Music Entries at Stationers' Hall, 1710-1818: From Lists Prepared for William Hawes, D.W. Krummel, and Alan Tyson and from Other Sources

MUSIC ENTRIES AT STATIONERS’ HALL

This page intentionally left blank

MUSIC ENTRIES AT STATIONERS’ HALL 1710–1818

COMPILED BY

Michael Kassler from lists prepared for William Hawes, D. W. Krummel and Alan Tyson and from other sources with a foreword by D. W. Krummel

© Michael Kassler 2004 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Michael Kassler has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Compiler of this Work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hants GU11 3HR England

Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA

Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Music entries at Stationers’ Hall, 1710–1818 1. Stationers’ Company – Catalogues 2. Music – Great Britain – 18th century – Bibliography – Catalogues 3. Music – Great Britain – 19th century – Bibliography – Catalogues I. Kassler, Michael, 1941– 016.7'8'0941'09033 Library of Congress Cataloging-in-Publication Data Music entries at Stationers’ Hall, 1710–1818 : from lists prepared for William Hawes, D.W. Krummel and Alan Tyson and from other sources / compiled by Michael Kassler. p. cm. Includes indexes. ISBN 0-7546-3458-2 (alk. paper) 1. Music–Great Britain–Bibliography. I. Kassler, Michael, 1941– II. Hawes, William, 1785–1846. III. Krummel, Donald William, 1929– IV. Tyson, Alan, 1926–2000. ML120.G7M87 2003 016.78'0941–dc21 2003049619 ISBN 0 7546 3458 2 Data entry for this book has been supported by a grant from The Hinrichsen Foundation. Typeset in ITC Galliard and Times New Roman by Computer Music Company, Sydney, Australia. Printed and bound in Great Britain by MPG Books Ltd, Bodmin, Cornwall.

CONTENTS

Preface

vii

Foreword by D. W. Krummel

ix

Introduction

Music Entries from 1710 to 1810

xiii

1

Appendix: Music Entries from 1811 to 1818 in the William Hawes Manuscript

667

Index of Authors

695

Index of Writers

713

Index of Performers

719

Index of Dedicatees

725

This page intentionally left blank

PREFACE

I first visited Stationers’ Hall in the late 1960s in connection with research concerning the musical theorist and composer A. F. C. Kollmann (1756–1829). He was a methodical man and had entered all his major publications there. Information in the registers enabled me not only to date these publications exactly but also to learn more about their history: for instance, that his Twelve Analyzed Fugues were issued serially in three parts between December 1809 and October 1810. About this time I was commissioned by the New Grove Dictionary of Music and Musicians to write the articles on Kollmann and (with Hubert Howe) on ‘Computers and Music’. My experience at Stationers’ Hall led me to appreciate that their records would enable many musical compositions and books published in Great Britain and Ireland to be precisely dated, thus greatly enhancing the accuracy of the work lists that were to be a feature of the New Grove. Biographers and cataloguers who have neglected these records have often dated publications incorrectly, sometimes by more than ten years. I therefore proposed to the dictionary’s editor, Dr Stanley Sadie, that someone go to the Stationers’ Hall muniment room with a terminal on which data could be recorded, and key in the text of the music-related entries in the original registers. Notwithstanding the smallness of the muniment room and the comparatively large size of word-processors in the 1960s, this project was feasible then. Although New Grove had no funds to pay for such an effort, Dr Sadie considered the idea worth pursuing and introduced me to Dr Alan Tyson, who had made extensive use of Stationers’ Hall data in his books The Authentic English Editions of Beethoven and Thematic Catalogue of the Works of Muzio Clementi, published in 1963 and 1967 respectively. We discussed my idea over a lunch but he reacted to it (I thought) coolly, commenting that the registers were accessible at Stationers’ Hall to researchers by appointment and doubting that there was sufficient interest to make their data more widely available. I was therefore surprised to learn in 2002 from Peter Ward Jones, Music Librarian of the Bodleian Library, that amongst items that the library had recently acquired from Alan Tyson’s estate was a typescript of the music entries at Stationers’ Hall from 1710 to April 1799. This document, unfortunately not suitable for optical character recognition, had been considerably annotated by both Tyson and Professor Donald Krummel, who recounts its story in his foreword below. I realised immediately that it could form the basis of a catalogue of music entries at Stationers’ Hall similar to that which I had proposed years earlier.

viii

Music Entries at Stationers’ Hall

I am very grateful, therefore, that Donald Tyson (on behalf of Alan Tyson’s estate) and Don Krummel have permitted me to use the typescript in preparing this book, that the Hinrichsen Foundation granted funds to enable data to be keyed into a computer from this typescript and also from the William Hawes Manuscript described below, and that Rachel Lynch, Ashgate’s Publishing Director for the Humanities, agreed to make the music entries from 1710 to 1818 accessible to musicologists, bibliographers and students of printing history by publishing this book. The encouragement given to this project by Peter Ward Jones, John Tyrrell and Robin Myers, Honorary Archivist of the Worshipful Company of Stationers and Newspaper Makers, is warmly appreciated. For their quick replies to queries regarding particular entries I thank Peter Ward Jones, Robert Parker of the British Library and my wife, Jamie C. Kassler, who shares my interest in musical life in Georgian England.

Michael Kassler Northbridge NSW, Australia September 2003

Except for corrections to pages 312, 600 and 713 the electronic edition of this book reproduces the text of the printed edition.

M. K. May 2008

FOREWORD by D. W. Krummel The story of this book is the story of a succession of projects that were slow to come into focus, of intellectual curiosity that dissolved with these projects but never quite died, and of a manuscript that several times disappeared only to come to the surface again. The motives behind the events in the story may not be quite as clear as they might be. What is important is that readers need to do what they always ought to do, which is to make their own sense of the story, and it is as dull or as fascinating as readers may wish. Here is the story. In 1819, the London music entrepreneur William Hawes arranged for a copyist (we do not know who the person was, nor does it likely matter) to extract, and to transcribe in one-line citations for each entry, all the recent music titles that had been registered at Stationers’ Hall, London, for copyright. The transcript bears the title ‘A List of Music Entered at Stationers’ Hall, from January 1, 1789, to January 1, 1819’. Why did Hawes do this? Might he have been looking for publicdomain music to republish under the imprint of his Royal Harmonic Institution, and also for warnings to keep his hands off of what was still protected? (Twenty-eight years was the period of copyright protection in Great Britain at this time.) This is the most likely reason I can think of for creating the original transcript, although it does not quite make as much sense as I should like. Some 138 years later, in 1957, the Munich music antiquarian Hans Schneider listed the transcript in one of his catalogues. I purchased it, suspecting that it would be a good way to get a sense of the nature of London music publishing during its period. Scanning it now does indeed provide this, although much music was never copyrighted, for reasons that can often be surmised. Schneider was never able to tell me where he got the manuscript, and hence its movements over the years between 1820 and 1957 are a mystery. Three years later, in 1960, a use for the manuscript became clear. I was in bureaucratic doldrums at the Library of Congress and in desperate need of intellectual stimulation. My wife had a secretary at her office who needed work after hours. The Hawes entries were typed out on a roll of adding-machine tape, and I cut them apart and alphabetised them. My curiosity might have led to a project, the likes of which ideally might have resembled the present book. However, as things worked out (happily for me, but unfortunately for the project), I soon moved to the Newberry Library in Chicago. In 1969, after hectic but delightful years at the Newberry, and expecting never to have time ever to work on the Hawes transcript, I donated the original manuscript to the safekeeping of the Library (where it is still to be found under the call number Ms 6A 36), in return for a photocopy that I might work with some day.

x

Music Entries at Stationers’ Hall

Soon thereafter, in the early 1970s, the late Alan Tyson was our house guest in Urbana. He saw and was excited by the photocopy, and persuaded me to work with him in preparing a modern edition. The project thus came back to life. Soon thereafter, in 1973, I found myself with postgraduate assistants to work on a different study, which ended up being delayed. I needed something to keep them busy. Shortly before this, Harris Francis Fletcher, the great Illinois Miltonist, had told me that the Company of Stationers had agreed to microfilm the register books up well into the nineteenth century, and to deposit a copy of the films in Urbana. I then searched the films for music entries between 1710 and 1789 so as to recreate the earlier history. As will be apparent from this book, very little music was copyrighted for many years—a matter that deserves further study. My assistants transcribed the entries in the registers that I had marked for the earlier years, and that the Hawes transcript had summarised for the next ten years, to provide a record of British music copyrights from May 1710 to the end of April 1799. Was that record complete? There are many extant copies of music from this period that bear the notation ‘Entered at Stationers’ Hall’ but are not in the ledgers. Were the publishers of this music merely trying to scare off reprinters? The setting is briefly summarised in Tyson’s Appendix I (‘Entry at Stationers’ Hall’) of The Authentic English Editions of Beethoven (London, 1963, p 131–143). To make the picture even murkier, there are still other works, many of them from the second half of the eighteenth century, that apparently were protected by special government privileges outside the purview of the Stationers’ Company. The next step was for Tyson and me to compare the registrations against extant copies in the British Museum. This I arranged to do when I was on research leave in London in the autumn of 1974. At this point the project began to languish, for two reasons. First, the depository copies could not always be located, although Alec Hyatt King and O. W. Neighbour were invaluable in explaining the stamps and markings that indicated depository copies. Most of this music had been turned up, catalogued and organised, probably by Thomas Oliphant in the 1840s. Although his cataloguing would have followed the infamous Panizzi rules just as they were becoming fixed, which (as anyone who has worked with them will know) are often less than what we today call ‘intuitive’, in organising the collection Oliphant happily had devoted a number of bound volumes entirely or mostly to depository copies. After many hours of searching, however, I was still unable to locate quite a few titles that had been entered at Stationers’ Hall. Some British Library copies of works entered at Stationers’ Hall are clearly not depository copies, and in a few cases their provenance is unclear. Secondly, anyone who has dealt with engraved music of this period will know the nightmares involved in creating respectable quasi-facsimile transcriptions of engraved title-pages for purposes of scholarly descriptive bibliography. The layout of elements to catch the eye of purchasers also serves to bedevil modern bibliographers.

Foreword

xi

At how much of an angle must a letter be leaning in order to be designated as italic? How much smaller must a capital letter become to be designated a small cap? How much and what kind of decoration and heavy shading are needed to make a symbol blackletter? What purpose is served by line endings? Must all joint publishers be named? Many of my efforts were meant to ask questions, in hopes of codifying citation practices. Instead, it soon became clear that I was making a classic mistake. (It was a mistake, incidentally, also made by Otto Erich Deutsch, during his short incumbency around 1950 as compiler of the British Union Catalogue of Early Music, before Edith Schnapper finished the work using short titles.) Descriptive bibliography can work for small bodies of literature, and is essential in work concerning specific titles. But—to recall a point that Tyson made several times—the problems of Beethoven editions are more exciting than those of Henri Herz’s Variations on ‘Hope Told a Flatt’ring Tale’. Happily for the larger world of scholarship, Tyson soon discovered Mozart watermarks. The copy that I had been annotating I photocopied for the Music Room at the British Museum. A second photocopy ended up in Tyson’s Nachlass, where Michael Kassler found it, as explained in his preface above. The present book—a revised, expanded version of work begun by Hawes, Tyson and myself—is not the descriptive bibliography that I wasted too many hours on. Rather, it is a work in progress, like all bibliographies ought to be. With luck, it will catch the eyes of scholars who need either dates and particulars of editions they are working with or an overview of the published music of this period. For all the lack of clarity in the story, the present book tells us many things about how British musical taste was being served by its community of music publishers in the Georgian era.

University of Illinois, Urbana February 2003

This page intentionally left blank

INTRODUCTION

This book presents and indexes 5,459 entries made between 1710 and 1818 in Stationers’ Hall registers that William Hawes, D. W. Krummel, Alan Tyson or I deemed were music entries. Almost all these entries describe publications that consist primarily either of musical notation or of English text. For a publication of the latter kind to be included at least one of us had to consider that it referred to music in a substantial way, even if it contained no musical notation. A few entries for musical games and for portraits of musicians also are transcribed in this book. Publications primarily composed of musical notation always began with a title and other words in English or (occasionally) in another alphabetic language. These words, but none of the musical notation, were recorded in the entry. As detailed below, a substantial portion—in two years more than half—of entries at Stationers’ Hall in this period were music entries. This reflects not only the importance of music in British and Irish culture but also the circumstance that, before the development of sound recording technology, distribution of printed copies was the main means of disseminating music other than live performance. THE BASIS OF THIS BOOK. As noted in Don Krummel’s foreword, this book builds upon two prior unpublished extracts of music entries from the registers at Stationers’ Hall: the William Hawes Manuscript, now Newberry Library, Chicago, Case Ms 6A 36, and the Krummel/Tyson Typescript, now amongst Alan Tyson’s not yet catalogued working papers in the Bodleian Library, Oxford. Headed ‘A List of Music Entered at Stationers’ Hall from January 1, 1789 to January 1, 1819’, the William Hawes Manuscript (it is not known who wrote it) comprises 132 pages of summaries of music entries. As expressed by its heading, it lists entries of musical compositions rather than of books about music, although a few of the latter do appear. Each summary gives, on a single line, the entry date, a short title of the publication entered and, usually, the surname of its composer. The manuscript is named after the musician and music publisher William Hawes (1785–1846) because it includes three paragraphs written and signed by him which suggest that it was prepared for him.1 Although the specific ways in which he

1

Hawes’s paragraphs concern the duration of legal protection available to authors or their assignees who registered their publications at Stationers’ Hall. In the third paragraph he mentions ‘Mr Turner’s opinion’ regarding the length of protection available from 1814. Presumably this is a reference to the lawyer and historian Sharon Turner (1768–1847) who was a principal witness to the 1813 Select Committee of the House of Commons established to examine and to report whether changes were required to copyright law (see R. C.

Music Entries at Stationers’ Hall

xiv

used it are not known, Hawes was a principal founder of the Regent’s Harmonic Institution, which issued its first publication in April 1819,2 and the manuscript presumably was compiled to help plan that organisation’s publishing programme. After George IV acceded to the throne in 1820 the Institution changed its name to the Royal Harmonic Institution. In the autobiographical account provided to the Sainsbury and Co. dictionary published in 1824, Hawes remarked that: He was the first promoter of the Royal Harmonic Institution, with the design of giving composers the means of publishing their own works and consequently reaping the advantage therefrom. For this purpose the old Argyll Rooms were purchased in 1819 and the present magnificent establishment opened.3 The 390-page Krummel/Tyson Typescript was typed from microfilms of the original Stationers’ Hall registers by Don Krummel’s research assistants. It lists the date, the name of the proprietor and the full text of music entries made from 1 May 1710 to 29 April 1799. The proprietor of a published work was its creator unless he or she had sold or assigned the copyright to someone else, such as a publisher. This typescript has been extensively annotated by both Krummel and Tyson. In particular, for most music publications entered either in the years 1710 to 1788 or in the year 1796, Krummel inspected copies in the British Museum and wrote their shelf-marks onto the typescript. He then provided the entry dates of these publications to the Museum, and their catalogue was revised accordingly. My work on this book comprised several tasks. Referring to the Hawes Manuscript and to microfilms of the registers, I extended the Krummel/Tyson list by recording music entries from May 1799 to the end of 1810. For all publications entered from 1710 to 1810 that Krummel did not have the opportunity to see at the British Museum, I investigated, using on-line data bases, principally COPAC,4 whether the British Library or other U.K. libraries had catalogued a copy. If a copy was found I noted its location and shelf-mark. I also endeavoured to identify the full names of composers and performers (who frequently were mentioned in entries only

Barrington Partridge, The History of the Legal Deposit of Books throughout the British Empire, London, 1938, p 53–56). 2

O. W. Neighbour and Alan Tyson, English Music Publishers’ Plate Numbers in the first half of the Nineteenth Century, London, 1965, p 39. 3

William Hawes to Mr Sainsbury, undated, library of Jamie and Michael Kassler, Northbridge NSW, Australia. Printed in altered form in the entry on William Hawes in A Dictionary of Musicians from the Earliest Ages to the Present Time…, London, 1824, v 1 p 338. 4

http://copac.ac.uk/

Introduction

xv

by surname) and checked the microfilms to resolve doubts about the accuracy of some prior transcriptions.5 THE PERIOD COVERED BY THIS BOOK. The entries presented in this book start at 1710 for two reasons. Earlier entries and indexes to them have been published,6 and a statute—An Act for the Encouragement of Learning, by Vesting the Copies of Printed Books in the Authors or Purchasers of such Copies, during the Times therein mentioned—came into force in April 1710 that instituted a new basis for registering printed publications at Stationers’ Hall.7

5

In a few cases I examined copies at the British Library. I was thus able to correct the implausible statement in the register for 1 May 1800 that Angier’s duet ‘Sweet Month of May’ was ‘sung at the Armenian Society’ to the more likely statement that it was ‘sung at the Arnenian Society’, a group presumably formed to commemorate the compositions of Thomas Augustine Arne. 6

See Edward Arber, A Transcript of the Registers of the Company of Stationers of London, 1554 to 1640 A.D., London, 5 volumes, 1875–1894; G. E. Briscoe Eyre, H. R. Plomer and C. R. Rivington, A Transcript of the Registers of the Worshipful Company of Stationers from 1640 to 1708, London, 3 volumes, 1913–1914; William P. Williams (ed.), Index to the Stationers’ Register, 1640–1708, La Jolla, California, 1980; and (for a subset of entries) Hyder E. Rollins (ed.), An Analytical Index to the Ballad-Entries (1557–1709) in the Registers of the Company of Stationers of London, Chapel Hill, North Carolina, 1924, reprinted Hatboro, Pennsylvania, 1967. Until it lapsed in 1695, entry at Stationers’ Hall was governed by provisions of the Licensing Act which required works to be licensed before publication. No entries were made at Stationers’ Hall from 7 March 1708–1709 to 28 April 1710. For further detail see Robin Myers, The Stationers’ Company Archive, An Account of the Records 1554–1984, Winchester, 1990, especially p 22–23 and 25–26. The Stationers’ Hall registry ceased to receive registrations of publications in February 2000. 7

8 Anne c. 19. This act, commonly referred to as the Copyright Act of 1709, is regarded as the world’s first copyright law. It was not then called a copyright act: the earliest known use of the word ‘copyright’ in a printed publication is from 1734 (see Mark Rose, Authors and Owners: The Invention of Copyright, Cambridge, Massachusetts, 1993, p 58 note 4). As John Feather noted in ‘The Book Trade in Politics: The Making of the Copyright Act of 1710’, Publishing History no. 8 (1980) p 19–44 at p 39, the act should properly be described as an act of 1710: it was introduced in parliament in 1709 but did not receive royal assent until 5 April 1710. Although not indicated by its short title, the act applied to ‘books and other writings’ and thus included printed music, as was certified on 16 June 1777 by the Court of King’s Bench in the case of Bach versus Longman et al (Henry Cowper, Reports of Cases adjudged in the Court of King’s Bench, from Hilary Term … 1774, to Trinity Term … 1778, both inclusive, London, 1783, v 2 p 623–624; reprinted in The English Reports v 98, Edinburgh, 1909, p 1274–1275; see also John Small, ‘J. C. Bach goes to law’, The Musical Times v 126 (1985) p 526–529). I am grateful to John Small for information about legal aspects of this act.

xvi

Music Entries at Stationers’ Hall

This act declared that persons who printed, reprinted or imported copies of books or writings without written authorisation from the proprietor committed an offence. However, no forfeiture of offending copies or monetary penalty could be exacted from an offender ‘unless the title to the copy of such book … before … publication be entred [sic] in the Register-Book of the Company of Stationers’. For each entry a fee of sixpence was payable; in addition, nine copies of every publication registered had to be delivered to the Company of Stationers for distribution to specified deposit libraries. The act gave proprietors of books printed before 10 April 1710 twenty-one years of legal protection from ‘pirate’ publishers who contravened the act, and fourteen years of protection to proprietors of books printed on or after that date. For several years after that date, the former books were marked ‘Old.’ in register entries; the latter books ‘New.’. The act provided that, after this protection expired, the sole right to print and sell copies would revert ‘for another term of fourteen years’ to the author of the registered publication, if he or she were then alive. During the period covered by this book, two further acts were passed in 1801 and 1814 that changed the term of copyright, the number of deposit copies required and some other features.8 These changes are surveyed by Barrington Partridge.9 Provisions of these acts also received judicial interpretation in consequence of a number of legal cases brought concerning their meaning. It is important to appreciate that the 1710 act did not compel authors, proprietors or anyone else to register publications at Stationers’ Hall. Accordingly, it is understandable that only a minority of works printed were registered there.10 However, because of the legal deposit requirement, copies of publications that were

8

The further acts were 41 Geo. III, c. 107, and 54 Geo. III, c. 156, respectively.

9

Op. cit., Chapters V and VI.

10

In contrast to its predecessors, the 1814 copyright act did require that all publications be registered at Stationers’ Hall and that a copy be deposited there at time of registration for the British Museum library. However, ‘no specific penalty was provided for non-delivery’ (Barrington Partridge, op. cit., p 60–62). Notwithstanding this legal requirement, apparently fewer than one fifth of all publications between 1815 and 1842 that ought to have been entered at Stationers’ Hall were actually entered there. (I am extrapolating from Simon Eliot, ‘“Mr Greenhill, whom you cannot get rid of ”: copyright, legal deposit and the Stationers’ Company in the nineteenth century’, in Robin Myers, Michael Harris and Giles Mandelbrote (eds.), Libraries and the Book Trade, New Castle, Delaware, 2000, p 51–84, who found (p 53) that between 1815 and 1842 the annual average number of imprints from five U.K. cities recorded in the Nineteenth Century Short Title Catalogue ‘was nearly four times’ the average number of publications entered in these years at Stationers’ Hall. Many more works were published in the U.K. than are listed in the Nineteenth Century Short Title Catalogue which, amongst other omissions, excludes all printed music.)

Introduction

xvii

entered at Stationers’ Hall are much more likely to have survived than other publications.11 Entry at Stationers’ Hall was the principal but not the only way of securing copyright protection at this time. An alternative course was to obtain a royal licence that granted the licensee sole rights for fourteen years to print, publish and vend a specified work or set of works. In a recent study, Shef Rogers enumerated 189 such licences granted during the years 1695 to 1760, of which 36 were for printed music.12 According to Rogers, the standard cost of a licence at this time was £8/1/– including gratuity,13 indicating that entry at Stationers’ Hall generally was the cheaper option unless a licence covered the publication of a large number of pages. Some licences apparently were given for all works that a licensee might produce. For instance, on 15 December 1763, John Christian Bach (1735–1782), who had arrived in London the preceding year, received an exclusive licence to print and publish ‘divers works consisting of vocal and instrumental music’ of his own composition.14 Presumably this explains why none of his compositions was entered at Stationers’ Hall during his lifetime.15 Publications may not have been entered there for various other reasons. When fewer than 100 copies of a publication were printed, the economic burden of depositing nine copies ‘upon the best paper’ without remuneration, as the 1710 act required, would have been substantial. Such small batch sizes were not uncommon for engraved musical publications.16 For a publication whose market was personally 11

Although the act required copies to be made available to deposit libraries the libraries were not obliged to accept them. Amongst items rejected as ‘worthless’ by the Universities of Oxford and Cambridge between 1814 and 1817 were ‘a Beethoven sonata’ (Barrington Partridge, op. cit., p 73).

12

Shef Rogers, ‘The use of royal licences for printing in England, 1695–1760: a bibliography’, The Library, 7th series v 1 no. 2 (June 2000) p 133–192, at p 136. Three additional royal licences have subsequently been discovered to have been granted for publications of music in this period.

13

Ibid., p 143.

14

Bach’s licence is printed in Charles Sanford Terry, John Christian Bach, 2nd edition, London, 1967, p 78–79.

15

Other composers who received royal licences to publish at least some of their works include Charles Frederic Abel, William Boyce, Francesco Geminiani, Maurice Greene and John Stanley. None of Greene’s works was entered at Stationers’ Hall.

16

For instance, in 1787 the music publisher William Forster had 50 copies printed of Joseph Haydn’s ‘The Passion of our Saviour expressed in instrumental parts for a grand orchestra’ from engraved plates, and a further 25 copies were printed from these plates ‘about the year 1817–18’. See William Sandys and Simon Andrew Forster, The History of the Violin, London, 1864, p 312. This publication of Haydn’s music was not entered at Stationers’ Hall.

xviii

Music Entries at Stationers’ Hall

known to the proprietor, the possibility that someone else would endeavour to share it by reprinting and selling the work without authorisation is likely to have been considered remote, and not worth the cost of protection against this possibility by registration.17 It was common in this period to put the phrase ‘Entered at Stationers’ Hall’ or an abbreviation of it on the title-page of a publication even if the publication was not entered there. Some publishers or proprietors may have assumed that mere assertion of entry would deter potential pirates, much as signs reading ‘Warning— Burglar Alarm’ sometimes are put on premises today without an alarm system having been installed. Particularly after entry was made obligatory, some publishers may have thought that if legal action ever were taken against them for non-registration they could mitigate the penalty by claiming that their having put this phrase on a title-page was evidence that they had intended to register the publication but had inadvertently failed to do this. Curiously, the Stationers’ Company appear not to have been concerned that publishers frequently invoked their name falsely in this way.18 For practical reasons this book has had to be limited to a single volume. Its coverage therefore stops at the 1818 termination date of the William Hawes Manuscript, and the entries between 1811 and 1818—given in an appendix to the main part of this book—appear in the abbreviated single-line form of that manuscript, amplified by inclusion of the first names of most composers mentioned. The full title of most of the publications listed in the appendix, and the location of copies of them in libraries in the U.K., can be found by using COPAC. In the preparation of this book and the earlier documents on which it has been based, judgement has been required to determine whether entries of publications—particularly those not primarily consisting of musical notation—should be considered music entries. As this judgement often has been made only from a publication’s title without examining a copy of the work, errors of commission and omission have almost certainly been made. For example, words such as ‘ballad’, ‘hymn’ or ‘song’ in a title can designate vocal music but also can describe poetry unaccompanied by music. From a title alone the extent of the musical content of a collection of ‘country dances’ may be indeterminable. Although I have an inclusive concept of what constitutes a music entry, it should not be assumed that Hawes, Krummel, Tyson and I always followed the same selection criteria. In particular, the

17

In this period, when the proprietor of printed copies of music was its composer his or her ‘control’ signature often was written on the title-pages of those copies to indicate their authenticity. Pirated copies of course would not bear this signature.

18

Also, some publications were entered at Stationers’ Hall without any notice of their entry being printed in the publication.

Introduction

xix

decision whether to include texts of operas, ‘melo-dramas’19 or other musical works that were published without music clearly has been unsystematic. THE PRESENTATION OF ENTRIES. Each music entry made between 1710 and 1810 is presented in this book as a table, of which the following is a typical example:

23/5/1785 Samuel, Ann and Peter Thompson Festivity. A favorite song, sung by Mr Wilson at Ranelagh. Composed by Dr [Samuel] Arnold. BL H.131.(7.) All such tables have three or four parts. The first three parts, which are always included, represent information in the appropriate register of copies entered at Stationers’ Hall.20 The fourth part concerns a copy of the registered publication that has been catalogued by a U.K. library and is included only if such a copy has been located. The content of each part is now explained in some detail. The Proprietor. Words printed in bold at the top left of a table name the person (natural or corporate) who was (or was claimed to be) the proprietor of the publication entered. In the example above, the proprietor was the firm of Samuel, Ann and Peter Thompson; according to Humphries and Smith, they were musical instrument makers, music sellers and publishers.21 It should be noted that the proprietor’s name given in a table is not always a transcript of the sequence of letters that identified the proprietor in the original register. When entering publications of which the just-mentioned firm was the proprietor, the Stationers’ Hall warehouse keeper—who made the entries in the register—may have written just ‘Thompson’ or ‘S. A. & P. Thompson’ or some other variant of the firm’s name.22 Names printed in this part of a table are a regularisation

19

A word which in the early nineteenth century referred to plays with interspersed songs and musical accompaniments.

20

The various entry books of copies for the period covered by this book are described in Robin Myers, The Stationers’ Company Archive, op. cit., p 26. Microfilms of the original registers were published by Chadwyck-Healey in 1987 and are available for consultation in libraries in several countries.

21

Charles Humphries and William C. Smith, Music Publishing in the British Isles from the Earliest Times to the Middle of the Nineteenth Century, 2nd edition, Oxford, 1970, p 509, which reports that this company were in business at 75 St Paul’s Church Yard, London, from about 1779 to 1793.

22

Or, if the proprietor was the same as the proprietor of the immediately preceding entry, the warehouse keeper may have written the word ‘ditto’.

xx

Music Entries at Stationers’ Hall

of what the warehouse keeper wrote, according to a principle that a person who was a proprietor of more than one music entry should have the same name in each of these entries. In determining the full names of proprietors who were publishers I have relied upon standard reference books, notably those by Plomer and Maxted,23 in addition to Humphries and Smith. Although the sequence of entries sometimes reveals changes of business structure—for instance, the last entries for the firm of Broderip & Wilkinson were made on 1 January 1808 and the first entry for Wilkinson & Co. appears on 1 February 1808—changes of business name often were not recorded in the registers if the principal partner of a firm stayed on. Thus Muzio Clementi’s firm often is referred to in the registers simply as ‘Clementi’ or ‘Clementi & Co.’ without explicit mention of the other partners who worked with him from time to time. In comparatively few instances two or more proprietors shared rights in a publication. When a particular proportion of ownership was noted in the register it is shown in the table. If the principal creator of a work was the proprietor of its publication on the date of entry, the register commonly does not spell out his or her name but simply indicates that the author was the proprietor. For such entries, the tables in this book contain in place of the proprietor’s name the italicised phrase ‘The Author’, and the name of the person who I have presumed was the proprietor is printed in bold in the description of the work entered. If such an entry is for a musical composition I have generally assumed that ‘the author’ refers to the composer of the music, even when someone else is named in the entry as the writer of the work’s text. It was not uncommon for a firm to enter a publication at Stationers’ Hall on behalf of an author who had retained its copyright. Evidence of this practice is found in successive entries made on the same day for publications sold by a particular firm, of which authors were the proprietors of some works and the firm was proprietor of the others.24 23 Henry R. Plomer et al, A Dictionary of the Printers and Booksellers who were at Work in England, Scotland and Ireland from 1668 to 1725, Oxford, 1922; Henry R. Plomer, G. H. Bushnell and E. R. McC. Dix, A Dictionary of the Printers and Booksellers who were at Work in England, Scotland and Ireland from 1726 to 1775, Oxford, 1932; and Ian Maxted, The London Book Trades 1775–1800, Folkestone, Kent, 1977. 24

For further information about financial relationships between authors and publishers at this time see Theodore Besterman, The Publishing Firm of Cadell & Davies: Select Correspondence and Accounts 1793–1836, Oxford, 1938, p xxviii–xxx. Usually an author either sold the copyright of his work to a publisher for a fee or retained the copyright but engaged a publisher to arrange for the printing and sale of a work. However, other arrangements sometimes were made. For instance, from entries in this book on p 554–570 passim., it appears that the composer Joseph Woelfl and his publisher Lavenu & Mitchell were joint proprietors of their publications of his music in the years 1805 and 1806.

Introduction

xxi

The Date of Entry. The date that each entry was made—as recorded in the register at Stationer’s Hall—is given in the top right part of a table. All dates are presented in this book in day/month/year format, i.e., the day precedes the month. For entries made before 1752, when the Gregorian calendar replaced the Julian calendar in England, years are given according to both calendars for dates between 1 January and 24 March. As Alan Tyson demonstrated by investigating misprints and ‘other peculiarities’ on title-pages,25 when the warehouse keeper entered a publication he copied into the register text printed on a copy of the publication.26 Because books and writings published after the 1710 act came into force were protected by that act only if they were entered at Stationers’ Hall before they were published, a proprietor who desired to register a publication presumably ensured that a copy of the first printing of it was sent there shortly after it was received from the printer. In order to recover the costs of preparing and printing a publication and to earn a profit from it, proprietors obviously would have wanted to sell copies as soon as a publication had been registered. Hence the date of entry at Stationers’ Hall and the date of publication—defined as the day when copies were first made available to the public—can reasonably be assumed to have been the same or within a few days of each other, at least for works published in London.27 Tyson found evidence to support this assumption in Beethoven’s correspondence of 1810.28 Occasionally a publication was entered twice within a few days. Such duplications—in which the two entries have substantially the same content except for the date of entry—have been assumed to be mistakes either by the proprietor (who forgot that the work had already been entered and sent another copy to Stationers’ Hall) or by the warehouse keeper (who forgot that he had previously entered it). Only the earlier entries in these pairs are presented in this book. Description. The main part of a table, placed immediately below the name of the proprietor and the date of entry, provides a description of the publication. This description is a regularisation of the text that the warehouse keeper copied into the register from the title-page of the publication or, if it had no separate title-page, from the top section of its first page.

25

In Appendix I of his The Authentic Editions of Beethoven, London, 1963, p 131–143; this appendix concerns entry of musical publications at Stationers’ Hall. 26

Presumably he had a printed copy of the publication in front of him when making the entry.

27

The requirement of entry before publication was changed in the 1814 act, which required London publications to be entered within a month of publication and other publications within three months.

28

Tyson, op. cit., p 141.

xxii

Music Entries at Stationers’ Hall

A description usually starts with the name of the work published. Often it then characterises the type of work—in the above example, the work is said to be ‘a favorite song’—and, if the work is a musical composition, indicates what singers or players are needed for its performance. The description generally names the author (i.e., the composer if the work consists primarily of musical notation); for vocal music it often also names the writer of the text. The place where a work has been performed—in the example, London’s well-known ‘pleasure gardens’ at Ranelagh— frequently is noted, together with the names of principal performers of the work there or elsewhere. Many descriptions identify a dedicatee or provide other information about a work. Descriptions have been regularised in several ways. An attempt has been made to spell words consistently, so any reader who wishes to know whether a warehouse keeper wrote ‘piano forte’ or ‘piano-forte’ or ‘pianoforte’ in particular instances29 must examine the microfilms of the original registers.30 Punctuation and capitalisation have been introduced to make descriptions easier to read. A sentence such as ‘Composed, and dedicated (by permission) to Miss Isabella Sutton, by James Hook.’, commonly was written in a register with no internal punctuation; if that were so, the commas and parentheses that appear in the description are editorial insertions to clarify that Hook was both the composer and the dedicator of the work, and that Miss Sutton had granted him permission to dedicate it to her. Some words in languages other than English have been regularised. French phrases such as ‘dédié à’ are printed in this book with their accents even if some or all of these accents do not appear in the original entry. The word ‘Signor’ is used uniformly as the Italian equivalent of ‘Mr’. The word ‘opus’ and its foreign-language equivalents ‘oeuvre’ and ‘opera’ have all been regularised to ‘Op.’.31 Portions of a description enclosed within brackets, such as Dr Arnold’s first name ‘Samuel’ in the example above, are editorial additions. By consulting standard reference sources I endeavoured to find the full names of composers and performers mentioned in the descriptions.32 (The first name of the singer, Mr Wilson, mentioned 29

Particularly in cases such as ‘piano forte’ where alternative spellings were common, the warehouse keeper did not always reproduce the spelling printed in the publication.

