolanus, Shakespeare Memorial Theatre Company, Shakespeare Memorial Theatre, 1959; Berenger, Rhinoceros, Royal Court Theatre, then Strand Theatre, London, both 1960; title role, Becket, St. James Theatre, New York City, 1960; Henry II, Becket, Hudson Theatre, New York City, 1961; Prologue and Bassanes, The Broken Heart and Astrov, Uncle Vanya, both Chichester Theatre Festival, Chichester, U.K., 1962; Fred Midway, Semi-Detached, Saville Theatre, London, 1962; Astrov, Uncle Vanya, Chichester Theatre Festival, 1963; Astrov, Uncle Vanya and Captain Brazen, The Recruiting Officer, both National Theatre Company, Old Vic Theatre, 1963; title role, Othello, National Theatre Company, Old Vic Theatre, then Chichester Theatre Festival, both 1964; Halvard Solness, The Master Builder, National Theatre Company, Old Vic Theatre, 1964.

VOCATION: Actor, director, and producer. CAREER: Also see WRITINGS below. STAGE DEBUT—Policeman, The Ghost Train, Brighton Hippodrome, Brighton, U.K. BROADWAY DEBUT—Hugh Bromilow, Murder on the Second Floor, Eltinge Theatre, 1929. PRINCIPAL STAGE APPEARANCES— Suliot officer, Byron, Century Theatre, London, 1924; Thomas of Clarence and Snare, Henry IV, Part Two, Fellowship of Players, Regent Theatre, London, 1925; Tony Lumpkin, She Stoops to Conquer and Minstrel, The Marvelous History of Saint Bernard, both Birmingham Repertory Company, Kings way Theatre, Birmingham, U.K., 1926; young man, The Adding Machine, Malcolm, Macbeth, Martellus, Back to Methuselah, title role, Harold, and Lord, The Taming of the Shrew, all Birmingham Repertory Company, Court Theatre, London, 1928; Gerald Arnwood, Bird in Hand, Royalty Theatre, London, 1928; Captain Stanhope, Journey's End, Stage Society, Apollo Theatre, London, 1928; Michael "Beau" Geste, Beau Geste, His Majesty's Theatre, London, 1929; Prince Po, The Circle of Chalk, New Theatre, London, 1929; Richard Parish, Paris Bound, Lyric Theatre, London, 1929; John Hardy, The Stranger Within, Garrick Theatre, London, 1929; Jerry Warrender, The Last Enemy, Fortune Theatre, London, 1929; Ralph, After All, Arts Theatre, London, 1930; Victor Prynne, Private Lives, Phoenix Theatre, London, 1930, then Times Square Theatre, New York City, 1931; Steven Beringer, The Rats of Norway, Playhouse Theatre, London, 1933; Julian Dulcimer, The Green Bay Tree, Cort Theatre, New York City, 1933; Richard Kurt, Biography, Globe Theatre, London, 1934; Bothwell, Queen of Scots, New Theatre, 1934; Anthony Cavendish, Theatre Royal, Lyric Theatre, 1934.

Tattle, Love for Love, National Theatre Company, Old Vic Theatre, 1965; Edgar, The Dance of Death, National Theatre Company, National Theatre, London, 1967; Etienne, A Flea in Her Ear, National Theatre Company, National Theatre, 1967; A.B. Raham, Home and Beauty, National Theatre Company, National Theatre, 1969; Chebutikin, The Three Sisters, National Theatre Company, National Theatre, then Brighton Royal Theatre, Brighton, U.K., both 1969; Shylock, The Merchant of Venice, National Theatre Company, National Theatre, 1970; James Tyrone, Long Day's Journey into Night, National Theatre Company, National Theatre, 1971; Antonio, Saturday, Sunday, Monday and John Tagg, The Party, both National Theatre Company, National Theatre, 1973; holographic image, Time, Dominion Theatre, London, 1986. Also appeared in Henry VIII and The Cenci, both Empire Theatre, London, 1925.

Peter Hammond, Ringmaster, Shaftesbury Theatre, London, 1935; Richard Harben, Golden Arrow, Whitehall Theatre, London, 1935; Romeo, then Mercutio, Romeo and Juliet, New Theatre, 1935; Robert Patch, Bees on the Boatdeck, Lyric Theatre, 1936; title role, Hamlet, Old Vic Theatre Company, Old Vic Theatre, London, then Kronborg Castle, Elsinore, Denmark, both 1937; Sir Toby Belch, Twelfth Night and title role, Henry V, both Old Vic Theatre Company, Old Vic Theatre, 1937; title role, Macbeth, Old Vic Theatre Company, Old Vic Theatre, then New Theatre, both 1937; lago, Othello, Vivaldi, The King of Nowhere, and Caius Marcius, Coriolanus, all Old Vic Theatre Company, Old Vic Theatre, 1938; Gay lord Easterbrook, No Time for Comedy, Ethel Barry more Theatre, New York City, 1939; Romeo, Romeo and Juliet, 51st Street Theatre, New York City, 1940; Button Moulder, Peer Gynt, Sergius Saranoff, Arms and the Man, and title role, Richard HI, all Old Vic Theatre Company, New Theatre, 1944, then ComedieFrancaise Theatre, Paris, France, 1945; title role, Oedipus and Puff, The Critic (double-bill), Astrov, Uncle Vanya, Hotspur, Henry IV, Part One, and Justice Shallow, Henry IV, Part Two, all Old Vic Theatre Company, New Theatre, 1945; title role, Oedipus and Puff, The Critic (double-bill), Hotspur, Henry IV, Part One, Justice Shallow, Henry IV, Part Two, and Astrov, Uncle Vanya, all Old Vic Theatre Company, Century Theatre, New York City, 1946; title role, King Lear, Old Vic Theatre Company, New Theatre, 1946; Sir Peter Teazle, The School for Scandal, title role, Richard HI, and Chorus, Antigone, all Old Vic Theatre Company, New Theatre, 1949.

PRINCIPAL STAGE WORK—Producer, Golden Arrow, Whitehall Theatre, London, 1935; producer (with Ralph Richardson), Bees on the Boatdeck, Lyric Theatre, London, 1936; producer and director (with Robert Ross), Romeo and Juliet, 51st Street Theatre, New York City, 1940; producer, The Skin of Our Teeth, Phoenix Theatre, London, 1945; director, King Lear, Old Vic Theatre Company, New Theatre, London, 1946; producer, Born Yesterday, Garrick Theatre, London, 1947; producer, A Streetcar Named Desire, Aldwych Theatre, London, 1949; director, Antigone and The Proposal (double-bill) and The School for Scandal, both Old Vic Theatre Company, New Theatre, 1949; producer, Venus Observed and Captain Carvallo, both St. James's Theatre, London, 1950; producer, Caesar and Cleopatra, Antony and Cleopatra, and Othello, all St. James's Theatre, 1951; producer (with Gilbert Miller), The Happy Time, St. James's Theatre, 1952; director, Venus Observed, New Century Theatre, New York City, 1952; producer, Anastasia, St. James's Theatre, 1953; producer, Waiting for Gillian, St. James's Theatre, 1954; producer, Meet a Body, Duke of York's Theatre, London, 1954. Producer, Double Image, Savoy Theatre, London, 1956; producer, The Summer of the Seventeenth Doll, New Theatre, 1957; producer, The Shifting Heart, Duke of York's Theatre, 1959; producer (with others), The Tumbler, Helen Hayes Theatre, New York City, 1960; producer, A Lodging for a Bride, Westminster Theatre, London,

Duke of Altair, Venus Observed, St. James' Theatre, London, 1950; Caesar, Caesar and Cleopatra and Antony, Antony and

318

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

OLIVIER

Marcus Licinius Crassus, Spartacus, Universal, 1960; Graham Weir, Term of Trial, Warner Brothers, 1962; Newhouse, Bunny Lake Is Missing, Columbia, 1965; title role, Othello, Warner Brothers, 1965; Mahdi, Khartoum, United Artists, 1966; prologue and epilogue narrator, Romeo and Juliet, Paramount, 1968; Piotr Ilyich Kamenev, The Shoes of the Fisherman, MGM, 1968; Air Chief Marshal Sir Hugh Dowding, The Battle of Britain, United Artists, 1969; Field Marshal Sir John French, Oh! What a Lovely War, Paramount, 1969; Mr. Creakle, David Copperfield, Twentieth Century-Fox, 1970; Count Witte, Nicholas and Alexandra, Columbia, 1971; Edgar, The Dance of Death, Paramount, 1971; Duke of Wellington, Lady Caroline Lamb, United Artists, 1972; Andrew Wyke, Sleuth, Twentieth Century-Fox, 1972; Dr. Chebutikan, The Three Sisters, American Film Theatre, 1974; Szell, Marathon Man, Paramount, 1976; narrator, Gentleman Tramp (documentary), PWE/Fox/Rank, 1976; Dr. Spaander, A Bridge Too Far, United Artists, 1977; Professor Moriarty, The Seven-Per-Cent Solution, Universal, 1977; Dr. Astrov, Uncle Vanya, Arthur Cantor, 1977; Loren Hardeman, Sr., The Betsy, Allied Artists, 1978; Ezra Lieberman, The Boys from Brazil, Twentieth Century-Fox, 1978; Abraham Van Helsing, Dracula, Universal, 1979; Julius Edmond Santorin, A Little Romance, Orion, 1979; Cantor Rabinovitch, The Jazz Singer, Associated 1980; Zeus, Clash of the Titans, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1981; General Douglas Mac Arthur, Inchon, MGM/ UA, 1981; Pfeufer, Wagner, Alan Landsburg, 1983; Admiral Sir Gerald Scaith, The Jigsaw Man, United Film Distribution, 1984; Admiral Hood, The Bounty, Orion, 1984; Rudolf Hess, WildGeese II, Universal, 1985; as himself, Directed By William Wyler (documenatary), Tatge, 1986; old soldier, War Requiem, Anglo International, 1989; also commentator, Words for Battle, 1942; narrator, Tree of Life, 1971.

1960; producer (with others), Over the Bridge, Prince's Theatre, London, 1960; director, The Chances, The Broken Heart, and Uncle Vanya, all Chichester Theatre Festival, Chichester, U.K., 1962; director, Hamlet, National Theatre Company, Old Vic Theatre, London, 1963; director, Uncle Vanya, National Theatre Company, Old Vic Theatre, 1963; director, The Crucible, National Theatre Company, National Theatre, London, 1965; director, Juno and the Pay cock, National Theatre Company, Alexandra Theatre, Birmingham, U.K., then National Theatre, both 1966; director, The Three Sisters, National Theatre, 1967; director (with others), The Advertisement, Brighton Royal Theatre, Brighton, U.K., 1968; director, Love's Labour's Lost, National Theatre Company, National Theatre, 1968; director, The Three Sisters, National Theatre Company, Ahmanson Theatre, Los Angeles, 1970; director, Amphitryon Thirty-Eight, National Theatre Company, New Theatre, Oxford, U.K., then National Theatre, both 1971; director, Eden End, National Theatre Company, Richmond Theatre, London, then National Theatre, both 1974; director, Filumena, St. James Theatre, New York City, 1980. MAJOR TOURS—Richard Coaker, The Farmer's Wife, U.K. cities, 1926; Mr. Antrobus, The Skin of Our Teeth, and in The School for Scandal and Richard III, Old Vic Theatre Company, Australian and New Zealand cities, 1948; title role, Titus Andronicus, European cities, 1957; Henry II, Becket, U.S. cities, 1961; title role, Othello and Love for Love, both National Theatre Company, West German and Soviet Union cities, 1965; Love for Love, The Dance of Death, and Plucheux, A Flea in Her Ear, Canadian cities, 1967. FILM DEBUT—Man, Too Many Crooks, Paramount, 1927. PRINCIPAL FILM APPEARANCES—Peter Bille, The Temporary Widow (also known as Murder for Sale), Wardour, 1930; Lieutenant Nichols, Friends and Lovers, RKO, 1931; Straker, Her Strange Desire (also known as Potiphar's Wife), Powers, 1931; Julian Rolfe, The Yellow Ticket (also known as The Yellow Passport), Twentieth Century-Fox, 1931; Nick Allen, Westward Passage, RKO, 1932; Nicholas Randall, Perfect Understanding, United Artists, 1933; Clive Dering, No Funny Business, United Artists/ Principal, 1934; Orlando, As You Like It, Twentieth Century-Fox, 1936; Captain Ignatoff, / Stand Condemned (also known as Moscow Nights), United Artists, 1936; Michael Ingolby, Fire Over England, United Artists, 1937; Logan, The Divorce of Lady X, United Artists, 1938; Tony McVane, Clouds Over Europe (also known as Q Planes), Columbia, 1939; Heathcliff, Wuthering Heights, United Artists, 1939; Vincent Lunardi, Conquest of the Air, United Artists, 1940; Mr. Darcy, Pride and Prejudice, MetroGoldwyn-Mayer (MGM), 1940; Maxim de Winter, Rebecca, United Artists, 1940; Larry Durrant, Twenty-One Days Together (also known as Twenty One Days and The First and the Last), Columbia, 1940; Johnnie, The Invaders (also known as FortyNinth Parallel), Columbia, 1941; Admiral Lord Horatio Nelson, That Hamilton Woman (also known as Lady Hamilton), United Artists, 1941; narrator, This Happy Breed, Prestige/Universal, 1944; Ivan Dimitrevitch Kouzenetsoff, Adventure for Two (also known as The Demi-Paradise), General Film Distributors, 1945; title role, Henry V, United Artists, 1946; title role, Hamlet, General Film Distributors, 1948; George Hurstwood, Carrie, Paramount, 1952; second Holborn policeman, The Magic Box, British Lion, 1952; Captain MacHeath, The Beggar's Opera, Warner Brothers, 1953; title role, Richard III, Lopert, 1956; Charles, Prince Regent, The Prince and the Showgirl, Warner Brothers, 1957; General "Gentleman Johnnie" Burgoyne, The Devil's Disciple, United Artists, 1959.

PRINCIPAL FILM WORK—Producer (with Filippo Del Giudice) and director (with Reginald Beck), Henry V, United Artists, 1946; producer and director, Hamlet, General Film Distributors, 1948; producer (with Herbert Wilcox), The Beggar's Opera, Lopert, 1953; director (with Anthony Bushell) and producer, Richard III, Warner Brothers, 1956; producer and director, The Prince and the Showgirl, Warner Brothers, 1957; director (with John Sichel), The Three Sisters, America Film Theatre, 1974. TELEVISION DEBUT—Title role, John Gabriel Borkman, BBC, 1958. PRINCIPAL TELEVISION APPEARANCES—Series: Narrator, World at War, syndicated, 1973. Mini-Series: Nicodemus, Jesus of Nazareth, NBC, 1977; Lord Marchmain, Brideshead Revisited, Granada, 1980-81, then Great Performances, PBS, 1982; Gaius, The Last Days of Pompeii, ABC, 1984; King William III, Peter the Great, NBC, 1986; Harry Burrard, "Lost Empires," Masterpiece Theatre, PBS, 1987. Episodic: Host and narrator, "Male of the Species," On Stage, NBC, 1969; also ABC Stage '67, ABC. Movies: Mr. Creakle, David Copperfield, NBC, 1970; Sir Arthur Granville-Jones, Love Among the Ruins, ABC, 1975; Big Daddy, Cat on a Hot Tin Roof, NBC, 1976; Doc Delaney, Come Back, Little Sheba, NBC, 1977; Mr. Joseph Halperin, Mr. Halperin and Mr. Johnson, HBO, 1984; old soldier, War Requiem, BBC, 1988. Specials: Charles Strickland, The Moon and Sixpence, NBC, 1959; Priest, The Power andtheGlory, CBS, 1961; Astrov, UncleVanya, BBC, 1963, then N.E.T. Playhouse, PBS, 1967; James Tyrone, Long Day's Journey into Night, ABC, 1973; Shylock, The Merchant of Venice, ABC, 1974; barrister, A Voyage 'round My Father, 1982; title role, King Lear, syndicated, 1983; Henry Breasley, "The Ebony Tower," Great Performances, PBS, 1987. Also The Collection, Daphne Laureola, and Saturday, Sunday, Monday.

Archie Rice, The Entertainer, Bryanston/British Lion, 1960; 319

OLMI

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL TELEVISION WORK—Movies: Producer (with Derek Granger), Cat on a Hot Tin Roof, NBC, 1976; artistic and creative producer, Come Back, Little Sheba, NBC, 1977. Also producer, The Best Play of the Year, 1976 and 1977; producer and director, Hindie Wakes, 1976; producer, Saturday, Sunday, Monday; producer, The Collection.

from Brazil; Commonwealth Award from the Bank of Delaware; Emmy Award, Outstanding Supporting Actor in a Limited Series or Special, 1982, for Brideshead Revisited; Cecil B. De Mille Award from the Hollywood Foreign Press Association, 1983; honored by the Film Society of Lincoln Center, 1983; Emmy Award, Outstanding Lead Actor in a Limited Series or a Special, 1984, for King Lear; Award of Excellence from the Banff Television Festival, 1985; knighted, 1947; Commander of the Order of Dannebrog (Denmark), 1949; Chevalier of the Legion of Honor (France), 1953; Grand Officer of the Ordine al Merito della Republica (Italy), 1954; created Baron Olivier of Brighton, U.K., 1970; Order of the Yugoslav Flag with Golden Wreath, 1971. HONORARY DEGREES— Oxon University, D.Litt., 1957; Oxford University, D.Litt., 1957; Edinburgh University, LL.D., 1964; University of London, D.Litt., 1968; University of Manchester, LL.D., 1969; University of Sussex, D.Litt., 1978.

PRINCIPAL RADIO APPEARANCES—Specials: Title role, "Richard III," Columbia Workshop, CBS, 1946. RELATED CAREER—Assistant stage manager and understudy, St. Christopher Theatre, Letchworth, U.K., 1925; artistic director (with Ralph Richardson and John Burrell), Old Vic Theatre Company, London, 1944-49; actor and manager, St. James's Theatre, London, 1950-51; president, Actor's Orphanage, 1956; artistic director, Chichester Theatre Festival, Chichester, U.K., 1961-65; founder and artistic director, National Theatre of Great Britain, London, 1963-73, then associate director, 1973; member, South Bank Theatre Board, 1967.

OBITUARIES AND OTHER SOURCES: New York Times, July 12, 1989; Theatre Week, July 24, 1989; Variety, July 12-18, 1989.*

WRITINGS: FILM—(Adaptor with Alan Dent) Henry V, United Artists, 1946; (adaptor with Dent, Colley Gibber, and David Garrick) Richard III, Warner Brothers, 1956. OTHER—Confessions of an Actor, (autobiography), Simon & Schuster, 1982; On Acting, Simon & Schuster, 1986; also (with Michel Saint-Denis) Five Seasons of the Old Vic Theatre Company, 1950.

OLMI, Ermanno

1931-

PERSONAL: Born July 24, 1931, in Bergamo, Italy; married Loredana Detto; children: three. EDUCATION—Attended Accademia d'Arte Drammatica, Milan.

AWARDS: Academy Award nomination, Best Actor, 1939, for Wuthering Heights; Academy Award nomination, Best Actor, 1940, for Rebecca; Academy Award nomination, Best Actor, 1946, for Henry V; New York Film Critics' Circle Award, Best Actor, and New York Film Critics' Circle Award nominations, Best Film and Best Direction, all 1946, for Henry V; Academy Award, Special Citation, 1946, for "outstanding achievement as actor, producer, and director in bringing Henry V to the screen"; Academy Awards, Best Picture and Best Actor, Academy Award nomination, Best Director, New York Film Critics' Circle Award, Best Actor, and New York Film Critics' Circle Award nominations, Best Film and Best Direction all 1948, for Hamlet; British Academy of Film and Television Arts Award, Best British Film Actor, 1955, and Academy Award nomination, Best Actor, 1956, both for Richard III; Selznick Golden Laurel Trophy, 1956, "for contributions to international goodwill"; Evening Standard Drama Award, 1957, and Antoinette Perry Award nomination, Best Actor in a Play, 1958, both for The Entertainer; Academy Award nomination, Best Actor, 1960, for The Entertainer; Emmy Award, Outstanding Single Performance By an Actor in a Lead or Supporting Role, 1960, for The Moon and Sixpence; Olympus Award from the Taormina (Italy) Film Festival, 1962; Academy Award nomination, Best Actor, 1965, for Othello; Sonning Prize from Kobenhavns Universitet, 1966; Gold Medallion from the Swedish Academy of Literature, 1968; British Academy of Film and Television Arts Award, Best Supporting Film Actor, 1969, for Oh! What a Lovely War.

VOCATION: Director, cinematographer, producer, screenwriter, and film editor. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES— Una storia Milanese, 1962. PRINCIPAL FILM WORK— Director, // posto (also known as The Sound of the Trumpets and The Job), Janus, 1963; producer and director, / fidanzati (also known as The Fiances and The Engagement), Janus, 1964; director, . . . e venne un uomo (also known as A Man Named John, A Man Called John, and And There Came a Man), Brandon, 1968; director, cinematographer, and editor, L'albero degli zoccoli (also known as The Tree of Wooden Clogs), Gaumont/Sacis/New Yorker, 1979; director, producer, cinematographer, art director, costume designer, and editor, Camminacammina (also known as Cammina Cammina, Walking Walking, and Keep on Walking), Gaumont/Grange Communications, 1983; director, cinematographer, and editor, Milano '83 (documentary; also known as Milan '83), Trans World/RAI-TV Channel 3, 1983; director, cinematographer (with Maurizio Zaccoli), and editor (with Guilia Ciniselli), Lunga vita alia Signora! (also known as Long Live the Lady and Long Life to the Mrs.), Sacis International, 1987; director and editor, La leggenda del Santo Bevitore (also known as The Legend of the Holy Drinker), Columbia/Filmexport Group/Cecchi Group, 1988. Also production supervisor and director, // tempo si e fermato (also known as Time Has Stopped and Time Stood Still), 1959; director and editor, Un certo giorno (also known as One Fine Day), 1968.

Emmy Award nomination, 1970, for David Copper field; New York Film Critics' Circle Award and Academy Award nomination, both Best Actor, 1972, for Sleuth; Emmy Award, Outstanding Single Performance By an Actor in a Leading Role, 1973, for Long Day's Journey into Night; Emmy Award nomination, Outstanding Lead Actor in a Special Program, 1975, for Love Among the Ruins; Academy Award nomination, Best Supporting Actor, 1976, for Marathon Man; Albert Medal from the Royal Society of the Arts, 1976; special Academy Award, 1978, for Lifetime Achievement in Film; Academy Award nomination, Best Actor, 1978, for The Boys

Production supervisor for the following short films and documentaries: (Also director) La digi sul ghiaccio, 1953; (also director) La pattuglia di passo San Giacomo, 1954; (also director) Societa Ovesticino-Dinamo, 1955; (also director) Cantiere d'inverno, 1955; (also director) La mia valle, 1955; La tesatura meccanica della linea a 220,000 volt, 1955; San Massenza (Cimego), 1955; (also director) L'onda, 1955; (also director) Buongiorno natura, 1955; Pantano d'avio, 1956; (also director) Michelino la B, 1956;

320

OLSEN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(also director) Construzione meccaniche riva, 1956; Peru—lstituto de Verano, 1956; Fertilizzanti complessi, 1956; Fibre e civilta, 1957; Progresso in agricoltura, 1957; Campi sperimentali, 1957; Colonie Sicedison, 1958; Bariri, 1958; (also director) Trefilifino a Milano, 1958; (also director) Giochi di Colonia, 1958; Ilfrwnento, 1958; (also director) Venezia cilia minore, 1958; Elfrayle, 1959; Fertiluzzanti produtti dalla Societa del Gruppo Edison, 1959; Cavo olio fludio 220,000 volt, \959',Autochiese, 1959; Natura e chimica, 1959; (also director) // grandepaese d'Acciaio, 1960; Ilpomodoro, 1961; // sacco in Plypac, 1961; (also director) Le grand barrage, 1961; (also director) Un metro lungo cinque, 1961; Po: forza 50,000, 1961. PRINCIPAL TELEVISION WORK—Movies: Director, cinematographer, editor, and art director, / recuperanti (also known as The Scavengers}, RAI-TV Channel 1 (Italy), 1969; director, cinematographer, and editor, Durante I'estate (also known as During the Summer and In the Summertime), RAI-TV Channel 1, 1971; director, producer, cinematographer, and editor, La circostanza (also known as The Circumstance), RAI-TV Channel 1, 1974. RELATED CAREER—Clerk, Edisonvolta S.P.A. (film production company), Milan, Italy, 1949-52, then film project director, 1952; also founder (with Tullio Kezich and others), 22 December S.P.A. (film production company). WRITINGS: See production details above. FILM—// tempo si e fermato, 1959; // posto, 1963; / fidanzati, 1964; (with Vincenzo Labella) . . . e venne un uomo, 1968; Un certo giorno, 1968; L'albero degli zoccoli, 1979; Camminacammina, 1983; Milano '83, 1983;LwHga vita alia Signora!, 1987; (with Tullio Kezich) La leggenda del Santo Bevitore, 1988. TELEVISION—(With Tullio Kezich and Mario Rigoni Stern) / recuperanti, 1969; (with Fortunate Pasquelino) Durante Iestate, 1971; La circostanza, 1974.

MERLIN OLSEN

Webster, A Fire in the Sky, NBC, 1978; Todd Simms, The Golden Moment—An Olympic Love Story, NBC, 1980; Jake Calahan, Time Bomb, NBC, 1984. Specials: Bob Hope's All-Star Comedy Look at the Fall Season: It's Still Free and Worth It!, NBC, 1981; Jonas Wintergreen, The Juggler of Notre Dame, syndicated, 1982; cohost, Children's Miracle Network Telethon, 1983—; Bob Hope's All-Star Super Bowl Party, NBC, 1983; The Dean Martin Celebrity Roast, NBC, 1984; The World's Funniest Commercial Goofs, ABC, 1985; NBC's 60th Anniversary Celebration, NBC, 1986; host and narrator, Lifequest, syndicated, 1987; narrator, The Sleeping Beauty, PBS, 1987; Kraft Salutes Super Night at the Super Bowl, CBS, 1987; commentator, Super Bowl XXIII, NBC, 1989; host "Conquering Pain," LifeQuest, syndicated, 1989; host, ''Diet Dilemma, LifeQuest, syndicated, 1989.

AWARDS: Catholic Film Office Award from the Cannes Film Festival, 1964, for Ifidanzanti; Palme d'Or from the Cannes Film Festival, for Ualbero degli zoccoli.*

OLSEN, Merlin

1940-

PERSONAL: Full name, Merlin Jay Olsen; born September 15, 1940, in Logan, UT; son of Lynn Jay and Merle (Barrus) Olsen; married Susan Wakley, March 30, 1962; children: Kelly Lynn, Jill Catherine, Nathan Merlin. EDUCATION—Utah State University, B.S., finance, 1962, M.S., economics, 1970.

RELATED CAREER—Television spokesman, Florists Trans world Delivery (FTD); grand marshall, 94th Tournament of Roses Parade, Pasadena, CA.

VOCATION: Actor and sports analyst. CAREER: PRINCIPAL FILM APPEARANCES—Big George, The Undefeated, Twentieth Century-Fox, 1969; Eli Jones, One More Train to Rob, Universal, 1971; Sergeant Fitzsimmons, Something Big, National General, 1971; Benton, Mitchell, Allied Artists, 1975.

NON-RELATED CAREER—Professional football player, Los Angeles Rams, 1962-76; worked for Allied Chemical Corporation, 1962-67; owner, Merlin Olsen Porsche-Audi, 1969—; motivational consultant, Liggett & Meyers, 1971-72; worked for Consolidated Cigar, 1972-73; public relations executive, Combined Communications Corporation, 1972-73.

PRINCIPAL TELEVISION APPEARANCES—Series: Announcer and analyst, NFL Game of the Week, NBC, 1977—; Jonathan Garvey, Little House on the Prairie, NBC, 1977-81; John Michael Murphy, FatherMurphy, NBC, 1981-82; Buddy Landau, FathersandSons, NBC, 1986; Aaron Miller, Aaron's Way, NBC, 1988. Pilots: Buddy Landau, Fathers and Sons, NBC, 1985. Movies: Stan

AWARDS: Maxwell Trophy as Most Valuable Player from the National Football League, 1974; inducted into the College Football Hall of Fame, 1980; inducted into the Professional Football Hall of Fame, 1982; named to the National Football League/American Football League Quarter Century Team.

321

OPHULS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MEMBER: Southern California Multiple Sclerosis Society (vicepresident), Sigma Chi, Phi Kappa Phi.

features, ORTF (French television), 1966-68; senior story editor, NDR (German television), 1968-71; senior visiting fellow, Council of Humanities, Princeton University, Princeton, NJ, 1973; staff producer, CBS News, then ABC News, 1975-78; advisory council, sociology department, Princeton University.

ADDRESSES: OFFICE—c/o NBC Sports, 30 Rockefeller Plaza, New York, NY 10020.*

OPHULS, Marcel

WRITINGS: See production details above. FILM—Matisse, or The Talent for Happiness, 1960; (West German segment) L Amour a vingt ans, 1962; (co-writer) Feu a volonte, 1964; (with Claude Sautet and Daniel Boulanger) Peau de banane, 1965; (with Andre Harris) Le Chagrin et la pitie, 1970; A Sense of Loss, 1972; The Memory of Justice, 1976; Hotel Terminus: Klaus Barbie, His Life and Times, 1988. TELEVISION—(Co-writer) Till Eulenspiegel, 1966; Munich, ou La Paixpour cent ans, 1967; The Harvest of My Lai, 1970; America Revisited, 1971; Kortnergeschichte, 1980; Yorktown, le sens d'une bataille, 1982. OTHER—Contributor to periodicals and journals.

1927-

PERSONAL: Born Marcel Oppenheimer, November 1, 1927, in Frankfurt-am-Main, Germany; naturalized French citizen in 1938; naturalized U.S. citizen in 1950; son of Max (a film director) and Hilda (Wall) Oppenheimer; married Regine Ackerman, August 21, 1956; children: Catherine Julie, Danielle, Jeanne Dorothee. EDUCATION—Attended Occidental College, 1946-49; University of Paris (Sorbonne), License et Letters, philosophy, 1950; also attended the University of California, Berkeley. MILITARY—U.S. Army, 1946-47.

AWARDS: Prix de Dinard, Prix Georges Sadoul, British Film and Television Academy Award, Special Award from the National Society of Film Critics, all 1971, and New York Film Critics' Award, Special Citation for the Year's Best Documentary, 1972, all for Le Chagrin et la pitie; International Critics' Prize from the Cannes Film Festival, 1988, and Academy Award, Best Screenplay, 1989, both for Hotel Terminus: Klaus Barbie, His Life and Times; Knight of Arts and Letters from the French Ministry of Culture. HONORARY DEGREES—Columbia College (Chicago, IL), Doctor of Arts, 1983.

VOCATION: Director, producer, and writer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Egon Schiele—Excess and Punishment, Gamma, 1981. PRINCIPAL FILM WORK—Assistant director, Moulin Rouge, United Artists, 1952; assistant director, Un Acte d'amour (also known as Act of Love), United Artists, 1953; assistant director, Lola Monte s (also known as The Sins of Lola Monte s and The Fall of Lola Monies), Brandon, 1955; director (West German segment), L Amour a vingt ans (also known as Love at Twenty, Amore a vent'anni, Milosc Dwudziestolatkow, andLiebe MitZwanzig), 1962, released in the United States by Embassy, 1963; producer and director, Peau de banane (also known as Banana Peel), Pathe, 1965; producer (with Andre Harris) and director, Le Chagrin et lapitie (also known as The Sorrow and the Pity and The Sorrow and the Shame; documentary), Almi/Cinema V, 1970; producer and director, A Sense of Loss (documentary), Contemporary/Cinema V, 1972; director, The Memory of Justice (documentary), CIC/Paramount, 1976; producer and director, Hotel Terminus: Klaus Barbie, His Life and Times (also known as Hotel Terminus: The Life and Times of Klaus Barbie and Klaus Barbie et son temps; documentary), Samuel Goldwyn/Orion International, 1988. Also assistant director, Marianne de ma jeunesse, 1954; director, Matisse, or The Talent for Happiness (short film), 1960; producer and director, Feu a volonte (also known as Faites vos jeux, Mesdames, and Fire at Will), 1964.

MEMBER: Societe des Gens des Lettres (board of directors), German Academy of Arts, French Authors Guild, French Directors Guild (board of directors); French Filmmakers' Society (secretary general). ADDRESSES: HOME—10 rue Ernest Deloison, Neuilly-surSeine, France.*

OPPENHEIMER, Jess

1913-1988

PERSONAL: Born November 11, 1913, in San Francisco, CA; died of heart failure, December 27, 1988, in Los Angeles, CA; children: one daughter, one son. EDUCATION—Attended Stanford University. VOCATION: Producer, writer, and director.

PRINCIPAL TELEVISION WORK—Series: Field producer, 20/20, ABC, 1978—. Specials: Co-director, Till Eulenspiegel, German television, 1966; director, Munich, ou La Paixpour cent ans (also known as Munich, or Peace in Our Time; documentary), ORTF, 1967; director, Clavigo, 1970; director, The Harvest of My Lai, 1970; director, America Revisited, 1971; director, Zwei ganze tage (also known as Two Whole Days), 1971; director, Kortnergeschichte (documentary), German television, 1980; director, Yorktown, le sens d'une bataille, 1982.

CAREER: Also see WRITINGS below. PRINCIPAL TELEVISION WORK—Series: Creator (with Madelyn Pugh and Bob Carroll, Jr.) and producer, / Love Lucy, CBS, 1951-56; executive producer, Angel, CBS, 1960-61; producer (with Pier Oppenheimer), Here's Hollywood, NBC, 1960-62; creator and executive producer, Glynis, CBS, 1963; producer, Get Smart, NBC, 1967-68; creator and producer, The Debbie Reynolds Show, NBC, 1969-70. Pilots: Producer, The Third Commandment, NBC, 1959; producer, The Big Brain, CBS, 1963; executive producer, Hide and Seek, CBS, 1963. Episodic: Producer, The U.S. Steel Hour; producer and director, Bob Hope Presents the Chrysler Theatre, NBC. Specials: Producer, The General Motors 50th Anniversary Show, NBC, 1957; producer, The Rosalind Russell Show (broadcast as an episode of Ford Startime), NBC, 1959; executive producer, The Lucille Ball Comedy Hour, CBS, 1967; producer and director, For

RELATED CAREER—Actor with Theatre Unit, U.S. Army Occupation Forces, Tokyo, Japan, 1946; (as Marcel Wall) assistant director, French film industry, 1951-56; story editor and director, Sudwestfunk (television and radio), Baden-Baden, West Germany, 1956-59; journalist and director, Zoom (French television news magazine), 1966-68; reporter and director of news magazine

322

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

O'STEEN

(a dance teacher; maiden name, Reho) O'Steen. EDUCATION— Received B.F.A. in acting from Carnegie-Mellon University; also studied acting with Mel Shapiro, Barbara Baxley, and Paul Rudd.

Love or $$$, NBC, 1968; also producer, The Danny Kaye Special; producer, The Emmy Awards Show. PRINCIPAL RADIO WORK—Series: Producer and director, The Baby Snooks Show, CBS, 1943-48; producer and director, My Favorite Husband, CBS, 1948-51.

VOCATION: Actor.

RELATED CAREER—Executive, NBC Television, 1956. CAREER: STAGE DEBUT—Newsboy, Gypsy, Pittsburgh Civic Light Opera, Pittsburgh, PA, 1976. BROADWAY DEBUT—Flat Top, Starlight Express, Gershwin Theatre, 1988. PRINCIPAL STAGE APPEARANCES—Stub, Leave It to Jane, Goodspeed Opera House, East Haddam, CT, 1985-86; Lon, Meet Me in St. Louis, Gershwin Theatre, New York City, 1989; also appeared as Tom, No, No, Nanette, Claridge Hotel, Atlantic City, NJ; as Riff, West Side Story, Jimmy, 770 in the Shade, Rolf, The Sound of Music, Lewis, Pippin, and young Vincent, Follies, all Pittsburgh Civic Light Opera, Pittsburgh, PA; Nick Piazza, Fame: The Musical, Walnut Street Theatre, Philadelphia, PA; Don Lockwood, Singin' in the Rain, Coachlight Dinner Theatre, Warehouse Point, CT; Rudy, Hamelin, Musical Theatre Works, New York City; and Matt, Babes in Arms.

NON-RELATED CAREER—Fur industry worker during the 1930s; holder of more than twenty patents, including the inthelens prompter. WRITINGS: TELEVISION—Series: (With Madelyn Pugh and Bob Carroll, Jr.) / Love Lucy, CBS, 1951-56. Pilots: Hide and Seek, CBS, 1963; (with Samuel W. Taylor) The Big Brain, CBS, 1963. Episodic: (Uncredited) "Oh Say Can You See," All in the Family, CBS, 1973. Specials: (With Abby Mann, Mike Manner, and Orson Welles) NBC: The First 50 Years, NBC, 1976; NBC: The First 50 Years—A Closer Look, NBC, 1977. RADIO—Series: The Packard Hour, 1937-39; Screen Guild Theatre, CBS, 1939-40; The Sealtest Hour Starring Rudy Vallee and John Barrymore, NBC, 1939-41; (with Everett Freeman, Bill Danch, and Jerry Seelen) The Baby Snooks Show, CBS, 1943-48; (with Madelyn Pugh and Bob Carroll, Jr.) My Favorite Husband, CBS, 1948-51; also The Jack Benny Show, CBS; The Edgar Bergen and Charlie McCarthy Show (also known as The Chase and Sanborn Show), NBC.

MAJOR TOURS—Mungojerrie, Cats, U.S. cities; Angie the Ox, GuysandDolls, U.S. cities; Nick Piazza, Fame :The Musical, U.S. cities.

OBITUARIES AND OTHER SOURCES: Variety, January 4-10, 1989.*

PRINCIPAL TELEVISION APPEARANCES—Episodic: Ryan's Hope, ABC.

MEMBER: Actors' Equity Association. O'STEEN, Michael

1962-

PERSONAL: Surname is pronounced "O-steen"; born January 28, 1962, in New York, NY; son of Thomas (a dance teacher) and Nora

ADDRESSES: AGENT—Peggy Hadley Enterprises Ltd., 250 W. 57th Street, Suite 2317, New York, NY 10107.

323

p

PACEY, Steven

1957-

tre, London, 1987; Brocklehurst, TheAdmirableCrichton, Haymarket Theatre, London, 1988; Dexter, Exclusive, Strand Theatre, London, 1989.

PERSONAL: Born May 6, 1957, in Leamington, England; son of Larry (a builder) and Wendy (Sykes) Pacey; married Joan Marine, November 29, 1986; children: Jessica and Laura (twins).

MAJOR TOURS—Jesus, Godspell, U.K. cities, 1974; Joseph, Joseph and the Amazing Technicolor Dreamcoat, U.K. cities, 1978.

VOCATION: Actor. CAREER: STAGE DEBUT—Collapse of Stout Party, 1969. LONDON DEBUT—Ronnie Winslow, The Winslow Boy, Albery Theatre, 1970. PRINCIPAL STAGE APPEARANCES—Joe, Leave Him to Heaven, New London Theatre, London, 1976; Jesus, Godspell, Duke of York's Theatre, London, 1978; Guy, Mr. Cinders, Fortune Theatre, London, 1983; Tony, West Side Story, Her Majesty's Theatre, London, 1984; Mike, High Society, Victoria Palace Thea-

PRINCIPAL FILM APPEARANCES—Lucius, Julius Caesar, American International, 1970; officer, Aces High, EMI, 1977; also appeared in Conspiracy, 1989. TELEVISION DEBUT—A Legacy, BBC, 1974. PRINCIPAL TELEVISION APPEARANCES—Series: Del Tarrant, Blake's Seven, syndicated; also Clifford, Troubles and Strife; Klaus, The Cedar Tree. Also appeared in Red Letter Day, A Gentle Rain, The Purple Twilight, The Cuckoo Waltz, Goodbye Darling, and Love joy. SIDELIGHTS: FAVORITE ROLES—Mike in High Society. ADDRESSES: MANAGER—CCA Personal Management, 4 Court Lodge, 48 Sloane Square, London SW1, England.

PALMER, Geoffrey

1927-

PERSONAL: Born June 4, 1927, in London, England; son of Fredrick Charles (a chartered surveyor) and Norah Gwendolen (Robins) Palmer; wife's name, Sally; children: Charles, Harriet. MILITARY—Royal Marines, corporal instructor, 1946-48. VOCATION: Actor. CAREER: LONDON DEBUT—Albertine By Moon Light, Westminster Theatre, 1955. PRINCIPAL STAGE APPEARANCES—Edward, West of Suez, Royal Court Theatre, London, 1971; Elmer Penn, Savages, Royal Court Theatre, 1973; Victor, Private Lives, Globe

STEVEN PACEY

325

PANKOW

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Theatre, London, 1974; Farrant, Eden End, National Theatre, London, 1974; Richard, On Approval, Haymarket Theatre, London, 1975; Warwick, Saint Joan, Old Vic Theatre, London, 1978; Layborne, Tishoo, Wyndham's Theatre, London, 1979; Sir John, A Friend Indeed, National Theatre Company, Shaftesbury Theatre, London, 1984; Sydney, Kafka's Dick, Royal Court Theatre, 1986.

then Mystery!, PBS, 1985; Mr. Burton, Christabel, BBC, then Masterpiece Theatre, PBS, 1989. Episodic: Major General Sir Robert Godolphm, After the War, Granada, 1989, then Masterpiece Theatre, PBS, 1989-90; also Oxbridge Blues, BBC, 1984, then PBS, 1985. Movies: Miss Weber, The Insurance Man, BBC, 1985. Specials: Absurd Person Singular, BBC, then Arts and Entertainment, 1985; Robert Lancaster, Waters of the Moon, BBC, then Arts and Entertainment, 1986; Bernard, Season's Greetings, BBC, then Arts and Entertainment, 1988. Also appeared in A Prize of Arms, \962\TheHouseboy, Yorkshire Television, 1982; A Little Rococo, 1982; A Midsummer Night's Dream, 1982; and in Radio Pictures.

PRINCIPAL FILM APPEARANCES—Dr. Tanfield, Incident at Midnight, Schoenfeld, 1966; police driver, The Engagement, Anglo/ EMI, 1970; doctor and Basil Keyes, O Lucky Man! Warner Brothers, 1973; first policeman, The Battle of Billy's Pond, Children's Film Foundation, 1976; Colonel Wyndham, The Outsider, CIO Paramount, 1979; British ambassador, Beyond the Limit (also known as The Honorary Consul), Paramount, 1983; Fallast, A Zed and Two Noughts (also known as Zoo), Skouras/Samuel Goldwyn/ Artificial Eye, 1985; Canford, Clockwise, Universal/Cannon, 1986; judge, A Fish Called Wanda, Metro-Goldwyn-Mayer/ United Artists, 1988; Saab salesman, Hawks, Skouras/Rank, 1988. Also as Sir Horace, Smack and Thistle, 1990.

ADDRESSES: MANAGER—Marmont Management, 302-308 Regent Street, London Wl, England.

TELEVISION DEBUT—Round Britain, BBC, 1950. PRINCIPAL TELEVISION APPEARANCES—Series: Jimmy Anderson, The Fall and Rise ofReginald Perrin, BBC, then PBS, 1978; Ben Parkinson, Butterflies, BBC, then PBS, 1982; Major Harry Truscott, Fairly Secret Army, Channel Four, then syndicated, 1987; Harold Stringer, Hot Metal, PBS, 1988; Donald Fairchild, Executive Stress, PBS, 1988; also Leo, The Last Song, BBC. Mini-Series: Dr. Edwin Lorimer, Death of an Expert Witness, Anglia Television, 1984,

PANKOW, John VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Lucentio, The Taming of the Shrew, Oak Park Festival Theatre Company, Oak Park, IL, 1979; cameraman, Merton of the Movies, Master Theatre, New York City, 1980; Hector McKenzie, The Slab Boys, Hudson Guild Theatre, New York City, 1980; citizen of Vienna, then understudy for Mozart and Venticello, later Wolfgang Amadeus Mozart, Amadeus, Broadhurst Theatre, New York City, 1980-83; Blow, Forty-Deuce, Perry Street Theatre, New York City, 1981; Abram, Hunting Scenes from Lower Bavaria, Manhattan Theatre Club, New York City, 1981; Betty and Gerry, Cloud 9, Theatre De Lys (renamed Lucille Lortel Theatre), New York City, 1982; Gregory, Jazz Poets at the Grotto, the Production Company, Theatre Guinevere, New York City, 1983; Williams, Henry V, New York Shakespeare Festival, Delacorte Theatre, New York City, 1984; Rocky Pioggi, The Iceman Cometh, Lunt-Fontanne Theatre, New York City, 1985; Alfred Martino, North Shore Fish, WPA Theatre, New York City, 1987; Zackerman, Serious Money, Royale Theatre, New York City, 1988. Also appeared in The Time of Your Life, Goodman Theatre, Chicago, IL, 1983-84; ItalianAmerican Reconciliation, Manhattan Theatre Club, 1988; Aristocrats, Manhattan Theatre Club, Theatre Four, New York City, 1989. PRINCIPAL FILM APPEARANCES—Bullie, The Chosen, Contemporary, 1982; youth in phone booth, The Hunger, United Artists, 1983; John Vukovich, To Live and Die in L.A., Metro-GoldwynMayer, 1985; Kovacs, Batteries Not Included, Universal, 1987; FredMelrose, The Secret of My Success, Universal, 1987; Geoffrey Fisher, Monkey Shines, Orion, 1988; Chuck Dietz, Talk Radio, Universal, 1988. Also appeared in Johnny Be Good (also known as Quarterback Sneak), Orion, 1988. PRINCIPAL TELEVISION APPEARANCES—Series: Danny Martin, The Doctors, NBC, 1981-82. Episodic: Billy Hanratty, Spenser: For Hire, ABC, 1987; Chuck Savin, Leg Work, CBS, 1987. Movies: Fred, First Steps, CBS, 1985. Specials: George Richie, "Life on the Mississippi," Great Performances, PBS, 1980.

GEOFFREY PALMER

326

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

Istituto Luce/Italnoleggio Cinematographico, 1987; Penelope, High Season, Hemdale, 1987; Mrs. Araya, Sweet Country, Cinema Group, 1987. Also appeared in Nekri Politeia (also known as Dead City), 1951;DrammadellaCasbah, \953;Vortice, \95?>',Teodora, Imperatrice di Bisanzio, 1954; The Power and the Prize, 1960; Roger la Honte, 1966; Ecce Homo, 1968; Roma Bene, 1971; Un posto ideale per uccidere, 1971; Non si sevizia un paperino (also known as You Don't Torture Ducklings), Medusa Distribuzione, 1972; Once Upon a Time in New York, 1972; Piazza Pulita, 1972; Sutjeska, 1972; Oasis of Fear, 1973; Bodas de sangre (also known as Blood Wedding), Artificial Eye/Almi Cinema V, 1976; L'uomo di Corleone, 1977; and Un ombra nelVombra, 1977.

ADDRESSES: AGENT—Arlene Forster, Triad Artists Inc., 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90068.*

PAPAS, Irene

PARAGON

1926-

PERSONAL: Born Irene Lelekou, March 9, 1926, in Corinth, Greece; married Alkis Papas, 1947 (divorced, 1951); married Jose Kohn, 1957 (marriage annulled). EDUCATION—Studied acting at the Royal Drama School (Athens).

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Zipporah, Moses—The Lawgiver, CBS, 1975. Also appeared in L'Odissea (also known as The Odyssey), 1968.

VOCATION: Actress.

RELATED CAREER—Singer and dancer in variety shows in Greece.

CAREER: BROADWAY DEBUT—Angelina Capuano, That Summer—That Fall, Helen Hayes Theatre, 1967. PRINCIPAL STAGE APPEARANCES—Title role, Medea, Circle in the Square, New York City, 1973; Agave, The Bacchae, Circle in the Square, 1980; also appeared in Orpheus Descending, Circle in the Square, 1984; with the Greek Popular Theatre, 1958; and in productions of Iphigenia in Aulis, The Idiot, Journey's End, The Merchant of Venice, and Inherit the Wind, all in New York City.

AWARDS: Salonika (Greece) Film Festival Award, Best Actress, for Antigone and Electra. ADDRESSES: OFFICE—United Film Distribution, 115 Middle Neck Road, Great Neck, NY 11021.*

FILM DEBUT—Lost Angels, 1951. PRINCIPAL FILM APPEARANCES—Yvonne, The Man from Cairo, Lippert, 1953; Mrs. Azzali, Le infedeli (also known as The Unfaithfuls), 1953, released in the United States by Allied Artists, 1960; Jocasta Constantine, Tribute to a Badman, Metro-Goldwyn-Mayer, 1956; Grune, Attila (also known as Atilla, Flagello di Dio), Lux, 1958; Maria, The Guns of Navarone, Columbia, 1961; title role, Antigone, Norma Releasing, 1962; title role, Electra, Lopert, 1962; Sophia, The Moon-Spinners, Buena Vista, 1964; the Widow, Zorba the Greek, International Classics, 1964; Luisa Roscio, A ciascuno il suo (also known as We Still Kill the Old Way), Lopert, 1967; Lea Weiss, Die Zuegin aus der Hoelle (also known as Witness Out of Hell), Rank, 1967; Ida Ginetta, The Brotherhood, Paramount, 1968; Ajmi, Mas alia de las montanas (also known as The Desperate Ones and Beyond the Mountains), American International, 1968; Queen Catherine of Aragon, Anne of the Thousand Days, Universal, 1969; Caliope, A Dream of Kings, National General, 1969; Helene, Z, Cinema V, 1969.

PARAGON, John VOCATION: Actor and writer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Sy Baby, Cheech and Chong's Next Movie, Universal, 1980; Red carpetman, Things Are Tough All Over, Columbia, 1982; sexshop salesman, Eating Raoul, Twentieth Century-Fox, 1982; Rooster, Going Berserk, Universal, 1983; movie lot actor, Pee Wee's Big Adventure, Warner Brothers, 1985; Hugo, Echo Park, Atlantic, 1986; gas station attendant, Elvira, Mistress of the Dark, New World, 1988; Richard Fletcher, UHF, Orion, 1989. Also appeared in Pandemonium (also known as Thursday the 12th), United Artists, 1982.

Housewife, N.P. il segreto (also known as N.P. and TV.P.—The Secret), Zeta-a-Elle, 1971; Helen, The Trojan Women, Cinerama, 1971; Donna Raimonda, Lefaro da padre (also known as /'// Take Her Like a Father), Cineriz, 1974; Hind, Mohammad, Messenger of God (also known as Al-Ris-Alah and The Message), Tarik/Irwin Yablans, 1976; Zipporah, Moses, AVCO-Embassy, 1976; Clytemnestra, Iphigenia, Cinema V, 1977; Simonetta Palazza, Bloodline (also known as Sidney Sheldon's Bloodline), Paramount, 1979; Giulia, Eboli (also known as Cristo si efermato a Eboli and Christ Stopped at Eboli), Franklin Media, 1980; Mabrouka, Lion of the Desert (also known as Omar Mukhtar and Omar Mukhtar— Lion of the Desert), United Film Distribution, 1981; Mariangela, // disertore (also known as The Deserter), Istituto Luce/SACIS, 1983; grandmother, Erendira, Miramax, 1984; Mother Giuseppina, The Assisi Underground, Golan-Globus, 1985; Shaheen Parvizi, Into the Night, Universal, 1985; Angela's mother, Cronaca di una morte annunciata (also known as Chronicle of a Death Foretold),

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The Half-Hour Comedy Hour, ABC, 1983; the breather, Elvira's Movie Macabre, syndicated, 1983—; regular, FTV, syndicated, 1985; Jambi and Pterri, Pee Wee's Playhouse, CBS, 1986—. Pilots: Regular, The Facts, CBS, 1982; also Welcome to the Fun Zone, NBC, 1984. Movies: Beef, Last of the Great Survivors, CBS, 1984. Specials: Jambi, The Pee Wee Herman Show, HBO, 1981; host, The Paragon of Comedy, Showtime, 1984; Cheech and Chong: Get Out of My Room, Showtime, 1985; Jambi, A Special Evening of Pee Wee's Play house, CBS, 1981; Pee Wee's Playhouse Christmas Special, CBS, 1988. WRITINGS: FILMS—(With Sam Egan and Cassandra Peterson) Elvira, Mistress of the Dark, New World, 1988. TELEVISION—

327

PARENT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Series: (With others) Pee Wee's Playhouse, CBS, 1986—. Pilots: (With others) The Cheech Show (also known as Cheech and Let's Party with Cheech}, NBC, 1988. Specials: (With others) The Pee Wee Herman Show, HBO, 1981; (with Edie McClurg and Paul Reubens) The Paragon of Comedy, Showtime, 1984; (with others) Pee Wee's Playhouse Christmas Special, CBS, 1988.

Belkin, Martin Charnin, Bob Ellison, Thomas Meehan, and Bob Randall) Annie and the Hoods, ABC, 1974; (with Solms) Sills and Burnett at the Met, CBS, 1976. OTHER—Fiction: Sheila Levine Is Dead and Living in New York, Putnam, 1972; David Meyer Is a Mother, Harper, 1976; The Best Laid Plans, Putnam, 1980; A Sign of the Eighties, Putnam, 1987; also A Little Bit Married. Also (with Solms) nightclub revue sketch writer; contributor to periodicals.

ADDRESSES: AGENT—William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

AWARDS: Emmy Award, Outstanding Writing Achievement in a Variety or Music Series, 1973, for The Carol Burnett Show.

PARENT, Gail

ADDRESSES: AGENTS—Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212; Owen Laster, William Morris Agency, 1350 Avenue of the Americas, New York, NY 10019. PUBLISHER—Putnam Publishing Group, 200 Madison Avenue, New York, NY 10016.*

1940-

PERSONAL: Born August 12, 1940, in New York, NY; daughter of Theodore (a Wall Street executive) and Ruth (Goldberg) Kostner; married Lair Parent (a television producer), June 24, 1962 (divorced, 1979); children: two sons. EDUCATION—Attended Syracuse University, 1958-60; New York University, B.S., 1962.

PARICHY, Dennis VOCATION: Writer and producer.

PERSONAL: EDUCATION—Attended Northwestern University; studied lighting design at Lester Polikoff's Studio.

CAREER: Also see WRITINGS below. PRINCIPAL TELEVISION WORK—Series: Producer (with Kenny Solms), The Smothers Brothers Show, NBC, 1975; creator (with Ann Marcus, Jerry Adelman, and Daniel Gregory Browne), Mary Hartman, Mary Hartman, syndicated, 1975; producer (with Solms), Three Girls Three, NBC, 1977. Pilots: Executive producer, Sheila, CBS, 1977; executive producer (with Ann Elder), I'd Rather Be Calm, CBS, 1982.

VOCATION: Lighting designer. CAREER: PRINCIPAL STAGE WORK—Lighting designer: Trainer, Dean, Liepolt, and Company, American Place Theatre, New York City, 1968; War Games, Fortune Theatre, New York City, 1969; The Transgressor Rides Again, Martinique Theatre, New York City, 1969; Boy on the Straight-Back Chair, American Place Theatre, St. Clement's Church Theatre, New York City, 1969; The Shepherd of Avenue B and Steal the Old Man1 s Bundle (double-bill) and The Jumping Fool, all Fortune Theatre, 1970; Come Back, Little Sheba, Queens Playhouse, Queens, NY, 1974; The Persians, Him, and Battle of Angels, all Circle Repertory Theatre, New York City, 1974.

NON-RELATED CAREER—Junior high school English teacher, New York City. WRITINGS: STAGE—(Contributor) Instant Replay (revue), Upstairs at the Downstairs, New York City, 1968; (with Kenny Solms) Lorelei or ' 'Gentlemen Still Prefer Blondes,'' pre-Broadway tour of U.S. cities, 1973, then Palace Theatre, New York City, 1974.

The Mound Builders, Harry Outside, The Elephant in the House, Not to Worry, and Dancing for the Kaiser, all Circle Repertory Theatre, 1975; Serenading Louie, A Tribute toLiliLamont, and The Farm, all Circle Repertory Theatre, 1976; Knock Knock, Circle Repertory Theatre, then Biltmore Theatre, New York City, both 1976; The Wise Woman and the King, Manhattan Theatre Club, New York City, 1976; My Life, Exiles, and Feedlot, all Circle Repertory Theatre, 1977; Ashes, Manhattan Theatre Club, then Public Theatre, New York City, both 1977; In the Summer House, The Last Street Play, and Chez Nous, all Manhattan Theatre Club, 1977; Ulysses in Traction, Glorious Morning, and In the Recovery Lounge, all Circle Repertory Theatre, 1978; Statements After an Arrest Under the Immorality Act, Scenes from Soweto, Rib Cage, Strawberry Fields, and The Rear Column, all Manhattan Theatre Club, 1978; Catsplay, Manhattan Theatre Club, then Promenade Theatre, New York City, both 1978; The Water Engine and Mr. Happiness (double-bill), Plymouth Theatre, New York City, both 1978; Gimme Shelter, Brooklyn Academy of Music, Lepercq Space, Brooklyn, NY, 1978; The Best Little Whorehouse in Texas, Entermedia Theatre, then 46th Street Theatre, both New York City, 1978; Grand Magic and Don Juan Comes Back from the War, both Manhattan Theatre Club, 1979; My Sister's Keeper, Hudson Guild Theatre, New York City, 1979; Devour the Snow, Hudson Guild

FILM—(With Solms) Sheila Levine Is Dead and Living in New York, Paramount, 1975; (with Andrew Smith) The Main Event, Warner Brothers, 1979; (with Armyan Bernstein) Cross My Heart, Universal, 1987. TELEVISION—Series: (With others) The Smothers Brothers Show, NBC, 1975; (with Solms) Three Girls Three, NBC, 1977; also (with Solms and others) The Carol Burnett Show, CBS. Pilots: (With others) Hellzapoppin', ABC, 1972; (with Solms) Sheila, CBS, 1977; (with Ann Elder) I'd Rather Be Calm, CBS, 1982. Episodic: (With Solms) "We Closed in Minneapolis," The Mary Tyler Moore Show, CBS, 197'1; Sons and Daughters, CBS, 1974; Mary Hartman, Mary Hartman, syndicated, 1975; also Rhoda, CBS. Movies: (With Solms) Call Her Mom, ABC, 1972. Specials: (With Solms, Bill Angelos, and Buz Kohan) Ann-Margret: From Hollywood with Love, CBS, 1969; (with Sheldon Keller and Solms) Bing Crosby and Carol Burnett—Together Again for the First Time, NBC, 1969; (with Solms, Pat McCormick, and Jack Riley) The Many Sides of Don Rickles, ABC, 1970; (with Solms, Gary

328

PARKER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Land, all Triplex Theatre, New York City, 1986; Ten By Tennessee, Acting Company, Lucille Lortel Theatre, New York City, 1986; Bloody Poetry, Manhattan Theatre Club, 1986-87; The Lucky Spot, Manhattan Theatre Club, 1987; Coastal Disturbances Second Stage Theatre, New York City, 1987; The Nerd, Helen Hayes Theatre, New York City, 1987; A Shayna Maidel, Westside Arts Theatre, 1987; Hedda Gabler, Studio Arena Theatre, 1987; Born Yesterday, Philadelphia Drama Guild, Philadelphia, PA, 1987; El Salvador and Only You, both Circle Repertory Theatre, 1987-88; Summer and Smoke, Center Theatre Group, Ahmanson Theatre, 1988; The Road to Mecca, Promenade Theatre, 1988; The Big Love, New Directors Series, New York Theatre Workshop, New York City, 1988; Cave Life, Borderlines, and V and V Only, all Circle Repertory Theatre, 1988; Sleuth, Circle Repertory Theatre, then Center Theatre Group, Ahmanson Theatre, both 1988; The Film Society, Second Stage Theatre, 1988; Men Should Weep, Studio Arena Theatre, 1988; Eastern Standard, Manhattan Theatre Club, 1988; Amulets Against the Dragon Forces, Beside Herself, Florida Crackers, and Sunshine, all Circle Repertory Theatre, 1989; Approaching Zanzibar, Second Stage Theatre, 1989; My Children! My Africa!, Perry Street Theatre, New York City, 1989; The Tempest, Roundabout Theatre, 1989; The Tenth Man, Vivian Beaumont Theatre, New York City, 1989. Also lighting designer for Who's Afraid of Virginia Woolf?, Circle Repertory Theatre; South Pacific, Minnesota Opera; The Cradle Will Rock, London production.

Theatre, then John Golden Theatre, New York City, both 1979; The Runner Stumbles, The Human Voice, Winter Signs, Reunion, Hamlet, and Mary Stuart, all Circle Repertory Theatre, 1979; Tunnel Fever, or the Sheep Is Out, American Place Theatre, 1979; Chinchilla, Phoenix Theatre, Marymount Manhattan Theatre, New York City, 1979; Talley s Folly, Circle Repertory Theatre, then Center Theatre Group, Mark Taper Forum, Los Angeles, both 1979, later Brooks Atkinson Theatre, New York City, 1980; Fifth of July, Center Theatre Group, Mark Taper Forum, 1979, then New Apollo Theatre, New York City, 1980. The Woolgatherer and Innocent Thoughts, Harmless Intentions, both Circle Repertory Theatre, 1980; Banjo Dancing, Century Theatre, New York City, 1980; The Trouble with Europe, Phoenix Theatre, Marymount Manhattan Theatre, 1980; American Days and One Wedding, Two Rooms, Three Friends, both Manhattan Theatre Club, 1980; Come Back to the 5 and Dime, Jimmy Dean, Jimmy Dean and Summer, both Hudson Guild Theatre, 1980; The White Devil, American Place Theatre, 1980; Look Back in Anger, Roundabout Theatre, New York City, 1980; Crimes of the Heart, Manhattan Theatre Club, 1980, then John Golden Theatre, 1981; Duet for One, Royale Theatre, New York City, 1981; Hedda Gabler, Roundabout Theatre, 1981; Twelfth Night, The Beaver Coat, In Connecticut, Childe Byron, A Tale Told, and The Diviners, all Circle Repertory Theatre, 1981; Close of Play, Manhattan Theatre Club, \9&l',IlCampiello: A Venetian Comedy, Waiting for Godot, and A Midsummer Night's Dream, all Public Theatre, 1981; The Best Little Whorehouse in Texas, Eugene O'Neill Theatre, New York City, 1982; Skirmishes, Manhattan Theatre Club, 1982; Lennon and Richard II, both Entermedia Theatre, 1982; Snow Orchid and A Think Piece, both Circle Repertory Theatre, 1982; Angels Fall, Circle Repertory Theatre, 1982, then Longacre Theatre, New York City, 1983; The Curse of an Aching Heart, Little Theatre, New York City, 1982; The Country Wife, American Place Theatre, 1982; Elba and Early Warnings, both Manhattan Theatre Club, 1983; Domestic Issues, Circle Repertory Theatre, 1983; The Seagull, Circle Repertory Company, American Place Theatre, 1983; The Cradle Will Rock, American Place Theatre, then Douglas Fairbanks Theatre, New York City, both 1983; Pericles, American Place Theatre, 1983; A Raisin in the Sun, Goodman Theatre, Chicago, IL, 1983; Levitation and Love's Labour's Lost, both Circle Repertory Theatre, 1984; The Miss Firecracker Contest, Manhattan Theatre Club, then Westside Arts Center/Cheryl Crawford Theatre, both 1984; Criminal Minds, Theatre Guinevere, New York City, 1984; As You Like It and Passion Play, both Seattle Repertory Theatre, Seattle, WA, 1984; In Celebration, Manhattan Theatre Club, the Space at City Center Theatre, New York City, 1984; After the Fall, Playhouse 91, New York City, 1984.

MAJOR TOURS—Lighting designer: Crimes of the Heart, U.S. cities, 1983-84; Kabuki Macbeth, Acting Company, U.S. cities, 1988; also Fool for Love, Japanese cities. RELATED CAREER—Lighting designer: Playhouse in the Park, Cincinnati, OH, 1976-77; Hartman Theatre Company, Stamford, CT, 1977-78; PAF Playhouse, Huntington Station, NY, 1979; Chicago Theatre Group, Goodman Theatre, Chicago, IL, 1979-80; GeVa Theatre, Rochester, NY, 1980-81; Tyrone Guthrie Theatre, Minneapolis, MN, 1981-82; Philadelphia Drama Guild, Philadelphia, PA, 1982; Cleveland Playhouse, Cleveland, OH, 1983-84; also electrician and stage hand, 92nd Street Y, New York City; teacher, Barnard College and Lester Polikoff s Studio. AWARDS: Antoinette Perry Award nomination, Best Lighting Designer, 1980, for Talley's Folly; Obie Award from the Village Voice, 1981, for sustained excellence in lighting design; Antoinette Perry Award nomination, Best Lighting Designer, 1981, for Fifth of July; also received Joseph Maharam Award and Drama Desk Award.*

Dysan, Angelo's Wedding, Talley and Son, and Tomorrow's Monday, all Circle Repertory Theatre, 1985; Dancing in the End Zone, Ritz Theatre, New York City, 1985; As Is, Circle Repertory Theatre, then Lyceum Theatre, New York City, both 1985; Penn and Teller, Westside Arts Theatre, New York City, 1985; A New Way to Pay Old Debts, As You Like It, and The Skin of Our Teeth, all Marymount Manhattan Theatre, 1985; An Enemy of the People, Roundabout Theatre, 1985; Glengarry Glen Ross, Syracuse Stage, Syracuse, NY, 1985; A View from the Bridge, Studio Arena Theatre, Buffalo, NY, then Capital Repertory Company Theatre, Albany, NY, later Syracuse Stage, all 1986; Burn This!, Center Theatre Group, Mark Taper Forum, 1986, then Plymouth Theatre, 1987-88; All My Sons and Pancho Forum: Endgame, both Seattle Repertory Theatre, 1985-86; The Beach House, Circle Repertory Theatre, 1986; Picnic, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1986; Caligula, The Mound Builders, and Quiet in the

PARKER, Corey

1965-

PERSONAL: Born July 8, 1965, in New York, NY. EDUCATION— Attended New York University. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Meeting the Winter Bike Rider (also known as Meeting the Bike Rider), Young Playwrights Festival, New York Shakespeare Festival, Public Theatre, 1984. PRINCIPAL STAGE APPEARANCES—John, Been Taken, One-Act Play Marathon '84, Ensemble Studio Theatre, New York City, 1984; Corky Sutter, The Bloodletters, both Ensemble Studio Thea-

329

PASSER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

tre, 1984; Patrick, The Semi-Formal, One-Act Play Marathon '85, Ensemble Studio Theatre, 1985; also appeared in Red Storm Flower, New Dramatists Inc., 1980.

United States by Brandon, 1968; (with Jaroslav Papousek, Forman, and Vaclav Sasek) Lasky jedne plavovlasky, 1965; (with Papousek and Vaclav Sasek) Intimni osvetleni, 1966; (with Forman and Papousek) Hori, ma panenko (also known as The Fireman's Ball and Like a House on Fire), Ceskoslovensky, 1967, released in the United States by Cinema V, 1968; (with William Richert and Kenneth Harris Fishman) Law and Disorder, 1974; also (co-writer) Cerny Petr, 1963.

PRINCIPAL FILM APPEARANCES—John Dealy, Scream for Help, Lorimar, 1984; Pete, Friday the 13th, Part V: A New Beginning, Paramount, 1985; janitor, 9 112 Weeks, Metro-Goldwyn-Mayer/ United Artists, 1986; Lopez, Something Special (also known as Willy/Milly and / Was a Teenage Boy), Concorde/Cinema Group, 1987; Epstein, Biloxi Blues, Universal, 1988; Alex, Big Man on Campus (also known as The Hunchback of UCLA and Hunchback), Vestron, 1989; Marlon, How I Got into College (also known as Admissions), Twentieth Century-Fox, 1989.

AWARDS: Special Award from the National Society of Film Critics, 1969, for Intimni osvetleni; Rosenthal Foundation Award from the National Society of Film Critics, 1972, for Contribution to Film Art Not Yet Recognized By the Public.*

PRINCIPAL TELEVISION APPEARANCES—Pilots: Michael Gunz, Sons of Gunz (broadcast as an episode of CBS Summer Playhouse), CBS, 1987. Episodic: Henry, The Bronx Zoo, NBC, 1987; Lee, thirty something, ABC, 1989 and 1990. Movies: Tony Miraldo, Courage, CBS, 1986; Larry Schreuder, At Mother's Request, CBS, 1987. Specials: David, "Don't Touch," ABCAfterschoolSpecials, ABC, 1985; Ray Thomas, "Teen Father," ABC Afterschool Specials, ABC, 1986.

PATTERSON, Dick 1929(Richard Patterson) PERSONAL: Born April 12, 1929, in Clear Lake, IA; son of Grover L. (a painter) and Neva P. (a nursing home administrator; maiden name, Carlock) Patterson; married Pat Lynn Louchheim (a personal manager), May 5, 1975; children: Marlene Elizabeth, Laura Christine. EDUCATION—University of California, Los Angeles, B.A., theatre arts, 1954. MILITARY—U.S. Army, corporal, 1951-53.

ADDRESSES: AGENT—Diane Roberts, The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210.*

VOCATION: Actor and composer.

PASSER, Ivan

1933-

PERSONAL: Born July 10, 1933, in Prague, Czechoslovakia; immigrated to the United States in 1969. EDUCATION—Attended the Film Faculty of the Academy of Musical Arts (Prague). VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— All as director, unless indicated: Assistant director, Lasky jedne plavovlasky (also known as Loves of a Blonde and A Blonde in Love), Ceskoslovensky, 1965, released in the United States by Prominent/CBK Film Enterprises, 1966; Intimni osvetleni (also known as Intimate Lighting), Ceskoslovensky, 1966, released in the United States by Altura International/Fleetwood, 1969; Born to Win, United Artists, 1971; Law and Disorder, Columbia, 1974; Crime and Passion (also known as An Ace Up My Sleeve), American International, 1976; Silver Bears, Columbia, 1978; Cutter's Way (also known as Cutter and Bone), United Artists, 1981; Creator, Universal, 1985; Haunted Summer, Cannon, 1989. Also assistant director, Audition, 1961; assistant director, Cerny Petr (also known as Black Peter and Peter and Pavla), 1963; Fadni odpoledne (also known as A Boring Afternoon), 1965. PRINCIPAL TELEVISION WORK—Episodic: Director, Faerie Tale Theatre, Showtime. RELATED CAREER—Assistant director for Milos Forman, 196165. NON-RELATED CAREER—Longshoreman, New York City, 1969. WRITINGS: FILM—See production details above, unless indicated. (With Milos Forman) Konkurs (also known as Talent Competition and Competition), Ceskoslovensky, 1964, released in the

DICK PATTERSON

330

CONTEMPORARY

PAYNE

THEATRE, FILM, AND TELEVISION • Volume 8

WRITINGS: Songs: "Everything's Gonna Be O.K."; (with Claude Baum) "Santa's Marching Song."

CAREER: STAGE DEBUT—Ensemble, Vintage '60 (revue), Ivar Theatre, Hollywood, CA, 1960. BROADWAY DEBUT—Ensemble, Vintage '60 (revue), Brooks Atkinson Theatre, 1960, for eight performances. PRINCIPAL STAGE APPEARANCES—Ensemble, The Billy Barnes People (revue), Roy ale Theatre, New York City, 1961; Albert Peterson, Bye Bye, Birdie, Martin Beck Theatre, New York City, 1961; Rudolph Governor, Fade Out—Fade In, Mark Hellinger Theatre, New York City, 1964; Georges Chauvinet, Pajama Tops, New Locust Theatre, Philadelphia, PA, 1973-74; Mike Curtis, Something Old, Something New, Morosco Theatre, New York City, 1977; Roger Cooper, Walls, Burt Reynolds' Jupiter Theatre, Jupiter, FL, 1982, then Huntington Hartford Theatre, Los Angeles, 1983; Ted Farley, Smile, Lunt-Fontanne Theatre, New York City, 1986-87; Lutz, The Student Prince, Long Beach Civic Light Opera Company, Long Beach, CA, 1989. Also appeared in Sweet Charity, Coconut Grove Playhouse, Miami, FL, 1967; as Roger, Who Gets the Drapes?, Las Vegas, NV, 1976; in An Evening with Dick Patterson (one-man show), 1987; and in summer theatre productions of The Music Man, Cactus Flower, Guys and Dolls, Flower Drum Song, Will Success Spoil Rock Hunter?, Luv, The Man Who Came to Dinner, The Owl and the Pussycat, and No Hard Feelings.

MEMBER: Pacific Pioneer Broadcasters, UCLA Theatre Arts Alumni Association, Sigma Chi. ADDRESSES: AGENTS—First Artists Agency, 427 N. Canon Drive, Suite 203, Beverly Hills, CA 90210; (commercials) Sutton, Barth, and Vennari, 145 S. Fairfax Avenue, Los Angeles, CA 90036. MANAGER—Pat Lynn, Patco, 10525 Strathmore Drive, Los Angeles, CA 90024.

PATTERSON, Richard

See PATTERSON, Dick

PAYNE, John

MAJOR TOURS—Albert Peterson, Bye Bye, Birdie, U.S. cities, 1961-62; Warren, On a Clear Day, U.S. cities, 1975.

1912-1989

PERSONAL: Born May 23 (some sources say May 28), 1912, in Roanoke, VA; died of heart failure, December 6, 1989, in Malibu, CA; son of George Washington (a gentleman farmer) and Ida Hope (Schaeffer) Payne; married Anne Shirley (an actress; divorced); married Gloria DeHaven (an actress; divorced); married Alexandra (Sandy) Crowell Curtis (an actress), 1952; children: Julie Anne, Kathleen, Thomas. EDUCATION—Graduated from Roanoke College; studied acting at Columbia University and singing at the Juilliard School of Music. MILITARY—U.S. Army Air Corps, pilot, during World War II.

FILM DEBUT—Pilot, The Absent-Minded Professor, Buena Vista, 1961. PRINCIPAL FILM APPEARANCES—Perky, Dondi, Allied Artists, 1961; Rick Preston, A Matter of Innocence (also known as Pretty Polly), Universal, 1968; Mr. Rudie, Grease, Paramount, 1978; record store manager, Can't Stop the Music, Associated Film Distribution, 1980; Mr. Spears, Grease 2, Paramount, 1982; also appeared in The Strongest Man in the World, Buena Vista, 1975; Leo and Loree, United Artists, 1980. TELEVISION DEBUT—"The Beatnik," The Millionaire, CBS, 1959. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Stump the Stars, syndicated, 1969. Pilots: Dr. Jerry Berry, My Son, the Doctor, CBS, 1966; also Don't Call Me Mama Anymore, CBS, 1973; Some Like It Hot. Episodic: Announcer, Max Headroom, ABC, 1987; also The Dick Van Dyke Show, CBS, 1964; The Ed Sullivan Show, CBS; Here's Lucy, CBS; PDQ, NBC; Password, CBS; Hollywood Squares, NBC; Love, American Style, ABC; The Carol Burnett Show, CBS; Happy Days, ABC; Laverne and Shirley, ABC; The Mary Tyler Moore Show, CBS; CHiPs, NBC; General Hospital, ABC; The Young and the Restless, CBS; The Fall Guy, ABC; Small Wonder, syndicated; announcer, Celebrity Charades; announcer, Do It Now; Get Smart; Too Close for Comfort. Movies: (As Richard Patterson) Ted Comden, Roll, Freddie, Roll!, ABC, 1974; (as Richard Patterson) Harvey Clark, Make Me an Offer, ABC, 1980; (as Richard Patterson) Howard Chase, Sunset Limousine, CBS, 1983; also Lots of Luck, Disney Channel, 1985.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Understudy, At Home Abroad (revue), Winter Garden Theatre, New York City, 1935. MAJOR TOURS—Bill Johnson, Good News, U.S. cities, 1973-74. FILM DEBUT—Harry, Dodsworth, United Artists, 1936. PRINCIPAL FILM APPEARANCES—Jimmy Maxwell, Hats Off, Grand National, 1937; Bill Adams, Love on Toast, Paramount, 1937; Martin Bates, College Swing (also known as Swing, Teacher, Swing), Paramount, 1938; Don Vincente, Garden of the Moon, Warner Brothers, 1938; Eddie Greer, Indianapolis Speedway (also known as Devil on Wheels), Warner Brothers, 1939; Steve Nelson, Kid Nightingale, Warner Brothers, 1939; Jerry Harrington, Wings of the Navy, Warner Brothers, 1939. Richard Lansing, The Great Profile, Twentieth Century-Fox, 1940; Slim, King of the Lumberjacks, Warner Brothers, 1940; Lee Danfield, Maryland, Twentieth Century-Fox, 1940; Bud Borden, Star Dust, Twentieth Century-Fox, 1940; Bill Morrissey, Tear Gas Squad, Warner Brothers, 1940; Skeets Harrigan, Tin Pan Alley, Twentieth Century-Fox, 1940; Rix Martin, The Great American Broadcast, Twentieth Century-Fox, 1941; Dan Hopkins, Remember the Day, Twentieth Century-Fox, 1941; Ted Scott, Sun Valley Serenade, Twentieth Century-Fox, 1941; Jay Williams, Weekend in Havana, Twentieth Century-Fox, 1941; Bill Smith, Footlight Serenade, Twentieth Century-Fox, 1942; Corporal James Murfin,

PRINCIPAL RADIO APPEARANCES—Episodic: The Ken and Bob Show, KABC (Los Angeles). RELATED CAREER—As a member of the comedy team of Bennett and Patterson, appeared in nightclubs throughout the United States; writer of material for such performers as Debbie Reynolds and Rich Little. RECORDINGS: SINGLES—"Santa's Marching Song," RCA, 1959. 331

PEARCE CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Iceland, Twentieth Century-Fox, 1942; Dan, Springtime in the Rockies, Twentieth Century-Fox, J942; Chris Winters, To the Shores of Tripoli, Twentieth Century-Fox, 1942; Johnnie Cornell, Hello, Frisco, Hello, Twentieth Century-Fox, 1943; Harry Fox, The Dolly Sisters, Twentieth Century-Fox, 1945; Gray Maturin, The Razor's Edge, Twentieth Century-Fox, 1946; Bill, Sentimental Journey, Twentieth Century-Fox, 1946; Jeff, Wake Up and Dream, Twentieth Century-Fox, 1946; Fred Gailey, The Miracle on 34th Street (also known as The Big Heart), Twentieth Century-Fox, 1947; Rick Maxon, Larceny, Universal, 1948; Eric Busch, The Saxon Charm, Universal, 1948; title role, Captain China, Paramount, 1949; Eddie Rice, The Crooked Way, United Artists, 1949; Clayton Fletcher, El Paso, Paramount, 1949.

NON-RELATED CAREER—Professional wrestler. OBITUARIES AND OTHER SOURCES: [New York] Daily News, December 7, 1989; New York Times, December 8, 1989; Variety, December 13, 1989.*

PEARCE, Richard

1943-

PERSONAL: Full name, Richard Inman Pearce, Jr.; born January 25, 1943, in San Diego, CA; son of Richard Inman and Patricia (Pittman) Pearce; married Lynzee Klingman; children: Remy Elizabeth. EDUCATION—Yale University, B.A., English literature, 1965; New School for Social Research, M. A., political economics, 1974.

Todd Croyden, The Eagle and the Hawk (also known as Spread Eagle), Paramount, 1950; Lieutenant O'Bannon, Tripoli (also known as First Marines), Paramount, 1950; Steve Singleton, Crosswinds (also known as Jungle Attacks), Paramount, 1951; Pete Black, Passage West (also known as High Venture), Paramount, 1951; Kelly Hanson, The Blazing Forest, Paramount, 1952; Dick Lindsay, Caribbean (also known as Caribbean Gold), Paramount, 1952; Joe Rolfe, Kansas City Confidential (also known as The Secret Four), United Artists, 1952; Barbarossa, Raiders of the Seven Seas, United Artists, 1953; Rock Grayson, The Vanquished, Paramount, 1953; Ernie Driscoll, 99 River Street, United Artists, 1953; Jefferson Harder, Rails into Laramie, Universal, 1954; Dan Ballard, Silver Lode, RKO, 1954; Mike Cormack, Hell's Island (also known as The Ruby Virgin, Love Is a Weapon, and South Seas Fury), Paramount, 1955; Bill Mayhew, The Road to Denver, Republic, 1955; Kirby Randolph, Santa Fe Passage, Republic, 1955; Tennessee, Tennessee's Partner, Filmcrest/RKO, 1955; Ben Grace, Slightly Scarlet, RKO, 1956; Matt Brady, The Boss, United Artists, 1956; Mackenzie, Hold Back the Night, Allied Artists, 1956; John Wiloughby, Rebel in Town, United Artists, 1956; Major Paul Peterson, Bailout at 43,000, United Artists, 1957; Mike Brent, Hidden Fear, United Artists, 1957; Iverson, The Risk (also known as Suspect), Kingsley, 1961; Bob Martin, They Ran for Their Lives, Color Vision, 1968; John, The Savage Wild, American International, 1970; also appeared in The Gift of the Nile.

VOCATION: Director, cinematographer, and producer. CAREER: PRINCIPAL FILM WORK—Cinematographer, Interviews with My Lai Veterans (documentary), Laser, 1969; cinematographer, Woodstock (documentary), Warner Brothers, 1970; cinematographer, Mar joe (documentary), Cinema V, 1972; cinematographer, Let the Good Times Roll (documentary), Columbia, 1973; associate proudcer and cinematographer, Hearts and Minds (documentary), Warner Brothers, 1975; camera operator assistant, Running Fence (documentary), Maysles/Transatlantic, 1977; cinematographer, Baby Snakes, Intercontinental Absurdities, 1979; additional photography, Hair, United Artists, 1979; cinematographer, Rust Never Sleeps (documentary), International Harmony, 1979; director, Heartland, Filmhaus, 1980; director, Threshold, Twentieth Century-Fox, 1983; director, Country, Buena Vista, 1984; director, No Mercy, Tri-Star, 1986; also director, cinematographer, and editor, Campamento (documentary), 1970; cinematographer, America Is Hard to See (documentary). PRINCIPAL TELEVISION WORK—All as director. Episodic: (Also producer with Michael Hausman) "The Gardener's Son," Visions, PBS, 1977; AlfredHitchcock Presents, NBC, 1985. Movies: Siege, CBS, 1978; No Other Love, CBS, 1979; Sessions, ABC, 1983; Dead Man Out, HBO, 1989; The Final Days, ABC, 1989.

PRINCIPAL FILM WORK—Director, They Ran for Their Lives, Color Vision, 1968. PRINCIPAL TELEVISION APPEARANCES—Series: Vint Bonner, The Restless Gun, NBC, 1957-59; host, Call of the West, syndicated, 1969. Pilots: Britt Ponset, The Restless Gun (broadcast as an episode of Schlitz Playhouse of Stars), CBS, 1957; Torin O'Connor, O'Connor's Ocean, NBC, 1960; Ingalls, Go West, Young Girl, ABC, 1978. Episodic: "Double-Dyed Deceiver," The Nash Airflyte Theatre, CBS, 1950; "The Name Is Bellingham" and "Exit," Schlitz Playhouse of Stars, CBS, 1951; "The Deep Six," Robert Montgomery Presents, NBC, 1953; "Lash of Fear," General Electric Theatre, CBS, 1955; "Deadline," Studio 57, Dumont, 1956; "Until the Man Dies," Zane Grey Theatre (also known as Dick Powell'sZane Grey Theatre), CBS, 1957; "The Little Hours," General Electric Theatre, CBS, 1962; Name of the Game, NBC, \968;Gunsmoke, CBS, 1970; Cade's County, CBS, \91 \\Columbo, NBC, 1975. Movies: Mr. Jerome, The Christmas Star, ABC, 1986. Specials: C.K. Dexter Haven, "The Philadelphia Story," The Best of Broadway, CBS, 1954; also "Alice in Wonderland," Hallmark Hall of Fame, NBC, 1955.

RELATED CAREER—Cameraman for documentaries by D.A. Pennebaker. AWARDS: Alicia Patterson Foundation Fellow, 1974-75; Golden Bear Award from the Berlin Film Festival, 1980, for Heartland; Christopher Awards, 1981 and 1984. ADDRESSES: AGENT—William Morris Agency, 1350 Avenue of the Americas, New York, NY 10019.*

PENGHLIS, Thaao PERSONAL: Born in Sydney, Australia; father, a mechanic for General Motors; mother, a housewife. EDUCATION—Graduated from the University of New South Wales; studied acting with Milton Katselas and Uta Hagen.

PRINCIPAL TELEVISION WORK—Series: Executive producer, The Restless Gun, NBC, 1957-59. Pilots: Producer, O'Connor s Ocean, NBC, 1960. 332

PERRY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Monica Boulevard, Suite 310, Los Angeles, CA 90025. PUBLICIST—Lori DeWaal, The Garrett Company, 6922 Hollywood Boulevard, Los Angeles, CA 90028.

PERLMAN, Ron

1950-

PERSONAL: Born April 13, 1950, in New York, NY; father, a jazz drummer; married Opal Stone (a fashion designer); children: Blake Amanda. EDUCATION—Graduated from the City University of New York; received M.F.A. from the University of Minnesota. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Emperor, The Architect and the Emperor of Assyria, La Mama Theatre Annex, 1976. BROADWAY DEBUT—Beadle Treitel, Teibele and Her Demon, Brooks Atkinson Theatre, 1979. PRINCIPAL STAGE APPEARANCES—Beadle Treitel, Teibele and Her Demon, Arena Stage, Washington, DC, 1979; also appeared in Sunset, Studio Arena Theatre, Buffalo, NY, 1977-78; La Tragedie de Carmen, Lincoln Center, New York City; American Heroes, The Resistible Rise of Arturo Ui, School for Buffoons, mdHedda Gabler, all in New York City; with the Classic Stage Company, New York City; and in productions ofTartuffe, Woyzeck, Measure for Measure, House of Blue Leaves, Two Gentlemen of Verona, and The Iceman Cometh. MAJOR TOURS—Emperor, The Architect and the Emperor of Assyria, European cities; also Pal Joey, U.S. cities.

THAAO PENGHLIS

PRINCIPAL FILM APPEARANCES—Amoukar, Quest for Fire, Twentieth Century-Fox, 1982; Zeno, The Ice Pirates, MetroGoldwyn-Mayer/United Artists, 1984; Salvatore, The Name of the Rose, Twentieth Century-Fox, 1986.

VOCATION: Actor. CAREER: STAGE DEBUT—Mr. T., Jockeys, Promenade Theatre, New York City, 1977. PRINCIPAL STAGE APPEARANCES—Play with Fire, Westwood Playhouse, Los Angeles; also appeared in productions of The Collection, The Lion in Winter, The Balcony, and No Exit.

PRINCIPAL TELEVISION APPEARANCES—Series: Vincent, Beauty and the Beast, CBS, 1987-89. Movies: Jacob Schuler, A Stoning inFulham County, NBC, 1988. Specials: Starathon '90, syndicated, 1990.

PRINCIPAL FILM APPEARANCES—Christopher, Slow Dancing in the Big City, United Artists, 1978; Marco, The Bell Jar, AVCOEmbassy, 1979; Eccheverria, Altered States, Warner Brothers, 1980; Colonel Richard Godowni, Les Patterson Saves the World, Hoyts, 1987.

RELATED CAREER—Stand-up comedian while in high school. AWARDS: Emmy Award nomination, Outstanding Lead Actor in a Drama Series, 1989, for Beauty and the Beast.

PRINCIPAL TELEVISION APPEARANCES—Series: Victor Cassadine, General Hospital, ABC, 1981; Count Antony DiMera,DaysofOur Lives, NBC, 1981-85; Nicholas Black, Mission: Impossible, ABC, 1988—. Mini-Series: Captain Albert Steinberger, Emma: Queen of the South Seas, syndicated, 1988. Pilots: Paul Boudea, Power s Play, CBS, 1986. Episodic: Philippe, Magnum, P./., CBS, 1986; Armand Ghia, Who's the Boss?, ABC, 1987. Movies: Antonio Moreno, Moviola: The Silent Lovers, NBC, 1980; Amer, Sadat, syndicated, 1983; Abu Ladeen, Under Siege, NBC, 1986.

ADDRESSES: AGENT—Bagley, McQueeney, and Connor, 9229 Sunset Boulevard, Suite 607, Los Angeles, CA 90069. PUBLICIST—Levine/Schneider Public Relations, 8730 Sunset Boulevard, 6th Floor, Los Angeles, CA 90069. MANAGER—Larry Thompson Organization, 1440 S. Sepulveda Boulevard, Suite 118, Los Angeles, CA 90025.*

RELATED CAREER—Assistant to acting teacher and director Milton Katselas.

PERRY, Keith NON-RELATED CAREER—Worked with Greek immigrants for the Australian diplomatic service; worked at the United Nations.

1931-

PERSONAL: Born October 29, 1931, in Des Moines, IA; son of Ralph Brady (a watchmaker and jeweler) and Beatrice (Gooding) Perry. EDUCATION—Rice University, B. A. ,1953; Fletcher School of

ADDRESSES: AGENT—McCartt, Greek, Barrett, 10390 Santa 333

FERRYMAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

U.S. and Canadian cities, 1982-84; Charles Hethersett, Me and My Girl, U.S. cities, 1987-89. RELATED CAREER—Television and radio awards specialist, NBC Awards Department, New York City, 1957-65.

FERRYMAN, Dwayne B., Ill

1963-

PERSONAL: Born November 30, 1963, in Brooklyn, NY; son of Beverly Ann Perryman Mitchell (a day care administrator). EDUCATION—Attended the New School for Social Research and the Borough of Manhattan Community College, 1985-87; studied acting at the Actors' Studio and with the Cecil Alonzo Players; studied comedy with Michael Hampton-Cane. VOCATION: Actor and stage manager. CAREER: STAGE DEBUT—Walter, Bend, Tear, and Spindle, Peter Rutger Theatre, Brooklyn, NY, 1981, for eight performances. PRINCIPAL STAGE APPEARANCES—Puck, A Midsummer Night's Dream, Riverside Ensemble, New York City, 1987; guard, Richard III, Actors' Studio, New York City, 1989; also appeared as Gitlow, Purlie Victorious, Mind Power Playhouse, New York City, 1985. PRINCIPAL STAGE WORK—All as stage manager, unless indicated: Four Saints in Three Acts, Opera Ensemble Theatre, New York City, 1986; The Tavern, Equity Library Theatre, New York City, 1987; The Threepenny Opera, Riverside Opera Ensemble, New York City, 1987; Who Does She Think She Is?, Tomi Theatre, New York City, 1987; Future Flight, Time of Our Life, On Off Broadway, Skin of Our Teeth, Two On an Island, The Cat Who Died of Leukemia, and Obscenery (series of one-act plays), American Music Dramatic Academy, New York City, 1987; Iowa Boys, Ohio Theatre, then Actors' Studio, both 1988; A Tantalizing, Fallen Angels, Beyond Therapy, Family Life, Thugs, Final Placement, Men As Trees Walking, Penguin Blues, and It's Still Life (series of one-act plays), Rasputin and Go-See (staged readings), and The Cherry Orchard, all Actors' Studio, New York City, 1989; Goree New Federal Theatre, New York City, 1989; assistant technical director, Chinese Charades, Puerto Rican Traveling Theatre, New York City, 1989; God's Trombones, New Federal Theatre, Theatre of the Riverside Church, New York City, 1989; also Cheating Cheaters, Stepping Stone Theatre, 1987.

KEITH PERRY

International Law and Diplomacy, M.A., 1954; studied acting with Shepard Traube. MILITARY—U.S. Army, sergeant, 1954-57. VOCATION: Actor. CAREER: STAGE DEBUT—Constable of France, Henry V, American Shakespeare Festival, Stratford, CT, 1963. BROADWAY DEBUT—Jackson, Pickwick, 46th Street Theatre, 1965. PRINCIPAL STAGE APPEARANCES—Lieutenant Pyle, A Recent Killing, New Federal Theatre, New York City, 1973; Ernest, cameraman, and necktie man, Once in a Lifetime, Circle in the Square, New York City, 1978; Fyodr Andreyevich Lyulykov, priest, and merchant, The Inspector General, Circle in the Square, 1979; Mr. Wickfield, Copperfield, American National Theatre and Academy Theatre, New York City, 1981; Luther Kingsley, City of Angels, Virginia Theatre, New York City, 1989-90. Also appeared in I'm Solomon, Mark Hellinger Theatre, New York City, 1968; Love Match, Center Theatre Group, Mark Taper Forum, Los Angeles, 1969; Oliver!, Playhouse in the Park, Cincinnati, OH, 1976; Mademoiselle Colombe, Playwrights Horizons, New York City, 1977; Room Service, Playhouse in the Park, 1979; The Imaginary Invalid, Theatre By the Sea, Portsmouth, NH, 1984; Ten Little Indians, New Vic Theatre, New York City, 1985; The Crucible, Pennsylvania Stage Company, Allentown, PA, 1985; Epicene, The Silent Woman, off-Broadway production; at the Studio Arena Theatre, Buffalo, NY, 196869.

FILM DEBUT—Little Al, Dance in Motion, Abbott View, 1987. PRINCIPAL FILM APPEARANCES—Henry, The Deranged, 1989. RELATED CAREER—Technical director, singer, and stand-up comic; president and director of music and horror videos, Perryman Enterprises. AWARDS: Cecil Alonzo's Entertainers Award, Stand-Up Comedy Routine, 1985. MEMBER: Actors' Equity Association. SIDELIGHTS: RECREATIONS—Drawing, dancing, weight lifting, tennis, swimming, swing riding, running, and boxing.

MAJOR TOURS—Carrasco, Man of La Mancha, U.S. cities, 196970; Job Anderson and Dirk, Treasure Island, U.S. cities, 1975; Thomson, 7776, U.S. cities, 1975-76; Baron Van Swieten, Amadeus,

ADDRESSES: HOME—Brooklyn, NY. 334

PFEIFFER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PESCI, Joe

AWARDS: Academy Award nominations, Best Director and Best Screenplay, both 1983, for Das Boot.

1943-

PERSONAL: Born February 9, 1943, in Newark, NJ. ADDRESSES: AGENT—The Chasin Agency, 190 N. Canon Drive, Suite 210, Beverly Hills, CA 90210.

VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Joey, Raging Bull, United Artists, 1980; Roger, I'm Dancing As Fast As I Can, Paramount, 1982; Ruby Dennis, Dear Mr. Wonderful, Lilienthal, 1983; Nicky, Easy Money, Orion, 1983; Mayakofsky, Eureka, United Artists, 1983; Corrado Emilio Parisi, Tutti Dentro (also known as Put 'em All in Jail), CDE, 1984; Frankie Monaldi, Once Upon a Time in America, Warner Brothers, 1984; David, Man on Fire, Tri-Star, 1987; Mr. Big, Moonwalker, Warner Brothers, 1988; Leo, Backtrack, Vestron, 1988; Leo Getz, Lethal Weapon II, Warner Brothers, 1989; Tommy, Good Fellas, Warner Brothers, 1989; Oscar, Betsy's Wedding, Disney, 1989. Also appeared in Death Collector (also known as Family Enforcer), Epoh, 1976; (as Joey Pesci) Don't Go in the House, Turbine, 1980.

PFEIFFER, Michelle

PERSONAL: Born in 1957 in Santa Ana, CA; daughter of Dick (a heating and air-conditioning contractor) and Donna Pfeiffer; married Peter Horton (an actor; divorced). EDUCATION—Studied court reporting at Whitley College; also attended Golden West College; studied acting with Peggy Feury. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Olivia, Twelfth Night, New York Shakespeare Festival, Delacorte Theatre, New York City, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: Rocky Nelson, Half Nelson, NBC, 1985. AWARDS: New York Film Critics Award, American Society of Film Critics Award, and Academy Award nomination, all Best Supporting Actor, 1980, for Raging Bull; also Los Angeles Film Critics Award nomination, Golden Globe nomination, and British Academy Award, Best Newcomer to Film, all for Raging Bull.

PRINCIPAL FILM APPEARANCES^Suzi Q, The Hollywood Knights, Poly-Gram/Columbia, 1980; Sue Wellington, Falling in Love Again, International Picture of Atlanta, 1980; Cordelia Farrington III, Charlie Chan and the Curse of the Dragon Queen, American Cinema, 1981; Stephanie Zinone, Grease II, Paramount, 1982; Elvira, Scarface, Universal, 1983; Diana, Into the Night, Univer-

ADDRESSES: AGENT—Jim Cota, The Artists Agency, 10000 Santa Monica Boulevard, Suite 305, Los Angeles, CA 90067.

PETERSEN, Wolfgang

1957-

1941-

PERSONAL: Born March 14, 1941, in Emden, Germany. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Director: Die Konsequenz (also known as The Consequence), Almi Cinema V/Prestige, 1977; (also producer) Einer von uns Beiden (also known as One or the Other), Transocean International, 1978; Schwarz und Weiss Wie Tage und Naechte (also known as Black and White Like Days and Nights), Monaco/Radiant/Osterreichischer Rundfunk Fernsehen/Westdeutscher Rundfunk, 1978; Das Boot (also known as The Boat), Columbia, 1982; Reifezeugnis (also known as For Your Love Only), Cannon Releasing, 1982; The Neverending Story, Warner Brothers, 1984; Enemy Mine, Twentieth Century-Fox, 1985. PRINCIPAL TELEVISION WORK—Series: Director, Scenes of the Crime. RELATED CAREER—Stage director and actor, Ernst Deutsch Theatre, Hamburg, West Germany. WRITINGS: See production details above. FILM—(With Alexander Ziegler) Die Konsequenz, 1977; (with Karl-Heinz Willschrei and Jochen Wedegartner) Schwarz und Weiss Wie Tage und Naechte, 1978; Das Boot, 1982; (with Herbert Lichtenfeld) Reifezeugnis, 1982; (with Herman Weigel) The Neverending Story, 1984.

MICHELLE PFEIFFER 335

PHILLIPS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

sal, 1985; Isabeau, Ladyhawke, Warner Brothers/Fox, 1985; Faith Healy, Sweet Liberty, Universal, 1986; Brenda, "Hospital" in Amazon Women on the Moon, Universal, 1987; Sukie Ridgemont, The Witches of Eastwick, Warner Brothers, 1987; Angela De Marco, Married to the Mob, Orion, 1988; Jo Ann Vallenari, Tequila Sunrise, Warner Brothers, 1988; Madame de Tourvel, Dangerous Liaisons, Warner Brothers, 1988; Susie Diamond, The Fabulous Baker Boys, Twentieth Century-Fox, 1989. Also appeared as Katya, The Russia House, 1990.

WRITINGS: FILM—(With John Hughes and David Odell) Nate and Hayes (also known as Savage Islands), Paramount, 1983. AWARDS: Academy Award, Best Short Film (Live Action), 1980, and British Academy of Film and Television Arts Award nomination, Best Live-Action Short Subject Film, 1981, both for The Dollar Bottom. MEMBER: Agence de Cooperation Culturelle et Technique (Agency for Cultural and Technical Cooperation)—English Union.

PRINCIPAL TELEVISION APPEARANCES—Series: Bombshell, Delta House, ABC, 1979; Officer Samantha "Sunshine" Jensen, B.A.D. Cats, ABC, 1980. Episodic: Fantasy Island, ABC. Movies: Tricia, The Solitary Man, CBS, 1979; Sue Lynn, Callie and Son, CBS, 1981; Jennifer Williams, The Children Nobody Wanted, CBS, 198 l;Ginny Stamper, Splendor in the Grass, NBC, 1981. Specials: Jane, One Too Many, CBS, 1985; Natica Jackson, "Tales from the Hollywood Hills: Natica Jackson," Great Performances, PBS, 1987.

ADDRESSES: OFFICE—8981 Sunset Boulevard, Suite 307, Los Angeles, CA 90069. AGENT—International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.

PHILLIPS, Sian

RELATED CAREER—Founder (with Kate Guinzburg) of a production company in association with Orion Pictures.

1934-

PERSONAL: Born May 14, 1934, in Bettws, Wales; daughter of David and Sally (Thomas) Phillips; married Peter O'Toole (an actor), 1960 (divorced, 1979); married Robin Sachs (an actor), December 24, 1979; children: Kate, Pat (first marriage). EDUCATION—Attended the University of Wales; studied acting at the Royal Academy of Dramatic Art.

NON-RELATED CAREER—Check-out clerk, Vons Supermarket, Santa Ana, CA. AWARDS: Academy Award nomination, Best Supporting Actress, 1989, for Dangerous Liaisons; Los Angeles Film Critics Association Achievement Award, Best Actress, 1989, D.W. Griffith Award from the National Board of Review, Best Actress, 1989, New York Film Critics Award, Best Actress, 1989, National Society of Film Critics Award, Best Actress, 1990, Golden Globe, Best Performance By an Actress in a Motion Picture—Drama, 1990, and Academy Award nomination, Best Actress, 1990, all for The Fabulous Baker Boys.

VOCATION: Actress. CAREER: LONDON DEBUT—Title role, Hedda, Duke of York's

MEMBER: Screen Actors Guild. ADDRESSES: AGENT—Ed Limato, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

PHILLIPS, Lloyd

1949-

PERSONAL: Born December 14, 1949, in New Zealand; son of Morris (an engineer) and Hilda (a writer; maiden name, Rosenbaum) Phillips. EDUCATION—Graduated from the National Film School (England). VOCATION: Producer. CAREER: Also see WRITINGS below. FIRST STAGE WORK— Associate producer, The Threepenny Opera, Lunt-Fontanne Theatre, New York City, 1989. FIRST FILM WORK—Producer, The Dollar Bottom, Paramount, 1981. PRINCIPAL FILM WORK—Producer, Battle Truck (also known as Warlords of the Twenty-First Century), New World, 1982; producer, Nate and Hayes (also known as Savage Islands), Paramount, 1983.

SIAN PHILLIPS

336

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

PIALAT

O'Casey, 1980; How Many Miles to Babylon?, 1982; George Barrow, 1983; The Achurch Papers; Lady Windermere's Fan; A Painful Case; and Language and Landscape.

Theatre, 1957. PRINCIPAL STAGE APPEARANCES—Title role, Saint Joan, Belgrade Theatre, Coventry, U.K., 1958; Masha, The Three Sisters, Nottingham Playhouse, Nottingham, U.K., 1958; Princess Si wan, King's Daughter, Hampstead Theatre Club, London, 1959; Katherine, The Taming of the Shrew, Oxford Playhouse, Oxford, U.K., 1960; Julia, The Duchess of Malfi and Bertha, Ondine, both Royal Shakespeare Company, Aldwych Theatre, London, 1961; Arlow, The Lizard on the Rock, Phoenix Theatre, London, 1962; Penelope, Gentle Jack, Queen's Theatre, London, 1963; Yolande,Max/£«/es, Queen's Theatre, 1964; Hannah Jelkes, Night of the Iguana, Ashcroft Theatre, Croydon, U.K., 1965; Myra, Ride a Cock Horse, Piccadilly Theatre, London, 1965; Ann Whitefield, Man and Superman, New Art Theatre, then Vaudeville Theatre, later Garrick Theatre, all London, 1966; strange lady, The Man of Destiny, Mermaid Theatre, London, 1966; Edwina, The Burgler, Vaudeville Theatre, 1967; Alma Winemiller, Eccentricities of a Nightingale, Yvonne Arnaud Theatre, Guildford, U.K., 1967; Queen Juana, The Cardinal of Spain, Yvonne Arnaud Theatre, 1969; Ruth Grey, Epitaph for George Dillon, Young Vic Theatre, London, 1972; Mrs. Elliot, Alpha Beta, Palace Theatre, Watford, U.K., 1973; Virginia Woolf, A Nightingale in Bloomsbury Square, Hampstead Theatre Club, 1974; Duchess of Strood, The Gay Lord Quex, Albery Theatre, London, 1975; Myra Evans, Spinechiller, Duke of York's Theatre, 1978; Mrs. Arbuthnot, A Woman of No Importance and Countess, The Inconstant Couple, both Chichester Festival Theatre, Chichester, U.K., 1978; Mrs. Clandon, You Never Can Tell, Lyric Hammersmith Theatre, London, 1979; Mrs. Patrick Campbell, Dear Liar, Mermaid Theatre, 1982. Also appeared in Pal Joey, Half Moon Theatre, London, 1980, then Albery Theatre, 1981; Major Barbara, National Theatre, London, 1982; Peg, Phoenix Theatre, 1984; Gigi, Lyric Theatre, London, 1985; Love Affair, 1984; Paris Match, Garrick Theatre, 1989.

RELATED CAREER—Worked for BBC-Radio, Wales, during the mid-1940s, and BBC-Television, Wales, during the 1950s; newsreader, announcer, and member, BBC Repertory Company, 1953-55; member, National Eisteddfod of Caernarvon and Gorsedd of Bards, both in recognition of services to Welsh drama. RECORDINGS: ALBUMS—Pal Joey, Peg, and / Remember Mama. SINGLES—"Bewitched, Bothered, and Bewildered." AWARDS: New York Critics' Circle Award and the Famous Seven Critics' Award, both 1969 for Goodbye Mr. Chips; British Academy of Film and Television Arts Award, Best Actress, 1975, for How Green Was My Valley; British Academy of Film and Television Arts Award, Best Actress, and Royal Television Society Award, both 1978, for /, Claudius. HONORARY DEGREES— University of Wales, Doctor of Literature, 1984. MEMBER: Welsh Arts Council, National Theatre of Wales (governor), Honorary Order of the Druids. SIDELIGHTS: RECREATIONS—Canvas embroidery and gardening. ADDRESSES: AGENT—Saraband Ltd., 153 Petherton Road, London N5, England.*

PIALAT, Maurice MAJOR TOURS—Margaret Muir, The Holiday, U.K. cities, 1957; toured Wales in original Welsh plays and in classic English translations for the Welsh Arts Council, 1953-55.

1925-

PERSONAL: Born August 21, 1925, in Puy-de-Dome, France. EDUCATION—Attended L'Ecole des Arts Decoratifs and L'Ecole des Beaux-Arts.

PRINCIPAL FILM APPEARANCES—Wren, The Longest Day, Twentieth Century-Fox, 1962; Gwendolyn, Becket, Paramount, 1964; Ella, Young Cassidy, Metro-Goldwyn-Mayer (MGM), 1965; Ursula Mossbank, Goodbye Mr. Chips, MGM, 1969; Dr. Hayden, Murphy's War, Paramount, 1971; Mrs. Ogmore-Pritchard, Under Milk Wood, Altura Films International, 1973; Lady Ripon, Nijinsky, Paramount, 1980; Cassiopeia, Clash of the Titans, Metro-GoldwynMayer/United Artists, 1981; Reverend Mother Gaius Helen Mohiam, Dune, Dino De Laurentiis/Universal, 1984; Annabella Rock, The Doctor and the Devils, Twentieth Century-Fox, 1985; Madame de Volanges, Valmont, Orion, 1989. Also appeared in Laughter in the Dark, 1968.

CAREER: See also WRITINGS below. PRINCIPAL FILM APPEARANCES—Police inspector, Que la belie muere (also known as This Man Must Die and Uccidero un uomo), Allied Artists, 1970; client, Mes petites amoureuses (also known as My Little Loves), AMLF, 1974; father, A nos amours (also known as To Our Loves), Gaumont/Artificial Eye, 1983, released in the United States by Triumph, 1984; Dean Menou-Segrais, Sous le soldi de Satan (also known as Under the Sun of Satan and Under Satan's Sun), Gaumont, 1987, released in the United States by Alive Films, 1989.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Emmeline Pankhurst, Shoulder to Shoulder, BBC, 1974, then Masterpiece Theatre, PBS, 1975; Beth Morgan, How Green Was My Valley, BBC, 1975, then Masterpiece Theatre, PBS, 1976; Livia, /, Claudius, BBC, 1976, then Masterpiece Theatre, PBS, 1977; Ann Smiley, Tinker, Tailor, Soldier, Spy, PBS, 1980; Clementine Churchill, *'Churchill: The Wilderness Years," Masterpiece Theatre, PBS, 1981; Ann Smiley, Smiley's People, syndicated, 1982; also Crime and Punishment, BBC, 1979, then Masterpiece Theatre, PBS, 1980; Vanity Fair, Arts and Entertainment, 1988. Movies: Charal, Ewoks: The Battle for Endor, ABC, 1985; Duchess of Windsor, The Two Mrs. Grenvilles, NBC, 1987. Specials: Pyramid,PBS, 1988. Also appeared in Boudicca, 1977; Off to Philadelphia in the Morning, 1977; The Oresteia of Aeschylus, 1978; Sean

PRINCIPAL FILM WORK—Director: L'Enfance nue (also known as Me and Naked Childhood), 1968, released in the United States by Altura, 1970; Nous ne vieillirons pas ensemble (also known as We Won't Grow Old Together, We Will Not Grow Old Together, and Break-Up), Corona, 1972; La Gueule ouverte (also known as The Mouth Agape), Films la Boetie, 1974; Passe ton bac d'abord (also known as Graduate First and Get Your Diploma First), Films du Livradois/AMLF/New Yorker, 1979; Loulou, Gaumont/Artificial Eye, 1979, released in the United States by New Yorker, 1980; (also producer) A nos amours (also known as To Our Loves), Gaumont/Artificial Eye, 1983, released in the United States by Triumph, 1984; Police, Gaumont/New Yorker/Artificial Eye, 1985; Sous le soleil de Satan (also known as Under the Sun of Satan and Under Satan's Sun), Gaumont, 1987, released in the United

VOCATION: Director, producer, screenwriter, and actor.

337

PISIER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

States by Alive Films, 1989. Also director L'Amour existe (short film), 1958.

Also appeared in Qui ose nous accuser?, 1961; La Morte d'un tueur, 1963; Les Yeux cernes, 1964; Der Zauberberg (also known as The Magic Mountain), Franz Seitz Filmproduktion/Gaumont/ Opera Film Produzione/Zweites Deutsches Fernsehen, 1982; L'Ami de Vincent (also known as A Friend of Vincent), AMLF/World Marketing, 1983; Les Nanas (also known as The Chicks), Union Generale Cinematographique, 1984; 44 ou les recits de la nuit (also known as 44, or Tales of the Night), 1985; L'lnconnu de Vienne, SFP, 1986.

PRINCIPAL TELEVISION WORK—Director: Janine, 1961; Maitre Galip, 1962; La Maison des Bois, 1971. RELATED CAREER—Painter. WRITINGS: FILM—See production details above: L'Enfance nue, 1968; Nous ne vieillirons pas ensemble, 1972; La Gueule ouverte, 1974; Passe ton bac d'abord, 1979; (with Arlette Langmann) Loulou, 1979; (with Langmann) A nos amours, 1983; (with Catherine Breillat, Sylvie Danton, and Jacques Feschi) Police, 1985; (with Dantan) Sous le soleil de Satan, 1987.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Lisa, The French Atlantic Affair, ABC, 1979; Valentine O'Neill, Scruples, CBS, 1980. WRITINGS: FILM—(With Jacques Rivette, Eduardo du Gregorio, Juliet Berto, Dominique LaBourier, and Bulle Ogier) Celine et Julie vont en bateau (also known as Celine and Julie Go Boating), Les Films Christian Fachner, 1974; (with Francois Truffaut, Jean Aurel, and Suzanne Schiffman) L Amour enfuite (also known as Love on the Run), Les Films du Carosse, 1980.

AWARDS: Venice Film Festival Award, 1958, for L'Amour existe; Prix Jean Vigo, 1967, for L'Enfance nue; Golden Palm Award from the Cannes Film Festival, 1987, for Sous les soleil de Satan.*

AWARDS: Cesar Award, Best Actress, 1975, for Cousin Cousine. *

PISIER, Marie-France

1944-

PERSONAL: Born May 10, 1944, in Dalat, Indochina (Vietnam); father, a French government official. EDUCATION—Received degrees in law and political science from the University of Paris.

PLAYTEN, Alice

VOCATION: Actress and screenwriter.

1947-

PERSONAL: Born August, 1947, in New York, NY. EDUCATION—Attended New York University.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Colette, L'Amour a vingt ans (also known as Love at Twenty, Amore a vent'anni, Milosc Dwudziestolatkow, and Liebe Mit Zwanzig), 1962, released in the United States by Embassy, 1963; Eva, Trans-Europ-Express, Trans American, 1968; Colette Tazzi, Baisers voles (also known as Stolen Kisses), Lopert, 1969; Sophie, Celine et Julie vont en bateau (also known as Celine and Julie Go Boating), Les Films Christian Fachner, 1974; Regina, Souvenirs d' en France (also known as French Provincial and Inside Memories of France), AMLF, 1975; Nelly, Barocco, Films la Boetie, 1976; Agathe, Serail, Contemporary, 1976; Karine, Cousin, Cousine, Les Films Pomerey/Gaumont, 1976; Gilberte, Le Corps e mon ennemi {also known as The Body of My Enemy), AMLF, 1976; Noelle Page, The Other Side of Midnight, Twentieth Century-Fox, 1977; Madame Umlaut, Les Apprentis sorciers, Backstreet/Institut National de L'Audiovisuel/Buffalo, 1977; Charlotte Bronte, Les Soeurs Bronte (also known as The Bronte Sisters), Gaumont, 1979; Madame Tessier, French Postcards, Paramount, 1979.

VOCATION: Actress. CAREER: STAGE DEBUT—Wozzeck (opera), Metropolitan Opera House, New York City, 1959. PRINCIPAL STAGE APPEARANCES— Bet, Oliver!, Imperial Theatre, New York City, 1963; Ermengarde, Hello, Dolly!, St. James Theatre, New York City, 1964; Kafritz, Henry, Sweet Henry, Palace Theatre, New York City, 1967; Miss U, Promenade, Promenade Theatre, New York City, 1969; Ingrid, "The Elevator" and Alice, "I Want to Walk to San Francisco" in The Last Sweet Days of Isaac, Eastside Playhouse, New York City, 1970, then Playhouse in the Park, Cincinnati, OH, 1971; ensemble, National Lampoon's Lemmings (revue), Village Gate Theatre, New York City, 1973; young Libby, Valentine's Day, Manhattan Theatre Club, New York City, 1975; Edith, The Pirates ofPenzance, New York Shakespeare Festival, Delacorte Theatre, New York City, 1980; Meg, The Actor's Nightmare and Diane Symonds, Sister Mary Ignatius Explains It All for You (double-bill), Playwrights Horizons, then Westside Arts Theatre, both New York City, 1982; Eden, That'sit, Folks!, Playwrights Horizons, 1983; Ronnie Roberts, Yankee Wives, Old Globe Theatre, San Diego, CA, 1983; Eve, Up from Paradise, Jewish Repertory Theatre, New York City, 1983; Emma, Spoils of War, Second Stage Theatre, then Music Box Theatre, both New York City, 1988. Also appeared in A History of the American Film, Center Theatre Group, Mark Taper Forum, Los Angeles, 1976-77; The Admirable Crichton, Long Wharf Theatre, New Haven, CT, 1980-81; George Mf, Palace Theatre, New York City; and in productions of A Visit, The Hotel Play, and The Sorrows of Stephen, all in New York City.

Colette Lecoudray, La Banquiere (also known as The Woman Banker), Gaumont, 1980; Colette, L Amour enfuite (also known as Love on the Run), Les Films du Carosse, 1980; B.B., Miss Right, lAP/Sony Video Software, 1981; Gabrielle "Coco" Chanel, Chanel solitaire, United Film Distribution, 1981; journalist, L'As des as (also known as Ace of Aces), Gaumont, 1982; Florence, Der Stille Ozean (also known as The Silent Ocean), Teamfilm/ Osterreichischer Rundfunk Fernsehen/Zweites Deutsches Fernsehen, 1982; Laurence Ballard, Le Prix de danger (also known as The Prize of Peril), Brent Walker Film Distributors/Union Generale Cinematographique, 1983; Dr. Emilienne Simpson, Hot Touch, Astral/Trans-Atlantic Enterprises, 1982; Persephone, Parking, A.M., 1985; Martha, L'Oeuvre au noir (also known as The Abyss), Union Generale Cinematographique/Twentieth Century-Fox, 1988.

MAJOR TOURS—Baby Louise, Gypsy, U.S. cities, 1961. PRINCIPAL FILM APPEARANCES—Harriet, Ladybug, Ladybug, United Artists, 1963; Delia Isadore, Who Killed Mary What's 'er 338

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 POUNDER

Maude, Columbia, 1984; Dr. Lido, Paramedics, Vestron, 1988. Also appeared in Won Ton Ton—The Dog That Saved Hollywood, Paramount, 1976; Slap Shot, Universal, 1977.

Name? (also known as Death of a Hooker), Cannon, 1971; Corrine, California Dreaming, American International, 1979; voice of Gloria, Heavy Metal (animated), Columbia, 1981; demon's voice, Amityville II: The Possession, Orion, 1982; Blix, Legend, Universal, 1985; voices of Baby Lickety Split and Bushwoolie, My Little Pony (animated), De Laurentiis Entertainment Group, 1986; Una, Le Big Bang (also known as The Big Bang), Twentieth CenturyFox, 1987.

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Danvers, Doctors' Hospital, NBC, 1975-76; Richard A very, Knots Landing, CBS, 1979-83. Mini-Series: Marty Cass, Seventh Avenue, NBC, 1977. Pilots: Nicky Holroyd, Bell, Book, and Candle, NBC, 1976. Episodic: Dr. Ashfield, Simon and Simon, CBS, 1986; Nicky Saperstein, Murder, She Wrote, CBS, 1986; Charley, Highway to Heaven, NBC, 1987; Dr. Slevin, Hard Copy, CBS, 1987; Lancer, MacGyver, ABC, 1987; Stanley, Highway to Heaven, NBC, 1988. Movies: Lee Harvey Oswald, The Trial of Lee Harvey Oswald, ABC, 1977; Kip Nathan, The Users, ABC, 1978; Willie Hedges, Once Upon a Family, CBS, 1980; Jeff McNulty, The Kid with the BrokenHalo, NBC, 1982; Frank Vandenberg, Burning Rage, CBS, 1984; Al Singer, Stormin Home, CBS, 1985; Tommy Gallep, Malice in Wonderland, CBS, 1985; David Elias, Mrs. Delafield Wants to Marry, CBS, 1986; John Hamill, Welcome Home, Bobby, CBS, 1986; Mel Erman, Shattered Innocence, CBS, 1988; Eddie Maltz, Sidney Sheldon's "Windmills of the Gods," CBS, 1988; Wagner Thorne, Murder in Paradise, NBC, 1990. Specials: Zero Hour, ABC, 1967.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Masquerade, PBS, 1971; Alice, The Lost Saucer, syndicated, 1975-76; Alice, That's Cat, syndicated, 1977. Pilots: Sergeant "Lizard" Gossamer, Over and Out, NBC, 1976. Specials: Voice of Nutshell Kid, Really Rosie: Starring the Nutshell Kids (animated), CBS, 1975; also "Me and Dad's New Wife," ABC After-school Specials, ABC, 1976. RECORDINGS: ALBUMS—Hello, Dolly! (original cast recording), RCA; Henry, Sweet Henry (original cast recording), ABC. AWARDS: Theatre World Award, 1967, for Henry Sweet Henry; Obie Award from the Village Voice, 1972-73, for National Lampoon's Lemmings; Drama Desk Award nomination, Best Featured Actress in a Play, 1989, for Spoils of War.

PRINCIPAL TELEVISION WORK—Episodic: Director, Knots Landing, CBS.

ADDRESSES: AGENTS—Smith-Freedman and Associates, 850 Seventh Avenue, New York, NY 10019; The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210.*

PLESHETTE, John

WRITINGS: TELEVISION—Episodic: Ryan's Four, ABC, 1983; also Knots Landing, CBS. ADDRESSES: OFFICE—2643 Creston Drive, Los Angeles, CA 90068. AGENTS—McCartt, Oreck, Barrett, 10390 Santa Monica Boulevard, Suite 310, Los Angeles, CA 90025; Harris and Goldberg, 2121 Avenue of the Stars, Suite 950, Los Angeles, CA 90067.*

1942-

PERSONAL: Born July 27, 1942, in New York, NY. EDUCATION—Attended Brown University and Carnegie-Mellon University; studied acting with Stella Adler and Sanford Meisner. CAREER: BROADWAY DEBUT—David Grossman, The Zulu and the Zayda, Cort Theatre, 1965-66. PRINCIPAL STAGE APPEARANCES—Moth, Love's Labour's Lost, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1965; Marquess of Dorset, Richard III and boy, Measure for Measure, both NYSF, Delacorte Theatre, 1966; Ted Ken O'Dunc, MacBirdf, Village Gate Theatre, New York City, 1967; boy, Jimmy Shine, Brooks Atkinson Theatre, New York City, 1968; Michael Fisch, The Shrinking Bride, Mercury Theatre, New York City, 1971; Jacob "Carruthers" Perew, Green Julia, Sheridan Square Playhouse, New York City, 1972; Jim, Allergy, Manhattan Theatre Club, New York City, 1974; Jigger Hannafin, Says I, Says He, Center Theatre Group, Mark Taper Forum, Los Angeles, 1979-80. Also appeared in productions of It's Called the Sugar Plum and Sound of Silence.

