Dmitri Shostakovich Catalogue: The First Hundred Years and Beyond, 4th Edition

Dmitri Shostakovich Catalogue The First Hundred Years and Beyond Fourth Edition

Derek C. Hulme

The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2010

Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road Plymouth PL6 7PY United Kingdom Copyright © 2010 by Derek C. Hulme All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Hulme, Derek C. Dmitri Shostakovich catalogue : the first hundred years and beyond / Derek C. Hulme. — 4th ed. p. cm. Revised ed. of: Dmitri Shostakovich. 3rd ed. 2002. Includes bibliographical references and index. ISBN 978-0-8108-7264-6 (cloth : alk. paper) — ISBN 978-0-8108-7265-3 (ebook) 1. Shostakovich, Dmitri Dmitrievich, 1906–1975—Bibliography. I. Hulme, Derek C. Dmitri Shostakovich. II. Title. ML134.S485H8 2010 016.78092—dc22 2009037017 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48—1992. Printed in the United States of America

For my wife Helen Killoran and three sons Kyle Bonskeid, Robin Ronan, and Nevis Craig.

This page intentionally left blank

Contents

Foreword to the Second Edition

vii

Preface

ix

Acknowledgments

xi

Abbreviations

xiii

Introduction

xv

The First Hundred Years (Chronological Charts of Main Works and Historical Events), Introduction by Rob Ainsley Catalogue of Works, Juvenilia to Opus 147

xvii 1

Appendixes I. Collections of Shostakovich’s Music, Arrangements, and Music Publishers II. Film, Radio, Television and Theatre Productions

565 571

III. Recordings

577

IV. Four Special USSR Recordings

579

V. The Composer on Records

581

VI. Samplers and Box Sets

583

VII. Abandoned Projects and Obscure Works VIII. DSCH—the Composer’s Monogram; Compositions based on DSCH by Other Hands and Tributes v

587 593

vi

C O N T E N TS

IX. Spellings X. The Russian Alphabet and Russian Titles of Compositions

603 605

Bibliography

609

Name Index

647

Composition Index

773

About the Author

783

Foreword to the Second Edition By Irina Shostakovich

I take particular pleasure in writing a few words to introduce this new edition. Derek Hulme has invested in this book a colossal amount of work, not from obligation or necessity, but for love of Shostakovich’s music—for his own satisfaction, as it were. This feeling is most movingly reflected in the immense and solicitous care he has lavished on every detail: nothing has been allowed to escape. This same feeling caused Mr. Hulme to study the Russian language and to make numerous visits to Leningrad and Moscow in the course of his researches. The book is in the form of a catalogue of Shostakovich’s music, greatly expanded for this new edition in comprehensiveness and circumstantial information. I hope that it will be of use, not only to scholars, publishers, and performers, but will also appeal to the ever-increasing circle of lovers of Shostakovich’s music, collectors of his recordings, all those who are interested in the personality of the man and who acknowledge a common response to the power of his music. The book tells one much about Shostakovich’s compositions, gives what amounts to a ‘biography’ of each of them, and outlines the ‘path of life’ along which they have been destined to travel through succeeding generations. The author undertook the publication of the first edition at his own expense, and in consequence it could not achieve a wide distribution. The present, second, edition has been realized by Oxford University Press—the University that honoured Shostakovich with an Honorary Doctorate during his lifetime—and will be accessible to far more people. It makes a significant contribution to the study of Shostakovich’s art, and I salute it as a tribute to his memory and heritage.

Irina Shostakovich Moscow, October 1990 vii

Conductor Mark Fitz-Gerald reconstructed the film scores of Alone (Odna) Opus 26 and The Girlfriends Opus 41(ii); a number of pieces for theatre scores Rule, Britannia! Opus 28 and Salute to Spain Opus 44; and eight bars of music to close the symphonic fragment of Shostakovich’s first draft of the Ninth Symphony Opus 70. To his left is Irina Shostakovich, who provided pre-publication copies of many scores, holding a copy of the Naxos CD of Alone, and Peter Bromley, the Production Manager of the Naxos and Marco Polo recording company. (Taken by Laurent Hili/ Naxos at the Association Internationale ‘Dimitri Chostakovitch’, Paris on 20 November 2007.) Composer Gerard McBurney made a reduction for piano trio of The Bedbug Opus 19 in a suite seven of pieces; a ten-piece arrangement Suite from the film score Alone Opus 26; orchestrated Hypothetically Murdered Opus 31a for small orchestra and pieces for Hamlet Opus 32; adaption for small mixed ensemble of Suite for Jazz Orchestra Sans op. E; completion of the orchestration of Four Romances on Poems of Pushkin Opus 46a; reconstruction of the Original Jazz Suite No. 2 Sans op. G(i); new text in English doggerel of The Silly Little Mouse Opus 56; and a major revision for small orchestra of the operetta Moscow, Cheryomushki Opus 105. Gerald is now working on the newly discovered abandoned opera Orango. (Photograph from Chicago Symphony Orchestra.)

Preface

The Vermont typesetters made a praiseworthy job of the layout of the Third Edition manuscript. However, many curious deviations (fully detailed in DSCH Journal, No. 20, January 2004, 33–34) occurred in the process of the scanning of the thousand plus photocopied typewritten ‘scissor-and-paste’ manuscript pages. Most of these typos were spotted at the proof-reading stage, though some were noticed too late for correction. In June 2004 the compiler decided to correct these errors and update the catalogue in a concise, cheaper paperback edition. With the large amount of recent research published in scholarly books and DSCH Journal, and the increase in recordings for the centenary of the composer’s birth, this proved to be impractical. The catalogue was thoroughly revised on computer. This will be the final edition in its present form. The compiler will definitely not be around for ‘The Second Hundred Years’ volume! As mentioned in the previous three versions of 1982, 1991, and 2002, the work was always intended as provisional—not as a BWV—(for J. S. Bach), Köchel—(for Mozart), Deutsch—(for Schubert), or Kirkpatrick—(for D. Scarlatti) type catalogue. This rewarding pursuit is never ending with monthly releases of new and reissued compact discs and digital versatile discs. Also, previously unknown and suspected compositions by Shostakovich continue to materialize from the DSCH offices in Moscow. It is the compiler’s ardent wish that in the next decade or so a professional musicologist will compile a definitive annotated catalogue of all known works in strict chronological order, eliminating the necessity of the temporary Sans op. listings. As the world of the genius Shostakovich continues to expand during the 21st century it will, no doubt, require a separate volume to include the recordings, videos, DVDs, and films. ix

This page intentionally left blank

Acknowledgments

The compiler is pleased that he was able to thank Dmitri Shostakovich for his inspired compositions before his untimely death and is indebted to his wife, Irina Antonovna, for her considerable encouragement by telephone and letter. See the top photo on page viii of the Foreword. The following individuals provided invaluable assistance in compiling the present edition of this catalogue: Kenzo Amoh (gramophile of Tokyo, Japan) Gerald Bishop (musicological statistician, of Cambridge) Peter Bromley (gramophile of Bicester, Oxfordshire) David J. Fanning (lecturer in music, Manchester University) Laurel E. Fay (writer on Shostakovich’s music, Staten Island, New York) Frank van Hoof (cellist of Vrouwenpolder, Netherlands) Theodore van Houten (biographer, Haamstede, Netherlands) Gerard McBurney (composer, London and Achanalt, Ross-shire) Don H. MacLeod (concert-goer of Sydney, Australia) Robert Matthew-Walker (musicologist of London) Alan Mercer (Editor of the DSCH Journal, Chambost-Allières, France) Lewis Owens (President, UK Shostakovich Society) W. Mark Roberts (gramophile of Montreal, Canada) John Riley (film historian, British Universities Film and Video Council) Emmanuel Utwiller (Director, Centre Chostakovitch, Paris) Andrew Walton (record producer) Manashir Abramovich Yakubov (Editor New Collected Works, DSCH Publishers, Moscow). Thanks to both Professor Aleksandr Ivashkin, whose ‘Shostakovich 100’ festival (London, September 2006) gave the compiler the idea of making xi

xii

A C K N O WLEDG MENTS

31 December 2006 the cut-off date for this Fourth Edition of the Catalogue, and to Rob Ainsley for permission to quote his introductory note ‘Shostakovich’s Century’ in the programme which makes an apt preface to the Chronological Chart. Since 2002 Peter Bromley has continued, with the help of his many world-wide contacts in the recording industry, to post his regular ‘Bulletins’ of information on recent and historic Shostakovich releases. This contribution has considerably eased the task of selecting material for inclusion in the Recording sections. Coincidentally, his ‘Bulletins’ also reached their century in early 2007. Gerald Bishop has made an exhaustive study of the timings of different performances of Shostakovich’s works, at live concerts, on compact disc and BBC Radio Three, and tabulated the duration of each opus and their individual movements. The results have been added up and divided by the number of performances to give an interesting—and useful—average. These average times are probably of more help in planning concerts than the range of durations given in this Catalogue. As examples: the average of 157 samples of Symphony No. 5 is calculated at 46' 26" and 72 samples of String Quartet No. 8 works out at 21' 11". His detailed computer spreadsheets of Comparative Performance Times are published in the DSCH Journal No. 29, pages 46–53. Contact [email protected] for updated information. Sincere thanks to Reńee Camus and Kellie Hagan for their attentive care in seeing this complicated book through to publication. Finally, to my youngest son Nevis for suggesting and purchasing an Apple iBook laptop and to middle son Robin for his patience in showing me how to master the intricacies of this machine.

Abbreviations

FEKS

Factory of the Eccentric Actor

G

The Gramophone (date of review which will be found on Gramofile at www.gram.co.uk)

GATOB

State Academic Theatre of Opera and Ballet named after S. M. Kirov and now known as the Mariinsky Academic Theatre of Opera and Ballet, St Petersburg

GTsMMK

Glinka State Central Museum of Musical Culture, Moscow

I

Date or year of issue of recording

MALEGOT

State Academic Theatre of Opera and Ballet named after M. P. Mussorgsky

NBGCOK

Sheet-music Library of State Symphony Orchestra of Cinematography

NKVD

People’s Commissariat of Internal Affairs

P

Date of original recording

PGALI

Russian State Academy of Literature and Art, Moscow [NB. Fay transliterates this as RGALI and Yakubov as RGALA.]

PGCOK

Russian State Symphony Orchestra of Cinematography

PGALI(SPb)

Russian State Academy of Literature and Art, St Petersburg

SPbGITMK

St Petersburg State Institute of Theatre, Music, and Cinematography

TRAM

Theatre of Working-class Youth, Leningrad xiii

xiv

A B B R E V I ATIONS

TsGALI

Central State Archive of Literature and Art, St Petersburg formerly LGAI Leningrad State Archive of Literature and Art

VAAP

The Copyright Agency of the USSR

VOKS

All-Union Society for Cultural Contact with Foreign Countries

WERM

The World’s Encyclopaedia of Recorded Music, Clough and Cuming (Sidgwick & Jackson, London, revised edition, 1966)

Dates have been homogenized in the form 25 September 1906 (or abbreviated 25 Sept.1906).

Introduction

The main section of the catalogue covers the compositions work by work. Discrepancies in the guise of earlier or incorrect numeration are noted under the Music heading. Dated works without opus numbers are allotted a provisional letter designation (e.g. Sans op. A) and inserted where appropriate. These carry no official endorsement and are used solely to facilitate indexing in this guide. Rather than slotting in certain undated and minor works in somewhat arbitrary positions, these have been assembled, for the time being, under Sans op. X. Where full information is known about a composition, details are presented under up to twelve headings: Form (sufficient for positive identification); Instrumentation (precise instrumentation of orchestral works is furnished where known. A selection of instruments not conventionally featured in symphonic writing is given below. To avoid confusion and to clarify doubling, abbreviations are not used though it should be understood that ‘horn’ refers to the French horn in F and, unless otherwise stated, ‘trumpets’ are in B flat); Composed (the occasion for which the work was written can be added in certain cases); Dedication (the dedicatee’s full name followed by a note of his or her profession or standing); Premières (first performances listed in order of date, venue and artists); Arrangements (reduction for piano(s) of orchestral compositions and accompaniments to concertos and vocal works. Suites assembled from film and stage productions by the composer and fellow musicians); Music (former opus numbers designated by the composer and errors in previous numbering are indicated); Duration (timings as specified in the printed score and/or a range taken from recordings and broadcast performances); Ballets and Films (credits given for ballets and films in addition to those based on the original score); Recordings (see Appendix III for explanation of the coverage); Notes (references to the literature and additional information).

xv

xvi

I NT R O D UC TION

Unusual instruments used by Shostakovich (not including balalaika, domra and other Russian instruments): factory siren in F sharp––Op. 14; flexatone– –Opp. 15, 18, 19, 23, 31, Sans op. D(iv); guitar––Sans op. G(ii), Op. 97 (duet); harpsichord––Op. 116; Hawaiian guitar––Op. 30, Sans op. E (or banjo); metallophone––Op. 94; Theremin––Opp. 26, 41(ii).

Film, Radio, Television, and Theatre Productions Talks and Revues broadcast on BBC Radio 3 are covered, as are world-wide public performances of stage productions that have been featured in the DSCH Journal. The full history of sound recording in the Soviet Union and worldwide from 1925 to 2001 is repeated from the Third Edition and the paragraphs on the four special USSR issues, along with details of the works recorded by the composer, are retained. The entries are listed chronologically. Those that were included in the Third Edition are abbreviated by omitting coupling works of Shostakovich and/or names of other composers, and considerable pruning of reissues. Mention is made, however, of all performances reviewed in The Gramophone magazine. Recordings not listed in the Third Edition are indicated by asterisks––one * for each release if issued prior to 2001 and two ** at the start of the added section of new issues if dated after 2001. These new entries do mention couplings in square brackets as in the Third Edition.

The First Hundred Years SHOSTAKOVICH’S CENTURY

One hundred years is a long time. But not that long. Dmitri Shostakovich was a man very much of our era, uncannily able to express the fears of an age in the elusive language of music. He gave us the soundtrack to the 20th century, in all its excitement and terror, brilliance and banality, optimism and tragedy. It is a remarkable body of music. Two operas, 15 symphonies, 15 string quartets, six concertos; chamber masterpieces, major piano works; and a substantial theatre, film and functional output. There is everything from mighty, enduring concert favourites of unlimited depth, to bright throwaway theme— tunes so immediate that few prime-time listeners realise this is ‘the work of a classical composer.’ Highbrow and lowbrow; simplicity and complexity; beauty and ugliness; obvious and hidden. High spirits and, more usually, despair. Few composers have combined opposites so dramatically, or effectively. Perhaps these paradoxes are part of his remarkable appeal. We can always find a reflection of ourselves and our times in his music. Like life, wherever and whenever it is lived, that music can be uncomfortable, unpredictable, and selfcontradictory. He articulates our anxiety, our grief, our rage. Hence, perhaps, the intensity of debate that Shostakovich’s music always generates. We now know far more about the composer, his times and his music, than ever before. Yet in many ways we are only beginning to understand Shostakovich’s achievements. One hundred years is a long time. But not that long. —Rob Ainsley, [email protected]

xvii

xviii

T H E FI RST HU ND RED YEA RS

Chronological Chart Year

Age

1905

Main compositions

Personal events ~ Historical pointers (9)22 Jan.: ‘Bloody Sunday’—c.1,000 killed in Palace Square, St Petersburg. (7–13) 20–26 Dec.: abortive revolution.

1906

0

25 Feb.: death of Arensky. 18 Apr. San Francisco earthquake. (12)25 Sept.: born in St Petersburg.

1907

0–1

Triple Entente (France/Russia/Britain) formed.

1908

1–2

21 June: death of Rimsky-Korsakov. 28 Aug.: sister Zoya born.

1909

2–3

25 July: Blériot flew across the English Channel.

1910

3–4

29 May: death of Balakirev.

1911

4–5

18 May: death of Mahler. 14 Dec.: Amundsen reached the South Pole.

1912

5–6

First issue of Pravda. 15 Apr.: loss of the Titanic.

1913

6–7

29 May: riot at The Rite of Spring première in Paris.

1914

7–8

31 July: full mobilization in Russia. 4 Aug.: Britain declared war on Germany.

1915

8–9

22 Apr.: German gas attack at Ypres. 22 Apr.: death of Skryabin. Summer: started piano lessons with mother and commenced composing.

1916

9–10

Battles of Verdun and the Somme. Autumn: Entered Glyasser’s School of Music, Petrograd. 17 Dec.: Rasputin murdered.

THE F IRST H UN DRED Y EARS Year

Age

1917

10–11

Main compositions

Personal events ~ Historical pointers Could play the whole of Bach’s Well-tempered Clavier. Spring: performed before Petrograd Conservatory professor, Aleksandra Rozanova. Petrograd workers’ strike and army mutinies lead to Tsar Nicholas II’s abdication. (25 Oct.) 7 Nov.: the October Revolution.

1918

11–12

10 Feb.: Trotsky announced war with Germany over. Summer 1918–20: Civil War in Russia. 28 Apr.: played Beethoven’s Fifth Sonata at class concert. Spring– summer: improvisation lessons with Georgi Bruni. 11 Nov. Armistice Day.

1919

12–13

Op. 1, Scherzo in F sharp minor

17 May: Red Army victory in Crimea. 28 June: Versailles Treaty. Autumn: passed entrance examination at Petrograd Conservatory. Studying pianoforte under Professor Rozanova. Aug.: pupil of Aleksei Petrov for theory and solfeggio.

1920

13–14

Op. 5, Three Fantastic Dances

Studying composition under Maksimlian Shteinberg. Autumn: transferred to Professor Leonid Nikolayev’s piano class. Communist victory. 14 Dec.: League of Nations 1st assembly opened.

1921

14–15

xix

16 Mar.: Anglo-Russian trade agreement signed in London. Famine in Russia. 27 Sept.: first published opinion of Shostakovich (in Petrograd Art Life).

xx

T H E FI R ST HU ND RED YEA RS

Year

Age

Main compositions

Personal events ~ Historical pointers

1922

15–16

Op. 3, Theme and Variations

24 Feb.: father died.

Op. 4, Two Fables by Krylov

Oct.: Fascists came to power in Italy.

Lenin suffered a stroke.

Op. 6, Suite Two Pianos 1923

16–17

Op. 8, Piano Trio No. 1

11 Jan.: French and Belgian troops entered the Ruhr. Spring: completed piano course and gave concerts of Bach, Beethoven, Chopin, Liszt, Mozart et al. Summer: ill—sent to sanatorium in the Crimea. 6 July: Constitution of USSR adopted. Oct./Nov.: played piano in Petrograd cinemas ‘Harlequinade’ and ‘Bright Ribbon.’

1924

17–18

21 Jan.: death of Lenin. 1 Feb.: Britain recognized the Soviet Government. Oct.: played piano in Leningrad cinema ‘Splendid Palace.’

1925

18-19

Op. 10, Symphony No. 1

Feb.: played piano in Leningrad cinema ‘Piccadilly.’

Op. 11, Prelude and Scherzo

20 Mar.; shared a concert with Shebalin at Moscow Conservatory performing Opp. 8, 5, and 6. 16 Oct.: Treaties of Locarno.

1926

19–20

Op. 12, Piano Sonata No. 1

12 May: première of Symphony No. 1. 12 July: soloist in Tchaikovsky’s Piano Concerto No. 1 in Kharkov. 8 Sept.: Germany admitted to the League of Nations.

1927

20–21

Op. 13, Aphorisms Op. 14, Symphony No. 2

30 Jan.: won certificate of merit at 1st Chopin Pianoforte contest, Warsaw, though ill with appendicitis. 24 May: diplomatic relations between Britain and Soviet Union severed.

THE F IRST H UN DRED Y EARS Year

Age

Main compositions

Personal events ~ Historical pointers

1928

21–22

Op. l5, The Nose

8 Jan.: accepted Meyerhold’s offer of post of musical director at his Moscow theatre.

xxi

10 Oct.: first of Stalin’s Five-Year Plans, collective farming intensified. 2 Nov.: Stokowski conducted Symphony No. 1 in Philadelphia. 25 Nov.: Malko’s Moscow concert of Opp. 15a, 16, and 17. 1929

1930

22–23

23–24

Op. 18, New Babylon

Liquidation of Ukrainian kulaks.

Op. 20, Symphony No. 3

3 Feb.: soloist in Prokofiev’s Piano Concerto No. 1 in Leningrad.

Op. 22, The Golden Age

18 Jan.: première of The Nose.

Composed first film score.

30 Mar.: offer to write opera for Bolshoi Theatre. Performed Tchaikovsky’s Piano Concerto No. 1 for the last time in Rostov-on-Don. Depression in Britain and Germany. Amy Johnson flew solo from London to Australia.

1931

24–25

Op. 27, The Bolt

Statute of Westminster—British Empire in decline. Composing music for stage production and sound films.

1932

25–26

Op. 29, Lady Macbeth of Mtsensk District

23 Apr.: Union of Soviet Composers formed. 13 May: married Nina Varsar.

Op. 32, Hamlet 1933

1934

26–27

27–28

Op. 34, Twenty-four Preludes

Jan.: Hitler became Chancellor of Germany.

Op. 35, Piano Concerto No. 1

Nov.: elected Deputy to the Oktyabrsky district of Leningrad.

Op. 40, Cello Sonata

22 Jan.: première of Lady Macbeth of Mtsensk District. 23 Feb.: death of Elgar. 18 Sept.: USSR entered the League of Nations. 1 Dec.: Kirov assassinated in his Leningrad office.

xxii

T H E F I R ST HU NDRED YEA RS

Year

Age

Main compositions

Personal events ~ Historical pointers

1935

28–29

Op. 39, The Limpid Stream

Expansion of Soviet economy under 2nd Five-Year Plan. 1935–47: film scores mainly for Lenfilm.

1936

29–30

Op. 43, Symphony No. 4 (withdrawn until 1961)

28 Jan.: and 6 Feb.: Pravda attacks on Lady Macbeth and The Limpid Stream. 21 Mar.: death of Glazunov in Paris. 30 May: daughter born. Spanish Civil War started. Aug.: trials of prominent Russian revolutionaries.

1937

30–31

Op. 47, Symphony No. 5

Jan.: political elimination of ‘Old Bolsheviks’. Spring 1937–41: teacher of Instrumentation and Composition at Leningrad Conservatory. June: Red Army Marshal Tukhachevsky and seven generals shot.

1938

31–32

Op. 49, Quartet No. 1

Mar.: Stalin’s purges continue. 10 May: son Maksim born. Sept.: Munich pact.

1939

32–33

Op. 54, Symphony No. 6

Mar.: elected Deputy to the Leningrad city council. 23 May: confirmed as professor—pupils include Veniamin Fleishman, Kara Karayev, Karen Khachatuyan, Yuri Sviridov, and Orest Yevlakhov. 23 Aug.: Stalin and Hitler signed a pact of non-aggression. 3 Sept.: outbreak of Second World War. 17 Sept.: Soviet troops crossed Polish frontier. 30 Nov.: USSR attacked Finland.

1940

33–34

Op. 57, Piano Quintet

12 Mar.: USSR signed peace treaty with Finland. 20 May: Order of the Red Banner of Labour. Late May/June: evacuation of Dunkirk and fall of France.

THE F IRST H UN DRED Y EARS

xxiii

Year

Age

Main compositions

Personal events ~ Historical pointers

1941

34–35

Op. 60, Symphony No. 7

22 June: Germany attacked USSR— start of Great Patriotic War. Attempted to join the People’s Volunteer Corps. 30 Aug.: Leningrad siege began. 1 Oct.: left Leningrad for Kuibyshev. State Prize for Piano Quintet. 7 Dec.: Pearl Harbour attacked by Japanese.

1942

1943

35–36

36–37

The Gamblers (abandoned)

Feb.: Singapore overrun.

Op. 62, Six Romances

Honoured Artist of the RSFSR.

Op. 61, Piano Sonata No. 2

15 Jan: Leningrad blockade ended.

Op. 65, Symphony No. 8

State Prize for Symphony No. 7. 12 Sept.: start of Battle of Stalingrad.

7 Feb.: German troops surrendered at Stalingrad. 28 Mar.: death of Rakhmaninov. Moved to Moscow—post of Professor of Composition. Honorary member of American Institute of Art and Literature. 13 Oct.: Italy declared war on Germany.

1944

37–38

Op. 67, Piano Trio No. 2

26 Jan.: Leningrad siege ended after 880 days.

Op. 68, Quartet No. 2

11 Feb.: closest friend, Ivan Sollertinsky, died of starvation. 6 June: D Day—‘Operation Overlord.’

1945

38–39

Op. 70, Symphony No. 9

Feb.: Yalta Conference and bombing of Dresden. 2 May: Berlin surrendered to Soviet troops. 8 May: VE Day. 6 Aug.: Hiroshima. Celebrated victory with a ‘merry, lighthearted scherzo-symphony.’ 1945–48: Zhdanov Era.

xxiv

T H E FI RST HU ND RED YEA RS

Year

Age

Main compositions

Personal events ~ Historical pointers

1946

39–40

Op. 73, Quartet No. 3

First Soviet monograph published to mark the composer’s 40th birthday. Order of Lenin. State Prize for Piano Trio No. 2. United Nations took over from the League of Nations.

1947

40–41

1946–47 winter: severe weather in Europe—food and fuel shortages. 9 Feb.: Deputy of Supreme Soviet RSFSR. May: took part in Prague Spring International Festival.

1948

1949

1950

41–42

42–43

Op. 77, Violin Concerto No. 1

10 Feb.: Central Committee’s vicious attack on Soviet composers.

Op. 79, From Jewish Folk Poetry (both withheld until 1955)

23 June–May 1949: Berlin blockade.

Op. 81, The Song of the Forests

25–28 Mar.: visit to New York for Congress of Peace.

Op. 83, Quartet No. 4

4 Apr.: NATO came into being.

43–44

31 Aug.: death of Zhdanov. People’s Artist of RSFSR.

Autumn: Stalin’s purges restart, beginning with persecution of Jews. June: North Korea attacked South Korea. July: attended the Bach bicentenary celebrations as one of the three soloists in a Bach concerto. 8 Aug.: death of Myaskovsky. Nov.: Second World Peace Congress in Warsaw. State Prize for The Song of the Forests.

1951

44–45

Op. 87, Twenty-four Preludes and Fugues Op. 88, Ten Poems on Texts by Revolutionary Poets

May–Oct.: Festival of Britain. 13 July: death of Schoenberg. Continued composing safe ‘realistic’ works.

THE F IRST H UN DRED Y EARS

xxv

Year

Age

Main compositions

Personal events ~ Historical pointers

1952

45–46

Op. 90, The Sun Shines over our Motherland

6 Feb.: death of King George VI.

Op. 92, Quartet No. 5

Dec.: Congress in Defence of Peace in Vienna.

Mar.–Apr.: attended East German Beethoven Festival.

State Prize for Ten Poems. 1953

46–47

Op. 93, Symphony No. 10

5 Mar.: deaths of Stalin and Prokofiev.

Op. 94, Concertino

2 June: Queen Elizabeth II crowned.

29 May: conquest of Everest. Resumed role as a symphonic composer.

1954

47–48

Op. 96, Festive Overture

27 Mar. People’s Artist of USSR. 6 May: Bannister’s under four-minute mile. 4 Sept.: awarded International Peace Prize. 4 Dec.: wife Nina died after volvulus operation in Yerevan. 9 Dec.: honoured by Swedish Royal Music Academy.

1955

48–49

Op. 97, The Gadfly

Nov.: attended opening of rebuilt Vienna Opera House. 9 Nov.: mother died aged 67. Restoration of friendly relations with the West—‘The Thaw.’

1956

49–50

Op. 101, Quartet No. 6

15 Jan.: Diploma of St Cecilia, Rome. 14–25 Feb.: Stalin denounced by Khrushchev at 20 th Party Congress. Remarried—to Margarita Andreyevna Kainova. Lenin Prize on 50th birthday. Oct.–Nov.: Hungarian uprising and Suez crisis.

1957

50–51

Op. 102, Piano Concerto No. 2

1957–75: Secretary of Union of Soviet Composers.

Op. 103, Symphony No. 11

Guest of Prague Spring International Festival. 2 Sept.: death of Sibelius. 4 Oct.: first Sputnik launched.

xxvi

T H E FI RST HU ND RED YEA RS

Year

Age

Main compositions

Personal events ~ Historical pointers

1958

51–52

Op. 105, Moscow, Cheryomushki

22 Apr.: Lenin Prize for Symphony No. 11. 9–12 May: visit to Italy. Late May: French Commander Order of Art and Literature. 28 May: Central Committee adopted a resolution ‘On rectifying errors of 1948 decisions.’ 25 June: honorary doctorate Oxford. 26 Aug.: death of Vaughan Williams. Sept.–Nov.: hospital treatment for right arm. 9 Oct.: Sibelius Prize.

1959

52–53

Op. 107, Cello Concerto No. 1

Beginning of Sino-Soviet conflict. Fidel Castro became premier of Cuba. Sept: attended Warsaw Festival of Contemporary Music. Late Oct.: visit to USA. Honoured by American Academy of Sciences and Mexican Conservatory. Divorced Margarita Kainova.

1960

53–54

Op. 108, Quartet No. 7 Op. 110, Quartet No. 8 Op. 111, Five Days, Five Nights

Hospital treatment for painful right hand in Feb. and broken left leg in Oct. 9 Apr.: First Secretary of Union of Composers of RSFSR. May: U-2 spy plane incident. Sept.–Oct.: visited Britain, Belgium, France, Italy, Switzerland, and Austria.

1961

54–55

Op. 112, Symphony No. 12

12 Apr.: Yuri Gagarin the first man in space. 13 Aug.: construction of Berlin Wall. Sept.: accepted as full member of the Communist Party. Mid-Oct.: attended Budapest Liszt and Bartók Festival. Oct.: Stalin’s body removed from the Lenin Mausoleum. 30 Dec.: première of Symphony No. 4.

THE F IRST H UN DRED Y EARS

xxvii

Year

Age

Main compositions

Personal events ~ Historical pointers

1962

55–56

Op. 113, Symphony No. 13

11 Feb.: U-2 pilot Powers returned to USA in exchange for Soviet spy. 20 June: hospital treatment for right hand. 15 Aug.: flew to Scotland for the 19th Edinburgh Festival where 22 of his works played. 1 Oct.: meeting with Stravinsky. Oct.: Cuban missile crisis. 1962–75: Delegate of Supreme Soviet USSR. Nov.: remarried—to Irina Antonovna Supinskaya. 12 Nov.: conducted Festive Overture and Cello Concerto No. 1 (soloist Mstislav Rostropovich) at Gorky concert.

1963

56–57

Op. 115, Overture on Russian and Kirghiz Folksongs

8 Jan.: opera Katerina Izmailova performed. 16 June: Valentina Tereshkova becomes first woman cosmonaut. 22 Nov.: US President John Kennedy assassinated. 1963–67: Honorary member of International Music Committee UNESCO.

1964

1965

57–58

58–59

Op. 117, Quartet No. 9

15–23 Feb.: the Second Contemporary Music Festival, held in Gorky, devoted entirely to his compositions.

Op. 118, Quartet No. 10

Apr.: planted oak saplings in Tashkent’s Victory Square.

Op. 119, The Execution of Stepan Razin

15 Oct.: fall of Khrushchev— succeeded by Brezhnev.

Op. 121, Five Romances on Texts from ‘Krokodil’

Jan.: 20 days in Moscow neurological unit.

Op. 116, Hamlet (film)

Feb.: deterioration in USA/USSR relations over bombing of North Vietnam.

xxviii

T H E F I RST HU NDRED YEA RS

Year

Age

Main compositions

Personal events ~ Historical pointers

1966

59–60

Op. 122, Quartet No. 11

20 Apr.: entered Crimean sanatorium, with severe respiratory complaint.

Op. 126, Cello Concerto No. 2

28 May: heart attack. Aug.: Royal Philharmonic Gold Medal. 5 Oct.: Order of Lenin and Hero of Socialist Labour. Worsening of Sino-Soviet relations.

1967

60–61

Op. 127, Seven Romances on Poems of Aleksandr Blok Op. 129, Violin Concerto No. 2

1968

61–62

6 Mar.: death of Kodály. Sept.: right leg broken in Moscow car accident. Film of Katerina Izmailova shown at Aldeburgh Festival. 50th anniversary of the October Revolution.

Op. 133, Quartet No. 12

15 July: honoured by Bavarian Academy of Fine Arts.

Op. 134, Violin Sonata

20–21 Aug.: invasion of Czechoslovakia. 5 Nov.: Glinka State Prize for The Execution of Stepan Razin. 1968–75: Member of International Committee in Defence of Peace.

1969

62–63

Op. 135, Symphony No. 14

16 Jan.: docking of Soyuz 4 and 5 manned space vehicles. 20 July: astronauts Armstrong and Aldrin’s moonwalk. 1–23 Aug.: at Lake Baikal sanatorium. Son Maksim’s conducting début in USA.

1970

63–64

Op. 136, Loyalty Op. 138, Quartet No. 13

Feb.: Mozart Society of Vienna medal. Over 170 days spent at Kurgan hospital complex. Honorary member of Finnish Society of Composers. Break up of The Beatles group. 10 Nov.: awarded 1st prize at All-Union Literature and Art Contest for March Soviet Militia.

THE F IRST H UN DRED Y EARS Year

Age

Main compositions

Personal events ~ Historical pointers

1971

64–65

Op. 141, Symphony No. 15

4 Feb.: Rolls-Royce collapse.

xxix

6 Apr.: death of Stravinsky. 11 Sept.: death of Khrushchev. 17 Sept.: second heart attack. Order of the October Revolution.

1972

65–66

May: Golden Order ‘Friends of the People,’ GDR. Italian Prize: ‘Golden Lira 1972.’ 6 July: Doctor of Music, College of Dublin. 5 Sept.: terrorist outrage in Munich Olympic Village.

1973

66–67

Op. 142, Quartet No. 14 Op. 143, Six Songs on Poems of Marina Tsvetayeva

16 Jan.: Levon Atovmyan died. 27 Jan.: Vietnam peace agreement signed in Paris. Honoured in Denmark (26 May) and at the Northwestern University, Evanston, USA (16 June). 6 Oct.: death of sister Mariya.

1974

67–68

Op. 144, Quartet No. 15

13 Feb.: Solshenitsyn expelled from USSR.

Op. 145, Suite on Verses of Michelangelo

8 Aug.: President Nixon resigned after Watergate scandal. 24 Oct.: David Oistrakh died. Nov.: Glinka State Prize for Quartet No. 14 and Loyalty.

1975

68

Op. 147, Viola Sonata

5 June: Suez Canal reopened. 17 July: link-up of Apollo and Soyuz spacecrafts. Honoured by French Academy of Fine Arts. 3 Aug.: entered hospital for the last time. 9 Aug.: died in Moscow at 18.30. 14 Aug.: buried in Moscow’s Novodevichy Cemetery to strains of Schubert’s Symphony No. 8.

xxx

T H E F I R ST HU NDRED YEA RS

Note: Ian MacDonald and John Riley provided similar chronological charts in their studies of 1990 and 2005 respectively; the former useful for covering contemporary Soviet music, culture, and life, and the latter, with emphasis on the composition of Shostakovich’s scores for films. 1976 Commemorative Shostakovich stamp issued in the USSR on 25 September. (See Photo 4). Benjamin Britten died on 4 December. 1977 First edition of Malcolm Macdonald’s Dmitri ShostakovichA Complete Catalogue published. 1978 Aram Khachaturyan died on 1 May. 1979 TestimonyThe Memoirs of Dmitri Shostakovich by Solomon Volkov published. Publication of Collected Works in 42 volumes commenced. 1980 Shostakovich’s Festive Overture adopted as the musical emblem for the 22nd Olympic Games held in Moscow. 1981 An English version of Dmitry ShostakovichAbout Himself and His Times printed by Progress Publishers, Moscow. Kirill Kondrashin died on 7 March. 1982 The Falklands Conflict from 1 April to 14 June. Leonid Brezhnev died on 10 November. 1983 The enlarged second edition of Boris Schwarz’s Music and Musical Life in Soviet Russia published. 1984 Soviet President Yuri Andropov succeeded by Konstantin Chernenko on 9 February. 1985 Update of Macdonald’s Shostakovich Catalogue published. Mikhail Gorbachev became President of the USSR on 10 March. 1986 Nuclear disaster at Chernobyl on 26 April. 1987 First issue of the Shostakovich Society’s DSCH Newsletter dated June. Première of the film Testimony shown at the Empire Cinema, Leicester Square, London on 15 November. 1988 Yevgeni Mravinsky died on 20 January. Shostakovich: ‘Music from the Flames.’ A series of events (concerts, seminars, and the showing of seven Soviet and four British films) presented throughout the year in London.

THE F IRST H UN DRED Y EARS

xxxi

The French edition of Malcolm Macdonald’s Catalogue published in Paris. 1989 World première of Antiformalist Rayok at Kennedy Center, Washington on 12 January. 1990 Ian MacDonald’s The New Shostakovich published. 1991 Boris Yeltsin elected acting President. Communist Party of Soviet Union dissolved in August, ending a 74-year rule and formal resignation of Mikhail Gorbachev as President. 1992 ‘A Shostakovich Experience.’ The Brodsky Quartet performed the fifteen quartets in chronological order at Bromsgrove, Worcestershire, 2–4 October. Sale of 150 letters written by Shostakovich to Tatyana Glivenko auctioned at Sotherby’s, London. Dmitri Tsyganov, the leader of the Beethoven Quartet and arranger of Opus 34 Preludes, died. 1993 Letters.to a Friend by Isaak Glikman appeared in Russian from DSCH Publishers, Moscow. 1994 ‘Shostakovich: The Man and His Age 1906–1975.’ The University of Michigan Musical Society presented concerts (including the complete cycle of quartets performed by the Borodin Quartet), lectures, and exhibition of photographs and music scores prepared by Manashir Yakubov. 1995 Elizabeth Wilson’s ShostakovichA Life Remembered published. 1996 Boris Chaikovsky died on 7 February and Mieczysław Weinberg died on 26 February. 90th Anniversary concert, exhibition and lectures at La Scala, Milan, 25 September. Boris Yeltsin secured victory in the Presidential election. 1997 Svyatoslav Richter died on 1 August. Diana, Princess of Wales, killed in a Paris car crash on 31 August. 1998 ‘Shostakovich 1906–1975’a series of London Symphony Orchestra concerts conducted by Mstislav Rostropovich in two phases, 19 February–8 March and 10–28 October, at the Barbican Centre, London. Alfred Schnittke died on 3 August. 1999 DSCH Publishers of Moscow announced a New Collected Works of 150 volumes. Yeltsin resigned from the Presidency in December.

xxxii

T H E FI RST HU NDRED YEA RS

2000 Publication of Laurel E. Fay’s authoritative biography Shostakovich: A life. ‘Shostakovich 25 Years On’ International Symposium held in Glasgow, 27–29 October. Vladimir Putin took office as the Russian President. 2001 The English translation of Letters to a Friend (the letters of the composer to Isaak Glikman) published under the title Story of a Friendship. The ‘9/11’ terrorist attack on the World Trade Center, New York on 11 September. 2002 Yevgeni Svetlanov, the conductor, died. 2003 Isaak Glikman died aged 91 in late summer. The United Kingdom Shostakovich Society, based at the Fitzwilliam College, Cambridge, founded in September. 2004 ‘Shostakovich and His World,’ Bard Music Festival, Annandale-onHudson, New York, 13–15 August. 2005 The ‘7/7’ terrorist attack on the London Underground and city bus service on 7 July. 2006 World-wide festivals and conferences took place in this Centenary Year, including in USA, St Petersburg, Netherlands and Denmark. The Association International ‘Dimitri Chostakovitch’ moved to 19 bis rue des saints Pères, 75006 Paris in August and the UK Shostakovich Society moved to the Centre for Russian Studies, Goldsmith College, University of London on 1 October. The Shostakovich Museum, 9 Nikolayevskaya Street, opened by Mstislav Rostropovich and Galina Vishnevskaya in the presence of Irina and Maksim Shostakovich on 25 November. 2007 Mstislav Rostropovich died on 27 April. Tikhon Khrennikov died on 14 August 2008 Valentin Berlinsky, the cellist of the Borodin Quartet, died on 15 December.

Catalogue JUVENILIA

THE SOLDIER An extended descriptive piano ‘poem’ composed in his tenth year was subtitled ‘Ode to Liberty.’ HYMN TO FREEDOM A piano piece written in 1915–16. FUNERAL MARCH A piano composition written in 1917 with the dedication ‘In Memory of the fallen heroes of the October Revolution’. THE GIPSIES An opera after the long dramatic poem written by Aleksandr Pushkin in 1827. A theme from this opera was utilized in Suite on Verses of Michelangelo, Opus 145. REVOLUTIONARY SYMPHONY RUSALOCHKA A ballet based on Hans Christian Andersen’s fairy tale ‘The Little Mermaid’. IN THE FOREST A trilogy for piano. Fragments, included in the composer’s notebook dated 1919, preserved in the Shostakovich Family Archive. 1

2

D M I T R I S HOSTA K OV IC H C A TA LOGUE

FANTASY FOR TWO PIANOS This work was dedicated to the Petrograd Conservatory’s principal, Aleksandr Konstantinovich Glazunov. Notes: The first five juvenilia were stated to have been destroyed after the composer’s graduation in 1925, though, according to Bogdanova (1979), three numbers from The Gipsies are preserved in the Central State Archive of Literature and Art, St Petersburg (TsGALI). Namely these are a duet of Zemfira and Aleko, the Old Man’s arietta, and a vocal trio. In 1984 a manuscript of the Funeral March was found in the archive of a pianist relative, Nina Kokoulina. The Soldier, Funeral March, and In the Forest together with a Polka and two Mazurkas will be published in Volume 109 and fragments of The Gipsies opera will appear in Volumes 54 (full score) and 55 (piano score) of the New Collected Works.

Sans op. A: Early Piano Pieces MINUET, PRELUDE, AND INTERMEZZO Form:

Three brief pieces for piano:

1. Minuet—Allegretto 2. Prelude—Lento, ma non troppo 3. Intermezzo—Allegretto Composed: 1919–20, at Petrograd. Arrangement: Intermezzo completed by Robert Matthew-Walker in 1989. Music: The three pieces were found among the papers of Professor Aleksandra Rozanova and are now preserved at the State Central Museum of Musical Culture named after M. I. Glinka (GTsMMK). The autograph of the Intermezzo is incomplete. Muzyka, No. 10285 (in the supplement to Volume 39 of Collected Works), 1983, 30 cm. DSCH Publishers, Moscow, in Volume 109 of New Collected Works. Duration: 2' 36"–3' 16"; with completion of No. 3—4' 23". Recordings: LP—Russia: Melodiya C10 26307 004 (Album 6 of ‘From Manuscripts of Different Years’). Viktoria POSTNIKOVA. P 1983-86, I 1988d. CD—AVM Classics AVZ 3020 (‘Piano Music, Volume 2’). Nos. 1–3 twice with No. 3 completed by R. Matthew-Walker in first set. Martin JONES. P London 1–2 June 1989. **Naxos 8.570092. Konstantin SCHERBAKOV. [Sans opp. B and S(ii); Opp. 39, 61, and 69.] P Potton Hall, Suffolk 27–28 Nov. 2005, I July

OP U S 2: EIGH T PREL UDES

3

2006. Stradivarius STR 33748. Boris PETRUSHANSKY. [Opp. 12, 61, and 69; Sans opp. S(ii) and T.] P Moscow Broadcasting Studio 13–20 Apr. 2006.

Opus 1: Scherzo in F sharp minor Form: A piece for full orchestra marked ‘[Allegretto]—Meno mosso—[Tempo I]’. Originally for piano (Rabinovich 1959). Instrumentation: piccolo, 2 flutes, 2 oboes, 2 A clarinets, 2 bassoons ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani, triangle, cymbals, bass drum ~ strings. Composed: Autumn or early winter (not later than December) 1919, at Petrograd. Dedication: ‘Dedicated to my teacher Maksimilian Oseyevich Shteinberg’ (composer/music teacher). Première: UK: 17 February 1996, Royal Festival Hall, London; BBC Symphony Orchestra, Mark Elder. (Broadcast on BBC Radio 3, 16 May 1996). Music: Autograph score preserved at the Russian State Archive of Music and Art (PGALI), also a fair copy by the composer stored at the Shteinberg fund, St Petersburg State Institute of the Theatre, Music, and Cinematography (SPbGITMK). The first page of the former is reproduced in Volume 10 of Collected Works. The first theme later utilized as a basis for the ‘Clockwork Doll’, Op. 69 No. 6. Muzyka, No. 11678 (in Volume 10 of Collected Works), 1984, full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 31 and piano reduction in Volume 109 of New Collected Works. Duration: Approx. 5 minutes in score; 4' 53". Recordings: LP and CD—Russia: Melodiya C10 19103 004 (Album 2 of ‘From Manuscripts of Different Years’). USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 22 Mar. 1982, I 1983d. Reissued on CD—Olympia OCD 194. G June 1988 ~ BMG Melodiya 74321 59058-2 (two-disc set). G Mar. 1999.

Opus 2: Eight Preludes Form: Eight short pieces for piano: 1. 2. 3. 4.

G minor G major E flat minor B flat major

5. 6. 7. 8.

A minor—Allegro F minor D flat major D flat major

4

D M I T R I S HOSTA K OV IC H C A TA LOGUE

Composed: Autumn 1919—prior to 8 May 1920, at Petrograd. Dedication: 1. Boris Mikhailovich Kustodiev (artist) 2, 3, 4, and 5. Mariya Dmitrievna Shostakovich (elder sister) 6, 7, and 8. ‘N.K.’ = Natalya Kube (first girl friend) Première: 15 July 1926, Kharkov; Dmitri Shostakovich. Music: Manuscript lost. The beginning of No. 5 is illustrated on a plate, after page 64, in Khentova (1975). Recordings: See Sans op. B. Note: The key signature of No. 3 is given as E flat minor by Sadovnikov and E minor in Volume 39 of Collected Works.

Sans op. B: Five Preludes Form: Five preludes for piano, selected by the composer from eight contributed to a projected collection of twenty-four written in collaboration with fellowstudents Pavel Feldt and Georgi Klements: 1. No. 2 in A minor—Allegro moderato e scherzando major (Opus 2 No. 5) 2. No. 3 in G major—Andante (Opus 2 No. 2) 3. No. 4 in E minor—Allegro moderato 4. No. 15 in D flat major—Moderato (Opus 2 No. 7 or 8) 5. No. 18 in F minor—Andantino (Opus 2 No. 6) Composed: at Petrograd Arrangements: Nos. 1 and 2 transcribed for wind orchestra by Alfred Schnittke. Music: The original notebook containing the eighteen completed Preludes preserved at the PGALI and the GTsMMK, and of the set in the Gavriil Yudin family archive. Muzgiz, No. 3184 (in D. Shostakovich: Compositions for fortepiano, Volume 1), 1966, 29 cm. Hans Sikorski, No. 2184, 1966, 31.5 cm. Edition Peters, No. 5717 (plate no. 12524), 1970, 30 cm. Muzyka, No. 10285 (in the supplement to Volume 39 of Collected Works), 1983, 30 cm. DSCH Publishers, Moscow, in Volume 109 of New Collected Works. Duration: 5' 40"–6' 39". Recordings: LP—USA: Orion ORS 6915. Nos. 1–5. Vladimir PLESHAKOV. P 1969 Bulgaria: Balkanton BKA 10294. Nos. 1, 2, and 3. Krasimir GATEV. P early 1980s? Russia: Melodiya C50 20749 006 (‘For Children’). Nos. 1–5. Rimma BOBRITSKAYA (piano). P 1983, I 1984d.

S A NS O P . C : I WA ITED F OR TH EE IN T H E GROT T O

5

LP and CD—AVM Classics 1003A and released on CD—AVMCD 1003. Nos. 1–5. Martin JONES (piano). P not stated, G Oct 1988. CD—France: Accord 20281-2. Nos. 1–5. Caroline WEICHERT (piano). P Radio Svizzera Italiana Studio, Lugano Sept. 1993, I 1993 ~ *Accord 442 8213 (on third of four-disc set). [Sans op. S(i); Opp. 34. and 13.] I Jan. 2007. Olympia OCD 574. Nos. 1–5. Colin STONE (piano). P London Sept. 1995, G June 1996. Chandos CHAN 9792 (‘The Unknown Shostakovich’). Nos. 1 and 2 arr. Schnittke. Russian Symphony Orchestra, Valery POLYANSKY. P Mosfilm Studio Jan 1998, I Jan. 2000. **The Divine Art CD 25018. Nos. 1–5. Raymond CLARKE (piano). [Opp. 5 and 13; and Panufnik.] P Newcastle upon Tyne University 2 Sept. and 16 Dec. 2001, G Jan. 2003. Italy: Frame CD FR0348-2 (two-disc set). Nos. 1–5. Maurizio BAGLINI (piano). [Malipiero, Casella, Roussel et al.] P Greve in Chianti, Italy 2002. Decca 470 649-2 (Hybrid SACD). Nos. 1–5. Vladimir ASHKENAZY(piano). [Opp. 61, 5, 97, 39, 13, and 22; Sans op. S(i).] P Potton Hall, Suffolk 11–12 Sept. 2003, I Apr. 2004, G June 2004. Stradivarius STR 33727 (‘Complete Piano Works, Volume 1’). Nos. 1–5. Boris PETRUSHANSKY (piano). Opp. 5, 13, 22, 34; Sans op. S (i).] P Bartók Studio, Bernareggio, Milan 17–19 Sept. 2003, I Feb. 2006. Naxos 8.570092. Nos. 1–5. Konstantin SCHERBAKOV. [Sans opp. A and S(ii); Opp. 39, 61, and 69.] P Potton Hall, Suffolk 27–28 Nov. 2005, I July 2006. Note: In 1975 Sofya Khentova wrote that the Five Preludes include four from the former Preludes of Opus 2, which were the most popular at the Conservatory: ‘the A minor (No. 2) with its scherzo character, G major (No.3), F minor (No. 18) which approaches the poetical perfection of the Opus 34 No. 10 Prelude in C sharp minor and, in the same laconic vein, of a mere 19 bars, the D flat major (No. 15)’.

Sans op. C: I Waited for Thee in the Grotto (Rimsky-Korsakov) Form: Transcription of the fourth and last song of Rimsky-Korsakov’s Opus 40 cycle, to texts of Mikhail Lermontov and Apollon Maikov, composed in 1897. Maikov’s poem ‘I waited for thee in the grotto at the appointed hour’, is scored for full orchestra with harp. Composed: 1921, at Petrograd. Arrangement: English translation of the text by Joan Pemberton Smith.

6

D M I T R I S HOSTA K OV IC H C A TA LOGUE

Music: Manuscript. DSCH Publishers, Moscow, score in Volume 146 of New Collected Works. Duration: 2' 30". Recordings: LP and CD—Russia: Melodiya C10 14415-6 (Album 1 of ‘Manuscripts of Different Years’). Alla ABLABERDYEVA (soprano), USSR Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1980, I 1981b ~ HMV Melodiya ASD 1650331. G July 1983. Reissued on CD—BMG Melodiya 74321 59058-2 (two-disc set). G Mar. 1999.

Opus 3: Theme and Variations in B flat minor Form: Theme, eleven variations and finale for full orchestra: Theme—Andantino and Variations: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.

Andantino Più mosso (Vivace) Andante Allegretto Andante Allegro Moderato—Allegro—Moderato Largo [Allegro] Allegro molto Appassionato Finale—Allegro—Maestoso Coda—Presto

Instrumentation: piccolo (= flute III), 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ triangle, cymbals, bass drum ~ optional celesta and piano in Variation 5 (a suggestion marked on the manuscript by Maksimilian Shteinberg) ~ strings. Composed: 1921–22, at Petrograd. Dedication: ‘To the bright memory of Nikolia Aleksandrovich Sokolov’ (music teacher—counterpoint and fugue). Arrangement: Opus 3a—a reduction for piano by the composer. Music: Autograph score preserved at PGALI; manuscript score and parts at NBGSOK; piano score lost. Muzyka, No 11678 (in Volume 10 of Collected Works), 1984, full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 31 and piano reduction in Volume 109 of New Collected Works. Duration: Approx. 15' 30" in score; 15' 15"–15' 37".

OP U S 4: TWO FABL ES OF KRY L OV

7

Recordings: LP and CD—Russia: Melodiya C10 19103 004 (Album 2 of ‘Manuscripts of Different Years’). USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 22 Mar. 1982, I 1983d. Reissued on CD—UK: Olympia OCD 194. G June 1988~ BMG Melodiya 74321 59058-2 (two-disc set). G Mar. 1999. LP—USSR: Melodiya C50 20749 006 (‘For Children’). Opus 3a. Rimma BOBRITSKAYA (piano). P 1983, I 1984d. **CD—Telarc CD 80642 and SACD 80642 (Hybrid SACD). London Symphony Orchestra, Leon BOTSTEIN. [Popov.] P Watford Town Hall 5–8 Apr. 2004, I Dec. 2004, G Awards (Sept.) 2005.

Opus 4: Two Fables of Krylov Form: Two songs for mezzo-soprano (or female chorus in No. 2) and orchestra with harp and celesta, to texts by fabulist Ivan Krylov—Nos. 12 and 23 of Book 2 of Fables: 1. The Dragonfly and the Ant—Con moto 2 The Ass and the Nightingale—Moderato Instrumentation: piccolo (= flute II), 2 flutes, 2 oboes, 2 clarinets (B flat and A), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, cymbals ~ celesta, harp ~ strings. The composer states that the mezzo-soprano soloist in No. 2 may be replaced by a choir of preferably fewer than twelve alto voices. Composed: 1922, at Petrograd. Dedication: Mikhail Vladimirovich Kvadri (fellow student—one of his circle of friends, ‘The Moscow Six’). Premières: 2 February 1977, Estonia Concert Hall, Tallinn; Moscow Conservatory Students' Chorus (female section) and Symphony Orchestra. UK: 22 June 1944, Almeida Theatre, Islington, London; Helen Lawrence (soprano), Contemporary Chamber Orchestra, Odaline de la Martinez. Arrangements: Reduction for voice and piano by the composer (tempo indications of both songs given as Allegro: No. 2 differs materially from the orchestral version). English translations of the texts by Joan Pemberton Smith and David Fanning and German translation by Jörg Morgener. Music: Autograph score of the original orchestral version preserved at PGALI and that of the reduction, at GTsMMK. Muzyka, in Musical Heritage, Volume 2, Part 1, 1966, piano reduction. Muzyka, No. 10113 (in Volume 31 of Collected Works), 1982, full score, 30 cm. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, reduction, 30 cm.

8

D M I T R I S HOSTA K OV IC H C A TA LOGUE

Hans Sikorski, No. 2322, 1986, reduction with Russian and German texts—the latter by J. Morgener, 31.5 cm. DSCH Publishers, Moscow, 2006, New Collected Works Volume 87, full score, 30 cm. The piano reduction will be published in Volume 92. Duration: No. 1: 2' 37"–3' 18" and No. 2: 4' 20"–5' 28". [The Collected Works scores give an excessive total duration of approx. 15 minutes.] Recordings: LP and CD—Russia: Melodiya C10 14415-6 (Album 1 of ‘From Manuscripts of Different Years’). No. 1—Galina Borisova (mezzo-soprano), USSR Symphony Orchestra; No. 2—Moscow Conservatory Chamber Choir, Moscow Philharmonic Orchestra; both conducted by Gennadi ROZHDENTVENSKY. P 1980, I 1981b ~ HMV Melodiya ASD 1650331. G July 1983. Reissued on CD—BMG Melodiya (two-disc set). G Mar. 1999. CD—Deutsche Grammophon 439 860-2GH (‘The Orchestral Songs’, Volume 1). No. 1—Larissa Dyadkova (mezzo-soprano), No. 2—Women’s Voices of Gothenberg Opera, Gothenberg Symphony Orchestra, Neeme JÄRVI. P Gothenberg Aug. 1993, I June 1994. Germany: Capriccio 10 780. Tamara Sinyavskaya (mezzo-soprano), Cologne Radio Chorus, Helmuth Froschauer (chorus-master), Cologne Radio Symphony Orchestra, Mikhail YUROVSKY. P Cologne 12–14 Feb. 1996, G Dec. 1999. **France: Mandala MAN 5039/Harmonia Mundi HMCD 78. Yelena VASSILIEVA (mezzo-soprano), Republican Guard Symphony Orchestra, Vladimir Ponkin. [Sans opp. G(ii) and D(ix); Opp. 56 and 31; Sans op. G(i).] P Sorbonne University, Paris concert 16 Jan. 2002, I 2002. USA: Delos DE 3309 (‘Complete Songs, Volume Three’). Lyudmila SHKIRTIL (mezzo-soprano), and Yuri Serov (piano). [Opp. 21, 46, 32, 58a, and 62.] P St Petersburg 25 Jan, 2002, I 2003. Italy: Bongiovanni GB 2542-2. Sylvia Marini VADIMOVA (soprano) and Alberto Galletti (piano). [Mussorgsky, Stravinsky, and Prokofiev.] P Nanterre concert 5 May 2002, I Feb. 2003.

Opus 5: Three Fantastic Dances Form:

Three short pieces for piano:

1. March in C major—Allegretto 2. Waltz in C major—Andantino 3. Polka in C major—Allegretto Composed: 4 December 1920 (Sovetskaya Rossiya, 29 July 1984) to 1922, at Petrograd. Dedication: Iosif Zakharovich Shvarts (fellow student pianist).

OP U S 5: THREE FAN T AST IC DAN CES

9

Première: 20 March 1925, Moscow Conservatory Malyi Hall; Dmitri Shostakovich. Arrangements: Transcriptions of Nos. 1–3 for violin and piano by Harry Glickman, trombone and piano by Quinto Maganini, trumpet and piano by Timofei Dokshitser and also Jouko Harjanne, saxophone and piano by Marc Chisson (duration 5' 50"), and bayan ensemble. No. 2 arranged for organ by Willard Nevins. Nos. 2 and 3 for string quartet by Konstantin Mostras, orchestra by Grzegorz Fitelberg, and piano four hands by Geoffrey Carroll. No. 3 for viola and piano by Georgi Bezrukov. Music: Originally published as Opus 1. Two autograph copies are in existence, both marked Opus 5; the earlier version preserved at SPbGITMK and the definitive score at the PGALI. Muzgiz, No. 7078, 1926, numbered Op. 1, 35.5 cm. International Music, No. 2252, 1941, 30.5 cm. H. W. Gray/Novello, 1943, No. 2 arr. for organ by W. Nevins. Leeds Music, 1945, arr. for violin and piano by H. Glickman, 31 cm. Anglo–Soviet Music Press, No. 23, 1945, 33.5 cm. Edition Musicus, No. 707, no date, arr. for trombone and piano by Q. Maganini, 31 cm. Soyuz Sovetskikh kompozitorov, 1946, numbered Op. 1, 31 cm. Russian–American Music, New York, 1946, Nos. 2 and 3 arr. for orchestra by G. Fitelberg, piano-conductor scores and parts, 31 cm. Muzgiz, 1947, Nos. 2 and for string quartet by K. Mostras. Muzgiz, No. 29138 (in Collection of Pieces by Soviet Composers for viola and piano), 1961, No. 3 arr. G. Bezrukov, 29 cm. Muzgiz, No. 3184 (in D. Shostakovich: Compositions for fortepiano, Volume 1), 1966, numbered Op. 1, 29 cm. Edition Peters, No. 5717 (plate no. 12524), 1970, numbered Op. 1, 30 cm. Muzyka, No. 10285 (in Volume 39 of Collected Works), 1983, 30 cm. Willis Music, Cincinnati, c.1989, Nos. 2 and 3 for piano four hands by G. Carroll, separate editions, 31 cm. DSCH Publisher, Moscow, in Volume 109 of New Collected Works. Duration: Approx. 3' 30" in score; 2' 44"–4' 14"; 2' 50"–3' 45" (BBC Piano and Organ Catalogue). Recordings: 78 rpm and CD—Parlophone E 11391. Labelled ‘Trois Danses Fantastiques’. Eileen JOYCE. P 1938. Reissued on CD—Pearl GEMM 9022. I 1995. CD—USA: MCA Records MCAD 4211 (‘The Legendary Decca/Brunswick masters, Volume 1’, mono). Nos. 1 and 2 arr. Glickman. Jascha HEIFETZ (violin) and Emanuel Bay (piano). P 29 Nov. 1945, I 1988.

10

D M I T R I SHOSTA K OV IC H C A TA LO GUE

LP and CD—USA: Mercury MG 10035 (‘David Oistrakh plays violin favorites’, mono). Dmitri SHOSTAKOVICH (piano). P Prague 26 May1947 (not 1946 as previously stated) ~ USSR: Melodiya M10 39075-6 (in four-record set ‘Rimsky-Korsakov Conservatory, Leningrad, 125th Anniversary’, mono). I 1977b. Reissued on CD—Olympia OCD 008 (‘The Shostakovich CD’). I Oct. 1989 ~ Revelation RV 70008 (‘Shostakovich plays Shostakovich, Volume 7’, mono). G Feb. 1999 ~ *Symposium 1314 (mono). [Opp. 34, 22, 67, 73, and 69.] I Jan. 2004. RCA Victor RB 16243 (mono). Waltz arr. Glickman. J. HEIFETZ and E. Bay. P 18 Dec. 1947, G June 1961 ~ USSR: Melodiya D17429-30 (in set ‘The Heifetz Collection’, Volume 35 of 65, 10" mono). I 1966. Reissued on CD—RCA Gold Seal 09026 61766-2 (mono). G Nov. 1994. *78 rpm—France: Le Chant du Monde 5058. Gisèle KUHN. [Khachaturyan.] P Paris 1950. 78 rpm and LP—HMV C4071. Moura LYMPANY. P 12 Dec. 1950, G Mar. 1951. Reissued on LP—Cambridge Imprimatur DIMP 2 (in double album ‘The Lympany Legend’, mono). G Mar. 1982. LP and CD—Canada: Turnabout TV 34792X (‘The Young Glenn Gould’, mono). Nos. 1–3 arr. Glickman. Albert PRATZ (violin) and Glenn Gould (piano). P originally given as1951, now stated to be 4 and 6 Nov. 1953, I 1982. Reissued on CD— Canada: VAI Audio 1198 (mono). I 2001. LP—HMV CLP 1057 (mono). Gina BACHAUER. P 29 Sept. 1954, G Nov. 1955. USA: Classics Editions 1026 (‘Piano Miniatures, Volume 3’, mono). Eldin BURTON. P 1950s. France: Pathé DTX 269. Lívia RÉV. I 1959. LP and CD—Columbia FCX 769 (mono). D. SHOSTAKOVICH. P Paris not 12 Sept. 1958; now stated to be 30 May 1958, G Oct. 1961 ~ France: Pathé Marconi 2C 061 12114 (electronic stereo). I 1972. Reissued on CD—EMI Classics CDC7 54606-2 (‘Composers in Person’ series, mono). G Apr. 1993 ~ Revelation RV 70003 (‘Shostakovich plays Shostakovich, Volume 3’). P not c.1956 as stated, G Feb. 1998. LP—USSR: Melodiya D013489-90 (mono). Viktor MERZHANOV. P 1964. France: Erato EFM 42074 (mono). György SZEBÖK. P 1964. East Germany: Eterna 820 307 (mono). Dieter ZECHLIN. P 1965. USSR: Melodiya D16213-4 (10" mono). Arr. Glickman. Valeriya VILKER (violin) and Bella Rakova (piano). P 1965. USSR: Melodiya D17593-4 (10" mono). Arr. Glickman. Grigori FEIGIN (violin) and Yuliya Gushanskaya (piano). P 1966. USA: Musical Heritage Society MHS 1147Y. Hans-Helmut SCHWARZ. P 1966.

OP U S 5: THREE FAN T AST IC DAN CES

11

USA: Orion ORS 6915. Vladimir PLESHAKOV. P 1969. USSR: Melodiya C04635-6. Arr. Dokshitser and original piano version. Timofei DOKSHITSER (trumpet) and Abram Zhak (piano). P and I 1974. LP and CD—HMV ASD 3081. Cristina ORTIZ. P 4 Jan. 1974, G June 1975. Reissued on CD—EMI CDS7 47790-8 (in two-disc set). G May 1988. LP—Hungary: Hungaroton SLPX 11825. Arr. Glickman. Leila RÁSONY (violin) and György Miklos (piano). P 1976. USSR: Melodiya C10 08265-6. Arr. Glickman. Aleksandr MELNIKOV (violin) and Boris Levantovich (piano). P 1977, I 1977d. LP and CD—Sweden: Bluebell Bell 126. Inger WIKSTRÖM. P Stockholm 26 Jan. and 1 Feb. 1981. Reissued on CD—Sweden: Swedish Society Discofil SCD 1031. I 1988. LP—Bulgaria: Balkanton BKA 10294. Krasimir GATEV. P early 1980s? Bulgaria: Balkanton BKA 11338. Nikolai EVROV. P 1980s. LP and CD—Norway: Simax PS 1014. Jens Harald BRATLIE. P near Oslo 17 Nov. and 21 Dec. 1981, and 2 Jan. 1982. Reissued on CD—Norway: Simax PSC 1014. G Oct. 1988. LP—USSR: Melodiya C20 17171007. Arr. for bayan ensemble. Tembrovoe Bayan Ensemble, Valeri SOMOROV. I 1982d. Apollo Sound AS 1027. Arr. for violin and piano. Katherine SWEENEY (violin) and Albert Alan (piano). I 1982. LP and CD—Sweden: BIS LP 276 (DMM) and released on CD 276. Ronald PÖNTINEN. P Djursholm 18–21 June 1984, G Sept. 1985. LP—France: Arion ARN33 787 (‘La Danse par le Disque, Volume 15’). Sofia MATKOWSKA. P 1985. Germany: Eterna DMM7 25 193 (‘Cantabile’). Arr. not named. Christian FUNKE (violin) and Herbert Kaliga (piano). P Leipzig 1986. LP and CD—AVM Classics AVM 1003 and released on CD— AVMCD 1003. Martin JONES. P not stated, G Oct. 1988. CD—Cambria 1029. Arr. Glickmann. Mischa LEFKOWITZ (violin) and Brent McMunn (piano). P Los Angeles 19–20 Jan. 1987. France: Accord 20025-2. Caroline WEICHERT. P Jan. 1988, G June 1990 ~ *Accord 442 8213 (on fourth of four-disc set). [Opp. 12, 61, and 22.] I Jan. 2007. France: Le Chant du Monde LDC 278 1012. Elena VARVAROVA. P Paris Sept. 1989, I Feb. 1990. USA: MCA Classics Art and Electronics AED 10107. Aleksandr SLOBODYANIK. P Moscow Conservatory (date not stated), I 1990. Hyperion CDA 66620. Tatyana NIKOLAYEVA. P Hampstead 17–19 Apr. 1992, G Sept. 1992. France: Erol Records 7014. Arr. for saxophone. Marc CHISSON (soprano saxophone) and Alain Perez (piano). P Bordeaux 14 June 1992.

12

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Koch International Classics 3 7159-2HI. Israel MARGALIT. P Moscow Conservatory Sept. 1992, G Sept. 1993. Italy: Real Sound RS 051 0022. Anna MALIKOVA. P Wesel, Germany Apr. 1997 ~ *Russia: Classical Records CR 056. [Op. 34; and Sans op. S(i).] I 2005. France: Suoni e Colori SC 53009. Mikhail MARKOV. P Paris Nov. 1998. **Channel Classics CCS 16398. Arr. Glickman. Ilya GRUBERT (violin) and Vladimir Tropp (piano). [Opp. 34 and 134.] P Eindhoven, Netherlands Apr. 2000, I Oct. 2001. Naxos 8.555781. Konstantin SCHERBAKOV. [Opp. 34, 13, and 12.] P Potton Hall, Suffolk 12 and 13 Feb. 2001, I Aug. 2003. The Divine Art 25018. Raymond CLARKE. [Sans op. B and Op. 13; Panufnik.] P Newcastle upon Tyne University 2 Sept. and 16 Dec. 2001, G Jan. 2003. Finland: Finlandia 2564 60762-2. Arr. by Harjanne. Jouko HARJANNE (trumpet) and Kari Hänninen (piano). [Chopin, Tchaikovsky, Arutyunyan et al.] P Finnish Broadcasting Studio 11 Jan. 2003, G Oct. 2004. Decca 470 649-2 (Hybrid SACD). Vladimir ASHKENAZY. [Opp. 61, 97, 39, 13, and 22; Sans opp. B and S(i).] P Potton Hall, Suffolk 11–12 Sept. 2003, I Apr. 2004, G June 2004. Stradivarius STR 33727 (‘Complete Piano Works, Volume 1’). Boris PETRUSHANSKY. [Sans opp. B and S(i); Opp. 13, 22, and 34.] P Bernareggio, Milan 17–19 Sept. 2003, I Feb. 2006. Russia: Northern Flowers NF 9941. Pyotr LAUL. [Opp. 6, 22, 61, 94; Sans op. O(i & ii)]. P St Catherine Lutheran Church, St Petersburg 30 Nov. and 2 Dec 2006, I 2006. Chandos CHAN 10493. ‘Dance’. Kathryn STOTT. [Bartók, Albéniz, Brahms et al.] P Potton Hall, Dunwich, Suffolk 14–15 Apr. 2008, G Jan. 2009.

Opus 6: Suite for Two Pianos Form: 1. 2. 3. 4.

A Suite of four pieces for two pianos: Prelude in F sharp minor—Andantino Fantastique Dance in A minor—Allegro vivo Nocturne in D major—Andante Finale in F sharp minor—Adagio—Allegro molto

Composed: March 1922, at Petrograd. Dedication: ‘To the memory of Dmitri Boleslavovich Shostakovich’ (father). Première: 20 March 1925, Moscow Conservatory Malyi Hall; Dmitri Shostakovich and Lev Oborin.

OP U S 7: SC HERZ O IN E FL AT MAJ OR

13

Music: In the autograph, preserved at PGALI, the titles of Nos. 1, 2, and 4 are given in the French language; No. 3 in Russian. Muzyka, No 11214 (in Volume 13 of Collected Works), prepared for first publication by Nikolai Kopchevsky, 1983, 30 cm. Hans Sikorski, No. 2338, 1984, 31.5 cm. DSCH Publishers, Moscow, in Volume 113 of New Collected Works. Duration: 22' 50"–27' 20". Recordings: LP—USSR: Melodiya C10 18471-2. Viktoria POSTNIKOVA and Nikolai PETROV. P 1982, I 1983c. LP and CD—Chandos ARBD 1175 (‘Russian Music for Two Pianos’, digital). Seta TANYEL and Jeremy BROWN. P London July 1985, G Nov. 1986. Reissued on CD—Chandos CHAN 8466. I May 1987. CD—Sweden: Bluebell ABCD 049. Folke GRÄSBECK and Alexander ZELYAKOV. P Åbo 22 and 24 Jan. 1992, I Mar. 1993. *Greece: Orato ML 183. Anni and Lola TOTSIU. [Rakhmaninov and Skryabin.] I 1996. USA: Audiofon 72053. Valentina LISITSA and Aleksei KUZNETSOV. P Miami Aug. 1995. France: Suoni è Colori SC 13008 (‘Hommage à Dmitri Chostakovitch, Volume 2’). Incorrectly labelled Op. 61. Thérèse DUSSAUT and Serge POLUSMIAK. P Espace Fazioli, Paris Oct.–Nov. 1997. Germany: CPO 999 599-2. GENOVA & DIMITROV PIANO DUO. P Hans Rosbaud Studio 4–5 May 1998, I Apr. 1999. **Germany: Capriccio 71 087 (Hybrid SACD, on disc one of two-disc set). Margarete BABINSKY and Holger BUSCH. [Opp. 12 and 61.] P Universität für Musik, Vienna 2002 and 2005, I July 2006. Argentina: EMI Classics 3 43914 2. Fernanda MORELLO and Patricia VILA. [Opp. 94 and 97a; Debussy.] P Buenos Aires Dec. 2003 and July 2005. Russia: Northern Flowers NF 9941. Pyotr LAUL and Aleksandr SANDLER. [Opp. 5, 22, 61, 94; Sans op. O(i & ii).] St Catherine Lutheran Church, St Petersburg 13 and 15 Apr. 2006, I 2006. Japan: Jasrac R 0720132 (CDR). Tetsu MASHIKO and Masaki NISHIHARA. [B. Chaikovsky and Schnittke.] P Piano Art Salon, Tsukishima, Tokyo concert 4 Feb. 2007, I 2007.

Opus 7: Scherzo in E flat major Form: A composition for full orchestra (with piano) marked ‘Allegro’. Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals ~ piano ~ strings.

14

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Composed: Spring–Autumn 1923 and completed on 15 October 1924, at Leningrad. Dedication: Pyotr Borisovich Ryazanov (professor of composition at Leningrad Conservatory). Premières: 11 February 1981, Leningrad; Leningrad Philharmonic Orchestra. UK: 17 February 1996, Royal Festival Hall, London; BBC Symphony Orchestra, Mark Elder. (Broadcast on BBC Radio 3, 16 May 1996). Arrangement: Reduction for piano by the composer. Music: Autograph score preserved at PGALI. This composition used later in the film score New Babylon, Op. 18. Muzyka, No. 11678 (in Volume 10 of Collected Works), 1984, full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 31 of New Collected Works. Duration: Approx. 3' 30" in score; 3' 26"–3' 28". Recordings: LP and CD—USSR: Melodiya C10 19103 004 (Album 2 of ‘From Manuscripts of Different Years’). USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1982, I 1983d. Reissued on CD—Olympia OCD 194. G June 1988 ~ BMG Melodiya 74321 59058-2 (two-disc set). G Mar. 1999.

Opus 8: Piano Trio No. 1 in C minor Form: A single-movement composition for violin, violoncello, and fortepiano: Andante—Allegro—Moderato—Allegro Composed: August to October 1923. Started at Gaspra, near Yalta. Dedication: Tatyana Ivanovna Glivenko (girl friend), who was told of the dedication in the composer’s letter to her dated 11 September 1923. Premières: [First performance in public given during the screening of a silent film: 25 October 1923, ‘Harlequinade’ Cinema, Petrograd; Veniamen Sher (violin), Grigori Pekker (cello), and Dmitri Shostakovich (piano)]. 13 December 1923, Petrograd Conservatory; the composer at the piano. 20 March 1925, Moscow Conservatory Malyi Hall; Nikolas Fyodorov (violin), Anatoli Yegorov (cello), and Lev Oborin (piano). UK: 29 June 1984, Almeida Theatre, Islington, London; Haroutune Bedelian (violin), Elizabeth Wilson (cello), and Niel Immelman (piano). Arrangement: Parts prepared for performance and missing bars 257 to 278 in the piano part supplied by Boris Tishchenko in 1981. Music: The first movement of a Quintet was completed on 9 April 1923. This composition was abandoned and the music incorporated in the Piano Trio No. 1 (Khentova 1985). The Trio was originally titled ‘Poem for Violin,

OP U S 8: P IA NO TRIO N O. 1 IN C MIN OR

15

Violoncello, and Fortepiano’. Sketch to bar 130, autograph score and parts preserved at PGALI. Muzgiz, 1924 (according to Leonid Sabaneyev). Muzyka, No. 10794 (in Volume 37 of Collected Works), 1983, score and parts, 30 cm. Hans Sikorski, No. 2337, 1984, score and parts, 31.5 cm. DSCH Publishers, Moscow, score in Volume 98 of New Collected Works. Duration: 9' 40"–14' 18". Recordings: LP and CD—Simax PS 1014. OSLO TRIO (Stig Nilsson, Aage Kvalbein, Jens Harald Bratlie). P near Oslo 17 Nov. and 21 Dec., and 2 Jan. 1982; G July 1982. Reissued on CD—Simax PSC 1014. G Oct. 1988. *CD—Live Classics LCL 110 (‘Oleg Kagan Edition, Volume 30’). Oleg Kagan (violin), Natalya Gutman (cello), and Elisso WIRSSALADZA (piano). [Op. 144.] P Kuhmo Chamber Festival, Finland concert 27 July 1982, I Oct. 2004. LP and CD—Germany: Signum SIG 013-00 (DMM). SERAPHIN TRIO (Wilhelm F. Walz, Jörg Metzger, Arne Torger). P 1986. Reissued on CD—Germany: Christophorus entreé CHE 0700-2. I Aug. 1995. LP—Pan 170 012 (digital). VIENNA SCHUBERT TRIO (Boris Kuschnir, Martin Hornstein, Claus-Christian Schuster). G Dec. 1987. CD—Germany: Largo 4112. CLEMENTI TRIO of Cologne (Daniel Spektor, Manuel Gerstner, Deborah Richards). P Munich 2 Dec. 1986 and 28–30 Sept. 1987. LP and CD—Finland: Finlandia FACD 364 (‘Contemporary Piano Trios’). TRIO FINNICO (Nachum Erlich, Hanna Kiiski, Risto Lauriala). P Järvenpää Aug. 1988, I 1989. Reissued on CD—Finlandia Ultima 8573 81969-2 (two-disc set). G June 2000. CD—Germany: Dabringhaus und Grimm MD+GL 3334. MÜNCHNER KLAVIERTRIO (Ilona Then-Bergh, Gerhard Zank, Michael Schäfer). P not stated, I 1989. EMI CDC7 49865-2. CHUNG TRIO (Kyung-Wha Chung, Myung-Wha Chung, Myung-Whun Chung). P New York Dec. 1988. G Mar. 1990. Denmark: Kontrapunkt 32131. COPENHAGEN TRIO (Søreh Elbaek, Troels Hermansen, Morten Mogensen). P Lungbye 1992. France: Le Chant du Monde Russian Season RUS 288 088. MOSCOW TRIO (Vladimir Ivanov, Mikhail Utkin, Aleksandr Bonduryansky). P Moscow Conservatory Sept.–Nov. 1993, I Sept. 1994. Japan: Meldec MECC 28004. Aleksandr Melnikov, Natalya Sabinova, and Viktor YAMPOLSKY. P Mosfilm Studio, Moscow 1–10 Oct. 1994, I June 1995.

16

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Naxos 8.553297. STOCKHOLM ARTS TRIO (Dan Almgren, Torleif Thedéen, Stefan Bojsten). P Stockholm 13–15 Mar. 1995, G July 1997. Germany: Ars Musici AMP 5057-2. Christian Ludwig, Johann Ludwig, and Carl WOLF. P Erlangen ‘Jugend musiziert’ concert 5 June 1995. *Australia: Move Records MD 31276. TRIO MELBOURNE (Isin Cakmakcioglu, Rachael Atkinson, Roger Heagney). [Sculthorpe, Yu, Baran, and Copland.] P Eaglemont Studio, Victoria 7 August 1995–11 June 1996, I 1997. Germany: Crescendi CR 33621. TRIO TRE MONDI. (Carlos Johnson, Clemens Krieger, Reiko Yoshizumi). P Detmold, Germany Feb. 1996, I 2001. Italy: Real Sound RS 051-0176. TRIO DI TORINO (Sergio Lamberto, Dario Destefano, Giacomo Fuga). P Wesel, Germany Apr. 1996, I May 2000. USA: Arabesque Z 6698 (two-disc set). Jaime Laredo, Sharon Robinson, and Joseph KALICHSTEIN. P Purchase, New York 17–18 Dec 1995 or 12–13 Sept. 1996, G Jan. 1998. Hungary: Hungaroton Classics HCD 31780. BARTOS TRIO (Galina Danilova, Csaba Bartos, Irina Ivanickaia). P Hungaroton Studio 29 May–2 June 1997. Nimbus NI 5572. VIENNA PIANO TRIO (Wolfgang Redik, Marcus Trefny, Stefan Mendl). P Nimbus Foundation Hall 6–9 Apr. 1998, G Dec. 1998. Norway: Simax PSC 1147. GRIEG TRIO (Sølve Sigerland, Ellen Margrete Flesjø, Vebjørn Anvik). P Lommedalen Kirke, Norway, 12–18 June 1998, I Oct. 1999. Germany: Thorofon CTH 2397. TRIO BAMBERG (Yevgeni Schuk, Stephan Gerlinghaus, Robert Benz). P Nuremberg June 1998. Orfeo C 465 991A. MUNICH TRIO (Rudolf J. Koeckert, Gerhard Zank, Hermann Lechler). P Bavarian Radio Studio 4–5 May and 4–7 June 1999, I Mar. 2001. **Praga Digitals PRD 250162. GUARNERI TRIO (Cˇ eneˇk Pavlik, Marek Jerie, Ivan Klánský). [Opp. 67 and 40.] P Prague 15–17 June 2001, I Nov. 2001. Germany: Beaux BEAUX 2003. ST PETERS TRIO (Ilya Ioff, Sergei Slovachesky, Igor Uryash). [Tishchenko and Ustvolskaya.] P not traced, I June 2002. Harmonia Mundi HMC 90 1825. TRIO WANDERER (Jean-Marc Phillips-Varjabédian, Raphaël Pidoux, Vincent Coq). [Op. 67; Copland.] P Paris May 2003, G June 2004. Germany: Musicaphon M56872. TRIO KAIROS (Solveigh Rose, Bettina Bertsch, and Christiane Behn). [Martin, Bloch, Copland et al.] P NDR Hamburg studio 15–18 Sept. 2003.

OP U S 8: P IA NO TRIO N O. 1 IN C MIN OR

17

Germany: Coviello Classics COV 50502 (Hybrid SACD). TRIO PAIAN (Carl-Magnus Helling, Marin Smesnoi, Alexandra Neumann). [Op. 67.] P Villa Berg, Stuttgart Aug. 2004, I 2006. Czech: Arco Diva UP 0069-2 131. ARTEMISS TRIO (Adéla Štajnochrová, Alžbeˇta Vlcˇkova, Jana Holmanová). [Opp. 67 and 127.] P Lichtenstein Palace, Prague Sept.–Nov. 2004, I 2005. Stradivarius STR 33706 (‘Complete works for pianoforte trio’). TRIO DI PARMA (Ivan Rabaglia, Enrico Bronzi, Albert Miodini). [Opp. 67 and 127.] P Auditorium Paganini, Parma, Italy 3, 4, 7, 8 Jan. 2005, I Oct. 2008. Switzerland: Claves 50-2605. ZURICH PIANO TRIO (Gabriel Adorján, Joël Marosi, Christaine Frucht). [Opp. 67 and 127.] P Bavaria Studio, Munich 22–3 Apr. 2005, I July 2006. Warner Classics 2564 62512-2. BEAUX ARTS TRIO (Daniel Hope, Antonio Meneses, Menahem Pressler). [Opp. 67 and 127.] P Indiana University, Bloomington 8–12 July 2005, I Nov. 2005, G Jan. 2006. Switzerland: Tudor 7138 (Hybrid SACD). RACHMANINOV QUARTET (Viktor Yampolsky, Mikhail Tsinman, Natalya Sabinova). [Opp. 40 and 67.] P Mosfilm Studios Moscow Aug. 2005, I Oct. 2006. Italy: Amadeus-Paragon AM 201-2. ARS TRIO DI ROMA (Marco Fiorentini, Michele Chiapperino, Laura Pietrocini). [Opp. 67 and 127.] P Aula Magna del Seminario di Ivrea, Italy 2–5 May 2006, I Aug. 2006 with Amadeus magazine No. 201. Canada: Analekta AN 2 9854. GRYPHON TRIO (Annalee Patipatanakoon, Roman Borys, Jamie Parker). [Opp. 67 and 127; Silvestrov.] P Willowdale United Church, Toronto 13–16 June 2006, G July 2007. Onyx ONYX 4026. Julian Rachlin, Mischa Maisky, and Itamar GOLAN. [Op. 57 and Sans op. P(iii).] P Musikverein, Vienna 11 Dec. 2006, I Nov. 2007, G Jan. 2008. Spain: Columna Música 1CM 0180. I.O.M. TRIO (Joan Orpella, José Mor, Daniel Liorio). [Opp. 67 and 127.] P l’Auditori Paper de Música de Capellades, Barcelona 13, 15, 16 Dec. 2006 and 15 Jan. 2007. Germany: Profil Günter Hänssler PH 08014. TRIO OPUS 8 (Eckhard Fischer, Mario De Secondi, Michael Hauber). [Opp. 141a and 67.] P Bayerischer Rundfunk Studio 2006, G Mar. 2008. Czech: Arco Diva UP 0103-2131. PUELLA TRIO ( Eva Karová, Markéta Vrbková, Terezie Fialová). [Martinu˚ and Schnittke.] P Convent of the Brothers of Mercy, Brno 10–11 Aug. 2007, G Apr. 2008. Austria: Gramola 98837. EGGNER TRIO (Christoph, Georg, and Florian Eggner). [Opp. 67; and Eröd.] P Franz Liszt Zentrum, Raiding, Austria 26–28 May.

18

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Opus 9: Three Pieces Form:

Three short pieces for cello and piano:

1. Fantasia in F sharp minor 2. Prelude in A minor 3. Scherzo in C major Composed: 30 December 1923 in two hours; 6 January and before 11 January 1924 respectively, at Petrograd. A fourth piece written but destroyed a few days later. Dedication: 1. Zoya Dmitrievna Shostakovich (younger sister) 2. Valerian Mikhailovich Bogdanova-Berezovsky (critic/composer) 3. Volodya I. Kurchavov (poet friend) Premières: 20 March 1925, Moscow Conservatory Malyi Hall, Anatoli Yegorov (cello) and Dmitri Shostakovich (piano). Music: Manuscript lost. Recordings: –– Note: The 1996 German Orfeo C 443 961A recording claims that the opening track ‘Romance’ is one of the above pieces dedicated to the composer’s sister. See Opus 97.

Opus 10: Symphony No. 1 in F minor Form: 1. 2. 3. 4.

Symphony for full orchestra (with piano) in four movements: Allegretto—Allegro non troppo Allegro Lento—Largo attaca Lento—Allegro molto—Adagio—Largo—Presto

Instrumentation: piccolo (= flute III), 2 flutes (II = piccolo II), 2 oboes, 2 clarinets (B flat and A), 2 bassoons ~ 4 horns, 3 trumpets (I and II B flat, III F), 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ glockenspiel, piano ~ strings. Glockenspiel used in four bars of fourth movement and piano employed extensively in second and fourth movements. String ensemble much divided at times and numerous solos required, particularly of the leader and first desk cellist. Composed: September 1924–1 or 2 July 1925, at Petrograd/Leningrad. Began with the second movement. Piano score of the third movement completed in February 1925. Final alterations to the orchestration made in June 1926 after the première.

OP U S 10: SYM P HONY N O. 1 IN F MIN OR

19

Dedication: Mikhail Vladimirovich Kvadri (composer). This dedication appeared on Yevgeni Slavinsky’s piano four hands score published in 1928 but is missing from later publications though restored in New Collected Works Volume 1. Premières: 7 February 1926, Moscow Conservatory; piano reduction played by the composer at a sitting of the State Scientific Council of the People's Commissariat for Education. 6 May 1925, Leningrad Conservatory; the two-piano four-handed version played by the composer and Pavel Feldt before Aleksandr Glazunov and board of examiners. 12 May 1926, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra, Nikolai Malko. The second movement encored. Germany: 6 February 1928, Berlin; Berlin Philharmonic Orchestra, Bruno Walter. USA: 2 November 1928, Philadelphia; Philadelphia Orchestra, Leopold Stokowski. UK: 1931–32 Hallé Season; 21 January 1932, Free Trade Hall, Manchester, Hallé Orchestra, Sir Hamilton Harty. USA: Los Angeles Philharmonic Auditorium; during his tenure as music director of the Los Angeles Philharmonic Orchestra 1933–39, Otto Klemperer conducted Opus 10 on 20, 21 February and 18 April 1936 and again on 9, 10 and 14 February 1939. Australia: 14 June 1946, Melbourne Symphony Orchestra, Walter Susskind. Arrangements: Reduction for piano by the composer and for piano four hands by Yevgeni Slavinsky (the latter completed on 1 December 1925). Music: Two author’s manuscripts preserved at the PGALI and a rough draft kept in GTsMMK. A page of the first movement is reproduced in Collected Works Volume 1. Muzgiz, No. 7671, 1927, 30.5 cm.; reduced reprints with same plate number issued as miniature scores, 19 cm. Muzgiz, No. 7999, 1928, arr. for piano four hands by Ye. Slavinsky. Muzyka, No. 8610, 1975, 30 cm. Muzyka, No. 10713 (in Volume 1 of Collected Works), 1987, full score, 30 cm. Hans Sikorski, No. 2224, 1987, score, 21 cm. DSCH Publishers, Moscow, 2002, New Collected Works Volume 1, full score, 152, 30 cm. DSCH Publishers, Moscow, 2004, New Collected Works Volume 16, Y. Slavinsky’s arr. for piano four hands, 216 including 45 in facsimile, 30 cm. Duration: Approx. 33 minutes in score; 27' 00"–35' 42"; 26' 45" (Toscanini). Ballets: Rouge et Noir (L’Étrange Farandole). Léonide Massine, Ballet Russe de Monte Carlo, Monte Carlo; designer Henri Matisse, 11 May 1939. Same

20

D M I T R I SHOSTA K OV IC H C A TA LO GUE

company, New York, 28 October 1939. The four movements of the one-act ballet represent: Aggression, City and Country, Loneliness, Fate. Tamara Toumanova danced the slow movement. Symphony. Kenneth MacMillan, Royal Ballet, Covent Garden; designer Yolanda Sonnabend, 15 February 1962. Remember. Oleg Sokolov, an anti-war ballet in four acts with epilogue, Alma Ata, Kazakhstan, summer 1981. Films: *DVD—EMI Classic Archives DVD Video 4901109 (mono). ORTF National Orchestra, I. MARKEVITCH. [Wagner and Stravinsky.] P INA concert Paris 15 June 1963, G Sept. 2003. *DVD—Festival Orchester, Leonard BERNSTEIN. Part 1: Introduction and Rehearsal filmed at Salzau Castle, Schleswig-Holstein, Germany in July 1988; Part 2: Introduction and Concert Performance at Holstein-Halle, Neumünster, 16 July 1988. G Aug. 2008. Recordings: 78 rpm and CD—USA: Victor 7884-8S in Set M 192. Philadelphia Orchestra, Leopold STOKOWSKI. P Camden, New Jersey 18 Nov. 1933 ~ HMV DB 2203-7. G Sept. 1934 ~ HMV DB 3847-51S. G Nov. 1940. Reissued on CD—Pearl GEMM CDS 9044 (two-disc set, mono). G Jan. 1994. 78 rpm, LP, and CD—USA: Columbia 11622-5D in Set M 472. Cleveland Orchestra, Artur RODZINSKI. P 14 April 1941. Reissued on LP—USA: Columbia ML 4881 (mono). I 1954. Reissued on CD—Cleveland 75th Anniversary Edition TC 093-75. I Oct. 1993, G Jan. 1995. LP and CD—USA: RCA LM 6711 (transfer from radio broadcast, mono). NBC Symphony Orchestra, Arturo TOSCANINI. P 12 Mar. 1944, I 1976 ~ RCA Victrola VICS 6038 1-2 (electronic stereo). G July 1970 ~ USSR: Melodiya D 034359-62. I 1974. Reissued on CD—RCA Victor Gold Seal GD 60323 (Toscanini Edition 28, mono). I July 1992, G Nov. 1992. LP—USSR: MK HD 2689-90 (10" transfer from 78 rpm, mono). All-Union Radio Symphony Orchestra, Constantin SILVESTRI.. P 1951, I 1956 ~ USA: Monitor MC 2077 (mono). I c.1965. 78 rpm and LP—USSR: 020617-24. Bolshoi Theatre Orchestra, Kirill KONDRASHIN. P 1951. Reissued on LP—USSR: MK HD 0408-9 (mono). I 1952 ~ Monarch MLW 318 (mono). G Jan. 1955. LP—USA: Urania URLP 7128 (mono). Leipzig Radio Symphony Orchestra, Gerhard PLFÜGER. P 1954. LP and CD—Westminster WL 5319 (mono). National Symphony Orchestra, of Washington, Howard MITCHELL. P Dec. 1953 ~ Nixa WLP 5319 (mono). G Mar. 1955. Reissued on CD—MCA Millennium Classics MCD 80112 (mono). G Jan. 1997. Columbia 33 CX 1440 (mono). French National Radio Orchestra, Igor MARKEVITCH. P c.1956, G May 1957 ~ Music for Pleasure MFP 2080

OP U S 10: SYM P HONY N O. 1 IN F MIN OR

21

(mono). G Nov. 1967. Reissued on CD—EMI CZS5 69212-2 (‘Les introuvables d’Igor Markevitch’). G Mar. 1996. LP—USA: Columbia ML 5152 (mono). St Louis Symphony Orchestra, Vladimir GOLSCHMANN. I 1956 ~ Philips ABL 3176 (mono). G July 1957. Pye CCL 30105 (mono). National Youth Orchestra of Great Britain, Walter SUSSKIND. P Colston Hall, Bristol Jan. 1957, G June 1957. LP and CD—HMV ALP 1554 (mono). Philharmonia Orchestra, Efrem KURTZ. P 4 Mar. 1957, G Mar. 1958 ~ HMV ASD 263. G Jan 1959 ~ World Record Club ST 995. G Sept. 1970 ~ Classics for Pleasure CFP 40004. G Sept. 1974. Reissued on CD—EMI Classics CZS7 67729-2 (‘Kurtz Profile’). G Sept. 1993 ~ *HMV 5 86764-2. [Op. 47.] G Oct. 2005. LP—RCA Red Seal SB 2051. London Symphony Orchestra, Jean MARTINON. P 9–11 Dec. 1957, G Dec. 1959 ~ RCA Victrola VICS 1184. G July 1967 ~ Decca Eclipse ECS 580. G Feb. 1971. *Reissued on CD—USA: Classic Compact Discs LSCCD 2322. [Op. 22a.] I 2001. LP and CD—United Artists UAS 8004. Symphony of the Air, L. STOKOWSKI. P New York 15–19 Dec. 1958. Reissued on CD—USA: EMI Classics ZDMB5 6542723. I Nov. 1994. LP—Columbia C90541 (mono). French National Symphony Orchestra, André CLUYTENS. I c.Aug. 1959. LP and CD—Columbia MS 6124. Philadelphia Orchestra, Eugene ORMANDY. P 8 Nov. 1959 ~ Philips SABL 165. G July 1960 ~ CBS SBRC 72081. G Sept. 1960. Reissued on CD—Sony Classical SBK 62642. G June 1997. Netherlands: Philips 875 044 FY. Vienna Symphony Orchestra, Witold ROWICKI. P 1960 (not 1965 as stated). Reissued on CD—Philips 466 571-2PM. I Sept. 1996. *CD—Korea: Yedang Classics YCC 0098. USSR (State) Symphony Orchestra, G. ROZHDESTVENSKY. [Prokofiev and Khachaturyan.] P 23 May 1962, I May 2003. LP and CD—East Germany: Eterna 720 188 (10" mono). Siegfried Stöckigt (piano), György Garay (violin), Leipzig Radio Symphony Orchestra, Herbert KEGEL. P Kongreßhalle, Leipzig 13–17 Nov. 1962, I 1964. Reissued on CD—Edel Classics 0001842 CCC. I 2001. LP—USSR: Melodiya M10 47571 008 (mono). Isaak Zhuk (violin), USSR Symphony Orchestra, Igor MARKEVITCH. P Moscow concert 28 Feb. 1963, I 1987d. LP and CD—Czech: Supraphon SUA 50576. Czech Philharmonic Orchestra, Karel ANCˇERL. P Rudolfinum, Prague 7–10 Apr. 1964, G Nov. 1965. Reissued on CD—Czech: Supraphon Crystal SUP 006072. I Sept. 1989 ~ *Supraphon Gold Edition SU 3699. [Op. 47.] I Feb. 2005.

22

D M I T R I SHOSTA K OV IC H C A TA LO GUE

*Boston Symphony Orchestra BSO CB 100 (‘Symphony Hall Centennial Celebration’, twelve-disc set). Boston Symphony Orchestra, Erich LEINSDORF. [Janácek, Wagner, and Smetana.] P Boston concert 26 Sept. 1964, G Dec. 2001. LP—USA: Turnabout TV 34223. Zagreb Philharmonic Orchestra, Milan HORVAT. P c.1965. *CD—BBC Legends BBCL 4188-2 (mono). BBC Symphony Orchestra, Rudolf KEMPE. P Maida Vale Studios, London 29 May 1965, I Oct. 2006. LP and CD—USSR: Melodiya C10 12543-4. USSR Symphony Orchestra, Yevgeni MRAVINSKY. P Moscow concert 30 Dec. 1968, I 1980b. Reissued on CD—USA: Russian Disc RDCD 11 188. P date given incorrectly as 30 Dec. 1966, G Jan. 1994. *CD—Japan: Altus ALT 129. NHK Symphony Orchestra, Lovro von ´ . [Op. 70.]. Tokyo Cultural Hall concert 20 May 1969, I 2006. MATACˇIC Command CCSD 11042. Pittsburg Symphony Orchestra, William STEINBERG. P 1970. CD—BBC Radio Classics 15656 91542. Royal Philharmonic Orchestra, Jascha HORENSTEIN. P Albert Hall, Nottingham concert 18 July 1970, G May 1996. LP—USSR: Melodiya CM 02581-2. Moscow Radio Symphony Orchestra, Yuri ARANOVICH. P 1971 ~ HMV Melodiya ASD 2765. G Apr. 1972. Decca SXL 6563. Suisse Romande Orchestra, Walter WELLER. P 4–6 Sept. 1971, G Jan. 1973. LP and CD—USA: Columbia M 31307. New York Philharmonic Orchestra, Leonard BERNSTEIN. P 14 Dec. 1971. Reissued on CD—Sony Classical SX4K 64206. I Dec. 1995. USSR: Melodiya CM 03625-6. Moscow Philharmonic Orchestra, K. KONDRASHIN. P 1972, I 1973 (and same number in first box of Part 1 of Collected Works on Records), I 1980) ~ HMV Melodiya BOX 502501 in Set SLS5025. G Dec. 1975. Reissued on CD—France: Le Chant du Monde LDC 278 1001-2. G May 1989 ~ BMG Classics Melodiya 74321 19848-2. G Nov. 1994. CD—Italy: Originals SH 863 (‘The Unpublished Celibidache’). Danish Radio Symphony Orchestra, Sergiu CELIBIDACHE. P concert 1973, I Oct 1995. LP—Czech: Panton 11 0604 H. Czech Philharmonic Orchestra, Jirˇ i KOUT. P Prague 1976, G Dec. 1977. Germany: Stadt Gelsenkirchen F 666 494. Gelsenkirchen Municipal Orchestra, Uwe MUND. P 1977–79.

OP U S 10: SYM P HONY N O. 1 IN F MIN OR

23

LP and CD—USA: Vox Cum Laude 9003. Cincinnati Symphony Orchestra, Walter SUSSKIND. I 1981. Reissued on CD—USA: Voxbox CDX 5139. I June 1995. Decca SXDL 7515 (digital). London Philharmonic Orchestra, Bernard HAITINK. P Jan. 1979, G May 1981. Reissued on CD—Decca 414 677-2DH. G June 1986 and Feb. 1988 ~ Decca Ovation 425 063-2DM, G Nov. 1993. LP—USSR: Melodiya C10 30485 002. USSR Symphony Orchestra, Gavriil YUDIN. P Moscow concert 1 Feb. 1980, I 1990d. LP and CD—East Germany: Eterna 7 29 221 (DMM). Berlin City Symphony Orchestra, Kurt SANDERLING. P 8–10 June 1983. Reissued on CD—Germany: Berlin Classics 0021812BC. I Jan. 1995. USSR: Melodiya A10 00101 005 (digital). USSR Ministry of Culture Symphony Orchestra, G. ROZHDESTVENSKY. P 1984, I 1985d. Reissued on CD—Olympia OCD 161. G May 1989 ~ *USA: Moscow Studio Archives MOS 19061. [Op. 20.] I 2004. Chandos ABRD 1148 (digital) and released on CD—CHAN 8411. Scottish National Orchestra, Neeme JÄRVI.. P Glasgow 1 Aug. 1984, G Apr. 1986, June 1986 and Feb. 1988. USA: Sheffield Labs TDC 26 (digital) and released on CD—CD 26 (‘The Moscow Sessions’). Moscow Philharmonic Orchestra, Lawrence SMITH. P Moscow 9–18 Aug. 1986, G Feb. 1988. CD—Naxos 8.550623. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 20—5 Nov. 1986, G Nov. 1993. LP and CD—BBC Records REN 637X (digital) and released on CD—CD 637X. BBC Welsh Symphony Orchestra, Mariss JANSONS. P Swansea Nov. 1986, G Aug. 1987 and Feb. 1988. CD—Canada: Canadian Broadcasting Corporation SMCD 5074. Vancouver Symphony Orchestra, Rudolf BARSHAI. P not stated, I 1988. Deutsche Grammophon 427 632-2GH2. Chicago Symphony Orchestra, L. BERNSTEIN. P Chicago concert June 1988, G Jan. 1990 ~ *Deutsche Grammophon Panorama 469 316-2 (two-disc set). [Opp. 47, 122, 35, G(ii), 16, and 97.] I 2001. Decca 425 609-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Nov. 1988, G June 1990. USA: Arabesque Z 6610. Kraków Philharmonic Orchestra, Gilbert LEVINE. P Kraków 26–29 May 1989, G Jan. 1990. Spain: Cepsa Line CACD 9 00804 P (‘Festival de Musica de Canarias’). Orquesta Sinfónica de Tenerife, Victor Pablo PÉREZ. P Tenerife concert 29 Jan 1990. Collins Classics 1192-2. English Chamber Orchestra, Steuart BEDFORD. P London June–July 1990, G Apr.1992.

24

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Decca 436 469-2DH. Royal Concertgebouw Orchestra, Georg SOLTI. P Amsterdam concert 18–21 Sept. 1991, I Sept. 1992. Austria: Musica Classics 780003-2. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Bratislava Jan. 1992, I Jan. 1996. Decca 436 838-2DH. Montreal Symphony Orchestra, Charles DUTOIT. P Montreal 15–22 May 1992, G Oct. 1994. Denon CO 78948. Vienna Symphony Orchestra, Eliahu INBAL. P 12–15 Oct. 1992, G Dec. 1995. Teldec 4509 90849-2. National Symphony Orchestra of Washington, Mstislav ROSTROPOVICH. P Jan. 1993, G Oct. 1994 ~ Teldec 0630-17046-2. G Oct. 1997. *EMI Classics ‘Celibidache Edition’ 5 57855-2 or in fifteen-CD set 5 57861-2. Munich Philharmonic Orchestra, S. CELIBIDACHE. [Op. 70.] P Munich concert 31 May, 2 and 3 June 1994, G Jan. 2004. EMI Classics CDC5 55361-2. Berlin Philharmonic Orchestra, Mariss JANSONS. P Berlin 15–20 June 1994, I Oct. 1995, G Dec. 1995. *Netherlands: Brilliant Classics 6275 (on first of eleven-disc set). WDR Symphony Orchestra, Rudolf BARSHAI. [Opp. 14 and 20.] P Cologne 30 Sept.–3 Oct.1994, I Dec. 2001. RCA Red Seal 09026 68844-2. St Petersburg Philharmonic Orchestra, Yuri TEMIRKANOV. P St Petersburg 3–4 Jan. 1996, I July 1999. Japan: Canyon Classics PCCL 00351. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Moscow Radio Bolshoi Hall 15–16 Apr. 1996 ~ *Japan: Exton OVCL 00173 (Hybrid SACD). [Op. 141.] I 2004. *Hallé CD HLL 7506. Hallé Orchestra, Stanislaw SKROWACZEWSKI. P Bridgewater Hall studio, Manchester 1 Nov. 1996, I 2004, G Oct. 2004 and Feb. 2005. *Cleveland Orchestra MAA 01032-C (on third of ten-disc set). Cleveland Orchestra, Christoph von DOHNÁNYI. [Tchaikovsky.] P Cleveland concert 17 Sept. 1998, I 2002. *Supraphon SU 38902 (on first of ten-disc set). Prague Symphony Orchestra, Maksim SHOSTAKOVICH. [Op. 112.] P Smetana Hall, Prague concert 1 Dec. 1999, G Nov. 2006. *Angelok1 ANG-CD 9916. Russian Federal Orchestra, Vakhtang JORDANIA. P Moscow Feb. 2000, I 2002. *Germany: Edition Zeitklang ze-70005. Gustav Mahler Jugendorchester, Stefan Anton RECK. P Lucerne concert 11 Apr. 2000, I 2001. Telarc CD 80572. Cincinnati Symphony Orchestra, Jesús LÓPEZ-COBOS. P Cincinnati 24–25 Sept. 2000, G Oct. 2001. **New York Philharmonic NYPT 0106 (‘Kurt Masur at the New York Philharmonic’). New York Philharmonic Orchestra, Kurt MASUR. P concerts 31 May; 1, 2, and 5 June 2001.

OP U S 11: P RELUDE AN D SCH ERZO

25

Germany: Nishimura CDON 001. Würzburg Philharmonic Orchestra, Daniel KLAJNER. P Würzburg concert 11–12 Oct. 2001. Germany: Ars Musici AMP 5102-2. Bundesjugenorchester, Andrei BOREYKO. [Bernd Franke.] P Oetkerhalle, Bielefeld, Germany 1–4 Apr. 2002, I 2004. LPO Live 0001 (Hybrid SACD). London Philharmonic Orchestra, K. MASUR. [Op. 47.] P Royal Festival Hall concert 31 Jan.–3 Feb. 2004, I May 2004, G July 2005. Arts 47706-8 (Hybrid SACD). Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. [Op. 141.] P Auditorium Verdi di Milano concert Mar. 2004, I 2006. Germany: Capriccio 71 030 (Hybrid SACD). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. [Op. 20.] P Cologne Philharmonie concert 3–7 July 2004, I Aug. 2005. Switzerland: Relief CR 991077. Tchaikovsky Symphony Orchestra, Vladimir FEDOSEYEV. [Op. 20.] Moscow Conservatory concert 21 Aug. 2004, I Oct. 2005. Netherlands: PentaTone classics PTC 5186 068 (Hybrid SACD). Russian National Orchestra, Vladimir JUROWSKI. [Op. 54.] P DZZ Studio Moscow 14–15, 19–21, 25 and 27 Oct. 2004, G July 2006. EMI Classics 3580772 (two-disc set). Berlin Philharmonic Orchestra, Simon RATTLE. [Op. 135.] P Philharmonie, Berlin concert 15–17 June 2005, I May 2006, G Aug. 2006. Musikproduktion Dabringhaus und Grimm MDG 37 1207-2 and MDG 937 1207-6 (Hybrid SACD). Beethoven Orchestra of Bonn, Roman KOFMAN. [Op. 54.] P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 24–26 Jan. 2006, I 2007. Japan: Denon COCQ 84575. Yomiuri Nippon Symphony Orchestra, Stanislaw SKROWACZEWSKI. [R. Strauss.] P Suntory Hall, Tokyo 10 Sept. 2008. Note: The Temirkanov 1996 recording respects Shostakovich’s apparent later rejection of the side drum crescendo into the last movement as ‘a somewhat vulgar effect’.

Opus 11: Prelude and Scherzo Form: Two pieces for string octet (double string quartet): 1. Prelude in D minor—Adagio 2. Scherzo in G minor—Allegro molto—Moderato—Allegro Composed: (1) December 1924, at Leningrad; (2) July 1925, at Oranienbaum Slavyansk (west of Leningrad)—now named Lomonosov.

26

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Dedication: To the memory of Volodya I. Kurchavov (poet friend) Premières: 7 February 1926, Circle of Friends of Chamber Music concert, Leningrad, Dmitri Shostakovich (piano reduction). 9 January 1927, Stanislavsky Art Theatre Mozart Hall, Moscow; combined Glière and Stradivari Quartets (Yakov and A. Targonsky, A. Vabich, K. Blok; Boris Simsky, Boris Vitkin, Grigori Gamburg, Viktor Kubatsky). Scotland: 28 August 1962, Edinburgh Usher Hall; members of the Polish Radio Symphony Orchestra, Jan Krenz. Arrangements: Piano arrangement by the composer in 1926. The Prelude alone arranged for piano four hands by Yevgeni Slavinsky (not published). Parts augmented for string orchestra, including a version with double-basses by Lazar Gozman. The Scherzo transcribed for two pianos eight hands by Ed de Boer in 1981. Music: Rough and clean copies of the two pieces preserved at PGALI. The former contains drafts for a third piece—a Fugue. Muzgiz, No. 7902, 1928, 27.5 cm. Universal Edition, No. 9055, 1928, 27.5 cm. Edition Musicus, c.1947, Prelude arr. for string orchestra by Quinto Maganini, 27 cm. Boosey & Hawkes, No. 603 (A.S.M.P. No. 29), c.1950, 19 cm. Muzka, No. 10794 (in Volume 37 of Collected Works), 1983, 30 cm. Hans Sikorski, No. 2269, score and No. 2270, parts; 1998, 29.5 cm. DSCH Publishers, Moscow, score in Volume 100 of New Collected Works. Duration: (1) 4' 55"–6' 25" and (2) 3' 45"–4' 45"; approx. 10 minutes in score; 10' 40" (Plaistow). Recordings: 78 rpm—USA: General Timely 1300A. New York String Orchestra, Max GOBERMAN. P prior to 1950. LP—USA: Columbia ML 2121 (‘Modern Music for Strings’, 10" mono). Stuyvesant Sinfonietta, Sylvan SHULMAN. P 1950. USA: MGM E 3684 (mono). Members of the MGM Studio Orchestra (Max Hollander, Leonard Posner, Paul Gershman, Paul Bellams/Emanuel Vardi, Walter Trampler, Charles McCracken, Claus Adam), Arthur WINOGRAD. I 1959. Oriole Eurodisc SMG 20097. London Soloists’ Ensemble, Nicholas ROTH. G July and Dec. 1964. LP and CD—USSR: Melodiya C01459-60. BORODIN and PROKOFIEV QUARTETS (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky/Ella Brakker, Nadezhda Baikova, Galina Odinets, Kira Tsvetkova). P 1964, I 1967 ~ HMV Melodiya ASD 3072. G May 1975. Reissued on CD—BMG Melodiya 74321 40713-2. I Dec. 1997.

OP U S 11: P RELUDE AN D SCH ERZO

27

Philips Vanguard VSL 11025. Scherzo only arr. for string orchestra. I Solisti di Zagreb, Antonio JANIGRO. G July 1968. Reissued on CD—Imp Classics 30367 0228-2. I Sept. 1997. LP—Melodiya C01769-70. BEETHOVEN and KOMITAS QUARTETS. (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Druzhinin, Sergei Shirinsky/Avet Gabrielyan, Rafael Davidyan, Genrikh Talayan, Armen Georgian). P 1969, G Oct. 1971. USSR: Melodiya C10 05191-2. Arr. for string orchestra. Kiev Chamber Orchestra, Igor BLAZHKOV. P 1974, I 1975c. *Canada: CBC Radio Canada SM 304. PURCELL and BRUNSWICK QUARTETS (Norman and Frederick Nelson, Philippe Etter, Ian Hampton/ Joseph Pach, Paul Campbell, James Pataki, Richard Naill). [Mendelssohn.] P First Baptist Church, Nova Scotia c. Jan./Feb. 1976, I 1977. USSR: Melodiya C10 09181-2 (in second box of Part 2 of Collected Works). BORODIN and GNESSIN INSTITUTE QUARTETS (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, Valentin Berlinsky/Yevgeniya Alikhanova, Valentina Alykova, Tatyana Kokhanovskaya, Marina Yanushevskaya). P 1977, I 1978. Czech: Panton 8111 0195 G. SUK and DOLEŽAL QUARTETS (Ivan Štraus, ˇ ehák, Jan Štros/Bohuslav Matoušek, Josef Kekula, Vojeˇch Jouza, Karel R Karel Doležal, Vladimir Leiner). P Prague 1981. LP and CD—Germany: ECM New Series 1-25037. HAGEN QUARTET (Lukas Hagen, Annette Bik, Veronika Hagen, Clemens Hagen) with Thomas Zehetmair, Daniel Phillips, Hatto Beyerle, and Markus Stocker. P Lockenhaus Festival concert 1984. Reissued on CD—ECM New Series 827 024-2. LP—Germany: Schwann Musica Mundi VMS 1046 (DMM). DORNBUSCH and BUCHBERGER QUARTETS (personnel not stated). P 1985. LP and CD—USA: Musicmasters MMD 20109Z (digital). Arr Gozman. Soviet Émigré Orchestra. Lazar GOZMAN. P 1986. Reissued on CD—Olympia OCD 196. G Aug. 1989. CD—Nimbus NI 5140. MEDICI and ALBERNI QUARTETS (Paul Robertson, David Matthews, Ivo-Jan van der Werff, Anthony Lewis/Howard Davis, Peter Pople, Roger Best, David Smith). P 10 May 1988, I Oct. 1988. Pickwick IMP Classics PCD 1000. Scherzo only, arr. for string orchestra. I Solisti di Zagreb, Tonko NINIC. P Zagreb 22–28 June 1991, G Nov. 1992. RCA Victor 09026 61189-2. Arr. for string orchestra. Moscow Virtuosi, Vladimir SPIVAKOV. P Munich 10–13 Dec. 1991, I Apr. 1998. Chandos CHAN 9131. ACADEMY OF ST MARTIN-IN-THE-FIELDS CHAMBER ENSEMBLE (Kenneth Sillito, Malcolm Latchem, Josef Frohlich, Robert Heard; Robert Smissen, Stephen Tees, Stephen Orton, Roger Smith). P Snape, Suffolk Mar. 1992, G May 1993.

28

D M I T R I SHOSTA K OV IC H C A TA LO GUE

France: Forlane UCD 16693. Scherzo, arr. for string orchestra. Moscow Conservatory Orchestra, Yuri BASHMET. P concert 1992, I 1993. Germany: Pink 10294. SUDDEUTSCHES STREICHOKTETT. P Winterbach, Germany 1993. Sweden: Intim Musik IMCD 041. CAMERATA ROMAN. P Påskallavik Church, Småland, Sweden 24 Jan. 1996. USA: New Albion NA 08B CD (‘Written with the Heart’s Blood’). New Century Chamber Orchestra, Stuart CANIN. P Tiburon, California Apr. 1996, I Jan. 1997. France: Suoni é Colori Collection SC 53006 (‘DSCH Aphorismes’). Ricercata de Paris Ensemble, Alexandre BRUSSILOVSKY. P Hautes-Alpes, France concert Aug. 1996, I 1997. *Hänssler Classic 98.488. New European Strings, Dmitri SITKOVETSKY. P Neumarkt, Oberpfalz, Germany 13–15 Nov. 1996, I 2005. Korea: Sony Classical CCK 7772. Korean Chamber Ensemble, Min KIM. P Seoul 7–13 Feb. 1998. Linn Records CKD 095. BT Scottish Ensemble, Clio GOULD. P Glasgow 4–5 Mar. 1998, G June 2000. France: Syrius SYR 141345. European Camerata, Laurent QUÉNELLE. P Alpes-Maritimes, France Aug. 1998. **USA: Phoenix PHCD 151. ARCO CHAMBER ORCHESTRA. P Athens, Georgia 2000. Netherlands: Challenge Classics CC 72093. Labelled Op. 1 No. 1 (sic). BRODSKY QUARTET (Andrew Haveron, Ian Belton, Paul Cassidy, Jacqueline Thomas) with Jacqueline Shave and Ray Theaker (violins), Jane Atkins (viola), and Alexander Baille (cello). [Op. 57, Sans opp. P(iii) and D(i).] P Snape, Aldeburgh 5–7 Mar. 2001, G May 2002. Germany: Capriccio 67 115. Moscow Virtuosi, Valadimir SPIVAKOV. [Opp. 110a, Sans op. X(ii); Schnittke—Prelude in Memory of Shostakovich.] P Moscow Conservatory Bolshoi Hall 15–17 May 2003, I 2004. Germany: ACD 6089. JADE and LEONOR QUARTETS (Annelie (Han-Lin) Liang, Lisa (Hyun-Ji) You, Eric (Wen-Bo) Xu, Gina (Shih-Yu) Yu/Delphine Caserta, Enrique Rivas, Jaime Huertas, Alvaro Huertas). P Katholische Pfarrkirche St Johannes Baptist, Oberstdorf, Germany concert 30 July 2005. Note: The DSCH motif is quoted in this work—probably unintentionally considering the date of composition. See Appendix VIII.

Opus 12: Piano Sonata No. 1 Form: Sonata for solo piano in one movement, marked ‘Allegro—Lento— Allegro’. Originally known as ‘October’ and ‘October Symphony’ (Ilya Ehrenburg quoting Maksimilian Shteinberg—see Schwarz (1972,79–80).

OP U S 12: P IAN O SON AT A N O. 1

29

Composed: September–20 October 1926, at Leningrad. Premières: 12 December 1926, Leningrad Philharmonic Malyi Hall and 9 January 1927, Stanislavsky Art Theatre Mozart Hall, Moscow, Dmitri Shostakovich. The sonata was played twice at the latter venue. Music: Autograph score preserved at PGALI Muzgiz, No. 7374, 1927, 38 cm. (and same no. with added metronome marks), 1935, 29 cm. Boosey & Hawkes, A.S.M.P. No. 66, 1947, 31 cm. Muzgiz, No. 3184 (in D. Shostakovich: Compositions for Fortepiano, Volume 1), 1966, 29 cm. Muzyka, No. 7775, 1973, 29 cm. Hans Sikorski, No. 2187, 1975, 31.5 cm. Muzyka, No. 10285 (in Volume 39 of Collected Works), 1983, 30 cm. DSCH Publishers, Moscow, no number, 1998, 29 cm. DSCH Publishers, Moscow, in Volume 111 of New Collected Works. Duration: Approx. 13 minutes in score; 10' 22"–15' 37". Recordings: LP and CD—USSR: D025805-6 (in second box of Part 2 of Collected Works on Records, mono). Anatoli VEDERNIKOV. P 1968, I 1969 ~ USSR: Melodiya C10 09547-8 (in second box of Collected Works on Records). I 1978. *Reissued on CD—Japan: Denon COCQ 83067 (mono). [Op. 61; Stravinsky and Karenetnikov.] I 2005. USA: Orion ORS 6915. Vladimir PLESHAKOV. P 1969. LP and CD—Netherlands: BV Haast 025. Geoffrey MADGE. P Amsterdam Oct. 1978. Reissued on CD—Netherlands: BV Haast CD 9602, I Mar. 1997. LP—USSR: Melodiya C10 17985-6. Viktoria POSTNIKOVA. P 1982, I 1983b. USSR: Melodiya C10 18977 007. Igor KHUDOLEI. P 1982, I 1983d. LP and CD—AVM Classics AVM 1003 and AVMCD 1003. Labelled as ‘October Symphony’. Martin JONES. P not stated, G Oct. 1988. CD—Italy: Nuova Era 6757. Lilya ZILBERSTEIN (‘Winner of the 1987 Busoni International Piano Competition’). P concert 1987, I 1989. LP—USSR: Melodiya C10 30205 000. Oleg VOLKOV. P 1987, I 1991. CD—France: Accord 20025-2. Caroline WEICHERT. P Jan. 1988, G June 1990 ~ *Accord 442 8213 (four-disc set on CD4). [Opp. 5, 61, and 22.] I Jan. 2007. Deutsche Grammophon 427 766-2GH. Lilya ZILBERSTEIN. P Berlin Nov. 1988. G Dec. 1989. France: Le Chant du Monde LDC 278 1012. Elena VARVAROVA. P Paris Sept.1989, I Feb. 1990. *Germany: Animato ACD 6094. Christaine KLONZ. [Bach, Mozart, and Chopin.] P Johanniter-Kircher, Goß Eichsen, Germany July 1997.

30

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Olympia OCD 574. Colin STONE. P London Sept. 1995, G June 1996. Athene-Minerva ATH CD18. Raymond CLARKE. P Nottingham University 7 Jan. and 7 Sept. 1998, G Oct. 1999. Australia: ABC Classics 461 651-2 (‘Sydney International Piano Competition 2000, Volume 1, Solo Highlights’). Ayako UEHARA. P 29 June–9 July 2000. **Naxos 8.555781. Konstantin SCHERBAKOV. [Opp. 34, 13, and 5.] P Potton Hall, Suffolk 12 and 13 Feb. 2001, I Sept. 2003. Japan: Exton OVCT 00006. Ayako UEHARA. [Rakhmaninov, Tchaikovsky, and Schumann.] P International Tchaikovsky Competition, Moscow Conservatory concert June 2002, I 2003. Capriccio 71087 (Hybrid SACD, on disc one of two-disc set). Margarete BABINSKY. [Opp. 6 and 61.] P Universität für Musik, Vienna 2002 and 2005, I July 2006. Australia: Move Records MD 3308. Michael Kieran HARVEY. [Op. 34; and Messiaen.] P Eaglemont, Victoria several dates in 2005. Dunelm Records DRD 0264 (‘Shostakovich and his Comrades’). Murray MCLACHLAN. [Kabalevsky, Myaskovsky, Shchedrin, and Ronald Stevenson (Recitative and Air for Shostakovich).] P Whiteley Hall, Chetham’s School of Music, Manchester concert 26–27 Aug. 2006, G Jan. 2007.

Opus 13: Aphorisms Form: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.

Ten miniatures for piano: Recitative Serenade Nocturne Elegy Marche Funèbre Étude Dance of Death Canon Legend Lullaby


= 104  = 208 sempre  = 
= 92
= 44  = 152
= 88  = 132–144
= 144  = 116  = 63

Composed: 25 February–7 April 1927, at Leningrad. Première: Autumn 1927, Leningrad; Dmitri Shostakovich. Arrangements: Transcription for violin, bassoon, piano, and percussion made in 1971 by Boris Bekhterev and Vladimir Spivakov. Transcription of No. 10 for violin and piano by Sergei Sapozhnikov. Music: The autograph score was presented on 6 May 1927 to the composer Boleslav Yavorsky, who had suggested the general title Aphorisms, with the

OPUS 13: APH ORISMS

31

inscription ‘To dear Boleslav Leopolovich Yavorsky from Shostakovich with love’. The complete score is preserved at the Glinka Museum. Another autograph copy of the first four pieces, which is subtitled ‘Suite’, preserved at PGALI. Triton, Leningrad, 1927. Muzgiz, No. 3184 (in D. Shostakovich: Compositions for fortepiano, Volume 1), 1966, 29 cm. Edition Peters, No. 5717 (plate no. 12524), 1970, 30 cm. Sovetskii kompozitor, No. 3087, 1974, No. 10 only (in Russian works for violin and piano, arr. by S. Sapozhnikov), 28.5 cm. Sovetskii kompozitor, No. 3988, 1977, transcription for violin, bassoon, piano, and percussion, score and parts, 29 cm. Muzyka, No. 10285 (in Volume 39 of Collected Works), 1983, 30 cm. DSCH Publishers, Moscow, in Volume 109 of New Collected Works. Duration: 12' 00"–14' 51"; transcription 13' 30"–14' 44". Recordings: LP—USA: Orion ORS 6915. Vladimir PLESHAKOV. P 1969. USSR: Melodiya CM 03945-6. Transcription. Vladimir SPIVAKOV (violin), Valeri Popov (bassoon), Boris Bekhterev (piano), and Valentin Snegiryov (percussion). P 1971, I 1973. Bulgaria: Balkanton BKA 1767. Zheni ZAHARIEVA. P early 1980s. LP and CD—USSR: Melodiya C10 30205 000. Oleg VOLKOV. P 1987, I 1991. Reissued on CD—Brioso BR 105 (‘All Russian’). I Feb. 1995. CD—AVM Classics VZ 3020 (‘Piano Music, Volume 2’). Martin JONES. P London 1–2 June 1989. France: Le Chant du Monde LDC 278 1012. Elena VARVAROVA. P Paris Sept. 1989,1 Feb. 1990. France: Accord 20281-2. Caroline WEICHERT. P Sept. 1993, 1994 ~ *Accord: 442 8213 (on third of four-disc set). [Sans opp. S(i) and B; Op. 34.] I Jan. 2007. Japan: Meldec MECC 28004. Transcription. Aleksandr MELNIKOV (violin), Valeri Popov (bassoon), Viktor Yampolsky (piano), and Sergei Ampleyev (percussion). P Mosfilm Studio, Moscow 1–10 Oct. 1994, I June 1995. Italy: Nuova Era NE 7263. Jean-Pierre AMENGAUD. P Ivrea, Italy Jan. 1995. France: Suoni é Colori Collection SC 53006 (‘DSCH Aphorismes’). Transcription. Alexandre BRUSSILOVSKY (violin), Amaury Wallez (bassoon), Paul Godart (piano), and Dominique Probst (percussion). P Hautes-Alpes, France concert Aug. 1996, I 1997. **Naxos 8.555781. Konstantin SCHERBAKOV. [Opp. 34, 12, and 5.] P Potton Hall, Suffolk 12–13 Feb. 2001, I Aug. 2001. The Divine Art CD 25018. Raymond CLARKE. [Sans op. B and Op. 5; Panufnik.] P Newcastle upon Tyne University 2 Sept. and 16 Dec. 2001, G Jan. 2003.

32

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Decca 470 649-2 (Hybrid SACD). Vladimir ASHKENAZY. [Opp. 61, 5, 97, 39, and 22; Sans opp. B and S(i).] P Potton Hall, Suffolk 11–12 Sept. 2003, I Apr. 2004, G June 2004 Stradivarius STR 33727 (‘Complete Piano Works, Volume 1’). Boris PETRUSHANSKY. [Sans opp. B and S(i); Opp. 5, 22, and 34.] P Bartók Studio, Bernareggio, Milan 17–19 Sept. 2003, I Feb. 2006. Stradivarius STR 33748. Boris PETRUSHANSKY. [Opp. 61 and 69; Sans opp. S(ii), A, and T.] P Moscow Broadcasting Studio 13–20 Apr. 2006.

Opus 14: Symphony No. 2 in B major Form: Symphony in one movement, of five continuous sections, for full orchestra (plus factory siren in F sharp) and S.A.T.B. chorus: Largo,
= 152, Allegro molto, Meno mosso, and choral finale setting of Aleksandr Bezymensky’s poem ‘To October’. Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum ~ F sharp siren, glockenspiel ~ S.A.T.B. chorus ~ strings. The composer provides a low brass option for the four sustained blasts on the factory hooter. Composed: April–June 1927, at Leningrad. A state commission received in late March 1927 to celebrate the tenth anniversary of the October Revolution. Dedication: ‘Dedication to October’ and inscribed ‘Proletarians of the World, Unite!’ Premières: 5 and 6 November 1927, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra and Academy Capella Choir, Nikolai Malko. 4 December 1927, The House of the Soviets Hall of Columns, Moscow; conducted by Konstantin Saradzhev. UK: 22 October 1969, Festival Hall, London; BBC Symphony Orchestra, Colin Davis. 2 February 2006, Bridgewater Hall, Manchester; Hallé and Hallé Choir, Mark Elder (first British concert use of a factory siren in F sharp). Arrangements: Reduction for two pianos four hands by the Tatyana Sergeyeva and reduction of the choral section for voices and piano by Yuri Olenev. Translations of the poem in English by Myron Morris and Andrew Huth and in German by Jörg Morgener. Not an arrangement though inspired by this work and Testimony, a pop song entitled ‘My October Symphony’ achieved hit status in 1990. It was written by the Pet Shop Boys, duo Neil Tennant and Chris Lowe, with acoustic string quartet, electric guitar, and keyboard accompaniment.

OP U S 14: SYM P HONY N O. 2 IN B MAJ OR

33

Music: The first of Shostakovich’s orchestral works to be published (New Collected Works Volume 17, 66). The autograph score preserved at the PGALI. Muzgiz, No. 7971, 1927, full score, 35 cm. Edwin F. Kalmus, No. 1457, c.1970, 31 cm. Muzyka, No. 8998, 1975, full score, 30 cm. Hans Sikorski, No. 2225,1984, score with Russian and German texts— the latter by J. Morgener, 21 cm. Muzyka, No. 11688 (in Volume 9 of Collected Works), 1984, vocal score of choral section by Yuri Olenev, 30 cm. Muzyka, No. 10713 (in Volume 1 of Collected Works), 1987, full score, 30 cm. DSCH Publishers, Moscow, 2001, New Collected Works Volume 2, full score, 112, 30 cm. DSCH Publishers, Moscow, 2004, New Collected Works, Volume 17, piano score by T. Sergeyeva, 222 including 31 pages of facsimile in colour, 30 cm. Duration: Approx. 20 minutes in score; 15' 25"–21' 21". Ballet: Second Symphony. Igor Belsky, one-act ballet performed at the Leningrad Malyi Opera Theatre in the 1970s. Recordings: LP and CD—USSR: Melodiya D017953-4 (mono). Leningrad Philharmonic Orchestra, Krupskaya Institute Chorus, Ivan Poltavtsev (chorus-master), Igor BLAZHKOV (conductor). P Leningrad concert 1 Nov. 1965, I 1966. Reissued on CD—USA: Russian Disc RDCD 11 195. I Oct. 1993, G Jan. 1994. *LP—USSR: Melodiya D023831-2 (mono) and CM 01883-4. [Op. 107.] Leningrad Philharmonic Symphony Orchestra, Students of the Krupskaya Institute Chorus, Ivan Poltavtsev (chorus-master), I. BLAZHKOV. P Leningrad studio c.1968 (the conductor cannot recall the exact date—as per Kenzo Amoh) ~ HMV Melodiya ASD 2747 (stereo). [Op. 27a.] I 1971, G Sept. 1971. Czech: Supraphon ST 50958. Slovák Philharmonic Orchestra and Chorus, Ladislav SLOVÁK. P June 1967, G July 1969. RCA Victor Red Seal SB 6755. Royal Philharmonic Orchestra and Chorus, John McCarthy (chorus-master), Igor Buketoff (chorus-director), Morton GOULD (conductor). P 1968, G Oct. 1968. ~ USA: RCA Victor LSC 3044. P 1968, G Oct. 1968. LP and CD—USSR: Melodiya CM 03625-6. Moscow Philharmonic Orchestra, RSFSR Academic Russian Choir, Aleksandr Yurlov (chorus-master), Kirill KONDRASHIN. P 1972, I 1973 ~ HMV Melodiya ASD 3060. G May 1975 ~ HMV Melodiya BOX 502501 in Set SLS 5025. G Dec. 1975 ~ USSR: Melodiya CM 03625–6 (in first box of

34

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Part 1 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1001-2. G May 1989 ~ BMG Classics Melodiya 74321 19844-2. I July 1994, G Nov. 1994. Decca SXDL 7535 (digital). London Philharmonic Orchestra and Choir, John Alldis (chorus-master), Bernard HAITINK. P Jan. 1981, G July 1982. Reissued on CD—Decca 421 131-2DH. G June 1988 ~ Decca Ovation 425 064-2DM. G Nov. 1993. USSR: Melodiya A10 00119 002 (digital). USSR Ministry of Culture Symphony Orchestra, Yurlov Republican Russian Choir, Rozaliya Peregudova (chorus-master), Stanislav Gusev (chorus-director), Gennadi ROZHDESTVENSKY. P 1984, I 1986a. Reissued on CD—Olympia OCD 200. G Apr. 1988. CD—Decca 436 762-2DH. Royal Philharmonic Orchestra, Brighton Festival Chorus, Laszlo Heltay (chorus-master), Vladimir ASHKENAZY. P Walthamstow Jan. 1989, I June 1994, G Aug. 1994. Naxos 8.550624. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 8–10 Jan. 1990, G Nov. 1993. Denon CO 75719. Vienna Symphony Orchestra, Chorus Viennesis— Guido Mancusi (chorus-master) and Damenchor des Wiener Singvereins— Johannes Prinz (chorus-master), Eliahu INBAL. P Vienna concert 16–18 Oct. 1992, G Aug. 1994. Teldec 4509 90853-2. London Symphony Orchestra, London Voices, Mstislav ROSTROPOVICH. P London 8–9 Feb. 1993, I Sept. 1994, G Oct. 1994 ~ Teldec 0630-17-46-2. G Oct. 1997 ~ *Warner Classics Elatus 2564 61374-2. [Op. 135.] I 2004. *Netherlands: Brilliant Classics 6274 (on first of eleven-disc set). WDR Symphony Orchestra and Chorus, Rudolf BARSHAI. [Opp. 10 and 20.] P Cologne 23 Jan. 1995, I Dec. 2001. BBC Music BBC MM50. BBC Symphony Orchestra and Chorus, Geoffrey Mitchell Choir, Stephen Jackson (chorus-master), Mark ELDER. P Royal Festival Hall, London concert 17 Feb. 1996, I Oct. 1996 magazine. Deutsche Grammophon 469 525-2GH. Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg Aug. 2000, G May 2001. **Germany: Capriccio 71 031 (Hybrid SACD). Prague Philharmonic Chorus, Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. [Op. 47.] P Cologne studio 20–24 Jan. and 13–17 July 2004, I Aug. 2005. EMI Classics 3 35994-2. Bavarian Radio Symphony Orchestra and Chorus, Mariss JANSONS. [Op. 112.] P Munich 29–30 June 2004 and 10 Jan. 2005, I Nov. 2005, G Feb. 2006. NB. Stated to be the first recording with a factory siren. Germany: Musikproduktion Dabringhaus und Grimm MDG 337 1206-2 (CD) and MDG 937 1206-6 (SACD). Beethoven Orchestra, National

O PUS 15: T H E N OSE

35

Ukrainian Choir ‘Dumka’, Roman KOFMAN. [Op. 112.] P Heilig-KreuzKirche, Bad Godesburg, Germany 16 and 17 Sept. 2004, I Feb. 2007. Arts 47705-8 (Hybrid SACD). Orchestra Sinfonica e Coro Sinfonico di Milano ‘Giuseppe Verdi’, Oleg CAETANI. P Auditorium di Milano concert July 2005, I 2006. Supraphon SU 38902 (on second of ten-disc set). Prague Symphony Orchestra and Philharmonic Choir, Jan Svejkovský (chorus-master), Maksim SHOSTAKOVICH. [Op. 93.] P Smetana Hall, Prague concert 6–7 Dec. 2005, G Nov. 2006. Note: Received the first prize in a Leningrad Philharmonic competition for the best symphonic score on the tenth anniversary of the October Socialist Revolution.

Opus 15: The Nose Form: A satirical opera in three acts, for chamber orchestra (with 2 harps, piano, flexatone, domras, and balalaikas), S.A.T.B. chorus, and 82 singing/ speaking parts. Libretto by Yevgeni Zamyatin, Georgi Ionin, Aleksandr Preis, and the composer, based on the short story Nose by Nikolai Gogol. The opera falls into sixteen sections: ACT 1 Scene 1: Scene 2:

Scene 3: Scene 4:

1. 2. 3. 4.

Introduction (Overture)—Allegro attacca The barber Ivan Yakovlevich—Adagio attacca The Embankment—Presto Entr’acte for percussion instruments—Allegro molto attacca 5. The bedroom of Kovalyov—Adagio attacca 6. Galop—Allegro molto attacca 7. Kazan Cathedral—Largo ACT 2

Scene 5: Scene 6:

8. 9. 10. 11.

Introduction Allegro attacca In the newspaper dispatch office—Allegro non troppo Entr’acte—Largo attacca In Kovalyov’s apartment—Allegretto ACT 3

Scene 7: Scene 8:

12. On the outskirts of St Petersburg—Allegretto attacca 13. In the apartments of Kovalyov and Podtochina— Allegretto attacca 14. Intermezzo—Moderato attacca

36

D M I T R I SHOSTA K OV IC H C A TA LO GUE

EPILOGUE Scene 9: Scene 10:

15. In Kovalyov’s apartment—Allegro attacca 16. Nevsky Prospect—Andante

Instrumentation: flute (= piccolo), oboe (= cor anglais), B flat clarinet (= E flat, A, and bass clarinet), bassoon (= contrabassoon) ~ horn, trumpet (= cornet), trombone (tenor and bass) ~ triangle, tambourine, castanets, side drum, tom-tom, rattle, cymbals (2 players—colla bacchetta and ordinario), bass drum, gong ~ whistle, orchestral bells, glockenspiel, xylophone, flexatone ~ small and alto domras, 2 balalaikas ~ 2 harps, piano ~ reduced string section with five-string double basses specified. Composed: Between the summers of 1927 and 1928. Act 1 was written within a month and Act 2 within a fortnight in January 1928, mostly at Moscow; Act 3 completed in three weeks at Leningrad. Premières: Suite: 25 November 1928, Moscow Conservatory Bolshoi Hall; Sovphil Orchestra, Nikolai Malko; Ivan Burlak (soloist in Nos. 2 and 6) and N. Barishev (soloist in No. 5). 26 May 1929, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra. 19 October 1929, Prague. Opera: 16 June 1929, Malyi Opera Theatre, Leningrad; concert version. 14 January 1930, Moscow-Narva House of Culture, Leningrad; three scenes performed with comments by the composer and musicologists, Yulian Vainkop and Ivan Sollertinsky. Complete opera on 18 January 1930, Malyi Opera Theatre, Leningrad; décor by Vladimir Dmitriev, produced by Nikolai Smolich, and conducted by Samuil Samosud; principal roles—Pavel Zhuravlenko, (Kovalyov), V. Raikov (Ivan Yakovlevich), Pyotr Zasetsky (Ivan), and Ivan Nechayev (Nose). UK broadcast: 21 October 1972, BBC Radio 3 presentation in Edward Downes’s English translation; BBC Northern Symphony Orchestra and Singers, E. Downes; principal roles—Geoffrey Chard (Kovalyov), Michael Langdon (Ivan Yakovlevich), and Nigel Rogers (Ivan and Nose). UK: 4 April 1973, Sadler’s Wells Theatre, London; New Opera Company, Leon Lovett; principal roles—Alan Opie (Kovalyov), Bryan Drake (Ivan Yakovlevich), Neville Williams (Ivan), and Bernard Dickerson (Nose). Performed in Downes’s English translation. USSR revival: 12 September 1974, Moscow Chamber Opera’s Youth Group, produced by Boris Pokrovsky, conducted by Gennadi Rozhdestvensky. Principal roles as on the Melodiya recording. UK: 26 February 2005, Barbican Hall, London; Mariinsky Theatre Orchestra, Chorus, and Soloists, Valery Gergiev.

O PUS 15: T H E N OSE

37

Arrangements: Reduction of the accompaniment for piano by the composer. English translations of the libretto by Merle and Deena Puffer, B. Vierne, and Edward Downes; German translation by Helmut Wagner and Karl Heinz Füssl; Italian version by Fedele D’Amico and Angelo Maria Ripellino; French, anonymously. Overture arranged for piano by Quinto Maganini. Arias Nos. 2, 5, and 6 from Opus 15a in Italian translation. Opus 15a—Suite of seven excerpts for chamber orchestra, tenor and baritone soloists, assembled by the composer in May and June 1928. Instrumentation as opera less bells and domras. 1. 2. 3. 4. 5. 6. 7.

Overture—Allegro Kovalyov’s aria from Scene 5—Largo con moto Percussion Interlude to Scene 3—Allegro molto Interlude to Scene 6—Adagio attacca Ivan’s aria from Scene 6—Allegretto attacca Kovlayov’s monologue from Scene 6—Andante Galop from Scene 3—Allegro

Words of No. 5 traditional: Smerdyakov’s song from Fyodor Dostoyevsky’s novel The Brothers Karamazov of 1880. Music: The autograph full score is the property of the Universal Edition publishing house, Vienna but the whereabouts of the autograph vocal score is not known. A portion of Scene 1 and fig. 504 with start of Epilogue of the autograph scores are reproduced in Volumes 18 and 19 of Collected Works respectively. Autograph score of the Suite Opus 15a preserved in the Shostakovich Family Archive. Sokol, Leningrad, mimeographed format, 1929. Universal Edition, English translation by Merle Puffer, vocal score. Universal Edition, No. 13439, 1962, vocal score with piano reduction by Karl Götz, and German text by Helmut Wagner and Karl Heinz Füssl, 30.5 cm. Edition Musicus, No. 228, c.1964, Overture arr. by Q. Maganini with additional parts and cross-cueing, though employing the original instrumentation, 31 cm. Santa Fe Opera, c.1965, libretto in English translation by Merle and Deena Puffer, 23 pages, 27 cm. Muzyka, No. 7544, 1974, vocal score in composer’s piano reduction, 30 cm. G. Schirmer, No. 47700, c.1977, percussion interlude No. 3 of Suite for triangle, tambourine, castanets, side drum, tom-tom, 3 cymbals, bass drum, and gong; 3 scores. Muzyka, No. 8392 (Volume 18 of Collected Works), 1981, full score, 30 cm.

38

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Muzyka, No. 10714 (Volume 19 of Collected Works), 1981, vocal score, 30 cm. Muzyka, No. 11935 (in Volume 23 of Collected Works), 1986, full score of Suite Op. 15a, 30 cm. DSCH Publishers, Moscow: full score in Volume 50, piano score in Volume 51, and Suite Opus 15a in Volume 68 of New Collected Works. Duration: Opera: 1 hr 43 mins. and Suite Op. 15a: 22' 22"–25' 31". Film: The Composer Shostakovich. A Soviet film, produced by Yuri Belyankin, recorded the final rehearsals of the 1974 Moscow revival. For details see under the Appendix. Recordings: LP—USA: Aries LP 1601. Suite Opus 15a. Arias sung in Italian. Tommaso Frascati (tenor), Paolo Pedani (baritone), Rome RAI Symphony Orchestra, Franco MANNINO. P Rome concert 13 Apr. 1963. NB. Record label states ‘Massimo Freccia conducting Italian Radio Orchestra’. Italy: Fonit Centra Doc 83 (mono). Italian version by Fedele D’Amico and Angelo Maria Ripellino. Renato Capecchi (Kovalkov), Italo Tajo (Ivan Yakovlevich), Tommaso Frascati (District Inspector), Dino Formichini (Ivan), Antonio Pirino (Nose), Cesy Broggini (Pelageya Podtochina), Jolanda Meneguzzer (Podtochina’s daughter), Donatella Rosa (Barber’s wife); singers, actors, and instrumentalists of the Maggio Musicale Fiorentino, Adolfo Fanfani (chorus-master), Bruno BARTOLETTI. P Firenze concert 23 May 1964. LP and CD—USSR: Melodiya C10 07007-10. Eduard Akimov (Kovalkov), Valeri Belykh (Ivan Yakovlevich), Boris Tarkhov (District Inspector), Boris Druzhinin (Ivan), Aleksandr Lomonosov (Nose), Lyudmila Sapegina (Pelageya Podtochina), Lyudmila Ukolova (Podtochina’s daughter), Nina Zazulova (Barber’s wife); singers, actors, and instrumentalists of the Moscow Chamber Music Theatre, Vladimir Agronsky (chorus-master), Gennadi ROZHDESTVENSKY (conductor). P 1974, I 1977a ~ HMV Melodiya ASD 3359-60 in Set SLS 5088. G Sept. 1977 ~ USSR: Melodiya C10 07007-10 (in joint first and second box of Part 3 of Collected Works on Records). I 1978 ~ BMG Melodiya 74321 60319-2. G May 1999 ~ *Russia: Melodiya MELCD10 01192 (two-disc set). [Sans op. K(i)], G Awards (Oct.) 2007. LP—Germany: Thorofon Capella MTH 149 (‘Drums in Concert’). Suite No. 3 only. Percussion Ensemble, Siegfried FINK. P c.1979. CD—France: Praga PR 250 003. Suite Opus 15a. Ludeˇk Löbl (tenor), Jindrˇ ich Jindrák (baritone), Boris Avkensentive (balalaika), Czech Philharmonic Orchestra, G. ROZHDESTVENSKY. P Prague concert 12 Jan. 1979, I June 1992. LP—USSR: Melodiya C10 28481 006. Suite No. 3 only. Ritmo Ensemble, Mark PEKARSKY. P 1989, I 1989d.

OP US 16: T AH IT I T ROT

39

LaserDisc—Japan: Toshiba EMI TOWL 3747-8. Eduard Akimov (Kovalkov), Aleksei Mochalov (Ivan Yakovlevich), Boris Tarkhov (District Inspector), Boris Druzhinin (Ivan), Nikolai Kurpe (Nose), Viktor Borovkov (Newspaper man), Lyudmila Sokolenko (Girl), Ashot Sarkisov (Doctor), Lyudmila Kolmakova (Pelageya Podtochina), Elesna Andreyeva (Podtochina’s daughter), Mariya Lemesheva (Barber’s wife); singers, actors, and instrumentalists of the Moscow Chamber Music Theatre, Vladimir AGRONSKY. P 9 Aug. 1995, I 1996. CD—Germany: Capriccio 10 779. Suite Opus 15a. Vladimir Katschuk (tenor), Stanislav Suleimanov (baritone), Cologne Radio Symphony Orchestra, Mikhail YUROVSKY. P Cologne 3–8 June 1996, I July 1999. **Switzerland: Cascavelle Radio Suisse Romande RSR 6183 (two-disc set). Andrew Schroeder (Kovalkov), Vladimir Matorin (Ivan Yakovlevich), Aleksandr Kravetz (District Inspector), Ivan Matiakh (Ivan), Beau Palmer (Nose), Linda Ormiston (Pelageya Podtochina), Jeannette Fischer (Podtochina’s daughter), Lausanne Opera Chorus, Véronique Carrot (chorus-master), Lausanne Chamber Orchestra, Armin JORDAN. P Opéra de Lausanne concert 11 and 13 Nov. 2001, I 2004. Note: Levon Hakobian’s article in Shostakovich and His World (Laurel E. Fay ed., Princeton University Press, 2004, 117–61) discusses the opera’s content in detail and has five music examples.

Opus 16: Tahiti Trot Form: Transcription for orchestra of Vincent Youman’s song ‘Tea for Two’, from the 1925 operetta No, No, Nanette, in A flat major marked ‘Moderato’. Instrumentation: piccolo, flute, 2 oboes, 2 B flat clarinets, bassoon ~ 4 horns, 2 trumpets, trombone ~ timpani, triangle, side drum, cymbals ~ glockenspiel/ xylophone (one player), celesta, harp ~ strings. Composed: 1 October 1927, from memory in 45 minutes, as a wager that he could orchestrate the number in an hour, at Nikolai Malko’s home. Dedication: ‘To dear Nikolai Andreyevich Malko as a token of my best feelings’. Premières: 25 November 1928, Moscow Conservatory Bolshoi Hall; Sovphil Orchestra, Nikolai Malko. UK: 14 August 1981, Royal Albert Hall ‘Prom’, London; BBC Symphony Orchestra, Gennadi Rozhdestvensky. Also broadcast on BBC Radio 3 simultaneously with BBC2 TV. Arrangements: The piece was included in the ballet music for The Golden Age, Opus 22, at the request of Aleksandr Gauk, with slight changes to the orchestration (including the addition of wood block and saxophone).

40

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Rearrangement of Shostakovich’s transcription for brass band (featuring two xylophones plus flexatone and two tuned Minton teacups) by Howard Snell. Performed in the ‘Best of Brass 1984’ final on BBC2 TV, 9 November 1984, by the Desford Colliery Dowty Band, conducted by H. Snell. Another brass band transcription by David Purser. Reduction for organ by Mariya Makarova. Music: The first 16 bars from the then unpublished manuscript are reproduced in Malko (1966). Full score reconstructed by Gennadi Rozhdestvensky from orchestral parts in Mrs Malko’s possession. [Chappell, No. 28568, 1924, song ‘Tea for Two’ by Vincent Youmans with lyrics by Irving Caesar, 31 cm.] Muzyka, No. 11678 (as a supplement to Volume 10 of Collected Works), full score, 30 cm. DSCH Publishers, Moscow: 2006, New Collected Works, in Volume 32, full score, 30 cm. Duration: 2' 26"–4' 17"; 4' 58" in Bolshoi Ballet production of Opus 22, London, July 1986 and 4' 23" as arranged for organ. Recordings: 78 rpm and LP—USSR: 13266-7 (10"). All-Union Radio Stage Symphony Orchestra, Leonid YURIEV. P 1945. Reissued on LP—USA: Colosseum CRLP 167 (‘Footlight Favorites from behind the Iron Curtain’—concert, mono) I 1954. LP—USSR: Melodiya D005704-5 (8" mono). Labelled as ‘Plyaska’ (‘Folk Dance’). All-Union Radio Stage Symphony Orchestra, Yuri SILANTIEV. P 1959. USSR: Melodiya C10 10399-400. USSR Symphony Orchestra, Yevgeni SVETLANOV. P 1978, I 1978d. LP and CD—USSR: Melodiya C10 14415-6 (Album 1 of ‘From Manuscripts of Different Years’). Leningrad Philharmonic Orchestra, Gennadi ROZHDESTVENSKY. P 1980, I 1981b ~ HMV Melodiya ASD 1650331. G July 1983. Reissued on CD—BMG Melodiya 74321 59058-2. G Mar. 1999. CD—BBC Radio Classics DMCD 98 (‘BBC Proms Centenary 1895– 1995’). BBC Symphony Orchestra, G. ROZHDESTVENSKY. P Proms concert 14 Aug. 1981, G Oct. 1995 ~ *BBC Legends BBCL 4242-2. [Opp. 112, 54, and Sans op. H(ii).] I Aug. 2008 G Nov. 2008. LP—Polyphonic PRL 024D (‘Best of Brass’, digital). Arr. H. Snell. Desford Colliery Dowty Band, Howard SNELL. P Derby July and August 1984, G Aug. 1985. LP and CD—Chandos ABRD 1279 (digital) and CHAN 8587. Scottish National Orchestra, Neeme JÄRVI. P Glasgow 14–17 Apr. 1987, G July 1988. CD—Teldec 8 44136. Arr. D. Purser. London Brass, David PURSER. P May 1988, I 1988.

OP US 16: T AH IT I T ROT

41

USA: Pro-Arte Fanfare CDD 551 (‘Shostakovich Film Festival’). Chicago Sinfonietta, Paul FREEMAN. P Oak Park, Illinois May 1990, I Aug. 1991. Bandleader BNA5061 (‘Sugar and Spice’). Arr. H. Snell. Kneller Hall Band, Colonel Frank RENTON. P Islington 1–2 May 1991, G Dec. 1992. Decca 433 702-2DH. Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 3 May 1991, G Mar. 1993 ~ *Deutsche Grammophon Panorama 469 316-2 (two-disc set). [Opp. 10, 47, 122, 35, G(ii), and 97.] I 2001. *Australia: ABC Classics 476 160-2. Queensland Symphony Orchestra, Vladimir VERBITSKY. [‘Elegance—Beautiful Music for Dancing’.] P ABC Studio, Brisbane 1–5 Mar. 1993, I 2004. Olympia OCD 585 (‘Music for Organ’). Arr. for organ. Mariya MAKAROVA (organ). P Moscow Conservatory Jan. 1995, 1 Mar. 1997. EMI Classics CDC5 55601-2. Philadelphia Orchestra, Mariss JANSONS. P Collingswood, New Jersey 8, 9, and 11 Mar. 1996, G Sept. 1997. USA: Pope Music PMG 2015-2 (‘Russian Pops’). Russian Symphony Orchestra, Mark GORENSTEIN. P Moscow Conservatory Sept. 1996. USA: DE 3257 (‘Waltzes’). Moscow Chamber Orchestra, Constantine ORBELIAN. P Moscow Conservatory 12–14 July 1999, G Dec. 1999. **CD and DVD—Naxos 8.555949. Russian State Symphony Orchestra, Dmitri YABLONSKY. [Op. 27, Sans op. G(ii) and E.] P Moscow Oct. 2001, G July 2002. *Reissued on DVD—Naxos Audio 5.110006. [As CD.] I Mar. 2003. Australia: ABC Classics 472 831-2. Queensland Symphony Orchestra, Michel SWIERCZEWSKI. [‘Music for Sundays’] P Brisbane Concert Hall concert 4 Nov. 2001, I 2003. CD—Monte Carlo: Bel Air Music BAM 2003 9 (‘Russian Film Music II’). Russian Philharmonic Orchestra, Sergei SKRIPKA. [Opp. 45, 97, Sans op. E; Petrov, Khachaturyan, Lebedev et al.] P Moscow Radio Studio Mar. 2002, I 2002. Virgin Classics 54 5069-2 (‘Ballet Russe’). Radio France Philharmonic Orchestra, Paavo JÄRVI. [Op. 22, Sans op. G(ii); Tchaikovsky, Khachaturyan, Prokofiev et al.] P Auditorium Messiaen, Radio France, Paris 16–21 Dec. 2002 and 2–6 June 2003, G July 2004. Germany: Sony Classical SXP 130082 (‘Who is Afraid of 20th Century Music? IV’). Hamburg State Philharmonic Orchestra, Ingo METZMACHER. [Ibert, Revueltas, Lutoslawski et al.] P Hamburg 31 Dec. 2002. Germany: Capriccio 71 096 (Hybrid SACD). Berlin Radio Symphony Orchestra, Steven SLOANE. [Op. 105; Sans opp. E and G(ii).] P Jesus-ChristusKirke, Berlin 28. Sept.–2 Oct. 2004, I Oct. 2006. Note: See the article by Solomon Volkov in The Musical Quarterly, April 1978, 223–8.

42

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Opus 17: Two Pieces by Scarlatti Form: Transcription for wind ensemble and timpani of two harpsichord pieces by Domenico Scarlatti: 1. Pastorale (Longo catalogue No. 413)—Allegro non tanto 2. Capriccio (Longo catalogue No. 375)—Presto Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 2 horns, 2 trumpets, trombone ~ timpani. The brass instruments are not employed in No. 1. Composed: Autumn 1928. Premières: 25 November 1928, Moscow Conservatory Bolshoi Hall; Sovphil Orchestra, Nikolai Malko. UK: 22 June 1984, Almeida Theatre, Islington, London; Contemporary Chamber Orchestra, Odaline de la Martinez. Music: Location of the autograph score not discovered but handwritten scores and parts found, after the composer’s death, by Igor Blazhkov in the library of the Leningrad Philharmonic Orchestra. Muzyka, No. 27, 1983, photocopied manuscript score numbered Opus 16, 36 cm. DSCH Publishers, Moscow, 2006, New Collected Works, in Volume 32, full score, 30 cm. Duration: No. 1: 3' 35" and No. 2: 3' 30". Recordings: LP and CD—USSR: Melodiya C10 14415-6 (Album 1 of ‘From Manuscripts of Different Years’). Soviet wind ensemble under Gennadi ROZHDESTVENSKY. P 1980, I 1981b ~ HMV Melodiya ASD 1650331. G July 1983 ~ BMG Melodiya 74321 59058-2. G Mar. 1999 ~ France: Le Chant du Monde PR 7250 090. P given as Czech Radio concert 7 July 1981, G Feb. 2001. **USA: Equilibrium EQ 59. University of Michigan Symphony Band, Michael HAITHCOCK. [Persichetti, Tchaikovsky, Russell Bennett et al.] P University of Michigan 1 Nov. 2001, I 2003.

Opus 18: New Babylon Form: Music for small orchestra (including flexatone and piano) for the silent black-and-white film New Babylon, directed by Grigori Kozintsev and Leonid Trauberg and produced by the FEKS Group, for the Leningrad Sovkino Studio. Screenplay by Kozintsev and Trauberg based on an idea by Pavel Blyakhin (after the writings of Karl Marx and Eˇmile Zola). Art direction by Yevgeni Enei. The shop girl Louise was played by Yelana Kuzmina and the soldier Jean, by her husband Pyotr Sobolevsky. Provisional

OP U S 18: N EW BABY L ON

43

titles: ‘The Assault on Heaven’ [or ‘Storming the Skies’] and ‘Episodes of the Paris Commune in 1871’. Instrumentation: flute, oboe, B flat clarinet, bassoon ~ 2 horns, trumpet, trombone ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong, flexatone, xylophone (3 percussionists) ~ piano ~ strings. Tam-tam and orchestral bells in restored end fragment. Fitz-Gerald’s instrumentation reduces the percussion to timpani and a single performer and the strings to two violins, single viola, cello and bass. Composed: 28 December 1928 (signing of contract) to early March 1929, at Leningrad. Piano score written in two weeks with completion on 31 January 1929. Premières: The eight-reel Sovkino film was first shown at the Piccadilly cinema in Leningrad on 18 March 1929, with the music conducted by Mikhail Vladimirov, but the score was replaced by simpler mood pieces after about three screenings and not used habitually until the film was released in a Moscow cinema, where the pit orchestra was conducted by Ferdinand Krish. Film revival: 21 November 1975, Paris Film Festival; the film shown with the score played by the Ensemble Ars Nova under the direction of Marius Constant. UK broadcast: 13 March 1978, BBC Northern Ireland Orchestra, Havelock Nelson; Suite Nos. 1, 5, and 6. UK film revival: 22 September 1982, Queen Elizabeth Hall, London; the film shown with the original accompanying score played by the London Lyric Orchestra, under conductor Omri Hadari. Netherlands film revival: 21 November 1982, Eindhoven; Brabant Orchestra, O. Hadari (in the presence of Leonid Trauberg, who was seeing his film for the first time in 50 years). USA film revival: 3 October 1983, Radio City Music Hall, New York; a Corinth Films Release, presented for the first time with a live symphony orchestra, as a special event at the 21st New York Film Festival; Radio City Music Hall Chamber Orchestra, O. Hadari. BBC Television: 11 January 1985, the first TV screening introduced by Lindsay Anderson; London Lyric Orchestra, O. Hadari. Australia: 9 November 2008, City Recital Hall, Angel Place, Sydney, NSW; film presented by Russian Resurrection; SBS Youth Orchestra, Matthew Krel. UK restoration of the original print: 16 and 17 May 2009, Opera North, Howard Assembly Room, Victorian Grand Theatre, Leeds; realised by Marek Pytel and conducted by Mark Fitz-Gerald. All originally cut filmic material, including censored ending, restored at constant 24 frames per second.

44

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Arrangement: Suite restored from orchestral parts by Gennadi Rozhdestvensky: 1. 2. 3. 4. 5. 6. 7.

War—Allegro non troppo Paris—Allegro moderato attacca The Siege of Paris—Largo Operetta—Moderato—Allegretto Paris has stood for centuries—Allegretto Versailles—Adagio—Allegretto [attacca] Finale—Andante—Allegro (this item, banded separately on the 1975 recording, is the coda of No. 6 in the printed score)

No. 1 includes the main theme of Scherzo in E flat major, Opus 7 and No. 6 quotes the solo piano piece ‘Old French Song’, No. 16 from Pyotr Tchaikovsky’s Album for Children, Opus 39. The score introduces several other themes, notably the round dance ‘La Carmagnole’ and the chant ‘Ça Ira!’ of the French Revolution; Rouget de l’Isle’s ‘La Marseillaise’; and the waltz and can-can, respectively, from Jacques Offenbach’s operettas La Belle Héllène and Orphée aux Enfers. Music: The autograph score is preserved at GTsMMK though the composer thought that the music was lost. On 27 January 1976 Pravda reported that the orchestral parts had been discovered in a storeroom at the Lenin Library, Moscow by Gennadi Rozhdestvensky. Sovkino, Leningrad, 1929, 14 orchestral parts and piano score, numbered Opus 17 as originally designated by the composer, 34 cm. [The piano part of the Library of Congress copy of ten parts (strings missing) has film cues marked in English in red ink.] Sovetskii kompozitor, No. 4191, 1976, Suite from Music to the Film, restored by Rozhdestvensky, full score numbered Opus 17 (see Plate 6), 30 cm. DSCH Publishers, Moscow, 2004, New Collected Works, Volume 122, full score, 576 pp., 30 cm. Duration: Film: 94–106 minutes (2200 metres, seven reels). Complete film score: 84' 23"– 91' 30". Restored version: (2580 metres). Suite: given as 50 minutes in score; the 1975 recording, which has three cuts in No. 4, timed at 41 minutes; 44' 19". Ballet: The Overcoat. For details see under Opus 32. Recordings: LP and CD—USSR: Melodiya C10 07381-2. Suite. Soloist Ensemble of the Moscow Philharmonic Orchestra, Gennadi ROZHDESTVENSKY. P 1975, I 1977b ~ HMV Melodiya ASD 3381. G Dec. 1977. Reissued on CD—USA: Russian Disc RDCD 11 064. I Feb. 1995. CD—Germany: Capriccio 10 341/42. Complete film score in eight parts. Berlin Radio Symphony Orchestra, James JUDD. P Berlin 1–12 Oct. 1989 and 7–8 Feb. 1989 (sic), I Oct. 1990.

OP US 19: T H E BEDBUG

45

Chandos CHAN 9600. Suite. Russian State Symphony Orchestra, Valeri POLYANSKY. P Mosfilm Studio Jan. 1995, G June 1998. Germany: Hänssler Classic SWR Music CD 93.188 (two-disc set). Original score in eight parts. Kai Adomeit (piano), SWR Rundfunkorchester Kaiserslautern, Frank STROBEL. [Op. 120.] P SWR Studio 8–13 and 17 June 2005. Notes: The movements were given the following titles in the première programme: 1. General Sale, 2. Head over Heels, 3. The Siege of Paris, 4. 18 March 1871, 5. Versailles against Paris, 6. The Barricade, 7. To the Firing Squad, and 8. Death. See Chapter VIII in Leonid Trauberg and His Films by Theodore van Houten (Art & Research/Graduate Press, s-Hertogenbosch, Buren, 1989) and Shostakovich and FEKS by Dr Hélène Bernatchez (Munich, 2006); and the articles ‘Nothing but Trouble’ by Alan Mercer in DSCH Journal No. 1 (summer 1994), 29–35; ‘Myth, Parisity and Found Music’ by John Riley in DSCH Journal No. 4 (winter 1995), 27–31 and the original 1929 print restored by Marek Pytel and conductor Mark Fitz-Gerald in DSCH Journal No. 30 (January 2009), 61–64.

Opus 19: The Bedbug Form: Incidental music to the comedy The Bedbug by Vladimir Mayakovsky. The score for small orchestra with bass-baritone and chorus (in No. 8) and orchestra (in Nos. 19–20) consists of 23 items numbered as follows:




Part One—The Year 1929 1–3. March—Tempo di marcia (No. 1 in the Suite) 4. 5. Galop—Allegro (No. 2 in the Suite) 6. Foxtrot—Allegro non troppo (No. 3 in the Suite) 7. Foxtrot (Wedding [‘Intermezzo’ is an unknown person’s title]— Allegretto* (No. 5 in the Suite) 8. [Wedding Scene]—Allegro 9. Waltz—Andante (No. 4 in the Suite) 10. Dance (Foxtrot) 11. (Symphonic Entr’acte—a combination of Nos. 4 and 7) 12. Fire—[Vivo]* and Fire Signals* 13. Fireman’s Chorus [The full score inscribed ‘Finale of Part 1’ by an unknown person]—[Marciale]* Part Two—Fifty Years Later 14–18. Scene in the Public Garden (or Boulevard)—[Allegretto moderato]— (No. 6 in the Suite)

46

D M I T R I SHOSTA K OV IC H C A TA LO GUE

19. 20. 21. 22. 23.

March of the Pioneers—Allegretto* March of the City Elders—[Tempo di marcia]* Flourish—Allegro* Waltz from Act 2—[Moderato]* [Closing March]—[Giocoso] (No. 7 in the Suite)

Instrumentation: 2 flutes, 2 B flat clarinets, 2 soprano saxophones ~ horn, 2 trumpets, trombone, tuba ~ E flat alto, B flat baritone, and bass saxhorns ~ triangle, tom-tom, side drum, cymbals, bass drum ~ flexatone, balalaika, guitar ~ strings. Nos. 4–6 inscribed ‘for two accordions’ though played by a trio in the production. Composed: January–February 1929, in less than a month at Moscow and Leningrad. Premières: 13 February 1929, Meyerhold Theatre, Moscow; directed by Meyerhold; décor by Kukryniksky and Aleksandr Rodchenko. UK suite: 10 July 1982, Riverside Studios, Hammersmith, London; Haroutune Bedelian (violin), Elizabeth Wilson (cello), and Kathron Sturrock (piano). USA suite: 12 January 1987, Merkin Concert Hall, New York; De Capo Chamber Players (Joel Lester, André Emelianoff, and Sarah Rothenberg). USA surviving published score (Nos. 1, 7, 8, 12–13/14–18, 19–23): 25 January 2008, Lincoln Center, New York; American Symphony Orchestra, Leon Botstein; Joshua Winograde (bass-baritone, Concert Chorale of New York (James Bagwell (chorus-master), and four speakers. Arrangements: Suite of seven numbers from the score: 1. 2. 3. 4. 5. 6. 7.

March—Tempo di marcia Galop—Allegro Foxtrot—Allegro non troppo Waltz—Andante Intermezzo—Allegretto Scene in the Boulevard—[Allegretto moderato] Closing March—[Giocoso]

Nos. 2 and 4 taken from New Babylon, Opus 18 (‘War’ and ‘Versailles’ respectively). Reduction for piano of the Suite: Nos. 1–4 arranged by the composer and Nos. 5–7 by Lev Solin; and eight items from the incidental music (marked*) by V. Samarin. Suite (Nos. 1–7) transcribed for piano trio by Gerard McBurney. Music: Autograph score, numbered Opus 18, preserved at the Bakhrushin State Central Theatrical Museum. Autograph vocal and piano scores of the March, the Waltz for solo piano, ‘March of the Pioneers’, and other

O P U S 20: SYMP HONY NO. 3 IN E FL AT MAJ OR

47

incomplete items preserved at PGALI. A page of the autograph full score of ‘Wedding Scene’ at the first flexatone entry reproduced in Volume 27 of collected works. A page of the autograph socre of ‘March of the Pioneers’ is reproduced on page 78 of Roseberry (1982). Sovetskii kompozitor, No. 4028 (in Dmitri Shostakovich: Music to Plays), 1977, seven pieces arr. for piano, 29 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, vocal and piano scores of fifteen items, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, eleven items (Nos. 1–3, 7, 8, 12, 13, 14–18, 19, 20, 21, 22, and 23) in full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 116 and piano score in Volume 120 of New Collected Works. Duration: Suite: Nos. 1–7: 19' 00". Ballet: The Bedbug. Leonid Yakobson, Kirov Theatre, Leningrad, 24 July 1962. A one-act ballet-buffa reworked for the Leningrad Ballet Troupe ‘Choreographic Miniatures’, 20 July 1974. UK première of Yakobson’s ballet: 25 July 2006, Coliseum Theatre, London; Mariinsky Opera and Ballet under its Artistic Director Valery Gergiev; Boris Messerer (designer), Andrei Ivanov (Prisypkin, the Clown), Ekaterina Osmolkina (Zoya), Nikolai Naumov (Mayakovsky, the Poet), Mariinsky Orchestra, Tugan Sokhiev (conductor). Recordings: LP and CD—Sweden: Bluebell Bell 126. Suite Nos. 3, 4, and 2. Inger WIKSTRÖM (piano). P Stockholm 28 Jan. and 1 Feb. 1981. Reissued on CD—Sweden: Swedish Society Discofil SCO 1031. I 1988. USSR: Melodiya A10 00107 009 (Album 3 of ‘From Manuscripts of Different Years’, digital). Suite Nos. 1, 5, 6, and 7. USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1982, I 1985d. Reissued on CD—BMG Melodiya 74321 59058-2. G Mar. 1999. Cassette—Whitetower Records Ensemble ENS 132 (‘Music and Revolution, Volume 1’, digital real time). Suite Nos. 1, 2, 4–7 arr. G. McBurney. Alexander BALANESCU (violin), Elizabeth WILSON, (cello), and Andrew BALL (piano). Volume 1). I 1985. LP—USSR: Melodiya C10 28379 002. Suite No. 5 arr. L. Solin. Vladimir VIARDO (piano). P1986, I 1990a. CD—Chandos CHAN 9907 (‘Theatre Music’). Suite. Nos. 5, 6, 4, 1, 3, 2, and 7 arr. composer and L. Solin. Rustem HAYROUDINOFF (piano). P Potton Hall, Suffolk 7–8 Aug. 2000, I Apr. 2001.

Opus 20: Symphony No. 3 in E flat major Form: Symphony, subtitled ‘The First of May’ or ‘May Day’, in one movement marked ‘Allegretto’, with four or five subdivisions, for full orchestra and S.A.T.B. chorus (for the choral hymn finale setting of a poem by Semyon

48

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Kirsanov). Originally called ‘A May Symphony’ and this subtitle preserved in the piano reduction. Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone ~ S.A.T.B. chorus ~ strings. Five-string double-basses required in the symphony; their use is not stipulated in the list of instruments. Composed: July onwards 1929, at Leningrad. Premières: 21 January 1930, Moscow-Narva House of Culture, Leningrad; Leningrad Philharmonic Orchestra and Academy Capella Choir, Aleksandr Gauk. [Official première given in Leningrad on 6 November 1931 under the same conductor.] USA: 30 December 1932, Philadelphia Orchestra, Leopold Stokowski. [Without the choral finale (replaced by an instrumental arrangement?).] USSR revival: 12 May 1964, Leningrad; Igor Blazhkov. Arrangements: Reduction for voices and two pianos four hands by the composer. English translation of the poem by Valeria Vlazinskaya. Music: The autograph score preserved at PGALI. Muzgiz, No. 13064, 1932, with Russian and German texts (the latter by D. Ussov), 33 cm. Leeds Music, no number, 1946, with Russian and German texts, 21.5 cm. Muzyka, No. 9000, 1975, full score, 30 cm. Muzyka, No. 10778 (in Volume 2 of Collected Works), 1982, full score, 30 cm. Muzyka, No. 11688 (in Volume 9 of Collected Works), 1984, the composer’s vocal score of the choral section, 30 cm. Hans Sikorski, No. 2226, 1993, 21 cm. DSCH Publishers, Moscow, 2002, New Collected Works Volume 3, full score including 6 pages of facsimile in colour, with Opus 43 fragment, 224 pages, 30 cm. DSCH Publishers, Moscow, 2003, New Collected Works Volume 18, the composer’s reduction for voice and two pianos four hands, 30 cm. Duration: Approx. 30 minutes in score; 26' 12"–33' 20"; 25 minutes (M. MacDonald); 28 minutes (Schirmer). Recordings: LP—USSR: Melodiya D017953-4 (mono). Leningrad Philharmonic Orchestra, Krupskaya Institute Chorus, Ivan Poltavtsev (chorus-master), Igor BLAZHKOV. P Leningrad concert 12 Nov. 1964. RCA Victor Red Seal SB 6755. Royal Philharmonic Orchestra and Chorus, John McCarthy (chorus-master), Igor Buketoff (chorus-director), Morton GOULD (conductor). P 1968, G Oct. 1968. LP and CD—USSR: Melodiya CM 04237-8. Moscow Philharmonic Orchestra, RSFSR Academic Russian Choir, Aleksandr Yurlov

O P U S 20: SYMP HONY NO. 3 IN E FL AT MAJ OR

49

(chorus-master), Kirill KONDRASHIN. P 1972, I 1974c. ~ HMV Melodiya ASD 3045. G Feb. 1975 ~ HMV Melodiya BOX 502502 in Set SLS 5025. G Dec. 1975 ~ USSR: Melodiya CM 04237-8 (in first box of Part 1 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1001-2. G May 1989 ~ BMG Classics Melodiya 7432119845-2, I July 1994, G Nov. 1994. CD—France: Praga PR 254 055. Czech (Prague) Radio Symphony Orchestra Vacláv SMETÁCˇEK. P Czech Radio 1974,1 July 1994. LP and CD—Decca SXDL 7535 (digital). London Philharmonic Orchestra and Choir, John Alldis (chorus-master), Bernard HAITINK. P Jan. 1981, G July 1982. Reissued on CD—Decca 421 131-2DH. I Mar. 1988, G June 1988 ~ Decca Ovation 425 063-2DM. I Aug. 1993, G Nov. 1993. I Aug. 1993, G Nov. 1993. USSR: Melodiya A10 00129 006 (digital). USSR Ministry of Culture Symphony Orchestra, Yurlov Republican Russian Choir, Rozaliya Peregudova (chorus-master), Stanislav Gusev (chorus-director), Gennadi ROZHDESTVENSKY. P 1984, I 1986a. Reissued on CD—Olympia OCD 161. I Nov. 1988, G May 1989 ~ *USA: Moscow Studio Archives MOS 19061. [Op. 10.] I 2004. Naxos 8.550623. Czecho-Slovak Radio Symphony Orchestra, Slovák Philharmonic Chorus, Ladislav SLOVÁK. P Bratislava 20–26 Jan. 1990, I Jan. 1993, G Nov. 1993. Decca 436 760–2. Royal Philharmonic Orchestra, Bach Choir, David Willcocks (chorus-master), Vladimir ASHKENAZY. P Walthamstow May 1992, I Oct. 1994. CD—Denon CO 75444. Vienna Symphony Orchestra, Vienna Youth Choir, Giinther Theuring (chorus-master), Schola Cantorum, Eliahu INBAL. P Vienna concert 13–15 Oct. 1992, I Nov. 1993, G Feb. 1994. Teldec 4509 90853-2. London Symphony Orchestra, London Voices, Mstislav ROSTROPOVICH. P London 8–9 Feb. 1993, I Sept. 1994, G Oct. 1994 ~ Teldec 0630-17046-2. G Oct. 1997. *Netherlands: Brilliant Classics 6275 (on first of eleven-disc set). WDR Symphony Orchestra and Chorus, Rudolf BARSHAI. [Opp 10 and 14.] P Cologne 30 Sept.–3 Oct. 1994. BBC Proms BBCP 1005-2. London Symphony Chorus, BBC Scottish Symphony Orchestra, Osmo VÄNSKÄ. P Proms concert 19 Aug. 1998, I Aug. 1999, G Nov. 1999. Deutsche Grammophon 469 525-2GH. Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg Dec. 1996, I Mar. 2001, G May 2001. **Switzerland: Relief CR 991077. Moscow State Academic Choir, Vladimir Mini (chorus-master), Moscow Radio Symphony Orchestra,

50

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Vladimir FEDOSEYEV. [Op.10.] P Moscow Conservatory concert 5 May 2003, I Oct. 2005. Germany: Capriccio 71 030 (Hybrid SACD). Prague Philharmonic Chorus, Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. [Op. 10.] P Cologne studio 20–24 Jan. and 13–17 July 2004, I Aug. 2005. EMI Classics 356 830-2. Bavarian Radio Symphony Orchestra and Chorus, Marriss JANSONS. [Op. 135.] P Herkulessaal, Müncher Residenz 10–12 Jan. 2005, I July 2006, G Oct. 2006. Musikproduktion Dabringhaus und Grimm MDG 937 1210-6 (Hybrid SACD) and MDG 332 1210-2 (CD). Czech Philharmonic Choir, Beethoven Orchestra of Bonn, Roman KOFMAN. [Op. 141.] P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 28 Nov. and 6 Dec. 2005, I Aug. 2008. Supraphon SU 38902 (on third of ten-disc set). Prague Symphony Orchestra and Philharmonic Choir, Jan Rozehnal (chorus-master), Maksim SHOSTAKOVICH. [Op. 135.] P Smetana Hall, Prague concert 28 Feb. and 1 Mar. 2006, G Nov. 2006. Arts 47723-8 (Hybrid SACD). Orchestra Sinfonica e Coro Sinfonico di Milano ‘Giuseppe Verdi’, Erina Gambani and Ruben Jais (chorus-masters), Oleg CAETANI. P Auditorium di Milano concert Apr. 2006, I Oct. 2006.

Opus 21: Six Romances by Japanese Poets Form: 1. 2. 3. 4. 5. 6.

Suite of six songs for tenor and full orchestra (with two harps): Love (An Epitaph)—Andante Before Suicide—Adagio Immodest Glance—Allegretto For the First and Last Time—Andante Hopeless Love—Adagio Death—Largo

Texts by Japanese poets: No. 1 of unknown antiquity; No. 2 by the seventh-century poet Prince Ootsu; No. 3 known to be eighteenth century. Nos. 1–3 from Japanese Lyric Poetry collection published in St Petersburg in 1912 in a translation by A. Brandt. No. 4 written by Aleksandr Preis and Nos. 5 and 6 anonymous. Instrumentation: 2 flutes (II = piccolo), 2 oboes, E flat clarinet, 2 B flat clarinets, bass clarinet, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, cymbals, gong ~ glockenspiel, xylophone, 2 harps ~ strings. [The early score lists reduced woodwind with single oboe, B flat clarinet, and bassoon.] Composed: Nos. 1–3 in 1928 (and originally designated Three Excerpts from Japanese Poetry for Voice and Piano) (No. 1 dated 7 October); 4 in late 1931; 5 and 6 in April 1932. Written at Leningrad.

O P U S 21: SIX ROMA NC ES B Y J APAN ESE POET S

51

Dedication: Nina Vasilievna Varzar (fiancée). Premières: 24 April 1966, Concert Hall of the Academic Glinka Choir, Leningrad; Anatoli Manukhov (tenor), Leningrad Philharmonic Orchestra, Igor Blazhkov. UK broadcast: 28 August 1980, Maldwyn Davies (tenor, singing in Russian), Orchestra of the National Centre for Orchestral Studies, Gennadi Rozhdestvensky. Opus 21a: 30 March 1977, All-Union House of Composers, Moscow; Aleksei Maslennikov (tenor) and Liya Mogilevskaya (piano). Arrangements: Accompaniment arranged for piano by the composer (Opus 21a). German translation by Jorg Morgener. Music: Autograph full and piano scores preserved at PGALI though the orchestral parts and piano score are incomplete. Russian printed edition of manuscript not in the composer’s hand, unnumbered and undated, full score, 35 cm. Copy in the BBC Music Library. Muzyka, No. 10113 (in Volume 31 of Collected Works), 1982, full score, 30 cm. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, reduction, 30 cm. Hans Sikorski, No. 2296, 1987, reduction with Russian and German texts—the latter by J. Morgener, 31.5 cm. DSCH Publishers, Moscow, 2006, New Collected Works, in Volume 87, full score, 30 cm. Duration: Approx. 13 minutes in score; 11' 35"–14' 03". Recording: LP—USSR: Melodiya C10 10617-8 (in third box of Part 3 of Collected Works on Records). Opus 21a. Aleksei MASLENNIKOV (tenor) and Liya Mogilevskaya (piano). P and I 1978. LP and CD–USSR: Melodiya C10 19103 004. (Album 2 of ‘From Manuscripts of Different Years’). A. MASLENNIKOV (tenor), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P 1982, I 1983d. Reissued on CD—BMG Melodiya 74321 59057-2. I Feb. 1999. CD—Deutsche Grammophon 447 085-2GH. (‘The Orchestral Songs, Volume 2’). Ilya LEVINSKY (tenor), Gothenburg Symphony Orchestra, Neeme Järvi. P Gothenburg May 1994, G Jan. 1996. Germany: Capriccio 10 777. Vladimir KASATSCHUK (tenor), Cologne Radio Symphony Orchestra, Mikhail Yurovsky. P Cologne 22–27 May 1995, I 1998. Japan: Meister Music MM 1005. (‘Ernst Haefliger sings Waka’). Opus 21a, sung in German. Ernst HAEFLIGER (tenor) and Tomoko Okada (piano). P Kusatu Ongaku-no-mori Concert Hall Sept. 1994. Classic FM 75605 57004-2. Mark TUCKER (tenor), Yomiuri Nippon Symphony Orchestra, Tadaaki Otaka. P Kamakura 3–6 June 1996, G Jan. 1998.

52

D M I T R I SHOSTA K OV IC H C A TA LO GUE

**USA: Delos DE 3309 (‘Complete Songs, Volume Three’). Opus 21a. Viktoria YEVTODIEVA (soprano) and Yuri Serov (piano). [Opp. 4, 46, 32, 58a, and 62.] P St Petersburg 10 May 2001, I 2003. Note: The text of No. 2, given as by Oxotsuno Otsi on Russian recordings and Otsuno Odzi in Collected Works Volumes 31 and 32, should read Ootsu no ooji (= Ootsu called Prince). Prince Ootsu, son of Emperor Temmu, was famous as the poet who wrote four Japanese short poems in Man yoo shuu (the oldest Japanese book of poetry, published in 20 volumes around the 8th century). He was executed in 686 on suspicion of conspiracy.

Opus 22: The Golden Age Form: Ballet in three acts, also translated as The Age of Gold and known under the French title of L’Age d’Or. Original working title ‘Fashlandiya’ and later, ‘Dinamiada’. Presented in Odessa in 1931 as ‘Dinamiada or The Days of Europe’. Libretto by Aleksandr Ivanovsky, choreography by Vladimir Chesnakov, Leonid Yakobson, and Vasili Vainomen, with designs by Valentina Khodasevich. The augmented orchestra includes two saxophones, additional brass, banjo, accordions, harmonium, and flexatone. The complete Ballet scenario consists of thirty–seven numbers, given here as List 1, following the titles and order in Sadovnikov (1965) and Meskhisvili (1995): ACT 1 1. Introduction Scene 1: ‘The Golden Age Industrial Exhibition’ 2. Procession of Guests of Honour 3. Review of Window Displays 4. Demonstration of ‘Important’ Exhibits 5. Prestidigitator––Barker: Hindu Dance 6. Prize fighting for publicity 7. Scandal at the Boxing Match Scene 2: ‘Exhibition Hall’ 8. Foxtrot: Dance of the Golden Youths 9. Exhibition Director’s appearance with Diva 10. Adagio of Diva and the Fascist 11. Arrival of Soviet Football Team 12. Variation of Diva and the Fascist 13. Soviet Dance 14. Scene: Soviet Worker invites Diva to a dance 15. Dance of Diva and the Fascist 16. Dance of the Negro and two Soviet football players

OP U S 22: T H E GOL DEN AGE

17. 18. 19. 20.

53

Waltz: Alleged Bomb Plotter—‘The Hand of Moscow’ Confusion among the Fascists A Rare Case of Mass Hysteria Foxtrot...foxtrot...foxtrot ACT 2

Scene 3:

Scene 4:

‘Street in the City’ 21. Pantomime: Sleuthing by an Agent Provocateur and an Arrest ‘Workers’ Stadium’ 22. Workers’ Procession to the Stadium 23. Pioneers’ Dance—Dances: Boxing, Discus-throwing, Tennis, English Hockey, and Fencing 24. Reception of the Soviet Football Team 25. The Football Match 26. Interlude: Everybody amuses oneself in one’s own way 27. Sportive Dance of Western Komsomol members and four Sportsmen ACT 3

Scene 5:

Scene 6:

28. General Sportive Dance 29. ‘The Red Front’ [pre-war anti-fascist organization] ‘Music Hall (Divertissement)’ 30. Introduction 31. Tap-dance: Shoe Shine of the Best Quality 32. Tango 33. Polka: Once Upon a Time in Geneva—‘Angel Of Peace’ 34. Touching Coalition of Classes, slightly fraudulent 35. Can-can ‘Outside the Prison’ 36. Liberation of Prisoners. General Exposure 37. Finale: Solidarity Dance of Western Workers and the Soviet Team

NB. For performance the order of the numbers was slightly rearranged and the staging titles altered from the composer’s musical score of spring 1930, here tabulated as List 2: ACT 1 1. Prelude—Allegro non troppo attacca 2. Dance of the Maitre d’Hotel and the Aristocrats—Allegretto 3. Sportsmen’s Training Session—Allegro vivace attacca

54

D M I T R I SHOSTA K OV IC H C A TA LO GUE

4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19.

Entrance of the Maitre d’Hotel and the Aristocrats—Allegretto attacca Dance of the Tennis Players and Training Session—Allegro attacca The Maitre d’Hotel reports . . . —Moderato non troppo attacca Preparations for Diva’s Visit—Moderato—Andante Dance of the Golden Youths—Allegro Adagio Dance of Diva and Tanya—Andantino Dance—Allegro Conversation between Diva and the Hero—Allegretto attacca Dance of Diva and the Hero—Andantino—Allegro Dance of the Negro and the White Man—Allegro General Dance—Andantino attacca General Confusion—Adagio Diva’s Despair—Allegretto Conversation between the VIP and . . . —Andante Foxtrot—Allegro non troppo ACT 2

20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33.

Galop—Allegro March—Allegretto Football—Allegro Interlude—Andantino Dance of Tanya and Sportsmen from U-Town—Andantino Sports Contest—Allegro Scene and Exit of the Soviet—Allegro Interlude—Allegretto Tap-dance—Allegretto Tango—Largo Polka—Allegretto Eccentric Dance—Presto—Andante—Presto Andante Allegro vivace ACT 3

34. 35. 36. 37.

Adagio Adagio—Allegro—Andantino attacca Allegro attacca Finale—Allegro con brio

Tahiti Trot included as an Entr’acte, No. 27—see Opus 16. Nos. 20 and 33 were later reorchestrated as the Actors’ Pantomime, Opus 32a No. 5. Diva is the first name of a dancer. She is not an operatic prima donna.

OP U S 22: T H E GOL DEN AGE

55

NB. The piano score of the ballet (DSCH, Moscow, 1995) is stated to be the composer’s final version of the work though this differs in the nomenclature of several numbers and their sequence. Generally the titles agree with the ballet (List 1) under ‘Form’ and not the musical score as given on Rozhdestvensky’s recording of the complete ballet (List 2). The full titles and their order are clarified in the following table with the tempo indications unaltered from List 2: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21.

22. 23.

Overture—Allegro non troppo attacca Procession of the Guests of Honour—Allegretto Review of Window Displays—Allegro vivace attacca Demonstration of ‘Important’ Exhibits. Arrival of the Soviet Football Team—Allegretto attacca Prestidigitator-Barker. Dance of the Hindu—Allegro attacca Prize fighting for publicity—Moderato non troppo attacca Scandal at the Boxing Match—Moderato. Entrance of the Police—Andante Foxtrot: Dance of the Golden Youths—Allegro. Appearance of the Director of the Exhibition with Diva—Meno mosso—Andante attacca Dance of Diva (Adagio)—Adagio Appearance of the Soviet Football Team and Diva’s Variations— Andantino Soviet Dance—Allegro Diva asks the Leader of the Soviet Team to Dance with Her— Allegretto attacca Dance and Scene of Diva and the Fascist—Andantino—Allegro Dance of the Negro and Two Soviet Footballers—Allegro— Andante—Allegro Waltz: Alleged Bomb Plotter (‘The Hand of Moscow’)—Andantino [See Notes.] General Confusion among the Fascists—Adagio A Rare Case of Mass Hysteria—Allegretto Conversation between the Exhibition Director and the Fascist—Andante Foxtrot...foxtrot...foxtrot—Allegro non troppo [Bacchanalia] Pantomime: Sleuthing of the Agent Provocateurs and an Arrest (Galop)—Allegro Workers’ Procession to the Stadium. Dance of the Young Pioneers (Boxing, Discus-throwing, Tennis, English Hockey, and Fencing)—Allegretto Football Match—Allegro Intermezzo: ‘Everybody amuses oneself in one’s own way’—Andantino

56

D M I T R I SHOSTA K OV IC H C A TA LO GUE

24. Dance of the Western Komsomol Girl and Four Sportsmen— Andantino—Allegro non troppo—Andantino poco allegretto 25. Sports Contests:—Allegro 26. Scene and Exit of the Soviet Team—Allegro 27. Entr’acte: (‘Tea for Two’)—Allegro—Andantino 28. Chechotka (Tap-Dance): ‘Shoe Shine of the Highest Grade’—Allegretto 29. Tango—Largo 30. Polka ‘Once Upon a Time in Geneva’ (Angel of Peace)— Allegretto—Presto 31. Touching Coalition of Classes, slightly fraudulent—Presto— Andante—Presto 32. Entrance of Diva and the Fascist; Their Dance—Allegro—Andante 33. Can-can—Allegro vivace 34. Prelude—Adagio 35. Scene of the Liberation of the Prisoners—Adagio—Allegro attacca 36. General Exposure. The Bourgeoisie in Panic—Allegro attacca 37. Finale: Solidarity Dance of Western Workers and the Soviet Team— Allegro con brio New libretto provided for the 206th Bolshoi Theatre season with choreography by Yuri Grigorovich. Score adapted by several of Shostakovich’s pupils, notably Veniamin Basner and Isaak Glikman. In this version Zolotoi Vek (‘The Golden Age’) is the name of a Black Sea coast restaurant and set in the year 1923. The slow movements of Piano Concertos Nos. 1 and 2 are incorporated to provide lyrical Adagio scenes. Tahiti Trot appears in the Night Club scene at the start of Act 2. The Opus 22a Suite (with the Adagio shortened) is included, along with the following familiar items: Interlude from The Bolt, Op. 27; Actors’ Pantomime from Hamlet, Op. 32; Elegy from The Human Comedy, Op. 37 (also Ballet Suite No. 3, No. 4), and Blues from Suite for Jazz Orchestra No. 1, Sans op. E. ACT 1 Scene 1: Scene 2: Scene 3: Scene 4: Scene 5:

The Young Workers’ Theatre performs led by Boris, a fisherman The search for Rita leads Boris to ‘The Golden Age’ Yashka, the bandit, plans a robbery Rita and Boris dance. Yashka fights for Rita Boris and Rita declare their love for each other ACT 2

Scene 1: Scene 2:

Rita rejects Yashka’s advances Robbery by Yashka and his gang

OP U S 22: T H E GOL DEN AGE

Scene 3:

57

Rita finds Boris by the sea. Fight between the bandits and fishermen ACT 3

Scene 1: Scene 2: Scene 3: Scene 4:

Merry-making at the bandit’s camp Rita performs her last dance at ‘The Golden Age’ Yashka kills former girl-friend Lyushka Yashka takes Rita hostage but is captured. Happy ending

Items appear in the following order (NB. Numbers refer to List 1, i.e., the composer’s score of 1930): Act 1—1, 2, 24, 2, 5, 21, 11, 23, 18, 8, 30, 32, Op. 32a No. 5, 35, 15, 16, Op. 35 Lento. Act 2—27, 13, 27, 28/35, 25, 24, 9, 20, Sans op. P(i) No. 3 Elegy, 31/36. Act 3—14/31/14/35, 22, 36, Sans op. E No. 3, 19, 17/35, 33, Op. 102 Andante, and 37. The following nine numbers were not incorporated: 3, 4, 6, 7, 10, 12, 26, 29, and 34. Composed: Autumn 1929 to spring 1930, at Leningrad. Composed as a result of a competition for new ballet librettos. Premières: Suite: 19 March 1930, Philharmonic Hall, Leningrad; Leningrad Philharmonic Orchestra, Aleksandr Gauk. Ballet: 26/27 October 1930, Academic Theatre of Opera and Ballet (Kirov Theatre), Leningrad; produced by Emmanuil Kaplan and conducted by Aleksandr Gauk. The role of Komsomolka (Komsomol member) was danced initially by Galina Ulanova. Number of performances: ten in 1930 and eight in 1931. Ballet revival: 14 October 1982, Bolshoi Theatre, Moscow; resurrected at the suggestion of Shostakovich’s widow, Irina; new choreography by Yuri Grigorovich, artistic direction by Simon Virsaladze, directed by Yuri Simonov, and conducted by Dmitri Kotov. UK: 30 July 1986, Royal Opera House, Covent Garden, London; Bolshoi Ballet; Sadler’s Wells Royal Ballet Orchestra conducted by Aleksandr Lavrenyuk. USA: 30 June 1987, Metropolitan Opera House, New York; Bolshoi Ballet, A. Lavrenyuk. UK: 25 July 2006, Coliseum Theatre, London; Mariinsky Theatre and Ballet under its Artistic Director Valery Gergiev; a new production choreographed by Noah Gelber with décor by Zinovi Margolin and Mariinsky Orchestra conducted by Tugan Sokhiev. Arrangements: Opus 22a—Suite for full orchestra (with soprano saxophone, B flat baritone saxhorn, and harmonium), assembled by the composer. The

58

D M I T R I SHOSTA K OV IC H C A TA LO GUE

first version of the Suite in 1929 consisted of seven items: Introduction, Waltz, Tap-dance, Adagio, Foxtrot, Polka, and Dance. In preparing the Suite for publication in 1932, the composer unified the first two items and discarded the Tap-dance and Foxtrot. 1. 2. 3. 4.

Introduction—Allegro non troppo (Nos. 1 and 2 in ballet and score) Adagio—(No. 10 in ballet; No. 9 in score) Polka—Allegretto (No. 33 in ballet; No. 30 in score) Russian Dance—Allegro (No. 13 in ballet; No. 11 in score)

Suite: variety of transcriptions including piano solo, two pianos, violin and piano, string quartet, and wind quintet (the last two by Aaron Henry). Polka—Suite No. 3: reductions by the composer for piano solo in 1935 and piano four hands in 1962; two versions for piano solo by Frederick Block and György Sandor; two versions for two pianos four hands by Pierre Luboshutz and Phyllis Gunther; two versions for violin and piano by Harry Glickman and David J. Grunes; violin duet and piano, also mandolin quartet, by Sheppard Lehnhoff; arrangements for string quartet by the composer in 1931 (see Sans op. D(i), Two Pieces for String Quartet), S. Lehnhoff, and David Ogden; viola ensemble by Georgi Bezrukov; marimba solo by Anatoli Lyubimov; marimba and piano by Nebojša Živkovic´; woodwind quintet by Jerry Neil Smith, Roger Smith, and Adam Lesnick; band transcriptions by Quinto Maganini and P. J. Lang; brass quintet by R. San Filippo; saxophone quartet by the Aurelia Quartet (Netherlands concert on 15 November 1993, broadcast five days later) and by Sergio Drabkine. Transcription for cello and piano recorded 2003. The Polka is one of the three themes quoted in Alfred Schnittke’s Dedication to I. Stravinsky, S. Prokofiev and D. Shostakovich. Russian Dance—Suite No. 4: reductions for piano solo by F. Block and G. Sandor; transcribed for band by P. J. Lang. Instrumentation: Suite Opus 22a—piccolo, flute, oboe, cor anglais, E flat clarinet, B flat clarinet, bass clarinet, soprano saxophone, bassoon, contra–bassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba, B flat baritone saxhorn ~ harmonium ~ timpani, triangle, tambourine, side drum, wood block, gong, cymbals, bass drum, xylophone ~ strings. Music: A photostat of the 1929 Suite manuscript is in the Shostakovich Family Archive and the autograph score of the 1932 version preserved at GTsMMK. A page of the Adagio autograph full score is reproduced in Volume 26 of Collected Works. Suite—Muzgiz, No. 14457, 1935, 30.5 cm. J. Fischer, New York, No. 7803, c.1941, arr. for two pianos by P. Luboshutz. Boosey & Hawkes, No. 20 (A.S.M.P. No. 37), c.1942, 19 cm.

OP U S 22: T H E GOL DEN AGE

59

Muzyka, No. 11695 (in Volume 26 of Collected Works), 1987, full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 70 of New Collected Works. Polka—Suite No. 3: Triton, Leningrad, 1935, arr. for piano by the composer. Edition Musicus, New York, c.1939, arr. from original score by Q. Maganini, piano conductor score and 15 parts, 31 cm. Clayton F. Summy, Chicago, No. 3395, 1940, arr. for string quartet (with ad lib. bass) or string orchestra by S. Lehnhoff, 31 cm. Russian American Music, New York, 1941, arr. for violin and piano by D. J. Grunes. Edition Musicus, New York, No. 30, 1942, arr. for band by Q. Maganini, score, 27.5 cm. Anglo–Soviet Music Press, No. 45, 1942, concert piano transcription by G. Sandor, 30 cm. Mills Music, New York, 1943, transcribed for band by P. J. Lang, score and parts. Leeds Music, 1945, arr. for violin and piano by H. Glickman, 30.5 cm. Russian American Music, New York, 1945, arr. for orchestra by Richard Mohaupt, c.21 cm. Muzgiz, No. 3184 (in D. Shostakovich: Compositions for fortepiano, Volume 1), arr. for piano, 29cm. Sovetskii kompozitor, No. 4565 (in ‘Dmitri Shostakovich: Popular Pieces’), 1967, arr. for piano, 28.5 cm. Kendor Music, New York, No. 6061B, 1973, transcribed for flute, oboe, B flat clarinet, French horn (or B flat clarinet substitute), and bassoon by J. N. Smith (Grade 4—playing time 2' 10"), score and parts, 30.5 cm. Aaron Henry arr. for wind quartet [publisher and date not stated], score 28 cm. and parts 31 cm. Belwin Mills, New York, c.1975, arr. for two pianos by P. Gunther, 31cm. Sovetskii kompozitor, No. 6680 (in Works by Soviet Composers for Viola Ensemble), 1984, arr. for 4 violas and double-bass by G. Bezrukov, 29 cm. International Opus, Richmond, Virginia, c.1995, transcribed for wind quintet (bassoon, clarinet, flute, French horn, and oboe) by A. Lesnick, score and parts, 28 cm. Russian Dance—Suite No. 4: Mills Music, New York, 1943, transcribed for band by P. J. Lang, score and parts. Russian American Music, New York, 1946, arr. for orchestra by R. Mohaupt, c.21 cm.

60

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Anglo–Soviet Music Press, 1955, concert piano transcription by G. Sandor, 29 cm. Boosey & Hawkes, 1957, arr. by Cyril Watters, piano conductor score and 21 parts, c.32 cm. [Also Anglo–Soviet Music Press, 1958, c.21 cm.] Complete score—DSCH Publishers, Moscow, no number, 1995, complete piano score as List 3, with article on the history of the ballet by Manashir Yakubov in Russian and English, 232 pages, 29 cm. DSCH Publishers, Moscow, full score in Volume 60 and piano score in Volume 61 of New Collected Works. Duration: Complete 1930 score: 2 hrs 13 mins. Suite Opus 22a: 16 minutes in score; 15' 49"–19' 08"; 18' 30" (Plaistow). Polka: 1' 34"–2' 35". 2' 30" (Aronowsky). Ballet (new version): 1 hr 53 mins. Additional Ballets: Pas de trois. A divertissement choreographed by Vladimir Dokoudovsky to the Polka from The Golden Age; Cuerpo de Baile del Teatro Colón (‘Original Ballet Russe’, director general Colonel W. de Basil), Buenos Aires, Argentina, 1943. The Dreamers: score adapted in 1975 for this four-act ballet by Viktor Smirnov-Golovanov, Sergei Sapozhnikov, and G. E. Yungvald-Khilkevich from The Golden Age and The Bolt, choreographed by Natalya Ryzhenko; Stanislavsky and Nemirovich-Danchenko Musical Theatre, Moscow, 19 January 1976. Film: USSR National TV, 1986, a film of the revised ballet. The Bolshoi Ballet production (in association with BBC TV) available on videocassette: National Video, Home Vision, ‘The World of Dance No. 18’. A television presentation of this performance introduced by Michael Berkeley, shown on BBC2 TV on 21 November 1987. Released June 1989 on Castle Vision video CVI2046. Recordings: 78 rpm—Columbia LB 16 (10"). Polka and Russian Dance. Orchestre Symphonique de Paris, Julius EHRLICH. G Sept. 1934. USA: Victor 11 8239. Polka only, arr. Q. Maganini. National Symphony Orchestra of America, Hans KINDLER. P 28–29 Jan. 1941. 78 rpm, LP and CD—USA: Columbia 17404 D in set M 660. Polka arr. Grunes. Zino FRANCESCATTI (violin) and Max Lanner (piano). P 12 Apr. 1946. Reissued on LP—Philips NBL 5010 (mono). G June 1955. Reissued on CD—Pearl GEMM CD 9250 (mono). I Apr. 1997. LP and CD—USA: Mercury MG 10035 (mono). Polka only. Dmitri SHOSTAKOVICH (piano). P Prague 26 May 1947 (not 1946 as previously stated) ~ USSR: Melodiya M10 39075-6 (‘Shostakovich—Pianist’, mono). Polka only. I 1997b. Reissued on CD—Revelation RV 70008 (‘Shostakovich plays Shostakovich’, Volume 7, mono). Polka. I Sept. 1998, G Feb. 1999 ~ *Symposium 1314 (mono). Polka. [Opp. 34, 5, 67, 73, and 69.] I Jan. 2004.

OP U S 22: T H E GOL DEN AGE

61

78 rpm and LP—USA: Columbia 17335 D. Polka only. Oscar LEVANT (piano). P pre-1949. Reissued on LP—USA: Columbia ML 5324 (‘Some Pleasant Moments in the 20th Century’, mono). Polka. I 1950s. Columbia DX 1860. Polka. New York Philharmonic Orchestra, Efrem KURTZ. P c.1949, G Jan. 1953. Reissued on LP—USA: Columbia Special Products P 14153 (electronic stereo). I 1977. USA: Victor 2214. Polka arr. Luboshutz. Pierre LUBOSHUTZ and Genia NEMENOFF (piano duo). P c.1950. Reissued on LP—USA: Vanguard VSD 2128 (7" 45 rpm). *CD—USA: Biddulph 80218-2 (mono). Polka arr. Grunes. Camilla WICKS (violin) and Sixten Ehrling (piano). [Op. 34; Sibelius, Valen, Kabelevsky et al.] P Stockholm 1950, I 2006, originally on Swedish EMI 78 rpm in 1950. LP—USA: Westminster WL 5319 (mono). Suite. National Symphony Orchestra of Washington, Howard MITCHELL. I 1954 ~ Nixa WLP 5319 (mono). G Mar. 1955. LP and CD—RCA LSC 2294. Polka only. Boston Pops Orchestra, Arthur FIEDLER. P 1954, I Sept. 1959. Reissued on CD—RCA Gold Seal 09026 62577-2 (‘Fiedler at the Ballet’). I Feb. 1995. LP—USA: RCA Bluebird LBC 1086. Polka arr. S. Lehnhoff. AMERICAN ART QUARTET (Edice Shapiro, Robert Sushel, Virginia Majewski, Victor Gottlieb). P 1954, I 1955. LP and CD—HMV BLP 1080 (10" mono). Suite. Philharmonia Orchestra, Efrem KURTZ. P London 25 Mar. 1955, G Apr. 1956 ~ HMV HQM 1026 (12" mono) G Sept. 1966. Reissued on CD—USA: Testament SBT 1078 (mono). Suite. G Feb. 1997. LP—USA: Capitol SFP 4 8413 (‘Popular Pieces’, 7" 45 rpm). Polka. Capitol Symphony Orchestra, Carmen DRAGON. G May 1959. LP and CD—USA: Everest SDBR 3027. Polka only. Stadium Symphony Orchestra of New York, Raymond PAIGE. P New York late 1950s, I July 1959. Reissued on CD—Everest EVC 9047. I 1997. RCA Red Seal SR 2051. Suite. London Symphony Orchestra, Jean MARTINON. P 9–11 Dec. 1957, G Dec. 1959 ~ RCA Victrola VICS 1184. G July 1967 ~ Decca Eclipse ECS 580. G Feb. 1971. Reissued on CD—Polygram POCL 9439. I Oct. 1992. Limited LP reissue on 180g. vinyl—Germany: Audiophile/RCA Victor LSC 2322. I 1995. *Reissued on CD—USA: Classic Compact Discs LSCCD 2322. [Op. 10.] I 2001. USA: Mercury AMS 16041 (‘Popovers’). Polka. Eastman-Rochester Pops Orchestra, Frederick FENNELL. P 1960. Same performance available on Mercury SEX 15008 (7" 45 rpm). G July 1960. Reissued on CD—Mercury 434 349-2MM. G Jan. 1995.

62

D M I T R I SHOSTA K OV IC H C A TA LO GUE

USA: Capitol SP 8576. Suite. Philharmonia Orchestra, Robert IRVING. P 20 June 1961, G Sept. 1962. Reissued on CD—HMV 5 73047-2. Suite. I Oct. 1998. LP—USSR: MK D9501-2 (10" mono). Polka. Viola Ensemble of the Central Home of Art Workers, Georgi BEZRUKOV (violist leader). P 1962. USA: Capitol P 8391 (‘Keyboard Fantasias’, mono). Polka. Leonard PENNARIO (piano). P 1964 ~ RCA VICS 1238. Polka. G July 1968. *France: La Voix de Son Maître FALP 479 mono). Polka. Orchestre de la Société des Concerts du Conservatoire, Pierre DERVAUX. [Stravinsky, Prokofiev, Kabalevsky et al.] P 1964. LP and CD—USA: Columbia MS 6867. Andre KOSTELANETZ and his Orchestra. P New York 23 and 29 Nov. 1965. Reissued on CD—Sony Classical SBK 62642. G June 1997. USSR: Melodiya C01387-8. Suite. Bolshoi Theatre Orchestra, Maksim SHOSTAKOVICH; soloists in No. 2—Aleksandr Stepanov (soprano saxophone), Ivan Butirsky (clarinet), Pyotr Grigoriev (B flat baritone saxhorn), and Leon Zaks (violin); soloist in No. 3—Vladimir Fedin (xylophone). P and I 1966 ~ HMV Melodiya ASD 2763. Suite. G Apr. 1972 ~ HMV Melodiya BOX 50213 in Set SLS 5025. Nos. 1, 3, and 4. G Dec. 1975. Reissued on CD—Japan: Victor Musical Industries VICC 2090. I 1989 ~ BMG Melodiya 74321 66981-2. Suite. I Dec. 1999. CD—USA: Russian RCD 16238 (‘Russian Piano School’). Polka. Nataliya GAVRILOVA (piano). P 1976-90, I 1998. LP and CD—CBS SS 63127 (‘Russian Dances’). Polka. Philadelphia Orchestra, Eugene ORMANDY. P 1967, G Mar. 1968. Reissued on CD—Sony Essential Classics SBK 53261. G July 1994. USA: RCA Red Seal LSC 3133. Suite. Chicago Symphony Orchestra, Leopold STOKOWSKI. 20–22 Feb. 1968 ~ RCA Red Seal SB 6839. G Oct. 1970 ~ RCA Gold Seal GL 42916. G Oct. 1981. Reissued on CD—RCA 74321 70931-2 (‘Stokowski the Magician’). G Mar. 2000. LP—France: EMI 2 C 061-80696 (‘Klassik O’Tilt’). Polka arr. White. Ruth WHITE (electronic keyboard). P Paris post-1968. CBS Classics 61781. Polka. New York Philharmonic Orchestra, Leonard BERNSTEIN. P 22 Oct. 1970, G July 1977. USA: Turnabout TVS 34644. Suite. Seattle Symphony Orchestra, Milton KATIMS; soloists in No. 2—John Budelman (soprano saxophone), Ronald Phillips (clarinet), Dennis Smith (B flat baritone saxhorn), Henry Siegl (violin), and Scott Goff (flute); soloist in No. 3—Randolph Bauuton (xylophone). P 1976, G Mar. 1980. USA: Kendor Music (number not stated). Polka arr. J. N. Smith. FREDONIA WOODWIND QUINTET—Donald Hartman (flute), John Maier

OP U S 22: T H E GOL DEN AGE

63

(oboe), James East (clarinet), William Hoyt (horn), and John Gillette (bassoon). P 1970s. Lyntone (Haydn) DEL 100. Polka arr. D. Ogden. DELMÉ QUARTET (Galina Solodchin, David Ogden, John Underwood, Stephen Orton). I 1977. Sweden: BIS LP149. Polka arr. A. Lyubimov. Rainer KUISMA (marimba). P Wik Castle, Sweden 11 Aug. 1979. LP and CD—Decca D 213D 2 (digital). Suite. London Philharmonic Orchestra, Bernard HAITINK. P Nov. 1979, G Nov. 1980. Reissued on CD—Decca 421 131-2DH. G June 1988 ~ Decca 430 727-2DM. G Dec. 1991. LP—Bulgaria: Balkanton BKA11338. Polka. Nikolai EVROV (piano). P1980? Sweden: Bluebell Bell 126. Polka. Inger WIKSTRÖM (piano). P Stockholm 28 Jan. and 1 Feb. 1981. CD—Germany: Live Classics LCL 192 (‘Oleg Kagan Edition’, Volume 20). Polka. Oleg KAGAN (violin) and Vladimir Skanavi (piano). P Moscow concert 9 Jan. 1982, I 1999. Decca 433 651-2DH (‘Shura Cherkassy Live, Volume 4’). Polka. Shura CHERKASSY (piano). P Wigmore Hall, London concert 20 Feb. 1982, G June 1993. USA: Russian Disc RDCD 10 009 (two-disc set). Complete score of Grigorovich’s 1982 revival. Bolshol Theatre Orchestra, Yuri SIMONOV. P Bolshoi Theatre ballet performances 1982, 1 Sept. 1996. LP—Belgium: Pavane ADW 7152 (‘Three Centuriesof the Woodwind Quintet’, DMM). Polka arr. J. N. Smith. BELGIAN WOODWIND QUINTET— Jean-Michel Tanquy (flute), Louis Op’t Eynde (oboe), Hedwig Swimberghe (clarinet), Herman Lemahieu (horn), and Yves Bomont (bassoon). P1983, G Feb. 1985. CD—Germany: CAD D 878-8 (‘Marimba and Percussion Solo’). Polka arr. N. Živkovic´. Nebojsa ŽIVKOVIC´ (marimba) and Iris Kobal (piano). P Stuttgart 1987, I 1989. USA: Philips 426 247-2 (‘Pops a la Russe’). Polka. Boston Pops Orchestra, John WILLIAMS. P Boston 4–7 June 1988, I 1990. *Korea: Yedang Classics YCC 0130. Polka. Nikolai PETROV. P 19 Feb. 1989, I Apr.2002. USA: Arabesque Z 6610. Suite Nos. 1, 3, and 4. Kraków Philharmonic Orchestra, Gilbert LEVINE. P Kraków 26–29 May 1989, G Jan. 1990. AVM Classics AVZ 3020 (‘Piano Music, Volume 2’). Polka arr. composer and Russian Dance arr. G. Sandor. Martin JONES (piano). P London 1–2 June 1989. USA: Windham Hill Records WD-1091 (‘Intermezzo’). Polka arr. S. Lehnhoff. MODERN MANDOLIN QUARTET (John Imholz, Dana Rath, Paul Binkley, Mike Marshall). P c.1989.

64

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Deutsche Grammophon 431 688-2GH. Suite. Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg Dec. 1989, G Sept. 1991. Germany: Signum SIG Xll-00 (‘Brassissimo’). Polka arr. Filippo. BUDAPESTER-BLECHBLÄSER-QUINTETT. I 1990. USA: Newport Classic NPT 85583. Polka. Michael PERLOWIN (pedal steel guitar) with backing of bass, guitar, drums, and percussion. P home studio of performer 1991, I Feb. 1997. Chandos CHAN 9251/2 (two-disc set). Complete score of 37 numbers in the order of List 2: Royal Stockholm Philharmonic Orchestra, Gennadi ROZHDESTVENSKY; soloists in the Adagio No. 9—Karl Ove Mannberg (violin) and Sven Westerholm (soprano saxophone). P Stockholm 4–5 and 7–11 June 1993, G May 1994. Italy: Phoenix PH 00602. Suite. Byelorussian Symphony Orchestra, Antonello GOTTA. P Minsk 9–11 Dec. 1993, I Jan. 2001. Naxos 8.553126. Suite. New Zealand Symphony Orchestra, Christopher LYNDON-gee. P Wellington 2–4 Nov. 1994, I Sept. 1995. Czech: Supraphon SU 3278-2 031. Suite. Prague Symphony Orchestra, Maksim SHOSTAKOVICH. P Prague concert 14 Nov. 1996, G Dec. 1997 ~ Czech: Supraphon SU 3415-2. G Awards (Oct.) 1999. Finland: Ondine ODE 894-2 (‘Earquake’). Can-Can. Helsinki Philharmonic Orchestra, Leif SEGERSTAM. P Finlandia Hall Jan. 1997, Issued with ear-plugs! Nov. 1997. Switzerland: Dynamic CDS 195 (‘Fun Time with the String Quartet’). Polka. VENICE QUARTET (Andrea Vio, Alberto Battiston, Luca Morassuti, Angelo Zanin). P Genoa 15–17 Sept. 1997. *France: Accord 442 8213 (on fourth of four-disc set). Polka. Caroline WEICHERT (piano). [Opp. 5, 12, and 61.] P NDR Funkhaus, Hamburg 1997, I Jan. 2007. EMI CDC5 56970-2 (‘Who is Afraid of 20th Century Music?’). Polka. Hamburg State Philharmonic Orchestra, Ingo METZMACHER. P Hamburg New Year concert 31 Dec. 1999–1 Jan. 2000, G Aug. 2000. Chandos CHAN 9907 (‘Theatre Music’). Polka. Rustem HAYROUDINOFF (piano). P Potton Hall, Suffolk 7–8 Aug. 2000, I Apr. 2001. **Virgin Classics 54 5609-2 (‘Ballet Russe’). Polka. Radio France Philharmonic Orchestra, Paavo JÄRVI. [Sans op. G(ii), Op. 16; Tchaikovsky, Khachaturyan, Prokofiev et al.] P Auditorium Oliver Messiaen, Radio France, Paris 16–21 Dec. 2002 and 2–6 June 2003, G July 2004. USA: Angelok1 ANG-CD 9914. Suite Op. 22a. Russian Federal Orchestra, Vakhtang JORDANIA. [Op. 141.] P Tchaikovsky Conservatory Bolshoi Hall, Moscow 18–19 Jan. 2003, I 2005. France: Lyrinx LYR 2229 (Hybrid SACD). Polka. Borislav STRULEV (cello) and Sergei Yerkhin (piano). [Op. 40; Rakhmaninov.] P Centre Guillaume Farel, Marseilles Jan. 2003, I May 2005.

OP U S 22: T H E GOL DEN AGE

65

Germany: Amphion Records amph 20467 and Russia: Manchester CDMAN 211-04. Polka arr. S. Drabkine. RASTELLI SAXOPHONE QUARTET (Kira Kraftzof, Kira Timofejeff, Sergio Drabkine, Misha Degtjareff). [Transcriptions by Drabkine.] P Bad Mergentheim Studio, Germany Jan. 2003, I 2003 and 2004 respectively. Decca 470 649-2 (Hybrid SACD). Polka. Vladimir ASHKENAZY (piano). [Opp. 61, 5, 97, 39, and 13; Sans opp. B and S(i).] P Potton Hall, Suffolk 11–12 Sept. 2003, I Apr. 2004, G June 2004. Stradivarius STR 33727 (‘Complete Piano Works, Volume 1’). Polka. Boris PETRUSHANSKY (piano). [Sans opp. B and S(i); Opp. 5, 13, and 34.] P Bartók Studio, Bernareggio, Milan 17–19 Sept. 2003, I Feb. 2006. Telarc CD-80625 and SACD-80625 (Hybrid SACD). Polka. Cincinnati Pops Orchestra, Erich kunzel. [Delibes, Tchaikovsky, Dukas et al.] P Cincinnati Music Hall 1 Nov. 2004. Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites—Film Music’, on second of three-disc set). Suite Op. 22a. National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Opp. 27a and 39a.] P National Radio Studio, Kyiv 1–8 June and 13–14 July 2004. Germany: Capriccio 71 097 (Hybrid SACD). Suite Op. 22a. MDR Symphony Orchestra, Dmitri KITAYENKO. [Opp. 27a and 36.] P Augustusplatz, Leipzig 17–20 May 2005, I 2006. EMI Classics 341682-2 (‘Horizons’ encores). Polka. Leif Ove ANDSNESS (piano). [Albéniz, Anrheil, Bach/Busoni et al.] P Potton Hall, Suffolk 1–5 Sept. 2005, G Nov. 2006. USA: Artek AR-0037-2. Seattle Symphony, Gerard SCHWARZ. [Op. 47.] P Benaroya Hall, Seattle Sept. 2005. Russia: Northern Flowers NF 9941. Polka. Pyotr LAUL (piano). [Opp. 5, 6, 61, 94; Sans op. O (i & ii).] St Catherine Lutheran Church, St Petersburg 30 Nov. and 2 Dec. 2005, I Oct. 2006. Naxos 8.570217-18 (two-disc set). Complete score of 37 numbers in the original 1930 order. Royal Scottish National Orchestra, José SEREBRIER; soloists in No. 9—Edwin Paling (violin) and Simon Haram (soprano saxophone). P Henry Wood Hall, Glasgow 23–26 May 2006, I Nov. 2006, G Feb. 2007. Notes: A scholarly source-study of this ballet score by Manashir Yakubov appears in Shostakovich Studies (David Fanning ed., Cambridge University Press, 1995). The ‘general confusion’ arising from the titles of Nos. 15–17 (DSCH 1995 list) is caused when the captain of the Soviet football team lifts the ball high in the air and the Fascists throw themselves onto the ground believing it to be a bomb about to be exploded. The captain places the ball at the head of the Exhibition Director who is lying on the ground with the Fascists. The frightened and embarassed Fascists realise their mistake and gradually regain their composure.

66

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Shostakovich composed two pieces about the game of football: No. 25 in this ballet score entitled ‘The Football Match,’ commencing with a whistle blast, in 5/4 and 4/4 time marked Allegro and a choreographic divertissement ‘Football’ in 2/4 time—a Presto galop in Russian River Opus 66.

Opus 23: Entr’acte and Finale Form: Two compositions for orchestra (including a flexatone), contributed to an epilogue entitled ‘What is modern America like?’ for Erwin Dressel’s opera Der arme Columbus (alternatively known as Armer Columbus—‘The Poor Columbus’), with libretto by Arthur Zweiniger: 1. Entr’acte in C minor (also known as the ‘Overture’ although it appears before the sixth scene of the opera)—Allegretto poco moderato 2. Finale in C major—Moderato—Andantino—Allegro The main theme from the Finale utilized in The Golden Age, Opus 22 No. 19 (Foxtrot), Declared Dead, Opus 31 No. 34 (The Archangel Gabriel’s Number), and the fourth movement of Piano Concerto No. 1, Opus 35. This number accompanied an interpolated animated film projected onto a stage screen. Instrumentation: piccolo, 2 flutes (II = piccolo II), 2 oboes, cor anglais, E flat clarinet, 2 B flat clarinets, bass clarinet, 3 bassoons, contrabassoon ~ 4 horns, 4 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, tom-tom, castanets, side drum, cymbals, bass drum, gong ~ xylophone (in No. 1), flexatone ~ S.A.T.B. chorus (in Finale) ~ strings. Composed: Early 1929 (January or February) at the request of the musical director Samuil Samosud, at Leningrad. Premières: Opera: 14 March 1929, Malyi Opera Theatre, Leningrad; Samuil Samosud. Overture: 10 February 1977, Moscow Conservatory Bolshoi Hall; Moscow Conservatory Students’ Symphony Orchestra, Gennadi Rozhdestvensky. UK concert and broadcast: 4 April 1979, Royal Festival Hall, London; BBC Symphony Orchestra, G. Rozhdestvensky. Finale: 11 February 1981, Leningrad Conservatory Bolshoi Hall; Leningrad Philharmonic Orchestra and Choir, G. Rozhdestvensky. Music: The autograph scores of both pieces, long believed lost, were discovered in the music libraries of (MALEGOT) the State Academy of Theatre and Ballet (Entr’acte in late 1970s) and (GATOB) the Leningrad Kirov Opera and Ballet Theatre (Finale in early 1980s). Muzyka, No. 11935 (in Volume 23 of Collected Works), 1986, full scores of both pieces, 30 cm.

O PUS 24: T H E SH OT

67

DSCH Publishers, Moscow, full score in Volume 31 of New Collected Works. Duration: Overture: 3' 16"– 3' 41". Finale: 4' 15". Recordings: LP—USSR: Melodiya C10 12547-50. Overture. Moscow Conservatory Students’ Symphony Orchestra, Gennadi ROZHDESTVENSKY. P Moscow concert 10 Feb. 1977, 1 1980b ~ HMV Melodiya ASD 3633. Overture, labelled as ‘Christopher Columbus’. G Mar. 1979. LP and CD—USSR: Melodiya C10 14415-6 (Album 1 of ‘From Manuscripts of Different Years’). Overture. Leningrad Philharmonic Orchestra, G. ROZHDESTVENSKY. P1980, I 1981 ~ HMV Melodiya ASD 1650331. G July 1983. Reissued on CD—BMG Melodiya 74321 63462-2. I Mar. 1999. USSR: Melodiya C10 23081 001 (Album 5 of ‘From Manuscripts of Different Years’). Finale. USSR Ministry of Culture Symphony Orchestra and Chamber Choir, G. ROZHDESTVENSKY. P 1984, I 1986c. Reissued on CD—BMG Melodiya 74321 63461-2. I Mar. 1999. CD—Chandos CHAN 9792 (‘The Unknown Shostakovich’ (sic). Overture. Russian Symphony Orchestra, Valeri POLYANSKY. P Mosfilm Studio Jan. 1998, I Jan. 2000.

Opus 24: The Shot Form: Incidental music to a verse play comedy The Shot by Aleksandr Bezymensky, comprising eleven mainly untitled episodes: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.

Dundee’s Romance—[Allegro moderato] Choir—[Moderato] Third Episode Fourth Episode—[Con moto] [Entry of the Heads of Departments]—[Marciale] [Exeunt the Heads of Departments]—inscribed ‘Same as No. 5’ [Entry of the Secretaries]—six-bar introduction attacca [Entry of the Secretaries]—[Tempo ad libitum] Ninth Episode—Allegro Tenth Episode—Allegro Eleventh Episode—Allegretto

Instrumentation: flute, B flat clarinet, bassoon ~ horn, trumpet, trombone, tuba ~ 2 cornets; E flat alto, B flat tenor, and baritone saxhorns ~ timpani, wood block, rattle, tambourine, side drum, cymbals, bass drum, gong ~ 2 balalaikas, piano ~ violins. In the Ninth Episode a four-part chorus shouts (not sings) revolutionary words. Composed: 1929, at Leningrad.

68

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Première: 14 December 1929, Theatre of Working-class Youth, Leningrad (TRAM); directed by Mikhail Sokolovsky and R. Suslovich. Arrangements: Piano reductions of Nos. 4, 7, 8, 10, and 11 made from the full score by V. Samarin. Music: Autograph vocal and full scores, discovered in 1984, preserved at GTsMMK. ‘Dundee’s Romance’ song taken from the programme booklet of TRAM’s 1930 tour of the USSR. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, vocal and piano scores of Nos. 1, 2, 4, 5, and 7–11, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, full score of Nos. 4, 5, and 7–11, 30 cm. DSCH Publishers, Moscow, full score in Volume 116 and piano score in Volume 120 of New Collected Works. Duration: ‘Dundee’s Romance’: 2' 47". Recording: ‘Dundee’s Romance’—[BBC tape: Konstantin PLUZHNIKO (tenor) and Larissa Gergieva (piano). P specially recorded in St Petersburg for BBC Broadcast on 31 May 1995.]

Opus 25: Virgin Soil Form: Incidental music to a stage play drama Soil by Arkadi Gorbenko and Nikolai Lvov. Composed: April 1930, at Leningrad. Première: 9 May 1930, Leningrad Working Youth Theatre (TRAM); directed by Mikhail Sokolovsky and Nikolai Lebedyev. Music: Manuscript lost. Recordings: — Notes: This production was not based on Mikhail Sholokhov’s novel Virgin Soil Upturned, the first part of which was published in 1932. The subject-matter—the socialist collectivization of the countryside—however, was similar. In 1932–33 Shostakovich, in conjunction with Fedodosi Rubtsov, also wrote incidental music for the four-act stage play Combative Course by A. Gorbenko, N. Lvov, and Mikhail Sokolovsky staged by TRAM. The original music is lost though a typed text is preserved in the Glinka Museum.

Opus 26: Alone Form: Music for the black-and-white sound film Alone, with screenplay (based on a true newspaper story of the suicide of a teacher named Lapshina) and direction by Grigori Kozintsev and Leonid Trauberg, for the Leningrad Soyuzkino Studio. A song dictated to the composer by Trauberg ‘How

OPUS 26: AL ON E

69

beautiful life will be’ (also translated as ‘Happy Days are Coming’) provides a leitmotiv for the film. The sound-track carried music only; no human voices apart from scraps of insignificant phrases and fragments of speech introduced by chance. The orchestra is augmented by a brass band, organ, and Theremin. Reel 6 was destroyed by fire in the Leningrad Siege. The film, apart from Reel 6, was restored from several sources in the mid-1960s by Gosfilmofond. Reel 1 (Leningrad episodes) No. 4. March: The Street—Allegro No. 7. Galop: How beautiful life will be!—Allegro No. 9. Choral conclusion: Stop! Don’t go away—Andante— Andantino Reel 2 —March —Allegretto Reel 3 (The Altai region of Siberia) No. 1. The Altai—Andantino No. 1a. The Steppe of Altai—Andante No. 2. The Altai—Adagio No. 3. [Teacher in the peasant’s hut]—Largo—[Allegro] No. 6. Barrel-organ [Kuzmina waits for Sobolevsky]—Andantino Reel 4 No. 1. [In the school]—Allegro No. 2. [Bey (a rich Central Asian landowner) takes the children to sheep pastures]—Largo No. 3. [Largo] No. 7. [Village soviet chairman at sleep and arising]—Adagio No. 8. [Arrival of Kuzmina]—Allegro No. 9. [Village soviet chairman drinks tea with his wife]—Allegro Reel 5 No. 1. [School-children]—Adagio—Allegretto No. 2. Adagio No. 3. Allegro No. 4. Moderato Reel 6 No. 2. Allegretto—Presto No. 2a. Snowstorm—Presto No. 3. [Calm after the storm]—Largo No. 4. The Storm in the Steppe—Allegro Finale: [(The teacher played by Yelena) Kuzmina left to die in the snow]—Largo Reel 7 (Rescue by aeroplane) No. 3. Aeroplane—Allegro No. 4. Allegro

70

D M I T R I SHOSTA K OV IC H C A TA LO GUE

No. 5. [School-children with Kuzmina]—Adagio No. 6. Andante No. 8. Andante No. 18. Allegro Also three fragments existing in piano arrangements: ‘The Beginning’, ‘The Dream’ (later used as No. 34 in Hamlet, Opus 32), and ‘March’. The opening numbers depict a day-dreaming sequence ending with a tram taking off into the clouds. ‘Barrel-organ’ Reel 3 No. 6 is based on ‘The Dance’ (Moderato quasi Allegretto) for piano dedicated to the composer’s younger sister Zoya. The full score consists of 44 numbers: Nos. 1 to 13 and 15 to 45 (No. 14 being a recording of a Mongolian overtone singer). Five of the 44 belong to the missing Reel 6. All but five of the remaining 39 numbers are played differently on the soundtrack to those corresponding items published in Volume 41 of Collected Works. The restoration of the score was prepared initially by Theodore van Houten of the Film in Concert Foundation, Haamstede and realized by Mark Fitz-Gerald in 2003, assisted by Nic Raine who notated some fragments by ear from the soundtrack; the whole operation being supervised by Krzystof Meyer. Instrumentation: piccolo, 2 flutes, 2 oboes, cor anglais, E flat clarinet, 2 B flat clarinets, bass clarinet, 2 bassoons, contrabassoon ~ 4 horns, 2 trumpets, 3 trombones, 3 tubas ~ timpani, triangle, wood block, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone, Theremin ~ harp, organ ~ soprano and tenor soloists, S.A.T.B. chorus ~ strings. An eight-piece band is employed in Reels 1, 6, and 7; the organ in Reel 3 No. 3 and the theremin in Reel 6 No. 4. Composed: early autumn 1930 to the summer of 1931, at Leningrad. Premières: The Soyuzkino film first shown on 10 October 1931 at the Leningrad ‘Splendid Palace’ cinema. Score conducted by Nikolai Rabinovich. Suite: 11 February 1981, Leningrad; Leningrad Philharmonic Orchestra. Restored score: 12 April 2003, ‘s-Hertogenbosch and 15 April 2003, Vredenberg Music Centre, Utrecht; Amsterdam Conservatory Orchestra and Chorus, M. Fitz-Gerald. UK reconstructed score: 26 February 2006, Barbican Centre, London; BBC Symphony Orchestra, M. Fitz-Gerald. Broadcast on BBC Radio 3 on 21 April 2006, introduced by Gerard McBurney with a Reel by Reel description of the action shown on the film. Arrangements: Suite of three untitled movements compiled by Gennadi Rozhdestvensky: Part 1—Reel 1 No. 4 and Reel 3 No. 3. Part 2—Reel 4 No. 9, Reel 3 No. 6, and Reel 4 No. 9.

OPUS 26: AL ON E

71

Part 3—Reel 4 No. 1 attacca, Reel 3 No. 2, Reel 5 No. 2, and Reel 2 March. Gerard McBurney has arranged a ten-piece Suite from the score: Reel 1 No. 7; Reels 3 Nos. 2 and 6; Reel 4 Nos. 2, 7, and 9; Reel 5 Nos. 3 and 4; Reel 6 No. 4 and Finale. A ten-movement cycle selected from the film score and transcribed in 2000 by Dmitri Smirnov for wind ensemble (flute, 2 oboes, 2 clarinets, alto saxophone, 2 bassoons, 2 French horns, trumpet, trombone, percussion, and double bass). Music: Autograph score preserved at GTsMMK, apart from Nos. 2a, 3, and a fragment of 4 from Reel 6 which are preserved at the SPbGITMK. A page of No. 2 from Reel 5 is reproduced in Volume 41 of Collected Works. Muzyka, No. 10889 (in Volume 41 of Collected Works), 1987, 29 items in full score plus a fragment of ‘The Storm in the Steppe’ and 3 items in piano arrangement, 30 cm. DSCH Publishers, Moscow, 2004, New Collected Works, Volume 123, revised full score including 4 pages of facsimile in colour, 392, 30 cm. Duration: Film: c. 90 minutes (2200 metres, seven reels). Complete Score: 70' 41"–74' 13". Restoration 2003: 79' 56". Suite: 12' 12". Film: Germany: Arte Edition 868-6. Complete score in 2003 reconstruction. Adil Abdulayev (tenor), Anna Azernikova (soprano), Natalya Filimonova (mezzo-soprano), Christian Zehnder (overtone singer), Chamber Choir Notabene, Basil Sinfonietta, Mark FITZ-GERALD. P Theater aan de Parade, ‘s-Hertogenbosch, Netherlands (film in concert) 12 Apr. 2007, I 2007. Recordings: LP and CD—USSR: Melodiya C10 19103 004 (Album 2 of ‘From Manuscripts of Different Years’). Suite. Ensemble of soloists from the USSR Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 30 Sept. 1982, I 1983d. Reissued on CD—Olympia OCD 194. G June 1988 ~ BMG Melodiya 74321 59058-2. G Mar. 1999. CD—Germany: Capriccio 10 562. Complete score. Svetlana Katchur (soprano), Vladimir Kazatchouk (tenor), Berlin Radio Choir, Sigurd Brauns (chorus-master), Berlin Radio Symphony Orchestra, Mikhail YUROVSKY. P Berlin 19–22 Sept. 1995,1 Oct. 1996. NB. This recording comprises all the items in Collected Works Volume 41, 4–114, with the following additions: Reel 4—an unaccompanied soprano folksong solo interrupted by the tenor song ‘How beautiful life will be’ between Nos. 3 and 7; Reel 6—No. 4 (with Theremin, 471–74) leading attacca into No. 2; Reel 7—No. 3 repeated after No. 4 and Reel 4 No. 1 introduced after No. 6 (played softly with oboes replacing trumpets and entitled ‘Nightmare’ in the liner note). USA: Russian Disc RDCD 10 007. Complete score. Minsk Chamber Choir, Igor Matukhov (chorus-master), Byelorussian Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Nov. 1995, I1997.

72

D M I T R I SHOSTA K OV IC H C A TA LO GUE

NB. This recording comprises the 29 items in Collected Works Volume 41, 4–114, with no additional numbers. Decca 460 792-2DH11 (‘The Film Album’). Reel 1 Nos. 1 and 7 (nonvocal); Reel 3 No. 6; Reel 2 March; Reel 3 Nos. 2 and 3; Reel 5 No. 1; Reel 6 Nos. 4, 2a, and 3. Fay Lovsky (theremin in Reel 6 No. 4), Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 6,19, and 22 May 1998, G Apr. 1999. *Chandos Movies CHAN 10023 (‘The Film Music of Dmitri Shostakovich, Volume 1’). Titled A Girl Alone. Reel 3 Nos. 2 and 3; and Reel 1 No. 7 (non-vocal). Jennifer Galloway (oboist in Reel 4 No. 2), BBC Philharmonic, Vassili SINAISKY. P Manchester BBC Studio 16 and 17 May 2002, G Jan. 2003. Naxos 8.570316. Complete score, including material not used in the film, reconstructed by M. Fitz-Gerald. Irina Matayeva (soprano), Anna Kiknadze (mezzo-soprano), Dmitri Voropayev (tenor), Mark van Tongeren (overtone singer), Ulrich Edelman (solo violin in track 12—see Notes below), Barbara Buchholz (theremin in track 38), Vokalensemble der HfMDK (Frankfurt University of Music Choir), Frankfurt Radio Symphony Orchestra, M. FITZ-GERALD. P HR-Sendesaal, Frankfurt studio 29 Nov.–1 Dec. and part concert 1 Dec. 2006 (evening), G Feb. 2008. Notes: Yelena Kuzmina is not only the name of the actress but also that of the young teacher she plays. ‘That was our realism!’ (Trauberg). Her lover was played by her husband Pyotr Sobolevsky. Restoration of the film in 2003 shows that the heroine does not die in the snow after being thrown off a sledge, as thought as late as 1996 (e.g., Meskhishvili gives the Finale of Reel 6 as ‘Death of Kuzmina’), but is rescued by villagers. For first-hand information on this film see Chapter X of Leonid Trauberg and His Films by Theodore van Houten (Art & Research/Graduate Press, s-Hertogenbosch, Buren, 1989). The original film presented a short coloursequence during the tram-ride. Trauberg reported that ‘the flowers on the tram were hand-tinted yellow, red, and blue’ and when ‘the colours changed it was such a nice, joyous effect’. See also Shostakovich and FEKS by Dr Hélène Bernatchez (Munich, 2006). Reviews of the two premières of the restored film by Henny van der Groep and John Riley are given in DSCH Journal No. 19 (July 2003), 43–45. For an understanding of the film’s story line the English titles of the six reel numbers and their cues in the booklet with the Naxos 2006 recording are a great improvement on those given in the Muzyka (1987) and DSCH Publishers (2004) scores. The solo violin plays the Andantino by Fritz Kreisler during the ‘Music from loudspeakers during telephone box scene ’. Kreisler ascribed this piece to Padre Martini and admitted that it was one of his own compositions

OPUS 27: T H E BOL T

73

in 1935. Shostakovich, of course, would not have known of this hoax in 1930–31.

Opus 27: The Bolt Form: Ballet in three acts and seven scenes, with libretto by Viktor Fyodorovich Smirnov, decor by Tatyana Bruni and Georgi Korshikov, and choreography by Fyodor Lopukhov. The original working title was At the New Machine. Overture ACT 1 Scene 1:

Scene 2:

Scene 3:

Scene 4:

‘In the cloakroom’ 1. Gymnastics. Radio announcement 1 2. Drinking bout ‘In the workshop’ 1. Checking the installation of the machines 2. The Charwomen. Radio-announcement 2 3. March: Scene of the filling workshop 4. Workshop concert: (a) The Wreckers. Interlude, (b) The Bureaucrat, (c) The Blacksmith, and (d ) Industrial March. Dance of the Komsomol Members and Pioneers 5. Starting up the workshop ‘In the cloakroom’ 1. Drinking bout 2. The indignant workers ‘In the workshop’ 1. At work ACT 2

Scene:

‘In the Factory Village’ 1. Scene of the Sexton, Lad, Cloaked Women, Priest, Pioneers, and Pilgrims 2. Dance of the Priest 3. The Pilgrims 4. Dance: Komsomol Circle 5. Dance of Kozelkov 6. Dance of the Cloaked Women 7. Dance of the Lad 8. Quadrille of the Komsomol Members and dance of the Sexton 9. Scene: Priest with the Sexton; departure of the Pilgrims and Komsomol Members

74

D M I T R I SHOSTA K OV IC H C A TA LO GUE

10. 11. 12. 13.

Dance pantomime: from the beer-house Scene: vodka and sabotage Kozelkov’s Dance with Friends Kozelkov’s Dance (in his absence); Waltz-scherzo (doll-like dance mocking secretary Olga) ACT 3

Scene 1:

Scene 2:

‘At the door of the workshop’ 1. Musical action and Scene: departure of the workers 2. Scene with the bolt. Pantomime and Dance 3. Scene: exposure of the provocation 4. Musical Entr’acte ‘The Club’ 1. March: Red Army 2. Appearance of the agitator-brigade: (a) maritime conference, (b) the aesthetic Young Lady, (c) The Conciliator, (d ) Textile Workers, (e) The Drayman, and ( f ) the female Colonial Slave 3. Komsomol Dance 4. Red Army. Dance performance; (a) infantry and artillery, (b) Society of Assistance to Defence, Aviation, and Chemical Protection, (c) bicyclists, (d) Red Army, Red Navy and sailors, (e) aviators, and ( f ) the Budyonny Mounted Army 5. Final Dance and Apotheosis

The order and titles of the items in Acts 1 and 3 of the composer’s score, as recorded by Rozhdestvensky differ slightly from the ballet as detailed above, while Act 2 is identical apart from the transposition of the last two numbers. The musical numbers in the piano score, compiled by Manashir Yakubov on the basis of the première programme booklet and archival material, appear as follows: 1. Overture—Adagio—Allegro ACT 1 2. 3. 4. 5.

Gymnastics—Moderato Leaving for work—Allegretto attacca Lyonka Tippler (off to work after a drinking bout)—Adagio attacca Mime of the installation of the machines (aka The Destruction of the City)—Allegro 6. Mime of the Chief Engineer, technicians, and workers—Allegro non troppo

OPUS 27: T H E BOL T

7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17.

75

Entry of Kozelkov—Moderato attacca Mime Dance of the Charwomen (Tidying up the workshop)— Allegro The workers arrive—Allegretto The Saboteurs (Intermezzo)—Allegretto The Bureaucrat—Allegretto—Allegro The Blacksmith—Allegretto Entry of the Komsomol Members, and Dance of the Pioneers— Allegro Commissioning of the workshop (First Dance of the Machines)— Allegro The Hooligan’s Mime Dance (Carousing)—Adagio—Allegro Mime Dance of the Hooligans and Workers (The workers’ indignation)—Adagio—Allegro The Workshop in operation (Second Dance of the Machines)—Allegro ACT 2

18. Introduction. Scene with the Sexton, Lad, Beggar Women, Priest, and Pioneers—Andantino 19. Mime and Dance of the Priest—Adagio—Allegro vivo attacca 20. Entry of the Pilgrims—Andantino 21. Dance of the Komosol Members (a Russian, Georgian, and an Uzbek)—Allegro 22. Dance of Kozelkov—Andantino 23. Dance of the Beggar Woman—Andantino 24. Dance of the Lad—Allegro 25. Dance of Komosol Members, Dance of the Sexton, and Scene with the Pilgrims—Allegro—Andantino 26. Dance of the Hooligans—Largo—Allegro 27. Mime of the Hooligans and Scene with Lyonka and the Priest— Andante—Allegro—Adagio 28. Mime of Kozelkov, Boris, and Olga—Allegretto—Allegro 29. Dance of Kozelkov and his Friends—Allegretto—Andante— Allegretto—Allegro ACT 3 30. 31. 32. 33. 34. 35. 36.

Entr’acte—Lento The end of the working day—Allegro Scene with the bolt—Andante—Allegro—Adagio March—Allegretto The Naval Disarmament Conference—Allegretto Dance of the aesthetic Young Lady—Allegro—Andantino The Yes-Man—Andantino

76

D M I T R I SHOSTA K OV IC H C A TA LO GUE

37. 38. 39. 40. 41.

Dance of the Mill Girls—Allegro Dance of the Drayman—Moderato non troppo Dance of the Colonial Slave Girl—Andante—Allegro Dance of the Komsomol Members—Allegro The conspiracy exposed (The Tale of the Lad)—Andante— Allegretto—Allegro 42. Red Army Dances (infantrymen and artillerymen; Association for Defence, Aviation, and Chemical Protection; motorcyclists; a Red Army soldier and sailor; airmen; and the Budyonny Cavalry Corps)—Allegretto—Allegro 43. Final Dance and Apotheosis—Allegro The Closing March from The Bedbug, Opus 19, utilized for ‘The Charwomen’ of Act 1, Scene 2:2 (or No. 8 in the score). The introductory March from The Bedbug, along with Reel 3 No. 3 [Allegro] from Alone, Opus 26, appear in ‘Scene of the filling workshop’ of Act 1, Scene 2:3 (or No. 9 in the score). ‘The Wreckers’ of Act 1, Scene 2:4a (or No. 10 in the score) is taken from No. 18 of the composer’s original score of The Golden Age, Opus 22. The ‘Komsomol Circle’ dance of Act 2 No. 4 (or No. 21 in the score) quotes from the Finale of New Babylon, Opus 18. Several numbers of the ballet score were later reused in The Limpid Stream (see table under Opus 39). Composed: 1930–31, at Leningrad. The commission was received in February 1930. Premières: Ballet: 8 April 1931, Academic Theatre of Opera and Ballet (Kirov Theatre), Leningrad; Aleksandr Gauk. NB. This was the only staged performance (see Yakubov, 269 of the complete piano score) though, apparently, it appeared on theatre posters until mid-June 1931. USSR revival: Sverdlovsk (now Yekaterinburg) Theatre of Opera and Ballet in April 1976. Russian revival: February 2005, Moscow, Bolshoi Theatre; Aleksei Ratmansky (director/choreographer). Suite: 17 January 1933, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra, A. Gauk. UK: 28 August 1977, Usher Hall, Edinburgh; Concertgebouw Orchestra, Kirill Kondrashin. Arrangements: Opus 27a—Suite for full orchestra (augmented by a military band in the final number), also known as Ballet Suite No. 5 (see Sans op. P(i), assembled by the composer in 1931): 1. Overture (Introduction)—Adagio—Allegro 2. The Bureaucrat (Polka)—Allegretto (Act 1, Scene 2:4b)

OPUS 27: T H E BOL T

77

3. The Drayman’s Dance (Variations)—Moderato non troppo (Act 3, 2: 2e) 4. Tango: Kozelkov’s Dance with Friends (Tango)—Allegretto—Andante— Allegro (Act 2 No. 12) 5. Intermezzo [also Interlude]—Allegretto (Act 1, 2: 4a) 6. The Dance of the Colonial Slave (Act 3, 2: 2f ) 7. The Conciliator (Act 3, 2: 2c) 8. General Dance of Enthusiasm and Apotheosis (Finale)—Presto (Act 3, 2: 5) Reduction of Nos. 2 and 5 for piano bv Levon Atovmyan. No. 2 transcribed for band by Donald Hunsberger; retitled ‘Satirical Dance’ (Polka) as a piano solo for clarinet and piano, small and large orchestra by Quinto Maganini; for brass ensemble by Alan Raph; for two pianos four hands by Maxwell Powers; and saxophone and piano by Marc Chisson. No. 7 arranged for marimba and piano by Nebojša Živkovic´. Waltz-scherzo (Ballet Suite No. 1, No. 5, and Four Waltzes, Sans op. P No. 2) variously transcribed, including for accordion by Z. Semyonova, violin and piano by Gotsdener, balalaika by A. Tikhonov, domra and piano by Rudolf Belov; and in a piano reduction by Bronislava Rozengauz and as an organ solo by Mariya Makarova from Score No. 28. Scherzo (Ballet Suite No. 4, No. 3) reworked by Levon Atovmyan from Score No. 37. Intermezzo (or Interlude), No. 5 appears in Moscow, Cheryomushki, Opus 105 No. 21. Also arranged for wind band and organ solo from Score No. 10. Overture arranged for wind ensemble by Hans van der Heide. Suite Opus 27a (1934 version) transcribed for wind band by Yoshihiro Kimura and Nos, 3–5 and 8, by Steven Verhaert. See also Dances of the Dolls, Sans op. S(i). Instrumentation: Suite Opus 27a—piccolo, 2 flutes (II = piccolo II), 2 oboes, cor anglais, E flat clarinet (= bass clarinet), 2 B flat clarinets, 2 bassoons, contrabassoon ~ 6 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone ~ strings. Separate band in Finale: E flat and 2 B flat cornets, 2 trombones, and 2 each of alto, tenor, baritone, and bass saxhorns. The xylophone is employed in the 1931 Suite (in No. 7) and not in the 1934 version. Music: The autograph piano score and authorised manuscripts of the orchestral score are preserved at PGALI. A manuscript score of the original Suite is preserved at GTsMMK. In 1934 the composer discarded Nos. 6 and 7 and substituted less explicit titles as indicated above in parentheses. The manuscript score of this version, inscribed ‘To be regarded as the original. D. Shostakovich’, is also kept at PGALI. The score and instrumental parts

78

D M I T R I SHOSTA K OV IC H C A TA LO GUE

of the Suite, prepared for publication by Muzgiz in 1934, reached the proofreading stage but was not published. Edition Musicus, Satirical Dance arr. by Q. Maganini, 1940, for small orchestra, 31 cm.; 1940, for piano; c.1943, for large orchestra, parts, 31 cm.; c.1958, for clarinet and piano; c.1946, for two pianos four hands by M. Powers; for brass ensemble by A. Raph. Muzyka, 1959, Waltz-scherzo arr. for violin and piano by Gotsdener. Sovetskii kompozitor, No. 4565 (in Dmitri Shostakovich: Popular Pieces), 1967, Nos. 2 and 5 arr. for piano by L. Atovmyan, 28.5 cm. Boston Music, USA, 1971, No. 2 transcribed for band by D. Hunsberger, score and parts, 30 cm. Sovetskii kompozitor, No. 2473 (in Young Pieces—Pieces, Etudes & Ensembles, Class VI–VII), 1975, Waltz-scherzo for piano, 28.5 cm. Sovetskii kompozitor, No. 4920 (in D. Shostakovich: Selection of Children’s Piano Pieces), 1979, Waltz-scherzo arr. by B. Rozengauz, 29 cm. Muzyka, No. 11695 (in Volume 26 of Collected Works), 1987, full score of Suite (1934 version), 30 cm. DSCH Publishers, Moscow, full score of Suite in Volume 71 of New Collected Works. Complete score—DSCH Publishers, Moscow, no number, 1996, complete piano score with article on the history of the ballet by Manashir Yakubov in Russian and English, 284, 29 cm. DSCH Publishers, Moscow, full score in Volume 62 and piano score in Volume 63 of New Collected Works. Duration: Suite (1931 version): 27' 44"–28' 59"; 27 minutes (Sadovnikov). Suite (1934 version): 24' 52". Complete score: 145' 20". Additional ballets: The Young Lady and the Hooligan. Numbers from The Bolt, Opus 27 used, along with items from Opp. 39, 40, 50a, 95, and 97 in a one-act ballet of seven episodes created for Valeri Panov by Konstantin Boyarsky, with libretto by Aleksandr Belinsky (after a film script by Vladimir Mayakovsky, based on the novel The Workers’ Lady-Teacher by Edmondo De Amicis) and designs by Valeri Dorrer. Premièred at the Leningrad Malyi Theatre, 28 December 1962, under the conductor Yevgeni Kornblit. The UK première was performed at the Coliseum Theatre, London on 25 July 2006 by the Mariinsky Opera and Ballet under its Artistic Director Valery Gergiev, the named parts danced by Svetlana Ivanova and Igor Zelensky, with the Mariinsky Orchestra conducted by Tugan Sokhiev. The score of thirteen numbers (duration: 50' 48"–52' 20") assembled by Levon Atovmyan: 1. Introduction. Adagio—Opus 50a (‘Maxim Trilogy’ Suite—Death of the old worker) and Opus 39 (Ballet Suite No. 1, No. 3—Romance)

OPUS 27: T H E BOL T

2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.

79

The Street—Opus 39 (Ballet Suite No. 1, No. 6—Galop) The Hooligan—Opus 27 (The Bolt, Act 3—The Drayman) The Young Lady—Opus 39 (Ballet Suite No. 1, No. 3—Romance) The School—Opus 39 (Ballet Suite No. 1, No. 4—Polka) The Prayer—Opus 40 (Cello Sonata, 1st movement, 2nd theme orch. Atovmyan) The Cabaret—Opus 27 (The Bolt, Act 2—Kozelkov’s Dance with Friends) Visions—Opus 97a (The Gadfly, No. 8—Romance arr. Atovmyan) Scene—Opp. 27 and 40 (reprise of numbers 7 and 6) In the Park—Opp. 95 and 27 (Ballet Suite No. 4, No. 2 and reprise of number 3) Adagio—Opus 39 (Ballet Suite No. 2, No. 2—Adagio) The Brawl—Opus 39 (Ballet Suite No. 4, No. 1—Prelude) Finale—Opus 50a (‘Maxim Trilogy’ Suite—Death of the old worker)

NB. A shortened version under the title The Young Girl and the Hooligan, televised by the BBC on 26 March 1975, was danced by Valeri and Galina Panov with the orchestra conducted by Ashley Lawrence. As the heroine is a young schoolmistress, the word ‘Lady’ is more appropriate in the title. The scenario is given in Goltsman. The Dreamers. Score adapted by Viktor Smirnov-Golovanov, Sergei Sapozhnikov, and G. E. Yungvald-Kilkhevich from The Bolt and The Golden Age, choreographed by Natalya Ryzhenko; Stanislavsky and Nemirovich-Danchenko Musical Theatre, Moscow, 19 January 1976. Paillettes. Norbert Schmucki, Paris Opera Ballet; danced to ‘Kozelkov’s Dance with Friends’, 1986. Available on View Video Dance Series NTSC 1204 videocassette (orchestra and conductor uncredited). Brian Orsar, representing Canada, skated to excerpts from this ballet suite (the first six bars of No. 1, followed by Nos. 3 and 4) in the 1988 Winter Olympics, Calgary and his farewell routine at the World Figure Skating Championships, Budapest. Film: DVD—France: BelAir classiques BAC 020. Bolshoi Ballet; principal re-named roles danced by Anastasia Yatsenko, Andrei Merkuryev, Denis Savin, and Morikhiro Iwat; choreography by Aleksei Ratmansky; Viktor Smirnov’s 1931 libretto revised into a two-Act/four-Scene ballet by Viktor Smirnov-Golovanov; costumes by Galina Solovyov; Bolshoi Theatre Orchestra conducted by Pavel SOROKIN. P Bolshoi Theatre, Moscow concert Sept. 2006, I June 2007. Recordings: 78 rpm—USA: V-Disc 776 (‘V-Disc Pops Concert’). Satirical Dance. Norwalk Symphony Orchestra, Quinto MAGANINI. P NBC Studio, New York 17 May 1947.

80

D M I T R I SHOSTA K OV IC H C A TA LO GUE

LP—Germany: Electrola Odeon 0 80610 (mono). Satirical Dance. Hugo KOLBERG (violin) and Felix Schroder (piano). P Berlin 19 May 1960 ~ USA: Mace MXX 9089 (stereo). I 1965. 78 rpm—USSR: 0039857-8 (8"). Waltz-scherzo arr. Semyonova. Z. SEMYONOV (accordion), V. Budkin and V. Parkhomov (guitars). P 1963. LP and CD—USSR: Melodiya C01387-8. Suite (1931 version). Bolshoi Theatre Orchestra and Zhukovsky Military Air Academy Band, Maksim SHOSTAKOVIC; soloists in Nos. 2 and 7 respectively— Romuald Vladimirov (bassoon) and Leonid Redkin (xylophone). P and I 1966 ~ HMV Melodiya ASD 2747. G Sept. 1971 ~ HMV Melodiya BOX 50251 in Set SLS 5025. Nos. 2, 7, and 8 only. G Dec. 1975 ~ USSR: Melodiya C 01387-8 (in fourth box of Part 1 of Collected Works on Records). I 1978 ~ Italy: EMI 065 94484. I 1978. Reissued on CD—BMG Melodiya 74321 66981-2 (two-disc set). I Dec. 1999. LP—USSR: Melodiya CM 02849-50. Waltz-scherzo arr. Tikhonov. A. Tikhonov (balalaika), Osipov Academic Russian Folk Orchestra, Viktor DUBROVSKY. P 1971, I 1972. USSR: Melodiya C20 06529-30. Waltz-scherzo arr. Belov. Rudolf BELOV (domra) and Eleonora Kirillovskaya (piano). P 1975, I 1976c. Germany: Colosseum SM 631 (‘Virtuoso Wind Music’). Satirical Dance arr. for brass ensemble. MUNICH BRASS SOLOISTS (Willi Bauer, Werner Binder, Karl Hertel—trumpets; Olaf Klamand—French horn; Klaus Renk—trombone; Manfred Hoppert—tuba). P date not stated but after 1975. CD—USA: Russian RCD 16238 (‘Russian Piano School’). Waltz-scherzo arr. for piano by M. Sagradova. Nataliya GAVRILOVA (piano). P 1976–90, I 1998. LP—Sweden: Swedish Society Discofil SLT 33254. Satirical Dance arr. Alan Raph. STOCKHOLM PHILHARMONIC BRASS ENSEMBLE (Claes Strömblad and Gunnar Schmidt—trumpets; John Petersen and Rune Bodin—trombones; Ib Lanzky-Otto—French horn; Michael Lind—tuba). P Rasunda, Sweden 21–23 Mar. 1977. USSR: Melodiya C10 13297-300. Suite Nos. 1, 2, 5, 7, and 3. Stockholm Philharmonic Orchestra, Gennadi ROZHDESTVENSKY. P Leningrad concert 9–10 Feb. 1979, I 1980c. CD—Denon 38C37 7238. Satirical Dance arr. A. Raph. ENSEMBLE DE CUIVRES GUY TOUVRON (Guy Touvron and Serge Boisson—trumpets; Michel Molinaro—horn; Philippe Cauchy—trombone; Christian Delange—tuba). P Japan July 1982. France: Praga PR 250 053. Suite Nos. 1, 2, 5, and 3. Czech Philharmonic Orchestra, G. ROZHDESTVENSKY. P Prague concert broadcast 7 Jan. 1983, I Nov. 1994, G Sept. 1995 ~ France: Le Chant du Monde PR 7250 083. G Feb. 2001.

OPUS 27: T H E BOL T

81

LP—USA: Orion ORS 83462. Waltz-scherzo. Zoe ERISMAN (piano). P 1983. USSR: Melodiya C10 21335 006. Intermezzo arr. for wind band. USSR Ministry of Home Affairs Army Orchestra, Vladimir TARASOV. I 1985b. CD—Germany: Cadenza CAD 800 878 (‘Marimba and Percussion Solo’). The Conciliator, labelled as ‘Opportunist’, arr. N. Živkovic´. Nebojša ´ (marimba) and Iris Kobal (piano). P Stuttgart 1987, I 1989. ŽIVKOVIC *BBC Legends BBCL 4204-2. Suite Nos. 1, 2, 5, and 3. BBC Symphony Orchestra, G. ROZHDESTVENSKY. [Tchaikovsky and Stravinsky.] P Royal Albert Hall Prom concert 18 Aug. 1987, I Jan. 2007, G Apr. 2007. Chandos CHAN 8650. Suite Nos. 1–8. Scottish National Orchestra, Neeme JÄRVI. P Glasgow 14 May 1988, G Apr. 1990 ~ Chandos Compact CHAN 7000/1 (two-disc set). G May 1995. *DVD—USA: Pioneer Classics DVD PC 11524-D. The Drayman’s Dance, labelled ‘Parody from Ballet Music’. Moscow State Symphony Orchestra, Pavel KOGAN. [Op. 93; Glazunov, Tchaikovsky, and Wagner.] P Munich concert 1990, I Mar. 2001. CD—France: Erol Records 7014. Arr. for saxophone. Marc CHISSON (soprano saxophone) and Alain Perez (piano). P Bordeaux 14 June 1992. Chandos CHAN 9343-4 (two-disc set). Complete score of 43 numbers. Royal Stockholm Philharmonic Orchestra, Stockholm Transport Band, G. ROZHDESTVENSKY (conductor, pianist in No. 1, narrator in Nos. 1 and 7). P Stockholm 6–11 June 1994, G June 1995. France: Le Chant du Monde Russian Season RUS 288 105. The Young Lady and the Hooligan—complete ballet. Andrei Kolokolov (trumpet in No. 7), Nikolai Kvitko (trumpet in No. 8), Nazar Dzhurin (cello), Mikhail Spivak (violin), Andrei Skorobogatko (oboe), Mikhail Purizhensky (clarinet); Russian Symphony Orchestra, Mark GORENSTEIN. P Mosfilm Studios, Moscow 28 June–1 July 1994, I May 1995 ~ France: Le Chant du Monde Russian Season RUS 788164. Nos. 2–5 and 7–10. G Nov. 1999. USA: Pope Music PM 1002-2 (‘Unlikely Silhouettes’). Suite Nos. 1–8. Russian Symphony Orchestra (‘Young Russia’), Mark GORENSTEIN. P Moscow Conservatory Sept. 1994, I Nov. 1995. USA: Russian Disc RDCD 10 033 (‘Untrodden Paths’). The Young Lady and the Hooligan—complete ballet. Minsk Symphony Orchestra, Walter MNATSAKANOV. P Byelorussian Radio Studio Oct. 1994, , July 1995. NB. ‘In the Park’ split on two tracks—Nos. 10 and 11. Olympia OCD 585 (‘Music for Organ’). Waltz-scherzo and Intermezzo arr. for organ. Mariya MAKAROVA (organ) P Moscow Conservatory Jan. 1995, 1 Mar. 1997. Japan: Canyon Classics PCCL 00292. Suite Nos. 1–8. Czech Philharmonic Orchestra, Kazushi ONO. P Prague 28 Mar. 1995, I Sept. 1995.

82

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Denmark: Classico CLASSCD 129. Suite Nos. 2 and 3. Copenhagen Philharmonic Orchestra, Okko KAMU. P Tivoli concert, Copenhagen 2 July 1995, G Oct. 1996. Decca 452 597-2DH (‘The Dance Album’). Suite (1934) Nos. 1–5 and 8. Philadelphia Orchestra, Riccardo CHAILLY. P New Jersey Dec. 1995, G Dec. 1996. France: Le Chant du Monde LDC778 1124. Nos. 10 and 28 arr. for organ. Hervé DÉSARBRE (organ). NB. Couplings include Tishchenko Portrait of D. D. Shostakovich—No. 12 of Twelve Portraits, Op. 113. P Glinka Museum, Moscow concert 24 May 1999, G Aug. 2000. Deutsche Grammophon 469 525-2GH. Suite Nos. 1–8. Gothenburg Symphony Orchestra, Neemi JÄRVI. P Gothenburg Aug. 1999, G May 2001. **Netherlands: NBELIVE NBECD 005. Overture arr. Heide. NEDERLANDS BLAZERS ENSEMBLE. [Burgers, Andriessen, Goebbels et al.] P Concertgebouw, Amsterdam concert 1 Jan. 2001. CD and DVD—Naxos 8.555949. Suite Nos. 1–8. Russian State Symphony Orchestra, Dmitri YABLONSKY. [Sans opp. G and E, Op. 16.] P Moscow Oct. 2001, G July 2002. Reissued on DVD—Naxos 5.110006. [As CD.] I Mar. 2003. Germany: perc.pro 10022002. Suite Nos. 3, 4, 5, and 8 arr. S. Verhaert. WORLD BRASS. [Sans op. G(ii); and Ellington.] P Sender Freies Berlin Studios Nov. 2002, I Dec. 2002. CD—Japan: Fontec FOCD 9196. Suite 1934 version arr. Kimura. Hiroshima Wind Orchestra, Yoshihiro KIMURA. [Opp. 82 and 97.] P Phoenix Hall, Hiroshima 30 Nov. 2002. Netherlands: PentaTone PTC 5186 032 (SACD). Suite 1934 version– Nos. 1–5 and 8. Russian National Orchestra, Aleksandr VEDERNIKOV. [Prokofiev and Khachaturyan.] P Russian Television and Broadcasting Studio, Moscow 30 Jan.–1 Feb. 2003. Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites —Film Music’, on second of three-disc set). Suite 1934 version. National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Opp. 39a and 22a.] P National Radio Studio, Kyiv 1–8 June and 13–14 July 2004. Germany: Capriccio 71 097 (Hybrid SACD). Suite 1934 version. MDR Symphony Orchestra, Dmitri KITAYENKO. [Opp. 22a and 36.] P Augustusplatz, Leipzig 17–20 May 2005, I Oct. 2006. Notes: In the second edition No. 2 (e), ‘The Goblin’, of Act 3 Scene 2, was translated from the ‘Domovoi’ listed by Sadovnikov in his 1965 Catalogue. ‘Domovoi’ is a printer’s error which should read ‘Lomovoi’, Russian for ‘The Drayman’ or ‘The Carter’. The Budyonny Mounted Army, featured in Act 3 of the ballet, named after the legendary Semyon Budyonny who began his career as a cavalryman

OP U S 28: RUL E, BRIT AN N IA!

83

and became a Marshal of the Soviet Army. According to Volkov (1979) he was ‘famed for his huge moustache and outstanding stupidity’. The Budyonovka, a pointed helmet worn by the Red Army from 1918, was named after him. For ‘Observations on The Bolt’ see Simon Morrison’s article ‘Shostakovich as Industrial Saboteur’ in Shostakovich and His World (Laurel E. Fay ed., Princeton University Press, 2004, 117–61 with five illustrations of costumes by Tatyana Bruni). The drunken characters Ivan Corkscrew, Fyodor Beer, Manka Fart (sic) et al. named in the première booklet and in Sadovnikov’s Catalogue (1965) do not appear in the story of the ballet in the booklet nor in any musical texts. Strangely, they reappear in the BelAir DVD booklet (2007). Manka Fart is spelt thus ‘v»ËÍ’ in Cyrillic but is actually slang for the word ‘Luck’. See also the Note under Declared Dead Opus 31.

Opus 28: Rule, Britannia! Form: Incidental music to the stage play Rule, Britannia! by Adrian Piotrovsky. 1. 2. 3. 4. 5. 6.

The Internationale—Allegro—Meno mosso (choral portion) Infantry March—Allegretto [Along the Soviet Route]—Allegro non troppo (choral words not found) [Protest]—Allegro [Raising the Banner]—Allegretto [The Banners are Making a Noise]—Allegro (choral number)

No. 1 concludes with the opening eight bars of Pierre Degeyter’s melody with Russian text by Arkadi Kots. Instrumentation: flute (= piccolo), B flat clarinet, bassoon ~ horn, 2 trumpets, trombone, tuba ~ timpani, triangle, side drum, cymbals, bass drum ~ piano ~ strings. Composed: April 1931, at Leningrad. Première: 9 May 1931, Theatre of Working-class Youth, Leningrad (TRAM), directed by Mikhail Sokolovsky and R. Suslovich, and conducted by N. Dvorikov. Arrangements: Piano reduction of Nos. 1–3, 5, and 6 by Yuri Olenev. No. 2 modified and reorchestrated by the composer for use in the ‘Night Watch’ number of Hamlet, Opus 32. No 4 [Protest] reconstructed from piano score by Mark Fitz-Gerald. Music: Autograph piano score of [Protest], complete with prose text to be spoken against the musical background, and three fragmentary items from Act 4 in piano reduction (‘The Cannon’, ‘Transition to the Little House’,

84

D M I T R I SHOSTA K OV IC H C A TA LO GUE

and [‘Dynamiada’]) preserved at PGALI. Manuscript copies of Nos. 1–3, 5, and 6 in full score discovered in the mid-1980s in the Shostakovich Family Archive. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, piano and vocal scores of six items, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, full score of Nos. 1–3, 5, and 6, 30 cm. DSCH Publishers, Moscow, full score in Volume 116 of New Collected Works. Recording: **CD—Naxos 8.572138. Nos. 1–6. National Polish Radio Symphony Orchestra, Camerata Silesia, Anna Szostak (chorus-director in Nos. 1 and 6), Mark FITZ-GERALD. [Opp. 41(ii), 44, and 70.] P Grzegorz Fitelberg Concert Hall Katowice, Poland 27–30 Aug. and 20–22 Sept. 2008, I May G Sept., 2009.

Opus 29: Lady Macbeth of Mtsensk District Form: Opera in four acts for full orchestra, chorus and 17 principals, with libretto by Aleksandr Preis and the composer, based on the novel-sketch Lady Macbeth of Mtsensk District written in 1865 by Nikolai Leskov: ACT 1 Scene 1: Scene 2: Scene 3:

In the Izmailovs’ house The Izmailovs’ courtyard Katerina’s bedroom ACT 2

Scene 4: Scene 5:

The Izmailovs’ courtyard at night Katerina’s bedroom ACT 3

Scene 6: Scene 7: Scene 8:

The Izmailovs’ garden before the wedding In the police station The wedding feast in the Izmailovs’ garden ACT 4

Scene 9:

Convicts’ camp on the road to Siberia

Instrumentation: piccolo, 2 flutes (II = piccolo II and flute in G), 2 oboes, cor anglais, E flat clarinet, 2 clarinets (B flat and A), bass clarinet, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, wood block, tambourine, side drum, side drum militare, whip, cymbals,

O PUS 29: LA D Y MA C BETH OF MT SEN SK DIST RICT

85

bass drum, gong ~ glockenspiel, xylophone, 2 harps, celesta ~ strings. An optional brass band of 2 B flat cornets, 2 E flat cornets, 2 B flat trumpets, 2 E flat alto saxhorns, 2 B flat tenor saxhorns, 2 E flat baritone saxhorns, and 2 bass horns is specified in the 1932 version. String strength specified at 16–18, 14–16, 12–14, 12–14, and 10–12 with the double-basses not to be muted throughout the opera. Composed: 14 October 1930–17 December 1932. The first part of the opera was begun in Leningrad and continued in the Caucasus in autumn 1931. Act 1 was finished in Tbilisi on 5 November 1931. Act 2 was begun in Leningrad on 19 November 1931 and completed in Moscow on 8 March 1932. Act 3 was started in Leningrad on 5 April 1932 and continued in Gaspra, Crimea, with completion on 15 August 1932. Act 4 written in Leningrad. Dedication: Nina Vasilievna Varzar (fiancee). Premières: 22 January 1934, Leningrad Malyi Opera Theatre; produced by Nikolai Smolich and Vladimir Dmitriev, under the direction of the conductor, Samuil Samosud; principal roles—Agrippina Sokolova (Katerina), Pyotr Zasetsky (Sergei), Georgi Orlov (Boris), and Stepan Balashov (Zinovi). 24 January 1934, Nemirovich-Danchenko Theatre, Moscow; produced under the title Katerina Izmailova by Boris Mordvinov and conducted by Grigori Stolyarov; principal roles—A. Tulubeva (Katerina), S. Ostroumov (Sergei), Vladimir Kandelaki (Boris), and Sergei Tsenin (Zinovi). USA: 31 January 1935, Cleveland Metropolitan Opera House; Art of Musical Russia singers under Artur Rodzinski. New production: 26 December 1935, Bolshoi Theatre, Moscow; conducted by Aleksandr Melik-Pashayev. UK: 18 March 1936, Queen’s Hall, London; Oda Slobodskaya, Hughes Macklin, and Harold Williams in a concert performance (in Michel Calvocoressi’s English translation revised by other hands), conducted by Albert Coates. USA revivals: September 1981, War Memorial Opera House, San Francisco; San Francisco Opera Company, Anja Silja in the title role, produced by Gerald Freedman and conducted by Calvin Simmons. Australia: 29 February 1984, Festival Theatre, Adelaide; State Opera of South Australia production in Edward Downes’s English translation; John Tasker (director), Peter Cooke (designer), Beverley Bergen (Katerina), Ron Stevens (Sergei), Gregory Dempsey (Boris), Adelaide Symphony Orchestra, conducted by Patrick Thomas. UK: 22 May 1987, London Coliseum; English National Opera production in David Pountney’s English translation; Stefanos Lazaridis (designer), Josephine Barstow (Katerina), Jacque Trussel (Sergei), Willard White (Boris), Stuart Kale (Zinovi), Mark Elder (conductor). The conductor accepted the 1987 Lawrence Olivier Award for the most outstanding

86

D M I T R I SHOSTA K OV IC H C A TA LO GUE

achievement of the year in opera at London’s Victoria Palace on 24 January 1988. This ENO production was revived on 15 June 2001 at the Coliseum with Vivian Tierney (Katerina), Robert Brubaker (Sergei), Pavlo Hunka (Boris), Rhys Meirion (Zinovi), and Mark Wigglesworth (conductor). East Germany: 7 May 1988, Deutsche Oper, Berlin; produced by Günter Kramer and conducted by Jirˇí Kout; principal roles—Karan Armstrong (Katerina), Jan Blinkhof (Sergei), Dimiter Petkov (Boris), and William Pell (Zinovi). US: 10 December 1994, New York, Metropolitan Opera House; Maria Ewing (Katerina), Vladinir Galusin (Sergei), Sergei Koptchak (Boris), James Conlon (conductor)/18 March 2000, Catherine Malfitano (Katerina), V. Galusin (Sergei), S. Koptchak (Boris), Valery Gergeiev (conductor). Both performances broadcast ‘Live from the Met’ on BBC Radio 3. Australia: 11 June 2002, Sydney Opera House; Opera Australia production in David Pountney’s English translation; Francesco Zambello (director), Hildegard Bechtler (designer), Elizabeth Whitehouse (Katerina), Kurt Schreibmayer (Sergei), Donald Shanks (Boris), Australian Opera and Ballet Orchestra, conducted by Richard Hickox. Newspaper advertisements for this production carried the warning: ‘Suitable for adult audiences only’. UK: 1 April 2004, Royal Opera House, London; Richard Jones (director), John Macfarlane (designer), Katarina Dalayman (Katerina), Christopher Ventris (Sergei), John Tomlinson (Boris), Stefan Margita (Zinovi), Royal Opera Chorus and Orchestra conducted by Antonio Pappano. Broadcast on BBC Radio 3 on 8 May 2004. Arrangements: Opus 29a: Suite of Three Interludes compiled by the composer in 1932: 1. Entr’acte between 2nd and 3rd Scenes—Allegro 2. Entr’acte between 7th and 8th Scenes—Presto 3. Entr’acte between 6th and 7th Scenes—Allegretto Opuses 29/114b: Five Interludes (initially Four: between scenes 1 and 2, 2 and 3, 7 and 8, and 6 and 7) in versions compiled by the composer in 1956 and 1963. See Opus 114. Three fragments—‘Burying the corpse in the cellar’, ‘The ghost disappears’, and ‘The drunks at the wedding’—arranged for small and full orchestra and piano solo by Quinto Maganini. Three extracts—‘Dance’, ‘Interlude’, and ‘Grotesque Dance’—arranged for piano by Frederick Block. English translations of the libretto by L. Soudakova, Vladimir Lakond, Sonia Benderoff, Merle Puffer, Michel Calvocoressi, Edward Downes, and David Pountney. German text jointly by Jörg Morgener and Siegfried Schoenbohm.

O PUS 29: LA D Y MA C BETH OF MT SEN SK DIST RICT

87

The first published editions of 1935 show many changes in the text, mainly elimination of vulgarisms, including Katerina’s aria and Sergei’s recitative in Scene 3. The ‘pornophony’ interlude at the end of Scene 3 was considerably shortened. The opera was restored in 1963 in an expurgated version, Katerina Izmailova, Opus 114. See also Two Pieces for String Quartet, Sans op. D(i). Music: The autograph full score preserved at PGALI and manuscripts of the Suite and Five Interludes, executed in copyists’ hands, kept in the Shostakovich Family Archive. J. & W. Chester, London, no number, 1933, crudely mimeographed copy from USSR rehearsal score in the British Museum, oblong format 29 by 19 cm. (Photocopied missing pages supplied by William Crawford of New York, whose vocal score came from the estate of V. Lakond). Each Act paginated separately: 1–74, 1–97, 1–82, and 1–66. Muzgiz, No. 14346, 1935, vocal score with Russian and English texts (the latter by L. Soudakova), portrait and plates, 321, 30 cm. Universal Edition, Vienna, No. 10740, 1935, vocal score with German translation. Kalmus, New York, 1935, libretto only with authorized English synchronized translation by V. Lakond, 23 cm. A. S. Gilman, Cleveland, 1935, libretto only in English translation by Sonia Benderoff. Edition Musicus, 1940, three fragments arr. for piano by Q. Maganini, 31 cm.; also for small and full orchestras, score and parts. Edition Musicus, No. 144, 1942, ‘The Road to Siberia’, bass solo with piano accompaniment by Q. Maganini and English text by Walter Lake (pseudonym of V. Lakond), 26.5 cm. Southern Music, New York, 1964, Katerina’s Aria—‘Oh, I don’t feel like sleep anymore’, for voice and piano, with English lyric by John Klein and V. Lakond, 31 cm. Southern Music, New York, 1965, ‘The Road to Siberia’, bass solo with S.A.T.B. chorus and piano, with English lyric by J. Klein and V. Lakond, score, c.19 cm. Edition Peters, No. 5750 (in collection Organ Works by Soviet Composers), 1976, Passacaglia arr. for organ by Leonid Roizman [with preface dated Moscow 1973 by the arranger—spelt Roisman in German], horizontal format 30 cm. NB. Music gives Op. 29; recording Op. 114. Hans Sikorski, No. 2313, 1979, vocal score with Russian and German texts—the latter by Jörg Morgener and Siegfried Schoenbohm, 320, 31.5 cm. Full score of this version available only on rental. Hans Sikorski, No. 2329, 1979, Passacaglia arr. for organ, 31.5 cm.

88

D M I T R I SHOSTA K OV IC H C A TA LO GUE

DSCH Publishers, Moscow, no number, 1998, facsimile of piano-vocal score, 1935 edition, text in Russian and English, 323, 29 cm. DSCH Publishers, Moscow, 2002, New Collected Works Volume 69, Suite Opus 29a and Five Interludes Opp. 29/114a, 193, 30 cm. DSCH Publishers, Moscow: full score in Volume 52 and piano score in Volume 53 of New Collected Works. Duration: Approx. 3 hrs in score; 2 hrs 36 mins–2 hrs 40 mins. Films: 2 hrs 40 mins (Pountney—without excisions); 3 hrs 7 mins (Winge— including a four-minute interlude taken from the first movement of the Sixth Symphony Op. 54 inserted before the beginning of Act 4); 1 hr 36 mins (Weigl—abridged: 13 cuts). Three fragments: 10 minutes (Musicus). Passacaglia for organ: 6' 25"–8' 35". Ballet: The Overcoat. For details see under Opus 32. Films: The English National Opera’s production, introduced by Michael Berkeley, televised on BBC2 TV on 8 November 1987. RCA Victor Red Seal Laser Disc 781202 and VHS Video 791202 (‘Concert in Berlin’). Entr’actes from Scenes 2–5 and 7–8. Berlin Philharmonic Orchestra, Mstislav Rostropovich. P Philharmonie, Berlin 31 Dec. 1990, I 1992. Lady Macbeth von Mzensk. A Czechoslovakian colour film of the opera produced by Petr Weigl in 1992, screened on ZDF (Second German Television), 7 March 1993. The cast mimed to the Russian voices on Rostropovich’s 1978 HMV recording and crucial German subtitles were provided. Principal acting roles—Markéta Hrubešová (Katerina), Michal Dlouhý (Sergei), Petr Hanicˇinec (Boris), and Václav Neckárˇ (Zinovi). There are thirteen cuts in Scenes 1–4, only the start of Scene 5 is shown, and the whole of Scenes 6 and 7 to the last part of Scene 8 is omitted. This 100-minute version is available on Carlton Entertainment Digital Versatile Disc ID 5655 CLDVD. Reviews G Nov. 2000 and by John Riley in DSCH Journal No. 15, 57–59. Lady Macbeth of Mtsensk. EMI 599730-9. A two DVD set, stage directed by Stein Winge, recorded at concerts on stage at the Gran Teatre del Liceu, Barcelona in May 2002. Principal roles: Nadine Secunde (Katerina), Christopher Ventris (Sergei), Anatoli Kotcherga (Boris), Francisco Vas (Zinovi), with Yevgeni Nesterenko as the Old Convict. The Palau de la Música Catalana Chamber Choir, Liceu Grand Theatre Chorus and Symphony Orchestra conducted by Aleksandr Anisimov. This three-hour presentation reviewed by David Fanning in G Apr. 2005 and by Fiona Ford in DSCH Journal No. 22, 64–66. DVD—Netherlands: Opus Arte OA 0965D. Principal roles—Eva-Maria Westbrook (Katerina), Christopher Ventris (Sergei), Vladimir Vaneyev (Boris), Ludovit Ludha (Zinovi); Netherlands Opera Chorus, Royal Concertgebouw Orchestra, Mariss JANSONS. P Het Muiektheater, Amsterdam concert June 2006, G Feb. 2007.

