Sixteen Hundred and Forty-Three

Sixteen Hundred and Forty-Three By E. Lynn Linton © 2008 by http://www.HorrorMasters.com

In 1643 there was a fierce onslaught against the poor persecuted servants of the devil. Thirty women suffered at once in Fife alone; and the more zealous of the ministers hounded on the people to terrible cruelties. There was one John Brugh, “a notorious warlock in the parachin of Fossoquhy, by the space of 36 yearis,” who was wirreit at a stake and burnt; and Janet Barker and Margaret Lauder, “indwellers and servands in Edinburgh,” who came to confession boldly, and showed that they had read the story of Europa to some purpose, though to a great deal of confusion. They accused Janet Cranstoun of seducing them, by promising them that if they gave themselves over to her and the devil, they should be “as trimlie clad as the best servands in Edinburgh.” Coupled with the fact that they had witch-marks, their confession was accepted as undeniable, and their fate inevitably sealed. And there was Marion Cumlaquoy, in Birsay, who bewitched David Cumlaquoy’s corn seed, and made it run out too soon. She had been very anxious to know when David would sow, and when she was told, she went and stood “just to his face” all the time he was casting, and that year his seed failed him, so that he could only sow a third of his land; though he had as much grain as heretofore, and it had never run out too soon all the years he had farmed that land. And she went to Robert Carstairs’ house by sunrise one day, bringing milk to his good mother, though not used to show such attention; and as she left she turned herself three several times “withershins” about the fire, and that year Robert Carstairs’ “bear (barley) was blew and rottin,” and his oats gave no proper meal, but made all who ate thereof heart-sick, albeit both bear and oats were good and fresh when he put them in the yard. And if all this was not proof against Marion Cumlaquoy, what would the Orkney courts hold as proof? As the past, so the present; and Marion Cumlaquoy must learn in prison and at the stake the evils that honest folk found in her power of “enchanting” corn and crops. There were many others in this same year, to catalogue whom would become at least wearisome and monotonous: they must be passed by unmentioned, and left to the silence and oblivion which is the privilege of the unfortunate dead. But among the victims was one Agnes Finnie, a bitter-tongued, evil-tempered old hag, who had a curse and a threat for every one who offended her; who killed young Fairlie with a terrible disorder, because he called her “Winnie Annie;” and laid so frightful a disease on Beatrix Nisbet, for some other trifling offence, that she lost the use of her tongue; who made a “grit jist” (great joist) fall down on the leg of Euphame Kincaid’s daughter, because Euphame called her a witch on being called by her a drunkard; and appeared to John Cockburn in the night—the doors and windows being fast closed— terrifying him by her hideous old apparition in his sleep, because he had disagreed with her daughter; and who did all other wicked and uncanny things, like a raving, unprincipled, old hag as she was. She even forespoke Alexander Johnstone’s bairne, so that it was eleven years old before it could walk, and all because she was not made godmother, or “had not gotten its name;” and she made Margaret Williamson sick and blind, by saying most outrageously, “The devil blaw the blinde!” And she was a bad