POUNDER, C.C.H.

1952-

PERSONAL: Born December 25, 1952, in Georgetown, Guyana. EDUCATION—Ithaca College, B.F.A., 1975. VOCATION: Actress.

PRINCIPAL STAGE WORK—Director, The Pornographer's Daughter, Manhattan Theatre Club, New York City, 1975.

CAREER: PRINCIPAL STAGE APPEARANCES—Rita, The Mighty Gents, Mobile Theatre, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1979; Valeria, Coriolanus, NYSF, Delacorte Theatre, then Public Theatre, New York City, both 1979; Mrs. Brewster, Open Admissions, Music Box Theatre, New York City, 1984. Also appeared in S.S. Glencairn, Long Wharf Theatre, New Haven, CT, 1978; with the Actors Theatre of Louisville, Louisville, KY, 1975-77; Arena Stage, Washington, DC, 1977-78; Milwaukee Repertory Theatre, Milwaukee, WI, 1980-81.

PRINCIPAL FILM APPEARANCES—Finkle, End of the Road, Allied Artists, 1970; Murray, Parades (also known as Break Loose), Cinerama, 1972; theatrical agent, House Calls, Universal, 1978; director, Rocky II, United Artists, 1979; Capitol Studios vice president, S.O.B., Paramount, 1981; Hap Ludlow, Micki and

PRINCIPAL FILM APPEARANCES—Nurse Gibbons, All That Jazz, Columbia/Twentieth Century-Fox, 1979; mother, Union City, Kinesis/Mainline, 1980; Anne, I'm Dancing As Fast As I Can, Paramount, 1982; Deborah, Go Tell It on the Mountain, Learning in Focus, 1984; Peaches Altamont, Prizzi's Honor, Twentieth Centu-

339

PRESLEY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ry-Fox, 1985; Brenda, Baghdad Cafe (also known as Out of Rosenheim), Filverlag der Autoren/Island, 1987.

ADDRESSES: OFFICE—1167 Summit Drive, Beverly Hills, CA 90210.*

PRINCIPAL TELEVISION APPEARANCES—Series: Dawn Murphy, Women in Prison, Fox, 1987-88. Mini-Series: Venus Taylor, The Atlanta Child Murders, CBS, 1985; Ernestine Littlechap, If Tomorrow Comes, CBS, 1986. Pilots: Anna Mae Demsey, The Line, NBC, 1987; also On the Edge, NBC, 1987. Episodic: Vonette Timmons, Cagney andLacey, CBS, 1986; Lucinda Merkle, 227, NBC, 1989; also Yvonne, Miami Vice, NBC. Movies: Priscilla, As Summers Die, HBO, 1986; Ada Johnson, Resting Place, CBS, 1986; Roberta, Leap of Faith, CBS, 1988; Janice, Run Till You Fall, CBS, 1988; Julie, Third Degree Burn, HBO, 1989; Prue, No Place Like Home, CBS, 1989; also Common Ground, CBS, 1990. Specials: Renee Cook, "My Past Is My Own," CBS Schoolbreak Special, CBS, 1989.

PRESNELL, Harve

PERSONAL: Born September 14, 1933, in Modesto, CA. EDUCATION—Attended the University of Southern California. VOCATION: Actor and singer. CAREER: BROADWAY DEBUT—Johnny "Leadville" Brown, The Unsinkable Molly Brown, Winter Garden Theatre, 1960. PRINCIPAL STAGE APPEARANCES—Johnny "Leadville" Brown, The Unsinkable Molly Brown, Coconut Grove Playhouse, Miami, FL, 1967; Frank Butler, Annie Get Your Gun, Jones Beach Theatre, Long Island, NY, 1978; Oliver "Daddy" Warbucks, Annie II: Miss Hannigan's Revenge, Opera House, Kennedy Center for the Performing Arts, Washington, DC, 1990. Also appeared in Nobody Starts Out to Be a Pirate, Whole Theatre Company, Montclair, NJ, 1983-84; as Oliver "Daddy" Warbucks, Annie, American National Theatre and Academy Theatre, then Eugene O'Neill Theatre, later Uris Theatre, all New York City.

AWARDS: Image Award nomination from the NAACP, Best Actress in a Television Drama, 1986. ADDRESSES: OFFICE—870 N. Vine Street, Suite G, Los Angeles, CA 90038.*

PRESLEY, Priscilla

1933-

MAJOR TOURS—Johnny "Leadville" Brown, The Unsinkable Molly Brown, U.S. cities, 1962; Billy Bigelow, Carousel, U.S. cities, 1965; Oliver "Daddy" Warbucks, Annie, U.S. cities, 1979.

1946-

PERSONAL: Full name, Priscilla Ann Beaulieu Presley; born May 24, 1946, in Brooklyn, NY; married Elvis Presley (a singer and actor), May 1, 1967 (divorced, 1973); children: Lisa Marie.

PRINCIPAL FILM APPEARANCES—Johnny "Leadville" Brown, The Unsinkable Molly Brown, Metro-Goldwyn-Mayer (MGM), 1964; Sol Rogers, The Glory Guys, United Artists, 1965; Danny, When the Boys Meet the Girls (also known as Girl Crazy), MGM, 1965; Rotten Luck Willie, Paint Your Wagon, Paramount, 1969; also appeared in Blood Bath, Cannon, 1976.

VOCATION: Actress and producer. CAREER: PRINCIPAL FILM APPEARANCES—Jane Spencer, The Naked Gun—From the Files of Police Squad!, Paramount, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: Matthew Crane, Ryan's Hope, ABC, 1984-85. Pilots: The Singers, CBS, 1969. Movies: Ballad singer, The Great Man's Whiskers, NBC, 1973.

PRINCIPAL TELEVISION APPEARANCES—Series: Host, Those Amazing Animals, ABC, 1980-81; Jenna Wade, Dallas, CBS, 1983-88. Pilots: Tom Snydefs Celebrity Spotlight, NBC, 1980. Movies: Sandy Redford, Love Is Forever (also known as Comeback), NBC, 1982. Specials: The Barbara Walters Special, ABC, 1985; Night of 100 Stars II, NBC, 1985; host, Elvis' Graceland, syndicated, 1987; The American Comedy Awards, ABC, 1989; Super Bloopers and New Practical Jokes, NBC, 1989.

RELATED CAREER—Opera singer. AWARDS: Golden Globe, Most Promising Newcomer—Male, 1965, for The Unsinkable Molly Brown.*

PRINCIPAL TELEVISION WORK—Series: Executive producer (with Rick Husky and James D. Parriott), Elvis, ABC, 1990. Movies: Executive producer (with Joel Stevens and Bernard Schwartz), Elvis and Me, ABC, 1988.

PRESTON, Kelly

RELATED CAREER—Commercial spokesperson for beauty products. NON-RELATED CAREER—Fashion designer.

PERSONAL: Born c. 1963 in Hawaii; father, an agricultural engineer. EDUCATION—Studied acting at the University of California, Los Angeles, at the University of Southern California, and with Milton Katselas.

WRITINGS: Elvis and Me (autobiography), Berkeley, 1985.

VOCATION: Actress. 340

PRINCE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ADDRESSES: AGENT—211 E. 53rd Street, New York, NY 10022.*

CAREER: PRINCIPAL FILM APPEARANCES—Roseanne, Christine, Columbia, 1983; Dhyana, Metalstorm: The Destruction of Jared-Syn, Universal, 1983; Marilyn McCauley, Mischief, Twentieth Century-Fox, 1985; Deborah Anne Fimple, Secret Admirer, Orion, 1985; Cini, 52 Pick-Up, Cannon, 1986; Tish, Space Camp, Twentieth Century-Fox, 1986; Shirley Butts, A Tiger's Tale, Atlantic, 1987; Violet, "Titan Man" in Amazon Women on the Moon, Universal, 1987; Sara Lee, Love at Stake (also known as Burnin' Love), Tri-Star, 1987; Miranda Reed, Spellbinder, MetroGoldwyn-Mayer/United Artists, 1988; Marnie Mason, Twins, Universal, 1988; Bonnie, The Experts, Paramount, 1989.

PRINCE, Hal See PRINCE, Harold S.

PRINCIPAL TELEVISION APPEARANCES—Series: Mary Lee, For Love and Honor, NBC, 1983; also Capitol, CBS. Episodic: Amy Braddock, Blue Thunder, ABC, 1984; guest, The Dave Thomas Comedy Show, CBS, 1990.

PRINCE, Harold S. (Hal Prince)

RELATED CAREER—Professional model.

1928-

PERSONAL: Full name, Harold Smith Prince; born January 30, 1928, in New York, NY; son of Milton A. (a stockbroker) and Blanche (Stern) Prince; married Judith Chaplin, October 26, 1962; children: Charles, Daisy. EDUCATION—University of Pennsylvania, B.A., 1948. MILITARY—U.S. Army, 1950-52.

NON-RELATED CAREER—In the advertising industry.*

VOCATION: Producer and director. CAREER: PRINCIPAL STAGE APPEARANCES—George Abbott . . . a Celebration, Shubert Theatre, New York City, 1976.

PRINCE, Faith

PRINCIPAL STAGE WORK—All as producer, unless indicated: Assistant stage manager, Tickets, Please, Coronet Theatre, New York City, 1950; assistant stage manager, Wonderful Town, Winter Garden Theatre, New York City, 1953; (with Frederick Brisson and Robert E. Griffith) The Pajama Game, St. James Theatre, New York City, 1954; (with Brisson and Griffith) Damn Yankees, 46th Street Theatre, New York City, 1955; (with Brisson and Griffith) New Girl in Town, 46th Street Theatre, 1957; (with Griffith) West Side Story, Winter Garden Theatre, 1957, then Her Majesty's Theatre, London, 1958; (with Griffith) A Swim in the Sea, Walnut Street Theatre, Philadelphia, PA, 1958; (with Griffith and H.M. Tennent) Two for the Seesaw, Haymarket Theatre, London, 1958; (with Griffith) Fiorello!, Broadhurst Theatre, New York City, 1959.

PERSONAL: EDUCATION—Attended the Cincinnati Conservatory of Music, 1980. CAREER: BROADWAY DEBUT—Ma, Tessie Tura, and ensemble, Jerome Robbins' Broadway, Imperial Theatre, 1989. PRINCIPAL STAGE APPEARANCES—Ensemble, Scrambled Feet (revue), Village Gate Theatre Upstairs, New York City, 1979; Audrey, Little Shop of Horrors, Orpheum Theatre, New York City, 1983; Miss Adelaide, Guys and Dolls, Seattle Repertory Theatre, Seattle, WA, 1985; various roles, Groucho: A Life in Revue, Lucille Lortel Theatre, New York City, 1986; ensemble, Living Color (revue), Don't Tell Mama Theatre, New York City, 1986; Carrie Pepperidge, Carousel, Kennedy Center for the Performing Arts, Opera House, Washington, DC, 1986; Delores, Olympus on My Mind, Actors Outlet Theatre, Paper Mill Playhouse, Millburn, NJ, 1986-87; Chicky Griffin, Lucky Guy, Plaza Theatre, Dallas, TX, 1987. Also appeared in Tintypes, Seattle Repertory Theatre, 1980, then Royal Poinciana Playhouse, Palm Beach, FL, 1981; Leave It to Jane, Goodspeed Opera House, East Haddam, CT, 1985; Urban Blight, Manhattan Theatre Club, New York City, 1988.

(With Griffith) Tenderloin, 46th Street Theatre, 1960; (with Griffith) A Call on Kuprin, Broadhurst Theatre, 1961; Take Her, She's Mine, Biltmore Theatre, New York City, 1961; director, A Family Affair, Billy Rose Theatre, New York City, 1962; A Funny Thing Happened on the Way to the Forum, Alvin Theatre, New York City, 1962, then Strand Theatre, London, 1963; (with Sidney Gordon and Howard Erskine; also director) She Didn't Say Yes, Falmouth Theatre, Coonamessett, MA, 1963; (with Lawrence N. Kasha and Phillip C. McKenna; also director) She Loves Me, Eugene O'Neill Theatre, New York City, 1963, then Lyric Theatre, London, 1964; (with Michael Codron and Pledon Ltd.) PoorBitos, Cort Theatre, New York City, 1964; Fiddler on the Roof, Imperial Theatre, New York City, 1964, then Majestic Theatre, New York City, 1967, later (with Richard Pilbrow) Her Majesty's Theatre, 1967; director, Baker Street, Broadway Theatre, New York City, 1965; Flora, the Red Menace, Alvin Theatre, 1965; (with Ruth Mitchell; also director) It's a Bird . . . It's a Plane . . . It's Superman!, Alvin Theatre, 1966; (with Mitchell; also director) Cabaret, Broadhurst Theatre, 1966, then Imperial Theatre, 1967, later Broadway Theatre, 1968, then (with Pilbrow) Palace Theatre,

MAJOR TOURS—Ensemble, Scrambled Feet (revue), U.S. cities. PRINCIPAL FILM APPEARANCES—Angela, The Last Dragon, TriStar, 1985. PRINCIPAL TELEVISION APPEARANCES—Series: Rabbit, Encyclopedia, HBO, 1988. AWARDS: Drama Desk Award nomination, Best Actress in a Musical, 1989, for Jerome Robbins' Broadway. 341

PRINCE

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

Helen Hayes Theatre, 1975; "Dandelion Wine" and "Meeting Place,'' both in Phoenix Theatre Sideshows, New Phoenix Repertory Company, Playhouse II, 1975; (with Mitchell; also director) Pacific Overtures, Winter Garden Theatre, 1976; director, Ashmedai (opera), New York City Opera, State Theatre, New York City, 1976; director, Some of My Best Friends, Longacre Theatre, New York City, 1977; (with Mitchell) Side By Side By Sondheim, Music Box Theatre, New York City, 1977; director, On the Twentieth Century, St. James Theatre, 1978; director, The Girl of the Golden West (opera), Lyric Opera of Chicago, Chicago, IL, 1978, then San Francisco Opera, San Francisco, CA, 1979; director, Evita, Prince Edward Theatre, London, 1978, then Broadway Theatre, 1979; director, Sweeney Todd, the Demon Barber of Fleet Street, Uris Theatre, New York City, 1979, then Drury Lane Theatre, London, 1980. Director, Silverlake (opera), New York City Opera, State Theatre, 1980; director, Fanciulla del West (opera), Lyric Opera of Chicago, 1980; (with Lew Grade, Martin Starger, and Robert Fryer; also director) Merrily We Roll Along, Alvin Theatre, 1981; director, Willie Stark (opera), Houston Grand Opera, Houston, TX, 1981; director, Candide (opera), New York City Opera, State Theatre, 1982; (also director) A Doll's Life, Mark Hellinger Theatre, New York City, 1982; director, Turandot (opera), Vienna State Opera, Vienna, Austria, 1983; director, Girl of the Golden West (opera), La Scala, Milan, Italy, 1983; director, Play Memory, Longacre Theatre, 1984; director, End of the World, Music Box Theatre, 1984; director, Diamonds, Circle in the Square Theatre, New York City, 1984. (With others; also director) Grind, Mark Hellinger Theatre, 1985; director, Roza, Center Theatre Group, Mark Taper Forum, Los Angeles, 1986, then Royale Theatre, New York City, 1987; director, The Phantom of the Opera, Her Majesty's Theatre, 1986, then Majestic Theatre, 1988; director, Sweeney Todd, the Demon Barber of Fleet Street (opera), New York City Opera, State Theatre, 1987; director, Cabaret, Imperial Theatre, 1987, then Minskoff Theatre, New York City, 1988; director, Madam Butterfly (opera), Lyric Opera of Chicago, 1988; director, Don Giovanni (opera), New York City Opera, State Theatre, 1989; director, Faust (opera), Metropolitan Opera, Metropolitan Opera House, New York City, 1989. Also producer, Knuckle, New iPhoenix Repertory Company, 1975.

HAROLD S. PRINCE

London, 1968; (with Pilbrow) The Beggar's Opera, Apollo Theatre, London, 1968; (with Mitchell; also director) Zorba, Imperial Theatre, 1968. (With Mitchell; also director) Company, Alvin Theatre, 1970, then (with Pilbrow) Her Majesty's Theatre, 1972; (with Mitchell; also director with Michael Bennett) Follies, Winter Garden Theatre, 1971; Don Juan and (also director) The Great God Brown, both New Phoenix Repertory Company, Lyceum Theatre, New York City, 1972; "A Meeting By the River," in Phoenix Theatre Sideshows, New Phoenix Repertory Company, Edison Theatre, New York City, 1972; "Strike Heaven on the Face!" and "Games and After Liverpool" (double-bill) and "The Government Inspector," all in Phoenix Theatre Sideshows, New Phoenix Repertory Company, Edison Theatre, 1973; Chemin de Per, Holiday, and (also director) The Visit, all New Phoenix Repertory Company, Ethel Barrymore Theatre, New York City, 1973; (also director)Candide (opera), Chelsea Theatre Center, Brooklyn Academy of Music, Brooklyn, NY, 1973, then (with Mitchell) Broadway Theatre, 1974; (with Mitchell; also director) A Little Night Music, Shubert Theatre, then Majestic Theatre, both 1973, later (with Pilbrow) Adelphi Theatre, London, 1975; The Rules of the Game and (also director) Love for Love, both New Phoenix Repertory Company, Helen Hayes Theatre, New York City, 1974; "The Removalists" and "In the Voodoo Parlor of Marie Leveau" in Phoenix Theatre Sideshows, New Phoenix Repertory Company, Playhouse II, New York City, 1974; "Pretzels" in Phoenix Theatre Sideshows, Playhouse II, then Theatre Four, New York City, both 1974.

MAJOR TOURS—All as producer, unless indicated: Director, The Matchmaker, New York State Council on the Arts/Phoenix Theatre, U.S. cities, 1963; Fiddler on the Roof, U.S cities, 1966-69; (with Ruth Mitchell; also director) Cabaret, U.S. cities, 1967-69; (with Mitchell; also director) Zorba, U.S. cities, 1968-70; (with Mitchell; also director) Company, U.S. cities, 1971-72; (with Mitchell; also director with Michael Bennett) Follies, U.S. cities, 1971-72; (with Mitchell; also director) A Little Night Music, U.S. cities, 1974-75; (with Mitchell) Side By Side By Sondheim, U.S. cities, 1977-78; director, Sweeney Todd, the Demon Barber of Fleet Street, U.S. and international cities, 1980-82; director, Evita, U.S. and international cities, 1980-83; director, Cabaret, U.S. cities, 1987. PRINCIPAL FILM WORK—Director, Something for Everyone (also known as The Rook and Black Flowers for the Bride), National General, 1970; director, A Little Night Music, New World, 1977. PRINCIPAL TELEVISION APPEARANCES—Specials: Intermission guest, "Candide," Live from Lincoln Center, PBS, 1986; also My

The Member of the Wedding, New Phoenix Repertory Company,

342

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PSACHAROPOULOS

Life for Zarah Leander (documentary), 1986; "Bernstein at 70," Great Performances, PBS, 1989.

(chairman), Society of Stage Directors and Choreographers, Coffee House Club.

PRINCIPAL TELEVISION WORK—Specials: Director, Willie Stark (opera), PBS, 1981; director, Sweeney Todd, Entertainment Channel, 1982; director, "Candide," Live from Lincoln Center, PBS, 1986.

SIDELIGHTS: RECREATIONS—Walking, tennis, and swimming. ADDRESSES: OFFICE—1270 Avenue of the Americas, New York, NY 10020.*

RELATED CAREER—Artistic director (with Stephen Porter and Michael Montel), New Phoenix Repertory Company, 1972—; narrator of a revue for the Festival of American Arts and Humanities.

PSACHAROPOULOS, Nikos

WRITINGS: Contradictions: Notes on Twenty-Six Years in the Theatre (autobiography), Dodd, Mead and Company, 1974.

1928-1989

PERSONAL: Born January 18, 1928, in Athens, Greece; immigrated to the United States in 1947; died following surgery for colon cancer, January 12, 1989, in the Virgin Islands; son of Konstantin Nicholas and Helen (Mitsakos) Psacharopoulos. EDUCATION— Oberlin College, B.A., 1951; Yale University, M.F.A., theatre direction, 1954; also trained for the stage at the Actors' Studio.

AWARDS: Antoinette Perry Award, Best Musical, 1955, for The Pajama Game; Antoinette Perry Award, Best Musical, 1956, for Damn Yankees; Antoinette Perry Award nomination, Best Musical, 1958, for West Side Story; Antoinette Perry Award, Best Musical, and New York Drama Critics' Circle Award, Best Musical Production, both 1960, for Fiorellof; Antoinette Perry Award, Best Musical, 1963, for A Funny Thing Happened on the Way to the Forum; Antoinette Perry Award nominations, Best Musical and Best Director of a Musical, both 1964, for She Loves Me; Antoinette Perry Award, Best Musical, and New York Drama Critics' Circle Award, Best Musical Production, both 1965, for Fiddler on the Roof; Antoinette Perry Awards, Best Musical and Best Director of a Musical, and New York Drama Critics' Circle Award, Best Musical Production, all 1967, for Cabaret; Shubert Foundation Award, 1969; Antoinette Perry Award nominations, Best Musical and Best Director of a Musical, both 1969, forZorba; Variety-New York Drama Critics' Poll Award, Best Director, and New York Drama Critics' Circle Award, Best Musical Production, 1970, and Antoinette Perry Awards, Best Musical and Best Director of a Musical, 1971, all for Company; New York Drama Critics' Circle Award, Best Musical Production, 1971, for Follies; Antoinette Perry Award, Best Director of a Musical, Antoinette Perry Award nomination, Best Musical, both 1972, for Follies; Antoinette Perry Award, Best Musical, Antoinette Perry Award nomination, Best Director of a Musical, and New York Drama Critics' Circle Award, Best Musical Production, all 1973, for A Little Night Music; Antoinette Perry Award, Best Director of a Musical, special Antoinette Perry Award citation, Best Musical, New York Drama Critics' Circle Award, Best Musical, and Obie Award from the Village Voice, Distinguished Direction, all 1974, for Candide.

VOCATION: Director. CAREER: PRINCIPAL STAGE WORK—Director: Legend of Lovers, Yale University School of Drama, New Haven, CT, 1958; The Play of Daniel, New York Pro Musica, the Cloisters, New York City, 1958; Agamemnon, Yale University School of Drama, 1959; He Who Must Die and The Flowering Peach, both Yale University School of Drama, 1960; Man Better Man and The Visit, both Yale University School of Drama, 1963; Tambourines to Glory, Little Theatre, New York City, 1963; The Play of Herod, New York Pro Musica, the Cloisters, 1963; Arms and the Man, Yale University School of Drama, 1965; Lizzie Borden, New York City Opera, City Center Theatre, New York City, 1965; Cavalleria Rusticana and Miss Julie, both State Theatre, New York City, 1965; Peer Gynt, Yale University School of Drama, 1966; Dialogues of the Carmelites, State Theatre, 1966; Androcles and the Lion, American Shakespeare Festival, Stratford, CT, 1968; The Lion in Winter, Studio Arena Theatre, Buffalo, NY, 1968; The Glass Menagerie, Long Wharf Theatre, New Haven, CT, 1986; A Streetcar Named Desire, Circle in the Square, New York City, 1988; Sweet Bird of Youth, Royal Alexandra Theatre, Toronto, ON, Canada, 1988. Also director of productions at Rangeley Lakes Summer Theatre, Rangeley, ME, 1954; Light Up the Sky, The Seagull, Rhinoceros, Once Upon a Mattress, The Visit, Time Remembered, Our Town, The Skin of Our Teeth, Toys in the Attic, The Madwoman of Chaillot, A Streetcar Named Desire, Othello, Becket, Man and Superman, The Cherry Orchard, Pal Joey, A View from the Bridge, A Man for All Seasons, Ondine, Cyrano de Bergerac, Once in a Lifetime, Mary Stuart, Saint Joan, Caesar and Cleopatra, Two for the Seesaw, The Flowering Peach, Heartbreak House, Peer Gynt, Camino Real, Enemies, The Three Sisters, Misalliance, and The Legend of Oedipus, all Williamstown Theatre Festival, Williamstown, MA, 1955-88; and Arms and the Man, Pasadena Playhouse, Pasadena, CA.

Antoinette Perry Award nominations, Best Musical and Best Director of a Musical, both 1976, for Pacific Overtures; Antoinette Perry Award nomination, Best Musical, 1977, for Side By Side By Sondheim; Antoinette Perry Award nomination, Best Director of a Musical, 1978, for On the Twentieth Century; Antoinette Perry Award and Drama Desk Award, both Best Director of a Musical, 1979, for Sweeney Todd, the Demon Barber of Fleet Street; 1980, Antoinette Perry Award and Drama Desk Award, both Best Director of a Musical, forEvita; Commonwealth Award in Dramatic Arts from the Bank of Delaware, 1982; Antoinette Perry Award nominations, Best Musical and Best Director of a Musical, both 1985, for Grind; Antoinette Perry Award and Drama Desk Award, both Best Director of a Musical, 1988, for The Phantom of the Opera. HONORARY DEGREES—University of Pennsylvania, D.F.A., 1971; Emerson College, Litt.D., 1971.

MAJOR TOURS—Director, The Play of Daniel, European cities, 1960. PRINCIPAL TELEVISION WORK—Episodic: Director, "Night of the Auk," Play of the Week, WNTA, 1960. Specials: The Play of Daniel, WNET (New York City), 1966; "The Seagull," Great Performances, PBS, 1975; also Agamemnon, 1960.

MEMBER: League of New York Theatres (president, 1963-65), National Council for the Arts, National Institute for Music Theatre

RELATED CAREER—Instructor, Amherst College, Amherst, MA, 343

PYANT

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

1954; visiting lecturer, Williams College, Williamstown, MA, 1955; director, New York Pro Musica, New York City, 1955-70; associate professor, Yale University School of Drama, New Haven, CT, 1955-89, also lecturer, 1974-88; founder, executive director, and artistic director, Williamstown Theatre Festival, Williamstown, MA, 1955-89; instructor, Columbia University, New York City, 1961; also board member, American Shakespeare Festival, Stratford, CT; board member, New York City Opera; instructor, New York University, New York City; instructor, Circle in the Square, New York City. AWARDS: Ford Foundation grant to teach at Amherst College, Amherst, MA, 1954. HONORARY DEGREES—Williams College, L.H.D., 1974; Siena College, D.F.A., 1987. OBITUARIES AND OTHER SOURCES: New York Times, January 13, 1989, January 29, 1989; Variety, January 25-31, 1989.*

PYANT, Paul

1953-

PERSONAL: Surname is pronounced "P/e-ant"; born July 22, 1953; son of Leonard Vincent (a business executive) and Jean Phoebe (a medical secretary; maiden name, Frampton). EDUCATION—Attended the Royal Academy of Dramatic Art. POLITICS— Socialist (British Labour Party). RELIGION—Agnostic. VOCATION: Lighting designer.

PAUL PYANT

CAREER: FIRST STAGE WORK—Stage manager, Kent Opera, Kent, U.K., 1974. FIRST LONDON WORK—Lighting designer, Oberto, Bloomsbury Theatre, 1982. FIRST BROADWAY WORK— Lighting designer, Orpheus Descending, Neil Simon Theatre, 1989. PRINCIPAL STAGE WORK—All as lighting designer, unless indicated: The Barber of Seville and Le Nozze di Figaro (operas), both Welsh National Opera, Cardiff, Wales, 1987; The Devil's Wall University College Opera, London, 1987; This Happy Breed and Life's a Dream, both Drama Centre, London, 1987; The Merchant of Venice, Royal Exchange Theatre, Manchester, U.K., 1987; Masked Ball (opera), Brighton Festival, Brighton, U.K., 1987; Lady Macbeth ofMtsensk (opera), English National Opera, London, 1981; Macbeth (opera), Opera North, Leeds, U.K., 1987; L'ormindo, Guildhall, London, 1987; Hansel el Gretel (opera), Opera House, Geneva, Switzerland, 1987; A Wholly Healthy Glasgow, Royal Exchange Theatre, then Edinburgh Festival, Edinburgh, Scotland, both 1987, later Royal Court Theatre, London, 1988; The Pearl Fishers (opera) Scottish Opera, Glasgow, Scotland, 1988; A Place with the Pigs, National Theatre, London, 1988; Mother Courage, Cameri Theatre, Tel Aviv, Israel, 1988; Factory Girls, Druid Theatre Company, Gal way, Ireland, then Mayfest, Glasgow, later Sense of Ireland Festival, Riverside Studios, London, all 1988; assistant lighting designer, Winnie, Royal Exchange Theatre, then Victoria Palace Theatre, London, both 1988; Xerxes and Carmen (operas), both English National Opera, 1988; Sinners and Saints, Croyden Warehouse Theatre, Croyden, U.K., 1988; Trupets and Raspberry s, Druid Theatre Company, 1988; Abduction from the Seraglio (opera), Opera House, Buxton, U.K., 1988; La Boheme and Abduction from the Seraglio (operas), both Opera Northern Ireland, Belfast, Ireland, 1988; Don Giovanni (opera), Turandot (opera), and The Devil and Kate, Wexford Festival, Wexford, Ireland, 1988; Elisa e Claudio, Wexford Festival, then Queen Elizabeth Hall, London, both 1988; Le Nozze di Figaro,

Guildhall, 1988; Single Spies, National Theatre, 1988, then Queen's Theatre, London, 1989; Orpheus Descending, Peter Hall Company, London, 1988; LItaliana in Londra and Li Pittor Parigino, both Buxton Festival, 1989; Lear, Falstaff, and Street Scene (operas), all English National Opera, 1989; Who's Afraid of Virginia Woo If? and Christmas Carol, both Birmingham Repertory Theatre, Birmingham, U.K., 1989; The World According to Me, Playhouse Theatre, London, 1989; King Lear and The Liar, both Old Vic Theatre, London, 1989; The Return of Ulysses, Kent Opera, Kent, U.K., 1989; Mlada, London Symphony Orchestra, Barbican Theatre, London, 1989; Being Alive (charity gala), Theatre Royal, London, 1989; Le Nozze di Figaro (opera), Glyndebourne Festival Opera, 1989; Faust and Don Giovanni (operas), both Opera Northern Ireland, 1989; New Year, Houston Grand Opera, Houston, TX, 1989; Pirates of Penzance and The Mikado, both D'Oyly Carte Opera Company, London, 1989; Two for the Seesaw, Watford Palace Theatre, Watford, U.K., 1989; Street Scene, Scottish Opera, 1989; Another Time, Wyndham's Theatre, London, 1989; also Triple Bill, Northern Ballet, U.K., 1989. MAJOR TOURS—Lighting designer: When Did You Last See Your Trousers?, Twelfth Night, and She Stoops to Conquer, all 1987; A Tale of Two Cities, Cambridge Theatre Company, 1988; Orpheus Descending, Peter Hall Company, 1988; Another Time, 1989; Death in Venice, Glyndebourne Touring Opera, 1989. FIRST TELEVISION WORK—Lighting designer, King Priam, Channel Four, 1985. PRINCIPAL TELEVISION WORK—Lighting designer: Lady Macbeth of Mtsensk (opera), BBC, 1987; Xerxes (opera), Thames, 1988; The Devil and Kate, BBC, 1988. RELATED CAREER—Assistant lighting manager, Glyndebourne 344

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Opera, 1974-87; teacher, Royal Academy of Dramatic Art, 1974—; stage/company manager, Kent Opera, Kent, U.K., 1974-78; lecturer, Croydon College, 1988; associate, Royal Academy of Dramatic Art. AWARDS: Killick Award from Royal Academy of Dramatic Art, Best Technical Student, 1973. MEMBER: British Actors' Equity Association, NATKE (BETA), Labour Party, CND, Amnesty International, National Trust. SIDELIGHTS: RECREATIONS—Classical music, steam locomotives, and walking. ADDRESSES: AGENT—Jeffrey Cambell Management, 18 Queen Anne Street, London W1M 9LB, England.

345

PYANT

Q Story, 1974; The Sleeping Beauty, 1974; Mr. Garrick and Mrs. Woffington, 1975; Holding On, 1975; The Three Hostages, 1977; It's My Pleasure, Dorothy Parker, 1982.

QUARTERMASS, Martin See CARPENTER, John

ADDRESSES: AGENT—Duncan Heath Associates Ltd., Paramount House, 162-170 Wardour Street, London W1V 3AT, England.*

QUICK, Diana

1946-

PERSONAL: Born November 23, 1946. VOCATION: Actress.

QUIGLEY, Linnea (Linnea)

CAREER: PRINCIPAL STAGE APPEARANCES—Susan, Lear, English Stage Company, Royal Court Theatre, London, 1971; Betty, The Threepenny Opera, Prince of Wales Theatre, London, 1972; strange lady, Man of Destiny, Open Space Theatre, London, 1973; Rose Jones, The Sea, Royal Court Theatre, 1973; Liz Benson, Billy, Drury Lane Theatre, London, 1974; Lilamani, Phaedra Britannica, National Theatre Company, Old Vic Theatre, London, 1975; Prudence Malone, Plunder, National Theatre Company, Old Vic Theatre, 1976; Cressida, Troilus and Cressida, National Theatre Company, Young Vic Theatre, London, 1976; Olympia, Tamburlaine the Great, Parts I and II, National Theatre Company, Olivier Theatre, London, 1976; Pegg and Ann, The Women Pirates Ann Bonney and Mary Read and Beatrice-Joanna, The Changeling, both Royal Shakespeare Company, Aldwych Theatre, London, 1978.

PERSONAL: Born in Davenport, IA; daughter of W. Heath and Dorothy Quigley. EDUCATION—Attended the John Robert Powers Modeling School. VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Sleeping Beauty, Adult Fairy Tales (also known as Fairy Tales), Productions Associates, 1978; Ginger, Young Warriors, Cannon, 1983; Milly, The Black Room, CI, 1984; Heather, Savage Streets, Motion Picture Marketing, 1984; Denise, Silent Night, Deadly Night, Tri-Star, 1984; Trash, The Return of the Living Dead, Orion, 1985; Bianca, Creepozoids, Urban Classics, 1987; Melody, Nightmare Sisters (also known as Sorority Sisters), Trans World Entertainment/ Filmtrust, 1987; Suzanne, Night of the Demons, International Film Market, 1988; Spider, Sorority Babes in the Slimeball Bowl-oRama, Urban Classics, 1988; SamanthaKelso,//0//ywoodChainsa\v Hookers, Camp Motion Pictures/American Independent, 1988; soul from Freddy's chest, A Nightmare on Elm Street IV: The Dream Master, New Line Cinema, 1988; Lu DeBelle, Treasure of the Moon Goddess, Ascot, 1988; Didi, Vice Academy, RickSloane Productions, 1989; (as Linnea) Phoebe Love, Sexbomb, Phillips and Mora Entertainment, 1989; Bambi, Assault of the Party Nerds (also known as Party Nerds), Prism Entertainment, 1989; Ginger, Witchtrap (also known as The Haunted), Magnum Home Entertainment/Imperial Entertainment, 1989; Miss Barbeau, Robot Ninja, Cinema Home Video, 1989; Michelle Arno, Deadly Embrace, Prism Entertainment/Filmtrust, 1989. Also appeared in Graduation Day, Scope III, 1919; Summer Camp, Seymour Borde, 1979; Nightstalker, 1979; Stone Cold Dead, Dimension, 1979; Still Smokin' (also known as Cheech and Chong's Still Smokin'), Paramount, 1980; Cheech and Chong's Nice Dreams, Columbia, 1981; Don't Go Near the Park, 1981; Silent Night, Deadly Night Part II, Ascot, 1986; Doctor Alien (also known as / Was a Teenage Sex Mutant), Phantom Video, 1988; American Rampage, 1988; Murder Weapon, Cinema Home Video, 1989.

PRINCIPAL FILM APPEARANCES—Sony a, Nicholas and Alexandra, Columbia, 1971; Laura, The Duellists, Paramount, 1977; Mona Mars Grant, The Big Sleep, United Artists, 1978; Fiona Harris, The Odd Job, Columbia, 1978; Gwenda Vaughan, Ordeal By Innocence, Metro-Goldwyn-Mayer/United Artists, 1984; Anna, 79/9, British Film Institute/Channel Four, 1984; Camille, Max mon amour (also known as Max My Love), Allied Artists, 1986; Susan, Vroom, Film Four, 1988. Also appeared in A Private Enterprise, British Film Institute, 1975; Wilt, Rank Film Distributors, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Lady Julia Flyte, Brideshead Revisited, Granada, 1980-81, then Great Performances, PBS, 1982; also Word for Word, 1979-80; host, Friday Night/Saturday Morning, 1982. Mini-Series: Marian Halcombe, The Woman in White, Arts and Entertainment, 1982-83. Episodic: Smith and Jones, BBC-1. Movies: Brigida Bianchi, Phantom of the Opera, CBS, 1983; also The Justice Game, BBC-1, 1989. Specials: Voice of Beryl Markham, World Without Walls: Beryl Markham's African Memoir (documentary), PBS, 1986; narrator, Chanel, Chanel (documentary), Arts and Entertainment, 1989; also Ophelia, Hamlet, 1974. Also appeared in Christ Recrucified, 1969; Hopcraft into Europe, 1974; Napoleon in Love, 1974; Bedtime 347

QUINE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM WORK—Producer (with Fred Kennamer) Murder Weapon, Cinema Home Video, 1989.

Murder Your Wife, United Artists, 1965; (also producer) Synanon (also known as Get Off My Back), Columbia, 1965; Hotel, Warner Brothers, 1967; (with Alexander Mackendrick) OhDad, Poor Dad, Mamas Hung You in the Closet and I'm Feelin' So Sad, Paramount, 1967; The Moonshine War, Metro-Goldwyn-Mayer, 1970; W (also known as / Want Her Dead), Cinerama, 1974; The Prisoner ofZenda, Universal, 1979.

RELATED CAREER—Professional model.*

QUINE, Richard

PRINCIPAL TELEVISION WORK—All as director, unless indicated. Series: Hey Mulligan (also known as The Mickey Rooney Show), NBC, 1954-55; executive producer (with Richard Kennedy), The Jean Arthur Show, CBS, 1966; (with Stan Dragoti) McCoy, NBC, 1975-76. Pilots: Catch-22, ABC, 1973; The Specialists, NBC, 1975. Episodic: Columbo, NBC, 1971; Hec Ramsey, NBC, 1972; Project UFO, NBC, 1978.

1920-1989

PERSONAL: Born November 12, 1920, in Detroit, MI; died of a self-inflicted gunshot wound, June 10, 1989, in Los Angeles, CA; son of Thomas R. Quine (a vaudeville performer); married Susan Peters (an actress; divorced, 1948); married Barbara Bushman (divorced); married Fran Jefferies (a singer; divorced); fourth wife's name, Diana; children: one son (adopted; first marriage); two daughters (second marriage). MILITARY—U.S. Coast Guard.

PRINCIPAL RADIO APPEARANCES—Title role, Tom Sawyer. RELATED CAREER—Child performer in vaudeville for six years.

VOCATION: Director, producer, writer, and actor. WRITINGS: FILM—See production details above, unless indicated: (With Blake Edwards) Rainbow 'round My Shoulder, 1952; (with Edwards) Sound Off, 1952; (with Edwards) All Ashore, 1953; (with Edwards) Cruisin' Down the River, 1953; (with Edwards) Bring Your Smile Along, Columbia, 1955; (with Edwards) My Sister Eileen, 1955; (with Edwards) He Laughed Last, Columbia, 1956; composer (with Fred Karger and Stanley Styne), Juke Box Rhythm, Columbia, 1959. TELEVISION—Episodic: (With Edwards) Hey Mulligan, NBC, 1954-55.

CAREER: Also see WRITINGS below. STAGE DEBUT—Cardinal Richelieu, Los Angeles. BROADWAY DEBUT—Very Warm for May, Alvin Theatre, 1939. PRINCIPAL STAGE APPEARANCES— Frank Lippencott, My Sister Eileen, Biltmore Theatre, New York City, 1940; also appeared as Richard, Counsellor-at-Law. FILM DEBUT—The World Changes, Warner Brothers/First National, 1933. PRINCIPAL FILM APPEARANCES—Richard, Counsellor-at-Law, Universal, 1933; Jackie Shaw, Dinky, Warner Brothers, 1935; Pieter, A Dog of Flanders, RKO, 1935; John Reed, Jane Eyre, First Division, 1935; Ned, Little Men, Mascot, 1935; student, King of the Underworld, Warner Brothers, 1939; Morton Hammond, Babes on Broadway, Metro-Goldwyn-Mayer (MGM), 1941; Doctor Dennis Lindsey, Dr. Gillespie's New Assistant, MGM, 1942; Danny Hayden, For Me and My Gal, MGM, 1942; Frank Lippencott, My Sister Eileen, Columbia, 1942; Ensign Martin, Stand By for Action (also known as Cargo of Innocents), MGM, 1942; Ted Bowser, Tish, MGM, 1942; Brad Craig, We've Never Been Licked (also known as Fighting Command), Universal, 1943; Howard Bankson, The Cockeyed Miracle, MGM, 1946; Major George Rockton, Command Decision, MGM, 1948; Ben Feiner, Jr., Words and Music, MGM, 1948; Ted Niles, The Clay Pigeon, RKO, 1949; Hank Weber, Flying Missile, Columbia, 1950; Brownie, No Sad Songs for Me, Columbia, 1950; Johnny Truitt, Rookie Fireman, Columbia, 1950. Also appeared in Life Returns, Scienart, 1939.

OBITUARIES AND OTHER SOURCES: New York Times, June 14, 1989; Variety, 21-27, 1989.*

QUINN, J.C. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Sergeant Morrison, Short Eyes, New York Shakespeare Festival, (NYSF), Public Theatre, then Vivian Beaumont Theatre, both New York City, 1974; Jackie, The Petrified Forest, St. Clement's Church Theatre, New York City, 1974; Carl, Fathers and Sons, NYSF, Public Theatre, 1978; Jerusalem Slim, Salt Lake City Skyline, NYSF, Public Theatre, 1980; Skeet, Heartland, Century Theatre, New York City, 1981; Walsh, Legends, Center Theatre Group, Mark Taper Forum, Los Angeles, 1986.

FIRST FILM WORK—Producer and director (both with William Asher), Leather Gloves (also known as Loser Take All), Columbia, 1948. PRINCIPAL FILM WORK—All as director, unless indicated: Purple Heart Diary (also known as No Time for Tears), Columbia, 1951; Sunny Side of the Street, Columbia, 1951; Rainbow 'round My Shoulder, Columbia, 1952; Sound Off, Columbia, 1952; All Ashore, Columbia, 1953; Cruisin' Down the River, Columbia, 1953; Siren of Baghdad, Columbia, 1953; Drive a Crooked Road, Columbia, 1954; Pushover, Columbia, 1954; So This Is Paris, Universal, 1954; My Sister Eileen, Columbia, 1955; The Solid Gold Cadillac, Columbia, 1956; Operation Mad Ball, Columbia, 1957; Bell, Book, and Candle, Columbia, 1958; (also producer) It Happened to Jane (also known as Twinkle and Shine), Columbia, 1959; (also producer) Strangers When We Meet, Columbia, 1960; The WorldofSuzie Wong, Paramount, 1960; The Notorious Landlady, Columbia, 1962; producer, Paris When It Sizzles, Paramount, 1964; Sex and the Single Girl, Warner Brothers, 1964; How to

PRINCIPAL FILM APPEARANCES—Luther, On the Yard, Midwest Film, 1978; Dunn, Fire Power, Associated Film Distribution, 1979; Simon, Times Square, Associated Film Distribution, 1980; man on Riverside Drive, Gloria, Columbia, 1980; barber, Brubaker, Twentieth Century-Fox, 1980; Shorter, Eddie Macon's Run, Universal, 1983; Curtis Schultz, Silkwood, Twentieth CenturyFox, 1983; Texas voice, Places in the Heart, Tri-Star, 1984; Murphy, C.H.U.D., New World, 1984; Elmo, Vision Quest, Warner Brothers, 1985; Boyd, At Close Range, Orion, 1986; quartermaster sergeant, Heartbreak Ridge, Warner Brothers, 1986; Duncan, Maximum Overdrive, Dino De Laurentiis, 1986; Kevin McBane, Violated, Cinematronics, 1986; Jim, Barfly, Cannon, 1987; Garth Ratliff, Big Business, Buena Vista, 1988; Mayotte, Blanc de Chine (also known as Chinese White), AMLF, 1988; 348

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 QUINTERO

Circle in the Square, 1961; Look, We've Come Through, Hudson Theatre, New York City, 1961; (also co-producer) Plays for Bleecker Street, Circle in the Square, 1962; Great Day in the Morning, Henry Miller's Theatre, New York City, 1962; producer (with Mann), Under Milk Wood and (also producer with Mann) Pullman Car Hiawatha (double-bill), Circle in the Square, 1962; (also producer with Mann) Desire Under the Elms, Circle in the Square, 1963; Strange Interlude, Actors' Studio Company, Theatre, then Martin Beck Theatre, New York City, both 1963; Marco Millions, Repertory Company of Lincoln Center, Washington Square Theatre, New York City, 1964; Hughie, Royale Theatre, New York City, 1964; Diamond Orchid, Henry Miller's Theatre, 1965; Matty and the Moron and Madonna, Orpheum Theatre, New York City, 1965; A Moon for the Misbegotten, Studio Arena Theatre, Buffalo, NY, 1965; Pousse-Cafe, 46th Street Theatre, New York City, 1966; More Stately Mansions, Ahmanson Theatre, Los Angeles, then Broadhurst Theatre, New York City, both 1967; The Seven Descents of Myrtle, Ethel Barry more Theatre, New York City, 1968; Episode in the Life of an Author and The Orchestra, both Studio Arena Theatre, 1969.

Sonny Dawson, The Abyss, Twentieth Century-Fox, 1989; comedy coach, Wired, Taurus Entertainment, 1989; Walter Boyett, Turner and Hooch, Buena Vista, 1989; Papa Slovak, Gross Anatomy, Buena Vista, 1989. Also appeared in Love Dream (also known as Priceless Beauty), Titanus Distribuzione/Film Jacques Leitienne, 1988. PRINCIPAL TELEVISION APPEARANCES—Pilots: Bailiff, O'Malley, NBC, 1983. Episodic: Red Griswald, 1st & 10, HBO, 1985; Slats, "Young Harry Houdini," Disney Sunday Movie, ABC, 1987; sheriff, Stingray, NBC, 1987; Armstrong, A Year in the Life, NBC, 1987; Hartwell, Crime Story, NBC, 1988. Movies: Wilbur Purdy, An Invasion of Privacy, CBS, 1983; mayor, North Beach and Rawhide, CBS, 1985; Schmidler, Nutcracker: Money, Madness, and Murder, NBC, 1987; Jack Dorrian, The Preppie Murder, ABC, 1989; Ben, The China Lake Murders, USANetwork, 1990.*

QUINTERO, Jose

1924-

Gandhi, Playhouse Theatre, 1910', Johnny Johnson, Edison Theatre, New York City, 1971; A Moon for the Misbegotten, Morosco Theatre, New York City, 1973, then Center Theatre Group, Ahmanson Theatre, 1974; Gabrielle, Studio Arena Theatre, later Ford's Theatre Society, Washington, DC, both 1974; The Skin of Our Teeth, Eisenhower Theatre, Kennedy Center for the Performing Arts, Washington, DC, 1975; Knock Knock, Biltmore Theatre, New York City, 1976; Anna Christie, Imperial Theatre, New York City, 1977; A Touch of the Poet, Helen Hayes Theatre, 1977; Faith Healer, Longacre Theatre, New York City, 1979; Clothes for a Summer Hotel, Cort Theatre, New York, 1980; Welded, Horace Mann Theatre, New York City, 1981; Cat on a Hot Tin Roof, Center Theatre Group, Mark Taper Forum, Los Angeles, 1983; Rainsnakes, Long Wharf Theatre, New Haven, CT, 1984; The Iceman Cometh, Lunt-Fontanne Theatre, New York City, 1985; Long Day's Journey into Night, Neil Simon Theatre, New York City, 1988. Also director, The Iceman Cometh, Amsterdam, Netherlands, 1957; The Big Coca-Cola Swamp in the Sky, Westport, CT, 1971; Hughie, Lake Forest, IL, 1976; The Human Voice, Melbourne, Australia, 1978; and Ah! Wilderness, 1980.

PERSONAL: Full name, Jose Benjamin Quintero; born October 15, 1924, in Panama City, Panama; son of Carlos Rivira (a cattleman and politician) and Consuelo (Palmorala) Quintero. EDUCATION— University of Southern California, B.A., 1948; also attended Los Angeles City College; trained for the stage at the Goodman Theatre School, 1948-49. VOCATION: Director, producer, and writer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES— Valesa, a Nightmare, Detroit Repertory Theatre, Detroit, MI, 1983. FIRST STAGE WORK—Director, The Glass Menagerie and Riders to the Sea, both Woodstock Summer Theatre, Woodstock, NY, 1949. FIRST LONDON WORK—Director, Globe Theatre, 1958. PRINCIPAL STAGE WORK—All as director, unless indicated: Dark of the Moon, Circle in the Square, New York City, 1950; The Bonds of Interest, The Enchanted, Yerma, and Burning Bright, all Circle in the Square, 1951; Summer and Smoke, Circle in the Square, 1952; The Grass Harp, Circle in the Square, 1953; In the Summer House, Playhouse Theatre, New York City, 1953; The Girl on the Via Flaminia, Circle in the Square, 1954; Portrait of a Lady, American National Theatre and Academy Theatre, New York City, 1954; (also co-producer) La Ronde and Cradle Song, both Circle in the Square, 1955; The Innkeepers, John Golden Theatre, New York City, 1956; (also producer with Leigh Connell and Theodore Mann) The Iceman Cometh, Circle in the Square, 1956; (also producer with Connell and Mann) Long Day's Journey into Night, Helen Hayes Theatre, New York City, 1956; The Quare Fellow and (also co-producer) Children of Darkness, both Circle in the Square, 1958; A Moon for the Misbegotten, Festival of the Two Worlds, Spoleto, Italy, 1958; Lost in the Stars (opera) and The Triumph of St. Joan (opera), both City Center Theatre, New York City, 1958; Cavalleria Rusticana and / Pagliacci (operas; double-bill), Metropolitan Opera House, New York City, 1958; Our Town, Circle in the Square, 1959; Macbeth, Cambridge Drama Festival, Cambridge, MA, 1959.

MAJOR TOURS—Director, Long's Day's Journey into Night, U.S. cities, 1957-58. PRINCIPAL FILM WORK—Director, The Roman Spring of Mrs. Stone, Warner Brothers, 1961; associate producer (with Jose Berrios), Lola la Loca, Lola la Loca Associates/Electric, 1987. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Don Diego de la Pena, Fresno, CBS, 1986. PRINCIPAL TELEVISION WORK—All as director, unless indicated. Series: (With Leonard Valenta, John Stix, and Jack Garfein) Windows, CBS, 1955. Episodic: "Medea," Play of the Week, WNTA, 1959; "The Thunder of Ernie Bass" and "A Strange and Distant Place," The Nurses, CBS, 1962. Specials: Our Town, NBC, 1959; A Moon for the Misbegotten, ABC, 1975; "The Human Voice," Great Performances, PBS, 1979; also Hughie. RELATED CAREER—Director (With Neal DuBrock, Marvin Gordon, and Warren Enters), Studio Arena Theatre, Buffalo, NY, 1969-70; artistic associate director, Center Theatre Group, Mark Taper Forum, Los Angeles, 1984.

The Balcony, Circle in the Square, 1960; CaminoReal, St. Mark's Playhouse, New York City, 1960; Laurette, Shubert Theatre, New Haven, CT, 1960; (also producer with Mann) Under Milk Wood, 349

QUINTERO CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

WRITINGS: STAGE—Gabrielle, Studio Arena Theatre, Buffalo, NY, 1974. OTHER—If You Won t Dance, They Beat You. AWARDS: Obie Award from the Village Voice, Best Director, and Vernon Rice Award, both 1956, for The Iceman Cometh; Antoinette Perry Award nomination, Best Director, all 1957, for Long Day's Journey into Night; New York Newspaper Guild (Page One) Award, Outstanding Theatre Personality, 1957; Grand Prix du Television from the Monte Carlo Festival, 1959, for Medea; Lola d'Annunzio Award, 1960; Antoinette Perry Award, Best Director of a Play, and Drama Desk Award, 1974, both for A Moon for the Misbegotten; Distinguished Artist Award, 1985; Unique Contributions to the Theatre Award from the Drama League, 1987, for "sensitive and brilliant interpretation of Eugene O'Neill's dramatic masterpieces"; Caballero de la Order de Vasco Nunez de Balboa; La Asamblea Nacional de Panama. MEMBER: Directors Guild of America, Society of Stage Directors and Choreographers. SIDELIGHTS: RECREATIONS—Reading. ADDRESSES: OFFICE--c/o Thomas A. Andrews, 7 E. 67th Street, New York, NY 10021. AGENT—The Kohner Agency, 9169 Sunset Boulevard, Los Angeles, CA 90069.*

350

R

RADEMAKERS, Fons 1920-

CAREER: Also see WRITINGS below. STAGE DEBUT—With the Second City Improvisational Theatre, Toronto, ON, Canada, 197374. BROADWAY DEBUT—Gilda Radner Live from New York, Winter Garden Theatre, 1979. PRINCIPAL STAGE APPEARANCES— Ensemble, The National Lampoon Show (revue), New Palladium Theatre, New York City, 1975; Carrie, Lunch Hour, Ethel Barrymore Theatre, New York City, 1980-81; also appeared in Godspell, Global Village Theatre, Toronto, ON, Canada; Gilda Radner Live from New York, Boston, MA and Chicago, IL.

PERSONAL: Born September 5, 1920, in Roosendaal, Holland. EDUCATION—Trained at the Academy of Dramatic Art (Amsterdam). VOCATION: Producer, director, actor, and writer. CAREER: PRINCIPAL FILM APPEARANCES—Mother, Le Rouge aux levres (also known as Daughters of'Darkness}, Gemini, 1971; commissioner, Mysteries, Cine-Vog, 1979.

PRINCIPAL FILM APPEARANCES—Soshu member, The Last Detail, Columbia, 1973; Gloria Link, First Family, Warner Brothers, 1980; various roles, Gilda Live, Warner Brothers, 1980; Kate Hellman, Hanky-Panky, Columbia, 1982; Ms. Milner, The Woman in Red, Orion, 1984; Livia Machado, Movers and Shakers, United Artists, 1985; Vickie Pearle, Haunted Honeymoon, Orion, 1986. Also appeared in It Came from Hollywood, Paramount, 1982; Mr. Mike's Mondo Video, New Line Cinema, 1979; Animalympics (animated), Barber Rose International, 1979.

PRINCIPAL FILM WORK—All as director, unless indicated: Mysteries, Cine-Vog, 1979; (also producer) The Assault, Cannon, 1986; producer (with Henry Lange and Pierre Drouot), Diary of a Mad Old Man (also known as Dagboek Van een oude dwaas), Cannon, 1987; also Village on the River (also known as Dorp aan de river and Doctor in the Village), 1958; That Joyous Eve . . . (also known as Makkers staaki uw wild geraas), 1960; The Knife (also known as Het mes\ 1961; The Spitting Image (also known as Like Two Drops of Water and A/5 2 druppels water), 1963; The Dance of Heron (also known as De dans van de reiger), 1966; Mira, 1971; Because of the Cats (also known as The Rape and Niet voor de poseri), 1973; Max Havelaar, 1976; My Friend (also known as The Judge's Friend), 1979.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Saturday Night Live, NBC, 1975-80. Episodic: As herself, It's Garry Shandling's Show, Fox, 1988. Specials: Jill of Hearts, "Jack: A Flash Fantasy," Opera Theatre, PBS, 1977; King Orange Jamboree Parade, NBC, 1977; passerby, All You Need Is Cash, NBC, 1978; Things We Did Last Summer, NBC, 1978; Bob and Ray and Jane, Laraine, and Gilda, NBC, 1981; Steve Martins The Winds of Whoopie, NBC, 1983.

RELATED CAREER—Assistant to the film directors Vittorio De Sica, Federico Fellini, Jacques Becker, David Lean, Jean Renoir, and Charles Crichton; also directed for the stage. WRITINGS: FILM—(With Hugo Claus) That Joyous Eve . . . (also known as Makkers staaki uw wild geraas), 1960; The Spitting Image (also known as Like Two Drops of Water and A/5 2 druppels water), 1963.

PRINCIPAL RADIO APPEARANCES—Series: Regular, The National Lampoon Radio Hour. WRITINGS: STAGE—(With Lome Michaels and Don Novello) Gilda Radner Live from New York, Winter Garden Theatre, New York City, 1979. FILM—(With Michaels and Novello) Gilda Live, Warner Brothers, 1980. RADIO—The National Lampoon Radio Hour. OTHER—It's Always Something (autobiography), Simon and Schuster, 1989.

AWARDS: International Film Guide Award, Director of the Year, 1979.*

RADNER, Gilda 1946-1989

RECORDINGS: ALBUMS—Gilda Radner Live from New York (original cast recording).

PERSONAL: Born June 28, 1946, in Detroit, MI; died of cancer, May 20, 1989, in Los Angeles, CA; father, a hotel owner; married G.E. Smith (a musician), April, 1980 (divorced); married Gene Wilder (an actor, director, and writer), September 18, 1984. EDUCATION—Attended the University of Michigan.

AWARDS: Emmy Award, Outstanding Performance By an Actress in a Supporting Role in a Variety Series, 1978, for Saturday Night Live. OBITUARIES AND OTHER SOURCES: New York Times, May 21, 1989; Variety, May 24-30, 1989.*

VOCATION: Actress, comedienne, and writer. 351

RAKOFF

RAKOFF, Alvin

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

1927-

RAMIN, Sid 1924PERSONAL: Full name, Sidney Norton Ramin; born January 22, 1924, in Boston, MA; son of Ezra (a window trimmer) and Beatrice D. (Salamoff) Ramin; married Gloria Breit (a singer and model), January 9, 1949; children: Ronald. EDUCATION—Attended the New England Conservatory of Music, Boston University, and Columbia University; also studied musical theory with Leonard Bernstein. MILITARY—U.S. Army, sergeant, Infantry, 1940-45.

PERSONAL: Born February 6, 1927, in Toronto, ON, Canada; son of Samuel (a shopkeeper) and Pearl (Himmelspring) Rakoff; married Jacqueline Hill (an actress), June 4, 1958; children: Sasha Victoria, John Dmitri. EDUCATION—University of Toronto, B.A., 1948. VOCATION: Director and writer.

VOCATION: Orchestrator, musical arranger, and composer.

CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Director: Room 43 (also known as Passport to Shame), Cory, 1959; Hot Money Girl (also known as Long Distance, The Treasure of San Teresa, andRhapsodie in Blei), United Producers, 1962; The World in My Pocket (also known as On Friday at Eleven), MetroGold wyn-Mayer, 1962; The Comedy Man, British Lion, 1964; Crossplot, United Artists, 1969; Hoffman, Levitt/Pickman, 1970; Say Hello to Yesterday, Cinerama, 1971; (also producer) King Solomon's Treasure, Canafox Towers, 197'8; City on Fire, AVCOEmbassy, 1979; Death Ship, AVCO-Embassy, 1980; Dirty Tricks, AVCO-Embassy, 1981.

CAREER: Also see WRITINGS below. FIRST STAGE WORK— Orchestrator (with,Leonard Bernstein and Irwin Kostal), West Side Story, Winter Garden Theatre, New York City, 1957. PRINCIPAL STAGE WORK—All as Orchestrator, unless indicated: (With Robert Ginzler) Gypsy, Broadway Theatre, New York City, 1959; The Girls Against the Boys, Alvin Theatre, New York City, 1959; (with Ginzler; also arranger), Wildcat, Alvin Theatre, 1960; (also arranger) The Conquering Hero, American National Theatre and Academy Theatre, New York City, 1961; (with Irwin Kostal) Kwamina, 54th Street Theatre, New York City, 1961; / Can Get It for You Wholesale, Shubert Theatre, New York City, 1962; (with Kostal) A Funny Thing Happened on the Way to the Forum, Alvin Theatre, 1962; (with Leonard Bernstein and Kostal) West Side Story, Music Theatre of Lincoln Theatre, State Theatre, New York City, 1968; (with Kostal) A Funny Thing Happened on the Way to the Forum, Lunt-Fontanne Theatre, New York City, 1972; Leonard Bernstein's Mass (chamber-orchestra version), Mark Taper Forum, Los Angeles, CA, 1973; (with Ginzler) Gypsy, Winter Garden Theatre, New York City, 1974; 1600 Pennsylvania Avenue, Mark Hellinger Theatre, New York City, 1976; (with Bernstein and Kostal) West Side Story, Minskoff Theatre, New York City, 1980; (with Bill Byers, Dick Hazard, and Torrie Zito) Smile, Lunt-Fontanne Theatre, 1986; (with William D. Brohn) Jerome Robbins' Broadway, Imperial Theatre, New York City, 1989; Gypsy, St. James Theatre, New York City, 1989.

PRINCIPAL TELEVISION WORK—All as director, unless indicated. Mini-Series: Paradise Postponed, Thames, then Masterpiece Theatre, PBS, 1983. Movies: The Adventures of Don Quixote, BBC, 1972, then CBS, 1973; The First Olympics—Athens 1896, NBC, 1984. Specials: Mr. Halperin and Mr. Johnson, HBO, 1983. Also The Caine Mutiny Court Martial, BBC, 1958; Our Town, BBC, 1957; producer, Waiting for Gillian, 1957; Call Me Daddy, 1968; Summer and Smoke, BBC, 197'1; In Praise of Love, Anglia Television, 1975; Romeo and Juliet, BBC, 1978; A Voyage 'round My Father, 1982; Requiem for a Heavyweight, The Velvet Alley, A Town Was Turned to Dust, Jokers Justice, Call Me Back, Day Before Atlanta, Heart to Heart, The Seekers, Sweet War Man, The Move After Checkmate, The Stars in My Eyes, Shadow of a Gunman, The Impeachment of Andrew Johnson, Cheap in August, Nicest Man in the World, Dame of Sark, and The Kitchen.

MAJOR TOURS—(With Robert Ginzler) Gypsy, U.S. cities, 1961.

RELATED CAREER—Writer, director, and producer, British Broadcasting Corporation (BBC-TV), 1953-57.

FIRST FILM WORK—Orchestrator (with Irwin Kostal, Saul Chaplin, and Johnny Breen), West Side Story, United Artists, 1961.

NON-RELATED CAREER—Journalist, Northern Daily News, Windsor Star, Toronto Globe and Mail, and Lake shore Advertiser, 194952.

FIRST TELEVISION WORK—Musical arranger, The Milton Berle Show, NBC, 1949-56. PRINCIPAL TELEVISION WORK—Series: Musical director, Candid Camera, CBS, 1963-66.

WRITINGS: FILM—(With Peter King) Say Hello to Yesterday, Cinerama, 1971; City on Fire, AVCO-Embassy, 1979. TELEVISION—A Flight of Fancy, BBC, 1952; (adaptor) The Troubled Air, BBC, 1953; Thunder in the Realms, BBC, 1955; (adaptor) Our Town, BBC, 1957; (adaptor) The Caine Mutiny Court Martial, BBC, 1958; (adaptor) Summer and Smoke, BBC, 1971; (adaptor)A Kiss Is Just a Kiss, Anglia Television, 1971; (adaptor) A Man About a Dog, Anglia Television, 1972; (adaptor) The Adventures of Don Quixote, BBC, 1972, then CBS, l913;Rooms, Thames Television, 1974; O Canada, BBC, 1974; Mineshaft, BBC, 1975; (adaptor) Lulu Street, CBC, 1975; (adaptor) In Praise of Love, Anglia Television, 1975; (adaptor) Romeo and Juliet, BBC, 1978.

RELATED CAREER—Musical arranger for the Boston Pops and Barbra Streisand; composer, musical arranger, and conductor for numerous radio and television commercials. WRITINGS: All as composer of score, unless indicated. STAGE— Title song, Agatha Sue, I Love You, Henry Miller's Theatre, New York City, 1966. FILM—Too Many Thieves, United Artists, 1967; Stiletto, AVCO-Embassy, 1969. TELEVISION—Series: The Patty Duke Show, CBS, 1964-66; Trials of O'Brien, CBS, 1966; Nancy, NBC, 1970-71; also All My Children, ABC. Pilots: Popi, CBS, 1975. Specials: Miracle on 34th Street, CBS, 1973.

AWARDS: London Daily Mail National Television Award, 1955, for Waiting for Gillian; Emmy Award, 1968, for Call Me Daddy; Emmy Award, 1982, for A Voyage 'round My Father.

AWARDS: Academy Award (with Irwin Kostal, Saul Chaplin, and Johnny Breen), Best Music (Scoring of a Musical Picture), and Grammy Award, Best Soundtrack Album, both 1961, for West Side Story; Emmy Award for All My Children; fifteen Clio Awards from the American Television Commercial Festival. MILITARY HONORS—Bronze Star from the U.S. Army.

MEMBER: Association of Cinema and Television Technicians, Directors Guild of Canada, Writers Guild of Great Britain.* 352

RANDOLPH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 MEMBER: Actors' Equity Association.

MEMBER: Academy of Motion Picture Arts and Sciences, American Society of Composers, Authors, and Publishers, National Academy of Television Arts and Sciences, National Academy of Recording Arts and Sciences, Composers and Lyricists Guild of America, Affiliated Federation of Musicians.

ADDRESSES: OFFICE—Circle Repertory Theatre, 161 Avenue of the Americas, New York, NY 10013.

ADDRESSES: OFFICE—140 W. 57th Street, New York, NY 10019.

RANDOLPH, John

RAMONT, Mark S.

1915-

PERSONAL: Born Emanuel Hirsch Cohen, June 1,1915, in Bronx, NY; son of Louis (a hat manufacturer) and Dorothy (an insurance agent; maiden name, Shore) Cohen; name changed to Mortimer Lippman at age 12 by his stepfather, Joseph Lippman; name legally changed to John Randolph in 1940; married Sarah Lucie Cunningham (an actress), January 3, 1942; children: Harrison Henry, Martha Eoline. EDUCATION—Graduated from City College of New York, 1935; also attended Columbia University, 1934 (summer semester); studied acting with Stella Adler and Erwin Piscator at the Dramatic Workshop of the New School for Social Research, 1940-42, with William Hansen at the American Theatre Wing, 1947, and at the Actors' Studio, 1948-54. MILITARY—U.S. Army Air Forces, corporal, 1942-45.

1956-

PERSONAL: Born June 22, 1956, in Loma Linda, CA; son of Raymond Jonathan (a manufacturer) and Gloria Dene (a house cleaner; maiden name, Kronholm) Ramont. EDUCATION—California State University, B.A., theatre arts, 1978; University of Texas, Austin, M.F.A., drama (directing), 1980; also internship in directing, stage management, and literary management, Asolo State Theatre, Sarasota, FL. VOCATION: Director.

VOCATION: Actor and writer.

CAREER: FIRST STAGE WORK—Director, Talley's Folly, Capital City Playhouse, Austin, TX, 1981. PRINCIPAL STAGE WORK— Stage manager (with John Toia), The Keeper, The Diary of Anne Frank, Talley's Folly, Daughters, and All My Sons, all Philadelphia Drama Guild, Philadelphia, PA, 1982-83; director, A Raisin in the Sun, Capital City Playhouse, Austin, TX, 1983; director, Agnes of God, Capital City Playhouse, 1984; assistant director, Blue Window, Production Company, Theatre Guinevere, New York City, 1984; artistic associate (with Christian Angermann), El Salvador, Only You, Cave Life, Borderlines, and V and V Only, all Circle Repertory Theatre, New York City, 1987-88; stage manager, Living Color, American Conservatory Theatre, Don't Tell Mama Theatre, New York City, 1986; director, Dalton's Back, Circle Repertory Theatre, 1989; director, Beside Herself, Circle Repertory Theatre, 1990. Also assistant director, The Song Is Kern! and The Three Musketeers, both Asolo State Theatre, Sarasota, FL; director, Perth Road, The Bricklayer's Poet, and Joe La Porte, all Circle Repertory Lab, New York City; director, Veronica's Room, Kanawha Players, Charleston, SC; director, Changes and Barefoot Everywhere, both Shoestring Theatre, Austin, TX; director, Who's Afraid of Virginia Woolf, Bloomsburg Theatre Ensemble, Bloomsburg, PA; director, Master Harold . . . and the Boys, Educating Rita, Crossing Niagara, and Mass Appeal, all Dorset Theatre Festival, Dorset, VT; director, The Fantasticks, Santa Rita Dinner Theatre, Santa Rita, NM; director, Steel Magnolias and 'night Mother, both Cortland Repertory Theatre.

CAREER: Also see WRITINGS below. STAGE DEBUT—Jacob Engstrand, Ghosts, East Houston Street Theatre, New York City, 1935, for eighty-one performances. BROADWAY DEBUT—Tuff, Revolt of the Beavers, Federal Theatre Project, Adelphi Theatre,

RELATED CAREER—Artistic associate, Circle Repertory Theatre, New York City, 1987-89, then associate artistic director, 1989—. WRITINGS: Contributor of articles, reviews, and interviews for Broadway Bill of Fare magazine. AWARDS: Austin Circle of Theatres Award nomination, Best Director, 1981, for Talley's Folly; Austin Circle of Theatres Award nomination, Best Director, 1983, for A Raisin in the Sun; Austin Circle of Theatres Award, Best Director, 1984, for Agnes of God; Princess Grace Foundation USA Theatre Fellow, 1988; Princess Grace Foundation USA Statuette Award, 1989, for Outstanding Achievement and Professional Development.

JOHN RANDOLPH

353

RANDOLPH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

1937. PRINCIPAL STAGE APPEARANCES—Private, Private Hicks and the Old Man, You Can't Change Human Nature, both Theatre Collective, Provincetown Playhouse, New York City, 1936; the Weaver, The Emperor s New Clothes, Federal Theatre Project, Adelphi Theatre, New York City, 1937; Times reporter, Captain Jinks of the Horse Marines, Jacob, No More Peace, and Roman herald, Coriolanus, all Maxine Elliott's Theatre, New York City, 1938; St. Bernard H. Blackwood, The GreatBarrington and second beau, Created Equal, both Federal Theatre Project, Empire Theatre, New York City, 1938; Mac, Medicine Show, New Yorker Theatre, New York City, 1940; radio announcer, Hold On to Your Hats, Shubert Theatre, New York City, 1940; title role, Wozzeck and Rudolf Dvoracek, Any Day Now, both Erwin Piscator Dramatic Workshop, New School for Social Research, New York City, 1941; Endicott, The Front Page, Civic Theatre, Chicago, IL, 1947; Lieutenant Jake Goldberg, Command Decision, Fulton Theatre, New York City, 1947; Dan, The Sun and I, New Stages Theatre, New York City, 1949; Fred, The Respectful Prostitute, Harris Theatre, Chicago, then East Hartford Theatre, East Hartford, CT, 1949; McCarthy, The Time of Your Life and the Milkman, Come Back, Little Sheba, both Westport Country Playhouse, Westport, CT, 1949.

(double-bill), Martinique Theatre, New York City, 1967; Hofrat Behrens, The Magic Mountain, Camden Group Theatre, London, 1968; John Lansdale, In the Matter of J. Robert Oppenheimer, Center Theatre Group, Mark Taper Forum, Los Angeles, 1968; Louis, Dance Next Door, President of the United States, God Bless, and Fleming, Line, all Mark Taper Forum, 1969; Editor Webb, Our Town, ANTA Theatre, 1969, then Huntington Hartford Theatre, Los Angeles, 1970; Fleming, Line, Theatre de Lys, 1971; Andrew Creed, Motive, Playhouse-in-the-Park, 1971; Harry Brock, Born Yesterday, Walnut Street Theatre, Philadelphia, 1972; Charley, Death of a Salesman, Arlington Park Theatre, Arlington Heights, IL, 1972; Dr. Bonfant, The Waltz of the Toreadors, Philadelphia Drama Guild, Walnut Street Theatre, then Royal Poinciana Playhouse, Palm Beach, FL, both 1973; Mario, Baba Goya, American Place Theatre, New York City, 1973; Mario, Nourish the Beast, Cherry Lane Theatre, New York City, 1973; Charley, Death of a Salesman, Walnut Street Theatre, 1974; Moe and farmer, The American Clock, Harold Clurman Theatre, then as Moe Baum, Biltmore Theatre, both New York City, 1980; Cliff, Back in the Race: A Family Album, Circle Repertory Theatre, New York City, 1980; Moe and farmer, The American Clock, Center Theatre Group, Mark Taper Forum, 1983; juror, Twelve Angry Men, Henry Fonda Theatre, Los Angeles, 1985; Ben, Broadway Bound, Broadhurst Theatre, New York City, 1986-87. Also appeared in My Sister Eileen and The Bishop Misbehaves, both Sayville Playhouse, Sayville, NY, 1946; Conversation at Midnight, Billy Rose Theatre, New York City, 1964; as Andrew Creed, Motive, Corning, NY, and Kennebunkport, ME, both 1971; in At the End of Long Island, Center Theatre Group, Mark Taper Forum Laboratory Productions, 1978; Eulogy, Ensemble Studio Theatre, New York City, 1983.

Joe Williamson, The Golden State, Fulton Theatre, 1950; Aslak, a voice, and Herr Trompetstaale, Peer Gynt, American National Theatre and Academy (ANTA) Theatre, New York City, 1951; Mike Mooney, Paint Your Wagon, Shubert Theatre, 1951; the Milkman, Come Back, Little Sheba, Booth Theatre, New York City, 1952; Lofty, Seagulls Over Sorrento, John Golden Theatre, New York City, 1952; the Delivery Man, The Grey-Eyed People, Martin Beck Theatre, New York City, 1952; Gordon Miller, Room Service, Playhouse Theatre, New York City, 1953; sailor, Maya, Theatre de Lys, New York City, 1953; Sir Lawrence Wargrave, Ten Little Indians, Cecilwood Theatre, Fishkill, NY, 1953; Mike Mooney, Paint Your Wagon, State Fair Music Hall, Dallas, TX, 1953; Officer Mallon, Madam, Will You Walk?, Phoenix Theatre, New York City, 1953; Junius Brutus, Coriolanus, Phoenix Theatre, 1954; Sergeant Fielding, Too True to Be Good, Playhouse-inthe-Park, Philadelphia, PA, 1954; Joe Rugg, The Farmer's Hotel and Reverend Davidson, Rain, both Cecilwood Theatre, 1954; Harry, All Summer Long, Coronet Theatre, New York City, 1954; Gus Kennedy, Glad Tidings, Shubert Theatre, Washington, DC, 1954; McCarthy, The Time of Your Life and Nathan Detroit, Guys and Dolls, both City Center Theatre, New York City, 1955; Captain Jonas, House of Flowers, Alvin Theatre, New York City, 1955; Ed Devery, Bom Yesterday, Playhouse-in-the-Park, 1955; Don Pedro, Much Ado about Nothing, Brattle Shakespeare Festival, Cambridge, MA, 1955; Ed Mason, The Wooden Dish, Booth Theatre, 1955; Doc Earl, Fever for Life, Hyde Park Playhouse, Hyde Park, NY, 1957; Howard, Misslsobel, Royale Theatre, New York City, 1957; Chief of Police Shultz, The Visit, Lunt-Fontanne Theatre, New York City, 1958; Mr. Abrams, "Portrait of a Madonna" in Triple Play, Playhouse Theatre, 1959; Franz, The Sound of Music, Lunt-Fontanne Theatre, 1959.

PRINCIPAL STAGE WORK—Director, Plant in the Sun, Brattle Theatre, Cambridge, MA, 1938; director, Transit and Plant in the Sun, both Transit Theatre of Boston, Peabody Playhouse, Boston, MA, 1938; producer, A Portrait of the Artist As a Young Man, Martinique Theatre, New York City, 1962. MAJOR TOURS—Jan Erlone, Native Son, U.S. cities, 1941-42; Lieutenant Jake Goldberg, Command Decision, U.S. cities, 194849; Reverend Jeremiah Brown, Inherit the Wind, U.S. cities, 195657; title role, Macbeth, Connecticut Theatre in Education tour of high schools, 1957; also Our Town, U.S. cities. PRINCIPAL FILM APPEARANCES—Policeman, The Naked City, Universal, 1948; fire chief, Fourteen Hours, Twentieth CenturyFox, 1951; vice-president in charge of labor, Partners in Production, Twentieth Century Fund, 1952; Arthur Hamilton, Seconds, Paramount, 1966; narrator, Like a Beautiful Child, Local 1199, 1967; Azenauer, Pretty Poison, Twentieth Century-Fox, 1968; Father Harvey, Gaily, Gaily (also known as Chicago, Chicago), United Artists, 1969; Coach Jim Southerd, Number One (also known as The Pro), United Artists, 1969; Mr. Smith, Smith, Buena Vista, 1969; Cyrus McNutt, There Was a Crooked Man, Warner Brothers, 1970; chairman, Escape from the Planet of the Apes, Twentieth Century-Fox, 1971; Mr. Chamberlain, Little Murders, Twentieth Century-Fox, 1971; Mr. Victor, The Victors, New York University, 1971; commission chairman, Conquest of the Planet of the Apes, Twentieth Century-Fox, 1972; Chief Sidney Green, Serpico, Paramount, 1973; Mayor, Earthquake, Universal, 1974; as himself, The Rehearsal (documentary), Jules Dassin, 1974; Captain Ross, King Kong, Paramount, 1976; Samuel Adams, Independence, Twentieth Century-Fox, 1976; former team owner, Heaven Can Wait, Paramount, 1978; judge, Frances, Universal, 1982; Franklin Van Dyke, Lovely But Deadly, Juniper Releasing,

Recruiting officer, Mother Courage and Her Children, Martin Beck Theatre, 1963; Dennis Corcoran, A Case of Libel, Longacre Theatre, New York City, 1963; first gravedigger, Hamlet, New York Shakespeare Festival, Delacorte Theatre, New York City, 1964; narrator, An Evening's Frost, Theatre de Lys, 1965; Mickey, After the Fall, Playhouse-in-the-Park, 1966; Treadwell, My Sweet Charlie, Longacre Theatre, 1966; Hofrat Behrens, The Magic Mountain, Brandeis University, Waltham, MA, 1967; Judge Jerome Stern, Little Murders, Wilbur Theatre, Boston, MA, 1967; Art Steinmiller, The Peddler and Russ Nowack, The Dodo Bird 354

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 RANDOLPH

CBS, 1971; Malakas, The Family Rico, CBS, 1972; Lou, Tell Me Where It Hurts, CBS, 1974; George Collingwood, The Runaways, CBS, 1975; John Howe, Adventures of the Queen, CBS, 1975; Rupert Wahler, F. Scott Fitzgerald in Hollywood, ABC, 1976; Dr. John Hodges, The Gathering, ABC, 1977; Ed Warner, Secrets, ABC, 1977; General Larkin, Tail Gunner Joe, NBC, 1977; Judge Lewis Goodman, Kill Me If You Can, NBC, 1977; Alexander Graham Bell, The Winds of Kitty Hawk, NBC, 1978; Marian's father, Nowhere to Run, NBC, 1978; attorney general, Killing at Hells Gate, CBS, 1981; Joseph Pulitzer, The Adventures of Nellie Bly, NBC, 1981; Reverend Palkstater, Kentucky Woman, CBS, 1983; judge, The Execution, NBC, 1985; Andy Williams, Vital Signs, CBS, 1986; Augustus Tompkins, As Summers Die, HBO, 1986; Chief Everett Hollander, The Right of the People, ABC, 1986. Specials: My Three Brothers, World Video, 1945; Hands of Murder, WARB, 1949; Reverend Brown, "Inherit the Wind," Hallmark Hall of Fame, NBC, 1965; Whit, Of Mice and Men, ABC, 1968; Trail of Tears, PBS, 1969; Lieutenant General Si McKee, "Pueblo," ABC Theatre, ABC, 1973; George Ball, The Missiles of October, ABC, 1974; Mario, Nourish the Beast, PBS, 1974; James Mayo, "Beyond the Horizon," Theatre in America, PBS, 1976; Judge Waites Waring, With All Deliberate Speed, CBS, 1976; General David Norman, My Dissident Mom, CBS, 1987; Justice Charles Evans Hughes and Chief Justice Earl Warren, The Blessings of Liberty, ABC, 1987'; Supermans Fiftieth Anniversary: A Celebration of the Man of Steel, CBS, 1988.

1983; Angelo "Pop" Partanna, Prizzis Honor, Twentieth Century-Fox, 1985; Bill Henderson, Means and Ends, Progressive Film, 1987; Doc, The Wizard of Loneliness, Skouras, 1988; Clark Griswold, Sr., National Lampoon's Christmas Vacation, Warner Brothers, 1989. Also appeared as a disk jockey, Night Song, 1965; in Homesick (short film), 1988. TELEVISION DEBUT—Chief Guard Jordan, Captain Video, Dumont, 1947. PRINCIPAL TELEVISION APPEARANCES—Series: John Hamilton, Lucas Tanner, NBC, 1975; Dr. Hoagland, Lucan, ABC, 1977-78; Randall Benson, Angie, ABC, 1979-80; Mr. Brockelman, Richie Brockelman, Private Eye, NBC, 1978; Red McGuire, Annie McGuire, CBS, 1988; Jacob Brofman, Peaceable Kingdom, CBS, 1989; Harris Weldon, Grand, NBC, 1990; also Another World, NBC, 1964-66; As the World Turns, CBS, 196566. Mini-Series: Simon Cameron, Sandburg's Lincoln, NBC, 1974-76; Bennett Lowman, Washington: Behind Closed Doors, ABC, 1977; John Mitchell, Blind Ambition, CBS, 1979; Mr. Johnson, Backstairs at the White House, NBC, 1979. Pilots: James Rockmore, The Judge and Jake Wyler, NBC, 1972; Judge Charles Leland, Partners in Crime, NBC, 1973; General Blankenship, The New, Original Wonder Woman, ABC, 1975; Dr. Hoagland, Lucan, ABC, 1977; narrator, Nowhere to Hide, CBS, 1977; Irv, Doctors' Private Lives, ABC, 1978; Lou Cohen, Nero Wolf, ABC, 1979; Eldon Radford, In Security, CBS, 1982; Mr. Muller, The Adventures ofPollyanna, CBS, 1982; Stevenson, Shooting Stars, ABC, 1983; Hank Bashaw, The Sheriff and the Astronaut, CBS, 1984; Phil Forbes, Old Friends, ABC, 1984; also Topper Returns, NBC, 1973; Ann in Blue, ABC, 1974.

PRINCIPAL RADIO APPEARANCES—Episodic: Five Star Final, WMCA (New York City), 1934; Americans at Work, CBS, 1939.

Episodic: Governor, The Senator, NBC, 1970; Corneilius "Junior" Harrison, The Bob Newhart Show, CBS, 1972-76; General Philip Blankenship, Wonder Woman, ABC, 1975; Sy Bookerman, Executive Suite, CBS, 1976; Ward Beaumont, The Facts of Life, NBC, 1979 and 1983; Jake Keaton, Family Ties, NBC, 1982; Admiral John Marquette, Emerald Point, N.A.S., CBS, 1983; Nick McGowan, Our Family Honor, ABC, 1985; ArtRutledge, Fortune Dane, ABC, 1986; Dr. Francis McDuffy, Trapper John, M.D., CBS, 1986; Frank Vionelli, Who's the Boss?, ABC, 1986; Jack Rattigan, The Equalizer, CBS, 1987; Sam Gerard, Matlock, NBC, 1989; Al Harris, Roseanne, ABC, 1989; also Treasury Men in Action, NBC, 1947-49; The Web, CBS, 1947-49; "Bulletin 120" and "The Floyd Collins Story," Philco Television Playhouse, NBC, 1950; Kraft Television Theatre, NBC, 1950; "Mrs. McThing," Omnibus, CBS, 1958; East Side/West Side, CBS, 1963; The Defenders, CBS, 1964; The Ed Sullivan Show, CBS, 1964; The Reporter, CBS, 1964; "Yiddish Stories of Two Worlds," Camera Three, CBS, 1965; For the People, CBS, 1965; The Patty Duke Show, ABC, \965\ Slavery's People, CBS, 1965;N.Y.P.D., ABC, 1967; "UnknownChekhov," CameraThree, CBS, 1961 \Mission: Impossible, CBS, \961; The Invaders, ABC, \961\Mannix, CBS, 1967, 1969, and 1973; Juddfor the Defense, ABC, 1968; Bonanza, NBC, 1968, 1970, and \912\HawaiiFive-0, CBS, 1969; "They're Tearing Down Tim Riley's Bar," Night Gallery, NBC, 1970; Step Out of Line, CBS, 1910; Bracken's World, NBC, 1970; The Name of the Game, NBC, 1970; The Interns, CBS, 1970; The Lawyers, NBC, 1970 and 1971; O'Hara, U.S. Treasury, CBS, 1971; The Rookies, ABC, 1972; All in the Family, CBS, 1972; The Secret Storm, CBS, 1973; Young Dr. Kildare, ABC, 1973; Police Story, NBC, 1974; Wide World of Entertainment, ABC, 1974; Columbo, NBC, 1974; M*A*S*#, CBS, 1979.

RELATED CAREER—Founder (with Frank Silvera), Transit Theatre of Boston, Boston, MA, 1938; radio announcer, WORL and WHDH, both Boston, 1938, then WHN (New York City), 1939; board of directors, Foundation for the Extension and Development of the American Theatre, 1970-72; artistic consultant, Philadelphia Drama Guild, Philadelphia, PA, 1971-74; board of directors, Theatricum Botanicum, Topanga, CA. NON-RELATED CAREER—Vice-president, United States Society for Friendship with the German Democratic Republic, 1978-84; chairman, National Council for U.S.- Soviet Friendship, 1987-88; board of directors, Summer Solstice Celebration, Santa Barbara, CA; board of directors, National Committee Against Racist and Political Repression; board of directors, Fund for Open Information and Accountability. WRITINGS: STAGE—(Adaptor with Phoebe Brand and Frederic Ewen) A Portrait of the Artist As a Young Man, Martinique Theatre, New York City, 1962; (adaptor with Brand and Ewen) The Magic Mountain, Brandeis University, Waltham, MA, 1967, then Camden Group Theatre, London, 1968; also (with Ewen) The Nihilist, unproduced. TELEVISION—(Adaptor with Brand and Ewen) "Yiddish Stories of Two Worlds," Camera Three, CBS, 1965; (adaptor with Brand and Ewen) "Unknown Chekhov," Camera Three, CBS, 1967. AWARDS: Richard Watts's Stardust Citation from the New York Post, 1951, for Come Back, Little Sheba; Cinema magazine Award, Best Supporting Actor, 1966, for Seconds; Hospital Workers Union Award, 1969; Friends of a Democratic Spain Award, 1972; Paul Robeson Medal from the German Democratic Republic, 1979; Abraham Lincoln Brigade Award, 1983; Antoinette Perry Award and Drama Desk Award, both Best Featured Actor in a Play, 1987, for Broadway Bound.

Movies: Smith, The Borgia Stick, NBC, 1967; Charles Cameron, A Death of Innocence, CBS, 1971; Detective John Riddle, A Step Out of Line, CBS, 1971; Frederick D. Cooper, The Cable Car Murder, 355

RASULALA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MEMBER: Academy of Motion Picture Arts and Sciences, Actors' Equity Association (council member, 1966-72, then director), Screen Actors Guild (director, 1972-84), American Federation of Television and Radio Artists (board of directors, 1986-88), National Academy of Television Arts and Sciences, Actors Fund of America (life member), Foundation for the Extension and Development of the American Theatre (board member, 1970-72), American Civil Liberties Union, Abraham Lincoln Brigade, Hospital Workers Union.

crow and Mrs. King, CBS, 1986; Mother, Stingray, NBC, 1987; Ben Hargiss, 227, NBC, 1988; Lance, Duet, Fox, 1988; Mason Tribes, Simon and Simon, CBS, 1988; Captain Donald Varley, "Contagion," Star Trek: The Next Generation, syndicated, 1989. Movies: Eddie Nugent, The Bait, ABC, 1973; Ned, The Autobiography of Miss Jane Pittman, CBS, 1974; Justice Sullivan, Last Hours Before Morning, NBC, 1975; Dr. Alvarez, Killer on Board, NBC, 1977; Lieutenant Gordon, The President's Mistress, CBS, 1978; Kenneth "Snake" Dobson, The Sophisticated Gents, NBC, 1981; Deputy Fred, The Defiant Ones, ABC, 1986; Judge Bell, The Preppie Murder, ABC, 1989. Specials: "The Trial of the Moke," Great Performances, PBS, 1978; Marshall Cook, "My Past Is My Own," CBS Schoolbreak Special, CBS, 1989.

SIDELIGHTS: RECREATIONS—Stamp collecting. ADDRESSES: AGENT—Gores/Fields Agency, 10100 Santa Monica Boulevard, Suite 700, Los Angeles, CA 90067.*

RELATED CAREER—Company member, Inner City Repertory Theatre, Los Angeles, 1972-75. AWARDS: Theatre World Award, 1968, for Hello, Dolly!.

RASULALA, Thalmus (Jack Crowder)

1939-

ADDRESSES: AGENT—Harry Abrams, Abrams Artists, 9200 Sunset Boulevard, Suite 625, Los Angeles, CA 90069.*

PERSONAL: Born Jack Crowder, November 15, 1939, in Miami, FL. EDUCATION—Attended the University of Redlands. VOCATION: Actor.

RAY, Aldo 1926(Aldo DaRe)

CAREER: PRINCIPAL STAGE APPEARANCES—As Jack Crowder: Member of the Lodge, Fly Blackbird, May fair Theatre, New York City, 1962; Cornelius Hackl, Hello, Dolly!, St. James Theatre, New York City, 1964-69; also appeared as the narrator (El Gallo), The Fantasticks, Sullivan Street Playhouse, New York City; and in One Is a Crowd, Inner City Repertory Theatre, Los Angeles, 1970.

PERSONAL: Born Aldo DaRe, September 25, 1926, in Pen Argyl, PA; son of Silvo M. and Marie T. (De Pizzol) DaRe; married Shirley Green, August, 1951 (marriage ended); married Jean Marie (Jeff) Donnell (an actress), September 30, 1954 (divorced, 1956); married Johanna Bennett (a casting director), 1960 (divorced, March 1967); children: Paul, Eric. EDUCATION—Attended University of California at Berkeley, 1946-50. MILITARY—U.S. Navy, 1944-46. POLITICS—Republican.

PRINCIPAL FILM APPEARANCES—(As Jack Crowder) Police officer, The Out of Towners, Paramount, 1970; Gordon Thomas, Blacula, American International, 1972; Sidney Lord Jones, Cool Breeze, Metro-Goldwyn-Mayer, 1972; Robert Daniels, Willie Dynamite, Universal, 1973; Noah, AdiosAmigo, Atlas, 1975; Roy, Bucktown, American International, 1975; Charlie, Cornbread, Earl, and Me, American International, 1975; Blake Tarr, Friday Foster, American International, 1975; Frankie Steele, Mr. Ricco, United Artists, 1975; George Weed, The Last Hard Men, Twentieth Century-Fox, 1976; Mr. Johnson, Fun with Dick and Jane, Columbia, 1977; coast guard officer, The Bermuda Triangle, Sunn Classic, 1978; the Admiral, Born American (also known as Arctic Heat), Concorde, 1986; Barney, The Boss's Wife, Tri-Star, 1986; Billy Dunbar, Bulletproof, CineTel, 1987; Deputy Superintendant Crowder, Above the Law (also known as Nico), Warner Brothers, 1988; Secret Service commander, The Package (also known as Operation Crepuscle), Orion, 1989.

VOCATION: Actor. CAREER: STAGE DEBUT—Sefton, Stalag 17, La Jolla Playhouse, La Jolla, CA, 1983. FILM DEBUT—(As Aldo DaRe) HaUsler, Saturday's Hero (also known Idols in the Dust), Columbia, 1950. PRINCIPAL FILM APPEARANCES—(As Aldo DaRe) Mark Foster, The Violent Ones, Columbia, 1951; Chet Keefer, The Marrying Kind, Columbia, 1952; Davie Hucko, Pat and Mike, Metro-Goldwyn-Mayer (MGM), 1952; Gary Stuart, Let's Do It Again, Columbia, 1953; Sergeant Phil O'Hara, Miss Sadie Thompson, Columbia, 1953; Andy, Battle Cry, Warner Brothers, 1955; Hugh O'Reilly, Three Stripes in the Sun (also known as The Gentle Sergeant), Columbia, 1955; Albert, We're No Angels, Paramount, 1955; James Vanning, Nightfall, Columbia, 1956; Montana, Men in War, United Artists, 1957; Bill Thompson, God's Little Acre, United Artists, 1958; Croft, The Naked and the Dead, Warner Brothers, 1958; Norgate, The Day They Robbed the Bank of England, MGM, 1960; Matt Kirk, Four Desperate Men (also known as The Siege ofPinchgut), Continental, 1960; sheriff, Nightmare in the Sun, Zodiac, 1964; Johnny, Johnny Nobody, Medallion, 1965; Jonas Karoki, Sylvia, Paramount, 1965; Eddie Hart, Dead Heat on a Merry-Go-Round, Columbia, 1966; Sergeant Rizzo, What Did You Do in the War, Daddy?, United Artists, 1966; Vigo, Kill a Dragon, United Artists, 1967; Lieutenant Walt Lorimer, Riot on Sunset Strip, American International, 1967; man from Bodie, Welcome to Hard Times (also

PRINCIPAL FILM WORK—Assistant director, The Slam, MetroGoldwyn-Mayer, 1973. PRINCIPAL TELEVISION APPEARANCES—Series: (As Jack Crowder) Lieutenant Jack Neal, One Life to Live, ABC, 1969-70; Bill Thomas, What's Happening!!, ABC, 1976-77. Mini-Series: Omoro, Roots, ABC, 1977. Pilots: Crossroads, The Jerk, Too, NBC, 1984; Clarence, The Circus, ABC, 1987. Episodic: (As Jack Crowder) Real estate salesman, All in the Family, CBS, 1971; Aaron Kramer, T.J. Hooker, ABC, 1985; Lou Casey, Cagney and Lacey, CBS, 1985; Arthur Pick, Simon and Simon, CBS, 1986; Ben Cooper, Melba, CBS, 1986; Eddie Bender, He's the Mayor, ABC, 1986; Jake, Highway to Heaven, NBC, 1987; Ray Palmer, Scare-

356

CONTEMPORARY

REED

THEATRE, FILM, AND TELEVISION • Volume 8

AWARDS: Star of Tomorrow, 1954.

known as Killer on a Horse), MGM, 1967; Sergeant Muldoon, The Green Berets, Warner Brothers, 1968; Bruce, The Power, MGM, 1968.

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, American Legion.

Sheriff, Angel Unchained, American International, 1970;Mattone, La Course du lievre a trovers les champs (also known as And Hope to Die), Twentieth Century-Fox, 1972; Lieutenant Stans, Tom (also known as Mothers, Fathers, and Lovers and The American Love Thing), Four Star International, 1973; Ed Walker, The Centerfold Girls, General Film, 1974; Sergeant Prior, Inside Out (also known as Hitler's Gold and The Golden Heist), Warner Brothers, 1975; Frank Keefer, The Man Who Would Not Die, Centaur/ Dandrea, 1975; Anderson, Psychic Killer, AVCO-Embassy, 1975; Dr. Dutch, Seven Alone (also known as House without Windows), Doty/Dayton, 1975; Stubby Stebbins, Won Ton Ton, the Dog Who Saved Hollywood, Paramount, 1976; sheriff, Haunts (also known as The Veil), Intercontinental, 1977; Nemo, Little Moon and Jud McGraw (also known as Gone with the West), Prism Entertainment, 1978; Sheriff Neal Rydholm, Bog, Marshall, 1978.

ADDRESSES: AGENT—Mark Candiotty, Associated Talent International, 1930 Century Park W., Suite 303, Los Angeles, CA 90067.*

READ, James 1952-

PERSONAL: Born July 31, 1952, in Buffalo, NY. VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Bridge policeman, Blue Thunder, Columbia, 1983; Peter, The Initiation, New World, 1984; Lefty Williams, Eight Men Out, Orion, 1988; Michael Essex, Beaches, Buena Vista, 1988.

Prison guard, The Glove (also known as Blood Mad), Pro International, 1980; Mat Tibbs, Human Experiments (also known as Beyond the Gate), Crown International, 1980; Lew, Boxoffice, Josef Bogdanovich, 1982; voice of Sullivan, The Secret ofNimh (animated), Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1982; General Randolph, Biohazard, Twenty-First Century, 1983; police commissioner, The Executioner, Part II, Twenty-First Century, 1984; Fred, Evils of the Night, Shapiro, 1985; Inspector Benedict, To Kill a Stranger (also known as Tiempo de morir), VCL/Media Home Entertainment, 1985; Don Siano of Bisacquino, The Sicilian, Twentieth Century-Fox, 1987; torturer, Prison Ship (also known as Star Slammer), Worldwide Entertainment, 1987; Fong, Hollywood Cop, Peacock, 1988. Also appeared in My True Story, Feature, 1967; The Dynamite Brothers, Cinemation, 1974; Stud Brown, Cinemation, 1975; Terror in Alcatraz, Trans World Entertainment, 1975; The Bad Bunch, Dimension, 1976; Haunted (also known as The Haunted), Northgate Communications, 1976; Kino, the Padre on Horseback (also known as Mission to Glory), Key International, 1977; The Lucifer Complex, Four Star Entertainment, 1978; Death Dimension (also known as The Kill Factor), Movietime, 1978; narrator, Samuel Fuller and the Big Red One (documentary), 1980; Freeze Bomb, 1980; Straight Jacket, Genesis Home Video, 1980; Don't Go Near the Park, 1981; Mongrel, Rondo/Sutherland/Jenkins, 1982; The Great Sky copter Rescue, Star Cinema Group III/MGM/UA Home Video, 1982; Vultures in Paradise (also known as Vultures), Star World/Prism Entertainment, 1984; Frankenstein's Great Aunt Tillie, Myron J. Gold/ Video City, 1984; Flesh and Bullets, Hollywood International Film Corporation of America, 1985; Star Slammer, the Escape, Vidmark Entertainment, 1988; Blood Red, Hemdale Releasing, 1989; Dark Sanity, Prism Entertainment, 1989; Swift Justice (also known as Pop's Oasis), Trans World Entertainment, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: Murphy Michaels, Remington Steele, NBC, 1982-83; John Reid, Shell Game, CBS, 1987. Mini-Series: Ted Kennedy, Robert Kennedy and His Times, CBS, 1985; George Hazard, North and South, ABC, 1985; George Hazard, North and South, BookH, ABC, 1986; Gary Grant, Poor Little Rich Girl: The Barbara Hutton Story, NBC, 1987. Pilots: Josh Landau, Midas Valley, ABC, 1985. Episodic: Cheers, NBC, 1982. Movies: Daryl Webster, Lace II, ABC, 1985; James Marston, Celebration Family, ABC, 1987. RELATED CAREER—Company member, Denver Center Theatre Company, Denver, CO, 1980-81. ADDRESSES: AGENT—Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. MANAGER—Phyllis Carlyle Management, Columbia Plaza, Producers Building 8, Room 2-B, Burbank, CA 91505.*

REED, Rex

1938-

PERSONAL: Full name, Rex Taylor Reed; born October 2, 1938 (some sources say 1939), in Fort Worth, TX; son of James M. (an oil company supervisor) and Jewell (Smith) Reed. EDUCATION— Louisiana State University, B.A., journalism, 1960.

PRINCIPAL TELEVISION APPEARANCES—Series: Voice of Muscle Mutt, TheHoundcats (animated), NBC, 1972-73. Pilots: Louie Mastraeani, "Lollipop Louie," Alcoa Premiere, ABC, 1963; Edward Logan, Deadlock, NBC, 1969. Episodic: Hotel clerk, Falcon Crest, CBS, 1985; also in "K.O. Kitty," Westinghouse Desilu Playhouse, CBS, 1958; The Virginian, NBC; Bonanza, NBC. Movies: Cop, Promise Him Anything . . ., ABC, 1975; Frederick Thaler, Women in White, NBC, 1979. Specials: Moose, Have Girls—Will Travel, NBC, 1964.

VOCATION: Critic, writer, and actor. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—As himself, Superman, Warner Brothers, 1978; Longfellow, Inchon, Metro-Goldwyn-Mayer/United Artists, 1981; entertainment editor, Irreconcilable Differences, Warner Brothers, 1984; also appeared in Myra Breckinridge, Twentieth Century-Fox, 1970. PRINCIPAL TELEVISION APPEARANCES—Series: Panelist, The Gong Show, syndicated, 1976-80; host, Rex Reed's Movie Guide, syndicated, 1980; correspondent, Inside America, ABC, 1982; co-

NON-RELATED CAREER—Town constable, Crockett, CA, 195051. 357

REES

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

host, At the Movies, syndicated, 1986—; also regular, Tomorrow, NBC. Pilots: Hellzapoppiri, ABC, 1972. Specials: That Was the Year That Was, NBC, 1976; also Judy Garland: The Concert Years, 1985.

Shakespeare Plays, PBS, 1979. Also appeared in Anyone for Tennis?, BBC-1, 1968. ADDRESSES: AGENT—Smith-Freedman and Associates, 121 N. San Vicente Boulevard, Beverly Hills, CA 90211.*

RELATED CAREER—Film critic, Women's Wear Daily, 1965-69; music critic, Stereo Review, 1968-75; film critic, [New York] Daily News, 1971-75; also film critic, Cosmopolitan, Status, Gentleman's Quarterly, Vogue, and Holiday magazines, and the New York Post; syndicated columnist, Chicago Tribune-New York Daily News syndicate; contributor to Esquire, Ladies Home Journal, Harper's Bazaar, New York, Playboy, and the New York Times; jury member, Berlin Film Festival, Venice Film Festival, and the U.S.A. Film Festival; lecturer.

REGALBUTO, Joe PERSONAL: Born August 24, in Brooklyn, NY.

NON-RELATED CAREER—Pancake cook, record salesman, and jazz singer, 1960-65.

VOCATION: Actor.

WRITINGS: TELEVISION—Series: Rex Reed's Movie Guide, syndicated, 1980. OTHER—Do You Sleep in the Nude? (nonfiction), New American Library, 1968; Conversations in the Raw (nonfiction), World Publishing, 1970; Big Screen, Little Screen (nonfiction), Macmillan, 1971; People Are Crazy Here (nonfiction), Delacorte, 1974; Valentines and Vitriol (nonfiction), Delacorte, 1977; Travolta to Keaton (nonfiction), Morrow, 1979; Personal Effects (fiction), Arbor House, 1986.

CAREER: PRINCIPAL STAGE APPEARANCES—First Gentleman, Measure for Measure, New York Shakespeare Festival, Delacorte Theatre, New York City, 1976; Roger, Division Street, Center Theatre Group, Mark Taper Forum, Los Angeles, then Ambassador Theatre, New York City, both 1980; also appeared in Twelfth Night, Syracuse Stage, Syracuse, NY, 1977; Bonjour la Bonjour, Tyrone Guthrie Theatre, Minneapolis, MN, 1978. PRINCIPAL FILM APPEARANCES—Chuck, Cheaper to Keep Her, American Cinema, 1980; Jake Schizoid, Schizoid (also known as Murder By Mail}, Cannon, 1980; Henry Axle, Honkytonk Man, Warner Brothers, 1982; Frank Teruggi, Missing, Universal, 1982; Bob Crowther, Six Weeks, Universal, 1982; Darius, The Sword and the Sorcerer, Group I, 1982; Arthur Cooms, The Star Chamber, Twentieth Century-Fox, 1983; Breeze, Lassiter, Warner Brothers, 1984; Daniel Baxter, Raw Deal, De Laurentiis Entertainment Group, 1986; Father Doldana, The Sicilian, Twentieth CenturyFox, 1987. Also appeared in The Goodbye Girl, Warner Brothers, 1977; Deadly Weapon, Trans World Entertainment, 1989.

ADDRESSES: OFFICE—c/o At the Movies, 435 N. Michigan Avenue, Suite 1829, Chicago, IL 60611. AGENT—International Creative Management, 40 W. 57th Street, New York, NY 10019.*

REES, Angharad

1949-

PERSONAL: Full name, Angharad Mary Rees; born in 1949 in Wales; married Christopher Cazenove (an actor), September 18, 1973; children: Linford, Rhys William.

PRINCIPAL TELEVISION APPEARANCES—Series: Eliot Streeter, The Associates, ABC, 1979-80, then Entertainment Channel, 1982; Toomey, Ace Crawford, Private Eye, CBS, 1983; Harry Fisher, Knots Landing, CBS, 1985; Norman Tuttle, Street Hawk, ABC, 1985; Frank Fontana, Murphy Brown, CBS, 1988—. Pilots: Dr. Harwood, Harry's Battles, ABC, 1981; Joseph Landrum, You Are the Jury, NBC, 1984. Episodic: Kalnik, Mork and Mindy, ABC, 1982; Dad, "Fuzzbucket," Disney Sunday Movie, ABC, 1986; also Barney Miller, ABC, 1980 and 1981; Scene of the Crime, NBC, 1985. Movies: Barry Henry, Divorce Wars, ABC, 1982; Jeff Marisol, The Other Woman, CBS, 1983; Tom Peterson, Invitation to Hell, ABC, 1984; Dr. Dan, Love Lives On, ABC, 1985; Willie Fitz, That Secret Sunday, CBS, 1986; William S. Sullivan, J. Edgar Hoover (also known as Hoover), Showtime, 1987; Charlie Capute, Fatal Judgment, CBS, 1988; Grady Dolin, Cop Killer, ABC, 1988; Tom Janssen, Prime Target, NBC, 1989; Tony Blanchard, The Love Boat: A Valentine Voyage, CBS, 1990.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Sibyl Vane and Duchess of Monmouth, The Picture of Dorian Gray, Greenwich Theatre, London, 1975; Patricia Smith, The Millionairess, Royal Haymarket Theatre, London, 1978. PRINCIPAL FILM APPEARANCES—Victoria, Catch Me a Spy, Rank, 1971; Anna, Hands of the Ripper, Universal, 1971; Gossamer Benyon, Under Milk Wood, Altura Films International, 1973; Macha, La Petite Fille en velours bleu (also known as The Little Girl in Blue Velvet), Columbia-Warner Distributors/Felix, 1978. Also appeared in Moments, Pemini Organisation, 1974. PRINCIPAL TELEVISION APPEARANCES—Series: Close to Home, ITV, 1989-90. Mini-Series: Demelza, Poldark, BBC, then Masterpiece Theatre, PBS, 1977; Demelza Poldark, Poldark II, BBC, then Masterpiece Theatre, PBS, 1978; Marianne, Master of the Game, NBC, 1984. Episodic: Katherine Gault, Remington Steele, NBC, 1985. Movies: Louise, Jane Eyre, NBC, 1971; Peggy Tracewell, Baffled!, NBC, 1973; Lady Evelyn Herbert, The Curse of King Tut's Tomb, NBC, 1980. Specials: Stella Mason, Once the Killing Starts, ABC, 1974; Celia, As You Like It, BBC, then The

AWARDS: Emmy Award nomination, Outstanding Supporting Actor in a Comedy Series, 1989, for Murphy Brown. ADDRESSES: AGENT—Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. MANAGER—Bobby Edrick, Edrick and Gotler Management (Artist Circle Entertainment), 8957 Norma Place, Los. Angeles, CA 90069.* 358

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

REMAR, James

1953-

REMME

PERSONAL: Born December 31, 1953, in Boston, MA; wife's name Atsuko; children: Jason Kemji. EDUCATION—Studied acting at the Neighborhood Playhouse. VOCATION: Actor. CAREER: BROADWAY DEBUT—Wolf, Bent, New Apollo Theatre, 1979. OFF-BROADWAY DEBUT—Yo-Yo, 1977. PRINCIPAL STAGE APPEARANCES—Wesley, Early Dark, WPA Theatre, New York City, 1978; Pete, California Dog Fight, Manhattan Theatre Club, Space at City Center Theatre, New York City, 1985; also appeared in Grease, Paper Mill Playhouse, Millburn, NJ, 1977. PRINCIPAL FILM APPEARANCES—Larson, On the Yard, Midwest Films, 1978; Ajax, The Warriors, Paramount, 1979; Gregory, Cruising, United Artists, 1980; Sam Starr, The Long Riders, United Artists, 1980; Windwalker as a young man, Windwalker, Pacific International, 1980; Edward K. Peterson, Partners, Paramount, 1982; Albert Ganz, 48 Hours, Paramount, 1982; Dutch Schultz, The Cotton Club, Orion, 1984; Nestor, Band of the Hand, Tri-Star, 1986; Creb, The Clan of the Cave Bear, Warner Brothers, 1986; Joe Dillons, Quiet Cool, New Line Cinema, 1986; Dancer, Rent-aCop, Kings Road Entertainment, 1988; Gianelli, The Dream Team, Universal, 1989; Gentry, Drugstore Cowboy, Avenue Entertainment/Samuel Goldwyn, 1989; Charley, Zwei Frauen (also known as Silence Like Glass), Majestic Films International, 1989; Preston, Tales of the Darkside, Paramount, 1990. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Pesla, The Mystic Warrior, ABC, 1984. Episodic: Robbie Can, Miami Vice, NBC, 1985; Douglas Tremaine, The Equalizer, CBS, 1987. Movies: John Sikes, Desperado: The Outlaw Wars, NBC, 1989.

JOHN REMME

LeBeau and Hymen, As You Like It, Arena Stage, Washington, DC, 1983; Star-Man, The Tooth of Crime, Hartford Stage Company, Hartford, CT, 1986; King, Jubilee, Town Hall, 1986; Wheeler, Teddy and Alice, Minskoff Theatre, 1987; Mr. Goldstone, Gypsy, St. James Theatre, New York City, 1989-90. Also appeared as Jim, Sunny, Bobby, Good News, Rupert, Sweet Adeline, Wally, Lady, Be Good, Senator Liver P. Loganberry, Louisiana Purchase, and numerous other roles, all with the Goodspeed Opera House, East Haddam, CT, 1969-82; with the Pittsburgh Playhouse, Pittsburgh, PA, 1970-71; in Funny Face, Studio Arena Theatre, Buffalo, NY, 1973 and 1978; The Mousetrap, Studio Arena Theatre, 1979; and productions of The Firefly in Concert, The Rise of David Levinsky, and George White's Scandals in Concert, all in New York City.

ADDRESSES: AGENTS—Risa Shapiro and Bonnie Owens, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212; Katy Rotmaker, William Morris Agency, 1350 Avenue of the Americas, New York, NY 10019.

REMME, John

1935-

PERSONAL: Born November 21,1935, in Fargo, ND; son of Amos Engvald and Solveig Alvina (Ingberg) Remme. EDUCATION— Attended the University of Minnesota, 1953-55. VOCATION: Actor and singer.

MAJOR TOURS—Budurus, The Rothschilds, U.S. cities, 1972.

CAREER: BROADWAY DEBUT—Patron in chaps, TheRitz, Longacre Theatre, 1975. PRINCIPAL STAGE APPEARANCES—Bill Berry, Young Abe Lincoln, Town Hall, New York City, 1971; ensemble, One for the Money, Two for the Show, Three to Make Ready (revue), Equity Library Theatre, Master Theatre, New York City, 1972; Jo, The Royal Family, Helen Hayes Theatre, New York City, 1976; Elmo Roper, The Counterpart Cure, New Dramatists Inc., New York City, 1977; waiter, policeman, and guard, Can-Can, Minskoff Theatre, New York City, 1981; Moonface, Anything Goes, Equity Library Theatre, Master Theatre, New York City, 1981; Mouse, Three of Hearts, and Tweedledee, Alice in Wonderland, Virginia Theatre, New York City, 1982; Patch Riley, A Touch of the Poet, Yale Repertory Theatre, New Haven, CT, 1983;

TELEVISION DEBUT—Jo, "The Royal Family," Great Performances, PBS, 1977. PRINCIPAL TELEVISION APPEARANCES— Episodic: Medical examiner, The Equalizer, CBS, 1988.

MEMBER: Actors' Equity Association, Screen Actors Guild, Actors Fund of America.

ADDRESSES: AGENT—Bret Adams Ltd., 448 W. 44th Street, New York, NY 10036. 359

REY REY, Fernando

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1917-

Moriz, The Light at the Edge of the World (also known as La Luz del fin del mundo), National General, 1971; old blind farmer, A Town Called Hell (also known as A Town Called Bastard), Scotia International, 1971; Ambassador of Miranda, Le Charme discret de la bourgeoisie (also known as The Discreet Charm of the Bourgeoisie), Twentieth Century-Fox/Castle Hill, 1972; Don Rodrigo, La Duda, Paramount, 1972; Lepidus, Antony and Cleopatra, Rank, 1973; Giovanna's father, Questa specie d'amore (also known as This Kind of Love), Titanus Distribuzione, 1973; Mage, La Chute d'un corps (also known as Fall of a Body), Albina, 1973; chief physician, Bianco, rosso, e . . . (also known as The Sin, White Sister, and White, Red, and . . .), Columbia/Warner Brothers, 1973; Jacques, Dites-le avec desfleurs (also known as Say It with Flowers), Gaumont, 1974; Vanini, Corruzioneal Palazzo diGiustizia (also known as Corruption in the Halls of Justice), Istituto Luce Italnoleggio Cinematografio, 1974; Augusto Murri, Fatti di gente perbene (also known as Drama of the Rich, La Grande bourgeoisie, and Fate genti perbene), Production Artistique Cinematographique/ Curzon Film Distributors, 1974; Perrot, La Femme aux bottes rouges (also known as The Woman with Red Boots), Union Generale Cinematographique/Sirius, 1974, released in the United States by Gamma III, 1977.

PERSONAL: Born Fernando Casado Arambillet Veiga, September 20, 1917, in La Coruna, Spain; son of Fernando Casada; married Mabel Karr (an actress), 1960; children: Mabel. EDUCATION— Attended the University of Madrid School of Architecture. MILITARY—Fought in the Spanish Civil War, 1936-39. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Las mocedades del Cid, Teatro Espanol; also appeared in a production of Becket, 1968. FILM DEBUT—Nuestra Natacha, 1936. PRINCIPAL FILM APPEARANCES—Don Felipe, Locura de amor (also known as The Mad Queen), 1948, released in the United States by Azteca, 1950; inspector, Tangier Assignment, New Realm, 1954; high priest, The Last Days of Pompeii (also known as Ultimi giorni di Pompeii and Los ultimas dias de Pompeya), United Artists, 1960; Valerio, The Revolt of the Slaves (also known as La rivolti degli schiavi, La rebelion de los esclavos, and Die Sklaven Roms), United Artists, 1961; Don Hernan, The Savage Guns (also known as Tierra brutal), Metro-Goldwyn-Mayer (MGM), 1962; Don Jaime, Viridiana, Kingsley International, 1962; Dr. Charles Taylor, La cara del terror (also known as Face of Fear and Face of Terror), 1962, released in the United States by Cinema-Video International/ Futuramic Releasing, 1964; King Ramiro II of Leon, The Castilian (also known as Valley of the Swords and El valle de las espadas), Warner Brothers, 1963; Sanchez, The Ceremony (also known as La ceremonia), United Artists, 1963; Bokan, Goliath Against the Giants (also known as Goliath and the Giants, Goliat contra los gigantes, and Goliath contro i giganti), Medallion, 1963; police official, The Running Man, Columbia, 1963.

Alain Charnier, The French Connection II, Twentieth CenturyFox, 1975; Minister of Justice, Cadaver i eccellenti (also known as Illustrious Corpses and The Context), Cinegate, 1975, released in the United States by United Artists, 1976; Nathanson, Le Desert des Tartares (also known as The Desert of the Tartars), Gaumont, 1976; Charles Van Maar, A Matter of Time (also known as Nina), American International, 1976; Pedro, Pasqualino settebellezze (also known as Seven Beauties and Pasqualino: Seven Beauties), Cinema V, 1976; President Bru of Cuba, Voyage of the Damned, AVCO-Embassy, 1976; Augusto Murri, La Grande Bourgeoise (also known as The Murri Affair), Atlantic/Buckley Brothers, 1977; Bidarra, Uppdraget (also known as The Assignment), Svenska Filminstitutet, 1977; Mathieu, Cet obscur objet du desir (also known as That Obscure Object of Desire), First Artists, 1977; Cardinal, El segundo poder (also known as The Second Power), Oteo Films/CB Films, 1977; father, Elisa, vida mia (also known as Elisa, My Love), Interama, 1977; Max, Le Dernier amant romantique (also known as The Last Romantic Lover), World Marketing/ Columbia/Warner Brothers, 1978; Grigor, Quintet, Twentieth Century-Fox, 1979.

Don Fortuna, El hijo del pistolero (also known as Son of a Gunfighter), 1965, released in the United States by MGM, 1966; King Philip II, El Greco (also known as Le Greco), Twentieth Century-Fox, 1966; priest, Return of the Seven (also known as El regreso de los siete magnificos), United Artists, 1966; Parson Rattigan, Un dollaro a testa (also known as Navajo Joe and Joe, el implacable), 1966, released in the United States by United Artists, 1967; Worcester, Chimes at Midnight (also known as Falstaffand Campanadas a medianoche), Peppercorn/Wormser/U-M, 1967; Marco Demoigne, The Viscount (also known as Le vicomte regie ses comptes, Les Aventures du vicomte, Atraco al hampa, Las aventuras del vizconde, and The Viscount, Furto alia banca mondiale), Warner Brothers, 1967; Ibram, The Desperate Ones (also known as Beyond the Mountains and Mas alia de las montanas), American International, 1968; Colonel Romero, Run Like a Thief (also known as Robo de diamantes), Feature, 1968; Colonel Fuentes, Villa Rides, Paramount, 1968; merchant, Une histoire immortelle (also known as The Immortal Story), 1968, released in the United States by Altura, 1969; King Philip II of Spain, Les Aventures extraordinaires de Cervantes (also known as The Young Rebel, Cervantes, and Le aventure e gli amori di Miguel Cervantes), 1968, released in the United States by American International/Commonwealth United, 1969; Quintero, Guns of the Magnificent Seven, United Artists, 1969.

Teredo, Caboblanco, AVCO-Embassy, 1980; Count Stechelberg, Cera storia della Signora delle Camilie (also known as The True Story of Camilie), Gaumont, 1981; Cardinal Santoni, Monsignor, Twentieth Century-Fox, 1982; Don Andre, La Straniera (also known as The Stranger), VO Films, 1982; Antonio, Beam (also known as La Sala de las Munecas), Alfredo Matas/Ecran Sud/ Films du Semaphore, 1982; chief inspector, The Hit, Island Alive, 1984; Piachi, Una strana passionelNicolo ou V enfant trouve (also known as A Strange Passion and Nicole ou I'enfant trouve), World Marketing, 1984; railroad colonel, Rustler's Rhapsody, Paramount, 1985; cardinal, Padre Nuestro (also known as Our Father), International Film Exchange/Heritage Entertainment/Classic, 1985; Fray Lupo, El caballero del dragon (also known as The Knight of the Dragon and Star Knight), CineTel/Manson International, 1986; Cardinal Stefano Biondi, Saving Grace, Columbia, 1986; Joseph Goldman, Hotel duparadis, Umbrella Films/Global Distribution, 1987; Admiral Comesana, Mi general (also known as My General, Educating the Generals, and Yes, General), Figaro/Television Espanola, 1987; Don Nuno, Pasodoble (also known as Two-Step), Tesauro, 1988; Allende, El tunel (also known as The Tunnel), Hemdale Releasing/Interaccess Film Distribution, 1988; father,

Priest, Land Raiders (also known as Day of the Landgrabbers), Columbia, 1970; Feature, La colera del viente (also known as The Wind's Anger), Fair Film, 1970; Jaime Xenos, The Adventurers, Paramount, 1970; Don Lope, Tristana, Maron, 1970; Alain Charnier, The French Connection, Twentieth Century-Fox, 1971; Captain

360

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 RHOADES

Diario de invierno (also known as A Winter's Diary), United International/Radiotelevision Espanola, 1988; Alejandro, Moon Over Parador, Universal, 1988.

(also known as Es ist nicht leicht ein gott zu sein and E'difficile essere un did], Union Generale Cinematographique/Titanus Distribuzione/Jugendfilm Verleigh, 1989.