30

This book should be a useful finding aid for such purposes, as the music entries in the original registers are mingled with entries of publications on other subjects.

31

The number that follows ‘Op.’ is the opus number given in the entry, rather than any other number that may have been assigned to that work by the composer, by a different publisher or by a later musicologist.

32

This endeavour has been easier for the period to 1800 than for the first two decades of the nineteenth century. Major reference sources—such as The London Stage, 1660–1800, Carbondale, Illinois, 1960–1968; Philip Highfill Jr, Kalman Burnim and Edward Langhans, A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage

Introduction

xxiii

in the table above, is not given there because I have not found it.33) If a foreign-born person—for instance, John Christian Bach—was called by an English name in Britain or Ireland, that name has been used uniformly in this book. The contents of each number of Joseph Woelfl’s serial publication ‘Les Soirées Amusantes’ are reported in descriptions within curly brackets ‘{’ and ‘}’. Location of a Copy. If a copy of a publication described in a table appears to have been catalogued in one of eight U.K. libraries, the table includes a fourth part, below the publication’s description, that gives the symbol of that library and the shelf-marks of its copies. Preference has been given to copies catalogued by the British Library. The eight libraries and their symbols are as follows:34 Aberdeen BL Bodleian Brotherton CUL GUL Mitchell Newcastle

University of Aberdeen Library, Aberdeen British Library, London Bodleian Library, University of Oxford, Oxford Brotherton Library, University of Leeds, Leeds Cambridge University Library, Cambridge Glasgow University Library, Glasgow Mitchell Library, Glasgow Newcastle University Library, Newcastle

Thus ‘BL H.131.(7.)’ in the fourth part of the example above designates that a copy of this publication has been catalogued by the British Library at shelf-mark H.131.(7.). Occasionally, some additional information regarding the publication or the copy is given in this part of a table after the shelf-mark. In an entry of vocal music, the words in inverted commas that follow the phrase ‘text begins’ are the initial words to be sung. The comment ‘words only’ indicates that the publication contains no musical notation. INDEXES OF THE ENTRIES. Four indexes are provided of names of persons mentioned in entries in this book. The Index of Authors includes the names of people who are said in an entry to have determined the sequence of musical symbols constituting a musical composition, either as composers who originated that Personnel in London, 1660–1800, Carbondale, Illinois, 1973–1993; and Edith Schnapper, ed., The British Union-Catalogue of Early Music, London, 1957—all have 1800 as their termination date. No equivalent sources for the immediately succeeding years have been published. 33

Where more than a few performers are mentioned by surname in a description the table size has not been enlarged to accommodate all their first names. However, these names, if known, are given in the Index of Performers.

34

A search for copies outside these libraries has not been made.

xxiv

Music Entries at Stationers’ Hall

sequence or as arrangers, harmonisers or selectors whose work was based upon previously composed music. This index also includes the names of people responsible for the sequence of words in publications consisting primarily of English text, whether as creators of that text or as compilers, editors or translators of previously existing text. In addition, the Index of Authors contains the names of musicians whose portraits were entered at Stationers’ Hall and the names of inventors of musical instruments or other musical apparatus or schemes. However, the names of poets, translators and others said to be responsible for the words of vocal music are indexed not as authors but in a separate Index of Writers. This is followed by an Index of Performers mentioned in the entries, which lists the names of actors, dancers, singers, instrumentalists and band directors as well as other persons whose contribution to performances was not directly visible to an audience, such as stage directors, stage designers, painters of scenery and composers of ballets. Thus, for an entry whose description reads ‘The Portrait of Humanity. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins.’, Charles Dibdin’s name appears in three indexes reflecting his roles as author, writer and performer of this entertainment.35 Finally, an Index of Dedicatees lists the names of persons—individuals, sets of people or societies—mentioned in the entries to whom publications were dedicated, inscribed, composed for, or composed in honour of. It also includes the names of people in whose memory works were published.36 Special consideration has been given to circumstances in which the name of a person changed during the period covered by this book, and in which two persons had the same name. If a person had substantially the same name in all entries that name him or her in this book then the person is indexed under that name, with other names mentioned in brackets. Thus Dr John Clarke of Cambridge is indexed in this book as ‘Clarke [later Clarke–Whitfeld], John’. However, if a person had substantially different names in entries in this book then each of those names is indexed. The Index of Performers accordingly has two entries, ‘Corri, Sophia’ and ‘Dussek [later Dussek-Moralt], Sophia [née Corri]’, for the same person. If a father and son had the same name and both are mentioned in entries— for instance, the two composers named ‘Samuel Webbe’—father and son are distinguished as Sr and Jr, regardless of whether they were so called in the entries. Where two unrelated persons shared the same name an endeavour has been made to distinguish them by a descriptive comment; for instance, the two composers named 35

However, ‘Tom Wilkins’ does not appear in any of the indexes, as the titles of publications entered have not been indexed in this book.

36

The Index of Dedicatees does not include the names of events such as battles about which commemorative music was composed, but as such music generally was composed shortly after an event occurred it can be located readily in the chronological sequence of entries.

Introduction

xxv

William Russell are distinguished in the Index of Authors as being respectively ‘[of Guildford]’ and ‘[of London]’. With the exception of King George III and his wife Queen Charlotte, and George, Prince of Wales (later Prince Regent and King George IV) and his wife Caroline, dedicatees who are identified in entries only by title (e.g., as the Earl of Dalkeith) are indexed just under that title. No effort has been made to determine whether a name or title of a dedicatee that appears in more than one entry (e.g., ‘Miss Hale’ or the Duchess of Devonshire) refers to one or to more than one person. The music entries at Stationers’ Hall of course can be indexed in many additional ways, for instance to identify the particular sorts of music entered (e.g., songs, piano sonatas), the places where performances took place (e.g., the Nobility’s Concerts or the Theatre Royal, Drury Lane), the proprietors of publications, whether composers were male or female, etc. As composers often dedicated works to their patrons or their pupils, the Index of Dedicatees could be used with other data to study contexts in which composers worked at this time. I hope that the information in this book can serve as a foundation for such further research. NUMBERS OF ENTRIES. For each year from 1710 to 1818, the table on pages xxvi to xxviii compares the number of music entries catalogued in this book37 with the total number of publications entered at Stationers’ Hall, according to a count made in 1827 by George Greenhill, the warehouse keeper at that time.38 This table establishes that in two of these years—1802 and 1807—more than half the entries at Stationers’ Hall were music entries and that, for the entire period covered by this book, one quarter of all entries were music entries. The table also shows that fewer than twenty music entries were made in each year before 1783, when the number began to increase substantially. Further study is required to determine whether this rise can be correlated with the growth of British music publishing, with the efforts of particular publishers to register their publications, with the reporting of legal cases relevant to copyright protection,39 or with other factors.

37

Music entries made before 1752 have been tabulated according to the Julian calendar; subsequent entries according to the Gregorian calendar.

38

George Greenhill, ‘Return of an order of the House of Commons of the number of literary works and books of prints entered at Stationers’ Hall in each year…’, dated 7 May 1827 and reprinted in Barrington Partridge, op. cit., p 315–316. Greenhill noted that his count included music entries. For the years 1800 to 1818, a slightly different count of Stationers’ Hall entries is given in Simon Eliot, Some Patterns and Trends in British Publishing 1800– 1919, Bibliographical Society occasional papers no. 8, London, 1994, p 109–110.

39

I thank John Small for the suggestion that the rise in the number of music entries from 1783 could be related to the publication in that year of Henry Cowper’s report of the Bach versus Longman et al case (see footnote 7 above).

Music Entries at Stationers’ Hall

xxvi Year of entry:

1710 1711 1712 1713 1714 1715 1716 1717 1718 1719 1720 1721 1722 1723 1724 1725 1726 1727 1728 1729 1730 1731 1732 1733 1734 1735 1736 1737 1738 1739 1740 1741 1742 1743 1744 1745 1746 1747 1748 1749 1750

Music entries (in this book): 11 9 4 1 3 2 1 7 0 1 0 0 0 1 0 1 1 1 8 10 6 3 2 0 0 2 0 2 0 0 2 0 1 0 2 1 0 0 1 1 0

All entries (Greenhill count):

% of music entries:

163 258 142 102 94 82 52 34 43 35 36 33 45 41 31 36 60 49 65 71 93 41 17 30 17 36 29 33 57 25 37 47 39 56 53 66 80 109 59 56 69

7% 3% 3% 1% 3% 2% 2% 21% 0% 3% 0% 0% 0% 2% 0% 3% 2% 2% 12% 14% 6% 7% 12% 0% 0% 6% 0% 6% 0% 0% 5% 0% 3% 0% 4% 2% 0% 0% 2% 2% 0%

Table. Music entries from 1710 to 1818 as a proportion of total entries.

Introduction

xxvii

Table (continued)

Year of entry:

1751 1752 1753 1754 1755 1756 1757 1758 1759 1760 1761 1762 1763 1764 1765 1766 1767 1768 1769 1770 1771 1772 1773 1774 1775 1776 1777 1778 1779 1780 1781 1782 1783 1784 1785 1786 1787 1788 1789 1790

Music entries (in this book):

All entries (Greenhill count):

% of music entries:

1 4 0 0 0 1 1 0 5 3 5 8 1 1 5 2 2 5 12 3 2 2 5 1 3 2 4 5 7 17 6 9 33 54 65 103 176 127 138 89

61 47 46 42 32 26 35 51 25 29 36 47 25 33 27 38 49 66 69 66 67 53 76 95 122 122 123 105 144 174 120 109 172 194 206 291 375 419 430 399

2% 9% 0% 0% 0% 4% 3% 0% 20% 10% 14% 17% 4% 3% 19% 5% 4% 8% 17% 5% 3% 4% 7% 1% 2% 2% 3% 5% 5% 10% 5% 8% 19% 28% 32% 35% 47% 30% 32% 22%

xxviii

Music Entries at Stationers’ Hall

Table (continued)

Year of entry:

1791 1792 1793 1794 1795 1796 1797 1798 1799 1800 1801 1802 1803 1804 1805 1806 1807 1808 1809 1810 1811 1812 1813 1814 1815 1816 1817 1818 Totals, 1710–1818:

Music entries (in this book):

All entries (Greenhill count):

% of music entries:

93 138 176 214 223 240 235 200 211 168 118 202 158 121 124 92 157 138 138 158 135 108 117 111 105 128 258 202

432 438 529 573 670 660 651 538 499 366 292 322 372 368 309 285 283 301 299 333 303 271 350 541 1244 1178 1240 1191

22% 32% 33% 37% 33% 36% 36% 37% 42% 46% 40% 63% 42% 33% 40% 32% 55% 46% 46% 47% 45% 40% 33% 21% 8% 11% 21% 17%

5459

22005

25%

MUSIC ENTRIES FROM 1710 TO 1810

This page intentionally left blank

Entries from 1710 to 1810

3

1/5/1710 John Essex For the further Improvement of Dancing, a Treatis of Chorography or ye Art of Dancing Country Dances after a new Character, in which the
gures, stops, and manner of performing are describ’d, and ye rules demonstrated in an easie method adapted to the meanest capacity. Translated from the French of Monsieur [Raoul Auger] Feuillet, and improv’d with many additions, all fairly engrav’d on copper plates, and a new collection of country dances describ’d in ye same character by John Essex, dancing master, London. Sold by I. Walsh and P. Randall, musical instrument makers in ordinary to Her Majesty in Catherine Street near Somerset House in ye Strand, I. Hare at ye Viol and Flute in Cornhill, I. Culen without Temple-barr, by ye author at his house in Rude-lane Fenchurch Street. 1710. New. BL 1042.d.45

10/6/1710 Luke Pippard Musa et Musica, or Humour and Musick, being an extraordinary collection of pleasant and merry humours with Scotch and love songs. The words by Mr [Thomas] D’Urfey all intirely new. New. BL H.32.(1.)

19/7/1710 William Pearson The Dancing-Master, or Directions for Dancing Country Dances, with the tunes to each dance, for the treble violin. The fourteenth edition, containing about 350 of the choicest old and new tunes now used at court, and other publick places. The whole work revised and done in the new ty’d-note, and much more correct than any former editions. Note: the foregoing book was made over by assignment from Henry Playford to John Heptinstall the 15th of August 1704. And was since made over by the said John Heptinstall to the sd William Pearson on the 17th day of April 1710. No deposit. Old.

19/7/1710 William Pearson The Dancing Master: vol. the second, or Directions for Dancing Country Dances, with the tunes to each dance, for violin or haut-boy. Containing 200 dances, danc’d at court, and other publick places, 50 of which were never before printed. Done on the new ty’d note, and carefully corrected by I. Lenton, one of Her Majesty’s servants. Old. No deposit.

4

Music Entries at Stationers’ Hall

11/8/1710 John Pack A broad sheet, entitul’d The Harpsichord Tuner, being easy rules and directions for tuneing the spinnet or harpsichord by a scheme representing the keys of a spinnet, harpsicord or organ—composed for the incouragment of both learners and players on those instruments. New. No deposit.

27/10/1710 William Pearson Twenty four New Country Dances; for the year 1711. With directions to each dance. For the treble violin. New.

John Walsh a moity; Peter Randal a moity 6/11/1710 Twenty four New Country Dances for the year 1711. With proper new tunes, and
gures, or directions to each dance. Humbly dedicated to ye honourable Henry Ld Newport, by his most obedient, and most faithfull servant, Nathaniell Kynaston. New. Note, this book was made over, for a valuable consideration, by the sd Nathaniell Kynaston, to the sd John Walsh and Peter Randal. BL a.10.(3.)

John Reading 8/11/1710 A Book of New Songs after the Italian Manner, with symphonies and a through-bass
tted to the harpsichord etc. All within ye compass of the ute, and fairly engraven on copper plates. Composed by Mr John Reading, organist of St John’s Hackney, educated in the Chappel-Royal under ye late famous Dr John Blow. New. BL H.1606

19/12/1710 Charles King Choice Lessons for the Harpsichord or Spinett being the works of the late famous Mr Jeremiah Clarke, composer and organist to Her Majesty and ye Cathedral Church of St Paul’s, carefully corrected by himself. Being what he designed to publish. New. BL K.10.a.16

9/2/1710–1711 Thomas Howlatt Rinaldo, an opera [by George Frideric Handel]. As it is performed at the Queen’s Theatre in London. New. BL 1078.m.6.(8.)

Entries from 1710 to 1810

5

6/3/1710–1711 John Ernest Galliard VI Sonatas for a Flute and a Through Bass composed by Mr [John Ernest] Galliard. By the author’s direction correctly engraved by Tho[mas] Cross. New. BL e.700

Richard Newcomb Catch as Catch can: or, Who has the best right to the Crown, etc. New.

6/4/1711

17/4/1711 Thomas Atkins An Air in English Words called The Rover to a tune sung by Madame Isabella Girardau, in the opera of Rinaldo [by George Frideric Handel], within the compas of the ute. New. BL H.1601.(387.) may be a different edition

16/5/1711 Jacob Tonson The Passion of Sappho, and Feast of Alexander. Set to musick by Mr Thomas Clayton. As it is performed at his house at York Buildings. New.

23/6/1711 Edmund Parker The Devout Singer’s Guide, Containing All the Common Tunes Now in Use, with select portions of the psalms adapted to each tune, and rules for singing treble and bass, to which is pre
xed, directions for parish clerks in the choice of proper psalms on most occasions. Recommended by Daniel Warner, singing master. New. BL A.468

1/10/1711 Renatus Harris The East Front of the new Great Organ and Chair Organ in Salisbury Cathedral erected by Mr Renatus Harris. New.

Richard Leveridge 29/11/1711 A New Book of Songs, viz.: The stray heart. Cupid dis-armed. Love and good humour. Fort St claret. The founder of the feast. The saylors wish. Mighty love, a cantata. New. BL H.82.(2.)

6

Music Entries at Stationers’ Hall

10/12/1711 Jacob Tonson Antiochus. An opera. [Composed by Francesco Gasparini.] As it is performed at the Queen’s Theatre in the Hay-market. New. BL 11714.22.23.(8.), words only

1/3/1711–1712 Jacob Tonson Hamlet. An opera. [Composed by Francesco Gasparini.] New. No copies received. BL 11764.bb.47, words only

Thomas Wilkinson 3/3/1711–1712 Musick. A Pindaric ode. To Signor Cavalier Nicolini Grimaldi. By Tho[mas] Wilkinson, gent.

1/4/1712 William Corbett Six Sonata’s a 3° for two utes or two German utes and a bass, consisting of preludes, allemands, corants, sarabands, gavots and jiggs. Dedicated to ye Right Honble Henry Bentinck Earle of Portland, Viscount Woodstock, Baron of Cirencester, Capt. of Her Majesty’s First Troop of Guards, etc., by William Corbett. Opera Quarta. Libro Primo and Secondo. New. BL h.50.(1.)–(2.)

28/6/1712 John Ernest Galliard Songs in the Opera of Calypso Telemachus as they are performed at the Queen’s Theatre in the Haymarket. Composed by Mr [John Ernest] Galliard. New. BL G.223.(1.)

10/7/1712 J. Bowack Divine Harmony; or a New Collection of Select Anthems, used at Her Majesty’s Chappels Royal, Westminster Abby, St Pauls, Windsor, both universities, Eton, and most cathedrals in Her Majesty’s dominions. Designed for the use of such as attend choir service. Publish’d with the approbation of the Sub-Dean of Her Majesty’s Chappel Royal, and of several of the greatest masters. New.

Entries from 1710 to 1810

7

5/12/1712 John Walsh Twenty Four New Country Dances, for the year 1713, with proper tunes, and new
gures or directions, to each dance. The musick proper for the violin, hautboy, or ute. Printed on the new capital character of musick. New. BL 2.9.(2.)

13/11/1713 John Walsh Twenty Four New Country Dances for the year 1714, with proper tunes and new
gures or directions to each dance. Composed by several authors, all fairly engraven. Price 6d. Note: the new Country Dancing Master is publish’d containing the country dances for the ten last years. New. BL 2.10.(2.)

John Nutt a moiety; James Holland a moiety 18/8/1714 A Supplement to the New Version of Psalms by Dr Brady and Mr Tate; containing the psalms in particular measures, the usual hymns, creed, Lord’s-prayer, ten commandments for the Holy Sacrament, etc. with Gloria Patri’s, and tunes (treble and bass) proper to each of them and all the rest of the psalms. The seventh edition, corrected. With the addition of plain instructions for all those who are desirous to learn or improve themselves in psalmody, near thirty new tunes compos’d by several of the best masters, and a table of psalms suited to the feasts and fasts of the Church, &c. with tables of all the psalms of the new, old and Dr Patrick’s versions, directing what tunes are
tted for each psalm. The whole being a complete psalmody. Old. Note: A Moiety, or half share of the Supplement to the New Version of Psalms by Dr Brady and Mr Tate, was made over by assignment from Mr Nahum Tate to Mr James Holland on the eighteenth day of June 1707. BL 3434.b.2.(2.)

9/10/1714 Johann Mattheson Pièces de Clavecin en deux volumes consistant des overtures, preludes, fugues, allemandes, courantes, sarabandes, gigues, et aires. Composées par J[ohann] Mattheson, Secr[etary], 1714. New. BL h.52

19/11/1714 John Walsh Twenty four New Country Dances for the year 1715, with proper tunes and new
gures or directions to each dance. Composed by several authors. All fairly engraven. Price 6d. New.

8

Music Entries at Stationers’ Hall

27/12/1715 John Walsh Twenty four New Country Dances for the year 1716, with new tunes and new
gures or directions to each dance. Humbly dedicated to Walkin Williams, Esq., by Nat[hanie]l Kynaston. New. BL 2.10.(4.)

5/3/1715–1716 John Walsh Divine Harmony. Six Select Anthems for a voice akone with a thorow bass for the organ, harpsichord or arch-lute, Composed on several occasions by Mr J[oh]n Weldon, organist of His Majesty’s Chappell Royal and there performd by the late famous Mr Richard Elford. Very proper not only in private devotion, but also for choirs, where they may be sung either by a treble or tenor. New. BL H.820

Edmund Pemberton, Mercer Street, Long Acre 2/6/1716 The Princess Anna. A new dance for His Majesty’s birthday 1716. Composed by Mr [Anthony] l’Abbé. New. BL h.801.(1.)

11/11/1717 John Walsh Twenty Four New Country Dances for the year 1718, with new tunes and
gures to each dance. New. BL a.10.(1.)

16/12/1717 Samuel Hoole Orpheus Britannicus. A Collection of All the Choicest Songs. For one, two, and three voices. Composed by Mr Henry Purcell. Together with such symphonies for violins or utes as were by him design’d for any of them. And a thorough bass to each song;
gur’d for the organ, harpsichord, or theorbo lute. Old. BL G.101, the imprint reads ‘William Pearson, for S. H., 1711’

16/12/1717 Samuel Hoole The Dancing-Master; or, Directions for Dancing Country Dances, with the tunes to each dance, for the treble-violin. In two volumes. Old.

Entries from 1710 to 1810

Samuel Hoole Harmonia Sacra. In two volumes, folio. Old. BL G.84.b.(1–2.) [imprint reads ‘William Pearson, for S. H. 1714’]

9

16/12/1717

16/12/1717 Samuel Hoole Wit and Mirth: or, Pills to Purge Melancholy. Being a choice collection of the nest merry ballads, and above an hundred of the best songs, old and new. Fitted to all humours, haveing each their proper tune for either voice, or instrument. Many of the songs being new sett. In 5 vol. 12°. Old. No copies received.

Samuel Hoole A Katch-Book by B. Pursell, in 1 vol. 6°. Old. No copies received.

16/12/1717

Samuel Hoole a moiety Playford’s Psalms, in 8°. Old. No copies received.

16/12/1717

5/3/1719–1720 Jacob Tonson Jr Songs Compleat, Pleasant and Diverting, or Pills to Purge Melancholy. Now published by Mr Thomas D’Urfey, in
ve volumes. Old. BL 238.g.35

12/3/1723–1724 Henry Carey Cantatas for a Voice with accompanyment. Together with songs on various subjects, for one, two and three voices. A through bass to the whole and all the songs transposed for the ute. The words and music by Henry Carey. New. BL G.220.(2.)

5/1/1725–1726 William Thomson Orpheus Caledonius, or a Collection of the best Scotch Songs. Sett to musick by W[illiam] Thomson. BL I.367.b.

10

Music Entries at Stationers’ Hall

11/6/1726 Henry Carey Mocking is Catching or, A Pastorall Lamentation for the Loss of a Man and no Man. In the simple style. BL 1890.e.5.(122.)

23/3/1726–1727 John Ernest Galliard The Songs in the new Entertainment called The Rape of Proserpine composed by Mr [John Ernest] Galliard and performed by Mr Leveridge, Mr Legar [i.e., Laguerre], Mrs Barbier and Mrs Chambers at the Theater Royall in Lincolns Inn Fields. BL H.117

Jacob Tonson Jr and John Watts 15/2/1727–1728 The Beggar’s Opera, as it is acted at the Theatre-Royall in Lincolns Inn Fields. Written by Mr [John] Gay. To which is added, the musick engraved on copper-plates. BL Case 71.d.10

11/4/1728 Henry Carey Six Ballads on the Humours of the Town. Suited to all voices instruments & capacities. The words and musick by Mr Henry Carey,

24/5/1728 William Corbett Le Bizzarie Universali, a Quatro ciò due violini, viola e basso continuo. Concertos, in four Parts, for two violins, tenor and throbass for ye harpsicord. Humillissimo dedicato a Sua Maesta Christianissima. Composed by William Corbett, delitante on all the new gusto’s in his travels thro Italy. Op. 8. BL h.51

4/6/1728 John Ernest Galliard The Hymn of Adam and Eve, out of the
fth book of [John] Milton’s Paradise Lost, set to music by Mr [John Ernest] Galliard. BL B.440.(1.)

24/8/1728 John Watts The Quaker’s Opera, as it is perform’d at Lee’s and Harper’s great theatrical booth in Bartholemew-Fair. With the musick pre
x’d to each song. BL 82.e.48

Entries from 1710 to 1810

11

John Watts, the whole; Nathaniel Cole & Co. 25/1/1728–1729 The Musicall Miscellany being a collection of choice songs, sett to violin & ute by the most eminent masters. In two volumes. BL C.373

13/2/1728–1729 John Watts The Village Opera. As ’tis acted at ye Theatre Royall by His Majesty’s Servants. [Written] by Mr [Charles] Johnson. To which is added the musick to each song. BL 643.g.14.(5.)

12/3/1728–1729 Phillip Hart The Morning Hymn. From the
fth book of [John] Milton’s Paradise Lost. Set to musick by Phillip Hart. BL G.505

18/3/1728–1729 James Leman A New Method of Learning Psalm-Tunes with an Instrument of Musick called the Psalterer. By James Leman.

3/4/1729 John Gay Polly: an Opera. Being the second part of The Beggar’s Opera. Written by Mr [John] Gay. BL 841.c.23.(1.)

James Knapton and John Knapton 5/5/1729 The Beggar’s Wedding. A new opera, as it is acted at the theatre in Dublin, with great applause. By Mr Charles Coffey. BL 11775.c.22, words only

James Knapton and John Knapton 24/5/1729 The Beggar’s Wedding. A new opera, as it is acted at the theatre in Dublin, and at the theatre in the Hay-Market. To which are added the new prologue and epilogue. By Mr Charles Coffey. The second edition. BL 161.h.11, words only

12

Music Entries at Stationers’ Hall

James Knapton and John Knapton 13/6/1729 Phebe; or, The Beggar’s Wedding. An opera in one act, as it is performed at the Theatre Royal in Drury Lane by His Majesty’s servants. BL 11775.c.76, words only

7/7/1729 William Mears The Wedding. A tragi-comi-pastoral-farcical opera. As it is now acting at the TheatreRoyal, in Lincoln’s-Inn-Fields. With an eudibrastick skimmington by Mr [Essex] Hawker. To which is pre
x’d, the overture, by Dr [John Christopher] Pepusch, with an addition of the musick to each song. Engraved on copper-plates. BL 1346.e.29

13/11/1729 Henry Carey The Songs, Duett and Dialogue in The Contrivances with their Symphonies and Basses as performed at ye Theatre-Royal in Covent Garden. Together with ye symphony and song-part transposed for ye German or common ute and ye duett for two utes. The words and musick by Mr [Henry] Carey. BL H.118.(2.)

22/11/1729 John Watts The third and fourth volumes of The Musical Miscellany. Being a collection of choice songs and lyrick poems with the basses to each tune and transpos’d for the ute. By the most eminent masters. BL C.373

John Watts Momus turn’d Fabulist; or, Vulcan’s Wedding. An opera. BL 11775.c.73

9/12/1729

William Meares and Henry Carey 16/12/1729 The Contrivances. With the songs, and other additions, as now acted at the TheatreRoyal in Drury Lane by His Majesty’s servants. As also the tunes of the songs, neatly engraven on copper-plates. Written by Mr [Henry] Carey.

Entries from 1710 to 1810

13

The Lord Paisley [i.e., James Hamilton, 7th Earl of Abercorn] 12/3/1729–1730 A Short Treatise on Harmony containing the chief rules for composing in two, three and four parts. Dedicated to all lovers of musick by an admirer of this noble and agreeable science. BL 785.a.8, this is Lord Paisley’s English translation of John Christopher Pepusch’s treatise

10/4/1730 John Watts The Fashionable Lady; or Harlequin’s Opera. In the manner of a rehearsal. As it is performed at the theatre in Goodman’s-Fields. BL 642.h.28.(1.)

10/4/1730 John Watts The Lover’s Opera. As it is performed at the Theatres-Royall by His Majesty’s servants. By Mr [William Rufus] Chetwood. BL 841.d.17.(2.), described as ‘the third edition, with alterations’

14/7/1730 William Bowyer The Music Speech at the Public Commencement in Cambridge, July 6, MDCCXXX. To which is added, an ode designed to have been set to music on that occasion. By John Taylor, M.A., fellow of St John’s College. BL 557.*d.43.(1.)

13/11/1730 John Watts The
fth and sixth vol[ume]s of The Musical Miscellany. Being a collection of choice songs and lyrick poems with basses to each tune, and transposed for the ute by the most eminent masters. BL C.373

13/11/1730 John Watts Silvia; or, The Country Burial. An opera. As it is performed at the Theatre Royal in Lincoln’s-Inn Fields. With the musick pre
xed to each song. BL 841.d.32.(8.)

14

Music Entries at Stationers’ Hall

13/2/1730–1731 John Watts The Jovial Crew. A comic-opera. As it is acted at the Theatre Royal by His Majesty’s servants, with the musick pre
xed to each song. BL 841.e.42

12/4/1731 John Watts The Highland Fair; or, Union of the Clans. An opera. As it is performed at the Theatre-Royal in Drury-Lane, by His Majesty’s servants. Written by Mr [Joseph] Mitchell. With the musick, which wholly consists of select Scots tunes, pre
xed to each song. BL 841.d.17.(3.)

9/8/1731 Adam Craig A Collection of the Choicest Scots Tunes adapted for the harpsichord or spinnett and within the compass of the voice, violin or German ute. By Adam Craig. Edinburgh, 1730.

14/3/1731–1732 John Watts Amelia. A new English opera. As it is performed at the New Theatre in the HayMarket, after the Italian manner. Set to musick by Mr John Frederick Lampe. BL 841.d.17.(4.)

31/1/1732–1733 John Watts The Boarding-School; or, The Sham Captain. An opera. As it is perform’d at the Theatre-Royal in Drury-Lane by His Majesty’s servants. Written by the author of The Beggar’s Wedding, and The Devil to Pay. BL 841.d.17.(6.)

28/2/1732–1733 John Watts Achilles. An opera. As it is performed at the Theatre-Royal in Covent-Garden. Written by the late Mr [John] Gay. BL 841.d.17.(5.)

Entries from 1710 to 1810

15

3/5/1735 Lawton Gulliver A Cure for a Scold. A ballad farce of two acts (founded upon [William] Shakespear[e]’s Taming of a Shrew). As it is acted by His Majesty’s company of comedians at the Theatre Royal in Drury Lane. By J[ames] Worsdale, portrait-painter. BL 163.i.7, words only

2/1/1735–1736 Lawton Gulliver The Honest Yorkshire-Man. A ballad farce refused to be acted at Drury Lane Playhouse but now performed at the New Theatre in Goodman’s Fields with great applause. Written by Mr [Henry] Carey. BL 11775.a.6

31/10/1737 Henry Carey The Dragon of Wantley. A burlesque opera. The musick by Mr John Frederick Lampe, and performed at the Theatre Royal in Covent Garden. Modernized from the old ballad after the Italian manner, by Signor Carini [i.e., by Henry Carey].

21/1/1737–1738 John Wilcox Songs and Duettos in the Burlesque Opera, called The Dragon of Wantley. As perform’s at the Theatre Royal in Covent Garden. Composed and carefully corrected by Mr John Frederick Lampe, author of the new Treatise of Thorough Bass. BL F.5

18/4/1740 Henry Carey Nancy or The Parting Lovers. A musical interlude as performed at ye Theatre Royal in Covent Garden. The words and musick by Mr [Henry] Carey. BL E.220.(4.)

15/8/1740 Andrew Millar Alfred. A masque. [By Thomas Augustine Arne.] Represented before Their Royal Highnesses the Prince and Princess of Wales at Clifden, on the
rst of August 1740.

5/5/1742 Andrew Millar Miss Lucy in Town. A sequel to The Virgin Unmasqued. A farce, with songs. As it is acted at the Theatre Royal in Drury Lane, by His Majesty’s servants. BL 11775.d.27, words only

16

Music Entries at Stationers’ Hall

12/6/1744 John Stanley Six Cantatas, for a voice and instruments. Set to musick by John Stanley, M[us]. B[ac]., organist of the Temple and St Andrew’s in London. BL H.1217.(1.)

14/12/1744 James Mechell The Aviary; or, Magazine of British Melody. Consisting of a collection of one thousand three hundred and forty four songs, with titles of the principal tunes pre
xed. Disposed in an alphabetical manner, for the more ready
nding out each song. BL 11621.aa.18, words only

25/3/1745 John Watts Belshazzar. An oratorio. [By George Frideric Handel.] As it is performed at the King’s Theatre in the Haymarket. BL 821.c.23.(5.), words only

2/8/1748 William Tansur A New Musical Grammar; or, The Harmonical Spectator. By William Tans’ur, musico theorico, author of The Universal Harmony, etc. BL 1042.c.15

17/2/1749–1750 Thomas Holt Songs in Henry and Emma; or, The Nut Brown Maid. A new musical drama, taken from [Matthew] Prior. [The music by Thomas Augustine Arne.] BL 992.h.12.(3.), words only

18/4/1751 John Newbery A Solemn Dirge, sacred to the memory of His Royal Highness Frederic[k], Prince of Wales. As it was sung by Mr Lowe and Miss Burchell, and others, at Vauxhall.

28/1/1752 Robert Brown A Treatise of Musick, containing the Principles of Composition. By Mr [JeanPhilippe] Rameau. Translated into English from the original in the French language. BL 557*.e.5

Entries from 1710 to 1810

17

3/4/1752 Charles Davis An Essay on Musical Expression. By Charles Avison, organist in Newcastle. BL 785.b.56

4/7/1752 Joseph Fox The Parish Clerk’s Vade Mecum; being a collection of singing psalms from the Old Version, suited to every Sunday, festival, and holiday throughout the year. In a method entirely new. By Joseph Fox, parish clerk of St Margaret, Westminster.

Nicholas Dukes 25/8/1752 A Concise and Easy Method of Learning the Figuring Part of Country Dances, by Way of Characters. To which is pre
xed the
gure of the minuet. By Nicholas Dukes, dancing master. BL C.119.d.7

16/7/1756 Thomas Vandernan Thirty Six Ariettas for a single voice with a thorough bass for the harpsicord within compass of the German ute. By Signor Alessandro Scarlatti. BL E.271.(12.)

27/11/1757 Robert Bremner A Collection of the Best Church Tunes. By Robert Bremner. By order of the Honorable the Committee for Improveing Church Musick in the City of Edinburgh.

19/3/1759 The Author Divertimenti per Musica Vocale, ed Istrumentale. Di Gioacchino Cocchi. BL D.370.(5.)

30/4/1759 Peter Gillier Jr Eight Sonatas or Lessons for the harpsichord. Composed by Mr [Peter] Gillier Jr. BL g.963

18

Music Entries at Stationers’ Hall

John Jasper Heck [sic, for John Casper Heck] 30/7/1759 Short and Fundamental Instructions for Learning Thorough Bass. Wherein the whole system is laid open and thereby many new and important discoveries made, by means of which a person may soon attain to a compleat understanding both of the theory and practise of thorough bass. In ye form of question and answer. [By John Casper Heck.] BL 556.c.12.(3.)