O PUS 29: LA D Y MA C BETH OF MT SEN SK DIST RICT

89

Recordings: 78 rpm: USA: Decca Capitol CK 51004. Orchestral excerpts: ‘Burying the corpse in the cellar’, ‘The ghost disappears’, and ‘The drunks at the wedding’. Janssen Symphony Orchestra of Los Angeles, Werner JANSSEN. G Apr. 1951. LP and CD—USA: United Artists UAS 8004. Entr’acte between Scenes 6 and 7. Symphony of the Air, Leopold STOKOWSKI. P New York 15–19 Dec. 1958. Reissued on CD—USA: EMI Classics ZDMB5 6542723 (in twodisc set). I 1994. LP—East Germany; Eterna 8 20 476. Excerpts. Philine Fischer (soprano), Dresden Philharmonic, Carl von GARAGULY. P 23–25 June 1964, I 1965. *CD—Portugal: Gala GL 100805 (in two-disc set, mono, sung in Italian). Interlude; Act 1 Scene 3: ‘Time for bed. The day is over’, ‘The foal runs after the filly’, ‘Who’s there? Who’s that knocking?’. Inge Borkh (Katerina), Dino Dondi (Boris), Giovanni Gibin (Sergei); Orchestra del Teatro alla Scala, Nino SANZOGNO. [Schumann and R. Strauss.] P Milan concert 5 Oct. 1964. LP—USSR: Melodiya CM 04469-70. Passacaglia arr. for organ (listed under Op. 114). Leonid ROIZMAN (organ of Moscow Conservatory Bolshoi Hall). P 1973, I 1974. LP and CD—HMV ASD 3664-6 in Set SLS 5157 (box set complete on six sides with libretto; sung in Russian). Galina Vishnevskaya (Katerina), Nicolai Gedda (Sergei), Dimiter Petkov (Boris), Werner Krenn (Zinovi), Robert Tear (shabby peasant), Taru Valjakka (Aksinya), Martyn Hill (teacher), Leonard Mróz (priest), Aage Haugland (sergeant), Birgit Finnilä (Sonyetka), Alexander Malta (old convict), Leslie Fyson (mill-hand and officer), Steven Emmerson (porter), John Noble (steward), Colin Appleton (1st foreman and coachman), Alan Byers (2nd foreman), James Lewington (3rd foreman), Oliver Broome (policeman), Edgar Fleet (drunken guest), David Beavan (sentry), Lynda Richardson (woman convict); Ambrosian Opera Chorus, John McCarthy (chorus-master), London Philharmonic Orchestra, Mstislav ROSTROPOVICH. P London 1–22 Apr. 1978, G May 1979. Prix Mondail du Disque de Montreux 1980 and the 1980 International Record Critics Award. Reissued on CD—EMI Classics Great Recordings of the Century 5 67776-2 and USA: Angel Records 5-67779-7 (two-disc sets) ~ EMI CDS7 49955-2 (two-disc set). G May 1990 ~ *EMI Great Artists of the 20th Century 5 62829-2. Act 1 Scene 3. [Opp. 127, 109, and Sans op. V.] I 2004 ~ *EMI Great Recordings of the Century 3712342 (two-disc set with bonus interview DVD). I 2006. LP—Czech: Supraphon 1116 2843. Katerina’s aria from Act 1. Gabriel BENACKOVA (soprano), Czech Philharmonic Orchestra, Vaclav Neumann. P 1–3 Sept. 1981, G July 1982.

90

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Czech: Panton 81 0681. Passacaglia. Luksaite MRAZKOVA (organ). P Dvorak House, Prague 1986. CD—Priory Compact Disc PRCD 370 (‘Great Organs No. 26’). Passacaglia. Keith JOHN (organ). P Gloucester 3–4 Apr. 1991, G Nov. 1992. Germany: Arts Compact Disc 47273-2 (‘Organ History—The Russian School’). Passacaglia. Arturo SACCHETTI (organ). P Rome May 1991. *Etcetera KTC 2012 (disc two of two-disc set). Passacaglia. Aleksandr FISEISKY (organ). [Glazunov, Gedike, Nirenburg et al.] P Tallinn Cathedral, Estonia Nov. 1991 and June 1992, I 1992. Hyperion CD A 66605. Passacaglia (‘Organ Fireworks, Volume 4’). Christopher HERRICK (organ). P St Bartholomew’s Church, New York 27–28 Feb. 1992, G Oct. and Dec. 1992. Deutsche Grammophon 437 511-2CH (two-disc set with libretto, 4D audio; sung in Russian). Maria Ewing (Katerina), Sergei Larin (Sergei), Aage Haugland (Boris), Philip Langridge (Zinovi), Heinz Zednik (shabby peasant), Kristine Ciesinski (Aksinya), Ilya Levinsky (teacher), Romuald Tesarowicz (priest), Anatoli Kotcherga (sergeant), Eléna Zaremba (Sonyetka), Kurt Moll (old convict), Grigory Gritziuk (mill-hand), Carlos Alvarez (officer), Guillaume Petitot (porter), Jean-Pierre Mazaloubaud (steward), Alan Woodrow (coachman), Jean-Claude Costa (1st foreman), Jean Savignol (2nd foreman), José Ochagavia (3rd foreman), Philippe Duminy (policeman), Mario Agnetti (drunken guest), Johann Tilli (sentry), Margaret Jane Wray (woman convict); Chorus and Orchestra of the Opéra-Bastille, Paris; Myung-Whun chung CHUNG. P Paris Feb. 1992, G Dec. 1993. Russia: a-ram ACD 005. Passacaglia. Aleksei PARSHIN (organ). P Moscow Conservatory c.1994. Olympia OCD 554 (‘Russian and Ukrainian Organ Music’). Passacaglia. Valeri RUBACHA (organ). P 1995, I Sept. 1995. Olympia OCD 585 (‘Music for Organ’). Passacaglia. Mariya MAKAROVA (organ). P Moscow Conservatory Jan. 1995, I Mar. 1997. Germany: Antes Edition BM-CD 15.9001 (three-disc set with synopsis but no libretto; sung in the Morgener/Schoenbohm German translation). Anna-Katharina Behnke (Katerina), Stephen Ibbotson (Sergei), Oleg Bryjak (Boris), Janson Alexander (Zinovi), Stefan Vinke (shabby peasant), Christine Rösch (Aksinya/woman convict), Günter Nowark (teacher), Markku Tervo (priest), Werner-Heiner Adam (steward / sergeant), Wilja Ernst-Mosuraitis (Sonyetka), Christian Rieger (old convict), Almas Svilpa (mill-hand), Edward Gauntt (officer), Dieter Rell (porter/policeman), Doru Cepreaga (coachman/drunken guest), Lomon de Jager (1st foreman), Johannes Eidloth (2nd foreman), Thomas Krause (3rd foreman), Karl-Heinz Haak (sentry); Baden State Opera Choir, Herwig Saffert (chorus-master), Baden

O PUS 29: LA D Y MA C BETH OF MT SEN SK DIST RICT

91

State Orchestra, Wolfgang HEINZ. P Baden State Theatre performances June 1996, G Sept. 1997. Olympia OCD 679 (‘White Music’). Passacaglia. Friedemann HERZ (organ). P Rheda, Germany Sept. 1999, G May 2000. France: Le Chant du Monde LDC778 1124. Passacaglia. Hervé DÉSARBRE (organ). P Glinka Museum, Moscow concert 24 May 1999, G Aug. 2000. **France: Natives CDNAT 02 (‘Russian Music for Organ’, two-disc set). Passacaglia (listed under Op. 114). [On second disc with Prokofiev, Kikta, Butsko et al.] P St Sulpice, Paris 9–11 Apr. 2003. Deutsche Grammophon 477 6112GH. Suite Op. 29a. Russian Philharmonic Orchestra, Thomas SANDERLING. [Op. 36.] Kultura Russian State TV & Radio Studio, Moscow May 2005, I June 2006, G Sept. 2006. Germany: Hänssler Classic SWR Music 93.193. Suite Opus 29a. SWR Radio Symphony Orchestra Stuttgart, Andrei BOREIKO. [Op. 43.] P Liederhalle, Stuttgart 8–10 June 2005, G June 2007. NB. Stated to be the world première recording (sic). Phoenix Edition 143. (‘Trumpet and Organ’). Passacaglia. Iveta APKALNA (Kuhn Organ). [Messiaen, Zbinden, Eben et al.] P Alfried Krupp Saal, Philharmonie, Essen, Germany 17 Oct. 2007, G Feb. 2009. Notes: Mtsensk is a city 280 kilometres south of Moscow, on the main railway line to Kursk. The title of the opera is frequently given with one or two unnecessary definite articles—e.g. The Lady Macbeth of the Mtsensk District as in Kennedy 1980—though it is quite acceptable to use a shorter Lady Macbeth of Mtsensk as is the case with Rostropovich’s pioneering recording. The instrumentation given above refers to the 1935 score which states that the Passacaglia was replaced by a moderated version played by the organ and the optional band was deleted. However, Laurel E. Fay (in Fanning 1995) has discovered that the instrumentation of 1932 and 1935 is identical. From her research it appears ‘Shostakovich envisaged the organ passacaglia, as a self-contained excerpt... But there is no indication that he ever intended the organ version to replace the orchestral in a staged production’. The organ passacaglia was performed at the Leningrad Philharmonic Bolshoi Hall on 17 January 1933 and entered the repertoire of Mikhail Starokadomsky. David Fanning discusses the use of leitmotiv in the opera in Kovnatskaya (1996) and Fay contributes a 28-page article on the versions and revisions from Lady Macbeth to Katerina [Opus 114.] in Fanning 1995. See also the entry in Volume 2 of The New Grove Dictionary of Opera (1992). The opera was severely attacked in an unsigned editorial ‘Muddle instead of music’ in the issue of Pravda dated 28 January 1936. The author of the article was probably a political journalist, David Zaslavsky (Wilson 1994). An English translation appears in DSCH Newsletter XII.

92

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Opus 30: The Golden Mountains Form: Music for the black-and-white film The Golden Mountains (subtitled ‘Happy Street’) with screenplay by Andrei Mikhailovsky, Vladimir Nedobrovo, Sergei Yutkevich, and Leo Arnshtam, directed by S. Yutkevich for the Leningrad Soyuzkino Studio. A song ‘If only I had those mountains of gold’ provides a leitmotiv for the score. Another song is based on the urban song ‘There Used to be Merry Days’ and was later used in Moscow, Cheryomushki, Opus 105. Instrumentation: piccolo, 2 flutes, 2 oboes, cor anglais, 2 B flat clarinets, bass clarinet, 3 saxophones (soprano, alto, and tenor), 2 bassoons, contrabassoon ~ 8 horns, 4 trumpets, 4 trombones, 2 tubas ~ timpani, side drum, cymbals, bass drum ~ glockenspiel, xylophone, Hawaiian guitar in Waltz, 2 harps ~ organ in Fugue ~ strings. Composed: Summer–Autumn 1931, at Leningrad. Premières: The Soyuzkino film first shown on 6 November 1931 in the Khudozhestvenny (Artistic) Cinema, Leningrad and, in a revised form, cut by a third (losing the scene accompanied by the Fugue), on 14 August 1936. Score conducted by Nikolai Rabinovich; organ soloist—Isai Braudo. Suite: Autumn 1931, Bolshoi Theatre Orchestra, Aleksandr Melik-Pashayev. Arrangements: Opus 30a—Suite for large orchestra (with triple woodwind, doubled brass, 3 saxophones, harmonium, 2 harps, Hawaiian guitar, and organ) assembled by the composer: 1. 2. 3. 4. 5. 6.

Introduction—Moderato Waltz—Andante Fugue—Largo—Allegro Intermezzo—Andante attacca Funeral March—Largo attacca Finale—Largo

The closing bars of the Third Symphony, Opus 20, were used for the film’s final scene and as a coda to the Finale of the Suite. The Waltz arranged for wind band by Sergei Gorchakov and V. Udalov; folk instrument orchestra by Yuri Chernov; two pianos; trumpet and piano; piano solo; also several other combinations. Instrumentation of Udalov’s arrangement: flute, 3 B flat clarinets ~ 2 E flat tenor horns, 2 trumpets, 3 trombones ~ glockenspiel and side drum, cymbals and bass drum ~ 2 B flat cornets, 2 E flat alto saxhorns, 2 B flat tenor saxhorns, B flat baritone saxhorn, 2 double-bass trombones in C. Music: Autograph of the film score preserved at PGALI (full score) and GTsMMK (full and vocal scores, along with a copy of the Suite in full

OP U S 30: THE G O L DEN MOUN T AIN S

93

score). Autograph score of the Suite items Nos. 1 and 2 preserved at GATOB. Suite: Muzgiz, No. 14509, 1935, full score, 29 cm. Waltz: Leeds Music, 1945. arr. for two pianos by Pierre Luboshutz, 31 cm. Muzyka, 1958, arr. for wind band by S. Gorchakov, score and parts, 19cm. Sovetskii kompozitor, No. 928 (in Dmitri Shostakovich: Waltzes from Film Music), 1959, 29 cm. Muzgiz, Leningrad, No. 1999, 1960, arr. for piano four hands by Mikhail Nyurnberg, 26 cm. Sovetskii kompozitor, No. 4565 (in Dmitri Shostakovich: Popular Pieces), 1967, arr. for piano by Levon Atovmyan, 28.5 cm. Muzyka, Leningrad, No. 2035 (in Dmitri Shostakovich: Pieces for trumpet and piano), 1976, arr. by Sergei Bolotin, 28.5 cm. Muzyka, No. 9249, 1976, arr. for wind band by V. Udalov, score and parts, 21.5 cm. Muzyka, No. 10899 (in Volume 41 of Collected Works), full score of the Suite, 30 cm. DSCH Publishers. Moscow, full score in Volume 124 of New Collected Works. Film: Concert Waltz. In 1940 a short musical film by Ilya Trauberg was released. The Waltz from The Golden Mountain was featured, performed by a large orchestra (including four harps) under Aleksandr Melik-Pashayev. Shostakovich played the harp part on a grand piano. A jazz version of Johann Strauss’s Tales from the Vienna Woods was part of the filmed concert. Duration: Film original version: 131 minutes; revised form: 92 minutes. Suite: 14' 00"–23' 26". Waltz: 3' 40" (film); 4' 23"–5' 30" (recordings). Recordings: 78 rpm and LP—USSR: 13266-7 (10"). Waltz. All-Union Radio Stage Symphony Orchestra, Leonid YURIEV. P 1945. Reissued on LP—USA: Colosseum CRLP 167 (‘Footlight Favorites from behind the Iron Curtain’). I 1954. USA: Columbia 12881 D. Waltz. New York Philharmonic Orchestra, Efrem KURTZ. P c.1950. Reissued on LP—USA: Columbia Records ML 4233 (mono). 78 and 45 rpm—USA: Victor 12-3079. Waltz arr. for two pianos. Pierre LUBOSHUTZ and Genia NEMENOFF. P c.1950. Reissued on 45 rpm—USA: Vanguard VSD 2128 (7" 45 rpm). *CD—Russia: Vista Vera VVCD. Waltz. USSR TV and Radio Large Symphony Orchestra, Samuil SAMOSUD. [Glinka, Glazunov, Tchaikovsky et al.] P Moscow, House of the Soviets Hall of the Columns concert 11 Feb. 1953, I 2007.

94

D M I T R I SHOSTA K OV IC H C A TA LO GUE

LP—USSR: MK D1556-7 (10" mono). Funeral March. Moscow Radio Band, Leonid KATS. P 1953. USSR: Melodiya C12 16719009 (‘Fanfares by Soviet Composers’). Fanfare. Bolshoi Theatre Wind Orchestra, Vladimir ANDROPOV. I 1982c. USSR: Melodiya C20 20973 007. Waltz arr. Chernov. Academic Russian Folk Orchestra, Nikolai KALININ. I 1985a. LP and CD—USSR: Melodiya C10 31619 002 (Album 7 of ‘From Manuscripts of Different Years’). Complete Suite. Nikolai Stepanov (Hawaiian guitar in No. 2), Lyudmila Golub (organ in No. 3), USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P1985, I 1991c. Reissued on CD—USA: Russian Disc RDCD 11 064. I Feb. 1995 ~ BMG Melodiya 74321 59058-2. G Mar. 1999. CD—RCA Victor Red Seal RD 60226 (‘Film Music of Shostakovich, Volume 3’). Suite Nos. 1, 3, 5, and 6. Karol Goleblowsky (organ in No. 3), Belgian Radio Symphony Orchestra, José SEREBRIER. P c.1988, G Mar. 1991. LP—USSR: Melodiya C20 31183 008. Waltz arr. Chernov. Smolensk Russian Folk Orchestra, Viktor DUBROVSKY. P1990, I 1991b. CD—Switzerland: Claves 50-9623. Waltz arr. Chernov. Osipov Balalaika Orchestra, Nikolai KALININ. P Moscow 8–11 Dec. 1992, I Oct. 1996. Germany: Capriccio 10 561. Complete Suite. Organist in No. 3 not named, Berlin Radio Symphony Orchestra, Mikhail YUROVSKY. P 13–14 June 1994, G Jan. 1996. Russia: Manchester CDMAN 129 (‘Shostakovich Theatre and Cinema Music’). Waltz. St Petersburg Philharmonic Academic Symphony Orchestra, Vladimir ALTSHULER. P St Petersburg 1995, I 1998. USA: Citadel CTD 88129. Complete Suite. Aleksandr Nazaruk (organ in No. 3), Belarus State Cinematographic Symphony Orchestra, Walter MNATSAKANOV. P Mosfilm Studios, Moscow Apr. 1997, I 1998. **Chandos Movies CHAN 10183 (‘The Film Music of Dmitri Shostakovich, Volume 2’). Suite Nos. 1–2 and 4–6. BBC Philharmonic, Vassili SINAISKY. [Opp. 97 and 48.] P New Broadcasting House, Manchester 8–9 Apr. 2003, G June 2004.

Opus 31: Declared Dead Form: Incidental music for a three-act stage revue Declared Dead, by Vsevolod Voevodin and Yevgeni Ryss, containing sequences choreographed by Fyodor Lopukhov. Of the thirty-five numbers composed, eleven or so are missing, twenty-five purely instrumental, four very brief choral items, three vocal, and one, ‘Beiburzhuyev’s [Mr Beat-the-Bourgeois] Monologue’, a long episode spoken to music.

OP U S 31: DECL ARED DEAD

95

3. Mashenka’s First Song—Andantino 4. Mashenka’s Second Song—‘Oh, how pleasant it is in the evening’ 6. Transition to the Field Hospital 7. [Galop]—Allegro 8. Transition to the Field—Allegro 9. The Field [A Landscape]—Andantino 11. Polka—[Con moto] 12. March [Camouflage]—Allegretto 15. River-bed—[Moderato—Piu mosso] 16. Finale to Act 1 (Dance of the Temporary Conquerors)—Moderato 16a. Introduction to Act 2: Petrushka—Allegro attacca 17. Petrushka (Garmoshka)—Allegro 17a. Chorus: ‘Look! Look! How quick and nifty we are!’—Allegretto I7b. The Storm—Allegro 18a. Dance—Andante—Allegro 19. The Arrival of the Lorry 21. Transition to the Kitchen: Jugglers and Waitresses—Allegretto 21a. The Waitresses—Allegro 24. [Beiburzhuyev’s Monologue]—[Allegretto] 26. Paradise—1. Flight of the Cherubs—[Allegretto] 2. Flight of the Angels—[Allegro non troppo] 28. Adagio—[Adagio] 29. Bacchanalia of John of Kronstadt and Paraskeva Pyatnitsa—Presto 29a. Waltz—[Allegretto moderato] 30, 31 and 32. Chorus: ‘Holy! Holy!’ (S.A.T.B. choir) 33. Chorus: ‘On the sea and on the land’, (S.A.T.B. choir)—[Allegretto] 33a. The Twelve Apostles (including vocal solo of the Devil)—[Allegretto] 34. The Archangel Gabriel’s Number—[Allegretto] [35. International Peace!] The March No. 12 is identical to Hamlet, Opus 32 No. 43. ‘The Archangel Gabriel’s Number’ No. 34, foreshadowed in The Golden Age, Opus 22 No. 19 (score) or No. 20 (ballet), is quoted in the Finale of Piano Concerto No. 1, Opus 35. Bacchanalia No. 29 is a reworking of the sexual harassment of Aksinya episode in Lady Macbeth, Opus 29 (NB. John of Kronstadt was a late nineteenth-century priest, who did good work among the very poor of St Petersburg, and Paraskeva Pyatnitsa was a female Greek saint in the early church, whose Orthodox Church feast-day is celebrated on 28 October though only when it occurs on a Friday). ‘The Jugglers’ No. 21 reappears as ‘Balda’s Work’ No. 12 in The Tale of a Priest and His Servant Balda, Opus 36. The text of No. 4 satirizes Mikhail Lermontov’s poem Borodino and No. 33a is a brief parody of ‘Song of the Golden Calf’ from Gounod’s Faust. Petrushka No. 17 uses a well-known chatushka,

96

D M I T R I SHOSTA K OV IC H C A TA LO GUE

originally a tune with indecent lyrics (see Gerard McBurney’s letter in Tempo No. 189, June 1994). Instrumentation: Not known precisely though the composer made over twenty marginal lists of instruments on the piano score. Composed: Summer–Autumn 1931, at Leningrad. Premières: 2 October 1931, Leningrad Music Hall; Klavdia Shulzhenko (singer), Leonid Utyosov’s jazz band; directed by Nikolai Petrov and conducted by Isaak Dunayevsky. UK: Suite Opus 31a: Nos. 1, 4, 7, 18, 9/10, 13, 14, 15/16, 17, 8, and 19. 20 November 1991, Symphony Hall, Birmingham; City of Birmingham Symphony Orchestra, Mark Elder and 27 August 1992, Royal Albert Hall (Prom); BBC Symphony Orchestra, M. Elder. Scotland: music-theatre version Opus 31b; main performance at Eden Court Theatre, Inverness, 4 March 2003, Tartan Chameleon. Arrangements: Piano reduction of the orchestral score by the composer. Hypothetically Murdered, Opus 31a: Suite for small orchestra (with two saxophones, piano, accordion, and large percussion battery), reconstructed, orchestrated, and retitled by Gerard McBurney in 1991: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19.

Bacchanalia (Score No. 29) Polka (11) Transition to the Field (8) The Field (9) Dance (18a) Transition to the Field Hospital (6) Galop (7) The Bottom of the River (15) Introduction to Act 2: Petrushka attacca (16a) Petrushka (Garmoshka) (17) The Storm (I7b) The Jugglers (21) Adagio (28) Waitresses (21a) Paradise I: Flight of the Cherubim attacca (26) Paradise II: Flight of the Angels (27) The Archangel Gabriel’s Number (34) Waltz (29a) Finale to Act I: Dance of the Temporary Victors (16)

Instrumentation of Opus 31a: piccolo, flute, oboe, B flat clarinet, bass clarinet, 2 bassoons, soprano saxophone, tenor saxophone ~ horn, 2 trumpets, 2 trombones, tuba ~ out-of-tune upright piano, accordion ~ timpani and percussion (5 players—triangle, tambourine, wood block, police whistle,

OP U S 31: DECL ARED DEAD

97

whip, lion’s roar, thunder-sheet, siren, klaxon, side drum, tenor drum, bass drum; suspended, ordinary, and large cymbals; gong, glockenspiel, xylophone, flexatone) ~ strings (suggested strength 8, 6, 4, 4, 3). Hypothetically Murdered, Opus 31b. A music-theatre version devised and choreographed by Eric Tessier-Lavigne for the Tartan Chameleon company. Items from Shostakovich’s score adapted by John Kenny for five instrumentalists. The United compact disc recording of tracks 15 Bacchanalia and 16 Waltz of the Opus 31a score used with G. McBurney’s permission. The main characters Gravedigger, Party Boss, Columbine, and Harlequin were supported by four female players. Projected film and graphics by John McGeoch and Dave Smith. Text by John Harvey. Instrumentation of Opus 31b: alto flute, clarinet, basset horn, recorders ~ 2 tenor and 1 bass trombone ~ accordion ~ 2 violins (five instrumentalists). Music: Autograph piano score preserved at TsGALI(SPb). The whereabouts of the full score is not known. Sovetskii kompositor, No. 4028 (in Dmitri Shostakovich: Music to Plays), 1977, ‘The Field’, Polka, Dance, and ‘The Jugglers’ in the composer’s reduction, 29 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, piano and vocal scores of 21 items, 30 cm. DSCH Publishers, Moscow, 1995, full score and parts of Opus 31a in G. McBurney’s reconstruction available for hire. DSCH Publishers, Moscow, full score of G. McBurneys reconstruction in Volume 54 and piano score in Volume 44 of New Collected Works. Volume 54 with Sans op. D(iv), 2007, 30 cm. Duration of Suite: 23' 26"–26' 46" (11 numbers); 39' 12" (21 numbers). Film: BBC1 TV, 4 October 1992, a television presentation of the 1992 Proms performance, introduced by James Naughtie, preceded by a fifteen-minute interval film showing the Leningrad Music Hall in course of restoration; an interview with Boris Bychkov who had seen the original revue in 1931; a mealtime discussion on the music by Gennadi Rozhdestvensky, Mark Elder, and Gerard McBurney; and clips of Leonid Utyosov conducting his thirties ‘jazz band’, dancing in a 1925 film, and reminiscing in 1970. Recordings: LP—Bluebell Bell 126. ‘The Jugglers’ only. Inger WIKSTRÖM (piano). P 28 Jan. and 1 Feb. 1981. LP and CD—United 88001. Suite Opus 31a arr. G. McBurney; score Nos. 6–9, 16a, 17b, 19, 18a, 21, 21a, 26–29a, 34, 11, 12, 15, and 16. City of Birmingham Symphony Orchestra, Mark ELDER. P Birmingham 16–18 Dec. 1992, G Jan. 1994. *Reissued on CD—Signum Classics SIGCD 051. [As original release.] I Sept. 2004. CD—France: Le Chant du Monde RUS 288170. Suite Opus 31a Nos. 3, 4, 9–10, 14–16, 13, 1, 18, 17, 8, and 19. Tchaikovsky Symphony

98

D M I T R I SHOSTA K OV IC H C A TA LO GUE

Orchestra, Vladimir FEDOSEYEV. P Moscow Radio Studio 6–10 June 2000, I 2001. Chandos CHAN 9907 (‘Theatre Music’). Score Nos. 9, 11, 16, 12, 18a, and 1 arr. composer. Rustem HAYROUDINOFF (piano). P Potton Hall, Suffolk 7–8 Aug 2000, I Apr. 2001. **France: Mandala MAN 5039/Harmonia Mundi HMCD 78. Nos. 10 and 17 of McBurney’s Suite Opus 31a; the Overture and ‘The Destruction of the City’ in Shostakovich’s orchestration announced as world premières. Republican Guard Symphony Orchestra, Vladimir PONKIN. [Sans opp. G(ii) and D(ix); Opp. 4 and 56; Sans op. G(i).] P Sorbonne University, Paris concert 16 Jan. 2002, I 2002. NB. See the second paragraph below. Notes: This work has been named in the English language as Allegedly Murdered, Conditional Death, and Conditionally Dead–Killed–Murdered. Nicolas Slonimsky offers Technically Killed as yet another variation. Recent research by G. McBurney favours a buzz-word of the 1930s, Hypothetically Murdered (see the CBSO Society Ltd. programme note, 20 November 1991 and in Edmunds 2004) and this title is retained for the arrangements Opp. 31a and 31b. Elizabeth Wilson (1994, page 101, note 93) argues that all these translations are misleading and Declared Dead would be a more accurate title. The two numbers Overture and a dance called ‘The Destruction (or Ruination) of the City’, stated to have been discovered as belonging to Declared Dead in 1999, originate from the score of the ballet The Bolt and are not world premières. The Overture has been recorded many times in The Bolt Suite (Opus 27a) and ‘The Destruction of the City’ in Rozhdestvensky’s two-disc set of the complete score in 1994 (titled ‘The Installation of the Machines Pantomime’); joined recently by the BelAir DVD of 2007 (titled ‘Checking the machines’). It is likely Shostakovich considered salvaging these two numbers from his failed ballet for the stage revue. The Overture on the Mandala recording is cut from figs. 13 to 19 and continues from fig. 23 to the final bar then attacca to the complete ‘The Destruction of the City’.

Sans op. D: Unnumbered Works 1930s–40s (I) TWO PIECES FOR STRING QUARTET Form:

Two short transcriptions for string quartet:

1. Elegy—Adagio (Katerina’s Aria, ‘The foal runs after the filly’, from Act 1, Scene 3 of Lady Macbeth of Mtsensk District, Opus 29, figs. 140–52 2. Polka—Allegretto (The Golden Age, Opus 22a No. 3) Composed: During the night of 31 October/1 November 1931, at Batumi, Georgia. The score and parts were presented on the following morning

S ANS OP . D: U NNU M BERED WORKS 1930S–40S

99

at 06.00 as a surprise gift to the touring Vuillaume Quartet before they departed from the same hotel where Shostakovich, on a two-month ‘working holiday’, was composing Act 1 of Lady Macbeth. See Yakubov (1986) and Hulme in DSCH Newsletter No. 6 (Mar./Apr. 1988). Dedication: To the Jean Vuillaume Quartet of Kharkov. Performances: Date of première not known but dates of its revival as follows: 20 September 1984, Israel Musical Festival, Tel-Aviv and five days later, Moscow Conservatory Malyi Hall; Borodin Quartet (Mikhail Kopelman, Andrei Abramenkov, Dmitri Shebalin, and Valentin Berlinsky). UK: 26 February 1986, Queen Elizabeth Hall, London; Borodin Quartet. UK broadcast: 13 July 1986, Fitzwilliam Quartet (Daniel Zisman, Jonathan Sparey, Alan George, and Ioan Davies). Arrangements: String orchestra arrangements by Christian Sikorski and Alexandre Brussilovsky (both pieces) and Elegy by Misha Rachlevsky. Both pieces transcribed for saxophone quartet and Polka for guitar quartet. The Elegy alone for oboe and strings by Mikhail Utkin. Music: The composer’s original designation of Opus 36 subsequently used for The Tale of a Priest and His Servant Balda. Autograph score was kept in the archive of A. O. Staroselsky (2nd violinist of the Vuillaume Quartet) and transferred to the Shostakovich Family Archive in the late 1980s. Russian photocopied scores, no number, c.1984, 30 cm. Hans Sikorski, No. 2349, 1984, score and parts, 31.5 cm. DSCH Publishers, Moscow, score in Volume 100 of New Collected Works. Duration: (1) 3' 48"–6' 31" and (2) 2' 00"–2' 47". Recordings: CD—Olympia OCD 531 (‘Complete Quartets, Volume 1’). Labelled as Opus 36. SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1985, G Sept. 1994. LP and CD—Decca 411 940-1DH (digital) and released on CD—411 940-2DH. FITZWILLIAM QUARTET. (personnel as at première—not stated on label or sleeve). P London Feb. 1986; G Feb., May, and Oct. 1987. *Reissued on CD—Decca Double Decca 473 807-2 (two-disc set). [Sans op. D(vi), Opp. 40 and 57; Rakhmaninov, Prokofiev et al.] I May 2003. Germany: IMS Polygram ECM New Series 1347 and released on CD—833506-2 (Edition Lockenhaus,Volumes 4 and 5). Gidon KREMER and Annette Bik (violins), Veronica Hagen (viola), and Thomas Demenga (cello). P 1986, I Apr. 1988. CD—Nimbus NI 5140. MEDICI QUARTET (Paul Robertson, David Matthews, Ivo-Jan van der Werff, Anthony Lewis). P 11 May 1988 (Elegy) and 8 June 1988 (Polka), I Oct. 1988.

100

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—Philips 432 252-2. Polka only. BORODIN QUARTET (personnel as at première). P Lockenhaus concert 15 July 1989. Reissued on CD—Philips 432 252-2 in 456 077-2 (eleven-disc set). I 1997. NB. Originally issued as a free promotional sampler. CD—RCA Victor 09026 61189-2. Arr. for string orchestra. Moscow Virtuosi, Vladimir SPIVAKOV. P Munich 10–13 Dec. 1991, I Apr. 1998. USA: Russian RDCD 11 087. Elegy only. BORODIN QUARTET (personnel as at première). P St Petersburg concert 12 Dec. 1991, G Oct. 1993. Switzerland: Claves CD50 9325 (‘Elegy: Masterpieces for String Orchestra’). Elegy arr. for string orchestra. Kremlin Chamber Orchestra, Misha RACHLEVSKY. P Mosfilm Studio May–June 1993, I Sept. 1993. *Czech: Panton 710120-2 (‘Select Encores for String Quartet’). KOCIAN QUARTET (Pavel Hula, Jan Odstreil, Jirí Najnar, Vaclav Bernasek). [Beethoven, Tchaikovsky, Suk et al.] P Prague 1993, I 1994. Netherlands: Etcetera KTC 1182. ELEONORA QUARTET (Eleonora Yakubova, Irina Pavlikhina, Anton Yaroshenko, Mikhail Shumsky). P Moscow Jan. 1994, I Sept. 1994. *Australia: ABC Classics 442 508-2. Arr. T. Kain. Polka only. GUITAR TREK (Timothy Kain—treble guitar, Carolyn Kidd and Mark Norton—standard guitars, and Peter Constant—bass guitar). [‘Guitar Trek II’.] P ABC Studio, Sydney 7 Mar. 1994, I 1994. Netherlands: Vanguard Classics 99154. Arr. for saxophone quartet. AURELIA SAXOPHONE QUARTET (Johan van der Linden, André Avends, Arno Bornkamp, and Willem van Merwijk). P Zwolle 10–12 Mar. 1994 ~ *Challenge Classics 72039. [As original issue.] I 2005. Germany: Arte Nova Classics 74321 27759-2. Arr. for string orchestra. Hamburg Soloists, Emil KLEIN. P Munich 11–13 Apr. 1994, I 1996. Teldec 4509 94572-2 (‘Russian Miniatures’). BORODIN QUARTET (personnel as at première). P Berlin Nov. 1994, 1 Mar. 1995. Finland: Ondine ODE 845-2. Arr. for string orchestra by C. Sikorski. Tapiola Sinfonietta, Joseph SWENSEN. P Espoo Mar. 1995, G Apr. 1996. France: Suoni e Colori Collection SC 53006 (‘DSCH Aphorismes’). Labelled Op. 36. Arr. for string orchestra by A. Brussilovsky. Ricercata de Paris Ensemble, Alexandre BRUSSILOVSKY. P Hautes-Alpes, France concert Aug. 1996, I 1997. Discipline Global Mobile 9809 (‘Like the Milk’). MR MCFALL’S CHAMBER. P producer Rick Bamford’s front room, Edinburgh Oct. 1997, I June 1999. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 4’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July 1998, G June 2000.

S A NS OP . D: U NNU M BERED WORKS 1930S–40S

101

Germany: Eigen Art 10230. Arr. for string orchestra by C. Sikorski. Bartholdy-Ensemble Rheinfelden, Christian SIKORSKI. P Germany 1 Nov. 1999. **Netherlands: Challenge Classics CC 72093. BRODSKY QUARTET (Andrew Haveron, Ian Belton, Paul Cassidy, Jacqueline Thomas). [Opp. 11 and 57; Sans op. P(iii).] P Snape, Aldeburgh 5–7 Mar. 2001, G May 2002. Russia: Caro Mitis CM 008 2004. Elegy arr. M. Utkin. Aleksei UTKIN (oboe) and strings. [Opp. 34, 87, and 39.] P Russian Television and Radio Studio, Moscow 2 and 24 Oct. 2004, 11 Feb. 2005; I 2006. Oehm Classics OC562 (‘Complete Quartets’—on fourth of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 118, 133, and 138.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. (II) OVERTURE FOR THE GREEN GUILD Form: Orchestration of the overture to Ivan Dzerzhinsky’s spectacle-play The Green Guild, commissioned by the Leningrad Working Youth Theatre (TRAM) in 1931. Score not published. Première: March 1932, Leningrad. (III) FROM KARL MARX TO OUR OWN DAYS Form: Symphonic Poem, with text by Nikolai Aseyev, for solo voices, chorus, and orchestra. Composed: The first of the projected five sections was completed in February 1932. Music: Manuscript. Recordings: — (IV) THE BIG LIGHTNING Form: An operetta The Big (or Great) Lightning, with libretto by Nikolai Aseyev, abandoned after the completion of nine numbers. Score prepared for performance by Gennadi Rozhdestvensky: 1. 2. 3. 4. 5. 6. 7. 8. 9.

Overture—Allegro attacca Scene—Tommy and the Manager—Allegro Architect’s Song—Allegretto Scene—An American—Allegro Maiofel’s Song—Andantino Telephone call—Allegretto Semyon’s Song—Andantino Duet of Yegor and Semyon—Allegro Models’ Procession—Allegro

102

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Instrumentation: piccolo, 2 flutes, 2 oboes, cor anglais, E flat clarinet, 2 B flat clarinets, 2 bassoons, contrabassoon, soprano saxophone ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, wood block, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone, flexatone, harp ~ strings ~ soprano, 4 tenor, baritone, and 3 bass soloists, S.A.T.B. chorus. Composed: 1932 [Collected Works states 1933.] Première: 11 February 1981, Leningrad Conservatory Bolshoi Hall; concert version under G. Rozhdestvensky. Music: In 1980 two thick autograph scores, orchestral and vocal, were discovered by Rozhdestvensky in the Leningrad Malyi Opera Theatre Library. Autograph full and vocal scores preserved in TsGALI and orchestral parts in GATOB. Muzyka, No. 11935 (in Volume 23 of Collected Works), 1986, full score of nine numbers, 30 cm. Muzyka, No. 11412 (in the supplement to Volume 28 of Collected Works), 1986, piano and vocal score of nine numbers, 30 cm. DSCH Publishers, Moscow, full score in Volume 54 and piano score in Volume 55 of New Collected Works. Volume 54 with Op. 31, 2007, 408, 30 cm. Duration: Suite of eight numbers (1–5 and 7–9): 16' 10"; Nos. 1–9: 17' 32". Recordings: LP and CD—USSR: Melodiya C10 23081 001 (Album 5 of ‘From Manuscripts of Different Years’). Suite with No. 6 omitted. Viktor Gusev (Tommy), Anatoli Obraztsov (Manager), Viktor Rumyantsev (Architect), Nikolai Myasoyedev (Maiofel), Nikolai Konovalov (Semyon), Yuri Frolov (Yegor), USSR Ministry of Culture Symphony Orchestra and Chamber Choir, Gennadi ROZHDESTVENSKY. P 1984, I 1986c. Reissued on CD—BMG Melodiya 74321 59058-2. G. Mar. 1999. CD—Chandos CHAN 9522. Suite Nos. 1–9. Vsevold Grivnov (Yegor/ Tommy), Dmitri Fadeyev (Semyon/manager), Oleg Dolgov (Architect), Andrei Baturin (Maiofel), Tatyana Sharova (Old Woman), Anatoli Safiulin (voice), Russian State Cappella, Russian State Symphony Orchestra, Valeri POLYANSKY. P Moscow Conservatory Apr. 2000, G Mar. 2001. Notes: ‘Molniya’ of the Russian title can also be translated as ‘zip-fastener’—or ‘express telegram’ (hence the erroneous title of, ‘The Long Telegram’ that appeared in DSCH Newsletter No. 15, 6). On the Melodiya recording the characters Maiofel and Semyon are given as Matofel and Selyan. (V) SYMPHONY OF PSALMS (STRAVINSKY) Form: A four-hand piano transcription of Stravinsky’s three-movement work: Part 1.
= 92. Psalm 38, Verses 13 and 14 Part 2.  = 60. Psalm 39, Verses 2, 3, and 4 Part 3.
= 48. Psalm 150 complete

S A NS OP . D: U NNU M BERED WORKS 1930S–40S

103

Composed: In an introductory tribute to I. F. Stravinsky (Sovetskii kompozitor, 1973) Shostakovich disclosed that ‘soon after the publication [in 1930] I made a four-hand arrangement for fortepiano of Symphony of Psalms’. Music: Autograph found among the composer’s papers after his death. DSCH Publishers, Moscow, Shostakovich’s arrangement in Volume 114 of New Collected Works. Duration: 20' 14". Recording: LP—USSR: Melodiya C10 26307 004 (Album 6 of ‘From Manuscripts of Different Years’) . Viktoria POSTNIKOVA and Irina SCHNITTKE (piano). P 1983-86, I 1988d. (VI) MODERATO FOR CELLO Form: A short piece for cello and piano. Composed: In the 1930s. Première: 24 October 1986, Hamburg, at a chamber music concert marking the eightieth anniversary of Shostakovich’s birth; David Geringas (cello) and Yevgeni Korolyov (piano). Music: The manuscript discovered with that of the Cello Sonata at PGALI and first published by Manashir Yakubov as a supplement to the journal Sovetskaya muzyka, September 1986. Hans Sikorski, No. 2283, 1986, parts, 31.5 cm. Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, parts, 29 cm. Duration: 2' 13"–3' 57". Recordings: CD—Decca 421 774-2DH. Lynn HARRELL and Vladimir Ashkenazy. P Chicago 6 May 1988, I Oct. 1989 ~ *Decca Double Decca 473 807-2 (two-disc set). [Sans op. D(i), Opp. 40 and 57; Rakhmaninov, Prokofiev et al.] I May 2003. Germany: FSM Fono FCD 97721. DUO POSTIGLIONE—Wolfgang Schultz and Ginette Kostenbader. P Stuttgart 29 Oct. 1988, I 1990. New Zealand: Manu Classic 1426 (‘Russian Elegy’). Aleksandr IVASHKIN and Ingrid Wahlberg. P Auckland 10–11 Sept. 1992. Germany: Es-Dur/Con Brio 2021. David GERINGAS and Tatyana Schatz. P Hamburg 1994. Iceland: SkrE/f 952776. Sigurdur HALLDÓRSSON and Daniel Thorsteinsson. P Fella- and Hólakirkja Church, Reykjavik June–July 1995. France: Le Chant du Monde LDC 278112. Gary HOFFMAN and Philippe Bianconi. P Grenoble 13 and 16 Dec. 1998. **Black Box BBM 1032. Raphael WALLFISCH and John York. [Opp. 147 and 39; Schnittke.] P Champs Hill, Pulborough 28 June 2000, G Awards (Nov.) 2002 ~ Nimbus NI 5764-65 (‘Complete works for cello and piano’, two-disc set). [Opp. 39, 40, and 147.] I June 2006.

104

D M I T R I SHOSTA K OVIC H C A TA LO GUE

(VII) DUBINUSHKA Form: Arrangement of folksong, with Vasili Bogdanov’s revised revolutionary text of 1865, for bass voice and orchestra. Tempo not marked. The English title given as ‘Cudgel’. Instrumentation: 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani ~ strings. Composed: In the late 1930s. Music: Autograph found by Manashir Yakubov among the composer’s papers after his death. DSCH Publishers, Moscow, score in Volume 146 of New Collected Works. Note: See also Album of Cello and Piano Pieces, Sans op. P(iv) No. 1. (VIII) SYMPHONY ‘LITURGIQUE’ (HONEGGER) Form: A four-hand piano transcription of Arthur Honegger’s Symphony No. 3: 1. Dies irae—Allegro moderato 2. De profundis clamavi—Adagio 3. Dona nobis pacem—Andante Composed: Presumably in the late 1940s. Music: [Muzyka, Leningrad published a piano four hands reduction by B. Berezovsky and N. Khotuntsov in 1976 (No. 1920, 80, 28.5 cm., edition of 1640 copies).] DSCH Publishers, Moscow, Shostakovich’s arrangement in Volume 115 of New Collected Works. (IX) SUITE ON FINNISH THEMES Form: A suite of seven transcriptions of Finnish folksongs for a chamber group and two singers: 1. 2. 3. 4. 5. 6. 7.

Feast days are for lads like these (Polka)—Energico in C minor One Summer Night—Giocoso in E minor The Sky is Blue and White—Lento ma non troppo in F sharp minor The Girls of this Village—Andante in E minor The Strawberry is a Red Berry—(Moderato, tempo gusto) in E minor If I could be Idle—Allegretto in F minor My Sweetheart is Beautiful—Allegretto in B minor

Nos. 1 and 3 are instrumental numbers; Nos. 2 and 5 for one singer and Nos. 4, 6, and 7 for vocal duo. Nos. 3 and 7 are from a collection of Finnish songs compiled by Ilmari Krohn in the 1880s.

OPUS 32: H AML ET

105

Instrumentation: flute, oboe, clarinet (B flat and A) ~ trumpet ~ tambourine, triangle, side drum ~ piano ~ string quintet ~ two singers. Composed: Commissioned by the Political Department of the Leningrad Military District. Completed prior to 5 December 1939. Première: 1 September 2001, Kaustinen, western Finland; Anu Komsi (soprano), Tom Nyman (tenor), Ostrobothian Chamber Orchestra conducted by Juha Kangas. Music: Manuscript of eleven instrumental parts and score lacking lyrics. DSCH Publishers, Moscow, 2002, full score, text of lyrics in Finnish and Russian and commentary in Russian only, 60, 29 cm. Duration: 11' 38"–15' 04". Recordings: **CD—BIS CD-1256. Texts in Finnish and English. Anu Komsi (soprano in No. 2), Tom Nyman (tenor in No. 5), and (soprano and tenor in Nos. 4, 6, and 7). Ostrobothian Chamber Orchestra, Juha KANGAS. [Opp. 118a and 110a.] P Kaustinen Folk Art Centre Oct. 2001, I Mar. 2002. France: Mandala MAN 5039/Harmonia Mundi HMCD 78. Yelena Vassilieva (mezzo-soprano), Aleksei Martynov (tenor), Republican Guard Symphony Orchestra, Vladimir PONKIN. [Sans op. G(ii); Opp. 4, 56, and 31; Sans op. G(i).] P Sorbonne University, Paris concert 16 Jan. 2002, I 2002. Note: See ‘Rediscovered: a forgotten composition by Shostakovich’ by Viktor Dvortsov in DSCH Journal No. 15, based on an 18-page article by Arkadi Klimovitsky.

Opus 32: Hamlet Form: Incidental music to a stage production of the tragedy Hamlet, Prince of Denmark, by William Shakespeare, for small orchestra. Russian translation by Mikhail Lozinsky, with interpolations from the works of Desiderius Erasmus. ACT 1 Introduction—Allegro non troppo (No. 1 in the Suite) Night Watch—Moderato, Poco allegretto Shepherd’s Pipe—Moderato Funeral March—Adagio (No. 2 in the Suite) Exeunt King and Queen—Allegro Dinner Music—Allegretto Finale of First Act—Allegro


1. 2. 3. 4. 5. 6. 9.

ACT 2 10. Entry of Hamlet with the Urchins—Allegro 11. Galop: Ophelia and Polonius—Allegro 12. Scene: Hamlet and Rosencrantz (2 fragments)—Allegretto

106

D M I T R I SHOSTA K OVIC H C A TA LO GUE

13. 14. 15. 16. 17.

Arrival of the Players—Allegro Exeunt Polonius, Rosencrantz, and Guildenstern—Allegretto Dialogue of Rosencrantz and Guildenstern—Allegretto Hunting [The Chase]—Allegro assai (No. 4 in the Suite) Finale of Second Act (repeat of last 11 bars of Hunting) ACT 3

18. 19. 20. 21. 22. 23. 24.

[Music for the rehearsal of the Strolling Player’s spectacle] (8 fragments) Entry of the Guests—Moderato (No. 6 in the Suite) Scene with Recorder—Allegro Episode after the Scene with Recorder—Presto Pantomime—Allegro (No. 7 in the Suite) Hamlet dragging out the corpse of Polonius—Allegretto Hamlet dragging out the corpse of Polonius (variant)—Allegretto ACT 4

25. 26. 27. 28. 29. 30. 31. 32. 33.

The King distracts the Queen—Allegro After the word ‘Heroic’: the Combat—Allegro Removal of the dead Player King—Allegro Monologue of [the King] Claudius—Andante Signals to start the Combat (3 fragments)—Allegro Romance at the Banquet (song)—Allegretto The Banquet—Presto (No. 5 in the Suite) Can-can—Allegro (No. 8 in the Suite) Ophelia’s Song (vocal)—Allegro (No. 9—instrumental in the Suite) ACT 5

34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45.

Lullaby—Andantino (No. 10 in the Suite) Introduction to the Churchyard Scene—Moderato Song of the Gravedigger (unaccompanied)—[Moderato] Requiem (choral)—Adagio (No. 11—instrumental in the Suite) Tournament—Allegro (No. 12 in the Suite) Flourish—[Allegro non troppo] Heavy Combat—Allegro Slack Combat—Allegro End of the Tournament—Allegro The March of Fortinbras—Allegretto (No. 13 in the Suite) The Beggars passing by—Moderato con moto Song of Horatio (unaccompanied vocal line)

The text of No. 30 is the Boy’s song (‘Take, O take those lips away’) from Act 4 Scene 1 of Shakespeare’s Measure for Measure. Two versions of No.43

OPUS 32: H AML ET

107

‘The March of Fortinbras’ composed—one rejected. No. 36 appears to be based on the Scottish air ‘Coming thro’ the Rye’. Instrumentation: piccolo, flute, oboe, clarinet (B flat and A), bassoon ~ 2 horns, 2 trumpets, trombone, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong ~ strings. Composed: December 1931 to spring 1932, at Leningrad and Moscow. Premières: Play: 19 May 1932, Vakhtangov Theatre, Moscow; produced by Nikolai Akimov. Suite UK broadcast (Nos. 3–7, 9–11, and 13): 25 October 1975, BBC Northern Ireland Orchestra, Havelok Nelson. Suite UK concert: 19 January 1981, Queen Elizabeth Hall, London; Young Musicians’ Symphony Orchestra, James Blair. Arrangements: Opus 32a—Suite for small orchestra (instrumentation as above) compiled by the composer in 1932: 1. Introduction and Night Watch—Allegro non troppo—Moderato, Poco allegretto 2. Funeral March—Adagio 3. Flourish and Dance Music—Allegro—Allegretto 4. Hunting—Allegro 5. Actors’ Pantomime—Presto 6. Procession—Moderato 7. Musical Pantomime—Allegro 8. The Banquet—Allegro 9. Ophelia’s Song—Allegro—Meno mosso—Presto 10. Lullaby—Andantino 11. Requiem—Adagio 12. Tournament—Allegro 13. The March of Fortinbras—Allegretto ‘Night Watch’ [or ‘Night Patrol’] is derived from the ‘Infantry March’ of Opus 28; ‘Actors’ Pantomime’ is a clarified version of the Galop No. 20 and Allegro vivace No. 33 of the composer’s original score of Opus 22; ‘Lullaby’ is taken from ‘The Dream’ item of Opus 26, and ‘The March of Fortinbras’, from No. 12 of Opus 31. Piano reduction of the complete Suite Opus 32a by Levon Atovmyan; and Nos. 1 (without the ‘Introduction’), 2, 3 (without the ‘Flourish’), 4, 5, 10, and 13 by Lev Solin. No. 13 transcribed under the title ‘Marche Sarcastique’ by Frederick Block, Robert Cray, and Benjamin Suchoff. Nos. 5 and 10 transcribed for string quartet by Viktor Yekimovsky. Nos. 18(i) ‘The tuning of the instruments’ (strings alone), 24, 30, 35, and 44 orchestrated by Gerard McBurney, 27–30 May 1994. Instrumentation as the composer’s plus a flexatone.

108

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Concert scenario: Hamlet. Opus 32a Nos. 3, 5, and 11 appear in Gennadi Rozhdestvensky’s suite. See under Opus 116. Music: Autograph piano scores of twenty items preserved at PGALI and thirteen items in vocal score, along with a complete manuscript copy of the Hamlet vocal score and a conductor’s list of all the musical items, preserved at the Vakhtangov Theatre Museum. Five fragments of the autograph piano score are reproduced in Volume 28 of Collected Works. The whereabouts of the autograph full score is not known, apart from Nos. 22 and 33 which are preserved at PGALI. Edward B. Marks, New York, No. 11881, 1943, No. 13 of the Suite arr. for piano by F. Block, 23 cm. Edward B. Marks, New York, 1945, No. 13 arr. for full symphonic band by R. Cray, conductor’s score, c.30 cm. Muzfond, 1946, Suite arr. for piano by L. Atovmyan. Sovetskii kompozitor, No. 1777, 1960, full score of Suite, 29 cm. MCA, 1967, No. 13 arr. for concert band by B. Suchoff, condensed conductor’s score, c.19 cm. Sovetskii kompozitor, No. 4565 (in Dmitri Shostakovich: Popular Pieces), 1967, Nos. 2 and 3 arr. for piano by L. Atovmyan, 28.5 cm. Sovetskii kompozitor, No. 4028 (in Dmitri Shostakovich: Music to Plays), 1977, seven pieces arr. for piano by L. Solin, 29 cm. Sovetskii kompozitor, No. 6638 (in Pieces by Soviet Composers for String Quartet), 1983, Nos. 10 and 5 of the Suite arr. by V. Yekimovsky, 29 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), vocal and piano scores, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, full score of the Suite and all the other orchestral items except Nos. 30 and 35, 30 cm. DSCH Publishers, Moscow, full score in Volume 117 and piano score in Volume 120 of New Collected Works. Duration: Suite: 19' 40"–31' 47"; 21 minutes (Schirmer); 25 minutes (Sadovnikov). Complete incidental music: 44' 56". Ballet: The Overcoat. A 90-minute ballet, freely based on Nikolai Gogol’s novella, created for Rudolf Nureyev by the Danish choreographer Flemming Flindt. The music by Shostakovich, mainly from stage and film scores, was selected and arranged by Rubens Tedeschi with additional orchestrations by Irwin Kostal. Premières at the Maggio Musicale, Italy, on 8 June 1989; Edinburgh Festival, at the Playhouse, 28–30 August 1990, by the San Jose Cleveland Ballet (a joint company from the two cities); and by the same company at the San Jose Center for the Performing Arts, California, 28–30 September 1990. The musical items derive from Hamlet, Op. 32 (Suite No. 10 Lullaby used as the Overture and in three of the twelve scenes, No. 5 ‘Actors’ Pantomime’, and No. 11 Requiem); New Babylon, Op. 18

OPUS 32: H AML ET

109

(Suite No. 3 ‘The Siege of Paris’); Lady Macbeth, Op. 29 (‘Katerina’s bedroom’, Interlude); The Human Comedy, Op. 37 (‘The Panorama of Paris’); Suite for Jazz Orchestra No. 1, Sans op. E (Polka and Waltz); The Adventures of Korzinkina, Op. 59 (Suite No. 3 ‘The Chase’, No. 5 Intermezzo, and No. 4 ‘Music in the Restaurant’); Pirogo, Op. 76 (Scherzo and Waltz); The Fall of Berlin, Op. 82 (Suite No. 4 ‘In the garden’, No. 5 ‘Storming of the Seelow Heights’, and No. 6 ‘In the destroyed village’); Ballet Suites, Sans op. P (No. 1/2 Pizzicato Dance, No. 2/4 ‘Sentimental Romance’, No. 2/2 Adagio, No. 3/2 Gavotte, and No. 3/3 Dance); The Gadfly, Op. 97 (Suite No. 8 Romance); Chamber Symphony, Op. 110a (Allegro molto); A Year as Long as a Lifetime, Op. 120 (‘Morning’ and ‘Farewell’); and King Lear, Op. 137 (No. 56 ‘Vocalise’). Recordings: 78 rpm—USSR: 14057-8 (10"). Suite Nos. 4 and 13. Bolshoi Theatre Orchestra, Yuri FAIER. P 1946. USSR: 14087-8 (10"). Suite Nos. 3 and 5. Bolshoi Theatre Orchestra, Y. FAIER. P 1946. LP and CD—USSR: MK D09807-10 (mono) and C0295-8 (stereo). Suite Nos. 1–13. Moscow Philharmonic Orchestra, Gennadi ROZHDESTVENSKY. P 1961, I 1962 ~ HMV Melodiya ASD 3381. G Dec. 1977. Reissued on CD—BMG Melodiya 74321 63462-2 (two-disc set). I Mar. 1999. LP—USA: Louisville First Edition Records LOU 683 (mono) and LS 683. Order of the numbers rearranged: Nos. 1, 3, 12, 2, 5, 6, 7, 9, 13, 10, 11, 8, and 4. Louisville Orchestra, Jorge MESTER. I 1968. LP and CD—USA: RCA Red Seal LSC 3130. Suite Nos. 1–13. Boston Pops Orchestra, Arthur FIEDLER. P 28–29 May 1968 ~ RCA Red Seal LSB 4017. G May 1971. Reissued on CD—RCA Red Seal ‘High Performance’ 09026 63308-2. I July 1999. USSR: Melodiya C10 22365 004 (‘Music for Theatre’). Suite Nos. 1, 3–5, 9–11, and 13. Leningrad Chamber Orchestra of Old and Modern Music, Eduard SEROV. P 1984, I 1986a. Reissued on CD—Olympia OCD 131. Suite Nos. as Russian release. I Sept. 1988 ~ Russia: Manchester CDMAN 129 (‘Shostakovich Theatre and Cinema Music’). Suite Nos. as Melodiya. I 1998. LP and CD—Deutsche Grammophon 431 688-2GH. Suite Nos. 1–13. Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg Dec. 1989, G Sept. 1991. Reissued on CD— Deutsche Grammophon 459 415-2GTA2 (two-disc set). I Jan. 1999. United 88050-2. Complete score with order of Acts IV and V slightly rearranged and Nos. 18(i), 24, 30, 35, and 44 orchestrated by G. McBurney. Luba Stuchevskaya (Player Queen), Igor Khokhlovin (Player King), Louise Winter (mezzo-soprano), David Wilson-Johnson (baritone), City of Birmingham Symphony Orchestra, Mark ELDER. P Birmingham

110

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Town Hall 13–15 June 1994 ~ Cala CACD 1021. G Jan. 1996 ~ *Signum SIGCD 052. [Op. 58a.] I Nov. 2004. Chandos CHAN 9907 (‘Theatre Music’). Suite Nos. 1–5, 10, and 13 in piano reduction. Rustem HAYKOUDINOFF (piano). P Potton Hall, Suffolk 7–8 Aug. 2000, 1 Apr. 2001. **USA: Delos DE 3309 (‘Complete Songs, Volume 3’). Score No. 33. Lyudmila SHKIRTIL (mezzo-soprano) and Yuri Serov (piano). [Opp. 4, 21, 46, 58a, and 62.]. P St Petersburg 24 Jan. 2002. Note: Grigori Kozintsev’s 1954 stage production of Hamlet used numbers from the score to King Lear, Opus 58a with two additional numbers ‘Jig’ and Finale.

Opus 33: Counterplan Form: Music for the black-and-white film Counterplan, with screenplay by Leo Arnshtam, D. Del, and the two directors—Fridrikh Ermler and Sergei Yutkevich—for the Leningrad Rosfilm Studio. Two songs are featured in the score: ‘Song of the Counterplan’ for solo voice and, in the finale, for chorus; and ‘How Long will my Heart Ache?’, with traditional words, for unaccompanied women’s chorus. Three orchestral excerpts are known: 1. Presto attacca 2. Andante 3. Andante—‘Song of the Counterplan’ orchestral version Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals ~ glockenspiel, 2 xylophones, 2 harps ~ strings. Composed: Autumn 1932, at Leningrad. Première: The Soyuzkino film first shown on 7 November 1932 in Leningrad. Score conducted by Nikolai Rabinovich. Screened at the National Film Theatre, London, in May 1956. Arrangements: A popular song from the score, ‘Song of the Counterplan’, in various arrangements, including for mixed chorus by Isaak Dunayevsky, an adaptation as the ‘United Nations’ Hymn’ [given as Opus 59 by Slonimsky (1942)], and as a piano piece. An overblown concert version ‘United Nations on the March’, was featured as the closing tableau to MGM’s revue Thousands Cheer, directed in colour by George Sidney and released in 1943. Kathryn Grayson and multinational choir were accompanied by a massive orchestra conducted by José Iturbi. Harold Rome’s English lyric revised by Edgar Yip Harburg. A symphonic transcription of ‘United Nations March’, marked ‘Alert and Confident’, made by Leopold Stokowski in 1943 (the conductor’s unpublished manuscript score, 33 cm.).

OP U S 3 3: COUN T ERPL AN

111

Instrumentation: piccolo, flute, oboe, cor anglais, 2 B flat clarinets, bass clarinet, 2 bassoons ~ 2 or 4 horns, 2 or 4 trumpets, 2 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum ~ strings. First UK recording, entitled ‘Salute to Life’, arranged for balalaika sextet followed by version for singers and string orchestra by Will Sahnow c.1939/40. German text of the lyric and arrangement for symphony orchestra and children’s choir by Gerd Schlotter. Shostakovich included ‘Song of the Counterplan’ in his Opp. 74, 78, and 105. Music: Autograph copy of the film score preserved in the Music Department of Lenfilm. The whereabouts of the autograph of ‘Song of the Counterplan’ not known; that of the song ‘How Long will my Heart Ache?’ stored GTsMMK, with a Scherzo in piano score and three sketches for the ‘Song of the Counterplan’. Autograph scores of the three excerpts preserved at the St Petersburg State Institute of the Theatre, Music, and Cinematography (SPbGITMK). Muzyka, No. 10839 (in Volume 41 of Collected Works), 1987, three excerpts in full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 125 of New Collected Works. ‘Song of the Counterplan’ (five stanzas by Boris Kornilov): Muzgiz, No. 13933, 1933, for voice and piano, 18 cm. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, 29cm. Muzyka, No. 2983 (in Russian–English Songs by Soviet Composer), 2nd ed. paperback compiled by L. Shturman; the first of nineteen songs with English translation by Zelikov, 1966, words and melody, 21.5 cm. Muzyka, No. 4120, 1967, included in a bound volume of patriotic songs, 22 cm. Muzichna Ukraina, Kiev, No. 42 (with three other Shostakovich songs), 1976, 26 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, ‘Song of the Counterplan’ for two-part chorus and ‘How Long will my Heart Ache?’ for S.A. chorus, 30 cm. Sketches for the former and a Scherzo in piano score are published as a supplement to Volume 41. ‘Song of the Counterpan’ arrangements: Workers’ Music Association, London, c.1939, entitled ‘Salute to Life’ with English lyric by Nancy Head, for unison choirs of children and adults, 24 cm. Priced at two old pence. Reissued in Popular Soviet Songs by Workers’ Music Association, 1941, 10–11, 25 cm. Priced at one shilling. Leeds Music, 1942, entitled ‘United Nations’ Hymn’, words by Harold Rome.

112

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Leo Feist Inc., New York, No. 7408-2, 1942, entitled ‘United Nations on the March’ with English lyric by Harold Rome (from the MGM film Thousands Cheer), 31 cm. Charles Brendler orchestration of ‘The United Nations’ [publisher not stated, 1940s.], piano-conductor score and parts, 32 cm. Sovetskii kompozitor, No. 4565, 1967 (in Dmitri Shostakovich: Popular Pieces), arr. for solo piano by Levon Atovmyan, 29 cm. Duration: Film: 115 minutes (3170 metres). Music: Nos. 1–3: 8' 10"–8' 51". Recordings: ‘Song of the Counterplan’ only: *78 rpm—Topic TRC6. ‘Salute to Life’. Arr. and played by the MEDVEDEFF BALALAIKA SEXTET. [Rawsthorne.] I c.1939/40. *Topic TRC10. ‘Salute to Life’. [Alan Bush.] Topic Singers, Unity String Orchestra, Will SAHNOW. I c.1939/40. LP—USA: Hollywood Soundstage 409 (Thousands Cheer soundtrack, mono). ‘United Nations on the March’. Kathryn GRAYSON (soprano), MGM Studio Orchestra and UN Chorus, José Iturbi. P 1943. 78 rpm and CD—USA: Victor Red Seal 11-8250 (10"). Orch. by O’Connell. ‘The United Nations’. Igor GORIN (baritone), Victor Symphony Orchestra, Charles O’Connell. P 8 June 1942 ~ *Reissued on CD—Nimbus Prima Voce NI 7951. [Mainly operatic arias.] USA: Keynote K 1200 (10"). Sung in English. ‘The United Nations’ (Rome). Paul ROBESON (bass), Keynote Chorus and Orchestra, Charles Lichter. P 1944. Reissued on CD—Pearl GEMM 9264 (‘Songs for Free Men’, mono), I 1997. 78 rpm—USSR: 15018-9 (10"). Chorus and Orchestra conducted by Viktor KNUSHEVITSKY. P 1947. *NB. Ernst Busch recorded this song on 78 rpm in 1948 under unknown conductor. Reissued on CD—Germany: BARBArossa EdBa 01385. I 2000. LP—USSR: 21043-22819 (10"). All-Union Radio Song Ensemble. P 1952–53. LP—USSR: MK D5062-3 (10" mono). All-Union Radio Song Ensemble. Possibly a reissue from 78 rpm ~ USSR: Melodiya C60 22119 005 and C60 22121 003. Both I 1985d ~ USSR: Melodiya C60 24293 007. (‘Songs of Struggle and Solidarity’). I 1987b. 78 rpm—France: Le Chant du Monde 504 (10"). Chorus and Orchestra conducted by Roger DÉSORMIÉRE. P c.1957. LP—USA: Artistic Enterprises B 109 (‘Concert of Russian Music’). Translated as ‘Morning Light’. Sidor BELARSKY (bass) and unnamed pianist. P 1960. LP and CD—East Germany: Aurora 8 15 109. Sung in German. Leipzig Radio Symphony Orchestra and Children’s Choir, Adolf Fritz GUHL.

OP U S 3 3: COUN T ERPL AN

113

P Leipzig Oct. 1967. *Reissued on CD—Germany: BARBArossa Aurora EdBa 01402-2. [Op. 80, Nos. 2 and 8.] I 2002. CD—Chandos CHAN 9349 (‘Stokowski Encores’). ‘United Nations March’ arr. Stokowski. BBC Philharmonic, Matthias BAMBERT. P Manchester 13 Oct. 1994, G June 1995. **Russia: Northern Flowers NF/PMA 9912 (‘Unknown Vocal Cycles’). Mikhail LUKONIN (baritone) and Yuri Serov (piano). [Opp. 58a, 46; Sans op. R; Opp. 100, 80; Sans op. X (ii).] P St Catherine Lutheran Church, St Petersburg 23 Jan., 8 and 16 Feb. 2002, I 2003 ~ USA: Delos DE 3313 (‘Shostakovich Complete Songs, Volume Four—1932–68: The Unknown Shostakovich’). [Opp. 99, 80, 72, 128, 109; Sans op. X(i & ii)).] I 2003. Orchestral excerpts: CD—USA: Russian Disc RDCD 10 018. Nos. 1–3. Byelorussian Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Nov. 1995. Decca 460 792-2DH11 (‘The Film Album’). Nos. 1–3. Alexander Kerr (violin in No. 2), Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 6–22 May (No. 3) and 10–11 Sept. 1998, G Apr. 1999. Notes: The film has been given alternative titles including Passer-by, Encounter, Turbine No. 50,000, and Coming your way. The working title of the film was Greeting the Future and a further alternative title was Shame. Vstrechnyi in its various translations gives the title to the film’s most popular song: ‘The Song of the Counterplan’, ‘Song of the Passer–by’, ‘Song About the First Comer’, and ‘Song of the On-Coming’ (sic). Rabinovich (1959) gives ‘Song of the Young Workers’ which was followed by Zelikov, Collected Works Volume 34, and other translators. Martynov (1962) has ‘We’re Met by the Breezes of Morning’, Malcolm MacDonald lists ‘We Meet this Morning’, Volkov (2004) offers ‘The Morning Greets Us’ and also ‘The Morning Greets Us with Coolness’ all four of which derive from the first line of the lyric in English translation—‘The cool of the dawn greets us early’. ‘Song of the Meeting’, adopted in the 1st and 2nd editions of this catalogue, is a simple amalgam of these sources. (DCH). In honour of Stalin’s birthday, ‘Salute to Life’ was performed by Sir Henry Wood and the BBC Symphony Orchestra in a Bedford studio concert of Russian and Soviet music on 21 December 1941. The invited audience included Agnes Maisky, wife of the Soviet Ambassador, and Russian soldiers and sailors. The composer was unaware of this version listed on the compiler’s query sheet. ‘The United Nations March’, arranged by Langendoen, was played by the Boston Symphony Orchestra and The Collegiate Chorale, under Leonard Bernstein, at the first Human Rights Day concert on 10 December 1949, in the Carnegie Hall, New York (recorded privately in USA on 8" acetate disc). Leopold Stokowski’s transcription, with an added choral conclusion, was performed by the Symphony of the Air and the Schola Cantorum conducted

114

D M I T R I SHOSTA K OVIC H C A TA LO GUE

by Hugh Ross, at a concert on the first United Nations Day, 24 October 1954, in the newly finished UN Headquarters, New York. The ‘United Nations Hymn’, published in 1942, refers to the topical theme of nations being united in the fight against Nazi Germany and Japan. The United Nations was founded in 1946 but there was not an official ‘hymn’ of the organisation until one was commissioned by U Thant, then Secretary–General, from Pablo Casals in 1970 to text by W.H. Auden (Edward Johnson in litt.). See the article ‘From the Factory to the Flat: Thirty years of the Song of the Counterplan’ by John Riley in Edmunds 2004.

Opus 34: Twenty-four Preludes Form: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24.

A collection of piano pieces round the whole cycle of ascending fifths: C major—Moderato A minor—Allegretto G major—Andante E minor—Moderato D major—Allegro vivace B minor—Allegretto A major—Andante F sharp minor—Allegretto E major—Presto C sharp minor—Moderato non troppo B major—Allegretto G sharp minor—Allegro non troppo F sharp major—Moderato E flat minor—Adagio D flat major—Allegretto B flat minor—Andantino A flat major—Largo F minor—Allegretto E flat major—Andantino C minor—Allegretto furioso B flat major—Allegro poco moderato G minor—Adagio F major—Moderato D minor—Allegretto

Composed: 30 December 1932 to 2 March 1933, in Leningrad apart from No. 8 in Moscow. Premières: Nos. 1–8: 17 January 1933, Leningrad Philharmonic Bolshoi Hall; Dmitri Shostakovich.

OP U S 34: TWENTY-FOUR PREL UDES

115

Complete cycle: 24 May 1933, Moscow Conservatory Malyi Hall; D. Shostakovich. No. 14 transcription: 27 December 1935, Philadelphia; Philadelphia Orchestra, Leopold Stokowski. Arrangements: Nineteen duo transcriptions for violin and piano assembled into three suites by Dmitri Tsyganov and published in 1937, 1961, and 1963 respectively: Suite No. 1: 10, 15, 16, and 24 Suite No. 2: 2, 6, 12, 13, 17, 18, 19, 21, 22, and 20 Suite No. 3: 1, 3, 8, 11, and 5 The remaining Preludes arranged by Aleksandr Blok prior to 2000, Lara Auerbach in 2000, and Timor Sergeyenya in 2003: Suite No. 4: 4, 7, 9, 14, and 24 Suite No. 1 also transcribed for violin and piano by Quinto Maganini and in extended arrangements for two violins and piano by Albert Markov in the 1980s. Transcription for viola and piano of Nos. 10, 14–18, and 24 by Ye. Strakov and also Vadim Borisovsky (the latter broadcast on BBC Radio 3 on 5 March 2004 by Lawrence Power and Simon Crawford-Phillips). For flute and piano: No. 10 by Gleb Nikitin; Nos. 10, 15, 16, and 24 by Q. Maganini. For saxophone and piano: Nos. 10, 13, and 15–18 by Marc Chisson. Nos. 10 and 16 for trombone by Mikhail Dubirny. No. 14 transcribed for full orchestra by Leopold Stokowski (1935) and Levon Atovmyan (in 1944 for the film Zoya Suite, Opus 64a); and for band by George Donald Mairs, Gene Chenoweth, and H. Robert Reynolds. Nos. 6, 13, 14, and 20 arranged for brass and percussion by Brian Buerkle. Nos. 14, 17, and 20 transcribed for wind orchestra and titled ‘Three Symphonic Preludes’ by Alfred Reed. No. 15 in an extended transcription for string orchestra by G. Zaborov. Nos. 13, 14, and 15 for trombone and organ by Jean Douay/Christian Gouinguené. No. 17 for clarinet and orchestra by Hershy Kay. No. 19 for symphonic band by Gene Chenoweth. Four arranged for two trombones or two bassoons by Allen Ostrander. Suite of Nos. 7, 10, 22, 8, 14, 24, 17, and 5 orchestrated for small orchestra of single woodwind and brass, piano/celesta, and strings by Milko Kelemen. Suite of Nos. 1, 10, 8, 16, 19, 6, 22, 13, 14, and 15 orchestrated for symphony orchestra by Ed de Boer. Suite of Nos. 10, 17, 24, 14, 13, 6, and 5 transcribed for string orchestra by Viktor Poltoratsky. No. 1 used as a theme for a jazz ensemble arrangement by V. Karminsky.

116

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Nos. 1, 3, 7, 8, and 11 transcribed for wind quintet by Bruce Smeaton. Nos. 1, 3, 8, 11, 16–19, and 21–22 transcribed for oboe and strings by Mikhail Utkin. Nos. 6, 15, 17, and 19 transcribed for string quartet by Michael Thomas. Tsyganov’s second suite—Nos. 2, 6, 12, 13, 17, 18, 19, 21, 22, and 20— transcribed tor violin and strings by Ilmar Lapinsch. Nos. 1. 2, 7, 8, 11, 14, 15, 17, 18, and 23 arranged by accordionist Evan Harlan for jazz/folk group; the pieces given subtitles such as ‘Mimi Goes Me(n)tal’, ‘Fireman’s Waltz’, and No. 14 ‘Gulag’. Suite of Nos. 3, 6, 10, 11, 15, 16, 19, and 24 arranged for tenor and bass trombone duet by Douglas Yeo. Nos. 6, 7, 10, 13–17, 19–21, and 24 arranged for trombone quartet by Hans Peter Gaiswinkler. No. 17 arranged for strings and piano by Mikhail Turich. Nos. 16, 15, 13, 6, 17, 10, 24, 22, and 20 orchestrated for chamber orchestra by Rudolf Barshai. Instrumentation: Stokowski’s version of No. 14—piccolo, 3 flutes, 2 oboes, cor anglais, E flat clarinet, 3 B flat clarinets, 3 bassoons, contrabassoon ~ 4 horns, 4 trumpets, 4 trombones, tuba ~ timpani, bass drum, gong ~ harp ~ strings. Ed de Boer’s suite—piccolo, 2 flutes, 2 oboes, 2 clarinets (B flat and A; clarinet II = E flat clarinet), 2 bassoons, contrabassoon ~ 2 horns, 2 trumpets (C), 2 trombones, tuba ~ timpani, cymbals, bass drum, side drum, tom-tom ~ xylophone, marimba, celesta ~ strings. Music: Two autograph copies are in existence: one preserved at GTsMMK; the other, with the composer’s erroneous date of ‘1933–1934’ on the titlepage and the last two Preludes missing, preserved at PGALI. The first page of Prelude No. 1 of the former copy is reproduced in Volume 39 of Collected Works. Piano: Muzgiz, No. 14215, 1935, 31 cm. Providence, Axelrod, No. 159, c.1939, Nos. 13, 17, 7, and 24, 31 cm. Boston Music, 1943, 30 cm. International Music, No. 583, 1943, 30.5 cm. Soyuz sovetskikh kompozitorov, 1945, 30 cm. Anglo–Soviet Music Press, No. 65, c.1945, 30.5 cm. Soyuz sovetskikh kompozitorov, 1946, in four volumes, 29 cm. Hans Sikorski, No. 2124, c.1955, in two volumes, 31.5 cm. Edition Peters, Nos. 4773a and b, 1962, in two volumes, 30 cm. Muzgiz, No. 3184 (in D. Shostakovich: Compositions for fortepiano, Volume 1), 1966, 29 cm. G. Schirmer, No. 3047, 1976, VAAP authorized edition, ed. György Sandor, 30.5 cm. Muzyka, No. 10285 (in Volume 39 of Collected Works), 1983, 30 cm.

OP U S 34: TWENTY-FOUR PREL UDES

117

Yorktown Music Press, New York, 1984, No. 17 only in album The Joy of Russian Music assembled by Dénes Agay, 30 cm. DSCH Publishers, Moscow, score in Volume 110 of New Collected Works. Violin and piano: Muzgiz, 1937 and 1953, Tsyganov’s Suite No. 1 (10, 15, 16, and 24), 30 cm. Edition Musicus, 1939, Nos. 10, 15, 16, and 24 arr. Q. Maganini, 31 cm. Muzgiz, 1961, Tsyganov’s Suite No. 2 (2, 6, 12, 13, 17, 18, 19, 21, 22, and 20 in that order), 29 cm. MCA, 1966, Nos. 1, 3, 5, 8, 10, 11, 15, 16, and 24 arr. Tsyganov and ed. Carl Rosenthal, 31 cm. Muzyka, No. 6365, 1969, the nineteen Preludes arr. Tsyganov grouped into three suites as listed above, 29 cm. Hans Sikorski, No. 2323, 1981, the nineteen Preludes as above, 31.5 cm. Hans Sikorski, No. 2392, 2005, Tsyganov’s Suite Nos. 1, 2, and 3 with Auerbach’s Suite No. 4, 30 cm. Other transcriptions: Affiliated Music, New York, 1939, Nos. 10, 15, 16, and 24 for flute and piano by Q. Maganini (with violin and piano arrangements of same), 31 cm. Edition Musicus, No. 290, c.1941, No. 14 for symphonic band by G. Chenoweth, 27.5 cm. G. Schirmer, 1944, No. 14 arr. for band by G. D. Mairs, score and parts. Broude Bros., New York, 1948, No. B.B. 180, No. 14 orchestrated by Stokowski, score, 31 cm. Wheeling, USA, no date, Nos. 4 [or No. 6 transposed to E minor] and 24 for wind quintet by A. Henry, 28 and 30 cm. respectively. Edition Musicus, c.1954, four arr. for two trombones (or bassoons) by A. Ostrander, 31 cm. Edition Peters, No. 8072 (Litolff plate no. 30518), 1971, Nos. 7, 10, 22, 8, 14, 24, 17, and 5 arr. for small orchestra by M. Kelemen, score, 19 cm. Muzyka, No. 8854, 1975, Nos. 10, 14–18, and 24 for viola and piano by Ye. Strakov, 29 cm. Muzyka, Leningrad, No. 2169 (in Pieces by Soviet Composers for flute and piano), 1977, No. 10 arr. G. Nikitin, 28 cm. Hans Sikorski, 1981, Ed de Boer and V. Poltoratsky’s transcriptions available on hire. G. Schirmer, No. ED 4019, August 1997, Eight Preludes Nos. 3, 6, 10, 11, 15, 16, 19, and 24 for tenor and bass trombone duet by Douglas Yeo (duration 12' 25"), 30 cm. Duration: Approx. 31' 30" in score; 25' 19"–36' 54". String Ensemble version: 33' 22". No. 14 orchestral version: 2' 16 "–3' 11".

118

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Film: Ever Decreasing Circles. No. 15 played by Ronnie Price used as a signature tune for this comedy series shown on BBC TV in 1983, 1984, 1986, and 1987, with a final special edition on 24 December 1989. Recordings: 78 rpm and CD—USA: Victor 7888 in Set M 192. No. 14 orchestrated by Stokowski. Philadelphia Orchestra, Leopold STOKOWSKI. P 30 Dec. 1935 ~ HMV DB 2884. Labelled as ‘Prelude in A flat’. G Feb. 1937. Reissued on CD—Dutton Laboratories CD AX 8002 (mono). G May 1993 ~ Pearl GEMM CDS 9044 (mono), G Jan. 1994. 78 rpm—USA: Columbia 11524 D in Set M 446. No. 14 orch. Stokowski. All-American Orchestra, L. STOKOWSKI. P 14 Nov. 1940. Columbia DX 1066. No. 14 only. Harriet COHEN (piano). G Feb. 1942. 78 rpm and CD—USSR: 11992-3 (10"). Nos. 22, 8, 14, and 15. Dmitri SHOSTAKOVICH. P and I 1944. Reissued on CD—Revelation RV 70007 (‘Shostakovich plays Shostakovich, Volume 6’, mono). Nos. 8 and 22. G Feb. 1999. USA: Victor 11-8824. Nos. 5, 10, and 24. William KAPELL. P 11 Dec. 1944. Reissued on CD—Pearl GEMM CD 9277 (mono). Nos. 5, 10, and 24. I 1997 ~ RCA Victor Red Seal 09026 6844-2 (‘William Kapell Edition’, nine-disc set, mono). Nos. 5, 10, and 24, with alternative takes of Nos. 5 and 10 plus 1944 recording of No. 14). G Jan. 1999 and Jan. 2001 ~ Naxos Historical 8.110673. Nos. 24, 10, and 5. I 2001. LP and CD—USA: International Piano Archives at Maryland IPAM 1101 (mono). Nos. 24, 10, and 5. W. KAPELL. P Carnegie Hall concert 28 Feb. 1945, I 1983. Reissued on CD—Dutton CDBP 9701 (mono). I Oct. 2000. *78 rpm—USA: Decca A 592 (10"). Nos. 10 and 15 arr. for violin and piano. Jascha HEIFETZ (violin) and Emanuel Bay (piano). [Debussy, Grasse, R. R. Bennett et al.] P l945. LP and CD—USA: Mercury MG 10035 (‘David Oistrakh plays violin favorites’, mono). Nos. 8, 14–19, and 24. D. SHOSTAKOVICH (piano). P Prague 26 May 1947 ~ USSR: Melodiya M10 39075-6 (in four-record box set ‘D. Shostakovich—Pianist’, mono). Nos. 14, 15, 24, 8, 17–19—not No. 16 as stated on label and sleeve. I 1977b. Reissued on CD—Revelation RV 70007 (‘Shostakovich plays Shostakovich, Volume 6’, mono). Nos. 14–19 and 24 with No. 16 included; also Nos. 8 and 22, stated to be P 1946 and separately-tracked extra versions of Nos. 8 and 22 , with No. 23, stated to be P July 1950. I Sept. 1998 ~ *Symposium 1314 (mono). Nos. 8, 14–19, 23–24. [Opp. 5, 22, 67, 73, and 69.] I Jan. 2004. 78 rpm and LP—USA: Columbia MM 856 17597-17600 D (10"). No. 17 arr. H. Kay. Artie SHAW (clarinet), orchestra conducted by Walter Hendl. P 1948. Reissued on LP—USA: Columbia ML 4260 (‘Modern Music for Clarinet’, mono). I 1950s.

OP U S 34: TWENTY-FOUR PREL UDES

119

78 rpm—USA: Columbia 17335 D. No. 2 only. Oscar LEVANT. P pre-1949. *CD—Biddulph 80218-2 (mono). Suite No. 1 arr. Tsyganov. Camilla WICKS (violin) and Sixten Ehrling (piano). [Op. 22; Sibelius, Valen, Kabalevsky et al.] P Stockholm 1950, I 2006, originally on Swedish EMI 78 rpm in 1950. 78 rpm and CD—USA: Vox 16023 in Album 165. Nos. 10 and 24. Shura CHERKASSKY. P c.1950. Reissued on CD—Pearl GE 0138. P now thought to be New York or Los Angeles 1946, I 2000. LP—USA: MCM E 3070 (mono). Complete cycle. Menahem PRESSLER. P 1953, I 1955. LP—USA: Decca FST 153515 (mono). Complete cycle. Robert CORNMAN. P 1955. USA: RCA Victor LM 1975 (mono). Nos. 2, 14, and 24. Amparo ITURBI. P 1955. Philips NBE 11014 (7" 45 rpm, mono). Nos. 2, 3, 5, 10, 12, 21, and 24. Daniel BARENBOIM. G Feb. 1956. 78 rpm and LP—USSR: 24485-6 (10"). Tsyganov’s Suite No. 1. Yulian SITKOVETSKY (violin) and Naum Valter (piano). P 1955. Reissued on LP—USSR: MK D6089-90 (10" mono). I 1960 ~ USSR: Melodiya C10 06831-2 (‘The Art of Yulian Sitkovetsky’, electronic stereo?). I 1976. 78 rpm, LP, and CD—USSR: 26316-7 (10"). Tsyganov’s Suite No. 1. Leonid KOGAN (violin) and Dmitri Shostakovich (piano). P 2 Feb. 1956, I 1956. Reissued on LP—USSR: MK D3036-7 (10" mono). I 1956 ~ HMV Melodiya HLM 7096 in Set RLS 721 (mono). G Oct. 1976 ~ USSR: Melodiya M10 39077-8 (‘Shostakovich—Pianist’, in four-record box set, mono). I 1977b. Reissued on CD—Czech: Multisonic MU 31 0179-2 (‘Russian Treasure’, mono). I Sept. 1993 ~ Revelation RV 70002 (‘Shostakovich plays Shostakovich, Volume 2’, mono). I Oct. 1997, G Feb. 1998 ~ *Korea: Yedang Classics YCC 0164 (mono). [Opp. 93 and 97.] I 2002 ~ *USA: Eclectra ECCD 2067 (‘Shostakovich plays Shostakovich, Volume 2’, mono). [Opp. 57, 79, and 97.] I Oct. 2004. LP—USSR: Melodiya M10 48767 000 (‘The Complete Neuhaus, Volume 2’, in four-record box set, mono). Nos. 1, 2, 3, 7, 8, 11, 13, 14, 16, 18, 19, 22, and 23. Heinrich NEUHAUS. P 1957, I 1990a. 78 rpm—USSR: 27878-9 (10"). Nos. 1, 2, 18, and 19. H. NEUHAUS. P most probably from the above session. LP—USSR: HD4292-3 (10", mono). Tsyganov’s Suite No. 1. Valentin ZHUK (violin) and Ye. Fuks (piano). I 1958. USA: RCA LM 2250 (mono). Tsyganov’s Suite No. 1. L. KOGAN (violin) and Andrei Mytnik (piano). P New York 1958. LP and CD—USA: United Artists UAL 7004 (mono) and UAS 8004. No. 14 orch. Stokowski. Symphony of the Air, L. STOKOWSKI. P New York

120

D M I T R I SHOSTA K OVIC H C A TA LO GUE

15–19 Dec. 1958 ~ Japan: King Records K18C 9333. I 1982. Reissued on CD—USA: EMI Classics ZDMB5 6542723. I Nov. 1994. 78 rpm and LP—USSR: 0032522-3 (8"). Tsyganov’s Suite No. 1. Valeri KLIMOV (violin) and Inna Kollegorskaya (piano). P 1959. Reissued on LP—USSR: MK D 05054-5 (mono). I 1959. CD—France: Vogue VG 672 009. Tsyganov’s Suite No. 1. L. KOGAN (violin) and A. Mytnik (piano). P Paris concert 26 Nov. 1959, I 1988. LP—Czech: Supraphon SUF 20004 (10" mono). Nos. 1 and 4 arr. for violin and piano. Valeri KLIMOV (violin) and Inna Kollegorskaya (piano). G Apr. 1961. USSR: MK D010223-4 (mono). Tsyganov’s Suite No. 1. Boris GUTNIKOV (violin) and Lydia Pecherskaya (piano). P 1962. *DVD Video—EMI Classics DVB 4928359 (black and white, mono). Tsyanov’s Suite No. 1. L. KOGAN (violin) and A. Mytnik (piano). [Handel, Debussy, Bach et al.] P London concert 26 Mar. 1962, I 2003. [France: EMI unissued stereo recording. Tsyganov’s Suite No. 2. L. KOGAN (violin) and Georges Solchany (piano). P Paris studio 24 July 1962. Apparently this recording does not exist.] LP—USSR: Melodiya D013383-4 (mono). Nos. 17, 10, 13, 14, and 15. Gleb AKHELROD. P 1964. USSR: Melodiya D05353-4 (10" mono). Tsyganov’s Suite No. 3. Aleksei MIKHLIN (violin) and Yelena Seidel (piano). P 1965. USSR: Melodiya D016139-40 (mono). Tsyganov’s Suite No. 2. Vladimir MALININ (violin) and M. Shteri (piano). P 1965. USSR: Melodiya D16333-4 (10" mono). Tsyganov’s Suite No. 2. Boris GUTNIKOV (violin) and Lydia Pecherskaya (piano). P 1965. USSR: Melodiya D16681-2 (10" mono). Nos. 13, 8, 11, and 5 arr. Tsyganov. Vladimir LANTSMAN (violin) and A. Levina (piano). P 1965. Czech: Supraphon SUA 50890 (mono). Complete cycle. Klára HAVLÍKOVÁ. P Apr. 1966, I 1968. USSR: Melodiya D17527-30 (4 sides 10" mono). Complete cycle discussed and performed by Ye. LIBERMAN. P 1966. USSR: Melodiya D18345-6 (10" mono). Nos. 10 and 16 arr. for trombone. Mikhail DUBIRN (trombone). P 1966. *CD—Brilliant Classics 93005 (‘Viktor Tretiakov Edition’, on third of ten-disc set, stereo). Nos. 15 and 24 arr. Tsyganov. Viktor TRETYAKOV (violin) and Mikhail Erokhin (piano). [Peiko, Wagner, Saraste et al.] P concert 16 Feb. 1967, I May 2006. LP—USSR: Melodiya D019331-2 (mono). Tsyganov’s Suite No. 1. A. MIKHLIN (violin) and Y. Seidel (piano). P 1967. USSR: Melodiya D022047-8 (mono). Tsyganov’s Suites Nos. 1, 2, and 3. Rafail SOBOLOVSKY (violin) and E. Epstein (piano—Suites Nos. 1 and 3) and Yelena Livshits (piano—Suite No. 2). P 1968.

OP U S 34: TWENTY-FOUR PREL UDES

121

CD—USA: Music & Arts CD 847 (‘Stokowski conducts Music from Russia, Volume 3’). No. 14 orch. Stokowski. Royal Philharmonic Orchestra, L. STOKOWSKI. P 24 June 1969, I Jan. 1995. LP—Italy: Fratelli Fabbri Editori mm-1092 (10" stereo). Complete cycle. Albert COLOMBO. I c.1969. USSR: Melodiya D0281034 (mono).Tsyganov’s Suite No. 1. Andrei KORSAKOV (violin) and unnamed pianist. P Fourth International Tchaikovsky Competiton Moscow concert, 1970. *Canada: Canadian Broadcasting Corporation SM 159. Tsyganov’s Suites Nos. 1 and 3. Albert PRATZ (violin) and Elyakin Taussig (piano). [Bloch, Falla, and Debussy.] P Toronto 7 Dec. 1970. Belgium: Melodiya 562 241. Tsyganov’s Suite No. 1. A. KORSAKOV (violin) and Elizaveta Ginzburg (piano). P Brussels 26 May 1971. LP and CD—Sweden: Swedish Society Discofil SLT 33221. Complete cycle. Inger WIKSTRÖM. P Stockholm 12 Sept. 1973 ~ RCA Gold Seal GL 25003. G Nov. 1976. Reissued on CD—Sweden: Swedish Society Discofil SCO 1031. I 1988. LP—USSR: Melodiya CM04263-4. Complete cycle. Vera GORNOSTAYEVA. P 1973, I 1974. Czech: Panton 11 0488 F. Complete cycle. Dagmar BALOGHOVA. P Prague 1974. USSR: Melodiya C10 05023-4. Tsyganov’s Suite No. 1. Vadim BRODSKY (violin) and unnamed pianist. P Fifth International Tchaikovsky Competition Moscow concert 1974, I 1975. USSR: Melodiya C10 05565-6. Tsyganov’s Suite No. 1. Ruben AGARONYAN (violin) and Svetlana Navasardyan (piano). P 1975, I 1975d. USSR: Melodiya C10 07163-4 (‘Romantic miniatures’). No. 17 arr. Tsyganov. Gidon KREMER (violin) and Oleg Maizenberg (piano). P 1976, I 1977a. CD—Belgium: Cyprès CYP 9612 (twelve-disc set). Tsyganov’s Suite No. 1. Mikhail BEZVERKHNY (violin) and Bella Rakova (piano). P Brussels Queen Elisabeth Competition concert 29 May 1976, I 2001. LP and CD—CBS 73589. No. 14 orch. Stokowski. National Philharmonic Orchestra, L. STOKOWSKI. P 12–13 and 16 July 1976, G June 1977. Reissued on CD—Cala 0529 (‘Stokowski Encores’). G Jan. 2002. CD—USA: Russian RCD 16238 (‘Russian Piano School’). Nos. 9, 10, 15, and 24. Nataliya GAVRILOVA. P 1976–90, I 1998. LP—USSR: Melodiya C10 09843-4. Tsyganov’s Suite No. 2. Nelli SHKOLNIKOVA (violin) and Yuliya Gushanskaya (piano). P 1977, I 1978c. Polydor 2531 096. Nos. 1, 4, 10, 12, 14–16, 19, 22, and 24. Lazar BERMAN. P Hamburg 1977, G Mar. 1979. Music Trades Association Awards 1979—winner of Solo Instrumental category. ~ USSR; Melodiya C10 16615-6. I 1982c.

122

D M I T R I SHOSTA K OVIC H C A TA LO GUE

USSR: Melodiya C10 10993-4. Nineteen not as listed on label and sleeve but grouped as follows: Tsyganov’s Suites Nos. 3, 1, and 2. Zarius SHIKHMURZAYEVA (violin) and Mikhail Muntyan (piano). P 1978, I 1979b. USSR: Melodiya C10 11163-4. Tsyganov’s Suite No. 3. Irina MEDVEDEVA (violin) and Margarita Kravchenko (piano). P Moscow concert 1978, I 1979b. France: Corelia CC 78 030. Nos. 13–15 arr. for trombone and organ. Jean DOUAY (trombone) and Christian Gouinguené (organ). P 1978. Bulgaria: Balkanton BKA 11216. Complete cycle. Marta DEYANOVA. P 1980? USSR: Melodiya C10 14323-4. No. 15 arr. for string orchestra by G. Zaborov—not Op. 87 No. 15 as stated on label and sleeve. String Ensemble of Siberia (members of the Tyumen State Philharmonic Orchestra), Tatyana Abramova (piano), Mikhail PARKHOMOVSKY. P 1980, I 1981b. USSR: Melodiya C10 17555003. Nos. 12, 6, and 17 arr. Tsyganov. Vladimir SPIVAKOV (violin) and Boris Bekhterev (piano). P 1982, I 1983a. USA: Orion ORS 83462. Complete cycle. Zoe ERISMAN. P 1983. LP and CD—USSR: Melodiya A10 00043 004 (digital). Nos. 7, 10, 22, 8, 14, 24, 17, and 9 orch. M. Kelemen. USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1983, I 1984c. Reissued on CD—BMG Melodiya 74321 63460-2 (two-disc set). I Mar. 1999. LP—USSR: Melodiya C60 22481 008. No. 1 arr. for jazz ensemble. Metronom Ensemble, Mikhail YAKON. P Ninth Moscow Festival of Jazz Music, 1984, I 1986a. USSR: Melodiya C10 28379 002. Complete cycle. Vladimir VIARDO. P 1984, I 1990a. Bulgaria: Balkanton BKA 11424. Nos. 10, 14–18, and 24 arr. Ye. Strakov. Ognyan STANCHEV (viola) and Ivan Evtimov (piano). I 1984. Cassette—Whitetower Records Ensemble ENS 132 (‘Music and Revolution, Volume 1’, digital real time). Nos. 6 and 17 arr. Tsyganov— not Atovmyan as stated. Alexander BALANESCU (violin) and Andrew Ball (piano). I 1985. CD—Nimbus NIM 5026. Complete cycle. Marta DEYANOVA. P 8–9 Jan. 1985. *USA: Rondo Music Society RMS 2238. Suite No. 1 in the order Nos. 10, 16, 24, and 15 arr. A. Markov. Albert and Aleksandr MARKOV (violin duo and Dmitri Cogan (piano—not Andrei Mytnik as listed in the booklet and on the disc). [Sarasate, Mozart, Wieniawski, and Godard.] P LPR Studios, New York c.1985, I 2006. NB. Previously released in the late 1980s on an American LP—LRP 8831. LP—USSR: Melodiya C10 23079 003. Complete cycle. Anait NERSESYAN. P 1985, I 1986c.

OP U S 34: TWENTY-FOUR PREL UDES

123

USSR: Melodiya A10 20101 000 (digital). Tsyganov’s Suite No. 2. Maksim VENGEROV (violin) and Irina Vinogradova (piano). P opening of the Eighth International Tchaikovsky Competition 11 June 1986, I 1987c. NB. Soloist aged eleven years. USSR: Melodiya C10 24625 006. Tsyganov’s Suite No. 3. Ilya KALER (violin) and Anna Balakerskaya (piano). P Eighth International Tchaikovsky Competition 23 June 1986, I 1987c ~*Russia: Russian Disc RDCD 00377 (‘Competition Laureates 1958–1990, Volume 2’. [Tchaikovsky, Wieniawski, Paganini et al.] I 1994. LP and CD—Chandos ARBD 1261 (digital) and CHAN 8555. Tsyganov’s Suites Nos. 1, 2, and 3. Eleonora TUROVSKY (violin) and Peter Pettinger (piano). P Aldeburgh 13–14 Nov. 1986, G Apr. 1988. CD—Belgium: Empire Master Sound SBCD 7400. Tsyganov’s Suite No. 3. Michael GUTTMAN (violin) and Simone Guttman (piano). P Sandhausen, West Germany 21–22 Mar. 1988. RCA Victor Red Seal RD 87947. Nos. 10, 17, 24, 14, 13, 6, and 5 arr. Poltoratsky. Moscow Virtuosi, Vladimir SPIVAKOV. P Paris 30 July 1988, G Dec. 1989. France: Rodolphe RFC 32600. Nos. 2, 6, 10, 16, 17, and 24. Vladimir STOUPEL. P 3–4 Jan. 1989, G Oct, 1990. Poland: Polmusic 1-1989-1014. Tsyganov’s Suite No. 2. Grigori ZHISLIN (violin) and Frida Bauer (piano). P Warsaw 1989. Japan: Kosei KOCD 3010 (‘Guest Conductor Series 9—Reed’). Nos. 14, 17, and 20 arr. Reed, labelled as ‘Three Symphonic Preludes’. Tokyo Kosei Wind Orchestra, Alfred REED. P Tokyo 16–17 Mar. 1989. AVM Classics AVZ 3020 (‘Piano Music, Volume 2’). Complete cycle. Martin JONES. P London 1–2 June 1989. USA: Elektra Nonesuch/Warner Classics 7559-79234-2ZK. Complete cycle . Vladimir VIARDO. P New York June 1989, G Oct. 1991. Netherlands: Partridge 1127-2. Complete cycle advertised as ‘First recording of the Opus 34 Preludes by Shostakovich’ (sic). Evgenii SOIFERTIS-LUKJANENKO. P Veenendaal Aug. 1989, I UK June 1991. France: Le Chant du Monde LDC 278 1011. Complete cycle. Elena VARVAROVA. P Paris Sept. 1989. Chandos CHAN 8748. Tsyganov’s Suite No. 1. Lydia MORDKOVITCH (violin) and Marina Gusak-Grin (piano). P Snape 12–14 Feb. 1990, G Nov. 1990. Decca 433 055-2DH. Complete cycle. Olli MUSTONEN. P Blackheath Oct. 1990, G Oct. 1991. Gramophone Record Awards 1992—winner of Instrumental category. Teldec 2292 46015-2 (‘Brodsky Quartet Unlimited’). Nos. 15, 19, 17, and 6 arr. M. Thomas. BRODSKY QUARTET (Michael Thomas, Ian Belton,

124

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Paul Casssidy Jacquelin Thomas). P Berlin Oct.–Nov. 1990, I Feb. 1992, G Apr. 1992. Germany: Sound-Star-Ton SST 31109. Complete cycle. Alexander BRAGINSKY. P 1990. RCA Victor Red Seal RD 60861 (‘It Ain’t Necessarily So’). Nos. 24, 12, and 6 arr. Tsyganov. Vladimir SPIVAKOV (violin) and Sergei Bezrodny (piano). P Bristol 11–13 Jan. 1991. EMI Classics CDC7 54352-2 (‘Debut’). Nos. 10 and 15 arr. Tsyganov. Sarah CHANG (on ¼ size violin) and Sandra Rivers (piano). P New York 16 Mar.–16 Apr. 1991, Jan. 1993. NB. Soloist aged 9 years. Sweden: Bluebell ABCD 039. Complete cycle. Folke GRÄSBECK. P Stockholm 16 May 1991. Mezhdunarodnaya Kniga MK 417030. Tsyganov’s Suite No. 1. Aleksandr SHIRINSKY (violin) and Natalya Rozova (piano). P Moscow 1991. Hyperion CDA 66620. Complete cycle. Tatyana NIKOLAYEVA. P Hampstead 17–19 Apr. 1992, G Sept. 1992. France: Erol Records 7014. Nos. 10, 13, and 15–18 arr. for saxophone. Marc CHISSON (soprano and sopranino saxophones) and Alain Perez (piano). P Bordeaux 14 June 1992. Sony Classical SK 52568 (‘Encore’). Tsyganov’s Suite No. 1. MIDORI (violin) and Robert McDonald (piano). P 17–24 Aug. 1992, G June 1993. USA: Cembal D’Amour CD 106. Tsyganov’s Suite No. 1. Berl SENOPSKY (violin) and Julian Martin (piano). P Peabody Institute, Baltimore 1992. Denmark: Danacord DACOCD 419 (‘Rarities of Piano Music’). Nos. 10 and 14. Nina KAVTARADZE. P Husum Festival concert Aug. 1993, I Sept. 1994. USA: Russian Disc 10 015. Nos. 1–3, 10, 14, 16, 17, and 24. Vladimir YURIGEN-KLEVKE. P Moscow Feb.–Mar. 1994, I June 1995. France: Accord 20281-2. Complete cycle. Caroline WEICHERT. P Radio Svizzera Italiana Studio, Lugano Sept. 1993, I 1994 ~ *Accord: 442-8213 (on third of four-disc set). [Sans op. S(i) and B; Op. 13.] I Jan. 2007. Japan: Camerata 28CM 573. Nos. 15, 19, 20, 24, 14, 16, 17, 7, 13, 21, 10, and 6 arr. Gaiswinkler. VIENNA TROMBONE QUARTET (Hans Strocker, Deitner Kublock, Erik Hainzl, Otmar Gaiswinkler). P Vienna 22–24 Sept. 1994. USA: Pyramid 13510. Complete cycle. Adrienne KRAUSZ. P Budapest Oct. 1994, I Feb. 1995. Sweden: BIS CD 717. Tsyganov’s three suites adapted for guitar and piano. Franz HALÁSZ (guitar) and Débora Halász (piano). P Stockholm 22–25 Jan. 1995. Italy: Dynamic CDS 137. Nos. 10 and 15 arr. Tsyganov. Salvatore ACCARDO (violin) and Laura Manzini (piano). P Genoa Mar. 1995. NB.

OP U S 34: TWENTY-FOUR PREL UDES

125

Played on Paganini’s Guarneri del Gesu 1742 instrument under police escort! USA: Mark Set Go MSG 101 (‘Declassified’). Nos. 1, 2, 7, 8, 11, 14, 15, 17, 18, and 23 arr. Harlan. EXCELSIOR (Evan Harlan—accordion, Mimi Rabson—electric violin, Claudio Ragazzi—electric guitar, James Gray— tuba in No. 15, and Grant Smith—drums). P Apr.–May 1995 and Apr. 1996. Olympia OCD 574. Complete cycle. Colin STONE. P London Sept. 1995, G June 1996. USA: Boston Brass BB 1004 (‘In the Family’). Eight Preludes arr. Yeo. Ronald BARRON (tenor trombone) and Douglas YEO (bass trombone). P Boston University 13 Dec. 1995. Germany: Beaux BEAU 2022. No. 17 arr. Turich. Novosibirsk Chamber Orchestra, Mikhail TURICH. P 1995, I Sept. 2001. USA: Klavier KCD 11077. No. 14 arr. Reynolds. North Texas College of Music Wind Symphony, Eugene CORPORON. P Texas Woman’s University, Denton 9–11 Feb. 1996. Japan: Toshiba EMI TOCE 9079. No, 10 only. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 25–27 Mar. 1996. France: Suoni e Colori Collection SC 53006 (‘DSCH Aphorismes’). Tsyganov’s Suite No. 2 arr. for violin and strings by Ilmar Lapinsch. Ricercata de Paris Ensemble, Alexandre BRUSSILOVSKY (violin and conductor). [Including Schnittke—Prelude in Memory of Shostakovich, and Steven Gerber—Elegy on the name ‘Dmitri Shostakovich’.] P Hautes-Alpes, France concert Aug. 1996, I 1997. Japan: ALM Records ALCD 7041 (‘A Forest of Preludes’). Complete cycle. Izumi SHIMURA. P Mitaka City Hall, Tokyo 9–10 Sept. 1996. Italy: Real Sound RS 051 0022. Complete cycle. Anna MALKOVA. P Wesel, Germany Apr. 1997. Collins Classics 1496-2. Complete cycle. Artur PIZARRO. P Rusthall, Kent 20–23 Mar. 1997, G Nov. 1997. Belgium: Cyprès CYP 2622. Complete cycle. Johan SCHMIDT. P Liège 23–24 Feb. 1998. Athene-Minerva ATH CD18. Complete cycle. Raymond CLARKE. P Nottingham University 10 July 1998, G Oct. 1999. France: Suoni e Colori SC 53009. Complete cycle. Mikhail MARKOV. P Paris Nov. 1998. **Russia: Divertissement DSE 0001. Complete cycle arr. G. Korchmar, Ilya IOFF. [Bartók and Schnittke.] P Melody Studio, St Petersburg 3–4 Nov. 1999, I 2002. Channel Classics CCS 16398. Complete cycle arr. by Tsyganov and Aleksandr Blok. Ilya GRUBERT (violin) and Vladimir Tropp (piano). [Opp. 5 and 134.] P Eindhoven, Netherlands Apr. 2000, I Oct. 2001.

126

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Belgium: De Rode Pomp Gents Muzikaal Arcief RP/GMA 009. Nos. 1, 11, 10, and 24 arr. Tsyganov. Lidia KOVALENKO (violin) and Yuri Serov (piano). [Op. 134; and Schnittke.] P St Catherine Lutheran Church, St Petersburg 18 Apr. and 2 May 2000, I 2004. Germany: Live Classics LCL 306. Complete cycle. Elisso WIRSSALADZE. [Liszt.] P Verdi Conservatory concert, Milan 5 Feb. 2001. Naxos 8.555781. Complete cycle. Konstantin SCHERBAKOV. [Opp. 13, 12, and 5.] P Potton Hall, Suffolk 12 and 13 Feb. 2001, I Sept. 2003. Harmonia Mundi HMN 91 16398. Complete cycle. Elena ROZANOVA. [Prokofiev and Ravel.] P Paris May 2001, I Oct. 2001, G May 2002. Germany: Valve-Hearts CD 3002. Complete cycle. Alena CHERNY. [Hindemith.] P Zürich studio Aug. 2001, I 2003. Meridan CDE 84468. Nos. 2, 17, 10, 13, 16, 14, 19, and 24. Semyon KRUCHIN. [Mussorgsky and Prokofiev.] P St John’s Smith Square, London 4–5 Dec. 2001, I Dec. 2002, G Sept. 2003. Czech: Arco Diva UP 0075-2 131. Complete cycle. Banu SÖZÜAR [Rakhmaninov.] P Herrenhaus, Borstel, Germany 19–20 Apr. 2002, I 2005. Centaur CRC 2636, Complete cycle arr. by Tsyganov and Lera Auerbach. Grigory KALINOVSKY (violin) and Tatyana Goncharova (piano). [Op. 134.] P Staten Island, New York 10–12 May 2002, I May 2004. Danacord DACOCD 601. Complete cycle. Oleg MARSHEV. [Opp. 35 and 102.] P Helsingborg 29 July to 2 Aug. 2002, I Feb. 2003, G Sept. 2003. Avie AV 0023. Tsyganov’s Suites Nos. 1, 2, and 3. Kai GLEUSTEEN (violin) and Catherine Ordronneau (piano). [Janácˇek and Prokofiev.] P Crear, Argyll, Scotland 2–4 Sept. 2002, G Jan. 2004. Capriccio 71087 (Hybrid SACD, on second of two-disc set). Complete cycle. Margarete BABINSKY. [Sans op. O(ii & i); Opp. 95 and 94.] P Universität für Musik, Vienna 2002 and 2005, I July 2006. USA: Summit Records DCD 380. Nos. 6, 13, 14, and 20 arr. for brass by Brian Buerkle. SUMMIT BRASS. [R. Strauss, Bach et al.] P Arizona concert 14 June 2003. Stradivarius STR 33727 (‘Complete Piano Works, Volume 1’). Complete cycle. Boris PETRUSHANSKY. [Sans opp. B and S(i); Opp. 5, 13, and 22.] P Bartók Studio, Bernareggio, Milan 17–19 Sept. 2003, I Feb. 2006. Japan: Northern Flowers NF/PMA 9921-22 (two-disc set). Complete cycle. Timur SERGEYENYA (piano) and complete cycle of the four suites arr. for violin and piano by Tsyganov and Sergeyenya. Mikhail BEZVERKHNY (violin) and Timur Sergeyenya (piano). [Opp. 134 and 147.] P St Catherine Lutheran Church, St Petersburg 3–6 Nov. 2003, I 2004 ~ Belgium: De Rode Pomp Gents Muzikaal Arcief RP/GMA 041 [Opp. 134 and 147.] I 2004.

OP U S 34: TWENTY-FOUR PREL UDES

127

Japan: Deutsche Grammophon UCCG 1183. Nos. 4 and 10, both stated to be arr. Tsyganov. Sayaka SHOJI (violin) and Itamar Golan (piano). [Prokofiev.] P Teldex Studio, Berlin Dec. 2003. Netherlands: Brilliant Classics 92383 (on second of two-disc set), Suite No. 1 arr. Tsyganov. Liza FERSCHTMAN (violin) and Bas Verheijden (piano). [Stravinsky, Tchaikovsky, Poulenc et al.] P Remonstrante Doopsgezinde Kerk, Deventer 17 Dec. 2003–19 Feb. 2004. France: Lyrinx LYR 237. Nos. 2, 10, 12, 20, and 21 arr. for violin and piano. Julien DIEUDEGARD (violin) and Jonas Vitaud (piano). [Saraste, Britten, Hubay et al.] P Centre Guillaume Farel, Marseille Oct. 2004. Russia: Caro Mitis CM008 2004. Nos. 1, 16, 3, 8, 11, 17–19, and 21–22 arr. M. Utkin. Aleksei UTKIN (oboe) and strings. [Sans op. D(i); Opp. 87 and 39.] P Russian Television and Radio Studio, Moscow 2 and 24 Oct. 2004, 11 Feb. 2005; I 2006. Japan: Altus ALT 099. Reiko AIZAWA. [Schoenberg.] P Sakira Hall, Ritto, Japan 17–18 Nov. 2004, I 2005. Warner Classics 2564-61949-2 (two-disc set). Suite No. 2 arr. Tsyganov. Julian RACHLIN (violin) and Itamar Golan (piano). [Op. 147; Beethoven.] P Telex Studio Berlin 25–28 Nov. 2004, I Sept. 2005. Japan: Live Notes WWCC 7526. Kyoko HASHIMOTO. Complete cycle. [Skryabin.] P Takane Bunka Hall, Yamanshi 24–25 Dec. 2004. Move Records MD 3308. Complete cycle. Michael Kieran HARVEY. [Op. 12; and Messiaen.] P Eaglemont, Victoria studio several dates in 2005. Germany: Hessischer Rundfunk Hr-musik. 033-06. Nos. 1, 2, 6, 10, 12, 14–18, 22, and 24. Yevgeni KOROLYOV. P HR-Sendesaal, Frankfurt 2–3 Nov. and 19–21 Dec. 2005. Delos DE 3366. Nine orchestrated by Barshai as listed under Arrangements. Moscow Chamber Orchestra, Constantine ORBELIAN. [Opp. 35 aand 102.] P Moscow Conservatory Bolshoi Hall Dec. 2005, I 2007. Belgium: Fuga Libera FUG 517. Plamena MANGOVA. Complete cycle. [Op. 61.] P Flagey, Brussels 10–12 and 16 Apr. 2006. Germany: Cavi-music Edition Klavier-Festival Ruhr 42 6008 553053 3 on second of six-disc set). Nos. 1, 2, 21, 9, 19, 20, 13, 24, and 5. David KADOUCH (piano). P Kulturzentrum August Everding, Bottrop, Germany 22 May 2006. Berlin Classics 0016342BC (‘Souvenirs’). No. 17 arr. for clarinet. Sharon KAM (clarinet) and Itamar Golan (piano). [Massenet, Kreisler, Granados et al.] P Beethovensaal, Congress-Centrum, Hannover 2–4 June 2008, G Mar. 2009. Notes: Tsyganov considered Nos. 4, 7, 9, 14, and 23 were too ‘pianoorientated’ and unfavourable for duo transcription. No. 5 in D major named ‘Velocity Etudé’ by David Rabinovich in 1959.

128

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Aleksandr Alekseyev covers this cycle with 9 music examples in Sovetskaya fortepiannaya muzyka 1917–1945 (Muzyka, Moscow, 1974), 124–33. The ABCs of Shostakovich’s compositional style are described in Dr Bernatchez’s article in DSCH Journal No. 28 with 32 music examples.

Opus 35: Piano Concerto No. 1 in C minor Form: Concerto for piano, B flat trumpet, and string orchestra in four linked movements: 1. 2. 3. 4.

Allegro moderato [or Allegretto] attacca Lento [or Largo] attacca Moderato attacca Allegro con brio

The fourth movement introduces the street tune ‘O, du lieber Augustin’ on trumpet and quotes from Haydn’s Sonata in D major Hob xvi /37 and Beethoven’s Rondo a capriccio in G major, Opus 129 (‘Rage over a lost Penny’) in the piano cadenza. Composed: 6 March–20 July 1933. Begun in Leningrad and completed in Peterhof. Premières: 15 and 17 October 1933, Leningrad Philharmonic Bolshoi Hall; Dmitri Shostakovich (piano), Aleksandr Shmidt (trumpet), Leningrad Philharmonic Orchestra, Fritz Stiedry. USA: 15 December 1934, Philadelphia Hall; Eugene List (piano), Philadelphia Orchestra, Leopold Stokowski. UK: 4 January 1936, Queen’s Hall, London, ‘Winter Prom’; Eileen Joyce (piano), Herbert Barr (trumpet), BBC Symphony Orchestra, Sir Henry Wood. Arrangements: A two-piano reduction by the composer. The Lento adapted for string orchestra by Grzegorz Fitelberg. The Concerto adapted by trumpeter Timofei Dokshitser to feature more involvment for his instrument. Music: Autograph scores preserved at PGALI (full score) and GTsMMK (reduction). The first page of the autograph full score is reproduced in Volume 12 of Collected Works. Muzgiz, No. 14332, 1934, score, 30 cm. (and same number, 1963, 21 cm.) Muzgiz, No. 14333, 1934 (also 1935 and 1969), the composer’s reduction for two pianos, 30 cm. Longmans, Green and Co., New York, Longman’s Miniature Arrow Score Series of Romantic and Modern Piano Concertos, Volume 9 (Schumann—Shostakovich), 1940, score ed. A. E. Wier, 30 cm. International Music, No. 2158, 1942, reduction, 30.5 cm.

O PUS 35: P IA NO C ONC ERTO N O. 1 IN C MIN OR

129

Broude Bros., New York, No. 184, 1943, score, 28 cm. Russian–American Music, New York, 1946, Quasi valse, adaptation of second movement for string orchestra by Grzegorz Fitelberg, score and parts, 30 cm. Boosey & Hawkes, No. 644 (A.S.M.P. No. 52), 1948, score ed. Hans Swarsenski, 19 cm. Anglo–Soviet Music Press, No. 53, 1948, reduction, 31 cm. Muzyka, No. 5947 (in D. Shostakovich: Compositions for fortepiano, Volume 3), 1970, reduction, 29 cm. Hans Sikorski, No. 2126, 1972, reduction, 31.5 cm. Muzyka, No. 8866, 1975, reduction, 29 cm. Muzyka, No. 11208 (in Volume 12 of Collected Works), 1982, 30 cm. Muzyka, No. 11214 (in Volume 13 of Collected Works), 1983, reduction, 30 cm. Hans Sikorski, No. 2361, 1989, 21 cm. DSCH Publishers, Moscow, full score in Volume 38 and reduction in Volume 39 of New Collected Works. Duration: 20 and approx. 21 minutes in scores; 19' 54"–25' 27"; 23' 00"–23' 30" (Plaistow). Ballets: The Wise Monkeys. Norman Morrice, Ballet Rambert, Sadler’s Wells, 18 July 1960. The Catalyst. John Cranko, Stuttgart Ballet, 8 November 1961. In Concert. Simon Mottram, Northern Dance Theatre, Manchester, 26 March 1974. The Dance House. David Bintley, San Francisco Ballet. UK première: Edinburgh Festival, Edinburgh Playhouse, Scottish Chamber Orchestra, Emil de Cou (conductor), 20 August 1997. Revived by the Birmingham Royal Ballet. Hippodrome, Birmingham, May 1999. The ballet is a response to the death of a colleague from AIDS. Mercurial Manoeuvres. Christopher Wheeldon, New York City Ballet, Edinburgh Playhouse, 31 August 2001. Recordings: 78 rpm, LP, and CD—Columbia DX 1049-51 (5 sides). Eileen JOYCE (piano), Arthur Lockwood (trumpet), Hallé Orchestra, Leslie Heward. P Manchester 24 Oct. 1941, G Dec. 1941. Reissued on LP—USA: Columbia ML 4389 (mono) ~ HMV EM 29 0462 3 (‘The Art of Leslie Howard’, DMM mono). G Aug. 1985. Reissued on CD—Dutton Laboratories CDAX 8010 (‘Hallé Russian Festival’, mono). G Feb. 1995. LP and CD—USA: Opus MLG 71 (mono). William KAPELL (piano), Samuel Krauss (trumpet), Philadelphia Orchestra, Eugene Ormandy. P private recording 1 Dec. 1945, I 1971. Reissued on CD—USA: Arbiter 108 (mono). G May 1998.

130

D M I T R I SHOSTA K OVIC H C A TA LO GUE

USA: Concert Hall Society H 4 (mono). Noel MEWTON-WOOD (piano), Harry Sevenstern (trumpet), Netherlands Philharmonic Orchestra, Walter Goehr. P 1953, I 1954. *Reissued on CD—Australia: ABC Classics ‘Heritage Series’ 461 900-2 (on second of three-disc set, mono). [Tchaikovsky and Schumann.] I 2001 ~ British Music Society BMS 101 CDH (mono). [Bliss and Stravinsky.] G Nov. 2003, Dec. 2009. LP—USA: Capitol L 8229 (10" mono). Victor ALLER (piano), Mannie Klein (trumpet), Concert Arts String Orchestra, Felix Slatkin. P 5 May 1953 ~ Capitol CGL 7520 (10" mono). G Feb. 1954. USA: MGM E 3079 (mono). Menahem PRESSLER (piano), Harry Glantz (trumpet), MGM Studio Orchestra, Theodore Bloomfield. P 1954 ~ Parlophone PMC 1023 (mono). G Sept. 1955. USA: Urania URLP 7119 (mono). Margot PINTER (piano), Kurt Bauer (trumpet), Berlin Radio Symphony Orchestra, Gunter Wand. P 1954. LP and CD—HMV ALP 1349 (mono). Shura CHERKASSY (piano), Harold Jackson (trumpet), Philharmonia Orchestra, Herbert Menges. P Abbey Road Studio No. 1, London, 16 Nov. 1954, G Apr. 1956. Reissued on CD—Medici Masters MM 013-2 (mono). [Prokofiev, Beethoven, Poulenc et al.] I Sept. 2007, G Dec. 2007. USSR: Melodiya M10 39073-4 (‘Shostakovich plays Shostakovich’, mono). Dmitri SHOSTAKOVICH (piano), Iosif Volovnik (trumpet), Moscow Philharmonic Orchestra, Samuil Samosud. P Moscow concert 27 Nov. 1954 (not 1957 as given in booklet), I 1977b. This performance also appears on cine-film ~ USSR: Melodiya C10 14089-90 (in third box of Part 1 of Collected Works on Records, electronic stereo). I 1980. Reissued on CD—USA: Russian Disc RDCD 15 005 (‘Great Russian Artists: Shostakovich plays Shostakovich’, mono). G Dec. 1993 ~ Revelation RV 70006 (‘Shostakovich plays Shostakovich, Volume 5’, mono). P date given as 1955, I May 1998. Columbia PCX 769 (mono). Dmitri SHOSTAKOVICH (piano), Ludovic Vaillant (trumpet), French National Radio Orchestra, André Cluytens. P Paris 24–6 May 1958, G Oct. 1961 and July 1964 ~ France: Pathé Marconi 2C 061 12114 (electronic stereo). I 1972 ~ World Records Retrospect SH 293 (mono). G July 1979. Reissued on CD—EMI CDC7 54606-2 (‘Composers in Person’, mono). G Apr. 1993. France: Erato STU 70477. Annie d’ARCO (piano), Maurice Andrè (trumpet), Jean-François Paillard Chamber Orchestra, Jean-François Paillard. P 1959. Reissued on CD—France: Erato WE 839. I 1996. Westminster WST 14141. Eugene LIST (piano), Fritz Wesenigk (trumpet), Berlin Opera Orchestra, Georg Ludwig Jochum. P Vienna Nov. 1960, G Nov. 1961. Reissued on CD—MCA Millennium Classics MCD 80107. I Feb. 1997.

O PUS 35: P IA NO C ONC ERTO N O. 1 IN C MIN OR

131

CBS BRG SBRG 72350. André PREVIN (piano), William Vacchiano (trumpet), New York Philharmonic Orchestra, Leonard Bernstein. P 8 Apr. 1962, G Dec. 1965 ~ CBS 73400. G May 1975 ~ CBS S 73441 in Set CBS 77394. G Oct. 1975 ~ CBS Masterworks 60504. G Dec. 1984. Reissued on CD—CBS Masterworks MPK 44850. G Nov. 1989 ~ Sony Royal Edition SMK 47618. G Nov. 1993 and June 1994 ~ Philips Classics Compact Discs 456 934-2PM2 (‘Great Pianists of the 20th Century’). G Apr. 1999 ~ *Sony Classical Theta SMK 89752. [Opp. 102 and 107.] I Sept 2001. USSR: C0387-8. Mariya GRINBERG (piano), Sergei Popov (trumpet), Moscow Radio Large Symphony Orchestra, Gennadi Rozhdestvensky. P 1962. Reissued on CD—HMV Melodiya ASD 2481. G July 1969. LP—Netherlands: Philips 835 318 AY. Stepan RADIC´ (piano), Stanko Selak (trumpet), Zagreb Philharmonic Orchestra, Milan Horvat. P 1966 ~ France: Philips 6598 102 in set 674252 (‘Tribute to Dmitri Shostakovich’). I post-1975. LP and CD—East Germany: Eterna 8 26 051. Günter KOOTZ (piano), Willy Krug (trumpet), Berlin Radio Symphony Orchestra, Rolf Kleinert. P 29 Mar. 1966, I 1970. Reissued on CD—Germany: Edel Classics 0001842 CCC. I 2001. Argo ZRG 674. John OGDON (piano), John Wilbraham (trumpet), Academy of St Martin-in-the-Fields, Neville Marriner. P The Maltings, Snape 14–16 Dec. 1970, G Feb. 1972. Reissued on CD—Decca 448 5772DCS. I June 1996. LP—USSR: Melodiya CM 02439-40. Pavel SEREBRYAKOV (piano), Vladimir Vakhtenkov (trumpet), Chamber Orchestra of the Leningrad Philharmonic Orchestra, Yuri Serebryakov. P and I 1971. LP and CD—HMV ASD 3081. Cristina ORTIZ (piano), Rodney Senior (trumpet), Bournemouth Symphony Orchestra, Paavo Berglund. P 14 June 1974, G June 1975 ~ HMV Greensleeve ED 29 0210 1. G Oct. 1984. Reissued on CD—EMI CDS7 47790-8. I Nov. 1987, G May 1988. LP—France: Club National du Disque P 394. Dominique MERLET (piano), Adolf Scherbaum (trumpet), Orchestre Chambre de Paris, Paul Kuentz. P pre-1975. LP and CD—Czech: Panton 11 0539 G. Dagmar BALAGHOVA (piano), Miroslav Kejmar (trumpet), Czech Philharmonic Orchestra, Jirˇ í Kout. P 1975, I 1976. Reissued on CD—Czech: Panton PAN 811309. I 1998. LP—Germany: RBM 3024. Fany SOLTER (piano), Friedemann Schnackenberg (trumpet), Orchestra Gelmini, Hortense von Gelmini. P 1975. LP and CD—USSR: Melodiya C10 06763-4. Eugene LIST (piano), Aleksandr Korolyov (trumpet), All-Union Radio and Television Symphony Orchestra, Maksim Shostakovich. P 1975, I 1976d ~ CBS Masterworks

132

D M I T R I SHOSTA K OVIC H C A TA LO GUE

76822. G July 1979. Reissued on CD—RCA Navigator (‘Russian Music No. 73’) 74321 29254-2. G Dec. 1995. LP—USSR: Melodiya C10 09743-4. Vladimir KRAINEV (piano), Aleksandr Korolyov (trumpet), Central Television and All-Union Radio Symphony Orchestra, Maksim Shostakovich. P 1977, I 1978c ~ HMV Melodiya ASD 3713. G Sept. 1979. LP and CD—USA: Delos DMS 3008 (digital). Carol ROSENBERGER (piano), Stephen Burns (trumpet), Los Angeles Chamber Orchestra, Gerard Schwarz. P California 10 Dec. 1980. Reissued on CD—USA: Delos 3021. G Oct. 1984. LP—USSR: Melodiya C10 28215 004. Viktoria POSTNIKOVA (piano), Timofei Dokshitser (trumpet), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P Moscow Conservatory concert 10 Apr. 1982, I 1990a. CD—USA: Sonora SO 22590CD. Mikhail PETUKHOV (piano), Timofei Dokshitser (trumpet), Bolshoi Theatre Orchestra, Yuri Simonov. P Moscow Conservatory Bolshoi Hall concert 25 Sept. 1982, I 2000 ~ *Russia: Great Hall GHCD 10008. [Bach and Prokofiev.] I Apr. 2004. LP and CD—Classics for Pleasure 4144161 (digital). Dmitri ALEKSEYEV (piano), Philip Jones (trumpet), English Chamber Orchestra, Jerzy Maksymiuk. P London May 1983, G Nov. 1983 ~ USSR: Melodiya A10 00079 002 (digital). I 1985b. Reissued on CD—Classics for Pleasure CFP 4547. G Jan. 1989 ~ *HMV 5 86765-2. [Op. 102 et al.] G Oct. 2005. LP—USSR: Melodiya C10 20419 003. Yevgeni MALININ (piano), Vladimir Goncharov (trumpet), Central Television and All-Union Radio Symphony Orchestra, Vladimir Fedoseyev. I 1984c. LP and CD—Chandos ABRD 1120 (digital) and released on CD—CHAN 8357. Dmitri SHOSTAKOVICH junior (piano), James Thompson (trumpet), I Musici de Montreal, Maksim Shostakovich. P Montreal Aug. 1984, G Jan. and Apr. 1985 ~ *Reissued on CD—Chandos CHAN 8443. [Opp. 102 and 118a.] G Sept. 2004. USSR: Melodiya C10 22845 004. Vladimir KRAINEV (piano), Vladimir Kafelnikov (trumpet), USSR Ministry of Culture Chamber Orchestra (Moscow Virtuosi), Vladimir Spivakov. P concert 1984, I 1986b. Reissued on CD—France: Le Chant du Monde LDC 278 1011. I Jan. 1990. Bulgaria: Balkanton BCA 1012. Anton DIKOV (piano), Sofia Chamber Orchestra, Vassil Kazandzhiev (trumpet/conductor). P c.1986. Reissued on CD—Netherlands: Sound CD 3445. I 1988. USSR: Melodiya C10 25067 001. Yevgeni KISSIN (piano), Vladimir Kafelnikov (trumpet), USSR Ministry of Culture Chamber Orchestra (Moscow Virtuosi), Vladimir Spivakov. [Coupled with Mozart Piano

O PUS 35: P IA NO C ONC ERTO N O. 1 IN C MIN OR

133

Concerto No. 12—not mentioned in Third edition.] P 27 Apr. 1986, I 1987d. Reissued on CD—Olympia OCD 179. I Aug. 1988, G May 1989 ~ *Russia: Melodiya MEL CD10 00618. [Shchedrin.] I 2004. CD—Decca 433 702-2DH. Ronald BRAUTIGAM (piano), Peter Masseurs (trumpet), Royal Concertgebouw Orchestra, Riccardo Chailly. P Amsterdam 11 Mar. 1988, G Mar. 1993. RCA Victor Red Seal RD 87947. Ye. KISSIN (piano), Vasili Kan (trumpet), Moscow Virtuosi, Vladimir Spivakov. P Vienna 12 Aug. 1988, G Dec. 1989. *Korea: Yedang Classics YCC 0001. Ye. KISSIN (piano), Bernard Sustro (trumpet), St Petersburg Academic Symphony Orchestra, Vladimir Spivakov. [Tchaikovsky.] P 26 December 1988, I 2002. Czech: Opus 91 2210-2. Alexander CATTARINO (piano), Miroslav Kejmar (trumpet), Slovak Radio Symphony Orchestra, Bohdan Warchal. P Opus Studio Mar.–May 1989, I 1991. USA: Arabesque Z 6610. Garrick OHLSSON (piano), Maurice Murphy (trumpet), Kraków Philharmonic Orchestra, Gilbert Levine. P Kraków 26–29 May 1989, G Jan. 1990. USA: Consonance 81 0009. Mikhail PETUKHOV (piano), unnamed trumpeter, String Group of the USSR Symphony Orchestra, Vladimir Kozhukhar. P 1989, I May 1995. Finland: Finlandia FACD 393 (‘Piano Concertos with Strings’). Juhani LAGERSPETZ (piano), Jouko Harjanne (trumpet), Tero Latvala (leader), Tapiola Sinfonietta, Juhani Lamminimäki. P Espoo Jan. and June 1990, I July 1991, G Oct. 1991 ~ Finlandia Ultima 8573 81969-2 G June 2000. Sweden: Bluebell ABCD 039. Folke GRÄSBECK (piano), Aki Valimaki (trumpet), Minsk Chamber Orchestra, Vitali Katayev. P Esbo, Finland 23 Feb. 1990, I Oct. 1991. USA: Pro-Arte Fanfare CDD 551 (‘Shostakovich Film Festival’). Derek HAN (piano), John Henes (trumpet), Chicago Sinfonietta, Paul Freeman. P Oak Park, Illinois May 1990. I Aug. 1991. Collins Classics CD 1276-2. Vladimir OVCHINIKOV (piano), John Wallace (trumpet), Philharmonia Orchestra, Maksim Shostakovich. P London Oct. 1990, I Apr. 1991, G Sept.1991. Nimbus NI 5308. Martin JONES (piano), Graham Ashton (trumpet), English Chamber Orchestra, William Boughton. P Leominster 14–15 Nov. 1990, I Oct. 1991. Decca 436 239-2DH. Peter JABLONSKI (piano), Raymond Simmons (trumpet), Royal Philharmonic Orchestra, Vladimir Ashkenazy. P London May 1991, G Dec. 1992. Teldec 9031 73282-2. Elizaveta LEONSKAYA (piano), Gary Bordner (trumpet), Saint Paul Chamber Orchestra, Hugh Wolff. P Saint Paul,

134

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Minnesota Sept. 1991, G June 1993 ~ Warner Apex 8573 89092-2. G Oct. 2001. Austria: Musica Classica 780013-2. Paul GULDA (piano), Vladimir Goncharov (trumpet), Moscow Radio Symphony Orchestra, Vladimir Fedoseyev. P Bratislava Jan. 1992, I Jan. 1996. France: Forlane UCD 16693. Finale only. Aleksandr KOZRINE (piano), Vladimir Puchetchny (trumpet), Moscow Conservatory Orchestra, Yurl Bashmet. P concert 1992, I 1993. *Timofei Dokshitser TD 002 (‘Transcriptions’). Stated to be orchestrated by Dokshitser. Sergei SOLODOVNIK (piano), T. DOKSHITSER (trumpet), Lithuanian Chamber Orchestra, Saulyus Sondetskis. [Gershwin, Glière, Bruch et al.] P Lithuania Recording Studio 1992 ~ Russia: Art Classics ART-144. I no date. Koch International Classics 3 7159-2HI. Israela MARGALIT (piano), Mikhail Khanin (trumpet), Moscow Philharmonic Orchestra, Donald Barra. P Moscow Conservatory Sept. 1992, G Sept. 1993. Deutsche Grammophon 439 864-2GH (4D Audio). Martha ARGERICH (piano), Guy Touvron (trumpet), Württemberg Chamber Orchestra, Jörg Faerber. P Ludwigsburg, Germany Jan. 1993, G Jan. 1995 ~ Deutsche Grammophon Panorama 469 316-2 (two-disc set). [Opp. 10, 47, 122, G(ii), 16, and 97.] I 2001. Italy: Phoenix PH 00602. Maurizio BARBARO (piano), Vladimir Davidovsky (trumpet), Byelorussian Symphony Orchestra, Antonello Gotta. P Minsk 9–11 Dec. 1993, I Jan. 2001. Medici-Whitehall MQCD 4003 (‘Piano Concertos of Our Time’). Julian GALLANT (piano), Tim Hawes (trumpet), Oxford Orchestra da Camera, Stefan Ashbury. P Chalk Farm, London May 1994, I Sept. 1994. EMI Classics CDC5 55361-2. Mikhail RUDY (piano), Ole Edvard Antonsen (trumpet), Berlin Philharmonic Orchestra, Mariss Jansons. P Berlin 15–22 June 1994, G Dec. 1995 ~ *EMI Encore 5 75886-2. [Opp. 102 and 10.] I Feb. 2003. Germany: Hänssler Classic 98 917. Eugene MURSKY (piano), Wolfgang Bauer (trumpet), Stuttgart Arcata Chamber Orchestra, Patrick Strub. P 31 Oct.–2 Nov. 1994, I May 1995. Naxos 8.553126. Michael HOUSTOUN (piano), John Taber (trumpet), New Zealand Symphony Orchestra, Christopher Lyndon-Gee. P Wellington 2–4 Nov. 1994, I Sept. 1995. USA: Brioso BR 109. Oleg VOLKOV (piano), unnamed trumpeter, Moscow Philharmonic Orchestra, Vassili Sinaisky. P Moscow June 1995, I Nov. 1995. Germany: Capriccio 10 575. Thomas DUIS (piano), Reinhold Friedrich (trumpet), Berlin Radio Symphony Orchestra, Lutz Köhler. P Berlin 21–25 Aug. 1995 or 10–11 June 1996, I Oct. 1997.

O PUS 35: P IA NO C ONC ERTO N O. 1 IN C MIN OR

135

USA: Audiofon 72060. Valentina LISITSA (piano), Vyacheslav Chtchennikov (trumpet), Yekaterinburg Philharmonic Orchestra, Sarah Caldwell. P Yekaterinburg Jan.–Feb. 1996. South Korea: Samsung Classics SCC 021 SJS. Hae-Jung KIM.(piano), John Wallace (trumpet), London Chamber Orchestra, Christopher Warren-Green. P London 11–13 Mar. 1997. Germany: Arte Nova 74321 63649-2. Jitka CˇECHOVA (piano), Johannes Sondermann (trumpet), SWR Symphony Orchestra, Oswald Sallaberger. P Freiburg 12–13 Mar. 1997, G Nov. 1999. Japan: Studio Frohla B-9801. Makiko NAKACHI (piano), Karel Mnˇuk (trumpet), Prague Talich Chamber Orchestra, Hideaki Muto. P Sept. 1997. EMI Classics CDC5 56760-2. Leif Ove ANDSNES (piano), Hakan Hardenberger (trumpet), City of Birmingham Symphony Orchestra, Paavo Järvi. P Birmingham concert 21–23 Oct. 1997, I Sept. 1999 ~ EMI Classics CZS5 74789-2 (‘Leif Ove Andsnes: A Portrait’, two-disc set). G Mar. 2002. Linn Records CKD 095. Sophia RAHMAN (piano), John Wallace (trumpet), BT Scottish Ensemble, Clio Gould. P Glasgow 4–5 Mar. 1998, G June 2000. Sony SK 60677. Yefim BRONFMAN (piano), Thomas Stevens (trumpet), Los Angeles Philharmonic Orchestra, Esa-Pekka Salonen. P Los Angeles 28 Mar. 1999, I Nov. 1999. France: Calliope CAL 299. Yakov KASMAN (piano), Gennady Nikonov (trumpet), Kaliningrad Philharmonic Chamber Orchestra, Emmanuel Leducq-Barome. P Kaliningrad 1999, I Sept. 2000. **Monaco: Bel Air Music BAM 2023. Maksim ANIKUSHIN (piano), Yuri Vlsenko (trumpet), Russian State Orchestra, Dmitri Yablonsky. [Prokofiev and Stravinsky.] P Moscow Radio Studio Apr. 2001. Canada: CBC Records SMCD 5216. Angela CHENG (piano), Jens Lindemann (trumpet), CBC Radio Orchestra, Mario Bernardi. [The Overcoat—Sans opp. E, G(ii), and P(i); Opp. 93 and 102.] P Orpheum Theatre, Vancouver, B.C. 20–21 June 2001, I Mar. 2002. USA: Phoenix PHCD 151. Damon DENTON (piano), Fred Mills (trumpet), ARCO Chamber Orchestra, Levon Ambartsumian. [Opp. 11 and 110.] P Athens, Georgia 2001. Dutton CDSA 6804 and CDSA 4804 (SACD). Ingrid JACOBY (piano), Crispian Steele-Perkins (trumpet), Royal Philharmonic Orchestra, Charles Mackerras. [Op. 102; and Ustvolskaya.] P Watford Town Hall 21–23 Jan. 2002, G Mar. 2003. Danacord DACOCD 601. Oleg MARSHEV (piano), Jan Karlsson (trumpet), Helsingborg Symphony Orchestra, Hannu Lintu. [Opp. 102 and 34.] P Helsingborg 29 July–2 Aug. 2002, G Sept. 2003.

136

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Music Hanssler Classic SWR Music 93.113. Florian UHLIG (piano), Peter Leiner (trumpet), Südwestfunk Radio Orchestra, Jirˇí Stárek. [Opp. 102 and 94.] P Kaiserslautern Studio Oct. 2002, I Mar. 2005. Hyperion CDA 67425 and released on CD—SA CD 67425. Marc-André HAMELIN (piano), Mark O’Keeffe (trumpet), BBC Scottish Symphony Orchestra, Andrew Litton. [Op. 102; and Shchedrin.] P Caird Hall, Dundee 31 Mar.–1 Apr. 2003, G Jan. 2004. USA: TNC Recordings CD1515. Angelin CHANG (piano), John Brndiar (trumpet), Cleveland Chamber Symphony, Edwin London. [Danceanu, Messiaen, and Ligetti.] P Waetjen Auditorim, Cleveland State University 6 May 2004, I 2006. Alto ALC 1005. ROSAMUNDE TRIO (Ben Sayervich, Daniel Veis, Martino Tirimo). [Tchaikovsky.] P Leichtenstein Palace, Prague Feb. 2005, I Feb. 2006. Chandos CHAN 10378. Tatyana POLYANSKAYA (piano), Vladimir Goncharov (trumpet), Russian State Symphony Orchestra, Valeri Polyansky. [Opp. 70, 124, and 59.] P Moscow Conservatory June 2005, I May 2006, G Aug. 2006. Russia: Bashmet Records (no number). Ksenia BASHMET (piano), Vladislav Lavrik (trumpet), Moscow Soloists, Yuri Bashmet. [Schnittke and Bach.] P Mosfilm Studio, Moscow July 2005. Germany: Oehms Classics OC 561. Bernd GLEMSER (piano), Reinhold Friedrich (trumpet), Lucerne Festival Strings, Achim Fiedler. [Op. 87 and 110.] P Tonstudio Gabriel Recording, Stalden, Switzerland 11–14 Oct. 2005, I June 2006. Delos DE 3366. Andrei GUGNIN (piano), Vladislav Lavrik (trumpet), Moscow Chamber Orchestra, Constantine Orbelian. [Opp. 102 and 34.] P Moscow Conservatory Bolshoi Hall Dec. 2005, I 2007. Naïve V 5053. Lise De La SALLE (piano), Gábor Boldoczki (trumpet), Orchestre de la Fondation Gulbenkian, Lawrence Foster. [Liszt and Prokofiev.] P Fundaçäo Calouste Gulbenkian, Lisbon May 2006, I Feb. 2007. EMI Classics 504504-2. Martha ARGERICH (piano), Sergei Nakariakov (trumpeter), Orchestra della Svizzera Italiana, Aleksandr Verdernikov. [Opp. 94 and 57.] P Palazzo del Congressi, Lugano, Switzerland 17 June 2006, G Nov. 2007. RCA Red Seal 88697-00233-2. Denis MATSUE (piano), Igor Chaparov (trumpet), St Petersburg Philharmonic Orchestra, Yuri Temirkanov. [Tchaikovsky.] P St Petersburg Philharmonic 3, 5, and 7 July 2006. Note: Aleksandr Alekseyev gives seven pages of information on this concerto with 9 music examples in Sovetskaya fortepiannaya muzyka 1917–1945 (Muzyka, Moscow, 1974).

O PUS 3 6 : T H E TA LE OF A P RIEST A ND HIS SERVAN T BAL DA

137

Opus 36: The Tale of a Priest and His Servant Balda Form: Music for a full-length black-and-white animated cartoon after the fairy story written by Aleksandr Pushkin in 1830. The film, directed by Mikhail Tsekhanovsky was not completed. Only 165 feet of the film survived the bombing of the Leningrad Film Studio in 1941. Composed: Prologue commenced on 6 March 1933. The ‘Scene in the Bazaar’ written on 18 September 1934 in the Crimea and the remainder of the score composed on 5 November 1934. Part of the score of 15 numbers was re-orchestrated in 1935. The composer intended reviving his old score in 1975. Eleven of the original numbers in piano score were discovered in the 1990s and orchestrated by Vadim Bibergan. Premières: Film: surviving footage, ‘Scene in the Bazaar’, shown at the Fifth International Film Festival in Moscow on 9 July 1967. Suite: spring 1935, Leningrad International Music Festival; conducted by Aleksandr Melik-Pashayev. Suite revival: 25 September 1979, Leningrad; Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky. Opera: 25 (public audition) and 28 September 1980, Leningrad; Malyi Opera and Ballet Theatre Company, Nikolai Boyarchikov (choreography), Andrei Petrov (stage-director), Mikhail Travkin (chorus-master), and Valentin Kozhin (conductor). Piano suite: February 1983, Kiev, ‘Shostakovich Unknown Pages’ concert. Restored version: 6 June 1999, Moscow Pushkin Festival, Bolshoi Ballet staged production. Arrangements: Suite assembled by the composer: 1. 2. 3. 4. 5. 6.

Overture—Allegro non troppo The Procession of the Obscurantists—Allegro moderato Carousel—Moderato Scene in the Bazaar—Allegro The Priest’s Daughter’s Dream—Andante Finale—Allegro non troppo

No. 5, retitled ‘Sentimental Romance’, is included in the Ballet Suite No. 2, Sans op. P(i). This piece transcribed for trumpet and piano by Jack Holland. No. 4 quotes ‘The Rushes Sighed’, a sentimental song popularly sung by drunken Russians. Numbers from the score transcribed for wind orchestra by Vadim Bibergan. Opera: Sofya Khentova was commissioned by the RSFSR Ministry of Culture in 1980 to write the libretto and restore the music for a two-act comic opera. The opera features mime and dancing as well as singing, and is scored for a large symphony orchestra (including saxophones, saxhorn, vibraphone,

138

D M I T R I SHOSTA K OVIC H C A TA LO GUE

harp, accordion, bayan, guitar, and balalaika), solo singers, S.A.T.B. chorus, and narrator. Insufficient volume of original material was compensated by repetition of certain fragments and some additions. ‘The Priest’s Son Dance’ was lost and a dance was taken from The Limpid Stream, Opus 39. Shostakovich’s arrangement of three folksongs from Sans op. Q utilized for the ‘Evening Party of the Peasants’. S. Khentova also assembled a suite for pianoforte. Overture (Nos. 1 and 6 in the Suite) ACT 1 Scene 1:

‘The Bazaar’ 1. Description of the Bazaar (No. 4 in the Suite) 2. Balda’s entrance 3. The Bear’s Dance 4. Merry-go-round (No. 3 in the Suite) 5. The Meeting of the Priest and Balda 6. Dialogue of the Priest and Balda 7. Scene 1 Finale—Closing of the Bazaar INTERLUDE:

Scene 2:

8. The Devils’ Procession (No. 2 in the Suite) 9. The Bellringer and Devils’ Dance The Village and the Priest’s Household 10. Description of the Village 11. Balda and the Priest’s Son at Dinner 12. Balda’s Work 13. Balda’s Song 14. The Priest’s Son Dance 15. Balda and the Priest’s Daughter Lullaby Evening party of the Peasants [Nos. 16, 17, and 18] 16. ‘What a song’ 17. ‘Fir-grove, my fir-grove’ 18. ‘The splinter’ 19. The Priest’s Daughter’s Dream (No. 5 in the Suite) 20. The Priest’s Daughter’s Romance 21. The Priest’s Lament 22. The Metropolitan Priest 23. Balda’s Farewell ACT 2

Scene 3:

‘At the Devils’ 24. Introduction 25. Dialogue of the Old Devil and Balda

O PUS 3 6 : T H E TA LE OF A P RIEST A ND HIS SERVAN T BAL DA

26. 27. 28. 29.

139

First Dialogue of the Little Devil and Balda Second Dialogue of the Little Devil and Balda Balda’s Galop The Rent INTERLUDE:

30. 31. 32. 33. 34.

Balda’s Return Epilogue Balda’s Welcome Looking for the Priest Three Flicks [i.e., Three Fillips] Final Chorus

German text prepared by Sigrid Neef for a Berlin revival in 1986. Instrumentation: 2 piccolos, 2 flutes, 2 oboes, cor anglais, E flat clarinet, 2 B flat clarinets, bass clarinet, 2 soprano saxophones, 2 tenor saxophones, 3 bassoons (III = contrabassoon) ~ 4 horns, 3 trumpets, B flat baritone saxhorn, 3 trombones, tuba ~ timpani, triangle, tambourine, wood block, cog rattle, side drum, cymbals, bass drum, pistol, xylophone, vibraphone, glockenspiel, orchestral bells ~ harp ~ accordion, bayan, guitar, balalaika ~ S.A.T.B. chorus ~ strings. Music: Autograph score of the Suite, found among the composer’s papers after his death, now preserved at GTsMMK. Autographs of the Overture, ‘Dialogues of the Old Devil and Little Devil’, and ‘The Bell-ringer and Devils’ Dance’ stored at PGALI. Khentova (1980) gives six music examples between pages 79 and 87. MCA, c.1968, ‘Sentimental Romance’ arr. for trumpet and piano by J. Holland, score and part, 31 cm. Sovetskii kompozitor, Leningrad, No. 902, 1981, Opera ed. S. Khentova, full score, 29.5 cm. Muzichna Ukraina, Kyiv, No. 3012, 1991, Suite for pianoforte by S. Khentova (Nos. 2, 4, 8, 9, 5, 12, 22, 28/26, 20, and 31), 29 cm. DSCH Publishers, Moscow, 2005, New Collected Works, in Volume 126, full score with Op. 56, 382, 30 cm. Duration: Suite: 9' 30"–12' 51". Opera: 75 minutes in score; recorded version 44 minutes. Recordings: LP and CD—USSR: Melodiya C10 14415-6 (Album 1 of ‘From Manuscripts of Different Years’). Suite. USSR Symphony Orchestra, Gennadi ROZHDESTVENSKY P 1980, I 1981b ~ HMV Melodiya ASD 1650331. G July 1983. Reissued on CD—BMG Melodiya 74321 59058-2. I and G. Mar 1999. USSR: Melodiya C10 19323 008. Opera—edited and with the addition of narrated text. Overture and Nos. 1–3, 8–9, 4–7, 10; 13, 12, 15, 19, 20, 22, 25–29, 31–34. Vladimir Pankratov (Balda), Sergei Safenin (Priest),

140

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Yelena Ustinova (Priest’s daughter), Anatoli Manukhov (Bellringer), Mikhail Kalinovsky (Old Devil), Nina Romanova (Devil’s wife), German Lyudko (Little Devil), Vladimir Matusov (narrator), Mikhail Senchurov (balalaika), Leningrad Malyi Opera and Ballet Theatre Choir and Orchestra, Mikhail Travkin (chorus-master), Valentin KOZHIN. P 1982, I 1984a. Reissued on CD—Russia: Boheme Music CDBMR 012192. I UK Mar. 2002. CD—USA: Citadel CTD 88129. Complete Suite plus Score No. 20. Belarus RTV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Feb. 1997, I 1998. **USA: Klavier Productions K 11145. Arr. V. Bibergan. Eleven numbers selected and some retitled from the complete score. North Texas Wind Symphony, Eugene Migliaro CORPORON. [Hindemith, Grantham, and Godfrey.] P University of North Texas, Murchison Performing Arts Center 4 Apr. 2004. Germany: Capriccio 71 097 (Hybrid SACD). Suite. MDR Symphony Orchestra, Dmitri KITAYENKO. [Opp. 27a and 22a.] P Augustusplatz, Leipzig 17–20 May 2005, I Oct. 2006. Deutsche Grammophon 477 6112GH. Arr. V. Bibergan. Dmitri Belosesky (Balda), Dmitri Stepanovich (Priest), Evgenia Narskaya (Priest’s daughter), Dmitri Ulyanov (Old Devil), Irina Narskaya (Devil’s wife), Andrei Suchkov (Narrator), Dmitri Kalinin (balalaika), Moscow State Chamber Choir, Aleksandr Soloviev (chorus-master), Russian Philharmonic Orchestra, Thomas SANDERLING. [Op. 29a.] P Kultura Russian State TV & Radio Studio, Moscow May–June 2005, I June 2006, G Sept 2006. Note: Alternative English translations of the work’s title include: The Tale of the Priest and his Blockhead Servant on the score of the opera, Story of the Priest and His Worker Balda (Volkov), Tale of a Priest and His Dumb Hired Man (Seroff and Rabinovich), The Tale of the Priest and His Helper, Dolt (Grigoriev), Tale of the Priest and His Hired Man Balda (Rozhdestvensky), and A Fairy Tale of the Priest and the Knockhead His Servant (piano suite).

Opus 37: The Human Comedy Form: Incidental music to a play, subtitled Scenes from Parisian Life, by Pavel Sukhotin, adapted from Comedie Humaine by Honoré de Balzac. The score for small orchestra includes at least 27 items of which 23 appear unnumbered in the following order in Volumes 27 and 28 of Collected Works. Known score numbers are added: Introduction—Moderato Overture—Moderato Student’s Song—Allegretto

OP U S 37: THE H UMAN COMEDY

141

3. Waltz (for solo piano)—Allegro bravuro 2. Elegy (for solo piano)—Moderato March—Allegretto Merry Paris—Allegretto The Theatre—Allegro con brio The Theme of Paris—Andantino Cruel Paris—Moderato 18. Gavotte—Allegretto Addition to Gavotte (Trio) Flourish—Allegro molto The Panorama of Paris—Andantino Panic on the Exchange—Presto Barrel Organ—Andantino Bank of the Seine—Andantino Casket with Diamonds—Allegretto Police March—Allegretto Fanfare—Allegro 7/27. Sarabande—Moderato Scandal—Allegro molto [Episode]—Allegretto Instrumentation: flute, oboe, B flat clarinet, bassoon ~ 2 horns, 2 trumpets, trombone, tuba, B flat baritone saxhorn ~ timpani, triangle, tambourine, side drum, cymbals ~ piano ~ strings. Composed: 1933–4, at Leningrad. Première: Play: 1 April 1934, Vakhtangov Theatre, Moscow; under the direction of A. Kozlovsky and Boris Shchukin. Arrangements: Piano reduction of the Overture (written, presumably, at a later time to replace the Introduction) by Yuri Olenev. No. 3—Waltz and No. 18—Gavotte transcribed for small stage orchestra (violin, piano, B flat clarinet, trumpet, accordion, and percussion; with optional violin, cello, double-bass). These two numbers appear in Ballet Suite No. 3, Sans op. P(i). No. 3—the first Waltz in Ballet Suite No. 3 in piano reduction by Levon Atovmyan and transcribed for wind band by Samuil Senderei. No. 7/27—Sarabande arranged for cello and piano by Juozas Chelkauskas. No. 18—Gavotte transcibed for guitar by Boris Okunev; for two trombones and piano by K. Serostanov; and used by composer Grigori Kalinkovich as the theme with variations (duration 10' 32") under the title Concerto for Wind Orchestra, subtitled ‘Metamorphosis on a theme of D. Shostakovich’. See also Violin Duets, Sans op. P(iii) No. 2. The Panorama of Paris (Elegy in Ballet Suite No. 3 No. 4) arranged for cello and piano by L. Atovmyan; violin and piano by Konstantin Fortunatov;

142

D M I T R I SHOSTA K OVIC H C A TA LO GUE

in piano reductions by Bronislava Rozengauz and Zinaida Vitkind. See also Violin Duets, Sans op. P(iii) No. 7. Six numbers arranged for piano from the composer’s score by Lev Solin: 1. 2. 3. 4. 5. 6.

March—Allegretto Gavotte—Allegretto The Panorama of Paris—Andantino Police March—Allegretto Sarabande—Moderato Waltz—Allegro bravuro

Music: Autograph score preserved at TsGALI(SPb). Incomplete manuscript score, differing in instrumentation and sequence of items, preserved in the Vakhtangov Theatre Museum. Sovetskii kompozitor, 1946, Waltz arr. for piano by L. Atovmyan, 25 cm. Muzgiz, No. 22203 (with ‘Youth Dance’ by Yuri Sviridov), 1951, Gavotte arr. for small stage orchestra, parts, 28.5 cm. Muzgiz, No. 22205 (with Polka from Opus 39), 1951, Waltz arr. for small stage orchestra, parts, 28.5 cm. Sovetskii kompozitor, No. 928 (in Dmitri Shostakovich: Waltzes from Film Music), 1959, Waltz only, full score, 29 cm. Sovetskii kompozitor, (with ‘Lyrical Waltz’ by S. Senderei), 1962, Waltz arr. for wind band by S. Senderei, score and parts, 22 cm. Sovetskii kompozitor, No. 2718 (in D. Shostakovich: Pieces for cello and piano), 1962, Elegy arr. by L. Atovmyan, 29 cm. Edition Peters, No. 4794 (plate no. 12389—in Shostakovich: Album of Easy Pieces), 1967, Elegy arr. K. Fortunatov, 30.5 cm. Muzyka, No. 4719 (in D. Shostakovich: Pieces for violin and piano), 1975, Elegy arr. K. Fortunatov, 28.5 cm. Sovetskii kompozitor, No. 4028 (in Dmitri Shostakovich: Music to Plays), 1977, six numbers arr. for piano by L. Solin, 29 cm. Muzyka, No. 9986 (in Easy Pieces for Trombone), 1978, Gavotte arr. for two trombones and piano by K. Serostanov, score and parts, 29 cm. Muzyka, Leningrad, No. 2629 (in S. Prokofiev and D. Shostakovich: Selection of Fortepiano Pieces for Children), 1980, Sarabande arr. L. Solin and Elegy retitled ‘Lullaby’ by Z. Vitkind, 28.5 cm. Sovetskii kompozitor, No. 7625 (in Album of the Violinist, Volume 1), 1986, Elegy arr. K. Fortunatov, 29 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, piano score, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, full score, 30 cm.

S A NS OP . E: SU ITE F OR JA Z Z ORCH EST RA N O. 1

143

Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, Sarabande arr. Yu. Chelkauskas, 29 cm. DSCH Publishers, Moscow, full score in Volume 118 and piano score in Volume 121 of New Collected Works. Ballet: The Overcoat. For details see under Opus 32. Recordings: LP—USSR: Melodiya C20 07011-2. Gavotte arr. for guitar. Boris OKUNEV (guitar). P1976, I 1977a. USSR: Melodiya C10 11391-2. Gavotte arr. G. Kalinkovich. RSFSR State Wind Orchestra, Nikolai SERGEYEV. P1978, I 1979c. LP and CD—USSR: Melodiya C10 22365 004 (‘Music for Theatre’). ‘The Panorama of Paris’ (with ‘The Theme of Paris’), ‘Police March’, Gavotte, ‘Bank of the Seine’, and March. Leningrad Chamber Orchestra of Old and Modern Music, Eduard SEROV. Reissued on CD—Olympia OCD 194. I Feb. 1988, G June 1988. LP—USSR: Melodiya C10 28379 002. ‘Police March’ arr. L. Solin. Vladimir VIARDO (piano). P 1986, I 1990a. CD—CIS: Manchester CDMAN 129 (‘Shostakovich Theatre and Cinema Music’). Waltz. St Petersburg Philharmonic Academic Symphony Orchestra, Vladimir ALTSHULER. P St Petersburg 1995, I 1998. Chandos CHAN 9907 (‘Theatre Music’). Suite Nos. 1, 3, 4, 6, 5, and 2 arr. L. Solin and Trio of No. 2 arr. composer. Rustem HAYROUDINOFF (piano). P Potton Hall, Suffolk 7–8 Aug. 2000, I Apr. 2001. Note: For further recordings see under Ballet Suite No. 3 Sans op. P(i) and Violin Duets Sans op. P(iii).

Sans op. E: Suite for Jazz Orchestra No. 1 Form: Three numbers for dance band: 1. Waltz—Moderato 2. Polka—Allegretto 3. Foxtrot (Blues)—Moderato Instrumentation: 3 saxophones —soprano (= alto II), alto, and tenor ~ 2 trumpets, trombone ~ side drum, wood block, cymbal ~ glockenspiel/ xylophone, banjo/Hawaiian guitar, piano ~ violin, double-bass. Composed: February 1934, at Leningrad. Premières: 24 March 1934, Leningrad. Germany: Berlin Festival 1983 (RIAS Berlin). The Foxtrot was taped from a performance by the Bolshoi Theatre Ensemble and subsequently broadcast by Sydney Radio, Australia. UK: 19 March 1986, Queen Elizabeth Hall, London; Chameleon Ensemble (Nos. 1 and 3).

144

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Arrangements: The Waltz and Polka appear in Ballet Suites Nos. 1 and 2, Sans op. P respectively. Orchestral parts of Foxtrot arranged by Vladimir Derzhanovsky in 1939. Reduction of the three numbers for piano by Levon Atovmyan in 1947 and for accordion by V. Gorokhov. The Suite adapted for small mixed ensemble with single strings by Gerard McBurney and for violin and piano by Michael Gluzman in 2005. The Waltz and Polka arranged for organ by Mariya Makarova. The Waltz and Foxtrot transcribed for brass ensemble by A. Serebrennikov. Piano duo versions of the Waltz and the Polka have been recorded. The three numbers arranged for two pianos by Dmitri Alekseyev [performed with Nikolai Demidenko at ‘Shostakovich 100’ on 25 September 2006—see Sans op. J(ii).] Music: Autograph score numbered Opus 38 preserved at GTsMMK. Originally published as Opus 38 by the USSR Music Fund in 1941. Sovetskii kompozitor, 1960, Suite arr. by V. Gorokhov in third album of accordion pieces. Muzyka, No. 11678 (in Volume 10 of Collected Works), 1984, full score, 30 cm. DSCH Publishers, Moscow, 2006, New Collected Works, in Volume 32, full score, 30 cm. (Reduction to be published in Volume 37). Duration: Approx. 7 minutes in score; 7' 53"–9' 14". Ballet: The Overcoat. For details see under Opus 32. Recordings: Cassette—Whitetower Records Ensemble ENS 132 (‘Music and Revolution’, Volume 1, digital real time). Nos. 1 and 3 arr. L. Atovmyan. Andrew BALL (piano). I 1985. LP and CD—USSR: Melodiya C10 23081 001 (Album 5 of ‘From Manuscripts of Different Years’). Soloists’ Ensemble of the USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1984, I 1986c. Reissued on CD—Olympia OCD 156. I Sept. 1988 ~ BMG Melodiya 74321 59058–2. I and G Mar. 1999. CD—Decca 433 702-2DH. Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 12 Feb. 1990, G Mar. 1993. United 88001. City of Birmingham Symphony Orchestra, Mark ELDER. P Birmingham 16–18 Jan. 1992, G Jan. 1994 ~ *Signum Classics SIGCD 051. [As original release—Opp. 31a, 46a, and 42.] I Sept. 2004. Olympia OCD 585 (‘Music for Organ’). Nos. 2 and 1 arr. for organ. Mariya MAKAROVA (organ). P Moscow Conservatory Jan. 1995, I Mar. 1997. RCA Victor Red Seal 09026 6804-2. Frankfurt Radio Symphony Orchestra, Dmitri KITAYENKO. P Frankfurt 2–5 Jan. 1996, G Oct. 1997. EMI Classics CDC5 55601-2. Philadelphia Orchestra, Mariss JANSONS. P Collingswood, New Jersey 8, 9, and 11 Mar. 1996, G Sept. 1997. *Germany: Animato ACD 6035. Nos. 3 and 1 arr. Serebrennikov. UKRAINIAN BRASS (Rosmourat Arnakuliyev and Andriy Ilkiv—trumpets, Andriy Golovko—trombone; Ivan Yefimov—French horn; Andriy

OP U S 38: L OVE AN D H AT E

145

Demichenko—tuba). [Sans op. G; Khachaturyan, Skorik, Handel et al.] P Bauer Studio, Ludwigsburg Feb. 1998. Germany: CPO 999 599-2. No. 2 arr. for piano duo. GENOVA & DIMITROV PIANO DUO. Hans Rosbaud Studio 4–5 May 1998, I Apr. 1999. NB. Polka incorrectly labelled as from Op. 22. **Canada: CBC Records SMCD 5216. No. 1. CBC Radio Orchestra, Mario BERNARDI. [The Overcoat—Sans opp. G(i & ii) and P(i); Opp. 35, 93, and 102.] P Orpheum Theatre, Vancouver, B.C. 20–21 June 2001, I Mar. 2002. Naxos 8.555959. Russian State Symphony Orchestra, Dmitri YABLONSKY. [Opp. 27 and 16; Sans op. G(ii).] P Moscow Oct. 2001, G July 2002. Reissued on DVD Audio 5.110006. [As CD.] I Mar. 2003. Monte Carlo: Bel Air Music BAM 2003 (‘Russian Film Music II’). Waltz. Russian Philharmonic Orchestra, Sergi SKRIPKA. [Opp. 16, 45, 97; Petrov, Khachaturyan, Lebedev et al.] P Moscow Radio Studio Mar. 2002. Capriccio 71087 (Hybrid SACD, on disc two of two-disc set). Polka arr. for piano duo. Margarete BABINSKY and Holger BUSCH (piano duo). [Sans op. O(ii & i); Opp. 34, 95. and 94.] P Universität für Musik, Vienna 2002 and 2005, I July 2006. Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites—Film Music’, on first of three-disc set). National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Sans opp. G(ii) and U; Opp. 96 and 115.] P National Radio Studio, Kyiv 1–8 June and 13–14 July 2004 ~ Brilliant Classics 70962 (Hybrid SACD). [Sans opp. G(ii) and U; Opp. 96 and 115.] I 2005. Germany: Capriccio 71 096 (Hybrid SACD). Berlin Radio Symphony Orchestra, Steven SLOANE. [Opp. 105 and 16; Sans op. G(ii).] P Jesus-Christus-Kirke, Berlin 28 Sept.–2 Oct. 2004, I Oct. 2006. Sweden: BIS BIS-CD-1592 (‘Ballet for a Lonely Violinist’). Arr. M. Gluzman. Vadim GLUZMAN (violin) and Angela Yoffe (piano). [Op. 134; and Auerbach.] P Västerås Concert Hall, Sweden June–July 2005, I June 2006, G Sept. 2006. Australia: ABC Classics MSOLive 476 836-4. Melbourne Symphony Orchestra, Oleg CAETANI. [Op. 103 and Sans op. H(ii).] P Hamer Hall, Melbourne concert Aug. 2005. Note: For further recordings of the Waltz and Polka see under Sans op. P(i) (Ballet Suites Nos. 1 and 2).

Opus 38: Love and Hate Form: Music for the black-and-white film Love and Hate, set in the Donbass during the post-Revolution Civil War, with scenario by Sergei Yermolinsky and Vasili Pronin and directed by Albert Gendelshtein for the Mezhrabpomfilm Studio. See Note.

146

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Composed: 1934, at Leningrad. Première: Film first shown on 3 March 1935. UK: 8 October 2006, Barbican Centre Cinema, London. Music: Autograph score of 15 numbers preserved in the Glinka Museum. Duration: Film: 80 minutes. Recording: [Meyer (1980) lists a song from the film, performed by choir and orchestra under Viktor Knushevitsky, on 78 rpm—USSR: 15018.] Note: Also translated as Love and Hatred as in Fay 2004.

Opus 39: The Limpid Stream Form: Comedy Ballet in three acts and four scenes, with libretto by Fyodor Lopukhov and Adrian Piotrovsky, choreography by Lopukhov, and designs by Mikhail Bobyshov (Leningrad) and Vladimir Dmitriev (Moscow): ACT 1—THE COLLECTIVE FARM (NAMED ‘THE LIMPID STREAM’) Scene 1:

Scene 2:

‘The wayside halt in early autumn’ 1. Overture 2. Arrival of brigade of artists 3. Scene of the two girl friends (Zina and the Ballerina) 4. Dance-examination 5. Beginning of the intrigue (Zina’s husband, Pyotr, becomes infatuated with the Ballerina) 6. Musical Entr’acte ‘The day draws to a close’ 7. Termination of the fieldwork and distribution of presents 8. Genre Dances: (a) Russian Dance, (b) Chaconne, (c) Weaver’s Round Dance, (d) Dance of the Milkmaid and the Tractor-driver, (e) Waltz of the Classical Dancers, (f) Comic Dance, and (g) Dance of Gorets and Kubanets 9. The jealousy of Zina 10. Zina reveals she was formerly a ballet student 11. Agreement (between Zina and the Ballerina to change places) ACT 2—IN A WOODLAND CLEARING 12. 13. 14. 15.

Picnic and invitation to an evening meeting Scene of the disguising of Zina (as the Ballerina) Entrance and Dance of the Accordionist and Galya Joke over the old summer residents: (a) entrance to the meeting, (b) Variation of the male classical dancer, (c) Variation of the Ballerina, and (d) Coda

OP U S 39: THE L IMPID ST REAM

147

16. Adagio of Pyotr and the disguised Zina: (a) Dance of the conspirators, (b) Variation of Zina, and (c) Coda 17. Dance: staging of the play ‘Murder’ 18. Variation ‘Murder’ 19. Finale-Coda ACT 3—HARVEST FESTIVAL (EARLY MORNING THE NEXT DAY) 20. 21. 22. 23. 24. 25. 26. 27. 28. 29.

Musical interjection and swing March: ‘Harvest Festival’ Waltz Scene of the disclosure of the ruse Great Adagio (reconciliation of Pyotr and Zina) Variation of the male classical dancer Variation of the Ballerina Variation of Zina Coda Final Dance

The above order and numbering sequence corresponds to the first theatrical version as listed in Sadovnikov. The continuous numeration system of the official ballet music, with tempo indications, as it appears in the full and piano scores follows: ACT 1 Scene 1: 1. Overture—Allegro 2. Adagio of Zina and Pyotr—Adagio—Allegro—Allegro vivo 3. March—Allegretto 4. Meeting between Two [Girl] Friends—Allegretto 5. Examination Dance—Allegretto—Tempo di mazurka 6. March—Allegretto 7. Scene and Waltz—Entr’acte—Allegretto Scene 2: 8. 9. 10. 11. 12.

The Celebration—Allegro Russian Dance—Allegro Chaconne—Andantino Young Girls’ Dance—Allegro Dance of the Milkmaid and the Tractor-Driver—Moderato con moto 13. The Ballerina’s Waltz—Tempo di valse 14. Comic Dance (Galya and the Concertina Player)—Allegro

148

D M I T R I SHOSTA K OVIC H C A TA LO GUE

15. Dance of the Mountain Tribesmen and Men of Kuban—Presto 16. Departure—Allegro 17. Zina’s Jealousy—Allegretto 18. Revelation of Zina’s Profession—Allegretto—[Tempo di mazurka] 19. The Plot—Allegro ACT 2 Scene 3: 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35.

Invitation to a Rendezvous—Adagio Dressing-up Scene—[Allegro] Entry of the Concertina Player and Galya—Andantino Tango—Allegro—Andante—Allegro Playing Jokes on the Elderly Couple—Allegretto Adagio. Arrival at the Rendezvous—Adagio Waltz. Variation of the Ballet Dancer in Woman’s Dress—Allegretto Variation of the Ballerina in Her Partner’s Costume—Allegro The Coda—Allegro Adagio. Pyotr and Zina in the Ballerina’s Costume—Adagio The Plotters’ Dance—[Moderato] Zina’s Variation—Presto The Coda—Allegro Dance. Mise-en-scène ‘The Murder’—Allegretto poco moderato Variation of the ‘Murdered Lady’—Allegro Finale—Coda—Presto ACT 3

Scene 4: 36. 37. 38. 39. 40. 41. 42. 43. 44.

Musical Entr’acte ‘Swings’—Allegro molto March. ‘The Harvest Celebration’—[Tempo di marcia] Waltz—Andantino The Revelation Scene—Andantino—[Adagio]—Presto The Ballet Dancer’s Variation—Allegro The Ballerina’s Variation—Allegretto Zina’s Variation—Allegro The Coda—[Presto] The Final Dance—Allegro

OP U S 39: THE L IMPID ST REAM

149

Pieces not included in the Stage Version of the Ballet: 1. After Reviewing Those in Disguise—[Vivo] 2. The Weavers’ Dance—Moderato non troppo 3. After the March and before the Waltz of the Ballet Dancers— [Tempo di marcia] 4. Zina and Pyotr’s Dance—[Moderato con moto] 5. Folk Dance—Allegretto 6. Adagio 7. The Coda—Presto Table of material recycled from The Bolt, Opus 27: 1. 10. 11. 19. 23. 24.

Overture = 14. First Dance of the Machines Chaconne = 23. The Dance of the Beggar Woman Young Girls’ Dance = 37. The Dance of the Mill Girls The Plot = 13. The Entry of the Komsomol Members Tango = 29. The Dance of Kozelkov and His Friends Playing Jokes on the Elderly Couple and 39. The Revelation Scene = The Saboteurs (Intermezzo) which in turn is developed from The Golden Age, Opus 22, No. 18. 43. The Coda = 43. Apotheosis 44. The Final Dance = 21. The Dance of the Komsomol Members. In addition 7. Waltz-Entr’acte and 38. Waltz = Suite for Jazz Orchestra No. 1, Sans op. E No. 1. Nos. 6, 17, 18, and 26 are repeats of Nos. 3, 4, 5, and 7 respectively; No. 16 is a variation of No. 8 and No. 29 is an extended version of No. 2. Composed: 1934–35, at Leningrad. Autograph scores and signed copies undated. Premières: Ballet: 4 June 1935, Malyi Opera House, Leningrad; décor by Mikhail Bobyshov conducted by Pavel Feldt. Pyotr Gusev danced the part of Pyotr. 30 November 1935, Bolshoi Theatre, Moscow; décor by V. Dmitriev, produced by Boris Mordvinov, and conducted by Yuri Faier. Revival: 18 April 2003, Bolshoi Theatre, Moscow; May 2003, Washington; and January 2004, Opéra Garnier Paris; décor by Boris Messerer and choreography by Aleksei Ratmansky. UK: 10/11 August 2006, Royal Opera House, Covent Garden; title change to The Bright Stream; dècor by Boris Messerer and chorepgraphy by Aleksei Ratmansky; Svetlana Lunkina (Zina), Sergei Filin (Sergei), Mariya Aleksandrova (Ballerina), Gennadi Yanin (Accordionist); Bolshoi Theatre Orchestra conducted by Pavel Sorokin.

150

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Suite Opus 39a: 11 March 1945, at Moscow and UK: 17 May 2002, Broadcast of Manchester Studio recording, Nos. 2, 5, 4, and 3, BBC Philharmonic, Barry Wordsworth; cello soloist in Adagio, Peter Dixon. Arrangements: Score Nos. 7, 12, 13, and 23 in the composer’s piano reduction recorded in 2005. Many of the numbers from the ballet score were later salvaged by the composer, assisted by Levon Atovmyan, and assembled into the Ballet Suites, Sans op. P(i). Score Nos. 4, 9, 12, 13, 28, 29, and 41 arranged for organ by Mariya Makarova. Ballet Suite of thirteen nunbers compiled for flute, oboe, strings, and percussion from the ballets The Limpid Stream, The Bolt, and The Golden Age by Mikhail Utkin. Romance (Ballet Suite No. 1, No. 3) arranged for violin and piano by Konstantin Fortunatov. Score No. 4 aka Romance in F major. Polka (Ballet Suite No. 1, No. 4) in piano reductions by L. Atovmyan and Bronislava Rozengauz; transcribed for small stage orchestra (violin, piano, B flat clarinet, trumpet, accordion, and percussion; with optional violin, cello, double-bass, B flat clarinet, trumpet, flute, oboe, and trombone) by the composer; and folk orchestra by Aleksandr Shirokov. Adagio (Ballet Suite No. 2, No. 2) arranged for piano solo by L. Atovmyan; cello and piano by both Atovmyan and David Pereira; double-bass and piano by Rodion Azarkhin; French horn and piano by V. Buyanovsky; tuba and piano by Roger Bobo; and cello and string orchestra by Saulius Sondetskis. Pizzicato Dance (Ballet Suite No. 1, No. 2) and Waltz (Ballet Suite No. 3, No. 5) transcribed and for string quartet by I. Sirotin. Nocturne (Original Ballet Suite No. 2, No. 2), Barrel Organ Polka (Ballet Suite No. 1, No. 4), and Skipping-rope Dance (Ballet Suite No. 3, No. 3) in piano reduction by B. Rosengauz. Prelude (Ballet Suite No. 4, No. 1) reworked by L. Atovmyan from Score No. 33. See also Dances of the Dolls, Sans op. S(i). Opus 39a—Suite for full orchestra compiled by the composer in 1945 and prepared for publication by Konstantin Titarenko in 1986: 1. [Lyrical] Waltz—Andantino (Ballet Suite No. 1, No. 1) 2. [Russian Popular Dance]—Moderato con moto (Ballet Suite No. 1, No. 4) 3. Galop—Allegro (Ballet Suite No. 3, No. 6) 4. Adagio—Adagio (Ballet Suite No. 2, No. 2) 5. Pizzicato—Allegretto (Ballet Suite No. 1, No. 2)

OP U S 39: THE L IMPID ST REAM

151

No. 2 is untitled and designated No. 10 in the score; the music of the number in the ballet entitled ‘Russian Dance’ is different. The five items appear in differing versions and orchestrations in the Ballet Suites Nos. 1–3. Instrumentation of Suite Opus 39a: piccolo, 2 flutes, 2 oboes, cor anglais, E flat clarinet, 2 B flat clarinets, 3 bassoons (III = contrabassoon) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals ~ glockenspiel, harp ~ strings. Music: The composer utilized some excerpts from Sans op. E, Opp. 22 and 27. The whereabouts of the score is not known but the Suite reconstructed from orchestral parts preserved at the Rental Library of the Music Fund, Moscow. Muzgiz, No. 22205 (with Waltz from Opus 37), 1951, Polka arr. for small stage orchestra, parts, 28.5 cm. Ricordi, No. 129644, 1958 (also Edition Peters, No. 4767, 1962, 30 cm.), Adagio coupled with the Spring Waltz, Opus 78a No. 3; arr. for cello and piano by L. Atovmyan, 31 cm. Sovetskii kompozitor, No. 2718 (in D. Shostakovich: Pieces for cello and piano), 1962, Adagio arr. L. Atovmyan, 29 cm. Sovetskii kompozitor, No. 4565 (in Dmitri Shostakovich: Popular Pieces), 1967, Adagio and Polka arr. for piano by L. Atovmyan, 28.5 cm. Muzyka, No. 4719 (in D. Shostakovich: Pieces for violin and piano), 1975, Romance arr. K. Fortunatov, 28.5 cm. Belwin Mills, New York, No. 4446 (Two pieces for cello and piano—with Op. 78a No. 3) c.1977, Adagio arr. L. Atovmyan, score, 27 cm. Also Boosey & Hawkes, No. 20616, c.1982. Sovetskii kompozitor, No. 4643 (in Pieces by Soviet Composers for string quartet, Book 3), 1978, Pizzicato Dance and Waltz arr. I. Sirotin, 29 cm. Sovetskii kompozitor, No. 4920 (in D. Shostakovich: Selection of Children’s Piano Pieces), 1979, three numbers arr. B. Rozengauz, 29 cm. Muzyka, No. 9060 (in Anthology for Violin, 5th–6th class children’s musical schools), 1983, Romance arr. K. Fortunatov, 29 cm. Sovetskii kompozitor, 1984 (in Pieces for French horn and piano, Book 3), Adagio arr. V. Buyanovsky, 29 cm. Muzyka, No. 11695 (in Volume 26 of Collected Works), 1987, full score of Suite Opus 39a plus additional ‘Russian Popular Dance’, 30 cm. Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, Adagio arr. L. Atovmyan, 29 cm. DSCH Publishers, Moscow, full score of Suite in Volume 72 of New Collected Works. Complete score—DSCH Publishers, Moscow, no number, 1997, complete piano score of the composer’s own arrangement, with commentary by Inna Barsova and Manashir Yakubov in Russian and English, 232, 29 cm.

152

D M I T R I SHOSTA K OVIC H C A TA LO GUE

DSCH Publishers, Moscow, 2006, New Collected Works, Volume 64a, full score of Acts 1 and 2, 618, 30 cm. DSCH Publishers, Moscow, 2007, New Collected Works, Volume 64b, full score of Act 3, 487, 30 cm. Duration: Piano arrangements of Score Nos. 7, 12, 13, and 23 in the composer’s piano arrangement 15' 51". Additional ballets: The Young Lady and the Hooligan. L. Atovmyan used four numbers from Opus 39 in a ballet of seven episodes created for Valeri Panov by Konstantin Boyarsky, with libretto by Aleksandr Belinsky (after a film script by Vladimir Mayakovsky) and designs by Valeri Dormer; Leningrad Malyi Theatre, 28 December 1962. For further details see Opus 27. Recordings: LP—USSR: MK D0001217-8 (7" mono). Adagio arr. Azarkhin. Rodion AZARKHIN (double-bass) and Grigori Zinger (piano). P1963. Germany: Kaskade D 32 001. Adagio arr. Atovmyan. Günter LÖSCH (cello) and Siegfried Schubert-Weber (piano). P 1970s. USSR: Melodiya C20 10671-2. Polka arr. Shirokov. Russian Folk Orchestra, Aleksandr SHIROKOV. I 1979a. USA: Orion ORS 83462. Romance and Pizzicato Dance [Waltz-scherzo refers to Op. 27.] Zoe ERISMAN (piano). P 1983. USA: Pro Arte PAD 178. Adagio adapted from the cello version. Eugene LEVINSON (double-bass) and Gina Levinson (piano). I 1984. CD—Unicorn Kanchana DKP 9069. Adagio arr. Atovmyan. Alexander BAILLIE (cello) and Piers Lane (piano). P London 6–7 Aug. 1987, G Oct. 1988. Germany: FSM Fono FCD 97721. Adagio arr. Atovmyan. DUO POSTIGLIONE—Wolfgang Schultz (cello) and Ginette Kostenbader (piano). P Stuttgart 29 Oct. 1988, I 1990. Philips 434 106-2PH. Adagio in composer’s original version. Julian LLOYD WEBBER, London Symphony Orchestra, Maksim Shostakovich. P London Sept 1991, G May 1992. Crystal CD 690. Adagio arr. Bobo. Roger BOBO (tuba) and Marie Condamin (piano). P Jerusalem June 1993, I Nov. 1994. Olympia OCD 585 (‘Music for Organ’). Nos. 12, 13, 28, 29, 41, 4, and 9 arr. for organ. Mariya MAKAROVA (organ). P Moscow Conservatory Jan. 1995, I Mar. 1997. Chandos CHAN 9423. Complete ballet, apart from Nos. 6, 10–11, 16–19, 23–24, 26, 30, 34, 38–39, and 43 of the composer’s original score, revised by Gennadi Rozhdestvensky. Ib Lanzky-Otto (French horn) and Laura Stephenson (harp) in No. 25, Elemér Lavotha (cello) in No. 29, Royal Stockholm Philharmonic Orchestra, G. ROZHDESTVENSKY. P Stockholm 9–14 June 1995, I Jan. 1996.

OP U S 39: THE L IMPID ST REAM

153

Naxos 8.554381 (‘Romantic Music for Cello and Orchestra’). Adagio arr. Saulius Sondetskis. Vytautas SONDETSKIS (cello), Lithuanian Chamber Orchestra, David Geringas. P Vilnius 4 Mar. 1999, G Oct. 2000. France: Le Chant du Monde LDC 778 1124. Nos. 4 and 12 arr. for organ. Hervé DÉSARBRE (organ). [Including Tishchenko Portrait of D. D. Shostakovich—No. 12 of Twelve Portraits, Op. 113.] P Glinka Museum, Moscow concert 24 May 1999, G Aug. 2000. **Black Box BBM 1032. Adagio arr. Atovmyan. Raphael WALLFISCH (cello) and John York (piano). [Op. 147; Sans op. D(vi); and Schnittke.] P Champs Hill, Pulborough 28 June 2000, G Awards (Nov.) 2002 ~ Nimbus NI 5764-65 (‘Complete works for cello’, two-disc set). [Opp. 40 and 147; and Sans op. D(vi).] I June 2006. Decca 470 649-2 (Hybrid SACD). Nocturne arr. Rosengauz. Vladimir ASHKENAZY (piano). [Opp. 61, 5, 97, 13, and 22; Sans op. B and S(i).] P Potton Hall, Suffolk 11–12 Sept. 2003, I Apr. 2004, G June 2004. Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites—Film Music’, on second of three-disc set). Suite Op. 39a. National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Opp. 22a and 27a.] P National Radio Studio, Kyiv 1–8 June and 13–14 July 2004. Naxos 8.570092. Konstantin SCHERBAKOV. Score Nos. 7, 12, 13, and 23. [Sans opp. A, B, and S(ii); Opp. 61 and 69.] P Potton Hall, Suffolk 27–8 Nov. 2005, I July 2006. Russia: Caro Mitis CM008 2004. Ballet Suite arr. M. Utkin. Maria CHEPURINA (flute), Aleksei Utkin (oboe), Andrei Vinnitsky (percussion) with strings and Ekaterina Dosina (solo cello in Zina and Pyotr’s Adagio). [Sans op D(i); Opp. 34 and 87.] P Russian Television and Radio Studio, Moscow 2 and 24 Oct., 11 Feb. 2005; I 2006. Notes: The ballet was attacked in an unsigned article ‘Falsehood in Ballet’ in the issue of Pravda dated 6 February 1936. The original working title for the ballet was ‘Caprices’ (also translated as ‘Whims’). The titles’ ‘Two Sylphes’, ‘Midday’, and ‘Kuban’ were considered. The Russian name is Svetlyi ruchei. In Russian–English dictionaries the first word translates as light/bright or lucid/clear, while the second appears as brook/rill/stream. A surprisingly wide-ranging variety of titles are found in the English literature. These include The Limpid Brook in early writings (e.g. Calvocoressi 1944 and Moisenko 1949) and The Bright Stream commonly in recent works (e.g. MacDonald 1977, Volkov 1979, Kennedy 1980, and Devlin 1983). Other variants are Clear Water Springs (Moisenko 1942), The Sparkling Brook (Seroff 1943 and Krebs 1970), Clear Brooks (Boelza 1943), Bright Rivulet (Martynov/ Guralsky 1947), The Glittering Stream (D. and I. Sollertinsky 1980), The Clear Well (Khentova, Opus 36 score), Sparkling Stream (Vishnevskaya 1985), and The Enlighted Brook (Cadenza liner-note).

154

D M I T R I SHOSTA K OVIC H C A TA LO GUE

For further recordings see under Ballet Suites Nos. 1–3, Sans op. P(i) and Dances of the Dolls, Sans op. S(i).

Opus 40: Cello Sonata in D minor Form: 1. 2. 3. 4.

Sonata for cello and piano in four movements: Allegro non troppo or (in 1st edition) Allegro Largo Allegro

Moderato Moderato con moto Largo Allegretto

Composed: 14 August (at Moscow)–19 September 1934 (at Leningrad). First movement completed in two days. Dedication: Viktor Lvovich Kubatsky (cellist). Première: 25 December 1934, Leningrad Conservatory Malyi Hall; Viktor Kubatsky (cello) and Dmitri Shostakovich (piano). Arrangements: Cello part arranged for viola by V. Kubatsky(1960), Yevgeni Strakov (1971), and Annette Batholdy (2001); and also adapted for double-bass. Music: The autograph score is in the possession of the Kubatsky family. Another manuscript is preserved at TsGALI(SPb). Triton, Leningrad, 1935, 30 cm. Leeds Music, 1947, cello part ed. Gregor Piatigorsky, 30 cm. Anglo–Soviet Music Press, No. 50, 1947, cello part ed. G. Piatigorsky, 30cm. MCA, No. 05418-022, 1947. Muzgiz, Moscow, 1960, cello part ed. V. Kubatsky. International Music, No. 2087, 1962, ed. Leonard Rose, 30.5 cm. Edition Peters, No. 4748 (plate no. 12065), 1962, 31 cm. Hans Sikorski, No. 2157, 1969, 31.5 cm. Muzyka, No. 6366, 1971, with added viola part edited in parallel versions by V. Kubatsky and Ye. Strakov, 29 cm. Muzyka, No. 10927 (in Volume 38 of Collected Works), 1982, including separate cello part, 30 cm. DSCH Publishers, Moscow, no number, 1996, with facsimile first page of autograph score and separate cello part edited by V. Kubatsky (fingering and bowing by Mstislav Rostropovich), 29 cm. Boosey & Hawkes, No. 13766, 2004, cello part arr. A. Bartholdy (piano score unchanged), 30.5 cm. DSCH Publishers, Moscow, score in Volume 106 of New Collected Works. Duration: Approx. 28 minutes in score; 20' 12" (no first movement repeat)–31' 57"; 27' 59"–29' 40" (Plaistow).

OP U S 40: C ELLO SONAT A IN D MIN OR

155

The Young Lady and the Hooligan. The second theme of the first movement of the Cello Sonata (fig. 6 minus 2 bars to fig. 10), orchestrated by Levon Atovmyan for the 1962 ballet. See under Opus 27. Ballets: Vestige. Mark Morris choreographed this work for his Dance Company; Pepisco Summerfare at Purchase, New York in the summer of 1986. Film: Young Musician of the Year 1990. Steven Isserlis gives a Master Class on the second movement to Paul Watkins (cello), the string entrant winner in 1988; screened on BBC TV2 on 19 March 1990. Recordings: 78 rpm, LP and CD—USA: Columbia 71614-6D in Set M551 (6 sides 78 rpm). Gregor PIATIGORSKY (cello) and Valentin Pavlovsky (piano). P Feb. 1940. Reissued on LP—USA: Columbia RL 3015 (mono). Reissued on CD—Biddulph LAB 117 (mono). I Sept. 1996 ~ Italy: Arlecchino ARL-A 74. (‘Gregor Piatigorsky Legacy, Volume 2’). LP and CD—USSR: Melodiya M10 42045-6 (mono). Daniil SHAFRAN and Dmitri Shostakovich. P 12 Nov. 1946, I 1980b. Reissued on CD—Revelation RV 10017 (mono). I and G Oct. 1996 ~ Revelation RV 70008 (‘Shostakovich plays Shostakovich, Volume 7’, mono). I Sept. 1998, G Feb. 1999 ~ Canada: Doremi DHR 7741 (‘Shafran Volume 1’, mono). I 2001. CD—USA: Musica and Arts CD 644 (mono). G. PIATIGORSKY and Reginald Stewart. P Library of Congress 21 Mar. 1947, G Oct. 1991 ~ *USA: Pristine Audio CD 644 (CDR). [Brahms and transcriptions.] I 2007. LP—Decca LW 5068 (10" mono). Emanuel BRABEC and Franz Holetschek. P June 1953, G Jan. 1954 ~ Decca Eclipse ECS 706 (electronic stereo). G Nov. 1973. Czech: Supraphon LPM 304 (10" mono). D. SHAFRAN and Nina Musinian. P 1957, G Sept. 1958. LP and CD—USSR: MK D4102-3 (10" mono). Mstislav ROSTROPOVICH and Dmitri Shostakovich. P 15 Dec. 1957 ~ Parlophone Odeon PMA 1043 (mono). G Dec. 1958 ~ USA: Monitor Collectors Series MCS 2021 (electronic stereo). I 1958. NB. Bars 84–87 repeated in 2nd movement ~ HMV Melodiya HLM 7095 in Set RLS 721 (mono). G Oct. 1976. Reissued on CD—USA: Russian Disc RDCD 15 005 (‘Great Russian Artists: Shostakovich plays Shostakovich’, mono). G Dec. 1993 and Feb. 1995 ~ EMI CZS5 72016-2 (‘Rostropovich: The Russian Years, 1950–74’, mono). G May 1997 ~ Revelation RV 70005. (‘Shostakovich plays Shostakovich, Volume 4’, mono). G Aug. 1998. LP—USA: Westminster XWN 18791 (mono) and W 9077. Antonio JANIGRO and Eva Wollmann. I 1959. *France: Fidsound 21001. Simone PIERRAT and Lucien Kemblinsky. [Francoeur-Trowell and Fauré.] P 1960s, I 1979.

156

D M I T R I SHOSTA K OVIC H C A TA LO GUE

USA: RCA Victor LM 2553 (mono) and LSC 2553. D. SHAFRAN and Lydia Pecherskaya. P USA 1961 ~ RCA Victrola VIC 1298 (mono) and VICS 1298. G Nov. 1968. France: Pathé Marconi ASTX 123. Leslie PARNAS and Bernard Ringeissen. P not stated, I post–1957. USSR: MK D010325-8 (performers at Second International Tchaikovsky Competition, mono). First movement only. L. PARNAS and Yevgeni Dyachenko. P 1962, I 1963. CD—Decca Compact Disc 466 823-2DM (‘Britten at Aldeburgh, Volume 6’). M. ROSTROPOVICH and Benjamin Britten. P Aldeburgh concert 14 June 1964, G Aug. 2000. LP—USA: Nonesuch H 1050 (mono) and H 71050. Harvey SHAPIRO and Jascha Zayde. I 1965. USSR: Melodiya D018753-4 (mono). Karine GEORGIAN and A. Amintayeva. I 1966. CBS BRG 72613 (mono) and SBRG 72613. Pierre FOURNIER and Jean Fonda. P1967, G Jan. 1968. LP and CD—USA: Discocorp ‘I Grandi Interpreti’ IGI 321. M. ROSTROPOVICH and Aleksandr Dedyukhin. P concert 1967, I 1975. Reissued on CD—USA: Music & Arts CD 965. I July 1997. LP—Canada: CBC Radio Canada RM 181. Helene GAGNE and John Newmark. P 1970? USSR: Melodiya CM 02501-2. Ko IWASAKI and Shuku Iwasaki. P 1970, I 1971. LP and CD—Unicorn UNS 242. Gwyneth GEORGE and Alberto Portugheis. P Chelsea 16 Feb. 1971, G Oct. 1971. *Reissued on CD—Switzerland: Guild GMCD 7219. [Rakhmaninov.] I Oct. 2001. Finland: Finnlevy SFX 5. Arto NORAS and Tapani Valsta. P Helsinki 17–19 Sept. 1973. Reissued on CD— Finlandia Compact Ultima 8573 81969-2. G June 2000. LP—USA: Piper CE 3395. Arr. for double-bass. Barry GREEN (doublebass) and James Cook. P early 1970s. *East Germany: Eterna 826 140 (stereo). Radu ALDULESCU (cello) and Albert Guttmann (piano). [Hindemith.] I 1971. CD—USSR: Melodiya C10 06069-70. Arr. for viola by Kubatsky. Yuri YUROV (viola) and Mikhail Muntyan. P 1975, I 1976b. USSR: Melodiya C10 07289-90. Boris PEKGAMENSHCHIKOV (cello) and Anatoli Ugorsky (piano). P 1976, I 1977a. *Russia: Talents RCD 16305 (Russian Performing School). Lev EVGRAFOV and Lýdia Evgrafova. [Prokofiev and Shaporin.] P 1977, I 2004. LP and CD—USSR: Melodiya C10 09537-07191. Labelled as ‘First Edition’. D. SHAFRAN and Anton Ginzburg. P 1977, I 1978. Reissued on CD—Japan: Triton DICCC 20021. I 2003.

OP U S 40: C ELLO SONAT A IN D MIN OR

157

LP—USSR: Melodiya C10 10117-8. Mikhail KHOMITSER and Aleksandr Chaikovsky. P Prague Spring Festival concert 29 May 1977, I 1978d. France: Gallo 30 136. Dimitry MARKEVITCH and Paulette Zanlonghi. P 1970s. USA: Musical Heritage Society MHS 3829. Harry CLARK and Sandra Schuldnann. P 1978. USSR: Melodiya C10 10789-90 (cellists at the Sixth International Tchaikovsky Competition). Fourth movement only. Michael ERIKSON and I. Kulikova. P 1978, I 1979a. Germany: De Camera Magna SM 93716. Erkki RAUTIO and Ralf Gothóni. P summer 10–13 Sept. 1979. Czech: Supraphon 1111 2805G. Stanislav APOLIN and Josef Hàla. P 10–13 Sept. 1979. Austria: FSM Aulos FSM 53554 AUL. Daniel Robert GRAF and Vivian Graf-Goergen. P May 1981. Sweden: Hot News Artemis ARTE 7110. Leo WINLAND and Janos Solyom. P 1981. LP and CD—Chandos ABRD 1072 (digital). BORODIN DUO—Yuli Turovsky and Lyubov Yedlina. P London 11–12 Nov. 1981, G Jan. 1983. Reissued on CD—Chandos CHAN 8340. I Sept. 1984, G Apr. 1985. LP—USSR: Melodiya C10 18087004 (cellists at the Seventh International Tchaikovsky Competition). First movement only. Antony ROSS (cello). P 1982, I 1983b. USSR: Melodiya C10 23837 007 (DMM). Yevgeni ALTMAN and Mikhail Voskresensky. P radio 1982, I 1987a. France: Erato STU 71519. Frédéric LODÉON and Daria Hovora. G July 1983. CD—Germany: EMI Electrola CDM7 69514-2. Heinrich SCHIFF and Aci Bertoncelj. P Eckenhagen 17–18 Nov. 1983, I 1988. *LP and CD—Mexico: EMI Angel SAM 35087. Carlos PRIETO and Doris Stevenson. [Op. 107.] P Sala Nezahualcoyotl, Mexico Dec. 1984, I 1985. Reissued on CD—Imp Classics PCD 1084. [Op. 107; and Saint-Saëns.] I Aug. 1994. LP—Czech: Panton 81 0696-1. Michaela FUKAČOVÁ and Ivan Klánský. P Prague 6–7 June 1985. CD—Denon C37-7563. Mari FUJIWARA and Jacques Rouvier. G Sept. 1986. Sweden: BIS CD 336 (‘The Russian Cello’). Torlief THEDEÉN and Ronald Pöntinen. P 1–3 May 1986, I Mar. 1987. LP—USSR: Melodiya C10 24637 000 (performers at the Eighth International Tchaikovsky Competition). First movement only. Kirill RODIN and Galina Brykina. P 17–28 June 1986, I 1987c.

158

D M I T R I SHOSTA K OVIC H C A TA LO GUE

CD—CBS Masterworks MK 44664. Yo-Yo MA and Emanuel Ax. P Jordan Hall, Boston 25–28 May 1987, I Dec. 1988, G June 1989. Unicorn Kanchana DKP 9069. Alexander BAILLIE and Piers Lane. P London 6 and 7 Aug. 1987, G Oct. 1988. Lyrinx LYR 074. Raphael SOMMER and Daniel Adni. I May 1988. Chandos CHAN 8769 (‘Solo’—Young British Virtuoso Musicians from the Thames TV series). Second movement only. Richard MAY and Elizabeth Burley. P Clandon Park, Surrey Mar. 1988. Philips 422 345-2PH. Julian LLOYD WEBBER and John McCabe. P Snape Apr. 1988, I June 1988, G Oct. 1989. LP and CD—USSR: Melodiya A10 00505 006 (digital). Leonid GOROKHOV and Irina Nikitina. P 1988, I 1990b. Reissued on CD—USSR: Melodiya SUCD 11 00304. I 1991c. USA: Sound-Star-ton SST 0208 and released on CD—SST 30208. Tanya REMENIKOVA and Alexander Braginsky. P Minneapolis 1988. CD—Decca 421 774-2DH. Lynn HARRELL and Vladimir Ashkenazy. P Chicago 6 May 1988, I Oct. 1989, G Mar. 1990 ~ *Decca Double Decca 473 807-2 (two-disc set). [Sans opp. D(i) and (vi), Op. 57; Rakhmaninov, Prokofiev et al.] I May 2003. Germany: Cadenza C 8812-8 (‘Russian Chamber Music’). Marek JERI and Ivan Klánský. P Sept. 1988, I 1989. Italy: Sipario CS 16C. Anton NICULESCU and Barbara Lolé. P Milan Sept. 1988, I 1990. Denmark: Kontra Punkt 32018. Erling Blöndal BENGSTON and Nina Kartardze. P Denmark Jan.1989. Claudio CR 3911-2. Alfia NAKIPBEKOVA and Eleonora Nakipbekova. P St John’s Smith Square, London 1–21 May 1989, I Dec. 1989. France: Le Chant du Monde LDC 278 1018-19. Ivan MONIGHETTI and Vasili Lobanov. P 1989?, G June 1990. Koch 3 7064-2. Anthony ELLIOT and Ruth Tomfohrde. P Houston 16–17 Nov. 1989, I Oct. 1991. Netherlands: Globe GLO 5041. Dmitri FERSHTMAN and Mila Baslavskaya. P Amsterdam Mar. 1990, I 1991. USSR: Melodiya SUCD 10 00088 (performers at the Ninth International Tchaikovsky Competition). Gustav RIVINIUS and Paul Rivinius. P Moscow concert 30 June 1990, I 1991b. Belgium: Discover International DICD 920187. Herre-Jan STEGENGA and Jacob Bogaart. P Brussels concert 1990, I Oct. 1994. Netherlands: Ars Classicum 1155492. Larissa GROENEVELD and Frank van de Laar. P 1990. Academy Sound and Vision CD DCA 756. Bernard GREGOR-SMITH and Yolande Wrigley. P University of Surrey 28–30 Aug. 1990, I Apr. 1991.

OP U S 40: C ELLO SONAT A IN D MIN OR

159

*Russia: a-ram ACD 001. Sergei SUDZILOVSKY and Viktor Yampolsky. [Op. 67.] P Moscow Gnessin Academy 2–4 Apr. 1991, I 1993. Pickwick MCD 49. Tim HUGH and Kathron Sturrock. P Highgate, London 25–26 July 1991. United 88006-2. Paul MARLEYN and Sarah Morley. P East Woodhay, Hants 6–8 Nov. 1991, I Nov. 1993. Australia: Tall Poppies TP 018 (‘The Wild Russians’). David PEREIRA and Lisa Moore. P Canberra July 1992, I Feb. 1993. Belgium: Cyprès 2613. Vivian SPANOGHE and Andre De Groote. P Liège 15–17 July 1992, I 1997. France: Auvidis-Valois V 4666. Sonia WEIDER-ATHERTON and Laurent Cabasso. P Metz Sept, 1992, I Dec. 1993, G Apr. 1994. USA: Northeastern NR 245-CD. Ronald THOMAS and Mihae Lee. P Weston, Mass. Jan. 1993, I Dec. 1994. Canada: CBC Records MVCD 1093. Desmond HOEBIG and Andrew Tunis. P Kitchener, Ontario 8 and 9 Feb. 1993, I Nov. 1996. Koch Schwann 3-1436-2. Andrzej BAUER and Ewa Kupiec. P Lübeck 13–15 Sept. 1993, I May 1996. Germany: Amp Primavera 5053-2. Jens Peter MAINTZ and Keiko Tamura. P Hanover 22 Dec. 1993/5 Jan. 1994, I 1995. Germany: Es-Dur/Con Brio 2021. David GERINGAS and Tatyana Schatz. P Hamburg 1994. Norway: Simax PSC 1108. Øystein BIRKELAND and Ian Brown. P Eidsvoll, Norway 17–18 Sept. or 24–26 Oct. 1994. Germany: Arte Nova Classics 74321 27805-2. Emil KLEIN and Cristian Beldi. P Hamburg Apr. 1995. Germany: Cybele 300 101. DUO HALSDORF-HÄNSCHKE—Jean Halsdorf and Michael Hänschke. P Moers 8–11 Apr. 1995. Denmark: Kontrapunkt 32216. Michaele FUKACˇOVA and Ivan Klánský. P May 1995, G Aug. 1996. RCA Victor Red Seal 09026 68437-2. Steven ISSERLIS and Olli Mustonen. P Blackheath, London May 1995, I and G May 1996. USA: Sonora SO 22572 CD. Dmitri YABLONSKY and Oksana Yablonskaya. P Boston Nov. 1995, I June 1996. Czech: Supraphon SU 3243-2 131. Leonid GOROKHOV and Aleksandr Melnikov. P Prague 14–17 Nov. 1995, I Sept. 1996. USA: Arabesque Z 6698. Sharon ROBINSON and Joseph Kalichstein. P Purchase, New York 17–18 Dec. 1995 or 12–13 Sept. 1996, I and G Jan. 1998. Virgin Classics VC5 45274-2. Truls MØRK and Lars Vogt. P Eidsvoll, Norway 6–10 May 1996, I July 1997. USA: Ongaku Records 024-110. Suren BAGRATUNI and Adrian Oetiker. P University of Illinois, Champaign-Urbana 23 and 25 Sept. 1996, G Oct. 1998.

160

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Harmonia Mundi Les Noveaux Interpretès HMN91 1628. Xavier PHILLIPS and Hüseyin Sermet. P Nov. 1996, G Feb. 1998. Germany: Contempora 96 970203. Guido SCHIEFEN and Olaf Drebler. P Neumarkt 1996, I 1998. Carlton Classics 30367 0236-2. Ulrich BOECKHLER and Susan Starr. P Toronto 26–27 Feb. 1997, I Dec. 1997. Netherlands: AC Classics 1-98038-2. Timora ROSLER and Klára Würtz. P Kortenhoeve Sept. 1997. *USA: MSR Classics MS 1024. Evangeline BENEDETTI and Pedja Muzijevic. [Dvorˇák.] P St James Episcopal Church, New York 18–19 May 1998, I 1998. Canada: Disques Pelléas 0109. Yegor DYACHKOV and Jean Saulnier. P St-Irénée, Quebec Nov. 1998, I July 2000. France: Le Chant du Monde LDC 278112. Gary HOFFMAN and Philippe Bianconi. P Grenoble 13 and 16 Dec. 1998, G Apr. 2000. Germany: Berlin Classics 001706-2 BC. Jan VOGLER and Bruno Canino. P Berlin 27–29 Oct. 1999. USA: ArtistLed 19901-2. No first movement exposition repeat. David FINKEL and Wu Han. P New York 3–8 Dec. 1999, I Aug. 2001. **USA: TNC Recordings TNC CD 1140. Natalia KHOMA and Adrian Oetiker. [Brahms.] P Krannert Center, Urbana, Illinois 22–23 Apr. 2000, I 2004. Japan: Fontec FOCD 20024. Rtosuka HORI (viola) and Ikuko Nakamichi (piano). [Franck.] P Art Tower Mito Concert Hall, Japan 27–28 Sept. 2000, I 2001. Japan: Exton OVCL 000202. Aleksandr KNIAZEV and Mikhail Voskresensky. [Op. 147.] P Moscow Conservatory Malyi Hall 15–16 Feb. 2001. Naxos 8.557231. Arr. A. Bartholdy. Annette BARTHOLDY (viola) and Julius Drake (piano). [Op. 147.] P Henry Wood Hall, London 10–12 May 2001, I Apr. 2004. Praga Digitals PRD 250162. Marek JERIE and Ivan Klánský. [Opp. 8 and 67.] P Prague 15–17 June 2001, I Nov. 2001. Austria: Extraplatte EX 559-2. Miloš MLEJNIK and Erwin Kropfitsch. [Schnittke and Kogoj.] P RTV-Slovenia Stdudios, Ljubljana 2001. Calliope CAL 9326. Petr PRAUSE and Yakov Kasman. [Op. 147.] P Studio Arco Diva, Prague June 2002, I Apr. 2003. Channel Classics CCS 20098 and CCS SA 20003. Pieter WISPELWEY and Dejan Lazic. [Prokofiev and Britten.] P Deventer, Netherlands Sept. 2002, I July 2003, G Sept. 2003 with the Finale featured on the Cover Disc. Italy: Real Sound RS 051-0099. Dario DESTEFANO and Maurizio Barboro. [Kabalevsky.] P Gustav Mahler Saal, Toblach 20–21 Nov. 2002, I May 2004.

OP U S 40: C ELLO SONAT A IN D MIN OR

161

France: Lyrinx LYR 2229 (Hybrid SACD). Borislav STRULEV and Sergei Yerokhin. [Op. 22; Rakhmaninov.] P Centre Guillaume Farel, Marseille Jan. 2003, I May 2005. Deutsche Grammophon 477 5323GH (‘In Concert’). Mischa MAISKY and Martha Argerich. [Stravinsky and Prokofiev.] P Flagey Hall Studio concert, Brussels 20 Apr. 2003, G June 2005. Germany: Aulos AUL 66114. Katharina GROSS and Maria Panayiotidou. [Schubert, Falla, and Ligetti.] P Floisdorf Studio 3–5 Nov. 2003, I 2004. Somm SOMMCD 030. Arr. V. Kubatsky, edited by Y, Strakov. Lars Anders TOMTER (viola) and Havard Gimse (piano). [Opp. 97 and 147.] P Sutton, Surrey 12–13 Dec. 2003, I 2004. Germany: Ars Produktion ARS 38 003 (Hybrid SACD), Friedrich KLEINHAPL and Andreas Woyke. [Op. 147.] P Helmut-List- Halle, Graz 14–16 Dec. 2003, I 2004. ASV Gold Sanctuary Classics GLD 4006. Leonid GOROKHOV and Nikolai Demidenko. [Rakhmaninov.] P The Music Room, Champs Hill, Pulborough, Sussex 23–24 Feb. 2004, I Aug. 2004. Mexico: Urtext JBCC 123. Carlos PRIETO and Doris Stevenson. [Op. 147.] P American Academy of Arts and Letters, New York 7–8 June 2005. EMI Classics 3 32422-2. Han-Na CHANG and Antonio Pappano. [Op. 107.] P St Luke’s, London, 19 June 2005, I Feb. 2006. Naxos 8. 557722. Dmitri YABLONSKY and Ekaterina Saranceva. [Opp. 134 and 97.] P Russian State Studio, Moscow 15–30 Nov. 2004, I Oct. 2006. Mexico: Urtext JBCC 123. Carlos PRIETO and Doris Stevenson. [Op. 147.] P New York 7–8 June 2005. Hänssler Classic SWR Music 93.176. Johannes MOSER and Paul Rivinius. [B. Chaikovsky and Weinberg.] P SWR Funkstudio, Stuttgart 11–14 July 2005, I July2006. France: Aeon AEO 636 (two-disc set). Marc COPPEY and Peter Leul. [Schnittke, Rakhmaninov, and Prokofiev.] P Toulouse, France 24–29 July 2005. Switzerland: Tudor 7138 (Hybid SACD). Natalya SABINOVA and Viktor Yampolsky. [Opp. 8 and 67.] P Mosfilm Studios Moscow Aug. 2005, I Oct. 2006. Hyperion CDA 67534. Alban GERHARDT and Steven Osborne. [Sans op. P(iv); and Schnittke.] P Wigmore Hall concert 26–28 Aug. 2005, I May 2006. NB. The cello arrangements are listed under the Music section of Sans. op. P(iv). Sweden: Intim Musik IMCD 103. Daniel BLENDULF and Francisca Skoogh. [Op. 57.] P Studio Isidor, Huaröd, Sweden 27–28 Oct. 2005, I 2007.

162

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Nimbus NI 5764-65 (‘Complete works for cello’, two-disc set). Raphael WALLFISCH and John York. [Sans op. D(vi); Opp. 39 and 147.] P The Warehouse, London 5 Dec. 2005, I June 2006, G Awards (Oct.) 2006. Altara ALT 1019. Ralph KIRSHBAUM and Peter Jablonski. [Rakhmaninov.] P Västerås Concert Hall, Sweden Dec. 2005, I Feb. 2007. Quartz QTZ 2053. Boris ANDRIANOV and Rem Urasin. [Rakhmaninov.] P Moscow May 2006, G Sept. 2007. Japan: Art Union 3106. Adalbert SKOCIC and Kae Nyunoya. [Prokofiev.] P Mitaka City Arts Center, Tokyo 24–25 Aug. 2006. Somm SOMM 067. Karine GEORGIAN (cello] and Jeremy Young (piano). [Britten.] P The Warehouse, London 28–30 Aug. 2006. France: Saphir Productions LVC 001082. Ksenija JANKOVIC (cello) and Jacqueline Bourgès-Maunory (piano). [Rakhmaninov.] P Auditorium Edgar Varèse, Gennevilliers, France concert 4 Nov. 2007, G Jan. 2009. Note: For Miranda Wilson’s article on this work, with nine music examples, see DSCH Journal No. 25, 23–31.

Opus 41: (i) The Youth of Maxim Form: Music for the first film in the ‘Maxim Trilogy’, The Youth of Maxim, subtitled The Bolshevik, with screenplay and direction by Grigori Kozintsev and Leonid Trauberg for Lenfilm. The black-and-white film received the First Prize (Silver Goblet) at the International Film Festival, Moscow, 1935. The revolutionary songs ‘Warsaw March’ (‘Varshavyanka’) and ‘You Fell as Victims’ are quoted in the score. Shostakovich wrote a Prologue marked ‘Allegro molto’ for the opening of the film. The part of Maxim was played throughout the Trilogy by Boris Chirkov. The popular Russian song that Maxim sings, accompanied by a bayan during the opening credits is ‘A Blue Balloon is twirling around above my head’ (composer anonymous). Instrumentation: piccolo, 2 flutes, 2 oboes, E flat and 2 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals ~ xylophone, piano ~ soprano soloist ~ strings. Composed: 1934–35, at Leningrad. Première: Film first shown on 27 January 1935. Score conducted by Nikolai Rabinovich. Music: Autograph full score preserved at TsGALI(SPb), and the autograph vocal score at GTsMMK. Muzyka, No. 10889 (in Volume 41 of Collected Works), 1987, Prologue in full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 127 of New Collected Works. Duration: Film: 98–100 minutes (2678 metres). Prologue: 2' 26".

OP U S 41: ( II) TH E GIRL FRIEN DS

163

Recording: CD—Germany: Capriccio 10 561. Prologue. Svetlana Katchur (soprano), Berlin Radio Symphony Orchestra, Mikhail YUROVSKY. P 28–29 Apr. 1994, G Jan. 1996. Notes: The remainder of the musical items were not composed by Shostakovich and include songs with bayan and guitar accompaniment, solo voice, and mixed choir with piano (‘Gaudeamus igitur!’), the Oira Polka, Waltzes for bayan, and a Flourish. The Prologue, describing New Year revelry in St Petersburg, combines three themes: the Oira Polka on woodwind, a Krakowiak (or Cracovienne—a lively Polish dance) on brass, and the gipsy romance ‘Black Eyes’ on solo trombone and strings; and also includes a cabaret song ‘I’m a Footballplayer’ and ends with a Can-Can.

Opus 41: (ii) The Girlfriends Form: Music for the black-and-white film The Girlfriends, with screenplay by Raya Vasilieva and directed by Leo Arnshtam for Lenfilm. During the film credits the opening pages of the second Moderato of String Quartet No. 1, Opus 49 were used to replace poor soundtrack in a restored version of 1965 and Three Preludes for trumpet, string quartet, and piano were performed as concert pieces prior to the discovery of further material. The pre-revolutionary funeral anthem Tortured by Grievous Bondage is sung a capella in four scenes, several fanfares are played by one to three trumpets and a Theremin is introduced for a train ride scene in the reconstructed film score: 1. Introduction—Moderato 2. The Year 1914: The workers’ residential block and factory gates—Allegretto 3. The families wait for the striking workers to return—Allegretto 4. ‘The Inn of the Keys to Happiness’—Allegretto moderato 5. The children attempt to sing their ‘poppy song’—Moderato 6. By the river: Revolutionary song Tortured by Grievous Bondage 7. Fanfare 8. The story of Silych’s son, Ivan—Allegretto 9. Tortured by Grievous Bondage (aka Tormented by a Lack of Freedom) 10. The Year 1919, Russian Civil War: Fanfare and Organ Voluntary 11. Internationale—The girls leave for war 12. The girls attend to the wounded soldiers on the battlefield—Largo, Adagio 13. The town of Pushkin taken by the enemy—Alla Marcia 14. Internationale—The girls and wounded soldiers retreat by train

164

D M I T R I SHOSTA K OVIC H C A TA LO GUE

15. 16. 17. 18. 19. 20.

Zoya in the snowy forest—Andante sostenuto The Forester’s Hut—Andante Andrei arrives with news from the front—Fanfare Fanfare The girls find a chicken—Allegro Natasha and Zoya sing a nostalgic song ‘Where are those warm nights?’ 21. Natasha and Zoya are rescued—Allegro molto 22. Fanfare: Andrei and Senka arrive 23. Andrei’s closing words over Asya’s body—Adagio The following Three Preludes found by Rozhdestvensky: Allegro in F major (No. 19) The Forester’s Hut (No. 16)—Andante in A minor Prelude in D major (No. 8) Instrumentation: The orchestra utilizes its members in varied instrumental combinations as follows: Symphony Orchestra ~ Nos. 11, 13, 21, and 23; Ensemble—piccolo, E flat clarinet, 2 violins, cello, trumpet, piano, xylophone ~ No. 5; Brass Band—2 Wagner tubas, 3 trumpets, euphonium, 2 tubas, percussion (3 players) ~ No. 11; Brass Band—Wagner tuba, 2 trumpets, tuba, percussion (3 players) No. 12; 3 trumpets and organ ~ No. 10; timpani, harp and organ ~ No. 12; 2 trumpets ~ Nos. 18 and 22; 2 trumpets and side drum ~ No. 17; 2 trumpets ~ Nos. 18 and 22; String Quartet ~ Nos. 1 and 2; plus trumpet and piano ~ Nos. 3 and 4; plus trumpet, piano and harp ~ No. 8; plus piano ~ No. 16; String Trio ~ No.14. Solo Theremin ~ No. 14. Voices—Sopranos ~ Nos. 6 and 20, Alto ~ No. 20, Bass ~ No.6, Male and Children choruses ~ No. 9. Composed: 1934–35, at Leningrad. Dedication: Film dedicated to Romain Rolland (writer). Premières: Film first shown on 19 February 1936. Released in New York, USA, under the title Three Women on 11 February (the year not given on the poster). Shown on 22 October 2006 at the Barbican Centre Cinema, London. UK Prelude (Allegro): 19 March 1986, Queen Elizabeth Hall, London; Andrew Crowley (trumpet), Alexander Balanescu and Elisabeth Perry (violins), Simon Rowland-Jones (viola), Elizabeth Wilson (cello), and Andrew Ball (piano). USA Prelude (Allegro): 4 October 2008. Stellar Center for the Performing Arts, Stony Brook University, New York; Mark Dulin (trumpet), Emerson Quartet, Christina Dahl (piano). Arrangements: All items edited (and Nos. 1, 6, 9–13, 15, and 20–22 reconstructed) by Mark Fitz-Gerald with the approval of Irina Shostakovich and to comply with the original film soundtrack.

OP U S 42: FIVE FRAGMEN T S

165

Music: Autograph score preserved at TsGALI(SPb). Three Preludes found by Gennadi Rozhdestvensky at GTsMMK. Further Preludes found subsequently in the Glinka Museum including one for trumpet and organ. DSCH Publishers, Moscow, score of the Three Preludes in Volume 99 of New Collected Works. Duration: Film: 93 minutes. Three Preludes: 7' 35". Recording: LP—USSR: Melodiya C10 26307 004 (Album 6 of ‘From Manuscripts of Different Years’). Vladimir Pushkarev (trumpet), Aleksandr Semyannikov and Aleksandr Shanin (violins), Nikolai Makshantsev (viola), Sergei Mnozhin (cello), and Viktoria POSTNIKOVA (piano). P1983-86, I 1988d. **CD—Naxos 8.572138. National Polish Radio Symphony Orchestra, Camerata Silesi––Katowice City Singers’ Ensemble (Men’s Voices), Anna Szostak (chorus director), Celia Sheen (Theremin player), Mark FITZ-GERALD. [Opp. 28, 44, 70.] P Grzegorz Fitelberg Concert Hall, Katowice, Poland 27–30 Aug. and 20–22 Sept. 2008; Nos. 6 and 20 on 23 Oct 2008. Theremin recorded in Oxshott, Surrey, England 23 June 2008. I May, G Sept. 2009.

Opus 42: Five Fragments Form: Five short pieces for small orchestra (with harp): 1. 2. 3. 4. 5.

Moderato Andante Largo Moderato Allegretto

Instrumentation: piccolo, flute, oboe, cor anglais, E flat clarinet, B flat clarinet, bass clarinet, bassoon, contrabassoon ~ 2 horns, trumpet, trombone, tuba ~ side drum ~ harp in Nos. 2 and 3 ~ strings. Composed: 9 June 1935, in one sitting, at Leningrad. Premières: 26 April 1965, Leningrad: Leningrad Philharmonic Orchestra, Igor Blazhkov. UK: 24 May 1977, St John’s Smith Square, London; Kensington Symphony Orchestra, Leslie Head. Music: Autograph score, numbered Opus 43, preserved at GTsMMK. Moscow, no number, 1974, full score, c.30 cm. Hans Sikorski, No. 2311, I979, score and 21 parts, 31.5 cm. Muzyka, No. 11678 (in Volume 10 of Collected Works), 1984, full score, 30 cm. DSCH Publishers, Moscow, score in Volume 31 of New Collected Works.

166

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Duration: Approx. 8' 30" in score; 8' 20"–10' 35". Recordings: LP—USSR: Melodiya C10 05191-2. Kiev Chamber Orchestra, Igor BLAZHKOV. P 1974, I 1975c ~ HMV Melodiya ASD 3520. G Aug. 1978. LP and CD—Decca 421 120-1DH (digital) and 421 120-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Mar. 1987, G June 1988 and Apr. 1989. CD—United 88001. City of Birmingham Symphony Orchestra, Mark ELDER. P Birmingham 16–18 Dec. 1992, G Jan. 1994 ~ *Signum Classics SIGCD 051. [Op. 31a, 46a, and Sans op. E.] I Sept. 2004. **Andante AN 4090 (three-disc set). London Symphony Orchestra, Mstislav ROSTROPOVICH. [Opp. 43 and 141; Disc 3—Jon Tolansky interview ‘Rostropovich remembers his life’.] P Barbican, London BBC recorded concert 26 Feb. 1998, G Jan. 2004. Naxos 8.557812. Seattle Symphony Orchestra, Gerard SCHWARZ. [Opp. 119 and 132.] P Benaroya Hall, Seattle Feb. 2005.

Opus 43: Symphony No. 4 in C minor Form: 1. Allegretto poco moderato 2. Moderato con moto 3. Largo—Allegro Instrumentation: 2 piccolos, 4 flutes, 4 oboes (IV = cor anglais), E flat clarinet, 4 clarinets (B flat and A), bass clarinet, 3 bassoons, contrabassoon ~ 8 horns, 4 trumpets, 3 trombones, 2 tubas ~ 6 timpani (2 players), triangle, castanets, wood block, side drum, cymbals (2 players—I with drumsticks and II normal mode), bass drum, gong ~ glockenspiel, xylophone, celesta, 2 harps ~ strings. Composed: 13 September 1935–26 Apr. 1936, at Leningrad. The existence of an incomplete first movement mentioned on 5 November 1934 and of this being discarded in April 1935. Rehearsals under Fritz Stiedry in autumn 1936 were abandoned on the recommendation of the director of the Leningrad Philharmonic, Isai Renzin. Premières: 30 December 1961, Moscow Conservatory Bolshoi Hall; Moscow Philharmonic Orchestra, Kirill Kondrashin. UK: 7 September 1962, Edinburgh; Philharmonia Orchestra, Gennadi Rozhdestvensky. Australia: 12 February 1972, Sydney Symphony Orchestra, John Hopkins. USA: 15 February 1963, Philadelphia; Philadelphia Orchestra, Eugene Ormandy.

OP U S 43: SYM P HONY N O. 4 IN C MIN OR

167

Germany: 23 February 1963, Dresden Staatstheater; Dresden Staatskapella, Kyril Kondrashin. Concert performance recorded by DDR Rundfunk. UK concert and broadcast of the original opening pages: 26 February 1998, Barbican Centre, London; London Symphony Orchestra, Mstislav Rostropovich. Composer’s reduction: UK: 26 June 2005, Cambridge, West Road Concert Hall, Rustem Hayroudinoff and Colin Stone. Pre-concert talk ‘Symphony 4: From Silence to Triumph’ by Alan Mercer. Arrangements: Reductions for two pianos by the composer (1936) and Pavel Lamm (not published), and for piano four hands by Levon Atovmyan. Music: Manuscript lost during the siege of Leningrad. Score reconstructed from parts by Boris Shalman, librarian of the Leningrad Philharmonic. Fragments of the first and third movements preserved at the PGALI. The first page of the autograph full score reproduced in Volume 2 of Collected Works is the first 54 bars of the 1934 fragment. The composer’s autograph of the reduction kept at GTsMMK. Russian lithographed edition, 1946, composer’s reduction for two pianos, 300 copies. Sovetskii kompozitor, No. 3184, 1962, 29 cm. Anglo–Soviet Music Press, No. HS 2218, 1962, miniature score. Sovetskii kompozitor, 1969, arr. for piano four hands by L. Atovmyan, 30 cm. Edwin F. Kalmus, No. 142, no date, 26.5 cm. Muzyka, No. 9132, 1976, 30 cm. Muzyka, No. 10778 (in Volume 2 of Collected Works), 1982, 30 cm. Hans Sikorski, No. 2218, I983, score, 21 cm. DSCH Publishers, Moscow, 2000, New Collected Works Volume 19, composer’s reduction for two pianos four hands, 224, 30 cm. DSCH Publishers, Moscow, 2003, New Collected Works Volume 4, full score including 17 facsimile in colour, 320, 30 cm. NB. The 1934 fragment marked ‘Adagio’ is published in New Collected Works Volume 3 with Symphony No. 3. Duration: Approx. 60 minutes in score; 58' 22"–69' 04"; 64' 40" (Plaistow). Discarded opening: 6' 20"–6' 40" and 8' 00". Film: A BBC TV2 presentation of the Kirov Orchestra under Valery Gergiev, performing the Fourth Symphony, shown live from the Royal Albert Hall, Promenade Concert on 25 August 2002. Recordings: LP and CD—USSR: MK D09807-10 (3 sides mono) and MK C0295-8 (3 sides) Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P and I 1962 ~ HMV Melodiya ASD 2741 (2 sides). G Oct. 1971 ~ HMV Melodiya BOX 502502-3 in Set SLS 5025. G Dec. 1975 ~ HMV Melodiya EX 2903873 (DMM). G Dec. 1985. Reissued on CD—France: Le Chant

168

D M I T R I SHOSTA K OVIC H C A TA LO GUE

du Monde LDC 278 1001-2. G May 1989 ~ BMG Classics Melodiya 74321 19840-2. G Nov. 1994. *CD—BBC Legends BBCL 4220-2. Philharmonia Orchestra, Gennadi ROZHDESTVENSKY. [Opp. 29/114a and 96.] P Usher Hall, Edinburgh 7 Sept. 1962, G Dec. 2007. LP and CD—USA: Columbia ML 5859 (mono) and MS 6459. Philadelphia Orchestra, Eugene ORMANDY. P 17 Feb. 1963 ~ CBS BRG 72129 (mono) and SBRG 72129. G Sept. 1963 ~ CBS Classics 61696. G Aug. 1976. Reissued on CD—Sony Essential Classics SB2K 62409. G Aug. 1996 and Mar. 1997. *CD—Germany: Profil Edition Günter Hänssler CD PH06023 (mono). Dresden Staatskapella, K. KONDRASHIN. P Dresden Staatstheater concert 23 Feb. 1963, I June 2006. *Netherlands: RCO Live RCO 06004 (first of fourteen-disc set). Royal Concertgebouw Orchestra, K. KONDRASHIN. [Sibelius on first disc.] P Concertgebouw Amsterdam concert 10 Jan. 1971, I Jan. 2007. LP and CD—USA: Angel S 37284 (quad). Chicago Symphony Orchestra, André PREVIN. P Chicago 1 Feb. 1977 ~ HMV ASD 3440 (quad). G Mar. 1978. Reissued on CD—EMI Forte CZS5 72658-2 (stereo). I June 1998. CD—Italy: Cin Cin CCCD 1021. Vienna Philharmonic Orchestra, Gennadi ROZHDESTVENSKY. P Vienna concert 16 Apr. 1978, I 1994. LP and CD—Decca SXL 6927. London Philharmonic Orchestra, Bernard HAITINK. P Jan. 1979, G Nov. 1979. Reissued on CD—Decca 421 348-2DH. G Mar. 1989 ~ Decca Ovation 425 065-2DM. G Nov. 1993. CD—USA: Russian Disc RDCD 11 190. Bolshoi Theatre Orchestra, ROZHDESTVENSKY. P Moscow concert 28 Mar. 1981, G Jan. 1994. LP and CD—USSR: Melodiya A10 00319 000 (digital). USSR Ministry of Culture Symphony Orchestra, G. ROZHDESTVENSKY. [‘My work on Symphony No. 4’—talk by Rozhdestvensky, recorded in 1986, with variant passages illustrated on piano and full orchestra, including the opening 6' 20" of the symphony as autograph reproduced in Collected Works Volume 2 and the following pages.] P 1985, I 1988d. NB. An English translation of Rozhdestvenky’s talk, read by Dr John Stratford, is available on a DSCH Society cassette dated Dec. 1990. Reissued on CD—Olympia OCD 156. G May 1989 ~ France: Le Chant du Monde PR 7250 090. P with added audience noise and not Czech Radio concert 28 May 1985, G Feb. 2001. CD—Japan: Fontec FOCD 3247 (‘Orchestra Works of USSR and China’). New Symphony Orchestra (of Japan), Yasushi AKUTAGAWA. P Shinjuku concert 20 July 1986. Naxos 8.550625. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 2 May–1 June 1988, G Nov. 1993.

OP U S 43: SYM P HONY N O. 4 IN C MIN OR

169

Italy: Nuova Era 6734. European Community Youth Orchestra, James JUDD. P Bolzano concert 18 Aug. 1988. Decca 425 693-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Jan. 1989, I and G Dec. 1989. LP and CD—Chandos ABRD 1328 (digital) and CHAN 8640. Scottish National Orchestra, Neeme JÄRVI. P Glasgow 5–9 Feb. 1989, G Dec. 1989. CD—RCA Victor Red Seal RD 60887. Saint Louis Symphony Orchestra, Leonard SLATKIN. P Saint Louis 3 Oct. 1989, G June 1992. Denon CO 75330. Vienna Symphony Orchestra, Eliahu INBAL. P Vienna 20–24 Jan. 1992, I June 1993, G July 1993. Teldec 9031 76261-2. National Symphony Orchestra of Washington, Mstislav ROSTROPOVICH. P Washington 8 and 10 Feb. 1992, G Nov. 1992 ~ Teldec 0630-17046-2. G Oct. 1997 ~ Ultima 8573 87799-2. I Apr. 2001, G Sept. 2001. *Germany: Ars Musici AMP 5011-2. German National Youth Orchestra, Rudolf BARSHAI. P Stuttgart concert 15 Aug. 1992, I May 1995 ~ Regis Records RRC 1103. I Nov. 2002. EMI Classics CDC5 55476. City of Birmingham Symphony Orchestra, Simon RATTLE. P Birmingham 23–24 July 1994, G Nov. 1995. *Deutsche Grammophon 447 759-2. Philadelphia Orchestra, Myung-Whun CHUNG. P Nov. 1994, I Apr. 2002, G July 2002. Belgium: Cyprès CYP 2618. Belgian National Orchestra, Yuri SIMONOV. P Brussels concert 16 Feb. 1996, I June 1997, G Mar. 1998. *Netherlands: Brilliant Classics 6275 (second of eleven-disc set). WDR Symphony Orchestra, Rudolf BARSHAI. P Cologne 16–24 Apr. and 24 Oct. 1996, I Dec. 2001. Switzerland: Musikszene Schweiz MGB CD 6149. Swiss Philharmonic Orchestra, Mario VENZAGO. P Zurich concert 20 Sept. 1997. Czech: Supraphon SU 3353-2. Prague Symphony Orchestra, Maksim SHOSTAKOVICH. P Prague concert 3 and 4 Feb. 1998, I and G Jan. 1999 ~ *Supraphon SU 38902 (fourth of ten-disc set). G Nov. 2006. **Andante AN 4090 (three-disc set). London Symphony Orchestra, M. ROSTROPOVICH, with spoken introduction and the abandoned opening eight minutes of 1934. [Opp. 42 and 141; Disc 3—Jon Tolansky interview ‘Rostropovich remembers his life’.] P Barbican, London BBC recorded concert 26 Feb. 1998, G Jan. 2004. *Croatia: Orfej/HRT CD ORF 314. Croation Radio and Television Symphony Orchestra, Nikša BAREZA. P Vatroslav Lisinski Concert Hall concert 27 Apr. 2000, I 2004. BBC Music MM 220. BBC Philharmonic, Vassili SINAISKY. P Royal Albert Hall Proms concert 20 July 2000, I Aug. 2002 magazine cover disc with synopsis and article.

170

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Philips 470 842-2. Kirov Orchestra, Valery GERGIEV. P Mariinsky Theatre, St Petersburg concert 20–22 Nov. 2001. Germany: Capriccio 71 032 (Hybrid SACD). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. P Cologne Philharmonie concert 7 Aug. 2002 and 9–11 Feb. 2003, I Aug. 2005. Dunelm Records DRD 0216B. London Shostakovich Orchestra, Christopher COX. P St Cyprian’s Church, London concert 8 Nov. 2003, I May 2004. EMI Classics 5 57824-2. Bavarian Radio Symphony Orchestra, Mariss JANSONS. P Germering 9–12 Feb. 2004, I Oct. 2004. Germany: Arts Music 47703-2. The performance includes the 1934 Fragment. Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. P Auditorium Verdi di Milano concert Mar. 2004, I Sept. 2004. Relief CR 991078. Tchaikovsky Symphony Orchestra, Vladimir FEDOSEYEV. P Moscow Conservatory Bolshoi Hall, 6 Dec. 2004, I Dec. 2007. Chandos CHAN 10296. Arr. for two pianos four hands by the composer. Rustem HAYROUDINOFF and Colin STONE (pianos). P Henry Wood Hall, London 12–14 May 2004, I Mar. 2005, G July 2005. Germany: Berlin Classics 001611-2BC. Saarbrücken Radio Symphony Orchestra, Günther HERBIG. P Industriekathedrale, St Ingbert, Saar concert 3 May 2005, G Mar. 2007. Avie AV 2114 (Hybrid SACD). WDR Sinfonieorchester, Semyon BYCHOV. P Philharmonie, Cologne 19–23 Sept. 2005, G Feb. 2007. Germany: Musikproduktion Dabringhaus and Grimm MDG 337 1208-2 (CD) and 937 1208-6 (Hybrid SACD). Beethoven Orchestra of Bonn, Roman KOFMAN. P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 7–9 Mar. 2006, I Jan. 2008. Japan: Decca UCCD 1191. NHK Symphony Orchestra, Vladimir ASHKENAZY. P Suntory Hall, Tokyo concert 8–9 Mar. 2006, G Sept. 2007. Germany: Hänssler Classic SWR Music 93.193. SWR Radio Symphony Orchestra Stuttgart, Andrei BOREIKO. [Op. 29a.] P Liederhalle, Stuttgart 27–27 Apr 2006, G June 2007. Spain: Tritó TD 0041. Castilla y León Symphony Orchestra and Cadaqués Orchestra, Gianandres NOSEDA. P Auditorio, Valladolid, Spain concert 30 Mar. 2007. USA: CSO Resound CSOR 901814. Chicago Symphony Orchestra, Bernard HAITINK. [With Bonus DVD ‘Beyond the Score’ directed by Gerard McBurney.] P Orchestra Hall, Symphony Center, Chicago concert 8–11 and 13 May 2008, G Nov. 2008.] Notes: Richard Whitehouse reviews recordings in the September 2002 issue of Gramophone.

OP U S 44: SAL UT E T O SPAIN

171

An analytic article by Lyudmila German ‘Contrapuntal features in the first movement of Symphony No. 4’, with eleven music examples, is included in DSCH Journal No. 23, 29–55. Samuel L. Scheib contributed an article ‘The Grandiose and the Grotesque: Politics in the 4th Symphony’ to DSCH Journal No. 25, 36–43. Pauline Fairclough discusses the Fourth Symphony, with 197 music examples, in A Soviet Credo (University of Bristol, 2006).

Opus 44: Salute to Spain Form: Incidental music to the play Salute, Spain! by Aleksandr Afinogenov: 1. 2. 3. 4.

Fanfare I (solo trumpets) March of the Officers—Allegro non troppo Fanfare II (solo trumpets) ¡A las barricadas! To the Barricades! (music Anon.; text by Valerian Fernández)—Con spirito Song of Rosita (lyric by Afinogenov)—Moderato Fanfare III (solo trumpets) ‘Along the valleys and over the hills’ (‘The Song of the Far Eastern Partisans’) Reminiscence of Song of Rosita—Andante Lucia’s Funeral March—Andante

5. 6. 7. 8. 9.

Originally published as follows: 1–3. 4. 5. 6. 7.

Fanfares—three flourishes The Song of Rosita—Moderato Funeral March—Andante [Fragment]—Andante March—Allegro non troppo

Instrumentation: 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 4 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals ~ glockenspiel ~ strings. Composed: Commenced on 26 October 1936 and completed in 12 days, at Leningrad. Première: 23 November 1936, Pushkin Theatre of Drama, Leningrad; designs by A. Akimov, and produced by Sergei Radlov and Nikolai Petrov. Arrangements: Reduction of the two Marches for piano and reconstruction of ‘The Song of Rosita’ by Lev Solin. Piano reduction of Three Fanfares and [Fragment] by V. Samarin, and the two Marches by Konstantin Titarenko. Nos. 4 and 7 arranged from original sources by M. Fitz-Gerald.

172

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Music: Neither piano nor full scores, apart from ‘The Song of Rosita’, have been discovered. Score reconstructed from orchestral parts preserved at the Pushkin Theatre’s Music Department. A page of an autograph of ‘The Song of Rosita’ with piano accompaniment, written for the composer’s sister Zoya on 24 August 1939, is reproduced on page 166 of Khentova (1980). This is in the key of F sharp minor whereas in the parts it is in B minor. Sovetskii kompozitor, No. 4028 (in Dmitri Shostakovich: Music to Plays), 1977, March and Funeral March arr. for piano by L. Solin, 29 cm. Sovetskii kompozitor, No. 4235 (in Dmitri Shostakovich: Songs from Plays), 1977, ‘The Song of Rosita’ with piano accompaniment, 29 cm. Muzyka, No. 10497 (in album We sing, play and dance, Issue 2), 1979, ‘The Song of the Far Eastern Partisans’ (Po dolinam i po vzgoryam), five verses, 29 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, piano reductions of seven pieces by V. Samarin, the composer, and K. Titarenko, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, seven pieces in full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 19 and reductions in Volume 121 of New Collected Works. Recordings: CD—Chandos CHAN 9907 (‘Theatre Music’). March and Funeral March arr. L. Solin. Rustem HAYROUDINOFF (piano). P Potton Hall, Suffolk 7–8 Aug. 2000, I Apr. 2001. Naxos 8 572138. Kamil Barczewski (bass) in No. 5, National Polish Radio Symphony Orchestra, Camerata Silesia––Katowice City Singers’ Ensemble (Men’s Voices) in Nos. 4 and 7, Anna Szostak (chorus director), Mark FITZ-GERALD. P Grzegorz Fitelberg Concert Hall, Katowice, Poland 27–30 Sept. and 20–22 Sept. 2008; No. 5 re-recorded on 6 Jan. 2009. I May 2009, G Sept. 2009. Note: While preparing the music in late July 2008, for the Naxos recording in Poland, Mark Fitz-Gerald discovered that the score contained Pyotr Parfenov’s ‘The Song of the Far Eastern Partisans’. See also Opp. 48 and 74.

Opus 45: The Return of Maxim Form: Music for the second film in the ‘Maxim Trilogy’, The Return of Maxim, directed by Grigori Kozintsev and Leonid Trauberg for Lenfilm. The revolutionary songs ‘Warsaw March’ (‘Varshavyanka’), ‘Boldly, Comrades, on we March’, and ‘Renunciation of the Old World’ are introduced. The items of the score are numbered from 1 to 17 with extra isolated numbers 20, 30, and 31.

OP U S 45: THE RET URN OF MAXIM

173

Introduction 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 20.

‘A Blue Balloon’ (popular song of the 1910s) ‘Fourteenth year—running!’ (bayan)—Allegro March—Marciale maestoso ‘Fascinating Eyes’—Tempo di valse (numbered 31 in autograph score) Allegro con brio Waltz—Allegro molto (numbered 9 in autograph) Polka—Allegro Allegretto Waltz (numbered 30 in autograph) Waltz—Allegro (also numbered 6a) Assault—Allegro (con brio) Moderato (bayan) Demonstration—Allegro Funeral March—Maestoso Finale of the film—Allegretto Moderato con moto

Instrumentation: piccolo, 2 flutes, 2 oboes, E flat clarinet, 2 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals, bass drum ~ xylophone, glockenspiel, harp ~ strings. Certain numbers of the film score call for additional instruments: extra woodwind, celesta, and piano; a separate band of 2 cornets, 2 trumpets and 8 saxhorns (two each of alto, tenor, baritone, and bass); a folk-instrument orchestra of 7 domras, 6 balalaikas, and a bayan; solo voice with bayan (No. 1), guitar (No. 4), and male choir/bayan accompaniment (No. 17). Composed: December 1936–37. Première: Film first shown on 23 May 1937. Score conducted by Nikolai Rabinovich. Arrangements: The Waltz, transcribed for violin duet and piano by Levon Atovmyan, appears as the seventh item in Violin Duets, Sans op. P(iii). Nos. 6 and 11 were later used in Song of the Great Rivers, Opus 95. Music: Thirteen numbers of the autograph full score, including an incomplete ‘Fight at the Barricades’, are preserved in GTsMMK. Full and piano scores, compiled by Vladimir Vasiliev for a restoration of the film in 1965 (with the first page of the former signed by the composer on 6 December 1965), are preserved in the Music Library of the USSR Cinematograph Symphony Orchestra. Sovetskii kompozitor, No. 928 (in Dmitri Shostakovich: Waltzes from Film Scores), 1959, the Waltz in full score, 29 cm.

174

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Boosey & Hawkes, 1960, Waltz [No. 1] arr. Cyril Watters, piano conductor and 23 parts, 30 cm. Muzyka, No. 4719 (in D. Shostakovich: Pieces for violin and piano), 1975, the Waltz arr. L. Atovmyan, 28.5 cm. DSCH Publishers, Moscow, full score in Volume 125 of New Collected Works. Duration: Film: 3082 metres, 95 minutes. Waltz: 3' 10". Recordings: *The Waltz labelled simply as a ‘Fragment’ by Shostakovich appears on a Czech: Panton LP (identified from a cassette copy in 1994). CD—Germany: Capriccio 10 561. Waltz in Suite Op. 50a. Berlin Radio Symphony Orchestra, Mikhail YUROVSKY. P 28–29 Apr. 1994, I Oct. 1995, G Jan. 1996. Russia: Manchester CDMAN 129 (‘Shostakovich Theatre and Cinema Music’). Waltz. St Petersburg Philharmonic Academic Symphony Orchestra, Vladimir ALTSHULER. P St Petersburg 1995, I 1998. USA: Citadel CTD 88135. Waltz in Suite Op. 50a. Belarus Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Moscow 7 Apr. 1997, I 1999. **Monte Carlo: Bel Air Music BAM 3003 (‘Russian Film Music II’). Waltz. Russian Philharmonic Orchestra, Sergei SKRIPKA. [Opp. 16, 97, Sans op. E; Petrov, Khachaturyan, Lebedev et al.] P Moscow Radio Studio Mar. 2002, I 2002. Note: For further recordings see Sans op. P(iii) Waltz (No. 7 of Violin Duets).

Opus 46: Four Romances on Poems of Pushkin Form: Four songs to verses by Aleksandr Pushkin, of a planned cycle of twelve for bass voice and piano accompaniment: 1. 2. 3. 4.

Renaissance—Moderato A jealous maiden, sobbing bitterly—Allegretto Presentiment—Allegro Stanzas—Adagio

Composed: December 1936–2 January 1937 in commemoration of the 100th anniversary of the poet’s death. The cycle was begun on 1 August 1936 with the poem ‘Devils’, set for high voice, though this romance was not included in Opus 46. Premières: 8 December 1940, Polytechnic Museum Hall, Moscow; Aleksandr Baturin (bass) and Dmitri Shostakovich (piano). UK: 19 March 1986, Queen Elizabeth Hall, London; John Shirley-Quirk (baritone), David White (clarinet), Frances Kelly (harp), Alexander Balanescu

O PU S 4 6 : F OU R ROMA NC ES ON P OEMS OF PUSH KIN

175

and Elisabeth Perry (violins), Simon Rowland-Jones (viola), Elizabeth Wilson (cello), and Chi-Chi Nwanoku (double-bass). Arrangements: Opus 46a—accompaniment of Nos. 1, 2, and 3 arranged for harp and string orchestra, with clarinet in No. 3, by the composer in 1937. Cycle orchestrated by Gennadi Rozhdestvensky in 1982 and adapted for single strings, with No. 4 arranged for bass clarinet, harp, and string quintet, by Gerard McBurney. Translations of the poems in English by G. McBurney and Joan Pemberton Smith; and German by Christoph Hellmundt. Music: Autograph scores of Opp. 46 and 46a preserved at GTsMMK. The first page of the autograph of Opus 46 is reproduced in Volume 32 of Collected Works. Music Fund of the USSR, 1943 and 1945. Sovetskii kompozitor, No. 1790 (in Romances on verses of Pushkin), 1960, 29 cm. Edition Peters, No. 4793, 1967, with German and Russian texts—the former by C. Hellmundt, 27 cm. Muzyka, No. 4116 (in Dmitri Shostakovich: Vocal Compositions), 1967 and 1974, 30 cm. Muzyka, Leningrad, No. 1996 (in Romances on verses of Pushkin), 1976, No. 1 only, 28.5 cm. Muzyka, No. 10113 (in Volume 31 of Collected Works), 1982, full score, 30 cm. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, piano score, 30 cm DSCH Publishers, Moscow, 2006, New Collected Works, in Volume 87, chamber score of Nos.1–3, 30 cm. The piano score of Nos. 1–4 will be published in Volume 94. Duration: Approx. 12 minutes in score; 8' 10"–14' 00". Recordings: LP—USSR: Melodiya D022363-4 (mono). Askold BESEDIN (baritone) and Lyubov Yedlina (piano). P 1968. Czech: Panton 11 0420G. Nos. 1 and 2 only. Jaromír VAVRUSKA (bass) and Jírˇí Pokorný (piano). P Prague 1973. USSR: Melodiya C10 05567-8. Nos. 1, 3, 2, and 4. Sergei YAKOVENKOY (baritone) and Mariya Grinberg (piano). P 1975. LP and CD—USSR: Melodiya A10 00043 004 (digital). Orchestrated by G. Rozhdestvensky. Anatoli SAFIULIN (bass), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P 1983, I 1984c. Reissued on CD—Olympia OCD 008. (‘The Shostakovich CD’). I Oct. 1989. CD—Deutsche Grammophon 439 860-2GH (‘The Orchestral Songs, Volume 1’). Opus 46a Nos. 1–3. Sergei LEIFERKUS (bass), Gothenburg Symphony Orchestra, Neeme Jarvi. P Gothenburg May 1993, I June 1994.

176

D M I T R I SHOSTA K OVIC H C A TA LO GUE

United 88001. Opus 46a Nos. 1–4 (No. 4 orchestrated by G. McBurney). Dmitri KHARITONOV (bass), City of Birmingham Symphony Orchestra, Mark Elder. P Birmingham 16–18 Dec. 1992, G Jan. 1994 ~ *Signum Classics SIGCD 051. [Opp. 31a, 42, and Sans op. E.] I Sept. 2004. Germany: Capriccio 10 777. Opus 46a. Anatoli BABIKIN (bass), Cologne Radio Symphony Orchestra, Mikhail Yurovsky. P Cologne 17–19 June 1994, I 1998. France: Le Chant du Monde Russian Season RUS 288089. Nos. 1–4. Pyotr GLUBOKY (bass) and Nataliya Rassudova (piano). P Moscow Conservatory 21–29 Sept. 1994, I Apr. 1995. Sweden: Bluebell ABCD 077. No. 2 only. Nicola GEDDA (tenor) and Eva Pataki (piano). P Stockholm 18–22 Nov. 1987. Beulah 1-2RF5. No. 2 only. Helen LAWRENCE (mezzo-soprano) and Julian Rolton (piano). P BBC Studio, London 17–18 May 1999, I Dec. 2000. **USA: Delos DE 3309 (‘Complete Songs, Volume Three’). Mikhail LUKONIN (baritone) and Yuri Serov (piano). [Opp. 4, 21, 32, 58a, and 62.] P St Petersburg 10 May 2001, I 2003. USA: MSR Classics MS 1101. Odekhiren AMAIZE (bass-baritone) and David Korevaar (piano). [Op. 62; Mussorgsky, Beethoven, Loewe.] P Purchase College Conservatory of Music, New York Aug. 2002. Note: The title of No. 1 also translated as ‘Resurrection’, ‘Regeneration’, and ‘Rebirth’; No. 2 appears in some Pushkin anthologies as ‘To a youth’ or ‘Bitterly sobbing’, and even ‘A youth bitterly sobbing’ though it is the maiden who is crying; No. 3, as ‘Premonition’; while No. 4 is an untitled verse.

Opus 47: Symphony No. 5 in D minor Form: Symphony for full orchestra (with 2 harps and a piano) in four movements: 1. 2. 3. 4.

Moderato Allegretto (Scherzo) Largo Allegro non troppo

Instrumentation: piccolo, 2 flutes, 2 oboes, E flat clarinet, 2 clarinets (A and B flat), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone, celesta, 2 harps, piano ~ strings. Harps always a2, piano tacet in second movement, all brass tacet and strings divided into eight parts in third movement. Composed: 18 April–20 September 1937, at Leningrad. The Largo written in three days.

OP U S 47: SYMP HONY NO. 5 IN D MIN OR

177

Premières: Early autumn 1937, Leningrad Union of Composers, Dmitri Shostakovich and Nikita Bogoslovsky (piano duet). 21 November 1937, in celebration of the twentieth anniversary of the October Revolution, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra, Yevgeni Mravinsky. According to eyewitnesses the thunderous applause continued for about half an hour. 28 January 1938, Moscow Conservatory Bolshoi Hall; USSR State Symphony Orchestra, Aleksandr Gauk. Conducted by Gauk five times between 28 January and 18 February 1938. USA broadcast: 9 April 1938, NBC Symphony Orchestra, Artur Rodzinski. France: 14 June 1938, Pleyel Hall, Paris; Roger Désormière (conductor). UK: 13 April 1940, Queen’s Hall, London; Alan Bush (conductor). USA piano reduction of Scherzo: 27 March 1949, Madison Square Garden, New York; the composer before an audience of 18,000 on the final day of the Cultural and Scientific Congress for World Peace. Arrangements: Whole symphony arranged for piano four hands by Levon Atovmyan and two pianos four hands by Pavel Lamm (the latter not published). The Scherzo in piano reductions by the composer and Frederick Block, and transcribed for band in two versions by Joseph Paulson and Roger Smith. The fourth movement transcribed for military band by Charles B. Righter and whole symphony for wind orchestra by Yasuhide Ito. A transcription for chamber ensemble of modern and early instruments by Mizuhiro Tazaki. Music: Manuscript retained by Aleksandr Gauk and subsequently lost. A few pages of sketches in piano score for the third and fourth movements are preserved at the PGALI. A page of the third movement autograph piano score is reproduced in Volume 3 of Collected Works. Muzgiz, No. 16313, 1939, 30 cm.; and with the same plate no., Edition Musicus, New York, no date, 23 cm. Muzgiz, No. 25550, 1956, foreword by Ivan Martynov; also 1947 and 1961; 1963, parts, 30 cm. Edward B. Marks, New York, No. 11667, c.1942, Scherzo reduction for piano by the composer, ed. F. Block, 30.5 cm. Boosey & Hawkes, No. 628 (A.S.M.P. No. 81), c.1942, 19 cm. Boosey & Hawkes Inc., No. 575, 1944, 26 cm. Edwin F. Kalmus, No. 165, c.1944, 24 cm. Edwin F. Kalmus, No. A 2427, no date, 30.5 cm. G. Schirmer, No. 40770, 1944, Scherzo arr. for band by R. Smith, parts, 31cm. Leeds Music, New York/Sovetskii kompozitor, No. 1806, c.1945, score reproduced from the Soviet edition, 23 cm.

178

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Weaner-Levant, New York, 1945, Scherzo arr. for band by J. Paulson, score and 37 parts, 30.5 cm. Boosey & Hawkes, No. 153, 1947, Finale arr. for military band by C. B. Righter, score, conductor’s score, and 34 parts, 31 cm. Music Fund of the USSR, 1948, reduction for piano four hands by L. Atovmyan with a second edition published by Sovetskii kompozitor, Moscow, 1961. Edition Eulenberg, No. 579, 1967, score with foreword by Peter Otto Schneider, 19 cm. Muzyka, No. 9245 (in Volume 3 of Collected Works), 1980, 30 cm. Hans Sikorski, No. 2227,1987, score, 21 cm. DSCH Publishers, Moscow, 2003, New Collected Works Volume 20, composer’s reduction for two pianos four hands, 192, 30 cm. DSCH Publishers, Moscow, 2004, New Collected Works Volume 5, full score, 176, 30 cm. Duration: Approx. 45 minutes in score; 40' 15"–53' 40"; 41' 30" (Aronowsky); 45' 50"–47' 25" (Plaistow); [38' 25"—Rodzinski with 37-bar cut, figs. 119–21, in Finale.]; 41' 01"—Stokowski 1964—58' 29"—Levi 1989 (Gerald Bishop: see note under Acknowlegements). Films: Rollerball. This film directed by Norman Jewison and released in 1975, includes excerpts from the Fifth and Eighth Symphonies, along with items by Bach, Albinoni, Tchaikovsky, and Previn. The film score, recorded by the London Symphony Orchestra under André Previn, was issued on LP—United Artists UAS 29865 and reviewed in G Jan. 1976. The ‘Theme from Rollerball’—the beginning of the Largo to bar 78 appears as the first item on Trax Classique TRXLP and Compact Disc 131. A film of Yevgeni Mravinsky conducting the Fifth Symphony, performed by the Leningrad Philharmonic Orchestra at a Minsk concert on 20 November 1983, was issued in 1992 on a Japanese LaserDisc—Toshiba TOLW 3667 (colour, mono). Sounds Magnificent—The Story of the Symphony. A television series written by Herbert Chappell and presented by André Previn with the final programme, shown on BBC2 TV on 17 November 1984, devoted to twentieth-century composers. Excerpts from the symphonies of Vaughan Williams and Roy Harris, and a complete performance of Shostakovich’s Fifth performed by the Royal Philharmonic Orchestra. This programme available on videocassette: Nation Video, Home Vision, No. 8339041, and reissued in 1989 on Stylus Video SV 1406. *Yevgeni Svetlanov conducted the USSR State Symphony Orchestra on the first of two Japanese DVDs, numbered NSDS 9488, recorded at a Tokyo Bunka Kaikan concert on 25 May 1987. The coupling works are by Glinka, Tchaikovsky, Sviridov, and Khachaturyan.

OP U S 47: SYMP HONY NO. 5 IN D MIN OR

179

Rostropovich—Three Friends. A television documentary, produced by Peter Maniura, shown on BBC2 TV on 27 November 1988. Extracts of Rostropovich rehearsing the London Symphony Orchestra in the Largo and Finale of the Fifth Symphony for the ‘Music from the Flames’ series concert at the Barbican, London, on 15 November 1988. Also archive film of the UK première of the Cello Concerto No. 1 in the presence of the composer. The cellist talks of his personal friendship with Shostakovich, Prokofiev, and Britten. Rostropovich Returns to Russia. The Finale of the Fifth Symphony closing a compilation performed by the National Symphony Orchestra of Washington under Rostropovich in Moscow on 13 February 1990. Recordings: 78 rpm and CD—USSR: 06820-33 (14 sides). Leningrad Philharmonic Orchestra, Yevgeni MRAVINSKY. P 27 Mar.–3 Apr. 1938. NB. Mravinsky’s first commercial recording. Reissued on CD—Japan: BMG Melodiya BOCC3 (bonus disc in four-disc set, mono). I 1998 ~ *Canada: Doremi DHR 7810-11 (‘Legendary Treasures: Yevgeni Mravinsky’, Volume 2). [Berlioz and Weber.] I 2002, G Nov. 2007 ~ *Germany: Artone 222359 (fourth of four-disc set). [Tchaikovsky, Brahms, and Weber.] I 2005. NB. This performance broadcast on Radio 3 on 15 Nov. 1994. CD—Japan: BMG Melodiya BVCX 8020 (in four-disc set, copied from optical soundtrack, mono). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad studio late 1938 to early 1939, I 1998. 78 rpm, LP and CD—USA: Victor 15737-42 in Set M 619 (12 sides). Philadelphia Orchestra, Leopold STOKOWSKI. P 20 Apr. 1939, I Jan 1940. Reissued on LP—HMV DB 3991-6 (12 sides). G Sept. 1942. Reissued on CD—Pearl GEMM CDS 9044. G Jan. 1994 ~ Dutton Laboratories CDAX 8017. G Dec. 1996. USA: Columbia 11861-5D in Set M 520 (10 sides). Cleveland Orchestra, Artur RODZINSKI. P 22 Feb. 1942. NB. Figs. 119–21 cut in Finale. Reissued on LP—USA: Columbia Entre RL 6625 (mono). I 1955 ~ USA: Columbia Special Products P 14128 (electronic stereo). I 1977. Reissued on CD—France: LYS 139 (‘L’Heritage d’Artur Rodzinski, Volume 1’, mono). I Mar. 1997. *CD—Symposium SYMP CD 1295. New York Philharmonic Orchestra, Leonard BERNSTEIN. [Carpenter and Gershwin.] P Carnegie Hall broadcast concert by the American Armed Forces Radio Service 28 Jan. 1945, I Sept. 2002. Italy: AS 631. New York Philharmonic Orchestra, A. RODZINSKI. P concert 24 Feb. 1946, I 1991. Italy: AS 571 (mono). Boston Symphony Orchestra, Serge KOUSSEVITSKY. P 24 Feb. 1946, I 1991.

180

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—USA: Urania URLP 7098 (mono). Berlin Radio Symphony Orchestra, Ernest BORSAMSKY. P 1949. Reissued on CD—France: Dante 429–430. I Mar. 1999. LP—USA: Pierian Sodality XTV 14450-1 (mono). Harvard-Radcliffe Orchestra, Russell STANGER. P concert 7 Dec. 1950. [Private recording with matrix numbers from the Columbia Records factory. Radcliffe College = women’s college affiliated with Harvard University.] LP and CD—VOX PL 7610 (mono). Vienna Symphony Orchestra, Jascha HORENSTEIN. P Apr. 1952, G May 1953. Reissued on CD—VOX Compact Disc 7803 (mono). I July 2000. USA: Columbia ML 4739 (mono). New York Philharmonic Orchestra, Dimitri MITROPOULOS. P New York 1 Dec. 1952, I 1953 ~ USA: Columbia Special Products P 14185 (electronic stereo). I 1977. Reissued on CD—Italy: Theorema TH 121.131. I Apr. 1993 ~ *Greece: Sony Classical S2K 89658. I 2001 (played on BBC Radio 3, 30 Nov. 2001). USA: Capitol P 8268 (mono). St Louis Symphony Orchestra, Vladimir GOLSCHMANN. P 15 Dec. 1953 ~ Capitol CTL 7077 (mono). G Jan. 1955. Reissued on CD—USA: EMI Classics CDM5 66557 (mono). I 1997, G June 1998. USSR: MK D02283-4 (mono). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad studio 3 Apr. 1954, I 1954. Reissued on CD—Japan: VDC 25004 (mono). I 1988 ~ BMG Classics Melodiya 74321 29404-2 (Mravinsky Edition Volume 15, (mono). P date incorrectly given as 2 Apr. 1954, I Apr. 1996. Nixa WLP 20004 (mono). Royal Philharmonic Orchestra, A. RODZINSKI. P 2–4 Oct. 1954, G Dec. 1955 ~ Whitehall WH 20052 (mono). G May 1961. Reissued on CD—MCA Millennium Classics MCD 80112 (mono). I Jan. 1995. NB. Previously the orchestra was given, pseudonymously, as the ‘London Philharmonic Symphony Orchestra’ as Sir Thomas Beecham would not allow it to record as the RPO. CD—Italy: Arkadia CDGI 765 1. Turin Symphony Orchestra, Sergiu CELIBIDACHE. P Turin 22 Feb. 1955, I 1993. *Brilliant Classics 8866 (on first of ten-disc set), Moscow Radio Symphony Orchestra, Aleksandr GAUK. [Rakhmaninov.]. P concert 4 Dec. 1957. *Japan: Scora Classics scoracd 005 (mono). Philadelphia Orchestra, Eugene ORMANDY. P Moscow Conservatory concert 29–30 May 1958, I 2004. *Russia: Moscow Conservatorie SMC CD 0030. Moscow Radio Symphony Orchestra, L. STOKOWSKI. P Moscow Conservatory concert 7 June 1958, I 2008. LP and CD—USA: Everest LPBR 6010 (mono) and SDBR 3010. Stadium Symphony Orchestra of New York, L. STOKOWSKI. P 1, 3, and

OP U S 47: SYMP HONY NO. 5 IN D MIN OR

181

7–8 Oct. 1958, G June 1959 ~ Peerless Classics PC 08. [Issued under the pseudonyms ‘Cleveland Festival Orchestra, Leopold Wise’.] I 1974? Reissued on CD—Everest EVC 9030. I May 1996. Deutsche Grammophon LPM 18566 (mono) and SLPM 138031. Warsaw Philharmonic Orchestra, Witold ROWICKI. P Oct. 1958, G Jan 1960. Reissued on CD—Deutsche Grammophon Galleria 453 988-2GGA. G Oct. 1997. USA: Columbia ML 5445 (mono) and MS 6115. New York Philharmonic Orchestra, L. BERNSTEIN. P Boston 20. Oct. 1959 ~ Philips ABL 3322 (mono) and SABL 164. G Dec. 1960 ~ CBS BRG 72172 (mono) and SBRG 72172. G Dec. 1966 ~ USSR: Melodiya C10 18401-2. I 1982. Reissued on CD—CBS Masterworks CD 44711. I Aug. 1988, G Mar. 1989 ~ Sony Royal Edition SMK 47615. G Nov. 1993 and June 1994. LP—USA: Victor LM 2261 (mono) and LSC 2261. National Symphony Orchestra of America, Howard MITCHELL. P 1959 ~ RCA Victrola VIC 1280 (mono) and VICS 1280. G Oct. 1967. CD—Germany: Ode Classics ODCL 1004-2. Hamburg NDR Symphony Orchestra, Takashi ASAHINA. P Hamburg Jan. 1960, I June 1998. LP—HMV ALP 1886 (mono) and ASD 445. Vienna Philharmonic Orchestra, Constantin SILVESTRI. P 10 and 12–14 Dec. 1960, G Sept. 1972 ~ World Record Club T 981 (mono) and ST 981. G Aug. 1969. LP and CD—USA: Mercury SR 90060. Minneapolis Symphony Orchestra, Stanislaw SKROWACZEWSKI. P 25 Mar. 1961, I 1962 ~ Mercury MMA 11178 (mono) and AMS 16128. G Feb. 1963. Reissued on CD—USA: Mercury Living Presence 434 323-2MM. G Aug. 1993. CD—Switzerland: Preludio PRL 2156. Czech Philharmonic Orchestra, L. STOKOWSKI. P Prague Spring concert 1961, I 1991. Tape—[Finland: Finnish Radio. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Helsinki concert 12 June 1961.] LP and CD—Czech: Supraphon SUA 10423 (mono) and SUA ST 50052). Czech Philharmonic Orchestra, Karel ANC´ERL. P Rudolfinum, Prague 11–14 Nov. 1961, G Jan. 1965 ~ Music for Pleasure SMFP 2114. G May 1969. Reissued on CD—Japan: Supraphon 2 OCO-2816. I 1990 ~ Czech: Supraphon Crystal Collection SUP 11 0676-2. G Aug. 1993 ~ *Supraphon Gold Edition SU 3699-2. [Op. 10.] I Feb. 2005. CD—France: Praga PR 254 002-3. Czech Philharmonic Orchestra, Karel ANC´ERL. P Prague broadcast 1961, I June 1992, G May 1993. LP and CD—Decca LXT 6018 (mono) and SXL 6018. L’Orchestre de la Suisse Romande, István KERTÉSZ. P Geneva 13–14 May 1962, G Dec. 1962 ~ Decca Ace of Diamonds ADD 179 (mono) and SDD 179. G Sept. 1968 ~ Decca Eclipse ECS 767. G July 1975. Reissued on CD—Polygram POCL 9439. I Oct. 1992 ~ Testament SBT 1290. I Feb. 2003.

182

D M I T R I SHOSTA K OVIC H C A TA LO GUE

*CD—BBC Legends BBCL 4193-2. Hallé Orchestra, John BARBIROLLI. P Free Trade Hall, Manchester with no audience 21 Jan. 1963 (not BBC Studios, Manchester 22 Feb. 1963 as stated). *BBC Legends BBCL 4165-2. London Symphony Orchestra, L. STOKOWSKI. [Vaughan-Williams.] P Royal Albert Hall, London concert 17 Sept. 1964, I Feb. 2005, G May 2005. LP and CD—USSR: Melodiya C0909-10. Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P1964. HMV Melodiya EX 2903873 (fourth in twelve-record box set, DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1003-4. G May 1989 ~ BMG Classics Melodiya 7432119845-2. G Nov. 1994. USA: Columbia MS 7279. Philadelphia Orchestra, E. ORMANDY. P 1964, I 1969 ~ CBS SBRG 72811. G June 1970 ~ CBS Classics 61643. G July 1975. Reissued on CD—Sony Essential Classics SBK 53261. I Jan. 1994, G July 1994. CD—Japan: King Record Seven Seas KICC 2076. London Symphony Orchestra, L. STOKOWSKI. P Proms concert 17 Sept. 1964, I Sept. 1990 ~ BBC Radio Classics 15656 91542. G May 1996. LP and CD—RCA Victor Red Seal RB 6651 (mono) and SB 6651. London Symphony Orchestra, André PREVIN. P 21 and 23 Aug. 1965, G May 1966 ~ RCA Gold Seal GL 42690. G Mar. 1979 ~ RCA Gold Seal GL 84630 (digital). G Nov. 1986. Reissued on CD—RCA Victor Papillon CD 86801. I July 1988 ~ RCA Classical Navigator 74321 24212-2. I June 1995 ~ *RCA Red Seal 82876 55493-2 [Op. 116a.] G June 2004. CD—USA: Russian Disc RDCD 10 910 (mono). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad concert 24 Nov. 1965, I 1995. USA: Russian Disc RDCD 11 023. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad concert 1966, I Jan. 1994 ~ Germany: Audiophile Classics Compact Disc APL 101 503. I Feb. 1995. NB. This reissue is wrongly dated 1983; the duration of all four movements and the timing of audience coughs are identical to the 1966 performance (K. Amoh). *Harmoni Mundi HMX 2905255 (five-disc set). Berlin Symphony Orchestra, Kurt SANDERLING. [On first disc with Op. 77.] P Metropoltheater, Berlin concert 3 Oct. 1966, I Sept. 2002. LP—USA: Century 28023. California Youth Symphony Orchestra, Aaron STEN. [Sibelius.] P 1966–67. LP and CD—Philips SAL 3629. London Symphony Orchestra, W. ROWICKI. P Feb 1967, G Feb. 1968. Reissued on CD—Philips 446 571-2PM. I Sept. 1996. CD—Italy: Hunt 2 HUNTCD 714 (mono). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Prague Festival concert 26 May 1967 (not 1968), I 1990.

OP U S 47: SYMP HONY NO. 5 IN D MIN OR

183

LP—CBS-NEMS 6-64097. Third movement only. Vic Lewis Symphony Orchestra, Vic LEWIS. P Nov. 1969, G Oct. 1970. LP and CD—USSR: Melodiya CM 02353-4. USSR Symphony Orchestra, Maksim SHOSTAKOVICH. P 1970 ~ HMV Melodiya ASD 2668. G May 1971 ~ HMV Melodiya BOX 50253-4 in Set SLS 5025. G Dec. 1975. Reissued on CD—RCA Gold Seal 74321 32041-2. I Mar. 1996. CD—Japan: Altus ALT 094 12004. Leningrad Philharmonic Orchestra, Arvid JANSONS. [Wagner.] P Osaka Festival Hall concert 1 July 1970, I Mar. 2005. Italy: Intaglio INCD 7121 (mono). Leningrad Philharmonic Orchestra, A. YANSONS. P Royal Albert Hall, London concert 13 Sept. 1971. *Japan: Altus ALT 127 (nine-disc set). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad Philharmonic Bolshoi Hall, rehearsal and session recordings made on 25–26 April 1973 (CDs 1–3) and 3 May 1973 (CDs 4 and 7), I 2006. Tape and CD—[Japan: NHK Radio broadcast 23 June 1973. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Tokyo Bunka-Kaikan Hall concert 26 May 1973 on Mravinsky’s first visit to Japan.] Released on CD—Japan: Altus ALT 002. I 2000. CD—USA: Russian Disc RDCD 11 180 (mono). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad concert 29 June 1973, I Aug. 1994, G July 1995. LP—Classics for Pleasure 40080. Royal Philharmonic Orchestra, Massim FRECCIA. P Oct. 1973, G Sept. 1974. *CD—Japan: Weitblick SSS 0059-2. Munich Philharmonic Orchestra, Klaus TENNSTEDT. [Janácˇek.] P Bavarian Radio Studios, Munich 20–21 Mar. 1975, I 2006. Tape—[Japan: Tokyo private archive. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Tokyo concert 21 May 1975.] LP—HMV BOX 504401 in Set SLS 5044 (quad). Bournemouth Symphony Orchestra, Paavo BERGLUND. P London 30–31 July 1975, G Mar. 1976 ~ HMV Greensleeve BSD 7029 (quad). G Feb. 1977 ~ Classics for Pleasure 40330. G June 1980 ~ EMI Eminence / Music for Pleasure EMX 2034. G Aug. 1983. Reissued on CD—EMI Studio CDM7 63119-2. I Aug. 1989. LP—USA: RCA Red Seal ARD1 1149 (quad) and ARL1 1149 (stereo). Philadelphia Orchestra, E. ORMANDY. P Feb. 1975 ~ UK: ARL11149 (stereo only). G Aug. 1976. USSR: Melodiya C10 06515-6. All-Union Radio and Television Largo Symphony Orchestra, Vladimir FEDOSEYEV. P 1975, I 1976c ~ Deutsche Grammophon 2531 361. I 1975. Czech: Opus 9110 0523. Slovák Philharmonic Orchestra, Ladislav SLOVÁK. P Sept. 1976, I 1977.

184

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Charisma CAS 1128. Excerpts. London Philharmonic Orchestra, Joseph EGER. P 1977, I Oct. 1977. LP and CD—USA: Angel S 37285 (quad). Chicago Symphony Orchestra, A. PREVIN. P 25 Jan. 1977 ~ HMV ASD 3443 (quad). G June 1978 ~ HMV Greensleeve BSD 2900541 (digitally remastered). G June 1984. Reissued on CD—EMI Eminence CD-EMX 2163. I Aug. 1990, G Mar. 1991 ~ *HMV 5 86764-2. [Op. 10.] G Oct. 2005. USSR: Melodiya C10 15321-2. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Vienna Festival concert 12 (not 13) June 1978, I 1981d ~ HMV Melodiya ASD 4028 in Set SLS 5212 (four-record box set). G Apr. 1981. Reissued on CD—Japan: JVC VDC 1007. I 1985, G Jan. 1988 ~ France: Praga PR 250 085. P venue and date given as Prague broadcast 26 May 1967, I Feb. 1995 [3rd recording] ~ Russia: Olympia Great Performers MKM 142. [Schubert and Weber.] I 2004. USSR: Melodiya C10 10303-4. USSR Symphony Orchestra, Yevgeni SVETLANOV. P 1978, I 1978 ~ HMV Melodiya ASD 3855. G May 1980. Reissued on CD—Germany: ZYX Russian Art CLA 10011-2 (two-disc set). I 1998. *CD—BBC Legends BBCL 422-6. London Symphony Orchestra, Y. SVETLANOV. [Rakhmaninov.] P Usher Hall, Edinburgh concert 28 Aug. 1978, I Nov. 2007, G Jan. 2008. LP and CD—USA and UK: CBS Masterworks 35854 (digital). New York Philharmonic Orchestra, L. BERNSTEIN. P Tokyo concert 2–3 July 1979, G Dec. 1980. Reissued on CD—CBS 35854. G May 1983 ~ CBS Maestro MYK 44770 ~ CBS Masterworks/Sony Classical MDK 44903. I Dec. 1989, G Apr. 1990 ~ *Japan: Sony Classical SICC 10012 (Hybrid SACD). [Op. 107.] P given as 3–4 July 1979, I 2004 ~ *Sony Classical SK 94733. [Op. 110a.] G Oct. 2005. LP—*Japan: King Records KICC 3058. NHK Symphony Orchestra, Herbert KEGEL. [Wagner.] P NHK Hall, Tokyo concert 26 Sept. 1980. LP and CD—Japan: Victor SJX 9568. Osaka Philharmonic Orchestra, Takashi ASAHINA. P Osaka Festival Hall concert 16 Feb. 1981, I July 1982. *Reissued on CD—Victor Entertainment NCS 559-60 (two-disc set). [Mahler.] I Jan. 2007. USA: Telarc TE 10067 (digital). Cleveland Orchestra, Lorin MAAZEL. P 5 Apr. 1981. Reissued on CD—Telarc CD 80067. I Aug. 1983, G Aug. 1985 ~ Telarc Bravo CD 82001. I Aug. 1993, G July 1994. Decca SXDL 7551 (digital). Concertgebouw Orchestra, Bernard HAITINK. P Amsterdam 25–26 May 1981, G Dec. 1982. Gramophone Record Awards 1983—winner of Engineering and Production category, G Oct. 1983. Reissued on CD—Decca 410 017-2DH. G Sept. 1983 ~ Decca Ovation 425 066-2DM. G Nov. 1993.

OP U S 47: SYMP HONY NO. 5 IN D MIN OR

185

CD—Revelation RV 10025. USSR Symphony Orchestra, Yuri TEMIRKANOV. P concert 14 June 1981, I and G Oct. 1996. LP—France: Forlane UM 3567. Mexico Philharmonic Orchestra, Fernando LOZANO. P Jan. 1982. *Germany: EMI F 668073. Bundesjugenorchester, Volker WANGENHEIM. [Prokofiev.] P 1982. LP and CD—Japan: Deutsche Schallplatten ET 5168. Berlin City Symphony Orchestra, K. SANDERLING. P East Berlin 19–22 Jan. 1982. Reissued on CD—Germany: Berlin Classics Eterna BC 2063-2.1 Mar. 1994, G July 1994. Deutsche Grammophon 2532 076 (digital). National Symphony Orchestra of Washington, Mstislav ROSTROPOVICH. P July 1982, G June and Aug. 1983. Reissued on CD—Deutsche Grammophon 410 509-2GH. G Sept. 1983 ~ Deutsche Grammophon Classikon 439 481-2GCL. G Sept. 1995 ~ *Deutsche Grammophon Panorama 469 316-2 (two-disc set). [Opp. 10, 122, 35, Sans op. G(ii), Opp. 16, and 97.] I 2001. *Japan: CD—Scora Classics scoracd 011 (disc two of two-disc set, stereo). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. [Tchaikovsky, Khachaturyan, Wagner). P Moscow Conservatory Bolshoi Hall concert 18 Nov. 1982, I 2004. NB. First release of this performance though it was broadcast on Japanese radio 27 Dec. 1992. Japan: Victor Musical Industries VDC 25026. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad concert 4 Apr. 1984, I 1989 ~ France: Erato 2292 45752-2. G June 1992. LP and CD—USSR: Melodiya A10 00103 009 (digital). USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1984, I 1985d. Reissued on CD—Japan: Victor JVC 1012 ~ Olympia OCD 113. I June 1987, G May 1989. RCA Red Seal RL 85608 (digital) and RD 85608. Saint Louis Symphony Orchestra, Leonard SLATKIN. P St Louis 23 Apr. 1986, G May 1987. Philips 420 069-1PH (digital) and 420 069-2PH. Berlin Philharmonic Orchestra, Semyon BYCHHKOV. P 7–8 May 1986, G Mar. 1987 (and article p.1244) and June 1987. USSR: Melodiya C10 25185 005. Moscow Conservatory Students’ Symphony Orchestra, Dmitri KITAYENKO. P Moscow Conservatory Bolshoi Hall concert 17 Nov. 1986, I 1988a. Reissued on CD—USA: Russian Disc RDCD 11 188. G Jan. 1994. NB. Orchestra given as Moscow Philharmonic and P date 17 Nov. 1968. CD—Sweden: BIS Compact Disc CD 357. Stockholm Philharmonic Orchestra, Yuri ARANOVICH. P 27 Nov. 1986, I June 1987, G Jan. 1988. Naxos 8.550632. Czecho-Slovak Radio Symphony Orchestra, L. SLOVÁK. P Bratislava 12–18 Feb. 1987, G Nov. 1993.