Also appeared in La gitanilla, 1940; Los cuatro Robinsones, 1940; Eugenia de Montijo, 1944; El rey que rabio, 1944; Los ultimos de Filipinas, 1945; Mis ion blanca, 1945; Tierra sedienta, 1945; La prodiga, 1946; as Sanson Carrasco, Don Quixote de la Mancha, 1947; in Reina Santa, 1947; La Princesa de los Ursinos, 1947; Fuentovejuna, 1947; Noche de Reyes, \941\Sitehubiesescasado conmigo, 1948; Las aventur-as de Juan Lucas, 1949; Augustina de Aragon, 1950; Mare nostrum, 1950; Cielo negro, 1951; La Senora de Fatima, 1951; Esa parejafeliz, 1951; Bienvenido, Mr. Marshall (also known as Welcome Mr. Marshall), 1952; Comicos, 1952; La lagunanegra, \952\Rebeldia, 1953; El alcalde deZalamea, 1953; Aeropuerto, \953;Cabaret, 1953; Marcelino, pany vino, 1954; Un marido de ida y vuelta, 1955; as Don Juan, El amor de Don Juan, 1956; Brother Moderno, Marcelino, 1956; Don Inigo, Pantaloons, 1956; in Faustina, 1956; Una aventura de Gil Bias, 1956; as Forastero, La vanganza, 1957; in Les Bijoutiers au clair de lune (also known as Heaven Fell That Night), 1957; Culpables, 1958; Les habitantes de la casa deshabitada, 1958; Parque de Madrid, 1958; as Casares, Sonatas, 1959; in Operation Relampage, 1959; Las dos y media y venuno, 1959; Nacido para la musica (also known as Ne pour la musique), 1959.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Caspar, Jesus of Nazareth, NBC, 1977; Seneca, A.D., NBC, 1985. Movies: Earl of Warwick, Black Arrow, Disney Channel, 1985; Sir Edward Hawke, Captain Cook, TNT, 1989.

Fabiola, 1960; Don Lucio y el harmanopio, 1960; A las cinco de la tarde, 1960; Teresa de Jesus, 1960; Rogelia, 1962; as painter, El espontanes, 1963; inDios eligio sus viajeros, 1963; Scheherazade (also known as La schiava di Baghdad), 1963, released in the United States by Shawn International, 1965; Lospalomas, 1964; El senor de la salle, 1964; La nueva cenicienta, 1964; Echappement libre (also known as Backfire), 1964, released in the United States by Royal Films International, 1965; Espana insolita, 1965; Mis ion Lisboa, 1965; Zampo y yo, 1965; Cartas boca arriba (also known as Cards on the Table}, 1965; The Amazing Dr. G., 1965; Toto de Arabia (also known as Toto d'Arabia), 1965; Due mafiosi contro Goldginger (also known as Dos de la Mafia), 1965; Dulcinea del Toboso, 1966; Das Vermachtnis des Inka, 1966; Los jueces de la Biblia, 1966; Don Quixote, 1966; Attack of the Robots, American International, 1967; as Saldiez, Amor en el aire, 1967; in The Price of Power (also known as // prezzo del potere), Films Montana, 1969; Eellini Satyricon (also known as Satyricoh), United Artists, 1969; Candidatoper un assassino (also known as Un sudario a la medida and Candidate for a Killing), 1969.

PERSONAL: Born March 23, 1947, in Poughkeepsie, NY.

RELATED CAREER—Member, Francisco Melgarae's theatre company; dubbed dialogue of foreign films into Spanish before becoming an actor. AWARDS: Best Actor Award from the Cannes Film Festival, 1977, for Elisa, My Love; Knight of Arts and Letters (France), 1986. ADDRESSES: OFFICE—Avenida Habana 19, Madrid, Spain. AGENT—The Kohner Agency Inc., 9169 Sunset Boulevard, Los Angeles, CA 90069.*

RHOADES, Barbara 1947-

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Showgirl, Funny Girl, Winter Garden Theatre, New York City, 1964. PRINCIPAL FILM APPEARANCES—Kendall Flanagan, Don't Just Stand There, Universal, 1968; Penelope Cushings, The Shakiest Gun in the West, Universal, 1968; Miss Jessie Brundidge, There Was a Crooked Man, Warner Brothers, 1970; Dr. Boden, Up the Sandbox, National General, 1972; Elaine, Scream Blacula Scream, American International, 1973; happy hooker, Harry and Tonto, Twentieth Century-Fox, 1974; Hadley, The Choirboys, Universal, 1977; Donna Douglas, The Goodbye Girl, Metro-Goldwyn-Mayer/ Warner Brothers, 1977; Vivian, Serial, Paramount, 1980. Also appeared in Out Cold, Hemdale, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Melody Feebeck, Busting Loose, CBS, 1977; women's coach, Celebrity Challenge of the Sexes, CBS, 1978; Maggie Gallagher, Hanging In (also known as Mr. Dugah), CBS, 1979 (never broadcast); Maggie Chandler, Soap, ABC, 1980-81; Maggie Davis, You Again?, NBC, 1986-87; Jessica Gardner, Generations, NBC, 1989—. Pilots: Chloe Jones, The Judge and Jake Wyler, NBC, 1972; girl, Hunter, CBS, 1973; Mamie, Police Story, NBC, 1973; Barbara, Punch and Jody, NBC, 1974; Helen Horowitz, Conspiracy of Terror, NBC, 1975; Carrie Williamson, The Blue Knight, CBS, 1975; Angela Swoboda, Crime Club, CBS, 1975; Sheila Rainier, Twin Detectives, ABC, 1976; Kate Peterson, The Bureau, NBC, 1976; Dinah, Tabitha, ABC, 1976; DeeDee Fields, The Day the Women Got Even, NBC, 1980; Nurse Ruth O'Malley, Venice Medical, ABC, 1983; also Scene of the Crime, NBC, 1985.

Companeros (also known as Vamos a matar, companeros!), TerraFilmkunst, 1970; Muerte de unpresidente, 1970; Histoira de unatraicion, 1970; Losfrios ojos miedo, 1970; Coartada en disco rojo (also known as / due volti della paura), 1970; Chicas de club, 1972; One Way (also known as Senso unico), 1973; Zanna bianca, 1973; La polizia incrimina, la legge assolve, 1973; Tarot, 1973; Pena de muerte, 1973; El mejor alcalde, el Rey, 1973; Le Fantome de la liberte (also known as The Phantom of Liberty}, Twentieth Century-Fox, 1974; Strip-Tease, 1976; Le Grand embouteillage (also known as L'ingorgo, Bottleneck, and The Traffic Jam), CineTel/Titanus Distribuzione, 1978; Cercasi Gesu (also known as Jesus Wanted), Intercontinental, 1982; El bosque animado (also known as The Enchanted Forest, La Foret animee, and The Animated Forest), Radiotelevision Espanola/Colifilms/Classic, 1987; Les Predateurs de la nuit (also known as Faceless, L'Ange de la mort, Angel of Death, and Commando Mengele), New World/ World Marketing, 1987; Esmeralda Bay, Eurocine, 1988; £7 A/re de un crimen (also known as The Hint of a Crime), Isasi Productions Cinematografica/Televisio de Catalunya, 1988; Hard to Be a God

Episodic: Britte Martin, Stone, ABC, 1980; Dr. Polly Toledo, Trapper John, M.D., CBS, 1985; Dr. Dorothy Harcroft, Simon and Simon, CBS, 1985; Lieutenant Leslie Lynch, jCrazy Like a Fox, CBS, 1985; Flo Oakes, Murder, She Wrote, CBS, 1988; Linda Steadman, thirty something, ABC, 1988; Barbara Sterling, Booker, 361

RHUE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Fox, 1990; Daphne Dumont, Father Dowling Mysteries, NBC, 1990; also Ironside, NBC, 1967; The Virginian, NBC, 1968; It Takes a Thief, ABC, 1968; Mannix, CBS, 1968; The Partridge Family, ABC, 1970; Griff, ABC, 1913'Kojak, CBS, 1973;McMillan and Wife, NBC, 1973; Toma, ABC, 1973 and 1974; Happy Days, ABC, 1974; Mannix, CBS, 1974; Nakia, ABC, 1974; Lucas Tanner, NBC, 197'5; The Six Million Dollar Man, ABC, 1915;Joe Forrester, NBC, 1975; Ellery Queen, NBC, 1975; Harry O, ABC, 1976; Switch, CBS, 1976; Serpico, NBC, 1976; Sanford and Son, NBC, 1976; Police Story, NBC, 197'6; New Love, American Style, ABC, 1985; Bewitched, ABC; "Love and the Unlikely Couple" and "Love and the Amateur Night," both Love, American Style, ABC; The Odd Couple, ABC; Rhoda, CBS; What's Happening!, ABC. Movies: Hostess, The Silent Gun, ABC, 1969; Marge, What Are Best Friends For?, ABC, 1973; Margery Crandon, The Great Houdini, ABC, 1976; Paula, Sex and the Single Parent, CBS, 1979; Paula Picasso, Side Show, NBC, 1981; Denise, Picking Up the Pieces, CBS, 1985; Mrs. Bundy, Double Switch, ABC, 1987. Specials: The Paul Lynde Comedy Hour, ABC, 1975; National Love, Sex, and Marriage Test, NBC, 1978.*

1973, and 1974; Cowboy in Africa, ABC, 1968; // Takes a Thief, ABC, 1968; The Guns of Will Sonnett, ABC, 1968; Mannix, CBS, 1969, 1972, and 1975; The Land of the Giants, ABC, \910;Hawaii Five-0, CBS, 1970 and 1973; Men from Shiloh, NBC, 1971; Longstreet, ABC, 1911; Banacek, NBC, 1972; Mission: Impossible, CBS, 1972; Ghost Story, NBC, 1972; Barnaby Jones, CBS, 1973; Owen Marshall, Counselor at Law, ABC, 1973; Cannon, CBS, 1974 and 1976; The Night Stalker, ABC, 1914; Police Story, NBC, \915;Baretta, ABC, \915;Petrocelli, NBC, 1975; Switch, CBS, \915;StarskyandHutch, ABC, 1976; Streets of San Francisco, ABC, 1976; "Six Characters in Search of an Author," Hollywood Television Theatre, PBS, 1976; Lucy, Dynasty, ABC; Charlotte Schwartz, Fame, NBC. Movies: Alma Britten, Stranger on the Run, NBC, 1967; Joy Hudson, The Sex Symbol, ABC, 1974; Teresa Taylor, The Manhunter, NBC, 1976; Marsha Miller, Goldie and the Boxer, NBC, 1979; Emily Stockwood, The Best Place to Be, NBC, 1979; Rebecca, Fantasies, ABC, 1982; Elaine Porter, Games Mother Never Taught You, CBS, 1982. NON-RELATED CAREER—Painter. ADDRESSES: AGENT—Crickett Haskell, J. Carter Gibson Agency, 9000 Sunset Boulevard, Suite 801, Los Angeles, CA 90069.*

RHUE, Madlyn

1934-

PERSONAL: Born Madeline Roche, October 3, 1934, in Washington, DC.

RICHMAN, Mark See RICHMAN, Peter Mark

VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Lieutenant Claire Reid, Operation Petticoat, Universal, 1959; Alice Black, A Majority of One, Warner Brothers, 1961; Laila, Escape from Zahrain, Paramount, 1962; police secretary, It's a Mad, Mad, Mad, Mad World, United Artists, 1963; Ellie Daniels, He Rides Tall, Universal, 1964; Ana Suya, Kenner (also known as Year of the Cricket), Metro-Goldwyn-Mayer, 1969; Gloria Seagar, Stand Up and Be Counted, Columbia, 1972; also appeared in The Ladies Man, Paramount, 1961.

RICHMAN, Peter Mark (Mark Richman)

1927-

PERSONAL: Born Marvin Jack Richman, April 16, 1927, in Philadelphia, PA; assumed spiritual first name, Peter, 1971; son of Benjamin (an interior house contractor) and Yetta Dora (Peck) Richman; married Helen Theodora Landess (an actress), May 10, 1953; children: Howard Bennett, Kelly Allyn, Lucas Dion, Orien, Roger Lloyd. EDUCATION—Philadelphia College of Pharmacy and Science, B.S., pharmacy, ,1951; studied acting with Lee Strasberg, 1952-54. MILITARY—U.S. Navy, 1945-46.

PRINCIPAL TELEVISION APPEARANCES—Series: Marjorie Grant, Bracken's World, NBC, 1969-70; Hilary Madison, Executive Suite, CBS, 1976-77; Daphne DiMera, Days of Our Lives, NBC, 1982-84; Annie, Houston Knights, CBS, 1987-88; judge, Trial By Jury, syndicated, 1989-90. Pilots: Frances Emerson, Poor Devil, NBC, 1973; Mrs. Doran, Medical Story, NBC, 1975.

VOCATION: Actor.

Episodic: Lieutenant Maria McGivers, "Space Seed," Star Trek, NBC, 1967; Shirley, Bridges to Cross, CBS, 1986; Doris West, Murder, She Wrote, CBS, 1989; also Adventures in Paradise, ABC, 1961; Hong Kong, ABC, 1961 \BusStop, ABC, 1961; Cam's Hundred, NBC, 1962; The Third Man, NBC, 1962; Route 66, CBS, 1962; The Nurses, CBS, 1963; "The Dark Pool," Alfred Hitchcock Theatre, CBS, 1963; Rawhide, CBS, 1963; "Man Without a Witness," Mystery Theatre, NBC, 1963; Arrest and Trial, ABC, 1963; The Virginian, NBC, 1963; The Lieutenant, NBC, 1963; Espionage, NBC, 1964; "The Game with Glass Pieces," Bob Hope Chrysler Theatre, NBC, 1964; The Man from U.N.C.L.E., NBC, 1964and \961;DanielBoone, NBC, 1965; The Defenders, CBS, 1965; Slavery's People, CBS, 1965'I Spy, NBC, \965-Shenandoah, ABC, \965;Laredo, NBC, 1966; The Fugitive, ABC, 1966; The Iron Horse, ABC, 1966; Captain Nice, NBC, 1967; Wild, Wild West, CBS, 1967; Ironside, NBC, 1967, 1971,

CAREER: OFF-BROADWAY DEBUT—(As Mark Richman) Larrence Corger, End As a Man, Theatre De Lys, 1953. BROADWAY DEBUT—(As Mark Richman) Larrence Corger, End As a Man, Vanderbilt Theatre, 1953. PRINCIPAL STAGE APPEARANCES— All as Mark Richman, unless indicated: Billy, This Happy Breed, Philadelphia Neighborhood Players, Philadelphia, PA, 1947; title role, Liliom, Philadelphia Neighborhood Players, 1949; Jarvis Addams, The Member of the Wedding, Alvaro Mangiacavallo, The Rose Tattoo, Ben Goodman, Remains To Be Seen, Horace William Dodd, Season in the Sun, Owen O'Malley, Twentieth Century, Clark Wilson, Twilight Walk, Matt Burke, Anna Christie, Eliot, Private Lives, Charles Steward, Gramercy Ghost, Sinclair Heybore, Fancy Meeting You Again, and Steve, Pretty Lady, all Grove Theatre, Nuangola, PA, 1952; Stefanowski, Mister Roberts and Joe

362

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

RICHMAN

Peter Mark Richman) Hold Me, Westwood Playhouse, Los Angeles, 1977; Heartbreak House, summer theatre production. PRINCIPAL STAGE WORK—(As Mark Richman) Director, Apple of His Eye and The Glass Menagerie, both Guthsville Playhouse, Guthsville, PA, 1954. MAJOR TOURS—All as Mark Richman: Mannion, Mister Roberts, U.S. cities, 1954; File, The Rainmaker, U.S. cities, 1955; Johnny Pope, A Hatful of Rain, U.S. cities, 1956-57; also Arms and the Man, U.S. cities, 1957. FILM DEBUT—(As Mark Richman) Gardner Jordan, Friendly Persuasion, Allied Artists, 1956. PRINCIPAL FILM APPEARANCES— All as Mark Richman, unless indicated: Cadet Colonel Corger, The Strange One (also known as End As a Man), Columbia, 1957; Lieutenant Bill Hanley, Girls on the Loose, Universal, 1958; Noble, Black Orchid, Paramount, 1959; Robert Vandenburg, Dark Intruder, Universal, 1965; Adam Chance, Agent for H.A.R.M., Universal, 1966; Gerald Pry or, For Singles Only, Universal, 1968; (as Peter Mark Richman) Colonel Brigg, Conquest of the Earth, Universal, 1980; (as Peter Mark Richman) Sam, Judgment Day, Rockport, 1989; (as Peter Mark Richman) Charles McCulloch, Friday the 13th Part VII: Jason Takes Manhattan, Paramount, 1989; also appeared (as Peter Mark Richman) in The Third Hand, Interfilm-ColombiaLtd., 1988. TELEVISION DEBUT—(As Mark Richman) Papa Pietro's Place, WPTZ (Philadelphia, PA), 1950. PRINCIPAL TELEVISION APPEARANCES—As Peter Mark Richman, unless indicated. Series: (As Mark Richman) Nicholas "Nick" Cain, Cain's Hundred, NBC, 1961-62; Duke Paige, Longstreet, ABC, 1971-72; Pharoah, Electra Woman and Dyna Girl, ABC, 1976-77; Andrew Laird, Dynasty, ABC, 1981-84; Channing "C.C." Capwell, Santa Barbara, NBC, 1984; also voice of God, Greatest Stories of the Bible, 1979; voice of the Phantom, Defenders of the Earth (animated), 1986. Mini-Series: Robert Mardian, Blind Ambition, CBS, 1979. Pilots: (As Mark Richman) Sal Gilman, The House on Greenapple Road, ABC, 1970; (as Mark Richman) Chief Peter B. Clifford, McCloud: Who Killed Miss USA? (also known as Portrait ofaDeadGirl), NBC 1970; Major Lucas, Yuma, ABC, 1971; John Shields, Mallory: Circumstantial Evidence, NBC, 1976; Lieutenant Larkin, The Islander, CBS, 1978.

PETER MARK RICHMAN

Feinson, Detective Story, both Westchester Playhouse, Mt. Kisco, NY, 1953; the Gentleman Caller, The Glass Menagerie, Mr. Manningham, Angel Street, Harry Binion, Room Service, and Charles Grant, The Family Upstairs, all Guthsville Playhouse, Guthsville, PA, 1954; Channon, The Dybbuk, Fourth Street Theatre, New York City, 1954; Johnny Pope, A Hatful of Rain, Lyceum Theatre, New York City, 1956; Sergius, Arms and the Man, Drury Lane Theatre, Chicago, IL, 1957; Jimmy Porter, Look Back in Anger, Atlantic Beach Playhouse, NJ, 1959; Ralph Glenville, Masquerade, John Golden Theatre, New York City, 1959.

Episodic: (As Mark Richman) Ian Frazer, "The Borderland," The Outer Limits, ABC, 1963; (as Mark Richman) Jefferson Rome, "The Probe," The Outer Limits, ABC, 1965; Sam, Vega$, ABC, 1980; Frank, The Fall Guy, ABC, 1982; Dr. Donald Rafelman, Crazy Like a Fox, CBS, 1985; Kleist, Knight Rider, NBC, 1985; Bennett, Murder, She Wrote, CBS, 1986; Ross Paterno, TJ. Hooker, CBS, 1986; Roy Barlow, Hardcastle and McCormick, ABC, 1986; Dr. Lyman, Hotel, ABC, 1988; Smythe, Supercarrier, ABC, 1988; Ralph Offenhouse, "Neutral Zone," Star Trek . . . The Next Generation, syndicated, 1988; Adam Whitley, Matlock, NBC, 1989; also as Mark Richman: "Star in the Night," Goodyear Playhouse, NBC, 1954; "Middle of the Night," Philco Playhouse, NBC, 1954; "Backfire," Goody ear Playhouse, NBC, 1955; "The Bold and the Brave," Philco Playhouse, NBC, 1955; "The Center of the Maze," Playwrights '56, NBC, 1956; "The Partners," U.S. Steel Hour, NBC, 1956; "Sheriffs Man," Kraft Theatre, NBC, 1957; "The House," Goodyear Playhouse, NBC 1957; "Roadblock Number Seven," Jane Wyman Theatre, NBC, 1957; "The Last Man," Playhouse 90, CBS, 1958; "Home Again," Schlitz Playhouse of Stars, 1958; "Death Wears Many Faces," Kraft Theatre, NBC, 1958; "Man with a Problem," Alfred Hitchcock

Jerry, The Zoo Story, Provincetown Playhouse, New York City, 1960-61; David, Write Me a Murder, Ogunquit Playhouse, ME, then Cape Playhouse, Dennis, MA, both 1962; Glen Griffin, The Desperate Hours, Deertrees Theatre, Harrison, ME, 1962; Senator Joe Cantwell, The Best Man, Playhouse-in-the Park, Philadelphia, PA, 1962; Joe Garfield, Have I Got a Girl for You!, Biltmore Theatre, Los Angeles, 1963; Shannon, The Night of the Iguana, Playhouse-in-the-Park, 1963; the Doctor, The Deputy, Theatre Group, University of California, Los Angeles, 1965; Nicky Arnstein, Funny Girl, Sacramento Music Circus, Sacramento, CA, 1967; (as Peter Mark Richman) Dysart, Equus, Mary Moody Northern Theatre, Austin, TX, 1982; (as Peter Mark Richman) Charles, Blithe Spirit, Lobero Theatre, Santa Barbara, CA, 1984; (as Peter Mark Richman) juror, Twelve Angry Men, Henry Fonda Theatre, Los Angeles, 1985; (as Peter Mark Richman) Barnaby, Babes in Toy land, Pasadena Civic Auditorium, then Orange County Performing Arts Center, Costa Mesa, CA, both 1988. Also appeared in Lo and Behold and Apron Strings, both Grove Theatre, 1952; (as Peter Mark Richman) The Owl and the Pussycat, Atlanta, GA, 1977; (as 363

RICKMAN CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Presents, CBS, 1958; "Mission to Marathon," Zane Grey Theatre (also known as Dick Powells Zane Grey Theatre), CBS, 1959; "Ruth and Naomi," The June Ally son Show, CBS, 1959; "The Hours Before Dawn" and "Act of Terror," U.S. Steel Hour, CBS, 1959; Hotel de Paree, CBS, 1959.

and New York; painter, works exhibited in one-man and group shows and in permanent collections in galleries throughout the United States.

As Mark Richman: "The Cure," Alfred Hitchcock Presents, CBS, 1960; "Fire By Night," Moment of Fear, NBC, 1960; "Emmanuel," Play of the Week, PBS, 1960; "Therese Raquin," Play of the Week, syndicated, 1961; "Shame of Paula Marsten," U.S. Steel Hour, CBS, 1961; "You Can't Escape," U.S. Steel Hour, CBS, 1962; Stoney Burke, ABC, 1963; "Crack in an Image," Breaking Point, ABC, 1963; The Virginian, NBC, 1963; Ben Casey, ABC, 1963; Combat, ABC, 1964; The Virginian, NBC, 1964; The Fugitive, ABC, 1964; Profiles in Courage, NBC, 1965; The F.B.I., ABC, 1965; The Wild, Wild West, CBS, 1965; Twelve O'Clock High, ABC, 1965; Combat, ABC, 1966; Voyage to the Bottom of the Sea, ABC, 1966; Blue Light, ABC, 1966; The Fugitive, ABC, 1966; T.H.E. Cat, NBC, 1966; The Loner, CBS, 1966; Jericho, CBS, 1966; The Virginian, NBC, 1967; The Iron Horse, ABC, 1967; Daniel Boone, NBC, 1967; Ironside, NBC, 1967; The Man from U.N.C.L.E., NBC, 1968; It Takes a Thief, ABC, 1968; Gunsmoke, CBS, 1968; The Invaders, ABC, 1968; The F.B.I., ABC, 1968; The Name of the Game, NBC, 1968; Bonanza, NBC, 1968; My Friend Tony, NBC, 1969; It Takes a Thief, ABC, 1969; Insight, syndicated, 1969; Hawaii Five-0, CBS, 1969; Lancer, CBS, 1969; The Name of the Game, NBC, 1969.

MEMBER: American Federation of Radio Artists (renamed American Federation of Television and Radio Artists; 1946—), Screen Actors Guild (1953—), Actors' Studio (1954—), Actors' Equity Association, Association of Canadian Radio and Television Artists, Motion Picture and Television Fund (board of trustees), Academy of Motion Picture Arts and Sciences, National Academy of Television Arts and Sciences.

WRITINGS: STAGE—Heavy, Heavy What Hangs Over.

ADDRESSES: AGENT—Barry Freed Company, 9255 Sunset Boulevard, Suite 603, Los Angeles, 90069. MANAGER—Barbara Silver, 3300 Red Rose Drive, Encino, CA 91436.

RICKMAN, Alan VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Wittipol, The Devil Is an Ass and Friar Peter, Measure for Measure, both Birmingham Repertory Theatre Company, Lyttelton Theatre, London, 1977; Farquarson, Captain Swing, Royal Shakespeare Company (RSC), Other Place Theatre, Stratford-on-Avon, U.K., 1978; Thidias and Alexa, Antony and Cleopatra and Antonio, The Tempest, both RSC, Royal Shakespeare Theatre, Stratford-on-Avon, 1978; Boyet, Love's Labour's Lost, RSC, Royal Shakespeare Theatre, 1978, then Aldwych Theatre, London, 1979; Jacques, As You Like It, RSC, Stratford-on-Avon, then Barbican Theatre, London, both 1985; Hendrik Hofgen, Mephisto, RSC, Barbican Theatre, 1986; Le Vicomte de Valmont, Les Liaisons Danger-ernes, RSC, Music Box Theatre, New York City, 1987. Also appeared as Ferdinand, The Tempest, RSC, 1978; Achilles, Troilus and Cressida, RSC, 1985; Le Vicomte de Valmont, Les Liaisons Dangereuses, RSC; Jacques, As You Like It, Crucible Theatre, Sheffield, U.K.

As Peter Mark Richman, unless indicated: (As Mark Richman) Mannix, CBS, 1970; (as Mark Richman) Mission: Impossible, CBS, 1970; (as Mark Richman) The F.B.I., ABC, 1970; (as Mark Richman) Silent Force, ABC, 197Q; Men from Shiloh, NBC, 1971; Yuma, ABC, 1971; The F.B.I., ABC, 1971 and 1972; Mission: Impossible, CBS, \912\Marcus Welby, M.D., ABC, 1973; Search, NBC, 1973; TheNew Adventures of Perry Mason, CBS, 1973; The Streets of San Francisco, ABC, 197'3; Hawkins, CBS, 1974; Police Story, NBC, 1974; The F.B.I., ABC, 1974; "Nightmare at 43 Hillcrest," Wide World of Mystery, ABC, 1974; Get Christie Love!, ABC, 1974; Barnaby Jones, CBS, 1974; McCloud, NBC, 1974;Ironside, NBC, \914\Caribe, ABC, \915\Petrocelli, NBC, 1975; Police Story, NBC, 1975 and 1976; Barnaby Jones, CBS, 1976; Switch, CBS, 1976; Cannon, CBS, 1976; Bert D'Angelo, Superstar, ABC, \916\Baretta, ABC, 1976;Family, ABC, 1976; Dog and Cat, ABC, 1977; Reverend Luther Snow, Three's Company, ABC, 1977; (as Mark Richman) The Twilight Zone, CBS; (as Mark Richman) Suspense, CBS; (as Mark Richman) Studio One, CBS; (as Mark Richman) Camera Three, CBS; (as Mark Richman) Rawhide, CBS; Apple's Way, CBS; The Young Lawyers, ABC; Banacek, NBC; Medical Story, NBC; Quincy, M.E., NBC; Sword of Justice, NBC; Starsky and Hutch, ABC; Fantasy Island, ABC; The Love Boat, ABC; Finder of Lost Loves, ABC; Hart to Hart, ABC; BJ. and the Bear, NBC; Lobo, NBC; The Incredible Hulk, CBS; 240-Robert, ABC; TV*** 57* M///iYwi Dollar Man, ABC; Dallas, CBS; TheBionic Woman, ABC; Seaways, Canadian television; Worafer Woman; The Ted Knight Show; The Lutheran Hour; and (as Mark Richman) Armstrong Circle Theatre.

PRINCIPAL STAGE WORK—Director, Desperately Yours, Colonnades Theatre, New York City, 1980. PRINCIPAL FILM APPEARANCES—Hans Gruber, Die Hard, Twentieth Century-Fox, 1988; Ed, The January Man, Metro-GoldwynMayer/United Artists/United International, 1989. PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Vidal, Therese Raquin, BBC, then Masterpiece Theatre, PBS, 1981; Brownlow, Smiley s People, BBC, then syndicated, 1982; Obadiah Slope, "Barchester Chronicles," Masterpiece Theatre, PBS, 1984. Specials: Tybalt, Romeo and Juliet, BBC, then The Shakespeare Plays, PBS, 1979. WRITINGS: "Jaques in As You Like It" in Players of Shakespeare 2, Cambridge University Press, 1988.

Movies: Tex Rickard, Dempsey, CBS, 1983; Lieutenant Walling, City Killer, NBC, 1984; Cele Dunston, Bonanza . . . The Next Generation, syndicated, 1988; also ThePSIFactor, 1980. Specials: (As Mark Richman) David, David Chapter III, CBC, 1966. Also appeared (as Mark Richman) in A Question of Chairs, CBS, 1961.

AWARDS: Antoinette Perry Award nomination, Best Actor in a Play, 1987, for Les Liaisons Dangereuses. ADDRESSES: AGENT—Jusy Hofflund, Intertalent Agency, 9200 Sunset Boulevard, Penthouse 25, Los Angeles, CA 90069.*

NON-RELATED CAREER—Licensed pharmacist in Pennsylvania 364

ROBBE-GRILLET

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

RIVERA, Chita

1933-

Specials: The Maurice Chevalier Show, NBC, 1956; The General Motors 50th Anniversary Show, NBC, 1957; Tiptoe Through TV, CBS, 1960; Variety: The World of Show Biz, CBS, 1960; Arthur Godfrey and the Sounds of New York, CBS, 1963; The George Burns Special, CBS, 1976; The Stars and Stripes Show, NBC, 1976; gingerbread lady, "Hansel and Gretel," Once Upon a Brothers Grimm, CBS, 1911'.Broadway Plays Washington: Kennedy Center Tonight, PBS, 1982; Night of 100 Stars II, NBC, 1982; Macy's Thanksgiving Day Parade, NBC, 1985; Broadway Sings: The Music ofJule Styne, PBS, 1987; Celebrating Gershwin, PBS, 1987; Sammy Davis, Jr. 's 60th Birthday Celebration, ABC, 1990.

PERSONAL: Born Dolores Concita del Rivero, January 23, 1933, in Washington, DC; daughter of Pedro Julio Figueroa (a musician) and Katherine (a government clerk) del Rivero; married Anthony Mordente (an actor; divorced); children: Lisa. EDUCATION—Trained at the American School of Ballet, 1950-51. VOCATION: Actress, singer, and dancer. CAREER: BROADWAY DEBUT—Dancer, Guys and Dolls, 46th Street Theatre, 1950. LONDON DEBUT—Anita, West Side Story, Her Majesty's Theatre, 1958. PRINCIPAL STAGE APPEARANCES— (As Conchita del Rivero) Dancer, Call Me Madam, Imperial Theatre, New York City, 1952; dancer, Can-Can, Shubert Theatre, New York City, 1953; ensemble, Shoestring Revue (revue), President Theatre, New York City, 1955; Fifi, Seventh Heaven, American National Theatre and Academy Theatre, New York City, 1955; Rita Romano, Mr. Wonderful, Broadway Theatre, New York City, 1956; Anita, West Side Story, Winter Garden Theatre, New York City, 1957; Rosie Grant, Bye Bye Birdie, Martin Beck Theatre, New York City, 1960, then Her Majesty's Theatre, London, 1961; Athena Constantine, Zenda, Curran Theatre, San Francisco, CA, then Pasadena Civic Auditorium, Pasadena, CA, both 1963; Anyanka, Bajour, Shubert Theatre, 1964; Jenny, The Threepenny Opera, Mineola Theatre, Mineola, NY, 1966; Billie Dawn, Born Yesterday, Walnut Street Theatre, Philadelphia, PA, 1972; Sondheim: A Musical Tribute (revue), Shubert Theatre, 1973; Velma Kelly, Chicago, 46th Street Theatre, New York City, 1975; Sing Happy! (revue), Avery Fisher Hall, New York City, 1978; V.I.P. Night on Broadway (revue), Shubert Theatre, 1979; Rose, Bring Back Birdie, Martin Beck Theatre, 1981; the Queen, Merlin, Mark Hellinger Theatre, New York City, 1983; Anna, The Rink, Martin Beck Theatre, 1984; ensemble, Jerry's Girls (revue), St. James Theatre, New York City, 1985-86; La Mome Pistache, Can-Can, Chicago Theatre, Chicago, IL, 1988. Also appeared in Shinbone Alley, Broadway Theatre, 1957; Flower Drum Song, Melody Top Theatre, Milwaukee, WI, 1966; Zorba, Westbury Music Fair, Westbury NY, 1970; Milliken Breakfast Show, WaldorfAstoria Hotel, New York City, 1972; Father's Day, Ivanhoe Theatre, Chicago, 1974; Hey Look Me Over, Avery Fisher Hall, 1981.

RELATED CAREER—Performer in nightclubs and cabarets throughout the world, including the Grand Finale, New York City, and Studio One, Los Angeles, both 1975; performer on two tours for the Oldsmobile Industrial Show. AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actress in a Musical, 1961, for Bye Bye Birdie; Antoinette Perry Award nomination, Best Actress in a Musical, 1976, for Chicago; National Academy of Concert and Cabaret Arts Award, Best Variety Performance, 1980; Antoinette Perry Award nomination, Best Actress in a Musical, 1981, for Bring Back Birdie; Antoinette Perry Award nomination, Best Actress in a Musical, 1983, for Merlin; Antoinette Perry Award, Best Actress in a Musical, 1984, for The Rink; inducted into the Television Academy Hall of Fame, 1985; Antoinette Perry Award nomination, Best Actress in a Musical, 1986, for Jerry's Girls; Best Plays citation for Bajour. MEMBER: American Federation of Television and Radio Artists, Actors' Equity Association, Screen Actors Guild. SIDELIGHTS: RECREATIONS—Cooking, bowling, horseback riding, tennis, and swimming. ADDRESSES: OFFICE—c/o Armando Rivera, 825 Columbus Avenue, New York, NY 10002.*

ROBBE-GRILLET, Alain

MAJOR TOURS—(As Conchita del Rivero) Principal dancer, Call Me Madam, U.S. cities, 1952; Rosie Grant, Bye Bye Birdie, U.S. cities, 1962; title role, Sweet Charity, U.S. and Canadian cities, 1967-68; Leader, Zorba, U.S. cities, 1969; Jacques Brel Is Alive and Well and Living in Paris, U.S. cities, 1972; Lilli Vanessi/ Katherine, Kiss Me Kate, U.S. cities, 1974; Velma Kelly, Chicago, U.S. cities, 1977-78.

1922-

PERSONAL: Born August 18, 1922, in Brest, France; son of Gaston (an engineer) and Yvonne (Canu) Robbe-Grillet; married Catherine Rstakian, October 23, 1957. EDUCATION—Graduated from the the Institut National Agronomique, 1944. VOCATION: Screenwriter, director, and novelist.

PRINCIPAL FILM APPEARANCES—Nickie, Sweet Charity, Universal, 1969; also appeared in Sergeant Pepper's Lonely Hearts Club Band, Universal, 1978.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Jean (the director), Trans-Europ-Express, 1966, released in the United States by Trans American, 1968; also appeared in Je t'aime, Je t'aime, New Yorker, 1972.

PRINCIPAL TELEVISION APPEARANCES—Series: Connie Richardson, The New Dick Van Dyke Show, CBS, 1973-74. Episodic: The Imogene Coca Show, NBC, 1954; Mrs. Dame, "The Bellero Shield," The Outer Limits, ABC, 1964; also The Garry Moore Show, CBS; The Ed Sullivan Show, CBS; The Arthur Godfrey Show, CBS; The Sid Caesar Show, NBC; The Dinah Shore Show, NBC;MaxLiebman, NEC; London Palladium Show, British television. Movies: Josie Hopper, The Marcus-Nelson Murders (also known as Kojak and the Marcus-Nelson Murders), CBS, 1973; Risa Dickstein, The Mayflower Madam, CBS, 1987.

PRINCIPAL FILM WORK—Director: L'Immortelle, 1963, released in the United States by Grove, 1969; Trans-Europ-Express, 1966, released in the United States by Trans American, 1968; L'Homme qui ment (also known as The Man Who Lies), 1968, released in the United States by Grove, 1970; Glissements progressifs du plaisir (also known as Successive Slidings of Pleasure), Fox-Lira, 1973; Le Jeu avec lefeu (also known as Playing with Fire and Giocare col fuoco), Union Generale Cinematographique/CFDC, 1974; La Belle 365

ROBERTS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Captive (also known as The Beautiful Prisoner), Argos Films, 1983. Also directed L'Eden et apres, 1971; Les Gommes, 1972; Piege a fourrure, 1977. RELATED CAREER—Literary advisor, Editions de Minuit, Paris, France, 1954—. NON-RELATED CAREER—Charge de mission, Institut National des Statistiques, Paris, France, 1945-48; agricultural engineer, Institut des Fruits et Agrumes Coloniaux in Morocco, French Guinea, Martinique, and Guadeloupe, 1949-51. WRITINGS: FILM—See production details above, unless indicated: L'Annee derniere a Marienbad (also known as Last Year at Marienbad), 1961, released in the United States by Astor, 1962, published by Editions de Minuit, 1961, then in the United States by Grove, 1962; L'Immortelle, 1963, published by Editions de Minuit, 1963; Trans-Europ-Express, 1966; L'Homme que merit, 1968; L'Eden et apres, 1971; Les Gommes, 1972; Glissementsprogressifs du plaisir, 1972; (co-writer) Le Jeu avec le feu, 1974; Piege a fourrure, 1977; (with Framl Verpillat) La Belle Captive, 1983. OTHER—Les Gommes (novel), Editions de Minuit, 1953, published in the United States as The Erasers, Grove, 1964; Le Voyeur (novel), Editions de Minuit, 1955, published in the United States as The Voyeur, Grove, 1958; La Jalousie (novel), Editions de Minuit, 1957, published in the United States as Jealousy, Grove, 1959; Dans le labyrinthe (novel), Editions de Minuit, 1959, published in the United States as In the Labyrinth, Grove, 1960; Instantanes (short stories), Editions de Minuit, 1962, published in the United States as Snapshots, Grove, 1968; Pour un nouveau roman (nonfiction), Editions de Minuit, 1963, published in the United States as For a New Novel: Essays on Fiction, Grove, 1966; La Maison de rendez-vous (novel), Editions de Minuit, 1965, published in the United States by Grove, 1966; Projet pour une revolution a New York (novel), Editions de Minuit, 1970, published in the United States as Project for a Revolution in New York, Grove, 1972; (with David Hamilton) Reves de jeunes filles (novel), Montel, 1971, published in the United States as Dreams of a Young Girl, Morrow, 1971; (with Hamilton) Les Demoiselles d'Hamilton (novel), Laffont, 1972; also Topologie d'une cite fantome (novel), 1976; La Belle Captive (novel), 1977; Un regicide (novel), 1978; Souvenirs du triangle dor (novel), 1978; Djinn (novel), 1981; Le Miroir qui revient (novel), 1984.

CHRISTIAN ROBERTS

VOCATION: Actor and producer. CAREER: STAGE DEBUT—Tournel, A Flea in Her Ear, Castle Theatre, Farnham, U.K., 1973, for twenty-five performances. LONDON DEBUT—Dr. Prospero, Return to the Forbidden Planet, Cambridge Theatre, 1989. PRINCIPAL STAGE APPEARANCES— Reporter, Free As Air, Castle Theatre, Farnham, U.K., 1973; Paris, Romeo and Juliet, Jack Chesney, Charley's Aunt, Cliff Bradshaw, Cabaret, Diego, A Royal Hunt of the Sun, Sergeant, The Devil's Disciple, and Johnny King, The Lord's Lieutenant, all Redgrave Theatre, Farnham, 1974; Trofimov, The Cherry Orchard, Bob Acres, The Rivals, Henry, Move Over, Mrs. Markham, Alfieri, A View from the Bridge, Philip Lombard, Ten Little Niggers, and Mortimer Brewster, Arsenic and Old Lace, all Regrave Theatre, 1975; Philip Harrison, The Gentle Hook, Salisbury Playhouse, Salisbury, U.K., 1976; Richard D'Oyly-Carte, Tarantara Tarantara, Theatre Royal, York, U.K., 1976; title role, Foxy, Watford Palace Theatre, Watford, U.K., then Redgrave Theatre, both 1977; J.M. Barrie, The Peter Pan Man, Rodger, A Slight Accident, Tegeus, A Phoenix Too Frequent, and Charles, All in the Mind, all Bellerby Theatre, Guildford, U.K., 1978; Peter, Time and Time Again and Fred Castle, Bed Before Yesterday, both Redgrave Theatre, 1978; Frankie Basata, Bird Bath, Bellerby Theatre, 1981; Sven, Ball Boys, Yvonne Arnaud Theatre, Guildford, 1981; Malcolm, Having a Ball, Haymarket Theatre, Basingstoke, U.K., 1987; Duke Box, From a Jack to a King, Edinburgh Festival, Edinburgh, Scotland, 1988; Lloyd Dallas, Noises Off, Redgrave Theatre, 1988. Also appeared as Geoffrey Jackson, Absurd Person Singular, 1976; Lennox, Macbeth, 1976; in Cowardly Custard, 1976; as Jeremy Warrender, The Spider's Web, Timothy, Salad

AWARDS: Feneon Prize, 1954, for Les Gommes; Prix des Critiques, 1955, for Le Voyeur; Prix Louis Delluc, 1963, for LImmortelle; also Officer, Order of Merit (France); Chevalier, Legion of Honor (France). ADDRESSES: OFFICE—7 rue Bernard-Palissy, 75006 Paris, France.*

ROBERTS, Christian 1944PERSONAL: Born March 17, 1944, in Berkshire, England; son of Douglas Henry (in the dairy business) and Betty Alison Roberts; married Christine Cars well, September 26, 1973; children: Lucinda Alison, Benjamin Henry. EDUCATION—Studied acting at the Royal Academy of Dramatic Art, 1964-66. 366

ROGERS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Days, John Worthing, The Importance of Being Earnest, Tristan Tzara, Travesties, and David Ryder, Murder with Love, all in 1977. PRINCIPAL STAGE WORK—Producer, Return to the Forbidden Planet, Cambridge Theatre, London, 1989. FILM DEBUT—Denham, To Sir, with Love, Columbia, 1967. PRINCIPAL FILM APPEARANCES—Tom Taggert, The Anniversary, Hammer, 1968; Adam Gait, The Desperados, Columbia, 1969; Philip Harvey, Twisted Nerve, National General, 1969; Robert, The Adventurers, Paramount, 1970; Thomas Fleming, The Mind of Mr. Soames, Columbia, 1970; Andreas, The Last Valley, Cinerama, 1971; also appeared in The Mountain of Fire, Paramount, 1972. PRINCIPAL TELEVISION APPEARANCES—Series: Frank Faith, Feet First, Thames, 1979; also Saturday While Sunday, Granada, 1967. Mini-Series: Clochemerle, BBC, 1972. Episodic: Dr. Renor, Blake's Seven, BBC, 1978;Horsl, Secret Army, BBC, 1978; young lecturer, "Degree of Uncertainty," Play for Today, BBC, 1978; also The Avengers, ITV, 1968; The Persuaders, ITV, 1971; U.F.O., ITV, 1971. Movies: Albert, The Berlin Affair, NBC, 1970. Also appeared in Epic '66, BBC, 1966; Haunted, ABC, 1967. PRINCIPAL RADIO APPEARANCES—Lieutenant Champion, When the Galling Jammed, BBC, 1978; Edward Digby, A Gallant Romantic, BBC, 1978. RELATED CAREER—Board of directors, Theatre Royal, Windsor, U.K., 1987—; co-founder, Rhythm Method Productions, 1988—. NON-RELATED CAREER—Director, Job's Dairy Limited, 198187.

KENNY ROGERS

AWARDS: International Laurel Award from the Motion Picture Exhibitors and named one of Filmdom's Famous Fives by Film Daily, both 1967.

PRINCIPAL TELEVISION APPEARANCES—Series: Host, Rollin' on the River, syndicated, 1971-73. Episodic: American Bandstand, ABC, 1958; also Barbara Mandrell and the Mandrell Sisters, NBC; The Tonight Show, NBC. Movies: Earl, The Dream Makers, NBC, 1975; Brandy Hawkes, Kenny Rogers as "The Gambler," CBS, 1980; Matthew Spencer, Coward of the County, CBS, 1981; Brandy Hawkes, Kenny Rogers as "The Gambler"—The Adventure Continues, CBS, 1983; Matt Cooper, Wild Horses, CBS, 1985; Brandy Hawkes, Kenny Rogers as "The Gambler" III, CBS, 1987.

MEMBER: Freeman, City of London, 1966; liveryman, Bakers Company, 1983. SIDELIGHTS: RECREATIONS—Tennis, golf, horseback riding, philately, autograph collecting. ADDRESSES: AGENT—Denis Selinger, International Creative Management, 388 Oxford Street, London WIN 9HE, England.

ROGERS, Kenny

Specials: Host, The World's Largest Indoor Country Music Show, NBC, 1978; The Captain and Tennille in Hawaii, ABC, 1978; American Music Awards, ABC, 1978; Country Music Association Awards, CBS, \918;Perry Como's Easter By the Sea, ABC, 1978; Variety '77—The Year in Entertainment, CBS, 1978; host, The Kenny Rogers Special, CBS, 1979; A Christmas Special. . . With Love, Mac Davis, NBC, \919'Lynda Carter's Special, CBS, 1980; host, A Special Kenny Rogers, CBS, 1981; / Love Liberty, ABC, 1982; Roy Acuff—Fifty Years the King of Country Music, NBC, 1982; host, Kenny Rogers in Concert, HBO, 1983; Sheena Easton, Act 1, NBC, 1983; Grandpa, Will You Run with Me?, NBC, 1983; host, 18th Annual Country Music Association Awards, CBS, 1984; Kenny and Dolly: A Christmas to Remember, CBS, 1984; Glen Campbell and Friends: The Silver Anniversary, HBO, 1984; Salute to Lady Liberty, CBS, 1984; Liberty Weekend, ABC, 1986; Kenny Rogers: Working America, CBS, 1987; host, 21st Annual Country Music Awards, CBS, 1987; The Smothers Brothers Comedy Special, CBS, 1988; The Smothers Brothers Thanksgiving Special, CBS, 1988; host, American Music Awards, CBS, 1989; host, 23rd Annual Country Music Association Awards, CBS, 1989; From the

1938-

PERSONAL: Full name, Kenneth Ray Rogers; born August 21, 1938, in Houston, TX (some sources say Crockett, TX); son of Edward Floyd and Lucille (Hester) Rogers; married fourth wife, Marianne Gordon (an actress), October 2, 1977; children: Carol (first marriage); Kenneth, Jr. (second marriage); Christopher Cody (fourth marriage). EDUCATION—Attended the University of Houston. VOCATION: Actor and singer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Brewster Baker, Six Pack, Twentieth Century-Fox, 1982. 367

ROKER CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Heart . . . The First International Very Special Arts Festival, NBC, 1989; America's All-Star Tribute to Elizabeth Taylor, ABC, 1989; Kenny Rogers in Concert: A Holiday Special for Public Television, PBS, 1989; also Donald Duck's Fiftieth Birthday, 1984; Kenny Rogers and Dolly Parton, 1985; host, 28th Annual Grammy Awards, 1986; The Best of Farm Aid: An American Event, 1986; Texas One Hundred and Fifty: A Celebration Special, 1986; Kraft Salutes the George Burns 90th Birthday Special, 1986; Kenny Rogers Classic Weekend, 1988; Hee Haw 20th Anniversary Show, 1988; Kenny, Dolly, and Willie: Something Inside So Strong, 1989; Mike Tyson—A Portrait of the People's Champion, 1989; The Songwriters Hall of Fame 20th Anniversary . . . The Magic of Music, 1989.

Grammy Award, Best Male Vocal (Country), 1979; Academy of Country Music Award, Male Vocalist of the Year, 1979; People magazine's Top Male Vocalist, 1979 and 1980; People magazine's Most Popular Male Singer Awards, 1981, 1982, and 1983; Academy of Country Music Award (with Dolly Parton), Best Vocal Group and/or Duet, 1983; Rolling Stone magazine Readers' Poll, Country Artist of the Year, 1984; United Nations Peace Award, 1984; Record Industry Assocation of America Award, Most Awarded Artist, 1984, for eighteen gold and eleven platinum albums; Roy Acuff Award from the Country Music Foundation, 1985; Best Country Vocal Duet Award (with Ronnie Milsap), 1987; Harry Chapin Award for Humanitarianism from the American Society of Composers, Authors, and Publishers, 1988.

PRINCIPAL TELEVISION WORK—Movies: Executive producer, A Different Affair, CBS, 1987. Specials: Executive producer (with Ken Kragen), Kenny Rogers in Concert, HBO, 1983.

SIDELIGHTS: RECREATIONS—Softball and tennis. ADDRESSES: OFFICE—Kragen and Company, 1112 N. Sherbourne Drive, Los Angeles, CA 90069.*

RELATED CAREER—Bass fiddle player with the jazz group, the Bobby Doyle Trio, 1959-66; member of the pop-folk band, the New Christy Minstrels, 1966-67; singer with the rock group, the First Edition, 1967-73; spokesperson, Dole Foods Company, 1986—; as a concert performer, has appeared throughout the world.

ROKER, Roxie WRITINGS: (With Len Epand) Making It with Music, Harper & Row, 1978; Kenny Rogers' America (photographs), Little, Brown, 1986; Your Friends and Mine (photographs), Little, Brown, 1987.

1929-

PERSONAL: Born August 28, 1929, in Miami, FL; daughter of Albert and Bessie Roker; married Sy Kravitz (a television network assignment editor); children: Leonard. EDUCATION—Received B. A. in drama from Howard University; studied at the Shakespeare Institute, Stratford-on-Avon, U.K., as a Hattie M. Strong Foundation fellow.

RECORDINGS: ALBUMS—Kenny Rogers, United Artists, 1977; Daytime Friends, United Artists, 1977; (with Dottie West) Every Time Two Fools Collide, United Artists, 1978; Love or Something Like It, United Artists, 1978; The Gambler, United Artists, 1979; Kenny, United Artists, 1979; Gideon, United Artists, 1980; Love Lifted Me, United Artists, 1980; Share Your Love, Liberty, 1981; (with West) Classics, Liberty, 1981; Christmas, Liberty, 1981; Love Will Turn You Around, Liberty, 1982; We've Got Tonight, Liberty, 1983; Eyes That See in the Dark, RCA, 1983; What About Me?, RCA, 1984; (with Dolly Parton) Once Upon a Christmas, RCA, 1984; also Love Is What We Make It, Liberty, Love Lifted Me, Liberty; Short Stories, Liberty; The Heart of the Matter, RCA; / Prefer the Moonlight, RCA; They Don't Make Them Like They Used To, RCA. With the First Edition: Something's Burning, Reprise, 1970.

VOCATION: Actress. CAREER: STAGE DEBUT—Chorus, Faith of Our Fathers, Rock Creek Amphitheatre, Washington, DC. PRINCIPAL STAGE APPEARANCES—Irene, "The Dreamy Kid" in Three By O'Neill, West End Collegiate Chapel, New York City, 1957; Queen, The Blacks, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1961; Dorothea Ellen (Dorry) Sanders, Rosalee Pritchett Negro Ensemble Company, St. Mark's Playhouse, 1971; Desiree Vanderkellan, Behold! Cometh the Vanderkellans, Theatre De Lys, New York City, 1971; Viola Caine Robinson, Jamimma, New Federal Theatre, Henry Street Playhouse, New York City, 1972; Mattie Williams, The River Niger, Negro Ensemble Company, St. Mark's Playhouse, 1972, then Brooks Atkinson Theatre, New York City, 1973; also appeared in Ododo, Negro Ensemble Company, St. Mark's Playhouse, 1970; Nevis Mountain Dew, Los Angeles Actors' Theatre, Los Angeles, 1981-82.

SINGLES—"She Believed in Me," 1970; (with Kim Carnes) "Don't Fall in Love with a Dreamer," 1980; "Lady," 1980; "Love Is What We Make It," 1985; "The Heart of the Matter," 1985; "I Prefer the Moonlight," 1987; "When You Put our Heart in It," 1988; also "They Don't Make Them Like They Used To," "What About Me?," "That Crazy Feeling," "I Don't Need You," "Lucille," "Homemade Love," "The Gambler," "Laura," "While the Feeling's Good," (with West) "Everytime Two Fools Collide." With the First Edition: "Just Dropped in to See What Condition My Condition Was In," "Ruby (Don't Take Your Love to Town)," and "Something's Burnin'."

PRINCIPAL FILM APPEARANCES—Mrs. Winston, Claudine, Twentieth Century-Fox, 1974; radio operator on "Bohemiar," The Bermuda Triangle, Sunn Classic, 1978; female Republican, Amazon Women on the Moon, Universal, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Co-host, Inside BedfordStuyvesant, WNEW (New York City), 1968; Helen Willis, The Jeffersons, CBS, 1975-85. Mini-Series: Melissa, Roots, ABC, 1977. Pilots: Eloise Morse, Change at 125th Street, CBS, 1974. Episodic: Alverta Edwards, Cagney andLacey, CBS, 1985; Mrs. Gooden, Trapper John, M.D., CBS, 1986; Rhonda Whitney, The Love Boat, ABC, 1986; Esther, The New Mike Hammer, CBS, 1987; Dr. Thelma Butler, 227, NBC, 1988. Movies: Mrs. Peoples, Billy .-Portrait of a Street Kid, CBS, 1977; Madge Davis, Makingof a Male Model, ABC, 1983. Specials: Aunt Helen, 'The Celebrity

AWARDS: Grammy Award, Best Male Country Vocalist, and Academy of Country Music Awards, Best Single and Best Song, all 1977, for "Lucille"; Billboard's Cross-Over Artist of the Year, 1977; Academy of Country Music Award, Album of the Year, 1977, for Kenny Rogers; Academy of Country Music Awards, Top Male Vocalist, 1977 and 1978; Academy of Country Music Award, Entertainer of the Year, 1978; America's Juke Box Operators Association Award, 1978; Academy of Country Music Awards (with Dottie West), Vocal Duo of the Year, 1978 and 1979;

368

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

ROSENBLUM

children: Jessica. EDUCATION—Attended Bard College, 1952-55. MILITARY—U.S. Army, private, 1953.

and the Arcade Kid," ABC Afterschool Specials, ABC, 1983; Phyllis Brooks, "The Day My Kid Went Punk," ABC Afterschool Specials, ABC, 1987.

VOCATION: Producer and manager. PRINCIPAL TELEVISION WORK—Series: Associate producer, Family Living, NBC, 1962-69.

CAREER: PRINCIPAL STAGE WORK—Producer (with Arnold Tager) and company manager, When I Was a Child, 41st Street Theatre, New York City, 1960; producer and manager, Barabbas, Woodstock Playhouse, Woodstock, NY, 1961; also producer, Let Man Live, American Scandinavian Foundation, 1958; producer and manager, Schweik in the Second World War, Woodstock Playhouse.

RELATED CAREER—Featured singer, Caribbean Fantasy, the El Morocco nightclub, Montreal, PQ, Canada. NON-RELATED CAREER—Secretary and administrator, NBC; office clerk; television production assistant.

As executive director, Long Wharf Theatre, New Haven CT: Tartuffe, Tango, The Pirate, Country People, Black Comedy, Joe Egg, Spoon River Anthology, and A Thousand Clowns, all 196970; The Skin of Our Teeth, YegorBulichov, A Place Without Doors, She Stoops to Conquer, The Blood Knot, Heartbreak House, The Price, Winnie the Pooh, Wind in the Willows, Thirteen Clocks, Go Jump in the Lake, Hansel and Crete I, and Solitaire/Double Solitaire (double-bill), all 1970-71; You Can't Take It with You, The Contractor, A Streetcar Named Desire, Hamlet, The Way of the World, Troika: An Evening of Russian Comedy, The Iceman Cometh, and Patrick's Day, all 1971-72; The Lady's Not for Burning, What Price Glory?, Trelawny of the Wells, Juno and the Paycock, Forget-Me-Not-Lane, Dance of Death, Miss Julie, and The Changing Room, all 1972-73; Th,e Master Builder, Morning s at Seven, The Seagull, The National Health, The Resistable Rise of Arturo Ui, The Widowing of Mrs. Holroyd, and A Pagan Place, all 1973-74; Circus!, Adventures in the Magic Circle, Gypsies, Doors of Mystery, and The Many Faces of Johnny Apple seed, all Young People's Theatre, 1973-74; Sizwe Banzi Is Dead and The Island (double-bill), The Soldier's Tale and The Knight of the Burning Pestle (double-bill), Ah, Wilderness!, Pygmalion, Afore Night Come, Richard HI, and You're Too Tall, But Come Back in Two Weeks, all 1974-75; Troubadour's Carnival, Frolicks, Creation of Myths, Ticket to Tomorrow, and The Hour of Need, all Young People's Theatre, 1974-75; Artichoke, The Show-Off, What Every Woman Knows, Streamers, The House of Mirth, Daarlin' Juno, and On the Outside and On the Inside (double-bill), all 1975-76; Alphabetical Order, The Autumn Garden, Home, The Shadow Box, Saint Joan, Absent Friends, The Rose Tattoo, and The Gin Game, all 1976-77; Hobson's Choice, The Lunch Girls, The Recruiting Officer, Spokesong, S.S. Glencairn, The Philadelphia Story, Macbeth, Two Brothers, and Starting Here, Starting Now, all 1977-78; Journey's End, I Sent a Letter to My Love, Summerfolk, Biography, Romersholm, Hillbilly Women, and Privates on Parade, all 197879; Watch on the Rhine, Jitters, Double Feature, The Beach House, The Caretaker, Mary Barnes, Who's Afraid of Virginia Woolf?, and Cyrano de Bergerac, all 1979-80.

AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actress, and Obie Award from the Village Voice, both 1974, for The River Niger; Alumni Award from Howard University for distinguished postgraduate achievement in the field of performing arts. ADDRESSES: AGENT—Twentieth Century Artists, 3800 Barham Boulevard, Suite 303, Los Angeles, CA 90068.*

ROSENBLUM, M. Edgar

1932-

PERSONAL: Full name, Morton Edgar Rosenblum; born January 8,1932, in Brooklyn, NY; son of Jacob (a physician) and Pauline (a nurse and social worker; maiden name, Feldman) Rosenblum; married Cornelia Hartmann (a graphic designer), May 1, 1960;

As executive director, Long Wharf Theatre: American Buffalo, Solomon's Child, Waiting for Godot, The Admirable Crichton, Close Ties, Romeo and Juliet, Bodies, A Life, The Lion in Winter, and Private Lives, all 1980-81; This Story of Yours, A Day in the Death of Joe Egg, A View from the Bridge, The Workroom, Lakeboat, The Doctor's Dilemma, The Carmone Brothers Italian Food Products Corp's Annual Pasta Pageant, Ethan Frome, and The Front Page, all 1981-82; Open Admissions, Holiday, Another Country, The Guardsman, Pal Joey, The Cherry Orchard, Two By A.M., Quartermaine's Terms, The Lady and the Clarinet, and Free and Clear, all 1982-83; The Hostage, Accent on Youth, Requiem for a Heavyweight, The Homesteaders, The Bathers, Under the Ilex, Not Quite Jerusalem, and Shivaree, all 1983-84; Tobacco Road, Rainsnakes, Oliver Oliver, The Common Pursuit, Blue Window, Cat on a Hot Tin Roof, Albert Herring, and Bullie's

M. EDGAR ROSENBLUM

369

ROTUNNO

CONTEMPORARY

House, all 1984-85; Paris Bound, Pride and Prejudice, Crystal Clear, The Normal Heart, The Glass Menagerie, Fugue, and Lost in the Stars, all 1985-86; All My Sons, Camille, Self Defense, Dalliance, The Tender Land, Progress, Painting Churches, Duse Died in Pittsburgh, Men in the Kitchen, The Traveling Squirrel, and When It's Over, all 1986-87; The Downside, Laughing Stock, Our Town, Scenes from American Life, Fathers and Sons, Fighting Chance, and Regina, all 1987-88.

released in the United States by Astor, 1961; The Best of Enemies, Columbia, 1962; "The Job" in Boccaccio '70, Gray Film, 1962; Cronacafamiliare (also known as Family Diary), 1962, released in the United States by MGM, 1963; Le guepard (also known as // gattopardo and The Leopard}, Twentieth Century-Fox, 1963; / compagni (also known as The Organizer, Les camarades, and The Strikers), 1963, released in the United States by Continental Distributing, 1964; leri, oggi e domani (also known as Yesterday, Today, and Tomorrow and She Got What She Asked For), 1963, released in the United States by Embassy, 1964; The Bible . . . In the Beginning (also known as The Bible and La Bibbia), Twentieth Century-Fox, 1966; Lo straniero (also known as Letranger and The Stranger), Paramount, 1967; Le streghe (also known as The Witches and Les Sorcieres), 1967', released in the United States by Lopert, 1969; Anzio (also known as Lo Sbarco di Anzio and The Battle for Anzio), Columbia, 1968; (with Aldo Graziata and Robert Krasker) Senso (also known as The Wanton Contessa), Fleetwood, 1968; Candy (also known as Candy e il sulpazzo mondo), Cinerama, 1968; Fellini Satyricon (also known as Satyricon), United Artists, 1969; The Secret of Santa Vittoria, United Artists, 1969; "Never Bet the Devil Your Head" or "Toby Dammit" Histoires extraordinaires (also known as Spirits of the Dead and Trepassi nel delirio), 1968, released in the United States by American International, 1969; Sunflower (also known as Les Fleurs du soleil and // girasoli), 1969, released in the United States by AVCO-Embassy, 1970.

MAJOR TOURS—Producer (with Arnold Tager) and company manager, When I Was a Child, U.S. cities, 1960; stage manager, Robert Jeffrey Ballet, U.S. cities, 1961; stage manager, The Turn of the Screw (opera), U.S. cities, 1963. RELATED CAREER—Executive director, Long Wharf Theatre, New Haven, CT, 1970—; consultant to the state arts councils of New York, Rhode Island, Arkansas, Connecticut, and Ohio, 1970—; visiting lecturer, Yale University School of Drama, New Haven, CT, 1985—; producer, manager, and owner, Woodstock Playhouse, Woodstock, NY, for fourteen years; producer, Hyde Park Playhouse, Hyde Park, NY; executive director, Hudson Valley Repertory Theatre, NY. NON-RELATED CAREER—Secretary to designer Norman Bel Geddes, 1956; copywriter and music manager, National Music League; director, Polari Art Gallery, New York, NY and Woodstock, NY.

Carnal Knowledge, AVCO-Embassy, 1971; Man of La Mancha, United Artists, 1972; Roma (also known as Fellini sRoma), United Artists, 1972; Film d'amore e d'anarchia (also known as Love and Anarchy, Story of Love and Anarchy, Unfilm d'amore e d'anarchia ovvero stamattina alle 10, in Via del Fiori nella nota casa di Tolleranza, and A Film of Love and Anarchy, or: At 10:00 A.M. in the Well-Known House of Prostitution at Flower Street), Euro International/Almi/Cinema V, 1973, released in the United States by Peppercorn-Wormsler, 1974; Amarcord, Warner Brothers/ New World, 1974; // bestione (also known as The Beast), Warner Brothers, 1974; Tutto a posto e niente in ordine (also known as All Screwed Up, Everything in Place, Nothing Works, and All in Place, Nothing in Order), Euro International, 1974, released in the United States by New Line Cinema, 1976; // Casanova di Federico Fellini (also known as Casanova and Fellini's Casanova), Universal, 1976; Sturmtruppen (also known as Stormtroopers), CIDIF, 1976; Divina Creatura (also known as The Divine Nymph and Divine Creature), Titanus Distribuzione, 1976, released in the United States by Film Releasing Corporation, 1979; The End of the World in Our Usual Bed in a Night Full of Rain, Warner Brothers, 1978; Prova d'orchestra (also known as Orchestra Rehearsal), Gaumont/ SACIS/Premier Releasing, 1978; All That Jazz, Twentieth Century-Fox, 1979.

MEMBER: League of Resident Theatres (member of the executive, liaison, and negotiating committees, 1970—); National Corporate Theatre Fund (founding president, 1976—); Connecticut Advocates for the Arts (board of directors, 1978—). ADDRESSES: OFFICE—c/o Long Wharf Theatre, 222 Sargent Drive, New Haven, CT 06511.

ROTUNNO, Giuseppe

THEATRE, FILM, AND TELEVISION • Volume 8

1923-

PERSONAL: Born March 19, 1923, in Rome, Italy. VOCATION: Cinematographer. CAREER: FIRST FILM WORK—Camera operator, Senso, 1954. PRINCIPAL FILM WORK—Cinematographer: Pane amore e . . . (also known as Scandal in Sorrento), 1955, released in the United States by Distributors Corporation of America, 1957; The Monte Carlo Story, United Artists, 1957; Le notti bianche (also known as White Nights and Nuits blanches}, 1957, released in the United States by United Motion Picture Organization, 1961; Anna of Brooklyn, RKO, 1958, rereleased as Fast and Sexy, Columbia, 1960; La Maja desnuda (also known as The Naked Maja), 1958, released in the United States by United Artists, 1959; La ragazza del polio (also known as The Love Specialist), Medallion, 1959; (with Daniel Fapp) On the Beach, United Artists, 1959; (with Robert Gerardi) La grande guerra (also known as La Grande guerre and The Great War), 1959, released in the United States by Lopert, 1961.

La Citta delle donne (also known as City of Women), Gaumont, 1980; Popeye, Paramount, 1980; (with William Garroni) Rollover, Warner Brothers, 1981; Bello mio bellezza mia (also known as My Handsome My Beautiful), PLM Film Produzione, 1982; Five Days One Summer, Warner Brothers, 1982; E la nave va (also known as And the Ship Sails On), Vides, 1983; American Dreamer, Warner Brothers, 1984; Non ci resta che piangere (also known as Nothing Left to Do But Cry), Columbia, 1984; Desiderio (also known as Desire), Gaumont, 1984; The Assist Underground, Golan-Globus, 1985; Red Sonja, Metro-Goldwyn-Mayer/United Artists, 1985; Hotel Colonial, Hemdale Releasing/Orion, 1986; Julia and Julia, Cinecom International, 1987; Rent-a-Cop, Kings Road Entertainment, 1988; Haunted Summer, Pathe Releasing, \9%%; The Adventures of Baron Munchausen, Columbia, 1989; Rebus, Columbia/ Tri-Star, 1989. Also Cinematographer, Tosca, 1956.

The Angel Wore Red, Metro-Goldwyn-Mayer (MGM), 1960; Five Branded Women, Paramount, 1960; Rocco e i suoi fratelli (also known as Rocco et sesfreres and Rocco and His Brothers), 1960, 370

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Command Decision, Metro-Goldwyn-Mayer (MGM), 1948; Kiss the Blood Off My Hands, (also known as Blood on My Hands), Universal, 1948; (with Frank Skinner) The Naked City Universal, 1948; The Secret Beyond the Door, Universal, 1948; The Bribe, MGM, 1949; Criss Cross, Universal, 1949; East Side, West Side, MGM, 1949; Adam's Rib, MGM, 1949'; Madame Bovary, MGM, 1949; The Red Danube, MGM, 1949.

PRINCIPAL TELEVISION WORK—Movies: Cinematographer, The Scarlet and the Black, CBS, 1983. RELATED CAREER—Still photographer, camera assistant, camera operator, and lighting cameraman; worked with Federico Fellini, Lina Wertmuller, and Luchino Visconti.*

ROZSA, Miklos

ROZSA

(With Herbert Stothart) The Miniver Story, MGM, 1950; Crisis, MGM, 1950; The Asphalt Jungle, MGM, 1950; The Light Touch, MGM, 1951; Quo Vadis, MGM, 1951; Plymouth Adventure, MGM, 1952; Ivanhoe, MGM, 1952; (also song contributor with Paul Francis Webster) El Cid, Allied Artists, 1952; Julius Caesar, MGM, 1953; All the Brothers Were Valiant, MGM, 1953; Knights of the Round Table, MGM, 1953; "Mademoiselle" in The Story of Three Loves, MGM, 1953; Young Bess, MGM, 1953; Crest of the Wave (also known as Seagulls Over Sorrento), MGM, 1954; Men of the Fighting Lady (also known as Panther Squadron), MGM, 1954; Valley of the Kings, MGM, 1954; Diane, MGM, 1955; The King's Thief, MGM, 1955; (with Vicente Gomez) Moonfleet, MGM, 1955', Green Fire, MGM, 1955; Bhowani Junction, MGM, 1956; Lust for Life, MGM, 1956; Tribute to a Badman, MGM, 1956; Something of Value, MGM, 1957; The Seventh Sin, MGM, 1957; Tip on a Dead Jockey (also known as Time for Action), MGM, 1957; A Time to Love and a Time to Die, Universal, \95S',BenHur, MGM, 1959; The World, the Flesh, and the Devil, MGM, 1959; King of Kings, MGM, 1961; Sodom and Gomorrah (also known as The Last Days of Sodom and Gomorah), Twentieth Century-Fox, 1962; The V.I.P.'s, MGM, 1963; The Green Berets, Warner Brothers, 1968; The Power, MGM, 1968; The Private Life of Sherlock Holmes, United Artists, 1970; The Golden Voyage of Sinbad, Columbia, 1974; Providence, Cinema V, 1977; Fedora, United Artists, 1978; The Private Files of J. Edgar Hoover, American International, 1978; The Last Embrace, United Artists, 1979; Time After Time, Warner Brothers/Orion, 1979; Eye of the Needle, United Artists, 1981; Dead Men Don't Wear Plaid, Universal, 1982. Also Ten Days in Paris (also known as Missing Ten Days and Spy in the Pantry), 1939; Jacare (also known as Jacare— Killer of the Amazon), 1942.

1907-

PERSONAL: Full name, Nicholas Rozsa; born April 18, 1907, in Budapest, Hungary; naturalized U.S. citizen. EDUCATION—Studied violin with Lajos Berkovits; studied music at the Leipzig Conservatory under Hermann Grabner and Theodor Kroyer. VOCATION: Composer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Conductor, "The Jealous Lover" in The Story of Three Loves, Metro-Goldwyn-Mayer, 1953. PRINCIPAL FILM WORK— Music director: That Hamilton Woman (also known as Lady Hamilton), United Artists, 1941; Dark Waters, United Artists, 1944; The Macomber Affair, United Artists, 1947; Song of Scheherazade, Universal, 1947; The Light Touch, Metro-Goldwyn-Mayer (MGM), 1951; The Kings Thief, MGM, 1955; Lust for Life, MGM, 1956; The Power, MGM, 1968. RELATED CAREER—Professor of musical composition, University of Southern California, Los Angeles, CA, 1945. WRITINGS: FILM—All as composer. Knight Without Armor, United Artists, 1937', Thunder in the City, Columbia, 1937; Murder on Diamond Row (also known as The Squeaker), United Artists, 1937; (with John Greenwood) Drums (also known as The Drum), United Artists, 1938; The Divorce of Lady X, United Artists, 1938; The Four Feathers, United Artists, 1939; On the Night of the Fire (also known as The Fugitive), Universal, 1939; U-Boat 29 (also known as The Spy in Black), Columbia, 1939.

OTHER—Double Life (autobiography), Hippocrene Books, 1982; also composer of music for symphonies and chamber groups.

The ThiefofBaghdad, United Artists, 1940', Four Dark Hours (also known as The Green Cockatoo and Race Gang), Devonshire Films, l94Q',Lydia, United Artists, 1941; Sundown, United Artists, 1941; That Hamilton Woman (also known as Lady Hamilton), United Artists, 1941; Jungle Book (also known as Rudyard Kipling's Jungle Book), United Artists, 1942; To Be or Not to Be, United Artists, 1942; Five Graves to Cairo, Paramount, 1943; Sahara, Columbia, 1943; So Proudly We Hail, Paramount, 1943; Dark Waters, United Artists, 1944; Double Indemnity, Paramount, 1944; The Hour Before the Dawn, Paramount, 1944; The Man in HalfMoon Street, Paramount, 1944; Woman of the Town, United Artists, 1944; Blood on the Sun, United Artists, 1945; Lady on a Train, Universal, 1945; The Lost Weekend, Paramount, 1945; (with Morris Stoloff) A Song to Remember, Columbia, 1945; Spellbound, United Artists, 1945; The Killers, Universal, 1946; Because of Him, Universal, 1946; The Strange Love of Martha Ivers, Paramount, 1946', Brute Force, Universal, 1947; Song of Scheherazade, Universal, 1947; Desert Fury, Paramount, 1947; A Double Life, Universal, 1947; The Macomber Affair, United Artists, 1947; The Other Love (also known as Mankiller), United Artists, 1947; The Red House, United Artists, 1947; (with Mario CasatelnuovoTedesco) Time Out of Mind, Universal, 1947; A Woman's Vengeance (also known as The Gioconda Smile), Universal, 1947;

AWARDS: Academy Award nomination, Best Music (Original Score), 1940, for The Thief of Baghdad; Academy Award nominations, both Best Music (Scoring of a Dramatic Picture), 1941, for Lydia and Sundown; Academy Award nomination, Best Music (Scoring of a Dramatic or Comedy Picture), 1942, for Jungle Book; Academy Award nominations, both Best Music (Scoring of a Dramatic or Comedy Picture), 1944, for Double Indemnity and Woman of the Town; Academy Award, Best Music (Scoring of a Dramatic or Comedy Picture), 1945, for Spellbound; Academy Award nominations, both Best Music (Scoring of a Dramatic or Comedy Picture), 1945, for The Lost Weekend and (with Morris Stoloff) A Song to Remember; Academy Award nomination, Best Music (Scoring of a Dramatic or Comedy Picture), 1946, for The Killers; Academy Award, Best Music (Scoring of a Dramatic or Comedy Picture), 1947, for A Double Life; Academy Award nomination, Best Music (Scoring of a Dramatic or Comedy Picture), 1951, for Quo Vadis; Academy Award nomination, Best Music (Scoring of a Dramatic or Comedy Picture), 1952, for Ivanhoe; Academy Award nomination, Best Music (Scoring of a Dramatic or Comedy Picture), 1953, for Julius Caesar; Academy Award, Best Music (Scoring of a Dramatic or Comedy Picture), 1959, for Ben Hur; Academy Award nomination (with Paul Francis 371

RYAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Webster), Best Music (Song), 1961, for "Love Theme from£7 Cid (The Falcon and the Dove)"; Academy Award nomination, Best Music (Scoring of a Dramatic or Comedy Picture), 1961, for El Cid; Cesar Award from the French Academy, 1978, for Providence.

PRINCIPAL FILM WORK—Producer (with George Mendeluk), The Kidnapping of the President, Crown International, 1980; producer (with Mendeluk), Stone Cold Dead, Dimension, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: Lieutenant Barney Brighton, Archer, NBC, 1975. Pilots: Ralph Sloan, Target Risk, NBC, 1975; Mr. Canady, WillowB: Women inPrison, ABC, 1980; Captain McGee, Shooting Stars, ABC, 1983. Episodic: Blackie Scanlon, Hollywood Beat, ABC, 1985; Jake Manning, Miami Vice, NBC, 1989; alsoM*A*S*#, CBS, 1982. Movies: Detective Dave Lambert, Death Scream, ABC, 1975; Johnson, Kill Me If You Can, NBC, 1977; Flagler, A Killing Affair, CBS, 1977; David Burnet, Houston: The Legend of Texas, CBS, 1986.*

MEMBER: Screen Composers Association (president, 1956).*

RYAN, John P.

1938-

PERSONAL: Born July 30, 1938, in New York, NY. EDUCATION—Graduated from the City College of New York. VOCATION: Actor.

RYDER, Winona 1971-

CAREER: BROADWAY DEBUT—Joseph (understudy), Daphne in Cottage D, Longacre Theatre, 1967. PRINCIPAL STAGE APPEARANCES—John, Duet for Three, Cherry Lane Theatre, New York City, 1966; constable, Serjeant M usgrave's Dance, Theatre De Lys, New York City, 1966; villager, Yerma, Vivian Beaumont Theatre, New York City, 1966; Jamie O'Hanlin, Nobody Hears a Broken Drum, Fortune Theatre, New York City, 1970; Major Cassidy, The Love Suicide at Schofield Barracks, American National Theatre and Academy Theatre, New York City, 1972; rich man's son and contestant, Gypsy, Unitarian Church of All Souls, New York City, 1972; Mr. Drumm, The Silent Partner, Actors' Studio Theatre, New York City, 1972; juror, Twelve Angry Men, Queens Playhouse, New York City, 1972; Jason, Medea, Circle in the Square/Joseph E. Levine Theatre, New York City, 1973. Also appeared in The Country Girl, Stage west, West Springfield, MA, 1975-76; and with the Arena Stage, Washington, DC, 1976-77.

PERSONAL: Born Winona Laura Horowitz, October 29, 1971, in Rochester, MN; daughter of Michael (an antiquarian book seller) and Cynthia (a video producer; maiden name, Istas) Horowitz. EDUCATION—Studied acting at the American Conservatory Theatre, San Francisco, CA. VOCATION: Actress. CAREER: FILM DEBUT—Rina, Lucas, Twentieth Century-Fox, 1986. PRINCIPAL FILM APPEARANCES—Gemma, Square Dance, Island, 1987; Lydia, Beetlejuice, Warner Brothers, 1988; Beth, 7969, Atlantic Entertainment Group, 1988; Veronica Sawyer,

PRINCIPAL FILM APPEARANCES—Toni's escort, The Tiger Makes Out, Columbia, 1967; Harry Samson, A Lovely Way to Die (also known as A Lovely Way to Go}, Universal, 1968; Roger, What's So Bad About Feeling Good?, Universal, 1968; Spicer, Five Easy Pieces, Columbia, 1970; Surtees, The King of Marvin Gardens, Columbia, 1972; Houston, The Legend of Nigger Charley, Paramount, 1972; Patsy, Cops and Robbers, United Artists, 1973; Charles Mackley, Dillinger, American International, 1973; Colonel Hardcore, Shamus, Columbia, 1973; Frank Davis, It's Alive, Warner Brothers, 1974; Gardner, Persecution (also known as Terror of Sheba and Sheba), Fanfare, 1974; Dr. Schneider, Futureworld, American International, 1976; Si, The Missouri Breaks, United Artists, 1976; Frank Davis, It Lives Again (also known as It's Alive //), Warner Brothers, 1978; Coslough, The Last Flight of Noah's Ark, Buena Vista, 1980; Kennedy, The Postman Always Rings Twice, Paramount, 1981; Vernon, The Escape Artist, Orion/ Warner Brothers, 1982; Lieutenant Parmentel, Breathless, Orion, 1983; head of program, The Right Stuff, Warner Brothers, 1983; Joe Flynn, The Cotton Club, Orion, 1984; Warden Ranken, Runaway Train, Cannon, 1985;Glastebury, Avenging Force, Cannon, 1986; Norton White, Death Wish 4: The Crackdown, Cannon, 1987; Lieutenant Kellerman, Fatal Beauty, Metro-Goldwyn-Mayer/ United Artists, 1987; Mr. O'Rourke, Three O'clock High, Universal, 1987; Wieser, Rent-a-Cop, Kings Road Entertainment, 1988; Captain Prescott, Paramedics, Vestron, 1988; Captain Fireman, City of Shadows (also known as City of Night, Cry of Shadows, and Pater Noster), Shapiro/Glickenhaus Entertainment, 1989. Also appeared in On the Nickel, Rose's Park, 1980; Best of the Best, Taurus Entertainment Group, 1989.

WINONA RYDER

372

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 Heathers, New World, 1989; Myra Gale Lewis, Great Balls of Fire!, Orion, 1989. AWARDS: Best Actress Award at the Gijon (Spain) Film Festival, 1987, for Square Dance. MEMBER: Screen Actors Guild. ADDRESSES: AGENT—Andrea Eastman, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.

373

RYDER

s SADDLER, Donald 1918-

SABELLA, Ernie

PERSONAL: Full name, Donald Edward Saddler; born January 24, 1918, in Van Nuys, CA; son of Elmer Edward (a landscape designer) and Mary Elizabeth (Roberts) Saddler. EDUCATION— Attended Los Angeles City College for two years; studied dance with Carmalita Maracci, Anton Dolin, Anthony Tudor, and Madame Anderson Ivantzova. MILITARY—U.S. Army, sergeant, 194345.

PERSONAL: Full name, Ernest Sabella; born September 19 in Westchester, NY.

VOCATION: Actor.

VOCATION: Choreographer, director, dancer, and producer.

CAREER: PRINCIPAL STAGE APPEARANCES—(As Ernest Sabella) Larry, Broadway, Equity Library Theatre, New York City, 1973; Lee, A Nestless Bird, Tobias, Eames, and Watson, " . . . Twenty Years of Furniture,'' and second friar, Veil of Infamy, all New Dramatists Inc., New York City, 1974; Little Harp, The Robber Bridegroom, St. Clement's Church Theatre, New York City, 1974, then as Big Harp, Biltmore Theatre, New York City, 1976; Grumio, The Taming of the Shrew, Equity Library Theatre, New York City, 1978; Whitney Wilson, Little Johnny Jones, Alvin Theatre, New York City, 1982. Also appeared in The Robber Bride groom, Center Theatre Group, Mark Taper Forum, Los Angeles, 1976, then Ford's Theatre Society, Washington, DC, 1978, later Alliance Theatre, Atlanta, GA, 1979; Richard HI, Repertory Theatre of St. Louis, St. Louis, MO, 1981.

CAREER: STAGE DEBUT—Dancer, Grand Canyon Suite, Hollywood Bowl, Hollywood, CA, 1937. BROADWAY DEBUT—Uncle Willie, High Button Shoes, Century Theatre, 1947. PRINCIPAL STAGE APPEARANCES—Dancer, Dance Me a Song, Royale Theatre, New York City, 1950; dancer, Bless You All, Mark Hellinger Theatre, New York City, 1950; dancer, The Song of Norway, State Fair Music Hall, Dallas, TX, 1951; Reverend Curtis Brown, Winesburg, Ohio, Jacob's Pillow, Lee, MA, 1958; Macbeth, The Golden Round, Valerie Bettis Company, Jacob's Pillow, 1960; dancer, The Castle Period, Boston Arts Festival, Boston, MA, 1961. Also appeared in the Fiftieth Anniversary Programme of the Ballet Theatre, New York City, 1955; Early Voyagers, Valerie Bettis Company, Jacob's Pillow, 1960; Happy Birthday, Mr. Abbott!, Palace Theatre, New York City, 1987; as Harry Beaton, Brigadoon, State Fair Music Hall; and as the title role, Bluebeard, Alias, Billy the Kid, Benno, Swan Lake, the Rose Cavalier, Aurora s Wedding, the White Cavalier, Les Patineurs, the Hussar, Lilac Garden, Italian Ballerina's partner, Gala Performance, Paris, Romeo and Juliet, and the Head Hunter, Peter and the Wolf, all with the Ballet Theatre, New York City.

PRINCIPAL FILM APPEARANCES—Ballistics expert, City Heat, Warner Brothers, 1984; hotel clerk, Tough Guys, Buena Vista, 1986; Dr. Harrison, Fright Night, Part II, New Century/Vista, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: Margaux's father, PunkyBrewster, NBC, 1984; Lou Donatelli, It's Your Move, NBC, 1984-85; Donald "Twinkie" Twinkacetti, Perfect Strangers, ABC, 1986-87; Vito Carteri, Roxie, CBS, 1987; George Shipman, A Fine Romance, ABC, 1989. Pilots: Vlastock Spoltechzep, 13 Thirteenth Avenue, CBS, 1983; Harry Pike, 100 Centre Street, ABC, 1984. Episodic: Mr. Pond, Married with Children, Fox, 1987; Richard Dinsmore, She's the Sheriff, syndicated, 1987; Clyde Whitney, Hardcastle and McCormick, ABC, 1985; Ben, Different Strokes, ABC, 1985; Bo, Benson, ABC, 1986; Talbot, The Last Precinct, NBC, 1986; Angelo, The Law and Harry McGraw, CBS, 1988; Al Fresco, Sledge Hammer!, ABC, 1988; Mr. Palmer, Mr. Belvedere, ABC, 1988; also Cheers, CBS, 1985. Movies: Sam Gropper, Copacabana, CBS, 1985.

FIRST STAGE WORK—Choreographer, Blue Mountain Ballads, Markova-Dolin Dance Company, 1948. FIRST LONDON WORK— Choreographer, Wonderful Town, Prince's Theatre, 1955. PRINCIPAL STAGE WORK—All as choreographer, unless indicated: Wish You Were Here, Imperial Theatre, New York City, 1952; Wonderful Town, Winter Garden Theatre, New York City, 1953; John Murray Anderson s Almanac, Imperial Theatre, 1953; Tobia la Candida Spia, Teatro Sistina, Rome, Italy, 1954; (also director) Wonderful Town, Greek Theatre, Los Angeles, \955',Lapatrona di raddio di luna, Teatro Sistina, 1955; Shangri-La, Winter Garden Theatre, 1956; Buona none Bettina, Teatro Lirico, Milan, Italy, 1956; Ladorabile Giulio, Teatro Sistina, 1957; Winesburg, Ohio and This Property Is Condemned, both Jacob's Pillow, Lee, MA, 1958; Un trapezio per Lisistrata, Teatro Sistina, 1958; When in Rome, Adelphi Theatre, London, 1959; Dreams of Glory, Joffrey Ballet Company, New York City, 1961; Milk and Honey, Martin Beck Theatre, New York City, 1961; Sophie, Winter Garden Theatre, 1963; Morning Sun, Phoenix Theatre, New York City,

ADDRESSES: AGENT—Harris and Goldberg, 2121 Avenue of the Stars, Suite 950, Los Angeles, CA 90067.* 375

SADDLER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

1963; To Broadway, with Love, Texas Pavilion, World's Fair, Flushing, NY, 1964.

Widow (opera), New York City Opera, State Theatre; director and choreographer, American Ballet Theatre's Fortieth Anniversary, Metropolitan Opera House; director and choreographer, Tribute to Lucille Lortel, Lucille Lortel Theatre, New York City; director and choreographer, Tribute to Richard Rodgers, Imperial Theatre; director and choreographer, Merman-Martin Gala, Broadway Theatre, New York City; director and choreographer, Tribute to Cy Coleman, Avery Fisher Hall; director and choreographer, An Evening with Kurt Weill, Philharmonic Hall, New York City; director and choreographer, Jo Sullivan in Concert, Ballroom Theatre, White Barn Theatre, Westport, CT, and Carnegie Hall, New York City; director and choreographer, Tribute to George Abbott, Broadway Theatre; director and choreographer, Tribute to Lerner and Loewe, Broadway Theatre; producer, The Cynthia Gregory Gala, Metropolitan Opera House; director and choreographer, Stratford Shakespeare Festival Gala; choreographer, Tropicana, Off-Broadway production; director and choreographer, American Guild of Musical Artists 100th Anniversary Gala; director and choreographer of the Theatre Hall of Fame ceremonies for seven years; director and choreographer of the first International Ballet Competition, Jackson, MS; and producer of the Lincoln Center Perform-aThon, New York City.

No, No, Nanette, 46th Street Theatre, New York City, \91\\Much Ado About Nothing, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, then Winter Garden Theatre, both 1972; director, Berlin to Broadway with Kurt Weill, Theatre De Lys, New York City, 1972; Tricks, Alvin Theatre, New York City, 1973; No, No, Nanette, Drury Lane Theatre, London, 1973; Fanfare Gala, City Center Theatre, New York City, 1973; Good News, St. James Theatre, New York City, 1973; producer, The Sol Hurok Birthday Gala, Metropolitan Opera House, New York City, 1973; The Merry Wives of Windsor, NYSF, Delacorte Theatre, 1974; Miss Moffat, Shubert Theatre, Philadelphia, PA, 1974; A Midsummer Night's Dream, Mitzie E. Newhouse Theatre, New York City, 1975; A Doll's House, Vivian Beaumont Theatre, New York City, 1975; A Gala Tribute to Joshua Logan, Imperial Theatre, 1975; producer, The 30th Anniversary of City Center Theatre, City Center Theatre, 1975; Rodgers and Hart, Helen Hayes Theatre, New York City, 1975; The Robber Bridegroom, Acting Company, Harkness Theatre, New York City, 1975, then Biltmore Theatre, New York City, 1976; director, George Abbott . . . A Celebration, Shubert Theatre, New York City, 1976; Koshare and Vaudeville (ballets), both Harkness Ballet, New York City, 1976; Dear Friends and Gentle Hearts (ballet), Cincinnati Ballet, Cincinnati, OH, 1976; (with others) Icedancing, Minskoff Theatre, New York City, 1978; The Grand Tour, Palace Theatre, New York City, 1979.

MAJOR TOURS—Choreographer: We Take the Town, U.S. cities, 1962; Knickerbocker Holiday, U.S. cities, 1971; No, No, Nanette, U.S. cities, 1971-73; Good News, U.S. cities, 1973-74; Hellzapoppin , U.S. cities, 1976-77; (also director) Oh, Kay!, U.S. and Canadian cities, 1978; On Your Toes, U.S. cities, 1984.

Happy New Year, Morosco Theatre, New York City, 1980; Hey, Look Me Over!, Avery Fisher Hall, New York City ,1981; producer (with Martin Feinstein), The Pre-Inaugural Ballet-Opera Gala, Kennedy Center for the Performing Arts, Washington, DC, 1981; director, Life with Father, Westside YMCA, New York City, 1982; On Your Toes, Virginia Theatre, New York City, 1983; director, / Hear Music. . . of Frank Loesser and Friends, Ballroom Theatre, New York City, 1984; (also director) A Celebration for Sir Anton Dolin, Royal Opera House, London, 1984; The Loves of Anatol, Circle in the Square, New York City, 1985; The Golden Land, Second Avenue Theatre, New York City, 1985; Broadway, Great Lakes Theatre Festival, Cleveland, OH, then Roy ale Theatre, New York City, both 1987; The Student Prince, New York City Opera, State Theatre, New York City, 1987; Teddy and Alice, Minskoff Theatre, 1987; (also director) Kiss Me Kate, Stratford Shakespeare Festival, Stratford, ON, Canada, 1989. Also director, State Fair Music Hall, Dallas, TX, 1957 and 1959; director, Carousel Theatre, Framingham, MA, 1958; choreographer, Un manderino per Teo, in Italy, 1959; producer, The Dance Collection Gala, New York City, 1972; producer, The 35th Anniversary of the American Ballet Theatre, New York City, 1975; choreographer, A Long Way to Boston, 1979; director, Stratford Shakespeare Festival, 1979; choreographer, Pardon, Monsieur Moliere, Rome, 1982; director and choreographer of the opening of the Roger L. Stevens Center for the Performing Arts, Dallas, 1983; director and choreographer, 100 Years of Performing Arts at the Metropolitan, New York City, 1984.

PRINCIPAL FILM WORK—Choreographer: April in Paris, Warner Brothers, \952\BytheLightoftheSilveryMoon, Warner Brothers, 1953; Young at Heart, Warner Brothers, 1954; The Main Attraction, Metro-Goldwyn-Mayer/Seven Arts, 1963; The Happy Hooker, Cannon, 1975; Radio Days, Orion, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Holiday Hotel, ABC, 1950. PRINCIPAL TELEVISION WORK—All as choreographer. Series: Holiday Hotel, ABC, 1950; Bell Telephone Hour, NBC, 1961-64; also Canozionissima, Italian television, 1959-60. Episodic: The Perry Como Show, CBS, 1950. Specials: Much Ado About Nothing, CBS, 1973; Verna: U.S.O. Girl, PBS, 1978; also Alice in Wonderland, PBS; In Fashion, PBS; and the Antoinette Perry Awards broadcasts, 1973, 1975-78, and 1983. RELATED CAREER—Dancer in nightclubs, New York City, 1939; member, Ballet Theatre, New York City, 1940-43, then 1946-47; assistant director, then artistic director, Harkness Ballet, New York City, 1964-70; executive vice-president, Rebekah Harkness Foundation, New York City, 1967-69; executive board member, International Ballet Corporation, 1979; also producer of the New York Dance Festival, Delacorte Theatre, New York City, for five years; choreographer of industrial shows. AWARDS: Antoinette Perry Award, Best Choreographer, 1953, for Wonderful Town; Maschera d'Argento, 1954, for Tobia la Candida Spia; Antoinette Perry Award and Drama Desk Award, both Best Choreographer, 1971, for No, No, Nanette; Antoinette Perry Award nomination, Best Choreographer, 1973, for Much Ado About Nothing; Antoinette Perry Award nomination, Best Choreographer, 1983, for On Your Toes; Dance magazine Award, 1984.

Choreographer, The Boys from Syracuse, Great Lakes Theatre Festival; choreographer, My Fair Lady, Stratford Shakespeare Festival; director and choreographer, Bitter Sweet (opera), Orlando Opera, Orlando, FL; director and choreographer, Weiner Blut, Abduction from the Seraglio (operas), and Washinton Opera Follies, all Washington Opera, Washington, DC; choreographer, Aida (opera), Dallas Civic Opera, Dallas; choreographer, La Perichole (opera), Metropolitan Opera House; choreographer, The Merry

MEMBER: Actors' Equity Association, Society of Stage Directors and Choreographers.

376

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

SAFAN

Women), New World, 1976; (also lyrics) The Bad News Bears in Breaking Training, Paramount, 1977; Corvette Summer (also known as The Hot One), United Artists, 1978; Good Guys Wear Black, Mar Vista, 1978; The Great Smokey Roadblock (also known as The Last of the Cowboys), Mar Vista, 1978; Roller Boogie, United Artists, 1979; Fade to Black, American Cinema, 1980; Die Laughing, Warner Brothers, 1980; (contributor) Thief, United Artists, 1981; T.A.G.: The Assassination Game, New World, 1982;Mg/tfmares, Universal, 1983; Angel, New World, 1984; The Last Starfighter, Universal, 1984; The Legend of Billie Jean, Tri-Star, 1985; Remo Williams: The Adventure Begins, Orion, 1985; Warning Sign, Twentieth Century-Fox, 1985; Lady Beware, International Video Entertainment, 1987; The Stranger, Columbia, 1987; Stand and Deliver, Warner Brothers, 1988; A Nightmare on Elm Street IV: The Dream Master, New Line Cinema, 1988.

ADDRESSES: AGENT—Coleman-Rosenberg Agency, 210 E. 58th Street, New York, NY 10022.

SAFAN, Craig 1948PERSONAL: Born December 17, 1948, in Los Angeles, CA; son of Eugene (in business) and Betty (a concert pianist and piano teacher; maiden name, Torchin) Safan; married Linda McClelland (an artist), July 27, 1977; children: Alec, Kira. EDUCATION—Brandeis University, B.A., 1970. VOCATION: Composer.

TELEVISION—Series: Counterattack: Crime in America, ABC, 1982; Cheers, NBC, 1982—; Detective in the House, CBS, 1985; Spies, CBS, 1987; Remo Williams, ABC, 1988; Supercarrier, ABC, 1988; Life Goes On, ABC, 1989—. Pilots: Hardcase, NBC, 1981; The Best of Times, CBS, 1983; Poor Richard, CBS, 1984; Help Wanted: Kids, ABC, 1986; I-Man, ABC, 1986. Episodic: Darkroom, ABC, \98\-82; Ripley's Believe It or Not, ABC, 198286; Call to Glory, ABC, 1984-85; Alfred Hitchcock Presents, NBC, 1985-86; The Twilight Zone, CBS, 1985-87; Amazing Stories, NBC, 1985-87; "My Town," Disney Sunday Movie, ABC, 1986; Island Son, CBS, 1989. Movies: Getting Married, CBS, 1978; Survival of Dana, CBS, 1979; The Imposter, ABC, 1984; Mirrors, NBC, 1985; Samaritan: The Mitch Snyder Story, CBS, 1986; Courage, CBS, 1986; Timestalkers, CBS, 1987; Shootdown, NBC, 1988; Almost Grown, CBS, 1988; The Comeback, CBS, 1989; Revenge of Al Capone, NBC, 1989. Specials: "Secrets of the Titanic," National Geographic Explorer, WTBS (Atlanta, GA), 1987; "Elephant," National Geographic Special, PBS, 1989; also The California Reich (documentary), 1975.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Assistant musical director, More Than You Deserve, New York Shakespeare Festival, Public Theatre, New York City, 1974. RELATED CAREER—Writer of lead sheets for music publishing companies; arranger and conductor, Reprise Records; lecturer on film composition at the American Film Institute, the University of Southern California Film School, the University of California, Los Angeles Film School, and at Independent Feature Projects West. WRITINGS: All as composer, unless indicated. STAGE—Music and (with Mark Mueller) book, Butterfly, Goodspeed Opera House, East Haddam, CT, 1988. FILM—The Great Texas Dynamite Chase (also known as Dynamite

RECORDINGS: ALBUMS—Warning Sign (original soundtrack), Southern Cross, 1985; also The Last Starfighter (original soundtrack), Southern Cross; Thief (original soundtrack), Elektra; A Nightmare on Elm Street IV: The Dream Master (original soundtrack); Stand and Deliver (original soundtrack); Lady Beware (original soundtrack); The Stranger (original soundtrack). AWARDS: Special American Society of Composers, Authors, and Publishers (ASCAP) Award for Cheers; Award for Musical Composition and Award for Dramatic Achievement, both from Brandeis University; Watson Foundation fellowship. MEMBER: Academy of Motion Picture Arts and Sciences (executive music committee member), National Academy of Recording Arts and Sciences, American Society of Composers, Authors, and Publishers. SIDELIGHTS: RECREATIONS—Collecting art and pre-World War I sheet music. Craig Safan, with Mark Mueller, developed the original idea for the feature film Tap (also known as Tap Dance), Tri-Star, 1989. ADDRESSES: AGENT—Charles Ryan, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048. PUBLICIST—Flaherty/Winters/Greenberg and Partners, 9884 Santa Monica Boulevard, Beverly Hills, CA 90212.

CRAIG SAFAN 377

SAINT JAMES

SAINT JAMES, Susan

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1946-

PERSONAL: Born Susan Jane Miller, August 14, 1946, in Los Angeles, CA; daughter of Charles Daniel (in business) and Constance (Geiger) Miller; married Richard Newbert (divorced); married Tom Lucas (divorced); married Dick Ebersol (a television executive); children: Charlie, William James (third marriage); Sunshine, Harmony. EDUCATION—Attended the Connecticut College for Women. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Ready When You Are, C.B.f, Marriott's Lincolnshire Theatre, Lincolnshire, IL, 1978. PRINCIPAL FILM APPEARANCES—Linette Orbison, PJ. (also known as New Face in Hell), Universal, 1968; Ida, Jigsaw, Universal, 1968; Aida, What's So Bad About Feeling Good?, Universal, 1968; Rosabelle, Where Angels Go . . . Trouble Follows, Columbia, 1968; Tina Waters, Outlaw Blues, Warner Brothers, 1977; Cindy Sondheim, Love at First Bite, American International, 1979; Jane Mahoney, How to Beat the High Cost of Living, American International, 1980; Vivian Whitney, Carbon Copy, AVCO-Embassy, 1981; Katherine, Don't Cry, It's Only Thunder, Sanrio Communications, 1982. PRINCIPAL TELEVISION APPEARANCES—Series: Peggy Maxwell, The Name of the Game, NBC, 1968-71; Sally McMillan, McMillan and Wife, NBC, 1971-76; Kate McArdle, Kate and Allie, CBS, 1984-89. Pilots: Peggy Maxwell, Fame Is the Name of the Game, NBC, 1966; Miss Porter, Alias Smith and Jones, ABC, 1971; Sally McMillan, Once Upon a Dead Man, NBC, 1971; Julia Prescott, Ready and Willing, CBS, 1974; Holly, Scott Free, NBC, 1976; Susan Roberts, After George, CBS, 1983. Episodic :M*A*S*H, CBS, 1980; Saturday Night Live, NEC; Friday Night Videos, NBC; Ironside, NBC; It Takes a Thief, ABC; McCloud, NBC; Love, American Style, ABC. Movies: Timothea Lamb, Magic Carpet, ABC, 1972; Esther Winters, Desperate Women, NBC, 1978; JeanmeHaskins,Mg/tf CnVs, ABC, 1978; Rita Massaro, The Girls in the Office, ABC, 1979; Sally Bass, Sex and the Single Parent, CBS, 1979; Leigh Goodwin, S.O.S. Titanic, ABC, 1979; Samantha Kandal, The Kid from Nowhere, NBC, 1982; Carol Sherwood, / Take These Men, CBS, 1983. Specials: Celebrity Challenge of the Sexes, CBS, 1977; Circus of the Stars, CBS, 1977; John Denver in Australia, ABC, 197'8; Life's Most Embarrassing Moments, syndicated, 1985; The Flintstones 25th Anniversary Celebration, CBS, 1986; A Very Special Christmas Party (also known as Special Olympics Christmas Party), ABC, 1988.

PETER SALLIS

SALLIS, Peter

1921-

PERSONAL: Born February 1, 1921, in Twickenham, England; son of Harry (a bank manager) and Dorothy Amea Frances (Barnard) Sallis; married Elaine Usher (an actress), February 9, 1957. EDUCATION—Trained for the stage at the Royal Academy of Dramatic Art. MILITARY—Royal Air Force. VOCATION: Actor and playwright. CAREER: Also see WRITINGS below. STAGE DEBUT—Soldier and servant, The Scheming Lieutenant, Arts Theatre, London, 1946. BROADWAY DEBUT—Dr. Watson, Baker Street, Broadway Theatre, 1965. PRINCIPAL STAGE APPEARANCES—Fedotik, The Three Sisters, Aldwych Theatre, London, 1951; Roger Doremus, Summer and Smoke, Lyric Hammersmith Theatre, London, 1951, then Duchess Theatre, London, 1952; jeweller, Timon of Athens, Old Vic Theatre, London, 1952; porter and doctor, Macbeth and Hoard, A Trick to Catch the Old One, both Mermaid Theatre, London, 1952; Waitwell, The Way of the World andRetrosi, Venice Preserved, both Lyric Hammersmith Theatre, 1952-53; first soldier, The Dark Is Light Enough, Aldwych Theatre, 1954; Joe Scanlon, The Matchmaker, Haymarket Theatre, London, 1954; Virgil Penny, Into Thin Air, Globe Theatre, London, 1955; the Stage Manager, Moby Dick, Duke of York's Theatre, London, 1955; priest, The Count ofClerembard, Garrick Theatre, London, 1955; Fag, The Rivals, Saville Theatre, London, 1956; J.G., Who Cares?, Fortune Theatre, London, 1956; Denny, Janus, Aldwych Theatre, 1957; Frank Braddock, Be My Guest, Winter Garden Theatre, London, 1957; Simon and Barere, Danton's Death, Thrifty, The Cheats of Scapin, and doctor and provost, Brand, all Lyric

RELATED CAREER—Professional model in Paris, France; stagehand, Olympia Theatre, Paris, France; assistant to Charles Aznavour. NON-RELATED CAREER—Vice-president and national chairperson, Connecticut Special Olympics Inc. AWARDS: Emmy Award, Outstanding Continued Performance By an Actress in a Supporting Role in a Series, 1969, and two additional Emmy Award nominations, all for The Name of the Game; also three Emmy Award nominations for McMillan and Wife; two Emmy Award nominations for Kate and Allie; and received an honorary doctorate for her on-going involvement with Special Olympics.*

378

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 SAVAGE

SANDS, Julian 1958-

Hammersmith Theatre, 1959; Gigot, then Van Putzeboom, Look After Lulu, Royal Court Theatre, London, 1959-60.

PERSONAL: Born in 1958 in Yorkshire, England; wife's name, Sarah (a journalist; divorced); children: Henry. EDUCATION— Studied acting at the Central School of Speech and Drama.

Bottard, Rhinoceros, Royal Court Theatre, then Strand Theatre, London, 1960; Peter, The Zoo Story, Arts Theatre, London, 1960; Phillip Vanderkamp, Masterpiece, Royalty Theatre, London, 1961; Mr. Moxer, Two Starsfor Comfort, Garrick Theatre, 1962;Morestan, A Shot in the Dark, Lyric Theatre, London, 1963; Ladislav Sipos, She Loves Me, Lyric Theatre, 1964; Hudson, Inadmissible Evidence, Belasco Theatre, New York City, 1965, then Shubert Theatre, New York City, 1966; Roat, Wait Until Dark, Strand Theatre, 1966; Herr Schultz, Cabaret, Palace Theatre, London, 1968; Edwin Palmer, The Pay-Ojf, Comedy Theatre, London, 1972; Dogberry, Much Ado About Nothing, Strand Theatre, 1989; also appeared in repertory theatre productions, 1947-50.

VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Sailor, Privates on Parade, Orion Classics, 1982; Jon Swain, The Killing Fields, Warner Brothers, 1984; Colin, Oxford Blues, Metro-GoldwynMayer/United Artists, 1984; Laurence Huninger, After Darkness, Green Man/Philum, 1985; Dr. Murray, The Doctor and the Devils, Twentieth Century-Fox, 1985; George Emerson, A Room with a View, Cinecom, 1986; Percy Bysshe Shelley, Gothic, Virgin, 1987; Kit, Siesta, Lorimar, 1987; Dr. Harrison Steele, Vibes, Columbia, 1988; Julian, Wherever You Are (also known as Wherever She Is and Gdzieskolwiekjest, jeslisjest), Gerhard Schmidt/Film Polski, 1988; Father Daniel, Manika (also known as Manika: Une vie plus tard, Manika: The Girl Who Lived Twice, Manika Manika, and Une Passerelle sur le gange), Films du Scorpion/Twentieth Century-Fox/Manley, 1988; Wolfgang Leighton, Tennessee Nights (also known as Tennessee Waltz), Nelson Entertainment, 1989; title role, Warlock, J & M Entertainment, 1989.

PRINCIPAL FILM APPEARANCES—Grischa, Anastasia, Twentieth Century-Fox, 1956; secretary of the picture gallery, The Doctor's Dilemma, Metro-Goldwyn-Mayer (MGM), 1958; customs official, The Scapegoat, MGM, 1959; Don Enrique, The Curse of the Werewolf, Universal, 1961; sleazy doctor, / Thank a Fool, MGM, 1962; Russian delegate, The Mouse on the Moon, United Artists, 1963; doctor, The V.I.P.s, MGM, 1963; Lawrence Jacks, The Third Secret, Twentieth Century-Fox, 1964; Victor Lush, Escape By Night (also known as Clash By Night), Allied Artists, 1965; Armand, Rapture, Twentieth Century-Fox, 1965; solicitor, Charlie Bubbles, Universal, 1968; Hudson, Inadmissible Evidence, Paramount, 1968; Sir Sidney Brent, My Lover, My Son, MGM, 1970; Schweitz, Scream and Scream Again, American International, 1970; Samuel Paxton, Taste the Blood of Dracula, Warner Brothers, 1970; Mr. Shielders, Wuthering Heights, American International, 1970; Reverend Palafox, The Night Digger (also known as The Road Builder), MGM, 1971; Keresley, The Reckoning, Columbia, 1971; Thierry, The Incredible Sarah, Readers Digest Productions, 1976; Geoffrey Branscombe, Full Circle, Fester, 1977, rereleased as The Haunting of Julia, Discovery, 1981; St. Claire, Who Is Killing the Great Chefs of Europe? (also known as Someone Is Killing the Great Chefs of Europe and Too Many Chefs), Warner Brothers, 1978. Also appeared in Saturday Night and Sunday Morning, Continental Distributing, 1961.

PRINCIPAL TELEVISION APPEARANCES—Series: Guy Lough, A Married Man, Channel Four, 1982, then syndicated, 1984. Movies: Sandy, Romance on the Orient Express, NBC, 1985; Forest, Harem, ABC, 1986; Todd Sands, The Room, ABC, 1987; Major Stefan Kirilenko, Murder By Moonlight, CBS, 1989. RELATED CAREER—Stage manager, writer, and director. SIDELIGHTS: RECREATIONS—Reading, listening to classical music, and running in marathons. ADDRESSES: AGENT—Tracy Jacobs, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067.*

PRINCIPAL TELEVISION APPEARANCES—Series: Clegg, Last of the Summer Wine, Entertainment Channel, 1983. Mini-Series: Mr. Bonteen, The Pallisers, BBC, then PBS, 1977. Movies: Carter, Witness for the Prosecution, CBS, 1982. Specials: Sipos, She Loves Me, BBC, then PBS, 1979. Also appeared in The Diary of Samuel Pepys.

PERSONAL: Born July 9, 1976, in Highland Park, IL; son of Lewis M. (an industrial real estate broker) and Joanne F. (a personal manager) Savage.

NON-RELATED CAREER—Bank clerk.

VOCATION: Actor.

SAVAGE, Fred 1976-

CAREER: FILM DEBUT—Louis Michaelson, The Boy Who Could Fly, Twentieth Century-Fox, 1986. PRINCIPAL FILM APPEARANCES—Grandson, The Princess Bride, Twentieth Century-Fox, 1987; Charlie Seymour, Vice Versa, Columbia, 1988; Brian Stevenson, Little Monsters, Metro-Goldwyn-Mayer/United Artists, 1989; Corey Woods, The Wizard, Universal, 1989.

WRITINGS: STAGE—End of Term. RADIO—Author of three plays broadcast on British radio. MEMBER: Garrick Club. SIDELIGHTS: FAVORITE ROLES—Roat in Wait Until Dark and Ladislav Sipos in She Loves Me. RECREATIONS—Painting and gardening.

PRINCIPAL TELEVISION APPEARANCES—Series: Alan Bishop, Morningstar/Eveningstar, CBS, 1986; Kevin Arnold, The Wonder Years, ABC, 1988—. Episodic: The Twilight Zone, CBS, 1986; Saturday Night Live, NBC, 1990. Movies: Davy Reuben, Run Till You Fall, CBS, 1988; Matthew Nickerson, Convicted: A Mother's Story, CBS, 1987. Specials: Garf, "Runaway Ralph," ABC Week-

ADDRESSES: AGENT—Duncan Heath Associates Ltd., Paramount House, 162-170 Wardour Street, London Wl, England.

379

SAYLE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

appeared in Live a Life, Other Cinema, 1982; The Secret Policeman's Other Ball, United International, 1981. PRINCIPAL TELEVISION APPEARANCES—Series: Host, Alexei Sayle's Stuff: Fun with Magnets, BBC, 1989; also Comic Strip, Channel Four, 1987; The Young Ones and Comic Roots. WRITINGS: FILM—(With Pauline Melville) Didn't You Kill My Brother?, Recorded Releasing, 1987. ADDRESSES: AGENT—Simon Astaire, International Creative Management, 388-396 Oxford Street, London Wl, England.*

SBARGE, Raphael

1964-

PERSONAL: Born February 12, 1964, in New York, NY. EDUCATION—Trained for the stage at the HB Studios. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—John of Lancaster, Henry IV, Part One, New York Shakespeare Festival, Delacorte Theatre, 1981, for thirty-nine performances. PRINCIPAL STAGE APPEARANCES—Martin Thomas Walsh, The Curse of an Aching Heart, Little Theatre, New York City, 1982; Reynaldo and Player, Hamlet, New York Shakespeare Festival, Public Theatre, New York City, 1982-83; Benjamin, Short Change, Samuel Beckett Theatre, New York City, 1985; Bucky, "Sorrows and Sons" and "Spittin' Image," in Sorrows and Sons, Vineyard Theatre, New York City, 1986; Richard Miller, Ah, Wilderness!, Yale Repertory Theatre, New Haven, CT, 1987, then Neil Simon Theatre, New York City, 1988; also appeared in The Red Snake, New York City.

FRED SAVAGE end Specials, ABC, 1987; Comic Relief III, HBO, 1989. Also appeared in What Are Friends For?, CBS, 1986. RELATED CAREER—Actor in television commercials. AWARDS: Emmy Award nomination, Outstanding Lead Actor in a Comedy Series, 1989, for The Wonder Years. ADDRESSES: AGENT—Iris Burton Agency, 1450 Belfast Drive, Los Angeles, CA 90069.

SAYLE, Alexei

PRINCIPAL FILM APPEARANCES—Thomas Carroll, Abuse, Promovision International, 1982; Glenn, Risky Business, Warner Brothers, 1983; Sherman, My Science Project, Buena Vista, 1985; Schmoozler, Vision Quest, Warner Brothers, 1985; Adam Swit, My Man Adam, Tri-Star, 1986; narrator, Dear America (also known as Dear America: Letters Home from Vietnam), HBO Films, 1987; voice of Chip, Miracle Mile, Hemdale, 1988; Matt Harman, Riding the Edge, Trans World Entertainment, 1989.

1952-

PERSONAL: Born August 7, 1952, in Liverpool, England. PRINCIPAL TELEVISION APPEARANCES—Series: Brian McGuire, Better Days, CBS, 1986. Episodic: Ted Nichols, Werewolf, Fox, 1987; Mr. Jenkins, The Cosby Show, NBC, 1988; Charlie Darrow, IslandSon, CBS, 1989; Will, QuantumLeap, NBC, 1990. Movies: The Collector, A Streetcar Named Desire, ABC, 1984; John Parsons, Prison for Children, CBS, 1987; Chris McNally, Cracked Up, ABC, 1987; Eric Fairmont, The Billionaire Boys Club, NBC, 1987; Dr. Nelman, Baby Girl Scott, CBS, 1987; Henry Ernst, So Proudly We Hail (also known as Skinheads), CBS, 1990.

VOCATION: Actor and writer. CAREER: PRINCIPAL FILM APPEARANCES—Second detective, Repeater, British Film Institute, 1982; Golodkin, Gorky Park, Rank, 1983; Magar, The Bride, Columbia, 1985; Ferryman, The Supergrass, Hemdale, 1985; as himself in a Hawaiian shirt, Whoops Apocalypse, Metro-Goldwyn-Mayer, 1986; cabbie, Siesta, Lorimar, 1987; the voices, The Love Child, British Film Institute/Frontroom, 1987; Carl and Sterling Moss, Didn't You Kill My Brother?, Recorded Releasing, 1987; Paul, The Strike, Palace, 1987; Sultan, Indiana Jones and the Last Crusade, Paramount, 1989. Also

ADDRESSES: MANAGER—Frank Andrews, New York, NY.*

380

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

SCHAEFER

City, 1955; The Apple Cart, Plymouth Theatre, New York City, 1956; The Body Beautiful, Broadway Theatre, New York City, 1958; (also producer) Write Me a Murder, Belasco Theatre, New York City, 1961, then Lyric Theatre, London, 1962; producer, To Broadway with Love, Texas Pavilion, New York World's Fair, Flushing, NY, 1964; The Great Indoors, Eugene O'Neill Theatre, New York City, 1966; The Last of Mrs. Lincoln, Kennedy Center for the Performing Arts, Opera House, Washington, DC, then American National Theatre and Academy Theatre, New York City, both 1972; On Golden Pond, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1980; Mixed Couples, Brooks Atkinson Theatre, New York City, 1980; Another Part of the Forest, Center Theatre Group, Ahmanson Theatre, 1981; Lyndon, Wilmington Playhouse, Wilmington, DE, 1984. Also director of productions at the State Fair Music Hall, Dallas, TX, 1952-56, then 1958; director, Leave It to Jane, Los Angeles, 1987. MAJOR TOURS—Director: Hamlet, U.S. cities, 1946-47; Darling, Darling, Darling, U.S. cities, 1947; (with Maurice Evans) Man and Superman, U.S. cities, 1948-49; Teahouse of the August Moon, U.S. cities, 1954, then 1956; The Apple Cart, U.S. cities, 1957; Zenda, U.S. cities, 1963; The Student Prince, U.S. cities, 1973; Ah! Wilderness, U.S. cities, 1975; Lyndon, U.S. cities, 1984. PRINCIPAL FILM WORK—Director: Macbeth, Prominent, 1963; Pendulum, Columbia, 1969; Generation, AVCO-Embassy, 1969; Doctors' Wives, Columbia, 1971; Once Upon a Scoundrel, Carlyle, 1973; (also producer) An Enemy of the People, Warner Brothers, 1978. PRINCIPAL TELEVISION APPEARANCES—Specials: The Television Makers, PBS, 1987. PRINCIPAL TELEVISION WORK—Alias director, unless indicated. Series: Executive producer, Love Story, NBC, 1973-74. Pilots: Land of Hope, CBS, 1976. Episodic: "Hour of the Bath," Alcoa Theatre, NBC, 1962; "The Hands of Donofrio," Alcoa Premiere, ABC, 1962; Love Story, NBC, 1973 and 1974 (two episodes). Movies: (Also producer) A War of Children, CBS, 1972; F. Scott Fitzgerald and "The Last of the Belles," ABC, 1974; (also producer) In This House of Brede, CBS, 1975; Amelia Earhart, NBC, 1976; (also producer) The Girl Called Hatter Fox, CBS, 1911'First You Cry, CBS, 1978; (also producer) Who'II Save Our Children?, CBS, 1978; (also producer with Renee Valente) Blind Ambition, CBS, 1979; Mayflower: The Pilgrims' Adventure, CBS, 1979; (also producer) People vs. Jean Harris, NBC, 1981; (also producer with Aida Young) The Bunker, CBS, 1981; (also producer) A Piano for Mrs. Cimino, CBS, 1982; (also producer) Right of Way, HBO, 1983; (also producer with Frank Prendergast and Charles Haid) Children in the Crossfire, NBC, 1984; (also producer) Stone Pillow, CBS, 1985; (also producer) Mrs. Delafield Wants to Marry, CBS, 1986; (also co-producer) Laura Lansing Slept Here, NBC, 1988.

GEORGE SCHAEFER

SCHAEFER, George 1920PERSONAL: Full name, George Louis Schaefer; born December 16, 1920, in Wallingford, CT; son of Louis (in sales) and Elsie (Otterbein) Schaefer; married Mildred Trares (an actress), February 5, 1954. EDUCATION—Lafayette College, B.A., 1941; graduate work at the Yale University School of Drama, 1942. MILITARY— U.S. Army, Special Services, sergeant, 1942-45. VOCATION: Director and producer. CAREER: FIRST BROADWAY WORK—Director, Hamlet (also known as G.I. Hamlet), City Center Theatre, 1946. FIRST LONDON WORK—Producer (with Maurice Evans) and director, Teahouse of the August Moon, Her Majesty's Theatre, 1954. PRINCIPAL STAGE WORK—All as director, unless indicated: Leave It to Smith, Pastime Players, Oak Park, IL, 1937; Hamlet (also known as G.I. Hamlet), Columbus Circle Theatre, New York City, 1945; (with Maurice Evans) Man and Superman, Alvin Theatre, New York City, 1947; The Linden Tree, Music Box Theatre, New York City, 1948; (also producer) Man and Superman and She Stoops to Conquer, both City Center Theatre, 1949; (also producer) The Corn Is Green, The Heiress, The Devil's Disciple, and Captain Brassbound's Conversion, all City Center Theatre, 1950; (also producer) The Royal Family, Richard II, The Taming of the Shrew, Dream Girl, Idiot's Delight, and The Wild Duck, all City Center Theatre, 1951; (also producer) Anna Christie, Come of Age, The Male Animal, Tovarich, and First Lady, all City Center Theatre, 195 2; producer (with Evans), Teahouse of the August Moon, Martin Beck Theatre, New York City, 1953; Kiss Me Kate, City Center Theatre, 1955; The Southwest Corner, Holiday Theatre, New York

Specials: "Hamlet," Hallmark Hall of Fame, NBC, 1953; "Richard II" and "Macbeth," Hallmark Hall of Fame, NBC, 1954; One Touch of Venus, NBC, 1955; "Alice in Wonderland," "Dream Girl," and "The Devil's Disciple," HallmarkHall of Fame, NBC, 1955; "Taming of the Shrew," "The Good Fairy," "The Corn Is Green," (also producer) "Man and Superman," (also producer) "The Little Foxes," (also producer) "The Cradle Song," and producer, "Born Yesterday," Hallmark Hall of Fame, NBC, 1956; (also producer) "The Lark," (also producer) "The Green Pastures," (also producer) "On Borrowed Time," (also producer) ' 'Twelfth Night,'' (also producer)' There Shall Be No Night,'' and (also producer) "The Yeomen of the Guard," Hallmark Hall of 381

SCHLOENDORFF CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Fame, NBC, 1951; Harvey, CBS, 1958; (alsoproducer) "Dial 'M' for Murder," (also producer) "Little Moon of Alban," (also producer) "Kiss Me Kate," (also producer) "Johnny Belinda," and (also producer) "Hans Brinker, or The Silver Skates," Hallmark Hall of Fame, NBC, 1958; (also producer) Gift of the Magi, CBS, 1958; director, Meet Me in St. Louis, CBS, 1959; (also producer) "A Doll's House," (also producer) "Berkeley Square," (also producer) "Ah! Wilderness,'' and (also producer)'' Winterset,'' Hallmark Hall of Fame, NBC, 195 9; (also producer) HallmarkHall of Fame Christmas Festival, NBC, 1959.