mother and evil exemplar to her daughter, bringing her up to be as vile as herself, at least in the way of quarrelling and fighting with her neighbours, and then backing her with an unfair amount of her own supernatural powers. Thus, one day, Margaret Robinson, the daughter in question, was using high words with Mawse Gourlay, spouse of Andrew Wilson, and Mawse, in a rage, called her “ane witche’s get,” which was about the worst thing that could be said in those days between a couple of scolds. “Gif I be ane witche’s get,” cried Margaret, in extremest fury, “the devill ryve the saull out of ye befoir I come again!” After which cruel and devilish imprecation, helped on by Winnie Annie s horrible art used at Margaret’s instigation, Andrew Wilson became “frenatik” and stark mad: his eyes starting out of his head in the most terrible and frightful manner as he went about, ever pronouncing these words as his ordinary and continual speech—the perpetual raving of his madness—“The devill ryve the saull out o’ me!” For all which crimes—though she was ably defended though, when her house was searched, “there was neither picture, toad, nor any such thing found therein, which ever any witch in the world was used to practize,”—yet the evidence was held to be too strong, and Winnie Annie Finnie was ordained to be “brunt to the deid,” and her ashes cast out to the winds of heaven. Janet Brown was another of those who got into hot quarters. She confessed that she had charmed James Hutton and Janet Scott with these words “Our Lord forth did raide, His foal’s foot slade; Our Lord down lighted, His foal’s foot righted; Saying flesh to flesh, blood to blood, and stane to stane, In our Lord his name.’ She said this was a charm that had been learnt her by a nameless man from Strathmiglo; but Margaret Fisher, in Weardie, spoke it somewhat differently. She had for her spell:— “Our Lord to hunting red, His sool-soot sled, Down he lighted, His sool-soot righted; Blod to blod, Shinew to shinew, To the other sent in God’s name, In the name of the Father, Sone, and Holy Ghost.” Either version was equally efficacious as a cure to the sick and a curse to the whole; and equally deadly as a crime in those who used it. And there was Margaret Young, “ane honest young woman of good reputation, without any scandal or blot,” who lay miserably in prison for ten weeks, without trial or release; but she got off at last on her husband’s becoming her surety. And Jonet Thomeson, who bewitched Andrew Burwick’s corn, so that when carried to the mill it leapt up into his wife’s face like mites, and as it were “nipped” her face until it swelled; and when it was made into “meat,” neither he nor his wife could abide the smell of it; and when they did manage to eat it, it tasted like pins

(“went owre lyke prinsis”), and could not be quenched for thirst: and the dogs would not eat of it, and the neighbours would not buy it; so poor Andrew Burwick’s gear was destroyed, and his means most sorely diminished. For all which deadly sorcery and malice Jonet Thomeson, alias Greibok, was made to smart severely. Marion Peebles came to an untimely end, not unreasonably, according to the witchhaters. She was “a wicked, devilish, fearful, and abominable curser,” and the world could not be too soon rid of her; for had she not changed herself into the likeness of an unchristian beast, a mere shapeless monster, a huge and ugly “pellack-quhaill” (porpoise), and in this form wrecked the boat of Edward Halcro, to whom she and her husband had “ane deadlie and veneficial malice?” Halcro and four other men were in the boat, and public suspicion pointed at once to Marion, and affirmed this wreck to be caused by her wicked deed. So when two of the dead bodies were brought to land, she and her husband had to undergo the bahr-recht—the ordeal by touch of the dead—to prove themselves innocent or guilty. When they came where they lay the “said umquhile Edward bled at the collar-bane or craig-bane;” the other in the hand and fingers, “gushing out bluid thairat, to the great admiration of the beholders, and judgment of the Almytie.” Many and heavy were Marion’s misdeeds. She cursed Janet Robinson, and “accordingly showers of pains and fits fell upon the victim.” She looked upon a cow, and it “crappit togidder till no lyfe was leukit for her.” She took away the profit of Edward Halcro’s brewing, and destroyed the milk of Andrew Erasmusson’s kye for thirteen days. Indeed, her character was so well known that when Swene, her husband, was working in a peat moss where a sickly fellow was one of the gang, his fellows would ask him seriously “if he could not make his wife go to her pobe (foster-father) the devil, and bid him loose a knot, so that the man might get back his health?” Once she cast a sickness on a woman, then took it from her and flung it on a calf, which went mad and died; and she crippled a man, then cured him under compulsion, by putting her fingers first to his leg and then to the ground, which she did twice, muttering to herself; but the report of this getting about, she was angry and banned the man once more, yet once more was forced to cure him;— this time by means of a bannock prepared with her own hands, whereby she cast his malady on a cow. Poor cowey died of her strange sickness, and poor Marion died of a worse disease—the rope and the faggot: and then the neighbourhood slept in peace.