186

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—Decca 421 120-1DH (digital) and Compact Disc 421 1202DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Mar. 1987, G June 1988 and Apr. 1989 ~ *Decca 475 8592DB7 (‘Personal Collection’ 70th birthday tribute, eight-disc set). I 2007. EMI EL 7491811 (digital) and CDC7 49181-2. Oslo Philharmonic Orchestra, Mariss JANSONS. P Oslo 2–5 June 1987, G Jan. and Mar. 1988. *CD—Switzerland: Cascavelle VEL 3107. Orchestre de la Suisse Romande, Armin JORDAN. P Royce Hall. UCLA, Los Angeles concert 9 Nov. 1987, I Jan. 2007. LP and CD—Chandos ABRD 1336 (digital) and CHAN 8650. Scottish National Orchestra, Neeme JÄRVI. P Glasgow 22 Apr. 1988, I Feb. 1989, G Apr. 1990. CD—Denon CO 74175. Frankfurt Radio Symphony Orchestra, Eliahu INBAL. P Frankfurt 23–24 Nov. 1988, G Apr. 1990. *USA: Opus Magnum CD 80101. Orquesta Sinfónica de Mineria, Herrera de la FUENTE. P Sala Nezahaulcoyotl, Mexico City 1988, I 1991. USA: MCA Classics Art & Electronics AED 10156. Bolshoi Theatre Orchestra, Mark ERMLER. P Moscow concert 1989, I 1990. USA: Houston Symphony Orchestra—no number. Houston Symphony Orchestra, Christoph ESCHENBACH. P Houston 26–27 Feb.1989. France: Ex Libris CD 6101. Swiss Atelier (Workshop) Philharmonic Orchestra, Rudolf BARSHAI. P Zurich concert 16 June 1989 ~ Switzerland: MCB Musikszene Schweiz CD 6101. I Apr. 1995. Teldec CD 80215. Atlanta Symphony Orchestra, Yoel LEVI. P Atlanta 5 May, 25–26 Sept., and 2 Dec. 1989; G June 1990. Collins Classics 1108-2. London Symphony Orchestra, M. SHOSTAKOVICH. P 4–6 Jan. 1990, G Sept. 1990. Pickwick IMP Classics PCD 940. Hallé Orchestra, Stanislaw SKROWACZEWSKI. P Huddersfield 29–30 Jan. 1990, I Sept. 1990, G Aug. 1991 ~ Hallé CDHLL 7511 (two-disc set). [Op. 93.] I 2006. *Venezia CDVE 04283 (two-disc set). National Symphony Orchestra of Washington, Mstislav ROSTROPOVICH. [Op. 135.] P Moscow Conservatory Bolshoi Hall concert 13 Feb. 1990, I 2007. Academy Sound and Vision CD DCA 707. Royal Philharmonic Orchestra, Enrique BÁTIZ. P Morden 1990, G Sept. 1990 ~ IMG Records IMGCD 1609. I June 1994, G Feb.1995. Linn CKD 004. Leningrad Symphony Orchestra, Aleksandr DMITRIEV. P Glasgow concert 12 Apr. 1990, I Jan. 1992. Naxos 8.550427. Belgian Radio Philharmonic Orchestra, Alexander RAHBARI. P Brussels 26–29 Sept. 1990, I Sept. 1991, G Mar. 1992. NB. Four reviews in Classics May 1992.

OP U S 47: SYMP HONY NO. 5 IN D MIN OR

187

Denon CO 75719. Vienna Symphony Orchestra, Eliahu INBAL. P Vienna concert 26–29 Nov. 1990, I Apr. 1994, G Aug. 1994. *Japan: ALM Records Kozima Recordings ALD 7026. Arr. Tazaki. ENSEMBLE ONGAKU-ZAMMAI (Junichi Tanaka—flute, sopranino/alto/contrabass recorders; Chima Kawahara—violin, bass-gamba; Mizuhiro Tazaki—cello, viola, bass gamba; Seiji Nishizawa—double-bass, sopranino/alto/contrabass recorders; Kakuma Tomoko—cembalo, harp). [Prokofiev.]. P Nova Hall, Tsukuba, Japan 13–15 Aug. 1991. . Japan: Victor Musical Industries VICC 74. Moscow Radio Symphony Orchestra, V. FEDOSEYEV. P Moscow concert 18–19 Aug. 1991. USA: Chicago Youth Symphony CD 5176. Chicago Youth Symphony, Michael MORGAN. P Japan concert 1992. EMI Classics CDC7 54803-2. Philadelphia Orchestra, Riccardo MUTI. P Philadelphia 18–20 Apr. 1992, I June 1993, G Dec. 1993. *Spain: Orquesta Sinfónicade Castilla y León OCL 008. Orchestra’s own label. Max Bragado DARMAN (conductor). [Liszt.] P Carrión Theatre, Valladolid 28 May 1992, I c.1999. Japan: Canyon Classics EC 3672-2. Russian Federation Symphony Orchestra, Yevgeni SVETLANOV. P Moscow 15–16 June 1992, G Oct. 1994. Finland: Ondine ODE 817-2. Helsinki Philharmonic Orchestra, James DEPRIEST. P Järvenpää Dec. 1992, I May 1994, G Dec. 1994. Decca 440 476-2DH. Vienna Philharmonic Orchestra, Sir Georg SOLTI. P Vienna concert 6–7 Feb. 1993, G Oct. 1994. Japan: Fun House FHCE 2014. Norrköping Symphony Orchestra, Junichi HIROKAMI. P Norrköping, Sweden Sept. 1993, I Jan. 1994. Japan: JVC Victor VICC 163. St Petersburg Symphony Orchestra, Kazuhiko KOMATSU. P St Petersburg concert 12 Apr. 1994, I Mar. 1995. Decca 448 122-2DH. Montreal Symphony Orchestra, Charles DUTOIT. P Montreal May 1994, G Nov. 1995. Germany: Musicaphon M 56953. Minsk Philharmonic Orchestra, Pierre-Dominique PONNELLE. P Minsk 1–7 June 1994, I Sept. 1995. Germany: Deutsche Schallplatten DS 1035-2. Bohuslav Martinu˚ Philharmonic Orchestra, Elbert Lechtman STEINBERG. P Ziln, Czech June 1994, I Nov. 1995. Teldec 4509 94557-2. National Symphony Orchestra of Washington, M. ROSTROPOVICH. P 4–5 June 1994, I Oct. 1995, G Nov. 1995 ~ Teldec 0630-17046-2 (in twelve-disc set of Symphonies.] G Oct. 1997. Tring TRP 032. Royal Philharmonic Orchestra, Sir Charles MACKERRAS. P London July 1994, I May 1995, G Sept. 1995 ~ *RPO 204432201. [Op. 96.] I 2004 ~ Membran 222 874 (SACD). I May 2005 ~ *Germany: RPO Classics 222874-203 (Hybrid SACD). [Op. 96.] I 2005 ~ *Germany: Designo 222521 (on disc 1 of four-disc set). [Op. 96.] I June 2005.

188

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Carlton Classics 30366 0101-2. Boston Philharmonic Orchestra, Benjamin ZANDER. P Boston 11 Sept. 1994, I Oct. 1998, G Jan. 1999. Japan: Alfa Music ALCB 3099. Japan Virtuoso Symphony Orchestra, Naoto OHTOMO. P Tokyo concert 2 Nov. 1994. Japan: Kosei Shuppan-Sha Compact Disc KOCD 3574. Arr. for wind orchestra by Y. Ito. Tokyo Kosei Wind Orchestra, Frederick FENNELL. P Tokyo concert 23–24 Mar. 1995, I Oct. 1995. Japan: Canyon Classics PCCL 00292. Czech Philharmonic Orchestra, Kazushi ONO. P Prague 1–2 Apr. 1995, I Sept. 1995. *Netherlands: Brilliant Classics 6275 (on third of eleven-disc set). WDR Symphony Orchestra, Rudolf BARSHAI. [Op. 54.] P Cologne 3–8 July 1995 and 26 Apr. 1996, I Dec. 2001 ~ Regis RRC 1075. [Op. 54.] I May 2002. RCA Victor Red Seal 09026 68548-2. St Petersburg Philharmonic Orchestra, Y. TEMIRKANOV. P 21 Sept. 1995, I Feb. 1997. USA: Pope Music PM 1009-2 (‘Redemption’, silver). Russian Symphony Orchestra, Mark GORENSTEIN. P Moscow Jan. 1996. USA: Amadis 194. National Symphony Orchestra of Ukraine, Theodore KUCHAR. P Kyiv 28–30 Apr. 1996, I 2000. Classic FM 75605 57004-2. Yomiuri Nippon Symphony Orchestra, Tadaaki OTAKA. P Kamakura 3–6 June 1996, G Jan. 1998. Japan: Live Notes WWCC 7284. Nagoya Philharmonic Orchestra. Taijiro LIMORI. P Tokyo 25 July 1996. Czech: Supraphon SU 3327-2 031. Prague Symphony Orchestra, M. SHOSTAKOVICH. P Prague concert 13 Nov. 1996, G Jan. 1998 ~ *Supraphon SU 38902 (on fifth of ten-disc set). [Op. 70.] G Nov. 2006. Sweden: BIS Discs CD 973-4 (‘Complete Symphonies, Volume 2’, two-disc set). BBC National Orchestra of Wales, Mark WIGGLESWORTH. P Swansea Dec. 1996, G Aug. 1999. NB. Symphony split between the two discs; the first movement on disc one. EMI CDC5 56442-2. Vienna Philharmonic Orchestra, Mariss JANSONS. P Vienna concert 7–14 Jan. 1997, G Awards (Nov.) 1997. Japan: Canyon Classics PCCL 00401. Moscow Radio Symphony Orchestra, V. FEDOSEYEV. P Moscow Conservatory 3–5 Apr. 1997. Germany: Antes Edition BM-CD 31.9112. Badische Staatskapelle, Kazushi ONO. P Kalsruhe concert 15–16 June 1997, I 1998. Japan: Brain OSBR 14068 (‘27th Concert’). Fourth movement arr. C. B. Righter. Fukuoka Kodai High School Wind Orchestra, Isao YABIKU. P Fukuoka concert 9 Nov. 1997, I 1998. USA: Delos DE 3246. Dallas Symphony Orchestra, Andrew LITTON. P Dallas 19–20 May 1998. *Japan: Exton OVCL 00001. Nagoya Philharmonic Orchestra, Ken-ichiro KOBAYASHI. P Aichi, Japan 18 Feb. 1999.

OP U S 47: SYMP HONY NO. 5 IN D MIN OR

189

*Hungary: BPO Live BPOL 1006. Budapest Philharmonic Orchestra, Rico SACCANI. [Rakhmaninov.] P Hungarian State Opera House concert 22 and 23 Feb. 1999, I Oct. 2003. *Dunelm DRD 0145 (‘Love’s Conflicts’). Royal Holloway Symphony Orchestra, Peter LIPARI. [Wagner and Webern.] P University of London, Egham concert 8 Dec. 1999, I 2000. USA: Well Tempered Productions WTP 5190. Russian National Orchestra, Vladimir SPIVAKOV. P Moscow concert 7 and 9 Mar. 2000, I 2001. **CD and DVD—Germany: Arts 47668-2 and DVD 45001-6. Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. [Op. 54.] P Milan concert Jan 2001, G Jan. 2004. CD—Japan: Exton OVCL 00058 and SACD OVGL 0009. Philharmonia Orchestra, Vladimir ASHKENAZY. [Op. 96.] P rehearsal Tokyo 27 July 2001 ~ Signum Classic SIGCD 135. [Op. 96.] I Oct 2008, G Jan. 2009. Philips CD/SACD 470 651-2PSA. Kirov Orchestra, Valery GERGIEV. [Op. 70.] P Mikkeli, Finland concert 30 June 2002, G Aug. 2004 ~ Philips 470 841-2PM5 (‘The War Symphonies’, five-disc set). (Opp. 43, 54, 60, 65, and 70.] G Mar. 2006. Japan: King Records KICC 398. Bolshoi Orchestra, Tomomi NISHIMOTO. [Tchaikovsky.] P Moscow Conservatory 28 Jan.–2 Feb. 2003. Germany: Capriccio 71 031 (Hybrid SACD). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. [Op. 14.] P Cologne studio 12, 14–15 Mar. 2003, I Aug 2005. Japan: Altus ALT 087. Tokyo Metropolitan Symphony Orchestra, Yukio KITAHARA. [Glinka and Lyadov.] P Bunka-kaikan, Tokyo concert 1 Oct. 2003. CD and DVD—Dabringhaus und Grimm MDG 337 1202-2 and MDG 037 1202-5 (DVD-A). Beethoven Orchestra of Bonn, Roman KOFMAN. [Op. 70.] P Heilig-Kreuze-Kirche, Bad Godesburg, Germany 21–23 Oct. 2003, I July 2004. CD—LPO Live 0001 (Hybrid SACD). London Philharmonic Orchestra, Kurt MASUR. [Op. 10.] P Royal Festival Hall concert 31 Jan.–3 Feb. 2004, I May 2004, G July 2005. Dunelm Records DRD 0227 (two-disc set). London Shostakovich Orchestra, Christopher COX. [Op. 107.] P St Cyprian’s Church, London concert 15 May 2004. USA: Artek AR-0037-2. Seattle Symphony, Gerard SCHWARZ. [Op. 22a.] P Benaroya Hall, Seattle June 2004. Denmark: ClassicO CLASSCD 604. Luxembourg Philharmonia, Martin ELMQUIST. P Conservatorie du Luxembourg concert 3 July 2004. LSO Live CD LSO 0058 and SACD LSO 0550 (Hybrid SACD). London Symphony Orchestra, M. ROSTROPOVICH. P Barbican Hall, London 7 and 8 July 2004, G Mar. 2005.

190

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Germany: Berlin Classics 0017922BC. Saarbrücken Radio Symphony Orchestra, Günther HERBIG. P Congresshalle Saarbrücken concert 9 Sept. 2005, G May 2006. Warner Classics 2564 62354-2. St Petersburg Philharmonic Orchestra, Yuri TEMIRKANOV. [Op. 54.] Symphony Hall. Birmingham concert 25 Nov. 2005, I May2006, G Aug. 2006. PentaTone classics PTC 5186 096 (Hybrid SACD). Russian National Orchestra, Yakov FREIZBERG. [Op. 70.] P DZZ Studio 5, Moscow Apr. 2006, I Apr. 2007, G Aug. 2007. Germany: Hochschule für Musik und Theater Hannover HMTH 514. Orchestra as CD label, OUE Eiji. P Hannover concert 26–27 May 2006. Ambroisie AM 171. Royal Flemish Philharmonic Orchestra, Jaap van ZEDEN. P deSingel, Antwerp 8–10 Sept. 2006, G Mar. 2009. Ondine ODE 1109 (Hybrid SACD). Philadelphia Orchestra, Christoph ESCHENBACH. [Op. 127.] P Verizon Hall, Philadelphia concert 22–23 and 26 Sept. 2006, I June 2008. Digital download—Deutsche Grammophone 477 657-5 G HD. New York Philharmonic Orchestra, Lorin MAAZEL. [Op. 107.] P Avery Fischer Hall, New York concerts 28 and 30 Sept. and 3 Oct. 2006. Naxos 8.572167. Royal Liverpool Philharmonic Orchestra, Vasily PETRENKO. [Op. 70.] P Royal Liverpool Philharmonic Hall 7–8 July 2008, I 2009 Japan: The World of Masato Usuki MUCD 026 (two-disc set). Freude Philharmonie , Masato USUKI. [Grieg and Bach.] P Tokyo Metropolitan Art Space Main Hall concert 28 Aug. 2008. Notes: The symphony was given the designation ‘A Soviet artist’s practical creative answer to just criticism’ by an unidentified musicologist in an article ‘My Creative Answer’, issued over the composer’s signature, in Vechernyaya Moskva (Moscow evening paper) on 25 January 1938. There are several instances in Russian books and articles of the Fifth Symphony being dubbed the ‘Hamlet Symphony’. Rabinovich probably started this in 1959, followed by Polyokova, Sabinina, and others so the composer would have known of this nickname. It appears, from Russian sources, in the Soviet Weekly obituary of 16 August 1975: ‘Shostakovich was spurred on, not disheartened, by criticism [and] wrote his magnificent Fifth (‘Hamlet’) Symphony’. This unofficial title is not favoured by Western musicologists. For over fifty years Mravinsky played the four notes at the end of bar 284 (fig 38 minus 2 bars) of the fourth movement from the copyist’s manuscript score and parts as A flat, G, F, C (not A flat, G, A flat, C as in the printed music). Mrs Mravinsky, who was principal flautist of the Leningrad Philharmonic Orchestra from 1962 to 1988, believed the F note to be

OP U S 48: VOL OCH AY EVKA DAY S

191

correct as Shostakovich never commented on the conductor’s interpretation of this symphony. Stokowski used a copyist’s score in 1939 but Rodzinski was able to obtain a printed version in 1942. Inna Barsova writes about the final movement in Bartlett 2000 and Richard Taruskin’s essay in Fanning 1995 covers the whole symphony. In the coda of the symphony Shostakovich repeats the note Lah 252 times in 33 bars as ‘a cry of despair’. ‘Lala’ is a short way of saying ‘Helen’ and linked to ‘Ya’ (‘me’). Helen (Elena Evseyevna Konstantinovskaya), a woman he loved and who rejected him, left for Spain where she married Roman Carmen and to Shostakovich she became his Carmen (see DSCH XXI and Manashir Yakubov).

Opus 48: Volochayevka Days Form: Music for the film Volochayevka Days for Lenfilm with screenplay and direction by Georgi and Sergei Vasiliev (who worked together as ‘The Vasiliev Brothers’ though, in fact, they were unrelated). Also given alternative titles of Intervention in the Far East and The Far East. Appears translated as Volchachev Days and Days of Volochayesk in some lists. A song, ‘To the Partisan’ (or ‘Blue Distances Where the Waves Lap’—words anon.), composed for the film used as a leitmotiv in the Overture, choral numbers, and Finale. The following material is extant: 1. Overture—Allegretto 2. 14. The Japanese Attack—Allegretto 16. [Fragment]—Allegro—Maestoso ‘Along the valleys and over the hills’ ‘The Song of the Far Eastern Partisans’ (I. Aturov, text by Pyotr Parfenov)—Moderato con moto Finale 45. (Variant of No. 14) 46. Russian Folksong No. 1—Moderato No. 2—Largo Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals, bass drum ~ male chorus ~ strings. Composed: 1936–37, at Leningrad. Première: Film first shown on 20 January 1938 and re-released in March 1968. Score conducted by Nikolai Rabinovich. A cut version was released in America in 1938 under the title The Defense of Volotchayevsk and again on 26 August 1942 as The Battle for Siberia.

192

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Music: Incomplete autograph score preserved at GTsMMK. Muzyka, No. 10179 (in Volume 34 of Collected Works), ‘To the Partisan’ in reduction for male chorus and piano by Aleksandr Pirumov, 30 cm. Muzyka, No. 10889 (in Volume 41 of Collected Works), 1987, Nos. 1, 14, 16, and ‘The Song of the Far Eastern Partisans’ in full score and, in the supplement, two Russian Folksongs in piano arrangements, 30 cm. DSCH Publishers, Moscow, score in Volume 128 of New Collected Works. Duration: Film: 112 minutes (cut to 90 minutes in America). Nos. 1, 14, and 16: 9' 16" Recordings: **CD—Chandos Movies CHAN 10183 (‘The Film Music of Dmitri Shostakovich, Volume 2’). Score Nos. 1, 14, and 16. BBC Philharmonic, Vassili SINAISKY. [Opp. 30 and 97.] P New Broadcasting House, Manchester 8–9 Apr. 2003, I Mar. 2004, G June 2004. Note: On its first recording the song ‘Along the valleys and over the hills’ (also translated as ‘Thro’ the dales and o’er the hills’) was attributed to Aleksandr V. Aleksandrov as arranger with text by S. Ya. Alymov. Subsequently, the writers were changed to composer I. Aturov and lyricist P. Parfenov. Anatoli Zhelezny (Nash drug–gramplastinka. ‘Our friend–the gramophone record’. Muzychna Ukrania, Kiev, 1989, 140–52) argues that Aturov was not involved and Parfenov, composer of four other patriotic songs, probably wrote the melody of this song of the Far Eastern Partisans. See also Opp 44 and 74.

Sans op. F: The Internationale Form: Orchestration commissioned in 1937 for full symphony orchestra, augmented by cornet and 8 saxophones, of Pierre Degeyter’s song adopted as the Soviet National Anthem between 1917 and 1944. Text by Eugène Pottier in Russian translation of Arkadi Kots. The Russian lyric was revised by A. Gapov in 1932. Instrumentation: 3 flutes, 3 oboes, 4 B flat clarinets, 3 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ additional band of E flat cornet and 2 each of soprano, tenor, baritone, and bass saxophones ~ timpani, triangle, tambourine, side drum, cymbals, bass drum ~ chimes ~ strings. Performance: 4 October 1941, Novosibirsk; opening item of inaugural concert after arrival of Leningrad Philharmonic Orchestra and conductor Yevgeni Mravinsky for three-year stay in Siberia. Music: Muzgiz, No. 693, 1937, 27 cm. DSCH Publishers, Moscow, full score in Volume 146 of New Collected Works. Recordings: —

OP U S 49: QU A RTET N O. 1 IN C MAJ OR

193

Opus 49: Quartet No. 1 in C major Form: String quartet in four movements: 1. 2. 3. 4.

Moderato Moderato Allegro molto Allegro

Composed: 30 May–17 July 1938, at Leningrad. Premières: 10 October 1938, Leningrad; Glazunov Quartet (Ilya Lukashevsky, Aleksandr Pechnikov, Aleksandr Ryvkin, and David Mogilevsky). 16 November 1938, Moscow Conservatory Malyi Hall; Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). Encored in its entirety. [Also performed publicly three weeks earlier.] UK: 13 December 1941, Aeolian Hall, London; Hirsch Quartet (Leonard Hirsch—leader). Arrangements: Reductions for pianoforte by the composer, four hands by Yuri Nikolsky (not published) and Anatoli Dmitriev. First movement arranged for mandolin quartet. The opening pages of the second Moderato were used as the main title for the film The Girlfriends, Opus 41 (ii) in the 1960s. Op. 49a—‘Eine kliene Symphonie’ arranged for string orchestra by Rudolf Barshai. Music: Originally entitled ‘Springtime’. Manuscript lost. Autograph piano score, in which the fourth movement comes first and the first movement last, preserved at GTsMMK. Muzgiz, Leningrad, No. 1054, 1939, score, 27 cm. and parts, 32 cm. International Music, No. 514, 1942, parts, 30.5 cm. International Music, No. 607, 1942, score, 18 cm. Edition Musicus, no date, score, 28 cm. and parts, 31 cm. Hans Sikorski, No. 2242, c.1957, parts, 31.5 cm. Muzyka, 1966, parts, 29 cm. Muzyka, Leningrad, No. 285 (in Volume 1 with Quartets 2–4 arr. for piano four hands by A. Dmitriev), 1965, 29.5 cm. Edition Eulenberg, No. 385, 1968, score, 19 cm. Edition Peters, No. 5751, 1974, parts, 30 cm. Muzyka, No. 9816 (in Volume 35 of Collected Works Quartets 1–8), 1979, 30 cm. Hans Sikorski, No. 2265 (with Opp. 68, 73, and 83), 1980, score, 21 cm. DSCH Publishers, Moscow, score in Volume 100 and the composer’s reduction in Volume 105 of New Collected Works.

194

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Duration: 14–16 minutes in scores; 12' 48"–15' 06"; Op. 49a—15' 40"; 14–15 minutes (Plaistow). Recordings: 78 rpm, LP and CD—USSR: 14736-43 (8 sides 10"). BEETHOVEN QUARTET (personnel as at at première). P1947. Reissued on LP—USSR: MK D08019-20 (mono). I 1961. Reissued on CD—USA: Consonance Blue Label 81.3005 (mono). I May 1995. 78 rpm—USA: Columbia 71435-6D in Set X 231. STUYVESANT QUARTET. P pre-1950. USA: Royale 580-1 in Set 23. YORK QUARTET. P pre-1950. LP—USA: MGM E 3113 (mono). GUILET QUARTET (Daniel Guliet— leader). P c.1954. Columbia 33 CX 1334 (mono). KOMITAS QUARTET (Avet Gabrielyan, Rafael Davidyan, Genrikh Talayan, Sergei Aslamazyan). P London Dec. 1954, G Mar. 1956. CD—Japan: Triton MECC 26018 (mono) BEETHOVEN QUARTET (personnel as at première). P Moscow Conservatory concert 1960, I 2000. LP—USSR: MK D06219-20 (mono). LITHUANIAN QUARTET (Eugeniyus Paulauskas, Korneliya Kalinauskayte, Yuri Fledzhinskas, and ? Mikhail Shenderovas). P1960. France: Harmonia Mundi HMO 34 709. BULGARE QUARTET (Dimon Dimov, Aleksandr Thomov, Dmitri Tchikov, Dmitri Kosev). P StMaxime,Var l964, I 1967. CD—Leningrad Masters LM1325. TANEYEV QUARTET (personnel not stated). P concert 1966, G Sept. 1996. France: Praga PR 254 042. TÁLICH QUARTET (Petr Messiereur, Jan Kvapil, Jan Tálich, Evžen Rattay). P Czech Radio broadcast 1966, I May 1994. LP—USSR: Melodiya C01447-8. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1967 ~ HMV Melodiya ASD 2464. G Apr. 1969 ~ HMV Melodiya HQS 1319 in Set SLS 879. G June 1974. Decca Ace of Diamonds SDD 453. GABRIELI QUARTET (Kenneth Sillito, Brendan O’Reilly, lan Jewel, Keith Harvey). P Maltings, Snape Dec. 1973, G Apr. 1975. Amon-Ra SARB 01 (‘Quartet Cameos’). Scherzo only. DARTINGTON QUARTET (Colin Sauer, Malcolm Latchem, Keith Lovell, Michael Evans). I 1975. LP and CD—L’Oiseau-Lyre DSLO 31. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P 15–16 Dec. 1977, G Mar. 1979 ~ Decca 188 Dl in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on first of six-disc set). G June 1992 ~ NB. The six-disc set was reissued Feb. 1998 on London 455 776-2LC6 and reviewed G Apr. 1998.

OP U S 49: QU A RTET N O. 1 IN C MAJ OR

195

USSR: Melodiya C10 10241-2. TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lasky, Vissarion Soloviev, Iosif Levinzon). P 1978, I 1978d. Reissued on CD—USSR: Melodiya SUCD 11 00308. I 1991c. LP—Czech: Supraphon 111 2484. TÁLICH QUARTET (Petr Messieureur, Jan Kvapil, Jan Tálich, Evžen Rattay). P Prague 22 Apr. 1978, G Jan. 1981. LP and CD—USSR: Melodiya C10 11757-8. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1978, I 1979d ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49266-2. I Nov. 1987 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994. LP—USSR: Melodiya C10 14087-8. VILNIUS QUARTET (Audrone Vainiunaite, Petras Kunca, Donatas Katkus, Augustinas Vasiliauskas). P 1980, I 1981. CD—Olympia OCD 531 (‘Complete Quartets, Volume 1’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1981, I Apr. 1994, G Sept. 1994. LP—USA: Gasparo GS 223 (DMM). FINE ARTS QUARTET (Ralph Evans, Efim Boico, Jerry Horner, Wolfgang Laufer). P 1985. CD—Teldec Classics 2292 46009-2. BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, G June 1990 ~ Teldec 9031 71702-2 (on first of six-disc set). I Nov. 1990, G June 1992. USA: Windham Hill Records WD-1091 (‘Intermezzo’). First movement only, arr. for mandolin quartet. MODERN MANDOLIN QUARTET (John Imholz, Dana Rath, Paul Binkley, Mike Marshall). P Oct. 1989. USA: ESS.A.Y CD 1007. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Purchase, New York 27–28 Dec. 1989 ~ Koch Schwann Musica Mundi 310 128. (‘Complete Quartets, Volume 1’). I May 1991. Naxos Compact Disc 8.550973 (‘Complete Quartets, Volume 2’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sandor Papp, György Éder). P Budapest 14–17 Feb. 1994, I Nov. 1994, G Oct. 1995. Sony Classical St Petersburg Classics SK 64584. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Andrei Dogadin, Leonid Shukayev). P Apr. 1994. Teldec 4509-98417-2. BORODIN QUARTET (personnel as on Melodiya C10 11757-8). P Berlin May 1995, G Feb. 1997 ~ Ultima 8573 87820-2 (two-disc set). I Apr. 2001, G Aug. 2001. Netherlands: Globe GLO 5157-0265 (‘Complete Quartets, Volume 1’). RUBIO QUARTET (Dirk Van de Velde, Dirk Van den Hauwe, Marc Sonnaert, Peter Devos). P Utrecht Aug. 1996.

196

D M I T R I SHOSTA K OVIC H C A TA LO GUE

*Germany: Cultura Viva CuVi 233 96-01. RAKHMANINOV QUARTET (Andrei Andriev, Aleksandr Bondarenko, Sergei Savrov, Vladimir Shochov). [Tchaikovsky and Schumann.]P Berlin concert 1996. Japan: EMI Classics TOCE 9496. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 11–14 Mar. 1997. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 1’). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert June–July 1999, G June 2000. **Arion ARN 68534. DEBUSSY QUARTET (Christophe Collette, Dominique Lonca, Vincent Deprecq, Yannick Collier). P Lyon Nov. 2000, I and G Awards (Oct.) 2001. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 5’, five-disc set). RUBIO QUARTET (personnel as in 1996 above). P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. NB. Each quartet in this cycle was performed three times from which the best takes were used. Chandos CHAN 10329 (‘Complete Quartets’, Volume 6). SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). [Opp. 57 and 133.] P The Maltings, Snape 6–8 May 2003, I Aug. 2005, G Oct. 2005. Germany: Capriccio: 67 082. PETERSEN QUARTET. (Conrad Muck, Daniel Bell, Friedemann Weigle, Henry-David Varema). [Opp. 57 and 83.] P Bayerische Rundfunk, Munich 20–23 Oct. 2003. Hyperion CDA 67158. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). [Opp. 57 and 67.] P St Petersburg Studio Dec. 2003, G Nov. 2004. Belgium: Fuga Libera 512 (‘Complete Quartets, Volume 5’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 118 and 144.] P Bayerischer Rundfunk, Munich 20–23 Dec. 2004, I 2005. Germany: Audite AUD 92.526 (Hybrid SACD). MANDELRING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 68 and 83.] P ‘in a very small chapel’, Klingenmünster village, Germany 25 Feb. 2005. Netherlands: Brilliant Classics 8212/2 (‘Chamber Symphonies 1–5’, Op. 49a—arr. Barshai. Orchestra Sinfonica di Milan ‘Giuseppe Verdi’, Rudolf BARSHAI. [Opp. 110a and 118a.] P Auditorium di Verdi, Milan concert between spring and 17 Dec. 2005, I 2006. Oehms Classics OC562 (‘Complete Quartets’—on first of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 68 and 73.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006.

S A NS O P . G : SU ITES F OR JA Z Z ORCH EST RA N O. 2

197

Harmonia Mundi HM 901865. JERUSALEM QUARTET (Aleksandr Pavlovsky, Sergei Bresler, Amichai Grosz, Kyril Zlotnikov). [Opp. 83 and 117.] P Teldex Studio, Berlin 15–18 July 2005, I 2005. Belgium: Talent DOM 292972 (Hybrid SACD). Opus 49a. Rotterdam Chamber Orchestra, Conrad van ALPHEN. [Opp. 110a and 118a.] P Muziekcentrum van de Omroep, Hilversum Studio 28 Feb., 1 and 2 Mar. 2007, G Aug. 2008. Nimbus NI 5827. KOPELMAN QUARTET ( Mikhail Kopelman, Boris Kuschnir, Igor Suliga, Mikhail Milman). [Op. 110; and Myaskovsky.] P Wyastone Concert Hall, Monmouth 26–28 July 007, G Nov. 2008.

Sans op. G: Suites for Jazz Orchestra No. 2 (I) ‘ORIGINAL’ SUITE FOR JAZZ ORCHESTRA NO. 2 Form: Suite of three numbers at first scored as for Jazz Suite No. 1, Sans op. E then augmented at the request of the conductor Viktor Knusevitsky. 1. Scherzo 2. Lullaby 3. Serenade The theme of the Scherzo was used five years later in the second movement of Symphony No. 8, Op. 65 from fig. 48. The Lullaby, which was written last, is from the Choreographic Miniatures Ballet Suite. Instrumentation: 2 E flat alto, 2 B flat tenor, and baritone saxophones ~ 4 trumpets, 2 trombones, tuba ~ percussion ~ ‘large group’ of banjos and guitars, piano ~ 6 violins, 2 basses. NB. The reconstruction percussion comprises a dance band drum kit, xylophone, 3 banjos and 3 guitars. Composed: Between late summer and early autumn of 1938, at Leningrad. Premières: 20 September (Khentova) or 28 November (Slonimsky) 1938, Moscow Radio; State Jazz Band of the USSR, Viktor Knushevitsky. UK: 9 September 2000, Royal Albert Hall (Proms Last Night); BBC Symphony Orchestra, Andrew Davis. Simultaneously broadcast, televised, and recorded on DVD—BBC WM 8001-9. G Awards (Oct). 2001 (also available on DVD BBC/Opus Arte OA 0850D [‘The Last Night of the Proms 2000’.]). Arrangement: Reconstructed and orchestrated from five pages of piano sketches by Gerard McBurney in 1999–2000. Music: Piano score found among the composer’s papers in 1990s. Rough drafts deposited at GTsMMK. Hans Sikorski, No. 2022, 1973, Events of a Day No. 20—Lullaby for piano, 31.5cm.

198

D M I T R I SHOSTA K OVIC H C A TA LO GUE

DSCH Publishers, Moscow, 2006, New Collected Works, in Volume 32, full score in G. McBurney’s reconstruction, 30 cm. Duration: 6' 05"–6' 58". Recordings: **CD—France: Mandala MAN 5039/Harmonia Mundi HMCD 78. Suite Nos. 1–3. Republican Guard Symphony Orchestra, Vladimir PONKIN. [Sans op. D(ix); Opp. 4, 56 and 31; Sans op. G(ii).] P Sorbonne University, Paris concert 16 Jan. 2002, I 2002. Note: See the article ‘The Lost Jazz Suite No. 2’ by McBurney in DSCH Journal No. 14. Advertised as the ‘Lost’ Jazz Suite No. 2 in the Boosey & Hawkes catalogue. Manashir Yakubov in his extensive notes to NCW Volume 32 does not mention a four-movement ‘Original’ Suite for Jazz Orchestra No. 2, including the Lullaby in an altered form, found in 2000 so this report may be erroneous. (II) SUITE FOR VARIETY STAGE ORCHESTRA Form: Performed and recorded since 1988 incorrectly titled as Suite for Jazz Orchestra No. 2. Suite of eight numbers from Shostakovich’s ballet, incidental, and film music scores adapted by unknown orchestrators for variety stage orchestra (including 4 saxophones, harp, 2 pianos, guitar, and accordion): 1. 2. 3. 4. 5. 6. 7. 8.

March—Giocoso. Alla marcia—Opus 59a No. 2 Dance I—Presto—Opus 97a No. 3 Dance II—Allegretto scherzando—Opus 39 No. 20—see Notes Little Polka—Allegretto—[Source not determined] Lyric Waltz—Allegretto—Choreographic Miniatures Waltz I—Sostenuto. Tempo di valse—Choregraphic Miniatures Waltz II—Allegretto poco moderato—Opp. 99a No. 8 Finale—Allegro moderato—[Source not determined—see Notes]

Instrumentation: piccolo (= flute II in No. 6), flute, oboe, 2 B flat clarinets (= A in No. 2), 2 E flat alto saxophones and 2 B flat tenor saxophones (I = B flat soprano), bassoon ~ 3 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum and Charleston drum kit, cymbals, bass drum ~ glockenspiel, xylophone, vibraphone (in No. 6), guitar, accordion, harp, piano (two or one four hands in Nos. 2 and 5), celesta (in Nos. 3, 6, and 7) ~ strings. Première: UK: 1 December 1988, Barbican Hall, London; London Symphony Orchestra, Mstislav Rostropovich. (This performance broadcast three days later). Arrangements: The Suite arranged for wind band by both Johan de Meij (Nos. 1–8), Steven Walker (Nos. 1, 2, and 5), and for brass ensemble by A. Serebrennikov (Nos. 1 and 2) and 12-piece brass ensemble with three

S A NS O P . G : SU ITES F OR JA Z Z ORCH EST RA N O. 2

199

percussionists by Steven Verhaert (Nos. 1, 3, 3, 5, and 7). Waltz II (No. 7) transcribed for organ by Jean-Paul Imbert; and guitar by Roni Zucker. Music: The whereabouts of the autograph score not discovered. Russian edition, no number or date [late 1950s], 8 photocopied full scores and all parts in copyist’s hand, 35.5 cm. Muzyka, Moscow, 1967, D. Shostakovich, Simple Pieces: Excerpts from compositions with simplified arrangements for piano, arr. Levon Atovmyan, ed. A. Rubbakh, No. 5 titled ‘Sentimental Waltz’, 29 cm. NB. In a 1975 edition by Sovetskii kompozitor, Moscow, it was erroneously stated to be ‘From the Second Ballet Suite’. Edition Sikorski, Hamburg, No. 2201, 1970, No. 18 in ‘Roundabout of Dances’, selected and arranged by L. Atovmyan, No. 5 titled ‘Sentimental Waltz’, 31 cm. Sovetskii kompozitor, Moscow, No. 2618, second edition 1973, D. Shostakovich, Simple Pieces; Excerpts from compositions with simplified arrangements for piano, arr. L. Atovmyan, ed. A. Rubbakh, No. 6 titled ‘Lyrical Waltz’ (‘Bivouac’), 29 cm. NB. A first edition was published in 1962. Edition Sikorski, Hamburg, No. 2202, 1973, No. 9 in ‘Events of a Day’, selected and arranged by L. Atovmyan, No. 6 titled ‘The Break for Rest’, 31 cm. Bronsheim Muziekuitgeverij, Brunssum, Netherlands, no number, 1995, 3 full scores arr. for wind band by Steven Walker, 29.5 cm. DSCH Publishers, Moscow, 2001, New Collected Works Volume 33, full score, 272, 30 cm. Hans Sikorski, No. 2309, Waltz No. 2 arr. for guitar by R. Zucker, 30 cm. Duration: 20' 19"–25' 51"; 20 minutes (M. MacDonald). Recordings: CD—Decca 433 702-2DH. Labelled as ‘Suite for Promenade Orchestra’, arranged in the order Nos. 1, 5, 2, 6, 4, 7, 3, and 8. Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 26 Apr. 1991, G Mar. 1993 ~ *Deutsche Grammophon Panorama 469 316-2 (two-disc set). [Opp. 10, 47, 122, 35, 16, and 97.] I 2001. *Switzerland: Tonkühn 002. Suite Nos. 1–8. Basel Sinfonietta, Mark FITZ-GERALD. [Rakhmaninov and Balakirev.] P Stadtcasino, Basel 5 Sept. 1993. Netherlands: Mercury/Phonogram Single 8561262. No. 7 titled ‘The Second Waltz’. André RIEU Orchestra. I 1994. NB. This ‘straight’ version reached Position No. 5 in the Dutch Pop-Top 50 chart in December 1994 with gold disc sales of over 50,000. Netherlands: Philips 314 522 933 (‘From Holland with Love’). No. 7 titled ‘The Second Waltz’. Johann Strauss Orchestra, André RIEU.

200

D M I T R I SHOSTA K OVIC H C A TA LO GUE

P Hilversum 1994, I 1996. NB. This recording released October 1999 in the UK following Rieu’s version of ‘The Second Waltz’ being featured in the film Eyes Wide Shut. Netherlands: Amstel Classics CD 9501. Suite arr. J. de Meij. Arnhem Symphonic Winds, Johan de MEIJ. P Hilversum Radio Studio 30 Apr.–2 May 1995, I Aug. 1995. RCA Victor Red Seal 09026 6830-2. Suite Nos. 1–8. Frankfurt Radio Symphony Orchestra, Dmitri KITAYENKO. P Frankfurt 6–8 Mar. 1995, G Oct. 1997 ~ *Deutsche Grammophon Eloquence 4767918 (‘The popular Shostakovich’). Suite Nos. 1–8. [See Samplers.] I Aug. 2005. EMI Classics CDC5 55601-2. No. 7 only, Philadelphia Orchestra, Mariss JANSONS. P Collingswood, New Jersey 8, 9, and 11 Mar. 1996, G Sept. 1997. Hertfordshire County Music Service Compact Disc (no number). Nos. 1, 6, 4, 5, and 2. Hertfordshire County Youth Orchestra, Peter STARK. P The Barbirolli Hall, St Clement Danes School, Chorleywood Apr. 1997. France: Le Chant du Monde Russian Season RUS 788164. Nos. 2. 4, 5, 7, and 8. Novosibirsk Philharmonic Orchestra, Arnold KATS. P Novosibirsk June 1997, G Nov. 1999. **CD—Germany: Animato ACD 6035. Nos. 2 and 1 arr, Serebrennikov. UKRAINIAN BRASS (Rosmourat Arnakuliyev and Andriy Ilkiv—trumpets; AndriyGolovko—trombone; Ivan Yefimov–French horn; Andriy Demichenko–tuba). [Sans op. E; Khachaturyan, Skorik, Handel et al.] P Bauer Studio, Ludwigsburg Feb. 1998. DVD—BBC WNDVD 1-9 (‘The Last Night of the Proms 2000’). Suite Nos. 1–8. BBC Symphony Orchestra, Andrew DAVIS. P Royal Albert Hall, London 9 Sept. 2000, G Awards (Oct.) 2001. CD—Canada: CBC Records SMCD 5216 (The Overcoat). Nos. 5, 2, and 7. CBC Radio Orchestra, Mario BERNARDI. [Sans opp. E and P(i); Opp. 35, 93, and 102.] P Orpheum Theatre, Vancouver, BC 20 and 21 June 2001, I Mar. 2002. CD and DVD—Naxos 8.555949. Suite Nos. 1–8 performed in the order 1, 5, 2, 6, 4, 7, 3, and 8. Russian State Symphony Orchestra, Dmitri YABLONSKY. [Opp. 27 and 16; Sans op. E.] P Moscow Oct. 2001, G July 2002. Reissued on DVD—Naxos DVD Audio 5.110006. [As CD.] I Mar. 2003. CD—Canada: Atma Classique ALCD2 1029 (‘Harmony in Blue’). Suite Nos. 1–3, 5, 7, and 8 arr. J. de Meij. Ensemble vent et percussion de Quebéc, René JOLY. [Gershwin and Jan Van der Roost.] P Quebec City 12, 18, and 19 Jan. 2002. France: Mandala MAN 5039/Harmonia Mundi HMCD 78. Republican Guard Symphony Orchestra, Vladimir PONKIN. [Sans opp. G(i) and D(ix);

OP U S 50: T H E VY BORG SIDE

201

Opp. 4, 56, and 31.] P Sorbonne University, Paris concert 16 Jan. 2002, I 2002. Germany: perc.pro 10022002. Nos. 1, 5, 3, 7, and 2 arr. S. Verhaert. WORLD BRASS. [Op. 27; and Ellington.] P Sender Freis Berlin Studios Nov. 2002, I Dec 2002. Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites—Film Music’, on first of three-disc set). Suite Nos. 1–8. National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Sans opp. E and U; Opp. 96 and 115.] P National Radio Studio, Kyiv 1–8 June and 13–14 July 2004 ~ Brilliant Classics 7096 (Hybrid SACD). [Sans opp. E and U; Opp. 96 and 115.] I 2005. Germany: Capriccio 71096 (Hybrid SACD). Suite Nos. 1–8. Berlin Radio Symphony Orchestra, Steven SLOANE. [Opp. 105 and 16; Sans op. E.] P Jesus-Christus-Kirke, Berlin 28 Sept.–2 Oct. 2004, I 2006. Netherlands: Festivo 6962.012. No. 7 arr. J-P. Imbert. Jean-Paul IMBERT (organ). [Cochereau, Franck, Widow et al.] P Basilique Notre-Dame du Perpetuel Secours, Paris Oct. 2004 Notes: The March (No. 1) appears in a shortened and simplified form, scored for brass band only, in The Adventures of Korzinka Opus 59a. Dance II (No. 3) is an extended version of ‘Pantomine’ and ‘Dance of the Priest’ from The Bolt Opus 27 score No. 19 and ‘Invitation to a Rendezvous’ from The Limpid Stream Opus 39 score No. 20. To round off the Suite, the unnamed compiler quotes the introductory five bars of the Korzinka March as the Coda to the Finale (No. 8). There are recordings, in addition to those listed above, of various numbers and the complete suite in the transcriptions by Johan de Meij.

Opus 50: The Vyborg Side Form: Music for the final film in the ‘Maxim Trilogy’, The Vyborg Side (or District), with screenplay and direction by Grigori Kozintsev and Leonid Trauberg for Lenfilm. The black-and-white film trilogy awarded a Stalin Prize First Class in 1941. The orchestral parts of a few items, including the Overture, ‘The Looting of the Wine Cellars’, and Finale, have been located. Overture—Allegro Instrumentation: piccolo, 2 flutes, 2 B flat clarinets, 2 bassoons, contrabassoon ~ 4 horns, 4 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals, bass drum, gong ~ strings. Composed: Late 1938, at Leningrad. Premières: Film: 2 February 1939. Score conducted by Nikolai Rabinovich. Suite: UK: 13 December 2001, BBC Radio 3, BBC Philharmonic, Vassili Sinaisky.

202

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Arrangement: Opus 50a—Suite for full orchestra (with two harps and optional wind band) and S.A.T.B. chorus, assembled by Levon Atovmyan from Opp. 45 and 89 in 1961: 1. Prelude—‘Be bold, Friends, we go together’—Moderato—Allegro non troppo—Adagio 2. Attack sequence—Allegro 3. Death of the old worker—Adagio 4. Waltz—Allegro sostenuto 5. Demonstration— ‘Varshavyanka’—Allegretto 6. Fight at the barricades—Allegro con brio—Presto 7. Funeral March—Tempo de marcia funebre attacca 8. Finale—[no tempo indication] None of the above numbers relate to Opus 50 though listed as ‘Excerpts from Music to the Maxim Trilogy’ and numbered Opus 50a in Sadovnikov 1965. Nos. 1 and 5 are taken from The Unforgettable Year 1919, Opus 89. Instrumentation: of Suite Opus 50a—piccolo, 2 flutes, 3 oboes, E flat clarinet, 3 B flat clarinets, bass clarinet, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ xylophone, glockenspiel, 2 harps ~ strings. Optional band in Nos. 7 and 8 (numbers not specified): cornets, trumpets; alto, tenor, baritone, and bass saxhorns. Chorus in No. 1 (mostly T.B. but S.A.T.B. in the last 13 bars). Music: The whereabouts of the autograph full score is not known; the autograph vocal score preserved at GTsMMK. Sovetskii kompozitor, No. 2084, 1951, Opus 50a full score [opus no. not stated], 29 cm. Muzyka, No. 10889 (in Volume 41 of Collected Works), 1987, Overture in full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 127 of New Collected Works. Duration: Film: 103–111 minutes; 3276 metres,12 reels. Suite: 26' 54"–28' 02"; 20 minutes (Sadovnikov). Overture: 1'51"–1'52". Recordings: CD—Germany: Capriccio 10 561. Complete Suite Op. 50a and Overture Op. 50. Berlin Radio Symphony Orchestra and Chorus, Mikhail YUROVSKY. P 28–29 Apr. 1994, I Oct. 1995, G Jan. 1996. NB. On this CD the Prologue of the first film of the ‘Maxim Trilogy’ Op. 41 (i) is followed by the complete Suite Op. 50a (with Nos. 7 and 8 not banded separately) and the Overture to The Vyborg Side Op. 50. USA: Russian Disc RDCD 10 018. Overture only. Byelorussian Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Nov. 1995

OP U S 52: THE G REA T CIT IZEN (SERIES 1)

203

USA: Citadel CTD 88135. Complete Suite Op. 50a. Belarus Radio and TV Symphony Orchestra and State Chorus, W. MNATSAKANOV. P Moscow 7 Apr. 1997, I 1999. **Chandos Movies CHAN 10023 (‘The Film Music of Dmitri Shostakovich, Volume 1’). Complete Suite Op. 50a. Sheffield Philharmonic Chorus and Darius Battiwalla (chorus-master in No. 1), Peter Dixon (cello in No. 3), BBC Philharmonic, Vassili SINAISKY. [Opp. 53, 26, and 137.] P Manchester BBC Studio 16 and 17 May 2002, I Nov. 2002, G Jan. 2003. Notes: Theodore van Houten provides information on the Trilogy in his monograph on Leonid Trauberg (1989). As Riley (2004) reports Shostakovich represents ‘an unsavoury alliance of the bourgeoisie and anarchists with a shabby brass band rendition of the ‘Cannon Song’ from Die Dreigroschenoper’ (Kurt Weill’s 1928 adaptation of The Threepenny Opera). The scene in the film showing the baptism of a child had to be cut in the Netherlands because it was considered blasphemy for a child to be baptised by a layman.

Opus 51: The Friends Form: Music for the film The Friends (or ‘The Pals’ in VAAP 1977), based on the story by author Betal Kalmykov, directed by Leo Arnshtam for Lenfilm. The score introduces Pierre Degeyter’s Internationale. Composed: August 1938, at Leningrad. Première: Film first shown on 1 October 1938. Music: Autograph copy of the film score preserved in the Music Department of Lenfilm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, ‘Vocalise’ for mixed chorus a cappella reconstructed by Boris Tiles, 30 cm. DSCH Publishers, Moscow, ‘Vocalise’ in Volume 86 and full score in Volume 129 of New Collected Works. Recordings: —

Opus 52: The Great Citizen (Series 1) Form: Music for part one of the black-and-white film The Great Citizen, based on the story of Sergei Kirov, with script by Mikhail Bleiman and directed by Fridrikh Ermler for Lenfilm. See Opus 55 for part two. Composed: 1937, at Leningrad. Première: Film first shown on 13 February 1938. Music: Autograph copy of the film score preserved in the Music Department of Lenfilm.

204

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Duration: Film: 111 minutes. Recordings: — Note: This two-part film presented the official version of the assassination of the popular Party leader of Leningrad, Sergei Kirov (given the fictional name of Pyotr Shakov in this production). Kirov helped to establish Soviet power in the Caucasus after 1917 and was head of the Communist Party in Leningrad from 1926. He supported Stalin against his rivals but is thought to have led the opposition to the leader’s personal rule following the 17th Party Congress in 1934. On 1 December 1934 a young Party member named Leonid V. Nikolayev walked into Kirov’s Smolny office and shot him. This assassination triggered the notorious political trials and reign of terror of the thirties. Thousands were arrested, shot, or sent to labour camps and in 1937–38 hundreds of leading Party members in Leningrad were eliminated. Sergei Kirov lives on in the names of numerous places and institutions, among them the Kirov Theatre of Opera and Ballet (formerly the Mariinsky) in Leningrad.

Opus 53: The Man with a Gun Form: Music for the black-and-white film The Man with a Gun (or November) based on the first part of the Lenin trilogy by Nikolai Pogodin, directed by Sergei Yutkevich for Lenfilm. The following items were composed for the film: 1. Overture—Allegretto 2. The October—Allegro moderato—Meno mosso 3. Smolny—Presto 3a. Smolny—Allegretto 4. Finale—Moderato No. 1 introduces Pyotr Armand’s song ‘Clouds Hang Heavy o’er the City’ which is also sung in its original form in the film. Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum ~ glockenspiel ~ separate band of 2 cornets, 2 trumpets; 2 E flat alto, 2 B flat tenor, 2 B flat baritone, and 2 bass saxhorns ~ strings. Composed: September 1938, at Leningrad. Première: Film first shown on 1 November 1938. Music: The whereabouts of the film score is not known. Manuscript copies preserved at the TsGALI(SPb). Muzyka, No. 10889 (in Volume 41 of Collected Works), 1987, full score, 30 cm.

S ANS OP . H: J. STRA U SS II T RAN SCRIPT ION S

205

DSCH Publishers, Moscow, full score in Volume 128 of New Collected Works. Duration: Film: 100 minutes. Suite: 10 '20". Recording: CD—USA: Russian Disc RDCD 10 018. Nos. l–3a and 4; incorrectly labelled Opus 59. Byelorussian Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Nov. 1995. **Chandos Movies CHAN 10023 (‘The Film Music of Dmitri Shostakovich, Volume 1’). Nos. 1, 2, 3a, and 4. BBC Philharmonic, Vassili SINAISKY. [Opp. 50a, 26, and 137.] P Manchester BBC Studio 16 and 17 May 2002, I Nov. 2002, G Jan. 2003.

Sans op. H: J. Strauss II Transcriptions (I) VIENNA BLOOD (JOHANN STRAUSS) Form: New orchestration and edition of the Johann Strauss II/Adolf Müller operetta of 1899 Wiener Blut, with Russian text by V. Tipot. Composed: 1938, at Leningrad. Première: 1941, Leningrad Malyi Opera Theatre, produced by Grigori Yaron. Ran for two performances only. (II) PLEASURE TRAIN POLKA (JOHANN STRAUSS) Form: Reorchestration of the schnell-polka Vergnugungszug (aka Excursion Train Polka), Opus 281 of Johann Strauss II, composed for a 1864 concert during Strauss’s series of mid-nineteenth-century visits to St Petersburg. Tempi not marked. Instrumentation: piccolo, flute, 2 oboes, 2 A clarinets, 2 bassoons ~ 4 horns, 2 trumpets, 3 trombones ~ timpani, triangle/tambourine, xylophone,cymbals/ side drum ~ strings. Composed: 1940, at Leningrad, as a speciality dance for Galina Isayeva inserted in a production of Der Zigeunerbaron (‘The Gipsy Baron’). Premières: 1940, Leningrad Malyi Opera Theatre. UK: 14 August 1981, Royal Albert Hall ‘Prom’, London; BBC Symphony Orchestra, Gennadi Rozhdestvensky (also broadcast on BBC Radio 3 simultaneously with BBC2 TV). NB. The scheduled British première at a ‘Prom’ on 23 July 1980 was delayed by a musicians’ strike. Music: USSR, no number or date, mimeographed score inscribed ‘To my dear Gennadi on your birthday 4 May 1969, Mama’ by Nataliya Pyotrovna Rozhdestvensky (the composer in no way concerned with this dedication). The English title of ‘Train of Joy’ in the composer’s hand on the Russian score. DSCH Publishers, Moscow, full score in Volume 146 of New Collected Works.

206

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Duration: 1' 45 "–2' 35". Film: Rostropovich: Return to Russia. The video equivalent of the CD performance appears on Sony VHS cassette SHV 46387 and LaserDisc SLV 46387. Recordings: LP and CD—USSR: Melodiya C10 14415-6 (Album 1 of ‘From Manuscripts of Different Years’). Labelled as ‘The Pleasure Train Polka’. Moscow Philharmonic Orchestra, Gennadi ROZHDESTVENSKY. P 1980, I 1981b ~ HMV Melodiya ASD 1650331. G July 1983. Reissued on CD—BMG Melodiya 74321 59058-2 (two-disc set). I and G Mar. 1999. *CD—BBC Legends BBCL 4242-2. BBC Symphony Orchestra, Gennadi ROZHDESTVENSKY. [Opp. 112, 54, and 16.] P Royal Albert Hall, London 14 Aug.1981, I Aug. 2008, G Nov. 2008.. LP—USSR: Melodiya C10 21335 006. USSR Ministry of Home Affairs Army Orchestra, Vladimir TARASOV. I 1985b. USSR: Melodiya C10 21513 003 (‘Music by the Strauss Family’). Bolshoi Theatre Brass Band, Vladimir ANDROPOV. I 1985c. CD—Sony Classical CD 45836 (‘Return to Russia’). National Symphony Orchestra, Mstislav ROSTROPOVICH. P Moscow concert 13–14 Feb. 1991, I and G Sept. 1991. **Australia: ABC Classics MSO Live 476 836-4. Melbourne Symphony Orchestra, Oleg CAETANI. [Op. 103 and Sans op. E.] P Hamer Hall, Melbourne concert Aug. 2005. Notes: As no full score of the original Strauss composition was available in Leningrad, Shostakovich was asked to orchestrate the polka from a library copy of the piano score and, as a consequence, omits the representation of the guard’s whistle and the tooting of the engine’s old-fashioned steam hooter. The excursion train of the sub-title ran between Vienna and the vine-growing village of Grinzing, a few kilometres to the north-west.

Opus 54: Symphony No. 6 in B minor Form: Symphony for full orchestra (with harp) in three movements: 1. Largo 2. Allegro 3. Presto Instrumentation: piccolo, 2 flutes, 2 oboes, cor anglais, E flat clarinet, (= B flat clarinet III), 2 B flat clarinets, bass clarinet, 2 bassoons, contrabassoon (= bassoon III) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong ~ xylophone, celesta, harp ~ strings. Composed: Late January to mid-October 1939. First two movements completed in Leningrad before 27 August.

OP U S 54: SYMP HONY NO. 6 IN B MIN OR

207

Premières: 21 November 1939, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra, Yevgeni Mravinsky. The Finale was encored. 3 December 1939, Moscow Conservatory Bolshoi Hall; USSR State Symphony Orchestra, Y. Mravinsky. USA: 29 November 1940, Philadelphia Orchestra, Leopold Stokowski. UK: 24 October 1953, Adelphi Theatre, London; London Philharmonic Orchestra, Anatole Fistoulari. Arrangements: Reductions for piano four hands by Levon Atovmyan (not published) and Boris Tishchenko. Largo arranged for piano eight hands by Pavel Lamm (not published). Reductions for two pianos (Largo only?) and solo piano by the composer. On 27 November 2005 in the Colston Hall, Bristol the symphony was transformed into a real-time electronic piece, using digital technology software, by the Bristol-based band I Am the Mighty Jungulator. Their metamorphosis was demonstrated from an array of speakers, accompanied by screen images of the Iraq war, immediately following a main auditorium concert performance of the symphony by the Philharmonia Orchestra conducted by Vladimir Ashkenazy. Music: Published as Opus 53 in some editions. Autograph score retained by Aleksandr Gauk and subsequently lost. A hand-written copy, with the composer’s annotations, preserved at TsGALI. Autograph of the first movement, arranged for two pianos by the composer, preserved at GTsMMK. Muzgiz, 1941, 21 cm.; No. 29838, 1962, 30 cm. and 1968, 21 cm. Leeds Music, no number, 1946, 23 cm. Boosey & Hawkes, No. 80 (A.S.M.P. No. 3), 1947,19 cm. Muzyka, Leningrad, No. 1807, 1975, reduction for piano four hands by B. Tishchenko, 28.5 cm. Muzyka, No. 9245 (in Volume 3 of Collected Works), 1980, 30cm. Hans Sikorski, No. 2228, 1984, 21 cm. DSCH Publishers, Moscow, 2001, New Collected Works Volume 6, full score, 30 cm. DSCH Publishers, Moscow, 2004, New Collected Works Volume 21, composer’s reduction for two pianos four hands, 120, 30 cm. Duration: Approx. 30 minutes in score; 25' 42"–37' 45"; 33 minutes (Schirmer); 29' 10" (Plaistow). Ballets: Elegia. Jirˇí Kylián, Dutch Dance Company, Circustheatre, Scheveningen (Holland Festival), 15 June 1976; danced by six couples to the music of the Largo, played by the Dutch Ballet Orchestra conducted by Jan Stulen. Solitude. Simon Mottram, Stockholm Opera, 29 January 1982. Film: Bernstein Conducts Shostakovich. Two concert performances of the Sixth and Ninth Symphonies, filmed at the Musikverein in 1986 with Leonard

208

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Bernstein conducting the Vienna Philharmonic Orchestra. Introduced by Humphrey Burton and screened on BBC2 TV on 19 August 1995. See also Opus 70. Recordings: 78 rpm and CD—USA: Victor 18391-5 (9 sides, last side blank). Philadelphia Orchestra, Leopold STOKOWSKI. P 8 and 28 Dec. 1940. Reissued on CD—Dell’Arte DA 9023 (mono). I Feb. 1992, G June 1992 ~ Dutton Laboratories CD AX 8017. I May 1996, G Dec. 1996. LP and CD—Italy: AS 628 (mono). New York Philharmonic Orchestra, Fritz REINER. P Carnegie Hall, New York concert 15 Aug. 1943, I 1990. Reissued on CD—Italy: Legend LGD 122. I June 1994 ~ *Germany: Artone 222372 (on fourth of four-disc set). [Hindemith.] I 2005. 78 rpm, LP, and CD—USA: Columbia 12199-203D in Set M 585 (9 sides). Pittsburg Symphony Orchestra, Fritz REINER. P Pittsburg 26 Mar. 1945 ~ Columbia LX 998-1002 (9 sides). G June 1947. Reissued on LP—USA: Columbia ML 4249 (mono). Reissued on CD—Italy: Arlecchino LYS 093 (mono). I June 1996 ~ Sony Masterworks Heritage MHK 62343 (mono). I Nov. 1996. LP—USSR: MK HD 2488-9 (10" mono). Leningrad Philharmonic Orchestra, Yevgeni MRAVINSKY. P Leningrad studio 4 Nov. 1946, I 1955 ~ USSR: Melodiya D030615-6 (12" mono). I 1972. Bulgaria: Balkanton BCA 503 (mono). Sofia State Philharmonic Orchestra, Dobrin PETKOV. P mid-1950s. LP and CD—World Record Club SCM 28. London Philharmonic Orchestra, Sir Adrian BOULT. P Walthamstow Town Hall 20–27 and 29–30 Aug. 1958 (not 1960), G Aug. 1962 ~ USA: Everest SDBR 3007. G May 1968 ~ USA: Peerless Classics PC 06. [Issued under the pseudonyms ‘New York Concert Orchestra, Robert Hornstein’.] I 1974. Reissued on CD ~ Vanguard Classics (Everest Collection). I Sept. 1994, G Apr. 1995 LP—USSR: MK D4894-5 (10" mono). Moscow Radio Symphony Orchestra, Aleksandr GAUK. P 1959 ~ USA: Artia ALP 167 (12" mono). G Jan. 1961 ~ USSR: MK D 09618-9928 (mono). I 1962. LP and CD—USA: Columbia MS 7221. New York Philharmonic Orchestra, Leonard BERNSTEIN. P 14 Oct. 1963 ~ CBS SBRG 72730. G Oct. 1969. Reissued on CD—Sony Royal Edition SMK 47614. G Nov. 1993 and June 1994. USSR: Melodiya CM 02657-8. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Moscow Conservatory Bolshoi Hall concert 21 Feb. 1965, I 1972 ~ HMV Melodiya ASD 2805. G July 1972. Reissued on CD—Japan: Icone ICN 9404-2. P incorrectly given as Moscow Radio Concert Hall 12 Mar. 1983, I Aug. 1994. USSR: Melodiya C01627-8. Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P and I 1967 ~ HMV Melodiya ASD 2447. G Mar. 1969

OP U S 54: SYMP HONY NO. 6 IN B MIN OR

209

~ HMV Melodiya BOX 502504 in Set SLS 5025. G Dec. 1975 ~ USSR: Melodiya CM 04237-8 (in first box of Part 1 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1003-4 (in Box 2 of five two-disc sets.] G May 1989 ~ BMG Classics Melodiya 74321 19847-2. I July 1994, G Nov. 1994. *CD—Japan: Altus ALT 046. Moscow Philharmonic Orchestra, K. KONDRASHIN. [Op. 77.] P Tokyo Culture Hall concert 18 Apr. 1967, I 2002. LP—Philips Universe 6580 042. Berlin Radio Symphony Orchestra, Rolf KLEINERT. P 1967, G Dec. 1971. LP and CD—Philips 412 073 1PH. Concertgebouw Orchestra, K. KONDRASHIN. P Amsterdam concert 21 Jan. 1968, G Aug. 1984. Reissued on CD—Philips Collector Series 438 283-2PM. I July 1993, G Sept. 1993 ~ *RCO Live RCO 05001 (‘Anthology of the Royal Concertgebouw Orchestra: Volume 3, 1960–70’—fourteen-disc set). G Aug. 2005. USA: RCA LSC 3133. Chicago Symphony Orchestra, Leopold STOKOWSKI. P 20–22 Feb. 1968 ~ RCA Red Seal SB 6839. G Oct. 1970 ~ RCA Gold Seal GL 42916. G Oct. 1981. Reissued on CD—RCA Gold Seal 09026 62516-2. I 1997 and July 1998, G Aug. 1998. CD—USA: Philadelphia Orchestra Association POA 100 (‘Philadelphia Collection 1917–98’, third in twelve-disc set). Philadelphia Orchestra, Eugene ORMANDY. P radio broadcast 15 May 1969, G Feb. 2000. BMG Melodiya 74321 25198 (‘Mravinsky Edition, Volume 9’). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Moscow Conservatory Bolshoi Hall concert 27 Jan. 1972, I June 1995 ~ France: Praga PR 254 017-8 (two-disc set, mono). P incorrectly given as Prague concert 21 May 1955, I Apr. 1994, G Aug. 1994 ~ USA: Russian Disc RDCD 10 910 (mono). P venue incorrectly given as Leningrad, I 1995 ~ France: Le Chant du Monde PR 7254 017 (mono). P not Prague 1955, G Feb. 2001. LP and CD—HMV ASD 3029. London Symphony Orchestra, André PREVIN. P 1 Dec. 1973 and 8 May 1974, G Dec. 1974 ~ HMV Master Series EG 2908591 (digital). G July 1986. Reissued on CD—EMI Studio CDM7 695642. G Dec. 1988. LP—USSR: Melodiya C10 06881-2. Moscow Conservatory Students’ Symphony Orchestra, Leonid NIKOLAYEV. P and I 1976. USSR: Melodiya C10 09675-6. Leningrad Philharmonic Orchestra, Yuri TEMIRKANOV. P 1977, I 1978c ~ HMV Melodiya ASD 3706. G Sept. 1979. Sweden: BIS LP 332 D (‘Orchestral Music in the Swedish Radio, 1928–79’). Third movement only. Swedish Radio Symphony Orchestra, K. KONDRASHIN. P concert 13 Oct. 1977.

210

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—HMV ASD 3772 in Set SLS 5177. Bournemouth Symphony Orchestra, Paavo BERGLUND. P 5–6 June 1978, G Feb. 1980. Reissued on CD—EMI CDS7 47790-8. I Nov. 1987, G May 1988. Bulgaria: Balkanton BCA 10212. Plovdiv State Philharmonic Orchestra, Dobrin PETKOV. P 1978? Reissued on LP and CD—AVM Classics AVM 1019 and AVMCD 1019. I Dec. 1988 and 1994. East Germany: Eterna 8 27 437. Berlin City Symphony Orchestra, Kurt SANDERLING. P 25–27 Apr. 1979. Reissued on CD—Germany: Berlin Classics 0021812 BC. G Jan. 1995. LP—USSR: Melodiya C10 14899-900. Labelled Opus 53. USSR Symphony Orchestra, Yevgeni SVETLANOV. P 1980, I 1981c. *CD—BBC Legends BBCL 4242-2. BBC Symphony Orchestra, Gennadi ROZHDESTVENSKY. [Opp. 112, 16, and Sans op. H(ii).] P Royal Albert Hall concert, London 10 Dec. 1980, I Aug. 2008, G Nov. 2008.. LP—USSR: Melodiya C10 18047-8. USSR Ministry of Culture Symphony Orchestra, Vakhtang ZHORDANIYA. P 1981, I 1983b. LP and CD—USSR: Melodiya. A10 00075 003 (digital). USSR Ministry of Culture Symphony Orchestra, G. ROZHDESTVENSKY. P 1983, I 1985a. Reissued on CD—Japan JVC/Target VDC 1044. G May 1986 ~ Olympia OCD 111. I June 1987, G May 1989. Decca 414 125-1DH in Set 411 939-1DH2 (digital). Concertgebouw Orchestra, Bernard HAITINK. P 19 Dec. 1983, G June 1985. Reissued on CD—Decca 411 939-2DH2. G Aug. 1985 ~ Decca Ovation 425 067-2DM. G Nov. 1993. USA: Schwann Musica, Mundi VMS 002 106 (DMM). RundfunkSinfonieorchester Saarbrücken, Myung-Whun CHUNG. P June 1985, G June 1987. Reissued on CD— Koch Schwann 311 202 G1. I Oct. 1991, G Feb. 1992. Chandos ARBD 1148 (digital). Scottish National Orchestra, Neeme JÄRVI. P Glasgow 6 May 1985, G Apr. 1986. Reissued on CD—Chandos CHAN 8411. G June 1986 and Feb. 1988. Deutsche Grammophon 419 771-1GH (digital) and released on CD—419 771-2GH. Vienna Philharmonic Orchestra, L. BERNSTEIN. P Großer Saal, Musikverein, Vienna concert Oct. 1986, G Nov. 1987 and Mar. 1988 ~ *Deutsche Grammophon 477 5193 GB6 (six-disc set). [Op. 60; and Stravinsky.] I Oct. 2005, G Feb. 2006 ~ *Deutsche Grammophon/Unitel 073 417-0 (DVD-Video, with introductions by Bernstein). [Op. 70.] I 2006. CD—Italy: Nuova Era 033 6705. Giovanile Italiana Orchestra, Krzysztof PENDERECKI. P concert 8 June 1987, I Apr. 1988, G Nov. 1988. Decca 425 609-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Nov. 1988, I Apr. 1990, G June 1990.

OP U S 54: SYMP HONY NO. 6 IN B MIN OR

211

Naxos 8.550626. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 3–12 Dec. 1988, I May 1993, G Nov. 1993. Denon CO 78968. Vienna Symphony Orchestra, Eliahu INBAL. P 22–25 Jan. 1991, G Apr. 1996. EMI CDC7 54339-2. Oslo Symphony Orchestra, Mariss JANSONS. P Oslo 25–30 Jan. 1991, G May 1992. Austria: Musica Classica 780003-2. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Bratislava Jan. 1992, I Jan. 1996. Teldec 0630-17046-2 (in twelve-disc set of Symphonies). National Symphony Orchestra of Washington, Mstislav ROSTROPOVICH. P 4–5 June 1994, G Oct. 1997 ~ Teldec 450995070-2. I Aug. 1999. *Slovenia: SF 995020. Slovenian Philharmonic Orchestra, Aleksander RUDIN. [Haydn.] P Cultural and Congress Centre, Gallus Hall, Ljubljana 23 and 24 Mar. 1995. *Netherlands: Brilliant Classics 6275 (on third of eleven-disc set). WDR Symphony Orchestra, Rudolf BARSHAI. [Op. 47.] P Cologne 17–20 Oct. 1995, I Dec. 2001 ~ Regis RRC 1075. [Op. 47.] I May 2002. RCA Red Seal 09026 68844-2. St Petersburg Philharmonic Orchestra, Yuri TEMIRKANOV. P St Petersburg 3–4 Jan. 1996, I July 1999. Japan: Canyon Classics PCCL 00401. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Moscow Conservatory 3–5 Apr. 1997. *Russia: Private Edition P-1985 (two-disc set). Bilkent Academic Symphony Orchestra, Vitali KATAYEV. [Op. 93; Rakhmaninov and Tchaikovsky.] P Bilkent Concert Hall Ankara concert 21 Oct. 1997. *Hallé CD HLL 7506. Hallé Orchestra, Stanislaw SKROWACZESKI. [Op. 10.] P Bridgewater Hall studio, Manchester 7 Nov. 1997, G Oct. 2004 and Feb. 2005. Sweden: BIS CD 973-4 (‘Complete Symphonies, Volume 2’, two-disc set). BBC National Orchestra of Wales, Mark WIGGLESWORTH. P Swansea Nov. 1997, I June 1999, G Aug. 1999. *USA: Artek AR 0017-2. Seattle Symphony, Gerard SCHWARZ. [Op. 77.] P Benaroya Hall, Seattle 19 Feb. 1999. NB. The first note of the Allegro and the first two notes of the Presto are missing. Czech: Supraphon SU 3415-2. Prague Symphony Orchestra, Maksim SHOSTAKOVICH. P Prague concert 2 Mar. 1999, I and G Awards (Oct.) 1999 ~ *Supraphon 38902 (on sixth of ten-disc set). [Op.141.] G Nov. 2006. *Chandos CHAN 9813. Russian State Symphony Orchestra, Valeri POLANSKY. [Op. 119.] P Mosfilm Studio 18 June 1999, I Nov. 2001, G Mar. 2002. Delos DE 3283 (two-disc set). Dallas Symphony Orchestra, Andrew LITTON. P Dallas concert 1–2 December 2000, I Oct. 2001.

212

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Dunelm DRD 0173. London Shostakovich Orchestra, Christopher COX. P Cyprian’s Church, London concert 19 May 2001. **CD and DVD—Germany: Arts 47668-2 and DVD 45001-6. Orchestra Symphonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. [Op. 47.] P Milan concert Jan. 2002, G Jan. 2004. CD—Philips 470 841-2PM5 (‘The War Symphonies’, five-disc set). Kirov Orchestra, Valery GERGIEV. [Opp. 43, 47, 60, 65, and 70.] P Mariinsky Theatre, St Petersburg concert 14–15 May 2002, G Mar. 2006. Germany: Capriccio 71 033-034 (Hybrid SACD, two-disc set). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. [Op. 60 and 70.] P Cologne studio 16–18 July 2002, I Aug. 2005. Netherlands: Pentatone PTC 5186 068 (Hybrid SACD). Russian National Orchestra, Vladimir JUROWSKYI. [Op. 10.] P DZZ Studio, Moscow 14–15, 19–21, 25, and 27 Oct. 2004, G July 2006 with the Allegro featured on the Cover Disc. Musikproduktion Dabringhaus und Grimm MDG 337 1207-2 and MDG 937 1207-6 (Hybrid SACD). Beethoven Orchestra of Bonn, Roman KOFMAN. [Op. 10.] P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 9–10 Nov. 2005, I 2007. Warner Classics 2564 62354-2. St Petersburg Philharmonic Orchestra, Yuri TEMIRKANOV. [Op. 47.] P Philharmonic Hall, St Petersburg concert 4 Jan. 2006, I May 2006, G Aug. 2006. Note: The composer stated that he wanted to convey a mood of spring, joy, youth, and lyricism in his Sixth Symphony.

Opus 55: The Great Citizen (Series 2) Form: Music for part two of the black-and-white film The Great Citizen, based on the story of Sergei Kirov, with script by Mikhail Bleiman and directed by Fridrikh Ermler for Lenfilm. See Opus 52 for part one. The two-part film awarded a Stalin Prize First Class in 1941. The revolutionary anthem ‘You Fell as Victims’ and the refrain of Degeyter’s Internationale are featured in the film score, of which three items have been discovered: Overture, Funeral March (marked ‘Largo’), and Finale. Instrumentation: of Funeral March—2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals ~ harp ~ strings. Composed: August 1938–39, at Leningrad. Première: Film first shown on 27 November 1939. Music: Incomplete orchestral parts of the Overture, Funeral March, and Finale preserved at TsGALI. Autograph score of the Funeral March preserved in the Shostakovich Family Archive.

OP U S 56: THE SIL L Y L IT T L E MOUSE

213

Muzyka, No. 10889 (in Volume 41 of Collected Works), 1987, Funeral March in full score, 30 cm. DSCH Publishers, Moscow: full score in Volume 127 of New Collected Works. Duration: Film: 120 minutes. Funeral March: 6' 50"–8' 32". Recordings: CD—USA: Russian Disc RDCD 10 018. Funeral March. Byelorussian Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Nov. 1995. Decca 460 792-2DG11 (‘The Film Album’). Funeral March. Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 10–11 Sept. 1998, G Apr. 1999.

Opus 56: The Silly Little Mouse Form: Music for a cartoon colour film, based on the children’s fairy story in verse The Tale of the Stupid Mouse by Samuil Marshak, directed by Mikhail Tsekhanovsky for Lenfilm. This continuously evolving composition is devoid of separate numbers and could be defined as a children’s opera for the screen, with solo singers and orchestra. Instrumentation: 2 flutes (II = piccolo), 2 oboes (II = cor anglais), 2 B flat clarinets (II = bass clarinet), 2 bassoons (II = contrabassoon) ~ 4 horns, 2 trumpets, 2 trombones ~ timpani, triangle, wood block, tambourine, side drum, cymbals, bass drum ~ glockenspiel, xylophone ~ celesta, harp ~ 3 female and 4 male vocal soloists ~ strings (1 desk of each). Composed: March 1939, at Leningrad. Premières: Film first shown on 13 September 1940. Restoration of the concert version first performed in Leningrad, 1979. UK: 18 January 2006, The Place, Victoria Hall, Bolton; staged concert performance directed by Caroline Clegg, animal costumes and décor by Alison Clark; Gerard McBurney (narrator of English text); Hallé Orchestra conducted by André de Ridder. Arrangements: English translation of the text by Levon Hakopian and new text in English doggerel verse by G. McBurney for the Narrator. A purely instrumental version by Andrew Cornall. Music: Shostakovich stated in litt. that the film was not completed (momentary confusion with Opus 36?) and he had recycled the music for other compositions. The whereabouts of the autograph score is not known. The score has been reconstructed by Boris Tiles from the orchestral parts preserved at TsGALI and the vocal score in the Shostakovich Family Archive. Muzyka, No. 10889 (in Volume 41 of Collected Works), 1987, concert version in full score and, in the supplement, the original vocal score for comparison, 30 cm.

214

D M I T R I SHOSTA K OVIC H C A TA LO GUE

DSCH Publishers, Moscow, 1995, full score and parts available for hire. DSCH Publishers, Moscow, no number, 1995, piano-vocal score, text in Russian and English, 29 cm. DSCH Publishers, Moscow, 2005, New Collected Works, in Volume 126, full score with Op.56, 382, 30 cm. Duration: 14' 02"–15' 10". Cornall’s arrangement 12' 13". Recordings: LP—[USSR: Melodiya M52 40441-2 (mono). Marshak’s The Tale of the Stupid Mouse is read on one side by Z. Bokareva. I 1978c.] LP and CD—USSR: Melodiya C52 16411-2. Complete children’s opera. Principal roles—Nina Glinkina (Mouse), Tatyana Sharova, (Cat), and Boris Ulitin (Narrator); Leningrad Conservatory Opera Studio Orchestra, Boris TILES. P 1980,11982b. *Reissued on CD—Russia: Boheme Music CDBMR 012192. [Op. 36.] I UK Mar. 2002. USA: Citadel CTD 88129. Complete children’s opera. Libretto in transliterated Russian and English. Yevgeniya Kazantseva (Mouse), Lesliya Liut (Cat), Nina Tishina (Duck), Sergei Schapov (Horse), Oleg Gordinets (Pig), Mikhail Druzhina (Toad and Dog), Yevgeniya Ivanova (Narrator), Belarus RTV Symphony Orchestra, Walter MNATSAKANOVA. P Minsk Feb. 1997, I 1998. Decca 460 792-2DH11 (‘The Film Album’). Arr. A. Cornall. Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 10–11 Sept. 1998, G Apr. 1999. **France: Mandala MAN 5059/Harmonia Mundi HMCD 78. Narration in transliterated French, sung in Russian. Principal roles—Anne-Catherine Picca (Mouse), Florence Barraeu (Cat), Tatyana Martynova (Duck), Patrick Nogues (Horse), Mathieu Bulot (Pig), Yelena Vassilieva (Narrator), Republican Guard Symphony Orchestra, Vladimir PONKIN. [Sans opp. G(ii) and D(ix); Opp. 4 and 31; Sans op. G(i). P Sorbonne University, Paris concert 16 Jan. 2002. Notes: Samuil Marshak wrote a companion story in verse, The Tale of the Clever Little Mouse, though this was not filmed. The lullaby theme is used in the fifth song ‘Kreutzer Sonata’ of Satires, Opus 109.

Opus 57: Piano Quintet in G minor Form: Quintet for piano, 2 violins, viola, and cello in five movements: 1. 2. 3. 4. 5.

Prelude—Lento—Poco più mosso—Lento attacca Fugue—Adagio Scherzo—Allegretto Intermezzo—Lento attacca Finale—Allegretto

OP U S 57: P IA NO QU INT ET IN G MIN OR

215

Composed: Summer 1940–14 September 1940, at Moscow. Written at the request of the Beethoven Quartet as a work to perform with the composer. Premierès: 23 November 1940, Moscow Conservatory Malyi Hall; Dmitri Shostakovich (piano) and the Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). 15 December 1940, Leningrad Conservatory Malyi Hall; Dmitri Shostakovich and the Glazunov Quartet (Ilya Lukashevsky, G. Ginzburg, Aleksandr Ryvkin, and David Mogilevsky). Music: Given as Opus 58 in early Russian record catalogues. Autograph score preserved at GTsMMK. The autograph score first page of the Finale, marked ‘Moderate poco  = 72’, reproduced in Volume 37 of Collected Works. Awarded a Stalin Prize First Class of 100,000 roubles on 16 March 1941. Muzgiz (Poligrafkniga), No. C 17Ø 0, 1941, score, 35 cm. Leeds Music, no number, 1948, score and parts, 31 cm. International Music, No. 2063, c.1950, score and parts, 30.5 cm. Muzgiz, No. 25601, 1962, score and parts, 29 cm. Am-Rus Music Corporation, New York, no number, 1941, score reproduced photographically from the Muzgiz edition in plain red cloth boards with, slipped into a rear pocket, copyist-prepared string parts. [The words ‘bass ad lib’ on title page cancelled by an over-printed area of black ink.] Edition Peters, No. 4791 (plate no. 25601), 1964, score and parts, 30 cm. Hans Sikorski, No. 2275, 1964, score and parts, 31.5 cm. Muzyka, 1968, parts, 29 cm. Muzyka, No. 10794 (in Volume 37 of Collected Works), 1983, score and parts, 30 cm. DSCH Publishers, Moscow, score in Volume 99 of New Collected Works. Duration: Approx. 32 minutes in score; 29 minutes (Sadovnikov); 27' 54"–37' 14"; 31' 30" (Plaistow). Ballet: Sacred Circles. David Drew, Royal Ballet; Royal Shakespeare Theatre, Stratford-upon-Avon, 3 March 1973. Recordings: CD—Czech: Multisonic MU 31 0179-2 (‘Russian Treasure’, mono). Dmitri SHOSTAKOVICH and Beethoven Quartet (personnel as at première). P Moscow from 01.30 to 07.30 on 10 Dec.1940, I Sept. 1993 ~ *France: Dante LYS 369/370 (two-disc set). [Opp. 67, 40, and 73.] I 1998. 78 rpm—USA: Columbia 71296-9D in Set M 483 (8 sides). Vivian RIVKIN (piano) and Stuyvesant Quartet. CD—France: Vogue Archives Soviétiques 651023 (mono). D. SHOSTAKOVICH and Borodin Quartet (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P possibly Paris 3 Dec. 1949, I 1991.

216

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP—Decca LXT 2749 (mono). QUINTETTO CHIGIANO (Sergio Lorenzi— piano; Riccardo Brengola, Mario Benvenutti, Giovanni Leone, Lino Filippini). P 24 Oct. 1951, G Dec. 1952 ~ Decca Eclipse ECS 592 (electronic stereo). G May 1971. *CD—USA: Bridge Records 9175. Artur BALSAM (piano) and Budapest Quartet (Joseph Roisman, Jac Gorodetsky, Boris Kroyt, Mischa Schneider). [Hindemith and Brahms.] P Coolidge Auditorium at Library of Congress, Washington concert 18 Dec. 1951, I 2005. LP—USA: American Federation of Musicians CB 158 (mono). Eunice NORTON (piano) and Juilliard Quartet (Robert Mann, Robert Koff, Raphael Hillyer, Arthur Winograd). P Pittsburgh 1952, I 1954. LP and CD—USA: Capitol CTL 7024 (mono). Victor ALLER (piano) and Hollywood Quartet (Felix Slatkin, Paul Shure, Paul Robyn, Eleanor Aller). P Jan. 1952, G Feb. 1953. Reissued on CD—USA: Testament SBT 1077 (mono). I Jan. 1996, G May 1996. 78 rpm, LP and CD—USSR: 15268 (8 sides). D. SHOSTAKOVICH and Beethoven Quartet (personnel as at première). P Moscow 29 Mar. 1955 (filmed in performance). NB. This initial release not listed in the 1963 Ministry of Culture Catalogue. Reissued on LP—USSR: MK D2620-1 (10" mono). and I 1955 ~ Parlophone Odeon PMA1040 (mono). G Aug. 1958 ~ HMV Melodiya HLM 7095 in Set RLS 721 (mono). G Oct. 1976~ USSR: Melodiya M10 39077-8 (in four-record box set ‘D. Shostakovich— Pianist’, mono). I 1977. Reissued on CD ~ France: Le Chant du Monde LDC 278 1000 (mono, double-play). I Sept. 1989 ~ Revelation RV 70005 (mono). (‘Shostakovich plays Shostakovich, Volume 4’, mono.) P date given as 14 July 1950, I Mar. 1998, G Aug. 1998 ~ *Canada: Doremi DHR 7787 (mono) [Opp. 67, 34, 69, and 5.] I Feb. 2000 ~ *USA: Eclectra ECCD 2067 (‘Shostakovich plays Shostakovich, Volume 2’, mono). [Opp. 34, 79, and 97.). I Oct. 2004 ~ *Germany: Designo 222521 (on third of four-disc set). [Op. 67.] P given as 1949, I June 2005. CD—Japan: Triton MECC 26020 (mono). Lev OBORIN (piano) and Beethoven Quartet (personnel as at première). P Moscow Conservatory concert 1960, I 2000. LP—Czech: Supraphon SUA10188 (mono) and SUA ST 50045. Eva BERNÁTHOVA (piano) and Janácˇek Quartet (Jirˇ í Travnicek, Adolf Sykora, Jirˇí Kratochv’l, Karel Krafka). P 1960 ~ USA: Artia ALP 188 (mono) and ALPS 188. G Mar. 1962. CD—Italy: Nuova Era 2273 (mono). Movements 1, 2, and 5. Glen GOULD (piano) and Symphonia Quartet. P CBC Television Studios, Toronto 18–19 Sept. 1961, broadcast 14 Jan. 1962, G Dec. 1989. NB. This performance available on the seventh mono videocassette Sony SHV 48411 ‘A Russian Interlude’ in The Glenn Gould Collection.

OP U S 57: P IA NO QU INT ET IN G MIN OR

217

LP and CD—L’Oiseau-Lyre OL 267 (mono) and SOL 267. Lamar CROWSON (piano) and the Melos Ensemble (Emanuel Hurwitz, Ivor McMahon, Cecil Aronowitz, Terence Weil). P 1964, G June 1964. Reissued on CD—Decca 466 437-2 (third of five-disc set). 1999. LP—Poland: Muza XL 0270 (mono). WARSAW QUINTET (Bronisław Gimpel, Tadeusz Wron´ski, Stefan Kamasa, Aleksander Władysław Szpilman—piano; Ciechan´sk’). I 1965. USA: Prologue Records DL 15-16. Trilby LUNDBERG (piano), Judith Aller and Alan Stott (violins), Bernard McWilliams (viola), James B. Kreger (cello). I 1966. CD—Italy: Intaglio INCD 7561. Svyatoslav RICHTER (piano) and Borodin Quartet (R. Dubinsky, Y. Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P Spoleto Festival concert 17 July 1966, I Aug. 1993. *LP—East Germany: Eterna 8 26 017. Dieter ZECHLIN (piano) and Novák Quartet (Antonin Novák, Dušan Pandula, Josef Podjuki, Jaroslav Chovanec). [Op. 122.) P Lukaskirche, Dresden 4 July 1967 or 3 Apr. 1968, I 1970. CD—France: Praga PR 254 042. Miroslav LANGER (piano) and Tálich Quartet (Petr Messieureur, Jan Kvapil, Jan Tálich, Evžen Rattay). P 1967, I May 1994. LP—USSR: Melodiya D 022667-8 (mono) and CM 01833-4. Lyubov YEDLINA (piano) and Borodin Quartet (R. Dubinsky, Y. Aleksandrov, D. Shebalin, V. Berlinsky). P 1968, I 1969 ~ HMV Melodiya ASD 3072. G May 1975. USSR: Melodiya C10 09181-2. Nikolai PETROV (piano) and Borodin Quartet (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). [In second box of Part 2 of Collected Works on Records] P 1977, I 1978. Czech: Supraphon 111 2484. Miroslav LANGER (piano) and Tálich Quartet (Petr Messieureur, Jan Kvapil, Jan Tálich, Evžen Rattay). P Prague 20 Apr. 1978, G Jan. 1981. LP and CD—Continental Record Distributors CRD 1051. Clifford BENSON (piano) and Alberni Quartet (Howard Davis, Peter Pople, Roger Best, David Smith). P Hampstead 24–27 Oct. 1977, G Nov. 1978. Reissued on CD—CRD 3351. G Mar. 1989. LP—RCA Red Seal RL 25224. Roger WOODWARD (piano) and Edinburgh Quartet (Miles Baster, Peter Markham, Michael Beeston, Christopher Gough). P Edinburgh 21–22 Sept. 1978, G Jan. 1980. LP and CD—France: Solstice MN 01. PRO ARTE QUINTET of Monte Carlo (Fernande Laurent-Biancheri—piano; Jean Claude Abraham, Renée Charnaix-Anderson, Jean-Pierre Pigerre, Lane Anderson). P Monaco 29 Apr. and 2 May 1979. *Reissued on CD—France: Solstice SOCD 188. [Borodin and Martinu˚.] I Nov. 2001.

218

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP—USSR: Melodiya C10 17213-4. Aleksei NASEDKIN (piano) and Shostakovich Quartet (Andrei Shishlov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1980, I 1982d. Czech: Opus 91111273. Marian LAPŠANKSÝ (piano) and Janác´ek Quartet (Bohumil Smejkal, Adolf Sykora, Jirˇí Kratochvíl, Karel Krafka). P 1982. Academy Sound and Vision ALH 929. MUSIC GROUP OF LONDON (David Parkhouse—piano; Hugh Bean, Penny Hart, Christopher Wellington, Eileen Croxford). I Apr. 1983, G July 1983. LP and CD—Chandos ABRD 1088 (digital). Borodin Trio (R. Dubinsky, Yuli Turovsky, Lyubov YEDLINA, with Mimi Zweig (2nd violin) and Jerry Horner (viola). P London June 1983, G Jan. 1984. Reissued on CD—Chandos CHAN 8342. I Sept. 1984, G Apr. 1985. LP—USA: Orfeo SO 99 844F. Scherzo only. Vladimir ASHKENAZY (piano), Gidon Kremer, Cho-Liang Lin, Kim Kashkashian, and Misha Maisky. P July 1983, I 1984. LP and CD—Decca 411 940-1DH (digital) and released on CD—411 940-2DH. Vladimir ASHKENAZY (piano) and Fitzwilliam Quartet (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P London Sept. 1983; G Feb., May, and Oct. 1987 ~ *Decca Double Decca 473 807-2 (two-disc set). [Sans opp. D(i) and (v), Op. 40; Rakhmaninov, Prokofiev et al.] I May 2003. HMV Melodiya EL 270338-1 (digital). Svyatoslav RICHTER (piano) and Borodin Quartet (Mikhail Kopelman, Andrei Abramenkov, Dmitri Shebalin, Valentin Berlinsky). P Moscow concert 5–6 Dec. 1983, G Nov. 1985 ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets, DMM). G Mar. 1986 ~ USSR: Melodiya A10 00109 003 (digital). I 1986a. Reissued on CD—EMI Melodiya CDC7 47507-2. I Nov. 1986, G Oct. 1987 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994. NB. These releases are of two different edits of the two concert performances. CD—Nimbus NI 5156. John BINGHAM (piano) and Medici Quartet (Paul Robertson, David Matthews, Ivo-Jan van der Werff, Anthony Lewis). P 6–8 June 1988, I Feb. 1989, G May 1989. Philips 432 079-2PH. Beau Arts Trio (Isidore Cohen, Peter Wiley, Menahem PRESSLER) with Eugene Drucker (violin) and Lawrence Dutton (viola). P New York Sept. 1989, I May 1991, G Aug. 1991. Finland: Ondine ODE 744-2. KUHMO CHAMBER SOLOISTS (Konstantin Bogino—piano; Pavel Vernikov, Yoshiko Arai, Vladimir Mendelssohn, and Anatole Liebermann). P Nov. 1989, I June 1990. Netherlands: Fidelio 8843. REIZEND MUZIEGEZELSCHAP (Christian Bor, Paul Rosenthal, Marcus Thompson, Godfried Hoogeveen, Edward Auer). P Amsterdam 21 Mar. and 7 Aug. 1990.

OP U S 57: P IA NO QU INT ET IN G MIN OR

219

*Australia: Tall Poppies TP 052. AUSTRALIA ENSEMBLE (David Bollard— piano; Dene Olding, Dmitry Hall, Irena Morozova, and Julian Smiles). [Op. 67.] P ABC Studio, Sydney 7–8 Feb. 1992, I 1996. Virgin Classics VC7 59312-2. NASH ENSEMBLE (Ian Brown—piano; Marcia Crayford, Elizabeth Layton, Roger Chase, and Christopher van Kampen). P London Nov. 1990, I Aug. 1993. Conifer Classics CDCF 194. Kathryn STOTT (piano) and London Musici Quartet (Lyn Fletcher, Jackie Hartley, Edward Vanderspar, Martin Loveday). P Bristol 3–4 Dec. 1990, I Jan. 1995. USA: Russian Disc RDCD 10 031. Constantine ORBELIAN (piano) and Moscow Quartet (Yevgeniya Alikhanova, Valentina Alykova, Tatyana Kokhanovskaya, Olga Ogranovich). P Moscow Conservatory May 1991, I June 1994. France: Auvidis Valois V 4702. PRO ARTE QUINTET of Monte Carlo (Fernande Laurent-Biancheri—piano; Bojidar Bratoev, Daniel Lagard, Jean-Pierre Pigerre, and Shigheki Sakuraba). P June 1993, G Oct. 1994. USA: Greystone Records GS 521. Robert GURALNIK (piano) and Leontovych Quartet (Yuri Mazurkevich, Yuri Kharenko, Borys Daviatov, Volodymyr Pantelev). P Purchase, New York May 1994. Teldec 4509-98414-2. Elizaveta LEONSKAYA (piano) and Borodin Quartet (M. Kopelman, A. Abramenkov, D. Shebalin, V. Berlinsky). P Berlin Apr. 1995, G Feb. 1997 ~ Ultima 8573 87820-2 (two-disc set). I Apr. 2001, G Aug. 2001. Canada: Marquis Classics ERAD 183. Lev NATOCHENNY (piano) and Penderecki Quartet (Piotr Buczek, Jerzy Kaplanek, Dov Scheindlin, Paul Pulford). P Humbercrest United Church. Toronto 12–13 Oct. 1995, I June 1997. Italy: Real Sound RS 051-0176. TRIO DI TORINO (Sergio Lamberto, Dario Destefano, Giacomo Fuga) with Marina Bertolo (violin) and Gustavo Fioravanti (viola). P Wesel, Germany Apr. 1996,1 May 2000. Germany: Edition Abseits EDA 010-2. PIHTIPUDAS QUINTET (Jaako Untamala—piano; Götz Bernau, Antti Meurman, Ulla Kekko, and Juhu Malmivaara). P Kuopio, Finland May 1996. USA: Arabesque Z 6715. BOSTON SYMPHONY CHAMBER PLAYERS (Gilbert Kalish—piano; Malcolm Lowe, Marylou Speaker Curchill, Steven Ansell, Jules Eskin). P Tanglewood ‘Summers of 1996–1997’, I and G Mar. 1999. Germany: Cybele 350 301. Thomas LEANDER (piano) and Minguet Quartet (Ulrich Isfort, Annette Reisinger, Irene Schwalb, Matthais Diener). P Viersen 17–19 Dec. 1997. Linn CKD 065. lan BROWN (piano) and Schidlof Quartet (Ofer Falk, Rafael Todes, Graham Oppenheimer, Oleg Kogan). P Horsham 3–5 Oct. 1996, G Oct. 1997.

220

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Denmark: Classico CLASSCD 273. ESBJERG ENSEMBLE (Ulrich Stark— piano; Sakari Tepponen, Niels Christian Øllgaard, Michel Camille, Alexei Kalatchev). P Mantziusgården, Denmark 31 Mar.–2 Apr. 1998. Sony SK 60677. Yefim BRONFMAN (piano) and Juilliard Quartet (Joel Smirnoff, Ronald Copes, Samuel Rhodes, Joel Krosnick). P Florence Gould Auditorium of Seiji Ozawa Hall, Tanglewood 28–29 June 1999, I Nov. 1999 ~ *Sony Classical 82876 79018-2 (two-disc set). [Opp. 73, 142, and 144.] I Nov. 2006, G Jan. 2007. **Germany: Cultura Viva kr 10 067/Scala Records SR 10001. Vladimir KRAINEV (piano) and Rakhmaninov Quartet (Andrei Andriev, Aleksandr Bondarenko, Anton Yaroshenko, Vladimir Shochov). [Op. 110.] P Berlin Konzerthaus concert 10 May 2000, I 2001. Naxos 8.554830, Boris BERMAN (piano) and Vermeer Quartet (Shmuel Ashkenasi, Mathias Tacke, Richard Young, Marc Johnson). [Schnittke.] P Glen Gould Studio CBC, Toronto 3–6 Dec. 2000, I Sept. 2002, G Jan. 2003. Netherlands: Challenge Classics CC 72093. Christian BLACKSHAW (piano) and Brodsky Quartet (Andrew Haveron, Ian Belton, Paul Cassidy, Jacqueline Thomas). [Op. 11; Sans opp. P(iii) and D(i).] P Snape, Alderburgh 5–7 Mar. 2001, G May 2002. Calliope CAL 9320. Yakov KASMAN (piano) and Tálich Quartet (Jan Tálich junior, Petr Macecˇek, Vladimir Bukacˇ, Petr Prause). [Op. 110.] P Arco Diva Domovina Studio, Prague Nov. 2001, I June 2002. Russia: Northern Flowers PMA 9913. ST PETERSBURG CHAMBER SOLOISTS (Igor Uryash—piano; Ilya Ioff, Lidiya Kovalenko, Aleksei Lyudevig, Aleksei Massarsky). [Brahms.] P St Catherine Lutheran Church, St Petersburg 12–14 Nov. 2002. Germany: Capriccio 67 082. Ewa KUPIER (piano) and Petersen Quartet (Conrad Muck, Daniel Bell, Friedemann Weigle, Henry-David Varema). [Opp. 49 and 83.] P Bayerische Rundfunk, Munich 20–23 Oct. 2003. Hyperion CDA 67158. Igor URYASH (piano) and St Petersburg Quartet (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). [Opp. 49 and 67.] P St Petersburg Studio Dec. 2003, G Nov. 2004. France: Arion ARN 68675. Claire-Marie LEGAY (piano) and Debussy Quartet (Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier). [Op. 144.] P Cité des arts, Chambéry, France 30 Oct.–2 Nov. 2004, I 2005. Chandos CHAN 10329 (‘Complete Quartets, Volume 6’). Martin ROSCOE (piano) and Sorrel Quartet (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher).[Opp. 49 and 133.] P The Maltings, Snape 10–12 Jan. 2005, I Aug. 2005, G Oct. 2005. USA: Foghorn Classics ASQ-1988 (in three disc set). Roger WOODWARD (piano) and Alexander String Quartet (Zakarias Grafilo, Frederick Lifsitz,

O P U S 58: BORIS G OD U NOV (MUSSORGSKY )

221

Paul Yarbrough, Sandy Wilson). [Quartets Nos. 1–7 and Op. 87 Nos. 15 and 20.] P American Academy of Arts and Letters, New York City between 25 Sept. and 13 Nov. 2005. EMI Classics 504504-2. Martha ARGERICH (piano), Renaud Capuçon, Alissa Margulis, Lyda Chen, and Mischa Maisky. [Opp. 35 and 94.] P Auditorio Stelio Molo, Lugano, Swizerland 21 June 2006, G Nov. 2007. Sweden: Intim Musik IMCD 103. Francisca SKOOGH {pianist)and Z Quartet (Mats Zetterqvist, Ulrika Jansson, Pascal Siffert, Daniel Blendulf). [Op. 40.] P Swedish Radio studio, Stockholm 30 June 2006, I 2007. Onyx ONYX 4026. Itamar GOLAN (piano), Julian Rachlin, Janine Jansens, Yuri Bashmet, and Mischa Maisky. [Op. 8 and Sans op. P(iii).] P Musikverein, Vienna 11 Dec. 2006, I Nov. 2007, G Jan. 2008.

Opus 58: Boris Godunov (Mussorgsky) Form: Reorchestration of Modest Mussorgsky’s opera Boris Godunov of 1868–72 for stage performance. Opera in four acts with Prologue and ten scenes. Libretto by Mussorgsky, based on Aleksandr Pushkin’s drama Boris Godunov and Nikolai Karamazin’s History of the Russian Empire. Instrumentation: piccolo (= flute III), 2 flutes, 2 oboes, cor anglais (= oboe III), E flat clarinet, 2 clarinets (B flat and A), bass clarinet, 2 bassoons, contrabassoon (= bassoon III) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ separate on-stage band of 2–4 B flat cornets, 4 trumpets, 3–6 French horns, 2–4 B flat baritone saxhorns, and 2–4 bass saxhorns ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ glockenspiel, orchestral bells, xylophone, celesta, 2–4 harps, piano ~ strings. Optional balaikas and domras. Composed: Edited and orchestrated from 24 November 1939 (negotiations with the Kirov Theatre, Leningrad) to 10 May 1940. Acts 1, 2, and 3 completed on 21 January, 4 March, and 1 April respectively, at Leningrad. Act 4 completed at Gaspra, Crimea. Première: 4 November 1959, Kirov Theatre of Opera and Ballet, Leningrad; designs by G. Moseyev, directed by I. Shlepyanov and conducted by Sergei Yeltsin. Title role sung by Boris Shtokolov. [The 1943 première, with designs by Pavel Williams, was delayed owing to the replacement of Samuil Samosud as principal conductor of the Bolshoi Theatre, Moscow.] Arrangement: German translation of the libretto by Herkunft. Music: Autograph score preserved at TsGALI. Sovetskii kompozitor, No. 2738, 1963, two volumes, full score, 30 cm. Duration: 3 hrs 22 mins. Recordings: LP and CD—USA: Unique Opera UORC 337 (mono). Excerpts: Monologue, Clock Scene, and Farewell. Aleksander KIPNIS (bass),

222

D M I T R I SHOSTA K OVIC H C A TA LO GUE

New York Philharmonic Orchestra, Fritz Reiner. P radio première 23 July 1944. Reissued on CD—Italy: AS 628. I 1990 ~ USA: Music & Arts Compact Disc 867 (mono). [Boris Godunov highlights in Rimsky-Korsakov version.] I 1995 ~ Italy: Arlecchino ARL 121-3 (three-disc set, mono). Three excerpts on third disc. [Rimsky-Korsakov/Ippolitov-Ivanov version recorded in Moscow, Mar. 1948.] I 1996. LP—USSR: MK D9605-6 (10" mono) and C281-2 (10"). Scenes in the Tsar’s chamber from Act 2. Boris Shtokolov (Boris), Konkordiya Slovtsova (Kseniya), Taisiya Kuznetsova (Fyodor), Vladimir Ulyanov (Shuisky); Soloists and Orchestra of the Kirov Opera and Ballet Theatre of Leningrad, Sergei YELTSIN. P 1959, I 1962. CD—Italy: Arkadia MP 492-3 (three-disc set with comparative examples from the original version by Mussorgsky, revision by Rimsky-Korsakov, and the Kipnis/Reiner recording in Shostakovich’s orchestration). Miroslav Cˇangalovic´ (Boris), Olga Djokic´ (Kseniya), Milivoj Petrovic´ (Fyodor), Franjo Paulik (Shuisky), Dušan Popovic´ (Pimen); Orchestra, Soloists, and Chorus of the Belgrade National Opera Theatre, Dragomir Radivojevic´ (chorus-master), Dušan MILADINOVICˇ. P Venice concert 3 Jan. 1967, I May 1995. LP and CD—Germany: Telefunken SAT 22526. Arias and Scenes from Scenes 2, 5, and 7–9, sung in German. Theo Adam (Boris), Roswitha Trexier (Fyodor), Karl Friedrich Hölzke (Shuisky), Siegfried Vogel (Pimen), Martin Ritzmann (False Dmitri), Hanne-Lore Kuhse (Marina), Wifred Schaal (Rangoni), Peter Schreier (Yurodivy); Dresden Philharmonic Children’s Choir—Wolfgang Berger (chorus-master), Leipzig Radio Choir—Horst Neumann (chorus-master), Dresden Staatskapelle, Herbert KEGEL. P Dresden studio Mar. 1970, G June 1973. Reissued on CD—Germany: Berlin Classics 0120 032. CD—Philips 442 775-2PH (‘Russian Spectacular’). Coronation Scene—’I am sick at heart’. Kirov Theatre Chorus and Orchestra, Valery GERGIEV. P Haarlem Apr. 1993, I Feb 1995, G July 1995. Note: See the essay ‘Mussorgsky and Shostakovich’ by Laurel E. Fay in M. H. Brown 1982.

Op. 58a: King Lear Form: Incidental music to Grigori Kozintsev’s stage production of William Shakespeare’s tragedy King Lear, in the Russian translation of Mikhail Kuzmin and A. Radlova: 1. Introduction and Ballad of Cordelia—’Beyond a dark sea on a cliff stands a high house’—Moderato (authorship of text not established).

OP. 58A: KIN G L EAR

223

2. Return from the Hunt—Allegretto 3–12. The Fool’s Songs—ten brief songs (text by Shakespeare, translated by Samuil Marshak) the first to the tune ‘Jingle Bells’: He who decides to give away his country—Allegro Fools had ne’er less grace in a year—Allegretto He that keeps nor crust nor crumb—Allegro The hedge-sparrow fed the cuckoo so long—Moderato Fathers that wear rags—Allegretto-Allegro When priests are more in word than matter—Presto A fox when one has caught her—Moderato The cod-piece that will house—Moderato He that has and a little tiny wit—Allegro That sir which serves and seeks for gain—Allegro 13. Finale of Act One—Andante 14. Approach of the Storm (At Regan’s castle)—Andante 15. Scene on the Steppe [from Act Three] (At the Hut)—Moderato 16. The Blinding of Gloucester [‘Earl of Gloster’ in Shakespeare]—Moderato 17. The Military Camp—Andante 18. March—Allegretto poco moderato 19–23. Fanfares—five flourishes—Allegro Instrumentation: piccolo, flute, oboe, clarinet (A/B flat), 2 bassoons ~ 2 horns, 2 trumpets, trombone, tuba ~ timpani, triangle*, wood block*, tambourine, side drum*, cymbals, bass drum*, gong* ~ piano* ~ strings. Instruments marked by an asterisk not used in the two pieces for Hamlet (1954). Composed: Late 1940, at Leningrad. Premières: 24 March 1941, Gorky Bolshoi Drama Theatre, Leningrad; designs by Natan Altman and directed by Grigori Kozintsev. The Fool’s Songs. USA: 10 October 1995, The Sylvia and Danny Kaye Playhouse, New York; Robert Osborne (bass-baritone) and Norman Krieger (piano). Osborne’s edition of the ten songs using the original Shakespearean texts. Arrangements: Three orchestral pieces in the composer’s piano reduction: 2. Return from the Hunt—Allegretto 15. A Scene from Act Three (At the Hut)—Moderato 18. March—Allegretto poco moderato Material from Shostakovich’s manuscript score restored and arranged for voice and piano by Lev Solin. 3–12. The Fool’s Songs 1. Ballad of Cordelia—Moderato

224

D M I T R I SHOSTA K OVIC H C A TA LO GUE

English translation of Nos. 1 and 3–12 by Joan Pemberton Smith and Edition of Nos. 3–12 using the original Shakespearean texts by Robert Osborne. Hamlet: Music for stage production of William Shakespeare’s tragedy Hamlet, Prince of Denmark, produced by Grigori Kozintsev in April 1994 at the Leningrad Pushkin Theatre. A large part of Shostakovich’s score to King Lear, Opus 58a, was utilized with two additional numbers composed in 1954: ‘Jig’—Presto Finale—Moderato The ‘Jig’ arranged for cello and piano by Yuozas Chelkauskas. Music: Autograph piano and full scores of King Lear preserved in the Shostakovich Family Archive and manuscript full score only of the two items composed for Hamlet (1954) preserved in the Leningrad Pushkin Theatre’s Music Department. Published in the journal Muzykalnaya zhizn (‘Musical Life’), 1976, No. 17; The Fool’s Songs’ Nos. 1, 5, 6, and 10 and ‘Ballad of Cordelia’ for voice and piano. Sovetskii kompozitor, No. 4028 (in Dmitri Shostakovich: Music to Plays), 1977, three pieces in the composer’s piano reduction and ‘Jig’ for Hamlet (1954) arr. for piano by L. Solin, 29 cm. Sovetskii kompozitor, No. 4235 (in Dmitri Shostakovich: Songs from Plays), 1977, The Fool’s Songs’ and ‘Ballad of Cordelia’ for voice and piano, 29 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, vocal and piano scores of 23 pieces and the two pieces from Hamlet (1954), 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 30 cm. Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, the Hamlet ‘Jig’ arr. Yu. Chelkauskas, 29 cm. DSCH Publishers, Moscow, Hamlet full score in Volume 117 and piano score in Volume 120; King Lear full score in Volume 118 and piano score in Volume 121 of New Collected Works. Duration: No. 1: 2' 24"–3' 57" and Nos. 3–12: 8' 42"–9' 40". Complete score: 24' 58"–25' 43". Hamlet ‘Jig’: 1' 37" and Finale: 1' 29". Recordings: LP and CD—USSR: Melodiya C10 09225-6 (in third box of Part 3 of Collected Works on Records). Nos. 3–12 and 1 (without the ‘Introduction’). Yevgeni NESTERENKO (bass) and Yevgeni Shenderovich (piano). P Jan. 1976, I 1978 ~ HMV Melodiya ASD 3700. G Sept. 1979. Reissued on CD—Japan: Victor Musical Industries VICC 40082-83 (‘Shostakovich Songs’, two-disc set). I 1991. USSR: Melodiya A10 00107 009 (Album 3 of ‘From Manuscripts of Different Years’, digital). Nos. 1 and 3–12. Nataliya BURNASHEVA

OP. 58A: KIN G L EAR

225

(mezzo-soprano) in No. 1; Yevgeni NESTERENKO (bass) in Nos. 3–12; USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P1984, I 1985d. Reissued on CD—BMG Melodiya 74321 53457-2. I May 1998. USSR: Melodiya C10 22365 004 (‘Music for Theatre’). Nos. 2, 15, 14, 17–23, and 1. Nina Romanova (mezzo-soprano) in No. 1; Leningrad Chamber Orchestra, Eduard SEROV. P 1984, I 1986a. Reissued on CD—Olympia OCD 182. I Sept. 1988, G Dec. 1988 ~ Russia: Manchester Compact Disc CDMAN 129. (‘Shostakovich Theatre and Cinema Music’). I 1998. LP—USSR: Melodiya C10 28379 002. ‘Scene on the Steppe’ only. Vladimir VIARDO (piano). P 1986, I 1990a. CD—Germany: Capriccio 10 397. Nos. 19, 1, 20, 2, 21, 3–12, 22, 13–17, 23, and 18. Elena Zaremba (mezzo-soprano) in No. 1; Stanislav Suleimanov (bass) in Nos 3–12; Berlin Radio Symphony Orchestra, Mikhail YUROVSKY. P Berlin 10–13 December 1990, G Sept. 1992. NB. No. 13 should read ‘Finale 1st Act’. Koch International Classics 37274-2. Nos. 19, 1, 20, 2, 3–12, 21, 13, 22, 14, 23, and 15–18. KBS Symphony Orchestra, Vakhtang JORDANIA. P Seoul, Korea Feb. 1994, I Sept. 1994, G Dec. 1994. NB. The ‘Jester’s Songs’ Nos. 3–12 ‘sung’ by a bassoon. United 88050-2. Hamlet ‘Jig’ and Finale and King Lear Nos. 1–17, 19–23, and 18. Louise Winter (mezzo-soprano), David Wilson-Johnson (baritone), City of Birmingham Symphony Orchestra, Mark ELDER. P Birmingham Town Hall 13–15 June 1994, I Nov. 1994 ~ Cala CACD 1021. I Aug. 1995, G Jan. 1996 ~ *Signum SIGCD 052. [Op. 32.] I Nov. 2004. Japan: Triton 17 008. Nos. 1 and 3–12. Aleksei MOCHALOV (bass), Moscow Chamber Music Theatre Orchestra, Anatoli Levin. P Mosfilm. Studio Nov. 1995, I Nov. 1996. Chandos CHAN 9907 (‘Theatre Music’). Hamlet ‘Jig’ and King Lear No. 17 arr. composer. Rustem HAYKOUDINOFF (piano). P Potton Hall, Suffolk 7–8 Aug. 2000, I Apr. 2001. **Russia: Northern Flowers NF/PMA 9912 (‘Unknown Vocal Cycles’). Mikhail LUKONIN (baritone) and Yuri Serov (piano). Nos. 3–12. [Op. 46; Sans op. R; Opp. 100, 80, 33; Sans op. X.] P St Catherine Lutheran Church, St Petersburg 25 Jan. 2002, I 2003 ~ USA: Delos DE 3309 (‘Complete Songs, Volume Three’). Nos. 1 and 3–12. Lyudmila SHKIRTIL (mezzo-soprano) in No. 1 only. [Opp. 4, 21, 46, 32, and 62.] P St Petersburg 25 Jan. 2002, I 2003. Notes: In Shakespeare’s play the texts of the Fool’s Songs, as arranged in Shostakovich’s score, appear in the order 1–4, 7, 5, 10, 8, 9, and 6. The first of The Fool’s Songs is a free translation of the lines ‘That lord that counsell’d thee to give away thy land’.

226

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Collected Works Volume 28 incorrectly states that the Scene from Act Three piece in Music to Plays Sovetskii kompozitor No. 4028 is ‘The Military Camp’.

Opus 59: The Adventures of Korzinkina Form: Music for the black-and-white film The Adventures of Korzinkina, also known as Ein Billet V Zone (‘A Ticket to the Fifth Zone’), which was the first of a projected series of comedies, directed by Klementi Mints for Lenfilm. The score said to be saturated with humorous music, including a march, lullaby, and galop; the number ‘On the Boulevard’; fragments from Tchaikovsky’s Swan Lake ballet; Mephistopheles aria from Charles Gounod’s Faust, and the orchestration of Mussorgsky’s Song of the Flea for bass and symphony orchestra. For the ‘Song of Korzinkina’ Shostakovich used a melody that the clown Musin played on the concertina in the Leningrad circus. The March is extended for full orchestra in the Suite for Variety Stage Orchestra, Sans op. G(ii) from the shortened brass band version of the second number of the Suite Opus 59a . Composed: Autumn 1940, at Leningrad. Première: Film first shown on 11 November 1940. Arrangement: Opus 59a—Suite of six items assembled by Gennadi Rozhdestvensky: 1. 2. 3. 4. 5. 6.

Overture—Allegretto March—Allegretto The Chase (for piano four hands)—Presto Music in the Restaurant—Moderato non troppo Intermezzo Finale—Andantino

Instrumentation: Suite—piccolo, 2 flutes, 2 oboes, E flat clarinet, 2 B flat clarinets, 2 bassoons ~ 4 horns, 2 trumpets, trombone, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum ~ xylophone, harp, piano (2 players) ~ S.A.T.B. chorus—strings. Music: Film score lost during the Leningrad Blockade. Song of the Flea orchestration, along with drafts in piano score, preserved at TsGALI. Ten numbers preserved in the Shostakovich Family Archive. Muzyka, No. 10889 (in Volume 41 of Collected Works). Suite Nos. 1–4 and 6, 30cm. DSCH Publishers, Moscow, full score in Volume 130 and full score of Song of the Flea in Volume 146 of New Collected Works. Duration: Film: 38 minutes. Suite: 9' 10" (Nos. l–6)–10' 03" (Nos. 1–4 and 6). Ballet: The Overcoat. For details see under Opus 32.

S A N S OP . J: WA RTIM E C ONC ERT PART Y PIECES

227

Recordings: LP and CD—USSR: Melodiya C10 23081 001 (Album 5 of ‘From Manuscripts of Different Years’). Suite Nos. 1–6. Nataliya Koridalina and Mikhail Muntyan (piano), USSR Ministry of Culture Symphony Orchestra and Chamber Choir, Gennadi ROZHDESTVENSKY. P 1984, I 1986c. Reissued on CD—Olympia OCD 194. I Feb. 1988, G June 1988 ~ BMG Melodiya 74321 59058-2 (two-disc set). I and G. Mar 1999. CD—USA: Citadel CTD 88129. Suite Nos. 1–4 and 6. Irina Kolesnikova and Nina Kavetskaya (piano), Belarus State Chorus, Belarus RTV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Feb. 1997, I 1998. **Chandos CHAN 10378. Suite Nos. 1–4 and 6. Tatyana Polyanskaya and Elena Adamovich (piano), Russian State Symphonic Capella and Symphony Orchestra, Valeri POLYANSKY. [Opp. 35, 70, and 124.] P Moscow Conservatory June 2003, I May 2006, G Aug. 2006.

Sans op. I: Three Pieces for Solo Violin Form: Music for unaccompanied violin: Prelude, Gavotte, and Waltz. Composed: 1940, at Leningrad. Music: Given as Opus 59 by Boelza (1942), Martynov (1947), Slonimsky (1964) et al. Recordings: —

Sans op. J: Wartime Concert Party Pieces (I) OATH TO THE PEOPLE’S COMMISSAR Form: A part song for bass soloist, five-part choir, and piano with text by Vissarion Sayanov. Composed: 12–14 July 1941, at Leningrad. Arrangements: A second version, ‘The Great Day Has Come’, with new words also by V. Sayanov. Adaptations for two voices by Levon Atovmyan and for male voice, entitled ‘The Song of Liberation’ with lyrics by Paula Stone, by D. J. Grunes. Choral arrangement (T.T.B.B.) of the latter by Hugh Ross. Music: Manuscript lost. Autograph of the second version preserved in the Shostakovich Family Archive. The original song, along with war songs by seven other Leningrad composers won a prize in August 1941. Published in a collection ‘Songs of the Baltic Red Banner’, Leningrad on 1 September 1941 and by Muzgiz, 1942. The first 24 bars quoted in Khentova (1979b), 26–27. Russian-American Music, New York, 1944, adaptation ‘The Song of Liberation’ for voice and piano, 31 cm. Text translated into 15 languages, 43 x 56 cm. Also choral arrangement with piano by H. Ross.

228

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, ‘The Great Day Has Come’ arrangement for two voices by L. Atovmyan, 29 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, ‘The Great Day Has Come’ for bass soloist, S.A.T.B. chorus, and piano), 30 cm. Recording: 78 rpm—USA: Eterna 30-28 (78 rpm). ‘Oath to Stalin’. NB. No further details in WERM 3rd Supplement. The title ‘Oath to Stalin’ heavily scored out by the composer on his reply to the compiler’s March 1974 query sheet! (II) TWENTY-SEVEN ROMANCES AND SONGS Form: Arrangements for performance by vocalist(s), violin, and cello on the back of a lorry at Leningrad frontline concerts: 1. Ludwig van Beethoven ‘Come fill, fill, my good fellow’ (Trinklied) from 25 Schottische Lieder, Opus 108 (Russian text by A. Globa). 2. Georges Bizet—‘Habanera’ from Act 1 of Carmen. 3. Zhan Vekerlen—‘Pastorale’. 4. Ruggiero Leoncavallo—‘Harlequin’s Serenade’ from Act 2 of Pagliacci. 5. Gioacchino Rossini—‘Alpine shepherds’ Song’ from Guillaume Tell. 6. Aleksei Vertovsky—‘Gypsy Song’. 7. Semyon Gulak-Artemovsky—duet of Odarka and Karas, ‘From where did you appear?’, from Act 1 of the first Ukrainian opera (1862) The Zaporozhian Cossack beyond the Danube. 8. Aleksandr Gurilyov—‘Really, I will tell mama’ (words by N. Berg). 9. Aleksandr Gurilyov—‘The Little Sarafan’ (words by A. Polezhayev). 10. Aleksandr Dargomyzhsky—‘What it is like in our street’ (words by the composer). 11. Aleksandr Dargomyzhsky—comedy song ‘The Worm’ (words by Vasili Kurochkin after verses by Pierre Jean de Béranger). 12. Aleksandr Dargomyzhsky—Bolero, ‘The Sierra-Nevada [Granada] is shrouded in mist’ (words by V. Shirkov). 13. Aleksandr Dargomyzhsky—‘Feverishness’ (words traditional). 14. Modest Mussorgsky—‘Hopak’ (words from ‘Haydamaki’—a Ukrainian poem by Taras Shevchenko, in a Russian translation of Lev Mey). 15. Modest Mussorgsky—‘Parasya’s Dumka’ from Act 3 of Sorochintsy Fair. 16. Modest Mussorgsky—‘Khivrya’s Aria’ from Sorochintsy Fair. 17. Nikolai Rimsky-Korsakov—‘Song of the Varangian (Viking) Merchant’ from Scene 4 of Sadko. 18. Mikhail Ippolitov-Ivanov—‘I am sitting on a little rock’. 19. Matvei Blanter—‘Song about Shchors’ (words by Mikhail Golodny). 20. Isaak Dunayevsky—‘Song of the Sea’.

S A N S OP . J: WA RTIM E C ONC ERT PART Y PIECES

229

21. 22. 23. 24. 25.

Isaak Dunayevsky—‘Anyuta’s Song’, from the film The Merry Lads. Isaak Dunayevsky—‘Sing to us, wind’ (words by Vasili Lebedev-Kumach). Isaak Dunayevsky—‘Oh, good’. Georgi Milyutin—‘Do not touch us’. Dmitri and Daniil Pokrass—‘Those are not storm clouds’ (words by Aleksei Surkov). 26. Daniil Pokrass—‘Farewell—He was given an Order to go to the West’ (words by Mikhail Isakovsky). 27. David Pritsker—‘Song of the Young Girl’. Composed: 12, 13, and 14 July 1941, at Leningrad. Première: France: 2 June 2004, Association International D. Chostakovitch concert, Paris; Nos. 3, 6, 15, 9, and 21; Natalya Bobrova (soprano), Aleksandra Belyakova (violin), and Sergei Antonov (cello). UK: 24 September 2006, Queen Elizabeth Hall, London; Nos. 9, 13, 12, 6, 18, 21, and 27 sung in Russian; Marina Poplavskaya (soprano), Dmitri Sitkovetsky (violin), and Aleksandr Ivashkin (cello and artistic director of the ‘Shostakovich 100’ two-day event). Music: Autograph score of 111 pages preserved in the archives of Leningrad Conservatory. The first ten bars of No. 23 are illustrated on page 21 of Khentova (1979b). Shostakovich’s autograph of ‘Oh, good’ shows accompaniment for violin with bass clef chords. The original Dunayevsky song is included in Songs from Soviet Cinema (see Opus 80). (III) THE FEARLESS REGIMENTS ARE ON THE MOVE Form: Marching song for bass soloists and S.A.T.B. chorus, with lyric by sports journalist L. Rakhmilevich and simple accompaniment for bayan or piano, marked ‘Allegro commodo’. Composed: 15 July 1941, for the music ensemble of the People’s Volunteer Corps Theatre, Leningrad. Music: Manuscript lost. The title changed to ‘The Fearless Guards Regiments are Marching On’ when the units distinguished themselves in battle on the Leningrad Front and later to ‘Song of a Guards Division’. Sovetskii kompozitor, No. 3567 (in album ‘It is impossible for us to forget all about this journey ...’), compiled by Aleksandr Tishchenko, 1975, 29.5 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, 30 cm. (IV) POLKA FOR HARP DUET IN F SHARP MINOR (BALAKIREV) Form: A transcription of a piece by Mili Balakirev for two harps, marked ‘Allegretto-Scherzando’. May also be played by a large ensemble of harps. Composed: Late 1941 in Kuibyshev, at the request of harpist Vera Dulova.

230

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Music: Sovetskii kompozitor, No. 4893 (in Album of pieces for harp, Volume 1), 1979, 28.5cm. DSCH Publishers, Moscow, score in Volume 114 of New Collected Works. Duration: 2' 43". Recording: LP—USSR: Melodiya C10 26307 004 (Album 6 of ‘From Manuscripts of Different Years’). Svetlana PARAMONOVA and Irina PASHINSKAYA (harps). P 1983–86, I 1988d.

Opus 60: Symphony No. 7 in C major Form: Symphony, universally known as ‘The Leningrad Symphony’, for large orchestra (with additional brass, 2 harps, and a piano) in four movements— here given the initial descriptive titles later dropped by the composer: 1. 2. 3. 4.

Allegretto—‘War’ Moderato (poco allegretto)—‘Memories’ Adagio—‘Native Expanses’ or ‘My Native Fields’ attacca Allegro non troppo—‘Victory’

Instrumentation: piccolo (= flute III), 2 flutes (II = alto flute), 2 oboes, cor anglais, E flat clarinet (= clarinet III B flat and A), 2 clarinets (B flat and A), bass clarinet, 2 bassoons, contrabassoon ~ 8 horns, 6 trumpets, 6 trombones, tuba ~ timpani (5 drums), triangle, tambourine, side drum, cymbals, bass drum, gong ~ xylophone, 2 harps, piano ~ 1st violins (16–20), 2nd violins (16–18), violas (12–16), cellos (10–14), double-basses (8–12). It is desirable to have 2 side drums from fig. 39 and, if possible, 3 side drums from fig. 45 to 11th bar after fig. 51 in the first movement. The additional group of brass (3 trumpets, 4 horns, and 3 trombones) is required in first, third, and fourth movements; harps in second and third; piano in first, second, and fourth movements. Composed: 19 July–27 December 1941. The first three movements composed in besieged Leningrad; first finished on 3 September, second written in 14 days, and third completed in 12 days on 29 September; fourth movement completed at Kuibyshev (reverted to its pre-revolutionary name of Samara in autumn 1991). Dedication: ‘To my native city, Leningrad’. Premières: 5 March 1942, Kuibyshev Palace of Culture; Bolshoi Theatre Orchestra, Samuil Samosud. Introductory talk by the composer. 29 March 1942, The House of the Soviets Hall of Columns, Moscow; combined Bolshoi Theatre and All-Union Radio Symphony Orchestras, Samuil Samosud. UK broadcast: 22 June 1942, Maida Vale Studio, London; London Symphony Orchestra, Sir Henry Wood.

OP U S 60: SYM P HONY N O. 7 IN C MAJ OR

231

UK concert: 29 June 1942, Royal Albert Hall ‘Prom’, London; London Symphony Orchestra, Sir Henry Wood. Substituted for the announced Tchaikovsky’s Fourth Symphony. USA broadcast: 19 July 1942, New York; NBC Symphony Orchestra, Arturo Toscanini. [See Christopher H. Gibbs in Fay 2004 for a table of selected American performances.] 9 August 1942, Leningrad Philharmonic Bolshoi Hall; Leningrad Radio Orchestra, Karl Eliasberg. Germany: 21 December 1946, Berlin; Berlin Philharmonic Orchestra, Sergiu Celibidache. The concert was filmed for a German cinema newsreel. Dedication: ‘To the City of Leningrad’ (on the autograph score). Arrangements: Reductions for piano by the composer and Levon Atovmyan; piano four hands by L. Atovmyan, and two pianos four hands by Pavel Lamm (not published). First movement in piano reduction by Anatoli Samonov. Music: Given as Opus 59 in Slonimsky’s list of 1942. Autograph score preserved at GTsMMK. The opening bars of the autograph score reproduced in Volume 4 of Collected Works. Awarded a Stalin Prize First Class on 11 April 1942. Muzgiz, No. 17606, 1942, foreword by Lev Danilevich, 30 cm. Reprinted in 1944, 1954, 1958 (23 cm.), 1962, and 1969. Leeds Music, no number, c.1945, 21.5 cm. Belwin Mills, Kalmus, New York, No. 1390, no date, miniature score. Sovetskii kompozitor, 1968, reduction for piano four hands by L. Atovmyan, 30 cm. Edition Peters, No. 5727 (plate no. 12626), 1971,19 cm. Muzyka, No. 7133 (with compositions by Prokofiev, Khachaturyan, and Kabalevsky), 1975, first movement (with three cuts) in piano reduction by A. Samonov, 29 cm. Muzyka, No. 9375 (in Volume 4 of Collected Works), 1981, 30cm. Hans Sikorski, No. 2229, 1982, 21 cm. Zen-On, Tokyo, 1992, facsimile edition of ‘autograph of the fair copy of the full score’ with preface in Russian by Manashir Yakubov and translations in English (by Laurel E. Fay), German, and Japanese, 159, 37 cm. DSCH Publishers, Moscow, full score in Volume 7 and piano score in Volume 22 of New Collected Works. Duration: Approx. 80 minutes in score; 68–86 minutes; 72 minutes (Schirmer); [Aronowsky’s average time of 33' 30" is incorrect.]; shortest noted by Gerald Bishop 67' 52" (Toscanini in 1942) and longest 84' 48" (Bernstein broadcast in 1988); a 2003 recording by Dmitriev timed at 66' 06".

232

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Ballets: Leningrad Symphony. Léonide Massine, Ballet Russe Highlights company, New York; 15 February 1945. Leningrad Symphony (first movement). Igor Belsky, Academic Theatre of Opera and Ballet (Kirov Theatre), Leningrad; designs by Mikhail Gordon, conducted by Yevgeni Dubovsky, 14 April 1961. This ballet performed the following year by Lyubosh Ogoun, Brno, Czechoslovakia and at Novosibirsk under the title Leningrad Poem. UK première: Leningrad Symphony (first movement). With Igor Belsky’s choreography at the Coliseum Theatre, London; Mariinsky Ballet and Orchestra under conductor Valery Gergiev; late July 2006. Films: Leningrad. Scenes of the composer at work on his symphony in this film directed by Roman Carmen. Leningrad Symphony. A fictional account of the symphony’s première directed by Zakhar Agranenko used fragments from Opus 60, played by the Leningrad Philharmonic Orchestra under Mravinsky, and a soundtrack scored by Veniamin Basner. Strangely, the composer was not featured in the film that was first screened on 26 September 1957. A Matter of Survival. Mark Wigglesworth travelled to a snowy St Petersburg for the BBC2 TV series ‘Everything to Play for’ to research a thirty-minute programme screened on 26 December 1997. Historic film clips of the city of Leningrad and the composer during the Siege; interviews with 80-year-old oboist Ksenya Matus (who paid for the repair to her instrument for the 9 Aug. 1942 concert with a ‘pussy cat’—then preferable to chicken as food), a Siege survivor Leonid Gisen, and 93-year-old conductor Ilya Musin; interspersing a moving commentary by Wigglesworth who rehearsed the San Francisco Symphony Orchestra for their first concert performance of the Leningrad Symphony since 1943. Recordings: Tape—National Sound Archive Tape 11048R. Extract (7 minutes). London Symphony Orchestra, Sir Henry WOOD. P London BBC broadcast 22 June 1942. LP and CD—USA: RCA LM 6711 (transfer from radio broadcast, 3 sides mono in five-record set). NEC Symphony Orchestra, Arturo TOSCANINI. P July 1942, I 1967 ~ RCA Victrola VICS 6038 1-2 (3 sides in double album, electronic stereo). G July 1970 ~ USSR: Melodiya D034359-62 (3 sides mono). I 1974 ~ Trax Classique TRXLP 131 and Compact Disc TRXCD 131 (‘Testimony—Shostakovich’s Greatest Hits’). First movement excerpt ‘The Nazi Invasion’—fig. 19 to end. I 1988. Reissued on CD—Italy: Memories Compact Disc HR 4183 (mono). I 1991 ~ RCA Victor Gold Seal GD 60293, Toscanini Collection 22 (mono). I Nov. 1991, G Apr. 1992. CD—Pearl GEMM CDS 9044 (two-disc set, mono). NBC Symphony Orchestra, Leopold STOKOWSKI. P NBC broadcast 13 Dec. 1942, G Jan. 1994.

OP U S 60: SYM P HONY N O. 7 IN C MAJ OR

233

78 rpm, LP, and CD—USA: Musicraft 1168-75 in Set 83 (16 sides 78 rpm, in album with notes). Buffalo Philharmonic Orchestra, William STEINBERG. P 4 Dec. 1946. Reissued on LP—USA: Allegro ALC 3041 (4 sides mono). Reissued on CD—France: Dante LYS 186 (‘William Steinberg, Volume 1’—labelled as ‘World Premiere Recording’, mono). I July 1997 ~ USA: Classica D’Oro CD 01045 (mono). I Nov. 2003. LP and CD—USA: Urania URLP 601 (4 sides mono). Berlin Philharmonic Orchestra, Sergiu CELIBIDACHE. P Berlin concert Dec. 1946. Reissued on CD—Italy: Theorema TH 121.122. I Mar. 1993 ~ *USA: Classica D’Oro CD 01029 (mono). I Apr. 2004 ~ *Germany: Designo 222521 (second of four-disc set). I June 2005. *CD—Netherlands: Audiophile Classics APL 101. 557 (mono). Concertgebouw Orchestra, Rafael KUBELIK. P Amsterdam concert 9 Feb. 1950, I 2001 ~ Q-Disc 97017 (‘Antholgy of the Royal Concertgebouw Orchestra, Volume 1: 1935–50’, eleventh of thirteen-disc set, mono). G June 2003. LP and CD—USSR: MK HD 01380-3 (4 sides mono). Leningrad Philharmonic Orchestra, Yevgeni MRAVINSKY. P Leningrad studio 26 Feb. 1953, G Feb. 1965. Reissued on CD—BMG Classics Melodiya 74321 29405-2 (‘Mravinsky Edition, Volume 16’, mono). I Apr. 1996. LP and CD—Czech: Supraphon DV 5444-5 (3 sides mono). Czech Philharmonic Orchestra, Karel ANCˇERL. P Prague broadcast 2–4, 6, 17–18, and 20 Sept. 1957 ~ Czech: Supraphon SUA 10359-60 (3 sides mono). I 1963, G Feb. 1965 ~ Parliament PLP 127 (4 sides mono). G June 1960 ~ Rediffusion Heritage HCH 8003 (2 sides mono). G July 1977. Reissued on CD—France: Praga PR 254 002-3 (two-disc set). P not 1967 as stated, I June 1992, G May 1993. NB. This is a doctored reissue of a studio recording with crudely added audience noises ~ Classic CD 37. First movement to fig. 19 + 7 bars. I May 1993 (with magazine article on pp. 28–29) ~ Czech: Supraphon Historical SUP 019522. I Oct. 1993 ~ *Czech: SU 3683-2 (‘Karel Ancˇerl Gold Edition, Volume 23’). G Nov. 2003. USA: Columbia M2L 322 (4 sides mono) and M2S 722 (4 sides). Figs. 25–29 cut in first movement. New York Philharmonic Orchestra, Leonard BERNSTEIN. P 22–23 Oct. 1962 ~ CBS BRG 72349-50 (3 sides mono) and SBRG 72349-50 (3 sides). G Dec. 1965. Reissued on CD—Sony Royal Edition SMK 47616. G Nov. 1993 and June 1994 ~ *Sony Classical SBK 89904. I Apr. 2002. LP and CD—USSR: Melodiya M045011 003 (4 sides mono). Leningrad Philharmonic Orchestra, Karl ELIASBERG. P Leningrad concert 27 Jan. 1964, I 1984a.*Reissued on CD—Russia: Classound Great Musicians of Palmira Du Nord 2003/04 (two-disc set). [Mahler.] I 2003. LP and CD—USSR: Melodiya D022141-2 (4 sides mono) and C 01693-6 (4 sides). USSR Symphony Orchestra, Yevgeni SVETLANOV. P and I 1968 ~

234

D M I T R I SHOSTA K OVIC H C A TA LO GUE

HMV Melodiya ASD 2511-2 in Set SLS 784 (3 sides). G Dec. 1969 ~ HMV BOX 502505-6 in Set SLS 5025 (3 sides). G Dec. 1975 ~ France: Le Chant du Monde LDX 78611. Reissued on CD—Germany: ZYX Russian Art CLA10011-2 (two-disc set). I 1998 ~ *Scribendum SC 205. I May 2004. CD—Revelation RV 10059 (mono). USSR Radio and Television Large Symphony Orchestra, Gennadi ROZHDESTVENSKY. P concert 8 Aug. 1968, G June 1997 ~ *Korea: Yedang Classics YCC 0038. I May 2002. *Japan: Weitblick SSS 0028-2. Leipzig Radio Orchestra, Herbert KEGEL. P Leipzig concert 16 May 1972, I 2003. LP and CD—HMV ASD 3021-2 in Set SLS 897 (4 sides). Bournemouth Symphony Orchestra, Paavo BERGLUND. P Southhampton 13–14 Jan. 1974, G Oct. 1974 ~ HMV Master Series EG 2911351 (DMM). I Feb. 1987, G June 1987. Reissued on CD—EMI CDC7 47651-2. I Mar. 1987, G Sept. 1987 ~ EMI Classics 5 73839-2 (two-disc set). I May 2000. Czech: Supraphon 1 10 1771-2 (3 sides). Czech Philharmonic Orchestra, Vaclav NEUMANN. P Prague 19–20 Mar. and 16–17 Sept. 1974, G Aug. 1976. Reissued on CD—Czech: Supraphon 11 0723-2. I 1991. USSR: Melodiya C10 06435-8 (4 sides). Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P 1975, I 1976c ~ HMV Melodiya SLS 5109 (3 sides). G Feb. 1978 ~ HMV Melodiya EX 2903873 (twelve-record box set, DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1003-4 (in Box 2 of five two-disc sets). G May 1989 ~ BMG Classics Melodiya 74321 19839-2. I July 1994, G Nov. 1994. *CD—Scribenden SC 027. USSR State Symphony Orchestra, Ye. SVETLANOV. P Moscow Conservatory concert 28 Feb. 1978, G Feb. 2004. LP and CD—Decca D 213D 2 (3 sides, digital). London Philharmonic Orchestra, Bernard HAITINK. P Nov. 1979, G Nov. 1980. Reissued on CD—Decca 417 392-2DH2. I June 1986, G Oct. 1986 ~ Decca Ovation 425 068-2DM. G Nov. 1993. CD—USA: Pair Records and Special Music Company Stradivari Classics SCD 6044. Ljubljana Symphony Orchestra, Anton NANUT. P not stated, I 1988. LP and CD—USSR: Melodiya A10 00257 006 (4 sides, digital). USSR Ministry of Culture Symphony Orchestra, G. ROZHDESTVENSKY. P1984, I 1988b. Reissued on CD—Olympia OCD 118. G Aug. 1988 ~ BMG Melodiya 74321 53457-2 (two-disc set). I May 1998. Chandos ABRD 1312 (digital) and on CD—CHAN 8623. Scottish National Orchestra, Neeme JÄRVI. P ‘dedicated to the memory of Yevgeni Mravinsky’ Dundee 22–23 Feb. 1988, G Aug. 1988. EMI EL7 49494-1 (digital) and on CD—CDC7 49494-2. Leningrad Philharmonic Orchestra, Mariss JANSONS. P Oslo Apr. 1988, G Dec. 1988.

OP U S 60: SYM P HONY N O. 7 IN C MAJ OR

235

CD—Deutsche Grammophon 427 632-2GH2 (two-disc set). Chicago Symphony Orchestra, L. BERNSTEIN. P Chicago concert June 1988, G Jan. 1990 ~ *Deutsche Gramophon 477 519 GB6 (six-disc set). [Op. 54; and Stravinsky.] I Oct. 2005, G Feb. 2006. Naxos 8.550627. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 1 Jan.–5 Feb. 1989, I Jan. 1993, G Nov. 1993. France: Erato 2292 45414-2. National Symphony Orchestra of America, Mstislav ROSTROPOVICH. P Washington Jan. 1989, G May 1990 ~ Teldec 0630-17046-2 (in twelve-disc set of Symphonies). G Oct. 1997. Collins Classics 7029-2 (two-disc set). London Symphony Orchestra, Maksim SHOSTAKOVICH. P Watford 1990, I July 1993, G Nov. 1993. Denon CO 79942. Vienna Symphony Orchestra, Eliahu INBAL. P Vienna 18–22 Mar. 1991, G Apr. 1993. Dorian DOR 90161. Dallas Symphony Orchestra, Eduardo MATA. P Eugene McDermott Hall, Dallas May 1991, G Sept. 1992 ~ *Reissued with the same number Nov. 2000. Sweden: BIS CD 515. Junge Deutsche Philharmonie and members of Moscow Philharmonic Orchestra, Rudolf BARSHAI. P Leipzig concert on War Memorial Day Germany/Soviet Union 22 June 1991, G Apr. 1992. *Netherlands: Brilliant Classics 6275 (fourth of eleven-disc set) . WDR Symphony Orchestra, R. BARSHAI. P Cologne Sept. 1992, I Dec. 2001 ~ Regis RRC 1074. G July 2002. *Germany: Profil Edition Günter Hänssler PH 07009. SWR Radio Symphony Orchestra, Yuri ARANOVICH. P Hegelsaal, Liederhalle, Stuttgart concert 20–21 Apr. 1993, I Mar. 2007. USA: Vanguard 99043. Swedish Radio Symphony Orchestra, Ye. SVETLANOV. P Berwaldhallen, Stockholm concert 10–11 Sept. 1993, I Aug. 1995 ~ *Sweden: Daphne Records DR 1023. I 2005. RCA Victor Red Seal 09026 62548-2. St Petersburg Philharmonic Orchestra, Yuri TEMIRKANOV. P St Petersburg 18–19 Jan. 1995, G June 1996. Japan: Canyon Classics PCCL 00380. The Hague Resident Orchestra, Yevgeni SVETLANOV. P The Hague 19–20 Jan. 1995, I Feb. 1997. Decca 446 814-2. St Petersburg Philharmonic Orchestra, Vladimir ASHKENAZY. P St Petersburg 5–6 May 1995, G Oct.1997. NB. Prefaced by the composer’s broadcast from besieged Leningrad in 1941. Chandos CHAN 9621. Russian State Symphony Orchestra, Valeri POLYANSKY. P Moscow Conservatory Oct. 1996, I Apr. 1998. Sweden: BIS CD 873 (‘Complete Symphonies, Volume 1’). BBC National Orchestra of Wales, Mark WIGGLESWORTH. P Swansea 2–4 Dec. 1996, G Aug. 1997 (review and article).

236

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Japan: Exton OVCL 00169 (Hybrid SACD), Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Moscow Radio Bolshoi Hall 13–15 Dec. 1996, I 2004. Teldec 3984 21467-2. New York Philharmonic Orchestra, Kurt MASUR. P at three Avery Fisher Hall, New York concerts 21–23 May 1998, I June 2000. **Germany: Berlin Classics 0017972BC. Saarbrücken Radio Symphony Orchestra, Günther HERBIG. P Congresshalle, Saarbrücken concert 8 Sept. 2000, I July 2006, G Awards (Oct.) 2006. Germany: Arts Music 47667-2. Orchestra Sinfonica di Milano ‘Guiseppe Verdi’, Oleg CAETANI. P Milan concert Dec. 2000, I UK Nov. 2003. Philips CD 470 845-2PH and SACD 470 623-2. Kirov and Rotterdam Philharmonic Orchestras, Valery GERGIEV. P De Doelen, Rotterdam concert 19–21 Sept. 2001, G July 2003 ~ Philips 470 841-2PM5 (‘The War Symphonies’, five-disc set). [Opp. 43, 47, 54, 65, and 70.] G Mar. 2006. Supraphon SU 38902 (seventh of ten-disc set). Prague Symphony Orchestra, Maksim SHOSTAKOVICH. P Smetana Hall, Prague concert 27 Feb. 2002, G Nov. 2006. Dunelm Records DRD 0184. London Shostakovich Orchestra, Christopher COX. P St Cyprian’s Church, London 18 May 2002. USA: Angelok1 ANG-CD 9915. Figs. 25–29 cut in first movement. Russian Federal Orchestra, Vakhtang JORDANIA. Tchaikovsky Conservatory Bolshoi Hall, Moscow, Jan. 2003, I 2006. Avie AV 0020. WDR Symphony Orchestra, Semyon BYCHKOV. P Cologne Concert Hall Feb. 2003, I Apr. 2003, G Aug. 2003. Naxos 8.557256 and 6.110020 (SACD/CD Hybrid Disc). Russian Philharmonic Orchestra, Dmitri YABLONSKY. P Moscow studio Feb. 2003, G Apr. 2004. Germany: Capriccio 71 033-034 (Hybrid SACD, two-disc set). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. [Opp. 54 and 70.] P Cologne Philharmonie concert 15, 17–18 Sept, 2003, I Aug. 2005. USA: Waterlily Records WLA-SW-77-CD and -SACD. St Petersburg Academic Symphony Orchestra, Aleksandr DMITRIEV. P Great Hall, St Petersburg concert Sept. 2003. Japan: Fontec FOCD 9255 (Hybrid SACD). Osaka Philharmonic Orchestra, OUE Eiji. P Osaka Symphony Hall, Japan concert 12–13 Feb. 2004. Dabringhaus und Grimm MDG 337 1203-2 and MDG 937 1203-6 (SACD). Beethoven Orchestra, Roman KOFMAN. PWW Heilig-Kreuz-Kirche, Bad Godesberg, Germany 1–4 June 2004, I Mar. 2005, G Feb. 2006. Netherlands: RCO Live 06002 (Hybrid SACD). Royal Concertgebouw Orchestra, Mariss JANSONS. P Concertgebouw concert, Amsterdam 19 and 22 Jan. 2006.

SA NS OP . K : WART IME OPERAS

237

France: Naïve V5071. Orchestre National de France, Kurt MASUR. P Théâtre des Champs-Elysées, Paris-Radio France concert 18 May 2006. Notes: See Christopher H. Gibbs’ article ‘The Phenomenon of the Seventh’ in Shostakovich and His World (Laurel E. Fay ed., Princeton University Press, 2004, 50–113) for the history of the symphony in America and a table of selected performances. An analysis of the symphony by Allin Gray is given in DSCH Journal Nos. 24 and 25 with 26 music examples. An unusual tribute by Vladislav Uspensky entitled Dedication to Courage—a poem for orchestra subtitled ‘In memory of the first performance of Shostakovich’s Seventh Symphony in besieged Leningrad’—is recorded by the Leningrad Orchestra of Old and Modern Music under Eduard Serov on Melodiya C10 24485 007 (issued 1987c). Zachary Cairns explores the links between the Seventh and Eighth Symphonies in DSCH Journal No. 27.

Sans op. K: Wartime Operas (I) THE GAMBLERS Form: Opera based on the comedy play The Gamblers of 1832 by Nikolai Gogol, for six male solo voices and large orchestra (with 2 harps, a piano— mainly in continuo role, and bass balalaika): 1. Overture—Allegretto—to fig. 8 2. Scenes in the hotel—figs. 8 to 104 3. Card gambling scene The unfinished opera titled ‘Scenes after Gogol’ by Gennadi Rozhdestvensky. Instrumentation: piccolo (= flute III), 2 flutes (II = alto flute), 2 oboes, cor anglais, 4 clarinets (I, II B flat and A; III A = E flat; IV B flat = bass), 3 bassoons (III = contrabassoon) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, castanets, cymbals, bass drum ~ xylophone, bass balalaika, 2 harps, piano ~ strings. Composed: Begun on 28 December 1941, continued in May and June 1942, but abandoned after composing about 50 minutes of the score. Of the twenty-five scenes, the first seven and most of the eighth completed (or 10 of the 36 pages in one Russian edition). Written at Kuibyshev (Samara). Premières: 18 September 1978, Leningrad Bolshoi Philharmonic Hall named after Shostakovich; Moscow Chamber Music Theatre Group and Leningrad Philharmonic Orchestra under Gennadi Rozhdestvensky.

238

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Meyer’s completed version: 12 June 1983, Wuppertal, West Germany; Wuppertal Sinfonieorchester and nine male voices under the musical direction of Tristan Schick. UK: 23 and 24 May 1993, Brighton Festival, Roedean Theatre; décor by Nataliya Khrennikova, directed by Boris Pokrovsky and conducted by Anatoli Levin; Vladimir Rybasenko (Aleksei), Boris Tarkhov (Ikharyov), Valeri Belykh (Gavryuska), Nikolai Kurpe and Oleg Gularev (Krugel), and Ashot Sarkisov (Shvokhnev). Arrangements: Reduction of Overture and commencement of ‘Scenes in the hotel’ employed for the Scherzo of the Viola Sonata, Opus 147. German translation of the libretto by Georg Schwarz. Completion of the opera by Krzysztof Meyer in the German language version by Jörg Morgener. Music: Incomplete manuscript numbered Opus 63. NB. This work not to be confused (as in The Phaidon Book of the Opera, Oxford, 1979) as a setting of Fyodor Dostoyevsky’s love story ‘The Gambler’ of 1867. Autograph vocal and full scores preserved in the Shostakovich Family Archive. The first page of the autograph full score reproduced in Volume 23 of Collected Works. Sovetskii kompozitor, No. 5564, 1981, full score [numbered Op. 63] ed. G. Rozhdestvensky, 30 cm. In this edition Rozhdestvensky has orchestrated the seven bars after fig. 195, appearing in the composer’s piano-vocal score but not in his full score, and provided a fitting three-page termination of the opera. Sovetskii kompozitor, No. 5585, 1981, vocal score [numbered Op. 63] ed. G. Rozhdestvensky, 30 cm. Muzyka, No. 11935 (in Volume 23 of Collected Works), 1986, full score with Rozhdestvensky’s termination, 30 cm. Muzyka, No. 11412 (in the supplement to Volume 28 of Collected Works), 1986, vocal score, 30 cm. DSCH Publishers, Moscow, full score in Volume 56 and piano score in Volume 57 of New Collected Works. Duration: Unfinished: recorded portion 46' 35". Meyer’s completed version: c. l hr 45 mins. Film: Unfinished Masterpieces. TV film shown on Soviet Television in mid-1980s. The opera performed along with Mussorgsky’s The Marriage, under conductor Gennadi Rozhdestvensky. Recordings: LP and CD—USSR: Melodiya C10 11599-600. Nos. 1, 2, and 3. Vladimir Rybasenko (Aleksei), Boris Tarkhov (Ikharyov), Valeri Belykh (Gavryushka), Nikolai Kurpe (Krugel), Ashot Sarkisov (Shvokhnev), Yaroslav Radionik (Uteshitelny), Valeri Sudak (balalaika); Leningrad Philharmonic Orchestra, Gennadi ROZHDESTVENSKY. P première 18 Sept. 1978, I 1979c ~ Germany: Melodia Eurodisc 200 370-405. With German libretto by G. Schwarz. I 1979 ~ HMV Melodiya ASD 3880. G Sept. 1980.

SA NS OP . K : WART IME OPERAS

239

Reissued on CD—BMG Melodiya 74321 60319-2 (two-disc set, with plot synopsis but no libretto). I Nov. 1998, G May 1999 ~ *Russia: Melodiya MELCD10 01192 (two-disc set). [Op. 15.] G Awards (Oct.) 2007. CD—Germany: Capriccio 60 062-2 (two-disc set with Russian, German, and English libretti; Meyer’s version sung in Russian). Nikolai Nizinenko (Aleksei), Vladimir Bogachev (Ikharyov), Anatoli Babikin (Gavryushka), Aleksandr Arkhipov (Krugel), Aleksandr Naumenko (Shvokhnev), Stanislav Suleimanov (Uteshitelny), Mikhail Krutikov (Mikhail Glov), Vladislav Verestnikov (Aleksandr Glov), Aleksei Maslennikov (Zamukhrishkin); North-West German Philharmonic Orchestra, Mikhail YUROVSKY. P Herford, Germany 22 Mar.–3 Apr. 1994, I Feb. 1995, G June 1995. France: Le Chant du Monde Russian Season RUS 288 115. Nos. 1, 2, and 3 with translation of Russian text. Vyatcheslav Pochapski (Aleksei), Nikolai Kurpe (Ikharyov), Pyotr Gluboky (Gavryushka), Aleksandr Arkhipov (Krugel), Mikhail Krutikov (Shvokhnev), Nikolai Rechetniak (Uteshitelny); Bolshoi Theatre Orchestra, Andrei CHISTYAKOV. P Moscow Mar. 1995, I Oct. 1995, G Feb. 1996 ~ CDM Russian Season RUS 788 115. G Jan. 1998. **ASV AV 2121 (on second of two-disc set). Nos. 1, 2, and 3 with English libretto. Sung in Russian. Jacek Janiszewski (Aleksei), Michal Lehotsky (Ikharyov), Piotr Nowaki (Gavryushka), Andris Lapins (Krugel), Roman Astakhov (Shvokhnev), Peter Danailov (Uteshitelny); Soloists of the European Opera Centre, Aleksei Ekkel (bass balalaika); Royal Liverpool Philharmonic Orchestra, Vasily PETRENKO. [Sans op. K(ii).] P Philharmonic Hall, Liverpool concert 27 Sept. 2006, I Apr. 2007, G July 2007. Notes: Moscow Chamber Opera have solved the problem of staging the incomplete opera by tacking Antiformalist Rayok, Sans op. X(ii), on to the end of ‘The Gamblers’. At the point where Shostakovich abandoned the opera, officials arrive to confiscate the music, accusing it of being formalistic. They replace it with the score of Rayok and then perform that work. See Laurel E. Fay’s entry in The New Grove Dictionary of Opera, Volume 2, 342–43. (II) ROTHSCHILD’S VIOLIN (FLEISHMAN) Form: Completion of the one-act opera Rothschild’s Violin by Shostakovich’s pupil, Veniamin Fleishman, who was killed on active service during the siege of Leningrad in September 1941. Libretto by Fleishman based on the story by Anton Chekhov, first published in the Moscow newspaper Russian News in February 1894. The action takes place in a small provincial town at the end of the nineteenth century. The story is usually translated in English as ‘Rothschild’s Fiddle’.

240

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Instrumentation: piccolo (= flute III), 2 flutes, 2 oboes, cor anglais, E flat clarinet, 2 clarinets (B flat and A), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum ~ glockenspiel, harp ~ strings. Bass, 2 tenors, and mezzo-soprano soloists and chorus of 6–8 voices. Composed: Begun by Fleishman in 1939; piano score and part of full score completed in pencil by the summer of 1941. Shostakovich completed the ‘development’ and orchestration on 5 February 1944, at Moscow. Premières: 20 June 1960, Moscow All-Union Home of Composers; Soloists of the Moscow Philharmonic Society. April 1968, Leningrad; Experimental Studio of Chamber Opera, Solomon Volkov (artistic director) and Yuri Kochnev (conductor). Festival concert devoted to works by Shostakovich’s students. Banned the following day. USA: 23 February 1990, Juilliard Opera Center, New York; staged presentation conducted by Bruno Ferrandis; Valentin Peytchinov (Yakov Matveyevich Ivanov, nicknamed ‘Bronze’), Susan Toth Shafer (Marfa), Charles Workman (Rothschild), and Matthew Lord (Moisei Ilyich Chakhkes). Netherlands: 30 August 1995, Concertgebouw, Amsterdam; concert performance conducted by Gennadi Rozhdestvensky; Sergei Leiferkus (Yakov), Marina Shaguch (Marfa), Konstantin Pluzhnikov (Rothschild), Ilya Levinsky (Moisei); C sharp minor Vocal Ensemble, Rotterdam Philharmonic Orchestra. UK English adaptation: 5 March 2005, West Road Concert Hall, Cambridge; Cambridge University Chamber Orchestra, concert performance conducted by Peter Tregear. UK staged presentation: May 2007, Film Studios, Mercer Street, Covent Garden; Second Movement Opera Company; Oliver Mears (director), Jonathan Brown (Yakov), orchestra conducted by Nicholas Chalmers. Arrangement: English translation by Thomas Elias. Music: Approximately two-thirds of the score orchestrated by Shostakovich, including the beginning up to fig. 17 minus 7 bars and from fig. 92 to the end. Manuscript in Shostakovich’s hand preserved at the TsGALI(SPb). Russian edition, no number or date, photocopied copyist’s manuscript full score, 26.5 cm. Muzyka, Moscow, No. 2205, 1965, piano-vocal score edited by Georgi Kirkor with preface by Aleksandr Livshits, 29 cm. Duration: 41' 15"–41' 20". Film: Edgardo Cozarinsky’s film Le Violon du Rothschild (Les Films D’ICI, 1996) in three parts, produced by Serge Lalou. Sergei Makovetsky plays Shostakovich and Dainius Kazlauskas plays Fleishman. The four main characters in the opera are played by actors miming to the voices of Leiferkus, Shaguch, Pluzhnikov, and Levinsky; with the Rotterdam Philharmonic

SA NS OP . L: C EREMON IAL MARCH ES

241

Orchestra conducted by Gennadi Rozhdestvensky. Film completed in November 1995. Premières in UK at the National Film Theatre, London on 18 June 1997 and in USA at Telluride, New Hampshire on 29 Aug. 1997. An illustrated book of 112 pages, to accompany the film, was published by Actes Sud, France in November 1996. Recordings: LP—USSR: Melodiya A10 00019 004 (digital). Complete opera. Anatoli Safiulin (Yakov Matveyevich Ivanov), Nataliya Burnasheva (Marfa), Aleksei Martynov (Rothschild), Aleksandr Naumenko (Moisei Ilyich Shakhkes); Male voices of the USSR Ministry of Culture Chamber Choir, Valeri Polyansky (chorus-master); USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1982, I 1984a. CD—RCA Victor Red Seal 09026 68434-2. Complete opera. Booklet with libretto in Russian, English, German, and French. Sergei Leiferkus (Yakov), Marina Shaguch (Marfa), Konstantin Pluzhnikov (Rothschild), Ilya Levinsky (Moisei), Rotterdam Philharmonic Orchestra, G. ROZHDESTVENSKY. P Rotterdam 24–31 Aug. 1995, I Nov. 1996, G Apr. 1997. **Avie AV 2121 (on first of two-disc set). Complete opera with English libretto. Sung in Russian. Jacek Janiszewski (Yakov), Elena Gabouri (Marfa), Andris Lapins (Rothschild), Michal Lehotsky (Moisei), Soloists of the European Opera Centre; Royal Liverpool Philharmonic Orchestra, Vasily PETRENKO.[Sans op. K(i).] P Philharmonic Hall, Liverpool concert 27 Sept. 2006, I Apr. 2007, G July 2007. Notes: The 24th article by Gennadi Rozhdestvensky in Galina Alfeyevskaya’s 1989 compilation Preambuly (Sovetskii kompozitor, Moscow, 1989) gives notes for the 24 November 1982 recording and Richard Pleak reviews the Julliard’s performance of the opera in DSCH Newsletter XVI. See Laurel E. Fay’s entry in The New Grove Dictionary of Opera, Volume 4, 410–11.

Sans op. L: Ceremonial Marches (I) SOLEMN MARCH Form: Ceremonial march for military band, marked ‘Allegro non troppo’. Instrumentation: piccolo, flute, 2 oboes, E flat clarinet, 3 B flat clarinets, 2 bassoons ~ 4 E flat horns, 2 trumpets, 3 trombones ~ side drum, cymbals, bass drum ~ 2 B flat cornets; 2 E flat alto, 3 B flat tenor, baritone, and 2 bass saxhorns. Composed: Possibly in early 1941 (see Notes) at Leningrad. Music: Autograph score preserved at GTsMMK. Muzyka, No. 17287, 1941, score, 25 cm.

242

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Broadcast Music, New York, No. 811, 1944, piano and violin conductor scores, and 25 parts transcribed by Louis Katzman from original manuscript, 30.5 cm. Muzyka, No. 8906, 1975, score and parts, 21 cm. DSCH Publishers, Moscow: New Collected Works, in Volume 32, full score with the composer’s score in a different instrumentation as an Appendix, 30 cm. Duration: 5' 42". Recordings: LP—USSR: MK D1556-7 (10" mono). Moscow Radio Band, Leonid KATS. P 1953. USSR: Melodiya CM 02303-4 (‘Marches for Brass Band’). Military Band of the USSR Ministry of Defence, Nikolai SERGEYEV. P 1970 ~ HMV Melodiya CSD 3782 (‘Russian Marches’). Labelled as ‘Festive March’. G Oct. 1977 ~ France: Le Chant du Monde LDX 78434 (‘Soviet Marches’). Notes: The manuscript bears a censorship stamp dated 12 February 1941 and the Muzyka score is signed to the press on 19 April 1941. These dates rule out the statement in M. MacDonald’s 1975 Catalogue that the march was composed in Kuibyshev (Yakubov New Collected Works 32). Adapted in 1951 to accompany a scene depicting foot soldiers advancing through a forest in the film The Unforgettable Year 1919, Opus 89, at approximately 35 minutes from the opening credits. (II) GERMAN MARCH Form: A ceremonial march written for Leo Arnshtam’s film The Warmongers. Instrumentation: 2 piccolos, 2 flutes, clarinet in A ~ tambourine, side drum, bass drum. NB. The percussion later changed to 6 side drums and 4 bass drums. Composed: Presumably at the end of 1950 as work on the film came to a halt in 1951 (Yakubov). Music: The autograph is kept in the Composer’s Archives and a handwritten copy deposited in the music library of the State Symphonic Orchestra of Cinematography. DSCH Publishers, Moscow, 2006, New Collected Works, in Volume 32, full score, 30 cm. Recordings: —

Opus 61: Piano Sonata No. 2 in B minor Form: Sonata for solo piano in three movements: 1. Allegretto 2. Largo 3. Moderato (con moto)—Allegretto con moto—Adagio—Moderato

O P U S 61: P IA NO SONA TA N O. 2 IN B MIN OR

243

Composed: January–17 March 1943. First and second movements completed on 18 February and 3 March respectively, at Kuibyshev (Samara); and sonata finished at Arkhangelskoye, near Moscow. Dedication: To the memory of Leonid Vladimirovich Nikolayev (piano teacher). Première: 6 June 1943, Moscow Conservatory Malyi Hall; Dmitri Shostakovich. Music: Autograph score preserved at GTsMMK. Originally published up to 1966 as Opus 64. Muzgiz, No. 17846, 1943, 30 cm. MCA, c.1948, 31 cm. Anglo-Soviet Music Press, No. 22, 1953, 31 cm. Edition Peters, No. 4726, 1958, 31 cm. Muzgiz, 1960, 29 cm. Muzgiz, No. 3184 (in D. Shostakovich: Compositions for fortepiano, Volume 1), 1966, 29 cm. Muzyka, No. 7775, 1973, 29 cm. Hans Sikorski, No. 2321, 1981, 31.5 cm. Muzyka, No. 10285 (in Volume 39 of Collected Works), 1983, 30 cm. DSCH Publishers, Moscow, no number, 1999, 29 cm. DSCH Publishers, Moscow, score in Volume 111 of New Collected Works. Duration: 18' 45" and approx. 29 minutes in scores; 23' 33"–31' 08"; 25 minutes (Sadovnikov); 28' 30" (Plaistow). Recordings: LP—USA: MGM E 3079 (mono). Menahem PRESSLER. P 1954 ~ Parlophone PMC 1023 (mono). G Sept. 1955. LP and CD—USSR: MK D07063-4 (mono). Mariya YUDINA. P 1960. Reissued on CD—Italy: Arlecchino ARL 13. (‘The Art of Maria Yudina, Volume 1’) ~ *Russia: Venezia CDVE 052119. [Mussorgsky.] I 2005. LP and CD—USA: RCA Red Seal LM 2868 (mono) and LSC 2868. Emil GILELS. P Carnegie Hall, New York 8 Jan. 1965 ~ RCA Red Seal RB 6678 (mono) and SB 6678. G Nov. 1966 ~ USSR: Melodiya D019263-4 (mono). I 1976 ~ RCA Red Seal LSB 4079. G Apr. 1973 ~ USA: RCA AGL1 1337. Reissued on CD—RCA 09026 63587-2. I Feb. 2000. CD—BMG Melodiya 74321 40120-2 (‘Gilels Edition, Volume 4’ of five-disc set 74321 40116-2). E. GILELS. P Moscow concert 13 Mar. 1965, I Jan. 1997. LP and CD—France; Erato STU 70477. Annie d’ARCO. P 1969. Reissued on CD—France: Erato WE 839. I 1996. *USSR: Melodiya CM 02945. Anatoli VEDERNIKOV. [Galinin.] P 1971, I 1972. Reissued on CD—Japan: COCQ 83967. [Op. 12; Stravinsky and Karetnikov.] I 2005.

244

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Sweden: Swedish Society Discofil SLT 33221. Inger WIKSTRÖM. P Stockholm 12 Sept. 1973 ~ RCA Gold Seal GL 25003. G Nov. 1976. Reissued on CD—Swedish Society Discofil SCD 1031. I 1988. LP—Czech: Opus 9111 0342. Lýdia MAJLINGOVA. P Prague Nov. 1974, G July 1977. USA: Orion 82429. Sedmara RUTSTEIN. P 1982. USSR: Melodiya C10 17985-6. Viktoria POSTNIKOVA. P 1982, I 1983b. USSR: Melodiya C10 18977 007. Igor KHUDOLEI. P 1982, I 1983d. CD—Netherlands: Channel Classics Canal Grande 9215. Yuri YEGOROV. P Amsterdam 6 May 1983, I 1992. Netherlands: Ottavo OTRC 38616. Boris BERMAN. P Utrecht Mar. 1986, G Oct. 1989. LP and CD—AVM Classics AVM 1003 and released on CD—AVMCD 1003. Martin JONES. P date not stated, G Oct. 1988. Norway: Simax PSC 1036. Wolfgang PLAGGE. P Ski, Oslo Dec. 1987, G Oct. 1989. France: Accord 20025-2. Caroline WEICHERT. P Jan. 1988, G June 1990 ~ *Accord 442 8213 (on fourth of four-disc set). [Opp. 5, 12, and 22.] I Jan. 2007. USA: MCA Classics ART & Electronics ARD 68010. Boris PETRUSHANSKY. P date not stated, I 1989. France: Rodolphe RPC 32600. Vladimir STOUPEL. P 3–4 Jan. 1989, G Oct. 1990. France: Le Chant du Monde LDC 278 1012. Elena VARVAROVA. P Paris Sept. 1989, I Feb. 1990. USA: Elektra Nonesuch/Warner Classics 7559-79234-2ZK. Vladimir VIARDO. P New York Nov. 1989, I 1990, G Oct. 1991. Germany: Sound-Star-Ton. Alexander BRAGINSKY. P 1990, I 1991. Teldec 9031 73282-2. Elizaveta LEONSKAYA. P Berlin Mar. 1992, G June 1993 ~ Warner Apex 8573 89092. G Oct. 2001. Hyperion CDA 66620. Tatyana NIKOLAYEVA. P Hampstead 17–19 Apr. 1992, G Sept. 1992. *ECM New Series 465 137-2. Aleksei LUBIMOV. [Prokofiev, Skyrabin, and Stravinsky.] P Radio DRS studio Zurich 24–26 May 1998, I 2005. Olympia OCD 574. Colin STONE. P London Sept. 1995, G June 1996. Athene-Minerva ATH CD18. Raymond CLARKE. P Nottingham University 6 Jan. and 9 July 1998, G Oct. 1999. Belgium: Cypres CYP 2622. Johan SCHMIDT. P Liege 23–24 Feb. 1998, I 1998. **Capriccio 71087 (Hybrid SACD, on disc one of two-disc set). Margarete BABINSKY. [Opp. 6 and 12.] P Universität für Musik, Vienna 2002 and 2005, I July 2006.

O PUS 6 2 : S I X ROM A NC ES ON VERSES OF BRIT ISH POET S

245

Decca 470 649-2 (Hybrid SACD). Vladimir ASHKENAZY. [Opp. 5, 97, 39, 13, and 22; Sans opp. B and S (i).] P Potton Hall, Suffolk 23–24 Apr. 2003, I Apr. 2004, G June 2004. Stradivarius STR 33727 (‘Complete Piano Works, Volume 1’). Boris PETRUSHANSKY. [Sans opp. B and S(i); Opp. 5, 13, and 22a.] P Bartok Studio, Bernareggio, Milan 17–19 Sept. 2003, I Feb. 2006. USA: Phoenix PHCD 158. Tatjana RANKOVICH. [Medtner and Prokofiev.] P Patrych Sound Studios, Bronx, New York 9 and 18 Dec. 2003. Germany: Hessischer Rundfunk Hr-musik. 033-06. Yevgeni KOROLYOV. [Opp. 34 and 87.] PHR-Sendesaal, Frankfurt 2–3 Nov. and 19–21 Dec. 2005. Naxos 8.570092. Konstantin SCHERBAKOV. [Sans opp. A, B, and S(ii); Opp. 39 and 69.] P Potton Hall, Suffolk 27–28 Nov. 2005, I July 2006. Russia: Northern Flowers NF 9941. Pyotr LAUL. [Opp. 5, 6, 22, 94; Sans op. O(i & ii).] P St Catherine Lutheran Church, St Petersburg 30 Nov. and 2 Dec. 2005, I 2006. Belgium: Fuga Libera FUG 517. Plamena MANGOVA. [Op. 34.] P Flagey, Brussels 10–12 and 16 Apr. 2006. Stradivarius STR 33748. Boris PETRUSHANSKY. [Opp. 12 and 69; Sans opp. S(ii), A, and T.] P Moscow Broadcasting Studio 13–20 Apr. 2006. Dunelm Records DRD 0264 (‘Shostakovich and his Comrades’). Murray MCLACHLAN. [Kabalevsky, Myaskovsky, Shchedrin, and Ronald Stevenson (Recitative and Air for Shostakovich).] P Whiteley Hall, Chetham’s School for Music, Manchester concert 26–27 Aug. 2006, G Jan. 2007. Notes: In late 1942 the composer abandoned a draft of three pages in C sharp minor headed ‘Sonata No. 2 for Piano, Opus 63’. Aleksandr Alekseyev writes on this sonata in Sovetskaya fortepiannaya muzyka 1917–1945 (Muzyka, Moscow, 1974), 177–84 with 6 music examples and autograph of the first page. Manashir Yakubov’s article ‘Inside the Second Piano Sonata’ in DSCH Journal No. 14 has 7 music examples and appends 31 end notes. Sophia Gorlin contributed an extended analysis entitled ‘Shostakovich’s Sonata No. 2—a Landmark in the Evolution of the Composer’s Individual Style’, with 41 music examples, to DSCH Journal No. 27.

Opus 62: Six Romances on Verses of British Poets Form: Six songs for low male voice and piano: 1. The Wood, the Weed, the Wag (To a Son)—Largo 2. O, Wert Thou in the Cauld Blast (In the Fields)—Moderato 3. Macpherson before his Execution (Macpherson’s Farewell)—Allegretto

246

D M I T R I SHOSTA K OVIC H C A TA LO GUE

4. Jenny (Coming thro’ the Rye)—Moderato 5. Sonnet No. 66 (Tired with all these)—Lento 6. The King’s Campaign (‘The Grand Old Duke of York’ or ‘The King of France went up the Hill’)—Allegretto Texts by Sir Walter Raleigh—No. 1; Robert Burns—Nos. 2, 3, and 4; William Shakespeare—No. 5; and traditional nursery rhyme—No. 6 in Russian translations by Boris Pasternak—Nos. 1 and 5; and Samuil Marshak—Nos. 2, 3, 4, and 6. Composed: 1942, at Kuibyshev (Samara). Nos. 1, 5, and 6 written on 7 May, 24 and 25 October respectively. Orchestrated and numbered Opus 62a in March 1943. Dedications: 1. 2. 3. 4. 5. 6.

Levon Tadevosovich Atovmyan (composer/arranger) Nina Vasilievna Shostakovich (first wife) Isaak Davidovich Glikman (musicologist) Yuri Vasilievich Sviridov (composer) Ivan Ivanovich Sollertinsky (musicologist) Vissarion Yakovlevich Shebalin (composer)

Premières: The three Burns’ settings, Nos. 2, 3, and 4: 4 November 1942, Kuibyshev; Aleksandr Baturin (bass) and Dmitri Shostakovich (piano). 6 June 1943, Moscow Conservatory Malyi Hall; Efrem Flaks (baritone) and Dmitri Shostakovich (piano). UK: 1 November 1966, Derby Art Gallery; Clive Bemrose (baritone) and Gordon Clarke (piano). Sung in English at a Derby Music Club Meeting. Arrangements: The accompaniments orchestrated for full symphony orchestra in March 1943 (designated Opus 62a) and chamber orchestra in 1971 (see Opus 140). No. 5 transcribed for double-bass and piano by Rodion Azarkhin. Instrumentation: of Opus 62a—piccolo, 2 flutes, 2 oboes, cor anglais, E flat clarinet, 2 B flat clarinets, bass clarinet, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, cymbals, bass drum ~ xylophone, celesta ~ harps (‘preferably not less than two’) ~ strings. Music: Autograph sketches of Nos. 1, 5, and 6 preserved at TsGALI and autograph scores of the whole cycle in original and orchestrated versions at GTsMMK. Title page of the 1943 score and first twelve bars of No. 3 reproduced in Glikman (1993). Music Fund of the USSR, 1943, Opp. 62 and 62a. Russian-American Music, 1946, No. 5 only, adaptation by Hugh Ross, 31cm. Sovetskii kompozitor, No. 3467, 1963, 29 cm.

O PUS 6 2 : S I X ROM A NC ES ON VERSES OF BRIT ISH POET S

247

Muzyka, No. 4116 (in Dmitri Shostakovich: Vocal Compositions), 1967 and 1974, 30 cm. VEB Deutscher Verlag fur Musik, No. 9012, 1972, ed. Christoph Hellmundt; with Russian, German, and English texts, 27 cm. Sovetskii kompozitor, No. 4020, 1977, No. 5 arr. for double-bass by R. Azarkhin, 29 cm. Muzyka, No. 10113 (in Volume 31 of Collected Works), 1982, Opus 62a full score, 30 cm. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, piano score, 30 cm. DSCH Publishers, Moscow, piano score in Volume 95 and full score (Opus 62a) in Volume 88 of New Collected Works. Duration: Approx. 12 minutes in score; 14' 00"–16' 58". Op. 62a: 14' 32". Recordings: LP—USSR: Melodiya C10 05517-8. Nos. 4, 3, and 6. Yevgeni VLADIMOROV (bass) and Valentina Strzhizhovskaya (piano). P 1974, I 1975. USSR: Melodiya C10 08921-2. Nos. 3 and 4 only. Oleg PTUKHA (bass) and Nadezhda Kushnir (piano). P 1977, I 1978a. USSR: Melodiya C10 11239-40. No. 4 only. Yuri STATNIK (bass) and Nataliya Rassudova (piano). P1978, I 1979c. LP and CD—USSR: Melodiya C10 31619 002 (Album 7 of ‘From Manuscripts of Different Years’). Complete cycle Op. 62a. Anatoli SAFIULIN (bass), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P 1986, I 1991c. Reissued on CD—BMG Melodiya 74321 59057-2 (two-disc set). I Feb. 1999. CD—France: Thesis THC 82046. No. 4 only. Nikita STOROJEV (bass) and Emile Naoumoff (piano). P Paris Oct. 1990. France: Le Chant du Monde Russian Season RUS 288089. Complete cycle. Pyotr GLUBOKY (bass) and Nataliya Rassudova (piano). P Moscow Conservatory 21–29 Sept. 1994, I Apr. 1995. Belgium: René Gailly CD92 041 (‘Complete Songs and Romances, Volume 1’). Complete cycle. Fyodor KUZNETSOV (bass) and Yuri Serov (piano). [Opp. 86, 100, 121, and 127.] P St Catherine Lutheran Church, St Petersburg 25 Mar.–4 May 1998 ~ *Russia: Northern Flowers PMA 9910 (‘Vocal Cycles for Bass, Volume 1’). Complete cycle. [Opp. 121, 91, 98, and 146.] I 2002 ~ *USA: Delos DE 3309 (‘Complete Songs, Volume Three’). [Opp. 4, 21, 46, 32, and 58a.] I 2003. **Koch Schwann 3-1095-2. Sergei LEIFERKUS (bass) and Semyon Skigin (piano). [Opp. 123, 121, 98, and 91.] P Berlin studio May 2000, G May 2002. Hyperion CDA 67274 (‘English Poets, Russian Romances’). Nos. 5 and 6. Vassili SAVENKO (bass-baritone) and Aleksandr Blok (piano). [Arensky,

248

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Balakirev, Glinka et al.] P Moscow studio Sept. 2000, G Awards (Oct.) 2001. USA: MSR Classics MS 1101, Odekhiren AMAIZE (bass-baritone) and David Korevaar (piano). [Op. 46; Mussorgsky, Beethoven, Loewe.] P Purchase College Conservatory of Music, New York Aug. 2002. Toccata Classics TOCC 0093. Nos. 2, 3, and 4. Vassili SAVENKO (bass-baritone) and Aleksandr Blok (piano).[Sviridov, Denisov, Levitin et al.] P Moscow Conservatory Bolshoi Hall 15 Sept. 2002. Notes: The autograph and 1943 published score are titled ‘Six Romances for Bass’; later music and lists give ‘Six Romances on English Verses’ (sic) and ‘Six Romances on Verses by English Poets’ (sic). The Soviet musicologist Vera Vasina-Grossman, more correctly, retitled this song cycle ‘Six Romances for bass on words of poets of Great Britain’ and the title is given as ‘Romances on words of W. Raleigh, R. Burns, and W. Shakespeare’ in the Muzyka albums. The first of the three Burns’ settings was dedicated to Miss Jessie Lewars, who nursed the poet during his last illness in 1796; the second was set in 1788 to the fiddle tune composed by the freebooter, James Macpherson, on the eve of his execution at Banff on 16 November 1700 (see Hulme in DSCH Journal No. 10 and MacPherson’s ‘Rant and Other Tales of the Scottish Fiddle’ by Stuart McHardy, Birlinn, Edinburgh, 2004, 17–24); and the third, a revision of an old bawdy song concerning a wanton girl up to no good in a field of rye. ‘Coming thro’ the Rye’, also in Marshak’s translation, appears in Sans op. M though here Shostakovich orchestrates its traditional folk melody. Songs Nos. 2 and 3 of the Opus 62 cycle are quoted in the Thirteenth Symphony, Opus 113.

Opus 63: Native Leningrad Form: Incidental music for concert play spectacle Native Country (or Motherland), scored for tenor and bass soloists, choir, and orchestra. The Native Leningrad Suite comprises four musical items: 1. 2. 3. 4.

Overture—‘October 1917’—Moderato non troppo Song of the Victorious October (Song of the River Neva)—Allegretto Youth Dance (Dance of the Sailors)—Moderato—Allegro con brio Song of Leningrad—Moderato

Texts of Nos. 1, 2, and 4 by S. Alymov. No. 1 includes choral settings of the Revolutionary songs ‘Varshavyanka’ (the ‘Warsaw March’, also known as ‘Hostile Whirlwinds’—the original march was composed by the Polish poet Wacław S´wie˛łcki with text by G. M. Krzhizhanovsky) and ‘Boldly,

OP U S 63: NAT IVE L EN IN GRAD

249

friends, on we march!’ Dzhambul Dzhabayev’s poem ‘Leningrad, I’m Proud of Thee’ declaimed between Nos. 3 and 4. Instrumentation: piccolo, flute, 2 oboes, 2 clarinets (B flat and A), 2 bassoons ~ 2 horns, 3 trumpets, 2 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum ~ balalaika, piano ~ tenor and bass soloists, S.A.T B. chorus - strings. Composed: 20 August 1942, at Kuibyshev (Samara). Dedication: Written as a tribute to the courage of the citizens of Leningrad. Premières: 15 October 1942, Moscow Dzerzhinsky Central Club; NKVD Song and Dance Ensemble; scenario by Iosif Dobrovolsky, M. Volpin, and Nikolai Erdman, and directed by Sergei Yutkevich; conducted by Yuri Silantiev. Suite: 7 November 1942, same venue and forces as above. Arrangements: Piano reductions of Nos. 1, 2, and 4 by Andrei Sevastyanov. No. 3, titled ‘Folk Dance’, in a piano reduction by Lev Solin and transcribed for military band by Mark Vakhutinsky. Instrumentation: of the latter—flute, oboe, E flat clarinet, 3 B flat clarinets ~ 2 E flat horns, 2 trumpets, 3 trombones ~ triangle, tambourine, side drum, cymbals, bass drum ~ 2 B flat cornets; 2 E flat alto, 3 B flat tenor, B flat baritone, and 2 bass saxhorns. Parts listed above percussion and 3rd tenor saxhorn not obligatory. No. 3, titled ‘Folk Dances’, arranged for standard brass band (with percussion including xylophone, timpani, triangle, side drum, cymbals, and bass drum) by Torgny Hanson and for wind orchestra by Gerhard Baumann, Frank Erickson, Iniguez Raymond and Ernst Rembach. Vakhutinsky’s transcription adapted to suit American instruments by H. Robert Reynolds. Sans op. Y—‘My Native Country’ [‘My Dear Fatherland’ on the score.] Yuri Silantiev assembled an omnibus suite from Sans op. N, Opp. 63, 66, and 72 in 1970 and the following four pieces, retitled, derive from Opus 63: 1. 2. 3. 4.

Overture—Moderato non troppo ‘On Palace Square’ (text by Yevgeni Dolmatovsky)—Allegretto ‘Folk Dance’—Moderato—Allegro con brio ‘Ode to Leningrad’ (text by Dolmatovsky)—Moderato

Music: Originally appeared as Opus 61. Autograph vocal and full scores lost; incomplete copies of the vocal score preserved at the Moscow Dzerzhinsky Central Club. Sovetskii kompozitor, No. 705, 190, ‘Folk Dance’ arr. M. Vakhutinsky, score and parts, 21.5 cm. Sovetskii kompozitor, No. 2518 (in My Native Country), 1972, four pieces arr. Y. Silantiev, 29 cm. Sovetskii kompozitor, No. 4028 (in Dmitri Shostakovich: Music to Plays), 1977, ‘Folk Dance’ arr. for piano by L. Solin, 29 cm.

250

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Carl Fischer, New York, c.1979, ‘Folk Dances for concert band’ ed. by H. Robert Reynolds; score, condensed score, and 67 parts, 31 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, vocal and piano scores of Nos. 1–4:, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, full score of Nos. 1–4 with S. Alymov’s original lyrics, 30 cm. Salvation Army Brass Band Journal, No. 512 (in Festival Series, Nos. 511–514), Sept. 1994, ‘Folk Dance’ (titled ‘Folk Dances’) arr. T. Hanson, full score, oblong format 26.5 x 18.5 cm. DSCH Publishers, Moscow, full score in Volume 73 and piano score in Volume 79 of New Collected Works. Recordings: LP—Saint Petersburg Studio P10 00574 (‘Contemporary Music for Symphonic Band’). Folk Dance arr. Vakhutinsky. St Petersburg Military District Band, Nikolai USHCHAPOVSKY. P c.1991, I 1992. *Japan: Sony SRCR 9892. Folk Dance arr. Erickson. Tokyo Kosei Wind Orchestra, Yasuhiko SHIOZAWA. [Op. 115.] P 1991. CD—Salvationist Publishing (‘A Fanfare of Praise’). Folk Dance arr. Hanson. The Salvation Army International Staff Band, Lieut-Colonel Robert REDHEAD. P Air Lyndhurst 1994. USA: Klavier KCD 11077. Folk Dance arr. Reynolds. North Texas College of Music Wind Symphony, Eugene CORPORON. P Texas Woman’s University, Denton 9–11 Feb. 1996. Notes: See My Native Country, Sans op. Y, for recording of Silantiev’s suite. There are numerous other recordings of the Folk Dance played by wind ensembles, especially in America and Japan, to the examples listed above.

Sans op. M: Eight British and American Folksongs Form: Eight settings of British and American songs in Russian translation by Sergei Bolotin (Nos. 1, 4, and 8), Tatyana Sikorskaya (Nos. 3, 5, and 7), Bolotin and Sikorskaya (No. 2), and Samuil Marshak (No. 6) for low voice and small orchestra (with harp): 1. The Sailor’s Bride—‘Blow the wind southerly’ (William Julius Mickle)—Allegretto 2. John Anderson, my Jo (Robert Burns)—Lento, expressive 3. Billy Boy (Northumbrian capstan shanty)—Merrily 4. Oh! the Oak and the Ash (English air)—Moderato 5. Servants of King Arthur (variant of the English folksong ‘Three Sons of Rogues’)—Merrily 6. ‘Coming thro’ the Rye’ (Robert Burns)—Moderato

S A NS O P. M : E IG HT BRITISH A ND A MERICAN FOL KSON GS

251

7. Spring Round Dance—‘Come Lasses and Lads’—Allegro 8. ‘When Johnny Comes Marching Home’ (Patrick Sarsfield Gilmore)—Allegretto Instrumentation: 2 flutes, 2 oboes (II = cor anglais), 2 clarinets (A and B flat), 2 bassoons ~ 4 horns, trumpet ~ timpani, triangle, tambourine ~ glockenspiel, harp ~ strings. Harp in Nos. 2 and 6, No. 4 for strings, trumpet in No. 5, and percussion in No. 8 only. Voice part in treble clef for Nos. 1–7 and in bass clef, No. 8. Composed: 12 May 1943. Inspired by the alliance between the USSR, GB, and USA. Premières: Nos. 1–7: 25 May 1943, Moscow; Mark Reshetin (bass) and Larissa Yelchaninova (soprano). Nos. 1–8: 6 March 1944, Moscow; M. Reshetin. UK broadcast: 29 August 1983, sung in English; Ameral Cunson (mezzo-soprano), BBC Symphony Orchestra, Gennadi Rozhdestvensky. Belgian broadcast: 29 December 1989 (Russian Winter Festival recording, 17 February 1989), sung In Russian and English; Elena Ivanova (soprano, Nos. 1–8), Sergei Yakovenko (baritone, No. 8), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. USA: 10 December 1994, sung in English; Racine, Wisconsin; Robert Osborne (bass-baritone), Racine Symphony Orchestra, Alexander Platt. Duration: 14' 18"–17' 05". Music: Autograph score preserved at GTsMMK. Music Fund of the USSR, Nos. 563–570, 1944, mimeographed format, full score edited by Levon Atovmyan, 35 cm. DSCH Publishers, Moscow, full score in Volume 149 of New Collected Works. Recordings: CD—BMG Melodiya 74321 59057-2 (two-disc set). Elena IVANOVA (soprano), Sergei Yakovenko (baritone), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P Moscow concert 17 Feb. 1989, I Feb. 1999. USA Arabesque Z 6708 (‘Bobby Burns’ sic). Nos. 6 and 2 sung in English. Christine ABRAHAM (mezzo-soprano), Vermont University Orchestra, Robert DeCormier. P University of Vermont 1996, I 1998. Notes: This cycle was originally incorrectly titled Eight English and American Folksongs. The second song, set to its traditional melody, tells of the wife of a carpenter, John Anderson, recalling happy days with her ‘jo’ (= darling) husband. The Scottish song ‘Annie Laurie’, with music by Lady John Scott and words adapted by her from the poem by William Douglas, arranged for

252

D M I T R I SHOSTA K OVIC H C A TA LO GUE

voice and chamber orchestra was probably considered as an item for this cycle. The rough undated draft in the Glinka Museum, in a Russian translation, is marked ‘Molto moderato’ and scored for 2 flutes, 2 clarinets, 4 horns, and strings. See Hulme in DSCH Journal No. 10.

Opus 64: Zoya Form: Music for the black-and-white film Zoya (subtitled ‘Who is She?’) directed by Boris Chirskov and Leo Arnshtam for Soyuzdetfilm, based on the heroic deeds of the eighteen-year-old partisan girl, Zoya Kosmodemyanskaya, in the early days of the Great Patriotic War. The film awarded a Stalin Prize First Class in 1946. The voluminous score consists of 35 numbers though nothing is known of the nine missing items: 1. 2. 3. 4. 5. 6. 7. 8. 12. 13. 16. 20. 21. 22. 23. 24. 25. 30. 31.

Allegretto Moderato Adagio Moderato Moderato Moderato—Allegro—Presto Victory—[Adagio] The Belfry—Allegro Moderato Moderato Allegretto Dneprostoi—Allegretto Adagio The First of May Parade—Allegretto Arrival of the Heroes—Allegro Allegro Recollection—Moderato—Allegro Moscow—Adagio Song about Zoya (lyric by Konstantin Simonov)—Moderato con moto 35. [Con moto]—Allegro

Instrumentation: piccolo, 2 flutes, 3 oboes, E flat clarinet, 3 B flat clarinets, 2 bassoons, contrabassoon ~ 4 horns, 5 trumpets, 5 trombones, 2 tubas ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong, xylophone ~ glockenspiel, 2 harps ~ S.A.T.B. chorus ~ strings. Composed: 1943–44, at Moscow. Première: Film first shown on 22 November 1944. UK. 29 October 2006, Barbican Centre Cinema, London.

OPUS 64: ZOY A

253

Arrangements: Opus 64a—Suite for chorus (in No. 1 only) and large symphony orchestra assembled by Levon Atovmyan: 1. 2. 3. 4. 5.

Introduction—‘Song about Zoya’—Adagio—Moderato con moto Scene—‘Military Problem’—Allegretto—Allegro Prelude—‘Tragedy of a Loss’—Adagio March—‘Hero’s Victory’—Tempo di marcia Finale—‘The Heroine’s Immortality’—Adagio

No. 1 is based on No. 21 fanfares and No. 7 vocalise of the film score; No. 2 includes Nos. 1, 25, and 24 in their entirety; in No. 3 the orchestration, by L. Atovmyan, of the piano Prelude Opus 34 No. 14 is sandwiched by an Adagio not published in Volume 41 of Collected Works; No. 4 constructed in ABA form from Nos. 23 and 22 (the latter Degeyter’s Internationale); and No. 5 comprises complete Nos. 3 and 30 (‘Moscow’ incorporating the ‘Slava Chorus’—‘Be praised, be praised, may our beloved land be strong forever’—from Mikhail Glinka’s A Life for the Tsar). The song, ‘Song about Zoya’ (‘Native Land’), with words by K. Simonov, arranged for S.A.T.B. chorus and piano by L. Atovmyan. Instrumentation: of Suite Opus 64a—As the film score without the glockenspiel and second harp. Music: Originally known as Opus 68. Listed as Opus 66 in Volkov 1979. Autograph score preserved at GTsMMK and a manuscript copy, in the Music Library of NBGCOK. In both the musical items are numbered 1–17, 20–25, 30, 31, and 35. L. Atovmyan’s Suite preserved at the USSR Radio and Television Music Library. Russian mimeographed manuscript, no number or date, Suite Opus 64a, full score, c.32 cm. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, ‘Song about Zoya’ arr. L. Atovmyan, 29 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, ‘Song about Zoya’ for S.A.T.B. chorus and piano, 30cm. Muzyka, No. 10889 (in Volume 41 of Collected Works), 1987, 20 numbers (as listed under Form) in full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 131 of New Collected Works. Duration: Film: 95 minutes. Suite Opus 64a: 30' 27"–31' 41". Recordings: LP and CD—USSR: Melodiya D020135-6 (mono) and C01471-2. Suite Opus 64a. Bolshoi Theatre Orchestra and Chorus, Leon Zaks and Anatoli Levin (violin duo), Maksim SHOSTAKOVICH. P 1966 ~ USSR: Melodiya C01471-2 (in fourth box of Part 1 of Collected Works on Records). I 1978. Reissued on CD—BMG Melodiya 74321 66981-2 (two-disc set). I Dec. 1999.

254

D M I T R I SHOSTA K OVIC H C A TA LO GUE

CD—Germany: Capriccio 10 405. Suite Opus 64a. Berlin Radio Symphony Orchestra and Chorus, Mikhail yurovsky. P 4–6 Mar. 1991, I Oct. 1995, G Jan. 1996. NB. In No. 1 the chorus sings the vocalise introduction but, after the violin duo, the choral ‘Song about Zoya’ is played by the orchestra and one of its choruses omitted. USA: Russian Disc RDCD 10 002. Suite Opus 64a. Byelorussian Radio and TV Symphony Orchestra, Minsk Chamber Choir (in No. 1), Igor Matukhov (chorus-master), Walter MNATSAKANOV. P Minsk Feb. 1995, I Sept. 1996. Notes: The heroine’s childhood is recalled in the opening of the film. During a history lesson at school Zoya tells the class of the heroic action of the patriotic peasant, Ivan Susanin, who accepts a Polish bribe to lead their invading soldiers to the recently-elected Tsar in a Moscow monastery but, craftily, diverts them into a dense forest. When the Poles discover his ruse, they kill him. The chorus from Glinka’s opera is heard during this episode and again when Zoya is accompanying her school friend through the deserted Red Square at night. At the end of the film, after her brutal murder by the Nazis, the theme ‘Glory’ is gradually worked into the score and finally quoted as an exalted hymn of praise. The Capriccio booklet states ‘Although the title might lead one to think Soya is a documentary about the production of salad oil, the film is actually a Socialist fairy-tale about a peasant girl ‘from ancient times’ (sic).

Sans op. N: National Anthem Contest Entries (I) PATRIOTIC SONG Form: Anthem (alternatively known as ‘Glory to our Soviet Motherland’) for mixed chorus and piano, with lyric by Yevgeni Dolmatovsky, submitted as an entry for the new Soviet National Anthem contest. Composed: After the first twelve bars of the Eighth Symphony on 2 July 1943. Première: Broadcast for the first time on Soviet All-Union Radio in February 1978. Arrangement: Accompaniment orchestrated by the composer. Music: Autograph preserved at TsGALI. Words and melody quoted on pages 174–75 of Khentova (1979b). Autograph score of the orchestrated version preserved in the Shostakovich Family Archive. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, 30 cm. Recordings: — (II) SONG OF THE RED ARMY Form: Anthem written in collaboration with Aram Khachaturyan, submitted as a new Soviet National Anthem in 1943, to verses ‘Red Army, Invincible’ by Mikhail Golodny.

OP U S 65: SYM P HONY N O. 8 IN C MIN OR

255

Composed: Mid-August 1943. The first eight bars of the melody written by Khachaturyan, the remainder by Shostakovich, who orchestrated the anthem. Music: Autograph of piano and orchestral scores, in Shostakovich’s hand, preserved in the Glinka Museum. Melody quoted on page 177 of Khentova (1979b). Recordings: — Reference: Volkov (Testimony). (III) NATIONAL ANTHEM Form: Two settings of Sergei Mikhalkov and Gabriel El-Registan’s words were composed. The melody of one version, quoted on page 176 of Khentova (1979b), was used in Russian River, Opus 66 (words by Iosif Dobrovolsky); Victorious Spring, Opus 72 (words by Yevgeni Dolmatovsky); and My Native Country, Sans op. Y. Novorossiisk Chimes, Sans op. U and the song Supporters of Peace March, Sans op. X(i) are based on the first two bars. The second version was composed jointly with Aram Khachaturyan and orchestrated for full orchestra and two-part chorus by Shostakovich. Instrumentation: (second version)—piccolo, 2 flutes, 2 oboes, 2 clarinets (B flat), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum ~ two-part chorus ~ strings. Music: Autographs of the two versions for two-part chorus and piano preserved in the TsGALI(SPb). Full score autograph of the second version in F major, signed on behalf of both composers by Shostakovich, preserved in the Glinka Museum. Notes: The successful entry, an adaptation by Aleksandr Aleksandrov of his ‘Hymn of the Bolshevik Party’ with new words by Sergei Mikhalkov and Gabriel El-Registan, was adopted as the National Anthem of the USSR from 1 January 1944. Other anthems submitted were composed by Khachaturyan alone and Iona Tuskiya. The unpopular wordless Mikhail Glinka Patriotic Song selected by Boris Yeltsin was replaced by the Aleksandrov anthem for the New Year 2001 with the original lyric rewritten by the 87-year-old Mikhailov.

Opus 65: Symphony No. 8 in C minor Form: Symphony for full orchestra in five movements: 1. 2. 3. 4. 5.

Adagio—Allegro non troppo Allegretto Allegro non troppo attacca Largo attacca Allegretto

256

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Instrumentation: 4 flutes (III and IV = piccolo I and II), 2 oboes, cor anglais, E flat clarinet, 2 clarinets (B flat and A), bass clarinet, 3 bassoons (III = contrabassoon) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani (4 drums), triangle, tambourine, side drum, cymbals (2 players—I with drumsticks and II normal mode), bass drum, gong ~ xylophone ~ 1st violins (16), 2nd violins (14), violas (12), cellos (12), double-basses (10). Composed: In about 40 days, mainly at the Composer’s House at Ivanovo, between 2 July and 9 September 1943. First three movements completed on 3, 18, and 25 August respectively. Dedication: Yevgeni Aleksandrovich Mravinsky (conductor). Premières: 3 and 4 November 1943, Moscow Conservatory Bolshoi Hall; USSR Symphony Orchestra, Ye. Mravinsky. 5 Feb. 1944, Novosibirsk; Leningrad Philharmonic Orchestra, Ye. Mravinsky. Introductory talk by Ivan Sollertinsky (who died suddenly six days later. See also Opus 67). USA: 2 April 1944, Carnegie Hall, New York; New York Philharnonic Orchestra, Artur Rodzinski. A sum of 10,000 dollars was paid by the Columbia Broadcasting System for the privilege of the first broadcast in the West. UK: 13 July 1944, Bedford Corn Exchange, BBC Symphony Orchestra, Sir Henry Wood. (See Notes). France: 28 February 1946, Paris; Roger Désormière (conductor). UK: 23 September 1960, Royal Festival Hall, London; Leningrad Philharmonic Orchestra, Ye. Mravinsky. (See Notes). Scotland: 29 August 1962, Usher Hall, Edinburgh; Polish Radio Symphony Orchestra, Jan Krenz. In the presence of the composer. Arrangements: Reduction for piano four hands by Levon Atovmyan and two pianos eight hands by Pavel Lamm (the latter not published). Music: Autograph score inscribed ‘Manuscript belongs to N. V. Shostakovich’ and preserved at TsGALI. Muzgiz, 1943; No. 18220, 1946, 30 cm.; and 1963, 22 cm. Breitkopf & Härtel, No. 3605, 1947, 18.5 cm. Breitkopf & Härtel, No. 4021 (plate no. 31302), 1947, 33 cm. Boosey & Hawkes, No. 760, 1965, 19 cm. Muzyka, 1966, arr. for piano four hands by L. Atovmyan, 29 cm. Muzyka, No. 9375 (in Volume 4 of Collected Works), 1981, 30cm. Hans Sikorski, No. 2221, 1991, 21 cm. DSCH Publishers, Moscow, full score in Volume 8 and piano score in Volume 23 of New Collected Works. Duration: 60 and approx. 62 minutes in scores: 53' 36"–69' 19"; 64 minutes (Plaistow and this was the time allocated for the Prom broadcast on 13 July 1944).

OP U S 65: SYM P HONY N O. 8 IN C MIN OR

257

Films: Rollerball, directed by Norman Jewison, includes excerpts from the Eighth and Fifth Symphonies. See under Opus 47. Rostropovich Returns to Russia. The third movement filmed in Leningrad on 16 February 1990. See under Opus 47. Recordings: CD—Italy: Fonotipia ‘Le Grandi Orchestra nel Mondo, Volume 12’ C015-93 12 (mono). Boston Symphony Orchestra, Serge KOUSSEVITZKY. P concert broadcast 21 Apr. 1944, I 1993 (limited edition of 1000 copies). [NB. Also performances of the 1st movement recorded privately on 22 Apr. 1944, 7 and 24 Apr. 1945.] Italy: AS 538 (mono). New York Philharmonic Orchestra, Artur RODZINSKI. P concert 15 Oct. 1944, I 1990 ~ *Archipel ARPCD 0127 (two-disc set). [Op. 47; Tchaikovsky.] I July 2003 ~ *Guild Historical GHCD 2322 (mono). Orchestra named as the Philharmonic Symphony Orchestra of New York and the recording begins with the broadcast announcement. USA: BSO-CD2 (mono). First movement only. Boston Symphony Orchestra, S. KOUSSEVITZKY. P Boston 25 Apr. 1945, I on fund-raising CD 1988. ~ Biddulph WHL 045 (mono). I 1996, G Feb. 1997. LP and CD—USSR: MK D03620-1 (2 sides mono). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad studio 2 June 1947, I 1957 ~ USSR: Melodiya D032639-40 (2 sides mono). Restored 1972, I 1973. Reissued on CD—BMG Classics Melodiya Mravinsky Edition Volume. 17, 74321 29406-2 (mono). I Apr. 1996. CD—Revelation RV 10061 (mono). State Radio and Television Large Symphony Orchestra, Aleksandr GAUK. P concert 7 Oct. 1959, I Feb. 1997, G Sept. 1997. BBC Legends BBCL 4002-2. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Royal Festival Hall, London concert 23 Sept. 1960, I Nov. 1998 (issued with a bonus CD [Mozart.]), G Dec. 1998. *Japan: Dreamlife DLCA 7003 (mono, two-disc set). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. [Mozart.] P Moscow Conservatory Bolshoi Hall concert 12 Feb 1961, first release I 2004. LP and CD—USSR: MK D09615-7-D09799 (3 sides mono). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad concert 25 Feb. 1961, I 1962, G July 1966. *Reissued on CD—Russia: MELCD 10 00773 (mono, not stereo as stated on inlay and CD). I 2005. LP—USSR: MK D011185-7-D010714 (3 sides mono) and C0455-7-C0388 (3 sides). Moscow Philharmonic Orchestra, K. KONDRASHIN. P 1961, I 1962 ~ HMV Melodiya ASD 2474 (2 sides). G June 1969 ~ HMV Melodiya BOX 502506-7 in Set SLS 5025. G Dec. 1975 ~ HMV Melodiya EX 2903873 (seventh record in twelve-record box set, DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278

258

D M I T R I SHOSTA K OVIC H C A TA LO GUE

1005-6. [In Box 3 of five two-disc sets.] G May 1989 ~ BMG Classics Melodiya 7432119841-2. I July 1994, G Nov. 1994. *CD—Japan: Altus ALT 067. Moscow Philharmonic Orchestra, K. KONDRASHIN. [Mussorgsky.] P Tokyo concert 20 Apr. 1967, I 2003. Czech: Praga PR 250 040 (mono). Moscow Philharmonic Orchestra, K. KONDRASHIN. P Prague broadcast 29 Sept. 1969, G Sept. 1993. LP and CD—HMV ASD 2917. London Symphony Orchestra, André PREVIN. P 8–9 Feb. 1973, G Oct. 1973. Reissued on CD—EMI Classics Matrix 18 CDM5 65521-2. I July 1995, G Oct. 1995 ~ *EMI Encore 509024-2. G Mar. 2008. See also G July 2009. *CD—Japan: Scora Classics scoracd 012 (disc 1 of two-disc set, mono). Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad concert 31 Jan. 1976, I 2004. LP and CD—East Germany: Eterna 8 26 972. Berlin City Symphony Orchestra, Kurt SANDERLING. P East Berlin 9–17 Sept. 1976, I 1977d. Reissued on CD—East Germany: Deutsches Schallplaten 32 TC 77 ~ Germany: Berlin Classics Eterna BC 2064-2. G July 1994. BBC Legends BBCL 4189-2. London Symphony Orchestra, Yevgeni SVETLANOV. P Royal Festival Hall, London concert 30 Oct. 1979, I Sept. 2006. CD—Philips 422 442-2PH. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad concert 28 Mar. 1982, G June 1989 ~ Japan: Icone ICN 9411-2. P incorrectly given as Moscow Radio Concert Hall 15 Mar. 1983, I Sept. 1994. NB. Cor anglais player given as Valeri Sobolev ~ USA: Russian Disc RDCD 10 917.1 Aug. 1996, G Feb. 1997 ~ Philips Virtuoso 422 442-2PX. G Sept. 1998 ~ *Regis RRC 1250. I July 2006, G Awards (Oct.) 2006. NB. Only the Russian Disc and Regis releases are remastered at the correct pitch: the Philips and Icone CDs are a semitone sharp. LP and CD—Decca SXDL 7621 (digital). Concertgebouw Orchestra, Bernard HAITINK. P Amsterdam 20–21 Dec. 1982, G Nov. 1983. Reissued on CD—Decca 411 616-2DH. G Apr. 1984. ~ Decca Ovation 425 071-2DM. G Nov. 1993. USSR: Melodiya A10 00119 002 (3 sides in two-record set, digital). USSR Ministry of Culture Symphony Orchestra, Sergei Grishin (cor anglais), Gennadi ROZHDESTVENSKY. P 1983, I 1986a. Reissued on CD—Olympia OCD 143. I Aug. 1987, G May 1989. EMI EL 270290-1 (digital). Bournemouth Symphony Orchestra, Rudolf BARSHAI. P Poole Apr. 1985, G Aug. 1985. Reissued on CD—EMI CDC7 47670-2. I Feb. 1989, G June 1989 ~ EMI CDM7 64719-2 (‘Bournemouth Symphony Orchestra Centenary’). Third movement only. G Sept. 1993 ~ *Classics for Pleasure 587 0342. Complete symphony. I Aug. 2005.

OP U S 65: SYM P HONY N O. 8 IN C MIN OR

259

CD—USSR: Melodiya SUCD 10 00 240. USSR Tele-Radio Large Symphony Orchestra, Vladimir FEDOSEYEV. P Moscow concert 5 May 1985, I 1991b ~ *CDK Music CDKM 1012. I UK Oct. 2004 and Aug. 2004. Australia: ABC Classics 426 510-2. Adelaide Orchestra, Nicholas BRAITHWAITE. P Adelaide Town Hall 1–4 May 1988. Naxos 8.550628. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 3–12 Dec. 1988, I Jan. 1993, G Nov. 1993. RCA Victor Red Seal RD 60145. Saint Louis Symphony Orchestra, Leonard SLATKIN. P St Louis 28 Dec. 1988, I Dec. 1989, G Apr. 1990 ~ *RCA Classic Library 82876 7238-2. [Op. 96.] I 2006. LP and CD—Decca 425 675-1DH (digital) and released on CD—425 675-2DH. Chicago Symphony Orchestra, Georg SOLTI. P Chicago concert 4–6 Feb. 1989, G Sept. 1989. Chandos ABRD 1396 (digital) and released on CD—CHAN 8757. Scottish National Orchestra, Neeme JÄRVI. P Glasgow 7 Feb. 1989, G Apr. 1990. CD—Philips 432 090-2PH. Berlin Philharmonic Orchestra, Semyon BYCHKOV. P Berlin 21–22 Mar. 1990, G May 1993. *Netherlands: Brilliant Classics 6275 9 (fifth in eleven-disc set). WDR Symphony Orchestra, R. BARSHAI. P Cologne 14 Mar. 1994 and 16 Oct. 1995, I Dec. 2001. Denon CO 78910. Vienna Symphony Orchestra, Eliahu INBAL. P Vienna 21–23 Jan. 1991, G Jan. 1995. Collins Classics 1271-2. London Symphony Orchestra, Maksim SHOSTAKOVICH. P London 8–10 Mar. 1991, I Oct. 1991, G June 1992. Finland: Ondine ODE 775-2. Helsinki Philharmonic, James DEPREIST. P Järvenpää Apr. 1991, I Apr. 1992, G Oct. 1992. Telarc CD 80291. Atlanta Symphony Orchestra, Yoel LEVI. P Atlanta, Georgia 14 Apr. 1991, I and G July 1994 ~ *I with same number Dec. 2004. Teldec 9031 74719-2. National Symphony Orchestra of Washington, Mstislav ROSTROPOVICH. P Washington Oct. 1991, G Oct. 1992 ~ Teldec 0630-17046-2 (in twelve-disc set of Symphonies). G Oct. 1997 ~ Ultima 8573 87799-2 (two-disc set). I Apr. 2001, G Sept. 2001 ~ *Warner Classics Apex 0927 49850-2. I May 2003. Decca 436 763-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow 23–29 Oct 1991, G Apr. 1994. Deutsche Grammophon 437 819-2GH. London Symphony Orchestra, André PREVIN. P Tooting 9–10 Oct. 1992, I Jan. 1995, G Mar. 1995 ~ Deutsche Grammophon Classikon 463, 262-2GCL. I Aug. 1999, G Feb. 2000.

260

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Philips 446 062-2PH. Kirov Orchestra, Valery GERGIEV. P Haarlem 8–11 Sept. 1994, G Aug. 1995 ~ *Philips 470 841-2PM5 (‘The War Symphonies’, five-disc set). [Opp. 43, 47, 54, 60, and 70.] G Mar. 2006. Netherlands: Erasmus WVH 143. Byelorussian State Symphony Orchestra, Gerard OSKAMP. P Minsk concert 1995, I 1998. Delos DE 3204 (Dolby Surround Sound). Dallas Symphony Orchestra, Andrew LITTON. P Dallas 2–3 Jan. 1996, I Mar. 1997 and Feb. 2006, G Sept. 1997. Germany: BMG RCA Disc 74321 56258-2. Minsk Philharmonic Orchestra, Pierre-Dominique PONNELLE. P 1–4 June 1996, I 1998. *Slovenia: SF 997029. Slovenian Philharmonic Orchestra, Yuri SIMONOV. P Cultural and Congress Centre, Gallus Hall, Ljubljana concert 2 Feb. and 1 Mar. 1996. Germany: Arte Nova 74321 51628-2. Novosibirsk Philharmonic Orchestra, Arnold KATS. P Oct. 1996, I Dec. 1997. Switzerland: Relief CR 991056. Tchaikovsky Symphony Orchestra, V. FEDOSEYEV. P concert 1999, I June 2001. **EMI Classics CDC 57176-2 (includes rehearsal track). Pittsburgh Symphony Orchestra, Mariss JANSONS. P 9–11 Feb. 2001, I Oct. 2001, G Dec. 2001. Avie AV 0043. Cologne Radio Symphony Orchestra, Semyon BYCHKOV. P 12–17 Mar. 2001, I July 2004. Angelok1 CD-9932. Russian Federal Orchestra, Vakhtang JORDANIA. [Op. 96.] P Tchaikovsky Conservatory Bolshoi Hall, Moscow Jan. 2003, I 2005. Supraphon SU 38902 (eighth of ten-disc set). Prague Symphony Orchestra, Maksim SHOSTAKOVICH. P Smetana Hall, Prague concert 7–8 Apr. 2003, G Nov. 2006. Germany: Capriccio 71 013 (Hybrid SACD). Gürzenenick Orchestra of Cologne, Dmitri KITAYENKO. P Cologne Philharmonie concert, 28 June–2 July 2003, G Oct. 2004 and Feb. 2005. Germany: Berlin Classics 0017932BC. Saarbrücken Radio Symphony Orchestra, Günther HERBIG. P Musikkstudio Saarbrücken 17 Feb. 2004, G May 2006. Germany: Dabringhaus und Grimm MDG 337 1204-2. Beethoven Orchestra of Bonn, Roman KOFMAN. P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 26–28 Oct. 2004, I Aug. 2005, postponed until 2006. Germany: Arts Music 47704-8 (Hybrid SACD). Orchestra Sinfonica di Milano ‘Giuseppi Verdi’, Oleg CAETANI. P Auditorium Verdi di Milano concert Oct. 2004, I 2005, G Mar. 2006. LSO Live LSO 0060 and 0527 (Hybrid SACD). London Symphony Orchestra, M. ROSTROPOVICH. P Barbican Hall, London concert 3–4 Nov. 2004, I June 2005, G Dec. 2005.

OP U S 65: SYM P HONY N O. 8 IN C MIN OR

261

BIS-SACD 1483. Netherlands Radio Philharmonic Orchestra, Mark WIGGLESWORTH. P Dutch Radio and Television Studio, Hilversum 20–24 Dec. 2004, I Oct. 2005, G Jan. 2006. Netherlands: PentaTone classics PTC 5186 084 (Hybrid SACD). Russian National Orchestra, Paavo BERGLUND. P DZZ Studio Moscow 26–28 June 2005, I June 2006, G Awards (Oct.) 2006. Dunelm Records DRD 0261. London Shostakovich Orchestra, Christopher COX. P St Cyprian’s Church, London concert 20 May 2006, I July 2007. Notes: The Breitkopf & Härtel scores and parts, used by Western conductors after 1947, incorrectly give E sharp in the Finale coda muted violin solo (at bar 559 before fig. 172), whereas the Muzgiz and Muzyka scores faithfully reproduce the composer’s C sharp. This note is wrongly played in the DePreist, Previn, Haitink, Inbal, and Järvi recorded versions but corrected by Slatkin and Solti. It was unofficially christened the ‘Stalingrad Symphony’ after the American première. Richard Pleak contributes important and revealing ‘Unpublished letters from Shostakovich to Koussevitzky’ to DSCH Newsletter XIII (August 1989), found while doing research at the Library of Congress. These concern criticisms of the conductor’s 1944 and 1946 recordings of, respectively, Symphonies Nos. 8 and 9. The UK concert and broadcast première was originally scheduled to be performed on 13 July 1944, by the London Philharmonic Orchestra under Sir Adrian Boult, from the Royal Albert Hall as part of Sir Henry Wood’s Jubilee Season of Promenade Concerts. However, the concert was cancelled by the authorities as it was realized that the hall’s glass dome made it a potential death trap with the onset of Hitler’s V-1 flying bomb attacks. The concert and broadcast took place on the same date, transferred to Bedford with substituted orchestra and conductor (see Hulme in DSCH Journal No. 11). The programme note for the Royal Festival Hall performance by the Leningrad Philharmonic Orchestra under Yevgeni Mravinsky, in the presence of the composer, on 23 September 1960—incorrectly announced as the first UK public performance—listed the movements as ‘Adagio, March Militaire, Allegro non troppo, Passacaglia, and Largo’. The second movement quotes the Scherzo theme of the ‘Original’ Suite for Jazz Orchestra No. 2, Sans op. G(i). See the essay by David Haas ‘Shostakovich’s Eighth—C minor against the grain’ in Bartlett (2000). Zachary Cairns explores the links between the Eighth and Seventh Symphonies in DSCH Journal No. 27. The useful Appendix consists of five movement-by-movement full page form charts.

262

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 66: Russian River Form: Incidental music for the stage spectacle Russian River, scored for choir and orchestra: 1. 2. 3. 4. 5.

March—Allegretto Choreographic divertissement ‘Football’—Presto Vocal-symphonic picture ‘The Battle of Stalingrad’—Moderate—Allegro Waltz Final Chorus—Moderato

Lyrics of Nos. 3 and 5 by Iosif Dobrovolsky. Instrumentation: piccolo, flute, oboe, 2 clarinets (B flat and A), bassoon ~ 2 horns, 3 trumpets, 2 trombones, tuba ~ timpani, side drum, cymbals, bass drum ~ S.A.T.B. chorus in Nos. 3 and 5 ~ strings. Composed: 17 December 1944, at Moscow. Première: 17 April 1945, Moscow Dzerzhinsky Central Club; NKVD Song and Dance Ensemble; scenario by Iosif Dobrovolsky, M. Volpin, and Nikolai Erdman; décor by Pyotr Vilyams and produced by Ruben Simonov. Arrangements: Piano reductions of Nos. 1, 2, and 3 by V. Samarin and of No. 5 by Andrei Sevastyanova. Shostakovich’s National Anthem Entry, Sans op. N(iii), is introduced in ‘The Battle of Stalingrad’, which Yuri Silantiev retitles ‘Battle by the Volga’ in My Native Country Sans op. Y, and in No. 5—used with a new lyric for ‘Song of Victory’ in Silantiev’s Suite. Music: Autograph score preserved at the Moscow Dzerzhinsky Central Club and ‘The Battle of Stalingrad’ autograph in the possession of Karen Khachaturyan. No musical material of the Waltz has been discovered. Sovetskii kompozitor, No. 2518 (in My Native Country), 1972, ‘Battle by the Volga’ only, 29 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), 1986, piano and vocal scores of Nos. 1–3 and 5, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, full score of Nos. 1–3 and 5 with I. Dobrovolsky’s original lyrics, 30 cm. DSCH Publishers, Moscow, full score in Volume 119 and piano score in Volume 123 of New Collected Works. Recording: *LP—Czech: Supraphon SUL 34030 (‘Soviet Popular Music’, 7" 45 rpm, mono). ‘Football’ only. USSR Radio and Television Orchestra, Yuri SILANTIEV. [Khachaturyan and Lyudvikovsky.] P Strakov Studio, Prague 19 May 1958, I 1959. CD—Chandos CHAN 9907 (‘Theatre Music’). ‘Football’ arr. V. Samarin. Rustem HAYROUDINOFF (piano). P Potton Hall, Suffolk 7–8 Aug. 2000, I Apr. 2001.

OP U S 67: P IA NO TRIO N O. 2 IN E MIN OR

263

Notes: This work listed as The Great River by Martynov and Rabinovich, with the subtitle (The Volga) by the latter. See My Native Country, Sans op. Y, for recording of ‘Battle by the Volga’. For another ballet scene about the game of football see The Golden Age Opus 22.

Opus 67: Piano Trio No. 2 in E minor Form: Chamber work for violin, cello, and piano in four movements: 1. 2. 3. 4.

Andante—Moderato Allegro con brio or (in earlier editions) Allegro non troppo Largo attacca Allegretto

Composed: In 1944, at the Composer’s House at Ivanovo. Begun on 15 February, four days after the death of his friend Ivan Sollertinsky; the second movement finished on 4 August and the whole work completed on 13 August. Dedication: To the memory of Ivan Ivanovich Sollertinsky (musicologist). Premières: 14 November 1944, Leningrad Philharmonic Bolshoi Hall and 28 November 1944, Moscow Conservatory Bolshoi Hall; Dmitri Tsyganov (violin), Sergei Shirinsky (cello), and Dmitri Shostakovich (piano). The Allegretto repeated as an encore. UK: 24 April 1946, Wigmore Hall, London; Boosey & Hawkes ninth concert; Henry Holst (violin), Anthony Pini (cello), and Peter Stadlen (piano). Music: Autograph score preserved at TsGALI. Awarded a Stalin Prize Second Class in 1946. Not usually designated as ‘No. 2’ on scores and parts before 1983. Muzgiz, No. 18203, 1945, score and parts, 28.5 cm. Leeds Music, no number, c.1947, with annotations by Harry Sheldon, parts, 30 cm. International Music, No. 2806, c.1960, parts, 30.5 cm. Edition Peters, No. 4744 (plate no. 12035), 1961, parts, 30 cm. Sovetskii kompozitor, 1962, parts, 29 cm. Hans Sikorski, No. 2211, 1962, score and parts, 31.5 cm. MCA, 1967, parts, 31 cm. Muzyka, No. 2943, 1968, parts, 29 cm. Universal Edition, Philharmonia Score No. 181, no date (1968 on back cover), with detailed analysis in German, English, and French, score, 18.5 cm. Muzyka, No. 10794 (in Volume 37 of Collected Works), 1983, score and parts, 30 cm.

264

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Duration: 24' 40" in score; 22' 39"–30' 06"; 27' 50"–29' 00" (Plaistow). Ballets: About Face. Alexander Roy, London Dance Theatre; Euston Collegiate Theatre, London, August 1976. A Moment of Give. Jeremy James, Spring Loaded company; Linbury Studio, Royal Opera House, London, 8 April 2000. Recordings: (Instrumentalists named in the order—violinist, cellist, and pianist): 78 rpm and CD—USSR: 13160-9 (9 sides 10"). Dmitri Tsyganov, Sergei Shirinsky, and Dmitri SHOSTAKOVICH. P 1945 ~ USA: Compass Set C 102 (5 sides 10"). Reissued on CD—Revelation RV 70007 (‘Shostakovich plays Shostakovich, Volume 6’, mono). I Sept. 1998, G Feb. 1999 ~ *Canada: Doremi DHR 7787 (mono). [Opp. 67, 57, 34, 69, and 5.] I Feb. 2002 NB. Erroneously stated to have never before issued on LP or CD! ~ *Germany: Designo 222521 (on third of four-disc set). [Op. 57.] I June 2005. 78 rpm and CD—USA: Alco of Hollywood A-3 (6 sides). COMPINSKY TRIO (Manuel, Alec, and Sara Compinsky). P 1945 (not c.1950 as given in the Third Edition). *Reissued on CD—Cambria CD 1130 (mono). Cuts in fourth movement at bars 44–57, 67–78, and 339–50. [Rakhmaninov.] I Nov. 2003. 78 rpm, LP, and CD—Ultraphon G 14927-9 (6 sides). David Oistrakh, Miloš Sádlo, and D. SHOSTAKOVICH. P Prague after public performance on 26 May 1947 ~ *USA: Mercury DM 21 (6 sides). Reissued on LP—USA: Mercury MG 15005 (10" mono). I 1949 ~ USA: Colosseum CRLPX 011 (mono). I 1954~ USSR: Melodiya M10 39075-6 (in four-record box set ‘D. Shostakovich—Pianist’ , mono). I 1977b ~ Czech: Supraphon 0 10 2371-2 (in two-record set ‘David Oistrakh in Prague’, mono). I 1978, G Aug. 1979. Reissued on CD—Canada: Doremi DHR 7701. (‘David Oistrakh Collection, Volume 1’). P date given as 1946, I Mar. 1997 ~ Revelation Compact Disc RV 70006 (‘Shostakovich plays Shostakovich, Volume 5’, mono). I May 1998 ~ *Korea: Yedang Classics YCC 0022. [Opp. 35, 102, and 94.] I May 2002 ~ *Symposium 1314 (mono). [Opp. 34, 5, 22, 73, and 69.] I Jan. 2004. CD—BBC Legends BBCL 4024-2 (mono). Leonid Kogan, Mstislav Rostropovich, and Emil GILELS. P London 28 Feb. 1959, G Nov. 1999. *Russia: Moscow State Conservatory SMC CD 0035 (mono). D. Oistrakh, Svyatoslav Knushevitsky, and Lev OBORIN. [Chausson.]. P Moscow Conservatory concert 1 Oct. 1960, I 1999 ~ Japan: Japan: Triton MECC 26018 (mono). [Opp. 49 and 92.] I 2000. NB. This reissue previously listed as the 1961 Prague radio performance. Czech: Multisonic 31 0105-2 (mono). D. Oistrakh, S. Knushevitsky, and L. OBORIN. P Prague radio 1961, I 1993 ~ France: Praga PR 254 054 (mono). I July 1994 ~ Japan: Triton MECC 26018 (mono). P stated Moscow Conservatory concert 1960, I 2000.

OP U S 67: P IA NO TRIO N O. 2 IN E MIN OR

265

*LP—Bulgaria: Balkanton BKA 508 (mono). Georgi Badev, Zdravko Yordanov, and Anton DIKOV. [Pipkov.] I c.1963. LP and CD—USA: Concert-Disc 234. LYRIC TRIO (Arthur Tabachnik, Shirley Evans, Hilde Freund). P 1963. Reissued on CD—Everest SDBR 4234. G Apr. 1972. Czech: Supraphon SUA10019 (mono). CZECH TRIO (Aleksandr Plocek, Saša Vecˇtomov, Josef Pálenícˇek). P 1963. Reissued on CD—Czech: Supraphon CO 4489. I 1990. LP—Waverley LLP 1023 (mono) and SLLP 1024. SCOTTISH TRIO (Louis Carus, Joan Dickson, Wight Henderson). G Nov. 1964. USA: Westminster XWN 19063 (mono) and WST 17073. TRIO DI BOLZANO (Giaino Capri, Sante Amadori, Nunzie Montanari). P 1964 ~ HMV CLP 1887 (mono) and CSD 1614. G Aug. 1965 ~ MCA Millennium Classics MCD 80107 (stereo not mono as stated). I Feb. 1997. LP and CD—USSR: Melodiya CM 01805-6. Mikhail Vaiman, Mstislav Rostropovich, and Pavel SEREBRYAKOV. P 1966, I 1969 ~ USA: Angel Melodiya S 40091. I 1969~ HMV Melodiya ASD 2718. G Aug. 1971. Reissued on CD—Japan: VICC 2152. I 1994. LP—USSR: Melodiya D021245-6 (mono) and C01621-2. Igor Bezrodny, Mikhail Khomitser, and Dmitri BASHKIROV. I 1969. USSR: Melodiya CM 02649-50. Yuri Shvolkovsky, Maris Villerush, and Valdis YANTSIS. P and I 1971. USA: Turnabout TV 34280 S. NEW AMSTERDAM TRIO (John Pintavalle, Heinrich Joachim, Edith Mocsanyi). P 1971, G Mar. 1972. Da Camera Magna SM 92110. Jean-Jacques Kantorow, Philippe Muller, and Jacques ROUVIER. P 1971, G Jan. 1982. USSR: Melodiya CM 03723-4. Rostislav Dubinsky, Valentin Berlinsky, and Lyubov YEDLINA. P 1972, I 1973 ~ USA: Westminster WGS 8332. *CD—Canada: Doremi DHR 6606, Marta Hidy, Tsuyoshi Tsutsumi, and Arthur OZOLINS. [Smetana.] P Toronto 1974, I 2002. LP—HMV HQS 1330. Yong-Uck Kim, Ralph Kirshbaum, and Andrè PREVIN. P1974, G Sept. 1974. LP and CD—Sweden: BIS LP 26. Arve Tellefsen, Frans Helmerson, and Hans PÅLSSON. P Nacka, Sweden 26–27 Apr. 1975, G Mar. 1977. Reissued on CD—Sweden: BIS CD 26. I 1991, G Sept. 1992. LP—Philips 6500 860. BEAUX ARTS TRIO (Isidore Cohen, Bernard Greenhouse, Menahem Pressler). P 1975, G Jan. 1976 ~ Philips Musica da camera 412 402-1PC. G June 1985. USSR: Melodiya C10 06943-4. Mikhail Bezverkhny, Tatyana Prokhorova, and Aleksandr BONDURYANSKY. P 1976, I 1976d. LP and CD—USSR: Melodiya C10 07191-2. Grigori Feigin, Valentin Feigin, and Igor ZHUKHOV. P 1976, I 1977a. Reissued on CD—France: Le

266

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Chant du Monde LDC 278 1018-19 (two-disc set). I Feb. 1990, G June 1990. LP—RCA Red Seal RL 25224. Miles Baster, Christopher Gough, and Roger WOODWARD. P Edinburgh 21–22 Sept. 1978, G Jan. 1980. USA: Sine Qua Non Superba SAS 2039. APPLE HILL CHAMBER PLAYERS. P1978. CD—Hong Kong: One-Eleven URS 92010. Ruggiero Ricci, Nathaniel Rosen, and Santiago RODRIGUEZ. P concert 1978, I 1992. LP—USSR: Melodiya C10 14927-8. Vladimir Ivanov, Mikhail Utkin, and Aleksandr BONDURYANSKY. P1980, I 1981c. New Zealand: Kiwi Records Tartar TRL 016. GAGLIANO TRIO (John Chisholm, Allan Chisholm, Bruce Greenfield). I 1981. LP and CD—Phoenix DGS 1006. TRIO ZINGARA (Sophie Langdon, Susan Dorey, Annette Cole). P London 1–2 Apr. 1981, G Dec. 1982 ~ Signature KNEW LP 202 and released on CD—KNEW CD 202. I 1987. Norway: Simax PS 1014. OSLO TRIO (Stig Nilsson, Aage Kvalbein, Jens Harald Bratlie). P near Oslo 17 Nov. and 21 Dec. 1981, and 2 Jan. 1982; G July 1982. Reissued on CD—Simax PSC 1014. I Sept. 1987, G Oct. 1988. LP—Academy Sound & Vision ALH 929. MUSIC GROUP OF LONDON (David Parkhouse, Hugh Bean, Eileen Croxford). I Apr. 1983, G July 1983. LP and CD—Chandos ABRD 1088 (digital). BORODIN TRIO (Rostislav Dubinsky, Yuli Turovsky, Lyubov Yedlina). P London June 1983, G Jan. 1984. Reissued on CD—Chandos CHAN 8342. I Sept. 1984, G Apr. 1985. CD—Germany: Live Classics LCL 172. Oleg Kagan, Natalia Gutman, and Svyatoslav RICHTER. P Pushkin Museum, Moscow concert 12 Dec. 1984. LP—Canada: Fanfare DFL 9021 X (digital). CANADIAN PIANO TRIO (Jaime Weisenblum, Nina Tobias, Stephanie Sebastian). P Toronto June 1985. France: Harmonia Mundi Ottava LP OTR 58504. GUARNERI TRIO (Mark Lubotsky, Jean Decroos, Danièle Dechenne). P 1985, I Apr. 1987. Czech: Panton 8111 0570. NEW PRAGUE TRIO (Jirˇí Klika, Jan Zvolánek, Arnošt Strˇižek). P 9–13 Dec. 1985. LP and CD—Italy: Dynamic FC U23 (digital). TRIO TCHAIKOVSKY (Pavel Vernikov, Anatole Liebermann, Konstantin Bogino). P Genoa Feb. 1986. Reissued on CD—Dynamic/Essex Records II Canale DC U23. G Oct. 1988. LP—USA: Musicmasters MMD 20152Y-53W (‘Live from Spoleto Festival USA 1986’, digital, in two-record set). Joseph Swensen, David Finckel, and Yefim BRONFMAN. P Charleston, S. Carolina concert May or June 1986, I 1988.

OP U S 67: P IA NO TRIO N O. 2 IN E MIN OR

Spain:

267

Harmonia Mundi Iberica HMI 87 001 (digital). TRIO DE BARCELONA Gerard Claret, Lluis Claret, Albert G. Attenelle). P Spain 1987. CD—CBS Masterworks MK 44664. Isaac Stern, Yo-Yo Ma, and Emanuel AX. P Purchase, New York 23 Nov. 1987, I Dec. 1988, G June 1989 ~ *France: Sony Classical Grand Répertoire 5082372. [Op. 40.] I 2002. Sweden: Caprice CAP 21348. GARCIA TRIO (Gustavo Garcia, Göran Holmstrand, Ingemar Edgren). P 18–19 Apr. 1987, I 1988. USA: XLNT Music CD-18003. LEONARDO TRIO (Erica Kiesewetter, Jonathan Spitz, Cameron Grant). P New York 28–31 Dec. 1987, I 1988. LP and CD—Collins Classics 1040-1 (digital) and released on CD—1040-2. TRIO ZINGARA (Elizabeth Layton, Felix Schmidt, A. Cole). P London 1989, G Mar. 1990. CD—Switzerland: Relief CR 891 008. TRIO YUVAL (Uri Pianka, Simca Heled, Jonathan Zak). P New York 5–7 June 1989, I 1990. Germany: Dabringhaus und Grimm MD+GL 3334. MÜNCHER KLAVIERTRIO (Ilona Then-Bergh, Gerhard Zank, Michael Schafer). P date not stated, I 1989. Finland: Ondine ODE 744-2.TRIO TCHAIKOVSKY (Pavel Vernikov, Anatole Liebermann, Konstantin Bogino). P July 1989, I June 1990. Philips 432 079-2PH. BEAUX ARTS TRIO (Isidore Cohen, Peter Wiley, Menahem Pressler). P New York Sept. 1989, G Aug. 1991. Germany: Harmonia Mundi HM 950-2. ALANI TRIO (Annette-Barbara Vogel, Nikolai Schneider, Lars Vogt). P Heildelberg 2–3 Nov. 1989. Altarus AIR-CD 9033. FRIEND-SOLOMON-HUGH TRIO (Rodney Friend, Timothy Hugh, Yonty Solomon). P not stated, I 1991. Netherlands: Fidelio 8843. REIZEND MUZIEKGEZELSCHAP (Christian Bor, Nathaniel Rosen, Edward Auer). P Amsterdam 21 Mar. and 7 Aug. 1990. USA: Northeastern NR 245-CD. BOSTON CHAMBER MUSIC SOCIETY (Stephanie Chase, Ronald Thomas, Randall Hodgkinson). P Methuen, Mass. Apr. 1990, I Dec. 1994. Claudio CR 4013-2. BEKOVA SISTERS TRIO (Elvira, Alfia, and Eleonora Nakipbekova). P 15 July 1990, I July 1991. Virgin Classics VC7 59312-2. NASH ENSEMBLE (Marcia Crayford, Christopher van Kampen, Ian Brown). P London Nov. 1990, I Aug. 1993 ~ *Virgin Classics VDB5 61760-2 (two-disc set). [Schoenberg.] I Mar. 2000. *Russia: a-ram ACD 001. TRIO LUDUS TONALIS (Olga Vikomirskaya, Sergei Sudzilovsky, Viktor Yampolsky). [Op. 40.] P Moscow Gnessin Academy 2–4 Apr. 1991, I 1993. *Australia: Tall Poppies TP 052. AUSTRALIA TRIO (Dean Olding, Julian Smiles, David Bollard). [Op. 57.] P ABC Studio, Sydney 7–8 Feb. 1992, I 1996.

268

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Czech: Bohemia Music BM 0013-2. CZECH TRIO (Dana Vlachova, Jan Pálenícˇek, Norbet Heller). [Smetana.] P Schloss Hluboká June 1992. Denmark: Kontrapunkt 32131. COPENHAGEN TRIO (Søreh Elbaek, Troels Hermansen, Morton Mogensen). P Lungbye 1992. Koch Discover International DICD 920356. CHO PIANO TRIO (Cho Young Mi, Cho Young Chang, Cho Young Bang). P Brussels 1992. Netherlands: Channel Classics Canal Grande CG 9218. OSIRIS TRIO (Peter Blunt, Larissa Groeneveld, Ellen Corver). P Haarlem 10, 11, and 13 Aug. 1992, I May 1993. France: Le Chant du Monde Russian Season RUS 288 088. MOSCOW TRIO (Vladimir Ivanov, Mikhail Utkin, Aleksandr Bonduryansky). P Moscow Conservatory Sept.–Nov. 1993, I Sept. 1994. USA: Mobius 2D 0193 (two-disc set). MOBIUS (Phil Johnson, Mike Fitzpatrick, Xak Bjerken). P 1993. USA: Gagliano GR 303-CD. FLORESTAN TRIO (Carol Sindell, Hamilton Cheifetz, Harold Gray). P Portland State University, Oregon 27–29 Dec. 1993. USA: Arizona Friends of Chamber Music 1994-01. Ani Kavafian, Colin Carr, and James BONN. P Tucson, Arizona 13 Mar. 1994, I 1996. *Australia: ABC Classics 456 841-3 (‘Australian Festival of Chamber Music’—on second of three disc set). Isabelle van Keulen, Aleksandr Ivashkin, and Boris BERMAN. P Townsville Civic Centre, Brisbane concert 8 July 1994, I 2000. Decca 452 899-2DH. Joshua Bell, Steven Isserlis, and Olli MUSTONEN. P London 28 Aug. 1994, G Sept. 1997 ~ *Decca 475 617-2 (two-disc set). [Prokofiev.] I 2005. Canada: Mastersound MST 33. MCPHERSON TRIO (Pablo Diemecke, Lawrence Skaggs, May-Ling Kwok). P University of Victoria 29–30 Aug. 1994, I Nov. 1995. Japan: Meldec MECC 28004. Aleksandr Melnikov, Natalya Sabinova, and Viktor YAMPOLSKY. P Mosfilm Studio, Moscow 1–10 Oct. 1994, I June 1995. Naxos 8.553297. STOCKHOLM ARTS TRIO (Dan Almgren, Torleif Thedeen, Stefan Bojsten). P Stockholm 13–15 Mar. 1995, G July 1997. Teldec 4509-98414-2. Mikhail Kopelman, Valentin Berlinsky, and Elizaveta LEONSKAYA. P Berlin Apr. 1995, G Feb. 1997 ~ Ultima 8573 87820-2 (two-disc set). I Apr. 2001, G Aug. 2001 ~ *Warner Classics Elatus 2564-60813-2. [Op. 57.] I 2003. Koch Schwann 3-6400-2H1. Lev Atlas, Alexander Volpov, and Phillip SILVER. P BBC Scotland May 1995. *Germany: Gutungi 217. SERAPHIN TRIO (Wilhelm F. Walz, Jörg Metzger, Gottfried Hefele). [Rakhmaninov and Ravel.] P Studio Franken Oct. 1995, I 1997.

OP U S 67: P IA NO TRIO N O. 2 IN E MIN OR

269

*Germany: Bella Musica BM 31.2415. ARCADIA TRIO (Gorjan Koöuta, Miloö Mlejnik, Rainer Gepp). [Meyer.] P WDR Saal 2, Cologne 22–23 Nov. 1995, I 2007. *Czech: Russian RCD 10401. ROMANTIC TRIO (Viktor Abramyan, Aleksandr Bourikov, Gennardi Dzubenko). [Glinka and Rakhmaninov.] P Moscow Melodiya Studio 1995, I 1996. USA: Arabesque Z 6698 (two-disc set). Jaime Laredo, Sharon Robinson, and Joseph KALICHSTEIN. P Purchase, New York 17–18 Dec. 1995 or 12–13 Sept. 1996, I and G Jan. 1998. Italy: Real Sound RS 051-0176. TRIO DI TORINO (Sergio Lamberto, Dario Destefano, Giacomo Fuga). P Wesel, Germany Apr. 1996, I May 2000. Germany: Ars Musici Primavera AMP 5065. TRIO JEAN PAUL (Ulf Schneider, Martin Lôhr, Eckart Heiligers). P Freiburger Musik Forum June 1996. Chandos CHAN 9526 (two-disc set). BEKOVA SISTERS (as 1990 recording). P Highgate, London 19–20 June 1996, G May 1997. France: Erato 0650-17875-2. Vadim Repin, Dmitri Yablonsky, and Boris BEREZOVSKY. P Berlin 23–27 Mar. 1997, G Jan. 1998. Hungary: Hungaroton Classics HCD 31780. BARTOS TRIO (Galina Danilova, Csaba Bartos, Irina Ivanickaia). P Hungaroton Studio 29 May–2 June 1997. Switzerland: European Mozart Foundation EMF 84 (third of four-disc set). Nurit Pacht, Isolde Hayer, and John BLACKLOW. P Venice concert 5 July 1997. Germany: EMI Classics CDC5 56674-2. AHN TRIO (Angella, Maria, and Lucia Ahn). P New York 10–15 July 1997. France: Lyrinx LYR182. Regis Pasquier, Roland Pidoux, and Jean-Claude PENNETIER. P Marseille 14–16 Nov. 1997. Germany: EMI Classics CDC5 56673-2. EROICA TRIO (Adela Penˇa, Sara Sant’Ambrogio, Erika Nickrenz). P Tiburon, California 5–9 Mar. 1998. USA: MSR Classics MS 1046. ARMAN TRIO (Constantin Bogdanas, Dorel Fodoreanu, Deniz Arman Gelenbe). P Meredith College, Raleigh, North Carolina concert 6 Apr. 1998. Nimbus NI 5572. VIENNA TRIO (Wolfgang Redik, Marcus Trefny, and Stefan Mendl). P Nimbus Foundation Hall 6–9 Apr. 1998, I and G Dec. 1998. Japan: Deutsche Grammophon POCG 10174. Gidon Kremer, Mischa Maisky, and Martha ARGERICH. P Tokyo concert May 1998, G Oct. 1999. Norway: Simax PSC 1147. GRIEG TRIO (Sølve Sigerland, Ellen Margrete Flesjø, Vebjørn Anvik). P Lommedalen Kirke, Norway 12–18 June 1998, I Oct. 1999. Germany: Thorofon CTH 2397. TRIO BAMBERG (Yevgeni Schuk, Stephan Gerlinghaus, Robert Benz). P Nuremberg June 1998.

270

D M I T R I SHOSTA K OVIC H C A TA LO GUE

*Russia: Brahms Trio (own label unnumbered, ‘Two Centuries of Russian Piano Trios, Volume 2’). BRAHMS TRIO (Dmitri Vasiliev, Vladimir Balshin, Natalya Rubinstein). [Op. 8.] P Moscow State Recording Studio July 1998, I 2001. Orfeo C 465 991A. MUNICH TRIO (Rudolf J. Koeckert, Gerhard Zank, Hermann Lechler). P Bavarian Radio Studio 4–5 May and 4–7 June 1999, I Mar. 2001. *Poland: Accord ACD 128. Kaja Danczowska, Dorota Imielowska, Mariola CIENIAWA. [Mendelssohn.] P Firianka Concert Hall, Kracow June 1999, I 2003. USA: MMC 2058. SOLATI TRIO (Sophia Herman, Hrant Tatian, Ludmilla Lifson). P Cambridge, Mass. I July 1999. Czech: Vars VA 0106-2. ACADEMIA TRIO (Pavel Safarˇík, Jaroslav Mateˇjka, Petr Jirˇíkovský). P Hluboš Castle Sept. 1999. **Germany: EMI Classics 5 57553-2. Antje Weithaas, Boris Pergamenshchikov, Lars VOGT. [Dvorˇák.] P Heimbach Chamber Music Festival concert 15 June 2000, I 2003. Sweden: Daphne Records 1016. TRIOMATS (Mats Zetterqvist, Mats Rondin, Mats Widlund). [Beethoven and Ravel.] P Ytterjärna Concert Hall, Sweden Dec. 2000, I 2001. Austria: Extraplatte EX-ART 001-2. TRIOSKO (Rachael Schettman, Marcus Hagemann, Christian Schmid). [Haydn.] P Florentiner Saal Graz, Austria Feb. 2001, I 2001. Canada: Atma Classique ACD 22271. LE TRIO RACHMANINOFF DE MONTRÉAL (Natalia Kononova, Velitchka Yotcheva, Patric Laré). [Tchaikovsky.] P Salle Claude-Champagne, Montréal 10–12 Jan. 2003. Praga Digitals PRD 250162. GUARNERI TRIO (Cˇeneˇk Pavlik, Marek Jerie, Ivan Klánský). [Op. 8 and 40.] P Prague 15–17 June 2001, I Nov. 2001. USA: Bridge BRIDGE 9147. JUPITER TRIO (Robert Waters, Julian Hersh, Aglika Angelova). [Beethoven.] P Skywater Sound, California 1–3 Aug. 2002, I 2004. Germany: IPPNW-Concerts-Edition CD 44. Antje Weithaas, Boris Pergamenshchikov, and Paul RIVINIUS. [Schoenberg.] P University of Fine Arts, Berlin concert 6 Dec. 2002. Canada: Atma ACD2 2271. TRIO RACHMANINOFF de MONTRÉAL (Natilia Kononova, Yelitchka Yotcheva, Patrice Lar). [Tchaikovsky.] P Salle Claude-Champagne, Montréal 10–12 Jan 2003, I 2004. France: Triton TRI 331128. Jan Orawiec, Dimitri Maclennikov, and Jonathan BENICHOU. [Oliver Greif.] P le Corum, Montpellier Feb. 2003. Harmonia Mundi HMC 90 1825. TRIO WANDERER (Jean-Marc Phillips-Varjabédian, Rapha‘l Pidoux, Vincent Coq). [Op. 8; Copland.] P Paris May 2003, G June 2004.

OP U S 67: P IA NO TRIO N O. 2 IN E MIN OR

271

Switzerland: Alpha 055 (‘Krokodil’, two-disc set). Graf Mourja. Maria Hallynck, and Arthur SCHOONDERWOERD. [Opp. 123, 87, 121, and 127.] P Chaux-de-Fonds, Switzerland May 2003, I May 2004. Hyperion CDA 67158. Igor URYASH and members of the St Petersburg Quartet (Alla Aranovskaya and Leonid Shukayev). [Opp. 49 and 57.] P St Petersburg Studio Dec. 2003, G Nov. 2004. MSR Classics MS 1103. TRIPLE HELIX PIANO TRIO (Bayla Keyes, Rhonda Rider, Lois Shapiro). [Ravel and Sheng.] P Houghton Chapel, Wellesley, Mass. Jan. 2004. Germany: Genuin GMP 04590. ROMA PIANO TRIO (Alessandro D’Andrea, Marco Damiani, Angela Pardo). [Smetana.] P Rudolf Oetker Halle, Bielefeld, Germany 3–6 May 2004, I 2005. EMI Classics 4 76871-2 (on first of three-disc set). Maksim Vengerov, Gautier Capuçon, and Martha ARGERICH. [Prokofiev and Tchaikovsky.] P Auditorio Stelio Molo, Lugano concert June 2004. Germany: Coviella Classics COV 50502 (Hybrid SACD). TRIO PAIAN (Carl-Magnus Helling, Marin Smesnoi, Alexandra Neumann). [Op. 8.] P Villa Berg, Stuttgart Aug. 2004, I 2006. Czech: Arco Diva UP 0069-2 131. ARTEMISS TRIO (Adéla Štajnochrová, Alžbeˇta Vlcˇková, Jana Holmanová). [Opp. 8 and 127.] P Lichtenstein Palace, Prague Sept.–Nov. 2004, I 2005. Alto ALC 1005. ROSAMUNDE TRIO (Ben Sayevich, Daniel Veis, Martimo Tirimo). [Tchaikovsky.] P Lichtenstein Palace, Prague Feb. 2005, I Feb. 2007, G July 2007. Warner Classics 2564 61937-2. Dimitri Makhtin, Aleksandr Kniazev, and Boris BEREZOVSKY. [Rakhmaninov.] P Singelkerk, Amsterdam 12–14 Oct. 2004, G Apr. 2005. Austria: ORF CD381. Dalibor Karvay, Milan Karanovic, and Stefan STROISSNIG. [Haydn and Mendelssohn.] P Orf-Funkhaus, Vienna Nov. 2004. Russia: Classical Records CR 064. DAR TRIO (Aleksandr Kalaskov, Rustam Komachov, Dmitri Klimov). [Sviridov.] P no date, I 2005. Stradivarius STR 33706 (‘Complete works for pianoforte’). TRIO DI PARMA (Ivan Rabaglia , Enrico Bronzi, Alberto Miodini). [Opp. 8 and 127.] P Auditorium Paganini, Parma, Italy 3, 4, 7, 8 Jan. 2005, I Oct. 2008. Switzerland: Claves 50-2605. ZURICH PIANO TRIO (Gabriel Adorján, Joël Marosi, Christiane Frucht). [Opp. 8 and 127.] P Bavaria Studio, Munich 22–23 Apr. 2005 I July 2006. Warner Classics 2564 62514-2. BEAUX ARTS TRIO (Daniel Hope, Antonio Meneses, Menahem Pressler). [Opp. 8 and 127.] P Indiana University, Bloomington 8–12 July 2005, I Nov. 2005, G Jan. 2006.

272

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Switzerland: Tudor 7138 (Hybrid SACD). RACHMANINOV QUARTET (Viktor Yampolsky, Mikhail Tsinman, Natalya Sabinova). [Opp. 8 and 40.] P Mosfilm Studios Moscow Aug. 2005, I Oct. 2006. Germany: Hänssler Classic 98 491. Dmitri Sitkovetsky, David Geringas, and Jascha NEMTSOV. [Weinberg and Werpik.] P Bavariamusik Studio, Munich 16–18 Dec. 2005, G June 2006. Poland: DUX DUX 0541. TRIO CRACOVIA (Krzysztof Smietana, Julian Tryczyn´ski, Jerzy Tosik-Warszawiak). [Beethoven.] P Kraków Music Academy Dec. 2005, I 2006. Cascavelle VEL 3104. LESCHETIZKY TRIO (Klara Flieder, Christopher Pantillon, Stanislav Tichonov). [Weinberg.] P Bösendorfer Piano Factory, Vienna Mar. 2006, I Jan. 2007. Italy: Amadeus-Paragon AM 201-2. ARS TRIO DI ROMA (Marco Fiorentini, Michele Chiapperino, Laura Pietrocini). [Opp. 8 and 127.] P Aula Magna del Seminario di Ivrea, Italy 2–5 May 2006, I Aug. 2006 cover disc with Amadeus magazine No. 201. Canada: Analekta AN 2 9854. GRYPHON TRIO (Annalee Patapatanakoon, Roman Borys, Jamie Parker). [Opp. 8 and 127; Silvestrov]. P Willowdale United Church, Toronto 13–16 June 2006, G July 2007. Belgium: Fuga Libera FUG 525. Natalia Prischepenko, Sebastian Klinger, and Plamena MANGOVA. [Op. 127.] P The Right Place Studio, Brussels July 2006, I Aug. 2007. Claves CD 50-2720. TRIO NOTA BENE (Julien Zufferey, Xavier Pignat, Lionel Monnet). [Arensky and Rakhmaninov.] P Studio Tibor Varga, Grimisuat, Switzerland 17–21 July 2006. Germany: Profil Günter Hänssler PH 08014. TRIO OPUS 8 (Eckhard Fischer, Mario De Secondi, Michael Hauber). [Opp. 141a and 8] P Bayerischer Rundfunk Studio 2006, G Mar. 2008. Spain: Columna Música 1CM 0180. I.O.M. TRIO (Joan Orpella, José Mor, Daniel Liorio). [Opp. 8 and 127.] P l’Auditori Paper de Música de Capellades, Barcelona 13, 15, 16 Dec. 2006 and 15 Jan. 2007. Austria: Gramola 98837 EGGNER TRIO (Christoph, Georg, and Florian Eggner). [Op. 8; and Eröd.] P Franz Liszt Zentrum, Raiding, Austria 26–28 May 2008.

Opus 68: Quartet No. 2 in A major Form: String quartet in four movements: 1. 2. 3. 4.

Overture—Moderato con moto Recitative and Romance—Adagio Valse—Allegro Theme with Variations—Adagio—Allegro non troppo

OP U S 68: QU A RTET N O. 2 IN A MAJ OR

273

Composed: 2–20 September 1944, at the Composer’s House at Ivanovo. The first movement completed on 5th, second written on the following day, and the third completed on 15 September. Dedication: Vissarion Yakovlevich Shebalin (composer). Premières: 14 November 1944, Leningrad Philharmonic Bolshoi Hall and 28 November 1944, Moscow Conservatory Bolshoi Hall; Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). UK: 13 November 1946, London; Boosey & Hawkes concert. Scotland: 20 August 1962, Edinburgh Freemasons’ Hall; Allegri Quartet (Eli Coren, James Barton, Patrick Ireland, and William Pleeth). Arrangements: Reduction for piano by the composer. Transcription of ‘Recitative and Romance’ for violin and piano by Dmitri Tsyganov. Reduction of the Quartet for piano four hands by Anatoli Dmitriev. Arrangement for string orchestra with added bass part by Marijn van Prooij. Music: Originally published as Opus 69 and renumbered in 1965. Autograph score preserved at GTsMMK and an autograph piano score, at TsGALI. Muzgiz, No. 18181, 1945, score 17 cm. Leeds Music, c.1947, parts, 31 cm. Musica Rara, No. 1078, 1965, score, 18.5 cm. Musica Rara, No. 1079, 1965, parts, 31 cm. Muzyka, Leningrad, No. 285 (in Volume 1 with Quartets 1, 3, and 4 arr. for piano four hands by A. Dmitriev), 1965, 29.5 cm. Sovetskii kompozitor, 1969, parts, 29 cm. Edition Eulenberg, No. 386, 1970, score, 19 cm. Edition Peters, No. 5752 (plate no. 12810), 1975, parts, 30 cm. Hans Sikorski, No. 2162, 1975, parts, 31.5 cm. Muzyka, No. 9816 (in Volume 35 of Collected Works Quartets 1–8), 1979, 30 cm. Hans Sikorski, No. 2265 (with Opp. 49, 73, and 83), 1980, score, 21 cm. Sovetskii kompozitor, No. 5543, 1981, 2nd movement arr. for violin and piano by D. Tsyganov, score and part, 29 cm. DSCH Publishers, Moscow, full score in Volume 100 and Shostakovich’s piano reduction in Volume 105 of New Collected Works. Duration: Approx. 32 minutes in score; 31' 26"–40' 12"; 34' 50" (Plaistow); Recitative and Romance arr. Tsyganov 10' 15". Recordings: 78 rpm and LP—HMV History of Music in Sound HMS 113. Valse only. KOECKERT QUARTET (Rudolf Koeckert, Willi Buchner, Oscar Riedi, Josef Merz). Reissued on LP—HMV HLP 27 (‘Modern Eclecticism’, mono). Valse only. G Apr. 1959 ~ USA: RCA Victor LM 6092 (‘History of music in sound’, mono). Valse only. I 1959.

274

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP—USA: Urania URLP 7040 (mono). SCHULZ QUARTET (Rudolf Schulz, W. Kirch, H. Wigand, R. Klemm). P Germany, I 1952. LP and CD—USSR: MK D3034-5 (10" mono). BEETHOVEN QUARTET (personnel as at première). P 1956 ~ USA: Vanguard VRS 6033 (mono). I 1958 ~ Czech: Supraphon SUF 20039 (10" mono). G July 1960 ~ USSR: Melodiya D015691-2 (mono). I 1965. Reissued on CD— USA: Vanguard Classics OVC 8077. I Sept. 1994 ~ USA: Consonance Blue Label 81.3005 (Vol. 1, mono). I May 1995. See Note. USSR: Melodiya D019213-4 (mono) and C01437-8. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1967 ~ HMV Melodiya HQS 1319 in Set SLS 879. G June 1974. LP—Czech: Panton 11 0342-3 H. SUK QUARTET (Antonín Novák, ˇ ehák, Jan Štros). P 1972. Vojteˇch Jouza, Karel R LP and CD—L’Oiseau-Lyre OSLO 31. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P 23–26 May 1977, G Mar. 1979 ~ Decca 188 Dl in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on first of six-disc set). G June 1992. USSR: Melodiya C10 11609-10 (in first box of Part 2 of Collected Works on Records). TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinson). P 1978. Reissued on CD—USSR: Melodiya SUCD 11 00310. I 1991d. CD—Olympia OCD 532 (‘Complete Quartets, Volume 2’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1981, I May 1994, G Sept. 1994. France: Praga PR 254 042. STATE QUARTET OF GEORGIA (Konstantin Vardeli, Tamaz Batiashvili, Nodar Zhvaniya, Otar Chubinishvili). P Czech Radio broadcast June 1981, I May 1994. LP and CD—USSR: Melodiya C10 19023 001. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P1982, I 1983d. ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49267-2. I Nov. 1987. LP—USSR: Melodiya C10 24481 008 (DMM). STATE QUARTET OF GEORGIA (personnel as in 1981). P 1986, I 1987c. CD—France: REM 311058 XCD. VERLAINE QUARTET (Marie Pascale Meley, Michel Dietz, Jean-Pascal Oswald, Jean Adolphe). P Monte-Carlo 2 May 1987. Teldec 9031 71702-2 (on first of six-disc set with Op. 49). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, I Nov. 1990, G June 1992.

OP U S 68: QU A RTET N O. 2 IN A MAJ OR

275

USA: ESS.A.Y. CD 1007. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Purchase, New York 27–28 Dec. 1989. Virgin Classics VC7 59281-2. BORODIN QUARTET (M. Kopelman, A. Abramenkov, D. Shebalin, V. Berlinsky). P Snape Nov. 1990, G June 1993. *Caprice CAP 21745. STATE QUARTET OF GEORGIA (Konstantin Vardeli, Tamaz Batiashvili, Nodar Zhvania, Otar Chubinashvili). [Op. 73.] P Tbilisi, Georgia 1991, I 2004. Lydian 18133 (also Donau DCD 8133). MOYZES QUARTET (Stanislav Mucha, František Török, Alexander Lakatoš, Ján Slávik). P Bratislava 22–25 Jan. 1992, I 1994. Finland: Finlandia 4509 98996-2. SIBELIUS ACADEMY QUARTET (Erkki Kantola, Seppo Tukiainen, Veikko Kosonen, Arto Noras). P Jarvenpää May 1994, I May 1996. Sony Classical St Petersburg Classics SK 64584. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Andrei Dogadin, Leonid Shukayev). P Dec. 1994. Naxos 8.550975 (‘Complete Quartets, Volume 4’). ÉDER QUARTET (János Selmeczi, Péter Sztüts, Sándor Papp, György Éder). P Budapest 28–31 Mar. 1995, I Apr. 1996, G Apr. 1997. Denmark: Classico CLASSCD 135. ZAPOLSKI QUARTET (Alexander Zapolski, Jacob Soelberg, Flemming Lave, Vanja Louro). P Roskilde, Denmark Aug. and Oct. 1995, I July 1996 ~ *Germany: Designo 222521 (on fourth of four-disc set). [Op. 110.] I June 2005. Japan: Toshiba EM1 TOCE 9079. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 25–27 Mar. 1996, I June 1996. France: Suoni e Colori Collection SC 53006 (‘DSCH Aphorismes’). Recitative and Romance arr. Tsyganov. Alexandre BRUSSILOVSKY (violin) and Pascal Godart (piano). [Opp. 11, 34, 13, Sans op. D (i); Schnittke— Prelude in Memory of Shostakovich, and Steven Gerber—Elegy on the name ‘Dmitri Shostakovich’.] P Hautes-Alpes, France concert Aug. 1996, I 1997. *USA: Azica Records ACD 71208. CAVANI QUARTET (Annie Fullard, Mari Sato, Kristen Doctor, Merry Peckham). [Opp. 108 and 142.] P West Redding, Connecticut 15–19 Apr. 1999, I 1999. Hyperion CDA 67153. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Konstantin Kats, Leonid Shukayev). P St Petersburg Apr. 1999, G Nov. 1999. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 1’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert June–July 1999, G June 2000.

276

D M I T R I SHOSTA K OVIC H C A TA LO GUE

**USA: Artegra ART 1002 (Hybrid SACD). ROSALYRA QUARTET (Sara Kwak, Kenneth Freed, Sabina Thatchem, Beth Rapier). [Op. 110.] P Hamline University in St Paul, Minnesota 18–21 Dec. 2001, I 2005. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 1’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 110 and 138.] P Mullem, Belgian concerts, Apr.–Sept. 2002, I May 2003. Chandos CHAN 10114 (‘Complete Quartets, Volume 4’). SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). [Op. 142.] P The Maltings, Snape 6–8 May 2003, G Dec. 2003. France: Arion ARN 68674. DEBUSSY QUARTET (Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier). [Op. 142.] P Les Camiers, Loire, France 24–27 Aug. 2004, I 2005. Germany: Fuga Libera 512 (‘Complete Quartets, Volume 1’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 108 and 92.] P Farao Studio, Munich 12–15 June 2005, I 2005. Germany: Audite AUD 92.526 (Hybrid SACD). MANDELRING QUARTET (Sebastian, Nanette, and Brenhard Schmidt; with Roland Glassl—viola). [Opp. 49 and 83). P ‘in a very small chapel’, Klingenmünster village, Germany 28 June–1 July 2005. Oehms Classics OC562 (‘Complete Quartets’—on first of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 49 and 73.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. Netherlands: Channel Classics CCS-SA 26007 (Hybrid SACD). Arr. Prooij. Amsterdam Sinfonietta, Candida THOMPSON. [Op. 83.] P Stadsgehoozaal, Leiden, Netherlands Feb. 2007, I Jan.2008. Note: Robert Matthew-Walker reports that the late 1950s Beethoven Quartet Supraphon recording appears not to be the Melodiya performance as the Czech version alone contains ‘noises off’ in bar 14 of the Finale. The unsigned Supraphon sleeve note states that the first movement forms the prelude to a musical fairy-tale about a man of noble character and his rich emotional life.

Opus 69: A Child’s Exercise Book Form: A suite (also known as Childhood Notebook), of seven simple pieces for piano: 1. 2. 3. 4.

March—in tempo of a March Valse—in tempo of a Waltz Sad Tale—Adagio Merry Tale—Allegro

OP U S 69: A C HILD’S EXERCISE BOOK

277

5. The Bear—Allegretto 6. Clockwork Doll—Allegretto 7. Birthday—[no tempo indication] No. 6 is an adaptation of the first theme of Scherzo in F sharp minor, Opus 1 and No. 7 introduces a miniature fanfare subsequently expanded in the Festive Overture, Opus 96. Composed: Nos. 1–6 on 6 December 1944 and No. 7 on 30 May 1945 (daughter’s birthday). Dedication: Galina Dmitrievna Shostakovich (daughter). Première: Winter 1944–45, Moscow Union of Soviet Composers Children’s Concert; Nos. 1–6, Galina Shostakovich. Arrangements: Nos. 1 and 6 arranged for violin and piano by Konstantin Fortunatov. Nos. 1, 2, and 4 arranged for guitar solo by Agustin Lara. No. 6 arranged for cello and piano jointly by Roman Sapozhnikov and Georgi Kirkor. Music: Two autograph copies of Nos. 1–6 preserved at TsGALI and GtsMMK. The autograph of No. 7 is missing but there is a copy of it in the former library. Originally issued without an opus number. The pieces are usually published with No. 7 omitted and in the order Nos. 1, 2, 5, 4, 3, and 6. No. 1 included in many Russian albums of children’s piano solos. Music Fund of the USSR, 1945, Nos. 1–6. Anglo-Soviet Music Press, No. 6 (under the title Six Children’s Pieces), Nos. 1–6, 1946, 31 cm. Leeds Music, c.1946, Nos. 1–6, 31 cm. Leeds Music, c.1946, Nos. 4 and 6 ed. Joseph Wolman, issued separately, 31 cm. Hans Sikorski, No. 2122, 1960, 31.5 cm. Edition Peters, No. 4749 (plate no. 12079), 1961, 31 cm. Le Chant du Monde, No. 6120, 1960s, 32 cm. Edition Peters, No. 4794 (plate no. 12389—in Shostakovich: Album of Easy Pieces), 1967, Nos. 1 and 6 arr. K. Fortunatov, 30.5 cm. Ricordi, No. 132260, 1975. Muzyka, No. 4719 (in D. Shostakovich: Pieces for violin and piano), 1975, Nos. 1 and 6 arr. K. Fortunatov, 28.5 cm. Sovetskii kompozitor, No. 4920 (in D. Shostakovich: Selection of Children’s Piano Pieces), 1979, No. 1–6 ed. Bronislava Rozengauz, 29 cm. G. Ricordi, Buenos Aires, No. 12687, Nos. 2, 4, and 1 (Vals, Un Alegre Cuente de Hadas, and Marcha), arr. for guitar solo by A. Lara. Muzyka, Leningrad, No. 2629 (in S. Prokofiev and D. Shostakovich: Selection of Fortepiano Pieces for Children), 1980, Nos. 1–6 compiled by Zinaida Vitkind, 28.5 cm.

278

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Muzyka, No. 10285 (in Volume 39 of Collected Works), Nos. 1–7, 1983, 30 cm. Yorktown Music Press, New York, 1984, No. 6 only in album The Joy of Russian Music assembled by Dénes Agay, 30 cm. Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, No. 6 arr. R. Sapozhnikov and G. Kirkor, 29 cm. DSCH Publishers, Moscow, score in Volume 109 of New Collected Works. Duration: 4' 09"–6' 40". Recordings: LP and CD—USA: Mercury MG 10035 (mono). Seven pieces announced and performed, in the order set out under Form, by Dmitri SHOSTAKOVICH. P Prague 26 May1947 ~ USSR Melodiya M10 39075-6 (in four-record set ‘D. Shostakovich—Pianist’, mono). I 1977b. Reissued on CD—Revelation RV 70007 (‘Shostakovich plays Shostakovich, Volume 6’, mono). Seven pieces with Nos. 3 and 5 transposed. I Sept. 1998, G Feb. 1999 ~ *Doremi DHR 7787 (mono). [Opp. 57, 67, 34, and 5.] I Feb. 2002 ~ *Symposium 1314 (mono). [Opp. 34, 5, 22, 67, and 73.] I Jan. 2004. LP—USSR: Melodiya C50 20749 006 (‘For Children’). Suite of seven pieces performed in the order Nos. 1, 2, 5, 4, 3, 6, and 7. Rimma BOBRITSKAYA. P 1983, I 1984d. France: Daniel Magne Mag 2015. Nos. 6, 4, and 2. Nadia TRAGINE. P Paris 1985. CD—AVM Classics AVM 3020 (‘Piano Music Volume 2’). Suite of seven pieces performed in the order Nos. 1, 2, 5, 4, 3, 6, and 7. Martin JONES. P London 1–2 June 1989. France: Le Chant du Monde Russian Season LDC 288 034 (‘Russian Miniatures for Piano’). Suite of seven pieces performed in the order 1, 2, 5, 4, 3, 6, and 7. Rimma BOBRITSKAYA. P Moscow Conservatory Feb. 1991 ~ France: Le Chant du Monde Russian Season RUS 788034. Suite as 1991 recording. I Mar. 1999 ~ France: Le Chant du Monde Russian Season RUS 788164. Nos. 7, 6, and 4. I July 1999, G Nov. 1999. Germany: Hänssler Classic 98 174 (‘Allegro’). Nos. 1 and 6 arr. Fortunatov. Michael LEMPIK (violin) and Olga Haus (piano). P Altensteig 21–23 June 1997. **The Divine Art CD 25022. Raymond CLARKE. Suite of seven pieces. [Bartók, Prokofiev, Khachaturyan et al.] P Newcastle University 16 Dec. 2001, I 2004. Naxox 8,570092. Performed in the order set out under Form. Konstantin SCHERBAKOV. [Sans opp. A, B, and S(ii); Opp. 39 and 61.] P Potton Hall, Suffolk 27–28 Nov. 2005, I July 2006. Stradivarius STR 33748. Boris PETRUSHANSKY. [Opp. 12 and 61; Sans opp. S(ii), A, and T.] P Moscow Broadcasting Studio 13–20 Apr. 2006.

O PU S 70: SYMP HONY NO. 9 IN E FL AT MAJ OR

279

Opus 70: Symphony No. 9 in E flat major Form: Symphony for full orchestra in five movements: 1. 2. 3. 4. 5.

Allegro Moderato Presto attacca Largo attacca Allegretto

Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets (B flat and A), 2 bassoons ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum ~ 1st violins (16–20), 2nd violins (14–18), violas (12–16), cellos (12–16), double-basses (10–14). String strength not specified in Muzyka (1979) score. The earlier discarded first movement Fragment (see Notes) written in January 1945 has the woodwind and brass increased by five and four players respectively and the addition of a xylophone. Composed: Rough sketch of first movement dated 26 July 1945. Five movements 2–30 August 1945. First movement started at Moscow on 2 August and completed three days later. The remainder composed at the Composer’s House at Ivanovo. Movements two to four finished on 12, 20, and 21 August. Premières: Piano duet version: 4 September 1945, Moscow Philharmonic Hall; Svyatoslav Richter and Dmitri Shostakovich. Orchestral version: 3 and 20 November 1945, Leningrad Philharmonic Bolshoi Hall, Leningrad Philharmonic Orchestra and Moscow Conservatory Bolshoi Hall, USSR State Symphony Orchestra respectively; both conducted byYevgeni Mravinsky. USA: 25, 27, and 28 July 1946, Tanglewood; Boston Symphony Orchestra, Serge Koussevitzky. UK: 27 July 1946, Royal Albert Hall ‘Prom’, London; London Symphony Orchestra, Basil Cameron. Hungary: 21 November 1949, Budapest, Budapest Philharmonic Orchestra, Otto Klemperer. Fragment dated 15 January 1945: 20 November 2006, Moscow, Tchaikovsky Concert Hall; Russian State Academic Symphonic Capella, Valery Polyansky. Arrangements: Reduction for piano four hands by the composer in 1945 and Levon Atovmyan in 1946. Also a piano reduction by Atovmyan in 1947. Transcriptions for band by Hardy Mertens and William A. Schaefer. Music: Autograph score and first movement rough sketch preserved at PGALI; the composer’s piano reduction, in GTsMMK.

280

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Music Fund of the USSR, No. 1536-1540, 1945, score, 34 cm. Muzgiz, Moscow and Leningrad, No. 18401, 1946, 30 cm. Leeds Music, no number, c.1946, 20 cm.; and c.1956, 23 cm. Boosey & Hawkes, No. 96 (A.S.M.P. No. 18–19), 1946, 20 cm. Breitkopf & Hartel, No. 3606, c.1947, 18.5 cm. Edwin F. Kalmus, No. 155, c.1947, 18 cm. MCA, c.1976, arr. for band by W. Schaefer, score and parts, 30 cm. Muzyka, No. 9863 (in Volume 5 of Collected Works), 1979, 30 cm. Hans Sikorski, No. 2220, 1991, 21 cm. DSCH Publishers, Moscow, 2000, New Collected Works Volume 9, full score including 8 pp. of facsimile in colour, 148, 30 cm. DSCH Publishers, Moscow, 2000, New Collected Works Volume 24, composer’s reduction for piano four hands, 112, 30 cm. DSCH Publishers, Moscow, 2008, Symphony Fragment of 1945—first unfinished version of Ninth Symphony; article by Olga Digonskaya in Russian and English, 72, 29cm. Duration: 22 and 24 minutes in scores; 22' 14"–31' 35"; 26' 50"–27' 20" (Plaistow); [36 minutes average time given by Aronowsky is excessive.] Symphony Fragment of 1945—6' 36". Ballets: Meeting. Konstantin Boyarsky, Leningrad Malyi Theatre, 1962. A one-act ballet to music from Symphony No. 9. Ninth Symphony. Peter van Dÿk, Hamburg, 1964. The Mad Dictator. Leonid Yakobson (completion by his colleagues), Leningrad, 1985. A miniature ballet performed by the Leningrad Ballet Troupe ‘Choreographic Miniatures’ to mark the fortieth anniversary of the victory over Fascism, with Valeri Sergeyev in the title role of Hitler. Yakobson commenced work on the dance satire shortly before his death in 1975, basing the scenic design on the wartime cartoons of the Kukryniksy. Jesus der Menschensohn (Jesus, Son of Man), Iván Markó, Györ Ballet; a seventy-minute ballet to music from Franz Liszt’s oratorio Christus and the second movement of Shostakovich’s Symphony No. 9, produced by Jaszi Dezso and screened on Austrian ORF 1, 17 April 1987. Film: Bernstein Conducts Shostakovich. A documentary film, directed by Humphrey Burton, screened on BBC2 TV on 19 August 1995. The Musikverein concert performance by the Vienna Philharmonic Orchestra recorded in 1986. Shostakovich’s answer to the awesome problem of composing a Ninth Symphony with a movement-by-movement illustrated talk on this ‘anti-Ninth’ by the conductor. See also Opus 54. Recordings: 78 rpm: USA: V-Disc 716-8 (transfer from ABC radio broadcast, 5 sides). Boston Symphony Orchestra, Serge KOUSSEVITZKY. P Tanglewood 25 July 1946.

O PU S 70: SYMP HONY NO. 9 IN E FL AT MAJ OR

281

CD—Italy: AS 571 (‘Sergei Koussevitzky Edition’, mono). Boston Symphony Orchestra, S. KOUSSEVITZKY. P concert 10 Aug. 1946 (labelled erroneously as ‘First American Performance’), I 1990 ~ USA: Music & Arts CD 981. I Sept. 1997. 78 rpm and LP—USA: Victor 11 9634-6 in Set M 1134 (6 sides). Boston Symphony Orchestra, S. KOUSSEVITZKY. P 4 Nov. 1946 and second movement on 2 Apr. 1947. Reissued on LP—USA: RCA Victor LM 2900 (mono) ~ USSR: Melodiya D031731-4 (two-record set, mono). I 1972 ~ USA: RCA Victor VCM 6174 (‘Immortal Performances’, three-record set, mono) ~ RCA Victrola LVM2 751OC-D (two-record set, mono). G July 1974. NB. The first movement exposition repeat is not observed in this performance. CD—France: Tahra TAH 290. Berlin Philharmonic Orchestra, Sergiu CELIBIDACHE. P Berlin concert 31 Aug. 1947 ~ Holland: Audiophile Classics APL 101 525. I 1999. 78 rpm, LP, and CD—USA: Columbia 12595-8D in Set 658 (8 sides). New York Philharmonic Orchestra, Efrem KURTZ. P 1950. Reissued on LP—Philips ABL 3117 (mono). G July 1956. Reissued on CD—CBS Masterworks Portrait MPK 45698 (mono). [Op. 93.] I Dec. 1989, G Feb. 1990. *CD—EMI Classics CDZ 7243 575109-2 (‘Great Conductors of the 20th Century’, two-disc set, mono). Berlin Radio Symphony Orchestra, Ferenc FRISCAY. [Dukas. Kodály, Hindemith et al.). P Berlin broadcast concert 30 Apr. and 3 May 1954, I Feb. 2002. G July and Awards (Oct.) 2002. LP—USA: Urania URLP 7128 (mono). Berlin Radio Symphony Orchestra, Rolf KLEINERT. P 1954. Bulgaria: Balkanton BCA 503 (mono). Sofia State Philharmonic Orchestra, Dobrin PETKOV. P mid-1950s. Italy: Fonit-Cetra Archive Rai LAR 37 (three-record set). Orchestra Sinfonica di Torino della Radiotelevision Italina, Otto KLEMPERER. P 21 Dec. 1955, I 1983. USSR: MK D03402-3 (mono). Moscow Radio Symphony Orchestra, Aleksandr GAUK. P 21 Dec. 1956 ~ Reissued: USA: Monitor MC 2015 (mono). I 1958 ~ France: Le Chant du Monde LDXA 8219 (mono) ~ USSR: MK D09618-9928 (mono). I 1962. LP and CD—USA: Everest LPBR 6054 (mono) and SDBR 3054. London Symphony Orchestra, Sir Malcolm SARGENT. P Walthamstow Assembly Hall 27 Oct. 1959 ~ World Record Club T 130 (mono) and ST 130. G Aug. 1962 ~ USA: Peerless Classics PC 26. [Issued under the pseudonyms ‘New York Concert Orchestra, Robert Hornstein’.] I 1974? Reissued on CD—Vanguard Classics (Everest Collection) EVC 9005. I Sept. 1994, G Apr. 1995.