Hall of Fame; Look magazine Award and Radio-Television Daily Award, both 1957, for "The Green Pastures," Hallmark Hall of Fame; Radio-Television Daily Award, Director of the Year, 1957; Radio-Television Daily Award, 1959, for "Johnny Belinda," Hallmark Hall of Fame; Sylvania Award, Peabody Award, and Emmy Awards, Best Special Dramatic Program and Best Direction of a Single Dramatic Program, all 1959, for "Little Moon of Alban,'' HallmarkHall of Fame; Outstanding Achievement Award from the Directors Guild of America, 1960, TV Guide Award, Best Single Dramatic Program on Television, Radio-Television Daily Award, Dramatic Show of the Year, and Emmy Awards, Program of the Year, Outstanding Program Achievement in the Field of Drama, and Outstanding Directorial Achievement in Drama, 1961, all for "Macbeth," Hallmark Hall of Fame; Radio-Television Daily Award, Director of the Year, 1961; Saturday Review Special Commendation for Notable Production and Emmy Award, Program of the Year, both 1962, for "Victoria Regina," Hallmark Hall of Fame; Radio-Television Daily All-American Award, Producer of the Year and Director of the Year, 1963; Outstanding Achievement Award from the Directors Guild of America, Best Television Director, 1963, for "Pygmalion," Hallmark Hall of Fame; Radio-Television Daily Award, Director of the Year, 1964; Dineen Award from the National Catholic Theatre Conference, 1964; Emmy Award, Outstanding Program Achievement in Entertainment, 1965, for "The Magnificent Yankee," HallmarkHall of Fame; Radio-Television Daily Award, Director of the Year, 1965; Emmy Award, Outstanding Dramatic Program, 1968, for "Elizabeth the Queen," Hallmark Hall of Fame; Outstanding Achievement Award from the Directors Guild of America, Best Television Director, 1967, for "Do Not Go Gentle into That Good Night," CBS Playhouse; Outstanding Achievement Award from the Directors Guild of America, Best Television Director, 1968, for "My Father and My Mother," Hallmark Hall of Fame; Emmy Award, Outstanding Single Program—Drama or Comedy, 1973, for A War of Children; Emmy Award nomination, 1983, for The Best Christmas Pageant Ever. HONORARY DEGREES—Lafayette College, Doctor of Literature, 1963; Coker College, L.H.D., 1973.

(Also producer) "Captain Brassbound's Conversion," (also producer) "Macbeth," (alsoproducer) "TheTempest," (alsoproducer) "Shangri-La," and producer, "Golden Child," HallmarkHall of Fame, NBC, 1960; (also producer) "Give Us Barabbas!," (also producer) "The Joke and the Valley," (also producer) "Time Remembered," and (also producer) "Victoria Regina," Hallmark Hall of Fame, NBC, 1961; (also producer) "Arsenic and Old Lace," (also producer) "The Invincible Mr. Disraeli," and (also producer) "Cyrano de Bergerac," HallmarkHall of Fame, NBC, 1962; (also producer) Teahouse of the August Moon, NBC, 1962; (also producer)''Pygmalion,'' (also producer)''The Patriots,'' and (also producer)' 'A Cry of Angels,'' HallmarkHall of Fame, NBC, 1963; (also producer) "Abe Lincoln in Illinois," (also producer) "The Fantasticks," and (also producer) "Little Moon of Alban," HallmarkHall of Fame, NBC, 1964; (also producer) "The Magnificent Yankee," (also producer) "Inherit the Wind," (also producer) ' 'The Holy Terror,'' and (also producer)' 'Eagle in a Cage,'' Hallmark Hall of Fame, NBC, 1965; (also producer) "Blithe Spirit,'' (also producer) "Barefoot in Athens,'' and (also producer) "Lamp at Midnight," HallmarkHall of Fame, NBC, 1966; (also producer) "Anastasia," (also producer) "Soldier in Love," and (also producer) "Saint Joan," Hallmark Hall of Fame, NBC, 1967; "Do Not Go Gentle into That Good Night," CBS Playhouse, CBS, 1967; (also producer) "The Admirable Crichton," (also producer) "My Father and My Mother," and (also producer) "Elizabeth the Queen," Hallmark Hall of Fame, NBC, 1968; (also producer) "The File on Devlin," Hallmark Hall of Fame, NBC, 1969.

MEMBER: Directors Guild of America (national board of directors, 1960-75, vice-president, 1961-79, president, 1979-81), Academy of Motion Picture Arts and Sciences, Academy of Television Arts and Sciences, Caucus for Producers, Writers, and Directors, American National Theatre and Academy—West (board of directors), Variety Clubs International, Players Club, Phi Beta Kappa Society.

Producer, "Hamlet," Hallmark Hall of Fame, NBC, 1970; (also producer) "Gideon," HallmarkHall of Fame, NBC, 1971; U.S.A., PBS, 1971; (also producer) Sandburg's Lincoln (a series of six specials), NBC, 1974-76; "Truman at Potsdam," HallmarkHall of Fame, NBC, 1976; (also producer) Our Town, NBC, 1977; The Second Barry Manilow Special, ABC, 1918;BarryManilow—One Voice, ABC, 1980; (also producer) Answers, NBC, 1982; Deadly Game, HBO, 1982; (also producer) The Best Christmas Pageant Ever, ABC, 1983; (also producer) The Booth, PBS, 1985.

SIDELIGHTS: RECREATONS—Contract bridge, travel, theatre, and film going.

RELATED CAREER—Director of productions for the U.S. Army Special Services, Honolulu, HI, 1942-45; executive producer and artistic director, City Center Theatre, New York City, 1949-52; president, Compass Productions Inc., 1959-86; founder (with Merrill H. Karpf), Schaefer/Karpf Productions, 1982; National Council of the Arts, 1983-88; associate dean, department of theatre, film, and television, University of California, Los Angeles, 1986—.

ADDRESSES: OFFICES—Schaefer/Karpf Productions, 12711 Ventura Boulevard, Suite 307, Studio City, CA 91604; c/o University of California, Los Angeles, Department of Theatre, Film, and Television, 415 Hilgard Macgowan Hall, Room 2310-B, Los Angeles, CA 90024.*

WRITINGS: TELEVISION—Specials: (With James Prideaux, Israel Horovitz, and Rose Leiman Goldemberg) The Booth, PBS, 1985.

SCHLOENDORFF, Volker 1939-

AWARDS: Antoinette Perry Award (with Maurice Evans), Best Producer of a Play, 1954, for Teahouse of the August Moon; Sylvania Award, Outstanding Dramatic Series, and Peabody Award, Outstanding Television Entertainment, both 1958, for Hallmark

PERSONAL: Born March 31, 1939, in Wiesbaden, Germany; married Margarethe von Trotta (a film director, screenwriter, and actress), 1969. EDUCATION—Studied political science and econo-

382

CONTEMPORARY

SCOLA

THEATRE, FILM, AND TELEVISION • Volume 8

Torless, 1966; (with Gregor von Rezzori, Niklas Franz, and Arne Boyer) Mord und Totschlag, 1967; (with Margarethe Von Trotta) Der Plotzliche Reichtum der Armen Leute von Kombach, 1970; (with Peter Hamm) Die Moral der Ruth Halbfass, 1971; Strohfeuer, 1972; (with Von Trotta) Die verlorene Ehre der Katharina Blum, 1975; Nur zum Spass—Nur zum Spiel. Kaleidoskop: Valeska Gert, 1977; (with Franz Seitz, Jean-Claude Carriere, and Gunter Grass) The Tin Drum, 1979; Der Kandidat, 1980; (with Von Trotta, Kai Hermann, and Carriere) Die Falschung, 1981; (adaptor) L Amour de Swann, 1984; also (co-writer) Michael Kohlhaas—Der Rebell, 1969. TELEVISION—Baal, 1970; Ubernachtung in Tirol, 1974.

mics in Paris; studied film directing at Institut des Hautes Etudes Cinematographiques. VOCATION: Director, screenwriter, and producer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director: Katja Kabanova (opera), Frankfurt, Germany, 1974; Wir erreichen den Fluss (opera), Berlin, Germany, 1976. PRINCIPAL FILM WORK—Director: Der Junge Torless (also known as Les Desarrois de I'eleve Torless, Young Toerless, and Young Torless), 1966, released in the United States by Kanawha, 1968; Mord und Totschlag (also known as A Degree of Murder), 1967, released in the United States by Universal, 1969; Der Plotzliche Reichtum der Armen Leute von Kombach (also known as The Sudden Fortune of the Poor People of Kombach and The Sudden Wealth of the Poor People of Kombach), Hallelujah-Film/Hessischer Rundfunk, 1970; Strohfeuer (also known as A Free Woman, Strawfire, and Summer Lightning), Hallelujah-Film/New Yorker, 1971; Die Moral der Ruth Halbfass (also known as The Moral of Ruth Halbfass), CIC/Paramount/Universal, 1971; (with Margarethe von Trotta) Die Verlorene Ehre der Katharina Blum (also known as The Lost Honor of Katharina Blum), Cinema International, 1975; Der Fangschuss (also known as Coup de grace), Cine-International Filmvertrieb/Almi Cinema V, 1976; (also producer) Nur zum Spass—Nur zum Spiel. Kaleidoskop: Valeska Gert (also known as Just for Fun, Just for Play, Only for Fun—Only for Play, Kaleidoscope: Valeska Gert, Kaleidoskop: Valeska Gert, Nur zum Spassnur zum Spiel, and Kaleidoscope: Valeska Gert, For Fun—For Play; documentary), Bioskop, 1977; (with others) Deutschland im Herbst (also known as Germany in Autumn), Osiris/Filverlag der Autoren, 1978; The Tin Drum (also known as Die Blechtrommel), New World, 1979.

AWARDS: FIPRESCI Prize from the Cannes Film Festival, 1966, for Der Junge Torless; Golden Palm Award from the Cannes Film Festival and Academy Award, Best Foreign Language Film, both 1979, for The Tin Drum; Emmy Award nomination, Best Director, 1985, for Death of a Salesman. MEMBER: German P.E.N. Centre.*

SCOLA, Ettore

1931-

PERSONAL: Born May 10, 1931, in Trevico, Italy; children: Paola. EDUCATION—Studied law at the University of Rome. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. FIRST FILM WORK—-Se permettete, parliamo di donne (also known as Parliamo di donne and Let's Talk About Women), Embassy, 1964. PRINCIPAL FILM WORK—Director: La congiuntura (also known as One Million Dollars), Ceiad/Columbia, 1965; Uarcidiavolo (also known as The Devil in Love and// diavolo innamorato), 1966, released in the United States by Warner Brothers, 1968; Dramma della gelosia— tutti iparticolari in cronaca (also known as The Pizza Triangle, The Motive Was Jealousy, A Drama of Jealousy (and Other Things), and Jealousy Italian Style), Warner Brothers, 1970; Permette? Rocco Papaleo (also known as Rocco Papaleo and Excuse Me, My Name Is Rocco Papaleo), Cineriz, 1971, released in the United States by Rumson, 1974; La piu bella serata della mia vita (also known as The Most Wonderful Evening of My Life), Columbia, 1972; C'eravamo tanto amati (also known as Those Were the Years), Delta, 1974; (with others) Brutti, sporchi e cattivi (also known as Down and Dirty and Ugly, Dirty, and Bad), Gold, 1976; (with others) Signore e signori, buonanotte (also known as Goodnight, Ladies and Gentlemen), 1976, released in the United States by Titanus Distribuzione, 1977; We All Loved Each Other So Much, Almi/Cinema V, 1977; Una giornata particolare (also known as Una giornata speciale, A Special Day, and The Great Day), Cinema V/Gold Film Distributors, 1977; (with Mario Monicelli and Dino Risi) / nuovi mostri (also known as The New Monsters and Viva Italia!), Filmverlag der Autoren/Cinema V, 1978.

(With Stefan Aust, Alexander von Eschwege, and Alexander Kluge) Der Kandidat (also known as The Candidate; documentary), Bioskop/Kairos/Pro-ject Filmproduction, 1980; Die Falschung (also known as Circle of Deceit and The Forgery), United International, 1981; (with Aust, Kluge, Heinrich Boll, and Axel Engstfeld) Krieg und Frieden (also known as War and Peace) Filmverlag der Autoren/New Line Cinema, 1983; Un Amour de Swann (also known as Eine Liebe von Swann, Swann's Way, Remembrance of Things Past, and Swann in Love), Artificial Eye/Gaumont International/Orion Classics, 1984; (c-director) Vermischte Nachrichten (also known as Odds and Ends), Filmverlag der Autoren, 1987; The Handmaid's Tale, Cinecom, 1990. Also directed Wen kummert's . . . (also known as Who Cares . . .; short film), 1960; Michael Kohlhaas—Der Rebell (also known as Michael Kohlhaas—The Rebel), 1969; Ein Unheimlicher Moment (also known as An Uneasy Moment; short film), 1970. PRINCIPAL TELEVISION APPEARANCES—Specials: Private Conversations: On the Set of "'Death of a Salesman," PBS, 1986. PRINCIPAL TELEVISION WORK—All as director. Movies: A Gathering of Old Men, CBS, 1987. Specials: Death of a Salesman, CBS, 1985. Also Baal, 1970; Ubernachtung in Tirol (also known as Overnight Stay in the Tyrol, and Overnight in Tirol), 1974; Georginas Grunde (also known as Georginas Reasons), 1975.

La terrazza (also known as The Terrace), United Artists, 1980; Passione d'amore (also known as Passion of Love), Connoisseur, 1981, released in the United States by Putnam Square, 1982; La Nuit de Varennes (also known as // mondo nuovo, The New World, and La Varennes Nuit), Electric/Contemporary, 1982, released in the United States by Triumph, 1983; Le Bal (also known as The Ball), AMLF, 1982, released in the United States by Almi Classics, 1984; Macaroni (also known as Maccheroni), Paramount, 1985;

RELATED CAREER—Assistant director to Louis Malle, JeanPierre Melville, and Alain Resnais, 1960-64; founder (with Peter Fleischmann), Hallelujah-Film, 1969; founder (with Reinhard Hauff), Bioskop-Film, 1973. WRITINGS: FILM—See production details above. Der Junge 383

SCOTT

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(also editor) La famiglia (also known as The Family), Vestron, 1987; Splendor (also known as The Last Movie), Warner Brothers, 1989. Also "II vittimista" in Thrilling, 1965; II commissario Pepe (also known as Inspector Pepe), 1968; Riusciranno i nostri eroi a trovare il loro amico misteriosamente scomparso in Africa? (also known as Will Your Heroes Find Their Friends Who Disappeared So Mysteriously in Africa?), 1968; Trevico-Torino . . . Viaggionel Fiat Nam, 1973; Che si dice a Roma, 1979.

known as Will Your Heroes Find Their Friends Who Disappeared So Mysteriously in Africa?), 1968. (With Age and Scarpelli) Dramma della gelosia—tutti iparticolari in cronaca, 1970; (with Maccari) Permette? Rocco Papaleo, 1971; Noi donne siamo fatte cosi (also known as Women: So We Are Made), 1971; (with Sergio Amidei) La piu bella serata della mia vita, 1972; Trevico-Torino . . . Viaggio nel Fiat Nam, 1973; (with Scarpelli and Age) C'eravamo tanto amati, 1974; (with Maccari) Brutti, sporchi e cattivi, 1976; (with others) Signore e signori, buonanotte, 1976; (with Scarpelli and Age) We All Loved Each Other So Much, 1977; (with Maccari and Maurizio Costanzo) Una giornata particolare, 1977; Che si dice a Roma, 1979; (with Scarpelli and Age) La terrazza, 1980; (with Maccari) Passione d'amore, 1981; (with Amidei) La Nuit de Varennes, 1982; (with Maccari, Scarpelli, and Jean-Claude Penchenat) Le Bal, 1983; (with Maccari and Scarpelli) Macaroni, 1985; (with Maccari and Scarpelli) La famiglia, 1987; Splendor, 1989.

RELATED CAREER—Journalist, 1947; writer for radio shows, 1950; writer and illustrator for satirical magazines; ghost writer for Italian comedies; documentary filmmaker. NON-RELATED CAREER—Nominated to the European Parliament, Strasbourg. WRITINGS: See production details above, unless indicated. FILM— (With Ruggero Maccari) Un americano a Roma, 1954; (with Maccari) Una Parigina a Roma, 1954; (with Maccari) Due notti con Cleopatra (also known as Two Nights with Cleopatra), 1954, released in the United States by Ultra, 1963; (with Maccari) Lo scapolo, 1956; (with Maccari) Nata di marzo, 1958.

AWARDS: Cesar Award, 1975, for C'eravamo tanto amati; Best Director Award from the Cannes Film Festival, 1976, for Brutti, sporchi e cattivi; Special Jury Prize from the Cannes Film Festival, 1977, for Una giornata speciale.

(With Maccari, Barratti, and Luciano Salce) Le Pillole de Ercole (also known as Hercules' Pills), Dino De Laurentiis, 1960; (with Maccari) Fantasmi a Roma (also known as Ghosts of Rome), 1960; (with Maccari) La storia di un soldato (also known as The Soldier), 1960; (with Maccari, Sandro Continenza, and Sergio Pugliese) // mattatore (also known as L'Homme aux cent visages and Love and Larceny), 1960, released in the United States by Major Film Distributing, 1963; (with Maccari, Antonio Pietrangeli, and Tullio Pinelli) Adua e le compagne (also known as Love a la Carte, Adua and Her Friends, and Adua and Her Companions), 1960, released in the United States by Promenade, 1965; (with Maccari) Anni ruggenti (also known as Roaring Years), 1962; (with Maccari and Dino Risi) // sorpasso (also known as The Easy Life), 1962, released in the United States by Embassy, 1963; (with Continenza) 'The Women" and (with Fabio Carpi, Giuseppe Orlandini, and Nino Manfredi) "The Soldier" in L'amore difficile (also known as Of Wayward Love and Erotica), 1962, released in the United States by Pathe Contemporary, 1964; (with Maccari) // successo, 1963, released in the United States by Embassy, 1965; (with Maccari and Pietrangeli) La visita, 1963, released in the United States by Promenade, 1966; (with Maccari, Risi, Furio Scarpelli, Agenore Incrocci ("Age"), and Elio Petri) / mostri (also known as Opiate '67, LesMonstres, and 15 from Rome), 1963, released in the United States by Me Abbe/Janus, 1967; (with Maccari) Se permettete, parliamo di donne, 1964; (with Maccari) // gaucho (also known as The Gaucho), 1964; (with Maccari, Diego Fabbri, and Stefano Strucchi) // magnifico cornuto (also known as The Magnificent Cuckold and Le Cocu magnifique), 1964, released in the United States by Continental Distributing, 1965; (with Age, Maccari, and Scarpelli) Alta infedelta (also known as High Infidelity and Haute infidelite), 1964, released in the United States by Magna, 1965.

CAREER: PRINCIPAL FILM WORK—All as set designer, unless indicated: (With Thomas Little) The Moon Is Down and art director (with Little, James Basevi, and Leland Fuller), Heaven Can Wait, both Twentieth Century-Fox, 1943; (both with Little) The Lodger and The Purple Heart, Twentieth Century-Fox, 1944; (with Little and Joseph C. Wright) Nob Hill and (with Little) Where Do We Go from Here?, both Twentieth Century-Fox, 1945; (all with Little) Forever Amber, The Homestretch, and Daisy Kenyon, Twentieth Century-Fox, 1947; (all with Little) Apartment for Peggy, Call Northside 777 (also known as Calling Northside 777), A Letter to Three Wives, That Lady in Ermine, and That Wonderful Urge, Twentieth Century-Fox, 1948; (all with Little) House of Strangers, I Was a Male War Bride (also known as You Can't Sleep Here), and Whirlpool, Twentieth Century-Fox, 1949.

(With Maccari) lo la conoscevo bene, 1965; (with Maccari) La congiuntura, 1965; (with Maccari) "II vittimista" in Thrilling, 1965; (with Maccari and Nanni Loy) Made in Italy (also known as A I'ltalienne), 1965, released in the United States by Royal Films International, 1967; (with Maccari) Larcidiavolo, 1966; Follie a"estate, 1966; (with Maccari and Strucchi) Le dolci signore (also known as Anyone Can Play), 1967, released in the United States by Paramount, 1968; (with Maccari) // commissario Pepe (also known as Inspector Pepe), 1968; (with Maccari) Riusciranno i nostri eroi a trovare il loro amico misteriosamente scomparso in Africa? (also

(All with Little) Under My Skin, All About Eve, and Where the Sidewalk Ends, Twentieth Century-Fox, 1950; (with Little) People Will Talk, (with Little and Wright) On the Riviera, and (with Little) The Thirteenth Letter, all Twentieth Century-Fox, 1951; My Cousin Rachel, (with Little) Deadline—U.S.A. (also known as Deadline), (with Little) Les Miserables, (with Little) Monkey Business, and (with Little) With a Song in My Heart, all Twentieth Century-Fox, 1952; King of the Khyber Rifles and (with Paul S. Fox) The Robe, both Twentieth Century-Fox, 1953; (with Fox) Desiree, (with Fox) The Egyptian, (with Stuart Reiss) Hell and

OTHER SOURCES: New York Times, January 17, 1988.*

SCOTT, Walter M.

1906-1989

PERSONAL: Born November 7, 1906, in Cleveland, OH; died of a respiratory ailment, February 2, 1989, in Los Angeles, CA; children: one son, one daughter. EDUCATION—Attended the University of Southern California, 1929; also attended the Chouinard School of Art. VOCATION: Set designer.

384

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

SCOTT

Danger, (with Raphael Bretton) Our Man Flint, (with Reiss) Fantastic Voyage (also known as Microscipia and Strange Journey), (with Sturtevant and William Kiernan) The Sand Pebbles, (with Reiss) Stagecoach, and (with Reiss) Way . . . Way Out, all Twentieth Century-Fox, 1966; (with Reiss) Dr. Dolittle, (with Sturtevant) The Flim-Flam Man (also known as One Born Every Minute), (with Bretton) A Guide for the Married Man, (with Bretton) Hombre, (with James W. Payne) In Like Flint, (with Potter) The St. Valentine's Day Massacre, (with Warren Welch) Tony Rome, and (with Bretton) Valley of the Dolls, all Twentieth Century-Fox, 1967; (with Wunderlich) The Detective, (with Wunderlich) Lady in Cement, (with Rockett) Planet of the Apes, (with Bretton) The Secret Life of an American Wife, (with Howard Bristol) Star! (also known as Those Were the Happy Times), (with Reiss) The Sweet Ride, and (with Reiss and Bretton) The Boston Strangler, all Twentieth Century-Fox, 1968; (with Bayhi) Butch Cassidy and the Sundance Kid, (with Reiss) Che!, (with Bretton and George James Hopkins) Hello, Dolly!, (with Bretton) Justine, and (with Bayhi) The Undefeated, all Twentieth Century-Fox, 1969.

High Water, (with Reiss) Broken Lance, and (with Chester Bayhi) River of No Return, all Twentieth Century-Fox, 1954. (With Fox) Daddy Long Legs, (with Fox) Good Morning, Miss Dove, (with Frank Wade) The Left Hand of God, (with Jack Stubbs) Love Is a Many-Splendored Thing, (with Reiss) House of Bamboo, (with Fox) The Rains of Ranchipur, (with Reiss) The Seven Year Itch, (with Reiss) Soldier of Fortune, (with Bayhi) The Tall Men, (with Bayhi) Untamed, and (with Fox) The View from Pompey's Head (also known as Secret Interlude), all Twentieth Century-Fox, 1955; (with Fox) The King and I, (with Reiss) The Man in the Grey Flannel Suit, (with Reiss) Teenage Rebel, and (with Fay Babcock) 23 Paces to Baker Street, all Twentieth Century-Fox, 1956; Forty Guns (also known as Woman with a Whip), (with Fox) An Affair to Remember, (with Fox) Desk Set (also known as His Other Woman), (with Reiss) Kiss Them for Me, (with Bayhi) Kronos, (with Reiss) Oh, Men! Oh, Women!, (with Bertram Granger) Peyton Place, (with Fox and Stubbs) The Sun Also Rises, (with Eli Benneche) The Three Faces of Eve, and (with Reiss) The True Story of Jesse James (also known as The James Brothers), all Twentieth Century-Fox, 1957; The Long, Hot Summer, (with Fox) A Certain Smile, (with Granger) Gang War, (with Babcock) In Love and War, (with Maurice Mulcahy) Showdown at Boot Hill, (with Reiss) The Young Lions, (with Benneche) 10 North Frederick, and art director (with Wheeler, Fox, and John DeCuir) South Pacific, all Twentieth Century-Fox, 1958; (with Joseph Kish) Journey to the Center of Earth, (with Fox) The Man Who Understood Women, (with Reiss) A Private's Affair, (with Kish) Return of the Fly, (with Reiss) The Diary of Anne Frank, (with Benneche) Say One for Me, (with Gustav W. Bernsten) The Story on Page One, (with Reiss) Warlock, and (with Reiss) Woman Obsessed, all Twentieth CenturyFox, 1959.

(With S ven Wickman) Beneath the Planet of the Apes, (with Robert De Vestel) Cover Me Babe, (with Bretton) The Great White Hope, (with Reiss) M*A*S*H, (with Kiernan) Move, (with Wunderlich) The Only Game in Town, (with Rockett and Carl Biddiscombe) Torn! Tora! Torn!, and (with Wunderlich) Tribes, all Twentieth Century-Fox, 1970; (with Reiss) Escape from Planet of the Apes, (with Audrey A. Blasdel) The Marriage of a Young Stockbroker, (with Bretton) The Mephisto Waltz, and (with Bretton) The Seven Minutes, all Twentieth Century-Fox, 1971; The Culpepper Cattle Company, Twentieth Century-Fox, 1972; (with Ralph Sylos) Hex, Twentieth Century-Fox, 1973.

(With Fox) Can-Can, (with Bernsten) Flaming Star, (with Fox) From the Terrace, (with Kish and John Sturtevant) The Lost World, (with Reiss) North to Alaska, (with Reiss) Seven Thieves, and (with Kish) Wild River, all Twentieth Century-Fox, 1960; (with Robert Priestly) The Comancheros, (with Reiss) The Fiercest Heart, (with Fernandino Ruffo) Francis of Assist, (with Reiss) Misty, (with Lou Hafley) Pirates ofTortuga, (with Fred Maclean) Return to Peyton Place, (with Maclean) The Right Approach, (with Maclean) Sanctuary, (with Reiss) The Second Time Around, (with Fox) Snow White and the Three Stooges (also known as Snow White and the Three Clowns), (with Fox) Tender Is the Night, (with Sturtevant) Voyage to the Bottom of the Sea, and (with Reiss) Wild in the Country, all Twentieth Century-Fox, 1961; (with Priestly) Adventures of a Young Man (also known as Hemingway's Adventures of a Young Man), (with Reiss) Five Weeks in a Balloon, (with Sturtevant) Madison Avenue, (with Reiss) Mr. Hobbs Takes a Vacation, (with Lou Hafley) State Fair, and (with Lou Hafley) Swingin' Along (also known as Double Trouble), all Twentieth Century-Fox, 1962; (with Fox and Ray Moyer) Cleopatra, (with Fox) Move Over, Darling, (with Reiss and Norman Rockett) The Stripper (also known as Woman of Summer), and (with Reiss) Take Her, She's Mine, all Twentieth Century-Fox, 1963; (with Reiss) Fate Is the Hunter, (with Keogh Gleason) Goodbye Charlie, (with Reiss) John Goldfarb, Please Come Home, (with Reiss) The Pleasure Seekers, (with Lou Hafley) Rio Conchas, (with Fox) Shock Treatment, and (with Reiss) What a Way to Go, all Twentieth Century-Fox, 1964.

PRINCIPAL TELEVISION WORK—All as set designer. Pilots: They Call It Murder, NBC, 1971. Movies: Tribes, ABC, 1970; The Challenge, ABC, 1970. RELATED CAREER—Interior decorator, Fred B. Martin Company, 1929-30; assistant manager, United Studios, 1930-31; supervising set designer, Twentieth Century-Fox, 1952-72; consultant on set design, Twentieth Century-Fox, 1972-1989. AWARDS: Academy Award nomination, Best Art Direction—Set Decoration (Black and White), 1950, for All About Eve; Academy Award nomination, Best Art Direction—Set Decoration (Color), 1951, for On the Riviera; Academy Award nomination, Best Art Direction—Set Decoration (Black and White), 1952, for My Cousin Rachel; Academy Award, Best Art Direction—Set Decoration (Color), 1953, for The Robe; Academy Award nomination, Best Art Direction—Set Decoration (Color), 1954, for Desiree; Academy Award nominations, Best Art Direction—Set Decoration (Color), 1955, for Daddy Long Legs and Love Is a Many-Splendored Thing; Academy Award nomination, Best Art Direction—Set Decoration (Black and White), 1956, for Teenage Rebel; Academy Award, Best Art Direction—Set Decoration (Color), 1956, for The King and I; Academy Award nomination, Best Art Direction—Set Decoration (Black and White or Color), 1958, for A Certain Smile; Academy Award, Best Art Direction—Set Decoration (Black and White), 1959, for The Diary of Anne Frank; Academy Award nomination, Best Art Direction—-Set Decoration (Color), 1959, for Journey to the Center of the Earth; Academy Award, Best Art Direction—Set Decoration (Color), 1963, for Cleopatra; Academy Award nomination, Best Art Direction—Set Decoration, 1964, for What a Way to Go; Academy Award nomination, Best Art Direction—Set Decoration (Color), 1965, for The Sound of Music;

(With Steven Potter) Dear Brigette, (with Jerry Wunderlich) Do Not Disturb, (with Wunderlich) Morituri (also known as The Saboteur: Code Name Morituri and The Saboteur), (with Lucien Hafley) The Reward, and (with Ruby Levitt) The Sound of Music, all Twentieth Century-Fox, 1965; (with Lucien Hafley) I Deal in

385

SEAMON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Academy Award, Best Art Direction—Set Decoration (Color), 1966, for Fantastic Voyage; Academy Award nomination, Best Art Direction—Set Decoration (Color), 1966, for The Sand Pebbles; Academy Award nomination, Best Art Direction—Set Decoration, 1967, for Dr. Dolittle; Academy Award nomination, Best Art Direction—Set Decoration, 1968, for Star!; Academy Award, Best Art Direction—Set Decoration, 1969, for Hello, Dolly!; Academy Award nomination, Best Art Direction—Set Decoration, 1970, for Tora! Tora! Tora!

Theatre, Edgartown, MA, 1961. OFF-BROADWAY DEBUT—Edward and manager, Life and Times of J. Walter Sminthons, New York Shakespeare Festival, Public Theatre, 1971. PRINCIPAL STAGE APPEARANCES—Stanley, A Streetcar Named Desire, Hilltop Theatre, Edgartown, MA, 1961; Frederick, A Far Country, Woodstock Playhouse, Woodstock, NY, 1963; Edward, Underground, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1971;Fitzpatrick, The Contractor, Chelsea Westside Theatre, New York City, 1973; Ralph Keptner, "49 West 87th" and Harold McCullough, "Cabin Twelve" in 49 West 87th (double-bill), Schreiber Studio Theatre, New York City, 1974; Reilly, Fishing, NYSF, Public Theatre, 1975; Sydney, The Private Secretary, Lakewood Theatre, Lakewood, ME, 1975; Will Horvath, The Trip Back Down, Longacre Theatre, New York City, 1977; Kelly, Feedlot, Circle Repertory Company, Circle Repertory Theatre, New York City, 1977; Old Mahon, Playboy of the Western World, Almady, The Play's the Thing, Oronte, The Misanthrope, and Andrew, Sleuth, all State University of New York, Stony Brook, NY, 1977; Harold McCullough, Cabin Twelve, Circle Repertory Company, Circle Repertory Theatre, 1978; H.M. Stanley, The Rear Column, Manhattan Theatre Club, New York City, 1978; understudy for Dodge, Tilden, Bradley, and Father Dewis, Buried Child, Theatre de Lys, New York City, 1978, then as Dodge, Playhouse in the Park, Philadelphia, PA, later Circle Repertory Company, Circle Repertory Theatre, both 1979; Bill Foster and understudy for Lewis, Devour the Snow, Hudson Guild Theatre, then John Golden Theatre, both New York City, 1979; Taylor, Tony, and Dugan, The American Clock, Biltmore Theatre, New York City, 1979.

MEMBER: Academy of Motion Picture Arts and Sciences (board of governors, 1968-76, then 1980-85). OBITUARIES AND OTHER SOURCES: Variety, February 8-14, 1989.*

SEAMON, Edward

1932-

PERSONAL: Born April 15, 1932, in San Diego, CA; son of Thomas B. (in business) and Ocie B. (a telephone operator; maiden name, Taylor) Seamon; married Mai Hoffer (an artist), August 31, 1989. EDUCATION—Attended San Diego State College; trained for the stage with Herbert Berghof at the HB Studios. MILITARY— U.S. Navy, 1951-53. VOCATION: Actor.

Weller Martin, Gin Game, Theatre By the Sea, Portsmouth, NH, 1980; Oates, Terra Nova, Pittsburgh Public Theatre, Allegheny Theatre, Pittsburgh, PA, 1981; Wilcocks, Extenuating Circumstances, Horizon Theatre, Perry Street Theatre, New York City, 1981; Earl, Confluence, Circle Repertory Company, Circle Repertory Theatre, 1982; outlaw, The Holdup, Little Theatre SPAC, Saratoga, NY 1982; Duke of York, RichardII and Jedediah, father, and cop, The Great Grandson of Jedediah Kohler, both Circle Repertory Company, Entermedia Theatre, New York City, 1982; sound man, Marvelous Gray, Lion Theatre, New York City, 1982; Halvard Solness, 'The Master Builder, Roundabout Theatre, New York City, 1983; Red Pewsy, Coyote Ugly, Yale Repertory Theatre, New Haven, CT, 1983; Dr. Jim Bayliss, All My Sons, Zellerback Theatre, Philadelphia, PA, 1983; Dr. Dorn, The Seagull, Little Theatre SPAC, 1983; Les, Full Hookup, Circle Repertory Company, Circle Repertory Theatre, 1983; Hector, Foxfire, Guthrie Theatre, Minneapolis, MN, 1984; Bim Miller, The Harvesting and Boyet, Love's Labour's Lost, both Circle Repertory Company, Circle Repertory Theatre, 1984; Old Man, Fool for Love, Douglas Fairbanks Theatre, New York City, 1984; Jimmy Thorne, A Country for Old Men, American Stage, Terrace Theatre, New York City, 1984.

CAREER: STAGE DEBUT—Owens, Light Up the Sky, Hilltop

Mr. Talley, A Tale Told, Little Theatre SPAC, 1985; Mr. Talley, Talley and Son, Circle Repertory Company, Circle Repertory Theatre, 1985; Mereia, Caligula, August, The Mound Builders, and Chris, Quiet in the Land, all Circle Repertory Company, Triplex Theatre, New York City, 1986; Candy, Of Mice and Men, Roundabout Theatre, New York City, 1987; Ferdinand de'Lesseps, To Culebra, Indiana Rerpertory Theatre, Indianapolis, IN, 1987; Antonio, The Tempest, Virginia Stage Company, Norfolk, VA, 1987; Old Man, Fool for Love, Power Center Theatre, Ann Arbor, MI, 1987; Leroy, The Bad Seed, Cape Dennis Playhouse, Cape Dennis, MA, 1988; detective and Louie, Borderlines and Vito and Antonio, V and V Only, both Circle Repertory Company, Circle

EDWARD SEAMON

386

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 SENECA

Repertory Theatre, 1988; Engstrand, Ghosts, Roundabout Theatre, 1988; Jim, Tales of the Lost Formicans, Actors Theatre of Louisville, Louisville, KY, 1989; Candy, Of Mice and Men, Levin Theatre, New Brunswick, NJ, 1989; Harry-Bear, Beside Herself, Circle Repertory Company, Circle Repertory Theatre, 1989; pawnbroker, Woyzeck, Hartford Stage, Hartford, CT, 1990; also appeared in Marvelous Brown and The Private Eye of Hiram Bodoni, New Dramatists Inc., New York City, 1977; All My Sons, Philadelphia Drama Guild, Philadelphia, 1982. MAJOR TOURS—Various roles, To Be Young, Gifted, and Black, U.S. cities, 1972; Mr. Willis, Moonchildren, U.S. cities, 1974; Hector, Foxfire, with the Tyrone Guthrie Theatre Company, U.S. cities, 1985; Old Man, Fool for Love, with the Circle Repertory Company, Japanese cities, 1985. FILM DEBUT—Father Steele, The Rosary Murders, New Line Cinema, 1987. TELEVISION DEBUT—Malcolm Granger, The Guiding Light, CBS, 1976. PRINCIPAL TELEVISION APPEARANCES—Episodic: Zeke, Legwork, CBS, 1987. Movies: Hawkins, Rascals and Robbers—The Secret Adventures of Tom Sawyer andHuck Finn, CBS, 1982; Al, Stone Pillow, CBS, 1985; also Mr. O'Brian, Mystery at Fire Island, 1981. RELATED CAREER—Performer, Eugene O'Neill Playwright's Conference, Waterford, CT, 1975; member, Circle Repertory Company. ADDRESSES: AGENT—Peggy Hadley Enterprises Ltd., 250 W. 57th Street, New York, NY 10107.

JOE SENECA

Spenser: For Hire, ABC, 1985; Ben Dumfy, "Dorothy and Son," Amazing Stories, NBC, 1986; Alvin, The Golden Girls, NBC, 1987; Dr. Haynes, The Cosby Show, NBC, 1987; Victor, Mr. President, Fox, 1987; Wailing Eddie "T" Thompson, 227, NBC, 1988; Eddie "Cougar" Haynes, Matlock, NBC, 1989; Fossil, The Equalizer, CBS, 1989; portrait voice, A Man Called Hawk, ABC, 1989; also "Solomon Northup's Odyssey," American Playhouse, PBS, 1985. Movies: Ed Rudolph, Wilma, NBC, 1977; Reverend Keys, Samaritan: The Mitch Snyder Story, CBS, 1986; doorman, The Tenth Month, CBS, 1979; boxer, Terrible Joe Moran, CBS, 1984; Clatoo, A Gathering of Old Men, CBS, 1987; Joseph, Tarzan in Manhattan (also known as Tarzan in New York and Tarzan of Manhattan), CBS, 1989. Specials: Levi Pearson, With All Deliberate Speed, CBS, 1976; NAACP Image Awards, NBC, 1987; Gordon Parks: Moments Without Proper Names, PBS, 1988. Also appeared in The House of Dies Drear.

SENECA, Joe VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Crooks, Of Mice and Men, Brooks Atkinson Theatre, New York City, 1974; Peter, Les B lanes, AMD A Studio One, New York City, 1980; Cal, The Little Foxes, Martin Beck Theatre, New York City, then Center Theatre Group, Ahmanson Theatre, Los Angeles, both 1981; Dodd's father and headwaiter, Rhinestone, Richard Allen Center, New York City, 1982; Cutler, Ma Rainey's Black Bottom, Yale Repertory Theatre, New Haven, CT, then Cort Theatre, New York City, both 1984. Also appeared in Sizwe Banzi Is Dead, Pittsburgh Public Theatre, Pittsburgh, PA, then Studio Arena Theatre, Buffalo, NY, both 1976; and in Sizwe Banzi Is Dead and Statements After an Arrest Under the Immorality Act (double-bill), George Street Playhouse, New Brunswick, NJ, 1978.

RELATED CAREER—Singer with a satirical singing group the Three Riffs, performing at Le Ruban Bleu, New York City, during the 1950s; songwriter during the 1950s and 1960s.

PRINCIPAL FILM APPEARANCES—Partygoer, Kramer vs. Kramer, Columbia, 1979; Dr. Thompson, The Verdict, Twentieth CenturyFox, 1982; Santiago, The Evil That Men Do, Tri-Star, 1984; Ezra, Silverado, Columbia, 1985',Nimrod, Heart of the Garden, Roland, 1985; Willie Brown, Crossroads, Columbia, 1986; Ferryman, Big Shots, Twentieth Century-Fox, 1987; Dr. Meddows, The Blob, Tri-Star, 1988; President McPherson, School Daze, Columbia, 1988.

WRITINGS: FILM—Composer (with Ry Cooder), "Willie Brown Blues" (song), Crossroads, Columbia, 1986. TELEVISION—Series: Sesame Street, PBS, 1970-73. AWARDS: NAACP Image Award nominations for Crossroads and Amazing Stories. ADDRESSES: AGENT—Dulcina Eisen Associates, 154 E. 61st Street, New York, NY 10021.

PRINCIPAL TELEVISION APPEARANCES—Episodic: Joe Adams, 387

SERBAN SERBAN, Andrei

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1943-

both 1977; Fragments of a Greek Trilogy, La Mama Experimental Theatre Club, New York City, 1987.

PERSONAL: Full name, Andrei George Serban; born June 21, 1943, in Bucharest, Romania; son of George and Elpis (Lichardopu) Serban; immigrated to the United States in 1969. EDUCATION— Attended the Theatre Institute of Bucharest, 1963-68; also attended the University of Bucharest.

AWARDS: European Festival Awards, 1972, 1973, and 1975; Obie Award from the Village Voice, 1975, for distinguished direction of Greek tragedy; Outer Critics' Circle Award, 1977, for The Cherry Orchard; Drama Desk Award, 1975, for Medea; Ford Foundation fellowship, 1969-70; Guggenheim fellowship, 1976-77.

VOCATION: Director. ADDRESSES: OFFICE—35 E. 10th Street, New York, NY 10003.* CAREER: Also see WRITINGS below. FIRST OFF-OFF-BROADWAY WORK—Director, Arden of Faver sham, La Mama Experimental Theatre Club, 1970. FIRST LONDON WORK—Director, The Umbrellas of Cherbourg, Phoenix Theatre, 1980. PRINCIPAL STAGE WORK—All as director, unless indicated: The Trojan Women, Medea, and Electra, all La Mama Experimental Theatre Club (E.T.C.), New York City, 1974-76; The Good Woman of Setzuan, LaMamaE.T.C., 1915; As You Like It, LaMamaE.T.C., 1976; The Cherry Orchard, New York Shakespeare Festival (NYSF), Vivian Beaumont Theatre, New York City, 1977; Agamemnon, NYSF, Vivian Beaumont Theatre, then Delacorte Theatre, New York City, both 1977; The Ghost Sonata, Yale Repertory Theatre, New Haven, CT, 1977; Sganarelle: An Evening ofMoliere Farces, Yale Repertory Theatre, then NYSF, Public Theatre, New York City, both 1978; (also set designer) The Master and Margarita, NYSF, Public Theatre, 1978; The Umbrellas of Cherbourg and Happy Days, both NYSF, Public Theatre, 1979.

SHACKELFORD, Ted

1946-

PERSONAL: Born June 23, 1946, in Oklahoma City, OK; son of Paul Olden (a physician) and Mary Jane (Kennedy) Shackelford; married Janis M. Leverenz, August 6, 1976. EDUCATION—Attended Westminster College, 1964-67; University of Denver, B.A., English and theatre, 1969. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Murder Among Friends, Biltmore Theatre, New York City, 1975; also appeared in productions of Hogan's Goat, The Night of the Iguana, Bus Stop, Sunday in New York, My Three Angels, and The Pleasure of His Company, all in Denver, CO, 1972-74; also Key Exchange, Santa Barbara, CA.

The Seagull, NYSF, Public Theatre, 1980; Sganarelle, American Repertory Theatre, Cambridge, MA, \9S\;Zastrozzi, NYSF, Public Theatre, 1982; The Three Sisters, American Repertory Theatre, 1982; Uncle Vanya, La Mama Annex, New York City, 1983; Orpheus Descending, Circle in the Square, New York City, 1984; The King Stag and The Love of Three Oranges, both American Repertory Theatre, 1984; The Juniper Tree, American Repertory Theatre, 1985; The Marriage of Figaro, Circle in the Square, 1985; Sweet Table at the Richelieu and The Good Woman of Setzuan, both American Repertory Theatre, 1986; Fragments of a Greek Trilogy, La Mama E.T.C., 1987; Twelfth Night, American Repertory Theatre, 1989. Also directed the operas Eugene Onegin, Welsh National Opera, Cardiff, Wales, 1980; Puritani and Norma, both Welsh National Opera, 1981; The Magic Flute, Paris Opera; Turandot, Royal Opera House, London; Alcina, New York City Opera, State Theatre, New York City; and The Marriage of Figaro, Tyrone Guthrie Theatre, Minneapolis, MN.

PRINCIPAL FILM APPEARANCES—Boone, Sweet Revenge, Concorde, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Ray Gordon, Another World, NBC, 1975-76; Gary Ewing, Dallas, CBS, 197981; Gary Ewing, Knots Landing, CBS, 1979—. Pilots: Brian Klosky, The Jordan Chance, CBS, 1978; Barnes, Ebony, Ivory, and Jade, CBS, 1979; Helmut Pendl, Dirty Dozen: The Series, syndicated, 1988; Preston McMillan, Paradise, CBS, 1989. Episodic: Preston McMillan, Paradise, CBS, 1989; also Big Hawaii, NBC, 1977; Wonder Woman, CBS, 1977 and 1979; The Rockford Files, NBC; Soap, ABC; Hotel, ABC. Movies: Blain, The Defection ofSimasKudirka, CBS, 1978; Delbert Ramsey, Terror Among Us, CBC, 1981; Carlisle, Summer Fantasy, NBC, 1984; also The Love Boat: The Valentine Voyage, CBS, 1990. Specials: Battle of the Network Stars, ABC, 1983; CBS Cotton Bowl Parade, CBS, 1984; CBS Ail-American Thanksgiving Day Parade, CBS, 1985 and 1987; host, Miss America Pageant, CBS, 1988; also TV's Bloopers and Practical Jokes, NBC.

PRINCIPAL FILM WORK—Workshop sequence supervisor, Jane Austen in Manhattan, Contemporary/Cinecom International/New Yorker, 1980. RELATED CAREER—Assistant to Peter Brook, International Theatre Institute, Paris, France, 1970-71; director, La Mama Experimental Theatre Club, New York City, 1970-77; professor of drama, Carnegie Institute of Technology, Pittsburgh, PA, and Sarah Lawrence College, Bronxville, NY, both 1974; professor of drama, Paris Conservatory, Paris, France, 1975; guest professor of drama, Yale University, New Haven, CT, 1977; associate director, Yale Repertory Theatre, New Haven, CT, 1977—; resident director, American Repertory Theatre, Cambridge, MA, 1986-87.

NON-RELATED CAREER—Hotel night manager, New York City. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Hiking, playing cards, swimming, environmental activist.

WRITINGS: STAGE—All as adaptor: The Master and Margarita, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1978; (with Elizabeth Swados) Agamemnon, NYSF, Vivian Beaumont Theatre, then Delacorte Theatre, New York City,

ADDRESSES: ADDRESSES—Le Mond/Zetter Inc., 8370 Wilshire Boulevard, Suite 310, Beverly Hills, CA 90211-2333.*

388

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 SHAPIRO BBC, 1989; also Dead Head, BBC, 1984; Yes, Prime Minister, BBC, 1987, then PBS. MEMBER: Actors Centre. ADDRESSES: AGENT—Kean and Garrick, 6-8 Paved Court, The Green, Richmond, Surrey, England.

SHAPIRO, Debbie

1954-

PERSONAL: Born September 29, 1954, in Los Angeles, CA; married Beau Gravitte (an actor), 1986. EDUCATION—Graduated from Los Angeles Community College. VOCATION: Actress. CAREER: BROADWAY DEBUT—Chorus and understudy, They're Playing Our Song, Imperial Theatre, 1979. PRINCIPAL STAGE APPEARANCES—Louisa May, Spotlight, National Theatre, Washington, DC, 1978; ensemble, Perfectly Frank (revue), Helen Hayes Theatre, New York City, 1980; Julie, The New Moon in Concert, Town Hall, New York City, 1981; ensemble, They Say It's Wonderful (revue), St. Regis-Sheraton/King Cole Room, New York City, 1982; Woman #2, Blues in the Night, Rialto Theatre, New York City, 1982; the Woman, Zorba, Broadway Theatre, New York City, 1983; Lotta, Rainbow, Off Center Theatre, New York City, 1986; overture soloist, Hildy, Rosalia, Mazeppa, "Monotony" singer, and ensemble, Jerome Robbins' Broadway, Imperial Theatre, New York City, 1989. Also appeared in Swing, Washington, DC; and in Annie Get Your Gun.

MICHAEL SHALLARD

SHALLARD, Michael

1951-

MAJOR TOURS—The Woman, Zorba, U.S. cities, 1983.

PERSONAL: Born Michael Noakes, August 1, 1951, in London, England; son of Frederick and Dora Jean (Aslett) Noakes. EDUCATION—Trained for the stage at the Royal Academy of Dramatic Art.

PRINCIPAL FILM APPEARANCES—Voice characterizations, The Little Mermaid (animated), Buena Vista, 1989.

VOCATION: Actor.

PRINCIPAL TELEVISION APPEARANCES—Series: Rhonda, Trial and Error, CBS, 1988. Specials: Broadway Plays Washington! Kennedy Center Tonight, PBS, 1982.

CAREER: STAGE DEBUT—Silvius, As You Like It, New Shakespeare Company, London, 1973. PRINCIPAL STAGE APPEARANCES—Eric Smith, Funny Peculiar, Garrick Theatre, London, 1977; Chamberlain, Dirty Linen, Arts Theatre, London, 1979; Dalton, Equus, Young Vic Theatre, London, 1982; Bud, Sweet Bird of Youth, Haymarket Theatre, London, 1985; Seton Cram, Holiday, Old Vic Theatre, London, 1987; subeditor, Exclusive, Strand Theatre, London, 1989; also appeared in Harlequinade, National Theatre Company, Baltimore International Festival, Baltimore, MD, 1981; with the Theatre Royal, York, U.K., 1974; with the Leeds Playhouse, Leeds, U.K., 1975; with the National Theatre, London, 1980-81.

RELATED CAREER—Lounge singer, Ramada Inn, Darien, CT. AWARDS: Antoinette Perry Award and Drama Desk Award nomination, both Best Actress in a Musical, 1989, for Jerome Robbins' Broadway. *

SHAPIRO, Esther

MAJOR TOURS—Silvius, As You Like It, with the New Shakespeare Company, U.K. cities, 1973; Thee and Me, Harlequinade, and Caretaker, with the National Theatre Company, U.K. cities, 1980-81.

1934-

PERSONAL: Full name, Esther June Shapiro; born June 6,1934, in Brooklyn, NY; daughter of Jack and Flora (Salmoni) Mayesh; married Richard Shapiro (a producer and screenwriter), December 4, 1960; children: Florie Sonya, Eden Jacqueline. EDUCATION— University of Southern California, B.A., 1952; graduate work, University of California, Los Angeles, 1955-56.

TELEVISION DEBUT—Taffy Morgan, By the Sword Divided, BBC, 1983, then Masterpiece Theatre, PBS. PRINCIPAL TELEVISION APPEARANCES—Episodic: Adrian, Only Fools and Horses,

VOCATION: Producer and screenwriter.

389

SHAPIRO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

CAREER: Also see WRITINGS below. PRINCIPAL TELEVISION WORK—Series: Executive story consultant, Love Story, NBC, 1973-74; creator (with Richard Shapiro) and executive producer (with Richard Shapiro, Douglas S. Cramer, and Aaron Spelling), Dynasty, ABC, 1981-89; creator (with Richard Shapiro) and executive producer (with Richard Shapiro and Michael Filerman), Emerald Point, N.A.S., CBS, 1983-84; creator and executive producer (with Richard Shapiro), Dynasty II: The Colbys (also known as The Colbys), ABC, 1985-87; executive producer, HeartBeat, ABC, 1988. Pilots: Executive producer (with Richard Shapiro), When We Were Young, NBC, 1989. Movies: Producer (with Richard Shapiro), Intimate Strangers, ABC, 1977; executive producer (with Spelling and Cramer), The Three Kings, ABC, 1987; executive producer (with Spelling and Cramer), Cracked Up, ABC, 1987.

December 4, 1960; children: Florie Sonya, Eden Jacqueline. EDUCATION—University of California, Los Angeles, B.A., 1956. VOCATION: Producer and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL TELEVISION WORK—Series: Creator (with Esther Shapiro) and executive producer (with Esther Shapiro, Douglas S. Cramer, and Aaron Spelling), Dynasty, ABC, 1981-89; creator (with Esther Shapiro) and executive producer (with Esther Shapiro and Michael Filerman), Emerald Point, N.A.S., CBS, 1983-84; creator and executive producer (with Esther Shapiro), Dynasty II: The Colbys (also known as The Colbys), ABC, 1985-87. Pilots: Executive producer (with Esther Shapiro), When We Were Young, NBC, 1989. Movies: Producer (with Esther Shapiro), Intimate Strangers, ABC, 1977; producer, The Cracker Factory, ABC, 1979.

RELATED CAREER—Executive story consultant, Paramount Pictures, 1973; vice-president in charge of mini-series and novels for television, ABC-TV, 1977-79; founder (with Richard Shapiro), Richard and Esther Shapiro Productions, then Shapiro Entertainment Corporation, 1979—; steering committee, Hollywood Women's Coalition, 1984; board of directors, Los Angeles Actors Theatre, 1984; senior vice-president for creative and corporate affairs, Aaron Spelling Productions, 1986-87.

RELATED CAREER—Founder (with Esther Shapiro), Richard and Esther Shapiro Productions, then Shapiro Entertainment Corporation, 1979—. WRITINGS: FILM—The Great Scout and Cathouse Thursday (also known as Wildcat), American International, 1976. TELEVISION— Episodic: Love of Life, CBS, 1969-70; Land of the Giants, ABC, 1969-70; Dynasty, ABC, 1981-89; Emerald Point, N.A.S., CBS, 1983-84; The Colbys, ABC, 1985-86. Mini-Series: John Steinbeck's "East of Eden," ABC, 1981. Pilots: (With Esther Shapiro) When We Were Young, NBC, 1989. Movies: (With Esther Shapiro) Sarah T.: Portrait of a Teenage Alcoholic, NBC, 1975; (with Esther Shapiro) Minstrel Man, CBS, 1977; (with Esther Shapiro) Intimate Strangers, ABC, 1977; The Cracker Factory, ABC, 1979.

NON-RELATED CAREER—Board of directors, World Interdependence Fund. WRITINGS: TELEVISION—Episodic: Love of Life, CBS, 1969-70; Love Story, NBC, 1973; Dynasty, ABC, \98\-89', Emerald Point, N.A.S., CBS, 1983-84; The Colbys, ABC, 1985-86; HeartBeat, ABC, 1988. Pilots: (With Richard Shapiro) When We Were Young, NBC, 1989. Movies: (With Richard Shapiro) Sarah T.: Portrait of a Teenage Alcoholic, NBC, 1975; (with Richard Shapiro) Minstrel Man, CBS, 1977; (with Richard Shapiro) Intimate Strangers, ABC, 1977.

AWARDS: Christopher Award, International Catholic Association for Radio and Television Award, World Association of Christian Communicators Award, all 1977, and Prix Italia, 1978, all for Minstrel Man; Golden Globe, 1981, for John Steinbeck's ' 'East of Eden"; US magazine Awards, 1982 and 1983, Golden Globe, 1983, and Soap Opera Digest Award, 1984, all for Dynasty; Distinguished Community Service Award from Beverly Hills, CA, 1984.

AWARDS: Christopher Award, International Catholic Association for Radio and Television Award, World Association of Christian Communicators Award, 1977, and Prix Italia, 1978, all for Minstrel Man; US magazine Awards, 1982 and 1983, Golden Globe, 1983, and Soap Opera Digest Award, 1984, all for Dynasty; Distinguished Community Service Award from Beverly Hills, CA, 1984; Genii Award from the American Women in Radio and Television (Southern California chapter), 1985; Bullock's Wilshire Portfolio Award for Executive Women, 1985; National Women's Committee of Brandeis University Award, 1985; Leadership Award from the American Women's Economic Development Corporation.

MEMBER: Writers Guild of America—West, Academy of Television Arts and Sciences, Caucus for Producers, Writers, and Directors, American Film Institute, Regency Club. ADDRESSES: OFFICE—Shapiro Entertainment Corporation, 335 N. Maple Drive, Beverly Hills, CA 90046.*

MEMBER: Writers Guild of America—West, Academy of Television Arts and Sciences, Caucus for Producers, Writers, and Directors (trustee), American Film Institute, Regency Club.

SHAW, Run Run ADDRESSES: OFFICE—Shapiro Entertainment Corporation, 335 N. Maple Drive, Beverly Hills, CA 90046.*

1907-

PERSONAL: Born October 14, 1907, in Shanghai, China; married Wong Mee Chun, 1932 (deceased); children: Vee Meng, Dorothy, Violet, Harold. VOCATION: Producer.

SHAPIRO, Richard

1934-

CAREER: PRINCIPAL FILM WORK—All as producer, unless indicated: Madame White Snake (also known as Pai-She Chuan), Frank Lee International, 1963; The Last Woman ofShang (also known as Ta Chi), Frank Lee International, 1964; The Love Eterne (also known as Liang Shan-Po Yu Chu Ying-T'ai), Frank Lee Interna-

PERSONAL: Full name, Richard Allen Shapiro; born June 27, 1934, in Los Angeles, CA; son of Edward and Florence (Blank) Shapiro; married Esther June Mayesh (a producer and screenwriter),

390

SHEARER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

executive producer, Pursuit of Vengeance, Shaw Brothers, 1977; Delinquent Teenagers, Shaw Brothers, 1978; Island of Virgins, Shaw Brothers, 1978; executive producer, The Brave Archers, Part II, Shaw Brothers, 1978; executive producer, The Psychopath, Shaw Brothers, 1978; The Proud Twins, Shaw Brothers, 1979; Shaolin Abbot, Shaw Brothers, 1979; (with Mona Fong) Shaolin Rescuers, Shaw Brothers, 1979; Tragedy of Love, Shaw Brothers, 1979. The Convict Killer, Shaw Brothers, 1980; (with Richard Gordon and David Speechly) Horror Planet (also known as Inseminoid), Almi/Brent Walker/Embassy Home Entertainment, 1980; Two Champions of Shaolin, Shaw Brothers, 1980; Ghosts Galore, Shaw Brothers, 1982; Twinkle, Twinkle, Little Star, Shaw Brothers, 1982; On the Wrong Track, Shaw Brothers, 1983; Behind the Yellow Line, Shaw Brothers, 1984; executive producer, Prince Charming, Shaw Brothers, 1984; Girl with the Diamond Slipper, Shaw Brothers, 1985; (with Mona Fong and Wong Kar Hee) My Name Ain't Suzie, Shaw Brothers, 1985; Zuodian Yuanyang (also known as Love with the Perfect Stranger), Shaw Brothers, 1985; Carry On Doctors and Nurses, Shaw Brothers, 1985. Also produced Oriental Play girls, 1975. RELATED CAREER—Chairman, Shaw Brothers Ltd., Hong Kong, 1959—; executive chairman, Television Broadcasts Ltd., 1980—; executive chairman, TVE Holdings Ltd., 1980—. NON-RELATED CAREER—President, Hong Kong Red Cross Society, 1972—; council member, Chinese University of Hong Kong, 1977—; chairman, board of trustees, Chinese University of Hong Kong, 1983—; founder, Shaw College, Chinese University of Hong Kong, 1986. RUN RUN SHAW

AWARDS: Commander of the Order of the British Empire, 1974; knighted, 1977; Queen's Badge from the Red Cross, 1982; Commander in the Order of the Crown of Belgium, 1989. HONORARY DEGREES—University of Hong Kong, LL.D., 1980; Chinese University of Hong Kong, Doctor of Social Sciences, 1981; University of East Asia, Macau, Doctor of Social Sciences, 1985; University of Sussex, Doctor of Letters, 1987; City Polytechnic of Hong Kong, Doctor of Science, 1988; State University of New York, Stony Brook, Doctor of Humane Letters, 1989.

tiona!, 1964; (with Runme Shaw) Empress Wu (also known as WuHou), Shaw Brothers, 1965; The Enchanting Shadow (also known as Chin, Nu Yu Hun), Shaw Brothers, 1965; The Grand Substitution, Frank Lee International, 1965; The Lady General (also known as Hua Mu-Lan), Frank Lee International, 1965; The Shepherd Girl, Frank Lee International, 1965; Lovers' Rock, Shaw Brothers, 1966; Sons of Good Earth, Frank Lee International, 1967; Vermilion Door, Shaw Brothers, 1969.

ADDRESSES: OFFICE—c/o Shaw Brothers Ltd., Lot 220, Clear Water Bay Road, Kowloon, Hong Kong and Box 95638, Tsim Sha Tsui Post Office, Kowloon, Hong Kong.

Five Fingers of Death (also known as Hand of Death), Warner Brothers, \913\ManofIron, Bardene International, 1973; production supervisor, Triple Irons, National General, 1973; (with Gustave Berne) Blood Money, Shaw Brothers/Compagnia Cinematografica Champion/Midega/Harbor, 1974; The Sacred Knives of Vengeance (also known as The Killer), Warner Brothers, 1974; (with William Tennant) Cleopatra Jones and the Casino of Gold, Warner Brothers, 1975; King Gambler, Shaw Brothers, \915;Big BadSis, Shaw Brothers, 1976; (with Runme Shaw) Bruce Lee and I (also known as Bruce and /), Shaw Brothers, 1976; The Brotherhood, Shaw Brothers, 1976; The Crooks, Shaw Brothers, 1976; Deadly Angels, Shaw Brothers, 1976; Girls for Sale, Shaw Brothers, 1976; Oily Maniac, Shaw Brothers, \916; Shaolin Avenger, Shaw Brothers, 1976; The Dream of the Red Chamber, Shaw Brothers, 1976; Dreams of Eroticism, Shaw Brothers, 1977; Gang of Four, Shaw Brothers, 1911; Innocent Lust, Shaw Brothers, 1977; Judgment of an Assassin, Shaw Brothers, 1977; Life Gamble, Shaw Brothers, 1911 ;The Mad Monk, Shaw Brothers, 1911 ;The Mad Monk Strikes Again, Shaw Brothers, 1977; The Brave Archer, Shaw Brothers, 1977; executive producer, The Mad Love Chase, Shaw Brothers, 1977; executive producer, The Proud Youth, Shaw Brothers, 1977;

SHEARER, Harry

1943-

PERSONAL: Bom December 23,1943, in Los Angeles, CA; son of Mack Shearer and Dora (Kohn) Warren; married Penelope Joyce Nichols, October, 1974 (divorced, 1977). EDUCATION—University of California, Los Angeles, B.A., political science, 1964; graduate studies at Harvard University, 1964-65. VOCATION: Writer, actor, director, and producer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—Beyond Therapy, Los Angeles Public Theatre, Los Angeles, 1983; Accomplice, Pasadena Playhouse, Pasadena, CA, 1989.

391

SHEEHAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

FILM DEBUT—Abbott and Costello Go to Mars, Universal, 1953. PRINCIPAL FILM APPEARANCES—David, The Robe, Twentieth Century-Fox, 1953; Pete, Real Life, Paramount, 1979; Bernie Wepner, One-Trick Pony, Warner Brothers, 1980; recruiter, The Right Stuff, Warner Brothers, 1983; Derek Smalls, This Is Spinal Tap, Embassy, 1984; voiceover, Flicks (also known asHollyweird and Loose Joints), United Film Distribution, 1987; Simon Feck, Plain Clothes, Paramount, 1988; voice of Carl Sagan, My Stepmother Is an Alien, Columbia, 1988. Also appeared in Cracking Up, American International, 1917; The Fish That Saved Pittsburgh, United Artists, 1979; Animalympics (animated), Barber Rose International, 1979; Loose Shoes (also known as Coming Attractions), Atlantic, 1980; Serial, Paramount, 1980.

NON-RELATED CAREER—Reporter, Newsweek, Los Angeles and Boston, MA, 1964-65; legislative intern, California State Assembly, 1965-66; reporter, Los Angeles Times; high school English and social studies teacher, Compton Unified School District, Compton, CA, 1966-68. WRITINGS: FILM—(With others) Cracking Up, American International, 1977; (with Albert Brooks and Monica Johnson) Real Life, Paramount, 1979; (with Christopher Guest, Michael McKean, and Rob Reiner; also composer, with Guest, McKean, and Reiner) This Is Spinal Tap, Embassy, 1984. TELEVISION—Series: Saturday Night Live, NBC, 1979-80 and 1984-85. Specials: "It's Just TV!," Cinemax Comedy Experiment, Cinemax, 1985; (with Merrill Markoe; also composer and lyricist) "This Week Indoors," Cinemax Comedy Experiment, Cinemax, 1987; (with Paul Shaffer and Tom Leopold) "Paul Shaffer: Viva Shaf Vegas," Cinemax Comedy Experiment, Cinemax, 1987; "Harry Shearer . . . The Magic of Live," HBO Comedy Hour, HBO, 1988.

TELEVISION DEBUT—The Jack Benny Show, CBS. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Not Necessarily the News, HBO, 1983; regular, Saturday Night Live, NBC, 198485. Pilots: Frankie, "It's a Small World," Studio '57, syndicated, 1957; Hippy, Serpico: The Deadly Game, NBC, 1976. Episodic: Timothy Anderson, Miami Vice, NBC, 1988; voice characterizations, The Simpsons (animated), Fox, 1990. Movies: Jack Savage, Million Dollar Infield, CBS, 1982. Specials: The TV Show, ABC, 1979; David Letterman's Late Night Film Festival, NBC, 1985; "It's Just TV!," Cinemax Comedy Experiment, Cinemax, 1985; voice characterization, Spitting Image: Down and Out in the White House, NBC, 1986; voice characterization, Down and Out with Donald Duck (animated), NBC, 1987; voice characterization, Spitting Image: The 1987Movie Awards, NBC, 1987; voice characterization, Spitting Image: The Ronnie and Nancy Show, NBC, \9S7\Not Necessarily the News .'Inside Entertainment, HBO, 1987; "This Week Indoors," Cinemax Comedy Experiment, Cinemax, 1987; "Paul Shaffer: Viva Shaf Vegas," Cinemax Comedy Experiment, Cinemax, 1987; An All-Star Celebration: The '88 Vote, ABC, 1988; "Merrill Markoe's Guide to Glamorous Living," Cinemax Comedy Experiment, Cinemax, 1988; Al Silvers, Martin Mull in Portrait of a White Marriage (also known as Portrait of a White Marriage, Martin Mull's Scenesfrom a White Marriage, and Scenes from a White Marriage), Cinemax, 1988; "Harry Shearer . . . The Magic of Live," HBO Comedy Hour, HBO, 1988; voices of Principal Skinner, Mr. Largo, Mr. Burns, and Moe, Simpsons Roasting on an Open Fire (animated), Fox, 1989; ALE Takes Over the Network, NBC, 1989.

OTHER—Contributor of articles to such publications as New West, Los Angeles Magazine and Film Comment. RECORDINGS: ALBUMS—(With the Credibility Gap) A Great Gift Idea, 1974; also (with the Credibility Gap) The Bronze Age of Radio. AWARDS: Emmy Award nominations, 1977 and 1980; ACE Award from the Cable Television Academy, 1988. ADDRESSES: AGENT—Marty Klein, Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.*

SHEEHAN, Douglas

1949-

PERSONAL: Born April 27, 1949, in Santa Monica, CA; wife's name, Cate. EDUCATION—Attended San Diego Mesa College. MILITARY—U.S. Army.

PRINCIPAL TELEVISION WORK—Specials: Creative consultant, Fernwood2-Night, syndicated, 1977; creative consultant, America 2-Night, syndicated, 1977-78; producer, The TV Show, ABC, 1979; director, "It's Just TV!," Cinemax Comedy Experiment, Cinemax, 1985; director, The History of White People in America, Cinemax, 1985; executive producer (with Paul Shaffer and Tom Leopold) and director, "Paul Shaffer: Viva Shaf Vegas," Cinemax Comedy Experiment, Cinemax, 1987; executive producer (with Merrill Markoe) and director (with Markoe), "This Week Indoors," Cinemax Comedy Experiment, Cinemax, 1987; director, Martin Mull in Portrait of a White Marriage (also known as Portrait of a White Marriage, Martin Mull's Scenes from a White Marriage, and Scenes from a White Marriage), Cinemax, 1988; executive producer (with Kevin S. Bright), "Harry Shearer . . . The Magic of Live," HBO Comedy Hour, HBO, 1988.

VOCATION: Actor. CAREER: STAGE DEBUT—Summer Repertory Theatre, Santa Rosa, CA. PRINCIPAL STAGE APPEARANCES—Nestor, Troilus and Cressida, National Shakespeare Festival, Old Globe Theatre, San Diego, CA, 1976; Bob, How the Other Half Loves, National Shakespeare Festival, Old Globe Theatre, 1978; also appeared as Sir Toby Belch, Twelfth Night, National Shakespeare Festival, Old Globe Theatre. PRINCIPAL FILM APPEARANCES—Cop, 10, Warner Brothers, 1979. PRINCIPAL TELEVISION APPEARANCES—Series: Joe Kelly, General Hospital, ABC, 1979-82; Ben Gibson, Knots Landing, CBS, 1983-87; Brian Harper, Day By Day, NBC, 1988-89. Pilots: Angel Jerry Davidson, Heaven on Earth, NBC, 1981. Episodic: Cheers, NBC, 1983; also Charlie s Angels, ABC; Kaz, CBS. Movies: Roger, Stranger in My Bed, NBC, 1987; F.B.I. Commander Gordon McNeill, In the Line of Duty: The F.B.L Murders, NBC, 1988; Specials: Battle of the Network Stars, ABC, 1984.

PRINCIPAL RADIO APPEARANCES—Series: Host, Le Show. RELATED CAREER—Writer, actor, and producer for the Credibility Gap (a comedy group), Los Angeles, 1968-76; creator of a radio program for National Public Radio, 1983.

392

SHENAR

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Bolton) Easter Parade, Metro-Goldwyn-Mayer (MGM), 1948; Nancy Goes to Rio, MGM, 1950; Annie Get Your Gun, MGM, 1950; No Questions Asked, MGM, 1951; (with Dorothy Cooper) Rich, Young, and Pretty, MGM, 1951; Three Guys Named Mike, MGM, 1951; Just This Once, MGM, 1952; (with Herbert Baker and Alfred Lewis Levitt) Dream Wife, MGM, 1953; Remains to Be Seen, MGM, 1953; You're Never Too Young, Paramount, 1955; Anything Goes, Paramount, 1956; (with Jerry Davis) Pardners, Paramount, 1956; (with Preston Sturges) The Birds and the Bees, Paramount, 1956; (with Robert Smith) The Buster Keaton Story, Paramount, 1957; (with Edmund Beloin and Maurice Richlin) All in a Night's Work, Paramount, 1961; Jumbo (also known as Billy Rose's Jumbo), MGM, 1962.

RELATED CAREER—Company member, National Shakespeare Festival, Old Globe Theatre, San Diego, CA, 1976-78; appeared in cologne advertisements as the Aramis man. AWARDS: Emmy Award nomination, Outstanding Supporting Actor in a Daytime Drama Series, 1982, and two Soap Opera Digest Readers' Poll Awards, Outstanding Actor, all for General Hospital; Soap Opera Award, Best Newcomer on Prime Time, for Knots Landing. SIDELIGHTS: RECREATIONS—Polo. ADDRESSES: AGENT—Dick Berman, The Agency, 10351 Santa Monica Boulevard, Suite 211, Los Angeles, CA 90025. PUBLICIST—Monique Moss, Levine Public Relations, 8730 Sunset Boulevard, Sixth Floor, Los Angeles, CA 90069.*

SHELDON, Sidney

TELEVISION—Pilots: Adventures of a Model, NBC, 1958; (with Tom Mankiewicz) Hart to Hart, ABC, 1979. Episodic: I Dream of Jeannie, NBC; The Patty Duke Show, ABC; "Need to Know," The Twilight Zone, CBS, 1986. OTHER—Novels: The Naked Face, Morrow, 1970; The Other Side of Midnight, Morrow, 1974; A Stranger in the Mirror, Morrow, 1976; Bloodline, Morrow, 1978; Rage of Angels, Morrow, 1980; Master of the Game, Morrow, 1982; If Tomorrow Comes, Morrow, 1985; Windmills of the Gods, Morrow, 1987; The Sands of Time, Morrow, 1988; Memories of Midnight, Morrow, 1990.

1917-

PERSONAL: Born February 11, 1917, in Chicago, IL; son of Otto (in sales) and Natalie (Marcus) Sheldon; married Jorja Curtright (an actress), March 28, 1951 (died, 1985); married Alexandra Kosoff, December, 1989; children: Mary (first marriage). EDUCATION— Attended Northwestern University for one year. MILITARY—U.S. Army Air Forces, 1941.

AWARDS: Academy Award, Best Screenplay, 1947, for The Bachelor and the Bobby-Soxer; Writers Guild of America Award, 1948, for Easter Parade; Writers Guild of America Award, 1950, for Annie Get Your Gun; Antoinette Perry Award (with Herbert and Dorothy Fields and David Shaw), Best Author of a Musical, 1959, for Redhead; also received an Edgar Award from the Mystery Writers of America.

VOCATION: Writer and producer. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Director, Dream Wife, Metro-Goldwyn-Mayer, 1953; producer (with Robert Smith) and director, The Buster Keaton Story, Paramount, 1957.

SIDELIGHTS: In addition to the films noted above for which he has written screenplays, Sidney Sheldon's novels have been adapted to such other projects as The Other Side of Midnight, Twentieth Century-Fox, \911\Bloodline, Paramount, 1979; The Naked Face, Cannon, 1984; and the television mini-series Master of the Game, CBS, 1984 and // Tomorrow Comes, CBS, 1986.

PRINCIPAL TELEVISION WORK—Series: Creator (with William Asher), The Patty Duke Show, ABC, 1963-66; creator and producer (with Claudio Guzman), / Dream ofJeannie, NBC, 1965-70; creator and executive producer, Nancy, NBC, 1970-71; creator, Hart to Hart, ABC, 1979-84. Mini-Series: Executive producer, Sidney Sheldon's "Windmills of the Gods," CBS, 1988. Movies: Executive producer, Rage of Angels, NBC, 1983; executive producer, Rage of Angels: The Story Continues, NBC, 1986.

ADDRESSES: AGENT—Bill Haber, Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212. PUBLICIST—Dick Guttman, Guttman and Pam, 8500 Wilshire Boulevard, Suite 801, Beverly Hills, CA 90211.*

RELATED CAREER—Script reader, Universal and Twentieth Century-Fox studios. NON-RELATED CAREER—Composer.

SHENAR, Paul WRITINGS: STAGE—(Adaptor with Ben Roberts) The Merry Widow, Majestic Theatre, New York City, 1943; Jackpot, Alvin Theatre, New York City, 1944; Dream with Music, Majestic Theatre, 1944; Alice in Arms, National Theatre, New York City, 1945; (with Dorothy and Herbert Fields and David Shaw) Redhead, 46th Street Theatre, New York City, 1959; Roman Candle, Cort Theatre, New York City, 1960.

1936-1989

PERSONAL: Full name, Albert Paul Shenar; born February 12, 1936, in Milwaukee, WI; died of AIDS, October 11, 1989, in West Hollywood, CA; son of Eugene Joseph and Mary Rosella (Puhek) Shenar. EDUCATION—University of Wisconsin, B.S., 1962. MILITARY—U.S. Air Force, 1954-57. VOCATION: Actor.

FILM—(With Jack Natteford) Dangerous Lady, Producers Releasing Corporation, 1941; (with Ben Roberts) South of Panama, Producers Releasing Corporation, 1941; She's in the Army, Monogram, 1942; The Bachelor and the Bobby-Soxer (also known as Bachelor Knight), RKO, 1947; (with Roberts) The Carter Case, Republic, 1947; (with Frances Goodrich, Albert Hackett, and Guy

CAREER: OFF-BROADWAY DEBUT—Michael, Pullman Car Hiawatha, Circle in the Square, 1962. BROADWAY DEBUT— Brother Julian, Tiny Alice and Baron Nikolai Lvovich Tusenbach, The Three Sisters (in repertory), both American Conservatory Theatre, American National Theatre and Academy Theatre, 1969.

393

SHERMAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 SHERMAN, Hiram

PRINCIPAL STAGE APPEARANCES—Paul, Six Characters in Search of an Author, Martinique Theatre, 1963; Brother Julian, Tiny Alice, American Conservatory Theatre, San Francisco, CA, 1966-68; title role, Oedipus Rex, American Conservatory Theatre, 1970; Eilert Lovborg, Hedda Gabler, Roundabout Theatre, New York City, 1981; Charles, Blithe Spirit, McCarter Theatre, Princeton, NJ, 1982; Mikhail Alexandrovich Rakitin, A Month in the Country and voice of the King's herald, Richard III, both Center Theatre Group, Mark Taper Forum, Los Angeles, 1983; Banquo, Macbeth, Mark Hellinger Theatre, New York City, 1988. Also appeared in Antony and Cleopatra and A Midsummer Night's Dream, both National Shakespeare Festival, San Diego, CA, 1971; Paradise Lost, American Conservatory Theatre, 1972; That Championship Season, American Conservatory Theatre, 1973; Shadow Play, American Conservatory Theatre, 1974; Ring 'round the Moon, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1975; The Heiress, Westwood Playhouse, Los Angeles; and at the Yale Repertory Theatre, New Haven, CT; Tyrone Guthrie Theatre, Minneapolis, MN; Long Wharf Theatre, New Haven, CT; and with the Lincoln Center Repertory Theatre, New York City.

1908-1989

PERSONAL: Born February 11, 1908, in Boston, MA; died of a stroke, April 11, 1989, in Springfield, IL; son of Clifford and Gwendolen (Lawrence) Sherman. EDUCATION—Attended the University of Illinois; trained for the stage with the Goodman Theatre Repertory Company. MILITARY—U.S. Navy, 1941-46. VOCATION: Actor. CAREER: STAGE DEBUT—Murderer, Le Tour de Nesle, Goodman Theatre, Chicago, IL, 1927. BRO AD WAY DEBUT—Robbin, Horse Eats Hat, Federal Theatre Project, Maxine Elliott's Theatre, 1936. LONDON DEBUT—Jeff, Brigadoon, His Majesty's Theatre, 1949. PRINCIPAL STAGE APPEARANCES—Reverend Salvation and Junior Mister, The Cradle Will Rock, Venice Theatre, New York City, 1937; Casca, Julius Caesar and Firk, The Shoemaker's Holiday, both Mercury Theatre, New York City, 1937; ensemble, Sing Out the News (revue), Music Box Theatre, New York City, 1938; Bottom, A Midsummer Night's Dream and Touchstone, As You Like It, both Globe Theatre, New York World's Fair, Flushing, NY, 1939; Ogden Quiler, Very Warm for May, Alvin Theatre, New York City, 1939; Reverend Ernest Dunwoody, Boyd's Daughter, Booth Theatre, New York City, 1940; Copmere, Mum's the Word, Belmont Theatre, New York City, 1940; Cy Blodgett, The Talley Method, Henry Miller's Theatre, New York City, 1941; Ragueneau, Cyrano de Bergerac, Alvin Theatre, 1946; Kastril, The Alchemist, City Center Theatre, New York City, 1948; Pete Murray, Town House, National Theatre, New York City, 1948; Jeff, Brigadoon, Opera House, Manchester, U.K., 1949.

MAJOR TOURS—Banquo, Macbeth, U.S. cities, 1988. MAJOR FILM APPEARANCES—Ludwig Schon, Lulu, Chase, 1978; Arobin, The End of August, Quartet, 1982; voice of Jenner, The Secret of NIMH (animated), Metro-Goldwyn-Mayer/United Artists, 1982; Joshua Adams, Deadly Force, Embassy, 1983; Alejandro Sosa, Scarf ace, Universal, 1983; Ben Gardner, Dream Lover, United Artists, 1986; Rocca, Raw Deal, De Laurentiis Entertainment Group, 1986; Colin Wentworth, The Bedroom Window, De Laurentiis Entertainment Group, 1987; David Madlock, Best Seller, Orion, 1987; Ettore Balletto, Man on Fire, Tri-Star, 1987; Laurence, The Big Blue (also known as Le Grand Bleu), Gaumont, 1988.

Philip Dupre, Four Twelves Are 48, 48th Street Theatre, New York City, 1951; Harry, / Married an Angel and Baron Popoff, The Merry Widow, both Fair Park Auditorium, Dallas, TX, 1951; David Slater, The Moon Is Blue, Harris Theatre, Chicago, IL, 1952; Cowardly Lion, The Wizard of Oz, Fair Park Auditorium, 1952; ensemble, Two's Company (revue), Alvin Theatre, 1952; Edward, Dear Charles, New Parsons Theatre, Hartford, CT, 1953; Charles Belden, The Frogs of Spring, Broadhurst Theatre, New York City, 1953; compere, Three for Tonight (revue), Plymouth Theatre, New York City, 1955; Harvey Wilson, Goodbye Again, Helen Hayes Theatre, New York City, 1956; Pompey, Measure for Measure and Hubert de Burgh, King John, both American Shakespeare Festival, Stratford, CT, 1956; Jupiter, Orpheus in the Underworld, City Center Theatre, 1956; Pompey, Measure for Measure, Phoenix Theatre, New York City, 1957; Panisse, Fanny, State Fair Music Hall, Dallas, TX, 1957; Baron Popoff, The Merry Widow, City Center Theatre, 1957; compere, International Soiree (revue), Bijou Theatre, New York City, 1958; Polonius, Hamlet, Bottom, A Midsummer Night's Dream, and shepherd and third gentleman, The Winter's Tale, all American Shakespeare Festival, 1958; Friar Laurence, Romeo and Juliet, Ford, The Merry Wives of Windsor, and Sergeant, All's Well That Ends Well, all American Shakespeare Festival, 1959.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Carrington, Roots, ABC, 1977; Roscoe Corlay, Beaulah Land, NBC, 1980. Pilots: Charles Edward Royce, Gemini Man (also known as Code Name: Minus One), NBC, 1976; Joe Silvano, Three Eyes, NBC, 1982; J. Elliott Sloan, Streets of Justice, NBC, 1985; Philip Drake, Dark Mansions, ABC, 1986; Chase, Time Out for Dad, NBC, 1987. Episodic: Matthew Lowington, Spenser: for Hire, ABC, 1985; also Paper Dolls, ABC, 1984; Dynasty, ABC, 1985; Scarecrow and Mrs. King, CBS. Movies: Crawford, The Execution of Private Slovik, NBC, 1974; Orson Welles, The Night That Panicked America, ABC, 1975; Rudi Portinari, The Keegans, CBS, 1976; James Cardone, The Hostage Heart, CBS, 1977; Nick Silcox, The Courage and the Passion, NBC, 1978; Jack Graham, Suddenly, Love, NBC, 1978; Flo Ziegfeld, Ziegfeld: The Man and His Women, NBC, 1978; Schuyler Ross, Brass, CBS, 1985; Jerry Worth, Rage of Angels: The Story Continues, NBC, 1986. Specials: De Guiche, "Cyrano de Bergerac," Great Performances, PBS, 1974. Also appeared in Richard II.

Berenger, The Killer, Seven Arts Center, New York City, 1960; ensemble, The Art of Living (revue), Criterion Theatre, London, 1960; Touchstone, As You Like It, Porter, Macbeth, and Pandarus, Troilus and Cressida, all American Shakespeare Festival, 1961; Porter, Macbeth and Pandarus, Troilus and Cressida, both American Shakespeare Festival Performance at the White House, Washington, DC, 1961; narrator, Die Lustige Witwe, Carnegie Hall, New York City, 1962; Oscar Nelson, Mary, Mary, Helen Hayes Theatre, 1963; Reverend Salvation, The Cradle Will Rock, Philharmonic Hall, New York City, 1964; Albert Denison, Everybody

RELATED CAREER—Company member and acting teacher, American Conservatory Theatre, San Francisco, CA, 1965-74; voiceover artist for television commercials. OBITUARIES AND OTHER SOURCES: Variety, October 25-31, 1989.* 394

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 SHORES

Paradise, Hawaiian Style, Paramount, 1966; Toshi O'Hara, Nobody's Perfect, Universal, 1968; Brother Tolenn, Lost Horizon, Columbia, 1973; Goro, The Yakuza (also known as Brotherhood of the Yakuza), Warner Brothers/Toei, 1975; Vice-Admiral Chuichi Nagumo, Midway (also known as Battle of Midway), Universal, 1976; Takagi, Die Hard, Twentieth Century-Fox, 1988.

Out, the Castle Is Sinking, Colonial Theatre, Boston, MA, 1964; Pinky, Family Things, Etc., Westport, CT, 1965, retitled Where's Daddy?, Billy Rose Theatre, New York City, 1966; Wingate, How Now, Dow Jones, Lunt-Fontanne Theatre, New York City, 1967; Matthew Cuthbert, Anne of Green Gables, New Theatre, London, 1969. Also appeared in a dedicatory program of one-act plays by William Saroyan and Thornton Wilder, Congress Hall, Berlin, Germany, 1957; War, Women, and Other Trivia, Shaw Festival, Niagara-on-the-Lake, ON, Canada, 1971; and with the Goodman Theatre, Chicago, IL, 1971-72.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Wizard Wong, Arthur Hailey's "The Moneychangers," NBC, 1976; Lin Tsu-Han, Once an Eagle, NBC, 1976-77. Pilots: George TiMing, The Hardy Boys, NBC, 1967; Chief Resident, U.M.C., CBS, 1969; Dr. Chen, The Questor Tapes, NBC, 1974; Thomas McCauley, Matt Helm, ABC, 1975; David Lao, The Killer Who Wouldn't Die, ABC, 1976; Takeo Chisato, Samurai, ABC, 1979; Jimmy Lee, The Renegades, ABC, 1982; also The Young Lawyers, ABC, 1969. Episodic: Major Jong, "Nightmare," The Outer Limits, ABC, 1963; A.I.O. Captain Ngo Newa, "The Inheritors," The Outer Limits, ABC, 1964; Dr. Okaua, Peaceable Kingdom, CBS, 1989; Kozo Nakasone, Jake and the Fatman, CBS, 1989. Movies: Lieutenant Takahashi, Escape to Mindanao, NBC, 1968; Field Marshall Abehata, Enola Gay, NBC, 1980; Donald Shibura, Tomorrow's Child, ABC, 1982. Specials: Doctor, Carol for Another Christmas, ABC, 1964.*

MAJOR TOURS—David Slater, The Moon Is Blue, U.S. cities, 1951-52; Charles Belden, The Frogs of Spring, U.S. cities, 1953; Philip, The Little Hut, U.S. cities, 1954; Baron Popoff, The Merry Widow, U.S. cities, 1957; Oscar Nelson, Mary, Mary, U.S. cities, 1962-63; Harbour Gage, Heart's Delight, U.S. cities, 1964. FILM DEBUT—Donald Hinchley, One Third of a Nation, Paramount, 1939. PRINCIPAL FILM APPEARANCES—English commentary, Fan-Fan the Tulip (also known as Soldier in Love), Lopert, 1952; Harry Harkness, The Solid Gold Cadillac, Columbia, 1956; Oscar Nelson, Mary, Mary, Warner Brothers, 1963; Breckenduff, Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feelin' So Sad, Paramount, 1967. PRINCIPAL TELEVISION APPEARANCES—Series: Uncle Simon, The Tammy Grimes Show, ABC, 1966. Pilots: Title role, That's Our Sherman, NBC, 1948. Episodic: Alcoa Hour, NBC; Studio One, CBS; also Prudential Family Playhouse. Specials: King of Hearts, "Alice in Wonderland," Hallmark Hall of Fame, NBC, 1955; R.H. Macy, Miracle on 34th Street, NBC, 1959; Henry Stoddard, The Man in the Dog Suit, NBC, 1960; Judge Bowling Greene, "Abe Lincoln in Illinois," Hallmark Hall of Fame, NBC, 1964.

SHORES, Del

1957-

PERSONAL: Full name, Delferd Lynn Shores; born December 3, 1957, in Winters, TX; son of William David (a Southern Baptist minister) and Loraine (a real estate broker; maiden name, Fuller) Shores; married Kelley Alexander (a coach), January 7, 1986. EDUCATION—Baylor University, B.A., journalism and Spanish, 1980.

RELATED CAREER—Master of ceremonies, American Shakespeare Festival Performance at the White House, Washington, DC, 1961; playwright.

VOCATION: Actor and writer.

AWARDS: Antoinette Perry Award, Best Supporting or Featured Actor in a Musical, 1953, for Two's Company; Antoinette Perry Award, Best Supporting or Featured Actor in a Musical, 1968, for How Now, Dow Jones.

CAREER: Also see WRITINGS below. STAGE DEBUT—Clarence Hopkins, Cheatin' , Main Stage Theatre, North Hollywood, CA, 1984. PRINCIPAL STAGE APPEARANCES—Clarence Hopkins, Cheatin , Tiffany's Attic Theatre, Kansas City, MO, 1986; Harmony Rhodes and Orville Turnover, Daddy's Dyin' (Who's Got the Will?), Theatre-Theater, Hollywood, CA, 1987-88.

OBITUARIES AND OTHER SOURCES: Variety, April 19-25, 1989.*

PRINCIPAL FILM APPEARANCES—Clarence Hopkins, Daddy's Dyin', Propaganda Films, 1989.

SHIGETA, James

TELEVISION DEBUT—Purdy Mantel, The Quick and the Dead, HBO, 1987. PRINCIPAL TELEVISION APPEARANCES—Episodic: Days of Our Lives, CBS; Divorce Court, syndicated.

1933-

PERSONAL: Born in 1933 in Hawaii.

RELATED CAREER—Actor in and provides voiceovers for television commercials.

VOCATION: Actor. WRITINGS: STAGE—Cheatin', Main Stage Theatre, North Hollywood, CA, 1984; Daddy's Dyin' (Who's Got the Will?), TheaterTheatre, Hollywood, CA, 1986, published by Samuel French Inc., 1988; Daughters of the Lone Star State, Casa Manana Theatre, Fort Worth, TX, 1990. FILM—Daddy's Dyin', Propaganda Films, 1989. TELEVISION—Pilots: Mickey and Travis, CBS, 1989. Episodic: Family Ties, NBC; Eunice, Disney Channel.

CAREER: PRINCIPAL STAGE APPEARANCES—Prince Eagle, Chu Chem, New Locust Theatre, Philadelphia, PA, 1966. PRINCIPAL FILM APPEARANCES—Detective Joe Kojaku, The Crimson Kimono, Columbia, 1959; Cheng Lu, Walk Like a Dragon, Paramount, 1960; Hidenari Terasaki, Bridge to the Sun, MetroGoldwyn-Mayer, 1961; Suzuki, Cry for Happy, Columbia, 1961; Wang Ta, Flower Drum Song, Universal, 1961; Danny Kohana,

AWARDS: Drama-Logue Award, 1985, for his performance in

395

SHOWALTER CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Knights of Song, 51st Street Theatre, 1938, for fourteen performances. PRINCIPAL STAGE APPEARANCES—Lowell Pennyfeather, Very Warm for May, Alvin Theatre, New York City, 1939; Frank Lippincott, My Sister Eileen, Martin Beck Theatre, New York City, 1941; Jake, Show Boat, Ziegfeld Theatre, New York City, 1946; George Beech wood, John Loves Mary, Booth Theatre, then Music Box Theatre, both New York City, 1947; ensemble, Make Mine Manhattan (revue), Broadhurst Theatre, New York City, 1948; Horace Vandergelder, Hello, Dolly!, St. James Theatre, New York City, 1966; Dr. Morris Ritz, The Grass Harp, Martin Beck Theatre, 1971; Captain Andy Hawks, Show Boat, Jones Beach Theatre, Long Island, NY, 1976; also appeared with the Meadow Brook Theatre, Rochester, MI, 1975-76; in workshop productions of Farenheit 451 and A Fine and Private Place, both Eugene O'Neill Theatre Center, Waterford, CT, 1986-87; as Horace Vandergelder, Hello, Dolly!, Starlight Theatre, Kansas City, MO; in Who Was That Lady?, summer theatre production, Indianapolis, IN. PRINCIPAL STAGE WORK—Producer, "My Thirteenth Year," "Bipartisan Blame,'' and (also director)' 'The Track of Our Years" in Three About Love, Chester Meeting House, Chester, CT, 1989. MAJOR TOURS—Horace Vandergelder, Hello, Dolly!, U.S. cities, 1965-66; Horace Vandergelder, Hello, Dolly!, U.S. cities, 1981; also This Is the Army, international cities, during World War II; Lend an Ear, U.S. cities; Lunatics and Lovers, U.S. cities. FILM DEBUT—Fountain pen salesman, Always Leave Them Laughing, Warner Brothers, 1949. PRINCIPAL FILM APPEARANCES— Guild, With a Song in My Heart, Twentieth Century-Fox, 1952; (as Casey Adams) Pete Bentham, My Wife's Best Friend, Twentieth

DEL SHORES

Cheatin'; Los Angeles Times, Los Angeles Reader, Los Angeles Herald Examiner, Los Angeles Daily News, Los Angeles Weekly, Seattle Times, and Seattle Post critics' awards, 1987-88, all for Daddy's Dyin' (Who's Got the Will?); Drama-Logue, Los Angeles Reader, Los Angeles Daily News, and Los Angeles Weekly critics' awards, 1988, all for Cheatin . ADDRESSES: OFFICE—c/o Warner Brothers Inc., 4000 Warner Boulevard, Production Building 1, Room 17-B, Burbank, CA 91522. MANAGER—Bobbie Edrick, Artists Circle Entertainment, 8957 Norma Place, Los Angeles, CA 90069. PUBLICIST—Virginia Mastroianni, Mastroianni Public Relations, 3166 Arizona Avenue, Suite B, Santa Monica, CA 90404.

SHOWALTER, Max

1917-

(Casey Adams)

PERSONAL: Born June 2, 1917, in Caldwell, KS; son of Ira Edward (a banker, farmer, and worker in the oil industry) and Elma Roxanna (a music teacher; maiden name, Dodson) Showalter. EDUCATION—Trained for the stage at the Pasadena Playhouse for three years. MILITARY—U.S. Army. VOCATION: Actor, composer, producer, and director. CAREER: Also see WRITINGS below. STAGE DEBUT—Lord Ansel, Knights of Song, St. Louis Municipal Opera, St. Louis, MO, 1938, for seven performances. BROADWAY DEBUT—Lord Ansel,

MAX SHOWALTER

396

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

SHOWALTER

Playhouse of Stars, CBS; Mr. Adams and Eve, CBS; The Loretta Young Show, NBC; Crossroads, ABC; Studio One, CBS; Playhouse 90, CBS; General Electric Theatre, CBS; The Twilight Zone, CBS; Perry Mason, CBS; Dr. Kildare, NBC; Gunsmoke, CBS; The Lucy Show, CBS; The Doris Day Show, CBS; Bewitched, ABC; Police Story, NBC; Kojak, CBS; Quincy, M.E., NBC; Hazel; Ford Theatre; Richard Diamond, Private Detective; Navy Log; and The Real McCoys. Movies: (As Casey Adams) Raun Kaufman, Son Rise: A Miracle of Love, NBC, 1979; Peter Schechter, Gun in the House, CBS, 1981. Specials: Jimmy Durante Meets the Lively Arts, ABC, 1965; Walter, The Lucille Ball Comedy Hour, CBS, 1967; also Ernie Kovacs on Music, NBC.

Century-Fox, 1952; (as Casey Adams) Lieutenant Moore, What Price Glory?, Twentieth Century-Fox, 1952; (as Casey Adams) Jim Logan, Dangerous Crossing, Twentieth Century-Fox, 1953; (as Casey Adams) Walter Landers, Destination Gobi, Twentieth Century-Fox, 1953; (as Casey Adams) Ray Cutler, Niagara, Twentieth Century-Fox, 1953; (as Casey Adams) Larry Evans, Vicki, Twentieth Century-Fox, 1953; (as Casey Adams) Dave Millson, Down Three Dark Streets, United Artists, 1954; (as Casey Adams) Detective Lieutenant Parks, Naked Alibi, Universal, 1954; (as Casey Adams) Frederick S. Hobart, Night People, Twentieth Century-Fox, 1954; (as Casey Adams) Billy Wilcox, The Return of Jack Slade (also known as Texas Rose), Allied Artists, 1955; (as Casey Adams) Chasen, The Indestructible Man, Allied Artists, 1956; (as Casey Adams) Andy Leonard, Never Say Goodbye, Universal, 1956; (as Casey Adams) Life reporter, Bus Stop (also known as The Wrong Kind of Girl), Twentieth Century-Fox, 1956; (as Casey Adams) Phillip Scott, Dragon Wells Massacre, Allied Artists, 1957; (as Casey Adams) Tad Johns, The Monster That Challenged the World (also known as The Monster That Challenged New York), United Artists, 1957; (as Casey Adams) Charlie Grant, The Female Animal, Universal, 1958; (as Casey Adams) Don Martin, Voice in the Mirror, Universal, 1958; (as Casey Adams) Dalleson, The Naked and the Dead, Warner Brothers, 1958; (as Casey Adams) Selwyn Harris, It Happened to Jane (also known as Twinkle and Shine), Columbia, 1959.

PRINCIPAL TELEVISION WORK—Series: Music director, Hold It Please, CBS, 1949. RELATED CAREER—Board member, Connecticut Governor's Commission for the Arts (motion picture division), 1987-89; also founder, Showaiter Music; executive board member, National Theatre of the Deaf, Chester, CT; executive board member, Eugene O'Neill Theatre Center, Waterford, CT; theatre, film, and television instructor,' 'Project Learn,'' Eugene O'Neill Theatre Center— Elderhostel, Centerbrook, CT; composer of nightclub material for such artists as Marge and Gower Champion, Celeste Holm, Mary Martin, Lucille Ball, Arthur Godfrey, and Ethel Merman; commercial voiceover artist.

(As Casey Adams) Deaf man, Elmer Gantry, United Artists, 1960; (as Casey Adams) Nick Parker, Return to Peyton Place, Twentieth Century-Fox, 1961; (as Casey Adams) Roger, Summer and Smoke, Paramount, 1961; (as Casey Adams) Tight Suit, Bon Voyage, Buena Vista, 1962; desk clerk, Move Over, Darling, Twentieth Century-Fox, 1963; BJ. Smith, My Six Loves, Paramount, 1963; Crawford, Fate Is the Hunter, Twentieth Century-Fox, 1964; Holmes, Sex and the Single Girl, Warner Brothers, 1964; Tobey Rawlins, How to Murder Your Wife, United Artists, 1965; Howard Greene, Lord Love a Duck, United Artists, 1966; Mr. Worthman, The Moonshine War, Metro-Goldwyn-Mayer (MGM), 1970; Mr. Bingham, The Anderson Tapes, Columbia, 1971; Earnest Shears, Sergeant Pepper's Lonely Hearts Club Band, Universal, 1978; minister, 10, Warner Brothers, 1979; Grandpa Fred, Sixteen Candles, Universal, 1984; Mr. Arthur, Racing with the Moon, Paramount, 1984; also (as Casey Adams) Designing Women, MGM, 1957; (as Casey Adams) The Music Man, Warner Brothers, 1962; Smog, A Talent for Loving, and Bonnie's Kids.

NON-RELATED CAREER—Painter. WRITINGS: All as composer, unless indicated. STAGE—Touch of the Child, St. Paul the Apostle Church, Los Angeles, 1982, then Bel Air, CA; Harrigan 'n' Hart, Goodspeed Opera House, Norma Terris Theatre, East Haddam, CT, 1984, then Longacre Theatre, New York City, 1985; also Little Boy Blue, El Capitan Theatre, Hollywood, CA; Joy Ride, Huntington Hartford Theatre, Hollywood, then Chicago, IL; Hermione Gingold Revue, Brattle Theatre, Cambridge, MA; Live a Little (revue), first produced in East Hampton, NY; Go for Your Gun, produced in England and Scotland. FILM—(Song contributor with Jack Woodford) With a Song in My Heart, Twentieth Century-Fox, 1952; ,(song contributor with Ken Darby) Vicki, Twentieth Century-Fox, 1953; (song adaptor) Return of Jack Slade (also known as Texas Rose), Allied Artists, 1955. TELEVISION—Episodic: The Stockard Channing Show, CBS, 1980; also Over Easy, 1982; The Chevy Show, NBC; The Jeanne Carson Show, BBC; The Lucy Show, CBS. Specials: Timefor Love, NBC, 1939; The Ray Bolger Show, NBC, 1957.

TELEVISION DEBUT—Texaco Star Theatre, NBC, 1948. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Texaco Star Theatre, NBC, 1948-49; regular, The Swift Show, NBC, 1949; Gus Clyde, The Stockard Channing Show, CBS, 1980. Pilots: (As Casey Adams) Ward Cleaver, "It's a Small World," Studio '57, syndicated, 1957; J.P. Biggey, How to Succeed in Business Without Really Trying, ABC, 1975; Dawson, Valentine's Second Chance, ABC, 1977; also It's Always Sunny, Boss of the House, Last of the Mohicans, Petticoat Marshall, Private Eyeful, and Daphne.

RECORDINGS: ALBUMS—The Grass Harp (original cast recording), Painted Smiles, 1971; 10 (original soundtrack), Warner Brothers, 1979; Do Black Patent Leather Shoes Really Reflect Up?, Columbia, 1986; The Secret Garden (original soundtrack), Columbia, 1987; also Kenward Elmslie Visited, Painted Smiles.

Episodic: Young Broadway, NBC, 1949; (as Casey Adams) General Electric Summer Originals, ABC, 1956; (as Casey Adams) O. Henry Playhouse, syndicated, 1957; (as Casey Adams) The David Niven Show, NBC, 1959; (as Casey Adams) Ralph Mason, The Andy Griffith Show, CBS, 1961; The Bob Newhart Show, CBS, 1977; W.E.B., NBC, 1978; The Incredible Hulk, CBS, 1981; Few/ Play, ABC, 1981; The Love Boat, ABC, 1983; also Over Easy, 1982; Matinee Theatre, NBC; The Milton Eerie Show, NBC; The Jack Sterling Show, CBS; Star Stage, NEC; My Favorite Husband, CBS; The Phil Silvers Show, CBS; Private Secretary, CBS; Schlitz

MEMBER: American Society of Composers, Authors, and Publishers (1952—), Players Club. AWARDS: Composers' Award from the American Society of Composers, Authors, and Publishers, 1985, for Harrigan 'n' Hart; elected to the Kansas Historical Society Hall of Fame, 1985. ADDRESSES: AGENT—International Creative Management, 40 W. 57th Street, New York, NY 10019.

397

SHYER SHYER, Charles

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1941-

Mafia and Da New York: Mafia uccide), Goldstone, 1965; title role, The Return of Mr. Moto, Twentieth Century-Fox, 1965; Joaquin, The Reward, Twentieth Century-Fox, 1965; Crazy Knife, The Plainsman, Universal, 1966; Mendez, The Hills Run Red (also known as Un flume di dollari and A River of Dollars), United Artists, 1967; Hank Norris, Matchless, United Artists, 1967; Frank Boley, Never a Dull Moment, Buena Vista, 1968.

PERSONAL: Full name, Charles Richard Shyer; born October 11, 1941, in Los Angeles, CA; son of Melville Shyer and Lois Jones. VOCATION: Producer, director, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM WORK— Producer (with Goldie Hawn, Nancy Meyers, and Harvey Miller), Private Benjamin, Warner Brothers, 1980; director, Irreconcilable Differences, Warner Brothers, 1984; producer (with Meyers) and director, Baby Boom, Metro-Goldwyn-Mayer/United Artists, 1987.

Chatto, The Animals, XYZ, 1971; Caine, Man and Boy, Levitt/ Pickman, 1972; Dave, The Italian Connection (also known as La mala ordina and Manhunt), American International, 1973; Everett, Les Hommes (also known as The Men), Cocinor, 1973; Inspector Walter Grandi, Milano odia: La polizia non puo' sparare (also known as Almost Human), Joseph Brenner Associates, 1974; Zeke Springer, Shoot, AVCO-Embassy, 1976; Kane, Buck Rogers in the 25th Century, Universal, 1979; Vittorio Farroni, Love and Bullets, Associated Film Distribution, 1979; Dr. Gauss, Thirst, New Line Cinema, 1979; Colonel Brock, Alligator, Group 1, 1980; Garland, Virus, Media, 1980; Henry Chatwill, Trapped, Video Film Organization, 1981;Guerera, Megaforce, Twentieth Century-Fox, 1982; Billy Score, Sharky's Machine, Warner Brothers, 1982; Rafeeq, Wrong Is Right (also known as The Man with the Deadly Lens), Columbia, 1982; Lester, Chained Heat, Jensen Farley, 1983; Slim, Cannonball Run II, Warner Brothers, 1984; Luis Comacho, Code of Silence, Orion, 1985; Wangler, Escape from the Bronx, New Line Cinema, 1985; Bernardo, Lust in the Dust, New World, 1985; prison boss, The Manhunt, Samuel Goldwyn, 1986; Kirk Cooper, The Violent Breed, Metro-Goldwyn-Mayer/United Artists, 1986; Agon, Allan Quatermain and the Lost City of Gold, Cannon, 1987; Colonel Kartiff, Bulletproof, Cinetel, 1981 ;Zagon, Above the Law, Warner Brothers, 1988. Also appeared in Crowded Paradise, Tudor, \956; Assassination, 1967; The Kidnap of Mary Lou, 1974; L' uomo della stradafa giustizia, 1976; Eviolenti, 1976; Le Marginal (also known as The Outsider), Roissy/Gaumont/Cerito-Rene Chateau, 1983; Amazon Women on the Moon, Universal, 1987; Beverly Hills Brats, Skouras/Taurus Entertainment, 1989.

PRINCIPAL TELEVISION WORK—Pilots: Producer (with Alan Mandel), Cops, CBS, 1973; executive producer (with Nancy Meyers) and director, Baby Boom, NBC, 1988. WRITINGS: FILM—(With James Lee Barret and Alan Mandel) Smokey and the Bandit, Universal, 1977; (with Mandel, John Herman Shanner, and Al Ramrus) Goin' South, Paramount, 1978; (with Mandel, Max Shulman, and Julius J. Epstein) House Calls, Universal, 1978; (with Nancy Meyers and Harvey Miller) Private Benjamin, Warner Brothers, 1980; (with Meyers) Irreconcilable Differences, Warner Brothers, 1984; (with Buck Henry) Protocol, Warner Brothers, 1984; (with Meyers) Baby Boom, Metro-GoldwynMayer/United Artists, 1987. TELEVISION—Pilots: (With Mandel and Dean Hargrove) Lady Luck, NBC, 1973; (with Meyers) Baby Boom, NBC, 1988. Episodic: The Partridge Family, ABC. AWARDS: Academy Award nomination, Best Screenplay Written Directly for the Screen, and Writers Guild of America-West Award, Best Original Screenplay, both 1980, for Private Benjamin. MEMBER: Academy of Motion Picture Arts and Sciences, Writers Guild of America-West, Directors Guild of America, American Society of Composers, Authors, and Publishers.*

PERSONAL: Born in 1928 in Brooklyn NY. EDUCATION—Trained for the stage with the Group Theatre and the Actors' Studio.

PRINCIPAL TELEVISION APPEARANCES—Series: Kane, Buck Rogers in the 25th Century, NBC, 1979. Pilots: Matt Elder, Weapons Man (broadcast as an episode of Stoney Burke), ABC, 1963. Episodic: General Juan Mercuric, "Tourist Attraction," The Outer Limits, ABC, 1963; Chino Rivera, "The Mice," The Outer Limits, ABC, 1964; also "Dark Legacy," Thriller, NBC, 1961; Voyage to the Bottom of the Sea, ABC, 1965; "The Doll," Night Gallery, NBC, 1971. Movies: Moon, Black Noon, CBS, 1971; "Deek" La Costa, Drive Hard, Drive Fast, NBC, 1973; Roberto Obregon, Contract on Cherry Street, NBC, 1977; Sinclair, Happy, CBS, 1983.

VOCATION: Actor.

NON-RELATED CAREER—Delivery boy and longshoreman.

CAREER: PRINCIPAL FILM APPEARANCES—Hernandez, Viva Zapata!, Twentieth Century-Fox, 1952; Mother, A Hatful of Rain, Twentieth Century-Fox, 1957; Chink, The Tall T, Columbia, 1957; Lujan, The Bravados, Twentieth Century-Fox, 1958; Rennie, The Law and Jake Wade, Metro-Goldwyn-Mayer, 1958; Sam Teeler, Ride a Crooked Trail, Universal, 1958; Kua-Ko, Green Mansions, Metro-Goldwyn-Mayer, 1959; Lordan, The Jayhawkers, Paramount, 1959; Maximilian, Cinderfella, Paramount, 1960; Roger Corneal, Ocean's Eleven, Warner Brothers, 1960; Chunjim, The Manchurian Candidate, United Artists, 1962; Mountain Hawk, Sergeants 3, United Artists, 1962; Colonel Garcia, A Gathering of Eagles, Universal, 1963; Johnny Cool/Giordano, Johnny Cool, United Artists, 1963; John Durell, The Secret Invasion, United Artists, 1964; Schaft, Hail Mafia (also known as Je vous salue

ADDRESSES: OFFICE—5226 Backford Avenue, Tarzana, CA 91356.*

SILVA, Henry

1928-

SILVER, Joe

1922-1989

PERSONAL: Born September 28, 1922, in Chicago, IL; died of a heart attack, February 27, 1989, in New York, NY; son of Morris (in sales) and Sonja (in sales) Silver; married Chevi Colton (an actress), January 8, 1950; children: Christopher, Jennifer. EDUCATION—Attended the University of Wisconsin, 1940-42; trained for

398

CONTEMPORARY

SIMMONS

THEATRE, FILM, AND TELEVISION • Volume 8

Deathtrap, Warner Brothers, 1982; Uncle Stu, Almost You, TLC, 1984; Abe Mitgang, The Gig, The Gig Company, 1985; voice of Creep, Creepshow2, New World, 1987; Lazer Fish, Mr. Nice Guy, Shapiro Entertainment, 1987; pawnbroker, Magic Sticks, Wolfgang Odentahl Filmproduktion/Tale Film, 1987; Morosini, Switching Channels, Tri-Star, 1988.

the stage at the American Theatre Wing, 1946-47. MILITARY— U.S. Army, Signal Corps, high speed code operator, sergeant, 1944-46. VOCATION: Actor and director. CAREER: BROADWAY DEBUT—Lov Bensey, Tobacco Road, Forrest Theatre, 1942. PRINCIPAL STAGE APPEARANCES—Burton Snead, Heads or Tails, Cort Theatre, New York City, 1947; Aldobrandini, Lamp at Midnight, New Stages Theatre, New York City, 1947; Dubois, The Victors, Gad, The Sun and I, and man, Blood Wedding, all New Stages Theatre, 1949; waiter, Nature's Way, Coronet Theatre, New York City, 1957; Weber, Gypsy, Broadway Theatre, New York City, 1959; Squire Hardcastle, O Marry Me!, Gate Theatre, New York City, 1961; Phil Barr, The Heroine, Lyceum Theatre, New York City, 1963; Harry Grossman, The Zulu and the Zayda, Cort Theatre, 1965; Herb Miller, "The Shock of Recognition" in You Know I Can't Hear You When the Water's Running, Ambassador Theatre, New York City, 1967; ensemble, Jacques Brel Is Alive and Well and Living in Paris (revue), Village Gate Theatre, New York City, 1968.

TELEVISION DEBUT—Panelist, What's It Worth?, CBS, 1947. PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The 54th Street Revue, CBS, 1949-50; regular, Mr. I Magination, CBS, 1949-52; regular, Joey Faye's Frolics, CBS, 1950; regular, Ad Libbers, CBS, 1951; regular, The Red Buttons Show, CBS, 1952-54, then NBC, 1954-55; voice characterization, Captain Jet (animated), CBS, 1954; voice characterization, Space Funnies (animated), CBS, 1959-60; Max Spier, Coronet Blue, CBS, 1967; Jack Stewart, Fay, NBC, 1975-76; also Elliott Silverstein, Ryan's Hope, ABC; Love of Life, CBS. Pilots: Max, Starstruck, CBS, 1979. Episodic: Dzershinsky, The Equalizer, CBS, 1985; Guzman, Spenser: For Hire, ABC, 1986; also Studio One, CBS, 1949; Winston Telefinds, CBS, 1949; Gunsmoke, CBS, 1972; Love, American Style, ABC, 1972; The Phil Silvers Show, CBS; Alice, CBS. Movies: Alvin Jessop, Crash, ABC, 1978; Arnie, Illusions, CBS, 1983. Specials: Voice of Teacher and Noah, "It's a Brand New World" (animated), Special Treat, NBC, 1977.

Julius Katz, The Shrinking Bride, Mercury Theatre, New York City, 1971; judge, Sherman Hart, general, vampire priest, plainclothesman, Mr. Wollenstein, and photographer, Lenny, Brooks Atkinson Theatre, New York City, 1971; narrator, Bits and Pieces, Manhattan Theatre Club, New York City, 1974; Moe, Cakes with the Wine, New Dramatists Inc., New York City, 1974; host, Encore, National Musical Theatre, St. Malachy's Theatre, New York City, 1979; Garry Allen, The Roast, Winter Garden Theatre, New York City, 1980; Mendele, the book seller, and bandit, The World of Sholom Aleichem, Rialto Theatre, New York City, 1982; Max, The Homecoming, Jewish Repertory Theatre, New York City, 1984; Joseph Parmigian, Cold Storage, Jewish Repertory Theatre, 1984-85; Hinson, Rich Relations, Second Stage Theatre, New York City, 1986; Fleischer, Old Business, New York Shakespeare Festival, Public Theatre, New York City, 1987; Arnold Rothstein, Legs Diamond, Mark Hellinger Theatre, New York City, 1988. Also appeared in See My Lawyer and Boy Meets Girl, both Adams Theatre, Newark, NJ, 1943; The Goldfish Bowl, Theatre Showcase, New York City, 1943; The Octoroon, Putnam County Playhouse, Lake Mahopac, NY, 1946; The Terrorists, Carnegie Hall, New York City, 1948; Nobody Starts Out to Be a Pirate, Whole Theatre Company, Montclair, NJ, 1983; Teahouse of the August Moon and I'm Not Rappaport, both Burt Reynolds' Jupiter Theatre, Jupiter, FL, 1987; Joseph and His Brethren and Family Pieces, both New York City.

RELATED CAREER—As a member of the Wry Guys (a comedy trio), appeared at the Embassy Club, New York City, 1946; commercial spokesman on radio and television, 1950-1989; actor in more than 1,000 television programs. NON-RELATED CAREER—Shoe salesman and hospital orderly. AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actor in a Play, 1972, for Lenny. OBITUARIES AND OTHER SOURCES: Variety, March 1-7, 1989; Jersey Journal, February 28, 1989; New York Times, February 28, 1989.*

SIMMONS, Gene

1949-

PRINCIPAL STAGE WORK—Director, Shoe Store, Equity Library Theatre, New York City, 1971; director, The Rabinowitz Gambit, New Dramatists Inc., New York City, 1974.

PERSONAL: Born Gene Klein, August 25, 1949, in Haifa, Israel (some sources say Queens, NY); immigrated to the United States in 1958; naturalized U.S. citizen, 1963; children: one son (with Shannon Tweed; an actress). EDUCATION—State University of New York, A.B.A., 1970; City University of New York, B.A., 1972.

MAJOR TOURS—The Bellboy, Doughgirls, U.S. cities, 1943.

VOCATION: Musician, singer, and actor.

PRINCIPAL FILM APPEARANCES—Charlie Barrett, Diary of a Bachelor, American International, 1964; Oscar, Move, Twentieth Century-Fox, 1970; Dr. Spangler, Klute, Warner Brothers, 1971; Farber, The Apprenticeship of Duddy Kravitz, Paramount, 1974; Norman, Rhinoceros, American Film Theatre, 1974; Rollo Linsky, They Came from Within (also known as The Parasite Murders, Frissons, and Shivers), American International, 1976; Murray Cypher, Rabid (also known as Rage), New World, 1976; voice of the Greedy, Raggedy Ann and Andy (animated), Twentieth Century-Fox, 1977; Si Robinson, You Light Up My Life, Columbia, 1977; Leo, Boardwalk, Atlantic Releasing, 1979; Seymour Starger,

CAREER: PRINCIPAL FILM APPEARANCES—Dr. Charles Luther, Runaway, Tri-Star, 1984; Velvet Von Ragner and Carruther, Never Too Young to Die, Paul Entertainment, 1986; Nuke, Trick or Treat, De Laurentiis Entertainment Group, 1986; Malak Al Rahim, Wanted: Dead or Alive, New World, 1987; as himself, The Decline of Western Civilization, PartII: The Metal Years (documentary), New Line, 1988. PRINCIPAL TELEVISION APPEARANCES—Movies: KISS Meets the Phantom of the Park (also known as Attack of the Phantoms), NBC, 1978. 399

SIROLA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

RELATED CAREER—Co-founder, bass guitarist, and vocalist with the rock group, KISS, 1973—. RECORDINGS: ALBUMS—Gene Simmons, Casablanca, 1978. With KISS: KISS, Casablanca, 1974; Hotter Than Hell, Casablanca, 1974; Dressed to Kill, Casablanca, 1975; Alive, Casablanca, 1975; Destroyer, Casablanca, 1976; The Originals, Casablanca, 1976; Rock and Roll Over, Casablanca, 1976; Love Gun, Casablanca, 1977; KISS Alive II, Casablanca, \911\Dynasty, Casablanca, 1979; Unmasked, Casablanca, 1980; The Elder, Casablanca, 1981; Creatures of the Night, Casablanca, 1982; Lick It Up, Mercury, 1983; Animalize, Mercury, 1984; Asylum, Mercury, 1985; Crazy Nights, Mercury, 1987. SINGLES—With KISS: "Rock and Roll All Night," Casablanca, 1975; ''Shout It Out Loud," Casablanca, 1976; "Beth," Casablanca, 1976; "Hard Luck Woman," Casablanca, 1977; "Calling Dr. Love," Casablanca, 1977; "Christine Sixteen," Casablanca, 1977; "Rocket Ride," Casablanca, 1978; "I Was Made for Lovin' You," Casablanca, 1979. AWARDS: With the group KISS, received sixteen Gold Record Albums (indicating sales in excess of 500,000 copies), twelve Platinum Record Albums (indicating sales in excess of one million copies), and two Gold Single Records (indicating sales in excess of one million copies). MEMBER: American Federation of Musicians, American Federation of Television and Radio Artists, American Society of Composers, Authors, and Publishers. SIDELIGHTS: Inventor of the Axe bass guitar, 1980.*

JOSEPH SIROLA

O'Shaughnessy, The Super Cops, Metro-Goldwyn-Mayer/United Artists, 1974.

SIROLA, Joseph

1929-

TELEVISION DEBUT—"Notes from the Underground," Camera Three, CBS, 1958. PRINCIPAL TELEVISION APPEARANCES— Series: Peter Nino, The Brighter Day, CBS, 1959-60; Dominick, The Magician, NBC, 1973-74; Tony Montefusco, The Montefuscos, NBC, 1975; Sal Lupo, Wolf, CBS, 1989. Mini-Series: Ozymandias, Washington: Behind Closed Doors, ABC, 1977. Pilots: Guthrie, High Risk, ABC, 1976; George Carriere, The Rowdies, NBC, 1986. Episodic: Vincent, The Untouchables, ABC, 1961; Thomas Paine, Meeting of Minds, PBS, 1977; Judge Locke, Ohara, ABC, 1987; also Love, American Style, ABC; Get Smart, NBC; Rhoda, CBS; Quincy, M.E., NEC; Matt Houston, ABC; Mission: Impossible, CBS-Hawaii Five-0, CBS; The Man from U.N.C.L.E., NBC; The Rockford Files, NBC; Charlie's Angels, ABC; Riptide, NBC; The A-Team, NBC; Kojak, CBS. Movies: George Simpson, Visions . . . (also known as Visions of Death), CBS, 1972; Detective Sloane, Cry Rape!, CBS, 1973; Adolfo, Swan Song, ABC, 1980; Capo, Terrible Joe Moran, CBS, 1984.

PERSONAL: Born October 7, 1929, in New York, NY; son of Anthony (a carpenter) and Ana (Dubrovich) Sirola. EDUCATION— Columbia University, B.A., business, then M.A., 1951. MILITARY—U.S. Army, 1952. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Dr. Ordway, Child of the Morning, Blackfriar's Theatre, 1954, for one hundred performances. BROADWAY DEBUT—Christmas Morgan, The Unsinkable Molly Brown, Winter Garden Theatre, 1960, for four hundred performances. PRINCIPAL STAGE APPEARANCES—Ward Donahue, Song for a Certain Midnight, Jan Hus Playhouse, New York City, 1959; Lou Garrity, Golden Rainbow, Shubert Theatre, New York City, 1968; also appeared as Ludlow Lowell, PalJoey, New York City; Stanley, A Streetcar Named Desire, Maurice Duclos, Fallen Angels, Quilary, Idiot's Delight, Insigna, Mr. Roberts, and in Phaedra, all summer theatre productions.