9/11/1759 Carl Barbant Mr [Carl] Barbandt’s Yearly Subscription for Musick for the months of March, April, May, June, July, August, September, October, and November. By C[arl] Barbandt. BL h.71

1/12/1759 Carl Barbant Barbandt’s Yearly Subscription for Musick for December 1759. By C[arl] Barbandt. BL h.71

10/1/1760 Carl Barbant Mr [Carl] Barbandt’s Yearly Subscription for Musick for the month of January 1760. By C[arl] Barbandt. BL h.71

31/1/1760 Carl Barbant Barbandt’s Yearly Subscription for Musick for February 1760. By C[arl] Barbandt. BL h.71

25/11/1760 George Kearsly Thomas and Sally; or, The Sailor’s Return. A musical entertainment, as it is performed at the Theatre Royal in Covent Garden. The music composed by Doctor [Thomas Augustine] Arne. BL 11777.b.81

31/1/1761 Dr [Thomas Augustine] Arne Thomas and Sally; or, The Sailor’s Return. A dramatic pastoral with the overture in score, songs, dialogues, duettos and dance-tunes, as performed at the Theatre Royal in Covent Garden. The music composed by Dr [Thomas Augustine] Arne. BL H.130.(2.)

Entries from 1710 to 1810

19

23/2/1761 Frederic Nussen Musica di Camera; or, Some Old Tunes New Sett, and Some New Ones. Compos’d for the harpsichord by Frederic Nussen. BL e.5.(4.)

7/8/1761 Barnard Rose Twelve New English Country Dances for Her Royal Highness Princess Augusta’s birth day. By Barnard Rose.

Thomas Collett Sr 12/8/1761 Twenty Four New Horn Pipes, some of them performed at the Theatre Royal in Drury Lane. By Thomas Collett Sr.

31/12/1761 Charles Dibdin A Collection of English Songs and Cantatas. Composed by Charles Dibdin. BL G.359.(6.)

6/4/1762 John Casper Heck A Complete System of Harmony; or A Regular and Easy Method to Attain a Fundamental Knowledge and Practice of Thorough Bass; with the Nature and various Use of Concords and Discords Explained, Conformable to the Modern Composition. Illustrated by a variety of examples. By John Casper Heck. BL 558*.c.34.(1.)

23/4/1762 William Riley Parochial Music Corrected. Containing Remarks on the Performance of Psalmody in Country Churches, and on the ridiculous and profane Manner of Singing practised by the Methodists; Reections on the bad Performance of Psalmody in London, Westminster, etc.; Observations on the Choice and Quali
cations of Parish-Clerks; the Utility of Teaching Charity-Children Psalmody and Hymns; the Use of Organs; and the Performance of Organists. By William Riley. To which are added, a scarce and valuable collection of psalm tunes by the late Dr [John] Blow, Dr [William] Croft and Mr Jeremiah Clarke; with a great number of new tunes. BL 446.c.18.(1.)

20

Music Entries at Stationers’ Hall

3/5/1762 Edmund Chapman Six Solos for the German-Flute, Hautboy, or Violin, with a thorough bass for the harpsichord. Composed by Signor Alessandro Bezozzi. BL g.221.(6.)

4/5/1762 Edmund Chapman Sei Sonate overro Divertimenti da Camera, a due auti traversieri o due violini, con il basso. Dal Signor Tomaso Prota. BL g.222.(6.)

4/5/1762 Edmund Chapman Six Duetts for German Flutes, or Violins. Composed by Signor [Nicolas] Dothel Jr. BL g.227.(a.)

12/6/1762 Thomas Call The Tunes as they are used at the Magdalen Chapel, properly set for the organ, harpsichord, and guittar, by Thomas Call. BL D.577

2/7/1762 Robert Bremner The Rudiments of Music; or, A Short and Easy Treatise on that Subject. To which is annexed, a collection of the best church-tunes, canons, and anthems. The second edition, with considerable additions; particularly, instructions for song; and, a plan for teaching a croud. [By Robert Bremner.] BL 1042.e.18

31/8/1762 Thomas Moore The Psalm-Singer’s Delightful Pocket Companion. Containing, a plain and easy introduction to psalmody; and an introduction explaining, more at large, the grounds of music in general, illustrated with great variety of tables, scales, and initial lessons. And between three and four score of the best psalm-tunes in nine different meters; with variety of curious hymns and canons, in two, three and four parts; all neatly engraved on plates. To which is added, A Collection of Hymns suited to all the different meters of the tunes, the whole rendered plain and easy to the meanest capacity. By Thomas Moore. BL B.651

Entries from 1710 to 1810

21

16/2/1763 William Grif
n 14 ; John Newbery 14 ; George Kearsly 14 ; William Nicoll 14 Love in a Village; a comic opera as it is performed at the Theatre Royal in Covent Garden. By Isaac Bickerstaff[e], Esq.

23/3/1764 Robert Bremner The Favorite Songs sung at Ranelagh. For the voice and harpsichord, also adapted for the guitar. BL G.359.(12.)

Robert Bremner 21/1/1765 The Overture, Songs and Duets in the opera called The Guardian Outwitted, for the voice and harpsichord. Performed at the Theatre Royal in Covent Garden. Composed by Dr [Thomas Augustine] Arne. BL G.230.(2.)

31/1/1765 Isaac Bickerstaff[e] 14 ; John Newbery 163 ; William Nicoll 163 ; William Grif
n 163 ; Robert Baldwin 161 ; Thomas Caslon 161 ; Thomas Lowndes and Thomas Becket 161 The Maid of the Mill. A comic opera. As it is performed at the Theatre Royal in Covent-Garden. The music compiled and the words written by Isaac Bickerstaff[e], Esq. BL 1346.f.11.(5.)

2/5/1765 Thomas Hull The Spanish Lady. A musical entertainment in two acts, founded on the plan of the old ballad. As performed at the Theatre Royal in Covent Garden. [By Thomas Hull.] BL 643.i.10.(7.)

18/7/1765 Charles and Samuel Thompson The New Songs sung by Miss [Elizabeth] Wright at Vauxhall and Mr [Robert] Hudson at Ranelagh. For the voice and harpsichord. BL G.359.(11.)

22

Music Entries at Stationers’ Hall

16/11/1765 Charles and Samuel Thompson A Collection of New English Songs sung at the New Theatre at Richmond by Mr [John] Fawcett [Sr], Mr Smith and Miss [Elizabeth] Slack, and also a song sung at Ranelagh by Mr [John] Fawcett [Sr]. Composed by James Hook. BL H.1651.d.(3.)

18/12/1766 The Author Ten Sonatas for the Harpsichord, Organ or Piano Forte. Composed by John Burton. BL e.239

18/12/1766 Florio Grassi Six Sonatas for two German Flutes. Composed by Florio Grassi, London.

12/12/1767 The Author The Jessamine. A collection of six songs with accompanyments for two violins and a thorough-bass for the organ or harpsichord. Composed by Thomas Curtis. Book II. BL G.359.(3.)

Granville Sharp (the author) A Short Introduction to Vocal Musick. [By Granville Sharp.] BL 7900.k.14

12/12/1767

4/7/1768 James Hook A Collection of Favourite Songs sung at Marybon[e] Gardens by Miss Froud and Mr Taylor. Composed by James Hook. Book IV. BL H.1651.d.(5.)

9/7/1768 The Author Sixteen Hymns as they are sung at the Right Honourable the Countess of Huntingdon’s Chappel in Bath. Set to music by Benjamin Milgrove. BL A.1231.nn

Entries from 1710 to 1810

23

26/7/1768 James Hook A Collection of Favourite Songs sung at Vauxhall by Mr Vernon and Mrs [Fredericka] Weichsell. Composed by James Hook. Book V. 1768. BL H.1651.d.(54.)

[no proprietor named] 24/10/1768 Artaxerxes. An English opera, as it is performed at the Theatres Royal in Drury Lane & Covent Garden. The musick composed by Thomas Aug[ustine] Arne, Mus. Doc. BL G.226.(2.)

14/1/1769 The Author Tom Jones. A comic opera, as it is performed at the Theatre Royal in Covent Garden. By Joseph Reed. BL 841.d.37.(4.), words only

2/3/1769 The Author Six Sonatas for Two Violins and a Bass. Composed by Signor Giovanni Andrea Sabatini. Opera 1. BL g.222.(16.)

2/3/1769 The Author Six Sonatas for Two Violins and a Bass: the third and sixth with additional obligato parts; one sonata for the violoncello, and the other for the harpsichord. Composed by Signor Francesco Uttini. Op. 1. BL g.222.(20.) and h.2852.b.(5.)

The Author Six Sonatas for the Harpsichord. Composed by Signor Giacomo Croce. BL h.60.b.(2.)

2/3/1769

The Author Three Sonatas for the Harpsichord. Composed by Signor Giuseppe Sarti. BL h.60.b.(5.)

2/3/1769

24

Music Entries at Stationers’ Hall

6/3/1769 The Author Six Sonatas for Two Violins and a Bass. Composed by Signor Bartolomeo Menesini. BL g.222.(13.)

7/4/1769 Charles Dibdin The Ballads sung by Mr [Charles] Dibdin this evening at Ranelagh, and a Conclusion Piece properly transposed for the German ute and guitar. Composed by Mr [Charles] Dibdin. BL F.201.a.

7/4/1769 Thomas Hurst The Cotillons made Plain and Easy, in an Accurate and Practicable Manner. By which any person may become a pro
cient with little trouble, exempli
ed by the instructions and directions herein contained. The whole demonstrated by sixteen new English cotillons, upon a plan never yet attempted by any other master. By Thomas Hurst. BL d.67

1/6/1769 The Author Six Solos for the Violin, with a Bass. Composed by Signor Pietro Nardini. BL g.221.(1.)

10/8/1769 The Author Six Concertos, with accompaniments (viz.: violino primo, violino secondo, alto viola, violoncello, trav. primo e secondo 1 book, corno primo e secondo 1 book) for the organ, harpsichord or forte piano. Composed by Phil[ip] Hayes, Bac. Mus., gentleman of His Majesty’s Chapel Royal. BL g.116.(9.)

4/9/1769 Thomas Becket Shakespeare’s Garland, being a collection of new songs, ballads, roundelays, catches, glees, comic-serenatas, etc., performed at the Jubilee and [at] Stratford upon Avon. The musick by Dr [Thomas Augustine] Arne, Mr Barthelimon [i.e., François Hippolyte Barthélemon], Mr Ailwood [i.e., Theodore Aylward] and Mr [Charles] Dibdin. BL 841.d.37.(2.), words only

Entries from 1710 to 1810

Thomas Becket Shakespeare’s Jubilee. A masque by George Saville Carey. BL 841.d.37.(3.), words only

25

4/9/1769

John Holden An Essay towards a Rational System of Music. By John Holden. BL 558*.c.44

11/7/1770

C. D. Piguenit The Madman, a burletta performed at Marybone Gardens. BL 644.k.19.(12.)

28/8/1770

23/11/1770 Thomas Becket & Co. The Portrait. A burletta. As it is performed at the Theatre Royal, in Covent Garden. The music by Mr [Samuel] Arnold. BL 841.d.37.(5.) and 1346.f.20

3/4/1771 Benjamin Milgrove Twelve Hymns, as they are sung at the Right Honourable the Countess of Huntingdon’s Chappel in Bath. Set to music by Benjamin Milgrove. Book 2. BL B.440.(3.)

14/6/1771 The Author Six Easy Lessons for the Harpsichord. Composed by Bartholemew Davis. Opera primo. BL E.600.j.(7.)

George Alexander Stevens Songs, comic and satyrical. By George Alexander Stevens. BL 239.h.2 and 11621.aaa.20 and 11633.de.45, words only

7/3/1772

23/7/1772 Stanley Crowder Melodia Sacra, or The Devout Psalmist’s New Musical Companion, being a collection of psalm-tunes for divine service, etc. [By William Tans’ur.] BL A479.3

26

Music Entries at Stationers’ Hall

8/2/1773 Thomas Becket The Wedding Ring. A comic opera in two acts. As it is performed at the Theatre Royal in Drury Lane. [By Charles Dibdin.] BL 161.i.13 and 841.d.37.(10.)

8/2/1773 Thomas Becket The Golden Pippin. An English burletta in three acts. As it is performed at the Theatre Royal, Covent Garden. By the author of Midas [i.e., by Kane O’Hara]. BL 161.f.15 and 841.d.37.(8.)

1/4/1773 Francis Werner Twelve Favorite Country Dances Cottillions and Allmonds for the violin and harpsichord. By Francis Werner.

George Alexander Stevens Songs in The Trip to Portsmouth, a comic sketch of one act.

24/8/1773

George Alexander Stevens The Trip to Portsmouth, a comic sketch of one act, with songs. BL 161.f.60 and 841.d.37.(9.)

29/8/1773

15/6/1774 Daniel Dow Twenty Minuets and Sixteen Reels or Country Dances, for violin or harpsichord, or German ute. By Daniel Dow. BL b.53.(1.)

21/1/1775 George Kearsley The Two Misers. A musical farce, [written] by the author of Midas [Kane O’Hara]. BL 161.e.76 and 643.e.6.(2.), words only

16/10/1775 Thomas Evans The Weather Cock. A musical entertainment of two acts, as performed at the Theatre Royal, Covent Garden. BL 643.e.6.(4.), words only

Entries from 1710 to 1810

27

11/12/1775 Richard Brinsley Sheridan Songs, Duets, Trios, etc., in The Duenna; or, The Double Elopement. [The play written by Richard Brinsley Sheridan.] The sixth edition. BL 643.e.6.(3.), words only

2/3/1776 Richard Brinsley Sheridan The Duenna or Double Elopement, a comic opera as performed at the Theatre Royal in Covent Garden. [The play written by Richard Brinsley Sheridan.] For the voice, harpsichord or violin. BL E.100.(2.)

16/9/1776 J. Chouquet The Barber of Seville, or The Useless Precaution. A comedy in four acts with songs, etc. BL 164.g.35 and 643.e.5.(7.), words only

Edward and Charles Dilly 34 ; William Creech 14 15/1/1777 Essays. On Poetry and Music, as they affect the Mind. On Laughter, and ludicrous Composition. On the Utility of Classical Learning. By James Beattie, LL. D. BL 1086.e.28

1/3/1777 Johann Georg Christoph Schetky Six Quartettos for two violins, a tenor, and violoncello. By J[ohann] G[eorg] C[hristoph] Schetky. BL h.2830.(9.)

George Kearsley 12 ; William Woodfall 12 22/8/1777 April-Day, a burletta in three acts. Written by the author of Midas [Kane O’Hara]. As it is performed at the Theatre Royal in the Haymarket. The music composed by Dr [Samuel] Arnold. BL 643.e.6.(11.)

John Johnston, No. 97 Drury Lane 18/11/1777 The Overture, Songs, etc. in The Quaker. A comic opera. Now performing, with universal applause, at the Theatre Royal in Drury Lane. Composed by Charles Dibdin. BL E.100.a.(2.)

28

Music Entries at Stationers’ Hall

John Cadell and John Quick 6/1/1778 Poor Vulcan. A burletta in two acts, as performed at the Theatre Royal in Covent Garden. [By Charles Dibdin.] BL 161.f.72 and 643.e.8.(6.)

18/9/1778 Charles Dibdin Rose and Colin. A comic opera, in one act. As it is performed at the Theatre Royal in Covent Garden. BL 643.e.8.(4.), words only

18/9/1778 Charles Dibdin The Wives Revenged. A comic opera, in one act. As it is performed at the Theatre Royal in Covent Garden. BL 643.e.8.(5.), words only

9/10/1778 Elizabeth Grif
n Music Made Easy to Every Capacity, in a Series of Dialogues: being practical lessons for the harpsichord, laid down in a new method. Written in French by Monsieur [Anton] Bemetzrieder, music master to the Queen of France. The whole translated, and adapted to the use of the English student, by Giffard Bernard, M.A. BL 558*.c.34.(2.)

27/1/1779 James Thompson The Rudiments of Musick. To which is added, a collection of the best church tunes, hymns, canons and anthems. By James Thompson, Philo Musick. BL 558*.c.45

James Longman and Francis Broderip 12/2/1779 A Second Sett of Concertos for the Harpsichord or Piano Forte, with Accompaniments. Composed by Signor [Tommaso] Giordani. Op. 23. BL g.116.(7.)

Entries from 1710 to 1810

29

20/3/1779 The Author Calypso, a masque in three acts. As it is performed at the Theatre Royal in Covent Garden. Written by Richard Cumberland, Esq. The music composed by T[homas] [Hamley] Butler. BL 643.e.8.(10.), words only

31/3/1779 Mrs [Sarah] Harrington Two prints of Master [William] Crotch, aged 3 years and 7 months. [According to Philip H. High
ll Jr et al, A Biographical Dictionary of Actors… v 4 (Carbondale, Illinois, 1975) p 79, one such engraving was published on 2/4/1779, another was printed in the April 1779 London Magazine, and a third was published on 12/5/1779.]

17/4/1779 Longman & Broderip Six Sonatas for the Harpsichord and Piano Forte with an Accompaniment for a Violin. Composed by Signor [Ferdinando] Bertoni,
rst composer to the Opera-House. BL h.61.(2.)

17/4/1779 Longman & Broderip Three Favourite Duets, for two performers on one harpsichord or piano forte. Composed by Theodore Smith.

20/10/1779 George Kearsley Plymouth in an Uproar. A musical farce. As it is performed at the Theatre Royal in Covent Garden. The music composed by Mr [Charles] Dibdin. BL 643.e.11.(2.)

18/1/1780 Charles Dibdin The Shepherdess of the Alps. A comic opera in three acts. As it is performed at the Theatre Royal in Covent Garden. [Composed by Charles Dibdin.] BL 643.e.11.(4.)

1/2/1780 John Cumberland The Songs in The Widow of Delphi, or The Descent of the Deities. A musical drama of
ve acts, set to musick by Mr Thomas [Hamley] Butler. As it is performed at the Theatre Royal in Covent Garden. BL 161.f.77 and 643.e.40.(6.)

30

Music Entries at Stationers’ Hall

Thomas Linley 12 ; Abraham Portal 12 Twelve Ballads set to music. By Thomas Linley [the elder]. BL E.271.(10.)

3/2/1780

James Longman 12 ; Francis Broderip 12 3/3/1780 A Second Set of Three Favorite Duets, for two performers on one harpsicord or piano forte. Dedicated to Miss Thomson, and Miss Lucy Thomson. Composed by Theodore Smith. BL g.131.(11.)

15/3/1780 Abraham Portal The Overture, Serenade, Favorite Songs, etc. in The Widow of Delphi. Sung by Mrs Kennedy, Miss Brown, Mrs Wilson and Mr Quick at the Theatre Royal, Covent Garden. Composed, and humbly dedicated to Miss Sophia Cumberland, by Thomas [Hamley] Butler. BL E.100.a.(1.)

3/5/1780 The Author The Siege of Gibraltar. A musical farce in two acts. As it is performed at the Theatre Royal in Covent Garden. By F[rederick] Pilon. BL 163.h.7 and 643.e.10.(5.)

24/5/1780 John Bland No. 1 Op. 10th. A Periodical Overture in Eight Parts viz. for a
rst and second violin, a
rst and second oboe, a
rst and second horn, a tenor and a bass. By purchase from the author, F[rancis] Kotzwara. BL g.212.(7.)

24/5/1780 John Bland No. 2 Op. 10th. A Periodical Overture in Eight Parts viz. for a
rst and second violin, a
rst and second oboe, a
rst and second horn, a tenor and a bass. By purchase from the author, F[rancis] Kotzwara. BL g.212.(7)

Entries from 1710 to 1810

31

John Bland, by purchase from Robert Falkener, who purchased it 3/6/1780 from the widow Philpot Six Capital Lessons or Sonatas for the Harpsichord or Piano Forte. Composed by the late Stephen Philpot, organist of the Foundling Chapel. BL h.60.b.(4.)

Thomas Hughes and Francis Walsh, by gift from the author 26/6/1780 A Select Collection of Hymns to be universally sung in all the Countess of Huntingdon’s chapels. Collected by her ladyship [Selina Hastings, Countess of Huntingdon]. BL 1018.a.21

28/7/1780 John Preston Six Duetts, four for two violins, and two for a violin and tenor. Most humbly dedicated to the Right Honorable the Earl of Aylesford. By Antonio Kammell. Op. XV. BL g.218.(3.)

8/8/1780 John Preston Six Trios for two violins and a violoncello with a thorough bass for the harpsichord. Dedicated to John Cochaine Sole, Esq., by Antonio Kammell. Op. XVI. BL g.411.(6.)

5/9/1780 Joseph Dale Six Sonatas and a Fantasia Chromatica for the harpsichord or piano forte. Op. 2d. Composed by Joseph Dale. BL e.101.(2*.)

John Bland, by purchase 4/10/1780 Six Duos pour deux violons. Composées par Guillaume G[ommaire] Kennis, maître de musique de l’église collegiate de St Pierre à Louvain. Op. XII. BL g.218.(4.)

32

Music Entries at Stationers’ Hall

John Bland, by purchase from Mr Francis Monza, agent here to 2/11/1780 Carlo Monza Sei Trio Concertanti per duo violini e violoncello obligato, composti dal Signor Carlo Monza, maestro di musica della Real Capella di Milano. BL g.222.(14.)

John Preston, the whole by purchase from the author, 2/11/1780 W[ilhelm] F[riedrich] E[rnst] Bach Six Sonatas for the Harpsichord or Piano Forte, with an accompaniment for a violin and violoncello. Dedicated to Miss [Sophia] Dumergue. By W[ilhelm] F[riedrich] E[rnst] Bach. BL h.70.(1.)

29/12/1780 John Preston A Second Sett. Six Overtures in Eight Parts, performed at Vauxhall Gardens. Composed by W[illiam] Smethergell, organist of St Mary at Hill and Allhallows Barking, London. Op. 5. BL g.212.(9.)

17/1/1781 John Preston Six Sonatas for the Harpsichord or Piano Forte, with an accompaniment for a violin. Composed by Signor [Tommaso] Giordani. Dedicated to Miss Georgiana Ryves. Op. 27. BL e.100.(1.)

20/1/1781 John Preston The Lord of the Manor. A comic opera composed by William Jackson, of Exeter. Adapted for the voice and harpsichord. BL E.100.a.(4.)

3/2/1781 The Author A Brief Account of, and an Introduction to, Eight Lectures, in the Science of Music, to be read as soon as
fty subscribers, at one guinea each for the course, shall have sent their address for that purpose; in which are proposed to be demonstrated and to be explained the radical sources of melody and harmony, etc., etc. By Marmaduke Overend, organist of Isleworth, Middlesex. BL 558*.c.35.(1.)

Entries from 1710 to 1810

33

Charles Elliot, by assignment from the editor 7/3/1781 An Essay upon Tune. Being an attempt to free the scale of music, and the tune of instruments, from imperfection. Illustrated with plates. [By John Maxwell.] BL 1609/4629 and 55.b.21.

8/3/1781 Carlo Francesco Bandini Zemira et Azore. A comic entertainment as performed at the King’s Theatre in the Haymarket. Altered and revised by C[arlo] F[rancesco] Bandini, A.M. and LL.B. BL 643.c.10.(7.)

8/12/1781 The Author Harmonia Sacra, or A Collection of Psalm Tunes, with Interludes and a Thorough Bass, many of which have never been printed. To which are added, an introductory voluntary, anthems and hymns. By William Gawler. BL B.440.(5.)

6/4/1782 Thomas Skillern A Collection of Songs sung by Mr Vernon, Mrs Wrighten and Mrs Kennedy at Vauxhall Gardens. Composed by James Hook. BL H.1651.e.(10.)

6/6/1782 John Bland The Agreeable Surprise. A comic opera in two acts. As it is performed at the Theatre Royal in the Haymarket. The music composed by Dr [Samuel] Arnold. For the voice, harpsichord or violin. Op. 16. BL E.111.c.(1.)

John Valentine, the composer 5/7/1782 Eight Easy Symphonies for two violins, two hautboys or German utes, two French horns, a tenor and thorough bass, with solos for the different instruments interspers’d through the whole. Being an introduction to playing in concert, designed for, and dedicated to all junior performers and musical societies. By John Valentine of Leicester. Op. 6. BL g.212.(10.)

34

Music Entries at Stationers’ Hall

24/7/1782 John Bland The Fandango Overture, Airs, etc. in The Spanish Barber, now performing with the greatest applause at the Theatre Royal in the Haymarket. Composed by Dr [Samuel] Arnold. Op. 17. BL E.111.b.(2.)

2/9/1782 Thomas Skillern A Collection of Songs sung by Mr Cubitt, Mrs Wrighten, Mrs Weichsell and Mrs Kennedy at Vauxhall Gardens. Composed by James Hook. BL H.1651.e.(13.)

19/11/1782 John Bland The Castle of Andalusia. A comic opera. As it is performed at the Theatre Royal in Covent Garden. Composed by Dr [Samuel] Arnold. Op. 15. BL E.111.c.(2.)

26/11/1782 John Bland Trois Sonatas pour le Clavecin ou Piano Forte, avec un accompagnement pour un violon obligato. Par Jacob Tours. Op. 3. BL j.70,b.(9.)

16/12/1782 John Preston The Favourite Additional Rondo sung by Signor Sestini in The Castle of Andalusia. Composed by Signor [Tommaso] Giordani. BL H.131.(23.)

23/12/1782 John Preston A Third Set of Six Duetts for Two German Flutes. Composed by Signor [Tommaso] Giordani. BL h.111.(10.)

10/1/1783 John Preston Six Sonatas for the Harpsichord or Piano Forte, with an accompaniment for a violin. Dedicated to the Miss Blackwoods [i.e., to the Misses Blackwood]. Composed by Alexander Scouler. Op. 2. BL h.64.(7.)

Entries from 1710 to 1810

35

28/1/1783 John Preston A Duetto for Two Performers on One Piano Forte or Harpsichord. Composed by Signor [Tommaso] Giordani. BL g.131.(2.)

9/4/1783 John Preston Six Sonatinas for the Piano Forte or Harpsichord composed in an easy familiar style for the use of young performers. By Signor Tommaso Giordani. BL h.61.(4.)

14/4/1783 John Preston The Favorite Song sung by Miss Phillips in The Adventures of a Night. BL H.1653.(56.), text begins ‘Oh Love, how swift thy fairest prospects fade’

19/4/1783 John Preston The Power of Innocence. A favourite ballad, set to musick by Signor [Tommaso] Giordani. BL H.1650.(5.)

23/7/1783 Samuel, Ann and Peter Thompson ’Twas Yes, kind Sir, and I thank you too. A favorite Scotch ballad. Composed and sung by Mrs [Mary Ann] Wrighten at Vauxhall Gardens. BL H.1653.(51.)

23/7/1783 Samuel, Ann and Peter Thompson Hark Away is the Word to the Sound of the Horn. A favourite hunting song, sung by Mr King at Ranelagh. Composed by Mr [James] Hook. BL H.1651.(6.) and Mad.Soc.21.(61.)

Samuel, Ann and Peter Thompson 23/7/1783 A Collection of Songs sung by Mrs Weichsell, Mrs Wrighten and Mrs Kennedy at Vauxhall Gardens, and by Mr King at Ranelagh. Composed by James Hook. BL H.1651.e.(14.)

36

Music Entries at Stationers’ Hall

23/7/1783 Samuel, Ann and Peter Thompson The Hermit. Written by the late celebrated Dr [Oliver] Goldsmith. Set to music by James Hook. Adapted for two violins, voice and harpsichord. Op. 24. BL H.1650.(8)

23/7/1783 Samuel, Ann and Peter Thompson The Cryer. As performed, with universal applause, at Vauxhall Gardens by Mr Arrowsmith, Mrs Weichsell, Mrs Kennedy and Mrs Wrighten. Composed by Mr [James] Hook. The words by Miles Peter Andrews, Esq. BL H.1650.(7.)

2/8/1783 Birchall & Beardmore No. 1. A favorite Canzonet of Alcanzor and Zayda, a Moorish Tale. Composed by Signor [Tommaso] Giordani, with an accompaniment for a piano forte or harp. BL H.131.(25.)

2/8/1783 Dr [Samuel] Arnold The Royal British Tar, sung by Mr Arrowsmith at Vauxhall. The words by M[iles] P[eter] Andrews Esq. Set to music by Dr [Samuel] Arnold. BL H.131.(8.)

5/8/1783 John Preston A Second Collection of Songs sung by Mrs Weichsell, Mrs Wrighten and Mrs Kennedy at Vauxhall Gardens. Composed by James Hook, 1783. BL H.1651.e.(15.)

28/8/1783 Robert Wornum Take, Oh Take those Lips away. A favorite glee, for four voices. The words by the immortal [William] Shakespeare. The music by Signor [Tommaso] Giordani.

1/9/1783 Samuel, Ann and Peter Thompson The favourite madrigal For me, my Fair a Wreath has Wove. Composed by Mr [Felice] Giardini. BL H.131.(18.)

Entries from 1710 to 1810

37

10/9/1783 Robert Wornum Take, Oh Take those Lips away. A favorite glee, adapted for one voice and harpsichord accompaniment. The words from [William] Shakespeare. The music by Signor [Tommaso] Giordani.

13/9/1783 John Preston Gretna Green. A comic opera. As performed, with universal applause, at the Theatre Royal, Haymarket. Consisting of Italian, French, Irish, English and Scotch musick. The overture by Dr [Samuel] Arnold, composer to His Majesty. BL E.111.c.(3.)

Samuel, Ann and Peter Thompson The Old Woman. A humourous song, composed by Mr [Felice] Giardini. BL H.131.(20.)

23/9/1783

14/10/1783 Samuel, Ann and Peter Thompson The Mothers Complaint. A romance, set to musick by Mr [Felice] Giardini. BL H.131.(19.)

16/10/1783 Samuel, Ann and Peter Thompson Yo Yea, or The Friendly Tarrs. Sung by Mr Barrington at Sadler’s Wells. Composed by Mr [Charles] Dibdin. BL H.131.(17.)

24/10/1783 Robert Birchall Youth and Age. A favorite duett for two voices. The words from [William] Shakespeare. Composed by Signor [Tommaso] Giordani. BL G.354.(13.)

Samuel, Ann and Peter Thompson 30/10/1783 A new edition of Artaxerxes. A serious opera. As performed at the Theatres Royal Covent Garden and Drury Lane. Composed by Dr [Thomas Augustine] Arne. For the voice, harpsichord and a violin. BL D.262.(1.)

38

Music Entries at Stationers’ Hall

1/11/1783 The Author New Lessons for the Harpsichord; or, General Instructions on Vocal and Instrumental Music, on Melody and Harmony, on Thorough-Bass and Composition, etc., with a new geometrical explanation of the musical scale, the modes and various kinds of music, the propagation of the fourth, etc. Second edition. To which is added, an Introduction, by means of which every one may study this work without the help of a master, & improve rapidly both in the practice and theory of music. By Monsieur [Anton] Bemetzrieder. BL E.350.(2.)

1/11/1783 The Author Compendium of a New Method of Music. The various branches of musical knowledge are separated, de
ned, illustrated and arranged according to the natural order. By Monsieur [Anton] Bemetzrieder. BL 557*.c.19.(8.)

1/11/1783 The Author Précis d’une nouvelle Méthode de Musique. Les differentes branches du savoir musicale sont séparées, de
nés, éclairées & arrangées suivant l’ordre naturel. By Monsieur [Anton] Bemetzrieder. BL 1042.k.23.(1.)

John Bland, by purchase from the author 14/11/1783 The Poor Soldier. A comic opera. As performed, with universal applause, at the Theatre Royal, Covent Garden. Selected and composed by William Shield. BL E.108.c.(13.)

Robert Birchall 27/11/1783 No. 2 of A Fifth Sett of Sonatas for the Piano Forte or Harpsichord. Composed by the celebrated Giuseppe [i.e., Joseph] Haydn of Vienna. BL h.656.e.(1.)

28/11/1783 Samuel, Ann and Peter Thompson Six Quartettos, three for a violin, oboe or ute, tenor and violoncello; and three for two violins, tenor and violoncello. Composed by Felice Giardini. Op. 25. BL g.213.(1.)

Entries from 1710 to 1810

39

8/12/1783 John Preston Six Grand Lessons for the Harpsichord or Piano Forte with an accompaniment for a German ute or violin. Composed by James Hook. Op. 30. BL h.64.(5.)

11/12/1783 Harrison & Co. New Musical Magazine or Compleat Library of Vocal and Instrumental Music, etc., etc., etc. No. 1. The whole accompanied with an Universal Dictionary of Music, etc., etc. BL Music. E.105.a., incomplete

16/12/1783 Samuel, Ann and Peter Thompson The Seasons. A collection of pastorals, containing spring, summer, autumn and winter. Composed by James Hook. Op. 29. BL H.139.a.(13.)

16/12/1783 Samuel, Ann and Peter Thompson The Hours of Love. A collection of sonnets containing morning, noon, evening & night. Composed by James Hook. Properly adapted for the voice, harpsichord, violin or German ute. A new edition. BL E.271.(8.)

26/12/1783 John Preston The Minstrel. A collection of songs selected from the reliques of ancient poetry. Composed and humbly dedicated to the Right Honourable the Marquis of Carmarthen. By James Hook. Book 1. Op. 31. BL 1650.(10.)

2/1/1784 F. Chabran The Celebrated Dances performed by Messieurs le Picq, Vestris Jr and Slingsby, Madames Théodore d’Auberval, Simonet and Signora Rossi at the King’s Theatre, Haymarket, 1783. Adapted for the harpsichord, violin or German ute. Composed by Mr [François Hippolyte] Barthélemon, Signor [Venanzio] Rauzzini, and others. Book I. BL b.51.(1.) and b.51.a.(2.)

40

Music Entries at Stationers’ Hall

15/1/1784 Robert Birchall No. 3 of A Fifth Sett of Sonatas for the Piano Forte or Harpsichord. Composed by the celebrated Giuseppe [i.e., Joseph] Haydn, of Vienna. BL h.656.e.(1.)

4/2/1784 The Author Six Sonatinas for the Piano Forte or Harpsichord, with an accompaniment for a violin or German ute. Composed by Joseph Dale. Op. 3. BL g.223.n.(1.)

John Preston The Beauties of Music and Poetry. Vol. 1. BL G.351.(1.)

14/2/1784

27/2/1784 R. Custance Five Songs for philosophers in particular and for Christians in general. Set to music by R. Custance. BL B.440.(4.)

John Preston The Beauties of Music and Poetry. Vol. 2. BL G.351.(1.)

28/2/1784

5/3/1784 The Composer Concerto I for the Piano Forte or Harpsichord with accompaniments for two violins, two hautboys, two horns, a tenor and bass. Composed by Joseph Dale. Op. IV. BL g.116.(5.)

5/3/1784 Samuel, Ann and Peter Thompson The Days of Love in four pastoral songs, containing Solicitation, Hope, Consent and Celebration. Composed by [Charles] T[homas] Carter. Properly adapted for the voice, harpsichord, violin or German ute. The words by Mr Oakman. BL E.271.(2.)

Entries from 1710 to 1810

41

16/3/1784 John Preston Six Progressive Lessons for the Harpsichord or Piano Forte. Calculated for the improvement of young performers. Composed by Signor [Tommaso] Giordani. BL h.62.(2.)