282

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP—Poland: Muza XL 0067 (mono). Polish Radio Symphony Orchestra, Jan KRENZ. P 1961. LP and CD—USSR: Melodiya D016471-2 (mono) and C01109-10. Moscow Philharmonic Orchestra, Y. Neklyudov (bassoon), Kirill KONDRASHIN. P 1965, I 1966 ~ HMV Melodiya ASD 2409. G Jan. 1969 ~ HMV Melodiya BOX 502507 in Set SLS 5025. G Dec. 1975 ~ USSR: Melodiya C01109-10 (in first box of Part 2 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (twelve-record box set). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1005-6 (in Box 3 of five two-disc sets). G May 1989 ~ BMG Classics Melodiya 74321 19846-2. G Nov. 1994. LP—USA: Turnabout TV 34223. Zagreb Philharmonic Orchestra, Milan HORVAT. P c.1965. LP and CD—USA: Columbia M 31307. New York Philharmonic Orchestra, Leonard BERNSTEIN. P New York 19 Oct. 1965 ~ CBS 73050. G Dec. 1974. Reissued on CD—CBS Masterworks CD 44711. I Aug. 1988, G Mar. 1989 ~ Sony Royal Edition SMK 47615. G Nov. 1993 and June 1994 ~ *Sony SBK 87954. [Op. 47.] I Feb. 2003. CD—France: Praga PR 254 002-3 (two-disc set). Czech Philharmonic Orchestra, Karel ANĆERL. P Prague broadcast 1966, 1 June 1992, G May 1993. Italy: Arkadia CDGI 7651. Milan Radio Symphony Orchestra, Sergiu CELEBIDACHE. P Milan 17 Feb. 1967, I 1993. USA: Russian Disc RDCD 11 192. USSR Symphony Orchestra, David OISTRAKH. P Moscow concert 29 Dec. 1969, I Oct. 1993, G Jan. 1994. LP—USSR: Melodiya C10 05203-4. Moscow Symphony Orchestra, David OISTRAKH. P 1970, I 1975c. *CD—Deutsche Grammophon 469 069-2GH4 (four-disc set). Swedish Radio Symphony Orchestra, Sergui CELEBIDACHE. [on disc 4 with R. Strauss.] P Örebro, Sweden concert 14 Mar. 1971, G Feb. 2001. LP—Decca SXL 6563. Suisse Romande Orchestra, Walter WELLER. P 4–6 Sept. 1971, G Jan. 1973. USSR: Melodiya C04557-8. Moscow Conservatory Students’ Symphony Orchestra, Aleksandr LAZAREV. P 1973, I 1974. Czech: Supraphon 110 1771-2 (two-record set). Czech Philharmonic Orchestra, Vaclav NEUMANN. P Prague Mar.–Sept. 1974, G Aug. 1976. Czech: Opus 9110 0382. Czech Philharmonic Orchestra, Ladislav SLOVÁK. P Feb. 1975. USSR: Melodiya C10 10399-400. USSR Symphony Orchestra, Yevgeni SVETLANOV. P 1978, I 1978d ~ HMV Melodiya ASD 3706. G Sept. 1979. LP and CD—Decca SXDL 7515 (digital). London Philharmonic Orchestra, Bernard HAITINK. P Jan. 1979, G May 1981. Reissued on

O PU S 70: SYMP HONY NO. 9 IN E FL AT MAJ OR

283

CD—Decca 414 677-2DH. G June 1986 and Feb. 1988 ~ Decca Ovation 425 066-2DM. G Nov. 1993 ~ *Decca Eloquence 467 478-2. I Feb. 2001. Philips 412 073-1PH. Concertgebouw Orchestra, Kirill KONDRASHIN. P Amsterdam concert 6 Mar. 1980, G Aug. 1984. Reissued on CD—Philips 438 284-2PM. I July 1993, G Sept. 1993. *CD—Germany: Berlin Classics 0021722 BC. Young German Philharmonic Orchestra, K. KONDRASHIN. P Berlin concert 1980, G Apr. 2000. France: Praga PR 250 085. Czech Philharmonic Orchestra, Zdeneˇk KOŠLER. P Prague broadcast 13 Mar. 1981, I Feb. 1995 ~ France: Le Chant du Monde PR 7250 085. G Feb. 2001. LP and CD—USA: Vox Cum Laude VCL 9003. Cincinnati Symphony Orchestra, Walter SUSSKIND. I 1981. Reissued on CD—USA: Voxbox CDX 5139 (two-disc set). I June 1995 ~ Marshall Cavendish CCD 47 (issued with book ‘The Great Composers and their Music, Volume 47’). LP—USSR: Melodiya C10 18047-8. USSR Ministry of Culture Symphony Orchestra, Vakhtang ZHORDANIYA. P 1981, I 1983b. USA: BRS RTS-3 (digital). National Youth Orchestra of Great Britain, Kirill KONDRASHIN. P 1982. LP and CD—USSR: Melodiya A10 00029 000 (two-record set, digital). USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1983, I 1984b. Reissued on CD—Japan: Victor JVC 1013. I 1985 ~ Olympia OCD 113. I June 1987, G May 1989. LP—USSR: Melodiya C10 30485 002. USSR Symphony Orchestra, Gavriil YUDIN. P Moscow concert 12 Nov. 1985, I 1990d. LP , CD and DVD—Deutsche Grammophon 419 771-1GH (digital) and released on CD—419 771-2GH. Vienna Philharmonic Orchestra, Leonard BERNSTEIN. P Großer Saal, Musikverein,Vienna concert 23–28 Oct. 1985, G Nov. 1987 and Mar. 1988 ~ *Deutsche Grammophon/Unitel 073 417-0 (DVD-Video, with introductions by Bernstein). [Op. 54.] I 2006. LP—Holland: Da Capo 7110DC. Arr. for symphonic band by H. Mertens. Harmonieorkest ‘Concordia’, Hardy MERTENS. [Mertens.] P 1986. LP and CD—Chandos ABRD 1279 (digital) and released on CD—CHAN 8587. Scottish National Orchestra, Neeme JÄRVI. P Glasgow 14–17 Apr. 1987, G July 1988. East Germany: Eterna 7 29 221 (DMM). Berlin City Symphony Orchestra, Claus Peter FLOR. P Berlin 23–25 Sept. 1987. Released on CD—Germany: Eterna Collection 0031722BC. I Aug. 2000 ~ *Germany: Eterna Collection 0013732 BC. [Op. 77.] I May 2006. CD—Canada: Canadian Broadcasting Corporation SMCD 5074. Vancouver Symphony Orchestra, Rudolf BARSHAI.. P not stated, I 1988.

284

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Naxos 8.55063-2. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 7–11 Jan. 1988, G Nov. 1993 ~ Naxos 8.506003 (in six-disc set). I 1993. Decca 430 227-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Jan. 1989, G Oct. 1992. Telarc CD 80215. Atlanta Symphony Orchestra, Yoel LEVI. P Atlanta 5 May, 25–26 Sept., and 2 Dec. 1989; G June 1990. *EMI Classics ‘Celibidache Edition’ 5 57855-2 or in fifteen-CD set 5 57861-2. Munich Philharmonic Orchestra, Sergiu CELIBIDACHE. [Op. 10.] P Munich concert 9 Feb. 1990, G Jan. 2004. Decca 430 505-2DH. Vienna Philharmonic Orchestra, Georg SOLTI. P Vienna concert 5 and 6 May 1990, G July 1991. Naxos 8.550427. Belgian Radio Philharmonic Orchestra, Alexander RAHBARI. P Brussels 26–29 Sept. 1990, I Sept. 1991, G Mar. 1992. NB. Four reviews in Classics May 1992. Denon CO 75444. Vienna Symphony Orchestra, Eliahu INBAL. P Vienna concert 28–30 Nov. 1990, I Nov. 1993, G Feb. 1994. EMI CDC7 54339-2. Oslo Symphony Orchestra, Mariss JANSONS. P Oslo 25–30 Jan. 1991, G May 1992 ~ HMV Classics 5 73858-2. I Apr. 2000, G Sept. 2000. Dorian DOR 90169. Dallas Symphony Orchestra, Eduardo MATA. P Dallas Jan. and Apr. 1992, I Apr. 1993. Decca 448 122-2DH. Montreal Symphony Orchestra, Charles DUTOIT. P Montreal May 1992, I Sept. 1995, G Nov. 1995. Teldec 4509 90849-2. National Symphony Orchestra of Washington, Mstislav ROSTROPOVICH. P Jan. 1993, I Apr. 1994, G Oct. 1994 ~ Teldec 0630-17046-2 (in twelve-disc set of Symphonies). G Oct. 1997 ~ *Warner Classics Elatus 2564 60121-2. [Op. 10.] I June 2003. *Germany: Aurofon and Netherlands: Verdi Records Au 32252. Ukraine State Philharmonic Orchestra, Stewart ROBERTSON. [Prokofiev.] P Kyiv 29 Aug.–1 Sept. 1993. Finland: Ondine ODE 846-2. Helsinki Philharmonic Orchestra, James DEPRIEST. P Oct. 1993, I May 1996, G Feb. 1997. Decca 444 458-2DH (‘Carnegie Hall Project’). The Solti Orchestral Project Symphony Orchestra, Georg SOLTI. P New York concert 13 June 1994, G Dec. 1995. Germany: Undine 40249726 (two-disc set). Movements 3–5. Sinfonieorchester Folkwang Hochschule, David de VILLIERS. P Essen concert 20 May 1995, I 1997. *Netherlands: Brilliant Classics 6275 (on sixth of eleven-disc set). WDR Symphony Orchestra, Rudolf BARSHAI. [Op. 93.] P Cologne 12–14 July, 14 Sept. 1995 and 26 Apr. 1996, I Dec. 2001.

O PU S 70: SYMP HONY NO. 9 IN E FL AT MAJ OR

285

RCA Victor Red Seal 09026 68548-2. St Petersburg Philharmonic Orchestra, Yuri TEMIRKANOV. P 22 Sept. 1995, I Feb. 1997. Japan: Canyon Classics PCCL 00356. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Moscow 18 and 19 Apr. 1996. Athene-Minerva ATH CD 16. Freiburg Philharmonic Orchestra, Johannes FRITZSCH. P Freiburg concert broadcasts 13–14 Jan. 1997, I Mar. 1998. *Supraphon SU 38902 (on fifth of ten-disc set). Prague Symphony Orchestra, Maksim SHOSTAKOVICH. [Op. 47.] P Smetana Hall, Prague concert 30 Nov. and 1 Dec. 1999, G Nov. 2006. USA: Well Tempered Productions TP 5190. Russian National Orchestra, Vladimir SPIVAKOV. P Moscow concert 7 and 9 Mar. and 9 Sept. 2000, I 2001. **USA: Centaur 2562. Waltz and Scherzo arranged by unknown hand. Kelly BURKE (clarinet) and Andrew Willis (piano). [Prokofiev, Goedicke, Glinka, and Melkikh.] P University of North Carolina, Greensboro 9 Sept. 2000. Germany: Hessischer Rundfunk HR-musik. 011-02. Frankfurt Radio Symphony Orchestra, Hugh WOLFF. [Haydn.] P Alte Oper, Frankfurt 31 May and 1 June 2001, I 2002. Germany: Capriccio 71 033-034 (Hybrid SACD, two-disc set). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. [Opp. 54 and 60.] P Cologne studio 29–30 Apr. 2002, I Aug. 2005. Philips CD/SACD 470 651-2PSA. Kirov Orchestra, Valery GERGIEV. [Op. 47.] P Mariinsky Theatre, St Petersburg concert 14–18 May 2002, G Aug. 2004 ~ Philips 470 841-2PM5 (‘The War Symphonies’, five-disc set). [Opp. 43, 47, 54, 60, and 65.] G Mar. 2006. Germany: Arts Music 47675-2. Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. [Op. 93.] P Auditorium Verdi di Milano concert Feb. 2003, I June 2004. Chandos CHAN 10378. Valeri Popov (bassoon), Russian State Symphony Orchestra, Valeri POLYANSKY. [Opp. 35, 59, and 124.] P Moscow Conservatory June 2003, I May 2006, G Aug. 2006. CD and DVD—Dabringhaus und Grimm MDG 337 1202-2 and MDG 037 1202-5 (DVD-A). Beethoven Orchestra of Bonn, Roman KOFMAN. P Heilig-Kreuze-Kirche, Bad Godesberg, Germany 5–7 June 2003, I July 2004. BIS BIS-SACD 1563 (Hybrid SACD). Netherlands Radio Philharmonic Orchestra, Mark WIGGLESWORTH. [Op. 112.] P Dutch Radio & Television Studio, Hilversum Dec. 2004, I Aug. 2007, G Dec. 2007. PentaTone classics PTC 5186 096 (Hybrid SACD). Russian National Orchestra, Yakov KREIZBERG. [Op. 47.] P DZZ Studio 5, Moscow Apr. 2006, I Apr. 2007, G Aug. 2007.

286

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Naxos 8.572167. Royal Liverpool Philharmonic Orchestra, Vasily PETRENKO. [Op. 47.] P Royal Liverpool Philharmonic Hall 7–8 July 2008, I 2009. Naxos 8.572138. Symphony Fragment of 1945. National Polish Radio Symphony Orchestra, Mark FITZ-GERALD. [Opp. 28, 44, and 41(ii).] P Grzegorz Fitelberg Concert Hall, Katowice, Poland 21 Sept. 2008, I May G Sept. 2009. Notes: See the reference regarding Koussevitzky’s incorrect tempi of the second movement in Richard Pleak’s contribution to DSCH Newsletter XIII, under the Opus 60 Notes, and Derek Hulme’s follow-up article ‘Moderato, not Adagio’ in DSCH Newsletter XIV. In December 2003 Olga Digonskaya found an unfinished score dated 15 January 1945, of 322 bars in E flat major marked Allegro non troppo, folded inside the manuscript of The Gamblers. This was identified as a first draft Fragment of the Ninth Symphony.

Opus 71: Simple Folk Form: Music for the black-and-white film Simple Folk, directed by Grigori Kozintsev and Leonid Trauberg (their last collaboration), for Lenfilm. Five musical numbers composed for the film: 1. Overture, 2. Procession, 3. Departure, 4. Dream, and 5. Finale. Instrumentation: piccolo, 2 flutes, 3 oboes, E flat clarinet, 2 clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani ~ strings. Composed: 1945, at Moscow. Première: Banned in 1946, as it showed child labour, and not released until 25 August 1956. Music: Autograph of the film score preserved in the Music Department of Lenfilm. DSCH Publishers, Moscow, full score in Volume 131 of New Collected Works. Duration: Film: 78 minutes; re-edited version 70 minutes, 2147 metres. Recordings: — Note: Houten adds information on this film in his 1989 monograph on Trauberg.

Opus 72: Victorious Spring Form: Incidental music for the concert spectacle Victorious Spring, scored for soprano and tenor soloists, choir, and orchestra: 1. Song of the Lantern (‘The Torches’)—Allegretto 2. Lullaby (‘Go to sleep, go to sleep’)—Andante 3. Song of Victory—Moderato

OP U S 72: V ICT ORIOUS SPRIN G

287

The first two songs, for tenor and soprano (with wordless female choir) respectively, are settings of lyrics by Mikhail Svetlov and the third, a National Anthem Contest Entry for choir and orchestra with new verses by Yevgeni Dolmatovsky (the music and instrumentation identical to the ‘Final Chorus’ of Russian River, Opus 66). Instrumentation: No. 1—piccolo, flute, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ glockenspiel ~ strings. No. 2—2 B flat clarinets ~ horn ~ glockenspiel ~ strings. No. 3—see Opus 66. Composed: 1945, at Moscow. Première: 8 May 1946, Moscow Dzerzhinsky Central Club; NKVD Song and Dance Ensemble; scenario by Iosif Dobrovolsky, M. Volpin, and Nikolai Erdman; directed by Sergei Yutkevich. Arrangements: Piano reductions of the accompaniments to Nos. 1 and 2 by the composer. No. 2 arranged for piano four hands by Edison Denisov. The first part of No. 2 arranged for cello and piano by S. Kalyanov. Music: Autograph vocal score of songs Nos. 1 and 2 lost; the autograph full score of ‘Song of the Lantern’ is in the possession of Karen Khachaturyan. Music Fund of the USSR, 1946, Nos. 1 and 2 for voices and piano. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, Nos. 1 and 2 with piano accompaniment, 29 cm. Muzgiz, 1961, No. 2 arr. E. Denisov in album of easy pieces. Sovetskii kompozitor, No. 2518 (in My Native Country), 1972, Nos. 1–3, 29 cm. Sovetskii kompozitor, No. 4235 (in Dmitri Shostakovich: Songs from Plays), 1977, Nos. 1 and 2 for voices and piano, 29 cm. Muzyka, No. 11412 (in Volume 28 of Collected Works), vocal score of Nos. 1 and 2, 30 cm. Muzyka, No. 11413 (in Volume 27 of Collected Works), 1987, full score of Nos. 1 and 2, 30 cm. Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, No. 2 arr. S. Kalyanov, 29 cm. DSCH Publishers, Moscow, score of Nos. 1 and 2 in Volume 93 and score of the incidental music in Volume 119 of New Collected Works. Duration: Three songs: 9' 30". Recordings: 78 rpm and LP—USSR: 13843-4 (10"). No. 1 only. Vladimir BUNCHIKOV (tenor) and orchestra conducted by Viktor Knushevitsky. P 1946. NB. The record number in WERM incorrect. Reissued on LP—USSR: Melodiya D15329-30 (‘Songs of the Great Patriotic War’, mono). I 1965 ~ USSR: Melodiya D28835-6 (mono). I 1970 ~ USSR: Melodiya C60 22815 004. (‘Anthology of Soviet Songs’, Record 5). Translated as ‘Song about a Flashlight’. I 1986b.

288

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP—USSR: MK D 5062-3 (10" mono). No. 1 only. All-Union Radio Song Ensemble. I 1959. **CD—USA: Delos DE 3313 (‘Shostakovich Complete Songs Volume Four—1932–68: The Unknown Shostakovich’). Nos. 2 and 1. Viktoria YEVTODIEVA (soprano) and Yuri Serov (piano). [Opp. 33, 99, 80, 128, 109; Sans op. X(i & ii).]. P St Catherine Lutheran Church, St Petersburg 23 Jan., 8 and 16 Feb. 2002, I UK Jan. 2006. NB. The Lullaby listed as a world première but see Note below). Note: See My Native Country, Sans op. Y, for recording of Nos. 1–3.

Opus 73: Quartet No. 3 in F major Form: String quartet in five movements: 1. 2. 3. 4. 5.

Allegretto—‘Calm unawareness of the future cataclysm’ Moderato con moto—‘Rumblings of unrest and anticipation’ Allegro non troppo—‘The forces of war unleashed’ Adagio—‘Homage to the dead’ attacca Moderato—‘The eternal question—Why? And for what?’

The composer’s programmatic titles do not appear on the published scores but confirmed by Borodin Quartet cellist, Valentin Berlinsky, who played the quartet from manuscript parts for the composer in 1947. Composed: 26 January–2 August 1946. The composer began work with the second movement which is dated 26 January. The first, third, fourth, and fifth movements were completed on 9 May, 17 June, 13 July, and 2 August respectively. The first three movements were composed at Moscow, the fourth at Leningrad, and the fifth at Komarovo, Gulf of Finland. Dedication: To the Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). Premières: 16 December 1946, Moscow Conservatory Malyi Hall; Beethoven Quartet (personnel as the dedication). 8 April 1947, Leningrad; Glazunov Quartet (Ilya Lukashevsky, G. Ginzburg, Aleksandr Ryvkin, and David Mogilevsky). Opus 73a: 10 January 1991, Rotterdam; New Amsterdam Sinfonietta, Lev Markiz. Arrangements: Reductions for two pianos by the composer written in August 1946 and for piano four hands by Yuri Nikolsky and Anatoli Dmitriev. First movement transcribed for brass quintet (French horn, trombone, 2 trumpets, and tuba) by Howard Hyde. Opus 73a—Symphony for Strings and Woodwind by Rudolf Barshai in 1990. (Instrumentation: flute, oboe, cor anglais, clarinet (B flat and A), bassoon ~ strings); also transcriptions for string orchestra by Dmitri

OP U S 73: QU A RTET N O. 3 IN F MAJ OR

289

Sitkovetsky (broadcast on BBC 3, 13 March 1995) and Vladimir Milman (‘Chamber Symphony No. 2’); also for strings and piano by Mikhail Turich. Music: Autograph score of the quartet, the Nikolsky two-piano arrangement, and the piano score preserved at PGALI. Music Fund of the USSR, No. 11–15, 1947, score and parts, 33 cm. Muzgiz, No. 18865, 1947, 16.5 cm. (a number of the original 1000 copies, marked with logo of VOKS—USSR All-Union Society for Cultural Relations with Foreign Countries—have the cover titles in Russian and English); and with the same plate no., 1960, 20 cm. Muzyka, No. 27965, 1961, parts, 29 cm. Edition Eulenberg, No. 387, no date, score, 19 cm. Muzyka, Leningrad, No. 285 (in Volume 1 with Quartets 1, 2, and 4 arr. for piano four hands by A. Dmitriev), 1965, 29.5 cm. Edition Peters, No. 5753, c.1976, parts, 29 cm. Muzyka, No. 9816 (in Volume 35 of Collected Works Quartets 1–8), 1979, 30 cm. Hans Sikorski, No. 2265 (with Opp. 49, 68, and 83), 1980, score, 21 cm. Hans Sikorski, No. 2243, 1981, parts, 31.5 cm. H. Alan Music, Mission Hills, California, c.1991, arr. for brass quintet by H. Hyde, score, 25 cm. DSCH Publishers, Moscow, 1995, full score and parts of R. Barshai’s instrumentation available for hire. DSCH Publishers, Moscow, score in Volume 100 and Shostakovich’s piano reduction in Volume 105 of New Collected Works. Duration: Approx. 30 minutes in score; 28' 05" (no first movement exposition repeat) and 28' 06" (with repeat)—33' 74"; 33 minutes (Sadovnikov). Opus 73a: 32' 33"–34' 29" (with first movement repeat) and 34' 15" (with no repeat). Ballet: Tremor. Richard Alston, Cambridge Arts Theatre, 16 October 2000. Alston’s company performed to amplified live string quartet calling themselves ‘stringfactory’. Recordings: 78 rpm, LP, and CD—USSR: 014612-5 (9 sides). BEETHOVEN QUARTET (personnel as above). P Feb./Mar. 1947. Reissued on LP—USSR: Melodiya D015665-9799 (mono). I 1965. Reissued on CD—USA: Consonance Blue Label 81.3007 (‘Complete Quartets, Volume 3’, mono). I May 1995 ~ *Symposium 1314 (mono). [Opp. 34, 5, 22, 67, and 69.] I Jan. 2004. 78 rpm, and LP—USA: Mercury DM 3 (box set). FINE ARTS QUARTET (Leonard Sorkin, Abram Loft, Bernard Zaslav, George Sopkin). P pre-1950. Reissued on LP—USA: Mercury MG 10049 (mono).

290

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—USSR: MK HD 2534-5 (10" mono). TCHAIKOVSKY QUARTET (Julian Sitkovetsky, Anton Sharoyev, Rudolf Barshai, Yakov Slobodkin). P 9 Aug. 1954 in the presence of the composer, I 1955 ~ Parlophone Odeon PMA 1040 (mono). G Aug. 1958 ~ USA: Vanguard VRS 6033 (mono). I 1958 ~ USSR: Melodiya D 028031-2 (mono). I 1970. Reissued on CD—Revelation RV 10016. I Oct. 1996. NB. Though no P date quoted and cellist given as Sitkovetsky this is most probably the Tchaikovsky Quartet ~ France; Dante LYS 369-370 (two-disc set). NB. P given as Moscow 1946, I 1998 ~ *Korea: Yedang Classics YCC 0030. [Brahms and Grieg.] I May 2002. LP—Czech: Supraphon SUA10420 (mono) and SUA 50420. (Jirˇ í Novák, Lubomír Kostecký, Milan Škampa, Antonín Kohout). G Nov. 1964 ~ USA: Crossroads 22 16 0017 (mono) and 22 16 0018. I 1966. CD—Leningrad Masters LM 1325. TANEYEV QUARTET (personnel not stated). P concert 1966, G Sept. 1996. LP—USSR: Melodiya D019277-8 (mono) and C01447-8. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1967 ~ USSR: Melodiya CM 03059-60. [Op. 49.] I 1972 ~ USA: Seraphim Melodiya S 6034 (in three-record box set with Quartets 1, 2, 4, and 5) ~ HMV Melodiya HQS 1320 in Set SLS 879. G June 1974. LP and CD—USSR: Melodiya C10 11617-8 (in first box of Part 2 of Collected Works on Records). TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinson). P 1968, I 1980. Reissued on CD—USSR: Melodiya SUCD 11 00311. I 1991d. LP—Decca Ace of Diamonds SDD 453. GABRIEL QUARTET (Kenneth Sillito, Brendan O’Reilly, Ian Jewel, Keith Harvey). P Maltings, Snape Dec. 1973, G Apr. 1975. LP and CD—L’Oiseau-Lyre OSLO 28. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P 23–26 May 1977, G June 1978 ~ Decca 188 D2 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca 421 475-2DH. I Dec. 1988, G Apr. 1989 ~ Decca Enterprise 433 078-2DM6 (on second of six-disc set). I Apr. 1992, G June 1992. CD—France: Praga PR 254 054. GLINKA QUARTET (Aleksandr Arenkov, Sergei Pishchugin, Misha Geller, Dmitri Ferschtman). P Czech radio 1977, I July 1994. Olympia OCD 531 (‘Complete Quartets, Volume 1’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1980, I Apr. 1994, G Sept. 1994. LP and CD—USSR: Melodiya C10 19503 006. BORODIN QUARTET (Mikhail Kopelman. Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1983,1 1984a ~ HMV Melodiya EX 270339-3 (in seven-record box set of

OP U S 73: QU A RTET N O. 3 IN F MAJ OR

291

15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49267-2. I Nov. 1987 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994. CD—USA: Centaur CRC 2020. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Rye, New York Jan. 1984, I 1986. LP—USSR: Melodiya C10 23563 000 (DMM). Cˇ IURLIONUS QUARTET (Rimantas Suigždinis, Saulius Kiškis, Aloyzas Grižas, Saulius Lipcˇius). P 1985, I 1986d. CD—Czech: Opus 9351 2025. MOYZES QUARTET (Stanislav Mucha, František Török, Alexander Lakatoš, Jan Slávik). P Mitice June 1986, I Oct. 1990. LP and CD—Jecklin-Disco JD 620-1 (digital) and released on CD—JD 620-2. AMATI QUARTET (Willi Zimmerman, Barbara Suter, Nicolas Corti, Johannes Degen). P 1987. CD—Deutsche Grammophon 435 386-2GH. Symphony for Strings Op. 73a arr. Barshai. Chamber Orchestra of Europe, Rudolf BARSHAI. P Berlin Mar. 1989, G Aug. 1992 ~ *Deutsche Grammophon 477 5442 (two-disc set). [Opp. 110a, 118a, 83a, and 141a; Schnittke.] G Dec. 2005. Teldec Classics 2292 46009-2. BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, G June 1990 ~ Teldec 9031 71702-2 (on second of six-disc set). I Nov. 1990, G June 1992. France: Ades 14 161-1. FINE ARTS QUARTET (Ralph Evans, Efim Boico, Jerry Horner, Wolfgang Laufer). P Paris July 1989, G Oct. 1990. USA: ESS.A.Y. CD 1007. MANHATTAN QUARTET (personnel as above). P Jersey City 15–18 Jan. 1990 ~ Koch Schwann Musica Mundi 310 128 (‘Complete Quartets, Volume 1’). I May 1991. Virgin Classics VC7 91437-2. BORODIN QUARTET (personnel as on 1983 recording). P London Feb.–July 1990, G Dec. 1991. LP—USSR: Melodiya C10 30589 007. GEORGIA STATE RADIO QUARTET (Levan Chkheidze, Georgi Khintibidze, Archil Kharadze, Revaz Machabeli). P Tbilisi 1990, I 1990d. CD—France: Le Chant du Monde LDC 278 1047. ANTON QUARTET (Anton Matalayev, Elena Yakovleva, Dmitri Khlebtsevich, I. Kiritchenko). P Paris Sept. 1990, I 1991. Canada: Marquis Classics ERAD 173. PENDERECKI QUARTET (Piotr Buczek, Jerzy Kaplanek, Yariv Aloni, Paul Pulford). P Toronto 2–3 Dec. 1991, I July 1997. Netherlands: Globe GLO 5093. Symphony for Strings, Op. 73a arr. Barshai. New Amsterdam Sinfonietta, Lev MARKIZ. P Utrecht Oct.–Dec. 1992, I 1993.

292

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Germany: Thorofon CTH 2264. PHILHARMONIA QUARTET OF BERLIN (Daniel Stabrawa, Christian Stadelmann, Neithard Resa, Jan Diesselhorst). P Yale University, New Haven Nov. 1992, I Mar. 1995. RCA Victor Red Seal 09026 68061-2 (‘Stalin Cocktail’). Chamber Symphony No. 2, Op. 73a arr. V. Milman. Moscow Virtuosi, Vladimir SPIVAKOV. P Blackheath 4–5 May 1993, G Dec. 1995 ~ *France: BMG RCA Artistes & Répertoire 74321 50268-2 (two-disc set). [Op. 110; Stravinsky, Hindemith, Schnittke et al.] I 2003. Netherlands: Etcetera KTC 1182. ELEONORA QUARTET (Eleonora Yakubova, Irina Pavlikhina, Anton Yaroshenko, Mikhail Shumsky). P Moscow Jan. 1994, I Sept. 1994. Dorian DOR 90203. LAFAYETTE QUARTET (Ann Elliott-Goldschmid, Sharon Stanis, Joanna Hood, Pamela Highbaugh). P Troy, New York Feb. 1994, G Sept. 1995. Finland: Finlandia 4509 98997-2. SIBELIUS ACADEMY QUARTET (Erkki Kantola, Seppo Tukiainen, Veikko Kosonen, Arto Noras). P Järvenpää May 1994, I May 1996 ~ Finlandia Ultima 8573 81969-2 (two-disc set). G June 2000. Netherlands: Emerge Classics EC 3956-2. ORLANDO QUARTET (Arvid Engegard, Heinz Oberdorfer, Ferdinand Erblich, Stefan Metz). P Renswoude, Netherlands 6–10 June 1994, I Jan. 1995. Germany: Thorofon CTH 2238. PHILHARMONIA QUARTET OF BERLIN (personnel as in 1992). P Berlin 1994, I 1998. Naxos 8.550974 (‘Complete Quartets, Volume 3’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sandor Papp, György Éder). P Budapest 6–9 Mar. 1995, I Jan. 1996, G Apr. 1997. Switzerland: New Classical Adventure 95 08 812. GEWANDHAUS QUARTET (Frank-Michael Erben, Conrad Suske, Volker Metz, Jürnjakob Timm). P Leipzig Apr. 1995, I Mar. 1996. Germany: Beaux BEAU 2022. Arr. for strings and piano. Novosibirsk Chamber Orchestra, Mikhail TURICH. P 1995, I Sept. 2001. *Hänssler Classic 98.488. Arr. for string orchestra by Sitkovetsky. New European Strings, Dmitri SITKOVETSKY. [Op. 11.] P Neumarkt, Oberpfalz, Germany 13–15 Nov. 1996, I 2005. Nairn Audio NAIMCD 016. ALLEGRI QUARTET (Peter Carter, David Roth, Jonathan Barritt, Bruno Schrecker). P Oxford 28–30 Jan. 1997, G Apr. 1998. Netherlands: Globe GLO 5171 (‘Complete Quartets, Volume 2’). RUBIO QUARTET (Dirk Van de Velde, Dirk Van den Hauwe, Marc Sonnaert, Peter Devos). P Utrecht Sept. 1997, I May 1998. Sweden: BIS CD 913. YGGDRASIL QUARTET (Henrik Peterson, Per Öman, Robert Westlund, Per Nyström). P Lanna, Sweden Sept. 1997, G Jan. 1999.

OP U S 73: QU A RTET N O. 3 IN F MAJ OR

Chandos

293

CHAN 9769 (‘Complete Quartets, Volume 2’). SORREL QUARTET (Gina McCormack, Catherine Yates, Vicci Wardman, Helen Thatcher). P Westleton, Suffolk 29 Sept.–l Oct. 1998, I Jan 2000. Denmark: Classico CLASSCD 265. CAILIN QUARTET (Clara Baek, Sophia Baek, Stine Hasbirk, Therese Astrand). P 1998. Hyperion CDA 67153. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Konstantin Kats, Leonid Shukayev). P St Petersburg Apr. 1999, G Nov. 1999. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 1’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert June–July 1999, G June 2000 ~ *Deutsche Grammophon 471 567-2 (‘The Emerson Encores’). Third movement only. [Beethoven, Barber, Debussy et al.] I Aug. 2002. France: Arion ARN 68506 (‘Complete Quartets, Volume 2’). DEBUSSY QUARTET (Christophe Colletts, Dominique Lonca, Vincent Deprecq, Yannick Cailier). P Lyon Nov. 1999, I Dec. 2000. *Sony Classical 82876 79018-2 (two-disc set). JUILLIARD QUARTET (Joel Smirnoff, Ronald Copes, Samuel Rhodes, Joel Krosnick). [Opp. 57, 142, and 144.] P Green Eggz No Ham, Collingswood, New Jersey 10–12 Feb. 2000, I Nov. 2006, G Jan. 2007. EMI Debut CDZ5 7439-2. JERUSALEM QUARTET (Aleksandr Pavlovsky, Sergei Bressler, Amichai Gross, Kyril Zlotnikov). P Potton Hall, Suffolk Nov. 2000, I June 2001. **Caprice CAP 21745. STATE QUARTET OF GEORGIA (Konstantin Vardeli, Tamaz Batiashvili, Nodar Zhania, Otar Chubinashvili). [Op. 68.] P Sandvicken, Sweden 2001, I 2004. Sweden: BIS-CD 1180. Symphony for Strings and Woodwind Op. 73a, arr. Barshai. Tapiola Sinfonietta, Jean-Jacques KANTOROW. [Op. 83a.] P Tapiola Concert Hall, Finland 2–5 May 2001. Germany: Fuga Libera 512. (‘Complete Quartets, Volume 2’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 101 and 138.] P Bayerischer Rundfund, Munich 8–11 Oct. 2001, I 2005. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume. 2’, five-disc set). RUBIO QUARTET (personnel as in 1997). [Opp. 108 and 117.] P Mullem, Belgium concert Apr.–Sept. 2002, I May 2003. Germany: Genuin GMP 86159. RUBENS QUARTET (Quirine Scheffers, Sidonie Riha, Roeland Jagers, Joachim Eijlander). [Haydn.] P Jesus Christus Kirche, Berlin-Dahlem 14–16 Apr. 2005, I June 2006. Canada: Analekta AN2 9898. Op. 73a listed as ‘Chamber Symphony No. 1’. I Musici de Montréal, Yuri TUROVSKY. [Galynin and Ustvolsaya.] P Eglise de la Nativité de la Sainte-Viege, La Prairie (Quebec) 26–27 June 2005, I 2006.

294

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Netherlands: Brilliant Classics 8212/1 (‘Chamber Symphonies 1–5’, on on first of two-disc set). Op. 73a. Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Rudolf BARSHAI. P Auditorium Verdi di Milano concert between spring and 17 Dec.2005, I 2006. Oehms Classics OC562 (‘Complete Quartets’—on first of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 49 and 68.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec, I July 2006. Nimbus NI 5762. KOPELMAN QUARTET (Mikhail Kopelman, Boris Kuschnir, Igor Sulyga, Mikhail Milman). [Op. 108; Prokofiev.] P Wyastone Estate, Monmouth 24–27 July 2005, I Apr. 2006, G Aug. 2006. Deutsche Grammophon 477 6146GH. HAGEN QUARTET (Lukas, Veronika, and Clemens Hagen; with Rainer Schmidt—2nd violinist). [Opp. 108 and 110.] P Salzburg Nov. 2005, I May 2006, G Aug. 2006. EMI Classics 359 9562. ST LAWRENCE QUARTET (Geoff Nuttall, Barry Shiffman, Lesley Robertson, Marina Hoover). [Opp. 108 and 110.] P Skywalker Sound Scoring Stage, Marin County, California 13–17 Jan 2006, I July 2006, G Awards (Oct.) 2006. CD and DVD—Germany: Audite AU 92.527 (Hybrid SACD and DVD). MANDELRING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 101 and 110.] P Klingenmünster, Germany 26–28 June 2006. CD—Canada: Marquis 8137. JUPITER QUARTET (Nelson Lee, Meg Freivogel, McDonough, Liz Freivogel, Dan McDonough). [Britten.] P Banff Centre, Banff, Alberta 6–8 Aug. 2006, I Nov. 2007.

Opus 74: Poem of the Motherland Form: Patriotic cantata for mezzo-soprano, tenor, two baritones, and bass soloists, chorus, and orchestra (with additional brass and a harp). The work includes several Revolutionary and popular songs: ‘Boldly, friends, on we march!’ (text by Leonid Radin) ‘Sacred War’, (Aleksandr Aleksandrov, text by Vasili Lebedev-Kumach) ‘Along the valleys and over the hills’—The Song of the Far Eastern Partisans (I. Aturov, text by Pyotr Parfenov) ‘Song of the Motherland’ (Isaak Dunayevsky, text by V. Lebedev-Kumach) ‘On Heroic Business’ (Vano Muradeli) ‘Song of the Counterplan’ (from Shostakovich’s Opus 33, text by Boris Kornilov) Instrumentation: 3 flutes (III = piccolo), 3 oboes (III = cor anglais), 3 clarinets, 2 bassoons ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani,

OP U S 75: THE Y OUN G GUARD

295

side drum, cymbals, triangle, bass drum ~ glockenspiel, harp, metallophone ~ strings. The metallophone is employed solely for a three-bar phrase played four times between figs. 39 and 42 as an introduction to ‘Song of the Motherland’. The brass ensemble is augmented by a separate band of 3 trumpets and 3 trombones. Composed: Completed in early October 1947, at Moscow, for the thirtieth anniversary of the October Revolution. [Not performed at the celebrations for which it was written.] Première: 19 May 1956. Arrangement: Reduction for voices and piano by Levon Atovmyan. Music: Autograph score preserved at GTsMMK. The score will be published in Volume 74 of the New Collected Works. Music Fund of the USSR, No. 1592-1597, 1947, full score edited by L. Atovmyan, mimeographed format, 33 cm. DSCH Publishers, Moscow, full score in Volume 74 and piano score in Volume 80 of New Collected Works. Duration: 16 minutes (Meskhishvili). Recording: 78 rpm—USSR: 015264-7 (4 sides). Mariya Maksakova (soprano), Sergei Lemeshev (tenor), Andrei Ivanov and David Gamrekeli (baritones), Maksim Mikhailov (bass), Bolshoi Theatre Chorus and Orchestra, Konstantin IVANOV. P 1947.

Opus 75: The Young Guard Form: Music for Parts 1 and 2 of the black-and-white film, after Aleksandr Fadeyev’s novel The Young Guard, directed by Sergei Gerasimov for the Gorky Film Studios. The story first appeared in the magazine Znamya (‘The Banner’) in 1945, but was revised in 1947 and 1951. The film was based on the 1947 version and awarded a Stalin Prize First Class in 1949. The score incorporates Pierre Degeyter’s Internationale. Instrumentation: of the Overture (Moderato non troppo)—2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns ~ timpani ~ harp ~ strings. Composed: Thematic material outlined on 25 April 1947. Score written in summer and autumn of 1948, at Moscow. Premières: Film: Part 1 first shown on 11 October 1948 and Part 2, on 25 October 1948. Score performed by the USSR Symphony Orchestra and Choir under Aleksandr Sveshnikov. Suite: 1953, Moscow; Moscow Radio Symphony Orchestra, Aleksandr Gauk. UK broadcast: 15 November 1986, BBC Symphony Orchestra, Lionel Friend.

296

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Arrangements: in 1951: 1. 2. 3. 4. 5. 6. 7.

Opus 75a—Suite for orchestra assembled by Levon Atovmyan

Prelude—Moderato non troppo By the River—Moderato Scherzo—Presto Uneasy Night—Moderato Song of the Young Guards—Moderato sostenuto Death of the Heroes—Adagio attacca Apotheosis—Adagio

Instrumentation: of Suite Opus 75a—piccolo, 2 flutes, 2 oboes, cor anglais, E flat clarinet, 2 A clarinets, 2 bassoons, 2 contrabassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals, triangle, tambourine, bass drum ~ strings. Brass augmented by separate band of 3 trumpets and 3 trombones in No. 3, and two of each in Nos. 1 and 7. Suite transcribed for wind orchestra by Ye. Dubinsky. Music: Shostakovich gave this work as Opus 76 in his typed list. Autograph of the film score preserved at GTsMMK and a manuscript score, with notes in the composer’s hand, at NBGCOK. Muzgiz, No. 23653, 1950, Suite Opus 75a in full score, 29 cm. Muzyka, 1975, Suite arr. for wind orchestra by Ye. Dubinsky, 22 cm. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, Overture, 30 cm. A piece from the film score entitled ‘Farewell’, arranged for string quartet, is scheduled to appear in Volume 101 of New Collected Works. DSCH Publishers, Moscow, full score in Volume 132 of New Collected Works. Duration: Film: 101 and 86 minutes. Suite Opus 75a: 25' 51"–30' 14"; 22 minutes (Sadovnikov). Recordings: CD—Olympia OCD 201. Suite Opus 75a. USSR Cinematograph Symphony Orchestra, Grigori GAMBURG. P 1956, I Dec. 1987. USA: Russian Disc RDCD 10 002. Suite Opus 75a. Byelorussian Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Feb. 1995, I Sept. 1996. **Chandos Movies CHAN 10361 (‘The Film Music of Dmitri Shostakovich, Volume 3’). Op. 75a Nos. 2, 4, and 5. BBC Philharmonic, Vassili SINAISKY. [Opp. 116, 89, and 111.] P New Broadcasting House, Manchester 12–13 Oct. 2004, I Sept. 2006. Note: The English title of the film frequently appears in the plural. Fadeyev’s novel The Young Guard is about Oleg Koshevoi, the commissar of the youth resistance organization, who, along with two other male and two female Young Guards, was tortured and murdered by the Nazis in 1943. This book

O PUS 76: PIROGOV

297

was an instant success on its publication in 1945 but was pronounced to be ideologically harmful and officially condemned in 1948. The author had allegedly failed to point out the role of the Communist Party in organizing underground activities. Fadeyev was hurt by this accusation—Stalin was his idol—but acknowledged his ‘errors’ and spent almost four years ‘correcting’ the novel. By 1956 he had become an alcoholic and, after Stalin’s denouncement, he shot himself.

Opus 76: Pirogov Form: Music for the biographical black-and-white film, based on the life of the surgeon Nikolai Pirogov, with scenario by Yuri German and directed by Grigori Kozintsev for Lenfilm. The film awarded a Stalin Prize Second Class in 1948. Composed: 1947. Premières: Film first shown on 16 December 1947. UK broadcast of the Suite: 15 November 1986, BBC Symphony Orchestra, Lionel Friend. Arrangements: Opus 76a—Suite for orchestra assembled by Levon Atovmyan in 1951: 1. 2. 3. 4. 5.

Introduction Scene Waltz—Allegretto Scherzo Finale

Piano reduction of No. 3 by L. Atovmyan. Waltz transcribed for percussion ensemble by Vladimena Snamenskov. A recording of a concert performance by I Percussionisti della Scala broadcast on BBC Radio 3 on 7 July 2001. Instrumentation: of Suite Opus 76a—piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum ~ xylophone, glockenspiel, harp ~ violin solo, strings. Music: Autograph score of the Suite Opus 76a preserved in the Bureau of the Music Fund of the USSR. Sovetskii kompozitor, 1948, Waltz arr. for piano by L. Atovmyan, 27cm. Muzgiz, 1950, Waltz arr. for small orchestra, 14 parts, c. 29 cm. Sovetskii kompozitor, No. 928 (in Dmitri Shostakovich: Waltzes from Film Music), 1959, Waltz in full score, 29 cm. DSCH Publishers, Moscow, full score in Volume 133 of New Collected Works.

298

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Duration: Film: 92 minutes, 10 reels. Suite Opus 76a: 16' 22"–17' 56"; 25 minutes (Sadovnikov). Ballet: The Overcoat. For details see under Opus 32. Recordings: 78 rpm—USSR: 16719-17096 (10"). Waltz only. All-Union Radio Stage Symphony Orchestra, Viktor KNUSHEVITSKY. P 1949. Poland: Muza 2017 (10"). Waltz only. Polish Radio Symphony Orchestra, Stefan RACHON. LP and CD—USSR: Melodiya D020135-6 (mono) and C01471-2. Suite Opus 76a. Bolshoi Theatre Orchestra, Maksim SHOSTAKOVICH. P 1966. Reissued on CD—BMG Melodiya 74321 66981-2 (two-disc set). I Dec. 1999. CD—RCA Victor Red Seal RD 86603. Suite Opus 76a. Belgian Radio Symphony Orchestra, José SEREBRIER.P Brussels 1987, I Feb. 1988, G May 1988. Austria: Musica Classic 780005-2 (‘Symphonic Waltzes from Russia’). Waltz only. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Bratislava Sept. 1992, I 1992. CIS: Manchester CDMAN 129 (‘Shostakovich Theatre and. Cinema Music’). Waltz. St Petersburg Philharmonic Academic Symphony Orchestra, Vladimir ALTSHULER. P St Petersburg 1995, I 1998. USA: Citadel CTD 88135. Suite Op. 76a. Belarus Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Moscow 7 Apr. 1997, I 1999. Decca 460 792-2DH11 (‘The Film Album’). Suite Nos. 4 and 5. Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 10–11 Sept. 1998, G Apr. 1999. Monte Carlo: Bel Air Music BAM 2000 (‘Russian Film Music I’). Waltz. Russian Philharmonic Orchestra, Konstantin KRIMETS. P Moscow Radio Studio Jan. 2000. Note: The Russian surgeon, Nikolai Ivanovich Pirogov (1810–81), although politically opposed to Romanov rule, became famous for his part in the defence of Sevastopol during the Crimean War. An amputation through the ankle joint was subsequently named after him.

Opus 77: Violin Concerto No. 1 in A minor Form: Concerto for violin and orchestra (with 2 harps and reduced brass) in four movements: 1. 2. 3. 4.

Nocturne—Moderato Scherzo—Allegro Passacaglia—Andante attacca Cadenza attacca Burlesque—Allegro con brio

O PU S 77: V IOLIN C ONC ERTO N O. 1 IN A MIN OR

299

Instrumentation: piccolo (= flute III), 2 flutes, 2 oboes, cor anglais (= oboe III), 2 B flat clarinets, bass clarinet (= B flat clarinet III), 2 bassoons, contrabassoon (= bassoon III) ~ 4 horns, tuba ~ timpani, tambourine, gong ~ xylophone, celesta, 2 harps ~ strings. Composed: 21 July 1947–24 March 1948, though not released until 1955. The first, second, and third movements completed on 12 November, 6 December 1947, and 19 January 1948 respectively. Written at Moscow. Dedication: David Fyodorovich Oistrakh (violinist). Premières: 29 October 1955, Leningrad Philharmonic Bolshoi Hall; David Oistrakh, Leningrad Philharmonic Orchestra, Yevgeni Mravinsky. The Finale repeated as an encore. USA: 29 December 1955, Carnegie Hall, New York; D. Oistrakh, New York Philharmonic Orchestra, Dimitri Mitropoulos. 4 February 1956, Moscow; D. Oistrakh, USSR Symphony Orchestra, Ye. Mravinsky. Arrangements: Reduction for violin and piano by the composer, with the violin part edited by David Oistrakh. Passacaglia arranged for double-bass and piano by Rodion Azarkhin. Burlesque transcribed for domra and balalaika ensemble by Yuri Chernov. Music: Originally issued as Opus 99 (Opus 77 was then allocated to Three Pieces for Orchestra). Incorrectly given as Opus 78 by S. D. Krebs (1970) et al. Autograph scores preserved at GTsMMK (full score) and PGALI (reduction). The opening of the Nocturne in both autograph scores is reproduced in Volumes 14 and 15 of Collected Works. Muzgiz, No. 25755, 1956, score, 29 cm. Muzgiz, No. 25842, 1956, arr. for violin and piano, 29 cm. Leeds Music, no number, 1956, reduction, 31 cm. Muzgiz, 1957, revised score, 29 cm. Boosey & Hawkes, No. 694, 1957, 19 cm. Hans Sikorski, No. 2101, c.1957, reduction, 31.5 cm. Edition Peters, No. 4728 (plate no. 11844), 1958, reduction, 31 cm. Muzgiz, 1960, score, 20 cm. Muzyka, No. 5913, 1975, reduction, 31 cm. Sovietskii kompozitor, No. 4292, 1978, Passacaglia arr. for double-bass and piano by A. Azarkhin, 29 cm. Muzyka, No. 10712 (in Volume 14 of Collected Works), 1981, full score, 30 cm. Muzyka, No. 10793 (in Volume 15 of Collected Works), 1981, reduction for violin and piano, including a separate violin part ed. D. Oistrakh, 30 cm. DSCH Publishers, Moscow, full score in Volume 42 and piano score in Volume 43 of New Collected Works.

300

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Duration: 35 and approx. 40 minutes in scores; 27' 47"–41' 07"; 38' 10"–39'15" (Plaistow). Recordings: LP—USA: Columbia ML 5077 (mono). David OISTRAKH (violin), New York Philharmonic Orchestra, Dimitri Mitropoulos. P Dec. 1955, I 1956 ~ CBS S 73442 in Set CBS 77394 (electronic stereo). G Oct. 1975. LP and CD—Italy: Fonit Cetra DOC 6 (mono). D. OISTRAKH accompanied as above. P Carnegie Hall concert 2 Jan. 1956, I 1981 ~ Philips ABL 3101 (mono). G July 1956. Reissued on CD—CBS Masterworks MP 39771. I Mar. 1986, G Apr. 1987 ~ USA: NYP 9707 (mono) in NYP 9701 (‘The Historic Broadcasts 1923 to 1987’—on sixth of ten-disc set) I 1997 ~ NYP 9712. Burlesque. Sampler CD issued with G Nov. 1997 ~ Sony Masterworks Heritage MHK 63327 (mono). I June 1998 ~ *Sony Great Performers 88697 00812-2. [Tchaikovsky.] G Feb. 2007. *CD—Japan: Scora Classics scoracd 014 (on first of two-disc set, mono). D. OISTRAKH (violin), Leningrad Philharmonic Orchestra, Ye. Mravinsky. [Beethoven, Skryabin, Wagner.] P Leningrad studio c.11 Nov. 1956, I 2004. Symposium 1142-3 (‘Max Rostal in Memoriam’, two-disc set, mono). Max ROSTAL (violin), BBC Symphony Orchestra, Sir Malcolm Sargent. P 22 Aug. 1956, I Apr. 1993. Hong Kong: One-Eleven EPR 95030 (mono). Ruggiero RICCI (violin), USSR Symphony Orchestra, Yevgeni Mravinsky. P a genuine concert recording according to the artist who ‘Vaguely remembers doing it in the dim and distant past’, I 1998. NB. Kenzo Amoh, on checking concert lists in St Petersburg, considers this performance was not conducted by Mravinsky. LP and CD—USSR: MK D03658-9 (mono). D. OISTRAKH (violin), Leningrad Philharmonic Orchestra, Ye. Mravinsky. P Leningrad Philharmonic Bolshoi Hall studio 30 Nov. 1956, I 1957 ~ USA: Monitor MCS 2014 (electronic stereo). I 1958 ~ Parlophone Odeon PM5 1014 (10" mono). G Jan. 1959. HMV Melodiya ASD 3234-5 in Set SLS 5058 (electronic stereo). G Oct. 1976. Reissued on CD—France: Le Chant du Monde LDC 278 882 (‘The David Oistrakh Edition’—on second of five discs available singly). I 1987, G Apr. 1988 ~ *Netherlands: Brilliant Classics 92609 (ten-disc set). P date given incorrectly as 18 Nov. 1956, I 2005. CD—Russia: Syd Records Disc SYD 005 (‘The Art of Yulian Sitkovetsky, Volume 5’). Yulian SITKOVETSKY (violin), USSR State Radio Orchestra, Aleksandr Gauk. P Moscow concert 1956, I 1995. France: Praga PR 250 052 (mono). D. OISTRAKH (violin), Czech Philharmonic Orchestra, Ye. Mravinsky. P Czech Radio concert May 1957, I 1994, G July 1995 ~ France: Praga Compact Discs PR 256 007-12 (‘David Oistrakh in Prague’—on sixth of six-disc set). I 1998.

O PU S 77: V IOLIN C ONC ERTO N O. 1 IN A MIN OR

301

*Italy: Comitato Grandi Maestri di Ferrara (unnumbered nine-disc set, mono). Aldo FERRARESI (violin), Orchestra Sinfonica di Torino, Mario Rossi. [Elgar, Walton, Alfano etal.] P Auditorium di Torino della Radiotelevisione Italiana concert 15 May 1959, I 2007. [LP—France: EMI unissued stereo recording. Leonid KOGAN (violin), Colonne Orchestra, Pierre Dervaux. P Paris studio 28 (Nocturne) and 29 June 1961. NB. This recording apparently does not exist.] [USA: Hall of Fame HOP 512 (mono) and HOPS 512 (electronic stereo). L. KOGAN (violin), Leningrad Philharmonic Orchestra, conductor not Ye. Mravinsky as stated. P radio broadcast concert 1960s.] CD—BBC Radio Classics 15656 9170-2. D. OISTRAKH (violin), Philharmonia Orchestra, Gennadi Rozhdestvensky. P Usher Hall, Edinburgh concert 7 Sept. 1962, I May 1996 ~ BBC Legends BBCL 4060-2. I Feb. 2001, G May 2001. LP and CD—USSR: Melodiya D8451-2 (10" mono) and C201-2 (10"). L. KOGAN (violin), Moscow Philharmonic Orchestra, Kirill Kondrashin. P Moscow concert 1962, I 1962, G Feb. 1970 ~ *Czech: Supraphon DV 6063 (mono) and SV 8224 F. I c.1965 ~ HMV Melodiya ASD 2585. G July 1970. Reissued on CD—USA: Russian Disc RDCD 11 025 (mono). I Feb. 1994 ~ Italy: Arlecchino ARL 87 (‘The Leonid Kogan Legacy, Volume XVI’). I 1994 ~ Czech: Supraphon SU 3005-2001 (‘Giants of the Violin’). I 1995. NB. P date given as Prague concert 1964. *CD—USA: Rondo Music Society RMS 2234 (mono). Albert MARKOV (violin), USSR State Symphony Orchestra, Yuri Aranovich. [Szymanowski.] P Moscow Conservatory concert 5 Nov. 1962, I 2003. Belgium: Cypres CYP 9612 (on fourth of twelve-disc set, mono). Aleksei MIKHLIN (violin), Belgian National Orchestra, Andre Cluytens. P Brussels Queen Elisabeth Competition concert 13 June 1963, I 2001. *Harmonia Mundi HMX 2905255.59 (on first of five-disc set). Igor OISTRAKH (violin), Berlin Symphony Orchestra, Kurt Sanderling. [Op. 47.] P Metropoltheater, Berlin concert 3 Oct. 1966, I Sept. 2002. Revelation RV 10084 (mono). L. KOGAN (violin), Moscow Philharmonic Orchestra, K. Kondrashin. P concert 3 Oct. 1966, I Aug. 1997. USA: Radiomen CSO CD95-10/20 (‘Chicago Symphony Orchestra: From the Archives, Volume 10: Great Soloists’, two-disc set). L. KOGAN (violin), Chicago Symphony Orchestra, Irwin Hoffman. P Chicago concert 27 and 28 Oct. 1966, I Sept. 1995. *Japan: Altus ALT 046. D. OISTRAKH (violin), Moscow Philharmonic Orchestra, K. Kondrashin. [Op. 54.] P Tokyo Culture Hall concert 4 Apr. 1967, I 2002. *LP—Belgium: Discothèque National de Belgique 30 102 (second of three-record set). Stoika MILANOVA (violin), Belgian National Orchestra,

302

D M I T R I SHOSTA K OVIC H C A TA LO GUE

René Defossez. [Ravel.] P Queen Elisabeth Violin Competition, Palais des Beaux-Arts, Brussels May or June 1967, I 1967. LP and CD—East Germany: Eterna 8 25 874. Gustav SCHMAHL (violin), Dresden Philharmonie, Kurt Masur. P Dresden Aug. 1969. Reissued on CD: Germany: Berlin Classics 0091 532BC. I 1995 ~ Germany: Berlin Classics 009150-2 (‘The Kurt Masur Edition’, nine-disc set). I Oct. 1995. CD—Belgium: René Gailly International Productions CD 86 003. Edith VOLCKAERT (violin), Belgian Radio Symphony Orchestra, Rene Defossez. P Brussels Queen Elisabeth Competition concert 24 May 1971, I 1993. LP—USSR: Melodiya CM 04385-6. Burlesque arr. Y. Chernov. A. TSYAGANOV (domra), Osipov Academic Russian Folk Orchestra, Viktor Dubrovsky. P 1972, I 1974 ~ HMV Melodiya Classics HQS 1410. G Jan. 1978. CD—Italy: Intaglio INCD 7241. D. OISTRAKH (violin), New Philharmonia Orchestra, Maksim Shostakovich. P Royal Festival Hall concert 20 Nov. 1972, I July 1992. LP and CD—HMV ASD 2936. D. OISTRAKH (violin), New Philharmonia Orchestra, Maksim Shostakovich. P 25 Nov. 1972, G Jan. 1974 ~ USSR: Melodiya CM 04291-2 (in third box of Part 1 of Collected Works on Records). I 1980 ~ HMV ASD 4046. G June 1981. Reissued on CD—Japan: Toshiba EMI TOCE 3276. I 1997 ~ *EMI Classic 3 72493-2. [Op. 107.]. I Jan. 2007. LP—USSR: Melodiya CM 03941-2. Igor OISTRAKH (violin), All-Union Radio and Television Symphony Orchestra, M. Shostakovich. P 1973, I 1974a ~ France: Le Chant du Monde LDX 78 576 K. Sweden: BASF 25 21640-3. Arve TELLEFSEN (violin), Swedish Radio Symphony Orchestra, Gary Bertini. P 1973, 1 Sept. 1979. USSR: Melodiya C10 30915 005 (‘Leonid Kogan’s Complete Recordings, Volume 10’, two-record set). L. KOGAN (violin), USSR Symphony Orchestra, Yevgeni Svetlanov. P Moscow concert 25 Sept. 1976, I 1991a. Reissued on CD—Italy: Arlecchino ARL 6 (‘The Leonid Kogan Legacy, Volume 1’). I 1994. NB. The date of 29 Apr. 1960 is incorrect. LP—Venezuela: Fundación Rito Juan Pro-Musica Volume 11. Jose Francisco Del CASTILLO (violin), Venezuela Symphony Orchestra, Georg W. Schmoehe. P June 1979. USA: Vox Cum Laude D-VCL 9008 (digital). Fredell LACK (violin), Berlin City Symphony Orchestra, Seigfried Kohler. P Feb. 1980, I Mar. 1982. CD—Revelation RV 10108. Viktor TRETYAKOV (violin), USSR Symphony Orchestra, Yuri Temirkanov. P 16 June 1981, I May 1998 ~ *Korea: Yedang Classics YCC 0032. [Op. 129.] I May 2002. Germany: Live Classics LCL 105. Oleg KAGAN (violin), USSR Symphony Orchestra, Aleksandr Lazarev. P Moscow concert 26 Sept. 1981, I 2000.

O PU S 77: V IOLIN C ONC ERTO N O. 1 IN A MIN OR

303

LP—USA: WQXR Radiothon Special Edition 88 1/2. Glenn DICTEROW (violin), New York Philharmonic Orchestra, Maksim Shostakovich. P 9 Jan. 1982, I 1988. LP and CD—Japan: Icone ICN 9416-2. Sergei STADLER (violin), Leningrad Philharmonic Orchestra, Ravil Martynov. P Leningrad concert 1983, I Sept. 1994. Reissued on CD—Leningrad Masters LM 1320. G Sept. 1996. Bulgaria: Balkanton BCA 11385. Stoika MILANOVA (violin), Bulgarian Radio and Television Symphony Orchestra, Vassil Stefanov. P Feb. 1984. Reissued on CD—Netherlands: Sound CD 3445 ~ *Bulgaria: Balkanton 030100. [Bartók.] I 1990s. *CD—Brilliant Classics 93005 (‘Viktor Tretiakov Edition’, on first of ten-disc set, stereo). Listed as Op. 99. Viktor TRETYAKOV (violin), Moscow Radio Symphony Orchestra, Vladimir Fedoseyev. [Aleksandr - not Boris Chaikovsky]. P concert 13 Feb. 1984, G June 2006. LP and CD—Canada: Canadian Broadcasting Corporation SM 5037. Steven STARYK (violin), Toronto Symphony Orchestra, Andrew Davis. P Toronto 12–13 Jan. 1985. Reissued on CD—Canada: CBC SMCD 5037. I 1986 ~ Canada: CBC PSCD 2023. I 2001. CD—USA: Pyramid 13493. Nell GOTKOVSKY (violin), Bulgarian National Radio Symphony Orchestra, Vassil Kazandzhiev. P Sofia Oct. 1987, I 1988, G Oct. 1991. Philips Digital Classics 422 364-2PH. Viktoria MULLOVA (violin), Royal Philharmonic Orchestra, André Previn. P London 16–21 June 1988, G June 1989. EMI CDC7 49814-2. Itzak PERLMAN (violin), Israel Philharmonic Orchestra, Zubin Mehta. P Tel Aviv concert 27 and 31 July 1988, G Jan. 1990. American Grammy Award 1991—winner of Instrumental Soloist with Orchestra category. Decca 425 793-2DH. Boris BELKIN (violin), Royal Philharmonic Orchestra, Vladimir Ashkenazy. P Walthamstow Nov. 1988, G Aug. 1990. Chandos CHAN 8820. Lydia MORDKOVITCH (violin), Scottish National Orchestra, Neeme Järvi. P Glasgow 16–17 Oct. 1989, G Apr. 1990. The Gramophone Awards 1990—winner of Concerto category, G Oct. 1990 ~ *Chandos CHAN 8820. [Op.129.] I Sept. 2004. Virgin Classics VC7 91143-2. Dmitri SITKOVETSKY (violin), BBC Symphony Orchestra, Andrew Davis. P London Dec. 1989, G Sept. 1990. Preis der Deutschen Schallplattenkritik award 1990. Germany: Berlin Classics BC 001049-2BC. Michael ERXLEBEN (violin), Berlin City Symphony Orchestra, Claus Peter Flor. P Berlin May 1990, I 1993 ~ *Germany: Berlin Classics 0183632 BC. [Hartmann.] I May. 2003 ~ *Eterna Collection 0013732BC. [Op. 70.] I May 2006.

304

D M I T R I SHOSTA K OVIC H C A TA LO GUE

EMI Classics CDC7 54314-2. Nadja SALERNO-SONNENBERG (violin), London Symphony Orchestra, M. Shostakovich. P London 8–10 Mar. 1991, G Dec. 1992. Norway: Grappa CRCD 4050. Arve TELLEFSEN (violin), Royal Philharmonic Orchestra, Paavo Berglund. P London 27–28 Dec. 1991, I 1994. France: Le Chant du Monde DC 278-1099. Ivan MONIGHETTI (violin), Prague Radio Symphony Orchestra, Jirˇí Válek. P Czech radio Nov. 1992, I Aug. 1993. Belgium: René Gailly International Productions CD 87 515 (in three-disc set CD 90 006). Keng-Yuen TSENG (violin), National Orchestra of Belgium, Ronald Zollman. P Brussels concert 5 June 1993. Netherlands: BMG RCA 74321 447832. Jaap van ZWEDEN (violin), Netherlands Radio Philharmonic Orchestra, Edo de Waart. P Utrecht 16–19 Apr. 1994, I 1996. Teldec 4509-98143-2- Maksim VENGEROV (violin), London Symphony Orchestra, Mstislav Rostropovich. P London May 1994, I Sept. 1994, G Feb. 1995. Gramophone Record Awards 1995—winner of Concerto category and voted ‘Record of the year’ ~ *Warner Elatus 0927 4674-2. [Op. 129.] I Sept. 2002, G Awards (Oct.) 2002. USA: Amadis 7194. Oleg KRYSA (violin), National Symphony Orchestra of Ukraine, Theodore Kuchar. P Kiev 6 May 1994, I 2000. France: Erato 0630 10696-2. Vadim REPIN (violin), Hallé Orchestra, Kent Nagano. P BBC North Studio, Manchester Mar. 1995, G Jan. 1996. Japan: Denon COCO 80762. Boris BELKIN (violin), Royal Philharmonic Orchestra, Junichi Hirokami. P 25–28 May 1995. France: Arion ARN 68326. Marie SCHEUBLE (violin), Monte-Carlo Philharmonic, James DEPRIEST. P Monte-Carlo July 1995, I Mar. 1996. USA: Triton 17 006. Maksim FEDOTOV (violin), Russian State Symphony Orchestra, Aleksandr Vedernikov. P Moscow Conservatory Dec. 1995, I Nov. 1996 ~ *Japan: DMC Classics DICC 26039. [Op. 129.] I 1999 *Russia: Kvadro Classic KTL02-682. [Op. 129.] I 2002. Naxos 8-550814. Ilya KALER (violin), Polish National Radio Symphony Orchestra, Antoni Wit. P Katowice 15–18 Jan. 1996, G Oct. 1997. Sony Classical SK 68338. MIDORI (violin), Berlin Philharmonic Orchestra, Claudio Abbado. P Berlin concert 5–8 Dec. 1997, G Dec. 1998. Germany: Arte Nova Classics 74321 77066-2. Latica HONDA-ROSENBERG (violin), Slovenian Radio Symphony Orchestra, Lior Shambadal. P Slovenia Philharmonic Great Hall, Ljubljiana 16–22 May 2000 ~ *Germany: Oehms Classics 0C 225 [Tchaikovsky.] I Sept. 2003. **Germany: Capriccio 10 892. Vladimir SPIVAKOV (violin), Cologne Gürzenick Philharmonic Orchestra, James Conlon. [Op. 114b.] P Cologne concert 26–29 Aug. 2000, G May 2002.

O PU S 77: V IOLIN C ONC ERTO N O. 1 IN A MIN OR

305

Deutsche Grammophon 471 616-2. Ilya GRINGOLTS (violin), Israel Philharmonic Orchestra, Itzhak Perlman. [Tchaikovsky.] P Tel Aviv Dec. 2001, G Oct. 2002. Sony Classical SK 89921 and SS 89921 (SACD). Hilary HAHN (violin), Oslo Philharmonic Orchestra, Marek Janowski. [Mendelssohn.] P Oslo 20 and 22–23 Feb. 2002, G Apr. 2003. USA: Artek 0017-2. Elmar OLIVEIRA (violin), Seattle Symphony, Gerard SCHWARZ. [Op. 54.] P Benaroya Hall, Seattle 27 May 2003. Sony Classical 82876 73146-2. Baiba SKRIDE (violin), Munich Philharmonic Orchestra, Miklo Frank. [Janácˇek.] P Philharmonie (Gasteig), Munich concert 16–18 Apr. 2004, I May 2005, G Aug. 2006. Belgium: Ambroisie AMB 9987 (on first of three-disc set). Labelled as Op. 99. Sergei KHACHATRYAN (violin), Belgian National Orchestra, Gilbert Varga. [Chausson and Brahms.] P Palais des Beaux Arts, Brussels 27 May 2005. Canada: Marquis MC 81339. Catherine MANOUKIAN (violin), Armenian Philharmonic Orchestra, Eduard Topchjan. [Khachaturyan.] P Aram Khachaturyan Concert Hall, Yerevan 20–25 June 2005, I Oct. 2006. EMI Classics 3 46053-2. Sarah CHANG (violin), Berlin Philharmonic Orchestra, Simon Rattle. [Prokofiev.] P Philharmonie, Berlin 15–17 June and 16–20 Sept. 2005, G May 2006. USA: Delos DE 3363. Dmitri KOGAN (violin), Tchaikovsky Symphony Orchestra, Maksim Shostakovich. [Op. 129.] P Russian TV and Radio Broadcasting Company Kultura, Moscow 17–20 Sept. 2005, I July 2006. Poland: DUX DUX 0534. Op. 99. Roman LASOCKI (violin), Silesian Philharmonic Symphony Orchestra, Mirosław Jacek Błaszczyk. [Moryto.] P Silesian Philharmonic Hall, Katowice Sept. 2005, I 2006. Warner Classics 2564 62546-2. Daniel HOPE (violin), BBC Symphony Orchestra, Maksim Shostakovich. [Opp. 129 and 97.] P Maida Vale Studios, London 7–9 Nov. 2005, I Mar. 2006, G June 2006. Warner Classics 2564 62997-2. Leila JOSEFOWICZ (violin), City of Birmingham Symphony Orchestra, Sakari Oramo. [Op. 134.] P Symphony Hall, Birmingham 10 and 12 Jan. 2006, I May 2006, G July 2006. Quartz QTZ 2045 (two-disc set plus DVD ‘A People’s Music’ —a film by Tim Meara). Ruth PALMER (violin), Philharmonia Orchestra, Benjamin Wallfisch. [Op. 134.] P Henry Wood Hall, London 23–24 Mar. 2006, I and G Awards (Oct.) 2006. Germany: Orfeo C387161A. Arabella STEINBACHER (violin), Bavarian Radio Symphony Orchestra, Andris Nelson. [Op. 129] P Herkulessal der Residenz, Munich 3–6 May 2006.

306

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Naïve V5025. Sergei KHACHATRYAN (violin), Orchestre National de France, Kurt Masur. [Op. 129.] P Salle Olivier Messiaen, Maison de la Radio, Paris 5–7 July 2006, I Oct. 2006. Ambroisie AM 176. Yossif IVANOV (violin), Royal Flemish Philharmonic Orchestra, Pinchas Steinberg. [Bartók.] P Concertgebouw, Bruges, Belgium 8–11 July 2008. Notes: Many of the above recordings, from early LP days—even a number of Melodiya issues—to the latest CD releases, are labelled as Opus 99. In the original version the solo violin immediately launches into the Burlesque. At rehearsals, a week before the première, David Oistrakh requested a short break after the physical effort required by the Cadenza in order to restore circulation in his right arm. Shostakovich rewrote a new beginning of the finale which he made an orchestral tutti. The original autograph was not destroyed as the composer hoped that one day it would be possible for the soloist to perform his first version.

Opus 78: Michurin Form: Music for the biographical colour film based on the life of the horticulturist Ivan Michurin, directed by Aleksandr Dovzhenko for the Dovzhenko Studios, Kiev. Originally conceived by Dovzhenko as a play entitled Life in Bloom and released as a film for the home market under this title. The music, scored for chorus and orchestra, includes a folksong ‘Beyond the mountains, beyond the valleys’(text by Aleksei Gmyrev). The film awarded a Stalin Prize Second Class in 1949. Composed: 1948, at Moscow Premières: Film first shown on 1 January 1949. UK: 13 and 14 October 1998 (BBC Radio 3 broadcast on 12 November 1998), Barbican Centre, London; London Symphony Orchestra, Mstislav Rostropovich; Suite No. 4, Reminiscence and No.2, Winter Garden. Arrangements: Opus 78a—Suite for chorus and orchestra assembled by Levon Atovmyan in 1964: 1. 2. 3. 4.

Overture Winter Garden—Adagio (No. 5 in the film score) Spring Waltz—Allegro scherzando Reminiscence—Moderato molto—Allegro—Adagio (No. 3 in the film score) 5. Demonstration in the Town Square 6. Michurin’s Monologue 7. Finale Spring Waltz No. 3—Ballet Suite No. 2, No. 5 (Sans op. P(i) and Four Waltzes, No. 1: Sans op. P(iii) variously transcribed, including for cello and

OPUS 78: MICH URIN

307

piano by L. Atovmyan, violin and piano by Konstantin Fortunatov, and solo piano by Bronislava Rozengauz. Suite No. 5 includes the Revolutionary song ‘Boldly, friends, on we march!’ Suite No. 6 includes a choral setting of ‘Song of the Counterplan’ from Opus 33, marked ‘Allegro’ (No. 10 in the film score). English translation of the choruses in Suite Nos. 1 and 6 by Valeria Vlayinskaya. Instrumentation: of Suite Opus 78a—piccolo, 2 flutes, 2 oboes, 2 clarinets (B flat and A), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum ~ glockenspiel, 2 harps ~ S.A.T.B. chorus in Nos. 1, 6, and (wordless) 7 ~ strings. Separate band of 3 trumpets and 3 trombones. Music: Autograph of the film score preserved at GTsMMK and a manuscript copy at NBGCOK. Autograph of the Suite preserved in the Bureau of the Music Fund of the USSR. Boosey & Hawkes, No. 20616 (Two Pieces from Ballet Suite No. 2: Spring Waltz and Op. 39 Adagio), 1958, arr. L. Atovmyan, score, 31.5 cm. Sovetskii kompozitor, No. 928 (in Dmitri Shostakovich: Waltzes from Film Music), 1959, Suite No. 3 only, full score, 29 cm. Sovetskii kompozitor, No. 2718 (in D. Shostakovich: Pieces for cello and piano), 1962, No. 3 only, arr. L. Atovmyan, 29 cm. Edition Peters, No. 4767 (in Two Pieces for cello and piano), 1962, No. 3 arr. L. Atovmyan, 30 cm. Edition Peters, No. 4794 (plate no. 12389—in Shostakovich: Album of Easy Pieces), 1967, No. 3 arr. K. Fortunatov, 30.5 cm. Muzyka, No. 4719 (in D. Shostakovich: Pieces for violin and piano), 1975, No. 3 arr. K. Fortunatov, 28.5 cm. Belwin Mills, New York, No. 4446 (Two pieces for cello and piano—with Op. 39 Adagio), c.1977, No. 3 arr. L. Atovmyan, score, 27 cm. Sovetskii kompozitor, No. 4920 (in D. Shostakovich: Selection of Children’s Piano Pieces), 1979, No. 3 arr. B. Rozengauz, 29 cm. Sovetskii kompozitor, No. 7625 (in Album for the Violinist, Volume 1), 1986. No. 3 arr. K. Fortunatov, 29 cm. Muzyka, No. 10889 (in supplement to Volume 41 of Collected Works), 1987. ‘Song of the Counterplan’ in full score, 30 cm. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, ‘Reminiscence’, and ‘Winter Garden’ in full score, 30 cm. Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, No. 3 arr. L. Atovmyan, 29 cm. DSCH Publishers, Moscow, full film score in Volume 134 of New Collected Works. Duration: Film: 101 minutes. Suite Opus 78a: 29' 52"; 34 minutes (Sadovnikov).

308

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Recordings: LP and CD—USA: Angel Melodiya SR 40181. Suite Nos. 1, 2, 4, 6, and 7. Moscow Radio Symphony Orchestra and Chorus, Maksim SHOSTAKOVICH. P 1966 ~ Germany: Melodia Eurodisc 28665 XHK. (on third of four-record film music album). I 1981. Reissued on CD—RCA Gold Seal 74321 32041-2. I Mar. 1996. CD—Unicorn Kanchana DKP 9069. Spring Waltz arr. Atovmyan. Alexander BAILLIE (cello) and Piers Lane (piano). P London 6 and 7 Aug. 1987, G Dec. 1988 ~ Unicorn Kanchana Souvenir Compact Disc UKCD 2083. I Mar. 1997. RCA Victor Red Seal RD 60226 (‘Film Music of Shostakovich, Volume 3’). Complete Suite Nos. 1–7 (chorus in No. 7 only). Belgian Radio Symphony Orchestra and Chorus, José SEREBRIER. P 1988?, I Aug. 1990, G Mar. 1991. CIS: Manchester CDMAN 129 (‘Shostakovich Theatre and Film Music’). Spring Waltz. St Petersburg Philharmonic Academic Symphony Orchestra, Vladimir ALTSHULER. P St Petersburg 1995, I 1998. Notes: For further recordings of the Spring Waltz see Ballet Suite No. 2, Sans op. P(i). Originally Gavriil Popov was commissioned to write this film score but was severely criticized and dismissed for excessive complication of the musical language and distorting Russian folksongs. Ivan Vladimirovich Michurin (1855–1935) developed over 300 new types of fruit trees and berry bushes by hybridisation. He founded a horticultural institute in Kozlov and the town was renamed Michurinsk in his honour.

Opus 79: From Jewish Folk Poetry Form: Song cycle for soprano (S), contralto (C), and tenor (T) with piano accompaniment, to traditional Yiddish and Hebrew texts (apart from No. 7 by B. Shafir), selected from a collection, compiled by I. M. Dobrushkin and A. D. Yunitsky under the editorship of Yuri Sokolov, published by Goslitizdat, Moscow, 1947: 1. 2. 3. 4. 5. 6. 7. 8. 9.

Lament for a dead infant—Moderato (S and C) The solicitous mother and aunt—Allegretto (S and C) Lullaby (‘Little son, my fairest’)—Andante (C) Before a long separation—Adagio (S and T) Warning—Allegretto (S) The abandoned father—Moderato (C and T) Song of want—Allegro (T) Winter—Adagio (T, S, and C) The good life—Allegretto (T)

OP U S 79: F ROM JEWISH FOL K POET RY

309

10. Song of the young girl—Allegretto (S) 11. Happiness—Allegretto (C, S, and T) Verses translated into Russian by T. Spendiarova (No. 1), A. Globa (Nos. 2 and 4), V. Zvyagintseva (No. 3), N. Ushakov (No. 5), S. Mar (No. 6), B.Semyonov (Nos. 7 and 8), S. Olender (Nos. 9 and 10), and L. Dligach (No. 11). Composed: 1 August–24 October 1948, at Moscow. Autograph score of the orchestral version Opus 79a dated 1 October 1948, though date usually given as 1963. Premières: 15 January 1955, Leningrad Glinka Concert Hall; Nina Dorliak (soprano), Zara Dolukhanova (mezzo-soprano), Aleksei Maslennikov (tenor), and Dmitri Shostakovich (piano). Nos. 3, 8, and 11 encored three times. Scotland: 8 Sept. 1962, Leith Town Hall; Elisabeth Söderström (soprano), Janet Baker (mezzo-soprano), Peter Pears (tenor), and Geoffrey Parsons (piano). Opus 79a: 19 February 1964, Gorky (now Nizhni Novgorod); Galina Pisarenko (soprano), Larissa Avdeyeva (mezzo-soprano), Aleksei Maslennikov (tenor), Gorky Philharmonic Orchestra, Gennadi Rozhdestvensky. USA: 23 and 24 November 1985, Theresa L. Kaufmann Concert Hall, New York; Nadia Pelle (soprano), Gretchen Greenfield (contralto), David Gordon (tenor), Y Chamber Orchestra, Maksim Shostakovich. Arrangements: Opus 79a—accompaniment orchestrated by the composer. Nos. 3 and 7 transcribed for trumpet and piano and No. 4 for trumpet duet and piano by Sergei Bolotin; Nos. 7 and 10 for trumpet and chamber orchestra by A. Senderovas. German translations of the song cycle made separately by Marianne Graefe and Alfred Kurella; English translation by Zofia Weaver. Instrumentation: of Opus 79a—2 flutes (II = piccolo), 2 oboes (II = cor anglais), 2 clarinets (B flat and A), bass clarinet, 2 bassoons, contrabassoon ~ 4 horns ~ timpani, tambourine, cymbals, bass drum, gong ~ xylophone, 2 or 3 harps ~ 1st violins (16–20), 2nd violins (14–18), violas (12–16), cellos (12–16), double-basses (10–14). Music: Autograph piano and full scores preserved at TsGALI. Opus 79—Muzgiz, No. 576, 1955, for voices and piano, 30 cm. Edition Peters, No. 4727 (plate no. 11857), 1958, for voices and piano in M. Graefe’s German translation, 27 cm. Sovetskii kompozitor, No. 2081, 1961, for voices and piano, 29 cm. Muzyka, No. 4116 (in Dmitri Shostakovich: Vocal Compositions), 1967 and 1974, 34 cm. Muzyka, Leningrad, No. 2035 (in Dmitri Shostakovich: Pieces for trumpet and piano), 1976, Nos. 3, 4 (duet), and 7 arr. S. Bolotin, 28.5 cm.

310

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, 30 cm. DSCH Publishers, Moscow, piano score in Volume 91 of New Collected Works. Opus 79a—Muzyka, No. 10113 (in Volume 31 of Collected Works), 1982, 30 cm. DSCH Publishers, Moscow, full score in Volume 89 of New Collected Works. Duration: Approx. 23 and 24 minutes in scores; 23' 00"–27' 40". Recordings: 78 rpm, LP, and CD—USSR: 25826-7 (10"). Nos. 6 and 11 only ~ 26830-1 (10"). Nos. 1 and 2 only. Reissued on LP—MK HD 03216-7 (mono). Complete cycle. Nina Dorliak (soprano), Zara Dolukhanova (mezzo-soprano), Aleksei Maslennikov (tenor), and Dmitri SHOSTAKOVICH (piano). P 16 Dec. 1956, I 1956 ~ HMV Melodiya HLM 7094 in Set RLS 721 (mono). G Oct. 1976 ~ USSR: Melodiya C10 10521-2 (in third box of Part 3 of Collected Works on Records, electronic stereo). I 1978. Reissued on CD—France: Le Chant du Monde LDC 278 1000 (mono, double-play). Sept. 1989 ~ USA: Russian Disc RDCD 15 015. I Aug. 1994 ~ Revelation RV 70007 (‘Shostakovich plays Shostakovich, Volume 6’, mono). I Sept. 1998, G Feb. 1999 ~ *USA: Eclectra ECCD 2067 (‘Shostakovich plays Shostakovich, Volume 2’, mono). [Opp. 57, 34, and 97.] I Oct. 2004. LP and CD—Germany: Eterna 825 774. Opus 79a, with German text by A. Kurella. Maria Croonen (soprano), Anneliese Burmeister (contralto), Peter Schreier (tenor), Berlin City Symphony Orchestra, Kurt SANDERLING. P SRK Berlin, 9–10 Sept. 1963, I 1968 ~ Wergo 60 023 and UK: Helidor Wergo 2549 007. G July 1970. Reissued on CD—France: Berlin Classics 009162 BC. I Nov. 2000 ~ *Eterna Collection 0032802 BC. I 2004 ~ *Berlin Classics 0148152BC (two-disc set). [Bruckner and Mahler.] G Mar. 2008. CD—USA: Bridge BCD 9048 (‘Jan DeGaetani in Concert, Volume 3’). Benita Valente (soprano), Jan DeGaetani (mezzo-soprano), Jon Humphrey (tenor), and Samuel LIPMAN (piano). P Aspen Music Festival concert summer 1980, I Aug. 1995. LP and CD—USSR: Melodiya C10 16328-30 (in two-record set ‘Yevgeni Svetlanov conducts’). Opus 79a. Raisa Bobrineva (soprano), Galina Borisova (mezzo-soprano), Aleksei Maslennikov (tenor), USSR Symphony Orchestra, Yevgeni SVETLANOV. P 1980, I 1982b ~ France: Le Chant du Monde LDX 78 808 and released on CD—LDC 278 808. I 1986. Decca 414 410-1DH2 (in two-record box set, digital). Opus 79a. Elisabeth Söderström (soprano), Ortrun Wenkel (contralto), Ryszard Karcykowski (tenor), Concertgebouw Orchestra. Bernard HAITINK. P Amsterdam 12 Dec. 1983, G May 1986. Reissued on CD—Decca 417 561-2DH. G Apr. 1987 ~ Decca Ovation 425 069-2DM. G Nov. 1993.

OP U S 79: F ROM JEWISH FOL K POET RY

311

LP—Germany: Thorofon Capella MTH 267 (DMM). Sung in M. Graefe’s German translation. Eva Csapó (soprano), Anke Eggers (contralto), Günter Binge (tenor), and Horst GOBEL (piano). P Feb. and June 1984. Cassette—B’nai B’rith BB 001. Helen Lawrence (soprano), Carole Rosen (mezzo-soprano), Louis Garb (tenor), and Antony SAUNDERS (piano). P London July 1984, G Sept. 1985. CD—USA: Jerusalem Records Stradivari Performance SCD 8005. Opus 79a Nos. 1–8 sung in Yiddish. Lily Tuneh (soprano), Mira Zahai (alto), Neil Jenkins (tenor), Jerusalem Symphony Orchestra, Yuri ARANOVICH. P Israel Festival concert 2 June 1985, I 1988. USA: Pro-Arte Fanfare CDD 411. No. 3 sung in German. Maureen FORRESTER (contralto) and John Arpin (piano). P Toronto 23 and 24 May 1988. Chandos CHAN 8800. Opus 79a. Nadia Pelle (soprano), Mary Ann Hart (mezzo-soprano), Rodney Nolan (tenor), I Musici de Montreál, Yuri TUROVSKY. P Quebec 31 May–1 June 1989, G July 1990. Reissued on CD—Chandos Enchant CHAN 7061. I July 1997 ~ Chandos Collect CHAN 6617. I July 2000, G Feb. 2001. Deutsche Grammophon 439 860-2GH.(‘The Orchestral Songs, Volume 1’). Opus 79a. Luba Orgonasova (soprano), Nathalie Stutzmann (contralto), Philip Langridge (tenor), Gothenburg Symphony Qrchestra, Neeme JÄRVI. P Gothenburg Aug. 1993, I June 1994. *USA: Delos DE 3317. (‘Complete Romances and Songs, Volume Five’). Svetlana SUMATCHOVA (soprano), Marianna Tarassova (mezzo-soprano), Konstantin Pluzhnikov (tenor), and Yuri Serov (piano). [Op. 145.] P St Catherine Lutheran Church, St Petersburg 19–20 Mar. 1995, I UK Jan. 2006. Germany: Capriccio 10 778. Op. 79a. Nina Fomina (soprano), Tamara Sinyavskaya (alto), Arkadi Mishenkin (tenor), Cologne Radio Symphony Orchestra, Mikhail YUROVSKY. P Cologne 22–27 May 1995, I and G Awards (Oct.) 1998. RCA Victor Red Seal 09026 68434-2. Opus 79a. Booklet with lyrics in Russian, English, German, and French. Marina Shaguch (soprano), Larissa Dyadkova (mezzo-soprano), Konstantin Pluzhnikov (tenor), Rotterdam Philharmonic Orchestra, Gennadi ROZHDESTVENSKY. P Rotterdam 24–31 Aug. 1995, I Nov. 1996, G Apr. 1997. *Belgium: Discover DICD 920259. Yvonne Wiedstruck (soprano), Christine Oertel (mezzo-soprano), Ilya Levinsky (tenor), and Semyon SKIGIN (piano). [Op. 91; Glinka, Mussorgsky, Rimsky-Korsakov et al.] P 1995. Chandos CHAN 9600. Opus 79a. Tatyana Sharova (soprano), Lyudmila Kuznetsova (mezzo-soprano), Aleksei Martynov (tenor), Russian State

312

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Symphony Orchestra, Valeri POLYANSKY. P Moscow Conservatory Oct. 1996, G June 1998. USA: Music Masters 01612 67189-2. Opus 79a. Marina Zhukova (soprano), Elena Svechnikova (contralto), Nikolai Kurpe (tenor), Moscow Virtuosi, Vladimir SPIVAKOV. P Dec. 1996. *Lithuania Vilnius Recording Studio VSCD 036 (‘Trumpeter on the Roof’). Nos. 10 and 7 arr. Senderovas. Timofei DOKSHITSER (trumpet), Lithuanian Chamber Orchestra, Saulyus Sondetskis. [Boch, Bruch, Lavry et al.] P 1997, I 1998. France: Le Chant du Monde Russian RUS 288 166 (‘Jewish Music from Russia’). Op. 79a complete Yiddish version; full text in Yiddish. Eva Ben-Zvi (soprano), Yelena Gubina (alto), Nikolai Kurpe (tenor), Bolshoi Theatre Orchestra, Andre CHISTYAKOV. P May 1998, I Mar. 2000. **Poland: Dux Recordings DUX 0394. Urszula Kryger (mezzo-soprano), Jadwiga Rappe (alto), Jerzy Knetig (tenor), and Tomasz HERBUT (piano). [Op. 127.] P Lutoslawski Hall, Warsaw 9–11 Feb. and 7–8 Apr. 1999, I 2003. USA: Arsis CD 120. Sung in Russian. Denise Konicek (soprano), Kamala Soparkar (contralto), Yegishe Manucharyan (tenor), and Deborah BOLING (piano). [Dvorˇ ák] P Roslindale, Massachusetts 6 and 8 July, 3 and 4 Aug. 1999, 28 Mar. and 11 Nov. 2000, I 2001. Note: Daniel Zhitomirsky states that the première arranged for 20 October 1948 was prohibited ‘from above’. (Daugava, 1990, No. 3—translated by Tatyana Norbury in DSCH Newsletter XVIII).

Opus 80: The Meeting on the Elbe Form: Music for the black-and-white film The Meeting on the Elbe, directed by Grigori Aleksandrov for Mosfilm. The score includes three orchestrallyaccompanied songs with lyrics by Yevgeni Dolmatovsky: ‘Longing for the Native Country’ in two versions (male chorus and woman’s solo with piano trio), ‘Song of Peace’—musically identical to ‘Hymn to Moscow’, Sans op. X(i), and ‘Daybreak’ for female chorus; also soldiers’ song with words by Vasili Lebedev-Kumach. The film awarded a Czecho-slovakian Peace Prize in 1949 and a Stalin Prize First Class in 1950. The film score comprises 34 numbers though Nos. 12 and 15–17 are lost. 2. Tommy’s Song—‘Things are very good with the Yankees’ 10. [Jazz piece]—Moderato non troppo 13. Longing for the Native Country—Andante 22. Moderato 23. Moderato 24. Allegretto

OP U S 80: THE MEET IN G ON T H E EL BE

313

25. Moderato con moto 28. Tommy’s Song (orchestral version)—Allegretto 34. Song of Peace (orchestral version)—Moderato con moto Instrumentation: piccolo, 2 flutes, 3 oboes, 3 clarinets (A and B flat), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, gong ~ celesta, piano ~ tenor soloist, S.A.T.B. chorus ~ strings. Composed: 1948, at Moscow. Première: Film first shown on 16 March 1949. ‘Longing for the Native Country’ sung in the film by Nadezhda Obukhova (mezzo-soprano). Arrangements: Opus 80a—Suite for orchestra and voices assembled by the composer: 1. 2. 3. 4. 5. 6. 7. 8.

Prelude Longing for the Native Country Dietrich’s departure In the American Zone In the old town Marching Song Conclusion Song of Peace

Volume 42 of Collected Works states that the Suite was orchestrated by Levon Atovmyan and consists of three items only: Nos. 1, 2, and 8 of the above list. Nos. 2 and 8, arranged for voice and piano by the composer, have enjoyed independent lives as popular songs. Both transcribed for trumpet and piano by Sergei Bolotin. German translation of texts: No. 2 by Ernst Busch and No. 8 by KuBa (Kurt Bartel). The popular song ‘Longing for the Native Country’ is also known under the titles ‘Homesickness’, ‘Nostalgia’, and ‘Song about the Motherland’. The song from the film score ‘Daybreak’ (‘Sunrise Is Near’ or ‘Dawn is Coming’) arranged for voices and piano by L. Atovmyan. Music: Autograph of the film score and songs in vocal score preserved at GTsMMK, piano score sketches in the Shostakovich Family Archive, with manuscript score and orchestral parts at NBGCOK. Muzgiz, 1949, Suite Opus 80a songs Nos. 2 and 8. Muzgiz, No. 20695 (in Songs of the Soviet Cinema), 1950, No. 8, 28.5 cm. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, Nos. 2 and 8 (the latter incorrectly given as from The Fall of Berlin, Opus 82), and ‘Daybreak’ for solo voices and piano, 29 cm. Muzichna Ukraina, Kiev, No. 42 (with two other Shostakovich songs), 1976, Nos. 2 and 8 arr. for tenor and baritone with piano accompaniment (Russian text, and also Ukrainian words by B. Chin for No. 2 and K. Drok for No. 8), 26 cm.

314

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Muzyka, Leningrad, No. 2035 (in Dmitri Shostakovich: Pieces for trumpet and piano), 1976, Nos. 2 and 8 arr. S. Bolotin, 28.5 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, three Dolmatovsky songs in vocal score (chorus and piano), 30 cm. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, Score Nos. 10, 13, 22–25, 28, and 34, 30 cm. Sovetskii kompozitor, No. 7815 (in Romances and Songs to verses of Yevgeni Dolmatovsky), Suite No. 2 arr. for tenor, baritone, and male voice choir and No. 8 for male voice choir, 1987, 29 cm. DSCH Publishers, Moscow, full score in Volume 135 of New Collected Works. Duration: Film: 110 minutes. Recordings: 78 rpm and LP—USSR: 17079-19557 (10"). Song No. 8 sung in Russian. Paul ROBESON (bass) and A. Erokhsin (piano). P 1949. Reissued on LP—USSR: MK HD 2864-5 (10" mono). I 1956 ~ USSR: Melodiya C60 24293 007 (‘Songs of Struggle and Solidarity’). I 1987b. 78 rpm—USSR: 17137-8 (10"). Songs Nos. 8 and 2. Georgi VINOGRADOV (tenor), Red Banner Ensemble, Boris Aleksandrov. P 1949. 78 rpm, LP, and CD—USSR: 019200 (12"). Songs Nos. 8 and 2. Yevgeni BELYAYEV (tenor), Red Banner Ensemble, Konstantin Vinogradov (chorus-master), Boris Aleksandrov. P 1950, I 1951 ~ *78 rpm—Czech: Supraphon 33013-M (mono). I 1952. Reissued on LP—USSR: MK HD 3506-7 (‘Songs by Soviet Composers’, 10" mono). Songs Nos. 2 and 8. I 1956 ~ USSR: Melodiya D 020515-6 (‘Dmitri Shostakovich Monograph’, mono). No. 8 only. *Reissued on CD—Czech: SU 5471-2. Songs 8 and 2. I 2003. LP—USSR: Melodiya D020517-8 (mono). Song No. 2. Nadezhda OBUKHOVA (mezzo-soprano) and unnamed piano trio. I 195l. 78 rpm and LP—East Germany: Eterna B 5031 (78 rpm). No. 8 sung in German. Ernst BUSCH, Berlin Opera Chorus. P 1953. Reissued on LP—USSR: Melodiya C60 13187-8. I 1980c. 78 rpm—USA: Eterna 30-28. No. 8 sung in German. BERLIN OPERA CHORUS. P 1954. LP and CD—East Germany: Aurora 8 15 109. Song No. 2 sung in German. Ernst BUSCH, Leipzig Radio Symphony Orchestra and Chorus, Adolf Fritz Guhl. P Leipzig June 1966. *Reissued on CD—Germany: BARBArossa Aurora EdBa 01402-2. [Opp. 33 and 80, No. 8.] I 2002. *East Germany: Aurora 8 15 161. Song No. 8 sung in German. Ernst BUSCH, Leipzig Radio Symphony and Chorus, Adolf Fritz Guhl. P Leipzig Oct 1966. Reissued on CD—Germany: BARBArossa Aurora EdBa 01402-2. [Opp. 33 and 80, No. 2.] I 2002.

SA NS OP . O: P IA NO DU ETS FOR CH IL DREN

315

LP—USSR: Melodiya C60 23927 001 (‘Songs on Ye. Dolmatovsky’s lyrics’). Song No. 2. Lyudmila ZYKINA (popular singer). I 1987a. USSR: Melodiya C10 26613 008. Song No. 8. Leningrad Electrotechnical Institute Students’ Choir, Aleksei Kutuzov (chorus-master), Aleksandr KRYLOV. P 17 May 1987, I 1989a. **CD—Russia: Northern Flowers NF/PMA 9912 (‘Unknown Vocal Cycles’). ‘Daybreak’. Mikhail LUKONIN (baritone) and Yuri Serov (piano). [Opp. 58a, 46; Sans op. R; Opp. 100, 33; Sans op. X(ii).] P St Catherine Lutheran Church, St Petersburg 23 Jan., 8 and 16 Feb. 2002, I 2003 ~ USA: Delos 3313 (‘Shostakovich Complete Songs, Volume Four—1932–68—The Unknown Shostakovich’). ‘Daybreak’ and ‘Song of Peace’. Mikhail LUKONIN (baritone) in the former and Viktoria YEVTODIEVA (soprano) in the latter. [Opp. 33, 99, 72, 128, 109; Sans op. X(i & ii).] I UK Jan. 2006. NB. ‘Song of Peace’ is not from The Fall of Berlin Opus 82 as listed. Note: Ernst Busch and the Red Banner Ensemble’s 78 rpm recordings of Songs Nos. 8 and 2 broadcast by East Germany Radio on 13 February 1991, in a programme in memory of the destruction of Dresden.

Sans op. O: Piano Duets for Children (I) MERRY MARCH Form: A piece for two pianos four hands for children, marked ‘Allegretto’. Composed: May 1949, at Moscow. Dedication: Maksim Dmitrievich Shostakovich (son). Music: Autograph score numbered Opus 81 preserved at TsGALI. Muzyka, No. 10285 (in the supplement to Volume 39 of Collected Works), 1983, 30 cm. Hans Sikorski, No. 2338, 1984, 31.5 cm. DSCH Publishers, Moscow, score in Volume 113 of New Collected Works. Duration: 1' 53"; 3 minutes (M. MacDonald). Recording: CD—France: Suoni e Colori SC 53008 (‘Hommage à Dmitri Chostakovitch, Volume 2’). Thérèse DUSSAUY and Serge POLUSMIAK (piano duo). P Espace Fazioli, Paris Oct.–Nov. 1997. **Germany: Capriccio 71 087 (Hybrid SACD, on disc two of two-disc set). Margarete BABINSKY and Holger BUSCH. [Sans opp. E and O(ii); Opp. 34, 95, and 94.] P Universität für Musik, Vienna 2002 and 2005, I July 2006. Russia: Northern Flowers NF 9941. Pyotr LAUL and Aleksandr SANDLER. [Opp. 5, 6, 22, 61, 94: Sans op. O(ii).] P St Catherine Lutheran Church, St Petersburg 13 and 15 Apr. 2006, I 2006.

316

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Japan: Jasrac R 0681077 (CDR). Tetsu MASHIKO and Masaki NISHIHARA. [Opp. 94, 96, 97, Sans op. O(ii); B. Chaikovsky and Schnittke.] P Piano Art Salon, Tsukishima, Tokyo concert 10 June 2006, I 2006. (II) TARANTELLA AND PRELUDE Form: Two pieces for two pianos four hands written for children. The first, piece is a shortened reduction of the Scherzo from The Unforgettable Year 1919, Opus 89 composed in 1951 and the second, an arrangement of the Prelude Opus 87 No. 15 by Elena Khoven. 1. Tarantella in G major—Presto 2. Prelude in D flat major—Allegretto Composed: The original version of the Prelude composed on 30 December 1950 at Moscow and the Tarantella arranged, presumably, in 1954. Première: 8 November 1954, Moscow Conservatory Malyi Hall. Music: The whereabouts of the autograph of the Tarantella is not known. Muzgiz, 1963, edited by E. Khoven, 29 cm. Hans Sikorski, c.1964, 32 cm. Muzyka, No. 5947 (in D. Shostakovich: Compositions for fortepiano, Volume 3), 1970, 29 cm. Muzyka, No. 11214 (in Volume 13 of Collected Works), 1983, Tarantella only, 30 cm. DSCH Publishers, Moscow, Tarantella and Prelude score in Volume 113 of New Collected Works. Duration: Tarantella—1' 24". Recording: *CD—USA: Arizona University Recordings AUR 3074. Tarantella. YUKI and TOMOKO MACK. [Poulenc, Dello Joio, Lecuona et al.] P Ann Arbor 15–17 Sept. 1996, I 1997. Germany: CPO 999 599-2. Tarantella. GENOVA & DIMITROV PIANO TRIO. P Hans Rosbaud Studio 4–5 May 1998, I Apr. 1999. NB. Tarantella incorrectly labelled as from Op. 97. **Germany: Capriccio 71 087 (Hybrid SACD, on second of twodisc set). Margarete BABINSKY and Holger BUSCH. [Sans opp. E and O(i); Opp. 34, 95, and 94.] P Universität für Musik, Vienna 2002 and 2005, I July 2006. Russia: Northern Flowers NF 9941. Tarantella. Pyotr LAUL and Aleksandr SANDLER. [Opp. 5, 6, 22, 61, 94; Sans op. O(i).] P St Catherine Lutheran Church, St Petersburg 13 and 15 Apr. 2006, I 2006. Japan: Jasrac R 0681077 (CDR). Prelude. Tetsu MASHIKO and Masaki NISHIHARA. [Opp. 94, 96, 97, Sans op. O(i); B. Chaikovsky and Schnittke.] P Piano Art Salon, Tsukishima, Tokyo concert 10 June 2006, I 2006.

OP U S 81: THE SONG OF T H E FOREST S

317

Opus 81: The Song of the Forests Form: Oratorio for tenor (T) and bass (B) soloists, boys’ choir of trebles and altos (boys), chorus (S.A.T.B.), and large orchestra (with 2 harps and additional brass) to the text by Yevgeni Dolmatovsky: 1. When the war was over—Andante (B and A.T.B.) 2. Clothe the homeland in forests (The call is heard throughout the land)— Allegro (S.A.T.B.) 3. Recollection of the past—Adagio (B and S.A.T.B.) attacca 4. Pioneers plant the forests—Allegretto (boys) attacca 5. Young Communists go forward—Allegro con brio (S.A.T.B.) 6. A walk into the future—Adagio (T and S.A.T.B.) 7. Glory—Allegro non troppo (T, B, boys, and S.A.T.B.) Instrumentation: 3 flutes (III = piccolo), 2 oboes, cor anglais, 3 clarinets (B flat and A), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ additional 6 trumpets and 6 trombones in No. 7 ~ timpani, triangle, side drum, cymbals ~ glockenspiel, 2 harps ~ tenor and bass soloists, boys’ choir, S.A.T.B. chorus—strings. Composed: Summer 1949 and completed on 15 August 1949, at Komarova village, Gulf of Finland. Premières: 15 November 1949, Leningrad Philharmonic Bolshoi Hall concert; Vladimir Ivanovsky (tenor), Ivan Titov (bass), Leningrad Philharmonic Orchestra and Academy Choir, Yevgeni Mravinsky. The date frequently given as 15 December 1949 as in Sadovnikov (1965), Khentova (1982), Glikman (1993) et al. USA: 4 November 1951, San Francisco; English adaptation by Leo E. Christiansen. Germany: No. 2 arr. Achim Gorenflo. 5 November 1988, Mundelfingen Festive Hall; Musikkapelle Mundelfingen, Reinhard Mäder. Arrangements: The texts were revised for the 1962 Muzgiz edition by Ye. Dolmatovsky (see Note). Reduction of No. 6 for voice and piano and No. 7 for children’s chorus and mixed choir by the composer. Piano score by Levon Atovmyan. English translations of the text by Leo E. Christiansen, Myron Morris, and Pat Bayley; and German translation by Erwin Job. Text revised by Ye. Dolmatovsky for the 1962 Muzgiz edition. No. 6 arranged as an organ solo by Isai Braudo in 1965. No. 2 transcribed for wind band by Achim Gorenflo, in 1988. Instrumentation: 3 flutes (III = piccolo), E flat and 3 B flat clarinets; 2 alto, 2 tenor, and 1 baritone saxophones ~ 3 trumpets, 3 flügel horns, 4 French horns, 2 B flat baritone and 1 bass saxhorns, 3 trombones, tuba ~ glockenspiel, timpani (2 players), cymbals, triangle.

318

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Music: A piece for two pianofortes, Merry March originally designated Opus 81. The composer’s and L. Atovmyan’s autograph scores of The Song of the Forests preserved at TsGALI, along with proof sheets marked with the composer’s corrections. Awarded a Stalin Prize First Class in 1950. Muzgiz, No. 20801, 1950 and 1960, piano reduction by L. Atovmyan, 29 cm. L. E. Christiansen, San Francisco, c.1951, lyric adaptation, text only, 22 cm. Edition Peters, No. 4607, c.1952, vocal score, German translation by Erwin Job, 30 cm. Leeds Music, 1959, vocal score, English translation, 30 cm. Muzgiz, No. 20914, 1962, full score with revised text (see Note), 34.5 cm. Muzyka, No. 11680 (in Volume 29 of Collected Works), 1983, full score, 30 cm. Muzyka, No. 11786 (in Volume 30 of Collected Works), 1983, vocal score, 30 cm. DSCH Publishers, Moscow, full score in Volume 76 and piano score in Volume 81 of New Collected Works. Duration: Approx. 33 minutes in score; 36' 20"–37' 59"; 36' 40" (Plaistow); 40 minutes (Schirmer). Recordings: 78 rpm, LP, and CD—USSR: 019191-200 (9 sides). Vitali Kilichevsky (tenor), Ivan Petrov (bass), USSR Symphony Orchestra, RSFSR Academic Russian Chorus, Moscow State Choral School Boys’ Choir, Yevgeni MRAVINSKY. P Moscow studio 12 Dec. 1949. Reissued on LP—USSR: MK D0486-7 (mono). I 1952 ~ USA: Vanguard VRS 422 (mono). I 1952 ~ France: Le Chant du Monde LDXA 8000. (mono). I 1952 and LDX 8387 (mono) ~ Japan: Victor MK 1023 (mono). I 1973. Reissued on CD—Japan: JVC Melodiya VDC 25005 (mono). I 1988 ~ Japan: BMG Melodiya BVCX 4026 (mono). I 1997. LP—Czech: Ultraphon 5149 C (mono). Soloists, Choir, and Orchestra of the BOLSHOI THEATRE. P Moscow 1954 ~ USA: Colosseum CRLP 118 (mono). NB. Names of soloists reversed. USSR: MK D2879-80 (10"). No. 4 only. Moscow State Choral School Boys’ Chorus, Aleksandr SVESHNIKOV. P 1956. USSR: Melodiya D023225-6 (mono). Revised text. Vladimir Ivanovsky (tenor), Ivan Petrov (bass); Moscow State Choral School Boys’ Choir, Yuli Ulanov (chorus-master); RSFSR Academic Russian Choir, Moscow Philharmonic Orchestra, Aleksandr YURLOV (conductor). P 1968 ~ USSR: Melodiya CM 02699-700. I 1972 ~ HMV Melodiya ASD 2875. G May 1973. Reissued on CD—USA: Russian Disc RDCD 11 048. I Oct. 1994. USSR: Melodiya C10 12415-6. Aleksei Maslennikov (tenor), Aleksandr Vedernikov (bass); Moscow State Choral School Boys’ Choir, Aleksandr

OP U S 82: THE FAL L OF BERL IN

319

Sveshnikov (chorus-master); Large Choir of Central Television and All-Union Radio, Klavdi Ptitsa (chorus-master); USSR Symphony Orchestra, Yevgeni SVETLANOV. P Moscow memorial concert 25 Sept. 1978, I 1980a. CD—Japan: Victor Musical Industries VICC 83. Aleksei Martynov (tenor), Aleksandr Vedernikov (bass), ‘Spring’ Studio Children’s Choral School, Yurlov Republican Russian Choir, Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Moscow 16–17 Aug. 1991, I 1997. Decca 436 762-2DH. Mikhail Kotlyarov (tenor), Nikita Storojev (bass); Brighton Festival Chorus, Laszlo Heltay (chorus-master); New London Children’s Choir, Ronald Corp (chorus-master); Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Oct. 1991, G Aug. 1994. Olympia OCD 585 (‘Music for Organ’). No. 6, labelled ‘The Future Promenade’, arr. for organ by I. Braudo. Mariya MAKAROVA (organ). P Moscow Conservatory Jan. 1995, I Mar. 1997. Germany: Capriccio 10 779. Text in German and English. Vladimir Kasatschuk (tenor), Stanislav Suleimanov (bass), Cologne Radio Chorus, Godfried Ritter (chorus-master), Berlin Children’s Radio Chorus, Manfred Roost (chorus-master), Cologne Radio Symphony Orchestra, Mikhail YUROVSKY. P Cologne 3–8 June 1996, I July 1999. RCA Red Seal 09026 68877-2. Sergei Kisseliev (tenor), Gennadi Bezzubenkov (baritone), Glinka College Boys’ Choir, Vladimir Begletsov (chorus-master), St Petersburg Chorus, Valeri Ouspensky (chorus-master), St Petersburg Philharmonic Orchestra, Yuri TEMIRKANOV. P St Petersburg 15 and 16 Apr. 1997, I Feb. 1999, G Sept. 1999. Note: After Nikita Khrushchev denounced Stalin at the 20th Congress of the Communist Party in 1956, Dolmatovsky revised the first, fifth, and seventh movements by removing all references to the former dictator.

Opus 82: The Fall of Berlin Form: Music for Parts 1 and 2 of the colour film The Fall of Berlin, directed by Mikhail Chiaureli for Mosfilm, scored for chorus and orchestra. Script by Chiaureli and Pyotr Pavlenko. The film awarded a Stalin Prize First Class in 1950. The film score quotes Skryabin’s Etude Op. 2, No. 1; Tchaikovsky’s song ‘Night’ Op. 60, No. 9; Mendelssohn’s ‘Wedding March’ from A Midsummer Nights Dream Op. 61; and Shostakovich’s Symphony No. 7 (John Riley). The musical material comprises 18 items here edited into 16 numbers in the order they appeared in the two parts of the film by conductor Adriano in 1996: 1. Main Title Part 1 2. Beautiful Day 3. Alyosha by the river

320

D M I T R I SHOSTA K OVIC H C A TA LO GUE

4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16.

Stalin’s Garden (‘Vocalise’) Alyosha and Natasha in the fields—Attack Hitler’s Reception (March) In the destroyed village Forward! Main Title Part 2 The roll call—Attack at night Storming of the Seelow Heights The flooding of the Metro The final battle for the Reichstag—Kostya’s death Yussuf’s death Stalin at Berlin Airport Finale: Stalin’s speech—Alyosha and Natasha reunited

Extracts from the first movement of Symphony No. 7 (figs. 39–43 and 37–41) are also included in the film score, along with Skryabin’s Etude Opus 2 No. 1, Tchaikovsky’s song ‘Night’ Opus 60 No. 9 (used twice), and Mendelssohn’s ‘Wedding March’. (See liner notes to Adriano’s recording). The following original film score numbers are not included in the Suite: 5. 8. 9. 15. 17.

‘Beautiful Day’—Allegretto Allegro Allegretto Overture to Part One—Allegro moderato—Maestoso Concentration Camp—[Con moto]—Allegro

Instrumentation: piccolo, 2 flutes, 3 oboes, 3 clarinets (B flat and A), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum ~ xylophone, celesta, 2 harps, 2 pianos (in film score ‘Storming of the Seelow Heights’) ~ S.A.T.B. chorus, two-part children’s choir ~ strings. Composed: 1949, at Moscow. Premières: Film first shown on 21 January 1950 and in Germany: 23 June 1950 (part one) and 7 July 1950 (part two). Suite Opus 82a: 10 June 1950; Moscow Radio Orchestra and Choir, Ivan Kuvykin (chorus-master), Aleksandr Gauk (conductor). Arrangements: Opus 82a—Suite for chorus and orchestra (instrumentation as the film score less 2 horns and 1 harp; and, in No. 5, the 2 pianos) assembled by Levon Atovmyan in 1949: 1. 2. 3. 4.

Prelude—Moderato non troppo—Allegro Scene at the river—Adagio Attack—Allegro molto In the garden (‘Vocalise’)—Andante

OP U S 82: THE FAL L OF BERL IN

5. 6. 7. 8.

321

Storming of the Seelow Heights—Moderato con moto—Maestoso In the destroyed village—Andante Scene in the metro—Allegro Finale—Moderato non troppo—Allegro

Lyrics of Nos. 1 (‘Glory to Stalin’) and 8 by Yevgeni Dolmatovsky; No. 4 wordless S.A.T.B. chorus. A song from the film score ‘Beautiful Day’, with lyric by Ye. Dolmatovsky, arranged for two-part children’s choir and piano by the composer. Prelude, ‘March to the Treasurer’, and Finale transcribed for military band by Ivan Petrov. Complete Suite Nos. 1–8 transcribed for wind band by Yoshihiro Kimura. The complete score of 18 items was edited into 16 numbers in the order they appeared in the two parts of the film by conductor Adriano in 1996. Music: Autograph of the film score preserved at GTsMMK, also manuscript score and orchestral parts at NBGCOK. Muzgiz, No. 20695 (in Songs of the Soviet Cinema), 1950, Suite Opus 82a No. 1, 28.5 cm. Muzgiz, 1950, song ‘Beautiful Day’. Muzgiz, No. 21760, 1952, Suite Opus 82a, full score, 34.5 cm. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, song ‘Beautiful Day’ with piano accompaniment, 29 cm. Muzyka, No. 10497 (in album We sing, play and dance, Issue 2), 1979, song ‘Beautiful Day’ arr. for voice and piano, 29 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works ), 1985, ‘Beautiful Day’ and ‘Vocalise’, 30 cm. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, five items listed under Form, 30cm. DSCH Publishers, Moscow, full film score in Volume 136 and ‘Vocalise’ in Volume 86 of New Collected Works. Duration: Film: 70 and 75 minutes (2308 and 2273 metres). Complete score: 45' 26". Suite Opus 82a: 23' 14"–30' 20"; 20 minutes (Sadovnikov). Film: The 1949 film released in America in 2007 on DVD: International Historic Films 22855 (mono). Reviewed by John Riley in DSCH Journal No. 27, 76–77. Recordings: 78 rpm—USSR: 18361-2 (10"). Finale only. USSR Radio Symphony Orchestra and Chorus, Aleksandr GAUK. P 1950. 78 rpm and LP—USSR: 19564-19335 (10"). Song ‘Beautiful Day’. Kaliningrad Children’s Choir of Moscow. A. CHMYREV (chorus-master). P 1951. Reissued on LP—USSR: MK D5062-3 (10" mono). I 1959. LP—USA: Classics Edition CEC 3009 B (mono). Suite Nos. 1, 4, 5, 6, and 8. USSR Radio Symphony Orchestra and Chorus, Aleksandr GAUK. P c.1952.

322

D M I T R I SHOSTA K OVIC H C A TA LO GUE

USSR: Melodiya C12 16719009 (‘Fanfares by Soviet Composers’). Fanfare. Bolshoi Theatre Wind Orchestra, Vladimir ANDROPOV. I 1982c. CD—RCA Victor Red Seal RD 60226 (‘Film Music of Shostakovich, Volume 3’). Complete Suite Nos. 1–8. Belgian Radio Symphony Orchestra and Chorus, José SEREBRIER. P 1988?, I Aug. 1990, G Mar. 1991. Germany: Capriccio 10 405. Complete Suite Nos. 1–8. Berlin Radio Symphony Orchestra and Chorus, Mikhail YUROVSKY. P 4–6 Mar. 1991, I Oct. 1995. NB. The choral parts are played by the orchestra in Nos. 1 and 8 though No. 4 includes the S.A.T.B. chorus as in the full score. **Marco Polo 8.223897. Complete score edited by Adriano. Moscow Capella & Youth Chorus, Sergei Krivobokov (chorus-master), ADRIANO. [Op. 89a.] P Mosfilm Studios, Moscow Mar. 2000, I Nov. 2002, G Jan. 2003 ~ Naxos 8.570238. [Op. 89a.] I Aug. 2006. Japan: Fontec FOCD 9196. Complete Suite Nos. 1–8 arr. Y. Kimura. Hiroshima Wind Band, Yoshihiro KIMURA. [Opp. 27 and 97.] P Phoenix Hall, Hiroshima 30 Nov. 2002, I 2003. Note: Suite No. 5, ‘Shturm Zeyelovskikh Vysot’, has been translated as ‘The storming of Zeyelov Heights’, ‘Attack on Zeyelovsky Heights’, and ‘Attack on Zeeloubky Height’. Seelow is 30 miles due east of Berlin and was the scene of a ferocious battle. Before dawn on 16 April 1945 General Zhukov directed batteries of searchlights to blind the Germans and to light their positions but the attack foundered in the smoke and glare. On the next day six armies, including two of tanks, failed to advance. Two inroads were made on the 18th but with no breakthrough. Stalin then ordered Zhukov to reach Berlin by the north of the Heights. A monument commemorates the battle.

Sans op. P: Collections of Light Pieces (I) BALLET SUITES NOS. 1, 2, 3, AND 4 Form: Four suites of light orchestral music assembled from Shostakovich’s ballet, stage, and film scores by the composer then prepared for publication by Levon Atovmyan in 1949 (No. 1—published 1950), 1951 (No. 2), 1952 (No. 3), and 1953 (No. 4): As published Composer’s original order and titles where different Suite No. 1: 1. 2. 3. 4.

Lyrical Waltz—Sans op. E Dance (Pizzicato)—Opus 39 Romance—Opus 39 Polka—Opus 39

1/1. Waltz in G minor 1/4. Polka Pizzicato 1/6. 1/2. Dance

S A NS OP . P : C OLLEC TIONS OF L IGH T PIECES

5. Waltz-scherzo—Opus 27 6. Galop—Opus 39

323

1/7. Petite Ballerina 1/8.

Suite No. 2: 1. 2. 3. 4. 5. 6.

Waltz—source not yet determined Adagio—Opus 39 Polka—Sans op. E Sentimental Romance—Opus 36 Spring Waltz—Opus 78 Finale (Galop)—Opus 39 —

2/1. 1/3. 2/3. — 3/1. 2/4. 2/2. Nocturne—Opus 39

Suite No. 3: 1. 2. 3. 4. 5. 6.

Waltz—Opus 37 Gavotte—Opus 37 Dance—Opus 39 Elegy—Opus 37 Waltz—Opus 39 Galop—Opus 39

3/5. Waltz in A major 3/4. 3/2. Dance in C major 3/3. Elegy (Romance) 1/5. Lyrical Waltz 3/6. Finale (Galop in F major)

The second item of the four-piece Original Suite No. 2 is the Nocturne from Opus 39 which does not appear in the Published Suites Nos. 1–3. Suite No. 4: 1. Prelude (Variations)—Andante (quasi Largo)—Opus 39 2. Waltz—Allegretto quasi Allegro—Opus 95 3. Scherzo—Allegro vivo—Opus 27 Ballet Suite No. 5: For details see The Bolt Suite Opus 27a (compiled by the composer in 1931). Instrumentation: for all four suites—3 flutes (III = piccolo), 3 oboes (III = cor anglais), E flat clarinet, 2 B flat clarinets, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals ~ xylophone, celesta, harp (in Suites Nos. 3 and 4), piano (in Suites Nos. 1 and 2) ~ strings. Composed: 1930–53. Première: UK broadcast: 16 November 1974, Suite No. 1, BBC Northern Ireland Orchestra, Proinnsias O’Duinn. Arrangements: Individual items from the suites variously transcribed—see under the original opus numbers.

324

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Ballet Russe. A selection from the Published Suites Nos. 1 and 2 by G. Schirmer, Inc.: Galop In (Suite No. 1/6), Pizzicato (No. 1/2), Petite Ballerina (No. 1/5), Serenade for Cello (No. 2/2), Playful Polka (No. 2/3), Romance for Trumpet (No. 2/4), Waltz (No. 2/1), Polka (No. 1/4), Grand Waltz (No. 1/1), and Galop (No. 2/6). Suite No. 4 arranged for military band by Frank Pappajohn. Music: The whereabouts of the autograph scores of the Suites are not known. Suite No. 1 originally published as Opus 84. Muzgiz, No. 20977, 1950, Suite No. 1, full score, 30 cm. Muzgiz, No. 21430, 1951, Suite No. 2, full score, 30 cm. Muzgiz, No. 22252, 1952, Suite No. 3, full score, 30 cm. Muzgiz, No. 23220, 1953, Suite No. 4, full score, 29.5 cm. G. Schirmer, c.1953, Ballet Russe, score and parts. Duration: Published Suites—No. 1: 11' 45"–14' 06"; 12' 45"–12' 50" (Plaistow); 20 minutes (Sadovnikov). No. 2: 17' 45"–20' 10"; 12 minutes (Sadovnikov). No. 3: 15' 18"–17' 32"; 16 minutes (Sadovnikov). No. 4: 12' 12"–12' 53"; 16 minutes (Sadovnikov). No. 5: 27' 44"–28' 59"; 27 minutes (Sadovnikov). Ballets: Dance Suite. Eight numbers (Introduction, Spring Waltz, Polka, Elegy, Gavotte, Waltz, Galop, and Coda) selected from the Ballet Suites by Aleksei Varlamov, performed at the Bolshoi Theatre, Moscow, in 1959. Ballet School or Leçon de Danse. A ballet to choreography of Asaf Messerer and music of Glazunov, Lyadov, Lyapunov, Rubenstein, and Shostakovich arranged by Aleksandr Tseitlin. First version performed on 6 May 1961 in Brussels by the Ballet of the 20th Century under the French title. Given in a revised form on 17 September 1962 at the Metropolitan Opera House, New York, by the Bolshoi Ballet. Later danced entirely to the music of Shostakovich adapted from the Ballet Suites. Ballet School revived by the Bolshoi Ballet under the title Class Concert staged in a triple bill, mid-August 2007 at the London Coliseum by Mikhail Messerer, the original choreographer’s nephew. Just for Fun. Ray Powell, Australian Ballet; Sydney, Her Majesty’s Theatre, December 1962 and UK: Birmingham, c.1966. Revival: Northern Dance Ballet, Manchester, 27 December 1975. Epode. Gerald Arpino, Joffrey Ballet; San Antonio, Texas, 25 May 1979; danced to the Adagio from Suite No. 2 with Aaron Shapinsky (cello) and conducted by Terence Kern. Switch Bitch. Trevor Wood, Festival Ballet; Coliseum, London, May 1982; based on a short story by Roald Dahl and danced to a selection of pieces from the Ballet Suites. The Overcoat. For details see under Opus 32.

S A NS OP . P : C OLLEC TIONS OF L IGH T PIECES

325

Recordings: LP and 78 rpm—USSR: MK HD 00803-4 (8" mono). Original Suite No. 1. All-Union Radio Symphony Orchestra, Aleksandr GAUK. P 1952 ~ France: Le Chant du Monde LDXA 8046 (mono). I 1952 ~ USA: Vanguard VRS 6004. Released on 78 rpm after LP issue—USSR: 27028-31 (4 sides 10"). I 1956. LP—USSR: MK D01474-5 (mono). Original Suite No. 3. Moscow Radio Symphony Orchestra, Abram STASEVICH. P 1953 ~ USA: Classics Edition CE 3012 (mono). Original Suites Nos. 1, 2, and 3. All-Union Radio Symphony Orchestra, Aleksandr GAUK (Nos. 1 and 2); Moscow Radio Symphony Orchestra, Abram STASEVICH (No. 3). USA: Columbia ML 4671 (mono). Ballet Russe—a selection from the Published Ballet Suites Nos. 1 and 2 as listed under Arrangements. Bernard Greenhouse (cello), Robert Nagel (trumpet), Columbia Symphony Orchestra, Efrem KURTZ. P c.1953 ~ France: Philips L 01 338 L (mono). Poland: Muza 2386 (7" mono). Published/Original Suite No. 3, No. 6 only. Polish Radio Symphony Orchestra, Stefan RACHÓN. P 1954. USA: Urania URLP 7146 (mono). Published Suite No. 1, labelled Op. 84. Berlin Radio Symphony Orchestra, Adolf Fritz GUHL. P 1955. LP and CD—USA: Columbia Ml 6267 (mono) and MS 6867. Published Suites No. 1, Nos. 5, 2, and 6; No. 2, Nos. 3 and 6. André KOSTELANETZ and his Orchestra. P New York 23 and 29 Nov. 1965 ~ CBS BRG 72504 (mono) and SBRG 72504. G Feb. 1967 ~ CBS Classics 61220. G May 1971. Reissued on CD—Sony Classical SBK 62642. G June 1997. LP—Netherlands: Audiophile Classics APL 101.527. Published Suites Nos. 1 and 2. Moscow Symphony Orchestra, Emin KHACHATURYAN. P 1960s?, I 2000. LP and CD—USSR: Melodiya D023999-024000 (mono) and C01427-8. Published Suites Nos. 1, 2, and 3. Viktor Elston (oboe), Ivan Pavlov (trumpet), Lev Vainrot (cello), Bolshoi Theatre Orchestra, Maksim SHOSTAKOVICH. P 1966, I 1967 ~ HMV Melodiya ASD 2781. G May 1972 ~ Italy: EMI Italiana 3C165 95546-8 (fourth side in three-record Russian Ballet set). Suite No. 1, Nos. 2–6; Suite No. 2, No. 1; and Suite No. 3, 3–6. Labelled as all from The Limpid Stream, Op. 39, though tracks 4 and 8 derive from Opp. 27 and 37 respectively. Reissued on CD—BMG Melodiya 74321 66981-2 (two-disc set). Suites Nos. 1, 2, and 3. I Dec. 1999. LP—USSR: Melodiya C10 09559-60 (‘Symphonic Miniatures’). Published Suite No. 3, Nos. 2 and 3. Central Television and All-Union Radio Symphony Orchestra, Konstantin IVANOV. P 1978, I 1978c. USSR: Melodiya C50 20749 006 (‘For Children’). Suite No. 3, No. 4 only, labelled ‘Lullaby’, arr. for piano. Rimma BOBRITSKAYA (piano). P 1983, I 1984c.

326

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—Chandos ABRD 1370 (digital) and released on CD—CHAN 8730. Suites Nos. 1, 2, and 3. Timothy Waldon (cello), John Gracie (trumpet), Scottish National Orchestra, Neeme JÄRVI. P Glasgow 22–26 Apr. 1988, I June 1988, G Sept. 1989 ~ CD—Chandos Collect Series CHAN 6512 (‘Russian Ballet Masterpieces’). Suite No. 1, Nos. 1 and 6; Suite No. 2, No. 3; and Suite No. 3, No. 3. I Oct. 1990 ~ Chandos CHAN 7000/1 (two-disc set). I Sept. 1994, G May 1995 ~ *Chandos CHAN 10088 (two-disc set). Suites Nos. 1–5. Chandos ABRD 1319 (digital) and released on CD—CHAN 8630. Suite No. 4. Scottish National Orchestra, Neeme JÄRVI. P Dundee 12 May 1988, I Dec. 1988, G Mar. 1989 ~ Chandos Compact Discs 7000/1 (two-disc set). I Sept. 1994, G May 1995. CD—Germany: Cadenza C 8812-8 (‘Russian Chamber Music’). Suite No. 2, No. 2 Adagio (wrongly labelled ‘Allegro’) arr. Atovmyan. Marek JERIE (cello) and Ivan Klánsky (piano). P Sept. 1988, I 1989. France: Le Chant du Monde Russian Season LDC 288 034 (‘Russian Miniatures for Piano’). Suite No. 3, No. 4 labelled ‘Berceuse’ arr. for piano. Rimma BOBRITSKAYA (piano). P Moscow Conservatory Feb. 1991. USA: Sonora Disc SO 22566CD (‘The Revisionist’s Tale’). Suite No. 1, No. 5 arr. for piano duo. Natalia ZUSMAN and Inna HEIFETZ. P Boston, Mass. 1994, I Nov. 1995. Australia: Tall Poppies TP 78. Suite No. 2, Nos. 2 and 5 arr. Pereira. David PEREIRA (cello) and David Bollard (piano). P Sydney June 1994. RCA Victor Red Seal 09026 68304-2. Ballet Suites Nos. 1 and 3. Frankfurt Radio Symphony Orchestra, Dmitri KITAYENKO. P Frankfurt 2–5 Jan. 1996, G Oct. 1997. USA: Pope Music PM 1015-2 (silver) and PMG 2015-2 (‘Russian Pops’, gold) . Suite No. 1, No. 6 labelled as ‘The Street’. Russian Symphony Orchestra, Mark GORENSTEIN. P Moscow Conservatory Sept. 1996. NB. From Op. 39 not Op. 27 as stated and the ballets ‘The Prayer’ and ‘The Apparition’, mentioned in the liner note, refer to Nos. 6 and 8 of The Young Lady and the Hooligan. France: Saison Russe 288149. Ballet Suite No. 1. Russian Symphony Orchestra, Mark GORENSTEIN. P Mosfilm Studios, Moscow Dec. 1996 ~ France: Le Chant du Monde Russian Season RUS 288164. Ballet Suite No. 1. I July 1999, G Nov. 1999. Germany: Obligat Classics ob.01.230. Ballet Suite No. 1. Russian Symphony Orchestra, Mark GORENSTEIN. P Munich 29 Sept. and I Oct. 1998. USA: Delos DE 3257 (‘Waltzes’—see Samplers). Suite No. 1, Nos. 1, 2, 4, 5, and 6; Suite No. 2, Nos. 1 and 5*; Suite No. 3, Nos. 1*, 3, 5, and 6; and Suite No. 4, No. 2*. Moscow Chamber Orchestra, Constantine ORBELIAN. P Moscow Conservatory 12–14 July 1999, G Dec. 1999. NB. In

S A NS OP . P : C OLLEC TIONS OF L IGH T PIECES

327

the liner note the waltzes marked* are listed under their opus numbers 78, 37, and 95 respectively. **Canada: CBC Records SMCD 5210 (‘Islamey’). Suite No. 1 labelled Op. 84. Vancouver Symphony Orchestra, Bramwell TOVEY. [Borodin, Balakirev, and Khachaturyan.] P Orpheum Theatre, Vancouver, B.C. 6–7 Nov. 2000, I 2001. Canada: CBC Records SMCD 5216 (‘The Overcoat’). Suite No. 1/1, No. 3/5, No. 1/3, No. 2/4 and /1. CBC Radio Orchestra, Mark BERNARDI. [Sans opp. E and G(ii); Opp. 35, 93, and 102.] P Orpheum Theatre, Vancouver, B.C. 20 and 21 June 2001, I Mar. 2002. USA: Klavier 11167. Suite No. 4 arr. Pappajohn. U.S. Air Force Band, Lowell GRAHAM. [Shchedrin, Stravinsky, and Prokofiev.] P Morgan State University Concert Hall, Baltimore 21–27 Jan. 2002, I 2008. Naxos 8.557208. Suite Nos. 1, 2, 3, and 4. Dmitri Yablonsky (cello No. 2/2), Oleg Tokather (trumpet No. 2/4), Russian Philharmonic Orchestra, Dmitri YABLONSKY. P Moscow Radio Studio 26 May–1 June 2003, I Sept. 2004. Japan: Warner Classics WPCS 12031. Suite No. 3. Kanazawa Orchestra, Dmitri KITAYENKO. [Tchaikovsky.] P Ishikawa Ongakudo Concert Hall concert 16 May 2006. (II) FOUR WALTZES Form: Four light pieces arranged and transcribed by Levon Atovmyan for flute/ piccolo, B flat clarinet, and piano: 1. Spring Waltz—Allegretto—for clarinet and piano From Michurin, Opus 78a No. 3. 2. Waltz-scherzo—Allegretto scherzando—for flute and piano From The Bolt, Opus 27. 3. Waltz—Tempo di valse—for flute, clarinet, and piano From The Return of Maxim, Opus 45 (also Opus 50a No. 4). 4. Barrel Organ Waltz—Allegretto—for piccolo, clarinet, and piano From The Gadfly, Opus 97a No. 5. [The English title ‘Waltz Charmaine’ is an erroneous translation of ‘Sharmanka’—the Russian word for barrel organ.] Music: Sovetskii kompozitor, No. 536, 1958, 29 cm. Musica Rara, No. 1093, 1966, parts, 30 cm. Hans Sikorski, No. 2333, 1983, parts, 31.5 cm. Duration: 9' 14"–9' 37"; 9' 30"–9' 35" (Plaistow). Recordings: LP and CD—Germany: ECM New Series 1-25037 (two-record set). Nos. 1 and 2. Eduard BRUNNER (clarinet), Irene Grafenhaver (flute), and

328

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Oleg Maizenberg (piano). P Lockenhaus Festival concert 1981. Reissued on CD—Germany: ECM New Series 827 024-2 (two-disc set). CD—Chandos CHAN 8769 (‘Solo’—Young British Virtuoso Musicians from the Thames TV series). No. 1 only. Duncan PRESCOTT (clarinet) and Scott Mitchell (piano). P Clandon Park, Surrey Mar. 1988. France: Adda 581185. Nos. 1, 2, and 3. Loïc POULAIN (flute), Philippe CUPER (clarinet), and Jacques DELANNOY (piano). (‘Russian Music for the Clarinet’). P Paris 1988–89, I 1990. Switzerland: Tudor 727. Nos. 1–4. Andràs ADORJÀN (flute and piccolo), Eduard BRUNNER (clarinet), and Robert LEVIN (piano). P Munich 20 Feb. 1989, I 1990. Virgin Classics VC7 59312-2. Nos. 1–4. NASH ENSEMBLE (Phillipa Davies—flute and piccolo, Michael Collins—clarinet, and Ian Brown— piano). P London Nov. 1990, I Aug. 1993. **EMI 557948-2 (‘French Connection’). Nos. 3 and 4. Emmanuel PAHUD (flute), Paul Meyer (clarinet), and Eric Le Sage (piano). [Emmanuel, Jolivet, Milhaud et al.] P Opéra de Vichy, France 9 and 10 Oct. 2001, G June 2005. (III) VIOLIN DUETS Form: Seven light violin duets with piano accompaniment arranged in 1961 from film, stage, and ballet scores by Levon Atovmyan: 1. Prelude—[Molto] moderato From The Gadfly, Opus 97 No. 15 ‘Guitars’. [NB. Opus 97a No. 7 is score No. 5 ‘Confession’ passacaglia combined with No. 15 ‘Guitars’.] 2. Gavotte—Tranquillo, molto leggerio From The Human Comedy, Opus 37 No. 18. Ballet Suite No. 3/2. 3. Elegy—Andantino From The Human Comedy, Opus 37 ‘Panorama of Paris’ with no full score number. Ballet Suite No. 3/4. [NB. Not from The Limpid Stream, Opus 39 as stated on the Sikorski score of Five pieces.] 4. Waltz—Tempo di Valse. Moderato ‘Waltz of Remembrance’. No. 5 in Edition Sikorski 2201 Roundabout of Dances. [NB. Not from The Tale of the Priest, Opus 36 as stated on score of Five Pieces.] 5. Polka—Vivace From The Limpid Stream, Opus 39 No. 12, ‘Dance of the Milkmaid and the Tractor Driver’. Ballet Suite 1/4. 6. Spanish Dance or Tarantella—Presto From The Gadfly, Opus 97 No. 16, ‘At the Market Place’. [Titled ‘People’s Holiday’ or ‘Folk Festival’ in Suite Opus 97a No. 3.]

S A NS OP . P : C OLLEC TIONS OF L IGH T PIECES

329

7. Waltz—Tempo di valse From The Return of Maxim, Opus 45 (also Opus 50a No. 4). Arrangements: Nos. 1–5 assembled in a suite of Five Pieces. Nos. 1, 2, and 7 selected from L. Atovmyan’s arrangements by Konstantin Fortunatov in a suite of Three Violin Duets. Nos. 1 and 6 from The Gadfly, Opus 97 coupled by the arranger. Music: Sovetskii kompozitor, No. 2557, Nos. 1 and 6 (in Musical School Pieces for Young Violinists, Volume 3 compiled by K. Fortunatov), 1961, 28.5 cm. MCA, New York, Five Pieces Nos 1–5 edited by Wesley Sontag, c.1965, score and two parts, 31 cm. Edition Sikorski, No. 2216, Five Pieces Nos. 1–5, 1970, 31 cm. Sovetskii kompozitor, No. 4179 (in D. Shostakovich: Pieces for violin and piano), 1975, 28.5 cm. Kalmus, Melville, New York, No. 4639, Three Violin Duets Nos. 1, 2, and 7, 1970s, score and two parts, 30 cm. Duration: Five Pieces, 9' 28"–10' 59"; Three Violin Duets, 6' 35"–7'20". Recordings: LP and CD—HMV ASD 3861. Three Violin Duets labelled ‘Praeludium’, ‘Gavotte’, and ‘Waltzes’. Itzhak PERLMAN and Pinchas ZUKERMAN (violins) and Samuel Sanders (piano). P New York 1–2 June 1978, G July 1980. American Grammy Award 1980—winner of Chamber Music category. Reissued on CD—EMI Matrix CDM5 65994-2. I Sept. 1996. CD—Belgium: Arcobaleno/Start Classics AAOC 93262. Three Violin Duets. André and Yaga SIWY (violins) and Daniel Blümenthal (piano). P Brussels 18–19 May 1992, I Dec. 1994. Austria: ORE CD 205. Three Violin Duets. Martha and Vahid KHADEMMISSAGH (violins) and Meinhard Prinz (piano). P Vienna Sept.–Oct. 1998, I 1999. Black Box BBM 1042. Five Pieces in the order Nos. 1, 2, 5, 4, and 3; plus No. 6. AMIR and Marat BISENGALIEV (violin duo) and John Lenehan (piano). P Potton Hall, Suffolk 29 Feb. 2000, I Nov. 2000. **Netherlands: Challenge Classics CC 72093. Five Pieces Nos. 1–5. Andrew HAVERON and Ian BELTON (violins) and Christian Blackshaw (piano). [Opp. 11 and 57; Sans op. D(i).] P Snape, Aldeburgh 5–7 Mar. 2001, G May 2002. Onyx ONYX 4026. Five Pieces 1–5. Julian RACHLIN and Janine JANSEN (violins) and Itamar Golan (piano). [Opp. 8 and 57.] P Musikverein, Vienna 11 Dec. 2006, I Nov. 2007, G Jan. 2008. (IV) ALBUM OF CELLO AND PIANO PIECES Form: Eleven light pieces arranged for cello with piano accompaniment by Yuozas Chelkaushaus, compiled for children’s musical schools:

330

D M I T R I SHOSTA K OVIC H C A TA LO GUE

1. Clockwork Doll—Allegretto From A Child’s Exercise Book, Opus 69 No. 6 arr. Roman Sapozhnikov and Georgi Kirkov 2. Hurdy-gurdy—Allegro ma non troppo From Dances of the Dolls, Sans op. S(i) No. 6 arr. Levon Atovmyan 3. Sad Song—Moderato From Moscow, Cheryomushki, Opus 105 ‘Lyuska’s Song of Yearning’ arr. S. Kalyanov 4. Lullaby—Andante From Victorious Spring, Opus 72 No. 2 arr. S. Kalyanov 5. Romance—Moderato From The Gadfly, Opus 97 score No. 3 arr. Yu. Chelkauskas 6. Sarabande—Moderato From The Human Comedy, Opus 37 Nos. 7/27 arr. Yu. Chelkauskas 7. Jig—Presto From Hamlet, Opus 58a arr. Yu. Chelkaushaus 8. Nocturne—Moderato From The Gadfly, Opus 97a No. 10 arr. L. Atovmyan 9. Spring Waltz—Allegretto scherzando From Michurin, Opus 78a No. 3 arr. L. Atovmyan 10. Adagio From The Limpid Stream, Opus 39a No. 4 11. Moderato Shostakovich’s original composition, Sans op. D(vi) Music: Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, album of eleven pieces compiled by R. Sapozhnikov, 29 cm. Recording: **Hyperion CDA 67534. Nos. 1–4, 9, 8, 11, and 7. Alban GERHARDT (cello) and Steven Osborne (piano). [Op. 40; and Schnittke.] P Wigmore Hall concert 26–28 Aug. 2005, I May 2006. (V) CONCERT SUITE OF WALTZES FROM FILM MUSIC Form: Waltzes from the film scores of Opp.45, 30, 78, 76, 97, 99, 95 and the stage production Op.37* in Shostakovich’s original orchestration. Music: Sovetskii kompozitor, No. 928, (Dmitri Shostakovich: Waltzes from Film Music), 1959, full score edited by Levon Atovmyan, 29 cm. DSCH Publishers, Moscow; the full score of the eight waltzes will be published in the same order as in the composer’s lifetime, i.e. as above, in Volume 34 of New Collected Works. Duration: 27' 22" (Delos)–28' 10" (D-G). Recording: **Deutsche Grammophon 477 6111GH. Complete Suite in the same order as under Form. Russian Philharmonic Orchestra, Thomas

OP U S 83: QU A RTET NO. 4 IN D MAJ OR

331

SANDERLING.

[Opp. 146, 109, 121, and 123.] P Kultura Russian State TV & Radio Studio, Moscow May 2005, I June 2006. Notes: *This waltz is the odd one out being from a stage production (The Human Comedy). In July 1999 Constantine Orbelian featured these eight waltzes on Delos DE 3257 though they were not presented together as the Concert Suite and dispersed in a differing order amongst the 21 tracks.

Opus 83: Quartet No. 4 in D major Form: String quartet in four movements: 1. 2. 3. 4.

Allegretto Andantino Allegretto attacca Allegretto

Composed: April–27 December 1949, mainly at Moscow. First three movements completed on 4 May, 1 June, and 28 August; fourth movement commenced at Sochi in November. Dedication: In memory of Pyotr Vladimirovich Vilyams (designer). [Not noted on the published score.] Premières: 3 December 1953, Moscow Conservatory Malyi Hall; Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). Opus 83a: 20 July 1990, BBC Radio 3; BBC Welsh Symphony Orchestra, Rudolf Barshai. 10 January 1991, Free Trade Hall, Manchester; Hallé Orchestra, R. Barshai. (Broadcast on BBC Radio 3, 26 June 1992). Arrangements: Arranged for two pianos four hands by the composer and Anatoli Dmitriev. Andantino transcribed for violin and piano by Dmitri Tsyganov. Quartet arranged for strings and piano by Mikhail Turich and string orchestra with added bass part by Marijn van Prooij. Opus 83a—Chamber Symphony: for small orchestra by Rudolf Barshai in 1990. Instrumentation: flute, oboe, cor anglais, clarinet (B flat and bass), bassoon ~ 2 horns, trumpet (C and B flat) ~ side drum/whip/ gong ~ xylophone/ marimba/celesta ~ strings. Music: Autographs of score preserved at GTsMMK; instrumental parts and the composer’s arrangement for two pianos at TsGALI. Muzgiz, No. 24262, 1954, score, 20 cm. Musica Rara, No. 1035, 1961, score, 18.5 cm. Musica Rara, No. 1035a, 1961, parts, 31 cm. Muzgiz, No. 30662, 1963, parts, 29 cm.

332

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Muzyka, Leningrad, No. 285 (in Volume 1 with Quartets 1–3 arr. for piano four hands by A. Dmitriev), 1965, 29.5 cm. Edition Eulenberg, No. 388, 1970, score, 19 cm. Edition Peters, No. 5754, 1973, parts, 30 cm. Edition Peters, No. 12903, 1977, parts, 29 cm. Kalmus, Melville, New York, No. 9682, 1970s, parts. Muzyka, No. 9816 (in Volume 35 of Collected Works Quartets 1–8), 1979, 30 cm. Hans Sikorski, No. 2265 (with Opp. 49, 68, and 73), 1980, score, 21 cm. Hans Sikorski, No. 2244, 1981, parts, 31.5 cm. DSCH Publishers, Moscow, 1995, full score and parts of R. Barshai’s instrumentation available for hire. DSCH Publishers, Moscow, score in Volume 101 and the composer’s piano reduction in Volume 105 of New Collected Works. Duration: Approx. 22 minutes in score; 20' 46"–26' 25"; 26' 30" (Plaistow). Opus 83a—26' 31"–26'58". Recordings: LP—USSR: MK D2291-2 (10" mono). TCHAIKOVSKY QUARTET (Yulian Sitkovetsky, Anton Sharoyev, Rudolf Barshai, Yakov Slobodkin). P 1954 ~ USA: Vanguard VRS 6021 (mono). I 1955 ~ USSR: MK D028031-2 (mono). I 1970. Czech: Supraphon SUA10188 (mono) and SUA ST 50045. JANÁCˇEK QUARTET (Jirˇí Travnicek, Adolf Sykora, Jirˇí Kratochvíl, Karel Krafka). P1960 ~ USA: Artia ALP 188 (mono) and ALPS 188. I 1961, G Mar. 1962. LP and CD—USSR: MK D09615-7 and D09799 (1 side in two-record set, mono). BEETHOVEN QUARTET (personnel as at première). P 1962, G July 1966. Reissued on CD—USA: Consonance Blue Label 81.3005 (‘Complete Quartets, Volume 1’, mono). I May 1995. LP—USA: Mercury MG 50309 (mono) and SR 90309. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P Moscow Conservatory Bolshoi Hall, Moscow 17 June 1962 ~ USSR: Melodiya D019271-2 (mono) and C01435-6. I 1967 ~ HMV Melodiya HQS 1321 in Set SLS 879. G June 1974. Leningrad Masters LM 1325. TANEYEV QUARTET (personnel not stated). P concert 1963, G Sept. 1996. USSR: Melodiya D17635-6 (10" mono). Andantino arr. D. Tsyganov. Viktor DANCHENKO (violin) and Mikhail Muntyan (piano). P 1966. USSR: Melodiya D026389-90 (mono). Andantino arr. D. Tsyganov. Vladimir MALININ (violin) and M. Stern (piano). P 1969. USSR: Melodiya D027229-30 (mono). LITHUANIAN STATE QUARTET (Eugeniyus Paulauskas, Korneliya Kalinauskayte, Yuri Fledzhinskas, R. Kulikauskas). P1970.

OP U S 83: QU A RTET NO. 4 IN D MAJ OR

333

Sweden: Caprice RIKS LP 24. SAULESCO QUARTET (Mircea Saulesco, Claes Nilsson, Holger Hanson, Åke Olofsson). P Stockholm 26–27 May 1971, G Dec. 1974. LP and CD—USSR: Melodiya CM 03707-8. TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P Leningrad Nov. 1971, I 1973 ~ USSR: Melodiya C10 11613-4 (in first box of Part 2 of Collected Works on Records). I 1980. Reissued on CD—USSR: Melodiya SUCD11 00308. I 1991c. ~ France: Praga PR 245 054. P given as Czech Radio 1976, I July 1994. Saydisc Amon Ra SAR1. DARTINGTON QUARTET (Colin Sauer, Malcolm Latchem, Keith Lovell, Michael Evans). P1973, G May 1973. Reissued on CD—*Amon Ra CD SAR 1. [Op. 117.] I Jan. 2007. L’Oiseau-Lyre DSLO 23. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P Sept. 1976, G Nov. 1977. Gramophone Record Awards 1977—winner of Chamber Music category, G Mar. 1978 ~ Decca 188 D3 in Set D188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on second of six-disc set). I Apr. 1992, G June 1992. USSR: Melodiya C10 28377 008. SHOSTAKOVICH QUARTET (Andrei Shishlov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1981, I 1990a. Reissued on CD—Olympia OCD 531 (‘Complete Quartets, Volume 1’). I Apr. 1994, G Sept. 1994. USSR: Melodiya CI0 19535 003. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1982, I 1984a ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49268-2. I Nov. 1987, G Sept. 1988 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet).] I Mar. 1994. Academy Sound and Vision DCA 631 (DMM) and released on CD—CD DCA 631. COULL QUARTET (Roger Coull, Philip Gallaway, David Curtis, John Todd). P London Mar. 1988, I and G Apr. 1989. CD—Teldec Classics 2292 46009-2. BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, G June 1990 ~ Teldec 9031 71702-2 (on second of six-disc set). I Nov. 1990, G June 1992. USA: ESS.A.Y. CD 1008. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Jersey City15–18 Jan. 1990 ~ Koch Schwann Musica Mundi 310 129. (‘Complete Quartets, Volume 2’). I Aug. 1991. Deutsche Grammophon 435 386-2GH. Chamber Symphony Op. 83a arr. Barshai. Chamber Orchestra of Europe, Rudolf BARSHAI. P Berlin Feb. 1991, G Aug. 1992 ~ *Deutsch Grammophon 477 5442 (two-disc set). [Opp. 110a, 118a, 73a; Schnittke.] G Dec. 2005.

334

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Lydian 18133 (also Donau DCD 8133). MOYZES QUARTET (Stanislav Mucha, František Török, Alexander Lakatoš, Ján Slávik). P Bratislava 22–25 Jan. 1992, I 1994. Naxos 8.550972 (‘Complete Quartets, Volume 1’). ÈDER QUARTET (György Selmeczi, Pèter Szüts, Sandor Papp, György Éder). P Budapest 1–4 Dec. 1993, I July 1994. Deutsche Grammophon 445 864-2CH. HAGEN QUARTET (Lukas Hagen, Rainer Schmidt, Veronika and Clemens Hagen). P Polling Dec. 1993, G Sept. 1995. Sony Classical St Petersburg Classics SK 64584. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Andrei Dogadin, Leonid Shukayev). P St Petersburg Apr. 1994. Finland: Finlandia 4509 98997-2. SIBELIUS ACADEMY QUARTET (Eikki Kantola, Seppo Tukiainen, Veikko Kosonen, Arto Noras). P Järvenpää May 1994, I May 1996. Germany: Beaux BEAU 2022. Arr. for strings and piano. Novosibirsk Chamber Orchestra, Mikhail TURICH. P 1995, I Sept. 2001. Carlton Classics 30366 0062-2. KREUTZER QUARTET (Peter Sheppard, Gordon MacKay, Bridget Carey, Neil Hyde). P Loughton Jan. 1996, I July 1997, G Awards (Nov.) 1997. Netherlands: Globe GLO 5157-0265 (‘Complete Quartets, Volume 1’). RUBIO QUARTET (Dirk Van de Velde, Dirk Van den Hauwe, Marc Sonnaert, Peter Devos). P Utrecht Aug. 1996, I Nov. 1996. Linn CKD 065. SCHIDLOF QUARTET (Ofer Falk, Rafael Todes, Graham Oppenheimer, Oleg Kogan). P Horsham 3–5 Oct. 1996, I May 1997, G Oct. 1997. USA: Arabesque Z 6711. Chamber Symphony. Israel Sinfonietta, Uri MAYER. P Meneham July 1997. France: Arion ARN 68461 (‘Complete Quartets, Volume 1’). DEBUSSY QUARTET (Christophe Collette. Dominique Lonca, Vincent Deprecq, Yannick Callier). P Lyon July 1998, I July 1999. Chandos CHAN 9769 (‘Complete Quartets, Volume 2’). SORREL QUARTET (Gina McCormack, Catherine Yates, Vicci Wardman, Helen Thatcher). P Westleton, Suffolk 29 Sept.–l Oct. 1998, I Jan. 2000. Hyperion CDA 67154. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Konstantin Kats, Leonid Shukayev). P St Petersburg Apr. 1999, G Mar. 2000. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 2’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert June–July 1999, G June 2000.

O PUS 8 4 : T WO ROM A NC ES ON VERSE S OF L ERMON T OV

335

**Sweden: BIS-CD 1180. Chamber Symphony Op. 83a arr. Barshai. Tapiola Sinfonietta, Jean-Jacques KANTOROW. [Op. 73a.] P Tapiola Concert Hall, Finland 2–5 May 2001. Belgium: Fuga Libera 512 (‘Complete Quartets—Volume 4’ five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Daniel). [Opp. 122 and 117.] P Bayerische Rundfunk, Munich 8–11 Oct. 2001, I 2005. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 4’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 101 and 118.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Germany: Capriccio 67 082. PETERSEN QUARTET (Conrad Muck, Daniel Bell, Friedemann Weigle, Henry-David Varema). [Opp. 49 and 57.] P Bayerische Rundfunk, Munich 20–23 Oct. 2003. Harmonia Mundi HM 901865. JERUSALEM QUARTET (Aleksandr Pavlovsky, Sergei Bresler, Amichai Groz, Kyril Zlotnikov). [Opp. 49 and 117.] P Teldex Studio, Berlin 15–18 July 2004, I 2005. Germany: Audite AUD 92.526 (Hybrid SACD). MANDELRING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 49 and 68.] P ‘in a very small chapel’, Klingenmünster village, Germany 28 June–1 July 2005. Oehms Classics OC562 (‘Complete Quartets’—on second of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 92 and 101.] P Musikstudio Saarländischen Rundfunk, Saarbrückek June-Dec. 2005, I July 2006. Netherlands: Brilliant Classics 8212/1 (‘Chamber Symphonies 1–5’, on first of two-record set). Op. 83a. Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Rudolf BARSHAI. [Op. 73a.] P Auditorium Verdi di Milano concert between spring and 17 Dec. 2005, I 2006. Netherlands: Channel Classics CCS-SA 26007 (Hybrid SACD). Arr. Prooij. Amsterdam Sinfonietta, Candida THOMPSON. [Op. 68.] P Muziekgebouw aan ‘tlJ, Netherlands Aug. 2006, I Jan. 2008.

Opus 84: Two Romances on Verses of Lermontov Form: Two song settings on verses of Mikhail Lermontov, for male voice and piano: 1. Ballad (‘A beautiful maiden sits by the sea’)—Moderato 2. Morning in the Caucasus—Moderato con moto Composed: 24 (Muzyka score gives 25–26) June 1950, at Komarovo village, Gulf of Finland.

336

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Première: 2 October 1984, Duisberg, Germany, International Shostakovich Festival radio concert; Irina Bogacheva (mezzo-soprano) and Igor Lebedev (piano). Music: Autograph score preserved at TsGALI. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, 30 cm. DSCH Publishers, Moscow, score in Volume 92 of New Collected Works. Duration: (1) 5' 22" – 5' 47" and (2) 2' 46" – 3' 09". Recording: **USA: Delos DE 3304 (‘Shostakovich Complete Songs, Volume 1’). Order of songs reversed. Natiliya BIRYUKOVA (mezzo-soprano) and Yuri Serov (piano). [Opp. 86, 91; Sans op. R; Opp. 98 and 100.] P St Petersburg May 2001, I Sept. 2002, G Awards (Oct.) 2002. Note: Sadovnikov and other catalogues state that this work is for male voice though the world première was performed by a mezzo-soprano. The Collected Works Volume 32 mentions simply ‘for voice and piano’.

Opus 85: Belinsky Form: Music for the biographical film Belinsky, based on the life of the literary critic Vissarion Belinsky, with screenplay by Yuri German and Galina Serebrovskaya, and directed by Grigori Kozintsev for Lenfilm. The fabric of the film score, for orchestra and chorus, makes use of Fyodosi Rubtsov’s collection of Russian folksongs of the mid-nineteenth century. The film opens with a pedlar singing such a song, ‘In the Blue Sea’, and others are No. 6—‘If young lady-mistresses...’, No. 11—‘Girl’s Song’ (or ‘My Talk’) and No. 13 ‘Oh, Little Rowan-tree’ (included in the Suite Opus 85a), and after No. 18—‘Ah! My Love is not alone in the field’. 1. Moderato. Pesante 1a. Adagio 2. Moderato non troppo 3. Moderato 4. Moderato 5. — 5a. Moderato con moto 6. ‘If young lady-mistresses...’—Allegretto 7. Moderato 8. ‘The Strength of the People’ (lyric by Victor Nekrasov)—Allegro molto 9. Allegro molto 10. Moderato non troppo 11. ‘Girl’s Song’ (‘Arbor, oh my modest bower’)—words traditional—Moderato 12. Moderato

OPUS 85: BEL IN SKY

337

13. ‘Oh Little Rowan-tree’—words traditional—[no tempo indication] 14. Allegro 15. Andante 16. Moderato 17. Allegretto 18. General Strike—Andante maesto Sans No. ‘Ah! My Love is not alone in the field’—[no tempo indication] Instrumentation: As for the Suite plus a guitar. Nos. 2, 3, 7 and 8 scored for S.A.T.B. chorus (wordless in 7 and 8) and orchestra; No. 6 for tenor solo, male choir, and orchestra; Nos. 4 and 12 for string orchestra; No. 11 for women’s choir and orchestra; Nos. 15 and 16 for strings, woodwind and brass; No. 13 and Sans No. for male choir. No. 18 utilizes the music of No. 8 ‘Strength of the People’ without the chorus. Composed: 1950. Première: Film first shown on 4 June 1953. Film score performed by the Choir and Orchestra of the Leningrad Radio Committee under Nikolai Rabinovich. Danilevich (1980) states that the film was not released. Arrangements: Opus 85a—Suite assembled by Levon Atovmyan in 1960: 1. Overture—Allegro 2. Sorrowful Ditty (‘Girl’s Song’—words traditional—combined with ‘Oh, Little Rowan-tree’—words traditional)—Adagio 3. The Strength of the People (lyric by Viktor Nekrasov)—Allegro molto 4. Interlude—Moderato, Pesante attacca 5. Song without words (‘Vocalise’)—Moderato 6. Scene—Moderato con moto attacca 7. Finale—Allegro molto No. 2 for female chorus, clarinet obbligato, and orchestral interludes, in simplified reduction by Aleksandr Pirumov. No. 3 arranged for male chorus and piano by the composer. ‘Oh, Little Rowan-tree’ reconstructed from the autograph choral parts, as a separate song for unaccompanied male chorus, by Boris Tiles. Instrumentation: Suite Opus 85a—piccolo, 2 flutes, 3 oboes, 3 B flat clarinets, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone, orchestral bells, harp ~ S.A.T.B. chorus ~ strings. Music: Manuscript of the film score and musical numbers preserved at NBGCOK and autograph vocal score of the song ‘The Strength of the People’ at GTsMMK. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, ‘Girl’s Song’ combined with ‘Oh, Little Rowan-tree’, and Nos. 3 and 5 of the Suite, with piano accompaniment, 29 cm.

338

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Sovetskii kompozitor, No. 1512, 1960, Suite Opus 85a full score, 29 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, four choruses—‘The Strength of the People’, ‘My Talk’, ‘Oh, Little Rowan-tree’, and ‘Vocalise’—with piano accompaniment, 30 cm. DSCH Publishers, Moscow, full film score in Volume 137 and ‘Oh, Little Rowan-tree’ in Volume 86 of New Collected Works. Duration: Film: 96 minutes; Suite: 32' 10". Recording: CD—USA: Citadel CTD 88135. Suite Op. 85a. Belarus Radio and TV Symphony Orchestra and State Chorus, Walter MNATSAKANOV. P Moscow 7 Apr. 1997, I 1999. Note: Vissarion Grigorievich Belinsky (1811–48) was a Russian literary critic and journalist, famous for his analyses of the works of Dostoyevsky, Gogol, Lermontov, and Pushkin.

Opus 86: Four Songs to Verses of Dolmatovsky Form: Four popular songs for voice and wordless chorus a cappella (No. 1) and piano (Nos. 2, 3, and 4), to lyrics of Yevgeni Dolmatovsky: 1. The Homeland Hears (alternatively ‘The Motherland Hears’ or ‘My Country Hearkens’)—Allegretto poco moderato [Solemnly in arrangement] 2. Rescue me—Moderato 3. He loves me, he loves me not (or ‘We have many girls in the city’)—Allegretto 4. Sleep, my darling boy (Lullaby)—Moderato Composed: 1950–51, at Moscow. Space première: 12 April 1961, ‘The Homeland Hears’ sung by Yuri Gagarin in orbit of the earth—the first song to be sung in space. [Following Gagarin’s example, astronaut Buzz Aldrin reported that a tape recording of ‘Fly Me to the Moon’, sung by Frank Sinatra, was played on the Moon’s Sea of Tranquility on 20 July 1969.] Arrangements: No. 1 arranged for voice and piano by the composer; also for choir; and the theme used as the signature tune for the USSR Radio news broadcasts. Music: Autographs of Nos. 1, 3, and 4 preserved at GTsMMK. No. 2 is missing and No. 4 appears in two versions with differing words and key signatures (E minor and E major). The autograph of the voice and piano arrangement of No. 1 is in the Shostakovich Family Archive. A handwritten copy of No. 2 is stored at TsGALI.

O PUS 8 6 : F OU R SONG S TO V ERSES OF DOL MAT OVSKY

339

Muzgiz, 1951, Nos. 1, 3, and 4. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, Nos. 1, 2, and 4, 29 cm. Edition Peters, No. 4733, 1958, ‘Wiegenlied’ No. 4 only, German text by B. Tutenberg, 27 cm. Muzichna Ukraina, No. 42, 1976, No. 1 for tenor and S.A.T.B. chorus (Russian text and also Ukrainian lyric by K. Drok), 26 cm. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, Nos. 1–4 for voice and piano (No. 4 in E major), 30 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, No. 1 for voice and chorus a cappella, 30 cm. Sovetskii kompozitor, No. 7815 (in Romances and Songs to verses of Yevgeni Dolmatovsky), 1987, No. 1 melody and three verses, 29 cm. DSCH Publishers, Moscow, score of Nos. 1–4 in Volume 93 of New Collected Works. Duration: 9' 22"–9' 33"; No. 1: 2' 30"–3' 52". Recordings: 78 rpm—USSR: 19120 (10"). No. 1 only. Nina POSTAVNICHEVA and chorus. P 1951. 78 rpm and LP—USSR: 21348-21717 (10"). No. 1 only. Zhenya TALANOV and RSFSR Academic Russian Choir. P 1952. Reissued on LP—USSR MK D5062-3 (10" mono). I 1959 ~ USSR: Melodiya CM 03397-400 (‘Moscow Souvenir’, second record of double album). I 1973. 78 rpm—USSR: 34339-40 (10"). No. 1 only. Lithuanian State Choir, Konradas KAVYATSKAS (chorus-master). P 1960. LP—Chapter One CHS 810. No. 3 only. Anya HOLDEN, Alexeyev Balalaika Ensemble, Karl Holden. G June 1972. USSR: C50 16401000 (‘Awake Happy People!’). No. 1 only. Moscow State Choral School Boys’ Choir, Viktor POPOV. I 1982b. CD—Belgium: Rene Gailly CD92 041 (‘Complete Songs, Volume 1’). Nos. 1–4. Viktoria YEVTODIEVA (soprano) and Yuri Serov (piano). P St Petersburg 23 Mar.–4 May 1998. **USA: Delos DE 3304 (‘Shostakovich Complete Songs, Volume One’). V. YEVTODIEVA and Y. Serov (piano). [Opp. 84, 91; Sans op. R; Opp. 98, and 100.] P St Petersburg May 2001, I Sept. 2002, G Awards (Oct.) 2002. NB. Incorrectly stated to be a world première recording. USA: Delos DE 3339 (‘Moscow Nights’). No. 1 only arr. Yevgeni Stetsyuk. Dmitri HVOROSTOVSKY (baritone), Style of Five (Russian folk ensemble), Moscow Chamber Orchestra, Constantine Orbelian. [Soloviev-Sedoi, Khrennikov, Dunayevsky etal.] P archival home recording 1973, with unnamed pianist, when singer aged 11 fading into June 2004 version, I 2005.

340

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 87: Twenty-four Preludes and Fugues Form: A collection of piano pieces round the whole cycle of ascending fifths: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24.

C major A minor G major E minor D major B minor A major F sharp minor E major C sharp minor B major G sharp minor F sharp major E flat minor D flat major B flat minor A flat major F minor E flat major C minor B flat major G minor F major D minor

PRELUDE

FUGUE

Moderato Allegro Moderato con moto Andante Allegretto Allegretto Allegro poco moderato Allegretto Moderato non troppo Allegro Allegro Andante Moderato con moto Adagio Allegretto Andante Allegretto Moderato Allegretto Adagio Allegro Moderato non troppo Adagio Andante

Moderato Allegretto Allegro molto Adagio Allegretto Moderato Allegretto Andante Allegro Moderato Allegro Allegro Adagio Allegro non troppo Allegro molto Adagio Allegretto Moderato con moto Moderato con moto Moderato Allegro non troppo Moderato Moderato con moto Moderato

VOICES

4 3 3 4 3 4 3 3 2 4 3 4 5 3 4 3 4 4 3 4 3 4 3 4

Composed: 10 October 1950 to 25 February 1951, following a visit to Leipzig on the occasion of the bicentenary of Johann Sebastian Bach’s death. Written in strict numerical order (Volume 40 of Collected Works gives the exact date of composition for all the Preludes and Fugues). All were ‘played over’ by Tatyana Nikolayeva on the day following their composition. The only item to be partly composed then rewritten was the Prelude for No. 16. Premières: 18 November 1951, Leningrad Glinka Hall; Dmitri Shostakovich (four items). 23 and 28 December 1952, Leningrad Glinka Hall; Tatyana Nikolayeva (the whole cycle in two sessions). USA: 17 April 1994, Burton Memorial Tower, University of Michigan; Brandon Blazo and Margo Halsted (No. 8 played by carillon duo). Arrangements: Prelude only of No. 15 arranged for piano duet by Elena Khoven—see Sans op. O(ii). Preludes of Nos. 3, 5, 6, 9, 10, 17, and 22 transcribed for double-bass and piano by Rodion Azarkhin, with editorial assistance from the composer.

O PUS 87: TWENTY- F OU R P RELUDES AN D FUGUES

341

Preludes of Nos. 1, 3, 8, 15, and 17 arranged for accordion by Guy Klucevsek. Preludes and Fugues: Nos. 1 and 15 (transposed to E flat) transcribed for string quartet by Rostislav Dubinsky. Also Nos. 2, 5, and 21 transcribed for string quartet. No. 1 arranged for string orchestra by Rudolf Baumgartner. Nos. 1, 4, 7, and 8 transcribed for reed ensemble by Eduard Wesly. Nos. 1–9, 15–17, and 19–22 arranged for wind quintet by Eduard Wesly for the Calefax Quintet (played at a Netherlands concert in October 2001). Nos. 2, 5, 8, 9, 12, 15, and 24 arranged for three woodwind, three brass, and solo tuba by Jeff Miller. No. 4 arranged for accordion by Yuri Dranga. No. 8 arranged for two carillons by Brandon Blazo and Margo Halsted. Nos. 4, 13, 20, and 24 arranged for organ by Vera Bakeyeva. Nos. 1–12 arranged for organ jointly by Elger Niels and Michiel Ras. Nos. 11 and 20 transcribed for oboe, cello, and piano by Mikhail Utkin. No. 17 transcribed for violin ensemble by Georgi Bezrukov. No. 18 transcribed for trumpet and piano by Paul Archibald. No. 24 transcribed for chamber orchestra by Josef Stanek and Jordan Dafor; and arranged for bayan by Anatoli Senin, and recorder quartet by the Amsterdam Locki Stardust Quartet. Nos. 1, 15, 17, and 20 arranged for string quartet by Zakarias Grafilo. Fugues of Nos. 1, 3–6, 12, 15, 17, 22, and 24 arranged for brass quintet by members of the Onyx Brass. Music: Numbered Opus 89 in early publications and on some recordings. Autograph score preserved at GTsMMK. The first page of the autograph of Prelude No. 1 is reproduced in Volume 40 of Collected Works. Sovetskaya muzyka magazine, 1952, No. 10, two Preludes and Fugues (Nos. 7 and 24) in a supplement. Muzgiz, Nos. 23149-50, 1952 (and reprinted 1956) in two volumes, 29 cm. Boosey & Hawkes and Leeds Music, no numbers, 1955, preface and ed. by Irwin Freundlich, in two volumes, 31 cm. Edition Peters, Nos. 4761a (plate no. 11736. Nos. 1–12) and 47l6b (plate no. 11737. Nos. 13–24), 1956, 30 cm. Hans Sikorski, No. 2124 (Volume 1: Nos. 1–12), 1957, 31.5 cm. Edwin F. Kalmus, c.1960, in three volumes, 32 cm. Edwin F. Kalmus, Nos. 896 (Nos. 1–12, with Opp. 5 and 12) and 897 (Nos. 13–24), c.1968, 18 cm. Muzyka, No. 4950 (D. Shostakovich: Compositions for fortepiano, Volume 2), 1968, 29 cm.

342

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Muzyka, No. 5947 (in D. Shostakovich: Compositions for fortepiano, Volume 3), 1970, Prelude of No. 15 arr. for piano duet, 29 cm. Muzyka, 1972, 30 cm. Hans Sikorski, No. 2188 (Volume 2: Nos. 13–24), 1972, 31.5 cm. MCA Music, New York, 1973, single volume ed. by Jullen Musafia, 31 cm. Sovetskii kompozitor, No. 4020,1977, Preludes of Nos. 10 and 17 arr. for double-bass and piano by R. Azarkhin, 29 cm. Edition Peters, No. 7221, 1978, No. 1 only, 30.5 cm. Edition Peters, No. 7231, 1979, No. 18 only, 30.5 cm. Muzyka, No. 10286 (Volume 40 of Collected Works), 1980, Nos. 1–24, 30 cm. DSCH Publishers, Moscow, score of Nos. 1–24 in Volume 112 of New Collected Works. Duration: Approx. 2 hrs 32 mins in score; 123' 10"–166' 20". Chamber Orchestra arr. of No. 24; 10' 27"–11' 45". Ballet: Three Russian Preludes. A ballet created by Mark Morris in 1995, to the Preludes of Nos. 17, 22, and 15, as a solo vehicle for Mikhail Baryshnikov. Included in a White Oak Dance Project programme at the London Coliseum, 20–24 August 1996. Film: Nikolayeva Plays Shostakovich. The complete cycle, played by Tatyana Nikolayeva, shown in six instalments between 21 and 30 December 1992, on BBC2 TV. These broadcasts released on DVD—Medici Arts Euroarts 3085248 from the BBC Archives and reviewed in Gramophone September 2008. Recordings: 78 rpm—USSR: 21388-9 (10" 78 rpm). No. 23 only. Dmitri SHOSTAKOVICH. P 6 Dec. 1951, I 1952. LP and CD—USSR: MK D873-4, (10" mono). Nos. 1, 5, 6, 7, and 8. D. SHOSTAKOVICH. P 6 Dec. 1951 (Nos. 1 and 5), 5 Feb. 1952 (No. 7), 14 Feb. 1952 (No. 6), and 19 Feb. 1952 (No. 8). I 1952. Reissued on CD—Revelation RV 70001 (‘Shostakovich plays Shostakovich, Volume 1’). Nos. 1–8 and 12–14. P 5 Feb. 1952 (Nos. 12 and 13) and 19 Feb. 1952 (No. 14), G July 1997 ~ *Germany: Monopole MONO oo8 (two-disc set). Nos. 1–8, 12–14, 16, 20, 22–24. (A compilation from various sources). [Op. 93.] I 2007. LP—USA: Concert Hall Society CHS 1314 (Labelled ‘Rarities Collection 122’, mono). (Nos. 4, 5, 14, 2; 12, 3, and 16. D. SHOSTAKOVICH. P 1951–52, I Jan. 1956. CD—Revelation RV 70003 (‘Shostakovich plays Shostakovich, Volume 3’). Nos. 16–18, 20, and 22–24. D. SHOSTAKOVICH. P 6 Dec. 1951 (Nos. 16 and 23), 5 Feb. 1952 (Nos. 20, 22, and 24), and c.1956 (Nos. 17 and 18), I Nov. 1997, G Feb. 1998. NB. Raymond Clarke believes Prelude

O PUS 87: TWENTY- F OU R P RELUDES AN D FUGUES

343

and Fugue No. 17 is played by another gifted performer (DSCH Journal No. 9, 1998, page 75) and Sofia Moshevich in her article ‘An Opus 87 Forgery?’ (DSCH Journal No. 12, 2000, 66–69) argues that the F minor Prelude and Fugue No. 18 on this CD is a forgery. *Canada: Doremi DHR 7805. Nos. 1, 5, and 24. Emil GILELS. [Mozart, Debussy, Chopin et al.] P Paris 26 Feb. 1954, I 2003. LP and CD—USSR: MK D 02828-9 (mono). Nos. 1, 5, and 24. E. GILELS. P Moscow 1955, I 1956. Reissued on CD—Germany: Melodia Eurodisc CD 69098 (‘Emil Gilels Collection, Vol. 4’). I Nos. 1, 24, and 5. 1991. USA: Angel 35308 (mono). Nos. 24, 1, and 5. E. GILELS. P New York 19–20 Oct. 1955 ~ Columbia 33 CX 1364 (mono). G Sept. 1956 ~ HMV SLS 290113 (in three-record set, mono). G June 1984. Reissued on CD—Testament SET 1029 (mono). No. 5 only. G Feb. 1994 ~ USA: Testament SBT 1089 (mono). Nos. 1, 5, and 24. I Mar. 1997, G May 1997. NB. Further pressings of the above two recordings are listed on page 46 of An Emil Gilels Discography by Falk Schwarz (The British Institute of Recorded Sound, London, 1980). *CD—USA: Parnassus PACD 96013-14 (‘Richter Live in the 1950s, Volume 4’, two-disc set, mono). Nos. 4, 3, 6, 7, 2, 18, 23, and 15. Svyatoslav RICHTER. [Prokofiev and Skryabin.] P Moscow concert Sept. 1956, I Feb. 2002. LP—Czech: Supraphon FLPM 288 (10" mono). Nos. 3, 6, 7, 2, 18, and 4. S. RICHTER. P Prague studio 26–29 Nov. 1956 ~ USA: Artia ALP 173 (mono). Nos. 3, 6, 7, 2, and 18. G May 1961 ~ Dell’Arte DA 9015 (mono). Nos. 2, 3, 4, 6, 7, and 18. G Mar. 1986. Reissued on CD—Czech: Ultraphon 11 1421-2. Nos. 3, 6, 7, 2, and 18. I Jan. 1994. USSR: MK D4276-7 (10" mono). No. 24 only. Roger BOUTRY. P 1958. USSR: MK D04306-7 (mono). No. 15 only. Eduard MIANSAROV. P 1958. USSR: MK D04820-1 (mono). No. 24 only. Lev VLASENKO. P 1958. Parlophone PMC 1056 (mono). Nos. 24, 7, 8, 6, 22, and 20. D. SHOSTAKOVICH. G July 1958. LP and CD—France: Columbia PCX 771 (mono). Nos. 1, 4, 5, 6, 13, 14, 18, and 23. Dmitri SHOSTAKOVICH. P Paris Sept. 1958 ~ USSR: Melodiya D034479-80 (mono). I 1974c. Reissued on CD—EMI Classics CDC7 54606-2 (‘Composers in Person’ series, mono). Nos. 1, 4, 5, 23, and 24. I Jan. 1993, G Apr. 1993. NB. No. 24 recorded at the session issued on Parlophone PMC 1056. LP—USSR: Melodiya D019641-2 (in three-record set ‘Sofronitsky plays in the Skryabin Museum’, mono). Nos. 3 and 9. Vladimir SOFRONTITSKY. P c.1959, I 1967.

344

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—USSR: MK D06459-60 (mono). Nos. 5, 23, 3, 16, 6, 7, 20, and 2. Dmitri SHOSTAKOVICH. P 1951-2, I 1960 ~ HMV Melodiya HLM 7096 in Set RLS 721 (mono). G Oct. 1976. Reissued on CD—France: Le Chant du Monde LDC 278 1000 (mono, double-play). I Sept. 1989. LP—USSR: Melodiya CM 02545-6 (?stereo). Nos. 1, 23, and 24. Dmitri SHOSTAKOVICH. P c.1960, I May 1971. LP and CD—USSR: MK D09919-20 (mono). Nos. 1, 7, 8, and 15. Mariya GRINBERG. P 1961. *Reissued on CD—Russia: Vista Vera VCD 0019. [Sans op. S(i); Rakhmaninov, Medtner, and Prokofiev.] I 2006. LP—USSR: MK D09477-84 (8 sides, mono). Complete Cycle. Tatyana NIKOLAYEVA. P 1962 ~ USSR: Melodiya CM 02377-84 (the third box of Part 2 of Collected Works on Records, 8 sides) I 1978. USSR: MK D13053-4 (10" mono) and C785-6 (10"). No. 17 arr. for string orchestra by G. Bezrukov. Bolshoi Theatre Violinists’ Ensemble, Yuli REYENTOVICH. P 1963 ~ HMV Melodiya SXLP 30259 (‘Stringtime in Moscow’, Volume 2). G Nov. 1977. *CD—Russia: TNC Music H1469-70 (two-disc set, stereo). Nos. 4, 8, 12, 14, 15, 17, and 23. Svyatoslav RICHTER. [Beethoven, Grieg, and Schubert.] P Philharmonic Hall, Kiev concert 9 June 1963, I 2002. LP and CD—Philips AL 3458 (mono) and SAL 3458. Nos. 14, 17, 15, 4, 12, and 23. Svyatoslav RICHTER. P Paris July 1963, G Nov. 1964 ~ Philips Universe 6580 084. G Dec. 1974 ~ Philips Sequenza Special 6527 224. G Mar. 1984. Reissued on CD—Philips Legendary Classics 462 101-2 PLC. I Jan. 1990 ~ Philips 438 627-2PH2 (two-disc set and also in 21-disc set ‘Richter—The Authorized Edition’). I Mar. 1993, G Aug. 1994. CD—Italy: Fonit Cetra CDE 1029 (mono). Nos. 1–6. Sergio PERTICAROLI. P 14 Nov. 1964, I 1988. LP—USSR: Melodiya C10 23321 001 (DMM). Labelled as ‘Suite’— Preludes of Nos. 9, 3, 5, 6, 10, and 22 arr. R. Azarkhin. Rodion AZARKHIN (double-bass) and Gennadi Provatorov (piano). P 1965, I 1986c. NB. Bars 5–8 of No. 9 in the composer’s hand reproduced on the sleeve. USSR: Melodiya D020335-6 (mono). No. 1 discussed and performed. Mariya GRINBERG. P 1967. USSR: Melodiya D23613-4 (10" mono). Nos. 4, 13, 20, and 24 arr. for organ. Vera BAKEYEVA (organ). P 1967. USSR: Melodiya D028091-2 (‘Pianists at the Fourth International Tchaikovsky Competition’, mono). No. 7 only. Yuri SLESAREV. P and I 1970. CD—USA: Pyramid 13503. Nos. 19, 21, and 22. S. RICHTER. P Fetes Musicales de Touraine concert June 1973, I 1991, G Oct. 1992. LP—USSR: Melodiya C10 05021-2 (concert programme by piano performers at the Fifth International Tchaikovsky Competition) . No. 7

O PUS 87: TWENTY- F OU R P RELUDES AN D FUGUES

345

only [not No. 2 as stated on label and sleeve.] Nataliya GAVRILOVA. P Moscow concert 1974, I 1975. USSR: Melodiya C10 05481-2 (pianists at the Fifth International Tchaikovsky Competition). No. 18 only. Myung-Whun CHUNG. P 1974, I 1975c. RCA Red Seal LRL 2 5100 (two-record box set issued as a ‘Memorial Edition’). Complete cycle. Roger WOODWARD. P May–June 1975, G Dec. 1975. Czech: Panton 11 0533 G. Nos. 7 and 24. Dagmar BALAGHOVA. P 1976. USSR: Melodiya C20 07001-2. No. 4 arr. for accordion. Yuri DRANGA (accordion). P 1976, I 1977a. Czech: Panton 11 0611 G. No. 7 only. Jindra KRAMPEROVA. P Prague 1976. USSR: Melodiya C10 10595-6. No. 24 arr. for organ. Leopoldas DIGRIS (organ of Vilnius Picture Gallery). P 1978, I 1979a. USSR: Melodiya C10 10781-2 (concert programme by piano performers at the Sixth International Tchaikovsky Competition). No. 7 only. Genichiro MURAKAMI. ( P Moscow concert 1978, I 1979a. CD—BMG Melodiya 74321 52959-2 (‘International Tchaikovsky Competition, Volume 2’). No. 21 only. Mikhai PLETNEV. P Moscow concert 1978, I Nov. 1998. LP—USSR: Melodiya C10 11159-60. Nos. 3 and 5. Dmitri ALEKSEYEV. P 1978. I 1979b. USSR: Melodiya C20 13077-8. No. 24 arr. for bayan. Anatoli SENIN (bayan). P 1978, I 1980c. LP and CD—USSR: Melodiya C10 14493-4 (‘Terence Judd in Moscow’). No. 15 only. Terence JUDD. P Moscow concert 10 July 1978, I 1981b ~ Chandos ABR 1090 (‘Terence Judd in Moscow’). I Oct. 1983, G Feb. 1984. Reissued on CD—Chandos CHAN 9914 (‘In Memory of Terence Judd’). G Nov. 2001. LP—USSR: Melodiya C10 15037-8. Nos. 1, 15, and 24. Iloanta MIROSHNIKOVA. P1980, I 1981c. Czech: Panton 8111 0231. No. 24 arr. J. Stanek. Ostrava Conservatory Chamber Orchestra, Josef STANEK. P Ostrava 1981, I 1982. Bulgaria: Balkanton BKA 11376. Nos. 3, 17, and 24. Krasimir GATEV. P early 1980s. USSR: Melodiya C10 18099005 (pianists at the Seventh International Tchaikovsky Competition). Nos. 7 and 2. Mariya Rovena ARRIETA and Kalle RANDALU respectively. P 1982, I 1983b. USSR: Melodiya A10 00501 007 (digital). Nos. 21 and 22. Mikhail PLETNEV. P Moscow concert 28 Feb. 1986, I 1990.

346

D M I T R I SHOSTA K OVIC H C A TA LO GUE

CD—Netherlands: Ottavo Compact Disc MRC 38616. Nos. 19, 1, 2, 4, and 15. Boris BERMAN. P Utrecht Mar. 1986, G Oct. 1989. LP—USSR: Melodiya C10 25787 002. No. 2 only. Nikolai LUGANSKY (14 years old). P Moscow concert 7 May 1986, I 1988b. LP and CD—USSR: Melodiya A10 00469 007-00476 005 (fourrecord box set, digital). Complete cycle. Tatyana NIKOLAYEVA. P 1987, I 1990a. Reissued on CD—Melodiya SUCD 10 00073 (Nos. 1–10), /4 (Nos. 11–16), and /5 (Nos. 17–24). I 1990b ~ BMG Classics Melodiya 74321 19849-2 (three-disc set). I July 1994, G Feb. 1995 ~ *Regis RRC 3005 (three-disc set). I Apr. 2003, G Sept. 2003 ~ *USA: Moscow Studio Archives MOS 19065. Nos. 1–10; MOS 19066. Nos. 11–16; MOS 19067. Nos. 17–24. USSR: Melodiya C10 30205 000. No. 15 only. Oleg VOLKOV. P 1987, I 1991. Reissued on CD—USA: Brioso BR105' (‘All Russian’). I Feb. 1995. CD—Stradivari SCD 6069. No. 24 only. Garah LANDES. P New York 6–8 Oct. 1987, I 1992. LP—Bulgaria: Balkanton BKA 12305-6. No. 24 arr. Dafov. Tolbuhin Chamber Orchestra, Jordan DAFOV. P Tolbuhin, Bulgaria Mar. 1988. CD—France: Rodolphe RPC 32600. Nos. 2, 15, and 24. Vladimir STOUPEL. P 3–4 Jan. 1989, G Oct. 1990. Decca 436 451-2 (two-disc set). Nos. 19 and 20. S. RICHTER. P Vienna concert 20 Feb. 1989. I Mar. 1993. Kingdom KCLCD 2023. Nos. 1 to 12. Marios PAPADOPOULOS. P Bishopgate Hall, London 30–31 May and 15 Sept. 1990, G Mar. 1991 ~ *Oxford Philomusica Records OP 005. I 2007. Kingdom KCLCD 2024-5 (two-disc set). Nos. 13 to 24. M. PAPADOPOULOS. P Bishopgate Hall, London 15–16 Sept. 1990, G Mar. 1991 ~ *Oxford Philomusica Records OP 006-7. I 2007. Hyperion CDA 66441-3 (three-disc set). Complete cycle. T. NIKOLAYEVA. P Hampstead 23–26 Sept. 1990, G Mar. 1991 (with article by David Fanning). Gramophone Record Awards 1991—winner of Instrumental category and No. 5 included on Gramophone Awards CD sampler with the December magazine. Awarded French Prix Maurice Fleuret 1991. Dorian DOR 90163. Nos. 1 and 15 arr. R. Dubinsky. LAFAYETTE QUARTET (Ann Elliott-Goldschmid, Sharon Stanis, Joanna Hood, Pamela Highbaugh). P Troy, New York May 1991, G July 1992. Germany: ECM New Series 1469-70 (two-disc set). Complete cycle. Keith JARRETT. P La Chaux-de-Fonds, Switzerland July 1991, G Sept. 1992. France: Accord 20203-2 (two-disc set). Complete cycle. Caroline WEICHERT. P Thun, Switzerland 1991–92 ~ *Accord 442 8213 (four-disc set—on CDs 1 and 2). I Jan. 2007.

O PUS 87: TWENTY- F OU R P RELUDES AN D FUGUES

347

Netherlands: Channel Classics Canal Grande CG 9321. Nos. 1, 4, 7, and 8 arr. E. Wesly. CALEFAX REED ENSEMBLE (Eduard Wesly—oboe and cor anglais, Ivar Berix—clarinet, Raaf Hekkema—alto saxophone, Lucas van Helsdingen—alto/soprano saxophone and bass clarinet, Alban Wesly— bassoon). P Renswoude, Netherlands 16–19 June 1992, I 1993. Dynamic CDS 117/1-3 (three-disc set). Complete cycle. Boris PETRUSHANSKY. P Moscow Conservatory Jan. 1992 (Nos. 1–11) and Moscow Radio Studio Jan. 1993 (Nos. 12–24), I Nov. 1994. Decca 466 066-2DH2 (two-disc set). Complete cycle. Vladimir ASHKENAZY. P Berlin, London, and Watford May 1996–Apr. 1998. I and G June 1999 ~ Gramophone GCD 0699 (Sampler). No. 7 only. I June 1999 ~ Gramophone Compact Disc GCD 0202 (Sampler). No. 1 only. I Feb. 2002 (to accompany article by D. Fanning). *Australia: ABC Classics 454 724-2 (on second of two-disc set). No. 24 only. Tanel JOAMETS. [Pianists at the 1996 Sydney International Piano Competition of Australia.] P Sydney Conservatorium of Music 4–12 July 1996. RCA Red Seal 74321 61446-2 (twelve Preludes and Fugues arranged in rising semitones with Bach, two-disc set). Nos. 20, 15, 10, 14, 9, 4, 8, 3, 22, 2, 21, and 16. Olli MUSTONEN. P Henry Wood Hall, London 5–8 June 1997, G Mar. 1999. Athene-Minerva ATH CD18. No. 24 only. Raymond CLARKE. P Nottingham University 10 July 1998,1 May 1999, G Oct. 1999. Naxos 8.55475-6 (two-disc set). Complete cycle. Konstantin SCHERBAKOV. P East Woodhay, Berkshire 15–18 June 1999, I Nov. 2000. **Netherlands: STS Digital 611130 (SACD). Nos. 1–12 arr. Niels and M. Ras. Michiel RAS (organ). P RC Bartholomeus Church, Zevenbergen, Netherlands 1 and 2 Oct. 2001, I Feb. 2003, G Awards (Oct.) 2003. Germany: Cultura Viva kr 100 60 (‘Bach meets Shostakovich’). Prelude No. 3 for piano; Prelude and Fugue Nos. 2, 5, and 21 arr. W. T. Heyn. Fabio Romana (piano); RAKHMANINOV QUARTET (Andrei Andriev, Aleksandr Bondarenko, Anton Yaroshenko, Vladimir Shochov). [Bach.] P Berlin Radio concert 9–12 Nov. 1999, I 2000. Belgium: Winter & Winter WTR 910 074-2 (‘The Heart of the Andes’). Preludes of Nos. 8, 3, 1, 17, and 15 arr. Klucevsek. Guy KLUCEVSEK (accordion). [Klucevsek.] P Ghent 3 and 4 Sept. 2001. Channel Classics CCS 19498 and SACD CCSSA 19403 (‘Fugue Around the Clock’). No. 24 arr. for recorder quartet. AMSTERDAM LOCKI STARDUST QUARTET (Daniël Brüggen, Bertho Driever, Daniel Koschitzki, Karel van Steenhoven—recorders). [ Bach, C.P.E. Bach, Brahms et al.] P Deventer Holland Oct. 2002, G Nov. 2003. Ondine ODE 1033-2D (twelve Preludes and Fugues in Volume 2 arranged to the cycle of fifths with Bach, two-disc set). Nos. 1, 5, 6, 7,

348

D M I T R I SHOSTA K OVIC H C A TA LO GUE

11, 12, 13, 17, 18, 19, 23, and 24. Olli MUSTONEN. P Kaunianen, Finland Nov. 2002, G Feb. 2004. France: Alpha 055 (‘Krokodil’, two-disc set). Nos. 1 and 4. Arthur SCHOONDERWOERD. [Opp. 123, 67, 121, 127 et al.] P Chaux-de-Fonds, Switzerland May 2003, I May 2004. Germany: Dabringhaus and Grimm MDG 619 1185-2. Nos. 1–9, 12, 15–17, and 19 arr. E. Wesly. CALEFAX REED QUINTET (Oliver Boekhoorn— oboe, Ivar Berix—clarinet, Raaf Hekkema—saxophone, Jelte Althuis—bass clarinet, Alban Wesly—bassoon). P Evangelische Kirche Lienen, Germany 2–5 June 2003. Centaur CRC 2896 (two-disc set). Kori BOND. P Idaho State University 4–6 Sept. 2004 and 5–10 June 2006, I 2008. Russia: Caro Mitis CM008 2004. Nos. 20 and 11 arr. M. Utkin. Aleksei UTKIN (oboe), Mikhail Utkin (cello), and Darja Alyoshina (piano). [Sans op. D(i); Opp. 34 and 39.] P Russian Television and Radio Studio, Moscow 2 and 24 Oct.1924, 11 Feb. 2005; I 2006. Brass Classica BC 3004 (‘Divertissement’). No. 18 arr. P. Archibald. Paul ARCHIBALD (trumpet) and Juliet Edwards (piano). [Trumpet and piano transcriptions including six numbers from Bizet’s Carmen]. P Christ’s Hospital School, Horsham Apr. 2005 and St Paul’s Church, Southfields Feb. 2006. Germany: Oehms Classics OC 561. No. 1 original for piano and arr. for string orchestra by R. Baumgartner. Bernd GLEMSER (piano); Lucerne Festival Strings, Achim FIEDLER. [Opp. 35 and 110.] P Tonstudio Gabriel Recording, Stalden, Switzerland 11–14 Oct. 2005, I June 2006. USA: Artek AR-0033-2. No. 15. Lilia BOYADJIEVA. [Shchedrin, Franck, Liszt et al.] P Athens, Greece 20 Oct. 2005. Germany: Hessischer Rundfunk Hr-musik. 033-06. Nos. 5, 8, and 24. Yevgeni KOROLOV. P HR-Sendesaal, Frankfurt 2–3 Nov. and 19–21 Dec. 2005. USA: Foghorn Classics ASQ-1988 and 1991 (in two three-disc sets). Nos. 1, 15, 17, and 20 arr. by Grafilo. ALEXANDER STRING QUARTET (Zakarias Grafilo, Frederick Lifsitz, Paul Yarbrough, Sandy Wilson). [Quartets Nos. 1–15 and Opp. 57, 87, and 117a.] P American Academy of Arts and Letters, New York City between 13 Nov. 2005 and 22 June 2006. Brass Classics BC 3008 (‘One Clear Call’). Nos. 24, 8, 9, 2, 12, 5, and 15 arr. for flute/piccolo, clarinet, bassoon/contrabassoon, trumpet, horn, trombone, and solo tuba by J. Miller. Nick ETHERIDGE (tuba and leader of Tubagility group). [Powell, Damas, Mahler et al.] P Penge Congregational Church, South London 5 June 2006, I Oct. 2007. Netherlands: Brilliant Classics 8416 (two-disc set). Complete cycle. Muza RUBACKYTÉ. P Lithuainian National Philharmonic Hall, Vilnius Aug 2006, I Jan. 2007.

OPUS 88: TEN POEMS ON TEXTS BY REVOLUTIONARY POETS

349

Centaur CRC 2896 (two-disc set). Kori BOND. P Idaho State University 4–6 Sept. 2004 and 5–10 June 2006, I 2008. Russia: Caro Mitis CM 0102006. Nos. 7, 2, 16, and 5. Olga MARTIYNOVA (harpsichord). [Khachaturyan, Mendelssohn, Schubert et al.] P Studio 3, RTR Moscow, 2, 4, and 10 Oct. 2006. Profil Edition Günter Hänssler PH 07071. No. 24. David Theodor SCHMIDT. [Bach and Liszt.] P Mitteldeutscher Rundfunk-Studio, Leipzig 28 Feb.–1 Mar. 2007. Chandos CHAN 10462 (‘Fugue’). The Fugues of Nos. 1, 3–6, 12, 15, 17, 22, and 24 arr. for brass brass quintet. ONYX BRASS (Niall Keatley and Brian Thomson—trumpets, Amos Millar—trombone, Andrew Sutton— French horn, and David Gordon Shute—tuba). [J.S. Bach.] P All Hallows’ Church, Gospel Oak, London 11–13 and 15 June 2007, I May 2008. Japan: Regulus RGCD 1018 (three-disc set). Mami MIYAKE. P Kasakake Culture Hall Pal, Japan 27–29 June 2007. Canada: Atma Classique ACD2 2555 (two-disc set). David JALBERT. P Salle Françoys-Bernier du Damaine Forget, Saint-Irénée, Québec 26–28 Aug. and 4–6. And 7 Sept. 2007. Notes: The cycle is discussed, with music examples, by Sofya Moshevich on pages 130–43 of her book Dmitri Shostakovich, Pianist (2004). Sofya Moshevich points out errors printed in Collected Works Volume 40 in a DSCH Journal 27 article with 10 music examples. Andrew Paul Jackson analyses Preludes Nos 1 and 14 and Fugues Nos. 4 and 15 in DSCH Journals 26 and 30.

Opus 88: Ten Poems on Texts by Revolutionary Poets Form. A cycle of choral settings of poems by Revolutionary poets taken from the collection The Revolutionary Poetry of 1870–1917, published in Leningrad in 1950, for mixed chorus a cappella and, in Nos. 9 and 10, boys’ choir: 1. Boldly, friends, on we march! (poem by Leonid Radin)—Moderato con moto 2. One of many (Yevgeni Tarasov)—Andantino 3. Onto the streets! (words anon.)—Allegro molto 4. The meeting in transit to exile (Aleksei Gmyrev)—Andante 5. To those condemned to death (Aleksei Gmyrev)—Adagio 6. The Ninth of January (Arkadi Kots)—Moderate 7. The volleys have become silent (Yevgeni Tarasov)—Andante 8. They were victorious (Aleksei Gmyrev)—Allegro 9. May Day Song (Arkadi Kots)—Moderato 10. Song (Vladimir Tan-Bogoraz, after Walt Whitman) [‘Democratic Vistas’]—Andante con moto

350

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Nos. 1, 3, 4, 5, 7, and 8 translated as ‘Have Courage, Friends’, ‘The Time is Now’, ‘Face to Face’, ‘Sentence of Death’, ‘Silent Guns’, and ‘Invincible Victors’ in the G. Schirmer edition. No. 6 is used as a leitmotiv in Symphony No. 11, Opus 103. Composed: Early spring 1951, at Moscow. The score was presented to Aleksandr Sveshnikov on 28 March 1951. Première: 10 October 1951, Moscow Conservatory Bolshoi Hall; RSFSR Academic Russian Choir and Children’s Choir, Aleksandr Sveshnikov. Arrangements: Adaptation by M. Fremiot, G. Martin, and F. Robert to suit the French translation by F. Hirsch. English translation of the cycle by Jane May. Music: Autograph score preserved at GTsMMK. The opening of the fourth poem is reproduced in Volume 34 of Collected Works. Awarded a Stalin Prize Second Class in 1951. Muzgiz, No. 22595, 1952, 26 cm., and same number, 1962, 27 cm. Le Chant du Monde, Nos. 420–9, 1952, adaptation by M. Fremiot, G. Martin, and F. Robert with French text by F. Hirsch, parts. Muzyka, No. 4098, 1967, 29 cm. G. Schirmer, Nos. 12118-12127, 1977, the ten songs on separate sheets in English translation by Jane May, 26.5 cm. Joseph Boonin, New Jersey, Nos. 1, 4, and 8. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, 30 cm. DSCH Publishers, Moscow, score in Volume 84 of New Collected Works. Duration: Approx. 40 minutes in score; 29' 55"–35' 05". Recordings: LP—USSR: MK D05642-3 (mono). RSFSR Academic Russian Choir, Aleksandr SVESHNIKOV. P 1959. USSR: Melodiya D15571-2 (10" mono). No. 5 only. Byelorussian State Academic Choir. G. SHIRMA. I 1965. USSR: Melodiya D025505-6 (mono). No. 5 only. Leningrad State University Students’ Choir, Grigori SANDLER. P 1969. USSR: Melodiya C10 04937-8. Leningrad Radio and Television Choir, G. SANDLER. P 1974, I 1975b ~ USSR: with same number in third box of Part 1 of Collected Works on Records. I 1980. Czech: Opus 9112 0787. Slovák Philharmonic Chorus, Valentin ILJIN. P Bratislava 1979. USSR: Melodiya C10 20301 003. Moscow and Novosibirsk Chamber Choirs, ‘Spring’ Studio Children’s Choral School (chorus-masters— Vladimir Minin, B. Pevzner, and Aleksandr Ponomarev), Vladimir MININ. P Moscow concert 29 Sept. 1981, I 1984c. USSR: Melodiya C10 26309 009. No. 7 only, sung in Moldavian. Doina Academic Choral Kapella, Veronica Garshtya (chorus-director), Anatoli ZHAR. I 1988d.

SA NS OP . Q: TEN RU SSIAN FOL KSON GS

351

USA: MCA Classics Art & Electronics Compact Disc AED 10211. No. 6 only. Moscow Conservatory Students’ Choir, Boris TEVLIN. P Moscow concert July 1989, I 1990. CD—France: Le Chant du Monde Russian Season RUS 288160. Moscow Academy of Choral Singing, Viktor POPOV (chorus-master). P Moscow Conservatory Jan.–Apr. 1998, G Oct. 1999. **Sweden: Caprice CAP 21773. Eric Ericson Chamber Choir, Eric ERICSON. [Henze.] P Grünewald Hall, Stockholm Concert Hall 1 and 3 Feb. 2005, I 2007.

Sans op. Q: Ten Russian Folksongs Form: Arrangements of ten folksongs from the collections of Ivan Prach (Nos. 7–9 from Russian Folksongs, published in St Petersburg, 1896), Yevgeniya Lineva (Nos. 5 and 6 from Great Russian Songs with Traditional Harmony, Volume 1, St Petersburg, 1904), and Yevgeni Gippius (Nos. 1–4 and 10 from Russian Folk Songs, Leningrad, 1943) for soprano (S), alto (A), tenor (T), and bass (B) soloists, chorus (S.A.T.B.), and piano: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.

All of a sudden there was a clap of thunder over Moscow (B and T.B.) Beyond the mountains, beyond the valleys (T and S.A.T.B.) Out of the forest of spears and swords (B and S.A.T.B.) Nights are dark, the clouds are menacing (B and S.A.T.B.) A little cuckoo cuckoos (A and S.A.T.B.) The splinter (A and S.A.T.B.) Fir-grove, my fir-grove (S and S.A.) In my dear father’s green garden (S.A.T.B.) I told my sweetheart (S and S.A.T.B.) What a song (B and S.A.T.B.)

Nos. 1–4 and 10 are male soldiers’ songs, with words associated with the 1812 war against Napoleon, revised with more topical texts during the Great Patriotic War; the remaining songs are women’s lyrical songs and a roundelay (No. 7). Composed: July 1951, immediately after Opus 88, at Moscow. Premières: 18 October 1971, Magnitogorsk and 3 December 1971, Moscow Conservatory Bolshoi Hall; both performances by the Magnitogorsk State Academic Choir. UK: 21 January 2006, Bridgewater Hall, Manchester; Hallé Youth Choir, James Burton; sung in English. Also performed during the previous week’s Royal Northern College of Music Festival. Arrangements: Fourteen Russian Folksongs, including a selection from the ten above, transcribed for flute and piano by the composer in the 1950s.

352

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Accompaniment of Nos. 6, 7, and 10 arranged for bayan by Sofya Khentova in 1978. Texts translated into English by Gerard McBurney in 2005. Music: Originally designated on the composer’s manuscript as Opus 89. Autograph score and handwritten copy preserved at GTsMMK; autograph of the flute arrangement stored at TsGALI. Muzgiz, 1952, Nos. 5, 6, and 7, parts for two soloists and choir with piano accompaniment, 30 cm. Sovetskii kompozitor, Leningrad, No. 902, 1981. Nos. 10, 7, and 6 with bayan accompaniment included in S. Khentova’s comic opera The Tale of a Priest and His Servant Balda (see Opus 36), 29.5 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, Nos. 1–10, 30 cm. DSCH Publishers, Moscow, score of 1–10 in Volume 85 of New Collected Works. Duration: Approx. 27 minutes in score; 27' 26". Recordings: LP and CD—USSR: Melodiya C10 16967001. Folksongs Nos. 1–10. Soloists—Yuliya Antonova (No. 9), Gennadi Bezzubenkov (Nos. 1 and 3), Yevgeni Bortnikov (No. 4), Kira Gerasimova (No. 6), Nina Kuznetsova (No. 7), Zhanna Polevtsova (No. 5), Yevgeni Popov (No. 2), and Aleksandr Seleznev (No. 10); Lyudmila Bogomolova (piano); Glinka State Academic Cappella of Leningrad, Vladimir CHERNUSHENKO (chorus-master). P 1981, I 1982c. Reissued on CD—USSR: Melodiya SUCD11 00320. I 1991d. LP—USSR: Melodiya C10 19323 008. Folksongs Nos. 10, 7, and 6 in Khentova’s edition of The Tale of a Priest and His Servant Balda, Opus 36. Vladimir Pankratov (bass), Yelena Ustinova (soprano), Leningrad Malyi Opera and Ballet Theatre Choir and Orchestra, Mikhail Travlin (chorusmaster), Valentin KOZHIN. P 1982, I 1984a. CD—France: Le Chant du Monde Russian Season RUS 288160. Folksongs Nos. 1–10. Soloists and mixed chorus of the Moscow Academy of Choral Singing, Tamara Kravtchenko (piano), Viktor POPOV (chorusmaster). P Moscow Conservatory Jan.–Apr. 1998, G Oct. 1999. Note: The folksong No. 4, also translated as ‘There, beyond the mountains’ with lyric by Aleksei Gmyrev, also appears in the film score Michurin Opus 78.

Opus 89: The Unforgettable Year 1919 Form: Music for the film The Unforgettable Year 1919 (also translated as The Memorable Year 1919), based on the play, relating to the suppression of the Kronstadt riot, Unforgettable 1919 by Vsevolod Vishnevsky, directed by Mikhail Chiaureli for Mosfilm. The music scored for full orchestra (with harp, piano, and additional brass) contains a miniature ‘Piano Concerto’ (40 pages of full score and appearing as No. 5 in the Suite Opus 89a).

OP U S 89: THE U NF ORG ET T ABL E Y EAR 1919

353

Composed: 1951, at Moscow. Premières: Film first shown on 3 May 1952. Score performed by the USSR Cinematograph Symphony Orchestra, Aleksandr Gauk. UK complete suite: 20 May 1984, Barbican Centre, London; Young Musicians’ Symphony Orchestra and Brass Ensemble, Tony Gray (pianist in No. 5), James Blair. Arrangements: Opus 89a—Suite assembled by Levon Atovmyan in 1954: 1. Introduction—Moderato attacca 2. Romance: the meeting of Shibayev with Katya—Moderato con moto attacca 3. Scene from the Sea Battle—Moderato molto 4. Scherzo—Presto 5. The Assault on the Red Hill—Allegro 6. Intermezzo—Andante 7. Finale—Allegro Nos. 1 (Prelude) and 5 (Demonstration) of the Maxim Trilogy Suite, Opus 50a, relate to this film score and quote the Russian revolutionary marches ‘Behold, Friends, on we march!’ and ‘Varshavyanka’. Instrumentation: Suite Opus 89a—3 flutes (III = piccolo), 3 oboes, 3 B flat clarinets. 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ additional band of 3 trumpets and 3 trombones in Nos. 4, 5, and 6 ~ timpani (2 players in No. 3), triangle, tambourine, side drum, cymbals, bass drum, gong - glockenspiel, xylophone, celesta ~ harp (in film score only), piano (solo in No. 5) ~ strings. Music: Autograph of the film score preserved at NBGCOK. Muzgiz, No. 25026, 1955, Suite Opus 89a, full score, 35 cm. DSCH Publishers, Moscow, full film score in Volume 138 of New Collected Works. Duration: Film—2 hrs 28 mins. Suite Opus 89a—Nos. 1–7: 29' 49"; Nos.1–4 and 7: 16' 30", and No. 5: 7'–7' 30". Recordings: *CD—Russia: Mosfilm Bomba Music BoMB 0033-168 (mono). Film soundtrack Introduction. USSR Cinematograph Symphony Orchestra, Aleksandr GAUK. [Opp. 111 and 132; Prokofiev, Sviridov, Khachaturyan et al.] P 1952, I 2005. LP—USSR: MK D03402-3 (mono). Suite Op. 89a. Moscow Radio Symphony Orchestra. A. GAUK. P 1956 ~ USA: Monitor MC 2015 (mono). Suite Nos. 1–4 and 7. I 1958. LP and CD—Classics for Pleasure 4144161 (digital). No. 5 only. Dmitri ALEKSEYEV (piano), English Chamber Orchestra, Jerzy Maksymiuk. P London May 1983, G Nov. 1983 ~ Classics for Pleasure CFP 4547 (digital) and released on CD—CD-CFP 4547. G Jan. 1989 ~ HMV Classics 5 73047-2.

354

D M I T R I SHOSTA K OVIC H C A TA LO GUE

I Oct. 1998. NB.Subsequently included on the two-disc sets HMV Classics 586 7652 and Classics for Pleasure 382 2342. Though the latter compilation was released as late as 5 February 2007 this track still appeared with the incorrect title of ‘The Assault on Beautiful Gorky’ (also on broadcasts Radio 3 on 11 March 2008 and Classic FM on 10 October 2008). CD—Germany: Capriccio 10 561. Nos. 1 (Prelude) and 5 (Demonstration) in the Maxim Trilogy Suite, Opus 50a. Berlin Radio Symphony Orchestra and Chorus, Mikhail YUROVSKY. P 28–29 Apr. 1994, G Jan. 1996. USA: Citadel CTD 88135. Nos. 1 and 5 in the Maxim Trilogy Suite, Op. 50a. Belarus Radio and TV Symphony Orchestra and State Chorus, Walter MNATSAKANOV. P Moscow 7 Apr. 1997, I 1999. **Marco Polo 8.223897. Suite Op. 89a. Ellena ALEKSEYEVA (pianist in No. 5), Moscow Symphony Orchestra, ADRIANO. P Mosfilm Studios, Moscow Mar. 2000, I Nov. 2002, G Jan. 2003 ~ Naxos 8.570238. [Op. 82.] I Aug. 2006. Chandos Movies CHAN 10361 (‘The Film Music of Dmitri Shostakovich, Volume 3’). Suite Op. 89a No. 5 (titled ‘The Assault on Krasnaya Gorka). Martin ROSCOE (piano), BBC Philharmonic, Vassili Sinaisky. [Opp. 116, 111, and 75.] P New Broadcasting House, Manchester 12–13 Oct. 2004, I Sept. 2006. Notes: The Scherzo (No. 4 in the Suite) was later arranged for piano duo and appears as the first piece of Tarantella and Prelude, Sans op. O(ii). On the 1955 full score of the Suite and in Sadovnikov’s Catalogue of 1965, No. 5 is given as ‘Shturm Krasnoi Gorki’ which translates as ‘The Assault on the Red Hill’. In Malcolm MacDonald’s Catalogue of 1977 No. 5 is listed as ‘Easter Attack’. Robert Matthew-Walker obtained a copy of the Muzgiz score on loan from Boosey & Hawkes and describes but does not name the minature ‘Piano Concerto’ in the April 1980 issue of Music and Musicians. The English title ‘The Assault on Beautiful Gorky’ materialized as a translation sometime before the 1982 publication of the first edition of this Catalogue and was repeated in Matthew-Walker’s sleeve note for Alekseyev’s 1983 LP recording and his programme booklet for the 1984 British première. While close literally—the Russian Cyrillic words for ‘beautiful’ and ‘red’ and ‘Gorky’ and ‘hill’ are similar—it was wrong in its historical context as the industrial city of Nizhni-Novgorod was not renamed in honour of Maxim Gorky until 1932 and the piece refers to an attack on a Fortress of the White Guards on a hill outside Petrograd known as the Red Hill. The 1985 second edition of MacDonald’s Catalogue also gives the ‘Gorky’ label yet the French version of 1988 correctly has ‘L’assaut de la Colline Rouge’! The conductor Adriano adopted the ‘Red Hill’ title for his Marco Polo recording of March 2000. (see Hulme in DSCH Journal No. 19). Incidentally, this piece is

O PUS 9 0 : T HE SU N SHINES OV ER OUR MOT H ERL AN D

355

frequently listed, rather misleadingly, as a mini-piano concerto (i.e. a fullblown concerto for a small piano?). Reference: Hulme (in DSCH 19).

Opus 90: The Sun Shines over Our Motherland Form: Patriotic cantata for boys’ choir, mixed chorus, and orchestra (with 2 harps and additional brass) to a text of Yevgeni Dolmatovsky, marked ‘Moderato con moto’. The original title was ‘Cantata about the Party’. Earlier working sketches to different texts of Yevgeni Dolmatovsky were titled ‘The Standard-bearers of the Twentieth Century’ (for men’s chorus) and ‘Won in Persistent Struggles’ (for mixed chorus). Instrumentation: piccolo, 2 flutes, 3 oboes, 3 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ additional band of 3 trumpets and 3 trombones ~ timpani, triangle, side drum, cymbals, gong ~ glockenspiel, 2 harps ~ boys’ choir, S.A.T.B. chorus ~ strings. Composed: Completed on 29 October 1952. Première: 6 November 1952, Moscow Conservatory Bolshoi Hall; Moscow State Choral Boys’ Choir, USSR Symphony Orchestra and Choir, Konstantin Ivanov. Arrangement: Reduction of the accompaniment for piano by the composer. Music: Autograph full score preserved at GTsMMK. A manuscript copy with the composer’s inscription ‘Consider this the original. D. Shostakovich. 2/XII 1952’ and proof sheets with his corrections are preserved at TsGALI, along with the autograph vocal score. Muzgiz, No. 23384, 1953, full score, 28 cm. Muzyka, No. 6019, 1969, vocal score, 28.5 cm. Muzyka, No. 11680 (in Volume 29 of Collected Works), 1983, full score, 30 cm. Muzyka, No. 11786 (in Volume 30 of Collected Works), 1983, vocal score, 30 cm. DSCH Publishers, Moscow, full score in Volume 77 and vocal score in Volume 82 of New Collected Works. Duration: Approx. 14 minutes in scores; 12' 15"–13' 50". Recordings: LP and CD—USSR: MK D8459-60 (10" mono). Moscow State Choral School Boys’ Choir, USSR Symphony Orchestra and Choir, Aleksandr Sveshnikov (chorus-master), Konstantin IVANOV. P concert 1961, I 1962. Reissued on CD—USA: Russian Disc RD CD 11048. I Oct. 1994. LP—USSR: Melodiya D019893-4 (mono) and C01505-6. Moscow State Choral School Boys’ Choir, RSFSR Academic Russian Choir, Aleksandr Yurlov (chorus-master), Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P and I 1967 ~ HMV Melodiya ASD 2598. G Sept. 1970

356

D M I T R I SHOSTA K OVIC H C A TA LO GUE

~ HMV Melodiya BOX 50510 in Set SLS 5025. G Dec. 1975 ~ USSR: Melodiya C10 14093-4 (in third box of Part 1 of Collected Works on Records). I 1980. CD—Germany: Capriccio 10 779. Text in German and English. Cologne Radio Chorus, Godfried Ritter (chorus-master), Berlin Children’s Radio Chorus, Manfred Roost (chorus-master), Cologne Radio Symphony Orchestra, Mikhail YUROVSKY. P Cologne 3–8 June 1996, I July 1999.

Opus 91: Four Romances on Verses of Pushkin Form: Four song settings of Aleksandr Pushkin’s verses for bass voice with piano accompaniment: 1. 2. 3. 4.

Fragment [In a Jewish hut]—Andante What does my name mean to you?—Allegro In the depths of the Siberian mines—Adagio Farewell—Allegretto

Composed: Songs written on consecutive days, 5–8 October 1952, at Moscow. Arrangements: Cycle orchestrated by Gennadi Rozhdestvensky. German translation by Christoph Hellmundt. Music: Autograph of the songs preserved at GTsMMK. Sovetskii kompozitor, No. 1790 (in Romances on verses of Pushkin), 1960, 29 cm. Edition Peters, No. 4793, 1967, with German and Russian texts—the former by C. Hellmundt, 27 cm. Muzyka, No. 4116 (in Dmitri Shostakovich: Vocal Compositions), 1967 and 1974, 30 cm. Muzyka, Leningrad, No. 1996 (in Romances on verses of Pushkin), 1976, No. 3 only, 28.5 cm. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, 30 cm. DSCH Publishers, Moscow, score in Volume 94 of New Collected Works. Duration: 12' 25"–14' 30". Recordings: LP—USSR: Melodiya D022363-4 (mono). Askold BESEDIN (baritone) and Lyubov Yedlina (piano). P 1968. Czech: Panton 11 0420 G. Nos. 2 and 4 only. Jaromír VAVRUŠKA (bass) and Jiff Pokorny (piano). P Prague 1973. USSR: Melodiya C10 10617-8 (in third box of Part 3 of Collected Works on Records). Nos. 2 and 4 only. Viktor SELIVANOV (baritone) and Lyubov Popova (piano). I 1978. LP and CD—USSR: Melodiya A10 00043 004 (digital). Orchestrated by G. Rozhdestvensky. Anatoli SAFIULIN (bass), USSR Ministry of Culture

OP U S 92: QU A RTET NO. 5 IN B FL AT MAJ OR

357

Symphony Orchestra, Gennadi Rozhdestvensky. P 1983, I 1984c. Reissued on CD—BMG Melodiya 74321 63461-2 (two-disc set). I Mar. 1999. CD—France: Le Chant du Monde Russian Season RUS 288089. Pyotr GLUBOKY (bass) and Nataliya Rassudova (piano). P Moscow Conservatory 21–29 Sept. 1994, I Apr. 1995. *Belgium: DICD 920259. No. 1 only. Klemens SLOWIOCZEK (bass) and Semyon Skigin (piano). [Op. 79; Glinka, Mussorgsky, Rimsky-Korsakov et al.] P RIAS-Haus Studio, Deutschland Radio, Berlin 15 Feb.–7 Mar. 1995. Beulah 1-2RF5 (two-disc set). Nos. 3 and 4. Helen LAWRENCE (mezzo-soprano) and Julian Rolton (piano). P BBC Studio, London 17–18 May 1999, I Dec. 2000. **Koch Schwann 3-1095-2. Sergei LEIFERKUS (bass) and Semyon Skigin (piano). [Opp. 123, 121, 98, and 62.] P Berlin studio May 2000, G May 2002. Russia: Northern Flowers NF/PMA 9910 (‘Vocal Cycles for Bass, Volume 1’). Fyodor KUZNETSOV (bass) and Yuri Serov (piano). [Opp. 62, 121, 98, and 146.] P St Catherine Lutheran Church, St Petersburg 15 May 2000, I 2002 ~ USA: Delos DE 3304 (‘Shostakovich Complete Songs, Volume 1’). [Opp. 84, 86; Sans op. R; Opp. 98, and 100.] P St Petersburg May 2001, G Awards (Oct.) 2002. NB. Incorrectly stated to be the first appearance on CD.

Opus 92: Quartet No. 5 in B flat major Form: String quartet in three linked movements: 1. Allegro non troppo attacca 2. Andante/Andantino attacca 3. Moderato—Allegretto Composed: The autograph score states that the three movements were completed on 7 September, 19 October, and 1 November 1952. Khentova mentions that 26 pages of the 1st movement were written on 1 January 1952. Dedication: To the members of the Beethoven Quartet: Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky. Première: 13 November 1953, Moscow Conservatory Malyi Hall; Beethoven Quartet (personnel as the dedication). Arrangement: Reduction for piano four hands by Anatoli Dmitriev. Music: The quartet listed as Opus 91 in Corbett (1963). Autograph score preserved in Dmitri Tsyganov’s personal collection. Music Fund of the USSR, No. 931 (50 copies), 1953, parts in copyist’s hand, 29 cm.

358

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Muzgiz, No. 24331, 1954, score, 20 cm. Musica Rara, No. 1036, 1961, score, 18.5 cm. Musica Rara, No. 1036a, 1961, parts, 31 cm. Muzgiz, 1963, parts, 29 cm. Muzyka, Leningrad. No. 530 (in Volume 2 with Quartets 6–8 arr. for piano four hands by A. Dmitriev), 1966, 29.5 cm. Edition Eulenberg, No. 389, 1970, 19 cm. Belwin Mills, New York, Kalmus chamber music series No. 9681, 1970s, parts. Edition Peters, No. 5755, 1979, parts, 30 cm. Muzyka, No. 9816 (in Volume 35 of Collected Works Quartets 1–8), 1979, 30 cm. Hans Sikorski, No. 2253, 1980, parts, 31.5 cm. Hans Sikorski, No. 2266 (with Opp. 101, 108, and 110), 1980, score, 21 cm. DSCH Publishers, Moscow, score in Volume 101 of New Collected Works. Duration: Approx. 30 minutes in score; 29' 40"–32' 15"; [30' 19"—Berlin State Opera Quartet with the exposition repeat in first movement not observed.] Recordings: LP—USSR: MK D2400-1 (10" mono). BEETHOVEN QUARTET (personnel as above). I Sept. 1953 ~ USA: Vanguard VRS 6021 (mono). I 1955 ~ USSR: Melodiya D015785-6 (mono). I 1965. Germany: Deutsche Grammophon LPE 17 211 (10" mono). BERLIN STATE OPERA QUARTET (Egon Morbitzer, Wilhelm Martens, Werner Buchholz, Bernard Gunther). P c.1959, I 1960. CD—Japan: Triton MECC 26018 (mono). BEETHOVEN QUARTET (personnel as above). P Moscow Conservatory concert 1960, I 2000. USSR: Melodiya D019219-20 (mono) and C01433-4. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1967 ~ HMV Melodiya HQS 1321 in Set SLS 879. G June 1974. LP and CD—L’Oiseau-Lyre OSLO 29. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P 20–22 July 1977, G Dec. 1978 ~ Decca 188 D3 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on third of six-disc set). I Apr. 1992, G June 1992. USSR: Melodiya C10 11611-2 (in first box of Part 2 of Collected Works on Records). TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P Leningrad Mar. 1978, I 1980. Reissued on CD—USSR: Melodiya SUCD11 00308. I 1991c ~ France: Praga PR 250 077. P given as Czech Radio Sept. 1978, I Mar. 1996.

OP U S 92: QU A RTET NO. 5 IN B FL AT MAJ OR

359

USSR: Melodiya C10 21943 000. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1983, I 1985d ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM.] G Mar. 1986. Reissued on CD—EMI CDC7 49270-2. I Nov. 1987, G Sept. 1988 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet.] I Mar. 1994. USSR: Melodiya C10 28483 000. SHOSTAKOVICH QUARTET (Andrei Shishlov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1984, I 1989d. Reissued on CD—Olympia OCD 532 (‘Complete Quartets, Volume 2’). I May 1994, G Sept. 1994. CD—Teldec 9031 71702-2 (on third of six-disc set). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, I Nov. 1990, G June 1992 ~ Teldec 9031 73110-2. I 1991. USA: ESS.A.Y. CD 1008. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Jersey City 15–18 Jan. 1990 ~ Koch Schwann Musica Mundi 310 129 (‘Complete Quartets, Volume 2’). I Aug. 1991. Naxos Compact Disc 8.550974 (‘Complete Quartets, Volume 3’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sandor Papp, György Éder). P Budapest 6–9 Mar. 1995, I Jan. 1996, G Apr. 1997. Japan: Toshiba EMI TOCE 9306. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 23–25 Oct. 1996, I Jan. 1997. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 2’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert June–July 1999, G June 2000. *Arion ARN 68534. DEBUSSY QUARTET (Christophe Collette, Dominique Lonca, Vincent Deprecq, Yannick Callier). [Opp. 49 and 133.] P Lyon Nov. 2000, I and G Awards (Oct.) 2001. Hyperion CDA 67155. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). P St Petersburg Studio Dec. 2000, I Apr. 2001, G July 2001. **Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 3’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 122 and 133.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Chandos CHAN 10248. SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). [Op. 144.] P The Maltings, Snape 15–17 Jan.2004, I Sept. 2004, G Nov. 2004. Belgium: Fuga Libera 512 (‘Complete Quartets, Volume 1’ five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 68 and 108.] P Bayerische Rundfunk, Munich 8–11 May 2005, I 2005.

360

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Oehms Quartet OC562 (‘Complete Quartets’, on second of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 83 and 101.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. Germany: Audite AU 92 528 (Hybrid SACD). MANDELRING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 108 and 117.] P Klingenmünster, Germany 10–12 May 2007. France: Zig Zag Territoires ZZT 080702. ATRIUM QUARTET (Aleksei Naumenko, Anton Ilyunin, Dimitry Pitulko, Anna Gorelova). [Beethoven.] P Eglise BN Secours, Paris 18–22 Feb 2008, G Nov. 2008. Note: A melody from Galina Ustvolskaya’s Trio for Clarinet, Violin, and Piano of 1949 is quoted at the climax of the first movement played in octaves in the violins’ highest register and again in the development of the last movement.

Sans op. R: Greek Songs Form: Four songs arranged for middle voice and piano. The melodies, recorded from Maria Beiku, a member of the Greek Resistance Movement, were handed over to Shostakovich by the Soviet folklorist Lev Kulakovsky: 1. Forward! (subtitled ‘Song of the Greek Resistance’;
= 102) Melody by A. Xenos, words by K. Palamas, translated by Sergei Bolotin and Tatyana Sikorskaya 2. Pentozalis (
= 96) Cretan folksong, translated by S. Bolotin 3. [Mount] Zolongo (
= 58) Greek folksong, translated by T. Sikorskaya 4. Hymn of the ELAS (Ellenikas Laïkos Apeletherotikos Stratos) (
= 112) Melody by A. Tzakonas; words by S. Mavroidi-Papadaki, translated by S. Bolotin Composed: 1952–53. Première: France: 17 March 1991, Dimanche; Aleksandr Naumenko (tenor) and Nell Beardmoer (piano). Music: Autograph of the four songs preserved at TsGALI. No. 1 first published as a supplement to the journal Sovetskaya muzyka, 1954, No. 5 and also in Pesni naradov mira (Songs of the Peoples of the World), compiled by Grigori Schneyerson and published by Muzgiz in 1955. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, four songs, 30 cm. DSCH Publishers, Moscow, score in Volume 92 of New Collected Works.

SA NS OP . S: P IA NO P IEC E S FOR CH IL DREN

361

Duration: 8' 36". Recording: **CD—USA: Delos DE 3304 (‘Shostakovich Complete Songs, Volume 1’). Mikhail LUKONIN (baritone) and Yuri Serov (piano). [Opp. 84, 86, 91, 98, and 100.] P St Catherine Lutheran Church, St Petersburg May 2001, I Sept. 2002, G Awards (Oct.) 2002 ~ Russia: Northern Flowers NF/ PMA 9912 (‘Unknown Vocal Cycles’). [Opp. 58a, 46, 100, 80, 33; Sans op. X (ii).] I 2003.

Sans op. S: Piano Pieces for Children (I) DANCES OF THE DOLLS Form: A suite of seven piano solos for children arranged from orchestral material of earlier ballet and stage works: 1. 2. 3. 4.

Lyrical Waltz—Moderato (from Ballet Suite No. 3, No. 5) Gavotte—Tranquillo, semplice (from Ballet Suite No. 3, No. 2) Romance—Moderato, expressivo (from Ballet Suite No. 1, No. 3) Polka—Scherzando, non troppo presto (from Ballet Suite No. 1, No. 2—the Pizzicato Dance) 5. Waltz-scherzo (‘The Petite Ballerina’)—Animato, ma non troppo presto (from Ballet Suite No. 1, No. 5) 6. Hurdy-gurdy—Allegro non troppo (from Ballet Suite No. 1, No. 4 the Polka) 7. Dance—Scherzando, ma non troppo presto Composed: Assembled in 1952 from material composed 1930–35. Arrangements: See Ballet Suites Nos. 1 and 3, Sans op. P(i), and the original opus numbers for expanded orchestral versions. No. 1 transcribed for harp; No. 3 for viola ensemble by Georgi Bezrukov; No. 5 for bayan by N. Rizolya; No. 6 for harp quartet, also cello and piano; Nos. 2, 3, 6, and 7 for violin (No. 2 for violin duet) and piano by Konstantin Fortunatov; Nos. 1–7 for string orchestra; Nos. 1, 2, 3, and 6 for cello and guitar by Bryan Johanson. Music: Muzgiz, No. 122639, 1952, 29 cm. MCA Music, New York, c.1953, ed. Michael Fredericks, 31 cm. Hans Sikorski, No. 2123, 1960, under the title ‘Tanz der Puppen’, 31.5 cm. Edition Peters, No. 4711 (plate no. 11772), under the title ‘Puppentanze’, 1962, ed. Walter Frickert, 31 cm. Boosey & Hawkes, No. 19356, 1965, ed. Martin Hall, 31 cm. Edition Peters. No. 4794 (plate no. 12389—in Shostakovich: Album of Easy Pieces), 1967, Nos. 2, 4, and 7 arr. K. Fortunatov, 30.5 cm.

362

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Muzyka, No. 4719 (in D. Shostakovich: Pieces for violin and piano), 1975, Nos. 2, 3, 6, and 7 arr. K. Fortunatov, 28.5 cm. Sovetskii kompozitor, No. 4920 (in D. Shostakovich: Selection of Children’s Piano Pieces), 1979, Nos. 1–3 and 5–7 ed. Bronislava Rozengauz, 29 cm. Muzyka, Leningrad, No. 2629 (in S. Prokofiev and D. Shostakovich: Selection of Fortepiano Pieces for Children), 1980, Nos. 2 and 5 ed. Zinaida Vitkind, 28.5 cm. Sovetskii kompozitor, No. 6680 (in Works by Soviet Composers for Viola Ensemble), 1984, No. 3 arr. for 3 violas and double-bass by G. Bezrukov, 29cm. Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, No. 6 only, 29 cm. DSCH Publishers, Moscow, score in Volume 109 of New Collected Works. Duration: 9' 00"–10' 46". Recordings: LP—USSR: MK D5466-7 (10" mono). Nos. 1, 2, 4, 3, and 5. Natan PERELMAN. P 1959. *CD—Russia: Vista Vera VCD 00119. Mariya GRINBERG. Nos. 5, 3, and 7. [Op. 87; Rakhmaninov, Medtner, and Prokofiev.] P 14 June 1960, I 2006. LP—USSR: Melodiya D00015659-60 (7" mono). No. 6 arr. for harp quartet. E. KUZMICHEVA, A. Buzkova, M. Smirnova, and N. Kochurina. P 1965. LP and CD—USSR: Melodiya C04697-8. Complete Suite. Lyubov TIMOFEYEVA. P Nov. 1973, I 1975 ~ Japan: JVC VIC 9554. Complete Suite. I 1985. *Reissued on CD—Russia: Moroz Records MR 23999. [Prokofiev and Slonimsky.] I 1995. LP—USSR: Melodiya C04705-6. No. 1 only. Olga ERDELI (harp). P 1974, I 1975. Poland: Pronil SX 1556. Nos. 1–7 arr. for string orchestra. Capella Arcis Varsoviensis, Marek SEWEN. P 1975. USSR: Melodiya C20 12575-6. No. 5 arr. N. Rizolya. Aleksandr DMITRIEV (bayan). P 1979, I 1980b. *CD—Russia: Moscow Conservatory SMC CD 0046. Complete Suite. Vera GORNOSTAYEVA. [Tchaikovsky and Prokofiev.] P Moscow 1970s, I 2000. LP—Bulgaria: Balkanton BKA 10294. Nos. 4, 5, and 6. Krasimir GATEV. P early 1980s? USSR: Melodiya C50 20749 006 (‘For Children’). No. 7 only. Rimma BOBRITSKAYA. P1983, I 1984d. LP and CD—AVM Classics AVM 1003 and released on CD—AVMCD 1003. Complete Suite. Martin JONES. P date not stated, G Oct. 1988. CD—Greece: Kalyke KNI GDI (‘A Child, A Piano & Foreign Lands’). Complete Suite. Cilia PETRIDOU. P 1990.

SA NS OP . S: P IA NO P IEC E S FOR CH IL DREN

363

France: Le Chant du Monde Russian Season LDC 288 034 (‘Russian Miniatures for Piano’). No. 7 only. Rimma BOBRITSKAYA. P Moscow Conservatory Feb. 1999. Netherlands: Globe GLO 5082 (‘Russian Piano Music for Children’). Complete Suite. Mila BASLAVSKAYA. P Utrecht Apr. 1992. Koch International Classics 3 7159-2HI. Complete Suite. Israela MARGALIT. P Moscow Conservatory Sept. 1992, G Sept. 1993. France: Accord 20281-2. Complete Suite. Caroline WEICHERT. P Radio Svizzera Italiana Studio, Lugano Sept. 1993, I 1994 ~ *Accord 442 8213 (on third of four-disc set). [Opus 34 and 13; Sans op. B.] I Jan. 2007. USA: Sonora SO 22563CD. Complete Suite. Inna HEIFETZ. P Boston 1993, I Jan. 1998. USA: Gagliano GR 604-CD. Nos. 1, 2, 3, and 6 arr. Johanson. Hamilton CHEIFETZ (cello) and Bryan Johanson (guitar). P Portland State University, Oregon 29 and 30 Mar. 1997. Italy: Real Sound RS 051 0022. Complete Suite. Anna MALIKOVA. P Wesel, Germany Apr. 1997 ~ *Russia: Classical Records CR 056. [Opp. 5 and 34.] I 2005. Germany: Hänssler Classic 98 174 (‘Allegro’). Nos. 6 and 7 arr. Fortunatov. Michael LEMPIK (violin) and Olga Haus (piano). P Altensteig 21–23 June 1997. Stradivarius STR 33727 (‘Complete Piano Works, Volume 1’). Boris PETRUSHANSKY. [Sans op. B; Opp. 5, 13, 22, and 34.] P Bartók Studio, Bernareggio, Milan 17–19 Sept. 2003, I Feb. 2006. **CD—Decca 470 649-2 (Hybrid SACD). No. 1 only. Vladimir ASHKENAZY. [Opp. 61, 5, 97, 13, and 22; Sans op. B.] P Potton Hall, Suffolk 11–12 Sept. 2003, I Apr. 2004, G June 2004. France: Mirare MIR 022. Nos. 7, 1, 4, and 5. Brigitte ENGERER. [Tchaikovsky, Lyadov, Glinka et al.] P Abbaye Royale de Fontevraud, France June 2006. (II) MURZILKA Form: A brief undated piece for piano. Murzilka is the name of a children’s magazine for five- to nine-year-olds, established in 1924. Composed: Probably between 1944 and 1952 judging by the style and technique, for his own children. Music: Muzyka, No. 10285 (in Volume 39 of Collected Works), 1983, 30 cm. DSCH Publishers, Moscow, score in Volume 109 of New Collected Works. Duration: 0' 32"– 0' 49".

364

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Recordings: LP—USSR: Melodiya C10 26307 004 (Album 6 of ‘From Manuscripts of Different Years’). Viktoria POSTNIKOVA (piano). P 1983–86, I 1988d. CD—AVM Classics AVZ 3020. Martin JONES. (‘Piano Music, Volume 2’). P London 1–2 June 1989. Naxos 8.570092. Konstatin SCHERBAKOV. [Sans opp. A and B; Opp. 29, 61, and 69.] P Potton Hall, Suffolk 27–28 Nov. 2005, I July 2006. Stradivarius STR 33748. Boris PETRUSHANSKY. [Opp. 12, 61, and 69; Sans opp. A and T.] P Moscow Broadcasting Studio 13–20 Apr. 2006.

Opus 93: Symphony No. 10 in E minor Form: Symphony for full orchestra in four movements: 1. 2. 3. 4.

Moderato Allegro Allegretto Andante—Allegro

Instrumentation: piccolo, 2 flutes (II = piccolo II), 2 oboes, cor anglais (= oboe III), E flat clarinet,( = clarinet III A and B flat), 2 clarinets (A and B flat), 2 bassoons, contrabassoon (= bassoon III) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong ~ xylophone ~ strings. Composed: Summer—25 October 1953. The first, second, and third movements completed on 5 and 27 August and 8 October respectively; at Komarovo village, Gulf of Finland. See Notes. Premières: 17 December 1953, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra, Yevgeni Mravinsky (who also conducted the Moscow premiére on 29 December 1953). USA: 14 October 1954, New York Philharmonic Symphony Society, Dimitri Mitropoulos. UK: 10 April 1955, Royal Festival Hall, London; London Philharmonic Orchestra, Sir Adrian Boult. Arrangement: Reduction for piano four hands by the composer. Transcribed for wind band by Aurelio Pérez Perello. Music: Autograph full score and the composer’s reduction preserved at GTsMMK. The opening of the first movement of the autograph score is reproduced in Volume 5 of Collected Works. Muzgiz, No. 24447, 1954, full score, 30 cm. Muzgiz, No. 24455, 1955, reduction for piano four hands, 28.5 cm. Le Chant du Monde, No. 429, 1955, 19 cm. Leeds Music, no number, 1955, 22 cm.

OP U S 93: SYMP HONY NO. 10 IN E MIN OR

365

Boosey & Hawkes, No. 687, c.1955, 22.5 cm. Edwin R Kalmus, No. 158, no date, 26.5 cm. Muzgiz, 1960, 21 cm. Muzyka, No. 9863 (in Volume 5 of Collected Works), 1979, 30 cm. Hans Sikorski, No. 2219, 1981, 21 cm. DSCH Publishers, Moscow, New Collected Works Volume 10, full score. DSCH Publishers, Moscow, New Collected Works Volume 25, Shostakovich’s arrangement for piano. Duration: 50 minutes in score: 45' 38"–59' 12"; 45' 00" (Aronowsky); 53' 00"–54'20" (Plaistow). Ballets: Tenth Symphony. Alan Carter, Wuppertal, West Germany, 1967. [Tenth Symphony. Konstantin Boyarsky, with libretto by Isaak Glikman. Not performed?] Film: La Ley del Deseo (The Law of Desire). Sections of the symphony used in the score of the Spanish erotic and surreal film of 1986, directed by Pedro Almodovar. Recordings: LP and CD—USSR: Melodiya M10 39079-80 (in four-record set ‘D. Shostakovich—Pianist’, mono). Arr. for piano four hands. Dmitri SHOSTAKOVICH and Mieczysław WEINBERG (piano). P 15 Feb. 1954, I 1977b. Reissued on CD—France: Le Chant du Monde LDC 278 1000 (mono, double-play). I Sept. 1989 ~ Revelation RV 70002 (‘Shostakovich plays Shostakovich, Volume 2’, mono). I Oct. 1997, G Feb. 1998 ~ *Korea: Yedang Classics YCC 0164 (mono). [Opp. 34 and 97.] I 2002 ~ *Germany: Monopole MONO oo8 (two-disc set, mono). [Op. 87.] G Awards (Oct.) 2007. USSR: MK HD 02243-4 (mono). Leningrad Philharmonic Orchestra, Yevgeni MRAVINSKY. P studio 24 Apr. 1954, I 1954 ~ USA: Colosseum CRLP 173 (mono). Labelled erroneously as ‘National Philharmonic Orchestra conducted by Dmitri Shostakovich’. I 1954 ~ Saga XID 5228 (mono). I 1964, Dec. 1984, and May 1985; G July 1985 ~ USA: Concert Hall CHS 1313 (mono). I 1954 ~ Classics Club X 1018 (mono). Issued under the pseudonyms ‘Classics Club Philharmonic Orchestra conducted by Feodor Stepanov’. Reissued on CD—Saga Classics SCD 9017 (digitally remastered mono). I Nov. 1991, G June 1992. East Germany: Eterna 72 0006-7 (4 sides, 10" mono). Gewandhaus Orchestra of Leipzig, Franz KONWITSCHNY. P 10 June 1954. Reissued on CD—Germany: Berlin Classics 0090 422 BC (two-disc set, mono). I Oct. 1995. USA: Columbia ML 4959 (mono). New York Philharmonic Orchestra, Dimitri MITROPOULOS. P 18 Oct. 1954 ~ Philips ABL 3052 (mono). G July 1955 ~ CBS Classics 61457 (mono). G Feb. 1981. Reissued on CD—CBS Masterworks Portrait MPK 45698 (mono). I Dec. 1989, G Feb. 1990.

366

D M I T R I SHOSTA K OVIC H C A TA LO GUE

CD—Italy: Stradivarius STR 10035 (mono). Roma RAI Symphony Orchestra, Artur RODZINSKI. P18 Mar. 1955, I 1990. LP and CD—HMV ALP 1322 (mono). Philharmonia Orchestra, Efrem KURTZ. P London 22–23 Mar. 1955, G Feb. 1956 ~ HMV HQM 1034 (mono). G Nov. 1966. Reissued on CD—USA: Testament SET 1078 (mono). I Nov. 1996, G Feb. 1997. CD—France: Praga PR 250 053 (mono). Leningrad Philharmonic Orchestra, Y. MRAVINSKY. P Prague concert broadcast 3 June 1955, I Nov. 1994, G Sept. 1995 ~ France: Le Chant du Monde PR 7250 053 (mono). G Feb. 2001. *Italy: Urania URN 22.271 (two-disc set). New York Philharmonic Orchestra, D. MITROPOULOS. [Brahms, Beethoven, Skalkottas, and Verdi.] P Orpheus Hall, Athens concert 2 Oct. 1955, G June 2005. LP and CD—Deutsche Grammophon DGM 18300 (mono). Czech Philharmonic Orchestra, Karel ANCˇERL. P Munich 28–29 Oct. 1955, G Sept. 1956. Reissued on CD—France: Deutsche Grammophon ‘Les Grandes Annees’ 457 080-2. I 1997 ~ *Deutsche Grammophon ‘The Originals’ 463 666-2GOR (mono). [Stravinsky.] I Apr. 2002. LP—Bulgaria: Balkanton 0150 (mono). Bulgarian State Radio Orchestra, Vassil STEPANOV. P c.1960. Romania: Electrecord ECE 033 (mono). Rumanian [now Romanian] Radio Symphony Orchestra, Constantin SILVESTRI. P c.1960 ~ Romania: Electrecord ECE 0633 (mono) and ST-ECE 0634. I 1971. Poland: Muza XL 0004 (mono). Warsaw Philharmonic Orchestra, Bohdan WODICZKO. P 1961 ~ East Germany: Eterna A33 8 20 127 (mono) and 8 25 127. *Japan: CD—Scora Classics scoracd 010 (second of two-disc set, mono). USSR Symphony Orchestra, Yevgeni SVETLANOV. [Mozart.] P Russia (sic) concert 25 Mar. 1966, I 2004. LP—USSR: Melodiya D018131-2 (mono) and C01721-2. USSR Symphony Orchestra, Y. SVETLANOV. P 1966, I 1966 (mono) and 1969 (stereo) ~ HMV Melodiya ASD 2420. G Oct. 1968 ~ HMV SEOM 9 (‘Introducing HMV Melodiya’ sampler). Second movement only.G Dec. 1971 ~ Germany: Melodia Eurodisc 87 623 XPK (in thirteen-record box set). I 1974 ~ HMV Melodiya BOX 502508 in Set SLS 5025. G Dec. 1975. LP and CD—Japan: Japanese Stokowski Society JLSS 0021. Chicago Symphony Orchestra, Leopold STOKOWSKI. P Chicago concert 24 Mar. 1966. Reissued on CD—USA: Chicago Symphony Orchestra CSO 90/12. Deutsche Grammophon SLPM 139 020. Berlin Philharmonic Orchestra, Herbert von KARAJAN. P 28–30 Nov. 1966, G Jan. 1969. Reissued on CD—Deutsche Grammophon Galleria 429 716-2GGA. G Aug. 1990 and

OP U S 93: SYMP HONY NO. 10 IN E MIN OR

367

Nov. 1992. NB. A nine-bar cut from fig. 54 minus 5 bars restored on copies issued from early 1993. USSR: Melodiya C10 21227 009. Berlin Philharmonic Orchestra, H. von KARAJAN. P Moscow concert 29 May 1969, I 1985b. *Reissued on CD—Melodiya MELCD 1001513. [Bach.] G July 2009. USA: Columbia M 30295. Philadelphia Orchestra, Eugene ORMANDY. P 10–18 Apr. 1968 ~ CBS SBRG 72886. G June 1971. Reissued on CD—Sony Essential Classics SB2K 62409 (two-disc set). G Aug. 1996 and Mar. 1997. CD—*Harmonia Mundi HMX 2905255.59 (second of five-disc set). Berlin Symphony Orchestra, David OISTRAKH. P Deutsche Staatoper, Berlin concert 29 Sept 1972, I Sept. 2002. USA: Russian Disc RDCD 11 195. Leningrad Philharmonic Orchestra, Yuri TEMIRKANOV. P Moscow concert 26 Jan. 1973, I Oct. 1993, G Jan. 1994. LP and CD—USSR: Melodiya C04505-6. Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P 20 Oct. 1973, I 1974d ~ HMV Melodiya EX 2903873 (eighth in twelve-record box set, DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1005-6 (in Box 3 of five two-disc sets). G May 1989 ~ BMG Classics Melodiya 74321 19847-2. I July 1994, G Nov. 1994. Classics for Pleasure CFP 40216. London Philharmonic Orchestra, Andrew DAVIS. P Barking 30 Apr.–l May 1974, G May 1975 and June 1986 ~ Classics for Pleasure CFP 41 4472-1. G Sept. 1985. Reissued on CD—Classics for Pleasure CD-CFP 6041. G May 1998. HMV BOX 504402 in Set SLS 5044 (quad). Bournemouth Symphony Orchestra, Paavo BERGLUND. P Southampton 16–17 Mar. 1975, G Mar. 1976 ~ HMV Greensleeve BSD 7049 (quad). G Oct. 1977. Reissued on CD—EMI Studio CDM7 63096-2. I Aug. 1989 ~ HMV Classics 5-73858-2. I Apr. 2000, G Sept. 2000. CD—Japan: Victor Musical Industries VDC 25027. Leningrad Philharmonic Orchestra, Y. MRAVINSKY. P Leningrad rehearsal? 3 Mar. 1976, I 1990 ~ France: Erato 2292 45753-2.1 Apr. 1992, G June 1992. LP and CD—USSR: Melodiya M10 44371003 (mono). Leningrad Philharmonic Orchestra, Y. MRAVINSKY. P Leningrad Philharmonic Bolshoi Hall concert 31 Mar. 1976, I 1983b. Reissued on CD—BMG Melodiya 74321 25198-2 (‘Mravinsky Edition’, Volume 9, mono). I June 1995 ~ Leningrad Masters LM 1322 (electronic stereo). G Sept. 1996. Decca SXL 6838. London Philharmonic Orchestra, Bernard HAITINK. P Jan. 1977, G Oct. 1977. Reissued on CD—Decca 421 353-2DH. I Dec. 1988, G Mar. 1989 ~ Decca Ovation 425 064-2DM. I Aug. 1993, G Nov. 1993.

368

D M I T R I SHOSTA K OVIC H C A TA LO GUE

East Germany: Eterna 8 27 093. Berlin City Symphony Orchestra, Kurt SANDERLING. P 9–11 and 14 Feb. 1977, I 1986. Reissued on CD—Germany: Berlin Classics 0090182 BC. I Nov. 1995 ~ *Germany: Berlin Classics 0092 172 BC (fourth of five-disc set). I Germany 1996 and UK Jan. 2001. USA: Classical Excellence CE 11038-9 (4 sides). Austrian Radio Symphony Orchestra, Milan HORVAT. P 1977. Reissued on CD—Switzerland: Point Classics 2671642. I 1994. LP—RCA Red Seal RL 25049. National Philharmonic Orchestra. Loris TJEKNAVORIAN. P 1977, G July 1978. USSR: Melodiya C10 09851-2. Moscow Philharmonic Orchestra, Dmitri KITAYENKO. P1977. I 1978c. *CD—Naïve Collection Radio France V 4973. Orchestre National de France, K. SANDERLING. P Théâtre des Champs-Elysées, Paris concert 8 Jan. 1978, G Mar. 2004. LP and CD—Czech: Opus 9110 0846. Slovák Philharmonic Orchestra, Ladislav SLOVÁK. P Bratislava Oct. 1979, I 1980. Reissued on CD—Switzerland: Bonton Classics 71 0154-2 0110. I 1994. Deutsche Grammophon 2532 030 (digital). Berlin Philharmonic Orchestra, H. von KARAJAN. P Berlin 20, 23, and 27 Feb. 1981, G Mar. 1982. Reissued on CD—Deutsche Grammophon 413 361-2GH, G Aug. 1984 ~ Deutsche Grammophon New Gold Edition 439 036-2GHS. I Jan. 1996, G May 1996. LP—*Germany: Südwestfunk SWF 111-114 (‘40th anniversary of the orchestra’, four-record set). Sinfonieorchesters Baden-Baden, Kazimierz KORD. [Haydn, Britten, Debussy et al.] P studio 1981, I 1986. USSR: Melodiya C10 18617-8. USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1982, I 1983c. Czech: Supraphon 1110 3190 ZA. Czech Philharmonic Orchestra, Frantiöek VAJNAR. P 3–5 Mar. 1982, I 1983. LP and CD—HMV ASD 4405 (digital). London Symphony Orchestra, André PREVIN. P July 1982, G Apr, and Aug. 1983. Reissued on CD—EMI Classics CDD7 64105-2. I Nov. 1991. G Jan. 1992 ~ EMI Classics Double Forte CZS5 73369-2 (two-disc set). I May 1999, G Aug. 1999. HMV EL 270315-1 (digital) and released on CD—CDC7 47350-2. Philharmonia Orchestra, Simon RATTLE. P 3–4 Apr. 1985, G Sept. 1986. CD—EMI Classics Studio Plus CDM7 64870-2. I Nov. 1993, G Mar. 1994 ~ *EMI Encore 5 86871-2. [Britten.] I 2005. CD—Netherlands: Q Disc 97014 (‘The Radio Recordings’, on last of fourteen-disc set). Concertgebouw Orchestra, Bernard HAITINK. P Netherlands Radio 8 Dec. 1985, I 1999. LP and CD—USSR: Melodiya A10 00307 000 (digital). USSR Ministry of Culture Symphony Orchestra, G. ROZHDESTVENSKY. P Jan. 1986, I

OP U S 93: SYMP HONY NO. 10 IN E MIN OR

369

1988d. Reissued on CD—Olympia OCD 131. I Sept. 1988, G May 1989 ~ BMG Melodiya 74321 63461-2 (two-disc set). I Mar. 1999. *CD—LPO LPO 0034. London Philharmonic Orchestra, B. HAITINK. P Proms Royal Albert Hall concert 28 Aug. 1986, G Awards (Oct.) 2008. USA: RCA Gold Seal 5608-2 RC. Saint Louis Symphony Orchestra, Leonard SLATKIN. P St Louis 8 and 10 Feb. 1987 ~ RCA Victor Red Seal RD 86597. G July 1988. *USA: Moscow Studio Archives MOS 19063. Moscow Radio Symphony Orchestra. Vladimir FEDOSEYEV. P Moscow 1987, I 2003. LP and CD—Chandos ABRD 1319 (digital) and released on CD—CHAN 8630. Scottish National Orchestra, Neeme JÄRVI. P Dundee 12 May 1988, G Mar. 1989. CD— Conifer Classics Compact Disc Class 7006. I Nov. 1991. Virgin Classics VC 790784-1 (digital) and released on CD—VC 790784-2. London Philharmonic Orchestra, Nicholas Busch (French horn), Andrew LITTON. P London Sept. 1988, I and G Apr. 1989. CD—Virgin Classics Ultraviolet 7243 5 611342-2. I Aug. 1994, G Aug, and Nov. 1994. CD—Singapore: Philips 426 228-2. Singapore Symphony Orchestra, Choo HOEY. P Victoria Concert Hall, Singapore c.1989, I 1989. Naxos 8.550633. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÀK. P Bratislava 20–26 June 1989, G Nov. 1993. Reissued on CD—Naxos 8.506003 (in six-disc set). I 1993. Teldec 9031 74529-2. London Symphony Orchestra, Mstislav ROSTROPOVICH. P London July 1989, I Oct. 1991, G Mar. 1992 ~ Teldec 0630-17046-2 (in twelve-disc set). G Oct. 1997 ~ *Warner Classics Elatus 2564 61568-2. I 2004. Naxos 8.550326. Belgian Radio and Television Philharmonic Orchestra, Alexander RAHBARI. P Brussels 6–8 Sept. 1989, I Feb. 1990. Telarc CD-80241. Atlanta Symphony Orchestra, Yoel LEVI. P Atlanta 25–26 Sept. 1989, I Oct. 1990, G Jan. 1991 ~ *Reissued with the same number I June 2004. Denon CO 79474. Vienna Symphony Orchestra, Eliahu INBAL. P Vienna 30 Jan.–2 Feb. 1990, I June 1992, G Sept. 1992. Collins Classics 1106-2. London Symphony Orchestra, Maksim SHOSTAKOVICH. P London Jan. 1990, I Oct. 1990, G Jan. 1991. Decca 430 844-2DH. Cleveland Orchestra, Christoph von DOHNÁNYI. P Cleveland 12 Feb. 1990, G Sept. 1992. Delos DE 3089. Helsinki Philharmonic Orchestra, James DEPRIEST. P Hyvinkää, Finland 19–20 Apr. 1990, I Oct. 1990, G Jan. 1991. RCA Victor Red Seal RD 60448. Royal Concertgebouw Orchestra, Claus Peter FLOR. P Amsterdam 17–18 Aug. 1990, I Feb. 1992, G June 1992.

370

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Decca 433 028-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Watford Sept. 1990, I Nov. 1991. G Jan. 1992. Decca 433 073-2DH. Chicago Symphony Orchestra, Georg SOLTI. P Chicago concert Oct. 1990, I Mar. 1992, G June 1992. Pickwick IMP Classica PCD 955. Hallé Orchestra, Stanislaw SKROWACZEWSKI. P Bolton 23–24 Nov. 1990, I July 1991, G Oct. 1991 ~ IMP Classics 2000 PCD 2043. I Oct. 1997 ~ Hallé CDHLL 7511 (twodisc set). [Op. 47.] I 2006. Sweden: Bluebell ABCD 049. Arr. for piano four hands. Folke GRÄSBECK and Alexander ZELYAKOV (piano). P Abo 22 and 29 Jan. 1992, I Mar. 1993. *DVD—USA: Pioneer Classics DVD PC11524-D. Moscow State Symphony Orchestra, Pavel KOGAN. [Op. 27; Glazunov, Tchaikovsky, and Wagner.] P Munich concert 1990, I Mar. 2001. *USA: Image Entertainment DVD 5812-21A. Bavarian Radio Symphony Orchestra, Georg SOLTI. [Mendelssohn.] P Munich concert 1992, I 2002. CD—Chandos CHAN 9522. Russian State Symphony Orchestra, Valeri POLYANSKY. P Moscow Conservatory June 1995, I Oct. 2000, G Mar. 2001. EMI CDC5 55232-2. Philadelphia Orchestra, Mariss JANSONS. P Philadelphia 5–7 Mar. 1994, G June and Aug. 1995 ~ *EMI Classics 5 75178-2 (two-disc set). [Sans op. V.] I 2002. Tring TRP 080. Royal Philharmonic Orchestra, Frank SHIPWAY. P London May 1995, I Sept. 1996 ~ *RPO 204479201. [Op. 97.], I 2004. *Netherlands: Brilliant Classics 6275 (on sixth of eleven-disc set). WDR Symphony Orchestra, Rudolf BARSHAI. [Op. 54.] P Cologne 15–24 Oct. 1996, I Dec. 2001. *Russia: Private Edition P-1985 (two-disc set). Bilkent Academic Symphony Orchestra, Vitali KATAYEV. [Op. 54; Rakhmaninov and Tchaikovsky.] P Bilkent Concert Hall Ankara concert 4 Mar. 1997. Sweden: BIS CD 973-4 (‘Complete Symphonies, Volume 2’, two-disc set). BBC National Orchestra of Wales. Mark WIGGLESWORTH. P Swansea Nov. 1997, I June 1999, G Sept. 1999. Switzerland: Relief CR 991047. Tchaikovsky Symphony Orchestra, Vladimir FEDOSEYEV. P 1998. *Chetham’s School of Music CHET 04. Chetham’s Symphony Orchestra, Jac van STEEN. P Bridgewater Hall, Manchester concert 6 July 2000, I 2000. Delos DE 3283 (two-disc set). Dallas Symphony Orchestra, Andrew LITTON. P Dallas concert 21–24 Sept, and 30 Nov. 2000, I Oct. 2001. **Canada: CBC Records SMCD 5216 (‘The Overcoat’). Second movement only. CBC Radio Orchestra, Mario BERNARDI. [Sans opp. E, G(ii),

OP U S 93: SYMP HONY NO. 10 IN E MIN OR

371

and P(i); Opp. 35 and 102.] P Orpheum Theatre, Vancouver, B.C. 20 and 21 June 2001, I Mar. 2002. Germany: Arts Music 47675-2. Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. [Op. 70.] P Auditorium Verdi di Milano concert Mar. 2002. Germany: Capriccio 71 035 (Hybrid SACD). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. P Cologne studio 24–26 Mar. 2003, I Aug. 2005. CD and DVD—Germany: Dabringhaus und Grimm MDG 337 1201-2 and MDG 937 1201-5. Beethoven Orchestra of Bonn, Roman KOFMAN. P Heilig-Kreuz Kirche, Bad Godesberg, Germany 28–30 Mar. 2003, I Dec. 2003. Japan: Weitblick SSS 0076. Deutsches Symphonie Orchester Berlin, Stanislas SKROWACZEWSKI. P Philharmonie Berlin concert 4 May 2003. CD—Germany: Berlin Classics 001615-2BC. Saarbrücken Radio Symphony Orchestra, Günther HERBIG. P Congresshalle, Saarbrücken concert 10 Apr. 2005, G Mar. 2007. Avie AV 2137. WDR Symphony Orchestra of Cologne, Semyon BYCHKOV. [Glanert.] P Philharmonie, Cologne 12–17 Apr. 2005, I Oct. 2005, G Jan. 2008. Australia: Melba Recordings MR 301105 (Hybrid SACD). Australian Youth Orchestra, Aleksandr ANISSIMOV. P Sydney Opera House concert 10 Apr. 2005, I Aug. 2006. Russia: Melodiya MEL CD 10 00872. State Academic Symphony Orchestra of Russia, Mark GORENSTEIN. [Op. 110a.] P Moscow State Conservatory 9–11 and 13–14 June 2004, I 2005. Netherlands: World Wind Music WWM 500 116. Arr. Perello. Royal Symphonic Band of the Belgian Guides, Henrie ADAMS. P Kazerae Kolonel De Hemptinne, Heverlee, Belgium 12–13 May 2005. Supraphon SU 38902 (on second of ten-disc set). Prague Symphony Orchestra, Maksim SHOSTAKOVICH. [Op. 14.] P Smetana Hall Prague concert 6–7 Dec. 2005, G Nov. 2006. USA: First commercial release (two-disc set). Tanglewood Music Center Orchestra, Bernard HAITINK. [Beethoven and Ravel.] P Tanglewood concert 3 July 2006. Notes: Elizabeth Wilson (1994, pp. 256–7 and 261–2) relates Tatyana Nikolayeva’s conviction that the symphony was composed in 1951 ‘parallel to the creation of the Preludes and Fugues’, Opus 87. David Fanning’s major study of the Tenth Symphony, The Breath of the Symphonist, was published by the Royal Musical Association, London, 1988. This 94-page book gives an almost bar-by-bar analysis of the symphony, illustrated with 60 music examples.

372

D M I T R I SHOSTA K OVIC H C A TA LO GUE

The origin of the enigmatic feature of the third movement—the horn call that occurs twelve times—was revealed by Nelly Kravetzina’s Michigan University lecture on 28 January 1994 and circulated in DSCH Journal No. 1 (summer 1994), 24–25. The motif is the encoded name of Elmira Nazirova who, at the time of the writing of the symphony, was a 25-year-old composer from Azerdaidzhan and an object of his affection. The first and last letters of Elmira are the notes E and A and the middle letters in Tonic Sol-fa notation are ‘l’ (= note A), ‘mi’ (= note E), and ‘r’ (= note D) giving the horn motif EAEDA. Elmira Nazirova contributed her story to the compilation Shostakovich in Context (Rosamund Bartlett ed., Oxford University Press, New York, 2000) and her photograph appears in an article by Aida N. Huseynova in DSCH Journal No. 17 (July 2002), 38–40.

Opus 94: Concertino Form: A small-scale concerto in A minor for two pianos four hands in one movement: Adagio—Allegretto—Allegro. Composed: 1953. Première: 8 November 1954, Moscow Conservatory Malyi Hall; Maksim Shostakovich and Alla Maloletkova (pianoforte duo). Arrangements: Transcribed for accordion duet by Tamara Murzina and Alla Gatsenko. Orchestral arrangement by Elliot Kaplan for the ballet Celebration. Arrangement for twelve-piece brass band by Kenneth Singleton. Transcriptions for piano and chamber orchestra by Julia Zilberquit in 1996 and Iloya Dimov c.2000. Music: Autograph score preserved at GTsMMK. Music Fund of the USSR, No. 461, 1955, 29 cm. MCA/Leeds Music, No. 2093, 1956, 30 cm. Muzyka, 1966, revised version. International Music, No. 2373, 1966, 30.5 cm. Muzyka, No. 5947 (in D. Shostakovich: Compositions for fortepiano, Volume 3), 1970, 29 cm. Muzyka, No. 2904, 1975, 29 cm. Hans Sikorski, No. 2185, 1975, 31.5 cm. Muzyka, No. 11214 (in Volume 13 of Collected Works), 1983, 30 cm. DSCH Publishers, Moscow, score in Volume 113 of New Collected Works. Duration: Approx 9 minutes in score; 7' 48"–11' 22"; 8 minutes (Sadovnikov); 10 minutes Plaistow). Chamber Orchestra version: 15' 39". Ballet: Celebration. Gerald Arpino, Joffrey Ballet, Chicago Auditorium Theater, 15 May 1980; danced to an orchestrated arrangement by Elliot Kaplan; conducted by Allan Lewis.

OP U S 94: CON CERT IN O

373

Recordings: LP and CD—USSR: MK D3036-7 (10" mono). Maksim and Dmitri SHOSTAKOVICH. P 2 Feb. 1956, I 1956 ~ USSR: Melodiya M10 39073-4 (in four-record set ‘D. Shostakovich—Pianist’, mono). I 1977b ~ HMV Melodiya HLM 7094 in Set RLS 721 (mono). G Oct. 1976 ~ USSR: Melodiya C10 14089-90 (in third box of Part 1 of Collected Works on Records, electronic stereo). I 1980. Reissued on CD—Japan: Victor Musical Industries VICC 2048 (‘Pianist = D. Shostakovich’). I 1990 ~ Revelation RV 70006 (‘Shostakovich plays Shostakovich’, Volume 5). I May 1998 ~ *Korea: Yedang Classics YCC 0022. [Opp. 35, 102, and 67.] I May 2002. LP—USSR: MK D5480-1 (10" mono). Anna KLAS and Bruno LUKK. P 1959. USSR: Melodiya C10 15055-6. Galina and Yuliya TURKNY. P 1962, I 1981c. Italy: Angelicum LPA 5940 (mono) and STA 8940. Gino GORINI and Sergio LORENZI. P early 1960s, I 1960s and stereo in 1970s. USSR: MK D27221-2 (10" mono). Lyubov BRUK and Mark TAIMANOV. P 1970. USA: Kapell SKR 5101. Allison NELSON and Harry Lee NEAL. P 1970. LP and CD—Classics for Pleasure CFPD 4144383 (in double album ‘Rachmaninov—Music for Four Hands’). John OGDON and Brenda LUCAS. P June 1975, G Apr. 1984. Reissued on CD—EMI Classics CZS 5 693S6-2 (two-disc set). I May 1996. LP—USSR: Melodiya C30 08631-2. Arr. for accordion duet. Tamara MURZINA and Alla GATSENKO (accordions). P 1977, I 1978a. USA: Musical Heritage Society MHS 1147Y. DUO DE HEIDELBERG (Hans-Helmut Schwarz and Edith Henrici). P 1977. France: Elyon EL 35013. Bernard and Geneviève PICAVET. P c.1979. *Bulgaria: Balkanton BKA 1770. Julia and Konstantin GANEV. [Hindemith, Lutosławski, and Constantinides.] P 1970s?. LP and CD—Sweden: Bluebell Bell 126. Inger WIKSTRÖM (piano—both parts). P Stockholm 28 Jan. and 1 Feb. 1981. Reissued on CD—Sweden: Swedish Society Discofil SCD 1031. I 1988. LP—USSR: Melodiya C10 18471-2. Viktoria POSTNIKOVA and Nikolai PETROV. P 1982, I 1983c. USA: Orion ORS 83462. Zoe ERISMAN (piano—both parts). P 1983. Belgium: Terpsichore 1982 029. Levente KENDE and Heidi HENDRICKX. P 1984. LP and CD—Chandos ARBD 1175 (‘Russian Music for Two Pianos’, digital). Seta TANYEL and Jeremy BROWN. P London July 1985, I July 1986, G Nov. 1986. Reissued on CD—Chandos CHAN 8466. I May 1987. CD—Pianissimo PP 21192 (‘Gemini Duo Series, Volume 3’). Claire and Antoinette CANN. P Hampstead 7–8 Sept. 1987, I Oct. 1993.

374

D M I T R I SHOSTA K OVIC H C A TA LO GUE

USA: Centaur CRC 2261. Arr. K. Singleton. Denver Brass, Kenneth SINGLETON. P Englewood, Colorado 17–19 June 1991, I 1996. Belgium: Discover International DICD 920150. DUO ‘REINE ELISABETH’ (Rolf Plagge and Wolfgang Manz). P Brussels 1992, I and G Nov. 1994. USA: Sonora SO 22566CD (‘The Revisionist’s Tale’). Natalia ZUSMAN and Inna HEIFETZ (piano duo). P Boston, Mass. 1994, I Nov. 1995. USA: Summit DCD 171 (‘Paving the Way’). Arr. K. Singleton. Summit Brass, Carl TOPILOW. P Danville, Kentucky June 1995. Denmark: Classico CLASSCD 141. ELVIRA PIANO DUO (Mimi Birkelund and Anne Mette Staehr). P Birkerød, Denmark Aug. 1995. Germany: Amati AMI SRR 9402. MENDELSSOHN DUO (Noriko Ishikawa and Manfred Kratzer). P Karlsruhe 12–13 Sept. 1995, I 1996. *USA: Athena Records 001. Simon TEDESCHI and Andrea LAM. [Haydn, Liszt, Van Heusen et al.] P New York 1995. USA: Music Masters 01612 67189-2. Arr. for piano and chamber orchestra by J. Zilberquit. Julia ZILBERQUIT (piano), Moscow Virtuosi, Vladimir Spivakov. P Dec. 1996. *Russia: Moscow Conservatorie SMC CD 0100. Elena GLADILINA and Natalya YURYGINA (piano duo). [Kodály, Bartók, and Arensky.] P Moscow Conservatory Malyi Hall, 1 Oct 1997, I 2008. France: Suoni e Colori SC 53008 (‘Hommage à Dmitri Chostakovitch, Volume 2’). Incorrectly labelled Op. 84. Thérèse DUSSAUT and Serge POLUSMIAK (piano duo). P Espace Fazioli, Paris Oct.–Nov. 1997. Germany: CPO 999 599-2. GENOVA & DIMITROV PIANO DUO. P Hans Rosbaud Studio 4–5 May 1998, I Apr. 1999. **Russia: Kvadro Classic KTL01-208. Arr. V.Kozodov. Dmitri SHVEDOV (piano), Moscow State Philharmonic Soloists. [Mozart, Molique, Stravinsky, Prokofiev.] P Tchaikovsky Concert Hall, Moscow 1 Feb. 2001, I 2001. Germany: ebs ebs 6125. Anatol UGORSKI and Dina UGORSKAYA. [Bach and Mozart.] P Festsaal, Johanneshaus Niefen-Oschelbronn 17–18 July 2001. Germany: New Classical Adventure NCA 60120-215. Sonia and Shanti SUNGKONO. [Rakhmaninov, Debussy, and Poulenc.] P Teldec Studios 4–6 Mar. 2002. Germany: Capriccio 71 087 (Hybrid SACD, on second of two-disc set). Margarete BABINSKY and Holger BUSCH. [Sans opp. O(ii & i) and E; Opp. 34 and 95.] P Universität für Musik,Vienna 2002 and 2005, I July 2006. SWG Music Hänssler Classic SWR Music 93.113. Arr. for piano and chamber orchestra by Ilya Dimov. Florian UHLIG (piano), Südwestfunk Radio Orchestra, Jirˇí Starék. [Opp. 35 and 102.] P Kaiserslautern Studio 13 Oct. 2003, I Mar. 2005. Argentina: EMI Classics 3 43914-2. Fernanda MORELLO and Patricia VILA. [Opp. 6 and 97a; Debussy.] P Buenos Aires Dec. 2003 and July 2004.

OP U S 95: SONG OF T H E GREAT RIVERS

375

Austria: Gramola 98770. Waltraud WULZ and Antoinetta Van ZABNER. [Haberl, Boulanger, Skryabin et al.] P Universität für Musik, Vienna 27–28 Mar. 2004. Russia: Northern Flowers NF 9941. Pyotr LAUL and Aleksandr SANDLER. [Opp. 5, 6, 22, 61; Sans op. O(i & ii).] P St Catherine Lutheran Church, St Petersburg 13 and 15 Apr. 2006, I 2006. Japan: Jasrac R 0681077 (CDR). Tetsu MASHIKO and Masaki NISHIHARA. [Opp. 96, 97, Sans op. O(ii & i); B. Chaikovsky and Schnittke.] P Piano Art Salon, Tsukishima, Tokyo concert 10 June 2006, I 2006. EMI Classics 504504-2. Martha ARGERICH and Lilya ZILBERSTEIN. [Opp. 35 and 57.] P Auditoris Stelio Molo, Lugano, Switzerland 25 June 2006, G Nov. 2007.

Opus 95: Song of the Great Rivers Form: Title in German Das Lied der Ströme = The Song of the Rivers. Music for the 90-minute black-and-white documentary film Song of the Great Rivers, (alternatively known as Unity and Seven Rivers) directed by the Dutch director Joris Ivens, for the then East German DEFA Studios. The score includes a Waltz and two songs: ‘Peaceful Labour’ (or ‘Poem about Work’), with words by Semyon Kirsanov, for S.A.A.T.B.B. chorus and orchestra; and ‘Song of Unity’ (also known as ‘Song of the Great Rivers’ or ‘Song of the Working People’), with the German verses of Bertolt Brecht translated by S. Kirsanov, for solo bass, S.A.T.B. chorus, and orchestra. The incomplete manuscript score, orchestral and choral parts stored at the Music Library of the USSR Cinematography Symphony Orchestra consists of three orchestral items depicting the Atom Bomb (using material from the Eighth Symphony, Opus 65) and the following numbers: Cover [Introduction]—Allegro 1. Song of the Great Rivers (‘The great Nile—our benefactor’)—Allegro non troppo 2. Prologue (Poem about Work) 3. The Indictment Episode—Adagio 4. ‘K.K.K.’ [= Ku Klux Klan]—Allegro 6. South Africa—Allegro 7. Children (viola and cello duet)—Moderato. Salt 8. Hard Labour—Moderato Instrumentation: piccolo, 2 flutes, 3 oboes, E flat clarinet, 2 clarinets (B flat and A), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone, celesta ~ harp ~ bass soloist, S.A.T.B. chorus ~ strings.

376

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Composed: 1954, at Moscow. The Waltz dates from 1953 or earlier. Premières: Film first shown on 17 September 1954 in Berlin. The score is played by the Leipzig Radio Orchestra and Chorus conducted by Walter Raatzke. In the film ‘Song of Unity’ is sung in English by Paul Robeson. Film released in Britain with the English commentary by Alex McCrindle (featured on a BBC2 TV documentary on Joris Ivens, Too Much Reality, on 21 January 1982). Dedication: ‘To the People Who Work On and Around the World’s Six Great Rivers’. NB. The seventh river was the international working class ‘flowing’ to the 1953 World Federation of Trade Unions Congress held in Vienna. Arrangements: Vocal scores of the two songs by the composer. The Waltz appears in Ballet Suite No. 4, Sans op. P(i); and transcribed for wind orchestra by M. Marantslikht. A version of the Waltz for piano duo recorded. The Cover [Introduction] and No. 6 South Africa utilises material from the film score The Return of Maxim, Opus 45. Music: Autograph of the film score believed to be preserved at the DEFA Studios, formerly in the German Democratic Republic. Music Fund of the USSR, 1956, ‘Peaceful Labour’, full orchestral and six-part choral score, 29 cm. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, ‘Peaceful Labour’ and ‘Song of Unity’ with piano accompaniment, 29 cm. Sovetskaya muzyka magazine, 1958, No. 11, ‘Song of Unity’. Sovetskii kompozitor, No. 928 (in Dmitri Shostakovich: Waltzes from Film Music), 1959, Waltz in full score, 29 cm. Muzgiz, 1961, Waltz arr. for wind orchestra by M. Marantslikht, score and parts. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, ‘Peaceful Labour’ and ‘Song of Unity’ with piano accompaniment, 30 cm. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, five items, 30 cm. DSCH Publishers, Moscow, score in Volume 139 of New Collected Works. Duration: Film: 92 minutes. Ballet: The Young Lady and the Hooligan. The first half of the Waltz used by Levon Atovmyan in the 1962 ballet. See under Opus 27. Recordings: ‘Song of Unity’ sung in German by Ernst Busch, recorded in 1967. CD—Germany: CPO 999 599-2. Waltz arr. for piano duo. GENOVA & DIMITROV PIANO DUO. P Hans Rosbaud Studio 4–5 May 1998, I Apr. 1999. NB. Waltz incorrectly labelled as from Op. 22. USA: Delos DE 3257 (‘Waltzes’—see Samplers). Waltz. Moscow Chamber Orchestra, Constantine ORBELIAN. P Moscow Conservatory 12–14 July 1999, G Dec. 1999.

OP U S 96: F E ST IVE OVERT URE

377

**Capriccio 71087 (Hybrid SACD, on second of two-disc set). Waltz arr. for piano duo. Margarete BABINSKY and Holger BUSCH. [Sans opp. O(ii & i) and E; Opp. 34 and 94.] P Universität für Musik, Vienna 2002 and 2005, I July 2006.

Opus 96: Festive Overture Form: An occasional overture in A major, sometimes titled Festival or Holiday Overture, marked ‘Allegretto’, for large orchestra (with optional brass band). The fanfare is based on ‘Birthday’, No. 7 of Opus 69. Instrumentation: piccolo, 2 flutes, 3 oboes, 3 A clarinets, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum ~ strings. Optional separate band of 4 horns, 3 trumpets, and 3 trombones for the coda. Composed: Autumn 1954, at Moscow, for the thirty-seventh anniversary of the October Revolution. [The date is given as 1954 on scores but dated earlier as autumn 1947 for the thirtieth anniversary, in an article ‘A Talk with D. D. Shostakovich’ in the Evening Leningrad newspaper of 29 August 1947 and in Volume 11 of Collected Works.] Premières: 6 November 1954, Moscow Bolshoi Theatre; Bolshoi Theatre Orchestra, Aleksandr Melik-Pashayev. USA: 16 November 1955, Utah Symphony Orchestra, Maurice Abravanel and New York; 16 February 1956, New York Philharmonic Orchestra, Dimitri Mitropoulos. UK: 27 August 1962, Royal Albert Hall ‘Prom’, London; BBC Northern Orchestra, George Hurst. Arrangements: Transcribed for military band or wind orchestra by Valeri Petrov, Donald Hunsberger, Mark Vakhutinsky, Lawrence Foster, Siegmund Goldhammer, Tohra Takahashi and others; and for brass band by Harry Cornthwaite and Michael Antrobus. Another brass band arrangement by Kitson was recorded by the William Fairey Band under Sian Edwards for the BBC Radio 3 broadcast on 5 June 2002. Transcription for brass quintet by members of the Elbeblech Brass Quintet (published by Blechpresse). Reductions for piano four hands by Emin Khachaturyan and for two pianos four hands by A. Bubelnikov. Arranged for bayan trio by A. Khizhnyak. The fanfare frequently played at outdoor ceremonies such as at the Bulgarian 9 September celebrations and the 22nd and 23rd Olympic Games. Adopted as the musical emblem for the 22nd Olympic Games, held in Moscow in 1980. [The Shot Heard Around the World by Katherine Kennicott Davis, for S.A.T.B. chorus, organ, and optional 1st and 2nd B flat trumpets—a setting of the Concord Hymn by Ralph Waldo Emerson—stated to be based on an

378

D M I T R I SHOSTA K OVIC H C A TA LO GUE

undisclosed Shostakovich theme, entered here on account of the similar trumpet fanfares. Duration: c.2' 55". Music: Warner Bros., New York, No. CHO 750 (plate no. TMK-519-9), 1974, score and trumpet parts, 26.5 cm.] Instrumentation: of Vakhutinsky’s arrangement—flute (= piccolo), 2 oboes, 3 B flat clarinets, 2 bassoons ~ 2 E flat alto saxhorns, 3 trumpets, 3 trombones ~ timpani, triangle/side drum, cymbals/bass drum ~ 3 B flat cornets, additional 8 saxhorns (2 E flat, 3 B flat tenor, B flat baritone, and bass). Parts for oboes, bassoons, and timpani not obligatory. Music: Autograph score preserved at GTsMMK and its rough copy at TsGALI. The first page of the autograph score is reproduced in Volume 11 of Collected Works. Music Fund of the USSR, 1955 and 1959, score and parts. Leeds Music and DICA, no number, c.1957, 23 cm. Muzgiz, No. 26026, 1958, arr. for wind orchestra by V. Petrov, score, 29 cm. Edwin F. Kalmus, No. 526, no date, 26 cm. Edwin F. Kalmus, No. 2039, no date, conductor’s full score, 33.5 cm. Sovetskii kompozitor, 1960, reduction for piano four hands by E. Khachaturyan. Muzyka, No. 2109, 1961, reduction for two pianos four hands by A. Bubelnikov. Edwin F. Kalmus, No. 3867, no date, above reduction though arranger not credited, 30.5 cm. MCA, 1965, arr. for band by D. Hunsberger, score and parts, 31 cm. Muzyka, No. 6197, 1970, full score, 28.5 cm. Muzyka, No. 9706, 1977, arr. for military band by M. Vakhutinsky, score, 29 cm. Midland Music, London, 1979, arr. for brass band by H. Cornthwaite. Chandos Music, Colchester, No. 490, 1980, arr. for brass band and percussion (timpani, triangle, side drum, cymbals, bass drum) by M. Antrobus, score and parts, 29.5 cm. Muzyka, No. 11687 (in Volume 11 of Collected Works), 1984, 30 cm. DSCH Publishers, Moscow, full score in Volume 35 of New Collected Works. Duration: Approx. 6 minutes in score; 5' 07"–6' 47"; 6' 50" (Plaistow). Film: The Festive Overture, played by the BBC Symphony Orchestra under Leonard Slatkin, launched the 109th Proms Season on 18 July 2003 and was screened live from the Royal Albert Hall on BBC TV2. Recordings: *CD—Revelation RV 10084 (mono). All-Union Radio and Television Orchestra, Gennadi ROZHDESTVENSKY. [Opp. 77 and 114a.] P 17 April 1947 (‘jewel case’ insert date. See note under Composed), I Aug. 1997.