RELATED CAREER—Voiceover commercial spokesman for radio and television including the "I Love New York" campaign; performed in The 19th Hole (golf video), Joy and Roses Incorporated.

FILM DEBUT—Petracini, Strange Bedfellows, Universal, 1965. PRINCIPAL FILM APPEARANCES—Dumah, The Greatest Story Ever Told, United Artists, 1965; Baldwin, Chuka, Paramount, 1967; Reno, Hang 'em High, United Artists, 1968; Sal Dekker, The Delta Factor, Continental Distributing, 1970; Reverend Williams, Hail (also known as Hail to the Chief and Washington B.C.), Hail, 1973; Charlie, Seizure, American International, 1974; Lieutenant

NON-RELATED CAREER—Executive, Kimberly-Clark Corporation; president, Smylon Corporation; developer (with Bud Westmore) of a dental stain eraser; artist specializing in sketching and oil painting. AWARDS: Received more than 25 Clio Awards and numerous 400

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

SKELTON

Dobson, Haifa Hero, MGM, 1953; drunk, Around the World in Eighty Days, United Artists, 1956; Rusty Morgan, Public Pigeon Number One, Universal, 1957; client, Ocean's Eleven, Warner Brothers, 1960; Neanderthal man, Those Magnificent Men in Their Flying Machines; or, How I Flew from London to Paris in TwentyFive Hours and Eleven Minutes (also known as Those Magnificent Men in Their Flying Machines), Twentieth Century-Fox, 1965.

Andy Awards for commercial voiceover work. MILITARY HONORS—Bronze Star and Commendation Medal. SIDELIGHTS: RECREATIONS-^wirnming, skiing, horseback riding, golf, tennis, gourmet cooking, cultivating roses, and maintaining his large rooftop garden. ADDRESSES: AGENT—Mike Eisenstadt, Fred Amsel and Associates, 6310 San Vicente Boulevard, Suite 407, Los Angeles, CA, 90048.

PRINCIPAL TELEVISION APPEARANCES—Series: Host, The Red Skelton Show, NBC, 1951-53, then CBS, 1953-70, later NBC, 1970-71. Episodic: "Public Pigeon Number One," Climax!, CBS, 1955; "The Big Slide," Playhouse 90, CBS, 1956; The Lucille Ball-DesiArnazHour, CBS, 1959; "The Man in the Funny Suit," Desilu Playhouse, CBS, 1960. Specials: Host, The Red Skelton Revue, CBS, 1954; host, The Red Skelton Chevy Special, CBS, 1959; host, The Red Skelton Timex Special, CBS, 1960; host, Clown Alley, CBS, 1966; Jack Benny's 20th Anniversary Television Special, NBC, 1970; voice of Father Time and narrator, Rudolph's Shiny New Year (animated), ABC. 1976; Swing Out, Sweet Land, NBC, 1916', General Electric's All-Star Anniversary, ABC, 1978; Happy Birthday, Bob, NBC, 1978; host, TV: The Fabulous '50s, NBC, 1978; Bob Hope's All-Star Christmas Show, NBC, 1978; Sinatra—The First Forty Years, NBC, 1980; Freddy the Freeloader, Red Skelton's Christmas Dinner, HBO, 1982; host, Red Skelton's Funny Faces, HBO, 1983; host, Red Skelton: A Royal Performance, HBO, 1984; The Television Academy Hall of Fame, Fox, 1987 and 1989; The Third Annual American Comedy Awards, ABC, 1989.

SKELTON, Red 1913(Richard Skelton) PERSONAL: Born Richard Bernard Skelton, July 18, 1913, in Vincennes, IN; son of Joseph (a circus clown) and Ida Mae Skelton; married Edna Marie Still well, June 1932 (divorced, 1940); married Georgia Maurine Davis, March, 1945 (divorced, 1973); married Lothian Toland, March, 1973; children: Valentina Maris Alonso and Richard Freeman (deceased; both second marriage). EDUCATION—Attended Northwestern University. MILITARY— U.S. Army, Field Artillery, 1944-45. VOCATION: Comedian, actor, and writer.

RADIO DEBUT—The Rudy Vallee Show, 1937. PRINCIPAL RADIO APPEARANCES—Series: Host, The Red Skelton Scrapbook of Satire, NBC, 1941-53. Episodic: Avalon Time, 1939; Juvenile Jury.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—/ted Skelton in Concert, Carnegie Hall, New York City, 1977. FILM DEBUT—(As Richard Skelton) Itchy Faulkner, Having Wonderful Time, RKO, 1938. PRINCIPAL FILM APPEARANCES—Lieutenant Mugger Martin, Flight Command, Metro-Goldwyn-Mayer (MGM), 1940; Vernon Briggs, Dr. Kildare's Wedding Day (also known as Mary Names the Day), MGM, 1941; Joe "Red" Willet, Lady Be Good, MGM, 1941; Vernon Briggs, The People vs. Dr. Kildare (also known as My Life Is Yours), MGM, 1941; Wally Benton, Whistling in the Dark, MGM, 1941; Hap Hixby, Maisie Gets Her Man (also known as She Got Her Man), MGM, 1942; Red, Panama Hattie, MGM, 1942; Merton K. Kibble, Ship Ahoy, MGM, 1942; Wally Benton, Whistling in Dixie, MGM, 1942; Louis Blore and King Louis, DuBarry Was a Lady, MGM, 1943; Joseph Rivington Reynolds, IDoodlt (also known as By Hook or By Crook), MGM, 1943; as himself, Thousands Cheer, MGM, 1943; Wally Benton, Whistling in Brooklyn, MGM, 1943; Steve Elliott, Bathing Beauty, MGM, 1945; television announcer, "When Television Comes," ZiegfeldFollies, MGM, 1945; Aubrey Piper, The Show-Off, MGM, 1946; Merton Gill, Merton of the Movies, MGM, 1947; Red Jones, Fuller Brush Man (also known as That Man Mr. Jones), Columbia, 1948; Aubrey Filmore, A Southern Yankee (also known as My Hero!), MGM, 1948; Jack Spratt, Neptune's Daughter, MGM, 1949.

RELATED CAREER—Vaudeville performer and pantomime artist with the Loew's Montreal Theatre, Montreal, PQ, Canada, 1936; performer with the "Doc" R.E. Lewis traveling medicine show, with the John Lawrence Stock Company, and with the Clarence Stout Minstrels; entertainer in burlesque shows throughout the Midwest; master of ceremonies in walkathons; clown with the Hagenbeck and Wallace Circus; Las Vegas nightclub performer; entertainer in military shows during World War II and the Korean War. NON-RELATED CAREER—Short story writer; painter; mail-order catologue businessman; founder and president, Red Skelton Needy Children's Fund. WRITINGS: STAGE—Composer, Red Skelton in Concert, Carnegie Hall, New York City, 1977. TELEVISION—Series: (With others) The Red Skelton Show, NBC, 1951-53, then CBS, 195370, later NBC, 1970-71. Episodic: "I Hear America Singing," Ford Star Jubilee, CBS; Shower of Stars, CBS. Specials: (With Sherwood Schwartz, Al Schwartz, and Dave O'Brien) The Red Skelton Chevy Special, CBS, 1959; (with Hal Goldman and Larry Klein) The Red Skelton Timex Special, CBS, 1960; (with O'Brien and Mort Greene) Clown Alley, CBS, 1966; Red Skelton's Christmas Dinner, HBO, 1982; Red Skelton's Funny Faces, HBO, 1983; Red Skelton: A Royal Performance, HBO, 1984. OTHER—(Editor) A Red Skeleton in Your Closet: Ghost Stories Gay and Grim, Grosset, 1965; Red Skelton's Gertrude and Heathcliffe, Desert Publications, 1971, reprinted as Gertrude and Heathcliffe (selfillustrated), Scribner, 1974; also Clown Alley (story coloring book).

As himself, The Duchess of Idaho, MGM, 1950; Fuller brush man, The Fuller Brush Girl (also known as The Affairs of Sally), Columbia, 1950; Harry Ruby, Three Little Words, MGM, 1950; Rusty Cameron, Pop Cameron, and Grandpop Cameron, Watch the Birdie, MGM, 1950; Augustus "Red" Pirdy, The Yellow Cab Man, MGM, 1950; Joe Belden, Excuse My Dust, MGM, 1951; Cornie Quinell, Texas Carnival, MGM, 1951; Al Marsh, Lovely to Look At, MGM, 1952; Dodo Delwyn, The Clown, MGM, 1953; Ambrose C. Park, Great Diamond Robbery, MGM, 1953; Ben

AWARDS: Emmy Award, Best Comedian, 1952, for The Red 401

SLOYAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Skelton Show; Emmy Award, Outstanding Writing Achievement in Comedy, 1961, for The Red Skelton Show; Golden Globe, 1978; Cecil B. DeMille Award from the Hollywood Foreign Press Association for Outstanding Contributions to the Entertainment Industry, 1978; Governor's Award from the Academy of Television Arts and Sciences, 1986; Screen Actors Guild Achievement Award, 1987; inducted into the Television Academy Hall of Fame, 1989. HONORARY DEGREES—Ball State University, H.H.D., 1986. MILITARY HONORS—Silver Helmet Americanism Award from the American Veterans of World War II, Korea, and Vietnam, 1969; Freedom Foundation Award, 1970; National Commanders' Award from the American Legion, 1970.

Series: Spade Larkin, Centennial, NBC, 1978-79; Ronald Ziegler, Blind Ambition, CBS, 1979. Pilots: Vinnie Kovack, The Family Kovack, CBS, 1974; John David Yeager, Trouble in High Timber Country, ABC, 1980; candy man, The Asphalt Cowboy, NBC, 1980; Stein, Pros and Cons, ABC, 1986. Episodic: Mike Magill, Tenspeed and Brown Shoe, ABC, 1980; Harry Wanamaker, Misfits of Science, NBC, 1985; Don Shoop, Simon and Simon, CBS, 1986; Dr. Bryant, Highway to Heaven, NBC, 1986; Jay Taylor, The Fall Guy, ABC, 1986; Lieutenant Spoletti, Murder, She Wrote, CBS, 1986; Louie Malloy, Jack and Mike, ABC, 1986; teacher's husband, the Love Boat, ABC, 1986; Lyle Everett, Who's the Boss?, ABC, 1987; Max Drummond, Growing Pains, ABC, 1987; Butterfield, Mwrder, She Wrote, CBS, 1988; Ed Dryden, Houston Knights, CBS, 1987; Elliot Atkins, Matlock, NBC, 1988; Frank Marley, Mission: Impossible, ABC, 1988; Henry, HeartBeat, ABC, 1988; Martin Isaacson, The Bronx Zoo, NBC, 1988; Dr. Lucas Forbes, Matlock, NBC, 1989; Harv, Baywatch, NBC, 1989; Henry Colter, MacGyver, ABC, 1989; George Fraley, MacGyver, ABC, 1990; Steve Romano, Jake and theFatman, CBS, 1990; Admiral AladarJarok, Star Trek: The Next Generation, syndicated, 1990.

MEMBER: American Federation of Television and Radio Artists, Masons, American Society of Composers, Authors, and Publishers. SIDELIGHTS: RECREATIONS—Gardening, writing music, and painting. ADDRESSES: OFFICES—Van Bernard Productions, 37-715 Thompson Road, Rancho Mirage, CA 92270 and P.O. Box 136, Anza, CA 92306.*

Movies: Frankie Scamantino, Panic on the 5:22, ABC, 1974; Pete Notario, Honor Thy Father, CBS, 1973; Lubeck, The Million Dollar Rip-Off, NBC, 1976; District Attorney Asa Keyes, The Disappearance of Aimee, NBC, 1976; Tony Bonelli, Act of Violence, CBS, 1979; Eddie Rodelo, The Violation of Sarah McDavid, CBS, 1981; Bubba Wrench, Gallic and Son, CBS, 1981; John Malloy, Prime Suspect, CBS, 1982; Sheriff John Thomas, Amos, CBS, 1985; Roger Gaines, Vital Signs, CBS, 1986; Fred Wapner, The Billionaire Boys Club, NBC, 1987; Dr. Zach Emerson, Bigfoot, ABC, 1987; Wardell, Her Secret Life, ABC, 1987; Lou McClinton, Who Gets the Friends?, CBS, 1988.

SLOYAN, James PERSONAL: Full name, James J. Sloyan; born February 24, in Indianapolis, IN. VOCATION: Actor and fight choreographer. CAREER: PRINCIPAL STAGE APPEARANCES—(As James J. Sloyan) King's master-at-arms, Henry V, and one of the madcaps and strolling players, The Taming of the Shrew, both New York Shakespeare Festival (NYSF), Delacorte Mobile Theatre, New York City, 1965; (as James J. Sloyan) Guilderstone, Hamlet, NYSF, Public Theatre, New York City, 1967; understudy, Spitting Image, Theatre De Lys, New York City, 1969; (as James J. Sloyan) Neil Lapides, Spiro Who?, Tambellini's Gate Theatre, New York City, 1969; (as James J. Sloyan) Mike, A Dream Out of Time, Promenade Theatre, New York City, 1970; (as James J. Sloyan) Dale Harding, One Flew Over the Cuckoo's Nest, Mercer-Hansberry Theatre, New York City, 1971. Also appeared in Gethsemane Springs, Center Theatre Group, Mark Taper Forum, Los Angeles, 1977.

ADDRESSES: AGENTS—The Ambrose Company, 1466 Broadway, New York, NY 10036; Gores/Fields Agency, 10100 Santa Monica Boulevard, Suite 700, Los Angeles, CA 90067.*

SMITH, Derek David 1959PERSONAL: Born Derek Smith, December 4, 1959, in Seattle, WA; son of David Warren (a sales representative) and Shirley Yvonne (an interior designer; maiden name, Bakken) Smith; children: Savannah Smith-Migliuri. EDUCATION—Attended the University of Washington, 1978-80; Juilliard School, B.F.A., 1984.

PRINCIPAL STAGE WORK—Fight choreographer: (As James J. Sloyan) Troilus and Cressida, New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1965; (as James J. Sloyan) King John, NYSF, Delacorte Theatre, 1967; (as James J. Sloyan) Romeo and Juliet, NYSF, Delacorte Theatre, 1968; Richard III, Henry VI, Part One, and Henry VI, Part Two, all NYSF, Delacorte Theatre, 1970.

VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Rick Hyde, Cruise Control, WPA Theatre, 1985. PRINCIPAL STAGE APPEARANCES— Fortune Teller, The Skin of Our Teeth, Wellborn, A New Way to Pay Old Debts, and Orlando, As You Like It, all the Acting Company, Mary mount Manhattan Theatre, New York City, 1985; Man, "Talk to Me Like the Rain and Let Me Listen," Doctor, "Portrait of a Madonna," Silva, "The Long Goodbye," and Little Man, "The Strangest Kind of Romance," in Ten By Tennessee, the Acting Company, Lucille Lortel Theatre, New York City, 1986; Romeo, Romeo and Juliet, Folger Theatre, Washington, DC, 1986; Leslie, The Hostage, Coconut Grove Playhouse, Miami, FL, 1987; Frank, The Witch of Edmonton, Folger Theatre, 1987; Thomas

PRINCIPAL FILM APPEARANCES—Piquant, The Traveling Executioner, Metro-Goldwyn-Mayer (MGM), 1970; Simpson, Xanadu, Universal, 1980; also appeared in The Gang That Couldn't Shoot Straight, MGM, 1971; The Sting, Universal, 1973. PRINCIPAL TELEVISION APPEARANCES-^Series: Dr. Sam Lanagan, Westside Medical, ABC, 1977; Mitch Bronsky, Ryan's Hope, ABC, 1982; Charlie Wayne, Oh Madeline, ABC, 1983-84. Mini402

SMITH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Frank Scanlon, The Renegades, ABC, 1982; Major Heckinkamp, Powers Play, CBS, 1986. Episodic: Bo Carter, Stir Crazy, CBS, 1985; Jonathan, The Insiders, ABC, 1985; Al Fiddler, Stingray, NBC, 1986; Chet, Newhart, CBS, 1986; Phil, Melba, CBS, 1986; Spencer Phillips, 21 Jump Street, Fox, 1987. Movies: Gus Kalb, Murder in Texas, NBC, 1981; Edward Sincoff, Missing Pieces, CBS, 1983; Warren Jensen, The Midnight Hour, ABC, 1985; Gilbert, International Airport, ABC, 1985; Lieutenant Burton, Deadly Messages, ABC, 1985; Jake Richards, The Christmas Gift, CBS, 1986; Dr. Josef Goebbels, The Nightmare Years, TNT, 1989.

Gradgrind, Young Tom, and Stephen Blackpool, Charles Dickens' Hard Times, Portland Stage Company, Portland, ME, 1988; Giovanni, 'Tis Pity She's a Whore and Farruscad, The Serpent Woman, both American Repertory Theatre, Cambridge, MA, 1988; Triletsky, Platonov, Valere, The Miser, and Clarin, Life Is a Dream, both American Repertory Theatre, 1989; Reynoldo, Hyde in Hollywood, American Place Theatre, New York City, 1989. Also appeared Traps, Theatre Upstairs, New York City, 1988; Ben Hubbard, Another Part of the Forest, Moon, Blood Wedding, Hugo and Frederick, Ring 'round the Moon, Theseus and Oberon, A Midsummer Night's Dream, Sganarelle, The Flying Doctor, Commandant, To the Ninth Circle, Stephan Undershaft, Major Barbara, title role, Uncle Vanya, and Romeo, Romeo and Juliet, all Juilliard Theatre Ensemble, New York City; Bernard, Pieces of Eight, the Acting Company.

RELATED CAREER—Company member, California Actors Theatre, Los Gatos, CA, 1975-79. ADDRESSES: AGENT—Belle Zwerdling, Progressive Artists Agency, 400 S. Beverly Drive, Suite 216, Beverly Hills, CA 90212.*

MAJOR TOURS—With the Acting Company, 1984-85. TELEVISION DEBUT—Another World, NBC, 1984. PRINCIPAL TELEVISION APPEARANCES—Series: Ryan's Hope, ABC, 1984. Episodic: The Equalizer, NBC, 1986; Reynoldo, "Hyde in Hollywood," American Playhouse, PBS, 1989. Movies: Marc Gates, Internal Affairs, CBS, 1988.

SMITH, Lois PERSONAL: Born Lois Arlene Humbert, November 3, in Topeka, KS; daughter of William Oren (a telephone company employee) and Carrie Davis (Gottshalk) Humbert; married Wesley Dale Smith (a teacher), November 5, 1948 (divorced, 1970); children: Moon Elizabeth. EDUCATION—Trained for the stage with Donal Harrington at the University of Washington, 1948-50, and with Lee Strasberg at the Actors' Studio.

AWARDS: Richard Rodgers Award; Leonard Bernstein's Felicia Montealegre Award; Outstanding Achievement Award from the Juilliard School. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists.

SMITH, Kurtwood PERSONAL: Born July 3, in New Lisbon, WI; married Joan Pirkle (an actress), November 5, 1988. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Ward Henshaw, Plymouth Rock, California Actors Theatre, Los Gatos, CA, 1979; also appeared in The Price, California Actors Theatre, 1977-78; Farces By Chekhov, California Actors Theatre, 1978-79; Familiar Faces/Mixed Feelings, Los Angeles Actors Theatre, Los Angeles, 1982-83; Enemy of the People, Los Angeles Actors Theatre, 198384; The Debutante Ball, South Coast Repertory, Costa Mesa, CA, 1984-85. PRINCIPAL FILM APPEARANCES—Security guard, Roadie, United Artists, 1980; Sergeant Smith, Zoot Suit, Universal, 1981; Clarence, Going Berserk, Universal, 1983; choreographer, Staying Alive, Paramount, 1983; Carson, Flashpoint, Tri-Star, 1984; Arthur McNeil, The Delos Adventure, American Cinema, 1985; Clarence J. Boddicker, Robocop, Orion, 1987; Griggs, RamboIII, Tri-Star, 1988; District Attorney Robert Reynard, True Believer, Columbia, 1989; Mr. Perry, Dead Poets Society, Buena Vista, 1989; Professor Flournoy, Heart of Dixie, Orion, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Captain Frank Scanlon, The Renegades, ABC, 1983; Mr. Sue, The New Adventures of Beans Baxter, Fox, 1987-88. Mini-Series: Colonel Hiram Berdan, North and South, Book II, ABC, 1986. Pilots: Captain

LOIS SMITH 403

SMITH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

VOCATION: Actress and playwright.

pany, Royal George Theatre, Chicago, IL, 1988; Mistress Overdone, Measure for Measure, Lincoln Center Theatre, New York City, 1989; Ma Joad, The Grapes of Wrath, Steppenwolf Theatre Company, La Jolla Playhouse, La Jolla, CA, then International Theatre Festival, Lyttelton Theatre, London, both 1989; Mary, Beside Herself, Circle Repertory Theatre, New York City, 1989; Ma Joad, The Grapes of Wrath, Steppenwolf Theatre Company, Cort Theatre, 1990. Also appeared in A Dream of Love, Theatre of the Living Arts, 1966; Stages, Belasco Theatre, New York City, 1978.

CAREER: Also see WRITINGS below. STAGE DEBUT—Jeannie, Time Out for Ginger, Wilmington Playhouse, Wilmington, DE, 1952. BROADWAY DEBUT—Jeannie, Time Out for Ginger, Lyceum Theatre, 1952. LONDON DEBUT—Josephine Perry, The Young and Beautiful, Arts Theatre, 1956. PRINCIPAL STAGE APPEARANCES—Cathy, Mardi Gras, Locust Theatre, Philadelphia, PA, 1955; Antoinette, The Wisteria Trees, City Center Theatre, New York City, 1955; Josephine Perry, The Young and Beautiful, Longacre Theatre, New York City, 1955; Laura Wingfield, The Glass Menagerie, City Center Theatre, 1956; Carol Cutrere, Orpheus Descending, Martin Beck Theatre, New York City, 1957; Mary Devlin, Edwin Booth, 46th Street Theatre, New York City, 1958; Alley, Ding Dong Bell, Westport Country Playhouse, Westport, CT, 1961; Sheila Knight, Time of Hope, Playhouse in the Park, Philadelphia, 1963; Lucha Moreno, Bicycle Ride to Nevada, Cort Theatre, New York City, 1963; Jo Britten, Blues for Mr. Charlie, American National Theatre and Academy Theatre, New York City, 1964; Virginia, Galileo, Andromache, Tiger at the Gates, Celimene, The Misanthrope, Yelena, Uncle Vanya, and Confidante, The Critic, all Theatre of the Living Arts, Philadelphia, 1965; title role, Miss Julie, Pamela, The Last Analysis, and the Preacher Woman, Bechlch, all Theatre of the Living Arts, 1966; Mary L., The Time of Your Life, Theatre of the Living Arts, 1967; Sonya, Uncle Vanya, Center Theatre Group, Mark Taper Forum, Los Angeles, 1969.

PRINCIPAL STAGE WORK—Director, Measure for Measure, Juilliard School, New York City, 1987. MAJOR TOURS—Trina Halvey, Summer, U.S. cities, 1974. FILM DEBUT—Ann, East of Eden, Warner Brothers, 1955. PRINCIPAL FILM APPEARANCES—Spurs O'Brien, Strange Lady in Town, Warner Brothers, 1955; Partita Dupea, Five Easy Pieces, Columbia, 1970; Jane, The Way We Live Now, United Artists, 1970; neighbor, Brother John, Columbia, 1971; Elinore, Up the Sandbox, National General, 1972; Anita, Next Stop, Greenwich Village, Twentieth Century-Fox, 1976; Kathy, Resurrection, Universal, 1980; Mrs. Axman, Foxes, United Artists, 1980; Mrs. Carnahan, Four Friends (also known as Georgia's Friends), Filmways, 1981; Mary Spofford, Reuben, Reuben, Twentieth Century-Fox, 1983; Mrs. Prescott, Reckless, Metro-GoldwynMayer/United Artists, 1984; Sara, Black Widow, Twentieth Century-Fox, 1987; Martha, Fatal Attraction, Paramount, 1987; Mrs. Nelson, Midnight Run, Universal, 1988.

Mary, Sunday Dinner, American Place Theatre, St. Clement's Church Theatre, New York City, 1970; Louise Harper, "Come Next Tuesday," Judith Kalmus, '"Twas Brillig," the Woman, "So Please Be Kind," and the Mother, "Present Tense," in Present Tense, Sheridan Square Playhouse, New York City, 1972; Mission Control voice, A Break in the Skin, Actors' Studio Theatre, New York City, 1973; Cora, The Iceman Cometh, Circle in the Square/Joseph E. Levine Theatre, New York City, 1973-74; Trina Halvey, Summer, Kennedy Center for the Performing Arts, Washington, DC, 1974-75; woman, Eh, Joe?, Harvard University, Cambridge, MA, 1975; Gabby, Harry Outside, Circle Repertory Theatre, New York City, 1975; various roles, Touching Bottom, American Place Theatre, New York City, 1978; Denise, Hillbilly Women, Actors' Studio Theatre, then Long Wharf Theatre, New Haven, CT, both 1979; old woman, Tennessee, Ensemble Studio Theatre, New York City, 1979.

TELEVISION DEBUT—Megan, "The Apple Tree," Kraft Television Theatre, NBC, 1953. PRINCIPAL TELEVISION APPEARANCES—Series: Zoe Cannel, Somerset, NBC, 1972-73; Eleanor Conrad, The Doctors, NBC, 1975-77; also Mrs. Bendarik, Love of Life, CBS. Pilots: Doris Adams, Adams Apple, CBS, 1986. Episodic: Title role,' 'Miss Julie,'' Play of the Week, WNTA, 1960; Hilda, "The Master Builder," Play of the Week, WNTA, 1961; Maria Gmmcci, The Equalizer, CBS, 1985; Dorothy Hermes, The Equalizer, CBS, 1987; also "Cindy's Fella," FordStartime, NBC, 1959; ' 'Do Not Go Gentle into That Good Night,'' CBS Playhouse, CBS, 1967; "Proxy," Tales of the Unexpected, syndicated, 1982; Spenser: For Hire, ABC, 1988; Star Tonight, ABC; Robert Montgomery Presents, NBC; Studio One, CBS; Matinee Theatre, NBC; Justice, NBC; U.S. Steel Hour, CBS; The Loretta Young Show, NBC; The Defenders, CBS; The Naked City, ABC; Dr. Kildare, NBC; Route 66, CBS. Movies: Clara, Rage of Angels, NBC, 1983; Sarah, Doubletake, CBS, 1985; Mary Neal, The Execution of Raymond Graham, ABC, 1985. Specials: Alma, Victory, NBC, 1960; Talk to Me Like the Rain and Let Me Listen, WNET (New York City), 1970; Margaret, "The Unforgivable Secret," ABC Afterschool Specials, ABC, 1981; Juliet, Arts and Entertainment, 1989; also The House of Mirth, 1980; Particular Men, WNET; and The Jilting of Granny Wetherall.

Emily, Deer Season, St. Clement's Church Theatre, 1980; various roles, After All, Manhattan Theatre Club, New York City, 1981; Molly Malloy, The FrontPage, Long Wharf Theatre, 1982; Catherine Senesh, Hannah, Harold Clurman Theatre, New York City, 1983; Madam Arkadina, The Seagull, Tyrone Guthrie Theatre, Minneapolis, MN, 1983; Madeleine Bejart, Cabal of Hypocrites, Actors' Studio Theatre, 1984; Linda, Special Family Things, Festival of One-Act Plays, American Place Women's Project, American Place Theatre, New York City, 1984; Reba, Bite the Hand, One-Act Play Marathon, Ensemble Studio Theatre, 1984; Rivers, The Vienna Notes, Second Stage, New York City, 1985; Blanche, Brighton Beach Memoirs, A Contemporary Theatre, Seattle, WA, 1986; Mrs. Dotson and the Bride, Bodies, Rest, and Motion, Mitzie E. Newhouse Theatre, New York City, 1986-87; Jessie Bliss, The Stick Wife, Hartford Stage Company, Hartford, CT, 1987; Grady, April Snow, One-Act Play Marathon, Ensemble Studio Theatre, 1987; Natalie Bauer-Lechner, Gus and Al and Dolly, 27 Benedict Street, both Playwrights Horizons, New York City, 1988; Esther French, Juliet and Mrs. Campbell, The Man Who Climbed the Pecan Trees, both Ensemble Studio Theatre, 1988; Ma Joad, The Grapes of Wrath, Steppenwolf Theatre Com-

RELATED CAREER—Member of the advisory panel on program funding, Public Broadcasting Service, 1981-82; member, Actors' Studio; acting teacher; member, Ensemble Studio Theatre Workshop. WRITINGS: STAGE—All There Is, 1982, first act produced in workshop at the Ensemble Studio Theatre, New York City, 1985. AWARDS: Film Daily Critics' Poll Award ("Filmdom's Famous Fives"), 1955, for East of Eden; National Society of Film Critics' Award, Best Supporting Actress, 1971, for Five Easy Pieces; 404

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

SMITHERS

ry, Williamsburg, VA, 1947. BROADWAY DEBUT—Tybalt, Romeo and Juliet, Broadhurst Theatre, 1951. LONDON DEBUT— David Beeston, Man and Boy, Queen's Theatre, 1963. PRINCIPAL STAGE APPEARANCES—Hotel waiter, Legend of Lovers, Plymouth Theatre, New York City, 1951-52; Treplev, The Seagull, Fourth Street Theatre, New York City, 1956; Philip Lovejoy, The Square Root of Wonderful, National Theatre, New York City, 1957; Donal Davoren, The Shadow of a Gunman, Bijou Theatre, New York City, 1958; Demetrius, A Midsummer Night's Dream and Mercutio, Romeo and Juliet, both American Shakespeare Festival, Stratford, CT, 1959; Larry Doyle, Who'll Save the Plowboy?, Phoenix Theatre, New York City, 1962; David Beeston, Man and Boy, Brooks Atkinson Theatre, New York City, 1963. Also appeared in End As a Man, Theatre De Lys, New York City, 1954; The Troublemakers, President Theatre, New York City, 1954-55.

Clarence Ross fellow at the American Theatre Wing, Eugene O'Neill Theatre Center, Waterbury, CT, 1983; Joseph Jefferson Award nomination, 1989, for The Grapes of Wrath. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, Dramatists Guild, Harold Clurman Theatre Artists Fund Center for the Arts at the State University of New York, Purchase (honorary founder). SIDELIGHTS: FAVORITE ROLES—Sonya and Yelena in Uncle Vanya, Carol Cutrere in Orpheus Descending, and Josephine Perry in The Young and Beautiful. ADDRESSES: AGENT—Writers and Artists Agency, 70 W. 36th Street, New York, NY 10018.

MAJOR TOURS—Tom, The Glass Menagerie and doctor, The Skin of Our Teeth, both Theatre Guild American Repertory Company, U.S. cities, 1961.

SMITHERS, William 1927-

FILM DEBUT—Lieutenant Harold Woodruff, Attack!, United Artists, 1956. PRINCIPAL FILM APPEARANCES—Captain Joe Marks, Trouble Man, Twentieth Century-Fox, 1972; Warden Barrot, Papillon, Allied Artists, 1973; Mitchell, Scorpio, United Artists, 1973; Dr. Karl, Deathsport, New World, 1978.

PERSONAL: Born July 10, 1927, in Richmond, VA; son of Marion Wilkinson (a systems engineer) and Marion Albany (Thompson) Smithers; married Claire Heller, July 13, 1955 (divorced, 1960). EDUCATION—Attended Hampden-Sydney College, 1946-48, and Catholic University, 1948-50. MILITARY—U.S. Navy, seaman first class, 1945-46.

PRINCIPAL TELEVISION APPEARANCES—Series: Committee member, The Witness, CBS, 1960-61; David Schuster, Peyton Place, ABC, 1965-66; Stanley Norris, The Guiding Light, CBS, 1970-71; Anderson Gait, Executive Suite, CBS, 1976-77; Dr. Trilling, Doctors' Private Lives, ABC, 1979; Jeremy Wendell, Dallas, CBS, 1981, then 1984-89. Pilots: Joseph Kane, Call to Danger, CBS, 1968; Leo Barnes, The Monk, ABC, 1969; Wilson Barrett, The Return of Frank Cannon, CBS, 1980. Episodic: Captain R.M. Merik, "Bread and Circuses," Star Trek, NBC, 1968; Colonel Poltz, Sledge Hammer!, ABC, 1987; also Espionage, NBC; The Lawman, ABC; Most Wanted, ABC; The Name of the Game, NBC; Felony Squad, ABC; The Road West, NBC; The Invaders, ABC; Juddfor the Defense, ABC; The Mod Squad, ABC; Cade's County, CBS; Marcus Welby, M.D., ABC; Owen Marshall, Counselor at Law, ABC'Jronside, NBC; TheF.B.I., ABC;Mission:Impossible, CBS; Barnaby Jones, CBS; Hawkins, CBS; Quincy, M.E., NBC; Julie Farr, M.D. (also known as Having Babies), ABC; Lucan, ABC; The Six Million Dollar Man, ABC; Scarecrow and Mrs. King, CBS. Movies: Jerry Fielder, Brotherhood of the Bell, CBS, 1970; Dr. Miller, The Neon Ceiling, NBC, 1971; Mullen, Where the Ladies Go, ABC, 1980. Specials: Laertes, "Hamlet," Hallmark Hall of Fame, NBC, 1953; Gourgaud, "Eagle in a Cage," Hallmark Hall of Fame, NBC, 1965.

VOCATION: Actor. CAREER: STAGE DEBUT—Thomas Jefferson, The Common Glo-

RELATED CAREER—Member, Actors' Studio, 1952—. AWARDS: Theatre World Award, 1951, for Romeo and Juliet; Obie Award from the Village Voice, Best Performance By an Actor in an Off-Broadway Play, 1956, for The Seagull. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild. ADDRESSES: AGENT—Beakel and Jennings, 427 N. Canon Drive, Beverly Hills, CA 90210.*

WILLIAM SMITHERS 405

SMITROVICH

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

King's Silver Bullet, Paramount, 1985; Chavez, Band of the Hand, Tri-Star, 1986; Lloyd Bowman, Manhunter, De Laurentiis Entertainment Group, 1986; Finch, Renegades, Universal, 1989;Farrell, Her Alibi, Warner Brothers, 1989; Bruce Concannon, Crazy People, Paramount, 1990. Also appeared in A Little Sex, Universal, 1982; A Killing Affair (also known as Monday, Tuesday, Wednesday), Hemdale, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Detective Danny Krychek, Crime Story, NBC, 1986-88; Drew Thacher, Life Goes On, ABC, 1989—. Pilots: Steve Enright, Johnny Garage, CBS, 1983; Lloyd Bowman, Manhunter, 1986. Episodic: Scotty Wheeler, Miami Vice, NBC, 1984. Movies: Jake O'Neill, Born Beautiful, NBC, 1982; Charlie Hack, Muggable Mary: Street Cop, CBS, 1982. RELATED CAREER—Original company member, NO Theatre Company, Northhampton, MA, 1975-78; acting instructor, University of Massachusetts, Amherst, MA, 1976-78. ADDRESSES: AGENT—Don Buchwald and Associates, 10 E. 44th Street, New York, NY 10017.

SOMMARS, Julie PERSONAL: Born April 15, in Fremont, NE; daughter of Louis Frank (a government grain inspector) and Helen Margaret (a teacher; maiden name, Drummond); married John Harris Karns (an attorney), April 2, 1983; children: Jacey Collyer Erwin. EDUCATION—Studied political science at San Bernardino Valley College; studied acting with Robert O'Neill at the Actors' Workshop.

BILL SMITROVICH

SMITROVICH, Bill

1947-

PERSONAL: Surname is pronounced "Smit-tro-vitch;" born William S. Zmitrowicz, May 16, 1947, in Bridgeport, CT; son of Stanley William (a tool and die maker) and Anna (Wojna) Zmitrowicz; married Shaw Purnell, June 8, 1985; children: Alexander John ("A.J."). EDUCATION—Received B.S. in education from the University of Bridgeport; received M.F.A. in dramatic arts from Smith College; studied acting at the Actors' and Directors' Lab and with Morris Carnovsky.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Same Time Next Year, Fiesta Dinner Playhouse, San Antonio, TX, 1983, then Dallas, TX; The Story of Mary Surratt, Equity Library Theatre, New York City; Our Town, LeGrand Theatre, Los Angeles; Miss Pell Is Missing, Civic Theatre, Los Angeles; / Won't Dance, Gene Dynarski Theatre, Los Angeles; also appeared with the Redding Summer Theatre, Redding, CA; with the Canal Fulton Summer Theatre, Canal, OH; and with the Hooksett Theatre, Hooksett, NH.

VOCATION: Actor. CAREER: BROADWAY DEBUT—Rudy, waiter, bicycle thief, piano mover, and Ryan, The American Clock, Biltmore Theatre, 1980. PRINCIPAL STAGE APPEARANCES—Moose Corwin, Never Say Die, Classic Theatre, New York City, 1982; Johnny Bear, Requiem for a Heavyweight, Long Wharf Theatre, New Haven, CT, 1983; Sudden Pisanger, Food from Trash, Humana New Play Festival, Actors Theatre of Louisville, Louisville, KY, 1983; Lennie, Of Mice and Men, Hong Kong International Arts Festival, 1984; Johnny, Frankie and Johnny in the Claire de Lune, Westside Arts Center, New York City, 1988-89. Also appeared in Zeks, Theatre for the New City, New York City, 1982; The Love Suicide at Schofield Barracks, Fifth Annual New Play Festival, People's Light and Theatre Company, Malvern, PA, 1985.

PRINCIPAL FILM APPEARANCES—Caroline Reno, The Great Sioux Massacre (also known as Custer Massacre and The Massacre at the Rosebud), Columbia, 1965; Doreen Marshall, The Pad. . . (AndHow to Use It), Universal, 1966; Diane Darcy, Herbie Goes to Monte Carlo, Buena Vista, 1977; also appeared mBat21, Tri-Star, 1988. TELEVISION DEBUT—TheLoretta Young Show, NBC. PRINCIPAL TELEVISION APPEARANCES^Series: Jennifer Jo ("J.J.") Drinkwater, The Governor and J.J., CBS, 1969-70; Tracey, Rituals, syndicated, 1984; District Attorney Julie March, Matlock, NBC, 1987—. Mini-Series: Alice Grebe, Centennial, NBC, 1978-79. Pilots: Alice Shoemaker, Fools, Females, and Fun: I've Gotta Be Me, NBC, 1974; Molly, The Search, CBS, 1968; Patricia, Epicac (broadcast as an episode of Rex Harrison Presents Short Stories of Love), NBC, 1974; Suzy Bassett, My Wife Next Door, NBC, 1975. Episodic: Harry O, ABC, 1974; The Rockford Files, NBC, 1974; Three for the Road, CBS, 1975; Switch, CBS, 1975; Partners in

PRINCIPAL FILM APPEARANCES—Policeman, Without a Trace, Twentieth Century-Fox, 1983; Ralph Bauer, Splash, Buena Vista, 1984; Lenny, Key Exchange, Twentieth Century-Fox, 1985; bartender, Maria's Lovers, Cannon, 1985; Andy Fairton, Stephen

406

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 SOTHERN

1949); children: Patricia Ann. EDUCATION—Attended the University of Washington; studied acting with Stella Adler, 1961. VOCATION: Actress. CAREER: BROADWAY DEBUT—(As Harriette Lake) Smiles, Ziegfeld Theatre, 1930. PRINCIPAL STAGE APPEARANCES—(As Harriette Lake) Geraldine March, America s Sweetheart, Broadhurst Theatre, New York City, 1931; (as Harriette Lake) Ann Cathway, Everybody's Welcome, Shubert Theatre, New York City, 1931; (as Harriette Lake) Mary Turner, Of Thee I Sing, Imperial Theatre, New York City, 1933. Also appeared in productions of The Glass Menagerie, Gypsy, and The Solid Gold Cadillac, all 1966-68; and in The Duchess of Pasadena, 1978. FILM DEBUT—(As Harriette Lake) Broadway Nights, First National, 1927. PRINCIPAL FILM APPEARANCES—(As Harriette Lake) As herself, The Show of Shows, Warner Brothers, 1929; (as Harriette Lake) dancer, Broadway thru a Keyhole, Twentieth Century-Fox, 1933; Kitty Taylor, Blind Date (also known as Her Sacrifice}, Columbia, 1934; Geraldine, The Hell Cat, Columbia, 1934; Joan Larrabee, Kid Millions, United Artists, 1934; Jean, Let's Fall in Love, Columbia, 1934; Jane Blodgett, Melody in Spring, Paramount, 1934; Ruth, The Party's Over, Columbia, 1934; Marge Walker, Eight Bells, Columbia, 1935; Mimi, Folies Bergere (also known as The Man from the Follies Bergere), Twentieth Century-Fox, 1935; Linda, The Girl Friend, Columbia, 1935; Adrienne Martin, Grand Exit, Columbia, 1935; Pat, Hooray for Love, RKO, 1935; Ann Edwards, Don't Gamble with Love, Columbia, 1936; Mary, Hell-Ship Morgan, Columbia, 1936; Mary Cantillon, My American Wife, Paramount, 1936; Frances Cooke, Smartest Girl in Town, RKO, 1936; Kit Bennett, Walking on Air, RKO, 1936; Fay Stevens, You May Be Next (also known as Panic on the Air, Calling All G-Men, and Trapped By Wireless], Columbia, 1936; Toni Pemberton, Danger—Love at Work, Twentieth Century-Fox, 1937; Elinor, Dangerous Number, MetroGoldwyn-Mayer (MGM), 1937; Millicent Kendall, Fifty Roads to Town, Twentieth Century-Fox, 1937; Mary Strand, Super Sleuth, RKO, 1937; Connie Taylor, There Goes My Girl, RKO, 1937; Betty Russell, There Goes the Groom, RKO, 1937; Carol Rogers, She's Got Every thing, RKO, 1938; Jean Livingston, Trade Winds, United Artists, 1938; Garda Sloane, Fast and Furious, MGM, 1939; Eileen Connelly, Hotel for Women (also known as Elsa Maxwell s Hotel for Women), Twentieth Century-Fox, 1939; Ethel Turp, Joe and Ethel Turp Call on the President, MGM, 1939; Maisie Ravier, Maisie, MGM, 1939.

JULIE SOMMARS

Crime, NBC, 1984; Great Adventure, CBS; Gunsmoke, CBS; The Manfrom U.N.C.L.E., NBC; Barnaby Jones, CBS', McMillan and Wife, NBC;McCloud, NEC; Fantasy Is land, ABC; Magnum, P.L, CBS. Movies: Mary Grace, Five Desperate Women, ABC, 1971; Jennifer Shagaras, The Harness, NBC, 1971; Dorothy, How to Steal an Airplane (also known as Only One Day Left Before Tomorrow}, NBC, 1972; Bonnie McGee, Sex and the Single Parent, CBS, 1979; Liz Johnson, Cave-In!, NBC, 1983; Nina Cole, Emergency Room, syndicated, 1983. Specials: Ann Rogers, I'm the Girl He Wants to Kill, ABC, 1974. Also appeared in Wilderness Trail. RELATED CAREER—Apprentice, Michigan Stock Company, Manistee, MI.

Flo Addams, Brother Orchid, Warner Brothers, 1940; Maisie Ravier, Congo Maisie, MGM, 1940; Dulcy Ward, Dulcy, MGM, 1940; Maisie Ravier, Gold Rush Maisie, MGM, 1940; Dixie Donegan, Lady Be Good, MGM, 1941; Maisie Ravier, Maisie Was a Lady, MGM, 1941; Maisie Ravier, Ringside Maisie, MGM, 1941; Maisie Ravier, Maisie Gets Her Man (also known as She Gets Her Man), MGM, 1942; Hattie Maloney, Panama Hattie, MGM, 1942; Pat, Cry Havoc, MGM, 1943; Maisie Ravier, Swing Shift Maisie, MGM, 1943; as herself, Thousands Cheer, MGM, 1943; Julia Seabrook, Three Hearts for Julia, MGM, 1943; Maisie Ravier, Maisie Goes to Reno, MGM, 1944; Maisie Ravier, Up Goes Maisie, MGM, 1946; Maisie Ravier, Undercover Maisie, MGM, 1947; Joyce Harmon, Words and Music, MGM, 1948; June Tyme, April Showers, Warner Brothers, 1948; Rita Phipps, A Letter to Three Wives, Twentieth Century-Fox, 1948; Peggy, The Judge Steps Out (also known as Indian Summer), RKO, 1949; Frances Elliott, Nancy Goes to Rio, MGM, 1950; Dell Faring, Shadow on the Wall (also known as Death in the Doll's House),

AWARDS: Golden Globe, Best Television Actress in a Comedy Series, 1969, and the Television Critics' Award, Best New Star, 1970, both for The Governor and JJ. ADDRESSES: HOME—Hollywood Hills, CA.

SOTHERN, Ann 1909(Harriette Lake) PERSONAL: Born Harriette Lake, January 2, 1909, in Valley City, ND; daughter of Herbert and Annette (an opera singer; maiden name, Yde) Lake; married Roger Pryor (a musician), 1936 (divorced, 1942); married Robert Sterling (an actor), 1943 (divorced, 407

SPINELL

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

MGM, 1950; Crystal Carpenter, The Blue Gardenia, Warner Brothers, 1953; Mrs. Gamadge, The Best Man, United Artists, 1964; Sade, Lady in a Cage, Paramount, 1964; Grace Argona, Sylvia, Paramount, 1965; Angela, Chubasco, Warner Brothers, 1968; Thelma, The Killing Kind, Media Trend, 1973; Finzie, Golden Needles (also known as Chase for the Golden Needles}, American International, 1974; Sheba, Crazy Mama, New World, 1975; Mrs. Karmann, The Manitou, AVCO-Embassy, 1978; Angel, The Little Dragons, Aurora, 1980; Tisha Doughty, The Whales of August, Alive, 1987. Also appeared (as Harriette Lake) in Hearts in Exile, Warner Brothers, 1929; (as Harriette Lake) Hold Everything, Warner Brothers, 1930; (as Harriette Lake) Whoopie, United Artists, 1930; (as Harriette Lake) Doughboys (also known as Forward March}, MGM, 1930.

Angelo, Nunzio, Universal, 1978; Burp, Paradise Alley, Universal, 1978; Mike, One Man Jury, Cal-Am Artists, 1978; psychologist, Big Wednesday, Warner Brothers, 1978; Gazzo, Rocky II, United Artists, 1979; man in cantina, Last Embrace, United Artists, 1979; Count Zarth Arn, Starcrash, New World, 1979; Arthur Fletcher, Winter Kills, AVCO-Embassy, 1979. Birdwell, Brubaker, Twentieth Century-Fox, 1980; Patrolman DiSimone, Cruising, United Artists, 1980; Yancey, The Little Dragons, Aurora, 1980; doorman, The First Deadly Sin, Filmways, 1980; Frank Zito, Maniac, Analysis, 1980; Spinell, The Ninth Configuration (also known as Twinkle, Twinkle, Killer Kane), Warner Brothers, 1980; Lieutenant Munafo, Nighthawks, Universal, 1981; emcee, "Success Wanters" in National Lampoon Goes to the Movies (also known as National Lampoon' s Movie Madness), Metro-Goldwyn-Mayer/United Artists, 1981; bride's father, Monsignor, Twentieth Century-Fox, 1982; Joe Spangler, One Down, Two to Go, Almi, 1982; Manetti, Night Shift, Warner Brothers, 1982; Pete, Eureka, United Artists, 1983; Mayfield, The Big Score, Almi, 1983; Boss, The Last Fight, Best Film and Video, 1983; border patrolman, Losin' It, Embassy, 1983; Eisenberg, Vigilante (also known as Street Gang), Film Ventures, 1983; Vinny Durand, The Last Horror Film (also known as The Fanatic), Twin Continental, 1984; Max, Holly wood Harry, Shapiro, 1985; Brusstar, Walking the Edge, Empire, 1985; Guido Antonucci, The Whoopee Boys, Paramount, 1986; man with gun, Deadly Illusion, Cinetel, 1987; Rico, The Messenger, Snizzlefritz, 1987; Eddie, The PickUp Artist, Twentieth Century-Fox, 1987. Also appeared in Tilt, Warner Brothers, 1979; Melvin and Howard, Universal, 1980; Married to the Mob, Orion, 1988; The Cop Who Played God; and The Undertaker.

PRINCIPAL TELEVISION APPEARANCES—Series: Susie McNamara, Private Secretary, CBS, 1953-57; Katy O'Connor, The Ann Sothern Show, CBS, 1958-61; voice of mother, My Mother the Car, NBC, 1965-66. Mini-Series: Mrs. Finch, Captains and the Kings, NBC, 1976. Pilots: Katy, Always April, CBS, 1961; Mrs. Kozzek, The Outsider, NBC, 1967. Episodic: The June Allyson Show, CBS, 1961; also Blackjack Jenny, Alias Smith and Jones, ABC; Schlitz Playhouse of Stars, CBS; Hollywood Opening Night. Movies: Ethel Gaines, Congratulations: It's a Boy!, ABC, 1971; Annie LaCossitt, A Death of Innocence, CBS, 1971; Mother Bonaventure, The Weekend Nun, ABC, 1972; Aunt Margaret Bancroft, The Great Man s Whiskers, NBC, 1973; Ma Finney, A Letter to Three Wives, NBC, 1985. Specials: Liza Elliott, Lady in the Dark, NBC, 1954; hostess, Holiday in Las Vegas, NBC, 1957; the Queen, Fol-De-Rol, ABC, 1972. RELATED CAREER—Performer (as Harriette Lake), Civic Light Opera Company, 1930-31; founder and president, Vincent Productions, 1954; founder, Anso Productions, 1958.

PRINCIPAL FILM WORK—Executive producer (with Judd Hamilton), Maniac, Analysis, 1980. PRINCIPAL TELEVISION APPEARANCES—Pilots: Sol Terranova, Strike Force, NBC, 1975; Michael Vincent, Nightside, ABC, 1980. Episodic: Joe Latimer, Night Heat, CBS, 1986; Ruggiero, The Equalizer, CBS, 1986; Carlucci, Night Heat, CBS, 1987; Tommy Angel, Night Heat, CBS, 1987; Singh, Diamonds, CBS, 1987. Movies: Desk captain, Vampire, ABC, 1979; Escobar, Trackdown: Finding the Goodbar Killer, CBS, 1983; Jim Halsey, Out of the Darkness, CBS, 1985; also The Children of Times Square, ABC, \9%6\ Blood Ties, Showtime, 1986. Specials: Tony LaRosa, "K.O. Kippers," Cinemax Comedy Experiment, Cinemax, 1988.

NON-RELATED CAREER—Founder and president, Ann Sothern's Sewing Center, Sun Valley, ID; owner, A Bar S Cattle Company. AWARDS: Academy Award nomination, Best Supporting Actress, 1988, for The Whales of August. ADDRESSES: AGENT—Tom Korman, Agency for the Performing Arts, 9000 Sunset Boulevard, Suite 1200, Los Angeles, CA 90069.*

SPINELL, Joe 7-1989

WRITINGS: FILM—(With C.A. Rosenberg) Maniac, Analysis, 1980.

PERSONAL: Born Joseph J. Spagnuolo in New York, NY; died of a heart attack, January 13, 1989, in New York, NY.

OBITUARIES AND OTHER SOURCES: Variety, February 1-7, 1989.*

VOCATION: Actor. CAREER: FILM DEBUT—Willie Cicci, The Godfather, Paramount, 1972. PRINCIPAL FILM APPEARANCES—Toredano, The Seven Ups, Twentieth Century-Fox, 1973; Marty, Cops and Robbers, United Artists, 1973; Willie Cicci, The Godfather, Part II, Paramount, 1974; Nick, Farewell, My Lovely, AVCO-Embassy, 1975; Ollie Slatt, 92 in the Shade, United Artists, 1975; Mr. Colson, Rancho Deluxe, United Artists, 1975; Tom Gazzo, Rocky, United Artists, 1976; Jabo, Stay Hungry, United Artists, 1976; personnel officer, Taxi Driver, Columbia, 1976; Spinell, Sorcerer (also known as Wages of Fear), Universal/Paramount, 1977;

STALLONE, Sylvester 1946(Q. Moonblood) PERSONAL: Full name, Sylvester Enzio Stallone (some sources say Michael Sylvester Stallone); born July 6, 1946, in New York, NY; son of Frank (a hairdresser) and Jacquline (Labofish) Stallone;

408

CONTEMPORARY

STANTON

THEATRE, FILM, AND TELEVISION • Volume 8

and fight choreographer, Rocky II, United Artists, 1979; director and fight choreographer, Rocky III, Metro-Goldwyn-Mayer/ United Artists (MGM/UA), 1982; producer (with Robert Stigwood) and director, Staying Alive, Paramount, 1983; director, Rocky IV, MGM/UA, 1985. PRINCIPAL TELEVISION APPEARANCES—Specials: American Film Institute Salute to Billy Wilder, NBC, 1986; The Barbara Walters Special, ABC, 1988. PRINCIPAL TELEVISION WORK—Executive producer and fight choreographer, Heart of a Champion: The Ray Mancini Story, CBS, 1985. NON-RELATED CAREER—Teacher, American College in Switzerland; also worked as an usher, fish salesman, horse trainer, delicatessen worker, truck driver, bouncer, zoo attendant, bookstore detective, short order cook, pizza demonstrator, and motel superintendant. WRITINGS: FILM—See production details above. (With Stephen F. Verona, Martin Davidson, and Gayle Glecker) The Lords of Flatbush, 1974; Rocky, 1976; Paradise Alley, 1978; (with Joe Eszterhas)F./.S.r., 1978; Rocky II, 1979; Rocky III, 1982; (as Q. Moonblood; with Michael Kozoll and William Sackheim) First Blood, 1982; (with Norman Wexler) Staying Alive, 1983; (with Phil Alden Robinson) Rhinestone, 1984; (with James Cameron) Rambo: First Blood, Part II, 1985; Rocky IV, 1985; Cobra, 1986; (with Stirling Silliphant) Over the Top, 1987; (with Sheldon Lettich) Rambo III, 1988. TELEVISION—Episodic: (As Q. Moonblood) "The Monster of Manchester," "Heart to Heart," and "The Ballad of Butcher Bloom," A Touch of Evil. OTHER—Paradise Alley (novelization), Putnam, 1977; The Official Rocky Handbook, 1977; Rocky II (novelization), Ballantine, 1982 '.Rocky III (novelization), Ballantine, 1982; Rocky IV (novelization), Ballantine, 1985.

SYLVESTER STALLONE

married Sasha Czack, December 28, 1974 (divorced); married Brigitte Nielsen (an actress), December 15, 1985 (divorced, 1987); children: Sage Moonblood, Seth (first marriage). EDUCATION— Attended the American College of Switzerland, 1965-67; also attended the University of Miami, 1967-69.

AWARDS: Academy Award nominations, Best Actor and Best Original Screenplay, Donatello Award, Best Actor in Europe, National Theatre Owners Award, Christopher Award, and Bell Ringer Award from Scholastic magazine, all 1976, for Rocky; Star of the Year, 1977; Show West Actor of the Year, 1979.

VOCATION: Actor, director, producer, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Mugger, Bananas, United Artists, 1971; Stanley Rosiello, The Lords of Flatbush, Columbia, 1974; Frank Nitti, Capone, Twentieth Century-Fox, 1975; Machine Gun Joe Viterbo, Death Race 2000, New World, 1975; Kelly and Jonnie, Farewell, My Lovely, AVCO-Embassy, 1975; Jerry, No Place to Hide, American, 1975; youth in park, The Prisoner of Second Avenue, Warner Brothers, 1975; Rocky Balboa, Rocky, United Artists, 1976; Johnny Kovak, F.I.S.T., United Artists, 1978; Cosmo Carboni, Paradise Alley, Universal, 1978; Rocky Balboa, Rocky II, United Artists, 1979;DekeDaSilva,Mg/tf/ztfvvfo, Universal, 1981; Robert Hatch, Victory (also known as Escape to Victory), Paramount, 1981; Rambo, First Blood, Orion, 1982; Rocky Balboa, Rocky III, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1982; Nick, Rhinestone, Twentieth Century-Fox, 1984; John Rambo, Rambo: First Blood, Part II, Tri-Star, 1985; Rocky Balboa, Rocky IV, MGM/UA, 1985; Marion "Cobra" Cobretti, Cobra, Warner Brothers, 1986; Lincoln Hawk, Over the Top, Warner Brothers, 1987; John Rambo, Rambo III, Tri-Star, 1988; Frank Leone, Lock Up, Tri-Star, 1989. Also appeared in Cannonball (also known as CarQuake), New World, 1976.

MEMBER: Screen Actors Guild, Writers Guild, Directors Guild, Stuntman's Association (honorary). ADDRESSES: AGENT—Ron Meyer, Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.

STANTON, Robert

1963-

PERSONAL: Full name, Robert Lloyd Stanton; born March 8, 1963, in San Antonio, TX; son of Lloyd Winter, Jr. (a government contract negotiator) and Billie Loree (a U.S. Navy budget analyst; maiden name, Baker) Stanton. EDUCATION—Attended George Mason University, 1980-82; New York University Tisch School of the Arts, B.F.A., acting, 1984, M.F.A., acting, 1985.

PRINCIPAL FILM WORK—Fight choreographer, Rocky, United Artists, 1976; director, Paradise Alley, Universal, 1978; director

VOCATION: Actor.

409

STANWYCK

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

CAREER: OFF-BROADWAY DEBUT—Froth, Measure for Measure, New York Shakespeare Festival, Delacorte Theatre, 1985. PRINCIPAL STAGE APPEARANCES—Clarence Day, Jr., Life with Father, Pittsburgh Public Theatre, Pittsburgh, PA, 1985; Bob Stanton, waiter, second child, and first soldier, Rum and Coke, New York Shakespeare Festival, Public Theatre, New York City, 1986; William Shakespeare, Cheapside, Roundabout Theatre, New York City, 1986; Rodger Potter, waiter, man at bus stop, and Eskimo Pie man, Highest Standard of Living, Playwrights Horizons, New York City, 1986; Albert Adam, The Plays the Thing, Pittsburgh Public Theatre, 1987; the big squirrel, Afterschool Special, Marathon '87, Ensemble Studio Theatre, New York City, 1987; Herbert Pocket, Great Expectations, Arizona Theatre Company, Tucson and Scottsdale, AZ, 1987; Bill, Sure Thing and Patrick, Best Half-Foot Forward, both Festival of One-Act Plays, Manhattan Punch Line, New York City, 1988; Hill and various roles, Emily, Manhattan Theatre Club, City Center Stage One Theatre, New York City, 1988; Flute, A Midsummer Night's Dream Hartford Stage Company, Hartford, CT, 1988; Arkody, Nothing Sacred, Hartford Stage Company, 1989; Ubu's conscience, Ubu, Mitzie E. Newhouse Theatre, New York City, 1989; Sir Andrew Aguecheek, Twelfth Night, American Repertory Theatre, Cambridge, MA, 1989; Charles Lomax, Major Barbara, American Repertory Theatre, 1990. Also appeared in Beau-ootiful Soo-oop, DearKnows Company, Whole Theatre, Montclair, NJ, 1988, then Whole Theatre and Home for Contemporary Theatre and Art, New York City, 1989. FILM DEBUT—Dionysus, The House on Carroll Street, Orion, 1988. PRINCIPAL FILM APPEARANCES—Dudley, Love or Money, Hemdale, 1989. BARBARA STANWYCK

PRINCIPAL TELEVISION APPEARANCES—Movies: Parker LloydSmith, Margaret Bourke-White, TNT, 1989.

(revue), Morosco Theatre, New York City, 1924; dancer, The ZiegfeldFollies (revue), New Amsterdam Theatre, New York City, 1925; dancer, Gay Paree (revue), Shubert Theatre, New York City, 1925; dancer, George White s Scandals (revue), Apollo Theatre, New York City, 1926; Dot, The Noose, Hudson Theatre, New York City, 1926; Bonny, Burlesque, Plymouth Theatre, New York City, 1927-29; ensemble, Tattle Tales (revue), Broadhurst Theatre, New York City, 1933.

RELATED CAREER—Company member, DearKnows (resident company at Home for Contemporary Theatre and Art), New York City, 1989—; founding member, NYU Works (studio for graduate acting and directing alumni of New York University's Tisch School of the Arts), 1989—. MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild.

MAJOR TOURS—Ziegfeld Follies of 1923, U.S. cities, 1923. ADDRESSES: AGENT—Michael Braun, Abrams Artists and Associates Ltd., 420 Madison Avenue, New York, NY 10017.

STANWYCK, Barbara

FILM DEBUT—Dancer, Broadway Nights, First National, 1927. PRINCIPAL FILM APPEARANCES—Ann Carter, The Locked Door, United Artists, 1929; title role, Mexicali Rose (also known as Girl from Mexico), Columbia, 1929; Kay Arnold, Ladies of Leisure, Columbia, 1930; Anne Vincent, Illicit, Warner Brothers, 1931; Florence Faith Fallon, The Miracle Woman, Columbia, 1931; Lora Hart, Night Nurse, Warner Brothers, 1931; Barbara O'Neill, Ten Cents a Dance, Columbia, 1931; Lulu Smith, Forbidden, Columbia, 1932; Joan Gordon, The Purchase Price, Warner Brothers, 1932; Kitty Lane, Shopworn, Columbia, 1932; Selina Peake Dejong, So Big, Warner Brothers, 1932; Lily "Baby Face" Powers, Baby Face, Warner Brothers, 1933; Megan Davis, The Bitter Tea of General Yen, Columbia, 1933; Mary, Ever in My Heart, Warner Brothers, 1933; Nan Taylor, Ladies They Talk About (also known as Women in Prison), Warner Brothers, 1933; Lady Lee, Gambling Lady, Warner Brothers, 1934; Marian Ormsby, A Lost Lady (also known as Courageous), Warner Brothers, 1934; title role, Annie Oakley, RKO, 1935; Drue Van Allen, Red Salute (also known as Arms and the Girl, Runaway Daughter, and Her Enlisted Man), United Artists, 1935; Ruth Vincent, The Secret Bride (also known

1907-1990

PERSONAL: Born Ruby Stevens, July 16, 1907, in Brooklyn, NY; died of heart failure, January 20, 1990, in Santa Monica, CA; daughter of Byron and Catherine (McGee) Stevens; married Frank Fay (a comedian), August 26, 1928 (divorced, 1935); married Robert Taylor (an actor), May 14, 1939 (divorced, 1951); children: Dion Anthony (first marriage; adopted). VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Dancer, Keep Kool 410

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

STANWYCK

PRINCIPAL TELEVISION APPEARANCES—Series: Hostess, The Barbara Stanwyck Show, NBC, 1960-61; Victoria Barkley, The Big Valley, ABC, 1965-69; Constance Colby, The Colbys, ABC, 1985-86. Mini-Series: Mary Carson, The Thorn Birds, ABC, 1983. Pilots: Irene Frazier, Sudden Silence (broadcast as an episode of Ford Theatre), ABC, 1956; title role, Josephine Little: The Miraculous Journey of Tadpole Chan (broadcast as an episode of The Barbara Stanwyck Show; pilot for a proposed series to be called Josephine Little), NBC, 1960; Trixie Cochran, Along the Barbary Coast (broadcast as an episode of The Barbara Stanwyck Show), NBC, 1961; title role, Josephine Little: Adventures in Happiness (broadcast as an episode of The Barbara Stanwyck Show; second pilot for a proposed series to be called Josephine Little), NBC, 1961; title role, Josephine Little: Dragon By the Tail (broadcast as an episode of The Barbara Stanwyck Show; third pilot for a proposed series to be called Josephine Little), NBC, 1961; Lieutenant Agatha Stewart, Elegy (broadcast as an episode of The Untouchables; pilot for a proposed series to be called The Seekers), ABC, 1962; Lieutenant Agatha Stewart, Search for a Dead Man (broadcast as an episode of The Untouchables; second pilot for a proposed series to be called The Seekers), ABC, 1963; Geraldine Parkington, "The Parkington's: Dear Penelope" in The Letters, ABC, 1973; Antonia "Toni" Blake, Toni's Boys (broadcast as an episode of Charlie's Angels), ABC, 1980.

as Concealment), Warner Brothers, 1935; Shelby Barrett, The Woman in Red, Warner Brothers/First National, 1935; Pearl, Banjo on My Knee, Twentieth Century-Fox, 1936; Carolyn Martin, The Bride Walks Out, RKO, 1936; Rita Wilson, His Brother's Wife, Metro-Goldwyn-Mayer (MGM), 1936; Raphaelita Maderos, A Message to Garcia, Twentieth Century-Fox, 1936; Nora Clitheroe, The Plough and the Stars, RKO, 1936; Valentine Ransome, Breakfast for Two, RKO, 1937; Janet Haley, Interns Cant Take Money (also known as You Can't Take Money), Paramount, 1937; title role, Stella Dallas, United Artists, 1937; Lil Duryea, This Is My Affair (also known as His Affair), Twentieth Century-Fox, 1937; Margot Weston, Always Goodbye, Twentieth Century-Fox, 1938; Melsa Manton, The Mad Miss Manton, RKO, 1938; Lorna Moon, Golden Boy, Columbia, 1939; Mollie Monaham, Union Pacific, Paramount, 1939. Lee Leander, Remember the Night, Paramount, 1940; Sugarpuss O'Shea, Ball of Fire, RKO, 1941; Jean Harrington, The Lady Eve, Paramount, 1941; Ann Mitchell, Meet John Doe, Warner Brothers, 1941; Helen Hunt, You Belong to Me (also known as Good Morning, Doctor), Columbia, 1941; Fiona Gaylord, The Gay Sisters, Warner Brothers/First National, 1942; Hannah Sempler, The Great Man's Lady, Paramount, 1942; Joan Stanley, Flesh and Fantasy, Universal, 1943; Dixie Daisy, Lady of Burlesque (also known as Strip Tease Lady), United Artists, 1943; Phyllis Dietrichson, Double Indemnity, Paramount, 1944; as herself, Hollywood Canteen, Warner Brothers, 1944; Elisabeth Lane, Christmas in Connecticut (also known as Indiscretion), First National, 1945; Sally Warren, The Bride Wore Boots, Paramount, 1946; Lily Bishop, California, Paramount, 1946; Jessica Drummond, My Reputation, Warner Brothers, 1946; Martha Ivers, The Strange Love of Martha Ivers, Paramount, 1946; Sandra Marshall, Cry Wolf, Warner Brothers, 1947; Karen Duncan, The Other Love (also known as Man Killer), United Artists, 1947; Sally Morton, The Two Mrs. Carrolls, Warner Brothers, 1947; as herself, Variety Girl, Paramount, 1947; Polly Fulton, B.F.'s Daughter (also known as Polly Fulton), MGM, 1948; Leona Stevenson, Sorry, Wrong Number, Paramount, 1948; Jessie Bourne, East Side, West Side, MGM, 1949; Joan Boothe, The Lady Gambles, Universal, 1949.

Episodic: Kate Crowley, "The Maud Frazer Story," Wagon Train, NBC, 1961; Kate Crowley, "The Caroline Casteel Story," Wagon Train, ABC, 1962; Kate Crowley, "The Molly Kincaid Story," Wagon Train, ABC, 1963; title role, "The Kate Crowley Story," Wagon Train, ABC, 1964; also "My Uncles O'More" and "The Waiting Game," The Loretta Young Show, NBC, 1955; "The Freighter" and "Trail to Nowhere," Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS, 1958; "Three Dark Years," Goodyear Theatre, NBC, 1958; "Sudden Silence," Decision, NBC, 1958; The Jack Benny Show, CBS, 1959; "Hang the Heart High" and "Lone Woman," Zane Grey Theatre (also known as Dick Powell's Zane Grey Theatre), CBS, 1959; Joey BishopShow, NBC, 1961; "The Captain's Wife," Rawhide, CBS, 1962; "Special Assignment," Dick Powell Theatre, NBC, 1962; Ford Television Theatre, ABC; Alcoa Theatre, NBC; The General Electric Theatre, CBS. Movies: Ruth Bennett, The House That Would Not Die, ABC, 1970; Miriam Jannings, A Taste of Evil, ABC, 1971. Specials: The American Film Institute Salute to Henry Fonda, CBS, 1978; The American Film Institute Salute to Barbara Stanwyck, ABC, 1987.

Thelma Jordan, The File on Thelma Jordan (also known as Thelma Jordan), Paramount, 1950; Vance Jeffords, The Furies, Paramount, 1950; Helen Ferguson, No Man of Her Own, Paramount, 1950; Regina Forbes, To Please a Lady (also known as Red Hot Wheels), MGM, 1950; Lorna Bounty, The Man with a Cloak, MGM, 1951; Mae Doyle, Clash By Night, RKO, 1952; Naomi Murdoch, All I Desire, Universal, 1953; Marina, Blowing Wild, Warner Brothers, 1953; Helen Stilwin, Jeopardy, MGM, 1953; Rela, The Moonlighter, Warner Brothers, 1953; Julia Sturges, Titanic, Twentieth Century-Fox, 1953; Sierra Nevada Jones, Cattle Queen of Montana, RKO, 1954; Julia O. Tredway, Executive Suite, MGM, 1954; Cheryl Draper, Witness to Murder, United Artists, 1954; Gwen Moore, Escape to Burma, RKO, 1955; Martha Wilkison, The Violent Men (also known as Rough Company), Columbia, 1955; Kit Banion, The Maverick Queen, Republic, 1956; Norma Miller, There's Always Tomorrow, Universal, 1956; Ann Dempster, These Wilder Years, MGM, 1956; Kathy, Crime of Passion, United Artists, 1957; Jessica Drummond, Forty Guns (also known as Woman with a Whip), Twentieth Century-Fox, 1957; Cora Stutliff, Trooper Hook, United Artists, 1957; Jo Courtney, Walk on the Wild Side, Columbia, 1962; Irene Trent, The Night Walker, Universal, 1964; Maggie Morgan, Roustabout, Paramount, 1964. Also appeared in Brief Moment, Columbia, 1933; The Lie, 1949.

PRINCIPAL RADIO APPEARANCES—Episodic: Lux Radio Theatre, NBC (fifteen episodes); Nobody's Children, Mutual; Screen Guild Theatre, CBS; The Edgar Bergen and Charlie McCarthy Show, NBC. RELATED CAREER—Founder, Barwyck Corporation (a production company), 1956; also appeared in nightclubs as a dancer and chorus girl. NON-RELATED CAREER—Gift wrapper in a department store, telephone operator, pattern cutter, and file clerk. AWARDS: Academy Award nomination, Best Actress, 1937, for Stella Dallas; Academy Award nomination, Best Actress, 1941, for Ball of Fire; Academy Award nomination, Best Actress, 1944, for Double Indemnity; Academy Award nomination, Best Actress, 1948, for Sorry, Wrong Number; Special Jury Prize (with cast) from the Venice Film Festival for Ensemble Acting, 1954, for Executive Suite; Emmy Award, Outstanding Performance By a

411

STEAFEL

CONTEMPORARY

nesburg, South Africa), 1951-52; trained for the stage at the Webber-Douglas Drama School in London, 1955-57.

Leading Actress in a Series, 1961, for The Barbara Stanwyck Show; Golden Apple Star of the Year Award from the Hollywood Women's Press Club, 1961; Emmy Award, Outstanding Continued Performance By an Actress in a Leading Role in a Dramatic Series, 1966, for The Big Valley; honored by the Film Society of Lincoln Center, 1981, for career-long excellence; special honorary Academy Award, 1982; Emmy Award, Outstanding Lead Actress in a Limited Series or a Special, 1983, and Golden Globe, Best Performance By an Actress in a Supporting Role (Mini-Series or Motion Picture Made for Television), 1984, both for The Thorn Birds; Cecil B. De Mille Award from the Hollywood Foreign Press Association, 1986; Life Achievement Award from the American Film Institute, 1987.

VOCATION: Actress. CAREER: STAGE DEBUT—Players Theatre, London. PRINCIPAL STAGE APPEARANCES—Ensemble, Splits on the Infinitive (revue), Hampstead Theatre Club, London, 1965; ensemble, Anyone for England? (revue), Lyric Hammersmith Theatre, London, 1965; Olga, The Three Sisters, Leicester Repertory Theatre, Leicester, U.K., 1970; Magda, Jump, Queen's Theatre, London, 1971; Lady Margery Panton, You II Never Be Michelangelo, Hampstead Theatre Club, 1976; Timothy's mother, Heloise, Asphynxia, and Marguerite, Salad Days, Windsor Theatre, then Duke of York's Theatre, both London, 1976; Enid Blyton, Balmoral, Guildford, U.K., 1978; Harpo Marx, A Day in Hollywood, A Night in the Ukraine, New End Theatre, then May Fair Theatre, both London, 1979; The Late Sheila Steafel (one-woman show), New End Theatre, then Edinburgh Festival, Scotland, both 1981; Steafel Solo (one-woman show), King's Head Theatre, London, 1981-82, then Adelaide Festival, Australia, 1982; Steafel Revisited (one-woman show), Edinburgh Festival, 1982; Steafel Variations (one-woman show), Apollo Theatre, London, 1982; Steafel Lately (one-woman show), Edinburgh Festival, 1983; the Witch, Hansel and Gretel (opera), Bloomsbury Theatre, London, 1983; Steafel Express (onewoman show), Ambassadors' Theatre, London, 1985; Mistress Quickly, Merry Wives of Windsor, Royal Shakespeare Company (RSC), Barbican Theatre, London, 1986 and 1987.

OBITUARIES AND OTHER SOURCES: [New York] Daily News, January 22, 1990; Hollywood Reporter, January 22, 1990; New York Times, January 22, 1990; Variety, January 24, 1990.*

STEAFEL, Sheila

THEATRE, FILM, AND TELEVISION • Volume 8

1935-

PERSONAL: Surname rhymes with "Steeple"; born May 26, 1935; daughter of Harold (a singer, inventor, engineer, and harp maker) and Eda (a pianist; maiden name, Cohen) Steafel; married Harry H. Corbett, October 10, 1958 (divorced, August, 1964). EDUCATION—Attended the University of Witwatersrand (Johan-

Also appeared in The Guardsman, Watford Theatre, 1969; Billy Liar, London, 1960; Headful of Crocodiles and Man with the Iron Chest, both Armchair Theatre, 1965; How the Other Half Loves, Leicester Repertory Theatre, 1970; Who's Who?, Coventry Repertory Theatre, Coventry, U.K., 1971; How the Other Half Loves, Lyric Theatre, London, then Alexandra Theatre, Toronto, ON, Canada, both 1972; Old Times, Bristol Old Vic Theatre, Bristol, U.K., 1974; Old Time Music Hall, Players Theatre, London, 1974; Twelfth Night, and The Duenna, both Young Vic Theatre, London, 19&3-, Adrian Mole, Leicester Theatre, 1984; Starbreakers, 1984; Merry Wives of Windsor and Candle Bearer, both RSC, Stratfordon-Avon, U.K., 1985; Facade (opera), London Mozart Players, 1986; Ivanov and Much Ado About Nothing, Strand Theatre, London, 1989; and in repertory in Lincoln, Hunstanton, and Blackpool, U.K., 1956-59. MAJOR TOURS—Landscape with Figures, U.K. cities, 1958; Milk and Honey, U.K. cities, 1959; Jump, U.K. cities, 1971; No Room for Sex, U.K. cities, 1975. PRINCIPAL FILM APPEARANCES—Isolde, Just Like a Woman, Monarch, 1967; journalist, Five Million Years to Earth (also known as Quatermass and the Pit), Twentieth Century-Fox, 1968; Tessa Pearson, Baby Love, AVCO-Embassy, 1969; Tilly, Goodbye Mr. Chips, Metro-Goldwyn-Mayer (MGM), 1969; ground stewardess, Otley, Columbia, 1969;Tania, Tropic of Cancer, Paramount, 1970; Sheila Wilcott, Some Will, Some Won't, Williams and Pritchard, 1970; woman in elevator, Catch Me a Spy, Rank, 1971; Latimer, Melody (also known as S.W.A.L.K.), Levitt-Pickman, 1971; Mrs. Gold, Percy, MGM, 1971; control operator, Digby, the Biggest Dog in the World, Cinerama, 1974; Dr. Pitt, What's Up Superdoc, Entertainment Film Distributors, 1978; Sheila Finch, Bloodbath at the House of Death, EMI, 1984. Also appeared in The Waiting Room, 1976; as voice of Maisie and Marlon, The Perishers (animated), 1978; and in Towers of Babel (short film), 1981.

SHEILA STEAFEL

412

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Webb, Our Town, Nancy Stoddard, The Country Girl, Phyllis Carmichael, My Heart's in the Highlands, Juliette, Thieves' Carnival, Doto, A Phoenix Too Frequent, and Ma Kirby, The Happy Journey from Trenton to Camden, all Arena Stage, Washington, DC, 1953; Muriel, Ah! Wilderness and Elvira, Blithe Spirit, both Arena Stage, 1954; Lavinia Chamberlayne, The Cocktail Party, Ann, Outward Bound, Georgie Elgin, The Country Girl, and Lady Ariadne Utterwood, Heartbreak House, all Olney Theatre, Olney, MD, 1954; Miss T. Muse, The Skin of Our Teeth, Theatre Sarah Bernhardt, Paris, France, then American National Theatre and Academy Theatre, New York City, both 1955; Widow Yang, The Carefree Tree, Phoenix Theatre, New York City, 1955; Lydia Carew, The Admirable Bashville, Cherry Lane Theatre, New York City, 1956; Gretchen, Faust, Theatre-on-the-Green, Wellesley, MA, 1956; Margery Pinchwife, The Country Wife, Renata Theatre, New York City, 1957; Nymph, Ulysses in Nighttown, Rooftop Theatre, New York City, 1958; title role, The Saintliness of Margery Kempe, York Theatre, New York City, 1959.

TELEVISION DEBUT—Kipps, Granada, 1964. PRINCIPAL TELEVISION APPEARANCES—Series: Miss Pennypacker, Justin Thyme, BBC, 1964; White Lady, Ghosts of Motley Hall, Granada, 197578; Miranda, You Must Be the Husband, BBC, 1987; also It's Dark Outside, Granada, 1965; The Frost Report, 1966; Illustrated Weekly Hudd, BBC, \96$; Home a Plenty, ABC (U.K.), 1968; Beachcomber, BBC, 1969; How's Your Father?, Granada, 1974; Popsy Wopsy, Emmaline, and other roles, Good Old Days, 1975-78 and 1981; Q 7, 1978 and 1981; Can We Get On Now Please?, Granada, 1980; Bluebirds, BBC, 1989. Mini-Series: Carrie, Diary of a Nobody, BBC-2, 1978. Episodic: Title role, "The Fabulous Frump," Wednesday Play, BBC, 1969; also Frankie Howerd Show, BBC, 1968; The Dickie Henderson Show, ATV, 1968; The Beryl Reid Show, 1978; The Leslie Crowther Show, 1978; wicked television director, Jackanory Playhouse, 1980; Rainbow, 1980; Give Us a Clue (game show), 1980; 321, Yorkshire Television, 1980 and 1981; "Supergran," Jackanory Playhouse, 1981; Live on Two, Granada, 19%\', Punchlines (game show for Weekend), 1981 and 1983; The Kenny Everett Show, 1982; Call My Bluff, 1982 and 1983; Celebrity Squares, 1983; miserable mum, Z-Cars, BBC; De Maupassant Stories, Granada. Specials: Cowboys, Thames, 1980; also Good Old Days Jubilee Program, 1977; The Frankie Howerd Special, \9%tySheila (one-woman show), Channel Four, 1982. Also appeared in The Sebrof Story, ABC, 1973; Go for Gold, BBC, 1973; Second Time Around, BBC, 1974; Let's Make a Musical: History of Mr. Polly, 1977; Quiz Kids, ATV, 1978; In Loving Memory, Yorkshire Television, \919\HonkyTonkHeroes, 1979; as Joan, Time and the Conways, Granada; Bicycle, The Liars, Granada; in The Way of All Flesh, Granada; Whoopee Cushion, BBC; Troubleshooters, ATV; A Fat Woman's Tale, Granada; and Close Prisoner.

Dee Jones, Viva Madison Avenue!, Longacre Theatre, New York City, 1960; Selma Chargesse, Red Eye of Love, Provincetown Playhouse, New York City, 1960; Gwendolyn, The Importance of Being Earnest, McCarter Theatre, Princeton, NJ, 1960; Hypatia Tarleton, Misalliance, Sheridan Square Theatre, New York City, 1961; Alice McAnany, Great Day in the Morning, Henry Miller's Theatre, New York City, 1962; Mrs. Levi, The Matchmaker, Olney Theatre, 1962; Sabina, The Skin of Our Teeth, Brandeis Forum Theatre, Brandeis University, Waltham, MA, 1963; Lois, A Matter of Like Life and Death, East End Theatre, New York City, 1963; Jan, Play, Cherry Lane Theatre, 1964; Rose, "The Room" and Flora, "A Slight Ache" in The New Pinter Plays, Writers Stage Theatre, New York City, 1964; Susan Throssel, Quality Street, Bucks County Playhouse, New Hope, PA, 1965; Mrs. Ashton Dilke, The Right Honourable Gentleman, Billy Rose Theatre, New York City, 1965; Mrs. Hopewell, The Displaced Person, American Place Theatre, St. Clement's Church Theatre, New York City, 1966; Lavinia Chaberlayne, The Cocktail Party, APA Phoenix Theatre Company, Lyceum Theatre, New York City, 1968; Jan Loreleen, Cock-a-Doodly Dandy, APA Phoenix Theatre Company, Lyceum Theatre, 1969.

PRINCIPAL RADIO APPEARANCES—Series: Week Ending, Radio 4, 1977; Jason Explanation, Radio 4, 1978 and 1980; also My Sainted Aunt, 1978. Specials: SteafelPlus, Radio 4, 1982; Steafel with an S., 1984. AWARDS: Golden Rose of Montreux, 1966. ADDRESSES: AGENT—Ken McReddie, 91 Regent Street, London, Wl.

STERNHAGEN, Frances

STERNHAGEN

Widow Quinn, Playboy of the Western World, Vivian Beaumont Theatre, New York City, 1971; Mavis Parodus Bryson, The Sign in Sidney Brustein's Window, Longacre Theatre, 1972; Paulina, Enemies, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, 1972; various roles, The Good Doctor, Eugene O'Neill Theatre, New York City, 1973; Dora Strang, Equus, Plymouth Theatre, New York City, 1974; Eliza Gant, Angel, Minskoff Theatre, New York City, 1978; Ethel Thayer, On Golden Pond, New Apollo Century Theatre, New York City, 1979; title role, The Prevalence of Mrs. Seal, Manhattan Punchline, New York City, 1980; Laura, The Father, Circle in the Square, New York City, 1981; Helen, Grownups, Lyceum Theatre, 1981; Xenia, Summer, Manhattan Theatre Club, New York City, 1982; Miss Prism, The Importance of Being Earnest, John Drew Theatre, East Hampton, NY, 1983; Penny, You Can't Take It with You, Royale Theatre, New York City, 1984; Sarah, "Goodbye, Howard," Constance Lindell, "P.M.," and Old Woman, "Tennessee" in Laughing Stock, Manhattan Punchline, 1984; Maurine, Home Front, Royale Theatre, 1985; Florence, The Return of Herbert Bracewill, Chelsea Playhouse, New York City, 1985; Constance Oakshot, Oliver Oliver, Manhattan Theatre Club, City Center Theatre, New York City, 1985; Marjorie Newquist, Little Murders, Second Stage Theatre, New York City, 1987; title role, Driving Miss Daisy, Houseman Theatre, New York City, 1988. Also appeared in The

1930-

PERSONAL: Full name, Frances Hussey Sternhagen; born January 13, 1930, in Washington, DC; daughter of John M. (a U.S. tax court judge) and Gertrude S. (Wyckoff) Sternhagen; married Thomas A. Carlin, February 13, 1956; children: six. EDUCATION— Vassar College, B.A., 1951; graduate work, Catholic University, 1952; studied at the Perry-Mansfield School of Theatre and with Sanford Meisner at the Neighborhood Playhouse. VOCATION: Actress. CAREER: STAGE DEBUT—Laura, The Glass Menagerie and Mrs. Manningham, Angel Street, both Bryn Mawr Summer Theatre, Bryn Mawr, PA, 1948. OFF-BROADWAY DEBUT—Eva, Thieves' Carnival, Cherry Lane Theatre, 1955. LONDON DEBUT—The War at Home, Hempstead Theatre Club, 1985. PRINCIPAL STAGE APPEARANCES—Margery Pinchwife, The Country Wife, Mrs.

413

STEVENS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Dining Room, Kennedy Center for the Performing Arts, Washington, DC, 1981.

Equus, and Ethel Thayer in On Golden Pond. RECREATIONS— Singing, painting, swimming, sailing.

MAJOR TOURS—Mrs. T. Muse, The Skin of Our Teeth, U.S. cities, 1955; Opal, "The Isle of Cipango" and Postmistress, "Pound on Demand" in Triple Play, U.S. cities, both 1958; Miss Madrigal, The Chalk Garden, U.S. cities, 1960.

ADDRESSES: AGENT—Triad Artists, 888 Seventh Avenue, New York, NY 10019.*

FILM DEBUT—Charlotte Wolf, Up the Down Staircase, Warner Brothers, 1967. PRINCIPAL FILM APPEARANCES—Lady on bus, The Tiger Makes Out, Columbia, 1967; Mrs. Gushing, The Hospital, United Artists, 1971;Mrs. McChiskey, Two People, Universal, 1973; Miss Balfour, Fedora, United Artists, 1978; Marva Potter, Starting Over, Paramount, 1979; Dr. Lazarus, Outland, Warner Brothers, 1981; Carla Taylor, Independence Day, Warner Brothers, 1983; Blanche, Romantic Comedy, Metro-Goldwyn-Mayer/ United Artists, 1983; as herself, Sanford Meisner—The Theatre's Best Kept Secret (documentary), Columbia, 1984; Clara Tillinghast, Bright Lights, Big City, United Artists, 1988; Neenie, See You in the Morning, Warner Brothers, 1989; Dr. Janet Duffy, Communion, Vestron, 1989.

STEVENS, Scooter

1973-

PERSONAL: Born April, 1973, in Los Angeles, CA; son of Nina Cohn. EDUCATION—Studied acting with Randy Stone, Terrance Hines, and Don Frankel. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Too Short for Prime Time Players, Roxy Theatre, Los Angeles. FILM DEBUT—Private Benjamin, Warner Brothers, 1980. PRINCIPAL FILM APPEARANCES—Badger Myer, Better Off Dead, Warner Brothers, 1985; Bonnie's date, She's Out of Control, Columbia, 1989; also appeared in Something Wicked This Way Comes, Buena Vista, 1983; Casual Sex?, Universal, 1988.

TELEVISION DEBUT—Nellie, "The Great Bank Robbery," Omnibus, CBS, 1955. PRINCIPAL TELEVISION APPEARANCES—Series: Toni Prentiss Davis, Love of Life, CBS, 1967-68; Phyllis Corrigan, The Doctors, NBC, 1970; Jessie Reddin, The Secret Storm, CBS, 1973-74; Millie Sprague, Under One Roof, NBC, 1985; also Jane Overstreet, Another World, NBC. Episodic: Eva, "Thieves' Carnival" and Miss Mabee, "In a Garden," both Play of the Week, WNTA, 1961; Wilma Atkins, "The Rimers of Eldritch," Theatre in America, PBS, 1972; Paulina, "Enemies," Theatre in America, PBS, 1974;EstherClavin,Cte
PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Pryor's Place, CBS, 1984. Pilots: Making It, NBC, 1976; Scamps, NBC, 1982. Episodic: "The Last Car," Tales from the Darkside, syndi-

RELATED CAREER—Drama teacher, Milton Academy, Milton MA. AWARDS: Obie Award from the Village Voice and Clarence Derwent Award, both 1956, for The Admirable Bashville; Obie Award, 1957, for The Country Wife; Obie Award, 1965, for "The Room" and "A Slight Ache" in The New Pinter Plays; Antoinette Perry Award, Best Supporting or Featured Actress in a Play, 1974, for The Good Doctor; Antionette Perry Award nomination, Best Supporting or Featured Actress in a Play, 1975, for Equus; Antoinette Perry Award nomination, Best Actress in a Musical, 1978, for Angel; Antoinette Perry Award nomination, Best Actress in a Play, 1979, for On Golden Pond. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. SIDELIGHTS: FAVORITE ROLES—Margery Pinchwife in The Country Wife, Sabina in The Skin of Our Teeth, Dora Strang in

SCOOTER STEVENS 414

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

STOLER

cated, 1979; Blacke's Magic, NBC, 1986; Coming of Age, CBS, 1988; also Archie Bunker's Place, CBS; Gloria, CBS; Three's Company, ABC; CHiPS, NBC; Best of the West, ABC; Trapper John, M.D., CBS; My Sister Sam, CBS; Sidekicks, ABC; Punky Brewster, NBC; Small Wonder, syndicated; You Can't Take It with You, syndicated; Our House, NBC; Diffrent Strokes, NBC; Hill Street Blues, NBC; St. Elsewhere, NBC; Night Court, NBC. Movies: A Girl Named Sooner, NBC, 1975. Specials: David Miller, "Have You Tried Talking to Patty?," CBS Schoolbreak Special, CBS, 1986.

Warner Brothers/Columbia, 1973; Rita, The Destructors (also known as The Marseilles Contract), American International, 1974; sister, Black Moon, Twentieth Century-Fox, 1975; Mrs. Blake, The Uncanny, Rank, 1977; Delphine, Julie pot de colle (also known as Julie Glue Pot), Davis/Societe nouvelle prodis, 1977; Paula, In Praise of Older Women, AVCO-Embassy, 1978; Theo, Le Petite fille en velours bleu (also known as The Little Girl in Blue Velvet), Orphee Arts/Columbia-Warner Distributors, 1978; Sandra, Le Soleil en face (also known as Face to the Sun), Union Generale Cinematographique, 1979.

RELATED CAREER—Voiceover artist and actor in television commercials.

Dorothee, Goodbye Emmanuelle, Miramax, 1980; Sam O'Donnell, Final Assignment, Inter-Ocean, 1980; Barbara, Phobia, Paramount, 1980; Mimi Oliveri, Agency, Farley, 1981; Madame Claude, Madame Claude 2, Societe nouvelle de cinema/New Realm Distributors, 1981; Eudora, The Last Chase, Crown International, 1981; narrator (English narration), Sans Soleil (also known as Sunless), The Other Cinema/Argos/New Yorker, 1982; Julie, Le Bonplaisir, MK2, 1984; narrator (English narration), Kusameikyu (short film), Toei Company, 1984; Mademoiselle Lydie, Le Matou (also known as The Alley Cat), Viva/Cinevideo, 1985; Helena Werner, Peau d'ange (also known as Angel Skin), Films de T Atalante/ Zora, 1986; Mrs. Sharon, Under the Cherry Moon, Warner Brothers, 1986; Edie, Frantic, Warner Brothers, 1988; Mrs. Cornfield, Welcome to Germany, Film Four, 1988; Madame Dubois-lacour, Monsieur, Bac Films, 1990. Also appeared in Les Motards, 1958; Les Liaisons dangereuses (also known as Relazioni Pericolose and Dangerous Love Affairs), 1959, released in the United States by Astor, \96l;MarciaNuziale, 1965; Chanel Solitaire, United Film Distribution, 1981; Chariots Connection, Films du Scorpion, 1983; Femmes, Cine 7, 1983.

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists. ADDRESSES: AGENT—Twentieth Century Artists, 3800 Barham Boulevard, Suite 303, Los Angeles, CA 90068. MANAGER— Joycelyn Engle, P.O. Box 7703, Beverly Hills, CA 90212.

STEWART, Alexandra

1939-

PERSONAL: Born June 10, 1939, in Montreal, PQ, Canada. VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Jordana, Exodus, United Artists, 1960; Laurie, Tarzan the Magnificent, Paramount, 1960; Fifine, L'eau a la bouche (also known as A Game for Six Lovers and Games for Six Lovers), 1960, released in the United States by Falcon, 1962; Belle, La Mort de Belle (also known as The Passion of Slow Fire and The End of Belle), 1961, released in the United States by Trans-Lux Distributing, 1962; Helene, Les Mauvais coups (also known as Naked Autumn), 1961, released in the United States by United Motion Picture Organization, 1963; Sandra, La Morte-saison des amours (also known as The Season for Love), 1961, released in the United States by Gaston Hakim, 1963; Solange, Le Feufollet (also known as Fuocofatuo and The Fire Within), 1963, released in the United States by Governor, 1964; Anna, Dragees aupoivre (also known as Confetti alPepe and Sweet and Sour), 1963, released in the United States by Pathe, 1964; Brigitte, Das Grosse Liebesspiel (also known as And So to Bed), 1963, released in the United States by Medallion, 1965; Jenny, Mickey One, Columbia, 1965; Michele Craig, Maroc Seven, Paramount, 1967; Liz, Only When I Larf, Paramount, 1968; Miss Becker, La Mariee etait en noir (also known as The Bride Wore Black and La sposa in nero), 1968, released in the United States by Lopert, 1968; Caroline, Waiting for Caroline, 1967, released in the United States by Lopert, 1969; Eve, Bye Bye Barbara, Paramount, 1969.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Mary Jane Kilkullen, Mistral's Daughter, CBS, 1984; Countess, Sins, CBS, 1986. Episodic: The Hitchhiker, HBO, 1983. Movies: Madeleine, The Blood of Others, HBO, 1984; also Champagne Charlie, syndicated, 1989.*

STEWART, James See GRANGER, Stewart

STOLER, Shirley

1929-

PERSONAL: Born March 30, 1929, in Brooklyn, NY. VOCATION: Actress. CAREER: STAGE DEBUT—Young Disciple, New York City, 1955. PRINCIPAL STAGE APPEARANCES—Annunziata, The Breaking Wall, St. Mark's Playhouse, New York City, 1960; Miss McCutcheon, "Balls" in First Evening of New Playwrights, Cherry Lane Theatre, New York City, 1965; Dvoira, Sunset, Brooklyn Academy of Music, Brooklyn, NY, 1972; Charlotte, Lolita, Brooks Atkinson Theatre, New York City, 1981; Hannah, Crossing Delancey, Jewish Repertory Theatre, New York City, 1985. Also appeared in No Corner in Heaven and Can You See a Prince, both in New York City.

Marisa, Kemek, GHM, 1970; woman, Valparaiso, Valparaiso!, Films de la Commune, 1970; Frances, The Man Who Had Power Over Women, AVCO-Embassy, 1970; Stephanie Ross, Zeppelin, Warner Brothers, 1971; Alexandra, Ou estpasse Tom? (also known as Where Did Tom Go?), Valeria, 1971; wife, Far from Dallas, J.P. Faure, 1972; Feodora, Niet voor de poesen (also known as Because of the Cats), Cinevog, 1972; Alexandra, Les Soleils de I'He de Paques (also known as The Suns of Easter Island), Films 13, 1972; Stacey, La Nuit Americaine (also known as Day for Night),

415

STORARO

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Martha Beck, The Honeymoon Killers (also known as The Lonely Hearts Killers), Cinerama, 1969; Mama Reese, Klute, Warner Brothers, 1971; Hilde, Seven Beauties (also known as Pasqualino settebellezze and Pasqualino: Seven Beauties), Cinema V, 1976; L'Epiciere, Une Vraie juenefille, Art et Gestion Cinematographiques, 1977; Steven's mother, The Deer Hunter, Universal, 1978; Trish, Below the Belt, Atlantic, 1980; Corky, Seed of Innocence (also known as Teen Mothers], Cannon, 1980; Maxy, Second-Hand Hearts (also known as Hamsters of Happiness], Paramount, 1981; Dean Hunta, Splitz, Film Ventures, 1984; jail matron, Desperately Seeking Susan, Orion, 1985; Eva, Three O'Clock High, Universal, 1987; Irma, Shakedown, Universal, 1988; Reeba, Sticky Fingers, Spectrafilm, 1988; German housewife, Sons, Manley, 1989.

1970; Giornata nera per lariete, 1971; Bleu gang . . ., 1972; / grandi naif jugoslavi (short film), 1973; Le orme, 1974. PRINCIPAL TELEVISION APPEARANCES—Specials: Omnibus, ABC, 1988. PRINCIPAL TELEVISION WORK—Mini-Series: Cinematographer, Peter the Great, NBC, 1986. RELATED CAREER—Lighting and photographic consultant, Captain Eo (3-D film shown exclusively at Disney World, Orlando, FL, and Disney Land, Anaheim, CA), 1986; photography studio apprentice; assistant to photographers Aldo Scavarda and Marco Scarpelli. AWARDS: Academy Award, Best Cinematography, 1979, for Apocalypse Now; Academy Award, Best Cinematography, 1981, for Reds; Academy Award, Best Cinematography, 1988, for The Last Emperor. *

PRINCIPAL TELEVISION APPEARANCES—Series: Dottie Jessup, Skag, NBC, 1980. Pilots: Woman in window, Brass, CBS, 1985. Episodic: Mrs. Steve, Pee-Wee's Playhouse, CBS, 1986; Adah Boone, In the Heat of the Night, NBC, 1989. Specials: Mrs. Shortley, "The Displaced Person," The American Short Story, PBS, 1977; roller rink cashier, Snowbound, NBC, 1978.*

STRADLING, Harry, Jr. STORARO, Vittorio

1925-

1940PERSONAL: Born January 7, 1925, in New York, NY; son of Harry Stradling (a Cinematographer).

PERSONAL: Born in 1940 in Rome, Italy. EDUCATION—Studied photography at Duca D'Aosta; graduated from Italian Cinemagraphic Training Center; also attended Centro Sperimentale di Cinematografia.

VOCATION: Cinematographer.

VOCATION: Cinematographer. CAREER: PRINCIPAL FILM WORK—Cinematographer: Welcome to Hard Times (also known as Killer on a Horse), Metro-GoldwynMayer (MGM), 1967; (with Ellsworth Fredricks) With Six You Get Eggroll (also known as A Man in Mommy s Bed), National General, 1968; The Good Guys and the Bad Guys, Warner Brothers, 1969; The Mad Room, Columbia, 1969; Support Your Local Sheriff, United Artists, 1969; Young Billy Young (also known as Who Rides with Kane), United Artists, 1969; There Was a Crooked Man, Warner Brothers, 1970; Dirty Dingus Magee, MGM, 1970; Little Big Man, National General, 1970; The Late Liz, Gateway, 1971; Fools' Parade, Columbia, 1911', Something Big, National General, 1971; Support Your Local Gunfighter, United Artists, 1971; Skyjacked (also known as Sky Terror), MGM, 1972; 7776, Columbia, 1972; Thumb Tripping, AVCO-Embassy, 1972; The Way We Were, Columbia, 1973; The Man Who Loved Cat Dancing, MGM, 1973; Nightmare Honeymoon, MGM, 1973; Meg, Warner Brothers, 1974; Bank Shot, United Artists, 197'4; Mitchell, Allied Artists, 1975; Bite the Bullet, Columbia, 1975; Rooster Cogburn, Universal, 1975; The Big Bus, Paramount, 1976; Midway (also known as The Battle of Midway), Universal, 1976; Special Delivery, American International, 1976; Damnation Alley, Twentieth CenturyFox, 1977; Airport '77, Universal, 1977; The Greatest, Columbia, 1977; Born Again, AVCO-Embassy, 1978; Go Tell the Spartans, AVCO-Embassy, 1978; Convoy, United Artists, 1978; Prophecy, Paramount, 1979; Up the Academy (also known as Mad Magazine's Up the Academy and The Brave Young Men ofWeinberg), Warner Brothers, 1980; Ozwy, United Artists, 1980', Buddy Buddy, United Artists, 1981; The Pursuit of D.B. Cooper, Universal, 1981; S.O.B., Paramount, 1981; O'Hara's Wife, Davis-Panzer, 1983; Micki andMaude, Columbia, 1984; Blind Date, New Line Cinema, 1984; A Fine Mess, Columbia, 1986; Caddy shack II, Warner Brothers, 1988.

CAREER: PRINCIPAL FILM WORK—Cinematographer: Giovinezza, giovinezza (also known as Youthful, Youthful and Youth March), Daniela, 1969; La strategia del ragno (also known as The Spider's Strategem and The Spider's Strategy), RAI-TV Channel I/Artificial Eye, 1969; L'ucello dallepiume di cristallo (also known as The Bird with the Crystal Plumage, The Gallery Murders, and The Phantom of Terror), UM, 1969; // conformista (also known as The Conformist), Paramount, 1971; Orlando fur io so, RAI-TV Channel 1/NOC, 1971; Corpo d'amore (also known as Body of Love), Julia Cinematografica/Capricorno/RTR, 1971; Last Tango in Paris, United Artists, 1972; Giordano Bruno, Euro International, 1973; Addio fratello crudele (also known as 'Tis a Pity She's a Whore), Euro International, 1973; Malizia (also known as Malicious and Malice), Paramount, 1974; Identikit (also known as The Driver's Seat), AVCO-Embassy, 1975; 1900 (also known as Novecento), Paramount/United Artists/Twentieth Century-Fox, 1976; Scandalo (also known as Submission), Joseph Brenner Associates, 1977; Agatha, Warner Brothers, 1979; Apocalypse Now, United Artists, 1979; La Luna (also known as Luna) Twentieth Century-Fox, 1979. Reds, Paramount, 1981; (with Ronald V. Garcia) One from the Heart, Columbia, 1982; Wagner, AlanLandsberg, l983',Ladyhawke, Warner Brothers/Twentieth Century-Fox, 1985; Ishtar, Columbia, 1987; The Last Emperor, Columbia, 1987; Tucker: The Man and His Dream, Paramount, 1988; "Life without Zoe" in New York Stories, Touchstone, 1989. Also Etruscologia (short film; also known as Profanatori di tombe), 1961; L'urlo (short film), 1965; Sortilegio (short film), 1966', II laborinto (short film), 1966; Sirtaki (short film), 1966; Rapporto segreto (short film), 1967; SedLodge (short film), 1968; Delitto al circolo del tennis, 1969; L'Eneide,

416

STREEP

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL TELEVISION WORK—Mini-Series: Cinematographer, George Washington, CBS, 1984. RELATED CAREER—Camera assistant.*

STRATHAIRN, David VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Bobby, Einstein and the Polar Bear, Hartford Stage Company, Hartford, CT, 1981; Ricky Jim, Blue Plate Special, Manhattan Theatre Club, New York City, 1983; Emil, "Saxophone Music" in One-Act Play Marathon '84, Ensemble Studio Theatre, New York City, 1984; Wilson, Frank, Tewson, and Geoffrey, Fen, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1984; Nehemiah Byron, "My Life in Art" in The New Directors Project, Perry Street Theatre, New York City, 1984; Cowboy, I'm Not Rappaport, Seattle Repertory Theatre, Seattle, WA, 1984-85; Ben, Salonika, NYSF, Public Theatre, 1985; Boris, The Sea Gull, Eisenhower Theatre, Kennedy Center for the Performing Arts, Washington, DC, 1986; Jake, A Lie of the Mind, Promenade Theatre, New York City, 1985-86; Nils, A Doll's House, Hartford Stage Company, 1986; Stanley, The Birthday Party, Classic Stage Company, CSC Theatre, New York City, 1988; Gilbert, The Cezanne Syndrome, SoHo Repertory Theatre, New York City, 1989; officer, Mountain Language and Stanley, The Birthday Party (double-bill), Classic Stage Company, CSC Theatre, 1989. Also appeared in About Spontaneous Combustion, New Dramatists Inc., New York City, 1981; Danton's Death, Center Stage Theatre, Baltimore, MD, 1984; Temptation, NYSF, Public Theatre, 1989.

MERYL STREEP

Jane. EDUCATION—Vassar College, B. A., 1971; Yale University, M.F.A., 1975; studied singing with Estelle Liebling.

PRINCIPAL FILM APPEARANCES—Ron Desjardins, Return of the SecaucusSeven, Libra, 1980; Marvin Zuckerman,L0ve.s/c/:, Warner Brothers, 1983; Wesley, Silkwood, Twentieth Century-Fox, 1983; man in black, The Brother from Another Planet, Cinecom, 1984; Dr. Singe, Iceman, Universal, 1984; Jerry, Enormous Changes at the Last Minute, ABC/Ordinary Lives, 1985; Weejun, When Nature Calls, Troma, 1985; Tony Pine, At Close Range, Orion, 1986; Police Chief Sid Hatfield, Matewan, Cinecom, 1987; Eddie Cicotte, Eight Men Out, Orion, 1988; Charlie, Stars and Bars, Columbia, 1988; Martin Chernak, Dominick and Eugene, Orion, 1988; Sam, Call Me, Vestron, 1988; the Stranger, The Feud, Feud Company, 1989.

VOCATION: Actress. CAREER: BROADWAY DEBUT—Imogen Parrot, Trelawny of the Wells, New York Shakespeare Festival, Vivian Beaumont Theatre, 1975. PRINCIPAL STAGE APPEARANCES—Lillian Holliday, Happy End, Yale Repertory Theatre, New Haven, CT, 1974; Flora Meighan, 27 Wagons Full of Cotton, Patricia, A Memory of Two Mondays, and Edith Varney, Secret Service, all Phoenix Repertory Theatre, Playhouse Theatre, New York City, 1976; Katherine, Henry V and Juliet and Isabella, Measure for Measure, both New York Shakespeare Festival (NYSF), Delacorte Theatre, New York City, 1976; Dunyasha, The Cherry Orchard, NYSF, Vivian Beaumont Theatre, New York City, 1977; Lillian Holliday, Happy End, Chelsea Theatre Center, Brooklyn Academy of Music, Brooklyn, NY, then Martin Beck Theatre, New York City, both 1977; Katherine, The Taming of the Shrew, NYSF, Delacorte Theatre, 1978; Alice, Wonderland in Concert, NYSF, Public Theatre, New York City, 1978; Andrea, Taken in Marriage, NYSF, Public Theatre, 1979; Alice, Alice in Concert, NYSF, Public Theatre, 1980; Cynthia Peterson, Isn't It Romantic?, Playwrights Horizons Theatre, New York City, 1983, then Lucille Lortel Theatre, New York City, 1984. Also appeared with the Green Mountain Guild, Woodstock, VT.

PRINCIPAL TELEVISION APPEARANCES—Series: Moss Goodman, The Days and Nights of Molly Dodd, NBC, 1988, then Lifetime, 1989—. Episodic: Marty Lang, Miami Vice, NBC, 1985; Philip Borchek, The Equalizer, CBS, 1988. Movies: J. Robert Oppenheimer, Day One, CBS, 1989.*

STREEP, Meryl

1949FILM DEBUT—Anne Marie, Julia, Twentieth Century-Fox, 1977. PRINCIPAL FILM APPEARANCES—Linda, The Deer Hunter, Universal, 1978; Jill, Manhattan, United Artists, 1979; Karen Traynor, The Seduction of Joe Tynan, Universal, 1979; Joanna Kramer,

PERSONAL: Born Mary Louise Streep, June 22, 1949, in Summit, NJ; daughter of Harry, Jr. and Mary W. Streep; married Donald J. Gummer (a sculptor), 1978; children: Henry, Mary Willa, Grace 417

SUGARMAN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Kramer vs. Kramer, Columbia, 1979; Sarah Woodruff and Anna, The French Lieutenant's Woman, United Artists, 1981; Brooke Reynolds, Still of the Night, Metro-Goldwyn-Mayer/United Artists, 1982; Sophie Zawistowska, Sophie's Choice, ITC/Universal, 1982; Karen Silkwood, Silkwood, Twentieth Century-Fox, 1983; narrator, In Our Hands, Libra/Cinema V, 1983; Molly Gilmore, Falling in Love, Paramount, 1984; Susan Traherne, Plenty, Twentieth Century-Fox, 1985; Karen Blixen-Finecke, Out of Africa, Universal, 1985; Rachel Samstat, Heartburn, Paramount, 1986; Helen Archer, Ironweed, Tri-Star, 1988; Lindy Chamberlain, A Cry in the Dark, Warner Brothers, 1988; Mary Fisher, She-Devil, Orion, 1989.

VOCATION: Producer. CAREER: PRINCIPAL FILM APPEARANCES—The Last Fight, Best Film and Video, 1983. PRINCIPAL FILM WORK—Producer, Kiss Me Goodbye, Island Alive, 1985; producer, Children of a Lesser God, Paramount, 1986; producer, Extremities, Atlantic, 1986; executive producer, Crimes of the Heart, De Laurentiis Entertainment Group, 1986. PRINCIPAL TELEVISION WORK—Series: Producer (with Pierre Cossette and Dean Whitmore), Johnny Mann's Stand Up and Cheer, syndicated, 1971; executive producer, The Mancini Generation, syndicated, 1972; executive producer, The Wizard of Odds, NBC, 1973-74; executive producer, The Midnight Special, NBC, 1973-81; executive producer (with Ralph Andrews), Celebrity Sweep steaks, NBC, 1974-76; executive producer, The Richard Pry or Show, NBC, 1977; executive producer, Take My Advice, NBC, 1976; producer (with Jay Wolpert), Whew!, CBS, 1979-80; executive producer (with Chris Beard), The Gong Show, syndicated, 1988—; also producer, The Joker's Wild. Pilots: Executive producer (with Cossette), Stand Up and Cheer, ABC, 1971. Specials: Executive producer (with Cossette), TheDionne Warwick Special, CBS, 1969; executive producer (with Cossette), Movin , CBS, 1970; executive producer (with Nick Sevano), Hi, I'm Glen Campbell, NBC, 1976; executive producer, The Richard Pryor Special?, NBC, 1977; executive producer, The Billboard #7 Music Awards, NBC, 1977; executive producer, The Richard Pryor Special, NBC, 1982.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Inga Helms Weiss, Holocaust, NBC, 1978. Episodic: Narrator, "Harold Clurman: A Life of Theatre," American Masters, PBS, 1988. Movies: Sharon Miller, The Deadliest Season, CBS, 1977. Specials: Edith, Secret Service, PBS, 1977; Leilah, "Uncommon Women and Others," Great Performances, PBS, 1978; host and narrator, Power Struggle, PBS, 1985; narrator, "Little Ears: The Velveteen Rabbit" (also known as "The Velveteen Rabbit"), Children's Storybook Classics, PBS, 1985. AWARDS: Theatre World Award and Outer Critics' Circle Award, both 1975, and Antoinette Perry Award nomination, Best Featured Actress in a Play, 1976, all for 27 Wagons Full of Cotton; Mademoiselle Award, 1976; Emmy Award, Best Actress in a Limited Series, 1978, for Holocaust; Academy Award nomination and National Society of Film Critics' Award, both Best Supporting Actress, 1978, for The Deer Hunter; Woman of the Year Award from B'nai Brith and National Board of Review Best Supporting Actress Award, both 1979; Academy Award and Golden Globe, both Best Supporting Actress, and Los Angeles Film Critics' Award and New York Film Critics' Circle Award, both Best Actress, all 1979, for Kramer vs. Kramer.

RELATED CAREER—Chairman and chief executive officer, Giant Group; head of Barris Industries Inc. ADDRESSES: AGENT—William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212.*

Harvard University Hasty Pudding Award, Woman of the Year, 1980; Academy Award nomination, Best Actress, Los Angeles Film Critics' Award, Best Actress, British Academy Award, and Golden Globe, all 1981, for The French Lieutenant's Woman; Obie Award from the Village Voice, 1981, for Alice in Concert; Academy Award, Los Angeles Film Critics' Award, and Golden Globe, all Best Actress, 1982, for Sophie's Choice; Star of the Year Award from the National Association of Theatre Owners, 1982; Academy Award nomination, Best Actress, 1983, for Silkwood; Academy Award nomination and Los Angeles Film Critics' Award, both Best Actress, 1985, for Out of Africa; Academy Award nomination, Best Actress, 1988, for Ironweed; Academy Award nomination, Best Actress, 1989, for A Cry in the Dark; HONORARY DEGREES—Dartmouth College, 1981; Yale University, 1983; Vassar College, 1983.

SURTEES, Bruce PERSONAL: Son of Robert L. (a cinematographer) and Maydell Surtees. VOCATION: Cinematographer. CAREER: PRINCIPAL FILM WORK—All as cinematographer, unless indicated: The Beguiled, Universal, 1971; Dirty Harry, Warner Brothers, 1971; Play Misty for Me, Universal, 1971; Conquest of the Planet of the Apes, Twentieth Century-Fox, 1972; The Great Northfield, Minnesota Raid, Universal, \912;Joe Kidd, Universal, 1972; cameraman, Lost Horizon, Columbia, 1973; Blume in Love, Samuel Bronston, 1973; High Plains Drifter, Universal, 1973; The Outfit (also known as The Good Guys Always Win), Metro-Goldwyn-Mayer, \91?>\ Lenny, United Artists, 1974; Night Moves, Warner Brothers, \915\Leadbelly, Paramount, 1976; The Outlaw Josey Wales, Warner Brothers, 1976; The Shootist, Paramount, 1976; Sparkle, Warner Brothers, 1976; Three Warriors, Fantasy, 1977; Big Wednesday, Warner Brothers, 1978; "Baxter's Beauties" in Movie Movie, Warner Brothers, 1978; Dreamer, Twentieth Century-Fox, 1979; Escape from Alcatraz, Paramount, 1979; Inchon, Metro-Goldwyn-Mayer/United Artists, 1981; Firefox, Warner Brothers, 1982; Honkytonk Man, Warner Brothers, 1982; Ladies and Gentlemen, The Fabulous Stains, Paramount, 1982; White Dog (also known as Trained to

ADDRESSES: AGENT—International Creative Management, 40 W. 57th Street, New York, NY 10019.*

SUGARMAN, Burt PERSONAL: Born January 4, in Beverly Hills, CA; married Mary Hart (a television personality), 1989. EDUCATION—Attended the University of Southern California.

418

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

SYLVESTER

as Self-Portrait of a Pornographer; short film), 1971; Vive les Jacques (short film), 1972.

Kill), Paramount, 1982; (with Donald Thorin) Bad Boys, Universal, 1983; Sudden Impact, Warner Brothers, 1983; (with Reynaldo Villalobos) Risky Business, Warner Brothers, 1983; Beverly Hills Cop, Paramount, 1984; Tightrope, Warner Brothers, 1984; Pale Rider, Warner Brothers, 1985; Out of Bounds, Columbia, 1986; Psycho III, Universal, 1986; Ratboy, Warner Brothers, 1986; Back to the Beach, Paramount, 1987; License to Drive, Twentieth Century-Fox, 1988; Men Don t Leave, Warner Brothers, 1990.

WRITINGS: FILM—(With Alain Petit and Robert Rea) La Nuit de Saint Germain despres, Megalo Films, 1977; (with M. Fabiani) La Balance (also known as The Nark), Gala, 1983; (with Edward Behr) Half Moon Street (also known as Escort Girl), Twentieth CenturyFox, 1986.

AWARDS: Academy Award nomination, Best Cinematography, 1974, for Lenny.*

RELATED CAREER—Founder, Bob Swain Productions, Los Angeles.

SUSSMAN, Peter

AWARDS: Jury Prize at Hyeres, 1970, for Le Journal de M. Bonnafous; Critics' Prize at Grenoble, 1971, for L'Autoportrait d'un pornographe; Cesar Award from the French Academy of Motion Pictures, 1982; Chevalier des Arts et des Lettres from the French government, 1985.

1958-

PERSONAL: Born July 16, 1958, in Toronto, ON, Canada.

MEMBER: Directors Guild of America, Writers Guild of America, Societe des Realisateurs de Film.

VOCATION: Producer. CAREER: PRINCIPAL FILM WORK—Executive producer, Cowboys Don't Cry, Cineplex Odeon/Atlantis Releasing/Cinema Plus, 1987; executive producer (with Michael MacMillan), Destiny to Order, Cineplex Odeon/Atlantis Releasing/Studio Entertainment, 1988.

ADDRESSES: OFFICE—Bob Swaim Productions, 9255 Sunset Boulevard, Suite 901, Los Angeles, CA 90069.*

PRINCIPAL TELEVISION WORK—Series: Executive producer, The Ray Bradbury Theatre, USA, 1986-89; executive producer, Magic Hour, CBC, 1989. Movies: Executive producer (with Michael MacMillan and Tom Radford), Last Train Home, Family Channel, 1990. Specials: Supervising producer, 110 Lombard, CBS and CBC, 1987; supervising producer, Christmas in America: A Love Story, NBC, 1989.

SYLVESTER, Harold VOCATION: Actor. CAREER: PRINCIPAL FILM APPEARANCES—Nathan Lee Morgan, Sounder, Part II, Gamma III, 1976; doctor, A Hero Ain't Nothin But a Sandwich, New World, 1977; D.C., East Break, Columbia, 1979; Alvin Martin, Inside Moves, Associated, 1980; Ferryman, An Officer and a Gentleman, Paramount, 1982; Johnson, Uncommon Valor, Paramount, 1983; Tanneran, Vision Quest, Warner Brothers, 1985; Pete Blanchard, Innerspace, Warner Brothers, 1987; Max Bryson, Space Rage, Vestron, 1987; Brian Armstrong, Hit List, New Line Cinema, 1989.

MEMBER: Academy of Canadian Cinema and Television (1986—), Canadian Film and Television Association (director, 1987—). ADDRESSES: OFFICE—c/o Atlantis Films, Cinevillage, 65 Heward Avenue, Toronto, ON, Canada M4M-2T5.

PRINCIPAL TELEVISION APPEARANCES—Series: Deputy Aaron Fairfax, Walking Tall, NBC, 1981; Agent Dwayne Thompson, Today's F.B.L, ABC, 1981-82; Harry Dresden, Mary, CBS, 1985-86. Mini-Series: Rollie Knight, Arthur Hailey's "Wheels" (also known as Wheels), NBC, 1978; Hindsman, The Atlanta Child Murders, CBS, 1985. Pilots: Rider, Ric hie Brockelman: Mis sing 24 Hours, NBC, 1976; sergeant, Uncommon Valor, CBS, 1983. Episodic: Mr. Moorepark, Webster, ABC, 1986; Blaster Boyle, Murder, She Wrote, CBS, 1987; Harold, Mama'sBoy, NBC, 1987; McCaslin, Scarecrow and Mrs. King, CBS, 1987; David Black, The Tracey Ullman Show, Fox, 1987; homeless bum, 1st and Ten: The Bulls Mean Business, HBO, 1988. Movies: Al, If Tomorrow Comes, CBS, 1986; Father Christopher, Sister Margarita and the Saturday Night Ladies, CBS, 1987; Sam, Double Your Pleasure, NBC, 1989. Specials: Neighbor, "Secret Agent Boy," CBS Afternoon Playhouse, CBS, 1982.

SWAIM, Bob 1943PERSONAL: Full name, Robert Frank Swaim, Jr.; born November 2, 1943, in Evanston, IL; son of Robert Frank and Eleanor (Connor) Swaim; married, 1968 (divorced, 1983); children: Benjamin Lee, Christopher Thomas. EDUCATION—California State University, Northridge, B.A., 1965; L'Ecole Nationale de la Cinematographie (Paris), BTS, 1969. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Special Forces commander, Spies Like Us, Warner Brothers, 1985. PRINCIPAL FILM WORK—Director: La Nuit de Saint Germain despres, Megalo Films, 1977; La Balance (also known as The Nark), Gala, 1983; Half Moon Street (also known as Escort Girl), Twentieth Century-Fox, 1986; Masquerade, Metro-GoldwynMayer/United Artists, 1988. Also Le Journal de M. Bonnafous (short film), 1970; L'Autoportrait d'un pornographe (also known

ADDRESSES: AGENT—Susie Schwartz, Century Artists Ltd., 9744 Wilshire Boulevard, Suite 308, Beverly Hills, CA 90212.*

419

SZABO SZABO, Istvan

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 1938-

film), 1977; Der Grune Vogel (also known as The Green Bird), 1979.

PERSONAL: Born February 18, 1938, in Budapest, Hungary; son of Istvan (a doctor) and Maria (Vita) Szabo; married Vera Gyurey. EDUCATION—Graduated from the Budapest Academy of Theatre and Film Arts, 1961.

PRINCIPAL TELEVISION WORK—Director, Osbemutato (also known asPremiere), 1974; director, Katzenspiel (also known as Cat Play), 1982; director, Bali, 1983.

VOCATION: Director, actor, and screenwriter.

RELATED CAREER—Member, Bela Belazs Studio, Budapest, Hungary; member, Hungarian Film Studios; teacher, College of Theatre and Film Arts, Budapest, and Deutsche Film und Fersehakademie, West Berlin.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Abris Kondor, Magyarok (also known as The Hungarians), Hungarofilm, 1978; Andras, Fabian BalintTalalkozasalstennel (also known as Balint Fabian Meets God), Hungarofilm, 1980; Dr. Kalman, Tusztortenet (also known as Stand Off), Hungarofilm, 1989.