Robert Birchall Betty. A favorite song. Composed by Signor [Tommaso] Giordani. BL H.131.(24.)

19/3/1784

Robert Birchall 19/3/1784 Teach me, Chloe. A favorite song. Composed by Signor [Tommaso] Giordani. BL H.131.(27.)

23/3/1784 John Preston The Double Disguise. A comic opera. As performed, with universal applause, at the Theatre Royal, in Drury Lane. Composed by James Hook. Op. 32. BL E.100.a.(3.)

29/3/1784 Samuel, Ann and Peter Thompson Six Sonates pour le Clavecin ou Piano-Forte, avec l’Accompagnement d’un Violon. Composées par Charles Frederic Abel. Op. 18. BL h.50.(1.)

John Preston The Beauties of Music and Poetry. Vol. 3. BL G.351.(1.)

2/4/1784

5/4/1784 The Author Three Grand Sonatas for the Harpsichord or the Piano Forte. Composed by Doctor [Samuel] Arnold. Op. 23. BL e.105.(1.)

42

Music Entries at Stationers’ Hall

14/4/1784 The Author A new invention for one performer, or two performers on the same harpsichord or piano forte (or may be sung by two voices). La Chanson de mi Lord Malbroug, from the original copy sung by the nurse of His Royal Highness the Dauphin of France, with the proper French words and translation into English, and some variations never before printed. By [Charles] Thomas Carter. BL G.806.r.(12.)

17/4/1784 Samuel, Ann and Peter Thompson The Cestus. A serenata. As performed at the Royal Circus. Composed by C[harles] Dibdin. BL D.276.(2.)

28/4/1784 The Author Six Lessons for the Harpsichord, Organ or Piano Forte. Composed by Theodore Aylward. BL e.101.(1.)

John Preston The Beauties of Music and Poetry. Vol. 4. BL G.351.(1.)

1/5/1784

John Bland, by purchase from Mr William Shield 3/5/1784 Robin Hood, or Sherwood Forest. A comic opera. As performed, with universal applause, at the Theatre Royal, Covent Garden. Composed and compiled by William Shield. BL E.108.e.(5.)

7/5/1784 The Author Three Sonatas for the Grand Piano Forte or Harpsichord with accompaniments for a violin and violoncello. Composed by Joseph Dale. Op. 6. BL h.70.(2.)

Entries from 1710 to 1810

43

7/5/1784 The Author Concerto II for the Piano Forte or Harpsichord with accompaniments for two violins, two hautboys, two horns, a tenor and bass. Composed by Joseph Dale. Op. 5. BL g.115.(6.)

10/5/1784 John Preston Four Sonatas for the Piano Forte and One Duett for Two Piano Fortes. Composed by Signor M[uzio] Clementi. Op. 12. Published by permission of the author. BL e.102.(1.)

John Preston The Beauties of Music and Poetry. Vol. 5. BL G.351.(1.)

1/6/1784

1/6/1784 Samuel, Ann and Peter Thompson Six Trios for a Violin, Tenor, and Violoncello. Composed by Felice Giardini. Op. 26. BL g.420.d.(3.)

2/6/1784 John Preston The Favorite Songs in the Opera Issipile. [Composed by Pasquale Anfossi.] BL H.345.(1.) [presumably this work appeared in two parts—see the entry for 29/6/1784 below]

17/6/1784 Robert Birchall Willow, Willow, Willow. A favorite ballad. Set to music by Signor [Tommaso] Giordani. BL G.306.(160.) and H.131.(21.)

17/6/1784 Robert Birchall Winifreda. An address to conjugal love. Translated from the ancient British language. Set to music by Signor [Tommaso] Giordani. BL G.306.(157.) and H.131.(22.)

44

Music Entries at Stationers’ Hall

24/6/1784 Samuel, Ann and Peter Thompson A Favourite Collection of Songs sung by Mr Arrowsmith, Mrs Weichsell, Mrs Wrighten and Mrs Kennedy, at Vauxhall Gardens. Composed by James Hook. BL H.1651.e.(16.)

John Bland, by purchase 28/6/1784 A Seventh Book of Catches, Canons and Glees for Three, Four and Five Voices. Composed by Samuel Webbe. BL E.207.d.(6.)

29/6/1784 John Preston The Favorite Songs in the Opera Issipile. [Composed by Pasquale Anfossi.] BL H.345.(1.), presumably this work appeared in two parts—see the entry for 2/6/1784

30/6/1784 Samuel, Ann and Peter Thompson I Could Not Help Laughing at That. A favorite ballad. Composed and sung by Mrs [Mary Ann] Wrighten at Vauxhall Gardens. BL H.1653.(99.)

5/7/1784 Harrison & Co. Two to One. A comic opera. Now performing, with universal applause, at the Theatre Royal in the Haymarket. Composed by Dr [Samuel] Arnold, organist and composer to His Majesty, for the voice, harpsichord, and violin. Op. 24. BL E.105 and E.111.v.(4.)

John Preston The Beauties of Music and Poetry. Vol. 6. BL G.351.(1.)

Harrison & Co. Two to One. A comic opera. No. 4.

6/7/1784

24/7/1784

Entries from 1710 to 1810

45

7/8/1784 John Preston The Poll Booth. A musical entertainment. As performed, with universal applause, at Vauxhall Gardens. Composed by James Hook. Op. 34. BL H.139.a.(9.)

9/8/1784 John Preston A Second Collection of Songs sung by Mr Arrowsmith, Mrs Weichsell, Mrs Wrighten and Mrs Kennedy at Vauxhall Gardens. Composed by James Hook. BL H.1651.e.(17.)

14/8/1784 Harrison & Co. No. 1 of the New Musical Magazine for the German-Flute, to consist of compleat operas, and all other favourite works, of the most famous British, Italian, German, French and other composers, etc. BL b.23.(2.), this number contains music from the opera Two to One, by Samuel Arnold

14/8/1784 Henry Holland The Redbreast. A cantata. Composed by John Stanley, Esq., M[us.] B[ac.] and master of His Majesty’s band. The words by Mr McClellan. BL G.296.(29.) and G.359.(9.)

19/8/1784 George Robinson The Noble Peasant. A comic opera, in three acts. As performed at the Theatre Royal in the Haymarket. [Written] By Thomas Holcroft. [The music by William Shield.] BL 162.h.39 and 643.e.13.(6.), words only

Giusto Ferdinand Tenducci [the translator] 7/9/1784 Orpheus and Eurydice. An English musical drama, in imitation of the antient Greek theatrical feasts, as performed at the Theatre Royal in Smock Alley [Dublin]. The music by Cav[alier] Christopher Gluck, music composer to the Emperor, with the additions of the late celebrated John Christian Bach. BL 643.e.13.(2.)

46

Music Entries at Stationers’ Hall

16/9/1784 Harrison & Co. Peeping Tom of Coventry. A comic opera. Now performing, with universal applause, at the Theatre Royal in the Haymarket. Composed by Dr [Samuel] Arnold, for the voice, harpsichord and violin. Op. 25. BL E.111.b.(1.)

20/9/1784 The Author Thirty Psalm Tunes in Four Parts, with Symphonies, Interludes, and an Instrumental Bass being set part to the old, and part to the new version. Composed by John Valentine of Leicester. BL B.440.(2.)

25/9/1784 Harrison & Co. Hunt the Slipper. A musical farce. Composed by Dr [Samuel] Arnold, for the voice, harpsichord and violin. Op. 26. BL E.111.c.(5.)

6/10/1784 The Author Fairy-Hill, or May-Day. A pastoral opera, in three acts, as it was originally written for a private theatre. By William Mansell, Esq. BL 643.e.13.(7.), words only

6/11/1784 Harrison & Co. The Genius of Nonsense. An original, whimsical, operatical, pantomimical, farcical, electrical, navalm and military extravaganza. Now performing at the Theatre Royal in the Haymarket. Composed by Dr [Samuel] Arnold, for the voice, harpsichord and violin. Op. 27. BL E.111.c.(4.)

15/11/1784 The Author A Sett of Progressive Lessons for the Harpsichord or Piano Forte particularly calculated for the Use and Improvement of Young Practitioners. Composed by J[ohn] C[hristopher] Moller. Op. 6. BL e.101.(6.)

Entries from 1710 to 1810

47

27/11/1784 Samuel, Ann and Peter Thompson The Overture, Songs, Duets, etc. in The Spanish Rivals. A musical farce. As performed at the Theatre Royal in Drury Lane. Composed by Thomas Linley.

2/12/1784 Samuel, Ann and Peter Thompson Thompson’s Pocket Companion for the German-Flute. Containing a choice collection of celebrated airs, minuets, marches, duets and songs, collected from the most favourite operas, entertainments, etc. Composed by the most eminent masters. Vol. 1. BL a.223.3

2/12/1784 Samuel, Ann and Peter Thompson Thompson’s Pocket Companion for the German-Flute. Containing a choice collection of celebrated airs, minuets, marches, duets and songs, collected from the most favourite operas, entertainments, etc. Composed by the most eminent masters. Vol. 2. BL a.223.3

2/12/1784 Samuel, Ann and Peter Thompson Thompson’s Pocket Companion for the German-Flute. Containing a choice collection of celebrated airs, minuets, marches, duets and songs, collected from the most favourite operas, entertainments, etc. Composed by the most eminent masters. Vol. 3. BL a.223.3

2/12/1784 Samuel, Ann and Peter Thompson The Lyrist or Family Concert. Containing the overtures, favourite songs, etc., in the operas of The Islanders, Plymouth in an Uproar, Chelsea-Pensioner, and HarlequinFree-Mason, as they are performed at the Theatre Royal in Covent Garden. Composed by Mr [Charles] Dibdin. Vol. 1. BL D.277.(3.)

10/12/1784 The Author The Theory of Harmonics; or, An Illustration of the Grecian Harmonica. In two parts. I. As it is maintained by Euclid, Aristoxenus and Bacchius Senior. II. As it is established on the doctrine of the ratio: in which are explained the two diagrams of Gaudentius, and the Pythagorean numbers in Nicomachus. With plates, an introduction to each part, and a general index. By John Keeble, organist of St George’s Church, Hanover-Square. BL 557*.f.19

48

Music Entries at Stationers’ Hall

20/12/1784 Samuel, Ann and Peter Thompson Six Songs for a Voice or Harpsichord. Composed by Mr Joseph Olive, organist of St Botolph Aldersgate. BL G.360.(38.)

27/12/1784 Robert Birchall Three Concertos for the Harpsichord or Piano Forte, with an accompanyment for two violins and a bass. Composed by Signor [Tommaso] Giordani. Op. 33. BL g.116.(8.)

Mrs Humphrey Love in a Cof
n. A new song to a very old tune. BL C.20.f.2.(365.)

3/1/1785

31/1/1785 Birchall & Andrews Deux Sonates pour le Clavecin, avec un violon. Par Maria Cosway. Arrangées pour deux harpe et clavecin, piano-forté ou l’orgue par Phil[ippe] Jac[ques] Meyer. NB: une de deux parties peut être jouée seule avec le vion. Publiées avec agrément de Mrs [Maria] Cosway. BL h.64.(3.)

14/2/1785 Robert Bremner Select Concert Pieces,
tted for the harpsichord or piano forte, with an accompaniment for the violin by Robert Bremner. Number 1. To be continued. BL h.64.(2.) [this serial publication contains music by Luigi Boccherini, Joseph Haydn, Francesco Geminiani and Arcangelo Corelli]

17/2/1785 John Preston Liberty-Hall, or The Test of Good Fellowship. A comic opera. As performed, with universal applause, at the Theatre Royal, Drury Lane, being entirely an original composition by Mr [Charles] Dibdin. BL D.278.(4.)

Entries from 1710 to 1810

49

5/3/1785 Samuel, Ann and Peter Thompson Catches, Glees, and Canons, for three, four,
ve, and six voices. Composed by Dr [William] Hayes. Book 4. BL E.207.d.(5.)

4/4/1785 Joseph Dale When William at Eve. A favorite song sung by Mrs [Margaret] Martyr, in the musical entertainment of Rosina. Composed by William Shield. BL H.131.(52.)

11/4/1785 Morris Barford [Pieter] Hellendaal’s Celebrated Rondo for the organ, harpsichord or piano forte. Also for the violin and violoncello. BL h.62.(6.)

14/4/1785 Samuel, Ann and Peter Thompson The Songs in The Search for Happiness, a pastoral drama, written by Miss Hannah More. Set to music and dedicated to the young ladies of Gough House, Chelsea, by James Hook. Op. 39. BL E.98.b.(8)

16/4/1785 Samuel, Ann and Peter Thompson William and Nancy, or The Perjured Swains. A favourite pastoral adapted for the voice and harpsichord or piano forte. Composed by J[ames] Hook. Op. 38. BL E.98.b.(7.)

3/5/1785 Longman & Broderip Il Convitato di Pietra. Grand ballet by Mr le Picq, as performed with great applause at the King’s Theatre 1785. The music by the celebrated Chevalier [Christoph] Gluck, in which is introduced a favorite Pas de Trois. Part of the music by the above author; the whole adapted for the harpsichord, piano forte, violin and ute by F[rançois] H[ippolyte] Barthélemon.

50

Music Entries at Stationers’ Hall

4/5/1785 John Bland Three Sonatas for the Piano Forte or Harpsichord. Composed by Giuseppe [i.e., Joseph] Haydn. Op. 41. BL h.656.e.(2.)

10/5/1785 Joseph Dale The New Blown Rose. Sung by Mrs [Margaret] Martyr, at the Theatre Royal, Covent Garden. The words by Mrs Cumyns. The music by J[oseph] Dale. BL H.131.(15.)

10/5/1785 Longman & Broderip The Nunnery. A comic opera. As performed, with universal applause, at the Theatre Royal, Covent Garden. Selected and composed by William Shield. BL E.100.(5.)

21/5/1785 Longman & Broderip Trois Sonates pour le Clavecin ou le Piano Forte. Accompanées d’un violon et d’un violoncelle. Composées par Leopold Kozeluch. Op. 3. BL g.625.(1.) and h.70.(6.)

23/5/1785 Samuel, Ann and Peter Thompson Festivity. A favorite song, sung by Mr Wilson at Ranelagh. Composed by Dr [Samuel] Arnold. BL H.131.(7.)

26/5/1785 The Author Six Sonatas for the Piano Forte with an accompanyment for a violin or German ute. Composed by Muzio Clementi. Op. 13.

Longman & Broderip 26/5/1785 Twenty Four American Country Dances as danced by the British during their winter quarters at Philadelphia, New York, and Charles Town. Collected by Mr [Thomas] Cantelo, musician at Bath, where they are now dancing for the
rst time in Britain, with the addition of six favorite minutes now performing this present spring season, 1785. BL b.53.(2.)

Entries from 1710 to 1810

51

26/5/1785 John Christian Luther Three Favorite Quartetts and One Quintett for the Harpsichord, Violin, Flute, Hautboy, Tenor and Violoncello. By the late John Christian Bach, Esq. These quartetts are expressly adapted for the harpsichord or piano forte with a single accompaniment for a violin by John Christian Luther. BL h.32.c

26/5/1785 John Christian Luther Four Sonatas originally composed as quartetts for the harpsichord, violin, ute, hautboy, tenor and violoncello by the late John Christian Bach. Adapted for the harpsichord or piano forte with a single accompaniment for a violin by John Christian Luther. BL h.60.(2.)

7/6/1785 John Bland Anacreontic Songs, for 1, 2, 3 and 4 Voices. Composed and selected by Doctor [Samuel] Arnold. BL H.1652.(1.)

7/6/1785 John Bland [John] Danby’s First Book of Catches, Canons and Glees, for three, four and
ve voices. BL E.207.d.(2.)

10/6/1785 Longman & Broderip The Balloon. A favorite song, sung by Mr [Daniel] Arrowsmith at Vauxhall Gardens. The words by Mr Pillon. Composed by Mr [Michael] Arne. BL H.131.(5.)

10/6/1785 Longman & Broderip The Mid Watch. A favorite song, sung by Mr [Daniel] Arrowsmith at Vauxhall Gardens. Composed by Mr [Michael] Arne. BL H.131.(3.)

52

Music Entries at Stationers’ Hall

11/6/1785 Longman & Broderip Sequel to Sweet Poll of Plymouth. Composed or compiled by Philomusicus. BL H.1653.(59.)

22/6/1785 Samuel, Ann and Peter Thompson A Favourite Collection of Songs, sung by Mr Arrowsmith, Mrs Weichsell, Mrs Wrighten, and Mrs Kennedy, at Vauxhall Gardens. Composed by James Hook. BM H.1651.e.(18.)

Samuel, Ann and Peter Thompson 24/6/1785 A Favourite Scotch Song, The Highland Queen. Sung by Mr Wilson at Ranelagh. Composed by Mr [James] Hook. BL H.1651.(7.)

28/6/1785 Longman & Broderip The Sailor’s Allegory. A favorite song for a water party. By George Saville Carey. BL H.1651.(7.)

4/7/1785 Longman & Broderip Tax on Old Maids. A favorite song, sung by Mrs [Margaret] Kennedy at Vauxhall Gardens. Composed by Mr [Michael] Arne. BL H.131.(6.)

4/7/1785 Longman & Broderip The Favorite Laughing Song, sung by Mr Burling at the Spa Gardens, Bermondsey, with universal applause. Composed by J[onas] Blewitt. BL H.1653.(13.), text begins ‘They call me a toper’

4/7/1785 Longman & Broderip A Favorite Hunting Duet. Sung by Mr [Charles] Dignum and Mr [Charles] Danby at the Theatre Royal Drury Lane. Composed by J[ohn] Danby. BL G.354.(10.), text begins ‘While beams the bright morn’

Entries from 1710 to 1810

53

5/7/1785 Longman & Broderip The Hopeless Maid. A favorite ballad, sung by Mrs Thompson at the Spa Gardens, Bermondsey. Composed by J[onas] Blewitt. BL H.1653.(3.)

7/7/1785 Joseph Dale Three Favorite Duetts for Two Performers on one Piano Forte or Harpsichord. Composed and humbly dedicated to the Miss Graham’s [i.e., the Misses Graham] by Joseph Dale. Op. 7. BL g.131.(1.)

8/7/1785 Henry Brewster A Concise Method of Playing Thoro Bass Exempli
ed by Two of [Arcangelo] Corelli’s Sonatas which, with Attention, will enable the Scholar in a Short Time to Accompany in Concert. By Henry Brewster.

11/7/1785 Longman & Broderip A Favorite Song on Peace. Sung by Mr Burling at the Spa Gardens Bermondsey. Composed by J[onas] Blewitt. BL H.1653.(11.), text begins ‘The nations no longer in battles dispute’

11/7/1785 Longman & Broderip The Woods and Dells where Echo Dwells. A favorite pastoral ballad. Sung by Miss Watson at the Spa Gardens, Bermondsey. Composed by J[onas] Blewitt. BL H.1653.(14.)

15/7/1785 Joseph Dale La Virginella, adapted as a lesson for the harpsichord. [By Ferdinando Bertoni.] BL H.131.(1.), text begins ‘Tell me, O cruel maid’

16/7/1785 Longman & Broderip The Je ne sçai quoi. A favorite song sung at Astley’s Theatre in a burletta called The Double Jealousy. Composed by W[illiam] Reeve. BL H.131.(45.)

54

Music Entries at Stationers’ Hall

16/7/1785 Longman & Broderip Still We Sigh for Something More. A favorite rondo sung at Astley’s Amphitheatre in a burletta called The Double Jealousy. Composed by W[illiam] Reeve. BL H.131.(43.)

22/7/1785 Longman & Broderip The Sailors Return. A favorite ballad with an accompanyment for the piano forte. Composed by Robert Broderip. BL H.1653.(24.)

25/7/1785 John Preston A Second Collection of Songs sung by Mrs Weichsell, Mrs Wrighten, and Mrs Kennedy, at Vauxhall Gardens. Composed by James Hook. BL H.1651.e.(19.)

30/7/1785 Longman & Broderip Kiss Me Now or Never. A favorite ballad. Written, composed, and sung by Mrs [Mary Ann] Wrighten at Vauxhall Gardens. BL H.1653.(50.)

5/8/1785 Samuel, Ann and Peter Thompson The Nightingale. A favourite song. Sung by Mrs Bottarelli at Ranelagh. Composed by John Moulds. BL H.131.(39.)

6/8/1785 Longman & Broderip 1785. The favorite dance of Robin Gray. Performed at the King’s Theatre by Messrs le Picq, Slingsby, and Signora Rossi. Adapted for the harpsichord, piano forte, ute, and violin by F[rançois] H[ippolyte] Barthélemon. BL b.51.(2.) and R.M.15.g.7

6/8/1785 Longman & Broderip The Nunnery. A comic opera by Mr [William] Shield. Performed at the Theatre Royal, Covent Garden. Adapted for the German ute. BL B.387.b.(3.)

Entries from 1710 to 1810

Longman & Broderip The Nunnery, etc., for the guitar. [By William Shield.] BL B.385.(5.)

55

6/8/1785

6/8/1785 Longman & Broderip A Favorite Hunting Song sung by Mr Harriss at the Spa Gardens, Bermondsey. Composed by J[onas] Blewitt. BL H.1653.(12), text begins ‘The sportsmen are called’

Longman & Broderip 6/8/1785 So It Came to Pass. A favorite song sung by Miss Watson, at the Spa Gardens, Bermondsey. Composed by J[onas] Blewitt. BL H.1653.(22.)

6/8/1785 Longman & Broderip The Maid of the Cot. A favorite song sung by Mr Harriss at the Spa Gardens, Bermondsey. Composed by J[onas] Blewitt. BL H.1643.(18.)

12/8/1785 Thomas Skillern Turk, and No Turk. A comic opera. Now performing, with universal applause, at the Theatre Royal, in the Haymarket. For the voice, harpsichord, violin, or German ute. Composed by Dr [Samuel] Arnold, organist and composer to His Majesty. Op. 28. BL E.111.b.(5.)

Longman & Broderip The Celebrated Death Song of the Cherokee Indians. BL G.297.32 and H.1653.(57.) and Mad.Soc. 21.(105.)

13/8/1785

Samuel, Ann and Peter Thompson 16/8/1785 The Wanton Loves and Graces Gay. Sung by Mrs [Fredericka] Weichsell at Vauxhall. Composed by Mr [James] Hook. BL G.312.(228.)

56

Music Entries at Stationers’ Hall

16/8/1785 Peter Lee Six Progressive Lessons for the Harpsichord or Piano Forte. Containing many usefull passages, with the manner of
ngering them. Composed by Mr [Peter] Lee, organist, Putney. Printed for the author. BL e.101.(5.)

22/9/1785 Samuel, Ann and Peter Thompson Six Conversation Pieces for the Piano Forte or Harpsichord, with an accompaniment for the violin or German ute. Dedicated to Lady Jervis, and composed by James Hook. Op. 40. BL h.60.(4.)

28/9/1785 Wardbaugh Thompson A Treatise on the Transposition of Music with a New Invented Circular Sliding Scale, by which any person unacquainted with music may learn to transpose into the various keys in a few minutes.

5/10/1785 Samuel, Ann and Peter Thompson The Soldier’s Farewell on the Eve of the Battle of Quebec. Composed by Mr [Charles Thomas] Carter. BL H.1650.(6.)

10/10/1785 Longman & Broderip Strephon and Maria. A favorite rondo. Composed by T[homas] B[rabazon] Gray. BL H.1653.(28.)

10/10/1785 Longman & Broderip Deserted Delia. A favorite song. The words by Miss Man
eld. Composed by [H. B.] Schroeder. BL H.1601.b.(80.) and H.1653.(46.)

17/10/1785 Thomas Skillern The Duke of York’s March. As performed by His Royal Highness’s new band in the Coldstream Regiment of Guards. BL G.297.(33.)

Entries from 1710 to 1810

57

17/10/1785 Thomas Skillern Bannock Burn. A favorite Scotch song. Sung by Mrs [Margaret] Kennedy at Vauxhall. BL H.1653.(55.), entered as ‘Nae Lass sa blithe as Jenny was.’

George, George and John [Robinson] and James Robinson 18/11/1785 The Choleric Fathers. A comic opera. Performed at the Theatre Royal in Covent Garden. [Written] By Thomas Holcroft. BL 643.e.14.(3.), words only

Longman & Broderip 6/12/1785 The Choleric Fathers. A comic opera. Performed, with universal applause, at the Theatre Royal, Covent Garden. Composed by William Shield. BL E.100.(1.)

13/12/1785 George Nicol Songs, etc., in The Strangers at Home. A comic opera, in three acts. As performed at the Theatre Royal in Drury Lane. [Written by James Cobb. The music by Thomas Linley Sr.] BL 643.e.15.(1*.) and 643.h.11.(6) and 1609/5880.(15.) and C.108.bbb.60

20/12/1785 William Campbell A Grand Overture in all its parts. Composed by Giuseppe [i.e., Joseph] Haydn of Vienna.

27/12/1785 Longman & Broderip Tit for Tat. A favorite song, sung by Mrs [Maragret] Martyr at the Theatre Royal, Covent Garden in the farce called The Fool. Composed by Mr [James] Hook. BL H.1651.(8.)

Longman & Broderip 27/12/1785 I Will Not Tell You What. A favorite song, sung by Mrs [Margaret] Martyr at the Theatre Royal, Covent Garden in the farce called The Fool. Composed by Mr [James] Hook. BL H.1651.b.(60.)

58

Music Entries at Stationers’ Hall

7/1/1786 Charles Bennett Six Sonatas for the Harpsichord, Piano Forte and Organ, with accompanyments for two violins and a violoncello. Composed by John Garth. BL g.443.ff.(16.)

11/1/1786 Longman & Broderip The Strangers at Home. A comic opera. Performed, with universal applause, at the Theatre Royal, Drury Lane. Selected and composed by Thomas Linley. BL E.100.a.(6.)

16/1/1786 Charles Bennett The Padlock. A comic opera. As it is performed at the Theatre Royal in Drury Lane. Composed by Mr [Charles] Dibdin.

26/1/1786 Samuel, Ann and Peter Thompson A Favorite Song in the New Comedy of The Heiress. As performed, with universal applause, at Drury Lane Theatre. Adapted to an air of Signor [Giovanni] Paisiello by Mr [Thomas] Linley. Sung by Mrs [Anna Maria] Crouch. BL H.131.(40.), text begins ‘For tenderness form’d’

9/2/1786 Peter Lee Damond and Delia. A favorite rondo. Composed by Mr [Peter] Lee, organist of Putney, author of Progressive Lessons for the Harpsichord. BL H.1653.(34.)

9/2/1786 Longman & Broderip Omai, or A Trip round the World. A pantomime. Performed, with the greatest applause, at the Theatre Royal, Covent Garden. Set to music by William Shield. The words written by J[ohn] O’Keeffe, Esq. BL E.108.e.(2.)

23/2/1786 Harrison & Co. The Strangers at Home. A comic opera, in three acts. As performed at the Theatre Royal in Drury Lane. [Written by James Cobb. The music by Thomas Linley Sr.] BL 643.h.11.(5.), words only

Entries from 1710 to 1810

59

2/3/1786 Longman & Broderip Tell me thou Soul of Her I Love. A favorite ballad. Composed by Signor [Tommaso] Giordani. BL H.131.(28.)

3/3/1786 Longman & Broderip 1786. The favorite opera dances performed at the King’s Theatre, Haymarket by Monsieur Vestris, Signora Carolina, Madame Crespi, two Mesdames Simonets, Monsieur Duqeusny, Signor Spozzi and Madame Mozon, etc., etc. Selected, and adapted for the piano forte or harpsichord, by Signor [Joseph] Mazzinghi. BL b.51.(3.)

10/3/1786 Longman & Broderip Love in a Camp, or Patrick in Prussia. A comic opera. Performed, with universal applause, at the Theatre Royal, Covent Garden. Selected and composed by William Shield. The words by J[ohn] O’Keeffe, Esq. N.B. This opera is a sequel to The Poor Soldier. Price 6/-. BL E.108.e.(1.)

11/3/1786 The Author Three Duetts for two performers on one piano forte. Dédiés à Mademoiselle Marie Victoire Imbert-Colomés de Lyon. By Muzio Clementi. Price 10/6. BL e.102.(3.)

11/3/1786 The Author Three Sonatas for the Piano Forte. Dédiés à Mademoiselle Marie Victoire ImbertColomés de Lyon. By Muzio Clementi. Op. 15. Price 10/6. BL e.102.(5.)

11/3/1786 Samuel Arnold Redemption. A sacred oratorio selected from the great and favourite works of Mr [George Frideric] Handel. By Samuel Arnold, Mus. Doc. As it is performed at the Theatre Royal in Drury Lane. BL 643.e.14.(5.), words only

60

Music Entries at Stationers’ Hall

11/3/1786 Samuel, Ann and Peter Thompson Charming Sue. A favorite ballad. Written, composed, and sung, by Mr [Daniel] Arrowsmith at the Pantheon. Price 6d. BL H.1653.(1.)

18/3/1786 John Bell Airs, Duetts, Trios and Chorusses in the new comic opera called The Peruvian. Performed at the Theatre Royal, Covent Garden. [Composed by James Hook.] BL 643.e.15.(3.), words only

25/3/1786 The Author (To be continued.) Select Concert Pieces
tted for the Harpsichord or Piano Forte, with an accompaniment for the violin. By Robert Bremner. BL h.64.(2.)

29/3/1786 Longman & Broderip La Chasse pour le Clavecin ou Forte Piano. Par Leopold Kozeluch. Op. V. Price 2/-. BL e.105.(4.)

29/3/1786 Longman & Broderip Madam [Gertrude Elizabeth] Mara’s Favorite Song in Didone Abbandonata. Composed by Signor [Niccola] Piccinni. Price 2/6. BL H.345.(26.), text begins ‘Se il ciel mi divide’

31/3/1786 John Bell The Peruvian. A comic opera, in three acts. As performed at the Theatre Royal, Covent Garden. By a lady. The music chiey composed by Mr [James] Hook. 8°. BL 643.e.14.(10.), words only

Longman & Broderip 6/4/1786 Ah non Lasciarmi no bell’ Idol mio. Sung by Madam [Gertrude Elizabeth] Mara in Didone Abbandonata. Composed by Signor [Michele] Mortellari. Price 2/6. BL H.345.(2.)

Entries from 1710 to 1810

61

6/4/1786 Longman & Broderip Ombra cara, Ombra tradita. Sung by Madam [Gertrude Elizabeth] Mara in Didone Abbandonata. Price 2/6. BL H.345.(18.)

10/4/1786 Longman & Broderip Six Canzonets with an accompanyment for the piano forte or harp. Composed and humbly dedicated to the Right Honourable Countess Spencer. By Michele Mortellari. BL B.396.

12/4/1786 Samuel, Ann and Peter Thompson The Fair Peruvian. A comic opera. As performed, with universal applause, at the Theatre Royal in Covent Garden. Composed by James Hook. Adapted for the voice, harpsichord or violin. Op. 45. Price 10/6. BL E.98.c.(2.)

15/4/1786 Longman & Broderip Signora Ferrarese del Bene’s Favorite Song in La Scuola de Gelosi. Composed by Signor [Antonio] Salieri. Price 2/6. BL H.345.(19.), text begins ‘Partiro dal caro sposo’

15/4/1786 Longman & Broderip Two Sonatas for the Piano Forte or Harpsichord with an accompanyment for a violin. Op. 1. Price 5/-. Composed by H. B. Schroeder. BL h.60.(8.)

2/5/1786 The Author (To be continued.) Select Concert Pieces,
tted for the harpsichord or piano forte, with an accompaniment for the violin by Robert Bremner. Number I. Price 2/-. BL h.64.(2.)

2/5/1786 Longman & Broderip Six Duetts for a Violin and Violoncello. Humbly dedicated to His Royal Highness The Prince of Wales. Composed by J[ean]-B[aptiste] Bréval. Price 2.6. BL g.225.(15.)

62

Music Entries at Stationers’ Hall

5/5/1786 Longman & Broderip The much admired Overture and Irish Medley to the entertainment of The Isle of Saints, or The Landing of St Patrick. Composed, and adapted for the piano forte or harpsichord, by Signor [Tommaso] Giordani. Price 1/6. BL h.62.(10.)

8/5/1786 Longman & Broderip 1786. The favorite opera dances performed at the King’s Theatre Haymarket by Monsieur Vestris, Signora Carolina, Madame Crespi, two Mesdames Simonets. Monsieur Duqeusny, Signor Spozzi and Madame Mozon, etc., etc. Selected, and adapted for the piano forte or harpsichord, by Signor [Joseph] Mazzinghi. Book II. Price 3/6. BL b.51.(3.)

John Bland The Answer to Turn Amarillis. Composed by S[tephen] Paxton. Price 1/-. BL G.353.(24.), text begins ‘Go, Damon, go’

9/5/1786

Longman & Broderip 20/5/1786 Son Regina e Sono Amante. Sung by Madam [Gertrude Elizabeth] Mara in Didone Abbandonata. Composed by Signor [Antonio] Sacchini. Price 2/6. BL H.345.(29.)

27/5/1786 Longman & Broderip Pupille venose del Caro mio bene. A favorite song in the opera of Virginia. Sung by Signor [Giovanni Battista] Rubinelli. Composed by Signor [Angelo] Tarchi. Price 2/6. BL H.345.(21.)

27/5/1786 Longman & Broderip Non è la mia speranza. Sung by Madam [Gertrude Elizabeth] Mara, in the opera of Perseo. Composed by Signor [Antonio] Sacchini. Price 2/6. BL H.345.(17.)

Entries from 1710 to 1810

63

29/5/1786 The Author Six Sonatas for the Piano Forte or Harpsichord, with an accompanyment for a violin and violoncello. Composed, and most respectfully dedicated to the Right Honourable Lady Charlotte Leveson-Gower, by Charles Frederic[k] Horn. Opera Prima. Price 10/6. BL h.70.(5.) and R.M.26.a.2.(5.)

1/6/1786 Longman & Broderip La Mia Sposa. Sung by Signor [Giovanni Battista] Rubinelli in the opera of Virginia. Composed by Signor [Gioacchino] Albertini. Price 2/6. BL H.345.(14.)

1/6/1786 Longman & Broderip Idol mio quest alma amante. Sung by Signor [Giovanni Battista] Rubinelli in the opera of Virginia. Composed by Signor [Angelo] Tarchi. BL H.345.(11.)

2/6/1786 Joseph Gehot A Treatise on the Theory and Practice of Music, in three parts. The
rst part treats of practical music in general. The second, of the thorough bass, and the third, of counterpoint or composition. Together with scales of every musical instrument; and the art of
ngering on keyed, and bowing on stringed, instruments explained in various examples. By Joseph Gehot. BL E.350.(1.)

5/6/1786 Longman & Broderip Mind the Main Chance. A favorite ballad. Sung by Mr Wilson at Ranelagh. Composed by J[ohn] Moulds. Price 6d. BL H.131.(32.)

7/6/1786 Longman & Broderip The favorite opera dances performed at the King’s Theatre Haymarket by Monsieur Vestris, Signora Carolina, Madame Crespi, two Mesdames Simonets. Monsieur Duqeusny, Signor Spozzi and Madame Mozon, etc., etc. Selected, and adapted for the piano forte or harpsichord, by Signor [Joseph] Mazzinghi. Book III. Price 3/6. BL b.51.(3.)