OP U S 96: F E ST IVE OVERT URE

379

[USSR: recorded on cine-film. Moscow Philharmonic Orchestra. Samuil SAMOSUD. P 1954.] 78 rpm and LP—USSR: 25529-30 (10"). Bolshoi Theatre Orchestra, Aleksandr MELIK-PASHAYEV. P 1955. Reissued on LP—USSR: Melodiya M10 42777-8 (‘Melik-Pashayev conducts’, mono). I I98lb. USSR: MK D00010871-2 (7" mono). Moscow Radio Symphony Orchestra, Aleksandr GAUK. P 1950s, I 1962 ~ USA: Monitor MC 2015 (mono). I 1958 ~ USA: Bruno BR 14050 (mono). I 1961. CD—USA: Russian Disc RDCD 10 902 (mono). Leningrad Philharmonic Orchestra, Yevgeni MRAVINSKY. P Leningrad Philharmonic Bolshoi Hall concert 23 Feb. 1955 (not 21 Apr. 1955 as stated), I 1994. Revelation RV 10061 (mono). State Radio and Television Large Symphony Orchestra, A. GAUK. P concert 24 Sept. 1955, I Feb. 1997, G Sept. 1997. LP—Waverley YLP 055 (mono) and SYLP 5056 (7" 45 rpm). Scottish National Orchestra, Alexander GIBSON. P May 1962, G Dec. 1962 ~ HMV SXLP 20099. G Aug. 1967. HMV ALP 2009 (mono) and ASD 559. Philharmonia Orchestra, Georges PRÊTRE. P 21–22 Mar. 1963, G Nov. 1963 ~ Classics for Pleasure CFP 141. [Op. 112.] G Oct. 1970. USSR: Melodiya D 13213-4 (10" mono). Arr. A. Khizhnyak. URALS BAYAN TRIO (I. Shepelsky, A. Khizhnyak, N. Khudyakov). P 1964. LP and CD—Czech: Supraphon SUA 10576 (mono) and SUA ST 50576. Czech Philharmonic Orchestra, Karel ANCˇERL. P Prague 10 Apr. 1964, G Nov. 1965. *Reissued on CD—EMI Classics 5 75091-2 (two-disc set). [Novak, Krejci, Janácˇek, and Macha.] I 2001, G July 2002. USA: Polydor 245006. Boston Pops Orchestra, Arthur FIEDLER. P Symphony Hall, Boston Feb. 1971 ~ Polydor 2391 005. G June 1971. *Reissued on CD—Deutsche Grammophon 477 6118 (two-disc set). [Mendelssohn, Bach, Vaughan Williams et al.] I 2007. USA: 2-Mark 40400. Arr. for wind band. University of Minnesota Concert Band Ensemble, BENCRISCUTTO. [?] P 1971. *CD—Revelation RV 10084. USSR State Radio Symphony Orchestra, Gennadi ROZHDESTVENSKY. [Opp. 77 and 114.] P Moscow 11 Apr. 1972, I Aug. 1997 ~ *Korea: Yedang Classics YCC 0080. [Tchaikovsky and Berlioz.] LP—Decca SB 304. Arr. H. Cornthwaite. The Fairey Band, Kenneth DENNISON (conductor), Harry Mortimer (musical adviser). P 1973, G May 1973. Music for Pleasure MFPA 57009. National Youth Orchestra of Wales, Arthur DAVISON. P 1973, G July 1973. Decca SB 702. Arr. for military band. Band of the Grenadier Guards, Major Peter PARKES. P 1973, G Sept. 1973.

380

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Virtuosi VR 7506. Arr. H. Cornthwaite. The Virtuosi Brass Band, Harry MORTIMER. G Jan. 1976. LP and CD—USA: Columbia M 35114 (‘Festive Overtures’). Cuts figs. 3 to 4 minus 3 bars and 26 to 33. Columbia Symphony Orchestra, Andrè KOSTELANETZ. P New York 17 and 18 Jan. 1977. Reissued on CD—Sony Classical SBK 62642. G June 1997. LP—USSR: Melodiya C10 10399-400. USSR Symphony Orchestra, Yevgeni SVETLANOV. P 1978, I 1978d. ~ HMV Melodiya ASD 3855. G May 1980 ~ USSR: Melodiya C10 13327-8 (‘Moscow Souvenir’ in double album with C60 13329-30). I 1980d ~ USSR: Melodiya C60 14423-4 (‘The Olympic Fanfares Resound in Moscow’). Fanfare only. I 198lb ~ USSR: Melodiya C10 21717 004 (‘Soviet Overtures’). I 1985c. LP and CD—Unicorn Chalfont SDG 301 (digital). London Symphony Orchestra, Morton GOULD. P Sept. 1978, G Feb. 1980 ~ Academy Sound and Vision ABM 763 R (digital). G Sept. 1984 Reissued on CD—USA: Varese/Sarabande VCD 47209. Bulgaria: Balkanton BCA 10212. Plovdiv State Philharmonic Orchestra, Dobrin PETKOV. P c.1978. Reissued on CD—Cirrus Classics CRS CD212 (two-disc set). I 1993. Chandos BBR1011 (‘A Russian Festival’). Arr. M. Antrobus. Black Dyke Mills Band, Michael ANTROBUS. P Manchester 24 Feb. 1980, G Aug. 1981. Reissued on CD—Chandos CHAN 4519. I 1992. LP—Unicorn-Kanchana DKM 6001 (digital). Arr. for military band. Band of the Grenadier Guards, Major D. R. KIMBERLEY. P Royal Albert Hall, London concert 15 Nov. 1980, G Feb. 1982. Northern Music Services NMS 401 (mono) and MN 601. Massed Bands, Captain C. R. C. GARRITY. P York concert 1984. Polyphonic PRM104 D (digital). Arr. for military band. Massed Bands of the Royal Air Force, Wing Commander Eric BANKS. P Barbican, London concert May 1985. *CD—BBC Legends BBCL 4220-2. Op. 29/114a. London Symphony Orchestra, G. ROZHDESTVENSKY. [Opp. 43 and 29/114a.] P Barbican Hall, London 8 July 1985, G Dec. 2007. LP—Bandleader BND 1021 (‘Call for the Guns’, digital). Arr. for military band. Royal Artillery Band, Major Frank RENTON. P London Oct. 1985, G May 1986. LP and CD—HMV EL 2705901 (‘Strike up the Band’, DMM) and released on CD—CDC7 47885-2. Arr. D. Hunsberger. Central Band of the Royal Air Force, Wing Commander Eric BANKS. P Watford Aug. 1986, G Apr. 1987. USA: Sheffield Labs TDC 27 (‘The Moscow Sessions’, digital) and released on CD—CD 27. Moscow Philharmonic Orchestra, Lawrence Leighton SMITH. P Moscow 9–18 Aug. 1986, G Feb. 1988.

OP U S 96: F E ST IVE OVERT URE

381

BBC Records REN 637X (digital) and released on CD—CD 637X. BBC Welsh Symphony Orchestra, Mariss JANSONS. P Swansea Nov. 1986, G Aug. 1987 and Feb. 1988. CD—Canada: CBC Enterprises SMCD 5069 (‘Canadian and Russian Overtures’). Edmonton Symphony Orchestra, Uri MAYER. P c.1986, I 1989. LP and CD—Chandos ABRD 1279 (digital) and released on CD—CHAN 8587. Scottish National Orchestra, Neeme JÄRVI. P Glasgow 14–17 Apr. 1987, I Mar. 1988, G July 1988. CD—Conifer Aspects ASP 5072 (‘Music Festival of Russia’). I Oct. 1991 ~ Chandos 7000/1 (two-disc set). I Sept. 1994, G May 1995 ~ *Chandos CHAN X10088 (two-disc set) [Op. 27a, 114a, and Sans op. P.] I June 2003. CD—Telarc/Conifer 80170 (‘Symphonic Spectacular’). Cincinatti Pops Orchestra, Erich KUNZEL. P Cincinnati 14–15 Sept. 1987, G Oct. 1989 ~ *Telarc SACD 60595 (‘Classics at the Pops’). [Copland, Weinberger, Respighi et al.] I 2004. LP and CD—Virgin Classics VC 790784-1 (digital) and released on CD—VC 790784-2. London Philharmonic Orchestra, Andrew LITTON. P London Apr. 1988, I and G Apr. 1989 ~ CD—Virgin Classics Ultraviolet 7243 5 611342-2. I Aug. 1994, G Aug. and Nov. 1994. CD—Japan: Brain BOCD 7001 (‘All Japan Band Competition, Volume 1’). Arr. D. Hunsberger. Toyama Commercial High School Band, Terunobu TSUJISHIMA. P Tokyo concert 21 Oct. 1989. Collins Classics 1108-2. London Symphony Orchestra, Maksim SHOSTAKOVICH. P 4–6 Jan. 1990, G Sept. 1990. Music Masters MMCD 410 (‘Celebration’). Arr. D. Hunsberger. Royal Marines Band (Flag Officer Scotland and N. Ireland), Lt Peter J. RUTTERFORD. P Dunfermline 18–19 Jan. 1990, G Nov. 1990. Delos DF 3089. Helsinki Philharmonic, James DEPRIEST. P Hyvinkää, Finland 19–20 Apr. 1990, 1 Oct. 1990, G Jan. 1991. Sony Classical SK 47198 (‘Live in Osaka’). Arr. D. Hunsberger. Eastman Wind Ensemble, Donald HUNSBERGER. P Osaka concert June 1990, I June 1992. Decca 436 762-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Watford Sept. 1990, G Aug. 1994. Sweden: Marinens Musikkår MMCD 1. Arr. D. Hunsberger. Royal Swedish Navy Band, Sverker HÅLLANDER. P Swedish radio Apr.–May 1991. EMI Classics CDC7 54803-2. Philadelphia Orchestra, Riccardo MUTI. P Philadelphia 18–20 Apr. 1992, I June 1993, G Dec. 1993 ~ USA: EMI Classics DZ1 79887 (in nine-disc set, ‘The Philadelphia Sound’). I Nov. 1994.

382

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Sweden: BIS Compact Disc CD 570. Malmö Symphony Orchestra, J. DEPRIEST. P. Malmö Concert Hall 29 May–2 June 1992, I and G Jan. 1993. Japan: Canyon Classics EC 3672-2. Russian Federation Symphony Orchestra and Bolshoi Theatre Brass Ensemble, Yevgeni SVETLANOV. P Moscow 15–16 June 1992, G Oct. 1994. USA: Telarc CD 80305 (‘On the Edge’). Arr. J. Pilaflan. EMPIRE BRASS. (Rolf Smedvig, Jeffrey Curnow, Timothy Morrison—trumpets; Eric Ruske—horn, Scott A. Hartman—trombone, and J. Samuel Pilafian— tuba). P Lennox, Mass. 29–30 Aug. 1992, G Jan. 1994. Deutsche Grammophon 439 892-2 (‘Russian Overtures’, 4D Audio). Russian National Orchestra, Mikhail PLETNEV. P Moscow concert Nov. 1993, I and G Dec. 1994. Tring TRP 032. Royal Philharmonic Orchestra, Sir Charles MACKERRAS. P London July 1994, I May 1995, G Sept. 1995 ~ Sunday Times Music Collection 235 (‘RPO 50th Anniversary’). I 1996 ~ *Germany: RPO Classics 222874-203 (Hybrid SACD). [Op. 47.] I 2005 ~ *Germany: Designo 222521 (on first of four-disc set). [Op. 47.] I June 2005. *BBC Worldwide Music WMEM 001-2 (‘Listen to the Band’). Arr. Kitson. Grimethorpe Colliery Band, Major Frank RENTON. [Eight bands playing classical pieces.] P St John’s, Smith Square, London 29 Oct. 1994, I 1997. Naxos 8.553126. New Zealand Symphony Orchestra, Christopher LYNDON-GEE. P Wellington 2–4 Nov. 1994, I Sept. 1995. Chandos CHAN 7025 (‘Brian Kay’s Sunday Morning’ on BBC Radio 3). BBC Philharmonic, Vernon HANDLEY. P Manchester 20–21 Feb. 1995, I Oct. 1995. Sweden: Imogena IGCD 062. Arr. M. Antrobus. Göteborg Brass Band, Bengt EKLUND. P Lundbymnasiet Mar. 1995. RCA Red Seal 09026 68844-2. St Petersburg Philharmonic Orchestra, Yuri TEMIRKANOV. P St Petersburg 3–4 Jan. 1996, I July 1999 ~ *RCA Classic Library 828767238-2. [Op. 65.] I 2006. Sony Classical SK 62622 (‘Summon the Heroes’, Olympic themes). Boston Pops Orchestra, John WILLIAMS. P Boston 6–10 Jan. 1996, I July 1996. USA: Delos DE 3246. Dallas Symphony Orchestra, Andrew LITTON. P Dallas 19–20 May 1998. **Angelok1 CD-9932. Russian Federal Orchestra, Vakhtang JORDANIA. [Op. 65.] P Radio Palace Hall, Moscow Sept. 1999, I 2005. Hertfordshire Music Service (no number). Hertfordshire County Youth Orchestra, Peter STARK. [Rakhmaninov.] P Watford 12-12 Apr. 2001. Chatham’s School of Music CHET 06. Chatham’s Symphony Orchestra, Benjamin ZANDER. [Tchaikovsky.] P Bridgewater Hall, Manchester concert 8 July 2001.

OP US 97: T H E GADFL Y

383

Japan: Extra OVCL 00058 and SACD OVGL 00009. Philharmonia Orchestra, Vladimir ASHKENAZY. [Op. 47.] P rehearsal Tokyo 27 July 2001 ~ Signum Classics SIGCD 135. [Op. 47.] I Oct. 2008, G Jan. 2009. Russia: Private release commemorating the 80th anniversary of the Moscow Philharmonic, no catalogue number (two-disc set). Moscow Philharmonic Orchestra, Yuri SIMONOV. [Rakhmaninov and Beethoven.] P Moscow Conservatory Bolshoi Hall 29 Jan. 2002, I 2002. DVD—Germany: TDK EuroArts DV COGSP 105349. St Petersburg Symphony Orchestra, Yuri TEMIRKANOV. [Ravel, Rakhmaninov, Saint-Saëns et al.] P St Petersburg concert 1 June 2003, I 2004. CD—Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites—Film Music’, on first of three-disc set). National Symphony Orchestra of Ukraine, Theodore KUCHAR. [Sans opp. G(ii), E, and U; Op. 115.]. P National Radio Studio, Kyiv 1–8 June and 13–14 July 2004 ~ Brilliant Classics 7096 (Hybrid SACD). [Sans opp. G(ii), E, and U; Opp. 115.] I 2005. Japan: Jasrac R 0681077 (CDR). Arr. A. Bubelnikov. Tetsu MASHIKO and Masaki NISHIHARA (piano duo). [Opp. 94, 97, Sans op. O(ii and i); B. Chaikovsky and Schnittke.] P Piano Art Salon, Tsukishima, Tokyo concert 10 June 2006, I 2006. Germany: Genuin GMP 88114. Arr. for brass quintet. ELBEBLECH BRASS QUINTET (Thomas Meise and Stephan Stadtfeld—trumpets, Michael Winter—horn, Martin Räpple—trombone, and Stefan Kaundinya—tuba). [J.S. Bach, Bernstein, Jubim et al.] P Zionskirche, Bielefeld-Eckardtsheim, Germany 21–24 Aug. 2007, I 2008. Notes: For the circumstances of this work’s commission see Wilson (1994, 264–65). There are numerous other wind and military band recordings of the Festive Overture, especially from German, Dutch, Japanese, Swedish, and American sources. Details of many CD releases can be found online and some are quoted on <www.westcoastmusicservice.com>

Opus 97: The Gadfly Form: Orchestral music for the Sovcolour film, with script by Yevgeni Gabrilovich based on the novel The Gadfly by Ethel Lilian Voynich, directed by Aleksandr Faintsimmer for Lenfilm. The score consists of 24 items (Nos. 4, 6, 11, 21, and 24 contain no new themes): 1. 2. 3. 5.

Overture—Moderato con moto The Cliff—Moderato Youth—Allegretto moderato Confession (solo organ)—Andante

384

D M I T R I SHOSTA K OVIC H C A TA LO GUE

7. 8. 9. 10. 12. 13. 14. 15. 16. 17. 18. 19. 20. 22. 23.

Box on the ear—Andante con moto Laughter—Andante—Adagio Barrel Organ—Allegretto Divine Service at the Cathedral (solo organ)—Andante Exit from the Cathedral—Moderato Contredanse—Moderato con moto Galop—Presto Guitars—Andantino At the Market Place—Presto The Rout—Adagio The Passage of Montanelli—Moderato Finale—Moderato con moto The Austrians—Allegro non troppo The River—Allegro Gemma’s Room—Moderato con moto

No. 16 in a revised orchestration appears as Dance I in Suite for Variety Stage Orchestra No. 2, Sans op. G(ii). Instrumentation: piccolo, 2 flutes, 2 oboes, 3 clarinets (B flat and A), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong ~ orchestral bells, harp, organ ~ 2 guitars ~ strings. Composed: Spring 1955, at Moscow. Premières: Film first shown on 12 April 1955. Suite in USA: 18 October 1987, Carnegie Hall, New York; American Symphony Orchestra, José Serebrier. Arrangements: Opus 97a—Suite derived from the film score numbers quoted in parentheses, assembled by Levon Atovmyan in 1955: 1. Overture—Moderato con moto (1) 2. Contredanse—Moderato (13) 3. People’s Holiday (‘Folk Festival’, ‘Folk Feast’, ‘Tarantella’, ‘Neopolitan Dance’, or ‘Spanish Dance’)—[Allegro vivace] (16) 4. Interlude—Adagio (17) attacca 5. Barrel Organ Waltz—Allegretto (9) 6. Galop—Allegro (14) 7. Prelude (‘Introduction’ in 1960 score)—Andantino (15 and 5) 8. Romance—Allegro moderato (3 and 7) 9. Intermezzo—Andante (10, 12, and 18) 10. Nocturne—Moderato (23) 11. Scene—Moderato (2) 12. Finale—Allegro non troppo (20)

OP US 97: T H E GADFL Y

385

Individual numbers of the Suite variously transcribed, including the selection listed below: Nos. 1–3, 5, 6, and 8–11 for viola and piano by Vadim Borisovsky. Nos. 1–3, 5, and 8 for organ by Mariya Makarova. No. 2 for balalaika and bayan by Oleg Glukov. Nos. 2, 3, 8, and 10 for cello and piano by L. Atovmyan. Nos. 2, 5, and 10 for piano by Bronislava Rozengauz. No. 3 for two pianos by the composer; two violins and piano titled ‘Spanish Dance’ by L. Atovmyan; cello and piano by Juozas Chelkauskas, wind band by Donald Hunsberger, and for brass band by Howard Snell. Nos. 3 titled ‘Neopolitan Dance’ and 8 for mandolin by Emanuil Shenykman. No. 5 appears as the fourth item in Four Waltzes, Sans op. P(ii). No. 7 for two trombones and piano by K. Serostanov. The violin duet with piano version by L. Atovmyan/Konstantin Fortunatov appears as the first item of Three Violin Duets, Sans op. P(iii). A piano reduction is titled ‘Melodic Moment’. No. 8 for trombone by Viktor Venglovsky; organ and string orchestra by Peteris Sipolniek; double-bass and piano by Rodion Azarkhin; violin and piano versions by K. Fortunatov and Donald Fraser; cello and piano by J. Chelkauskas; B flat clarinet and piano by Eirian Griffiths; string quartet by D. Fraser; ensemble of 48 violins by Julian Milone; and brass band by Derek Broadbent. Piano versions by M. Sagradova and Harry Rabinowitz (the latter abbreviated). No. 10 for cello and orchestra by Dmitri Yablonsky. Instrumentation: of Suite Opus 97a—piccolo, 2 flutes, 3 oboes. 3 clarinets (B flat and A = 3 alto saxophones in No. 7), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone, celesta, piano, harp ~ strings. Arrangements: Film score— No. 3 of the film score arranged for cello and orchestra by D. Yablonsky and No. 15 for two guitars from piano notation (following instructions left by the composer) by Yevgeni Larichev. No. 3 transcribed for balalaika quartet (recorded on a Russian disc M-Classic MC CD 2003-86, issued in 2003). Eight numbers (Nos. 1–3, 9, 16, and 18–20) from the Opus 97 film score transcribed for wind band by Yoshikiro Kimura. Music: The autograph of the film score has not been discovered though a manuscript copy collated with the autograph score is preserved at NBGCOK. The numbers below refer to the Suite Opus 97a.

386

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Sovetskii kompozitor, No. 928 (in Dmitri Shostakovich: Waltzes from Film Music), 1959, No. 5 only, full score, 29 cm. Muzgiz, No. 28122, 1960, Suite Opus 97a, full score, 35 cm. Sovetskii kompozitor, No. 2718 (in D. Shostakovich: Pieces for cello and piano), 1962, Nos. 2, 8, 10, and 3 arr. L. Atovmyan, 29 cm. Hans Sikorski, No. 2186, 1964, No. 3 ‘Tarantella’ for two pianos, 31.5 cm. Edition Peters, No. 4794 (plate no. 12389—in Shostakovich: Album of Easy Pieces), 1967, No. 8 arr. K. Fortunatov, 30.5 cm. MCA, 1968, No. 5 only, score and parts, 31 cm. Boston Music, No. 13781, c.1971, No. 3 arr. for wind band by D. Hunsberger, 31 cm. Muzyka, 1972, No. 8 only arr. for trombone by V. Venglovsky. Sovetskii kompozitor, No. 4719 (in D. Shostakovich: Pieces for violin and piano), 1975, No. 7 arr. for violin duet and No. 8 for violin, 28.5 cm. Sovetskii kompozitor, No. 3672 (in Pieces by Soviet Composers for cello and piano, book 5), 1976, No. 3 arr. J. Chelkauskas, 29 cm. Muzyka, No. 9104, Nos. 11, 9, 3, and 8 arr. for viola and piano by V. Borisovsky, 29 cm. Also editions grouping Nos. 5. 10, and 6; and 1, 8, and 2. Muzyka, No. 9986 (in Easy pieces for trombone and piano), 1978, No. 7 arr. for two trombones and piano by K. Serostanov, parts, 29 cm. Muzyka, Leningrad, No. 2330 (with Op. 116), 1978, Nos. 7, 2, 8, and 3 abridged for piano by Zinaida Vitkind, 28.5 cm. Originally published in 1967. Sovetskii kompozitor, No. 4920 (in D. Shostakovich: Selection of Children’s Piano Pieces), 1979, Nos. 2, 5, and 10 arr. by B. Rozengauz, 29 cm. Standard Music, Portland Street, London, 1983, No. 8 arr. for piano by H. Rabinowitz, 30 cm. Hans Sikorski, No. 2283, 1986, No. 3 arr. by J. Chelkauskas, parts, 31.5 cm. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, nineteen items of the film score, 30 cm. Fentone, Corby, Northants., No. F 399, 1986, No. 8 arr. for violin and piano by D. Fraser, score and part, 31 cm. Fentone, No. F 401, 1987, No. 8 arr. for B flat clarinet and piano by E. Griffiths, score and part, 31 cm. Fentone, No. F 427, 1988, No. 8 arr. for string quartet by D. Fraser, score and parts, 31 cm. Muzyka. No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, Nos. 8 and 10 arr. J. Chelkauskas and L. Atovmyan respectively, 29 cm. DSCH Publishers, Moscow, no number, 1997, ‘Romance’ for solo violin and orchestra, 29 cm.

OP US 97: T H E GADFL Y

387

DSCH Publishers, Moscow, full film score in Volume 139 of New Collected Works. Duration: Film: 94 minutes. Suite Opus 97a: 41' 08"–44' 51"; 40 minutes (Sadovnikov). Folk Festival (No. 3): 2' 25"–3' 04"; 3' 00" (Plaistow). Romance (No. 8): 5' 50"–6' 15". Film score No. 5 (Confession) 3' 55" and No. 10 (Divine Service at the Cathedral) 2' 31". Film: Reilly—Ace of Spies. Romance (No. 8), arr. by Harry Rabinowitz, used as a signature tune for this Euston Films twelve-part serial for ITV about the extraordinary life of the British Secret Service’s first professional agent, Sidney Reilly. Ballets: The Young Lady and the Hooligan. Romance, arr. Atovmyan, used in 1962 ballet. See under Opus 27. The Overcoat. Includes Romance. See under Opus 32. Recordings: CD—Revelation RV 70002 (‘Shostakovich plays Shostakovich, Volume 2’, mono). Guitars No. 15 arr. composer. Dmitri SHOSTAKOVICH (piano). P 28 May 1955, I Oct. 1997, G Feb. 1998 ~ *USA: Eclectra ECCD 2067 (‘Shostakovich plays Shostakovich’, Volume 2, mono). [Opp. 57, 34, and 79.] I Oct. 2004. *Russia: Marantz (unnumbered). Op. 97a Nos. 1, 7, 2, 6, 9, 8, 5, 10, and 3. USSR Cinematograph Symphony Orchestra, Viktor GOLOVANOV-SMIRNOV. [Arensky.] P 1957–58, I c.2004. LP and CD—USSR: MK D07939-40 (mono) and C0123-4. Complete Suite. Grigori Kemlin (violin), Arnold Ferkelman (cello), USSR Cinematograph Symphony Orchestra, Emin KHACHATURYAN. P 1961 ~ USSR: Melodiya D00018303-4 (7" mono). No. 8 only. I 1966 ~ HMV Melodiya ASD 3309. Complete Suite. G Feb. 1977 ~ Classics for Pleasure CFP 41 4463 1. Complete Suite. G Sept. 1984. Reissued on CD—EMI Classics for Pleasure CD-CFP 4463. Complete Suite. I Nov. 1988, G Apr. 1989. LP—USSR: MK D9319-20 (10" mono) and C 277-8 (10"). No. 8 only. Irina Saitseva (piano), Violins of the Bolshoi Theatre, Yuli REYENTOVICH. P 1962 ~ USSR: Melodiya CM 03397-400 (‘Moscow Souvenir’, two-record set). I 1973 ~ HMV Melodiya SXLP 30188 (‘Stringtime in Moscow’, Volume 1). G Jan. 1976. USSR: MK D12651-2 (10" mono) and C711-2. No. 8 arr. for organ and string orchestra. Peteris Sipolniek (organ), Violin Ensemble of Riga Musical School, I. ABRAMISA. P 1963. LP and CD—USA: Columbia ML 6267 (mono) and MS 6867. Nos. 5, 10, 3, 6, and 7. André KOSTELANETZ and his Orchestra. P New York 23 and 29 Nov. 1965 ~ CBS BRG 72504 (mono) and SBRG 72504. G Feb. 1967 ~ CBS Classics 61220. G May 1971 ~ CBS S 73443 in Set CBS 77394. Nos. 7, 5, 10, 3, and 6. G Oct. 1975. Reissued on CD—Sony Classical SBK 62642. Nos. 5, 10, 3, 6, and 7. G June 1997.

388

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP—USSR: Melodiya D19071-2 (10" mono). No. 8 only arr. R. Azarkhin. Rodion AZARKHIN (double-bass) and Elena Aleksandrova (piano). P 1967 ~ USSR: Melodiya C10 06417-8. I 1975. USSR: Melodiya CM 02805-6. No. 8 arr. for organ and string orchestra Peteris Sipolniek (organ), Violins of the Bolshoi Theatre, Yuli REYENTOVICH. P 1971, I 1972. USSR: Melodiya C20 08387-8. No. 2 arr. for balalaika and bayan. Oleg GLUKHOV (balalaika) and Valeri Azov (bayan). P 1976, I 1977d. CD—USA: Russian RCD 16238 (‘Russian Piano School’). No. 8 arr. M. Sagradova. Nataliya GAVRILOVA (piano). P 1976-90, I 1998. LP—USSR: Melodiya C10 10399-400. No. 8 only. Genrikh Fridgeim (violin), USSR Symphony Orchestra, Yevgeni SVETLANOV. P 1978, I 1978d ~ France: Le Chant du Monde LDX 78687. I Mar. 1981. Hungary: Balkanton BCA 10169. No. 8 only. 202 Children (violin ensemble of musical schools), Emil YANEV. P mid-1979. USSR: Melodiya C60 15069-70 (‘Recollections’). Paraphrase on theme from Ovod arr. A. Kalvarsky. Leningrad Concert Orchestra, Anatoli BADKHEN. P 1980, I 1981d. Marlborough College SM 237. No. 3 only, arr for wind band. Marlborough College Wind Orchestra, Robert PEEL. P London concert 5 Nov. 1980, G June 1981. Sweden: Bluebell Bell 126. No. 7 only, labelled ‘Melodic Moment’. Inger WIKSTRÖM (piano). P Stockholm 28 Jan. 1981 and 1 Feb. 1981. LP and CD—Contour Red Label CC 7557 (‘Russian Spectacular’, digital). No. 3 only, labelled ‘Folkfeast’. London Symphony Orchestra, Yuri ARANOVICH. P 1982, I Apr. 1982. Reissued on CD—Pickwick IMP Red Label PCD 804 (‘Russian Spectacular’). I May 1985, G Aug. 1985. USSR: Melodiya C10 17233000 (in two-record set ‘Popular Pieces by Soviet Composers’). No. 8 only. S. Girshenko (violin), Bolshoi Theatre Orchestra, Mark ERMLER. I 1982d. Reissued on CD—Germany: ZYX Russian Art CLA10010-2 (two-disc set). I 1998. LP—USA: Nonesuch 7 8019. Nos. 3 and 8 arr. Shenykman. Emanuil SHENYKMAN (mandolin). P June 1982. Precision Records & Tapes BUSLP 1004 (‘Reilly Ace of Themes’). No. 8 only, arr. Harry Rabinowitz for ‘Reilly—Ace of Spies’. OLYMPIC ORCHESTRA. P 1983 ~ GNP Crescendo GNPS 2166 (‘Secret Agent File’) ~ Ronco RON LP 10.I 1984. USSR: Melodiya C50 20749 006 (‘For Children’) . Nos. 2, 10, and 3 arr. for piano. Rimma BOBRITSKAYA (piano). P 1983, I 1984d. LP and CD—Classics for Pleasure CFP 414474-1 (‘Owain Arwen Hughes conducts Much Loved Music’, digital). No. 8 only. Martin Miller (violin), Hallé Orchestra, Owain Arwell HUGHES. P Manchester July 1984,

OP US 97: T H E GADFL Y

389

G Jan. 1985. Reissued on CD—Classics for Pleasure CFP 9009. G Nov. 1987 ~ *Classics for Pleasure 5 74884-2 (‘Much-Loved Music’). [Arnold, Vaughan Williams, Verdi et al.] I Sept. 2001. LP—Polyphonic PRL 024D (digital). No. 3 only, arr. for brass band by H. Snell. Desford Colliery Dowty Band, Howard SNELL. P Derby July and Aug. 1984 ~ Music for Pleasure MFP 5782 (‘Showcase’, digital). I 1988. Cassette—Whitetower Records Ensemble ENS 132 (‘Music and Revolution, Volume 1’, digital real time). No. 8 arr. L. Atovmyan. Elizabeth WILSON (cello) and Andrew Ball (piano). I 1985. LP and CD—D Sharp DSLP 1001 and released on CD—SCD 1001. No. 8 only arr. Atovmyan. London Symphony Orchestra, Yan-Pascal TORTELIER. P London 15–16 Jan. 1985, I Sept. 1985, G Feb. 1986. LP—USSR: Melodiya C10 21335 006. No. 3 arr. for wind band. USSR Ministry of Home Affairs Army Orchestra, Vladimir TARASOV. I 1985b. LP and CD—Polyphonic PRL 031 D and released on CD—QPRL 031 D. No. 8 arr. D. Broadbent. Brighouse and Rastrick Band, Derek BROADBENT. P Huddersfield 1986, I Sept. 1988, G Oct. 1989. EMI EL 270617-1 (digital) and released on CD—CDC7 49043-2. Nos. 5 and 8. Academy of St Martin-in-the-Fields, Sir Neville MARRINER. P 29 Oct.–l Nov. 1986, G Nov. 1987. Reissued on CD—EMI Eminence CD-EMX 2169 (‘Overtures and Interludes’). I Nov. 1990 ~ Classics for Pleasure CFPSD 4811 (‘The Best of the Academy’, two-disc set). I 1997. CD—RCA Victor Red Seal RD 86603. Complete Suite. Belgian Radio Symphony Orchestra, José SEREBRIER. P Brussels 1987, G May 1988. Grasmere GRCD 35 (‘Tournament for Brass’). No. 3 arr. Snell. Williams-Fairey Engineering Band, Roy NEWSOME. P Stockport 1987, G May 1991. LP and CD—Trax Classique TRXLP 131 and released on CD—TRXCD 131 (‘Testimony—Shostakovich’s Greatest Hits’). No. 8 arr. H. Rabinowitz. Martin JONES (piano). I 1988. CD—Germany: Capriccio 10 298. Complete Suite. Berlin Radio Symphony Orchestra, Leonid GRIN. P Berlin Nov. and Dec. 1988, I Feb. 1990. Polyphonic QPRL 043 D. (‘Romance in Brass’). No. 8 arr. D. Broadbent. Leyland DAF Band, Richard EVANS. P Watford June 1989. France: VDE CD 624 (‘The European’). No. 3 arr. Snell. Ensemble de cuivres Melódia, Pierre-Alain BIDAUD. P June 1989 and Jan. 1990, I 1990. USA: Pro-Arte Fanfare CDD 551 (‘Shostakovich Film Festival’). Suite Nos. 1, 8, and 6. Thomas Yang (violin), Chicago Sinfonietta, Paul FREEMAN. P Oak Park, Illinois, May 1990, I Aug. 1991. Collins Classics 1206-2. Suite Nos. 1–3, 5–8, 10, and 12. London Symphony Orchestra, Maksim SHOSTAKOVICH; soloists in No. 8—Peter

390

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Thomas (violin) and No. 10—Douglas Cummings (cello). P London Aug. 1990, I and G May 1991. France: Le Chant du Monde Russian Season LDC 288 034 (‘Russian Miniatures for Piano’). Nos. 2, 3, and 10 arr. for piano. Rimma BOBRITSKAYA (piano). P Moscow Conservatory Feb. 1991 ~ France: Le Chant du Monde Russian Season RUS 788164. Nos. 2 and 3. I July 1999. Doyen DOY 004. No. 6 Galop arr. H. Snell. Britannia Building Society Band, Howard SNELL. P Dewsbury Mar. 1991, G Aug. 1992. EMI Eminence CD-EMX 2196 (‘Virtuoso Violin’). No. 8 only. Tasmin LITTLE (violin) and Piers Lane (piano). P London 30–31 July 1991, G Dec. 1992. Chandos CHAN 9227 (‘Encore!’). No. 8 only. Emmanuelle Boisvert (violin), Detroit Symphony Orchestra, Neeme JÄRVI. P 31 Jan. 1993, I Dec. 1993, G Aug. 1994. Austria: Musica Classic 780011-2 (‘Encores’). No. 8 only. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV.) P Bratislava Nov. 1993, I 1994. Koch International Classics 37274-2. Complete Suite. KBS Symphony Orchestra, Vakhtang JORDANIA. P Seoul, Korea Feb. 1994, G Dec. 1994. Cala CACD 0105 (‘The London Violin Sound’). No. 8 arr. J. Milone. The 48 First Violins of London Philharmonic, Royal Philharmonic, and Philharmonia Orchestras, Geoffrey SIMON. P Gospel Oak, London May 1994, I Sept. 1994, G Sept. 1995. Olympia OCD 585 (‘Music for Organ’). Suite Nos. 7, 5, 2, 8, and 3 arr. for organ. Mariya MAKAROVA (organ). P Moscow Conservatory Jan. 1995, I Mar. 1997. Naxos 8.553299. Complete Suite. National Symphony Orchestra of Ukraine, Theodore KUCHAR. P Kyiv 12–15 Feb. 1995, I Dec. 1996, G May 1997. Tring TRP 080. Suite Nos. 1, 8, and 11. Jonathan Carney (violin). Royal Philharmonic Orchestra, Frank SHIPWAY. P London May 1995, I Sept. 1996 ~ *RPO 204479201. [Op. 93.] I 2004. Denon CO 18004. Nos. 3, 13, 14, and 23 arr. for chamber orchestra, I SOLISI ITALAIANI, Giovanni Guglielmo (violin in No. 3), and Eddy de Rossi (harp in Nos. 3 and 23). P Piazzola sul Brenta 9–18 Aug. 1995. NB. ‘Youth’ No. 3 not from Op. 111. Sony Classical SK 62007 (‘The Mantis and the Moon Music’). No. 15 arr. Y. Larichev. John WILLIAMS and Timothy KAIN (guitar duo). P Hampstead 17–20 Aug. 1995. Decca 452 597-2DH (‘The Dance Album’). Nos. 1–3, 7, 9, 13, 14, 16–20, and 23 in original orchestration. Erez Ofer (violin in No. 3), Philadelphia Orchestra, Riccardo CHAILLY. P New Jersey Dec. 1995, G Dec. 1996.

OP US 97: T H E GADFL Y

391

Russia: Manchester CDMAN 129 (‘Shostakovich Theatre and Cinema Music’). Barrel Organ Waltz. St Petersburg Philharmonic Academic Symphony Orchestra, Vladimir ALTSHULER P St Petersburg 1995, I 1998. ASV White Line WHL 2103 (‘Cello Romance’). Romance arr. Otty. Bernard GREGOR-SMITH (cello) and Yolande Wrigley (piano). P London 3–4 Apr. 1996. Germany: Orfeo C 443 961 A (‘Salut D’Amour’). Romance arr. for cello and piano. Werner THOMAS-MIFUNE (cello) and Carmen Piazzini (piano). P Worthsee, 26–27 Apr. 1996, I Dec. 1996. NB. The liner note states that this is one of the three original Opus 9 pieces of 1923 dedicated to the composer’s sister. Teldec Compact Disc 0630 17222-2 (‘Le Cinema’). No. 8 arr. K. Fortunatov. Gidon KREMER (violin) and Oleg Maizenberg (piano). P Berlin May and Nov. 1996, I 1998. USA: Pope Music PM 1015-2 (silver) and PMG 2015-2 (‘Russian Pops’, gold). Romance. Russian Symphony Orchestra, Mark GORENSTEIN. P Moscow Conservatory Sept. 1996. Japan: EMI Classics TOCE 9496. Romance arr. Arai. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 11–14 Mar. 1997. EMI Classics CDC5 56591-2. Nos. 8 and 3. London Philharmonic Orchestra, Joakim Svenheden (violin in No. 8), Mariss JANSONS. P London 14–16 Apr. 1997, I Oct. 1998, Classic FM 75005 57007-2 (‘Adagietto’). Romance. Royal Liverpool Philharmonic Orchestra, Libor PEäEK. P Liverpool 28 and 30 July 1997. Switzerland: Relief CR 991047. Romance. Mikhail Shestakov (violin), Tchaikovsky Symphony Orchestra. Vladimir FEDOSEYEV. P 1998, I Mar. 2001. Decca 460 792-2DH11 (‘The Film Album’). Score No. 3. Alexander Kerr (violin), Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 10–11 Sept. 1998, G Apr. 1999 ~ *Deutsche Grammophon Panorama 469 316-2 (two-disc set). [Opp. 10, 47, 122, 35, G(ii), and 16.] I 2001. Monte Carlo: Bel Air Music BAM 2000 (‘Russian Film Music I’). Romance. Russian Philharmonic Orchestra, Konstantin KRIMETS. P Moscow Radio Studio Jan. 2000. France: Le Chant du Monde RUS 288170. Suite Nos. 1–3, 5–8, and 10–12. Tchaikovsky Symphony Orchestra, V. FEDOSEYEV; soloists in No. 8—Mikhail Chesta (violin) and No. 10—Viktor Simon (cello). P Moscow Radio Studio 6–10 June 2000, I 2001. Warner Classics UK 8573 88655-2. Romance. Chloë HANSLIP (violin), London Symphony Orchestra, Paul Mann. P Hampstead, London 6–8 Apr. 2001, G Nov. 2001.

392

D M I T R I SHOSTA K OVIC H C A TA LO GUE

**Chandos CHAN 10043 (‘Tsar of Instruments: Russian Organ Music’). Nos. 5 and 10 labelled ‘Credo’ and ‘The Cathedral’. Iain QUINN (organ). [Glazunov, Glière, Glinka et al.] P Winchester Cathedral 7–9 Jan. 2002, I Feb. 2003. Monte Carlo: Bel Air Music BAM 2003 (‘Russian Film Music II’). Folk Feast. Russian Philharmonic Orchestra, Sergei SKRIPKA. [Opp. 16, 45, Sans op. E.; Petrov, Khachaturyan, Lebedev et al.] P Moscow Radio Studio Mar. 2002, I 2002. Japan: Fontec 9196. Film score Nos. 1–3, 9, 18, 20, 16, and 19 arr. Kimura. Hiroshima Wind Orchestra, Yoshihiro KIMURA. [Opp. 27 and 82.] P Phoenix Hall, Hiroshima 30 Nov. 2002, I 2003. Decca 475 011-2DH. Romance. Janine HANSEN (violin), Royal Philharmonic Orchestra, Barry Wordsworth. [Tchaikovsky, Khachaturyan, SaintSaëns et al.] P Watford 20–21 Feb. 2003, G Nov. 2003. Chandos Movies CHAN 10183 (‘The Film Music of Dmitri Shostakovich, Volume 2’). Complete Suite. BBC Philharmonic, Vassili SINAISKY; soloists in No. 8—Yuri Torchinsky (violin) and in No. 10—Peter Dixon (cello). [Opp. 30 and 48.] P New Broadcasting House, Manchester 8–9 Apr. 2003, G June 2004 ~ BBC MM 263. Opus 97a, Nos. 1, 8, and 6. [Opp. 102 and 141.] I Feb. 2006 cover disc with BBC Music Magazine Vol. 14 No. 6. Decca 470 649-2. Suite Nos. 7 (listed as ‘Short Piece’ and No. 3 only in piano reduction. Vladimir ASHKENAZY (piano). [Opp. 61, 5, 39, 13, and 22; Sans opp. B and S(i).] P Potton Hall, Suffolk 11–12 Sept. 2003, G June 2004. Somm SOMMCD 030. Nos. 11, 9, 3, and 8 arr. V. Borisovsky. Lars Anders TOMTER (viola) and Havard Gimse (piano). [Opp. 40 and 147.] P Sutton, Surrey 12–13 Dec. 2003, I 2004. Argentina: EMI Classics 3 43914-2. Op. 97a Tarantella arr. composer. Fernanda MORELLO and Patricia VILA (piano duo). [Opp. 6 and 94; Debussy.] P Buenos Aires Dec. 2003 and July 2004. Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites—Film Music’,on third of three-disc set). Complete Suite Op. 97a. National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Op. 116a.] P National Radio Studio, Kyiv 1–8 June and 13–14 July 2004. Naxos 8.557722. ‘Youth’ No. 3 of the film score and Nocturne Suite No. 10 arr. Yablonsky. Dmitri YABLONSKY (cello), Russian Philharmonic Orchestra. [Opp. 40 and 134.] P Russian State TV & Radio Studio, Moscow 15–30 Nov. 2004, I 2006. Warner Classics 2564 62546-2. Romance. Daniel HOPE (violin), BBC Symphony Orchestra, Maksim Shostakovich. [Opp. 77 and 129.] P Maida Vale Studios, London 7–9 Nov. 2005, I Mar. 2006, G June 2006.

O PU S 9 8: F IVE ROM A NC ES ON TEXT S OF Y EVGEN I

393

Japan: Jasrac R 0681077 (CDR). Op. 97a. Tarantella arr. composer. Tetsu MASHIKO and Masaki NISHIHARA.(piano duo). [Opp. 94, 96, 97, Sans op. O(ii & i); B. Chaikovsky and Schnittke.] P Piano Art Salon, Tsukishima, Tokyo concert 10 June 2006, I 2006.

Opus 98: Five Romances on Texts by Yevgeni Dolmatovsky Form: A cycle of five romantic songs (also titled Songs of Our Days) for bass voice and piano: 1. 2. 3. 4. 5.

The Day of our First Meeting—Moderato con moto The Day of Declaration of Love—Allegretto The Day of Tiffs—Adagio The Day of Happiness—Allegro The Day of Reminiscences—Allegretto

Composed: 3 July–September 1954, at Komarovo village, Gulf of Finland. Premières: 16 May 1956, Kiev Philharmonic Hall; 14 June, Moscow Conservatory Bolshoi Hall and 25 June 1956, Leningrad Philharmonic Bolshoi Hall; Boris Gmyrya (bass) and Lev Ostrin (piano). UK broadcast: 18 January 1988, David Wilson-Johnson (bass-baritone) and David Owen-Norris (piano). Music: Autographs are preserved at TsGALI and GTsMMK. The keys of the Romances differ in the two autographs. Muzgiz, No. 25942, 1956, 29 cm. and reprinted: Muzyka, No. 25942, 1964, 29 cm. Muzyka, No. 4116 (in Dmitri Shostakovich: Vocal Compositions), 1967 and 1974, 30 cm. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, 30 cm. Sovetskii kompozitor, No. 7815 (in Romances and Songs to Verses of Yevgeni Dolmatovsky), 1987, 29 cm. Muzichna Ukraina, Kyiv, No. 1567, ‘From the repertoire of B. Gmyrya’ facsimile edition, 1988, 29 cm. DSCH Publishers, Moscow, score in Volume 95 of New Collected Works. Duration: Approx. 12 minutes in score; 12' 15"–13' 15". Recordings: 78 rpm and LP—USSR: 26294-5 (10"). Nos. 1 and 2 ~ 26296-7 (10"). Nos. 4 and 5. Boris GMYRYA (bass) and Lev Ostrin (piano). P Moscow June 1956. Reissued on LP—USSR: Ministry of Culture HD 03216-7 (mono). The above two performances with No. 3 recorded at the same session. I 1956 ~ USSR: Melodiya C10 10521-2 (in third box of Part 3 of Collected Works on Records, electronic stereo). Nos. 1–5. I 1978.

394

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—USSR: Melodiya D013513-4 (10" mono). Nos. 3 and 5. Nicolai GHIAUROV (bass) and A. Zybcev (piano). P Moscow concert May 1961, I 1964. Reissued on CD—Italy: Arkadia GI807-1 (mono). I May 1995. LP—USSR: Melodiya D22725-6 (10" mono). No. 4 only. Askold SUKHIN (bass) and unnamed pianist. P 1968. USSR: Melodiya C10 08921-2. Complete cycle. Oleg PTUKHA (bass) and Nadezhda Kushnir (piano). P 1977, I 1978a. USSR: Melodiya C10 11251-2. Nos. 1 and 4. Aleksandr OGNIVTSEV (bass) and Nikolai Korolkov (piano). P 1978, I 1979c. Bulgaria: Balkanton BKA I 1951. No. 3 only, labelled ‘Day of Insults’. Nicola GHIUSELEV (bass) and Theodoz Moussev (piano). P Jan. 1986. CD—France: Thésis THC 82046. No. 2 only. Nikita STOROJEV (bass) and Emile Naoumoff (piano). P Paris Oct. 1990. **Koch Schwann 3-1095-2. Complete cycle. Sergei LEIFERKUS (bass) and Semyon Skigin (piano). [Opp. 123, 121, 62, and 91.] P Berlin studio May 2000, G May 2002. Russia: Northern Flowers NF/PMA 9910 (‘Vocal Cycles for Bass, Volume 1’). Complete cycle. Fyodor KUZNETSOV (bass) and Yuri Serov (piano). [Opp. 62, 121, 91, and 146.] P St Catherine Lutheran Church, St Petersburg 10 May and 18 June 2001, I 2002 ~ USA: Delos DE 3304 (‘Shostakovich Complete Songs, Volume 1’). [Opp. 84, 86, 91; Sans op. R; and Op. 100.] I Sept. 2002, G Awards (Oct.) 2002. NB. Incorrectly stated to be the first appearance on CD. France: Harmonia Mundi HMU 907449. Iris OJA (mezzo-soprano) and Roger Vignoles (piano). [Op. 100; Rakhmaninov.] P Air Lyndhurst Studios, London Nov. 2006, I Mar. 2008.

Opus 99: The First Echelon Form: Music for the colour film The First Echelon (aka Virgin Lands), with scenario by Nikolai Pogodin and directed by Mikhail Kalatozov for Mosfilm. Scored for full symphony orchestra (with 3 alto saxophones, vibraphone, harp, and piano). Composed: 1955–56, at Moscow. Première: Film first shown on 29 April 1956. Arrangements: Opus 99a—Suite assembled by Levon Atovmyan: 1. 2. 3. 4. 5.

Overture—Allegretto poco moderato The Train—Allegro molto Children’s Song (text by Sergei Vasiliev)—Allegretto The Field—Allegro molto Evening Landscape—Andantino

OP U S 99: THE FIRST ECH EL ON

6. 7. 8. 9. 10. 11.

395

The Quarry—Allegro Intermezzo—Allegretto Waltz—Allegro poco moderato The Tender Maiden (text by Sergei Vasiliev)—Moderato The Fire—Allegro The House-warming—Allegro

No. 8 reorchestrated as the Waltz II in Suite for Variety Stage Orchestra, Sans op. G(ii). Transcriptions of No. 3 for wind band accompaniment and of No. 9 for guitar duet. Accompaniment of songs Nos. 3 and 9 arranged for piano by the composer. No. 8 transcribed for wind orchestra by M. Marantslikht. Instrumentation: of Suite Opus 99a—piccolo, 2 flutes, 3 oboes, 3 clarinets (A and B flat), 3 alto saxophones (in No. 11), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong (in No. 10) ~ glockenspiel, xylophone, vibraphone (in No. 4), harp, celesta, piano ~ S.A.T.B. chorus in No. 3 and S.A. in No. 9 ~ strings. Music: Autograph of the film score preserved NBGCOK. Autographs of ‘Children’s Song’ preserved in the Shostakovich Family Archive, TsGALI (with a version for solo tenor and piano), and GTsMMK. Sovetskaya muzyka magazine, 1954, No. 4, ‘Children’s Song’. Muzgiz, 1956 (in album Siberia is Calling), ‘The Tender Maiden’ arr. for solo voice, chorus, and bayan. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, songs Nos. 3 and 9 with piano accompaniment, 29 cm. Sovetskii kompozitor, No. 928 (in Dmitri Shostakovich: Waltzes from Film Music), 1959, No. 8 only, full score, 29 cm. Sovetskii kompozitor, 1961, No. 8 arr. for wind orchestra by M. Marantslikht, score. Sovetskii kompozitor. No. 2748, 1962, Suite Opus 99a, full score, 29 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, ‘Children’s Song’ and ‘The Tender Maiden’ with piano accompaniment, 30 cm. DSCH Publishers, Moscow, full film score in Volume 140 of New Collected Works. Duration: Film: 114 minutes. Suite: 40 minutes (Sadovnikov). Recordings: 78 rpm—USSR: 26898-9 (10"). No. 9—L. LAZAREVA and R. LOBACHEVA (guitar duet); No. 3—ALL-UNION SONG ENSEMBLE. P 1956. Reissued on LP—USSR: MK D004146-7 (‘Songs of the Virgin Lands’, 8” mono). I 1958 ~ USSR: MK D5062-3. I 1959. CD—Russia: Manchester CDMAN 129 (‘Shostakovich Theatre and Cinema Music’). Op. 99a No. 8 Waltz. St. Petersburg Philharmonic

396

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Academic Symphony Orchestra, Vladimir ALTSHULER. P St Petersburg 1995, I 1998. **Delos DE 3313 (‘Shostakovich Complete Songs, Volume Four— 1932–68: The Unknown Shostakovich’). Op. 99a No. 9. The Tender Maiden. Lyudmila SHKIRTIL (mezzo-soprano) and Victoria YEVTODIEVA (soprano) and Yuri Serov (piano). [Opp. 33, 80, 72, 128, 109; Sans op. X(i &.ii).] P St Catherine Lutheran Church, St Petersburg 23 Jan., 8 and 16 Feb. 2002, I UK Jan. 2006.

Opus 100: Spanish Songs Form: A cycle of six traditional folksongs for mezzo-soprano and piano, with the anonymous Spanish lyrics translated into Russian by Sergei Bolotin (Nos. 1 and 3) and Tatyana Sikorskaya (Nos. 2, 4, and 5), and jointly (No. 6). 1. 2. 3. 4. 5. 6.

Adios, Granada = Farewell, Granada—Largo Mozuca = Little Stars—Allegro En samir = First Meeting—Largo Ronda = Round Dance (A Birth)—Allegretto Morena salada = Black Eyes—Allegretto [No Spanish title] Dream (Barcarolle)—Allegretto

Composed: July–20 August 1956, at Komarovo village, Gulf of Finland. Arrangements: Nos. 1, 2, 4, and 6 arranged for trumpet and piano by Sergei Bolotin; No. 2 arranged for double-bass and piano by Rodion Azarkhin. Accompaniment for No. 3 arranged for folk orchestra. No. 5 transcribed for string quartet by Eiji Arai. Music: Autograph of the cycle preserved atTsGALI and autograph copy of No. 5 in the Shostakovich Family Archive. The cycle first published as a supplement to the journal Sovetskaya muzyka, 1956, No. 9. Sovetskii kompozitor, No. 1822, 1960, 30 cm. Muzyka, 1966, 29 cm. Muzyka, No. 4116 (in Dmitri Shostakovich: Vocal Compositions), 1967 and 1974, Russian texts and, for the first five, in the original Spanish, 30 cm. Muzyka, Leningrad, No. 2035 (in Dmitri Shostakovich: Pieces for trumpet and piano), 1976, Nos. 1, 2, 4, and 6 arr. S. Bolotin, 28.5 cm. Sovetskii kompozitor, No. 4751, 1978, No. 2 arr. for double-bass and piano by R. Azarkhin, 29 cm. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, 30 cm. Muzyka, No. 13340, 1986, 28 cm. Reprinted from Volume 32 above. DSCH Publishers, Moscow, score in Volume 92 of New Collected Works. Duration: 13' 45"–16' 55"; 13 minutes (Sadovnikov).

OP U S 100: SPAN ISH SON GS

397

Recordings: LP—Decca SEC 5.500 (7" 45 rpm). Complete cycle, with No. 5 introduced in English by the singer. Oda SLOBODSKAYA (soprano) and Ivor Newton (piano). G Sept. 1962. USSR: Melodiya D14787-8 (10" mono). Complete cycle. Nina ISAKOVA (mezzo-soprano) and Yevgeniya Bruk (piano). P 1964 ~ USSR: Melodiya C10 10527-06348 (in third box of Part 3 of Collected Works on Records). Complete cycle. I 1978. USSR: Melodiya CM 03439-40. Complete cycle. Nina ZAZNOBINA (mezzo-soprano) and Yevgeni Lebedev (piano). P 1972, I 1973. USSR: Melodiya C20 05673-4. No. 3 only. Aleksandr VEDERNIKOV (bass), All-Union Radio Folk Orchestra, Vladimir Fedoseyev. P and I 1975. USSR: Melodiya C10 07659-60. No. 2 only. Irina ARKHIPOVA (mezzosoprano) and Nataliya Rassudova (piano). P1976, I 1977c. USSR: Melodiya C10 08921-2. No. 3 only. Oleg PTUKHA (bass) and Nadezhda Kushnir (piano). P 1977, I 1978a. Switzerland: Armida AS 158. Complete cycle. R. Alexander SUTEY (bass-baritone) and Gerard Wyss (piano). P Clara Wieck Auditorium, Sandhausen, Heidelberg, Germany—date not stated—prior to 1979. LP and CD—USSR: Melodiya C10 16747008. Complete cycle. Artur EIZEN (bass) and Albertina Bogdanova (piano). P 1981, I 1982c. Reissued on CD—Olympia OCD 194. I Feb. 1988, G June 1988. LP—USSR: Melodiya C10 18599002. Complete cycle. Yevgeniya GOROKHOVSKAYA (mezzo-soprano) and Irina Galovneva (piano). I 1983c. USSR: Melodiya C10 20867 002. Complete cycle. A. VEDERNIKOV (bass) and Aleksandr Vedernikov junior (piano). P 1984, I 1985a. CD—Philips 446 708-2PH (‘Bolero’). Complete cycle. Olga BORODINA (mezzo-soprano) and Semyon Skigin (piano). P London Jan. 1995, G Feb. 1998. South Africa: Claremont GSE 1541 (‘A Garland of Spanish Songs’). Complete cycle. Andrea CATZEL (soprano) and Thomas Rajna (piano). P (in Russian) 1995, I June 1996. Japan: Toshiba EMI TOCE 9306. No. 5 arr. E. Aral. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 23–25 Oct. 1996, I Jan. 1997. Switzerland: Dinemec Classics DCCD 016 (‘The Russian Soul’). Complete cycle. Paul PLISHKA (bass) and Thomas Hrynkiw (piano). P New York Oct. 1996, I Oct. 1997, G Mar. 1998. Belgium: Rene Gailly CD92 041 (‘Complete Songs, Volume 1’). Complete cycle. Mikhail LUKONIN (baritone) and Yuri Serov (piano). P St Petersburg 25 Mar.–4 May 1998. **USA: Delos DE 3304 (‘Shostakovich Complete Songs, Volume 2’). Complete cycle. Mikhail LUKONIN (baritone) and Yuri Serov (piano). [Opp. 84,

398

D M I T R I SHOSTA K OVIC H C A TA LO GUE

86, 91; Sans op. R; and Op. 98.] P St Petersburg May 2001, G Awards (Oct.) 2002. NB Incorrectly stated to be the first appearance on CD ~ Russia: Northern Flowers NF/PMA 9912 (‘Unknown Vocal Cycles’). [Opp. 58a, 46; Sans op. R; Opp. 80, 33; Sans op. X(ii).] I 2003. Royal Academy of Music RAM 031. No. 5 titled ‘Ebony Eyes’ sung in Russian. Ronan COLLETT (baritone) and Yue Shen (piano). [Britten, Debussy, Granados et al.] Dukes Hall, Royal Academy of Music, London 25–26 Apr. 2006. France: Harmonia Mundi HMU 907449. Iris OJA (mezzo-soprano) and Roger Vignoles (piano). [Op. 98; Rakhmaninov.] P Air Lyndhurst Studios, London Nov. 2006, I Mar. 2008.

Opus 101: Quartet No. 6 in G major Form: String quartet in four movements: 1. 2. 3. 4.

Allegretto Moderato con moto Lento attacca Allegretto

Composed: 7–31 August 1956, at Moscow. The second movement completed on 19 August. Premières: 6/7 October 1956, Glinka Concert Hall, Leningrad and 23 October 1956, Moscow Conservatory; Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). Arrangements: Chamber Symphony—transcribed for chamber orchestra by Jordan Dafov. Reduction for piano four hands by Anatoli Dmitriev. Music: Autograph score preserved at TsGALI. Sovetskii kompozitor, No. 294, 1957, 22 cm. Musica Rara, No. 1037, 1961, score, 18.5 cm. Musica Rara, No. 1037a, 1961, parts, 31 cm. Muzyka, Leningrad, No. 530 (in Volume 2 with Quartets 5, 7, and 8 arr. for piano four hands by A. Dmitriev), 1966, 29.5 cm. Edition Eulenberg, No. 390, 1970, 19 cm. Muzyka, No. 9816 (in Volume 35 of Collected Works Quartets 1–8), 1979, 30 cm. Hans Sikorski, No. 2266 (with Opp. 92, 108, and 110), 1980, score, 21 cm. Hans Sikorski, No. 2254, 1981, parts, 31.5 cm. DSCH Publishers, Moscow, score in Volume 101 of New Collected Works. Duration: Approx. 25 minutes in score; 22' 01 "–27’ 17".

OP U S 101: QU A RTET N O. 6 IN G MAJ OR

399

Recordings: LP and CD—USSR: MK D3582-3 (10" mono). BEETHOVEN QUARTET (personnel as at première). P 1956 ~ USSR: Melodiya D015785-6 (mono). I 1965. Reissued on CD—USA: Consonance Blue Label 81.3007 (‘Complete Quartets, Volume 3’). I May 1995 ~ France: Praga PR 250 077. P given as Czech Radio 22 Aug. 1977, I Mar. 1996. LP—USSR: Melodiya D019271-2 (mono) and C01435-6. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1967 ~ HMV Melodiya HQS 1322 in Set SLS 879. G June 1974. LP and CD—USSR: Melodiya C10 07285-6. TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P 1976, I 1977a. Reissued on CD—Russia: Melodiya SUCD11 00309. I 1993a. L’Oiseau-Lyre DSLO 29. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P 20–22 July 1977, G Dec. 1978 ~ Decca 188 D4 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on third of six-disc set). I Apr. 1992, G June 1992. USSR: Melodiya C10 19535 003. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P Moscow Conservatory Bolshoi Hall concert 27 Sept. 1981, I 1984a ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). Reissued on CD—Japan: Victor Musical Industries VICC 40020.92. I 1990 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997. USSR: Melodiya C10 28377 008. SHOSTAKOVICH QUARTET (Andrei Shishlov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P1981, I 1990a. Reissued on CD—Olympia OCD 533 (‘Complete Quartets, Volume 3’). I May 1994, G Sept. 1994. CD—USA: Centaur CRC 2034. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P 1986, I Nov. 1988, G June 1989. LP—Bulgaria: Balkanton BKA 12305-6 (two-record set). Chamber Symphony arr. Dafov. Tolbuhin Chamber Orchestra, Jordan DAFOV. P Tolbuhin, Bulgaria Mar. 1988. CD—Teldec 031 71702-2 (on third of six-disc set). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, I Nov. 1990, G June 1992. USA: ESS.A.Y. CD 1009. MANHATTAN QUARTET (personnel as above). P Jersey City 18 Jan. 1990 ~ Koch Schwann 310 165 (‘Complete Quartets, Volume 3’). I Jan. 1993, G June 1993. Naxos 8.550972 (‘Complete Quartets, Volume 1’). ÉDER QUARTET (György Selmeczi, Péter Szüts, Sándor Papp, György Éder). P Budapest 1–4 Dec. 1993, 1 July 1994.

400

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Netherlands: Emerge Classics EC 3956-2. ORLANDO QUARTET (Arvid Engegard, Heinz Oberdorfer, Ferdinand Erblich, Stefan Mertz). P Renswoude, Netherlands 6–10 June 1994, I Jan. 1995. Finland: Finlandia 4509 98997-2. SIBELIUS ACADEMY QUARTET (Erkki Kantola, Seppo Tukiainen, Veikko Kosonen, Arto Noras). [Op. 68.] P Jävenpää Dec. 1994, I May 1996. Japan: EMI Classics TOCE 9496. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 11–14 Mar. 1997. Chandos CHAN 9741 (‘Complete Quartets, Volume 1’). SORREL QUARTET (Gina McCormack, Catherine Yates, Vicci Wardman, Helen Thatcher). P Westleton, Suffolk 23–25 Feb. 1998, I June 1999, G Oct. 1999. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 2’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July 1998, G June 2000. Gramophone Awards 2000—complete cycle winner of the Chamber category and Quartet No. 6 first movement included on cover CD with the October (Awards) magazine. Hyperion CDA 67154. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Konstantin Kats, Leonid Shukayev). P St Petersburg Apr. 1999, I Dec. 1999, G Mar. 2000. **Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 4’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 83 and 118.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Arion ARN 68596 (‘Complete Quartets, Volume 4’). DEBUSSY QUARTET (Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier). [Opp. 117 and 122.] P Lyon Nov. 2002, I May 2003. Belgium: Fuga Libera 512 (‘Complete Quartets—Volume 2’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 73 and 138.] P Bayerische Rundfunk, Munich 8–11 May 2005, I 2005. Oehms Classics OC562 (‘Complete Quartets’—on second of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 83 and 92.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. Harmonia Mundi HMC 901953. JERUSALEM QUARTET (Aleksandr Pavlovsky, Sergei Bresler, Amichai Grosz, Kyril Zlotnikov). [Opp. 110 and 122.] P Teldec Studio, Berlin 12–15 June 2006, G Aug. 2007. CD and DVD—Germany: Audite AU 92. 527 (Hybrid SACD and DVD). MANDELRING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 73 and 110.] P Klingenmünster, Germany 26–28 June 2006.

O PUS 102: P IA NO C ONC ERTO N O. 2 IN F MAJ OR

401

Opus 102: Piano Concerto No. 2 in F major Form: Concerto for piano and orchestra (with brass reduced to 4 horns) in three movements: 1. Allegro 2. Andante attacca 3. Allegro Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons ~ 4 horns ~ timpani and side drum (1 player) ~ strings. Composed: Completed on 5 February 1957. Dedication: Maksim Dmitrievich Shostakovich (son). Premières: Reduction: April 1957, USSR Ministry of Culture; Dmitri and Maksim Shostakovich (pianists). 10 May 1957 (dedicatee’s nineteenth birthday), Moscow Conservatory Bolshoi Hall; Maksim Shostakovich (piano), USSR Symphony Orchestra, Nikolai Anosov. USA: 2 January 1958, Leonard Bernstein (piano soloist and conductor), New York Philharmonic Orchestra. UK: 5 September 1958, Royal Albert Hall ‘Prom’, London; Eileen Joyce (piano), BBC Symphony Orchestra, Sir Malcolm Sargent. Arrangement: 1 May 1997, St John’s Smith Square, London; Joanna MacGregor (piano), Marple Band, Elgar Howarth. Arrangements: Reduction for two pianos by the composer. Orchestral parts adapted for brass band instruments by E. Howarth. Music: Frequently appears as Opus 101 on music and recordings and in catalogues. Autograph full score and two-piano reduction preserved at TsGALI. The first page of the autograph reduction is reproduced in Volume 13 of Collected Works. Sovetskii kompozitor, No. 619, 1957, reduction for two pianos, 29 cm. Sovetskii kompozitor, No. 620, 1957, full score, 29 cm. Anglo-Soviet Music Press, No. 154, 1957, reduction, 31 cm. Leeds Music, no numbers, 1957, 23 and 32 cm. Edition Peters, No. 4772, 1963, reduction, 30 cm. International Music, No. 2194, no date, reduction, 30.5 cm. Muzyka, No. 5947 (in D. Shostakovich: Compositions for fortepiano, Volume 3), 1970, reduction, 29 cm. Boosey & Hawkes, No. 796, 1974, score, 21.5 cm. Muzyka, No. 11208 (in Volume 12 of Collected Works), 1982, score, 30 cm. Muzyka, No. 11214 (in Volume 13 of Collected Works), 1983, reduction, 30 cm.

402

D M I T R I SHOSTA K OVIC H C A TA LO GUE

DSCH Publishers, Moscow, full score in Volume 40 and piano score in Volume 41 of New Collected Works. Duration: Approx. 16 minutes in score; 15' 50"–21' 29"; 20' 15"–20' 30" (Plaistow); 15' 51"—composer/Gauk 1957—21' 08"—Marshev/Lintu 2002 (Gerald Bishop). Film: Fantasia 2000. The first movement of the Second Piano Concerto is used for the fourth sequence of the Walt Disney animated film released formally worldwide on 1 January 2000. The music sets Hans Christian Andersen’s tale ‘The Steadfast Tin Soldier’ and is performed by pianist Yefim Bronfman and the Chicago Symphony Orchestra, conducted by James Levine. Soundtrack on Edel Compact Disc 0105582 DNY. Ballets: Concerto. Kenneth MacMillan, Deutsche Oper Ballet, West Berlin 30 November 1966; American Ballet Theatre, Jürgen Rose (designer; New York State Theater, New York, 18 May 1967; and Royal Ballet, Covent Garden, London, 26 May 1967. The slow movement pas de deux is often performed on its own. Fête Noire. Arthur Mitchell, Dance Theatre of Harlem, Craig Sheppard (pianist), Spoleto Festival, Italy, July 1971 and Sadler’s Wells Theatre, London, 11 September 1974. Concerto DSCH. Aleksei Ratmansky, New York City Ballet, New York, May 2008. Recordings: LP and CD—USSR: MK D06295-8 in set MK D201 (1 side in two-record set, mono). Dmitri SHOSTAKOVICH (piano), Moscow Radio Symphony Orchestra, Aleksandr Gauk. P Moscow concert 27 Nov. 1957, G May 1961 ~ HMV Melodiya HLM 7094 in Set RLS 721 (mono). G Oct. 1976 ~ USSR: Melodiya M10 39073-4 (in four-record box set ‘D. Shostakovich—Pianist’, mono). I 1977b ~ USSR: Melodiya C10 14089-90 (in third box of Part 1 of Collected Works on Records, electronic stereo). I 1980 . Reissued on CD—Japan: Victor Musical Industries VICC 2048. (‘Pianist = D. Shostakovich’). I 1990 ~ USA: Russian Disc RDCD 15 005 (‘Great Russian Artists: Shostakovich plays Shostakovich’, mono). G Dec. 1993 and Feb. 1995 ~ Revelation RV 70006 (‘Shostakovich plays Shostakovich, Volume 5’, mono). I May 1998. NB. Moshevich gives P dates as 7 Feb. 1958 with re-recording on 10 Mar. 1958. *[Bulgaria: temporary concert recording of the third movement in Jan. 1958 not released. The composer with Sofia Philharmonic Orchestra under Konstantin ILIEV.] Columbia FCX 769 (mono). D. SHOSTAKOVICH, French National Orchestra, André Cluytens. P Salle Wagram, Paris 24–26 May 1958, G Oct. 1961 and July 1964 ~ France: Pathé Marconi 2C 061 12114 (electronic stereo). I 1972 ~ World Records Retrospect SH 293 (mono). G July 1979 ~ Russia: Russian Disc R10 00319-20 (in double album ‘For

O PUS 102: P IA NO C ONC ERTO N O. 2 IN F MAJ OR

403

the 85th Anniversary’, DMM mono). I 1991. Reissued on CD—EMI Classics CDC7 54606-2 (‘Composers in Person’ series, mono). G Apr. 1993 ~ France: EMI Classics 573180-2 (in four-disc set ‘André Cluytens Accompagnateur’). I 1999. LP—Czech: Supraphon LPV 481 (mono). Mikhail VOSKRESENSKY (piano), Prague Radio Symphony Orchestra, Vaclav Jirácˇek. G Dec. 1959 ~ USA: Artia ALP 173 (mono). G May 1961. LP and CD—USA: Columbia ML 5337 (mono) and MS 6043. Leonard BERNSTEIN (piano and conductor), New York Philharmonic Orchestra. P 6 Jan. 1958 ~ Philips ABL 3300 (mono) and SABL134. G Feb and Aug. 1960 ~ CBS BRG 72170 (mono) and SBRG 72170. G July 1964 ~ CBS 73400. G May 1975 ~ CBS 73441 in Set CBS 77394. G Oct. 1975 ~ CBS Classics 60338. G July 1982 ~ CBS Masterworks 60504. I Sept. 1984, G Dec. 1984. Reissued on CD—CBS Masterworks MPK 44850. G Nov. 1989 ~ Sony Classical SM3K 47166 (‘Leonard Bernstein: A Portrait: Piano works by various composers’, three-disc set). G Mar. 1992 ~ Sony Royal Edition SMK 47618. G Nov. 1993 and June 1994 ~ *Sony Classical Theta SMK 89752. [Opp. 35 and 107.] I Sept. 2001. Westminster XWN18960 (mono) and WST14141. Eugene LIST (piano), Vienna State Opera Orchestra, Victor Desarzens. P Vienna Nov. 1960, G Nov. 1961 ~ Trax Classique TRXLP 131 and released on CD—TRXCD 131 (‘Testimony—Shostakovich’s Greatest Hits’). Second movement only. Performers given as Daniel Petrov (piano), Vienna Symphony Orchestra, Edouard von Lindenberg—timing 5' 55" as List. I 1988. Reissued on CD—MCA Millennium Classics MCD 80107. I Feb. 1997. HMV ASD 2709. John OGDON (piano), Royal Philharmonic Orchestra, Lawrence Foster. P 21–22 Dec. 1970, G July 1971 ~ HMV Concert Classics SXLP 30514. G June 1981. *Reissued on CD—EMI Encore CDE 5 74981-2. [Bart—k.] I Feb. 2002. LP—DJM LPS 437 (‘Mine and Theirs’). Andante only. Kenny CLAYTON (piano), Royal Philharmonic Orchestra, Vic Lewis. P 6 Sept. 1973. LP and CD—HMV ASD 3081. Cristina ORTIZ (piano), Bournemouth Symphony Orchestra, Paavo Berglund. P 29 Dec. 1974, G June 1975 ~ USA: Time-Life ‘Great Men of Music’ box set STL 568. I 1979 ~ HMV Greensleeve ED 29 0210 1. G Oct. 1984. Reissued on CD—EMI CDS7 47790-8 (two-disc set). I Nov. 1987, G May 1988 ~ EMI Classics/BBC Music 7 67887-2. I Oct. 1993 ~ BBC Music Proms 1994 CD2 (‘100th Season’ sampler two-disc set). Andante only. I July 1994 ~ *HMV Classics 5 72318-2 [Opp 47 and 5.] USSR: Melodiya C10 06763-4. E. LIST (piano), All-Union Radio and Television Symphony Orchestra, Maksim Shostakovich. P 1975, I 1976d ~ Columbia Masterworks 76822. [Op. 35.] G July 1979 ~ CBS Classics 61885

404

D M I T R I SHOSTA K OVIC H C A TA LO GUE

(‘Contrast’). Second movement only (abridged). G Mar. 1980. Reissued on CD—RCA Navigator (Russian Music No. 73) 74321 29254-2. G Dec. 1995 ~ BBC Proms PRCDOO (two-disc set). First movement. I July 2000. CD—BBC Radio Classics 15656 9170-2. Peter DONOHOE (piano), BBC Symphony Orchestra, Maksim Shostakovich. P Usher Hall. Edinburgh concert 2 Sept. 1982, I May 1996. LP and CD—Classics for Pleasure 4144161 (digital). Dmitri ALEKSEYEV (piano), English Chamber Orchestra, Jerzy Maksymiuk. P London May 1983, G Nov. 1983 ~ USSR: Melodiya AID 00079 002 (digital). [Op. 35.] I 1985b ~ USA: Angel AE 34489 (digital) ~ Classics for Pleasure CFP 4547 (digital) and released on CD—CD-CFP 4547. I Sept. 1988, G Jan. 1989 ~ *EMI Classics for Pleasure 585160-2 (‘Best of Classics for Pleasure’). Andante only. [Beethoven, Britten, Bruch et al.] I May 2003 ~ *HMV 5 86765-2. [Op. 35 et al.] G Oct. 2005. USSR: Melodiya C10 21159 007. Vladimir KRAINEV (piano), Leningrad Philharmonic Orchestra, Aleksandr Daltriev. P 1983, I 1985a. Reissued on CD—France: Le Chant du Monde LDC 278 1011. I Jan. 1990. LP and CD—Chandos ABRD 1155 (digital). Dmitri SHOSTAKOVICH junior (piano), I Musici de Montréal, Maksim Shostakovich. P Montreal 5–6 Aug. 1985, I Jan. 1986, G May and July 1986 ~ Chandos ABRD 1268 (digital) and released on CD—CHAN 8573 (‘Tranquility: a compilation of beautiful slow movements’). Second movement only. I Dec. 1987 ~ *Concerto reissued on CD—Chandos CHAN 8443. [Opp. 35 and 118a.] G Sept. 2004. LP—Virgin V 252 (‘Testimony Motion Picture Soundtrack’). Andante only. Howard SHELLEY (piano), London Philharmonic Orchestra, Rudolf Barshai. P 1987, I 1988. CD—Decca 425 793-2DH. Cristina ORTIZ (piano), Royal Philharmonic Orchestra, Vladimir Ashkenazy. P Walthamstow Jan. 1989, G Aug. 1990 ~ Decca Eloquence 467446-2. I Nov. 2000. Phoenix PHCD 117. Joshua PIERCE (piano), Slovenian RTV Symphony Orchestra, Paul Freeman. P Ljubljana, Slovenia, 30 Aug. 1990, I July 1993. Nimbus Compact Disc NI5308. Martin JONES (piano), English Chamber Orchestra, William Boughton. P Leominster 14–15 Nov. 1990, I Oct. 1991. Teldec 9031 73282-2. Elizaveta LEONSKAYA (piano), Saint Paul Chamber Orchestra, Hugh Wolff. P St Paul, Minnesota Sept. 1991, G June 1993 ~ Warner Apex 8573 89092-2. G Oct. 2001. Austria: Musica Classica 780013-2. Paul GULDA (piano), Moscow Radio Symphony Orchestra, Vladimir Fedoseyev. P Bratislava Nov. 1993, I Jan. 1996.

O PUS 102: P IA NO C ONC ERTO N O. 2 IN F MAJ OR

405

Italy: Phoenix PH 00602. Maurizio BARBARO (piano), Byelorussian Symphony Orchestra, Antonello Gotta. P Minsk 9–11 Dec. 1993, I Jan. 2001. Naxos 8.553126. Michael HOUSTON (piano), New Zealand Symphony Orchestra, Christopher Lyndon-Gee. P Wellington 2–4 Nov. 1994, I Sept. 1995 ~ Naxos 8.505150 (‘Romantic Piano Concertos’, Volume 2, five-disc set). I Oct. 1999. Carlton Classics 30367 01842. John COVELLI (piano/conductor), Moscow Philharmonic Orchestra. P Moscow Film Studios June 1995, I Apr. 1997. EMI Classics CDC5 56591-2. Mikhail RUDY (piano), London Philharmonic Orchestra, Mariss Jansons. P London 14–16 Apr. 1997, I Oct. 1998 ~ *EMI Encore 5 75886-2. [Opp. 35 and 10.] I Feb. 2003. Sony SK 60677. Yefim BRONFMAN (piano), Los Angeles Philharmonic Orchestra, Esa-Pekka Salonen. P Los Angeles 30 Mar. 1998, I Nov. 1999 and *June 2003. Decca 460 503-2DH (‘Warsaw Concerto’). Second movement only. Jean-Yves THIBAUDET (piano), BBC Symphony Orchestra, Hugh Wolff. P Watford 7 June 1998, I Oct. 1998. USA: Delos DE 3246. Andrew LITTON (piano/conductor), Dallas Symphony Orchestra. P Dallas 30 Sept. 1998. **Altara ALT 1018. Patrik JABLONSKI (piano), Polish Radio Orchestra, Wojcieh Rajski. [Khachaturyan and Addinsell.] P Witold Lutosławski Studio, Polish Radio, Warsaw Apr. 1999. New York Philharmonic NYPT 0109 (‘Kurt Masur at the Philharmonic’). Helen HUANG (piano), New York Philharmonic Orchestra, Kurt Masur. [Dukas, Tan Dun, R. Strauss, and Weill.] P concerts 12–14 and 17 Apr. 2001. Monaco: Bel Air Music BAM 2019. Andrei PISAREV (piano), Russian State Orchestra, Dmitri Yablonsky. [A. Finzi.] P Moscow Radio Studio June 2001. Canada: CBC Records SMCD 5216 (The Overcoat). Angela CHENG (piano), CBC Radio Orchestra, Mario Lindermann. [Sans opp. E, G(ii), and P(i); Opp. 35 and 93.] P Orpheum Theatre, Vancouver, B.C. 20 and 21 June 2001, I Mar. 2002. Dutton CDSA 6804 and (SACD) CDSA 4804. Ingrid JACOBY (piano), Royal Philharmonic Orchestra, Charles Mackerras. [Op. 35; and Ustvolskaya.] P Watford Town Hall 21–23 Jan. 2002, I Oct. 2002, G Mar. 2003. Danacord DACOCD 601. Oleg MARSHEV (piano), Helsingborg Symphony Orchestra, Hannu Lintu. [Opp. 35 and 34.] P Helsingborg 29 July to 2 Aug. 2002, I Feb. 2003, G Sept. 2003. Sony Classical SMK 87796. Andante only. Simon MULLIGAN (piano), The Ludo Ensemble, Mark Gooding. [Kamen, Beethoven, Clapton et al.] P Holland Park, London 23 Aug. 2002, I May 2003.

406

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Dunelm Records DRD 0193 (two-disc set). Marina PRIMACHENKO (piano), London Shostakovich Orchestra, Christopher Cox. [Op. 103.] P St Cyprian’s Church, London concert 9 Nov. 2002. I 2003. Hyperion CDA 67425 and SACD 67425. Marc-André HAMELIN (piano), BBC Scottish Symphony Orchestra, Andrew Litton. [Op. 35; and Shchedrin.] P Caird Hall, Dundee 31 Mar. and 1 Apr. 2003, I Oct. 2003, G Jan. 2004. Hänssler Classic SWR Music 93.113. Florian UHLIG (piano), Südwestfunk Radio Orchestra, Jirí Starék. [Opp. 94 and 35.] P Kaiserslautern Studio 3–9 June 2004, I Mar. 2005. BBC Music BBC MM 263. Martin ROSCOE (piano), BBC Philharmonic, Vassili Sinaisky. [Opp. 97 and 141.] P New Broadcasting House, Manchester 30 June and 1 July 2005, I Feb. 2006 cover disc with BBC Music Magazine Vol. 14 No. 6. Delos DE 3366. Andrei GUGNIN (piano), Moscow Chamber Orchestra, Constantine Orbelian. [Opp. 35 and 34.] P Moscow Conservatory Bolshoi Hall Dec 2005, I 2007.

Sans op. T: Variations on a Theme by Glinka Form: Variations Nos. 8, 9, and 11 from the cycle Variations on a Theme by Mikhail Glinka for piano, composed for children by Dmitri Shostakovich (Nos. 8, 9, and 11), Eugen Kapp (No. 1), Vissarion Shebalin (Nos. 2 and 3), Andrei Eshpai (No. 4), Rodion Shchedrin (No. 5), Georgi Sviridov (No. 6), Yuri Levitin (No. 7), and Dmitri Kabalevsky (No. 10), to commemorate the centenary of Glinka’s death. The theme is ‘The Song of Vanya’ from Act 3 of the opera Ivan Susanin. 8. Adagio 9. Allegretto 11. Moderato maestoso Composed: 1957. Music: Sovetskaya muzyka magazine, 1957, No. 2, complete cycle in supplement. Associated Music Publishers, New York, No. 7729, 1976–77, 11 variations in VAAP authorized edition, 30 cm. Muzyka, Leningrad, No. 2629 (in S. Prokofiev and D. Shostakovich: Selection of Fortepiano Pieces for Children), 1980, No. 9 only, ed. Zinaida Vitkind, 28.5 cm. Duration: Theme and Variations Nos. 8, 9, and 11: 6' 31". Recordings: CD—AMV Classics AVZ 3020 (‘Piano Music, Volume 2’). Theme and Nos. 8, 9, and 11. Martin JONES. P London 3 Jan. 1990. Stradivarius STR 33748. Boris PETRUSHANSKY. [Opp. 12, 61, and 69; Sans opp. S(ii) and A.] P Moscow Broadcasting Studio 13–20 Apr. 2006.

OP U S 103: SYM P HONY N O. 11 IN G MIN OR

407

Opus 103: Symphony No. 11 in G minor Form: Symphony, subtitled ‘The Year 1905’, for full orchestra (with 2–4 harps) in four linked movements: 1. 2. 3. 4.

Palace Square—Adagio attacca Ninth of January—Allegro—Adagio—Allegro—Adagio attacca Eternal Memory—Adagio attacca The Toscin—Allegro non troppo—Allegro—Moderato—Adagio— Allegro

The symphony quotes the tunes of revolutionary songs (‘Listen!’, ‘Arestant’; the funeral march ‘You Fell as Victims’ and ‘Welcome the Free Word of Liberty’ in the third movement; ‘Rage, You Tyrants!’, ‘Boldly, Comrades, on we March’, and ‘Warsaw March’ in the Finale), while also introducing the composer’s own ‘Ninth of January’—the sixth of his Ten Poems on Texts by Revolutionary Poets, Opus 88 as a leitmotiv and a theme from Georgi Sviridov’s musical comedy Ogonki. Instrumentation: piccolo (= flute III), 2 flutes, 2 oboes, cor anglais (= oboe III), 2 clarinets (B flat and A), bass clarinet (= B flat clarinet III), 2 bassoons, contrabassoon (= bassoon III) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ xylophone, celesta, orchestral bells, 2–4 harps ~ 1st violins (16–20), 2nd violins (14–18), violas (12–16), cellos (10–14), double-basses (10–12). Composed: In the summer of 1957, at Komarovo village, Gulf of Finland, and completed on 4 August 1957. Written to mark the fortieth anniversary of the October Revolution. Premières: Reduction: 17 September 1957, House of Composers, Leningrad; Dmitri Shostakovich and Mikhail Meyerovich (pianists). 30 October 1957, Moscow Conservatory Bolshoi Hall; USSR Symphony Orchestra, Natan Rakhlin. 3 November 1957, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra, Yevgeni Mravinsky. UK: 22 January 1958, Royal Festival Hall, London; BBC Symphony Orchestra, Sir Malcolm Sargent. USA: 7 April 1958, Houston; Houston Symphony Orchestra, Leopold Stokowski. USA: 14 December 1958, Carnegie Hall, New York; Symphony of the Air, L.Stokowski. UK: 21 January 2006, Bridgewater Hall, Manchester; a pre-concert performance of the Revolutionary songs, featured in the Eleventh Symphony, sung in English by the Hallé Youth Choir conducted by James Burton.

408

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Arrangements: Reduction for piano four hands by the composer. The second movement ‘Ninth of January’ arranged for brass band (performance by the Sun Life Band under Barry Pope televised on BBC 2, 27 March 1986). Music: Autograph score preserved in TsGALI and a handwritten copy at GTsMMK. The opening page of the autograph score is reproduced in Volume 6 of Collected Works. Awarded a Lenin Prize on 22 April 1958. Sovetskii kompozitor and Muzgiz, No. 26985, 1958, 30 cm. Muzgiz, No. 27011, 1958, reduction for piano four hands, 29 cm. Leeds Music/Boosey & Hawkes, No. 705 (plate no. 18428), 1958, 19 cm. Hans Sikorski, No. 2217, 1958, 21 cm. Muzyka, 1966, 21 cm. Kalmus, No. 1460, no date, 26 cm. Muzyka, No. 10178 (in Volume 6 of Collected Works), 1980, 30 cm. DSCH Publishers, Moscow, full score in Volume 11 and Shostakovich’s piano score in Volume 26 of New Collected Works. Duration: 57 minutes in score; 53' 42"–72' 24"; 60 minutes (M. MacDonald). Ballets: Eleventh Symphony. Igor Belsky, Leningrad Malyi Theatre; decor by M. Smirnov and Mikhail Shcheglov, ballet in 4 scenes, 7 May 1966. Symphony of Revolution. Created by Natalya Ryzhenko and Viktor Smirnov-Golovanov, with libretto based on Maksim Gorky’s novel Mother; using music from Symphonies Nos. 11 and 12; performed at the Odessa Theatre of Opera and Ballet in 1977. Films: I Sequestrati di Altona (‘The Condemned of Altona’). Vittorio de Sica used the music of the third movement throughout this 113-minute black-and-white film of 1963, based on the play by Jean-Paul Sartre. Battleship Potemkin. The American Corinth Films video tape presentation of Sergei Eisenstein’s silent film of 1925 added a score from works of Shostakovich, including the Eleventh Symphony (replacing the original pit orchestra music by Edmund Meisel). October. See under Symphony No. 12, Opus 112. Recordings: LP—USSR: MK D04234-7 (4 sides mono). USSR Symphony Orchestra, Natan RACHLIN. P1957, I 1958. LP and CD—USSR: MK D4808-11 (4 sides 10" mono). Leningrad Philharmonic Orchestra, Yevgeni MRAVINSKY. P Leningrad concert 3 Nov. 1957, I 1958 and withdrawn shortly afterwards. Reissued on CD—USA: Russian Disc RDCD 11157 (mono). I Sept. 1993, G Jan. 1994. *CDR—USA: Eyewitness Records (first disc of unnumbered two-disc set from BBC transcription discs; including a spoken announcement and a 4½ minute introduction by the conductor). BBC Symphony Orchestra, Sir Malcolm SARGENT. [Beethoven and Bartók.] P Royal Festival Hall, London concert 22 Jan. 1958, I 2006.

OP U S 103: SYM P HONY N O. 11 IN G MIN OR

409

LP and CD—USA: Capitol PBR 8448 (4 sides mono) and SPBR 8448. Houston Symphony Orchestra, Leopold STOKOWSKI. P 9–12 Apr. 1958 ~ World Record Club T 776-7 (mono) and ST 776-7 (4 sides). G Sept. 1968. Reissued on CD—USA: EMI Angel CDC7 47419-2. I UK Oct. 1986 ~ EMI Classics CDM5 65206-2. I June 1994. France: EMI PCX 758-9 (3 sides mono; last side blank). French National Radio Orchestra, Andre CLUYTENS. P in the presence of the composer Paris 19 May 1958 ~ Columbia 33CX 1604 and CXS 1605 (3 sides mono; last side blank). G Jan. 1959 ~ USA: Angel ANG 35694-5 in Set 3586 (3 sides mono) ~ France: Pathé Marconi 2C 06112167 (electronic stereo). I 1973. Reissued on CD—Testament SBT1099 (stereo). G May 1997. CD—USA: Russian Disc RDCD 15 100. Moscow Radio Symphony Orchestra, L. STOKOWSKI. P Moscow concert in the presence of the composer, 7 June 1958, I June 1996. *Russia: Moscow Conservatorie SMC CD 0030. A different concert performance given by the same forces, also dated 7 June 1958, I 2008! *Brilliant Classics 8866 (on second of ten-disc set). Moscow Radio Symphony Orchestra, Aleksandr GAUK. [Rimsky-Korsakov.] P concert 21 Dec. 1958. LP and CD—USSR: MK D06295-8 (3 sides in two-record set MK D 201, mono). Leningrad Philharmonic Orchestra, Y. MRAVINSKY. P Moscow Radio studio 2 Feb. 1959, I 1960, G May 1961. Reissued on CD—Japan: Victor Musical Industries VICC 40122 (one disc in six-disc set, mono). I 1992 ~ Japan: BMG Melodiya BVCX 4025 (mono). I 1977 ~ France: Praga PR 254 017-8 (two-disc set, mono). P given incorrectly as Prague Spring 1967 concert and applause added, I Apr. 1994, G Aug. 1994 ~ Revelation RV 10091 (mono). P date given as 2 Nov. 1959 (confusion with 2.II.59), G Feb. and Mar. 1998 ~ France: Le Chant du Monde PR 7254018. P date given as Czech Radio broadcast 1967, I autumn 2000 in fifteen-disc set, G Feb. 2001. East Germany: Eterna 7 20 093-4 (4 sides 10" mono). Dresden Staatskapelle, Franz KONWITSCHNY. P 15–16 May 1959. Reissued on CD—Germany: Berlin Classics 0090 422 BC (two-disc set, mono). I Oct. 1995. USSR: Melodiya CM 04273-4 (2 sides). Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P 1973, I 1974c ~ HMV Melodiya ASD 3010. G Sept. 1974 ~ HMV Melodiya BOX 502509 in Set SLS 5025. G Dec. 1975 ~ USSR: Melodiya CM 04273-4 (in second box of Part 1 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903783 (ninth in twelve-record box set, DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1007-8. (in fourth box of five two-disc sets). G May 1989 ~ BMG Classics Melodiya 7432119843-2. G Nov. 1994.

410

D M I T R I SHOSTA K OVIC H C A TA LO GUE

HMV ASD 3772-3 in Set SLS 5177 (3 sides). Bournemouth Symphony Orchestra, Paavo BERGLUND. P Southampton 18–19 Dec. 1978, G Feb. 1980. Reissued on CD—EMI CDS7 47790-8 (in two-disc set). I Nov. 1987, G May 1988 ~ EMI Classics 5 73839-2 (two-disc set). I May 2000. USSR: Melodiya A10 00029 000 (3 sides digital). USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1983, I 1984b. Reissued on CD—Japan: Victor JVC VDC 1042. I 1985 ~ Olympia OCD 152. G Nov. 1988 ~ Olympia OCD 5006 (in Volume 2 five-disc set of symphonies). I Dec. 1990 ~ BMG Melodiya 74321 63461-2 (two-disc set). I Mar. 1999. Decca 414 126-1DH in Set 411 939-1DH2 (3 sides digital). Concertgebouw Orchestra, Bernard HAITINK. P 2–4 May 1983, G June 1985. Also released on CD—Decca 411 939-2DH2 (one disc in two-disc set). G Aug. 1985. Reissued on CD—Decca Ovation 425 072-2DM. G Nov. 1993. CD—BBC Radio Classics BBCRD 9142. BBC Symphony Orchestra, John PRITCHARD. P Royal Festival Hall concert 3 Dec. 1986, I Nov. 1995. LP and CD—Philips 420 935-1PH (digital) and released on CD—420 935-2PH. Berlin Philharmonic Orchestra, Semyon BYCHKOV. P 20–22 Mar. 1987, G Nov. 1988. CD—Naxos 8.550629. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 25 Apr.–May 1988, G Nov. 1993 ~ Naxos 8.506003 (in six-disc set). I 1993. LP and CD—Delos D 3080 (digital) and released on CD—DE 3080. Sven-Erik Paana-nen (cor anglais), Helsinki Philharmonic, James DEPRIEST. P Hyvinkää, Finland 23–24 May 1988, G May 1989. CD—Deutsche Grammophon CD 429 405-2GH. Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg Dec. 1989, G Sept. 1990 ~ Deutsche Grammophon 459 415-2GTA2 (two-disc set). I Jan. 1999. Koch Schwann 31327-2. NHK Symphony Orchestra, Yukio KITAHARA. P Tokyo concert 25 Mar. 1992, I Apr. 1993. Denon CO 78920. Vienna Symphony Orchestra, Eliahu INBAL. P 23–27 May 1992, G Apr. 1995. Teldec 9031 76262-2. National Symphony Orchestra of Washington, Mstislav ROSTROPOVICH. P Washington Oct.–Nov. 1992, G Aug. 1993 ~ Teldec 0630-17046-2 (in twelve-disc set of Symphonies). G Oct. 1997. Decca 448 179-2DH. St Petersburg Philharmonic Orchestra, Vladimir ASHKENAZY. P St Petersburg 22–23 Nov. 1994, G May 1996. Koch Schwann 374 142. Seattle Symphony Orchestra, Gerard SCHWARZ. P Seattle 5–6 June 1995, I Dec. 1997. Chandos CHAN 9476. Russian State Symphony Orchestra, Valeri POLYANSKY. P Mosfilm Studio Nov. 1995, I Sept. 1996, G July 1997.

1 The title page of the First Edition of 1982 using the striking image of Dmitri Shostakovich by artist Konstantin Vasiliev, who was born in 1942 in Nazioccupied Maikop. When peace returned to the USSR the family moved to the Volga-bank village of Vasilyeva. Vasiliev studied painting in the Repin School, Moscow, then near home at the Kazan Art School. He has painted an impressive cycle of Russian heroes and drawings of the composers Chopin, Mozart, Bach, Liszt, Skyrabin, Rimsky-Korsakov, and—Shostakovich.

2 Extracts from two query sheets with replies written and typed by the composLetter from Shostakovich dated 7 December 1974 with his DSCH motto requested in a letter dated 24 November 1974. This particular version has been reproduced as a heading on DSCH Journal and Association Internationale ‘Dimitri Chostakovitch’ circulars, in an October 1991 Classic CD magazine feature, in Sofia Moshevich’s Dmitri Shostakovich|—Pianist, on a commemorative mug on sale at a Shostakovich Weekend at Bromsgrove, Worcestershire in October 1992, and elsewhere. The composer’s printed name on the reverse side of an envelope is noteworthy for his spelling of his signature in a hybrid German/English and Cyrillic languages.

3 Extracts from two query sheets with replies written and typed by the composer, accompanying a letter dated 19 August 1974. Note the composer’s use of the word ‘Obrabotki’ (Cultivation) to mean ‘adaptation’ for Opus 104; the Quartet No. 15, Opus 144, given the key of E minor; and the title Oath to Stalin, Sans op. J(i), heavily crossed out.

4 A six kopeck dark blue Shostakovich commemorative stamp designed by V. Koval issued on birth date 25 September 1976. It shows part of the first movement of the Leningrad Symphony and the towers of the Peter and Paul Fortress outlined by searchlights.

5 New Babylon score, posted from Moscow, autographed by Gennadi Rozhdestvensky on 8 August 1977. Note the number erroneously given as Opus 17.

6 Score of Mieczysław Weinberg’s Twelfth Symphony, dedicated to Shostakovich, autographed on 3 April 1987. Note his own Cyrillic signature transliterated M. Vainberg and Anglicized name M. Weinberg on the score. For a paragraph on this tribute see p. 598. Insert: the dedication on the first page of score.

7 Score of Shostakovich’s Second Cello Concerto autographed by Mstislav Rostropovich at La Scala, Milan on 25 September 1996.

OP U S 103: SYM P HONY N O. 11 IN G MIN OR

411

EMI Classics CDC5 55601-2. Philadelphia Orchestra, Mariss JANSONS. P Collingswood, New Jersey 8, 9, and 11 Mar. 1996, I May 1997, G Sept. 1997. Germany: Arte Nova Classics 74321 54452-2. Jena Philharmonic Orchestra, David MONTGOMERY. P Jena, Germany 2 Sept. 1996, I Apr. 1998. *Netherlands: Brilliant Classics 6275 (seventh of eleven-disc set). West Germany Radio Symphony Orchestra, Rudolf BARSHAI. P Cologne 3–7 May 1999, I Dec. 2001. USA: Angelok1 ANGCD 9903. Royal Philharmonic Orchestra, Vakhtang JORDANIA. P Gospel Oak, London 5 July 1999, I Dec. 2000. **Avia AV 2062 (Hybrid SACD). West Germany Radio Symphony Orchestra, Semyon BYCHKOV. P Philharmonie, Cologne 9–23 Nov. 2001, I Aug. 2005, G Aug. 2006. LSO Live 0030. London Symphony Orchestra, Mstislav ROSTROPOVICH. P Barbican Hall, London concert 21–22 Mar. 2002, G Sept. 2002 (Editor’s Record of the Month with excerpt on the cover disc) ~ LSO Live 0555 (Hybrid SACD). I 2004. Dunelm Records DRD 0193 (two-disc set). London Shostakovich Orchestra, Christopher COX. [Op. 102.] P St Cyprian’s Church, London concert 9 Nov. 2002, I 2003 ~ Dunelm Records DRD 0193B (single disc). I 2003. Delos DE 3329. Oregon Symphony, James DEPREIST. P Portland, Oregon concert 18–20 Jan. 2003, I 2004. Germany: Arts Music 47676-8 (Hybrid SACD). Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. P Auditorium Verdi di Milano concert Mar. 2003, I Oct. 2005, G Dec. 2005. NB. An ambulance siren sounds during the first Adagio of the second movement. Linn CDK 247 (Hybrid SACD). Royal Scottish National Orchestra, Aleksandr LAZAREV. P Usher Hall, Edinburgh concert 22–23 Jan. 2004, I May 2005, G Sept. 2005. Germany: Capriccio 71 036 (Hybrid SACD). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. P Cologne Philharmonie concert 12–17 Feb. 2004, I Aug. 2005. Netherlands: PentaTone classics PTC 5186 076 (Hybrid SACD). Russian National Orchestra, Mikhail PLETNEV. P Palais des Beaux-Arts Brussels concert 14 Feb. 2005, I Apr. 2006. Australia: ABC Classics MSO Live 476 836-4. Melbourne Symphony Orchestra, Oleg CAETANI. [Sans opp. E and H(ii).] P Hamer Hall, Melbourne concert Aug. 2005. Germany: Dabringhaus und Grimm MDG937 1209-6 (SACD). Beethoven Orchestra, Roman KOFMAN. P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 28–30 Mar. 2006, I Apr. 2008, G Sept. 2008.

412

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Naxos 8.572082. Royal Liverpool Philharmonic Orchestra, Vasily PETRENKO. P Royal Liverpool Philharmonic Hall 22–23 Apr. 2008, G May 2009. Note: The song ‘To the Partisan’, quoted in Opp. 48 and 131, does not reappear in the second movement ‘Ninth of January’ as stated in a recent CD liner note.

Opus 104: Two Russian Folksongs Form: Two traditional Russian folksongs arranged for S.A.T.B. chorus a cappella: 1. ‘Returning Winds’ (or ‘Winds were Blowing’)—In a reserved manner, unhurriedly 2. ‘How my husband cruelly beat me up’ (or ‘As I was a Young Girl’)— Quickly, gaily Composed: 1957, at Moscow. Premières: 24 November 1957, Moscow Conservatory Bolshoi Hall; RSFSR Academic Russian Choir, Aleksandr Sveshnikov. UK: 11 March 1987, Queen Elizabeth Hall, London; Westminster Singers, Richard Hickox. (A recording of this performance broadcast on BBC Radio 3, 26 April 1987 and 12 March 1991). Music: Whereabouts of the autograph score unknown (Collected Works). A handwritten copy preserved in the State Russian Folk Choir Academy. Sovetskii kompozitor, Leningrad, Nos. 9 and 17 in the collection Russian Folk Songs compiled by Nataliya Kotikova, 1957. Muzfond USSR, 1957, score and parts. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, 30 cm. DSCH Publishers, Moscow, score in Volume 85 of New Collected Works. Duration: Approx. 6 minutes in score; 6' 35": (1) 4' 32"–5' 07" and (2) 0' 56"–1' 28". Recordings: LP—USSR: Melodiya C01709-10. Omsk Russian Folk Choir, Georgi PANTYUKOV. No. 2 only. P 1969. LP and CD—USSR: Melodiya C10 16967001. No. 2 only. Glinka State Academic Cappella of Leningrad, Vladimir CHERNUSHENKO (chorus-master). I 1982c. Reissued on CD—USSR: Melodiya SUCD11 00320. No. 2 only. I 1991d. LP—USA: Yale BYR-024 (‘The Yale Russian Chorus, Volume 9’). No. 1 only, translated as ‘The Winds Blew’. The Yale Russian Chorus, Michael SCHNACK (conductor). P Yale May and Dec. 1987. USSR: Melodiya C10 29653 007. Nos. 1 and 2. Moscow Youth and Students’ Choir, Elena Nikolayeva (chorus-master), Boris TEVLIN (chorusdirector). P 1988. I 1990c.

OP U S 105: M OSC OW, CH ERY OMUSH KI

413

CD—France: Russian Season RUS 288 121 (‘Russian Folksongs’). No. 2 only, translated as ‘Me, young lass’. Sveshnikov Russian Academic Choir, Yevgeni TYTIANKO. P Mosfilm studios, Moscow Feb. 1995. Philips 456 399-2PH (‘Kalinka: Russian folksongs’). No. 2 only, translated as ‘How was I, a tender young maiden?’ St Petersburg Chamber Choir, Nikolai KORNIEV. P St Petersburg May 1996, G Feb. 1999. Notes: The Cyrillic word O¼pa¼oÍÅÃ (Obrabotaki) meaning Cultivation, used as a title for Opus 104 in earlier editions of this catalogue, was given in the composer’s typed list of December 1974. It is now obvious that Shostakovich intended this to mean the ‘working up’ or ‘processing’ of the two traditional folksongs, not as a title for a projected cycle of working songs relating to country culture. No. 1 is ‘a drawn-out song from the Kuibyshev Region’ and No. 2, a roundelay performed in patter from the Novgorod Region. The latter’s tempo suggests a comic song in spite of the vivid description of domestic violence. See the article ‘The Title of Opus 104: A Mystery Solved’ by D. C. Hulme in DSCH Journal No. 26.

Opus 105: Moscow, Cheryomushki Form: Musical Comedy (or Operetta) in three acts of five scenes (OverturePrologue and 39 numbers), for full orchestra (with harp), 19 singing parts and S.A.T.B. chorus, to libretto by Vladimir Mass and Mikhail Chervinsky: Overture-Prologue—Allegretto ACT 1 Scene 1:

Scene 2:

‘Do not touch!’ 1. Bubentsov and choir of excursionists 2. Duet: Masha and Bubentsov 3. Pantomime—Allegretto 4. Aria: Boris—‘I am waiting…’ 5. Serenade: Boris 6. Song—Aria: Lidochka 7. A drive around Moscow Dialogue Interlude. ‘Reckless love’ 8. Duet: Vava and Drebednev 9. End of drive around Moscow ‘Who Has the Keys?’ 10. Assembly of tenants 11. Song: Glushkov, the chauffeur of Marina Grove 12. Song: Baburov, the old Muscovite of Tyoplyi (Warm) Lane

414

D M I T R I SHOSTA K OVIC H C A TA LO GUE

13. 14. 15. 16. 17.

Song of Cheryomushki Scene: Barabashkin with tenants Song: Boris Scene: Drebednev, Barabashkin, and tenants Finale of Act 1—Song of Cheryomushki ACT 2

Scene 3:

Scene 4:

Musical Interlude: ‘Here they are, the keys!’—Allegretto 18. Couplets: Barabashkin—‘How are You?’ ‘Aerial descent’ 19. Duet: Lidochka and Boris—‘Fine Fellow’ 20. Duet: Lyusya and Glushkov—‘Love is a Ring’ 21. Couplets about Reciprocity: Barabashkin and Drebednev 22. Duet—Reminiscence: Lidochka and Boris 23. Scene Dialogue Interlude 24. Song: Lyusya and the builders ‘An alarming knock at the door bell’ 25. Duet: Masha and Bubentsov—‘Doorbell’ 26. Polka with Kisses—Allegretto 27. Song of Cheryomushki Dialogue Interlude—‘In the Clouds’ 28. Ballet—Andantino 29. Apotheosis—Presto 30. Finale of Act 2 ACT 3

Scene 5:

31. Entr’acte—Allegretto 32. Scene ‘Magic hours’ 33. Song: Lidochka—‘What Do I Care?’ 34. Blossom Waltz—Allegretto 35. Ditty: Barabashkin 36. Duet: Lidochka and Boris 37. Ditty: Glushkov 38. Scene: Barabashkin and the Masks 39. Finale

The ‘Song of Cheryomushki’ that recurs throughout the score (e.g. at the beginning of the Overture-Prologue and in Nos. 13, 17, and 39) is based on the urban song ‘There Used to be Merry Days’, previously used in The Golden Mountains, Opus 30 film score. Nos. 6 and 22 include arrangements of ‘Song of the Counterplan’ from Opus 33. No. 7 includes a fragment from

OP U S 105: M OSC OW, CH ERY OMUSH KI

415

the Galop in Ballet Suite No. 1, Sans op. P(i). No. 19 includes a fragment from ‘Moscow Suburb Nights’ (better known in the West as ‘Midnight in Moscow’, though Mikhail Matusovsky’s lyric refers to an estate near Moscow) by Vasili Soloviev-Sedoi at fig. 170, which also quotes the popular Russian songs ‘In the Garden, in the Kitchen Garden’ at fig. 167, ‘The Full Moon is Shining’ at fig. 168, ‘Hey There, My New Porch’ at fig. 169, and ‘Fried Chicken’ at fig. 180. No. 21 includes an arrangement of the Intermezzo from The Bolt, Opus 27a. Instrumentation: piccolo (= flute III), 2 flutes, 3 oboes, 3 clarinets (A and B flat), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, castanets, tambourine, side drum, cymbals, bass drum, gong ~ glockenspiel, harp ~ strings. Composed: Preliminary work in the autumn of 1957 but mainly September– November 1958, in a Moscow hospital and rest home at Bolshevo, near Moscow. Premières: 24 January 1959, Moscow Operetta Theatre, Moskva, Cheryomushki, Grigori Kigel (designer), Galina Shakhovskaya (choreographer), A. Zaks and Vladimir Kandelaki (producers), Grigori Stolyarov (conductor). UK: 19–29 October 1994, Lyric Theatre, Hammersmith; Pimlico Opera production in David Pountney’s English translation and Gerard McBurney’s reorchestration titled Cheryomushki 1958; Paul Andrews (designer), Caroline Pope (choreographer), Lucy Bailey (director); principal roles—Nicole Tibbels (Masha), Gareth Lloyd (Sergei Glushkov), Roger Bryson (Drebednev), Richard Suart (Barabashkin), Brian Lipson (Baburov), Meurig Davies (Bubentsov), Rebecca Gale (Lyusya), Anna Barkan (Lidochka), Ian Platt (Boris), Janet Fullerlove (Vava); conducted by Wasfi Kani. UK: 3 May–22 June 2001, Grand Theatre, Leeds (broadcast on BBC Radio 3 on 5 May); Sadler’s Wells; The Lowry, Manchester; Theatre Royal, Nottingham and Newcastle; Opera North production retitled Paradise Moscow in David Pountney’s English translation and Gerard McBurney’s reorchestration with additional arrangements by Jim Holmes; Robert Innes Hopkins (designer), Craig Revel Horwood (choreographer), D. Pountney (director); principal roles—Gillian Kirkpatrick (Masha), Alan Oke (Glushkov), Richard Angas (Drebednev), Campbell Morrison (Barabashkin), Steven Beard (Baburov), Daniel Broad (Bubentsov), Rachael Taylor (Lyushka), Janie Dee (Lidochka), Loren Geeting (Boris), Margaret Preece (Vava); conducted by Steven Sloane and Jim Holmes. France: Opéra de Lyon, 17 December 2004–2 January 2005 (nine performances), Masha Makeyev and Jérôme Deschamps (designers), Aleksandr Lazarev (director). UK première of the full orchestral score and sung in Russian: July 2006, Coliseum Theatre, London; semi-staged production by Vasili Barkhatov,

416

D M I T R I SHOSTA K OVIC H C A TA LO GUE

with dècor by Yuri Aleksandrov; Mariinsky Opera and Chorus led by Yuri Sulimsky and Mariinsky Orchestra conducted by Valery Gergiev. Opus 105a: film first shown on 30 December 1962. Sound recordist G. Elbert and art director Marksen Gaukhman-Sverdlov. USA: 21 November 1964, Cameo Theater, New York; under the title Song Over Moscow. Arrangements: A German version under the title My Ancient, My Young City, with libretto edited by the poet Kuba, produced at Rostock, GDR in 1960. English translation by David Pountney for the 1994 version Cheryomushki 1958 in Gerard McBurney’s orchestration of 1993–94. ‘Lyusya’s Song of Yearning’ (from Overture-Prologue, figs. 12–16) arranged for piano by Bronislava Rozengauz, and cello and piano by S. Kalyanov. Also titled ‘Waltz in G minor’. ‘Blossom Waltz’ (from No. 28. figs. 253–58) reductions for piano by Levon Atovmyan and B. Rozengauz, and as organ solo by Mariya Makarova. Galop arranged for 48 violas by Julian Milone. Nos. 7, 34, and 19, for cello and piano by Matthew Barley. Suite arranged by Andrew Cornall in 1995: 1. 2. 3. 4.

A spin through Moscow—No. 7 Waltz—Nos. 2 and 3 Dances (Polka—Galop)—Nos. 26 and 19 Ballet—No. 28

Cheryomushki: Another Bite of the Cherry. A 50-minute documentary, produced by Richard Trayler-Smith, screened on BBC2 TV on 20 August 1995 to mark the 20th anniversary of the composer’s death. Includes extracts from the original Moscow stage and Lenfilm productions and the Pimlico Opera presentation (rehearsals and a performance filmed on 22 October 1994). Recorded observations from David Pountney, Gerard McBurney, Wasfi Kani, stars of the Soviet and British versions, Russian commentators, and current residents of the run-down Cheryomushki estate. A production titled Moscow: Cherry Tree Towers, sung in English and Russian, performed in August 2004 at the 15th Bard Music Festival at Annandale-on-Hudson, New York, directed by Francesca Zambello in a version scored by Sergei Dreznin for two pianos, accordion, and mandolin. Lyrics sung in Russian and dialogues spoken in a French translation by Masha Zonina for the 2004–2005 French première. Instrumentation: of Cheryomushki 1958—flute/piccolo, clarinet (B flat and E flat), 2 saxophones (soprano/alto and tenor/baritone) ~ 2 trumpets, trombone ~ upright piano ~ guitar/banjo/ukelele ~ percussion (1 player— side, tenor, and bass drums; 2 tambourines, Rototom, 2 wood blocks, 3 bongos, 2 tom-toms, 2 triangles, 3 suspended cymbals, cymbals, car horn,

OP U S 105: M OSC OW, CH ERY OMUSH KI

417

small glockenspiel, vibraphone, metal twang; 5 electric bells—door chime, school, alarm, public transport, telephone; wind machine, 2 thundersheets) ~ 2 violins, cello, double-bass. Music: The whereabouts of the autograph score is not known. The definitive manuscript vocal score preserved at the USSR Music Fund. Sergei Glushkov’s song ‘We’re Building a House’ was not included in the definitive version of the score. It is published as a supplement to Volumes 24 and 25 of Collected Works. An incomplete autograph vocal score preserved in the Shostakovich Family Archive. Sovetskii kompozitor, No. 1308, 1959, vocal score, 30 cm. Sovetskii kompozitor, No. 4565 (in D. Shostakovich: Popular Pieces for piano), 1967, ‘Blossom Waltz’ arr. L. Atovmyan, 28.5 cm. Sovetskii kompozitor, No. 4920 (in D. Shostakovich: Selection of Children’s Piano Pieces), 1979, ‘Lyusya’s Song of Yearning’ and ‘Blossom Waltz’ arr. B. Rozengauz, 29 cm. Muzyka, No. 11933 (Volume 24 of Collected Works), 1986, full score, 30 cm. Muzyka, No. 11934 (Volume 25 of Collected Works), 1986, vocal score 30 cm. Muzyka, No. 14908 (in D. Shostakovich: Pieces for cello and piano), 1991, ‘Lyusya’s Song of Yearning’ arr. S. Kalyanov, 29 cm. DSCH Publishers, Moscow, 2006, New Collected Works Volume 66, full score with an Appendix containing additional orchestral items composed for the film Cheryomushki, 30 cm. Duration: Musical Comedy: c.1 hr 45 mins—2 hrs 22 mins (recordings); 2 hrs 40 mins (staged). Film: 1 hr 32 mins. DVD of film: 1 hr 21 mins. Suite (1995): 19' 47"–21' 54". Films: Opus 105a—Cheryomushki, a film based on the musical comedy with screenplay by Mass and Chervinsky, directed by Gerbert Rappaport for Lenfilm. The film is divided into twenty-two sequences: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.

Introduction and credits Sergei meets Boris At the museum: Boris meets Lidochka—Lidochka’s song Masha and Sasha dream of a home of their own Tyoplyi Lane collapses …but the tenants will be re-housed at Cheryomushki A spin round Moscow Arrival at Cheryomushki Barabashkin arrives Sergei’s song—Boris meets Vava again The tenants demand their keys

418

D M I T R I SHOSTA K OVIC H C A TA LO GUE

12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22.

Sergei and Lyusya Boris gets Lidochka and her father into their new apartment Boris and Lidochka: Dance sequence A hole in the wall Drebednev and Barabashkin plot Lidochka and Boris have problems An impromptu housewarming at Masha and Sasha’s Boris stirs things up between Drebednev and Vava The magic bench—Sergei proposes to Lyusya Barabashkin, Drebednev, and Vava sort it out Happy ending

DVD Video—Decca 074 3138DH (enhanced mono). Given a new English name of Cherry Town. Sung in Russian. Subtitles in six languages. Synopsis. Principal roles—Olga Zabotkina (Lidochka),Vladimir Vasiliev (Boris), Marina Khotuntseva (Masha), Grigori Borneo (Sasha), Svetlana Zhivankova (Lyusya), Vladimir Zemlyanikin (Sergei), Vasili Merkuriev (Drebednev), Marina Polbentseva (Vava); Leningrad Philharmonic Orchestra, Nikolai Rabinovich. [Excerpts from Op. 114 and Shostakovich against Stalin.] I May 2007, G Sept. 2007. Master Class: David Pountney—Opera Director. A BBC TV2 documentary, introduced by James Naughtie on 21 December 2000, included a runthrough of No. 8—Duet of Vava and Drebednev sung by Frank Church and Catrin Johnsson and accompanied by Elizabeth Rowe. Recordings: LP—USSR: MK D11043-4 (10" mono). Eleven excerpts: Overture, Nos. 6, 22, 19, 7, 5, 25, 18, 14, 26, and 39. Soloists—as below, Chorus and Orchestra of Moscow Operetta Theatre, Grigori STOLYAROV. P 1959, I 1962. USSR: Melodiya D034379-82 (4 sides in double album, mono). Complete apart from Nos. 9, 15–17, 27, 31, 33, 34, 36, and 37. N. Kuralesina (Masha), A. Steputenko (Glushkov), A. Tkachenko (Drebednev), Vasili Alchevsky (Barabashkin), V. Chekalov (Bubentsov), A. Kotova (Lyasya), Tatyana Shmyga (Lidochka), Nikolai Ruban (Boris), N. Krylova (Vava), Chorus and Orchestra of Moscow Operetta Theatre, G. STOLYAROV. P 1959, I 1974 ~ Melodiya M60 39919-22 (in two-record set ‘Pages from Soviet Operettas’, mono). I 1978b. LP and CD—USA: Columbia ML 6267 (mono) and MS 6867. Orchestral excerpts: Galop from No. 19, fig. 175 to end; and Medley— Dance from No. 19, figs. 169–71, Overture Waltz to fig. 5, and Entr’acte No. 31 from Act 3. Andre KOSTELANETZ and his Orchestra. P New York 23 and 29 Nov. 1965 ~ CBS BRG 72504 (mono) and SBRG 72504. G Feb. 1967 ~ CBS Classics 61220. G May 1971. Reissued on CD—Sony Classical SBK 62642. Galop and Overture Waltz. G June 1997.

OP U S 105: M OSC OW, CH ERY OMUSH KI

419

LP—Sweden: Bluebell Bell 126. ‘Lyusya’s Song of Yearning’ labelled as ‘Waltz in G minor’. Inger WIKSTRÖM (piano). P Stockholm 28 Jan. and I Feb. 1981. CD—Cala CACD 0106 (‘The London Viola Sound’). Galop arr. J. Milone. The 48 Violas of Academy of St Martin-in-the-Fields; BBC Symphony, London Philharmonic, and English National Opera Orchestras, Geoffrey SIMON. P Watford 24 Jan. 1995, I Apr. 1995, G Sept. 1995. Olympia OCD 585 (‘Music for Organ’). ‘Blossom Waltz’ arr. for organ. Mariya MAKAROVA (organ). P Moscow Conservatory Jan. 1995, I Mar. 1997. BBC MM132. Cheryomushki: Pountney/McBurney version sung in English—Nos. 7, 2, 3, 5, 17, 11, 12, 1, 4, 6, 13, 8, 9, Overture-Prologue, 14, 18, 16, 19–21, 25, 26, 22, 28, 32, 35, 15, 38, and 39. Cast and orchestra of Pimlico Opera; roles as at Hammersmith stage performances except for Simon Davies (Glushkov) and Phyllida Hancock (Lyusya); Wasfi KANI. P Abbey Theatre, St Albans Feb. 1995, I BBC Music magazine Apr. 1995 with synopsis. Decca 452 597-2DH (‘The Dance Album’). Suite arr. Andrew Cornall. Erez Ofer (violin), Philadelphia Orchestra, Riccardo CHAILLY. P New Jersey Dec. 1995, G Dec. 1996. Chandos CHAN 9591(2) (two-disc set with synopsis and libretto in Russian, English, French, and German in 264-page booklet). Andrei Baturin (Bubentsov and Drebednev). Irina Gelakhova (Masha), Mikhail Gouzhov (Baburov), Yelena Prokina (Ludochka), Anatoli Loshak (Boris), Germann Apaikin (Sergei Glushkov), Lydiya Chernykh (Lyusya), Aleksandr Kiselev (Barabashkin), Gennadi Rozhdestvensky (taxi driver—spoken), Zino Vinnikov (violin), Gregor Horsch (cello), Russian State Symphonic Cappella, Valeri Polyansky (chorus-master), Resident Orchestra of The Hague, Gennadi ROZHDESTVENSKY. P The Hague 30 June–3 July 1997, I Dec. 1997, G Apr. 1998. RLPO Live RLCD 101. Galop. Royal Liverpool Philharmonic Orchestra, Petr ALTRICHTER. P Liverpool concert 17 Oct. 1998, G May 1999. EMI Classics CDC5 57129-2 (‘Who is Afraid of 20th Century Music?’). ‘A drive through Moscow’. Hamburg State Philharmonic Orchestra, Ingo METZMACHER. P Hamburg concert 31 Dec. 2000, I Feb. 2001. **Germany: Capriccio 71 096 (Hybrid SACD). Suite Arr. A. Cornall. Berlin Radio Symphony Orchestra, Steven SLOANE. [Sans opp. E and G(ii); Op. 16.] P Jesus-Christus-Kirke, Berlin 28 Sept.–2 Oct. 2004, I Oct. 2006. Quartz: QTZ 2032. Nos. 7, 34, and 19, arr. M. Barley. Matthew BARLEY (cello) and Stephen De Pledge (piano). [Schnittke, Kancheli, Pärt et al.] P Champs Hill, Pulborough, West Sussex 5 Apr. 2005.

420

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Notes: The Russian title translates as ‘The Bird-cherry District of Moscow’. Originally titled Cheryomushki and then New Tenants. The film Opus 105a was named Song over Moscow in America, and Cherry Town on the UK DVD. The English title given as Cheryomushki, Moscow in Volumes 24 and 25 of Collected Works. It was retitled Cheryomushki 1958 for the British stage première and during its run shortened to Cheryomushki while Opera North used Paradise Moscow in spring 2001. The name of the Cheryomushki District was changed to Brezhnev District after the Soviet leader’s death in 1982 but restored to its original name in January 1988. See the article ‘Not a cherry tree in sight’ by Gerard McBurney in Tempo No. 190 (Sept. 1994) and BBC Music, Apr. 1995 and his detailed contribution—the chapter ‘Fried Chicken in the Bird-Cherry Trees’ with 26 music examples—to Laurel Fay’s Shostakovich and His World, (Laurel E. Fay ed., Princeton University Press, 2004, 227–73). The cherry tree, translated incorrectly as ‘cherrybird tree’ (sic) in the booklet with Rostropovich’s compact disc set, is the wild Bird Cherry (Prunus padus Linnaeus). This northern tree grows naturally in the Moscow district and is not the ornamental Japanese Flowering Cherry which was planted to beautify the new housing estate (see D. C. Hulme’s letter in Gramophone, May 1998). In Act 2 Scene 3 the ‘Airborne forces’ of previous editions is a possible translation of ‘Vozdushnyi desant’ though Gerard McBurney suggests ‘Aerial descent’ would be more appropriate for the unauthorised entry of the flats by means of a building-site crane.

Opus 106: Khovanshchina (Mussorgsky) Form: Reorchestration of Modest Mussorgsky’s five-act opera Khovanshchina of 1886 for a colour film version, with scenario by Anna Abramova, Dmitri Shostakovich, and Vera Stroeva, for Mosfilm. Shostakovich provided two alternative endings to the final scene. Instrumentation: 3 flutes (III = piccolo), 3 oboes (III = cor anglais), 3 clarinets (A and B flat; III = bass clarinet), 3 bassoons (III = contrabassoon) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ separate band of French horns, trumpets, and trombones on and off stage (numbers not specified) ~ timpani, triangle, tambourine, side drum, cymbals, bass drum, gong ~ glockenspiel, orchestral bells, celesta ~ 2–4 harps, piano ~ strings. Composed: Edited and orchestrated March 1958–26 April 1959, at Moscow. Acts 1 and 4 completed on 16 March and 1 August 1958 respectively. Premières: Film first shown on 23 May 1959 (orchestra conducted by Yevgeni Svetlanov).

O P U S 106: K HOVA NSHC HINA (MUSSORGSKY )

421

Stage version: 25 November 1960, Kirov Theatre of Opera and Ballet, Leningrad; décor by Fyodor Fyodorovsky, directed by Leonid Baratov, and conducted by Sergei Yeltsin. UK: 27 August 1962, Edinburgh Festival, King’s Theatre; Belgrade National Opera Company, Dušan Miladinovicˇ (conductor). USA: 1 March 1981, Carnegie Hall, New York; Opera Orchestra of New York, concert version sung in Russian, conducted by Eve Queler. See Recordings. London: 21 October 1982, Royal Opera House, Covent Garden; Vlado Habunek’s production rehearsed by Jeremy Sutcliffe, décor by Boiždar Rasicˇa; Royal Opera Chorus (chorus-master—John McCarthy) and Royal Opera House Orchestra, under the conductor Yevgeni Svetlanov; principal roles— Yevgeni Nesterenko, (Ivan Khovansky), Robin Leggate (Andrei Khovansky), Robert Tear (Vasili Golitsyn), Donald Mclntyre (Shaklovity), Gwynne Howell (Dosifei), Yvonne Minton (Marfa), and Paul Crook (Scribe). UK broadcast: 8 November 1982, BBC Radio 3; a performance as above direct from the Royal Opera House. USA: 14 November 1985, Metropolitan Opera, New York; conducted by Neeme Järvi; principal roles—Aage Haugland (Ivan Khovansky), Dénes Gulyás (Andrei Khovansky), Weislaw Ochman (Vasili Golitsyn), Norman Mittelmann (Shaklovity), Martti Talvela (Dosifei), and Stefka Mineva (Marfa). Arrangements: German and Italian translations of the libretto. Music: Autograph score preserved at TsGALI. Muzgiz, Nos. 30196 and 30196a, 1963, full score of Russian/German edition in two volumes, ed. Pavel Lamm with Preface by Vasili Yakovlev, 30 cm. Muzyka, No. 2058,1976, vocal score, ed. P. Lamm with commentaries on editions of Rimsky-Korsakov, Shostakovich, and others, 30 cm. Duration: Film: 2 hrs 15 mins. (Riley 2004). Opera: 3 hrs 14 mins.–3 hrs 22 mins. Films: Shostakovich’s orchestration, with the final scene completed by Igor Stravinsky, used in the BBC2 TV Russian Season presentation, shown on 9 December 1989. Vienna Philharmonic Orchestra, conducted by Claudio Abbado; principal roles—Nicolai Ghiaurov (Ivan Khovansky), Vladimir Atlantov (Andrei Khovansky), Yuri Maruzin (Vasili Golitsyn), Anatoli Kocherga (Shaklovity), Paata Burchuladze (Dosifei), and Lyudmila Semtschuk (Marfa). Alfred Kirchner’s production, with décor by Erich Wonder, introduced by the British opera singer Robert Lloyd. Released Feb. 1993 on Pioneer Laser Disc Video PLM CC 00631 and reviewed G Apr. 1993. Leonid Saratov’s Kirov Theatre production in Shostakovich’s orchestration, with décor by Fyodor Fedorovsky, filmed in 1992. Performers

422

D M I T R I SHOSTA K OVIC H C A TA LO GUE

as in Valery Gergiev’s 1991 recording except for Konstantin Pluzhnikov doubling as Scribe; Vyacheslav Trofimov (Shaklovity), Tatyana Kravtsova (Emma), Valeri Lebed (Pastor), Mikhail Chernozhukov (Varsonofiev), Andrei Khramtsov (Second Strelets); and the visual addition of the Kirov Ballet. Video directed by Brian Large, released in 1995 on Philips Videocassette 070 433-3PHZ and two Laser Discs 070 433-1PHG2, and reviewed G Dec. 1995. Film: DVD—Opus Arte OA 0989D (two DVDs, subtitles in six languages including English. Illustrated synopsis).Vladimir Ognovenko (I. Khovansky), Vladimir Galouzina (A. Khovansky), Robert Brubaken (Golitsyn), Nikolai Putilin (Shakovity), Vladimir Vaneyev (Dosifei), Elena Zaremba (Marfa), Graham Clarke (Scribe), Nataliya Tymchenko (Emma); Symphony Orchestra and Chorus of the Gran Teatre del Liceu, Michael BORDER. P Gran Teatre del Licei, Barcelona concerts 26 and 29 May 2007, I 2008. Recordings: LP— USSR: MK D012965-6 (mono) and C0771-2 (‘Opera Overtures by Russian Composers’). ‘Dawn on the Moscow River’, orchestrated by Shostakovich. Bolshoi Theatre Orchestra, Yevgeni SVETLANOV. P 1963 ~ HMV Melodiya ASD 2646. G Jan. 1971 ~ USSR: Melodiya CM 03397-400 (‘Moscow Souvenir’, two-record set). I 1973. CD—USSR: Melodiya SUCD10 00178. ‘Dawn on the Moscow River’—in two versions, orchestrated by Shostakovich and Rimsky-Korsakov. USSR Symphony Orchestra, Ye. SVETLANOV. P Moscow concert 5 May 1968, I I99ld, G Sept. 1993 ~ BMG Melodiya 74321 34165-2 (‘Orchestral Pictures from Russia’, two-disc set). Orchestrated by Shostakovich’). P date given as 1963, G Apr. 1997. LP and CD—USA pirate?: HRE 367 (8 sides mono). Stated to be the first recording of the Shostakovich orchestration on the sleeve. No sleeve notes or libretto. Sung in Italian. Nicolai Ghiaurov (Ivan Khovansky), Veriano Luchetti (Andrei Khovansky), Ludovico Spiess (Vasili Golitsyn), Siegmund Nimsgern (Shaklovity), Cesare Siept (Dosifei), Fiorento Cossotto, (Marfa), Herbert Handt (Scribe); Rome RAI Symphony Orchestra and Chorus, Bogomir LESKOVIC. P Rome concert 1973. Reissued on CD—Italy: Bella Voce BLV 107 402 (three-disc set). I 1995. LP—USA: BJRS 1581-3 (three-record set, with libretto). Leonard Mróz (Ivan Khovansky), Dénes Gulyás (Andrei Khovansky), Peter Kazaras (Vasili Golitsyn), Allan Monk (Shaklovity), Paul Plishka (bass), Stefania Toczyska (Marfa); Opera Orchestra of New York, Eve QUELER. P New York concert 1 Mar. 1981. CD—Sony Classical S3K 45831 (three-disc set). Nicolai Ghiaurov (Ivan Khovansky), Zdravko Gadjev (Andrei Khovansky), Kaludi Kaludov (Vasili Golitsyn), Stoyan Popov (Shaklovity), Nicola Ghiuselev (Dosifei), Alexandrina Miltcheva (Marfa), Maria Petrova Popova (Susanna), Angel

O P U S 106: K HOVA NSHC HINA (MUSSORGSKY )

423

Petkov (Scribe), Maria Dimchevska (Emma), Dimiter Stanchev (Pastor, First Strelets), Stoil Georgiev (Varsonofiev, Second Strelets), Roumen Doikov (Kouzka), Assen Selimski (Streshnev); Sofia National Opera Orchestra and Chorus, Emil TCHAKAROV. P Sofia 1986, G Oct. 1990. Deutsche Grammophon 429 758-2GH3 (three-disc set, with libretto and English, French, and German translations). Essentially Shostakovich’s orchestration with Stravinsky’s ending. Aage Haugland (Ivan Khovansky), Vladimir Atlantov (Andrei Khovansky), Vladimir Popov (Vasili Golitsyn), Anatoli Kotscherga (Shakhlovity), Paata Burchuladze (Dosifei), Marjana Lipovšek (Marfa), Brigitte Poschner-Klebel (Susanna), Heinz Zednik (Scribe), Joanna Borowska (Emma), Wilfried Gahmlich (Kouzka); Vienna Boys Choir, Slovák Philharmonic Chorus, Vienna State Opera Chorus and Orchestra, Claudio ABBADO. P Vienna concerts Sept. 1989, G Nov. 1990 and Oct. 1991. Erato/Warner Classics 2292 45596-2. Prelude, Persian Dance, and Prince Golitsyn’s Departure orchestrated by Shostakovich. Rotterdam Philharmonic Orchestra, James CONLON. P Rotterdam 7–12 Dec. 1989, I and G Aug. 1991. Bulgaria: Gega GD 113-15 (three-disc set). Nicola Ghiselev (bass), Stefka Mineva (contralto), Sofia National Opera Chorus and Orchestra, Russlan RAYCHEV. P Sofia 1990, I Aug. 1992. Philips 432 147-2 (three-disc set, with libretto in English, transliterated Russian, German, and French). Bulat Minjelkiev (Ivan Khovansky), Vladimir Galusin (Andrei Khovansky), Aleksei Steblianko (Vasili Golitsyn), Valeri Alekseyev (Shaklovity), Nikolai Okhotnikov (Dosifei), Olga Borodina (Marfa), Yevgeniya Tselovalnik (Susanna), Konstantin Pluzhnikov (Scribe), Yelena Prokina (Emma), Nikolai Gassiev (Kouzka), Vassili Gerelo (Streshnev), Yevgeni Fedotov (First Strelets), Grigorl Karasev (Second Strelets); Kirov Theatre Chorus and Orchestra, Valeri Borisov (chorusmaster), Valeri GERGIEV. P Leningrad Jan.–Feb. 1991, I and G June 1992. BBC Music BBC MM135. ‘Dawn on the Moscow River’, orch. Shostakovich. BBC National Orchestra of Wales, David ATHERTON. P Prom concert 22 Aug. 1994, I July 1995 with magazine. France: Saison Russe 288149. Prelude orch. Shostakovich. Young Russia Symphony Orchestra, Mark GORENSTEIN. P Mosfilm Studios, Moscow Dec. 1996 ~ *Le Chant du Monde Saison Russe RUS 288 168. [Mussorgsky.] G May 2002. **Philips 468 526-2PH. Prelude orch. Shostakovich. Vienna Philharmonic Orchestra, Valery GERGIEV. [Mussorgsky.] P Vienna concert 28–30 Apr. 2000, G July 2002 ~ Philips 470 619-2 (SACD). [Mussorgsky.] I May 2003. Note: Laurel E. Fay’s study ‘Mussorgsky and Shostakovich’ in Mussorgsky: In Memoriam, edited by M. H. Brown (Ann Arbor, Michigan, 1982), gives information on this opera.

424

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 107: Cello Concerto No. 1 in E flat major Form: Concerto for cello and small orchestra in four movements: 1. 2. 3. 4.

Allegretto Moderate attacca Cadenza: Moderato—Allegro attacca Allegro con moto

Instrumentation: piccolo (= flute II), flute, 2 oboes, 2 clarinets (B flat and A), bassoon, contrabassoon (= bassoon II) ~ French horn ~ timpani, celesta ~ strings. Composed: 20 July–1 September 1959, at Komarovo village, Gulf of Finland. Dedication: Mstislav Leopoldovich Rostropovich (cellist). Premières: 21 September 1959, USSR Composers’ Club, Moscow; reduction performed by M. Rostropovich and the composer. 4 October 1959, Leningrad Philharmonic Bolshoi Hall; M. Rostropovich, Leningrad Philharmonic Orchestra, Yevgeni Mravinsky. Moscow première given five days later. A mono recording of the Leningrad première is reported to exist. USA: 6 November 1959, Rostropovich, Philadelphia Orchestra, Eugene Ormandy. UK: 8 and 21 September 1960, Edinburgh Festival and Royal Festival Hall, London respectively; Rostropovich, Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky. Viola and piano reduction: 9 February 1967, Moscow Conservatory Malyi Hall; Mikhail Tolpygo (viola). Arrangements: Reduction for cello and piano by the composer, with the cello part edited by M. Rostropovich. Cello part arranged for viola by Vadim Borisovsky, with the approval of the composer. Music: The whereabouts of the autograph full score is not stated in the Collected Works but known to be gifted to Rostropovich; that of the reduction is preserved at GTsMMK. The 60th page of the reduction is reproduced in Volume 17 of Collected Works. Muzgiz, No. 28523, 1960, score prepared for publication by Levon Atovmyan, 29 cm. Muzgiz, No. 28522, 1960, reduction for cello and piano, score and part, 29 cm. Leeds Music/Anglo-Soviet Music Press, No. 138, 1960, reduction, score and part, 31 cm. Muzgiz, No. 28523, 1961, pocket score from Muzgiz 1960 plates, 21 cm. Hans Sikorski, No. 2113, 1962, reduction, 31.5 cm. Edwin F. Kalmus, c.1963, reduction, 31 cm.

O PU S 1 0 7 : CELLO C ONC ERTO NO. 1 IN E FL AT MAJ OR

425

Edition Peters, No. 4743 (plate no. 12095), 1963, reduction, 30 cm. International Music, No. 2192, c.1963, reduction, 31 cm. Muzyka, 1964, reduction. MCA, No. 04922-044, 1966, miniature score edited by Lewis Roth, 23 cm. Muzyka, No. 8710, 1975, cello and piano, with added viola part ed. by V. Borisovsky, 28.5 cm. Hans Sikorski, No. 2335, 1983, 21 cm. Muzyka, No. 11936 (in Volume 16 of Collected Works), 1985, full score, 30 cm. Muzyka, No. 11947 (in Volume 17 of Collected Works), 1986. reduction with separate cello part, 30 cm. DSCH Publishers, Moscow, full score in Volume 46 and piano score in Volume 47 of New Collected Works. Duration: Approx. 28 minutes in score; 25' 36"–29' 58"; 27' 05"–29' 00" (Plaistow). Film: EMI Classic Archives DVD Video 490120-9 (black & white, mono). M. ROSTROPOVICH (cello), London Symphony Orchestra, Charles Groves. [Prokofiev and Mussorgsky.] P BBC concert London 16 Dec. 1961, I Mar. 2003. Recordings: LP and CD—USA: Columbia ML 5452 (mono) and MS 6124. M. ROSTROPOVICH (cello), Mason Jones (French horn), Philadelphia Orchestra, Eugene Ormandy. P 8 Nov. 1959 ~ Philips ABL 3315 (mono) and SABL 165. G July 1960 ~ CBS BRG 72081 (mono) and SBRG 72081. G Sept. 1960 ~ CBS S73443 in Set 77394. G Oct. 1975 ~ CBS Masterworks 60284. G Jan. 1984. Reissued on CD—CBS Masterworks MPK 44850. G Nov. 1989 ~ Sony Masterworks Heritage MHK 63327. I June 1998. CD—BBC Legends BBCL 4024-2 (mono). Mikhail Buyanovsky (French horn), M. ROSTROPOVICH, Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky. P Usher Hall, Edinburgh 9 Sept. 1960, G Nov. 1999. NB. Promptly withdrawn due to ‘illegal’ coupling of Op. 67 and Haydn ~ *BBC Legends BBC 4143-2 (mono). [Tchaikovsky.] G May 2004. LP—USA: Period Showcase SHO 337 (mono) and SHO 2337 (electronic stereo). M. ROSTROPOVICH, Moscow Philharmonic Orchestra, K. Kondrashin. P Moscow concert early 1960s, I c.1963 ~ USA: Everest SDBR 3342 (electronic stereo). I 1973. CD—Italy: Intaglio INCD 7251 (mono). M. ROSTROPOVICH, Czech Philharmonic Orchestra, Kirill Kondrashin. P Prague Spring Festival concert 29 May 1960, July 1992. EMI CZS5 72016-2 (fourth of thirteen-disc set ‘Rostropovich: The Russian Years, 1950–74’, mono). M. ROSTROPOVICH, Moscow Philharmonic

426

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Orchestra, G. Rozhdestvensky. P Moscow concert 10 Nov. 1961, G May 1997 ~ *EMI Great Artists of the Century 562813-2 (mono). [Britten.] G June 2004. Switzerland: Cascavelle OSR Memoires VEL 2009 (mono). Pierre FOURNIER (cello), Orchestre de la Suisse Romande, Jascha Horenstein. P Geneva concert 19 Dec. 1962, I Apr. 1992, G Nov. 1992. USA: Russian Disc RDCD 11 106 (mono). M. ROSTROPOVICH, Moscow Philharmonic Orchestra, David Oistrakh. P Moscow concert 24 Jan. 1965, G July 1994 ~ Revelation RV 10087. I Nov. 1997. BBC Radio Classics 15656 9170-2. Natalya SHAKHOVSKAYA (cello), Moscow Radio Symphony Orchestra, G. Rozhdestvensky. P Royal Albert Hall Prom concert 18 Aug. 1966, I May 1996. USA: Russian Disc RDCD 11 109. M. ROSTOPOVICH, USSR Symphony Orchestra, Yevgeni Svetlanov. P Moscow concert 29 Sept. 1966, 1 Oct. 1993. LP and CD—USSR: Melodiya D023831-2 (mono) and CM 01883-4. Mikhail KHOMITSER (cello), Moscow Radio Symphony Orchestra, G. Rozhdestvensky. P 1968 ~ HMV Melodiya ASD 2585. G July 1970 ~ Netherlands: Phonogram Melodia 691 419. Soloist named as Michael Phomitzer and Pholitzer (sic). Reissued on CD—RCA Navigator (Russian Music No. 73) 74321 29254-2. G Dec. 1995. Czech: Supraphon 0 10 0604 (mono) and 1 10 0604. Miloš SADLO (cello), Czech Philharmonic Orchestra, Karel Ancˇerl. P Prague 6–8 June 1968, G July 1970 and Mar. 1981. Reissued on CD—Czech: Supraphon Crystal Collection SUP11 0676-2MM. I Feb. 1993, G Aug. 1993. CD—Doremi DHR 7711-3 (‘The Art of Vladimir Orloff’, three-disc set). Vladimir ORLOFF (cello), Orchestra Philharmonique de 1’ORTF (Paris), Jean Perisson. P concert broadcast 5 May 1970, I 1998. Italy: Ermitage ERM 147. Janos STARKER (cello), Swizzera Italiana Radiotelevisione Orchestra, Marc Andreae. P Lugano, Switzerland 17 Feb. 1972, I 1994. LP—USSR: Melodiya CM 03467-8 (concert recital of prize-winner soloists). First movement only. V. TAMULIS (cello), Lithuanian State Philharmonic Orchestra, M. Dvarionaite. P 1972, I 1973. LP and CD—HMV ASD 2924. Paul TORTELIER (cello), Timothy Brown (French horn), Bournemouth Symphony Orchestra, Paavo Berglund. P 7–8 Jan. 1973, G Dec. 1973 ~ HMV ASD 4046. G June 1981. Reissued on CD—EMI Studio CDM7 63020-2. I Apr. 1989, G July 1989 ~ EMI Classics 3 72493-2 [Op. 77.] I Jan. 2007. CD—Germany: Live Classics LCL 202. Natalia GUTMAN (cello), USSR Radio and TV Symphony Orchestra, K. Kondrashin. P Moscow concert 21 June 1976, 1 Jan. 2001.

O PU S 1 0 7 : CELLO C ONC ERTO NO. 1 IN E FL AT MAJ OR

427

LP—USSR: Melodiya CI0 07263-4. Cello part arr. for viola by V. Borisovsky. Mikhail TOLPYGO (viola), USSR Symphony Orchestra, Dmitri Kitayenko. P 1976, I 1977a. USSR: Melodiya C10 14091-2 (in third box of Part 1 of Collected Works on Records). Valentin FEIGIN (cello), Central Television and All-Union Radio Symphony Orchestra, Maksim Shostakovich. P 1978, I 1980. LP and CD—Czech: Opus 9110 1274-75. Robert COHEN (cello), Slovak Philharmonic Orchestra, Bystrík Reužcha. P 1981. Reissued on CD—Switzerland: Point Classics 267 252-2. I 1996. Chandos ABRD 1085 (digital). Raphael WALLFISCH (cello), English Chamber Orchestra, Geoffrey Simon. P 29–30 Oct. 1982, G Dec. 1983. Reissued on CD—Chandos CHAN 8322. G Feb. 1985. CBS Masterworks 37840 (digital). Yo-Yo MA (cello), Nolan Miller (French horn), Philadelphia Orchestra, E. Ormandy. P 3 May 1982 (Ormandy’s last recording), G Mar. 1984. Reissued on CD—USA and UK: CBS Masterworks MK 37840. G May 1985 ~ CBS Maestro/Sony Classical MDK 44903. G Apr. 1990 ~ Sony Digital Club SMK 66937. I Sept. 1995 ~ *Sony Classical Theta SMK 89752. [Opp. 35 and 102.] I Sept 2001. Philips 412 526-1PH (digital). Heinrich SCHIFF (cello), Johannes Ritzkowsky (French horn), Bavarian Radio Symphony Orchestra, M. Shostakovich. P Munich 2–3 Apr. 1984; G Aug. 1984, Aug. 1985, and June 1986. Reissued on CD—Philips 412 526-2PH. G Oct. 1985 ~ *Japan: Sony Classical SICC 10012 (Hybrid SACD). [Op. 47.] I 2004. *LP and CD—Mexico: EMI Angel SAM 35087. Carlo PRIETO (cello), Orquesta Sinfónica de Xalapa, Herrera de la Fuente. [Saint-Saëns.] P Teatro del Estado, Xalapa 1984, I 1985. Reissued on CD—Imp Classics PCD 1084. I Aug. 1994. CD—Belgium: Classic Talent DOM 2910 11. Viviane SPANOGHE (cello), Sofia Soloists, Emil Tabakov. P Sofia Apr. 1984, I Nov. 1991. LP and CD—Decca 414 162-1DH (digital) and released on CD—414 162-2DH. Lynn HARRELL (cello), Julia van Leer-Studebaker (French horn), Concertgebouw Orchestra, B. Haitink. P Amsterdam 2–3 Apr. 1984, G Feb. 1987. France: Harmonia Mundi Label Bleu LBL 6505 (digital). Pierre STRAUCH (cello), Les Sinfonietta Régional de Picardie, Alexandre Myrat. P not stated, 1986. Reissued on CD—France: Harmonia Mundi LBLC 6505. I 1988. CD—Erato ECD 75485. M. ROSTROPOVICH, Hugh Seenan (French horn), London Symphony Orchestra, Seiji Ozawa. P London Nov. 1987, I Oct. 1988, G Jan. 1989 ~ Erato 2292 45332-2. I 1991, G July 1994. RCA Victor Red Seal RD 87918-2RC. N. GUTMAN (cello), Jeffrey Bryant (French horn), Royal Philharmonic Orchestra, Yuri Temirkanov. P Watford 25, 28–29 Nov. 1988, G Jan. 1991.

428

D M I T R I SHOSTA K OVIC H C A TA LO GUE

John Marks Records JMR 3. Nathaniel ROSEN (cello), Sofia State Philharmonic Orchestra, Emil Tabakov. P Sofia 15–17 May 1990, I Mar. 1994. *Switzerland: The Orpheum Foundation CDC 151191/3. Xavier PHILLIPS (cello), Bamberg Symphony Orchestra, Christoph Eschenbach. [Mozart.] P ‘Orpheum Soloists in Concert’ Bad Ragaz, Switzerland 31 Aug.–8 Sept. 1991. Belgium: Pavane ADW 7286. First movement only. Marie HALLYNCK (cello), National Orchestra of Belgium, Roland Zollman. P Brussels 8–9 June 1992. France: Le Chant du Monde LDC 278 1099. Ivan MONIGHETTI (cello), Prague Radio Symphony Orchestra, Vladimir Valek. P Czech radio Nov. 1992, I Sept. 1993. Carlton Classics 30366 01012. Alexander BAILLIE (cello), Boston Philharmonic Orchestra, Benjamin Zander. P Cambridge, Mass. concert 2 May 1993, I Oct. 1998, G Jan. 1999 ~ Carlton Classics 30366 01229 (‘20th Anniversary Edition’, five-disc box set). I June 1999. Sweden: BIS CD 626. Torleif THEDÉEN (cello), Malmö Symphony Orchestra, James DePreist. P Malmö 15–16 June 1993, I May 1994, G July 1994 and Feb. 1995. Winner of Cannes Classical Music Awards 1994—Solo with Orchestra, 19th and 20th century category. Deutsche Grammophon Compact 445 821-2GH. Misha MAISKY (cello), London Symphony Orchestra, Tilson Thomas. P London 2–4 Aug. 1993, G Apr. 1995. Imp Classics PCD 1084. Carlo PRIETO (cello), Orquesta Sinfonica de Xalapa, Herrera de la Fuente. P Vera Cruz 1994, I Aug. 1994. Naxos 8.550813. Maria KLIEGEL (cello), Polish National Radio Symphony Orchestra, Antoni Wit. P Katowice 27 Feb.–1 Mar. 1995, G Oct. 1996 ~ *Germany: Naxos 8.551094 (‘La Cellisima’). First movement only. [Dvorˇák, Tchaikovsky, Lalo et al.] I 2002. Virgin Classics VC5 45145-2. Truls MØRK (cello), Richard Bissell (French horn), London Philharmonic Orchestra, Mariss Jansons. P 10–11 Mar. 1995, G Feb. 1996. USA: Audiofon 72060. William De ROSA (cello), Yekaterinburg Philharmonic Orchestra, Sarah Caldwell. P Yekaterinburg Jan.–Feb. 1996. Chandos CHAN 9550. Frans HELMERSON (cello), Russian State Symphony Orchestra, Valeri Polyansky. P Mosfilm Studio Mar. 1996, I Apr. 1997, G Awards (Oct.) 1998 ~ *Chandos CHAN 10040. [Op. 126.] I Jan. 2003. NB. See The Gramophone March 2005, page 67 for review of reissue mistakenly attributed to Daniil Shafran on the Regis label as revealed in G April 2005, page 21. Germany: Arte Nova Classics 74321 49688-2. Kirill RODIN (cello), Russian Philharmonic Orchestra, Konstantin Krimets. P Moscow 9–10 July 1996, I Oct. 1997.

O PU S 1 0 7 : CELLO C ONC ERTO NO. 1 IN E FL AT MAJ OR

429

Czech: Supraphon SU 3278-2 031. Jirˇí BÁRTA (cello), Prague Symphony Orchestra, Maksim Shostakovich.P Prague concert 14 Nov. 1996, I May 1997, G Dec. 1997. Germany: Antes BM-CD 31.9097. Claudio BOHORQUEZ (cello), Kaliningrad State Symphony Orchestra, Arkadi Feldmann. P Karlsruhe concert 21 Nov. 1996, G Apr. 1998. Finland: Finlandia 3984 21441-2. Arto NORAS (cello), Norwegian Radio Orchestra, Ari Rasilainen. P Oslo Apr. 1997, I July 1998 ~ Finlandia Ultima 8573 811969-2 (two-disc set). G June 2000 ~ *Warner Classics Apex 0927-40604-2. [Op. 126; and R. Strauss.] I Oct. 2001. New Zealand: Ode Manu 1542. Aleksandr IVASHKIN (cello), Moscow Symphony Orchestra, Valeri Polyansky. [Op. 126.] P Moscow Conservatory Bolshoi Hall 7–9 Oct. 1997, G July 1998. *Belgium: Classic Talent DOM 2910 85. Mark DROBINSKY (cello), Kazan Symphony Orchestra, Fuat Mansurov. [Weinberg and Levitine.] P Paris studio 1997, I 2002. Channel Classics CCS 15398. Pieter WISPELWEY (cello), Darryl Poulsen (French horn), Australian Chamber Orchestra, Richard Tognetti. P Sydney Aug. 1999, G Apr. 2000. **Poland: DUX DUX 0549. Rafał KWIATKOWSKI (cello), Polish Radio Orchestra, Wojciech Rajski. [Op. 126.] P Witold Lutosławski Studio of Polish Radio, Warsaw 1999. Dunelm Records DRD 0227 (two-disc set). Jonathan AYLING (cello), London Shostakovich Orchestra, Christopher Cox. [Op. 47.] P St Cyprian’s Church, London concert 15 May 2004 ~ Dunelm Records DRD 0233. [Op. 126.] I 2005. EMI Classics 3 32422-2. Han-Na CHANG (cello), London Symphony Orchestra, Antonio Pappano. [Op. 40.] P St Luke’s, London 19 June 2005, I Feb. 2006, G May 2006. Orfeo C659 081A. Daniel MÜLLER-SCHOTT (cello), Symphonieorchester des Bayerischen Rundfunks, Yakov Kreizberg. [Op. 126.] P Herkulessaal der Residenz, Munich 1–3 and 5 Sept. 2005, I July 2008. Nimbus NI 5764-65 (‘Complete works for cello’, two-disc set). Raphael WALLFISCH (cello) and BBC Symphony Orchestra, Martyn Brabbins. [Op. 126.] P Maida Vale Studio, London 22–23 Sept. 2005, I June 2006. Italy: Amadeus 198. Umberto CLERICI (cello), Orchestra Haydn di Bolzano e Trenta, Ola Rudner. [Tchaikovsky.] P Auditorium Haydn, Bolzano 5–7 Dec. 2005. Issued with Amadeus magazine No. 198, Italy. France: RCA Red Seal 88697028292-2. Sonia WIEDER-ATHERTON (cellist), Sinfonia Varsovia, Fürst. [Bartók and Ravel.] P Witold Lutosławski Studio of Polish Radio, Warsaw 5–7 Apr. 2006.

430

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Germany: Phoenix Edition 128 PHOENIX. Dimitri MASLENNIKOV (cello), NDR Sinfonieorchester, Christoph Eschenbach. [Op. 126.] P Rolf-Liedermann Studio, Hamburg 29 June–1 July 2006, I July 2008. Digital download—Deutsche Grammophon 477 657-5 G HD. Lynn HARRELL (cello), New York Philharmonic Orchestra, Lorin Maazel. [Op. 47.] P Avery Fischer Hall, New York concerts 28 and 30 Sept. and 3 Oct. 2006. CD—Telarc CD 80724. Zuill BAILEY (cello), San Francisco Ballet Orchestra, Martin West. [Tchaikovsky.] P Skywalker Ranch, Marin County, California 15–16 Feb. 2007, G Mar. 2009. Note: See Wilson Rostropovich 2007, Chapter 8 for the cellist’s account of its dedication (p.131) and the unreliability of the score’s metronome markings (p.135).

Opus 108: Quartet No. 7 in F sharp minor Form: String quartet in three linked movements: 1. Allegretto attacca 2. Lento attacca 3. Allegro—Allegretto The titles Scherzo, Pastorale, and Fugue, originally assigned to the movements, were removed before publication. Composed: Completed in March 1960, at Moscow. Dedication: To the memory of Nina Vasilievna Shostakovich (first wife). Premières: 15 May 1960, Leningrad Glinka Concert Hall and 17 September 1960, Moscow Conservatory Malyi Hall; Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). Netherlands: 15 November 1993 (concert broadcast five days later); transcription by the Aurelia Saxophone Quartet. Arrangements: Transcriptions for brass ensemble by Paul Archibald and saxophone quartet. Chamber Symphony—transcribed for chamber orchestra by Jordan Dafov. Reduction for piano four hands by Anatoli Dmitriev. Music: Manuscript lost. Sovetskii kompozitor, No. 2019, 1960, parts, 31 cm. Sovetskii kompozitor, No. 2020, 1960, score, 22 cm. Musica Rara, No. 1066, 1960, score, 18.5 cm. Musica Rara, No. 1066a, 1960, parts, 31 cm. Hans Sikorski, No. 2263, 1960, parts, 31.5 cm. Leeds Music, c.1961, parts, 31 cm. Muzyka, Leningrad, No. 530 (in Volume 2 with Quartets 5, 6, and 8 arr. for piano four hands by A. Dmitriev), 1966, 29.5 cm.

O PUS 108: QU A RTET NO. 7 IN F SH ARP MIN OR

431

Edition Eulenberg, No. 391, 1970, score, 19 cm. Edition Peters, No. 5757, 1973, parts, 31 cm. Muzyka, No. 9816 (in Volume 35 of Collected Works Quartets 1–8), 1979, 30 cm. Hans Sikorski, No. 2266 (with Opp. 92, 101, and 110), 1980, score, 21 cm. DSCH Publishers, Moscow, score in Volume 102 of New Collected Works. Duration: 11 and 12 minutes in scores; 11' 41"–16' 32". Recordings: LP and CD—USSR: MK D08019-20 (mono). BEETHOVEN QUARTET (personnel as at première). P 17 Sept. 1960 ~ Everest Baroque SDBR 2864 (electronic stereo). G Jan. 1968. Reissued on CD—USA: Consonance Blue Label 81.3006 (‘Complete Quartets, Volume 2’, mono). I May 1995. LP—USSR: MK D011361-2 (mono). BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P 1963 ~ USSR: Melodiya D 019219-20 (mono) and C 01433-4. I 1967 ~ HMV Melodiya HQS 1322 in Set SLS 879. G June 1974. Czech: Supraphon SUA 10629 (mono) and SUA ST 50629. SLOVÁK QUARTET (Aladár Móži, Alojz Nemec, Milan Telecký, František Tannenberger). G Aug. 1967. LP and CD—L’Oiseau-Lyre OSLO 9. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P Mar. 1975, G Dec. 1975 ~ Decca 188 D4 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on third of six-disc set). G June 1992. USSR: Melodiya C10 10241-2. TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P 1978, I 1978d. Reissued on CD—Russia: Melodiya SUCD11 00309. I 1993a ~ France: Praga PR 250 077. P given as Czech Radio 9 Sept. 1976, I Mar. 1996. USSR: Melodiya C10 17213-4. SHOSTAKOVICH QUARTET (Andrei Shishlov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1980, I 1982d. Reissued on CD—Olympia OCD 526. I 1993 ~ Olympia OCD 532 (‘Complete Quartets, Volume 2’). I May 1994, G Sept. 1994. USSR: Melodiya C10 17869005. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1981, I 1983a ~ HMV Melodiya EL 270338-1 (digital). G Nov. 1985 ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI Melodiya CDC7 47507-2. I Nov. 1986, G Oct. 1987 ~ Japan: Victor Musical Industries VICC 40020. I 1990 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997. Jecklin-Disco JD 620-1 (digital) and released on CD—JD 620-2. AMATI QUARTET (Willi Zimmerman, Barbara Suter, Nicolas Corti, Johannes Degen). P 1987.

432

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP—USSR: Melodiya C10 27377 003. LENINGRAD CONSERVATORY STUDENTS’ QUARTET (Alla Aranovskaya, Alia Goryainova, Andrei Dogadin, Leonid Shukayev). P Leningrad concert of prizewinners at the First International Competition for String Quartets named after D. D. Shostakovich 25 Sept. 1987, I 1989c. Bulgaria: Balkanton BKA 12305-6. Chamber Symphony arr. Dafov. Tolbuhin Chamber Orchestra, Jordan DAFOV. P Tolbuhin, Bulgaria Mar. 1988. LP and CD—Academy Sound and Vision DCA 629 (DMM) and released on CD—DCA 629 (‘Russian Brass!’). Arr. P. Archibald. ENGLISH BRASS ENSEMBLE (Paul Archibald, Richard Martin—trumpets; James Hardy—horn; David Whitson— trombone; James Gourlay—tuba). P London June 1988. CD—Teldec Classics 244 919-2. BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin Feb. 1989, I Oct. 1989, G May 1990 ~ Teldec 9031 71702-2 (on third of six-disc set). I Nov. 1990, G June 1992 ~ *Warner Classics Apex 8573 89093-2. [Opp. 110 and 117.] I Aug. 2001. France: Ades 14 161-2. FINE ARTS QUARTET (Ralph Evans, Efim Boico, Jerry Horner, Wolfgang Laufer). P Paris July 1989, G Oct. 1990. USA: ESS.A.Y. CD 1009. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Jersey City 17 May 1990 ~ Koch Schwann 310 165 (‘Complete String Quartets, Volume 3’). I Jan. 1993, G June 1993. Virgin Classics VC7 91437-2. BORODIN QUARTET (personnel as on 1981 recording). P London July–Sept. 1990, G. Dec. 1991 ~ Virgin Classics VBD5 61639-2 (two-disc set). I Aug. 1999. Naxos 8.550972 (‘Complete Quartets, Volume 1’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sándor Papp, György Éder) P Budapest 1–4 Dec. 1993, I July 1993. Germany: Thorofon CTH 2238. PHILHARMONIA QUARTET OF BERLIN (Daniel Stabrawa, Christian Stadelmann, Neithard Resa, Jan Disselhorst). P Berlin 1994, I 1998. Carlton Classics 30366 0062-2. KREUTZER QUARTET (Peter Sheppard, Gordon MacKay, Bridget Carey, Neil Hyde). P Loughton Jan. 1996, G Awards (Nov.) 1997. Japan: Toshiba EMI TOCE 9079. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimorl). [Opp. 68 and 34.] P 25–27 Mar. 1996, 1 June 1996. Linn UKD 065. SCHIDLOF QUARTET (Ofer Falk, Rafael Todes, Graham Oppenheimer, Oleg Kogan). P Horsham 3–5 Oct. 1996, I May 1997, G Oct. 1997.

O PUS 108: QU A RTET NO. 7 IN F SH ARP MIN OR

433

Chandos CHAN 9741 (‘Complete Quartets, Volume 1’). SORREL QUARTET (Gina McCormack, Catherine Yates, Vicci Wardman, Helen Thatcher). P Westleton, Suffolk 23–25 Feb. 1998, I June 1999, G Oct. 1999. *Netherlands: Globe GLO 5181 (‘Complete Quartets, Volume 3’). RUBIO QUARTET (Dirk Van de Velde, Dirk Van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 117 and 133.] P Utrecht Feb 1998, I Nov. 2001. Sweden: BIS CD 913. YGGDRASIL QUARTET (Henrik Peterson, Per Öman, Robert Westlund, Per Nyström). P Lanna, Sweden May 1998, G Jan. 1999. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 3’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July 1998, G June 2000. *Germany: Cultura Viva kr 10 037. RAKHMANINOV QUARTET (Andrei Andreiv, Aleksandr Bondarenko, Sergei Savrov, Vladimir Shochov). [Handel, Rolla, and Haydn.] P French Cathedral, Berlin concert 11 Sept. 1998. *USA: Azica Records ACD 71208. CAVANI QUARTET (Annie Fullard, Mari Sato, Kristen Doctor, Merry Peckham). [Opp. 68 and 142.] P West Redding, Connecticut 15–19 Apr. 1999, I 1999. France: Arion ARN 68506 (‘Complete Quartets, Volume 2’). DEBUSSY QUARTET (Christophe Colletts, Dominique Lonca, Vincent Deprecq, Yannick Cailier). P Lyon Nov. 1999, I Dec. 2000. Hyperion CDA 67155. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). P St Petersburg Studio Dec. 2000, G July 2001. **Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 2’, five-disc set). RUBIO QUARTET (personnel as in 1998). [Opp. 73 and 117.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. EMI Debut 585638-2. ATRIUM QUARTET (Aleksei Naumenko, Anton Ilyunin, Dmitri Oussov, Anna Gorelova). [Mozart and Tchaikovsky.] P Potton Hall, Suffolk 11–14 Apr. 2003, I Feb. 2004. Oehms Classics OC562 (‘Complete Quartets’—on third of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 110, 117, and 122.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. Nimbus NI 5762. KOPELMAN QUARTET (Mikhail Kopelman, Boris Kuschnir, Igor Sulyga, Mikhail Milman). [Op. 73; Prokofiev.] P Wyastone Estate, Monmouth 24–27 July 2005, I Apr. 2006, G Aug. 2006. Deutsche Grammophon 477 6146GH. HAGEN QUARTET (Lukas, Veronika, and Clemens Hagen; with Rainer Schmidt—2nd violinist). [Opp. 73 and 110.] P Salzburg Nov. 2005, I May 2006, G Aug. 2006. EMI Classics 359 9562. ST LAWRENCE QUARTET (Geoff Nuttall, Barry Shiffman, Lesley Robertson, Marina Hoover). [Opp. 73 and 110.]

434

D M I T R I SHOSTA K OVIC H C A TA LO GUE

P Skywalker Sound Scoring Stage, Marin County, California 13–17 Jan. 2006, I July 2006. Germany: Audite AU 92 528 (Hybrid SACD). MANDELRING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl— viola) [Opp. 92 and 117.] P Klingenmünster, Germany 10–12 May 2007.

Opus 109: Satires Form: Song cycle of five romances, with the subtitle Pictures of the Past (suggested by the dedicatee), for soprano and piano, on verses of Sasha Chorny (pseudonym of Aleksandr Glikberg). 1. 2. 3. 4. 5.

To a critic—Moderato Spring awakening (or ‘Taste of Spring’)—Moderato Descendants (or ‘Progeny’)—Moderato) Misunderstanding—Moderato Kreutzer Sonata—Adagio—Allegretto

In the final song there are predictable references to Beethoven’s Sonata in A major, Opus 47, and the Allegretto theme is based on the lullaby in The Silly Little Mouse, Opus 56. Composed: Completed on 19 June 1960 (Collected Works Volume 33— Khentova gives the previous day). Dedication: Galina Pavlovna Vishnevskaya (soprano). Première: 22 February 1961, Moscow Conservatory Malyi Hall; Galina Vishnevskaya (soprano) and Mstislav Rostropovich (piano). The whole cycle encored. Arrangements: Orchestral version prepared by Boris Tishchenko in 1980 at the request of Irina Bogacheva. English and German translations of the poems by Myron Morris and Jörg Morgener respectively. Instrumentation: of Tishchenko’s orchestration—2 flutes, 2 oboes, 2 clarinets, 2 bassoons ~ 2 horns, 2 trumpets, 1 trombone ~ timpani, gong, cymbals ~ xylophone, orchestral bells, harp, piano ~ strings. Music: Autograph score preserved at TsGALI. Muzyka, No. 4116 (in Dmitri Shostakovich: Vocal Compositions), 1967 and 1974, 30 cm. Hans Sikorski, No. 2317, 1982, with Russian and German texts—the latter by J. Morgener, 31.5 cm. Muzyka, No. 11785 (in Volume 33 of Collected Works), 1984, 30 cm. Hans Sikorski, 1986, B. Tishchenko’s orchestration with German text by J. Morgener, rental only. DSCH Publishers, Moscow, piano score in Volume 91 of New Collected Works.

OPUS 109: SAT IRES

435

Duration: Approx. 14 minutes in score; 13' 53"–14' 54"; 12 minutes (Sadovnikov); orchestral version 16' 16". Recordings: CD—Revelation RV 10087. Galina VISHNEVSKAYA (soprano) and Mstislav Rostropovich (piano). P Moscow Conservatory concert 23 Oct. 1967, I Nov. 1997 ~ BMG Melodiya 74321 53237-2. I 1998. LP and CD—HMV ASD 3222 in Set SLS 5055. G. VISHNEVSKAYA and M. Rostropovich. P 1976, G Sept. 1976. Reissued on CD—EMI CMS5 65716-2 (three-disc set). I Nov. 1995, G Sept. 1996 ~ *EMI Great Artists of the 20th Century 7243 5 62829-2. [Opp.127, 29, and Sans op. V.] I 2004. CD—France: Praga PR 250 009. Brigita SULCOVÁ (soprano) and Zorka Zichova (piano). P Prague 1976, I 1992. LP—USSR: Melodiya C10 15501-2. Makvala KARASHVILI (soprano) and Liya Mogilevskaya (piano). P 1979, I 1981d ~ Czech: Supraphon 1112 3148. I 1986. LP and CD—USSR: Melodiya C10 22267 009 (Album 4 of ‘From Manuscripts of Different Years’). Orchestrated by B. Tishchenko. Irina BOGACHEVA (mezzo-soprano), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P 1984, I 1986a. Reissued on CD—Olympia OCD 143. Nos. 2, 3, and 4. I Aug. 1987 ~ Olympia OCD 008 (‘The Shostakovich CD’). Nos. 1 and 5). I Oct. 1989 ~ Olympia Compact Disc OCD 5005 (in Volume 1 of symphonies). Nos. 2, 3, and 4. I Dec. 1990. CD—France: Le Chant du Monde LDC 278 972/73 (‘Anthologie de la Melodie Russe et Sovietique’, two-disc set). Elena VASSILIEVA (soprano) and Jacques Schab (piano). P Paris Oct.–Nov. 1989, I 1990. Russia: Vista Vera WCD 98020 (‘Winners of 2nd Rakhmaninov International Competition—Vocals’). Nos. 1, 2, and 5. Viktoria YEVTODIEVA (soprano) and Elena Spist (piano). I June 1999. **USA: Delos DE 3313 (‘Shostakovich Complete Songs, Volume Four—1932–68: The Unknown Shostakovich’). Viktoria YEVTODIEVA (soprano) and Yuri Serov (piano). [Opp. 33, 99, 80, 72, 128; Sans op. X(i & ii).] P St Catherine Lutheran Church, St Petersburg 23 Jan. 8 and 16 Feb. 2002, I UK Jan. 2006. Belgium: Fuga Libera 512 (‘Complete Quartets—Volume 1’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 68 and 92.] P Bayerische Rundfunk, Munich 4–6 Feb. 2003, I 2005. Deutsche Grammophon 471 581-2GH. Magdalena KOŽENÁ (mezzo-soprano) and Malcolm Martineau (piano). [Britten, Ravel, Respighi, and Schulhoff.] P Munich Mar. 2003, G May 2004. France: Alpha 055 (‘Krokodil’, two-disc set). Nadya SMIRNIVA (soprano) and Arthur Schoonderwoerd (piano). [Opp. 87, 134, and 146.] P Chaux-de-Fonds, Switzerland May 2003, I May 2004.

436

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Hyperion CDA 67355. Joan RODGERS (soprano) and Roger Vignoles (piano). [Mussorgsky, Prokofiev, and Britten.] P All Saints Church, East Finchley 15–17 July 2003, I Oct. 2004. Deutsche Grammophon 471 6111GH. Orchestrated by Boris Tishchenko. Sergei LEIFERKUS (baritone), Russian Philharmonic Orchestra, Thomas Sanderling. [Sans op. P(v), Opp. 121, 123, and 146.] P Kultura Russian State TV & Radio Studio, Moscow May 2005, I June 2006, G Sept. 2006.

Opus 110: Quartet No. 8 in C minor Form: String quartet in five linked movements: 1. 2. 3. 4. 5.

Largo attacca Allegro molto attacca Allegretto attacca Largo attacca Largo

The entire work is based on Shostakovich’s DSCH motto and uses self-quotations from Symphonies Nos. 1, 5, and 8; Cello Concerto No. 1, Second Piano Trio, and the aria ‘Seryozha, My Love’ from Act 4 of Lady Macbeth of Mtsensk. The aria is heard in the third movement following quotes from The Young Guard, Op. 75a No. 6 and the Russian revolutionary song ‘Tortured by Grievous Bondage’. Composed: 12–14 July 1960, at Gohrisch, near Dresden. Dedication: In memory of the victims of fascism and war. Premières: 2 October 1960, Leningrad Glinka Hall; Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). Sinfonietta: late 1961, Azerbaidzhan Symphony Orchestra, Abram Stasevich. Smirnov transcription: Netherlands: 21 March 2001, Utrecht, Blazers Ensemble. Arrangements: Opus 110a—Chamber Symphony: for string orchestra by Rudolf Barshai (1960). See Notes. ‘Sinfonietta in C minor’: for string orchestra and timpani by Abram Stasevich (1961) and Sinfonietta for strings, including double-basses, by Lazar Gozman. Also transcriptions for string orchestra and timpani by Saulyus Sondetskis and Mats Liljefors; chamber orchestra with string quartet by Tibor Varga, and twelve accordionists by Angel Huidobro. Other Chamber Symphony transcriptions by Yuri Tsiryuk and Jordan Dafov. ‘DSCH’: arranged for the Lucerne (Luzern) Festival Strings by Rudolf Baumgartner.

OP U S 110: QU A RTET N O. 8 IN C MIN OR

437

‘Sinfonia’ for string orchestra by Lucas Drew. Reduction for piano four hands by Anatoli Dmitriev. Transcribed for wind ensemble (two each of oboes, clarinets, bassoons, and French horns with a double-bass) by Dmitri Smirnov in 1999. Commissioned by the Netherlands Wind Ensemble for the 25th anniversary of Shostakovich’s death, and played by them on a BBC Radio 3 broadcast from St George’s Bristol on 5 August 2000. Arranged for trombone quartet by Mark Hetzler in 2003. Music: Autograph score preserved at TsGALI with a photocopy in the Shostakovich Family Archive. The opening of the autograph score is reproduced in Volume 35 of Collected Works. Sovetskii kompozitor, No. 2322, 1961, score, 21 cm. Sovetskii kompozitor, No. 2323, 1961, parts, 29 cm. Boosey & Hawkes, No. 729, 1961, score, 19 cm. Boosey & Hawkes, No. A.S.M.P. 139, 1961, parts, 31 cm. Edition Eulenberg, No. 392, no date, score, 19 cm. Muzyka, Leningrad, No. 530 (in Volume 2 with Quartets 5–7 arr. for piano four hands by A. Dmitriev), 1966, 29.5 cm. Edition Peters, No. 4756a, 1968, Opus 110a arr. R. Barshai, 30 cm. Edition Peters, No. 4792a, c.1968, score, 19 cm. Hans Sikorski, 1969, Sinfonietta arr. A. Stasevich, 36 cm. Muzyka, No. 9816 (in Volume 35 of Collected Works Quartets 1–8), 1979, 30 cm. Hans Sikorski, No. 2266 (with Opp. 92, 101, and 108), 1980, score, 21 cm. Hans Sikorski, No. 2140, 1981, parts, 31.5 cm. Hans Sikorski, 1981, arr. for string orchestra by R. Baumgartner and titled ‘DSCH’, rental only. Kalmus, Miami, 1984, Sinfonia arr L. Drew, score and five parts, 33 cm. DSCH Publishers, Moscow, 1995, full score and parts of R. Barshai’s Chamber Symphony available for hire. DSCH Publishers, Moscow, score in Volume 102 of New Collected Works. Duration: 18 and 19 minutes in scores; 18' 18"–29' 50"; 19' 40" (Plaistow); Smirnov’s transcription: 22' 40". See note under Acknowledgements. Ballets: Fourfold. Yair Vardi, Ballet Rambert Choreographic Workshop, Nadine Baylis (designer); Riverside Studios Hammersmith, London, April 1978. The Overcoat. For details see under Opus 32. Dark Horizons. Oliver Hindle, Birmingham Royal Ballet, Peter Farley (designer); Sadler’s Wells Theatre, London, 24 March 1992. The theme of

438

D M I T R I SHOSTA K OVIC H C A TA LO GUE

the ballet is the tragedy of the North American Indians forced to live on reservations by their white conquerors. Films: The Face Behind the Face. Filmed on 2 and 3 July 1979 under the working title The Private Voice, screened on BBC2 TV on 16 March 1980, with research by Olivia Maxwell and directed by Barrie Gavin. The film includes the Eighth Quartet, and also movements from Nos. 1, 3, 4, 7, 11, 12, and 13, performed by the Fitzwilliam Quartet. Epitaph. Boris Dvorkin’s biographical film of 2006 is set to Opus 110a played by the Moscow Chamber Ensemble under Mark Rakhlevsky with wordless archive and newly shot footage. Recordings: LP and CD—USSR: MK D08019-20 (mono). BEETHOVEN QUARTET (personnel as at première). P 9 Oct. 1960 ~ Everest Baroque SDBR 2864 (electronic stereo). Reissued on CD—USA: Consonance Blue Label 81.3006 (‘Complete Quartets, Volume 2’, mono). I May 1995. Poland: Muza XL 0125 (mono). BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P 2 Feb. 1961. Reissued on CD—France: Vogue Archives Soviétiques 651023 (electronic stereo). I 1991. *CD—BBC Legends BBCL 4063-2 (mono). BORODIN QUARTET (personnel as on above recording). [Borodin and Ravel.] P Leith Town Hall, Edinburgh Festival concert 31 Aug. 1962, G June 2002. *LP—USA: Mercury SR 90309 (mono) and MG 50309 (stereo). BORODIN QUARTET (personnel as above recordings). [Op. 83.] P Tchaikovsky Conservatory Bolshoi Hall, Moscow 17 June 1962. LP and CD—Decca LXT 6036 (mono) and SXL 6036. BORODIN QUARTET (personnel as on above recordings). P Decca Studios, London 13 Sept. 1962, G Feb. 1963 ~ Decca Ace of Diamonds ADD 156 (mono) and SDD 156. G May 1967 ~ Decca Eclipse ECS 795. G Mar. 1977. Reissued on CD—Decca 425 541-2DM. I Mar. 1990, G May 1990 ~ Japan: King Records KIJC 9162. I Mar. 1995. LP—USSR: Melodiya D014903-4 (mono). Arr. for string orchestra and timpani by Sondetskis. String Orchestra of Vilnius Artistic School, Saulyus SONDETSKIS. P 1964. USA: International IRC 3312. VAGHY QUARTET (Deszo Vaghy, Ronald Erickson, Tibor Vaghy, Leszek Zawistowski). P 1966. USSR: MK D019211-2 (mono) and C01443-4. BORODIN QUARTET (personnel as on earlier recordings). P and I 1967 ~ HMV Melodiya HQS 1323 in Set SLS 879. G June 1974. USA: Turnabout TV-S 34545. Chamber Symphony arr. Barshai. Württemberg Chamber Orchestra, Jörg FAERBER. P 1973. *Czech: Panton 11 0550. OSTRAVA QUARTET (Vlastimil Pacacˇek, Oldrˇich Samlík, Rudolf Šrubarˇ, Ivan Merka). [Janácek.] P c.1974.

OP U S 110: QU A RTET N O. 8 IN C MIN OR

439

LP and CD—Czech: Panton 11 0396 G. Sinfonietta arr. Stasevich. East Bohemian State Chamber Orchestra, Libor PEŠEK. P 1974. Reissued on CD—Czech: Panton PAN 811309. I 1998. L’Oiseau-Lyre DSLO 11. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P May 1975, G Apr. 1976 ~ USA: Time-Life ‘Great Men of Music’ box set STL 568. I 1979 ~ Decca 188 D7 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca 421 4752DH. I Dec. 1988, G Apr. 1989 ~ Decca Enterprise 433 078-2DM6 (on fourth of six-disc set). I Apr. 1992, G June 1992. LP—Sweden: Caprice CAP 1052. FRESK QUARTET (Lars Fresk, Hans-Erik Westberg, Lars-Gunnar Bodin, Per-Göran Skytt). P 13–15 May 1975, G Sept. 1977. *Canada: Canadian Broadcasting Corporation SM 312. VAGHY QUARTET (Dezso Vaghy, David George, Tibor Vaghy, Robert Dobson). [Szymanowski.] I 1976. LP and CD—Sweden: BIS LP 66. VOCES INTIMTÆ QUARTET (Jorma Rakhonen, Ari Angervo, Mauri Pietikäinen, Veikko Höylä). P Nacka, Sweden 27–28 June 1976, 1 June 1978. Reissued on CD—Sweden: BIS CD 26. I 1991, G Sept. 1992. USSR: Melodiya C10 09729-30. AZERBAIDZHAN QUARTET (Sarvar Ganiev, Bayandur Mekhtiev, Chingiz Mamedov, Rasim Abdullayev). P 1977, I 1978c. LP and CD—USSR: Melodiya C10 10241-2. TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P 1978, I 1978d ~ USSR: with same number in 1st box of Part 2 of Collected Works on Records. I 1980 . Reissued on CD—Russia: Melodiya SUCD 11 00309. I 1993a. LP—USSR: Melodiya C10 10627-8. Arr. Sondetskis. String Orchestra of Vil nius Artistic School, Saulyus SONDETSKIS. P 1978, I 1979a ~ USSR: Melodiya C10 24353 008 (DMM). I 1978b. CD—Olympia OCD 533 (‘Complete Quartets, Volume 3’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin), P1978, G Sept. 1994. LP and CD—USSR: Melodiya C10 11643-4. BORODIN QUARTET (M. Kopelman, A. Abramenkov, Dmitri Shebalin, Valentin Berlinsky). P 1978, I 1979d ~ HMV Melodiya EL 270388-1 (digital). G Nov. 1985 ~ HMV Melodiya EX 270339-3 (in seven-record set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI Melodiya CDC7 47507-2. I Nov. 1986, G Oct. 1987 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997. LP—Czech: Opus 9111 1026. KOŠICE QUARTET (Ondrˇ ej Lewit, Milan Jirant, Jozef Kyška, Juraj Jánošík). P Bratislava July 1980, I 1981.

440

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Poland: Poljazz PSJ 184. Chamber Symphony arr. Barshai. WOJCIECHA RAJSKIEGO CHAMBER ORCHESTRA. [Karłowicz.] P date not stated, 1980? Bulgaria: Balkanton BKA 10657. Chamber Symphony arr. Barshai. Sofia Soloists’ Chamber Ensemble, Emil TABAKOV. P 1981, I Jan. 1982. Sweden: Caprice CAP 1266. Arr. Liljefors. Lars-Inge Bjärlestom (cello), Bengt Stark (timpani), Royal Swedish Chamber Orchestra, Mats LILJEFORS. P Stockholm 16–17 July 1981, I 1984. New Zealand: Kiwi Pacific SLD 65. AUCKLAND QUARTET (Brecon Carter, Rae Carter, Philip Clark, Virginia Hopkins). P Government House, Wellington 14 Aug. 1981. Poland: Muza SX 2161. Chamber Symphony. Warsaw Chamber Orchestra, Miroslaw LAWRYNOWICZ. P Warsaw 15–16 Dec. 1982, I 1984. *Yugoslavia: RTB 3130053 (two-record set). Op. 110a. Belgrade Strings, Dušan SKOVKRA. [Bach, Mendelssohn, Kulenovic et al.] I 1982. LP and CD—Phoenix DGS 1038 (digital). Chamber Symphony arr. Barshai. Phoenix Chamber Orchestra, Julian BIGG. P London Dec. 1983, G Aug. 1984. Reissued on CD—Trax Classique TRX-CD 110. G Sept. 1987 ~ Trax Classique TRXCD 131. (‘Testimony—Shostakovich’s Greatest Hits’). I 1988. Netherlands: Attacca Babel 8416-1 (digital). RAFAEL QUARTET (Ronald Hoogeveen, Rami Koch, Zoltan Benyacs, Henk Lambooy). P 19–20 Dec. 1983. Reissued on CD—Netherlands: Attacca Babel 8948-5DDD. I 1988? CD—USA: Centaur CRC 2020. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Rye, New York Jan. 1984, I 1986. LP and CD—Chandos ABRD 1120 (digital) and released on CD—CHAN 8357. Chamber Symphony arr. Barshai. I Musici de Montreal, Yuli TUROVSKY. P Aug. 1984, G Apr. 1985. Reissued on CD—Chandos Enchant CHAN 7061. I July 1997 ~ Chandos Collect CHAN 6617. I July 2000, G Feb. 2001. USA: Musicmasters MMD 20109Z (digital). Sinfonietta arr Gozman. Soviet Emigre Orchestra, Lazar GOZMAN. P 1986. Reissued on CD—Olympia OCD 196. I June 1988, G Aug. 1989. CD—Switzerland: Tibor Varga Collection No. 15. Arr. T. Varga. Orchestre du Festival Tibor Varga Sion, Tibor VARGA. P summer 1986, 1 2000. Germany: Midas CD 5087. Chamber Symphony. Polish Chamber Orchestra, Wojciech RAJSKI. P Warsaw Sept. 1986, I 1992. Nimbus NI 5077. MEDICI QUARTET (Paul Robertson, David Matthews, Ivo-Jan van der Werff, Anthony Lewis). P 16–17 Oct. 1986, I Jan. 1988. LP—USSR: Melodiya C10 28757 007. Chamber Symphony. Yerevan Chamber Orchestra, Zaven VARDANYAN. P 1986, I 1990a.

OP U S 110: QU A RTET N O. 8 IN C MIN OR

441

LP and CD—France: Harmonia Mundi Label Bleu LBL 6505 (digital). Chamber Symphony arr. Barshai. Les Sinfonietta Orchestre Régional de Picardie, Alexandre MYRAT. P date not stated, I 1986. Reissued on CD—France: Harmonia Mundi LBLC 6505. I 1988. LP—USSR: Melodiya C10 24855 005. Chamber Symphony. Georgian Chamber Orchestra, Liana ISAKADZE. I 1987d. CD—Denon CO 1789. Chamber Symphony arr. Barshai. Auvergne Orchestra, Jean-Jacques KANTOROW. P 19–21 Mar. 1987, G Sept. 1988. Germany: Obligat Classics ob.01.209. Chamber Symphony. New American Chamber Orchestra. Misha RACHLEVSKY. P Munich concert 22 Nov. 1987. LP and CD—Academy Sound and Vision DCA 631 (DMM) and released on CD—DCA 631. COULL QUARTET (Roger Coull, Philip Gallaway, David Curtis, John Todd). P London Mar. 1988, I and G Apr. 1989. LP—Bulgaria: Balkanton BKA 12305-6. Chamber Symphony arr. Dafov. Tolbuhin Chamber Orchestra, Jordan DAFOV. P Tolbuhin, Bulgaria Mar. 1988. CD—RCA Victor Red Seal RD 87947. Chamber Symphony arr. Barshai. Moscow Virtuosi, Vladimir SPIVAKOV. P Paris 30 July 1988, I Sept. 1989 ~ *France: BMG RCA Artistes & Répertoire 74321 50268-2 (two-disc set). [Op. 73; Stravinsky, Hindemith, Schnittke et al.] I 2003. Czech: Opus 9351 2025. MOYZES QUARTET (Stanislav Mucha, František Török, Alexander Lakatoš , Ján Slávik). P Bratislava June 1987, I Oct. 1990. NB. Previously released on Rare Records/Opus BHM 11 (cassette). I Feb. 1990. LP and CD—Factory FACT 246 (DMM) and released on CD—FACD 246. DUKE QUARTET (Louisa Fuller, Martin Smith, John Metcalfe, Ivan McCready) P Buckingham 20–22 Dec. 1988, I Sept. 1989, G Jan. 1990. CD—Teldec Classics 244 919-2. BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin Feb. 1989, I Dec. 1989, G May 1990 ~ Teldec 9031 71702-2 (on fourth of six-disc set). I Nov. 1990, G June 1992 ~ *Warner Classics Apex 8573 890093-2. [Opp. 108 and 117.] I Aug. 2001. Deutsche Grammophon 429 229-2GH. Chamber Symphony arr. Barshai. Chamber Orchestra of Europe, Rudolf BARSHAI. P Berlin Mar. 1989, G May 1990 ~ *Deutsche Grammophon 477 5442 (two-disc set). [Opp. 118a, 83a, 73a, and 141a; Schnittke.] G Dec. 2005. Czech: Opus 91 2210-2. Chamber Symphony arr. Barshai. Slovák Chamber Orchestra, Bohdan WARCHAL. P Opus Studio Mar–May 1989, I 1991 ~ Switzerland: Point Classics 267 252-2. I 1996. USA: Elektra-Nonesuch/Warner Classics 7559-79242-2 (‘Black Angel’). KRONOS QUARTET (David Harrington, John Sherba, Hank Dutt, Joan Jeanrenaud). P 1989?, I 1990, G Apr. 1991.

442

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Germany: Aurophon AU 31467/LC 7709. Chamber Symphony arr. Barshai. CONRAD VON DER GOLTZ CHAMBER ORCHESTRA. P Staufen concert— date not stated, I 1990. Germany: Fidelio 8838. Chamber Symphony arr. Barshai. New Amsterdam Sinfonietta, Lev MARKIZ. P Amsterdam Sept. 1989, I 1990 ~ Netherlands: Vanguard Classics 99306 (two-disc set). I Aug. 1999 ~ *Challenge Classics CC 72130. [Op. 118a.] I 2005. Decca 433 028-2DH. Chamber Symphony arr. Barshai. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Jan. 1990, G Jan. 1992. Sweden: Bluebell ABCD 039. Chamber Symphony arr. Yuri Tsiryuk. Minsk Chamber Orchestra, Vitali KATAYEV. P Esbo, Finland 23 Feb. 1990, 1 Oct. 1991. Virgin Classics VC7 91432-2. Chamber Symphony arr. Barshai. Orchestre de Chambre de Lausanne, Aleksandr LAZAREV. P Lausanne University Apr. 1990, G Oct. 1991 ~ *Virgin Classics 5 62050-2 (two-disc set). [Op. 135; Prokofiev, Debussy, and Milhaud.] I Feb. 2002. USA: ESS.A.Y. CD 1009. MANHATTAN QUARTET (personnel as on 1984 recording). P Jersey City 18 May 1990 ~ Koch Schwann 310 165 (‘Complete Quartets, Volume 3’). I Jan. 1993, G June 1993. Virgin Classics VC7 91437-2. BORODIN QUARTET (personnel as on 1978 recording). P London July–Sept. 1990, G Dec. 1991 ~ Classic CD 18 (the first Shostakovich work to be featured on a Classic CD cover disc; with magazine article on pp. 64–67). First and second movements. I Oct. 1991 ~ Virgin Classics VBD5 61630-2 (two-disc set). I Aug. 1999. Nimbus NI 5308. Chamber Symphony arr. Barshai. English Chamber Orchestra, William BOUGHTON. P Leominster 14–15 Nov. 1990, I Oct. 1991 ~ Nimbus NI 5354 (‘Birds, Beasts and Flowers’). First and part second movement accompanying poetry readings by Princess Grace of Monaco and Richard Pasco in 1980. USSR: Melodiya SUCD 11 00301. Chamber Symphony arr. Barshai. Hermitage Theatre Chamber Orchestra, Saulius SONDETSKIS. P 1990, I 1991. Dolphin CD 0001. Chamber Symphony arr. Barshai. KREISLER STRING ORCHESTRA (without conductor). P London Dec. 1990, I Aug. 1991. Dorian DOR 90163. LAFAYETTE QUARTET (Ann Elliott-Goldschmid, Sharon Stanis, Joanna Hood, Pamela Highbaugh). P Troy, New York May 1991, G July 1992. Pickwick IMP Classics PCD 1000. Chamber Symphony arr. Barshai. I Solisti di Zagreb, Tonko NINIC. P Zagreb 22–28 June 1991, G Nov. 1992. Norway: Victoria VCD 19060. Arr. L. Drew. TRONDHEIM SOLOISTS, Bjarme Fiskum (director). P Trondheim July 1991.

OP U S 110: QU A RTET N O. 8 IN C MIN OR

443

Claves 50 9115. Chamber Symphony arr. Barshai. Kremlin Chamber Orchestra, Misha RACHLEVSKY. P Moscow concert Oct.–Nov. 1991, G Mar. 1993. USA Russian Disc RDCD 11 087. BORODIN QUARTET (personnel as on 1978 recording). P St Petersburg concert 12 Dec. 1991, G Oct. 1993. Slovakia: Opus 91 2437-2. Chamber Symphony. The Young Bratislava Soloists, Jindrˇich PAZDERA. P 1991? USA: Pro Arte 035090. Chamber Symphony arr. Barshai. Zurich String Orchestra, J. BALKANYI. P Zurich 27–29 Jan. 1992. Germany: EMI CDC7 54 555-2. Chamber Symphony arr. Barshai. Detmold Chamber Orchestra, Christoph POPPEN. P 11–17 Mar. 1992, I 1993. Poland: Amadeus Musical Foundation AMF ST 104. Chamber Symphony arr. Barshai. Amadeus Chamber Orchestra, Agnieszka DUCZMAL. P Adam Micklewicz University May–June 1992, I 1993. Belgium: Cypres CYP 5606. Chamber Symphony arr. Barshai. Wallonia Royal Chamber Orchestra, Georges OCTORS. P Liege 12 Oct.–6 Nov. 1992, I 1993. Finland: Ondine ODE 817-2. Chamber Symphony. Helsinki Philharmonic, James DEPREIST. P Kanneltalo, Helsinki May 1993, I May 1994, G Dec. 1994. Sony Classical St Petersburg Classics SMK 48372 (‘In Memoriam—Music of Death and Suffering’). Chamber Symphony arr. Sondetskis. St Petersburg Camerata, Saulius SONDETSKIS. P St Petersburg July 1993, I Nov. 1994. Switzerland: Gallo CD 799. Chamber Symphony arr. R. Baumgartner. Lucerne Festival Strings, Rudolf BAUMGARTNER. P Radio DRS Aug. 1993, I 1994. Bulgaria: Gega New GD 168. SOFIA QUARTET (Vassil Valchev, Nikolai Gagov, Valentin Gerov, Kolya Bespalov). P Sofia Nov. 1993, I Feb. 1994. Netherlands: Erasmus WVH 131. Chamber Symphony. Utrecht Conservatory String Orchestra, Viktor LIBERMAN. P Rotterdam Jan. 1994. Naxos 8.550953. Chamber Symphony arr. Barshai. Dalgat String Ensemble, Roland MELIA. P St Petersburg 5–8 Jan. 1994, I Nov. 1998, G Apr. 1999. Naxos 8.550973 (‘Complete Quartets, Volume 2’). ÉDER QUARTET (János Selmeczl, Péter Szüts, Sandor Papp, György Éder). P Brussels 14–17 Feb. 1994, I Nov. 1994, G Oct. 1995. Virgin Classics VC5 45110-2. Chamber Symphony. Norwegian Chamber Orchestra, Iona BROWN. P Eidsvoll, near Oslo Apr–May 1994, I May 1995. Germany: Hänssler Classic 98 917. Chamber Symphony arr. Barshai. Stefan Bornscheuer (violin), Chihiro Saito (cello), Stuttgart Arcata Chamber Orchestra, Patrick STRUB. P 31 Oct.–2 Nov. 1994, I May 1995.

444

D M I T R I SHOSTA K OVIC H C A TA LO GUE

*Slovenia: SF 995021. Op. 110a. Slovenian Philharmonic String Chamber Orchestra, Andrej PETRACˇ. [Debussy and Barber.] P Slovenian Philharmonic Great Hall, Ljubljana concert 21 and 23 May, 1995. Collins Classics 1450-2. DUKE QUARTET (Louisa Fuller, Rick Koster, John Metcalfe, Ivan McCready). P London 19–21 July 1995, G Feb. 1996. Denmark: Classico CLASSCD 135. ZAPOLSKI QUARTET (Alexander Zapolski, Jacob Soelberg, Flemming Lave, Vanja Louro). P Roskilde, Denmark Aug. and Oct. 1995, I July 1996 ~ *Germany: Designo 222 521 (on fourth of four-disc set). [Op. 68.] I June 2005. *Belgium: De Rode Pomp Gents Historisch Arcief RP/GHA 971. MOSCOW CHAMBER SOLOISTS (Michaël Taits, Elena Boni, Lev Anikeyev, Valery Krivoborodov). P Schilde, Belgium concert 24 Oct. 1995, I 1997. Koch Classics 3-6436-2 Y6 (two-disc set). MEDICI QUARTET (Paul Robertson, Cathy Thompson, Ivo-Jan van der Werff, Anthony Lewis). P Petersham Oct.–Nov. 1995, I Jan. 1996, G May 1997. *Sony Classics SK 94733. Op. 110a. Mito Chamber Orchestra, Rudolf BARSHAI. [Op. 47.] P Art Tower Mito Concert Hall, Japan 7–12 Nov. 1995. *Hungary: Budapest Music Center Records BMC CD 068. Chamber Symphony. Camerata Transsylvanica, Adrian SUNSHINE. [Schoenberg.] P Budapest Radio Studio 1995. USA: Pope Music PM 1009-2 (silver) and PMG 2009-2 (‘Redemption’, gold). Chamber Symphony. Russian Symphony Orchestra, Mark GORENSTEIN. P Moscow Jan. 1996. Carlton Classics 30366 0062-2. KREUTZER QUARTET (Peter Sheppard, Gordon MacKay, Bridget Carey, Neil Hyde). P Loughton Jan. 1996, I July 1997, G Awards (Nov.) 1997. Italy: Fonit Cetra NFCD 2043. Chamber Symphony (augmented string parts). Orchestra d’Archi Italiana, Mario BRUNELLO. P Venice 9 Apr. 1996, I Apr. 1997. France: Opus 111 OPS 30-165. Chamber Symphony. Musicatreize, Roland HAYRABEDIAN. P Miramas, France Apr. 1996. USA: New Albion NA 088 CD (‘Written with the Heart’s Blood’). Chamber Symphony arr. Barshai. New Century Chamber Orchestra, Stuart CANIN. P Tiburon, California Apr. 1996, I Jan. 1997. South Korea: Samsung Classics SCC 013SJS. Sejong Soloists, Hyo KANG. P Princeton, New Jersey May 1996. Germany: ECM New Series 453 512-2. Chamber Symphony. Stuttgart Chamber Orchestra, Dennis Russell DAVIES. P Stuttgart June 1996, G Sept. 1997. Netherlands: Globe 5157-0265 (‘Complete Quartets, Volume 1’). RUBIO QUARTET (Dirk Van de Velde, Dirk Van den Hauwe, Marc Sonnaert, Peter Devos). P Utrecht Aug. 1996, I Nov. 1996.

OP U S 110: QU A RTET N O. 8 IN C MIN OR

445

*Germany: Kairos KAIR 96.01. NOMOS QUARTET (Martin Dehning, Sonja-Maria Marks, Fiederike Koch, Sabine Pfeiffer). [Schubert.] P Bamberg Sept. 1996. Germany: Arte Nova Classics 74321 58967-2. Chamber Symphony arr. Barshai. Hamburg Soloists, Emil KLEIN. P Hamburg Nov. 1996, I Oct. 1998. Germany: ECM New Series 457 067-2. ROSAMUNDE QUARTET (Andreas Reiner, Simon Fordham, Helmut Nicolai, Anja Lechner). P Eichstätt Dec. 1996, G Feb. 1998. EMI CDC5 56442-2. Chamber Symphony arr. Barshai. Vienna Symphony Orchestra, Mariss JANSONS. P Vienna concert 7–14 Jan. 1997, G Awards (Nov.) 1997. Italy: Ark 59004. QUARTETTO FONÈ (Paolo Chiavacci, Marco Facchini, Riichi Uemara, Ilaria Maurri). P Siena Apr. 1997, I 1997. USA: Arabesque Z 6711. Chamber Symphony. Israel Sinfonietta, Uri MAYER. P Meneham July 1997. Switzerland: Gallo CD 929. Arr. Barshai. Young Swiss Chamber Orchestra, Emmanuel SIFFERT. P 1997. *Russia: Art Classic ART 039. DOMINANT QUARTET (Do Phuong Nhu, Ekaterina Pogodina, Anna Sazonkina, Tatyana Egorova). [Schubert.] P Moscow studio 1997, I 2003. *Germany: Cultura Viva kr 10 022. RAKHMANINOV QUARTET (Andrei Andriev, Aleksandr Bondarenko, Sergei Savrov, Vladimir Shochov). [Haydn and Rakhmaninov.] P French Cathedral, Berlin concert 11 Sept. 1997. Sweden: BIS CD 913. YGGDRASIL QUARTET (Henrik Peterson, Per Öman, Robert Westlund, Per Nyström). P Länna, Sweden Sept. 1997, G Jan. 1999. *USA: Daponte (unnumbered). DAPONTE QUARTET (Ferdinand Liva, Dean Stein, Mark Preston, Myles Jordan). [Comolli and Schulhoff.] P Bristol Congregational Church, Maine 13–17 Jan. 1998, I 2001. Classic FM 75605 57027-2. CHILIGIRIAN QUARTET (Levon Chiligirian, Charles Stewart, Asdis Valdimarsdottir, Philipe de Groote). P East Woodhay, Berkshire 20–22 Oct. 1997, I Feb. 1998, G Aug. 1998. *Slovenia: SF 998031. Op. 110a. Slovenian Philharmonic String Orchestra, Andrej PETRACˇ. [U. Krek and Grieg.] P Slovenian Philharmonic Great Hall, Ljubljana concert 2 Feb. 1998. Linn Records CKD 095. Chamber Symphony arr. Barshai. BT Scottish Ensemble, Clio GOULD. P Glasgow 4–5 Mar. 1998, I Feb. 2000, G June 2000. France: Arion ARN 68461 (‘Complete Quartets, Volume 1’). DEBUSSY QUARTET (Christophe Collette, Dominique Lonca, Vincent Deprecq, Yannick Callier). P Lyon July 1998, I July 1999.

446

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Deutsche Grammophon 463 294-2GH5 (‘Complete Quartets, Volume 3’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July 1998, G June 2000. France: Syrius SYR 141345. Arr. Barshai. European Camerata, Laurent QUENELLE. P Alpes-Martimes, France Aug. 1998. Germany: Arte Nova Classics 74321 77069-2. RUBIN QUARTET (Imgard Zavelberg, Tinta S. von Altenstadt, Sylvie Altenburger, Ulrike Zavelberg). P Cologne 10–14 Aug. 1998. Germany: Col legno WWE 8CD 20041 (eight-disc set). Chamber Symphony. Stuttgart Chamber Orchestra, Dennis Russell DAVIES. P Stuttgart concert 28 Nov. 1998. Hyperion CDA 67154. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Konstantin Kats, Leonid Shukayev). P St Petersburg Apr. 1999, I Dec. 1999, G Mar. 2000. BBC MM95. JERUSALEM QUARTET (Aleksandr Pavlovsky, Sergei Bressler, Amichai Gross, Kyril Zlotnikov). P Kentish Town, London 14 Oct. 1999, I July 2000 cover disc with BBC Music Magazine Vol.. 8 No.11. *Warner Classics Apex 0927 43423-2. Chamber Symphony. Helsinki Strings, Géza SZILVAY. [Schoenberg and Sibelius.] P Düsseldorf, Germany concert 24 Oct. 1999, I 2002. France: Calliope CAL 9299. Chamber Symphony. Kaliningrad Philharmonic Chamber Orchestra, Emmanuel LEDUCQ-BAROME. P Kaliningrad 1999, I Sept. 2000. Delos DE 3259 and 3259 (SACD). Chamber Symphony. Moscow Chamber Orchestra, Constantine ORBELIAN. P Marin County, California 5 and 7 Mar. 2000, I Sept. 2001. *Moscow State Conservatory SMC 0075-76 (two-disc set). Arr. Barshai. Moscovia Chamber Orchestra, Eduard GRACH. [Eshpai, Sarasate, Lloyd-Webber et al.] P Moscow 10 Apr. 2000. *Germany: Cultura Viva 10 022/Scala Records SR 10001. RAKHMANINOV QUARTET (personnel as on 1997 recording, except Anton Yaroshenko replaces S. Savrov). [Op. 57.] P Berlin Konzerthaus concert 10 May 2000, I 2001. *USA: Phoenix PHCD 151. Arr. Barshai. ARCO CHAMBER ORCHESTRA. [Opp. 11 and 35.] P Athens, Georgia 2000. *Germany: Coviello Classics COV 30201. Arr. Barshai. Salzburg Chamber Soloists, Lavard SKOU-LARSEN. [Schubert.] P Festivo Aschau, Germany concert Aug. 2000, I 2002. *USA: Artegra ART 1002 (Hybrid SACD). ROSALYRA QUARTET (Sara Kwak, Kenneth Freed, Sabina Thatchem, Beth Rapier). [Op. 68.] P Hamline University in St Paul, Minnesota 18–21 Dec. 2000, I 2005.

OP U S 110: QU A RTET N O. 8 IN C MIN OR

447

*Russia: Northern Flowers PMA 9917. NEVSKY QUARTET (Tatyana Razumova, Svetlana Grinfeld, Vladimir Bystritsky, Dmitri Khrychyov). [Haydn and Prokofiev.] P Anichkov Palace, St Petersburg Feb. 2001. *Netherlands: Meladina Records MRCD 0021. Arr. for wind ensemble by Dmitri Smirnov. NEDERLANDS BLAZERS ENSEMBLE. [Op. 26; Smirnov and Denisov.] P Concertgebouw 22 Mar. 2001. Chandos CHAN 9955 (‘Complete Quartets, Volume 3’). SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). P The Maltings, Snape 26–30 Mar. 2001, G. Awards (Oct.) 2001. **Belgium: Fuga Libera 512 (‘Complete Quartets, Volume 3’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 142 and 133.] P Bayerische Rundfunk, Munich 8–11 Oct. 2001, I 2005. BIS CD-1256. Arr. Barshai. Ostrobothian Chamber Orchestra, Juka KANGAS. [Sans. op. D(ix) and Op. 119a.] P Kaustinen Church Oct. 2001, I Mar. 2002 and June 2003. Calliope CAL 9320. TÁLICH QUARTET (Jan Tálich junior, Petr Macecˇek, Vladimir Bukacˇ, Petr Prause). [Op. 57.] P Arco Diva Domovina Studio, Prague Nov. 2001, I June 2002. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 1’, five-disc set). RUBIO QUARTET (personnel as on 1996 recording). [Opp. 68 and 138.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Capriccio: 67 115. Arr. Barshai. Moscow Virtuosi, Vladimir SPIVAKOV. [Op. 11 and Sans op. X(ii); Schnittke—Prelude in Memory of Shostakovich.] P Moscow Conservatory Bolshoi Hall 15–17 May 2003, I 2004. USA: Summit DCD 394. Arr. Mark Hetzler. NAY PALM TROMBONE QUARTET (Mark Hetzler, Jeff Peterson, and Jeff Thomas—tenor trombones); Harold van Schaik—bass trombone). [Schoenberg, Berg, Webern et al.] P Wertheim Performing Arts Center, Florida International University, Miami June 2003. Russia: Melodiya MEL CD 10 00872. Opus 110a. State Academic Symphony Orchestra of Russia, Mark GORENSTEIN. [Op. 93.] P Moscow State Conservatory 9–11 and 13–14 June 2004, I 2005. Poland: Polskie Radio PRCD 095. Opus 110a. Amadeus Chamber Orchestra, Agnieszka DUCZMAL. [Knittel.] P Adam Mickiewicz Auditorium, Poznan´, Poland 16 Nov. 2004. Netherlands: Brilliant Classics 8212/2 (‘Chamber Symphonies 1–5’, on second of two-disc set). Op. 110a. Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Rudolf BARSHAI. [Opp. 49a and 118a.] P Auditorium Verdi di Milano concert between spring and 17 Dec. 2005, I 2006. Germany: IPPNW Concerts—Edition CD 51. ENSEMBLE INCENDO (Dimiter Ivanov, Marie Kogge, Manon Gerhardt, Ehrengard von Gemmingen).

448

D M I T R I SHOSTA K OVIC H C A TA LO GUE

[Bach and Schubert.] P Umweltforum Berlin Auferstehungskirche concert 11 Mar. 2005, I 2005. Onyx Classics ONYX 4007. Opus 110a. Moscow Soloists, Yuri BASHMET. [Sviridov and Weinberg.] P Schloss Newhardenburg, Berlin 22–25 June 2005, I Nov. 2005, G Jan. 2006. Spain: Tritó TD 0038. Op. 110a arr. Barshai. Cadaqués Orchestra. Gianandrea NOSEDA. [Mendelssohn.] P Cadaqués Church, Spain concert 30 July 2005. Oehms Classic OC562 (‘Complete Classics’, on third of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 108, 117, and 122.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. Germany: Oehms Classics OC 561. Chamber Symphony arr. by R. Baumgartner. Lucerne Festival Strings, Achim FIEDLER. [Opp. 35 and 87.] P Tonstudio Gabriel Recording, Stalden, Switzerland. P 11–14 Oct. 2005, I June 2006. Deutsche Grammophon 477 6146GH. HAGEN QUARTET (Lukas, Veronika, and Clemens Hagen; with Rainer Schmidt—2nd violinist). [Opp. 73 and 108.] P Salzburg Nov. 2005, I May 2006, G Aug. 2006. EMI Classics 359 9562. ST LAWRENCE QUARTET. (Geoff Nuttall, Barry Shiffman, Lesley Robertson, Marina Hoover). [Opp. 73 and 108.] P Skywalker Sound Scoring Stage, Marin County, California 13–17 Jan. 2006, I July 2006. Germany: Capriccio 71 1041 (SACD). PETERSEN QUARTET (Conrad Muck, Daniel Bell, Friedemann Weigle, Henry-David Varema). [Op. 143; Auerbach.] P Deutschland Radio Studio, Berlin 14–15 Mar. 2006, G Nov. 2006. France: Praga Digitals PRDDSD 250 232 (Hybrid SACD). Opus 110a. PRAGUE CHAMBER ORCHESTRA (without conductor). [Op. 118a; and Barber.] P Auditorium de Dijon concert 10 May 2006, I Jan. 2007. Harmonia Mundi HMC 901953. JERUSALEM QUARTET (Aleksandr Pavlovsky, Sergei Bresler, Amichai Grosz, Kyril Zlotnikov). [Opp. 101 and 122.] P Teldec Studio, Berlin 12–15 June 2006, G Aug. 2007. CD and DVD—Germany: Audite AU 92.527 (Hybrid SACD and DVD). MANDELRING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 73 and 101.] P Klingenmünster, Germany 26–28 June 2006. CD—Wigmore Hall Live 0019. ŠKAMPA QUARTET (Pavel Fischer, Jana Lukášová, Radim Sedmidubský, Lukás Polák). [Mozart and Smetana.] P Wigmore Hall, London concert 23 Nov. 2006, I Oct. 2007, G Jan. 2008. Belgium: Talent DOM 292972 (Hybrid SACD). Opus 110a. Rotterdam Chamber Orchestra, Conrad van ALPHEN. [Opp. 49a and 118a.]

SA NS OP . U : NOV OROSSIISK CH IMES

449

Muziekcentrum van de Omroep Studio, Hilversum 28 Feb., 1 and 2 Mar. 2007, G Aug. 2008. Nimbus NI 5827. KOPELMAN QUARTET (Mikhail Kopelman, Boris Kuschnir, Igor Suligo, Mikhail Milman). [Op. 49; and Myaskovsky.] P Wyastone Concert Hall, Monmouth 26–28 July 2007, G Nov. 2008. Notes: The quartet was written down in three days while convalescing in a ministerial guest-house at Gohrisch (not Gorlitz as given in some accounts), a spa town in ‘Saxon Switzerland’ SE of Dresden, near the Czech border. The publishers, Edition Peters, commissioned an orchestration from Rudolf Barshai shortly after its première in 1960. Barshai in the booklet accompanying his 1989 Berlin recording on Deutsche Grammophon 429 229-2GH wrote that he sought the composer’s approval. Shostakovich was pleased with the finished score and suggested naming it ‘Chamber Symphony’.

Sans op. U: Novorossiisk Chimes Form: Patriotic piece for full orchestra, also known as The Fire of Eternal Glory, based on the opening phrase of the National Anthem Contest Entry, Sans op. N(iii). No tempo indication. Instrumentation: piccolo, 2 flutes, 2 oboes, cor anglais, 3 B flat clarinets, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals ~ celesta ~ strings. Composed: 1960, at Moscow. Commissioned by representatives of the city of Novorossiisk. Dedication: In memory of the Heroes of the Great Patriotic War. Première: 27 September 1960, the tune sounded on a tape recording, performed by the All-Union Radio and Television Symphony Orchestra conducted by Arvid Yansons, at the Flame of Eternal Glory, Heroes Square, Novorossiisk. Arrangements: Reduction for piano duet by the composer in 1960. Patriotic song, with lyric by Kira Alemasova, for chorus and orchestra; and reduction for S.A.T.B. chorus and piano by G. Kovalyov, marked ‘Moderato’. Transcription for trumpet and piano by Sergei Bolotin. Also exists as a piano solo. Arranged for wind band by Yevgeni Makarov. Instrumentation: flute, oboe, 3 B flat clarinets, bassoon ~ 4 E flat horns, 2 trumpets, 3 trombones ~ percussion (2 players), chimes ~ separate band of 2 cornets and 10 saxhorns. Music: The autograph score presented by the composer to the Novorossiisk City Committee. USSR, no number or date, mimeographed manuscript one-page arrangement for piano solo.

450

D M I T R I SHOSTA K OVIC H C A TA LO GUE

The piano duet arrangement published as a supplement to the journal Muzykalnaya zhizn (‘Musical Life’), 1960, No. 21 (Sadovnikov) or 22 (Collected Works). Muzyka, Choral Conductor’s Library No. 20, 1966, arr. for chorus and and piano. Sovetskii kompozitor, No. 1314 (in collection In Memory of Heroes), 1970, arr. for wind band by Y. Makarov, 21.5 cm. Muzyka, Leningrad, No. 2035 (in Dmitri Shostakovich: Pieces for trumpet and piano), 1976, parts, 28.5 cm. Muzyka, No. 11687 (in Volume 11 of Collected Works), 1984, original orchestral score, 30 cm. Muzyka, No. 10179 (as a supplement in Volume 34 of Collected Works), 1985, arr. G. Kovalyov, 30 cm. DSCH Publishers, Moscow, full score in Volume 36 and reduction in Volume 37 of New Collected Works. Duration: 2 minutes (composer and Sadovnikov); 2' 24"–3' 20". Recordings: LP—USSR: MK D8459-60 (10" mono). USSR Symphony Orchestra, Arvid YANSONS. P 1962. USSR: Melodiya CM 02137-8. Red Banner Ensemble, Boris ALEKSANDROV. P 1970 ~ HMV Melodiya ASD 3200 (‘Cavalry Song’). G Oct. 1976 ~ USSR: Melodiya C6O 12741-2. I 1980b ~ USSR: Melodiya C60 21747 008 (‘Songs about Hero-Cities’). I 1985c. CD—Academy Sound and Vision CD DCA 707. Royal Philharmonic Orchestra, Enrique BÁTIZ. P Mitcham 1990, G Sept. 1990 ~ IMG Records IMGCD 1609. I June 1994, G Feb. 1995. Decca 436 763-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Apr. 1992, I Feb. 1994, G Apr. 1994. **Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites -Film Music’, on first of three-disc set). National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Sans opp. G(ii) and E; Opp. 96 and 115.] P Natonal Radio Studio, Kyiv 1–8 June and 13–14 July 2004 ~ Brilliant Classics 7096 (Hybrid SACD). [Sans opp. G(ii) and E; Opp. 96 and 115.] I 2005.

Opus 111: Five Days, Five Nights Form: Music for the black-and-white film Five Days, Five Nights, alternatively titled Dresden Art Gallery, directed by Leo Arnshtam for Mosfilm in collaboration withWolfgang Ebeling of the then East German DEFA Studios, scored for full orchestra (with harp, organ, and piano). The items are numbered 1 to 18 but nothing is known of Nos. 5, 10, and 17. No. 6 (Largo) for organ and string orchestra appears in the Suite Opus 111a, Nos. 3 and 1, in an altered and differently orchestrated version.

OP U S 111: F IVE DAY S, FIVE N IGH T S

1. 3. 4. 8. 9. 11. 12. 13. 14. 15. 16. 18.

451

Introduction Meeting with the liberators on the road ‘It was nearly half an hour ago’ Paul’s Soliloquy—Moderato Madonna Fight in the loft Meeting of Katrine and Paul—Allegro Night scene—Andante Katrine’s dream—Moderato Solitude Frau Rank’s parting with the pictures; Alarm [without tempo] Finale

Nos. 2, 6, and 7 are without titles. Instrumentation: as Suite Opus 111a plus organ. Composed: July–August 1960, at Dresden. Premières: Film first shown on 23 November 1961. [Volume 42 of Collected Works gives the release date as 27 February 1961.] Suite Opus 111a, 7 January 1962, Moscow Radio; USSR Cinematograph Symphony Orchestra, Emin Khachaturyan. Arrangements: Opus 111a—Suite assembled by Levon Atovmyan in 1961: 1. 2. 3. 4. 5.

Introduction—Adagio Dresden in Ruins—Largo Liberated Dresden—Moderato—Largo—Allegro attacca Interlude—Andante—Allegro Finale—Moderato—Allegretto—Largo

No. 3 concludes by quoting the ‘Ode to Joy’ theme from Ludwig van Beethoven’s Symphony No. 9. Instrumentation: of Suite Opus 111a—piccolo, 2 flutes, 3 oboes, 3 clarinets (A and B flat), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~ glockenspiel, harp, piano ~ strings. Music: Autograph of the incomplete film score preserved at GTsMMK; and manuscript copy of ten items of the score and orchestral parts at NBGCOK. Muzyka, No. 6419, 1970, Suite Opus 111a, full score, 29.5 cm. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, No. 6 of the film score, 30 cm. DSCH Publishers, Moscow, full film score in Volume 141 of New Collected Works. Duration: Film: 103 minutes. Suite: 20' 20"–32' 39"; 32 minutes (Sadovnikov).

452

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Recordings: *CD—Russia: Mosfilm Bomba Music BoMB 0033-168 (mono). Film soundtrack fragment ‘Liberated Dresden’ figs 3 to 7 with organ. Film Production Directorate Orchestra, Grigori GAMBURG. [Opp. 132 and 89; Prokofiev, Sviridov, Khachaturyan et al.] P 1961, I 2005. LP—USSR: MK D11327-8 (10" mono). Suite Nos. 1–5 complete, with spliced-in exposition to fig. 7 before coda of No. 1 and additional chorale prelude inserted before fig. 11 of No. 2). USSR Cinematograph Symphony Orchestra, Emin KHACHATURYAN. I 1963 ~ Cinema Records LP 8003 (mono). Suite Nos. 1–5 (with No. 4 cut from fig. 12 and No. 5 starting at fig. 2 plus 5 bars). NB. Orchestra and conductor not named on record and sleeve. CD—RCA Victor Red Seal RD 87763. Suite Nos. 2–4 and 5 (fig. 17 to end). Belgian Radio Symphony Orchestra, José SEREBRIER. P Brussels 1988, I June 1988, G Oct. 1988. Germany: Capriccio Compact Discs 10 341/42 (two-disc set). Suite Nos. 1–5 (as score). Berlin Radio Symphony Orchestra, James JUDD. [P Berlin 1–5 and 22–23 Jan. 1990, 1 Oct. 1990. USA: Pro-Arte Fanfare CDD 551 (‘Shostakovich Film Festival’). Suite Nos. 2 and 3. Chicago Sinfonietta, Paul FREEMAN. P Oak Park, Illinois May 1990, I Aug. 1991. NB. Labelled as ‘Liberated Dresden’ but actually ‘Dresden in Ruins’ figs. 4 to 8 and 11 to end attacca ‘Liberated Dresden’ figs. 3 to 5 and 7 to end. Naxos 8.553299. Suite Nos. 1–5. National Symphony Orchestra of Ukraine, Theodore KUCHAR. P Kyiv 12–15 Feb. 1995, I Dec. 1996, G May 1997. **Chandos Movies CHAN 10361 (‘The Film Music of Dmitri Shostakovich, Volume 3’). Suite Nos. 1–5. BBC Philharmonic, Vassili SINAISKY. [Opp. 116, 89, and 75.] P New Broadcasting House, Manchester 12–13 Oct. 2004, I Sept. 2006. Note: The 1970 music score gives the Russian and English title as Five Days and Five Nights, Robert Matthew-Walker states that the film is also known as May 5 (sleeve-note for Opp. 110a and 118a on Phoenix DCS 1038)

Opus 112: Symphony No. 12 in D minor Form: Symphony, officially subtitled The Year 1917, for normal full symphony orchestra in four linked movements: 1. 2. 3. 4.

Revolutionary Petrograd—Moderato—Allegro attacca Razliv—Adagio attacca Aurora—Allegro attacca The Dawn of Humanity—L’istesso tempo

OP U S 112: SYM P HONY N O. 12 IN D MIN OR

453

Instrumentation: piccolo ( = flute III), 2 flutes, 3 oboes, 3 clarinets (B flat and A), 3 bassoons (III = contrabassoon) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, bass drum, gong ~1st violins (16–20), 2nd violins (14–18), violas (12–16), cellos (12–16), double-basses (10–14). Composed: Completed on 22 August 1961, at Moscow, for the twenty-second Soviet Communist Party Moscow Convention held in October 1961. Dedication: Vladimir Ilyich Ulyanov Lenin (Bolshevik Party founder). Premières: Piano reduction: 8 September 1961, RSFSR Composers’ Union; Mieczysław Weinberg and Boris Chaikovsky. Full orchestra: 1 October 1961, Leningrad Philharmonic Bolshoi Hall; Leningrad Philharmonic Orchestra, Yevgeni Mravinsky; and at Kuibyshev (now Samara) under Abram Stasevich. 14 October 1961, Metrostroi Palace of Culture, Moscow; USSR Symphony Orchestra, Konstantin Ivanov. UK: 4 September 1962, Usher Hall, Edinburgh Festival; Philharmonia Orchestra, Gennadi Rozhdestvensky. London: 28 November 1962, Royal Festival Hall, BBC Symphony Orchestra, Sir Adrian Boult. Australia: 15 July 1964, Melbourne Symphony Orchestra, George Tzipine. Arrangement: Reduction for piano four hands by the composer. Music: Autograph score preserved at TsGALI photocopy with a photocopy preserved in the Shostakovich Family Archive. Sovetskii kompozitor, No. 2802, 1961, 29 cm. (reprinted with the same no., 1976). Sovetskii kompozitor, No. 2809, 1962, reduction for piano four hands, 29 cm. Breitkopf & Härtel, No. 3574, 1962, 21 cm. Breitkopf & Härtel, No. 3596 (plate no. 31715), c.1962, 33 cm. Edwin F. Kalmus, No. 171, no date, 26.5 cm. Muzyka, No. 4137, 1964, 21 cm. Edition Eulenberg, No. 10031, 1972, 27 cm. Muzyka, No. 10178 (in Volume 6 of Collected Works), 1980, 30 cm. Hans Sikorski, No. 2210, 1981, 21 cm. DSCH Publishers, Moscow, full score in Volume 12 and piano score in Volume 27 of New Collected Works. Duration: 40 minutes in score; 34' 25"–44' 08"; 36' 00"–40' 35" (Plaistow). Ballets: Allumez les étoiles! Roland Petit, Marseilles, Ballet de Marseilles, 5 May 1972. A ballet of thirteen episodes, with libretto based on Vladimir Mayakovsky’s poem of 1913, ‘Listen!—they are lighting up the stars’; using music from Georgian folksongs, Mussorgsky’s Pictures at an Exhibition, Prokofiev’s Chout and Violin Concerto No. 2, and Shostakovich’s Symphony No. 12.

454

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Symphony of Revolution. Created by Natalya Ryzhenko and Victor Smirnov-Golovanov, with libretto based on Maksim Gorky’s novel Mother; using music from Symphonies Nos. 11 and 12; performed at the Odessa Theatre of Opera and Ballet in 1977. Film: October. In the summer of 1967 Aleksandr Kholodilin helped Shostakovich select some of his music for the sound track of Sergei Eisenstein and Grigori Aleksandrov’s silent film, originally released in 1928. English subtitles and sound effects, though not speech, were added to the restored film. All four movements of Symphony No. 12 were utilized; also considerable excerpts from Symphony No. 11, Opus 103 and Cello Concerto No. 2, Opus 126, with ‘The Drayman’s Dance’ from The Bolt, Opus 27 included for two episodes in lighter vein. A Hendring videocassette is available on Moskwood, Haarlem catalogue No. 2121. Recordings: LP and CD—USSR: MK D09395-6 (mono) and C0245-6. Leningrad Philharmonic Orchestra, Yevgeni MRAVINSKY. P Moscow Radio studio 1961 (Mravinsky’s last studio recording), I 1962 ~ USA: Artia MK 1580 (mono). P not première concert 1 Oct. 1961 as stated, I 1964 ~ HMV Melodiya ASD 2598. G Sept. 1970 ~ HMV Melodiya BOX 502510 in Set SLS 5025. G Dec. 1975. Reissued on CD—France: Praga PR 254 017-8 (two-disc set, mono) P not Prague concert 6 Jan. 1962 as stated, I Apr. 1994, G Aug. 1994 ~ France: Le Chant du Monde PR 7254 017. P not Prague 1962, G Feb. 2001. CD—BBC Radio Classics 15656 91832. Philharmonia Orchestra, Gennadi ROZHDESTVENSKY. P Usher Hall, Edinburgh concert 4 Sept. 1962, I Oct. 1996 ~ *BBC Legends BBCL 4242-2. [Opp. 54, 16, and Sans op. H(ii).], I Aug. 2008, G Nov. 2008. Italy: The Classical Society CSCD 125. BBC Symphony Orchestra, Sir Adrian BOULT. P not stated; possibly the London première concert 28 Nov. 1962, I 1991 ~ Italy: Intaglio INCD 7431. I 1993. LP—HMV ALP 2009 (mono) and ASD 559. Philharmonia Orchestra, Georges PRÊTRE. P 27–28 Nov. 1962 and 21–22 Mar. 1963, G Nov. 1963 ~ Classics for Pleasure CFP 141. G Oct. 1970. *East Germany: Eterna 825 977. Gewandhaus Orchestra of Leipzig, Ogan DURYAN. P Heilandskirche, Leipzig 9, 10, and 12 Oct. 1967, I 1969. LP and CD—Philips Universe 6580 012. Gewandhaus Orchestra, O. DURYAN. P Oct. 1967, G Aug. 1972 ~ France: Philips 6598 103 (in twodisc set 6747 252 ‘Tribute to Dmitri Shostakovich’). I post-1975. Reissued on CD—Philips Classical Collector 434 172-2PM. I Sept. 1992, G Mar. 1993. LP—Australia: ABC A07003. Sydney Symphony Orchestra, Bernard HEINZE. P Chastwood, Australia Feb. 1968.

OP U S 112: SYM P HONY N O. 12 IN D MIN OR

455

USSR: Melodiya D 32591-2 (10" mono). V. I. Lenin in Razliv. Author: P. Nikiti. Narrator: V. DAVYDOV. Music from Op. 112. P 1972, I 1973. LP and CD—USSR: Melodiya C04713-4. Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P 1972, I 1975a ~ HMV Melodiya ASD 3520. G Aug. 1978 ~ USSR: Melodiya C 04713-4 (in second box of Part 1 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (on sixth of twelve-record box set, DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1007-8 (in Box 4 of five twodisc sets). G May 1989 ~ BMG Classics Melodiya 74321 19848-2. I July 1994, G Nov. 1994. LP and CD—USA: Monitor MCS 2148. Bulgarian Radio and Television Symphony Orchestra, Russian RAYCHEV. P c.1974 ~ AVM Classics AVM 1019 and released on CD—AVMCD 1019. I Dec. 1988 (CD reissued 1994). Decca SXDL 7577 (digital). Concertgebouw Orchestra, Bernard HAITINK. P Amsterdam 25–26 Jan. 1982, G June and Aug. 1983. Prize-winner in the Dutch record industry’s 1983 Classical Edison Awards. Reissued on CD—Decca 417 392-2DH2 (in two-disc set) I June 1986, G Oct. 1986 ~ Decca Ovation 425 067-2DM. G Nov. 1993. USSR: Melodiya A10 00073 009 (digital). USSR Ministry of Culture Symphony Orchestra, G. ROZHDESTVENSKY. P1983, I 1985a. Reissued on CD—JVC/Target VDC 1044. G May 1986 ~ Olympia OCD 111. I June 1987, G May 1989 ~ Olympia OCD 200. I Dec. 1987, G Apr. 1988 ~ Olympia OCD 5005 (in Volume 1 of six-disc set of symphonies). I Dec. 1990 ~ BMG Melodiya 74321 63460-2 (in two-disc set). I Mar. 1999. CD—Japan: Victor Musical Industries VDC 25028. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad Philharmonic Bolshoi Hall concert 29 (not 30) Apr. 1984 (Mravinsky’s last recording) ~ France: Erato 2292 45754-2. G June 1992. [NB. Also available in twelve-disc set 2292 45763-2.] ~ USA: Russian Disc RDCD 10 912. I Nov. 1996. Naxos 8.550626. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 5–12 Feb. 1989, I May 1993, G Nov. 1993 ~ Naxos 8.505017 (in five-disc set of Symphonies). I 1993. Deutsche Grammophon 431 688-2GH. Gothenberg Symphony Orchestra, Neeme JÄRVI. P Gothenberg Oct. 1990, G Sept. 1991 ~ Deutsche Grammophon 459 415-2GTA2 (two-disc set). I Jan. 1999. Decca 436 760-2. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Apr. 1992, I Oct. 1994. Finland: Ondine ODE 846-2. Helsinki Philharmonic Orchestra, James DEPREIST. P Oct. 1993 (movements 2–4) and May 1994 (1st movement), I May 1996, G Feb. 1997. Denon CO 78968. Vienna Symphony Orchestra, Eliahu INBAL. P 27–30 Apr. 1994, G Apr. 1996.

456

D M I T R I SHOSTA K OVIC H C A TA LO GUE

*Netherlands: Brilliant Classics 6275 (eighth in eleven-disc set). WDR Symphony Orchestra, Rudolf BARSHAI. P Cologne 11–15 Sept. 1995, I Dec. 2001. Germany: Arte Nova 74321 63649-2. SWR Symphony Orchestra, Michel GIELEN. P Baden-Baden 12–13 Sept. 1995, G Nov. 1999. Teldec 0630-17046-2 (in twelve-disc set of Symphonies). London Symphony Orchestra, Mstislav ROSTROPOVICH. P London Jan. 1995, G Oct. 1997 ~ Teldec 4509 95070-2. I Aug. 1999. Chandos CHAN 9585. Russian State Symphony Orchestra, Valeri POLYANSKY. P Mar. 1996, Feb. 1998. **Angelok1 ANG-CD 9916. Deutsche Symphony Orchestra, Vakhtang JORDANIA. [Op. 10.] P Berlin Radio Studio 10 Jan. 2000, I 2002. Germany: Capriccio 71 037 (Hybrid SACD). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. P Cologne studio 20–25 Oct. 2003, I Aug. 2005. EMI Classics 3 35994-2. Bavarian Radio Symphony Orchestra, Mariss JANSONS. [Op. 14.] P Munich 26–28 June 2004, I Nov. 2005, G Feb. 2006. Dunelm Records DRD 0234. London Shostakovich Orchestra, Christopher COX. [Op. 126.] P St Cyprian’s Church, London concert 13 Nov. 2004. BIS BIS-SACD 1563 (Hybrid SACD). Netherlands Radio Philharmonic Orchestra, Mark WIGGLESWORTH. [Op. 70.] P Dutch Radio & Television Studio, Hilversum Apr. 2005, I Aug. 2007, G Dec. 2007. Arts 47705-8 (Hybrid SACD). Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. P Auditorium di Milano concert July 2005, I 2006. Supraphon SU 38902 (on first of ten-disc set). Prague Symphony Orchestra, Maksim SHOSTAKOVICH. [Op. 10.] P Smetana Hall, Prague concert 8–9 Mar. 2006, G Nov. 2006. Germany: Musikproduktion Dabringhaus und Grimm MDG 337 1206-2 (CD) and MDG 937 1206-6 (SACD). Beethoven Orchestra, Roman KOFMAN. [Op. 14.] P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 15–18 May 2006, I Feb. 2007. Notes: The 1984 Mravinsky recordings are identical although the USA disc is dated 29 April. Mravinsky and his orchestra used to perform the same programme on consecutive days and it is not known whether this concert refers to the 29 or 30 April 1984. See Fumico Hitotsuyanagi’s article ‘The New Face of the Twelfth Symphony’ in DSCH Journal No. 13 in which she exposes a coded threenote motif on Stalin’s initials (‘E flat, B flat, C’ = ‘Es, B, C’ in German notation = ‘Yos.V.S.’).

SANS OP. V: SONGS AND DANCES OF DEATH (MUSSORGSKY)

457

Sans op. V: Songs and Dances of Death (Mussorgsky) Form: Orchestration of Modest Mussorgsky’s song cycle for voice and piano, written in 1875 (Nos. 1, 2, and 3) and 1877 (No. 4) to poems by Count Arseni Golenishchev-Kutuzov, for symphony orchestra (with harp): 1. 2. 3. 4.

Lullaby—Lento doloroso Serenade—Moderato Trepak—Lento assai Tranquillo The Warrior Captain (or ‘The Field Marshal’)—Vivo-alla guerra

Instrumentation: 2 flutes (II = piccolo), 2 oboes, 2 clarinets (A and B flat; II = bass clarinet), 2 bassoons (II = contrabassoon) ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals, gong ~ harp ~ 1st violins (12–16), 2nd violins (10–14), violas (8–12), cellos (8–12), double-basses (6–10 five-string specified). Composed: Orchestrated on 31 July 1962, at Solotcho village near Ryazan. Dedication: Galina Pavlovna Vishnevskaya (soprano). Première: 12 November 1962, Gorky (now Nizhni Novgorod); Galina Vishnevskaya, Gorky Philharmonic Orchestra, Mstislav Rostropovich. Arrangement: English translation of the poems by Joan Pemberton Smith. Music: Handwritten copy of the score preserved at TsGALI. Score and parts stored at the Music Fond of USSR. Muzyka, No. 3362, 1966, full score, 29 cm. [Muzyka, Leningrad, No. 2441 (in album M. Mussorgsky: Selected Romances and Songs, 2nd edition), 1979, Nos. 1–4 in original voice and piano version, 30 cm.] DSCH Publishers, Moscow, full score in Volume 146 of New Collected Works. Duration: 18' 29"–22' 59". Recordings: CD—BMG Melodiya 74321 53237-2. Complete cycle. Galina VISHNEVSKAYA (soprano), Gorky Philharmonic Orchestra, Mstislav Rostropovich. P Gorky concert 9 Feb. 1963, I 1998. LP—USSR: Melodiya D021567-8 (mono) Nos. 1, 2, and 3. Aleksandr VEDERNIKOV (bass), Bolshoi Theatre Orchestra, Mark Ermler. P 1968. LP and CD—HMV ASD 3436 (quad). Complete cycle. G. VISHNEVSKAYA (soprano), London Philharmonic Orchestra, M. Rostropovich. P 1977, G Feb. 1978. Reissued on CD—EMI CMS5 65716-2 (three-disc set). I Nov. 1995, G Sept. 1996 ~ *EMI Great Recordings of the Century 5 62653-2. [Rimsky-Korsakov and Tchaikovsky.] G Awards (Oct.) 2003. CD—France: Auvidis Valois V 4623. Complete cycle. Dmitri PETKOV (bass), Lorraine Philharmonic Orchestra, Jacques Houtmann. P Pont-a-Mousson Oct. 1988, I 1990.

458

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—USSR: Melodiya SUCD10 00139 (No. 43 in series ‘Anthology of Russian Symphonic Music’). Complete cycle. Irina ARKHIPOVA (mezzo-soprano), USSR Symphony Orchestra, Yevgeni Svetlanov. P 1989, I 1991a. Reissued on CD—USA: Moscow Studio Archives MOS 20019. [Mussorgsky/Ravel.] I 2004. CD—RCA Victor Red Seal RD 60195. Complete cycle. Sergei LEIFURKUS (baritone), Royal Philharmonic Orchestra, Yuri Temirkanov. P Walthamstow 1 Mar. 1990, 1 Nov. 1990, G Mar. 1992. Deutsche Grammophon 437 785-2GH. Complete cycle. Brigitte FASSBÄNDER (mezzo-soprano), Gothenburg Symphony Orchestra, Neeme Järvi. P Gothenburg May 1992, I Oct. 1993, G Feb. 1994. Philips 438 872-2PH. Complete cycle. Dmitri HVOROSTOVSKY (baritone), Kirov Orchestra, Valery Gergiev. P St Petersburg Jan. 1993 ~ Decca 475 7643 (‘Dmitry Hvorostovsky Portrait’, second of two-disc set). [Handel, Gluck, Vivaldi et al.] I June 2006. Sony Classical SK 66276. Complete cycle. Anatoli KOCHERGA (bass), Berlin Philharmonic Orchestra, Claudio Abbado. P Berlin 7–30 Nov. 1993, I Dec. 1994. EMI CDC5 55232-2. Complete cycle. Robert LLOYD (bass), Philadelphia Orchestra, Mariss Jansons. [Op. 93.] P Philadelphia Mar. 1994, I Mar. 1995, G June 1995. Decca 458 919-2DH. Complete cycle. Sergei ALEKSASHKIN (bass), Duain Wolfe (chorus-master), Chicago Symphony Orchestra, Sir Georg Solti. P Chicago 20–29 Mar. 1997, I Oct. 1998, G May 1999 ~ *Australia: Decca Eloquence 442 8235 (two-disc set). [Op. 113; Musorsky/Rimsky-Korsakov.] I 2007. **Warner Classics 2564-62050-2. Complete cycle. Dmitri HVOROSTOVSKY (baritone), St Petersburg Philharmonic Orchestra, Y. Temirkanov. [Rakhmaninov.] P Royal Albert Hall, London concert, 24 Aug. 2004, I 2005. Notes: See the essay ‘Mussorgsky and Shostakovich’ by Laurel E. Fay in Malcolm H. Brown’s Mussorgsky: In Memoriam, 1881–1981. Nesterenko spoke to Shostakovich in the spring of 1975 about the difficulties that faced singers performing this vocal cycle. Mussorgsky intended to write a two-part album, but wrote only three songs for a medium voice in the first part—‘Lullaby’, ‘Serenade’, and ‘Trepak’—and one, ‘The Warrior Captain’ for high voice in the second part. A mezzo-soprano copes with the high tessitura in the last song with some difficulty. It is possible to transpose the first three a tone lower to suit a bass or contralto with little change to the instrumentation but then the score of the fourth cannot be transposed without altering the instrumentation. Shostakovich agreed he would adapt ‘The Warrior Captain’ to suit a medium voice but unfortunately he was not

O PU S 113: SYMP HONY NO. 13 IN B FL AT MIN OR

459

destined to make the change. (Nesterenko, Thoughts About My Profession, Iskusstvo, Moscow, 1984).

Opus 113: Symphony No. 13 in B flat minor Form: Symphony, subtitled Babi Yar, for bass soloist, bass choir, and full orchestra (with 2–4 harps and piano), to settings of Yevgeni Yevtushenko’s poems, in five movements: 1. 2. 3. 4. 5.

Babi Yar—Adagio Humour—Allegretto In the Store—Adagio attacca Fears—Largo attacca A Career—Allegretto

Instrumentation: piccolo, 2 flutes, 3 oboes (III = cor anglais), 3 clarinets (B flat and A; III = E flat and bass), 3 bassoons (III = contrabassoon) ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, castanets, wood block, tambourine, side drum, whip, cymbals, bass drum, gong ~ bass soloist, choir of 40–100 bass voices ~ 1st violins (16–20), 2nd violins (14–18), violas (12–16), double-basses (10–14 five-string specified). Composed: The piano and full scores of Babi Yar completed on 27 March and 21 April 1962 respectively. Originally intended as a one-movement symphonic poem. Subsequently four more movements were written and these were dated 5, 9, 16, and 20 July 1962. The poem ‘Babi Yar’ was published in Literaturnaya gazeta, 19 September 1961. Nos. 2, 3, and 5 were selected by the composer from Yevtushenko’s collection A Wave of the Hand published in Moscow in early 1962. ‘Fears’ was specially written at the composer’s request and published in Komsomolskaya pravda, 21 November 1962. Revision of the first movement Babi Yar (two four-line passages of the original text changed) in January 1963. Premières: 18 and 20 December 1962, Moscow Conservatory Bolshoi Hall; Vitali Gromadsky (bass), Republican State and Gnessin Institute Choirs (basses only), Moscow Philharmonic Orchestra, Kirill Kondrashin. Revised version: three mid-February 1963 (on 10, 11, and ?14) concerts in Minsk under conductor Vitali Katayev and on 20 September 1965 at Moscow under Kondrashin. There were no changes to the music in Minsk though the Moscow performance used the revised text and music. USA: 16 January 1970, Philadelphia; Tom Krause (baritone), Philadelphia Orchestra, Eugene Ormandy. UK: 14 September 1971, Liverpool Philharmonic Hall; John Shirley-Quirk (baritone), Royal Liverpool Philharmonic Orchestra and Chorus, Charles Groves.

460

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Transcription: Netherlands: July 1993, Limburg; Henk Smit (bass), Belgian military band and chorus, Norbert Nozy. Arrangements: Reduction for two pianos four hands by the composer. Transcription for military band. English translations of the poems by Valeria Vlazinskaya, and Andrew Hugh; and German, by Jörg Morgener. Music: Autograph full and vocal scores preserved in the Shostakovich Family Archive. The first page of the autograph full score is reproduced in Volume 7 of Collected Works. Muzyka, Leningrad, 1967. [Date of the edition analysed by Anatoli Dmitriev in Sovetskaya simfoniya za 50 let edited by Georgi Tigranov— printed but suppressed?] Edwin F. Kalmus, No. 528, no date, Russian text (revised version), 26.5 cm. Leeds Music (Canada), no number, 1970, Russian words transliterated (original version), 25 cm. Sovetskii kompozitor, No. 2253, 1971, Russian text (revised version), 30 cm. Hans Sikorski, No. 2207, 1981, Russian and German texts—the latter by Jörg Morgener, 21 cm. Muzyka, No. 10280 (Volume 7 of Collected Works), 1984, Russian text (revised version), 30 cm. Muzyka, No. 11688 (in Volume 9 of Collected Works with reductions of Op. 135 and choral sections of Opp. 14 and 20), 1984, vocal score with Russian text (revised version), 30 cm. DSCH Publisher, Moscow, 2007, facsimile of Shostakovich’s manuscipt full score. DSCH Publishers, Moscow, full score in Volume 13 and Shostakovich’s piano score in Volume 28 of New Collected Works. Duration: 56 and approx. 60 minutes in scores; 53' 17"–65' 06". Recordings: CD—USA: Russian Disc RDCD 11 191 (electronic stereo— proved by an engineer using sophisticated equipment in 2003). Original version. Vitali Gromadsky (bass), Republican State and Gnessin Institute Choirs (basses only), Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P Moscow second performance concert 20 Dec. 1962, I Aug. 1993, G Mar. 1994. NB. Fifth movement labelled ‘Quarry’ (sic). LP and CD—USA: Everest SDBR 3181 (electronic stereo). Revised version. V. Gromadsky (bass), RSFSR Academic Russian Choir, Aleksandr Yurlov (chorus-master), Moscow Philharmonic Orchestra, K. KONDRASHIN. P Moscow concert 20 Sept. 1965, G Nov. 1967. Reissued on CD—Moscow State Conservatory SMC CD 0018 (mono). P date not 1963 as stated nor 20 Nov. 1965 as claimed by Everest, I 1997. USSR: Melodiya CM 02905-6. Revised version. Artur Eizen (bass), RSFSR Academic Russian Choir, A. Yurlov (chorus-master), Moscow

O PU S 113: SYMP HONY NO. 13 IN B FL AT MIN OR

461

Philharmonic Orchestra, K. KONDRASHIN. P between 20 and 26 September 1965 (not P 1971 as given in the first and second editions), I 1972 ~ HMV Melodiya ASD 2893. G Apr. 1973 ~ Germany: Melodia Eurodisc 87 623 XPK (in thirteen-record box set). I 1974 ~ HMV Melodiya BOX 502511 in Set SLS 5025. G Dec. 1975 ~ USSR: Melodiya CM 02905-6 (in second box of Part 1 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (tenth in twelve-record box set, DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1007-8 (in Box 4 of five two-disc sets). G May 1989 ~ BMG Classics Melodiya 74321 19842-2.1 July 1994, G Nov. 1994. CD—Italy: Memories HR 4101 (digitally remastered stereo). Labelled as ‘Rhythmic Version by Massimo Binazzi’. Ruggero, Raimondi (bass), Rome RAI Symphony Orchestra and Male Chorus, Gianni Lazzari (chorusmaster), Riccardo MUTI. P Rome concert 31 Jan. 1970. LP and CD—USSR: Melodiya CM 02905-6. Revised version. A. Eizen (bass), RSFSR Academic Russian Choir, A. Yurlov (chorus-master), Moscow Philharmonic Orchestra, K. KONDRASHIN. P 1971, I 1972 ~ HMV Melodiya ASD 2893. G Apr. 1973 ~ HMV Melodiya BOX 502511 in Set SLS 5025. G Dec. 1975 ~ USSR: Melodiya CM 02905-6 (in second box of Part 1 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (tenth in twelve-record box set, DMM). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1007-8 (in Box 4 of five two-disc sets). G May 1989 ~ BMG Classics Melodiya 74321 19842-2. I July 1994, G Nov. 1994. LP—USA: RCA Red Seal LSC 3162. Original version. Tom Krause (baritone), Male Chorus of the Mendelssohn Club, Robert E. Page (chorusmaster), Philadelphia Orchestra, Eugene ORMANDY. P Jan. 1970 ~ RCA Red Seal SB 6830. G June 1970 ~ RCA Red Seal RL 01284 (in three-record box set). G Nov. 1978. [CBS 65052. Poem ‘Babi Yar’ (original version) read in George Reavey’s English translation by Lawrence Ferlinghetti and in Russian by Yevgeni Yevtushenko. San Francisco and New York poetry concerts. P early 1972.] LP and CD—HMV ASD 3911. Original version. Dimiter Petkov (bass), Male voices of the London Symphony Chorus, Richard Hickox (chorusmaster), London Symphony Orchestra, André PREVIN. P 5–6 July 1979, G Apr. 1981~ Germany: Audiophile Alto/HMV ASD 3911. I limited LP reissue on 180g. vinyl 1995. Reissued on CD—EMI Classics Double Forte CZS5 73369-2 (two-disc set). I May 1999, G Aug. 1999. LP—Philips LP 6514 120 (digital). Original version. John Shirley-Quirk (baritone), Bavarian Radio Male Chorus and Symphony Orchestra, K. KONDRASHIN. P Munich concert Dec. 1980, G Apr. 1982. LP and CD—Decca 414 410-1DH2 (3 sides in two-record box set, digital). Original version. Marius Rintzler (bass), Male voices of the

462

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Concertgebouw Orchestra Choir, Concertgebouw Orchestra, Bernard HAITINK. P Amsterdam 14–15 Oct. 1984, G May and Sept. 1986. Reissued on CD—Decca 417 261-2DH. G May 1986 ~ Decca Ovation 425 073-2DM. I Aug. 1993, G Nov. 1993 ~ London Compact Disc 444 439-2 (ninth disc in eleven-disc set). I June 1995. USSR: Melodiya A10 00285 000 (3 sides in double album, digital). Original version. Anatoli Safiulin (bass), Basses of the Yurlov Republican Russian Choir, Stanislav Gusev (chorus-director), Veniamin Kapitonov and Vladimir Sorokin (chorus-masters), Aleksandr Suptel (violin), Olga Mnozhina (viola), Vasili Gorbenko (tuba), Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. [22-minute talk ‘Yevgeni Yevtushenko narrates his reminiscences’ recorded in 1987.] P Moscow Aug. 1985, I 1988c. Reissued on CD—Olympia OCD 132. I Nov. 1988, G May 1989 ~ Olympia OCD 5006 (in Vol. 2 five-disc set of symphonies.] I Dec. 1990 ~ BMG Melodiya 74321 63460-2 (two-disc set). I Mar. 1999. Chandos ABRD 1248 (digital) and released on CD—CHAN 8540. Original version. Nikita Storojev (bass); Men of the CBSO Chorus, City of Birmingham Choir, and University of Warwick Chorus; City of Birmingham Orchestra, Okko KAMU. P Birmingham 9–10 Jan. 1987, G Dec. 1987. LP—Virgin V 2536 (‘Testimony Motion Picture Soundtrack’). Abbreviated original version first movement sung in English. John Shirley-Quirk (baritone), The Golden Age Singers, London Philharmonic Orchestra, Rudolf BARSHAI. P1987, I 1988. CD—Erato Nouveau BCD 75529. Original version. Nicola Ghiuselev (bass), Men of the Choral Arts Society of Washington, National Symphony Orchestra, Mstislav ROSTROPOVICH. P Kennedy Center, Washington Jan. 1988, G June 1989 ~ Teldec 0630-17046-2 (in twelve-disc set of Symphonies.] G Oct. 1997. Naxos 8.550630. Revised version. Peter Mikulas (bass), Slovak Philharmonic Chorus, Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 22–28 Nov. 1990, I Jan. 1993, G Nov. 1993 ~ Naxos 8.506003 (in six-disc set). I 1993. NB. Surprisingly for 1990 this recording uses the revised sung texts though the disc’s booklet prints the original version. Koch Schwann 3 1393-2H1. John Shirley Quirk (baritone), Düsseldorf Musikverein Chorus, Hartmut Schmidt (chorus-master), Düsseldorf Symphony Orchestra, David SHALLON. P Düsseldorf concert Feb. 1991, G Aug. 1995. Teldec 4509 90848-2. Sergei Lieferkus (baritone), Men of the New York Choral Artists, Joseph Flummerfelt (chorus-master), New York Philharmonic Orchestra, Kurt MASUR. [Recitations by Yevgeni Yevtushenko of ‘Babi Yar’ and ‘The Loss’.] P New York concert Jan. 1993, I Apr. 1994, G Oct. 1994.

O PU S 113: SYMP HONY NO. 13 IN B FL AT MIN OR

463

Denon CO 75887. Robert Holl (bass), Chorus Viennensis, Guido Mancusi (chorus-master), Vienna Symphony Orchestra, Eliahu INBAL. P Vienna concert 13–17 May 1993, I Apr. 1994, G Sept. 1994. Czech: Supraphon SU 0160-2. Peter Mikuláš (bass), Male Choirs of the Prague Philharmonic and Pavel Kühn Mixed Choir, Prague Symphony Orchestra, Maksim SHOSTAKOVICH. P Prague concert 1 Feb. 1995, G Apr. 1996 ~ Supraphon SU 38902 (tenth of ten-disc set). G Nov. 2006. Sony Classical St Petersburg Classics SMK 66591. Sergei Baikov (bass), Estonia National Male Voice Choir, St Petersburg Camerata Orchestra, Lithuanian Chamber Orchestra, Saulius SONDETSKIS. P Vilnius July 1995, G July 1995. Decca 444 791-2DH. Sergei Aleksashkin (bass), Duain Wolfe (chorusmaster), Sir Anthony Hopkins (narrator), Chicago Symphony Chorus and Orchestra, Sir Georg SOLTI. Poems read in English before each movement. P Chicago concerts 23–26 Feb. 1995 and narration taped in studio, G Aug. 1995 ~ *Australia; Decca Eloquence 442 8235 (two-disc set). [Sans op. V; Mussorgsky/Rimsky-Korsakov.] I 2007. Deutsche Grammophon 449 187-2GH. Anatoli Kotscherga (bass), National Male Chorus of Estonia, Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg Nov. 1995, I Jan. 1997, G June 1997 ~ *Deutsche Grammophon 474 469-2 (two-disc set). [Opp. 135 and 141.] I May 2003. Chandos CHAN 9690. Ayik Martyrosyan (bass), Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valeri POLYANSKY. P Moscow Conservatory Nov. 1996, I Nov. 1998. BBC Proms BBCP 1002-2. S. Leiferkus (baritone), Leeds Festival Chorus, Huddersfield Choral Society, BBC Philharmonic, Vassili SINAISKY. P Proms concert 21 Aug. 1998, G Nov. 1999. **Netherlands: Het Residentie Orkest RO 100 (three-disc set). Sergei Aleksashkin (bass), Nederlands Concertkoor, Het Residentie Orkest, Den Haag, Gennadi ROZHDESTVENSKY. [Brahms and Tchaikovsky.] P Dr Anton Philipszaal, The Hague concert 8 Nov. 1998, I 2004. Netherlands: Brilliant Classics 6275 (ninth in eleven-disc set of symphonies). Sergei Aleksashkin (bass), Choral Academy of Moscow, WDR Symphony Orchestra, Rudolf BARSHAI. P Cologne 11–14 Sept. 2000, I Dec. 2001 ~ Regis RRC 1102. I Jan. 2003. Japan: UCCD 1186. Sergei Koptchak (bass), Tokyo Nikikai Chorus, Takanori Egami (chorus-master), NHK Symphony Orchestra, Vladimir ASHKENAZY. P NHK Hall, Tokyo concert 19 Oct. 2000. Avia AV 2096. Gidon Saks (bass), Royal Philharmonic Chorus (men’s voices) and Orchestra, Gerard SCHWARZ. [Rakhmaninov.] P Liverpool Philharmonic Hall concert 20 and 22 Mar. 2003, I Oct. 2006, G Jan. 2007.

464

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Germany: Capriccio 71 038 (Hybrid SACD). Arutyan Kotchinian (bass), Prague Philharmonic Chorus, Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. P Cologne studio 20–24 Jan. and 13–17 July 2004, I Aug. 2005. EMI Classics 5 57902-2. S. Aleksashkin (bass), Bavarian Radio Symphony Orchestra and Chorus, Mariss JANSONS. P Munich 12–15 Jan. 2005, I Mar. 2005. Sweden: BIS BIS-ACD 1543. Jan-Hendrik Rootering (bass), Netherlands Radio Choir and Philharmonic Orchestra, Mark WIGGLESWORTH. P Music Centre for Dutch Radio & Television, Hilversum 10–11 Apr. 2005, I 2006. Germany: MDG 937 1205-6 (SACD) and 337 1205-6 (CD). Taras Shtonda (bass), Beethoven Orchestra of Bonn, Czech Philharmonic Choir of Brno, Roman KOFMAN. P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 28–30 Nov. 2005. Arts Music 47708-8 (Hybrid SACD). Pavel Kudinov (bass), Orchestra Sinfonica e Coro Sinfonico di Milano ‘Giuseppe Verdi’, Erina Gambarini and Ruben Jais (chorus-masters), Oleg CAETANI. P Auditorium di Milano concert May 2006, I Oct. 2006 Relief CR 991081. Sergei Aleksashkin (bass), Moscow Chamber Choir, Vladimir Minin (chorus-master), Tchaikovsky Symphony Orchestra, Vladimir FEDOSEYEV. [Yevtushenko speaking.] P Moscow Conservatory Bolshoi Hall concert 14 Oct. 2006, I 2008. Notes: The melodies of two Burns’ settings from Opus 62 appear in this symphony. The theme of ‘O, Wert Thou in the Cauld Blast’ is quoted at fig. 13 in the first movement. For the significance of this quotation in the ‘Anne Frank episode’ see Shostakovich Reconsidered, 603–04. The music of ‘Macpherson before his Execution’ is used fittingly between figs 51 and 62 in the second movement, when Humour breaks into a dashing dance and goes to his execution as a political prisoner. The difficulties experienced prior to the première of the Thirteenth Symphony are expounded in the article ‘Kondrashin on Shostakovich’ in DSCH Newsletter XVIII and Yevgeni Yevtushenko writes twelve pages on ‘Babi Yar—the Most Dangerous Symphony’ in DSCH Journal No. 15. Galina Vishnevskaya throws new light on this symphony in her 1985 book Galina: A Russian Story.

Opus 114: Katerina Izmailova Form: Revised version of the four-act opera Lady Macbeth of Mtsensk District, Opus 29. New symphonic interludes between Scenes 1 and 2 and Scenes 7 and 8, changes made in Scene 3, minor revisions to the vocal lines, and

OP U S 114: K A TERIN A IZMAIL OVA

465

the eradication of the cruder passages of the libretto (undertaken by Isaak Glikman at the request of the composer in March–April 1955). Instrumentation: As Opus 29 with side drum militare and whip not specified and one less cornet in the off-stage band. Composed: March 1955–31 January 1963. Revisions to the four acts completed on 24 December 1962; 9, 24, and 31 January 1963 respectively. Some changes introduced into the score after the première. Premières: Opera—8 January 1963, Moscow Stanislavsky and NemirovichDanchenko Theatre; décor by Iosif Sumbatashvili, produced by Lev Mikhailov, and conducted by Gennadi Provatorov; principal roles—Eleonora Andreyeva (Katerina), Gennadi Yefimov (Sergei), Eduard Bulavin (Boris), and M. Shchavinsky (Zinovi). [Unofficial premiere on 26 December 1962.] UK: 2 December 1963, Covent Garden, London; Marie Collier (Katerina), Charles Craig (Sergei), Otakar Kraus (Boris), Edward Downes (conductor). Produced by Vlado Habunek with décor by Božidar Rasicˇa—both invited from Zagreb. UK revival: 20–24 July 2006, London Coliseum; Olga Sergeyeva/Larissa Gogolevskaya (Katerina), Oleg Balashov (Sergei), Gennadi Bezzubenkov (Boris), Mariinsky Theatre Orchestra, Valery Gergiev. Décor by Irina Molostova. Excerpts—Scotland: Katerina’s Arias from Acts 1 and 4: 26 August 1962, Edinburgh Festival, Usher Hall; Galina Vishnevskaya, London Symphony Orchestra, Igor Markevitch. Suite Nos. 1, 2, 5, and 4: 4 September 1962, Edinburgh Festival, Usher Hall; Barry, Ostlere and Shepherd Brass Band, John Faulds (conductor); Philharmonia Orchestra, Gennadi Rozhdestvensky. NB. The orchestra was not the Edinburgh Philharmonic and the wind band name is incorrectly given in New Collected Works Volume 69, page 187. Suite Nos. 1, 2, 5, and 4: 5 November 1972, Perth City Hall; Perth Symphony Orchestra, John McLeod. Incorrectly billed as the first concert version in Great Britain. Prelude—Opus 114b: 25 November 2004, Winnipeg, Canada; Winnipeg Symphony Orchestra, Andrei Boreyka. Arrangements: Opuses 29/114a—Suite of Five Interludes, compiled by the composer, for large orchestra (with 2 harps and a 14-piece brass ensemble). Nos. 2, 4, and 5 correspond, with several differences, to Nos. 1, 5, and 4 of Opus 29a. In some performances a soprano aria replaces the orchestral No. 2. The prominent xylophone part in No. 2 is eliminated in the composer’s final version, the score of which bears a copyists stamp of 3 June 1970. 1. Entr’acte between 1st and 2nd Scenes—Allegretto 2. Entr’acte between 2nd and 3rd Scenes—Allegro con brio

466

D M I T R I SHOSTA K OVIC H C A TA LO GUE

3. Entr’acte between 4th and 5th Scenes (Passacaglia)—Largo 4. Entr’acte between 6th and 7th Scenes—Allegretto 5. Entr’acte between 7th and 8th Scenes—Presto Opus 114b—Interlude No. 4, between 6th and 7th Scenes, rewritten at the request of Maksim Shostakovich in the mid-1960s as an independent concert number. The brass band is eliminated and a piccolo trumpet introduced. Five bars are added at the start so that the Interlude could be performed as an independent encore. Opus 114c—Suite of eight orchestral items arranged by James Conlon in 1991: 1. 2. 3. 4. 5. 6. 7. 8.

In the Court of the Izmailovas Dangerous Tension Katerina and Sergei I Passacaglia Katerina and Sergei II The Drunkard Arrival of the Police In Exile

Opus 114d—Katerina Izmailova Symphonic Suite, based on themes from the opera, by Veniamin Basner: 1. 2. 3. 4. 5.

Katerina Father-in-law Night; Ghost Arrest Exile (Prison)

Translation of the libretto: English by Edward Downes, H. B. Partridge, and Julius Rudel; German by Enns Fried; Danish by Holger Boland; Norwegian by Bjørn Larssen; and Swedish by Lars Runsten. Music: Autograph of the full and vocal scores preserved at TsGALI. The first pages of Acts 1 and 4 of the full score and the first page of the vocal score—all of the 1963 editions designated Op. 29/114 by the composer— reproduced in Volumes 20, 21, and 22 respectively of Collected Works. Muzyka, No. 544, 1963, vocal score listed as Opus 29/114 with Russian text and music in copyist’s hand, 520, 29.5 cm. Friends of Covent Garden, 1963; Shenval Press, London, 2nd edition 1964, libretto in English translation and synopsis by Edward Downes, and article by the composer, without music, 48, 20 cm. Hans Sikorski, No. 2129, 1964, German translation by Enns Fried, vocal score arr. Friedrich Buck, 35 cm.

OP U S 114: K A TERIN A IZMAIL OVA

467

Muzyka, No. 964, 1965, vocal score listed as Opus 29/114 with Russian and English texts—the latter by E. Downes, and preface by Lev Lebedinsky, 350, 29 cm. Muzyka, Nos. 2162 and 2162a, 1965, full score with Russian and English texts—the latter by E. Downes, and preface by L. Lebedinsky, in two volumes (Acts 1 and 2, 452; Acts 3 and 4, 260), 30 cm. Muzyka, 1966, libretto only, in Russian, 109, 15 cm. Hans Sikorski, 1973, Danish translation by Holger Boland, vocal score revised by Friedrich Buck, 31.5 cm. Hans Sikorski, 1975, Norwegian translation by Bjørn Larssen, rental only. Hans Sikorski, 1979, Swedish translation by Lars Runsten, rental only. Muzyka, No. 11679 (Volume 22 of Collected Works), 1985, vocal score, 30 cm. Muzyka, Nos. 11693-4 (Volumes 20 and 21 of Collected Works), 1985, full score of two Acts in each, 30 cm. DSCH Publishers, Moscow, 1995, full score and parts of V. Basner’s Symphonic Suite available for hire. DSCH Publishers, Moscow, 2002, New Collected Works Volume 69, full score of the Five Interludes Opus 29/114a and Concert Version Opus 114b, 192, 30 cm. DSCH Publishers, Moscow, full score of the Opera in Volume 58 and piano score in Volume 59 of New Collected Works. Duration: Opera: 2 hrs 41 mins–2 hrs 59 mins. Film: 116–120 minutes. Five Interludes: 16' 30"–17' 59"; 15 minutes (Schirmer). Opus 114d—Katerina Izmailova Symphonic Suite: 46' 27". Films: Katerina Izmailova. Colour film of the opera, directed by Mikhail Shapiro for Lenfilm, 1966. Galina Vishnevskaya in the title role, Chorus and Orchestra of the Shevchenko Opera and Ballet Theatre, Kiev, conducted by Konstantin Simeonov. Première: 25 September 1966. Shown in 1967 at the Cannes International Film Festival and the Aldeburgh and Edinburgh Festivals. Reissued in Japan: Dreamlife Classics Video DVD DLVC 1104. I 2003. RCA Victor Red Seal Laser Disc 781202 and VHS Video 791202 (‘Concert in Berlin’—Op. 29; Tchaikovsky and Schnittke). Entr’actes from Scenes 1–2. Berlin Philharmonic Orchestra, Mstislav Rostropovich. P Philharmonie, Berlin 31 Dec. 1990, I 1992. Recordings: LP—RCA Red Seal RB 16271 (mono) and SB 2141. Katerina’s Aria only. Galina VISHNEVSKAYA (soprano) and Aleksandr Dedyukhin (piano). G Mar. 1962 ~ USA: Time-Life ‘Great Men of Music’ box set STL 568. I 1979. CD—BBC Radio Classics Compact Disc 15656 91832. Katerina’s arias from Act 1 Scene 3 and Act 4. G. VISHNEVSKAYA (soprano), London

468

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Symphony Orchestra, Igor Markevitch. P Edinburgh concert 26 Aug. 1962, I Oct. 1996. BBC Radio Classics 15656 91832. Suite Op. 114a: Nos. 1, 2 (with added xylophone as Op. 29 score), 5, and 4. Barry, Ostlere and Shepherd Brass Band, John Faulds (conductor), Philharmonia Orchestra, Gennadi ROZHDESTVENSKY. P Edinburgh concert 4 Sept. 1962, I Oct. 1996. LP—USSR: Melodiya D013709-16 (8 sides mono) and C0871-8 (8 sides). Eleonora Andreyeva (Katerina), Eduard Bulavin (Boris), Vyacheslav Radzievsky (Zinovi), Gennadi Yefimov (Sergei), Dina Potapovskaya (Aksinya), Vyacheslav Fyodorkin (workman), Vasili Shtefutsa (coachman), Ley Yeliseyev (peasant), Vladimir Popov (janitor), Yevgeni Maksimenko (priest), Mikhail Tyuremnov (clerk), Nikolai Kozlov (worker), Vladimir Generalov (police sergeant), Konstantin Mogilevsky (policeman), Matvei Matveyev (teacher), Georgi Dudarev (old convict), Yevgeni Korenev (sentry), Nina Isakova (Sonyetka), Olga Borisova (woman convict); Chorus and Orchestra of the Stanislavsky and Nemirovich-Danchenko Musical Drama Theatre, Moscow; Gennadi PROVATOROV. P 1963, I 1964 ~ USSR: Melodiya D14451-2 (10" mono) and C989-90 (10"). Arias and scenes from Acts 1 and 4. I 1964-5 ~ USA: Angel Melodiya S 4160 (complete, 6 sides) and S 40022 (excerpts, 2 sides) ~ HMV Melodiya ASD 3204-7 in Set SLS 5050 (four-record box set, with libretto). G Aug. 1976 ~ USSR: Melodiya C0871-8 (in joint first and second box of Collected Works on Records, 8 sides, with libretto). I 1978. CD—Revelation RV 10084. Suite Op. 114a. USSR Ministry of Culture Symphony Orchestra, G. ROZHDESTVENSKY. P 10 Aug. 1965, I Aug. 1997. LP—USSR: Melodiya D018233-4 (mono) and C01359-60. Katerina’s Aria from Act 4. Evelina STOITSEVA (soprano). P 1966. *DVD—Decca 074 3137DH (mono). Principal roles—Galina Vishnevskaya (Katerina), V. Tretyak (Sergei), Aleksandr Vedernikov (Boris), and Vyacheslav Radziyevsky (Zinovi); Kiev Opera Chorus and Orchestra, Konstantin SIMEONOV. P Shevchenko Opera and Ballet Theatre, Kiev 1966, G Feb. 2007. USSR: Melodiya CM 02927-8. Katerina’s Arias from Acts 1 and 4. Svetlana KORETSKAYA (soprano), Stanislavsky and Nemirovich-Danchenko Theatre Orchestra, Dmitri Kitayenko. P 1971, I 1972. USSR: Melodiya CM 04285-6. Katerina’s aria from Act 4. Nina FOMINA (soprano), Bolshoi Theatre Orchestra, Mark Ermler. P 1973, I 1974b ~ USSR: Melodiya C10 06871-2 (‘Bolshoi Theatre Soloists Sing’). I I976d. USSR: Melodiya M10 39657-8 (10" mono). Katerina’s Aria from Act 4. Nadezhda KRASNAYA (soprano) and Nataliya Rassudova (piano). P concert 1973, I 1977d. *USA: Opera d’Oro ODO 1388 (three-disc set, mono). Principal roles— Gloria Lane (Katerina), William Cochran (Sergei), Kari Nurmela (Boris), and

OP U S 114: K A TERIN A IZMAIL OVA

469

Georgi Chokalov (Zinovi); Rome RAI Symphony Orchestra and Chorus, Yuri ARANOVICH. P Rome broadcast concert 29 May 1976, I Apr. 2004. USSR: Melodiya C10 18239008. Entr’acte arr. for wind orchestra. Bolshoi Theatre Wind Orchestra, Vladimir ANDROPOV. I 1983b. LP and CD—USSR: Melodiya C10 21393 004 (five-record box set, synopsis but no libretto). Gizela Tsipola (Katerina), Aleksandr Zagrebelnyi (Boris), Vladimir Gurov (Zinovi), Sergei Dubrovin (Sergei), Oksana Yatsenko (Aksinya), Andrei Ishchenko (workman), Yuri Khomich (coachman), Nikolai Khoruzhy (peasant), Ivan Chornyi (janitor), Georgi Krasulya (priest), Stepan Matveyev (clerk), Vladimir Lositsky (police sergeant), Anatoli Kocherga (old convict), Aleksandr Chulyok-Zagrai (sentry), Galina Tuftina (Sonyetka), Aza Bakanova (woman convict); Chorus and Orchestra of the Kyiv Shevchenko Academic Theatre of Opera and Ballet, Lev Venediktov (chorus-master), Irina Molostova (producer), Stepan TURCHAK. P 1983, I 1985b. Reissued on CD—France: Le Chant du Monde LDC 278 1021-3 (three-disc set, French and English synopses and French libretto). I Oct. 1989, G Jan. 1990. Chandos ABRD 1279 (digital) and released on CD—CHAN 8587. Suite Op. 114a. Scottish National Orchestra, Neeme JÄRVI. P Glasgow 14–17 Apr. 1987, I Mar. 1988, G July 1988. Reissued on CD—Chandos 7000/1 (two-disc set). I Sept. 1994, G May 1995 ~ *Chandos CHAN X 10088 (two-disc set). [Opp. 27a, 96; Sans op. P(i).] I June 2003. CD—Germany: Deutsche Schallplatten DS 1035-2. Suite Op. 114c Nos. 2, 4, 5, and 6 arr. J. Conlon. Bohuslav Martinu˚ Philharmonic Orchestra, Elbert Lechtman STEINBERG. P Ziln, Czech June 1994, I Nov. 1995. Germany: Capriccio 10 780. Suite Op. 114a—not the 1934 version as stated. Cologne Radio Symphony Orchestra, Mikhail YUROVSKY. P Cologne 12–14 Feb. 1996, G Dec. 1999. Japan: Canyon Classics PCCL 00356. Suite Op. 114d arr. V. Basner. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. P Moscow 18 and 19 Apr. 1996. Austria: Calig CAL 50 992. Suite Op. 114d arr. V. Basner. Florian Zwiauer (violin), Wilfried Rehm (cello), Vienna Symphony Orchestra, V. FEDOSEYEV. P Vienna concert 25–27 Feb. 1997, G Apr. 1998. Czech: Supraphon SU 3415-2. Suite Op. 114a Nos. 5, 1–4. Prague Symphony Orchestra, Maksim SHOSTAKOVICH. P Prague concert 2 Mar. 1999, I and G Awards (Oct.) 1999. **USA: Arabesque Z 6764. Suite Op. 114a. San Francisco Opera Orchestra, Donald RUNNICLES. [Britten and Bernstein.] P Davies Symphony Hall, San Francisco 27–29 Aug. 2000, I May 2003. Capriccio 10 892. Suite Op. 114c Nos. 1–8 arr. J. Conlon. Cologne Güerzenich Philharmonic Orchestra, James CONLON. [Op. 77.] P Cologne studio 29 June–3 July 2001, G May 2002.

470

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Notes: The score carries the following ‘Composer’s Note.’ ‘The director of any opera house intending to produce the opera Katerina Izmailova should bear in mind the following: No cuts whatever are permitted. There are in the opera a number of episodes where the soloists, chorus, and the banda perform backstage. The volume of sound should be so regulated that they are well heard in the auditorium. Mutes are not applied to the double-basses, so where all the string parts are marked con sord., but the double-bass part has no such markings, this should not be regarded as a misprint.’ The oddly-named brass band featured in the 1962 première was formed by a Kirkcaldy jute and linoleum company in 1902 and performed successfully until the plant closed in the mid-1960s.

Opus 115: Overture on Russian and Kirghiz Folksongs Form: Occasional overture for orchestra, marked ‘Moderato—Allegro non troppo—Adagio—Allegro—Presto’. The folksongs developed are ‘O, You Tramps’—collected by Aleksandr Medvedev in the Omsk region in 1959; ‘Tyryldan’ (a mythical creature) and ‘Op Maida’ (thresher’s song)—being Nos. 3 and 8 from Viktor Vinogradov’s collection, One Hundred Kirghiz Songs and Tunes, published in Moscow, 1956. Instrumentation: piccolo, 2 flutes, 2 oboes, 2 B flat clarinets, 2 bassoons, contrabassoon ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani, triangle, cymbals ~ 1st violins (16), 2nd violins (14), violas (12), cellos (12), double-basses (10). String strength quoted to be regarded as the minimum. Composed: September 1963, at Repino, in honour of the 100th anniversary of the voluntary incorporation of Kirghizia into the Russian Empire. Premières: 10 October 1963, Moscow Conservatory Bolshoi Hall; USSR Symphony Orchestra, Konstantin Ivanov. 2 November 1963, Theatre of Opera and Ballet, Frunze (now Bishkek), Kirghizia. UK public: 14 December 1972, Glasgow City Hall; Glasgow Orchestral Society, John McLeod. Arrangement: Transcribed for wind orchestra by Guy Dukar. Instrumentation: 2 flutes, 2 oboes, 2 bassoons, 6 clarinets (E flat soprano, 3 B flat, B flat bass, E flat contrabass), 4 saxophones ( 2 alto, tenor, baritone) ~ 4 horns, 3 cornets, 2 trumpets, 3 trombones (2 tenor, 1 bass), euphonium, tuba ~ timpani, triangle, tambourine, cymbal, xylophone ~ string double-bass.

O PUS 115: OV ERTU RE ON RU SSIAN AN D KIRGH IZ

471

This arrangement premièred by the University of Illinois Symphonic Band in 1990. Music: The autograph score, presented to the Central Committee of the Communist Party of Kirghizia by the composer, preserved at the Frunze Museum. Handwritten score and parts stored at the Music Fond of the USSR. Music Fond of the USSR, 1963. Muzyka, No. 3729, 1967, 28.5 cm. Muzyka, No. 11687 (in Volume 11 of Collected Works), 1984, 30 cm. Composers’ Editions, arr. Guy Dukar, DSCH Publishers, Moscow, full score in Volume 35 of New Collected Works. Duration: Approx. 8 minutes in score; 9' 10"–10' 25"; 9 minutes (Sadovnikov). Recordings: CD—Czech: Praga PR 250 040 (mono). Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P Prague broadcast 14 Oct. 1964, G Sept. 1993. LP—USSR: Melodiya CM 02581-2. Moscow Radio Symphony Orchestra, Maksim SHOSTAKOVICH. P 1971 ~ HMV Melodiya ASD 2781. G May 1972. LP and CD—Decca SXDL 7577 (digital). Concertgebouw Orchestra, Bernard HAITINK. P Amsterdam 1 Feb. 1982, G June 1983. Reissued on CD—Decca 411 939-2DH2 (in two-disc set). G Aug. 1985. CD—Deutsche Grammophon 427 616-2GH. Gothenberg Symphony Orchestra, Neeme JÄRVI. P Gothenberg May 1988, I Aug. 1989, G May 1991 ~ Deutsche Grammophon Classikon 469 029-2GCL. G Aug. 2000. Academy Sound and Vision CD DCA 707. Royal Philharmonic Orchestra, Enrique BÁTIZ. P Mitcham 1990, G Sept. 1990 ~ IMG Records IMGCD 1609. I June 1994. *LP—Japan: Sony SRCR 9892. Arr. Dukar. Toyko Kosei Wind Orchestra, Yasuhiko SHIOZAWA. [Op. 63.] P 1991. **CD—Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites—Film Music’, on first of three-disc set). [Sans opp. G(ii), E, and U; Op. 96). National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Sans opp. G(ii), E, and U; Op. 96]. P National Radio Studio, Kyiv 1–8 June and 13–14 July 2004 ~ Brilliant Classics 7096 (Hybrid SACD) [Sans opp. G(ii), E, and U; Op. 96.] I 2005. Centaur CRC 2799. Bohuslav Martinu˚ Philharmonic Orchestra, Jackson LEUNG. [Debussy, Piazzolla, and Barber.] P Dum Umeni, Zhin, Czech Republic 15–18 June 2005, I 2006. Naxos 8.570946. Arr. Dukar. Youngston State University Symphonic Wind Ensemble, Stephen L. GAGE. [Lindroth, Saint-Saens, Colgrass et.al] P Powers Auditorium, Youngston, Ohio 4 Feb. 2006, I 2008.

472

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 116: Hamlet Form: Music for the black-and-white film of William Shakespeare’s tragedy Hamlet, Prince of Denmark, in Boris Pasternak’s Russian translation, directed by Grigori Kozintsev for Lenfilm. Ophelia’s ‘mad’ songs (namely ‘How should I your true love know’, ‘Tomorrow is St Valentine’s Day’, and ‘For bonny sweet Robin is all my joy’) from Chappell 1855–59, sung unaccompanied in the film, were used by Shostakovich in his incidental music (see Ford 2007). Scored for large symphony orchestra (with harp, harpsichord, and piano). Items with tempo indication are included in Volume 42 of Collected Works: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29.

Overture ‘Elsinore’—Largo (No. 1 in the Suite Opus 116a) [Decree of the King] Military Music—Allegro [Numbered No. 2 in Collected Works] [Royal Fanfare] [No. 3 in Collected Works—tempo not stated] Ball at the Palace (No. 2 in the Suite) Story of Horatio and the Ghost—Adagio [Dance of Ophelia] The Ball—Allegretto The Ghost (No. 3 in the Suite) Hamlet’s parting from Ophelia—Andante [Hamlet in thought or Palace Music]—Moderato Hamlet’s monologue: ‘What a piece of work is man!’ Arrival of the Players (No. 6 in the Suite) Hamlet’s soliloquy: ‘Fie upon’t! foh! About my brain’—Moderato non troppo The Presentation Hamlet’s soliloquy: ‘To be, or not to be’—Adagio [Preparation for the spectacle] [Royal fanfare] In the Garden (Court procession) (No. 4 in the Suite) Booth fanfare—Allegro Scene of the Poisoning (No. 5 in the Suite) Flutes—Presto Conscience Hamlet and Gertrude (‘The Ghost in the Queen’s presence’) Hamlet’s soliloquy and scene on board ship Ophelia losing her mind (Song of Ophelia)—Andantino Ophelia’s Insanity—Adagio Death of Ophelia (No. 7 in the Suite) [Song of the Gravedigger]—Moderato non troppo

OPUS 116: H AML ET

[Hamlet’s monologue: ‘Alas, poor Yorick!’]—Largo War March The Duel between Hamlet and Laertes Death of Hamlet (‘The rest is silence’) (No. 8 in the Suite) Funeral of Hamlet




30. 31. 32. 33. 34.