WRITINGS: See production details above. FILM—Concert, 1961; Variaciok egy temara, 1961; Te, 1963; Almodozasok kora, 1964; Apa, 1966', Kegyelet, 1967; Szerelmesfilm, 1970; Budapest, amiert szeretem, 1971; Alom a hazrol, 1971; Duna—halak—madarak, 1971; Egy tukor, 1971; Leanyportre, 1971; Ter, 1971; Hajnal, l97l;Alkony, 1971; Tuzolto utca 25, 1974; Budapesti mesek, 1976; Varosterkep, 1977; Bizalom, 1979; Der Grune Vogel, 1979; (with Peter Dobai) Mephisto, 1981; (with Dobai) Redl Ezredes, 1985; (with Dobai, Paul Hengge, and Gottfried Reinhard) Hanussen, 1988. TELEVISION—Osbemutato, 1974.

FIRST FILM WORK—Director, Koncert (also known as Concert; short film), 1961. PRINCIPAL FILM WORK—Director: Variaciok egy temara (also known as Variations on a Theme; short film), Bela Balazs Studio, 1961; Te (also known as You . . .; short film), Bela Balazs Studio, 1963; Almodozasok kora (also known as Age of Illusions and The Age of Daydreaming), 1964, released in the United States by Brandon, 1967; Apa (also known as Father), Continental Distributing, 1967; Szerelmesfilm (also known as A Filmof Love, Love Film, and Love StoryFilm), Hungarofilm, 1970; Tuzolto utca 25 (also known as 25 Fireman's Street and Vie del Pompieri 25), Hungarofilm, 1974; Bizalom (also known as Confidence), Hungarofilm, 1979, released in the United States by Cinegate, 1980; Mephisto, Cinegate/Analysis, 1981; Redl Ezredes (also known as Colonel Redl and Oberst Redl), Orion Classics, 1985; Hanussen (also known as Hanussen, Der Hellseher; Hanussen, the Prophet; Hanussen, the Clairvoyant; and The Prophet), Hungarofilm/Columbia, 1988. Also Kegyelet (also known as Piety; short documentary film), 1967; Budapest, amiert szeretem (also known as Budapest, Why ILove It; short film), 1911; Alom a hazrol (also known as Dream About the House; short film), 1971; Duna— halak—Madarak (also known as The Danube—Fishes—Birds; short film), 1971', Egy tukor (also known as A Mirror; short film), l97l',Leanyportre (also known as A Portrait of a Girl; short film), 1971; Ter (also known as A Square; short film), 1971; Hajnal (also known as Dawn; short film), 1971; Alkony (also known as Twilight; short film), 1971; Budapesti mesek (also known as Budapest Tales), 1976; Varosterkep (also known as City Map; short documentary

AWARDS: Hungarian Film Critics' Award, 1961, for Koncert; Hungarian Film Critics' Award, 1962, for Variaciok egy temara; Grand Prix de Tours, 1963, for Te; Bela Balazs Prize, 1967; Oberhausen Main Prize, 1971, for Alom a hazrol; Best Film Award from the Locarno Film Festival, 1974, for Tuzolto utca 25; Kossuth Prize, 1975; Oberhausen Grand Prix, 1977, for Varosterkep; Academy Award nomination, Best Foreign Film, and Silver Bear Award from the Berlin Film Festival, both 1980, for Bizalom; Best Screenplay Award and FIPRESCI Prize from the Cannes Film Festival, 1981, Academy Award, Best Foreign Film, 1981, Hungarian Film Critics' Award, 1982, David di Donatello Prize, Prize of Italian Film Critics, and Prize of U.K. Critics, all for Mephisto; Academy Award nomination, Best Foreign Film, 1989, for Hanussen. MEMBER: Academy of Motion Picture Arts and Sciences, Akademie de Kunste (Berlin). ADDRESSES: OFFICE—Objektiv Film Studio—MAFILM, 1149 Budapest, Lumumba utca 174, Hungary.*

420

T TAGGART, Rita

Bingington, Weeds, DeLaurentiis Entertainment Group, 1987; Donna McCarthy, The Horror Show, Metro-Goldwyn-Mayer/United Artists, 1989.

PERSONAL: Born in Salinas, CA; married Haskell Wexler (a cinematographer), 1989. EDUCATION—Majored in special education at San Francisco State College; studied acting with Ray Reinhardt at the American Conservatory Theatre, San Francisco.

PRINCIPAL TELEVISION APPEARANCES—Series: Blanche, Steambath, Showtime, 1984; Diane, Eye to Eye, ABC, 1985; Joan Foley, Almost Grown, CBS, 1988. Pilots: Geri Ballin, Every Stray Dog and Kid, NBC, 1981; Joan Foley, Almost Grown, CBS, 1988. Episodic: Marie Roscini, Hello, Larry, NBC, 1981; Farkis, "Miss Lonelyhearts," American Play house, PBS, 1983; Andrea, Hunter, NBC, 1985; Rosie McDonough, Hill Street Blues, NBC, 1985; Sylvia, Kate and Allie, CBS, 1985; Brenda, The Colbys, ABC, 1986; Sheila Jessup, Hotel, ABC, 1986; Fern Hooten, "Splash, Too," Disney Sunday Movie, ABC, 1988; Mrs. Staplin, "Agenda for Murder," Columbo, ABC, 1990; also Taxi, ABC, 1978; Carla B., Night Court, NBC; Rhoda, CBS; St. Elsewhere, NBC; Cagney andLacey, CBS. Movies: Amy Morrison, Rape and Marriage: The Rideout Case, CBS, 1980; Nina, Seizure: The Story of Kathy Morris, CBS, 1980; Salt, Inmates: A Love Story, ABC, 1981; Janet Carlson, Born to Be Sold, NBC, 1981; Janice, The Other Victim, CBS, 1981; Sally, Mae West, ABC, 1982; Mrs. Walt Johnson, Wait Till Your Mother Gets Home!, NBC, 1983; Monica, The Cartier Heist, NBC, 1984; Kay Joyner, Terror on Highway 97, CBS, 1989; also James Dean, NBC, 1976.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Hungry Hearts, Ensemble Studio Theatre, Los Angeles. FILM DEBUT—Carol Schue, Straight Time, Warner Brothers, 1978. PRINCIPAL FILM APPEARANCES—Johnson, Coming Home, United Artists, 1978; Rita Jacovich, The China Syndrome, Columbia, 1979; reporter, 7947, Universal, 1979;Thelma,Z)/eLflwg/zmg, Warner Brothers, 1980; woman in bed, Used Cars, Columbia, 1980; Rita, Torchlight, Film Ventures International, 1984; Lillian

RELATED CAREER—Actress in regional theatre productions. NON-RELATED CAREER—Cocktail waitress, school teacher, and masseuse for rock singer Rod Stewart. ADDRESSES: PUBLICIST—Levine/Schneider Public Relations, 8730 Sunset Boulevard, 6th Floor, Los Angeles, CA 90069.

TALBOT, Nita 1930PERSONAL: Born August 8, 1930, in New York, NY. EDUCATION—Studied acting at the Irvine Studio and with Charles Laughton. VOCATION: Actress. CAREER: BROADWAY DEBUT—Gloria Sampson, Never Say Never, Booth Theatre, 1951. PRINCIPAL STAGE APPEARANCES— Shelly, The Fifth Season, Cort Theatre, New York City, 1953; Steffi Hartman, Zelda, Ethel Barrymore Theatre, New York City, 1969; also appeared in Uncle Willie, John Golden Theatre, New York City, 1956.

RITA TAGGART

421

TANNER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Model, It's a Great Feeling, Warner Brothers, 1949; inmate, Caged, Warner Brothers, 1950; woman in bar, On Dangerous Ground, RKO, 1951; Mary, Bundle of Joy, RKO, 1956; chorus girl, This Could Be the Night, MetroGoldwyn-Mayer (MGM), 1957; Miss Anderson, / Married a Woman, RKO/Universal, 1958; Miss Dovey Barnes, Once Upon a Horse (also known as Hot Horse), Universal, 1958; Saturday Knight, Who's Got the Action?, Paramount, 1962; Sunny Daze, Girl Happy, MGM, 1965; Mickey, A Very Special Favor, Universal, 1965; Dee Dee, The Cool Ones, Warner Brothers, 1967; Madame Esther, Buck and the Preacher, Columbia, 1972; Joan, The Day of the Locust, Paramount, 1975; Jasmine, The Manchu Eagle Murder Caper Mystery, United Artists, 1975; Firetop Alice Dewey, The Sweet Creek County War, Key International, 1979; Angela, Serial, Paramount, 1980; Shelly Meyers, The Concrete Jungle, Pentagon, 1982; Vivian, Night Shift, Warner Brothers, 1982; Mrs. Rohmer, Frightmare (also known as The Horror Star), Saturn International, 1983; Kaufman, Chained Heat, Jensen Farley, 1983; Mrs. Ferret, Fraternity Vacation, New World, 1985; Dorothy, Movers and Shakers, Metro-Goldwyn-Mayer/United Artists, 1985; Mrs. Rappaport, The Check Is in the Mail, Ascot Entertainment Group, 1985; Betty Griffith, Take Two, TBJ, 1988. Also appeared in Montana, Warner Brothers, 1950; This Side of the Law, Warner Brothers, 1950; Island Claws (also known as The Night of the Claw), CBS, 1981. PRINCIPAL TELEVISION APPEARANCES—Series: Mabel Spooner, Joe and Mabel, CBS, 1956; Beatrice Dane/Blondie Collins, The Thin Man, NBC, 1957-59; Dora Miles, The Jim Backus ShowHot Off the Wire, syndicated, 1960; Maggie Prescott, Funny Face, CBS, 1971; Judy Evans, Here We Go Again, ABC, 1973; Rose Casey, Supertrain, NBC, 1979; Rose, Starting from Scratch, syndicated, 1988; also Rose Peabody, Search for Tomorrow, CBS; Delfina, General Hospital, ABC. Pilots: Thelma, Under the Yum Yum Tree, NBC, 1969; Rona Corbin, They Call It Murder, NBC, 1971; Mildred Elias, The Rockford Files, NBC, 1974; Doris Shaughnessey, Shaughnessey, NBC, 1976; Sergeant McCallister, Turnover Smith, ABC, 1980; SaraDabney, You Are the Jury, NBC, 1984.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Francois Simon—La Presence (documentary), CSS Geneva, 1986. PRINCIPAL FILM WORK—Producer and director, La Salamandre (also known as The Salamander), Alga, 1971; producer and director, La Retour d'Afrique (also known as Return from Africa), Groupe 5 Geneve/Television Suisse/Filmanthrope, 1972; producer and director, Charles mort ou vif (also known as Charles, Dead or Alive), New Yorker, 1972; director, Le Milieu du monde (also known as The Middle of the World), Artificial Eye/ Action/Citel Film Distribution, 1974; director, Jonas—Qui aura 25 ans en I'an 2000 (also known as Jonah—Who Will Be 25 in the Year 2000), New Yorker, 1976; director, Messidor, Gaumont International, 1978; director, Les Annees lumieres (also known as Light Years Away), Artificial Eye, 1981, released in the United States by New Yorker, 1982; executive producer (with Paulo Branco), producer (with Branco and Antonio Vaz da Silver), and director, Dans la ville blanche (also known as In the White City), Contemporary Films Ltd., 1982, released in the United States by Grey City, 1983; producer (with Marin Karmitz) and director, No Mans Land, MK2/Filmograph/Westdeutscher Rundfunk/Channel Four Film on Four/SSR/Films A2, 1985; executive producer (with Karmitz) and director, La Vallee fantome (also known as The Ghost Valley and The Phantom Valley), MK2, 1987; director, Une Flamme dans mon coeur (also known as A Flame in My Heart), Bac/Roxie Releasing/Films du Volcan, 1987. Also producer (with Claude Goretta) and co-director, Nice Times (short film), 1957; director, Ramuz, passage d'un poete (short film), 1959; director, L'Ecole, 1962 ;direc tor, LesApprentis (documentary), 1964; director, Une Ville a Chandigarh, 1969. PRINCIPAL TELEVISION WORK—Series: Assistant producer, Living with Dangers, BBC, 1958; producer and director, Cinq Collones a la Une (filmed reports), ORTF (French television), 1964-69. RELATED CAREER—Worked at British Film Institute, 1955; cofounder, Association Suisse des Realisateurs (film society), 1960; co-founder, Group 5 (a film production company).

Episodic: Lusti Weathers, Bourbon Street Beat, ABC, 1959-60; Doris Stevens, The Partridge Family, ABC, 1970; Sheila Fyne, Soap, ABC, 1977; Elsa Ravenwood, Leo and Liz in Beverly Hills, CBS, 1986; also Eye Witness, NBC, 1953; The Inner Sanctum, syndicated, 1954; All in the Family, CBS, 1977; as Mary a,/fogy's Heroes, CBS; Jane Wyman Presents the Fireside Theatre, NBC; Studio One, CBS; "The Werewolf," Kolchak: The Night Stalker, ABC. Movies: Lois Warwick, The Movie Murderer, NBC, 1970; Evelyn Housner, What Are Best Friends For?, ABC, 1973; Heidi Lomax, Sex and the Married Woman, NBC, 1977; Grace Binns, The Other Woman, CBS, 1983. Specials: Judith Canfield, Stage Door, CBS, 1955; Olga, The Women, NBC, 1955; also This Will Be the Year That Will Be, ABC, 1973.*

NON-RELATED CAREER—Shipping clerk for cargo ships. WRITINGS: FILM—(With John Berger) Une Ville a Chandigarh, 1966; Charles mort ou vif, New Yorker, 1972; (with Berger) La Salamandre, Alga, 1971; Le Retour d'Afrique, Groupe 5 Geneve/ Television Suisse/Filmanthrope, 1972; (with Berger) Le Milieu du monde, Artificial Eye/Action/Citel Film Distribution, 1974; (with Berger) Jonas—Qui aura 25 ans en Van 2000, New Yorker, 1976; Messidor, Gaumont International, 1978; Les Annees lumieres, Artificial Eye, 1981; Dans la ville blanche, Contemporary Films Ltd., 1982; No Man's Land, MK2/Filmograph/Westdeutscher Rundfunk/Channel Four Film on Four/SSR/Films A2, 1985; La Vallee Fantome, MK2, 1987; (with Myriam Mezieres) Une Flamme dans mon coeur, Bac/Roxie Releasing/Films du Volcan, 1987. OTHER—^Jonas qui aura 25 ans en I'an 2000 (novelization), 1978.

TANNER, Alain 1929AWARDS: Experimental Film Prize from the Venice Film Festival, 1957, for Nice Time; First Prize from the Locarno Festival, 1969, for Charles mort ou vif; National Society of Film Critics' Award, Best Screenplay (with John Berger), 1976, for Jonas—Qui aura 25 ans en I'an 2000; Special Jury Prize from the Cannes Film Festival, 1981, for Les Annees lumiere.*

PERSONAL: Born December 6, 1929, in Geneva, Switzerland; father, a writer and painter; mother, an actress. EDUCATION— Studied economics at Calvin College, Geneva. VOCATION: Director, screenwriter, and producer. 422

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Hugh Sinclair (an actor; divorced); married Desborough William Saunders. EDUCATION—Trained for the stage at the Royal Academy of Dramatic Art, 1920.

TAYLOR, Meshach PERSONAL: Born April 11, in Boston, MA; father, a sociology professor; mother, a college professor; married second wife, Bianca Fergerson (an actress); children: Tamar (first marriage); Yasmine, Esme Alana (second marriage). EDUCATION—Studied theatre at Florida A & M University.

VOCATION: Actress. CAREER: Also see WRITINGS below. STAGE DEBUT—Juliet, French Leave, Casino Theatre, Menton, France, 1922. LONDON DEBUT—Title role, Storm, Royalty Theatre, 1924. BROADWAY DEBUT—Kate Pettigrew, Berkeley Square, Lyceum Theatre, 1929. PRINCIPAL STAGE APPEARANCES—Isabella, Caroline and Miss Roberts, The Mollusc, both Casino Theatre, Menton, France, 1922; Rosario, The Romantic Young Lady and the madonna, The Marvellous History of Saint Bernard, both Birmingham Repertory Company, Birmingham, U.K., 1925; lady and Anne Morecombe, The Show, St. Martin's Theatre, London, 1925; Judith, Cobra, Garrick Theatre, London, 1925; Nina Zaretchny, The Seagull, Little Theatre, London, 1925; Feemy Evans, The Shewing-Up of Blanco Posnet and Lavinia, Androcles and the Lion, both Macdona Players, Regent Theatre, London, 1925; Hermione Gordon, The Rescue Party, Repertory Players, Regent Theatre, 1926; the madonna, The Marvellous History of Saint Bernard, Kings way Theatre, London, 1926; Kate Pettigrew, Berkeley Square, St. Martin's Theatre, 1926; Helen Hayle, On Approval, Fortune Theatre, London, 1927; Betty Harlowe, The House of the Arrow, Vaudeville Theatre, London, 1928; Kate Pettigrew, Berkeley Square, Lyric Theatre, London, 1929; Nina Zaretchny, The Seagull, Fortune Theatre, 1929; Countess of Darnaway, Petticoat Influence, Empire Theatre, New York City, 1930; Mrs. Deane, Peter Ibbetson, Shubert Theatre, New York City, 1931; Elizabeth Trant, The Good Companions, 44th Street Theatre, New York City, 1931; Mary Fanshawe, Red Planet, Cort Theatre, New York City, 1932; lady, The Man with a Load of Mischief, Westminster Theatre, London, 1933; Irene de Montcel, La Prisonniere, Arts Theatre, London, 1934.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—-Streamers and Sizwe Banzi Is Dead, both Goodman Theatre, Chicago, IL, 1976; Native Son, Goodman Theatre, 1978; The Island, Goodman Theatre, Annenberg Center, Philadelphia, PA, 1979; also appeared in Sizwe Banzi Is Dead, Westwood Playhouse, Los Angeles. MAJOR TOURS—Hair, U.S. cities. PRINCIPAL FILM APPEARANCES—Dr. Kane, Damien—Omen II, Twentieth Century-Fox, 1978; Shantz, The Howling, AVCOEmbassy, 1981; deputy, The Beast Within, Metro-GoldwynMayer/United Artists, 1982; Gordon Miller, Explorers, Paramount, 1985; video technician, Warning Sign, Twentieth CenturyFox, 1985; Bill Neal, One More Saturday Night (also known as Datenight), Columbia, 1986; Philip, The Allnighter, Universal, 1987; Mr. Dean, House of Games, Orion, 1987; Hollywood Montrose, Mannequin, Twentieth Century-Fox, 1987. Also appeared in The Haircut (short film), 1982; From the Hip, De Laurentiis Entertainment Group, 1987. PRINCIPAL TELEVISION APPEARANCES—Series: Tony, Buffalo Bill, NBC, 1983-84; Anthony Bouvier, Designing Women, CBS, 1986—; also host, Black Life, WMAQ-TV (Chicago, IL). Pilots: Blue collar man, I'd Rather Be Calm, CBS, 1982. Episodic: Cop, The Golden Girls, NBC, 1985; Rick, Melba, CBS, 1986; also Barney Miller, ABC, 1982; Lou Grant, CBS; The White Shadow, CBS; M*A*S*//, CBS. Movies: Crosby, An Innocent Man, HBO, 1987. Specials: Virgil, "The Rec Room," NBC Presents the API Comedy Special, NBC, 1987; also Huckleberry Finn, PBS.

Beatrice Gwynne, Call It a Day, Globe Theatre, London, 1935; Martha Dobie, The Children's Hour, Gate Theatre, London, 1936; Hilda McKenna, The Orchard Walls, St. James's Theatre, London, 1937; Vere Malcolm, Love of Women, John Golden Theatre, New York City, 1937; Anita Karsten, Surprise Item, Ambassadors' Theatre, London, 1938; Cynthia Randolph, Dear Octopus, Queen's Theatre, London, 1938; Helen Gordon, A Lady Reflects, Q Theatre, London, 1940; Cynthia Randolph, Dear Octopus, Adelphi Theatre, London, 1940; Myrtle Valentine, Skylark, Duchess Theatre, London, 1942; Marthe de Brancovis, Watch on the Rhine, Aldwych Theatre, London, 1942; Natalia, A Month in the Country, St. James's Theatre, 1943; Dilys Parry, The Wind of Heaven, St. James's Theatre, 1945; Imogen, Cymbeline, Lady Macbeth, Macbeth, and Princess of France, Love's Labour's Lost, all Shakespeare Memorial Company, Shakespeare Memorial Theatre, Stratfordon-Avon, U.K., 1946; Marion, The Anonymous Lover, Duke of York's Theatre, London, 1947; Naomi Wright, Happy with Either, St. James's Theatre, 1948; Janet Spence, The Gioconda Smile, Wyndham's Theatre, London, 1948, then Lyceum Theatre, New York City, 1950; Rosabel Fleming, Venus Observed, St. James's Theatre, 1950; Lady Crossley, The Gift, Edinburgh Festival, Lyceum Theatre, Edinburgh, Scotland, 1952; Mrs. Dennis, The Living Room, Edinburgh Festival, Lyceum Theatre, then Wyndham's Theatre, both 1953; Ruth, Facts of the Heart, Under Thirty Group, Criterion Theatre, London, 1953; Jessie, The Art of Living, Brighton Theatre Royal, Brighton, U.K., 1955; Comtesse Louise de Clerembard, The Count of Clerembard, Garrick Theatre, 1955; Felicia, Who Cares?, Fortune Theatre, 1956; Mam'selle, Father's Match, Brighton Theatre Royal, then retitled The Happy Man, Westminster Theatre, both 1957; Myra Bolton, Each His Own

RELATED CAREER—Member, Organic Theatre Group. NON-RELATED CAREER—Political reporter for an Indianapolis, IN radio station; head of privately-funded program for rehabilitating street gang members, Indianapolis; also worked as an accountant and security guard. AWARDS: Joseph Jefferson Award for Sizwe Banzi Is Dead; Chicago Emmy Award for Huckleberry Finn. SIDELIGHTS: languages.

RECREATIONS—Travel and studying foreign

ADDRESSES: AGENT—David Shapira and Associates, 15301 Ventura Boulevard, Suite 345, Sherman Oaks, CA 91403.*

TAYLOR, Valerie

TAYLOR

1902-1988

PERSONAL: Born November 10, 1902, in Fulham, England; died October 24, 1988, in London, England; daughter of Major Frederick Edward Verney and Florence Julia (Robarts) Taylor; married

423

TERRY

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Wilderness, English Stage Company, Royal Court Theatre, London, 1958; Blanche Carrell, Eighty in the Shade, Globe Theatre, 1959; Queen Elizabeth, Mary Stuart, Old Vic Theatre, London, 1960; Alice Jago, The Masters, Savoy Theatre, London, 1963; Aunt Agatha, The Family Reunion, Yvonne Arnaud Theatre, Guildford, U.K., 1968; Edith, Time Present, Royal Court Theatre, then Duke of York's Theatre, both 1968; Amanda Wingfield, The Glass Menagerie, University Theatre, Manchester, U.K., 1970. Also appeared in The Dancers, Wyndham's Theatre, 1923; as Lady Trevor, Behind the Beyond, 1926; Crystal Weatherley, The Man in Possession, Magnolia Theatre, in Massachusetts, 1932.

Comes Trouble, RSC, Warehouse Theatre, 1978; Cleon and knight, Pericles, Aristarch Dominikovitch Golaschapov, The Suicide, and Ekart, Baal, all RSC, Other Place Theatre, 1979; Casca and Pindarus, Julius Caesar, RSC, Royal Shakespeare Theatre, 1979; Walter Pursar, Operation Bad Apple, Royal Court Theatre, 1982; Milton, Victory, Royal Court Theatre, 1983; Bosola, The Duchess ofMalfi, RSC, Swan Theatre, London, 1989. Also appeared in The Possessed, Almeida Theatre, London, 1985. PRINCIPAL FILM APPEARANCES—Prince John, The Lion in Winter, AVCO-Embassy, 1968; King Arthur, Excalibur, Warner Brothers, 1981; Gregory Thomas and Michael Richardson, Deja Vu, Cannon, 1985; Aden Morris, Sylvia, Metro-Goldwyn-Mayer/ United Artists Classics, 1985; title role, Caravaggio, British Film Institute/Cinevista, 1986; narrator, The Last of England, Sales Company/International Film Circuit/Blue Dolphin, 1987; Abraham, War Requiem, Anglo International, 1989.

MAJOR TOURS—Fiona Merril, /'// See You Again and Claudia, U.K. cities, 1944; Lady Bracknell, The Importance of Being Earnest, Old Vic Theatre Company, U.K. cities, 1960, then Moscow and Leningrad, 1961; Anna Seward and Mrs. Pritchard, From China to Peru and Lady Hurf, Thieves' Carnival, Prospect Productions, U.K. cities, 1966; mother, The Constant Wife, U.K. cities, 1967; Violet Deering, Havoc, U.K. cities.

ADDRESSES: MANAGER—Kate Feast Management, 43-A Princess Road, Regents Park, London, NW1 8JS, England.*

PRINCIPAL FILM APPEARANCES—Kate Pettigrew, Berkeley Square, Twentieth Century-Fox, 1933; Diana Dent, Designing Women (also known as House of Cards), Metro-Goldwyn-Mayer (MGM), 1934; Nora Ashton, 48 Hours (also known as Went the Day Well), United Artists, 1944; Miss Hopkins, Faces in the Dark, Rank, 1960; Janet Broughton, What a Carve Up! (also known as No Place Like Homicide), Embassy, 1962; first witch, Macbeth, Prominent, 1963; Lily Kendrick, In the Cool of the Day, MGM, 1963; Mme. Denise, Repulsion, Royal, 1965.

THELEN, Jodi 1962PERSONAL: Born June 12, 1962, in St. Cloud, MN. EDUCATION—Studied acting at the Children's Theatre Company (Minneapolis, MN) and at the American Theatre Arts Conservatory.

PRINCIPAL TELEVISION APPEARANCES—Movies: Louise Sanford, Baffled, NBC, 1973. Specials: First witch, "Macbeth," Hallmark Hall of Fame, NBC, 1960.

VOCATION: Actress.

WRITINGS: FILM—(With Winston Graham and Margaret Kennedy) Take My Life, Eagle-Lion/Rank, 1948. RADIO—Persons Unknown.

CAREER: BROADWAY DEBUT—Nora, Brighton Beach Memoirs, Alvin Theatre (renamed the Neil Simon Theatre), 1983. PRINCIPAL STAGE APPEARANCES—Nora, Brighton Beach Memoirs, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1982-83; Rosa Spivak, Before the Dawn, American Place Theatre, New York City, 1985; Mrs. Smith, Springtime for Henry, Roundabout Theatre, New York City, 1986; Needa Heitz, The Nice and the Nasty, Playwrights Horizons, New York City, 1986; Marketa, Largo Desolato, New York Shakespeare Festival (NYSF), Public Theatre, 1986. Also appeared in Richard's Cork Leg, American Theatre Arts, Hollywood, CA, 1980; Nest of the Wood Grouse, NYSF, Public Theatre; The Sorrows of Stephen, Burt Reynolds' Jupiter Dinner Theatre, Jupiter, FL.

OBITUARIES AND OTHER SOURCES: Variety, November 2, 1988.*

TERRY, Nigel 1945PERSONAL: Born August 15, 1945, in Bristol, England.

FILM DEBUT—Georgia Miles, Four Friends (also known as Georgia's Friends), Filmways, 1981. PRINCIPAL FILM APPEARANCES—Tabari, The Black Stallion Returns, United Artists, 1983; Lena, Twilight Time, United Artists, 1983.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Private Evans, The Long and the Short and the Tall, Dolphin Theatre Company, Shaw Theatre, London, 1971; Tybalt, Romeo and Juliet, Dolphin Theatre Company, Shaw Theatre, 1972; Knife, Big Wolf, Royal Court Theatre, London, 1972; Richard, Rooted, Hampstead Theatre Club, London, 1973; Stuart, Kingdom Coming, Round House Theatre, London, 1973; Darkie, The Fool, Royal Court Theatre, 1975; Duke Magnus de la Gardie, Queen Christina and John, The Sons of Light, both Royal Shakespeare Company (RSC), Other Place Theatre, Stratford-on-Avon, U.K., 1977; Soranzo, 'TisPity She's a Whore, RSC, Other Place Theatre, 1977, then Warehouse Theatre, London, 1978; Duke of Exeter, Henry VI, Part Three, RSC, Royal Shakespeare Theatre, Stratford-on-Avon, 1977, then Aldwych Theatre, London, 1978; George, Look Out . . . Here

PRINCIPAL TELEVISION APPEARANCES—Series: Jane Kelly, Duet, Fox, 1987-89. Pilots: Dr. Edie Farmer, A Doctor's Story, NBC, 1984; Skylar Hancock, Starting Now, CBS, 1989. Episodic: Penny, ' 'The Rise and Rise of Daniel Rocket,'' American Playhouse, PBS, 1986. SIDELIGHTS: RECREATIONS—Snow skiing, water skiing, bicycle riding, and reading. ADDRESSES: AGENT—Bauman, Hiller, and Associates, 5750 Wilshire Boulevard, Suite 512, Los Angeles, CA 90038.* 424

THOMSON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

THIGPEN, Lynne

Patrick "Sarge" Stone, Zone Troopers, Empire, 1986; Lonny, A Tiger's Tale, Atlantic Releasing, 1987; Loy, Near Dark, De Laurentiis Entertainment Group, 1987; Lester, Cherry 2000, Orion, 1988; Tim, The Wrong Guys, New World, 1988; Vince Barnes, Who's Harry Crumb?, Tri-Star, 1989. Also appeared in St. Helens, Parnell, 1981.

PERSONAL: Born December 22 in Joliet, IL. VOCATION: Actress and singer. CAREER: PRINCIPAL STAGE APPEARANCES—Dina, The Magic Show, Cort Theatre, New York City, 1976; Persona Non Grata, But Never Jam Today, Longacre Theatre, New York City, 1979; various roles, Tintypes, Theatre at St. Peter's Church, New York City, 1980, then John Golden Theatre, New York City, 1980-81; ex-slave, Ida B. Wells, Sister Tessie, Gertrude "Ma" Rainey, Hannah Tutson, Jackie "Moms" Mabley, and Fannie Lou Hamer, And I Ain't Finished Yet, Manhattan Theatre Club, New York City, 1981; More of Loesser (revue), King Cole Room, St. RegisSheraton, New York City, 1982; Rita, Educating Rita, Alliance Theatre Company, Atlanta, GA, 1983; Joellen, Full Hookup, Circle Repertory Theatre, New York City, 1983-84; Bonnie, Balm in Gilead, Circle Repertory Theatre, 1984, then Minetta Lane Theatre, New York City, 1984-85; Cora, "D", Manhattan Theatre Club, 1985; Mrs. Baker, A Month of Sundays, Ritz Theatre, New York City, 1987; Mrs. Gamadge, The Best Man, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1987; Rose Maxson, Fences, 46th Street Theatre, New York City, 1988.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Cos, ABC, 1976; regular, The Red Foxx Show, ABC, 1977-78; Gene/ Jean, Quark, NBC, 1978; Gianni, Angle, ABC, 1979-80; Johnny Danko, The Associates, ABC, 1979-80; Reggie Cavanaugh, The Two of Us, CBS, 1981-82; Theodore Ogilvie, Gun Shy, CBS, 1983; Jerry Baskin, Down and Out in Beverly Hills, Fox, 1987. Mini-Series: Billy Youngblood, Bare Essence, CBS, 1982; Jack, Glory Years, HBO, 1987. Pilots: Chick, A Shadow in the Streets, NBC, 1975; Barney Tuscom, Benny and Barney: Las Vegas Undercover, NBC, 1977; Lester, Getting There, CBS, 1980; Frank Nightingale, Golden Gate, ABC, 1981; Mr. Damrush, In Trouble, ABC, 1981; Damon Rhoades, Cameo By Night, NBC, 1987. Episodic: Sergeant Traynor, Hunter, NBC, 1986; Brom Bones, "The Legend of Sleepy Hollow," Shelley Duvall's Tall Tales and Legends, Showtime, 1986; Mac Dixon, Private Eye, NBC, 1987; Billy Diamond, "Take My Life . . . Please!" The Twilight Zone, CBS, 1986; Sergeant Aubrey Decker, Tour of Duty, CBS, 1987; Ebenezer Wright, St. Elsewhere, NBC, 1987; Mule Muldowski, Hunter, NBC, 1988; Brock Ash, Moonlighting, ABC, 1989; David Treadway, TV 101, CBS, 1989; Colonel Savage, Young Riders, ABC, 1989; also Starsky and Hutch, ABC, 1978; Nero Wolfe, NBC, 19SI-, Private Benjamin, CBS, 1982; Hunter, NBC, 1984; Hardcastle and McCormick, ABC, 1985; Improv Tonight, syndicated, 1988; Fantasy Island, ABC. Movies: Steve, Terraces, NBC, 1977; Tom Goodman, His Mistress, NBC, 1984; Major Dan Hackett, The B.R.A.T. Patrol, ABC, 1986; also The Incredible Hulk Returns (also known as The Return of the Incredible Hulk), NBC, 1988. Specials: The Richard Pryor Special?, NBC, 1977.

PRINCIPAL FILM APPEARANCES—Lynne, Godspell, Columbia, 1973; D.J., The Warriors, Paramount, 1979; Jo, Tootsie, Columbia, 1982; Motor Woman, Streets of Fire, Universal/RKO, 1984; Claire, Sweet Liberty, Universal, 1986; reporter, Hello Again, Buena Vista, 1987; Leona Barrett, Lean on Me, Warner Brothers, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Nancy, Love, Sidney, NBC, 1982-83; regular, The News Is the News, NBC, 1983. Pilots: Sue, Pottsville, CBS, 1980. Episodic: The Equalizer, CBS, 1987; also Loretta, Gimme a Break, NBC. Movies: Rica Towne, Rockabye, CBS, 1986.

RELATED CAREER—Comedian, Mitzi Shore's Comedy Store, Dunes Hotel, Las Vegas, NV, 1986.

ADDRESSES: AGENT—Michael Thomas Agency, 305 Madison Avenue, Suite 449, New York, NY 10165.*

ADDRESSES: AGENT—Harris and Goldberg, 2121 Avenue of the Americas, Suite 950, Los Angeles, CA 90067.*

THOMERSON, Tim THOMSON, Gordon

1951-

VOCATION: Actor. PERSONAL: Born March 2, 1951, in Ottawa, ON, Canada. EDUCATION—Received a degree in English from McGill University.

CAREER: PRINCIPAL FILM APPEARANCES—Ken, Car Wash, Universal, 1976; tour guide, Which Way Is Up?, Universal, 1977; Marty, Record City, American International, 1978; Jeff,/? emember My Name, Columbia, 1978; Russell Bean, A Wedding, Twentieth Century-Fox, 1978; Doubles, Corny, United Artists, 1980; Dr. Moriarty, Fade to Black, American Cinema, 1980; Ray Binkowski, Take This Job and Shove It, AVCO-Embassy, 1981; highway patrolman, Honkytonk Man, Warner Brothers, 1982; Dr. Lanyon, Jekyll and Hyde . . . Together Again, Paramount, 1982; Cal, Some Kind of Hero, Paramount, 1982; Rhodes, Metal Storm: The Destruction of Jared-Syn, Universal, 1983; motorcycle cop, The Osterman Weekend, Twentieth Century-Fox, 1983; Charts, UncommonValor, Paramount, \983;Bame{tCa\e,Rhinestone, Twentieth Century-Fox, 1984; Jack Deth and Philip Dethon, Trancers (also known as Future Cop), Empire, 1985; John Reynolds, Volunteers, Tri-Star, 1985; Ted, Iron Eagle, Tri-Star, 1986; Sergeant

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Alexei Belaev, A Month in the Country, Stratford Shakespeare Festival, Stratford, ON, Canada, 1973; Cleante, The Imaginary Invalid, Longaville, Love's Labour's Lost, and Lewis, the Dauphin, The Life and Death of King John, all Stratford Shakespeare Festival, 1974. Also appeared A Bee in Her Bonnet, Manitoba Theatre Center, Winnipeg, MB, Canada, 1979; Loot, Studio Arena Theatre, Buffalo, NY, 1980. MAJOR TOURS—Godspell, Canadian cities, 1972. PRINCIPAL FILM APPEARANCES—Alan Evans, Explosion (also

425

THORNTON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

known as The Blast), American International, 1969; Tony, "Episode 1: Love from the Marketplace," Love, Velvet, 1982. Also appeared in Leopard in the Snow, New World, 1979. PRINCIPAL TELEVISION APPEARANCES—Series: Ari Benedict White, Ryan's Hope, ABC, 1975; Adam Carrington, Dvnasty, ABC, 1981-89. Episodic: Harold, "The Lake," The Ray Bradbury Theatre, USA, 1989; Major Daniel McGuire, Murder, She Wrote, CBS, 1989; also Baloney, CBC, \W9; Fantasy Island, ABC; 77M> Love Boat, ABC; Finder of Lost Loves, ABC. Specials: Miss Hollywood, 1986, ABC, 1986; Soap Opera Digest Awards, NBC, 1988; Circus of the Stars, CBS, 1988. AWARDS: Golden Globe nomination, Best Performance By an Actor in a Series, Mini-Series, or Motion Picture Made for Television, 1988, for Dynasty. ADDRESSES: AGENT—Alan lezman, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212. MANAGER— Elaine Rich Management, 2400 Whitman Place, Los Angeles, CA 90068.*

THORNTON, Frank

1921-

PERSONAL: Born Frank Ball, January 15, 1921, in London, England; son of William Ernest and Rosina Mary (Thornton) Ball; married Beryl Jane Margaret Evans. EDUCATION—Trained for the stage at the London School of Dramatic Art. MILITARY—Royal Air Force.

FRANK THORNTON

VOCATION: Actor. Captain Peacock, Are You Being Served?, WinterGardens Theatre, Blackpool, U.K., 1976; Sir Justin Holbrook, Shut Your Eyes and Think of England, Apollo Theatre, 1977; Ernest, Bedroom Farce, Theatre Royal, Windsor, U.K., 1979; George, Jumpers, Thorndike Theatre, Leatherhead, U.K., 1979; Dr. Sloper, The Heiress, Yvonne Arnaud Theatre, Guildford, U.K., 1981;Malvolio, Twelfth Night, Watermill Theatre, Newbury, U.K., 1981; Sir Joseph Porter, H.M.S. Pinafore, Queen Elizabeth Hall, London, 1982; Sir John Tremayne, Me and My Girl, Haymarket Theatre, Leicester, U.K., 1984, then Adelphi Theatre, London, 1985-86; John of Gaunt, Richardll, Ludlow Festival, Ludlow, U.K., 1987; Major General Stanley, The Pirates ofPemance, Theatre Royal, Plymouth, U.K., 1987; title role, The Cabinet Minister, Royal Exchange Theatre, Manchester, U.K., 1987; the Privy Counsellor, The Tutor, Old Vic Theatre, London, 1988; General Charles De Gaulle and various roles, Winnie, Opera House, Manchester, then Victoria Palace Theatre, London, both 1988; Captain Hook, Peter Pan, Connaught Theatre, Worthing, U.K., 1988; Count Shabyelsky, Ivanov and Leonato, Much Ado About Nothing, both Strand Theatre, 1989. Also appeared in Five Players in Four Plays, Aldeburgh Festival, Aldeburgh, U.K., 1962; Dr. Wicksteed, Habeas Corpus, Perth, Australia, 1983; Barney Cashman, Last of the Red Hot Lovers, Mil!-at-Sonning, 1983.

CAREER: STAGE DEBUT—Brian Curtis, French Without Tears, Confraternity Hall, Thurles, Ireland, 1940. PRINCIPAL STAGE APPEARANCES—Fenton and Bardolph, The Merry Wives of Windsor, Donald Wolflt's Company, Strand Theatre, London, 1941; Lysander, A Midsummer Night's Dream and Laertes, Hamlet, both Strand Theatre, 1941-42; Mosca, Volpone, Donald Wolnt's Company, St. James's Theatre, London, 1942; Angus and Scottish lord, Macbeth, Piccadilly Theatre, London, 1942; Corporal Jones, Flare Path, Apollo Theatre, London, 1942; Gregory Throstle (understudy), One Wild Oat, Garrick Theatre, London, 1949; Mouche, The Empty Chair, Playhouse Theatre, Oxford, U.K., 1956; Dom Joao de Castro, The Hidden King, Edinburgh Festival, Edinburgh, Scotland, 1957; Bishop Zog, The Golden Touch, Piccadilly Theatre, 1960; ensemble, Don't Shoot, We're English (revue), Cambridge Theatre, London, 1960; Caliph, Hassan, Dublin Festival, Dublin, Ireland, 1960; Ludovico Nota, Naked, Playhouse Theatre, 1960; Edward, Meals on Wheels, Royal Court Theatre, London, 1965; Empton QC, Alibi for a Judge, Savoy Theatre, London, 1966; Minnit and Procurio, The Young Visitors, Piccadilly Theatre, 1968; Charlie Dyer, Staircase, Richmond Theatre, London, 1969. Councillor Parker, When We Are Married, Strand Theatre, 1970; Eeyore, Winnie the Pooh, Phoenix Theatre, London, 1971, then 1972; Commander Rogers, French Without Tears, Lyceum Theatre, Edinburgh, 1974; Sir Andrew Aguecheek, Twelfth Night and Duncan, Macbeth, both Royal Shakespeare Company, Stratfordon-Avon, U.K., 1974, then Aldwych Theatre, London, 1975; Sir Patrick Cullen, The Doctor's Dilemma, Mermaid Theatre, London, 1975;actor#l,/>fayBy/ ) %, King's Head Theatre, London, 1975;

MAJOR TOURS—Dewhurst, The Scarlet Pimpernel, Donald Wolflt's Company, U.K. cities, 1941; Franzel, The Dancing Years, U.K. cities, 1947-48; Gregory Throstle, One Wild Oat, U.K. cities, l95Q;PMip,The Little Hut, U.K. cities, 1965; Roger, Roger's Last Stand, U.K. cities, 1977; Sir Justin Holbrook, Shut Your Eyes and Think of England, U.K. cities, 1977; Dr. Wicksteed, Habeas

426

TIGAR

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

PRINCIPAL FILM APPEARANCES—Professor Schwartz, The Young Lovers, Metro-Goldwyn-Mayer, 1964; Kerjacki, Beau Geste, Universal, 1966; Bill Windsor, Fraster, the Sensuous Lion, LCS, 1973; Payton Jory, The Greatest, Columbia, 1977; Earl, Stunts (also known as Who Is Killing the Stuntmen?), New Line, 1977; opera announcer, Eat and Run, New World, 1986.

Corpus, Australian cities, 1980-81; Detective Inspector Hubbard, Dial "M" for Murder, U.K. cities, 1982. PRINCIPAL FILM APPEARANCES—Manservant, Gambling Lady, Warner Brothers, 1934; guard, The Man Who Broke the Bank at Monte Carlo, Twentieth Century-Fox, 1935; television director, Ring-a-Ding Rhythm (also known as It's Trad, Dad!), Columbia, 1962; barman, The Tell-Tale Heart (also known as The Hidden Room of 1,000 Murders), Brigadier-Union, 1962; photographer, Trial and Error (also known as The Dock Brief), Metro-GoldwynMayer, 1962; doctor, The Early Bird, Rank, 1965; Mr. A&R, Gonks Go Beat, Anglo-Amalgamated, 1965; Peperel, The Tomb of Ligeia (also known as Tomb of the Cat), American International, 1965; Mr. Jones, Carry On Screaming, Warner Brothers/Pathe, 1966; radio announcer, The Murder Game, Twentieth CenturyFox, 1966; manager, The Wild Affair, Goldstone, 1966; valuation officer, Alf 'n' Family (also known as Till Death Do Us Part), Sherpix, 1968; Charles, A Flea in Her Ear, Twentieth CenturyFox, 1968; registrar, 30 Is a Dangerous Age, Cynthia, Columbia, 1968; BBC man, The Bed Sitting Room, United Artists, 1969.

PRINCIPAL TELEVISION APPEARANCES—Series: Noah Bain, It Takes a Thief, ABC, 1968-69; Ali Baba, "Electra Woman and DynaGirl," The KrofftSupershow, ABC, 1976-77; Ted Adamson, Search for Tomorrow, CBS, 1978. Pilots: Hoffman, Code Name: Heraditus (broadcast as an episode of The Bob Hope Chrysler Theatre}, NBC, 1967; Garrison, Police Story, NBC, 1967. Episodic: Dr. Mike, "Cold Hands, Warm Heart," The Outer Limits, ABC, 1964; Commodore Jose Mendez, "The Menagerie," Star Trek, NBC, 1966; False Face, Batman, ABC, 1966; also Love American Style, ABC; What's Happening!, ABC; General Electric True (also known as True), CBS. Movies: Bartender, The Doomsday Flight, NBC, 1966; Dr. Dykers, Assualt on the Wayne, ABC, 1971; voice of Dr. Otto Litsky, The Sex Symbol, ABC, 1974; also Longarm, ABC, 1988.*

Police inspector, The Magic Christian, Commonwealth, 1970; porter, The Private Life of Sherlock Holmes, United Artists, 1970; Stoddart, The Rise and Rise of Michael Rimmer, Warner Brothers, 1970; Mr. Driver, All the Way Up, Anglo-Amalgamated, 1970; Cyril, Sophie's Place (also known as Crooks and Coronets}, Warner Brothers/Seven Arts, 1970; estate agent, Digby, the Biggest Dog in the World, Cinerama, 1974; King, Old Dracula (also known as Vampira and Old Drac), American International, 1975; Inspector Crumb, Side By Side, GTO, 1975; Dr. Johnson, Spanish Fly, EMI, 1975; Whitlow, The Bawdy Adventures of Tom Jones, Universal, 1976. Also appeared in Cracked Nuts, RKO, 1931; Secret of the Chateau, Universal, 1935; Radio Cab Murder, Eros, 1954; Stock Car, Butchers Film Service, 1955; Johnny, You re Wanted, Anglo-Amalgamated, 1956; Operation Conspiracy (also known as Cloak Without Dagger), Republic, 1957; A Funny Thing Happened on the Way to the Forum, United Artists, 1966; The Assassination Bureau, Paramount, 1969.

TIGAR, Kenneth

1942-

PERSONAL: Born September 24, 1942, in Chelsea, MA. EDUCATION—Graduated from Havard University. VOCATION: Actor. CAREER: OFF-BROADWAY DEBUT—Briggs, Thunder Rock, Equity Library Theatre, Master Theatre, 1973. PRINCIPAL STAGE APPEARANCES—Ensemble, The Proposition (revue), Bitter End, New York City, 1968; Woodcutter, Rashomon, Equity Library Theatre, New York City, 1973; Adolf, Baba Goya, American Place Theatre, then retitled Nourish the Beast, Cherry Lane Theatre, both New York City, 1973; Ferapont, The Three Sisters, AMAS Repertory Theatre, Beaumont Hall, New York City, 1973; Foreman Knuckunder, Cream Cheese and man, Love Scene, both Festival of Short Plays, American Place Theatre, 1974; Walter, Gallows Humor, Equity Library Theatre, Library and Museum of Performing Arts, New York City, 1975. Also appeared in Mississippi Moonshine, Playwrights Horizons, New York City, 1975; The Primary English Class, Los Angeles Actors Theatre, Los Angeles, 1982; and with the South Coast Repertory Theatre, Costa Mesa, CA, 1979-80.

PRINCIPAL TELEVISION APPEARANCES—Series: Captain Peacock, Are You Being Served?, BBC, 1972-84, then PBS. MiniSeries: Mr. Trabb, Great Expectations, HTV, then Disney Channel, 1989. Also appeared in The Taming of the Shrew and It's a Square World. RELATED CAREER—Member, Southsea Repertory Company. NON-RELATED CAREER—Insurance clerk. MEMBER: Garrick Club, Green Room Club.

PRINCIPAL FILM APPEARANCES—Steve, The Happy Hooker, Cannon, 1975; Pavlo, Creator, Universal, 1985; Mr. Raymaker, Just One of Guys, Columbia, 1985; Professor Swivet, 18 Again!, New World, 1988; Father Meyers, Phantasm II, Universal, 1988; bomb squad leader, Lethal Weapon II, Warner Brothers, 1989.

ADDRESSES: MANAGER—David Daly Personal Management, 68 Old Brompton Road, London SW7 3LQ, England.

PRINCIPAL TELEVISION APPEARANCES—Series: Thomas E. Dewey, The Gangster Chronicles, NBC, 1981. Pilots: Jim, The Rock Rainbow, ABC, 1978; Schulman, The Gypsy Warriors, CBS, 1978; Mel Orlorfsky, Love, Natalie, NBC, 1980; burglar, Great Day, CBS, 1983; Martin Halmos, Dirty Work, CBS, 1985; Saul Goldman, Jakes M.O., NBC, 1987. Episodic: Dr. Miller Simon, The Man from Atlantis, NBC, 1977; Dr. Lowell Greenspon, Cheers, NBC, 1985; Slotkin, Night Court, NBC, 1985; John McGill, Stingray, NBC, 1986; O'Malley, L.A. Law, NBC, 1986;

THRONE, Malachi VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—L.A. Under Siege, Center Theatre Group, Los Angeles, 1971. 427

TILTON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

judge, Hunter, NBC, 1986; Richard Morris, Crazy Like a Fox, CBS, 1986; the Ripper, Magnum, P.L, CBS, 1986; Scripps, Hill Street Blues, NBC, 1986; Bill, Mr. Belvedere, ABC, 1987; Dr. Gordon, Dallas, CBS, 1987; Dr. Robbins, Mr. President, Fox, 1987; Eddy Silver, Ohara, ABC, 1987; Gus Melman, Night Court, NBC, 1987; Mr. Meyers, Highway to Heaven, NBC, 1987; Mr. Terry, Webster, ABC, 1987; Sid Sidlevich, Growing Pains, ABC, 1987, 1988, and 1989; Detective Dorn, Sonny Spoon, NBC, 1988; Dr. Russell, The Bronx Zoo, NBC, 1988; Fritz Heath, Dynasty, ABC, 1988 and 1989; F.B.I, agent, ALF, NBC, 1989; judge, Amen, NBC, 1989; Mr. Timmons, Who's the Boss?, ABC, 1989; Reuben Pomerantz, Knots Landing, CBS, 1990; also Barney Miller, ABC, 1975, 1978, 1979, and 1981; Cheers, NBC, 1983; "Justin Case," The Disney Sunday Movie, ABC, l98S;Baywatch, NBC, 1990. Movies: Father O'Brien, The Golden Gate Murders (also known as Specter on the Bridge), CBS, 1979; Tom Montgomery, The Babysitter, ABC, 1980; Parker, Pray TV, ABC, 1982; Bill Richardson, Thursday's Child, CBS, 1983; Alan Rosenus, Missing Pieces, CBS, 1983; pathologist, Fatal Vision, NBC, 1984; Raymond, A Death in California, ABC, 1985; Ross, Second Serve, CBS, 1986; also The Big Black Pill, NBC, 1981; Special Bulletin, NBC, 1983; Roe vs. Wade, NBC, 1989. Specials: Hessian major, "The World Turned Upside Down," Ourstory, PBS, 1975; SamRinaldo, "Juvi," CBS Schoolbreak Special, CBS, 1987. ADDRESSES: AGENT—Michael Slessinger, Actors Group Agency, 8285 Sunset Boulevard, Suite 12, Los Angeles, CA 90046.* CHARLENE TILTON

RELATED CAREER—Actress in television commercials. TILTON, Charlene 1958-

AWARDS: Hollywood Presswomen's Award, Best Juvenile Actress, 1979.

PERSONAL: Born December 1, 1958, in San Diego, CA; mother's name, Katherine (a secretary); married Johnny Lee (a singer), February 14, 1982 (divorced, 1984); married Dominick Allen (a singer, composer, and actor), April 7, 1985; children: Cherish.

ADDRESSES: AGENT—Eleanor Berger, Irv Schechter Company, 9300 Wilshire Boulevard, Suite 410, Beverly Hills, CA 90212.*

VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Bambi, Freaky Friday, Buena Vista, 1976; party girl, Big Wednesday, Warner Brothers, 1978; Jennifer Cress well, The Fall of the House of Usher, Sunn Classic, 1980.

TODD, Beverly 1946-

PERSONAL: Born July 11, 1946, in Chicago, IL; daughter of Virena (Skinner) Todd; children: Malik Smith (deceased).

PRINCIPAL FILM WORK—Co-producer, Pale Horse, Pale Rider (short film).

VOCATION: Actress. PRINCIPAL TELEVISION APPEARANCES—Series: Lucy Ewing Cooper, Dallas, 1978-85, then 1988—. Episodic: Cindy, Murder, She Wrote, CBS, 1987; also Hotel, ABC, 1983; The Love Boat, ABC, 1985; Happy Days, ABC; Police Woman, NBC; Eight Is Enough, ABC; Saturday Night Live, NBC; The Bionic Woman. ABC. Movies: Julie Thurston, Diary of a Hitchhiker, ABC, 1979. Specials: Battle of the Network Stars, ABC, 1976, 1978, 1980, 1981, 1984, and 1988; Circus of the Stars, CBS, 1979; The New and Spectacular Guinness Book of World Records, ABC, 1980; Bob Hope's Funny Valentine, NBC, 1981; Bob Hopes Women I Love—Beautiful But Funny, NBC, 1982; The Academy of'Country Music's Twentieth Anniversary Reunion, NBC, 1986; America— The Great Mississippi (also known as The Serendipity Singers Special), syndicated, 1987; Diet America Challenge, NBC, 1989.

CAREER: PRINCIPAL STAGE APPEARANCES—Myrna Jessup, Carry Me Back to Morningside Heights, John Golden Theatre, New York City, 1968; Coretta, "Gettin' It Together" in Black Visions, New York Shakespeare Festival, Public Theatre, New York City, 1972. PRINCIPAL FILM APPEARANCES—Sally, The Lost Man, Universal, 1969; Puff, They Call Me Mister Tibbs!, United Artists, 1970; Louisa MacGill, Brother John, Columbia, 1971; Louise Williams, Vice Squad, AVCO-Embassy/Hemdale/Brent Walker, 1982; Georgiane, The Ladies Club, New Line Cinema, 1986; Laura, Happy Hour, Movie Store, 1987; Ann Bowen, Baby Boom, MetroGoldwyn-Mayer/United Artists, 1987; Dora, Clara's Heart,

428

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

TOLKAN

Warner Brothers, 1988; Monica Pear, Moving, Warner Brothers, 1988; Ms. Levias, Lean on Me, Warner Brothers, 1989. Also appeared in Homework, Jensen Farley, 1982.

Colonnades Theatre, New York City, 1979; Billy, Wings, Lyceum Theatre, New York City, 1979.

PRINCIPAL TELEVISION APPEARANCES—Series: Monica Nelson, Love of Life, CBS, 1968-70; Kelly Williams, Julie Farr, M.D. (also known as Having Babies), ABC, 1978-79; Felicia ClemmonsHughes, The Redd Foxx Show, ABC, 1986. Mini-Series: Fanta, Roots, ABC, 1977. Pilots: Melissa, Deadlock, NBC, 1969; Kelly Williams, Having Babies HI, ABC, 1978; Deputy Carmen, Fraud Squad, ABC, 1985. Episodic: Donna Clemens, Magnum, P.L, CBS, 1985; Valerie, Me and Mrs. C., NBC, 1987; Denise, The RobertGuillaumeShow, ABC, 1989; SaraCaldwell, Snoops, CBS, 1989; also Falcon Crest, CBS; Quincy, M.E., NBC; Lou Grant, CBS'Benson, ABC'Hill Street Blues, NBC-Family, ABC. Movies: Dana, The Ghost of Flight 401, NBC, 1978; Wylene Stills, The Jericho Mile, ABC, 1979;Lahoma Brown Paige, Don'tLookBack, ABC, 1981; Beatty, A Touch of Scandal, CBS, 1984; Maria, A Different Affair, CBS, 1987. Specials: Louise Hawley, "Please Don't Hit Me, Mom," ABC Afterschool Specials, ABC, 1981; Sixteenth Annual Black Filmmakers Hall of Fame, ABC, 1989.

Dave Moss, Glengarry Glen Ross, Goodman Theatre, Chicago, IL, then John Golden Theatre, New York City, both 1984; Harvey, One Tennis Shoe, Marathon '85, Ensemble Studio Theatre, 1985; Detective Lieutenant Fine, "Clara" in Danger: Memory!, Mitzi E. Newhouse Theatre, 1987. Also appeared in A View from the Bridge, Sheridan Square Playhouse, New York City, 1965; Wait Until Dark, Ethel Barrymore Theatre, New York City, 1966; Dandelion Wine, Arena Stage, Washington, DC, 1976; The Life of Galileo, Pittsburgh Public Theatre, Pittsburgh, PA, 1981; The FrontPage, Long Wharf Theatre, New Haven, CT, 1982; with the Charles Playhouse, Boston, MA, 1967-68; Stratford Shakespeare Festival, Stratford, ON, Canada, 1969; Center Stage, Baltimore, MD, 1972-73; Barter Theatre, Abingdon, VA, 1976; and Arena Stage, 1981. MAJOR TOURS—Dr. Artinian, then bell boy, The Best Man, U.S. cities, 1961-62.

ADDRESSES: AGENT—John Kimble, Triad Artists, 10100 Santa Monica Boulevard, 16th Floor, Los Angeles, CA 90067. MANAGER—Michael Mann Management, 8380 Melrose Avenue, Suite 207, Los Angeles, CA 90069.*

TOLKAN, James

PRINCIPAL FILM APPEARANCES—Edwards, Stiletto, AVCOEmbassy, 1969; Mr. Brown, They Might Be Giants, Universal, 1971; contact man, The Friends of Eddie Coyle, Paramount, 1973; Napoleon, Love and Death, United Artists, 1975; coroner, The Amityville Horror, American International, 1979; District Attorney Polito, Prince of the City, Warner Brothers, 1981; Baldy, Wolfen, Warner Brothers, 1981; St. Glass, Author! Author!, Twentieth Century-Fox, 1982; conferee, Hanky-Panky, Columbia, 1982; bishop's voice, "The Bishop of Battle" in Nightmares, Universal, 1983; Wigan, WarGames, United Artists, 1983; Maynard, Iceman, Universal, 1984; Howard Simpson, The River, Universal, 1984; Hanley, Turk 182!, Twentieth Century-Fox, 1985; Turner, Flanagan (also known as Walls of Glass), United Film Distribution, 1985; Mr. Strickland, Back to the Future, Universal, 1985; Brackman, Armed and Dangerous, Columbia, 1986; Stinger, Top Gun, Paramount, 1986; Harry, Off Beat, Buena Vista, 1986; Detective Lubic, Masters of the Universe, Cannon, 1987; Mr. Bjornstead, Made in Heaven, Lorimar, 1987; Colonel Tanzer, Viper, Fries Distributing, 1988; Benny Pistone, Split Decisions (also known as Kid Gloves), New Century/Vista, 1988; Joe Hanley, True Blood (also known as Edge of Darkness), Fries Entertainment, 1989.

1931-

PERSONAL: Full name, James S. Tolkan; born in 1931 in Calumet, MI; son of Ralph M. Tolkan (a cattle dealer); wife's name, Parmalee (a costume designer). EDUCATION—University of Iowa, B.A., drama, 1956; trained for the stage with Stella Adler. MILITARY—U.S. Navy, 1950-51. VOCATION: Actor. CAREER: STAGE DEBUT—Improvised council, Between Two Thieves, York Playhouse, New York City, 1960. PRINCIPAL STAGE APPEARANCES—Frank, The Shoemaker and the Peddler, East 74th Street Theatre, New York City, 1960; Seth Gale, Abe Lincoln in Illinois, Phoenix Theatre Company, Anderson Theatre, New York City, 1963; Herman Glogauer, Once in a Lifetime, York Playhouse, New York City, 1964; carnival person, The Three Sisters, Morosco Theatre, New York City, 1964; Weiss, The Cannibals, American Place Theatre, New York City, 1968; officer of the Queen's guard, Mary Stuart, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, New York City, 1971; Two Ton Tessie (sergeant), Pinkville, St. Clement's Church Theatre, New York City, 1971; Pope, The Silent Partner, Actors' Studio, New York City, 1972; jury member, Twelve Angry Men, Queens Playhouse, New York City, 1972; Tola, Narrow Road to the Deep North, Repertory Theatre of Lincoln Center, Vivian Beaumont Theatre, 1972; Dr. Marrow, Forty-Two Seconds from Broadway, Playhouse Theatre, New York City, 1973; Katz, Full Circle, American National Theatre and Academy Theatre, New York City, 1973; Gonzalo, The Tempest and Rosse, Macbeth, both New York Shakespeare Festival, Mitzi E. Newhouse Theatre, New York City, 1974; Charlie Allman, Dream of a Blacklisted Actor, Ensemble Studio Theatre, New York City, 1975; Allon, Menachem, and D.P., Golda, Morosco Theatre, 1977; Skinny, Jungle of Cities,

PRINCIPAL TELEVISION APPEARANCES—Series: Lester Mintz, Mary, CBS, 1985-86. Episodic: Roger Williams, "The Peach Gang," Ourstory, PBS, 1975; Billy, "Wings," American Playhouse, PBS, 1983; Norman Keyes, Remington Steele, NBC, 1985, 1986, and 1987; Mason Mather, Miami Vice, NBC, 1987; Ruger, The Equalizer, CBS, 1989. Movies: Kennel master, Little Spies, ABC, 1986; Dr. Siegel, Leap of Faith, CBS, 1988; Major Alex Thompson, Weekend War, ABC, 1988; Lieutenant Ed Henderson, The Case of the Hillside Stranglers (also known as Bloodbrothers: The Hillside Stranglers), NBC, 1989. Specials: Narrator, "Do the Guilty Go Free?," America Undercover, HBO, 1988. SIDELIGHTS: RECREATIONS—Collecting folk art. ADDRESSES: AGENT—Judith Neff, Gores/Fields Agency, 10100 Santa Monica Boulevard, Suite 700, Los Angeles, CA 90067.*

429

TOMPKINS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 TOWNE, Robert 1936(P.H. Vazak, Edward Wain)

TOMPKINS, Angel PERSONAL: Born Angeline Stromberg, December 20, in Albany, CA; daughter of Martin (a real estate broker) and Helen (Robertson) Stromberg; children: Troy. EDUCATION—Attended the University of Texas, El Paso and the University of Illinois, ChampaignUrbana; trained for the stage with Milton Katselas, Ned Manderino, and Adele Khoury.

PERSONAL: Born in 1936; second wife's name, Luisa; children: one daughter. EDUCATION—Studied philosophy and literature at Pomona State College; studied acting with Jeff Corey. MILITARY— U.S. Army. VOCATION: Writer, director, producer, and actor.

VOCATION: Actress. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—(As Edward Wain) Martin, The Last Woman on Earth, Filmgroup, 1960; (as Edward Wain) Sparks Moran, The Creature from the Haunted Sea, Flimgroup, 1961; Richard, Drive, He Said, Columbia, 1971; Stan, The Pick-Up Artist, Twentieth CenturyFox, 1987.

CAREER: PRINCIPAL STAGE APPEARANCES—Tracy, Mary, Mary, Sahara Tahoe Hotel, Lake Tahoe, NV; Hanna, Why Hanna's Skirts Won't Stay Down, Zephyr Theatre, Los Angeles; the Woman, Courtship, Richard Shepard Theatre, Los Angeles; Mother, The Feeling Hour, Eagle Theatre, Los Angeles; also appeared as the Major's wife, Unsold Pilots, Los Angeles.

PRINCIPAL FILM WORK—Producer and director, Personal Best, Warner Brothers, 1982; director, Tequila Sunrise, Warner Brothers, 1988; executive producer, The Bedroom Window, De Laurentis Entertainment Group, 1987.

PRINCIPAL FILM APPEARANCES—Fran Harper, Hang Your Hat on the Wind, Buena Vista, 1969; Helene Donnelly, I Love My Wife, Universal, 1970; Clarabelle, Prime Cut, National General, 1972; Ruby Dunne, The Don Is Dead (also known as Beautiful But Deadly), Universal, 1973; Cleo, Little Cigars, American International, 1973; Pamela Balsam, How to Seduce a Woman, Cinerama, 1974; title role, The Teacher (also known as The Seductress), Crown International, 1974; Marganne Stilson, Walking Tall, Part II, American International, 1975; Betty McCral, The Farmer, Columbia, 1977; Sandra Miller, The Bees, New World, 1978; Kitty, One Man Jury, Cal-Am Artists, 1978; news reporter, Alligator, Group 1, 1980; Ms. Waters, Dangerously Close, Cannon, 1986; Jan, Murphy's Law, Cannon, 1986; Diane Wallace, The Naked Cage, Cannon, 1986; First Lady, Amazon Women on the Moon, Universal, 1987; LaVonne, A Tiger's Tale, Atlantic Releasing, 1988; Carmen, Relentless, New Line Cinema, 1989. Also appeared as Mother, Rockhouse, 1989.

NON-RELATED CAREER—Real estate agent and commercial fisherman. WRITINGS: FILM—(As Edward Wain) The Last Woman on Earth, Filmgroup, 1960; The Tomb ofLigeia (also known as Tomb of the Cat), American International, 1965; (with Sam Peckinpah) Villa Rides, Paramount, 1968; The Last Detail, Columbia, 1973; Chinatown, Paramount, 1974; (with Warren Beatty) Shampoo, Columbia, 1975; (with Paul Schrader) The Yakuza (also known as Brotherhood of Yakuza), Warner Brothers/Toei, 1975; Personal Best, Warner Brothers, 1982; (as P.H. Vazak; with Michael Austin) Grey stoke: The Legend of Tarzan, Lord of the Apes, Warner Brothers, 1984; Tequila Sunrise, Warner Brothers, 1988; The Two Jakes, Paramount, 1990. TELEVISION—Episodic: The Lloyd Bridges Show, CBS, 1962 and 1963 (four episodes); "The Chameleon," The Outer Limits, ABC, 1964; "The Dove Affair," TheManfrom U.N.C.L.E.,NBC, 1964; "So Many Pretty Girls, So Little Time," Breaking Point, ABC, 1964; The Richard Boone Show, NBC, 1964. OTHER—"A Screenwriter on Screen writing," Anatomy of the Movies, Macmillan, 1981.

PRINCIPAL TELEVISION APPEARANCES—Series: Gloria Harding, Search, NBC, 1972-73. Pilots: Gloria Harding, Probe (also known as Search), NBC, 1972; townsperson, The Buffalo Soldiers, NBC, 1979; also Miss Dunes, Cousins, CBS. Episodic: Grace, Three's Company, ABC; Ailene Hardesty, The New F.B.L, ABC; Connie Chasen, Knight Rider, NBC; Nora Raeburn, Knight Rider, NBC; Debbie, The Rousters, NBC; Lita, The Fall Guy, ABC; surgeon, Knots Landing, CBS; Gloria, Hardcastle and McCormick, ABC; Dr. Diane, General Hospital, ABC; Bitsy Carmichael, EIR, CBS; Bonnie Henderson, Simon and Simon, CBS; Sylvia Finnegan, Simon and Simon, CBS; Diane, T.J. Hooker, ABC; Judge Grassblood, Amazing Stories, NBC; Janet, The Hitchhiker, HBO. Movies: Jennifer Pierce, You Lie So Deep, My Love, ABC, 1975. Also appeared as co-host, Am Am.

AWARDS: Academy Award nomination, Best Screenplay Based on Material from Another Medium, 1973, for The Last Detail; Academy Award, Best Original Screenplay, 1974, for Chinatown; Academy Award nomination (with Warren Beatty), Best Original Screenplay, 1975, for Shampoo; Academy Award nomination (with Michael Austin), Best Screenplay Based on Material from Another Medium, 1984, for Grey stoke: The Legend of Tarzan, Lord of the Apes.

NON-RELATED CAREER—Investor, licensed building contractor, finished carpenter.

MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association, Women in Film.

SIDELIGHTS: In addition to the films noted above for which he wrote the screenplays, Robert Towne has also acted as an uncredited script doctor on such films as The Creature from the Haunted Sea, Filmgroup, 1961; A Time for Killing, Columbia, 1967; (received credit as "special consultant") Bonnie and Clyde, Warner Brothers, 1967; Cisco Pike, Columbia, 1971; The Godfather, Paramount, 1972; Marathon Man, Paramount, 1977; Swing Shift, Warner Brothers, 1984; Eight Million Ways to Die, Tri-Star, 1986; Frantic, Warner Brothers, 1988.

ADDRESSES: AGENT—The Artist Group Ltd., 1930 Century Park W., Suite 403, Los Angeles, CA 90067.

OTHER SOURCES: American Film, January/February, 1989; Dictionary of Literary Biography, Vol. 44, Gale, 1986.

AWARDS: Golden Globe, Most Promising Newcomer, 1972; Billboard Award, New Young Player, 1975.

430

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

TULL

ADDRESSES: OFFICE—Warner Brothers Inc., 4000 Warner Boulevard, Burbank, CA 91522.*

TROELL, Jan

1931-

PERSONAL: Born July 23, 1931, in Limhamn, Sweden. VOCATION: Director, cinematographer, film editor, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Sagolandet (also known as Fairylands, The Fairy Tale Country, and Land of Dreams), Svenska Filminstitutet, 1986. PRINCIPAL FILM WORK—All as director, cinematographer, and editor, unless indicated: Har har du din liv (also known as Here's Your Life and Here Is Your Life), Brandon, 1968; Utvandrarna (also known as The Emigrants), Warner Brothers, 1972; Nybyggarna (also known as The New Land, The Settlers, and Unto a Good Land) Warner Brothers, 1973; (director only) Zandy's Bride, Warner Brothers, 1974; Bang!, Svenska Filminstutet, 1977; (director only) Hurricane (also known as Forbidden Paradise), Paramount, 1979; Ingenjor Andrees luftfard (also known as Flight of the Eagle), Svenska Filminstitutet, 1982, released in the United States by Summit Feature Distributors, 1983; Sagolandet (also known as Fairylands, The Fairy Tale Country, and Land of Dreams), Svenska Filminstitutet, 1986; also Ole dole doff (also known as Eeny Meeny Miny Moe, Who Saw Him Die?), 1968. PATRICK TULL

Also director and cinematographer of the following short films and documentaries: Stad, 1960; Baten (also known as The Ship), 1961; Sommartag (also known as Summer Train), 1961; Nyarsafton pa skanska slatten (also known as New Year's Eve on the Shane Plains), 1961; De kom tillbaka (also known as The Return), 1962; Pojken och draken (also known as The Boy and the Kite), 1962; (codirector) Var i Dolby hage (also known as Spring in Dalby Pastures), 1962; (cinematographer only) Barnvagnen (also known as The Pram and The Baby Carriage), 1963; De gamla kvarnen (also known as The Old Mill), 1964; Johan Ekberg 1964; Trakom (also known as Trachoma), 1964; (also editor) "Uppehall i myrlandet" (also known as "Stopover in the Marshland" and "Interlude in the Marshland") in 4 x 4, 1965.

TULL, Patrick

1941-

PERSONAL: Born July 28, 1941, in Bexhill, England; son of Richard Tull (a soldier) and Phillida (an actress; maiden name, Pantlin) Tull; married Pamela Eyton-Jones (divorced, 1974); married Nancy Butler (divorced, 1978); married Suellyn M. Dennis (director of the New York Press Association), December 10, 1979; children: Katharine, Siobhan. EDUCATION—Attended the London Academy of Music and Dramatic Arts. RELIGION—Church of England. VOCATION: Actor.

RELATED CAREER—Documentary filmmaker for Swedish television.

CAREER: STAGE DEBUT—Caretaker, Rhinoceros, Nottingham Playhouse, Nottingham, U.K., 1961. LONDON DEBUT—Cookson, Peter Pan, Scala Theatre, 1962. BROADWAY DEBUT—Sergeant Harris, The Astrakhan Coat, Helen Hayes Theatre, 1967. OFFBROADWAY DEBUT—Blore, Ten Little Indians, Equity Library Theatre, 1981. PRINCIPAL STAGE APPEARANCES—Vanhattan, The Apple Cart, Mermaid Theatre, London, 1969; priest, Amadeus, Broadhurst Theatre, New York City, 1982; Seamus Shields, The Shadow of a Gunman, Syracuse Stage, Syracuse, NY, 1983; Reverend Chasuble, The Importance of Being Earnest, Clarance Brown Company, Knoxville, TN, 1983; Moroso, The Tamer Tamed, Westbeth Theatre Center, New York City, 1984; also appeared in A Christmas Carol, Pennsylvania Stage Company, Allentown, PA, 1984; Brand and Frankenstein, both City Stage Company, New York City, 1985-86; Saint Joan, Tyrone Guthrie Theatre, Minneapolis, MN, 1986; as the window washer, Witness, King's Head Theatre, London; Andrew Wyke, Sleuth, Tennessee Williams Fine Arts Center, Key West, FL; title role, Goodman

NON-RELATED CAREER—Elementary school teacher, Malmo, Sweden, during the 1950s. WRITINGS: FILM—(Co-writer) "Uppehall i myrlandet" in 4 X 4, 1965; Ole dole doff, 1968; (with Bengt Forslund) Har har du din liv, Brandon, 1968; (with Forslund) Utvandrarna, Warner Brothers, 1972; (with Forslund) Nybyggarna, Warner Brothers, 1973; (with Sven Christer Swahn) Bang!, Svenska Filminstitutet, 1977; (with Georg Oddner, Ian Rakoff, and Klaus Rifbjerg) Ingenjor Andrees luftfard, Svenska Filminstitutet, 1982; Sagolandet, Svenska Filminstitutet, 1986. OTHER—Contributor to periodicals and journals. AWARDS: Chicago Film Festival Award, 1967, Berlin Film Festival Award, and Montreal Film Festival Award, all for Here Is Your Life; Chicago Film Festival Award, 1969, for Ole dole doff; Academy Award nomination, Best Foreign Film, 1982, for Flight of the Eagle.* 431

TYNER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Clocker, first voice, Under Milk Wood, and Baptista, The Taming of the Shrew, all St. Mary's Festival, St. Mary's City, MD; Giles Corey, The Crucible, Empire State Institute for the Performing Arts, Albany, NY; Montague, Romeo and Juliet, 28th Street Playhouse, New York City; Captain Cat, Under Milk Wood, Dublin Theatre Festival, Dublin, Ireland; Petey, The Birthday Party, YM/ YWHA, New York City; in MacBirdf, The Provok'd Wife, and The Marie Lloyd Story, all Theatre Royal, Stratford East, U.K.; A Christmas Carol, Greeley Street Theatre, Chappaqua, NY; The Rivals, Berkeley Repertory Theatre, Berkeley, CA; She Stoops to Conquer, Pearl Theatre, New York City; Van Helsing, Dracula; and appeared in repertory productions in Harrogate, York, Cromer, Sidmouth, Salisbury, and Canterbury, U.K.

drowned man, Organ Morgan, and Evans the Death, Under Milk Wood, Henry Miller's Theatre, New York City, 1957; the heckler, Sweet Bird of Youth, Martin Beck Theatre, New York City, 1959; John Brown, The Moon Beseiged, Lyceum Theatre, New York City, 1962; Sefelt, One Flew Over the Cuckoo's Nest, Cort Theatre. New York City, 1963. Also appeared as Howie Newsome, Our Town, Equity Library Theatre, New York City; and in Bedford Forest, Eugene O'Neill Foundation, CT. MAJOR TOURS—The heckler, Sweet Bird of Youth, U.S. cities, 1960. FILM DEBUT—Boss Higgins, Cool Hand Luke, Warner Brothers, 1967. PRINCIPAL FILM APPEARANCES—Dr. Lazarus, Gaily, Gaily (also known as Chicago, Chicago], United Artists, 1969; Edmonds, The Reivers, National General, 1969; Dace, The Stalking Moon, National General, 1969; Charlie Bannister, The Cheyenne Social Club, National General, 1970; doctor, Monte Walsh, National General, 1970; McClendon, The Moonshine War, MetroGoldwyn-Mayer (MGM), 1970; Virgil, The Traveling Executioner, MGM, 1970; Uncle Victor, Harold and Maude, Paramount, 1971; minister, Lawman, United Artists, 1971; Les Gibbons, Sometimes a Great Notion (also known as Never Give an Inch), Universal, 1971; farmer, Bad Company, Paramount, 1972; Jenkins, The Cowboys, Warner Brothers, 1972; Pete, Fuzz, United Artists, 1972; Robidoux, Jeremiah Johnson, Warner Brothers, 1972; psychiatrist, The Stone Killer, Columbia, 1973; Cracker, Emperor of the North Pole (also known as Emperor of the North), Twentieth Century-Fox, 1973; Unger, The Longest Yard, MGM, 1974; Ewing, The Midnight Man, Universal, 1974; Wheeler, The Family Plot, Universal, 1976; Merle, Pete's Dragon, Buena Vista, 1977; Colonel Kinkaid, Evilspeak, Moreno, 1982; Lyman Vunk, Hamburger . . . The Motion Picture, FM Entertainment, 1986; Gus, Planes, Trains, and Automobiles, Paramount, 1987; old man, Pulse, Columbia, 1988. Also appeared in Lilith, Columbia, 1964.

FILM DEBUT—Accountant, Life at the Top, Columbia, 1965. PRINCIPAL FILM APPEARANCES—Templeton, Mosquito Squadron, United Artists, 1970; bearded student, Tomorrow, Rank Film Distributors, 1970; Cecil, Parting Glances, Cinecom International, 1986; also appeared in All Neat in Black Stockings, National General/Warner Brothers, 1969; and in The Inn Way Out. TELEVISION DEBUT—Z Cars, BBC, 1963. PRINCIPAL TELEVISION APPEARANCES—Episodic: Voice of God, One Life to Live, ABC; monster voices, Dr. Who, BBC. Specials: Terry, Murder Motel, ABC, 1975. Also appeared as Charlie Modryb, Progress to the Park, BBC; in Comedy for Rent, KTCA (St. Paul, MN); as George Thorp, Jamestown: Beware of the People of the Sunrise; and in No Hiding Place, Dad's Army, Softly Softly, Hugh and I, Lieutenant Tenant, Londoners, To the Frontier, Thirty Minute Theatre, and Sentimental Education. RELATED CAREER—Company member, Nottingham Playhouse, Nottingham, U.K., 1961-62, and 1964-65; actor in productions for BBC radio; recorded books-on-tape, including most of the works of George Orwell. WRITINGS: RADIO—(Adaptor) Foundation Trilogy, BBC.

VOCATION: Actor.

PRINCIPAL TELEVISION APPEARANCES—Series: Howard Rodman, Father Murphy, NBC, 1981-82. Mini-Series: Reverend Hutchins, The Awakening Land, NBC, 1978; Dracula, James A. Michener's "Space" (also known as Space), CBS, 1985. Pilots: Hawley, Sarge: The Badge or the Cross, NBC, 1971; Amos Goodloe, The Greatest Gift, NBC, 1974; Asa Bluel, Lassie: The New Be ginning, ABC, 1978. Episodic: Herb Applegate, Paradise, CBS, 1988; also Suspense, CBS; Danger, CBS; Big Town; The Gabby Hayes Show; Dupont Show of the Month. Movies: Charley Eastman, Winter Kill, NBC, 1974; Mr. Beaton, Young Pioneers, ABC, 1976; Lefty Slade, Peter Lundy and the Medicine Hat Stallion, NBC, 1977; Doug Slocumb, The Incredible Journey of Doctor Meg Laurel, CBS, 1979; Joy's father, A Matter of Life and Death, CBS, 1981; George Clark, Deadly Messages, ABC, 1985; Isaiah Cawley, /'// Be Home for Christmas, NBC, 1988.

CAREER: BROADWAY DEBUT—Orpheus Descending, Martin Beck Theatre, 1957. PRINCIPAL STAGE APPEARANCES—Third

ADDRESSES: AGENT—Irv Schechter Company, 9300 Wilshire Boulevard, Suite 410, Beverly Hills, CA 90212.*

MEMBER: Actors' Equity Association, American Federation of Television and Radio Artists, Screen Actors Guild.

TYNER, Charles

1925-

PERSONAL: Born June 8, 1925, in Danville, VA. EDUCATION— Trained for the stage at the American Theatre Wing and with Stella Adler. MILITARY—U.S. Army, infantry, during World War II.

432

u

USTINOV, Peter

1921-

PERSONAL: Full name, Peter Alexander Ustinov; born April 16, 1921, in London, England; son of lona (a journalist; professional name, "Klop") and Nadia (a painter and scenic designer; maiden name, Benois) Ustinov; married Isolde Denham, 1940 (divorced, 1950); married Suzanne Cloutier (an actress), 1953 (divorced, 1971); married Helene du Lau d'Allemans, June 17,1972; children: Tamara (first marriage); Pavla, Igor, Andrea (second marriage). EDUCATION—Studied acting with Michel Saint Denis at the London Theatre Studio, 1937-39. MILITARY—British Army, Royal Sussex Regiment, 1942-46; also served with the Royal Army Ordnance Corps, the Kinematograph Service, and the Directorate of Army Psychiatry. VOCATION: Actor, writer, director, and producer. CAREER: Also see WRITINGS below. STAGE DEBUT—Waffles, The Wood Demon, Barn Theatre, Shere, U.K., 1938. LONDON DEBUT—Title role, The Bishop of Limpopoland (sketch), Players' Theatre Club, 1939. BROADWAY DEBUT—The General, Romanoff and Juliet, Plymouth Theatre, 1957. PRINCIPAL STAGE APPEARANCES—Reverend Alroy Whittingstall, First Night, Richmond Theatre, London, 1940; ensemble, Swinging the Gate (revue), Ambassadors' Theatre, London, 1940; M. Lescure, Fishing for Shadows, Threshold Theatre, London, 1940; ensemble, Diversion (revue), Wyndham's Theatre, London, 1940; ensemble, Diversion 2 (revue), Wyndham's Theatre, 1941; Petrovitch, Crime and Punishment, New Theatre, London, 1946; Caligula, Frenzy, St. Martin's Theatre, London, 1948; Sergeant Dohda, Love in Albania, Lyric Hammersmith Theatre, then St. James's Theatre, both London, 1949; Carabosse, The Love of Four Colonels, Wyndham's Theatre, 1951; the General, Romanoff and Juliet, Piccadilly Theatre, London, 1956-57; Old Sam, Photo Finish, Saville Theatre, London, 1962, then Brooks Atkinson Theatre, New York City, 1963; the Archbishop, The Unknown Soldier and His Wife, Chichester Theatre Festival, Chichester, U.K., 1968, then New London Theatre, London, 1973; Boris Vassilievitch Krivelov, Who's Who in Hell, Lunt-Fontanne Theatre, New York City, 1974; title role, King Lear, Stratford Shakespeare Festival, Stratford, ON, Canada, 1979, then 1980; the Stage Manager, The Marriage (opera), Piccola Scala, Milan, Italy, 1981, then Edinburgh Festival, Edinburgh, Scotland, 1982; Ludwig, Beethoven's Tenth, Birmingham, Repertory Theatre, Birmingham, U.K., then Vaudeville Theatre, London, later Center Theatre Group, Ahmanson Theatre, Los Angeles, all 1983, then Nederlander Theatre, New York City, 1984; An Evening with Peter Ustinov (one-man show), Royal Haymarket Theatre, London, 1990. Also appeared in French Without Tears, Pygmalion, White Cargo, Rookery Nook, and Laburnum Grove, all Aylesbury Repertory Theatre, Aylesbury,

PETER USTINOV

U.K., 1939; ensemble, Hermoine GingoldRevue, London, 1940; Ludwig, Beethoven's Tenth, Paris, France, 1982. PRINCIPAL STAGE WORK—Director: Fishing for Shadows, Threshold Theatre, London, 1940; Squaring the Circle, Vaudeville Theatre, London, 1941; The Man in the Raincoat, Edinburgh Festival, Edinburgh, Scotland, 1949; Love in Albania, Lyric Hammersmith Theatre, then St. James's Theatre, both London, 1949; The Love of Four Colonels, Wyndham's Theatre, 1951; A Fiddle at the Wedding, Royal Theatre, Brighton, U.K., 1952; No Sign of the Dove, Savoy Theatre, London, 1953; (with Nicholas Garland) Photo Finish, Saville Theatre, London, 1962, then Brooks Atkinson Theatre, New York City, 1963; L'Heure Espagnole, Erwartung, and Gianni Schicci (operas), all Royal Opera, Covent Garden Opera House, London, 1962; Halfway Up the Tree, Brooks Atkinson Theatre, 1967; The Magic Flute (opera), Hamburg Opera, Hamburg, West Germany, 1968; The Unknown Soldier and His Wife, Chichester Theatre Festival, Chichester, U.K., 1968, then New 433

USTINOV

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

London Theatre, London, 1973; (also producer, set designer, and costume designer) Don Quichotte (opera), Paris Opera, Paris, France, 1973; (also set designer and costume designer) Don Giovanni (opera), Edinburgh Festival, 1973; Les Brigands (opera), Berlin Opera, Berlin, West Germany, 1978; The Marriage (opera), Piccola Scala, Milan, Italy, 1981, then Edinburgh Festival, 1982; Mavra and The Flood (operas), Piccola Scala, 1982; Katja Kabanowa (opera), Hamburg Opera, 1985; also The Love of Four Colonels, Birmingham, U.K., \95\\NoSignoftheDove, Leeds, U.K., 1953; (with Nicholas Garland) Photo Finish, Dublin, Ireland, then Paris, 1964; Halfway Up the Tree, London, 1967; King Lear, Stratford Shakespeare Festival, Stratford, ON, Canada.

1984; Hercule Poirot, Appointment with Death, Cannon, 1988; narrator, Peep and the Big Wide World (animated short film), National Film Board of Canada, 1988. Also appeared in Hullo Fame!, 1941; Let the People Sing, Anglo-American, 1942; The New Lot (documentary), 1943; The True Glory (documentary), 1945; as Don Alfonso, The Wanderers (also known as I girovaghi), 1956; Michael Kiminsky, The Spies (also known as Les Espions), 1957; voice, The Adventures of Mr. Wonderful, 1959; narrator, Women of the World (also known as La donna del mondo), 1963; narrator, The Peaches, 1964; Big Truck and Sister Clare, 1973. FIRST FILM WORK—Producer (with George H. Brown) and director, School for Secrets (also known as Secret Flight), General Film Distributors, 1946. PRINCIPAL FILM WORK—Director: (Also producer with George H. Brown) Vice-Versa, General Film Distributors, 1948; (with Michael Anderson; also producer) Private Angelo, Associated British/Pathe, 1949; (also producer) Romanoff and Juliet, Universal, 1961; (also producer) Billy Budd, United Artists, 1962-jMdyL., MGM, 1965; Hammersmith Is Out, Cinerama, 1972; Memed My Hawk, Focus, 1984.

MAJOR TOURS—The General, Romanoff and Juliet, U.S. and Canadian cities, 1958-59; also toured U.S.S.R. in this role. FILM DEBUT—Mein Kampf—My Crimes, Associated British, 1940. PRINCIPAL FILM APPEARANCES—Krauss, The Goose Steps Out, United Artists, 1942; priest, One of Our Aircraft Is Missing, United Artists, 1942; Rispoli, The Way Ahead (also known as The Immortal Battalion), Twentieth Century-Fox, 1945; title role, Private Angelo, Associated British/Pathe, 1949; Emad, Hotel Sahara, United Artists, 1951; Arnaud, Odette, United Artists, 1951; Nero, Quo Vadis, Metro-Goldwyn-Mayer (MGM), 1951; film distributor, The Magic Box, British Lion, 1952; Prince of Wales, BeauBrummel, MGM, 1954; Kaptah, The Egyptian, Twentieth Century-Fox, 1954; narrator, House of Pleasure (also known as Le Plaisir), Meyer-Kingsley, 1954; circus master, Lola Monies (also known as The Sins of Lola Monies and The Fall of Lola Monies), Brandon, 1955; Jules, We're No Angels, Paramount, 1955; Lentulus Batiatus, Spartacus, Universal, 1960; Venneker, The Sundowners, Warner Brothers, 1960; Mr. Bossi, The Man Who Wagged His Tail (also known as An Angel Passed Over Brooklyn, Un angelo e see so a Brooklyn, and Un angel paso por Brooklyn), Continental, 1961; the General, Romanoff and Juliet, Universal, 1961; Captain Edward Fairfax Vere, Billy Budd, United Artists, 1962; King Fawz, John Goldfarb, Please Come Home, Twentieth Century-Fox, 1964; Arthur Simpson, Topkapi, United Artists, 1964; Prince Otto, LadyL., MGM, 1965; Ambassador Pinada, The Comedians, MGM, 1967; Captain Blackbeard, Blackbeard's Ghost, Buena Vista, 1968; Marcus Pendleton, Hot Millions, MGM, 1968; General Maximilian Rodrigues de Santos, Viva Max!, Commonwealth United, 1969.

PRINCIPAL TELEVISION APPEARANCES—Series: Host, Omni: The New Frontier, syndicated, 1981; host, Peter Ustinov's Russia: A Personal History, BBC, 1986; also host, In All Directions, BBC. Mini-Series: Host, Nicholas Nickleby, syndicated, 1983. Episodic: "Moment of Truth," Omnibus, NBC, 1958. Movies: Herod the Great, Jesus of Nazareth, NBC, 1977; Caliph, The Thief of Baghdad, NBC, 1978; Hercule Poirot, Agatha Christie's "Thirteen at Dinner," CBS, 1985; Hercule Poirot, Agatha Christie's "Murder in Three Acts," CBS, 1986; Hercule Poirot, Agatha Christie's "Dead Man's Folly," CBS, 1986; Detective Fix, Around the World in 80 Days, NBC, 1989. Specials: "The Life of Samuel Johnson," Omnibus, NBC, 1957; Crescendo, CBS, 1957; narrator, The Countdown, CBS, 1958; Danton, The Empty Chair, NBC, 1958; Socrates, "Barefoot in Athens," Hallmark Hall of Fame, NBC, 1966; Herman Washington, "Storm in Summer," Hallmark Hall of Fame, NBC, 1970; title role, "Gideon," Hallmark Hall of Fame, NBC, \91\\BurtBacharach-OpusNo. 3, ABC, 1973; Admiral, Love, Life, Liberty, and Lunch, ABC, 1976; narrator, Einstein's Universe, BBC, then PBS, 1979; voice of title role, Doctor Snuggles (animated), syndicated, 1981; host, The Seven Dials Mystery, syndicated, 1981; host, Why Didn t They Ask Evans?, syndicated, 1981; The Kennedy Center Honors: A Celebration of the Performing Arts, CBS, 1986; host, The Immortal Beethoven with Peter Ustinov, PBS, 1987; host, Peter Ustinov in China, Global TV (Toronto, ON, Canada), 1988; host, The Secret Identity of Jack the Ripper (also known as The Secret of Jack the Ripper], syndicated, 1988; also Ustinov ad lib, 1969; Conversation with Lord North, 1971; narrator, The Mighty Continent, 1974; A Quiet War, 1976; various roles, Imaginary Friends, 1982; The Well Tempered Bach, 1984; World Challenge, 1986; narrator, History of Europe, BBC; narrator, The Hermitage; mPeerGynt, BBC; narrator, The Ballerinas. Also Ustinov in Orbit, ATV, 1962.

Doctor, Hammersmith Is Out, Cinerama, 1972; voice of Prince John, Robin Hood (animated), Buena Vista, 1973; Hnup Wan, One of Our Dinosaurs Is Missing, Buena Vista, 1975; Old Man, Logan's Run, Metro-Goldwyn-Mayer/United Artists, 1976; Dr. Snodgrass, Treasure of Matecumbe, Buena Vista, 1976; Sergeant Markov, The Last Remake of Beau Geste, Universal, 1977; voice of Manny, The Mouse and His Child (animated), Sanrio, 1977; Taubelman, The Purple Taxi (also known as Un Taxi Mauve), Quartet, 1977; narrator, Tarka the Otter, Rank Film Distributors, 1978; Hercule Poirot, Death on the Nile, Paramount, 1978; Harry Hellman, Double Murders (also known as Doppio delitto), Warner Brothers/Prduzione Internationale Cinematografica, 1978; narrator, Metamorphosis (also known as Winds of Change; animated), Sanrio, 1978; spectator, Players, Paramount, 1979; Suleiman, Ashanti, Columbia, 1979; Victor, We'll Grow Thin Together (also known as Nous maigrirons ensemble), Silenes, 1979; Charlie Chan, Charlie Chan and the Curse of the Dragon Queen, American Cinema, 1981; voice of Grendel, Grendel, Grendel, Grendel (animated), Victorian Film Corporation, 1981; truck driver, The Great Muppet Caper, Universal, 1981; Hercule Poirot, Evil Under the Sun, Universal, 1982; Abdi Aga, Memed My Hawk, Focus,

PRINCIPAL TELEVISION WORK—Series: Producer, In All Directions, BBC. Specials: Director, Love, Life, Liberty, and Lunch, ABC, 1976. RELATED CAREER—Joint director, Nottingham Playhouse, Nottingham, U.K., 1963—; worked as a professional impersonator in clubs and traveling revues. NON-RELATED CAREER—Rector, Dundee University, Dundee, Scotland, 1968-73; goodwill ambassador for UNICEF, 1969—; owner of a vineyard. 434

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

USTINOV

Versa, General Film Distributors, 1948; Private Angelo, Associated British/Pathe, 1949; (with Hal E. Chester and Patricia Moyes) School for Scoundrels, Continental Distributing, 1960; Romanoff and Juliet, Universal, 1961; (with Robert Rossen) Billy Budd, United Artists, 1962; Lady L., MGM, 1965; (with Ira Wallach) Hot Millions, MGM, 1968; Memed My Hawk, Focus, 1984.

WRITINGS: STAGE—The Bishop of Limpopoland (sketch), Players' Theatre Club, London, 1939; (contributor) Swinging the Gate (revue), Ambassadors' Theatre, London, 1940; (translator and adaptor) Fishing for Shadows, Threshold Theatre, London, 1940; (contributor) Diversion (revue), Wyndham's Theatre, London, 1940; (contributor) Diversion 2 (revue), Wyndham's Theatre, 1941; House of Regrets, Arts Theatre, London, 1942, published by Jonathan Cape, 1943; Beyond, Arts Theatre, 1943, published by English Theatre Guild, 1944, then in Five Plays, Little, Brown, 1965; Blow Your Own Trumpet, Playhouse Theatre, London, 1943, published in Plays About People, Jonathan Cape, 1950; The Banbury Nose, Wyndham's Theatre, 1944, published by Jonathan Cape, 1945; The Tragedy of Good Intentions, Liverpool Playhouse, Liverpool, U.K., 1945, published in Plays About People, 1950; The Man Behind the Statue, Opera House, Manchester, U.K., 1946; The Indifferent Shepherd, Criterion Theatre, London, 1948, published in Plays About People, 1950; (adaptor) Frenzy, St. Martin's Theatre, London, 1948; The Man in the Raincoat, Edinburgh Festival, Edinburgh, Scotland, 1949; The Love of Four Colonels, first produced in Birmingham, U.K., then Wyndham's Theatre, both 1951, later Shubert Theatre, New York City, 1953, published by English Theatre Guild, 1951, then Dramatists Play Service, 1953, later in Five Plays, Little, Brown, 1965; The Moment of Truth, first produced in Nottingham, U.K., then Adelphi Theatre, London, both 1951, published by English Theatre Guild, 1953, then in Five Plays, 1965; High Balcony, first produced in London, 1952; No Sign of the Dove, first produced in Leeds, U.K., then Savoy Theatre, London, both 1953, published in Five Plays, 1965; The Empty Chair, Bristol Old Vic Theatre, Bristol, U.K., 1956; Romanoff and Juliet, first produced in Manchester, then Piccadilly Theatre, London, both 1956, later Plymouth Theatre, New York City, 1957, published by English Theatre Guild, 1957, then Random House, 1958, later in Five Plays, 1965; Paris Not So Gay, Oxford Playhouse, Oxford, U.K., 1958.

TELEVISION—Series: In All Directions, BBC. Episodic: "Moment of Truth," Omnibus, NBC, 1958. Specials: (With Leslie Stevens) Crescendo, CBS, 1957; The Empty Chair, NBC, 1958; Ustinov ad lib, 1969; Love, Life, Liberty, and Lunch, ABC, 1976; Imaginary Friends, 1982. OTHER—Add a Dash of Pity (short stories), Little, Brown, 1959; Ustinov's Diplomats (photographs and commentary), Bernard Geis Associates, 1960; TheLoser (novel), Little, Brown, 1961; WeWere Only Human (cartoons), Little, Brown, 1961; (illustrator) Poodlestan: A Poodle s Eye View of History by Paul Marc Henry, Reynal, 1965; The Frontiers of the Sea (short stories), Little, Brown, 1966; Krumnagel(r\ovQ\), Little, Brown, 1971; Rectorial Address Delivered in the University, 3rd November, 1972 (lecture), University of Dundee Press, 1972; Dear Me (autobiography), Little, Brown, 1977; (introduction) A Handful of Summers by Gordon Forbes, Paddington, 1979; Happiness (lecture), University of Birmingham, 1980; My Russia (nonfiction), Little, Brown, 1983; (introduction) Niveris Hollywood by Tom Hutchinson, Salem House, 1984; Peter Ustinov in Russia (nonfiction), Summit Books, 1988. Contributor of articles to such periodicals as Atlantic and Listener. RECORDINGS: ALBUMS—Narrator, Baron Munchausen: Eighteen Truly Tall Tales, Caedmon, 1972; also Mock Mozart and Phoney Folk Lore, Parlophone; The Grand Prix of Gibralter, Orpheum; narrator: Peter and the Wolf, The Nutcracker Suite, The Soldier s Tale, Hary Janos, The Little Prince, and The Old Man of Lochnagar.

Photo Finish, first produced in Dublin, Ireland, then Saville Theatre, London, both 1962, later Brooks Atkinson Theatre, New York City, 1963, published by Heinemann, 1962, then Little, Brown, 1963, revised acting edition published by Dramatists Play Service, 1964; The Life in My Hands, Nottingham Playhouse, Nottingham, U.K., 1963; The Unknown Soldier and His Wife, Vivian Beaumont Theatre, New York City, 1967, then Chichester Theatre Festival, Chichester, U.K., 1968, later New London Theatre, London, 1973, published by Random House, 1967, then Heinemann, 1968; Halfway Up the Tree, first produced in West Germany, then Brooks Atkinson Theatre, later Queen's Theatre, London, all 1967, published by Random House, 1968, then English Theatre Guild, 1970; (book for musical) R Loves J, Chichester Theatre Festival, 1973; Who's Who in Hell, Lunt-Fontanne Theatre, New York City, 1974; Overheard, Royal Theatre, Brighton, U.K., then Royal Hay market Theatre, London, both 1981; (adaptor of libretto) The Marriage (opera), Piccola Scala, Milan, Italy, 1981, then Edinburgh Festival, 1982; Beethoven s Tenth, first produced in Paris, 1982, then Birmingham Repertory Theatre, Birmingham, U.K., later Vaudeville Theatre, London, and Center Theatre Group, Ahmanson Theatre, Los Angeles, all 1983, then Nederlander Theatre, New York City, 1984; An Evening with Peter Ustinov (one-man show), Royal Haymarket Theatre, London, 1990.

AWARDS: Academy Award nomination, Best Supporting Actor, 1951, and Golden Globe, Best Supporting Actor, 1952, both for Quo Vadis; Donaldson Award, Best First Play, and New York Drama Critics' Circle Award, Best Foreign Play, both 1953, for The Love of Four Colonels; Evening Standard Award, Best New Play, 1956, and Antoinette Perry Award nomination, Best Actor in a Play, 1958, both for Romanoff and Juliet; Benjamin Franklin Medal from the Royal Society of Arts, 1957; Emmy Award, 1957, for "The Life of Samuel Johnson," Omnibus; Academy Award, Best Supporting Actor, 1961, for Spartacus; Academy Award, Best Supporting Actor, 1964, for Topkapi; First Prize from the Syndicat des journalistes et ecrivains (France), 1964, for Photo Finish; Emmy Award, Outstanding Single Performance in a Leading Role, 1966, for "Barefoot in Athens, Hallmark Hall of Fame; Academy Award nomination (with Ira Wallach), Best Story and Screenplay Written Directly for the Screen, 1968, and British comedy screenplay award from the Writers Guild, 1969, both for Hot Millions; Emmy Award, Outstanding Single Performance in a Leading Role, 1970, for "Storm in Summer," Hallmark Hall of Fame; Peabody Award, 1972; special Silver Bear Award from the Berlin Film Festival, 1972, for creative work and for direction of Hammersmith Is Out; Order of the Smile (Warsaw, Poland), 1974, for dedication to the idea of international assistance to children; Commander of the British Empire, 1975; Jordanian Independence Medal, 1978; Distinguished Service Award from UNICEF, 1978; Prix de la Butte, 1979; Variety Club of Great Britain Award, Best Actor, 1979; Emmy Award nomination, 1984, for The Well Tempered Bach; Commander, Order of Arts and Letters (France), 1985; Grammy Award for Peter and the Wolf. HONORARY DEGREES—

FILM—The New Lot (documentary), 1943; (co-writer) The True Glory (documentary), 1944; (with Eric Ambler) The Way Ahead (also known as The Immortal Battalion), Twentieth Century-Fox, 1945; (with Eric Maschwitz, Stanley Haynes, and Guy Green) Carnival, General Film Distributors, 1946; School for Secrets (also known as Secret Flight), General Film Distributors, 1946; Vice435

USTINOV

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Cleveland Institute of Music, D.Mus., 1967; University of Dundee, L.L.D., 1969; La Salle College, D.F.A., 1971; University of Lancaster, Litt.D., 1972; also University of Toronto, 1984. MEMBER: British Actors' Equity Association, Screen Actors Guild, British Film Academy, Dramatists Guild, British League of Dramatists, British Screenwriters Society, London Society of Authors, Royal Society of Arts (fellow), Societe des Auteurs (France), Arts Theatre, Royal Society of Literature (fellow, 1978), Academy of Fine Arts (Paris, 1988), Garrick Club, Savage Club, Royal Automobile Club, Queen's Club. SIDELIGHTS: RECREATIONS—Reading, collecting prints and drawings, classical music, cars, lawn tennis, and squash. ADDRESSES: OFFICE—11 rue de Silly, 92100 Boulogne, France. AGENT—Steve Kenis, William Morris Agency, 31-32 Soho Square, London W1V 5DG, England.*

436

V VANCE, Courtney

1960-

FILM DEBUT—Jack Colby, High Noon, United Artists, 1952. PRINCIPAL FILM APPEARANCES—Dirk Hanley, The Lawless Breed, Universal, 1952; Tony Romano, Kansas City Confidential (also known as The Secret Four), United Artists, 1952; Dave Chittun, Untamed Frontier, Universal, 1952; Smitty, Arena, Metro-Goldwyn-Mayer (MGM), 1953; Nerva, The Bandits of Corsica (also known as Return of the Corsican Brothers), United Artists, 1953; Corporal Stone, The Beast from 20,000 Fathoms, Warner Brothers, 1953; Toby Mackay, Jack Slade (also known as Slade), Allied Artists, 1953; Reno, The Nebraskan, Columbia, 1953; Karl, Private Eyes, Allied Artists, 1953; Marv, Tumbleweed, Universal, 1953; Pete Monte, Vice Squad (also known as The Girl in Room One), United Artists, 1953; Brutus, White Lightning, Monogram, 1953; crew boss, Arrow in the Dust, Allied Artists, 1954; Earl Ferris, Dawn atSocorro, Universal, 1954; Buck and Paul Creyton, The Desperado, Allied Artists, 1954; Hank, Gypsy Colt, MGM, 1954; Hakar, Princess of the Nile, Twentieth Century-Fox, 1954; Ace Winton, Rails into Laramie, Universal, 1954; Fireknife, The Yellow Tomahawk, United Artists, 1954.

PERSONAL: Full name, Courtney Bernard Vance; born March 12, 1960, in Detriot, ML EDUCATION—Attended Harvard University. VOCATION: Actor. CAREER: BROADWAY DEBUT—Cory, Fences, 46th Street Theatre, 1987. PRINCIPAL STAGE APPEARANCES—Attendant, The Comedy of Errors, Shakespeare and Company, Lenox, MA, 1982; Cory, Fences, Goodman Theatre, Chicago, IL, 1986; Mercutio, Romeo and Juliet, New York Shakespeare Festival, Public Theatre, New York City, 1988; Thami Mbikwana, My Children! My Africa!, New York Theatre Workshop, Perry Street Theatre, New York City, 1989. Also appeared in A Raisin in the Sun, Yale Repertory Theatre, New Haven, CT, 1983. PRINCIPAL FILM APPEARANCES—Doc, Hamburger Hill, Paramount, 1987.

Fante, The Big Combo, Allied Artists, 1955; Flash Logan, / Cover the Underworld, Republic, 1955; C\antin,AManAlone, Republic, 1955; Pecos Larry, The Road to Denver, Republic, 1955; Al Drucker, Ten Wanted Men, Columbia, 1955; Emmett, Treasure of Ruby Hills, Allied Artists, 1955; Jay Lord, The Vanishing American, Republic, 1955; Sergeant Lackey, Accused of Murder, Republic, 1956; Chepei, The Conqueror, RKO, 1956; Gus, Pardners, Paramount, 1956; Tom Anderson, It Conquered the World, American International, 1956; Fat Jones, Tribute to a Badman, MGM, 1956; Shad Donaphin, The Badge of Marshall Brennan, Allied Artists, 1957; Major Cham, China Gate, Twentieth Century-Fox, 1957; Kirby, Gun Battle at Monterey, Allied Artists, 1957; Ed Bailey, Gunfight at the O.K. Corral, Paramount, 1957; Adam Grant, Joe Dakota, Universal, 1957; Faro, The Lonely Man, Paramount, 1957; Sadler, The Quiet Gun, Twentieth Century-Fox, 1957; Ed McGaffey, The Tin Star, Paramount, 1957; Alfonso Parral, The Bravados, Twentieth Century-Fox, 1958; Jake Hayes, Day of the Badman, Universal, 1958; Mike Bennett, Guns, Girls, and Gangsters, United Artists, 1958; Miguel, Machete, United Artists, 1958; Sergeant Rickett, The Young Lions, Twentieth Century-Fox, 1958; Frank, Ride Lonesome, Columbia, 1959.

PRINCIPAL TELEVISION APPEARANCES—Episodic: Curtis Caldwell, thirty something, ABC, 1989. Movies: Student, First Affair, CBS, 1983. RELATED CAREER—Company member, Shakespeare and Company, Lenox, MA, 1981. AWARDS: Theatre World Award and Antoinette Perry Award nomination, Best Featured Actor in a Play, both 1987, for Fences. ADDRESSES: AGENT—Brian Mann, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

VAN CLEEF, Lee

1925-1989

PERSONAL: Born January 9, 1925, in Somerville, NJ; died of a heart attack, December 16, 1989, in Oxnard, CA; son of Clarence LeRoy and Marion Levinia (Van Fleet) Van Cleef; first wife's name, Ruth Ann (divorced); second wife's name, Joan (divorced); married Barbara Hevelone, July 13, 1976; children: Alan, Deborah, David (second marriage). MILITARY—U.S. Navy, 1942-46.

Leo, Posse from Hell, Universal, 1961; Marty, How the West Was Won, Cinerama, 1962; Reese, The Man Who Shot Liberty Valance, Paramount, 1962; Colonel Douglas Mortimer, Perqualche dollaro in piu (also known as For a Few Dollars More), 1966, released in the United States by United Artists, 1967; Setenza, // buono, il brutto, il cattivo (also known as The Good, the Bad, and the Ugly), 1966, released in the United States by United Artists, 1967; bandit turned sheriff, Beyond the Law, Roxy, 1967; Ryan, Da uomo a uomo (also known as Death Rides a Horse), 1967, released in the

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Mister Roberts, tour of U.S. cities, 1950. 437

VARDA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

United States by United Artists, 1969; Frank Talby, Igiorni dell'ira (also known as Day of Anger and Der Tod Tin Dienstags), 1967, released in the United States by National General, 1970; Jonathan Corbett, The Big Gundown (also known as La resa dei conti), Columbia, 1968; title role, Sabata (also known as Ehi, amico . . . c'e Sabata, hai chiuso), United Artists, 1969; Travis, Barquero, United Artists, 1970; Jaroo, El Condor, National General, 1970; title role, Captain Apache, Scotia International, 1971; King, Bad Man s River, Scotia International, 1972; Chris, The Magnificent Seven Ride!, United Artists, 1972; title role, Return of Sabata (also known as E'tomato Sabata and Hai chiuso unaltra voltd), United Artists, 1972; Kiefer, Take a Hard Ride, Twentieth Century-Fox, 1975.

Dakotas, ABC, 1963; Destry, ABC, 1964; Rawhide, CBS, 1964; Laredo, NBC, 1966; Gunsmoke, CBS, 1966; Skip, The Andy Griffith Show, CBS. Specials: Sam Bass, The Slowest Gun in the West, CBS, 1963. NON-RELATED CAREER—Farm worker, assistant manager in a summer camp, factory worker, and accountant. OBITUARIES AND OTHER SOURCES: New York Times, December 18, 1989.*

McCarn, The Octagon, American Cinema, 1980; Chris, The Squeez (also known as The Big Ripoffand Controrapin), Maverick, 1980; Bob Hauk, Escape from New York, AVCO-Embassy, 1981; Burt Roth, Armed Response, CineTel, 1986; Inspector Warren, Jungle Raiders (also known as Captain Yankee and La legenda del Rudio Malese), Cannon, 1986; Maitre Julot, Killing Machine, Embassy, 1986. Also appeared in Man Without a Star, Universal, 1955; The NakedStreet, United Artists, 1955; The Kentuckian, United Artists, 1955; Backlash, Universal, 1956; Red Sundown, Universal, 1956; The Last Stagecoach West, Republic, 1957; Raiders of Old California, Republic, 1957; The Guns ofZangara, 1960; Call to Glory, 1966; Commandos, 1968; The Man from Far Away (also known as Uuomo che viene de lontano), 1968; Beyond the Law (also known as Al di la della legge), 1968; Bite the Dust, 1969; Creed of Violence, 1969; . . . e continuavano a fregarsi il millione di dollari, 1971; The Grand Duel (also known as El gran duelo), 1972; Gangster Story (also known as The Gun, II suo nomefaceva tremare. . . Interpol in allarme!, andDio, seiproprio unpodreterno), 1973; Blood Money (also known as Moneda sangrientd), Shaw Brothers, 1974; Crime Boss, Cinema Shares International, 1976; Mean Frank and Crazy Tony (also known as Johnny le Fligueur), Aquarius, 1976; The Stranger and the Gunfighter, 1976; Killers (also known as Verano sangrieto), 1977; God's Gun, Irwin Yablansy, 1977; The Perfect Killer, 1977; Kid Vengeance, Golan/Globus/ Irwin Yablans, 1977; The Hard Way, 1979; Trieste File, 1980; Code Name: Wild Geese (also known as Geheimecode Wild Game), Entertainment, 1985; The Commander.

VARDA, Agnes

1928-

PERSONAL: Born May 30, 1928, in Brussels, Belgium; daughter of Eugene Jean (an engineer) and Christiane (Pasquet) Varda; married Jacques Demy (a director), January 8, 1962; children: Rosalie and Mathieu. EDUCATION—Studied art history at the Ecole du Louvre, 1944-47, and literature and psychology at the University de Paris a la Sorbonne, 1947. VOCATION: Director, producer, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Nun, Les Demoiselles de Rochefort (also known as The Young Girls of Rochefort), Warner Brothers/Seven Arts, 1968; also appeared in Lions Love, Raab, 1969; Jane B. par Agnes V. (also known as Birkin Double Jeu I, Birkin Diptych I, and Jane B. By Agnes V.), Capital Cinema/Cine Tamaris, 1988. FIRST FILM WORK—Director and producer, La Pointe courte, Cine Tamaris, 1954. PRINCIPAL FILM WORK—Director: O Saisons, o chateaux (short documentary film), Films de la Pleiade, 1957; L'Opera-Mouffe (short documentary film), Cine Tamaris, 1958; Du cote de la cote (short documentary film), Argos, 1958; Cleo de5 a 7 (also known as Cleo from 5 to 7), Rome-Paris Films, 1961, released in the United States by Zenith International, 1962; Salut les Cubains (short documentary film; also known as Salute to Cuba), S.N. Pathe Cinema, 1962; Le Bonheur (also known as Happiness), Pare, 1965, released in the United States by Clover, 1966; Les Creatures (also known as Varelserna), Pare, 1966, released in the United States by New Yorker, 1969; (co-director) Loin du Vietnam (also known as Far from Vietnam), Slon/New Yorker, 1967; Black Panthers (also known as Huey; short documentary film), Cine Tamaris, 1968; OncleJanco (short documentary film), Cine Tamaris, 1968; (also producer) Lions Love, Raab, 1969.

PRINCIPAL TELEVISION APPEARANCES—Series: John Peter McAllister, The Master, NBC, 1984. Pilots: Steve Margolis, Last Stagecoach West, syndicated, 1954; Ike Scanlon, Nowhere to Hide, CBS, 1977. Episodic: The Lone Ranger, syndicated, 1952; "Four Things He'd Do," Schlitz Playhouse of Stars, CBS, 1954; "Duel at the O.K. Corral," Cavalcade of America, ABC, 1954; "The Case of the Desperate Moment," The Man Behind the Badge, CBS, 1955; Brave Eagle, CBS, 1956; "Deadline," Studio 57, syndicated, 1956; Wire Service, ABC, 1956; "Sky Pilot of the Cumberlands," Crossroads, ABC, 1956; "Alder Gulch," Tales of Wells Fargo, NBC, 1957; "The Blue Hotel," Schlitz Playhouse of Stars, CBS, 1957; "The Town," Trackdown, CBS, 1957; Wagon Train, NBC, 1958; Colt .45, ABC, 1958; The Rifleman, ABC, 1959; Tombstone Territory, ABC, 1959; Yancy Derringer, CBS, 1959; The Real McCoys, ABC, 1959; Hotel de Paree, CBS, 1960; The Untouchables, ABC, I960-Alaskans, ABC, I960; The Deputy, NBC, 1960; Gunsmoke, CBS, 1960; 77Sunset Strip, ABC, I960', The Lawman, ABC, 1960-Laramie, NBC, 1960; Bonanza, NBC, 1960; Hawaiian Eye, ABC, 1961; Maverick, ABC, 1961; The Rifleman, ABC, 1961 and 1962; The Joey Bishop Show, NBC, 1962; Cheyenne, ABC, 1962; Have Gun, Will Travel, CBS, 1962 and 1963; "Colossus ,'' The Dick Powell Show (also known as Hollywood Showcase}, NBC, \963;Laramie, NBC, \963;Ripcord, syndicated, 1963; The

(Also producer) Daguerreotypes (documentary), Cine Tamaris, 1975, released in the United States by Films Incorporated, 1976; Reponse de femmes (short film), Cine Tamaris, 1975, released in the United States, 1977; (also producer) L'Une chante I'autre pas (also known as One Sings, the Other Doesn't), Cine Tamaris/ Societe Francaise de Production/Institut National de 1'Audiovisuel and Contretemps/Paradise/Population, 1976, released in the United States by Cinema V, 1977; (also producer) MurMurs (also known as Wall Walls and Mural Murals; documentary), Cine Tamaris, 1981; (also producer) Documenteur (also known as Documenteur: An Emotion Picture), Cine Tamaris, 1981; (also editor) Sans toil ni loi (also known as Vagabond), Cine Tamaris, 1985, released in the United States by International Film Exchange, 1986; (also producer and editor) Jane B. par Agnes V. (also known as Birkin Double Jeu I, Birkin Diptych I, and Jane B. by Agnes V.),

438

VEREEN

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Capital Cinema/Cine Tamaris, 1988; (also producer) Kung Fu Master, Expanded Entertainment, 1989. Also director, unless indicated, of the following short films and documentaries: Plaisir d'amour en Iran, 1975; producer, Lady Oscar, \918\Ulysse, 1982; Une Minute pour une image, 1983; 7P; Cuts, S. de B . . . a saisir, 1984; Les Dites cariatides, 1984; Tas de beaux escaliers, tu sais . . ., 1986. PRINCIPAL TELEVISION APPEARANCES—Specials: Three Women Filmmakers, PBS, 1987. RELATED CAREER—Stage photographer, Theater Festival of Avignon, Avignon, France, 1947; photographer, Theatre National Populaire, Paris, 1951-61; founder, Cine-Tamaris (a film production company), 1977; also magazine photojournalism WRITINGS: FILM—See production details above, unless indicated: La Pointe courte, 1954; O Saisons, o chateaux, 1957; Du cote de la cote, 1958; L'Opera-Mouffe, 1958; (also composer and lyricist) Cleo de 5 a 7, 1961; Salut les Cubains, 1962; Le Bonheur, 1965; Les Creatures, 1966; (co-writer) Loin du Vietnam, 1967; Black Panthers, 1968; Oncle Janco, 1968; Lions Love, 1969; (dialogue only with others) L'Ultimo tango a Parigi (also known as Last Tango in Paris), United Artists, 1971; Daguerreotypes, 1975; Reponse defemmes, 1975; (also songwriter) L'Une chante I'autre pas, \916\MurMurs, 1981; Documenteur, 1981; Ulysse, 1982; Une Minute pour une image, 1983; Les Dites cariatides, 1984; 7P; Cuis, S. de B . . . a saisir, 1984; Sans toit ni lot, 1985; T as de beaux escaliers, tu sais . . ., 1986; Jane B. par Agnes V., 1988; Kung Fu Master, 1989. TELEVISION—Nausicaa, 1970. OTHER— Contributor to journals and periodicals. BEN VEREEN

AWARDS: International Federation of Film Clubs Prize from the Brussels Experimental Film Festival, 1958, for L'Opera-Mouffe; Prix Melies, 1962, for Cleo de 5 a 7; Bronze Lion from the Venice Film Festival, 1964, for Salut les Cubains; Silver Bear from the Berlin Film Festival, Prix Louis Delluc, and David O. Selznick Award, all 1965, for Le Bonheur; First Prize from the Oberhausen Film Festival, 1969, for Black Panthers; Golden Prize from the Italian Film Festival and Grand Prix from the Taormina Film Festival, both 1977, for L'Une chante I'autre pas; Firenze Award, 1981, for Mur Murs; Cesar Award, 1984, for Ulysse; Golden Lion from the Venice Film Festival, Prix Melies, and Los Angeles Film Critics' Association Award, Best Foreign Film, all 1985, for Sans toit ni loi; also named to the Legion of Honor (France).

(first marriage); Malakia, Naja, Kabara, Karon (second marriage). EDUCATION—Attended the High School of Performing Arts; attended Pentecostal Theological Seminary for six months. VOCATION: Actor, singer, and dancer. CAREER: STAGE DEBUT—The Prodigal Son, Greenwich Mews Theatre, New York City, 1965. PRINCIPAL STAGE APPEARANCES—Brother Ben, Sweet Charity, Caesar's Palace, Las Vegas, NV, 1966; flight announcer, Golden Boy, Auditorium Theatre, Chicago, IL, 1968; Claude, Hair, Biltmore Theatre, New York City, 1968; alternated roles of Hud and Berger, Hair, Aquarius Theatre, Los Angeles, 1968-70; Judas Iscariot, Jesus Christ Superstar, Mark Hellinger Theatre, New York City, 1971; the Leading Player, Pippin, Imperial Theatre, New York City, 1972; Leroy, Grind, Mark Hellinger Theatre, 1985; also appeared in Sweet Charity, San Francisco, CA, 1966.

ADDRESSES: OFFICE—c/o Cine Tamaris, 86 Rue Daguerre, 75014 Paris, France.*

MAJOR TOURS—Daddy Johann Sebastian Brubeck and policeman, Sweet Charity, U.S. and Canadian cities, 1967-68; Hud, Hair, U.S. cities, 1968; the Leading Player, Pippin, U.S. cities, 1968; Johnny Williams, No Place to Be Somebody, National Shakespeare Company, U.S. cities, 1970-71.

VAZAK, P.H. See TOWNE, Robert

PRINCIPAL FILM APPEARANCES—Frug dancer, Sweet Charity, Universal, 1969; Carlos, Gas-s-s-s! (also known as Gas-s-s-s, or It Became Necessary to Destroy the World in Order to Save If), American International, 1970; Bert Robbins, Funny Lady, Columbia, 1975; O'Connor Flood, All That Jazz, Columbia/Twentieth Century-Fox, 1979; Leatherface, The Zoo Gang, New World,

VEREEN, Ben 1946PERSONAL: Full name, Benjamin Augustus Vereen; born October 10, 1946, in Miami, FL; father, a paint factory worker; mother, a maid; married second wife, Nancy Brunner; children: Benjamin 439

VERHOEVEN

CONTEMPORARY

1985; Shaka, Buy and Cell, Trans World Entertainment, 1988. Also appeared in Winners Take All, New World, 1985.