64

Music Entries at Stationers’ Hall

9/6/1786 Longman & Broderip How Sweet the Rosy Blush of Morn. A favorite pastoral ballad, sung by Mr Wilson at Ranelagh. Composed by J[ohn] Moulds. Price 6d. BL H.131.(31.)

9/6/1786 Longman & Broderip The Airs in Mr [Philip James de] Loutherbourgh’s pantomime of Omai. Composed, and adapted for the piano forte or harpsichord, by William Shield. Price 2/6. BL b.52.(3.)

12/6/1786 Longman & Broderip Calma la pena amara. Sung by Signor [Giovanni Battista] Rubinelli in the opera of Armida. Composed by Signor [Michele] Mortellari. Price 2/6. BL H.345.(3.)

12/6/1786 Longman & Broderip Book VI. Twenty-Four New Cotillions with their proper Figures, adapted for the harp, piano forte, violin and German ute. As danced at the Assembly Rooms in Bath, and other grand balls and assemblies, being the most favorite and fashionable. Collected for the use of the nobility and gentry. Now performing this present spring season, 1786. Price 5/-. BL b.53.(3.)

13/6/1786 The Authoress Six Rondos for the Harpsichord or Piano Forte. Composed by Jane Savage. Op. III. Price 3/6. BL e.101.(7.)

13/6/1786 Longman & Broderip Now when the vernal Sun appears. A favorite ballad, sung by Mr Wilson at Ranelagh. Composed by J[ohn] Moulds. Price 6d. BL H.131.(33.)

Entries from 1710 to 1810

65

[no proprietor named] 22/6/1786 The Children in the Wood. Set to music by Thomas Billington, harpsichord and singing master, author of Gray’s Elegy, Pope’s Messiah, and Eloisa to Abelard. BL H.1650.(1.)

23/6/1786 Longman & Broderip Resta ingrata. Sung by Signor [Giovanni Battista] Rubinelli, in the opera of Armida. Composed by Signor [Michele] Mortellari. Price 2/6. BL H.345.(24.)

23/6/1786 Longman & Broderip Non lagrimar bin mio. Sung by Madam Mara and Signor Rubinelli, in the opera of Virginia. Composed by Signor [Angelo] Tarchi. Price 2/6. BL G.197.(13.)

27/6/1786 Longman & Broderip Balmy Pledge of Love sincere. A favorite ballad, with an accompanyment for the piano forte or harp. The words by the Rev. Mr L. Booker. Set to music by L[awrence] C[ornelius] Nielson. Price 6d. BL H.1653.(37.)

27/6/1786 Longman & Broderip When Absent from thy much lov’d Sight. A favorite ballad, with an accompanyment for the piano forte or harp. Composed by L[awrence] C[ornelius] Nielson. Price 6d. BL H.1653.(39.)

27/6/1786 Longman & Broderip Number [1] of the Opera Overtures, adapted [by Joseph Mazzinghi] for the harpsichord or piano forte, with an accompanyment for the violin. Price 1/6. BL h.61.(7.)

30/6/1786 B. Wood My Daddy O. A favorite Scotch song. Sung by Mrs [Margaret] Martyr at Vauxhall Gardens. Composed by Mr [James] Hook. The words by Mr [John] O’Keef[f]e. Price 6d. BL H.1651.b.(80.)

66

Music Entries at Stationers’ Hall

10/7/1786 Longman & Broderip The Triumph of Beauty. A musical entertainment. As performed, with universal applause, by Mr Incledon, Miss Leary, Mrs Martyr and Mrs Wrighten at Vauxhall Gardens. Written by a lady, and set to music by Mr [James] Hook. BL H.139.a.(4) and H.1650.(12.)

10/7/1786 Longman & Broderip La Chasse, pour le clavecin ou forte piano. Par Muzio Clementi. Op. 16. Price 3/-. BL e.102.(4.)

10/7/1786 Longman & Broderip Sweet Willy O. A favorite rondo for the harpsichord, violin, German ute and guitar. Composed by C[harles] Dibdin. Price 1/-. BL h.62.(19.)

19/7/1786 Longman & Broderip Ma chère Amie. A favorite song, sung by Mrs [apparently a mistake for Mr Charles] Incledon at Vauxhall. Written by a lady, and set to music by Mr [James] Hook. BL H.1651.c.(35.)

21/7/1786 Longman & Broderip 1786. The favorite opera dances performed at the King’s Theatre Haymarket by Monsieur Vestris, Signora Carolina, Madame Crespi, two Mesdames Simonets. Monsieur Duqeusney, Signor Spozzi and Madame Mozon, etc., etc. Selected and adapted for the piano forte or harpsichord. Book IV. By Signor [Joseph] Mazzinghi. Price 3/6. BL b.51.(3.)

26/7/1786 Longman & Broderip Number 2 of the Opera Overtures, adapted [by Joseph Mazzinghi] for the harpsichord or piano forte, with an accompanyment for the violin. Price 1/6. BL H.61.(8.)

Entries from 1710 to 1810

67

31/7/1786 Longman & Broderip Ah tornate o Dio serene. Sung by Madam Mara and Signor Rubinelli, in the opera of Armida. Composed by Signor [Michele] Mortellari. Price 2/6. BL G.197.(9.)

31/7/1786 Longman & Broderip Sei Sonate per Cimbalo. Al merito singolare dell’illuminato Signor Antonio Corsi, patrizio Fiorentino, marchese della città di Caizzo, Signor di Dugenta, Millazzano, Raiano, delle Castella, e Ciamborlano delle LL. AA. RR., da Luigi Cherubini, Fiorentino. Price 10/6. BL e.105.(2.)

12/8/1786 Longman & Broderip Book the 19th for the year 1786. Twelve New Country Dances, with their proper
gures for the violin, harp or harpsichord, as performed at the Prince of Wales’s and other grand balls and assemblies. Humbly dedicated to the nobility and gentry, subscribers to Willis’s Rooms, Festino, etc. Price 1/6.

Longman & Broderip 14/8/1786 Three Old English Songs, harmonized by W[illiam] B[enson] Earle. Price 3/-. BL H.1652.(4.)

17/8/1786 Longman & Broderip; Corri and Sutherland A Complete Musical Grammar, with a concise dictionary comprehending all the signs, marks and terms necessary to the practice of music, the art of
ngering, the rules of thorough bass, a prelude in every key, and other various instructions, all comprehended in this board. Invented and arranged by Domenico Corri. BL E.350.(3.)

21/8/1786 The Author Maria’s Evening Service to the Virgin, as sung by Miss Mahon at Mr Lacy’s readings, Freemason’s Hall, with universal applause. Set to music by Thomas Billington. Price 1/-. BL H.1650.(2.)

68

Music Entries at Stationers’ Hall

28/8/1786 Longman & Broderip The Reveilleé. A favorite sonnet written by the Right Honourable the Earl of Orford. Set to music by Mr [James] Hook and sung at Vauxhall Gardens with universal applause. Price 1/-. BL G.354.(15.) and H.1651.c.(45.)

5/9/1786 Longman & Broderip The Siege of Curzola. A comic opera. As performed at the Theatre Royal in the Haymarket. The music composed by Dr [Samuel] Arnold, organist and composer to His Majesty, adapted for the voice and harpsichord. NB. The words by Mr [John] O’Keef[f]e. Op. 29. Price 10/6. BL

7/9/1786 Longman & Broderip Duo pour le Clavecin ou Piano Forte. Composed by L[eopold] Kozeluch. Op. 19. Price 3/-. BL g.130.(7.)

Longman & Broderip 14/9/1786 Twelve Ballads, composed by the celebrated [Joseph] Haydn of Vienna. Adapted to English words with an accompaniment for the harpsichord and piano forte by William Shield. Price 7/6. BL E.271.(4.)

[no proprietor named] 14/9/1786 A De
nition of Minuet-Dancing, Rules for Behaviour in Company, &c. A dialogue between a lady and a dancing-master. By S. J. Gardiner. 12°. BL 1040.e.4.(6.), contains dance diagrams but no music

22/9/1768 Longman & Broderip Ode on the Late Providential Escape of His Majesty from Assassination. As performed at the Star and Garter Tavern, Pall Mall, at a dinner held by the Gentlemen of His Majesty’s Chapel Royal to commemorate the happy event, on Wednesday August 9th 1786. Composed by T[homas] S[anders] Dupuis, organist and composer to His Majesty. Price 2/6. BL H.1652.(3.)

Entries from 1710 to 1810

69

23/9/1786 The Author Humble Petition of Sophia, Frances and Louisa B*** to the Honourable Chiefs of the Three Musical Armies who Guard the Vineyard in England; with the Answer of Signor Iocaronelli, Doctor F. Sharp, and meinherr Achenhochendorff. Reply and answer by M. [Anton] Bemetzrieder. Opusculum VIIIvum. BL G.353.(4.)

25/9/1786 Longman & Broderip Six Quartetts for Two Violins, a Tenor and Violoncello. Composed by Mr I[gnace] Pleyel. Op. 6. Price 10/6. BL g.213.(11.)

26/9/1786 Longman & Broderip Trois Sonates pour le Clavecin ou Piano Forte, le troisieme est accomp. d’un violon obligato. Composées by W[olfgang] A[madeus] Mozart. Op. 7. Price 7/6. BL h.2880.e

2/10/1786 John Bland The Rose had been Wash’d. A favorite song, sung in the Nobility’s Concerts by Mr Harrison. Composed by Mr [Samuel] Webbe, the words by a young lady. BL H.131.(53.)

2/10/1786 John Bland Stay Silver Moon. A favorite rondo, sung in the Nobility’s Concerts by Mr Harrison. Composed by Mr [John] Danby. BL H.131.(16.)

13/10/1786 The Author Twelve Pastorals for Two Voices. Composed by William Jackson, of Exeter. Op. XV. BL H.1652.(6.)

13/10/1786 Holland & Co. The King’s Health. A favorite glee for three voices. Composed by Matt[hew] Cooke. Price 1/6. BL E.207.d.(3.)

70

Music Entries at Stationers’ Hall

16/10/1786 Longman & Broderip Trois Sonates pour le Clavecin ou Piano Forte avec accompagnement d’un violon ad libitum. Par L[eopold] Kozeluch. Op. 18. Price 6/-. BL h.70.b.(5.)

18/10/1786 Longman & Broderip A Collection of Favorite Ballads, sung with universal applause by Mrs Piercy, Mrs Thompson, Miss Stephenson and Mr Harris at the Spa Gardens, Bermondsey. Composed by Mr J[onas] Blewitt. Price 3/-. BL H.1653.(23.)

21/10/1786 The Author Six English and Italian Songs, most humbly dedicated by permission to the Right Honourable the Countess of Salisbury. By Maria Barthélemon. Opera 2d. BL E.271.(1.)

26/10/1786 Longman & Broderip Air Favori Varié pour le Clavecin ou Piano Forte et un Rondeau. Par Jean Vanhall. Op. 34. Price 2/-. BL e.105.(6.)

26/10/1786 Longman & Broderip Three Sonatas for the Harpsichord or Piano Forte with an accompanyment for a violin and violoncello. Composed by Joseph Haydn. Op. 43. Price 8/-. BL h.70.(3.)

4/11/1786 Longman & Broderip Richard Coeur de Lion. An opera. As performed, with universal applause, at the Theatre Royal, Covent Garden. Composed by the celebrated Grétry, Anfossi, Bertoni, Dr [Philip] Hayes, Dr [John] Wilson, Carolan and William Shield. Price 8/-. BL E.108.e.(4.)

7/11/1786 Robert Bremner Select Concert-Pieces,
tted for the Harpsichord or Piano Forte, with an accompaniment for the violin. By Robert Bremner. No. 7. Price 2/-. BL h.64.(2.)

Entries from 1710 to 1810

71

9/11/1786 Longman & Broderip A Third Sett of Six Canzonets with an accompanyment for the pedal or small harp, forte piano, or harpsichord. Composed and humbly dedicated to Lady Clarges by Giuseppe Millico. Price 5/-. BL A.641.(3.) and B.699.b.(3.)

13/11/1786 Longman & Broderip Deux Sonates pour le Clavecin ou le Piano Forte, avec accompagnement de violon ad libitum. Composées par Leopold Kozeluch. Op. 10. Price 5/-. BL h.70.b.(3.)

16/11/1786 Longman & Broderip Three English Songs with an accompanyment for the harp, piano forte, or harpsichord. Set to music by Signor [Giusto Ferdinando] Tenducci. Price 3/-. BL C.385

16/11/1786 Longman & Broderip A Favorite Overture by Giuseppe [i.e., Joseph] Haydn. Adapted for the piano forte or harpsichord with an accompanyment for a violin by Charles Frediric [i.e., Frederick] Horn. Price 3/-. BL h.656.e.(4.)

20/11/1786 The Author Strephan and Flavia. A favorite cantata. Written by Mrs Savage. Set to music by Jane Savage. Op. 4. Price 2/-. BL H.1653.(44.)

27/11/1786 Longman & Broderip Six Quartetts for Two Violins, a Tenor and Violoncello. Composed by Mr I[gnace] Pleyel. Op. 3. Price 10/6. BL g.213.(10.)

72

Music Entries at Stationers’ Hall

29/11/1786 Longman & Broderip Twenty Four of the Most Elegant, and Favorite English Songs, adapted for one, two and three guitars, with an accompaniment. Humbly dedicated to the Right Honourable Countess Stanhope by Signor Ghillini di Asuni, author of the New Instruction Book for the Piano Forte Guitar. Op. 20. Price 6/-. BL E.271.(3.)

1/12/1786 Jane Savage Hail the Woodman. A favorite song. Set to music by Jane Savage. London. Price 1/-. BL H.1653.(45.)

John Bland Hymn for Christmas Day. Composed by Mr [Samuel] Webbe. Price 6d. BL G.502.(9.), text begins ‘Awake, awake’

4/12/1786

5/12/1786 Longman & Broderip Trois Quintettos pour deux Violons, deux Tailles et Violoncello. Composées par I[gnace] Pleyel. Op. 8. Price 7/6. BL h.318.(4.)

6/12/1786 Longman & Broderip Fantaisie et Sonate pour le Forte Piano. Composées par W[olfgang] A[madeus] Mozart. Op. 11. Price 3/-. BL e.490.b.(2.)

deposited 6/12/1786; entered 13/12/1786 Longman & Broderip Three Sonatas for the Piano Forte with an accompanyment for a violin or German ute. Composed and (by permission) most humbly dedicated to Her Grace the Duchess of Devonshire, by Joseph Mazzinghi. Op. 2. Price 7/6. BL h.60.(6.)

8/12/1786 Peter Lee Three Sonatas for the Piano Forte, with an accompanyment for a violin or German ute and violoncello. By permission most humbly dedicated to his worthy friend, William Savage, gentleman, by Peter Lee. Op. 2. Price 6/-. BL h.60.(5.)

Entries from 1710 to 1810

73

13/12/1786 Longman & Broderip A Favorite Concerto for the Harpsichord or Piano Forte with accompaniments. Composed by J[ohann] F[ranz] Sterkel. Op. 2. Price 7/6. BL g.116.a.(5.)

16/12/1786 Longman & Broderip Giulio Sabino e Epponina. Sonata caratteristica per il clavicembalo o forte piano con violino. Composta dal Signor Giuseppe Sarti, maestro di cembalo. Op. 1. Price 3/-. BL e.100.(3.)

16/12/1786 Joseph Dale The Bud of the Rose. Sung by Mr [Charles] Bannister in Rosina. Composed by William Shield. Price 1/-. BL H.131.(51.)

19/12/1786 Longman & Broderip A Favorite Minuet and Country Dance for the piano forte or harpsichord. Composed by Signor [Giusto Ferdinando] Tenducci. Price 6d. BL h.62.(13.)

27/12/1786 John Bell The Songs, Recitatives, Airs, Duets, Trios and Chorusses introduced in the pantomime entertainment of The Enchanted Castle. As performed at the Theatre Royal, Covent Garden. The words by Miles Peter Andrews, Esq., and the music by Mr Shields [i.e., by William Shield]. 8°. BL 643.e.14.(9.), words only

28/12/1786 Longman & Broderip Scherza il nocchier talora. Sung by Signor Rubinelli in the opera of Alceste. Composed by Signor [Antoine Frédéric] Gresnick. BL H.345.(25.)

1/1/1787 Longman & Broderip Quando sarà quel di. Sung by Madam [Gertrude Elizabeth] Mara in the opera of Alceste. Composed by Signor [Antoine Frédéric] Gresnick. Price 2/6. BL H.345.(22.)

74

Music Entries at Stationers’ Hall

1/1/1787 Longman & Broderip Deh t’affretti, astri tiranni. Sung by Madam [Gertrude Elizabeth] Mara in the opera of Alceste. Composed by Signor [Antoine Frédéric] Gresnick. Price 2/6. BL H.345.(7.)

1/1/1787 Longman & Broderip Quel labro adorato. Sung by Signor [Giovanni Battista] Rubinelli in the opera of Alceste. Composed by Signor [Antoine Frédéric] Gresnick. Price 2/6. BL H.345.(23.)

4/1/1787 Longman & Broderip Concerto pour le Clavecin ou le Forte Piano avec accompagnement de deux violons, alto, basse, deux cors et deux hautboys ad libitum. Composé par J[ohann] F[ranz] Sterkel. Op. 18. Price 4/-. BL g.116.a.(4.)

4/1/1787 Joseph Dale Nel partir bell’idol mio. A favorite Italian air sung by Miss Chanu at Bath and at the Nobility’s Concerts. [Composed by John Christian Bach.] Price 2/6. BL H.345.(16.)

5/1/1787 Longman & Broderip The favorite song of Golden Treasures. Sung by Mrs [Elizabeth] Billington in the opera of Fontainbleau. Written by J[ohn] O’Keeffe, Esq. Set to music by William Shield. BL H.131.(50.)

9/1/1787 William Collins and John Sadler The New Vocal Miscellany, or, a Fountain of Pure Harmony; containing sixty new songs (not one of which appeared in print before) written to some of the most delightful English, Irish, and Scots tunes: the name of each tune inserted at the beginning of each song. To which is added, a humorous cantata, called The Alehouse Politicians, never printed before. 12°. By William Collins. BL 11643.bbb.21.(1.)

Entries from 1710 to 1810

75

10/1/1787 John Preston The Overture and Favorite Songs in Richard Coeur de Lion. As performed with the greatest applause at both theatres royal. Composed by Monsieur [André Ernest Modeste] Grétry, with English and French words. Price 3/-. BL H.130.(5.) and H.3691.e.(14.)

13/1/1787 The Author Sun’s Harmony. Consisting of psalms, hymns, anthems, etc., all in score with a thorough bass for the harpsichord or organ, composed after a method entirely new, suitable for public or private devotion, and never before printed. To which is added, an introduction adapted to the meanest capacity, for the use of learners, with a complete index to the whole. By Thomas Firth, Leeds.

13/1/1787 Longman & Broderip Twelve English Ballads, the music the undoubted composition of [Joseph] Haydn. The words, selected and adapted to his works, by Dr [Samuel] Arnold. BL E.271.(5.)

Longman & Broderip 13/1/1787 Three Capricios for the Harpsichord or Piano Forte. Composed by Mr J[ean] Vanhall. BL e.105.(5.)

16/1/1787 Longman & Broderip Deh risplendi. Duettino. Sung by Madam Mara and Signor Rubinelli in the opera of Alceste. Composed by Signor [Antoine Frédéric] Gresnick. BL G.197.(11.)

19/1/1787 Longman & Broderip Antonio’s Song in Richard Coeur de Lion. Adapted for the harpsichord, piano forte or harp. Composed by Signor [André Ernest Modeste] Grétry. BL H.1670.(56.), text begins ‘La danse n'est pas ce que j’aime’

20/1/1787 Longman & Broderip A Favorite Duett, sung by Mrs [Isabella] Mattocks and Mr [Richard] Gaudry in the comedy of Know your own Mind, accompanied on the guitar. BL G.354.(56.)

76

Music Entries at Stationers’ Hall

25/1/1787 Longman & Broderip Sinfonia Loudon per il Clavicembalo ò Forte Piano. Dal Signor Giuseppe [i.e., Joseph] Haydn. Op. 36. BL e.101.(4.)

2/2/1787 Longman & Broderip Number 3 of the Opera Overtures. Adapted [by Joseph Mazzinghi] for the harpsichord or piano forte with an accompaniment for a violin. Price 1/6. BL h.61.(9.)

2/2/1787 Longman & Broderip A Favorite Sonata for the Piano Forte or Harpsichord. Composed by J. Mully. BL h.62.(12.)

2/2/1787 Longman & Broderip Se libera non sono. Sung by Madam Mara in the opera of Alceste. Composed by Signor [Antoine Frédéric] Gresnick. Price 2/6. BL H.345.(27.)

5/2/1787 Longman & Broderip Trois Sonates pour le Clavecin ou Piano Forte avec accompagnement d’un violon ad libitum. Par L[eopold] Kozeluch. Op. 17. Price 6/-. BL h.70.b.(4.)

5/2/1787 Robert Parsley [Robert] Parsley’s Fashionable Lyric Companion. A collection of the newest and most favourite songs that have been sung at the different places of entertainment during the present season, together with a variety of original pieces sung at the several societies, to whom the publisher presumes to dedicate his endeavours, and others written on purpose for this work; and a collection of toasts and sentiments that have never before appeared in print. The whole comprising an agreeable assistant to the recollection of the musical mind, and an able companion to the convivial hour. BL 1078.d.12.(1.)

Entries from 1710 to 1810

77

7/2/1787 Longman & Broderip Trois Sonates pour le Clavecin ou le Forte Piano. Par L[eopold] Kozeluch. Op. 20. Price 6/-. BL h.60.b.(3.)

15/2/1787 Longman & Broderip Ti consola amato. Sung by Signora [Anna] Benini in the opera Giannive e Bernandone. Composed by Signor [Giuseppe] Gazzaniga. Price 2/6. BL H.345.(30.)

19/2/1787 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord. Composed by Thomas Shaw. Price 6/-. BL e.101.(8.)

21/2/1787 Longman & Broderip Differentes petites Pièces faciles et agréables pour le Clavecin ou Piano Forte. Par Joseph Haydn. Op. 44. Price 4/-. BL e.101.(3.)

21/2/1787 Longman & Broderip The Pantomime of The Enchanted Castle. As performed, with universal applause, at the Theatre Royal, Covent Garden. The poetry by M[iles] P[eter] Andrews Esq. The music selected and composed by William Shield. Price 7/6. BL H.130.(8.)

22/2/1787 The Author Lovely Sally. A favorite ballad for the piano forte. The words and music by L. R. Legoux. BL H.1653.(35.)

22/2/1787 Longman & Broderip Six Voluntaries or Easy Sonatas for the Organ. Humbly dedicated to the lovers of that instrument, by F[rançois] H[ippolyte] Barthélemon. Op. 11. Price 5/-. BL e.101.(2.)

78

Music Entries at Stationers’ Hall

26/2/1787 Longman & Broderip 1787. The Favorite Opera Dances, performed at the King’s Theatre, Haymarket, by Monsieur Goyon, Monsieur Henry, Monsieur Laborie, Mr Gricourt, Mademoiselle Mozon, Mademoiselle Simonet and Mademoiselle Perignon, etc. Composed, selected and adapted for the piano forte, ute or violin, by J[oseph] Mazzinghi. Price 3/6. Book I. BL b.51.(4.)

28/2/1787 Longman & Broderip Trois Sonates pour le Clavecin ou Forte Piano avec accompagnement de violon obligé. Composées by J[ohann] F[ranz] Sterkel. Op. 19. Price 7/6. BL h.70.b.(7.)

28/2/1787 Longman & Broderip Duetto Ah! ti lascio amato bene. Sung by Madam Mara and Signor Rubinelli in the opera of Alceste. Composed by Signor [Antoine Frédéric] Gresnick. BL G.197.(8.)

Longman & Broderip 1/3/1787 Trois Sonates pour le Clavecin ou Piano Forte accompagnées d’une ute. Par F[riedrich] Benda. Op. 5. Price 6/-. BL h.64.(1.)

2/3/1787 Longman & Broderip Love in a Camp, or Patrick in Prussia. A comic opera performed at the Theatre Royal Covent Garden. Adapted for the German ute. The music selected and composed by Mr [William] Shield. Price 2/6. BL B.387.b.(2.)

26/2/1787 Longman & Broderip 1787. The Favorite Opera Dances, performed at the King’s Theatre Hay-Market by Monsieur Goyon, Monsieur Henry, Monsieur Laborie, Mr Gricourt, Mademoiselle Mozon, Mademoiselle Simonet and Mademoiselle Perignon, etc. Composed, selected and adapted for the piano forte, ute or violin, by J[oseph] Mazzinghi. Price 3/6. Book II. BL b.51.(4.)

Entries from 1710 to 1810

79

6/3/1787 Longman & Broderip Book XX for the year 1787. Eight Cotillions, Six Country Dances and Two Minuets, with their proper
gures, for the harp, harpsichord, piano forte, or violin. Humbly dedicated to the nobility and gentry subscribers to Willis’s Rooms. By Martin Platts Jr. BL b.53.(4.)

Longman & Broderip Capriccio pour le Clavecin ou Forte Piano. Par Muzio Clementi. BL e.102.(6.)

7/3/1787

deposited 8/3/1787; entered 19/3/1787 Longman & Broderip Six Easy Duets for Two German Flutes. Composed by Monsieur [François] Devienne. Op. 18. Price 7/6. BL g.225.(2.)

12/3/1787 Longman & Broderip Love in a Camp, or Patrick in Prussia. A comic opera, performed at the Theatre Royal, Covent Garden. Adapted for the guitar. The music selected and composed by Mr [William] Shield. BL B.385.(4.)

13/3/1787 Longman & Broderip Six Rondos for the Harpsichord or Piano Forte. Composed by Signor G[iovanni] A. Schmid. Price 3/6. BL h.62.(9.)

14/3/1787 Longman & Broderip Nina. A favorite French song. Adapted, with accompanyments, for the harp or harpsichord by Edward Jones, bard to His Royal Highness the Prince of Wales. Price 1/-. BL H.1673.(18.)

80

Music Entries at Stationers’ Hall

21/3/1787 Longman & Broderip A Concise Method to attain the Art of Playing on the Cistre. Dedicated to the Hon. Miss Macdonald. By Mr Joseph Lefevre. BL h.1176

27/3/1787 Longman & Broderip The Dying Thrush. A favorite song set to music by Mr [James] Hook. Price 1/-. BL H.1651.(5.)

Longman & Broderip 29/3/1787 La Donna che é amante. Sung by Signora Benini in the opera Giannina e Bernardone. Composed by Signor [Domenico] Cimarosa. Price 2/6. BL H.345.(13.)

deposited 29/3/1787; entered 31/3/1787 Longman & Broderip Six Trios pour Deux Flutes et Basse. Composés par Monsieur [François] Devienne. Op. 19. Price 7/6. BL g.222.(1.)

11/4/1787 Longman & Broderip Simphonie pour le Clavecin ou le Forte Piano, avec accompagnement d’un violin et d’un violoncello. Composé par J[ohann] F[ranz] Sterkel. Op. 21. Price 3/-. BL h.70.(9.)

13/4/1787 Longman & Broderip No. [blank] of Three Quartetts dedicated to His Majesty the King of Prussia. Composed by Ignace Pleyel. Price 7/6. BL g.213.(12.)

Entries from 1710 to 1810

81

13/4/1787 Harrison & Co. Dr [Samuel] Arnold’s New Instructions for the German-Flute. Containing a familiar explanation of the rudiments of musick with easy directions for playing on the German-ute after the manner of the most celebrated modern masters. Including proper instructions for practising the embouchure; and the most approved method of double tongueing. Also, a plain and concise description of Mr [Richard] Potter’s newinvented patent German ute; accompanied by a very curious, large, and compleat scale, on an entire new plan, fully explaining the use of all the additional keys. To which is added, a variety of favourite tunes, and other easy lessons for learners. No. 1 [i.e., of the serial Harrison’s New German-Flute Magazine]. 4°. BL b.23.(1.) and f.241.f.

18/4/1787 Longman & Broderip A Select Collection of Elegant French Airs. Arranged for two German utes by Signor [Giuseppe Gioacchino] Cambini. Price 7/6. BL g.225.(1.)

Benjamin Goodison The music in The Tempest. 4°. Composed by Mr Henry Purcell. BL H.130.(6.) and R.M.9.i.19. (1.) and R.M.9.i.21.(1.)

19/4/1787

21/4/1787 Harrison & Co. Dr [Samuel] Arnold’s New Instructions for the German-Flute. Containing etc. as by page 46 [of the Stationers’ Hall register, i.e., referring to the entry above for 13/4/1787]. No. 2 [i.e., of the serial Harrison’s New German-Flute Magazine]. 4°. BL b.23.(1.) and f.241.f.

Longman & Broderip 23/4/1787 No. 1. Symphonie á Grand Orchestre. Composée par Muzio Clementi. Op. 18. Price 4/-. BL g.212.(6.)

23/4/1787 Longman & Broderip No. 2. Symphonie á Grand Orchestre. Composée par Muzio Clementi. Op. 18. Price 4/-. BL g.212.(6.)

82

Music Entries at Stationers’ Hall

23/4/1787 Longman & Broderip Quartett Arranged for the Piano Forte or Harpsichord with an accompanyment for a violin, tenor and violoncello. By I[gnace] Pleyel. Price 3/6. BL g.117.(4.)

27/4/1787 Longman & Broderip Trois Sonates pour le Clavecin ou le Forte Piano, avec violon et violoncelle obligés. Par L[eopold] Kozeluich. Op. 21. Price 7/6. BL h.70.(7.)

27/4/1787 Joseph Dale [Henry] Purce[l]l’s Ground for the Piano Forte, or Harpsichord. With additional variations by J[oseph] Dale. Price 6d. BL h.62.(18.)

21/4/1787 Harrison & Co. Dr [Samuel] Arnold’s New Instructions for the German-Flute. Containing etc. as by page 46 [of the Stationers’ Hall register, i.e., referring to the entry above for 13/4/1787]. No. 3 [i.e., of the serial Harrison’s New German-Flute Magazine]. 4°. BL b.23.(1.) and f.241.f.

30/4/1787 Longman & Broderip A Second Set of Three Quintetts for Two Violins, Two Tenors and a Violoncello. Composed by I[gnace] Pleyel. Op. 9. Price 7/6. BL h.318.(5.)

5/5/1787 Longman & Broderip The Choleric Fathers. A comic opera. Performed at the Theatre Royal, Covent Garden. Adapted for the German ute. Composed by W[illiam] Shield. Price 3/6. BL B.387.b.(1.)

15/5/1787 The Author Select Concert-Pieces,
tted for the Harpsichord or Piano Forte, with an accompaniment for the violin. By Robert Bremner. No. 8. Price 2/-. BL h.64.(2.)

Entries from 1710 to 1810

83

16/5/1787 Harrison & Co. Songs, Duets, etc., in Harvest-Home. A comic opera, in two acts. As now performing at the Theatre Royal in the Haymarket. Composed by Mr [Charles] Dibdin. BL 643.e.16.(5*.)

18/5/1787 Longman & Broderip As Blushing Phœbus. A favorite ballad. Composed by T[homas] B[rabizon] Gray. Price 6d. BL H.1653.(27.)

18/5/1787 Longman & Broderip Ouverture et Entre’acte d’Henry IV à Grande Orchestre: premier et second violons, deux alto viola et basse, deux hoboée, deux cors de chasse, deux bassons obligé, trompette et timbale ad libitum. Par Monsieur [Johann Paul Aegidius] Martini. Price 4/-. BL g.212.(8.) and R.M.17.c.1.(3.)

21/5/1787 Longman & Broderip Piche cornacchie e nottole. Sung by Signora Storace and Signor Morelli in the opera of Gli Schiavi per Amore. Composed by Signor [Giovanni] Paisiello. Price 2/6. BL G.197.(4.)

21/5/1787 Longman & Broderip Donne Donne chi vi crede. Sung by Signor [Giovanni] Morelli in the opera of Gli Schiavi per Amore. Composed by Signor [Bernardo] Mengozzi. Price 2/6. BL G.297.(3.) and H.345.(9.)

21/5/1787 Longman & Broderip Chi mi mostra. Sung by Signora [Anna Selina] Storace in the opera of Gli Schiavi per Amore. Composed by Signor [Giovanni] Paisiello. Price 1/6. BL G.297.(2.) and H.345.(5.)

22/5/1787 Longman & Broderip Hark Away, my brave Boys, to the Cry of the Hounds. A favorite hunting song, sung by Mr Wilson at Ranelagh. Composed by J[ohn] Moulds (late pupil to Mr Linley). BL H.131.(30.)

84

Music Entries at Stationers’ Hall

22/5/1787 Longman & Broderip Longman & Broderip’s Select Collection of the most esteemed Catches, Canons, Glees and Madrigals for 3, 4 and 5 voices. By the most eminent composers ancient and modern. No. 1. Price 2/6.

24/5/1787 Longman & Broderip Per pietà padron mio. Sung by Signora [Anna Selina] Storace in the opera of Gli Schiavi per Amore. Composed by Signor [Francesco] Bianchi. Price 2/6. BL H.345.(20.)

Longman & Broderip Strephon’s Address. The words by Mr J. F. N. Price 6d. BL H.1653.(52.), text begins ‘By that eye which eclipses’

24/5/1787

25/5/1787 Longman & Broderip Jemmy out at Sea. A favorite Scotch ballad, sung by Mr Wilson at Ranelagh. Composed by J[ohn] Moulds, late pupil of Mr Linley. Price 6d. BL H.131.(36.)

Longman & Broderip [propietor’s name omitted, but the same 25/5/1787 as in prior entry] One Morning in May when Spring smil’d around. A pastoral ballad sung by Mr Wilson at Ranelagh. Composed by J[ohn] Moulds, late pupil of Mr Linley. Price 6d. BL H.131.(34.)

30/5/1787 The Author Three Sonatas for the Piano Forte or Harpsichord, with accompaniment for a violin. Composed by J. C. Lang. Op. 3. Price 6/6. BL e.100.(2.)

Entries from 1710 to 1810

85

30/5/1787 Longman & Broderip 1787. The Favorite Opera Dances, performed at the King’s Theatre, Haymarket by Monsieur Goyon, Monsieur Henry, Monsieur Laborie, Mr Gricourt, Mademoiselle Mozon, Mademoiselle Simonet and Mademoiselle Perignon, etc. Composed, selected and adapted for the piano forte, ute or violin, by J[oseph] Mazzinghi. Book III. Price 3/6. BL b.51.(4.)

4/6/1787 Longman & Broderip If Pure are the Springs of the Fountain. A favorite song, sung by Mr [Charles] Ban[n]ister in the opera of Cymon. Composed by Mr [Michael] Arne. Price 1/-. BL H.131.(1.)

6/6/1787 Longman & Broderip When lovely Woman stoops to Folly. The words by Dr [Oliver] Goldsmith. Set to music with accompanyments by J[ohn] Relfe. BL H.131.(48.)