473

Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets (A and B flat), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, whip, bass drum, gong ~ xylophone, celesta, harp, harpsichord, piano ~ strings. Composed: 1963–64, at Moscow, for the occasion of the 400th anniversary celebration of Shakespeare’s birth. Premières: Film first shown on 24 April 1964 in Moscow. Film score performed by the Leningrad Philharmonic Orchestra under Nikolai Rabinovich. Suite Opus 116a: 10 February 1965, Leningrad; concert version. Concert scenario: Hamlet: 26 January 1993, broadcast from the Usher Hall, Edinburgh; Royal Scottish Orchestra, Gennadi Rozhdestvensky. Arrangements: Opus 116a—Suite assembled by Levon Atovmyan in 1964: 1. 2. 3. 4. 5. 6. 7. 8.

Introduction—Largo Ball at the Palace—Presto The Ghost—Largo In the Garden—Moderato ma non troppo Scene of the Poisoning—Largo Arrival and Scene of the Players—Allegro Ophelia—Andante The Duel and Death of Hamlet—Allegro

Reduction for piano of Nos. 4, 7, and 5, each preceded by Hamlet’s motto, by Zinaida Vitkind. Concert scenario: Hamlet. A 32-minute suite of sixteen items culled from Shostakovich’s film and stage scores, Opp. 116 and 32 respectively, by Gennadi Rozhdestvensky, interspersed with fanfares from Aleksandr Varlamov’s incidental music to Hamlet composed in 1837. The numbers arranged in the following order: Opp. 116a Nos. 3 and 2; 116 Nos. 22, 8, 22, 11; 116a No. 6; 116 No. 22; 32a Nos. 3 and 5; 116 No. 16; 116a No. 7; 116, Nos. 10, 26, 27, and 29; 32a No. 11; and 116a No. 8. Side drum and Varlamov trumpet fanfare added to the three sections of the solo flute theme of Op. 116 No. 22. Music: The autograph film score preserved in the Shostakovich Family Archive. Handwritten score deposited at NBGCOK. The first page of the autograph score is reproduced in Volume 42 of Collected Works.

474

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Cramer, Beale & Chappell, London, 1855–59, two volumes, Popular Music of the Olden Times: A Collection of Ancient Songs, Ballads and Dance Tunes, illustrative of the National Music of England, compiled by William Chappell, two volumes, includes Ophelia’s ‘mad’ songs as listed under Form. Music Fund of the USSR, 1964, full score of the Suite. Muzyka, No. 5059, 1968, full score of the Suite, 29 cm. Muzyka, Leningrad, No. 2330 (with Op. 97a), 1978, Suite Nos. 4, 7, and 5 arr. for piano by Z. Vitkind, 28.5 cm. [Originally published in 1967.] Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, fifteen items, 30 cm. DSCH Publishers, Moscow, full film score in Volume 142 of New Collected Works. Duration: Film: 150 minutes. Suite Opus 116a: 26' 40"–35' 46"; 42 minutes (Sadovnikov). Film: Moskwood Video, Haarlem, Netherlands, No. 2644, c.1993, videocassette with Dutch subtitles, 142 minutes. RUS-CICO (Russian Cinema Council) Collection, two-DVD set, PAL, 70 + 70 minutes, 2000. Ballets: Hamlet. V. Kamkov, Kirov Ballet, Leningrad Kirov Theatre, 1969; filmed for television. Hamlet. M. Mnatsakanyan, Petrozavod Musical-Dramatic Theatre, 1971 and Yerevan, 1972. Hamlet. L. Monreal, Boston Ballet, 1975. The Idiot. Valeri Panov, Deutsche Oper Ballet, West Berlin, 15 June 1979. The Storm. André Prokovsky, London Festival Ballet new splinter group, world première at King’s Theatre, Southsea, 27 May 1981. The 40-minute ballet based on Aleksandr Ostrovsky’s play of 1859 choreographed to Shostakovich’s film score. Décor and costumes by Peter Farmer, scenario by John Aitken, with music selected and arranged by John Riley. Recordings: LP and CD—USSR: Melodiya D17691-2 (10" mono). Suite Nos. 1–5, 7 and Score No. 34. Moscow Radio Symphony Orchestra, Nikolai RABINOVICH. P 1964 ~ USA: Cinema Records LP 8003 (mono). Orchestra and conductor uncredited ~ USSR: Melodiya C10 09508-CM 0298 (in fourth box of Part 1 of Collected Works on Records, stereo). I 1978 ~ Germany: Melodia Eurodisc 28665 XHK (on fourth record in four-record film music album). I 1981. *Reissued on CD—Russia: Classound Great Musicians of Palmira Du Nord 2003-5 (mono). [Mozart and Berlioz.] I 2003. Decca Phase 4 PFS 4315. (‘Music from Great Shakespearean Films’). Suite Nos. 1–3, 5, 6, and 8. National Philharmonic Orchestra, Bernard HERRMANN. P London Mar. 1974, G Aug. 1975. Reissued on CD—Unicorn-Kanchana Souvenir UKCD 2066. I Apr. 1994, G Feb. 1995 ~ London 455 156-2LPF. I Oct. 1997.

OPUS 116: H AML ET

475

CD—RCA Victor Red Seal RD 87763. Suite Nos. 1–8. Belgian Radio Symphony Orchestra, José SEREBRIER. P Brussels 1988, I June 1988, G Oct. 1988 ~ RCA Classical Navigator 74321 24212-2. Suite Nos. 1–8. I June 1995 ~ *RCA Red Seal 82876 55493-2. [Op. 47.] G June 2004. Germany: Capriccio 10 298. Suite Nos. 1–8. Berlin Radio Symphony Orchestra, Leonid GRIN. P Berlin Nov. and Dec. 1988, I Feb. 1990. USA: Pro-Arte Fanfare CDD 551 (‘Shostakovich Film Festival’). Suite Nos. 1, 2, 4, 5, and 8. Chicago Sinfonietta, Paul FREEMAN. P Oak Park, Illinois May 1990, I Aug. 1991 ~ Conifer Classic Class 7086. I Nov. 1991. Koch International Classics 37274-2. (‘Shakespearian classics from stage and screen’). Suite Nos. 1, 2, and 4. KBS Symphony Orchestra, Vakhtang JORDANIA. P Seoul, Korea Feb. 1994, G Dec. 1994. Varése Sarabande VSD 5752. Suite Nos. 2 and 8. Royal Scottish National Orchestra, Cliff EIDELMAN. P Glasgow 5–6 Aug. 1996, G Mar. 1997. Denon CO 18004. Score Nos. 26, 27, 29, and 30 arr. for chamber orchestra, I SOLISTI ITALIANI, Edoardo Farina (harpsichord/ piano in Nos. 26, 27, and 30), Alessandro Zucchi (percussion in No. 29), and Daniele Ruggieri (piccolo in No. 29). P Piazzola sul Brenta 9–18 Aug. 1995. NB. ‘Cemetry’ No. 29 is not from Op. 111. Decca 460 792-2DH11. (‘The Film Album’). Score Nos. 1, 11, 5, 8, 19, 3, and 21. Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 6, 19, and 22 May 1998, G Apr. 1999. Monte Carlo: Bel Air Music BAM 2000 (‘Russian Film Music I’). Ball at the Palace. Russian Philharmonic Orchestra, Konstantin KRIMETS. P Moscow Radio Studio Jan 2000. **Naxos 8.557446 and 6.110062 (Hybrid SACD). Complete film score, incorporating Suite Op. 116a. Russian Philharmonic Orchestra, Dmitri YABLONSKY. P Kultura Studio, Moscow 6–14 Feb. 2003, G June 2004. Reissued on DVD—Naxos 5.110062. I 2005. Netherlands: Brilliant Classics 6735 (‘Jazz & Ballet Suites and Film Music’, on third of three-disc set). Rearrangement of Suite Nos. 1–8 (see Notes). National Symphony Orchestra of Ukraine, Theodore KURCHAR. [Op. 97a] P National Radio of Ukraine, Kyiv 1–8 June 2004. Chandos Movies CHAN 10361 (‘The Film Music of Dmitri Shostakovich, Volume 3’). Suite No. 1–5. BBC Philharmonic, Vassili SINAISKY. [Opp. 89, 111, and 75.] P New Broadcasting House, Manchester 12–13 Oct. 2004, I Sept. 2006. Notes: On the film sound-track a harpsichord sounds during ‘The Madness of Ophelia’ (No. 27) whereas on the screen she dances to a lute. Fiona Ford explains the role of Ophelia’s unaccompanied songs in DSCH Journal No. 26 (January 2007), 24–32.

476

D M I T R I SHOSTA K OVIC H C A TA LO GUE

The Kurchar 2004 CD is an anonymous arrangement of the Suite. Nos. 1 and 6 are as Atovmyan’s Op. 116a though the remaining numbers are extensively altered with cuts, the addition of extraneous material and revised endings. See F. Ford’s letter in DSCH Journal No. 26), 68–69.

Opus 117a: Unfinished Quartet No. 9 Form: Unfinished first movement in E flat major, of 225 bars given the opus number 113/I [first movement) and marked Allegretto on the facsimile of the first page reproduced in the DSCH score. Discovered 2003 in the Shostakovich’s Archives by Olga Digonskaya. Composed: Late August 1961 to 3rd or 4th week of June 1962. In a letter to Isaak Glikman dated 18 November 1961 the composer wrote that he had ‘finished the Ninth Quartet, but was very dissatisfied with it so in an excess of healthy self-criticism I burnt it in the stove’. This, however, does not refer to the Unfinished Quartet but a first stab at writing the ‘real’ Ninth Quartet, Op. 117. Premières: 17 January 2005, Moscow Conservatory Bolshoi Hall; Borodin Quartet. France: 15 January and 7 February 2006, Amphithéatre Richelieu de la Sorbonne, Paris; Danel Quartet (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). UK: 15 September 2006, Fitzwilliam College Auditorium, Cambridge; Fitzwilliam Quartet (Lucy Russell, Jonathan Sparey, Alan George, Andrew Skidmore). 23 September 2006, Queen Elizabeth Hall, London; Hagai Shaham, Natalya Lomeiko, Shlomo Mintz, Aleksandr Ivashkin.s Arrangement: Completion of first movement by Roman Ledenyov. Music: DSCH Publishers, Moscow, no number, 2005, score with article by Olga Digonskaya and Olga Dombrovskaya, 29 cm. Recording: **Foghorn Classics ASQ-1991 (in three-disc set). Op. 117a. ALEXANDER STRING QUARTET (Zakarias Grafilo, Frederick Lifsitz, Paul Yarbrough, Sandy Wilson). [Quartets Nos. 8–15 and Op. 87 Nos. 1 and 17.] P American Academy of Arts and Letters, New York City between 13 Nov. 2005 and 22 June 2006. Note: In an October 1962 interview he mentioned that he was writing ‘a children’s piece, about toys and going out to play’, and expected to finish it in two weeks.

Opus 117: Quartet No. 9 in E flat major Form: String quartet in five linked movements: 1. Moderato con moto attacca 2. Adagio attacca

O P U S 117: QU A RTET NO. 9 IN E FL AT MAJ OR

477

3. Allegretto attacca 4. Adagio attacca 5. Allegro Composed: 2–28 May 1964. Completed at Moscow. Dedication: Irina Antonovna Shostakovich (third wife). Premières: 20 November 1964, Moscow Conservatory Malyi Hall and 21 November 1964, Glinka Concert Hall, Leningrad; Beethoven Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). UK: 14 November 1965, Conway Hall, London; Alberni Quartet (Dennis Simons, Howard Davis, John White, and Gregory Baron). Arrangement: Reduction for piano four hands by Anatoli Dmitriev. Music: Autograph score preserved at the TsGALI. Muzyka, No. 1956, 1966, score, 20 cm. Muzyka, No. 1957, 1966, parts, 29 cm. Boosey & Hawkes, No. 793 (plate no. 19520), 1966, score, 19 cm. Boosey & Hawkes, No. 19524, 1966, parts, 29 cm. Muzyka, Leningrad, No. 766 (in Volume 3 with Quartets 10 and 11 arr. for piano four hands by A. Dmitriev), 1967, 29.5 cm. Muzyka, No. 10284 (in Volume 36 of Collected Works Quartets 9–15), 1980, 30 cm. Hans Sikorski, No. 2213, 1980, parts, 31.5 cm. Hans Sikorski, No. 2267 (with Op. 118), 1981, score, 21 cm. DSCH Publishers, Moscow, score in Volume 102 of New Collected Works. Duration: 26 minutes in score; 24' 27"–28' 35"; 25' 00" (Plaistow). Ballet: Front Line. Henri Oguike Dance Company, tour of Britain late February to mid-April 2002. Five dancers performed this 18-minute ballet to live music of the Ninth Quartet played by the ConTemp 4 tet. Recordings: LP and CD—USSR: Melodiya D015683-4 (mono) and C01053-4. BEETHOVEN QUARTET (Dmitri Tsyganov, Nikolai Zabavnikov, Vadim Borisovsky, Sergei Shirinsky). P Feb. 1965—not the première). Reissued on CD—*USA: Consonance Blue Label 81.3009 (‘Complete Quartets, Volume 5’). [Opp. 118 and 122.] I Mar. 1996. LP—USSR: Melodiya D019519-20 (mono) and C01459-60. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1967 ~ HMV Melodiya HQS 1323 in Set SLS 879. G June 1974. LP and CD—Saydisc Amon Ra SAR 1. DARTINGTON QUARTET (Colin Sauer, Malcolm Latchem, Keith Lovell, Michael Evans). P 1973, G May 1973. Reissued on CD—*Amon Ra CD SAR 1. [Op. 83] I Jan. 2007. LP—Finland: HMV 5E 063-35038. VOCES INTIMÆ QUARTET (Jorma Rakhonen, Ari Angervo, Mauri Pietikäinen, Veikko Höylä). P 1974.

478

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—L’Oiseau-Lyre OSLO 30. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P 15–16 Dec. 1977, G Feb. 1979 ~ Decca 188 D5 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on fourth of six-disc set). G June 1992. USSR: Melodiya C10 11615-6 (in first box of Part 2 of Collected Works on Records). TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon) P 1978, I 1980. Reissued on CD—USSR: Melodiya SUCD11 00311. I 1991d. USSR: Melodiya C10 21943 000. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P Moscow Conservatory Bolshoi Hall concert 27 Sept. 1981, I 1985d ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49266-2. I Nov. 1987. I 1990 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997. USSR: Melodiya C10 28483 000. SHOSTAKOVICH QUARTET (Andrei Shishlov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1985, I 1989d. Reissued on CD—Olympia OCD 533 (‘Complete Quartets, Volume 3’). I May 1994, G Sept. 1994. Teldec Classics 244 919-2. BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin Feb. 1989, I Oct. 1989, G May 1990. Reissued on CD—Teldec 9031 71702-2 (on fourth of six-disc set). I Nov. 1990, G June 1992 ~ *Warner Classics Apex 8573 890093-2. [Opp. 108 and 110.] I Aug. 2001. USA: ESS.A.Y. CD 1010. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Jersey City 14–15 May 1990. Reissued on CD—Koch Schwann 310 166 (‘Complete Quartets, Volume 4’). I Dec. 1992. CD—USA: MCA Classics Art & Electronics AED 10212. GEORGIA STATE RADIO QUARTET (Levan Chkheidze, Georgi Khintibidze, Archil Kharadze, Revaz Machabeli). P Moscow concert 2–3 June 1990, I 1991. Netherlands: Etcetera KTC 1182. ELEONORA QUARTET (Eleonora Yakubova, Irina Pavlikhina, Anton Yaroshenko, Mikhail Shumsky). P Moscow Jan. 1994, I Sept. 1994. Naxos 8.550973 (‘Complete Quartets, Volume 2’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sándor Papp, György Éder). P Brussels 14–17 Feb. 1994, I Nov. 1994, G Oct. 1995. Japan: Toshiba EMI TOCE 9306. MORGAUA QUARTET (Eiji Aral, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 23–25 Oct. 1996, I Jan. 1997. *Netherlands: Globe GLO 5181 (‘Complete Quartets, Volume 3’). RUBIO QUARTET (Dirk Van de Velde, Dirk Van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 108 and 133.). P Utrecht Feb. 1998, I Nov. 2001.

O PU S 118: QU A RTET NO. 10 IN A FL AT MAJ OR

479

Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 3’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July 1998, G June 2000. Hyperion CDA 67155. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). P St Petersburg Studio Dec. 2000, I Apr. 2001, G July 2001. Chandos CHAN 9955. SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). (‘Complete Quartets, Volume 3’). P The Mailings, Snape 26–30 Mar. 2001, G Awards (Oct.) 2001. **Belgium: Fuga Libera 512 (‘Complete Quartets—Volume 4’, five-disc set). DANEL QUARTET ( Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 83 and 122.] P Bayerische Rundfunk, Munich 8–11 Oct. 2001, I 2005. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 2’, five-disc set). RUBIO QUARTET (personnel as in 1998). [Opp. 73 and 108.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Arion ARN 68596 (‘Complete Quartets, Volume 4’). DEBUSSY QUARTET (Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier). [Opp. 101 and 122.] P Lyon Nov. 2002, I May 2003. Harmonia Mundi HM 901865. JERUSALEM QUARTET (Aleksandr Pavlovsky, Sergei Bresler, Amichai Grosz, Kyril Zlotnikov). [Opp. 49 and 83.] P Teldex Studio Berlin 15–18 July 2004, I 2005. Oehms Classics OC562 (‘Complete Quartets’, on third of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 108, 110, and 122.] P Musikstudio Saarländischen, Saarbrücken June–Dec. 2005, I July 2006. Germany: Audite AU 92 528 (Hybrid SACD). MANDELRING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola) [Opp. 92 and 108.] P Klingenmünster, Germany 10–12 May 2007.

Opus 118: Quartet No. 10 in A flat major Form: String quartet in four movements: 1. 2. 3. 4.

Andante Allegretto furioso Adagio attacca Allegretto—Andante

Composed: 9–20 July 1964, at Dilizhan Composers’ Retreat, Armenia. Dedication: Mieczysław Samuilovich Weinberg (composer). Premières: 20 November 1964, Moscow Conservatory Malyi Hall and 21 November 1964, Glinka Concert Hall, Leningrad; Beethoven Quartet

480

D M I T R I SHOSTA K OVIC H C A TA LO GUE

(Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, and Sergei Shirinsky). ‘Western World’; 1965, Weller Quartet recording. UK: 3 April 1966, Conway Hall, London; Alberni Quartet (Dennis Simons, Howard Davis, John White, and Gregory Baron). Arrangements: Opus 118a—’Symphony for Strings’; for string orchestra by Rudolf Barshai. Reduction for piano four hands by Anatoli Dmitriev. Music: Autograph score preserved at TsGALI. Muzyka, No. 2264, 1965, parts, 31 cm. Muzyka, No. 2265, 1965, score, 20 cm. Muzyka, 1966, parts, 29 cm. Musica Rara, No. 1089, 1966, parts, 31 cm. Musica Rara, No. 1094, 1966, score, 18.5 cm. Muzyka, Leningrad, No. 766 (in Volume 3 with Quartets 9 and 11 arr. for piano four hands by A. Dmitriev), 1967, 29.5 cm. Hans Sikorski, 1968, ‘Symphony for Strings’ arr. R. Barshai, parts available for hire, 31.5 cm. Muzyka, No. 10284 (in Volume 36 of Collected Works Quartets 9–15), 1980, 30 cm. Hans Sikorski, No. 2214, 1981, parts, 31.5 cm. Hans Sikorski, No. 2267 (with Op. 117), 1981, score, 21 cm. DSCH Publishers, Moscow, 1995, full score and parts of R. Barshai’s instrumentation available for hire. DSCH Publishers, Moscow, score in Volume 103 of New Collected Works. Duration: 22 minutes in score; 21' 21"–24' 46"; Opus 118a—24' 57"–26' 31". Recordings: LP and CD—USSR: Melodiya D015683-4 (mono) and C01053-4. BEETHOVEN QUARTET (Dmitri Tsyganov, Nikolai Zabovnikov, Vadim Borisovsky, Sergei Shirinsky). P Feb 1965—not the première), I 1964. Reissued on CD—*USA: Consonance Blue Label Disc 81.3009 (‘Complete Quartets, Volume 5’). [Opp. 117 and 122.] I Mar. 1996. LP—Decca LXT 6196 (mono) and SXL 6196. WELLER QUARTET (Walter Weller, Alfred Staar, Helmut Weis, Ludwig Beinl). P 1964, G Nov. 1965 ~ USA: London STS 15287. I 1976. *Reissued on CD—475 6796 7 DC8 (‘Weller Quartet 1964–70’, on eighth of eight-disc set). [Berg.] I 2005. USSR: Melodiya D019211-2 (mono) and C01443-4. BORODIN QUARTET (Rostilav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1967 ~ USA: Seraphim Melodiya S 6035 (in three-record box set) ~ HMV Melodiya HQS 1324 in Set SLS 879. G June 1974. Pye GGC 4104 (mono) and GSGC 14104. AMICI QUARTET (Lionel Bentley, Michael Jones, Christopher Wellington, Peter Hailing). P 1967, G Mar. 1968 ~ Precision Records & Tapes GSGC 2608. I 1983

O PU S 118: QU A RTET NO. 10 IN A FL AT MAJ OR

481

*East Germany: Eterna 8 26 017. NOVÁK QUARTET (Antonin Novák, Duöan Pandula, Josef Podjuki, Jaroslav Chovanec). [Op. 57.] P Lukaskirche, Dresden 4 July 1967 or 3 Apr. 1968, I 1970. LP and CD—L’Oiseau-Lyre OSLO 30. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P 15–16 Dec. 1976, G Feb. 1979 ~ Decca 188 D5 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on fourth of six-disc set). G June 1992. USSR: Melodiya C10 11615-6 (in first box of Part 2 of Collected Works on Records). TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P 1978, I 1980. Reissued on CD—USSR: Melodiya SUCD11 00310. I 1991d. USSR: Melodiya C10 17579-80. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1981, I 1983a. Reissued: HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49269-2. I Nov. 1987, G Sept. 1988 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997. Phoenix DCS 1038 (digital). Symphony for Strings arr. R. Barshai. Phoenix Chamber Orchestra, Julian BIGG. P London Dec. 1983, G Aug. 1984. Reissued on CD—Trax Classique TRX-CD 110. G Sept. 1987. Chandos ABRD 1155 (digital). Arr. R. Barshai. I Musici de Montréal, Yuli TUROVSKY. P Montreal 5–6 Aug. 1985, I Jan. 1986, G May and July 1986. Reissued on CD—Chandos Enchant CHAN 7061. I July 1997 ~ Chandos Collect CHAN 6617. I July 2000, G Feb. 2001 ~ *Chandos CHAN 8443. [Opp. 35 and 102.] G Sept. 2004. CD—Olympia OCD 534 (‘Complete Quartets, Volume 4’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1985, I May 1994 ~ Classic CD 51. First movement. USA: Centaur CRC 2034. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P 1986, I Nov. 1988, G June 1989. Deutsche Grammophon 429 229-2GH. Symphony for Strings arr. Barshai. Chamber Orchestra of Europe, Rudolf BARSHAI. P Berlin Mar. 1989, G May 1990 ~ *Deutsche Grammophon 477 5442 (two-disc set). [Opp 110a, 83a, 73a, and 141a; Schnittke.] G Dec. 2005. Teldec 9031 71702-2 (on fourth of six-disc set). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, I Nov. 1990, G June 1992. Germany: Fidelio 8838. Symphony for Strings arr. Barshai. New Amsterdam Sinfonietta, Lev MARKIZ. P Amsterdam Sept. 1989, I 1990

482

D M I T R I SHOSTA K OVIC H C A TA LO GUE

~ Netherlands: Vanguard Classics 99306 (two-disc set). I Aug. 1999 ~ *Challenge Classics CC 72130. [Op. 110a.] I 2005. Koch Schwann 311 149. Arr. Barshai. Camerata Assindia, Robert MAXYM. P Essen Oct.–Nov. 1989, I Dec. 1991. USA: ESS.A.Y. CD 1010. MANHATTAN QUARTET (personnel as for 1986). P Jersey City 14–15 May 1990 ~ Koch Schwann 310 166 (‘Complete Quartets, Volume 4’). I Dec. 1992. Claves 50 9115. Arr. Barshai. Kremlin Chamber Orchestra, Misha RACHLEVSKY. P Moscow concert Oct.–Nov. 1991, G Mar. 1993. Bulgaria: Gega New GD 168. SOFIA QUARTET (Vassil Valchey, Nikolai Gagov, Valentin Gerov, Kolya Bespalov). P Sofia Nov. 1993, I Feb. 1994. USA: New Albion NA 088 CD (‘Written with the Heart’s Blood’). Arr. Barshai. New Century Chamber Orchestra, Stuart CANIN. P Tiburon, California Apr. 1996, I Jan. 1997. Naxos 8.550977 (‘Complete Quartets, Volume 6’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sándor Papp, György Éder). P Budapest 29 Apr.– May 1996, I May 1998. Germany: Arte Nova Classics 74321 58967-2. Arr. Barshai. Hamburg Soloists, Emil KLEIN. P Hamburg Nov. 1996, I Oct. 1998. Chandos CHAN 9741 (‘Complete Quartets, Volume 1’). SORREL QUARTET (Gina McCormack, Catherine Yates, Vicci Wardman, Helen Thatcher). P Westleton, Suffolk 23–25 Feb. 1998, I June 1999, G Oct. 1999. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 3’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July 1998, G June 2000. France: Arion ARN 68506 (‘Complete Quartets, Volume 2’). DEBUSSY QUARTET (Christophe Colletts, Dominique Lonca, Vincent Deprecq, Yannick Callier). P Lyon Nov. 1999, I Dec. 2000. **Fuga Libera 512 (‘Complete Quartets—Volume 5’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 49 and 144.] P Bayerischer, Munich 8–11 Oct. 2001, I 2005. Sweden: BIS CD-1256. Arr. Barshai. OSTROBOTHIAN CHAMBER ORCHESTRA, Juha Kangas. [Sans op. D(ix) and Opus 110a.] P Kaustinen Church Oct. 2001, I Mar. 2002 ~ BIS CD 302156. [As original issue.] I June 2003. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 4’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 83 and 101.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Linn CKD 215 (SACD). Arr. Barshai. BT Scottish Ensemble, Clio GOULD. [Ravel.] P Glasgow City Halls 16–18 December 2002, G Aug. 2003.

O PUS 119: THE EX EC U TION OF ST EPAN RAZIN

483

Hyperion CDA 67156. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). [Opp. 133 and 142.] P St Petersburg Dec. 2002 and Jan. 2003, G July 2003. Netherlands: Brilliant Classic 8212/2 (‘Chamber Symphonies 1–5’, on second of two-disc set). Op. 118a. Orchestra Sinfonica di ‘Giuseppe Verdi’, Rudolf BARSHAI. [Opp. 73a and 110a.] P Auditorium Verdi di Milano concert between spring and 17 Dec. 2005, I 2006. Oehms Classics OC562 (‘Complete Quartets’—on fourth of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 133 and 138; Sans op. D(i).] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. France: Praga Digitals PRDDSD 250 232 (Hybrid SACD). Opus 118a. PRAGUE CHAMBER ORCHESTRA (without conductor). [Op. 110a, and Barber.] P Auditorium de Dijon concert 10 May 2006, I Jan. 2007. Belgium: Talent TOM 292972 (Hybrid SACD). Opus 118a. Rotterdam Chamber Orchestra, Conrad van ALPHEN. [Opp. 49a and 110a.] P Muziekcentrum van de Omroep Studio 28 Feb., 1 and 2 Mar. 2007, G Aug. 2008. Germany: Audite AU 92.529 (Hybrid SACD). MANDERLING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 133 and 142.] P Klingenmünster, Germany 23–25 Apr. 2008.

Opus 119: The Execution of Stepan Razin Form: Cantata for bass soloist, mixed chorus and orchestra (with 2 harps and piano), to the text of a narrative poem by Yevgeni Yevtushenko, taken from the series The Bratsk Hydro-electric Power Station. The score marked ‘Moderato non troppo—Andante—Adagio—Moderato —Adagio— Moderato’. The music was awarded a Glinka State Prize in 1968. Instrumentation: piccolo, 2 flutes, 2 oboes, cor anglais, E flat clarinet, 2 clarinets (B flat and A), bass clarinet, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, tambourine, side drum, whip, cymbals, bass drum, gong ~ orchestral bells, xylophone, celesta, 2 harps, piano ~ bass soloist, S.A.T.B. chorus ~ 1st violins (20), 2nd violins (18), violas (16), cellos (14), and five-string double-basses (12). The number of harps and the string strength quoted to be regarded as the minimum. Composed: Begun in early August 1964 at Lake Balaton, Hungary and completed on 14 September 1964 at Moscow. Premières: 28 December 1964, Moscow Conservatory Bolshoi Hall; Vitali Gromadsky (bass), RSFSR Academic Russian Choir, Moscow Philharmonic Orchestra, Kirill Kondrashin.

484

D M I T R I SHOSTA K OVIC H C A TA LO GUE

UK: 17 August 1966, Royal Albert Hall ‘Prom’, London; Vitali Gromadsky, BBC Choral Society and Chorus, BBC Symphony Orchestra, Gennadi Rozhdestvensky. Scotland: 21 March 1971, Perth City Hall; John Graham (bass), Perth Symphony Orchestra and Choral Society, John McLeod. Sung in Russian— coaching by Basil Almond. USA: 30 and 31 October 1995, Seattle Opera House; Marc Smith (bassbaritone), Seattle Symphony Chorale, Abraham Kaplan (chorus-master), Seattle Symphony, Gerard Schwarz. Arrangements: Reductions for voices and piano by the composer and Carl A. Rosenthal. Translations of the poem in English by Harold Heiberg and German by Lyubomir Romansky. Themes used in a composition for jazz quartet by Mathias Rissi (saxophonist), recorded on Swiss Unit Records Label, 1 December 1986. Music: Autograph full and vocal scores preserved at TsGALI. The first page of the autograph full score is reproduced in Volume 29 of Collected Works. Muzyka, No. 2675, 1966, full score, 29 cm. Muzyka, No. 2676, 1966, vocal score, 28.5 cm. MCA, 1967, vocal score with English adaptation by H. Heiberg and piano reduction by C. A. Rosenthal, 27 cm. Hans Sikorski, No. 2154, 1968, vocal score with German text by L. Romansky, 31.5 cm. Muzyka, No. 11680 (in Volume 29 of Collected Works), 1983, full score, 30 cm. Muzyka, No. 11786 (in Volume 30 of Collected Works), 1983, vocal score, 30 cm. DSCH Publishers, Moscow, full score in Volume 78 and piano score in Volume 83 of New Collected Works. Duration: Approx. 30 minutes in scores; 23' 48"–31' 41"; 27' 50" (Plaistow); 30 minutes (Sadovnikov). Ballet: The Execution of Stepan Razin. Konstantin Rassadin, Leningrad, 1977. A ballet performed by the Leningrad Ballet Troupe ‘Choreographic Miniatures’ under the artistic direction of Askold Makarov. Recordings: LP—USSR: Melodiya D016471-2 (mono) and C01109-10. Vitali Gromadsky (bass), RSFSR Academic Russian Choir, Aleksandr Yurlov (chorus-master), Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P 1965, I 1966 ~ USA: Artia ALP 1024 (‘Yevtushenko songs by Soviet composers’). I ‘dedicated to Yevtushenko’s American tour, Nov.–Dec. 1966’ ~ HMV Melodiya ASD 2409. G Jan. 1969 ~ HMV Melodiya SLS 5109 (in two-record set). G Feb. 1978 ~ USSR: Melodiya C10 14093-4 (in third box of Part 1 of Collected Works on Records). I 1980.

OP U S 120: A YEA R IS L IKE A L IFET IME

485

CD—Italy: Intaglio INCD 7371. Vitali Gromadsky (bass), BBC Choral Society and Chorus, BBC Symphony Orchestra, Gennadi ROZHDESTVENSKY. P Royal Albert Hall, London concert 17 August 1966, I Jan. 1993. NB. Orchestra not the Moscow Radio Orchestra. LP and CD—Czech: Supraphon SUA 10958 (mono) and SUA ST 50958. Bohuš Hanák (bass), Slovák Chorus, Slovák Philharmonic Orchestra, Ladislav SLOVÁK. P Czech Radio 1967, G July 1969. Reissued on CD—France: Praga PR 254 055. I July 1994. Philips Universe 6585 012. Siegfried Vogel (bass), Leipzig Radio Choir, Leipzig Radio Symphony Orchestra, Herbert KEGEL. P Nov. 1967, G Nov. 1973. Reissued on CD—Philips Classical Collector 434 172-2PM. I Sept. 1992, G Mar. 1993. CD—Koch International Classics 3-7017-2. Assen Vassilev (bass), Varna Philharmonic Orchestra and Chorus, Andrei ANDREYEV. P Varna 20–26 Dec. 1989, I 1990, G Mar. 1991. Germany: Capriccio 10 780. Stanislav Suleimanov (bass), Cologne Radio Chorus, Godfried Ritter (chorus-master), Cologne Radio Symphony Orchestra, Mikhail YUROVSKY. P Cologne 3–8 June 1996, G Dec. 1999. **Naxos 8.557812. Charles Robert Austin (bass-baritone), Seattle Symphony Chorale, Abraham Kaplan (chorus-master), Seattle Symphony, Gerard SCHWARZ. [Opp. 131 and 42.] P Seattle Center Opera House June 1996, I Mar. 2006. Chandos CHAN 9813. Anatoli Lochak (baritone), Russian State Symphonic Cappella and Symphony Orchestra, Valeri POLANSKY. [Op. 54.] P Moscow Conservatory 14 June 2000, I Nov. 2001, G Mar. 2002.

Opus 120: A Year is Like a Lifetime Form: Music for the biographical colour film A Year is Like a Lifetime, based on the life of Karl Marx, directed by Grigori Roshal for Mosfilm. Film script from the play by Galina Serebrykova. The score consists of 29 items and includes an Offenbachian schnell-polka ‘Morning’ not included in the Suite Opus 120a and also the Revolutionary songs, the ‘La Marseillaise’ and ‘Ça ira’. The missing film score numbers are probably songs or music by other composers as Shostakovich’s autograph score deposited in the Glinka Museum refers to 23 orchestral pieces: 1. 4. 5. 6. 9.

Overture Focus Jenny’s Race Male Prison Pantomine

486

D M I T R I SHOSTA K OVIC H C A TA LO GUE

11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 26. 27. 28. 29.

Polka 11a Waltz Niederdosenbakh Polka March of enemies The Barricades Vienna. Funeral Cholera Monologue of Marx Finale Farewell in the forest Nocturne and 26a Pass of Kavenyak Shapner is led The Battle The Fort

11b Leaving Gervig’s detachment

Composed: Completed in June 1965, at Moscow. Première: Moscow, 18 March 1965 (press showing) and in the Rossiya Cinema on 25 March 1965. Arrangement: Opus 120a—Suite assembled by Levon Atovmyan in 1969: 1. 2. 3. 4. 5. 6. 7.

Overture—Allegro non troppo The Barricades—Moderato non troppo Intermezzo—Allegro Farewell (Monologue)—Andante Scene (Little Waltz)—Allegretto The Battle—Moderato Finale—Adagio

Instrumentation: of Suite Opus 120a—piccolo, 2 flutes, 2 oboes, 2 clarinets (B flat and A), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, whip, side drum, cymbals, bass drum, gong ~ orchestral bells ~ strings. Music: Autograph of the 23 orchestral numbers of the film score preserved at TsGALI. Sovetskii kompozitor, No. 1317, 1970, opus no. not stated, full score of the Suite assembled by L. Atovmyan, 28.5 cm. DSCH Publishers, Moscow, full film score in Volume 143 of New Collected Works. Duration: Film: 147 minutes. Suite as recorded: 27' 30" (1966) and 44' 19" (2006); 22 minutes (M. MacDonald). The complete No. 4 ‘Farewell (Monologue)’ is timed at 15' 25" whereas the abridged version is reduced to 5' 15".

O PUS 1 2 1 : FI VE ROMA NC ES ON TEX TS FROM ‘KROKODIL ’

487

Ballet: The Overcoat. For details see under Opus 32. Recordings: LP—USSR: Melodiya CM 02523-4. Suite Nos. 1, 2, 3, 4 abridged, 6, and 7. Moscow Radio Symphony Orchestra, Maksim SHOSTAKOVICH. P 1966, I May 1971 ~ USA: Angel Melodiya SR 40181. Suite No. 1, ‘Morning’, 2, 3, 4 abridged, 6, and 7 ~ Germany: Melodia Eurodisc 28665 XHK. No. 1 and ‘Morning’. (on fourth of four-record film music album). Germany: Hänssler Classic SWR Music CD 93.188. Suite Nos. 1–7 with complete No. 4. SWR Rundfunkorchester Kaiserslautern, Frank STROBEL. [Op. 18.] P SWR Studio 28–30 Aug. 2006. Note: The working title of Karl Marx is mentioned in talks by the composer and in articles from September 1963 onwards. Translated as A Year as a Life on the score and A Year is Worth a Lifetime on the Angel record; also appears as A Year as Long as a Lifetime.

Opus 121: Five Romances on Texts from ‘Krokodil’ Form: Song cycle for bass voice and grand piano to poems by readers from the ‘Believe it or not’ feature of the satirical magazine Krokodil (Issue No. 24 for 30 August 1965): 1. 2. 3. 4. 5.

The evidence of one’s own manuscript—Moderato A desire too difficult to gratify—Moderato Discretion—Largo Irinka and the Shepherd—Allegro Excessive delight—Moderato

Composed: 4 September 1965. Premières: 28 May 1966, Glinka Concert Hall, Leningrad; Yevgeni Nesterenko (bass) and Dmitri Shostakovich (piano). USA: 4 February 1985, Boston University Concert Hall; Robert Osborne (bass) and Howard Lubin (piano). Sung in Russian. Arrangements: English and German translations of the text by Joan Pemberton Smith and Jörg Morgener respectively. Orchestrated by Boris Tishchenko. Music: Autograph score preserved in the Shostakovich Family Archive. First published in the journal Sovetskaya muzyka, 1966, No. 1. Hans Sikorski, No. 2277, 1981, with Russian and German texts—the latter by J. Morgener, 29.5 cm. Muzyka, No. 11785 (in Volume 33 of Collected Works), 1984, 30 cm. DSCH Publishers, Moscow, score in Volume 96 of New Collected Works. Duration: Approx. 10 minutes in score; 7' 48"–11' 36". Recordings: LP and CD—USSR: Melodiya C10 09225-6 (in third box of Part 3 of Collected Works on Records). Performed in the order Nos. 3, 4, 1,

488

D M I T R I SHOSTA K OVIC H C A TA LO GUE

2, and 5. Yevgeni NESTERENKO (bass) and Yevgeni Shenderovich (piano). P Jan. 1976, I 1978 ~ HMV Melodiya ASD 3700. G. Sept. 1979. Reissued on CD—Japan: Victor Musical Industries VTCC 40082-83 (‘Shostakovich Songs’, two-disc set). I 1991. CD—France: Le Chant du Monde Russian Season RUS 288089. Nos. 1–5. Pyotr GLUBOKY (bass) and Nataliya Rassudova (piano). P Moscow Conservatory 21–29 Sept. 1994, I Apr. 1995. Japan: Triton 17 008. Nos. 1 and 3. Aleksei MOCHALOV (bass), Moscow Chamber Music Theatre Orchestra, Anatoli Levin. P Mosfilm Studio Nov. 1995, I Nov. 1996. Germany: MGB Musikszene Schweiz MGB 6145. Sung in German. Rudolf MAZZOLA (bass) and Paul Harris (piano). P Vienna 1–2 Mar. 1997, I Dec. 1997. **Belgium: Rene Gailly CD92 041 (‘Complete Songs and Romances, Volume 1’). Nos. 1–5. Fyodor KUZNETSOV (bass) and Yuri Serov (piano). [Opp. 86, 100, and127.] P St Catherine Lutheran Church, St Petersburg 2 Apr. 1998 ~ *USA: Delos DE 3307 (‘Shostakovich Complete Songs, Volume 2’). [Opp 123, 127, 143, and 146.] G Awards (Oct.) 2002 ~ Russia: Northern Flowers NF/PMA 9910 (‘Vocal Cycles for Bass, Volume 1’). Nos. 1–5. [Opp. 62, 91, 98, and 146.] P date given as 25 Mar. and 7 Apr. 1998, I 2002. Koch Schwann 3-1095-2. Complete cycle. Sergei LEIFERKUS (bass) and Semyon Skigin (piano). [Opp. 123, 98, 62, and 91.] P Berlin studio May 2000, G May 2002. France: Alpha 055 (‘Krokodil’, two-disc set). Petr MIGUNOV (bass) and Arthur Schoonderwoerd (piano). [Opp. 123, 87, 67, and 127.] P Chaux-de-Fonds, Switzerland May 2003, I May 2004. Deutsche Grammophon 477 6111GH. Orchestrated by Boris Tishchenko. Sergei LEIFERKUS (baritone), Russian Philharmonic Orchestra, Thomas Sanderling. [Sans op. P(v), Opp. 109, 123, and 146.] P Kultura Russian State TV & Radio Studio, Moscow May 2005, I June 2006, G Sept. 2006.

Opus 122: Quartet No. 11 in F minor Form: String quartet in seven linked movements: 1. 2. 3. 4. 5.

Introduction—Andantino attacca Scherzo—Allegretto attacca Recitative—Adagio attacca Etude—Allegro attacca Humoresque—Allegro attacca

OP U S 122: QU A RTET NO. 11 IN F MIN OR

489

6. Elegy—Adagio attacca 7. Finale—Moderato Composed: Completed on 30 January 1966 at Moscow. Dedication: To the memory of Vasili Pyotrovich Shirinsky (2nd violinist of the Beethoven Quartet). Premières: 25 March 1966, USSR Composers’ Club, Moscow; 28 May 1966, Glinka Concert Hall, Leningrad; and 6 June 1966, Moscow Conservatory Malyi Hall; Beethoven Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Druzhinin, and Sergei Shirinsky). UK: 27 April 1967, Bromsgrove Festival; London String Quartet (Carl Pini, John Tunnell, Keith Cummings, and Douglas Cameron). Arrangement: Reduction for piano four hands by Anatoli Dmitriev. Music: Autograph score preserved in the Shostakovich Family Archive. Hans Sikorski, No. 6207, 1966, 32 cm. Sovetskii kompozitor, No. 69, 1967, parts, 29 cm. Boosey & Hawkes, No. 827, 1967, score, 19 cm. Boosey & Hawkes, No. 19586, 1967, parts, 29 cm. Leeds Music, no number, 1967, score, 23 cm. Muzyka, Leningrad, No. 766 (in Volume 3 with Quartets 9 and 10 arr. for piano four hands by A. Dmitriev), 1967, 29.5 cm. Muzyka, No. 10284 (in Volume 36 of Collected Works Quartets 9–15), 1980, 30 cm. Hans Sikorski, No. 2268 (with Op. 133), 1980, score 21 cm. Hans Sikorski, No. 2264, 1981, parts, 31.5 cm. DSCH Publishers, Moscow, score in Volume 103 of New Collected Works. Duration: 15 minutes in score; 15' 05"–18' 04"; 15' 30" (Plaistow). Recordings: LP—USSR: Melodiya D019519-20 (mono) and C01459-60. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1967 ~ HMV Melodiya ASD 2857. G Nov. 1972 ~ HMV Melodiya HQS 1322 in Set SLS 879. G June 1974. LP and CD—USSR: Melodiya D025115-6 (mono) and C01769-70. BEETHOVEN QUARTET (personnel as at première). P 1969, G Oct. 1971 ~ France: EMI 061 91298. NB. Performers incorrectly labelled as ‘Komitas Quartet’. Reissued on CD—USA: Consonance Blue Label 81.3009 (‘Complete Quartets, Volume 5’). I Mar. 1996. L’Oiseau-Lyre DSLO 28. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P15–16 Dec. 1976, G June 1978 ~ Decca 188 D2 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on fifth of six-disc set). I Apr. 1992, G June 1992 ~ Decca 466 437-2 (third of five-disc set). I 1999.

490

D M I T R I SHOSTA K OVIC H C A TA LO GUE

USSR: Melodiya C10 11617-8 (in first box of Part 2 of Collected Works on Records). TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinson). P 1979, I 1980. Reissued on CD—USSR: Melodiya SUCD10 00312. I 1991d. USSR: Melodiya C10 17579-80. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1981, I 1983a ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49268-2. I Nov. 1987, G Sept. 1988 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997. CD—Olympia OCD 534 (‘Complete Quartets, Volume 4’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1984, I May 1994, G Sept. 1994. LP—USSR: Melodiya C10 23563 000 (DMM). CˇIURLIONIS QUARTET (Rimantas Suigždinis, Saulius Kiškis, Aloymas Grižas, Saulius Lipcˇius). P 1985, I 1986d. LP and CD—Academy Sound and Vision DCA 631 (DMM) and released on CD—DCA 631. COULL QUARTET (Roger Coull, Philip Gallaway, David Curtis, John Todd). P London Mar. 1988, I and G Apr. 1989. CD—France: Ades 14 161-2. FINE ARTS QUARTET (Ralph Evans, Efim Boico, Jerry Horner, Wolfgang Laufer). P Paris July 1989, G Oct. 1990. Teldec 9031 71702-2 (on fifth of six-disc set). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, I Nov. 1990, G June 1992 ~ Teldec 9031 73109-2. I July 1991. USA: ESS.A.Y. CD 1012. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Jersey City 17 May 1990, I 1991 ~ Koch Schwann 3 1070-2 (‘Complete Quartets, Volume 5’). I Sept. 1993. RCA Victor Red Seal 09026 61816-2. VOGLER QUARTET (Tim Vogler, Frank Reinecke, Stefan Fehlandt, Stephan Forck). P Neumarkt 10–13 May and 21 June 1993, G July and Nov. 1994. Bulgaria: Gega New GD 168. SOFIA QUARTET (Vassil Valchev, Nikolai Gagov, Valentin Gerov, Kolya Bespalov). P Sofia Nov. 1993, I Feb. 1994. Deutsche Grammophon 445 864-2GH. HAGEN QUARTET (Lukas Hagen, Rainer Schmidt, Veronika and Clemens Hagen). P Abersee bei Gilsen Apr. 1994, G Sept. 1995 ~ *Deutsche Grammophon Panorama 469 316-2 (two-disc set). [Opp. 10, 47, 35, Sans op. G(ii), Opp. 16, and 97.] I 2001. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 4’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July–Aug. 1994, G June 2000.

O PU S 1 2 3 : PREF A C E TO THE C OM P LET E COL L ECT ION

491

Naxos 8.550977 (‘Complete Quartets, Volume 6’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sándor Papp, György Éder). P Budapest 29 Apr.–May 1996, I May 1998. Japan: EMI Classics TOCE 9496. MORGAUA QUARTET (Eiji Arai, Takashi Aoki, Hisashi Ono, Ryoichi Fujimori). P 11–14 Mar. 1997. Chandos CHAN 9769 (‘Complete Quartets, Volume 2’). SORREL QUARTET (Gina McCormack, Catherine Yates, Vicci Wardman, Helen Thatcher). P Westleton, Suffolk 29 Sept.–1 Oct. 1998, I Jan. 2000. **Hyperion CDA 67517. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). [Opp. 138 and 144.] P St Petersburg Dec. 2000 and Jan. 2001. Belgium: Fuga Libera 512 (‘Complete Quartets—Volume 4’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 83 and 117.] P Bayerische Rundfunk, Munich 8–11 Oct. 2001, I 2005. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 3’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 92 and 133.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Arion ARN 68596 (‘Complete Quartets, Volume 4’). DEBUSSY QUARTET (Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier). [Opp. 101 and 117.] P Lyon Nov. 2002, I May 2003. Germany: IPPNW-Concerts-Edition CD 43. BERLIN PHILHARMONIA QUARTET (Daniel Stabrava, Christian Stadelmann, Neithard Resa, Jan Dieselhort). [Schubert.] P Berlin Philharmonia Chamber Music Hall concert 14 Jan. 2003. Oehms Classics OC562 (‘Complete Quartets’—on third of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkova, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp.108, 110, and 117.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. Harmonia Mundi HMC 901953. JERUSALM QUARTET (Aleksandr Pavlovsky, Sergei Bresler, Amichai Grosz, Kyril Zlotnikov). [Opp. 101 and 110.] P Teldec Studio 12–15 June 2006, G Aug 2007.

Opus 123: Preface to the Complete Collection of my Works and a Brief Reflection upon this Preface Form: Setting of a jocular poem by the composer (the first four lines paraphrasing Aleksandr Pushkin’s History of a versifier of 1817), for bass voice and grand piano, marked ‘Allegretto’. Composed: 2 March 1966, after intimation of the projected publication of the Collected Works.

492

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Premières: 28 May 1966, Glinka Concert Hall, Leningrad; Yevgeni Nesterenko (bass) and Dmitri Shostakovich (piano). UK: 19 March 1986, Queen Elizabeth Hall, London; John Shirley-Quirk (baritone) and Andrew Ball (piano). Arrangements: English and German translations of the text by Joan Pemberton Smith and Jörg Morgener respectively. Orchestrated by Leonid Desyatnikov. Music: Autograph score preserved in the Shostakovich Family Archive. Hans Sikorski, No. 2277, 1981, with Russian and German texts—the latter by J. Morgener, 29.5 cm. Muzyka, No. 11785 (in Volume 33 of Collected Works), 1984, 30 cm. DSCH Publishers, Moscow, score in Volume 96 of New Collected Works. Duration: Approx. 2 minutes in score; 2' 09"–2' 52". Recordings: LP and CD—USSR: Melodiya C10 09225-6 (in third box of Part 3 of Collected Works on Records). Yevgeni NESTERENKO (bass) and Yevgeni Shenderovich (piano). P Jan. 1976, I 1978 ~ HMV Melodiya ASD 3700. G Sept. 1979. Reissued on CD—Japan: Victor Musical Industries VICC 40082-83 (‘Shostakovich Songs’, two-disc set). I 1991. CD—Germany: MGB Musikszene Schweiz MGB 6145. Sung in German. Rudolf MAZZOLA (bass) and Paul Harris (piano). P Vienna 1–2 Mar. 1997, I Dec. 1997. **Koch Schwann 3-1095-2. Sergei LEIFERKUS (bass) and Semyon Skigin (piano). [Opp. 121, 98, 62, and 91.] P Berlin studio May 2000, G May 2002. USA: Delos DE 3307 (‘Shostakovich Complete Songs, Volume 2’). Fyodor KUZNETSOV (bass) and Yuri Serov (piano). [Opp. 121, 127, 143, and 146.] P St Catherine Lutheran Church, St Petersburg 18 June 2001, G Awards (Oct.) 2002. NB. Incorrectly stated to be the first appearance on CD ~ Russia: NF/PMA 9916 (‘Vocal Cycles for Bass, Volume 2’). [Sans op. X(ii); Opp. 128 and 145.] P date given as Feb. 2003, I 2003. France: Alpha 055 (‘Krokodil’, two-disc set). Petr MIGUNOV (bass) and Arthur Schoonderwoerd. [Opp. 87, 67, 121, and 127.] P Chaux-de-Fonds, Switzerland May 2003, I May 2004. Deutsche Grammophon 477 6111GH. Orchestrated by Leonid Desyatnikov. Sergei LEIFERKUS (baritone), Russian Philharmonic Orchestra, Thomas Sanderling. [Sans op. P(v), Opp. 109, 121, and 146.] P Kultura Russian State TV & Radio Studio, Moscow May 2005, I June 2006, G Sept. 2006.

Opus 124: Two Choruses by Davidenko Form: An arrangement for orchestra (with triple woodwind) of two songs by Aleksandr Davidenko, from the oratorio The Road of October, for narrator, soloists, chorus, trumpet, piano, button-accordion, percussion ensemble, and

O PUS 1 2 5 : C E LLO C ONC ERTO IN A M INOR (SCH UMAN N )

493

stamping feet, composed by the RAPM group of young Moscow Conservatory composers in 1927 to mark the tenth anniversary of the October Revolution: 1. On the Tenth Verst (words by P. Edict) 2. The Street in Turmoil (words by M. Shorin) Instrumentation: 3 flutes, 3 oboes (III = cor anglais), 3 clarinets (B flat and A), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, cymbals, gong ~ strings. Composed: Completed in August 1963. Premières: 24 February 1964, Moscow Conservatory Bolshoi Hall; RSFSR Academic Russian Choir, Moscow Radio Symphony Orchestra, Aleksandr Yurlov. 6 November 1967, Leningrad Philharmonic Bolshoi Hall; Krupskaya Institute Chorus, Ivan Poltavtsev (chorus-master), Leningrad Philharmonic Orchestra, Igor Blazhkov. To celebrate the 50th anniversary of the October Revolution. Music: Autograph score preserved in the Shostakovich Family Archive. Originally issued without an opus number. Muzyka, No. 4822, I968, score, 29 cm. DSCH Publishers, Moscow, score in Volume 150 of New Collected Works. Duration: 10 minutes (M. MacDonald); [4' 31"]–5' 32" (1) and 4' 32"–[5' 19"] (2). Recordings: [LP and CD—USSR: Melodiya D16975-6 (10" mono) and C1171-2 (10"). Original a cappella version. RSFSR Academic Russian Choir, Aleksandr YURLOV. I 1965. Reissued on CD—Olympia OCD 205. Nos. 1 and 2. I Feb. 1988.] LP—USSR: Melodiya C10 31619 002. USSR Ministry of Culture Chamber Choir and Symphony Orchestra, Valeri Polyansky (chorusmaster), Gennadi ROZHDESTVENSKY. (Album 7 of ‘From Manuscripts of Different Years’). P 1986, I 1991c. **CD—Chandos CHAN 10378. Russian State Symphonic Cappella and Symphony Orchestra, Valeri POLYANSKY. [Opp. 35, 70, and 59.] P Moscow State Conservatory June 2003, I May 2006, G Aug. 2006.

Opus 125: Cello Concerto in A minor (Schumann) Form: Reorchestration of Robert Schumann’s Concerto of 1850 for cello and orchestra, Opus 129, in three linked movements: 1. Nicht zu schell (Allegro non troppo) attacca 2. Langsam (Lento) attacca 3. Sehr lebhaft (Molto vivace) Instrumentation: 2 flutes (II = piccolo), 2 oboes, 2 A clarinets, 2 bassoons ~ 4 horns, 2 trumpets ~ timpani ~ harp ~ strings.

494

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Composed: July 1963, at Dilizhan Composers’ Retreat, Armenia. [Oddly both Shostakovich (in litt.) and Shneyerson state 1966 as the year of composition; and the Sollertinskys give July 1969.] Dedication: Mstislav Leopoldovich Rostropovich (cellist). Premières: 5 October 1963, Moscow Conservatory Bolshoi Hall; M. Rostropovich, USSR Symphony Orchestra, Boris Khaikin. UK: 27 August 1964, Edinburgh Festival, Usher Hall; M. Rostropovich, Scottish National Orchestra, Alexander Gibson. Music: Muzyka, No. 3473, 1966, miniature score with cello part ed. Rostropovich, 21.5 cm. DSCH Publishers, Moscow, full score in Volume 148 of New Collected Works. Duration: 22' 30"–25' 48". Recordings: CD—USA: Russian Disc RDCD 11 106. M. ROSTROPOVICH (cello), USSR Symphony Orchestra, David Oistrakh. P Moscow concert 10 Oct. 1969, G July 1994. LP and CD—Yugoslavia: Jugoton LSY 61139. Valter DEŠPALJ (cello), RTZ Symphony Orchestra, Josef Daniel. P 1974. Reissued on CD—Netherlands: Brilliant Classics 99386 (‘The Romantic Cello’, two-disc set). I 2001. USSR: Melodiya A10 00107 009 (Album 3 of ‘From Manuscripts of Different Years’, digital). Fyodor LUZANOV (cello), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P 1983, I 1985d. Reissued on CD—Olympia OCD 102. G Aug. 1987. CD—Deutsche Grammophon 439 890-2GH. Schumann’s violin version of his Cello Concerto, orch. Shostakovich. Gidon KREMER (violin), Boston Symphony Orchestra, Seiji Ozawa. P Boston concert Apr. 1992, I and G Sept. 1994. Chandos CHAN 9792 (‘The Unknown Shostakovich’). Aleksandr IVASHKIN (cello), Russian Symphony Orchestra, Valeri Polyansky. P Mosfilm Studio Jan. 1998, I Jan. 2000. **Switzerland: Gallo CD 994 (‘Revisited Concertos’). Mark DROBINSKY (cello), Yekaterinburg Orchestra, Dmitri Liss. [C.P.E. Bach, Monn, and Boccherini.] P Yekaterinburg Jan 1998.

Opus 126: Cello Concerto No. 2 in G major Form: Concerto for cello and orchestra (with 2 harps and brass reduced to 2 horns) in three movements: 1. Largo 2. Allegretto attacca 3. Allegretto

O PUS 126: C ELLO C ONC ERTO N O. 2 IN G MAJ OR

495

The principal theme of the second movement, and again quoted at the climax of the third (fig.100), is the simple Odessa street ditty Bublika, kupite bubliki! (‘Bagels, buy my bagels!’). Instrumentation: piccolo, flute, 2 oboes, 2 clarinets (B flat and A), 2 bassoons, contrabassoon (= bassoon III) ~ 2 French horns ~ timpani, tambourine, side drum, tom-tom, side drum di legno, whip, bass drum ~ xylophone, harp (minimum of 2 specified) ~ 1st violins (16), 2nd violins (14), violas (12), cellos (12), double-basses (10). Tom-tom and side drum di legno may be played by one person. String strength specified as a minimum. Composed: Begun in spring 1966 at Moscow and completed on 27 April 1966 at the Oreanda Sanatorium, Yalta. Dedication: Mstislav Leopoldovich Rostropovich (cellist). Premières: 25 September 1966 (marking the composer’s sixtieth birthday), Moscow Conservatory Bolshoi Hall; Mstislav Rostropovich, USSR Symphony Orchestra, Yevgeni Svetlanov. UK and Western Europe: 5 October 1966, Royal Festival Hall, London; Rostropovich, BBC Symphony Orchestra, Colin Davis. USA: 26 February 1967, Carnegie Hall, New York; Rostropovich, London Symphony Orchestra, Gennadi Rozhdestvensky. Arrangement: Reduction for cello and piano by the composer. Music: Autograph score, along with 17 pages of rough sketches, preserved in the Shostakovich Family Archive; the whereabouts of the autograph reduction is not known. The opening of the second movement of the autograph full score is reproduced in Volume 16 of Collected Works. Hans Sikorski, No. 2139, 1966, reduction for cello and piano, 31.5 cm. Leeds Music (Canada), 1967, reduction, 30.5 cm. Boosey & Hawkes, No. 835, 1968, score, 19 cm. Sovetskii kompozitor, No. 71, 1969, reduction, 29 cm. Sovetskii kompozitor, No. 72, 1970, full score, 29 cm. Edition Peters, No. 5719, 1971, reduction, 30 cm. International Music, c.1973, reduction, 31 cm. Muzyka, No. 9281, 1976, reduction, 29 cm. (See Plate 8 for title page of cello part autographed by Rostropovich). Muzyka, No. 11936 (in Volume 16 of Collected Works), 1985. full score, 30 cm. Muzyka, No. 11947 (in Volume 17 of Collected Works), 1986. reduction with separate cello part, 30 cm. Hans Sikorski, No. 2241, 1990, 21 cm. DSCH Publishers, Moscow, full score in Volume 48 and piano score in Volume 49 of New Collected Works. Duration: Approx. 36 minutes in score; 30' 59 "–37' 32".

496

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Recordings: CD—EMI CZS5 72016-2 (‘Rostropovich: The Russian Years, 1950–74’, on fourth of thirteen-disc set, mono). Mstislav ROSTROPOVICH (cello), USSR Symphony Orchestra, Yevgeni Svetlanov. P 25 Sept. 1966 première concert—NB. Not 25 Sept. 1967 as stated in liner notes—a different performance to that on RDCD11 109, G May 1997 ~ EMI Classics CZS5 72295-2 (two-disc set, mono). I Oct. 1998. *BBC Legends BBCL 4073-2 (mono). M. ROSTROPOVICH (cello), BBC Symphony Orchestra, Colin Davis.[Khachaturyan and Tchaikovsky.] P Royal Festival Hall, London 5 Oct. 1966, I Sept. 2001, G Dec. 2001. Italy: Intaglio INCD 7251. M. ROSTROPOVICH (cello), London Symphony Orchestra, Gennadi Rozhdestvensky. P New York concert 26 Feb. 1967, I July 1992. USA: Russian Disc RDCD 11 109. M. ROSTROPOVICH (cello), USSR Symphony Orchestra, Yevgeni Svetlanov. P Moscow concert 25 Sept. 1967, I Oct. 1993. Revelation RV 10087. M. ROSTROPOVICH (cello), Moscow State Philharmonic Orchestra, David Oistrakh. P Moscow concert 12 Nov. 1967, I Nov. 1997. LP—USA: Aries LP 1601. M. ROSTROPOVICH (cello), Chicago Symphony Orchestra, Jean Martinon. P concert. NB. Orchestra and conductor not named on the record or sleeve. CD—Italy: Stradivarius STR 10049. M. ROSTROPOVICH (cello), Radiotelevisione Italiana (RAI) Milan Symphony Orchestra, Piero Bellugi. P Milan concert 15 Mar. 1968, I 1993. *Japan: Triton DICC 20021. Daniil SHAFRAN (cello), Moscow Philharmonic Orchestra, Yuri Temirkanov. [Op. 40.] P Moscow concert 1970. NB. Master tape supplied by Svetlana Shafran. LP and CD—Deutsche Grammophon 2530 653. M. ROSTROPOVICH (cello), Boston Symphony Orchestra, Seiji Ozawa. P 8 Nov. 1975, G Nov. 1976. Reissued on CD—Deutsche Grammophon Galleria 431 4752GGA. I Apr. 1991, G Aug. 1991 ~ Deutsche Grammophon 437 9522GX2 (‘Masterpieces for Cello’, on second of two-disc set). G Oct. 1994 ~ Deutsche Grammophon Classikon 439 481-2GCL. G Sept. 1995 ~ *Japan: Deutsche Grammophon UCCG 9337. [Tchaikovsky and Glazunov.] I 2002. LP—Czech: Supraphon 110 2433 G. Miloš SÁDLO (cello), Prague Symphony Orchestra, Václav Smetácˇek. P Prague 1978. USSR: Melodiya C10 13769-70 (in third box of Part 1 of Collected Works on Records). Valentin FEIGIN (cello), Central Television and All-Union Radio Symphony Orchestra, Maksim Shostakovich. P and I 1980. LP and CD—Philips 412 526-1PH (digital). Heinrich SCHIFF (cello), Bavarian Radio Symphony Orchestra, Maksim Shostakovich. P Munich

O PUS 126: C ELLO C ONC ERTO N O. 2 IN G MAJ OR

497

26 Nov. 1983, G Sept. 1984, Aug. 1985, and June 1986. Reissued on CD—Philips 412 526-2PH. G Oct. 1985. CD—Belgium: Classic Talent DOM 2910 11. Viviane SPANOGHE (cello), Sofia Soloists, Emil Tabakov. P Sofia Apr. 1984, I Nov. 1991. Germany: Live Classics LCL 202. Natalia GUTMAN (cello), Moscow Philharmonic Orchestra, Dmitri Kitayenko. P Moscow concert 11 Nov. 1986, I Jan. 2001. LP and CD—East Germany: Eterna 7 28 042. Peter BRUNS (cello), Berlin City Symphony Orchestra, Claus Peter Flor. P Berlin 1988. Reissued on CD—Germany: Berlin Classics 0120 012 ~ *Japan: Berlin Classics TKCC 15214. P date given as 26 and 29 Jan. 1988, I 2001. CD—Netherlands: Q Disc Q 97033 (fifth of thirteen-disc set). Lynn HARREL (cello), Royal Concertgebouw Orchestra, Riccardo Chailly. [Berio and Formazioni.] P Amsterdam concert 20 Aug. 1988, I 2004. RCA Victor Red Seal RD 87918. N. GUTMAN (cello), Royal Philharmonic Orchestra, Yuri Temirkanov. P Watford 25, 28–29 Nov. 1988, G Jan. 1991. Sweden: BIS CD 626. Torleif THEDEÉN (cello), Malmö Symphony Orchestra, James DePriest. P Malmö 8–9 Oct. 1992, G July 1994 and Feb. 1995. Winner of Cannes Classical Music Awards 1994—19th and 20th century category. France: Le Chant du Monde LDC 278-1099. Ivan MONIGHETTI (cello), Prague Radio Symphony Orchestra, Vladimir Válek. P Czech Radio Nov. 1992, I Sept. 1993. Deutsche Grammophon 445 821-2GH. Mischa MAISKY (cello), London Symphony Orchestra, Tilson Thomas. P London Aug. 2–4 1993, G Apr. 1995 ~ *Germany: Deutsche Grammophon Moderne Klassiker 472 636-2. [Saint-Saëns and Debussy.] I 2003. Naxos 8.550813. Maria KLIEGEL (cello), Polish National Radio Symphony Orchestra, Antoni Wit. P Katowice 27 Feb.–l Mar. 1995, G Oct. 1996. Virgin Classics VC5 45145-2. Truls MØRK (cello), London Philharmonic Orchestra, Mariss Jansons. P 10–11 Mar. 1995, G Feb. 1996. Chandos CHAN 9585. Frans HELMERSON (cello), Russian State Symphony Orchestra, Valeri Polyansky. P Mar. 1996, I Feb. 1998 ~ *Chandos CHAN 10 040. [Op. 107.] I Jan 2003. Germany: Arte Nova 74321 49688-2. Kirill RODIN (cello), Russian Philharmonic Orchestra, Konstantin Krimets. P Moscow 9–10 July 1996, I Oct. 1997. LP and CD—Finland: Finlandia 3984 21441-2. Arto NORAS (cello), Norwegian Radio Orchestra, Ari Rasilainen. P Oslo Apr. 1997, I July 1998. Reissued on CD—Finlandia Ultima 8573 81969-2 (disc one of two-disc set). G June 2000 ~ *Warner Classics Apex 0927-40604-2. [Op. 107; and R. Strauss.] I Oct. 2001.

498

D M I T R I SHOSTA K OVIC H C A TA LO GUE

CD—New Zealand: Ode Manu 1542. Aleksandr IVASHKIN (cello), Moscow Symphony Orchestra, Valeri Polyansky. P Moscow Conservatory 7–9 Oct. 1997, G July 1998. Czech: Supraphon SU 3414-2. Jirˇí BÁRTA (cello), Prague Symphony Orchestra, Maksim Shostakovich. P Prague concert 2 Mar. 1999, I Aug. 1999. **Poland: DUX DUX 0549. Rafał KWAIATKOWSKI (cello), Polish Radio Orchestra, Wojciech Rajski. [Op. 107.] P Witold Lutosławski Studio of Polish Radio, Warsaw 2000. Dunelm Records DRD 0233. Jonathan AYLING (cello), London Shostakovich Orchestra, Christopher Cox. [Op. 107.] P St Cyprian’s Church concert 13 Nov. 2004 ~ Dunelm Records DRD 0234. [Op. 112.] I 2005. Avia AV2090. Lynn HARREL (cello), Royal Liverpool Philharmonic Orchestra, Gerard Schwarz. [Prokofiev.] P Philharmonic Hall, Liverpool 27–28 May 2005, I Mar. 2008, G June 2006. Orfeo C659 081 A. Daniel MÜLLER-SCHOTT (cello), Symphonieorchester des Bayenischen Rundfunks, Yakov Kreizberg. [Op. 107.] P Herkulessaal der Residenz, Munich 1–3 and 5 Sept. 2005, I July 2008. Nimbus NI 5764-65 (‘Complete works for cello’, two-disc set). Raphael WALLFISCH (cello), BBC Symphony Orchestra, Martyn Brabbins. [Op. 107.] P Maida Vale Studio, London 22–23 Sept. 2005, I June 2006. Germany: Phoenix Edition 128 PHOENIX. Dimitri MASLENNIKOV (cello), NDR Sinfonieorchester, Christoph Eschenbach. [Op. 107.] P Rolf-Liedermann Studio, NDR Hamburg 29 June–1 July 2006, G Oct. 2008. Channel Classics CCS SA 25308 (Hybrid SACD), Peter WISPELWEY (cello), Sinfonietta Cracovia, Jurjen Hempel. [Britten.] P Szymanowski Philharmonic Hall, Kraków Sept. 2006, G Oct. and Nov. 2008. Signum Classics SIGCD 137. Jamie WALTON (cello), Philharmonia Orchestra, Alexander Briger. [Britten.] P Henry Wood Hall, London 1 Mar. 2008, G Jan. 2009. Note: The composer, in a letter to Dmitri Shepilov dated 21 September 1966, considered this work could have been called his Fourteenth Symphony with a solo cello part (see Fay 2000, 247 and Wilson 2007, 199).

Opus 127: Seven Romances on Poems of Aleksandr Blok Form: Vocal-instrumental Suite for soprano voice, violin, cello, and piano; settings of poems by Aleksandr Blok: 1. Song of Ophelia—Moderato (accompanied by cello) 2. Gamayun, the bird of prophecy—Adagio (piano)

OP U S 127: SEV EN ROMAN CES ON POEMS

3. 4. 5. 6. 7.

499

We were together (That troubled night)—Allegretto (violin) The city sleeps (Deep in sleep)—Largo (cello and piano) The storm—Allegro (violin and piano) attacca Secret signs—Largo (violin and cello) attacca Music—Largo (violin, cello, and piano)

The poems were written on 8 and 23 February 1899, 9 March 1898, 23 and 24 August 1899, and the last two in October 1902 and September 1898 respectively. No. 2 was inspired by a painting of Viktor Vasnetsov. Composed: Written in hospital after a heart attack and completed on 3 February 1967. Composed for the fiftieth anniversary of the October Revolution. Dedication: Galina Pavlovna Vishnevskaya (soprano). Premières: 23 October 1967, during a ‘Soviet Music Week’, Moscow Conservatory Bolshoi Hall and 28 October 1967 (official première), Moscow Conservatory Malyi Hall; Galina Vishnevskaya, David Oistrakh (violin), Mstislav Rostropovich (cello), and Mieczysław Weinberg (piano—deputizing for the indisposed Svyatoslav Richter). Encored in its entirety on the latter occasion. UK: 24 June 1968, Aldeburgh Festival; G. Vishnevskaya, Emanuel Hurwitz (violin), M. Rostropovich, and Benjamin Britten (piano). UK: 4 September 1968, Royal Festival Hall, London; G. Vishnevskaya, D. Oistrakh, M. Rostropovich, and Yevgeni Svetlanov (piano). Arrangements: English translations by Myron Morris, Cynthia Jolly, and Per Skans; German translation by Manfred Koerth and Czech by Zdenˇka Psu˚tkuva. Music: Autograph score preserved in the Shostakovich Family Archive. Sovetskii kompozitor, No. 799, 1969, parts, 29 cm. Deutscher Verlag für Musik, parts, with German text by Manfred Koerth, 30 cm. Anglo-Soviet Music Press, No. B & H 20157, 1977, parts, with Russian text and English words by Cynthia Jolly, 31 cm. Muzyka, No. 11785 (in Volume 33 of Collected Works), 1984, 30 cm. DSCH Publishers, Moscow, score in Volume 91 of New Collected Works. Duration: 20 and 22 minutes in scores; 23' 22"–26' 52"; 25' 45" (Plaistow). Recordings: CD—Revelation RV 10101. Galina VISHNEVSKAYA (soprano), David Oistrakh (violin), Mstislav Rostropovich (cello), and Mieczysław Weinberg (piano). P première concert 23 [not 27 as given] Oct. 1967, G July 1998 ~ *Moscow Conservatory SMC 0079-80 (‘Bolshoi Hall 100th Anniversary’, two-disc set, mono). No. 7 only. [Rakhmaninov, Bach, Vivaldi et al.] P date given as 20 October 1967, I 2001.

500

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Classical Society CSCD 123. Galina VISHNEVSKAYA (soprano), Emanuel Hurwitz (violin), Mstislav Rostropovich (cello), and Benjamin Britten (piano). P Snape concert 24 June 1968, I 1992. Decca 466 823-2DM (‘Britten at Aldeburgh’, Volume 6). G Aug. 2000. LP—USSR: Melodiya D 025887-8 (mono). Nadezhda YURENEVA (soprano), Boris Gutnikov (violin), A. Nikitin (cello), and M. Karandashova (piano). P and I 1969 ~ USSR: Melodiya C16789 008 (‘The Poetry of A. Blok in Music’). ‘Song of Ophelia’ only. I 1982c. CD—–France: Praga PR 250 009. Sung in Czech. Brigita SULCOVÁ (soprano), Emil Leichner junior (violin), Antonin Duda (cello), and Emil Leichner (piano). P Prague 1970, I 1992. LP—USA: Turnabout TV 34280 S. Mary Ellen PRACHT (soprano) and New Amsterdam Trio (John Pintavalle, Heinrich Joachim, Edith Mocsanyi). P 1971, G Mar. 1972. Czech: Panton 11 0342 H (in two-record set). Sung in Czech. Brigita SULCOVÁ (soprano), and Dvorˇ ák Piano Trio (František Pospišíl, Jaroslav Chovanec, Radoslav Kvapil). P 1972. USSR: Melodiya C10 06347-8 (‘Songs to verses of Soviet Poets’). Margarita MIROSHNIKOVA (soprano), Andrei Korsakov (violin), Viktor Simon (cello), and Iolanta Miroshnikova (piano). P 1975, I 1976b ~ USSR: Melodiya C10 10527-06348 (in third box of Part 3 of Collected Works on Records). I 1978. LP and CD—Sweden: BIS LP 37. Jacqueline DELMAN (soprano), Emil Dekov (violin), Åke Olofsson (cello), and Lucia Negro (piano). P Nacka Aula, Sweden 23–31 Aug. 1975. Reissued on CD—Sweden: BIS CD 26. I 1991, G Sept. 1992. USSR: Melodiya C10 06875-6. Galina PISARENKO (soprano), Oleg Kagan (violin), Dmitri Fershtman (cello), and Elizaveta Leonskaya (piano). P Moscow concert July 1975, I 1976d. Reissued on CD—Japan: Victor Musical Industries VICC 40082-83 (‘Shostakovich Songs’, two-disc set). I 1991. *Poland: Dux Recordings DUX 0394. Margarita MIROSHNIKOVA (soprano), Igor Ivanov (violin), Andrzej Wróbel (cello), and Jerzy Witkowski (piano). [Op. 79.] P Warsaw Philharmonic Chamber Hall concert 26 Sept. 1975, I Aug. 2003. HMV ASD 3222 in Set SLS 5055. G. VISHNEVSKAYA (soprano), Ulf Hoelscher (violin), M. Rostropovich (cello), and Vasso Devtzi (piano). P 1976, G Sept. 1976. Reissued on CD—EMI CMS5 65716-2 (three-disc set). I Nov. 1995, G Sept. 1996 ~ *EMI Great Artists of the 20th Century 7243 5 62829-2. [Opp. 109, 29, and Sans op. V.] I 2004. LP—USSR: Melodiya C10 09683-4. Mariya MAIDACHEVSKAYA (soprano), Arkadi Vinokurov (violin), Mariya Chaikovskaya (cello), and Yevgeni Rzhanov (piano). P1977, I 1978c.

OP U S 127: SEV EN ROMAN CES ON POEMS

501

LP and CD—Decca 411 940-IDH (digital) and released on CD—411 940-2DH. Elisabeth SÖDERSTRÖM (soprano), Christopher Rowland (violin), Ioan Davies (cello), and Vladimir Ashkenazy (piano). P Amsterdam Dec. 1983; G Feb., May, and Oct. 1987. LP—Germany: Thorofon Capella MTH 267 (DMM). Sung in M. Koerth’s German translation. Eva CSAPÓ (soprano), Hans Maile (violin), René Forest (cello), and Horst Göbel (piano). P Feb. and June 1984. France: Harmonia Mundi Ottava LP OTR 58504. Tannie WILLENSTYN (soprano) and Guarneri Trio (Mark Lubotsky, Jean Decroos, Danièle Dechenne). P 1985, I Apr. 1987. CD—Norway: Aurora ARCD 1915. Anne-Lise BERNTSEN (soprano), Terje Tønnesen (violin), Aage Kvalbein (cello), and Einar Henning Smeybe (piano). P 1987, I Nov. 1987 ~ Victoria/Gamut VCD 19017. G Nov. 1991. Germany: Dabringhaus und Grimm MD+GL 3334. Alla ABLABERDYEVA (soprano) and Münchner Klaviertrio (Ilona Then-Bergh, Gerhard Zank, Michael Schäfer). P date not stated, I 1989. Chandos CHAN 8924. Nadia PELLE (soprano) and Borodin Trio (Rostislav Dubinsky, Yuli Turovsky, Lyubov Yedlina). P Layer Marney, Essex 2–3 Aug. 1990, I Mar. 1991, G Oct. 1991 ~ Chandos CHAN 9627 (‘In Memory of a great artist—Rostislav Dubinsky’, two-disc set). No. 3 only. I 1998. France: Le Chant du Monde Russian Season RUS 288 088. Natalya GERASIMOVA (soprano) and Moscow Trio (Vladimir Ivanov, Mikhail Utkin, Aleksandr Bonduryansky). P Moscow Conservatory Sept.–Nov. 1993, I Sept. 1994. Naxos 8.553297. Anita SOLDH (soprano) and Stockholm Arts Trio (Dan Almgren, Torleif Thedèen, Sefan Bojsten). P Stockholm 13–15 Mar. 1995, G July 1997. Chandos CHAN 9526 (two-disc set). Joan RODGERS (soprano) and the Bekova Sisters (Elvira, Alfia, and Eleonora). P Highgate, London 19–20 June 1996, G May 1997. USA: Summit DCD 193. Joanne KOLOMYJEC (soprano), Yehonatan Berick (violin), David Hetherington (cello), and Patricia Parr (piano). P Toronto Dec. 1996. Hungary: Hungaroton Classics HCD 31780. Mária ASZÓDI (soprano) and Bartos Trio (Galina Danilova, Csaba Bartos, Irina Ivanickaia). P Hungaroton Studio 11–14 Sept. 1997. Italy: Foné 99 F 31. Sung in Russian but texts printed in Italian only. Raina KABAIVANSKA (soprano) and Arnold Bosnian (piano). P Cremona 16 Jan. 1998. Belgium: René Gailly CD92 041 (‘Complete Songs’, Volume 1). Viktoria YEVTODIEVA (soprano), Lidiya Kovalenko (violin), Irina Molokina (cello), and Yuri Serov (piano). P St Petersburg 4 May 1998 ~ *USA: Delos

502

D M I T R I SHOSTA K OVIC H C A TA LO GUE

DE 3307 (‘Shostakovich Complete Songs’, Volume 2). [Opp. 123, 121, 143, and 146.] G Awards (Oct.) 2002. Denmark: Classico CLASSCD 273. Nina PAVLOVSKy (soprano), Niels Christian Øllgaard (violin), Dorothea Wolff (cello), and Ulrich Stark (piano). P Mantziusgården, Denmark 26–28 May 1998. Orfeo C465 991A. Alla ABLABERDYEVA (soprano) and Munich Trio (Rudolf J. Koeckert, Gerhard Zank, Hermann Lechler). P Bavarian Radio Studio 4–5 May and 4–7 June 1999, I Mar. 2001. **Netherlands: Q Disc Q 97051. Charlotte RIEDIJK (soprano), Peter Brunt (violin), Larissa Groeneveld (cello), and Ellen Corver (piano). [Messiaen.] P Renswoude 1–3 May 2000, I Feb. 2002. USA: Arizona Friends of Chamber Music AF 01. Nadezhda SHABANINA (soprano), Alla Aranovskaya (violin), Leonid Shukayev (cello), and Kevin Fitz-Gerald (piano). [Prokofiev.] P Tucson Winter Chamber Music Festival 11 Mar. 2001, I 2002. France: Alpha 055 (‘Krokodil’, two-disc set). Nadya SMIRNOVA (soprano), Graf Mourja (violin), Maria Hallynck (cello), and Arthur Schoonderwoerd (piano). [Opp. 123, 87, 67, and 121.] P Chaux-de-Fonds, Switzerland May 2003, I May 2004. Czech: Arco Diva UP 0069-2 131. Alžbeˇta POLÁCˇKOVÁ (soprano) and Arte Trio (Adéla Štajnochrová, Alžbeˇta Vlcˇková, Jana Holmanová). [Opp. 8 and 67.] P Lichtenstein Palace, Prague Sept.–Nov. 2004, I 2005. Stradivarius STR 33706 (‘Complete works for pianoforte trio’). Yulia KORPACHEVA (soprano), and Trio di Parma (Ivan Rabaglia, Enrico Bronzi, Alberto Miodini). [Opp. 8 and 67.] P Auditorium Paganini, Parma, Italy 3, 4, 7, 8 Jan. 2005, I Oct. 2008. Warner Classics 2564 62514-2. Joan RODGERS (soprano) and Beaux Arts Trio (Daniel Hope, Antonio Meneses, Menahem Pressler). [Opp. 8 and 67). P Indiana University, Bloomington 8–12 July 2005, I Nov. 2005, G Jan. 2006. Switzerland: Claves 50-2605. Gun-Brit BARKMIN (soprano) and Zurich Piano Trio (Gabriel Adorján, Joël Marosi, Christaine Frucht). [Opp. 8 and 67.] P Bayerischer Rundfunk Studio, Munich 8–9 Nov. 2005, I July 2006. Italy: Amadeus-Paragon AM 201-2. Miomira VITAS (soprano) and Ars Trio di Roma (Marco Fiorentini, Michele Chiapperino, Laura Pietrocini). [Opp. 8 and 67.] P Aula Magna Seminario di Ivrea, Italy 2–5 May 2006. Canada: Analekta AN 2 9854. Aline KUTAN (soprano) and Gryphon Trio (Annalee Patipatanakoon, Roman Borys, Jamie Parker). [Opp. 8 and 67; Silvestrov.] P Willowdale United Church, Toronto 13–16 June 2006, G July 2007. Belgium: Fuga Libera 525. Tatyana MELNYCHENKO [soprano], Natalia Prischepenko, Sebastian Klinger, Plamena Mangova. [Op. 67.] P The Right Place Studio, Brussels July 2006, I Aug. 2007.

O PUS 1 2 9 : V I OLIN C ONC ERTO NO. 2 IN C SH ARP MIN OR

503

Spain: Columna Música 1CM 0180. Young-Hee KIM (soprano), I.O.M. Trio (Joan Orpella, José Mor, Daniel Liorio). [Opp. 8 and 127.] P l’Auditori Paper de Música de Capellades, Barcelona 13, 15, 16 Dec. 2006 and 15 Jan. 2007. Ondine ODE 1109 (Hybrid SACD). Yvonne NAEF (mezzo-soprano), Juliette Kang, Hai-Ye Ni, Christoph Eschenbach. [Op. 47.] Perelman Theater, Philadelpia concert May 2007, I June 2008.

Opus 128: Spring, Spring Form: Song for bass voice and grand piano, marked ‘Andante’, to words by Aleksandr Pushkin, from chapter seven, stanza II of the poetic novel Eugene Onegin, written between 1823 and 1831. Composed: 1967, with the intention of completing his cycle of 12 Pushkin songs planned in 1936 (see Opp. 46 and 91). Première: November 1979, Leningrad; Yevgeni Nesterenko (bass). Arrangement: Orchestrated by Gennadi Rozhdestvensky. Music: Autograph found among the composer’s papers after his death and preserved in the Shostakovich Family Archive. Muzyka, No. 11785 (in Volume 33 of Collected Works), 1984, 30 cm. DSCH Publishers, Moscow, piano score in Volume 94 of New Collected Works. Duration: 2' 03". Recording: LP and CD—USSR: Melodiya C10 26307 004 (Album 6 of ‘From Manuscripts of Different Years’). Orchestrated by Rozhdestvensky. Yevgeni NESTERENKO (bass), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky). P 1983-86, I 1988d. Reissued on CDBMG Melodiya 74321 59058-2 (two-disc set). I and G Mar. 1999. **CD—USA: Delos DE 3313 (‘Shostakovich Complete Songs, Volume Four—1932-68: The Unknown Shostakovich’). Fyodor KUZNETSOV (bass) and Yuri Serov (piano). [Opp. 33, 99, 80, 72, 109; Sans op. X(i & ii).] P St Catherine Lutheran Church, St Petersburg 23 Jan., 8 and 16 Feb. 2002, I UK Jan. 2006.

Opus 129: Violin Concerto No. 2 in C sharp minor Form: Concerto for violin and small orchestra (with no brass other than 4 horns) in three movements: 1. Moderato—Allegretto 2. Adagio attacca 3. Adagio—Allegro

504

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Instrumentation: piccolo, flute, 2 oboes, 2 clarinets (A and B flat), 2 bassoons, contrabassoon ~ 4 French horns ~ timpani, tom-tom ~ 1st violins (16), 2nd violins (14), violas (12), cellos (12), double-basses (10 including five-string). [String numbers halved in Boosey & Hawkes score.] Composed: May 1967, at Moscow and Repin; completed on 18 May 1967. Dedication: David Fyodorovich Oistrakh (violinist). Intended as a gift on his sixtieth birthday but the composer miscalculated his age—see Opus 134. Premières: First performances on 13 September 1967, Palace of Culture, Bolshevo, near Moscow and 26 September 1967, Moscow Conservatory Bolshoi Hall; David Oistrakh, Moscow Philharmonic Orchestra, Kirill Kondrashin. Official première by the same forces on 26 October 1967. UK: 19 November 1967, Royal Festival Hall, London; D. Oistrakh, London Symphony Orchestra, Eugene Ormandy. USA: 11 January 1968, New York; D. Oistrakh, New York Philharmonic Orchestra, Leonard Bernstein. Arrangement: Reduction for violin and piano by the composer, with the violin part edited by David Oistrakh. Music: The autograph full and piano scores preserved in the Shostakovich Family Archive. Hans Sikorski, No. 6447, 1967, score, 30 cm. Boosey & Hawkes, No. 836, 1968, score, 19 cm. Sovetskii kompozitor, No. 895, 1969, reduction for violin and piano, 28.5 cm. Sovetskii kompozitor, No. 896, 1970, score, 29 cm. Edition Peters, No. 5718, 1970, reduction, 30 cm. Sovetskii kompozitor, No. 9227, 1976, reduction, 29 cm. Muzyka, No. 10712 (in Volume 14 of Collected Works), 1981, 30 cm. Muzyka, No. 10793 (in Volume 15 of Collected Works), 1981, reduction including a separate violin part ed. D. Oistrakh, 30 cm. DSCH Publishers, Moscow, full score in Volume 44 and piano score in Volume 45 of New Collected Works. Duration: 29 and approx. 30 minutes in scores; 24' 57"–34' 05". Films: The recorded phone conversation between the composer and dedicatee with excerpts from the concerto, accompanied by still photographs, appears on a Netherlands videocassette Kultur 1130. A videocassette, Warner Vision 3984 23020-3, of the documentary film by Bruno Monsaingeon entitled ‘David Oistrakh—Artist of the People?’ includes excerpts from both violin concertos, Opp. 77 and 129, and the telephone discussion of the latter. Reviewed G Aug. 1998. Recordings: LP and CD—USSR: Melodiya D021405-6 (mono) and C01627-8. David OISTRAKH (violin), Moscow Philharmonic Orchestra, Kirill Kondrashin. P 21 Nov. 1967, I 1967 ~ HMV Melodiya ASD 2447.

O PUS 1 2 9 : V I OLIN C ONC ERTO NO. 2 IN C SH ARP MIN OR

505

G Mar. 1969 ~ HMV Melodiya ASD 3235 in Set SLS 5058. G Oct. 1976 ~ USSR: Melodiya C10 06907-8 (a 16-minute phone conversation between D. Oistrakh and the composer concerning rehearsal of the work). I 1976d ~ Germany: Melodia Eurodisc 88 665 XPK (in thirteen-record Oistrakh box set). Reissued on CD—France: Le Chant du Monde LDC 278 882 (‘The David Oistrakh Edition’, on second of five discs available singly. I 1987, G Apr. 1988 ~ USSR: Melodiya SUCD 10 00242. I 1991c ~ RCA 74321 72914-2 (two-disc set). I Apr. 2000. USSR: Melodiya C10 14091-2 (in third box of Part 1 of Collected Works on Records). D. OISTRAKH (violin), Moscow Philharmonic Orchestra, Gennadi Rozhdestvensky. P Moscow concert 27 Apr. 1968, I 1980 ~ *Reissued on CD—Netherlands: Brilliant Classics 92609 (ten-disc set, mono). P date given incorrectly as 27 Sept. 1968, I 2005. CD—Italy: Intaglio INCD 7241. D. OISTRAKH (violin), USSR Symphony Orchestra, Yevgeni Svetlanov. P Royal Albert Hall, London concert 28 Aug. 1968, 1 July 1992 ~ BBC Legends BBCL 4060-2. I Feb. 2001, G May 2001. *Japan: Weitblick SSS 0058 (mono). Viktor TRETYAKOV (violin), Dresden State Opera Orchestra, Herbert Kegel. [Beethoven.] P Kulturpalast, Dresden concert 10 Oct. 1969, I 2006. LP—Poland: Muza SX 1749. Wanda WILKOMIRSKA (violin), Warsaw Philharmonic Orchestra, Wojciech Michniewski. P Warsaw 15–17 May 1979, I 1986. CD—Revelation RV 10108. Viktor TRETYAKOV (violin), USSR Symphony Orchestra, Mariss Jansons. P 28 Dec. 1979, I May 1998 ~ *Korea: Yedang Classics YCC 0032. [Op. 77.] I May 2002. France: Praga PR 250 052. Jirˇí TOMÁŠEK (violin), Prague Radio Symphony Orchestra, Charles Mackerras. P Czech radio concert Feb. 1982, I 1994, G July 1995. *Brilliant Classics (‘Viktor Tretyakov Edition’, on sixth of ten-disc set, stereo).Viktor TRETYAKOV (violin), USSR State Radio and Television Symphony Orchestra, Vladimor Fedoseyev. [Prokofiev amd Messiaen.] P concert 3 June 1983, G June 2006. USA: Pyramid 13493. Nell GOTKOVSKY (violin), Bulgarian National Radio Symphony Orchestra, Vassil Kazandzhiev. P Sofia Oct. 1987, I 1988, G Oct. 1991. Chandos CHAN 8820. Lydia MORDKOVITCH (violin), Scottish National Orchestra, Neeme Järvi. P Glasgow 16–17 Oct. 1989, G Apr. 1990. The Gramophone Awards 1990—winner of Concerto category, G Oct. 1990. *Reissued with same number. [Op. 77.] I and G Sept. 2004. Virgin Classics VC7 91143-2. Dmitri SITKOVETSKY (violin), BBC Symphony Orchestra, Andrew Davis. P London Dec. 1989, G Sept. 1990.

506

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Preis der Deutschen Schallplattenkritik award 1990 ~ Virgin Classics VBD5 61633-2 (two-disc set). I Aug. 1999. Deutsche Grammophon 439 890-2GH. Gidon KREMER (violin), Boston Symphony Orchestra, Seiji Ozawa. P Boston concert Apr. 1992, I and G Sept. 1994. France: Arion ARK 68326. Marie SCHEUBLÉ (violin), Monte-Carlo Philharmonic, James DePriest. P Monte-Carlo July 1995, I Mar. 1996. USA: Triton 17 006. Maksim FEDOTOV (violin), Russian State Symphony Orchestra, Aleksandr Vedernikov. P Moscow Conservatory Dec. 1995, I Nov. 1996 ~ *Japan: DMC Classics DICC 26039. [Op. 77.] I 1999 ~ *Russia: Kvadro Classic KTL02-682. [Op. 77.] I 2002. Naxos 8.550814. Ilya KALER (violin), Polish National Radio Symphony Orchestra, Antoni Wit. P Katowice 15–18 Jan. 1996, G Oct. 1997. Czech: Supraphon SU 3178-2 031. Bohumil KOTMEL (violin), Czech Philharmonic Orchestra, Petr Altrichter. P Prague 15–16 Feb. 1996, I Sept. 1996. Teldec 0630-13150-2. Maksim VENGEROV (violin), London Symphony Orchestra, Mstislav Rostropovich. P Sept. 1996, G Awards (Nov.) 1997 ~ Warner Elatus 0972 4674-2. [Op. 77.] G Awards (Oct.) 2002. **Warner Classics 2564 62546-2. Daniel HOPE (violin), BBC Symphony Orchestra, Maksim Shostakovich. [Opp. 77 and 97.] P Maida Vale Studios, London 7–9 Nov. 2005, I Mar. 2006, G June 2006. Germany: Orfeo C387161A. Arabella STEINBACHER (violin), Bavarian Radio Symphony Orchestra, Andris Nelson. [Op. 77.] P Herkulessal der Residenz, Munich 3–6 May 2006. Naïve V5025. Sergei KHACHATRYAN (violin), Orchestre National de France, Kurt Masur. [Op. 77.] P Salle Olivier Messiaen, Maison de la Radio 5–7 July 2006, I Oct. 2006.

Opus 130: Funeral-Triumphal Prelude Form: Short orchestral piece, with alternative titles of Poem of Mourning and Triumph and Prelude—Stalingrad, for large symphony orchestra (with triple woodwind and additional brass band of 13 to 26 players), marked ‘Adagio’. Instrumentation: piccolo, 2 flutes, 3 oboes, 3 B flat clarinets, 2 bassoons, contrabassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani (5 players), side drum, cymbals, bass drum ~ separate band of 2–4 B flat cornets, 3–6 B flat trumpets and 2–4 each of alto, tenor, baritone, and bass saxhorns ~ strings. Composed: 1967. Intended for a recording to be used at the inaugural ceremony of the Mamayev Hill war memorial, Volgograd. [An arrangement of Robert Schumann’s Träumerei was later used for the Flame of Eternal Glory tape-recording.]

OPUS 131: OCT OBER

507

Dedication: In memory of the heroes of the Battle of Stalingrad. Première: October 1967, Volgograd (Stalingrad). Music: Autograph score preserved in the Shostakovich Family Archive. Numbered Opus 131 in some lists. Muzyka, No. 11687 (in Volume 11 of Collected Works), 1984, full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 36 and piano score in Volume 37 of New Collected Works. Duration: ‘A short piece lasting a mere 2 minutes’ (the composer); 2' 43". Recording: Decca 436 762-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow 30 Apr. 1992, G Apr. 1994.

Opus 131: October Form: Symphonic poem for orchestra (with triple woodwind), marked ‘Moderato—Allegro’. The secondary theme is a reworking of the song ‘To the Partisan’ from Volochayevka Days, Opus 48. Instrumentation: piccolo, 2 flutes, 2 oboes, cor anglais, 3 clarinets (A and B flat), 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals ~ strings. Composed: Started in summer 1967, at Moscow, and completed on 10 August 1967, in the Belovezhskaya Forest. Composed for the fiftieth anniversary of the October Revolution. Premières: 16 September 1967, Moscow Conservatory Bolshoi Hall; USSR Symphony Orchestra, Maksim Shostakovich. USA: 10 October 1988, New York Avery Fisher Hall; New York Philharmonic Orchestra, Andrew Davis. Arrangements: Reduction for piano duet by the composer. Transcription for military band (with optional oboes, bassoons, saxophones, and brass band) by Daniil Braslavsky, for the sixtieth anniversary of the October Revolution. Music: Autograph score and the composer’s reduction for piano duet preserved in the Shostakovich Family Archive. Given as Opus 132 on the first four scores listed here and by McAllister (1975). Hans Sikorski, 1967, parts for hire only, 30 cm. Muzyka, No. 5789, 1969, score, 29.5 cm. Edition Peters, No. 5744 (plate no. 12665), 1972, 18.5 cm. Sovetskii kompozitor, No. 4194, 1977, arr. for military band by D. Braslavsky, 29 cm. Muzyka, No. 11687 (in Volume 11 of Collected Works), 1984, 30 cm. DSCH Publishers, Moscow, full score in Volume 36 and piano score in Volume 37 of New Collected Works. Duration: Approx. 13 minutes in score; 12' 27"–15' 43"; 20 minutes (M. MacDonald).

508

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Recordings: [Radio GDR recording broadcast on BBC Radio 3, 25 Aug. 1977. Berlin Radio Symphony Orchestra, Heinz Rogner.] LP and CD—Czech: Panton 11 0665-7 (‘Soviet Music 1917–77’). Czech Radio Symphony Orchestra, Zdeneˇk KOŠLER. P Czech Radio 1977. Reissued on CD—France: Praga PR 254 055. I July 1994. CD—Olympia OCD 201. Labelled Op. 132. Moscow Symphony Orchestra, Veronica DUDAROVA. P 1982, I Dec 1987. Deutsche Grammophon 427 616-2GH. Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg May 1988, I Aug. 1989, G May 1991. NB. Bars 45 and 46 repeated ~ Deutsche Grammophon 459 415-2GTA2 (two-disc set). I Jan. 1999 ~ Deutsche Grammophon Classikon 469 0292GCL. G Aug. 2000. Academy Sound and Vision CD DCA 707. Royal Philharmonic Orchestra, Enrique BATIZ. P Mitcham 1990, I June 1990, G Sept. 1990 ~ IMG Records IMGCD 1609. I June 1994, G Feb. 1995. Decca 436 762-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Walthamstow Apr. 1992, G Aug. 1994. Japan: Fun House FHCE 2014. Norrköping Symphony Orchestra, Junichi HIROKAMI. P Norrköping, Sweden Sept. 1993, I Jan. 1994. **Naxos 8.557812. Seattle Symphony, Gerard SCHWARZ. [Opp. 119 and 42.] P S.Mark Taper Foundation Auditorium, Benaroya Hall, Seattle Feb. 2000, I Mar. 2006. Chandos CHAN 10358 (‘Words of Michelangelo’). BBC Philharmonic, Gianandrea NOSEDA. P New Broadcasting House, Manchester 5–7 Apr. 2005, I Feb. 2006, G Apr. 2006. NB. Not Op. 132 as labelled.

Opus 132: Sofya Perovskaya Form: Music for the biographical colour film Sofya Perovskaya, written by Yevgeni Gabrilovich, based on the life and execution of one of the ‘Will of the People’ assassins of Tsar Aleksandr II, and directed by Leo Arnshtam for Mosfilm. The film score for orchestra (with separate wind band and female chorus) comprises 18 items, of which all but two are known: March (Leading to the Execution)—Allegretto The Execution—Allegretto 1. Allegro 3. Allegretto Waltz—[Tempo di Valse] 4. Moderato 5. The Duel—Moderato 7. [The Village]—Andante

O PU S 133: QU A RTET NO. 12 IN D FL AT MAJ OR

8. 9. 10. 11. 12. 13. 14. 15.

509

Voronezh—Moderato Andante Allegro Allegro Sofya arrives home after the Prosecutor’s speech—Moderato The Dream—Adagio At Figner (Andrei Zhelyabov captured)—Allegro Sofya arrives at Figner after the assassination of the Tsar— Adagio

Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets (B flat and A), 2 bassoons ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani, side drum, cymbals, bass drum ~ xylophone, orchestral bells, harp, celesta, piano ~ 2 each of E flat alto, B flat tenor, B flat baritone, and bass saxhorns ~ S.A. female choir in No. 7 ~ strings. March and The Execution for piccolo solo with side drum accompaniment. Composed: September 1967. Première: Film first shown in January 1968. [Collected Works states 6 May 1968.] Music: Autograph score preserved in the Shostakovich Family Archive. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, sixteen items, 30 cm. DSCH Publishers, Moscow, full film score in Volume 132 of New Collected Works. Duration: Film: 107 minutes. Score sixteen items: 33' 02". Recording: *CD—Russia: Mosfilm Bomba Music BoMB 0033-168 (mono). Film soundtrack fragment No. 11 from the start to fig 7 leading to No. 12 ‘Sofya arrives home…’. Unidentified orchestra, Arnold ROITMAN. [Opp. 111 and 89; Prokofiev, Sviridov, Khachaturyan et al.] P 1967, I 2005. USA: Russian Disc RDCD 10 018. Sixteen items as listed under Form. Byelorussian Radio and TV Symphony Orchestra, Walter MNATSAKANOV. P Minsk Nov. 1995. Decca 460 792-2DH11. Waltz only. Royal Concertgebouw Orchestra, Riccardo CHAILLY. P Amsterdam 6–22 May 1998, G Apr. 1999.

Opus 133: Quartet No. 12 in D flat major Form: String quartet in two movements: 1. Moderato 2. Allegretto—Adagio—Allegretto Composed: Completed on 11 March 1968, at Repino. Dedication: Dmitri Mikhailovich Tsyganov (1st violinist of the Beethoven Quartet).

510

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Premières: 14 June 1968, USSR Composers’ Club, Moscow; 14 September 1968, Moscow Conservatory Malyi Hall; and 5 November 1968, Glinka Concert Hall, Leningrad; Beethoven Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Druzhinin, and Sergei Shirinsky). UK: 27 June 1970, Aldeburgh Festival; Aeolian Quartet (Sidney Humphreys, Raymond Keenlyside, Margaret Major, and Derek Simpson). Arrangements: Reduction for piano four hands by Anatoli Dmitriev and for two pianos by Dmitri Tsyganov. An abridged transcription for brass ensemble by Verne Reynolds (bars 79 to 119 cut in first movement; bars 84 to 122, 163 to 207, and 310–20 cut in second movement). A string orchestra arrangement by Barry Lieberman. Music: Autograph score preserved in Dmitri Tsyganov’s personal archive (presented at the official Moscow première). Photocopy of the autograph score preserved at TsGALI. Muzyka, No. 6059, 1969, score, 20 cm. Muzyka, No. 6171, 1969, parts, 29 cm. Hans Sikorski, No. 2164, 1969, parts, 31.5 cm. Hans Sikorski, No. 6226, 1969, score, 21 cm. Boosey & Hawkes, No. 856, 1970, 19 cm. Boosey & Hawkes, No. 19910, 1970, parts, 31 cm. Muzyka, 1972, parts, 29 cm. Muzyka, 1972, arr. for piano duet by D. Tsyganov, 29 cm. Edition Peters, No. 5762, 1973, parts, 30 cm. Muzyka, Leningrad, No. 2026 (in Volume 4 with Quartets 13 and 14 arr. for piano four hands by A. Dmitriev), 1976, 29.5 cm. Muzyka, No. 10284 (in Volume 36 of Collected Works Quartets 9–15), 1980, 30 cm. Hans Sikorski, No. 2268 (new edition with Op. 122), 1980, score, 21 cm. DSCH Publishers, Moscow, score in Volume 103 of New Collected Works. Duration: Approx. 26 minutes in score; 23' 00"–28' 56"; 29' 15" (Plaistow). Recordings: LP—USSR: Melodiya CM 03223-4. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P 25 Dec. 1968, I 1972 ~ HMV Melodiya HQS 1324 in Set SLS 879. G June 1974. LP and CD—USSR: Melodiya D025115-6 (mono) and C01769-70, BEETHOVEN QUARTET (personnel as at premières). P 1969, G Oct. 1971. Reissued on CD—USA: Consonance Blue Label 81.3008 (‘Complete Quartets, Volume 4’). I Mar. 1996. CD—Italy: Intaglio INCD 7561. BORODIN QUARTET (personnel as above). P St John’s Smith Square, London 13 July 1970, I Aug. 1993. LP and CD—L’Oiseau-Lyre DSLO 23. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P Sept. 1976, G

O PU S 133: QU A RTET NO. 12 IN D FL AT MAJ OR

511

Nov. 1977. Gramophone Record Awards 1977—winner of Chamber Music category, G Mar. 1978 ~ Decca 188 D6 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on fifth of six-disc set). G June 1992. USSR: Melodiya C10 11613-4 (in first box of Part 2 of Collected Works on Records). TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P 1979, I 1980. Reissued on CD—USSR: Melodiya SUCD 10 00312. I 1991d. USSR: Melodiya C10 17375-6. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1981, I 1982d ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49266-2. I Nov. 1987 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet.] I Mar. 1994 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997. CD—Olympia OCD 535 (‘Complete Quartets, Volume 5’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1985, G Sept. 1994. Teldec 9031 71702-2 (on fifth of six-disc set). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, I Nov. 1990, G June 1992. USA: ESS.A.Y. CD 1012. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Jersey City 12 June 1990, I 1991 ~ Koch Schwann 3 1070-2 (‘Complete Quartets, Volume 5’). I Sept. 1993. Virgin Classics VC7 59281-2. BORODIN QUARTET (M. Kopelman, A. Abramenkov, D. Shebalin, V. Berlinsky). P Snape Nov. 1990, I Feb. 1993, G June 1993 ~ Virgin Classics VBD5 61630-2 (two-disc set.). I Aug. 1999. Germany: Thorofon CTH 2238. PHILHARMONIA QUARTET OF BERLIN (Daniel Stabrawa, Christian Stadelmann, Neithard Resa, Jan Disselhorst). P Berlin 1994, I 1998. Deutsche Grammophon Compact Disc 463 284-2GH5 (‘Complete Quartets, Volume 4’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July–Aug. 1994, G June 2000 (the first movement included on cover CD). Naxos 8.550975 (‘Complete Quartets, Volume 4’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sándor Papp, György Éder). P Budapest 28–31 Mar 1995, I Apr. 1996, G Apr. 1997. **Netherlands: Globe GLO 5181 (‘Complete Quartets, Volume 3’). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 108 and 117.] P Utrecht Feb. 1998, I Nov. 2001.

512

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Arion ARN 68534. DEBUSSY QUARTET (Christophe Collette, Dominique Lonca, Vincent Deprecq, Yannick Callier). [Opp. 49 and 92.] P Lyon Nov. 2000. I and G Awards (Oct.) 2001. USA: Eastman in Concert CD 1001. Arr. by V. Reynolds. EASTMAN BRASS (James Thompson and Douglas Prosser—trumpets, Peter Kurau—French horn, John Marcellus—trombone, and Don Harry—tuba). [Rossini, Mendelssohn, and Reynolds.] P Eastman School of Music, Rocester, New York concert 4–7 June 2001, I July 2003. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 3’, five-disc set). RUBIO QUARTET (personnel as in 1998). [Opp. 92 and 122.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Hyperion CDA 67156. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). [Opp. 118 and 142.] P St Petersburg Dec. 2002 and Jan. 2003, G July 2003. Belgium: Fuga Libera 512 (‘Complete Quartets, Volume 3’, five-disc set) DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 142 and 110.] P Bayerische Rundfunk, Munich 20–23 Dec. 2004, I 2005. Chandos CHAN 10329 (‘Complete Quartets, Volume 6’). SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). [Opp. 57 and 49.] P The Maltings, Snape 10–12 Jan. 2005, I Aug. 2005, G Oct. 2005. Oehms Classics OC562 (‘Complete Quartets’—on fourth of fivedisc set). RASUMOVSKY QUARTET (Dora Bratchkov, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 118 and 138; Sans op. D(i).] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. USA: MSR Classics MS 1226. Arr. B. Lieberman. THE AMERICAN STRING PROJECT (conductorless—the players rotate from one concert to the next). P Illsley Ball Nordstrom Recital Hall, Benaroya Hall, Seattle concert 8 June 2006. Germany: Audite AU 92.529 (Hybrid SACD). MANDERLING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 118 and 142.] P Klingenmünster, Germany 23–25 Apr. 2008.

Opus 134: Violin Sonata Form:

Sonata for violin and grand piano in three movements:

1. Andante 2. Allegretto 3. Largo—Andante

or originally Pastoral Allegro furioso Variations on a Theme

OP U S 134: VIOL IN SON AT A

513

Composed: 26 August–23 October 1968, at Moscow, for David Oistrakh’s sixtieth birthday. [Originally Opus 129 was intended for this occasion but the composer was a year too early. This sonata was composed to make good the error.] Sketch for the first movement written on 26 June 1945. Dedication: David Fyodorovich Oistrakh (violinist). Premières: 8 January 1969, Union of Soviet Composers private hearing; David Oistrakh (violin) and Mieczysław Weinberg (piano). 3 May 1969, Moscow Conservatory Bolshoi Hall; D. Oistrakh and Svyatoslav Richter (piano). UK: 3 June 1971, London; Raymond Cohen (violin) and Anthya Rael (piano). Switzerland: 1 August 2005, Verbier Festival and Academy, Zinman and Pushkarev orchestration; Gidon Kremer (director and violin), Yuri Basmet (viola), Andrei Pushkarev (percussion), with the Kremerata Baltica. Arrangements: Krzysztof Meyer orchestration for violin and chamber orchestra (double woodwind, French horns, and strings with percussion ensemble of timpani, tambourine, gong, 2 tom-toms, side drum, 2 bongos, orchestral bells, xylophone, vibraphone, marimba, celesta, and harp). The sonata also orchestrated for violin, percussion and string orchestra by Michail Zinman and Andrei Pushkarev in 2005. Music: Autograph score preserved in the David Oistrakh archive at GTsMMK. The third movement was a set piece in the 1970 International Tchaikovsky Competition. Anglo-Soviet Music Press/Hans Sikorski, No. 19949, 1969, parts, 30 cm. Muzyka, No. 6709, 1970 and 1974, violin part ed. D. Oistrakh, 29 cm. Edition Peters, No. 5739 (plate no. 12630), 1971, 30 cm. Hans Sikorski, No. 2519, 1971, 31.5 cm. Muzyka, No. 10927 (in Volume 38 of Collected Works), 1982, including separate violin part, 30 cm. DSCH Publishers, Moscow, no number, 1997, 29 cm. DSCH Publishers, Moscow, full score in Volume 107 of New Collected Works. Duration: Approx. 31 minutes in score; 22' 49"–36' 18". Recordings: LP and CD—USSR: Melodiya M10 42045-6 (mono). D. OISTRAKH (violin) and Dmitri Shostakovich (piano). P in composer’s flat Dec. 1968, I 1980b. Reissued on CD—Revelation RV 70008 (‘Shostakovich plays Shostakovich, Volume 7’, mono). I Sept. 1998, G Feb. 1999. USSR: Melodiya CM 02355-6. D. OISTRAKH (violin) and Svyatoslav Richter (piano). P Moscow première 3 May 1969, I 1970 ~ HMV Melodiya ASD 2718. G Aug. 1971 ~ HMV Melodiya HQS 1369. G May 1977 ~ USSR: Melodiya D027313-4 (mono) and CM 02355-6 (the latter in second box of Part 2 of Collected Works on Records). I 1978. Reissued on

514

D M I T R I SHOSTA K OVIC H C A TA LO GUE

CD—USA: Mobile Fidelity Sound Lab MFCD 909. I Mar. 1989 ~ France: Le Chant du Monde LDC 278 1018-19 (two-disc set). I Feb. 1990, G June 1990 ~ BMG Melodiya 74321 34182-2 and 40711-2 (‘David Oistrakh Edition’, five-disc set, mono). I June 1977, G Feb. 1998. *CD—Brilliant Classics 93005 (‘Viktor Tretiakov Edition’, on tenth of ten-disc set, stereo). Viktor TRETYAKOV (violin) and Mikhail Erokhin (piano). [Prokofiev and Suk.] P concert 9 Mar. 1970, G June 2006. LP—USSR: Melodiya C10 06875-6. Oleg KAGAN (violin) and Elizaveta Leonskaya (piano). [Op. 127.] P 1976, I 1976d. USSR: Melodiya C10 08753-4. Gidon KREMER (violin) and Andrei Gavrilov (piano). P Dec. 1976, I 1978a ~ HMV Melodiya ASD 3547. G Sept. 1978. Cassette and LP—USA: Advent E 1069. Emanuel BOROK (violin) and Tatiana Yampolsky (piano). Reissued on LP—USA: Sine Qua Non SA 2045.1 1983. LP—USSR: Melodiya C10 12267-8. Pavel KOGAN (violin) and Elizaveta Ginzburg (piano). P 1979, I 1980a. USSR: Melodiya C10 17721006. Olga PARKHOMENKO (violin) and Natalya Derenovskaya (piano). P 1980, I 1983b. Philips 6514 102 (with Schnittke—Prelude in Memory of Shostakovich). Mark LUBOTSKY (violin) and Lyubov Yedlina (piano). P 1981, G June 1982. LP and CD—Chandos ABRD 1089 (digital). Rostislav DUBINSKY (violin) and Lyubov Yedlina (piano). P London June 1983, G Jan. 1934. Reissued on CD—Chandos CHAN 8343. I Sept. 1984, G Apr. 1985 ~ *Chandos X10087. [Op. 34.] I June 2003. LP—USA: Orion ORS 82441. STOYANOV DUO—Robert Stoyanov (violin) and Artur Stoyanov (piano). P supervised by Maksim Shostakovich at El Segundo, California 1983. USSR: Melodiya C10 21151 009. Grigori ZHISLIN (violin) and Frida Bauer (piano). P 1984, I 1985a. CD—Japan: JVC VDC 5015 (in two-disc set ‘To the Memory of David Oistrakh’). Oleg KAGAN (violin) and Svyatoslav Richter (piano). P Freiburg, West Germany concert 6–8 Mar. 1985 ~ Russia: Mezhdunarodnaya Kniga MK 418014. I 1992 ~ Olympia OCD 579 (‘The Richter Collection, Volume 10’). I Mar. 1996. Russia: Melodiya SUCD 10 00095. O. KAGAN (violin) and S. Richter (piano). P Moscow concert 17 May 1985, I 1993a ~ Germany: Live Classics LCL 183. P date given as 13 May 1985, I Mar. 2001 ~ *Regis RRC 1128. [Op. 147.] I Apr. 2003, G Sept. 2003. NB. The last-named is a mix of concert performances on 13 and 17 May 1985. Sweden: BIS CD 364 (‘The Russian Violin’). Christian BERGQVIST (violin) and Ronald Pöntinen (piano). P Sweden 22–24 May 1987, G Apr. 1988.

OP U S 134: VIOL IN SON AT A

515

Imp Classics MCD 58. Rimma SUSHANSKAYA (violin) and Roger Vignoles (piano). P Monmouth 29–30 Sept. 1988, I Apr. 1993. Italy: AS Disc As 5007. Gigino MAESTRI (violin) and Leonardo Leonardi (piano). P Genoa July 1989. Czech: Panton 81 1013-2 131. Jurí HURNÍK (violin) and Jaromír Klepác (piano). P Prague 23–26 Oct. 1989, I 1992. Germany: Sound-Star-Ton 0211. Josef RISSIN (violin) and Olga Rissin-Morenova (piano). P Wörth spring 1989, I 1991 ~ Germany: Sound-Star-Ton SST 30211. I Nov. 1994. Chandos CHAN 8988 (with Schnittke—Prelude in Memory of Shostakovich). Lydia MORDKOVITCH (violin) and Clifford Benson (piano). P Snape Maltings 11 Dec. 1990, G Dec. 1991. USA: Koch International Classics 3-7116-2H1. Pavel BERMAN (violin) and Anne Epperson (piano). P Purchase, New York 2–3 July 1991, I Apr. 1994. France: Erato 2292 45804-2. Shlomo MINTZ (violin) and Viktoria Postnikova (piano). P Metz Sept. 1991, G Nov. 1992 ~ *Warner 0927499554-2. [Op. 147.] I Jan. 2003. Netherlands: Fidelio 9203. Isabelle van KEULEN (violin) and Ronald Brautigam (piano). P Maria Minor Church, Utrecht 23–24 Mar. 1992, I July 1993 ~ Netherlands: Vanguard Classics 99306 (two-disc set). I Aug. 1999. France: REM Editions 311 210. Anton KHOLODENKO (violin) and Sergei Milstein (piano). P Tassin-la Demi-Lune summer 1993. France: Suoni e Colori C 53008 (‘Hommage a Dmitri Chostakovitch, Volume 2’). Alexandre BRUSSILOVSKY (violin) and Pascal Godart (piano). P Espace Fazioli, Paris Oct.–Nov. 1997. USA: Arabesque Z 6698 (two-disc set). Jamie LAREDO (violin) and Joseph Kalichstein (piano). P Purchase, New York 17–18 Dec. 1995 or 12–13 Sept. 1996, I and G Jan. 1998. *Germany: Kreuzberg Records kr 10044. Ben GREINER (violin) and Frank Wasser (piano). [Lutoslawski and Vorisek.] P Berlin-Kreuzberg June 1999. Nimbus NI 5631. Daniel HOPE (violin) and Simon Mulligan (piano). P Wyastone Leys, Monmouth 5–7 Aug. 1999, I Feb. 2000, G Apr. 2000. **Chanel Classics CCS 16398. Ilya GRUBERT (violin) and Vladimir Tropp (piano). [Opp. 5 and 34.] P Eindhoven, Netherlands Apr. 2000, I Oct. 2001. Belgium: De Rode Pomp Gents Muzikaal Arcief RP/GMA 009. Lidia KOVALENKO (violin) and Yuri Serov (piano). [Op. 34; and Schnittke.] P St Catherine Lutheran Church, St Petersburg 18 Apr. and 2 May 2000, I 2004. Italy: La Bottega Discantica 73. Paolo GHIDONI (violin) and Stefano Giavazzi (piano). [Beethoven and Pärt.] P Mantova, Italy concert 17 Nov. 2000, I 2001.

516

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Bulgaria: Gega New CD 269. Vesco ESCHKENAZY (violin) and Ludmil Angelov (piano)). [Prokofiev and Shchedrin.] P Madrid 23–24 Apr. 2001. Centaur CRC 2636. Grigori KALINOVSKY (violin) and Tatyana Goncharova (piano). [Op. 34.] P Staten Island, New York 10–12 May 2002. I and G May 2004. USA: Phoenix PHCD 155. Levon AMBARTSUMIAN (violin) and Anatoli Sheludyakov (piano). [Op. 147.] P University of Georgia, Athens, USA Apr. 2003, I Aug. 2004. France: Alpha 055 (‘Krokodil’, two-disc set). Graf MOURJA (violin) and Arthur Schoonderwoerd (piano). [Opp. 87, 109, and 146.] P Chaux-de-Fonds, Switzerland May 2003, I May 2004. Northern Flowers NF/PMA 9921-22 (two-disc set). Mikhail BEZVERKHNY (violin) and Timur Sergeyenya (piano). [Opp. 34 and 147.] P St Catherine Lutheran Church, St Petersburg 3–6 Nov. 2003, I 2004. Naxos 8.557722. Maksim FEDOTOV (violin) and Galina Petrova (piano). [Opp. 40 and 97.] P Russian State TV & Radio Studio, Moscow 15–30 Nov. 2004, I Oct. 2006. Sweden: BIS BIS-CD-1592 (‘Ballet for a Lonely Violinist’). Vadim GLUZMAN (violin) and Angela Yoffe (piano). [Sans op. E; and Auerbach.] P Västerås Concert Hall, Sweden June–July 2005, I June 2006. Deutsche Grammophon 477 6196GH. Arr. Zinman and Pushkarev. Gidon KREMER (director and violin), Andrei Pushkarev (percussion), and Kremerata Baltica. [Op. 147.] P Moscow Conservatory Bolshoi Hall concert Oct. 2005, I Nov. 2006, G Jan. 2007. Sweden: Intim Musik IMCD 102. Tino FJELDLI (violin) and Francisca Skoogh (piano). [Op. 147.] P Isidor Studio, Huaröd, Sweden 13–14 and 26–27 Oct. 2005. Calliope CAL 9355. Jan TALICH (violin) and Yakov Kasman (piano). [Op. 147.] P Studio Hamu, Prague Nov. 2005. Germany: Hanssler Classic SWR Music 93.190. Kolja BLACHER (violin) and Jascha Nemtsov (piano). [Weinberg.] P Kammermusikstudio, SWR Stuttgart 20–21 Feb. 2006, I Apr. 2007. Warner Classics 2564 62997-2. Leila JOSEFOWICZ (violin) and John Novacek (piano). [Op. 77.] P Academy of Arts and Letters, New York concert 25–26 Mar. 2006, I May 2006, G July 2006, G Sept. 2006 Quartz QTZ 2045 (two-disc set plus DVD ‘A People’s Music’—a film by Tim Meara). Ruth PALMER (violin) and Alexei Grynyuk (piano). [Op. 77.] P The Music Room, Champs Hill, Pulborough, West Sussex 6–7 May 2006, I and G Awards (Oct.) 2006. Naïve V5122. Sergei KHACHATRYAN (violin) and Lusine Khachatryan (piano). [Franck.] P Sion Concert Hall, Switzerland 16–19 July 2007, G June 2008.

OP U S 135: SY MPH ON Y N O. 14

517

Note: A rough draft and a fair copy of the 1945 unfinished first movement, in G minor and marked ‘Moderato con moto’, preserved at TsGALI.

Sans op. W: Cello Concerto No. 1 (Tishchenko) Form: New orchestration of former student Boris Tishchenko’s Cello Concerto No. 1, Opus 23 (composed in 1963, originally for 17 woodwind instruments, percussion, and harmonium, but not performed until 1968 in Leningrad). Shostakovich’s instrumentation employs a reduced woodwind ensemble of nine players, percussion (including wood block, tom-tom, and xylophone), and strings. Première: UK: 22 November 2007, Barbican Hall, London; Tim Hugh (cello), London Symphony Orchestra, Valery Gergiev (broadcast on BBC Radio3 on 31 November 2007). Composed: Shostakovich’s orchestration prepared in early 1969. The score presented to Tishchenko on 23 March 1969, the composer’s thirtieth birthday. Music: Manuscript in Shostakovich’s hand. [Tishchenko’s score published by Muzyka, Leningrad, 1968.] DSCH Publishers, Moscow, full score of Shostakovich’s instrumentation in Volume 147 of New Collected Works. Duration: 26' 03"–29' 27". Recordings: LP—[USSR: Melodiya CM 01805-6. In Tishchenko’s original orchestration. Mstislav Rostropovich (cello), Leningrad Philharmonic Orchestra woodwind and percussion ensemble, Igor Blazhkov. P and I 1969.] USSR: Melodiya C10 22267 009 (Album 4 of ‘From Manuscripts of Different Years’) Sergei MNOZHIN (cello), USSR Ministry of Culture Symphony Orchestra, Gennadi Rozhdestvensky. P 1984, I 1986a. CD—Chandos Compact Disc CHAN 9792 (‘The Unknown Shostakovich’). Aleksandr IVASHKIN (cello), Russian Symphony Orchestra, Valeri Polyansky. P Moscow Conservatory Jan. 1998, I Jan. 2000.

Opus 135: Symphony No. 14 Form: Symphonic song cycle for soprano and bass soloists, string orchestra, and percussion, to texts in Russian translations of Federico García Lorca, Guillaume Apollinaire, and Rainer Maria Rilke, and the original Russian of William Küchelbecker, in eleven sections: 1. De Profundis (García Lorca)—Adagio (for bass soloist) 2. Malagueña (García Lorca)—Allegretto (soprano) attacca

518

D M I T R I SHOSTA K OVIC H C A TA LO GUE

3. Lorelei (Apollinaire)—Allegro molto (soprano and bass) attacca 4. The Suicide (Apollinaire)—Adagio (soprano) 5. On Watch (Apollinaire)—Allegretto (soprano) attacca 6. Madam, look! (Apollinaire)—Adagio (soprano and bass) attacca 7. In prison—At the Sante Jail (Apollinaire)—Adagio (bass) 8. The Zaporozhian Cossack’s answer to the Sultan of Constantinople (Apollinaire)—Allegro (bass) attacca 9. O Delvig, Delvig! (Küchelbecker)—Andante (bass) 10. The death of the poet (Rilke)—Largo (soprano) attacca 11. Conclusion (Rilke)—Moderato (soprano and bass) Russian translations by I. Tynyanova (No. 1), L. Geleskul (No. 2), M. Kudinov (Nos. 3–8), and T. Silman (Nos. 10 and 11). Instrumentation: castanets, wood block, whip, 3 tom-toms (soprano, alto, and tenor—1 player) ~ orchestral bells, xylophone, vibraphone, celesta ~ soprano and bass soloists ~ 10 violins, 4 violas, 3 cellos, 2 five-string doublebasses. Composed: Piano vocal score completed in a Moscow hospital on 16 February 1969; the full score at his Moscow apartment on 2 March 1969. Dedication: Benjamin Britten (composer). Personal score inscribed ‘To dear Benjamin Britten as a token of profound respect from a cordially devoted D. Shostakovich 1 XII 1969 Moscow’. Premières: 21 June 1969, Moscow Conservatory Malyi Hall; Margarita Miroshnikova (soprano), Yevgeni Vladimirov (bass), Moscow Chamber Orchestra, Rudolf Barshai. Special concert for a select audience; the performance introduced by the composer. 29 September 1969, Hall of the Academy Cappella, Leningrad; Galina Vishnevskaya (soprano), Y. Vladimirov (bass), Moscow Chamber Orchestra, Rudolf Barshai. The performance introduced by the composer. NB. The concert took place after sixty rehearsals (Vishnevskaya in Galina, 401). UK: 14 June 1970, Aldeburgh Festival; G. Vishnevskaya, Mark Reshetin, English Chamber Orchestra, Benjamin Britten. USA: 1 January 1971, Academy of Music, Philadelphia; Phyllis Curtin (soprano), Simon Estes (bass), Philadelphia Orchestra, Eugene Ormandy. English translation: 13 September 1972, Queen Elizabeth Hall, London; Philomusica of London, David Littáur (conductor). Arrangements: Translation in English by Martin Cooper, Igor Buketoff, Valeri Vlazinskaya, and Emily Gill; and in German by Waltraut Levine (for the East German première in 1973) and Jörg Morgener. Version prepared

OP U S 135: SY MPH ON Y N O. 14

519

by J. Morgener, with poems in their original languages, approved by the composer in 1971. Reduction for voices and piano by the composer. Music: The autograph full and piano scores preserved in the Shostakovich Family Archive. The autograph of the tenth movement purchased for the Britten-Pears Library, Aldeburgh, in January 1991. The first page of the autograph vocal score is reproduced in Volume 9 of Collected Works. Music Fund of the USSR, 1969, reduction with libretto of 11 pages inserted, 29 cm. Edwin F. Kalmus, No. 325, 1969, Russian text, 26.5 cm. Hans Sikorski, No. 2174, 1970, Russian and German texts—Nos. 1–9 of the latter by J. Morgener, 21 cm. Anglo-Soviet Music Press, c.1971, vocal score with text translated into English by M. Cooper, 30 cm. Muzyka, No. 6830, 1971, full score, 29 cm. Muzyka, No. 9856 (in Volume 8 of Collected Works), 1980, full score, 30 cm. Muzyka, No. 11688 (in Volume 9 of Collected Works with reductions of Op. 113 and choral sections of Opp. 14 and 20), vocal score with Russian text, 30 cm. DSCH Publishers, Moscow, full score in Volume 14 and piano score in Volume 29 of New Collected Works. Duration: Approx. 42 minutes in score; 47' 04"–53' 11"; 50' 30" (Plaistow). Recordings: LP—USSR: Melodiya CM 01933-4. Margarita Miroshnikova (soprano), Yevgeni Vladimirov (bass), Moscow Chamber Orchestra, Rudolf BARSHAI. P summer 1969, I 1970 ~ HMV Melodiya ASD 2633. G Mar. 1971 ~ HMV Melodiya BOX 502512 in Set SLS 5025. G Dec. 1975. CD—USA: Russian Disc RDCD 11 192. Galina Vishnevskaya (soprano), Mark Reshetin (bass), Moscow Chamber Orchestra, Rudolf BARSHAI. P Moscow première concert 6 Oct. 1969, G Jan. 1994. BBC Legends BBCB 8013-2. Texts not included. G. Vishnevskaya (soprano), M. Reshetin (bass), English Chamber Orchestra, Benjamin BRITTEN. P Snape concert 14 June 1970, G Dec. 1999. LP—USA: RCA Red Seal LSC 3206. Phyllis Curtin (soprano), Simon Estes (bass), Philadelphia Orchestra, Eugene ORMANDY. P 1971 ~ RCA Red Seal LSB 5002. G July and Aug. 1971 ~ RCA Red Seal RL 01284 (in threerecord box set). G Nov. 1978 ~ USA: Time-Life ‘Great Man of Music’ box set STL 568. I 1979. LP and CD—USSR: Melodiya CM 04009-10. G. Vishnevskaya (soprano), M. Reshetin (bass), Moscow Philharmonic Orchestra, M. ROSTROPOVICH. P studio 1972, I 1974 ~ HMV Melodiya ASD 3090. G Dec. 1975. Reissued on CD—USSR: Melodiya SUCD 10 00241. I 1991c ~ Russia: Russian Disc RIO 00321-2 (in double-album ‘For the 85th Anniversary’, DMM).

520

D M I T R I SHOSTA K OVIC H C A TA LO GUE

I 1991 ~ Teldec 0630-17046-2 (in twelve-disc set of Symphonies). G Oct. 1997 ~ *Warner Classics Elatus 2564 61374-2. [Op. 14.] I 2004. CD—Revelation RV 10101 (mono). G. Vishnevskaya (soprano), M. Reshetin (bass), Moscow Chamber Orchestra, M. ROSTROPOVICH. P Moscow Conservatory Bolshoi Hall concert 12 Feb. 1973, G July 1998 ~ Venezia CDVE 04283 (two-disc set). [Op. 47.] I 2007. LP and CD—USSR: Melodiya C10 05477-8. Yevgeniya Tselovalnik (soprano), Yevgeni Nesterenko (bass), Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P 1974, I 1975d ~ USSR: Melodiya C10 05477-8 (in second box of Part 1 of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (DMM) (eleventh in twelve-record box set). G Dec. 1985. Reissued on CD—France: Le Chant du Monde LDC 278 1009-10 (in Box 5 of five two-disc sets). G May 1989 ~ BMG Classics Melodiya 7432119844-2. G Nov. 1994. LP—USSR: Melodiya C10 07673-4. Zara Dolukhanova (soprano), Yevgeni Nesterenko, (bass), Leningrad Chamber Orchestra, Lazar GOZMAN. P 1976, I 1977c ~ HMV Melodiya ASD 3481. G May 1978. LP and CD—USA: CBS 37270. Teresa Kubiak (soprano), Isser Bushkin (bass), Rodney Friend (violin), Sol Greitzer (viola), Lorna Munroe (cello), John Shaeffer (double-bass), New York Philharmonic Orchestra, Leonard BERNSTEIN. P 8 Dec. 1976 ~ CBS Masterworks 74084. G Apr. 1983. Reissued on CD—Sony Royal Edition SMK 47617. G Nov. 1993 and June 1994. Decca SXDL 7532 (digital). Sung in the original languages of the poems. Julia Varády (soprano), Dietrich Fischer-Dieskau (baritone), Concertgebouw Orchestra, Bernard HAITINK. P Amsterdam 14–15 Nov. 1981, G Jan. 1982. Reissued on CD—Decca 417 514-2DH. I Dec. 1986, G Mar. 1987 ~ Decca Ovation 425 074-2DM. G Nov. 1993 ~ London 444 440-2 (on tenth of eleven-disc set). I June 1995. USSR: Melodiya A10 00213 001 (digital). Makvala Kasrashvili (soprano), Anatoli Safiulin (bass), USSR Ministry of Culture Symphony Orchestra, Gennadi ROZHDESTVENSKY. P 1985, I 1987c. Reissued on CD—Olympia OCD 182. G Dec. 1988 ~ BMG Melodiya 74321 59057-2 (two-disc set). I Feb. 1999. USA: Schwann Musica Mundi VMS 002 107 (DMM). Hildegard Harting (soprano), Peter Meven (bass), Rundfunk-Sinfonieorchester Saarbrücken, Myung-Whun CHUNG. P Saarbrücken 16 May 1986, I Jan. 1988. Reissued on CD—Koch Schwann 311 033. I 1993. *USA: Minnesota Orchestra (no catalogue number assigned for the twelve-disc set—on disc 9: ‘Minnesota Orchestra at One Hundred—a collection of Recordings and Broadcasts from 1924 to 2003’). Elizabeth Holleque (soprano), Michael Devlin (bass), Minnesota Orchestra, Leonard SLATKIN. P Minnesota concert broadcast 3 Apr. 1987, I 2004.

OP U S 135: SY MPH ON Y N O. 14

521

Chandos ABRD 1232 (digital) and released on CD—CHAN 8607. Elizabeth Holleque (soprano), Nikita Storojev (bass), I Musici de Montréal, Eleonora Turovsky (leader), Yuli TUROVSKY. P Quebec 1988, G Dec. 1988. CD—Virgin Classics VC7 91432-2. Makvala Kasrashvili (soprano), Mikhail Krutikov (bass), Orchestre de Chambre de Lausanne, Aleksandr LAZAREV. P Lausanne University Apr. 1990, 1 July 1991, G Oct. 1991 ~ *Virgin Classics 5 62050-2 (two-disc set). [Op. 110a; Prokofiev, Debussy, and Milhaud.] I Feb. 2002. Naxos 8.550631. Magdaléna Hajóssyová (soprano), Peter Mikuláš (bass), Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 22 Feb.–4 Mar. 1991, I May 1993, G Nov. 1993 ~ Naxos 8.506003 (in six-disc set). I 1993. Deutsche Grammophon 437 785-2GH. Lyuba Kazarnovskaya (soprano), Sergei Leiferkus (baritone), Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg May 1992, I Oct. 1993, G Feb. 1994 ~ *Deutsche Grammophon 474 469-2 (two-disc set). [Opp. 113 and 141.] I May 2003. Denon CO 78821. Yelena Prokina (soprano), Sergei Aleksashkin (bass), Wilfried Rehm (cello), Vienna Symphony Orchestra, Eliahu INBAL. P Vienna Apr. 1993, I Mar. 1996. Netherlands: Erasmus WVH 131. Alexandra Nagelkerke (soprano), Nanco de Vries (bass), Utrecht Conservatory Chamber Orchestra, Viktor LIBERMAN. P Rotterdam Jan. 1994. Finland: Ondine ODE 845-2. Sung in the original languages of the poems. Margareta Haverinen (soprano), Petteri Salomaa (bass-baritone), Tapiola Sinfonietta, Joseph SWENSEN. P Espoo Sept. 1994, G Apr. 1996. France: Opus 111 OPS 30-165. Sung in the original languages of the poems. Marie-Stéphane Bernard (soprano), Lionel Peintre (baritone), Musicatreize, Roland HAYRABÉDIAN. P Miramas, France Apr. 1996, G Dec. 1996. **Sweden: BIS CD 1173. Joan Rodgers (soprano), John Tomlinson (bass), BBC National Orchestra of Wales, Mark WIGGLESWORTH. P Bristol 18–19 Mar. 1999, I July 2001, G Nov. 2001. Supraphon SU 38902 (on third of ten-disc set). Marina Shaguch (soprano), Michail Ryssov (bass), Prague Symphony Orchestra, Maksim SHOSTAKOVICH. P Smetana Hall, Prague concert 7–8 Dec. 1999, G Nov. 2006. Netherlands: Brilliant Classics 6275 (on tenth of eleven-disc set). Alla Simoni (soprano), Vladimir Vaneyev (bass), WDR Symphony Orchestra, Rudolf BARSHAI. P Cologne 1999-2000, I Dec. 2001. Germany: Capriccio 71 039-040 (two-disc set, Hybrid SACD). Marina Shaguch (soprano), Arutyun Kotchinian (bass), Gürzenich Orchestra of Cologne, Dmitri KITAYENKO. [Op. 141 and feature on the Cologne Shostakovich Project.] P Cologne studio 4–5 and 8–12 July 2003, I Aug. 2005.

522

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Dabringhaus und Grimm MDG 937 1211-6 (Hybrid SACD). Iano Tamar (soprano), Taras Shtonde (bass), Beethoven Orchestra of Bonn, Roman KOFMAN. P Heilig-Kreuz-Kirche, Bad Godesburg, Germany 18–20 July 2004 and 1–3 Feb. 2006, G Jan. 2009. Switzerland: Frequenzen No. 1. Sung in the original languages apart from Nos. 3 and 9 which are sung in Morgener’s German translation. Stephanie Friede (soprano), Pavel Daniluk (bass), Zurich Chamber Orchestra, Howard GRIFFITHS. P and issued to accompany the book Dmitri Schostakowitsch, Symphonie Nr. 14, Op. 135 by Andreas Wernli (Rüffer + Rub, 2004). Germany: ECM New Series 476 6177. Yulia Korpacheva (soprano), Fyodor Kuznetsov (bass), Kremerata Baltica, Gidon KREMER. [Mahler.] P Musikverein, Vienna concert 23 Nov. 2004, G Dec. 2007. EMI Classics 358077-2 (two-disc set). Karita Mattila (soprano), Thomas Quasthoff (bass), Berlin Philharmonic Orchestra, Simon RATTLE. [Op. 10.] P Philharmonie, Berlin concert 16–19 Sept. 2005, I May 2006, G Aug. 2006, EMI Classics 3 56830-2. Larissa Gogolevskaya (soprano), Sergei Aleksashkin (bass), Bavarian Radio Symphony Orchestra, Mariss JANSONS. [Op. 20.] P Herkulessaal, Münchner Residenz 7–8 Oct. and 11–12 Nov. 2005, I July 2006, G Oct. 2006. London Philharmonic Orchestra LPO 0099 (on fourth of four-disc set). Tatyana Monoganova (soprano), Sergei Leiferkus (baritone), London Philharmonic Orchestra, Vladimir JUROWSKI. P Queen Elizabeth Hall, London concert 2 Feb. 2006, I 2007. Arts Music 47723-8 (Hybrid SACD). Marina Poplavskaya (soprano), Mikhail Davidov (baritone), Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. [Op. 20.] P Auditorium di Milano concert June 2006, I 2006. Japan: Decca UCCD 1187. Joan Rodgers (soprano), Sergei Leiferkus (baritone), NHK Symphony Orchestra, Vladimir ASHKENAZY. P Megura Persimmon Hall, Tokyo 27–29 June 2006. Note: The poem ‘Loreliei’ is a translation of the original ballad by Clemens Brentan and should not be regarded as being by Apollinaire (see Levon Hakobian in Fay 2004).

Sans op. X: Miscellaneous Works (I) SONGS ‘A Toast to our Motherland’ Form: A song with lyric by Iosif Utkin for tenor, mixed chorus, and piano, marked ‘Presto’. Composed: 1944, for an album of songs to lyrics by Utkin.

SA NS OP . X : MISC ELL AN EOUS WORKS

523

Music: The whereabouts of the autograph is not known. Sovetskii kompozitor (in album We’ll Sing of Our Country), 1975. Muzyka, No. 10179 (in Volume 34 Collected Works), 1985, 30 cm. ‘The Black Sea’ Form: A song with lyric by S. Alymov and N. Verkhovsky for solo bass, male chorus and piano, marked ‘Allegro moderato’. Composed: 1944. Arrangement: A version edited by Aleksandr Tishchenko for an album commemorating the thirtieth anniversary of the Victory of the Soviet People in the Great Patriotic War, with alternative bayan accompaniment. Music: The whereabouts of the autograph is not known. Music Fund of the USSR (in collection Songs of the Navy, 1st edition), 1944. Sovetskii kompozitor, No. 3567 (in album It is impossible for us to forget all about this journey ... compiled by Aleksandr Tishchenko), 1975, 29.5 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, 30 cm. Recordings: LP—Europe: Harmonia Mundi WRC S/R 4283. Bulgarian State Choir. [?] USSR: Melodiya C60 19135 007. Red Banner Song and Dance Ensemble of the Black Sea Fleet, Ivan SAMOFATOV. I 1983d. ‘Our Native Russia has Gained Strength from the Storms’ Form: An unpublished song with words by S. Shchipachev, written in 1945, is preserved at TsGALI. This song for mixed choir and orchestra was intended as the National Anthem of the RSFSR. ‘Hymn to Moscow’ Form: An unpublished song, with the subtitle ‘Stand Fast, our inviolable National Shrine’, to words by I. Frenkel, was written in 1948. Autograph version for choir and piano preserved at the Glinka Museum with a variant for soloist, two-part chorus, and piano preserved at TsGALI. Musically this song is identical with that of ‘Song of Peace’ used in The Meeting on the Elbe, Opus 80. ‘Our Song’ Form: A song for chorus and orchestra with words by Konstantin Simonov. Composed: 1950, at Moscow.

524

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Arrangements: Reduction by the composer for solo bass, mixed chorus and piano, marked ‘Moderato maestoso’. Also for bass soloist and piano, marked ‘With moderate movement. Solemnly’. Music: Autograph score preserved at GTsMMK. Muzgiz, 1950, arrangement for soloist, chorus and piano. Muzykalnaya zhizn (‘Musical Life’) journal, 1982, No. 24, arr. for bass and piano, published as a supplement. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, 30 cm. ‘Supporters of Peace March’ Form: A marching song for solo tenor, chorus and piano, with words by K. Simonov. The tune, alternatively known as March of Peace Champions and Song of Fighters for Peace, is based on the first two bars of Novorossiisk Chimes, Sans op. U. Composed: Possibly in 1950. Arrangement: For male chorus and piano by the composer. Music: Autograph preserved at the Glinka Museum. First published in the collection Siberia is Calling, Moscow, 1956, chorus and piano. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, chorus and piano, 29 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, chorus and piano, 30 cm. ‘Bird of Peace’ Form: A song for voice and piano by the British composer Joan Smith in a Russian translation by L. Ozerov. Marked ‘Unhurried, expressively’. Awarded Second Prize at the Fourth International Festival of Youth, Bucharest. Composed: Arranged (stated as Obrabotka* on the printed edition) by Shostakovich on 28 August 1953. Music: Autograph preserved at GTsMMK. Published in a supplement to the journal Sovetskaya muzyka, 1953, No. 10. (‘Songs of a Friend’, fourth collection, Muzgiz No.23892). NB. This supplement and Meskhishvili (1995) name the composer Dzh. Ckit = J. Skit. DSCH Publishers, Moscow, score in Volume 135 of New Collected Works. Note: *Regarding this term, see the Note on ‘Cultivation’ under Opus 104. ‘There Were Kisses’ Form: A romantic song for bass voice and piano, with lyric by Yevgeni Dolmatovsky. No tempo indications.

SA NS OP . X : MISC ELL AN EOUS WORKS

525

Composed: Undated. Possibly written originally for the Opus 98 song cycle in 1954. Music: Autograph preserved at TsGALI. Muzyka, No. 10283 (in Volume 32 of Collected Works), 1982, 30 cm. Sovetskii kompozitor, No. 7815 (in Romances and Songs to verses of Yevgeni Dolmatovsky), 1987, 29 cm. DSCH Publishers, Moscow, score in Volume 95 of New Collected Works. Recording: **CD—Delos DE 3313 (‘Shostakovich Complete Songs, Volume Four—1932–64: The Unknown Shostakovich’). Mikhail LUKONIN (baritone) and Yuri Serov (piano). [Opp. 33, 99, 72, 80, 128, 109; Sans op. X(ii).] P St Catherine Lutheran Church, St. Petersburg 23 Jan., 8 and 16 Feb, 2002, I UK Jan. 2006. ‘October Dawn’ Form: A song with lyric by Vladimir Kharitonov for soloists and choir, marked ‘Grave’. Composed: 1957, at Moscow, for the fortieth anniversary of the October Revolution. Music: The whereabouts of the autograph is not known. Molodaya gvardiya, Moscow (in collection Ring Out, Song!), 1958. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, arr. for two voices and piano, 29 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, 30 cm. Recordings: LP—USSR: MK D004788-9 (‘Songs of Lenin, the Party and Motherland’, 8" mono). Vladimir SOROKIN and Boris SHAPENKO (baritone) with choir. P 1958 ~ USSR: MK D5062-3 (10" mono). I 1959. ‘We Cherish the October Dawns in Our Hearts’ and ‘We Sing Glory to Our Country’ Form: Two songs (also translated as ‘We keep the October Uprising in our Hearts’ and ‘We Glorify the Motherland’ respectively)—both marked ‘Maestoso’—for chorus and piano to words by V. Sidorov. Composed: 1957, at Moscow, for the fortieth anniversary of the October Revolution. Music: The whereabouts of the autographs are not known. Sovetskii kompozitor, No. 519 (in D. Shostakovich: Songs), 1958, chorus and piano, 29 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, chorus and piano, 30 cm.

526

D M I T R I SHOSTA K OVIC H C A TA LO GUE

‘To France’ Form: A song for voice, mixed choir, and piano. Composed: In the 1950s. Music: The whereabouts of the autograph is not known. Published by Sovetskii kompozitor in 1960 (Meskhishvili). ‘Glory to the Shipbuilders’ Form: A song for mixed chorus a cappella. Composed: Early 1960s. Music: Autograph lost. Published in Znamya kommunizma (‘Banner of Communism’), Odessa, No. 114, 10 June 1964. ‘La Serenata’ (Braga) Form: Transcription of a popular song by Gaetano Braga for two female voices, violin, and piano. Russian translation of M. Marcello’s lyric by A. Gorchakova, adapted by Shostakovich. Subtitled A Walachian Legend or Song of Angels and marked Andante con moto. Composed: Completed on 25 September 1972 (his birthday) after four or five days. Premières: 1983; Kiev Philharmonia; L. A. Shevchenko (soprano), L. P Filatova (mezzo-soprano), Mikhail Bezverkhny (violin), and Sofya Kenova (piano). UK: 24 September 2006 at the ‘Shostakovich 100’ two-day event; Queen Elizabeth Hall, London; Liora Grodnikaite (mezzo-soprano), Dmitri Sitkovetsky (violin), Aleksandr Ivashkin (cello), and Dmitri Alekseyev (piano). Music: Autograph found among the composer’s papers after his death. DSCH Publishers, Moscow, 2006, score and separate violin part, with fifteen-page article ‘The Black Monk: an unrealized opera project of Dmitry Shostakovich’ by Olga Digonskaya and facsimile score, 64 pp., 29 cm. DSCH Publishers, Moscow, score in Volume 146 of New Collected Works. Duration: 5' 19". Film: A Journey of Dmitry Shostakovich. A Sharmill Films Documentary covering the nine-day voyage from Moscow to New York on the Soviet cruise liner Mikhail Lermontov in June 1974 (to talk with American doctors, work on his planned film The Black Monk, and receive an honorary doctorate in fine arts). The Australian première of the 75-minute film shown in Sydney, at the Hayden Orpheum on 6 March 2006.

SA NS OP . X : MISC ELL AN EOUS WORKS

527

Recording: LP—USSR: Melodiya C10 26307 004 (Album 6 of ‘From Manuscripts of Different Years’). Lyudmila SOKOLENKO (soprano), Lyudmila KOLMAKOVA (mezzo-soprano), Aleksandr Suptel (violin), and Viktoria Postnikova (piano). P 1983-86, I 1988d. Note: See Abandoned Projects Appendix VII under The Black Monk entry and Film above (after Duration). (II) CANTATA Antiformalist Rayok Form: A satirical semi-staged cantata based on the notorious Conference of Musicians at the Central Committee of the All-Union Communist Party in Moscow, January 1948 and its Decree of 10 February 1948. The score, for four bass singers, a small mixed chorus of musical activists (required mainly for laughter and applause) and piano, uses the original text of speeches by Stalin, Andrei Zhdanov, and his successor, Dmitri Shepilov, in the libretto by the composer (not Lev Lebedinsky as claimed in a Tempo article). The composer states that the cast may be reduced to one versatile artist, taking the part of the chorus and all four roles in appropriate voices. The melodies of the popular songs ‘Suliko’, ‘Kamarinskaya’ and ‘Kalinka’ are introduced. The added finale quotes music from Jean-Robert Planquette’s operetta Les cloches de Corneville (1877). Composed: The first part before the appearance of Troikin written secretly in May 1948, with a continuation in 1957 after the Second Congress of Musicians at which Zhdanov’s successor, Dmitri Shepilov, presided. Originally the score purposefully remained incomplete at the 24th bar after fig. 33. A finale, composed between 1965 and 1968, was discovered by Veniamin Basner in May 1989. Premières: USA: 12, 13, 14, and 17 January 1989, Kennedy Center Concert Hall, Washington and 15 January 1989, Carnegie Hall, New York; Julian Rodescu (Master of Ceremonies), Eric Halfvarson (Yedinitsyn = Stalin or No. 1 lowest grade in Soviet schools), Andrew Wentzel (Dvoikin = Zhdanov or No. 2 failing grade), Jonathan Deutsch (Troikin = Shepilov or No. 3 barely passing grade), Members of the Choral Arts Society of Washington, Norman Scribner (chorus-master), Mstislav Rostropovich (piano). 25 September 1989, Moscow Conservatory Bolshoi Hall; USSR Ministry of Culture under the direction of Valeri Polyansky and Mikhail Kozakov (in the role of reciter); Yuri Vishnyakov (Master of Ceremonies), Yevgeni Chepikov (Yedinitsyn), Anatoli Obraztsov (Dvoikin), Nikolai Konovalov (Troikin), and Igor Khudolei (piano). UK: 23 and 24 May 1993, Brighton Festival, Roedean Theatre; décor by Nataliya Khrennikova, directed by Boris Pokrovsky and conducted by

528

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Anatoli Levin; Aleksei Mochalov (Master of Ceremonies), Vladimir Khrulev and Viktor Bornykov (Yedinitsyn), Eduard Akimov (Dvoikin), Vladimir Rybasenko (Troikin), Moscow Chamber Opera Chorus (Guards and Musical Functionaries); Moscow Chamber Opera Orchestra. Australia: 17 October 2002, C21 Festival, Old Darlington School, Sydney University students. Arrangements: English translation of the libretto by Elizabeth Wilson and German translation jointly by Jürgen Köchel and Ulrike Patow. Orchestrations by Boris Tishchenko and jointly in 1977 by Vladimir Spivakov and Vladimir Milman. Music: Manuscript copies. Additional 10 pages of score discovered after the Erato recording. Anglo-Soviet Music Press, No. 8261, 1991, vocal score with Russian and English texts (the latter by Elizabeth Wilson), 31 cm. DSCH Publishers, Moscow, no number, 1995, vocal score with text and thirteen-page commentary in Russian by Manashir Yakubov, 29.5 cm. DSCH Publishers, Moscow, 1995, full score and parts of B. Tishchenko’s orchestration available for hire. DSCH Publishers, Moscow, score in Volume 75 of New Collected Works. Duration: Approx. 18 minutes in score; 14' 55"–19' 36"; c.40 mins (complete score, including speech). Recordings: CD—France: Erato BCD 75571. Booklet provides libretto in French, English, and Russian. Russian version— Romuald Tesarowicz (Master of Ceremonies), Nicola Ghiuselev (Yedinitsyn), Arkadi Volodos (Dvoikin), Nikita Storojev (Troikin), Audite Nova vocal ensemble, Jean Sourisse (chorus-master); English version—as USA premiere; Mstislav ROSTROPOVICH (conductor and piano). P Paris Feb. 1989 and Washington Jan. 1989 respectively, G Jan. 1990 ~ *Warner Classics Elatus 0927 49554-2. English version. [Op. 141.] I Feb. 2003. *France: Le Chant du Monde Saison Russe LDC 288 075 (‘Russian Musical Satire’). Texts in French and English. Boris BEIKO and Maksim MIKHAILOV (basses), Russian State Symphonic Cappella, Yelena Cheglakova (piano). [Mussorgsky Rayok, Dargomyzhsky, Kalinnikov et al.] P Mosfilm Studios Apr. 1993, I 1994. Japan: Triton 17 008. Booklet provides libretto in transliterated Russian, English, French, and German. Aleksei MOCHALOV (bass), Moscow Chamber Music Theatre Orchestra and Chorus, Anatoli Levin. P Mosfilm Studio Nov. 1995, I Nov. 1996. NB. All roles taken by Mochalov. Orchestrator not credited. USA: Music Masters 01612 67189-2. Orch. by V. Spivakov and V. Milman. Aleksei MOCHALOV (bass), Moscow Virtuosi, Vladimir Spivakov. P Dec. 1996. NB. All roles taken by Mochalov.

SA NS OP . X : MISC ELL AN EOUS WORKS

529

**USA: Delos DE 3313 (‘Shostakovich Complete Works, Volume Four— 1932–68: The Unknown Shostakovich’). Fyodor KUZNETSOV (bass), St Petersburg Youth Chamber Choir, Yuri Serov (piano), Yulia Khutoretskaya (conductor). [Opp. 33, 99, 80, 72, 128, 109; Sans op. X(i).] P St Catherine Lutheran Church, St Petersburg 23 Jan., 8 and 16 Feb. 2002, I UK Jan. 2006 ~ Russia: Northern Flowers NF/PMA 9912 (‘Unknown Vocal Cycles’). [Opp. 58a, 46; Sans op. R; Opp. 100, 80, 33.] I 2003. Capriccio 67 115. Orch. by V. Spivakov and Viktor Milman. Moscow Virtuosi, Vladimir SPIVAKOV. [Opp. 11 and 110a; Schnittke—Prelude in Memory of Shostakovich.] P Moscow Conservatory Bolshoi Hall 15–17 May 2003, I 2004. Notes: The composer provided a subtitle: ‘As an aid to students: the struggle of the realistic and formalistic directions in music’. Labelled as ‘Learner’s Manual’ on the world première recording and titled ‘The Antiformalistic Gods’ in Soviet Weekly, No. 2495, 16 December 1989 (the latter modified to Antiformalist Gallery for the UK première). An alternative translation of the Russian title is Little Eden or Little Paradise; also used colloquially to refer to the topmost gallery in a theatre—‘the gods’ (UK) or ‘peanut gallery’ (USA). Stalin’s favourite song, the Georgian folksong ‘Suliko’, here used in its original form was also obliquely parodied in the finale of the first Cello Concerto Opus 107 (Fay 2000, 212–13 and Wilson 2007, 133) A review of the première is published in DSCH Newsletter XI and for comments on the work by Irina Shostakovich see the following issue. Lev N. Lebedinsky contributes ‘The Origin of Shostakovich’s Rayok’ to Tempo No. 173 (June 1990) and Manashir Yakubov adds further information in Bartlett (2000). The Moscow Chamber Opera use this work in Tishchenko’s orchestration as a way in staging a completion of The Gamblers, Sans op. K(i). (III) ORCHESTRAL Intervision Form: Orchestral fragment of 6 bars marked ‘Moderato maestoso’
= 96. Instrumentation: piccolo, 2 flutes, 3 oboes, 3 B flat clarinets, 2 bassoons, contrabassoon ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, cymbals ~ strings. Composed: Early 1971, at Moscow. Première: March 1971, USSR TV on eve of the Twenty-Fourth Congress of the Communist Party; recording. Music: Autograph score preserved in the Shostakovich Family Archive. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, 30 cm.

530

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 136: Loyalty Form: Settings of eight patriotic ballads, also known by the titles of Fidelity or Faithfulness, by Yevgeni Dolmatovsky for unaccompanied male chorus: 1. 2. 3. 4. 5. 6. 7. 8.

In some immemorial year—Moderato People believing in a flame—Allegretto A great name—Allegretto Revolution banner—Allegretto A difficult search for beauty—Allegro non troppo I want to learn all about him—Adagio So this is where the people were!—Andante On meetings of the young generation—Allegretto

Composed: Completed at Repino in April 1970, for the centenary celebrations of Lenin’s birth. Dedication: Gustav Ernesaks (composer and chorus-master). Premières: 5 December 1970, Estonia Concert Hall, Tallinn (featured in the choir’s 3000th programme) and 25 February 1971, Moscow Conservatory Bolshoi Hall; Estonian State Academic Male Voice Choir, Gustav Ernesaks. Music: Autograph score preserved in the Shostakovich Family Archive. Muzyka, No. 6935, 1970, 22 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, 30 cm. DSCH Publishers, Moscow, score in Volume 86 of New Collected Works. Duration: Approx. 20 minutes in score; 19' 25"; 19' 45" (Plaistow); 25 minutes (M. MacDonald). Recordings: LP and CD—USSR: Melodiya CM 02523-4. Estonian State Academic Male Voice Choir, Gustav ERNESAKS. P 1971, I May 1971. Reissued on CD—BMG Melodiya 74321 40723-2. I Aug. 1997.

Sans op. Y: My Native Country Form: A patriotic oratorio for narrator, soloists (soprano, two tenors, and bass), S.A.T.B. chorus and full orchestra, assembled from three works of Shostakovich by Yuri Silantiev (without the composer’s participation): 1. 2. 3. 4. 5. 6. 7. 8.

Overture—‘October 1917’—Moderato non troppo On Palace Square—Allegretto Folk Dance—Moderato—Allegro con brio Ode to Leningrad—Moderato Song of the Lantern—Allegretto Lullaby—Andante Battle by the Volga—Moderato Song of Victory—Moderato

OP US 137: KIN G L EAR

531

Texts by Yevgeni Dolmatovsky (Nos. 2, 4, 7, and 8) and Mikhail Svetlov (Nos. 5 and 6). Nos. 1–4 from Opus 63; Nos. 5, 6, and 8 from Opus 72; and No. 7 from Opus 66. The melody of Nos. 7 and 8 from Sans op. N(iii). Instrumentation: As Opus 63 with narrator, a third French horn and optional balalaika (in No. 2); soprano soloist in No. 6. Composed: 1937–45. The omnibus suite assembled in 1970 for a radio programme celebrating the twenty-fifth anniversary of the victorious end of the Great Patriotic War. Music: Sovetskii kompozitor, No. 2518, 1972, titled My Dear Fatherland, full score, 29 cm. Duration: 37' 58". Recording: LP—USSR: Melodiya CM 02493-4. Lyudmila Belobragina (soprano—No. 6), Andrei Sokolov (tenor—No. 2), Denis Korolyov (tenor—No. 5), Mark Reshetin (bass—Nos. 2 and 4), Yuri Levitan (narrator), Large Choir and Stage Symphony Orchestra of All-Union Radio, Klavdi Ptitsa (chorus-master), Yuri SILANTIEV (conductor). P 1970, I May 1971.

Opus 137: King Lear Form: Music for the black-and-white film of William Shakespeare’s play King Lear, in Boris Pasternak’s Russian translation, directed by Grigori Kozintsev for Lenfilm. Many items are brief and lightly scored, such as the alarums, fanfares, and tuckets; only Nos. 53, 55, and 57 being extended and fully orchestrated. 1. 2. 3. 4. 5. 6. 7. 8. 9. 50. 51. 52. 53. 54.

Horn of the Leader of the Beggars (muted horn call for 3 seconds) Horn of the Leader of the Beggars (muted horn call) Departure of the King’s wagon train (trumpet flourish)—Allegro Edmund commands the advance (trumpet call for 2 seconds)—Allegro Edmund commands the challenge to duel (20-second trumpet flourish)—Allegro Answering trumpeter of Edgar (muted horn call) The Fool’s Bell—Allegretto The Fool’s Pipe [flageolet-type] (E flat clarinet solo)—Moderate Huntsmen’s Horns (fanfare)—Allegro 10. Death’s Call (11-second brass flourish)—Adagio Introduction (Passage of time)—Adagio The first sighting of Lear’s Castle—Adagio (5-bar brass pesante statement)—Moderato Beginning of the Catastrophe—Adagio The Voice of Truth (2' 15")—Adagio

532

D M I T R I SHOSTA K OVIC H C A TA LO GUE

55. 56. 57. 58.

The Storm (2' 30")—Moderato People’s Weeping (Vocalise)—Adagio The Storm (Beginning)—Adagio Dinner with Goneril (flute duet with harp accompaniment)—Allegretto 70. End of the film King Lear. Finale (E flat clarinet solo—variant of No. 8)—Moderato Instrumentation: piccolo, 2 flutes, 2 oboes, E flat clarinet, 2 clarinets (A and B flat), 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, tambourine, side drum, cymbals, gong ~ glockenspiel, xylophone, harp ~ wordless S.A.T.B. chorus in No. 56 ~ strings. Composer’s note: the choir is required to be large with each part performed by no fewer than six performers. Composed: April–July 1970, at Repino, Moscow, and Leningrad. Première: Film first shown on 4 February 1971. Film score performed by the Leningrad Philharmonic Orchestra conducted by Dzhemal-Eddin Dalgat and Nikolai Rabinovich. Music: Autograph score preserved in the Shostakovich Family Archive. G. Schirmer, No. 47548, 1976, duet for two flutes and piano (or harp), VAAP authorized version, score and two parts of No. 58, 30.5 cm. G. Schirmer, No. 12086, 1976, Weeping Song (‘People’s Weeping’) No. 56 for S.A.T.B. a cappella, 30.5 cm. Muzyka, No. 10179 (in Volume 34 of Collected Works), 1985, ‘People’s Weeping’ wordless chorus, 30 cm. Muzyka, No. 10890 (in Volume 42 of Collected Works), 1987, twenty items, 30 cm. DSCH Publishers, Moscow, full film score in Volume 144 of New Collected Works. DSCH Publishers, Moscow, score of Weeping Song (‘Lamentation’) in Volume 86 of New Collected Works. Duration: Film: 124–162 minutes. Very fragmentary score has a total playing time of c.30 minutes. Recording: 27' 40". Film: Moskwood Video, Haarlem, Netherlands, No. 2645, c.1993, videocassette with Dutch subtitles, 140 minutes. DVD-Video—Ruscico Collection (two discs PAL) released in 2004. see John Riley’s review in DSCH Journal No. 22, 67–69. Ballet: The Overcoat. For details see under Opus 32. Recordings: CD—RCA Victor Red Seal RD 87763. Nos. 8, 50, 51, 53–58, and 70. Belgian Radio Symphony Orchestra and Chorus, José SEREBRIER. P Brussels 1988, I June 1988, G Oct. 1988. NB. The item labelled ‘After the Storm’ should read ‘The Storm (Beginning)’ as No. 57 precedes No. 55 in the film score.

O PUS 138: QU A RTET NO. 13 IN B FL AT MIN OR

533

Germany: Capriccio 10 397. Nos. 1–5, 50–53, 6–9, 54–58, 70, and 10. Berlin Radio Chorus and Symphony Orchestra, Mikhail YUROVSKY. P Berlin 10–13 Dec. 1990, G Sept. 1992. NB. No. 56 is labelled incorrectly as ‘Water’ (corrected in the boxed set Capriccio 49533 of the seven previously released CDs of Shostakovich’s film music. I Oct. 2006). **Chandos Movies CHAN 10023 (‘The Film Music of Dmitri Shostakovich, Volume 1’). Nos. 8, 50, 51, 53–55, 57, and 70. Mark Jordan (E flat clarinet in No. 8), BBC Philharmonic, Vassili SINAISKY. [Op. 50a, 53, and 26.] P Manchester Studio 16 and 17 May 2002, G Jan. 2003. NB, The numbering of the items, other than No. 8 which is oddly titled ‘The Fool’s Waterpipe’, differ from those given in Collected Works Volume 42. The title of track 26 should read ‘The Storm (Beginning)’. Note: In the film the items appear in the following order: Nos. 8, 1, 51, 53, 3 (thrice), 51 to fig. 4, 9 (thrice), 58, 3, 52, 3 (twice), 57, 55 less the first 16 bars (twice), 10, 50 (part), 56 (part), 54 to fig. 5, 8, 4 (twice), 56 (twice), 5, 6, 5, 10, and 70. Only the final notes of the horn calls of the Beggars are sounded and No. 7 ‘The Fool’s Bell’ does not appear. Volume 42 of Collected Works incorrectly states that the Opus 58a ‘Ten Fool’s Songs’ were utilised in the film score. See Erik Heine’s article in DSCH Journal No. 26 illustrated with twelve music examples.

Opus 138: Quartet No. 13 in B flat minor Form: String quartet in one continuous movement: Adagio—Doppio movimento—Tempo primo Composed: Begun on 10 August 1969 and completed on 10 August 1970, in hospital at Kurgan (east of the Urals). Dedication: Vadim Vasilievich Borisovsky (violist of the Beethoven Quartet). Premières: 11 Decemher 1970, USSR Composers’ Club, Moscow; 13 December 1970, Glinka Concert Hall, Leningrad and 20 December 1970, Moscow Conservatory Malyi Hall; Beethoven Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Druzhinin, and Sergei Shirinsky). UK: 11 November 1972, St Mark’s Church, Harrogate; Fitzwilliam Quartet (Nicholas Dowding, John Phillips, Alan George, and Ioan Davies). Arrangements: Reduction for piano four hands by Anatoli Dmitriev. Transcription entitled Sinfonia (or Adagio) for Viola and Strings by Aleksandr Chaikovsky, undertaken as a request by Yuri Basmet. Music: Autograph score preserved by the Borisovsky family. Photocopy of the autograph preserved in TsGALI. Hans Sikorski, No. 2170, 1971, parts, 31.5 cm. Boosey & Hawkes, No. 20166, 1971, parts, 29 cm.

534

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Muzyka, No. 7350, 1972, miniature score, 19 cm. Muzyka, No. 7353, 1972, parts, 29 cm. Edition Peters, No. 5763 (plate no. 12795), 1974, parts, 30 cm. Boosey & Hawkes, No. 888, 1974, score, 19 cm. Muzyka, Leningrad, No. 2026 (in Volume 4 with Quartets 12 and 14 arr. for piano four hands by A. Dmitriev), 1976, 29.5 cm. Hans Sikorski, No. 2209 (with Opp. 142 and 144), 1978, score, 21 cm. Muzyka, No. 10284 (in Volume 36 of Collected Works Quartets 9–15), 1980, 30 cm. DSCH Publishers, Moscow, score in Volume 104 and the composer’s piano reduction in Volume 105 of New Collected Works. Duration: 18 minutes in score; 15' 10"–20' 54"; 19' 00"–22' 20" (Plaistow); 27' 33" (Sinfonia arr. A. Tchaikovsky). Recordings: LP and CD—USSR: Melodiya CM 02545-6. BEETHOVEN QUARTET (personnel as at première). P 1971, I May 1971. Reissued on CD—USA Consonance Blue Label 81.3008. (‘Complete Quartets, Volume 4’). I Mar. 1996. LP—USSR: Melodiya CM 03223-4. BORODIN QUARTET (Rostislav Dubinsky, Yaroslav Aleksandrov, Dmitri Shebalin, Valentin Berlinsky). P and I 1972 ~ HMV Melodiya HQS 1320 in Set SLS 879. G June 1974. Czech: Panton 11 0420 G. SUK QUARTET (Antonín Novák, Vojteˇch Jouza, ˇ ehák, Jan Štros). P Prague 1973. Karel R LP and CD—L’Oiseau-Lyre DSLO 9. FITZWILLIAM QUARTET (Christopher Rowland, Jonathan Sparey, Alan George, Ioan Davies). P Mar.1975. G Dec. 1975 ~ Decca 188 D4 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca 421 475-2DH. I Dec. 1988, G Apr. 1989 ~ Decca Enterprise 433 078-2DM6 (on fifth of six-disc set). I Apr. 1992, G June 1992. LP—USSR: Melodiya C10 09337-8. Oleg KRYSA, Aleksandr KRAVCHUK, Anatoli VENZHEGA, and Valentin POTAPOV. P 1977, I 1978c. LP and CD—USSR: Melodiya C10 11611-2 (in first box of Part 2 of Collected Works on Records). TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P 1979, I 1980. Reissued on CD—USSR: Melodiya SUCD 10 00312. I 1991d. CD—Olympia OCD 535 (‘Complete Quartets, Volume 5’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1980, G Sept. 1994. LP and CD—USSR: Melodiya C10 17375-6. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, D. Shebalin, V. Berlinsky). P 1981, I 1982d ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49269-2. I Nov. 1987, G Sept. 1988 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997.

O PUS 138: QU A RTET NO. 13 IN B FL AT MIN OR

535

Netherlands: Attacca Babel 8416-1 (digital). RAFAEL QUARTET (Ronald Hoogeveen, Rami Koch, Zoltan Benyacs, Henk Lambooy). P 19–20 Dec. 1983. Reissued on CD—Netherlands: Attacca Babel 8948-5DDD. I 1988? Germany: IMS Polygram ECM New Series 1347 (two-record set) and released on CD—833506-2 (Edition Lockenhaus Volumes 4 and 5, twodisc set). Gidon KREMER and Thomas Zehetmair (violins), Nobuko Imai (viola), and Boris Pergamentshchikov (cello). P 1985, I Apr. 1988. LP—Czech: Panton 81 0752. STAMIC QUARTET (Bohuslav Matoušek, Josef Kekula, Jan Peˇruška, Vladimir Leixner). P Prague 4–5 May 1987. CD—Teldec 9031 71702-2 (on fifth of six-disc set). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, I Nov. 1990, G June 1992 ~ Teldec 9031 73109-2. I July 1991. USA: ESS.A.Y. CD 1012. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Jersey City 16 June 1990, 1 1991 ~ Koch Schwann 3 1070-2 (‘Complete Quartets, Volume 5’). I Sept. 1993. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 4’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July–Aug. 1994, G June 2000. Naxos 8.550977 (‘Complete Quartets, Volume 6’). ÉDER QUARTET (János Selmeczi, Péter Szüts, Sándor Papp, György Éder). P Budapest 29 Apr.–4 May 1996, I May 1998. Sony Classical SK 60550. Sinfonia for Viola and Strings arr. A. Chaikovsky. Yuri BASHMET (viola/director), Moscow Soloists. P Henry Wood Hall, London 21–22 Mar. 1998, I Nov. 1998, G Mar. 1999. France: Arion ARN 68461 (‘Complete Quartets, Volume 1’). DEBUSSY QUARTET (Christophe Collette, Dominique Lonca, Vincent Deprecq, Yannick Callier). P Lyon July 1998, I July 1999. *Hyperion CDA 67517. ST PETERSBURG QUARTET Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shikayev). [Opp. 122 and 144.] P St Petersburg Dec. 2000 and Jan. 2001, I Aug. 2002. Chandos CHAN 9955 (‘Complete Quartets, Volume 3’). SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). P The Maltings, Snape 26–30 Mar. 2001, G Awards (Oct.) 2001. **Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 1’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 68 and 110.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Belgium: Fuga Libera 512 (‘Complete Quartets, Volume 2’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 101 and 73.] P Farao Studio, Munich 12–15 June 2005, I 2005.

536

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Oehms Classics OC562 (‘Complete Quartets’, on fourth of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkov, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opp. 118 and 133; Sans op. D(i).] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006.

Opus 139: Soviet Militia Form: March for military band, marked ‘Allegretto’. Instrumentation: flute, 3 B flat clarinets ~ 2 B flat cornets, 2 B flat trumpets, 3 French horns, 2 E flat saxhorns, 2 B flat tenor saxhorns, 2 B flat baritone saxhorns, trombone, 2 double-bass trombones in C ~ timpani, triangle, side drum, cymbals, bass drum. Composed: October 1970, on the initiative of Nikolai Shchelokov, the USSR Minister of Internal Affairs. Dedication: Mikhail Mikhailovich Zoshchenko (playwright). Première: 9 November 1970, The House of the Soviets Hall of Columns, Moscow; Moscow Kremlin Commandant’s Orchestra, N. Zolotaryov. Music: Piano score preserved in the Shostakovich Family Archive. Awarded First Prize at the All-Union Literature and Arts Contest on 10 November 1970. Muzyka, No. 10091 (in album Marches of Soviet Militia), 1978, miniature score, 21.5 cm. Sovetskii kompozitor, No. 2459, 1972, score, 22 cm. DSCH Publishers, Moscow, 2006, New Collected Works, in Volume 32, full score, 30 cm. Duration: 1' 30". Recording: LP—USSR: Melodiya D031193-4 (‘Soldier’s Order’, mono). Moscow Kremlin Commandant’s Orchestra, N. ZOLOTARYOV. P 1971, I 1972. CD—Chandos CHAN 9444 (‘Russian Concert Band Music’). Stockholm Concert Band, Gennadi ROZHDESTVENSKY. P Stockholm 11–12 June 1995, 1 Apr. 1996. **Chandos CHAN 10166. Royal Northern College of Music Wind Orchestra, Clarke RUNDELL. [Glière, Stravinsky, Prokofiev et al.] P New Broadcasting House, Manchester 24–25 Feb. 2003, I 2004.

Opus 140: Six Romances on Verses by British Poets Form: Orchestral version of Opus 62 for bass soloist and small orchestra. Instrumentation: flute (= piccolo), bassoon ~ 2 French horns ~ timpani, triangle, cymbals, orchestral bells ~ celesta ~ 10 violins, 4 violas, 3 cellos, 2 five-string double-basses.

O PUS 1 4 0 : S I X ROM A NC ES ON VERSES BY BRIT ISH POET S

537

Composed: 1971. Premières: 30 November 1973, Moscow Conservatory Bolshoi Hall. USA: 23 November 1982, Carnegie Hall, New York; James Morris (bass), Soviet Émigré Orchestra, Lazar Gozman. Arrangement: English translation of the Russian text by Felicity Ashbee. Music: Autograph score preserved in the Shostakovich Family Archive. Muzyka, No. 10113 (in Volume 31 of Collected Works), 1982, full score, 30 cm. DSCH Publishers, Moscow, full score in Volume 88 of New Collected Works. Duration: Approx. 15 minutes in score; 14' 09"–15' 19". Recordings: LP and CD—USSR: Melodiya C10 05837-8. Yevgeni NESTERENKO (bass), Moscow Chamber Orchestra, Rudolf Barshai. P Moscow concert Jan. 1974, I 1975d ~ HMV Melodiya ASD 3324 in Set SLS 5078. G May 1977. Gramophone Record Awards 1977—winner of Solo Vocal category, G Mar. 1978 ~ USSR: Melodiya C10 05837-8 (in third box of Part 3 of Collected Works on Records). I 1978. Reissued on CD—Japan: Victor Musical Industries VICC 40082-83 (‘Shostakovich Songs’, two-disc set). I 1991. CD—Deutsche Grammophon 493 860-2GH (‘The Orchestral Songs, Volume 1’). Sergei LEIFERKUS (bass), Gothenburg Symphony Orchestra, Neeme Järvi. P Gothenburg May 1992, I June 1994. Germany: Capriccio 10 778. Stanislav SULEIMANOV (bass), Cologne Radio Symphony Orchestra, Mikhail Yurovsky. P Cologne 17–19 June 1994, I and G Awards (Oct.) 1998. Japan: Triton 17 008. Aleksei MOCHALOV (bass), Moscow Chamber Music Theatre Orchestra, Anatoli Levin. P Mosfilm Studio Nov. 1995, I Nov. 1996. USA: Arabesque Z 6708 (‘Bobby Burns’, sic). Nos. 4, 2, and 3 sung in English. Robert OSBORNE (bass-baritone), Vermont University Orchestra, Robert DeCormier. P University of Vermont 1996, I 1998. **Chandos CHAN 10358 (‘Words of Michelangelo’). Lldar ABDRAZAKOV (bass), BBC Philharmonic, Gianandrea Noseda. [Opp. 145a and 131.] P New Broadcasting House, Manchester 5–7 Apr. 2005, I Feb. 2006, G Apr. 2006. Note: Originally titled Six Romances on Verses by English Poets. Scottish friends of the compiler have objected strongly to Robert Burns being dubbed an English poet so, therefore, the name ‘British’ has been substituted in the title of the song cycles Opp. 62/140 and Sans op. M. The title is given as Six Romances on Verses of W. Raleigh, R. Burns, and W. Shakespeare in some Russian lists and in the Collected Works Volume 31. See also Opus 62.

538

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 141: Symphony No. 15 in A major Form: 1. 2. 3. 4.

Symphony for full orchestra in four movements: Allegretto—‘Toy Shop’ Adagio—Largo—Adagio—Largo attacca Allegretto Adagio—Allegretto—Adagio—Allegretto

Gioacchino Rossini’s galop from the fourth section of the Overture to Guillaume Tell is quoted five times in the first movement and the Finale introduces the ‘fate’ motif and drum rhythm accompanying Siegfried’s Funeral March in Richard Wagner’s Gotterdammerung and the melody of Mikhail Glinka’s song ‘Do not tempt me needlessly’. Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons ~ 4 horns, 3 trumpets, 3 trombones, tuba ~ timpani, triangle, castanets, wood block, whip, soprano tom-tom, side drum, cymbals, bass drum, gong ~ glockenspiel, xylophone, vibraphone, celesta ~ 1st violins (16), 2nd violins (14), violas (12), cellos (12), double-basses (10). String strength specified by the composer is not mandatory, however the numbers suggested would give the best results. Composed: A number of sketches made on 2 April 1971. Begun in late June 1971 at the town of Kurgan (east of the Urals) and completed on 29 July 1971 at the Composer’s House, Repino. The two-piano reduction followed. Premières: 8 January 1972, Moscow Conservatory Bolshoi Hall; All-Union Radio and Television Symphony Orchestra, Maksim Shostakovich. Finale encored. 5 May 1972, Leningrad; Leningrad Philharmonic Orchestra, Yevgeni Mravinsky. UK: 20 November 1972, Royal Festival Hall, London; New Philharmonia Orchestra, Maksim Shostakovich. Opus 141a: 23 September 1972, Gnessin Institute, Moscow; led by Mark Pekarsky. 30 October 1972, Moscow Music Club (VDK); Valeriya Vilker (violin), M. Drobinsky (cello), Viktor Derevyanko (piano/celesta); A. Mamyko, Valentin Snegirev, and B. Stepanov (percussion). Germany: 5 July 1995, Lockenhaus; led by Gidon Kremer. Arrangements: Reduction for two pianos dated 4 January 1972 by the composer. A theme from the fourth movement is used in Variations on a Theme by Shostakovich by Karl Frederich Miller (completed on 30 July 1977). Opus 141a: Chamber version, realised with the composer’s approval, by Viktor Derevyanko (assisted by Mark Pekarsky) in August 1972, for violin,

OP U S 141: SYM P HONY N O. 15 IN A MAJ OR

539

cello, piano/celesta, and three or four performers on thirteen percussion instruments). Music: Autograph score preserved in the Shostakovich Family Archive. The first page of the autograph full score is reproduced in Volume 8 of Collected Works. Title details of autographed reduction reproduced on inlay card of chamber version compact disc. Sovetskii kompozitor, No. 2655, 1972, score, 30 cm. Anglo-Soviet Music Press, no number, 1972, photocopied score, 28.5 cm. Hans Sikorski, No. 2172, 1972, 21 cm. Leeds Music (Canada), no number, 1972, 27.5 cm. Muzyka, Leningrad, No. 2201, 1977, reduction for two pianos by the composer, 28 cm. Muzyka, No. 9856 (in Volume 8 of Collected Works), 1980, 30 cm. DSCH Publishers, Moscow, full score in Volume 15 and piano score in Volume 30 of New Collected Works. Duration: Approx. 48 minutes in score; 39' 00"–48' 37"; 39 minutes (M. MacDonald); 43' 00"–16' 30" (Plaistow). Opus 141a: 41' 52". Recordings: USSR: Melodiya CM 03245-6. All-Union Radio and Television Symphony Orchestra, Maksim SHOSTAKOVICH. P and I 1972 ~ HMV Melodiya ASD 2857. G Nov. 1972 ~ Germany: Melodia Eurodise 87 623 XPK (in thirteen-record box set). I 1974. LP and CD—USA and UK: RCA Red Seal ARD1 0014 (quad). Philadelphia Orchestra, Eugene ORMANDY. P 4–5 Oct. 1972, G Feb. 1973 ~ RCA Red Seal ARL1 0014 (stereo). G May 1975 ~ RCA Red Seal RL 01284 (in three-record box set). G Nov. 1978. Reissued on CD—USA: RCA Red Seal 09026 63587-2. I Feb. 2000. LP—Japan: Victor VIC 28053 (mono). Leningrad Philharmonic Orchestra, Yevgeni MRAVINSKY. P Leningrad Philharmonic Bolshoi Hall concert 5 or 6 May 1972—not 26 May 1976 as stated, I 1981 ~ USSR: Melodiya M10 43653-4 (2 sides in two record album, mono). I 1982. *CD—Germany: Profil Edition Günter Hänssler PH0 6065. Staatskapelle Dresden, Kyrill KONDRASHIN. [Boris Chaikovsky.] P Staatskapelle Dresden concert 23 Jan. 1974, I May 2007. LP and CD—USSR: Melodiya C10 05453-4. Moscow Philharmonic Orchestra, Kirill KONDRASHIN. P 27 May 1974, I 1975d ~ USSR: Melodiya C10 05453-4 (in second box of Part I of Collected Works on Records). I 1980 ~ HMV Melodiya EX 2903873 (twelfth record in twelve-record box set, DMM). G Dec. 1985. Reissued on CD— France: Le Chant du Monde LDC 278 1009-10 (in Box 5 of five two-disc sets with Op. 135). G May 1989 ~ BMG Classics Melodiya 74321 19846-2. G Nov. 1994 ~ Japan: Icone ICN 9408-2. I Aug. 1994. NB. This recording declared the Classic CD Gold Choice by Rob Ainsley in the June 1999 Classic CD issue 112, 44–47.

540

D M I T R I SHOSTA K OVIC H C A TA LO GUE

USSR: Melodiya C10 19299 000. Leningrad Philharmonic Orchestra, Ye. MRAVINSKY. P Leningrad Philharmonic Bolshoi Hall concert 26 May 1976, I 1984a. Reissued on CD—Olympia OCD 224 (‘The Mravinsky Legacy, Volume 5’). G Aug. 1988 ~ Olympia OCD 5002 (in six-disc set ‘The Mravinsky Legacy’). I Aug. 1990 ~ BMG Melodiya 74321 25192-2 (‘Mravinsky Edition, Volume 3’). I June 1995. LP—Charisma CAS 1128. Excerpts. London Philharmonic Orchestra, Joseph EGER. P 1977, I Oct. 1977. USA: Classical Excellence CS 11043. Austrian Radio Symphony Orchestra, Milan HORVAT. P 1977. LP and CD—Decca SXL 6906. London Philharmonic Orchestra, Bernard HAITINK. P Mar. 1978, G Mar. 1979. Reissued on CD—Decca Ovation 425 069-2DM. G Nov. 1993 ~ London 444 441-2 (on eleventh in eleven-disc set). I June 1995. East Germany: Eterna 8 27 192. Berlin City Symphony Orchestra, Karl-Heinz Deutscher (violin), Günter Sennewald (cello), Gerhard Haas (trombone), Kurt SANDERLING. P 26 May–2 June 1978. Reissued on CD—Germany: Berlin Classics 0090432 BC. I Nov. 1995 ~ *Germany: Berlin Classics 0092 172BC (on disc five of five-disc set). I Germany 1996 and UK Jan. 2001. CD—France: Praga PR 250 003. Czech Philharmonic Orchestra, Eduard SEROV. P Prague concert 29 Nov. 1979,1 June 1992. LP—USSR: Melodiya C10 18841-2. Novosibirsk Philharmonic Orchestra, Arnold KATS. P 1982, I 1983d. LP and CD—USSR: Melodiya A10 0055 000 (digital), USSR Ministry of Culture Symphony Orchestra, Irina Lozben (flute), Vladimir Pushkarev (trumpet), Sergei Mnozhin (cello), Rashid Galayev (trombone), Andrei Lysenko (xylophone), Gennadi ROZHDESTVENSKY. P Jan. 1983, I 1984d. Reissued on CD—Japan: JVC Melodiya VDC 528 and VDC 1073. G June 1985 ~ Olympia OCD 179. I Aug. 1988, G May 1989 ~ Olympia OCD 258. I Oct. 1989 ~ Olympia OCD 5006 (in Volume 2 five-disc set of symphonies). I Dec. 1990 ~ BMG Melodiya 74321 59057-2 (two-disc set). I Feb. 1999. CD—Deutsche Grammophon 427 616-2CH. Gothenburg Symphony Orchestra, Neeme JÄRVI. P Gothenburg Sept. 1988, I Aug. 1989, G May 1991 ~ Deutsche Grammophon Classikon 469 029-2GCL. G Aug. 2000 ~ *Deutsche Grammophon 474 469-2 (two-disc set). [Opp. 113 and 135.] I May 2003. Naxos 8.550624. Czecho-Slovak Radio Symphony Orchestra, Ladislav SLOVÁK. P Bratislava 5–12 Feb. 1989, I Jan. 1993, G Nov. 1993 ~ Naxos 8.505017 (in five-disc set). I 1993.

OP U S 141: SYM P HONY N O. 15 IN A MAJ OR

541

Teldec 9031 74560-2. London Symphony Orchestra, Mstislav ROSTROPOVICH. P London Nov. 1989, I Oct. 1991, G Mar. 1992 ~ Teldec 0630-17046-2 (in twelve-disc set of Symphonies). G Oct. 1997. Collins Classics 1206-2. London Symphony Orchestra, M. SHOSTAKOVICH. P London Aug. 1990, I and G May 1991 ~ Collins Classics 70122 (in threedisc set). I Sept. 1991. Decca 430 227-2DH. Royal Philharmonic Orchestra, Vladimir ASHKENAZY. P Watford Nov. 1990, G Oct. 1992. France: Erato 2292 45815-2. Cleveland Orchestra, Kurt SANDERLING. P 18–19 Mar. 1991, G Feb. 1993 ~ *Warner Classics Elatus 0927 49554-2. [Sans op. X(iii).] I Feb. 2003. Decca 436 838-2DH. Montreal Symphony Orchestra, Charles DUTOIT. P Montreal 15–22 May 1992, I May 1994, G Oct. 1994. Denon CO 78948. Vienna Symphony Orchestra, Eliahu INBAL. P 16–19 Oct. 1992, I July 1995, G Dec. 1995. Deutsche Grammophon 449 966-2GH (with Schnittke—Prelude in Memory of Shostakovich). Opus 141a—chamber version arr. by V. Derevyanko. Gidon KREMER (violin), Clemens Hagen (cello), Vadim Sakharov (piano/celesta); Peter Sadlo, Edgar Guggeis, and Michael Gärtner (percussion). P Abersee bei St Gilgen, Germany Aug. 1995, G June 1997 ~ *Deutsche Grammophon 477 5442 (two-disc set). [Opp. 110a, 118a, 83a, and 73a; Schnittke.] G Dec. 2005. Chandos CHAN 9550. Russian State Symphony Orchestra, Valeri POLYANSKY. P Mosfilm Studio Mar. 1996, I Apr. 1997, G Awards (Oct.) 1998. Japan: Canyon Classics PCCL 00351. Moscow Radio Symphony Orchestra, Vladimir FEDOSEYEV. [Op. 10.] Moscow Radio Bolshoi Hall P 15–16 Apr. 1996 ~ *Japan: Exton OVCL 00173 (Hybrid SACD). [Op. 10.] I 2004. Decca 458 919-2DH. Chicago Symphony Orchestra, Sir Georg SOLTI. P Chicago 20–29 Mar. 1997, I Oct. 1998, G May 1999. EMI Classics CDC5 56591-2. London Philharmonic Orchestra, Robert Truman (cello), Mariss JANSONS. P London 14–16 Apr. 1997, I Oct. 1998. *Netherlands: Brilliant Classics 6275 (eleventh of eleven-disc set). WDR Symphony Orchestra, Rudolf BARSHAI. P Cologne 19–20 June 1998, I Dec. 2001. *Andante AN 4090 (three-disc set). London Symphony Orchestra, Mstislav ROSTROPOVICH. [Opp. 43 and 141; Disc 3—Jon Tolansky interview ‘Rostropovich remembers his life’.] P Barbican, London BBC recorded concert 28 Oct. 1998, G Jan. 2004. *Germany: Berlin Philharmoniker BPH 0611. Berlin Philharmonic Orchestra, Kurt SANDERLING. [Haydn.] P Philharmonie, Berlin concert 16 Mar. 1999, G Feb.2007.

542

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Germany: Ars Musici AMP 5074-2. Federal Youth Orchestra of Germany, Jörg-Peter WEIGLE. P Solingen 5–8 Apr. 1999, I 2001. Telarc CD 80572. Cincinnati Symphony Orchestra, Jesus LÓPEZ-COBOS. P Cincinnati 24–25 Sept. 2000, G Oct. 2001. **USA: Angelok1 ANG-CD 9914. Russian Federal Orchestra, Vakhtang JORDANIA. [Op. 22a.] P Tchaikovsky Conservatory Bolshoi Hall, Moscow 18–19 Jan. 2003, I 2005. Musikproduktion Dabringhaus und Grimm MDG 937 1210-6 (Hybrid SACD) and MDG 337 1210-2 (CD). Beethoven Orchestra of Bonn, Roman KOFMAN. P Heilig-Kreuze- Kirche, Bad Godesburg, Germany 25–27 Jan 2005, I Aug. 2008. Germany: Capriccio 71 039-040 (two-disc set, Hybrid SACD). Gürzenich Orchestra of Cologne, Dmitri KITAYENKO [Op. 135 and feature on the Cologne Shostakovich Project.] P Cologne Philharmonie concert 3–7 July 2004, I Aug. 2005. Arts 47706-8 (Hybrid SACD). Orchestra Sinfonica di Milano ‘Giuseppe Verdi’, Oleg CAETANI. [Op. 10.] P Auditorium Verdi di Milano concert June 2005, G Nov. 2006. BBC MM263. BBC Philharmonic, Vassili SINAISKY. [Opp. 97 and 102.] P New Broadcasting House, Manchester 30 June and 1 July 2005, I Feb. 2006 cover disc with BBC Music Magazine Vol. 14 No. 6. Cascavelle VEL 3102. The composer’s reduction. Philippe ENTREMONT and Laura MIKKOLA (pianists). [Op. 94] St Marcel Church, Paris 16–19 Jan. 2006, I Apr. 2007. Supraphon SU 38902 (on sixth of ten-disc set). Prague Symphony Orchestra, Maksim SHOSTAKOVICH. [Op. 54.] P Smetana Hall, Prague concert 8–9 Mar. 2006, G Nov. 2006. Germany: Acousence Classics ACO-CD 20607. Duisburg Philharmonic Orchestra, Jonathan DARLINGTON. [Mozart.] P Theater am Marientor, Duisburg 30–31 Aug. 2006, I 2007. Germany: Profil Günter Hänssler PH 08014. Opus 141a arr. V. Derevyanko. TRIO OPUS 8 (Eckhard Fischer, Mario De Secondi, Michael Hauber); Guido Rückel, Johannes Schubin, Steffen Uhrhan, and Christian Wissel). [Opp. 8 and 67.] P Bayerische Rundfunk Studio 2006, G Mar. 2008. Notes: Shostakovich called the musical images in the first movement ‘a kind of toyshop’ and the puzzling quotation from Rossini’s William Tell Overture, according to the composer’s explanation, is of a toy soldier strutting to the strains of the simplest tune he is able to play. Kurt Sanderling in an interview with Robert Maycock said, ‘He never liked to talk about his works: It was impossible to talk with him about the Fifteenth. But I sat with him at the Berlin première of this symphony and I told him that I thought the

O PUS 142: QU A RTET NO. 14 IN F SH ARP MAJ OR

543

first movement was tragic unlike most people’. ‘You are not wrong,’ he said, ‘It is tragic marionette-like: we are all marionettes.’ (Classical Music Weekly, 29 Oct. 1977). See the article ‘An orchestral toyshop’ by Philip Clark in Gramophone January 2008 issue. Fifteen versions recorded between 1974 and 2006 are discussed. Two stand out; the old favourite Haitink’s of 1978 is top notch though the reviewer considered the latest, Maksim Shostakovich’s on Supraphon, the first choice. A full-page photograph of composer and son at the 1972 Moscow première is shown on page XX.

Opus 142: Quartet No. 14 in F sharp major Form: String quartet in three movements: 1. Allegretto 2. Adagio attacca 3. Allegretto—Adagio Composed: 23 March–11 April 1973 at Repino and completed on 23 April 1973 at Moscow. Dedication: Sergei Pyotrovich Shirinsky (cellist of the Beethoven Quartet). Premières: 30 October 1973, USSR Composers’ Club, Moscow; 12 November 1973, Glinka Concert Hall, Leningrad and 18 November 1973, Moscow Conservatory Malyi Hall; Beethoven Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Druzhinin, and Sergei Shirinsky). UK: 16 August 1974, St Mark’s Church, Harrogate; Fitzwilliam, Quartet (Christopher Rowland, Jonathan Sparey, Alan George, and Ioan Davies). Arrangement: Reduction for piano four hands by Anatoli Dmitriev. Music: Autograph score presented to Sergei Shirinsky on 30 June 1973 and preserved by the Shirinsky family. The quartet awarded a Glinka State Prize in November 1974. Muzyka, No. 8464, 1974, score, 22 cm. Muzyka, No. 8465, 1974, parts, 29 cm. Hans Sikorski, No. 2175, 1974, parts, 31.5 cm. Muzyka, Leningrad, No. 2026 (in Volume 4 with Quartets 12 and 13 arr. for piano four hands by A. Dmitriev), 1976, 29.5 cm. Hans Sikorski, No. 2209 (with Opp. 138 and 144), 1978, score, 21 cm. Muzyka, No. 10824 (in Volume 36 of Collected Works Quartets 9–15), 1980, 30 cm. DSCH Publishers, Moscow, score in Volume 104 of New Collected Works. Duration: 24' 45"–28' 43"; 27 minutes (M. MacDonald).

544

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Recordings: LP and CD—USSR: Melodiya C10 05137-8. BEETHOVEN QUARTET (personnel as at première). P 1974, I 1975c ~ HMV Melodiya HQS 1362. G Nov. 1976. Reissued on CD— USA: Consonance Blue Label 81.3008 (‘Complete Quartets, Volume 4’). I Mar. 1996. L’Oiseau-Lyre OSLO 9. FITZWILLIAM QUARTET (personnel as at UK première). P Mar. 1975, G Dec. 1975 ~ Decca 188 D6 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on sixth of six-disc set). G June 1992. USSR: Melodiya C10 07285-6. TANEYEV QUARTET (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif Levinzon). P 1975,1 1977a ~ USSR: with same number in first box of Part 2 of Collected Works on Records). I 1980. Reissued on CD—USSR: Melodiya SUCD 11 00313. I 1991. CD—France: Praga PR 254 043. GLINKA QUARTET (Aleksandr Arenkov, Sergei Pishchugin, Misha Geller, Dmitri Fershtman). P Czech broadcast July 1977, I May 1994. LP—Czech: Panton 11 0603 G. SUK QUARTET (Antonin Novák, Vojteˇch ˇ ehák, Jan Štros). P Prague 1976. Jouza, Karel R Finland: Finlandia FA 324. SIBELIUS ACADEMY QUARTET (Erkki Kantola, Seppo Tukiainen, Veikko, Kosonen, Arto Noras). P 5 and 8 Nov. 1981, I 1982. LP and CD—USSR: Melodiya C10 17869005. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, Dmitri Shebalin, Valentin Berlinsky). P 1981, I 1983a ~ HMV Melodiya EX 270339-3 (in sevenrecord box set of 15 Quartets plus Quintet, DMM). G Mar. 1986. Reissued on CD—EMI CDC7 49269-2. I Nov. 1987, G Sept. 1988 ~ EMI CMS5 65032-2 (in six-disc set of 15 Quartets plus Quintet). I Mar. 1994 ~ BMG Melodiya 74321 40711-2 (six-disc set). I June 1997. Germany: IMS Polygram ECM New Series 1347 (Edition Lockenhaus Volumes 4 and 5, two-record set) and released on CD—833506-2 (twodisc set). Gidon KREMER, Yuzuko Horigome (violins), Kim Kashkashian (viola), and David Geringas (cello). P 1986, I Apr. 1988. CD—Olympia OCD 535 (‘Complete Quartets, Volume 5’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1988, I June 1994, G Sept. 1994. Teldec 031 71702-2 (on sixth of six-disc set). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin July 1989, I Nov. 1990, G June 1992 ~ Teldec 9031 73108-2. I June 1991. USA: ESS.A.Y. CD 1013. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Jersey City 11 June 1990, I 1991 ~ Koch Schwann 3 1071 (‘Complete Quartets, Volume 6’). I Dec. 1993.

O PUS 142: QU A RTET NO. 14 IN F SH ARP MAJ OR

545

Deutsches Grammophon 445 864-2GH. HAGEN QUARTET (Lukas Hagen, Rainer Schmidt, Veronica and Clemens Hagen). P Abersee bie Gilsen Apr. 1994, G Sept. 1995. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 5’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Larence Dutton, David Finkel). P Aspen, Colorado concert July–Aug 1994, G June 2000. Naxos 8.550976 (‘Complete Quartets, Volume 5’). ÉDER QUARTET (János Selmeczi, Peter Szüts, Sándor Papp, György Éder). P Budapest 1–4 Sept. 1996, I Apr. 1998. **USA: Azica Record ACD 71208. CAVANI QUARTET (Annie Fullard, Mari Sato, Kristen Doctor, Merry Peckham). [Opp. 68 and 108.] West Redding, Connecticut 15–19 Apr. 1999, I 1999. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 5’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 49 and 144.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Hyperion CDA 67156. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Tepyakov, Aleksei Koptev, Leonid Shukayev). [Opp. 118 and 133.] P St Petersburg Dec. 2002 and Jan. 2003, G July 2003. Chandos CHAN 10114 (‘Complete Quartets, Volume 4’). SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). [Op.68.] P The Maltings, Snape 6–8 May 2003, G Dec. 2003. France; Arion ARN 68674. DEBUSSY QUARTET (Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier). [Op. 68.] P Les Camiers, Loire, France 24–27 Aug. 2004, I 2005. Belgium: Fuga Libera 512 (‘Complete Quartets, Volume 3’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp, 110 and 133.] P Farao Studio, Munich 12–15 June 2005, I 2005. Oehms Classics OC562 (‘Complete Quartets’, on fifth of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkov, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Opus 144.] P Musikstudio Saarländiscen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. Sony Classical 82876 79018 (two-disc set). JUILLIARD QUARTET (Joel Smirnoff, Ronald Copes, Samuel Rhodes, Joel Krosnick). [Opp. 57, 73, and 144.] P Academy of Arts and Letters, New York City 6–7 Feb. 2006, I Nov. 2006. Germany: Audite AU 92.529 (Hybrid SACD). MANDERLING QUARTET (Sebastian, Nanette, and Bernhard Schmidt; with Roland Glassl—viola). [Opp. 118 and 133.] P Klingenmünster, Germany 23–25 Apr. 2008.

546

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 143: Six Songs on Poems of Marina Tsvetayeva Form: 1. 2. 3. 4. 5. 6.

Suite for contralto and piano on poems of Marina Tsvetayeva: My poems—Largo Whence this tenderness?—Allegretto Hamlet’s dialogue with his conscience—Largo The Poet and the Tsar—Moderato attacca No, the drum was beating—Allegretto To Anna Akhmatova—Largo

The first poem was written in May 1913, Nos. 4 and 5 are from the cycle ‘Verses to Pushkin’ of 1931, and No. 6 dated 19 June 1916. Composed: 31 July–7 August 1973, in Estonia; Opus 143a: 9 January 1974, at Repino. Dedication: Irina Pyotrovna Bogacheva (mezzo-soprano of the Kirov Opera, Leningrad). Premières: 12 November 1973, Glinka Concert Hall, Leningrad [score gives 30 October 1973] and 27 December 1973, Moscow Conservatory Malyi Hall; Irina Bogacheva (mezzo-soprano) and Sofya Vakman (piano). UK: 17 October 1979, Purcell Room, London; Nicola Lanzetter (contralto) and Stuart Hutchinson (piano). Opus 143a: 6 June 1974, Moscow Conservatory Bolshoi Hall. UK: 4 July 1985, Barbican Hall, London; Patricia Adkins-Chiti (mezzosoprano), City of London Sinfonia, Michael Bremner. Arrangements: English translations of the poems by Felicity Ashbee and Jane May. Opus 143a—orchestrated version for small orchestra by the composer. Arranged for contralto and string quartet by Lera Auerbach in 2005. Instrumentation: of Opus 143a—2 flutes, 2 bassoons ~ 2 French horns ~ timpani, side drum, orchestral bells ~ xylophone, celesta ~ 10 violins, 4 violas, 3 cellos, 2 double-basses. Music: Autograph scores of Opp. 143 and 143a preserved in the Shostakovich Family Archive. Opus 143—Muzyka, No. 4116 (in Dmitri Shostakovich: Vocal Compositions), 1974, 29 cm. Muzyka, No. 8788, 1975, 28.5 cm. G. Schirmer, 1979, English translation by Jane May. Muzyka, No. 11785 (in Volume 33 of Collected Works), 1984, 30 cm. DSCH Publishers, Moscow, score in Volume 92 of New Collected Works. Opus 143a—Muzyka, No. 10113 (in Volume 31 of Collected Works), 1982, full score, 30 cm.

OPUS 143: SIX SONGS ON POEMS OF MARINA TSVETAYEVA

547

DSCH Publishers, Moscow, full score in Volume 89 of New Collected Works. Duration: Approx. 20 minutes in scores; Opus 143: 16' 35"–19' 26"; Opus 143a: 17 48"–21' 43"; 18 minutes (M. MacDonald). Recordings: LP—USSR: Melodiya C10 05137-8. Irina BOGACHEVA and Sofya Vakman. P 1974, I 1975c. LP and CD—USSR: Melodiya C10 05837-8. Opus 143a. I. BOGACHEVA, Moscow Chamber Orchestra, Rudolf Barshai. P July 1974, I 1975d ~ HMV Melodiya ASD 3324 in Set SLS 5078. G May 1977. Gramophone Record Awards 1977—winner of Solo Vocal category, G Mar. 1978 ~ USSR: Melodiya C10 05837-8 (in third box of Part 3 of Collected Works) ~ VICC 40082-83 (‘Shostakovich Songs’, two-disc set). I 1991. LP—USSR: Melodiya C10 07801-2. Yevgeniya GOROKHOVSKAYA (mezzosoprano) and Irina Golovneva (piano). P 1976, I 1977c. LP and CD—Decca 414 410-1DH2 (in two-record box set, digital). Opus 143a. Ortrun WENKEL (contralto), Concertgebouw Orchestra, Bernard Haitink. P Amsterdam 1983, G May 1986. Reissued on CD—Decca 417 514-2DH. I Dec. 1986, G Mar. 1987 ~ Decca Ovation 425 074-2DM. G Nov. 1993 ~ London 44 440-2 (on tenth in eleven-disc set). I June 1995. LP—USSR: Melodiya C10 22987 002. Nataliya ROZANOVA (mezzosoprano) and Irina Katayeva (piano). P1984, I 1986b. CD—Belgium: Pavane ADW 7204 (‘The Forgotten Europe’). Opus 143a. Patricia ADKINS-CHITI (mezzo-soprano), RTBF New Symphonic Orchestra, Alfred Walter. P Brussels concert 5 Dec. 1985, I Dec. 1989. Deutsche Grammophon 447 085-2GH (‘The Orchestral Songs, Volume 2’). Opus 143a. Elena ZAREMBA (contralto), Gothenburg Symphony Orchestra, Neeme Järvi. P Gothenburg Mar. 1994, G Jan. 1996. Germany: Capriccio 10 778. Opus 143a. Tamara SINYAVSKAYA (alto), Cologne Radio Symphony Orchestra, Mikhail Yurovsky. P Cologne 17–19 June 1994, I and G Awards (Oct.) 1998. USA: VAI VAIA 2003. Irina MISHURA (soprano) and Valery Ryvkin (piano). P New York Mar. 1996. Germany: Zenon 197. Claudia RUGGEBERG (alto) and Axel Bauni (piano). P Essen 16–18 July 1997. **USA: Delos DE 3307 (‘Shostakovich Complete Songs, Volume 2’). Lyubov SOKOLOVA (mezzo-soprano) and Yuri Serov (piano). [Opp. 123, 121, 127, and 146.] P St Petersburg 15 Apr. 2001, G Awards (Oct.) 2002. Germany: Capriccio 71 1041 (SACD). Arr. L. Auerbach. Zoryana KUSHPLIER (mezzo-soprano) and Petersen Quartet (Conrad Muck, Daniel Bell, Friedmann Weigle, Henry-David Varema). [Op. 110; and Auerbach.] P Deutschlandradio Studio, Berlin 2–4 Nov. 2005, G Nov. 2006.

548

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 144: Quartet No. 15 in E flat minor Form: 1. 2. 3. 4. 5. 6.

String quartet in six linked movements: Elegy—Adagio attacca Serenade—Adagio attacca Intermezzo—Adagio attacca Nocturne—Adagio attacca Funeral March—Adagio molto attacca Epilogue—Adagio

Composed: Completed on 17 May 1974 in a Moscow hospital. Premières: 25 October 1974, Leningrad Composers’ Club and 15 November 1974, Glinka Concert Hall, Leningrad; Taneyev Quartet (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, and Iosif Levinzon). 11 January 1975, Moscow Conservatory Malyi Hall; Beethoven Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Druzhinin, and Yevgeni Altman). UK: 5 March 1975, Royal Northern College of Music, Manchester; Fitzwilliam Quartet (Christopher Rowland, Jonathan Sparey, Alan George, and Ioan Davies). Arrangements: Reduction for piano four hands by Anatoli Dmitriev. Opus 144a—‘Requiem’ for string orchestra by Misha Rachlevsky. Music: Autograph score preserved in the Shostakovich Family Archive. A fragment of the Epilogue is illustrated in Volume 36 of Collected Works. Muzyka, unnumbered copyist’s score, 1974, 22 cm. Anglo-Soviet Music Press, c.1974, score and parts. Muzyka, No. 8961, 1975, parts, 29 cm. Muzyka, No. 8962, 1975, score, 21 cm. Hans Sikorski, No. 2204, 1975, parts, 31.5 cm. Hans Sikorski, No. 2209 (with Opp. 138 and 142), 1978, score, 21 cm. Muzyka, Leningrad, No. 2391, 1979, arr. for piano four hands by A. Dmitriev, 28.5 cm. Muzyka, No. 10284 (in Volume 35 of Collected Works Quartets 9–15), 1980, 30 cm. DSCH Publishers, Moscow, no number, 1997, 29 cm. DSCH Publishers, Moscow, score in Volume 104 of New Collected Works. Duration: Approx. 37 minutes in score; 34' 40"–38' 50"; 34 minutes (M. MacDonald). Ballet: To Comfort Ghosts. Choreographed by Dan Wagoner for Dan Wagoner and Dancers, Joyce Theater, Manhattan, 3 May 1988. A hermetic poem concerning a house divided by strife, performed by four male and four

O PU S 144: QU A RTET NO. 15 IN E FL AT MIN OR

549

female dancers to the Fitzwilliam Quartet’s recording. Presented at Sadler’s Wells by the London Contemporary Dance Theatre on 28 November 1989 and at the Stanislavsky and Nemirovich-Danchenko Theatre, Moscow, on 5 July 1990. Films: The Composer Shostakovich. For details see page 571 of Appendix II. Toutes peines confondues (‘Combined Sentences’). A French 110-minute ‘sophisticated thriller’ colour film of 1991, directed by Michel Deville, with background music from Borodin Quartet recordings of Shostakovich’s Quartets Nos. 1, 5, 7, 8, 11, 12, and 15. The first excerpt is from the Serenade movement of No. 15 Play: The Noise of Time, created by Simon McBurney and performed by the Theatre de Complicite, John Jay College Theatre, Lincoln Center, New York, 1–5 March 2000. This fantasy presentation features events from Shostakovich’s life, still and moving computer images projected on a screen, interwoven with a live performance of the last quartet by the Emerson Quartet. The UK première performed by the same company and quartet at the Barbican, London 8–15 July 2001. Recordings: LP and CD—USSR: Melodiya C10 06495-6. BEETHOVEN QUARTET (personnel as at Moscow première). P 1975, I 1976c ~ HMV Melodiya HQS 1362. G Nov. 1976. Reissued on CD—France: Praga PR 254 043. P given as Czech Radio broadcast Oct. 1976, I May 1994 ~ USA: Consonance Blue Label 81.3006 (‘Complete Quartets, Volume 2’). I May 1995. USSR: Melodiya C10 06639-40. TANEYEV QUARTET (personnel as at world première). P 1975; I 1976c ~ USSR: with same number in first box of Part 2 of Collected Works on Records. I 1980 ~ USA: Columbia Melodiya M 34527. I 1977. Reissued on CD—USSR: Melodiya SUCD 11 00313. I 1991. L’Oiseau-Lyre DSLO 11. FITZWILLIAM QUARTET (personnel as at UK première). P May 1975, G Apr.1976 ~ Decca 188 D7 in Set D 188 D7. G Feb. 1981. Reissued on CD—Decca Enterprise 433 078-2DM6 (on sixth of six-disc set). G June 1992. USSR: Melodiya C10 11757-8. BORODIN QUARTET (Mikhail Kopelman, Andrei Abramenkov, Dmitri Shebalin, Valentin Berlinsky). P 1978, I 1979d ~ HMV Melodiya EX 270339-3 (in seven-record box set of 15 Quartets plus Quintet, DMM). G Mar. 1986 . Reissued on CD—EMI CDC7 49270-2. I Nov. 1987, G Sept. 1988 ~ BMG Melodiya 74321 40711-2 (in six-disc set). I June 1997. LP—Czech: Panton 8111 0195 G. SUK QUARTET (Ivan Štraus, Vojteˇch ˇ ehák, Jan Štros). P Prague 1981. Jouza, Karel R *CD—Live Classics LCL 110 (‘Oleg Kagan Edition, Volume 30’). Oleg KAGAN, Grigori Zhislin, Yuri Bashmet, Natalya Gutman). P Kuhmo Chamber Music Festival, Finland concert 29 July 1982, I Oct. 2004.

550

D M I T R I SHOSTA K OVIC H C A TA LO GUE

CBS Masterworks MK 44924. Gidon KREMER, Daniel Phillips, Kim Kashkashian, Yo-Yo Ma. P New York concert 29–30 Jan. 1985, G Apr. 1990. Olympia OCD 534 (‘Complete Quartets, Volume 4’). SHOSTAKOVICH QUARTET (Andrei Shislov, Sergei Pishchugin, Aleksandr Galkovsky, Aleksandr Korchagin). P 1988, I May 1994, G Sept. 1994. Teldec Classics 246 017-2 (‘End Games’). BRODSKY QUARTET (Michael Thomas, Ian Belton, Paul Cassidy, Jacqueline Thomas). P Berlin Feb. 1989, I Oct. 1989, G Apr. 1990 ~ Teldec 9031 71702-2 (on sixth of six-disc set). I Nov. 1990, G June 1992. USA: ESS.A.Y CD 1013. MANHATTAN QUARTET (Eric Lewis, Roy Lewis, John Dexter, Judith Clyde). P Purchase, New York 27 July 1990, I 1991 ~ Koch Schwann 3 1017-2 (‘Complete Quartets, Volume 6’). I Dec. 1993. Claves 50 9115. Op. 144a—‘Requiem’ arr. M. Rachlevsky. Kremlin Chamber Orchestra, Misha RACHLEVSKY. P Moscow concert Oct.–Nov. 1991, G Mar. 1993 ~ Claves 50 9504/5 (two-disc set). G Mar. 1996. Netherlands: Attacca Babel BABEL 9786. SCHÖENBERG QUARTET (Janneke van der Meer, Wim de Jong, Henk Guittart, Viola de Hoog). P Delft 1–2 July 1993, G May 1998. Deutsche Grammophon 463 284-2GH5 (‘Complete Quartets, Volume 5’, five-disc set). EMERSON QUARTET (Eugene Drucker, Philip Setzer, Lawrence Dutton, David Finkel). P Aspen, Colorado concert July–Aug. 1994, G June 2000. Teldec 4509 98417-2. BORODIN QUARTET (personnel as on Melodiya C10 11757-8). P Berlin May 1995, G Feb. 1997 ~ Ultima 8573 87820-2 (twodisc set). I Apr. 2001, G Aug. 2001. Guild GMCD 7123 (‘Lamentations’). ‘Requiem’ arr. M. Rachlevsky. St. Gallen String Orchestra, Rudolf LUTZ. P St Gallen, Switzerland concert 1990s, I 1996. Naxos 8-550976 (‘Complete Quartets, Volume 5’). ÉDER QUARTET (János Selmeczi, Peter Szüts, Sándor Papp, György Éder). P Budapest 1–4 Sept. 1996, I Apr. 1998. Netherlands: Globe GLO 5171 (‘Complete Quartets, Volume 2’). RUBIO QUARTET (Dirk Van de Velde, Dirk Van den Hauwe, Marc Sonnaert, Peter Devos). P Utrecht Sept. 1997, I May 1998. **Sony Classical 82876 9018-2 (two-disc set). JUILLIARD QUARTET (Joel Smirnoff, Ronald Copes, Samuel Rhodes, Joel Krosnick). [Opp. 57, 73, and 142.] P Green Eggz No Ham, Collingswood, New Jersey 10–12 Feb. 2000, I Nov. 2006, G Jan. 2007. Germany: ECM New Series 1755 CD 461 815-2 (‘Lento’). KELLER QUARTET (András Keller, János Pilz, Zoltán Gál, Judit Szabó). [Schnittke.] P Propstei Monastery, Vararlberg, Austria 20–22 June 2000, G May 2003.

O PU S 144: QU A RTET NO. 15 IN E FL AT MIN OR

551

Hyperion CDA 67517. ST PETERSBURG QUARTET (Alla Aranovskaya, Ilya Teplyakov, Aleksei Koptev, Leonid Shukayev). [Opp. 122 and 138.] P St Petersburg Dec. 2000 and Jan. 2001. Netherlands: Brilliant Classics 6429 (‘Complete Quartets, Volume 5’, five-disc set). RUBIO QUARTET (Dirk van de Velde, Dirk van den Hauwe, Marc Sonnaert, Peter Devos). [Opp. 49 and 142.] P Mullem, Belgium concerts Apr.–Sept. 2002, I May 2003. Chandos CHAN 10248. SORREL QUARTET (Gina McCormack, Catherine Yates, Sarah-Jane Bradley, Helen Thatcher). [Op. 92.] P The Maltings, Snape 15–17 Jan. 2004, G Nov. 2004. France: Arion ARN 68675. DEBUSSY QUARTET (Christophe Collette, Anne Ménier, Vincent Deprecq, Yannick Callier). [Op. 57.] P Cité des arts, Chambéry, France 30 Oct.– 2 Nov. 2004, I 2005. Belgium: Fuga Libera 512 (‘Complete Quartets, Volume 5’, five-disc set). DANEL QUARTET (Marc Danel, Gillis Millet, Tony Nys, Guy Danel). [Opp. 49 and 118.] P Bayerische Rundfunk, Munich 25–27 May 2005, I 2005. Oehms Classics OC562 (‘Complete Quartets’, on fifth of five-disc set). RASUMOVSKY QUARTET (Dora Bratchkov, Evgenia Grandjean, Gerhard Müller, Alina Kudelevic). [Op. 142.] P Musikstudio Saarländischen Rundfunk, Saarbrücken June–Dec. 2005, I July 2006. Note: In March 1974 the compiler thanked Dmitri Shostakovich for the pleasure his music had given over many years. Two sheets of queries on his lesser-known compositions were included with the letter. He replied five months later, apologizing for the delay on account of serious illness and expressing appreciation for the interest in his music. He added details of his latest works Opuses 141 to 145 (see Plate 3). All his treasured comments were incorporated in the First Edition. As the Fitzwilliam Quartet had presented the British premières of the 13th and 14th string quartets, the news of a No. 15 was passed on to their violist, Alan George. Mr George immediately wrote to the composer for the parts of his new quartet and these were received in late December. When the compiler met Alan George at a 1977 performance of the Quartet No. 12 in Edinburgh he remarked that the quartet members were rather shaken when the music arrived with its six Adagio movements, not in E minor but in the difficult key of E flat minor! This proved to be Shostakovich’s last quartet. Regrettably he did not live to complete his projected cycle of twenty-four quartets in different keys as intimated to members of the Beethoven Quartet in May 1960. The nine not written were in the major keys of B and E and the minor keys A, B, D, E, G, C sharp and G sharp.

552

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Opus 145: Suite on Verses of Michelangelo Form: Song cycle for bass voice and piano. Settings of eleven poems by Michelangelo Buonarroti, the original Italian translated into the Russian language by Abram Efros (see Note). For a while the composer considered Andrei Voznesensky’s suggestion of ‘Michelangelo Memorial’ as a title. Verses chosen by the composer from a book Michelangelo—Life and Works, compiled by V. Grashchenkov and published by Iskusstvo, Moscow, 1964. The titles provided by the composer: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.

Truth (Sonnet 3 to Pope Julius II)—Adagio Morning (Sonnet 20)—Allegretto Love (Sonnet 25)—Allegretto Separation (Madrigal—Com’ arò dunque ardire)—Moderato Anger (Sonnet 4 on Rome in the Pontificate of Julius II)—Allegro non troppo [attacca not marked in the score] Dante (Sonnet 1 on Dante Alighieri)—Moderato attacca To the Exile (Sonnet 2 on Dante Alighieri)—Largo Creativity (Sonnet 61 on the death of Vittoria Colonna) —Moderato Night— a dialogue (Dialogue between Giovanni Strozzi and the Sculptor)—Andante Death (Sonnet 69)—Adagio Immortality (Epitaph for Cecchino Bracci Fiorentio—Epigrams 14 and 12)—Allegretto

Composed: Completed on 31 July 1974, to commemorate the 500th anniversary of the birth of Michelangelo. Opus 145a: completed on 5 November 1974, at Moscow. Dedication: Irina Antonovna Shostakovich (third wife). Premières: 23 December 1974, Glinka Concert Hall, Leningrad and 31 January 1975, Moscow Conservatory Malyi Hall; Yevgeni Nesterenko (bass) and Yevgeni Shenderovich (piano). UK: 25 and 27 September 1976, Somerley Park, Ringwood, Hampshire and Queen Elizabeth Hall, London respectively; John Shirley-Quirk (baritone) and Vladimir Ashkenazy (piano). Opus 145a: 12 October 1975, Moscow Conservatory Bolshoi Hall; Yevgeni Nesterenko, All-Union Radio and Television Symphony Orchestra, Maksim Shostakovich. UK: 16 April 1977, Liverpool; John Shirley-Quirk, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves. USA: 12 December 1980; John Shirley-Quirk, Cincinnati Symphony Orchestra, John Nelson.

O PU S 1 45: SU ITE ON VERSES OF MICH EL AN GEL O

553

Arrangements: Andrei Voznesensky’s revision of Efros’s translation commissioned by the composer not used. English translations of the poems by Dr. Sarah and Eric Walter White, and Felicity Ashbee. German translation by Jörg Morgener. Vocal lines modified to suit the original Italian texts. The music of No. 11 includes a restoration of a theme from the composer’s juvenile opera The Gipsies. Opus 145a—orchestrated version for symphony orchestra by the composer. Suite accompaniment arranged for organ by Hans Eisenmann. No. 9 Night arranged for double-bass and piano by Michael Cameron. Instrumentation: of Opus 145a—2 flutes (II = piccolo), 2 oboes, 2 clarinets (A and B flat), 2 bassoons (II = contrabassoon) ~ 4 horns, 2 trumpets, 3 trombones, tuba ~ timpani, triangle, side drum, wood block, whip, bass drum, gong ~ glockenspiel, orchestral bells, xylophone, vibraphone, celesta, harp, piano ~ strings (five-string double-basses specified). Music: Autograph scores of Opuses 145 and 145a preserved in the Shostakovich family archive. The first page of the autograph piano and full scores are reproduced in Volumes 33 and 31 of Collected Works respectively. Opus 145—Muzyka, No. 9048, 1975, 30 cm. Muzyka, No. 11785 (in Volume 33 of Collected Works), 1984, 30 cm. G. Schirmer, No. 3426 (plate no. 48521), c.1984, score with Russian and English texts, 31 cm. DSCH Publishers, Moscow, score in Volume 96 of New Collected Works. Opus 145a—Muzyka, no number, 1976, photocopied full score, 30 cm. Muzyka, No. 10113 (in Volume 31 of Collected Works), 1982, full score, 30 cm. Hans Sikorski, No. 2278, 1986, score with Russian and German texts— the latter by J. Morgener, 21 cm. DSCH Publishers, Moscow, full score in Volume 90 of New Collected Works. Duration: Approx. 40 minutes in scores; 33' 09"–44' 50". Films: The Composer Shostakovich. For details see page 571 of Appendix II. Recollections of Shostakovich. An hour-long biographical film (scripted by L. Belokurov and directed by B. Goldenblank), made by the Moscow Central Scientific Film Studios in 1977, ends with Nesterenko singing ‘Immortality’. Yevgeni Nesterenko. A documentary television film about the renowned bass singer, screened on Soviet TV in mid-January 1983, contains reminiscences of Nesterenko’s close friendship with the composer during the composition of the song cycle. Recordings: LP—USSR: Melodiya C06161-2. Yevgeni NESTERENKO (bass) and Yevgeni Shenderovich (piano). P Mar. 1975, I 1976b.

554

D M I T R I SHOSTA K OVIC H C A TA LO GUE

LP and CD—USSR: Melodiya C10 07395-6. Opus 145a. Ye. NESTERENKO, All-Union Radio and Television Symphony Orchestra, Maksim Shostakovich. P Dec. 1976, I 1977b ~ HMV Melodiya ASD 3323 in Set SLS 5078. G May and Oct. 1977. Gramophone Record Awards 1977—winner of Solo Vocal category, G Mar. 1978 ~ USSR: Melodiya C10 07395-6 (in third box of Part 3 of Collected Works on Records). I 1978. Reissued on CD—Japan: Victor Musical Industries VICC 40082-83 (‘Shostakovich Songs’, two-disc set). I 1991. LP—Czech: Panton 11 0604 H. Nos. 1, 4, 5, 10, and 11. Richard NOVÁK (bass) and Cyril Klimeš (piano). P Prague 1976, G Dec. 1977. Decca SXL 6849. John SHIRLEY-QUIRK (baritone) and Vladimir Ashkenazy (piano). P Oct. 1976 and Apr. 1977, G May 1978. LP—USSR: Melodiya C10 11239-40. No. 4 only. Yuri STATNIK (bass) and Nataliya Rassudova (piano). P 1978, I 1979c. LP and CD—East Germany: Eterna 8 27 209. Opus 145a. HermannChristian POLSTER (bass), Berlin Radio Symphony Orchestra, Thomas Sanderling. P 3–7 Mar. 1978. Reissued on CD—Japan: Tokuma TKCC 70414. I Aug. 1994 ~ Germany: Berlin Classics 0091 932BC. I Jan. 1997. CD—France: Praga PR 250 009. Opus 145a Nos. 1, 4–6, and 8–11. Sergei KOPTCHAK (bass), Prague Radio Symphony Orchestra, Frantísek Vajnar. P Prague concert 1980, I 1992. LP—Czech: Opus 9112 1570. Opus 145a. Sergei KOPTCHAK (bass), Slovak Philharmonic Orchestra, Libor Pešek. P Bratislava Dec. 1983, I 1985. CD—Germany: Teldec 243 714-2. Sung in the original Italian. Dietrich FISCHER-DIESKAU (baritone) and Aribert Reimann (piano). P May 1987 ~ Teldec/ASV 8 44138. I Oct. 1988, G Jan. 1989 ~ Teldec 4509 97460-2. I June 1995. Decca 433 319-2DH. Opus 145a, sung in Russian. D. FISCHER-DIESKAU (baritone), Berlin Radio Symphony Orchestra, Vladimir Ashkenazy. P Berlin Jan. 1991, G July 1993. Deutsche Grammophon 447 085-2GH (‘The Orchestral Songs, Volume 2’). Opus 145a. Sergei LEIFERKUS (baritone), Gothenburg Symphony Orchestra, Neeme Järvi. P Gothenburg Sept. 1994, 1 Dec. 1994, G Jan. 1996. USA: Zuma ZMA 304 (‘Progression’). ‘Night’ arr. Cameron. Michael CAMERON (double-bass) and Ian Hobson (piano). P University of Illinois, Champaign-Urbana Oct. 1995, I Jan. 1997. Germany: Capriccio 10 777. Opus 145a. Anatoli KOTSCHERGA (bass), Cologne Radio Symphony Orchestra, Mikhail Yurovsky. P Cologne 21–23 Feb. 1996, I 1998. France: Le Chant du Monde LDC778 1124 (with Tishchenko Portrait of D. D. Shostakovich—No. 12 of Twelve Portraits, Op. 113). Arr. Eisenmann.

S A NS OP . Z : SONG OF THE F LEA (BEET H OVEN )

555

Aleksandr NAUMENKO (bass) and Hervé Desárbre (organ). P Glinka Museum, Moscow concert 24 May 1999, I May 1999, G Aug. 2000. **USA: Delos DE 3317 (‘Complete Romances and Songs, Volume Five’). Fyodor KUZNETSOV (bass) and Yuri Serov (piano). [Op. 79.] P St Catherine Lutheran Church, St Petersburg 26–27 Feb. 2003, I UK Jan. 2006. Warner Classics 2564-61949-2. Julian RACHLIN (viola) and Itamar Golan (piano). [Op. 34.] P Teldex Studio Berlin, 25–28 Nov. 2004, I 2005. Bulgaria: Gega New CD 312. Guenko GUECHEV (bass-baritone) and Susanna Lemberskaya (piano). [Mussorgsky.] P Ridgewood Studios, Pittsburgh Feb. 2005. Chandos CHAN 10358 (‘Words of Michelangelo’). Opus 145a. Lldar ABDRAZAKOV (bass), BBC Philharmonic, Gianandrea Noseda. [Opp. 140.] P New Broadcasting House, Manchester 5–7 Apr. 2005, I Feb. 2006, G Apr. 2006. Germany: Coviello Classics COV 50805 (‘World Poetry in Russian Music’). Frieder ANDERS (baritone) and Stella Goldberg (piano). [Kabalevsky and Gavrilin.] P Festeburgkirche, Frankfurt am Main Jan. 2006. Notes: During rehearsals for the orchestral version, Opus 145a, in October 1975, Maksim Shostakovich disclosed to Yevgeni Nesterenko that his father considered this composition took the place of the Sixteenth Symphony in his œuvre. Muzyka Rossii, Issue 2 (Sovetskii kompozitor, Moscow, 1978). Efros referred to Karl Frey’s German edition of Michelangelo’s poetry when translating the original Italian into the Russian language but this standard work has only the editorial preface and notes in German and not German versions of the poems as stated in the first and second editions of this catalogue.

Sans op. Z: Song of the Flea (Beethoven) Form: Orchestration of Ludwig van Beethoven’s ‘Song of Mephistopheles in Auerbach’s cellar’, Op. 75 No. 3, for voice and piano, to words from Goethe’s Faust in a translation by Aleksandr Strugovshchikov. Composed: Early in 1975 at the request of Yevgeni Nesterenko; unaware, as was Shostakovich, that Igor Stravinsky had orchestrated this piece in 1909. Première: 1 April 1975, Leningrad Philharmonic Bolshoi Hall; Yevgeni Nesterenko (bass), Leningrad Philharmonic Orchestra, Yuri Kochnev. Arrangement: English translation of the text by Joan Pemberton Smith. Music: Autograph score preserved in the Shostakovich Family Archive. DSCH Publishers, Moscow, full score in Volume 146 of New Collected Works.

556

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Duration: 2' 25". Recordings: LP and CD—USSR: Melodiya C10 14415-6 (Album 1 of ‘From Manuscripts of Different Years’). Yevgeni NESTERENKO (bass), Soviet ensemble of soloists under Gennadi Rozhdestvensky. P 1980, I I98lb ~ HMV Melodiya ASD 1650331. [As USSR release.] G July 1983. Reissued on CD—BMG Melodiya 74321 59058-2 (two-disc set). I and G Mar. 1999.

Opus 146: Four Verses of Captain Lebyadkin Form: Four songs for bass and piano to texts of Fyodor Dostoyevsky, from the novel The Demons of 1871: 1. 2. 3. 4.

The Love of Captain Lebyadkin (Miss Elizaveta Tushin)—Allegretto The Cockroach—Moderato The Ball to the Benefit the Governesses—Allegretto A Shining Personality (or ‘A Pure Soul’)—Allegretto

Composed: Completed on 23 August 1974. Premières: 10 May 1975, Moscow Conservatory Malyi Hall; Yevgeni Nesterenko (bass) and Yevgeni Shenderovich (piano). USA: 30 October 1983, Boston University Concert Hall; Robert Osborne (bass) and Howard Lubin (piano). Sung in Russian. Arrangements: English translation of the texts by Joan Pemberton Smith. Orchestrated by Boris Tishchenko. Music: Autograph score preserved in the Shostakovich Family Archive. Russian printed edition of manuscript not in the composer’s hand, no number or date, 29.5 cm. Muzyka, No. 11785 (in Volume 33 of Collected Works), 1984, 30 cm. DSCH Publishers, Moscow, in Volume 146 of New Collected Works. Duration: 10' 57"–13' 59"; 10 minutes (Meskhishvili). Recordings: LP and CD—USSR: Melodiya C10 09225-6. Yevgeni NESTERENKO (bass) and Yevgeni Shenderovich (piano) (in third box of Part 3 of Collected Works on Records). P Jan. 1976, I 1978 ~ HMV Melodiya ASD 3700. G Sept. 1979 ~ USSR: Melodiya C10 15501-2. I 1981d. Reissued on CD—Japan: Victor Musical Industries VICC 40082-83 (‘Shostakovich Songs’, two-disc set). I 1991. Czech: Supraphon 1111 2000 G. Josef SPACˇEK (bass) and Josef Hála (piano). P Prague 23–24 Oct. 1978. CD—Decca 433 319-2DH. Dietrich FISCHER-DIESKAU (baritone) and Vladimir Ashkenazy (piano). P Berlin Jan 1991, G July 1993. France: Le Chant du Monde Russian Season RUS 288089. Pyotr GLUBOKY (bass) and Nataliya Rassudova (piano). P Moscow Conservatory 21–29 Sept. 1994, I Apr. 1995.

OP U S 147: VIOL A SON AT A

557

Japan: Triton 17 008. Aleksei MOCHALOV (bass), Moscow Chamber Music Theatre Orchestra, Anatoli Levin. P Mosfilm Studio Nov. 1995, I Nov. 1996. **USA: Delos DE 3307 (‘Shostakovich Complete Songs, Volume 2’). Fyodor KUZNETSOV (bass) and Yuri Serov (piano). [Opp. 123, 121, 127, and 143.] P St Petersburg 18 June 2001, G Awards (Oct.) 2002. NB. Incorrectly stated to be the first appearance on CD ~ Russia: NF/PMA 9910 (‘Vocal Cycles for Bass, Volume 1’). [Opp. 62, 121, 91, and 98.] I 2002. France: Alpha 055 (‘Krokodil’, two-disc set). Petr MIGUNOV (bass) and Arthur Schoonderwoerd (piano). [Opp. 87, 109, and 134.] P Chaux-de-Fonds, Switzerland May 2003, I May 2004. Deutsche Grammophon 477 6111. Orchestrated by Boris Tishchenko. Sergei LEIFERKUS (baritone), Russian Philharmonic Orchestra, Thomas Sanderling. [Sans op. P(v), Opp. 109, 121, and 123.] P Kultura Russian State TV & Radio Studio, Moscow May 2005, I June 2006. Notes: When Nesterenko and Shenderovich rehearsed Opus 146, in the composer’s presence, he asked the pianist when performing ‘The Cockroach’ to turn over the sheet music as though they were starting from the beginning again. Shostakovich explained that in Dostoyevsky’s novel, the buffoon Lebyadyin made a hash of his vocal by getting out of time. Turning to the accompanist he says, ‘Start again, please’. The pianist plays the introduction again but this time Lebyadkin now sings in a higher register! This greatly amused the composer and he asked Nesterenko and Shenderovich ‘to do this trick’ and ‘naturally, we complied—as we always do now— with Shostakovich’s request’. Books and Art in the USSR, VAAP Moscow, No. 1/40, 1984. For an analysis of this song cycle see Dr Bernatchez’s article in DSCH Journal No. 28.

Opus 147: Viola Sonata Form: Sonata for viola and grand piano in three movements: 1. Aria (or Novello)—Moderato 2. Scherzo—Allegretto 3. Adagio—‘In memory of the great Beethoven’ The Overture and start of ‘Scenes in the Hotel’ of the wartime opera The Gamblers, Sans op. K(i), utilized in the Scherzo. Composed: The first two movements written from late April to June 1975 and the Adagio written in two days, being completed on 5 July 1975. The proofs corrected by Shostakovich in a Moscow hospital bed on 4 and 5 August 1975, five and four days before his death.

558

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Dedication: Fyodor Serafimovich Druzhinin (violist of the Beethoven Quartet). The third movement also dedicated to Ludwig van Beethoven though this is not stated in the score. Premières: 1 October 1975, Glinka Concert Hall, Leningrad; Fyodor Druzhinin (viola) and Mikhail Muntyan (piano). UK: 14 June 1976, Jubilee Hall, Aldeburgh; Cecil Aronowitz (viola) and Nicola Grunberg (piano). USA: 12 November 1976, University of New Mexico, Keller Hall, Albuquerque; Herbert Levinson (viola) and George Robert (piano). USA: 17 December 1976, Chamber Music Society of New York, Lincoln Center; Walter Trampler (viola) and Richard Goode (piano. Opus 147a: Netherlands: January 1992, Amsterdam; V. Mendelssohn’s arrangement performed by Lev Markiz (violist/director) and New Amsterdam Sinfonietta. Arrangements: Viola part arranged for cello by Daniil Shafran, Aleksandr Kniazev, Iosif Feigelson, Carlo Prieto; and jointly by Friedrich Kleinhapl and Andreas Woyke. Opus 147a; orchestrated for viola soloist, strings and celesta by Vladimir Mendelssohn in 1991–92. Music: Autograph score preserved in the Shostakovich Family Archive where Manashir Yakubov discovered a manuscript with the instrumental line written out in the bass clef. The first page is reproduced in Volume 38 of Collected Works. G. Schirmer, No. 47675, 1975, score and viola part, 30 cm. Hans Sikorski, No. 2222, 1975, parts, 31.5 cm. Muzyka, No. 9679, 1977, viola part ed. F. Druzhinin and with added cello part arr. D Shafran, 29 cm. Muzyka, No. 10927 (in Volume 38 of Collected Works), 1982, including separate viola part, 30 cm. DSCH Publishers, Moscow, 1997, score ed., F. Druzhinin, 29 cm. DSCH Publishers, Moscow, score in Volume 108 of New Collected Works. Duration: Approx. 30 minutes in scores; 26' 15"–38' 59"; 25 minutes (M. MacDonald). Films: Sonata for Viola. A full-length documentary film, including scenes from the first International Chopin Pianoforte Competition in Warsaw, 1927; the composer playing his Piano Quintet, a trip to Paris in 1958 and other newsreels; with music performed by Fyodor Druzhinin, David Oistrakh, Svyatoslav Richter, and Leonard Bernstein among others, was made in Leningrad for release on the eve of the 75th anniversary of Shostakovich’s birth. The film was compiled by Semyon Aranovich and Aleksandr Sokurov, with script by Boris Dobrodeyev, for Lenfilm. Originally issued in 1980 but denounced by the KGB and the negative confiscated.

OP U S 147: VIOL A SON AT A

559

Sokurov salvaged a cut-up positive print in 1987 after it was unbanned. Re-released in 2000 on Ideale Audience DVD 5DS14—reviewed by John Riley in DSCH Journal No.24 (January 2006), 70–71 and presented at the ‘Shostakovich 100’ symposium in the Queen Elizabeth Hall, London on 25 September 2006. Yuri Bashmet. A portrait of the Ukranian viola virtuoso presented on TV’s ‘The South Bank Show’ by Melvyn Bragg on 4 March 1990. Includes takes of Irina Shostakovich talking about the Viola Sonata and part of the Adagio played in the composer’s flat by Bashmet and Mikhail Muntyan. Recordings: LP and CD—USSR: Melodiya C10 06637-8. Fyodor DRUZHININ (viola) and Mikhail Muntyan (piano). P Dec. 1975, I 1976c ~ HMV Melodiya HQS 1369. G May 1977 ~ USSR: Melodiya C10 06637-8 (in second box of Part 2 of Collected Works on Records). I 1978. Reissued on CD—France: Le Chant du Monde LDC 278 1018-19 (two-disc set). I Feb. 1990, G June 1990. LP—Czech: Opus 9111 0492. Milan TELECKÝ (viola) and Lýdia Majlingová (piano). P May 1976 ~ Rediffusion Aurora AUR 5051. G May 1977. Czech: Supraphon 1111 2000 G. Josef SUK (viola) and Jan Panenka (piano). P Prague 9 June 1976. LP and CD—USSR: Melodiya C10 09571-2. Arr. for cello D. Shafran. Daniil SHAFRAN (cello) and Anton Ginzburg (piano). P June 1977, I 1978c. Reissued on CD—Japan: Victor Musical Industries VICC 2049 (with Op. 147 première Druzhinin/Muntyan recording). I 1989 ~ USSR: Melodiya SUCD 10 0257. I 1991b ~ *Korea: Yedang Classics YCC 0084. [Schumann and Brahms.] I Feb. 2002. Sweden: BIS LP 81. Zahari TCHAVDAROV (viola) and Albena Zaharieva (piano). P Sweden 15 Jan. 1977, I 1979. Reissued on CD—Sweden: BIS CD 81. I June 1993. LP—New Zealand: Halcyon Records PM 102. Glynne ADAMS (viola) and Bryan Sayer (piano). P 1977. USSR: Melodiya C10 10789-90 (‘Cellists at Sixth International Tchaikovsky Competition’). Second movement only arr. D. Shafran. Nathaniel ROSEN (cello) and J. Hemmel (piano). P 1978, I 1979a. USSR: Melodiya C10 11381-2. Yuri YUROV (viola) and Vladimir Krainev (piano). P 1978, I 1979c. USA: Laurel LP 118. Milan THOMAS (viola) and Doris Stevenson (piano). P 1981. *CD—Russia: TNC Music H 1475-76A&B (two-disc set, stereo). Yuri BASHMET (viola) and Svyatoslav Richter (piano). [Dvorˇ ák, Liszt, Franck, and Szymanowski.] P Philharmonic Hall, Kiev concert 17–18 Sept. 1982, I 2003.

560

D M I T R I SHOSTA K OVIC H C A TA LO GUE

Russia: Melodiya SUCD 10 00095. Yuri BASHMET (viola) and Svyatoslav Richter (piano). P Moscow concert 26 Sept. 1982, I 1993a ~ *Korea: Yedang Classics YCC 0106. [Op. 134.] I Apr. 2002 ~ Regis RRC 1128. [Op. 134.] I Apr. 2003, G Sept. 2003. *LP and CD—Germany: Eterna 827902. Manfred SCHUMANN (viola) and Jutta Czapski (piano). [Honegger and Britten.] P Christuskirche, Berlin June 1983, I 1985. Reissued on CD—Berlin Classics 0031512 BC. [Honegger and Britten.] I 1996. LP—Bulgaria: Balkanton BKA 11424. Ognyan STANCHEV (viola) and Ivan Evtimov (piano). I 1984. Canada: Discopaedia MBS 2021-2 (third side in two-record set). Rivka GOLANI (viola) and Samuel Sanders (piano). P Toronto Dec. 1984 and Feb. 1985. CD—Japan: JVC VDC 5016 (in two-disc set ‘To the Memory of David Oistrakh’). Y. BASHMET (viola) and S. Richter (piano). P Freiburg, West Germany concert 6–8 Mar. 1985 ~ Russia: Mezhdunarodnaya Kniga MK 418015. I 1992 ~ Olympia OCD 625. I June 1997. LP—Czech: Panton Debut 81 0665-1. Jan PEˇRUŠKA (viola) and František Ku˚da (piano). P Prague 24–27 Mar. 1986. Cuba: Egrem LD 4403. Viera BORISOVA (viola) and Ignacio Pacheco (piano). P Havana, Cuba 1986. CD—Sweden: BIS CD 358 (‘The Russian Viola’). Nobuko IMAI (viola) and Ronald Pöntinen (piano). P 28–30 Dec. 1986, I 1987, G Feb. 1988. LP—Canada: Société Nouvelle D’Enregistrement SNE 535. Robert VEREBES (viola) and Dale Bartlett (piano). P 1987. Cassette—USA: Composers Recordings Incorporated ACS 6018 (‘Music for the Viola: a Twentieth-Century Anthology’; Volume 3). John GRAHAM (viola) and Thomas Muraco (piano). P Houston Feb. and Apr. 1988. CD—Koch Schwann 3-1161-2. Raphael HILLYER (viola) and Reinbert de Leeuw (piano). P Düsseldorf 14 Dec. 1989, I Dec. 1994, G May 1995. Germany: ECM New Series 847 538-2. Kim KASHKASHIAN (viola) and Robert Levin (piano). P 1990, I Jan. 1992, G Sept. 1992. Italy: Dynamic CDS 61. James CREITZ (viola) and Mihail Sarbu (piano). P Genoa 1990, I 1994. EMI Classics CDC7 54394-2. Tabea ZIMMERMANN (viola) and Harmut Höll (piano). P Sandhausen 1991, G Mar. 1992. *Japan: Fontec FOCD 3146. Toshiyuki UZUKA (viola) and Jean-Claude Pennetier (piano). [Schumann and Franck.] P Public Hall, Iruma, Japan 13–15 Apr. 1991, I 1992.

OP U S 147: VIOL A SON AT A

561

France: Erato 2292 45804-2. Shlomo MINTZ (viola) and Viktoria Postnikova (piano). P Metz Sept. 1991, G Nov. 1992 ~ *Warner Elatus 0927-49554-2. [Op 134.] I Jan 2003, G June 2003. USA: RCA Victor Red Seal 09026 61273-2. Y. BASHMET (viola) and Mikhail Muntyan (piano). P Henry Wood Hall, London concert 18–20 Sept. 1991, G Mar. 1993 ~ RCA Digital 09026 61273-5. I May 1993. Netherlands: Fidelio 9203. Isabelle van KEULEN (viola) and Ronald Brautigam (piano). P Utrecht 23–24 Mar. 1992, I July 1993 ~ Netherlands: Vanguard Classics 99306 (two-disc set). I Aug. 1999. Gamut Classics CD 537. Philip DUKES (viola) and Sophia Rahman (piano). P Petersham 14–16 July 1992, G Apr. 1994. Netherlands: Globe GLO 5093. Opus 147a arr. V. Mendelssohn. Vladimir MENDELSSOHN (viola), New Amsterdam Sinfonietta, Lev Markiz. P Utrecht Oct.–Dec. 1992, I 1993. France: REM Editions 311 210. Anton KHOLODENKO (viola) and Sergei Milstein (piano). P Tassin-la-Demi-Lune summer 1993. Koch International Classic 3-7270-2. Paul SILVERTHORNE (viola) and John Constable (piano). P East Finley Dec. 1993, I Mar. 1995. Japan: Meister Music MM 1002 (‘A Viola Banquet, Volume 2’). Nobuko IMAI (viola) and Friedrich Wilhelm Schnurr (piano). P Casals Hall, Tokyo Mar. 1994, 1 Oct. 1994. USA: Arabesque Z 6698 (two-disc set). Jamie LAREDO (viola) and Joseph Kalichstein (piano). P Purchase, New York 17–18 Dec. 1995 or 12–13 Sept. 1996, I and G Jan. 1998. Centaur CRC 2450. Victoria CHANG (viola) and Randall Hodgkinson (piano). P Weston, Massachusetts 21 Dec. 1995, I May 2000. Chandos CHAN 9526 (two-disc set). Arr. D. Shafran. Alfia BEKOVA (cello) and Eleonora Bekova (piano). P Highgate, London 19–20 June 1996, G May 1997. Koch Discover International DICD 920538. Felix SCHWARTZ (viola) and Wolfgang Kühnl. (piano). P Berlin 26–27 Feb. 1997, I June 1999. Switzerland: Pan Classics 510 111. Thomas RIEBL (viola) and Cordelia Höfer (piano). P Schloss Mondsee, Festaal Sept. 1998. USA: Artona no number (‘Black Snow’). Michael ZARETSKY (viola) and Xak Bjerken (piano). P 1998. **Austria: Extraplatte EX 525-2. Michael KUGEL (viola) and Vesna Podrug (piano). [Kugel—Suite in Memory of Shostakovich.] P Vienna 15 Sept. 1998, I 2002. Germany: Cadenza CAD 800 851. Alexandra FRANZEWA (viola) and Viola Mokrosch (piano). [Fried and Golowin.] P Gnessin Academy, Moscow 10–11 Apr. 1999.

562

D M I T R I SHOSTA K OVIC H C A TA LO GUE

France: Saphir Productions LVC 001016. Bruno PASQUIER (viola) and Christian Ivaldi (piano). [Enescu and Hindemith.] P Paris 23, 24, and 27 Apr. 2000. Black Box BBM 1032. Arr. D. Shafran. Raphael WALLFISCH (cello) and John York (piano). [Sans op. D; Op. 39; and Schnittke.] P Champs Hill, Pulborough 28 June 2000, I Aug. 2002, G Awards (Nov.) 2002 ~ *Nimbus NI 5764-65 (‘Complete works for cello’, two-disc set). [Opp. 39 and 40; and Sans op. D(vi).] I June 2006, G Awards (Oct.) 2006. Japan: Exton OVCL 000202. Arr. A Kniazev. Aleksandr KNIAZEV (cello) and Mikhail Voskresensky (piano). [Op. 40.] P Moscow Conservatory Malyi Hall 16–17 Mar. 2001. Naxos 8.557231. Annette BARTHOLDY (viola) and Julius Drake (piano). [Op. 40.] P Henry Wood Hall, London 10–12 May 2001, I Apr. 2004. Denmark: Classico CLASSCD 420. Claus MYRUP (viola) and Lotte Toftemark (piano). [Penderecki and Kurtag.] P Birkerod, Denmark Aug. 2001 and Feb. 2002, I Aug. 2003. Netherlands: Q Disc Q 99001. Roeland JAGERS (viola) and Reineke Broekhans (piano). [Françaix, Escher, Poulenc, Yun.] P Concertgebouw, Amsterdam concert 12 May 2002, I 2004. Calliope CAL 9326. Arr. D Shafran. Petr PRAUSE (cello) and Yakov Kasman (piano). [Op. 40.] P Studio Arco Diva, Prague June 2002, I Apr. 2003. USA: Phoenix PHD 155. Levon AMBARTSUMIAN (viola) and Anatoli Sheludyakov (piano). [Op. 134.] P University of Georgia, Athens, USA Apr. 2003, I Aug. 2004. Somm SOMMCD 030. Lars Anders TOMTER (viola) and Havard Gimse (piano). [Opp. 40 and 97.] P Sutton, Surrey 12–13 Dec, 2003, I 2004. Northern Flowers NF/PMA 9921-22 (two-disc set). Mikhail BEZVERKHNY (viola) and Timur Sergeyenya (piano). [Opp. 34 and 134.] P St Catherine Lutheran Church, St Petersburg 3–6 Nov. 2003, I 2004 ~ Belgium: De Rode Pomp Gents Muzikaal Arcief RP/GMA 041 (two-disc set). [Opp. 34 and 134.] I 2004 Germany: Ars Produktion ARS 38 003 (Hybrid SACD). Arr. for cello and piano by the performers. Friedrich KLEINHAPL (cello) and Andreas Woyke (piano). [Op. 40.] P Helmut-List-Halle, Graz 14–16 Dec. 2003, I 2004. Warner Classics 2564-61949-2 (two-disc set). Julian RACHLIN (viola) and Itamar Golan (piano). [Op. 34; Beethoven.] P Teldex Studio, Berlin 25–28 Nov. 2004, I Sept 2005. Mexico: Urtext JBCC 116. Mikhail TOLPYGO (viola) and Manuel Gonzalez (piano). P Hermilo Novelo Chamber Music Hall, Mexico City 14–15 June 2004, I 2006.

OP U S 147: VIOL A SON AT A

563

Mexico: Urtext JBCC 123. Arr. Prieto. Carlos PRIETO (cello) and Doris Stevenson (piano). [Op. 40.] P Academy of Arts and Letters, New York 7–8 June 2005, I 2006. Deutsche Grammophon 477 6196. Arr. V. Mendelssohn. Yuri BASHMET (viola), Andrei Mendelssohn (percussion), and Kremerata Baltica, Gidon Kremer (director). [Op. 134.] P Philharmonia Bolshoi Hall concert Oct. 2005, I Nov. 2006, G Jan. 2007. Sweden: Intim Musik IMCD 102. Erik RING (viola) and Francisca Skoogh (piano). [Op. 134.] P Isidor Studio, Huaröd, Sweden 13–14 and 26–27 Oct. 2005. Calliope CAL 9355. Vladimir BUKACˇ (viola) and Yakov Kasman (piano) [Op. 134.] P Studio Hamu, Prague Nov. 2005. USA: Crystal Records CD 838. Paul CORTESE (viola) and Juan Carlos Garvayo (piano). [Bacawicz, Khachaturyan, and Martinu˚.] P Jafre de Ter Studio, Girona, Spain 4–5 Feb. 2007. Germany: Genuin GEN 88115. Nils MONKEMEYER (viola) and Nicholas Rimmer (piano). [Beethoven and Pärt.] P Siemensvilla, Berlin-Lankwitz 28–30 Aug. 2007.

This page intentionally left blank

Appendix I COLLECTIONS OF SHOSTAKOVICH’S MUSIC, ARRANGEMENTS, AND MUSIC PUBLISHERS

Several collections of Shostakovich’s music have been published. These include the album Waltzes from Film Music by Sovetskii kompozitor in 1959, comprising full scores of eight waltzes from Opp. 45, 30, 78, 76, 97, 99, 95, and 37. A three-volume Soviet edition Compositions for fortepiano appeared separately in 1966, 1968, and 1969. The volume entitled Vocal Compositions has been published with recent additions from time to time by Muzyka; the 1974 issue containing the song cycles Opp. 46, 62, 79, 91, 98, 100, 109, and 143. The string quartets Nos. 1 to 8 were published in two volumes by Muzyka, Nos. 30858-59 (size 21 cm.) in 1964; by Edwin F. Kalmus, Nos. 429 and 430 (18 cm.), and in the Edition Peters, Nos. 5728a and b (19 cm.) in the 1970s. Hans Sikorski issued study scores (21 cm.) of the fifteen quartets in five volumes between 1978 and 1981 (No. 2265 covers 1–4; 2266, 5–8; 2267, 9 and 10; 2268, 11 and 12; 2209, 13–15). Excerpts from Symphonies Nos. 1, 5, and 7, transcribed for piano solo by Ludwig Flato, were published by Leeds Music in 1946. Frederick Block arranged and edited various pre-1938 items for a Contemporary Masterpieces: Album No. 19 in 1947. This collection was reissued as Shostakovich: Nine Pieces for Piano and published by Edward B. Marks, New York (No. 11668-68 et al, 1951–57, 30 cm.). The pieces are the first movement from the First Symphony; Russian Dance and Polka from The Golden Age; Prelude, Opus 34 No. 4; the Scherzo of the Fifth Symphony; three extracts from Lady Macbeth of Mtsensk District—Dance (commencing at fig. 384), Interlude (fig. 113), and Grotesque Scene (fig. 434); and Marche Sarcastique from Hamlet, Opus 32. A selection of eight pieces from ballet, operetta, and film scores, arranged by Dénes Agay under the title Melodic Moments, appeared in 1969. Orchestral studies for flute (excerpts from Symphonies Nos. 1–3 and 5–9), edited by John Wummer, was published by Leeds Music in 1949 (31 cm). Orchestral studies for clarinet, edited by H. Roscher, was published by Friedrich Hofmeister 565

566

A PPE ND IX I

of Leipzig; and another compilation by A. A. Aleksandrov was published by Muzyka in 1964 (29 cm.). Trumpet studies compiled by H. Krumpfer from Shostakovich compositions appear in Hofmeister, Volume 10. Levon Atovmyan accomplished sterling work in assembling suites from Shostakovich’s film scores, re-orchestrating numbers, extending and rounding off fragments where necessary for concert performance, with the full approval of the composer. These suites are fully detailed under the original opus numbers. He compiled a volume of 24 songs from film scores, arranged for voice(s) and chorus with piano accompaniment, published by Sovetskii kompozitor (No. 519, 1958, 29 cm.) and several collections of ‘not difficult pieces’ for pianoforte being simplified reductions of film and ballet numbers; these including the ballet suite Choreographic Miniatures—21 pieces arranged as Events of a Day first appearing in 1962 with a second edition published by Sovetskii kompozitor in 1973 (No. 2618, 29 cm.) and in the Edition Sikorski also in 1973 (No. 2202, 31.5 cm.); and 25 pieces entitled Roundabout of Dances, incorporating Dances of the Dolls Nos. 1–5 and 7, published by Edition Sikorski in 1970 (No. 2201, 31.5 cm.) and G. Schirmer in 1972 (No. 1887, 30 cm.), with two piano duets added by editor Joseph Prostakoff. The Collected Works in 42 volumes, announced by Muzyka in 1977, was published between 1979 and 1987. Many compositions appeared in print for the first time. All works were collated with the composer’s manuscript. Each cloth-bound volume contains a portrait and a facsimile page of one composition’s autograph. The distinguished editorial committee included Tikhon Khrennikov, Rodion Shchedrin, Vasili Kukharsky, Yevgeni Svetlanov, Leonid Sidelnikov, Konstantin Titarenko, Konstantin Fortunatov, Boris Chaikovsky, Grigori Shneyerson (died February 1982), and Maksim Shostakovich (dropped from the panel in 1981). Manashir Yakubov compiled much of the editorial material and though his name appeared on proof pages in 1978 his considerable contribution was not credited in the published volumes. Volumes 1 to 9 cover the symphonies; 10 and 11, overtures and other orchestral works; 12 to 17, the concertos in full score and piano reduction; 18 to 25, the operas in full and vocal score; 26, the ballet suites; 27 and 28, theatre music; 29 and 30, the cantatas in full and vocal score; 31 to 33, the vocal compositions; 34, choral works; 35 to 38, chamber music; 39 and 40, the pianoforte works; and 41 and 42, suites and items for film scores. The 1979–1987 edition of Collected Works in 42 volumes is gradually being superseded by the New Collected Works from DSCH Publishers of Moscow. This cloth-bound edition of the 150 volumes grouped into a fifteen genre series, which was launched in 2000, will include over 80 works published for the first time. The description of each work in Russian and English, plus an appended commentary on the music, is compiled by Manashir Yakubov. The location of autograph and/or manuscript scores with the collection stock numbers—‘fond’

APPEN DIX I

567

in Russian—are quoted (these can also be found in Erna Meskhishvili’s 1995 Catalogue). Twenty volumes have been published up to the end of 2006 and details of these are included under the Music headings. Future volumes are mentioned without the year of publication stated. In addition many works are being issued singly for performance purposes, in paperback format and lacking the detailed commentaries. Those already available as full-size scores and separate parts cover the sonatas and fifteen string quartets. In addition to the New Collected Works, DSCH Publishers, from 1993 onwards, have released practical performing editions of piano and chamber works and the fifteen quartets (separate scores and string parts). Certain of these editions have been listed under the Music headings. A convenient up-to-date Editions DSCH: Catalogue de vente can be obtained from Association Internationale Dimitri Chostakovitch, 19bis rue des Saints Pères, 75006 Paris, France. Email [email protected]. Internet www.chostakovitch.org. Purchases payable in Euros or American dollars.

Music Publishers The addresses of the main publishers and distributors of Shostakovich’s music are listed below. Some refer to early publications and may be obsolete. Also, with the disintegration of the Soviet Union, State Music organisations have been discontinued or reorganised. Their former names and addresses are listed below for reference purposes: Anglo-Russian Music: formerly of 16 Manette Street, London Wl. Anglo-Soviet Music Press: subsidiary company of Boosey & Hawkes founded in the Second World War. Belwin Mills Music: 250 Purley Way, Croydon, Surrey CR9 4QD. Boosey & Hawkes: Boosey & Hawkes Music Publishers Ltd., 295 Regent Street, London W1R 8JH. See Brittens Music Limited below. Breitkopf & Hartel: VEB Breitkopf & Hartel, Musikverlag Leipzig, 701 Leipzig Cl, Karlstrasse 10, Deutsche Democratische Republik. 20 Earlham Street, London WC2H 9LN. Brittens Music Limited, of Tunbridge Wells, Kent TN1 1RZ, now handle music mail orders for Boosey & Hawkes. Le Chant du Monde: 31/33 rue Vandrezanne, 75013 Paris. France. Collets: Collets Holdings Ltd., Denington Estate, Wellingborough, Northamptonshire NN8 2QT. Ceased trading in July 1993. Deutscher Verlag für Musik: see Breitkopf & Hartel. DSCH Publishers: Olsufrievski Pereulok 8, No. 5, Moscow 119 021, Russia. DSCH Publishers, 11104, Moskva, ul. Aviamotornaya, D.8. Email . For the full Dmitri Shostakovich catalogue of

568

A PPE ND IX I

music available for purchase or hire apply to the publishers at 8/10-2-23, Bryusov periled, Moscow 103009, Russia. Edition Eulenberg: Ernst Eulenberg Ltd., 8134 Adlisivil 2 H, Grutstrasse 28, Zurich, Switzerland. 48 Great Marlborough Street, London Wl V 2BN. International Music: International Music Co., New York. Alfred A. Kalmus Ltd., 2–3 Fareharm Street, Dean Street, London Wl V 4DU. Edwin F. Kalmus: Belwin Mills Music, 250 Purley Way, Croydon, Surrey CR9 4QD. Leeds Music: Leeds Music Corporation, New York. 138 Piccadilly, London W1V 9FH. Leeds Music (Canada): 2540 Victoria Park Evenue, Willowdale 425, Ontario, Canada. 215 Victoria Street, Toronto 2, Ontario, Canada. MCA: Musical Corporation of America Inc., 543 West 43rd Street, New York 10036, USA. Musica Rara: Le Traversier, Chemin de la Buire, 84170 Monteux, France. Formerly of 2 Great Marlborough Street, London W1V 2EE. Edition Musicus: 333 West 32nd Street, New York 10019, USA. Muzichna Ukraina: 32 Pushkinska, Kiev, USSR. Muzgiz: abbreviation for the Music Sector of the State Publishing House, Moscow and Leningrad. Prior to 1921 it bore the name of the Music Section of the Gosizdat of the RSFSR. Muzyka: State Music Publishing establishment founded in 1964. 14 Neglinnaya Street, Moscow, USSR. 9 Inzhenernaya Street, Leningrad, USSR. Edition Peters: 746 Postschliessfach, Talstrasse 10, 701 Leipzig, Deutsche Democratische Republik. Peters Edition Ltd. formerly of Wardour Street, London. Peters Edition Ltd., 10–12 Baches Street, London Nl 6DN. Formerly of Wardour Street, London. Ricordi: G. Ricordi & Co., 20121 Milano, Via Berchet 2, Italy. 1808 The Bury, Church Street, Chesham, Buckinghamshire. Novello became the sole British selling agent in January 1979. 8 Lower James Street, London Wl. Schirmer: G. Schirmer Inc, 257 Park Avenue South, 20th floor, New York, USA. 140 Strand, London WC2R 1HG. Hans Sikorski: Internationale Musikverlag Hans Sikorski, Postfach 13 08 48, Johnsallee 23, 20148 Hamburg, Germany. Sovetskii kompozitor: this off-shoot of the State Music Publishers for contemporary Soviet music was established in 1956, with the head office in Moscow and a branch in Leningrad. It was merged with Muzgiz in 1964 to form

APPEN DIX I

569

Muzyka and reinstated in mid-1967. 24 Yuzhnoportovaya Street, Moscow 109088, USSR. Triton: Leningrad publishing house for modern music in the 1920s. Universal Edition: Vienna, Mainz, and Zurich. Alfred A. Kalmus, 2–3 Fareham Street, Dean Street, London W1V 4DU. VAAP: Copyright Agency of the USSR, 6a Bolshaya Bronnaya Street, Moscow 103104, USSR. It should be noted that, owing to copyright restrictions, many editions of the music listed in this Catalogue are not available for sale in the United Kingdom. This applies to the rich G. Schirmer/Associated Collection of Russian-Soviet Music catalogue of VAAP authorized editions which is confined to use in the USA. For all UK enquiries regarding Soviet and Russian music contact the firm of Boosey & Hawkes. Information on the Shostakovich New Collected Works edition and scores and parts for hire can be obtained from DSCH Publishers, Moscow.

This page intentionally left blank

Appendix II FILM, RADIO, TELEVISION, AND THEATRE PRODUCTIONS

A Soviet film Dmitri Shostakovich, subtitled ‘Études towards a portrait of the composer’, directed by Albert Gendelshtein, was shown in Moscow on 3 April 1967. Four further films were released between 1977 and 1982: The Composer Shostakovich (Yuri Belyankin), Shostakovich—the composer and his times (B. Goldenblank), and see under Opus 145 for the 1977 film Recollections of Shostakovich and Opus 147 for the 1981 film Sonata for Viola. Fragments from twenty-one compositions, interviews with Shostakovich and extracts from historic films were presented in the BBC Television Omnibus documentary Music from the Flames. The hour-long film, with script by Norman Kay, was produced by Ian Engelmann and screened on BBC TV1 on 10 November 1974. It was repeated as a tribute to the composer on 10 August 1975, the day following his death. Works featured were shown in the following order: Op. 93, Tenth Symphony (parts of the second movement) Op. 5, Fantastic Dances (film clip of Nos. 1 and 2 played by the composer) Op. 10, First Symphony (film clip of the first movement conducted by Maksim Shostakovich) Op. 27, The Bolt (The Bureaucrat) Op.114, Katerina Izmailova (Act 3, the arrival of the police and Act 2, the flogging of Sergei—from the film starring Galina Vishnevskaya) Op. 43, Fourth Symphony (fragments from the first and second movements rehearsed by Gennadi Rozhdestvensky) Op. 47, Fifth Symphony (portions of the first and third movements conducted by Maksim Shostakovich) Op. 67, Second Piano Trio (opening of the fourth movement) Op. 60, Seventh Symphony (parts of the 1st movement march and coda conducted by Arvid Yansons at a Leningrad concert to mark the thirtieth anniversary of the siege) 571

572

A PPE ND IX II

Op. 110, Eighth Quartet (opening of the fourth movement and the DSCH motto) Op. 142, Fourteenth Quartet (a fragment of the third movement played by the Beethoven Quartet) Op. 35, First Piano Concerto (a clip of the conclusion of the work, with the composer as soloist, filmed at a 1941 concert) Op. 57, Piano Quintet (concluding bars of the Intermezzo) Op. 87, Preludes and Fugues (Prelude of No. 1 and Fugue of No. 15 played by Tatyana Nikolayeva) Op. 134, Violin Sonata (film clip of the opening played by David Oistrakh and Svyatoslav Richter) Op. 77, First Violin Concerto (the Burlesque with Igor Oistrakh as soloist) Op. 103, Eleventh Symphony (a film of Igor Belsky’s ballet danced to the second movement) Op. 119, The Execution of Stepan Razin (a rehearsal under Maksim Shostakovich) Op. 135, Fourteenth Symphony (eighth movement sung by Yevgeni Nesterenko and accompanied by theMoscow Chamber Orchestra under Rudolf Barshai) Op. 140, Six Romances on Verses by British Poets (Jenny sung by Nesterenko) Op. 141, Fifteenth Symphony (the coda of the fourth movement) Op. 47, Fifth Symphony (the coda of the fourth movement) Two 45-minute documentaries shown on East Germany TV (DDR 1): Seine Musik Lebt Weiter (His Music Lives On). A Soviet production dubbed into German includes interviews with Shostakovich and Rozhdestvensky with film clips from several historic performances and scenes of the composer’s funeral shown to the music of the Piano Trio No, 2. Memories of Shostakovich. Fragments from four compositions, here with the funeral scenes accompanied by Quartet No. 8, and including a complete Symphony No. 1 played by the Gewandhaus Orchestra under Kurt Masur. Belyankin’s 60-minute film The Composer Shostakovich (1975) documentary includes extracts from rehearsals and première performances, in the presence of the composer, of The Nose (Rozhdestvensky), Quartet No. 15 (Taneyev Quartet, accompanied by wintry cityscapes of Leningrad), Michelangelo Suite (Nesterenko and Shenderovich, illustrated with examples of the poet’s paintings and sculptures), with the finale of Symphony No. 15 (his son conducting), interspersed with an interview in the composer’s Moscow flat. Presented by its scenario author Oksana Dvornichenko, under the title Three Premières, at the Glasgow ‘25 Years On’ Symposium on 27 October 2000. The music feature in Saturday Review, shown on BBC2 TV on 27 September 1986, discussed the hotly contested authenticity of Solomon Volkov’s Testimony. Irina Shostakovich remarked that Volkov visited them but rarely. Michael Berkeley interviewed the author and Maksim Shostakovich. Volkov, ‘a fanatical

APPEN DIX II

573

devotee’ stated he had regular contacts with the composer over ten years and ‘he happened to be the right person at the right time’. Maksim, since his defection, has more or less endorsed the controversial ‘memoirs’: ‘It has opened a big interest [in Shostakovich] in the Western World. Sometimes too much rumour but the basis of the book is true . . . accurate.’ A music-theatre piece Black Sea Follies centred on the stark conflict between Stalin and Shostakovich—the struggle between tyrant and artist— conceived, directed, and music arranged by Stanley Silverman and written by Paul Schmidt, was first staged on 6 August 1986 at the Lenox Arts Center, Stockbridge, Massachusetts and brought to Playwrights Horizons, New York on 16 December 1986. The piece is for three male actors and musicians—a piano quintet on stage, mezzo-soprano, tenor, and bass-baritone. The 60 minutes of music of the piece’s 90 minutes includes extracts from Quartets Nos. 1, 3, 7, 8, and 13 and the Piano Quintet; Tahiti Trot; prison camp scene and Katerina’s aria from Lady Macbeth of Mtsensk District; a duet from Moscow, Cheryomushki and songs Op. 62 Nos. 4 and 6; Op. 121 No. 2; Op. 127 No. 3, and ‘United Nations on the March’. In the third semi-final of the BBC TV1 Mastermind from Leicester University, televised on 17 May 1987, an Oxfam district organizer Paul Henderson, correctly answered (‘with no passes’) all but one of Magnus Magnusson’s twenty questions (set by Michael Kennedy) on the speciality subject ‘The Life and Works of Shostakovich’. Instead of giving Druzhinin as the dedicatee of the Viola Sonata the contender named Beethoven (see Op. 147). Six years later—on 29 September 2003 (Mastermind now switched to a Manchester studio on BBC TV2 with John Humphrys as question master), a Radar Design Engineer Noel Turner, also chose ‘The Life and Works of Shostakovitch’ (sic) as his specialist topic. Of the sixteen questions he scored eight points with four passes (‘For which violinist were both Violin Concertos composed?’, ‘In which Crimea resort did he meet Tatyana Glivenko?’, ‘From which Dostoyevsky novel did he take four texts, and ‘What is unusual about the Fugue in C major?’ After almost six years, on 3 April 2009, this subject also was chosen by Richard Griffiths, an infirmary Security Officer. He scored eleven points with two passes (‘What was the bombardment to silence the German guns during the broadcast of the ‘Leningrad Symphony’ (Opus 60) called?’—Operation Squaw) and ‘Where does the Barber find Kovalyov’s Nose (Opus 15) early one morning?’—In a breakfast roll!). The first of five programmes in BBC TV2’s festival, Shostakovich: A Career, subtitled ‘The Public and Private Voice of Dmitri Shostakovich’, was screened on 7 November 1987. In this 75-minute documentary, produced by Peter Maniura, the public achievement and private struggle of the composer are retold by his third wife Irina, son Maksim, and daughter Galina; poet Yevgeni Yevtushenko, film-director Leonid Trauberg, singers Galina Vishnevskaya and

574

A PPE ND IX II

Yevgeni Nesterenko, conductors Gennadi Rozhdestvensky and Rudolf Barshai, biographer Solomon Volkov, stage-director Yuri Lyubimov, and composers Karen Khachaturyan and Tikhon Khrennikov. Liberally illustrated with archive film of events and concerts including the propaganda newsreel of blockaded Leningrad, the 1949 visit to America, the First International Tchaikovsky Competition, and the funerals of Stalin and Shostakovich. Music examples from Opp. 123, 4, 1, 14, 18, 43, 46, 47, 60, 62, 70, 79, 35, 90, 109, 113, 145, and 135 with Dimiter Petkov (bass), Kathryn Harries (soprano), and Graham Johnson (piano) performing excerpts from the song cycles. The British Television Channel Four film Testimony, directed by Tony Palmer, had its première at the London Film Festival, Empire Cinema, Leicester Square on 15 November 1987. It was first screened on television on 13 January 1990. David Rudkin’s script was based on Solomon Volkov’s book of the same title. Filmed entirely on location in the North of England (Wigan, Liverpool, and Lake Windermere) with the principal parts of Shostakovich and Stalin played by Ben Kingsley and Terence Rigby respectively, and the score played by the London Philharmonic Orchestra conducted by Rudolf Barshai. A selection of the music from the film is included on the AVM Classic Movie Music LP, cassette and CD 1006 issued in September 1988. The film is available on videocassette Connoisseur CR 174 and on DVD Digital Classics DC 10010 (reviewed G June 2006). A play An Informer’s Duty by Greg Cullen was broadcast on BBC Radio 3, 4 December 1994. Set in Leningrad 1937, it covers the official attack on Shostakovich and the response to his desperate predicament, culminating in the composition of the Fifth Symphony. With Jonathan Cullen as Shostakovich, Fiona Shaw as Anna Akhmatova, and John Shrapnel as Stalin. Overcoat, the film mentioned in the Postscript of the Third Edition (page 582), was made by the same company as a theatrical production at the Vancouver Playhouse in 1997 and which toured Canada in 2000. This original show was directed by Morris Panych and Wendy Gorling. Their 90-minute presentation was the main attraction of the late January 2004 London International Mime Festival, the cast of 22 playing 65 characters. The music was performed in the following order: Jazz Suite No. 1/1; Op. 35/1, 2, and 4; Suite for Variety Orchestra/5; Op. 102/3; Suite for Variety Orchestra/2; Ballet Suites No. 3/5, No. 1/3, No. 2/1; Op. 102/1; Ballet Suites No. 1/1, No. 2/4; Op. 93/2; Op. 102/2; and Suite for Variety Orchestra/7. The American award-winning television film The War Symphonies: Shostakovich Against Stalin, directed by Larry Weinstein and produced by Rhombus Media Inc. of Toronto in 1997, includes excerpts from six symphonies Nos. 4 to 9 played by the Netherlands Radio Philharmonic and Orchestra of Mariinsky Theatre under Valery Gergiev, rare newsreel footage, the composer’s wartime radio broadcast, and statements from Shostakovich’s family, friends,

APPEN DIX II

575

and colleagues. Videotape, with limited availability, from Bulldog Films, Olean, Pennsylvania. Re-released in 2005; reviewed in DSCH Journal No. 24 by John Riley and The Gramophone March 2006 by David Fanning. Oksana Dvornichenko’s 52-minute film of 1999 Family Album shows moving interviews with son Maksim, daughter Galina, and third wife Irina recollecting on the life of the composer, with Galina at the family dacha leafing through an album of personal photographs. This film was premièred in the UK at the Glasgow ‘25 Years On’ Symposium on 27 October 2000. Howard Goodall’s Great Dates, shown on 6 October 2002. [A Channel 4 one-hour TV review of musical life—classical and jazz—in 1937 elucidated the difficulties the composers Shostakovich, Prokofiev, Kurt Weill, and Richard Strauss faced under the totalitarian regimes of Stalin and Hitler. The clips of Shostakovich showed him playing the finale of Piano Concerto No. 1 and composing the ‘Leningrad Symphony’, walking along a street and shaking hands with Tikhon Khrennikov; the flogging of Sergei and the drowning scene from the film Katerina Izmailova, and extracts from Symphony No. 5 played by the St Petersburg Philharmonic.] Two documentaries, produced by O. Dvornichenko (Moscow) and Helga Landauer (New York), were premièred in the UK at the ‘Shostakovich 100’ in the Queen Elizabeth Hall, London on 25 September 2006: Shostakovich— Pianist (28 minutes, 2005), including all the known surviving film of his own piano-playing and A Journey by Shostakovich (60 minutes, 2006), in Illinois covered the composer’s third and last visit to America to collect an honorary doctorate and a clandestine call on doctors in Bethesda, Maryland.

This page intentionally left blank

Appendix III RECORDINGS

The following data are given: country of origin (if not Britain or universal); company and manufacturer’s disc number(s); size, speed and type of reproduction (if not 12 inch/300 mm., 331⁄3 rpm, long-playing stereophonic); performers— soloists, orchestra, conductor et al.; date or year of performance, publication or review date in the magazine The Gramophone (e.g. G Jan. 1998). The key artist (e.g., the soloist in a sonata or concerto, the singer in an orchestrated song cycle, or the conductor in a purely orchestral work) is capitalised to facilitate locating a particular recording. The personnel of piano trios are named in the order of violinist, cellist, and pianist. ‘Viola player’ is shortened, as American usage, to ‘violist’. Multiple entries under each work are listed as near as possible to a chronological order of performance date. The date of recording refers to the original recording if known (e.g. P Prague concert 13 Nov. 1996) with the date of issue (e.g. I Nov. 1997). The italicised lowercase letter after the issue year of post-1971 Soviet recordings refers to the USSR quarterly record catalogue (e.g. I 1976c). For the comprehensive listing of recordings available in Japan refer to gramophile Kudo’s website http//develp.envi.osakafu-u.ac.jp/staff/kudo/dsch/dsch-e-html. This is also a valuable source for track timings and the Filmography. Developments in the delivery of digital audio (contributed by Andrew Walton and Peter Bromley) up to the date of this issue going to press have centered around three main factors. The first of these was the desire to move on from the Compact Disc and offer increased audio resolution. Thus Sony, the codeveloper of the Compact Disc introduced the Super Audio CD. Using one bit DSD (Direct Stream Digital) technology, the early players were expensive and stereo only, therefore the resultant commercial take-up was slow. SACD offered a dual layered disc, nearly identical in size to the standard Compact Disc, but offering the combination of PCM ‘Red Book’ audio on one layer (as experienced 577

578

A PPE ND IX III

on a regular CD) with the identical material recorded and presented in DSD on the second. Whilst this was being presented to the market and around the same time, DVD-Audio emerged. The original concept of DVD (Digital Versatile Disc) was a video and audio platform that would form the cornerstone of home entertainment. The rush to service the video market and the conflicts of interest that arose on the DVD-Audio working group forum meant that the launch of this medium was both delayed and confused. Focussing on 5.1 surround sound as its main selling point, it too offered an increase in resolution that took as its standard, 96 kHz, 24 bit PCM (Pulse-code modulation). Sensing that surround sound might be the more popular option, Sony followed suit and abandoned the stereo only concept for SACD and incorporated a DSD surround component in addition to DSD stereo and CD quality PCM audio. At the time of writing, neither format has convincingly taken hold in the market and in particular DVD-Audio never really got off the ground. A very small number of short-lived Shostakovich DVD-As appeared in 2003–2004 on the Naxos, Arts and the MDG labels. On SACD, there are two cycles of the complete Shostakovich Symphonies on SACD, available from Capriccio and Arts, while a cycle of the complete String Quartets is under way from the Mandelring Quartet on the Audite label. The rise of the internet and the resultant desire to easily share and distribute music files heralds the third factor to influence current audio trends. Large files of Compact Disc size could not be stored and downloaded conveniently and thus MP3, a compression algorithm with roughly one tenth of the resolution of a standard CD, established itself as the pre-eminent format in this respect. Conveniently sized, portable players have become hugely popular and mobile telephones etc. double as MP3 players. With the increase in data transmission speeds, full and increased resolution downloads are gradually beginning to appear using lossless compression algorithms. 2006 saw the first release on the Russian RMG label of a series of inexpensive MP3 discs (MPEG Audio Layer 3) devoted to the music of Shostakovich. Each disc, seven of which had been released by the end of 2008, plays for between four and five hours, and features mono and stereo recordings from the Melodiya catalogue with artists including Gennadi Rozhdestvensky, Yevgeni Mravinsky, Svyatoslav Richter and the Borodin Quartet.