THEATRE, FILM, AND TELEVISION • Volume 8

(Israel), 1978; Humanitarian A ward (Israel), 1979; Eleanor Roosevelt Humanitarian Award, 1983; Dolores Kohl Education Foundation Award, 1987, for Zoobilee Zoo. HONORARY DEGREES— Emerson College, L.H.D., 1977.

PRINCIPAL TELEVISION APPEARANCES—Series: Ben Vereen . . . Comiri At Ya, NBC, 1975; E.L. "Tenspeed" Turner, Tenspeed and Brown Shoe, ABC, 1980; Uncle Phillip Long, Webster, ABC, 1984-85; Mayor Ben, Zoobilee Zoo, syndicated, 1986; host, You Write the Songs, syndicated, 1986-87; E.L. "Tenspeed" Turner, J.J. Starbuck, NBC, 1988. Mini-Series: Chicken George, Roots, ABC, 1977; Roscoe Haines, Ellis Island, CBS, 1984; Ethiopian, A.D., NBC, 1985. Pilots: Nightclub singer, The Saint (broadcast as an episode of CBS Summer Playhouse}, CBS, 1987. Episodic: Ben McQueen, Booker, Fox, 1990; also "Puss 'n' Boots," Faerie Tale Theatre, Showtime. Movies: Louis Armstrong, Louis Armstrong— Chicago Style, ABC, 1976; Herb Douglas, The Jesse Owens Story, syndicated, 1984; Paul Williams, Lost in London, CBS, 1985; marina manager, Jenny's Song, syndicated, 1988.

MEMBER: Actors' Equity Association, American Guild of Variety Artists, American Federation of Television and Radio Artists, Screen Actors Guild. ADDRESSES: AGENT—Lee Solomon, William Morris Agency, 1350 Avenue of the Americas, New York, NY 10019. OFFICE— Michelle Marx Inc., 9044 Melrose Avenue, Los Angeles, CA 90069.*

Specials: Devil, Noah, and man, Mary's Incredible Dream, CBS, 1916; Jubilee, NBC, 1976; Ben Vereen—His Roots, ABC, 1978; The Stars Salute Israel at 30, ABC, 197'8; The CheryILaddSpecial, ABC, 1979; Uptown—A Tribute to the Apollo Theatre, NBC, 1980; Walt Disney . . . One Man's Dream, CBS, 1981; Opryland: Night of Stars and Future Stars, NBC, 1981; Christmas in Washington, NBC, 1982; Night of100 Stars, NBC, 1983; Lynda Carter: Body and Soul, CBS, 1984; Here's Television Entertainment, 1984; Salute to Lady Liberty, CBS, 1984; Secret World of the Very Young, CBS, 1984; host, 115th Edition of the Ringling Brothers and Barnum and Bailey Circus, CBS, 1985; host, Here's Television Entertainment, syndicated, 1985; voice of Dragonweed, The Charmkins (animated), syndicated, 1985; 52nd Annual King Orange Jamboree Parade, NBC, 1985; The ABC All-Star Spectacular, ABC, 1985; All Star Party for "Dutch" Reagan, CBS, 1985; Kraft Salutes the Magic of David Copperfield. . . In China, CBS, 1986; host, Walt Disney World's Very Merry Christmas Parade, ABC, 1986; 116th Edition of the Ringling Brothers and Barnum and Bailey Circus, CBS, 1986; Miss Hollywood, 1986, ABC, 1986; co-host, Walt Disney World's Happy Easter, ABC, 1987; host, Happy New Year, America, CBS, 1987; host, Six Hours for Life, syndicated, 1987; Macy's Thanksgiving Day Parade, NBC, 1987; A Star-Spangled Celebration, ABC, 1987; Circus of the Stars, CBS, 1989; Starathon '90, syndicated, 1990.

VERHOEVEN, Paul 1940PERSONAL: Born in 1940 in the Netherlands. EDUCATION— Received Ph.D. in mathematics and physics from the University of Leiden. VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Oh Jonathan, Oh Jonathan, Constantin Film, 1973. PRINCIPAL FILM WORK—Director: Wat Zien Ik (also known as Memories of a Streetwalker), Nederland Film, 1971; Turks Fruit (also known as Turkish Delight), Nederland Film, 1972; Keetje Tippel, Tuschinski Film Distribution, 1975; Soldier of Orange, International Picture Show, 1979; Spetters, Embassy, 1983; Die Vierde Man (also known as The Fourth Man), International Spectrafilm/New Yorker, 1984; Flesh and Blood, Riverside, 1985; Robocop, Orion, 1987; also Unwilling Agent, 1968. WRITINGS: FILM—(With Gerard Soeteman and Kees Holierhoek) Soldier of Orange, International Picture Show, 1979; (with Soeteman) Flesh and Blood, Riverside, 1985.*

RELATED CAREER—Performer in nightclubs and theatres throughout the world. VERLAQUE, Robert 1955NON-RELATED CAREER—Chairman, American Lung Association, 1977; established the Naja Vereen Memorial Scholarship Fund, 1988; also chairman, American Heart Association's Dance for Heart campaign.

PERSONAL: Born August 7, 1955, in Tunis, Tunisia; son of Jules L. (in business) and Giselle (Wilkes) Verlaque. EDUCATION— Loyola College, B.A., 1977; trained for the stage at the American Academy of Dramatic Arts and with Fred Kareman, Wynn Handman, Caymichael Patten, and Tim Phillips.

RECORDINGS: ALBUMS—Jesus Christ Superstar (original cast recording), Decca; Pippin (original cast recording), Motown; also High Steppin' Mama.

VOCATION: Actor and playwright. CAREER: Also see WRITINGS below. STAGE DEBUT—Title role, Jesus Christ, Superstar, Priscilla Beach Theatre, Manomet, MA, 1980. OFF-BROADWAY DEBUT—Stagehand, Isn't It Romantic, Playwrights Horizons, 1983. PRINCIPAL STAGE APPEARANCES— Stagehand, Isn't It Romantic, Lucille Lortel Theatre, New York City, 1984; Jurgen Sallow, Hollywood Scheherezade, Primary Stages Company, 45th Street Theatre, New York City, 1989; also appeared as A.D., Elm Circle, Playwrights Horizons; Adler, Roger Casement, Theatre Off Park, New York City; Sheldon, So Long Brooklyn, Arthur, Waiting for Lillie, and Barton, Swimming Out to

AWARDS: Antoinette Perry Award nomination, Best Supporting or Featured Actor in a Musical, VanVry-New York Drama Critics' Poll winner, Best Supporting Actor, and Theatre World Award, all 1972, for Jesus Christ Superstar; Antoinette Perry Award, Best Actor in a Musical, and Drama Desk Award, both 1973, and CLIO Award, 1975, all for Pippin; George M. Cohan Award from the American Guild of Variety Artists, 1976; Television Critics' Award, 1977, for Roots; Entertainer of the Year, Rising Star, and Song and Dance Star awards, all from the American Guild of Variety Artists, 1978; NAACP Image Awards, 1978 and 1979; Cultural Award 440

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

VINOVICH

ADDRESSES: AGENT—Whatley Management, 315 E. 57th Street, Suite 5-B, New York, NY 10022.

VINOVICH, Steve 1945PERSONAL: Born January 22,1945, in Peoria, IL; son of Stephen J. (an insurance salesman) and Jennie J. (a secretary; maiden name, Kuhel) Vinovich; married Carolyn Mignini (an actress), November 27, 1982; children: Nicholas. EDUCATION—University of Illinois, B.A., journalism, 1967; University of California, Los Angeles, M.F.A., acting, 1969; also studied acting at the Strasberg Institute and the Juilliard School of Music, 1972-74. VOCATION: Actor. CAREER: BROADWAY DEBUT—Clemment Musgrove, The Robber Bridegroom, Biltmore Theatre, 1976. PRINCIPAL STAGE APPEARANCES—Quentin, After the Fall, Comedia II Theatre, Los Angeles, 1971; title role, King John, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1974; Clemment Musgrove, The Robber Bridegroom, St. Clement's Church Theatre, New York City, 1974; Jourdain, Would Be Gentleman Present Strauss' Ariadne aufNaxos, Juilliard School Theatre, New York City, 1974; the Angel, The Butterfinger's Angel, Syracuse Stage Theatre, Syracuse, NY, 1974; Norden, Father Uxbridge Wants to Marry, Daniel, Esther, and Reverend Sykes, The Last Christians,

ROBERT VERLAQUE

Sea, all Ensemble Studio Theatre, New York City; David Allen, The Trip Back Down, Warren Robertson Theatre Workshop, New York City; Jake, Lament, Meat and Potatoes Company, New York City; Harold Pertiner, Rosaries, Riverwest Theatre, New York City; Butterworth, Dracula, Candlewood Playhouse, New Fairfield, CT; McMurphy, One Flew Over the Cuckoo's Nest and James Keller, The Miracle Worker, both Priscilla Beach Theatre, Manomet, MA; He, A Night with Dorothy Parker, Acorn Theatre Company; Joe Casey, Them, Spuyten Duyvil Company, New York City. PRINCIPAL FILM APPEARANCES—Michael, Pieces, CederquistChase Productions; Jonathan, Judgement, New York University student film directed by Lee Levitt. PRINCIPAL TELEVISION APPEARANCES—Episodic: Henri Picard, All My Children, ABC, 1989; also host, Baltimore Is Best, WBAL (Baltimore, MD). WRITINGS: STAGE—Sundown Rockers (a collection of one-act plays). Primary Stages Company, New York City, 1988; Bank Shot, Spuyten Duyvil Company, 1989. AWARDS: Drama League of New York Award, 1979; Jehlinger Award from the American Academy of Dramatic Arts, 1980. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. STEVE VINOVICH

SIDELIGHTS: RECREATIONS—Sports, music, and fishing. 441

VOLZ

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

all New Dramatists Inc., New York City, 1975; Feldman the Magnificent, The Magic Show, Cort Theatre, New York City, 1976; Sam, Awake and Sing, McCarter Theatre, Princeton, NJ, 1976; Henry, Rosa, St. Clement's Church Theatre, 1978; Sir Andrew Aguecheek, Twelfth Night, American Shakespeare Festival, Stratford, CT, 1978; Szabuniewicz, The Grand Tour, Palace Theatre, New York City, 1979; Ben, Loose Ends, Circle in the Square, New York City, 1979.

AWARDS: Best Actor nomination for Talley s Folly. SIDELIGHTS: FAVORITE ROLES—Ben in Loose Ends, Clemment Musgrove in The Robber Bridegroom, Peter Quince in A Midsummer Night's Dream, Matt in Talley's Folly, Sir Andrew Aguecheek in Twelfth Night, the Angel in The Butterfinger's Angel, Jourdain in Would Be Gentleman Presents Strauss' Ariadne Auf Naxos, and Quentin in After the Fall. RECREATIONS—Reading, golf, racquetball, environmental concerns, traveling, and spending time with his son.

Peter Quince, A Midsummer Night's Dream, NYSF, Delacorte Theatre, New York City, 1981; Matt, Talley's Folly, Royal Palm Theatre, Palm Beach, FL, 1982; Alan, Double Feature, Theatre at St. Peter's Church, New York City, 1982; Michael, A Private View, NYSF, Public Theatre, 1984; Milt Manville, Love, Audrey Wood Theatre, New York City, 1984; Teddy, The Poker Session, Theatre-Off-Park, New York City, 1984; Dan, Paradise!, Playwrights Horizons, New York City, 1985; Al Capone, America s Sweetheart, Hartford Stage Company, Hartford, CT, then Coconut Grove Playhouse, Miami, FL, 1985; Tom, The Secret Rapture, Ethel Barrymore Theatre, New York City, 1989. Also appeared in Tornado, New Dramatists Inc., 1978; Hard Sell, NYSF, Public Theatre, 1980; Cradlesong, Musical Theatre Works, New York City, 1984; Tender Places, Young Playwrights Festival, NYSF, Public Theatre, 1984.

ADDRESSES: AGENT—Harris and Goldberg, 2121 Avenue of the Stars, Los Angeles, CA 90067.

VOLZ, Nedra VOCATION: Actress. CAREER: PRINCIPAL FILM APPEARANCES—Free press lady, Your Three Minutes Are Up, Cinerama, 1973; Mrs. Kissel, 10, Warner Brothers, 1979; Mrs. Clancy, Little Miss Marker, Universal, \98Q;BigEd, Lust in the Dust, New World, 1985;Mrs. Loretta Houk, Moving Violations, Twentieth Century-Fox, 1985; Lana, Earth Girls Are Easy, Vestron, 1989.

FILM DEBUT—Dancer, They Shoot Horses, Don't They?, ABC/ Cinerama, 1969. PRINCIPAL FILM APPEARANCES—Snitch, Weekend with the Babysitter (also known as Weekend Babysitter), Crown, 1970; Ornste'm, Jennifer on My Mind, United Artists, 1971; hippie, The Mechanic (also known as Killer of Killers), United Artists, 1972; B.J. Wert, Mannequin, Twentieth Century-Fox, 1987; studio executive, Wired, Taurus Entertainment, 1989; also appeared in Romancing the Stone, Twentieth Century-Fox, 1984; Back to Holly wood Boulevard, New Horizons, 1989; Awakenings, 1990.

PRINCIPAL TELEVISION APPEARANCES—Series: Grandma Belle Durbin, A Year at the Top, CBS, 1977; Pinky Nolan, Mr. Dugan, CBS, 1979 (three episodes produced but never broadcast); Pinky Nolan, Hanging In, CBS, 1979; Adelaide Brubaker, Diffrent Strokes, NBC, 1980-82; MizTisdale, The Dukes of Hazzard, CBS, 1981-83; Winona "Mother B" Beck, Filthy Rich, CBS, 1982-83; Pearl Sperling, The Fall Guy, ABC, 1985-86. Mini-Series: Mrs. Conlaw, Condominium, HBO, 1980. Pilots: Elderly woman, They Only Come Out at Night, NBC, 1975; Mrs. Hickey, King of the Road, CBS, 1978; Emily Baines, Pals, NBC, 1981. Episodic: Aunt lola, All in the Family, CBS, 1978; Babbette, The A-Team, NBC, 1986; Ethel, Who's the Boss?, ABC, 1986; Glynnis Mendelson, Scarecrow and Mrs. King, CBS, 1986; cat woman, Alf, NBC, 1987; Estelle, Mr. Belvedere, ABC, 1988; Momma Steadman, TV 101, CBS, 1989. Movies: Mrs. Felcher, Gridlock (also known as The Great American Traffic Jam), NBC, 1980; Hypatia Flowers, For Love or Money, CBS, 1984; Gladys, Last of the Great Survivors, CBS, 1984. Specials: The Screen Actors Guild50th Anniversary Celebration, CBS, 1984.

TELEVISION DEBUT—Randall Feigelbaum, Call Her Mom, ABC, 1972. PRINCIPAL TELEVISION APPEARANCES—Series: Bob Hoodenpyle, Raising Miranda, CBS, 1988. Pilots: Dwight Purdy HI, Catalina C-Lab, NBC, 1982. Episodic: Dr. Tobinick, Hometown, CBS, 1985; Gallagher, Stingray, NBC, 1986; Randy, The Cavanaughs, CBS, 1986;Hanhart, Wiseguy, CBS, 1987; Bob Kee\er,Roseanne, ABC, 1988; Joel, Perfect Strangers, ABC, 1988;KenSeaver,L.A. Law, NBC, 1988; Tubbs, Sonny Spoon, NBC, 1988; Richard, Valerie's Family, NBC, 1988, then retitled The Hogan Family, NBC, 1989; also Three's Company, ABC, 1982; "Seize the Day," American Playhouse, PBS, 1984; "The Richest Cat in the World," Disney Sunday Movie, ABC, 1985; Remington Steele, NBC, 1985; Hill Street Blues, NBC, 1987; Webster, ABC, 1987 and 1988; Hooperman, ABC, 1988.

ADDRESSES: AGENT—Dale Garrick International Agency, 8831 Sunset Boulevard, Suite 402, Los Angeles, CA 90069.*

442

w WAIN, Edward See TOWNE, Robert

Dupea, Five Easy Pieces, Columbia, 1970; Mace, The Grissom Gang, Cinerama, 1971; Jack Dekker, Lawman, United Artists, 1971; Detective Cromie, The Pursuit of Happiness, Columbia, 1971; Olson, The Sporting Club, AVCO-Embassy, 1971; Elias Hooker, Chato's Land, United Artists, 1972; Jim MacKay, The Magnificent Seven Ride, United Artists, 1972; Pete Cockrell, Trouble Man, Twentieth Century-Fox, 1972; Drummer, Kid Blue, Twentieth Century-Fox, 1973; Detective Mathews, The Stone Killer, Columbia, 1973; C.G., On the Nickel, Rose's Park, 1980. Also appeared in Hot Summer Week, Fanfare, 1973.

WAITE, Ralph 1928PERSONAL: Born June 22, 1928, in White Plains, NY; son of Ralph H. (a construction engineer) and Esther (Mitchell) Waite; married first wife, Beverly, 1951 (divorced, 1966); married Kerry Shear, 1972 (divorced, 1980); married Linda East (an interior decorator), December 4, 1982; children: Kathleen, Suzanne, Liam. EDUCATION—Received B.A. from Bucknell University; received B.D. from Yale University; trained for the stage with Lee Strasberg and Mary Tarchi. MILITARY—U.S. Marine Corps, 1946-48.

PRINCIPAL FILM WORK—Producer and director, On the Nickel, Rose's Park, 1980. PRINCIPAL TELEVISION APPEARANCES—Series: John Walton, The Waltons, CBS, 1972-81; Ben Walker, The Mississippi (also known as On the Mississippi), CBS, 1983-84. Mini-Series: Third Mate Slater, Roots, ABC, 1977. Episodic: Paul Robbins, Murder, She Wrote, CBS, 1989; also Bonanza, NBC. Movies: The man from Toledo, The Borgia Stick, NBC, 1967; title role, The Secret Life of John Chapman, CBS, 1976; Henry Stone, Red Alert, CBS, 1977; Jared Teeter, Angel City, CBS, 1980; Floyd Wing, Ohms, CBS, 1980; Father Bernard Pagano, The Gentleman Bandit, CBS, 1981; John Walton, A Wedding on Walton sMountain, NBC, 1982; John Walton, Mother's Day on Walton's Mountain, NBC, 1982; John Walton, A Day for Thanks on Walton's Mountain, NBC, 1982; Tommy O'Bannon, A Good Sport, CBS, 1984; Frank Hayward, Crime of Innocence, NBC, 1985; Martin Pehrsson, Red Earth, White Earth, CBS, 1989. Specials: Lieutenant Colonel Fredericks, The Desperate Hours, ABC, 1967; Pozzo, "Waiting for Godot," Great Performances, PBS, 1977; CBS: On the Air, CBS, 1978.

VOCATION: Actor, director, producer, and writer. CAREER: STAGE DEBUT—Chief of police, The Balcony, Circle in the Square, New York City, 1960. LONDON DEBUT—Blues for Mister Charlie, Aldwych Theatre, 1966. PRINCIPAL STAGE APPEARANCES—Minister, Marathon '33, American National Theatre and Academy (ANTA) Theatre, New York City, 1963; Ralph and Judge, Blues for Mister Charlie, ANTA Theatre, 1964; Matthew Stanton, Hogan's Goat, American Place Theatre, New York City, 1965; Henry and Bruno, "The Mutilated" in Slapstick Tragedy, Longacre Theatre, New York City, 1966; Azdak, The Caucasian Chalk Circle, Theatre Company of Boston, Boston, MA, 1966; Andrew Kragler, Drums in the Night, Circle in the Square, New York City, 1967; Defense Counsel Rogers, The Trial of Lee Harvey Oswald, ANTA Theatre, 1967; Claudius, Hamlet, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1967, then Mobile Theatre, New York City, 1968; Orsino, Twelfth Night, NYSF, Delacorte Theatre, New York City, 1969; the Father, Watering Place, Music Box Theatre, New York City, 1969; Ted, The Killdeer, NYSF, Public Theatre, 1969; captain, The Father, Circle in the Square, 1981; Joe Keller, All My Sons, Long Wharf Theatre, New Haven, CT, 1986. Also Traveller Without Luggage, ANTA Theatre, 1964; The Peacemaker, Theatre Company of Boston, 1969; Buried Child, South Coast Repertory Theatre, Costa Mesa, CA, 1985; Bunker Reveries, Roundabout Theatre, New York City, 1987; and appeared with the Theatre Company of Boston, 1966-68; and the Long Wharf Theatre, New Haven, CT, 1968-69.

PRINCIPAL TELEVISION WORK—Series: Supervising producer (with Christopher Morgan), The Mississippi (also known as On the Mississippi), CBS, 1983-84. Episodic: Director, The Waltons, CBS. Movies: Executive producer, A Good Sport, CBS, 1984. RELATED CAREER—Founder and artistic director, Los Angeles Actors Theatre, Los Angeles, 1975—. NON-RELATED CAREER—Social worker, Westchester County, NY; Presbyterian minister, Garden City, NY; publicity director and assistant editor of religious books, Harper & Row, New York City. WRITINGS: FILM—On the Nickel, Rose's Park, 1980.

FILM DEBUT—Alibi, Cool Hand Luke, Warner Brothers, 1967. PRINCIPAL FILM APPEARANCES—Sean Magruder, A Lovely Way to Die (also known as A Lovely Way to Go), Universal, 1968; Peter's father, Last Summer, Allied Artists, 1969; Carl Fidelio

SIDELIGHTS: FAVORITE ROLES—Azdak in The Caucasian Chalk Circle. ADDRESSES: AGENTS—Ron Meyer, Creative Artists Agency, 443

WAJDA

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

9830 Wilshire Boulevard, Beverly Hills, CA 90212; Smith-Freedman & Associates, 123 San Vicente Boulevard, Beverly Hills, CA 90211.*

Wesele (also known as The Wedding), Film Polski, 1972; Ziemia obiecana (also known as Promised Land and Land of Promise), Film Polski, 1974, released in the United States by Tine Production, 1975; Bez znieczulenia (also known as Without Anesthetic and Rough Treatment), Film Polski, 1978; (also producer) Czlowiek z marmuru (also known as Man of Marble), 1978, released in the United States by Film Polski, 1979; Panny z Wilka (also known as Sziewka z Wilko, The Young Girls ofWilko, Maidens from Wilko, The Girls from Wilko, and The Young Ladies ofWilko), Artificial Eye, 1979; Dyrygent (also known as The Orchestra Conductor and The Conductor), Film Polski/New Yorker, 1979, released in the United States by Cinegate, 1981.

WAJDA, Andrzej 1926PERSONAL: Born March 6, 1926 (some sources say 1927), in Suwalki, Poland; son of Jakub (a cavalry officer) and Aniela (a school teacher; maiden name, Biaxowas) Wajda; married Beata Tyszkiewicz (an actress), 1967 (divorced); married Krystyna Zachwatowicz (a set and costume designer), 1975; children: one daughter (first marriage). EDUCATION—Attended the Fine Arts Academy (Cracow, Poland), 1945-48, and the Higher School of Cinematography (Lodz, Poland), 1950-52. MILITARY—Served in the A.K. (Polish Home Army Resistance) during World War II.

Czlowiek z zelaza (also known as Man of Iron), United Artists, 1981; Danton, 1982, released in the United States by Triumph, 1983; Eine Liebe in Deutschland (also known as A Love in Germany and Un Amour en Allemagne), Triumph/Artificial Eye/Columbia, 1984; technical advisor, Visage de chien (also known as Dogface), K Films, 1985; Kronika wypadkow milosnych (also known as A Chronicle of Amorous Accidents), Zespoly/Film Group Perspektyva, 1986; Les Possedes (also known as The Possessed), Gaumont International, 1987. AlsoZfy chlopiec (also known as The Bad Boy; short film), 1950; Ceramika Ilzecka (also known as The Pottery of Ilzecka; short documentary), 1951; assistant director, Piatka z ulicy Barskiej (also known as Five Boys from Barska Street), 1954; Pokolenie (also known as A Generation), 1954; Ide ku sloncu (also known as Ide do slonca and / Walk to the Sun; short film), 1955; Niewinni czarodzieje (also known as Innocent Sorcerers), 1960; Popioly (also known as Ashes), 1965; Polowanie na muchy (also known as Hunting Flies), 1969; Smuga cienia (also known as The Shadow Line), 1976; Zaproszenie do wnetrza (also known as Invitation to the Inside; documentary), 1978.

VOCATION: Director and screenwriter. CAREER: Also see WRITINGS below. FIRST STAGE WORK— Director and scenographer, A Hatful of Rain, Gdansk, Poland, 1959. PRINCIPAL STAGE WORK—All as director, unless indicated: The Possessed, Yale Repertory Theatre, New Haven, CT, 1974-75; Crime and Punishment, Stary Theatre, Cracow, Poland, 1984; Crime and Punishment, Pepsico Summerfare International Performing Arts Festival, State University of New York, Purchase, NY, 1986; TheDybbuk, Stary Theatre, Cracow, Poland, 1988, then Habima Theatre, Tel Aviv, Israel, later Habima Theatre Company, Moscow, \99Q',TheDybbuk and Hamlet IV, both Pepsico Summerfare International Performing Arts Festival, 1989; also Hamlet, 1960; Two on the Seesaw, 1960; Wesele, 1962; The Devils, 1963; Play Strindberg, 1969; Sticks and Bones, Moscow, 1972; scenographer, The Devils, 1972; Derr Mittmacher, 1973; (also scenographer) November Night, 1974; The Danton Affair, 1975; The Demons, 1975; The Idiot, 1975; Kiedy rozum spi (also known as When Reason Sleeps), 1976; Emigranci (also known as The Emigrants], 1976; Nastasia Philipovna, 1977; Conversation with the Executioner, 1977; The Danton Affair, 1978; Z biegiem lat, z biegiem dni (also known as Down the Years, Down the Days), 1978; Hamlet, 1980; Antigone, 1984.

PRINCIPAL TELEVISION WORK—All as director. Series: Ziemia obiecana (also known as Promised Land and The Promised Land), Polish television, 1974. Also Przekladaniec (also known as RolyPoly and Jigsaw Puzzle), Polish television, 1968; Macbeth, Polish television, 1969; (also art director and costume designer) Pilatus und andere (also known as Pilate and the Others), West German television, 1972; Death Class, Polish television, 1976; and November Night. RELATED CAREER—Assistant stage manager, 1953; stage manager, Stary Theatre, Cracow, Poland, 1973—; founder, Studio X (a film production group; dissolved by the Polish government, 1983); president, Polish Film Association, 1978-84 (resigned under government pressure); president of the jury, Moscow Film Festival, 1989; artistic director, Contemporary Theatre, Warsaw, Poland.

PRINCIPAL FILM APPEARANCES—As himself, Wajda s Danton (documentary), Cori Films International/Channel Four, 1983. FIRST FILM WORK—Director, Kiedy ty spisz (also known as While You Sleep; short film), 1950. PRINCIPAL FILM WORK—All as director, unless indicated: Kanal (also known as They Loved Life and Sewer), 1957, released in the United States by MJP/Kingsley International, 1961; Popiol i diament (also known as Ashes and Diamonds), 1958, released in the United States by Janus, 1961; Lotna, Film Polski, 1959, released in the United States by Pol-Ton, 1966; Samson, Film Polski, 1961; Sibirska Ledi Magbet (also known as Lady Macbeth ofMtsensk, Fury Is a Woman, and Siberian Lady Macbeth), Avala Films, 1962; "Warszawa" in LAmour a vingt ans (also known as Love at Twenty, Amore a vent'anni, MiloscDwudziestolatkow, andLiebeMitZwanzig), 1962, released in the United States by Embassy, 1963; Bramy raju (also known as Gates to Paradise, The Gates of Heaven, and The Holy Apes), 1967, released in the United States by Jointex, 1968; Wszystko na sprzedaz (also known as Everything for Sale), Film Polski, 1968; Krajobrazpo bitwie (also known as Krajobraz na much, Landscape After Battle, and Landscape After the Battle), Film Polski, 1970; Brzezina (also known as The Birch-Wood), Film Polski, 1970;

NON-RELATED CAREER—Assisted in the restoration of church paintings, Radom, Poland, 1940-43; senator, Polish government, 1989. WRITINGS: See production details above. FILM—Kiedy ty spisz, 1950; Zly chlopiec, 1950; Ceramika Ilzecka, 1951; Ide ku sloncu, 1955; (with Jerzy Andrzejewski) Popiol i diament, 1958, published in The Wajda Trilogy, Simon & Schuster, 1973; (with Wojciech Zukrowski) Lotna, 1959', Niewinni czarodzieje, 1960; (with Kazimierz Brandys) Samson, 1961; (with Sveta Lukic) Sibirska Ledi Magbet, 1962; (with Jerzy Stefan Stawinski) "Warszawa" in L'Amour a vingt ans, 1962; Popioly, 1965; (with Andrzejewski) Bramy raju, 1967; Wszystko na sprzedaz, 1968; Polowanie na muchy, 1969; (with Andrzej Brzozowski) Krajobrazpo bitwie, 1970; (with Jaroslaw Iwaszkiewicz) Brzezina, 1970; (with Andrzej Kijowki) Wesele, 1972; Ziemia obiecana, 1974; (co-writer) Smuga cienia, 1976; 444

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

(with Agnieszka Holland) Bez znieczulenia, 1978; Zaproszenie do wnetrza, 1978; (with Holland, Jean-Claude Carriere, Boleslaw Michalek, and Jacek Gasiorowski) Danton, 1982; (with Holland and Michalek) Eine Liebe in Deutschland, 1984; (with Tadeusz Konwicki) Kronika wypadkow milosnych, 1986; (with Holland, Carriere, and Edward Zebrowsky) Les Possedes, 1987.

WALTERS

World Entertainment, 1989; also appeared in My Mom's a Werewolf, Crown International, 1989. PRINCIPAL TELEVISION APPEARANCES—Series: Carol Kester, The Bob Newhart Show, CBS, 1972-78; regular, The New Love, American Style, ABC, 1985. Pilots: Connie Martin, Flying High, CBS, 1978; Myra Elliot, The Castaways on Gilligan's Island, NBC, 1979; Lelia Flynn, Characters, NBC, 1980. Episodic: As herself, Taxi, NBC, 1982; Polly Barth, Murder, She Wrote, CBS, 1986; Mrs. Lyman, ALF, NBC, 1987; Miss Phillips, Night Court, NBC, 1988; also Betty, Bewitched, ABC. Movies: Boom Boom Shavelson, Gridlock (also known as The Great American Traffic Jam), NBC, 1980. Specials: Battle of the Network Stars, ABC, 1977; Destined to Live: One Hundred Roads to Recovery, NBC, 1988.

TELEVISION—Przekladaniec, 1968; Pilatus und andere, 1972. OTHER—Double Vision (autobiography), Henry Holt & Company, 1989; also contributor of articles to such periodicals as Films and Filming, Kino, and Filmcritica. AWARDS: State Prize (Poland), 1954, for Pokolenie; Special Jury Prize from the Cannes Film Festival, 1957, for Kanal; Fipresci Prize from the Venice Film Festival, 1958, for Popiol i diament; Milan Film Festival Award, 1970, and Moscow Film Festival Award, 1971, both for Brzezina; Milan Film Festival Award, 1970, and Grand Prize from the Colombo (Sri Lanka) Film Festival, 1973, both for Krajobraz po bitwie; Bambi Prize, 1973, for Pilatus und andere; Silver Prize from the San Sebastian Film Festival, 1973, for Wesele; State Prize (Poland), 1974, Grand Prize from the Moscow Film Festival and Golden Hugo from the Chicago Film Festival, both 1975, Academy Award nomination, Best Foreign Language Film, 1976, Gold Laceno Prize, 1978, and Cartegena Film Festival Award, 1978, all for Ziemia obiecana; Order of Banner of Labour (second class), 1975; K. Swinarski Prize, 1976; Valladolid Prize, 1976; Fipresci Prize from the Cannes Film Festival, 1978, for Czlowiek z marmuru; Order of Kirill and Methodius (first class; Bulgaria), 1978; Luchino Visconti Prize, 1978, Grand Prize "Gdansk Lions," 1978, and Ecumenical Prize from the Cannes Film Festival, 1979, all for Bez znieczulenia; Prize of the Committee for Polish Radio and Television, 1980; Golden Palm Award from the Cannes Film Festival, 1981, for Czlowiek z zelaza; Cesar Awards, 1981 and 1982; British Academy Award for Services to Film and British Academy of Film and Television Arts Fellowship, both 1982; Officer, French Legion of Honor, 1982; Louis Delluc Prize, 1982, for Danton; Athinai-Onassis Prize for Man and Mankind from the Alexander S. Onassis Public Benefit Foundation, 1983; also Officers' Cross from the Order of Polonia Restituta. HONORARY DEGREES—American University, Dr. H.C., 1981.

ADDRESSES: AGENT—Rainford Agency, 7471 Melrose Avenue, Suite 14, Los Angeles, CA 90046. MANAGER—Charter Management, 9000 Sunset Boulevard, Suite 1112, Los Angeles, CA 90210.*

WALTERS, Ewart James

1950-

PERSONAL: Born November 9, 1950, in Clarendon, Jamaica; son of Glaister James (an engineer) and Isabell Christina (a nurse; maiden name, Clarke) Walters; married Mary Tempest (an actress), April 29, 1978; children: Zara. EDUCATION—Trained for the stage

MEMBER: Union of Polish Artists and Designers (ZPAP; honorary member). ADDRESSES: OFFICE—Film Polski, ul. Mazowiecka 6/8, Warsaw, Poland.*

WALLACE, Marcia

1942-

PERSONAL: Born November 1, 1942, in Creston, IA. EDUCATION—Trained for the stage at the HB Studios. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—The Fourth Wall, Theatre East, 1968. PRINCIPAL STAGE APPEARANCES—Nerissa, Calling in Crazy, Fortune Theatre, New York City, 1969; Miss Metcalf, Dark of the Moon, Mercer-Shaw Arena Theatre, New York City, 1970. PRINCIPAL FILM APPEARANCES—Ms. Molloy, Teen Witch, Trans

EWART JAMES WALTERS 445

WARD

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

at Webber Douglas School of Dramatic Art. RELIGION—Church of England.

Show (also featuring Dudley Do-Right, Peabody's Improbable History, Aesop's Fables, and Fractured Fairy Tales; animated), NBC, 1961-64; creator and producer, The Adventures of Hoppity Hopper from Foggy Bogg (animated), syndicated, 1962, renamed Hoppity Hopper, ABC, 1964-65; creator and (with Scott) producer, Fractured Flickers (live-action), syndicated, 1963; producer, George of the Jungle (also featuring Super Chicken and Tom Slick; animated), ABC, 1967-70; producer (with Scott), The Dudley DoRight Show (also featuring The Hunter, The World of Commander McBragg, and Tutor the Turtle; animated), ABC, 1969-70.

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Giorgio, The Gondoliers, Bristol Old Vic Theatre, Bristol, U.K., 1985; also appeared in Having a Ball!, Leeds Playhouse, Leeds, U.K., 1982; Hamlet, Young Vic Theatre, London, 1985; Exclusive, Strand Theatre, London, 1989; as Oberon, A Midsummer Night's Dream and horse, Equus, both Leeds Playhouse; Delroy, Sus, Yvonne Arnaud Theatre, Guildford, U.K.; John the Baptist and Judas, Godspell, Churchill Theatre, Bromley, U.K.; Nelson, Scenes from Soweto, Contact Theatre, Manchester, U.K.; narrator, Joseph and His Amazing Technicolor Dreamcoat, Ashcroft Theatre, Croyden, U.K.; Abe and Jemmy, Moll Flanders, Half Moon Theatre, London; Jesus Christ Superstar, Palace Theatre, London; Measure for Measure and The Pied Piper, both National Theatre, London; On the Twentieth Century, Her Majesty's Theatre, London; The Admirable Bashville, Regents Park Theatre, London', Abduction from the Seraglio, Grand Theatre, Leeds, U.K.; Carmen Jones, Crucible Theatre, Sheffield, U.K.; Moby Dick, Royal Exchange Theatre, Manchester, U.K.

RELATED CAREER—Founder, Jay Ward Productions; producer of animated television commercials for the Quaker Oats Company, late 1960s to the mid-1980s. NON-RELATED CAREER—Owner of a real estate business, Berkeley, CA, 1947-87. WRITINGS: TELEVISION—Series: (With Alexander Anderson) Crusader Rabbit, syndicated, 1949-51, then 1957-58; (with others) The Bullwinkle Show, ABC, 1961-64. SIDELIGHTS: For his work in television animation, Jay Ward has been honored at the U.S. Film Festival in Park City, Utah, and was the subject of tributes in Miami, FL, and Montreal, PQ, Canada in 1989.

MAJOR TOURS—Hud, Hair, U.K. cities; Blosson, The Hasty Heart, U.K. cities; also Harper, Independence. PRINCIPAL FILM APPEARANCES—AD 72, AD Productions; Fox, Thames Euston; Born Free, Screen Gems.

OBITUARIES AND OTHER SOURCES: Broadcasting, October 23, 1989; New York Times, October 14, 1989; Variety, October 1824, 1989.*

PRINCIPAL TELEVISION APPEARANCES—Episodic: Superintendent Akimbo, Rumpole of the Bailey, Thames, then Mystery!, PBS; "A Brush with Mr. Porter on the Way to Eldorado," Play for Today, BBC. Also appeared as Dion, The Cleopatras, BBC; and in The Bill, Thames; Visitors to Anderson, ATV.

WARDEN, Jack ADDRESSES: AGENT—Rolf Kruger, Morley House, 314-322 Regent Street, London Wl, England.

WARD, Jay

1920-

PERSONAL: Born Jack Warden Lebzelter, September 18, 1920, in Newark, NJ; son of John W. (an engineer and technician) and Laura (Costello) Lebzelter; married Wanda Dupree, October 11, 1958 (divorced); children: Christopher. EDUCATION—Trained for the stage with Margo Jones. POLITICS—Democrat. MILITARY—U.S. Navy, 1938-41; U.S. Maritime Service, 1941-42; U.S. Army, Paratroopers, 1941-46.

1920-1989

VOCATION: Actor.

PERSONAL: Born September 21, 1920, in San Francisco, CA; died of kidney cancer, October 12, 1989, in Los Angeles, CA; wife's name, Ramona; children: Ron, Carey, Tiffany. EDUCATION— Graduated from the University of California, Berkeley; graduate work in business at Harvard University. MILITARY—U.S. Army Air Corps during World War II.

CAREER: STAGE DEBUT—Sir Toby Belch, Twelfth Night, Margo Jones Theatre, Dallas, TX, 1947. OFF-BROADWAY DEBUT— Mickey, Golden Boy, American National Theatre and Academy Theatre, 1952. PRINCIPAL STAGE APPEARANCES—Johnny, Lullaby, Lyceum Theatre, New York City, 1954; Mike Hertzog, Sing Me No Lullaby, Phoenix Theatre, New York City, 1954; Marco, A View from the Bridge, Coronet Theatre, New York City, 1955; Joey, A Very Special Baby, Playhouse Theatre, New York City, 1956; Dave, The Body Beautiful, Broadway Theatre, New York City, 1958; Arthur Goldman, The Man in the Glass Booth, Royale Theatre, New York City, 1969; various roles, Stages, Belasco Theatre, New York City, 1978. Also appeared as Algernon Moncrieff, The Importance of Being Earnest, Tony Lumpkin, She Stoops to Conquer, Trisotin, The Learned Ladies, Petruchio, The Taming of the Shrew, Yasha, The Cherry Orchard, and in Front Porch (later retitled Picnic], Summer and Smoke, and Leaf and Bough, all Margo Jones Theatre Company, 1947-51; "Snowangel" and "Epiphany," in Cages (double-bill), York Theatre, New York

VOCATION: Producer. CAREER: PRINCIPAL FILM WORK—Producer, The Crazy World of Laurel and Hardy (documentary), 1967; also producer, Golden Age of Buster Keaton (documentary). PRINCIPAL TELEVISION WORK—Series: Creator and producer (with Alexander Anderson), Crusader Rabbit (animated), syndicated, 1949-51, then 1957-58; creator and producer (with Bill Scott), Rocky and His Friends (also featuring Fractured Fairy Tales, Aesop's Fables, Peabody's Improbable History, Dudley Do-Right, and Bullwinkle's Corner; animated), ABC, 1959-61; creator (with Scott) and producer (with Scott and Bud Courley), The Bullwinkle 446

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 WARDEN

Me?, National General, 1971; Gifford, Billy Two Hats (also known as The Lady and the Outlaw), United Artists, 1973; Dawes, The Man Who Loved Cat Dancing, MGM, 1973; Max, The Apprenticeship ofDuddy Kravitz, Paramount, 1974; Lester Carr, Shampoo, Columbia, 1975; Harry Rosenfeld, All the President's Men, Warner Brothers, 1976; Charlie Zane, The White Buffalo (also known as Hunt to Kill), United Artists, 1977; Dr. Bessner, Death on the Nile, Paramount, 1978; Max Corkle, Heaven Can Wait, Paramount, 1978; Judge Ray ford,. . . And Justice for All, Columbia, 1979; the President, Being There, United Artists, 1979; Harold Meredith, Beyond The Poseidon Adventure, Warner Brothers, 1979; Jackie, The Champ, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1979; Harry, Dreamer, Twentieth Century-Fox, 1979; Roy L. Fuchs and Luke Fuchs, Used Cars, Columbia, 1980; Nelson, Carbon Copy, AVCO-Embassy, 1981; Commander, Chu Chu and the Philly Flash, Twentieth Century-Fox, 1981; as himself, The Great Muppet Caper, Universal, 1981; Jack, So Fine, Warner Brothers, 1981; Mickey Morrissey, The Verdict, Twentieth Century-Fox, 1982; Garvey, Crackers, Universal, 1984; Moravia, The Aviator, MGM/UA, 1985; Lloyd, September, Orion, 1987; Sergeant Major MacLure, The Presidio, Paramount, 1988. Also appeared in Red Ball Express, Universal, 1952. TELEVISION DEBUT—Arthur Clary, "Ann Rutledge," Philco Television Playhouse, NBC, 1950. PRINCIPAL TELEVISION APPEARANCES—Series: Coach Frank Whip, Mr. Peepers, NBC, 1953-55; Bobo, Norby, NBC, 1955; Matthew Gower, The Asphalt Jungle, ABC, 1961; Major Simon Butcher, The Wackiest Ship in the Army, NBC, 1965-66; Lieutenant Fergus, Gallagher and The Further Adventures of Gallagher (both broadcast on Walt Disney's Wonderful World of Color), NBC, 1965; Lieutenant Fergus, Gallagher Goes West (broadcast on Walt Disney's Wonderful World of Color), NBC, 1967; Detective Lieutenant Mike Haines, N.Y.P.D., ABC, 1967-69; John "Jigsaw John" St. John, Jigsaw John, NBC, 1976; Morris Buttermaker, The Bad News Bears, CBS, 1979-80; Harry Fox, Crazy Like a Fox, CBS, 1984-86. MiniSeries: Joseph Kennedy, Sr., Robert Kennedy and His Times, CBS, 1985; Nerva, A.D., NBC, 1985. Pilots: Joe Gushing, The Blue Men (broadcast as an episode of Playhouse 90), CBS, 1959; Jack Fleming, The Watchman (broadcast as an episode of Kraft Suspense Theatre), NBC, 1964; Jake Moniker, Man on a String, CBS, 1972; John St. John, They Only Come Out at Night, NBC, 1975; Cosmo Topper, Topper, ABC, 1979.

JACK WARDEN

City, 1963; "A Wen" and "Orange Souffle," in Under the Weather, Festival of Two Worlds, Spoleto, Italy, 1966; Death of a Salesman, Arlington Park Theatre, Arlington Heights, IL, 1972. MAJOR TOURS—Pete, An Old Beat-Up Woman, U.S. cities, 1950; Eddie Harmon, Conversations in the Dark, U.S. cities, 1963-64; also There Is Always Juliet, Theatre of the Open Road, U.S. cities. PRINCIPAL FILM APPEARANCES—Crew member, The Frogmen, Twentieth Century-Fox, 1951; Walt Davis, The Man with My Face, United Artists, 1951; Morse, You're in the Navy Now (also known as U.S.S. Teakettle), Twentieth Century-Fox, 1951; Corporal Buckley, From Here to Eternity, Columbia, 1953; Eddie, The Bachelor Party, United Artists, 1957; Charles Malik, Edge of the City (also known as A Man Is Ten Feet Tall), Metro-GoldwynMayer (MGM), 1957; juror, Twelve Angry Men, United Artists, 1957; Master Sergeant Saul Rosen, Darby's Rangers (also known as Young Invaders), Warner Brothers, 1958; Mueller, Run Silent, Run Deep, United Artists, 1958; Ben Compson, The Sound and the Fury, Twentieth Century-Fox, 1959; Kelly, That Kind of Woman, Paramount, 1959; Doc Farrington, Wake Me When It's Over, Twentieth Century-Fox, 1960; Huston, Escape from Zahrain, Paramount, 1962; Dr. Dedham, Donovan's Reef, Paramount, 1963; First Sergeant Welsh, The Thin Red Line, Allied Artists, 1964; General Pratt, Blindfold, Universal, 1966; Barnet Weiner, Bye, Bye Braverman, Warner Brothers, 1968.

Episodic: Gorman, "Retaliation," Cavalier Theatre, NBC, 1951; title role, "The Champ," Manhunt (also known as Assignment: Manhunt), NBC, 1952; Lefty, "Snookie," Kraft Television Theatre, NBC, 1953; Teddy Merrill, "Chester Potter of the Pittsburgh Press," The Big Story, NBC, 1953; Jerry French, "Comeback," Gulf Playhouse: First Person, NBC, 1953; Brick Nelson, "The Promise," The Campbell Television Soundstage (also known as Campbell Playhouse and TV Soundstage), NBC, 1953; Blik, "Train to Trouble," Goodyear Television Playhouse, NBC, 1953; taxi driver, "Dream House," Kraft Television Theatre, NBC, 1953; Dr. Max, "Native Dancer," Goodyear Television Playhouse, NBC, 1954; Pete, "Jean Barrett of the Philadelphia Evening Bulletin," The Big Story, NBC, 1954; Sheriff Bass, "Dr. Rainwater Goes A-Courtin'," Kraft Television Theatre, NBC, 1954; Stamper, "The Worried Man Blues," Kraft Television Theatre, NBC, 1954; Hal, "Class of '58," Goody ear Television Play house, NBC, 1954.

Earl Olive, The Sporting Club, AVCO-Embassy, 1971; Herb McAdams, Summertree, Columbia, 1971; General Strapp, Welcome to the Club, Columbia, 1971; Dr. Moses, Who Is Harry KeHerman and Why Is He Saying Those Terrible Things About

Lieutenant Earl Floyd, Justice, NBC, 1955; title role, "Ted Link of the St. Louis Post Dispatch," The Big Story, NBC, 1955; Buzz Calderone, "Shadow of the Champ,'' Philco Television Playhouse, 447

WASHBOURNE

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

NBC, 1955; Alex Hamner, Justice, NBC, 1955; Boze, "The Petrified Forest," Producers' Showcase, NBC, 1955; Harry Pomeroy, "The Mechanical Heart," Goodyear Television Playhouse, NBC, 1955; Frank Doran, "Tragedy in a Temporary Town," Alcoa Hour, NBC, 1956; Sergeant Debb, "A Real Fine Cutting Edge," Kaiser Aluminum Hour, NBC, 195 7; newspaperman, "The Flight," Suspicion, NBC, 1957; Jack Armstrong, "Abraham Lincoln: The Early Years," Omnibus, NBC, 1959; Mike Wilson, Bonanza, NBC, 1959; James A. Corey, "The Lonely," The Twilight Zone, CBS, 1959; Emmet Fitzgerald, Five Fingers, NBC, 1959; Ollie, The Outlaws, NBC, 1960; Martin, Wagon Train, NBC, 1962; Axton, Tales of Wells Fargo, NBC, 1962; Jubal Tatum, The Virginian, NBC, 1962; also "Old MacDonald Had a Curve," Kraft Television Theatre, NBC, 1953; The Imogene Coca Show, NBC, 1954; "Courant," The Big Story, NBC, 1954; "A Very Special Baby," Home Show, NBC, 1956; Bewitched, ABC, 1964; "The Ivy Curtain," The Invaders, ABC, 1967; "Meeting at Appalachian," Westinghouse Desilu Playhouse, CBS; Bill Foley, Roger Dove, syndicated; The Man Behind the Badge, CBS; Danger, CBS; The Armstrong Circle Theatre, NBC; The Trailmaster, ABC; Dr. Kildare, NBC; Naked City, ABC; Bob Hope Presents, NBC; Slavery's People, CBS; The Untouchables, ABC; Route 66, CBS; Ben Casey, ABC; The Fugitive, ABC; Great Adventure, CBS; The Breaking Point, syndicated; Bus Stop, syndicated.

ADDRESSES: AGENT—John Gaines, Agency for the Performing Arts, 9000 Sunset Boulevard, Los Angeles, CA 90069.*

WASHBOURNE, Mona

1903-1988

PERSONAL: Born November 27, 1903, in Birmingham, England; died November 15, 1988, in London, England; daughter of Arthur Edmund and Kate (Robinson) Washbourne; married Basil Dignam. EDUCATION—Studied piano at the Birmingham School of Music. VOCATION: Actress. CAREER: STAGE DEBUT—Pianist and soubrette, Modern Follies concert party, Yarmouth, U.K., 1924. LONDON DEBUT—Minnie and Mrs. Hills, Mourning Becomes Electra, Westminster Theatre, 1937. BROADWAY DEBUT—Cherry-May Waterton, Nude with Violin, Belasco Theatre, 1957. PRINCIPAL STAGE APPEARANCES— Madame Arcati and understudy, Blithe Spirit, Duchess Theatre, London, 1945; Miss Barnes, The Winslow Boy, Lyric Theatre, London, 1946; Helen Poulter, Cupid and Mars, Arts Theatre, London, 1947; Dorothy Pilkington, Honour and Obey, Saville Theatre, London, 1947; Mrs. Poole, The Foolish Gentlewoman, Duchess Theatre, 1948; mother, Ring Round the Moon, Globe Theatre, London, 1950; Mrs. Bonamy, The Mortimer Touch, Duke of York's Theatre, London, 1952; Mrs. Osbourne, Hippo Dancing, Lyric Theatre, 1954; Cora Swanson, Morning's at Seven, Comedy Theatre, London, 1955, then Westminster Theatre, London, 1956; Honorine, Fanny, Drury Lane Theatre, London, 1956; Alice Fisher, Billy Liar, Cambridge Theatre, London, 1960; Hilda Midway, Semi-Detached, Saville Theatre, 1962; Mum, The Anniversary, Duke of York's Theatre, 1966; Kathleen, Home, Royal Court Theatre, London, then Apollo Theatre, London, later Morosco Theatre, New York City, all 1970; Enid Baker, Getting On, Queen's Theatre, London, 1971; Veta Louise Simmonds, Harvey, Prince of Wales Theatre, London, 1975; the Aunt, Stevie, Vaudeville Theatre, London, 1977. Also appeared in Landscape with Figures; as Cherry-May Warterton, Nude with Violin and Monica, Present Laughter, Los Angeles and San Francisco, CA; and in repertory with Harry Hanson's Court Players and Matthew Forsythe's Company, both in the U.K.

Movies: Coach George Halas, Brian's Song, ABC, 1971; Lieutenant George Coye, The Face of Fear, CBS, 1971; Lieutenant Joe Burton, What's a Nice Girl Like You. . .?, ABC, 1971; Captain Patrick Lonergan, Lieutenant Schuster's Wife, ABC, 1972; Sergeant Dobbs, The Godchild, ABC, 1974; Joe Hodges, Remember When, NBC, 1974; Fred Hartman, Journey from Darkness, NBC, 1975; Lieutenant General Mordechai Gur, Raid on Entebbe, NBC, 1977; Cornelius Ryan, A Private Battle, CBS, 1980; Henry Hobson, Hobson's Choice, CBS, 1983; Mark Twain, Helen Keller—The Miracle Continues, syndicated, 1984; Owl, Alice in Wonderland, CBS, 1985; J. Edgar Hoover, Hoover vs. the Kennedys: The Second Civil War, syndicated, 1987; Harry Fox, Still Crazy Like a Fox, CBS, 1987; Bad Hair Wimberly, Dead Solid Perfect, HBO, 1988. Specials: Robert de Beaudrincourt, "The Lark," Hallmark Hall of Fame, NBC, 1957; Ken, The Three Kings, ABC, 1987. Also appeared in Knight and Day, NBC, 1989; A Memory of Two Mondays. NON-RELATED CAREER—Professional boxer during the 1930s; tugboat deck hand, New York City; lifeguard; dance hall bouncer.

MAJOR TOURS—Mrs. Tarleton, Misalliance, Prospect Productions and the British Council, Indian, Ceylonese, and Pakistani cities, 1967; toured as a pianist and soubrette with the Fol-de-Rols for three years; and with the Malvern Company during World War II.

AWARDS: Obie Award from the Village Voice, Distinguished Performance, 1964, for "Epiphany" in Cages; Emmy Award, Outstanding Performance By an Actor in a Supporting Role in a Drama, 1972, for Brian's Song; Academy Award nomination, Best Supporting Actor, 1975, for Shampoo; Academy Award nomination, Best Supporting Actor, 1978, for Heaven Can Wait.

PRINCIPAL FILM APPEARANCES—Vicar's wife, Once Upon a Dream, General Film Distributors, 1949; Miss Barnes, The Winslow Boy, Eagle-Lion, 1950; Lady Leveson, Maytime in Mayfair, Real Art, 1952; fussy mother, Double Confession, Associated British/Pathe, 1953; Mrs. MacGregor, Johnny on the Run, Associated British, 1953; Miss Goslett, Child's Play, British Lion, 1954; Mrs. McBain, Adventure in the Hopfields, Associated British, 1954; Nurse Appleby, Cash on Delivery (also known as To Dorothy, a Son), RKO, 1956; Miss Morrow, It's Great to Be Young, Associated British/Pathe, 1956; Mrs. Joe, The Good Companions, Associated British/Pathe, 1957; Agnes Smith, Stranger in Town, Eros, 1957; Monica Bare, Cast a Dark Shadow, Eros, 1958; nanny, Count Your Blessings, Metro-Goldwyn-Mayer (MGM), 1959; Mrs. Daniels, A Cry from the Street, Eros, 1959; Frau Lang, The

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, National Maritime Union, Players Club. SIDELIGHTS: FAVORITE ROLES—Arthur Goldman in The Man in the Glass Booth, Marco in A View from the Bridge, juror number seven in Twelve Angry Men, Judge Ray ford in ... And Justice for All, Mickey Morrissey in The Verdict, Max Corkle in Heaven Can Wait, and Eddie in The Bachelor Party. RECREATIONS—Singing, swimming, skiing, sailing, sunset watching, reading, walking, dancing, fishing, caprentry, tennis, and golfing. 448

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

WASSON

PEARANCES—rfo> Hotel Play, La Mama Experimental Theatre Club, New York City, 1981.

Brides of Dracula, Universal, 1960; Alice Fisher, Billy Liar, Warner Brothers/Pathe, 1963; Aunt Lil, Ferry Across the Mersey, United Artists, 1964;Mrs. P&yice., My Fair Lady, Warner Brothers, 1964; Mrs. Bramson, Night Must Fall, MGM, 1964; Aunt Anne, The Collector, Columbia, 1965; Aunt Mildred, One Way Pendulum, Lopert, 1965; Catherine Parsons, The Third Day, WD, 1965; Mrs. Duckett, Two a Penny, Worldwide, 1968; Mrs. Brown, Mrs. Brown, You've Got a Lovely Daughter, MGM, 1968; Matron, If . . ., Paramount, 1968; mother, The Bed Sitting Room, United Artists, 1969.

PRINCIPAL STAGE WORK—Dramaturg, A New Approach to Human Sacrifice, Young Playwrights Festival, Circle Repertory Theatre, New York City, 1983. NON-RELATED CAREER—Teacher, Columbia University, 1985. WRITINGS: STAGE—Any Woman Can't, Playwrights Horizons, Westside YWCA/Clark Center, New York City, 1973; Happy Birthday, Montpelier Pizz-zazz, first produced in New Haven, CT, 1974, then Playwrights Horizons, 1976; (with Christopher Durang) When Dinah Shore Ruled the Earth, first produced in New Haven, CT, 1975; Uncommon Women and Others, first produced in New Haven, CT, 1975, then Phoenix Theatre, New York City, 1977, later Edinburgh Festival, Edinburgh, Scotland, 1985, then Los Angeles Stage Company, Los Angeles, published by Dramatists Play Service, 1978, then Avon, 1979; (contributor of additional material with Mimi Kennedy, Ted Mann, and Herb Sargent), Hard Sell, New York Shakespeare Festival, Public Theatre, New York City, 1980; Isn't It Romantic?, Phoenix Theatre, Marymount Manhattan Theatre, New York City, 1981, then Playwrights Horizons, 1983, published by Doubleday, 1984, then Dramatists Play Service, 1985; Tender Offer, first produced in New York City, 1983; (adaptor) The Man in a Case, first produced in Urbana, IL, 1985, then the Acting Company, Lucille Lortel Theatre, New York City, 1986; Miami, Playwrights Horizons, 1986; "Smart Women, Brilliant Choices" in Urban Blight, Manhattan Theatre Club, City Center Theatre, New York City, 1988; The Heidi Chronicles, Playwrights Horizons, 1988, then Plymouth Theatre, New York City, 1989. TELEVISION—Episodic: The Comdey Zone, CBS, 1984; "Driving School," The Way We Are, CBC (Toronto, ON, Canada), then broadcast as an episode of Trying Times, PBS, 1987. Specials: (With Terence McNally) Playlets #2 and #3, Liza Minnelli in Sam Found Out: A Triple Play, ABC, 1988. Also Uncommon Women and Others, 1978; (adaptor) The Sorrows of Gin, 1979; Drive, She Said, 1987.

Mrs. Hayes, The Games, Twentieth Century-Fox, 1970; Mrs. Gray, Fragment of Fear, Columbia, 1971; Gran, What Became of Jack and Jill? (also known as Romeo and Juliet and A Gentle Tale of Sex and Violence, Corruption and Murder), Twentieth CenturyFox, 1972; Sister Hallett and Usher neighbor, O Lucky Man!, Warner Brothers, 1973; Mrs. Fiedke, The Driver's Seat (also known as Identikit), AVCO-Embassy, 1975; Mrs. Jarley, Mr. Quilp (also known as The Old Curiosity Shop), AVCO-Embassy, 1975; grandmother, The Blue Bird, Twentieth Century-Fox, 1976; Miss Spear—"The Lion Aunt," Stevie, First Artists, 1978; Aunt Lydia, The Omega Connection (also known as The London Connection), Buena Vista, 1979. Also appeared in Dark Interval, Apex, 1950; The Gambler and the Lady, Exclusive, 1952; Wide Boy, Anglo-Amalgamated, 1952; Doctor in the House, General Film Distributors, 1954; Star of My Night, General Film Distributors, 1954; The Yellow Robe, Associated British/Pathe, 1954; Count of Twelve, Associated British/Pathe, 1955; John and Julie, British Lion, 1957; Son of a Stranger, United Artists, 1957; Tears for Simon (also known as Lost), Republic, 1957; Three Sundays to Live, United Artists, 1957. TELEVISION DEBUT—Appeared in a sketch for Baird Television (U.K.), 1929. PRINCIPAL TELEVISION APPEARANCES—MiniSeries: Madame Raquin, Therese Raquin, BBC, then Masterpiece Theatre, PBS, 1981; Nanny Hawkins, Brideshead Revisited, Granada, then Great Performances, PBS, 1982. Episodic: The Lili Palmer Theatre, syndicated, 1956. Movies: Queen Mother, Charles and Diana: A Royal Love Story, ABC, 1982. Specials: Aunt M, December Flower, Granada, then Great Performances, PBS, 1987. Also appeared in London Affair, A Hundred Years Old, Dear Petitioner, and Homecoming.

AWARDS: Guggenheim fellowship, 1983; New York Drama Critics' Circle Award, Best New Play, Drama Desk Award, Best New Play, Pulitzer Prize for Drama, Susan Smith Blackburn Prize, Dramatists Guild Award, and Outer Critics' Circle Award, Best Broadway Play, all 1989, for The Heidi Chronicles; also Obie Award from the Village Voice, Joseph Jefferson Award, DramaLogue Award, and Inner Boston Critics' Award, all for Uncommon Women and Others; Hale Mathews Foundation Award.

RELATED CAREER—Sketch writer, Baird Television (U.K.), 1929. OBITUARIES AND OTHER SOURCES: Variety, November 30, 1988.*

MEMBER: Dramatists Guild, Playwrights Horizons (artistic board), Dramatists Guild for Young Playwrights. ADDRESSES: AGENT—Luis Sanjurjo, International Creative Management, 40 W. 57th Street, New York, NY 10019.*

WASSERSTEIN, Wendy

1950-

PERSONAL: Born October 18, 1950, in New York, NY; daughter of Morris W. (a textile manufacturer) and Lola (a dancer; maiden name, Schleifer) Wasserstein. EDUCATION—Mount Holyoke College, B.A., 1971; City College of New York, M.A., 1973; Yale Drama School, M.F.A., 1976.

WASSON, Craig

1954-

VOCATION: Playwright.

PERSONAL: Born March 15, 1954, in Ontario, OR. EDUCATION—Attended Lane Community College.

CAREER: Also see WRITINGS below. PRINCIPAL STAGE AP-

VOCATION: Actor, composer, and musician.

449

WATKINS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Talks," Tales of the Darkside, syndicated. Movies: Hal, The Silence, NBC, 1975; Andy Webb, Mrs. R.'s Daughter, NBC, 1979; Captain Busher, Thornwell, CBS, 1981; Brian Harmon, Why Me?, ABC, 1984. Specials: Soldier, Koscuiszko: An American Portrait, PBS, 1976; Mark Twain, "The Innocents Abroad," Great Performances, PBS, 1983. Also James Madison, A More Perfect Union. RELATED CAREER—Writer and performer of songs for film and for the television series Skag and Phyllis; musician. WRITINGS: All as composer. STAGE—(Incidental music) The Glass Menagerie and Death of a Salesman, both Circle in the Square, New York City, 1975. FILM—The Boys in Company C, Columbia, 1978; Second Thoughts, Universal, 1983. AWARDS: Golden Globe nomination, Best New Performer, 1982. ADDRESSES: AGENT—Russ Lyster, Irv Schechter Company, 9300 Wilshire Boulevard, Beverly Hills, CA 90212.

WATKINS, Peter

1935-

PERSONAL: Born October 29, 1935, in Norbiton, England. EDUCATION—Attended Christ College; studied acting at the Royal Academy of Dramatic Art, 1953. MILITARY—British Army, East Surrey Regiment. CRAIG WASSON

VOCATION: Director, screenwriter, editor, and producer. CAREER: BROADWAY DEBUT—Harmonica player and singer, All God's Chilian Got Wings, Circle in the Square, 1975. PRINCIPAL STAGE APPEARANCES—Second waiter, Death of a Salesman, Circle in the Square, New York City, 1975; Michael Price, For Sale, Playhouse 91, New York City, 1985; also appeared in Five in the Mind House, Circle Repertory Theatre, New York City.

CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—It Happened Here, Lopert, 1966; narrator, Punishment Park, Sherpix Chartwell/Francoise, 1971. PRINCIPAL FILM WORK—Director: (Also producer) The War Game (documentary), 1966, released in the United States by Pathe, 1967; Privilege, Universal, 1967; Gladiatorerna (also known as The Peace Game and The Gladiators), 1969, released in the United States by New Line Cinema, 1970; (also editor) Punishment Park, Sherpix Chartwell/Francoise, 1971; (also editor) Edvard Munch, 1974, released in the United States by New Yorker, 1976; also The Web, 1956; The Field of Red, 1958; Diary of an Unknown Soldier, 1959; The Forgotten Faces, 1961; 70 Talets Manniskor (also known as The Seventies People), 1975; Fallen (also known as The Trap), 1975; (also editor) Aftenlandet (also known as Evening Land), 1976; (also editor) The Journey, 1986.

MAJOR TOURS—Godspell, U.S. cities, 1973-74. PRINCIPAL FILM APPEARANCES—Hippie, Rollercoaster, Universal, 1977; Dave Bisbee, The Boys in Company C, Columbia, 1978; Corporal Stephen Courcey, Go Tell the Spartans, AVCO-Embassy, 1978; Mickey, Carny, United Artists, 1980; Michael Flaherty, The Outsider, Paramount, 1980; Doug, Schizoid (also known as Murder By Mail), Cannon, 1980; Max Corley, Nights at O'Rear's, American Film Institute, 1980; Danilo Prozer, Four Friends (also known as Georgia's Friends), Film ways, 1981; Don and David Wanderley, Ghost Story, Universal, 1981; Will Thorson, Second Thoughts, Universal, 1983; Jack Scully, Body Double, Columbia, 1984; Paul, The Men's Club, Atlantic Releasing, 1986; Dr. Neil Goldman, A Nightmare on Elm Street 3: Dream Warriors, New Line Cinema, 1987; Paul Colson, Bum Rap, Fox/Lorber Associates, 1988. Also appeared in Trackers, Film Ventures International, 1990.

PRINCIPAL TELEVISION WORK—Movies: Director, Culloden, BBC, 1964. RELATED CAREER—Assistant producer of short television films and commercials for a London advertising agency, 1950s; assistant editor, producer, and director, BBC, 1961-67; contributor of articles and essays to magazines and journals.

PRINCIPAL TELEVISION APPEARANCES—Series: Mark Valenti, Phyllis, CBS, 1975-77; David Skagska, Skag, NBC, 1980. Pilots: Russell Parkinson, Butterflies, NBC, 1979; David Skagska, Skag, NBC, 1979. Episodic: The Bob Newhart Show, CBS, 1977; M*A*S*//, CBS, 1983; For Jenny with Love, Family Channel, 1989; also Baa Baa Black Sheep, NBC; Serpico, NBC; "Geezeus

WRITINGS: FILM—See production details above. The War Game, 1967; (with Norman Bogner) Privilege, 1967; (with Nicholas Gosling) Gladiatorerna, 1970; (with Terry Hodel) Punishment Park, 1971; Edvard Munch, \915; Aftenlandet, 1916; The Journey, 1986. 450

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 WATSON

Wife, Adelphi Theatre, New York City, 1957; Jason Redwine, Season of Choice, Barbizon-Plaza Theatre, New York City, 1959.

AWARDS: British Academy of Film and Television Arts Award, Television Progam/Series Without Category, 1965; Academy Award, Best Documentary, 1966, for The War Game.

Leontes, The Winter's Tale and Canidius, Antony and Cleopatra, both American Shakespeare Festival, Stratford, CT, 1960; Orsino, Twelfth Night, American Shakespeare Festival, 1961; title role, Richard III, Antonio, The Merchant of Venice, and Orsino, Twelfth Night, all National Shakespeare Festival, Old Globe Theatre, San Diego, CA, 1961; Reverend T. Lawrence Shannon (understudy), The Night of the Iguana, Royale Theatre, New York City, 1961; King Henry VIII, A Man for All Seasons, ANTA Theatre, 1962; Bassanio, The Merchant of Venice, Gate Theatre, New York City, 1962; Edmund, King Lear, Antipholus, The Comedy of Errors, and Dauphin, Henry V, all American Shakespeare Festival, 1963; Brother Dominic, Jeanne d'Arc au bucher (also known as Joan at the Stake), New York City Center, 1963; Tarver, The Chinese Prime Minister, Royale Theatre, 1964; title role, Richard HI and Don Pedro, Much Ado About Nothing, both American Shakespeare Festival, 1964; Prospero, The Tempest, University of Southern Florida, FL, 1964.

ADDRESSES: OFFICE—Swedish Film Institute, Film House, Box 271-26, 102 52 Stockholm, Sweden.*

WATSON, Douglass

1921-1989

PERSONAL: Full name, Larkin Douglass Watson III; born February 24, 1921, in Jackson, GA; died of a heart attack, May 1, 1989, in Arizona; son of Larkin Douglass, Jr. (a teacher) and Caroline (Smith) Watson; married Harriett Eugenia Loaring-Clark, November 28, 1942; children: Larkin, Celia, Randall. EDUCATION— University of North Carolina, A.B., 1942; studied acting with Maria Ouspenskaya, 1942-43. MILITARY—U.S. Army Air Forces.

Arthur, The Right Honorable Gentleman, Billy Rose Theatre, New York City, 1965; Pistol, Falstaff (Henry IV, Part II), Sir Hugh de Morville, Murder in the Cathedral, and Brutus, Julius Caesar, all American Shakespeare Festival, 1966; Wads worth, Come Slowly, Eden (A Portrait of Emily Dickinson), ANTA Matinee Series, Theatre De Lys, 1966; herald, The Persecution and Assassination of Jean-Paul Marat As Performed By the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (also known as Marat/Sade), National Players Company, Majestic Theatre, New York City, 1967; Sir Thomas More, A Man for All Seasons, University of Wisconsin, Madison, WI, 1967; title role, Othello and Parolles, All's Well That Ends Well, both National Shakespeare Festival, Old Globe Theatre, 1967; Mr. Perry, then as Teddy Lloyd, The Prime of Miss Jean Brodie, Helen Hayes Theatre, New York City, 1968; Major-General Stanley, The Pirates ofPenzance, New York City Center, 1968; Vershinin, The Three Sisters, Seattle Repertory Theatre, Seattle, WA, 1969; Jack, L.A. Under Siege, New Theatre for Now, Mark Taper Forum, Los Angeles, 1970; Buffalo Bill, Indians, Seattle Repertory Theatre, 1970; John of Gaunt, Richard II, Seattle Repertory Theatre, 1971; Father Phillip Berrigan, The Trial of the Catonsville Nine, Center Theatre Group, Mark Taper Forum, 1971; title role, The Hunter, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1972; Don Pedro, Much Ado About Nothing, NYSF, Delacorte Theatre, then Winter Garden Theatre, both New York City, 1972; Duke Senior, As You Like It, Earl of Kent, King Lear, both NYSF, Delacorte Theatre, 1973; Norwin Spokesman, Over Here!, Shubert Theatre, New York City, 1974.

VOCATION: Actor. CAREER: Also see WRITINGS below. STAGE DEBUT—Rugby, The Merry Wives of Windsor, Playhouse Theatre, Wilmington, DE, 1946. BROADWAY DEBUT—Don Parritt, The Iceman Cometh, Martin Beck Theatre, 1946. PRINCIPAL STAGE APPEARANCES— Eros, Antony and Cleopatra, Martin Beck Theatre, 1947; Captain Jenks, Command Decision, Fulton Theatre, New York City, 1947; Eugene, The Leading Lady, National Theatre, New York City, 1948; Dorset, Richard HI, Booth Theatre, New York City, 1949; Richard Johnson, The Happiest Years, Lyceum Theatre, New York City, 1949; Bert Warren (understudy), Leaf and Bough, Cort Theatre, New York City, 1949; Rodrigo, That Lady, Martin Beck Theatre, 1949; Peter Whitfield, The Wisteria Trees, Martin Beck Theatre, 1950; Romeo, Romeo and Juliet, Broadhurst Theatre, New York City, 1951; messenger, Medea, Berlin Festival, Germany, 1951; Eben Cabot, Desire Under the Elms, American National Theatre and Academy (ANTA) Theatre, New York City, 1952; Herbert Westman, The Brass Ring, Lyceum Theatre, 1952; Mike Decker, Sunday Breakfast, Coronet Theatre, New York City, 1952; Lord Ravensbane, The Scarecrow, Theatre De Lys, New York City, 1953; Don, The Time of the Cuckoo, Central City Festival, Central City, CO, 1953; Christian de Neuvillette, Cyrano de Bergerac and Henry, Earl of Richmond, Richard III, both New York City Center Theatre, New York City, 1953; Colby Simpkins, The Confidential Clerk, Morosco Theatre, New York City, 1954; son, This Happy Breed, John Drew Theatre, East Hampton, NY, 1954; Ralph Touchett, Portrait of a Lady, ANTA Theatre, 1954.

Douglas North Wicksteed, Dancing for the Kaiser, Circle Repertory Company, Circle Repertory Theatre, New York City, 1975; Wallace Howe, My Life, Circle Repertory Company, Circle Repertory Theatre, 1977; Marcus, The Archbishop's Ceiling, Eisenhower Theatre, Kennedy Center for the Performing Arts, Washington, DC, 1977; Charles, The Middle Ages, Hartman Theatre Company, Stamford, CT, 1978; Frank, Glorious Morning, Circle Repertory Company, Circle Repertory Theatre, 1978; Seth Lord, The Philadelphia Story, Lincoln Center Theatre Company, Vivian Beaumont Theatre, New York City, 1980; Ben Gerard, Upside Down on the Handlebars, Open Space Theatre Experiment, New York City, 1983; Claudius, Hamlet, Musical Theatre Works, Classic Stage Company Theatre, New York City, 1987; also appeared in Murder in the Family, Berkshire Playhouse, Stockbridge, MA, 1952; Patience, New York City Center, 1968.

Valere, The Miser, Downtown National Theatre, New York City, 1955; Hippolytos, The Cretan Woman and Kilroy, Camino Real, both Stanford University, Stanford, CA, 1955; Anthony Harker, The Young and Beautiful, Longacre Theatre, New York City, 1955; Armand, Comte de Montfort, Little Glass Clock, John Golden Theatre, New York City, 1956; title role, Henry V, Cambridge Drama Festival, Harvard University, Sanders Theatre, Cambridge, MA, 1956; Valentine, You Never Can Tell, John Drew Theatre, 1956; Gregor Samsa, Metamorphosis and Golaud, Pelleas and Melisande (double-bill), Kuriakos Theatre, ANTA Matinee Series, Theatre De Lys, 1957; Val Xavier (understudy), Orpheus Descending, Martin Beck Theatre, 1957; narrator, Pale Horse, Pale Rider, Kuriakos Theatre, White Barn Theatre, Westport, CT, then Jan Hus Theatre, New York City, both 1957; Mr. Harcourt, The Country

451

WEAVER CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

WEAVER, Fritz

MAJOR TOURS—Fenton, The Merry Wives of Windsor, U.S. and Canadian cities, 1946; Don Parritt, The Iceman Cometh, Theatre Guild, U.S. cities, 1946; Andre, Her Cardboard Lover, U.S. cities, 1951; Sefton, Stalag 17, U.S. cities, 1953; Brian O'Bannion, Auntie Mame, U.S. cities, 1958-59; M. Redon-la Mur, Nina, U.S. cities, 1959; Leontes, The Winter s Tale and Lysander, A Midsummer Night's Dream, U.S. cities, 1960-61; Dylan Thomas, Dylan, U.S. cities, 1969; Teddy Lloyd, The Prime of Miss Jean Brodie, U.S. cities, 1969; Victor Franz, The Price, U.S. cities, 1970.

1926-

PERSONAL: Full name, Fritz William Weaver; born January 19, 1926, in Pittsburgh, PA; son of John Carson and Elsa W. (Stringaro) Weaver; married Sylvia Short, February 7, 1953; children: Lydia Charlotte, Anthony Ballou. EDUCATION—University of Chicago, B.A., 1952; studied acting at the HB Studios, 1955-56. VOCATION: Actor. CAREER: STAGE DEBUT—With the Barter Theatre, Abingdon, VA, 1952. OFF-BROADWAY DEBUT—Fainall, The Way of the World, Cherry Lane Theatre, 1954. BROADWAY DEBUT—Maitland, The Chalk Garden, Ethel Barrymore Theatre, 1955. PRINCIPAL STAGE APPEARANCES—Petruchio, The Taming of the Shrew, Sir Francis Chesney, Charley's Aunt, preacher, Dark of the Moon, Oberon, A Midsummer Night's Dream, Caesar, Androcles and the Lion, and Edward II, Carnival King, all with the Group 20 Players, Wellesley, MA, 1953; secretary, The Doctor's Dilemma and Flamineo, The White Devil, both Phoenix Theatre, New York City, 1955; Casca, Julius Caesar and Antonio, The Tempest, both American Shakespeare Festival, Stratford, CT, 1955; Philip Faulconbridge, King John and Gremio, The Taming of the Shrew, both American Shakespeare Festival, 1956; Marc Bradley, Protective Custody, Ambassador Theatre, New York City, 1956; title role, Miss Lonelyhearts, Music Box Theatre, New York City, 1957; title role, Hamlet, American Shakespeare Festival, 1958; Harry, Lord Monchensey, The Family Reunion and priest, The Power and the Glory, both Phoenix Theatre Company, Phoenix Theatre, 1958; Malvolio, Twelfth Night, Cambridge Drama Festival, Cambridge, MA, 1959; Dion Anthony, The Great God Brown, Phoenix Theatre Company, Coronet Theatre, New York City, 1959.

PRINCIPAL FILM APPEARANCES—Octavius Caesar, Julius Caesar, Metro-Goldwyn-Mayer, 1953; Colonel Crawford, Sayonara, Warner Brothers, 1957; Father Philip Berrigan, The Trial of the Catonsville Nine, Melville, 1972; Major Cartwright, Ulzanas Raid, Universal, 1972; Walter Felding, Sr., The Money Pit, Universal, 1986; also appeared in Who Says I Can't Ride a Rainbow?, Trans vue, 1971.

PRINCIPAL TELEVISION APPEARANCES—Series: Dr. Robert Wallace Moment of Truth, NBC, 1965; Walter Haskins, Search for Tomorrow, CBS, 1967-68; Dr. Lloyd Phillips, Love of Life, CBS, 1972-73; Mackenzie "Mac" Cory, Another World, NBC, 197489. Episodic: "Richard III," Masterpiece Playhouse, NBC, 1950; "The Sire de Maletroit's Door," Starlight Theatre, CBS, 1950; "Brief Candle," Kraft Television Theatre, NBC, 1951; "The Young and Beautiful," Robert Montgomery Presents, NBC, 1956; The Doctors and the Nurses (also known as The Nurses), CBS, 1965; Mackenzie "Mac" Cory, For Richer, for Poorer, NBC. Specials: Hector Malone, Jr., "Man and Superman," Hallmark Hall of Fame, NBC, 1956; Hortensio, "Taming of the Shrew," Hallmark Hall of Fame, NBC, 1956; Ninian Edwards, "Abe Lincoln in Illinois," Hallmark Hall of Fame, NBC, 1964; narrator, Continuing Creation, NBC, 1978. Also The Dark Side of the Moon, NBC, 1957; Lamp Unto My Feet, CBS-Much Ado About Nothing.

Title role, Peer Gynt, Phoenix Theatre Company, 1960; title role, Henry IV, Part One and title role, Henry IV, Part Two, both Phoenix Theatre Company, then Cambridge Drama Festival, all 1960; Mark, Men, Women, and Angels, Vancouver Festival, Queen Elizabeth Theatre, Vancouver, BC, Canada, 1961; M. Beaurevers, A Shot in the Dark, Booth Theatre, New York City, 1961; Henderson, All American, Winter Garden Theatre, New York City, 1962; narrator, The Martyrdom of St. Sebastian, New York City Philharmonic, Philharmonic Hall, New York City, 1962; Van Miessen, Lorenzo, Plymouth Theatre, New York City, 1963; Phileas Fogg, Around the World in Eighty Days, Jones Beach Marine Theatre, New York City, 1963; various roles, The White House, Henry Miller's Theatre, New York City, 1964; Sherlock Holmes, Baker Street, Broadway Theatre, New York City, 1965; Frederick the Great, The Sorrows of Frederick, Mark Taper Forum, Los Angeles, 1967; Henry Higgins, My Fair Lady, City Center Theatre, New York City, 1968.

RELATED CAREER—Performer with the Martha Graham Dance Company in productions of Dark Meadow and Letter to the World; also with the company in various Broadway productions and on tour.

WRITINGS: STAGE—(Adaptor) Metamorphosis and Pellas and Melisande (double-bill), Kuriakos Theatre, American National Theatre and Academy Matinee Series, Theatre De Lys, New York City, 1957; Haven't a Clue, Virginia Museum Theatre, Richmond, VA, 1982.

Jerome Malley, Child's Play, Royale Theatre, New York City, 1970; title role, Macbeth, American Shakespeare Festival, 1973; Patrick Power, Patricks Day, Long Wharf Theatre, New Haven, CT, 1973; Ronald, Absurd Person Singular, Music Box Theatre, 1975; title role, Lincoln (one-man show), Chelsea Theatre Center, Brooklyn Academy of Music, Brooklyn, NY, then Theatre Four, New York City, both 1976; Sidney Kentridge, The Biko Inquest, Theatre Four, 1978; Walter Franz, The Price, Playhouse Theatre, New York City, 1979; man, Dialogue for Lovers, Symphony Space, New York City, 1980; Mr. Talley, A Tale Told, Circle Repertory Company, New York City, then Mark Taper Forum, both 1981; Niles Harris, Angel's Fall, Circle Repertory Company, 1982, then Longacre Theatre, New York City, 1983; Stephen,

AWARDS: Theatre World Award, 1948, for Anthony and Cleopatra; Variety-New York Drama Critics' Poll, Most Promising New Actor, 1950, for The Wisteria Trees; Clarence Derwent Award, 1950, for That Lady and The Wisteria Trees; Drama Desk Award, 1973, for Much Ado About Nothing; Emmy Award, Outstanding Actor in a Daytime Drama Series, 1980 and 1981, both for Another World. MILITARY HONORS—Distinguished Flying Cross and two Purple Hearts from the U.S. Army Air Forces.

OBITUARIES AND OTHER SOURCES: Variety, May 10-16, 1989.* 452

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

WEBB

Adventures, CBS, 1964; The Rogues, NBC, 1964; Rawhide, CBS, 1964; Twelve O'Clock High, ABC, 1964; The Fugitive, ABC, 1966; "The Good Lieutenant," Showcase, 1966; Combat, ABC, 1966;Mission:Impossible, CBS, 1966, 1967, 1969, and \91\\The F.B.I., ABC, 1966, 1968, 1970 and 1971; "The Questions," Experiment in Television, NBC, 1967; The Invaders, ABC, 1967; Gunsmoke, CBS, 1967; The Big Valley, ABC, 1967 and 1969; Gentle Ben, CBS, 1968; N.Y.P.D., ABC, 1968; The Outcasts, ABC, 1968; The Name of the Game, NBC, 1968 and 1969; Mannix, CBS, 1968 and 1913', Room 222, ABC, \969; Felony Squad, ABC, 1969'Jronside, NBC, 1970; Dan August, ABC, 1971; Men at Law, CBS, \91\\Cannon, CBS, 1971 and 1973; "A Question of Fear," Night Gallery, NBC, 1971; Owen Marshall, Counselor at Law, ABC, 1972; Banyon, NBC, 1972; Medical Center, CBS, 1972; "Columbus," You Are There, CBS, 1972; The Mod Squad, ABC, 1972; "Antigone," Playhouse New York, PBS, 1973; Kung Fu, ABC, 1973; 7/ze Delphi Bureau, ABC, \911\BarnabyJones, CBS, 1973 and 1974; Corneliu Melody, "A Touch of the Poet," Theatre in America, PBS, 1974; Movin' On, NBC, \914;Petrocelli, NBC, 1974; Streets ofSan Francisco, ABC, 1975; Tales from the Darkside, syndicated.

Beethoven's Tenth, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1983; Carleton Fitzgerald, Light Up the Sky, Center Theatre Group, Ahmanson Theatre, 1987. Also appeared in Over My Dead Body, Hartman Theatre, Stamford, CT, 1984; L'Histoire du Soldat, 1954; and in productions of Time Framed and A Christmas Carol. MAJOR TOURS—Father Day, Life with Father, U.S. cities, 1974; Stephen, Beethoven's Tenth, U.S. cities, 1983-84; also appeared with the Barter Theatre Company on a tour of U.S. cities, 1952-54. FILM DEBUT—Narrator, The Crimson Curtain, Rembrandt, 1955. PRINCIPAL FILM APPEARANCES—Colonel Cascio, Fail Safe, Columbia, 1964; narrator, The Guns of August, Universal, 1965; Vulcan, To Trap a Spy, Metro-Goldwyn-Mayer (MGM), 1966; Mr. Ravenswood, The Maltese Bippy, MGM, 1969; John Shankalien, Company of Killers, Universal, 1970; Roger Meredith, A Walk in the Spring Rain, Columbia, 1970; Harold DeMilo, The Day of the Dolphin, AVCO-Embassy, 1973; Professor Biesenthal, Marathon Man, Paramount, 1976; Corley, Black Sunday, Paramount, 1977; Dr. Alex Harris, Demon Seed, Metro-Goldwyn-Mayer/United Artists, 1977; Oscar Procari, Sr., The Big Fix, Universal, 1978; Father Farrow, Jaws of Satan (also known as King Cobra), United Artists, 1980; Dexter Stanley, "The Crate" in Creepshow, Warner Brothers, 1982; Wallace Furman, Power, Twentieth Century-Fox, 1986.

Movies: Anderson, The Borgia Stick, NBC, 1967; Joe Mallicent, Berlin Affair, NBC, 1970; Andrew Borden, The Legend of Lizzie Borden, ABC, 1975; Harvey Cheyne, Sr., Captains Courageous, ABC, 1977; Eli Sorenson, Children of Divorce, NBC, 1980; Jonas Angstrom, Maid in America, CBS, 1982; Van Niven, A Death in California, ABC, 1985; Arthur Beal, The Hearst and Davies Affair, ABC, 1985; Bernard Hughes, Under Siege, NBC, 1986. Specials: "The Crucible," Salute to the American Theatre, CBS, 1959; Brutus, Julius Caesar, Canadian Broadcasting Company, 1960; schoolmaster, The Power and the Glory, CBS, 1961; We the People 200: The Constitutional Gala, CBS, 1987; Dr. Burnham, "My Name Is Bill W.," Hallmark Hall of Fame, ABC, 1989; narrator, The Great Dinosaur Hunt, PBS, 1989; also From Sea to Shining Sea, 1974; Give Me Liberty, 1975.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Josef Weiss, Holocaust, NBC, 1978; Father Peregrine, The Martian Chronicles, NBC, 1980; Senator Thomas Hart Benton, Dream West, CBS, 1986; Mr. Amberville, /'// Take Manhattan, CBS, 1987. Pilots: Anton de Tourolet, The Snoop Sisters (also known as Female Instinct), NBC, 1972; Vincent Kagel, Heat of Anger, CBS, 1972; Daniel Kemper, Rx for the Defense, ABC, 1973; Cirrak, Hunter, CBS, 1973; Mr. Foster, Momma the Detective, NBC, 1981; Stewart Moffitt, The City, ABC, 1986; Maxwell Vane, D.C. Cop, CBS, 1986. Episodic: William Sturka,' Third from the Sun," The Twilight Zone, CBS, 1960; Chancellor, "The Obsolete Man," The Twilight Zone, CBS, 1961; Mason, "Jane Eyre," Family Classics, CBS, 1961; David, "The People Next Door," CBS Playhouse, CBS, 1968;Niklaus, "Lost Treasure," Suspense Playhouse, CBS, 1971; Matthew Costigan, "The Star," The Twilight Zone, CBS, 1985; Edwin Dupont, Murder, She Wrote, CBS, 1987; Inspector Panassie, Murder, She Wrote, CBS, 1987; Astaroth, Friday the 13th, syndicated, 1989; narrator, "Preston Sturges: The Rise and Fall of an American Dreamer," American Masters, PBS, 1990; also Kraft Television Theatre, NBC, 1955; "She Stoops to Conquer," Omnibus, ABC, 1955; Lamp Unto My Feet, CBS, 1955; "We Must Kill Tony," U.S. Steel Hour, CBS, 1956; "The Playwright and the Star'' and' The Deaf Heart,'' Studio One, CBS, 1957; "Beyond This Place," Dupont Show of the Month, CBS, 1957; "The New Class," Armstrong Circle Theatre, NBC, 1958; "A Moment of Truth," Omnibus, NBC, 1958; "A Tale of Two Cities," Dupont Show of the Month, CBS, 1958; "The Little Tin God," U.S. SteelHour, CBS, 1959; "OutoftheDust/'P/oy/iowse 90, CBS, 1959.

AWARDS: Clarence Derwent Award, 1956, for The White Devil; Theatre World Award and Antoinette Perry Award nomination, Best Supporting or Featured Actor in a Play, both 1956, for The Chalk Garden; Antoinette Perry Award, Best Actor in a Play, Van>ry-New York Critics' Poll Award, Drama Desk Award, and Outer Critics' Circle Award, all 1971, for Child's Play. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, American Guild of Musical Artists. ADDRESSES: AGENTS—Lucy Kroll Agency, 390 West End Avenue, New York, NY 10023; Camden Artists, 2121 Avenue of the Stars, Suite 410, Los Angeles, CA 90067.

WEBB, Chloe "The Potting Shed," Play of the Week, WNTA, 1961; "The Devil Makes Sunday," U.S. SteelHour, CBS, 1961; "The Night of the Storm," Dupont Show of the Month, CBS, 1961; Asphalt Jungle, ABC, 1961; The New Breed, ABC, 1961; The Defenders, CBS, 1961, 1962, and 1963; "The Duchess and the Mugs," U.S. Steel Hour, CBS, 1962; Cain's Hundred, NBC, 1962; Dr. Kildare, NBC, 1962 and 1963; The Nurses, CBS, 1962 and 1964; Espionage, NBC, 1964; The Man from U.N.C.L.E., NBC, 1964; Great

PERSONAL: Born in New York, NY. EDUCATION—Attended the Boston Conservatory of Music and Drama. VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Angela Lansbury, Mary Martin, and Carol Channing, Forbidden Broadway (revue), 453

WEINTRAUB

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Palsson's Theatre, New York City, 1982-83, then the Comedy Store, Los Angeles, 1983; also appeared in The House of Blue Leaves, Pasadena Playhouse, Pasadena, CA.

PRINCIPAL TELEVISION APPEARANCES—Series: Host, From the Bitter End, syndicated. PRINCIPAL TELEVISION WORK—Series: Creator, Hootenanny, ABC, 1963-64; creator, The Dukes of Hazard, CBS, 1979-85. Movies: Producer, My Father, My Son, CBS, 1988.

FILM DEBUT—Nancy Spungen, Sid and Nancy, Samuel Goldwyn, 1986. PRINCIPAL FILM APPEARANCES—Louisa Kracklite, The Belly of an Architect, Hemdale, 1987; Linda Mason, Twins, Universal, 1988; Crystal Gerrity, Heart Condition, New Line Cinema, 1990.

RELATED CAREER—Vice-president of creative services, Warner Brothers Inc., 1969; co-founder, Weintraub-Heller Productions, 1974; also personal manager, Campus Coffee House Entertainment Circuit and for Joan Rivers, Neil Diamond, Bill Cosby, and the Four Seasons; former owner, the Bitter End (nightclub), New York City.

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, Thicke of the Night, syndicated, 1983. Pilots: Laurette Barber, China Beach, ABC, 1988. Episodic: Barbara, Who's the Boss?, ABC, 1986; Cassie, Mary, CBS, 1986; Laurette Barber, China Beach, ABC, 1988 (six episodes); also Remington Steele, NBC. Movies: Who Am I This Time?, PBS.

WRITINGS: See production details above. FILM—Black Belt Jones, 1974; Dirty Knight's Work, 1976; Hot Potato, 1976; The Promise, 1979; The Big Brawl, 1980.

RELATED CAREER—Appeared with the Boston Shakespeare Company, Boston, MA, the Goodman Theatre Company, Chicago, IL, and at the Mark Taper Forum, Los Angeles, CA.

ADDRESSES: OFFICE—Metro-Goldwyn-Mayer/United Artists Entertainment Company, 10000 W. Washington Boulevard, Culver City, CA 90230.*

AWARDS: National Society of Film Critics Award, Best Actress, 1986, for Sid and Nancy; Emmy Award nomination, Outstanding Guest Actress in a Drama Series, 1989, for China Beach. ADDRESSES: AGENT—Connie Tavel, International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048.*

WENDKOS, Paul 1922PERSONAL: Born September 20, 1922, in Philadelphia, PA. EDUCATION—Attended Columbia University. VOCATION: Director.

WEINTRAUB, Fred 1928CAREER: PRINCIPAL FILM WORK—Director: The Burglar, Columbia, 1956; The Case Against Brooklyn, Columbia, 1958; Tarawa Beachhead, Columbia, 1958; Battle of the Coral Sea, Columbia, 1959; Face of a Fugitive, Columbia, 1959; Gidget, Columbia, 1959; Because They're Young, Columbia, 1960; Angel Baby, Allied Artists, 1961; Gidget Goes Hawaiian, Columbia, 1961; Gidget Goes to Rome, Columbia, 1963; Johnny Tiger, Universal, 1966; Attack on the Iron Coast, United Artists, 1968; Guns of the Magnificent Seven, United Artists, 1969; Cannon for Cordoba (also known as Dragon Master), United Artists, 1970; Hell Boats, United Artists, 1970; The Mephisto Waltz, Twentieth CenturyFox, 1971; Special Delivery, American International, 1976.

PERSONAL: Born April 27, 1928, in Bronx, NY; children: Sandra. EDUCATION—Attended the Wharton School of Business, University of Pennsylvania. VOCATION: Producer and personal manager. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Black Belt Jones, Warner Brothers, 1974. PRINCIPAL FILM WORK—All as producer, unless indicated: Woodstock, Warner Brothers, 1970; (with Francois Reichenbach and Tom Donahue) Medicine Ball Caravan (also known as We Have Come for Your Daughters), Warner Brothers, 1971; Rage, Warner Brothers, 1972; (with Paul Heller) Enter the Dragon, Warner Brothers, 1973; (with Heller) Black Belt Jones, Warner Brothers, 1974; (with Heller) Golden Needles (also known as Chase for the Golden Needles), American International, 1974; (with Heller) Truck Turner, American International, 1974; (with Heller) The Ultimate Warrior, Warner Brothers, 1975; (with Heller) Dirty Knight's Work (also known as Trial By Combat and Choice of Arms), Gamma III, 1976; (with Heller) Hot Potato, Warner Brothers, 1976; (with Heller) The Pack (also known as The Long Dark Night), Warner Brothers, 1977; Outlaw Blues, Warner Brothers, 1977; (with Heller) Checkered Flag or Crash, Universal, 1978; (with Heller) The Promise (also known as Face of a Stranger), 1979; (with Terry Morse, Jr.) The Big Brawl, Warner Brothers, 1980; Tom Horn, Warner Brothers, 1980; Force: Five, American Cinema, 1981; High Road to China, Warner Brothers, 1983; Gymkata, Metro-Goldwyn-Mayer/United Artists, 1985; (with Daniel Grodnik) Out of Control, New World, 1985; executive producer, The Princess Academy, Empire, 1987; The Women's Club, Inter-Ocean Film Sales, 1987.

PRINCIPAL TELEVISION WORK—All as director. Mini-Series: (Also producer) Harold Robbins' ' '79 Park Avenue'' (also known as 79 Park Avenue), NBC, 1977; Celebrity, NBC, 1984. Pilots: 333 Montgomery (broadcast as an episode of Alcoa Theatre), NBC, 1960; Hawaii Five-0, CBS, 1968; Travis Logan, D. A., CBS, 1971; Crisis, CBS, 1971; The Delphi Bureau, NBC, 1972; The Underground Man, NBC, 1974; Mrs. R—Death Among Friends (also known as Death Among Friends), NBC, 1975; Golden Gate, ABC, mi'Farrell: For the People, NBC, 19^ Big John, NBC, 1983. Episodic: "The Mutation," "The Leeches," "Vikor," "Nightmare," "Doomsday Minus One," "Storm," and "Moonshot," The Invaders, ABC, 1967; "The Believers" and "The Life Seekers," Thelnvaders, ABC, \96S',Hagen, CBS, \98tyBoone, NBC, 1983; The Alcoa Hour, NBC; Ben Casey, ABC; The Big Valley, ABC; The Dick Powell Show, NBC; Honey West, ABC; / Spy, NBC; Law of the Plainsman, NBC; Naked City, ABC; The Rifleman, ABC; Route 66, CBS; Saints and Sinners, NBC; The Untouchables, ABC; The Wild Wild West, CBS; Harry O, ABC; Medical Story, NBC; Burke's Law, ABC; The Detectives (also 454

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Charles Pinsky, Doin' Time on Planet Earth, Cannon, 1988; Edward Harris, Mad About You, Pinnacle, 1988. Also appeared in Curse of the Moon Child, 1972; Partisani (also known as Hell River), Yugoslavia Film, 197'4', Blonde Ambition, Black Cat, 1980; The Happy Hooker Goes to Hollywood, Cannon, 1980.

known as Robert Taylor's The Detectives), ABC; Mr. Novak, NBC. Movies: Fear No Evil, NBC, \969', Brotherhood ofthe Bell, CBS, 1970; A Death of Innocence, CBS, 1971; A Little Game, ABC, 1911; A Tattered Web, CBS, 1971; The Family Rico, CBS, 1972; The Strangers in 7-A, CBS, 1972; Footsteps (also known as Footsteps: Nice Guys Finish Last), CBS, 1972; Haunts of the Very Rich, ABC, 1972; Terror on the Beach, CBS, 1973; Honor Thy Father, CBS, 1973; The Legend of Lizzie Borden, ABC, 1975; Good Against Evil, ABC, 1977; Secrets, ABC, 1977; The Death of Richie, NBC, 1977; Betrayal, NBC, 1978; A Woman Called Moses, NBC, 1978; Act of Violence, CBS, 1979; The Ordeal of Patty Hearst, ABC, 1979; A Cry for Love, NBC, 1980; The Ordeal of Dr. Mudd, CBS, 1980; The Five of Me, CBS, 1981; The Awakening of Candra, CBS, 1983; Intimate Agony, ABC, 1983; Cocaine: One Man's Seduction, NBC, 1983; Scorned and Swindled, CBS, 19*4', Picking Up the Pieces, CBS, 1985;77ze Bad Seed, ABC, 1985; The Execution, NBC, 1985; Rage of Angels: The Story Continues, NBC, 1986; Six Against the Rock, NBC, 1987; Right to Die, NBC, 1987; Blood Vows: The Story of a Mafia Wife, NBC, 1987; Sister Margaret and the Saturday Night Ladies, CBS, 1957; TheTakingofFlight847:TheUliDericksonStory, NBC, 1988;77ze Great Escape II: The Untold Story, NBC, 1988; Cross of Fire, NBC, 1989; From the Dead of Night, NBC, 1989; Blind Faith, NBC, 1990.

PRINCIPAL TELEVISION APPEARANCES—Series: Sergeant Steve Nelson, The Detectives (also known as Robert Taylor's The Detectives), ABC, 1961-62; Bruce Wayne/Batman, Batman, ABC, 1966-68; voice of Bruce Wayne/Batman, The New Adventures of Batman (animated), CBS, 1977-78; voice of Bruce Wayne/Batman, Batman and the Super Seven (animated), NBC, 1980-81; voice of Batman, Super Powers Team: Galactic Guardians (animated), ABC, 1985-86; Captain Rick Wright, The Last Precinct, NBC, 1986. Pilots: David, All in the Family (broadcast as an episode of Goodyear Theatre), NBC, 1960; Cleander, Alexander the Great, ABC, 1968; Jannes Crawford, Poor Devil, NBC, 1973; Frank Hartlee, Nevada Smith, NBC, 1975; Captain Rick Wright, The Last Precinct, NBC, 1986. Episodic: Bill Crawford, Guestward Ho!, ABC, 1961; Major Charles "Lucky" Merritt, "The Invisible Enemy," The Outer Limits, ABC, 1964; Wade Talmadge, Murder, She Wrote, CBS, 1987; also Sugarfoot, ABC, 1959; Maverick, ABC, 1959 (three episodes); Colt .45, ABC, 1959; Lawman, ABC, 1959; 77 Sunset Strip, ABC, 1959; Hawaiian Eye, ABC, 1959; "Murder Is a Private Affair," Desilu Playhouse, CBS, 1960; Tales of Wells Fargo, NBC, 1961; Bonanza, NBC, 1961; Perry Mason, CBS, 1962; The Real McCoys, CBS, \963;Laramie, NBC, 1963; Petticoat Junction, CBS, 1964; Bewitched, ABC, 1964; The Virginian, NBC, 1965; Big Valley, ABC, 1968; Love, American Style, ABC, 1970; "With Apologies to Mr. Hyde," Night Gallery, NBC, 1971; This Is the Life, syndicated, 1972; Alias Smith and Jones, ABC, \912-, Mannix, CBS, 1972; Emergency, NBC, 1974; Alice, CBS, 1976. Movies: Dr. Paul Scott, The Eyes of Charles Sand, ABC, 1972; Jock Higgins, For the Love of It, ABC, 1980; Craig Wyler, / Take These Men, CBS, 1983. Specials: Celebrity Daredevils, ABC, 1983.

RELATED CAREER—Documentary filmmaker. ADDRESSES: AGENT—Fred Specktor, Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.*

WEST, Adam

WEST

1928-

PERSONAL: Born William West Anderson, September 19, 1928, in Walla Walla, WA. EDUCATION—Graduated from Whitman College.

ADDRESSES: AGENT—Lew Sherrell Agency, 7060 Hollywood Boulevard, Suite 610, Hollywood, CA 90028.*

VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Volpone, Center Theatre Group, Mark Taper Forum, Los Angeles, 1972.

WEST, Caryn PRINCIPAL FILM APPEARANCES—William Lawrence, The Young Philadelphians (also known as The City Jungle), Warner Brothers, 1959; Delahay, Geronimo, United Artists, 1962; Captain Blekeley, Soldier in the Rain, Allied Artists, 1963; Dr. Eric Hassler, Tammy and the Doctor, Universal, 1963; Colonel Daniel McReady, Robinson Crusoe on Mars, Paramount, 1964; Kenneth Cabot, The Outlaws Is Coming (also known as The Three Stooges Meet the Gunslinger), Columbia, 1965; Bruce Wayne/Batman, Batman, Twentieth Century-Fox, 1966; Ken Williams, Mara of the Wilderness (also known as Valley of the White Wolves), Allied Artists, 1966; Johnny Cain, The Girl Who Knew Too Much, Commonwealth, 1969; Chester, The Marriage of a Young Stockbroker, Twentieth Century-Fox, 1971; Jerry, The Specialist, Crown, 1975; Adam, Hooper, Warner Brothers, 1978; Allan McKenna, One Dark Night, Comworld, 1983; Arthur Bohart, Jr., Young Lady Chatterley (also known as Private Property), Cine-Circle Distributors, 1985; Dr. Dave Stanley, Hell Riders, 21st Century Releasing, 1985; Captain Churchman, Zombie Nightmare, Gold-Gems, 1987;

PERSONAL: Born June 23, in Washington, DC; daughter of Fraser Edwards (a rancher and Marine Corps colonel) and Thelma (Charlton) West. EDUCATION—Received B.A. in film and drama from Stanford University; received M.F. A. in acting from Temple University; studied acting with Joel Friedman, Wynn Handman, Robert W. Smith, Alan Langdon; studied advanced commercial technique with Joan See and voiceovers with Gerrianne Raphael. VOCATION: Actress. CAREER: STAGE DEBUT—Mina, Count Dracula, Paper Mill Playhouse, Millburn, NJ, 1978. BROADWAY DEBUT—Lenny MaGrath, Crimes of the Heart, John Golden Theatre, 1982-83. PRINCIPAL STAGE APPEARANCES—Rosalind, As You Like It, Riverside Shakespeare Company, New York City, 1978; Desdemona, Othello, American Revels Company, Richmond, VA, 1979; Olivia, Twelfth Night, Cincinnati Playhouse, Cincinnati, OH, 1979; Hele455

WEST

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

RELATED CAREER—Teacher, Actors in Advertising, 1985—; private acting coach for professional actors. NON-RELATED CAREER—Member, U.S. National Alpine Ski Team, 1968-72. MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, Actors' Equity Association, Performing Artists for Nuclear Disarmament. SIDELIGHTS: RECREATIONS—Fencing, horsemanship (concentrating in English riding and western/steer team roping), tennis, and stage combat; ran in the New York City Marathon, 1985. ADDRESSES: AGENTS—Meg Martin/Louis Ambrosio, Ambrosio/ Mortimer and Associates Inc., 165 W. 46th Street, Suite 1109, New York, NY 10036 and 9000 Sunset Boulevard, Suite 900, Los Angeles, CA 90069.

WEST, Lockwood

1905-1989

PERSONAL: Full name, Harry Lockwood West; born July 28, 1905, in Birkenhead, England; died of cancer, March 28, 1989, in Brighton, England; son of Henry Cope and Mildred (Hartley) West; married Olive Carleton-Crowe (an actress; died, 1985); children: Timothy, Patricia. CARYN WEST

VOCATION: Actor. CAREER: STAGE DEBUT—Lieutenant Allen, Alfs Button, Hippodrome Theatre, Margate, U.K., 1926. LONDON DEBUT—Henry Be van, The Barretts ofWimpole Street, Queen's Theatre, 1931. PRINCIPAL STAGE APPEARANCES—Mr. Toobad, Nightmare Abbey, Westminster Theatre, London, 1952; Dr. Macgregor, The White Carnation, Globe Theatre, London, 1953; Humphrey Caldwell, A Day By the Sea, Haymarket Theatre, London, 1953; the Agent de Police, Nina, Wimbledon Theatre, London, then Haymarket Theatre, both 1955; Major Swindon, The Devil's Disciple, Winter Garden Theatre, London, 1956; John Callifer, The Potting Shed, Globe Theatre, 1958; William Howard, The Complaisant Lover, Globe Theatre, 1959; M. Damiens, The Rehearsal, Theatre Royal, Bristol, U.K., then Globe Theatre, later Queen's Theatre, London, and Apollo Theatre, London, all 1961-62; Oscar Nelson, Mary, Mary, Queen's Theatre, 1963; Ferguson, Wanted on the Voyage, Grand Theatre, Leeds, U.K., 1964; Elliott, He Was Gone When They Got There, Mermaid Theatre, London, 1966; Emperor, The Brass Butterfly, Shaw Festival, Niagara-on-the-Lake, ON, Canada, 1973; Councillor Duxbury, Billy, Drury Lane Theatre, London, 1974; Reggie, The Ordeal of Gilbert Pinfold, Royal Exchange Theatre, Manchester, U.K., 1976, then Round House Theatre, London, 1979; Jones, Half-Life, Cottesloe Theatre, then Duke of York's Theatre, both London, 1978; Geoffrey Thornton, The Dresser, Royal Exchange Theatre, then Queen's Theatre, both 1980. Also appeared in The Masters and The Right Honourable Gentleman, both Theatre Royal, Windsor, U.K., 1969; While the Sun Shines, London production, 1987; and in repertory at the Bristol Little Theatre, Bristol, U.K., in Edinburgh, Scotland, and in Coventry, U.K., 1932-39.

na Bulgakova, Red River, Goodman Theatre, Chicago, IL, 198283; Jess Burke, Burkie, Hudson Guild Theatre, New York City, 1984; May, Fool for Love, Theatre By the Sea, Portsmouth, NH, 1985, then Missouri Repertory Theatre, Kansas City, MO, 1986; Elizabeth, The Art of Self Defense, Festival of Original One-Act Comedies, Manhattan Punch Line, Judith Anderson Theatre, New York City, 1985; Carter, 8 x 10 Glossy, Octoberfest, Ensemble Studio Theatre, New York City, 1985; Lydie Breeze, Gardenia, Pittsburgh Public Theatre, Pittsburgh, PA, 1986; Julia, Fallen Angels, Missouri Repertory Theatre, 1986. Also appeared as Beatrice, Much Ado About Nothing, New York Actors Unit; Irina, The Three Sisters, Central Theatre Company; May, Fool for Love, Cleveland Playhouse, Cleveland, OH; and Tansy (understudy), The Nerd. MAJOR TOURS—Lenny MaGrath, Crimes of the Heart, U.S. cities, 1983-84. FILM DEBUT—Jalon, The Exterminator, AVCO-Embassy, 1980. TELEVISION DEBUT—Cora Munro, Leather stocking Tales, PBS, 1979. PRINCIPAL TELEVISION APPEARANCES—Episodic: Mom, Beauty and the Beast, CBS, 1988 and 1989; Lauren Casey, In the Heat of the Night, NBC, 1989; Valerie Casey, Jake and the Fatman, CBS, 1990; also Our Family Honor, ABC, 1985; J.J. Starbuck, NBC, 1988; Another World, NBC; One Life to Live, ABC; All My Children, ABC; Ryan's Hope, ABC; Tales from the Darkside, syndicated. Movies: Receptionist, Doubletake, NBC, 1985; Margaret Morris, Good Old Boy, Disney Channel, 1988; also Out of the Darkness, CBS, 1985.

MAJOR TOURS—Jones, Half-Life, 1978.

456

U.K. and Canadian cities,

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Theatre, New York City, 1976; Sam, Cheaters, Biltmore Theatre, New York City, 1978; Dietrich Merkenschrift, Break a Leg, Palace Theatre, New York City, 1979; Eddie, One Night Stand, Nederlander Theatre, New York City, 1980; Jerry Wexler, The Floating Light Bulb, Vivian Beaumont Theatre, New York City, 1981; Aimable Castagnet, The Baker's Wife, York Theatre Company, Church of the Heavenly Rest, New York City, 1985; Zitorsky, The Tenth Man, Vivian Beaumont Theatre, 1989. Also appeared in The Trouble with People . . . and Other Things, Coconut Grove Playhouse, Miami Beach, FL, 1974.

FILM DEBUT—A Song for Tomorrow, General Film Distributors, 1948. PRINCIPAL FILM APPEARANCES—Dr. Cresswell, Celia, Exclusive, 1949; Kennedy, Hammer the Toff, Butchers, 1952; Mr. Barraclough, The Birthday Present, British Lion, 1957; magistrate, The Mark of the Hawk (also known as Accused), Universal, 1958; police inspector, Strong Room, Union, 1962; Reggie's father, The Leather Boys, Allied Artists, 1965; St. Peter, Bedazzled, Twentieth Century-Fox, 1967; Quince, A Dandy in Aspic, Columbia, 1968; magistrate, Up the Junction, Paramount, 1968; Ebert, One Brief Summer, Cinevision, 1971; Reverend Wood, Jane Eyre, British Lion, 1971; Freeborne, Count Dracula and His Vampire Bride (also known as Satanic Rites of Dracula), Dynamic Entertainment, 1978; Geoffrey Thornton, The Dresser, Columbia, 1983; Rogers, The Shooting Party, European Classics, 1985; curio shop owner, Young Sherlock Holmes, Paramount, 1985. Also appeared in Last Holiday, Stratford, 1950; No Placefor Jennifer, Associated British/ Pathe, 1950; High Treason, General Film Distributors/Pacemaker/ Mayer/Kingsley, 1951; The Horse's Mouth (also known as The Oracle], General Film Distributors, 1953; Sailor of the King (also known as Single-Handed and Able Seaman Brown), Twentieth Century-Fox, 1953; Private's Progress, British Lion, 1956; The Man Who Could Cheat Death, Paramount, 1959; The Running Man, Columbia, 1963; Life at the Top, Columbia, 1965; Game for Three Losers, AVCO-Embassy, 1965.

MAJOR TOURS—Rudy "Baby" Filbertson, Crazy October, U.S. cities, 1958-59; Pfancoo, The Office, U.S. cities, 1966; Barney Cashman, The Last of the Red Hot Lovers, U.S. cities, 1970-71. FILM DEBUT—Frank, Stage Struck, RKO/Buena Vista, 1958. PRINCIPAL FILM APPEARANCES—Stage manager, Imitation of Life, Universal, 1959; Joe Positano, Please Don't Eat the Daisies, Metro-Goldwyn-Mayer (MGM), 1960; Lasker, All in a Night's Work, Paramount, 1961; Signalman Burford Taylor, The Honeymoon Machine, MGM, 1961; Leopold, It's Only Money, Paramount, 1962; Coach Campbell, Palm Springs Weekend, Warner Brothers, 1963; Lieutenant George Stickle, The Incredible Mr. Limpet, Warner Brothers, 1964; Lester, Mirage, Universal, 1965; Pig, The Cincinnati Kid, MGM, 1965; Carlino, Wait Until Dark, Warner Brothers, 1967; Randolph Riker, The Counterfeit Killer, Universal, 1968; Erwin Weaver, The Thomas Crown Affair (also known as Thomas Crown and Company and The Crown Caper), United Artists, 1968; Potter Shrader, The April Fools, National General, 1969; Harvey Greenfield, Cactus Flower, Columbia, 1969; Andrew McPherson, A New Leaf, Paramount, 1971; Detective Meyer Meyer, Fuzz, United Artists, 1972; Maffio Polo, Marco, Cinerama, 1973; Irving Greenfield, Gator, United Artists, 1976; Gaetano Proclo, The Ritz, Warner Brothers, 1976; Gutman, Cuba, United Artists, 1979; Benny Murray, Can't Stop the Music, Associated Film Distribution, 1980; Danny Zimmer, The Four Seasons, Universal, 1981; Struts, High Road to China, Warner Brothers, 1983; Elton, The Longshot, Orion, 1986; Duke Best, Rad, Tri-Star, 1986; Max Kellerman, Dirty Dancing, Vestron, 1987; Marty Freed, Ishtar, Columbia, 1987; Oscar Baldwin, Short Circuit 2, Tri-Star, 1988. Also appeared in / Want to Live!, NCO/ United Artists, 1958.

PRINCIPAL TELEVISION APPEARANCES—Series: Chaplain, Porterhouse Blue, 1986. Mini-Series: Disraeli, ATV, then Masterpiece Theatre, PBS, 19801 Admiral Beaumont, The Last Place on Earth, Central Television, then Masterpiece Theatre, PBS, 1985. Episodic: King Edward VII, Upstairs, Downstairs, London Weekend Television, 1972, then Masterpiece Theatre, PBS, 1974; also The Pallisers, BBC, 1974, then PBS, 1977. Movies: Reverend Wood, Jane Eyre, NBC, 1971; Professor Hardy, Family Ties Vacation, NBC, 1985. Also appeared in The Power Game, The Newcomers, Brett, No Hiding Place, Big Brother, Raffles. RELATED CAREER—Actor in nearly 3,000 radio programs. NON-RELATED CAREER—Served with the Police War Reserve, Bristol, U.K., 1940-45; worked for a coal mining company. OBITUARIES AND OTHER SOURCES: Hollywood Reporter, April 6, 1989; Variety, April 5-11, 1989.*

WESTON, Jack

WESTON

PRINCIPAL TELEVISION APPEARANCES—Series: Ranger Wilbur Wormsey, Rod Brown of the Rocket Rangers, CBS, 1953-54; Chick Adams, My Sister Eileen, CBS, 1960-61; Walter Hathaway, The Hathaways, ABC, 1961-62; Danny Zimmer, The Four Seasons, CBS, 1984. Mini-Series: Joker Martin, Harold Robbins' "79 Park Avenue," NBC, 1977; Uncle Willie, If Tomorrow Comes, CBS, 1986. Pilots: Kenny, The Third Commandment, NBC, 1959; Freddie Pringle, Band of Gold (broadcast as an episode of General Electric Theatre}, CBS, 1961; Ed Broxton, For the Love of Mike, CBS, 1962; Fireman Hogan, Where There's Smokey, CBS, 1966; Griffin, Fame Is the Name of the Game, NBC, 1966; Gerberman, Code Name: Heraclitus, NBC, 1967; Job Cheyne, / Love a Mystery, NBC, 1973; Mr. Randall, D.H.O., ABC, 1973; Sergeant Herbert Willing, Ready and Willing, CBS, 1974; Julius V. Hickey, Mickey vs. Anybody, NBC, 1976.

1915-

PERSONAL: Born Morris Weinstein, August 21, 1915 (some sources say 1924), in Cleveland, OH; married Marge Redmond (an actress). EDUCATION—Trained for the stage at the Cleveland Playhouse, 1934, and with the American Theatre Wing. MILITARY—U.S. Army. VOCATION: Actor. CAREER: BROADWAY DEBUT—Michael Lindsey, Season in the Sun, Cort Theatre, 1950. PRINCIPAL STAGE APPEARANCES— Stewpot, South Pacific, Majestic Theatre, New York City, 1952; Francis, Bells Are Ringing, Shubert Theatre, New York City, 1956; GaetanoProclo, TheRitz, Longacre Theatre, New York City, 1975; Marvin Michaels, "Visitor from Philadelphia" and Mort Hollender, "Visitors from Chicago" in California Suite, Eugene O'Neill

Episodic: Charlie, "The Monsters Are Due on Maple Street," The Twilight Zone, CBS, 1960; Julius Moomer, "The Bard," The Twilight Zone, CBS, 1963; also "The Cheaters," Thriller, NBC, 1961; "Flowers of Evil," Thriller, NBC, 1962; All in the Family, CBS, 1972; Louis Gruber, Betwitched, ABC; The Carol Burnett Show, CBS; Gunsmoke, CBS; Philco Television Playhouse, NBC; 457

WHITAKER

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

WILBY, James 1958-

Studio One, CBS; The Untouchables, ABC; Kraft Television Theatre. Movies: Prince Haroun, Now You See It, Now You Don't, NBC, 1968; Al Zabrocki, Deliver Us from Evil, ABC, 1973. Specials: Larry Westcott, Stage Door, CBS, 1955; Wilson, Harvey, CBS, 1958; Cash, The Lucille Ball Comedy Hour, CBS, 1967; Ben, "Story 4," The Trouble with People, NBC, 1972; Alan King Looks Back in Anger—A Review of1972, ABC, 1973; "You're a Poet and Don't Know It! The Poetry Power Hour," CBS Festival of Lively Arts for Young People, CBS, 1976.

PERSONAL: Born in 1958 in Rangoon, Burma. EDUCATION— Attended Durham University; studied acting at the Royal Academy of Dramatic Art. VOCATION: Actor. CAREER: LONDON DEBUT—Another Country. PRINCIPAL STAGE APPEARANCES—The Common Pursuit, U.K., 1988.

AWARDS: Antoinette Perry Award nomination, Best Actor in a Play, 1981, for The Floating Light Bulb.

FILM DEBUT—Jamie, Privileged, New Yorker, 1982. PRINCIPAL FILM APPEARANCES—Baker, Dreamchild, Universal, 1985; Maurice Hall, Maurice, Cinecom, 1987; Tony Last, A Handful of Dust, New Line Cinema, 1988; Ashton, A Summer Story, Atlantic, 1988; also appeared in A Room with a View, Cinecom, 1986.

ADDRESES: AGENT—McCart, Greek, and Barrett, 10390 Santa Monica Boulevard, Suite 310, Los Angeles, CA 90025.*

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Sidney Carton, A Tale of Two Cities, Granada, then Masterpiece Theatre, PBS, 1989; also Mother Love, BBC-1, 1989. Also appeared in Sherlock Holmes, The Crooked Man, and Dutch Girls.*

WHITAKER, Forest

1961-

PERSONAL: Born July 15, 1961, in Longview, TX; father, an insurance salesman; mother, a teacher. EDUCATION—Studied music at California State Polytechnic University, Pomona; studied drama and opera at the University of Southern California; attended the Drama Studio London (Berkeley, CA).

WILCOX, Larry 1947PERSONAL: Full name, Larry Dee Wilcox; born August 8, 1947, in San Diego, CA; married Judy Vagner, March 29, 1969 (divorced, 1978); married Johanna Strasser, April 11, 1980 (divorced); married Marlene Rae Harmon, March 22, 1986; children: Derek Scott, Heidi Kirsten (first marriage); Wendy Johanna (second marriage). EDUCATION—Attended the University of Wyoming, 1965, Pierce College, 1970-71, and California State University, Northridge, 1971-74. MILITARY—U.S. Marine Corps, sergeant, 1967-70.

VOCATION: Actor. CAREER: FILM DEBUT—Charles Jefferson, Fast Times atRidgemont High, Universal, 1982. PRINCIPAL FILM APPEARANCES—Bulldozer, Vision Quest, Warner Brothers, 1985; Amos, The Color of Money, Buena Vista, 1986; Big Harold, Platoon, Orion, 1986; Edward Montesque Garlick, Good Morning, Vietnam, Buena Vista, 1987; Jack Pismo, Stakeout, Buena Vista, 1987; Charlie "Bird" Parker, Bird, Warner Brothers, 1988; Rawlins, Bloodsport, Cannon, 1988; Dr. Steven Resher, Johnny Handsome, Tri-Star, 1989; Dennis Curren, Downtown, Twentieth Century-Fox, 1990.

VOCATION: Actor and producer. CAREER: PRINCIPAL FILM APPEARANCES—Mike Shelby, The Last Hard Men, Twentieth Century-Fox, 1976; Web, Mission Manila, MCEG/Virgin Home Entertainment, 1987. PRINCIPAL FILM WORK—Producer (with others), The Bradbury Trilogy, Atlantic, 1985.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Cuffey, North and South, ABC, 1985; Cuffey, North and South, Book II, ABC, 1986. Episodic: Jerry, Amazing Stories, NBC, 1986; Harris, He's the Mayor, ABC, 1986; also Herman, Diff rent Strokes, NBC. Movies: Sergeant Delaney, Hands of a Stranger, CBS, 1987. Specials: The 21st Annual NAACP Image Awards, syndicated, 1989.