Longman & Broderip 9/6/1787 Sonata for Two Performers on One Harpsichord or Piano Forte. Composed by J[ohann] F[ranz] Sterkel. Op. 15. Price 3/-. BL g.130.(11.)

18/6/1787 Longman & Broderip Nanny of the Mill. A favorite ballad, sung by Mr Wilson at Ranelagh. Composed by John Moulds, late pupil of Mr Linley. Price 1/-. BL H.131.(35.)

18/6/1787 Longman & Broderip A Scheme showing the True Difference of Any Two Intervals Proposed from any one part of the whole scale of music with its proper title and whether the one be a concord or discord to the other, etc. By Christopher Lindsey [i.e., Lindsay]. Price 1/-.

86

Music Entries at Stationers’ Hall

18/6/1787 Longman & Broderip The Virgin’s
rst Love. Set to music, with accompanyments, by J[ohn] Relfe. Price 1/-. BL H.1653.(42.)

21/6/1787 Longman & Broderip Dove ridotta sono. Sung by Signora [Anna Selina] Storace in the opera of Gli Schiavi per Amore. Composed by Signor [Giovanni] Paisiello. Price 2/6. BL H.345.(10.)

21/6/1787 Longman & Broderip T’amo si sarai. Sung by Madame Mara and Signor Rubinelli in the opera of Giulio Cesare. Composed by G[eorge] F[rideric] Handel. Price 1/6. BL G.197.(10.)

21/6/1787 Harrison & Co. Harvest Home. A comic opera in two acts. As performed, with universal applause, at the Theatre Royal in the Haymarket. 8°. By Mr [Charles] Dibdin. BL 161.i.10 and 643.e.16.(5.)

23/6/1787 James Johnson The Scots Musical Museum. Humbly dedicated to the Catch Club, instituted at Edinburgh, June 1771. 8°. By James Johnson. Vol. 1. Price 6/-. BL M.K.5.a.1

29/6/1787 Longman & Broderip Six Sonatas for the Piano Forte or Harpsichord with an accompanyment for a violin. Compopsed by J[oseph] W[illiam] Holder, organist, Bungay, Suffolk, late one of the children of His Majesty’s Chapels Royal. Op. 2. Price 10/6. BL h.70.b.(1.)

30/6/1787 Longman & Broderip Number 4 of the Opera Overtures, adapted for the harpsichord or piano forte, with an accompanyment for the violin. Price 1/6. BL h.61.(10.)

Entries from 1710 to 1810

87

2/7/1787 The Author Sixteen Marches and Minuetts, etc. in eight parts, for two violins, two hautboys or German utes, two French horns, tenor and bass. Op. 8. Price 4/-. Composed by John Valentine, of Leicester. BL b.83

9/7/1787 Longman & Broderip Con un moto. Sung by Signor [Giovanni] Morelli in the opera of Gli Schiavi per Amore. Composed by Signor [Bernardo] Mengozzi. BL H.345.(6.)

11/7/1787 Longman & Broderip Book the 20th for the year 1787. Twelve New Country Dances with their proper
gures for the violin, harp or harpsichord. As performed at the Prince of Wales’s, Willis’s Rooms, Festino, etc. By Martin Platts, Jr.

11/7/1787 Longman & Broderip Sae Merry as We Twa ha’ been. A favorite Scotch tune with variations for the piano forte or harpsichord. By Mr [Charles] Avison. BL h.62.(14.)

11/7/1787 John Bridge Pye Our Topsails atrip. A favorite sea song. Sung by Mr [Charles] Dignum at the Anacreontic Society and the Music Hall, Liverpool. Composed by R[ichard] Wainwright. BL H.1653.(48.)

11/7/1787 John Bridge Pye Patty, the Milk Maid. A favorite ballad. Composed by Miss Carver of Liverpool. BL H.1653.(26.)

John Bridge Pye The Chain of Love. A favorite song. Composed by E[dward] Harwood. BL H.1653.(33.)

11/7/1787

88

Music Entries at Stationers’ Hall

11/7/1787 John Bridge Pye Absence. A pastoral. Composed by E[dward] Harwood, and sung at Mr Casson’s concert, Liverpool, with great applause. BL H.1653.(29.)

11/7/1787 John Bridge Pye Hapless Collin. A favorite song. Composed and sung by E[dward] Harwood. BL H.1653.(30.)

John Bridge Pye 11/7/1787 Love’s Force on the Heart. A favourite song. By the author of The Busy Bees [i.e., by Edward Harwood]. BL H.1653.(32.)

11/7/1787 John Bridge Pye The Busy Bees. A celebrated song. Composed by E[dward] Harwood and sung at the Music Hall, Liverpool, with universal applause. BL H.1653.(31.)

19/7/1787 Longman & Broderip Longman & Broderip’s Select Collection of the most esteemed Catches, Canons, Glees and Madrigals for 3, 4 and 5 voices. No. 2. By the most eminent composers, ancient and modern.

19/7/1787 Longman & Broderip With Consent of one’s Friends. A favorite song, sung by Miss Newman at Vauxhall. Composed by the late Mr [Michael] Arne. BL H.131.(4.)

Longman & Broderip 19/7/1787 What Tender Passions. A favorite song, sung at Vauxhall by Mr [Charles] Incledon. Composed by the late Mr [Michael] Arne. BL H.131,(2.)

Entries from 1710 to 1810

89

26/7/1787 Longman & Broderip The Laplander’s Song. The words written by Sir Matthew White Ridley. Set to music, with accompanyments by J[ohn] Relfe. BL H.131.(47.)

26/7/1787 Longman & Broderip Amare tacere. Sung by Signora Storace and Signor Morelli in the opera of Gli Schiavi per Amore. Composed by Signor [Giovanni] Paisiello. BL G.197.(5.)

30/7/1787 Longman & Broderip Two Sonatas and Three English Airs with Variations for the Harp or Harpsichord as composed and performed at Richmond House by Caroline Campbell, in the year 1787. BL h.106.(5.)

30/7/1787 Longman & Broderip Sonate pour le Clavecin ou le Piano Forte avec violon obligé. Composée par Monsieur [Nicolaus Joseph] Hüllmandel. Op. 10. BL h.70.b.(2.)

31/7/1787 Longman & Broderip When Sweet and Blushing like a Bride. A favorite ballad, sung by Miss George at Ranelagh. Composed by J[ohn] Moulds, late pupil of Mr Linley. BL H.131.(38.)

31/7/1787 Longman & Broderip Three Favorite Sonatas for the Piano Forte or Harpsichord. Dedicated to Miss Woodward. Composed by Philip Cogan. Op. 4. BL e.105.(3.)

9/8/1787 Longman & Broderip Ola dico. Sung by Signoras Storace and Sestini, Signori Morelli and Morigi in the opera of Gli Schiavi per Amore. Composed by Signor [Giovanni] Paisiello. BL G.197.(15.)

90

Music Entries at Stationers’ Hall

9/8/1787 Longman & Broderip 1787. Zemire et Azor. A grand pantomime ballet. Performed at the King’s Theatre, Haymarket, by Monsieur Goyon, Monsieur Henry, Monsieur Laborie, Monsieur Hus, Mademoiselle Mozon, Mademoiselle Simonet, Mademoiselle Perignon, Mademoiselle Delfevre, etc. Adapted for the harpsichord, piano forte or violin by J[oseph] Mazzinghi. Book I. BL b.50.(2.)

9/8/1787 Longman & Broderip Quartetto in the second act of Gli Schiavi per Amore, sung by Signora Storace, Signora Sestini, Signor Morigi, and Signor Morelli. Composed by Signor [Giovanni] Paisiello. BL G.197.(14.), text begins ‘Tè, Dianina tu servi’

9/8/1787 Longman & Broderip [Muzio] Clementi’s Musical Characteristics, or A Collection of Preludes and Cadences for the Harpsichord or Piano Forte. Composed in the style of Haydn, Kozeluch, Mozart, Sterkel, Vanhal[l] and the author [Muzio Clementi]. Op. 19. BL e.102.(7.)

9/8/1787 Longman & Broderip 1787. Zemire et Azor. A grand pantomime ballet. Performed at the King’s Theatre, Haymarket, by Monsieur Gojon, Monsieur Henry, Monsieur Laborie, Monsieur Hus, Mademoiselle Mozon, Mademoiselle Simonet, Mademoiselle Perignon, Mademoiselle Delfevre, etc. Adapted for the harpsichord, piano forte or violin by J[oseph] Mazzinghi. Book II. Price 7/6. BL b.50.(2.)

17/8/1787 Longman & Broderip The Je ne sçai quoi. Sung by Miss George in The Siege of Curzola. Composed by Dr [Samuel] Arnold. BL H.131.(10.)

17/8/1787 Longman & Broderip The Lass of Humber Side. A favorite ballad. Sung by Mrs Thompson, with universal applause, at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(7.)

Entries from 1710 to 1810

91

17/8/1787 Longman & Broderip Upon my Word I did. A favorite Scotch Song sung by Miss [Maria] Poole at Vauxhall [Gardens]. Composed by Mr [James] Hook. BL H.1651.(11.)

20/8/1787 John Bland Sonatinas, for the Piano Forte. Composed, and inscribed to Dr [Charles] Burney, by C. I. L. T. [i.e., by Christian Ignatius Latrobe]. BL h.62.(3.)

20/8/1787 Carlo Antonio Delpini Don Juan, or the Libertine destroy’d. A tragic pantomical entertainment in two acts. As performed at the Royalty Theatre, Well Street, Goodman’s Fields. Revived under the direction of Mr [Carlo Antonio] Delpini. The songs, duets and choruses [by] Mr [William] Reeve. Music composed by Mr [Christoph] Gluck. The scenery, machinery, etc., designed and executed by Mr [Cornelius] Dixon. 8°. BL 643.e.13.(1.) and RB.23.a.9520, words only

Longman & Broderip 27/8/1787 Edwin and Ella. A favorite song. Sung by Mr [Charles] Incledon at Vauxhall Gardens. Written by Miss Vaughan and set to music by Mr [James] Hook. BL H.1651.c.(37.)

27/8/1787 Longman & Broderip Twelve Marches for Two Hautboys, German Flutes or Clarinets and a Bassoon, as an introduction to play in different keys. Composed by Edwin Eastland. BL b.60.(2.)

27/8/1787 Longman & Broderip Jenny May. A favorite ballad. Sung by Mr Wilson at Ranelagh. Composed by B. J. Richardson. The words by the author of Auld Robin Gray [Lady Anne Lindsay]. BL H.1653.(43.)

92

Music Entries at Stationers’ Hall

31/8/1787 Longman & Broderip Three Grand Duetts for two performers on one harpsichord, or piano forte. Composed by Signor [Joseph] Haydn. Adapted by Tommaso Giordani. BL g.130.(4.)

31/8/1787 Longman & Broderip Gentle Damon, cease Complaining. A favorite pastoral ballad. Sung by Madam Floranze at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(3.)

31/8/1787 Longman & Broderip While o’er the Moon I gang wi’ Thee. A favorite Scotch song, sung by Miss Leary at Vauxhall. Composed by Mr [James] Hook. BL H.1651.(13.)

31/8/1787 Longman & Broderip Idées de Campagne. For the piano forte or harpsichord, with an accompanyment for a violin, violoncello, and two horns. Composed by Ferdinand Staes. Op. 7. Price 7/6. BL h.70.(8.)

31/8/1787 George Robinson, George Robinson, John Robinson and James Robinson Inkle and Yarico. An opera, in three acts. As performed at the Theatre Royal in the Haymarket on Saturday, August 11th, 1787. Written by George Colman, Jr. BL 643.e.16.(2.) and T.248.(5.), words only

10/9/1787 Longman & Broderip Inkle and Yarico. A comick opera. As performed at the Theatre Royal in the Haymarket. The words by George Colman, Jr. The musick composed by Dr [Samuel] Arnold, organist and composer to His Majesty. Adapted for the voice, harpsichord, piano forte, etc. Op. 30. BL E.111.c.(6.)

Entries from 1710 to 1810

93

11/9/1787 The Author Forty Pieces of Original Music. Most humbly inscribed to the Right Honorable David, Earl of Buchan by His Lordship’s most obedient, very humble servant, the composer Andrew Shirrefs. BL g.149.(9.)

11/9/1787 Longman & Broderip A Favorite Concerto for the Harpsichord or Piano Forte, with accompaniments for two violins and a violoncello. Composed by Robert Broderip. Op. 7. Price 4/-. BL g.116.(3.)

19/9/1787 Longman & Broderip The favorite musical entertainment of Nina. As it is performed at the Theatre Royal, Covent Garden with the greatest applause by Mrs [Elizabeth] Billington, etc. Composed by Monsieur [Nicolas] Dal[ayrac]. NB. As there are several different publications of Nina, it is necessary to observe, that this is the only copy which is published by the authority of the translator [Peter Pindar] and William Shield. The chorusses and the major part of the airs were adapted to English words by Mr W[illiam Thomas] Parke. BL E.100.(4.)

27/9/1787 Longman & Broderip I have often been told and began to believe. Sung by Miss Newman at Vauxhall. The words by the Rev. Mr Newman. Set to music by Miss [M. F.] Parke. BL H.1653.(40.)

27/9/1787 Longman & Broderip How Sweet is the Morning in Spring. A favorite rondo. Sung by Madame Floranze at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(6.)

1/10/1787 Longman & Broderip What Raptures ring around. A favorite hunting song. Sung by Mrs Byrn at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(16.)

94

Music Entries at Stationers’ Hall

1/10/1787 Longman & Broderip What Pleasures are found when in Search of the Game. A favorite shooting song. Sung by Mr Harris at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(15.)

1/10/1787 Longman & Broderip When Skipping round the May-pole gay. A favorite ballad. Sung by Mrs Byrn at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(19.)

1/10/1787 Longman & Broderip Sonata for the Piano-Forte or Harpsichord. Composed by Muzio Clementi. Op. 20. BL h.60.b.(1.)

3/10/1787 Longman & Broderip O’er the Wide Field of Fancy to Pleasure I haste. A favorite laughing song. Sung by Mr Burling at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(8.)

3/10/1787 Longman & Broderip One Day as young Harry came whistling along. A favorite ballad. Sung by Miss Pay at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(9.)

3/10/1787 Longman & Broderip When, dearest Sue, the Land I left. A favorite ballad. Sung by Mr Burling at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(17.)

Longman & Broderip 3/10/1787 The favorite Overture to the Prince of Wales’ Ode. As performed at the Rotunda in Dublin. Composed, and adapted for the harpsichord, by Signor [Tommaso] Giordani. BL h.62.(11.)

Entries from 1710 to 1810

95

3/10/1787 Longman & Broderip Gentle Air, thou Breath of Lovers. A favorite canzonett for two voices. Composed by Mr [James] Hook. BL G.354.(18.)

8/10/1787 The Author The Rose had been Wash’d. As sung with very great applause by Miss Quarman at the Villa Gardens, Bath, on His Royal Highness the Prince of Wales’s birthday. Set by Benjamin Milgrove. BL H.1653.(36.)

13/10/1787 Longman & Broderip See that Pretty Creature there. A favorite serenade. Sung by Mr [Carlo Antonio] Delpini at the Royalty Theatre, in the entertainment of Don Juan. [By William Reeve.] BL H.131.(44.)

13/10/1787 Longman & Broderip The Jolly Tar. A favorite song. Sung by Mr [Daniel] Arrowsmith at the Royalty Theatre, in the entertainment of Don Juan. Composed by Mr [William] Reeve. BL H.131.(42.)

13/10/1787 Longman & Broderip For me ’tis not to boast of Wealth. A favorite pastoral ballad. Sung by Mr Harris at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(2.)

13/10/1787 Michael Kelly Oh Thou wast born to please me. A favorite duet. Introduced in the masque of Camus and now singing, with universal applause, by Mr [Michael] Kelly and Mrs [Anna Maria] Crouch, at the Theatre Royal Drury Lane. BL G.354.(54.)

15/10/1787 Longman & Broderip Air with Variations for the Harpsichord or Piano Forte. No. 1, 2, 3, 4, 5, 6, 7. Composed by W[olfgang] A[madeus] Mozart. BL e.490.b.(1.)

96

Music Entries at Stationers’ Hall

Joseph Dale Marcia. [Composed by John Christian Bach.] BL h.62.(16.)

22/10/1787

26/10/1787 Longman & Broderip Where are my Jolly Companions gone. A favorite drunken song. Sung by Mr Burling at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(20.)

Longman & Broderip 29/10/1787 Six Solos for the Violoncello and Bass made Easy and Agreeable. Composed by J[ean] B[aptiste] Bréval. BL g.24.(6.) and g.221.(4.)

29/10/1787 Longman & Broderip See, Sol sweetly smiles with his gold beaming Face. A favorite hunting song. Sung by Mrs Thompson at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(10.)

29/10/1787 Thomas Skillern Lochaber. A favorite glee, for three voices, in imitation of the Scotch stile. Composed by J[ohn] W[all] Callcott, M[us]. B[ac]. To which is added, an accompaniment for the harpsichord and piano forte, and the melody adapted for a single voice. BL H.1652.(2.)

1/11/1787 Longman & Broderip Richard Coeur de Lion. A favorite opera. [By André Ernest Modeste Grétry.] Performed with universal applause at the Theatres Royal. Adapted for the German ute. BL B.387.b.(4.)

3/11/1787 Longman & Broderip Ye Lasses so Gay who now sport on the plain. A favorite ballad. Sung by Miss Pay at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(21.)

Entries from 1710 to 1810

97

3/11/1787 Longman & Broderip Had I the Pinions of a Dove. A favorite ballad. Sung by Mrs Byrne at the Spa Gardens. Composed by J[onas] Blewitt. BL H.1653.(4.)

3/11/1787 Longman & Broderip Happy the Youth whose favor’d Sight. A favorite ballad, with an accompaniment for the harp or piano forte. Composed by J[onas] Blewitt. perhaps BL H.1653.(38.), which identi
es the composer as Lawrence Cornelius Nielson

5/11/1787 Joseph Dale Lovely Delia. The words by J. Wilkinson, Esq. Sett to music by J[oseph] Dale. BL H.131.(14.)

14/11/1787 Longman & Broderip Thomas and Susan, or The Fortunate Tar. A musical entertainment. Performed, with great applause, at the Royalty Theatre. Composed by W[illiam] Reeve. BL H.130.(7.)

14/11/1787 Longman & Broderip The Favorite Dances in the Entertainment of Don Juan. Performed, with universal applause, at the Royalty Theatre under the direction of Mr [Carlo Antonio] Delpini. [Composed by William Reeve, including adaptations from the music of Christoph Gluck.] BL b.50.(5.)

14/11/1787 Longman & Broderip Richard Coeur de Lion. A favorite opera. [By André Ernest Modeste Grétry.] Performed, with universal applause, at the Theatres Royal. Adapted for the guitar. BL B.385.(6.)

14/11/1787 John Bland Charming Clorinda. A favorite song, for the voice, harp, harpsichord or piano forte. [By William Shield.]

98

Music Entries at Stationers’ Hall

14/11/1787 John Bland When gen’rous Wine. A favorite song. Sung by Mr [Wright] Bowden in the opera of Robin Hood. Composed by Mr [J.] Probin of Birmingham. BL H.131.(41.)

21/11/1787 Longman & Broderip Deux Grandes Sonates pour le Clavecin ou Piano Forte, avec accompagnement d’un violon ad libitum. Composées par Monsieur [Ignace] Pleyel. Op. 7. BL h.70.b.(6.)

23/11/1787 The Author [Stephen] Storace’s Collection of original Harpsichord Music. No. 1. Containing: one sonata with accompaniments for violin and violoncello—[Leopold] Kozeluch; one sonata with accompaniment for violin—[Jean] Vanhall; one quartet for piano forte, violin, tenor and violoncello—[Wolfgang Amadeus] Mozart. BL g.122 and R.M.17.e.3.(1.)

The Author The Rosy Cheek. A favorite song. Composed by Mr Twiss. BL H.1653.(47.)

26/11/1787

29/11/1787 Longman & Broderip Trois Trios Concertants pour Violon, Viola et Violoncelle. Composées par Ignace Pleyel. BL g.222.(15) and h.3212.f.(6.)

1/12/1787 Longman & Broderip The Farmer. A comic opera. Performed, with great applause, at the Theatre Royal, Covent Garden. Composed by William Shield. The words by J[ohn] O’Keeffe, Esq. BL E.100.(3.)

7/12/1787 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with an accompanyment for a violin. Composed by J[ohann] F[ranz] Sterkel. BL h.70.b.(8.)

Entries from 1710 to 1810

99

7/12/1787 Joseph Dale The Two Milk White Doves. A favorite song. Composed by Mr [James] Hook. BL H.1651.(10.)

8/12/1787 Peter Hawthorn Six Sonatinos for the Piano Forte or Harpsichord, with an accompanyment for a violin. Composed by J[ohn] W[all] Callcott, M[us]. B[ac]. BL b.52.(1.)

Longman & Broderip 11/12/1787 When Phœbus wakes the rosy hours. A favorite hunting song. Sung by Mrs Stevenson at the Royalty Theatre. Composed by John Moulds. BL H.131.(37.)

deposited 19/12/1787; entered 2/1/1788 Longman & Broderip A Set of Quartetts, expressive of the Passion of our Saviour, with an Introduction and Finale, which represents the Earthquake. For two violins, tenor and violoncello. Op. 48. Composed by Joseph Haydn. BL g.213.(4.)

19/12/1787 James Lintern A Third Collection of Trios, Duetts, Single Songs and Rotas. Selected from authentic mss of the author of ‘Turn fair Clora’, ‘How sweet is the woodlands’, ‘The Egyptian love song’, ‘Sing old rose’, and other favorite pieces [i.e., by Henry Harington]. BL G.805.j.(29.) and H.1652.5

21/12/1787 Stephen Storace Care donne che bramate. Sung, with universal applause, by Signora [Anna Selina] Storace at the King’s Theatre in the Haymarket, in the opera of Il Re Teodoro in Venezia. Composed by S[tephen] Storace. BL H.345.(4.)

22/12/1787 Longman & Broderip Mary! or, The Answer to Doneld. A new favorite song. Composed by J[oseph] W[illiam] Holder.

100

Music Entries at Stationers’ Hall

22/12/1787 Longman & Broderip Tutor for the Harp, in which are introduced progressive examples of arpeggios and sonatas with favorite airs and Scotch songs with an accompanyment for that instrument; and also an easy method for tuning. By F[rançois] H[ippolyte] Barthélemon. BL g.301.(1.)

27/12/1787 The Author No. 1. A Conversation Piece, for two persons to sing and play together on one harpsichord or piano forte. Composed by Peter Lee. BL e.108.(10.)

Stephen Storace whole of the music; 31/12/1787 Longman & Broderip whole of the words Care donne che bramate. Sung by Signora [Anna Selina] Storace in the opera of Il Re Teodoro in Venezia. Composed by Signor [Stephen] Storace. BL G.196.(9.)

31/12/1787 Longman & Broderip Quartett for the Harpsichord or Piano Forte with an accompanyment for a violin, tenor and violoncello. Composed by W[olfgang] A[madeus] Mozart. BL g.117.(3.)

2/1/1788 Longman & Broderip Three Symphonies for a Grand Orchestre. Humbly dedicated to His Royal Highness the Prince of Wales. Composed by Joseph Haydn. BL g.212.(1.)

8/1/1788 Longman & Broderip For the year 1788. Ten New Country Dances and Three Cotillons for the Harp, Harpsichord or Piano Forte with an accompanyment for a violin. Humbly dedicated to the ladies, directors, nobility, and gentry subscribers to Willis’s Rooms, late Almack’s. By Thomas Jones. BL b.55.a.(5.)

Entries from 1710 to 1810

101

8/1/1788 Longman & Broderip A Fourth Sett of Six Canzonets with an accompanyment for the pedal or small harp, piano forte, or harpsichord. Composed, and humbly dedicated to Lady Louisa Harvey, by Giuseppe Millico. BL A.641.(4.)

Stephen Storace [Stephen] Storace’s Collection of Original Harpsichord Music. No. 2. BL g.122

9/1/1788

19/1/1788 Longman & Broderip Seven Sonatas with an Introduction and Finale for the Harpsichord. Composed by Signor Giuseppe [i.e., Joseph] Haydn. Op. 45. BL h.656.e.(3.)

The Author Twelve Dances for Two Violins and a Bass. Composed by Mr Twiss. BL b.53.(7.)

19/1/1788

21/1/1788 Longman & Broderip Trois Duos pour le Flauto et Piano Forte ou Clavecin. Composés par Monsieur [François] Devienne. BL h.64.(4.)

Longman & Broderip Six New Minuets and Twelve Country Dances. Composed by H. Bishop. BL b.53.(6.)

24/1/1788

31/1/1788 Longman & Broderip Three Symphonies for a Grand Orchestre. Humbly dedicated to His Royal Highness the Duke of York. Composed by Joseph Haydn. Op. 52. BL g.212.(2.)

102

Music Entries at Stationers’ Hall

4/2/1788 Longman & Broderip Six Duos pour le Violon et Violoncelle. Composé par Ignace Pleyel. Op. 12. BL g.225.(18.)

4/2/1788 Longman & Broderip Io voglio a Napoli. Sung by Signora [Anna Selina] Storace in the opera of La Locandiera. Composed by Signor [Domenico] Cimarosa. BL H.345.(12.)

Longman & Broderip 9/2/1788 Twelve New Country Dances for the year 1788. Composed by Mr Richard Blake. BL b.53.(8.)

9/2/1788 Longman & Broderip Duetto Con quelle tue manine. Sung by Signora Storace and Signor Morelli in the opera of La Locandiera. Composed by Signor [Domenico] Cimarosa. BL G.197.(3.)

12/2/1788 Longman & Broderip The Wreath. A collection of arietts for the voice and harpsichord. Composed, and humbly dedicated (with permission) to Her Grace the Dutchess of Devonshire, by James Hook. Op. 52. BL E.98.b.(1.) and E.271.(9.)

18/2/1788 Longman & Broderip Arietta, Lilla mia dove sei. Composed by Signor V[icente] Martin [y Soler]. BL H.345.(15.)

18/2/1788 Longman & Broderip The Favorite Terzetto of Viva tutti le vezzose, adapted to English words, and sung at the Royalty Theatre, in the entertainment of The Deserter, by Messrs Delpini, Mallet and Gaudry. BL G.352.(54.), text begins ‘Here’s a Health to all good Lasses’

Entries from 1710 to 1810

103

18/2/1788 Longman & Broderip Aria, Dica pure chi vuol dire. Composed by Signor Giuseppe [i.e., Joseph] Haydn. BL H.345.(8.)

20/2/1788 Longman & Broderip Overture. Composed by J[oseph] Haydn. Adapted for the piano forte or harpsichord, with an accompanyment for a violin, by Muzio Clementi, from op. 51. BL H.3691.h.(2.)

John Bland 23/2/1788 Three Sonatas for the Piano Forte or Harpsichord, with an accompanyment for the German ute. Composed and humbly dedicated to Miss Dayrolles. By J[ohn] G[eorge] Graeff. Op. 4. BL h.60.(3.)

The Author [Stephen] Storace’s Collection of Original Harpsichord Music. No. 3. BL g.122

25/2/1788

4/3/1788 Collier & Co. The Much Admired New Four and Twenty Fidlers. As sung by Mr William Palmer at the Royalty Theatre, with unbounded applause. BL H.1653.(53.), imprint states ‘printed for Collier and Davis’

5/3/1788 William Lowndes Love in the East; or, Adventures of Twelve Hours. A comic opera, in three acts. Written by the author of The Strangers at Home [i.e., by James Cobb]. As performed at the Theatre Royal, Drury Lane. BL 643.h.11.(6*.), words only

5/3/1788 Longman & Broderip The Favorite Opera Dances for the year 1788. Performed at the King’s Theatre, Haymarket. Composed, selected, and adapted for the piano forte, ute or violin, by J[oseph] Mazzinghi. Book I. BL b.51.(5.) and R.M.15.g.10

104

Music Entries at Stationers’ Hall

5/3/1788 Longman & Broderip The Favorite Opera Dances for the year 1788. Performed at the King’s Theatre Haymarket. Composed, selected, and adapted for the piano forte, ute or violin, by J[oseph] Mazzinghi. Book II. BL b.51.(5.)

5/3/1788 Longman & Broderip Eight Canzonets, with an accompaniment for the piano forte or harp. Composed, and humbly dedicated to Mrs Blair, by Michele Mortellari. BL E.271.(11.)

6/3/1788 James Brooks Louisa. A favorite song. Sung by Mr [Charles] Incledon, at the Subscription Concerts of Bath and Bristol. Composed by J[ames] Brooks. BL H.131.(12.)

6/3/1788 Longman & Broderip Overture for the Piano Forte or Harpsichord with an accompanyment for a violin. Composed by J[ohn] L[ewis] Hoeberechts. BL h.70.(4.)

13/3/1788 Henry Holland A Sixth Sett of Three Favorite Duets for Two Performers on One Harpsichord or Piano Forte. Dedicated to Miss Mary Hulse and Miss Elizabeth Hulse. Composed by Theodore Smith. BL g.131.(12.)

19/3/1788 The Author The Scots Musical Museum. Humbly dedicated to the Catch Club instituted at Edinburgh, June 1771. By James Johnson. Vol. 2. 8°. BL M.K.5.a.1

22/3/1788 Longman & Broderip A favorite French song. Oui noir mais pas si diable. [By André Ernest Modeste Grétry]. BL H.1250.(39.)

Entries from 1710 to 1810

105

22/3/1788 Longman & Broderip Aria, Sereno raggio. For the piano forte and voice. Del Signor V[icente] Martin y [Soler]. BL H.345.(28.)

22/3/1788 Longman & Broderip The Favorite Opera Dance of L’Amour et Psiche for the year 1780, performed at the King’s Theatre, Haymarket. Composed, for the piano forte, ute and violin, by J[oseph] Mazzinghi. Act I. BL a.9.b.(5.) and b.50.(3.) and R.M.15.g.9.(1.)

22/3/1788 Longman & Broderip Longman & Broderip’s Select Collection of the most esteemed Catches, Canons, Glees and Madrigals for 3, 4 and 5 voices. No. 3. By the most eminent composers, ancient and modern.

25/3/1788 Edward Jones A Duetto for Two Violoncellos, as performed at the Hanover Square Concert by Messrs [John] Crosdill and [James] Cervetto. Composed by C[harles] F[rederic] Abel.

8/4/1788 Longman & Broderip The Favorite Opera Dance of L’Amour et Psiche for the year 1780, performed at the King’s Theatre, Haymarket. Composed, for the piano forte, ute and violin, by J[oseph] Mazzinghi. 4°. Act II. BL b.52.(7.) and R.M.15.g.9.(2.)

8/4/1788 Longman & Broderip Cari Figli, un’ altro amplesso. Sung by Signor [Luigi] Marchesi in the opera of Giulio Sabino. Composed by Signor [Giuseppe] Sarti. BL G.196.(16.) and G.297.(4.)

Longman & Broderip Caprice pour le Clavecin ou Piano Forte. Par Joseph Haydn. Op. 55. BL e.104.(8.)

8/4/1788

106

Music Entries at Stationers’ Hall

10/4/1788 Longman & Broderip Con qual core oh Dio. Sung by Signora [Cecilia] Giuliani in the opera of Giulio Sabino. Composed by Signor [Giuseppe] Sarti. BL G.196.(17.)

12/4/1788 The Author Ah Perche di quel Ingrato. The favorite quartette sung at the King’s Theatre in the Haymarket in the comic opera of La Cameriera Astuta. Composed by S[tephen] Storace. BL G.197.(19.)

15/4/1788 Luigi Marchesi Cavatina, Lungi dal caro bene. Sung by Signor [Luigi] Marchesi in the opera of Giulio Sabino. Composed by Signor [Giuseppe] Sarti. BL G.297.(5.)

15/4/1788 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with an accompanyment for a German ute, Composed by Signor Carlo Pozzi. BL h.61.(6.)

15/4/1788 Longman & Broderip Werter’s Sonnet. Composed and sung by Miss [Ann] Cantelo, with an accompanyment for the forte-piano, harp or harpsichord BL G.377.(9.)

15/4/1788 Longman & Broderip Rondo, In quel barbaro momenti. Sung by Signor [Luigi] Marchesi in the opera of Giulio Sabino. Composed by Signor [Giuseppe] Sarti. BL G.196.(15.)

18/4/1788 Longman & Broderip Six Duos pour Deux Violins ou Deux Flutes. Composés par I[gnace] Pleyel. Op. 13. BL g.218.(7.)

Entries from 1710 to 1810

107

18/4/1788 Longman & Broderip The Plough Boy. Sung by Mr [Thomas] Blanchard in The Farmer. Written by J[ohn] O’Keeffe, Esq., and set to music by William Shield. BL G.377.(52.)

19/4/1788 Longman & Broderip Duetto, Ah Cara sposa. Sung by Signora Guiliani and Signor Marchesi in the opera of Giulio Sabino. Composed by Signor [Giuseppe] Sarti. BL G.197.(12.)

21/4/1788 Longman & Broderip Three Trios for the Piano Forte or Harpsichord, Violin and Violoncello. Humbly dedicated to Mrs Middleton. By John Baptist Cramer. Op. 3. BL g.161.c.(1.)

22/4/1788 The Author Twelve Favorite New Country Dances for the Violin, Harp, or Piano Forte. Danced at the ball given by Their Royal Highnesses the Prince of Wales, Duke of York, and Prince William Henry, at the Long-Room, Stonehouse, Devonshire. Most humbly dedicated (by permission) to His Royal Highness Prince William Henry. By Thomas Edwards. BL b.52.(5.)

23/4/1788 Longman & Broderip A Favorite Concerto for a Violino Principale and a Full Band. Composed by Ignace Pleyel. BL h.318.(10.)

23/4/1788 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord. Composed by Joseph Haydn. Op. 53. BL h.62.(4.) or h.62.(5.) [see the entry for 20/5/1788]

108

Music Entries at Stationers’ Hall

26/4/1788 The Author È di matti questo mondo. A favorite air. Sung by Signora [Anna Selina] Storace at the King’s Theatre in the Haymarket in the opera of La Cameriera Astuta. Composed by S[tephen] Storace. BL G.196.(3.)

26/4/1788 The Author [Stephen] Storace’s Collection of original Harpsichord Music. No. 4. Containing: a sonata with accompaniments for violin and violoncello—[Johann Samuel] Schroeter; a rondo—[Wolfgang Amadeus] Mozart; a trio for piano forte, violin and violoncello—[Wolfgang Amadeus] Mozart. BL g.122.

29/4/1788 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment for the violin. Composed by Signor [Tommaso] Giordani. Op. 34. BL g.151.e.(4.)

Longman & Broderip 5/5/1788 The Farmer. A comic opera. Adapted for the German ute. The music selected and composed by William Shield. BL B.387.(1.)

7/5/1788 Longman & Broderip A Favorite Symphony, composed by Signor [Joseph] Haydn. Adapted for the harpsichord or piano forte with an accompanyment for a violin by J[ohn] Marsh, Esq. BL h.61.(14.)