Appendix IV FOUR SPECIAL USSR RECORDINGS

(1) In 1967 Melodiya issued a 54-minute mono 12" LP record numbered D020515-6, entitled Dmitri Shostakovich—Monograph, with biographical details by Lev Danilevich and read by Pavel Massalsky. This contains uncredited excerpts from the following eleven works: Op. 10, First Symphony (first movement to fig. 12 ⫹ 3 bars) Op. 33, Counterplan (‘Song of the Counterplan’, for chorus and orchestra) Op. 114, Katerina Izmailova (‘In the very depths of the forest there is a lake’ from Act 4, sung by Eleonora Andreyeva) Op. 88 No. 6, ‘The Ninth of January’ (the theme used in the following work) Op. 103, Eleventh Symphony (second movement from fig. 28 to 44) Op. 47, Fifth Symphony (fourth movement coda from fig. 128) Op. 57, Piano Quintet (fourth movement complete played by the composer and the Beethoven Quartet) Op. 60, Seventh Symphony (fourth movement coda from fig. 202 and first movement fig. 33 to 36 ⫹ 9 bars) Op. 65, Eighth Symphony (third movement from fig. 86 to bar 3 of the Largo) Op. 80, Meeting on the Elbe (‘Song of Peace’, for male chorus and orchestra) Op. 93, Tenth Symphony (second movement complete). (2) A sixteen-minute telephone conversation between David Oistrakh and the composer, taped by the violinist on 15 October 1967, concerning rehearsal of the Second Violin Concerto, Opus 129, was released in 1976 on Melodiya C10 06907-8. The conversation is coupled with a reissue of Oistrakh’s performance of the concerto. (3) Melodiya issued a Shostakovich commemorative collection of 56 records in ten boxes over the four-year period 1977–80. Twenty-seven records cover the 579

580

A PPE ND IX IV

symphonic, choral, and film music, and the ballet suites; seventeen are devoted to the chamber and instrumental compositions, and twelve to the two operas and the song cycles. These are mostly reissues, many of them long-deleted recordings, though following the defection to the West of certain conductors and performers, several records were promptly withdrawn from the boxes and subsequently replaced by new performances. The compiler was disinclined to note all these substitutions and catalogues only those records contained in the box sets in his own collection. (4) In October 1979 Melodiya issued a box, Dmitri Shostakovich Speaks, containing four records numbered M40 41705-12 (announced in the 1980 first quarter catalogue). The first and third records are devoted to Items 1 and 12 respectively. The playing time of the set totals 3 hrs 4 min. This collection includes fifteen talks here listed in chronological order: 2. Excerpt from a radio address, Leningrad, 16 September 1941. 3. Speech at the International Peace Gathering, 4 September 1954. 1. A talk delivered to the Young Composers’ Section of the Union of Soviet Composers, May 1955. 14. Interview with Witold Rudzinsky about the Warsaw Autumn Festival, Warsaw, September 1959. 6. Some words on the Twelfth Symphony, 10 January 1962. 5. Speech at the opening ceremony of the Second International Tchaikovsky Competition, 1 April 1962. 13. Account of the Edinburgh Festival to the Union of Soviet Composers, 15 October 1962. 4. Interview about the creative plans of the composer, 2 September 1963. 9. On the 125th anniversary of Tchaikovsky’s birth, Bolshoi Theatre, 7 May 1965. 7. Some words on the Fourteenth Symphony, 21 June 1969. 10. My work in the cinema, radio interview, 1971. 15. Interview with Royal S. Brown, New York, 13 June 1973. 12. Radio interview in Chicago, 15 June 1973. 8. Opening address of the Fifth Congress of the Union of Soviet Composers, Kremlin Palace of Congresses, 2 April 1974. 11. Conversation with his son, Maksim (examining old photographs) for a television film, Moscow, January 1975.

Appendix V THE COMPOSER ON RECORDS

For details of recordings of Dmitri Shostakovich playing his own compositions see under the following opus numbers: Op. 5, Three Fantastic Dances (piano solo) Op. 22, The Golden Age—Polka (reduction for piano solo) Op. 34, Twenty-four Preludes—Nos. 8, 14–19, and 22–24 (piano solo); Nos. 10, 15, 16, and 24 (transcription for violin and piano) Op. 35, First Piano Concerto (piano, trumpet and string orchestra) Op. 40, Cello Sonata (cello and piano) Op. 57, Piano Quintet (piano and string quartet) Op. 67, Second Piano Trio (violin, cello, and piano) Op. 69, A Child’s Exercise Book (piano solo introduced by the composer) Op. 79, From Jewish Folk Poetry (voices with piano accompaniment) Op. 87, Preludes and Fugues—Nos. 1–8, 12–14, 16, 18, 20, and 22–24 (piano solo) Op. 93, Tenth Symphony (with Mieczsław Weinberg in piano four hands reduction) Op. 94, Concertino (piano duet with Maksim Shostakovich) Op. 97, The Gadfly—No. 15 Guitars (piano solo) Op. 102, Second Piano Concerto (piano with orchestra) Op. 134, Violin Sonata (violin and piano) The composer’s voice can be heard in speeches, talks, and interviews on the set of documentary records Dmitri Shostakovich Speaks and also in a telephone conversation concerning the rehearsal of Op. 129, Second Violin Concerto. On the mono cassette Regent Records MG 5020, Shostakovich can be heard as second soloist (deputizing at short notice for Mariya Yudina, who had 581

582

A PPE ND IX V

injured a finger) in Bach’s Concerto in D minor for Three Pianos, BVW 1063, with Tatyana Nikolayeva and Pavel Serebryakov, and the Berlin Radio Symphony Orchestra under Kirill Kondrashin, recorded in Leipzig, July 1950. In August 2002 the USA Classical Treasures label—a California-based subsidiary of the South Korean Yedang Entertainment Company—reissued the following Shostakovich CDs that had previously appeared on the discontinued UK Revelation label: CT 10022 (Opp. 35, 102, 94, and 67 from RV 70006), CT 10032 (Opp. 77 and 129 from RV 10108), CT 10037 (Opp. 107, 126, and 109 from RV 10087), and CT 10038 (Op. 60 from RV 10059).

Appendix VI SAMPLERS AND BOX SETS

Trax Classique TRXCD 131, titled ‘Testimony—Shostakovich’s Greatest Hits’ and issued in 1988, includes the complete Chamber Symphony Opus 110a and extracts from Symphonies Nos. 5 and 7, Piano Concerto No. 2, and Piano Trio No. 2, with a piano arrangement of the Romance from The Gadfly. The artists include the Phoenix Chamber Orchestra, Trio Zingara, and Martin Jones. The performers of the Opp. 47 and 102 excerpts are given pseudonymously as Vienna Symphony Orchestra conducted by Edouard von Lindenberg, with pianist Daniel Petrov in the concerto. A more representative selection (though with no chamber music), originating from Melodiya, appeared on ‘The Shostakovich CD’ Olympia OCD 008 in 1989. The 22 tracks include a complete Opus 46 (Four Romances on Poems of Pushkin); movements from Symphonies Nos. 1, 9, 10, 13, 14, and 15; items from stage productions; the finale from Piano Concerto No. 1; and the Three Fantastic Dances played by the composer. A Decca sampler, ‘Simply Shostakovich’ (448 185-2DM issued in June 1995), contains seventeen tracks from Symphonies Nos. 5, 9, 10, and 15; Piano Concerto No. 2; Chamber Symphony Opus 110a; and examples of ballet, film, and light music conducted by Riccardo Chailly, Vladimir Ashkenazy, Bernard Hermann, and Owain Arwel Hughes. The Naxos sampler, ‘The Best of Shostakovich’ (8-556684 issued in September 1997) includes the Festive Overture Opus 96, selections from The Gadfly Opus 97 and The Golden Age Opus 22, and movements from Symphonies Nos. 1, 5, 9, and 10; Piano Concerto No. 2, String Quartet No. 4, and Piano Trio No. 2. A German Compact Disc, Capriccio 10 822 titled ‘Movie Madness’, features sixteen tracks from nine film scores (Opp. 26, 30, 41(i), 50a, 64, 82, 97, 111, and 116) and one stage production (Op. 58a) reissued from recordings 583

584

A PPE ND IX VI

conducted by Leonid Grin, James Judd, and Mikhail Yurovsky. Issued in the UK, October 1997. Reissued: USA: Laserlight Compact Discs 14 841 (two-disc set). [‘Best of Motion Picture Scores’—as Capriccio CD plus Op. 18 ‘War’.] I 2000. Revelation issued a two-disc sampler set RV 20002 in 1997 comprising, on the first CD, the third movement from Third Quartet (from RV 10016), Prelude and Fugue No. 7 (RV 70001), second movement from Eighth Symphony (RV 10061), and ‘Spring awakening’ from Satires (RV 10087); and on the second CD; second movement from Fifth Symphony (RV 10025), fourth movement from Cello Sonata (RV 10017), and first movement from Cello Concerto No. 1 (RV 10087). An American Compact Disc, Delos DE 3257, titled ‘Waltzes’ comprises 21 tracks of which thirteen are waltzes from film scores recorded at Moscow Conservatory on 12–14 July 1999 by the Moscow Chamber Orchestra conducted by Constantin Orbelian. The waltzes are from Opp. 30, 37, 45, 76, 78, 95, 97, 99, 105, and with extra dances from Sans op. P (Ballet Suites Nos. 1–3). Also included are Tahiti Trot, Op. 16, The Golden Age Polka, Op. 22, and The Gadfly Folk Festival Op. 97. Recording reviewed G Dec. 1999. See the Note under Sans op. P(v). Capriccio 51 150 (two-disc set) comprising film music excerpts from Opp. 26, 30, 41, 50a, 64, 82, 97, 111, 116, 137. I July 2004; CAP 49 533 (seven disc set) includes all the film music released on the Capriccio label. I Oct 2006. Deutsche Grammophon Eloquence 4767918 (‘The Popular Shostakovich’). Includes Sans op. G(ii) Kitayenko 1995 complete; excerpts from Opp. 27a, 70, 47, 39, 35, 83a, 107, 97a, and 22a. I Aug. 2005. Naxos 8.558188-89 (‘Dmitry Shostakovich—a Portrait’). A two-disc set of 26 extracts from mainly Naxos recordings, including nine symphonic movements, a representative selection of the composer’s varied works and Shostakovich as pianist and his spoken Leningrad broadcast of 16 September 1941, Accompanied in a card slipcase by an illustrated booklet essay of 96 pages by Richard Whitehouse. I Feb. 2006. Naxos 8.552129-30 (‘The Very Best of Shostakovich’, two-disc set). Movements and extracts from 25 Naxos releases, including Symphonies 1, 5, 7, 9, 10, 13, and 15; Concertos for Piano, Violin, and Cello; Trio No. 2, Quintet, and Quartets 3, 7, and 8; plus film, light, and pianoforte music. I May 2006. A mammoth 27-disc box set of previously released material, numbered Brilliant Classics 8128, was issued in mid-2006. This includes Rudolf Barshai’s complete WDR symphonic collection, his chamber versions of Opp. 49, 73, 83, 110, and 118 (also available on ‘Chamber Symphonies’ two-disc set 8212), and a DVD interview with the conductor; Theodore Kurchar’s Ballet and Jazz Suites; the six Concertos and four Sonatas, all the Rubio Quartet cycle; with chamber and piano works.

APPEN DIX VI

585

Decca 475 7927 (‘Simply Movements and extracts’ from Opp. 16, 97, J(ii), 35, 47, 102, 110a, 70, 93, 141, 22, and 32 featuring Decca artists Riccardo Chailly, Cristina Ortiz, Vladimir Ashkenazy, Bernard Haitink, Bernard Herrmann and others. I 2006. Canada: Doremi DHR 7787 (‘Composers Performing Shostakovich, Volume 1’). Opp. 67, 57, 34, 69, and 5 all with the composer as pianist. I July 2006. Chandos CHAN 2027 (‘An Introduction to Shostakovich’). Opp. 47, 96, and 16 all by Neeme Järvi and 102 played by Dmitri Shostakovich junior with I Musici de Montréal under Maksim Shostakovich. I July 2006.

Complete Symphonies 1–15 Vladimir Ashkenazy—Decca 475 8748DC12 plus Opp. 96, 131, 81, 42, 130, and 110a, Reviewed G Sept. 2007; Rudolf Barshai—Brilliant Classics 6275– 1/11; Oleg Caetani—Arts 47850-8; Bernard Haitink—London 444 430-2 and Decca 475 7413 plus Opp. 79 and 143; Mariss JansonsEMI Classics CZS 365 300-2; Dmitri Kitayenko—Capriccio 71 029; Kirill KondrashinRussia: Melodiya MEL CD 10 01065 plus Opp. 129, 131, 90, and 119. Reviewed G Apr. 2007; Mstislav RostropovichWarner Classics 2564 64177-2; Gennadi Rozhdestvensky—Russia: Venezia CDVE 10007; Maksim Shostakovich— Supraphon SU 38902, G Nov. 2006; Ladislav Slovák—Naxos 8.501102. NB. The Kitayenko set awarded Midem Classical Awards 2006 for Symphonic Works; Arts 47850-8.

Complete Quartets 1–15 Alexander String Quartet—USA: Foghorn Classics ASQ-1988 and 1991 plus Opp. 57, 87, and 117a (see these coupling works for full details of the personnel, venue, and dates of their quartet discs); Beethoven Quartet—Doremi Legendary Treasure DHR 7911-5 plus Op. 11 (the Melodiya recordings 1956–75); Borodin Quartet—Russia: Melodiya MEL CD 10 01077 plus Opp. 57 and 11; Brodsky Quartet—Teldec/Warner Classical 2564 608; Danel Quartet–Belgium: Fuga Libera 512. G May 2006; Emerson Quartet—Deutsche Grammophon 463 284-2GH5 plus Sans op. D(i); Fitzwilliam Quartet— London 455 776-2; Rasumovsky Quartet—Oehms Classics OC 562 plus Sans op. D(i); Rubio Quartet—Brilliant Classics 6898; St Petersburg—Hyperion CDS 44091-96 plus Opp. 57 and 67; Shostakovich Quartet—Regis RRC 5001 plus Sans op. D(i); Sorrel Quartet—Chandos CHAN 10398-6 plus Op. 57; Taneyev Quartet—Korea: Aulos Melodiya AMC 2-055. NB. Borodin Quartet 1–13—Chandos Historical CHAN 10064H (transfers from LPs in the private collection of Dubinsky’s wife. Reviewed G Sept. 2003).

586

A PPE ND IX VI

Further Collections In addition Decca issued further collections in June 2006: Piano Music and Chamber Works: Decca 475 7425 (five-disc set). Vladimir Ashkenazy et al. Concertos, Orchestral Suites, Chamber Symphonies etc.: Decca 475 7431 (nine-disc set). Various artists and orchestras. Song Cycles, Lady Macbeth of Mtsensk etc: Decca 475 7441 (five-disc set). Myung-Whun Chung, Neeme Järvi et al. Symphonies: Naxos are issuing the Complete Symphonies with Vasily Petrenko conducting the Royal Liverpool Philharmonic Orchestra. Symphony No. 11 appears on p. 407 of this volume and Nos. 5 and 9 followed in late 2009.

Appendix VII ABANDONED PROJECTS AND OBSCURE WORKS

Further information is awaited on the following compositions and productions. Details of developments and important new recordings will be submitted to the DSCH Journal. Piano Sonata in B flat minor: this composition of late 1923 destroyed by the composer. Two Fragments for Orchestra: an ‘Intermezzo’ and ‘Allegro’ were composed in 1927. The manuscript was lost but the work was reconstructed from memory through Yuri Nikolsky in 1946. Battleship Potemkin: on 30 March 1930 Shostakovich declined an offer to write an opera on this subject for the Bolshoi Theatre. [Oles Chishko wrote the opera in 1937.] The Carp: in the spring of 1930 an opera on the piscine subject of an underwater society, after a short verse by Nikolai Oleinikov, was seriously considered. The Concrete Sets: in 1931 the composer wrote that he had signed a contract for a film of this title to be produced by Aleksandr Macheret for the Moscow Film Studios. The Negro: an operetta of this name, with lyrics by Boris (?) Gusman and Anatoli Mariengof, was also mentioned in 1931 as a signed contract. New Year Madrigal: a humorous madrigal composed in December 1933 for New Year celebrations. Volume 93 of New Collected Works will contain Two Madrigals for tenor soloist and piano. Mother: Mikhail Bulgarov prepared a libretto, based on Maksim Gorky’s novel, for Shostakovich in the 1930s. [Tikhon Khrennikov filled the breach in 1957.] Orango: an opera commissioned by the Bolshoi Theatre in the early 1930s, about a half-man/half-ape who became the General Secretary of the Party, was discovered by Olga Digonskaya in the Shostakovich Family Archive in 2006. The anonymous libretto and abandoned manuscript piano score of the 1st Act was orchestrated by Gerard McBurney in 2008/09. 587

588

A PPE ND IX VII

Ankara—Heart of Turkey: a documentary film, with scenario by Leo Arnshtam and directed by Sergei Yutkevich, was made by the Lenfilm Studio in 1934. The background music was from works by Shostakovich. Twelve Preludes for String Quartet: a suite for Bassoon and String Orchestra, a String Quartet, a Violin Concerto, various vocal works, and a ‘Dance Suite for Jazz’ were planned in 1934 though apparently only the last-named materialized. However, Twelve Preludes for String Quartet were composed while writing the film score for The Girl Friends, Opus 41(ii) in late 1934 or during 1935 but a number of these are believed to have been lost with several other works in the bombing of the Leningrad Film Studio in 1941. According to John Riley’s notes for the première recording, Leo Arnshtam’s claim that twelve preludes were scored ‘is probably a case of misremembering (there are a few cases in his memoirs)’. Liluli: plans were made in April 1936 to compose incidental music for Romain Rolland’s drama. Volochayevka Days: many fragments and episodes written in 1937 for an opera to a libretto by N. Ya. Bersenev. See also Opus 48. Lenin Symphony: on 15 April 1938 Shostakovich started work on a monumental choral symphony dedicated to Lenin. This symphony, scored for soloists, chorus, and orchestra, was inspired by Vladimir Mayakovsky’s poem Vladimir Ilyich Lenin and was to have included verses from folk poets Suleiman Stalsky and Dzhambul Dzhabayev. Progress reports were published on 20 September and 20 November 1938 but the manuscript was laid aside and the Sixth Symphony, Opus 54, commenced on 15 April 1939. The Twelve Chairs: Rena Moisenko (1949) and Gerald Abraham (1943) mentioned that Shostakovich had written an operetta in 1937 and 1940 respectively, based on the comedy by Ilya Ilf and Yevgeni Petrov. The rough draft of this three-act operetta, with libretto by Petrov and the poet, V. Vladimirov, was abandoned in 1938. Lermontov: a contract was drawn up on 3 June 1938 to compose music for a ballet on the poet’s life for Leningrad’s Kirov Ballet. A Hero of Our Time: Vsevolod Meyerhold prepared an opera libretto, based on Mikhail Lermontov’s short story, for Shostakovich in June 1938. Masquerade: Shostakovich wrote on 20 November 1938 that he intended to compose an opera on Lermontov’s drama after he had completed his ‘Lenin Symphony’. [Aram Khachaturyan provided incidental music in 1941.] Romance: a song for voice and piano, with lyric by Heinrich Heine, written in 1938 or 1941 but not found in the composer’s papers. Piano Fugues: a number of fugues of the 1930s will be published in Volume 111 of New Collected Works. The People’s Poet: another projected opera, based on a Turkmenian story.

APPEN DIX VII

589

Second Symphony: Fridrikh Ermler invited Shostakovich to write music for his film in 1940. The Heroic Defenders of Moscow: an oratorio apparently abandoned in mid-1943 when the composer commenced work on the Eighth Symphony. Katyushka Maslova: on 17 March 1979 Pravda reported that several rough music sheets of a projected opera, based on Leo Tolstoy’s novel Resurrection and drafted in Shostakovich’s thirties, were discovered by Sofya Khentova in the archives of the Glinka Museum, Moscow. Anatoli Mariengof provided the libretto and a contract was concluded on 14 October 1940. Sonata for Violin and Piano: this newly discovered instrumental work of 1945 will be published in Volume 107 of New Collected Works. Three Pieces for Orchestra: this work was written in 1947–8 and originally given the opus number 77. It exists in manuscript form. War and Peace: Shostakovich prepared the full score of Prokofiev’s opera music for publication. This volume and the vocal score (by Levon Atovmyan) were published in 1958. Fifty Russian Folksongs: in 1959 the composer selected fifty songs from Count Vladimir Odoyevsky’s collection of Russian folksongs with the intention of arranging them in the manner of his Ten Russian Folksongs, Sans op. Q. Blossoms: a one-act ballet performed at the Leningrad Malyi Opera Theatre on 20 October 1961, directed by Vladimir Varkovitsky, was based on existing waltzes and speciality numbers of Shostakovich. The ballet was repeated the following year at the Gorky Theatre of Opera and Ballet by Lyubov Serebrovskaya-Gryuntal and in Sverdlovsk by E. Dorofeyev. Children’s Quartet: in January 1962 Shostakovich wrote that he expected to finish his ‘Ninth Quartet, a children’s quartet, about toys and playing’ in two weeks. However, in a letter to Isaak Glikman dated 18 November 1961, he stated that he had already burnt this manuscript. His Opus 117 Ninth Quartet was composed in May 1964. Directive Little Bow: Konstantin Boyarsky’s one-act ballet included in the Leningrad Malyi Theatre of Opera and Ballet 1962 season, with The Young Lady and the Hooligan. And Quiet Flows the Don: in August 1964 the composer wrote that he was about to embark upon an opera based on the third and fourth books of Mikhail Sholokhov’s And Quiet Flows the Don while resting at a home by Lake Balaton, Hungary. The libretto was completed by late May 1965 and a start made on composing the music. He expected to devote ‘the whole of 1966 and even some of 1967’ to the opera. The Zhdanov Decree: Solomon Volkov mentions an unpublished satirical vocal work mocking the anti-formalism campaign of 1948 (Testimony, 1979, 111 and 223). The implications of this infamous conference was the inspiration of David Pownall’s play Master Class, premièred at the Haymarket, Leicester,

590

A PPE ND IX VII

on 24 January 1983. David Bamber played Shostakovich; Peter Kelly, Prokofiev; Timothy West, Stalin, and Jonathan Adams, Zhdanov. Décor was by Martin John and the producer, Justin Greene. See Antiformalist Rayok, Sans op. X(ii). Yevgeni Onegin: music for a spectacle written in 1964 and produced by Nikolai Akimov, premièred at the Leningrad Theatre of Drama and Comedy in January 1965. The piano score and orchestral parts preserved at the Leningrad (Kirov) Theatre of Opera and Ballet. The Black Monk: Volkov states that an opera based on Anton Chekhov’s story of 1893 was considered in the 1970s. Shostakovich intended to incorporate Gaetano Braga’s once popular song, ‘A Maiden’s Prayer’, which plays an important part in the story. This song, with lyric by M. Marcello (originally Leggenda valacca for voice with cello or violin obbligato), was also arranged as an instrumental salon piece under the name La Serenata or, in English, ‘Angel’s Serenade’. See under Sans op. X(i) with the reference to Olga Digonskaya’s article listing the three original draft versions for the opera. Envoys of Eternity: Boris Schwarz mentions a film score, Poslanniky vechnosty, written in 1970, under the catalogue of works in Volume 17 of The New Grove. This film, directed by Todor Vulfovich for Mosfilm, was released on 29 March 1971. The score was compiled from various works of Shostakovich. Yelabuga Nail: a setting for bass and piano of Yevgeni Yevtushenko’s poem about the suicide of Marina Tsvetayeva in 1941 composed, according to Isaak Glikman, in the spring of 1971. Crossroads: M. Mnatsakanyan, Petrozavod Musical-Dramatic Theatre, 1971. A one-act ballet, Perekryostok, A one-act ballet using music of Shostakovich, Handel, Bartók, and others. St Petersburg Days: score commenced for Grigori Kozintsev’s film, based on Nikolai Gogol’s stories, left unfinished on the director’s death in 1973. Three Aphorisms: a ballet performed in 1974. Torments of Conscience: Yevgeni Yevtushenko wrote the first poem for a projected vocal symphony following his collaboration on the Thirteenth Symphony. Sixteenth Symphony: two movements reported to have been composed in 1974-5. See the orchestrated version of Suite on Verses of Michelangelo, Opus 145. The Portrait: an opera on Gogol’s story started in May 1975 was completed by Mieczysław Weinberg. The première took place in the Janácˇek Opera House, Brno on 20 May 1983. The libretto was written for Shostakovich by Aleksandr Medvedev. Wedding Procession: a ballet prepared for the Leningrad Ballet Troupe ‘Choreographic Miniatures’ by Leonid Yakobson in 1975, based on paintings by Marc Chagall. Restaged in 1990 by a modern dance company, the Malyi Ballet of the Kirov Theatre.

APPEN DIX VII

591

In the Name of Life: a ballet performed to the music of Andrei Shtogarenko, Boris Lyatoshinsky, and Shostakovich choreographed by Anatoli Shikero for the Ukrainian Theatre of Opera and Ballet, Kiev in 1975. Choreographic Novella: a ballet set to the music of Shostakovich, Prokofiev, Poulenc, Tchaikovsky, Rossini, and Purcell, choreographed by Dmitri Bryantsev and performed at the Leningrad Kirov Theatre in 1977. The Idiot: a ballet by Valeri Panov, based on Fyodor Dostoyevsky’s novel The Idiot of 1868–9 and staged on 15 June 1979 by the Deutsche Oper Ballet, West Berlin, used music of Shostakovich (not specified in The Guinness Guide to Ballet by Oleg Kerensky, Guinness Superlatives Ltd., 1981). This three-and-a-half-hour ballet used extracts from the symphonies; Hamlet film score, Opus 116, and several other works. Strictly Business: choreographed by Philip Taylor for Nederlands Dans Theater 2, under the guidance of Jirˇí Kylián, and performed at Glasgow’s Theatre Royal, July 1988. This lively ‘satire on yuppie efficiency and office sex’ uses a medley of music from Pink Floyd and Boys Town groups, and Shostakovich. Narodnaya Volya (‘The People’s Will’): an unfinished black comedy, based on a terrorist organisation, found in the Shostakovich Archives in 2006. In addition to the above, several minor works are preserved at the Glinka Museum and mentioned in Meskhishbili’s 1996 Catalogue but not fully indexed in this present volume. These include an undated ‘Galop and Lullaby’ for orchestra (piano score and unfinished full score); an undated piece for piano entitled ‘Chik-achi’ (rough draft autograph); the famous Russian folk song collected by Mili Balakirev in 1860 ‘Song of the Volga Boatman’ (Ei, ukhnem! translated in New Collected Works Catalogue as ‘Hey, Let’s Bang!’) arranged— probably in 1929—for bass voice and large symphony orchestra (a manuscript copy); and an undated reduction for piano four hands of the second movement, marked ‘Andante in F sharp major’ of Gustav Mahler’s Symphony No. 10 (two examples—one unfinished). In the early 1920s Shostakovich orchestrated Franz Schubert’s Funeral March in F major and two movements from Ludwig van Beethoven’s Piano Sonatas: the Adagio cantabile of No. 8 ‘Pathetique’ Opus 13 and the first movement of No. 32 Opus 111. The autographs of these three scores are preserved at the Russian State Archive of Literature and Art (TsGALI). These are scheduled to appear in Volume 146 of New Collected Works. The following doubtful or erroneously attributed compositions are not indexed: Lead Soldiers: a ballet staged by Yevgeni Vakhtangov (1883–1922) for the Bat public cabaret, Moscow, was stated by Marc Slonim (1963) to be set

592

A PPE ND IX VII

to specially composed music of Shostakovich. The ballet was performed around the year 1920 when the composer was only twelve years old. Genu in Pilae: Malcolm MacDonald in the second edition of his catalogue mentions a film score of this title composed in 1932: ‘The ascription of this to Shostakovich is not certain, though circumstantially strong. The music survives in a copyist’s score. The original print of the film was destroyed on Stalin’s orders, though it has recently been restored from fragments (which include some sound-track).’ The movements are Prelude, Fanfare, Scene, two Dances, Intermezzo, Fugal Dance, and Postlude. The small orchestra includes harp, celesta, piano, and balalaika. In the 1990s Malcolm MacDonald learned that he was the victim of a practical joke (not meant for him) in Boosey & Hawkes Hire Library, where someone constructed a spoof work card that subsequently appeared in the Shostakovich card index. The title means ‘A Knee in the Balls’. Lenin in October: The Oxford Companion to Film by Liz-Anne Bawden lists this film of 1937 (not 1934) as having a film score by Shostakovich. The music was composed by Anatoli Nikolayevich Aleksandrov. The Wayfarer: the second supplement of WERM incorrectly lists ‘The Song of the Wayfarer’ from this film (score by Isaak Dunayevsky) under Shostakovich’s name. This item is also listed as a Shostakovich work in Meyer (1980). March of the Red Army: Andrey Olkhovsky (1955) states that a march of this title was written in collaboration with Aram Khachaturyan. This is most probably the joint composition submitted as a new Soviet national anthem in 1944. Don Quixote: this ballet, attributed to Shostakovich in Ballet Music—an Introduction by Humphrey Searle (Cassell, London, 1958), has music by Nikolas Nabokov. War and Peace: the score for this epic film of 1967 is quoted as being by Shostakovich in The Filmgoer’s Companion by Leslie Halliwell (MacGibbon & Kee, London, 1970), whereas it was composed by Vyacheslav Ovchinnikov. Still not corrected in Halliwell’s Who’s Who in the Movies (HarperCollins, London, 13th edn. 1999). Othello and The Golden Key. Everyman’s Dictionary of Music: ed. Sir Jack Westrup (Dent, London, 5th edn. 1977), mentions incidental music to Shakespeare’s Othello and a ballet The Golden Key.

Appendix VIII DSCH—THE COMPOSER’S MONOGRAM; COMPOSITIONS BASED ON DSCH BY OTHER HANDS AND TRIBUTES

Shostakovich’s full name in Russian is fÇÃÍËÃÄ fÇÃÍËÃÀ½ÃÒ zocÍaÅo½ÃÒ and this usually appears in English transliteration as Dmitri Dmitrievich Shostakovich. His first name is sometimes written as Dmitrii, Dmitry, or Dimitri and his surname, Shostakovitch [EMI, alone among the major recording companies, persisted in this surname spelling until February 1979]. The composer, when he printed his name, used the form ‘D. Schostakovich’. When the compiler first encountered the composer’s name in print in 1942, on the album and LP records of Stokowski’s recording of the Fifth Symphony, it was spelt Szostakowicz—in Polish! In the Italian language the spelling is Dimitri Sciostakovic; in French, Chostakovitch and in German, Schostakowitsch. The last-named spelling comes in useful in providing the composer with a musical signature. In English musical notation we have the letters A to G (in the treble clef, EGBDF on the lines and FACE in the spaces) and from these a limited number of words can be concocted. The German language is more accommodating for here we have the two additional letters ‘H’ and ‘S’. The note B flat is written ‘B’ while B natural is ‘H’ and E flat is called ‘Es’ and pronounced like the letter ‘S’. Hence the motif BACH is possible, and was used by the composer himself, and by Brahms and Liszt (amongst others). For Shostakovich’s epigram, the composer took his initial ‘D’ and the first three letters of his surname in a hybrid German/English spelling (see the example on Plate 4). Like BACH the DSCH motto does not belong to any key but is probably more fruitful than its famous precursor. Shostakovich introduces his plaintive motto at its original pitch in the third and fourth movements of the Tenth Symphony and it is omnipresent in his Eighth Quartet. He first openly spotlighted it in 1953, though it occurs earlier and possibly unwittingly in Lady Macbeth of Mtsensk District pitched a perfect fourth higher with a ‘near miss’ in the Scherzo of the First Violin Concerto of 1947. 593

594

A PPE ND IX VIII

In the Seventh Quartet his initials ‘DS’ are introduced in the very first bar and are featured throughout this work, with DSCH occurring in bars 5 and 6 after fig. 22 at the end of the Lento, albeit disguised in the unfamiliar rhythm of |

|. The opening viola phrase of the Fifth Quartet is an anagram of the motto. Inexplicably, the composer introduced a slurred parody of his epigram in the third movement of the Fifteenth Symphony and humorously sets his name, occupation, and nationality to the motto in the brief work with a long title, Opus 123. In July 2005, Tom Watrous of the Winnipeg Symphony Orchestra discovered the treble clef notes D, E flat, C, and B in the first cello part of the Opus 11, Scherzo at three bars before fig. 17. It is difficult to make out the DSCH motif in the busy string-writing on recordings of the work and its use here in 1925 is almost certainly unintentional. Surprisingly in early 2009, Hilary Nicholls of Cheadle Hulme, Cheshire noticed the notes D, E flat, C, and B appear on first violin in bars 16/17 of the Adagio Introduction to Mozart’s C major String Quartet No. 19, KV465 (the ‘Dissonance’), of 1745. There is a semitone between the first and second notes and the third and fourth, a minor third between the second and third notes, while the complete motto spans a diminished fourth. A number of Shostakovich’s compositions— the First Cello and Second Violin Concertos, Twelfth and Thirteenth Quartets among them—do not feature the monogram but they are saturated with its intervals. After Shostakovich was in trouble with the authorities in 1936, his fellow composer Benjamin Britten composed a Festival Cantata, Opus 30, Rejoice in the Lamb. This setting of words was written in a madhouse by the eighteenthcentury poet, Christopher Smart. The words which concern us are: ‘For the officers of the peace are at variance with me and the watchman strikes me with his staff. For silly fellow, silly fellow is against me.’ The Shostakovich motto is featured prominently and the chorus takes up those four notes for the words ‘silly fellow’. It is surely more than coincidental that when Shostakovich was in disgrace in Russia with ‘officers of the peace’, Britten should introduce this secret message of sympathy. Did, then, Benjamin Britten discover and initiate the use of the DSCH motto in 1943? Later, in 1968, he was to dedicate the church parable, The Prodigal Son, Opus 81, to Shostakovich. Many compositions based on DSCH by other hands, from Witold Lutosławski’s Concerto for Orchestra in 1954 and Ronald Stevenson’s monumental Passacaglia on DSCH of eight years later to Wilfred Joseph’s Testimony: Toccata on DSCH of 1988, along with various memorial tributes to the composer, are mentioned below: The Scottish composer Ronald Stevenson (born in Blackburn but likes to be known as a Scottish composer), greatly moved by Shostakovich’s Eighth

APPEN DIX VIII

595

Quartet, Tenth Symphony and First Violin Concerto, composed a monumental Passacaglia on DSCH. Stevenson presented a copy of his 85-minute composition to Shostakovich on 6 September during the 1962 Edinburgh Festival. The première was given by the thirty-five-year-old composer in Cape Town on 10 December 1963. At the 1966 Aldeburgh and Cheltenham Festivals it was performed by John Ogdon, who later recorded the work on HMV ASD 2321-2 (three sides—reviewed G Sept. 1967). The title page of the score, published by Oxford University Press in 1967, is inscribed ‘For Dmitri Shostakovich’. The composer’s own 1987 recording appears on the double album Altarus AIR 2-9090 (G Oct. 1968) and reissued on Compact Disc APR 5650 (two-disc set— reviewed G June 2008). See also the article ‘Ronald Stevenson at 80’ in DSCH Journal No. 20, 71–72 with one of the two photographs showing Shostakovich and Stevenson together at the presentation of the score. A performance by Raymond Clarke was issued on Marco Polo Compact Disc 8.223545 in August 1994 (G Sept. 1995). In his Second Piano Concerto (The Continents) Stevenson includes a fugue on the combined motives of BACH and DSCH, conflicting with Bulgarian rhythms. In 1974 the Union of Soviet Composers commissioned Stevenson to contribute an essay and a short piano piece (again based on DSCH by request) to the Shostakovich Festschrift to be published in 1976 in honour of the Soviet master’s expected seventieth birthday. The title of this short work of Stevenson’s is Recitative and Air for Shostakovich. The composer gave its first broadcast on 25 July 1976 on BBC Radio 3. The piece appears, with twelve others, at the end of the Sovetskii kompozitor’s commemorative volume compiled by Grigori Shneyerson. Although on an altogether different plane to the tributes listed in this section, it is worth mentioning Goddard Lieberson’s amusingly derivative study entitled Shostakovich’s Vacation on a Collective Farm, from his collection of ‘Piano Pieces for Advanced Children or Retarded Adults’, written in 1963. André Previn included this item in a piano recital recorded on American Columbia CMS 6586. One of Malcolm Arnold’s favourite composers was Shostakovich and he quotes the DSCH signature in the second movement funeral march of his Sixth Symphony of 1967, preceded prophetically by the long-note crescendo shrieks that feature in Shostakovich’s Fifteenth Quartet of 1974. Edison Denisov, the Soviet avant-garde composer, wrote a quartet entitled D-S-C-H in 1969. This work for clarinet, trombone, cello, and piano was played by the Warsaw Music Workshop in their concert tour of the south of England, 15–29 October 1978. The score is published by Universal Edition. John Rose composed a ten-minute contrapuntal Essay on DSCH for solo piano in 1970, He has added three further works based on the DSCH motif: the prelude of Prelude and Fugue, Opus 8 and Scherzo-Intermezzo-Toccata—both for organ—and a String Quartet. His organ works (recorded on Cathedral Classic

596

A PPE ND IX VIII

Compact Disc CC 003) are published by Bardic Edition, Aylesbury; others by Eden Music, Glasgow. In 1973 the Glasgow Orchestra Society commissioned a composition for full orchestra from John McLeod, the Aberdeen-born composer, clarinettist, and conductor. The work, with the title The Shostakovich Connection, incorporates a fanfare based on the opening theme of Shostakovich’s Twelfth Quartet, variations on a theme from the Largo of the Fifth Symphony and closes with eight horns whooping glissandi as the rest of the brass blast out the Russian master’s motif. The première, conducted by the composer, was given by the Society in the City Hall, Glasgow, on 12 December 1974 and has been broadcast on Radio Scotland and Radio 3. A professional orchestra—the BBC Scottish Symphony under guest conductor Janos Furst—gave the first public performance in the same hall on 11 January 1977. Shostakovich, in a personal letter to John McLeod, accepted the dedication of the work just before his death. There is frequent reference to the DSCH motto in the first of the two movements of Contrasts, a work written in 1974 by David Morgan. This twenty-twominute study in duality, premièred in London on 2 January 1975, by the Royal Philharmonic Orchestra under Vernon Handley, is available on Lyrita SRCS 97, coupled with Morgan’s Violin Concerto (G May 1978). The distinguished Soviet composer Alfred Garrievich Schnittke composed a Prelude in Memory of Shostakovich at Mark Lubotsky’s request shortly after Shostakovich’s death. The latter half of this six-minute work involves a part for a second violin, which the composer directs can either be prerecorded by the soloist on tape or played off-stage behind a screen. At the point where the second violin enters the cipher BACH is introduced and worked with the all-pervasive DSCH. Hans Sikorski published this work in their Edition No. 2255. The piece was first recorded on Melodiya C10 08753-4 (reissued on HMV Melodiya ASD 3547, G Aug. 1978), coupled with Shostakovich’s Violin Sonata, by Gidon Kremer. This artist gave the British première at the Queen Elizabeth Hall on 5 March 1978. The first British broadcast was given the following day in a live performance by Mark Lubotsky, direct from St John’s, Smith Square, London (see Kholopova and Chigaryova, 99–101). Schnittke’s pianoforte work for six hands, Dedication to I. Stravinsky, S. Prokofiev and D. Shostakovich, composed in 1978, is based on three themes: the ‘Chinese March’ from Stravinsky’s opera The Nightingale; the Humoresque Scherzo for four bassoons, Op. 12 bis of Prokofiev; and the Polka from The Golden Age. The work is recorded on Melodiya C10 15261-2 (reissued on BMG Melodiya Musica Non Grata Compact Disc 74321 56264-2 in 1998). His 20-minute Third Quartet of 1983, in three linked movements, is built on an opening juxtaposition of a double cadence from Roland de Lassus’ Stabat Mater, phrases from Beethoven’s Grosse Fugue, and the DSCH motif. It is available, played by the Britten Quartet, on Gamut LDR Compact Disc 1008.

APPEN DIX VIII

597

Valentin Bibik’s Chamber Symphony In Memory of D. D. Shostakovich, Opus 29, written in 1976, opens with the DSCH motto and features two themes from Shostakovich’s Fourteenth Symphony in the fourth movement Commodo. Limpido. The 28-minute symphony is scored for 29 instruments, including an electric organ, with an important part for solo viola in the third movement. Igor Blazhkov conducts a performance of this moving tribute on Melodiya C10 10727-8. The Fifth Symphony of Boris Tishchenko, composed in 1976 and awarded that year’s Glinka Prize, is an impressive memorial to his teacher. The forty-three-minute continuous work is in five sections—Prelude, Dedication, Scherzo, Intermezzo, and Rondo—with the motif DSCH used as a basis of thematic material. Several of Shostakovich’s themes are quoted, notably from the Eighth and Tenth Symphonies in the Scherzo. A Soviet Radio recording, conducted by Maksim Shostakovich, was broadcast on BBC Radio 3 on 24 July 1980 and a live performance by the USSR Ministry of Culture Symphony Orchestra under Gennadi Rozhdestvensky, recorded on 22 February 1985, appears on Melodiya C10 25287 005 and Olympia Compact Disc OCD 213. The symphony is analysed in a Soviet paperback by Boris Katz and the full score (No. 766, 29 cm.) published by Sovetskii kompozitor, Leningrad, in 1980. The record is reviewed in G Dec. 1988. The Georgian composer Revaz Gabichvadze’s Fourth Symphony for string orchestra, also composed in 1976, quotes DSCH in the first movement. The movements (Prologue, Romantic Outburst, Funeral Music, Interlude, Recitative, Pathetic Monologue, and Epilogue) of this twenty-four-minute work are played continuously and, as their titles suggest, encapsulate the life of Shostakovich, with the final pages movingly introducing a metronome beating away his dying heartbeats. It has been recorded by the Chamber Orchestra of Georgia under conductor Shavleg Shilakadze on Melodiya C10 13235-6. Another work of 1976 utilizing the DSCH motto in its fabric, the threemovement String Quartet of the Turkmen composer Nury Khalmamedov, was published by Muzyka in 1978. Other compositions entitled In Memory of D. D. Shostakovich, recorded in the USSR, are Tigran Mansuryan’s Concerto for Cello and Orchestra composed in 1976 and Martin Vartazaryan’s Concerto for Cello, both performed by Karine Georgian with the Armenian State Symphony Orchestra, conducted by David Khandzhyan, on Melodiya C10 11259-60 and C10 11381-2 respectively; the Ukrainian composer Miroslav Skorik’s Prelude, performed by Nikolai Suk (piano) on C10 11429-30; and Lev Abeliovich’s Vocalise, performed by T. Pechinskaya (mezzo-soprano), and P. Nodel (violin) on C10 12705-6. The Georgian composer Sulkan Tsintsadze’s Ninth Quartet of 1977 also dedicated to the memory of Shostakovich, is performed by the Georgian State Quartet on C10 13645-6. The score was published by Sovetskii kompozitor in 1984

598

A PPE ND IX VIII

(No. 6809, 29.5 cm).The first movement entitled ‘DSCH’ opens with the motto and is in six continuous ‘episodes’ with the second movement, ‘Epilogue’, marked ‘Largo’ following after a pause. Yuri Falik’s three-movement Fourth Quartet (1976) and Gennadi Banshchikov’s Flute Sonata in four continuous movements (1977) were both recorded in 1981, respectively by the Taneyev Quartet and Valentin Cherenkov with the composer, and available on C10 16409-10. Though neither of these tributes quote Shostakovich themes, both are composed in the spirit of his style and some phrases are near quotes, e.g. the flute toys with the sul ponticello tremolando of the Violin Sonata, Opus 134. Mieczysław Weinberg’s Twelfth Symphony, Opus 114, was recorded at a live concert in the Moscow Conservatory Bolshoi Hall by the Central Television and All-Union Radio Symphony Orchestra under Vladimir Fedoseyev on 12 June 1982 and released on C10 18771 002 (reissued on Russian Disc Compact Disc RDCD 11 010 in 1994). An earlier recording of 1979, performed by the USSR TV and Radio Symphony Orchestra under Maksim Shostakovich, appeared on Olympia Compact Disc OCD 472 in 1994 (reviewed G Nov. 1994). Weinberg’s masterly portrait of Shostakovich, just short of an hour’s duration, is on the whole a lyrical four-movement symphony with many pages of intensely deeply felt music and, though it does not quote directly from his hero’s compositions, several themes, their timbre and treatment are characteristic: e.g. (a) the first Sonata-Allegro movement commences with an aggressive three-note motif reinforced by timpani DDA and AAD strokes punctuating passages approximating to The Execution of Stepan Razin and closing in an eloquent requiem: (b) its themes are transformed for the brilliant Scherzo; (c) the allusion is strengthened in the beautiful Adagio, where the haunting melody on high strings is intoned against a low bass-line; and (d) continuing without a pause into the Rondo Finale’s initial childlike marimba tune, reminiscent of the ‘Immortality’ movement of Shostakovich’s Michelangelo Suite. The full score published by Muzyka (No. 12107, 1983, 29 cm.) requires an orchestra with celesta, harp, and marimba though the percussion is reduced to prominently featured timpani and but two cymbal clashes. See Plate 7 for the title page. Numerous memorial compositions written immediately following Shostakovich’s death reflected the grief of Soviet composers. Among these must be noted an Adagio, Opus 25 No. 1, for string orchestra by the young woman composer, Tatyana Smirnova (written purposefully on 25 September 1975 in Moscow) and published by Sovetskii kompozitor in Pieces for String Quartet, Vol. 3 (No. 4643, 1978, score, 28 cm.); the monumental Second Symphony (1976) of Voronezh composer Mikhail Nosyrev; a cantata Sun and Stone by Lucian Prigozhin; former pupil Yuri Levitin’s Twenty-four Preludes for violin solo (first performed by Boris Gutnikov on 26 September 1976 in the Glinka Malyi Hall, Leningrad); an Epitaph for symphony orchestra by the Odessa composer Yan Friedlin; three pieces for flute, cello, and piano entitled Music in

APPEN DIX VIII

599

Memory of Shostakovich by the Armenian composer Ruben Sarkisyan (performed in Yerevan in November 1975); Third String Quartet by Arno Babadzhanyan, also an Armenian, composed in 1975 at the Dilizhan Composers’ Retreat where Shostakovich wrote his Eleventh Quartet, and published by Sovetskii kompozitor in 1979 (throughout there are effects reminiscent of Shostakovich, such as the ending with its striking on the back of the cello with a finger nail, pizzicato glissandi, and closing in double-stopped unison Ds on the violin and viola, finally giving way to a solitary viola D morendo); Poem of Aleksandr Fridlender, who in his time had conducted premières of Symphonies Nos. 5, 6, 8,10, and 14 in the Urals (Poem performed in Sverdlovsk in December 1976 under conductor Valentin Kozhin); The Dowry by Mikhail Bronner, a dramatic legend on Dmitri Kedrin’s long poern and scored for soprano, tenor, baritone, and chamber ensemble (recording C10 13247-8 released in late 1980); and Postludium DSCH by the Kiev composer Valentin Silvestrov, was first performed in Britain by Jane Manning (soprano) and the Bedelian/Wilson/Immelman Piano Trio at the Almeida Theatre Fourth Festival of Contemporary Music and Performances, Islington, on 29 June 1984. A separate paragraph is warranted for Yuri Levitin’s Epitaph on Words of Anna Akhmatova, Opus 89. This thirteen-minute composition for soprano, clarinet, and string quartet is in four continuous movements: ‘Prelude’ (opening with a fragment from the first movement of Shostakovich’s Tenth Symphony), ‘Music’ (quoting from the Eighth Symphony toccata and the clarinet theme of the second movement of the Ninth), ‘Fugue’ (an instrumental section again using the Tenth Symphony theme), and ‘Death of a Poet’ (closing quietly with the clarinet melismata from the Largo of the Eighth Symphony). This moving tribute, along with two others of his—the Twenty-four Preludes, Opus 84, already mentioned and the four-minute Prelude D Es CH for organ, Opus 105, written in 1984—appears on C10 21425 005, performed by Lyudmila Belobragina, Ivan Mozgovenko (clarinet), and the Borodin Quartet. The Czech composer Evzhen Zamechnik’s Duet for Violin and Cello (1975), in three movements—Moderato, Allegretto scherzando, and Lento moderato—was performed at the second of Rozhdestventsky’s Martinu˚ cycle concerts on 26 April 1985. The New Zealander Robert Burch composed a nine-minute piece Essay to the Memory of Dmitri Shostakovich, for cello and piano, in 1975. The news of Shostakovich’s death gave the original impulse to the composition of Finnish composer Einar Englund’s Fourth Symphony for Strings and Percussion (1976) though the four-movement work is based not on DSCH but the motif FEGF and the third movement entitled ‘Nostalgia’ quotes from Jean Sibelius’s Tapiola. The 23-minute symphony, recorded a few days either side of New Year’s Day 1981 by the youthful Espoo Chamber Orchestra under Paavo Pohjola, is available on Finlandia FA 329.

600

A PPE ND IX VIII

The Czech-born Vladimir Tichy’s Cello Concerto, dedicated to the memory of Shostakovich, was written in 1976–7 and recorded at a Prague concert in 1980 on Panton 8110 0145 by Miroslav Petras (cello) and the Czech Philharmonic Orchestra under Tomas Koutnik. This twenty-five-minute work, cast in two movements (Largo and Presto), is a most impressive and worthy tribute; saturated with Shostakovichian rhythmic patterns, melodic phrases, and instrumental devices. The coupling work, Štepan Lucký’s Concerto for Orchestra (1976)—conducted on the record by Vaclav Neumann—makes extensive use of the DSCH motto. The third movement of the Second String Quartet of the South African composer John Joubert is subtitled ‘In Memoriam DSCH’ and the motif appears at the close. The première of this quartet was given by the Allegri Quartet in Birmingham on 18 February 1978. The motif appears also in his Third Quartet. The young Dutch composer Ed de Boer’s first orchestral piece Homage a Dimitri Shostakovich, Opus 4, written in 1978 has been published by Donemus of Amsterdam. This dichotomous piece (a haunting slow-moving first part, based on the end of ‘Fantastic Dance No. 1’, followed by a lively scherzo with prominent piano role) was originally scored for a student orchestra that contained three horns but no bassoons. A Netherlands broadcast played by the Amsterdam Philharmonic Orchestra under Rudolf van Dristen, timed 9' 35". The work was featured in the 1990 ‘Prom’ season and broadcast on 29 August and 24 December, in a slightly revised form, by the Rotterdam Philharmonic Orchestra conducted by James Colon. A ten-movement suite Colours, commissioned from a number of composers including David Morgan, Robert Farnon, and Malcolm Williamson, has a second movement by Vic Lewis subtitled ‘Tribute to Shostakovich’. This fine piece (4' 27"), representing the colour ‘Red’, is based on the side drum bolero rhythm of the ‘Leningrad Symphony’s’ first movement with the theme quoting Shostakovich’s initials ‘DS’ and an added B natural. The entire suite, recorded by the Royal Philharmonic Orchestra under Vic Lewis, was released on RCA PL 25123 in 1978. Karl Frederick Miller’s seventeen-minute composition Variations on a Theme by Shostakovich was written as his doctoral dissertation in music at the North Texas State University and completed on 30 July 1977. The theme is from the fourth movement (after fig. 120) of the Fifteenth Symphony and scored for 3 flutes, 3 oboes, 2 bassoons, contrabassoon, 4 horns, 3 C trumpets, 3 trombones, harp, harpsichord, piano, percussion, and strings. The work, ‘intended to be something of an orchestral requiem’, has many allusions to Shostakovich in terms of gesture, orchestration, and harmonic structure. Another important work, though not resorting to quotations from Shostakovich compositions, should be mentioned on account of the circumstances

APPEN DIX VIII

601

of its creation. The Finnish composer Pehr Henrik Nordgren was so shocked and moved on reading the tragic events of Shostakovich’s life in Volkov’s Memoirs, that he concluded his two-movement Second Viola Concerto of 1979 with a lamenting slow movement dedicated to Shostakovich’s memory and entitled Testimony. The young Australian clarinettist/composer Antony Wheeler wrote a slow-moving piece entitled Movement for String Orchestra: In Memoriam Dmitri Shostakovich in 1981. Sofya Khentova mentions further compositions dedicated to Shostakovich in the fourth part of her monograph (348–54). To these may be added Moscow-born Aleksei Nikolayev’s Third Quartet written in 1981. The miniature score of this work in five typically Shostakovichian-named movements (Prelude, Scherzo, Fugue, Pastorale, and Finale) was published by Muzyka in 1986 (No. 13189). The Finale movingly quotes the cello/flute passage (figs. 116–18) from the third movement of the ‘Leningrad Symphony’, the Kuibyshev première of which Nikolayev heard as an eleven-year-old evacuee. The work was recorded in 1982 by the Union of Soviet Composers’ Quartet on Melodiya C10 20789 004. A quote from the Tenth Symphony appears in the North Carolina composer Claude Baker’s The Glass Bead Game of 1982–3, premièred by the Louisville Orchestra under Robert Bernhardt on 11 February 1983 and recorded by the same forces on 29 September 1983 (First Edition Records LS 789). The large symphony orchestra employs a vast and varied percussion battery including exotic crotales, temple blocks, claves, guiro, bamboo wood chimes, and mandoline. In the third movement, ‘Fantasia’, the work of six composers (Dallapiccola, Schoenberg, Vaughan Williams, Shostakovich, Penderecki, and Liszt) combine in an involved collage relating to the famous B-A-C-H motif. The American composer, Christopher Rouse’s Symphony No. 1 of 1983—an extended single-movement Adagio—makes use of the DSCH motive. It is recorded by the Baltimore Symphony Orchestra under David Zinman on Electra/Nonesuch 9 79230-2. Andrei Eshpai’s Symphony No. 5, composed in 1985 and dedicated to Yevgeni Svetlanov, was recorded at a concert at Moscow Conservatory on 1 April 1986. This impressive and intensely-moving 28-minute continuous composition quotes DSCH after a war episode based on a boisterous German march. The performance appears on Melodiya C10 28541 006. Nebojša Živkovcˇ’s composition entitled Ctrax-Strah, written in 1987, is a solo for percussion with three tape-recorded interruptions of speeches by Shostakovich and six Russian words declaimed by the performer. The instruments used are vibraphone, various drums, cymbals, temple blocks, and alpine bells. The speeches are the radio announcement from besieged Leningrad on 16 September 1941 and two excerpts from the Association of Soviet Composers meeting held in the Kremlin on 2 April 1974. The six words are ‘Fear’,

602

A PPE ND IX VIII

‘Death’, ‘Life’, ‘Fatherland’, ‘People’, and ‘Party’. The eleven-minute work has been published (Edition Moeck No. 5362) and recorded by the composer on German Compact Disc Cadenza CAD D 878-8 An unusual tribute by Vladislav Uspensky entitled Dedication to Courage—a poem for orchestra subtitled ‘In memory of the first performance of Shostakovich’s Seventh Symphony in besieged Leningrad’—is recorded by the Leningrad Orchestra of Old and Modern Music under Eduard Serov on Melodiya C10 24485 007 (I 1987c). The Opus 122 of the English composer Wilfred Josephs is a four-minute organ piece Testimony: Toccata on DSCH (in Memory of a Great Man) and appears as the final item on a 1988 record of ‘Shostakovich’s Greatest Hits’, Trax Classique TRXLP and CD 131, performed by Robert Munns, on the organ of Bath Abbey. This chapter was becoming, in the words of a second edition reviewer, likened to train-spotting, and as the DSCH phrase continues—and will continue in the 21st century—to be incorporated in musical compositions as a tribute to the great Russian composer, 1988 seems a convenient year to close the listing.

Appendix IX SPELLINGS

In most cases of words in the Cyrillic language, the compiler has returned to the Russian source and made his own transliteration so as not to lose the advantage of reversibility—hence ‘Aleksandr’ and ‘Maksim’, though two films of the Maxim Trilogy retain this spelling of Maksim as they were so billed in the West. Exceptions to this procedure had to be made where after continued general usage incorrect deviations have been universally accepted and to change them would seem disturbingly unfamiliar and affect alphabetical indexing. These include ‘Tchaikovsky’ (Pyotr, but not Andrè, or Boris). In other cases the Cyrillic letter ‘Ò’ appears as ‘ch’, apart from for the conductor Markevitch who preferred the form ‘tch’. Transliterations are useful for pronunciation purposes but annoying when one wishes to translate libretti with the aid of a Russian dictionary. With the help of the middle column of the chart it is possible to transliterate with fair accuracy to the original Russian. Since 1991 the Ukrainian form of place names has been adopted, hence ‘Kiev’ changed to ‘Kyiv’. Dates prior to 1991 retain the spelling ‘Kiev’. The World’s unrivalled authority on classical music since 1923 The Gramophone dropped the definite article of its title from June 1969 to October 2004 but this was restored in November 2004.

603

This page intentionally left blank

Appendix X THE RUSSIAN ALPHABET AND RUSSIAN TITLES OF COMPOSITIONS

The Russian Alphabet 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23

Letter

Transliteration

Pronunciation

b» c·¼ d½ e¾ f¿ Ee ¸¸ hÁ i jà kÄ lk mÆ MÇ HÈ pÉ qÊ Pp Cc TÍ uu vÏ Xx xÑ

a b v g d e (ye1) yo (o2) zh z I I k l m n o p r s t u f kh ts

‘a’ as in ‘clarinet’ ‘b’ as in ‘band’ ‘v’ as in ‘valse’ ‘g’ as in ‘gong’ ‘d’ as in ‘drum’ ‘ye’ as in ‘yell’ ‘yo’ as in ‘yodel’ (always stressed) ‘zh’ as the ‘s’ in ‘measure’ ‘z’ as in ‘jazz’ ‘ee’ as in ‘reed’ short ‘i’ as in ‘unison’ ‘k’ as in ‘key’ ‘1’ as in ‘lute’ ‘m’ as in ‘mute’ ‘n’ as in ‘note’ ‘o’ as in ‘organ’ ‘p’ as in ‘piano’ rolled ‘r’ as in ‘rondo’ ‘s’ as in ‘sonata’ ‘t’ as in ‘tenor’ ‘u’ as in ‘flute’ ‘f’ as in ‘fugue’ Scottish ‘ch’ as in ‘pibroch’ (not ‘eks’) ‘ts’ as the ‘zz’ in ‘intermezzo’ 605

606

24 25 26 27 28 29 30 31 32

A PPE ND IX X

Letter

Transliteration

Pronunciation

yÒ zÓ {Ô |Õ }Ö ~× Ø € Ù˛ º

ch sh shch — y —3 e you [iu] ya [ia]

‘ch’ as the ‘c’ in ‘cello’ ‘sh’ as in ‘sharp’ ‘shch’ as in ‘Khovanshchina’ (hard sign) ‘i’ as in ‘trill’ (soft sign4) ‘ay’ as the first ‘e’ in ‘étude’ ‘yoo’ as in ‘ukelele’ ‘ya’ as in ‘bayan’

Transliterated thus after the vowels ‘a’ and ‘e’; e.g. fÎÈae½ÌÅÃÄ and se˾ee½ÃÒ—Dunayevsky and Sergeyevich respectively; and at the beginning of words; e.g. E½¾eÈÃÄ—Yevgeni. 2

Transliterated thus after ‘Á’, ‘Ò’, ‘Ó’ or ‘Ô’; e.g. ‘y¹ËÈÖÄ’—Chorny.

3

Appears as ‘i’ before a vowel; e.g. qËoÅoÏ×e½—Prokofiev.

4

The prime mark (') representing the soft sign has been omitted throughout.

The dipthong ending ‘ÃÄ’ in personal first names appears as ‘i’ [ii] and in surnames, as ‘y’ [ii]; e.g. eeÈÈa¿ÃÄ roÁ¿ecͽeÈcÅÃÄGennadi Rozhdestvensky. American Library of Congress deviations are given in square brackets.

Russian Titles of Compositions «bÈÍÃÏËÇ»ÆÃÌÍÃÒÀÌÅÃÄ Ë»¹Å» (Antiformalisticheski Rayok): Antiformalist Rayok Sans X(ii) Op. 23 «ce¿ÈÖÄ KoÆyǼ» (Bednyi Kolumb): Armer Columbus «ceÆÃÈÌÅÃÄ» (Belinsky): Belinsky Op. 85 «cÉÆÍ» (Bolt): The Bolt Op. 27 «cÉÆ×Óaº ÇoÆÈú» (Bolshaya molniya): The Big Lightning Sans op. D(iv) «BeÆÃÅÃÄ ¾paÁ¿»ÈÃÈ» (Velikii grazhdanin): The Great Citizen Opp. 52/55 «BepÈocÍ×» (Vernost): Loyalty Op. 136 «Bo½paÔeÈÃe MaÅcÃÇa» (Vozvrashchenie Maksima): The Return of Maxim Op. 45 Op. 48 «BoÆoÒae½cÅÃe ¿Èû (Volochayevskie dni): Volochayevka Days «BcÍpeÒa Èa Æ×¼e» (Vstrecha na Elbe): The Meeting on the Elbe Op. 80 «BcÍpeÒÈÖÄ» (Vstrechnyi): Counterplan Op. 33 «BÖ¼opcžaº cÍopoÈa» (Vyborgskaya storona): The Vyborg Side Op. 50 «BÖcÍpeÆ» (Vystrel): The Shot Op. 24 Opp. 32/58a/116 «eaÇÆeÍ» (Gamlet): Hamlet «eÆyÊÖÄ ÇÖÓoÈoÅ» (Glupyi myshonok): The Silly Little Mouse Op. 56 «eo¿, ÅaÅ ÁÃÂÈ×» (God, kak zhizn): A Year Like a Lifetime Op. 120 «feÍÌÅaº ÍeÍËa¿×» (Detskaya tetrad): A Child’s Exercise Book Op. 69

APPEN DIX X

607

«fpyÂ׺» (Druzya): The Friends Op. 51 «E¿ÃÈcͽo» (Yedinstvo): Unity Op. 95 «ieÆeÈÖÄ Ñex» (Zelenyi tsekh): The Green Guild Sans op. D(i) «iÆaÍÖe ¾opÖ» (Zlatye gory): The Golden Mountains Op. 30 «ioÆoÍoÄ ½eÅ» (Zolotoi vek): The Golden Age Op. 22 «ioº» (Zoya): Zoya Op. 64 «j¾opÅû (Igroki): The Gamblers Sans op. K(i) «j e½peÄcÅoÄ Èapo¿ÈoÄ ÊoØÂÃû (Iz yevreiskoi narodnoi poezii): From Jewish Folk Poetry Op. 79 «laÂÈ× CÍeÊaÈa PaÂÈÃa» (Kazn Stepana Razina): The Execution of Stepan Razin Op. 119 Op. 114 «laÍepÃÈa jÂÇaÄÆo½a» (Katerina Izmailova): Katerina Izmailova «lÆoÊ» (Klop): The Bedbug Op. 19 «KopoÆ×» (Korol Lir): King Lear Opp. 58a/137 «me¿Ã nażeÍ nÑeÈcÅo¾o ye¿a» (Ledi Makbet Mtsenskogo uyezda): Lady Macbeth of Mtsensk District Op. 29 Op. 38 «mÙ¼o½× à ÈeÈa½ÃcÍ×» (Lyubov i nenavist): Love and Hate «MÃÒypÃÈ» (Michurin): Michurin Op. 78 «MoÆo¿aº ¾½ap¿Ãº» (Molodaya gvardiya): The Young Guard Op.75 «MocŽa, yepemyÓÅû (Moskva, Cheryomushki): Moscow, Cheryomushki Op. 105 «oa¿ Po¿ÃÈoÄ ÈaÓeÄ coÆÈÑe cúeÍ» (Nad Rodinoi nashei solntse siyaet): The Sun Shines over our Motherland Op. 90 «oÀÂa¼Ö½aeÇÖÄ 1919.Ä» (Nezabyvayemyi 1919): The Unforgettable year 1919 Op. 89 «oo½oËoÌÌÃÄcÅÃÀ ÅypaÈÍÖ» (Novorossiiskie kuranty): Novorossiisk Chimes Sans op. U Op. 18 «oo½aÖÄ Ba½ÄÆoÈ» (Novyi Vavilon): New Babylon «Hoc» (Nos): The Nose Op. 15 Op. 97 «O½o¿» (Ovod): The Gadfly «O¿Èa» (Odna): Alone Op. 26 «qa¿eÈÄe cepaÆÃÈa» (Padenie Berlina): The Fall of Berlin Op. 82 «qepÖÄ ØÓeÆoÈ» (Pervyi eshelon): The First Echelon Op. 99 «qeÌÈ× o Æecax» (Pesn o lesakh): The Song of the Forests Op. 81 «qeÌȺ ½eÆÃÅÃx peÅ» (Pesnya velikikh rek): Song of the Great Rivers Op. 95 «qÃpo¾o½» (Pirogov): Pirogov Op. 76 «qo¿py¾Ã» (Podrugi): The Girlfriends Op. 41(ii) «qoØÇa o Po¿ÃÈÀ» (Poema o Rodine): Poem of the Motherland Op. 74 Op. 28 «qpa½×, cpÃÍaÈú!» (Prav, Britaniya!): Rule, Britannia! «qpÃÅÆÙÒeÈÃe KopÂÃÈÅÃÈoû (Priklyuchenie Korzinkinoi): The Adventures of Korzinkina Op. 59 «qpoÌÍÖe Æٿû (Prostye lyudi): Simple Folk Op. 71

608

A PPE ND IX X

«qºÍ× ¿ÈeÄ, ʺÍ× ÈoÒeÄ» (Pyat dnei, pyat nochei): Five Days, Five Nights Op. 111 «Po¿ÈoÄ meÈÃȾpa¿» (Rodnoi Leningrad): Native Leningrad Op. 63 «PyÌÌÅaº peÅa» (Russkaya reka): Russian River Op. 66 «CaÆÙÍ, jcÊaÈú!» (Salyut, Ispaniya!): Salute to Spain! Op. 44 «C½eÍÆÖÄ pyÒeÄ» (Svetlyi ruchei): The Limpid Stream Op. 39 «CÅaÂÅa o ÊoÊe à pa¼oÍÈÃÅe e¾o caÆ¿e» (Skazka o pope I rabotnike yego Balde): The Tale of a Priest and his Servant Balda Op. 36 Sans op. K(ii) «CÅpÃÊÅa PoÍÓÃÆ׿a» (Skripka Roshilda): Rothschild’s Violin «CoÏ׺ qepo½ÌÅa» (Sofya Perovskaya): Sofya Perovskaya Op. 132 «ucÆo½Èo y¼ÃÍÖÄ» (Uslovno ubityi): Declared Dead Op. 31 «xeÆÃÈa» (Tselina): Virgin Land Op. 25 «yeÆo½eÅ c pyÁ×eÇ» (Chelovek c ruzhiyom): The Man with a Gun Op. 53 «yeÆo½eÒecÅaº ÅoÃe¿Ãº (Chelovecheskaya komediya): The Human Comedy Op. 37 Op. 41(i) «€ÈocÍ× naÅcÃÇa» (Yunost Maksima): The Youth of Maxim

Bibliography

Abdel-Aziz, Mahmud. Form und Gehalt in den Violoncellowerken von Dmitri Schostakowitsch. Regensburg, 1992, 166. [A study of the Cello Sonata, Op. 40, in German.] Abraham, Gerald (Ernest Heal). Eight Soviet Composers. Oxford University Press, London, 1943, 13–31. [Covers up to Op. 60.] ———. Music in the Soviet Union. The New History of Music: Vol. x, The Modern Age, 1890–1960, ed. Martin Cooper. Oxford University Press, London, 1974, 639–700. [A scholarly and critical review of the Soviet scene with music examples from Lady Macbeth and a photograph of the original production.] Alekseyev, Aleksandr Dmitrievich. Sovetskaya fortepiannaya muzyka 1917–1945. Muzyka, Moscow, 1974, 248. [‘Soviet Fortepiano Music 1917–45’: information on Op. 5 (page 30), Op. 13, (31), Op.35 (87–94 with 9 music examples), Op. 34 (124–33 with 9 music examples), and Op. 61 (177–84 with 6 music examples and autograph of first page); bibliography (page 232) and discography (page 245).] Alekseyeva, Nataliya. Vladimir Fedoseyev: sbornik statei i materialov. Muzyka, Moscow, 1989, 288. [A collection of essays and material on the conductor Vladimir Fedoseyev, profusely illustrated in colour and monochrome. In Russian with abridged English translation by Romela Kokhanovskaya and Tatyana Sorokina. Repertoire and discography.] Alphabetical Catalogue of EMI Records. EMI Records, London, 1960, 117–18. [Recordings available up to 30 June 1960.] American Society of Composers, Authors and Publishers (ASCAP) Symphonic Catalog. R. R. Bowker, New York and London, 1977, 3rd edn., 424–25. Amoh, Kenzo. Leonid Kogan Discography. Amoh Publisher, Tokyo, Japan, Apr. 1997, 58–59. [Paperback. Includes list of record labels, artist index, and appendix ‘List of Kogan’s Recordings on Melodiya’.] ———, with Forman, Frank; and Hashizume, Hiroshi. Mravinsky Discography. The Japanese Mravinsky Society, Kishiwada, Japan, Mar. 1993, 41–53. ———, and Forman, Frank. Legacy of Yevgeni Mravinsky (Ota-ku, Tokyo, Dec. 1998). [Printed from Internet Web Site http://plazal3.mbn.or.jp/ -mravinsky/ 4th edition of 609

610

B I B L I O GRA P HY

the Mravinsky discography with added filmography, broadcasts on radio and television, and artists who performed with the conductor on record.] ———, Yevgeni Mravinsky A Concert Listing 1930–1987. Japanese Mravinsky Society, Tokyo, Dec. 2000, 66. [A4 paperback, stiff covers. Includes a graph showing the annual number of his 1137 concerts—maximum of 46 in 1943 and top 100 works performed—Shostakovich’s Symphony No. 5 second with 119, an increase of 17 over Fomin 1983, and indices; 12 photographs—8 of programmes.] ———, and Forman, Frank. Yevgeni Mravinsky Legacy A Recording History 1938–1984. Japanese Mravinsky Society, Tokyo, Dec. 2000, 48. [A4 paperback, stiff covers. Updated edition of 1998 compilation with graph showing the annual number of his 243 recordings—maximum of 19 being all concert performances in 1965; 11 photographs.] Andronikov, Irakli (author of folder note), collection of 12 monochrome postcards. Planet Publishing House, Moscow, 1977. [Photographs of Shostakovich, musicians and friends, 1940–70.] Aranovsky, Mark Genrikovich. Simfonicheskie iskaniya. Sovetskii kompozitor, Leningrad, 1979, 68–80, 230–61. [‘Symphonic Quest’, subtitled ‘Problems of the symphony genre in Soviet music, 1960–75’. Includes a review of Symphonies Nos. 15, 13 and 14.] Ardov, Revd. Michael, trans. Rosanna Kelly and Michael Meylac. Memories of Shostakovich. Short Books, London, 2004, 191. [A compilation of personal interviews with Maksim and Galina Shostakovich by a friend since the late 1950s and quotations from the memoirs of contemporary Russians, in 54 chapters.] Arndt, Walter. Pushkin Threefold. George Allen & Unwin, London, 1976. Aronowsky, S. Performing Times of Orchestral Works. Ernest Benn, London, 1959, 668–69. Ashman, Mike. ‘Rostropovich and Lady Macbeth’. Gramophone, Vol. 56, No. 672 (May 1979), 1852–53. Bainton, Helen. Facing the Music. Currawong Publishers, Sydney, NSW, 1967. Barlow, Harold, and Morgenstern, Sam. A Dictionary of Musical Themes. Williams & Northgate, London, 1952 and 11th imp. 1974, 535–59. Bartlett, Rosamund (ed.). Shostakovich in Context. Oxford University Press, New York, 2000, 274, 20 illustrations. [Contains scholarly essays by Richard Taruskin, David Fanning, Svetlana Savenko, Laurel Fay, Lyudmila Mikheyeva-Sollertinsky— daughter of Ivan, Inna Barsova (Opus 47 final movement), Olga Komok, David Haas (‘Shostakovich’s Eighth—C minor against the grain’), Manashir Yakubov (Antiformalistic Rayok), Elmira Nazirova (Symphony No. 10), Lyudmila Kovnatskaya, Caryl Emerson (‘Shostakovich: Songs and Dances of Death and Survival’—Opus 143), and R. Bartlett (on Chekhov). Bawden, Liz-Anne (ed.). The Oxford Companion to Film. Oxford University Press, London, 1976). Baxandale, Lee. Marxism and Aesthetics. Humanity Press, New York, 1973, 152. [A selective annotated bibliography up to 1968, valuable for contemporary references to the banning of Lady Macbeth.] Beaumont, Cyril W. Complete Book of Ballets. Putnam, London, 1956. Belza, Igor Fedorovich. Handbook of Soviet Musicians (ed.). Alan Bush. Pilot Press, London, 1943, 49–51 and 95–97. [Includes list of works Opp. 1 to 60.]

BIBL IOGRAPH Y

611

——— ‘Zametki o muzyke filma ‘Nezabyvayemyi 1919 god”. Iskusstvo kino (Moscow), 1952 No. 9, 87–91. [Notes on the music for Op. 89.] Bennett, John Reginald. Melodiya: A Soviet Russian L.P. Discography, Discographies Number 6. Greenwood Press, Westport, Conn., 1981, 559–70 et passim. Berger, Lyubov Grigorievna. Odinnadtsataya simfoniya D. D. Shostakovicha ‘1905 god’ (poyasnenie). Sovetskii kompozitor, Moscow, 1961, 38. [Eleventh Symphony.] ––—, (ed.). Cherty stilya D. Shostakovicha. Sovetskii kompozitor, Moscow, 1962, 386. [‘Features of the style of D. Shostakovich’: a collection of theoretical articles by Lev Mazel, Aleksandr Dolzhansky, Igor Beletsky, and others. Dolzhansky’s contribution includes a paper on the first movement of the Seventh Symphony and an examination of the Eleventh Symphony. Beletsky’s review of the Piano Quintet runs to 23 pages. Many music examples and a classified bibliography of 248 references dated 1923–62.] Bernandt, Grigori Borisovich, and Dolzhansky, Aleksandr Naumovich. Sovetskie kompozitory. Sovetskii kompozitor, Moscow, 1957, 664–67. [‘Soviet composers’: includes information on première performances, Opp. 1 to 98.] ——— and Yampolsky, Izrail Markovich. Kto pisal o muzyke. Sovetskii kompozitor, Moscow, Vol. i (A-–I), 1971, 356; Vol. ii (K–P), 1974, 315; Vol. iii (R–CH), 1979, 206; Vol. iv (SH–YA) with Tamara Yefimovna Kiseleva, 1989, 121. [A bio-bibliographical dictionary of music critics and list of writers on music in pre-revolutionary Russia and the USSR. On pages 35–40 of the fourth volume references to 314 articles written by Shostakovich, 1928–85, are listed chronologically] ––— and Yampolsky, Izrail Markovich, Sovetskie Kompozitory i Muzykovedy Sovetskii kompozitor, Moscow, Vol. i (A-I), 1978, 270. [The first of three volumes of a dictionary of Soviet composers and musicologists. See Grigoriev for Vols. ii and iii.] Bernatchez, Dr Hélène. Shostakovich and FEKS. Forum Musikwissenschaft 2 m press, Munich, 2006, 280. [The film scores to New Babylon and Alone discussed in detail. In German with an English version to follow.] Biancolli, Louis (ed.). The Analytical Concert Guide. Greenwood Press, Conn., 1951, 526–40. Bibliographic Guide to Music. G. K. Hall & Co., New York. [Publications catalogued by The Research Libraries of The New York Public Library and the Library of Congress. Shostakovich pages from 1993, page 626; 1994, 642–43; 1995, 734–35; 1996, 584.] Blokker, Roy, with Dearling, Robert. The Music of Dmitri Shostakovich: The Symphonies. Tantivy Press, London, 1979, 192, 13 photographs. [A readable exploration of the 15 symphonies, with 98 music examples, brief bibliography, annotated discography, and comparative chart of contemporary symphonies.] Blom, Eric. Grove’s Dictionary of Music and Musicians, Vol. vii, 5th edn. Macmillan, London, 1966, 765–67 and Vol. x, Supplement, page 407. [Shostakovich entry: lists works up to Second Quartet.] Bobrovsky, Viktor Pyotrovich. Kamernye instrumentalnye ansambli Shostakovicha. Sovetskii kompozitor, Moscow, 1961, 259, 9 photographs. [The chamber music considered.] Boelza, Egor—see Belza, Igor. Bogdanova, Alia Vladimirovna, Katerina Izmailova. Muzyka, Moscow, 1968, 87 pp., 4 plates. [A small paperback guide to the four acts of the 1963 version of the opera, with a 32-page introduction, 41 music examples, and 11 bibliographic references.]

612

B I B L I O GRA P HY

Opery i balety. Sovetskii kompozitor, Moscow, 1979, 208, 17 photographs. [A paperback including extended analyses of The Nose, 53–108, and Katerina Izmailova, 145–94, with 104 music examples and pages from manuscripts of Opp. 19, 28, and 31.] ——— Pamyati pogibshikh—kompozitorov i muzykovedov 1941–45. Sovetskii kompozitor, Moscow, 1985, 8, 70–85. [Articles in memory of the composers and musicologists who perished in the Great Patriotic War, including L. Dyachkova’s contribution on Fleishman’s opera Rothschild’s Violin with 31 music examples.] Bogdanov-Berezovsky, Valerian Mikhailovich. Stati o muzyke. Sovetskii kompozitor, Leningrad, 1960, 163–76. [Article on The Eighth Symphony by D. Shostakovich as performed under the baton of Ye. Mravinsky with 8 music examples.] Bouij, Christer. Dmitrij Sjostakovitj och den sovjetiska kulturpolitiken. Uppsala University, 1984, 382 with 3-page addenda, 1991. [A stiff-card bound thesis in Swedish with an 11-page bibliography, numerous music examples, cartoons, and a 12-page register of persons.] Boyden, David D. An Introduction to Music. Faber and Faber, London, 2nd edn. 1971, 469–70. [A Shostakovich review: ‘With a very few early exceptions, his music represents a backward glance…’. Detailed analysis of Fifth Symphony] Braun, Joachim. ‘The Double Meaning of Jewish Elements in Dmitri Shostakovich’s Music’. The Musical Quarterly, Vol. lxxi, No. 1 (Jan. 1985), 68–80. [An in-depth study of the Jewish elements in eleven compositions, with particular emphasis on From Jewish Folk Poetry. Music examples from Opp. 79, 87, and 107.] Bretanitskaya, Alia Leonidovna. ‘Nos’ D. D. Shostakovicha: Putevoditel. Muzyka, 1983, 96. [A small paperback guide to The Nose. History of the opera, detailed synopsis, bibliography of 60 references, and appendix of 27 music examples.] British Broadcasting Corporation Music Library. Chamber Music Catalogue and Piano and Organ Catalogue. BBC, London, 1965. ———, Song Catalogue II and Song Catalogue Titles IV. BBC, London, 1966. British Catalogue of Music, British Library Bibliographic Services Division (London, Jan. 1957 to 1988). British Library, The Catalogue of Printed Music in the K. G. Saur, London, Vol. 52, Shad-Smir, 153–61. [A list of the music collection to 1980.] Britten, Benjamin (with annotations by Donald Mitchell). ‘Britten on “Oedipus rex” and “Lady Macbeth”’. Tempo, No. 120 (Mar. 1977), 10–12. Brockhaus, Heinz Alfred. Dmitri Schostakowitsch. Breitkopf & Hartel, Leipzig, 1962, 215. [An expanded dissertation on the symphonies, in German.] Brook, Donald. Composers’ Gallery. Rockcliff, London, 1945, 190–98. [An early appreciation of Shostakovich’s work up to the Eighth Symphony. Full page portrait.] Brown, David. ‘Recent Trends in Soviet Music’. The Listener, lxv (1961), 329. [Refers to First Violin Concerto.] ———, ‘Russia: Shostakovich’. Music in the Modern Age, Vol. v: A History of Western Music ed. F. W. Sternfeld. Weidenfeld & Nicholson, London, 1973, 39–45. ———, Encyclopaedia Britannica. (Chicago, 15th edn. 1974). Vol. 16, 717–18. [Shostakovich entry.] Brown, Malcolm Hamrick. ‘The Soviet Russian Concepts of “Intonazia” and “Musical Imagery”‘. The Musical Quarterly, Vol. 60 (1974), 557–67. [Refers to the first movement of Seventh Symphony.]

BIBL IOGRAPH Y

613

———, (ed.), Mussorgsky: In Memoriam, 1881–1981. Studies in Russian Music, No. 3. UMI Research Press, Ann Arbor, Mich., 1982. [See especially the essay ‘Mussorgsky and Shostakovich’, by Laurel E. Fay, 215–26.] ———, (ed.). A Shostakovich Casebook. Indiana University Press, 2004, 408. [A balanced reconsideration of the Testimony controversy in the 25 essays, interviews, and articles, including informed contributions from Irina Shostakovich, Richard Tarushkin, and Laurel E. Fay.] Bruce, George. Festival in the North: the Story of the Edinburgh Festival. Robert Hale, London, 1975. Bush, Alan Dudley. ‘Shostakovich and his symphonies’. The Listener, 27 (4 June 1942), 733. [Mentions Nos. 1 to 7.] Buske, Peter. Dmitri Schostakowitsch—Leben und Schaffen des Sowjetischen Komponisten. Heransgeber Zentralvorstand des Gesellschaft fur Deutsch-Sowjetisce, Berlin, DDR, 1975. [This study has a discography which includes several East German Eterna recordings not listed here.] Calvocoressi, Michel Dimitri. ‘Shostakovich: [Piano] Concerto No. 1’. The Listener, 14 (24 Dec. 1935), 1184. ———, “The First of May’. The Listener, 15 (19 Feb. 1936), 373. [Third Symphony.] ———. ‘A Russian critic on Shostakovich’s Quintet’, trans. Ivan Martynov. The Musical Times, Vol. 82, No. 1185 (Nov. 1941), 395–96. ———. A Survey of Russian Music. Pelican Books, London, 1944, 100–102 and 111–14. Cawkwell, Tim, and Smith, John M. The World Encyclopedia of Film. Studio Vista, London, 1972. Chappell, Herbert. Sounds Magnificent: the Story of the Symphony. BBC, London, 1984, 172. [Chapter 8: ‘Sounds for Tomorrow?’] Chekhov, Anton Pavlovich. Rothschild’s Fiddle. The Oxford Chekhov, Vol. viii: Stories 1893–1895, trans. Ronald Hingley. Oxford University Press, Oxford, 1978, 93–101. Chernyavskaya, Tatyana Nikolayevna. Khudzhestvennaya kultura SSSR. Russkii Yazyk, Moscow, 1984, 356. [‘The Artistic Culture of the USSR’ dictionary, with illustrations—many in colour—and descriptions of concert-halls, theatres, film companies, folk instruments, and related musical subjects; besides covering non-musical topics such as literature, painting and architecture.] Chernyi, Osip Yevseyevich. ‘Dmitri Shostakovich’. Novyi mir [New World], No. 10, Moscow, 1945, 140–47. Clough, Francis R, and Cuming, G. J. The World’s Encyclopaedia of Recorded Music, 1925–50 and including First Supplement, 1950–51. Sidgwick and Jackson, London, rev. edn. 1966, 558–59 and 836. [Also same pagination in paperback: Greenwood, Westport, Connecticut, 1970.] Second Supplement, 1951–52 Sidgwick and Jackson, London, 1953, 204–05. Third Supplement, 1953–55 Sidgwick and Jackson, London, 1969, 425–27. Collaer, Paul. The New Music Lover’s Handbook, ed. Elie Siegmeister. Harvey House, New York, 1973, 411–14. Creighton, James. The Discopaedia of the Violin. University of Toronto Press, Toronto, 1974, 901. [List of violin works and transcriptions recorded.]

614

B I B L I O GRA P HY

Crimp, Bryan. The Record Year 1. Duckworth, London, 1979, 196–98, 455–58; The Record Year 2. Duckworth, London, 1981, 193–95, 444–47. [Discography and informative reviews of discs and cassettes released in 1978 and 1979 respectively.) Cross, Milton, and Ewen, David. Encyclopedia of the Great Composers and Their Music, Vol. ii. Doubleday, New York, rev. edn. 1962, 725–37. Dalley, Janet (trans.). Pushkin’s Fairy Tales. Barrie & Jenkins, London, 1978, 82–86. [An English prose translation of The Story of a Priest and his Servant Balda, written in verse form by Aleksandr Pushkin in 1830.] Danilevich, Lev Vasilievich. D. D. Shostakovich. Sovetskii kompozitor, Moscow, 1958, 196, 9 photographs. [Including music examples, bibliography, and list of works.] ––—. Nash sovremennik: tvorchestvo Shostakovicha. Muzyka, Moscow, 1965, 330, 24 plates. [‘Our Contemporary: the Works of Shostakovich’. A scholarly review in Russian of his compositions up to the end of 1962— Opp. 1 to 114—with 81 music examples, discography, and utilizing material from this author’s 1958 study.] ––—, (ed.). Dmitri Shostakovich. Sovetskii Kompozitor, Moscow, 1967, 536, 45 photographs, 195 music examples. [Articles from newspapers and journals 1932–66, and thirteen articles: ‘Shakespeare and Shostakovich’ by Daniel Zhitomirsky, ‘Remarks on the opera Katerina Izmailova’ by Marina Sabinina, ‘The 30th anniversary of the composition of Symphony No. 4’ by Genrikh Orlov, ‘Symphony No. 13’ by Givi Ordzhonikidze (36 pages), ‘The Execution of Stepan Razin and the traditions of Mussorgsky’ by Semyon Shlifshteyn, ‘The cycle From Jewish Folk Poetry and its place in the works of Shostakovich’ by Arnold Sokhor, ‘Some observations on the style of the 24 Preludes and Fugues’ by Elizaveta Mnatsakanova, ‘Performing Shostakovich’ (mainly about Op. 87) by Tatyana Nikolayeva, ‘Remarks on the musical language of Shostakovich’ by Leo Mazel, ‘On two methods of thematic development in the symphonies and quartets of Shostakovich’ by Viktor Bobrovsky, ‘The Alexandrian pentachord in the music of Shostakovich’ by Aleksandr Dolzhansky, ‘On Shostakovich’s orchestration’ by Edison Denisov, and ‘Some peculiarities of orchestral part-writing in Shostakovich’s symphonic works’ by Alfred Schnittke.] ––—. Bolshaya sovetskaya entsiklopediya. Sovetskaya entsiklopediya, Moscow, 1979, Vol. 29, 457–58. [Shostakovich entry.] ––—. Dmitri Shostakovich—zhizn i tvorchestvo. Sovetskii kompozitor, Moscow, 1980, 304, 32 photographs. [The life and work of Shostakovich in minute detail. Footnote references supplied but regrettably no bibliography nor index. A near complete yearby-year list of compositions appended.] Danko, Larisa Georgievna. Komicheskaya opera v XX veke. Sovetskii kompozitor, Leningrad, 2nd edn. 1986, 176. [‘Comic Opera in the Twentieth Century’. Bibliography but no music examples, illustrations, or index. The Nose discussed on pages 137–48.] Dansker, Olga Lvovna (compiler). S. A. Samosud—stati, vospominaniya, pisma. Sovetskii kompozitor, Moscow, 1984, 232. [A paperback including details of premières of The Nose and Lady Macbeth; 9 letters from Shostakovich to the conductor (one reproduced in facsimile) and photographs.] Daragan, Diva Grigorievna (ed.). Sovetskaya muzykalnaya kultura. Muzyka, Moscow, 1980. [A 208-page paperback including two pertinent articles: ‘Chamber-vocal compositions of Shostakovich’ by Vera Andreyevna Vasina-Grossman (15–42 dealing

BIBL IOGRAPH Y

615

with Opp. 46, 62, 79, 127, 143, and 145) and ‘Towards the problem of stylistic dramaturgy’ by L. Krylova (43–60 analysing the Overture of Russian and Kirghiz Folksongs, Op. 115, with 8 music examples).] Day, Stanley, and latterly, MacDonald, Calum; Walker, Malcolm, et al. Gramophone Classical Catalogue (formerly The Gramophone Long Playing Classical Record Catalogue). General Gramophone Publications, Harrow, 1953–89. [The foremost record catalogue.] Delson, Viktor Yulievich. Fortepiannoe tvorchestvo D. D. Shostakovicha. Sovetskii kompozitor, Moscow 1971, 248. [The fortepiano works with music examples.] Devlin, James E. ‘Dmitri Shostakovich—the vocal music’, Music and Musicians, Vol. 28, No. 7 (Mar. 1980), 20–22. ———, ‘Shostakovich’s Re-orchestration of the Schumann Cello Concerto’. Anglo-Soviet Journal, Vol. xl, No. 3 (May 1980), 19–20. [Op. 125.] ———. ‘Dmitri Shostakovich—Pianist’. Anglo-Soviet Journal, Vol. xli, No. 1 (Sept. 1980), 18–20. [A review of the composer’s performances on records.] ———. Shostakovich Novello, Sevenoaks, Kent, 1983, 23. [A concise account of the composer’s life and achievements in the series of Novello Short Biographies.] Diamant, A. ‘The Shostakovich Symphonies’. The Gramophone (Feb. 1943), 133. Dolmatovsky, Yevgeni Aronovich. Pesni na stikhi Yevgeni Dolamatovskogo. Muzyka, Moscow, 1986, 224. [‘Songs to verses of Yevgeni Dolmatovsky’: words and melodies of 101 songs, including five by Shostakovich—‘Song of Peace’ and ‘Longing for the Native Country’ from Op. 80; ‘Beautiful Day’ from Op. 82; and ‘The Homeland Hears’ and ‘He loves me, he loves me not’ from Op. 86.] Dolzhansky, Aleksandr Naumovich. 24 preludii ifugi Shostakovicha. Leningrad 1963. Dorati, Antal. Seven Decades. Wayne State University Press, Detroit, 1981, 60–62 [Bela Bartok’s dislike of Shostakovich and the reason for the parody of the ‘Leningrad Symphony’ in the Hungarian’s Concerto for Orchestra.] Downes, Edward. Everyman’s Guide to Orchestral Music. Dent, London, 1976, 852–61. [Analyses of Symphonies Nos. 1, 5, 6, and 9.] ———. Khovanshchina—libretto. The Radio Three Magazine (Nov. 1982), supplement. [English version of Shostakovich’s arrangement, Op. 106.] Drew, David. The Nose. New Statesman (12 June 1964), 922–23 DSCH Society—see the separate section following the Bibliography. Dubinsky, Rostislav Davidovich. Stormy Applause: making music in a worker’s state. Hutchinson, London, 1989, 292. [A moving account of the Borodin Quartet founder’s struggle as a Jewish musician in the bureaucratic Soviet state. The 25th chapter, 278–84, headed ‘Shostakovich 1975’. No illustrations, no index.] Edmunds, Neil (ed.). Soviet Music and Society under Lenin and Stalin; The Baton and Sickle. Routledge-Curzon, 2004, 288. [Two chapters refer specifically to works by Shostakovich––Opus nos. 31 and 33 respectively: ‘Declared Dead, but only provisionally; Shostakovich––Soviet Music-hall and Uslovno Ubityi’ by Gerard McBurney and ‘From the Factory to the Flat: Thirty years of the Song of the Counterplan’ by John Riley.] Egorova, Tatiana (Yegorova, Tatyana). Soviet Film Music: An Historical Survey, trans. Tatiana A. Ganf and Natalia A. Egunova. Harwood Academic Publishers, Amsterdam,

616

B I B L I O GRA P HY

1997, xiii plus 311. [Many references to Shostakovich’s film scores including New Babylon, The Golden Mountains, and Hamlet with an eight-page chapter on Katerina Izmailova. Music examples from Opp. 30, 33, 82, 97, 116, and 137. Still photographs from New Babylon and Hamlet. Paperback in English.] Elder, Dean. ‘Lesson on Performance of a Shostakovich Prelude and Fugue (No. 17 of Op. 87)’, Clavier, No. 13 (Sept. 1974), 25–33. Engelmann, Ian. ‘Thinking slow, writing quick—an interview with Shostakovich’. The Listener (1974), 2381, 641–42. Ewen, David. ‘Dmitri Shostakovich’. The Musical Times, Vol, 74, No. 1112 (Oct. 1935), 890–92. ———. The World of Twentieth-Century Music. Hale, London, 1968, 721–38. [Information on main works up to Eleventh Quartet.] ———. Orchestral Music. Franklin Watts, New York, 1973, 237–43. ———. Composers since 1900. H. W. Wilson, New York, 1969, 524–31 and First Supplement (1981), 265–66. Faier, Yuri Fyodorovich. O sebe, o muzyke, o balete. Sovetskii kompozitor, Moscow, 2nd ed., 1974, 302–10. [The conductor’s notes on performing the Opus 39 ballet. Many photographs of dancers, musicians, and Bolshoi Theatre productions, including Asaf and Sulamif Messerer as the Classical Dancers in The Limpid Stream.] Fairclough, Pauline. A Soviet Credo: Shostakovich’s Fourth Symphony. University of Bristol, 2006, c.270 in hardback with 197 music examples. ———and Fanning, David J. The Cambridge Companion to Shostakovich. Cambridge University Press, 2008, 416. [ Hardback and paperback versions with essays by fourteen experts. 91 music examples. A five-page detailed review by Alan Mercer in DSCH Journal No. 30, 48–52.] Fanning, David J. The Breath of a Symphonist: Shostakovich’s Tenth Symphony. Royal Musical Association Monographs 4. Royal Musical Association, London, 1988, 94. [A major study of the epic Tenth with an almost bar-by-bar analysis (illustrated with 60 music examples), three appendices: the composer’s own words on this symphony, a list of thematic allusion and a checklist of corrections and errors in Collected Works Vol. 5, and an extensive bibliography.] ———, (ed.), Shostakovich Studies. Cambridge University Press, 1955, 289. [The eleven scholarly essays—seven with music examples—cover single-work sourcestudies on The Golden Age (Manashir Yakubov), Lady Macbeth/Katerina Izmailova (D. J. Fanning and Laurel E. Fay), Fifth Symphony (Richard Taruskin), and Second Piano Trio (Patrick McCreless); papers on the instrumental works (Yuri Kholopov) and song cycles (Dorothea Redepenning); discussions on Shostakovich’s relationship with his contemporaries Britten (Eric Roseberry) and Schnittke (Aleksandr Ivashkin); and an analysis of Russian theorists on modality in the composer’s music (Ellon D. Carpenter).] ———, and Fay, Laurel E. The New Grove Dictionary of Music and Musician, second edition, ed. Stanley Sadie and John Tyrrell, Vol. 23, Scott to Sources, MS Macmillan, London, 2001, 279–311. [Shostakovich entry: a persuasive revised review of the composer’s life and works divided into periods differing from Schwarz’s, taking into account recent research with many illuminating comments (e.g. Together the fourth

BIBL IOGRAPH Y

617

to ninth symphonies might be taken as evidence for the paradox that the greatest music can be written under the greatest political pressure’). Impressive updated work-list and bibliography contributed by L. E. Fay. The whole work will be regularly updated on the electronic database www.grovemusic.com.] ———.’Shostakovich’s Eighth String Quartet on Record’, International Record Review, Volume 2 Issue 8 (November 2001), 22–28. [An all-embracing review of 104 mainly compact disc recordings (44 of the original quartet, 51 of Barshai’s Chamber Symphony Opus 110a, and nine of other transcriptions) with six photographs of performers and a discography.] ———. ‘In Bach’s footsteps.’ Gramophone, Vol. 79, No. 950 (Feb. 2002), 28–31. [A review of nine complete cycles and four important excerpts of the Opus 87 Preludes and Fugues. Vladimir Ashkenazy named as an all-round first recommendation on compact disc.] ———. Shostakovich: String Quartet No. 8. Ashgate, Aldershot, 2004, xiv + 185. [A scholarly analysis of Opus 110 placed in context with a discussion on the composer’s reputation, circumstances of the work’s composition, and the cultural background of the ‘Thaw’ years. This slim but meaty volume is illustrated with 34 music examples and concludes with ten documents by leading Shostakovich experts, a six-page bibliography and twelve pages on available recordings. The book is accompanied by a compact disc of the work played by the Rosamunde Quartet.] ———, (ed.). Shostakovich and His World. Princeton University Press, Princeton and Oxford, 2004, xx + 405. [A collection of documents, including ‘The Phenomenon of the Seventh’ by Christopher H. Gibbs, 59–113, and essays––see especially ‘Shostakovich as Industrial Saboteur: Observations on The Bolt’ by Simon Morrison, 117–61; The Nose and the Fourteenth Symphony: An Affinity of Opposites’ by Levon Hakobian, 163–81; and ‘Fried Chicken in the Bird-Cherry Trees’ by Gerard McBurney, 227–73.] ———. Parish, Margaret K. String Music in Print. R. R. Bowker, New York, 1973. ———, (ed.), Orchestral Music in Print. Musicdata Inc., Phil. 1979, 742–43. Fay, Laurel E. ‘Shostakovich versus Volkov: Whose Testimony?’ The Russian Review (USA), Vol. 39, No. 4 (Oct. 1980), 484–93. ———. ‘The Intimate Shostakovich’. Keynote. New York, Oct. 1989, 8–12. [A review of the quartet cycle, prior to the Manhattan Quartet’s performance of all fifteen in chronological order in four concerts at New York Town Hall, 25 September to 23 October 1989. ‘A significant contribution to the twentieth-century repertoire, shares little with the other great cycle of the century, that of Bartók. Instead, the sound world of Shostakovich’s quartets, their psychological scope and emotional force, suggests most immediate comparison with the legacy of Beethoven’. Six photographs.] ———. The New Grove Dictionary of Opera, ed. Stanley Sadie, Vol. 4, Roe-Z. Macmillan, London; 1992, 358–61. [Shostakovich entry. See also entries for the operas The Gamblers (Vol. 2, 342–43), Katerina Izmailova (Vol. 2, 961), Lady Macbeth of Mtsensk District (Vol. 2, 1076–79), The Nose (Vol. 3, 621–23), and Rothschild’s Violin (Vol. 4, 410–11).] ———. Shostakovich: A Life. Oxford University Press, New York, 2000, xix + 458, 16 photographs. [A reliable and balanced biography, copiously researched, and

618

B I B L I O GRA P HY

commendably readable. A 58-page section of sources for the 15 chapters, a classified list of works, a glossary of names, and an exhaustive index.] ———, (ed.). Shostakovich and His World. Princeton University Press, Princeton and Oxford, 2004, xx + 405. [A collection of documents, including ‘The Phenomenon of the Seventh’ by Christopher H. Gibbs, 59–113 and essays––see especially ‘Shostakovich as Industrial Saboteur: Observations on The Bolt’ by Simon Morrison, 117–61; ‘The Nose and the Fourteenth Symphony: An Affinity of Opposites’ by Levon Hakobian, 163–81; and ‘Fried Chicken in the Bird-Cherry Trees’ by Gerard McBurney, 227–73.] Feuchtner, Bernd. ‘Und Kunst geknebelt von der groben Macht’: Dmitri Schostakowitsch, Kiinstlerische Identitat und staatliche Repression. Sendler Verlag, Frankfurt am Main, 1986, 318, 19 illustrations. [A German monograph with detailed list of sources and bibliography; a catalogue of works (separate page of film scores), music examples in the Appendix, and an index of persons.] Fiske, Roger. Chamber Music. BBC, London, 1969, 75–77. [Refers to Quartets Nos. 7 and 8.] Fomin, Vitali Sergeyevich. Stareishii russkii simfonicheskii orkestr. Muzyka, Leningrad, 1982, 192. [A monograph of the Leningrad Philharmonic Orchestra to celebrate the centenary of its formation in 1882, illustrated with 68 monochrome photographs of the orchestra, conductors, and soloists, and 8 colour plates of the Philharmonic Concert Hall. Alphabetical list by composer of the Russian, Soviet, and world-wide repertoire, noting number of performances of each work, and conductors and soloists in the 60 years to 1981; calendar of places visited in the USSR and abroad.] ———. Yevgeni Aleksandrovich Mravinsky. Muzyka, Moscow, 1983, 192. [A monograph in the series on Russian and Soviet conductors. Three photographs relating to Shostakovich. The appendices include Mravinsky’s repertoire with number of performances of each work in the years 1932–82. Shostakovich’s Fifth Symphony at 102 only surpassed by the 113 of Tchaikovsky’s Fifth, and discography.] Foreman, Lewis. Systematic Discography. Clive Bingley, London, 1974. [A helpful guide for all amateur and professional discographers.] Forman, Frank, and Amoh, Kenz. ‘Evgeni Mravinsky, Discography’, ARSC Journal of USA, Vol. 25 (1) (Spring 1994), 15–44. [A revised and updated list of Mravinsky recordings first published in Japan.] Freundlich, Irwin. Twenty-four Preludes and Fugues. Leeds Music, New York, 5 April 1955. [Preface to the cycle, Op. 87.] Fyodosova, Eleonara Petrovna. Diatonicheskie lady v tvorchestve D. Shostakovicha. Sovetskii Kompozitor, Moscow, 1980, 192. [‘Diatonic harmonies in the creative work of D. Shostakovich’. A small paperback analysing passages from many compositions in minute detail, with 105 music examples and a bibliography of 85 references.] Gabrilovich, Yevgeni losifovich. The Fifth Quarter, trans. Frances Longman. Progress Publishers, Moscow, 1983, 289. [The moving memoirs of the great screen scriptwriter responsible for the scenarios of two films associated with Shostakovich. Remarkable for his disclosures on the Soviet film industry during the Great Patriotic War. As Sergei Gerasimov points out in his Afterward: ‘to portray Man with love demands a rare talent’. A paperback in English.]

BIBL IOGRAPH Y

619

Gammond, Peter, and James, Burnett. Music on Record—A Critical Guide. Grey Arrow paperback, Anchor Press, Tiptree, Vol. ii (1962), 125–31 and Vol. iii 1963, 168–70, 211. [Valuable for early LP recordings.] Gaster, Adrian (ed.). International Who’s Who in Music. Melrose Press, Cambridge, 9th edn., 1980. George, Alan, ‘Shostakovich’, Nouslit, York University (Spring 1973), 17–19. ———. Dmitri Shostakovich: The Complete String Quartets. Decca Records, London, 1981, 20. [A well-produced illustrated booklet, with notes on all fifteen quartets in English, French, and German to accompany the box set Decca D 188 D7.] Glikman, Isaak, Pisma k drugu: Dmitri Shostakovich—Isaaku Glikmanu. DSCH, Moscow and Kompozitor, St Petersburg, 1993, 336, 39 photographs. [A wealth of information on Shostakovich’s lifestyle, that of his family and friends; and notes on the progress of many works contained in a 28-page preface and the 288 letters written by the composer between 30 November 1941 and 23 August 1974. Revealing annotations by Glikman. Photographs of the composer and author; their relatives and friends. An index of names and dated list of the letters.] ———. Dmitri Chostakovitch: Lettres a un ami—subtitled ‘Correspondance avec Isaac Glikman’. Albin Michel, Paris, 1994, 320. [The above book in French, translated from the Russian by Luba Jurgenson. No photographs.] ———. The Story of a Friendship—subtitled ‘The Letters of Dmitry Shostakovich to Isaak Glikman with a commentary by Isaak Glikman’ Faber, London 2001, 385. 37 illustrations. [Translated from the Russian by Anthony Phillips with a 100-page end-section of his own footnotes.] Gogol, Nikolai Vasilievich. Diary of a Madman and Other Stories, trans. Ronald Wilks. Penguin Books, Harmondsworth, 1972, 42–70. [The original short story The Nose in English.] Gojowy, Detlef. Dimitri Schostakowitsch mit Selbstzeugnissen und Bilddoku-menten. Rowohlt Taschenbuch Verlag, Reinbek bei Hamburg, 1983, 158, 60 illustrations. [A monograph in German, with list of works, bibliography, and index of persons.] ———. ‘Schostakowitschs: ‘”Marchen vom Popen und seinem Knecht Balda” in Ost-Berlin’, Neue Zeitschrift fur Musik (Sept. 1986), 57–58. [An article in German on an East German performance of Khentova’s opera.] Goltsman, Abram Markovich. Sovetskie balety. Sovetskii Kornpozitor, Moscow, 1985, 149–60. [Plots of five Shostakovich ballets: The Bolt, The Golden Age (1982 production), The Limpid Stream, The Young Lady and the Hooligan, and Leningrad Symphony in a paperback dealing with 124 ballets by 88 Soviet composers.] Goodall, Alison. ‘First performances in London, 1951–71’. The Music Yearbook, 1973–74, ed. Arthur Jacobs. Macmillan, London, 1973. Gordeyeva, Yevgeniya Mikhailovna (ed.). Muzyka XX veka. Ocherki, Part 2, Book 4. Muzyka, Moscow, 1984, 75–114. [Essays on Shostakovich’s music by Marina Sabinina.] Gow, David, ‘Shostakovich’s “War” Symphonies’, The Musical Times, Vol. 105, No. 1453 (Mar. 1964), 191–93. Grazia, Sebastian de, ‘Shostakovich’s Seventh Symphony: Reactivity-Speed and Adaptiveness in Musical Symbols’, Psychiatry: Journal of the Biology and Pathology

620

B I B L I O GRA P HY

of Interpersonal Relations, Vol. 6 (2) (May 1943), 117–22. [A scientific article in an American journal dealing with the first movement’s short symmetrical theme.] Greenfield, Edward. Andre Previn. Recordmaster 4, Ian Allan, London, 1973. Griffiths, Paul. The String Quartet—A History. Thames and Hudson, London, 1983, 210–17. [Part 4, Variation 3: ‘Shostakovich and the multiple quartet’—a concise commentary on ‘the weightiest long sequence in the genre since Beethoven’.] Grigoriev (alias Ginzburg), Lev Grigorievich an Platek, Yakov Moiseyevich. Sovremennye dirizhyory. Sovetskii kompozitor, Moscow, 1969. [‘Contemporary Conductors’.] ——— and Platek, Yakov Moiseyevich. Sovetskie kompozitory i muzykovedy. Sovetskii kompozitor, Moscow, Vol. ii (K–R), 1981, 416 and two-part Vol. iii (S–KA), 216 and forthcoming. [The concluding volumes of a dictionary of Soviet composers and musicologists begun by Bernandt and Yamolsky.] ———, and Platek, Yakov Moiseyevich. Dmitry Shostakovich—About Himself .and His Times, trans. Angus and Neilian Roxburgh. Progress Publishers, Moscow, 1981, 343, 56 photographs. [A very slightly modified version in the English language of Yakovlev’s compilation with a differing selection of photographs. ‘A few days ago I read the memoirs of Marietta Shaginian and Vera Panova and thought—what a pity I have not kept a diary or notebook, or written memoirs’ (entry dated 26 June 1973).] Grigorovich, Yuri Nikolayevich (chief ed.). Balet: entsiklopediya. Sovetskaya entsiklopediya, Moscow, 1981, 623. [A large comprehensive one-volume ballet encyclopaedia, profusely illustrated with colour and monochrome photographs, sketches and diagrams. Approx. 3,400 entries and classified bibliography.] ——— and Davlekamova, Sanya. The Golden Age: the authorized Bolshoi Ballet Book. T.H.E Publications, Inc., Neptune City, New Jersey, 1989, 128, 72 photographs. History and synopsis of the 1982 ballet illustrated with nine black and white photographs, poster, and 62 captioned live-action colour photographs. English version by Tim Coey.] Grum-Grzhimailo. Tamara Nikoloyevna. Soviet Music. Novosti Press, Moscow, 1985, 84. [An informative and well-illustrated paperback booklet in the English language.] ———. O Shostakoviche. Zhanie, Moscow, 1990, 56, 16 photographs, [No. 12 in the 1990 series of monthly art booklets published since 1967.] Gukovsky, M., et al. ‘Katerina Izmailova’. Iskusstvo kino. (Moscow) No. 1, 15–24. [Op. 114—six reviews of the new film; seven stills.] Gulyants, Sostavitel Yevgeniya (ed.). Andrei Eshpai: becedy, stati, materialy, ocherki. Sovetskii kompozitor, Moscow, 1988, 172–85. [An article by M. Lobanova, with 8 music examples, on Eshpai’s Fifth (Memorial) Symphony.] Gutman, David. ‘Shostakovich’s Symphony No. 8’, Gramophone, Vol. 72, No. 860 (Jan. 1995), 36–38. [A survey of the recorded history of one of his most powerful works. Twenty-three performances between 1944 and 1993 reviewed. Two photographs.] Hall, David. Records: 1950 Edition. Alfred A. Knopf, New York, 1952, 438–40. Headington, Christopher. The Dictionary of Composers, ed. Charles Osborne. Bodley Head, London, 1977, 309–12. Herbage, Julian, ‘Shostakovitch’s Eighth Symphony’, The Musical Times, Vol. 85, No. 1229 (July 1944), 201–03.

BIBL IOGRAPH Y

621

———. ‘The Symphonies of Shostakovich’. The Listener, 34 (19 Sept. 1945), 305. [Mentions Nos. 1 to 8.] Heyworth, Peter. ‘Shostakovich Without Ideology’. The Music Lover’s Companion (ed. Gervase Hughes and Herbert van Thai). Eyre & Spottiswoode, London, 1971, 198–206. [An article from High Fidelity Magazine, Oct. 1964.] Hibbins, Nina. Screen Series—Eastern Europe. A. Zwemmer, London, 1969, 132–69 [Details of the USSR film industry; its directors, script-writers, and actors.] Hitotsuyanagi, Fumiko. Novii lik dvenadtsatoy. [The hidden meanings concealed in the ‘unfairly low-rated Twelfth Symphony’.] Muzikalnaya Akademiya 4 (1997), 87. An English translation appears in DSCH Journal No. 13, 59–63 with six music examples. Hinson, Maurice, Guide to the Pianist’s Repertoire (ed. Irwin Freundlich). Indiana University Press, Bloomington and London, 1973. ———. The Piano in Chamber Ensemble. Harvester Press, Hassocks, 1978. Ho, Allan B. and Feofanov, Dmitry. Shostakovich Reconsidered. Toccata Press, London, 1998, 787. [‘In spite of “unjust critism” that it is a forgery, it [Testimony] remains one of the most important and influential books in the history of music, a unique historical document of life in Stalin’s Russia’ (page 15). A well-researched study, liberally peppered with footnotes. Foreword by Vladimir Ashkenazy; in defence of Testimony (33–311); ‘Variations on a Theme’ including contributions from Solomon Volkov, Mstislav Rostropovich, five considerable articles by Ian MacDonald, and report of the Shostakovich Symposium held in the Russel Sage College, Troy, New York (pp. 315–723). A 31-page bibliography and full index.] Hoberman, J. ‘When Communism Was in Flower’, The Village Voice, New York, Vol. 28, No. 40 (4 Oct. 1983), 66 (+ advertisement on p. 65). [A preview article for the American premiere of New Babylon, Op. 18.] Hermann, Michel R. Dmitri Chostakovitch: L’homme et son ceuvre. Edition Seghers, 1963, 192, 12 photographs. [This French-language book has a catalogue of works to Opus 113 and a discography.] Holmes, John L. Conductors on Record. Victor Gollancz, London, 1982, 735 plus xv. [A major reference work on conductors and conducting; with biographical and critical assessments of past and present conductors, listing works they have recorded to 1977.] Honegger, Marc, and Massenkeil, Giinther. Das Grosse Lexicon der Musik: Vol. 7, Ram-Ste. Herder, Freiburg, 1982, 276–78. [Shostakovich entry.] Hopkins, George William (Bill). ‘Shostakovich’s Ninth String Quartet’. Tempo, No. 75 (Winter 1965–66), 23–25. Houten, Theodore van. Leonid Trauberg and His Films––Always the Unexpected. Art & Research/Graduate Press, s-Hertogenbosch, Buren, 1989, 202 plus 32 pages of photographs. [A paperback with first-hand information on New Babylon (Chapter VIII), Alone (Chapter X), and the Maxim Trilogy (Chapter XI).] Hughes, Spike (Patrick Cairns). The Toscanini Legacy. Dover Constable, London, 1969, 371–75. [Refers to the First and Seventh Symphonies. NB. Not included in the original hardback published by Putman, London, 1959.] Hulme, Derek Crawshaw. ‘Symphonies Nos: 6 and 11’. EMI Records, London, 1980, 3. [Clarifies the sources of the musical themes used in Symphony No. 11.]

622

B I B L I O GRA P HY

Hurwitz, David. Shostakovich Symphonies and Concertos: An Owner’s Manual. Amadeus Press, 2006, 222. [A paperback including a CD of Symphony No. 5 played by Yuri Aronowich (originally BIS CD 357). No music examples.] International Who’s Who. Their 1999 Millennium list of the 100 most influential giants of the 20th century includes Shostakovich, Sibelius, and Stravinsky; also Louis Armstrong, John Lennon, and Frank Sinatra but omits Duke Ellington. Istoriya muzyki narodov SSSR, ed. Yuri Keldysh. Sovetskii Kompozitor, Moscow. [‘The History of the Music of the People of the USSR’ in six volumes: Vol. i covering 1917–32 published in 1966; Vol. ii, 1932–41 in 1970; Vol. iii, 1941–45 in 1972; Vol. iv, 1946–56 in 1973; vol. v in two books, 1956–67 in 1974. Numerous music examples and illustrations of composers, musicians, concerts, and scenes from stage productions.] Istoriya sovetskogo kino. Iskusstvo, Moscow. [‘The History of the Soviet Cinema’ in four volumes: Vol. i covering 1917–31 published in 1959; ii, 1931–41 in 1973; iii, 1941–52 in 1975; iv ?] Ivashkin, Aleksandr Vasilievich. ‘Dmitri Shostakovich’. Mastera muzyki i baleta, ed. Lev Grigorievich Ginzburg and Yakov Moiseyevich Platek. Sovetskii Kompozitor, Moscow, 1978, 260–81. [‘Masters of music and ballet-heroes of Socialist Labour’. An essay on the composer with list of honours and compositions, and a brief bibliography. The volume includes articles on Gustav Ernesaks, Emil Gilels, Yevgeni Mravinsky, Svyatoslav Richter, and thirteen others.] ———. Alfred Schnittke. Phaidon Press, London, 1996, 240. [A paperback in the series ‘20th-century Composers’ with many references to Shostakovich and illustrations pertaining to Soviet musical history. ‘Schnittke’s works are strongly original but also reveal the influence of Shostakovich among others’.] Jackson, Stephen. Dmitri Shostakovich: an essential guide to his life and works. Classic FM Lifelines/Pavilion, London, 1997, 107. [A paperback with brief 75-page biography, bibliography of 13 books, discography of 59 recommended compact discs, and a dated list of works.] Jacobs, Arthur, (ed.). British Music Yearbooks 1975–80. Bowker and latterly A. & C. Black, London. Janczyn, Larissa. Dictionary of Twentieth-Century Music, ed. John Vinton. Thames and Hudson, London, 1974, 679–80 et passim. Johnson, Stephen. ‘Original Intentions’. Gramophone (Nov. 1990), 953–54. [A talk with Claudio Abbado about his changes to Shostakovich’s instrumentation for the recording of Khovanshchina]. ———. ‘The Eighth Wonder’, The Gramophone (July 2006), 28–34. [‘Shostakovich’s Eighth Symphony is a real musical tragedy...offering the experience of purging through the emotions of pity and terror.’ A selected discography of twenty recordings from Mravinsky’s exhilarating 1960 concert performance to Herbig’s musicianly 2004 reading.] Jusefovich, Viktor: see under Yuzefovich. Kandinsky, Aleksei Ivanovich (ed.). Iz istorii russkoi i sovetskoi muzyk.i, Muzyka, Moscow, 1971. [A 336-page book of musical essays including ‘Compositions of D. Shostakovich’s conservatory years 1919–25’ by Alia Bogdanova (64–93, with thirty-one music examples)

BIBL IOGRAPH Y

623

and ‘On the genre nature of Shostakovich’s Eleventh Symphony’ by T. Leie (94–109, with eighteen music examples). Bogdanova’s article concentrates on Sans op. B, Opp. 4, 6. and 8.] Katonova, Svetlana Vladimirovna. Muzyka sovetskogo baleta. Sovetskil kompozitor, Leningrad, 2nd rev. edn., 1990, 374–96. [Chapter VI deals with the 1982 revival of The Golden Age ballet.] Kats, Boris Aronovich. O muzyke Borisa Tishchenko. Sovetskii kompozitor, Leningrad, 1986, 168. [Tishchenko’s Cello Concerto No. 1 in its original orchestration reviewed on pages 50–54 and the Symphony No. 5, dedicated to Shostakovich, analysed on 149–55 of this paperback.] Kay, Norman, ‘Shostakovich’s Second Violin Concerto’, Tempo, No. 83 (Winter 1967–68), 21–23. ———. ‘Shostakovich’s Fourteenth Symphony’, Tempo, No. 92 (Spring 1970), 20–21. ———. Shostakovich (Oxford University Press, London, 1971), 80 pp. [Oxford Studies of Composers (No. 8). A scholarly survey of key works with numerous music examples.] ———. ‘Shostakovich’s 15th Symphony’, Tempo, No. 100 (Spring 1972), 36–40. Keldysh, Georgi (Yuri) Vsevolodovich. ‘Soviet Music Today’. Tempo, No. 32 (Summer 1954), 23–28. ———. ‘An Autobiographical Quartet’, trans. Alan Lumsden. The Musical Times, Vol. 102, No. 1418 (Apr. 1961), 226–28. [Refers to Eighth Quartet.] ——— (general ed.). Muzykalnyi entsiklopedicheskii slovar. Sovetskii kompozitor, Moscow, 1990. 672. [A completely rewritten music dictionary begun in 1981, with 8000 entries on all aspects of music including composers, performers, organisations, and festivals; numerous line drawings and music examples in the text.] Keller, Han. ‘Shostakovich discovers Schoenberg’. The Listener, 84 (8 Oct. 1970), 494. [Concerns the Twelfth Quartet.] ———. ‘Shostakovich’s Twelfth Quartet’, Tempo, No. 94 (Autumn 1970), 6–15. Kennedy, Michael. The Concise Oxford Dictionary of Music. Oxford University Press, London, 3rd edn., 1980, 592–95. [An excellent brief summary of the composer’s achievements with a detailed classified list of works.] Khentova, Sofya Mikhailovna. Shostakovich—pianist. Muzyka, Leningrad, 1964, 92, 12 photographs. [The appendix lists recitals and concerts given by Shostakovich, 1923–58.] ———. Molodye gody Shostakovicha, Book 1 Sovetskii kompozitor, Leningrad, 1975, 334, 8 plates: Book 2. Sovetskii kompozitor, Leningrad, 1980, 318, 12 plates. [‘The Youthful Years’: numerous early photographs, facsimiles, and music examples in the text. Calendar of events 1831 to 17 July 1941, bibliography of 162 books and 167 articles, and index of names for both volumes appended to Book 2.] ———. Shostakovich v Petrograde—Leningrade. Lenizdat, Leningrad, 1979, 272. [‘Shostakovich in Leningrad’: a well-informed biography, 65 photographs, list of Leningrad addresses associated with the composer, and extensive bibliography including articles written by Shostakovich.] ———. D. D. Shostakovich—v gody Velikoi Otechestvennoi voiny. Muzyka, Leningrad, 1979, 280. [Book 3: a detailed account of Shostakovich’s life and work in cities during

624

B I B L I O GRA P HY

the Great Patriotic War, with emphasis on the Seventh and Eighth Symphonies; 55 illustrations in the text, 6 music examples, copious footnote references; diary of events from June 1941 to 10 May 1945 and a bibliography of 64 books and 119 articles appended.] ———. Shostakovich—tridtsatiletie 1945–1975. Sovetskii kompozitor, Leningrad, 1982, 415, 32 plates. [Book 4: this writer’s concluding biographical volume covering the thirty years 1945–75; 8 music examples, diary of events from 9 March 1945 to 14 August 1975, bibliography of 63 books and 262 articles, an index of names for Books 3 and 4.] ———. Podvig, voploshchennyi v muzyke. Lower Volga Book Publishers, Volgograd, 1984, 80. [‘A feat of Heroism in Music’: facts connected with the writing of the Eighth ‘Stalingrad’ Symphony and information on ‘Battle by the Volga’, Op. 66, and Funeral-Triumphal Prelude, Op. 130. Originally announced by VAAP as a 324-page volume.] ———. Shostakovich: zhizn i tvorchestvo, Book 1. Sovetskii kompozitor, Leningrad, 1985, 544, 64 plates plus portraits in the text: Book 2. Sovetskii kompozitor, Leningrad, 1986, 624, 32 plates plus portraits in the text. [A revised monograph of the composer, profusely illustrated with many photographs published for the first time, facsimiles of early compositions and birth certificates, 26 and 12 music examples in the text. In Book 1 a calendar of events from 1808 to 17 June 1941 and, in Book 2, from 22 June 1941 to 14 August 1975. Numerous references quoted in footnotes but Book 2 does not include a bibliography or index of names for these two volumes.] ———. Shostakovich na Ukraine. Muzichna Ukraina, Kiev, 1986, 183, 34 photographs. [‘Shostakovich in the Ukraine’: details of the composer’s visits to cities and Crimean sanatoria, works composed there, and concert performances.] ———. Shostakovich v Moskve. Moskovskii rabochii, Moscow, 1986, 209, 34 photographs. [‘Shostakovich in Moscow’: a paperback with information on the composer’s 32-year association with the capital.] ———. Lyubimaya muzyka. Muzichna Ukraina, Kiev, 1989, 174–204. [‘Favourite Music’: popular essays on composers and performers, including Dunayevsky, Soloviev-Sedoi, Gilels, and Richter. A thirty-page chapter on Shostakovich. Frontispiece photograph of the author.] ———. V mire Shostakovicha. Kompozitor, Moscow, 1996. [‘In the World of Shostakovich’—the author met and talked with the composer, his family and friends—including his doctor and personal chauffeur and the family’s domestic help— academics, and musicians who performed his works. The third part ‘Shostakovich in the Mirror of his Letters’ publishes correspondence addressed to certain pupils and Soviet musicians. The book lacks photographs, musical examples, and an index of names.] ———. Pushkin v muzyke Shostakovicha. Variant, St Petersburg, 1996, 88. [Information on his juvenile opera Gipsies, the cartoon film The Tale of a Priest and His Servant Balda Opus 36, Four Romances Opus 46, the revision of Mussorgsky’s Boris Godunov Opus 58, and the Four Monologues Opus 91.] ———. Also books on the composer’s ‘Relations with Women’ and connections in ‘Soccer’, both published by Variant, St Petersburg, 1993.

BIBL IOGRAPH Y

625

Kholopova, Valentina Nikolayevna, and Chigaryova, Yevgeniya Ivanovna. Alfred Shnitke—ocherk zhizni i tvorchesta. Sovetskii kompozitor, Moscow, 1990, 351, 12 plates. [‘A study of the life and works of Alfred Schnittke’, with notes relating to Shostakovich in the text; seven appendices including 70 music examples, 161 bibliographical references, and a classified list of compositions 1957–89; and index of names.] Khubov, Georgi Nikitich. Muzykalnaya publitsistika raznykh let. Sovetskii kompozitor, Moscow, 1976, 432. [A selection of musical essays from various Russian sources, 1936–74, with information on Opp. 10, 43, 106 et al.] Koball, Michael. Pathos und Groteske—Die deutsche Tradition im symphonischen Schaffen von Dmitri Shostakowitsch. Ernst Kuhn, Berlin, 1997, 284. [‘Pathos and Grotesque— the German Tradition in the Symphonic Works of Shostakovich’: illustrating the composer’s connection with the pathos of Beethoven and the grotesque music of Mahler, in the German language.] Kompaneyets, Zinovi Lvovich, Novyi yevreiskie pesni. Sovetskii kompozitor, Moscow, 1970. [A compilation of new Jewish songs with Shostakovich as Editor-in-Chief.] Kovnatskaya, Lyudmila Grigorievna (compiler). D. D. Shostakovich—sbornik statei k 90-letiyu so dnya rozhdeniya. Kompozitor, St Petersburg, 1996, 392, 14 photographs. [Twenty-four articles for the 90th anniversary of the composer’s birth, including contributions from Laurel E. Fay (on the Leningrad Association of Contemporary Music and Boris Asafiev), David Fanning (on leitmotive in Lady Macbeth), Nelly Kravets (a new look at Symphony No. 12), Eric Roseberry (on Britten and Shostakovich), and Rosamund Bartlet (‘Shostakovich and Chekhov’). Music examples, facsimiles of letters, sketches, and cartoons in the text.] Kozintsev, Grigori Mikhailovich. King Lear: the Space of Tragedy, trans. Mary A. Mackintosh. Heinemann Educational. Books, London, 1977, 260. [An English translation of Prostrantsvo tragedii—Kozintsev’s diary kept during the shooting of the film—first published by Iskusstvo, 1973. Ten stills from the film and revelatory comments on Shostakovich’s collaboration, Op. 137.] Krafft, Nathalie (ed.). Le Monde de la Musique, No. 244. Paris, June 2000, 28–47. [Special issue on 25th anniversary of Shostakovich’s death with five illustrated articles in French.] Kratkaya literaturnaya entsiklopediya. Sovetskaya entsiklopediya, Moscow, 1962–75. [The brief literary encylopaedia in 8 volumes, lavishly illustrated. Useful for biographical details of Russian writers associated with Shostakovich.] Krebs, Stanley Dale. Soviet Composers and the Development of Soviet Music. George Allen and Unwin, London, 1970, 185–204. Kröplin, Eckart. Fruhe Sowjetische Oper: Schostakowitsch, Prokofjew. Hon-schelverlag, Berlin, 1985, 148–294 et passim. [A German review of The Nose and Lady Macbeth with music examples, a list of sources, bibliography, and index of persons.] Kruˇstev, Venelin Georgiev. Dmitri Shostakovich: biografichen ocherk. National Committee for Defence of Peace, Sofia, Bulgaria, 1954, 69. [A biographical essay in Bulgarian.] Kryukov, Vadim Konstantinovich, et al. Katalog gramplastinok. Ministry of Culture, Moscow, 1963, 347. [Catalogue of 78 rpm recordings.]

626

B I B L I O GRA P HY

———, et al. Katalog dolgoigrayushchikh gramplastinok. Ministry of Culture, Moscow, 1963, 312. [Catalogue of 331⁄3 and 45 rpm recordings.] ———, (compiler), and Ilinskaya, S. E. (ed.). Katalog dolgoigrayushchikh gramplastinok. All-Union Studio of Gramophone Recording, Moscow, 1968, 722. [Catalogue of 331⁄3 mono and stereo recordings.] ———. Katalog dolgoigrayushchikh gramplastinok. All-Union Studio of Gramophone Recording, Moscow, 1972, Vol. i: 444; Vol. ii: 508. [Catalogue of 331⁄3 mono and stereo recordings to the end of 1970. Supplements published annually.] Kuhn, Ernst, (ed.). Volksfeind Dmitri Shostakowitsch—Eine Dokumentation der offentlichen Angriffe gegen den Komponisten in der Sowjetunion. Ernst Kuhn, Berlin, 1997, 287. [‘Dmitri Shostakovich—Enemy of the People: a documentary of the public attacks against the composer in the Soviet Union’. Essays dealing with the serious attacks of 1936, 1948, and 1954 and including a compilation of Soviet reactions of Solomon Volkov’s Testimony. Bibliography.] Kukharsky, Vasili Fyodosievich. O muzyke i muzykantakh nashikh dnei. Sovetskii kompozitor, Moscow, 1979, 184–48 and 212–15. [A review of Moscow, Cheryomushki from Pravda (1 Mar. 1959), and an obituary.] Lander, Margaret, ‘Music and Makebelieve’. The Gramophone (Dec. 1946), 108. [A fanciful story set to Piano Concerto No. 1, Op. 35.] Lawson, Peter, ‘Shostakovich’s Second Symphony’. Tempo, No. 91 (Winter 1969–70), 14–17. Layton, Robert, ‘Dmitri Shostakovich’. The Symphony 2: Elgar to the Present Day, ed. Robert Simpson. Penguin Books, Harmondsworth, 1967, 197–217. [A critical study with music examples of Symphonies Nos. 1 to 11. Also the same pagination in hardback: David & Charles, Newton Abbott, 1972.] ———. ‘Shostakovich’s new symphony’. The Listener, 83 (11 June 1970), 802–03. [Symphony No. 14.] Lebedinsky, Lev Nikolayevich. ‘The Origin of Shostakovich’s “Rayok”’. Tempo, No. 173 (June 1990), 31–32. Lemaire, Frans C. La musique du xxe siecle en Russie et dans les anciennes Republiques sovietiques Librairie. Arthème Fayard, Paris, 1994, 521. [A history of music in Russia and the USSR from 1905 to 1992 in the French language. Nineteen chapters (No. 9 entitled ‘The posthumous dissidence of Shostakovich’), a 125-page section of biographies, a single page bibliography, and index.] Leonard, Richard Anthony. A History of Russian Music. Jarrolds, London, 1956; 291–93 and 322–40. Leskov, Nikolai Semyonovich. The Enchanted Wanderer and Other Stories, trans. George H. Hanna. Progress Publishers, Moscow, 2nd printing 1974, 17–83. [The original short story Lady Macbeth of Mtsensk in English.] Levando, Pyotr Petrovich. Khorovaya faktura. Muzyka, Leningrad, 1984, 124. [‘Choral Texture’: a paperback monograph giving detailed descriptions of Ten Poems, Op. 88 (with 25 music examples including the vocal range of the four parts for each poem), Shostakovich’s choral sections of Boris Godunov, Op. 58, and Two Choruses by Davidenko, Op. 124.] Levashev, Yevgeni M. (compiler). Hasledie M. P. Musorgskogo. Muzyka, Moscow, 1989, 256. [‘Modest Mussorgsky’s Heritage’ introducing the publication of the

BIBL IOGRAPH Y

627

complete works in thirty-two volumes. A collection of four articles in Russian with abridged English and German translations. Shostakovich’s editions of Boris Godunov and Khovanshchina will appear in Volumes 23–24 and 28–29 respectively] Levaya, Tamara Nikolayevna. ‘Taina velikogo iskusstva’. Muzyka Rossii, Issue 2. Sovetskii kompozitor, Moscow, 1978, 291–328 [‘The secret of a great art’: a review of the late chamber-vocal cycles, Opp. 127, 143, 145, and 146, with 6 music examples.] Library of Congress Catalogs—Music and Phonorecords, 1953–57, Vol. 27. Rowman and Littlefield, Totowa, NJ, 1961, 793–95. ———. Music and phonorecords/Music, Books on Music and Phonorecords, 1958–62, Vol. 51. Rowman and Littlefield, Totowa, NJ, 1963, 907–11. ———. Music, Books on Music, and Sound Recordings, 1963–72. J. D. Edwards, Mich., USA, 1969–73. ———. Music, Books on Music, and Sound Recordings, 1973–88. Library of Congress, Washington, 1974–89. Lipovsky, Aleksandr (compiler). Lenin Prize Winners: Soviet Stars in the World of Music, trans. Olga Shartse. Progress Publishers, Moscow, c.1967, 42–79. [An article ‘A rare talent’ by Boris Asafiev from Sovetskaya Muzyka, 1959, No. 1 and excerpts from Martynov’s 1962 monograph; also brief appreciatory notes on Prokofiev and Khachaturyan by Shostakovich.] Long, Maureen W. Music in British Libraries. The Library Association, London, 1971. Longman, Richard M. Expression and Structure: Processes of Integration in the Large-Scale Instrumental Music of Dmitri Shostakovich. Garland, New York, 1989, 2 vols, 700. [University of Birmingham thesis, 1984 in the series ‘Outstanding Dissertations in Music from British Universities’.] Lopukhov, Fyodor Vasilievich. Shestdesyat let v balete. Iskusstvo, Moscow, 1966, 368. [‘Sixty years in ballet’: information on The Bolt and The Limpid Stream.] Lourié, Arthur. ‘On Shostakovich: About his Seventh Symphony’. Novyi zhur-nal [New Review, Vol. vi] New York, 1943, 367–72. Lukyanova, Nataliya Valerievna. Dmitri Dmitrievich Shostakovich. Muzyka, Moscow, 1980, 176, 100 photographs (15 in colour). [A pocket-sized anthology of articles and other archive material regarding the life and compositions of the composer: lavishly illustrated, with additional facsimiles of posters, sketches, diplomas, and holograph scores in the text.] –––––. Dmitri Dmitri jewitsch Schostakowitsch, trans. Nina Sohr, Beate Petras. Verlag Neue Musik, Berlin, 1982, 202, 80 illustrations. [German translation of above.] –––––. Shostakovich, trans. Yuri Shirokov. Paganiniana Publications, Neptune City, NJ, 1984, 175, 59 photographs. [A larger format English-language edition of the former with a differing selection of photographs (poorly reproduced on non-art paper and none in colour) and lacking the in-the-text illustrations but graced with a helpful index of names and compositions.) Lushina, Stanielava Aleksandrovicha (ed.). Bolshoi teatr SSSR—Istoriya— Opera—Balet. Planeta, Moscow, 1986, 248. [A glossy large-format photographic album featuring fifteen each of Bolshoi Theatre opera and ballet productions, including Boris Godunov and Khovanshchina (non-Shostakovich editions) and The Golden Age (1982 revival; back-cloth design sketch and 24 photographs, pages 238–47).]

628

B I B L I O GRA P HY

McAllister, Rita. The International Cyclopedia of Music and Musicians, ed. Bruce Bohle. Dodd, Mead & Co., New York/J. M. Dent, London, 10th edn. 1975, 2050–57. [A good review of Shostakovich’s life and music with near complete catalogue of works numbered to Op. 134.] ———. The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, Vol.19, Tiomkin-Virdung. Macmillan, London, 1980, 384–88. [Russian SFSR entry: (i–iv) The political background to the Soviet period and (v) Soviet music with general and special studies bibliographies.] McBurney, Gerard. ‘Hypothetically Murdered Op. 31’. City of Birmingham Symphony Orchestra Programme, 20 Nov. 1991. CBSO Society Ltd. [Details of the suite reconstructed and orchestrated from the composer’s loose piano score pages.] ———. ‘Not a cherry tree in sight!’, Tempo, No. 190 (Sept. 1994), 19–22. [An ‘open letter’ to Dmitri Dmitrievich apologizing for the reorchestration of Moscow, Cheryomushki, Opus 105, to suit a British pit band.] Also published in première programme booklets and BBC Music, Apr. 1995, 9–10. MacDonald, Ian. ‘Russian Realist: What is the use of Shostakovich?’, The Face, No. 74 (June 1986), 74–77. [‘The use to us in the West of Shostakovich’s music is that it provides a detailed emotional record of what it’s been like to live in Russia since the Revolution, in this respect forming a sort of high-art soundtrack to Solzhenitsyn’s definitive indictment of Soviet Marxism, The Gulag Archipelago.’ Special emphasis on the Eleventh Symphony.] ———. The New Shostakovich. Fourth Estate, London, 1990, 339, 37 photographs. [The ‘New’ of this biography’s title refers to post-Testimony argument, relating the life of the composer to the experiences of his Soviet contemporaries. Chronology (38 pages) and a select bibliography.] Also published by Northeastern University Press, Boston, 1990 and Oxford University Press paperback, 1991 ———. The New Shostakovich. (Pimlico Press, 2006). [A new edition of the late author’s 1990 revisionist book, revised and updated by Raymond Clarke, with an introductory endorsement by Vladimir Ashkenazy.] ———. ‘Fay Versus Shostakovich: Whose Stupidity?’, East European Jewish Affairs, Vol. 26, No. 2 (1996), 5–26. [A critical reply to Laurel Fay’s article—’The composer was courageous but not as much as in myth’ regarding the timing of the composition of From Jewish Folk Poetry Opus 79, in The New York Times, 14 April 1996. MacDonald, Malcolm (Calum). Dmitri Shostakovich—a complete catalogue. Boosey & Hawkes, London, 1977, 47 (2nd edn., 1985), 56. [A chronological listing of works, giving details of instrumentation, duration, and première performances.] ———. Dimitri Chostakovitch—Catalogue Général. Le Chant du Monde, Paris, 1988, 73. [A French translation of the 2nd edn. by Andre Lischke.] ———.’The Anti-Formalist “Rayok”—Learners Start Here!’, Tempo, No. 173 (June 1990), 23–30. McKee, Aleksander. Dresden 1945: The Devil’s Tinderbox. Souvenir Press, London, 1982. [Revealing examination of the bomber raids—‘an act of wilful mass murder committed on a helpless civilian population’—for an appreciation of Five Days, Five Nights (subtitled ‘Dresden Art Gallery’), Op. 111.]

BIBL IOGRAPH Y

629

McNaught, William, ‘Gramophone Notes’, The Musical Times, Vol. 83, No. 1196 (Oct. 1942), 307–08. [An early review of Fifth Symphony.] Malko, Nikolai Andreyevich. A Certain Art. Morrow, New York, 1966. [The opening of Tahiti Trot, Op. 16, reproduced on page 213.] Marshak, Samuil Yakovlevich. Detyam. Detskaya Literature, Moscow, 1973. [A book of verses for children including the original story ‘The Tale of the Stupid Little Mouse’. See Opus 56.] Martynov, Ivan Ivanovich. D. D. Shostakovich. Muzgiz, Moscow, 1946, 111. [Also published in French—Paris, 1946—and German language edition trans. Ina TinzmannBerlin, 1947, 171.] ———. Dmitri Shostakovich: the Man and his Work, trans. T. Guralsky. Philosophical Library, New York, 1947 and Greenwood Press, New York, 1969, 197. [Valuable for biographical information and covers Opp. 1 and 70.] ———. D. Shostakovich: tvorcheskii portret. Sovetskaya Rossiya, Moscow, 1962. [An updated ‘portrait’ of the composer. Excerpts in English appear in Lipovsky, 52–79.] ———. ‘Soviet Chamber Music’. Corbett’s Cyclopedic Survey of Chamber Music, Vol. iii, ed. Walter Willson Corbett and Colin Mason. Oxford University Press, London, 2nd edn. 1963, 142–47. ———. O muzyke i yeyo tvortsakh. Sovetskii kompozitor, Moscov, 1980, 27–53. [Articles on the Second Piano Trio and Second Quartet, Ninth and Tenth Quartets, and Fourteenth Symphony; bibliography—17 Shostakovich references.] Mason, Colin. ‘Shostakovich and the string quartet’. The Listener, 62 (23 July 1959), 152. ———. ‘Form in Shostakovich’s Quartets’, The Musical Times, Vol. 103, No. 1434 (Aug. 1962), 531–33. ———.’Soviet Chamber Music’, Corbett’s Cyclopedic Survey of Chamber Music, Vol. iii. Oxford University Press, London, 2nd edn. 1963, 148–49. [Refers to Seventh and Eighth Quartets.] Matthew-Walker, Robert. ‘Dmitri Shostakovich—The Film Music’. Music and Musicians, 332 (Apr. 1980), 34–39, 3 photographs. [A thorough review of the composer’s important contribution in this field.] ———. ‘Shostakovich’s Serial Procedures’, Music and Musicians, 380 (Apr. 1984), 14–15. [Illustrated examples of serial thematicism running through the composer’s work from the First Symphony to the Fifteenth Quartet.] ———.‘Shostakovich as populist composer’, Music and Musicians, 402 (Feb. 1986), 7–9, 2 photographs. [A clarification of the origins of the Ballet Suites Nos. 1, 2, and 3; cross-referencing Shostakovich’s original movements with the published versions assembled by Lev Atovmyan.] Matthews, David. ‘Shostakovich’s Eleventh Symphony’. The Listener, 75 (24 Mar. 1966) 488. Mazel, Leo (Lev) Abramovich. Simfonii D. D. Shostakovicha—putevoditel. Sovetskii kompozitor, Moscow, 1960, 152; 2nd rev. and enlarged edn., 1981. [The 1st edn. covers Nos. 1 to 11; the 2nd, all 15 symphonies. Numerous music examples.] ———. Etyudy o Shostakovich: stati i zametki o tvorchestve. Sovetskii kompozitor, Moscow, 1986, 176. [‘Studies on Shostakovich; articles and notes on works’. A

630

B I B L I O GRA P HY

paperback comprising 13 articles on the composer’s musical language, sonata form in the larger symphonies, the main themes of the Fifth Symphony, the production of the opera The Nose, the fugue of the Piano Quintet, 12-note system in his music, etc.. 84 music examples, including complete piano scores of ‘Song of the Lantern’ and ‘Song of the Counterplan’.] Meskhishvili, Erna Petrovna. Dmitri Shostakovich—Notograficheskii spravochnik (Moscow, 1995), 556 pp. [An updated and greatly extended version of Sadovnikov’s 1965 catalogue with additional chapters in Part II on transcriptions. All-Union Radio and Central Television performances recorded up to 1988, world-wide discography of selected LPs, a chronological chart, Russian documentaries and films of concerts; fully cross-referenced and indexed. Especially important for information on autograph and manuscript scores.] ———. Meyer, Krzysztof. Dymitr Szostakowicz. Krakow, 1973. [Original edition in Polish of the following biography (Meyer 1980).] ———. Dymitr Szostakowicz—z pism i wypowiedzi. Polskie Wydawnictwo Muzyczne, Krakow, 1975, 262, 18 photographs. [Collection of articles and letters, year-by-year biography, and index of works and people mentioned in text. In Polish.] ———. Dmitri Schostakowitsch, trans. Ilona Reinhold. Philipp Reclam junior, Leipzig, 1980, 340, 35 photographs. [A thorough biography in German, No. 809 in the Reclam paperback series, with music examples, detailed calendar of events, classified catalogue of works (19 pages), a useful discography (32 pages) compiled by Jan Weber noting world-wide record numbers up to 1973, bibliographic references, booklist, and index of names.] ———. and Hellmundt Christoph. Dmitri Schostakowitsch—Erfahrungen, trans.by Gabriele Bock. Philipp Reclam junior, Leipzig, 1983, 360. [An expanded edition of Meyer 1980 in German. No. 947 in the Reclam paperback series.] ———. Dimitri Chostakovitch. Librairie Arthème Fayard, Paris, 1994, 605, 20 photographs. [A rewritten and uncensored French version of Meyer’s previous books, presented in chronological chapters, the 28th entitled ‘Some personal recollections of the man who was Shostakovich’. Synopses of Lady Macbeth and The Nose, 26 music examples, list of prizes and decorations, catalogue of works arranged by genre, bibliography, indices of names and works.] Milshtein, Yakov Isaakovich (compiler). Aleksandr Vasilievich Gauk. Sovetskii Kompozitor, Moscow, 1975, 123–30, 171–72, 223 et passim. [Memoirs of the conductor, selected articles and recollections by contemporaries (including Shostakovich); list of works in the conductor’s repertoire and a discography; 5 photographs relating to Shostakovich.] Mishra, Michael. A Shostakovich Companion. Praeger Publishers, June 2008, 640. [Divided into four sections: Shostakovich Reception; The Life and Stylistic Evolution; Analyzing Shostakovich; and Aspects of Shostakovich. Review in G Awards (Oct.) 2008.] Mitchell, Donald. ‘Shostakovich and his Symphonies’. Aldeburgh Anthology, ed. Ronald Blythe. Snape Mailings Foundations/Faber Music, London, 1972, 215–18. ——— and Evans, John. Benjamin Britten, Pictures from a Life, 1913–1976. Faber and Faber, London and Boston, 1978, photographs nos. 363, 366–68.

BIBL IOGRAPH Y

631

Moisenko, Rena. Twenty Soviet Composers. Workers’ Music Association, London, 1942, 56–59. ———. Realist Music: 25 Soviet Composers. Meridan Books, London, 1949, 200–14. Moldon, David. Bibliography of Russian Composers. White Lion, London, 1976, 119–214. [Over 150 entries for Shostakovich of articles and books in the English language published up to 1974.] Morrison, Richard. Orchestra––The LSO: A Century of Triumph and Turbulence. Faber & Faber, 2004. Moshevich, Sofia. Dmitri Shostakovich, Pianist. McGill-Queen’s University Press, 2004, 244. [A thorough examination of the composer’s piano studies, concert career, and repertoire, illustrated with 18 photographs and 78 music examples. A seven-page bibliography, ten-page discography of Shostakovich’s piano performances, and full index.] Nardone, Thomas, with Nye, James H. and Resnick, Mark. Choral Music in Print, Vol. ii: Secular Musicdata, Philadelphia, 1974. National Union Catalog. Pre-1956 Imprints Mansell Information, Salem, Mass., 1977, Vol. 544, pp. 490–500 ———. 1973–77 (Rowman and Littlefield, Totowa, NJ, 1978), Prag-Staz, Vol. v, 466–74. Neuhaus, Heinrich, The Art of Piano Playing, trans. K. A. Leibovitch. Barrie Jenkins, London, 1973 (reissued 1983), xiii plus 240. Nesterenko, Yevgeni Yevgenevich. ‘Poslednie vstrechi’, Musyka Rossii, Issue 2. Sovetskii kompozitor, Moscow, 1978, 329–36. [The last meeting: the bass singer’s view of the Suite on Verses of Michelangelo, Op, 145.] Nikelberg, S. Muzyka D. Shostakovicha k kinofilmu ‘Gamlet’. Iz istorii Russkoi i Sovelskoi Muzyka, Issue 3 Muzyka, Moscow, 1978, 234–52. [The Music of D. Shostakovich for the cinema film Hamlet: a thorough analysis with 14 music examples.] Nikolayev, Aleksandr Aleksandrovich, and Chinayev, Vladimir Pyotrovich. Ocherki po istorii sovetskogo fortepiannogo iskusstva. Muzyka, Moscow, 1979, 262. [Musical information on notable Soviet pianoforte teachers, pianists, and composers of keyboard works. Shostakovich’s contribution covered on pages 30–38 et passim.] Norris, Christopher (ed.). Shostakovich: The Man and his Music. Lawrence and Wishart, London, 1982, 233. [A volume of illuminating essays by performing musicians, Western composers and critics, exploring Shostakovich’s principal works and discussing the historical circumstances and the political atmosphere surrounding their composition with 49 music examples.] ———. ‘The String Quartets of Shostakovich’. Music and Musicians, No. 24 (Dec. 1974), 27–28 and 30. [Ostensibly a review of the Borodin Quartet’s box set of 13 quartets but profoundly wider in scope, covering critical assessments of the symphonies and compositional techniques. ‘Shostakovich’s music makes up an anatomy of the Soviet body politic. The forced, “optimistic” final movements (Symphonies Nos. 5 and 12); the appalling hack cantatas and blatant, mindless “light” music—all these suggest aesthetic equivalents to the forced ideology of a sick society’.] Norris, Geoffrey. ‘Shostakovich’s “The Nose”’. The Musical Times, Vol. 120, No. 1634 (May 1979), 393–94.

632

B I B L I O GRA P HY

———. ‘Bitter Memories: the Shostakovich Testimony’. The Musical Times, Vol. 121, No. 1646 (Apr. 1980), 241–43. ———.’An Opera Restored—Rimsky-Korsakov, Shostakovich and the Khovansky Business’. The Musical Times, Vol. 123, No. 1676 (Oct. 1982), 672–75. [An appreciation of Shostakovich’s orchestration, Op. 106, as a preface to the Covent Garden revival in this edition, Oct.–Nov. 1982.] ———. The New Oxford Companion to Music (General ed. Denis Arnold) Vol. ii, K–Z. Oxford University Press, Oxford, 1983, 1681–84. [Shostakovich entry: a perceptive review of the composer’s career; also numerous related articles and definitions cross-referenced throughout the two-volume encyclopaedia.] ———. ‘Lady Macbeth of the Mtsensk District’. The Daily Telegraph (28 Aug.1999). [No. 35 in a weekly series ‘50 works that shaped the century’, with photograph of the 1934 Moscow premiere.] Olkhovsky, Andrey. Music Under the Soviets—the Agony of an Art. Frederick A. Praeger, New York, 1955, 215–22 et passim. [A highly critical thesis on the musical scene in the USSR during Stalin’s rule. Useful for translations and condensations of articles from the Soviet press, and the extensive bibliography.] Olmsted, Elizabeth H. (ed.). Music Library Association Catalog of Cards for Printed Music, 1953–1972, Vol. 2, K–Z. Rowman and Littlefield, Totowa, NJ, 405–10. O’Loughlin, N. ‘Shostakovich’s String Quartets’. Tempo, No. 87 (Winter 1968–69), 9–16. [Covers Nos. 1 to 11.] Opperby, Preben. Leopold Stokowski. Midas Books, Tunbridge Wells and Hippocrene, New York, 1982, 235–56. [Full discography.] Orlov, Genrikh Aleksandrovich. Sinifonii D. Shostakovicha. Muzgiz, Leningrad, 1962, 68. [A paperback booklet with extended programme notes for Symphonies Nos. 1 to 12.] ———. Dmitri Dmitrievich Shostakovich—kratkii ocherk zhizni i tvorchestva. Muzyka, Leningrad, 1966, 120. [A paperback essay on the life and creative work of the composer written for young people; 19 illustrations in the text.] Ottaway, Hugh. ‘Shostakovich’s Tenth Symphony’. The Musical Times, Vol. 97, No. 1361 (July 1956), 350–52. ———. ‘Shostakovich: Some Later Works’. Tempo, No. 50 (Winter 1958–59), 2–14. [Analyses of Opp. 77, 93, and 103.] ———. ‘Shostakovich and the string quartet’. The Listener, 76 (17 Nov. 1966), 746. ———. ‘Shostakovich’s “Fascist” Theme’. The Musical Times, Vol. Ill, No. 1525 (Mar. 1970), 274. [Op. 60.] ———. ‘Beyond Babi Yar’. Tempo, No. 105 (June 1973), 26–30. [A review of Op. 113.] ———. ‘Shostakovich’s String Quartets 1–13’. EMI Records (London, 1974), 8 pages. ———. ‘Shostakovich’s string quartets’. The Listener, 91 (6 June 1974), 731–32. ———. ‘The Symphonies of Shostakovich 1–15’. EMI Records, London, 1975, 20 pages. ———. ‘Looking again at Shostakovich 4’, Tempo, No. 115 (Dec. 1975), 14–24. [A detailed study of Op. 43.] ———. ‘Symphonies Nos. 5 and 10’. EMI Records, London, 1976, 8 pages. ———. Shostakovich Symphonies. BBC Publications, London, 1978, 68 pages. [A paperback in the BBC Music Guides series with essays on the 15 symphonies illustrated by 30 music examples.]

BIBL IOGRAPH Y

633

Paisov, Yuri. ‘Pyatnadtsataya simfoniya D. D. Shostakovicha’. Muzykalnyi Sovremennik, Vol. 3. Sovetskii kompozitor, Moscow, 1979), 5–38. [An analysis of Fifteenth Symphony with 9 music examples.] Parsons, Denys. The Directory of Tunes and Musical Themes. Spencer Brown, Cambridge, 1975. [Examples from Shostakovich’s works defined by an original code of * for starting note, R for repeated note, U for up, and D for down.] Penney, Barbara. Music in British Libraries—A Directory of Resources. Library Association, London, 3rd edn. 1981. Perenyi, Eleanor. Great Men of Music: Shostakovich. Time-Life Records, Alexandria, Virginia, 1979, 23 pages. (An illustrated book to accompany a four-record set of RCA recordings with a listener’s guide written by Jack Diether.] Piston, Walter. Orchestration. Victor Gollancz, London, 1965. [Music examples from Fifth and Seventh Symphonies.] Plaistow, Stephen (ed.); Grimley, Myra, and Wiegold, Mary. Catalogue of Music Broadcast on Rado 3 and Radio 4 in 1974. BBC Publications, London, 1977, 236–37. [Gives the performing times of 35 Shostakovich works.] ———. (ed.); Wiegold, Mary, and Wilkinson, Caroline. Catalogue of Music Broadcast on Radio 3 in 1975. BBC Publications, London, 1978, 227–28. [Performance times of 32 Shostakovich works.] Polyakova, Lyudmila Viktorovna. Soviet Music, trans. Xenia Danko. Foreign Languages Publishing House, Moscow, c.1960. [Covers Opp. 10 to 105; well illustrated.] ———. Vokalnyi tsikl D. Shostakovicha: iz yevreiskoi narodnoi poezii. Sovetskii kompozitor, Moscow, 1957, 24 pages. [‘From Jewish Folk Poetry’—an analysis of the song cycle with eighteen music examples in a slim booklet.] Porter, Andrew. Chamber Music, ed. Alec Robertson. Penguin Books, Harmondsworth, 1963, 420–21. Pound, Reginald. Sir Henry Wood—A Biography. Cassell, London, 1969. Pribegina, Galina Alekseyevna. Moskovskaya konservatoriya 1866–1991. Muzyka, Moscow, 1991, 240. [A glossy cloth-bound, large format album dedicated to the 125th anniversary of the Moscow Conservatory, profusely illustrated in monochrome and colour, with Russian text and captions in English.] Prieberg, Fred K. Musik in der Sowjetunion. Verlag Wissenschaft und Politik, Cologne, 1965. [Many references to Shostakovich and details of jazz music in the USSR; in German language.] Prokhorova, Irina Adeksandrovna and Skudina, Henrietta Semyonovna. Sovetskaya muzykalnaya literatura for 7th class of children’s musical schools. Muzyka, Moscow, 1978, 62–92. [Essay on Shostakovich by H. S. Skudina; biography, analyses of Seventh Symphony and Prelude and Fugue, Op. 87 No. 5; 16 music examples and 7 photographs.] Rabinovich, David Abramovich. Dmitry Shostakovich—Composer, trans. George H. Hanna. Lawrence & Wishart, London, 1959, 166, 30 photographs. [A sympathetic survey especially valuable for biographical information. Covers Opp. 1 to 103.] Radamsky, Sergei. ‘Lady Macbeth Put On for Stalin—but Shostakovich waited in vain for a call’. The Times (18 Nov. 1963). [An article written by a guest of the composer at the performance attended by Stalin, Zhdanov, and Mikoyan.]

634

B I B L I O GRA P HY

Reid, Charles. Malcolm Sargent—A Biography. Hamish Hamilton, London, 1968. Reid, Robert H. (ed.). The Gramophone Shop Encyclopedia of Recorded Music. Brown Publishers, New York, 3rd edn. 1948, 482–83. Rienäcker, Gerd, and Reising, Vera. Die 11 und 12 Sinfonie von Dmitri Schostakowitsch. (Einführungsmaterial für Kulturfunktionäire) Gesellschaft für deutsch-sowjetische Freundschaft, Kulturpolitik, Berlin, 1970, 55. [A review of the Symphonies Nos. 11 and 12 in German with music examples.] Rijen, Onno van, Dmitri Shostakovich Small Catalogue (1988), 35 pages. [Annotated list of works, premières, renumbered Sans opp., and classified index. A privately published database catalogue for DSCH Society members.] ———. Dmitri Shostakovich Compact Discography (1994), 178 pages. [An A4-size discography of compact discs by opus and label with full reviews from Gramophone, BBC Music Magazine, and DSCH Newsletter.] Riley, John. Dmitri Shostakovich: A Life in Film. I. B. Tauris, London and New York, 2005, x + 150, 13 stills from films in the text. [The third in the Filmmakers’ Companion series devoted to a chronological discussion of the films Shostakovich scored from New Babylon to King Lear; describes his early career as a silent film accompanist and the individual style of his composing for epic war films, biopics of important Russians, and literary masterpieces. Informative endnotes (16 pages), filmography (9 pages), and a brief bibilography.] Robinson, David. Cinema in Revolution: the Heroic Era of the Soviet Film. Seeker and Warburg, London, 1973. [A collection of essays compiled by Luda and Jean Schnitzer, and Marcel Martin, originally published in a 1966 French edition, translated and with additional material by D. Robinson. Shostakovich mentioned in two paragraphs only though the text presents background information on several films he scored and their directors.] ———. World Cinema—A Short History. Eyre Methuen, London, 1973. Roseberry, Eric. Shostakovich: His Life and Times. Midas Books, Tunbridge Wells and Hippocrene, New York, 1982, 191. Also available as an Omnibus paperback, 1987. [With 110 photographs and drawings; reproductions of posters, newspaper articles, autograph scores, and music examples, this is a laudably well-illustrated account of the composer’s life and times; expertly compiled from a wide variety of sources, placing Shostakovich’s unique ‘achievement in its social, political and cultural context’. A bibliography of 24 books in the English language and a discography of recommended recordings.] ———. Sjostakovitj. J. H. Gottmer, Haarlem, 1987, 224, 100 illustrations. [A Dutch translation of the above by Gerard Grasman, with additional catalogue of works and supplementary material by Jos van Leeuwen (ed.).] ———. Ideology, Style, Content, and Thematic Process in the Symphonies, Cello Concertos, and String Quartets of Shostakovich. Garland: New York, 1989, 584. [An epic thesis— University of Bristol, 1982—in the series of ‘Outstanding Dissertations in Music from British Universities’ in three parts: I—Ideology and creative practice, II—Studies in style, content, and thematic process, III—Individual studies (1. The first movement of the Fourth Symphony. 2. The two Cello Concertos. 3. Aspects of the late string quartets). Numerous music examples and a seven-page bibliography.]

BIBL IOGRAPH Y

635

Roslavleva, Nataliya Petrovna. Era of the Russian Ballet 1770–1965. Victor Gollancz, London, 1966, chapters 10 and 12. Rotbaum, Lii. ‘V poiskakh stsenicheskogo resheniya “Kateriny Izmailovoi”’. Muzyka Rossii, Issue 2 Sovetskii Kompozitor Moscow, 1978, 337–51. [‘The search for the theatrical solution to Katerina Izmailova’: an extract from a Polish producer’s book.] Rozhdestvensky, Gennadi Nikolayevich. Preambuly. Sovetskii kompozitor, Moscow, 1989, 303, illustrations in the text. [A compilation by Galina Sergeyevna Alfeyevskaya of 46 articles written by the conductor: No. 5 on the New Babylon Suite; No. 17 including a reference to Schnittke’s In Memorian Stravinsky, Prokofiev, and Shostakovich; No. 24, notes for the performance of Rothschild’s Violin on 24 November 1982; and No. 33/2 on a violin and cello duet tribute to Shostakovich by Evzhen Zamechnik. Rozhdestvensky’s extensive repertoire of 1950–87 is appended.] Russcol, Herbert. Guide to Low-priced Classical Records. Hart, New York, 1969, 626–31. Sabinina, Marina Dmitrievna. Dmitri Shostakovich. Sovetskii kompozitor, Moscow, 1959, 53. ———. Simfonizm Shostakovicha—put k zrelosti. Nauka, Moscow, 1965, 176, 5 photographs. [‘The symphonism of Shostakovich—the path towards maturity’: a paperback discussing the first six symphonies; illustrated with numerous music examples.] ———. Shostakovich—simfonist: dramaturgiya, estetika, stil. Muzyka, Moscow, 1976, 480, 22 photographs. [‘Shostakovich—Symphonist: Dramaturgy, aesthetics, style’. Minutely detailed analyses in Russian of the first 14 symphonies and Op. 119; 164 music examples and a bibliography of 130 references.] ———. Muzykalnaya Entsiklopediya, ed. Yuri Keldysh, Vol. 6, Kheintse—Yashugin. Sovetskaya entsiklopediya, Moscow, 1982, 380–96. [Shostakovich entry: autographs of the opening of the Tenth Symphony and first page of the Eighth Quartet; appendices of the principal dates in the composer’s life, classified list of works, and bibliography compiled by Leonid Borlsovich Rimsky.] ———. Simfonizm D. Shostakovicha v gody voiny. Muzyka v borbe s fashizmom. Sovetskii kompozitor, Moscow, 1985, 9–29. [An article on Symphonies Nos. 7 and 8 in a paperback dealing with the music scene on the continent during the war against Fascism.] Sadovnikov, Yefim Lvovich (ed.). D. D. Shostakovich—Notograficheskii spravochnik. Sovetskii kompozitor, Moscow, 1961, 64. [A small catalogue.] ———. (ed.). D. D. Shostakovich—Notograficheskii i bibliograficheskii spravochnik. Muzyka, Moscow, 2nd edn. 1965, 280. [An oblong paperback catalogue with detailed lists of compositions, Opp. 1–119; 8-page discography of Melodiya recordings; alphabetical list of authors of subjects and texts; dedicatees; and a copious classified bibliography, chronologically listed under 17 headings commencing with 286 articles written by the composer, 1928–64.] Sagayev, Lyubomir Konstantinov. Kniga za operate. Muzika, Sofia, Bulgaria, 4th enlarged edn. 1983, 670–84. [A review of 132 representative operas, arranged alphabetically by composer, including Shostakovich’s The Nose and Katerina Izmailova. List of characters, history of the work, synopsis of the plot, and discussion on the music for all the operas, in Bulgarian.]

636

B I B L I O GRA P HY

Sahlberg-Vachnadze, Margarita Aleksevna. Chostakovich. Editions Romance, Paris, 1945, 31. Salehieh, Vahid (ed.) Melos, No. 4–5 Stockholm, Summer 1993, 102. [‘Special Issue on Dmitri Shostakovich’: Swedish magazine wholly in English, including articles by Levon Hakopian (on The Nose); Eric Roseberry, Malcolm H. Brown, Christopher Norris, and Ian MacDonald (on Testimony and The New Shostakovich), and Krzysztof Meyer (‘The recollection of a Man’). Three chapters on recommended recordings.] Salter, Lionel. The Gramophone Guide to Classical Composers and Recording. Salamander Books, London, 1978, 172–73. Sandved, K. B. The World of Music, Volume 2, L–Z. Waverley, London, 2nd edn. 1957, 1903–06. Schonberg, Harold C. The Lives of the Great Composers. Davis-Poynter, London, 1977, 511–21. [Chapter 34: ‘Under the Soviets, Prokofiev and Shostakovich’.] Schwann Record & Tape Guides (formerly Schwann Long Playing Record Catalog) W. Schwann, Boston, Mass. [Guide 1 monthly from 1949 and Guide 2 semi-annual supplement.] Schwarz, Boris. ‘Soviet Music since the Second World War’, Contemporary Music in Europe (ed. Paul Henry Lang and Nathan Broder). The Musical Quarterly, Vol. 51 (1965), 259–81. ———. ‘The Vicissitudes of Soviet Music’. Problems of Communism. United States Information Agency, vol. xiv, No. 6 (Nov. 1965), 67–82. ———. Music and Musical Life in Soviet Russia, 1917–1970 (Barrie & Jenkins, London, 1972), xi plus 550. [A profoundly scholarly survey—indispensable.] Enlarged Edition, 1917–1981 (Indiana University Press, Bloomington, 1983), xiii plus 722. [Two new chapters: ‘From the Lenin Centennial to the Death of Shostakovich’ and ‘Dissatisfactions, Directives, and Defections (including a conversation with Maksim Shostakovich)’ chronicle the period from 1970 to 1981.] ———. The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie: Vol. 17, Schutze-Spinto. Macmillan, London, 1980, 264–75. [Shostakovich entry: a balanced assessment of the composer’s achievement with his creative career divided into three periods—early 1924–36, mature 1937–66, and late 1967–75; classified list of works; bibliography of 81 references, 1928–80; 3 photographs and facsimile of the first page of Symphony No. 7.] ———. and Fay, Laurel E. The New Grove, Russian Masters. In the composer biography series. Macmillan and Papermac, London, 1986, 175–240. [Shostakovich section: revised dictionary article with new work-list and extended bibliography of 324 references provided by L. E. Fay.] Seckerson, Edward, ‘Ashkenazy’s Shostakovich’, Gramophone, Vol. 67, No. 798 (Dec. 1989), 1115–16. [An in-car interview with the Royal Philharmonic Orchestra’s music director on interpreting the symphonies.] Seehaus, Lothar. Dmitrij Schostakowitsch: Leben und Werk. Florian Noetzel Verlag, Wilhelmshaven, 1986, 224, 15 illustrations. [A German monograph split into six periods of the composer’s life, with list of sources, brief bibliography, and discography.] Seroff, Viktor Ilyich. Dmitri Shostakovich: The Life and Background of a Soviet Composer. Alfred A. Knopf, New York, 1943, 260 plus xx, 13 photographs. [In collaboration

BIBL IOGRAPH Y

637

with Nadezhda Galli-Shohat, aunt of the composer. Useful for particulars of the composer’s family and early life. Appends a translation of Shostakovich’s article on his opera Lady Macbeth and Slonimsky’s list of works to Symphony No. 7.] Shaginyan, Marietta Sergeyevna. O Shostakoviche: stati. Muzyka, Moscow, 1979, 46, 14 photographs. [A collection of ten brief articles published 1940–73, including reviews and programme notes on Symphonies Nos. 5, 11, and 14, Piano Quintet, and Moscow, Cheryomushki.] Shebalina, Alisa Maksimovna. V. Ya. Shebalin: gody zhizn i tvorchestva. Sovetskii Kompozitor, Moscow, 1990, 304, 40 photographs. [Many references to Shostakovich, including his tribute ‘In memory of a friend’, in this diary compiled by Shebalin’s wife.] Sheinberg, Esti. Irony, Satire, Parody and the Grotesque in the Music of Shostakovich—A Theory of Musical Incongruities. Ashgate, Abingdon, 2000, 390, 27 plates. [A scholarly dissertation, with 106 music examples, schematic diagrams, and black and white reproductions of the grotesque artwork of Boris Kustodiev, Marc Chagrall et al. Previewed by the author at the Glasgow Symposium Shostakovich 25 Years On, 2 October 2000.] Shirinsky, Aleksandr Aleksandrovich. Skripichnye proizvedeniya D. Shostakovicha: Problemy interpretatsii. Muzyka, Moscow, 1988, 111. [A paperback on ‘Problems in the interpretation of Shostakovich’s violin works’. Analyses of the two Violin Concertos and the Sonata, with discussions on the recorded performances of David Oistrakh (Opp. 77—1956 and 1973; 129, and 134), Leonid Kogan (Op. 77—1962 and broadcast 26 November 1980), and Viktor Tretyakov (Op. 129—broadcast 28 December 1979). Twenty-nine single line music examples.] Shneyerson, Grigori Mikhailovich (compiler). D. Shostakovich: stati i materially. Sovetskii Kompozitor, Moscow, 1976, 336, 72 photographs. [A commemorative volume planned for his 70th birthday with articles by fellow composers, musicians, and friends—living and deceased. Includes a complete list of compositions and 13 musical tributes on DSCH.] ———. (compiler). Dmitri Shostakovich Speaks. Melodiya, Moscow, 1979, 20, 41 photographs. [A valuable booklet in record box set with foreword by Tikhon Khrennikov and full texts in English (Russian summaries) of fifteen talks given by the composer, 1941–75.] Shostakovich, Dmitri. ‘My Opera Lady Macbeth of Mtsensk’. Modern Music, New York, xii (1934), 23–30. [Translation in Seroff, 249–55.] ———. ‘Message to America from Dmitri Shostakovich, 4 January 1942’, San Francisco. The American Russian Institute, 1942. ———. ‘My Seventh Symphony—Symphony of Struggle and Victory’. VOKS Bulletin, Nos. 1–2 , Moscow, 1942, 55–60. [In English.] ———. ‘Soviet Music Today’. Saturday Review of Literature, New York, Vol. xxx, No. 4 (25 Jan. 1947), page 25. ———. T’o puti navodnosti i realizma’. Sovetskaya Muzyka (Nov. 1952), 6–11. [‘Along the path of nationality and realism’.] ———. ‘Radost tvorcheskikh iskanii’. Sovetskaya Muzyka (Jan. 1954), 40–42. [‘The joy of creative searching’, trans, in Olkhovsky, 312–14.]

638

B I B L I O GRA P HY

———. The Power of Music. Music Journal publication, New York, 1968, 56. [A collection of essays by the composer in English language.] Sidelnikov, Leonid Sergeyevich. Bolshoi Simfonichesky Orkestr—Tsentralnogo televideniya i Vsesoytiznogo radio. Muzyka, Moscow, 1981, 208. [The history of the Large Symphony Orchestra of the Central Television and All-Union Radio, profusely illustrated with portraits of its chief conductors, Aleksandr Orlov, Nikolai Golovanov, Aleksandr Gauk, Gennadi Rozhdestvensky, and Vladimir Fedoseyev.] ———. Gosudarstvennyi akademicheskii simfonicheskii orkestr Soyuza SSR. Muzyka, Moscow, 1986, 288. [A glossy though incomplete 50-year history of the USSR (State) Symphony Orchestra, illustrated in monochrome and colour. Accent on a ‘quartet of conductors’: Gauk, Rakhlin, Ivanov, and Svetlanov.] Slonim, Marc. Russian Theater: from the Empire to the Soviets. Methuen, London, 1963. Slonimsky, Nicolas. ‘Dmitri Dmitrievich Shostakovich’. The Musical Quarterly, Vol. xxviii (Oct. 1942), 415–44. [Interesting overall appraisal with music examples, photographs, and list of Opp. 1 to 60 compiled by Shostakovich for the author.] ———. The New Book of Modern Composers, ed. David Ewen. Alfred A. Knopf. New York, 1961, 362–72. ———. The International Cyclopedia of Music and Musicians, ed. Oscar Thompson (Dent, London, 9th edn. 1964, 2011–14. [Covers Opp. 1 to 73.] ———. Lexicon of Musical Invective—Critical Assault on Composers since Beethoven’s Time. University of Washington Press, Seattle, 1965, 175–77. ———. Music since 1900. Cassell, London, 4th edn. 1972. [A monumental volume in diary form, especially valuable for reviews of première performances and his correspondence with Ivan Sollertinsky.] ———. Baker’s Biographical Dictionary of Musicians. Oxford University Press/Schirmer Books, 7th edn. 1984, 2118–21; 8th edn. 1991, 1701–01; Schirmer Books, New York, Concise 8th edn. 1994, 935–7. [The authoritative single-volume musical biography reference work. The Concise 8th edn. updates the earlier editions but omits bibliographic references.] Soblev, Romil Pavlovich. Aleksandr Dovzhenko. Iskusstvo, Moscow, 306, plus 44 plates. [The life and work of the great Ukrainian film-director. Information (230–45), sketches, and stills on Michurin, Opus 78.] Sokhor, Arnold Naumovich (ed.). Slavini pobedu oktyabrya! 1917–1967. Book 1: 1917–1932 Muzyka, Moscow, 1967. [Patriotic songs including ‘Song of the Counterplan’, 135–38 and 156–57.] Sokolsky, Matias Markovich. Slushaya vremya. Muzyka, Moscow, 1964, 95–143. [Selected articles about music in two parts: ‘Five classical composers (Glinka, Tchaikovsky, Mussorgsky, Shostakovich, and Prokofiev’ and ‘From the writing-pad of a critic’. The five Shostakovich articles include reviews of Symphony No. 10, the 1962 revival of Katerina Izmailova, and Satires.] ———. ‘Shostakovich’s Satirical Tale’. Soviet Literature, No. 332 (Nov. 1975), 181–83. [A Soviet critic’s review of The Nose following its 1975 Moscow revival.] Sollertinsky, Dmitri and L(y)udmilla. Pages from the Life of Dmitri Shostakovich, trans. Graham Hobbs and Charles Midgley. Robert Hale, London, 1981, 246, 14 photographs. [A sketchy portrait arranged chronologically under year/period chapter

BIBL IOGRAPH Y

639

headings, helpful for fresh information on the composer’s extensive travels and crippling illnesses and his correspondence with Ivan Sollertinsky. Graced with a general index but lacking music references, sources of the many quotes, and a bibliography.] Souster, Tim. ‘Shostakovich at the Crossroads’. Tempo, lxxviii (Autumn 1966), 2–9. [Refers to Fourth and Fifth Symphonies.] Spektor, N. ‘Sonet 66’ V. Shekspira v tvorchestve D. Shostakovicha. Iz istorii russkoi i sovetskoi muzy., Issue 3. Muzyka, Moscow, 1978, 210–17. [‘Shakespeare’s Sonnet 66 in the works of D. Shostakovich’.] Stevenson, Ronald. Western Music: an introduction. Stanmore, London, 1971. Streller, Friedbert. Dmitri Schostakowitsch für Sie porträtiert. VEB Deutscher Verlag für Musik, Leipzig, 1982, 84, 33 photographs. [An East German paperback with biographical notes and list of compositions.] Tarakanov, Mikhail Yevgenievich. Simfoniya i instrumentalnyi kontsert v russkoi sovetskoi muzyke. Sovetskii Konipozitor, Moscow, 1988, 272. [Chapter on Symphony No. 15 and Cello Concerto No. 2 in the work of Shostakovich, 41–92, and many references elsewhere with emphasis on the 1960s and 1970s; an analysis of Boris Tishchenko’s Fifth Symphony dedicated to Shostakovich, 108–18: appendix of music examples (see Nos. 1–15, 16–32, and 39–42), brief bibliography and index.] Tassie, Gregor. ‘Shostakovich’s four voices’. Classic Record Collector (Winter 2003), 24–30. [A profile of the Beethoven Quartet and their recordings of the string quartets, with twenty photographs.] Taylor, Richard, and Christie, Ian. The Film Factory: Russian and Soviet Cinema in Documents 1896–1939. Routledge & Kegan Paul, London, 1988, 457. [The aesthetic and political development of the Russian cinema with documentary history of the classic films of the 1920s and 1930s, including ten for which Shostakovich provided the music. Stills from New Babylon, Counterplan, The Youth of Maxim, The Vyborg Side, and The Great Citizen.] Tigranov, Georgi Grigorievich; Dmitriev, Anatoli Nikodimovich and Frumky, V. 55 sovetskikh simfonii. Sovetskii kompozitor, Leningrad, 1967, 305–412. [Detailed analyses, with music examples, of Symphonies Nos. 1 and 5–11.] ———. (ed.). Sovetskaya simfoniya za 50 let. Muzyka, Leningrad, 1967, 425–92. [Detailed analyses, rich in music examples, of Symphonies Nos. 1, 5, 7, and 10–13.] ———. (ed.), Leningradskaya konservatoriya v vospominaniyakh. Muzyka, Leningrad, 1988, 281, 15 plates. [Recollections of Leningrad Conservatory by musicologists and performers.] Tretyakova, Liliya Sergeyevna. Dmitri Shostakovich. Sovetskaya Rossiya, Moscow, 1976, 240, 17 plates. [25 biographical essays with musical achievements considered in detail.] Troitskaya, G. ‘Muzyka Shostakovicha v kino’. Iskusstvo kino (Moscow), 1981 No. 12, 54–67. Tsuker, A. ‘Traditsii muzykalnogo teatra Musorgskogo b simfonicheskom tvorchestvo Shostakovicha’ Muzykalnyi Sovremennik, Vol. 3. Sovetskii Kompozitor, Moscow, 1979, 39–74. [‘The traditions of Mussorgsky’s musical theatre in the symphonic works of Shostakovich’. Music examples from Opp. 79, 87, 93, 113, 117, and 119.] Unger-Hamilton, Clive, and Spek, Peter van der (eds.). The Great Symphonies, the Great Orchestras, the Great Conductors. Sidgwick & Jackson, London, 2nd edn., 1988,

640

B I B L I O GRA P HY

141–43, 146, 235. [A rather grudging recognition of Shostakovich’s achievement in Jan Taat’s chapter on the twentieth-century symphonists. The Third Symphony is not analysed in detail as announced on the dust jacket. Select discography.] VAAP (The Copyright Agency of the USSR). Dmitry Shostakovich: Complete Catalogue of Works. VAAP, Moscow, 1977, 45. [A booklet listing numbered and unnumbered compositions, with instrumentation and duration, in English.] Vanslow, Viktor Vladimirovich. Tvorchestvo Shostakovicha. Znanie, Moscow, 1966, 31. [The works of Shostakovich.] Vasina-Grossman, Vera Andreyevna. Mastera sovetskogo romansa. Muzyka, Moscow, 2nd edn. 1980, 218–54. [‘Masters of Soviet Song’: a detailed review of Shostakovich’s song cycles with 19 music examples. The volume includes chapters on Myaskovsky, Prokofiev, Shaporin, Shebalin, and Sviridov.] Vishnevskaya, Galina Pavlovna. Galina: A Russian Story, trans. Guy Daniels. Hodder & Stoughton, London, 1985, 519. [This deeply moving document throws new light on several of Shostakovich’s compositions (in Chapter 11 and on 274–79 for the Thirteenth Symphony and 349–61 for the film of Katerina Izmailova). The horrors of Stalinist Russia, the Leningrad Blockade, and KGB harassment are vividly described.] Vladimirov, Vladimir Nikolayevich, and Lagutin, Aleksandr Ivanovich. Muzykalnaya literatura for 4th class of children’s musical schools. Muzyka, Moscow, 1978, 40–41. [‘The Homeland Hears’ from Opus 86.] Volkov, Solomon Moiseyevich. ‘Dmitri Shostakovich and “Tea for Two”’. The Musical Quarterly, Vol. lxiv, No. 2 (Apr. 1978), 223–28. ——— and (uncredited) Ottaway, Hugh. Lady Macbeth of Mtsensk. EMI Records, London, 1979, 44. [A model of all an opera booklet should be; with full cast list, historical notes, synopsis of the action, biographical details of the leading performers with portraits, information on the transliteration system, and full libretto in three parallel columns—Russian text, English translation, and transliterated Russian.] ———. Testimony—The Memoirs of Dmitri Shostakovic,. trans. Antonina W. Bouis. Hamish Hamilton, London, 1979, 270, 16 plates. Reprinted in the Faber Paperback series in 1981. [Reminiscences of musicians, artists, and writers whom the composer knew and a record of conversations with Stalin, as related to Volkov. NB. The half-page editorial and open letter from former pupils of Shostakovich, headed ‘Pitiful Forgery— about the so-called Memoirs of D. D. Shostakovich’, that appeared in the Moscow Literary Gazette, No. 46, dated 14 Nov. 1979, Laurel E. Fay (1980), MacDonald (1990). Ho and Feofanov (1998), and the voluminous articles and letters in the DSCH Journal should be read in conjunction with Volkov’s controversial book.] ———. ‘Dmitri Shostakovich’s “Jewish Motif”: A Creative Enigma’. 1985, 2 pages. [Interesting notes included with the programme for the USA première of Opus 79a. According to a member of the audience Volkov and Maksim Shostakovich ‘greeted each other warmly after the concert’.] ———. ‘Preface to the Facsimile Edition of Shostakovich’s Seventh Symphony (“Leningrad”)’, trans. Laurel E. Fay. Zen-On, Tokyo, 1992, 7–10. ———, trans. Antonia W. Bouis. Shostakovich and Stalin: the Extraordinary Relationship Between the Great Composer and the Brutal Dictator. Knopf/Little, Brown, London,

BIBL IOGRAPH Y

641

2004, xiv + 370. [Stalin’s cruel ‘cat and mouse games’ with the courageous composer described in detailed reconstruction. Section of 34 illustrations. Sources and general index covered in twenty and twelve pages respectively.] Voynich, Ethel Lilian. The Gadfly. Mayflower, St Albans, 1973, 256. [The original novel on which the Russian film was based. See Opus 97.] Vronskaya, Jeanne, Young Soviet Film Makers, George Allen & Unwin, London, 1972. Walsh, Stephen. ‘Shostakovich’s “Seven Romances”’. Tempo, No. 85 (Summer 1968), 27–28. [Op. 127.] Wang, Dajue, ‘Shostakovich: Music on the Brain?’, The Musical Times, Vol. cxxiv, No. 1684, 347–48. [An extraordinary account telling of a fragment of a wartime shell lodged in a cavity in the composer’s brain.] Werth, Alexander, Musical Uproar in Moscow, Turnstile Press, London, 1949, 103. [A revealing account of the 1948 Zhdanov Decree.] ———. The Khrushchev Phase. Robert Hale, London, 1961, 218–24. [Chapter 23, ‘Shostakovich and Dodecaphonic Music’.] ———. Russia at War, 1941–1945. Barrie and Rockcliff, London 1964. Whitehouse, Richard. ‘Making Uncanny Sense’, Gramophone, Vol. 80, No. 957 (Sept. 2002), 36–40. [The history and an overview of ‘his wild Fourth Symphony’ with reviews of Kondrashin’s first recording and those of other Soviet conductors, interpretations by friends and relatives, followed by Westerners’ versions. A selected discography and seven photographs. Simon Rattle’s account judged to be the top choice until Kondrashin’s 1962 recording becomes available again.] Wilson, Elizabeth. Shostakovich: A Life Remembered. Faber and Faber, London, 1994, xxiv + 550, 40 photographs. [A revelatory portrait using previously unpublished material in the form of recorded interviews, memoirs, and specially commissioned articles from fellow composers and musicians, relatives and friends, and contemporary writers. Informative biographical notes, an annotated list of sources, and a general index. Review G Oct. 1994. Also available in paperback, Princeton University Press, 1996. A revised edition was published in paperback, Faber and Faber, (July 2006).] ———. Mstislav Rostropovich: Cellist, Teacher, Legend. Faber and Faber, London, 2007, xviii + 382, 39 photographs. [Numerous interesting references to Shostakovich between pages 30 and 354, notes on 26 of his compositions in addition to the Cello Sonata and the two Cello Concertos, and two photographs relating to Opus 107. Chapter 8 ‘Contacts with composers II: Shostakovich and his successors’ gives new information on the First Cello Concerto.] Wolter, Günter. Dmitri Schostakowitsch—Eine sowjetische Tragodie. Peter Lang, Frankfurt am Main, 1991, 197, frontispiece portrait. [‘A Soviet Tragedy’: volume 27 in a series of paperback music studies, dealing with important works of three periods (up to 1936, 1936–66, and 1967–75) and including German translations of the article ‘Muddle instead of music’ and the text of Symphony No. 13; a fifteen-page bibliography of books mainly in the German language, and a selective list of 38 recordings.] Yakovlev, Mikhail Mikhailovich (compiler). D. Shostakovich o vremeni i o sebe 1926– 1975. Sovetskii kompozitor, Moscow, 1980, 376, 50 photographic illustrations in the text. [An important collection of 330 articles written by Shostakovich on himself and

642

B I B L I O GRA P HY

his times, arranged in chronological order after each year’s summary of noteworthy events in the composer’s life. Index of sources appended.] Yakubov, Manashir Abramovich. Dmitry Shostakovich—for the 75th Birth Anniversary. VAAP-Inform, Moscow, 1981, 43. [A booklet of book reviews in English, covering monographs, analytical guides and collections of articles recently published in the Soviet Union.] ———. Lirika i grotesk. Muzykalnaya Zhizn. Moscow, 1986, No. 18, 15–16. [The history of the Two Pieces for String Quartet.] ———. Shostakovich 1906–1975—Mstislav Rostropovich. London Symphony Orchestra, 1998, 87 pages, 58 photographs/cartoons/paintings. [Programme book for the 19 February–8 March and 10–28 October Barbican Centre concerts of the complete cycle of symphonies. Notes on all the works performed with articles by M. Yakubov, artists’ biographies, and translations of letters.] Yarustovsky, Boris Mikhailovich. Simfonii o voine i mire. Nauka, Moscow, 1966, 368. [‘Symphonies of War and Peace’. A survey of Eastern and Western symphonies, composed under the impact of the Second World War, including Shostakovich’s Seventh and Eighth detailed with music examples in chapter one, 27–94.] Yutkevich, Sergei Iosifovich. O kino iskusstve. Publishing House of Academic Science, Moscow, 1962. [‘On cinematic art’: information on films mentioned under Opp. 30, 33, and 53.] Yuzefovich, Viktor. David Oistrakh: besedy s Igorem Oistrakhom. Muzyka, Moscow, 1978. [‘David Oistrakh: Conversations with Igor Oistrakh’. An English translation from the German edition was published by Cassell, London, 1979, 248. See especially 168–79. Author’s name transliterated as Jusefovich.] Zaderatsky, Vsevolod Vsevolodovich. Polifoniya v instrumentalnykh proizve-deniyakh D. Shostakovicha. Muzyka, Moscow, 1969, 272. [‘Polophony in the instrumental works of D. Shostakovich’.] ——— et al. Dmitri Schostakmuitsch: Documente Interpretations. Herausgeber Stadt Duisburg, Dezernat für Bildung und Kultur & Westdeutscher Rundfunk Köln, 1984, 204. [Programme book for the Duisburg International Shostakovich Festival, 16 Sept. 1984 to 15 Mar. 1985, with articles, concert and seminar schedule, and discography (label information given but not record numbers).] Zakharov, Rostislav Vladimirovich. Zapiski baletmeistera. Iskusstvo, Moscow, 1976. [Recollections of a distinguished balletmaster.] Zaporozhets-Ishlinskaya, Nataliya Vladimirovna. Opery M. P. Musorgskogo—putevodite. Muzyka, Moscow, 1980. [A paperback guide to the operas of Mussorgsky with details of the Shostakovich versions of Boris Godunov and Khovanshchina.] Zhelezny, Anatoli Ivanovich. Nash drug—gramplastinka. Muzychna Ukrania. Kiev, 1989, 280. [‘Our friend—the gramophone record’. A comprehensive history of sound recording in the USSR, with 12 pages of plates, and 79 photographs of record labels, equipment, and personalities in the text.] Ziv, Sofya Samoilovna (compiler). Muzykalnyi sovremennik. Sovetskii kompozitor, Moscow, 5th issue 1984, 75–89. [This collection of articles on contemporary music includes a review, with 5 music examples, on ‘certain peculiarities of the style of Shostakovich’s opera The Gamblers’ by Alia Bogdanova.]

BIBL IOGRAPH Y

643

Relevant essays and notes from the DSCH Newsletter and Journal The DSCH Society was founded in June 1987 by Alan Mercer of Alexandra Park, London. The bi-monthly newsletter ran from the first issue in June 1987 up to issue XXI in Autumn 1991 when the Society ceased functioning on the editor Mr Mercer’s move to France. He commenced publishing the twiceannually DSCH Journal in summer 1994. Website www.dschjournal.com. Bold Roman letters refer to the Newsletter and Bold Arabic letters to the Journal. Aleksandrov, A. ‘Irina Shostakovich on Rayok’, [Antiformalist Rayok, Sans op. X(iii).] XII: 3–4. Barshai, Rudolf. An interview with the conductor. 5: 13–18. Bernatchez, Dr Hélèlene. ‘Shostakovich’s last song cycle: Four Verses of Captain Lebyadkin, Opus 146’, [An analysis of Dostoyevsky’s texts and Shostakovich’s music.] 28: 17–26. Cairns, Zachary. ‘Shostakovich’s Grundgestalt: links between the Seventh and Eighth Symphonies’ [18 music examples.] 27: 56–68. Dvortsov, Viktor, ‘Rediscovered: a forgotten composition by Shostakovich!’ [Suite on Finnish Themes, Sans op. D(ix).] 15: 6–8. Ford, Fiona. ‘The role of Ophelia’s unaccompanied songs in Kozinstev’s Hamlet’ [Important research revealing the origin of the three songs with eleven music examples and six stills from the Hamlet 1964 Lenfilm.] 26; 24–32. Goldie, R. A translation of the article ‘Muddle instead of music’. 12: 5–7. Gorlin, Sophia. ‘The 24 Preludes for Piano’ [Grouping of these Op. 34 miniatures by genre/ style identification and compositional style with 32 music examples.] 28: 30–59. Gray, Allin. ‘Thematic Symbolism in Shostakovich Symphony No. 7, the Leningrad––Part 1. 24: 63–69 and Part 2. [26 music examples.] 25: 64–77. Gorlin, Sophia. ‘Shostakovich’s Piano Sonata No. 2––a Landmark in the Evolution of the Composer’s Individual Style’. [An analysis with 41 music examples.] 27: 6–42 Groep, Henny van der. ‘The Première of Odna and Shamanism’ and Riley, John, ‘Alone at the Sorbonne’ [Two articles on the film Alone, Op. 26 with four photographs.] 19: 43–45. Heine, Erik. ‘Shostakovich. King Lear, and the Concert Hall (1)’ [A learned review of the film and its music with 12 music examples.] 26. 40–50. Higgins, Russel. E. ‘The Enigma of Shostakovich’s 15th Symphony’. IV: 11–14. ———. ‘World première of Rayok’ (Antiformalist Rayok). XI: 3–6. Hitotsuyanagi, Fumiko. ‘The New Face of the Twelfth Symphony’ [A coded three-note motif on Stalin’s initials exposed. 6 music examples.] 13: 59–63. Hulme, Derek C. ‘Shostakovich’s Final Year’ [Covering Opp. 145–47 and Sans op. Z.] III: 3–7. ———. Note on visiting the composer’s grave. V: 11. ———. ‘Early Works for String Quartet’. [Two Pieces, Sans op. D(i) and Three Preludes, Op. 41(ii).] VI: 5–6.

644

B I B L I O GRA P HY

———. ‘Shostakovich and Fried Chicken’ [5 music examples, including ‘Ach, du lieber Augustin’ quoted in the First Piano Concerto.] VII: 6–7. ———. ‘Moderato, not Adagio’ [The second movement of the Ninth Symphony.] XIV: 8–10. ———. ‘Shostakovich and the Scottish Connection’ [Robert Burns’ poems––the poetry and 5 music examples, Op. 62 and Sans op. M.] 10: 6–9. ———. ‘Early British Performances of the Eighth Symphony Reviewed’ [A re-scheduled Proms programme on account of Hitler’s flying bomb attacks.] 11: 13–15. ———. ‘The Assault on the Red Hill’ [The correct title revealed of the miniature piano concerto in The Unforgettable Year 1919, Op. 89.] 19: 13–14. ———. ‘Hypothetically Murdered in Scotland!’ [A staged presentation of Op. 31.] 19: 49. ———. ‘The Title of Opus 104––A Mystery Solved’. [Two Russian Folksongs.] 26: 66. Huseynova, Aida. ‘The Heart of the Symphony’ [The story of the musical signature in the Tenth Symphony with a photograph of Elmira Nazirova.] 17: 38–40. Jackson, Andrew Paul. ‘A Brief Analysis of Dmitri Shostakovich’s Opus 87’. [Article 1. ‘An Archaic Form and a Crystalline Tonal Style’.] 26: 11–16 and [Article 2. ‘A Shift into a Densely Chromatic Style’] 30: 55–60. A third article to follow. Kingsley, Ben. On the film Testimony. 4: 3–5. Khentova, Sofya. ‘Shostakovich and Poetry’. XX: 64–73. ———. Tanya Glivenko and Shostakovich love story. XXI: 18–21. Kondrashin, Kirill. ‘Kondrashin on Shostakovich’ [The difficulty in getting the 13th Symphony performed.] XVIII: 9–12. Kravetz, Nelly. ‘Revelations––the 10th Symphony’ [The EAEDA horn signal mystery solved.] 1: 24–5. Lake, Trevor. ‘Shostakovich and the Press: Great Britain’. 3: 17–24. Lebedinsky, Lev. ‘Some musical quotations of Shostakovich’ [Refers to Opp. 103, 107, 110, 112–3, and 141.] XVII: 5–12. McBurney, Gerard. Hypothetically Murdered Op. 31a. XX: 58–61. ———. ‘The “Lost” Jazz Suite No. 2 (1938)’. [Sans op. G(i).] 14: 22–23. Mercer, Alan. Concert review of Lady Macbeth at the Coliseum, London, 22 May 1987. II: 5–7. ———. Interview with Ben Kingsley on the film Testimony. V: 3–5. ———. ‘Shostakovich in the West: Edinburgh’. XX: 23–26. ———. ‘Nothing but trouble: New Babylon’. 1: 29–35. ———. Valentin Berlinsky obituary: 30: 23–28. Moshevich, Sofia. ‘Tempo in Shostakovich’s Performances of His Own Works’. 2: 7–17. ———. ‘An Opus 87 Forgery?’ [The F minor Prelude and Fugue on Revelation RV 70003 seemingly played by a pianist other than the composer. 13 music examples.] 12: 66–69. ———. ‘Opus Undiscovered’ [An examination of Opus 87 errors printed in Collected Works Volume 40. 10 music examples.] 27: 48–52. Owens, Lewis. ‘Like a Chemist from Canada’ [Shostakovich’s honorary degree of Doctor of Music at Oxford, 1958.] 21: 20–8.

BIBL IOGRAPH Y

645

Pleak, Richard. ‘World Première of “Rayok”’ (Antiformalist Rayok). XI: 2. ———. ‘Unpublished letters to Koussevitzky’ [Tempi problems in Symphonies 8 and 9.] XIII: 4–7. ———. ‘Review of Rothschild’s Violin by the Julliard’. XVI: 6–7. Pytel, Marek. ‘New Babylon Restored’. [UK première of the 1929 original print.] 30: 61–64. Riley, John. ‘The Tanya Glivenko love letters’. XX: 9–12. ———. ‘Myth, Parsity and Found Music in New Babylon’. 4: 27–31. Scheib, Samuel L. ‘The Grandiose and the Grotesque: Politics in the 4th Symphony’. 25: 36–43. Sheffield, Graham. ‘Barshai on Shostakovich’. V: 13–18. Shostakovich, Irina. Comments on Antiformalist Rayok. 12: 3–5. Shryhane, Tony, ‘Filming Testimony in Industrial Lancashire’. IX: 12–13. Strachan, Iain. ‘Shostakovich, Britten, Beethoven and the Russian Kontakion for the Departed’ [17 music examples.] 11: 54–61. ———. ‘Shostakovich and Numbers’ [Evidence of numerical patterning in the string quartets and other compositions––tables and music examples.] 12: 54–65. Wilson, Miranda. ‘The Cello and Lady Macbeth: Shostakovich’s Cello Sonata in the 1930s’. [9 music examples.] 25: 23–31. Yakubov, Manashir. ‘Inside the Second Piano Sonata’ [Analysis of Op. 61 with 31 endnotes and 7 music examples.] 14: 59–65. Yevtushenko, Yevgeni. DSCH Journal Interview in Houston, Texas [The poet’s encounters with Shostakovich: twelve pages on Babi Yar––‘The Most Dangerous Symphony’.] 15: 9–21. Zak, Vladimir. ‘Muradeli on “The one who does not like me”’––a revealing confession from Vano Muradeli whose opera The Great Friendship was the excuse for humiliating Shostakovich at the notorious 1948 conference. 13: 6–10.

This page intentionally left blank

Index of Names

Numbers and capital letters refer to opus number entries unless preceded by the abbreviation ‘p.’ for page. The adoption of this procedure will be found useful as an indication of the works of Shostakovich associated with each name. §A Abbado, Claudio (conductor, b.1933) 77, 106, V Abdrazakov, Lldar (bass) 140, 145a Abdulayev, Adil (tenor) 26 Abdullayev, Rasim (Azerbaidzhan Quartet—cellist) 110 Abeliovich, Leo Moiseyevich (composer, 1912-85) p.597 Ablaberdyeva, Alla (soprano) C, 127 Abraham, Christine (mezzo-soprano) M Abraham, Jean Claude (Pro Arte Quintet—1st violinist) 57 Abramenkov, Andrei Fedotovich (Borodin Quartet—2nd violinist, b.1935) 11, D(ii), 41, 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Abramisa, I. (conductor) 97 Abramova, A. A. (librettist) 106 Abramova, Tatyana (pianist) 34 Abramyan, Viktor (Romantic Trio––violinist) 67 Abravanel, Maurice (conductor, 1903-93) 96 `Academia Trio 67 Academy of St Martin-in-the-Fields 11, 35, 97, 105 Accardo, Salvatore (violinist) 34 Adam, Claus (MGM Studio Orchestra—cellist, 1918-83) 11 Adam, Theo (bass, b.1926) 58 Adam, Werner-Heiner (bass) 29 Adamovich, Elena (pianist) 59 Adams, Glynne (violist) 147 Adams, Henrie (conductor) 93 Adelaide Symphony Orchestra 29, 85 647

648

I ND E X OF NA M ES

Adkins-Chiti, Patricia (mezzo-soprano) 143 Adni, Daniel (pianist, b.1951) 40 Adolphe, Jean (Verlaine Quartet—cellist) 68 Adomeit, Kai (pianist) 18 Adorján, András (flautist) P(ii) Adorján, Gabriel (Zurich Piano Trio––violinist) 8, 67, 127 Adriano (conductor/arranger) 82, 89 Aeolian Quartet 133 Afinogenov, Aleksandr Nikolayevich (playwright, 1904-41) 44 Agaronyan, Ruben (violinist) 34 Agay, Dénes (arranger, b. 1911) 34, 69; pp.117, 278, 565 Agnetti, Mario (tenor) 29 Agranenko, Zakhar (film director) 60 Agronsky, Vladimir (chorus-master/conductor) 15 Ahn Trio (Angella, Maria, and Lucia Ahn) 67 Aitken, John (scenarist) 116 Aizawa, Rieko (pianist) 34 Akhelrod, Gleb Borisovich (pianist, b.1923) 34 Akimov, A. (designer) 44 Akimov, Edvard (baritone) 15, X(ii) Akimov, Nikolai Pavlovich (stage-producer, 1901-68) 32; pp.107, 590 Akutagawa, Yasushi (conductor) 43 Alan, Albert (pianist) 5 Alani Trio 67 Alberni Quartet 11, 57, 117, 118 Alchevsky, Vasili Ivanovich (bass, 1904-75) 105 Aldrin, Edwin (Buzz) Eugene (astronaut, b.1930) 86 Aldulescu, Radu (cellist) 40 Aleksandrov, A. A. (arranger) p.566 Aleksandrov, Aleksandr Vasilievich (composer, 1883-1946) N, 74 Aleksandrov, Boris Aleksandrovich (chorus-master, b.1905) 80, U Aleksandrov, Grigori Vasilievich (film-director, 1903-83) 80, 112 Aleksandrov, Yaroslav Pavlovich (Borodin Quartet—2nd violinist, b.1925) 11, 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138 Aleksandrov Red Banner Song and Dance Ensemble 80 Aleksandrov, Yuri (designer) 105 Aleksandrova, Elena (pianist) 97 Aleksandrova, Mariya (ballerina) 39 Aleksashkin, Sergei (bass) V, 113, 135 Alekseyev, Dmitri Konstantinovich (pianist/arranger, b.1947) 35, E, 87, 89, 102, X(i) Alekseyev, Valeri (baritone) 106 Alekseyeva, Ellena (pianist, b.1965) 89 Alemasova, Kira Sergeyevna (lyricist, b.1915) U Alexander, Janson (tenor) 29 Alexander String Quartet 49, 57, 68, 73, 83, 87, 92, 101, 108, 110, 117, 117a, 118, 122, 133, 138, 142, 144

IN DEX OF N AMES

649

Alexeyev Balalaika Ensemble 86 Alikhanova, Yevgeniya (Gnessin Institute and Moscow Quartets—1st violinist) 11, 57 All-American Orchestra 34 Alldis, John (chorus-master, b.1929) 14, 20 Allegri Quartet 68, 73 Aller, Eleanor (Hollywood Quartet—cellist, 1917-95) 57 Aller, Judith (violinist) 57 Aller, Victor (pianist, b.1905) 35, 57 All-Union Radio and Television Symphony Orchestra (see also Moscow Radio Symphony Orchestra, Central Television and Radio Symphony Orchestra, and USSR Tele-Radio Large Symphony Orchestra) 35, 47, 77, 96, 102, U, 141, 145 All-Union Radio Folk Orchestra 100 All-Union Radio Song Ensemble 33, 72, 99 All-Union Radio Stage Symphony Orchestra (and Choir) 16, 30, F, 63, 66, 72, 76, Y All-Union Radio Symphony Orchestra 10, 60, P(i) Almgren, Dan (Stockholm Arts Trio—violinist) 8, 67, 127 Almodóvar, Pedro (film-director) 93 Almond, Basil (choir coach) 119 Aloni, Yariv (Penderecki Quintet—violist) 73 Alphen, Conrad van (conductor) 49, 110, 118 Alston, Richard (choreographer, founder of the Richard Alston Dance Company in 1994, b.1948) 73 Altenburger, Sylvie (Rubin Quartet—violist) 110 Altenstadt, Tinta S. von (Rubin Quartet—2nd violinist) 110 Althuis, Jelte (Calefax Reed Quintet––clarinettist) 87 Altman, Natan Isaakovich (designer, 1889-1970) 58a Altman, Yevgeni (Beethoven Quartet and soloist—cellist) 40, 101, 144 Altrichter, Petr (conductor) 105, 129 Altshuler, Vladimir (conductor) 30, 32, 37, 45, 58a, 76, 78, 97, 99 Alvarez, Carlos (bass) 29 Alykova, Valentina (Gnessin Institute and Moscow Quartets—2nd violinist) 11, 57 Alymov, S. Ya. (lyricist) 63, X(i) Alyoshina, Darja (pianist) 87 Amadeus Chamber Orchestra 110a Amadori, Sante (Trio de Bolzano—cellist) 67 Amaize, Odekhiren (bass-baritone) 46, 62 Amati Quartet 73, 108 Ambartsumian, Levon (conductor/violinist/violist) 35, 134, 147 Ambrosian Opera Chorus 29 Amengaud, Jean-Pierre (pianist) 13 American Art Quartet 22 American String Project, The 135 American Symphony Orchestra 19, 97 Amici Quartet 118 Amicis, Edmondo De (novelist, 1846-1908) 27 Amintayeva, A. (pianist) 40

650

I ND E X OF NA M ES

Amir (b. 1986) and Bisengaliev, Marat (violin duo) P(iii) Ampleyev, Sergei (percussionist) 13 Amsterdam Conservatory Orchestra and Chorus 26 Amsterdam Locki Stardust Quartet 87 Amsterdam Sinfonietta 68, 83 Ančerl, Karel (conductor, 1908-73) 10, 47, 60, 70, 93, 96, 107 Anders, Frieder (baritone) 145 Andersen, Hans Christian (fabulist, 1805-75) Juv., 102 Anderson, Lane (Pro Arte Quintet—cellist) 57 Anderson, Lindsay (TV presenter, b.1923) 18 André, Maurice (trumpeter, b.1933) 35 Andreae, Marc (conductor) 107 Andrews, Paul (designer) 105 Andreyev, Andrei (conductor) 119 Andreyeva, Eleonora Yevgenievna (mezzo-soprano, b.1930) 114 Andreyeva, Elesna (soprano) 15 Andrianov, Boris (cellist, b.1976) 40 Andriev, Andrei (Rakhmaninov Quartet––1st violinist) 57, 87, 108, 110 Andropov, Vladimir (conductor) 30, H(ii), 82, 114 Andsnes, Leif Ove (pianist) 35 Angas, Richard (bass) 105 Angelov, Ludmil (pianist) 134 Angelova, Aglika (Jupiter Trio––pianist) 67 Angervo, Ari (Voces Intimæ Quartet—2nd violinist) 110, 117 Anikeyev, Lev (Moscow Chamber Soloists––violist) 110 Anissimov, Aleksandr (conductor) 29, 93 Anikushin, Maksim (pianist) 3 Anosov, Nikolai Pavlovich (conductor, 1900-62) 102 Ansell, Steven (Boston Symphony Chamber Players—violist) 57 Antonova, Yuliya (soprano) Q Anton Quartet 73 Antonov, Sergei (cellist) J(ii) Antonsen, Ole Edvard (trumpeter) 35 Antrobus, Michael (arranger/conductor) 96 Anvik, Vebjørn (Grieg Trio—pianist) 8, 67 Aoki, Takashi (Morgaua Quartet—2nd violinist) 34, 49, 68, 92, 97, 100, 101, 108, 117, 122 Apaikin, Germann (tenor, b.1968) 105 Apkalna, Iveta (organist) 29 Apolin, Stanislav (cellist) 40 Apollinaire, Guillaume (pseudonym of Wilhelm Apollinaris de Kostrowitzki; poet, 1880-1918) 135 Apple Hill Chamber Players 67 Appleton, Colin (tenor) 29 Arai, Yoshiko (Kuhmo Chamber Soloists—violinist) 57

IN DEX OF N AMES

651

Arai, Eiji (Morgaua Quartet—1st violinist/arranger) 34, 49, 68, 92, 97, 100, 101, 108, 117, 122 Aranovich, Semyon D. (film-director) 147 Aranovich, Yuri Mikhailovich (also incorrectly spelt Ahronovitch; conductor, b.1932) 10, 47, 77, 79, 97, 114 Aranovskaya, Alla (Leningrad Conservatory Students’ Quartet/St PetersburgQuartet— 1st violinist/soloist) 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 127, 133, 138, 142, 144 Arcadia Trio 67 Archibald, Paul (English Brass Ensemble—trumpeter/arranger) 87, 108 Arco, Annie d’ (pianist) 35, 61 ARCO Chamber Orchestra 11, 35, 110 Arenkov, Aleksandr (Glinka Quartet—1st violinist) 73, 142 Argerich, Martha (pianist, b.1941) 35, 40, 57, 67, 94 Arkhipov, Aleksandr (tenor) K Arkhipova, Irina Konstantinovna (mezzo-soprano, b.1925) 100, V Arman Trio 67 Armand, Pyotr (songwriter) 53 Armenian Philharmonic Orchestra 77 Armenian Quartet—see Komitas Quartet Armstrong, Karan (soprano, b.1941) 29 Arnakuliyev, Rosmourat (Ukranian Brass––trumpeter, b.1965) E, G(ii) Arnhem Symphonic Winds G(ii) Arnold, Malcolm (composer, 1921-2006) p.595 Arnshtam, Leo Oskarovich (film-director/script-writer, 1905-79) 30, 33, 41(ii), 51, L(ii), 64, 111, 132; p.588 Aronowitz, Cecil Solomon (Melos Ensemble—violist/solo violist, 1916-78) 57, 147 Arpin, John (pianist) 79 Arpino, (Gennaro Peter) Gerald, (co-founder of the Joffrey Ballet, choreographer, 1923-2008) P(i), 94 Arrieta, Mariya Rovena (pianist) 87 Ars Trio di Roma 8, 67, 127 ArteMiss Trio 8, 67, 127 Art of Musical Russia singers, Cleveland 29 Asahina, Takashi (conductor, 1908-2001) 47 Aseyev, Nikolai Nikolayevich (writer, 1889-1963) D(iv) Ashbee, Felicity (translator) 140, 143, 145 Ashbury, Stefan (conductor) 35 Ashkenasi, Shmuel (Vermeer Quartet––1st violinist) 57 Ashkenazy, Vladimir Davidovich (pianist/conductor, b.1937) B, 5, 10, 13, 14, 20, 22, D(vi), 35, 39, 40, 42, 43, 47, 54, 57, 60, 61, 65, 70, 77, 81, 87, S(i), 93, 96, 97, 102, 103, 110, U, 112, 113, 127, 130, 131, 135, 141, 145, 146 Ashton, Graham (trumpeter) 35 Aslamazyan, Sergei Zakharovich (Komitas Quartet—cellist, 1897-1978) 49 Astakhov, Roman (bass) K(ii)

652

I ND E X OF NA M ES

Astrand, Therese (Cailin Quartet—cellist) 73 Aszódi, Mária (soprano) 127 Atherton, David (conductor, b.1944) 106 Atkins, Jane (violist) 11 Atkinson, Rachel (Trio Melbourne––cellist) 8 Atlanta Symphony Orchestra 47, 65, 70, 93 Atlantov, Vladimir Andreyevich (tenor, b.1939) 106 Atlas, Lev (violinist) 67 Atovmyan, Levon (Lev) Tadevosovich (arranger/dedicatee, 1901-73) 27, 30, 32, 33, 37, E, 39, 40, 43, 45, 47, 50, 54, J(i), 60, 62, 64, 65, 70, 74, 75, 76, 78, 80, 81, 82, P(i-iv), 85, 89, 95, 97, 99, 105, 107, 111, 116, 120; pp.566, 589 Atrium Quartet 92, 108 Attenelle, Albert G. (Trio de Barcelona—pianist) 67 Aturov, I. (songwriter) 44, 48, 74 Aukland Quartet 110 Auden, Wystan Hugh (poet, 1907-73) 33 Audite Nova (vocal ensemble) X(ii) Auer, Edward (Reizend Muziekgezelschap—pianist) 57, 67 Auerbach, Lera (arranger) 34, 143 Aurelia Saxophone Quartet D(i), 108 Australia Ensemble 57, 67 Australian Chamber Orchestra 107 Australian Opera and Ballet Orchestra 29, P(i) Australian Youth Orchestra 93 Austrian Radio Symphony Orchestra 93, 141 Auvergne Orchestra 110 Avdeyeva, Larisa Ivanovna (mezzo-soprano, b.1925) 79 Avendo, André (alto saxophonist) D(i) Avksentive, Boris (balalaika player) 15 Ax, Emanuel (pianist, b.1949) 40, 67 Ayling, Jonathan (cellist) 107, 126 Azarkhin, Rodion Mikhailovich (double-bass player/arranger, b.1931) 39, 62, 77, 87, 97, 100 Azerbaidzhan State Conservatory Quartet 110 Azerbaidzhan Symphony Orchestra 110 Azernikova Anna (soprano) 26 Azov, Valeri (bayan player) 97 §B Babadzhanyan, Arno Arutyunovich (composer, 1921-83) p.599 Babikin, Anatoli (bass) 46, K(i) Babinsky, Margarete (pianist) 12, 34, 61 Babinsky, Margarete and Busch, Holger (piano duo) 6, E, O(i & ii), 94, 95 Bachauer, Gina (pianist, 1913-76) 5 Bach Choir 20

IN DEX OF N AMES Baden State Opera Choir and Orchestra 29 Badev, Georgi (violinist) 67 Badische Staatskapelle 47 Badkhen, Anatoli (conductor) 97 Baek, Clara and Sophia (Cailin Quartet—1st and 2nd violinists) 73 Baglini, Maurizio (pianist) B Bagratuni, Suren (cellist) 40 Bagwell, James (chorus-master) 19 Baikov, Sergei (bass) 113 Baikova, Nadezhda (Prokofiev Quartet—2nd violinist) 11 Bailey, Lucy (director) 107 Bailey, Zuill (cellist) 107 Baillie, Alexander (cellist, b.1955) 11, 39, 40, 78, 107 Bakanova, Aza (soprano) 114 Baker, Claude (composer, b.1948) p.601 Baker, Janet (mezzo-soprano, b.1933) 79 Bakeyeva, Vera Nikolayevna (organist/arranger) 87 Balaghová, Dagmar (pianist) 34, 35, 87 Balakerskaya, Anna (pianist) 34 Balakirev, Mili Alekseyevich (composer, 1837-1910) J(iv) Balanescu, Alexander (violinist) 19, 34, 41, 46 Balashov, Oleg (tenor) 114 Balashov, Stepan V. (tenor) 29 Balkanyi, J. (conductor) 110 Ball, Andrew (pianist) 19, 34, E, 41, 97, 123 Ballet of the 20th Century P(i) Ballet Rambert 35, 110 Ballet Russe de Monte Carlo 10, 22 Balsam, Artur (pianist) 57 Balshin, Vladimir (Brahms Trio––cellist) 67 Balzac, Honoré de (novelist, 1799-1850) 37 Bamberg Symphony Orchestra 107 Bambert, Matthais (conductor, b.1942) 33 Banks, Wing Commander Eric (conductor) 96 Banshchikov, Gennadi Ivanovich (composer, b.1943) p.598 Baratov, Leonid Vasilievich (stage-director, 1895-1964) 106 Barbirolli, Sir John (conductor, 1899-1970) 47 Barboro, Maurizio (pianist) 35, 40, 102 Barczewski, Kamil (bass, b. 1974) 44 Barenboim, Daniel (pianist, b.1942) 34 Bareza, Nikša (conductor) 43 Barishev, N. M. (tenor) 15 Barkan, Anna (soprano) 105 Barkhatov, Vasili (designer) 105 Barkmin, Gun-Brit (soprano) 127

653

654

I ND E X OF NA M ES

Barley, Matthew (cellist/arranger) 105 Baron, Gregory (Albemi Quartet—cellist) 117, 118 Barr, Herbert (trumpeter) 35 Barra, Donald (conductor) 35 Barraeu, Florence (soprano) 56 Barritt, Jonathan (Allegri Quartet—violist) 73 Barron, Ronald (trombonist) 34 Barry, Ostlere and Shepherd Brass Band of Kirkaldy 114 Barshai, Rudolf Borisovich (TchaikovskyQuartet—violist/conductor/arranger b.1924) 10, 14, 20, 34, 43, 47, 49, 54, 60, 65, 70, 73, 83, 93, 102, 103, 110, 112, 113, 118, 135, 140, 141, 143; pp.572, 574, 584, 585, 617, 643, 645 Barsova, Inna (musicologist) 39 Barstow, Josephine Clare (soprano, b.1940) 29 Bárta, Ji í (cellist) 107, 126 Bartholdy, Annette (violist/arranger) 40, 147 Bartholdy-Ensemble Rheinfelden D(i) Bartlett, Dale (pianist) 147 Bartlett, Rosamund (musicologist) 93 Bartoletti, Bruno (conductor, b.1926) 15 Barton, James Philip Badderly (Allegri Quartet—2nd violinist, b.1929) 68 Bartos, Csaba (Bartos Trio—cellist) 8, 67, 127 Bartos Trio 8, 67, 127 Baryshnikov, Mikhail Nikolayevich (ballet dancer, b.1948) 87 Bashkirov, Dmitri Aleksandrovich (pianist, b.1931) 67 Basel Sinfonietta 26, G(ii) Bashmet, Yuri Abramovich (violist/conductor, b.1953) 11, 35, 57, 110, 138, 144, 147 Basil, Colonel W. de (pseudonym of Vasili Grigorievich Voskresensky; impressario, 1888-1951) 22 Baslavskaya, Mila (pianist) 40, S Basner, Veniamin Yefimovich (arranger, 1925-96) 22, 60, X(ii), 114c Baster, Miles (Edinburgh Quartet—1st violinist) 57, 67 Batiashvili, Tamaz (State Quartet of Georgia—2nd violinist) 68, 73 Bátiz, Enrique (conductor, b.1942) 47, U, 115 Battiston, Alberto (Venice Quartet—2nd violinist) 22 Battiwalla, Darius (chorus-master) 50a Baturin, Aleksandr Iosifovich (bass, 1904-83) 46, 62 Baturin, Andrei (baritone, b.1966) D(iv), 105 Bauer, Andrzej (cellist) 40 Bauer, Frida (pianist) 34, 134 Bauer, Kurt (trumpeter) 35 Bauer, Willi (Munich Brass Soloists—trumpeter) 27 Bauer, Wolfgang (trumpeter) 35 Baumgartner, Rudolf (arranger/conductor, 1917-2002) 87, 110 Bauni, Axel (pianist) 143 Bauuton, Randolph (xylophonist) 22

IN DEX OF N AMES

655

Bavarian Radio Chorus 14, 20, 113 Bavarian Radio Symphony Orchestra 14, 20, 43, 77, 93, 112, 113, 129, 135 Bay Emanuel (pianist, 1891-1967) 5, 34 Bayley, Pat (translator) 81 Baylis, Nadine (designer, b.1940) 110 BBC (British Broadcasting Corporation) Choral Society and Chorus 14, 119 BBC National Orchestra of Wales 47, 54, 60, 70, 93, 106 BBC Northern Ireland Orchestra 18, 32, P(i) BBC Northern Orchestra 15, 96 BBC Philharmonic 26, 30, 33, 39, 43, 48, 50, 50a, 53, 75, 89, 96, 97, 102, 111, 116, 131, 137 140, 141, 145a BBC Scottish Symphony Orchestra 35, 102, 113 BBC Symphony Orchestra 1, 7, 10, 14, 16, 23, 26, 27, 31, 33, 35, G(i), H(ii), M, 54, 75, 76, 77, 96, 97, 102, 103, 105, 107, 112, 119, 126, 129 BBC Welsh Symphony Orchestra 10, 83, 96 Bean, Hugh Cecil (Music Group of London—1st violinist, 1929-2003) 57, 67 Beard, Steven (bass) 105 Beardmoer, Neil (pianist) R Beaux Arts Trio 8, 57, 67, 127 Beavan, David (bass) 29 Bedelian, Haroutune (violinist) 8, 19 Bedford, Steuart (conductor, b.1939) 10 Beeston, Michael (Edinburgh Quartet—violist) 67 Beethoven, Ludwig van (composer/dedicatee, 1770-1827) 35, J(ii), 111, Z, 147; p.591 Beethoven Quartet 11, 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Beethoven Orchestra of Bonn 14, 20, 43, 47, 54, 60, 65, 70, 93, 112, 113, 135, 141 Begletsov, Vladimir (chorus-master) 81 Behn, Christiane (Trio Kairos––pianist) 8 Behnke, Anna-Katharina (soprano) 29 Beiko, Boris (bass) X(iii) Beiku, Maria (singer) R Beinl, Ludwig (Weller Quartet—cellist, b.1928) 118 Bekhterev, Boris (pianist/arranger) 13, 34 Bekova Sisters—see Nakipbekova Sisters Belarsky, Sidor (bass) 33 Belarus RTV Symphony Orchestra 36, 45, 50, 56, 59, 76, 85, 89 Belarus State Chorus 50a, 59, 85, 89 Belarus State Cinematograph Symphony Orchestra 30 Beldi, Cristian (pianist) 40 Belgian National Orchestra 77 Belgian Radio and Television Philharmonic Orchestra (BRT) 47, 70, 93 Belgian Radio Symphony Orchestra (RTBF) 30, 76, 77, 78, 82, 97, 111, 116, 137 Belgian Woodwind Quintet 22

656

I ND E X OF NA M ES

Belgium, National Orchestra of 43, 77, 107 Belgrade National Opera Company 58, 106 Belgrade Strings 110 Belinsky, Aleksandr (librettist) 27, 39 Belinsky, Vissarion Grigorievich (Russian literary critic, 1811-48—subject of film) 85 Belkin, Boris (violinist, b.1948) 77 Bell, Daniel (Petersen Quartet––2nd violinist) 49, 57, 83, 110, 143 Bell, Joshua (violinist, b.1967) 67 Bellams, Paul (MGM Studio Orchestra—violinist) 11 Bellugi, Piero (conductor, b.1924) 126 Belobragina, Lyudmila (soprano) 72, Y Belokurov, L. (script-writer) 145 Belorussia—see under Byelorussia and Belarus Beloselsky, Dmitri (bass) 36 Belov, Rudolf (domra player/arranger) 39 Belsky, Igor Dmitrievich (choreographer, 1925-99) 14, 60, 103 Belton, Ian (Brodsky Quartet—2nd violinist) 11, D(i), 34, 49, 57, 68, 73, P(iii), 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Belyakova, Aleksandra (violinist) J(ii) Belyankin, Yuri N. (film-director) 15; pp.571, 572 Belyayev, Yevgeni Mikhailovich (tenor, b.1926) 80 Belykh, Valeri (bass) 15, K(i) Bemrose, Clive (baritone, d.1990) 62 Beňačková, Gabriela (soprano, b.1947) 29 Bencriscutto (conductor) 96 Benderoff, Sonia (translator) 29 Benedetti, Evangeline (cellist) 40 Bengstsson, Erling Blöndal (cellist, b.1932) 40 Benichou, Jonathan (pianist) 67 Benson, Clifford George (pianist, 1946-2007) 57, 134 Bentley, Lionel Reginald (Amici Quartet—1st violinist, b.1908) 118 Benvenutí, Mario (Quintette Chigiano—2nd violinist) 57 Benyacs, Zoltan (Rafael Quartet—violist) 110, 138 Benz, Robert (Trio Bamberg—pianist) 8, 67 Ben-Zvi, Eva (soprano) 79 Béranger, Pierre Jean de (poet, 1780-1857) J(ii) Berezovsky, Boris (pianist) 87 Berg, N. (lyricist) J(ii) Berix, Ivar (Calefax Reed Ensemble—clarinettist) 87 Bergen, Beverley (soprano) 29 Berger, Wolfgang (chorus-master) 58 Berglund, Paavo Allan Englebert (conductor, b.1929) 35, 47, 54, 60, 77, 93, 102, 103, 107 Bergqvist, Christian (violinist, b.1960) 134 Berick, Yehonatan (violinist) 127

IN DEX OF N AMES

657

Berkeley, Michael (TV presenter, b.1948) 22, 29; p.572 Berlin Children’s Radio Chorus 81, 90 Berlin City Symphony Orchestra 10, 47, 54, 65, 70, 77, 79, 93, 126, 141 Berlin Opera Orchestra 35 Berlin Philharmonia Quartet 122 Berlin Philharmonic Orchestra 10, 29, 35, 47, 60, 65, 77, 93, 103, V, 114, 135, 141 Berlin Radio Chorus 26, 50a, 58a, 64, 89, 137 Berlin Radio Symphony Orchestra (now the German Symphony Orchestra) 16, 18, 26, 30, 35, E, 41(i), 45, 47, G(ii), 50, 58a, 64, 70, P(i), 89, 97, 105, 111, 116, 131, 137, 145 Berlin Symphony Orchestra 47, 77, 93 Berlinskaya, L. (pianist) 41 Berlinsky, Valentin Aleksandrovich (Borodin Quartet—cellist, 1925) 11, D(i), 41, 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Berlin (State) Opera Chorus 80 Berlin State Opera Quartet 92 Berman, Boris Naumovich (pianist, 1930-2005) 57, 61, 87 Berman, Lazar Naumovich (pianist, 1930-2005) 34 Berman, Pavel (violinist, b.1970) 134 Bernard, Marie-Stephane (soprano) 135 Bernardi, Mario (conductor) 35, E, G(ii), P(i), 93, 102 Bernasek, Vaclav (Kocian Quartet—cellist) D(i) Bernáthova, Eva (pianist, b.1932) 57 Bernau, Götz (Pihtipudas Quintet—1st violinist) 57 Bernstein, Leonard (conductor/pianist, 1918-90) 10, 22, 33, 35, 47, 54, 60, 70,102, 129, 135 Berntsen, Anne-Lise (soprano) 127 Bersenev, N. Ya. (librettist) p.588 Bertini, Gary (conductor, b.1927) 77 Bertolo, Marina (violinist) 57 Bertoncelj, Aci (pianist) 40 Bertsch, Barbara (Trio Kairos––cellist) 8 Besedin, Askold N. (baritone) 46, 91 Bespalov, Kolya (Sofia Quartet—cellist) 110, 118, 122 Best, Roger (Alberni Quartet—violist, b.1938) 11, 57 Beyerle, Hatto (violist) 11 Bezrodny, Igor Semyonovich (violinist, b.1930) 67 Bezrodny, Sergei (pianist) 34 Bezrukov, Georgi (violist leader/arranger) 5, 22, 87, S(i) Bezverkhny, Mikhail (violinist/violist/arranger, b.1947) 34, 67, 134, X(i), 147 Bezymensky, Aleksandr Ilyich (poet/playwright, 1898-1973) 14, 24 Bezzubenkov, Gennadi (bass/baritone) 81, Q, 114 Bianconi, Philippe (pianist) D(vi), 40 Bibergan, Vadim (arranger) 36 Bibik, Valentin Savvich (composer) p.597

658

I ND E X OF NA M ES

Bidaud, Pierre-Alain (conductor) 97 Bigg, Julian (conductor) 110, 118 Bik, Annette (violinist) 11, D(i) Bilkent Academic Symphony Orchestra (BASSO) 54, 93 Binazzi, Massimo (translator) 113 Binder, Werner (Munich Brass Solists—trumpeter) 27 Binge, Günter (tenor) 79 Bingham, John (pianist, b.1942) 57 Binkley, Paul (mandolin player) 22, 49 Bintley, David (choreographer, b.1957) 35 Birkeland, Øystein (cellist) 40 Birkelund, Mimi (Elvira Piano Duo) 94 Birkyukova, Nataliya (mezzo-soprano) 84 Birmingham Royal Ballet 110 Bissell, Richard (horn player) 107 Bizet, Georges (composer, 1838-75) J(ii) Bjärlestom, Lars-Inge (cellist) 110 Bjerken, Xak (Mobius—pianist) 67, 147 Blacher, Kolja (violinist) 134 Black Dyke Mills Band 96 Blacklow, John (pianist) 67 Blackshaw, Christian (pianist) 57, P(iii) Blair, James (conductor) 32, 89 Blanter, Matvei Isaakovich (composer, 1903-90) J(ii) Błaszczyk, Mirosław Jacek (conductor) 77 Blazhkov, Igor Ivanovich (conductor, b.1936) 11, 14, 17, 20, 21, 42, 124 Blazo, Brandon (carilloneur) 87 Bleiman, Mikhail Yu. (script-writer, 1904-73) 52, 55 Blendulf, Daniel (Z Quartet—cellist and soloist) 40, 57 Blinkhof, Jan (tenor) 29 Block, Frederick (arranger) 22, 29, 32, 47; p.565 Blok, Aleksandr (pianist/arranger) 34 Blok, Aleksandr Aleksandrovich (poet, 1880-1921) 127 Blok, K. S. (Gliére Quartet—cellist) 11 Bloomfield, Theodore Robert (conductor, b.1923) 35 Blümenthal, Daniel (pianist) P(iii) Blunt, Peter (Osiris Trio—violinist) 67 Blyakhin, Pavel A. (writer, 1886-1961) 18 Bobo, Roger (tuba player/arranger) 39 Bobrineva, Raisa (soprano) 79 Bobritskaya, Rimma (pianist) B, 3, 69, P, S, 97 Bobrova, Natalya (soprano) J(ii) Bobyshov, Mikhail Pavlovich (designer, 1885-1964) 39 Bodin, Lars-Gunnar (Fresk Quartet—violist) 110 Bodin, Rune (trombonist, b.1935) 27

IN DEX OF N AMES

659

Boeckhler, Ulrich (cellist) 40 Boekhoorn, Oliver (Calefax Reed Ensemble––oboist) 87 Boer, Ed de (composer/arranger, b.1957) 11, 34 Bogaart, Jacob (pianist) 40 Bogachev, Vladimir (tenor) K(i) Bogacheva, Irina Petrovna (mezzo-soprano/dedicatee, b.1939) 54, 109, 143 Bogdanas, Constantin (Arman Trio—violinist) 67 Bogdanov, Vasili Ivanovich (lyricist, 1837-86) D(vii) Bogdanova, Albertina (pianist) 100 Bogdanov-Berezovsky, Valerian Mikhailovich (dedicatee, 1903-71) 9 Bogino, Konstantin (Trio Tchaikovsky and Kuhmo Chamber Soloists—pianist) 67 Bogomolova, Lyudmila (pianist) Q Bogoslovsky, Nikita Vladimirovich (pianist, b.1913) 47 Bohorquez, Claudio (cellist) 107 Bohuslav Martinů Philharmonic Orchestra 47, 114 Boico, Efim (Fine Arts Quartet—2nd violinist) 49, 73, 108, 122 Boisson, Serge (Ensemble de cuivres Guy Touvron—trumpeter) 27 Boisvert, Emmanuelle (violinist) 97 Bojsten, Stefan (Stockholm Arts Trio—violinist) 8, 67, 127 Bokareva, Z. (story-teller) 56 Boland, Holger (translator) 114 Boldoczki, Gábor (trumpeter) 35 Boling, Deborah (pianist) 79 Bollard, David (Australia Ensemble––pianist) 57, 67 Bolotin, Sergei Vasilievich (arranger/translator, b.1912) 30, M, 79, 80, R, 100, U Bolshoi Ballet 27, P(i) Bolshoi Theatre Orchestra 10, 22, 27, 29, 30, 32, 35, E, 39, 43, 47, H(ii), 60, K(i), 64, 74, 76, 79, 81, 82, P(i), 87, 96, 97, 106, V, 114 Bomont, Yves (Belgian Woodwind Quintet—bassoonist) 22 Bond, Kori (pianist) 87 Bondarenko, Aleksandr (Rakhmaninov Quartet––2nd violinist) 57, 87, 108, 110 Bonduryansky, Aleksandr (Moscow Trio—pianist) 8, 67, 127 Boni, Elena (Moscow Chamber Soloists––2nd violinist) 110 Bonn, James (pianist) 67 Bor, Christian (Reizend Muziekgezelschap—1st violinist) 57, 67 Border, Michael (conductor) 106 Bordner, Gary (trumpeter) 35 Boreyka, Andrei (conductor) 10, 29, 43, 114 Borisov, Valeri (chorus-master) 106 Borisova, Galina (mezzo-soprano) 4, 79 Borisova, Olga (soprano) 114 Borisova, Viera Ilinichna (violist, b.1941) 147 Borisovsky, Vadim Vasilievich (Beethoven Quartet—violist/arranger/dedicatee, 1900-72) 34, 49, 57, 68, 73, 83, 92, 97, 101, 107, 108, 110, 117, 118, 138 Borkh, Inge (soprano) 29

660

I ND E X OF NA M ES

Borys, Roman (Gryphon Trio—cellist) 8, 67, 127 Bornkamp, Arno (tenor saxophonist) D(i) Bornscheuer, Stefan (violinist) 110 Borodina, Olga (mezzo-soprano, b.1963) 106 Borodin Duo (Yuli Turovsky and Lyubov Yedlina) 40 Borodin Quartet 11, D(i), 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117a, 117, 118, 122,133, 138, 142, 144 Borodin Trio 57, 67, 127 Borok, Emanuel (violinist) 134 Borovkov, Viktor (bass) 15 Borowska, Joanna (soprano) 106 Borsamsky, Ernest (conductor) 47 Bortnikov, Grigori (tenor) 105 Bortnikov, Yevgeni (baritone) Q Bosman, Arnold (pianist) 127 Boston Chamber Music Society 67 Boston Philharmonic Orchestra 47, 107 Boston Pops Orchestra 22, 32, 96 Boston Symphony Chamber Players 57 Boston Symphony Orchestra 10, 33, 65, 70, 125, 126, 129 Botstein, Leon (conductor, b. 1946) 3, 19 Boughton, William (conductor) 35, 102, 110 Bourikov, Aleksandr (Romantic Trio––cellist) 67 Boult, Sir Adrian Cedric (conductor, 1889-1983) 47, 54, 93, 112 Bourgés-Maunoury, Jacqueline (pianist) 40 Bournemouth Symphony Orchestra 35, 47, 54, 60, 65, 93, 102, 103, 107 Boutry, Roger (pianist, b.1932) 87 Boyadjieva, Lilia (pianist) 87 Boyarchikov, Nikolai Nikolayevich (choreographer, b.1935) 36 Boyarsky Konstantin Fyodorovich (choreographer, 1915-74) 27, 39, 70, 93; p.589 Brabant Orchestra 18 Brabbins, Martyn (conductor, b.1959) 107, 126 Brabec, Emanuel (cellist) 40 Bradley, Sarah-Jane (Sorrel Quartet—violist) 49, 57, 68, 92, 110, 117, 133, 138, 142, 144 Braga, Gaetano (composer, 1829-1907) X(i); p.590 Bragg, Melvyn (TV presenter, b.1939) 147 Braginsky, Alexander (pianist) 34, 40, 61 Brahms Trio 8, 67 Braithwaite, Nicholas (conductor, b.1939) 65 Brakker, Ella (Prokofiev Quartet—1st violinist) 11 Brandt, A. (translator) 21 Braslavsky, Daniil Abramovich (arranger, b.1918) 131 Bratchkova, Dora (Rasumovsky Quartet––1st violinist) D(i), 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144

IN DEX OF N AMES

661

Bratislava Soloists, The Young 110 Bratlie, Jen Harald (Oslo Trio—pianist, b.1948) 5, 8, 67 Bratoev, Bojidar (Pro-Arte Quintet of Monte-Carlo—1st violinist) 57 Braudo, Isai Aleksandrovich (organist, 1896-1970) 29, 30, 81 Brauns, Sigurd (chorus-master) 26 Brautigan, Ronald (pianist) 15, 134, 147 Brecht, Bertolt (lyricist, 1898-1956) 95 Bremmer, Michael (conductor) 143 Brendler, Charles (arranger) 33 Brengola, Riccardo (Quintetto Chigiano—1st violinist) 57 Bresler, Sergei (Jerusalem Quartet—2nd violinist) 49, 73, 83, 101, 110, 117, 122 Bretana, Clemens (poet, 1778-1842) 135 Briger, Alexander (conductor) 126 Brighouse & Rastrick Band 97 Brighton Festival Chorus 14, 81 Britten, Lord (Edward) Benjamin (conductor/dedicatee, 1913-76) 40, 127, 135; p.589 Brndiar, John (trumpeter) 35 Broad, Daniel (baritone) 105 Broadbent, Derek Michael (conductor/arranger) 97 Brodsky Quartet 11, D(i), 34, 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122 133, 138, 142, 144 Brodsky, Vadim (violinist) 14 Broekhans, Reineke (pianist) 147 Broggini, Cesy (mezzo-soprano) 15 Bronfman, Yefim (pianist) 35, 57, 67, 102 Bronzi, Enrico (Trio di Parma—cellist) 8, 67, 127 Broome, Oliver (bass) 29 Brown, Ian (Nash Ensemble—pianist/accompanist) 40, 57, 67, P(ii) Brown, [Elizabeth] Iona (conductor, 1941-2004) 110 Brown, Jeremy (pianist) 6 Brown, Jonathan (baritone) K(ii) Brown, Timothy (horn player) 107 Brubaker, Robert (tenor) 29, 106 Bruk, Lyubov (pianist) 94 Bruk, Yevgeniya (pianist) 100 Brunello, Mario (conductor) 110 Bruni, Tatyana Georgievna (designer, 1902-2001) 27 Brunner, Eduard (clarinettist) P(ii) Bruns, Peter (cellist) 126 Brunswick Quartet 11 Brussilovsky, Alexandre (violinist/conductor/arranger, b.1953) 11, 13, D(i), 34, 68, 134 Brunt, Peter (violinist) 127 Bryant, Jeffrey (horn player) 107 Bryantsev, Dmitri Aleksandrovich (choreographer, b.1947) p.591

662

I ND E X OF NA M ES

Bryjak, Oleg (bass-baritone) 29 Brykina, Galina (pianist) 40 Bryson, Roger (bass) 105 BT Scottish Ensemble 11, 35, 110, 118 Bubelnikov, A. (arranger) 96 Buchberger Quartet 11 Buchholz, Barbara (theremin player) 26 Buchholz, Werner (Berlin State Opera Quartet—violist) 92 Buchner, Willi (Koeckert Quartet—2nd violinist) 68 Buck, Friedrich (arranger) 114 Buczek, Piotr (Penderecki Quartet—1st violinist) 57, 73 Budapester-Blechbläser-Quintett 22 Budapest Philharmonic Orchestra 47, 70 Budapest Quartet 57 Budelman, John (soprano saxophonist) 22 Budkin, V. (guitarist) 39 Budyonny, Semyon Mikhailovich (cavalry marshal, 1883-1973) 27 Buerkle, Brian (arranger) 34 Buffalo Philharmonic Orchestra 60 Bukač, Vladimir (Tálich Quartet and soloist—violist) 57, 100, 110, 147 Buketoff, Igor (chorus-master/translator, b.1915) 14, 20, 135 Bulavin, Eduard (baritone) 114 Bulgare Quartet 49 Bulgarian Radio and Television Symphony Orchestra 77, 112, 129 Bulgarian State Choir X(i) Bulgarian State Radio Orchestra 93 Bulgarov, Mikhail Afanasievich (librettist, 1891-1940) p.587 Bulot, Mathieu (baritone) 56 Bunchikov, Vladimir Abramovich (tenor, b.1902) 72 Bundesjugendorchester 10 Buonarroti, Michelangelo (poet, 1475-1564) 145 Burch, Robert (composer) p.599 Burchuladze, Paata (bass, b.1955) 106 Burke, Kelly (clarinettist) 70 Burlak, Ivan P. (baritone, 1893-1964) 15 Burley, Elizabeth (pianist) 40 Burmeister, Anneliese (contralto, 1930-88) 79 Burnasheva, Nataliya (mezzo-soprano) 58a, K(ii) Burns, Robert (poet, 1759-96) 62, M, 140 Burns, Stephen (trumpeter) 35 Burton, Eldin (pianist) 5 Burton, Humphrey (TV presenter, b.1931) 54, 70 Burton, James (conductor) Q Busch, Ernst (singer/arranger, 1900-80) 33, 80, 95 Busch, Nicholas (horn player) 93

IN DEX OF N AMES

663

Bush, Alan Dudley (conductor, 1900-95) 47 Bushkin, Isser (bass) 135 Busse, Annett (pianist) 34, S(i) Butirsky Ivan (clarinettist) 22 Buyanovsky, Mikhail Nikolayevich (horn player, 1891-1966) 107 Buzkova, A. (harpist) S(i) Bychkov, Boris (theatre-goer) 31 Bychkov, Semyon (conductor, b.1952) 43, 47, 60, 65, 103 Byelorussian Radio and TV Symphony Orchestra (see also under Belarus) 26, 33, 50, 53, 55, 64, 75, 132 Byelorussian State Academic Choir 88 Byelorussian State Symphony Orchestra 22, 35, 65, 102 Byers, Alan (tenor) 29 Bystritsky, Vladimir (Nevsky Quartet––violist) 110 §C Cabasso, Laurent (pianist) 40 Caetani, Oleg (conductor) 10, 14, 20, E, 43, H(ii), 47, 54, 60, 65, 70, 93, 103, 105, 112, 113, 135, 141 Cadaqués Orchestra 43, 110a Caldwell, Sarah (conductor, 1924-2006) 35, 107 Calefax Reed Ensemble 87 Cailin Quartet 73 Cakmakcioglu, Isin (Trio Melbourne––violinist) 8 California Youth Symphony 47 Callier, Yannick (Debussy Quartet—cellist) 49, 57, 68, 83, 92, 101, 110, 117, 122, 133, 138, 142, 144 Calvocoressi, Mich(a)el Dimitri (translator, 1877-1944) 29 Cambridge University Chamber Orchestra K(ii) Camerata Assindia (string orchestra) 118 Camerata Roman (string orchestra) 11 Camerata Silesia (men’s voices) 28, 41(ii), 44 Camerata, Transsylvanica 110 Cameron, Douglas (London String Quartet—cellist) 122 Cameron, (George) Basil (conductor, 1884-1975) 70 Cameron, Michael (double-bass player/arranger) 145 Camille, Michel (Esbjerg Ensemble—violist) 57 Canadian Piano Trio 67 Čangalović, Miroslav (bass) 58 Canin, Stuart (conductor) 11, 110, 118 Canino, Bruno (pianist) 40 Cann, Claire and Cann, Antoinette (piano duo) 94 Capecchi, Renato (baritone) 15 Capitol Symphony Orchestra 22 Cappella Arcis Varsoviensis (string orchestra) S(i)

664

I ND E X OF NA M ES

Capri, Gianino (Trio de Bolzano—violinist) 67 Capuçon, Gautier (cellist) 67 Capuçon, Renaud (violinist) 57 Carey, Bridget (Kreutzer Quartet—violist) 83, 108, 110 Carmen, Roman (film-director) 60 Carney, Jonathan (violinist) 97 Carr, Colin (cellist) 67 Carroll, Geoffrey (arranger) 5 Carrot, Véronique (chorus-master) 15 Carter, Alan (choreographer, 1920-75) 93 Carter, Brecon (Auckland Quartet—1st violinist) 110 Carter, Peter (Allegri Quartet—1st violinist) 73 Carter, Rae (Auckland Quartet—2nd violinist) 110 Carus, Louis (Scottish Trio—violinist, b.1912) 67 Casals, Pablo (composer, 1876-1973) 33 Caserta, Delphine (Leonor Quartet––1st violinist) 11 Cassidy, Paul (Brodsky Quartet––violist) 11, D(i), 34, 49, 57, 68, 73, 83, 92, 101,108, 110, 117, 118, 122, 133, 138, 142, 144 Cassilla y León Symphony Orchestra 43 Castillo, Jose Francisco Del (violinist) 77 Cattarino, Alexander (pianist) 35 Catzel, Andrea (soprano) 100 Cauchy, Philippe (Ensemble de cuivres Guy Touvron—trombonist) 27 Cavani Quartet 68, 108, 142 CBC Radio Orchestra 35, E, G(ii), P(i), 93, 102 Čechova, Jitka (pianist) 35 Celibidache, Sergiu (conductor, 1912-96) 10, 47, 60, 70 Central Television and All-Union Radio, (Large Choir of) 81 Central Television and All-Union Radio Symphony Orchestra (see also Moscow Radio Symphony Orchestra and All-Union Radio and Television Symphony Orchestra) 35, P(i), 107, 126 Cepreaga, Doru (tenor) 29 Chagall, Marc Zakharovich (painter, 1887-1915) p.590 Chaikovskaya, Mariya (cellist) 127 Chaikovsky, Aleksandr (pianist) 40 Chaikovsky, Aleksandr Vladimirovich (arranger, b.1946) 138 Chaikovsky, Boris Aleksandrovich (pianist, 1925-96) 112 Chailly, Riccardo (conductor, b.1953) 16, 26, 27, 33, E, G(ii), 55, 56, 76, 97, 105, 116, 126, 132 Chalmers, Nicholas (conductor) K(ii) Chamber Choir Notabene 26 Chamber Orchestra of Europe 73, 83, 110, 118 Chameleon Ensemble E Chang, Angelin (pianist) 35 Chang, Han-Na (cellist, b.1983) 40, 107

IN DEX OF N AMES

665

Chang, Sarah (violinist, b.1981) 34, 77 Chang, Victoria (violist) 147 Chaparov, Igor (trumpeter) 35 Chappell, Herbert (musicologist, b.1934) 47 Chard, Geoffrey (baritone) 15 Charnaix-Anderson, Renée (Pro Arte Quintet—2nd violinist) 57 Chase, Roger (Nash Ensemble—violist) 67 Chase, Stephanie (Boston Chamber Music Society—violinist) 67 Cheburkina, Marina (organist) 29 Cheifetz, Hamilton (Florestan Trio and soloist—cellist) 67, S(i) Cheglakova, Yelena (pianist) X(iii) Chekalov, V. (bass) 105 Chekhov, Anton Pavlovich (writer, 1860-1904) X(ii); p.590 Chelkauskas, Yuozas Ionovich (arranger) 37, 58a, P(iv), 97 Chen, Lyda (violist) 57 Cheng, Angela (pianist) 35, 102 Chenoweth, Gene (arranger) 34 Chepikov, Yevgeni (bass) X(ii) Chepurina, Maria (flautist) 22, 27 Cherkassky, Shura [Aleksandr Isaakovich] (pianist, 1909-95) 22, 34, 35 Chernov, Yuri (arranger) 30, 77 Chernozhukov, Mikhail (bass) 106 Chernushenko, Vladislav Aleksandrovich (chorus-master, b.1916) Q, 104 Cherny, Alena (pianist) 34 Chernykh, Lydiya (soprano) 105 Chervinsky, Mikhail Abramovich (librettist, 1911-65) 105 Chesnakov, Vladimir P. (choreographer) 22 Chesta, Mikhail (violinist) 97 Chiapperino, Michele (Ars Trio di Roma––cellist) 8, 67, 127 Chiaureli, Mikhail Edisherovich (film-director, 1894-1974) 82, 89 Chiavacci, Paolo (Quartetto Fonè—1st violinist) 110 Chicago Sinfonietta 16, 35, 97, 111, 116 Chicago Symphony Chorus 113 Chicago Symphony Orchestra 10, 22, 43, 47, 54, 60, 65, 77, 93, 102, V, 113, 126, 141 Chicago Youth Symphony 47 Chiligirian, Levon (Chiligirian Quartet—1st violinist) 110 Chiligirian Quartet 110 Chilikov, Dmitri (Bulgare Quartet—violist) 49 Chin, B. (translator) 80 Chirhov, Boris 41(i) Chirskov, B. F. (film-director) 64 Chisholm, Allan (Gagliano Trio—cellist) 67 Chisholm, John (Gagliano Trio—violinist) 67 Chisson, Marc (saxophonist/arranger) 5, 27, 34

666

I ND E X OF NA M ES

Chistyakov, Andrei Nikolayevich (conductor, b.1949) K(i), 79 Chkheidze, Levan (Georgia State Radio Quartet—1st violinist) 73, 117 Chmyrev, A. (chorus-master) 82 Chokalov, Georgi (tenor) 114 Choral Arts Society of Washington X(ii) Choreographic Miniatures (ballet troupe) 20, G(i & ii), 119; pp.566, 590 Cho Piano Trio (Cho Young Ki, Cho Young Chang, Cho Young Bang) 67 Chorny, Ivan (bass) 114 Chorny, Sasha (pseudonym of Aleksandr Mikhailovich Glikberg or Glückberg; poet, 1880-1932) 109 Chorus Viennensis 14, 113 Chovanec, Jaroslav (Dvorák Piano Trio and Novák Quartet—cellist) 57, 122, 127 Christiansen, Leo E. (translator) 81 Chtchennikov, Vyacheslav (trumpeter) 35 Chubinashvili, Otar (State Quartet of Georgia—cellist) 68, 73 Chulyok-Zagrai, Aleksandr (bass) 114 Chung, Kyung-Wha (Chung Trio—violinist, b.1948) 8 Chung, Myung-Wha (Chung Trio—cellist, b.1944) 8 Chung, Myung-Whun (Chung Trio—pianist/conductor, b.1953) 8, 29, 43, 54, 87, 135 Chung Trio 8 Church, Frank (baritone) 105 Ciechański, Aleksander (Warsaw Quintet—cellist) 57 Cieniawa, Mariola (pianist) 67 Ciesinki, Kristine (soprano, b.1952) 29 Cincinnati Pops Orchestra 22, 96 Cincinatti Symphony Orchestra 10, 70, 141, 145 City of Birmingham Choir and Symphony Chorus 113 City Of Birmingham Symphony Orchestra 31, 32, 35, E, 42, 43, 46, 58a, 77, 113 City of London Sinfonia 143 Čiurlionis Quartet 73, 122 Claret, Gerard (Trio de Barcelona—violinist) 67 Claret, Lluís (Trio de Barcelona—cellist) 67 Clark, Alison (designer) 56 Clark, Harry (cellist) 40 Clark, Philip (Auckland Quartet—violist) 110 Clarke, Gordon (pianist) 62 Clarke, Graham (tenor) 106 Clarke, Raymond (pianist, b.1963) B, 5, 12, 13, 34, 61, 69, 87 Classical Quartet of Montreal 118 Clayton, Kenny (pianist) 102 Clegg, Caroline (director) 56 Clementi Trio of Cologne 67 Clerici, Umberto (cellist) 107 Cleveland Chamber Symphony 35 Cleveland Orchestra 10, 47, 93, 141

IN DEX OF N AMES

667

Cluytens, André (conductor, 1905-67) 10, 35, 77, 102, 103 Coates, Albert (conductor, 1882-1953) 29 Cochran, William (tenor) 114 Cogan, Dmitri (pianist) 34 Cohen, Harriet (pianist, 1885-1967) 34 Cohen, Isidore (Beaux Arts Trio—violinist, 1922-2005) 57, 67 Cohen, Raymond Hyam (violinist, b.1919) 134 Cohen, Robert (cellist, b.1959) 107 Cole, Annette (Trio Zinara—pianist) 67 Collegiate Chorale of New York 33 Collett, Ronan (baritone) 100 Collette, Christophe (Debussy Quartet—1st violinist) 49, 57, 68, 83, 92, 101, 110, 117, 122, 133, 138, 142, 144 Collier, Marie (soprano, 1926-71) 114 Collins, Michael (Nash Ensemble—clarinettist, b.1962) P(ii) Cologne Güerzenich Philharmonic Orchestra 77, 114 Cologne Radio Chorus 4, 81, 90, 119 Cologne Radio Symphony Orchestra 4, 15, 21, 46, 65, 79, 81, 90, 114a, 119, 140, 143, 145 Colombo, Albert (pianist) 34 Colonne Orchestra of Paris 77 Columbia Symphony Orchestra P(i), 96 Compinsky Trio (Manuel—violin, Alec—cello, Sara—piano) 67 Concert Arts String Orchestra 35 Concert Chorale of New York 19 Concertgebouw Orchestra of Amsterdam (see also Royal Concertgebouw Orchestra) 27, 47, 54, 65, 70, 79, 93, 103, 107, 112, 113, 115, 135, 143 Concertgebouw Orchestra Choir, Male Voices of the 113 Condamin, Marie (pianist) 39 Conlon, James (conductor/arranger, b.1950) 29, 47, 77, 106, 114 Constable, John (pianist) 147 Constant, Marius (musical director, b.1925) 18 Constant, Peter (Guitar Trek––bass guitar) D(i) Contemporary Chamber Orchestra 4, 17 ConTemp 4tet (string quartet) 117 Cook, James (pianist) 40 Cooke, Peter (designer) 29 Cooper, Martin Du Pré (translator, b.1910) 135 Copenhagen Philharmonic Orchestra 27 Copenhagen Trio 8, 67 Copes, Ronald (Juilliard Quartet—2nd violinist) 57, 73, 142, 144 Coppey, Marc (cellist) 40 Coq, Vincent (Trio Wanderer––pianist) 8, 67 Cornall, Andrew (arranger) 56, 105 Cornman, Robert (pianist) 34 Cornthwaite, Harry (arranger) 96

668

I ND E X OF NA M ES

Corporon, Eugene (conductor) 34, 63 Corp, Ronald (chorus-master) 81 Corporon, Eugene Migliaro (conductor) 36 Cortese, Paul (violist) 147 Corti, Nicolas (Amati Quartet—violist) 73, 108 Corver, Ellen (Osiris Trio—pianist) 67, 127 Cossotto, Fiorento (mezzo-soprano, b.1935) 106 Costa, Jean-Claude (tenor) 29 Cou, Emil de (conductor) 35 Coull Quartet 83, 110, 122 Coull, Roger (Coull Quartet—1st violinist) 83, 110, 122 Covelli, John (pianist/conductor) 102 Cox, Christopher (conductor) 45, 47, 60, 65, 102, 103, 107, 112, 126 Craig, Charles (tenor, 1922-73) 114 Cranko, John (choreographer, 1927-73) 35 Crawford-Phillips, Simon (pianist) 34 Cray, Robert (arranger) 32 Crayford, Marcia (Nash Ensemble—1st violinist) 57, 67 Creitz, James (violist) 147 Croatian Radio and Television Symphony Orchestra 43 Crook, Paul (tenor) 106 Croonen, Maria (soprano) 79 Crowley, Andrew (trumpeter) 41 Crowson, Lamar (Melos Ensemble—pianist, 1926-98) 57 Croxford, Eileen (Music Group of London—cellist) 57, 67 Csapó, Eva (soprano) 79, 127 C sharp minor (vocal ensemble) K(ii) Cullen, Greg (playwright) 47 Cummings, Douglas (cellist) 97 Cummings, Keith (London String Quartet—violist) 122 Cuper, Philippe (clarinettist) P(ii) Curchill, Marylou Speaker (Boston Symphony Chamber Players—2nd violinist) 57 Curnow, Jeffrey (Empire Brass—trumpeter) 96 Curtin, Phyllis (soprano, b.1922) 135 Curtis, David (Coull Quartet—violist) 83, 110, 122 Czapski, Jutta (pianist) 147 Czecho-Slovak Radio Symphony Orchestra 10, 14, 20, 43, 47, 54, 60, 65, 70, 93, 103, 112, 113, 135, 141 Czech Philharmonic Choir (of Brno) 20, 113 Czech Philharmonic Orchestra 10, 15, 27, 29, 35, 47, 60, 70, 77, 93, 96, 107, 141 Czech (Prague) Radio Symphony Orchestra 20, 131 Czech Trio 67 §D D’Andrea, Alessandro (Roma Piano Trio––violinist) 67 Dafov, Jordan (arranger/conductor) 87, 101, 108, 110

IN DEX OF N AMES

669

Dahl, Christina 41(ii) Dahl, Roald (author, b.1916) P(i) Dalayman, Katarina (soprano) 29 Dalgat, Dzhemal-Eddin Enverovich (conductor, b.1920) 137 Dalgat String Ensemble 110 Dallas Symphony Orchestra 47, 54, 60, 65, 70, 93, 96, 102 Damenchor des Wiener Singvereins (women’s choir) 14 Damiant, Marco (Roma Piano Trio––cellist) 67 D’Amico, Fedele (translator) 15 Danailov, Peter (baritone) K(i & ii) Dance Theatre of Harlem 102 Danchenko, Viktor (violinist) 83 Danczowska, Kaja (violinist) 67 Danel, Guy and Marc (cellist and 1st violinist) as below Danel Quartet 49, 68, 73, 83, 92, 101, 108, 110, 117a, 117, 118, 122, 133, 138, 142, 144 Daniel, Josef (conductor) 125 Danilevich, Lev Vasilievich (musicologist, 1912-80) 18, 60, 85; p.579 Danilova, Galina (Bartos Trio—1st violinist) 8, 67, 127 Daniluk, Pavel (bass) 135 Danish Radio Symphony Orchestra 10 Daponte Quartet 110 Dargomyzhsky, Aleksandr Sergeyevich (composer, 1813-69) J(ii) Darlington, Jonathan (conductor) 141 Darman, Max Bragado (conductor) 47 Dartington Quartet 49, 83, 117 DAR Trio 67 Daviatov, Borys (Leontóvych Quartet—violist) 57 Davidenko, Aleksandr Aleksandrovich (composer, 1899-1934) 124 Davidov, Mikhail (baritone) 135 Davidovsky, Vladimir (trumpeter) 35 Davidyan, Raphael Rubenovich (Komitas Quartet—2nd violinist, b.1923) 11, 49 Davies, Dennis Russell (conductor) 110 Davies, Ioan (Fitzwilliam Quartet––cellist, b.1949) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 127, 133, 138, 142, 144 Davies, Malwyn (tenor) 21 Davies, Meurig (bass) 105 Davies, Phillipa (Nash Ensemble—flautist) P(ii) Davies, Simon (tenor) 105 Davis, Sir Andrew Frank (conductor, b.1944) G(i), 77, 93, 129, 131 Davis, Sir Colin Rex (conductor, b.1927) 14, 126 Davis, Howard Thomas (Alberni Quartet—2nd and later, 1st violinist, 1940-2008) 11, 57, 117, 118 Davis, Katherine Kennicott (composer) [96] Davison, Arthur (conductor, 1923-92) 96 Davydov, V (narrator) 112

670

I ND E X OF NA M ES

Debussy Quartet 49, 57, 68, 83, 92, 101, 110, 117, 122, 133, 138, 142, 144 De Capo Chamber Players (Piano Trio) 19 Dechenne, Danièle (Guarneri Trio—pianist) 67, 127 DeCormier, Robert (conductor, b.1922) M, 140 Decroos, Jean (Guarneri Trio—cellist) 67, 127 Dedyukhin, Aleksandr (pianist) 40, 114 Dee, Janie (soprano) 105 Defossez, René (conductor) 77 DeGaetani, Jan (mezzo-soprano, b.1933) 79 Degen, Johannes (Amati Quartet—cellist) 73, 108 Degeyter, Pierre (composer, 1848-1932) 28, F, 51, 55, 64, 75 De Groote, André (pianist) 40 Dehning, Martin (Nomos Quartet––1st violinist) 110 Dekov, Emil (violinist, b.1932) 127 Del, D. (screen-writer) 33 Delange, Christian (Ensemble de cuivres Guy Touvron—tuba player) 27 Delannoy, Jacques (pianist) P(ii) Delman, Jacqueline (soprano, b.1933) 127 Delmé Quartet 22 Demenga, Thomas (cellist) D(i) Demichenko, Andriy (Ukrainian Brass––tuba player, b.1974) E, G(ii) Demidenko, Nikolai (pianist) E, 40 Dempsey, Gregory (bass) 29 Denisov, Edison Vasilievich (composer, 1929-96) 72 Dennison, Kenneth (conductor) 96 Denton, Damon (pianist) 35 Denver Brass 94 Deprecq, Vincent (Debussy Quartet—violist) 49, 57, 68, 83, 92, 101, 110, 117, 122, 133, 138, 142, 144 De Preist, James (conductor, b.1936) 65, 70, 79, 93, 96, 103, 107, 112, 126, 129 Derenovskaya, Natalya (pianist) 134 Derevyanko, Viktor (arranger/celesta player) 141a Dervaux, Pierre (conductor, b.1917) 17, 22 Derzhanovsky, Vladimir Vladimirovich (arranger, 1881-1942) E Désarbre, Hervé (organist) 27, 29, 39, 145 Desarzens, Victor (conductor, b.1908) 102 Deschamps, Jèrôme (designer) 105 De Sica, Vittorio (film-director, 1901-74) 103 Desford Colliery Dowty Band 16, 97 Désormière, Roger (conductor, 1898-1963) 33, 47, 65 Dešpalz, Valter (cellist, b.1947) 125 Destefano, Dario (Trio di Torino—cellist) 8, 40, 57, 67 Desyatnikov, Leonid (arranger) 123 Detmold Chamber Orchestra 110 Detroit Symphony Orchestra 97

IN DEX OF N AMES

671

Deutsch, Jonathan (bass) X(ii) Deutsche Oper Ballet 29, 102, 116; p.591 Deutsche Symphony Orchestra 47, 112, 138, 142, 144 Deutscher, Karl-Heinz (violinist) 141 Devetzi, Vasso (pianist) 127 Deville, Michel (film-director) 144 Devlin, Michael (bass) 135 Devos, Peter (Rubio Quartet—cellist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133 Dexter, John (Manhattan Quartet—violist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Deyanova, Marta (pianist) 34 Dezsö, Jaszi (ballet producer) 70 Dickerson, Bernard (tenor) 15 Dickson, Joan (Scottish Trio—cellist, 1921-94) 67 Dicterow, Glenn (violinist) 77 Diemecke, Pablo (McPherson Trio—violinist) 40 Diener, Matthais (Minguet Quartet—cellist) 57 Diesselhorst, Jan (Philharmonia Quartet—cellist) 73, 108, 133 Dietz, Michel (Verlaine Quartet—2nd violinist) 68 Dieudegard, Julian (violinist) 34 Digonskaya, Olga (musicologist, b.1956) 70, 117a; pp.587, 590 Digris, Leopoldas (organist) 87 Dikov, Anton Ventsislavov (pianist, b.1938) 35, 67 Dimchevska, Maria (soprano) 106 Dimov, Dimon (Bulgare Quartet—1st violinist) 49 Dimov, Ilya (arranger) 94 Divertissement Ensemble 34 Dixon, Peter (cellist) 39, 97 Djokić, Olga (soprano) 58 Dligach, L. (translator) 79 Dlouhý, Michal (actor) 29 Dmitriev, Aleksandr (bayan player) S Dmitriev, Aleksandr Sergeyevich (conductor, b.1935) 47, 60, 102 Dmitriev, Anatoli Nikodimovich (arranger, 1908-78) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Dmitriev, Vladimir Vladimirovich (designer, 1900-48) 15, 29, 39 Dobrovolsky, Iosif (writer/lyricist) 63, 66, 72 Dobrushin, I. M. (folksong collector) 79 Doctor, Kristen (Cavani Quartet––violist) 68, 108, 142 Dobson, Robert (Vaghy Quartet––cellist) 110 Dogadin, Andrei (Leningrad Conservatory Students’ Quartet/St Petersburg Quartet— violist) 49, 68, 83, 108 Dohnányi, Christoph von (conductor, b.1929) 10, 93 Doikov, Roumen (tenor) 106

672

I ND E X OF NA M ES

Doina Academic Choral Kapella 88 Dokoudovsky, Vladimir (choreographer, 1920) 22 Dokshitser, Timofei Aleksandrovich (trumpeter/arranger, 1921-2004) 5, 35, 79 Doležal, Karel (Doležal Quartet—violist) 11, 144 Doležal Quartet 11, 144 Dolgov, Oleg (tenor) D(iv) Dolmatovsky, Yevgeni Aronovich (lyricist, 1915-94) F, 63, N, 72, 80, 81, 82, 86, 90, 98, 136, Y Dolukhanova, Zara Aleksandrovna (mezzo-soprano, b.1918) 79, 135 Dombrovskaya, Olga (musicologist) 117a Dominant Quartet 110 Dondi, Dino (bass) 29 Donohoe, Peter (pianist, b.1953) 102 Dorey, Susan (Trio Zingara—cellist) 67 Dorliak, Nina Lvovna (soprano, 1908-98) 79 Dornbusch Quartet 11 Dorofeyev, E. F. (choreographer) p.589 Dorrer, Valeri Ivanovich (designer, b.1929) 27, 39 Dosina, Ekaterina (cellist) 39 Dostoyevsky, Fyodor Mikhailovich (novelist/poet, 1821-81) 15, 146, 147; p.591 Douay, Jean (trombonist/arranger) 34 Douglas, William (poet, c.1800) M Dowding, Nicholas (Fitzwilliam Quartet—1st violinist, b.1949) 138 Downes, Sir Edward Thomas (translator/conductor, 1924-2009) 15, 114 Dovzhenko, Aleksandr Petrovich (film-director, 1894-1956) 78 Drabinsky, Mark (cellist) 107 Drabkine, Sergio (arranger) 22 Dragon, Carmen (conductor, 1914-84) 22 Drake, Bryan (bass) 15 Drake, Julius (pianist) 40, 147 Dranga, Yuri (accordionist) 87 Drebler, Olaf (pianist) 40 Dresden Philharmonic Children’s Choir 58 Dresden Philharmonie 29, 77 Dresden Staatskapelle 43, 58, 103 Dresden State Opera Orchestra 129 Dressel, Erwin (composer, 1909-72) 23 Drew, David (choreographer, b.1938) 57 Drew, Lucas (arranger) 110 Dreznin, Sergei (conductor/arranger/pianist) 105 Drobinsky, Mark. (cellist) 125, 141 Drok, K. (translator) 80, 86 Drucker, Eugene (Emerson Quartet—lst/2nd violinist) D(i), 49, 57, 65, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Druzhina, Mikhail (bass) 56 Druzhinin, Boris (tenor) 15

IN DEX OF N AMES

673

Druzhinin, Fyodor Serafimovich (Beethoven Quarter and soloist—violist/dedicatee/ arranger, 1932-2007) 11, 101, 122, 133, 138, 142, 144, 147 Dubinsky, Rostislav Davidovich (Borodin Quartet—1st violinist; Borodin Trio/soloist/ arranger, 1923-97) 11, 34, 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 127, 133, 138 Dubinsky, Ye. (arranger) 75 Dubirny, Mikhail (trombonist/arranger) 34 Dubovsky, Yevgeni Antonovich (conductor, 1898-1962) 60 Dubrovin, Sergei (tenor) 114 Dubrovsky, Viktor Pavlovich (conductor, b.1927) 27, 30, 77 Duczmal, Agnieszka (conductor) 110a Duda, Antonín (cellist) 127 Dudarev, Georgi (bass) 114 Dudarova, Veronica Borisovna (conductor, 1916-2009) 131 Duis, Thomas (pianist) 35 Duisburg Philharmonic Orchestra 141 Duke Quartet 110 Duker, Guy (arranger) 115 Dukes, Philip (violist) 147 Dulin, Mark (trumpeter) 41(ii) Dulova, Vera Georgievna (harpist, b.1910) J(iv) Duminy, Philippe (bass) 29 Dunayevsky, Isaak Osipovich (conductor/composer, 1900-55) 31, 33, J(ii), 74 Duo de Heidelberg (Hans Helmut Schwarz and Edith Henrici—pianists) 94 Duo Postiglione (Wolfgang Schultz––cellist and Ginette Kostenbader—pianist) D(vi), 39 Duo ‘Reine Elisabeth’ (Rolf Plagge and Wolfgang Manz—pianists) 94 Duryan, Ogan Khachaturovich (also spelt Durjan; conductor, b.1922) 112 Dussaut, Thérèse and Polusmiak, Serge (piano duo) 6, O(i), 94 Düsseldorf Musikverein Symphony Orchestra and Chorus 113 Dutch Dance Company and Ballet Orchestra 54 Dutoit, Charles (conductor, b.1936) 10, 47, 70, 141 Dutt, Hank (Kronos Quartet—violist) 110 Dutton, Lawrence (Emerson Quartet—violist) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Dvarionaite, M. (conductor) 107 Dvořák Piano Trio 127 Dvorikov, N. S. (conductor) 28 Dvorkin, Boris (film director) 110a Dvornichenko, Oksana (film-director) pp.572, 575 Dyachenko, Yevgeni (pianist) 40 Dyachkov, Yegor (cellist) 40 Dyadkova, Larissa (mezzo-soprano) 4, 79 Dÿk, Peter van (choreographer, 1927-97) 70 Dzerzhinsky, Ivan Ivanovich (composer, 1909-78) D(ii) Dzhabayev, Dzhambul (Kazakh poet usually known by the anglicized form of his first name—Jambul, 1846-1945) 63; p.588

674

I ND E X OF NA M ES

Dzubenko, Gennadi (Romantic Trio––pianist) 67 Dzhurin, Nazar (cellist) 27 §E East Bohemian State Chamber Orchestra 110 East, James (Fredonia Woodwind Quintet—clarinettist) 22 Eastman Brass 133 Eastman-Rocester Pops Orchestra 22 Eastman Wind Ensemble 96 Ebeling, Wolfgang (film-director) 111 Edelmann, Ulrich (violinist) 26 Éder, György (Éder Quartet—cellist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Éder Quartet 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Edgren, Ingemar (Garcio Trio—pianist) 67 Ediet, P. (lyricist) 124 Edinburgh Quartet 57 Edlina, Luba—see Lyubov Ilinichna Yedlina Edmonton Symphony Orchestra 96 Edwards, Juliet (pianist) 87 Efros, Abram Markovich (translator, 1888-1954) 145 Egami, Takanori (chorus-master) 113 Eger, Joseph (conductor, b.1925) 47, 141 Eggers, Anke (contralto) 79 Eggner, Trio (Christoph, Georg, and Florian Eggner) 8, 67 Ehrlich, Julius (conductor, b.1894) 22 Ehrling, Sixten (pianist) 22, 34 Eidelman, Cliff (conductor) 116 Eidloth, Johannes (tenor) 29 Eijlander, Joachim (Rubens Quartet––cellist) 73 Eisenmann, Hans (arranger) 145 Eisenstein, Sergei Mikhailovich (film-director, 1898-1948) 103, 112 Eizen, Artur Arturovich (bass, b.1927) 100, 113 Ekkel, Aleksei (balalaika-player) K(ii) Eklund, Bengt (conductor) 96 Elbaek, Søreh (Copenhagen Trio—violinist) 8, 67 Elbeblech Brass Quintet 96 Elbert, G. (sound recordist) 105 Elder, Mark Philip (conductor, b.1947) 1, 7, 14, 29, 31, 32, E, 42, 46, 58a Eleonora Quartet D(i), 73, 117 Elias, Thomas (translator) K(ii) Eliasberg, Karl Ilyich (conductor, 1907-78) 60 Elkston, Viktor (oboist) P(i) Elliot, Anthony (cellist) 40 Elliott-Goldschmid, Ann (Lafayette Quartet—1st violinist) 73, 87, 110 Elmquist, Martin (conductor) 47

IN DEX OF N AMES

675

El-Registan, Gabiel (lyricist, b.1924) N Elvira Piano Duo (Mimi Birkelund and Anne Mette Staehr) 94 Emelianoff, Andre (De Capo Piano Trio—violinist) 19 Emerson, Ralph Waldo (poet, 1803-82) [96] Emerson Quartet D(i), 41(ii), 49, 65, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Emmerson, Steven (bass) 29 Empire Brass 96 Enei, Yevgeni Ye. (designer) 18 Engegard, Arvid (Orlando Quartet—1st violinist) 73, 101 Engerer, Brigitte (pianist) S(i) Engelmann, Ian (TV film-producer, 1933-81) p.618 English Brass Ensemble 108 English Chamber Orchestra 10, 35, 89, 102, 107, 110, 135 English National Opera 29, 105 Englund, Einar (composer, 1916-99) p.599 Ensemble Ars Nova 18 Ensemble de cuivres Guy Touvron 27 Ensemble de cuivres Mélodia 9 Ensemble Incendo 110 Ensemble Ongaku-Zammai 47 Ensemble Vents et Percussions de Quebéc D(ii), G(ii) Entremont, Philippe (pianist) 94, 141 Epperson, Anne (pianist) 134 Epstein, E. (pianist) 34 Epstein, Mikhail Semyonovich—see Mikhail Golodny Erasmus, Desiderius (writer, 1466?-1536) 32 Erben, Frank-Michael (Gewandhaus Quartet—1st violinist, b.1965) 73 Erblich, Ferdinand (Orlando Quartet—violist) 73, 101 Erdeli, Olga Georgievna (harpist, b.1927) S(i) Erdman, Nikolai Robertovich (playwright, 1902-70) 63, 66, 72 Eric Ericson Chamber Choir 88 Erickson, Frank (arranger) 63 Erickson, Michael (cellist) 40 Erickson, Ronald (Vaghy Quartet—2nd violinist) 110 Erisman, Zoe (pianist) 27, 34, 39, 94 Erlich, Nachum (Trio Finnico—violinist) 8 Ermler, Fridrikh Markovich (film-director/script-writer, 1898-1967) 33, 52, 55; p.589 Ermler, Mark Fridrikhovich (conductor, b.1932) 47, 114 Ernesaks, Gustav Gustavovich (chorus-master/dedicatee, 1908-93) 136 Ernst-Mosuraitis, Wilja (mezzo-soprano) 29 Eroica Trio 67 Erokhin, Mikhail (pianist) 34 Erokhsin, A. (pianist) 80 Erxleben, Michael (violinist) 77 Esbjerg Ensemble 57, 127

676

I ND E X OF NA M ES

Eschenbach, Christoph (conductor/pianist, b.1940) 47, 107, 126, 127 Eschkenazy, Vesco (violinist) 134 Eshpai, Andrei Yakovlevich (composer, b. 1925) T; p.601 Eskin, Jules (Boston Symphony Chamber Players—cellist) 57 Espoo Quartet—see Voces Intimæ Quartet Essen Sinfonieorchester Folkwang Hochschule 47 Estes, Simon (bass, b.1938) 135 Estonian State Academic Male Voice Choir 113, 136 Etheridge, Nick (tuba player) 87 European Camerata 11, 110 European Community Youth Orchestra 43 European Opera Centre K(i & ii) Evans, Michael Aubrey (Dartington Quartet—cellist, b.1932) 49, 83, 117 Evans, Ralph (Fine Arts Quartet—1st violinist) 49, 73, 108, 122 Evans, Shirley (Lyric Trio—cellist) 67 Evgrafov, Lev (cellist) 40 Evgrafova, Lydia (pianist) 40 Evrov, Nikolai (pianist) 5, 22 Evtimov, Ivan (pianist) 34, 147 Ewing, Maria (soprano, b.1950) 29 Excelsior (ensemble) 34 Eynde, Louis Op’t (Belgian Woodwind Quintet—oboist) 22 §F Facchini, Marco (Quartette Foné—2nd violinist) 110 Fadeyev, Aleksandr Aleksandrovich (novelist, 1901-56) 75 Fadeyev, Dmitri (bass) D(iv) Faerber, Jörg (conductor, b.1929) 35, 110 Faier, Yuri Fyodorovich (conductor, 1890-1971) 32, 39 Faintsimmer, Aleksandr Mikhailovich (film-director) 97 Fairy Band 96 Falik, Yuri Aleksandrovich (composer, b.1936) p.598 Falk, Ofer (Schidlof Quartet—1st violinist) 57, 83, 108 Fanfani, Adolfo (chorus-master) 15 Fanning, David J. (translator/musicologist, b.1955) 4, 29, 87, 93 Farina, Edoardo (I Solisti Italiani—keyboard player) 116 Farley, Peter (designer) 110 Farmer, Peter (designer, b.1941) 116 Fassbänder, Brigitte (mezzo-soprano, b.1939) V Faulds, John (conductor, b.c.1881) 114 Federal Youth Orchestra of Germany 141 Fedin, Vladimir (xylophonist) 22 Fedorovsky, Fyodor (designer) 106 Fedoseyev, Vladimir Ivanovich (conductor, b.1932) 10, 20, 35, 43, 47, 54, 60, 65, 70, 76, 77, 81, 93, 97, 100, 101, 102, 113, 114c, 129, 141 Fedotov, Maksim (violinist) 77, 129, 134

IN DEX OF N AMES

677

Fedotov, Yevgeni (bass) 106 Fehlandt, Stefan (Vogler Quartet—violist) 122 Feigelson, Iosif (cellist) 147 Feigin, Grigori (violinist) 5, 67 Feigin, Valentin Yakovlevich (cellist, b.1934) 67, 107, 126 FEKS (Factory of the Eccentric Actor—group) 18 Feldmann, Arkadi (conductor) 107 Feldt, Pavel Emilievich (student composer/conductor, 1905-60) B, 10, 39 Fennel, Frederick (conductor, 1914-2004) 22, 47 Ferkelman, Arnold Ya. (cellist, b.1914) 97 Ferlinghetti, Lawrence (poetry reader, b.1919) 113 Fernández, Valeriano Orobón (lyricist, 1901-36) 44 Ferraresi, Aldo (violinist) 77 Ferschtman, Liza (violinist) 34 Fershtman, Dmitri (Glinka Quartet—cellist/soloist) 40, 73, 127, 142 Festival Ballet (of London) P(i) Fialová, Terezie (Puella Trio—pianist) 8 Fiedler, Achim (conductor) 35, 87, 110 Fiedler, Arthur (conductor, 1894-1979) 22, 32, 96 Filatova, L. P. (mezzo-soprano) X(i) Filimonova, Natalya (mezzo-soprano) 26 Filin, Sergei (ballet-dancer) 39 Filippini, Lino (Quintetto Chigiano—cellist) 57 Filippo, R. San (arranger) 22 Film Production Directorate Orchestra 111 Finkel, David (Emerson Quartet—cellist) D(i), 40, 49, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Fine Arts Quartet 49, 73, 108, 122 Fink, Siegfried (conductor) 15 Finnilä, Birgit (contralto, b.1931) 29 Fioravanti, Gustavo (violist) 57 Fiorentini, Marco (Ars Trio di Roma––violinist) 8, 67, 127 Fischer, Eckhard (Trio Opus 8––violinist) 8, 67, 141a Fischer. Pavel (Škampa Quartet—1st violinist) 110 Fischer, Philine (soprano) 29 Fischer-Dieskau, Dietrich (baritone, b.1925) 135, 145, 146 Fiseisky, Aleksandr (organist) 29 Fiskum, Bjarne (Trondheim Soloists—leader) 110 Fistoulari, Anatole (conductor, 1907-95) 54 Fitelberg, Grzegorz (arranger, 1879-1953) 5, 35 Fitz-Gerald, Kevin (pianist) 127 Fitz-Gerald, Mark (arranger/conductor) 18, 26, 28, 41(i & ii), 44, G(ii), 70 Fitzpatrick, Mike (Mobius—cellist) 67 Fitzwilliam Quartet D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117a, 117, 118, 122, 133, 138, 142, 144 Fjeldli, Tino (violinist) 134