PRINCIPAL TELEVISION APPEARANCES—Series: Dale Mitchell, Lassie, syndicated, 1972-74; Officer Jon Baker, CHiPs, NBC, 1977-82. Episodic: Police Story, NBC; Streets of San Francisco, ABC; The Wonderful World of Disney, NBC. Movies: Charlie Saunders, Mr. and Mrs. Bo Jo Jones, ABC, 1971; Joe Bunch, The Great American Beauty Contest, ABC, 1973; Moose Meyers, The Girl Most Likely To '. . ., ABC, 1973; Roy Joad, Death Stalk, NBC, 1975; Deputy Jim Schiller, Sky Hei$t, NBC, 1975; Buck, Relentless, CBS, 1977; Em Dalton, The Last Ride of the Dalton Gang, NBC, 1979; Detective RussKemper, Deadly Lessons, ABC, 1983; Tommy Wells, The Dirty Dozen: The Next Mission, NBC, 1985; Lieutenant Colonel Kevin Parks, Perry Mason: The Case of the Avenging Ace, NBC, 1988; Mark, Rich Men, Single Women, ABC, 1990. Specials: Jarvis, Member of the Wedding, CBS, 1958; Battle of the Network Stars, ABC, 1977-80 (four episodes); Bob Hope's All-Star Look at TV's Prime Time Wars, NBC, 1980.

AWARDS: Best Actor Award from the Cannes Film Festival, 1988, for Bird. OTHER SOURCES: The Hollywood Reporter, January 9, 1989; Premiere, November, 1988. ADDRESSES: AGENT—David Eidenberg, S.T.E. Representation, 9301 Wilshire Boulevard, Suite 312, Beverly Hills, CA 90210. PUBLICIST—Les Cripe, Dennis Davidson Associates, 211 S. Beverly Drive, Suite 200, Beverly Hills, CA 90212.*

PRINCIPAL TELEVISION WORK—Episodic: Executive producer

458

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Heart), Twentieth Century-Fox, 1942; Jeff Bailey, Manila Catling, Twentieth Century-Fox, 1942; Freddy Austin, Wintertime, Twentieth Century-Fox, 1943; Frederic Chopin, A Song to Remember, Columbia, 1945; Aladdin, A Thousand and One Nights, Columbia, 1945; Robert of Nottingham, The Bandit of Sherwood Forest, Columbia, 1946; Philippe Lascalles, Centennial Summer, Twentieth Century-Fox, 1946; Richard Harland, Leave Her to Heaven, Twentieth Century-Fox, 1946; Bruce Carlton, Forever Amber, Twentieth Century-Fox, 1947; Jock Wallace, The Homestretch, Twentieth Century-Fox, 1947; "George"/Johnny Blaine, It Had to Be You, Columbia, 1947; Pete Morgan, Road House, Twentieth Century-Fox, 1948; Dave Connors, Walls of Jericho, Twentieth Century-Fox, 1948; Griff Marat, Shockproof, Columbia, 1949.

(with others), "The Screaming Woman," "Banshee," and "The Town Where No One Got Off,'' The Ray Bradbury Theatre, HBO, 1986; also director, CHiPs, NBC; producer, The Ray Bradbury Theatre, USA. Movies: Executive producer, Death of a Centerfold: The Dorothy Straiten Story, NBC, 1981; also director, Ride the Whirlwind, 1979; director, Tow Truck Lady, 1980. NON-RELATED CARRER—Rancher, bartender, laborer, and telegrapher. WRITINGS: TELEVISION—Movies: (Co-writer) Harvest of Evil, CBS. AWARDS: Four ACE Awards for The Ray Bradbury Theatre.

Stanley Robin, Four Days Leave, Film Classics, 1950; Captain Mark Bradford, Two Flags West, Twentieth Century-Fox, 1950; D'Artagnan, At Sword's Point (also known as Sons of the Musketeers), RKO, 1951; Don Arturo Bordega, California Conquest, Columbia, 1952; Sebastian, The Greatest Show on Earth, Paramount, 1952; Peter Forrester, Operation Secret, Warner Brothers, 1952; Si Lahssen, Saadia, Metro-Goldwyn-Mayer (MGM), 1953; Jean-Paul, Treasure of the Golden Condor, Twentieth CenturyFox, 1953; as himself, Main Street to Broadway, MGM, 1953; Juan Obregon, Passion, RKO, 1954; Bill Baxter, Woman's World, Twentieth Century-Fox, 1954; Diamond, The Big Combo, Allied Artists, 1955; Major John Bolton, The Scarlet Coat, MGM, 1955; Stephen Torino, Hot Blood, Columbia, 1956; Pierre St. Laurent, Star of India, United Artists, 1956; Charlie, Storm Fear, United Artists, 1956; Matt Campbell, Beyond Mombasa, Columbia 1957; Nick, The Devil's Hairpin, Paramount, 1957; title role, Omar Khayyam, Paramount, 1957; Vic Scott, Maracaibo, Paramount, 1958; Les Martin, Edge of Eternity, Columbia, 1959.

MEMBER: Screen Actors Guild, Writers Guild of America, Directors Guild of America, California Highway Patrol (honorary member, 1979), Professional Rodeo Cowboys Association, Federation Internationale de 1'Automobile, Sports Car Club of America, American Legion, SCORE-OFF (road racing organization), American Bicycle Association (national safety chairman), Veterans, No Greater Love (national celebrity chairman), Demolay Club. ADDRESSES: AGENT—David Shapira and Associates Inc., 15301 Ventura Boulevard, Suite 345, Sherman Oaks, CA 91403.*

WILDE, Cornel

WILDE

1915-1989

PERSONAL: Full name, Cornelius Louis Wilde; born October 13, 1915 (some sources say 1918), in New York, NY; died of leukemia, October 16, 1989, in Los Angeles, CA; son of Beela Louis (in the cosmetics business) and Renee (Vid) Wilde; married Patricia Knight (an actress), September 3, 1938 (divorced, 1951); married Jean Wallace (an actress), September 4, 1951 (divorced, 1981); children: Wendy (first marriage); Cornel Wallace (second marriage); Pascal, Thomas (stepchildren from second marriage). EDUCATION—Attended Columbia University, 1934-35; City College of New York, B.S., 1937; attended the College of Physicians and Surgeons, Columbia University; studied art in Budapest, Hungary; studied acting with Lee Strasberg, Michael Chekhov, and Leo Bulgakov.

Constantine, Constantine and the Cross (also known as Constantine the Great), Embassy, 1962; Sir Lancelot, The Sword of Lancelot (also known as Lancelot and Guinevere), Universal, 1963; man, The Naked Prey, Paramount, 1966; Captain MacDonald, Beach Red, United Artists, 1967; Frank Powers, The Comic, Columbia, 1969; narrator, No Blade of Grass, MGM, 1970; Jim, Shark's Treasure, United Artists, 1975; D'Artagnan, The Fifth Musketeer (also known as Behind the Iron Mask), Columbia, 1977; Raynar, The Norseman, American International, 1978. Also appeared in Guest in the House, United Artists, 1944; as Jimmy Banks, Stairway for a Star, 1947; and in Flesh and Bullets, Hollywood International Film Corporation America, 1985.

VOCATION: Actor, producer, director, and screenwriter. PRINCIPAL FILM WORK—Producer, The Big Combo, Allied Artists, 1955; producer and director, Storm Fear, United Artists, 1956; producer and director, The Devil's Hairpin, Paramount, 1957; producer and director, Maracaibo, Paramount, 1958; executive producer and director, The Sword of Lancelot, Universal, 1963; producer and director, The Naked Prey, Paramount, 1966; producer and director, Beach Red, United Artists, 1967; producer and director, No Blade of Grass, MGM, 1970; producer and director, Shark's Treasure, United Artists, 1975.

CAREER: Also see WRITINGS below. BROADWAY DEBUT— Moon Over Mulberry Street, Lyceum Theatre, 1935, then 44th Street Theatre, 1936. PRINCIPAL STAGE APPEARANCES—Tybalt, Romeo and Juliet, 51st Street Theatre, New York City, 1940; also appeared in Daughters ofAtreus, 44th Street Theatre, New York City, 1936; Having Wonderful Time, Lyceum Theatre, New York City, 1937; and in Love Is Not So Simple, New York City. PRINCIPAL STAGE WORK—Fencing instructor, Romeo and Juliet, 51st Street Theatre, New York City, 1940.

PRINCIPAL TELEVISION APPEARANCES—Episodic: As himself, / Love Lucy, CBS, 1955; George Burnett, The New Mike Hammer, CBS, 1986; Duncan Barnett, Murder, She Wrote, CBS, 1987; also "The Blond Dog," General Electric Theatre, CBS, 1955; "Coast to Coast," Alcoa Theatre, NBC, 1958; "Around the World with Nellie Bly," Chevy Show, NBC, I960', Father Knows Best, CBS, 1960; "The Great Alberti," General Electric Theatre, CBS, 1961; The Greatest Show on Earth, ABC, 1964; "Doesn't Anyone Know

FILM DEBUT—Mr. Williams, Lady with Red Hair, Warner Brothers, 1940. PRINCIPAL FILM APPEARANCES—Louis Mendoza, High Sierra, Warner Brothers, 1941; Chet Oakley, Kisses for Breakfast, Warner Brothers, 1941; Tom Rossi, Knockout (also known as Right to the Heart), Warner Brothers/First National, 1941; Mike Lord, The Perfect Snob, Twentieth Century-Fox, 1941; Robert, Life Begins at 8:30 (also known as The Light of 459

WILLIAMS CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

Who I Am?," Kraft Suspense Theatre, NBC, 1964; Suspense Theatre, ABC, 1969; "Deliveries in the Rear," Night Gallery, NBC, 1972. Movies: Mercer Boley, Gargoyles, CBS, 1972. Specials: Your Choice for the Film Awards, 1987. RELATED CAREER—Founder (with Jean Wallace), Theodora Productions, 1955. NON-RELATED CAREER—Member, U.S. Olympic fencing team, 1936; also toy salesman and commercial artist. WRITINGS: FILM—See production details above. (With James Edmiston) The Devil's Hairpin, Paramount, 1957; Shark's Treasure, United Artists, 1975. OTHER—My Very Wilde Life (autobiography), 1987. AWARDS: Academy Award nomination, Best Actor, 1945, for A Song to Remember; James K. Hackett Award, 1974; Bijou Film Society Award, 1975. OBITUARIES AND OTHER SOURCES: New York Times, October 17, 1989; Variety, October 18-24, 1989.*

WILLIAMS, Barry

1954BILLY DEE WILLIAMS

PERSONAL: Born September 30, 1954, in Santa Monica, CA; son of Frank Millar and Doris May (Moore) Blenkorn.

WILLIAMS, Billy Dee VOCATION: Actor.

1937-

PERSONAL: Born April 6, 1937, in New York, NY; third wife's name, Teruko; children: Miyaka, Hanako, Corey. EDUCATION— Attended the High School of Music and Art; trained for the stage at the National Academy of Fine Arts and Design and with Paul Mann and Sidney Poitier at the Actors' Workshop.

CAREER: BROADWAY DEBUT—Alfred Von Wilmers, "The Little Comedy" and Sam, "Summer Share" in Romance/Romance, Helen Hayes Theatre, 1988. PRINCIPAL STAGE APPEARANCES—Promises, Promises, Birmingham, MI, 1988; I Do, I Do, Kansas City, MO, 1988; Funny Girl, Pittsburgh, PA, 1988.

VOCATION: Actor.

MAJOR TOURS—Title role, Pippin, U.S. cities, 1974-75.

CAREER: BROADWAY DEBUT—Duke Custis, The Cool World, Eugene O'Neill Theatre, 1960. PRINCIPAL STAGE APPEARANCES— The Boy, A Taste of Honey, Lyceum Theatre, New York City, 1960; Robert, Blue Boy in Black, Masque Theatre, New York City, 1963; Junie, Happy Ending and John, Days of Absence (doublebill), St. Mark's Playhouse, New York City, 1965; Willy Lee Irons, The Firebugs, Martinique Theatre, New York City, 1968; Theopolis Parker, Ceremonies in Dark Old Men, Pocket Theatre, New York City, 1969; Randall, Slow Dance on the Killing Ground, Sheridan Square Playhouse, New York City, 1970; Dr. Martin Luther King, Jr., I Have a Dream, Ford's Theatre, Washington, DC, 1975, then Ambassador Theatre, New York City, 1976; Troy Maxon, Fences, 46th Street Theatre, New York City, 1988. Also appeared in Firebrand of Florence, Alvin Theatre, New York City, 1945; in Tiger, Tiger Burning Bright, Booth Theatre, New York City, 1962; and in Hallelujah, Baby!, Martin Beck Theatre, New York City, 1967.

PRINCIPAL TELEVISION APPEARANCES—Series: Greg Brady, The Brady Bunch, ABC, 1969-74; voice of Greg Brady, The Brady Kids (animated), ABC, 1972-74; Greg Brady, The Brady Bunch Hour, ABC, 1977; Greg Brady, The Bradys, CBS, 1990. Pilots: Junior Fandango, The Shameful Secrets of Hastings Corners, NBC, 1970. Episodic: General Hospital, ABC; The F.B.I., ABC; That Girl, ABC; Gomer Pyle, U.S.M.C., CBS; It Takes a Thief, ABC; The Mod Squad, ABC; Marcus Welby, M.D., ABC. Movies: Greg Brady, The Brady Girls Get Married, NBC, 1981; Greg Brady, A Very Brady Christmas, CBS, 1988. WRITINGS: SONGS—"Till I Met You." MEMBER: Screen Actors Guild, American Federation of Television and Radio Artists, American Guild of Variety Artists.

FILM DEBUT—Josh Quincy, The Last Angry Man, Columbia, 1959. PRINCIPAL FILM APPEARANCES—Lost and found supervisor, The Out-of-Towners, Paramount, 1970; Johnny Johnson, The

ADDRESSES: AGENT—Exclusive Artists Agency, 2501 W. Burbank Boulevard, Suite 304, Los Angeles, CA 91505.*

460

WILLIAMS

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 WILLIAMS, Samm-Art (Samm Williams)

Final Comedown, New World, 1972; Louis McKay, Lady Sings the Blues, Paramount, 1972; Nick Allen, Hit, Paramount, 1973;Sneed, The Take, Columbia, 1974; Brian Walker, Mahogany, Paramount, 1975; Bingo Long, The Bingo Long Traveling All-Stars and Motor Kings, Universal, 1976; title role, Scott Joplin, Universal, 1977; Lando Calrissian, The Empire Strikes Back, Twentieth CenturyFox, 1980; Matthew Fox, Nighthawks, Universal, 1981; Richard Davis, Marvin and Tige, Major, 1983; Lando Calrissian, Return of the Jedi, Twentieth Century-Fox, 1983; Al Wheeler, Fear City, Chevy Chase Distribution, 1984; Hamberger, Deadly Illusion, Cinetel, 1987; Frank Hazeltine, Number One with a Bullet, Cannon, 1987; Harvey Dent, Batman, Twentieth Century-Fox, 1989. Also appeared in Blast, New World, 1976.

1946-

PERSONAL: Full name, Samuel Arthur Williams; born January 20, 1946, in Burgaw, NC; son of Samuel and Valdosia (a school teacher) Williams. EDUCATION—Morgan State College, B.A., political science, 1968. VOCATION: Playwright and actor. CAREER: Also see WRITINGS below. PRINCIPAL STAGE APPEARANCES—(As Samm Williams) Chester Pearce, Nowhere to Run, Nowhere to Hide, Season-Within-a-Season, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1974; (as Samm Williams) Boatswain Mate First Class John Wilheart, Liberty Call and (as Samm-Art Williams) Argus and klansman, Waiting for Mongo, both Season-Within-a-Season, Negro Ensemble Company, St. Mark's Playhouse, 1975; Harper Ed wards, The First Breeze of Summer, Palace Theatre, New York City, 1975; Eustace, Eden, Negro Ensemble Company, St. Mark's Playhouse, 1976; Corporal Clifford Adair, The Brownsville Raid, Negro Ensemble Company, Theatre de Lys, New York City, 1976-77; the Window Washer,'Night Shift, Playhouse Theatre, New York City, 1977; Arthur, Black Body Blues, Negro Ensemble Company, St. Mark's Playhouse, 1978; Boise McCanles, Nevis Mountain Dew, Negro Ensemble Company, St. Mark's Playhouse, 1978-79, then Arena Stage, Washington, DC, 1979; James, Old Phantoms, Negro Ensemble Company, St. Mark's Playhouse, 1979; Cephus Miles, Home, Virginia Museum Theatre, Richmond, VA, and Stage west, West Springfield, MA, both 1982-83. Also appeared in Black Jesus, New York City, 1973; Plays from Africa, Negro Ensemble Company, St. Mark's Playhouse, 1979; Night and Day, Kennedy Center for the Performing Arts, Washington, DC, 1979; Ajax and The Bob Hope War Zone Special (double-bill), both Terrace Theatre, Kennedy Center for the Performing Arts, 1986.

PRINCIPAL TELEVISION APPEARANCES—Series: Billy Diamond, Double Dare, CBS, 1985; also The Guiding Light, CBS. MiniSeries: Tyler Watts, Chiefs, CBS, 1983. Pilots: Dan Gardner, Crisis, CBS, 1968; David Arnold, Higher and Higher, Attorney sat Law, CBS, 1968; Douglas Hawke, Shooting Stars, ABC, 1983; Wes Tanner, Time Bomb, NBC, 1984. Episodic: As himself, 227, NBC, 1986 and 1987; Brady Lloyd, Dynasty, ABC, 1987; also as himself, The Jeffersons, CBS; assistant district attorney, Another World, NBC-The Mod Squad, ABC; The Interns, CBS',The F.B.I., ABC; Mission: Impossible, CBS; Police Woman, NBC. Movies: Lewis, Carter's Army, ABC, 1970; Gale Sayers, Brian's Song, ABC, 1971; Lennox Beach, Truman Capote's ' 'The Glass House,'' CBS, 1972; Homer Smith, Christmas Lilies of the Field, NBC, 1979; Walter Williams, Children of Divorce, NBC, 1980; Clarence Whitlock, The Hostage Tower, CBS, 1980; Matthew Raines, The Imposter, ABC, 1984; Bobby Jay, Courage, CBS, 1986; Jim McKinley, Oceans of Fire, CBS, 1986; Mike Trainor, The Right of the People, ABC, 1986; Daniel Lancaster, The Return of Desperado, NBC, 1988. Specials: ABCs Silver Anniversary—25 and Still the One, ABC, 1978; The American Film Institute Salute to Henry Fonda, CBS, 1978; A Celebration at Ford's Theatre, CBS, 1978; host, Classic Creatures: Return of the Jedi, CBS, 1983; host, Eubie Blake: A Century of Music, PBS, 1983; host, "Cougar!," ABC Weekend Specials, ABC, 1984; host and narrator, Brown Sugar: Eighty Years of Black Female Super stars, PBS, 1986; Bugs Bunny•/ Looney Tunes All-Star 50th Anniversary, CBS, 1986; Diana Ross . . . Red Hot Rhythm and Blues, ABC, 1987; Third Annual Soul Train Music Awards, syndicated, 1989.

PRINCIPAL FILM APPEARANCES—Roger, The Wanderers, Orion, 1979; cop, Dressed to Kill, Filmways, 1980; Maurice, Blood Simple, Circle, 1984; Bill Martin, Hot Resort, Cannon Releasing, 1985; also appeared in Night of the Juggler, Columbia, 1980. PRINCIPAL TELEVISION APPEARANCES—Episodic: Title role, "Denmark Vesey," American Playhouse, PBS, 1985; Jim, "The Adventures of Huckleberry Finn," American Playhouse, PBS, 1986; Bubba Crown, The New Mike Hammer, CBS, 1986; Jim Manning, 227, NBC, 1987; Sheriff, Frank's Place, CBS, 1987; also "My Man Bovanne," Ossie and Ruby, PBS, 1987; All My Children, ABC; Search for Tomorrow, CBS. Movies: Matthew Henson, Cook and Peary: The Race to the Pole, CBS, 1983.

RELATED CAREER—Member, Actors' Workshop, New York City; also commercial spokesman for Colt .45 malt liquor. AWARDS: Emmy Award nomination, 1972, for Truman Capote's ' 'The Glass House.''

PRINCIPAL TELEVISION WORK—Series: Story editor, Frank's Place, CBS, 1987-88.

ADDRESSES: AGENT—Pam Prince, William Morris Agency, 151 El Camino Drive, Beverly Hills, CA 90212. PUBLICIST—Cheryl Kagan, Rogers and Cowan, 10000 Santa Monica Boulevard, Suite 400, Los Angeles, CA 90067.*

RELATED CAREER—Company member, Freedom Theatre, Philadelphia, PA, 1968-73; company member, Negro Ensemble Company, New York City, 1973-78; actor in television commercials. NON-RELATED CAREER—Salesman, gas station attendant, and bartender. WRITINGS: STAGE—(As Samm Williams) Welcome to Black River, Season-Within-a-Season, Negro Ensemble Company, St. Mark's Playhouse, New York City, 1975; The Coming andDo Unto Others, both Billie Holiday Theatre, Brooklyn, NY, 1976; A Love Play, Negro Ensemble Company, St. Mark's Playhouse, 1976; The

WILLIAMS, Samm See WILLIAMS, Samm-Art 461

WILLIAMS

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

Last Caravan, 1977; Brass Birds Don't Sing, Stage 73, New York City, 1978; Home, Negro Ensemble Company, St. Mark's Playhouse, 1979-80, then Cort Theatre, New York City, 1980, published by Dramatists Play Service, 1980; The Sixteenth Round, Negro Ensemble Company, Theatre Four, New York City, 1980; (contributor) Sophisticated Ladies, Lunt-Fontanne Theatre, New York City, 1981; Friends, Billie Holiday Theatre, 1983; (book for musical) Bojangles, first produced in New York City, 1985; Eyes of the American, Negro Ensemble Company, Theatre Four, New York City, 1985, then Los Angeles Theatre Center, Los Angeles, 1986; "Eve of the Trial" in Orchards, the Acting Company, Lucille Lortel Theatre, New York City, 1986; Cork, Courtyard Theatre, New York City, 1986. Also The Frost of Renaissance, Theatre of Riverside Church, New York City; and Kamilla, Sometime from Now, and Break of Day Arising, all unproduced. TELEVISION—Pilots: Lenny's Neighborhood, CBS. Episodic: "Kneeslappers," With Ossie and Ruby, PBS, 1980; "Solomon Northup's Odyssey" and "Charlotte Forten's Mission: Experiment in Freedom," American Playhouse, PBS, 1985; Cagney andLacey, CBS, 1987; Frank's Place, CBS, 1987; The New Mike Hammer, CBS, 1987; "John Henry," Shelley Duvall's Tall Tales and Legends, Showtime, 1987. Specials: Motown Returns to the Apollo, NBC, 1986; (with others) The Debbie Allen Special, ABC, 1989. Also Mackron, 1975. AWARDS: Audelco Recognition Award, Governor's Award from North Carolina, John Gassner Playwriting Award from the Outer Critics' Circle, Most Provocative New Play By an American, and Antoinette Perry Award nomination, Best Play, all 1980, for Home; Guggenheim fellowship for play writing, 1981-82; National Endowment fellowship for play writing, 1984. TREAT WILLIAMS

MEMBER: Screen Actors Guild, Writers Guild of America, Dramatists Guild, Omega Psi Phi (1967—).*

Jenkins, Of Thee I Sing; Lysander, A Midsummer Night's Dream; title role, Captain Jinks of the Horse Marines; Jack, Charley's Aunt; Nicholas and Alan, Canterbury Tales; Malvolio, Twelfth Night; Dick, Play It Again, Sam; and in Servant of Two Masters.

WILLIAMS, Treat

1951-

FILM DEBUT—Michael Brick, The Ritz, Warner Brothers, 1976. PRINCIPAL FILM APPEARANCES—Billings, Deadly Hero, AVCOEmbassy, 1976; Captain Harry Clark, The Eagle Has Landed, Columbia, 1976; Berger, Hair, United Artists, 1979; Sitarski, 1941, Universal, 1979; Cletus, Why Would I Lie?, Metro-GoldwynMayer/United Artists, 1980; Daniel Ciello, Prince of the City, Warner Brothers, 1981; Meade, The Pursuit of D.B. Cooper, Universal, 1981; Jimmy O'Donnell, Once Upon a Time in America, Warner Brothers, 1984; Ernie Wiatt, Flashpoint, Tri-Star, 1984; Arnold Friend, Smooth Talk, Spectrafilm, 1985; Terry, The Men's Club, Atlantic Releasing, 1986; Roger Mortis, Dead Heat, New World, 1988; Hoy t Cunningham, The Heart of Dixie, Orion/Rank Film Distributors, 1989; Peter, Sweet Lies, J&M Entertainment/ Alexander Beck Enterprises, 1989. Also appeared in Stangata napoletana—La trastola (also known as Something About the Sting), RAI-TV Channel 1/Registi Tecnici Associati, 1983; La notti degli squall (also known as Night of the Sharks), VIP International, 1987; and in Russicum and Napoli.

PERSONAL: Full name, Richard Treat Williams; born December 1, 1951, in Stamford, CT; son of Richard Norman and Marion (Andrew) Williams; married Pamela Van Sant (a dancer and actress), June, 1988. EDUCATION—Franklin and Marshall College, B.A., 1973. VOCATION: Actor. CAREER: PRINCIPAL STAGE APPEARANCES—Danny Zuko, Grease, Royale Theatre, New York City, 1973; Utah, Over Here, Shubert Theatre, New York City, 1974; Bo Decker, Bus Stop, Equity Library Theatre, New York City, 1975; Jerry Hyland, Once in a Lifetime, Circle in the Square, New York City, 1978; ensemble, Randy Newman's Maybe I'm Doing It Wrong (revue), Production Company Theatre, New York City, 1981; Pirate King, The Pirates of Penzance, New York Shakespeare Festival, Minskoff Theatre, New York City, 1981; Hudley T. Singleton III, Some Men Need Help, 47th Street Theatre, New York City, 1982; Tom Wingfield, The Glass Menagerie, Long Wharf Theatre, New Haven, CT, 1986; Andrew Makepeace Ladd I I I , Love Letters, Promenade Theatre, New York City, 1989. Also appeared in Claptrap, American Repertory Theatre, Cambridge, MA, 1984; as Zeppo, Picnic on the Battlefield; Prince Hal, Henry IV; Sam

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Drug Enforcement Agent Ray Carson, Drug Wars: The Camarena Story, NBC, 1990. Episodic: Prince Andrew, "The Little Mermaid," Faerie Tale Theatre, Showtime, 1984; also "Some Men Need Help," American Playhouse, PBS, 1985. Movies: Jack Dempsey, Dempsey, CBS, 1983; Stanley Kowalski, A Streetcar Named

462

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 WILLIAMSON

Circle in the Square, 1982; Archie Rice, The Entertainer, Roundabout Theatre, 1983; Henry Boot, The Real Thing, Plymouth Theatre, 1985.

Desire, ABC, 1984; title role, J. Edgar Hoover, Showtime, 1987; Deputy Attorney General Rick Guida, Echoes in the Darkness, CBS, 1987; Scott Weston, Third Degree Burn, HBO, 1989; Max Rosenberg, Max andHelen, TNT, 1990. Specials: Happy Birthday, Hollywood, ABC, 1987.

PRINCIPAL STAGE WORK—Director, Uncle Vanya, Royal Shakespeare Company, Other Place Theatre, Stratford-on-Avon, U.K., 1975; director, Macbeth, Circle in the Square, 1982. Also director, The Lark, Edmonton, AB, Canada, 1983.

MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists. SIDELIGHTS: RECREATIONS—Airplane pilot.

MAJOR TOURS—Black Will, Arden of Faversham, U.K. cities, 1961; title role, Hamlet, U.S. cities, 1969-70.

ADDRESSES: AGENTS—Steve Starr, William Morris Agency, 1350 Avenue of the Americas, New York, NY 10019; Jay Mien, 1501 Broadway, New York, NY 10036.

PRINCIPAL FILM APPEARANCES—O'Rourke, The Bofors Gun, Universal, 1968; Bill Maitland, Inadmissible Evidence, Paramount, 1968; title role, Hamlet, Columbia, 1969; Sir Edward More, Laughter in the Dark, Lopert, 1969; Michael Marler, The Reckoning, Columbia, 1971; Professor Lang, The Jerusalem File, MetroGold wyn-Mayer, 1972; Duke, Le Moine (also known as The Monk), Maya, 1973; Major Horn, The Wilby Conspiracy, United Artists, 1975; Little John, Robin and Marian, Columbia, 1976; Sherlock Holmes, The Seven-Per-Cent Solution, Universal, 1977; Oliver Fry, The Goodbye Girl, Warner Brothers, 1977; Colonel Schissel, The Cheap Detective, Columbia, 1978; Maurice Castle, The Human Factor, Metro-Goldwyn-Mayer/United Artists, 1979; Merlin, Excalibur, Warner Brothers, 1981; Derek Bauer, I'm Dancing As Fast As I Can, Paramount, 1982; Commander William Bulloch, Venom, Paramount, 1982; Dr. Worley and Nome King, Return to Oz, Buena Vista, 1985; William Macauley, Black Widow, Twentieth Century-Fox, 1987.

WILLIAMSON, Nicol 1938-

PERSONAL: Born September 14, 1938, in Hamilton, Scotland; son of Hugh and Mary (Storrie) Williamson; married Jill Townsend (an actress), July 17, 1973 (divorced, 1977); children: one son. EDUCATION—Studied acting at the Birmingham School of Speech Training and Dramatic Art, 1953-56. VOCATION: Actor and director. CAREER: STAGE DEBUT—Dundee Repertory Theatre, Dundee, Scotland, 1960-61. LONDON DEBUT—I-ti, That's Us, Royal Court Theatre, 1961. BROADWAY DEBUT—Bill Maitland, Inadmissible Evidence, Belasco Theatre, 1965. PRINCIPAL STAGE APPEARANCES—I-ti, That's Us, Arts Theatre, Cambridge, U.K., 1961; Flute, A Midsummer Night's Dream, Malvolio, Twelfth Night, and man at the end, Spring Awakening, all Royal Court Theatre, London, 1962; S. A.C. Albert Meakin, Nil Carborundum, Satin, The Lower Depths, and Leantio, Women, Beware Women, all Royal Shakespeare Company (RSC), New Arts Theatre, London, 1962; Kelly, Kelly's Eye, Royal Court Theatre, 1963; Sebastian Dangerfield, The Ginger Man, Ashcroft Theatre, Croydon, U.K., then Royal Court Theatre, both 1963; Bill Maitland, Inadmissible Evidence, Peter Wykeham, A Cuckoo in the Nest, and Vladimir, Waiting for Godot, all Royal Court Theatre, 1964; Bill Maitland, Inadmissible Evidence, Wyndham's Theatre, London, 1965; Joe Johnson, Miniatures, Royal Court Theatre, 1965; Sweeney, Sweeney Agonistes, Globe Theatre, London, 1965; Alexei Ivanovitch Poprichtchine, Diary of a Madman, Duchess Theatre, London, 1967; Sam Nash, "Visitor from Mamaroneck," Jesse Kiplinger, "Visitor from Hollywood,'' and Roy Hubley, "Visitor from Forest Hills" in Plaza Suite, Plymouth Theatre, New York City, 1968; title role, Hamlet, Round House Theatre, London, then LuntFontanne Theatre, New York City, both 1969.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Maertin de Vroome, The Word, CBS, 1978; King Ferdinand, Christopher Columbus, CBS, 1985; Louis Mountbatten, "Lord Mountbatten: The Last Viceroy," Masterpiece Theatre, PBS, 1986. Movies: Malyarov, Sakharov, HBO, 1984; Albert Coskins, Passion Flower, CBS, 1986. Specials: Lenny, Of Mice and Men, ABC, 1968; The Tom Jones Special, ABC, 1971; Richard M. Nixon, / Know What I Meant, Granada, 1974; title role, "Macbeth," The Shakespeare Plays, PBS, 1982; Masterpiece Theatre: Fifteen Years, PBS, 1986. Also appeared in title role, Arturo Ui, 1972; as Pierre, War and Peace; Warwick, The Lark; and in Terrible Jim Fitch. RELATED CAREER—Performed in a one-man show at the White House, Washington, DC, 1970. RECORDINGS: ALBUMS—Nicol Williamson, CBS, 1971.

Ivan Voinitsky, Uncle Vanya, Circle in the Square/Joseph E. Levine Theatre, New York City, 1973; Nicol Williamson's Late Show (one-man show), Eastside Playhouse, New York City, 1973; title role, Coriolanus, RSC, Aldwych Theatre, London, 1973; Midwinter Spring (one-man show), Aldwych Theatre, 1973; Malvolio, Twelfth Night and title role, Macbeth, both RSC, Stratford-on-Avon, U.K., 1974, then Aldwych Theatre, 1975; Ivan Voinitsky, Uncle Vanya, RSC, Other Place Theatre, Stratford-onAvon, 1975; Henry VIII, Rex, Lunt-Fontanne Theatre, 1976; Bill Maitland, Inadmissible Evidence, Royal Court Theatre, 1978, then Roundabout Theatre, New York City, 1981; title role, Macbeth,

AWARDS: Evening Standard Award, Best Actor, 1964, for Inadmissible Evidence; Variety-New York Drama Critics' Award and Antoinette Perry Award nomination, Best Actor in a Play, both 1966, for Inadmissible Evidence; Evening Standard Award, Best Actor, 1969, for Hamlet; Antoinette Perry Award nomination, Best Actor in a Play, 1974, for Uncle Vanya. ADDRESSES: AGENTS—International Creative Management, 388 Oxford Street, London Wl, England; Camden Artists, 2121 Avenue of the Stars, Suite 410, Los Angeles, CA 90067.* 463

WILLMAN

WILLMAN, Noel

CONTEMPORARY

1918-1988

THEATRE, FILM, AND TELEVISION • Volume 8

Barrymore Theatre, New York City, 1981. Also with the Old Vic Company, Playhouse Theatre, Liverpool, U.K., 1943-45.

PERSONAL: Full name, Noel Bath Willman; born August 4,1918, in Londonderry, Northern Ireland; died of a heart attack, December 24, 1988, in New York, NY; son of Romain and Charlotte Ellis (O'Neil) Willman. EDUCATION—Trained for the stage with Michel St. Denis at the London Theatre Studio.

MAJOR TOURS—Director, Brother and Sister, U.K. cities, 1967; director, Lolita My Love, U.S. cities, 1971; director, The West Side Waltz, U.S. cities, 1980-81; as an actor, toured in The Witch and The Merchant of Venice, Old Vic Company, U.K. cities, 1940; and toured South African cities, 1947.

VOCATION: Actor and director. PRINCIPAL FILM APPEARANCES—Spintho, Androcles and the Lion, RKO, 1952; Dr. Dennis Bord, ProjectM7 (also known as The Net), Universal, 1953; Lord Byron, Beau Brummell, MetroGoldwyn-Mayer (MGM), 1954; DuGueselin, The Warriors (also known as The Dark Avenger), Allied Artists, 1955; Woburn, The Man Who Knew Too Much, Paramount, 1956; Aubrey Clark, Abandon Ship (also know as Seven Waves Away), Columbia, 1957; Chief of Police, Across the Bridge, Rank/IPF, 1957; interrogator, Carve Her Name with Pride, Rank, 1958; Inspector Thomas, Never Let Go, Continental, 1960; Nigel Pickering, Trouble in the Sky (also known as Cone of Silence), Universal, 1961; prison governor, The Concrete Jungle (also known as The Criminal), Amalgamated, 1962; Webster, The Girl on the Boat, Knightsbridge, 1962; Dr. Ravna, Kiss of Evil (also known as The Kiss of the Vampire), Universal, 1963; Inspector Johnson, Two Living, One Dead (also known as Tva le vande och en dod), Emerson, 1964; Razin, Doctor Zhivago, MGM, 1965; Dr. Franklyn, The Reptile, Twentieth Century-Fox, 1966; Za-Tor (high priest), The Vengeance of She (also known as The Return of She), Twentieth Century-Fox, 1968; Franz Bayer, The Odessa File, Columbia, 1974; also The Pickwick Papers, Mayer Kingsley, 1952.

CAREER: STAGE DEBUT—Hamlet, Lyceum Theatre, London, 1939. BROADWAY DEBUT—Monsieur Henri, Legend of Lovers, Plymouth Theatre, 1951. PRINCIPAL STAGE APPEARANCES— Player, The Beggar's Opera, Haymarket Theatre, London, 1940; ensemble, Light and Shade (revue), Ambassadors' Theatre, London, 1942; Grigori Tansmann, House of Regrets, Arts Theatre, London, 1942; Lorenzo, The Merchant of Venice, New Theatre, London, 1943; Baron Foehn, The Eagle Has Two Heads, Lyric Hammersmith Theatre, London, 1946; Robert Falconbridge, King John, Antonio, The Merchant of Venice, Osric, Hamlet, Gremio, The Taming of the Shrew, and Pandarus, Troilus and Cressida, all Shakespeare Memorial Theatre, Stratford-on-Avon, U.K., 1948; Darius, Adventure Story, St. James's Theatre, London, 1949; Sir Joseph Wrathie, Shall We Join the Ladies? and Old Tawn, The Boy with a Cart, both Lyric Hammersmith Theatre, 1950; the Stylish Young Man and the Prison Chaplain, The Trial, Winter Garden Theatre, London, 1950; Daker, Accolade, Aldwych Theatre, London, 1950; Colonel Izquierdo, Montserrat, Lyric Hammersmith Theatre, 1952; the Interrogator, The Prisoner, Globe Theatre, London, 1954; Brack, Hedda Gabler, Westminster Theatre, London, 1954; General Burgoyne, The Devil's Disciple, Winter Garden Theatre, 1956; the Husband, Roshomon, Music Box Theatre, New York City, 1959; Don Pedro, Much Ado About Nothing and Claudius, Hamlet, both Royal Shakespeare Company, Stratfordon-Avon, U.K., 1961; Eugene Striden, Isle of Children, Cort Theatre, New York City, 1962; Peter Cauchon, Saint Joan, Oxford Festival, Oxford, U.K., 1974. Also appeared with the Old Vic Company, Playhouse Theatre, Liverpool, U.K., 1943-45; with the Bristol Old Vic Company, Bristol, U.K., 1946.

PRINCIPAL TELEVISION APPEARANCES—Episodic: 'The Winslow Boy" and "The Count of Monte Cristo," DupontShow of the Month, CBS, 1958. Movies: Interior Minister Bruno Merk, Twenty-One Hours at Munich, ABC, 1976. Specials: Pothinus, "Caesar and Cleopatra," Hallmark Hall of Fame, NBC, 1976. Also The Royal Victorians, 1974; The Green Bay Tree, Strange Interlude, The Crucible, and Edward VII, all for British television. PRINCIPAL TELEVISION WORK—Director, The Autumn Garden, British television, 1966.

PRINCIPAL STAGE WORK—Director: A Doll's House, Winter Garden Theatre, London, 1946; A Phoenix Too Frequent, Back to Methuselah, and The Turn of the Screw, all Arts Theatre, London, 1946-47; (with Nigel Green) Montserrat, Lyric Hammersmith Theatre, London, 1952; The White Carnation and Someone Waiting, both Globe Theatre, London, 1953; All's Well That Ends Well, Shakespeare Memorial Theatre, Stratford-on-Avon, U.K., 1955; The Devil's Disciple, Winter Garden Theatre, 1956; It's the Geography That Counts, St. James's Theatre, London, 1957; A Man for All Seasons, Globe Theatre, 1960, then American National Theatre and Academy Theatre, New York City, 1961; The Beauty Part, Music Box Theatre, New York City, 1962; Gentle Jack, Queen's Theatre, London, 1963; Rich Little Rich Girl, Walnut Street Theatre, Philadephia, PA, 1964; The Lion in Winter, Ambassador Theatre, New York City, 1966; Othello and Beware of the Dog, both Nottingham Playhouse, Nottingham, U.K., 1967; Brother and Sister and Beware of the Dog, both St. Martin's Theatre, London, 1967; Ring 'round the Moon, Haymarket Theatre, London, 1968; Darling of the Day, George Abbott Theatre, New York City, 1968; The Beheading, Apollo Theatre, London, 1971; The Three Arrows, Actors' Company, New York City, 1972; A Matter of Gravity, Broadhurst Theatre, New York City, 1976; The Apple Cart, Shaw Festival, Niagara-on-the-Lake, ON, Canada, 1976; The Inconstant Couple and Heartbreak House, both Chichester Theatre Festival, Chichester, U.K., 1978; The West Side Waltz, Ethel

RELATED CAREER—Artistic director (with Beatrix Lehmann), Arts Theatre, London, 1946-47. AWARDS: Clarence Derwent Award, 1955, for The Prisoner; Antoinette Perry Award, Best Director of a Play, 1962, for A Man for All Seasons. OBITUARIES AND OTHER SOURCES: Variety, December 28, 1988-January 3, 1989.*

WILSON, Elizabeth 1921-

PERSONAL: Full name, Elizabeth Welter Wilson; born April 4, 1921, in Grand Rapids, MI; daughter of Henry Dunning (an insurance agent) and Marie Ethel (Welter) Wilson. EDUCATION— Attended Grand Rapids Junior College; studied for the stage at the Neighborhood Playhouse with Sanford Meisner, Martha Graham, and Harold Clurman.

464

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

WILSON

Theatre, New York City, 1978; Aunt Helen, Taken in Marriage, NYSF, Public Theatre, 1979. Aaronetta Gibbs, Morning's at Seven, Lyceum Theatre, New York City, 1980, then Center Theatre Group, Ahmanson Theatre, Los Angeles, 1981; Penelope "Penny" Sycamore, You Can't Take It with You, Paper Mill Playhouse, Millburn, NJ, 1982, then Plymouth Theatre, 1983; Enid, Salonika, NYSF, Public Theatre, 1985; Fay, Anteroom, Playwrights Horizons, New York City, 1985; Lilly Miller, Ah, Wilderness!, Neil Simon Theatre, New York City, 1988. Also appeared in summer theatre productions at the Nantucket Playhouse, Nantucket, MA, 1940; Barter Theatre, Abingdon, VA, 1946; and in Plaza 9, New York City. FILM DEBUT—Christine Schoenwalder, Picnic, Columbia, 1956. PRINCIPAL FILM APPEARANCES—Marge Fleming, Patterns (also known as Patterns of Power), United Artists, 1956; secretary, The Goddess, Columbia, 1958; Miss McCracken, The Tunnel of Love, Metro-Goldwyn-Mayer (MGM), 1958; Millie, Happy Anniversary, United Artists, 1959; Jacky, Too Hot to Handle (also known as Playgirl After Dark), Topaz, 1961; Miss Fogarty, A Child Is Waiting, Warner Brothers, 1963; Mrs. Marsh, Jenny (also known as And Jenny Makes Three), Cinerama, 1969; Mrs. Braddock, The Graduate, Embassy, 1967; receptionist, The Tiger Makes Out, Columbia, 1967; mother, Catch-22, Paramount/Filmways, 1970; Mrs. Newquist, Little Murders, Twentieth Century-Fox, 1971; Mrs. Rome, The Day of the Dolphin, AVCO-Embassy, 1973; Dr. Anna Wilson, Man on a Swing, Paramount, 1974; Mrs. Gordon, The Happy Hooker, Cannon, 1975; Pauline, The Prisoner of Second Avenue, Warner Brothers, \915',Roz, Nine to Five, Twentieth Century-Fox, 1980; Dr. Ruth Ruth, The Incredible Shrinking Woman, Universal, 1981; Emily Watkins, The Ultimate Solution of Grace Quigley (also known as Grace Quigley), Metro-GoldwynMayer/United Artists/Cannon, 1984; Dorothy Prentiss, Where Are the Children?, Columbia, 1986; Kate Maslow, The Believers, Orion, 1987. Also appeared in The Birds, Universal, 1963.

ELIZABETH WILSON

VOCATION: Actress. CAREER: STAGE DEBUT—Cape May Playhouse, Cape May, NJ, 1943. BROADWAY DEBUT—Christine Schoenwalder, Picnic, Music Box Theatre, 1953. PRINCIPAL STAGE APPEARANCES—Miss Warriner, Desk Set, Broadhurst Theatre, New York City, 1955; Mrs. McCracken, The Tunnel of Love, Roy ale Theatre, New York City, 1957; Hilda Rose, Big Fish, Little Fish, American National Theatre and Academy Theatre, New York City, 1961; Constance, Yes Is for a Very Young Man, Players Theatre, New York City, 1963; Liz Cantriss, Rich Little Rich Girl, Walnut Street Theatre, Philadelphia, PA, 1964; Mrs. Murray, Eh?, Circle in the Square, New York City, 1967; Marjorie Newquist, Little Murders, Circle in the Square, 1969; Martha Wilkins, Sheep on the Runway, Helen Hayes Theatre, New York City, 1970; Karen Nash, "Visitor from Mamaroneck," Muriel Tate, "Visitor from Hollywood," and Norma Hubley, "Visitor from Forest Hills" in Plaza Suite, Plymouth Theatre, New York City, 1970; Mrs. Shin, The Good Woman of Setzuan, Vivian Beaumont Theatre, New York City, 1970; Mrs. Summey, Dark of the Moon, Mercer-Shaw Arena Theatre, New York City, 1970; Harriet, Sticks and Bones, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1971, then John Golden Theatre, New York City, 1972; Helen Wild, The Secret Affairs of Mildred Wild, Ambassador Theatre, New York City, 1972; Sonya, Uncle Vanya, Joseph E. Levine Theatre, New York City, 1973; Mrs. Peachum, The Threepenny Opera, Vivian Beaumont Theatre, 1976; Lady Bracknell, The Importance of Being Earnest, Circle in the Square, 1977; Countess of Roussillon, All's Well That Ends Well, NYSF, Delacorte

PRINCIPAL TELEVISION APPEARANCES^Series: Frieda Hechlinger, East Side/West Side, CBS, 1963-64; Annie Bogert, Doc, CBS, 1975-76; Kathy Kelly, Morningstar/Eveningstar, CBS, 1986. Pilots: Ruth Weston, Another April, CBS, 1974; Mrs. Coyle, The Easter Promise, CBS, 1975; Mrs. Glidden, Sanctuary of Fear, NBC, 1979. Episodic: Marg, "Patterns," Kraft Television Theatre, NBC, 1955; Amelia, All in the Family, CBS, 1975. Movies: Kate Stanton, Miles to Go Before I Sleep, CBS, 1975; Sally Ephron, Million Dollar Infield, CBS, 1982; Judge Norma Soloman, Once Upon a Family, CBS, 1980; Lillie Wykowski, Conspiracy of Love, CBS, 1987; Berenice Bradshaw, Nutcracker: Money, Madness, and Murder, NBC, 1987. Specials: Edna, Happy Endings, ABC, 1975; also "Morning's at Seven," Great Performances, PBS. AWARDS: Outer Critics' Circle Award (with cast), Best Ensemble Acting, 1961, for Big Fish, Little Fish; Antoinette Perry Award, Best Supporting or Featured Actress in a Drama, Variery-New York Drama Critics' Poll, Best Supporting Actress, and Obie Award from the Village Voice, Distinguished Performance, all 1972, for Sticks and Bones; Drama Desk Award, 1976, for The Threepenny Opera; Obie Award, 1979, for Taken in Marriage. MEMBER: Actors' Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists, American Guild of Variety Artists.

465

WILSON

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 WINN, Kitty

ADDRESSES: AGENT—STE Representation, 888 Seventh Avenue, New York, NY 10019.*

1944-

PERSONAL: Born February 21, 1944, in Washington, DC. EDUCATION—Graduated from Boston University. VOCATION: Actress.

WILSON, Trey

1948-1989

CAREER: BROADWAY DEBUT—Irina Sergeyevna Prozorov, The Three Sisters, American National Theatre and Academy Theatre, 1969. PRINCIPAL STAGE APPEARANCES—Ophelia, Hamlet, New York Shakespeare Festival, Delacorte Theatre, New York City, 1972; Ophelia, Hamlet, Long Wharf Theatre, New Haven, CT, 1972; Ophelia, Hamlet, Center Theatre Group, Mark Taper Forum, Los Angeles, 1974; Jenny, Knuckle, Phoenix Sideshows, Playhouse II, New York City, 1975. Also appeared in Ring 'round the Moon, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1975.

PERSONAL: Born January 21, 1948, in Houston, TX; died of a cerebral hemorrhage, January 16, 1989, in New York, NY; wife's name, Judy; children: one stepson. EDUCATION—Attended the University of Houston. VOCATION: Actor. CAREER: BROADWAY DEBUT—Cecco, Peter Pan, Lunt-Fontanne Theatre, 1979. PRINCIPAL STAGE APPEARANCES—Various roles, Tintypes, American National Theatre and Academy, Theatre at St. Peter's Church, then John Golden Theatre, both New York City, 1980; Leo Durocher, The First, Martin Beck Theatre, New York City, 1981; Prince Carpenter, Foxfire, Ethel Barrymore Theatre, New York City, 1982; typesetter and various roles, Personals, Minetta Lane Theatre, New York City, 1985; Elmer Moffatt, The Custom of the Country, Second Stage Theatre, New York City, 1985; McCue, The Front Page, Vivian Beaumont Theatre, New York City, 1986; Hank Turner, The Debutante Ball, City Center Theatre Stage II, New York City, 1988.

PRINCIPAL FILM APPEARANCES—Helen, Panic in Needle Park, Twentieth Century-Fox, 1971; Grace, They Might Be Giants, Universal, 1971; Sharon, The Exorcist, Warner Brothers, 1973; Mianne Prendergast, Peeper (also known as Fat Chance), Twentieth Century-Fox, 1975; Sharon Spencer, Exorcist II: The Heretic, Warner Brothers, 1977; Marianne, Mirrors (also known as Marianne), First American, 1984. PRINCIPAL TELEVISION APPEARANCES—Series: Rosamond Lassiter, Beacon Hill, CBS, 1975. Episodic: Carla Magid, Kojak, CBS. Movies: Sara Dunning, The House That Would Not Die, ABC, 1970; Angela Canyon, Man on a String, CBS, 1972; Miranda Thatcher, Message to My Daughter, ABC, 1973; Maggie Stanton, Miles to Go Before I Sleep, CBS, 1975; Sister Beth, Most Wanted, ABC, 1976; Maeve Skeffington, The Last Hurrah, NBC, 1977.

PRINCIPAL FILM APPEARANCES—Gifford, Drive-In, Columbia, 1976; voice characterization, Lord of the Rings (also known as J.R.R. Tolkein's The Lord of the Rings; animated), United Artists, 1978; Texas voice, Places in the Heart, Tri-Star, 1984; Colonel Nivens, A Soldier's Story, Columbia, 1984; F.B.I, agent, Marie, Metro-Goldwyn-Mayer/United Artists, 1985; truck driver, The Protector, Warner Brothers, 1985; Lieutenant Murdoch, FIX, Orion, 1986; Nathan Arizona, Sr., Raising Arizona, Twentieth Century-Fox, 1987; Maxie Ho well, End of the Line, Orion Classics, 1987; Skip, Bull Durham, Orion, 1988; Regional Director Franklin, Married to the Mob, Orion, 1988; Beetroot McKinley, Twins, Universal, 1988; Lieutenant Sloan, The House on Carroll Street, Orion, 1988; Benjamin Drapper, Miss Firecracker, Corsair, 1989; Colonel Barnes, Welcome Home, Columbia, 1989; Sam Phillips, Great Balls of Fire!, Orion, 1989. Also appeared in The Vampire Hookers (also known as Sensuous Vampires and Cemetery Girls), Capricorn Three, 1979; The Believers, Orion, 1987.

RELATED CAREER—Company member, American Conservatory Theatre, San Francisco, CA, 1966-70. AWARDS: Cannes Film Festival Award, Best Actress, 1971, for Panic in Needle Park. ADDRESSES: AGENT—The Artists Agency, 10000 Santa Monica Boulevard, Suite 305, Los Angeles, CA 90067.*

WISEMAN, Fredrick

PRINCIPAL TELEVISION APPEARANCES—Series: Regular, The News Is the News, NBC, 1983; also Murray, All My Children, ABC. Mini-Series: Kenneth O'Donnell, Kennedy, NBC, 1983; Jimmy Hoffa, Robert Kennedy and His Times, CBS, 1985. Episodic: Jack Weller, Spenser: For Hire, ABC, 1986; Shumway, The Equalizer, CBS, 1986; Terry Vogel, Spenser: For Hire, ABC, 1987; Peter Marstand, The Equalizer, CBS, 1987; Sheriff Bo Cray, Crime Story, NBC, 1988; also Legwork, CBS, 1987; Law and Order. Movies: Lester, A Few Days in Weasel Creek, CBS, 1981; Paul Brown, Scandal Sheet, ABC, 1985. Specials: Shorty Rollins, "Daddy, I'm Their Mama Now," ABC After school Specials, ABC, 1982.

1930-

PERSONAL: Born January 1, 1930, in Boston, MA; son of Jacob Leo and Gertrude Leah (Kotzen) Wiseman; married Zipporah Batshaw, May 29, 1955; children: David, Eric. EDUCATION— Williams College, B.A., 1951; Yale University School of Law, L.L.B., 1954. MILITARY—U.S. Army, 1955-56. VOCATION: Producer, director, and film editor. CAREER: PRINCIPAL STAGE WORK—Producer and director of video sequences, Tonight We Improvise, American Repertory Theatre, Cambridge, MA, 1986.

RELATED CAREER—Appeared in a comedy act with Randy Quaid; actor in regional and summer theatre productions.

PRINCIPAL FILM WORK—All as producer, director, and editor of documentaries, unless indicated: Producer (with Shirley Clarke), The Cool World, Cinema V, 1963; Welfare, The Other Cinema/ Zipporah, 1975; Manoeuvre (also known as Maneuver), Zipporah,

OBITUARIES AND OTHER SOURCES: [New York] Daily News, January 18, 1989; Variety, January 25-31, 1989.*

466

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

minster Theatre, London, 1940; Aubrey Tanqueray, The Second Mrs. Tanqueray, Hay market Theatre, London, 1950; Enobarbus, Antony and Cleopatra, St. James's Theatre, London, 1951; Matthew, Dragon's Mouth, Winter Garden Theatre, London, 1952; Mr. Fielding, A Passage to India, Comedy Theatre, London, 1960; Sergeant Ruff, Gaslight, Playhouse Theatre, Oxford, U.K., 1967; Dr. Stockman, An Enemy of the People, Playhouse Theatre, Oxford, 1968; Haakon Werle, The Wild Duck, Criterion Theatre, London, 1970; the Father, Six Characters in Search of an Author, Yvonne Arnaud Theatre, Guildford, U.K., 1972; Max Weiner, A Touch of Purple, Globe Theatre, London, 1972; Bob Cherry, Flowering Cherry, Yvonne Arnaud Theatre, 1973; the Father, A Voyage 'roundMy Father, Everyman Theatre, Cheltenham, U.K., 1973; Wilson, The Butcher, Belgrade Studio Theatre, Coventry, U.K., 1973; George, Jumpers, Birmingham Repertory Theatre, Birmingham, U.K., 1975; Captain Shotover, Heartbreak House, Harrogate Festival, Harrogate, U.K., 1976. Also appeared in Hadrian VII, Hay market Theatre, 1969; in repertory at the Shakespeare Memorial Theatre, Stratford-on-Avon, U.K., 1933-37; and at the Malvern Festival, 1938.

1979; (also sound recording mixer) Model, Cinegate/Zipporah, 1981; The Store, Zipporah, 1983; (also sound) Missile, Zipporah, 1987; also Titicut Follies, 1967; High School, 1968; Basic Training, 1971; Essene, 1972; Juvenile Court, 1973; Primate, 1974; Sinai Field Mission, 1978; Seraphita's Diary, 1982; (also sound) Racetrack, 1985. PRINCIPAL TELEVISION WORK—All as producer, director, and editor of documentaries. Specials: Meat, PBS, 1916', Canal Zone, PBS, 1977; Welfare, PBS, 1978; (also sound) Blind (also known as Blind and Deaf—Part I and Deaf and Blind—Part I), PBS, 1987; (also sound) Deaf (also known as Blind and Deaf—Part II and Deaf and Blind—Part II), PBS, 1988; (also sound) Adjustment and Work (also known as Blind and Deaf—Part HI and Deaf and Blind—Part ///), PBS, 1988; (also sound) Multi-Handicapped (also known as Blind and Deaf—Part IV and Deaf and Blind—Part IV), PBS, 1988; (also sound) Near Death, PBS, 1990; also Law and Order, 1969; Hospital, 1970. RELATED CAREER—Founder, Zipporah Films, Cambridge, MA, 1970—.

MAJOR TOURS—Thomas More, A Man for All Seasons, U.K. cities, 1971; Colonel Strang, Conduct Unbecoming, U.K. cities, 1972; Gilles de Rais, Abelard and Heloise, U.K. cities, 1973; Sergeant Rough, Gaslight, U.K. cities, 1974; Mr. Bennet, Pride and Prejudice, U.K. cities, 1975; Frank Strang, Equus, U.K. cities, 1976; Don Jerome, The Duenna, U.K. cities, 1977; Sir Cecil, The Kingfisher, U.K. cities, 1978; Old Ekdal, The Wild Duck, U.K. cities, 1979.

NON-RELATED CAREER—Lawyer, Paris, France, 1956-58; lecturer in law, Boston University Law School, Boston, MA, 195861; research associate in the department of sociology, Brandeis University, Waltham, MA, 1962-66; also visiting lecturer at numerous universities. AWARDS: Russell Sage Foundation Fellowship from Harvard University, 1961-62; Emmy Award, Outstanding News Documentary Progam, 1969, for Law and Order; Emmy Award, Outstanding Achievement in News Documentary Programming, 1970, for Hospital; Gabriel Award for Personal Achievement from the Catholic Broadcasters' Association, 1975; Guggenheim Foundation Fellowship, 1980-81; MacArthur Prize, 1982-87. HONORARY DEGREES—University of Cincinnati, L.H.D., 1973; Williams College, L.H.D., 1976.

PRINCIPAL FILM APPEARANCES—Lodge keeper, The Five Pound Man, Fox British, 1937; Parson, Escape, Twentieth Century-Fox, 1948; Horatio, Hamlet, General Film Distributors, 1948; Ashley Morehouse, Look Before You Love, General Film Distributors, 1948; Nat Hearn, All Over the Town, General Film Distributors, 1949; Prince Rudolph, The Angel with the Trumpet, British Lion, 1950; William Minnoch, Madeleine (also known as The Strange Case of Madeline), Universal, 1950; Nerva, Quo Vadis, MetroGoldwyn-Mayer (MGM), 1951; King Richard, Ivanhoe, MGM, 1952; Bill Ogden, Background (also known as Edge of Divorce), Group 3, 1953; Inspector Bliss, The Ringer, Regent, 1953; Paris, Romeo and Juliet, United Artists, 1954; Colonel Cleaver, The Master Plan, Grand National, 1955; Pelton, Guilty?, Gibraltar, 1956; Catesby, Richard III, Lopert, 1956; Inspector Kingcombe, The Flesh Is Weak, Eros, 1957; Inspector Harris, No Road Back, RKO, 1957; May Crowley, The Bandit of Zhobe, Columbia, 1959; Brutus Smith, An Honourable Murder, Warner Brothers/Pathe, 1959; Hugh Manning, Teenage Bad Girl (also known as My Teenage Daughter and Bad Girl), DCA, 1959; Roy Lewis, Night Train for Inverness, Paramount, 1960; group captain, The Guns of Navarone, Columbia, 1961; David Fraser, Portrait of a Sinner (also known as The Rough and the Smooth), American International, 1961; Rufio, Barabbas, Columbia, 1962; Virgilianus, The Fall of the Roman Empire, Paramount, 1964; Sir John Perrott, The Fighting Prince of Donegal, Buena Vista, 1966; Crown counsel, Walk in the Shadow (also known as Life for Ruth), Continental Distributing, 1966; Dr. Blanchard, The Projected Man, Universal, 1967; King Saul, Saul and David, Rizzoli, 1968; team doctor, International Velvet, Metro-Goldwyn-Mayer/United Artists, 1978. Also appeared in This England (also known as Our Heritage), World, 1941; The Mirror Crack'd, Associated Film Distribution, 1980.

MEMBER: Massachusetts Bar Association, 1955—; Organization for Social and Technological Innovation (treasurer, 1966-70). OTHER SOURCES: Contemporary Literary Criticism, Vol. 20, Gale, 1982. ADDRESSES: OFFICE—1 Richdale Avenue, Unit Four, Cambridge, MA 02140.*

WOOLAND, Norman

WOOLAND

1905-1989

PERSONAL: Born March 16, 1905, in Dusseldorf, Germany; died April 3, 1989, in Staplehurst, England; married Jane Smith; children: two daughters. VOCATION: Actor. CAREER: STAGE DEBUT—Lorenzo, The Merchant of Venice, Grand Theatre, Oldham, U.K., 1926. LONDON DEBUT—Night Club Queen, Playhouse Theatre, 1937. BROADWAY DEBUT— Gerald, Time and the Conways, Ritz Theatre, 1938. PRINCIPAL STAGE APPEARANCES—Mr. Sheltie, What Say They?, Malvern Festival, Malvern, U.K., 1939; RobertMurrison, Cornelius, West-

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Simon, Cover Her Face, Anglia Television, then Mystery!, PBS, 1987. 467

WOOLDRIDGE

CONTEMPORARY

THEATRE, FILM, AND TELEVISION • Volume 8

Also appeared in All for Love, Diamonds, Life at Stake, and The Chief Mourner, all British television.

School for Scandal, The Merchant of Venice, and The Cherry Orchard.

RELATED CAREER—Staff announcer and compere, BBC Radio, 1941-46.

PRINCIPAL STAGE WORK—Assistant stage manager, Peer Gynt, Crucible Theatre Company, Sheffield, U.K., 1971.

OBITUARIES AND OTHER SOURCES: Variety, April 12-18, 1989.*

PRINCIPAL FILM APPEARANCES—Harriet, The Shout, Films Inc., 1978; Lily Sutton, Loyalties, Norstar, 1986; Molly, Hope and Glory, Columbia, 1987; Monica, How to Get Ahead in Advertising, Warner Brothers, 1988; Lady Wilson, Bye Bye Blues, Festival/ Image Organization, 1989. Also appeared in Butley, American Film Theatre, 1974.

WOOLDRIDGE, Susan

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Daphne Manners, The Jewel in the Crown, Granada, then Masterpiece Theatre, PBS, 1984; Kathleen Scott, The Last Place on Earth, Central Television, then Masterpiece Theatre, PBS, 1985. Episodic: AnnBiddle, AFineRomance, ABC, 1989; alsoBergerac, BBC1, 1990. Movies: Amanda Brewis, Agatha Christie's ' 'DeadMan s Folly" (also known as Dead Man's Folly), CBS, 1986; also Changing Step, 1989; Pied Piper, \9%9\Crimestrike, 1989. Specials: Masterpiece Theatre: Fifteen Years, PBS, 1986. Also appeared in Hay Fever, 1983; Time and the Conways, 1984; Frankenstein, 1985; The Dark Room, 1987; The Naked Civil Servant, John McNab, The Racing Game, The Devil's Disciple, Pastoralcare, and The Small Assassin.

PERSONAL: Born in London, England; daughter of John De Lacy (a composer and conductor) and Margaretta (an actress; maiden name, Scott) Wooldridge. EDUCATION—Studied acting at the Central School of Speech and Drama and attended the Ecole Jacques Lecoq. VOCATION: Actress. CAREER: STAGE DEBUT—Peer Gynt, Crucible Theatre Company, Sheffield, U.K., 1971. PRINCIPAL STAGE APPEARANCES— Margaret More, A Man for All Seasons, Crucible Theatre Company, Sheffield, U.K., then Bankside Globe Theatre, London, both 1972; Alison Porter, Look Back in Anger, Young Vic Theatre, London, 1979; Jessie Gates, 'night Mother, Hampstead Theatre Club, London, 1985; also appeared in productions of Macbeth, The

AWARDS: British Academy of Film and Television Arts Award nomination, Best Actress, and Alva Award, Best Actress, both 1984, for The Jewel in the Crown; British Academy of Film and Television Arts Award, Best Supporting Actress, 1987, for Hope and Glory. ADDRESSES: AGENTS—Markham and Froggatt Ltd., 4 Windmill Street, London Wl, England; International Creative Management, 8899 Beverly Boulevard, Los Angeles, CA 90048 and 40 W. 57th Street, New York, NY 10019.

WORONOV, Mary 1946PERSONAL: Born December 8, 1943, in Brooklyn, NY; daughter of Victor D. (a doctor) and Carol (Eschholz) Woronov; married Ted Gershuny (a bond broker), 1969 (marriage ended); married Ted Whitehead (a race car driver and agent), 1979. EDUCATION— Graduated from Cornell University. VOCATION: Actress. CAREER: OFF-BROADWAY DEBUT—Kitchenette, 1968. PRINCIPAL STAGE APPEARANCES—Gloria Jean Kojax, Women Behind Bars, New York Theatre Ensemble, New York City, 1974; Susan, Boom Boom Room, New York Shakespeare Festival, Vivian Beaumont Theatre, New York City, 1974. Also appeared in Queen of Greece, La Mama Experimental Theatre Club, New York City, 1969; Vynil, Cafe Chino, New York City; Clearing House and Two Noble Kinsmen, both in New York City. FILM DEBUT—The Chelsea Girls, Filmmakers' Distribution Center, 1967. PRINCIPAL FILM APPEARANCES—Mary, Kemek, GHM, 1970; Mikki, Seizure, American International, 1974; Diane, Silent Night, Bloody Night (also known as Night of the Dark Full Moon

SUSAN WOOLDRIDGE

468

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

WRAY

APPEARANCES—Episodic: Irene, Logan's Run, CBS, 1977; Brady, Murder, She Wrote, CBS, 1985; Dr. Von Furst, Knight Rider, NBC, 1985; nurse, Amazing Stories, NBC, 1986; Bean Sweeney, Shell Game, CBS, 1987; Dr. Flynn, You Again?, NBC, 1987; Jill Taylor, Sledge Hammer!, ABC, 1987; Officer Burdette, Trial and Error, CBS, 1988; also Tax;', ABC, 1979; Buck Rogers in the 25th Century, NBC, 1980. Movies: Bartender, In the Glitter Palace, NBC, 1977; Mary Garritee, Challenge of a Lifetime, ABC, 1985; Miss Renfro, A Bunny's Tale, ABC, 1985. Specials: Cheech and Chong: Get Out of My Room, Showtime, 1985; governess, The Princess Who Had Never Laughed, Showtime, 1986. NON-RELATED CAREER—Painter. AWARDS: Theatre World Award, 1974, for Boom Boom Room. SIDELIGHTS: Mary Woronov told CTFT, "As an artist, I considered it interesting to be used as an object. This developed into a lifelong love of acting as an expression." ADDRESSES: AGENT—Progressive Artists Agency, 400 S. Beverly Drive, Suite 216, Beverly Hills, CA 90212.

WRAY, Fay

MARY WORONOV

1907-

PERSONAL: Born September 10 (some sources say September 15), 1907, in Alberta, Canada; married John Monk Saunders (a playwright and screenwriter), 1928 (divorced, 1939); married Robert Riskin (a screenwriter), August 23, 1942 (died, September 20, 1955); children: Susan, Robert, Victoria (second marriage).

and Death House), Cannon, 1974; Calamity Jane, Death Race 2000, New World, 1975; Sandy, Cannonball (also known as Car Quake), New World, 1976; Mary McQueen, Hollywood Boulevard, New World, 1976; Pearl, Jackson County Jail, New World, 1976; actress, Mr. Billion, Twentieth Century-Fox, 1977; Arlene, The One and Only, Paramount, 1978; woman bankrobber, The Lady in Red (also known as Guns, Sin, and Bathtub Gin), New World, 1979; Evelyn Togar, Rock 'n' Roll High School, New World, 1979.

VOCATION: Actress. CAREER: FILM DEBUT—Gasoline Love, 1923. PRINCIPAL FILM APPEARANCES—Beth Slocum, The Coast Patrol, Bud Barsky Corporation, 1925; Lila Rogers, Lazy Lightning, Universal, 1926; Pauline Stewart, The Man in the Saddle, Universal, 1926; Jessie Hayden, The Wild Horse Stampede, Universal, 1926; Molly Vernon, Loco Luck, Universal, 1927; Roberts, A One Man Game, Universal, 1927; Mildred Orth,Spurs and Saddles, Universal, 1927;Mitzi Schrammell, The Wedding March, Paramount, 1927; Christine Charteris, Legion of the Condemned, Paramount, 1928; Anna Lee, The First Kiss, Paramount, 1928; Elizabeth, The Street of Sin, Paramount, 1928; Ethne Eustace, The Four Feathers, Paramount, 1929; Mary ("Ritzy"), Thunderbolt, Paramount, 1929.

Samantha Vitesse, The Protectors, Book I (also known as Angel of H.E.A.T.), Studios Pan Imago, 1981; party house owner, Heartbeeps, Universal, 1981; secretary, "Success Goes to the Movies" in National Lampoon Goes to the Movies, Metro-Goldwyn-Mayer/ United Artists, 1981; Mary Bland, Eating Raoul, Twentieth Century-Fox, 1982; Violetta, Get Crazy, Embassy, 1983; Audrey, Night of the Comet, Atlantic, 1984; Dr. Fletcher, Hellhole, Arkoff, 1985; Dancing Mary, Nomads, PSO, 1985; Mary Bland, Chopping Mall (also known as Killbots undR.O.B.O.T.), Concorde, 1986; Raquel Putterman, TerrorVision, Empire, 1986; Shelley, Black Widow, Twentieth Century-Fox, 1987; Shelley, Mortuary Academy, Skouras, 1988; channeller, Warlock, J&M Entertainment, 1989; Quinella, Let It Ride, Paramount, 1989; Lisabeth Hepburn-Saravian, Scenes from the Class Struggle in Beverly Hills, Rank Film Distributors/ Cinecom Entertainment Group, 1989. Also appeared in Sugar Cookies, General Film, 1973; Cover Girl Models, New World, 1975; Bad Georgia Road, Dimension, 1977; My Man Adam, TriStar, 1985; Movie House Massacre, Movie House, 1986.

Marie, Behind the Makeup, Paramount, 1930; Joan Randall, The Border Legion, Paramount, 1930; as herself, Paramount on Parade, Paramount, 1930; Lora Nixon, Pointed Heels, Paramount, 1930; Daisy, The Sea God, Paramount, 1930; Consuelo, The Texan, Paramount, 1930; Joisie Lockhart, The Conquering Horde, Paramount, 1931; Kay Roberts, The Lawyer's Secret, Paramount, 1931; Helen, Dirigible, Columbia, 1931; Lee Carlton, Three Rogues

TELEVISION DEBUT—Somerset, NBC. PRINCIPAL TELEVISION 469

WRIGHT

CONTEMPORARY

(also known as Not Exactly Gentlemen), Twentieth Century-Fox, 1931; Camille de Jonghe, The Unholy Garden, United Artists, 1931; Ynez Dominguez, Captain Thunder, Warner Brothers, 1931; Marcia Collins, The Finger Points, Warner Brothers, 1931; Joan, Doctor X, Warner Brothers, 1932; Eve Trowbridge, The Most Dangerous Game (also known as The Hounds of Zaroff), RKO, 1932; Ann Darrow, King Kong, RKO, 1932; Ann Carver, Ann Carver's Profession, Columbia, 1933; Diane Templeton, Below the Sea, Columbia, 1933; Cynthia Glennon, The Big Brain (also known as Enemies of Society), RKO, 1933; Virginia Brush, One Sunday Afternoon, Warner Brothers, 1933; Lucy Calhoun, The Bowery, Twentieth Century-Fox, 1933; Kay Walling, Master of Men, Columbia, 1933; Charlotte Duncan, The Mystery of the Wax Museum, Warner Brothers, 1933; Wildeth Christie, Shanghai Madness, Twentieth Century, 1933; Ruth Berlin, The Vampire Bat, Majestic, 1933; Voila Core w, The Woman I Stole, Columbia, 1933; Angela, The Affairs of Cellini, United Artists, 1934; Gail, Black Moon, Columbia, 1934; Nan Brockton, Cheating Cheaters, Universal, 1934; Janet, The Countess of Monte Cristo, Universal, 1934; Maria, Madame Spy, Universal, 1934; Head Nurse Fanshawe, Once to Every Woman, Columbia, 1934; Sylvia Vernon, The Richest Girl in the World, RKO, 1934; Teresa, Viva Villa, MetroGoldwyn-Mayer (MGM), 1934; Louise Lorimer, Woman in the Dark, RKO, 1934.

THEATRE, FILM, AND TELEVISION • Volume 8

WRIGHT, Max 1943PERSONAL: Born August 2, 1943, in Detroit, MI; son of George Herman Wright; wife's name, Linda; children: Ben, Daisy. EDUCATION—Attended Wabash College and Wayne State University; studied drama at the National Theatre School, Montreal, PQ, Canada. VOCATION: Actor. CAREER: BROADWAY DEBUT—Mr. Coates, The Great White Hope, Alvin Theatre, 1968. PRINCIPAL STAGE APPEARANCES— Murderer, Public Prosecutor Is Sick of It All, Arena Stage, Washington, DC, 1972; Parker, The Basic Training ofPavlo Hummel, Longacre Theatre, New York City, 1977; Yepikhodor/Semyon Panteleyevich, The Cherry Orchard, New York Shakespeare Festival (NYSF), Vivian Beaumont Theatre, New York City, 1977; Lawrence Vail, Once in a Lifetime, Circle in the Square, New York City, 1978; second murderer, Richard III, Cort Theatre, New York City, 1979; Ivan Alexandrovich Khlestakov, The Inspector General, American Repertory Theatre, Cambridge, MA, then Circle in the Square, both 1979; Leo, Lunch Hour, Ethel Banymore Theatre, New York City, 1980; Owen Glendower, Henry IV, Part One, NYSF, Delacorte Theatre, New York City, 1981; Man #2, For No Good Reason, Samuel Beckett Theatre, then Harold Clurman Theatre, both New York City, 1985. Also appeared in Tom and Inherit the Wind, both Arena Stage, 1973-74; Long Day's Journey into Night, Arena Stage, 197'5; The Recruiting Officer, Long Wharf Theatre, New Haven, CT, 1977; The Ghost Sonata and TerraNova, both Yale Repertory Theatre, New Haven, CT, 1977; Stages, Belasco Theatre, New York City, 1978; A Midsummer Night's Dream and Happy End, both American Repertory Theatre, 1979; The Front Page, Long Wharf Theatre, 1981.

Ann Manders, Alias Bull Dog Drummond (also known as Bull Dog Jack), Gaumont, 1935; Rene, The Clairvoyant (also known as Evil Mind), Twentieth Century-Fox, 1935; Hild, Come Out of the Pantry, United Artists, 1935; Jean, Mills of the God, Columbia, 1935; Joan Mitchell, White Lies, Columbia, 1935; Joyce, Roaming Lady, Columbia, 1936; Mary, They Met in a Taxi, Columbia, 1936; Lady Rowena, When Kinghts Were Bold, Capital Films, 1936, released in the United States by Fine Arts, 1942; Gloria, It Happened in Hollywood, Columbia, 1937; Kay Cabot, Murder in Greenwich Village, Columbia, 1937; Linda Ware, The Jury's Secret, Universal, 1938; Carol, Navy Secrets, Monogram, 1939; Eleanor Dunlap, Smashing the Spy Ring, Columbia, 1939; Ted Dawson, Wildcat Bus, RKO, 1940; Molly, Adam Had Four Sons, Columbia, 1941; Mary Stanley, Melody for Three, RKO, 1941; Mrs. Gordon Kimbell, Small Town Girl, MGM, 1953; Marquise, Treasure of the Golden Condor, Twentieth Century-Fox, 1953; Edna Devanal, The Cobweb, MGM, 1955; Sue McKinnon, Queen Bee, Columbia, 1955; Kay Stanley, Hell on Frisco Bay (also known as The Darkest Hour), Warner Brothers, 1956; Beth Daley, Rock, Pretty Baby, Universal, 1956; Alice Pope, Crime of Passion, United Artists, 1957; Mrs. Brent, Tammy and the Bachelor (also known as Tammy), Universal, 1957; Mrs. Martin, Dragstrip Riot, American International, 1958; Beth Daley, Summer Love, Universal, 1958. Also appeared in Stowaway, Universal, 1932; The Captain Hates the Sea, Columbia, 1934; Once a Hero, 1937; Not a Ladies' Man, 1942; and Out of Time.

PRINCIPAL FILM APPEARANCES—Joshua Benn, All That Jazz, Twentieth Century-Fox, 1979; commuter, Last Embrace, United Artists, 1979; Hundertwasser, Simon, Orion, 1980; Floyd Dell, Reds, Paramount, 1981; floor manager, The Sting II, Universal, 1983; Lester, Touch and Go, Tri-Star, 1986. PRINCIPAL TELEVISION APPEARANCES—Series: Karl Shub, Buffalo Bill, NBC, 1983-84; Richard Stetmeyer, Misfits of Science, ABC, 1985-86; Willie Tanner, ALF, NBC, 1986—. Mini-Series: Scientist, James A. Michenefs "Space," CBS, 1985. Pilots: Mr. Bundle, Tales from the Dark Side, syndicated, 1983; Jimbo,/Gave at the Office, NBC, 1984; Leon Pakulski, The Faculty, ABC, 1986. Episodic: Taxi. Movies: Dr. Mengele, Playing for Time, CBS, 1980; second director, For Ladies Only, NBC, 1981; Dr. Boone, Dangerous Company, CBS, 1982; Stan Clark, Scandal Sheet, ABC, 1985; Alexandre Gustave Eiffel, Liberty, NBC, 1986; Howard Haldan, Going to the Chapel, NBC, 1988. Specials: Judge Rhodes, You Are the Jury, NBC, 1978.

PRINCIPAL TELEVISION APPEARANCES^Series: Catherine Morrison, The Pride of the Family, ABC, 1953-54. Pilots: Mary Parker, It's Always Sunday (broadcast as an episode of Screen Directors Playhouse), NBC, 1956. Episodic: The David Niven Theater, NBC, 1959; also Damon Runyon Theater, CBS; The General Electric Theater, CBS', Jane Wyman Presents the Fireside Theater, NBC; Playhouse 90, CBS; Perry Mason, CBS; Alfred Hitchcock Presents; Kraft Television Theater. Movies: Edna Curtis, Gideon's Trumpet, CBS, 1980.

RELATED CAREER—Company member: Arena Stage, Washington, DC, 1969-70; Actors Theatre of Louisville, Louisville, KY, 1969-70 and 1971-72; and Tyrone Guthrie Theatre, Minneapolis, MN, 1970-72. AWARDS: Theatre World Award, 1978-79, for Once in a Lifetime.

WRITINGS: FILM—(With Sinclair Lewis and Wanda Tuchock) This Is the Life, Universal, 1944. OTHER—On the Other Hand: A Life Story (autobiography), St. Martin's Press, 1989.*

SIDELIGHTS: RECREATIONS—Gardening.* 470

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 WYNN, Tracy Keenan

1945-

WYNN

Lorenzo Semple, Jr. and Walter Hill) The Drowning Pool, Warner Brothers, 1975; (with Peter Benchley) The Deep, Columbia, 1977. TELEVISION—Pilots: The Quest, NBC, 1976. Movies: (With Marvin Schwartz) Tribes, ABC, 1970; Truman Capote's "The Glass House,1' CBS, 1972; The Autobiography of Miss Jane Pittman, CBS, 1974; In the Line of Duty: The F.B.I. Murders (also known as Bloody Friday and TheF.B.I. Murders), NBC, 1988; The Revenge ofAl Capone (also known as Capone in Jail and Al Capone in Jail), NBC, 1989.

PERSONAL: Born February 28, 1945, in Hollywood, CA; son of Keenan (an actor) and Eve (Abbott) Wynn; married Kerstin Wassgren, 1976; children: Aidan, Amanda, Brendan. EDUCATION—University of California, Los Angeles, B.A., 1967. RELIGION—Episcopalian. MILITARY—U.S. Air Force Reserve. VOCATION: Screenwriter and producer. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Soldier in truck, Up from the Beach, Twentieth CenturyFox, 1965.

AWARDS: Writers Guild Award, 1970, and Emmy Award, Outstanding Writing Achievement in Drama, Original Teleplay (Special), 1971, both for Tribes; Emmy Award nomination, 1972, for Truman Capote's ' 'The Glass House,''; Emmy Award, Best Writing in a Drama Adaptation (Single Program—Comedy or Drama), and Writers Guild Award, both 1974, for The Autobiography of Miss Jane Pittman.

PRINCIPAL TELEVISION WORK—Movies: Associate producer, Tribes, ABC, 1970; director, Hit Lady, ABC, 1974; co-producer, In the Line of Duty: The F.B.I. Murders (also known as Bloody Friday and The F.B.I. Murders), NBC, 1988; co-producer, The Revenge ofAl Capone (also known as Capone in Jail and Al Capone in Jail), NBC, 1989.

MEMBER: Writers Guild of America, Directors Guild of America.

RELATED CAREER—Screen writing instructor. ADDRESSES: AGENT—Bill Haber, Creative Artists Agency, 9830 Wilshire Boulevard, Beverly Hills, CA 90212.*

WRITINGS: FILM—The Longest Yard, Paramount, 1974; (with

471

Y YABLANS, Frank

YABLANS, Irwin

1935-

1934-

PERSONAL: Born June 25, 1934, in Brooklyn, NY. MILITARY— U.S. Army, 1954-56.

PERSONAL: Born August 27, 1935, in New York, NY; son of Morris and Annette Yablans; married Ruth Edelstein, December 21; children: Robert, Sharon, Edward. EDUCATION—Attended the City College of New York and the University of Wisconsin. MILITARY—U.S. Army, 1954-56.

VOCATION: Producer and motion picture executive. CAREER: PRINCIPAL FILM WORK—All as executive producer, unless indicated: Associate producer, Badge 373, Paramount, 1972; producer, The Education of Sonny Carson, Paramount, 1974; Halloween, Compass, 191 %\ Roller Boogie, United Artists, 1979; Fade to Black, American Cinema, 1979; production representative, Apocalypse Now, United Artists, 1979; producer, Hell Night, Compass International, 1981; Halloween II', Universal, 1981; Halloween III: The Season of the Witch, Universal, 1982; producer, The Seduction, AVCO-Embassy, 1982; Parasite, Embassy, 1982; Scream for Help, Lorimar, 1984; producer, Tank, Lorimar/Universal, 1984; producer, Prison, Empire, 1988.

VOCATION: Producer, screenwriter, and motion picture executive. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Goon on radio, The Fury, Twentieth Century-Fox, 1978. PRINCIPAL FILM WORK—All as producer, unless indicated: Executive producer, Silver Streak, Twentieth Century-Fox, \916\The Other Side of Midnight, Twentieth Century-Fox, 1977; The Fury, Twentieth Century-Fox, 1978; North Dallas Forty, Paramount, 1979; Mommie Dearest, Paramount, 1981; (with David Niven, Jr.) Monsignor, Twentieth Century-Fox, 1982; The Star Chamber, Twentieth Century-Fox, 1983; Kidco, Twentieth Century-Fox, 1984; executive producer, The Caller, Empire, 1987; Buy and Cell, Trans World Entertainment, 1988.

RELATED CAREER—Sales representative, Warner Brothers, Washington, DC, Albany, NY, Detroit, MI, Milwaukee, WI, and Portland, OR, all 1956; Los Angeles manager, Paramount Productions, 1962, then Western sales manager, 1972; president, Compass International Pictures, 1974; executive vice-president, Lorimar Productions, 1984; chairman, Orion Pictures Distributing Corporation, 1985; chairman and chief executive officer, Epic Pictures Enterprises, 1988—.

RELATED CAREER—Salesman, Warner Brothers, New York, Boston, Milwaukee, and Chicago, 1957-59; booking manager, Walt Disney Productions, Milwaukee, WI, 1958-66; midwest sales manager, Sigma III, 1966; vice-president, Filmways Productions, 1966-69; vice-president, sales, then vice-president, marketing, later executive vice-president, Paramount Pictures Corporation, New York City, 1969-71, then president, 1971-75; founder and president, Frank Yablans Presentations Inc., 1975—; chief operating officer and board chairman, Metro-Goldwyn-Mayer/United Artists, 1983-1985; founder (with PSO Delphi), Northstar Entertainment Company, 1985; non-exclusive production arrangement with Empire Entertainment, 1986 non-exclusive production arrangement with Columbia Pictures, 1988; board of directors, Directors' Company, Cinema International Corporation; chairman, Variety Club International; director, Motion Picture Association; corporate chairman, entertainment division, Federation of Jewish Philanthropies; trustee, American Film Institute.

ADDRESSES: OFFICE—Epic Pictures Enterprises Inc., 1551 N. LaBrea Avenue, Los Angeles, CA 90028.*

YOUNG, Chris

1971-

PERSONAL: Full name, Christopher Tyler Young; born April 28, 1971, in Chambersburg, PA; son of Dick (in business) and Judy (a librarian and teacher; maiden name, Kreutz) Young. EDUCATION—Attended commercial acting classes at Weist-Barron School.

NON-RELATED CAREER—Board of directors, Boys' Clubs of America; board of directors, Will Rogers Hospital.

VOCATION: Actor. WRITINGS: FILM—(With Ted Kotcheff and Peter Gent) North Dallas Forty, Paramount, 1979; (with Frank Perry, Tracy Hotchner, and Robert Getchell) Mommie Dearest, Paramount, 1981.

CAREER: STAGE DEBUT—Theo, Pippin, Marycrest College, Davenport, IA. PRINCIPAL STAGE APPEARANCES—Billy Ray, On Golden Pond, dinner theatre production.

AWARDS: Decorated Commendatore Repubblica Italiana. FILM DEBUT—Buck Ripley, The Great Outdoors, Universal, 1988.

MEMBER: Fairview Country Club.* 473

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

YOUNG

Ensemble Studio Theatre, New York City, 1985; Megan Feather, Energumen, Soho Repertory Theatre, New York City, 1985. PRINCIPAL FILM APPEARANCES—Kathleen Sullivan, Deep in the Heart (also known as Handgun), Warner Brothers, 1983; Lisa Willoughby, Almost You, Twentieth Century-Fox/TLC, 1984; Hannah Rourke, Birdy, Tri-Star, 1984; Rosie, Maria's Lovers, Cannon, 1985; Sue, 9 1/2 Weeks, United Artists, 1986; narrator, Painted Landscapes of the Times (also known as Painted Landscapes of the Times: The Art of Sue Coe; documentary), Cinema Libre, 1987; Holly, Heat, New Century/Vista, 1987; Carla Brody, Jaws: The Revenge, Universal, 1987; Dorothea, Little Sweetheart, Nelson Entertainment, 1988; Ellen Faulkner, Criminal Law, TriStar, 1988; Laurel, Torch Song Trilogy, New Line Cinema, 1988; Jane, Wild Things, BBC Enterprises, 1988; Roxy, Night Games, Trans World Entertainment, 1989. PRINCIPAL TELEVISION APPEARANCES—Episodic: Sandra Stahl, The Equalizer, CBS, 1985. Movies: Robin Benedict, The High Price of Passion, NBC, 1986. Specials: This Time It's PersonalJaws: The Revenge, syndicated, 1987. ADDRESSES: AGENT—The Gersh Agency, 222 N. Canon Drive, Suite 202, Beverly Hills, CA 90210.*

YOUNG, Loretta CHRIS YOUNG

1913-

PERSONAL: Born Gretchen Michaela Young; January 6, 1913 (some sources say 1914), in Salt Lake City, UT; married Grant Withers (an actor), 1930 (divorced, 1931); married Thomas H.A. Lewis, 1940; children: Judy (first marriage; adopted); Christopher Paul, Peter (second marriage). EDUCATION—Attended Immaculate Heart College.

PRINCIPAL TELEVISION APPEARANCES—Series: Bryce Lynch, Max Headroom, ABC, 1987; Chris Agretti, Falcon Crest, CBS, 1989; Danny Mathews, Live-In, CBS, 1989. Pilots: Title role, Jake's Journey, CBS, 1988. Movies: Dan Leafcourt, Dance 'til Dawn (also known as Prom Night), NBC, 1988. Specials: Square One, PBS.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—An Evening with Loretta Young, American Museum of Broadcasting Television Festival, New York City, then Los Angeles, County Museum of Art, Leo Bing Theatre, Los Angeles, both 1989.

RELATED CAREER—Appeared in a calendar featuring young stars for M. A.D.D. (Mothers Against Drunk Driving); actor in television commercials. SIDELIGHTS: RECREATIONS—Skiing, golfing, swimming, juggling, and biking.

FILM DEBUT—Child on operating table, The Only Way, 1919. PRINCIPAL FILM APPEARANCES—Carol Watts, The Head Man, First National, 1928; Simonetta, Laugh, Clown, Laugh, MetroGoldwyn-Mayer (MOM), 1928; Denise Laverne, The Magnificent Flirt, Famous Players, 1928; the girl, The Whip Woman, First National, 1928; Margaret Barbour, Scarlet Seas, First National, 1929; Patricia, Fast Life, Warner Brothers/First National, 1929; Patricia Carlyle, The Forward Pass, Warner Brothers/First National, 1929; Gladys Cosgrove, The Girl in the Glass Cage, Warner Brothers/First National, 1929; Irma, The Squall, Warner Brothers/ First National, 1929; Muriel, The Careless Age, First National, 1929; as herself, The Show of Shows, Warner Brothers, 1929.

ADDRESSES: PUBLICIST—Brenda Feldman, Julie Nathanson Public Relations, 9229 Sunset Boulevard, Suite 201, Los Angeles, CA 90069.

YOUNG, Karen PERSONAL: Married Tom Noonan (an actor). EDUCATION— Studied writing and English literature at Douglass College.

Dorothy Hope, The Devil to Pay, United Artists, 1930; Marsinah, Kismet, Warner Brothers/First National, 1930; Ann Harper Berry, Loose Ankles, Warner Brothers/First National, 1930; Margery Seaton, The Man from Blankley's, Warner Brothers, 1930; Margaret Waring and Mary Brennan, Road to Paradise, First National, 1930; Marian Ferguson, The Second Floor Mystery (also known as The Second-Story Murder), Warner Brothers, 1930; Phyllis Eric-

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Marlies, Three Acts of Recognition, New York Shakespeare Festival, Public Theatre, New York City, 1982; Rebecca, Desperadoes, Marathon '85, 474

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

YOUNG

Duval, He Stayed for Breakfast, Columbia, 1940; Annie, Lady from Cheyenne, Universal, 1941; Lina Varsavina, The Men in Her Life, Columbia, 1941; Jane Drake, Bedtime Story, Columbia, 1942; Nancy Troy, A Night to Remember, Columbia, 1942; Carolyn Grant, China, Paramount, 1943; Emily Blair, And Now Tomorrow, Paramount, 1944; Roberta Courageous, Ladies Courageous, Universal, 1944; Cherry de Longpre, Along Came Jones, RKO, 1945; Maggie Williams, The Perfect Marriage, Paramount, 1946; Mary Longstreet, The Stranger, RKO, 1946; Katrin Holstrom, The Farmer's Daughter, RKO, 1947; Julia Brougham, The Bishop's Wife, RKO, 1947; Rachel, Rachel and the Stranger, RKO, 1948; Wilma Tuttle, The Accused (also known as Strange Deception), Paramount, 1949; Sister Margaret, Come to the Stable, Abigail "Abby" Fortitude Abbott, Mother Is a Freshman (also known as Mother Knows Best), Twentieth Century-Fox, 1949; Clarissa Standish, Key to the City, MGM, 1950; Ellen Jones, Cause for Alarm, MGM, 1951; Nora, Half Angel, Twentieth Century-Fox, 1951; Christine Carroll, Because of You, Universal, 1952; Paula Rogers, Paula (also known as The Silent Voice), Columbia, 1952; Jane Mac Avoy, It Happens Every Thursday, Universal, 1953. Also appeared in Sirens of the Sea, United Artists, 1921; as Arab child, The Son of the Sheik, 1921; in Naughty But Nice, First National, 1927; Her Wild Oats, First National, 1928.

son, The Truth About Youth, First National, 1930; Isobel Brandon, Beau Ideal, RKO, 1931; Claire Mclntyre, Big Business Girl, First National, 1931; Diane, / Like Your Nerve, Warner Brothers/First National, 1931; Gallagher, Platinum Blonde, Columbia, 1931; Rosalie Evantural, The Right of Way, Warner Brothers/First National, 1931; Noreen McMann, Three Girls Lost, Twentieth Century, 1931; Elaine Bumstead, Too Young to Marry (also known as Broken Dishes), Warner Brothers, 1931; Gloria Bannister, The Ruling Voice (also known as Upper Underworld), Warner Brothers/ First National, 1931; Toya San, The Hatchet Man (also known as The Honorable Mr. Wong), Warner Brothers, 1932; Grace Sutton, Life Begins (also known as Dream of Life), Warner Brothers/First National, 1932; Buster, Play Girl (also known as Love on a Budget), Warner Brothers, 1932; Sue Riley, Taxi!, Warner Brothers, 1932; Marion Cullen, They Call It Sin (also known as The Way of Life), Warner Brothers/First National, 1932; Lola Davis, Weekend Marriage (also known as Weekend Lives and Working Wives), Warner Brothers/First National, 1932; Margot, The Devil's in Love, Twentieth Century-Fox, 1933; Madeline, Employee's Entrance, Warner Brothers, 1933; Marcia Stanislavsky, Grand Slam, Warner Brothers, 1933; Ruth, Heroes for Sale (also known as Breadline), Warner Brothers/First National, 1933; Peggy, The Life of Jimmy Dolan (also known as The Kid's Last Fight and The Sucker), Warner Brothers, 1933; Trina, A Man's Castle, Columbia, 1933; Mary Martin, Midnight Mary (also known as Lady of the Night), MGM, 1933; Florence Denny, She Had to Say Yes, Warner Brothers/First National, 1933; Eve, Zoo in Budapest, Twentieth Century-Fox, 1933; Letty Strong, Born to Be Bad, United Artists, 1934; Lola Field, Bulldog Drummond Strikes Back, United Artists, 1934; Countess Wilma, Caravan, Twentieth Century-Fox, 1934; Julie Rothschild, The House of Rothschild, Twentieth CenturyFox, 1934; June Arden, The White Parade, Twentieth CenturyFox, 1934.

PRINCIPAL TELEVISION APPEARANCES—Series: Host, A Letter toLoretta, NBC, 1953-54; host, TheLoretta Young Theatre, NBC, 1954-61; Christine Massey, The Loretta Young Show (also known as The New Loretta Young Show), CBS, 1962-63. Movies: Amanda Kingsley, Christmas Eve, NBC, 1986; Grace Guthrie, Lady in a Corner, NBC, 1989. Specials: Happy Birthday Hollywood, ABC, 1987. PRINCIPAL RADIO APPEARANCES—Episodic: "Flight from Home," The Family Theatre, Mutual, \941',Four Star Playhouse, NBC, 1949; "Liberty's Lady," Screen Guild Theatre, CBS; Theatre of Romance, CBS; Lux Radio Theatre, NBC (fourteen episodes); One Man's Family, NBC.

Claire Blake, Call of the Wild, Twentieth Century-Fox, 1935; Margaret Maskelyne Clive, Clive of India, United Artists, 1935; Berengaria, The Crusades, Paramount, 1935; Barbara Howard, Shanghai, Paramount, 1935; Susie Schmidt, Ladies in Love, Twentieth Century-Fox, 1936; Ellen Neal, Private Number (also known as Secret Interlude), Twentieth Century-Fox, 1936; title role, Ramona, Twentieth Century-Fox, 1936; Lady Helen Dearden, The Unguarded Hour, MGM, 1936; Laura Ridgeway, CafeMetropole, Twentieth Century-Fox, 1937; Tony Gateson, Love Is News, Twentieth Century-Fox, 1937; Myra Cooper, Love Under Fire, Twentieth Century-Fox, 1937; Vicki, Second Honeymoon, Twentieth Century-Fox, 1937; Ina, Wife, Doctor, and Nurse, Twentieth Century-Fox, 1937; Lynn Cherrington, Four Men and a Prayer, Twentiety Century-Fox, 1938; Sally Goodwin, Kentucky, Twentieth Century-Fox, 1938; Empress Eugenie, Suez, Twentieth Century-Fox, 1938; Pamela Charters, Three Blind Mice, Twentieth Century-Fox, 1938; Anita Halstead, Eternally Yours, United Artists, 1939; Mrs. Bell, The Story of Alexander Graham Bell (also known as The Modern Miracle), Twentieth Century-Fox, 1939; Doris Blair Borland, Wife, Husband, and Friend, Twentieth Century-Fox, 1939.

WRITINGS: The Things I've Learned (autobiography), 1961. AWARDS: Academy Award, Best Actress, 1947, for The Farmer's Daughter; Academy Award nomination, Best Actress, 1949, for Come to the Stable; Golden Apple Star of the Year Award from the Hollywood Women's Press Club, 1950; Emmy Awards, Best Actress Starring in a Regular Series, 1955, Best Continuing Performance By an Actress in a Dramatic Series, 1957, and Best Actress in a Leading Role in a Dramatic Series, 1959, all for The Loretta Young Show; Golden Globe, Best Performance By an Actress in a Mini-Series or Motion Picture Made for Television, 1987, for Christmas Eve. SIDELIGHTS: Loretta Young is very active in Catholic charity organizations. ADDRESSES: PUBLICIST—Joel Brokaw, The Brokaw Company, 9255 Sunset Boulevard, Suite 706, Los Angeles, CA 90069.*

June Cameron, The Doctor Takes a Wife, Columbia, 1940; Marianne

475

z ZANUSSI, Krzysztof

ZABRISKIE, Grace

1939-

PERSONAL: Born June 17, 1939, in Warsaw, Poland; son of Jerzy and Jadwiga Zanussi. EDUCATION—Studied physics at Warsaw University, 1955-59; postgraduate work in philosophy at the University of Cracow, 1959-62; attended lectures on film at the Institute of Arts of Polish Academy of Science, 1955-58; studied film at Lodz Higher Film School, 1966.

VOCATION: Actress. CAREER: PRINCIPAL STAGE APPEARANCES—Marks, Talking With, Center Theatre Group, Mark Taper Forum, Taper Too, Los Angeles, 1985; Jessie, Rose Cottages, Ensemble Studio Theatre, New York City, 1986; Rosa, Camaralenta, Stages Theatre Center, Los Angeles, 1987; Emma, Cold Sweat, Playwrights Horizons, New York City, 1988.

VOCATION: Director, producer, and writer. CAREER: Also see WRITINGS below. PRINCIPAL STAGE WORK— Director, One Flew Over the Cuckoo's Nest, 1979; Der Konig stirbt, l98Q',Mattatoio, 1982; Day and Night, 1983; Duo for One, l9S3;Hiob, \9%5;LesJoeuxdesFemmes, \985',AlleMeineSonne, 1986.

PRINCIPAL FILM APPEARANCES—Linette Adum, Norma Rae, Twentieth Century-Fox, 1979; Nanny, The Private Eyes, New World, 1980; Captain Trantor, Galaxy of Terror (also known as An Infinity of Terr or, Planet of Horrors, and Mindwarp), New World, 1981; Esther Pokrifki, An Officer and a Gentleman, Paramount, 1982; Chilly's mother, Body Rock, New World, 1984; Ellie Wells, Nickel Mountain, Ziv International, 1985; Jefferson, Leonard, Part Six, Columbia, 1987; Mama McSwain, The Big Easy, Columbia, 1987; Sheryl, The Boost, Hemdale, 1988; Naomi Reece, Rampage, De Laurentiis Entertainment Group, 1988; Bob's mother, Drugstore Cowboy, Avenue, 1989. Also appeared in The Devil's Clone, 1979.

PRINCIPAL FILM APPEARANCES—As himself, Amator (also known as Camera Buff), Film Polski/Cinegate, 1979, released in the United States by New Yorker, 1983. FIRST FILM WORK—Director (with Wincenty Ronisz), Droga do nieba (also known as The Way to the Skies; short film), 1958. PRINCIPAL FILM WORK—All as director, unless indicated: Zycie rodzinne (also known as Family Life and Family Cycle), Polish Corporation for Film Production, 1970; Za sciana (also known as Behind the Wall), Tor Film Unit, \91\\Iluminacja (also known as Illumination), Film Polski, 1973; The Catamount Killing, Atlas International, 1974, released in the United States by Hallmark, 1975; Bilans kwartalny (also known as A Woman's Decision), Tine Productions, 1975, released in the United States by Almi Cinema V, 1977; Barwy ochronne (also known as Camouflage), Film Polski, 1976, released in the Uniteds States by Comtemporary Films Ltd., 1977; Spirala (also known as Spiral), Polish Corporation for Film Production, 1978; Wege in der Nacht (also known as Ways in the Night, Paths into the Night, and Night Paths), Westdeutscher Rundfunk, 1979.

PRINCIPAL TELEVISION APPEARANCES—Mini-Series: Mrs. Ames, John Steinbeck's "East of Eden," ABC, 1981. Pilots: Alma Kresser, UNSUB, NBC, 1989; also Mrs. Clinton, One Too Many, 1985. Episodic: Mrs. Komatar, Shadow Chasers, ABC, 1985; Terri, Hill Street Blues, NBC, 1986; Mabel Burton, Falcon Crest, CBS, 1987; Agnes, Mama's Boy, NBC, 1987; Rita, Moonlighting, ABC, 1989; Eva Barrett, Empty Nest, NBC, 1988. Movies: Ruth Lait, Freedom Road, NBC, 1979; Peg, The Concrete Cowboys, CBS, 1979; Emily, Blinded By the Light, CBS, 1980; Kathryne Baker, The Executioner's Song, NBC, 1982; Silvie Alice Kohler, M.A.D.D.: Mothers Against Drunk Driving, NBC, 1983; Maggie Ryan, My Mother's Secret Life, ABC, 1984; Flossie Hughes, The Burning Bed, NBC, 1984; hearings officer, North Beach and Rawhide, CBS, 1985; Deanie, Mistress, CBS, 1987; Mouza Zumwalt, My Father, My Son, CBS, 1988; Sister Marie, Shooter, NBC, 1988; Cheryl's therapist, A Deadly Silence, ABC, 1989; Gloria Hale, The Ryan White Story, ABC, 1989.

Constans (also known as The Constant Factor), Polish Corporation for Film Production/New Yorker, 1980; Kontrakt (also known as The Contract), New Yorker, 1980, Cinegate, 1982; Die Unerreichbare (also known as The Unapproachable), Regina Ziegler/Zweites Deutsches Fernsehen/Osterreichischer Rundfunk Fernsehen, 1982; Imperativ (also known as Imperative), Telefilm Saar, 1982, released in the United States by Teleculture, 1985; Rok Spokonjnego Slonca (also known as The Year of the Quiet Sun), Sandstar Releasing/Blue Dolphin Film Distributors, 1984; Blaubart (also known as Bluebeard}, Westdeutscher Rundfunk/DRS Television, 1984; Le Pouvoir du mal (also known as The Power of Evil), Films Moliere/Films du Scorpion, 1985; producer (with Rock Demers), Le Jeune magicien (also known as Cudowne dziecko, The Young

AWARDS: Los Angeles Drama Critics' Circle Award nomination, Best Featured Performance, 1988, for Camaralenta. ADDRESSES: AGENT—Writers and Artists Agency, 11726 San Vicente Boulevard, Suite 300, Los Angeles, CA 90049.* 477

ZMED

CONTEMPORARY

Magician, The Wondrous Child, and Tales for All [Part 4]), Les Productions La Fete/Film Tor Unit, 1987; Gdzieskolwiekjest, jeslis jest (also known as Wherever You Are and Wherever She Is), Film Polski/Liberty Film Sales, 1988; executive producer, And the Violins Stopped Playing, Film Polski/August Entertainment, 1989; Stan Posiadania (also known as State of Possession and Inventory), TOR Film Unit/Polish Television/Regina Ziegler Filmproduktion, 1989.

THEATRE, FILM, AND TELEVISION • Volume 8

Festival, both 1978, for Spirala; Best Director Award and OCIC Prize, both from the Cannes Film Festival, 1980, for Constans; Distribution Prize from the Venice Film Festival, 1980, for Kontrakt; Donatello Prize (Florence, Italy), 1980, for Man from a Far Country: Pope John Paul II; Special Prize from the Polish Film Festival, 1980, Special Jury Prize from the Venice Film Festival, 1982, and State Prize First Class, 1984, all for Illuminacja; Golden Lion from the Venice Film Festival, Pasinetti Award, 1984, for Rok spokonjnego slonca; Prize from the Venice Film Festival, 1984, for Blaubart.

Also directed Smierc prowincjala (also known as The Death of a Provincial; short film), 1966; Przemysl (short film), 1966; Maria Dabrowska (short film), 1966; Komputery (also known as Computers; short film), 1967; Struktura krszatalu (also known as The Structure of Crystals), 1969; Quarterly Balance, 1975; Haus der Frauen (also known as House of Women), \911\Penderecki, 1977; Lutoslawa, 1977\BrigitteHomey, 1977; Versuchung, 1981;7V?mptation; Vatican Capitale.

MEMBER: Formerly active in Solidarity labor union. SIDELIGHTS: RECREATIONS—Travel. ADDRESSES: OFFICES—Kaniowska 114, 01-529 Warsaw, Poland; 8 Rue Richepance, Paris, France 75001.*

PRINCIPAL TELEVISION WORK—All as director. Movies: Portrait of the Composer, 1967; Twarza w twarz (also known as Face to Face; short film), 1968; Credit, l968;KrzysztofPenderecki, 1968; Zaliczenie (also known as An Examination and Pass Mark; short film), 1969; Gory o zmierzchu (also known as Mountains at Dusk; short film), 1970; Rola (also known as Die Rolle and The Role), West German television, 1971; Hipoteza (also known as Hypothesis; short film), 1972; Milosierdzie platne z gory (also known as Nachtdienst and Night Duty), 1975; Anatomie stunde (also known as Lekcja anatomii and Anatomy Lesson), 1977. Specials: From a Far Country: Pope John Paul II, NBC, 1981; also Penderecki Lutoslawski Baird, 1976; Mein Krakau (also known as My Cracow), 1979.

ZMED, Adrian 1954PERSONAL: Born March 14, 1954, in Chicago, IL; son of George (a Romanian Orthodox priest) and Sadie (Golub) Zmed; married Barbara Fitzner, July 24, 1976; children: Zachary, Dylan. EDUCATION—Received B.F.A. from the Goodman Theatre School of Drama. VOCATION: Actor.

RELATED CAREER—Vice-chairman, Polish Film Association, 1971-81; faculty member, Lodz Higher Film School, 1973. WRITINGS: FILM—See above for production details: (With others) Struktura krszatalu, 1969; Zycie rodzinne, 1971; (with Edward Zebrowski) Za Sciana, \91\\Iluminacja, 1973; Bilans kwartalny, 1975; Barwy ochronne, 1976; Spirala, 1978; Wege in der Nacht, l919;Constans, \98Q;Kontrakt, 1980; Versuchung, \98l;Imperativ, 1982; (with Zebrowski) Die Unerreichbare, 1982; Rok Spolojnego Slonca, 1984; Le Pouvoir du mal, 1985; (with Michael Hirst) Gdzieskolwiek jest, jeslis jest, 1988; Stan Posiadania, 1989. TELEVISION—(With others) Twarza w twarz, 1968; (with others) Zaliczenie, 1969; Rola, 1971; Hipoteza, 1972. OTHER—Nowele Filmowe (short film scripts), 1976; Scenariusze Filmowe (film scripts), 1978; Un rigorista nellafortezza assediata, 1982. AWARDS: Awards in Venice, Mannheim, Valladolid, and Moscow, all 1966, for Smierc prowincjala; Prizes in Cracow and Leipzig, both 1967, for Portrait of the Composer; Award from Mar del Plata, 1969, and Best Film Award from Polish Film Critics, 1970, both for Struktura krszatalu; Awards in Chicago, Valladolid, and Colombo, all 1971, for Zycie rodzinne; Grand Prix from the San Remo International Film Festival, 1972, forZa sciana; Leopardo d'Oro from the Locarno International Film Festival, Best Film, 1973, for Illuminacja; State Award from the Polish Minister of Culture and Arts, 1973; OCIC Prize from the Berlin International Film Festival, 1975, for Quarterly Balance; Special Prize from the Teheran International Film Festival and Grand Prix from the Polish Film Festival, both 1977, for Barwy ochronne; Prize of Journalists from the Polish Film Festival and OCIC Prize from the Cannes Film

ADRIAN ZMED

478

CONTEMPORARY

ZSIGMOND

THEATRE, FILM, AND TELEVISION • Volume 8

CAREER: STAGE DEBUT—Benito Cereno, Goodman Theatre, Chicago, IL, for forty performances. BROADWAY DEBUT—Danny Zuko, Grease, Roy ale Theatre, 1977, for four hundred fifty performances. PRINCIPAL STAGE APPEARANCES—Relay, Main Stage Theatre, North Hollywood, CA, 1988; also appeared in Romeo and Juliet, She Stoops to Conquer, and Merlon of the Movies, all Goodman Theatre, Chicago, IL; Beginners Luck, Tiffany's Attic Dinner Theatre; Little Shop of Horrors, Loberco Theatre; Irma La Douce and The Fantasticks, both Forum Theatre; Godspell, Muni Opera; Gangs. MAJOR TOURS—Danny Zuko, Grease, U.S. cities, 1976-77. FILM DEBUT—Johnny Nogerilli, Grease 2, Paramount, 1982. PRINCIPAL FILM APPEARANCES—Cerone, The Final Terror (also known as Campsite Massacre, Bump in the Night, and The Forest Primeval), Comworld/Watershed/Roth, 1983; Jay O'Neill, Bachelor Party, Twentieth Century-Fox, 1983; also appeared in Eyewitness to Murder, Saphire Productions. TELEVISION DEBUT—Socks Palermo, Flatbush, CBS, 1979. PRINCIPAL TELEVISION APPEARANCES—Series: Frankie Millardo, Goodtime Girls, ABC, 1980; Officer Vince Romano, TJ. Hooker, ABC, 1982-85; host, Dance Fever, syndicated, 1985-87. Pilots: Jimmy Steinbrenner, Revenge of the Gray Gang, NBC, 1981. Episodic: Robert Morton, Hotel, ABC, 1986; assassin, Hotel, ABC, 1987; Stanley Mannings, You Are the Jury, NBC, 1987; Gary, Empty Nest, NBC, 1988; Bert Firman, Murder, She Wrote, CBS, 1989; also The Love Boat, ABC, 1986; Starsky and Hutch, ABC; Angle, ABC; Bosom Buddies, ABC; I'm a Big Girl Now, ABC; Riker, NBC; Alfred Hitchcock Presents. Movies: Fernando Forsalito, For the Love of It, ABC, 1980; Fred Feliciano, Victims for Victims: The Theresa Saldana Story, NBC, 1984. Specials: Battle of the Network Stars, ABC, 1983; Rickles on the Loose, Showtime, 1986.

VILMOS ZSIGMOND

children: Julia, Susi. EDUCATION—State Academy of Motion Picture and Theatre Arts (Budapest), M.A., cinematography, 1956.

RELATED CAREER—Actor in television commercials; musician in the band Ephrus.

VOCATION: Cinematographer.

NON-RELATED CAREER—Member of the board of directors and youth spokesman, National Council on Alcoholism and Drug Dependency.

CAREER: PRINCIPAL FILM WORK—Cinematographer: (As William Zsigmond) Living Between Two Worlds, Empire, 1963; (as William Zsigmond) The Sadist (also known as The Profile of Terror), Fairway International, 1963; (as William Zsigmond) The Nasty Rabbit (also known as Spies A Go-Go), Fairway International, 1964; (as William Zsigmond) The Time Travelers (also known as Time Trap), American International, 1964; (as William Zsigmond) What's Up Front (also known as The Fall Guy and A Fourth for Marriage), Fairway International, 1964; Psycho A Go-Go! (also known as Blood of Ghastly Horror, The Fiend with the Electric Brain, and Man with the Synthetic Brain), Hemisphere/American General, 1965; (as William Zsigmond) Deadwood '76, Fairway International, 1965; (as William Zsigmond) The Incredibly Strange Creatures Who Stopped Living and Became Crazy Mixed-Up Zombies (also known as Teenage Psycho Meets Bloody Mary and The Incredibly Strange Creatures), Hollywood Star, 1965; (as William Zsigmond) Rat Fink (also known as Wild and Willing, My Soul Runs Naked, and The Swinging Fink), Genesis/Cinema, 1965; (as William Zsigmond) A Hot Summer Game (also known as If s All in the Game), European Producers International, 1965; (as William Zsigmond) Tales of a Salesman (also known as Tales of a Traveling Salesman); Rossmore, 1965; (as William Zsigmond; additional photography) Road to Nashville, Crown International, 1966; (as William Zsigmond; with Leslie Kovaks) Mondo Mod (documentary), Timely Motion Pictures, 1967; (as William Zsigmond) The Name of the Game Is Kill (also known as Lovers in Limbo and The

MEMBER: American Federation of Television and Radio Artists, Screen Actors Guild, Actors' Equity Association. ADDRESSES: AGENT-The Agency, 10351 Santa Monica Boulevard, Suite 211, Los Angeles, CA 90025. MANAGER—Gary George, Lemond-Zetter Management, 8370 Wilshire Boulevard, Suite 310, Beverly Hills, CA 90211. PUBLICIST—Dourie Bolwell, The Group, 723 1/2 N. La Cienega Boulevard, Los Angeles, CA 90069.

ZSIGMOND, Vilmos 1930-

(William Zsigmond) PERSONAL: Surname is pronounced "Vilmosh Gigmond"; born June 16, 1930, in Czeged, Hungary; immigrated to the United States in 1957; naturalized U.S. citizen, 1962; son of Vilmo (a soccer goalie and coach) and Bozena (an administrator; maiden name, Illichman) Zsigmond; married Elizabeth Fuzes (divorced); 479

ZSIGMOND

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8 ZSIGMOND, William See ZSIGMOND, Vilmos

Female Trap), Fanfare, 1968; (as William Zsigmond; with Robert Carl Cohen) Jennie, Wife/Child, Emerson Film Enterprises, 1968; (as William Zsigmond) The Monitors, Commonwealth United Entertainment, 1969; (as William Zsigmond; with Vilis Lapenieks and Mario Tosi) Hot Rod Action (documentary), Cinerama, 1969; Futz, Commonwealth United International, 1969; The Gun Riders (also known as Five Bloody Graves, Lonely Man, and Five Bloody Days to Tombstone], Independent International, 1969.

ZUCKER, Jerry

1950-

PERSONAL: Born March 11, 1950, in Milwaukee, WI. EDUCATION—Studied film at the University of Wisconsin.

(As William Zsigmond) The Horror of the Blood Monsters (also known as Creatures of the Prehistoric Planet, Horror Creatures of the Red Planet, Flesh Creatures of the Red Planet, The Flesh Creatures, Space Mission of the Lost Planet, and Vampire Men of the Lost Planet), Independent International, 1970; The Hired Hand, Universal, 1971 \McCabe and Mrs. Miller, Warner Brothers, 1971; Red Sky at Morning, Universal, 1971; The Ski Bum, AVCOEmbassy, 1971; Deliverance, Warner Brothers, 1972; Images, Columbia, 1972; Cinderella Liberty, Twentieth Century-Fox, 1973; The Long Goodbye, United Artists, 1973; Scarecrow, Warner Brothers, 1973; The Girl from Petrovka, Universal, 1974; The Sugarland Express, Universal, 1974; Dandy, the All-American Girl (also known as Sweet Revenge), Metro-Goldwyn-Mayer/ United Artists (MGM/UA), 1976; Death Riders, Crown International, 1976; Obsession, Columbia, 1976; Close Encounters of the Third Kind, Columbia, 1977; The Last Waltz, United Artists, 1978; The Deer Hunter, Universal, 1978; The Rose, Twentieth CenturyFox, 1979; Winter Kills, AVCO-Embassy, 1979.

VOCATION: Producer, director, and screenwriter. CAREER: Also see WRITINGS below. PRINCIPAL FILM APPEARANCES—Kentucky Fried Movie, United Films, 1977. PRINCIPAL FILM WORK—Second unit director, Rock 'n' Roll High School, New World, 1979; executive producer and director (both with David Zucker and Jim Abrahams), Airplane!, Paramount, 1980; director (with Zucker and Abrahams), Top Secret!, Paramount, 1984; director (with Zucker and Abrahams), Ruthless People, Buena Vista, 1986; executive producer (with Zucker and Abrahams), The Naked Gun—From the Files of Police Squad!, Paramount, 1988. PRINCIPAL TELEVISION WORK—Series: Executive producer (with David Zucker and Jim Abrahams), Police Squad!, ABC, 1982. Episodic: Director, Police Squad!, ABC, 1982. RELATED CAREER—Founder (with David Zucker and Jim Abrahams), Kentucky Fried Theatre, Madison, WI, 1979.

Heaven's Gate, United Artists, 1980; Blow Out, Filmways, 1981; (with Ric Waite) The Border, Universal, 1982; Jinxed!, MGM/ UA, 1982', Table for Five, Warner Brothers, 1983; No Small Affair, Columbia, 1984; The River, Universal, 1984; Real Genius, TriStar, 1985; The Witches of Eastwick, Warner Brothers, 1987; Journey to Spirit Island, World Wide Releasing, 1988; Fat Man and Little Boy, Paramount, 1989; also (co-cinematographer)/fwwgarw inflammen (also known as Revolt in Hungary; documentary), 1957; Picasso Summer, 1970.

WRITINGS: See production details above. FILM—(With Zucker and Abrahams) Kentucky Fried Movie, 1911 \ (with Zucker and Abrahams) Airplane!, 1980; (with Zucker, Abrahams, and Martyn Burke) Top Secret!, 1984; (with Zucker, Abrahams, and Pat Proft) The Naked Gun—From the Files of Police Squad!, 1988. TELEVISION—Episodic: Police Squad!, 1982. ADDRESSES: OFFICE—11777 San Vicente Boulevard, Los Angeles, CA 90049.*

PRINCIPAL TELEVISION WORK—Series: Cinematographer, The Protectors, NBC, 1969-70. Mini-Series: Cinematographer, Flesh and Blood, CBS, 1979. RELATED CAREER—Founder, Cinematic Directions, 1985; director of television commercials with Cinematic Directions and Filmfair; Cinematographer of television documentaries for Wolper Productions; still photographer; laboratory technician; camera assistant.

ZUNIGA, Daphne PERSONAL: Father, a philosophy professor; mother, a Unitarian minister. EDUCATION—Studied theatre arts at the University of California, Los Angeles.

AWARDS: Academy Award, Best Cinematography, 1977, for Close Encounters of the Third Kind; Academy Award nomination, Best Cinematography, 1978, and British Academy of Film and Television Arts Award, Best Cinematography, 1979, both for The Deer Hunter; Academy Award nomination, Best Cinematography, 1984, for The River.

CAREER: PRINCIPAL FILM APPEARANCES—Kelly/Terry, The Initiation, New World, 1984; Margie Epstein, Vision Quest, Warner Brothers, 1985; Allison Bradbury, The Sure Thing, Embassy, 1985; Margo, Modern Girls, Atlantic, 1986; Princess Vespa, Spaceballs, Metro-Goldwyn-Mayer/United Artists (MGM/UA), 1987; Angela, Last Rites, MGM/UA, 1988; Beth Logan, The Fly II, Twentieth Century-Fox, 1989; Beverly Young, Staying Together, Hemdale, 1989; Laurie Rorbach, Gross Anatomy, Buena Vista, 1989. Also appeared in The Dorm That Dripped Blood, New Image Releasing, 1971.

MEMBER: American Society of Cinematographers, Academy of Motion Picture Arts and Sciences, International Alliance of Theatrical Stage Employees (Local #659), Directors Guild of America. ADDRESSES: OFFICE—7700 Sunset Boulevard, Suite 200, Hollywood, CA 90046. AGENT—Smith-Gosnell Agency, 3872 Las Flores Canyon Road, Malibu, CA 90265.*

PRINCIPAL TELEVISION APPEARANCES—Movies: Kim Maida, Quarterback Princess, CBS, 1983; Carrie Lang, Stone Pillow,

480

CONTEMPORARY THEATRE, FILM, AND TELEVISION • Volume 8

CBS, 1985. Episodic: Irene Marlowe, "Eye of the Panther," Nightmare Classics, Showtime, 1989. ADDRESSES: AGENT—Intertalent Agency, 9200 Sunset Boulevard, Penthouse 25, Los Angeles, CA 90069. MANAGER—Keith Addis and Associates, 8444 Wilshire Boulevard, Fifth Floor, Beverly Hills, CA 90211.*

481

ZUNIGA