7/5/1788 The Author The Favorite Overture in the opera of La Cameriera Astuta. As performed at the King’s Theatre in the Haymarket. Adapted for the harpsichord with an accompaniment for the violin. Composed by S[tephen] Storace. BL h.61.(12.)

Entries from 1710 to 1810

109

15/5/1788 Longman & Broderip. The Favorite Opera Dances for the year 1788. Performed at the King’s Theatre Haymarket. Composed, selected, and adapted for the piano forte, ute or violin, by J[oseph] Mazzinghi. Book III. BL b.52.(8.) and R.M.15.g.10

20/5/1788 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord. Composed by Joseph Haydn. Engraved from the author’s original manuscript. BL h.62.(4.) or h.62.(5.) [see the entry for 23/4/1788]

23/5/1788 Longman & Broderip Se cerca se dice. Sung by Signor [Luigi] Marchesi in the opera Olimpiade. Composed by Signors [Antonio] Sacchini and [Domenico] Cimarosa. BL G.196.(19.)

23/5/1788 Longman & Broderip Book the 21st for the year 1788. Twelve New Country Dances with their proper
gures for the violin, harp or harpsichord. As performed at the Prince of Wales’s, Willis’s Rooms, Festino and all polite assemblies.

3/6/1788 The Author [Stephen] Storace’s Collection of original Harpsichord Music. No. 5. Containing: a sonata—[Muzio] Clementi; a concerto with accompaniments for violins, tenor, bass, oboes and horns—[Jean] Vanhall. BL g.122

4/6/1788 Longman & Broderip Six Duos for Two Violoncellos for the Easy Study of the different Cliffs used for this Instrument. Composée par J[ean]-B[aptiste] Bréval. Op. 25. BL g.225.(16.)

110

Music Entries at Stationers’ Hall

4/6/1788 Longman & Broderip A Select Collection for One Two and Three Guitars of Six Favorite English Songs, Six Favorite French Songs, Six Favorite Italian Songs, and Five Easy Lessons or Solos. Humbly dedicated to Honourable Lady Campbell. Compiled and composed by Signor Ghillini di Asuni. BL E.270.(1.)

6/6/1788 Longman & Broderip The Retrospector. A collection of sonnets containing spring, summer, autumn and winter. The words by Mr James Brown. Composed by John Moulds. BL D.392.(12.)

6/6/1788 Longman & Broderip [John] Edwin’s Four and Twenty Perriwigs. Sung by him at the Theatre Royal, Covent Garden, and other public places, with universal applause. BL G.360.(19.), ‘printed for G. Goulding’

6/6/1788 Longman & Broderip [John] Edwin’s new Four and Twenty Fidlers. Sung by him at the Theatre Royal, Covent Garden, and other public places, with universal applause. BL G.360.(20.), ‘printed for G. Goulding’

12/6/1788 Longman & Broderip Marian. An opera. As performed at the Theatre Royal, Covent Garden. Composed and selected by W[illiam] Shield. BL E.108.a.(1.)

16/6/1788 Longman & Broderip Grandi e ver son le tue pene. Sung by Signora Giuliani, in the opera Olimpiade. Composed by Signor J[oseph] Mazzinghi. BL G.196.(21.)

16/6/1788 Longman & Broderip Six Sonatas for the Piano Forte or Harpsichord. Op. 11. Composed by Valentino Nicolai. BL h.62.(7.)

Entries from 1710 to 1810

111

23/6/1788 Longman & Broderip The Milkmaid. A parody on The Ploughboy. The music by William Shield. BL G.377.(53.)

23/6/1788 Longman & Broderip Bonny Bet. Sung by Mr [John Henry] Johnstone in The Farmer. Written by J[ohn] O’Keeffe Esq. Set to music by William Shield. BL G.377.(56.) and Mad.Soc.21.(94.)

Longman & Broderip 23/6/1778 Questa non era O cara. Sung by Signor [Luigi] Marchesi in the opera Olimpiade. Composed by Signor [Giuseppe] Sarti. BL G.196.(20.)

27/6/1788 Longman & Broderip Trois Quatuors de Monsieur Ignace Pleyel, tirés de l’oeuvre dédié à Sa Majesté le Roi de Prusse. Arrangé pour clavecin ou piano-forte, avec accompagnement de violon et basse, par Monsieur Lachnitt [i.e., Ludwig Wenzel Lachnith]. BL g.161.(7.) and R.M.17.f.13.(1.)

27/6/1788 Longman & Broderip Six Sonatas for the Piano Forte or Harpsichord with an accompaniment for a ute or violin and violoncello. Composed and dedicated by permission to Her Majesty the Queen of Great Britain. By Igance Pleyel. BL g.161.a.(4.) and h.2999.(1.)

30/6/1788 Longman & Broderip A Favorite Scotch Ballad. Sung by Mrs [Maria] Iliff at Vauxhall Gardens. Composed by Dr [Samuel] Arnold. BL G.363.(2.), text begins ‘Jockey was a braw young lad’

5/7/1788 The Author Four Sonatas for the Harpsichord or Piano Forte with an accompanyment for a violin. Composed by A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. BL g.161.f.(5.)

112

Music Entries at Stationers’ Hall

9/7/1788 George Goulding Come thou Laughter-loving Power. A favorite cantata. Set to music with accompanyments by J[ohn] Relfe. BL G.377.(51.)

12/7/1788 Longman & Broderip The Feast of Anacreon. A seranata. Performed at Vauxhall Gardens with universal applause. Set to music by Mr [James] Hook. Op. 53. BL H.139.a.(5.) and H.1650.(13.)

15/7/1788 The Author La Guida alla Musica Vocale. Containing various progressive examples, and duetts, calculated for the use of beginners. By J[ohn] Danby. Op. 2. BL E.207.d.(1.)

16/7/1788 The Author Three Sonatas for the Piano Forte or Harpsichord with accompaniments for the ute and violoncello. Dedicated by permission to Her Grace the Dutchess of Devonshire. By Joseph Dale. BL g.161.a.(3.)

21/7/1788 Longman & Broderip The Farmer. A comic opera. Adapted for the guitar. The music selected and composed by William Shield. BL B.385.(1.)

22/7/1788 The Author [Stephen] Storace’s Collection of original Harpsichord Music. No. 6. Containing: A Sonata with Accompaniments for Violin and Violoncello—[Franz Anton] Hoffmeister; A Sonata à quatre mains—[Jean] Vanhall; A Trio for Piano Forte, Violin and Violoncello—[Stephen] Storace. BL g.122 and R.M.17.e.3.(1.)

Entries from 1710 to 1810

113

25/7/1788 Longman & Broderip [Ignace] Pleyel’s Fourth Quartet from the set dedicated to the Prince of Wales. Adapted for the piano forte or harpsichord, with accompanyments for a violin, alto and violoncello, by Muzio Clementi. BL g.117.(5.)

26/7/1788 Longman & Broderip Adieu ma Liberté. A favorite ballad. Sung by Mr [Charles] Incledon at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.363.(13.)

31/7/1788 Longman & Broderip A Favorite Concerto for the Piano Forte or Harpsichord with accompanyments for two violins, alto, bass and ute. Composed by Valentino Nicolai. Op. 12. BL g.116.a.(2.)

4/8/1788 Longman & Broderip Trois Quatours de Monsieur Ignace Pleyel, tirés l’oeuvre dédié à Sa Majesté le Roy de Prusse. Arrangé pour le clavecin ou piano-forte, avec accompagnemens de violon et basse, par Monsieur Lachnitt [i.e., Ludwig Wenzel Lachnith]. Suite 2. BL g.161.(8.)

22/8/1788 The Author In Full Cry. A favorite hunting song, Sung by Mr [Charles] Incledon, at Vauxhall. Composed by [Charles] T[homas] Carter. No. 1. BL G.360.(13.)

22/8/1788 Longman & Broderip ’Ere Around the Huge Oak. A favorite song. Sung by Mr [William] Darley, in The Farmer, a comic opera composed by W[illiam] Shield. BL G.377.(54.)

22/8/1788 Longman & Broderip The Rose had been Wash’d. A favorite ballad. Composed by Mr Knowles. BL G.377.(36.)

114

Music Entries at Stationers’ Hall

8/9/1788 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a ute and violoncello. Dedicated to Miss Meysey. Composed by Muzio Clementi. Op. 21. BL g.161.a.(1.)

8/9/1788 George Goulding The Deserter. The words by Edward Jerningham, Esq. Set to music by John Moulds. BL D.392.(10.)

Longman & Broderip 17/9/1788 The Inscription Songs and Ode to Charity. Taken from Miss [Hannah] More’s pastoral drama entitled A Search after Happiness. Set to music at the request of Messrs David and Wray, of Old Ford, for the use of their scholars. By Daniel Bearden, organist of St Dunstan, Stepney and St Mary Stratford, Bow. BL E.270.(4.)

22/9/1788 Longman & Broderip Gli Schiavi per Amore. A comic opera in two acts. As performed at the King’s Theatre in the Haymarket. The music by the celebrated Signor [Giovanni] Paisiello. Arranged for the harpsichord or piano forte, with graces and other ornaments by Signor Domenico Corri. Act 1. BL H.445.

22/9/1788 Longman & Broderip And say No. A favourite ballad. Composed and sung by Miss [Maria] Poole at Vauxhall Gardens. BL G.360.(41.)

22/9/1788 Longman & Broderip Dear le Verrou. A favourite ballad. Composed and sung by Miss [Maria] Poole at Vauxhall Gardens. BL G.360.(42.)

Entries from 1710 to 1810

115

22/9/1788 Longman & Broderip Yarrow Vale. A favourite Scotch song. Sung by Mrs [Maria] Iliff at Vauxhall Gardens. Written by Mr Macdonald. Composed by Mr [James] Hook. BL G.363.(9.)

22/9/1788 Longman & Broderip The Musical Courtship. A favourite comic dialogue. Sung by Mr Incledon and Mrs Iliff with universal applause at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.354.(17.) and H.1651.b.(52.)

22/9/1788 Longman & Broderip Hark Eccho, sweet Eccho. A favourite hunting song. Sung by Miss Leary at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.363.(11.) and H.1651.b.(59.)

22/9/1788 Longman & Broderip The Plough Boy [a song from The Farmer by William Shield], with Variations [attributed to Muzio Clementi]. BL h.62.(15.)

28?/9/1788 George Goulding The Feast of Apollo. Containing eleven lessons, a duet for two performers on one harpsichord or piano forte, and twenty-two favorite songs by the following twenty-one celebrated composers: [Ferdinand] Staes, [John] Moulds, [Domenico] Corri, [John] Relfe, [John] Edwin, [Thomas] Billington, [William] Reeve, [Henry] Heron, [Giovanni] Paisiello, Wilson, [John Christian] Bach, [Mattia] Vento, [Jean] Vanhall, [Giuseppe] Sarti, [John] Fergus, [Francis] Remy, [Christian Gottlieb] Tubel, [Charles Thomas] Carter, [George] Neuman, [Richard] Chapman and [Giusto Ferdinando] Tenducci. Vol. 1. BL G.351.(2.)

31/10/1788 Longman & Broderip Lady Isabell—Her Sorrows. Wrote in the year 1610. Adapted to Mr [Ignace] Pleyel’s favorite air as a glee for four voices and for the piano forte by Joseph Mazzinghi. Price 1/-. BL G.353.(23.)

116

Music Entries at Stationers’ Hall

31/10/1788 Longman & Broderip Sonata for the Piano Forte or Harpsichord. with an accompaniment for the violin. Composed by Ignace Pleyel. Price 2/-. BL g.144.(10.) and g.147.(9.)

31/10/1788 Harrison & Co. Number 1 of the Lady’s Musical Magazine, or Monthly Polite Repository of New Vocal Musick. By the principal composers in Europe, chiey from original words by eminent poetical writers. BL G.351.(4.) and H.2392

31/10/1788 Harrison & Co. Number 1 of the Gentleman’s Musical Magazine, or Monthly Convivial Combination. Containing Anacreonticks, cantatas, catches, glees, hunting songs, sea songs, etc., etc., particularly calculated for the gentlemen. By the principal composers in Europe, chiey from original words by eminent poetical writers. BL G.351.(3.)

Joseph Dale 1/11/1788 Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a ute and violoncello. Dedicated to Miss Anna Maria Carolina Blake. By Muzio Clementi. Opera XXII. Price 7/6. BL g.161.a.(2.)

7/11/1788 Corri and Sutherland A Quartetto from [Ignace] Pleyel’s Op. VI. Adapted for the harpsichord or piano forte, with accompaniments for a violin and bass, by Natale Corri. BL g.161.(9.)

14/11/1788 John Bland Damon and Phoebe. A favorite song with an accompanyment for the forte piano. Composed by J[acob] C[ubitt] Pring. BL G.377.(43.)

Entries from 1710 to 1810

117

14/11/1788 John Bland Damon and Phillis. A favorite song. Composed by J[acob] C[ubitt] Pring. BL G.377.(46.)

14/11/1788 John Bland The Rose. A favorite song. Composed by J[acob] C[ubitt] Pring, organist of St Botolph, Aldersgate. BL G.377.(45.)

John Bland 14/11/1788 The Lilly. A new song. Composed by J[acob] C[ubitt] Pring, organist of St Botolph, Aldersgate. BL G.377.(44.)

14/11/1788 John Bland The Dying Christian to his Soul. A celebrated ode by Mr [Alexander] Pope. Set to music by J[acob Cubitt] Pring, organist of St Botolph, Aldersgate. BL G.352.(31.)

15/11/1788 Charles Dilly The Doctor and the Apothecary. A musical entertainment in two acts. As performed at the Theatre Royal, Drury Lane. BL 161.e.12. and 643.e.16.(12.), words only

18/11/1788 Stephen Storace The Doctor and the Apothecary. A musical entertainment. As it is performed at the Theatre Royal, Drury Lane. The music adapted from [Carl] Ditters [von Dittersdorf], and composed by S[tephen] Storace. BL D.289.(1.)

19/11/1788 Harrison & Co. The Prince of Arcadia. A pastoral elegy, occasioned by the King’s melancholly indisposition. Composed by Dr [Samuel] Arnold, organist and composer to His Majesty. The words by Mr Harrison. BL G.377.(1.)

118

Music Entries at Stationers’ Hall

Stephen Storace [Stephen] Storace’s Collection of original Harpsichord Music. Vol. 2. BL g.122 and R.M.17.e.3.(1.)

22/11/1788

1/12/1788 James B. Adams Three Sonatas for the Piano Forte or Harpsichord, with an accompanyment for a German ute or violin. Composed, and dedicated (by permission) to the Right Honourable Lady Viscountess Galway, by J[ames] B. Adams. Op. 4. BL h.61.(1.)

3/12/1788 Longman & Broderip Trio for the Piano Forte or Harpsichord, with accompaniments for a violin or clarinet and tenor. Composed by W[olfgang] A[madeus] Mozart. Op. 14. BL g.161.d.(6.)

3/12/1788 Longman & Broderip Sonata for the Piano Forte or Harpsichord, with an accompanyment for the violin. Composed by Ignace Pleyel.

3/12/1788 Longman & Broderip Marian. A favorite opera. Performed at the Theatre Royal, Covent Garden. Adapted for the German ute. The music composed and selected by Mr [William] Shield. BL B.387.(2.)

3/12/1788 Longman & Broderip Book 22 for the year 1789. Eight Cotilions and six Country Dances, with their proper
gures for the harp, harpsichord, piano forte or violin. Humbly dedicated to the nobility and gentry subscribers to Willis’s Rooms by Martin Platts Jr. To be had of the author, No. 4, Dukes Court, Box Street, Covent Garden, who provides music in general. BL b.52.(6.), although title-page reads ‘for the year 1788’

Entries from 1710 to 1810

119

3/12/1788 Longman & Broderip Inkle and Yarico. A comic opera. Performed at the Theatres Royal and Covent Garden. Adapted for the German ute. The music composed by Doctor [Samuel] Arnold.

3/12/1788 Longman & Broderip Twelve Capriccios and Rondos for the Piano Forte or Harpsichord with an accompanyment for the violin. Composed for the Grand Dutchess of all the Russians by Signor [Giovanni] Paisiello. BL g.161.e.(9.)

8/12/1788 Eugène Guilbert Quatre Sonates pour la Harpe avec accompagnement de violon. Dédiées à la treshonorable Madame Ariana Egerton. Par Eugène Guilbert. Op. 3. BL g.192.a.(11.)

10/12/1788 Longman & Broderip The Highland Reel. A musical romance. As it is performed at the Theatre Royal, Covent Garden. Selected and composed by William Shield. The words by J[ohn] O’Keeffe, Esq. BL E.108.a.(3.)

19/12/1788 Longman & Broderip Three Quartetts for a Piano Forte, Flute, Violin and Tenor. Composed for, and humbly dedicated by permission to the Right Honourable Earl Cholmondeley, by Joseph Mazzinghi. Op. 3. BL g.458.b and R.M.16.e.2.

29/12/1788 Thomas Pitt Church Music, consisting of a Te Deum and Jubilate. The music from various eminent masters, and six anthems from the sacred works of [George Frideric] Handel, selected and adapted for the use of choirs by Thomas Pitt. Vol. 1. BL G.500

120

Music Entries at Stationers’ Hall

29/12/1788 Longman & Broderip Simplicity, thou fav’rite Childe. An additional song in Inkle and Yarico. Sung by Mr [John Henry] Johnstone. Composed by Doctor [Samuel] Arnold. BL G.377.(3.)

29/12/1788 Longman & Broderip What Citadel so proud can say. An additional song in Inkle and Yarico. Sung by Mr [John Henry] Johnstone. Composed by Doctor [Samuel] Arnold. BL G.377.(2.)

5/1/1789 John Parsons Ode to Liberty. The words by Mr Woods, and music by Mr [John] Parsons. Composed for the centenary jubilee of the Revolution Club, Edinburgh. Published by desire of the Lord Provost for the use of the members. BL G.354.(25.)

8/1/1789 Longman & Broderip Inkle and Yarico. A comic opera. Performed at the Theatres Royal in the Haymarket and Covent Garden. Adapted for the guitar. The music composed by Doctor [Samuel] Arnold. BL B.385.(2.)

9/1/1789 The Author Three Sonatas for the Piano Forte or Harpsichord. Composed by John Clarke, Oxford. BL e.104.(4.)

9/1/1789 The Author A Second Overture for the Piano Forte or Harpsichord, with accompanyments for a violin and violoncello. Composed and most respectfully dedicated to the Right Honourable Lady Charlotte Leveson-Gower. By J[ohn] L[ewis] Hoeberechts. BL g.161.c.(4.)

Entries from 1710 to 1810

121

9/1/1789 The Author A Favorite Sonata for the Piano Forte or Harpsichord. Composed for and humbly dedicated to Miss Holcombe of St Davids by John Day. BL h.62.(1.)

10/1/1789 The Author The celebrated song, De Voman torn us rond about. Sung by Mr [Carlo Antonio] Delpini in the opera of Poll of Plympton. Composed by Mr [Charles Thomas] Carter. BL G.377.(10.)

Longman & Broderip C’est l’Amour. A favorite duet, with French and English words. BL H.1250.(44.)

14/1/1789

14/1/1789 Longman & Broderip Six Duets for Two Violins. Composed, and dedicated to Wilson Braddyll, Esq., by Ignace Pleyel. BL g.218.(8.) and g.421.l.(4.)

Stephen Storace [Stephen] Storace’s Collection of original Harpsichord Music. No. 6. BL R.M.17.e.3.(1.)

19/1/1789

21/1/1789 Longman & Broderip Dolci mi parve un di. Sung by Signora [Margherita] Delicati in the opera of La Cosa Rara. Composed by Signor [Joseph] Mazzinghi. BL G.196.(5.)

John Bridge Pye Universal Love. Set to music by J. L. B., Liverpool. BL G.377.(7.)

22/1/1789

122

Music Entries at Stationers’ Hall

22/1/1789 John Bridge Pye Dear is my little native Vale. From An Ode to Superstition. As sung by Miss Harwood at the Music Hall, Liverpool. Composed by C[harles] H[enry] Wilton. BL G.377.(63.)

22/1/1789 John Bridge Pye The Queen of Flowers. A favorite song. Set to music by Miss Carver of Liverpool. BL G.377.(12.)

John Bridge Pye 22/1/1789 Free from Bustle, Noise and Strife. A favorite cantata. Set to music by Miss Carver of Liverpool. BL G.377.(11.)

John Bridge Pye The Joys of Liberty. Set to music by J. L. B. BL G.377.(6.)

22/1/1789

22/1/1789 John Bridge Pye The Death of Edwin and Emma. A favorite song. Sung by Miss Harwood at the Music Hall, Liverpool. Composed by C[harles] H[enry] Wilton. BL G.377.(64.)

24/1/1789 Longman & Broderip With Truth on her Lips. A favorite ballad. Sung by Mr [John Henry] Johnstone in the opera of Marian. Written by Mrs Brooks [i.e., by Frances Brooke] and composed by Mr [William] Shield. BL G.377.(55.)

Longman & Broderip 24/1/1789 Consola le pene. Sung by Signor [Luigi] Delicati in the opera of La Cosa Rara composed by Messrs [Vicente] Martin [y Soler] and [Joseph] Mazzinghi. BL G.196.(4.)

Entries from 1710 to 1810

123

29/1/1789 Longman & Broderip A voi torno sponde amate. Sung by Signor [Luigi] Marchesi, in the opera I
genia in Aulide. Composed by Signor [Luigi] Cherubini. BL G.196.(18.)

30/1/1789 Robert Broderip Black Eyed Susan. A favorite cantata. As sung by Mr [Charles] Incledon at the subscription concerts in Bristol and Bath. BL G.377.(4.)

3/2/1789 Longman & Broderip Marian. A favorite opera performed at the Theatre Royal Convent Garden. Adapted for the guitar. The music composed and selected by Mr [William] Shield. BL B.385.(3.)

3/2/1789 Longman & Broderip I was, d’ye see, a Waterman. A favorite ballad. Composed, and sung at the Lyceum in the Strand, by Charles Dibdin. BL G.377.(21.) and H.1650.o.(24.)

7/2/1789 Longman & Broderip Number 5 of the Opera Overtures, adapted for the harpsichord or piano forte, with an accompaniment for a violin. BL h.61.(11.)

Longman & Broderip 7/2/1789 Two Sonatas, Six Songs and some English Airs with Variations. With an accompaniment for the harp. Composed, and dedicated to Miss Ainslie, by Caroline Campbell. BL h.106.(6.)

7/2/1789 Corri and Sutherland Two Sonatas for the Piano Forte, with an accompanyment for a violin. Composed by J[ohann] S[amuel] Schroeter. Op. 7. Dedicated (by permission) to the Right Honourable Lady Mary Montague, by Her Ladyship’s most humble and obedient servant, Domenico Corri. BL g.147.(13.)

124

Music Entries at Stationers’ Hall

11/2/1789 Longman & Broderip Nel lasciarti amato bene. Sung by Signor [Luigi] Marchesi, in the opera I
genia. Composed by Signor [Angelo] Tarchi. BL G.197.(18.)

14/2/1789 Longman & Broderip A Glee in Three Parts, composed for the Chapel Royal feast. By T[homas] S[anders] Dupuis, organist and composer to His Majesty. BL G.352.(21.), text begins ‘Since friends and companions’

14/2/1789 Longman & Broderip Duetto, Pace Caro mio Sposo in the opera La Cosa Rara. Sung by Signor [Luigi] Delicati and Signor [Fausto] Borselli. [By Vicente Martin y Soler.] BL G.197.(2.)

23/2/1789 Jane Savage A favorite Duett for two Performers, on one Piano Forte or Harpsichord. By Jane Savage. BL g.130.(10.)

Stephen Storace [Stephen] Storace’s Collection of original Harpsichord Music. No. 2. BL g.122 and R.M.17.e.3.(1.)

24/2/1789

25/2/1789 John Fentum Botany Bay. Written and sung by Mr Hewerdine, at the Beef Steak Club and the Anacreontic Society, with universal applause. BL G.360.(30.), text begins ‘Britannia fair guardian of this favor’d land’

John Fentum 26/2/1789 The New Hours of Love, containing Morning, Noon, Evening and Night. Written by a young lady and set to music by Sam[uel] Egerton Leigh, Esq., for the piano forte, violin, German ute and guittar. BL D.392.(8.)

Entries from 1710 to 1810

125

27/2/1789 John Bell The Triumph of Truth. A sacred oratorio. Selected from the works of the following great masters: Handel, Purcel[l], Dr [Thomas Augustine] Arne, Corelli, Jommelli, Sacchini, and Haydn, by Samuel Arnold, Mus. Doc. As it is performed at the Theatre Royal, Drury Lane. BL 643.e.17.(11.)

12/3/1789 Longman & Broderip A Linnets Nest with anxious Care. A favorite ballad. Composed, and sung at the Lyceum in the Strand, by Charles Dibdin. BL G.377.(2.)

12/3/1789 Longman & Broderip Grand March in the opera I
genia in Aulide. Composed by Signor [Joseph] Mazzinghi. BL g.133.(44.)

12/3/1789 Longman & Broderip Three Duetts for the Piano Forte or Harpsichord from the quartetts composed by Ignace Pleyel. Adapted by Francisco Tomich. BL g.131.(9.)

Jane Savage Two Duetts for Voices. Composed by Jane Savage. BL G.354.(32.)

13/3/1789

19/3/1789 Longman & Broderip A Quei Cari Amati Accenti. Sung by Signor [Luigi] Marchesi in the opera Il Desertore, composed by Signor [Angelo] Tarchi. BL G.196.(13.)

24/3/1789 Longman & Broderip Six Sonatinos for the Piano Forte or Harpsichord with an accompaniment for the violin. Composed, and humbly dedicated (by permission) to Mrs P. Moore, by William Howard. BL h.61.(5.)

126

Music Entries at Stationers’ Hall

1/4/1789 John Bland Evening Contemplation. A favorite cantata. Sung by Mr Harrison at the Grand Musical Festival held at Derby under his direction, September 1788. Composed by Mr [Samuel] Webbe. BL G.377.(60.)

1/4/1789 Richard Bellamy A Collection of Glees for Three and Four Voices. Composed by R[ichard] Bellamy, B[ac]. M[us]. BL G.353.(3.)

6/4/1789 Longman & Broderip Ten New Country Dances of Three Cotillons for the Harp, Harpsichord or Piano Forte, with an accompanyment for a violin. Humbly dedicated to the ladies, directors, nobility and gentry subscribers to Willis’s Rooms, late Almack’s, by Thomas Jones, professor on the harp, No. 24, Maddox Street, Hanover Square. BL b.52.(10.)

Longman & Broderip 6/4/1789 The Prophet. An opera performed at the Theatre Royal, Covent Garden. Composed by [Antonio] Sacchini, [Henry] Purcell, [Tommaso] Giordani, Irwich, [Domenico] Cimarosa, [Antonio] Salieri and William Shield. BL E.108.a.(2.)

6/4/1789 Longman & Broderip Oh Give me a Cot at the Foot of a Hill. A favorite ballad. Sung by Mr [John Henry] Johnstone at the Theatre Royal, Covent Garden. Composed by T[homas] B[rabazon] Gray. BL G.377.(27.)

8/4/1789 Theodore Smith Three Sonatas, and a favourite March, for the Piano Forte or Harpsichord, with an accompanyment for the violin and violoncello. Composed and dedicated to Miss Cox, and Miss Charlotte Cox, by Theodore Smith. BL g.161.c.(11.)

Entries from 1710 to 1810

127

8/4/1789 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin and violoncello. Composed by W[olfgang] A[madeus] Mozart. BL g.161.d.(7.)

8/4/1789 Longman & Broderip A Twenty-Seventh Collection of Catches, Canons and Glees for three, four and
ve Voices. Most humbly inscribed to the noblemen and gentlemen of the Catch Club at the Thatched House Tavern, St James’s, by their much obliged and devoted servant [Edmund] Thomas Warren. BL E.205.o.(13.) and E.207.(8.) and E.207.(9.) and R.M.25.h.1

14/4/1789 Thomas Attwood Three Trios for the Piano Forte or Harpsichord with accompaniments for violin and violoncello obligato. Dedicated (by permission) to His Royal Higness the Prince of Wales. By Thomas Attwood. BL g.150.(1.) and R.M.16.b.6

John Relfe Embosom’d oft the Sullied Gem. Composed by J[ohn] Relfe. BL G.377.(50.)

17/4/1789

21/4/1789 John Bland Sigh no more Ladies. Chearful glee for
ve voices. Composed and adapted for Miss Thurlows [i.e., Misses Thurlow] by R[ichard] J[ohn] S[amuel] Stevens. BL H.1654.kk.(6.) and Mad.Soc.21.(69.)

John Bridge Pye Werter’s Ghost. Words and music by J. F., Liverpool. BL G.377.(24.)

21/4/1789

21/4/1789 John Bridge Pye Six Solos for the Violin with a Thorough Bass for the Harpsichord. Composed by C[harles] H[enry] Wilton, Liverpool. BL g.221.(3.)

128

Music Entries at Stationers’ Hall

24/4/1789 Joseph Dale [Muzio] Clementi’s celebrated La Chasse from op. 22. Dedicated to Miss Anna Maria Carolina Blake. Adapted for two performers on one piano forte or harpsichord.

The Author God Save the King. Adapted as double lesson. By Jane Savage. BL g.130.(12.)

27/4/1789

29/4/1789 Joseph Dale [Valentino] Nicolai’s Celebrated Rondos from op. 3. Dedicated to Miss Matthew. Adapted for two perfomers on one piano forte or harpsichord. BL g.130.(9.)

29/4/1789 Longman & Broderip Three Quartets for a Flute, Violin, Tenor and Violoncello. Performed at the Professional Concert, Hanover Square. Composed by Ignace Pleyel. Op. 17. BL h.318.f.(1.)

30/4/1789 The Author [Stephen] Storace’s Collection of Original Harpsichord Music. Vol. 2 No. 4. Containing: A Sonata with accompaniments for a violin and violoncello, Op. 25 — [Leopold] Kozeluch; A Sonata — [Wolfgang Amadeus] Mozart; A Sonata for a Violin and Violoncello — [Stephen] Storace. BL g.122 and R.M.17.e.3.(1.)

30/4/1789 George Smart The Vocal Pocket Companion. Being a new collection of the most favorite catches, cannons, glees and duetts for two, three and four voices. Composed by the following eminent masters, viz.: Dr [Benjamin] Cooke, [John] Danby, Finesche [perhaps Louis von Esch], [Samuel] Webbe, [John Wall] Callcott, etc., etc. Humbly inscribed to Lady Yonge by Her Ladyship’s most obedient humble servant, G[eorge] Smart. BL A.1066.a., incomplete

John Bland Periodical Lessons [for the piano forte]. To be continued. Letter D. BL g.149.(7.)

1/5/1789

Entries from 1710 to 1810

129

1/5/1789 John Bland Sigh no more, Ladies. A favorite song. Written by [William] Shakespear[e] and set to music by R[ichard] J[ohn] S[amuel] Stevens. BL G.377.(57.)

6/5/1789 Marmaduke Overend The Epithalamium made on the Marriage of Their Majesties King George the Third and Queen Charlotte. Composed by Mr [Marmaduke] Overend, organist of Isleworth, Middlesex. GUL Special Collections Cb6-f.1

9/5/1789 John Wall Callcott Hunting glee. As sung as Drury Lane Theatre in the farce of The Devil To Pay by Messrs Kelly, Dignum and Sedgwick. Composed by John Wall Callcott. BL G.352.(13.), text begins ‘’Tis health that gives birth’

11/5/1789 The Author Sonata for the Piano Forte or Harpsichord with a violin accompaniment obligato. Respectfully dedicated to the nobility and gentry of Scotland. Composed by J[ohn] Watlen, late of the Royal Navy. BL g.161.f.(11.)

14/5/1789 The Author A New Air for the Voice and Harpsichord with other accompanyments. Composed by J[ames] B. Adams. No. 2. BL G.360.(1.)

16/5/1789 Longman & Broderip The Matchless Maid of Morpeth. A legendary tale. Written with accompanyments, and respectfully dedicated to Lady Anne [Fitzpatrick] and Lady Gertrude Fitzpatrick, by John Moulds. BL D.392.(11.)

130

Music Entries at Stationers’ Hall

18/5/1789 George Goulding The Walls of My Prison. A favorite ballad. Written by I. F. Composed by Miss Isabella Theaker More. BL G.377.(37.)

Longman & Broderip A Glee for Three Voices.

22/5/1789

28/5/1789 Longman & Broderip The Favorite Opera Dances for the year 1789 at the King’s Theatre, Haymarket. Composed, selected and adapted for the piano forte, ute or violin, by J[oseph] Mazzinghi. BL b.52.(9.)

30/5/1789 Longman & Broderip A Third overture for the Harpsichord or Piano Forte, for a violin or violoncello ad libitum. Composed, and most respectfully dedicated to the Right Honourable Lady Anne Belasyse, by J[ohn Lewis] Hoeberechts. BL g.161.c.(5.)

30/5/1789 The Author Two Sonatas for the Piano Forte or Harpsichord, adapted for the use of schools. By [Richard] Bellamy, Bac. Mus. BL g.149.(1.)

30/5/1789 Longman & Broderip The Favorite Overture to the Occasional Ode on the King’s Recovery. As performed at the Subscription Concert in Bristol. Composed by Robert Broderip. BL g.149.(18.)

1/6/1789 The Author A New Air for the Voice and Harpsichord with other accompanyments. Composed by J[ames] B. Adams. No. 3. BL G.360.(1.)

Entries from 1710 to 1810

131

1/6/1789 Thompson A Favorite Collection of Songs adapted for the Voice, Piano Forte. Set to music by Joseph William Holder, organist, Bungay, Suffolk, late one of the children of His Majesty’s Chapels Royal. BL G.362.(3.)

4/6/1789 The Author Six Anthems. Composed by T[homas] R[oger] Filewood, M. A., rector of Mickleham and Dunsfold, late of St. John’s College, Cambridge. BL G.502.(2.)

11/6/1789 The Author A New Air for the Voice and Harpsicord with other accompanyments. Composed by J[ames] B. Adams. No. 4. BL G.360.(1.)

John Bland Six Canzonetts for Two Voices. Composed by S[amuel] Webbe. BL H.1687.(19.)

11/6/1789

11/6/1789 John Bland O Lead Me where the lonely Nightingale. Sung by Mr Harrison in the Nobility’s Concerts. Composed by Mr [Samuel] Webbe. The words by a lady. BL G.377.(59.) and Mad.Soc.21.(77.)

11/6/1789 John Bland The Lovers and Bacchanals. A favorite glee, for four voices. Composed by Mr [Samuel] Webbe. GUL Special Collections Cb6.f.15

11/6/1789 John Bland Phaon and Myra. A cantata containing
ve airs and a duett, in the stile of The Hermit. BL G.359.(4.)

132

Music Entries at Stationers’ Hall

15/6/1789 Charles May Six Quartetts for a Flute, Violin, Tenor and Violoncello, with an accompaniment of two French horns ad libiturn. Composed, and most humbly dedicated to Her Imperial Majesty Catherine 2d Empress of all the Russias etc., etc., etc., by Adam Kroll, amateur of music. BL h.116.(28.)