678

I ND E X OF NA M ES

Flaks, Efrem Borisevich (baritone, b.1909) 62 Flato, Ludwig (arranger) p.565 Fledzhinskas, Yuri (Lithuanian State Quartet—violist) 49, 83 Fleet, Edgar (tenor) 29 Fleishman, Veniamin Iosifovich (composer, 1913-41) K(iii) Flesjø, Ellen Margrete (Grieg Trio—cellist) 8, 67 Fletcher, Lyn (London Musici Quartet—1st violinist) 57 Flieder, Klara (Leschetizky Trio—violinist) 67 Flindt, Flemming (choreographer, b.1936) see under Op. 32 Flor, Claus Peter (conductor, b.1953) 10, 77, 93, 126 Florestan Trio 67 Flumrnerfelt, Joseph (chorus-master) 113 Fodoreanus, Dorel (Arman Trio—cellist) 67 Fomina, Nina Victorovna (soprano, b.1937) 79, 114 Fonda, Jean-Pierre (pianist, b.1937) 40 Ford, Fiona (musicologist) (2nd violinist) 110 Forest, René (cellist) 127 Formichini, Dino (tenor) 15 Forrester, Maureen (contralto, b.1930) 79 Forst, Rudolf (arranger) 5, 34 Fortunatov, Konstantin Aleksandrovich (arranger) 37, 39, 69, 78, P(iii), S(i), 97 Foster, Lawrence Thomas (conductor, b.1941) 35, 102 Fournier, Pierre Léon Marie (cellist, 1906-86) 40, 107 Francescatti, Zino (René) (violinist, 1902-91) 22 Franck, Miklo (conductor) 77 Frankfurt Radio Symphony Orchestra 26, E, 47, G(ii), 70, P(i) Franzewa, Alexandra (violist) 147 Frascati, Tommaso (tenor) 15 Fraser, Donald (arranger) 97 Freccia, Massimo Filippo Antongiuio (conductor, 1906-2004) 15, 47 Fredericks, Michael (arranger) S(i) Fredonia Wind Quintet 22 Freed, Kenneth (Rosalyra Quartet––2nd violinist) 68, 110 Freedman, Gerard (stage producer) 29 Freeman, Paul (conductor, b.1936) 16, 35, 97, 102, 111, 116 Freiburg Philharmonic Orchestra 70 Freivogel, Liz (Jupiter Quartet—violist) 73 Friedheim, Heinrich (violinist) 10 Freude Philharmonie 47 Fremlot, M. (arranger) 88 French National Symphony Orchestra 10 French National Radio Orchestra (Orchestre National de la Radiodifusion Française) 10, 35, 102, 103 Frenkel, I. (lyricist) X(i) Fresk, Lars (Fresk Quartet—1st violinist) 110

IN DEX OF N AMES

679

Fresk Quartet 110 Freund, Hilde (Lyric Trio—pianist) 67 Freundlich, Irwin (musicologist) 87 Frickert, Walter (arranger) S(i) Fridgeim, Genrikh (violinist) 97 Fridlender, Aleksandr Grigorievich (composer, b.1906) p.599 Fried, Enns (translator) 114 Friede, Stephanie (soprano) 135 Friedlin, Yan (Yakov) Mikhailovich (composer, b.1944) p.598 Friedrich, Reinhold (trumpeter) 35 Friend, Lionel (conductor, b.1945) 75, 76 Friend, Rodney (violinist, b.1939) 67, 135 Friend-Solomon-Hugh Trio 67 Friscay, Ferenc (conductor, 1914-63) 70 Fritzsch, Johannes (conductor) 70 Frohlich, Joseph (Academy of St Martin-in-the-Fields Chamber Ensemble—violinist) 11 Frolov, Yuri (tenor) D(iv) Froschauer, Helmuth (chorus-master) 4 Frucht, Christaine (Zurich Piano Trio––pianist) 8, 67 Fuente, Herrera de la (conductor) 47, 107 Fuga, Giacomo (Trio di Torino—pianist) 8, 57, 67 Fujimori, Ryoichi (Morgaua Quartet—cellist) 34, 49, 68, 92, 97, 100, 101, 108, 117, 122 Fujiwara, Mari (cellist, b.1949) 40 Fukačova, Michaela (cellist, b.1959) 40 Fuks, Ye. (pianist) 34 Fukuoka Kodai High School Wind Orchestra 47 Fullard, Annie (Cavani Quartet––1st violinist) 68, 108, 142 Fuller, Louisa (Duke Quartet—1st violinist) 110 Fullerlove, Janet (soprano) 105 Funke, Christian (violinist) 5 Fürst, János (conductor, 1935-2007) 107 Füssl, Karl Heinz (translator) 15 Fyodorkin, Vyacheslav (tenor) 114 Fyodorov, Nikolas (violinist) 8 Fyodorovsky, Fyodor Fyodorovich (designer, 1883-1955) 106 Fyson, Leslie (tenor) 29 §G Gabichvadze, Revaz Kondratievich (composer, b.1913) p597 Gabouri, Elena (mezzo-soprano) K(ii) Gabrielli Quartet 49, 73 Gabrielyan, Avet Karpovich (Komitas Quartet—1st violinist, 1899-1983) 11, 49 Gabrilovich, Yevgeni Iosifovich (screen playwright, b.1899) 97, 132 Gadjev, Zdravko (tenor) 106

680

I ND E X OF NA M ES

Gagarin, Yuri Alekseyevich (cosmonaut, 1934-68) 86 Gage, Stephen L. (conductor) 115 Gagliano Trio 67 Gagne, Helene (cellist) 40 Gagov, Nikolai (Sofia Quartet—2nd violinist) 110, 118, 122 Gahmlich, Wilfried (tenor) 106 Gaiswinkler, Hans Peter (arranger) 34 Gaiswinkler, Otmar (Vienna Trombone Quartet) 34 Gál, Zoltán (Keller Quartet––violist) 144 Galayev, Rashid (trombonist) 141 Gale, Rebecca (soprano) 105 Galkovsky, Aleksandr (Shostakovich Quartet—violist) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Gallant, Julian (pianist) 35 Gallaway, Philip (Coull Quartet—2nd violinist) 83, 110, 122 Galletti, Alberto (pianist) 4 Galloway, Jennifer (oboist) 26 Galouzina, Vladimir (tenor) 106 Galusin, Vladimir (tenor) 29, 106 Gambarini, Erina (chorus-master) 20, 135 Gamburg, Grigori Semyonovich (Stradivari Quartet—violist/conductor, 1900-67) 11, 75, 111 Gamrekeli, David (baritone) 7 Ganev, Julia and Konstantin (piano duo) 94 Ganiev, Sarvar (Azerbaidzhan Quartet—1st violinist, b.1937) 110 Gapov, A. (lyricist) F Garaguly, Carol von (conductor, b.1900) 29 Garay, György (violinist) 10 Garb, Louis (tenor) 79 Garcia, Gustavo (Garcia Trio—violinist) 67 Garcia Lorca, Federico (poet, 1899-1936) 135 Garcia Trio 67 Garrity, Captain C. R. C. (conductor) 96 Garshtya, Veronika (chorus-director) 88 Gärtner, Michael (percussionist) 141a Garvayo, Juan Carlos (pianist) 147 Gassiev, Nikolai (tenor) 106 Gatev, Krasimir (pianist) B, 87, S(i) Gatsenko, Alla (accordionist) 94 Gaudeamus Chamber Choir (Moscow High Technical School) 104 Gauk, Aleksandr Vasilievich (conductor, 1893-1963) 20, 22, 27, 47, 54, 65, 70, 75, 77, 82, P(i), 89, 96, 102, 103 Gaukhman-Sverdlov, Marksen (designer) 105 Gauntt, Edward (baritone) 29 Gavin, Barrie (TV director, b.1935) 110

IN DEX OF N AMES

681

Gavrilov, Andrei (pianist, b.1955) 134 Gavrilova, Nataliya (pianist, b. 1950) 22, 27, 34, 87, 97 Gedda, Nicolai (real name Ustinov; tenor, b.1925) 29, 46 Geeting, Loren (baritone) 105 Gelakhova, Irina (mezzo-soprano) 105 Gelenbe, Deniz Arman (Arman Trio—pianist) 67 Geleskul, L. (translator) 135 Geller, Misha (Glinka Quartet—violist) 73, 142 Gelmini, Hortense von (conductor, b.1947) 35 Gelsenkirchen Municipal Orchestra 10 Geldelshstein, Albert A. (film-director) 38; p.571 Gemmingen, Ehrengard von (Ensemble Incendo––cellist) 110 Generalov, Vladimir (bass) 114 Genova, Aglika and Dimitrov, Liuben (piano duo) 6, E, O(ii), 94, 95 George, Alan Norman (Fitzwilliam Quartet—violist, b.1949) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117a, 117, 118, 122, 133, 138, 142, 144 George, David (Vaghy Quartet––2nd violinist) 110 George, Gwyneth (cellist) 40 Georgia, State Quartet of 68, 73 Georgia, State Radio Quartet of 73, 117 Georgian, Armen Yakovlevich (Komitas Quartet—cellist, b.1904) 11 Georgian Chamber Orchestra 110 Georgian, Karine (cellist, b.1944) 40 Georgiev, Stoil (baritone) 106 Gepp, Rainer (Arcadia Trio—pianist) 67 Gerasimov, Sergei Apollinaryevich (film-director, 1906-85) 75 Gerasimova, Kira (contralto) Q Gerasimova, Natalya (soprano) 127 Gerelo, Vassili (bass) 106 Gergiev, ValeryAbisalovich (conductor, b.1953) 15, 19, 22, 27, 29, 43, 47, 54, 58, 60, 65, 70, 105, 106, V, 114, W, 135 Gergieva, Larissa (pianist) 24 Gerhardt, Alban (cellist) 40, P(iv) Gerhardt, Manon (Ensemble Incendo––violist) 110 Geringas, David (cellist/conductor, b.1946) D(vi), 39, 40, 67, 142 Gerlinghaus, Stephan (Trio Bamberg—cellist) 8, 67 German National Youth Orchestra 43 German, Yuri Pavlovich (screen playwright, 1910-67) 76, 85 Gerov, Valentin (Sofia Quartet—violist) 110, 118, 122 Gershman, Paul (MGM Studio Orchestra—violinist) 11 Gerstner, Manuel (Clementi Trio—cellist) 67 Gewandhaus Orchestra of Leipzig 93, 112 Gewandhaus Quartet 73 Ghiaurov, Nicolai (bass, 1929-2004) 98, 106 Ghidoni, Paulo (violinist) 134

682

I ND E X OF NA M ES

Ghiuselev, Nicola (bass, b.1936) 106, 113, X(ii) Giavazzi, Stefano (pianist) 134 Gibin, Giovanni (tenor) 29 Gibson, Sir Alexander Drummond (conductor, 1926-95) 96, 125 Gielen, Michel (conductor) 112 Gilels, Emil Grigorievich (pianist, 1916-85) 61, 67, 87 Gill, Emily (translator) 135 Gillette, John (Fredonia Woodwind Quintet—bassoonist) 22 Gilmore, Patrick Sarsfield (pseudonym of Louis Lambert; 1829-92) M Gimpel, Bronisław (Warsaw Quintet—1st violinist, 1911-79) 57 Gimse, Havard (pianist) 40, 97, 147 Ginzburg, Anton Giliarovich (pianist, b. 1930) 40, 147 Ginzburg, Elizaveta (pianist) 34, 134 Ginzburg, G. I. (Glazunov Quartet—2nd violinist) 57, 73? Giovanile Italiana Orchestra 54 Gippius, Yevgeni Vladimirovich (folksong collector, 1903-85) Q Girshenko, S. (violinist) 97 Giuseppe Verdi Symphony Orchestra, Milan 10, 54 Gladilina, Elena and Yurygina, Natalya (piano duo) 94 Glantz, Harry (trumpeter) 35 Glasgow Orchestral Society 115 Glassl, Roland (Mandelring Quartet––violist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 133, 142 Glazunov, Aleksandr Konstantinovich (dedicatee, 1865-1936) Juv. Glazunov Quartet 49, 57, 73 Glemser, Bernd (pianist) 35, 87 Gleusteen, Kai (violinist) 34 Glickman, Harry (arranger, b.1910) 5, 22 Glière Quartet 11 Glikberg, Aleksandr Mikhailovich—see Sasha Chorny Glikman, Isaak Davidovich (dedicatee/arranger, b.1911) 22, 62, [93], 114 Glinka, Mikhail Ivanovich (composer, 1804-57) 64, T, 141 Glinka College Boys’ Choir 81 Glinka Quartet 73, 142 Glinkina, Nina (soprano) 56 Glivenko, Tatyana Ivanovna (dedicatee, b.1906) 8 Globa, A. (translator) J(ii), 79 Gluboky, Pyotr (bass, b.1947) 46, K(i), 62, 91, 121, 146 Glukhov, Oleg (balalaika player/arranger) 97 Glyde, Judith (Manhattan Quartet—cellist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Gluzman, Michael (arranger, b. 1973) E Gluzman, Vadim (violinist) E, 134 Gmyrev, Aleksei Mikhailovich (poet, 1887-1911) 78, 88 Gmyrya, Boris Romanovich (bass, 1903-69) 98

IN DEX OF N AMES

683

Gnessin Institute Choir 113 Gnessin Institute Quartet, Postgraduates of 11 Göbel, Horst (pianist) 79, 127 Goberman, Max (conductor) 11 Godart, Pascal (pianist, b.1971) 13, 68, 134 Goehr, Walter (conductor, 1903-60) 35 Goethe, Johann Wolfgang von (poet, 1749-1832) Z Goff, Scott (flautist) 22 Gogol, Nikolai Vasilievich (novelist, 1809-52) 15, 32, K(i); pp.590, 619 Gogolevskaya, Larissa (soprano) 114, 135 Golan, Itamar (pianist) 8, 34, 57, P(iii), 147 Golani, Rivka (violist, b.1946) 147 Goldberg, Stella (pianist) 145 Golden Age Singers, The 113 Goldenblank, B. M. (film-director) 145; p.571 Goleblowsky, Karol (organist) 30 Golenishchev-Kutuzov Count Arseni Arkadievich (poet, 1848-1913) V Golodny, Mikhail (pseudonym of Mikhail Semyonovich Epstein; poet, 1903-49) J(ii), N Golovko, Andriy (Ukrainian Brass––trombonist, b.1970) E, G(ii) Golovneva, Irina (pianist) 100, 143 Golschmann, Vladimir (conductor, 1893-1972) 10, 47 Goltz, Conrad von der—Chamber Orchestra 110 Golub, Lyudmila (organist) 30 Goncharov, Vladimir (trumpeter) 35 Goncharova, Tatyana (pianist) 34, 134 Gonzalez, Manuel (pianist) 147 Goode, Richard (pianist, b.1943) 147 Gooding, Mark (conductor) 102 Gorbenko, Arkadi N. (playwright) 25 Gorbenko, Vladimir (tuba player) 113 Gorchakov, Sergei Petrovich (real name Zweifel; arranger, 1905-76) 30 Gorchakova, A. (translator) X(i) Gordinets, Oleg (baritone) 56 Gordon, David (tenor) 79 Gordon, Mikhail A. (designer) 60 Gorelova, Anna (Atrium Quartet––cellist) 92, 108 Goren, Eli Alexander (Allegri Quartet—1st violinist, 1923-2000) 68 Gorenflo, Achim (arranger) 81 Gorenstein, Mark (conductor) 16, 27, 47, P(i), 93, 97, 106, 110 Gorin, Igor (baritone) 33 Gorini, Gino (pianist, b.1914) 94 Gorky, Maksim (pseudonym of Aleksei Maksimovich Peshkov; novelist, 1868-1936) 103, 112; p.587 Gorky Philharmonic Orchestra 79

684

I ND E X OF NA M ES

Gorling, Wendy (mime specialist) p.574 Gornostayeva, Vera Vasilievna. (pianist, b.1929) 34, S(i) Gorodetsky, Jac (Budapest Quartet––2nd violinist) 57 Gorokhov, Leonid (cellist, b.1967) 40 Gorokhov, V. (arranger) E Gorokhovskaya, Yevgeniya (mezzo-soprano) 100, 143 Goryainova, All (Leningrad Conservatory Students’ Quartet—1st violinist) 108 Göteborg Brass Band 96 Gothenburg Opera, Women’s Voices of 4 Gothenburg Symphony Orchestra 4, 14, 20, 21, 22, 27, 32, 46a, 79a, 103, 112, V, 113, 115, 131, 135, 140, 141, 143, 145 Gothoni, Ralf (pianist) 40 Gotkovsky, Nell (violinist) 77, 129 Gotsdener (arranger) 39 Gotta, Antonello (conductor) 22, 35, 102 Gottlieb, Victor (American Art Quartet—cellist) 22 Götz, Karl (arranger) 15 Gough, Christopher (Edinburgh Quartet—cellist) 57, 67 Gouinguené, Christian (organist/arranger) 34 Gould, Clio (violinist leader, b. 1969) 11, 35, 110, 118 Gould, Glenn Herbert (pianist, 1932-82) 5, 57 Gould, Morton (conductor, 1913-96) 14, 20, 96 Gounod, Charles Francois (composer, 1818-93) 31, 59 Gourlay, James (English Brass Ensemble—tuba player) 108 Gouzhov, Mikhail (bass, b.1963) 105 Gozman, Lazar (conductor/arranger, b.1926) 11, 110, 135, 140 Grach, Eduard (conductor) 110 Gracie, John (trumpeter) P(i) Graefe, Marianne (translator) 79 Graf, Daniel Robert (cellist) 40 Grafenhaver, Irena (flautist) P(ii) Graf-Goergen, Viviane (pianist) 40 Grafilo, Zakarias (Alexander String Quartet—1st violinist/arranger) 49, 57, 68, 73, 83, 87, 92, 101, 108, 110, 117, 117a, 118, 122, 133, 138, 142, 144 Graham, John (bass) 119 Graham, John (violist) 147 Graham, Lowell (conductor) P(i) Grandjean, Evgenia (Rasumovsky Quartet––2nd violinist) D(i), 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Grant, Cameron (Leonardo Trio—pianist) 67 Gräsbeck, Folke (pianist) 6, 34, 35, 93 Grashchenkov, V. (writer) 145 Gray, Harold (Florestan Trio— pianist) 67 Gray, James (Excelsior—tuba player) 34 Gray, Tony (pianist) 89

IN DEX OF N AMES Grayson, Kathryn (pseudonym of Zelma Hedrick; soprano, b.1922) 33 Green, Barry (double-bass player) 40 Greenfield, Bruce (Gagliano Trio—pianist) 67 Greenfield, Gretchen (contralto) 79 Greenhouse, Bernard (Beaux Arts Trio—cellist, b.1916) 67 Gregor-Smith, Bernard (cellist) 40, 97 Greiner, Ben (violinist) 134 Greitzer, Sol (violist) 135 Grenadier Guards, Band of the 96 Grieg Trio 8, 67 Griffiths, Eirian (arranger) 97 Griffiths, Howard (conductor) 135 Grigoriev, Pyotr (B flat baritone player) 22 Grigorovich, Yuri Nikolayevich (choreographer, b.1927) 22 Grimethorpe Colliery Band 96 Grin, Leonid (conductor) 97, 116 Grinberg, Maria Israilevna (pianist/lecturer, 1908-78) 35, 46, 87, S(i) Grinfeld,Svetlana (Nevsky Quartet––2nd violinist) 110 Gringolts, Ilya (violinist, b.1982) 77 Grishkin, Sergei (cor anglais player) 65 Gritzuik, Grigory (baritone) 29 Grivnov, Vsevold (tenor) D(iv) Grižas, Aloyzas (Čiurlionis Quartet—violist) 73, 122 Grodnikaite, Liora (mezzo-soprano) X(i) Groeneveld, Larissa (Osiris Trio/Trio Dante—cellist) 40, 67, 127 Gromadsky, Vitali Aleksandrovich (bass, b.1928) 113, 119 Groote, Philipe de (Chiligirlan Quartet—cellist) 110 Gross, Katharina (cellist) 40 Grosz, Amichai (Jerusalem Quartet—violist) 49, 73, 83, 101, 110, 117, 122 Groves, Sir Charles Barnard (conductor, 1915-92) 107, 113, 145 Grynyuk, Alexei (pianist) 134 Grubert, Ilya (violinist) 5, 34, 134 Grunberg, Nicola (pianist) 147 Grunes, David J. (arranger) 22, F Gryphon Trio 8, 67, 127 Guarneri Trio 8, 67, 127 Gubina, Yelena (alto) 79 Guechev, Guenko (bass-baritone) 145 Guggeis, Edgar (percussionist) 141a Guglielmo, Giovanni (I Solisti Italiani—violist) 97 Gugnin, Andrei (pianist) 35, 102 Guhl, Adolf Fritz (conductor/arranger, 1919-77) 33, 80, P(i) Guilet, Daniel (quartet leader, d.1990) 49 Guliet Quartet 49 Guitar Trek D(i)

685

686

I ND E X OF NA M ES

Guittart, Henk (Schoenberg Quartet—violist) 144 Gulak-Artemovsky, Semyon Stepanovich (composer, 1813-73) J(ii) Gulda, Paul (pianist) 35, 102 Gulyás, Dénes (tenor) 106 Gunson, Ameral (mezzo-soprano) M Günther, Bernard (Berlin State Opera Quartet—cellist) 92 Gunther, Phyllis (arranger) 22 Guralnik, Robert (pianist) A, 57 Gurilyov, Aleksandr Lvovich (composer, 1803-58) J(ii) Gurov, Vladimir (tenor) 114 Gürzenich Orchestra of Cologne 10, 14, 20, 43, 47, 54, 60, 65, 70, 93, 103, 112, 113, 135, 141 Gusak-Grin, Marina (pianist) 34 Gusev, Pyotr Andreyevich (ballet dancer, b.1904) 39 Gusev, Stanislav Dmitrievich (chorus director, b.1937) 14, 20, 113 Gusev, Viktor Iosifovich (tenor, 1914-85) D(iv) Gushanskaya, Yuliya (pianist) 5, 54 Gusman, Boris (?) E. (lyricist) p.587 Gustav Mahler Jugenorchester 10 Gutman, Natalia Grigorievna (cellist, b.1942) 8, 67, 107, 126, 144 Gutnikov, Boris Lvovich (violinist, 1931-86) 34, 127 Guttman, Albert (pianist) 40 Guttman, Michael (violinist) 34 Guttman, Simone (pianist) 34 Györ Ballet (Hungary) 70 §H Haak, Karl-Heinz (bass) 29 Haas, Gerhard (trombonist) 141 Habunek, Vlado (stage producer) 106, 114 Hadari, Omri (conductor) 18 Haefliger, Ernst (tenor) 21 Hagemann, Marcus (Trioskop––cellist) 67 Hagen, Clemens (cellist) 141a Hagen Quartet (Lukas––1st violinist, Veronika––violist, Clemens––cellist) 11, 73, 83, 108, 110, 122, 142 Hagen, Veronica (violist) D(i) Hague, Resident Orchestra of The 60, 105 Hainzl, Erik (Vienna Trombone Quartet) 34 Haithcock, Michael (conductor) 17 Haitink, Bernard (conductor, b.1929) 10, 14, 20, 22, 43, 47, 54, 60, 65, 70, 79, 93, 103, 107, 112, 113, 115, 135, 141, 143 Hajóssyova, Magdaléna (soprano) 135 Hakopian, Levon (translator) 56 Hála, Josef (pianist) 40, 146

IN DEX OF N AMES Halász, Débora (pianist, b.1965) 34 Halász, Franz (guitarist, b.1964) 34 Halfvarson, Eric (bass) X(ii) Hall, Dmitry (Australia Ensemble––violinist) 57 Hall, Martin (arranger) S(i) Halldórsson, Sigurdur (cellist) D(vi) Hallé [Orchestra] 10, 14, 35, 47, 54, 56, 77, 83, 93, 97, 110 Hallé Choirs 14, Q, 103 Hållander, Sverker (conductor) 96 Halling, Peter (Amici Quartet—cellist, b.1928) 118 Hallynck, Maria (cellist) 67, 107, 127 Halsdorf, Jean (cellist) 40 Halsted, Margo (carilloneur) 87 Hamburg NDR Symphony Orchestra 47 Hamburg Soloists D(i), 110, 118 Hamburg State Philharmonic Orchestra 16, 22, 105 Hamelin, Marc-André (pianist) 35, 102 Han, Derek (pianist, b.1957) 35 Han, Wu (pianist) 40 Hanák, Bohuš (bass) 119 Hancock, Phyllida (soprano) 105 Handley, George Vernon (conductor, 1930-2008) 96 Handt, Herbert (tenor) 106 Handy, James (English Brass Ensemble—horn player) 108 Haničinec, Petr (actor) 29 Hänninen, Kari (pianist) 5 Hannover, Orchestra of the Hochschule für Musik und Theater 47 Hänschke, Michael (pianist) 40 Hanslip, Chloë (violinist, b.1987) 97 Hansen, Janine (violinist) 97 Hanson, Holger (Saulesco Quartet—violist) 83 Hanson, Torgny (arranger) 63 Haram, Simon (soprano saxophonist) 22 Harburg, Edgar Yip (lyricist, 1896 or 98-1981) 33 Hardenberger, Håkan (trumpeter, b.1951) 35 Harjanne, Jouko (trumpeter/arranger, b.1962) 5, 35 Harlan, Evan (Excelsior—accordionist/arranger) 34 Harmonieorkest ‘Consordia’ 70 Harrel, Lynn (cellist, b.1944) D(vi), 40, 107, 126 Harrington, David (Kronos Quartet—1st violinist) 110 Harris, Paul (pianist) 121, 123 Harry, Don (Eastman Brass––tuba player) 133 Hart, Mary Ann (mezzo-soprano) 79 Hart, Penny (Music Group of London—2nd violinist) 57 Harting, Hildegard (soprano) 135

687

688

I ND E X OF NA M ES

Hartley, Jackie (London Musici Quartet—2nd violinist) 57 Hartman, Donald (Fredonia Woodwind Quintet—flautist) 22 Hartrrian, Scott A. (Empire Brass—trombonist) 96 Harty, Sir (Herbert) Hamilton (conductor, 1879-1941) 10 Harvard-Radcliffe Orchestra 47 Harvey, (Anthony) Keith (Gabrieli Quartet—cellist, b.1938) 49, 73 Harvey, Michael, Kieran (pianist) 12, 34 Hasbirk, Stine (Cailin Quartet—violist) 73 Hashimoto, Kyoko (pianist) 34 Hauber, Michael (Trio Opus 8—cellist) 8, 67, 141a Haugland, Aage (bass-baritone, 1944-2000) 29, 106 Haus, Olga (pianist) 69, S(i) Hauwe, Dirk Van den (Rubio Quartet—2nd violinist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Haverinen, Margareta (soprano, b.1952) 135 Haveron, Andrew (Brodsky Quartet––1st violinist) 11, D(i), 57, P(iii) Havlíková, Klara (pianist) 34 Hawes, Tim (trumpeter) 35 Haydn, Franz Joseph (composer, 1732-1809) 35 Hayer, Isolde (cellist) 67 Hayrabédian, Roland (conductor) 110, 135 Hayroudinoff, Rustem (pianist) 19, 22, 31, 43, 52, 37, 44, 58a, 66 Head, Leslie George Walter (conductor) 42 Head, Nancy (lyricist, d.1991) 33 Heagney, Roger (Trio Melbourne––pianist) 8 Heard, Robert (Academy of St Martin-in-the-Fields Chamber Ensemble—violinist) 11 Hefele, Gottfried (Seraphin Trio––pianist) 67 Heiberg, Harold (translator) 119 Heide, Hans van der (arranger) 27 Heifetz, Inna (pianist) P(i), S(i), 94 Heifetz, Jascha (violinist, 1901-87) 5, 34 Heiligers, Eckart (Trio Jean Paul—pianist) 67 Heine, Heinrich (lyricist, 1797-1856) p.588 Heinze, Sir Bernard Thomas (conductor, 1894-1982) 112 Heinzel, Wolfgang (conductor) 29 Hekkema, Raaf (Calefax Reed Ensemble—saxophonist) 87 Heled, Simca (Trio Yuval—cellist) 67 Heller, Norbert (Czech Trio––pianist) 67 Helling, Carl-Magnus (Trio Paian––violinist) 8, 67 Hellmundt, Christoph (translator) 46, 62, 91 Helmerson, Frans (cellist, b.1945) 67, 107, 126 Helsdingen, Lucas van (Calefax Reed Ensemble—saxophonist) 87 Helsingborg Symphony Orchestra 35, 102 Helsinki Philharmonic Orchestra 22, 65, 70, 93, 96, 103, 112 Helsinki Strings 110

IN DEX OF N AMES Heltay, Laszlo (chorus-master) 14, 81 Hemmel, J. (pianist) 147 Hempel, Jurjen (conductor) 126 Henderson, Wight (Scottish Trio—pianist, b.1913) 67 Hendl, Walter (conductor, 1917-2007) 34 Hendrickx, Heidi (pianist) 94 Henes, John (trumpeter) 35 Henrici, Edith (Duo de Heidelberg—pianist) 94 Henry, Aaron (arranger) 22, 34 Herbig, Günther (conductor) 43, 47, 60, 65, 93 Herbut, Tomasz (pianist) 79 Herkunft (translator) 58 Herman, Sophia (Solati Trio—violinist) 67 Hermansen, Troels Svane (Copenhagen Trio—cellist) 8, 67 Hermitage Theatre Chamber Orchestra 110 Herrick, Christopher (organist) 29 Herrmann, Bernard (conductor, 1911-75) 116 Hersh, Julian (Jupiter Trio––cellist) 67 Hertel, Karl (Munich Brass Soloists—trumpeter) 27 Hertfordshire County Youth Orchestra G(i), 96 Herz, Friedemann (organist) 29 Het Residentie Orkest 113 Hetherington, David (cellist) 127 Hetzler, Mark (trombonist/arranger) 110 Heward, Leslie Hays (conductor, 1897-1943) 35 Heyn, Walter Thomas (arranger) 87 Hickox, Richard Sidney (chorus-master, 1948-2008) 29, 104, 113 Hidy, Marta (violinist) 67 Highbaugh, Pamela (Lafayette Quartet—cellist) 73, 87, 110 Hill, Martyn Geoffrey (tenor, b.1944) 29 Hillyer, Raphael (Juilliard Quartet and soloist—violist, b.1914) 57, 147 Hindle, Oliver (choreographer) 110 Hirokami, Junichi (conductor) 47, 77, 131 Hiroshima Wind Orchestra 27, 82, 97 Hirsch, F. (translator) 88 Hirsch, Leonard (Hirsch Quartet—1st violinist, 1902-95) 49 Hirsch Quartet 49 Hobson, Ian (pianist) 145 Hodgkinson, Randall (Boston Chamber Music Society—pianist) 67, 147 Hoebig, Desmond (cellist) 40 Hoelscher, Ulf (violinist, b.1942) 127 Hoey, Choo (conductor) 93 Höfer, Cordelia (pianist) 147 Hoffman, Gary (cellist) D(vi), 40 Hoffman, Irwin (conductor, b. 1924) 77

689

690

I ND E X OF NA M ES

Holden, Anya (singer) 86 Holden, Karl (conductor) 86 Holetschek, Franz (pianist) 40 Höll, Harmut (pianist) 147 Holl, Robert (bass) 113 Holland, Jack (arranger) 36 Hollander, Max (MGM Studio Orchestra—violinist) 11 Holleque, Elizabeth (soprano) 135 Holloway, Peter (conductor) 47 Hollywood Quartet 5 Holmanová, Jana (ArteMiss Trio––pianist) 8, 67, 127 Holmes, Jim (arranger/conductor) 105 Holmstrand, Göran (Garcia Trio—cellist) 67 Holst, Henry (violinist, b.1899) 67 Hölze, Karl Friedrich (tenor) 58 Honda-Rosenberg, Latica (violinist) 77 Honegger, Arthur (composer, 1892-1955) D(viii) Hood, Joanna (Lafayette Quartet—violist) 73, 87, 110 Hoog, Viola de (Schoenberg Quartet—cellist) 144 Hoogeveen, Godfried (Reizend Muziekgezelschap—cellist) 57 Hoogeveen, Ronald (Rafael Quartet—1st violinist) 110, 138 Hoover, Marina (St Lawrence Quartet––cellist) 73, 108, 110 Hope, Daniel (violin soloist/Beaux Arts Trio––violinist, b.1974) 77, 97, 129, 134 Hopkins, Sir Anthony (narrator, b.1937) 113 Hopkins, John (conductor) 43 Hopkins, Robert Innes (designer) 105 Hopkins, Virginia (Auckland Quartet—cellist) 110 Hoppert, Manfred (Munich Brass Soloists—tuba player) 27 Horenstein, Jascha (conductor, 1898-1973) 10, 47, 107 Hori, Ryosuke (cellist) 40 Horner, Jerry (Fine Arts Quartet/augmenting Borodin Trio—violist) 49, 57, 73, 108, 122 Hornstein, Martin (Vienna Schubert Trio—cellist) 8 Horsch, Gregor (cellist) 105 Horvat, Milan (conductor, b.1919) 10, 35, 70, 93, 141 Horwood, Craig Revel (choreographer) 105 Houston Symphony Orchestra 47, 103 Houstoun, Michael (pianist) 35, 102 Houten, Theodore van (arranger, b.1952) 18, 26 Houtmann, Jacques (conductor, b.1935) V Hovora, Daria (pianist) 40 Howarth, Elgar (conductor/arranger, b.1935) 102 Howell, Gwynne Richard (bass, b.1938) 106 Höylä, Veikko (Voces Intimæ Quartet—cellist) 110, 117 Hoyt, William (Fredonia Woodwind Quintet—horn player) 22

IN DEX OF N AMES

691

Hrubesová, Markéta (actress) 29 Hrynkiw, Thomas (pianist) 100 Huang, Helen (pianist) 102 Huddersfield Choral Society 113 Huertas, Alvaro (Leonor Quartet––cellist) 11 Huertas, Jaime (Leonor Quartet––violist) 11 Hugh, Timothy (cellist, b.1960) 40, 67, W Hughes, Owain Arwel (conductor, b.1942) 97 Huidobro, Angel (conductor/arranger) 110 Hula, Pavel (Kocian Quartet––1st violinist) D(i) Humphrey, Jon (tenor) 79 Humphreys, Sidney (Aeolian Quartet—1st violinist) 133 Hunka , Pavlo (baritone) 29 Hunsberger, Donald (arranger/conductor, b.1932) 27, 96, 97 Hurník, Jiří (violinist) 134 Hurst, George (conductor, b.1926) 96 Hurwitz, Emanuel Henry (Melos Ensemble—1st violinist and soloist, b.1919) 57, 127 Huseynova, Aida N. (musicologist) 93 Hutchinson, Stuart (pianist) 143 Huth, Andrew (translator) 14 Hvorostovsky, Dmitri (baritone, b.1962) 86, V Hyde, Howard (arranger) 73 Hyde, Neil (Kreutzer Quartet—cellist) 83, 108, 110 §I I Am the Mighty Jungulator (electric band) 54 Ibbotson, Stephen (tenor) 29 Ilf, Ilya (pseudonym of Ilya Arnoldovich Fainsilberg; novelist, 1897-1937) p.588 Iliev, Konstantin (conductor) 102 Iljin, Valentin (chorus-master) 88 Ilkiv, Andriy (Ukrainian Brass––trumpeter, b. 1970) E, G(ii) Ilyunin, Anton (Atrium Quartet––2nd violinist) 92, 108 Imai, Nobuko (violist, b.1943) 138, 147 Imbert, Jean-Paul (organist/arranger) G(ii) Imholz, John (mandolin player) 22, 49 Imielowska, Dorota (cellist) 67 Immelman, Niel (pianist) 8 Inbal, Eliahu (conductor, b.1936) 10, 14, 20, 43, 47, 54, 60, 65, 70, 93, 103, 112, 113, 135, 141 Ioff, Ilya (St Peters Trio––violinist/string ensemble leader) 8, 34 I.O.M. Trio 8, 67, 127 Ionin, Georgi I. (librettist) 15 Ippolitov-Ivanov, Mikhail Mikhailovich (composer, 1859-1935) J(ii) Ireland, (William) Patrick (Allegri Quartet—violist, b.1923) 68 Irving, Robert (cellist) 40

692

I ND E X OF NA M ES

Irving, Robert Augustine (conductor, b.1913) 22 Isakadze, Liana Aleksandro/vna (conductor, b.1946) 110 Isakova, Nina Sergeyevna (mezzo-soprano, b. 1928) 100, 114 Isakovsky, Mikhail Vasilievich (lyricist, 1900-73) J(ii) Isayeva, Galina Ivanovna (ballerina, b.1915) H(ii) Isfort, Ulrich (Minguet Quartet—1st violinist) 57 Ishchenko, Andrei (tenor) 114 Ishikawa, Noriko (Mendelssohn Duo—pianist) 94 Israel Philharmonic Orchestra 77 Israel Sinfonietta 83, 110 Isserlis, Steven (cellist, b.1958) 40, 67 Italian String Orchestra 110 Ito, Yasuhide (arranger) 47 Iturbi, Amparo (pianist, 1898-1969) 34 Iturbi, José (conductor, 1895-1980) 33 Ivaldi, Christian (pianist) 147 Ivanickaia, Irina (Bartos Trio—pianist) 8, 67, 127 Ivanov, Andrei Alekseyevich (baritone, 1900-70) 74 Ivanov, Andrei (ballet dancer) 19 Ivanov, Dimiter (Ensemble Incendo––1st violinist) 110 Ivanov, Igor (violinist) 127 Ivanov, Konstantin Konstantinovich (conductor, 1907-84) 74, P(i), 112, 115 Ivanov, Vladimir Mikhailovich (Moscow Trio—violinist, b.1948) 8, 67, 127 Ivanov, Yossif (violinist) 77 Ivanova, Antinina (narrator) 56 Ivanova, Elena (soprano) M Ivanovsky, Aleksandr Viktorovich (librettist, 1881-1968) 22 Ivanovsky, Vladimir Viktorovich (tenor, b.1912) 81 Ivashkin, Aleksandr Vasilievich (cellist, b.1948) D(vi), J(ii), 67, 107, 117a, 125, 126, W, X(i) Ivens, Joris (real first names Georg Henri Anton; documentary film director, 18981989) 95 Iwasaki, Ko (cellist) 40 Iwasaki, Shuku (pianist) 40 Iwata, Morikhiro (ballet dancer) 27 §J Jablonski, Patrik (pianist) 102 Jablonski, Peter (pianist, b.1971) 35, 40 Jackson, Harold (trumpeter) 35 Jackson, Stephen (chorus-master) 14 Jacoby, Ingrid (pianist) 35, 102 Jade Quartet 11 Jager, Lomon de (tenor) 29 Jagers, Roeland (violist) 73, 147

IN DEX OF N AMES

693

Jais, Ruben (chorus-master) 20, 113 Jalbert, David (pianist) 87 Jambul—see Dzhambul Dzhabayev James, Jeremy (choreographer, 1961-2000) 67 Janáček Quartet 57, 83 Janigro, Antonio (conductor/cellist, 1918-89) 11, 40 Janiszewski, Jacek (bass) K(i &.ii) Jankovic, Ksenija (cellist) 40 Jánošïk, Juraj (Košice Quartet—cellist) 110 Janowski, Marek (conductor) 77 Jansen, Janine (violinist) 57, P(iii) Jansons, Mariss (usual spelling of son of Arvid Yansons; conductor, b.1943) 10, 14, 16, 20, 29, 35, E, 43, 47, G(ii), 54, 60, 65, 70, 93, 96, 97, 103, 107, 110, V, 112, 113, 126, 129, 135, 141 Janssen, Werner (conductor, 1899-1990) 29 Janssen, Werner, Symphony Orchestra of Los Angeles 29 Jansson, Ultika (Z Quartet—cellist) 57 Jantsis, Valdis (pianist) 67 Japan Virtuoso Symphony Orchestra 47 Jarrett, Keith (pianist, b.1945) 87 Järvi, Neeme (conductor, b.1937) 4, 10, 14, 16, 20, 21, 22, 27, 32, 43, 46a, 47, 54, 60, 65, 70, 77, 79a, P(i), 93, 96, 97, 103, 112, V, 113, 114, 115, 129, 131, 135, 140, 141, 143, 145 Järvi, Paavo (conductor, b.1962) 16, 22 35 G(ii) Jeanrenaud, Joan (Kronos Quartet—cellist) 110 Joffrey Ballet (founded by Robert Joffrey—pseudonym of Abdullah Jaffa Bey Khan; 1930-88) P(i), 94 Jena Philharmonic Orchestra 103 Jenkins, Neil (tenor) 79 Jerie, Marek (Guarneri Trio––cellist and soloist, b.1947) 8, 40, 67, P(i) Jerusalem Quartet 49, 73, 83, 110, 101, 117, 122 Jerusalem Symphony Orchestra 79 Jewel, Ian (Gabrieli Quartet—violist, b.1944) 49, 73 Jewison, Norman (film-director, b.1926) 47, 65 Jindrák, Jindřich (baritone) 15 Jiráček, Václav (conductor, b.1920) 102 Jiřikovský , Petr (Academia Trio—pianist) 67 Jirout, Milan (Košice Quartet—2nd violinist) 110 Joachim, Heinrich (New Amsterdam Trio—cellist, b.1910) 67, 127 Joamets, Tamel (pianist) 87 Job, Erwin (translator) 81 Jochum, Georg Ludwig (conductor, 1909-70) 35 Joffrey Ballet (founded by Robert Joffrey—pseudonym of Abdullah Jaffa Bey Khan; 1930-88) P(i), 94 Johnson, Carlos (Trio Tre Mondi––violinist) 8

694

I ND E X OF NA M ES

Johnson, Richard (Vermeer Quartet––cellist) 57 Jordania, Vakhtang (conductor, 1943-2005) 10, 58, 65, 96, 97, 112, 116 Johann Strauss Orchestra G(ii) Johanson, Bryan (guitarist/arranger) S(i) John, Keith (organist) 29 Johnson, Carlos (Trio Tre Mondi—violinist) 8 Johnson, Phil (Mobius—violinist) 67 Johnsson, Catrin (soprano) 105 Jolly, Cynthia (translator) 127 Joly, René (conductor) D(ii), G(ii) Jones, Martin (pianist) A, B, 5, 12, 13, 22, 34, 35, 61, S(ii), 97, 102, T Jones, Mason (horn player) 107 Jones, Michael (Amici Quartet—2nd violinist) 118 Jones, Philip (trumpeter, 1928-2000) 55 Jones, Richard (director) 29 Jong, Wim de (Schöenberg Quartet—2nd violinist) 144 Jordan, Armin (conductor, 1932-2006) 15, 47 Jordan, Mark (E flat clarinettist) 137 Jordan, Myles (Daponte Quartet––cellist) 110 Jordania, Vakhtang (conductor) 10, 22, 58, 60, 65, 96, 97, 103, 112, 116, 141 Josephs, Wilfred (composer, 1927-97) p.602 Joubert, John (composer, b.1927) p.600 Jouza, Vojtěch (Suk Quartet—2nd violinist) 11, 68, 138, 142, 144 Joyce, Eileen (pianist, 1912-91) 5, 35, 102 Judd, James (conductor) 18, 43, 111 Judd, Terence (pianist, 1957-79) 87 Judge, Jack (song-writer, 1878-1938) 89 Juilliard Quartet 57, 73, 142, 144 Junge Deutsche Philharmonie 60 Jupiter Quartet 73 Jupiter Trio 67 Jurowski, Vladimir (conductor, b. 1972) 10, 54, 135 §K Kabaivanska, Raina (soprano) 127 Kabalevsky, Dmitri Borisovich (composer, 1904-87) T Kadouch, David (pianist) 34 Kafelnikov, Vladimir (trumpeter) 35 Kagan, Oleg Moiseyevich (violinist, 1946-90) 8, 22, 67, 77, 127, 134, 144 Kain, Timothy (Guitar Trek––treble guitarist/arranger) D(i), 97 Kalashkov, Aleksandr (violinist) 67 Kalatchev, Alexei (Esbjerg Ensemble— cellist) 57 Kalatozov, Mikhail Konstantinovich (film-director, 1903-73) 99 Kale, Stuart (tenor) 29 Kaler, Ilya Leonidovich (violinist, b.1963) 34, 77, 129

IN DEX OF N AMES Kalichstein, Joseph (pianist) 8, 40, 67, 134, 147 Kaliga, Herbert (pianist) 5 Kalinauskayte, Korneliya (Lithuanian State Quartet—2nd violinist) 49, 83 Kalinin, Dmitri (balalaika-player) 36 Kalinin, Nikolai (conductor) 30 Kaliningrad Children’s Choir of Moscow 82 Kaliningrad Philharmonic Chamber Orchestra 35, 110 Kaliningrad State Symphony Orchestra 107 Kalinkovich, Grigori Markovich (violinist/arranger, b.1917) 34, 37, 134 Kalinovsky, Mikhail (bass) 36 Kalish, Gilbert (Boston Symphony Chamber Players—pianist) 57 Kalmykov, Betal (author—subject of film) 51 Kaludov, Kaludi (tenor) 106 Kalvarsky, A. (arranger) 97 Kalyanov, S. (arranger) 72, P(iv), 105 Kam, Sharon (clarinettist) 34 Kamasa, Stefan (Warsaw Quartet—violist) 57 Kamkov, V. E. (choreographer) 116 Kampen, Christopher van (Nash Ensemble—cellist, 1945-97) 57, 67 Kamu, Okko Tapani (conductor, b.1946) 27, 113 Kan, Vasili (trumpeter) 35 Kanazawa Orchestra P(i) Kandelaki, Vladimir Arkadievich (bass-baritone/theatre director, 1908-94) 29, 105 Kang, Hyo (conductor) 110 Kang, Julliette (violinist) 127 Kangas, Juha (conductor) D(ix) Kani, Wasfi (conductor) 105 Kantola, Erkki (Sibelius Academy Quartet—1st violinist) 68, 73, 83, 101, 142 Kantorow, Jean-Jacques (violinist/conductor, b.1945) 67, 73, 83, 110 Kapell, William (pianist, 1922-53) 34, 35 Kapitonov, Veniamin (chorus-master) 113 Kaplan, Abraham (chorus-master) 119 Kaplan, Elliot (arranger) 94 Kaplan, Emmanuil Iosifovich (ballet producer, 1895-1961) 22 Kaplanek, Jerzy (Penderecki Quintet—2nd violinist) 57, 73 Kapp, Eugen Arturovich (composer, b.1908) T Karajan, Herbert von (conductor, 1908-89) 93 Karamazin, Nikolai Mikhailovich (novelist, 1765-1826) 58 Karandashova, M. V. (pianist) 127 Karanovic, Milan (cellist) 67 Karasev, Grigori (bass) 106 Karcykowski, Ryszard (tenor) 79 Karlsson, Jan (trumpeter) 35 Karminsky, V. (arranger) 34 Karová, Eva (Puella Trio—violinist) 8

695

696

I ND E X OF NA M ES

Kartardze, Nina (pianist) 40 Karvay, Dalibor (violinist) 67 Kasatschuk, Vladimir (tenor) 15, 21, 81 Kashkashian, Kirn (violist) 57, 142, 144, 147 Kasman, Yakov (pianist) 35, 40, 57, 134, 147 Kasrashvili, Makvala Filimonovna (soprano, b.1942) 135 Katayev, Vitali Vitalievich (conductor, b.1925) 35, 54, 93, 110, 113 Katayeva, Irina (pianist) 143 Katchur, Svetlana (soprano) 26, 41 (i) Katims, Milton (conductor, b.1909) 22 Katkus, Donatas (Vilnius Quartet—violist, b.1942) 49 Kats, Arnold Mikhailovich (also anglicized Katz; conductor, b.1924) G(ii), 65, 141 Kats, Konstantin (St Petersburg Quartet—violist) 68, 73, 83, 101, 110 Kats, Leonid Semyonovich (conductor, b.1917) 30, L Katzman, Louis (arranger) L Kaundinya, Stefan (Elbeblech Brass Quintet—tuba player) 96 Kavafian, Ani (violinist) 67 Kavetskaya, Nina (pianist) 59 Kavtaradze, Nina (pianist) 34 Kavyatskas, Konradas Vlado, (chorus-master, b.1905) 86 Kay, Hershy (arranger, 1919-81) 34 Kay, Norman (musicologist, 1929-2001) p.571 Kazandzhiev, Vassil (trumpeter/conductor, b. 1934) 35, 77, 129 Kazan Symphony Orchestra 107 Kazantseva, Yevgeniya (soprano) 56 Kazaras, Peter (tenor) 106 Kazarnovskaya, Lyuba (soprano) 135 Kazatchouk, Vladimir (tenor) 26 KBS Symphony Orchestra of Korea 58, 97, 116 Keatley, Niall (Onyx Brass––trumpeter/arranger) 87 Keenlyside, Raymond (Aeolian Quartet—2nd violinist, b.1928) 133 Kegel, Herbert (conductor, 1920-90) 10, 47, 58, 60, 119, 129 Kejmar, Miroslav (trumpeter) 35 Kekko, Ulla (Pihtipudas Quintet—violist) 57 Kekula, Josef (Doležal and Stamic Quartets—2nd violinist) 11, 138, 144 Kelemen, Milko (arranger, b.1924) 34 Keller, András (Keller Quartet––1st violinist) 144 Keller Quartet 144 Kelly, Frances (harpist) 46 Kelly, Grace Patricia (Princess Grace of Monaco; poetry reader, 1929-82) 110 Kemblinsky, Lucien (pianist) 40 Kemlin, Grigori (violinist) 97 Kempe, Rudolf (conductor, 1910-76) 10 Kende, Levente (pianist) 94 Kenny, John (arranger) 31

IN DEX OF N AMES

697

Kensington Symphony Orchestra 42 Kerr, Alexander (violinist) 33, 97 Kertész, István (conductor, 1929-73) 47 Keulen, Isabelle van (violinist/violist) 67, 134, 147 Keyes, Bayla (Triple Helix Piano Trio—violinist) 67 Keynote Chorus and Orchestra 33 Khachatryan, Lusine (pianist) 134 Khachatryan, Sergei (violinist, b.1985) 77, 129, 134 Khachaturyan, Aram Ilyich (composer, 1903-78) N Khachaturyan, Emin Levonovich (conductor/arranger, b.1930) P(i), 96, 97, 111 Khadem-Missagh, Martha and Vahid (violin duo) P(iii) Khaikin, Boris Emmanuilovich (conductor, 1904-78) 125 Khalmamedov, Nury (composer, 1940-83) p.597 Khanin, Mikhail Mordukhovich (trumpeter) 35 Kharadze, Archil (Georgia State Radio Quartet—violist) 73, 117 Kharenko, Yuri (Leontovych Quartet—2nd violinist) 57 Kharitonov, Dmitri (bass) 46 Kharitonov, Vladimir (lyricist) X(i) Khentova, Sofya Mikhailovna (librettist/pianist, 1922-2002) 36, Q, X(i) Khintibidze, Georgi (Georgia State Radio Quartet—2nd violinist) 73, 117 Khizhnyak, A. (Urals Bayan Trio/arranger) 96 Khlebtsevich, Dmitri (Anton Quartet—violist) 73 Khodasevich, Valentina Mikhailovna (designer, 1894-1970) 22 Khokhlovin, Igor (actor) 32 Kholodenko, Anton (violinist/violist) 134, 147 Kholodilin, Aleksandr Aleksandrovich (music administrator, d.1971) 112 Khoma, Natalia (cellist) 40 Khomich, Yuri (tenor) 114 Khomitser, Mikhail Emmanuilovich (cellist, b.1935) 40, 67, 107 Kropfitsch, Erwin (pianist) 40 Khoruzhy, Nikolai (tenor) 114 Khotuntseva, Marina (mezzo-soprano) 105 Khoven, Elena Petrovna (arranger) O(ii), 87 Khramtsov, Andrei (bass) 106 Khrennikova, Nataliya (designer) K(i), X(ii) Khrulev, Vladimir (bass) X(ii) Khrychyov, Dmitri (Nevsky Quartet––cellist) 110 Khudolei, Igor (pianist, b.1940) 12, 61, X(ii) Khudyakov, N. (Urals Bayan Trio) 96 Khutoretskaya, Yulia (conductor) X(ii) Kidd, Carolyn (Guitar Trek––guitarist) D(i) Kiesewetter, Erica (Leonardo Trio—violinist) 67 Kiev Chamber Orchestra 11, 42 Kiev Shevchenko Academic Theatre of Opera and Ballet, Chorus and Orchestra of 114 Kigel, Grigori (designer) 105

698

I ND E X OF NA M ES

Kiiski, Hanna (Trio Finnico—cellist) 8 Kiknadze, Anna (mezzo-soprano) 26 Kilichevsky, Vitali Ignatievich (tenor, 1899-1966) 81 Kim, Hae-Jung (pianist) 35 Kim, Min (conductor) 11 Kim, Yong-Uck (violinist, b.1947) 67 Kim, Young-Hee (soprano) 127 Kimberley, Major D. R. (conductor) 96 Kimura, Yoshihiro (arranger/conductor) 27, 82, 97 Kindler, Hans (conductor, 1892-1949) 22 Kingsley, Ben (actor, b.1943) p.574 Kipnis, Alexander (bass, 1891-1978) 58 Kirshbaum, Ralph (cellist) 40 Kirch, W. (Schulz Quartet—2nd violinist) 68 Kirchner, Alfred (stage producer) 106 Kirillovskaya, Eleonora (pianist) 39 Kiritchenko, I. (Anton Quartet—cellist) 73 Kirkor, Georgi Vasilievich (arranger, 1910-80) K(ii), 69, P(iv) Kirkpatrick, Gillian (mezzo-soprano) 105 Kirov Ballet 106, 116 Kirov Orchestra 43, 54, 60 Kirov, Sergei Mironovich (Leningrad party leader, 1886-1934—subject of two films) 52, 55 Kirov Theatre Chorus 58, 106 Kirov Theatre Orchestra 58, 65, 106, V Kirsanov, Semyon Isaakovich (poet/lyricist, 1906-72) 20, 95 Kirshbaum, Ralph (cellist, b.1946) 67 Kiselev, Aleksandr (bass, b.1969) 105 Kiškis, Saulius (Čiurlionis Quartet—2nd violinist) 73, 122 Kisseliev, Sergei (tenor) 81 Kissin, Yevgeni (also spelt Kisin; pianist, b.1971) 35 Kitahara, Yukio (conductor) 47, 103 Kitayenko, Dmitri Georgievich (conductor, b.1940) 10, 14, 20, 22, 27, 36, E(ii), 43, 47, G(i), 54, P(i), 60, 65, 70, 93, 103, 107, 112, 113, 114, 126, 135, 141 Kitson (arranger) 96 Klajner, Daniel (conductor) 10 Klánský, Ivan (pianist, b.1948) 8, 40, 67, P(i) Klas, Anna (pianist, b.1912) 94 Klein, Emil (cellist/conductor, b.1955) 40, D(i), 110, 118 Klein (Emmanuel) Mannie (trumpeter, 1908-94) 35 Klein, John (translator) 29 Kleinert, Rolf (conductor, b.1911) 35, 54, 70 Kleinhapel, Friedrich (cellist/arranger) 40, 147 Klements, Georgi Lvovich (student composer, 1906-29) B Klemm, R. (Schulz Quartet—cellist) 68

IN DEX OF N AMES

699

Klemperer, Otto (conductor, 1885-1973) 10, 70 Klepác, Jaromír (pianist) 134 Kliegel, Maria (cellist) 107, 126 Klika, Jiří (New Prague Trio—violinist) 67 Klimeš, Cyril (pianist) 145 Klimov, Dmitri (pianist) 67 Klimov, Valeri Aleksandrovich (violinist, b.1931) 34 Klinger, Sebastian (cellist) 67, 127 Klonz, Christaine (pianist) 12 Klucevsek, Guy (accordionist/arranger) 87 Kneller Hall Band 16 Knetig, Jerzy (tenor) 79 Kniazev, Alekhsandr (cellist/arranger) 40, 67, 147 Knushevitsky, Viktor Nikolayevich (conductor, 1906-74) 33, G(ii), 72, 76 Knushevitsky, Svyatoslav Nikolayevich (cellist, 1907/8-63) 67 Kobal, Iris (pianist) 22, 27 Kobayashi, Ken-ichiro (conductor) 47 Koch, Fiederike (Nomos Quartet––violist) 110 Koch, Rami (Rafael Quartet—2nd violinist) 110, 138 Köchel, Jürgen (translator) X(ii) Kocherga, Anatoli Ivanovich (bass, b.1947) 106, V, 114 Kochnev, Yuri L. (conductor) K(i), Z Kochurina, N. (harpist) S(i) Kocian Quartet D(i) Koeckert, Rudolf (Koeckert Quartet—1st violinist, b. 1913) 68 Koerth, Manfred (translator) 127 Koff, Robert (Juilliard Quartet—2nd violinist, b.1919) 57 Kofman, Roman (conductor, b.1936) 10, 14, 20, 43, 47, 54, 60, 65, 70, 93, 112, 113, 135, 141 Kogan, Dmitri (violinist) 77, 129 Kogan, Leonid Borisovich (violinist, 1924-82) 34, 67, 77 Kogan, Oleg (Schidlof Quartet—cellist) 57, 83, 108 Kogan, Pavel Leonidovich (violinist/conductor, b.1952) 27, 93, 134 Kogge, Marie (Ensemble Incendo––2nd violinist) 110 Köhler, Lutz (conductor) 35 Köhler, Siegfried (conductor, b.1923) 77 Kohout, Antonin (Smetana Quartet—cellist) 73 Kokhanovskaya, Tatyana (Gnessin Institute and Moscow Quartets—violist) 11, 57 Kokoulina, Nina (pianist relative) Juv. Kolberg, Hugo (violinist) 27 Kolesnikova, Irina (pianist) 59 Kollegorskaya, Inna (pianist) 34 Kolmakova, Lyudmila (mezzo-soprano) 15, X(i) Kolokolov, Andrei (trumpeter) 27 Kolomyjec, Joanne (soprano) 127

700

I ND E X OF NA M ES

Komachov, Rustan (cellist) 67 Komatsu, Kazuhiko (conductor) 47 Komitas Quartet (alias Armenian Quartet) 11, 49 Komsi, Anu (soprano) D(ix)) Kondrashin, Kirill Petrovich (conductor, 1914-81) 10, 14, 20, 27, 43, 47, 54, 60, 65, 70, 77, 90, 93, 103, 107, 112, 113, 119, 129, 135, 141 Konicek, Denise (soprano) 79 Kononova, Natalia (Rachmaninoff Trio––violinist) 67 Konovalov, Nikolai (bass) D(iv), X(ii) Konwitschny, Franz (conductor, 1901-62) 93, 103 Kootz, Günter (pianist) 35 Koptchak, Sergei (bass-baritone) 29, 113, 145 Kopchevsky, Nikolai (arranger) 6 Kopelman, Mikhail Samuilovich (Borodin and Kopelman Quartets—1st violinist, b.1947) 11, D(i), 41, 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Kopelman Quartet 49, 73, 73, 110 Koptev, Aleksei (St Petersburg Quartet—violist) 49, 57, 92, 104, 117, 118, 122, 133, 138, 142, 144 Korchmar, Grigori (arranger) 34 Korchagin, Aleksandr (Shostakovich Quartet—cellist) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Kord, Kazimierz (conductor, b.1930) 93 Korean Chamber Ensemble 11 Korenev, Yevgeni (bass) 114 Koretskaya, Svetlana (soprano) 114 Korevaar, David (pianist) 46, 62 Koridalina, Nataliya (pianist) 59 Kornblit, Yevgeni Mikhailovich (conductor, 1908-69) 27 Korniev, Nikolai (chorus-master) 104 Kornilov, Boris Petrovich (lyricist, 1907-38) 33, 74 Korolkov, Nikolai (pianist) 98 Korolyov, Aleksandr (trumpeter) 35 Korolyov, Denis Aleksandrovich (tenor, b.1938) 72 Korolyov, Yevgeni (pianist) D(vi), 34, 61, 87 Korpacheva, Yulia (soprano) 127, 135 Korsakov, Andrei Borisovich (violinist, b.1946) 34, 127 Korshikov, Georgi (designer) 27 Kosev, Dmitri (Bulgare Quartet—cellist) 49 Koshevoi, Oleg (Young Guard commissar, d.1943) 75 Košice Quartet 110 Košler, Zdenek (conductor, 1928-95) 70, 131 Kosmodemyanskaya, Zoya Anatolyevna (Russian partisan, 1923-41—subject of film) 64 Kosonen, Veikko (Sibelius Academy Quartet—violist) 68, 73, 83, 142 Kostal, Irwin (arranger)—see under Op. 32

IN DEX OF N AMES

701

Kostecký, Lubomír (Smetana Quartet—2nd violinist) 73 Kostelanetz, Andre and his Orchestra (conductor, 1901-80) 22, P(i), 96, 97, 105 Kostenbader, Ginette (Duo Postiglione—pianist) D(vi), 39 Koster, Rick (Duke Quartet—2nd violinist) 110 Kostrowitski, Wilhelm Apollinaris de—see Guillaume Apollinaire Košuta, Gorjan (Arcadia Trio—violinist) 67 Kotchinian, Arutyan (bass) 113, 135 Kotikova, Nataliya Lvovna (musicologist, b.1906) 104 Kotlyarov, Mikhail (tenor) 81 Kotmel, Bohumil (violinist) 129 Kotov, Dmitri (conductor) 22 Kotova, A. (soprano) 105 Kots, Arkadi Yakovlevich (poet, 1872-1943) 28, F, 88 Kotscherga, Anatoli (bass-baritone) 29, 106, 113, 145 Koussevitzky, Serge Aleksandrovich (conductor, 1811-1951) 47, 70 Kout, Jiří (conductor, b.1937) 10, 29, 35 Kovalenko, Lidiya (violinist) 34, 127, 134 Kovalyov, G. (arranger) U Kozakov, Mikhail (reciter) X(ii) Kožená, Magdalena (mezzo-soprano) 109 Kozhin, Valentin Vasilievich (conductor, b.1943, b.1973) 36, Q Kozhukhar, Vladimir (conductor) 35 Kozintsev, Grigori Mikhailovich (film-director, 1904-73) 18, 26, 41(i), 45, 50, 58a, 71, 76, 85, 116, 137 Kozlov, Nikolai (tenor) 114 Kozlovsky, Aleksei D. (stage director, 1905-77) 37 Kozodov, Viktor (arranger) 94 Kozrinev, Aleksandr (pianist) 35 Krafka, Karel (Janáček Quartet—cellist, b.1921) 57, 83 Krainev, Vladimir Vsevolodovich (pianist, b.1944) 35, 57, 102, 147 Kraków (Cracow) Philharmonic Orchestra 10, 22, 35 Krämer, Günter (producer) 29 Kramperová, Jindra (pianist) 87 Krasnaya, Nadezhda (soprano) 114 Krasulya, Georgi (bass) 114 Kratochvíl, Jiří (Janáček Quartet—violist, b.1924) 57, 83 Kratzer, Manfred (Mendelssohn Duo—pianist) 94 Kraus, Otakar (baritone, 1909-80) 114 Krause, Thomas (tenor) 29 Krause, Tom (baritone, b.1934) 113 Krauss, Samuel (trumpeter) 35 Krausz, Adrienne (pianist) 34 Kravchenko, Margarita (pianist) 34 Kravchuk, Aleksandr (violinist) 138 Kravetz, Alexandre (tenor) 15

702

I ND E X OF NA M ES

Kravetz, Nelly (musicologist) 93 Kravtchenko, Tamara (pianist) Q Kravtsova, Tatyana (soprano) 106 Krebs, Stanley Dale (musicologist) 77 Kreger, James B. (cellist) 57 Kreisler, Fritz (composer, 1875-1962) 26 Kreisler String Orchestra 110 Kreisler, Fritz (composer, 1875-1962) 26 Kreizberg, Yakov (conductor) P(i), 107, 126 Krel, Matthew (conductor) 18 Kremer, Gidon Markusovich (violinist/conductor, b.1947) D(i), 34, 57, 67, 97, 125, 129, 134, 135, 138, 141a, 142, 144, 147 Kremerata Baltica (string orchestra) 134, 135, 147 Kremlin Chamber Orchestra D(i), 110, 118, 144 Krenn, Werner (tenor, b.1943) 29 Krenz, Jan (conductor, b.1926) 11, 65, 70 Kreutzer Quartet 83, 108, 110 Krieger, Clemens (Trio Tre Mondi—cellist) 8 Krieger, Norman (pianist) 58a Krimets, Konstantin (conductor) 76, 97, 107, 116, 126 Krish, Ferdinand (conductor) 18 Krivobodov, Valery (Moscow Chamber Soloists––cellist) 110 Krivobokov, Sergei (chorus-master) 82 Krohn, Ilmari (folksong collector, 1898-1931) D(ix) Kronos Quartet 110 Krosnick, Joel (Juilliard Quartet—cellist) 57, 73, 142, 144 Kroyt, Boris (Budapest Quartet––violist) 57 Kruchin, Semyon (pianist) 34 Krug, Willy (trumpeter) 35 Krumpfer, H. (arranger) p.566 Krupskaya Institute Chorus 14, 20, 124 Krutikov, Mikhail (bass) K(i), 135 Kryger, Urszula (mezzo-soprano) 79 Krylov, Aleksandr (conductor) 80 Krylov, Ivan Andreyevich (fabulist, 1768-1844) 4 Krylova, N. (soprano) 105 Krysa, Oleg (violinist) 77, 138 Krzhizhanovsky, G. M. (lyricist) 63 Kuba (librettist) 105 KuBa (Kurt Bartlel, arranger) 80 Kubatsky, Viktor Lvovich (cellist/dedicatee/arranger, 1891-1970) 11, 40 Kube, Natalya (Natasha—dedicatee) 2 Kubelik, Rafael (conductor, b.1914) 60 Kubiak, Teresa (soprano, b. 1937) 135 Kublock, Deitner (Vienna Trombone Quartet) 34

IN DEX OF N AMES

703

Kuchar, Theodore (conductor, b.1960) 47, 77, 97, 111 Küchelbecker, Wilhelm Karlovich (poet, 1797-1846) 135 Kůda, František (pianist, b.1941) 147 Kudelevic, Alina (Rasumovsky Quartet––cellist) D(i), 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Kudinov, M. (translator) 135 Kudinov, Pavel (bass) 113 Kuentz, Paul (conductor) 35 Kugel, Michael (violist, b.1946) 147 Kuhmo Chamber Soloists 57 Kuhn, Gorjan (Arcadia Trio—violinist) 67 Kühn, Pavel, Mixed Choir, Male voices of the 113 Kühnl, Wolfgang (pianist) 147 Kuhse, Hanne-Lore (soprano, b.1925) 58 Kuisma, Rainer (marimba player, b.1931) 22 Kukryniksy (the collective name for a group of Soviet cartoonists: Mikhail Vasilievich Kupriyanov, b.1903; Porfiry Nikitich Krylov, b.1902; Nikolai Aleksandrovich Sokolov, b.1903) 19, 70 Kulakovsky, Lev Vladimirovich (folklorist, b.1897) R Kulikauskas, R. (Lithuanian State Quartet—cellist) 83 Kulikova, I. (pianist) 40 Kunca, Petras (Vilnius Quartet—2nd violinist) 49 Kunzel, Erich (conductor, b.1935) 22, 96 Kupiec, Ewa (pianist) 40 Kupier, Eva (pianist) 57 Kuralesina, N. (soprano) 105 Kurau, Peter (Eastman Brass––horn player) 133 Kurchar, Theodore (conductor) 22, 27, E, 39, G(ii) 96, 97, U, 115, 116 Kurchavov, Volodya I. (dedicatee) 9, 11 Kurella, Alfred (translator, b.1895) 79 Kurochkin, Vasili Stepanovich (lyricist) J(ii) Kurpe, Nikolai (tenor) K(i), 79 Kurtz, Efrem, (conductor, 1900-95) 10, 22, 30, 70, P(i), 93 Kuschnir, Boris (Vienna Schubert Trio—violinist and Kopelman Quartet–– 2nd violinist) 8, 49, 73, 108, 110 Kuschnir, Nadezhda (pianist) 62, 98, 100 Kushpler, Zoryana (mezzo-soprano) 143 Kustodiev, Boris Mikhailovich (dedicatee, 1878-1927) 2 Kutan, Aline (soprano) 127 Kutuzov, Aleksei (chorus-master) 80 Kuvykin, Ivan Mikhailovich (chorus-master, 1893-1950) 82 Kuzmicheva, E. (harpist) S(i) Kuzmin, Mikhail Alekseyevich (translator, 1875-1936) 58a Kuzmina, Elena (film actress) 18, 26 Kuznetsov, Aleksei (pianist) 6

704

I ND E X OF NA M ES

Kuznetsov, Fyodor (bass) 4, 62, 79, 91, 98, 123, 128, X(ii), 121, 135, 145, 146 Kuznetsova, Lyudmila (mezzo-soprano) 79 Kuznetsova, Nina (soprano) Q Kuznetsova, Taisiya Sergeyevna (contralto) 58 Kvadri, Mikhail Vladimirovich (dedicatee, 1897-1929) 4, 10 Kvalbein, Aage (Oslo Trio—cellist, b.1947) 8, 67, 127 Kvapil, Jan (Talich Quartet—2nd violinist) 49, 59 Kvapil, Radoslav (Dvořák Piano Trio—pianist, b.1934) 127 Kvitko, Nikolai (trumpeter) 27 Kwak, Sara (Rosalyra Quartet––1st violinist) 68, 110 Kwiatkowski, Rafał (cellist) 107, 126 Kwok, May-Ling (McPherson Trio—pianist) 40 Kylían, Jiří (choreographer, b.1947) 54; p.591 Kyška, Jozef (Košice Quartet—violist) 110 §L Laar, Frank van de (pianist) 40 Lack, Fredell (violinist, b.1924) 77 Lafayette Quartet 73, 87, 110 Lagarde, Daniel (Pro Arte Quintet of Monte-Carlo—2nd violinist) 57 Lagerspetz, Juhani (pianist, b.1959) 35 Lai, Jason (conductor) 141 Lakatoš , Alexander (Moyzes Quartet—violist) [68], 73, [83], 110 Lakond, Vladimir (pseudonym of Walter Lake; translator) 29 Lam, Andrea (pianist) 94 Lamberto, Sergio (Trio di Torino—violinist) 8, 57, 67 Lambooy, Henk (Rafael Quartet—cellist) 110, 138 Lamm, Pavel Aleksandrovich (musicologist/arranger, 1882-1951) 10, 43, 47, 54, 60, 65, 106 Lamminimäki, Juhani (conductor) 35 Landauer, Helga (film-director) p.575 Landes, Garah (pianist) 87 Landridge, Philip (tenor) 29, 79 Lane, Gloria (soprano) 114 Lane, Piers (pianist) 39, 40, 78, 97 Lang, P. J. (arranger) 22 Langdon, Michael (bass, 1920-91) 15 Langdon, Sophie (Trio Zingara—violinist, b.1958) 67 Langendoen (arranger) 33 Langer, Miroslav (pianist) 57 Lanner, Max (pianist) 22 Lantsman, Vladimir (violinist) 34 Lanzetter, Nicola (contralto) 143 Lanzy-Otto, Ib (horn player) 27, 39 Lapins, Andris K(i & ii)

IN DEX OF N AMES

705

Lapinsch, Ilmar (arranger) 34 Lapkin, F. (singer) 80 Lapšanský, Marian (pianist) 57 Lara, Agustin (arranger, 1900-69) 69 Laré, Patrice (Rachmaninoff Trio––pianist) 67 Laredo, Jaime (violinist/violist, b.1941) 8, 67, 134, 147 Large, Brian (video director) 106 Larichev, Yevgeni (arranger) 97 Larin, Sergei (tenor) 29 Larssen, Bjørn (translator) 114 Lasocki, Roman (violinist) 117a Latchem, Malcolm (Dartington Quartet—2nd violinist/Academy of St Martin-in-theFields Chamber Ensemble—violinist) 11, 49, 83, 117 Latvala, Tero (leader) 35 Laufer, Wolfgang (Fine Arts Quartet—cellist) 49, 73, 108, 122 Laul, Pyotr (pianist) 5, 6, 22, 61, O(i & ii), 94 Laurent-Biancheri, Fernande (Pro Arte Quintet—pianist) 57 Lauriala, Risto (Trio Finnico—pianist) 8 Lausanne, Orchestre de Chambre de 15 (and Chorus), 110, 135 Lave, Flemming (Zapolski Quartet—violist) 68, 110 Lavotha, Elemér (cellist) 39 Lavrenyuk, Aleksandr Aleksandrovich (conductor, b.1939) 22 Lavrik, Vladislav (trumpeter) 35 Lawrence, Ashley (conductor) 27 Lawrence, Helen (soprano/mezzo-soprano) 4, 46, 79, 91 Ławrynowicz, Mirosław (conductor) 110 Layton, Elizabeth (Trio Zingara and Nash Ensemble—violinist) 57, 67 Lazarev, Aleksandr Nikolayevich (conductor, b.1945) 70, 77, 103, 105, 110, 135 Lazareva, L. (guitarist) 99 Lazaridis, Stefanos (designer) 29 Lazic, Dejan (pianist) 40 Lazzari, Gianni (chorus-master) 113 Leander, Thomas (pianist) 57 Lebed, Valeri (bass) 106 Lebedev, Igor (pianist) 84 Lebedev, Yevgeni (pianist) 100 Lebedev-Kumach, Vasili Ivanovich (lyricist, 1898-1949) J(ii), 74, 80 Lebedinsky, Lev Nikolayevich (musicologist, 1904-92) 114 Lebedyev, Nikolai Alekseyevich (stage producer, 1897-1978) 25 Lechler, Hermann (Munich Trio—pianist) 8, 67, 127 Lechner, Anja (Rosamunde Quartet—cellist) 110 Ledenyov, Roman Semyonovich (arranger, b.1930) 117a Leducq-Barome, Emmanuel (conductor) 35, 110 Lee, Christopher (conductor) 54 Lee, Mihae (pianist) 40

706

I ND E X OF NA M ES

Leeds Festival Chorus 113 Leer-Studebaker, Julia van (horn player) 107 Leeuw, Reinbert de (pianist, b.1938) 147 Lefkowitz, Mischa (violinist) 5 Legay, Claire-Marie (pianist) 57 Leggate, Robin (tenor) 106 Lehnhoff, Sheppard Isaac (arranger) 22 Lehotsky, Michal K(i & ii) Leichner, Emil (pianist) 127 Leichner, Emil junior (violinist) 127 Leiferkus, Sergei (bass-baritone, b.1946) 46, K(ii), 62, 91, 98, 109, 113, 121, 123, 135, 140, 145, 146 Leiner, Peter (trumpeter) 35 Leiner, Vladimir (Doležal Quartet—cellist) 11, 144 Leinsdorf, Erich (conductor, 1912-93) 10 Leipzig Radio Choir 58, 95, 119 Leipzig Radio Symphony Orchestra 10, 33, 60, 80, 95, 119 Leixner, Vladimir (Stamic Quartet—cellist) 138 Lemahieu, Herman (Belgian Woodwind Quintet—horn player) 22 Lemberskaya, Susanna (pianist) 145 Lemeshev, Sergei Yakovlevich (tenor, 1902-77) 74 Lemesheva, Mariya (soprano) 15 Lempik, Michael (violinist) 69, S(i) Lenehan John (piano) P(ii) Lenin, Vladimir Ilyich Ulyanov (dedicatee, 1870-1924) 53, 112, 136; p.588 Leningrad Academy Choir 81 Leningrad Chamber Orchestra 135 Leningrad Chamber Orchestra of Old and Modern Music 32, 37, 58a Leningrad Concert Orchestra 97 Leningrad Conservatory Opera Studio Orchestra 56 Leningrad Conservatory Students’ Quartet 108 Leningrad Electrotechnical Institute Students’ Choir 80 Leningrad Malyi Opera and Ballet Theatre Choir and Orchestra 36, Q Leningrad Philharmonic Orchestra (see also St Petersburg Philharmonic Orchestra) 10, 14, 15, 16, 17, 18, 20, 21, 22, 23, 27, 32, 35, 42, 43, 47, F, 54, 60, K(i), 65, 70, 75, 77, 79, 81, 82, P(i), 89, 93, 96, 102, 103, 105, 107, 112, 114, 116, 119, 124, 137, 141, Z Leningrad Radio and Television Choir 88 Leningrad Radio Orchestra (wartime scratch orchestra) 60 Leningrad State University Students’ Choir 88 Leningrad Symphony Orchestra 47 Leningrad Working Youth Theatre (TRAM) 24, 25, 28, D(ii) Leonardi, Leonardo (pianist) 134 Leonardo Trio 67 Leoncavallo, Ruggiero (composer, 1857-1919) J(ii) Leone, Giovanni (Quintette Chigiano—violist) 57

IN DEX OF N AMES

707

Leonor Quartet 11 Leonskaya, Elizaveta (pianist) 35, 57, 61, 67, 102, 127, 134 Leontóvych Quartet 57 Lermontov, Mikhail Yurievich (poet, 1814-41) 31, 84, X(i); p.588 Leschetizsky Trio 67 Leskov, Nikolai Semyonovich (novelist, 1831-95) 29, 114 Leskovic, Bogomir (conductor, b.1909) 106 Lesnick, Adam (arranger) 22 Lester, Joel (De Capo Piano Trio—violinist) 19 Leul, Peter (pianist) 40 Levant, Oscar (pianist, 1906-72) 22, 34 Levantovich, Boris (pianist) 5 Levi, Yoel (conductor, b.1950) 47, 65, 70, 93 Levin, Anatoli (violinist/conductor, b.1947) 58a, K(i), 64, 121, X(ii), 140, 146 Levin, Robert (pianist) P, 147 Levina, A. (pianist) 34 Levine, Gilbert (conductor.) 10, 22, 35 Levine, James (conductor, b.1943) 102 Levine, Waltraut (translator) 135 Levinsky, Ilya (tenor, b. 1965) 21, 29, K(ii), 79 Levinson, Eugene (double-bass player) 39 Levinson, Gina (pianist) 39 Levinson, Herbert (violist) 147 Levinzon, Iosif I. (Taneyev Quartet—cellist, b.1934) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Levitan, Yuri A. (narrator, 1915-83) 63, Y Levitin, Yuri Abramovich (composer, 1912-93) T; pp.598, 599 Lewington, James (tenor) 29 Lewis, Allan (conductor) 94 Lewis, Anthony (Medici Quartet—cellist) 11, D(i), 57, 110 Lewis, Eric and Roy (Manhattan Quartet—1st and 2nd violinists) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Lewis, Victor Joseph (conductor, 1919-2009) 47, 102 Lewis, Vic, Symphony Orchestra 47 Lewit, Ondřej (Košice Quartet—1st violinist) 110 Liang, Annelie (Han-Lin) (Jade Quartet––1st violinist) 11 Liberman, Viktor Semyonovich (conductor, 1931-99) 110, 135 Liberman, Ye. (pianist/lecturer) 34 Liceu Grand Theatre Chorus and Symphony Orchestra, Barcelona 29 Lichter, Charles (conductor) 33 Lieberman, Barry (arranger) 133 Liebermann, Anatole (Trio Tchaikovsky and Kuhmo Chamber Soloists—cellist) 57, 67 Lieberson, Goddard (composer, 1911-77) p.595 Lifsitz, Frederick (Alexander String Quartet—2nd violinist) 49, 57, 68, 73, 83, 87, 92, 101, 108, 110, 117, 117a, 118, 122, 133, 138, 142, 144 Lifson, Ludmilla (Solati Trio—pianist) 67

708

I ND E X OF NA M ES

Liljefors, Mats (arranger/conductor, b.1944) 110 Limori, Taijiro (conductor) 47 Lin, Cho-Liang (violinist, b.1960) 57 Lind, Michael (tuba player) 27 Lindemann, Jens (trumpeter) 35 Linden, Johan van der (soprano saxophonist) D(i) Lineva, Yevgeniya Eduardovina (folksong collector, 1853-1919) Q Lintu, Hannu (conductor) 35, 102 Liori, Daniel (I.O.M. Trio––pianist) 8, 67, 127 Lipčius, Saulius (Ćiurlionis Quartet—cellist) 73, 122 Lipman, Samuel (pianist) 79 Lipovšek, Marjana (contralto) 106 Lipson, Brian (bass) 105 Lisitsa, Valentina (pianist) 6, 35 Liss, Dmitri (conductor, b.1960) 125 List, Eugene (the ‘Potsdam Pianist’, 1918-85) 35, 102 Liszt, Ferenz (Franz) (composer, 1811-86) 89 Lithuanian Chamber Orchestra 35, 39, 79, 113 Lithuanian State Choir 86 Lithuanian State Philharmonic Orchestra 107 Lithuanian State Quartet 49, 83 Littáur, David Allan (conductor, b.1925) 135 Little, Tasmin (violinist, b.1966) 97 Litton, Andrew (conductor/pianist, b.1959) 35, 47, 54, 65, 93, 96, 102 Liva. Ferdinand (Daponte Quartet––1st violinist) 110 Livshits, Aleksandr Borisovich (musicologist, 1900-70) K(ii) Livshits, Yelena (pianist) 34 Ljubljana Symphony Orchestra 60 Lloyd, Gareth (tenor) 105 Lloyd, Robert Andrew (TV film presenter/bass) 106, V Lloyd Webber, Julian (cellist, b.1951) 39, 40 Lobacheva, R. (guitarist) 99 Lochak, Anatoli (baritone) 119 Lobanov, Vasili (pianist) 40 Löbl, Luděk (tenor) 15 Lockwood, Arthur (trumpeter) 35 Lodéon, Frédéric (cellist) 40 Loft, Abram (Fine Arts Quartet—2nd violinist) 73 Lôhr, Martin (Trio Jean Paul—cellist) 67 Lolé Barbara (pianist) 40 Lomeiko, Natalya (violinist) 117a Lomonosov, Aleksandr (tenor) 15 Lonca, Dominique (Debussy Quartet—2nd violinist) 49, 83, 92, 110, 133, 138 London Brass 16 London Chamber Orchestra 35

IN DEX OF N AMES

709

London Dance Theatre 67, 144 London, Edwin (conductor) 35 London Festival Ballet 116 London Lyric Orchestra 18 London Musici Quartet 57 London Philharmonic Choir 14, 20 London Philharmonic Orchestra 10, 14, 20, 22, 29, 43, 47, 54, 60, 65, 70, 93, 96, 97, 102, 105, 107, V, 113, 114, 126, 135, 141 London Shostakovich Orchestra 43, 47, 54, 60, 65, 102, 103, 107, 112, 126 London Soloists’ Ensemble 11 London String Quartet 122 London Symphony, Male voices of the 113 London Symphony Orchestra 10, 14, 20, 22, 39, 43, 47, 54, 60, 65, 70, 77, 78, 93, 96, 97, 107, 112, 113, 114, 126, 129, W,141 London Voices 14, 20 López-Cobos, Jesús (conductor, b. 1940) 10, 141 Lopukhov, Fyodor Vasilievich (choreographer, 1886-1973) 27, 31, 39 Lorca, Federico Garcia (poet, 1899-1936) 135 Lord, Matthew (tenor) K(ii) Lorenzi, Sergio (Quintetto Chigiano—pianist) 57, 94 Lorraine Philharmonic Orchestra V Los Angeles Chamber Orchestra 35 Los Angeles Philharmonic Orchestra 10, 35, 102 Lösch, Günter (cellist, b.1935) 39 Loshak, Anatoll (baritone) 105 Lositsky, Vladimir (bass) 114 Louisville Orchestra 32 Louro, Vanja (Zapolski Quartet—cellist) 68, 110 Loveday, Martin (London Musici Quartet—cellist) 57 Lovell, Keith (Dartington Quartet—violist) 43, 83, 117 Lovett, Leon (conductor, b.1935) 15 Lovsky, Fay (theremin player) 26 Lowe, Malcolm (Boston Symphony Chamber Players—1st violinist) 57 Lozano, Fernando (conductor) 47 Lozben, Irina (flautist) 141 Lozinsky, Mikhail Leonidovich (translator, 1886-1955) 32 Lubimov, Aleksei (pianist) 61 Lubin, Howard (pianist) 121, 146 Luboshutz, Pierre (arranger/pianist, 1891-1971) 22, 30 Lubotsky, Mark Davidovich (violinist/Guarneri Trio—leader, b.1931) 67, 127, 134 Lucas, Brenda (pianist, b.1935) 94 Lucerne Festival Strings 35, 87, 110 Luchetti, Veriano (tenor) 106 Lucký, Štěpán (composer, b.1919) p.600 Ludha, Ludovit (tenor) 29

710

I ND E X OF NA M ES

Ludo Ensemble, The 102 Ludwig, Christian (violinist) 8 Ludwig, Johann (cellist) 8 Lugansky, Nikolai (pianist) 87 Luit, Lesliya (soprano) 56 Lukášová, Jana (Škampa Quartet—2nd violinist) 110 Lukashevsky, Ilya Avseyevich (Glazunov Quartet—1st violinist, 1892-1967) 49, 57, 73 Lukk, Bruno Avgustovich (pianist, b.1909) 94 Lukonin, Mikhail (baritone) 100 Lundberg, Trilby (pianist) 57 Lunkina, Svetlana (ballerina) 39

Lutosławski, Witold (composer, b.1913) p.594 Lutsky, Grigori B. (Taneyev Quartet—2nd violinist, b. 1927) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Lutz, Rudolf (conductor) 144 Luxembourg Philharmonic 47 Luzanov, Fyodor Petrovich (cellist, 1919-89) 10, 125 Lvov, Nikolai F. (playwright) 25 Lympany, Moura (real name Johnstone; pianist, b.1916) 5 Lyndon-Gee, Christopher (conductor) 22, 35, 96, 102 Lyric Trio (Arthur Tabachnik, Shirley Evans, Hilde Freund) 67 Lysenko, Andrei (xylophonist) 141 Lyubimov, Anatoli (arranger) 22 Lyudko, German (tenor) 36

§M Ma, Yo-Yo (cellist, b.1955) 40, 67, 107, 144 Maazel, Lorin Varencove (conductor, b.1930) 47, 107 McBurney, Gerard (arranger/translator, b.1954) 19, 26, 31, 32, E, 43, 46, G(i), 56, Q, 105; p.587 McBurney, Simon (playwright, b.1957) 144 McCabe, John (pianist, b.1939) 40 McCarthy, John (chorus-master, b.1919) 14, 20, 29, 106 McCormack, Gina (Sorrel Quartet—1st violinist) 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 McCracken, Charles (MGM Studio Orchestra—cellist) 11 McCready Ivan (Duke Quartet—cellist) 110 McCrindle, Alex (film script-writer) 95 McDonald, Robert (pianist) 34 McDonough, Dan (Jupiter Quartet—cellist) 73 McDonough, Meg Freivogel (Jupiter Quartet––2nd violinist) 73 Maceček, Petr (Tálich Quartet––2nd violinist) 57, 110 Macfarlane, John (designer) 29 MacGregor, Joanna (pianist, b.1959) 102 Machabeli, Revaz (Georgia State Radio Quartet—cellist) 73, 117

IN DEX OF N AMES

711

Macheret, Aleksandr Bendzhaminovich (film-director, b.1896) p.587 McIntyre, Donald (baritone, b.1934) 106 Mack, Yuki and Tomoko (piano duo) O(ii) MacKay, Gordon (Kreutzer Quartet—2nd violinist) 83, 108, 110 Mackerras, Sir Charles (conductor, b.1925) 47, 96, 129 Macklin, Hughes (singer) 29 McLachlan, Murray (pianist) 12, 61 McLeod, John (conductor/composer, b.1934) 115, 119 McMahon, Ivor (Melos Ensemble—2nd violinist) 57 MacMillan, Kenneth (choreographer, 1934-92) 10, 102 McMunn, Brent (pianist) 5 McNaught, Graeme (pianist) 40 Macpherson, James (fiddler, d.1700) 62, 113 McPherson Trio 67 McWilliams, Bernard (violist) 57 Mäder, Reinhard (conductor) 81 Madge, Geoffrey Douglas (pianist, b.1941) 12 Maestri, Gigino (violinist) 134 Maganini, Quinto Ernest (arranger/conductor, 1897-1974) 5, 11, 15, 22, 27, 29, 34 Magnitogorsk State Academie Choir Q Mahler, Gustav (composer, 1860-1911) p.591 Maidachevskaya, Mariya (sopráno) 127 Maier, John (Fredonia Woodwind Quintet—oboist) 22 Maikov, Apollon Nikolayevich (poet, 1821-97) C Maile, Hans (violinist) 127 Mailingová, Lidiya—see Lýdia Majlingová Maintz, Jens Peter (cellist, b.1967) 40 Mairs, George Donald (arranger) 34 Maisky, Mis(c)ha (cellist, b.1948) 8, 40, 57, 67, 107, 126 Maizenberg, Oleg (pianist) 34, P(ii), 97 Majewski, Virginia (American Art Quartet—violist) 22 Majlingová, Lýdia (also spelt Lidiya Mailingova; pianist) 61, 147 Major, Margaret (Aeolian Quartet—violist) 133 Makarov, Askold Anatolievich (choreographer, b.1925) 119 Makarov, Yevgeni Petrovich (arranger, 1912-85) U Makarova, Mariya (organist/arranger) 16, 27, 29, E, 39, 81, 97, 105 Makeyev, Masha (designer) 105 Makhtin, Dimitri (violinist) 67 Maksakova, Mariya Petrovna (soprano, 1902-74) 74 Makshantsev, Nikolai (violist) 41 Maksimenko, Yevgeni L (bass) 114 Maksymiuk, Jerzy (conductor, b.1936) 35, 89, 102 Malfitano, Catherine (soprano) 29 Malikova, Anna (pianist) 5, 34, S Malinin, Vladimír (violinist) 34, 83

712

I ND E X OF NA M ES

Malinin, Yevgeni Vasilievich (pianist, b.1930) 35 Malko, Nikolai Andreyevich (conductor, 1883-1961) 10, 14, 15, 16, 17 Malmivaara, Juhu (Pihtipudas Quintet—cellist) 57 Malmö Symphony Orchestra 96, 107, 126 Malotetkova, Alla (pianist) 94 Malta, Alexander (bass, b.1942) 29 Mamedov, Chingiz (Azerbaidzhan Quartet—violist) 110 Mamyko, A. (percussionist) 141 Mancusi, Guido (chorus-master) 14, 113 Mandelring Quartet 49, 68, 73, 83, 92, 101,108, 110, 117, 118, 133, 142 Mangova, Plamena (pianist) 34, 61, 67, 127 Manhattan Quartet 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Maniura, Peter (TV producer) 47; p.573 Mann, Paul (conductor) 97 Mann, Robert (Juilliard Quartet—1st violinist, b.1920) 57 Mannberg, Karl Ove (violinist) 22 Mannino, Franco (conductor, b.1924) 15 Mansuryan, Tigran Yegiayevich (composer, b.1939) p.597 Manoukian, Catherine (violinist) 77 Mansurov, Fuat (conductor) 107 Manucharyan, Yegishe (tenor) 79 Manukhov, Anatoli (tenor) 21, 36 Manz, Wolfgang (Duo ‘Reine Elisabeth’—pianist) 94 Manzini, Laura (pianist) 34 Mar, S. (translator) 79 Marantslikht, M. (arranger) 95, 99 Marazin, Yuri (tenor) 106 Marcello, M. M. (lyricist) X(i); p.590 Marcellus, John (Eastman Brass––trombonist) 133 Mariengof, Anatoli Borisovich (librettist) pp.587, 589 Margita, Stefan (tenor) 29 Marglit, Israela (pianist) 5, 35, S(i) Margolin, Zinovi (designer) 22 Margulis, Alissa (violinist) 57 Mariinsky Theatre, Orchestra, Chorus, and Soloists 15, 19, 22, 27, 60, 105, 114 Markevitch, Dimitry (cellist) 40 Markevitch, Igor Borisovich (conductor, 1912-83) 10, 114 Markham, Peter (Edinburgh Quartet—2nd violinist) 57 Markiz, Lev Iosifovich (violist/director) 73, 110, 118, 147 Markó, Iván (choreographer) 70 Markov, Albert Aleksandovich (violinist/arranger, b.1943) 5, 34, 77 Markov, Aleksandr (violinist) 34 Markov, Mikhail (pianist, b.1951) 5, 34 Marks, Sonja-Maria (Nomos Quartet––2nd violinist) 110

IN DEX OF N AMES

713

Marlborough College Wind Orchestra 97 Marleyn, Paul (cellist) 40 Marosi, Joël (Zurich Piano Trio––cellist) 8, 67, 127 Marple Band (brass band) 102 Marriner, Sir Neville (conductor, b.1924) 35, 97 Marshak, Samuil Yakovlevich (translator/poet, 1887-1964) 56, 58a, 62, M, 140 Marshall, Mike (mandolin player) 22, 49 Marshev, Oleg (pianist) 34, 35, 102 Martens, Wilhelm (Berlin State Opera Quartet—2nd violinist) 92 Martin, G. (arranger) 88 Martin, Julian (pianist) 34 Martin, Richard (English Brass Ensemble—trumpeter) 108 Martineau, Malcolm (pianist) 109 Martinez, Odaline de la (conductor, b.1949) 4, 17 Martinon, Jean Francisque Étienne (conductor, 1910-76) 10, 22, 126 Martynov, Aleksei (tenor) D(ix), K(ii), 79, 81 Martynov, Ivan Ivanovich (musicologist, b.190 Martynov, Ravil (conductor) 77 Martynova, Tatyana (mezzo-soprano) 56 Martyrosyan, Ayik (bass) 113 Marx, Karl Heinrich (German philosopher, 1818-83—subject of two works) 18, D(iii), 120 Mashiko, Tetsu and Nishihara, Masaki (piano duo) 6, O, 94, 96, 97 Maslennikov, Aleksei [Albert] Dmitrievich (tenor, b.1929) 21, K(i), 79, 81 Maslennikov, Dimitri (cellist) 67, 107, 126 Mass, Vladimir Zakharovich (librettist, 1896-1979) 105 Massalsky, Pavel Vladimirovich (reader, b.1904) p.579 Masseurs, Peter (trumpeter) 35 Massine, Léonide Fyodorovich (choreographer, 1895-1979) 10, 60 Masur, Kurt (conductor, b.1927) 10, 47, 60, 77, 102, 113, 129 Mata, Eduardo (conductor, 1942-95) 60, 70 Matačic, Lovro von (conductor, 1899-1985) 10, 70 Matalayev, Anton (Anton Quartet—1st violinist) 73 Matayeva, Irina (soprano) 26 Matejka, Jaroslav (Academia Trio—cellist) 67 Matiakh, Ivan (tenor) 15 Matisse, Henri Emile Benoît (designer, 1869-1954) 10 Matkowska, Sofia (pianist) 5 Matorin, Vladimir (bass) 15 Matoušek, Bohuslav (Dolezal and Stamic Quartets—1st violinist) 11, 138, 144 Matsuev, Denis (pianist) 35 Matthews, David (Medici Quartet—2nd violinist) 11, D(i), 57, 110 Matthew-Walker, Robert (arranger) A, 89 Mattila, Karita (soprano) 135 Matukhov, Igor (chorus-master) 26, 64

714

I ND E X OF NA M ES

Matus, Ksenya (oboist, b.1917) 60 Matusov, Vladimir (narrator) 36 Matveyev, Matvei A. (tenor) 114 Matveyev, Stepan (bass) 114 Maurri, Ilaria (Quartetto Fonè—cellist) 110 Mavroidi-Papadaki, S. (lyricist) R Maxwell, Olivia (music researcher) 110 Maxym, Robert (conductor) 118 May, Jane (translator) 88, 143 May, Richard (cellist, b.1968) 40 Mayakovsky, Vladimir Vladimirovich (playwright, 1893-1930) 19, 27, 39, 112; p.588 Mayer, Uri (conductor) 83, 96, 110 Mazaloubaud, Jean-Pierre (bass) 29 Mazurkevich, Yuri (Leontóvych Quartet—1st violinist) 57 Mazzola, Rudolf (bass) 121, 123 MDR (Mitteldeutschen Rundfunks) Symphony Orchestra 22, 27, 36 Meara, Tim (film producer) 77 Mears, Oliver (stage director) K(ii) Medici Quartet 11, D(i), 57, 110 Medvedeff Balalaika Sextet 33 Medvedev, Aleksandr Viktorovich (folksong collector/librettist, b.1927) 115; p.590 Medvedeva, Irina Alekseyevna (violinist, b.1951) 34 Meer, Janneke van der (Schöenberg Quartet—1st violinist) 144 Mehta, Zubin (conductor, b.1936) 77 Meij, Johan de (conductor/arranger) G(ii) Meirion, Rhys (tenor) 29 Meise, Thomas (Elbeblech Brass Quintet—trumpeter) 96 Mekhtiev, Bayandur (Azerbaidzhan Quartet—2nd violinist) 110 Melbourne Symphony Orchestra E, H(ii), 103 Meley Maria Pascale (Verlaine Quartet—1st violinist) 68 Melia, Roland (conductor) 110 Melik-Pashayev, Aleksandr Shamilievich (conductor, 1905-64) 29, 30, 36, 96 Melnikov, Aleksandr (pianist) 40 Melnikov, Aleksandr (violinist) 5, 8, 13, 67 Melnychenko, Tatyana (soprano) 127 Melos Ensemble 57 Mendelssohn Duo (Noriko Ishikawa and Manfred Kratzer—pianists) 94 Mendelssohn Club Chorus 113 Mendelssohn, Vladimir (Kuhmo Chamber Soloists—violist/arranger) 57, 147 Meneguzzer, Jolanda (soprano) 15 Meneses, Antonio (Beaux Arts Trio––cellist) 8, 94, 97 Menges, Herbert (conductor, 1902-72) 35 Ménier, Anne (Debussy Quartet––2nd violinist) 57, 68, 101, 117, 122, 142, 144 Mercer, Alan (musicologist) 18, 43 Měrka, Ivan (Ostrava Quartet—cellist, b.1926) 110

IN DEX OF N AMES

715

Merkuryev, Andrei (ballet dancer) 27 Merkuryev, Vasili (bass) 105 Merlet, Dominique (pianist) 35 Mertens, Hardy (conductor/arranger 70 Merwijk, Willem van (baritone saxophonist) D(i) Merz, Josef (Koeckert Quartet—cellist) 68 Merz, Stefan (Orlando Quartet—cellist) 73, 101 Merzhanov, Viktor Karpovich (pianist, b.1919) 5 Meshchaninov, Pyotr (pianist) 10 Messerer, Asaf Mikhailovich (choreographer, 1903-92) P(i) Messerer, Boris (designer) 19, 39 Messerer, Mikhail (choreographer) P(i) Messieureur, Petr (Talich Quartet—1st violinist) 49, 59 Mester, Jorge (conductor, b.1935) 32 Metcalfe, John (Duke Quartet—violist) 110 Metro-Goldwyn-Mayer Studio Orchestra 11, 33, 35 Metronom Ensemble (jazz orchestra) 34 Metropolitan Opera (Chorus and Orchestra) 29 Metz, Volker (Gewandhaus Quartet—violist, b.1942) 73 Metzger, Jörg (Seraphin Trio—cellist) 67 Metzmacher, Ingo (conductor, b. 1958) 16, 22, 105 Meurman, Antti (Pihtipudas Quintet—2nd violinist) 57 Meven, Peter (bass) 135 Mewton-Wood, Noel (pianist, 1922-53) 35 Mey, Lev Aleksandrovich (translator, 1822-62) J(ii) Meyer, Krzysztof (composer/arranger, b.1943) 26, K(i), 134 Meyer, Paul (clarinettist) P(ii) Meyerhold, Vsevolod Emilievich (theatre producer, 1874-1940) 19; p.588 Meyerovich, Mikhail Aleksandrovich (pianist, b.1920) 103 Mexico Philharmonie Orchestra 47 Miansarov, Eduard (pianist) 87 Michelangelo (properly Michelagniolo di Lodovico Buonarroti, poet, 1475-1564) 145 Michniewski, Wojciech (conductor, b.1947) 129 Michurin, Ivan Vladimirovich (Russian horticulturist, 1855-1935—subject of film) 78 Mickle, William Julius (poet, 1735-88) M Midori (real name Goto; violinist, b.1971) 34, 77 Migunov, Petr (bass) 121, 123, 146 Mikhailov, Lev Dmitrievich (stage producer, 1928-80) 114 Mikhailov, Maksim Dormidontovich (bass, 1893-1971) 74, X(iii) Mikhailovsky, A. (script-writer) 30 Mikhalkov, Sergei Vladimirovich (lyricist, 1913-2009) N Mikhlin, Aleksei Yefimovich (violinist, b.1938) 34, 77 Mikkola, Laura (pianist) 94, 141 Miklos, Gyorgy (pianist) 5 Mikuláš, Peter (bass) 113, 135

716

I ND E X OF NA M ES

Miladinovič, Dušan (conductor) 58, 106 Milanova, Stoika (violinist, b.1945) 77 Milan Radio Symphony Orchestra 70, 126 Miller, Amos (Onyx Brass––trombonist/arranger) 87 Miller, Karl Frederick (composer, b. 1947) 141; p.600 Miller, Martin (violinist) 97 Miller, Nolan (horn player) 107 Millet, Gilles (Danel Quartet––2nd violinist) 49, 68, 73, 83, 92, 101, 108, 110, 117a, 117, 118, 122, 133, 138, 142, 144 Mills, Fred (trumpeter) 35 Milman, Mikhail (Kopelman Quartet––cellist) 49, 73, 108, 110 Milrnan, Vladimír (arranger) 110, X(ii) Milner, Martin (violinist) 97 Milone, Julian (arranger) 97, 105 Milstein, Sergei (pianist) 134, 147 Miltcheva, Alexandrina (mezzo-soprano) 106 Milyutin, Georgi (Yuri) Sergeyevich (composer, 1903-68) J(ii) Mineva, Stefka (contralto) 106 Minguet Quartet 57 Mini, Vladimir (chorus-master) 20 Minin, Vladimir Nikolayevich (conductor/chorus-master, b.1929) 88 Ministry of Culture Symphony Orchestra 10, 20 Minjelkiev, Bulat (bass) 106 Minneapolis Symphony Orchestra 47 Minnesota Orchestra 135 Minsk Chamber Choir 64 Minsk Chamber Orchestra 26, 35, 110 Minsk Philharmonic Orchestra 47, 65 Minsk Symphony Orchestra 27 Minton, Yvonne Fay (mezzo-soprano, b.1938) 106 Mints, Klementi B. (film-director) 59 Mintz, Shlomo (violinist/violist, b.1957) 117a, 134, 147 Miodini, Alberto (Trio di Parma—pianist) 8, 67, 127 Miroshnikova, Iolanta (pianist) 127, 135 Miroshnikova, Margarita Khristoforovna (soprano, b.1932) 87, 127, 135 Mishenkin, Arkadi (tenor) 79 Mishura, Irina (soprano) 143 Mitchell, Arthur (choreographer, b.1934) 102 Mitchell Choir, Geoffrey, 14 Mitchell, Howard Bundy (conductor, b.1911) 10, 22, 47 Mitchell, Scott (pianist) 40 Mitropoulos, Dimitri (conductor, 1896-1960) 47, 77, 93, 96 Mittelbaum, Norman (baritone) 106 Miyake, Mami (pianist) 87 Mlejnik, Miloš (Arcadia Trio and soloist—cellist) 40

IN DEX OF N AMES

717

Mnatsakanov, Walter (conductor) 26, 27, 30, 33, 36, 45, 50, 56, 59, 64, 75, 76, 85, 89 Mnatsakanyan, M. M. (choreographer) 116; p.590 Mnozhin, Sergei (cellist) 41, W, 141 Mnozhina, Olga (violist) 113 Mňuk, Karel (trumpeter) 35 Mobius (Phil Johnson, Mike Fitzpatrick, Xak Bjerken) 67 Mochalov, Aleksei (bass, b.1956) 15, 58a, 121, X(ii), 140, 146 Mocsanyi, Edith (New Amsterdam Trio—pianist) 67, 127 Modern Mandolin Quartet 22, 49 Mogensen, Morten (Copenhagen Trio—pianist) 8, 67 Mogilevskaya, Liya (pianist) 21, 109 Mogilevsky, David Yakovlevich (Glazunov Quartet—cellist, 1893-1961) 49, 57, 73 Mogilevsky, Konstantin (bass) 114 Mohaupt, Richard (arranger, 1904-57) 22 Mokrosch, Viola (pianist) 102 Molinaro, Michel (Ensemble de cuivres Guy Touvron—horn player) 27 Moll, Kurt (bass, b.1938) 29 Molokina, Irina (cellist) 127 Molostova, Irina Aleksandrovna (producer, b.1929) 114 Monighetti, Ivan (cellist) 40, 107, 126 Monk, Allan (baritone) 106 Monkemeyer, Nils (violist) 96 Monnet, Lionel (Trio Nota Bene—pianist) 67 Monoganova, Tatiana (soprano) 135 Monreal, L. (choreographer) 116 Monsaingeon, Bruno (film producer) 129 Montanari, Nunzie (Trio de Bolzano—pianist) 67 Monte-Carlo Philharmonic 77, 129 Montgomery, David (conductor) 103 Montreal Symphony Orchestra (L’Orchestre Symphonique de Montréal) 10, 47, 70, 141 Moore, Lisa (pianist, b.1960) 40 Mor, José (I.O.M. Trio––cellist) 8, 67, 127 Morassutti, Luca (Venice Quartet—violist) 22 Morbitzer, Egon (Berlin State Opera Quartet—1st violinist) 92 Mordkovitch, Lydia (violinist) 34, 77, 129, 134 Mordvinov, Boris Arkadievich (stage producer, 1899-1953) 29, 39 Morello, Fernanda and Vila, Patricia (piano duo) 6, 94, 97 Morgan, David (composer, b.1933) p.596 Morgan, Michael (conductor) 47 Morgaua Quartet 34, 49, 68, 92, 97, 100, 101, 108, 117, 122 Morgener, Jörg (translator) 14, 21, 29, K, 109, 113, 121, 123, 135, 145 Mørk, Truls (cellist, b.1961) 40, 107, 126 Morley, Sarah (pianist) 40 Morozova, Irena (Australia Ensemble––violist) 57

718

I ND E X OF NA M ES

Morrice, Norman (choreographer, b.1931) 35 Morris, James (bass, b.1947) 140 Morris, Mark (choreographer, b.1956) 40, 87 Morris, Myron (translator) 14, 81, 109, 127 Morrison, Campbell (bass) 105 Morrison, Simon (musicologist) 27 Morrison, Timothy (Empire Brass—trumpeter) 96 Mortimer, Harry (conductor, 1902-92) 96 Moscovia Chamber Orchestra P(v), 86, 110 Moscow Academy of Choral Singing 88, Q Moscow Balalaika Quartet 97 Moscow Capella & Youth Chorus 82 Moscow Chamber Ensemble 110a Moscow Chamber Music Theatre Group 15, 58a, K(i), 121, X(ii), 140, 146 Moscow Chamber Opera K(i), X(ii) Moscow Chamber Opera’s Youth Group 15 Moscow Chamber Orchestra 34, 35, P(v), 86, 102, 110, 115, 140, 143 Moscow Choral Academy 113 Moscow Conservatory Chamber Choir 4, 88 Moscow Conservatory Students’ Choir (later Russian State Symphonic Cappella) 4, 88 Moscow Conservatory (Students’) Symphony Orchestra 4, 11, 21, 35, 47, 54, 70 Moscow High Technical School named after N. Bauman Chamber Choir ‘Gaudeamus’ 104 Moscow Kremlin Commandants Orchestra 139 Moscow Operetta Theatre Group 105 Moscow Philharmonic Orchestra 4, 10, 14, 16, 18, 20, 32, 35, 43, 47, 54, 60, K(ii), 65, 70, 77, 90, 93, 94, 96, 102, 103, 107, 112, 113, 115, 119, 126, 129, 135, 141 Moscow Quartet 57 Moscow Radio Band 30, L Moscow (USSR) Radio Symphony Orchestra (see also All-Union Radio and Television Symphony Orchestra, Central Television and Radio Symphony Orchestra, and Tchaikovsky Symphony Orchestra) 10, 20, 27, 35, 47, 54, 60, 65, 70, 75, 76, 77, 78, 81, 82, P(i), 89, 93, 96, 97, 102, 103, 107, 114c, 115, 116, 120, 124, 141 Moscow Six, The 4 Moscow Soloists 35, 110a, 138 Moscow State Academic Choir 20 Moscow State Choral (Singing) School Boys’ Choir 81, 86, 90 Moscow State Philharmonic, Academic Symphony Orchestra of the—see Moscow Philharmonic Orchestra Moscow Radio Symphony Orchestra 47, 103 Moscow Symphony Orchestra 70, P(i), 107, 126, 131 Moscow Trio 8, 67, 127 Moscow Virtuosi (USSR Ministry of Culture Chamber Orchestra) 11, D(i), 35, 73, 79, 110, X(i) Moscow Youth and Students’ Choir 104

IN DEX OF N AMES

719

Moser, Johannes (cellist) 40 Moseyev, G. (designer) 58 Mostrac, Konstantin Georgievich (arranger, 1886-1965) 5 Mottram, Simon (choreographer, b.1937) 35, 54 Mourja, Graf (violinist) 67, 127, 134 Moyzes Quartet 68, 73, 83, 110 Moži Aladár (Slovák Quartet—lst violinist) 108 Mravinsky, Yevgeni Aleksandrovich (conductor/dedicatee, 1903-88) 47, F, 54, 60, 65, 70, 77, 81, 93, 96, 103, 107, 112, 141 Mrazkova, Luksaite (organist) 29 Mr McFall’s Chamber D(i) Mróz, Leonard Andrzej (bass, b.1947) 29, 106 Mucha, Stanislav (Moyzes Quartet—1st violinist) 68, 73, 83, 110 Muck, Conrad (Petersen Quartet––1st violinist) 49, 57, 83 Müller, Gerhard (Rasumovsky Quartet––violist) D(i), 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Muller, Philippe (cellist) 67 Müller-Schott, Daniel (cellist) 107, 126 Mulligan, Simon (pianist) 102, 135 Mullova, Viktoria (violinist, b.1959) 77 Münchner Klaviertrio 8, 67, 127 Mund, Uwe (conductor) 10 Munich Brass Soloists 27 Munich Philharmonic Orchestra 10, 47, 70, 77 Munroe, Lorne (cellist) 135 Muntyan, Mikhail (pianist) 34, 40, 59, 83, 147 Muraco, Thomas (pianist) 147 Muradeli, Vano Ilyich (composer, 1908-70) 74 Murakami, Genichiro (pianist) 87 Murphy, Maurice (trumpeter) 35 Mursky, Eugene (pianist) 35 Murzina, Tamara (accordionist) 94 Musafia, Julien (musicologist) 87 Music Group of London 57, 67 Musicatreize 110, 135 Musici de Montréal, I (members of the Montreal Symphony Orchestra) 35, 73, 79, 102, 110, 118, 135 Musikkapelle Mundelfingen (wind band) 81 Musin (clown) 59 Musin, Ilya Aleksandrovich (conductor, 1904-99) 60 Musinian, Nina (pianist) 40 Mussorgsky, Modest Petrovich (composer, 1839-81) 58, 59, J(ii), 106, V Mustonen, Olli (pianist) 34, 40, 67, 87 Muti, Riccardo (conductor, b.1941) 47, 96, 113 Muto, Hideaki (conductor) 35

720

I ND E X OF NA M ES

Myasoedov, Nikolai (bass) D(iv) Myrat, Alexandre (conductor) 107, 110 Myrczek, Adam (bass) 41(ii) Mytnik, Andrei (pianist) 34 Muzijevic, Pedja (pianist) 40 §N Naef, Yvonne (mezzo-soprano) 127 Nagano, Kent (conductor, b.1951) 77 Nagel, Robert (trumpeter) P(i) Nagelkerke, Alexandra (soprano) 135 Nagoya Philharmonie Orchestra 47 Najnar, Jiři (Kocian Quartet––violist) D(i) Nakachi, Makiko (pianist) 35 Nakamichi, Ikuko (pianist) 40 Nakariakov, Sergei (trumpeter) 35 Nakipbekova, Alfia (cellist) 40, 67, 127, 147 Nakipbekova, Eleonora (pianist) 40, 67, 127, 147 Nakipbekova, Elvira (violinist) 67, 127 Nanut, Anton (conductor) 60 Naoumoff, Emile (pianist) 62, 98 Narskaya, Irina (mezzo-soprano) 36 Nasedkin, Aleksei Arkadievich (pianist, b.1942) 57 Nash Ensemble 57, 67, P(ii) National Centre for Orchestra Studies (London), Orchestra of 21 National Orchestra of France 93 National Philharmonie Orchestra 34, 93, 116 National Polish Radio Symphony Orchestra 28, 41(ii), 44, 70 National Symphony Orchestra of [Washington, DC] America 10, 22, 43, 47, H(i), 54, 60, 65, 70, 103, 113 National Symphony Orchestra of Ukraine 22, 27, E, 39, 47, G(ii), 77, 96, 97, U, 111, 115, 116 National Ukranian Choir ‘Dumka’ 14 National Youth Orchestra of Great Britain 10, 70 National Youth Orchestra of Wales 96 Natochenny, Lev (pianist) 57 Naughtie, James (TV presenter, b.1952) 31, 105 Naumenko, Aleksandr (bass-baritone ) K(i), R, 145 Naumenko, Aleksei (Atrium Quartet––1st violinist) 92, 108 Naumov, Nikolai (ballet dancer) 19 Navasardyan, Svetlana (pianist) 34 Nay Palm Trombone Quartet 110 Nazaruk, Aleksandr (organist) 30 Nazirova, Elmira Mirza R. (composer, b.1928) 93 NBC (National Broadcasting Company) Symphony Orchestra (see also Symphony of the Air) 10, 47, 60

IN DEX OF N AMES

721

NDR Sinfonieorchester 107, 126 Nechayev, Ivan Alekseyevich (tenor, 1900-63) 15 Neckář, Václav (actor) 29 Nederlands Concertkoor (male chorus) 113 Nederlands Dans Theater (2) p.591 Nedobrovo, Vladimir (script-writer) 30 Neef, Sigrid (translator) 36 Negro, Lucia (pianist, b.1938) 127 Neigauz, Genrikh Gustavovich––see Heinrich Neuhaus Neklyudov, Y. (bassoonist) 70 Nekrasov, Viktor Alekseyevich (lyricist, 1821-77) 85 Nelson, Allison and Neal, Harry Lee (piano duo) 94 Nelson, Andris (conductor, b.1979) 77, 129 Nelson, Havelock (conductor, b.1917) 18, 32 Nelson, John Wilton (conductor, b.1941) 145 Nelsova, Zara (originally Sara Nelson, cellist, 1918-2002) 40 Nemec, Alojz (Slovák Quartet––violist) 108 Nemenoff, Genia (pianist, b.1905) 22, 30 Nemtsov, Jascha (pianist) 67, 134 Nersesyan, Anait Sergeyevna (pianist, b.1954) 34 Nesterenko, Yevgeni Yevgenievich (bass, b.1938) 29, 58a, 59a, 106, 121, 123, 128, 135, 140, 145, Z, 146 Netherlands (Nederlands) Blazers Ensemble 26, 27, 110 Netherlands Opera Chorus 29 Netherlands Philharmonic Orchestra 35 Netherlands Radio Philharmonic Orchestra 65, 70, 77, 112, 113 Neuhaus, Heinrich Gustavovich (usual spelling of Russian-born pianist, 1888-1964) 34 Neumann, Alexandra (Trio Paian––pianist) 8, 67 Neumann, Horst (chorus-master, b.1934) 58 Neumann, Václav (conductor, 1920-95) 29, 60, 70 Nevins, William Irving (arranger) 5 Nevsky Quartet 110 New American Chamber Orchestra 110 New Amsterdam Sinfonietta 73, 110, 118, 147 New Amsterdam Trio 67, 127 New Century Chamber Orchestra 11, 110, 118 New European Strings 11, 73 New London Children’s Choir 81 Newmark, John (pianist) 40 New Opera Company 15 New Philharmonic Orchestra 77, 141 New Prague Trio 67 Newsome, Roy (conductor) 97 Newton, Ivor (pianist, 1892-1981) 100 New Symphony Orchestra (of Japan) 43

722

I ND E X OF NA M ES

New York Choral Artists, Men of the 113 New York City Ballet 35, 102 New York Philharmonic Orchestra 10, 22, 30, 35, 47, 54, 58, 60, 65, 70, 77, 93, 96, 102, 107, 113, 129, 131, 135 New York String Sinfonietta 11 New Zealand Symphony Orchestra 22, 35, 96, 102 NHK Symphony Orchestra (of Japan) 10, 43, 47, 70, 103, 113, 135 Nhu, Do Phuong (Dominant Quartet––1st violinist) 110 Ni, Hai-Ye (cellist) 127 Nickrenz, Erika (Eroica Trio-pianist) 67 Nicolai, Helmut (Rosamunde Quartet-violist) 110 Niculescu, Anton (cellist) 40 Niels, Elger (arranger) 87 Nikiti, P. (writer) 112 Nikitin, Anatoli Alekseyevich (cellist) 127 Nikitin, Gleb Pavlovich (arranger) 34 Nikitina, Irina (pianist) 40 Nikolayev, Aleksei Aleksandrovich (composer, b.1931) p.601 Nikolayev, Leonid (conductor) 54 Nikolayev, Leonid Vladimirovich (dedicatee, 1878-1942) 61 Nikolayeva, Elena (chorus-master) 104 Nikolayeva, Tatyana Petrovna (pianist, 1924-93) 5, 34, 61, 87 Nikolsky, Yuri Sergeyevich (composer/arranger, 1895-1962) 49, 73; p.587 Nikonov, Gennady (trumpeter) 35 Nillsson, Claes (Saulesco Quartet––2nd violinist) 83 Nilsson, Stig (Oslo Trio––violinist, b.1946) 8, 67 Nimsgern, Siegmund (bass, b.1940) 106 Nishimoto, Tomoni (conductor) 47 Nizinenko, Nikolai (bass) K(i) NYVD (People’s Commissariat of Internal Affairs) Song and Dance Ensemble 63, 66, 72 Noble, John (bass-baritone, b.1931) 29 Nogues, Patrick (tenor) 56 Nolan, Rodney (tenor) 79 Nomos Quartet 110 Noras, Arto (Sibelius Academy Quartet––cellist and soloist, b.1942) 40, 68, 73, 83, 101, 107, 126, 142 Norbury, Tatiana (translater) 79 Nordgren, Pehr Henrik (composer, b.1944) p.601 Norrköping Symphony Orchestra 47, 131 Northern Dance Theatre 35, P(i) North Texas College of Music Wind Symphony 34, 36, 63 North-West German Philharmonie Orchestra K(i) Norton, Eunice (pianist) 57 Norton, Mark (Guitar Trek––guitarist) D(i) Norwalk Symphony Orchestra 27

IN DEX OF N AMES Norwegian Chamber Orchestra 110 Norwegian Radio Orchestra 107, 126 Noseda, Gianandrea (conductor, b.1964) 43, 110a, 131, 140, 145a Nosyrev, Mikhail Iosifovich (composer, b.1924) p.598 Novacek, John (pianist) 134 Novák, Antonín (Suk Quartet––1st violinist, b.1936) 68, 138, 142 Novâk, Jiří(Smetana and Novák Quartets––1st violinist) 57, 73, 122 Novák Quartet 57, 122 Novák, Richard (bass) 145 Novosibirsk Chamber Choir 88 Novosibirsk Chamber Orchestra 34, 73, 83 Novosibirsk Philharmonie Orchestra Q, 65, 141 Nowak, Günter (tenor) 29 Nozy, Norbert (conductor) 113 Nureyev, Rudolf (ballet dancer, 1939-93) 32 Nurmela, Kari (bass) 114 Nuttall, Geoff (St Lawrence Quartet––1st violinist) 73, 108, 110 Nwanoku, Chi-Chi (double-bass player) 46 Nyman, Tom (tenor) D(ix) Nys, Tony (Danel Quartet––violist) 49, 68, 73, 83, 92, 101, 108, 110, 117a, 117, 118, 122, 133, 138, 142, 144 Nyström, Per (Yggdrasil Quartet––cellist) 73, 108, 110 Nyurnberg, Mikhail Vladimirovich (arranger, b.1911) 30 Nyunoya, Kae (pianist) 40 §O Oberdorfer, Heinz (Orlando Quartet––2nd violinist) 73, 101 Oborin, Lev Nikolayevich (pianist, 1907-74) 6, 8, 57, 67 Obraztov, Anatoli (bass) D(iv), X(ii) Obukhova, Nadezhda Andreyevna (mezzo-soprano, 1886-1961) 80 Ochagavia, José (tenor) 29 Ochman, Wieslaw (tenor) 106 O’Connell, Charles (conductor/arranger, 1900-62) 33 Octors, Georges (conductor) 110 Odinets, Galina (Prokofiev Quartet––violist) 11 Odoyevsky, Count Vladimir Fyodorovich (folksong collecter, 1804-69) p.589 Odstreil, Jan (Kocian Quartet––2nd violinist) D(i) O’Duinn, Proinnsias (conductor) P(i) Oertel, Christine (mezzo-soprano) 79 Oetiker, Adrian (pianist) 40 Ofer, Frez (violinist) 97, 105 Offenbach, Jacques (composer, 1819-80) 18 Ogden, David (Delme Quartet––2nd violinist/arranger) 22 Ogdon, John Andrew Howard (pianist, 1937-89) 35, 94, 102 Ognavenko, Vladimir, (bass) 106

723

724

I ND E X OF NA M ES

Ognivtsev, Aleksandr Pavlovich (bass, 1920-81) 98 Ogoun, Lyubosh (choreographer, b.1924) 60 Ogranovich, Olga (Moscow Quartet––cellist) 57 Oguike, Henri (choreographer, b.1972) 117 Ohlsson, Garrick Olof (pianist, b.1948) 35 Ohtomo, Naoto (conductor) 47 Oistrakh, David Fyodorovich (violinist/dedicatee/conductor, 1908-74) 67, 70, 77, 93, 107, 125, 126, 127, 129, 134 Oistrakh, Igor Davidovich (violinist, b.1931) 77, 129 Oja, Iris (mezzo-soprano) 98, 100 Okada, Tomoko (pianist) 21 Oke, Alan (tenor) 105 O’Keefe, Mark (trumpeter) 35 Okhotnikov, Nikolai Petrovich (bass) 106 Okunev, Boris (guitarist) 37 Olding, Dene (Australia Ensemble––violinist) 57 Oleinikov, Nikolai Makarovich (poet, 1898-1942) p.587 Olender, S. (translater) 79 Olenev, Yuri (arranger) 14, 28, 37, 57a Oliveira, Elmar (violinist) 54, 77 Øllgaard, Niels Christian (Esbjerg Ensemble––violinist) 57, 127 Olofsson, Åke (Saulesco Quartet––cellist, b.1924) 83, 127 Olympic Orchestra 97 Öman, Per (Yggdrasil Quartet––2nd violinist) 73, 108, 110 Omsk Russian Folk Choir 104 Onyx Brass 87 Ono, Hisashi (Morgaua Quartet––violist) 34, 49, 68, 92, 97, 101, 108, 117, 122 Ono, Kazushi (conductor) 27, 47 Ootsu, Prince (poet, 663-86) 21 Opera Australia 29 Opéra-Bastille (Paris), Chorus and Orchestra of 29 Opéra de Lyon Orchestra and Choir 105 Opera North Orchestra 18, 105 Opie, Alan (baritone) 15 Oppenheimer, Graham (Schidlof Quartet––violist) 57, 83, 108 Oramo, Sakari (conductor, b. 1965) 77 Orawiec, Jan (violinist) 67 Orbelian, Constantine (pianist/conductor, b.1956) 16, 34, 35, 57, P(v), 86, 95, 102, 110; p.584 Orchestra del Teatro alla Scala 29 Orchestra Gelmini 35 Orchestra Haydn di Bolzano e Trento 107 Orchestra Sinfonica di Milano ‘Giuseppe Verdi’ 10, 43, 47, 49, 54, 60, 65, 70, 73, 83, 93, 103, 110, 112, 118, 141 Orchestra Sinfonica di Torino della RAI 77

IN DEX OF N AMES

725

Orchestra Sinfonica e Coro Sinfonico di Milano ‘Giuseppe Verdi’ 14, 20, 113, 135 Orchestra Symphonique 22 Orchestre Chambre de Paris 35 Orchestre de la fondation Gulbenkian 35 Orchestre de la Société des Concerts du Conservatoire, Paris 22 Orchestre du Festival Tibor Varga Sion 110 Orchestre Philharmonique de Radio France 16, 22, G(ii) Ordronneau, Catherine (pianist) 34 Oregon Symphony 103 O’Reilly, Brendan (Gabrieli Quartet––2nd violinist) 49, 73 Orgonasova, Luba (soprano) 79 Orkiestra Kameralna Wojciecha Rajskiego 110 Orlando Quartet 73, 101 Orloff, Vladimir (strictly Orlov, b.1928) 107 Orlov, Georgi (bass) 29 Ormandy, Eugene (real name Blau; conductor, 1899-1985) 10, 22, 35, 43, 47, 54, 93, 107, 111, 129, 115, 141 Ormiston, Linda (mezzo-soprano) 15 Orquesta de Cámara Clariscuros 110 Orquesta Sinfónica de Castilla y León 47 Orquesta Sinfónica de la Xalapa 107 Orquesta Sinfónica de Mineria 47 Orchestra della Svizzera Italiana 35 Orchestre de la Suisse Romande 47 Orchestre Symphonique de Paris 22 Orpella, Joan (I.O.M. Trio––violinist) 8, 67, 127 Orsar, Brian (ice-skater) 27 ORTF National Orchestra 10 ORTF Orchestra Philharmonique de, Paris 107 Ortiz, Cristina (pianist, b.1950) 5, 35, 102 Orton, Stephen (Academy of St Martin-in-the-Fields Chamber Ensemble/Delmé Quartet––cellist) 22 Osaka Philharmonie Orchestra 47, 60 Osborne, Robert M. (bass-baritone/arranger) 58a, 121, 140, 146 Osborne, Steven (pianist, b.1971) 40, P(iv) Osipov Academie Russian Folk Orchestra 27, 30, 77 Osiris Trio 67 Oskamp, Gerard (conductor) 65 Oslo Trio 8, 67 Oslo Philharmonic Orchestra 47, 77 Oslo Symphony Orchestra 54, 70 Osmolkina, Ekaterina (ballet dancer) 19 Ostrander, Allen (arranger) 34 Ostrava Conservatory Chamber Orchestra 8 Ostrava Quartet 110

726

I ND E X OF NA M ES

Ostrin, Lev Ye. (pianist) 98 Ostrobothian Chamber Orchestra D(ix) Ostroumov, S. M. (tenor) 29 Ostrovosky, Aleksandr Nikolayevich (playwright, 1823-86) 116 Oswald, Jean-Pascal (Verlaine Quartet––violist) 68 Otaka, Tadaaki (conductor, b.1947) 21, 47 Oue Eiji (conductor) 47, 60 Ouspensky, Valeri (chorus-master) 81 Oussov, Dmitri (Atrium Quartet––violist) 108 Ovcharek, Vladimir (Taneyev Quartet––1st violinist, b.1927) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Ovchinikov, Vladimir (pianist, b.1958) 35 Owen-Norris, David (pianist) 98 Oxford Orchestra da Camera 35 Ozawa, Seiji (conductor, b.1935) 47, 107, 125, 126, 129 Ozerov, L. (translater) X(i) Ozolins, Arthur (pianist) 67 §P Paananen, Sven-Erik (cor anglais player) 10 Pacaček, Vlastimil (Ostrava Quartet––1st violinist) 110 Pacheco, Ignacio (pianist) 147 Pacht, Nurit (violinist) 67 Page, Robert E. (chorus-master, b.1927) 113 Pahud, Emmanuel (flautist) P(ii) Paige, Raymond (conductor) 22 Paillard, Jean-François (conductor, b.1928) 35 Paillard, Jean-François-Chamber Orchestra 35 Pakhomov, V. (guitarist) 39 Palau de la Música Catalana Chamber Choir 29 Palamas, K. (lyricist) R Páleníček, Jan (Czech Trio––cellist) 67 Páleníček, Josef (Czech Trio––pianist, b.1914) 67 Paling, Edwin (violinist) 22 Palmer, Beau (tenor) 15 Palmer, Ruth (violinist, b.1977) 77, 134 Palmer, Tony (film-director, b.1935) p.574 Pålsson, Hans (pianist, b.1949) 67 Panayiotdou, Maria (pianist) 40 Pandula, Dušan (Novák Quartet––2nd violinist) 57, 122 Panenka, Jan (pianist) 147 Pankratov, Vladimir R. (bass) 36, Q Panov, Galina Ragozina (ballerina, b.1949) 27 Panov, Valeri Matvevich (ballet dancer, b.1938) 27, 39, 116; p.591 Pantelev, Volodymyr (Leontóvych Quartet—cellist) 57

IN DEX OF N AMES

727

Pantillon, Christopher (Leschetizky Trio—cellist) 67 Pantyukov, Georgi Nikolayevich (conductor, b.1922) 104 Panych, Morris (theatre director) p.574 Papadopoulos, Marios (pianist, b.1954) 87 Papp, Sándor (Éder Quartet-violist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Pappajohn, Frank (arranger) P(1) Pappano, Antonio (conductor/arranger, b.1959) 29, 40, 107 Paramonova, Svetlana (harpist) J(iv) Pardo, Angela (Roma Piano Trio––pianist) 67 Parfenov, Pyotr Semyonovich (lyricist, 1894-1943) 44, 48, 74 Paris Opera Ballet 27 Parker, Jamie (Gryphon Trio—pianist) 8, 67, 127 Parkes, Major Peter (conductor, b.1929) 96 Parkhomenko, Olga Mikhailovna (violinist, b.1928) 134 Parkhomovsky, Mikhail (conductor) 34 Parkhouse, David Harry (Music Group of London––pianist, 1930-89) 57, 67 Parnas, Leslie (cellist, b.1931) 40 Parr, Patricia (pianist) 127 Parshin, Aleksei (organist, b.1957) 29 Parsons, Geoffrey (pianist, b.1929) 79 Partridge, H. B. (translator) 114 Pasco, Richard (poetry reader) 110 Pasquier, Bruno (violist) 147 Pashinskaya, Irina (harpist) J(iv) Pasquier, Régis (violinist) 67 Pasternak, Boris Leonidovich (translator, 1890-1960) 62, 116, 137, 140 Pataki, Eva (pianist) 46 Patipatanakoon, Annalee (Gryphon Trio—violinist) 8, 67, 127 Pator, Ulrike (translator) X(ii) Paulauskas, Eugeniyus (Lithuanian State Quartet—1st violinist, b.1927) 49, 83 Paulik, Franjo (tenor) 58 Paulson, Joseph (arranger) 47 Pavlenko, Pyotr Andreyevich (script-writer, 1899-1951) 82 Pavlik, Čenek (Guarneri Trio––violinist) 8, 67 Pavlikhina, Irina (Eleonora Quartet—2nd violinist) D(i), 73, 117 Pavlov, Ivan (trumpeter) P(i) Pavlovsky, Aleksandr (Jerusalem Quartet—1st violinist) 49, 73, 83, 101, 110, 117, 122 Pavlovsky, Nina (soprano) 127 Pavlovsky, Valentin (pianist) 40 Pazdera, Jindřich (conductor) 110 Pears, Sir Peter Neville Luard (tenor, 1910-86) 79 Pecherskaya, Lydia (pianist) 34, 40 Pechnikov, Aleksandr Abramovich (Glazunov Quartet—2nd violinist, 1873-1949) 49, 57 Peckham, Merry (Cavani Quartet––cellist) 68, 108, 142

728

I ND E X OF NA M ES

Pedani, Paolo (baritone) 15 Peel, Robert (conductor) 97 Peintre, Lionel (baritone) 135 Pekarsky, Mark (conductor/arranger) 14, 141a Pekker, Grigori (cellist) 8 Pell, William (tenor) 29 Pelle, Nadia (soprano) 79, 127 Peňa, Adela (Eroica Trio—violinist) 67 Penderecki, Krzysztof (conductor, b.1933) 54 Penderecki Quartet 57, 73 Pennario, Leonard (pianist, b.1924-2008) 22 Pennetier, Jean-Claude (pianist) 67 147 Percussionisti della Scala 76 Peregudova, Rozaliya (chorus-master) 14, 20 Pereira, David (cellist) 40 Perello, Aurelio Pérez (arranger) 93 Perelman, Natan Yefimovich (pianist, b.1906) S(i) Perez, Alain (pianist) 5, 27, 34 Pérez, Victor Pablo (conductor) 10 Pergamenshchikov, Boris (cellist, b.1949) 40, 67, 138 Perisson, Jean (conductor) 107 Perlman, Itzhak (violinist/conductor, b.1945) 77, P(iii) Perlowin, Michael (pedal steel guitarist) 22 Perovskaya, Sofya L. (Russian terrorist leader, 1853-81—subject of film) 132 Perry, Elisabeth (violinist) 41, 46 Perth Symphony Orchestra and Choral Society [Scotland] 119 Perticaroli, Sergio (pianist) 87 Peruška, Jan (Stamic Quartet—violist and soloist, b.1951) 138, 147 Pešek, Libor (conductor, b.1933) 97, 110, 145 Petersen, John (trombonist) 27 Petersen Quartet 49, 57, 83 Peterson, Henrik (Yggdrasil Quartet—1st violinist) 73, 108, 110 Peterson, Jeff (Nay Palm Bones––trombonist) 110 Petit, Roland (choreographer, b.1924) 112 Petitot, Guillaume (bass) 29 Petkov, Angel (tenor) 106 Petkov, Dmitri (bass) V Petkov, Dobrin (conductor, 1923-87) 54, 70, 96 Petrenko, Vasily (conductor, b.1976) 47, K(i & ii), 70, 103 Petridou, Cilia (pianist) S(i) Petrov, Andrei Pavlovich (stage director, b.1930) 36 Petrov, Ivan Ivanovich (bass, b.1920) 81 Petrov, Ivan Vasilievich (arranger, 1906-75) 82 Petrov, Nikolai Arnoldovich (pianist, b.1943) 6, 22, 57, 94 Petrov, Nikolai Vasilievich (stage producer, 1890-1964) 31, 44

IN DEX OF N AMES

729

Petrov, Valeri Ivanovich (arranger, b.1929) 96 Petrov, Yevgeni (pseudonym of Yevgeni Petrovich Katayev; novelist, 1903-42) p.588 Petrova, Galina (pianist) 134 Petrovič, Milivoj (soprano) 58 Petrushansky, Boris (pianist, b.1949) B, 5, 12, 13, 22, 34, 61, 69(i&ii), 87, S(i), 102 Pet Shop Boys (Neil Tennant and Chris Lowe—pop group duo) 14 Pettinger, Peter (pianist) 34 Petukhov, Mikhail (pianist) 35 Pevzner, B. (chorus-master) 88 Peytchinov, Valentin (bass) K(ii) Pfeiffer, Sabine (Nomos Quartet––cellist) 110 Pflüger, Gerhard (conductor, b.1907) 10 Philadelphia Orchestra 10, 16, 27, [33], 34, 35, E, 43, 47, G(i), 54, 93, 97, 103, 105, 107, 113, 135, 141 Philharmonia Orchestra 10, 22, 35, 43, 47, 54, 70, 77, 93, 96, 97, 112, 114, 126 Philharmonia Quartet of Berlin 73, 108, 133 Philharmonic Symphony Orchestra of New York 65 Phillips, Daniel (violinist) 11, 144 Phillips, John (Fitzwilliam Quartet—2nd violinist, b.1950) 138 Phillips, Ronald (clarinettist) 22 Phillips-Varjabédian, Jean-Marc (Trio Wanderer––violinist) 8, 67 Phillips, Xavier (cellist) 40, 107 Philomusica of London 135 Phoenix Chamber Orchestra 110, 118 Pianka, Uri (Trio Yuval—violinist) 67 Piatigorsky, Grigori (Gregor) Pavlovich (cellist/arranger, 1903-76) 40 Piazzini, Carmen (pianist) 97 Picardie, Les Sinfonietta Orchestre Régional de 107, 110 Picavet, Bernard and Geneviève (piano duo) 94 Picca, Anne-Catherine (soprano) 56 Pidoux, Raphaël (Trio Wanderer––cellist) 8, 67 Pidoux, Roland (cellist) 67 Pierce, Joshua (pianist) 102 Pierrat, Simone (cellist) 40 Pietikäinen, Mauri (Voces Intimæ Quartet—violist) 110, 117 Pietrocini, Laura (Ars Trio di Roma––pianist) 8, 67, 127 Pigerre, Jean-Pierre (Pro Arte Quintet—violist) 57 Pignat, Xavier (Trio Nota Bene—cellist) 67 Pihtipudas Quintet 57 Pilafian, J. Samuel (Empire Brass—tuba player/arranger) 96 Pilz, János (Keller Quartet––2nd violinist) 144 Pimlico Opera Company 105 Pini, Anthony (cellist, 1902-89) 67 Pini, Cari (London String Quartet—1st violinist) 122 Pintavalle, John (New Amsterdam Trio—violinist) 67, 127

730

I ND E X OF NA M ES

Pinter, Margo (pianist) 35 Piotrovsky, Adrian Ivanovich (playwright/librettist, 1898-1938) 28, 39 Pirino, Antonio (tenor) 15 Pirogov, Nikolai Ivanovich (Russian surgeon, 1810-81—subject of film) 76 Pirumov, Aleksandr Ivanovich (arranger, b.1930) 48, 85 Pisarenko, Galina Alekseyevna (soprano, b.1934) 79, 127 Pisarev, Andrei (pianist) 102 Pishchugin, Sergei (Shostakovich and Glinka Quartets—2nd violinist) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Pittsburg Symphony Orchestra 10, 54, 65, 93 Pitulko, Dimitry (Atrium Quartet—violist) 92 Pizarro, Artur (pianist) 34 Plagge, Wolfgang (Duo ‘Reine Elisabeth’—pianist and soloist, b.1960) 61, 94 Planquette, Jean-Robert (composer, 1848-1903) X(ii) Platt, Alexander (conductor) M Platt, Ian (baritone) 105 Pledge, Steven De (pianist) 105 Pleeth, William (Allegri Quartet—cellist, 1916-99) 68 Pleshakov, Vladimir (pianist, b.1934) B, 5, 12, 13 Pletnev, Mikhail Vasilievich (pianist/conductor, b.1957) 87, 96, 103 Plishka, Paul (also known as Peter; bass, b.1941) 100, 106 Plocek, Aleksandr (Czech Trio—violinist) 67 Plovdiv State Philharmonic.Orchestra 54, 96 Pluzhnikov, Konstantin Ilyich (tenor) 24, K(ii), 79, 106 Pochapski, Vyatcheslav (bass) K(i) Podjuki, Josef (Novák Quartet––violist) 57, 122 Podrug, Vesna (pianist) 14 Pogodin, Nikolai Fyodorovich (alias of N. Stukalov; biographer, 1900-62) 53, 99 Pogodina, Ekaterina (Dominant Quartet––2nd violinist) 110 Pokorný, Jiři (pianist) 46, 91 Pokrass, Daniil Yakovlevich (composer, 1905-54) J(i) Pokrass, Dmitri Yakovlevich (composer, 1899-1978) J(i) Pokrovsky, Boris Aleksandrovich (stage producer, 1912-2009) 15, K(i), X(ii) Poláčková, Alžbeta (soprano) 127 Polák, Lukás (Škampa Quartet—cellist) 110 Polbentseva, Marina (soprano) 105 Polevtsova, Zhanna (mezzo-soprano) Q Polezhayev, A. (lyricist) J(i) Polish Chamber Orchestra 110 Polish (National) Radio Symphony Orchestra 11, 65, 70, 76, 77, F, 107, 126, 129 Polster, Hermann Christian (bass) 145 Poltavtsev, Ivan Ivanovich (chorus-master, b.1917) 14, 20, 124 Poltoratsky Viktor (arranger) 34 Polyanskaya, Tatyana (pianist) 35, 59 Polyansky, Valeri Kuzmich (chorus-master/conductor, b.1949) B, 18, 23, D(iv), 35, 54, 59, 60, K(ii), 70, 79, 93, 103, 105, 107, 112, 113, 119, 124, 125, 126, W, X(ii), 141

IN DEX OF N AMES

731

Ponkin, Vladimir (conductor) 4, 31, D(ix), G(i), 56 Ponnelle, Pierre-Dominique (conductor) 47, 65 Ponomarev, Aleksandr (chorus-master) 88 Pöntinen, Roland (pianist, b.1963) 5, 40, 134, 147 Pope, Barry (conductor) 103 Pope, Cardine (choreographer) 105 Poplavskaya, Marina (soprano) 135 Pople, Peter Ravenhill (Alberni Quartet—2nd violinist, b.1943) 11, 57 Popov, Gavriil Nikolayevich (composer, 1904-72) 78 Popov, Sergei (trumpeter) 35 Popov, Stoyan (baritone) 106 Popov, Valeri Sergeyevich (bassoonist, b.1937) 13, 70 Popov, Viktor (chorus-master) 86, 88, Q Popov, Vladimir (bass) 106, 114 Popov, Yevgeni (tenor) Q Popova, Lyubov (pianist) 91 Popova, Maria Petrova (soprano) 106 Popovič, Dušan (bass) 58 Poppen, Christoph (conductor) 110 Portugheis, Alberto (pianist, b.1941) 40 Poschner-Klebel, Brigitte (soprano) 106 Posner, Leonard (MGM Studio Orchestra—violinist) 11 Pospíšil, František (Dvořák Piano Trio—violinist) 127 Postavnicheva, Nina (singer) 86 Postnikova, Viktoria Valentinova (pianist, b.1944) A, 6, 12, D(v), 35, 41, 61, S, 94, 134, 147 Potapov, Valentin (cellist) 138 Potapovskaya, Dina (soprano) 114 Pottier, Eugène (lyricist, 1816-87) F Poulain, Loïc (flautist) P(ii) Poulsen, Darryl (horn player) 107 Pountney, David (translator/director, b.1947) 29, 105 Powell, Ray (choreographer, b. 1925) P(i) Power, Lawrence (violist) 34 Powers, Maxwell (arranger) 27 Pownall, David (playwright) p.589 Prach, Ivan (folksong collecter, c.1750-c.1818) Q Pracht, Mary Ellen (soprano) 127 Prague Philharmonic, Male Choir of the 113 Prague Radio Symphony Orchestra 102, 107, 126, 129, 145 Prague Symphony Orchestra 10, 14, 20, 22, 43, 47, 54, 60, 65, 70, 93, 103, 107, 112, 113, 114, 126, 135, 141 Prague Talich Chamber Orchestra 35, 110, 118 Pratz, Albert (violinist, b.1914) 5 Prause, Petre (Tálich Quartet and soloist) 40, 57, 110, 147 Preece, Margaret (soprano) 105

732

I ND E X OF NA M ES

Preis, Aleksandr Germanovich (librettist, 1906-42) 15, 21, 29, 114 Prescott, Duncan (clarinettist, b. 1964) P(ii) Pressler, Menahem (Beaux Arts Trio—pianist and soloist, b.1923) 8, 34, 35, 57, 61, 67, 127 Preston, Mark (Daponte Quartet––violist) 110 Prêtre, Georges (conductor, b.1924) 96, 112 Previn, André George (pianist/conductor/arranger, b.1929) 10, 35, 43, 47, 54, 65, 67, 77, 93, 113 Price, Ronald (‘Ronnie’) Patrick (pianist, 1923-96) 34 Prieto, Carlos (cellist/arranger) 40, 107, 147 Prigozhin, Lucian Abramovich (composer, b.1926) p.598 Primachenko, Marina (pianist) 102 Prinz, Johannes (choras-master) 14 Prinz, Meinhard (pianist) P(iii) Prischepenko, Natalia (violinist) 67, 127 Pritchard, Sir John Michael (conductor, 1921-89) 103 Pritsker, David Abramovich (composer, 1900-78) J(ii) Pro Arte Quintet of Monte-Carlo 57 Probst, Dominique (percussionist, b.1954) 13 Prokhorova, Tatyana (cellist) 67 Prokina, Yelena (soprano) 105, 106, 115 Prokofiev Quartet 11 Prokofiev, Sergei Sergeyevich (composer, 1891-1953) p.640 Prokovsky, André (choreographer, 1969-2009) 116 Prooij, Marijn van (arranger) 68, 83 Prosser, Douglas (Eastman Brass––trumpeter) 133 Prostakoff, Joseph (arranger) p.566 Provatorov, Gennadi Panteleimonovich (conductor/pianist, b.1929) 87, 114 Psùtkova, Zdeňka (translater) 127 Ptitsa, Klavdi Borisovich (chorus-master, 1911-83) F, 63, 66, 72, 81, Y Ptukha, Oleg (bass) 62, 98, 100 Puchetchny, Vladimir (trumpeter) 35 Puella Trio 8 Puffer, Deena (translator) 15 Puffer, Merle (translator) 15, 29 Pulford, Paul (Penderecki Quintet—cellist) 57, 73 Purcell Quartet 11 Purizhensky, Mikhail (clarinettist) 27 Purser, David (arranger/conductor) 16 Pushkarev, Andrei (percussionist/arranger) 134, 147 Pushkarev, Vladimír (trumpeter) 41, 141 Pushkin, Aleksandr Sergeyevich (poet, 1799-1837) Juv., 136, 46, 58a, 91, 123, 128, 143; p.583 Putilin, Nikolai (baritone) 106 Pytel, Marek (film restorer) 18

IN DEX OF N AMES

733

§Q Quartetto Fonè 110 Quasthoff, Thomas (baritone, b.1959) 135 Queensland Symphony Orchestra 16 Queler, Eve (conductor, b.1936) 106 Quénelle, Laurent (conductor) 11, 110 Quinn, Iain (organist) 97 Quintetto Chigiano 57 §R Raatze, Walter (conductor) 95 Rabaglia, Ivan (Trio di Parma—violinist) 8, 67, 127 Rabinovich, David Abramovich (biographer, 1900-78) 6 Rabinovich, Nikolai Semyonovich (conductor, 1908-72) 26, 30, 32, 33, 41(i) 45, 48, 50, 85, 105, 116, 137 Rabinowitz, Harry (arranger, b.1916) 97 Rabson, Mimi (Excelsior—violinist) 34 Rachlevsky, Misha (conductor/arranger) D(i), 110, 118, 144 Rachlin, Julian (violist/violinist, b.1974) 34, 147 Rachmaninoff de Montréal Le Trio 67 Rachmaninov Trio Moscow 8, 67 Rachón, Stefan (conductor, b.1906) 76, P(i) Racine Symphony Orchestra M Radić, Stepan (pianist) 35 Radin, Leonid Petrovich (poet, 1860-1900) 74, 88 Radio City Music Hall Chamber Orchestra of New York 18 Radio France Philharmonic Orchestra 16, 22, G(i) Radionik, Yaroslav (baritone) K(i) Radiova, A. (translator) 58a Radivojević, Dragomir (chorus-master) 58 Radlov, Sergei Ernestovich (stage producer, 1892-1958) 44 Radzievsky, Vyacheslav (tenor) 114 Rael, Anthya (pianist) 134 Rafael Quartet 100, 138 Ragazzi, Claudio (Excelsior—guitarist) 34 Rahbari, Alexander (conductor, b.1948) 47, 70, 93 Rahkonen, Jorma (Voces Intimæ Quartet—1st violinist) 110, 117 Rahman, Sophia (pianist) 35, 147 Raikov, V. F. (bass) 15 Raimondi, Ruggero (bass, b.1941) 113 Raine, Nic (arranger) 26 Rajna, Thomas (pianist, b.1928) 100 Rajski, Wojciech (conductor) 102, 107, 126 Rajskiego, Wojciecha Chamber Orchestra 110 Rakhlevsky, Mark (conductor) 110a

734

I ND E X OF NA M ES

Rakhlin, Natan Grigorievich (conductor, 1906-79) 103 Rakhmaninov Quartet 49, 57, 87, 108, 110 Rakhmilevich, L. I. (lyricist) J(iii) Rakova, Bella (pianist) 5, 34 Raleigh, Sir Walter (poet, c.1552-1618) 62, 140 Randalu, Kalle (pianist) 87 Rankovich, Tatjana (pianist) 61 Raph, Alan (arranger) 27 Rapier, Beth (Rosalyra Quartet––cellist) 68, 110 RAPM (Russian Association of Proletarian Musicians) Group of Composers 124 Rappaport, Gerbert Moritsevich (film-director, 1908-83) 105 Rappe, Jadwiga (alto) 79 Räpple, Martin (Elbeblech Brass Quintet—trombonist) 96 Ras, Michiel (organist/arranger) 87 Rasiča, Božidar (designer) 106, 114 Rasilainen, Ari (conductor) 107, 126 Rásony, Leila (violinist) 5 Rassadin, Konstantin Aleksandrovich (choreographer, b.1937) 119 Rassudova, Nataliya (pianist) 46, 62, 91, 100, 114, 121, 145, 146 Rastrelli Cello Quartet 22 Rasumovsky Quartet D(i), 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Rath, Dana (mandolin player) 22, 49 Ratmansky, Alexei (choreographer) 27, 39, 102 Rattay, Evžen (Tálich Quartet—cellist) 49, 57 Rattle, Sir Simon Denis (conductor, b.1955) 10, 43, 77, 93, 135 Rautio, Erkki (cellist) 40 Raychev, Russian (conductor, b.1919) 106, 112 Razin, Stepan Timofeyevich (Cossack rebel, 1630-71—subject of cantata) 119 Razumova, Tatyana (Nevsky Quartet––1st violinist) 57 Reavey, George (translator) 113 Reck, Stefan Anton (conductor) 10 Rechetniak, Nikolai (baritone) K(i) Red Banner (Black Sea) Ensemble X(i) Red Banner (Soviet Army) Ensemble 80, U Redhead, Lt-Col.Robert (conductor) 63 Redkin, Leonid (xylophonist) 27 Reed, Alfred (arranger/conductor) 34 Rehák, Karel (Suk Quartet—violist) 11, 68, 138, 142, 144 Rehm, Wilfred (cellist) 114c, 135 Reimann, Aribert (pianist, b. 1936) 145 Reinecke, Frank (Volger Quartet—2nd violinist) 122 Reiner, Andreas (Rosamunde Quartet—1st violinist) 110 Reiner, Fritz (conductor, 1888-1963) 54, 58 Reinhold, Friedrich (trumpeter) 35

IN DEX OF N AMES Reisinger, Annette (Minguet Quartet—2nd violinist) A Reizend Muziekgezelschap 57, 67 Rell, Dieter (bass) 29 Remenikova, Tanya (cellist) 40 Renk, Klaus (Munich Brass Soloists—trombonist) 27 Renton, Major/Colonel Frank (conductor) 96 Renzin, Isai Mikhailovich (director, 1903-69) 43 Repin, Vadim (violinist, b.1971) 77 Republican Guard Symphony Orchestra 4, 31, D(ix ), G(i & ii), 56 Resa, Neithard (Philharmonia Quartet—violist) 73, 108, 133 Reshetin, Mark Stepanovich (bass, b.1931) 63, M, 135, Y Rév, Lívia (pianist) 5 Reyentovich, Yuli Markovich (conductor, 1914-82) 87, 97 Reynolds, H. Robert (arranger) 34, 63 Režucha, Bystrík (conductor) 107 Rhodes, Samuel (Juilliard Quartet—violist) 57, 73, 142, 144 Ricci, Ruggiero (violinist, b.1918) 67, 77 Ricercata de Paris Ensemble 11, D(i), 34 Richards, Deborah (Clementi Trio—pianist) 67 Richardson, Lynda (soprano) 29 Richter, Svyatoslav Teofilovich (pianist, 1915-97) 57, 67, 70, 87, 134, 147 Ridder, André de (conductor) 56 Rider, Rhonda (Triple Helix Piano Trio—cellist) 67 Riebl, Thomas (violist) 147 Riedi, Oscar (Koeckert Quartet—violist) 68 Riedijk, Charlotte (soprano) 127 Rieger, Christian (bass) 29 Reimann, Aribert (pianist, b.1936) 145 Reinhold, Friedrich (trumpeter) 35 Rieu, André—Orchestra G(ii) Riga Musical School, Violin Ensemble of 97 Rigby, Terence (actor, 1937-2008) p.574 Righter, Charles B. (arranger) 47 Riha, Sidonie (Rubens Quartet––2nd violinist) 73 Riley, John (arranger/film historian/musicologist) 18, 116; p.615 Rilke, Rainer Maria (poet, 1875-1926) 135 Rimmer, Nicholas (pianist) 147 Rimsky-Korsakov, Nikolai Andreyevich (composer, 1844-1908) C, J(ii) Ring, Erik (violist) 147 Ringeissen, Bernard (pianist) 40 Rintzler, Marius (bass) 113 Ripellino, Angelo Maria (translator) 15 Rossi, Mario (conductor, b.1902) 77 Rissi, Mathias (composer/saxophonist) 119 Rissin, Josef (violinist) 134

735

736

I ND E X OF NA M ES

Rissin-Morenova, Olga (pianist) 134 Ritmo Percussion Ensemble 15 Ritter, Godfried (chorus-master) 81, 90, 119 Ritzkowsky, Johannes (horn player) 107 Ritzman, Martin (tenor) 58 Rivas, Enrique (Leonor Quartet––2nd violinist) 11 Rivers, Sandra (pianist) 34 Rivkin, Vivian (pianist/arranger) 35, 57 Rivinius, Gustav (cellist, b.1965) 40 Rivinius, Paul (pianist) 40, 67 Rivinius, Paul (pianist) 40 Rizolya, N. (arranger) S(i) Robert, F. (arranger) 88 Robert, George (pianist) 147 Robertson, Lesley (St Lawrence Quartet––violist) 73, 108, 110 Robertson, Paul (Medici Quartet—1st violinist) 11, D(i), 57, 110 Robertson, Stewart (conductor) 70 Robeson, Paul Leroy (bass, 1898-1976) 33, 80, 95 Robinson, Sharon (cellist) 8, 40, 67 Robyn, Paul (Hollywood Quartet—violist) 57 Rodchenko, Aleksandr Mikhailovich (designer, 1891-1956) 19 Rodescu, Julian (bass) X(ii) Rodin, Kirill (cellist) 40, 107, 126 Rodin, Mats (TrioMats––cellist) 67 Rodgers, Joan (soprano) 109, 127, 135 Rodriguez, Santiago (pianist) 67 Rodzinski, Artur (conductor, 1892-1958) 10, 29, 47, 65 Rogers, Nigel David (tenor, b.1935) 15 Rögner, Heinz (conductor, b.1929) 131 Roisman, Joseph (Budapest Quartet––1st violinist) 57 Roitman, Arnold (conductor) 132 Roizman, Leonid Isaakovich (organist/arranger, 1916-89) 29 Rolland, Romain (writer, 1866-1944) 41(ii); p.588 Rolton, Julian (pianist) 46, 91 Roma Piano Trio 67 Romanian Radio Symphony Orchestra 9 Romano, Fabio (pianist) 87 Romanova, Nina (mezzo-soprano) 36, 58a Romansky, Lyubomir (translator, 1913-89) 119 Romantic Trio 67 Rome, Harold (lyricist, 1908-93) 33 Rome RAI Symphony Orchestra 15, 47, 106, 113, 114 Rome RAI Chorus 106, 113 Roost, Manfred (chorus-master) 81, 90 Rosa, Donatella (soprano) 15

IN DEX OF N AMES

737

Rosa, William De (cellist) 107 Rosalyra Quartet 68, 110 Rosamunde Quartet 110 Rosamunde Trio 67 Rösch, Christine (soprano) 29 Roscher, H. (arranger) p.565 Roscoe, Martin (pianist) 57, 89, 102 Rose, John (composer, b.1928) p.595 Rose, Jürgen (designer, b.1937) 102 Rose, Leonard Joseph (arranger, 1918-84) 40 Rose, Solveigh (Trio Kairos––violinist) 8 Rosen, Carole (mezzo-soprano) 79 Rosen, Nathaniel Kent (cellist, b.1948) 67, 107, 147 Rosenberger, Carol (pianist) 35 Rosenthal, Carl A. (arranger) 34, 119 Rosenthal, Paul (Reizend Muziekgezelschap—2nd violinist) 57 Roshal, Grigori Lvovich (film-director, 1899-1983) 120 Rosler, Timora (cellist) 40 Ross, Antony (cellist) 40 Ross, Hugh (arranger/conductor) 33, J(i), 62 Rossi, Eddy di (I Solisti Italiani—harpist) 97 Rossi, Mario (conductor, b. 1902, retired 1969) 77 Rossini, Gioacchina Antonio (composer, 1792-1868) J(ii), 141 Rostal, Max (violinist, 1905-91) 77 Rostropovich, Mstislav Leopoldovich (cellist/pianist/conductor/arranger/ dedicatee, 1927-2007) 10, 14, 20, 29, 40, 42, 43, 47, H(ii), 54, 60, 65, 67, 70, 77, 78, 93, 103, 107, 109, 112, V, 113, 114, 125, 126, 127, 129, 135, X(iii), 141 Roth, David (Allegri Quartet—2nd violinist) 73 Roth, Lewis (arranger) 107 Roth, Nicholas (conductor, 1902-90) 11 Rothenberg, Sarah (De Capo Piano Trio—pianist) 19 Rotterdam Chamber Orchestra 49,110, 118 Rotterdam Philharmonic Orchestra 60, K(ii), 79, 106 Rouget de l’Isle, Claude Joseph (composer, 1760-1836) 18 Rouse, Christopher (composer) p.601 Rouvier, Jacques (pianist) 40, 67 Rowe, Elizabeth (pianist) 105 Rowicki, Witold (conductor, 1914-89) 10, 47 Rowland, Christopher Selwyn (Fitzwilliam Quartet—1st violinist, 1946-2007) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 127, 133, 138, 142, 144 Rowland-Jones, Simon (violist) 41, 46 Roy, Alexander (choreographer, b.1935) 67 Royal Air Force, Massed Bands of the, and Central Band of the 96 Royal Artillery Band 96 Royal Ballet 57, 102

738

I ND E X OF NA M ES

Royal Concertgebouw Orchestra (from 1988;—see also Concertgebouw Orchestra) 10, 16, 26, 29, 33, 35, 43, E, G(ii), 55, 56, 60, 76, 93, 97, 116, 132 Royal Flemish Philharmonic Orchestra 47, 77 Royal Holloway Symphony Orchestra 47 Royal Liverpool Philharmonic Chorus 113 Royal Liverpool Philharmonic Orchestra 47, K(i & ii), 70, 97, 103, 105, 113, 126, 145 Royal Marines Band 96 Royal Northern College of Music Wind Orchestra 139 Royal Opera House Orchestra and Chorus 29, 106 Royal Philharmonic Chorus 14, 20 Royal Philharmonic Orchestra 10, 14, 20, 34, 35, 47, 65, 70, 77, 81, 93, 96, 97, 102, 103, 107, 110, U, 112, V, 115, 126, 130, 131, 141 Royal Scottish (National) Orchestra 22, 32, 103, 116 Royal Stockholm Philharmonic Orchestra 22, 27, 39 Royal Swedish Chamber Orchestra 110 Royal Swedish Navy Band 96 Royal Symphonic Wind Band of the Belgian Guides 93 Rozanova [-Nechayeva], Aleksandra Aleksandrovna (pianoforte teacher, 1876-1942) A Rozanova, Elena (pianist) 34 Rozanova, Natalyia (mezzo-soprano) 143 Rozengauz, Bronislava Moiseyevna (arranger) 37, 39, 69, 78, S(i), 97, 105 Rozehna, Jan (chorus-master) 20 Rozhdestvensky, Gennadi Nikolayevich (conductor/arranger/narrator/pianist, b.1931) 1, C, 3, 4, 7, 10, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 26, 27, 30, 31, D(iv), 32, 34, 35, 36, E, 39, 41(ii), 43, 46, H(ii), 54, 58a, 59, 60, K(i & ii), 62, M, 70, 77, 79, 91, 93, 96, 103, 105, 107, 109, 112, 113, 114, 116, 119, 124, 125, 126, 128, 129, W, 135, 139, 141, Z Rozova, Natalya (pianist) 34 RSFSR (Russian Soviet Federative Socialist Republic) Academic Russian Choir 14, 20, 81, 86, 88, 90, 104, 113, 119, 124 RSFSR State Wind Orchestra 37 RTBF Chorus of Brussels 78, 82, 137 RTBF New Symphonic Orchestra of Brussels 143 RTZ Symphony Orchestra of Yugoslavia 125 Rubacha, Valeri (organist) 29 Rubackyté, Muza (pianist) 87 Ruban, Nikolai Osipovich (baritone, b.1913) 105 Rubens Quartet 73 Rubin Quartet 11 Rubio Quartet 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Rubtsov, Feodosi Antonovich (folksong collector, 1904-86) 25, 85 Rückel, Guido; Schulin, Johannes; Uhrhan, Steffen; and Wissel, Christian (percussion group) 141a Rudel, Julius (translator, b. 1921) 114 Rudin, Aleksander (conductor) 54

IN DEX OF N AMES

739

Rudkin, David (script-writer, b.1936) p.574 Rudner, Ola (conductor) 107 Rudy, Mikhail (pianist) 35, 102 Ruggeberg, Claudia (alto) 143 Ruggieri, Daniele (I Solisti Italiani—piccolo player) 116 Rumanian Radio Symphony Orchestra 93 Rumyantsev, Viktor (tenor) D(iv) Rundell, Clark (conductor) 139 Runnicles, Donald (conductor) 114 Runtsen, Lars (translator) 114 Ruske, Eric (Empire Brass—horn player) 96 Russell, Lucy (Fitzwilliam Quartet––1st violinist) 117a Russian Federal Orchestra 10, 22, 60, 65, 96, 141 Russian Federation (State) Symphony Orchestra 18, D(iv), 47, 79, 96, 103, 107, 141 Russian Folk Orchestra 39 Russian National Orchestra 10, 27, 47, 54, 65, 70, 96, 103 Russian Philharmonic Orchestra 16, E, 45, 60, 76, P(i & v), 97, 107, 109, 116, 121, 123, 126, W, 146 Russian State Symphonic Cappella D(iv), 59, 70, 105, 113, 119, 124, X(iii) Russian State Symphony Orchestra (formerly USSR and ‘Young Russia’ State Symphony Orchestra B, 16, 23, 27, 29, 35, 36, E, 47, G(ii), 54, 59, 60, 70, 77, P(i), 97, 102, 106, 107, 110, 112, 113, 119, 124, 125, 126, 129, W Rutstein, Sedmara Zakarian (pianist) 61 Rutterford, Lt Peter J. (conductor) 96 Ryazanov, Pyotr Borisovich (dedicatee, 1899-1942) 7 Rybasenko, Vladimir (bass) K(i), X(ii) Ryss, Yevgeni (revue writer) 31 Ryssov, Michail (bass) 135 Ryvkin, Aleksandr Mikhailovich (Glazunov Quartet—violist, 1893-1951) 49, 57, 73 Ryvkin, Valery (pianist) 143 Ryzhenko, Natalya Ivanova (choreographer, b.1938) 22, 27, 103, 112 Rzhanov, Yevgeni (pianist) 127 §S Saarbrücken, Rundfunk-Sinfonieorchester (Radio Symphony) 43, 47, 54, 60, 65, 93, 135 Sabaneyev, Leonid Leonidovich (musicologist, 1881-1968) 8 Sabinova, Natalya (cellist) 8, 67 Sacchetti, Arturo (organist) 29 Saccani, Rico (conductor) 47 Sadler’s Wells Royal Ballet Orchestra 22 Sádlo, Miloš (pseudonym of Miloš Zátvrzky; cellist, 1912-2003) 67, 107, 126 Sadlo, Peter (percussionist) 141a Safařík, Pavel (Academia Trio—violinist) 67 Safenin, Sergei (bass) 36 Saffert, Herwig (chorus-master) 29

740

I ND E X OF NA M ES

Safiulin, Anatoli (bass) D(iv), 46, K(ii), 62, 91, 113, 135 Sage, Eric Le (pianist) P(ii) Sagradova, M. (arranger) 27, 97 Sahnow, Will (conductor/arranger) 33 St Callen String Orchestra 144 St Lawrence Quartet 73, 108, 110 St Louis Symphony Orchestra (latterly Saint Louis) 10, 43, 47, 65, 93 Saint Paul Chamber Orchestra 35, 102 St Petersburg Camerata 110, 113 St Petersburg Chamber Choir 104 St Petersburg Chamber Soloists 57 St Petersburg Chorus 81 St Petersburg Military District Band 63 St Petersburg Philharmonic Academy Symphony Orchestra 30, 32, 35, 37, 45, 58a, 76, 78, 97, 99 St Petersburg Philharmonic Orchestra (the Leningrad Philharmonic renamed in late 1991) 10, 35, 47, 54, 60, 81, 96, 103, V, 113 St Petersburg Quartet 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 St Petersburg Symphony Orchestra 47, 96 St Petersburg Youth Chamber Choir X(ii) St Peters Trio 8, 67 Saito, Chihiro (cellist) 110 Saito Kinen Orchestra 47 Saitseva, Irina (pianist) 97 Sakharov, Vadim (pianist/celesta player) 141a Saks, Gidon (baritone) 113 Sakuraba, Shigheki (Pro Arte Quintet of Monte-Carlo—cellist) 57 Salerno-Sonnenberg, Nadja (violinist, b.1961) 77 Sallaberg, Oswald (conductor) 35 Salle, Lise De La (pianist) 35 Salomaa, Petteri (bass-baritone, b.1961) 135 Salonen, Esa-Pekka (conductor, b.1958) 35, 102 Salvation Army International Staff Band 63 Salzburg Chamber Soloists 110 Samarin, V. (arranger) 19, 24, 44, 66 Samlík, Oldřich (Ostrava Quartet—2nd violinist, b.1925) 110 Samofatov, Ivan (conductor) X(i) Samonov, Anatoli Vasilievich (arranger, b.1931) 60 Samosud, Samuil Abramovich (conductor, 1884-1964) 15, 23, 29, 30, 35, 60, 96 Sanderling, Kurt Ignatievich (conductor, b.1912) 10, 47, 54, 65, 77, 79, 93, 141 Sanderling, Thomas (conductor, b.1942) 29, 36, P(v), 109, 121, 123, 145, 146 Sanders, Samuel (pianist, b.1937) P(iii), 147 Sandier, Grigori (chorus-master) 88 Sandler, Aleksandr (pianist) 6, O(i & ii), 94

IN DEX OF N AMES Sándor, György (arranger, 1912-2005) 22, 34 San Francisco Ballet Orchestra 107 San Francisco Opera 29, 114 San Francisco Symphony Orchestra 60 San Jose Cleveland Ballet 32 Sant’Ambrogio, Sara (Eroica Trio—cellist) 67 Sanzogno, Nino (conductor) 29 Sapegina, Lyudmila (mezzo-soprano) 15 Sapozhnikov, Roman Yekhlovich (arranger, b.1903) 69 Sapozhnikov, Sergei Romanovich (arranger, b.1932) 13, 22, 27 Saradzhev, Konstantin Solomonovich (conductor, 1877-1954) 14 Saranceva, Ekaterina (pianist, b.1962) 40 Sarbu, Mihail (pianist) 147 Sargent, Sir (Harold) Malcolm Watts (conductor, 1895-1967) 70, 77, 102, 103 Sarkisov, Ashot (bass) 15, K(i) Sarkisyan, Ruben Surenovich (composer, b.1949) p.599 Sato, Mari (Cavani Quartet––2nd violinist) 68, 108, 142 Satre, Jean-Paul (playwright, 1905-80) 103 Sauer, Colin (Dartington Quartet—1st violinist, b.1924) 49, 83, 117 Saulesco, Mircea (Saulesco Quartet—1st violinist) 83 Saulesco Quartet 83 Saulnier, Jean (pianist) 40 Saunders, Antony (pianist) 79 Savenko, Vassili (bass-baritone) 62 Savignol, Jean (tenor) 29 Savin, Denis (ballet dancer) 27 Savinova, Natalya (Rachmaninov Trio and soloist––cellist) 8, 40, 67 Savrov, Sergei (Rakhmaninov Quartet––violist) 49, 108, 110 Sayanov, Vissarion. Mikhailovich (librettist, 1903-59) J(i) Sayer, Brian (pianist) 147 Sayervich, Ben (Rosamunde Trio––violinist) 67 Sazonkina, Anna (Dominant Quartet––violist) 110 SBS Youth Orchestra (of Sydney) 18 Scarlatti, Domenico (composer, 1685-1757) 17 Schaal, Wilfred (bass) 58 Schab, Jacques (pianist) 109 Schaefer, William A. (arranger) 70 Schäfer, Michael (Münchner Klaviertrio—pianist) 8, 67, 127 Schaik, Harold van (Nay Palm Bones––trombonist) 110 Schapov, Sergei (tenor) 56 Schatz, Tatyana (pianist) D(vi), 40 Scheffers, Quirine (Rubens Quartet––1st violinist) 73 Scheindlin, Dov (Penderecki Quintet—violist) 57 Scherbakov, Konstantin (pianist) A, B, 39, 61, 69, 87, S(ii) Scherbaum, Adolf (trumpeter) 35

741

742

I ND E X OF NA M ES

Scheublé, Marie (violinist) 77, 129 Schettman, Rachel (Trioskop––violinist) 67 Schick, Tristan (conductor) K(i) Schidlof Quartet 57, 83, 108 Schiefen, Guido (cellist) 40 Schiff, Heinrich (cellist, b.1951) 40, 107, 126 Schleswig-Holstein Musik Festival Orchester 10 Schlotter, Gerd (arranger) 33 Schmahl, Gustav (violinist) 77 Schmid, Christian (Trioskop––pianist) 67 Schmidt, A.—see Aleksandr Nikolayevich Shmidt Schmidt, Bernhard (Mandelring Quartet––cellist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 133, 142 Schmidt, David Theodor (pianist) 87 Schmidt, Gunnar (trumpeter) 27 Schmidt, Felix (Trio Zingara—cellist) 67 Schmidt, Hartmut (chorus-master) 113 Schmidt, Johan (pianist) 14, 61 Schmidt, Nanette (Mandelring Quartet––2nd violinist) 49, 68, 73, 83, 92, 101, 108, 110, 117,118, 133, 142 Schmidt, Paul (writer) p.573 Schmidt, Rainer (Hagen Quartet—2nd violinist) 73, 83, 110, 122, 142 Schmidt, Sebastian (Mandelring Quartet––1st violinist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 133, 142 Schmoehe, Georg W. (conductor) 77 Schmucki, Norbert (choreographer, b.1940) 27 Schnack, Michael (conductor) 104 Schnackenberg, Friedemann (trumpeter) 35 Schneider, Mischa (Budapest Quartet––cellist) 57 Schneider, Nikolai (Alani Trio—cellist) 67 Schneider, Peter Otto (musicologist) 47 Schneider, Ulf (Trio Jean Paul—violinist) 67 Schnittke, Alfred Garrievich (composer/arranger, 1934-98) B, C, 11, 22, 34, 68, 110, 134, X(ii), 141; p.596 Schnittke, Irina (pianist) D(v) Schnurr, Friedrich Wilhelm (pianist) 147 Schöenberg Quartet 144 Schoenbohm, Siegfried (translator) 29 Schola Cantorum (choir—of New York) 33 Schola Cantorum (choir—of Vienna) 20 Schoonderwoerd, Arthur (pianist) 67, 87, 109, 121, 123, 127, 134, 146 Schrecker, Bruno (Allegri Quartet—cellist) 73 Schreibmayer, Kurt (tenor) 29 Schreier, Peter Max (tenor, b.1935) 58, 79 Schröder, Felix (pianist) 27

IN DEX OF N AMES

743

Schroeder, Andrew (baritone) 15 Schubert, Franz (composer, 1797-1828) p.591 Schubert-Weber, Siegfried (pianist) 39 Schuk, Yevgeni (Trio Bamberg—violinist) 8, 67 Schuldmann, Sandra (pianist) 40 Schulz Quartet 68 Schulz, Rudolf (Schulz Quartet—1st violinist) 68 Schulz, Wolfgang (Duo Postiglione—cellist) D(vi), 39 Schumann, Manfred (violist) 147 Schumann, Robert Alexander (composer, 1810-56) 125, 130 Schuster, Claus-Christian (Vienna Schubert Trio—pianist) 8 Schwalb, Irene (Minguet Quartet—violist) 57 Schwartz, Felix (violist) 147 Schwarz, Georg (translator) K(i) Schwarz, Gerard Ralph (conductor, b.1947) 22, 35, 42, 47, 54, 77, 103, 113, 119, 126, 131 Schwarz, Hans Helmut (Duo de Heidelberg—pianist/solo pianist) 5, 94 Schwarz, I.—see Iosif Zakharovich Shvarts Scott, Lady John Douglas (nee Alicia Ann Spottiswoode, composer, 1810-1900) M Scottish Chamber Orchestra 35 Scottish National Orchestra (Royal Scottish National Orchestra after 1 Jan. 1991; shortened to Royal Scottish Orchestra in April 1991) 10, 16, 27, 43, 47, 54, 60, 65, 70, 77, P(i), 93, 96, 114, 116, 125, 129 Scottish Trio 67 Scriber, Norman (chorus-master, b.1936) X(ii) Seattle Symphony Chorale 119 Seattle Symphony [Orchestra] 22, 42, 47, 54, 77, 103, 119, 131 Sebastian, Stephanie (Canadian Piano Trio—pianist) 67 Second Movement Opera Company K(ii) Secondi, Mario Del (Trio Opus 8—cellist) 8, 67, 141a Secunde, Nadine (soprano) 29 Sedmidubský, Radim (Škampa Quartet—violist) 110 Seenan, Hugh (horn player) 107 Seidel, Yelena (pianist) 34 Segerstam, Leif Selim (conductor, b.1944) 22 Sejong Soloists 110 Selak, Stanko (trumpeter) 35 Seleznev, Aleksandr (bass) Q Selimski, Assen (baritone) 106 Selivanov, Viktor (baritone) 91 Selmeczi, János (Éder Quartet—1st violinist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Semtschuk, Lyudmila (mezzo-soprano) 106 Semyannikov, Aleksandr (violinist) 41 Semyonov, B. (translator) 79

744

I ND E X OF NA M ES

Semyonova, Z. (accordionist/arranger) 39 Senchurov, Mikhail (balalaika player) 36 Senderei, Samuil Zalmanovich (arranger, 1905-67) 37 Senderovas, A. (arranger) 79 Senin, Anatoli (bayan player) 87 Senior, Rodney (trumpeter) 35 Sennewald, Günter (cellist) 141 Senofsky, Berl (violinist, b.1926) 34 Seraphin Trio 8, 67 Serebrennikov, A. (arranger) E, G(i) Serebrier, José (conductor, b.1938) 22, 30, 76, 78, 82, 97, 111, 116, 137 Serebrovskaya-Gryuntal, Lyubov Aleksandrovna (choreographer, b.1913) p.589 Serebryakov, Pavel Alekseyevich (pianist, 1909-77) 35, 67 Serebryakov junior, Yuri (conductor) 35 Serebryakova, Galina Iosifovna (playwright, 1905-80) 85, 120 Sergeyenya, Timur (pianist/arranger, b.1969) 34, 34, 147 Sergeyev, Nikolai Petrovich (conductor, b.1918) 37, L Sergeyev, Valeri (ballet dancer) 70 Sergeyeva, Olga (soprano) 114 Sergeyeva, Tatiana (arranger) 14 Sermet, Hüseyin (pianist) 40 Serostanov, K. (arranger) 37, 97 Serov, Eduard Afanasievich (conductor, b.1937) 32, 37, 58a, 141 Serov, Yuri (pianist) 4, 21, 32, 33, 34, 46, 58a, 62, 72, 79, 80, 84, 86, 91, R, 98, 99, 100, 109, 121, 127, 128, 134, X(ii), 145 Setzer, Philip (Emerson Quartet—lst/2nd violinist) D(i), 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Sevastyanov, Andrei Mikhailovich (arranger, b.1915) 63, 66 Sevenstern, Harry (trumpeter) 35 Sewen, Marek (arranger/conductor) S(i) Shabanina, Nadezhda (soprano) 127 Shaeffer, John (double-bass player) 135 Shafir, B. (poet) 79 Shafran, Daniil Borisovich (cellist/arranger, 1923-97) 40, 126, 147 Shaguch, Marina (soprano) K(ii), 79, 135 Shaham, Hagai (violinist) 117a Shakespeare, William (playwright/poet, 1564-1616) 32, 58a, 62, 116, 137, 140 Shakhov, Pyotr (fictional name for Sergei Kirov) 52, 55 Shakhovskaya, Galina Aleksandrovna (choreographer, b.1908) 105 Shakhovskaya, Natalya (cellist) 107 Shallon, David (conductor, 1950-2000) 113 Shalman, Boris Grigorievich (librarian) 43 Shambadal, Lior (conductor) 77 Shanin, Aleksandr (violinist) 41 Shanks, Donald (bass) 29 Shapenko, Boris (baritone) X(i)

IN DEX OF N AMES

745

Shapinsky, Aaron (cellist) P(i) Shapiro, Edice (American Art Quartet—1st violinist) 22 Shapiro, Harvey (cellist) 40, 97 Shapiro, Lois (Triple Helix Piano Trio—pianist) 67 Shapiro, Mikhail Grigorievich (film-director, 1908-71) 114 Sharova, Tatyana (soprano) D(iv), 56, 79 Sharoyev, Anton (Tchaikovsky Quartet—2nd violinist) 73, 83 Shave, Jacqueline (violinist) 11 Shaw, Artie (pseudonym of Arthur Jacob Arshawsky; clarinettist, 1910-2004) 34 Shchavinsky, M. (tenor) 114 Shcheglov, Mikhail S. (designer, b.1934) 103 Shchehelokov, Nikolai Anisimovich (USSR Minister, 1910-84) 139 Shchipachev, S. (lyricist) X(i) Shchukin, Boris V. (stage director/actor, d.1939) 37 Shebalin, Dmitri Vissarionovich (Borodin Quartet—violist, b.1930) 11, D(i), 41, 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Shebalin, Vissarion Yakovlevich (dedicatee, 1902-63) 62, 68 Sheen, Celia (theremin player) 41(ii) Sheffield Philharmonic Chorus 50a Sheldon, Harry (musicologist) 67 Shelley, Howard (pianist, b.1910) 102 Sheludyakov, Anatoli (pianist) 134, 147 Shen, Yue (pianist) 100 Shenderovas, Mikhail (Lithuanian State Quartet—cellist) 49? Shenderovich, Yevgeni Mikhailovich (pianist, b.1918) 58a, 145, 146 Shepelsky, I. (Urals Bayan Trio) 96 Sheppard, Craig (pianist, b.1947) 102 Sheppard, Peter (Kreutzer Quartet—1st violinist) 83, 108, 110 Sher, Veniamen I, (violinist) F Sherba, John (Kronos Quartet—2nd violinist) 110 Shestakov, Mikhail (violinist) 97 Shevchenko, L.A. (soprano) X(i) Shevchenko Opera and Ballet Theatre Company 114 Shevchenko, Taras Grigorievich (poet, 1814-61) J(ii) Shiffman, Barry (St Lawrence Quartet––2nd violinist) 73, 108, 110 Shikero, Anatoli Fyodorovich (choreographer, b.1935) p.591 Shikmurzayeva, Zarius (violinist) 34 Shimura, Izumi (pianist) 34 Shiozawa, Yasuhiko (conductor) 63, 115 Shipway, Frank (conductor) 93, 97 Shirinsky, Aleksandr (violinist) 34 Shirinsky, Sergei Petrovich (Beethoven Quartet—cellist/dedicatee, 1903-74) 11, 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142 Shirinsky, Vasili Petrovich (Beethoven Quartet—2nd violinist/dedicatee, 1901-65) 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122 Shirkov, V. (lyricist) J(ii)

746

I ND E X OF NA M ES

Shirley-Quirk, John Stanton (baritone, b.1931) 46, 113, 123, 145 Shirma, G. (chorus-master) 88 Shirokov, Aleksandr (arranger/conductor) 39 Shishlov, Andrei (Shostakovich Quartet—1st violinist) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Shkirtil, Lyudmila (mezzo-soprano) 4, 32, 58a Shkoinikova, Nelli (violinist, b.1928) 34 Shkolnik, I. (trumpeter) 41(ii) Shlepyanov, I. (stage director) 58 Shmidt, Aleksandr Nikolayevich (also spelt Schmidt; trumpeter, 1889-1955) 35 Shmyga, Tatyana Ivanova (soprano, b.1928) 105 Shneyerson, Grigori Mikhailovich (musicologist, 1901-82) R Shnitke, A.—see Alfred Garrievich Schnittke Shochov, Vladimir (Rakhmaninov Quartet––cellist) 49, 57, 87, 110 Shoji, Sayaka (violinist) 34 Sholokhov, Mikhail Aleksandrovich (novelist, 1905-84) 25; p.589 Shorin, M. (lyricist) 124 Shostakovich, Dmitri Poleslavovich (dedicatee, 1873-1922) 6 Shostakovich, Dmitri Dmitrievich (as performer) 5, 6, 8, 9, 12, 22, 34, 35, 40, 46, 47, 57, 61, 62, 67, 69, 70, 79, 87, 93, 94, 97, 100, 102, 103, 121, 123, 134 Shostakovich, Dmitri Maksimovich (pianist, b.1961) 35, 102 Shostakovich, Galina (Galya) Dmitrievna (pianist/dedicatee, b.1936) 69 Shostakovich, Irina Antonovna (née Supinskaya; dedicatee, b.1934) 41(ii), 117, 145 Shostakovich, Maksim Dmitrievich (pianist/conductor/dedicatee, b.1938) 10, 14, 20, 22, 27, 35, 39, 43, 47, 54, 60, 64, 65, 70, 76, 77, 78, P(i), 93, 94, 96, 97, 102, 103, 107, 110, 112, 113, 114, 115, 120, 126, 129, 131, 135, 141, 145 Shostakovich, Mariya Dmitrievna (dedicatee, 1903-73) 2 Shostakovich, Nina Vasilievna (née Varzar; dedicatee, 1909-54) [21, 29], 62, 108 Shostakovich Quartet D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Shostakovich, Zoya Dmitrievna (dedicatee, 1909-90) 9, 26 Shteftsa, Vasili (tenor) 114 Shteinberg, Maksimilian Oseyevich (often spelt Steinberg; dedicatee, 1883-1946) 1 Shtokolov, Boris Timofeyevich (bass, b.1930) 58 Shtonda, Taras (bass) 113, 135 Shturman, L. (arranger) 33 Shukayev, Leonid (Leningrad Conservatory Students’ Quartet/St Petersburg Quartet— cellist) 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 127, 133, 138, 142, 144 Shulman, Alan (Stuyvesant Quartet—cellist) 49 Shulman, Sylvan (Stuyvesant Quartet—1st violinst/conductor) 11, 49 Shulzhenko, Klavdia Ivanovna (singer, 1906-84) 31 Shumsky, Mikhail (Eleonora Quartet—cellist) D(i), 73, 117 Shure, Paul (Hollywood Quartet—2nd violinist) 57 Shute, David Gordon (Onyx Brass—tuba player) 87 Shvarts, Iosif Zakharovich (also spelt Schwarz; dedicatee, b.1899) 5

IN DEX OF N AMES

747

Shvedov, Dmitri (pianist) 94 Shvolkovsky, Yuri (violinist) 67 Sibelius Academy Quartet 68, 73, 83, 101, 142 Siberia, String Ensemble of 34 Sidney, George (film-director, 1916-2002) 33 Sidorov, V. (lyricist) X(i) Siegl, Henry (violinist) 22 Siepi, Cesare (bass, b.1923) 106 Siffert, Emmanuel (conductor, b.1967) 110 Siffert, Pascal (Z Quartet—violist) 57 Sigerland, Solve (Grieg Trio—violinist) 8, 67 Sikorskaya, Tatyana S. (translator) M, R, 100 Sikorski, Christian (arranger) D(i) Silantiev, Yuri Vasilievich (conductor/arranger, 1919-83) 16, F, 63, 66, 72, Y Silesian Philharmonic Symphony Orchestra 77 Silja, Anja (soprano, b.1935) 29 Sillito, Kenneth (Gabrielli Quartet—1st violinist/ Academy of St Martin-in-the-Fields Chamber Ensemble—violinist) 11, 49, 73 Silman, T. (translator) 135 Silver, Phillip (pianist) 67 Silverman, Stanley (arranger/director) p.573 Silverthorne, Paul (violist) 147 Silvestri, Constantin (conductor, 1913-69) 10, 47, 93 Silvestrov, Valentin Vasilievich (composer, b.1937) p.599 Simeonov, Konstantin Arsenievich (conductor, 1910-87) 114 Simmons, Calvin (conductor, 1950-82) 29 Simmons, Raymond (trumpeter) 35 Simon, Geoffrey (conductor) 97, 105, 107 Simon, Viktor Lvovich (cellist, b.1930) 10, 97, 127, 141 Simoni, Alla (soprano) 135 Simonov, Konstantin (Kirill) Mikhailovich (lyricist, 1915-79) 64, X(i) Simonov, Ruben Nikolayevich (stage producer, 1899-1969) 66 Simonov, Yuri Ivanovich (stage producer/conductor, b.1941) 22, 35, 43, 65, 96 Simons, Dennis (Alberni Quartet—1st violinist) 117, 118 Simpson, Derek (Aeolian Quartet—cellist) 133 Simsky, Boris Moiseyevich (Stradivari Quartet—1st violinist, b.1904) 11 Sinaisky, Vassili (conductor, b.1947) 26, 30, 35, 43, 48, 50a, 53, 75, 89, 97, 102, 111, 113, 116, 137, 141 Sinatra, Francis (Frank) Albert (singer, 1915-98) 86 Sindell, Carol (Florestan Trio—violinist) 67 Sinfonia Vasovia 107 Sinfonietta Cracovia 126 Singapore Symphony Orchestra 93 Sinfonieorchesters Baden-Baden 93 Singleton, Kenneth (conductor/arranger) 94 Sinyavskaya, Tamara Ilinichna (alto/mezzo-soprano, b.1943) 4, 79, 143

748

I ND E X OF NA M ES

Sipolniek, Peteris (organist/arranger, 1913-84) 97 Sirotin, I. (arranger) 39 Sitkovetsky, Dmitri (conductor/violinist/arranger, b.1954) 11, J(ii), 67, 73, 77, 129, X(i) Sitkovetsky, Yulian Grigorievich (Tchaikovsky Quartet—1st violinist, 1925-58) 34, 73, 77, 83 Siwy, Andre and Yaga (violin duo) P(iii) Skaggs, Lawrence (McPherson Trio—cellist) 40 Škampa, Milan (Smetana Quartet––violist) 73 Škampa Quartet 110 Skanavi, Vladimir (pianist) 22 Skans, Per (translator) 127 Skidmore, Andrew (Fitzwilliam Quartet––cellist) 117a Skigin, Semyon (pianist) 62, 79, 91, 98, 121, 123 Skocic, Adalbert (cellist) 40 Skoogh, Francisca (pianist) 40, 57, 134, 147 Skorik, Miroslav Mikhailovich (composer, b.1938) p.597 Skorobogatko, Andrei (oboist) 27 Skou-Larsen, Lavard (conductor) 110 Skovkra, Dušan (conductor) 110 Skride, Baiba (violinist) 77 Skripka, Sergei (conductor) 16, E, 45, 97 Skrowaczewski, Stanislaw (conductor, b.1923) 10, 47, 54, 93 Skytt, Per-Göran (Fresk Quartet—cellist) 11 Slatkin, Felix (conductor/Hollywood Quartet—1st violinist, 1915-63) 35, 57, 65 Slatkin, Leonard (conductor, b.1944) 43, 47, 93, 96, 135 Slávik, Ján (Moyzes Quartet—cellist) 73, 110 Slavinsky, Yevgeni Vikentievich (arranger, 1898-1978) 10, 11 Slesarev, Yuri (pianist) 87 Sloane, Steven (conductor) 16, E, G(ii), 105 Slobodkin, Yakov Pavlovich (Tchaikovsky Quartet—cellist, b.1920) 73, 83 Slobodskaya, Oda (soprano, 1888-1970) 29, 100 Slobodyanik, Aleksandr (pianist, 1941-2008) 5 Slovachesky, Sergei (St Peters Trio-cellist) 8 Slovák Chamber Orchestra 110 Slovák, Ladislav (conductor, b.1919) 10, 14, 20, 43, 47, 54, 60, 65, 70, 93, 103, 112, 113, 119, 135, 141 Slovák Philharmonic Chorus 14, 20, 88, 106, 113, 119 Slovák Philharmonic Orchestra 14, 47, 93, 107, 119, 145 Slovák Quartet 108 Slovák Radio Symphony Orchestra 35 Slovenian Philharmonic Orchestra 54, 65 Slovenian Philharmonic String Chamber Orchestra 110 Slovenian RTV Symphony Orchestra 77, 102 Slovtsova, Konkordiya Nikolayevna (soprano) 58 Slowioczek, Klemens (bass) 91

IN DEX OF N AMES

749

Smeaton, Bruce (composer b.1938) 34 Smebye, Einar Henning (pianist) 127 Smedvig, Rolf (Empire Brass—trumpeter) 96 Smejkal, Bohumil (Janáček Quartet—1st violinist, b.1935) 57 Smesnoi, Marin (Trio Paian––cellist) 8, 67 Smetáček, Václav (conductor, b.1906) 20, 126 Šmetana Quartet 73 Smietana, Krzysztof (Trio Cracovia––violinist) 67 Smiles, Julian (Australia Ensemble––cellist) 57, 67 Smirnoff, Joel (Juilliard Quartet—1st violinist) 57, 73, 142, 144 Smirnov, Dmitri Nikolayevich (arranger, b.1948) 26, 110 Smirnov, M. (designer) 103 Smirnov, Viktor Fyodorovich (librettist) 27 Smirnova, M. (harpist) S(i) Smirnova, Nadya (soprano) 109, 127 Smirnova, Tatyana Georgievna (composer, b.1940) p.598 Smirnov-Golovanov, Viktor Viktorovich (choreographer/conductor/librettist, b.1934) 22, 27, 97, 103, 112 Smissen, Robert (Academy of St Martin-In-the-Fields Chamber Ensemble—violist) 11 Smit, Henk (bass) 113 Smith, David (Alberni Quartet—cellist) 11, 57 Smith, Dennis (B flat baritone saxhorn player) 22 Smith, Grant (Excelsior—drummer) 34 Smith, Joan (composer) X(i) Smith, Joan Pemberton (translator) C, 4, 29, 46, 58a, V, 121, 123, Z, 146 Smith, Lawrence Leighton (conductor, b.1936) 10, 96 Smith, Marc (bass-baritone) 119 Smith, Martin (Duke Quartet—2nd violinist) 110 Smith, Roger (arranger) 22, 47 Smith, Roger (Academy of St Martin-in-the-Fields Chamber Ensemble—cellist) 11 Smolensk Russian Folk Orchestra 30 Smolich, Nikolai Vasilievich (stage producer, 1888-1968) 15, 29 Snamenskov, Vladimena, (arranger) 76 Snegiryov, Valentin (percussionist) 13, 141 Snell, Howard (arranger/conductor) 16, 97 Sobolev, Valeri (cor anglais player) 65 Sobolevsky, Pyotr (actor) 18, 26 Sobolevsky, Rafail (violinist) 34 Söderström, Elisabeth (soprano, b.1927) 79, 127 Soelberg, Jacob (Zapolski Quartet—2nd violinist) 68, 110 Sofia National Opera Orchestra and Chorus 106 Sofia Quartet 110, 118, 122 Sofia Soloists’ Chamber Ensemble and Chamber Orchestra 35, 107, 110, 126 Sofia State Philharmonic Orchestra 54, 70, 102, 107 Sofronitsky, Vladimir Vladimirovich (pianist, 1901-61) 87

750

I ND E X OF NA M ES

Soifertis-Lukjanenko, Evgenii (pianist) 34 Sokhiev, Tugan (conductor) 19, 22 Sokolenko, Lyudmila Petrovna (soprano) 15, X(i) Sokolov, Andrei (tenor) 63, Y Sokolov, Nikolai Aleksandrovich (dedicatee, 1859-1922) 3 Sokolov, Oleg Germanovich (choreographer, b.1936) 10 Sokolov, Yuri. M. (musicologist) 79 Sokolova, Lyubov (mezzo-soprano) 143 Sokolova, V. S. Agrippina (soprano) 29 Sokolovsky, Mikhail Vladimirovich (stage producer, 1901-41) 24, 25, 28 Sokurov, Aleksandr S. (film-director) 147 Solati Trio 67 Soldh, Anita (soprano) 127 Solin, Lev Lvovich (real name Solomon Kaganovich; arranger, b.1923) 19, 32, 37, 44, 58a, 63 Solisti di Zagreb, I 11, 110 Solisti Italiani, I 97, 116 Sollertinsky, Ivan Ivanovich (musicologist/dedicatee, 1902-44) 29, 62, 67 Solodchin, Galina (Delmé Quartet—1st violinist) 22 Solodovnik, Sergei (pianist) 35 Solomon, Yonty (pianist, 1937-2008) 67 Soloviev, Vissarion (Taneyev Quartet—violist, b.1927) 49, 68, 73, 83, 92, 101,108, 110, 117, 118, 122, 133, 131, 142, 144 Soloviev-Sedoi, Vasili Pavlovich (composer, 1907-79) 105 Solovyov, Galina (designer) 27 Solter, Fany (pianist) 3 Solti, Sir Georg (born Györgi Stern; conductor, 1912-97) 10, 47, 65, 70, 93, V, 113, 141 Solti Orchestral Project Symphony Orchestra 70 Solyom, Janos (pianist) 40 Sommer, Raphael (cellist, b.1937) 40 Somorov, Valeri (conductor) 5 Sondermann, Johannes (trumpeter) 35 Sondetskis, Saulyus (conductor/arranger, 1928-2009) 35, 39, 79, 110, 113 Sondetskis, Vytautas (cellist, b.1972) 39 Sonnabend, Yolanda (designer) 10 Sonnaert, Marc (Rubio Quartet—violist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Sontag, Wesley (arranger) P(iii) Soparkar, Kamala (contralto) 79 Sopkin, George (Fine Arts Quartet—cellist) 73 Sorkin, Leonard (Fine Arts Quartet—1st violinist, b.1916) 73 Sorokin, Pavel (conductor) 27, 39 Sorokin, Vladimir Konstantinovich (singer, b.1914) X(i) Sorokin, Vladimir (chorus-master) 113 Sorokina, Evgenia (soprano) 36

IN DEX OF N AMES

751

Sorrel Quartet 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Soudakova, L. (translator) 29 Sourisse, Jean (chorus-master) X(ii) Soviet Émigré Orchestra 11, 110, 140 Sovphil Orchestra (Leningrad Section of the State Joint-Stock Company, Soviet Philharmonic) 15, 16, 17 Sözüar, Banu (pianist) 34 Spanoghe, Viviane (cellist) 107, 126 Špacek, Josef (bass) 146 Sparey, Jonathan (Fitzwilliam Quartet—2nd violinist, b.1949) D(i), 49, 57, 68, 73, 83, 92, 101, 108, 110, 117a, 117, 118, 122, 133, 138, 142, 144 Spektor, Daniel (Clementi Trio—violinist) 67 Spendiarova, T. (translator) 79 Spiess, Ludovico (tenor) 106 Spist, Elena (pianist) 109 Spitz, Jonathan (Leonardo Trio—cellist) 67 Spivak, Mikhail (violinist) 27 Spivakov, Vladimir Teodorovich (violinist/arranger/conductor, b.1944) 11, 13, D(i), 34, 35, 47, 70, 73, 77, 79, 110, X(ii) Spring Loaded (ballet company) 67 ‘Spring’ Studio Children’s Choral School 81, 88 Šrubař, Rudolf (Ostrava Quartet—violist, b.1925) 110 Staar, Alfred (Weller Quartet—2nd violinist) 118 Staatskapelle Dresden 141 Stabrawa, Daniel (Philharmonia Quartet—1st violinist) 73, 108, 133 Stadelmann, Christian (Philharmonia Quartet—2nd violinist) 73, 108, 133 Stadium Symphony Orchestra of New York (pseudonym of New York Philharmonic Orchestra) 22, 47 Stadlen, Peter (pianist, b.1910) 67 Stadler, Sergei Valentinovich (violinist, b.1962) 77 Statdfeld, Stephan (Elbeblech Brass Quintet—trumpeter) 96 Staehr, Anne Mette (Elvira Piano Duo) 94 Štajnochrová, Adéla (ArtMiss Trio––violinist) 8, 67, 127 Stalsky Suleiman (poet) p.598 Stamic Quartet 138 Stanchev, Dimiter (baritone) 106 Stanchev, Ognyan (violist) 34, 147 Stanek, Josef (arranger/conductor) 87 Stanger, Russell (conductor) 47 Stanis, Sharon (Lafayette Quartet—2nd violinist) 73, 87, 110 Stanislavsky and Nemirovich-Danchenko Musical Drama Theatre 114 Stárek, Jiří (conductor) 35, 94, 102 Stark, Bengt (timpanist) 110 Stark, Peter (conductor) G(i), 96 Stark, Ulrich (Esbjerg Ensemble—pianist) 57, 127

752

I ND E X OF NA M ES

Starker, János (cellist, b.1924) 107 Starokadomsky, Mikhail Leonidovich (organist, 1901-54) 29 Staroselsky, A. O. (Vuillaume Quartet—2nd violinist) D(i) Starr, Susan (pianist) 40 Staryk, Steven (violinist, b.1932) 77 Stasevich, Abram Lvovich (conductor/arranger, 1907-71) P(i ), 110, 112 State Academic Symphony Orchestra of Russia 93, 110 State Quartet of Georgia 68, 73 Statnik, Yuri (bass, b.1947) 62, 145 Steblianko, Aleksei (tenor) 10 Steele-Perkins, Crispian (trumpeter) 35 Steen, Jac van (conductor) 93 Stefanov, Vassil (conductor, b.1913) 77, 93 Steinbacher, Arabella (violinist) 77, 129 Steinberg, Elbert Lechtman (conductor) 47, 114 Steinberg, M.—see Maksimilian Oseyevich Shteinberg Steinberg, Pinchas (conductor) 77 Steinberg, William (originally Hans Wilhelm Steinberg; conductor, 1899-1978) 10, 60 Stegenga, Herre-Jan (cellist) 40 Sten, Aaron (conductor) 47 Stepanov, Aleksandr (soprano saxophonist) 22 Stepanov, B. (percussionist) 141 Stepanov, Nikolai (guitarist) 30 Stepanovich, Dmitri (bass) 36 Stephenson, Laura (harpist) 39 Steputenko, A. (tenor) 105 Stern, Isaac (violinist, 1920-2001) 67 Stern, M. (pianist) 83 Sternfield, Allan (pianist, b.1949) 147 Stetsyuk, Yevgeni (arranger/synthesizer player) 86 Stevens, Ron (tenor) 29 Stevenson, Doris (pianist) 40, 147 Stevenson, Ronald (composer, b.1928) 61; pp.594, 595, 639 Stevens, Thomas (trumpeter) 35 Stewart, Charles (Chiligirian Quartet—2nd violinist) 110 Stewart, Reginald (pianist) 40 Stiedry, Fritz (conductor, 1883-1968) 35, 43 Stockholm Arts Trio 8, 67, 127 Stockholm Concert Band 139 Stockholm Philharmonic Brass Ensemble 27 Stockholm Philharmonic Orchestra 27, 47 Stockholm Transport Band 27 Stöckigt, Siegfried (pianist) 10 Stoitseva, Evelina (soprano) 114 Stoker, Markus (cellist) 11

IN DEX OF N AMES

753

Stokowski, Leopold (conductor/arranger, 1882-1977) 10, 20, 22, 29, 33, 34, 35, 47, 54, 93, 103 Stolyarov, Grigori Arnoldovich (conductor, 1892-1963) 29, 105 Stone, Colin (pianist) B, 12, 34, 43, 61 Stone, Paula (lyricist) F Storojev, Nikita (bass, b.1950) 62, 81, 98, 113, 135, X(ii) Stott, Barrie Alan (violinist) 57 Stott, Kathryn (pianist, b.1957) 5, 57 Stoupel, Vladimir (pianist) 34, 61, 87 Stoyanov, Artur (pianist) 134 Stoyanov, Robert (violinist) 134 Stradivari Quartet 11 Strakhov, Yevgeni Vladimirovich (arranger, 1909-78) 34, 40 Stratford, John (reader) 43 Strauch, Pierre (cellist) 107 Štraus, Ivan (Suk Quartet—1st violinist) 11, 144 Strauss II, Johann (composer, 1825-99) H(i & ii) Stravinsky, Igor Fyodorovich (composer, 1882-1971) D(v), Z Střižek, Arnost (New Prague Trio—pianist) 67 Strobel, Frank (conductor, b.1966) 18, 120 Strocker, Hans (Vienna Trombone Quartet) 34 Stroeva, Vera Pavlovna (director, b.1903) 106 Stroissnig, Stefan (pianist) 67 Strömblad, Claes (trumpeter) 27 Štros, Jan (Suk Quartet—cellist) 11, 68, 138, 142, 144 Strub, Patrick (conductor) 35, 110 Strugovshchikov, Aleksandr Nikolayevich (translator, 1808-78) Z Strulev, Borislav (cellist) 22, 40 Strzhizhovskaya, Valentina (pianist) 62 Stuchevskaya, Luba (actress) 32 Stulen, Jan (conductor) 54 Sturrock, Kathron (pianist) 19, 40 Stuttgart Arcata Chamber Orchestra 35, 110 Stuttgart Ballet 35 Stutzmann, Nathalie (contralto) 79 Stuyvesant Quartet 57 Stuyvesant Sinfonietta 11 Style of Five (Russian folk ensemble) 86 Suart, Richard (bass) 105 Suchkov Andrei (narrator) 36 Suchoff, Benjamin (arranger) 32 Sudak, V. (balalaika player) K(i) Suddeutsches Streichoktett 11 Südwestfunk Radio Orchestra 35, 94, 102 Sudzilovsky, Segei (Trio Ludus Tonalis and soloist––cellist) 40, 67

754

I ND E X OF NA M ES

Suigždinis, Rimantas (Čiurlionis Quartet—1st violinist) 73, 122 Suisse Romande, L’Orchestre de la 10, 47, 70, 107 Suk, Josef (violist, b.1929) 147 Suk Quartet 11, 68, 138, 142, 144 Sukhin, Askold (bass) 98 Sukhotin, Pavel Sergeyevich (playwright, b.1884) 37 Sulcová, Brigita (soprano) 109, 127 Suleimanov, Stanislav (bass/baritone) 15, 58a, K(i), 81, 140 Sulimsky, Vladislav (director) 105 Sulyga, Igor (Kopelman Quartet––violist) 49, 73, 108, 110 Sumatchova, Svetlanov (soprano) 79 Sumbatashvili, Iosif (designer) 114 Summit Brass 34, 94 Sungkono, Sonia and Shanti (piano duo) 94 Sun Life Band 103 Sunshine, Adrian (conductor) 110 Suptel, Aleksandr (violinist) X(i), 113 Surkov, Aleksei Aleksandrovich (lyricist, b.1899) J(i) Sushanskaya, Rimma (violinist) 134 Sushel, Robert (American Art Quartet—2nd violinist) 22 Suske, Conrad (Gewandhaus Quartet—2nd violinist, b.1958) 73 Suslovich, R. R. (stage producer) 24, 28 Susskind, Walter (conductor, 1913-80) 70 Sustro, Bernard (trumpeter) 35 Sutcliffe, Jeremy (stage producer) 106 Suter, Barbara (Amati Quartet—2nd violinist) 73, 108 Sutey, R. Alexander (bass-baritone) 100 Sutton, Andrew (Onyx Brass—horn player/arranger) 87 Svechnikova, Elena (contralto) 79 Svejkovský, Jan (chorus-master) 14 Svenheden, Joakim (violinist) 97 Sveshnikov, Aleksandr Vasilievich (chorus-master, 1890-1980) 75, 81, 88, 90, 104 Sveshnikov Russian Academic Choir 104 Svetlanov, Yevgeni Fyodorovich (conductor/pianist, 1928-2002) 10, 16, 47, 54, 60, 65, 70, 77, 79, 81, 93, 96, 97, 106, 107, V, 126, 127, 129 Svetlov, Mikhail Arkadievich (lyricist, 1903-64) 72, Y Svilpa, Almas (baritone) 29 Sviridov, Georgi (Yuri) Vasilievich (dedicatee, 1915-98) 62, 103 Swarsenski, Hans (arranger) 35 Swedish Radio Symphony Orchestra 54, 60, 70, 77 Sweeney, Katherine (violinist) 5 Swensen, Joseph (violinist/conductor) D(i), 67, 135 Święcki, Wacław (composer, 1848-1900) 63 Swierczewski, Michel (conductor) 16 Swimberghe, Hedwig (Belgian Woodwind Quintet—clarinettist) 22

IN DEX OF N AMES

755

Swiss Atelier (Workshop) Philharmonic Orchestra 47 Swiss Philharmonic Orchestra 43, 47 Swizzera Italiana Radiotelivisione Orchestra 107 SWR (South West German Radio) Radio Symphony Orchestra Stuttgart 29, 43, 60 SWR Rundfunkorchester Kaiserslautern 18, 120 SWR Symphony Orchestra 35, 112 Sydney Symphony Orchestra 43, 112 Sykora, Adolf (Janáček Quartet—2nd violinist, b.1931) 57, 83 Symphonia Quartet (members of the Cleveland Orchestra) 57 Symphonieorchester des Bayerischen Rundfunkes 107, 126 Symphony Orchestra and Chorus of the Gran Teatre del Liceu 106 Symphony of the Air (see also NBC Symphony Orchestra) 10, 29, 33, 34 Szabó, Judit (Keller Quartet––cellist) 144 Szebök, György (also spelt Sebok; pianist, b.1922) 5 Szilvay, Géza (conductor) 110 Szostak, Anna (chorus director) 28, 41(ii), 44 Szpilman, Władyslaw (Warsaw Quintet—pianist) 57 Szüts, Peter (Éder Quartet—2nd violinist) 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 §T Tabachnik, Arthur (Lyric Trio—violinist) 67 Tabakov, Emil (conductor, b.1947) 107, 110, 126 Taber, John (trumpeter) 35 Tacke, Mathias (Vermeer Quartet––2nd violinist) 57 Taimanov, Mark (pianist) 94 Taits, Michaël (Moscow Chamber Soloists––1st violinist) 110 Tajo, Italo (bass) 15 Talalyan, Genrikh (Komitas Quartet—violist) 11, 49 Talanov, Zhenya (singer) 86 Tálich, Jan (Tálich Quartet—violist/soloist) 49, 57, 110, 134 Tálich, Jan junior (Tálich Quartet—1st violinist) 57, 110 Tálich Quartet 49, 57, 110 Talvela, Martti Olvala (bass, 1935-89) 106 Tamar, Iano (soprano) 135 Tamulis, V. (cellist) 107 Tamura, Keiko (pianist) 40 Tan-Bogoraz, Vladimir Germanovich (poet, 1865-1936) 88 Taneyev Quartet 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Tanglewood Music Center Orchestra 93 Tannenberger, František (Slovák Quartet—cellist) 108 Tanquy, Jean-Michel (Belgian Woodwind Quintet—flautist) 22 Tanyel, Seta (pianist) 6 Tapiola Sinfonietta D(i), 35, 73, 83, 135

756

I ND E X OF NA M ES

Tarasov, Vladimir (conductor, b.1926) 27, H(ii), 97 Tarasov, Yevgeni Mikhailovich (poet, 1882-1943) 88 Tarassova, Marianna (mezzo-soprano) 79 Targonsky, A. B. (Glière Quartet- 2nd violinist) 11 Targonsky, Yakov Borisovich (Gliere Quartet—1st violinist, b.1898) 11 Tarkhov, Boris (tenor) 15, K(i) Tartan Chameleon (music-theatre company) 31 Tasker, John (director) 29 Tatian, Hrant (Solati Trio—cello) 67 Taussig, Elyakim (pianist) 34 Taylor, Philip (choreographer) p.591 Taylor, Rachael (soprano) 105 Taynton, Jessie C. (arranger) 43 Tchaikovsky, Pyotr Ilyich (composer, 1840-93) 18, 59 Tchaikovsky Quartet 73, 83 Tchaikovsky Symphony Orchestra (formerly Moscow Radio Symphony Orchestra) 10, 31, 43, 65, 77, 93, 97, 113, 129, 141 Tchakarov, Emil (conductor, 1948-91) 106 Tchavdarov, Zahari (violist, b.1930) 147 Tear, Robert (tenor, b.1939) 29, 106 Tedeschi, Rubens (arranger) 32 Tedeschi, Simon (pianist) 94 Tees, Stephen (Academy of St Martin-in-the-Fields Chamber Ensemble violist) 11 Telecký, Milan (Slovák Quartet—violist/solo violist, b.1930) 108, 147 Tellefsen, Arve (violinist, b.1936) 67, 77 Tembrovoe Bayan Orchestra 5 Temirkanov, Yuri Khatuyevich (conductor, b.1938) 10, 35, 47, 49, 54, 60, 77, 81, 93, 96, 107, V, 113, 126 Tenerife, Orquesta Sinfónica de 10 Tennstedt, Klaus (conductor, b.1926) 47 Teplyakov, Ilya (St Petersburg Quartet—2nd violinist) 49, 57, 68, 73, 83, 92, 101,108, 110, 117, 118, 122, 133, 138, 142, 144, Tepponen, Sakari (Esbjerg Ensemble—violinist) 57 Tervo, Markku (bass) 29 Tesarowicz, Romuald (bass) 29, X(ii) Tessier-Lavigne, Eric (theatre director) 31 Tevlin, Boris Grigorievich (chorus-director, b.1931) 88, 104 Thatchem, Sabina (Rosalyra Quartet––violist) 68, 110 Thatcher, Helen (Sorrel Quartet—cellist) 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Theaker, Ray (violinist) 11 Thedéen, Torleif (Stockholm Arts Trio—cellist and soloist, b.1962) 8, 40, 67, 107, 126, 127 Then-Bergh, Ilona (Münchner Klaviertrio—violinist) 8, 67, 127 Theuring, Günther (chorus-master) 20

IN DEX OF N AMES

757

Thibaudet, Jean-Yves (pianist, b.1961) 102 Thomas, Jacqueline (Brodsky Quartet—cellist) 11, D(i), 34, 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Thomas, Jeff (Nay Palm Bones––trombonist) 110 Thomas, Michael (Brodsky Quartet—1st violinist/arranger) 34, 49, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Thomas, Michael Tilson (conductor, b.1944) 107, 126 Thomas, Milan (violist) 147 Thomas, Patrick (conductor) 29 Thomas, Peter (violinist) 97 Thomas, Ronald (Boston Chamber Music Society—cellist) 40, 67 Thomas-Mifune, Werner (cellist) 97 Thomov, Aleksandr (Bulgare Quartet—2nd violinist) 49 Thompson, Candida (conductor) 68, 83 Thompson, Cathy (Medici Quartet—2nd violinist) 110 Thompson, James (soloist and Eastman Brass––trumpeter) 35, 133 Thompson, Marcus (Reizend Muziekgezelschap—violist) 57 Thomson, Brian (Onyx Brass—trumpeter/arranger) 87 Thorsteinsson, Daníel (pianist) D(vi) Tibbels, Nicole (soprano) 105 Tichonov, Stanislaw (Leschetizky Trio—pianist) 67 Tierney, Vivian (soprano) 29 Tikhonov, A. (balalaika player/arranger) 27 Tiles, Boris Ya. (conductor/arranger) 51, 56, 85 Tilli, Johann (bass) 29 Timm, Jurnjakov (Gewandhaus Quartet—cellist, b.1949) 73 Timofeyeva, Lyubov (pianist) S(i) Tipot, V. Ye. (translator) H(i) Tirimo, Martino (Rosamunde Trio—pianist) 67 Tishchenko, Aleksandr Andreyevich (composer/arranger, b.1905) X(i) Tishchenko, Boris Ivanovich (composer/arranger, b.1939) 8, 27, 39, 54, 109, 121, W, X(i & ii), 145, 146, 147; p.597 Tishina, Nina (mezzo-soprano) 56 Titarenko, Konstantin (arranger) 19, 44 Titov, Ivan (tenor) 81 Tjeknavorian, Loris (conductor, b.1937) 93 Tkachenko, A. (bass) 105 Tobias, Nina (Canadian Piano Trio—cellist) 67 Toczyska, Stefania (contralto) 106 Todd, John (Coull Quartet—cellist) 83, 110, 122 Todes, Rafael (Schidlof Quartet—2nd violinist) 57, 83, 108 Tognetti, Richard (conductor) 107 Tokathev, Oleg (trumpeter) P(i) Tokyo Kosei Wind Orchestra 34, 47, 63, 115 Tokyo Metropolitan Symphony Orchestra 47

758

I ND E X OF NA M ES

Tokyo Nikikai Chorus 113 Tolansky, Jon (interviewer) 42, 43, 141 Tolbukhin Chamber Orchestra 87, 101, 108, 110 Tolpygo, Mikhail Nikolayevich (violist, b.1941) 107, 147 Tolstoy, Count Leo Nikolayevich (novelist, 1828-1910) p.589 Tomášek, Jirí (violinist) 129 Tomfohrde, Ruth (pianist) 40 Tomlinson, John (bass, b.1946) 29, 135 Tomter, Lars Ander (violist) 40, 97, 147 Tongeren, Mark van (overtone singer) 26 Tonnesen, Terje (violinist) 127 Topchjan, Eduard (conductor) 77 Topic Singers & Unity String Orchestra 33 Topilow, Carl (conductor) 94 Torchinsky, Yuri (violinist) 30, 48, 97 Torger, Arne (Seraphin Trio—pianist) 8 Török, Frantisek (Moyzes Quartet—2nd violinist) 73, 110 Toronto Symphony Orchestra 77 Tortelier, Paul (cellist, 1914-90) 107 Tortelier, Yan-Pascal (conductor, b.1947) 97 Toscanini, Arturo (conductor, 1867-1957) 10, 60 Tosik-Warszawiak, Jerzy Trio (Cracovia––pianist) 67 Totsiu, Anni and Lola (piano duo) 6 Toumanova, Tamara (real name Khasidovich; ballerina, 1919-96) 10 Touvron, Guy (trumpeter/leader Ensemble de cuivres Guy Touvron) 27, 35 Tovey, Bramwell (conductor) P(i) Toyama Commercial High School Band 96 Tragine, Nadia (pianist) 69 TRAM (Leningrad Working Youth Theatre) 24, 25, 28, D(ii) Trampler, Walter (MGM Studio Orchestra—violist and soloist, 1915-97) 11, 147 Trauberg, Ilya (film-director) 30 Trauberg, Leonid Zakharovich (film-director/script-writer, 1901-90) 18, 26, 41(i), 45, 50, 71 Travkin, Mikhail Grigorievich (chorus-master) 36 Trávnícek, Jirí (Janáček Quartet—1st violinist, 1925-73) 57, 83 Trayler-Smith, Richard (TV film producer) 105 Tregear, Peter (conductor) K(ii) Tretyak, V. (tenor) 114 Tretyakov, Viktor Viktorovich (violinist, b.1946) 77, 129, 134 Trexler, Roswitha (soprano) 58 Trio Bamberg 8, 67 Trio de Barcelona 67 Trio de Bolzano 67 Trio di Parma 8, 67, 127

IN DEX OF N AMES

759

Trio Cracovia 67 Trio Finnico 8 Trio Jean Paul 67 Trio Kairos 8 Trio Ludus Tonalis 67 Trio Melbourne 8 Trio Paian 8, 67 Trio Rachmaninoff de Montréal 67 Trio Tchaikovsky 67 Trio di Torino 8, 57, 67 Trio Nota Bene 67 Trio Tre Mondi 8 Trio Yuval 67 Trio Zingara 67 TrioMats 67 Trioskop 67 Triple Helix Piano Trio 67 Trofimov, Vyacheslav (bass) 106 Trondheim Soloists 110 Tropp, Vladimir (pianist) 5, 34, 134 Truman, Robert (cellist) 141 Trussel, Jacque (tenor) 29 Tryczyński, Julian (Trio Cracovia––cellist) 67 Tseitlin, Aleksandr Davidovich (arranger, 1906-75) P(i) Tsekhanovsky, Mikhail Mikhailovich (cartoon film-director, 1893-1965) 36, 56 Tselovalnik, Yevgeniya (soprano) 106, 135 Tseng, Keng-Yuen (violinist) 77 Tsenin, Sergei Aleksandrovich (tenor, 1903-78) 29 Tsinman, Mikhail (Rachmaninov Trio––violinist) 8, 67 Tsintsadze, Sulkan Fyodorovic (composer, b.1925) p.597 Tsipola, Gizela Albertovna (soprano, b.1944) 114 Tsiryuk, Yuri (arranger) 110 Tsujishima, Terunobo (conductor) 96 Tsutsumi Tsuyoshi (cellist) 67 Tsvetayeva, Marina Ivanova (married name Efron; poetess, 1892 or 1894-1941) 143 Tsvetkova, Kira (Prokofiev Quartet—cellist) 11 Tsyganov, A. (domra player) 77 Tsyganov, Dmitri Mikhailovich (Beethoven Quartet—1st violinist/arranger/dedicatee, 1903-92) 11, 34, 49, 57, 67, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Tubagility (wind group) 87 Tucker, Mark (tenor) 21 Tuftina, Galina Afanasievna (mezzo-soprano, b.1933) 114 Tukiainen, Seppo (Sibelius Academy Quartet—2nd violinist) 68, 73, 83, 101, 142 Tulubeva, A. P. (soprano) 29

760

I ND E X OF NA M ES

Tuneh, Lily (soprano) 79 Tunis, Andrew (pianist) 40 Tunnell, John (London String Quartet—2nd violinist) 122 Turchak, Stepan Vasilievich (conductor, 1938-88) 114 Turich, Mikhail (conductor/arranger) 34, 73, 83 Turin Symphony Orchestra (Orchestra Sinfonica di Torino della Radiotelevision Italiana) 47, 70 Turkny, Galina and Yuliya (piano duo) 94 Turovsky, Eleonora (violinist) 34, 135 Turovsky, Yuli (Borodin Duo and Trio—cellist/conductor) 40, 57, 67, 79, 110, 118, 127, 135 Turovsky, Yuri (conductor) 73 Tuskiya, Iona Iraklievich (composer, 1901-63) N Tutenberg, B. (translator) 86 Tymchenko, Nataliya (soprano) 106 Tynyanova, I. (translator) 135 Tytianko, Yevgeni (chorus-master, d.1995) 104 Tyuremnov, Mikhail (bass) 114 Tzakonas, A. (songwriter) R §U Udalov, V. (arranger) 30 Uehara, Ayako (pianist) 12 Uemara, Riichi (Quartette Fonè—violist) 110 Ugorski, Anatol and Ugorskaya, Dina (piano duo) 94 Ugorsky, Anatoli (pianist) 40 Uhlig, Florian (pianist) 35, 94, 102 Ukolova, Lyudmila (soprano) 15 Ukrainian Brass E, G(ii) Ukraine State Philharmonic Symphony Orchestra 89, 97 Ulanov, Yuri (chorus-master) 81 Ulanova, Galina Sergeyevna (ballerina, 1910-98) 22 Ulitin, Boris (narrator) 56 Ulyanov, Dmitri (bass) 36 Ulyanov, V. (tenor) 58 Underwood, John (Delmé Quartet—violist) 22 University of Michigan Symphony Band 17 University of Minnesota Concert Band Ensemble 96 University of Warwick Chorus 113 Untamala, Jaako (Pihtipudas Quintet—pianist) 57 Urals Bayan Trio 96 Urasin, Rem (pianist) 40 Uryash, Igor (St Peters Trio––pianist) 8, 49, 57, 67 Uscher, Nancy (violist) 147 Ushakov, N. (translator) 79

IN DEX OF N AMES

761

Ushchapovsky, Nikolai (conductor) 63 Uspensky, Vladislav Aleksandrovich (composer, b.1937) 60; p.602 U.S. Air Force Band P(i) Ussov, D. (translator) 20 USSR Cinematograph Symphony Orchestra 75, 89, 97, 111 USSR Ministry of Culture Chamber Choir D(iv), 59, K(ii), 124 USSR Ministry of Culture Chamber Orchestra (Moscow Virtuosi) 35, 110, X(ii) USSR Ministry of Culture (State) Symphony Orchestra (renamed in late 1991—see Moscow State Symphonic Kapelle) 1, 3, 7, 10, 14, 19, 20, 21, 30, D(iv), 34, 35, E, 43, 46, 54, 58a, 59, 60, K(ii), 62, M, 65, 70, 91, 93, 103, 109, 112, 113, 114, 124, 125, 128, W, 135, 141 USSR Ministry of Defence Military Band L USSR Ministry of Home Affairs Army Orchestra 27, H(ii), 97 USSR Radio and Television Orchestra 66, 129 USSR State Jazz Band G(i) USSR State Radio Symphony Orchestra 77, 96 USSR (State) Symphony Orchestra C, 4, 10, 16, 26, 35, 36, 47, 54, 60, 65, 70, 75, 77, 79, 81, 90, 93, 96, 97, 102, 103, W, 107, U, 112, V, 115, 125, 126, 129, 131 USSR TV and Radio Large Symphony Orchestra 30, 65 Ustinova, Yelena (soprano) 36, Q Ustvolskaya, Galina Ivanovna (composer, 1919-2006) 92 Usuki, Masata (conductor) 47 Utah Symphony Orchestra 96 Utkin, Aleksei (oboist) 34, 39, 87 Utkin, Iosif Pavlovich (lyricist, 1903-44) X(i) Utkin, Mikhail (Moscow Trio—cellist/arranger) 8, 34, 39, 67, 87, 127 Utrecht Conservatory Chamber Orchestra 110, 135 Utyosov, Leonid Osipovich (jazz band leader, 1895-1982) 31 Uzuka, Toshiyuki (violist) 147 §V Vabich, A. (Glière Quartet—violist) 11 Vacchiano, William (trumpeter) 35 Vadimova, Sylvia Marini (soprano) 4 Vaghy, Deszo (Vaghy Quartet—1st violinist) 110 Vaghy Quartet 110 Vaghy, Tibor (Vaghy Quartet—violist) 110 Vaillant, Ludovic (trumpeter) 35 Vaiman, Mikhail Izrailevich (violinist, 1926-77) 67 Vainberg, Moisei––see Mieczywsław Samuilovich Weinberg Vainiunaite, Audrone (Vilnius Quartet—1st violinist, b.1942) 49 Vainkop, Yulian Yakovlevich (musicologist, 1901-74) 29 Vainomen, Vasili Ivanovich (choreographer, 1901-64) 22 Vainrot, Lev (cellist) P(i) Vajnar, František (conductor, b.1930) 93, 141, 145

762

I ND E X OF NA M ES

Vakhtenkov, Vladimir (trumpeter) 35 Vakhutinsky, Mark (arranger) 63, 96 Vakman, Sofya Borisovna (pianist, b.1911) 143 Valchev, Vassil (Sofia Quartet—1st violinist) 110, 118, 122 Valdimarsdottir, Asdis (Chiligirian Quartet—violist) 110 Válek, Vladimir (conductor) 107, 126 Valente, Benita (soprano, b.1934) 79 Välimäki, Aki (trumpeter) 35 Valjakka, Taru (soprano) 29 Valsta, Tapani (pianist, b.1924) 40 Valter, Naum (pianist, b.1902) 34 Vancouver Symphony Orchestra 10, 70, P(i) Vanderspar, Edward (London Musici Quartet—violist) 57 Vaneyev, Vladimir (bass) 29, 106, 135 Vänskä, Osmo (conductor, b.1953) 113 Varády, Julia (soprano, b.1941) 135 Vardanyan, Zaven Nazaretovich (conductor, b.1945) 110 Vardeli, Konstantin (State Quartet of Georgia—1st violinist) 68, 73 Vardi, Emanual (MGM Studio Orchestra/Stuyvesant Quartet—violist, b.1917) 11, 49 Vardi, Yair (choreographer) 110 Varema, Henry-David (Petersen Quartet––cellist) 49, 57, 83, 110, 143 Varga, Gilbert (conductor) 77 Varga, Tibor (conductor/arranger, 1921-2003) 110 Varkovitsky, Vladimir Aleksandrovich (choreographer, 1916-74) p.589 Varlamov, Aleksandr Yegorovich (composer, 1801-48) 116 Varlamov, Aleksei Alekseyevich (choreographer, 1920-79) P(i) Vartazaryan, Martin Tsolakovich (composer, b.1938) p.597 Varvarovo, Elena (pianist) 5, 12, 13, 34, 61 Varzar, Nina Vasilievna (dedicatee, 1909-54) 21, 29, [62, 108] Vas, Francisco (tenor) 29 Vasiliauskas, Augustinas (Vilnius Quartet—cellist) 49 Vasiliev, Dmitri (Brahms Trio––violinist) 8, 67 Vasiliev, Georgi Nikolayevich (film-director, 1899-1946) 48 Vasiliev, Sergei Aleksandrovich (lyricist) 99 Vasiliev, Sergei Dmitrievich (film-director, 1900-59) 48 Vasiliev, Vladimir (bass) 105 Vasiliev, Vladimir Nikolayevich (arranger, b.1911) 45 Vasilieva, Raya (screenwriter, d.1934) 41(ii) Vasnetsov, Viktor Mikhailovich (artist, 1848-1926) 127 Vassilieva, Yelena (soprano/mezzo-soprano) 4, D(ix), 56, 109 Vavruška, Jaromír (bass) 46, 91 Vectomov, Saša (Czech Trio—cellist) 67 Vedernikov, Aleksandr (conductor) 27, 77, 129 Vedernikov, Aleksandr Aleksandrovich (pianist) 100 Vedernikov, Aleksandr Filippovich (bass, b.1927) 81, R, 100, 114

IN DEX OF N AMES

763

Vedernikov, Anatoli Ivanovich (pianist, 1920-93) 12, 67 Veis, Daniel, (Rosamunde Trio––cellist) 67 Vekerlen, Zhan Batist (composer, 1821-1910) J(ii) Velde, Dirk Van de (Rubio Quartet—1st violinist) 49, 73, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Vengerov, Maksim (violinist, b.1974) 67 Vermeer Quartet 57 Venediktov, Lev Nikolayevich (chorus-master, b.1924) 114 Venezuela Symphony Orchestra 77 Vengerov, Maksim (violinist, b.1974) 34, 77, 129 Venglovsky, Viktor Fyodorovich (arranger) 97 Venice Quartet 22 Ventris, Christopher (tenor) 29 Venzago, Mario (conductor) 43 Venzhega, Anatoli (violist) 138 Verbitsky, Vladimir (conductor) 16 Verebes, Robert (violist) 147 Verestnikov, Vladislav (baritone) K(i) Verhaert, Steven (arranger) 27, G(ii) Verheijden, Bas (pianist) 34 Verkovsky, N. (lyricist) X(i) Verlaine Quartet 68 Vermont University Orchestra M, 140 Vernikov, Pavel (Trio Tchaikovsky and Kuhmo, Chamber Soloists—violinist) 57, 67 Verstovsky, Aleksei Nikolayevich (composer, 1799-1862) J(ii) Viardo, Vladimir (pianist, b.1949) 19, 34, 37, 58a, 61 Victor Symphony Orchestra (most probably the Philadelphia Orchestra) 33 Vienna Boys Choir 106 Vienna Philharmonic Orchestra 43, 47, 54, 70, 106 Vienna Schubert Trio 8 Vienna State Opera Chorus 106 Vienna State Opera Orchestra 102, 106 Vienna Symphony Orchestra 10, 14, 20, 43, 47, 54, 60, 65, 70, 93, 112, 113, 114c, 135, 141 Vienna Trombone Quartet 34 Vienna Youth Choir 20 Vierne, B. (translator) 15 Vignoles, Roger (pianist) 98, 100, 109, 134 Vikomirskaya, Olga (violinist) 67 Vilker, Valeriya (violinist) 5, 141 Villerush, Maris (cellist) 67 Villiers, David de (conductor) 47 Vilnius Quartet 49 Vilnius String Orchestra 110 Vilyams, Pyotr Vladimirovich (designer/dedicatee, 1902-47) 66, 83

764

I ND E X OF NA M ES

Vinke, Stefan (tenor) 29 Vinnikov, Zino (violinist) 105 Vinnitsky, Andrei (percussionist) 39 Vinogradov, Georgi Pavlovich (tenor, 1908-80) 80 Vinogradov, Konstantin Petrovich (chorus-master, 1899-1980) 80 Vinogradov, Viktor Sergeyevich (folksong collector, b.1899) 115 Vinogradova, Irina (pianist) 34 Vio, Andrea (Venice Quartet—1st violinist) 22 Vinokurov, Arkadi (violinist) 127 Viola Ensemble of the Central Home of Art Workers 22 Violin Ensemble of 202 Children 97 Virsaladze, Simon Bagratovich (artistic director, 1909-89) 22 Virtuosi Brass Band 96 Vishnevskaya, Galina Pavlovna (soprano/dedicatee, b.1926) 29, R, 109, V, 114, 127, 135 Vishnevsky, Vsevolod Vitalievich (playwright, 1900-51) 89 Vishnyakov, Yuri (bass) X(ii) Vitas, Miomira (soprano) 127 Vitaud, Jonas (pianist) 34 Vitkin, Boris (Stradivari Quartet—2nd violinist) 11 Vitkind, Zinaida Yakovlevna (arranger) 37, 69, S(i), 97, T, 116 Vlachova, Dana (Czech Trio––violinist) 67 Vladimirov, Mikhail Vladimirovich (conductor, 1870-1932) 18 Vladimirov, Romuald (bassoonist) 27 Vladimirov, V. (librettist) p.588 Vladimirov, Yevgeni Nikolayevich (bass) 62, 135 Vlasenko, Lev Nikolayev (pianist, b.1928) 87 Vlazinskaya, Valeria (translator) 20, 29, 78, 113, 135 Vlčková, Alžbeta (ArteMiss Trio––cellist) 8, 67, 127 Vlsenko, Yuri (trumpeter) 35 Voces Intimæ Quartet (alias Espoo Quartet) 110, 117 Voevodin, Vsevolod Pyotrovich (revue writer, b.1907) 31 Vogel, Annette-Barbara (Alani Trio—violinist) 67 Vogel, Siegfried (bass-baritone, b.1937) 58, 119 Vogler, Jan (cellist) 40 Vogler Quartet 122 Vogler, Tim (Vogler Quartet—1st violinist) 122 Vogt, Lars (Alani Trio—pianist/accompanist) 40, 67 Vokalensemble der HfMDK (Choir of Frankfurt University of Music) 26 Volckaert, Edith (violinist, 1949-92) 77 Volkov, Oleg (pianist, b.1958) 12, 13, 35, 87 Volkov, Solomon Moiseyevich (artistic director/author, b.1944) K(ii); pp.572, 574, 589, 590, 640 Volodos, Arkadi(bass) X(ii) Volovnik, Iosif Abramovich (trumpeter) 35 Volpin, M. (writer) 63, 66, 72

IN DEX OF N AMES

765

Volpov, Alexander (cellist) 67 Voropayev, Dmitri (tenor, b.1980) 26 Voskresensky, Mikhail Sergeyevich (pianist, b.1935) 40, 102, 147 Voskresensky, Vasili Grigorievich—see Colonel W. de Basil Voynich, Ethel Lilian (née Boole; novelist, 1864-1960) 97 Voznesensky Andrei Andreyevich (translator/poet, b.1933) 145 Vries, Nanco de (bass) 135 Vrbkobá, Markéta (Puella Trio—cellist) 8 Vulfovich, Todor (film-director) p.590 §W Waart, Edo de (conductor, b.1941) 77 Wagner, Helmut (translator) 15 Wagner, (Wilhelm) Richard (composer, 1813-83) 141 Wagoner, Dan (choreographer/ballet company founder) 144 Wahlberg, Ingrid (pianist) D(vi) Waldon, Timothy (cellist) P(i) Walker, Steven (arranger) G(i) Wallace, John (trumpeter, b.1949) 35 Wallez, Amaury (bassoonist) 13 Wallfisch, Benjamin (conductor) 77 Wallfisch, Raphael (cellist, b.1953) D(vi), 39, 40, 107, 126, 147 Wallonia Royal Chamber Orchestra 110 Walter, Alfred (conductor) 143 Walter, Bruno (conductor, 1876-1962) 10 Walton, Jamie (cellist) 126 Walz, Wilhelm F. (Seraphin Trio—violinist, b.1948) 8, 67 Wand, Günter (conductor, 1912-2002) 35 Wangenheim, Volker (conductor) 47 Warchal, Bohdan (conductor, b.1912) 35, 110 Wardman, Vicci (Sorrel Quartet—violist) 73, 83, 101, 108, 118, 122 Warren-Green, Christopher (conductor) 35 Warsaw Chamber Orchestra 110 Warsaw Philharmonic Orchestra 47, 93 Warsaw Quintet 57 Washington, Choral Arts Society of 113 Wasser, Frank (pianist) 134 Waters, Robert (Jupiter Trio––violinist) 67 Watkins, Paul (cellist, b.1970) 40 Watters, Cyril (arranger) 22, 45 WDR (West German Radio) Symphony Orchestra of Cologne 10, 20, 24, 43, 47, 54, 60, 65, 70, 93, 103, 112, 113, 135, 141 Weichert, Caroline (pianist, b.1962) B, 5, 12, 13, 22, 34, 61, 87, S(i) Weigl, Petr (producer) 29 Weigle, Friedemann (Petersen Quartet––violist) 49, 57, 83, 110, 143

766

I ND E X OF NA M ES

Weigle, Jörg-Peter (conductor) 141 Weil, Terence (Melos Ensemble—cellist) 57 Weill, Kurt (composer, 1900-50) 50 Weinberg, Mieczysław Samuilovich (pianist, 1919-96) 93, 112, 118, 127, 134; pp.590, 598 Weinstein, Larry (film director) p.574 Weis, Helmut (Weller Quartet—violist) 118 Weisenblum, Jaime (Canadian Piano Trio—violinist) 67 Weithaas, Antje (violinist) 67 Weller Quartet 118 Weller, Walter (Weller Quartet—1st violinist/conductor, b.1939) 10, 70, 118 Wellington, Christopher Ramsay (Music Group of London and Amici Quartet—violist, b.1930) 57, 118 Wenkel, Ortrun (contralto, b.1942) 79, 143 Wentzel, Andrew (bass) X(ii) Werff, Ivo-Jan van der (Medici Quartet—violist) 11, D(i), 57, 110 Wesenigk, Fritz (trumpeter) 35 Wesly, Alban (Calefax Reed Ensemble—bassoonist) 87 Wesly, Eduard (Calefax Reed Ensemble—arranger/oboist) 87 West, Martin (conductor) 107 Westberg, Hans-Erik (Fresk Quartet—2nd violinist) 110 Westbrook, Eva-Maria (soprano) 29 Westerholm, Sven (soprano saxophonist) 22 Westlund, Robert (Yggdrasil Quartet—violist) 73, 108, 110 Westminster Singers 104 Wheeldon, Christopher (choreographer, b.1973) 35 Wheeler, Antony (composer) p.601 White, David (clarinettist) 46 White, Eric Walter (translator, b.1905) 145 White, John (Alberni Quartet—violist, b.1938) 117, 118 White, Ruth (arranger/electronic keyboard player) 22 White, Dr Sarah (translator) 145 White, Willard (bass, b.1946) 29 Whitehouse, Elizabeth (soprano) 29 Whitman, Walt (poet, 1819-92) 88 Whitson, David (English Brass Ensemble—trombonist) 108 Wicks, Camilla (pianist) 22, 34 Widlund, Mats (TrioMats––pianist) 67 Widstruck, Yvonne (soprano) 79 Wieder-Atherton, Sonia (cellist) 40, 107 Wier, A. E. (arranger) 35 Wigand, H. (Schulz Quartet—violist) 68 Wigglesworth, Mark (conductor, b.1964) 29, 47, 54, 60, 65, 70, 112, 113, 135 Wikström, Inger (pianist, b.1939) 5, 19, 22, 31, 34, 61, 94, 97, 105 Wilbraham, John (trumpeter, 1944-98) 35

IN DEX OF N AMES Wiley, Peter (Beaux Arts Trio—cellist) 57, 67 Wilk, Maurice (Stuyvesant Quartet—2nd violinist) 49 Wiłkomirska, Wanda (violinist, b.1929) 129 Willcocks, Sir David (chorus-master, b.1919) 20 Willenstyn, Tannie (soprano) 127 William Fairey Band 96 Williams-Fairey Engineering Band 97 Williams, Harold (bass, 1893-1976) 29 Williams, John Christopher (guitarist, b.1941) 97 Williams, John Towner (conductor, b.1932) 22, 96 Williams, Neville (tenor) 15 Williams, Pavel (designer) 58 Willis, Andrew (pianist) 70 Wilson, Elizabeth (cellist/translator/musicologist) 8, 19, 41, 46, 93, 97, X(ii) Wilson-Johnson, David (bass-baritone) 32, 58a, 98 Wilson, Sandy (Alexander String Quartet—violist) 49, 57, 68, 73, 84, 87, 92, 101, 106, 108, 110, 117, 117a, 118, 122, 133, 142, 144 Winge, Stein (stage director) 29 Winland, Leo (cellist) 40 Winnepeg Symphony Orchestra 114 Winograd, Arthur (Juilliard Quartet—cellist/conductor, b.1920) 11, 57 Winograde, Joshua (bass-baritone) 19 Winter, Louise (mezzo-soprano) 32, 58a Winter, Michael (Elbeblech Brass Quintet—horn player) 96 Wirssaladze, Elisso (pianist) 8, 34 Wispelwey, Pieter (cellist, b.1962) 40, 107, 126 Wit, Antoni (conductor, b.1944) 77, 107, 126, 129 Witkowski, Jerzy (pianist) 127 Wodiczko, Bohdan (conductor, b.1911) 93 Wolf, Carl (pianist) 8 Wolfe, Duain (chorus-master) V, 113 Wolff, Dorothea (Esbjerg Ensemble—cellist) 127 Wolff, Hugh (conductor, b.1953) 35, 70, 102 Wollman, Eva (pianist) 40 Wolman, Joseph (arranger) 69 Wonder, Erich (designer) 106 Wood, Sir Henry Joseph (conductor, 1869-1944) 33, 35, 60, 65 Wood, Trevor (choreographer) P(i) Woodrow, Alan (tenor) 29 Woodward, Roger Robert (pianist, b.1942) 57, 67, 87 Wordsworth, Barry (conductor) 39, 97 World Brass 27, G(ii) Wray Margaret Jane (soprano) 29 Wrigley Yolande (pianist) 40, 97 Wróbel, Andrezej (cellist) 127

767

768

I ND E X OF NA M ES

Wronśki, Tadeusz (Warsaw Quintet—2nd violinist) 57 Wummer, John (arranger) p.565 Wulz, Waltraud (pianist) 94 Wuppertal Sinfonieorchester K(i) Württemberg Chamber Orchestra 35, 110 Würtz, Klára (pianist) 40 Würzburg Philharmonic Orchestra 10 Wyss, Gerard (pianist) 100 §X Xenos, A. (songwriter) R Xu, Eric (Wen-Bo) (Jade Quartet––violist) 11 §Y Y Chamber Orchestra [of New York] 79 Yabiku, Isao (conductor) 47 Yablonskaya, Oksana (pianist, b.1942) 40 Yablonsky, Dmitri (conductor/cellist/arranger, b.1962) 16, 27, E, 40, G(ii), 60, 70, P(i), 97, 116 Yakobson, Leonid Veniaminovich (choreographer, 1904-75) 19, 22, 70; p.590 Yakon, Mikhail (jazz ensemble leader) 34 Yakovenko, Sergei Borisovich (baritone, b.1937) 46, M Yakovlev, Vasill Vasilievich (musicologist, 1880-1957) 106 Yakovleva, Elena (Anton Quartet—2nd violinist) 73 Yakubov (Iakubov), Manashir Abramovich (musicologist, b.1936) 22, 27, D(vi), 39, X(ii) Yakubova, Eleonora (Eleonora Quartet—1st violinist) D(i), 73, 117 Yale Russian Chorus, The 104 Yampolisky, Viktor (pianist) 8, 13, 67 Yampolsky, Tatiana (pianist) 134 Yampolsky, Viktor (Rachmaninov Trio–pianist) 8, 40, 67 Yanev, Emil (conductor) 97 Yang, Thomas (violinist) 97 Yanin, Gennadi (ballet-dancer) 39 Yansons, Arvid Krishevich (conductor, 1914-84) 47, U Yansons, Mariss—see Jansons Yanushevskaya, Marina (Gnessin Institute Quartet—cellist) 11 Yarbrough, Paul (Alexander String Quartet—cellist) 49, 57, 68, 73, 83, 87, 92, 101, 108, 110, 117, 117a, 118, 122, 133, 138, 142, 144 Yaron, Grigori Markovich (stage producer, 1893-1963) H(i) Yaroshenko, Anton (Eleonora Quartet—violist) D(i), 57, 73, 87, 110, 117 Yates, Catherine (Sorrel Quartet—2nd violinist) 49, 57, 68, 73, 83, 92, 101, 108, 110, 117, 118, 122, 133, 138, 142, 144 Yatsenko, Anastasia (ballerina) 27 Yatsenko, Oksana (soprano) 114 Yavorsky, Boleslav Leopoldovich (dedicatee, 1877-1942) 13

IN DEX OF N AMES

769

Yedlina, Lyubov Ilinichna, (known as Luba or Ljuba Edlina in the West; pianist/ Borodin Duo and Trio—pianist, b.1929) 40, 46, 57, 67, 91, 127, 134 Yefimov, Gennadi Alekseyevich (tenor, b.1928) 114 Yefimov, Ivan (Ukrainian Brass––French horn player) E, G(i) Yegorov, Anatoli (cellist) 8, 9 Yegorov, Yuri (pianist) 61 Yegorova, Tatyana (Dominant Quartet––cellist) 110 Yekaterinburg Philharmonic Orchestra 45, 107, 125 Yekimovsky, Viktor Alekseyevich (arranger, b.1947) 32 Yelchaninova, Larissa (soprano) M Yeliseyev, Lev (tenor) 114 Yeltsin, Sergei Vitalievich (conductor, 1897-1970) 58, 106 Yeo, Douglas (bass trombonist/arranger) 34 Yerevan Chamber Orchestra 110 Yermolinsky, Sergei (film-director) 38 Yerokhin, Sergei (pianist) 22, 40 Yevtodieva, Viktoria (soprano) 21, 72, 80, 86, 99, 109, 127 Yevtushenko, Yevgeni Aleksandrovich (poet, b.1933) 113, 119; pp.573, 590 Yggdrasil Quartet 73, 108, 110 Yoffe, Angela (pianist) E, 134 Yomiuri Nippon Symphony Orchestra 10, 21, 47 Yordanov, Zdravko (cellist) 67 York, John (pianist) D(vi), 39, 40, 147 York Quartet 49 Yoshizumi, Rieko (Trio Tre Mondi—pianist) 8 Yotcheva, Velitchka (Rachmaninoff Trio––cellist) 67 You, Lisa (Hyun-Ji) (Jade Quartet––2nd violinist) 11 Youmans, Vincent Miller (songwriter, 1898-1946) 16 Young German Philharmonic Orchestra 70 Young, Jeremy (pianist) 40 Young Musicians’ Symphony Orchestra [of London] 32, 89 Young, Richard (Vermeer Quartet––violist) 57 Young Russia Symphony Orchestra––see Russian Symphony Orchestra Young Swiss Chamber Orchestra 110 Youngston State University Symphonic Wind Band 115 Yu, Gina (Shih-Yu) (Jade Quartet––cellist) 11 Yudin, Gavriil Yakovlevich (conductor, b.1905) B, 10, 70 Yudina, Marlya Veniaminovna (pianist, 1899-1970) 61 Yungvald-Khilkevich, G. E. (arranger) 22, 27 Yunitsky, A. D. (folksong collector) 79 Yureneva, Nadezhda (soprano) 127 Yuriev, Leonid (conductor) 16, 30 Yurigen-Klevke, Vladimir (pianist) 34 Yurlov, Aleksandr Aleksandrovich (chorus-master/conductor, 1927-73) 14, 20, 81, 90, 113, 119, 124

770

I ND E X OF NA M ES

Yurlov Republican Russian Choir 14, 20, 81, 113 Yurov, Yuri (violist) 40, 147 Yurovsky, Mikhail Vladimirovich (conductor, b.1945) 4, 15, 21, 26, 30, 41(i), 45, 46, 50, 58a, K(i), 64, 79, 81, 82, 90, 114a, 119, 137, 140, 143, 145 Yutkevich, Sergei Iosifovich (film-director/script-writer, 1904-85) 30, 33, 53, 63, 72; pp.588, 642 §Z Z Quartet 57 Zabavnikov, Nikolai Nikolayevich (Beethoven Quartet—2nd violinist, b.1937) 11, 101, 117, 118, 122, 133, 138, 142, 144 Zabner, Antoinette Van (pianist) 94 Zaborov, Grigori (arranger) 34 Zabotkina, Olga (soprano) 105 Zagreb Philharmonic Orchestra 10, 35, 70 Zagrebelnyi, Aleksandr (bass) 114 Zaharieva, Albena (pianist, b.1941) 147 Zaharieva, Zheni (pianist) 13 Zak, Jonathan (Trio Yuval—pianist) 67 Zakai, Mira (alto) 79 Zaks, A. (stage producer) 105 Zaks, Leon (violinist, 1921-77) 22, 64 Zambello, Francesca (director) 29, 105 Zamechnik, Evzhen (composer) pp.599, 635 Zamyatin, Yevgeni Ivanovich (librettist, 1884-1937) 15 Zander, Benja min (conductor) 47, 96, 107 Zanin, Angelo (Venice Quartet—cellist) 22 Zank, Gerhard (Münchner Klaviertrio—cellist) 8, 67, 127 Zanlonghi, Paulette (pianist) 40 Zambello, Francesca (director) 29, 105 Zapolski, Alexander (Zapolski Quartet—1st violinist) 68, 110 Zapolski Quartet 68, 110 Zaremba, Elena (mezzo-soprano/contralto) 58a, 106, 143 Zaretsky, Michael (violist) 147 Zasetsky, Pyotr Ivanovich (tenor, 1899-1941) 15, 29 Zaslav, Bernard (Fine Arts Quartet—cellist) 73 Zaslavsky, David Iosifovich (journalist, 1880-1965) 29 Zavelberg, Imgard (Rubin Quartet—1st violinist) 110 Zavelberg, Ulrike (Rubin Quartet—cellist) 110 Zawistowski, Leszek (Vaghy Quartet—cellist) 110 Zayde, Jascha (pianist) 40 Zaznobina, Nina (mezzo-soprano) 100 Zazulova, Nina (soprano) 15 Zechlin, Dieter (pianist, b.1926) 5, 57 Zeden, Jaap van (conductor) 47

IN DEX OF N AMES Zednik, Heinz (tenor, b.1940) 29, 106 Zehetmair, Thomas (violinist) 11, 138 Zehnder, Christian (overtone singer) 26 Zeig, Mimi (violinist) 57 Zelikov (translator) 33 Zelyakov, Alexander (pianist) 6, 93 Zemlyanikin Vladimir (tenor) 105 Zetterqvist, Mats (TrioMats and Z Quartet––violinist) 57, 67 Zhak, Abrarn Semyonovich (pianist, 1901-81) 5 Zhar, Anatoli (choir conductor) 88 Zhelezny, Anatoli Ivanovich (gramophile) 48 Zhislin, Grigori Yefimovich (violinist, b.1945) 31, 134, 144 Zhivankova, Svetlana (soprano) 105 Zhivov, Vladimir (chorus-master) 104 Zhordaniya, Vakhtang (conductor) 54, 70 Zhuk, Isaak Mikhailovich (violinist, b.1936) 10 Zhuk, Valentin Isaakovich (violinist, b.1934) 34 Zhukov, Georgi Konstantinovich (army general, 1896-1974) 82 Zhukov, Igor Mikhailovich (pianist, b.1936) 67 Zhukova, Marina (soprano) 79 Zhukovsky Military Air Academy Band 27 Zhuravlenko, Pavel Maksimovich (baritone, 1887-1948) 15 Zhvaniya, Nodar (State Quartet of Georgia—violist) 68, 73 Zichova, Zorka (pianist) 109 Zilberquit, Julia (pianist/arranger) 94 Zilberstein, Lilya (pianist, b.1965) 12, 94 Zimmerman, Willi (Amati Quartet—1st violinist) 73, 108 Zimmermann, Tabea (violist, b.1969) 147 Zinger, Grigori Solomovich (pianist, b.1913) 39 Zisman, Daniel (Fitzwilliam Quartet—1st violinist b.1954) D(i) Živkovič, Nebojša Jovan (marimba player/arranger, b.1962) 22, 27; p.601 Zlotnikov, Kyril (Jerusalem Quartet—cellist) 49, 73, 83, 101, 110, 117, 122 Zola, Emile (novelist, 1840-1902) 18 Zollman, Ronald (conductor) 77, 107 Zolotaryov, N. (conductor) 139 Zonina, Masha (translator) 105 Zoshchenko, Mikhail Mikhailovich (dedicatee, 1895-1958) 139 Zucchi, Alessandro (I Solisti Italiana—percussionist) 116 Zucker, Roni (arranger) G(ii) Zuckerman, Pinchas (violinist, b.1948) P(iii) Zufferey, Julien (Trio Nota Bene—violinist) 67 Zurich Chamber Orchestra 135 Zurich Piano Trio 8, 67, 127 Zürich String Orchestra 110 Zusman, Natalia (pianist) P(i), 94

771

772

I ND E X OF NA M ES

Zvolánek, Jan (New Prague Trio—cellist) 67 Zvyagintseva, V. (translator) 79 Zweden, Jaap van (violinist) 77 Zweiniger, Arthur (librettist) 23 Zwiauer, Florian (violinist) 114c Zybcev, A. (pianist) 98 Zykina, Lyudmila (singer) 80

Composition Index

In this simplified index see under the respective headings for Abandoned Projects, Ballets, Chamber Music, Choral Works, Concertos, Film Scores, Instrumental, Juvenilia, Marches, Miscellaneous, National Anthem Contest, Operas, Orchestral, Overtures, Patriotic Works, Piano Duos, Piano Solos, Sans opp., Song Cycles, Songs, Stage Productions, Symphonies, and Transcriptions. Entry numbers in this index refer to page numbers.

ABANDONED PROJECTS And Quiet Flows the Don (opera) 589 Battleship Potemkin (film) 408, 587 The Big Lightning (operetta) 101, 606 The Black Monk (opera) 526, 527, 590 The Carp (opera) 587 Children’s [String] Quartet 589 The Concrete Sets (film) 587 The Heroic Defenders of Moscow (oratorio) 589 A Hero of Our Time (opera) 588 Katyushka Maslova (opera) 589 Lenin Symphony (choral symphony) 588 Lermontov (ballet) 588 Liluli (incidental music) 588 Mother (opera) 587 Narodnaya Volya (‘black comedy’) 591 The Negro (operetta) 587 Orango (opera) 587 The People’s Poet (opera) 588

Second Symphony (film) 589 Torments of Conscience (symphony) 590 The Twelve Chairs (operetta) 588 Volochayevka Days (film) 191, 588

BALLETS About Face 264 Allumez les étoiles! 453 Ballet School (Leçon de Danse) or Class Concert 324 Ballet Suite (Choreographic Miniatures) 47, 197, 198, 280, 484, 566, 590 The Bedbug 47 Blossoms 589 The Bolt 45, 73–83, 98, 149, 150, 201, 323, 327, 415, 571 The Catalyst 129 Celebration 372 Choreographic Novella 591 Concerto 402 Concerto DSCH 402 773

774

C O M PO SITION IND EX

Crossroads 590 The Dance House 129 Dance Suite 324 Dark Horizons 437 Directive Little Bow 589 The Dreamers 60, 79 Elegia 207 Eleventh Symphony 408 Epode 324 The Execution of Stepan Razin 484 Fête Noire 402 Fourfold 437 Front Line 477 The Golden Age 52–66, 76, 79, 95, 98, 150, 263, 565, 583, 607 Hamlet 474 The Idiot 474, 591 In Concert 129 Jesus der Menschensohn 280 Just for Fun 324 Leningrad Symphony 232 The Limpid Stream 76, 138, 146–54, 201, 325, 328, 330, 608 The Mad Dictator 280 Meeting 280 Mercurial Manoeuvres 129 Ninth Symphony 280 The Overcoat 44, 88, 108, 143, 144, 226, 298, 324, 387, 437, 487, 532 Paillettes 79 Pas de trois 60 Remember 20 Rouge et Noir (L’Étrange Farandole) 19 Sacred Circles 215 Second Symphony 33 Solitude 207 The Storm 474 Strictly Business 591 Switch Bitch 324 Symphony of Revolution 408, 454 Tenth Symphony 365 Three Aphorisms 590 Three Russian Preludes 342 To Comfort Ghosts 548 Tremor 289 Vestige 155

Wedding Procession 590 The Wise Monkeys 129 The Young Lady and the Hooligan 78, 81, 152, 326, 376, Ballet Suite No. 5 (The Bolt) 387, 589 Blossom Waltz (piano reduction) 416, 417

CHAMBER MUSIC Piano Trio No. 1 14–17 Piano Trio No. 2 in E minor 263–72 Piano Quintet in G minor 214–21 String Quartets: No. 1 in C major (Springtime) 193–97 No. 2 in A major 272–76 No. 3 in F major 288–94 No. 4 in D major 331–35 No. 5 in B flat major 357–60 No. 6 in G major 398–400 No. 7 in F sharp minor 430–34 No. 8 in C minor 436–49 Unfinished Ninth Quartet 476, 589 Children’s Quartet (abandoned) 589 No. 9 in E flat major 476–79 No. 10 in A flat major 479–83 No. 11 in F minor 488–91 No. 12 in D flat major 509–12 No. 13 in B flat minor 533–36 No. 14 in F sharp major 543–45 No. 15 in E flat minor 548–51 Twelve Preludes for String Quartet 588 Two Pieces for String Octet 25–28 Two Pieces for String Quartet 58, 87 Chamber Symphony (Quartet No. 4) 331–35, 583 Chamber Symphony (Quartet No. 8) 436–49

CHORAL WORKS Antiformalist Rayok 239, 527, 590, 606 The Execution of Stepan Razin 483–85, 572, 598, 607 From Karl Marx to Our Own Days 101–2 Loyalty (unaccompanied) 530, 606

C OMPOSIT ION IN DEX My Native Country 249, 250, 255, 262, 263, 287, 288, 530–31 Novorossiisk Chimes 256, 449–50, 524, 607 Oath to the People’s Commissar 227–28 Our Song 523 Poem of the Motherland 294–95, 607 Song of the Forests 317–19, 607 The Sun Shines over Our Motherland 355–56, 607 Ten Poems on Texts by Revolutionary Poets 349–51, 407 Two Choruses by Davidenko 492–93 Two Russian Folksongs (unaccompanied) 412–13 Also Symphonies Nos. 2, 3, and 13

CONCERTOS The Assault on the Red Hill (mini piano concerto) 353, 354 Cello Concerto No. 1 in E flat major 424–30 Cello Concerto No. 2 in G major 494–98 Cello Concerto in A minor (Schumann) 493–94 Cello Concerto No. 1 (Tishchenko) 517 Concertino for two pianos 372–75 Piano Concerto No. 1 in C minor 128–36 Piano Concerto No. 2 in F major 401–6 Violin Concerto No. 1 in A minor 298–306 Violin Concerto No. 2 in C sharp minor 503–6 Elegy and Polka (Two Pieces for String Quartet) 58, 87 Events of a Day (piano reductions) 197, 199, 566

FILM SCORES The Adventures of Korzinkina (Ein Billett V Zone) 226–27 Alone 68–72, 76, 607 Ankara—Heart of Turkey 588 [Battleship Potemkin] 000

775

Belinsky 408, 587 [Bernstein Conducts Shostakovich] 207, 280 [The Black Monk] 558, 559 Cheryomushki (Song Over Moscow) 413–20 [The Composer Shostakovich] 38, 549, 553, 571, 572 Concert Waltz 93 [The Condemned of Altona] 408 Counterplan 110–14 Envoys of Eternity 590 Epitaph 438 [Ever Decreasing Circles] 118 [The Face Behind the Face] 438 The Fall of Berlin 319–22 Family Album 575 [Fantasia 2000] 402 The First Echelon 394–96 Five Days, Five Nights (Dresden Art Gallery) 450–52 The Friends 203 The Gadfly 383–93 The Girlfriends 163–65, 193 [The Golden Age] 60 The Golden Mountains (Happy Street) 92–94, 414 The Great Citizen (Series I) 203–4 The Great Citizen (Series II) 212–13 Hamlet 472–76 Katerina Izmailova 467 Khovanshchina 420–23 King Lear 531–33 [La Ley del Deseo (The Law of Desire)] 365 [Leningrad] 232 Love and Hate 145–46 The Man with a Gun (November) 204–5 [A Matter of Survival] 232 The Meeting on the Elbe 312–15 Michurin (Life in Bloom) 306–8 [Music from the Flames] 571 New Babylon 44–45 [Nikolayeva Plays Shostakovich] 342 [October] 408, 454 Pirogov 297–98 [Recollections of Shostakovich] 553, 571 [Reilly—Ace of Spies] 387, 388 The Return of Maxim 172–74, 376

776

C O M PO SITION IND EX

[Rollerball] 178, 257 [Rostropovich Returns to Russia] 257 [Rostropovich: Three Friends] 179 [St Petersburg Days] 590 [Shostakovich: A Career] 573 [Shostakovich—the composer and his times] 571 The Silly Little Mouse 213–14 Simple Folk (Plain People) 286 Sofya Perovskaya 508–9 [Sonata for Viola] 558, 571 Song of the Great Rivers (Unity or Seven Rivers) 375–77 [Sounds Magnificent] 178 The Tale of a Priest and His Servant Balda 137–40 [Testimony] xxx, 404, 462, 574 [Toutes peinis confondues] 549 [Unfinished Masterpieces] 238 The Unforgettable Year 1919 352–55 Volochayevka Days (Intervention in the Far East) 191–92 The Vyborg Side 201–3 [The Warmongers] 242 [The War Symphonies] 574–75 A Year is Like a Lifetime 485–87 [Yevgeni Nesterenko] 553 The Young Guard (Parts 1 and 2) 295–97 [Young Musician of the Year 1990] 155 The Youth of Maxim 162–63 [Yuri Bashmet] 559 Zoya (Who is she?) 252–54

INSTRUMENTAL Album of Cello and Piano Pieces 161 Cello Sonata in D minor 154–62 Concertino for two Pianos 372–75 Fourteen Russian Folksongs for flute and piano 351–52 Four Waltzes for Flute, Clarinet, and Piano 77, 306, 385 Moderato for Cello and Piano 103 Seven, Five, and Three Violin Duets 328–29

Three Pieces for Solo Violin 227 Viola Sonata 557–63 Violin Sonata 512–17

JUVENILIA ‘Leningrad Symphony’ (Symphony No. 7) 230–37, 319, 320 ‘Lenin Symphony’ (Symphony No. 12) 588

MARCHES German March (The Warmongers film score) 242 Hero’s Victory (Zoya film score) 253 Hitler’s Reception and March to the Treasurer (Fall of Berlin film score) 320, 321 March—Leading to the Execution (Sofya Perovskaya film score) 508 Solemn March 241–42 Soviet Militia 536 Maxim film trilogy 162–63 Melodic Moment (piano reduction) Melodic Moment (solo piano arrangements) 385, 388

MISCELLANEOUS See Sans op. X

NATIONAL ANTHEM CONTEST Neopolitan Dance 384, 385

OPERAS The Big Lightning 101–2 Boris Godunov [Mussorgsky] 221–22 Der arme Columbus 66 The Gamblers 237–39, 286, 529, 557

C OMPOSIT ION IN DEX Katerina Izmailova 85, 87, 464–70, 571, 579 Khovanshchina [Mussorgsky] 420–23 Lady Macbeth of Mtsensk District 436, 464, 465, 573, 586, 593 Moscow, Cheryomushki 413–20 The Nose 430–39 The Portrait 590 Rothschild’s Violin [Fleishman] 239–41 The Tale of a Priest and His Servant Balda [Khentova] 352 Vienna Blood [J. Strauss II] 205

ORCHESTRAL Concert Suite of Waltzes from Film Music 330–31 Five Fragments 165–66 Folk Dance 249, 250 Folk Festival 328, 384, 387, 584 Football (Opp. 22 and 66) 54, 55, 66, 262, 263 From Karl Marx to Our Own Days 101–2 Funeral-Triumphal Prelude 506–7 Hamlet: Concert scenario (arr. Rozhdestvensky) 108, 473 Intervision 529 Katerina Izmailova Symphonic Suite [Basner] 466, 467 October (symphonic poem) 507–8 Scherzo in E flat major 13–14, 44 Scherzo in F sharp minor Theme and Variations in B flat major 3, 277 (See also Ballets (in bold face), Concertos, Film scores, Marches, Overtures, Stage Productions, and Symphonies)

OVERTURES Der arme Columbus 66 Festive Overture 377–83 The Green Guild [Dzherzhinsky] 101 October 507–8

777

Overture on Russian and Kirghiz Folksongs 470–71 Passacaglia (organ solo) 90, 91

PATRIOTIC WORKS Battle by the Volga 262–63, 530 From Karl Marx to Our Own Days 101 Funeral-Triumphal Prelude (PreludeStalingrad) 506–7 The Homeland Hears 338 The Internationale [Degeyter] 83, 192 Loyalty (Fidelity) 530 My Native Country 249–50, 255, 262– 263, 288, 530–31 Novorossiisk Chimes (The Fire of Eternal Glory) 255, 449–50, 524 ‘Oath to the People’s Commissar’ 227–28 ‘October Dawn’ 525 ‘Patriotic Song’ 254 Poem of the Motherland 294–95 ‘The Black Sea’ 523 The Song of the Forests 317–19 ‘Song of Peace’ 312–13, 315, 523, 579 ‘Song of the Red Army’ [with A. Khachaturyan] 254–55 ‘Song of Victory’ 262, 286, 530

PIANO DUOS The Chase 226 Concertino 372–75 Merry March 315–16, 318 Suite in F sharp minor 12–13 Tarantella and Prelude 316, 354 Tarantella from The Gadfly 329, 384 (See also reductions of symphonies, concertos, and string quartets for one or two pianos)

PIANO SOLOS Aphorisms 30–32 A Child’s Exercise Book 276–78 Dances of the Dolls 361–63

778

C O M PO SITION IND EX

Eight Preludes 3–4 Five Preludes 4–5 Fugues of the 1930s 588 Murzilka 363–64 Sonata in B flat minor 587 Sonata No. 1 28–30 Sonata No. 2 in B minor 242–45 Three Fantastic Dances 8–12 Three Pieces (Minuet, Prelude, and Intermezzo) 2–3 Twenty-four Preludes 114–28 Twenty-four Preludes and Fugues 340–49 Variations on a Theme by Glinka 406

PLAYS An Informer’s Duty 574 The Noise of Time 549 Master Class… 589 Preface to the Complete Collection 491–92 Prelude and Scherzo (string octet) 25–28 Romance from The Gadfly 330, 583 Roundabout of Dances (piano reductions) 199, 328, 566

SANS OPP. A Early Piano Pieces: Minuet, Prelude, and Intermezzo 2–3 B Five Preludes for piano 4–5 C ‘I waited for thee in the grotto’ [Rimsky-Korsakov] 5–6 D Unnumbered works 1930s–40s: (i) Two Pieces for String Quartet 98–101 (ii) Overture for The Green Guild [Dzerzhinsky] 101 (iii) From Karl Marx to Our Own Days 101 (iv) The Big Lightning 101–2 (v) Symphony of Psalms [Stravinsky] 102–3 (vi) Moderato for Cello 103 (vii) ‘Dubinushka’ 104

(viii)Symphony ‘Liturgique’ [Honegger] 104 (ix) Suite on Finnish Themes 104–5 E Suite for Jazz Orchestra No. 1 143–45 F The Internationale [Degeyter] 192 G (i) [Original] Suite for Jazz Orchestra No. 2 197–98 (ii) Suite for Variety Stage Orchestra [aka Jazz Suite No. 2] 198–201 H Johann Strauss II transcription (i) Vienna Blood 205 (ii) Pleasure Train Polka 205–6 I Three Pieces for Solo Violin 227 J Wartime Concert Party Pieces: (i) ‘Oath to the People’s Commissar’ 227–28 (ii) Twenty-seven Romances and Songs 228–29 (iii) The Fearless Regiments are on the Move’ 229 (iv) Polka for Harp Duet [Balakirev] 229–30 K Wartime Operas: (i) The Gamblers 237–39 (ii) Rothschild’s Violin [Fleishman] 239–41 L Ceremonial Marches: (i) Solemn March 241–42 (ii) German March 242 M Eight British and American Folksongs 250–52 N National Anthem Contest entries: (i) ‘Patriotic Song’ (Glory to Our Soviet Motherland) 254 (ii) ‘Song of the Red Army’ 254–55 (iii) National Anthem 255 O Piano Duets for Children: (i) Merry March 315–16 (ii) Tarantella and Prelude 316 P Collections of Light Pieces: (i) Ballet Suites Nos. 1, 2, 3, and 4 322–27 (ii) Four Waltzes 327–28 (iii) Seven Violin Duets 328–29

C OMPOSIT ION IN DEX (iv) Album of Cello and Piano Pieces 329–30 (v) Concert Suite of Waltzes from Film Music 330–31 Q Ten Russian Folksongs 351–52 R Greek Songs 360–61 S Piano Pieces for Children: (i) Dances of the Dolls 361–63 (ii) Murzilka 363–64 T Variations on a Theme by Glinka 406 U Novorossiisk Chimes 449–50 V Songs and Dances of Death [Mussorgsky] 457–59 W Cello Concerto No. 1 [Tishchenko] 517 X Miscellaneous Works: (i) Songs: ‘A Toast to Our Motherland’, ‘The Black Sea’, ‘Our Native Russia has Gained Strength from the Storms’, ‘Hymn to Moscow’, ‘Our Song’, ‘Supporters of Peace March’, ‘Bird of Peace’ [J. Smith], ‘There Were Kisses’, ‘October Dawn’, ‘We Cherish the October Dawns in Our Hearts’, ‘We Sing Glory to Our Country’, ‘To France’, ‘Glory to the Shipbuilders’, ‘La Serenata’ [Braga]. 522–27 (ii) Cantata: Antiformalist Rayok 527–29 (iii) Orchestral: Intervision 529 Y My Native Country 530–31 Z Song of the Flea [Beethoven] 555–56 Scenes after Gogol (The Gamblers) 237–39 Scenes from Parisian Life [The Human Comedy] 140–43 ‘The Second Waltz’ (from Suite for Variety Stage Orchestra) 199–200 Sinfonia for Viola and Strings (Quartet No. 13) 535 Sinfonietta in C minor (Quartet No. 8) 436

SONATAS Cello Sonata in D minor 154–62 Piano Sonata No. 1 28–30

779

Piano Sonata No. 2 in B minor 242–45 Viola Sonata 557–63 Violin Sonata 512–17

SONG CYCLES Eight British and American Folksongs 250–52 Five Romances on Texts from Krokodil 487–88 Five Romances on Verses of Dolmatovsky (Songs of Our Days) 393–94 The Fool’s Songs (from King Lear) 223, 224, 225 Four Monologues on Poems of Pushkin 356–57 Four Songs on Texts of Dolmatovsky 338–39 Four Verses of Captain Lebyadkin 556–57 From Jewish Folk Poetry 308–12 Greek Songs 360–61 Loyalty 530 Satires (Pictures of the Past) 434–36 Seven Romances on Poems of Aleksandr Blok 498–503 Six Romances by Japanese Poets 50–52 Six Romances on Verses of British Poets 245–48 Six Songs on Poems of Marina Tsvetayeva 546–47 Songs and Dances of Death [Mussorgsky] 457–47 Spanish Songs 396–98 Suite on Verses of Michelangelo 552–55 Ten Poems on Texts by Revolutionary Poets 349–51

SONGS (a selection) ‘The Ass and the Nightingale’ 7 Ballad—‘A beautiful maiden sits by the sea’ 335 ‘Ballad of Cordelia’ 222–24 ‘Beautiful Day’ 320–21 ‘Children’s Song’ 394–95 ‘Daybreak’ 312–315

780

C O M PO SITION IND EX

‘The Dragonfly and the Ant’ 7 ‘The Fool’s Songs’ 223–25 ‘The Homeland Hears’ 338 ‘I Waited for Thee in the Grotto’ [Rimsky-Korsakov] 5–6 ‘Katerina’s aria’ (from Lady Macbeth of Mtsensk): (i) ‘The foal runs after the filly’/‘From my window I saw...’ (Act 1) 89, 98 (ii) ‘In the very depths of the forest, there is a lake’ 579 ‘Longing for the Native Country’ 312–13 ‘Lullaby’ (‘Go to sleep, go to sleep’) 286 ‘Lullaby’ (‘Little son, my fairest’) 308 ‘Lullaby’ (‘Sleep, my darling boy’) 338 ‘Morning in the Caucasus’ 335 ‘Novorossiisk Chimes’ 524 ‘Oath to the People’s Commissar’ 227–28 ‘October Dawn’ 525 ‘Our Song’ 523–24 ‘The Road to Siberia’ 87 ‘Salute to Life’ 111–13 ‘Song of the Counterplan’ 110–14, 294, 307, 414, 579 ‘Song of the Far Eastern Partisans’ 171–72, 191–92, 294 ‘Song of the Flea’ [Beethoven] 555–56 ‘Song of the Flea’ [Mussorgsky] 226 ‘Song of the Lantern’ 286–87, 530 ‘The Song of Liberation’ 227 ‘Song of Peace’ 312–15, 523, 579 ‘Song of the Red Army’ [with A. Khachaturyan] 254–55 ‘The Song of Rosita’ 171–172 ‘Song of Victory’ (the Internationale) 262, 286, 530 ‘Song of the Volga Boatman’ 591 ‘Song of the Working People’ 375 ‘Spring, spring’ 503 ‘There Were Kisses’ 524–25 ‘United Nations Hymn’ 110, 111, 114 ‘United Nations on the March’ 110, 112, 573 ‘A Walk into the Future’ 317

Songs and Dances of Death (Mussorgsky) 457–59

STAGE PRODUCTIONS The Bedbug 45–47, 76 Cheryomushki 413–20 Combative Course 68 Declared Dead 94–98 Hamlet (1932) 105–10 Hamlet (1954) 223, 224 The Human Comedy (Scenes from Parisian Life) 140–43 Hypothetically Murdered 97 King Lear 222–26 Native Leningrad 248–50 Rule, Britannia! 83–84 Russian River 262–63 Salute, Spain! 171–72 The Shot 67–68 Victorious Spring 286–88 Virgin Land (Soil) 68 Suite for Jazz Orchestra No. 1 56, 109, 143–45, 149 Suite for Jazz Orchestra No. 2 [Original] 197–98, 261 Suite for Variety Stage Orchestra 198– 201 Suite on Finnish Themes 104–5

SYMPHONIES No. 1 in F sharp minor 18–25 No. 2 in C major (‘To October’) 32–35 No. 3 in E flat major (‘The First of May’) 47–50 No. 4 in C minor 166–71 No. 5 in D minor 176–91 No. 6 in B minor 206–12 No. 7 in C major (Leningrad) 230–37 No. 8 in C minor 255–61 No. 9 in E flat major 279–86 No. 10 in E minor 364–72

C OMPOSIT ION IN DEX No. 11 in G minor (‘The Year 1905’) 407–12 No. 12 in D minor (‘The Year 1917’) 452–56 No. 13 in B flat minor (‘Babi Yar’) 459–64 No. 14 517–22 No. 15 in A major 538–43 Symphony for Strings (Quartet No. 10) 479–83 Symphony for Strings and Woodwind (Quartet No. 3) 288–94 Symphony Fragment of 1945 280, 286 Ticket to the Fifth Zone, A (film) 226

TRANSCRIPTIONS Boris Godunov [Mussorgsky] 221–22 Dawn on the Moscow River [Mussorgsky] 422, 423 Eight British and American Folksongs 250–52 Funeral March in F major [Schubert] 591 Internationale [Degeyter] 192, 203, 212, 253, 295 I Waited for Thee in the Grotto [RimskyKorsakov] 5–6

781

Khovanshchina [Mussorgsky] 420–23 La Serenata [Braga] 526–27, 590 Pleasure Train Polka [J. Strauss II] 205–6 Song of the Flea [Beethoven] 555–56 Song of the Flea [Mussorgsky] 226 Song of the Volga Boatman [trad.] 591 Songs and Dances of Death [Mussorgsky] 457–59 Symphony ‘Liturgique’ [Honegger] 104 Symphony No. 10, second movement [Mahler] 591 Symphony of Psalms [Stravinsky] 102–3 Tea for Two (‘Tahiti Trot’ ) [Youmans] 39–41 Twenty-seven Romances and Songs 228–29 Two Choruses by Davidenko [Davidenko] 492–93 Two Pieces by Scarlatti 42 Vienna Blood [J. Strauss II] 205 Toy Shop (Symphony No. 15, 1st movement) 538 [Waltz Charmaine] (Barrel Organ Waltz) 327 Yelabuga Nail (song) 590

This page intentionally left blank

About the Author

Derek Hulme was born in Manchester in 1924 but soon moved to Cheshire and later Derbyshire where he was educated at Derby School of Art. He played trumpet in dance bands and worked as a designer in a jet engine factory, thus being exempt from military service (though serving in the Home Guard as an anti-aircraft gunner). In 1963 he moved to Ross-shire with his Aberdonian wife and three sons to start Highland Safaris, the first British wildlife tour business, with his brother-in-law Allister Brebner.

In late 1943 he bought Shostakovich's Fifth Symphony on six long-playing records. This album started him collecting music scores, press cuttings, and records of the composer. He visited the Soviet Union in five consecutive years for Melodiya records, Russian scores, and music books. He decided to compile a list of Shostakovich's compositions but there were many opus numbers for which no information could be found so a letter to the composer was posted. 783

784

A B O U T THE A U THOR

He kindly returned the list with the missing details added along with notes on his latest works. The first edition of a privately published catalogue sold quickly. With favourable reviews and reports from Shostakovich enthusiasts and encouragement from the composer's widow, a second edition was published in 1991 by Oxford University Press. Aberdeen University sponsored a series of music lectures, the first titled ‘Shostakovich—the Twentieth Century Beethoven’ and was followed by invitations to speak at Shostakovich symposia: La Scala, Milan in 1996; Glasgow Royal Concert Hall in 2000; and Fitzwilliam University, Cambridge in 2006. The third edition of the Shostakovich Catalogue was published by Scarecrow Press in 2002.