15/6/1789 The Author A New Air for the Voice and Harpsichord with other accompanyments. Composed by J[ames] B. Adams. No. 5. BL G.360.(1.)

23/6/1789 George Goulding The Genius of England’s Invocation to Britannia. As sung by Mr [Charles] Incledon, with universal applause, at Vauxhall Gardens. Composed, and humbly dedicated to Her Majesty, by S[amuel] Egerton Leigh, Esq. BL G.360.(31*.)

Samuel, Ann and Peter Thompson 26/6/1789 Hymns composed for the use of the Royal Hospital for Seamen at Greenwich. Set to music by Lupton Relfe. BL D.437.(1.)

6/7/1789 The Author Three Sonatas for the Harpsichord or Piano Forte, with an accompanyment for a violin. Composed, and respectfully dedicated to Miss B. Stuart of Allanbank, by John Thomson, organist, New Edinburgh. BL g.161.f.(9.)

6/7/1789 The Author Ten Sonatas for the Piano Forte or Harpsichord, with an accompanyment for the violin or German ute. Composed, and humbly dedicated by permission to the Right Honourable Lady Frances Harpur, by Miss Ann Valentine, organist of St Margaret’s, Leicester. BL g.161.f.(10.)

Entries from 1710 to 1810

133

7/7/1789 Longman & Broderip Quel labbro vezzoso. Sung by Signor [Luigi] Marchesi in the opera Generosita d’Alessandra. Composed by Signor [Angelo] Tarchi. BL G.196.(11.)

7/7/1789 Longman & Broderip Three Quartets for Two Violins, Alto and Violoncello. Performed at the Professional Concert, Hanover Square, 1789. Composed by Joseph Haydn. BL g.213.(5.) and R.M.14.f.21.(7.)

7/7/1789 Longman & Broderip Ah chi sà. The favorite trio in the comic opera Il Barbiere di Siviglia, as sung by Signora Storace, Signor Benucci and Mr Kelly. Composed by Signor [Giovanni] Paisiello. BL G.197.(16.)

The Author A new song called The Angler’s Progress. Written by Mr H. Boaz. BL C.20.f.2.(258.)

18/7/1789

21/7/1789 Joseph Dale Melissa. The words by Charles James, Esq. Adapted to the piano forte, harp or guitar [from the pantomime Le Devin du Village by Jean-Jacques Rousseau]. BL G.377.(17.), text begins ‘Sweet Melissa, lovely maiden!’

21/7/1789 John Bland The Grove. A duett. Composed by George [K.] Jackson, author of l’Adieu. BL G.354.(20.)

John Bland 21/7/1789 Magni
cat. Composed by J[acob] C[ubitt] Pring, organist of St Botolph, Aldersgate. In two parts. For country churches. To be sung after the
rst lesson, instead of reading it. BL G.502.(8.)

134

Music Entries at Stationers’ Hall

23/7/1789 The Author [Stephen] Storace’s Collection of Original Harpsichord Music. Vol. 2 no. 5. Containing: A Sonata—[Muzio] Clementi; A Sonata with accompaniments for a violin and violoncello—[Wolfgang Amadeus] Mozart; A Sonata with accompaniments for a violin and violoncello—[Thomas] Attwood, élève de Mozart. BL g.122 and R.M.17.e.3.(1.)

23/7/1789 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello. Composed by Joseph Haydn. Op. 58. BL R.M.26.a.12.(19.)

23/7/1789 Longman & Broderip Se mai pici saro geloso. Sung by Signor [Luigi] Marchesi, in the opera Generosita d’Alessandro. Composed by Signor [Angelo] Tarchi. BL G.196.(12.)

23/7/1789 Longman & Broderip No more, no more by Fears opprest. A favourite duetto, sung at the Opera House gala. Composed by Signor [Joseph] Mazzinghi. BL G.354.(24.)

23/7/1789 Longman & Broderip A Grand Symphony, in all its parts. Performed at the Professional Concert, Hanover Square, 1789. Composed by Joseph Haydn of Vienna. No. 1. BL g.212.(3.) and R.M.26.a.12.(15.)

25/7/1789 Thomas Skillern The Woodland Laddie. A favorite Scotch song. Sung by Mrs [Margaret] Martyr at Vauxhall Gardens. Composed by Dr [Samuel] Arnold. BL G.363.(1.)

Entries from 1710 to 1810

135

27/7/1789 Domenico Motta La Liberta e Palinodia. Twenty-four duetts in four books for two voices, with a thorough bass. Composed by the celebrated Signor Giovanni Paisiello, and humbly dedicated to the Right Honourable Baroness Dowager Middleton by Domenico Motta. BL D.370.(9.) and Hirsch iv.1698

28/7/1789 Longman & Broderip The Enraged Musician. A musical entertainment founded on [William] Hogarth. Performed at the Theatre Royal in the Haymarket. Written by George Colman, Esq. Composed by Dr [Samuel] Arnold. BL E.100.b.(3.)

10/8/1789 John Bland Happy Shepherd. A favorite song. Composed by George [K.] Jackson, author of The Grove. BL G.377.(30.)

10/8/1789 John Bland Ponder my Words. An anthem for three voices, taken from the
fth Psalm, with two canons, for the use of country churches. Composed by George [K.] Jackson, author of Dr [Isaac] Watts’s Hymns. BL G.502.(4.)

10/8/1789 The Author Twelve Select Military Pieces for Two Clarinets, Two French Horns and a Bassoon, with a trumpet ad libitum. Performed by the band of the Cold Stream Regiment of Guards, and dedicated by permission to His Royal Highness the Duke of York. By C[hristian] F[rederick] Eley. BL b.80.

William Blare The Harmless Warriors. A song, to the tune of Jack Chance. BL C.20.f.2.(364.)

7/9/1789

136

Music Entries at Stationers’ Hall

14/9/1789 Longman & Broderip The Overture, Songs, Chorusses, etc., in The Battle of Hexham, or Days of Old. As is performed at the Theatre Royal in the Haymarket. The words by G[eorge] Colman, Jr. The music composed by Dr [Samuel] Arnold. Op. 32. Price 10/8. BL E.100.b.(4.)

18/9/1789 Logman and Broderip Six Canzonets with an Accompaniment for the Great or Small Harp, Piano Forte or Harpsichord. Composed by Signor Guiseppe Aprile. Price 5/-. BL B.397.

18/9/1789 Longman & Broderip A Grand Symphony, in all its parts. Performed at the Professional Concert, Hanover Square, 1789. Composed by Joseph Haydn of Vienna. No. 2. Price 5/-. BL g.212.(4.)

3/10/1789 Joseph Buchinger How comes it, Neighbour Dick. A favorite song. Composed by [Thomas] B[rabazon] Gray. BL G.377.(25.)

3/10/1789 Joseph Buchinger The Dying Lover. A favorite song. As sung by Mr Johnson, with universal applause, at the Theatre Royal Convent Garden. Composed by [Thomas] B[rabazon] Gray. BL G.377.(26.)

3/10/1789 Longman & Broderip Terzetto in the opera La Generosità d’Alessandro. Sung by Signor [Luigi] Marchesi. Composed by Signor [Angelo] Tarchi. BL G.197.(17.), text begins ‘Son prigionier lo vedo’

3/10/1789 Longman & Broderip The Sympathizing Tear. A favorite ballad. Composed by John Calah, organist to the Cathedral at Peterborough. BL G.377.(8.)

Entries from 1710 to 1810

137

12/10/1789 Longman & Broderip Six Duetts Concertants for Two Violins. Composed by Mr [Giovanni Battista] Viotti. BL g.218.(13.)

Longman & Broderip Six Duetts for Two Violins. Composed by Ignace Pleyel. BL g.218.(9.)

13/10/1789

23/10/1789 Longman & Broderip Six Canzonets for Two and Three Voices. Composed purposely for dilettanti by Dr [John] Worgan. BL B.395.

31/10/1789 Joseph Dale Three Favorite Duetts for Two Performers on one Piano Forte or Harpsichord. Composed by Ignace Pleyel. BL h.318.(2.)

5/11/1789 Longman & Broderip Three Sonatas for the Piano-Forte or Harpsichord with an accompanyment for the violin. Composed, and respectfully dedicated to the Right Honourable Lady Mary Bligh, by Jacob Kirkman. BL g.161.f.(4.)

John Hindle Glee for Four Voices. [Presumably composed by John Hindle.]

13/11/1789

16/11/1789 Longman & Broderip A Collection of Six Voluntaries for the Organ, Harpsichord and Piano Forte. Respectfully dedicated to Miss Marget Cocks. Composed by Jacob Kirkman, organist of St George’s, Hanover Square. BL e.120.(7.)

138

Music Entries at Stationers’ Hall

16/11/1789 Longman & Broderip A Complete Introduction to the Art of Playing the Mandoline, containing the most essential Rules and Examples for Learners to obtain a Pro
ciency; to which are added a pleasing variety of airs, lessons, duets and sonatas. Composed, and judiciously arranged for the instrument, by Signor Leoni [i.e., Gabriele Leone] of Naples, master of the mandoline to the Duke de Chartres. BL b.123

24/11/1789 Thomas Pitt Church Music. Consisting of ten anthems from the sacred works of [George Frideric] Handel. Selected and adapted for the use of choirs. By Thomas Pitt, Worcester. Vol. 2. BL 3.e.5.and G.500 and R.M.7.a.7 and R.M.7.a.8

24/11/1789 Longman & Broderip Twelve Original English Canzonetts, with an accompaniment for the piano forte or harp. Composed by Joseph Haydn. BL D.392.(6.)

William Turell Angelina. A favorite ballad. Written and set to music by William Turell. BL G.377.(58.)

26/11/1789

28/11/1789 Longman & Broderip Caprice pour le Clavecin ou le Forte Piano. Composée par Joseph Haydn. BL g.145.(5.)

George Jackson O’er Desert Plains. A favorite song. Composed by George [K.] Jackson. BL G.377.(31.)

28/11/1789

F. E. Tayler Twelve Original Contra Dances. By Mrs [F. E.] Tayler. BL b.52.(4.)

28/11/1789

Entries from 1710 to 1810

Hugh Andrews [Stephen] Storace’s Collection of Original Harpsichord Music. Vol. 2. BL g.122 and R.M.17.e.3.(1.)

139

2/12/1789

2/12/1789 Hugh Andrews The Overture and Favorite Airs selected from the popular entertainments of The Bastile and Naval Review. As performed at the Royal Circus, with universal applause. Composed by Richard Chapman. BL H.129.(11.)

Joseph Dale The Easter Hymn, with a Variation. By J[oseph] Dale. BL G.502.(10.)

11/12/1789

11/12/1789 Thomas Skillern [Laurence] Sterne’s Soliloquy, on Hearing Maria sing her Evening Service to the Virgin. Set to music by Mr [Thomas] Billington. BL G.360.(7.)

12/12/1789 Longman & Broderip Duo pour le Clavecin ou Piano-Forte. Composed by L[eopold] Kozeluch. Op. 29. BL g.130.(8.)

22/12/1789 William Campbell The Loyal Tars or Naval Excursion. A favorite song. Sung by Mr [William] Darley at the Theatre Royal Convent Garden in Don Juan. Composed by W[illiam] Reeve. BL G.377.(48.)

22/12/1789 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord with accompaniments for the violin and violoncello. Op. 28. Composed by Mr Leopold Kozeluch. BL g.150.(3.) and R.M.17.f.13.(3.)

140

Music Entries at Stationers’ Hall

22/12/1789 Longman & Broderip A favorite duet sung by Mrs [Anna Maria] Crouch and Mr [Michael] Kelly, with universal applause, in The Tempest. The melody by Mr [Michael] Kelly and the instrumental parts composed by Mr [William] Crouch. BL G.354.(9.), text begins ‘What new delights invade my bosom’

22/12/1789 Longman & Broderip Three Quatuors by Ignace Pleyel. Performed at the Professional Concert, Hanover Square. Arranged for the piano forte or harpsichord with accompaniment for the ute and violoncello by Muzio Clementi. BL g.161.a.(5.)

24/12/1789 John Danby [John] Danby’s Second Book of Catches, Canons and Glees, for Three, Four and Five Voices. Humbly dedicated (by permission) to the Right Honourable Lady Sarah Crespigny. BL E.207.(1.) and Mad.Soc.12.(7.) and Mad.Soc.19.(2.)

Longman & Broderip 29/12/1789 A favorite song sung by Mrs [Anna Maria] Crouch, with universal applause, in The Tempest. The melody composed by Mr [Michael] Kelly, and the accompaniments by Mr [William] Crouch. BL G.377.(16.), text begins ‘To see thee so gentle’

29/12/1789 Longman & Broderip Three Quartets for a Flute, Violin, Tenor and Violoncello. Performed at the Professional Concert, Hanover Square. Composed by Ignace Pleyel. Op. 19. BL h.318.(7.)

31/12/1789 William Campbell Three Grand Quartets for Two Violins, Alto and Violoncello. Composed by F[ranz] A[nton] Hoffmeister. BL R.M.17.c.2.(7.)

Entries from 1710 to 1810

141

1/1/1790 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord. Dedicated to Miss Gavin. Composed by Muzio Clementi. BL g.148.(1.)

2/1/1790 Longman & Broderip The Maid I Love. A favorite song. Sung by Mr [John Henry] Johnstone at the Theatre, Covent Garden, in The Maid of the Mill. The words by J[ohn] O’Keeffe, Esq. Adapted from [Ignace] Pleyel by W[illiam] Reeve. BL G.377.(49.)

5/1/1790 William Keymer When Bending o’er the lofty Yard. A favourite song in The Man of Enterprise. Set to music and sung by Mr Fisher of the Theatre Royal, Norwich. BL G.377.(23.)

5/1/1790 Thomas Rawlings Three Sonatas for the Harpsichord or Piano Forte, with an accompaniment for a violin obligato. Composed, and humbly dedicated to Lady Gordon, by Thomas Rawlings. BL g.161.f.(6.)

7/1/1790 Felice Giardini Cavatina Sono Dama e son Signora. Sung by Signora Marianna Laurenti, in the opera of Ninetta. Composed by F[elice] Giardini. BL G.196.(6.)

George Jackson Florella. A favorite song. Composed by George [K.] Jackson. BL G.377.(32.)

9/1/1790

16/1/1790 Stephen Storace The Haunted Tower. A comic opera in three acts. As performed at the Theatre Royal, Drury Lane. The music selected, adapted and composed by Stephen Storace. NB. The author has sold his copyright to Messrs Longman & Broderip, as per their receipt, 18/1/1790. Signed: S[tephen] Storace. Witnesses: A. Storace; Eliza Wright. BL D.289.(3.)

142

Music Entries at Stationers’ Hall

16/1/1790 Charles Clagget Patent Royal. General Directions for Practising on the Patent Fingerboards for Violins, Tenors, Violoncellos, Guittars and Lutes, and also for using patent tail boards.

22/1/1790 Felice Giardini La Ninette povercina. Sung by Signora M[arianna] Laurenti in the comic opera of Ninette. Composed by Mr [Felice] Giardini. BL G.196.(8.)

Longman & Broderip A favorite glee for
ve voices. Composed by William Rock, Jr. BL E.207.(4.), text begins ‘Alone, thro’ unfrequented wilds’

27/1/1790

1/2/1790 Felice Giardini Bei Labri che Amore. Sung by Signora [Marianna] Laurenti in the comic opera of Ninetta. Composed by Signor [Felice] Giardini. BL G.196.(7.)

2/2/1790 Longman & Broderip The Western Sky was Purpled o’er. A favorite song. As sung by Miss Mahon at the subscription concert, Bristol. Composed by Robert Broderip. BL G.377.(5.)

8/2/1790 Longman & Broderip Three Original Duetts, for Two Performers on the Piano Forte or Harpsichord. Composed by Ignace Pleyel. BL h.318.(3.)

11/2/1790 John Bland Epicedium, to the memory of the late Sir Watkin Williams Wynne, Bart. Composed, at the request of His Grace the Duke of Leeds, by S[amuel] Webbe. BL G.353.(30.), text begins ‘Tho’ mirth our object’

Entries from 1710 to 1810

143

18/2/1790 Longman & Broderip Three Quatuors by Ignace Pleyel. Performed at the Professional Concert, Hanover Square. Arranged for the piano forte or harpsichord, with accompaniments for the ute and violoncello, by Muzio Clementi. BL g.161.a.(5.)

18/2/1790 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord. Op. 30. Composed by Mr Leopold Kozeluch. BL g.148.(6.) and R.M.17.f.13.(4.)

George Jackson L’Amant Fidèle. A favorite duett. Composed by George [K.] Jackson. BL H.1673.(3.)

22/2/1790

24/2/1790 Maria Hester Park Two Sonatas for the Piano Forte or Harpsichord. Dedicated to Her Grace the Dutchess of Devonshire. By Maria Hester Park. BL g.145.(9.)

3/3/1790 Joseph Dale Petra[r]ch’s Sonnets. Translated from the works of that author by different hands. Set to music by Mr [James] Hook. BL D.392.(7.) and E.98.b.(6.)

5/3/1790 John Frederic Hering Three Sonatas for the Piano Forte or Harpsichord with accompaniments for a violin and violoncello. Composed by John Frederic Hering. BL g.161.c.(3.)

12/3/1790 Longman & Broderip Three Quarters for Two Violins, Alto and Violoncello. Performed at the Professional Concert, Hanover Square, 1790. Composed by Joseph Haydn. Op. 61. Price 8/-. BL g.213.(6.)

144

Music Entries at Stationers’ Hall

12/3/1790 Longman & Broderip A Twenty-eighth Collection of Catches, Canons and Glees for Three, Four and Five Voices. Most humbly inscribed to the noblemen and gentlemen of the Catch Club at the Hatch and House Tavern, St. James’s, by their much obliged and devoted servant [Edmund] Thomas Warren. BL R.M.25.g.1.

13/3/1790 George Goulding Kate of Aberdovy. A favorite song. Sung and composed by John Moulds in The Phisiognomist. BL G.377.(38.)

13/3/1790 George Goulding Smiling Grog’s on Board. A favorite sea song. Sung and composed by John Moulds. BL G.377.(41.)

George Goulding The Link-Boy. A favorite song. Sung and composed by John Moulds. BL G.377.(40.)

13/3/1790

13/3/1790 George Goulding Betty Pringle. A favorite song, Sung and composed by John Moulds in The Phisiognomist. BL G.377.(39.)

23/3/1790 Joseph Dale Three Quartettos for Two Violins, Tenor and Violoncello. Composed by Mr Adalbert Girovets [i.e., Gyrowetz]. BL g.213.(3.)

24/3/1790 Longman & Broderip The favorite duett [by Vicente Martin y Soler] sung by Signora Storace and Signor Borselli in the opera Villanella Rapita. BL G.197.(6.) and H.3690.vv.(5.), text begins ‘Occhietto furbetto’

Entries from 1710 to 1810

George Jackson L’Adieu. A favorite song. Composed By George [K.] Jackson. BL G.377.(29.)

145

29/3/1790

7/4/1790 Longman & Broderip A Favorite Sonata for the Piano Forte or Harpsichord. Composed by H. B. Schroeder. Dedicated to Miss Mylne. BL g.143.(13.)

John Bland 8/4/1790 Six Solos pour la Flute et le Basse. Par F[ranz] A[nton] Hoffmeister of Vienne. Op. 21. BL g.221.(8.) and Hirsch M.1418

8/4/1790 John Bland Trois Duos pour Deux Flutes Traversieres. Par F[ranz] A[nton] Hoffmeister of Vienne. Op. 20. BL g.225.(4.)

8/4/1790 John Bland Le Tout Ensemble de Musique pour le Forte Piano ou Clavecin avec accompagnement par les plus grands maîtres de l’Europe, et tres humblement dédié aux premiers delitanti de musique de la Grande Bretange par l’editeur. BL h.1497, incomplete

15/4/1790 John Beckwith Jr A favorite Sonata for the Harpsichord or Piano Forte. Composed by John Beckwith Jr. Op. 3. BL g.143.(2.)

16/4/1790 Henry Holland Prudente mi chiedi. Sung by Signor [Luigi] Marchesi in the opera of L’Usurpator Innocente. Composed By Signor [Vincenzo] Federici. BL G.196.(24.)

146

Music Entries at Stationers’ Hall

19/4/1790 Richard John Samuel Stevens O Mistress mine. Glee, for
ve voices. Composed by R[ichard] J[ohn] S[amuel] Stevens, author of Sigh no more, Ladies. BL E.207.(5.)

19/4/1790 Longman & Broderip Cavatina, Che mai feci amici Dei. Sung by Madam [Gertrude Elizabeth] Mara in the opera L’Usurpator Innocente [by Vincenzo Federici]. BL G.196.(23.)

19/4/1790 Longman & Broderip A Favorite Concerto for the Harpsichord or Piano Forte with accompaniments. Composed by J[ohann] F[ranz] Sterkel. Op. 24. BL g.116.a.(6.)

22/4/1790 Joseph Dale Six Italian Duetts for Two Voices, with A Thorough Bass for the Piano Forte. Composed by Guiseppe Agus. BL G.197.(1.)

22/4/1790 Henry Holland Sposa amata a questo addio. A favorite rondo. Sung by Signor [Luigi] Marchesi in the opera L’Usurpator Innocente [by Vincenzo Federici]. BL G.196.(25.)

1/5/1790 Longman & Broderip Rondo, se ti perdo O caro bene. Sung by Madam [Gertrude Elizabeth] Mara in the opera L’Usurpator Innocente [by Vincenzo Federici]. BL G.196.(22.)

1/5/1790 Henry Holland Misero, misero pargoletto. A favorite song. Sung by Signor [Luigi] Marchesi in the new serious opera of L’Usurpator Innocente. Composed by Signor [Vincenzo] Federici. BL G.196.(26.)

Entries from 1710 to 1810

147

1/5/1790 Henry Holland La destra ti chiedo. A favorite duett. Sung by Madam Mara and Signor Marchesi in the new serious opera of L’Usurpator Innocente. Composed by Signor [Vincenzo] Federici. BL G.197.(7.)

7/5/1790 The Author Four Sonatas for the Pedal-Harp, Harpsichord or Piano Forte with an accompaniment for the German ute or violin and violoncello. Composed. and humbly dedicated to the Lady Bridgeman with the most profound respect and gratitude, by Her Ladyship’s ever dutiful and obedient servant, John Erhardt Weippert. BL g.192.a.(22.)

13/5/1790 The Author Six Quartetts for Two Violins, Tenor and Violoncello. Composed and dedicated to Lord Grey de Wilton. By Felice Giardini. BL g.213.(2.)

John Bland 19/5/1790 Twelve Italian Arietts, with an accompanyment for a harp or piano forte. Composed by Leopold Kozeluch. BL D.370.(2.)

19/5/1790 Longman & Broderip No Song, No Supper. A comic opera in two acts. As performed at the Theatre Royal Drury Lane. The music chiey composed and adapted for the harpsichord or piano forte. By Stephen Storace. 4°. BL D.289.(2.) and Hirsch iv.1287

21/5/1790 The Author Three Sonatas for the Piano Forte with accompaniments for a violin and violoncello. Composed, and (by permission) humbly dedicated to the Right Honourable Viscountess Hampden, by Her Ladyship’s most obliged humble servant J[oseph] Mazzinghi. BL g.161.(6.)

148

Music Entries at Stationers’ Hall

21/5/1790 The Author Rondo. Sung by Signor [Luigi] Marchesi at the Ladies’ Concert. Composed, and dedicated to Miss Spry, by Signor Carlo Pozzi. BL G.196.(1.), text begins ‘Comprendo amico’

27/5/1790 Longman & Broderip The Maid of Martindale. A favorite song. Sung by Mr Page at Vauxhall. Composed by Mr [James] Hook. The words by Mr Hawkins. BL G.363.(12.) and H.1651.b.(54.)

27/5/1790 Longman & Broderip The Heroes of the British Fleet. Sung by Mr [Charles] Incledon at Vauxhall. Composed by Mr [James] Hook. BL G.363.(10.) and H.1651.a.(14.)

28/5/1790 The Author Six English Airs and Six Italian Duetts. Composed for the harpsichord by Michael Kelly of Drury Lane Theatre. BL D.391

John Bland Non
di al Mar. Prize glee, 1790. Composed by Mr [Samuel] Webbe. GUL Special Collections Cb6-f.2

31/5/1790

8/6/1790 Joseph Dale Six Sonatas for the Piano Forte. Dedicated to Mrs Meyrick. Composed by Muzio Clementi. BL g.148.(2.)

Edmund Thomas Warren 10/6/1790 The chearfull glee which gained a prize medal on the 4th of May 1790. Thus early published for the use of the noblemen and gentlemen members of the Catch Club by their most obedient and devoted servant, [Edmund] Thomas Warren. [Composed by Samuel Webbe.] BL E.207.(7.), text begins ‘Non
di al mar che freme’

Entries from 1710 to 1810

149

10/6/1790 John Bland The Ladies Collection of Catches, Glees, Canons, Canzonets, Madrigals, etc. Selected from the works of the most eminent composers by John Bland. BL G.353.(8.)

15/6/1790 Joseph Dale Trois Sonates pour le Piano Forte, avec accompagnement d’un violon ad libitum. Dédiées à Madamoiselle T. Janson. Composées par J[an] L[adislav] Dussek. BL g.161.f.(1.)

22/6/1790 Charles Clagget Divertimento a 4 Instruments, due Violini, Corno soloe, Basso. [Presumably composed by Charles Clagget.]

28/6/1790 John Bland J[oseph] Haydn’s Second Trio for the Harpsichord or Piano Forte, German Flute and Violoncello. BL g.192.(5.)

The Author [Charles] Clagget’s Patent Trumpet. Bodleian Mus. Instr. I 47 (14)

8/7/1790

30/7/1790 Charles Clagget Clagget[t] Patentee. His Rules for Improvements on Musical Instruments.

6/8/1790 Felice Giardini No 1. A Sonata. Composed by Mr [Felice] Giardini for the harpsichord or piano forte with accompanyments for a violin and tenor or violoncello. The property of Mr [Felice] Giardini. BL g.161.c.(2.)

6/8/1790 Felice Giardini No. 7. Romance. Composed by Mr [Felice] Giardini. Dedicated to the Dutchess of Devonshire. The property of Mr [Felice] Giardini.

150

Music Entries at Stationers’ Hall

Firth & Co. The New Soger Laddie. Composed by Dr Philip Hayes. BL G.377.(28.)

16/8/1790

16/8/1790 Henry Holland Overtures to L’Usurpator Innocente. Composed by Signor [Vincenzo] Federici. BL g.149.(19.)

16/8/1790 Henry Holland I could not deny him, could you? A song. Composed by Mr [Jonas] Blewitt. BL G.360.(8.)

18/8/1790 William Keymer An Ode to Charity. Written for the uses of the Sunday schools throughout England. Set to music by Mr [James] Fisin. 4°. BL G.360.(21.)

9/9/1790 The Author The Bramin Widow’s Death Song. A favourite ballad. Composed by W. P. R. Cope, organist of St Saviour’s, Southwark. The words by a lady. BL G.377.(14.)

13/9/1790 The Author New Spain, or Love in Mexico. An opera. As performed at the Theatre Royal in the Haymarket, the music intirely (sic) new. Composed and adapted for the harpsichord, piano forte or violin by Doctor [Samuel] Arnold, organist and composer to His Majesty. Op. 33. BL E.100.b.(5.)

Longman & Broderip 20/9/1790 Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello. Composed, and humbly dedicated to Miss Elizabeth Wynne, by Ignace Pleyel. BL g.161.i.(1.) and R.M.26.c.4.(3.)

Entries from 1710 to 1810

151

22/9/1790 John Bridge Pye The Vet’ran Soldier. Words by Miss Knipe. Music by Mr [Grif
th James] Cheese. Sung by Mr Meredith at the Festivals, Liverpool, etc. BL G.377.(13.)

24/9/1790 Longman & Broderip Six Italian Arietts, with an accompaniment for a piano forte or harp. Composed by Signor [Domenico] Mombelli. Price 7/6. BL D.370.(3.)

29/9/1790 Longman & Broderip [Ignace] Pleyel’s Celebrated Concertante. As performed, with the greatest applause, at the Pantheon and Hanover Square Concerts. Adapted for the piano forte or harpsichord, with an accompaniment for a violin and violoncello, by J[ohn] B[aptist] Cramer. Price 2/6. BL g.161.c.(9.)

7/10/1790 Joseph Dale The Post Boy. A favorite song. Written and sung by George Saville Carey. Set to music by J[oseph] Dale. BL G.377.(19.)

30/10/1790 Felice Giardini Sonate pour le Clavecin avec l’accompagnement du violon. Dédié à Sa Majesté Charlotte, Reine de la Grande Bretagne, etc. Par Felice Giardini. BL g.147.(3.) and h.1480.j.(5.)

30/10/1790 Felice Giardini Sonata for the Harpsichord or Piano Forte with an accompanyment for a violin. Composed by Mr [Felice] Giardini. BL g.147.(2.) and h.1480.j.(4.)

30/10/1790 Felice Giardini Mon cher troupeau. Composed by Mr [Felice] Giardini. Dedicated to H. R. H. the Prince of Wales. BL H.1670.(12.) and R.M.14.b.1.(21.)

152

Music Entries at Stationers’ Hall

30/10/1790 Felice Giardini Six Trios for two Violins and Piano Forte or Violoncello. Composed, and dedicated to Her Grace the Dutchess of Devonshire, by Felice Giardini. BL g.222.(11.)

17/11/1790 Joseph Dale Six Italian Songs with an accompaniment for the harp or piano forte. Composed, and dedicated to Mrs F. Plowden, by Adalbert Gyrowetz. BL D.370.(1.)

24/11/1790 Corri & Co. The King of Hearts, or Arcadian Prince. An elegiac ballad set by D[omenico] Corri from [Ignace] Pleyel’s much admired air. BL G.377.(15.)

29/11/1790 Dr Edward Miller The Psalms of David, for the use of parish churches. The words selected from the Version of Tate Brady, by the Rev. George Hay Drummond. The music selected, adapted amd composed by Edward Miller, Mus. Doct. BL E.402. or F.1120.q.

29/11/1790 William Miller Select Portions of the New Version of Psalms for every Sunday throughout the Year, with the principal festivals and feasts, for the use of parish churches. The words selected by the Rev. George Hay Drummond. The music selected, adapted and composed by Edward Miller, Mus. Doct. BL 1018.k.19.(1.), words only

30/11/1790 Longman & Broderip La Rachelina. The favorite Italian air. Sung with universal applause, in the opera of The Haunted Tower, by Signora [Anna Selina] Storace, as adapted to English words by Stephen Storace, and composed by Signor [Giovanni] Paisiello. BL G.196.(10.)

Entries from 1710 to 1810

Joseph Dale The Scotch Shepherd. A favorite song. Set to music by T[homas] Ebdon. BL G.377.(22.)

153

1/12/1790

17/12/1790 William Richardson Parochial Music Corrected. Intended for the use of the several charity schools in London, Westminster, etc., as well as for all congregations: being plain and distinct rules for the more pleasing and correct performance of psalmody, by the children etc. in their respective parish churches, with psalms, hymns and anthems set to music, which, being suitable to the occasions of charity sermons, may be sung on those days. To which is added, an easy introduction to singing. The whole adapted, written and composed by H[enry] Heron, organist of St Magnus, London Bridge. BL D.437.(2.)

18/12/1790 J. Pike Twelve of the most favorite Country Dances and six Cottillons with their proper
gures for 1791.

Joseph Dale Flatt’ring Hope. A new song. Set to music by J[oseph] Dale. BL G.377.(18.)

27/12/1790

Joseph Dale Pauvre Jacques. A favorite French air. For the piano forte or harp. BL H.1250.(38.)

27/12/1790

28/12/1790 John Bland Trois Quatuors pour Deux Violins, Alto et Violoncelle. Composés et dédiés à Monsieur [Wilhelm] Cramer, le fameuse joueur de violon à Londres, par Leopold Kozeluch. BL g.213.(8.) and R.M.17.c.2.(3.)

George K. Jackson The Inconstant. A favorite song. Composed by G[eorge] K. Jackson. BL G.377.(34.)

13/1/1791

154

Music Entries at Stationers’ Hall

George K. Jackson Sylvia. A favorite song. Composed by G[eorge] K. Jackson. BL G.377.(35.)

13/1/1791

George K. Jackson Daphne. A favorite song. Composed by G[eorge] K. Jackson. BL G.377.(33.)

13/1/1791

13/1/1791 George K. Jackson A Treatise on Practical Thorough Bass, with General Rules for its Composition and Modulation. Dedicated (by permission) to the Earl of Rochford. By G[eorge] K. Jackson. BL g.302.(1.)

14/1/1791 Ignatius Raimondi The favorite grand piece called The Battle. Adapted for the piano forte by the author, with accompaniments for a violin, and violoncello, ad libitum. Composed by Ignatius Raimondi. BL g.161.c.(10.)

20/1/1791 Theodore Smith Three Favorite Duetts for the Harpsichord and Piano Forte, and adapted likewise for a single performer, with an accompanyment for a violin or ute, and a new overture. Dedicated (by permission) to Their Royal Highnesses Princess[es] Sophia and Amelia. Composed by Theodore Smith. BL g.131.(14.) and g.161.f.(7.)

25/1/1791 James Platts Four Favourite Waltz’s. Composed by Ja[me]s Platts, for the harp, harpsichord or violin, with their proper
gures. BL g.149.(22.)

4/2/1791 Johann Georg Christoph Schetky Six Solos for a Violoncello and Bass. Dedicated by permission to His Royal Highness the Prince of Wales. By J[ohann] G[eorge] C[hristoph] Schetky. BL g.221.(5.)

Entries from 1710 to 1810

155

4/2/1791 Cecilia Maria Barthelemon Three Sonatas for the Piano Forte or Harpsichord, the second with an accompaniment for the violin. Dedicated by permission to Her Royal Highness Princess Sophia Matilda. By Miss [Cecilia Maria] Barthelemon. BL g.147.(1.) and R.M.16.b.22.

11/2/1791 Joseph Dale The Siege of Belgrade. An opera in three acts. As performed at the Theatre Royal, Drury Lane. The music principally composed by Stephen Storace. BL D.289.(4.)

17/2/1791 Joseph Dale Trois Sonates pour le Piano-Forte, avec accompagnement d’un violon ad libitum. Composées par J[an] L[adislav] Dussek, and dedicated to D. Manesty. BL g.161.f.(2.)

26/2/1791 Longman & Broderip Three Quartetts, for Two Violins, Tenor and Violoncello, Composed and dedicated to His Majesty the King of Naples. By Mr I[gnace] Pleyel. Book 1 and 2, being the 8th sett of quartetts. BL g.213.(13.)

1/3/1791 The Author Thirty Familiar Airs for two German Flutes, intended as a supplement to bind with the tutors published for that instrument, to which are added remarks on the utility of this work. By F[rancis] Linley, organist of Pentonville Chapel. BL b.60.(4.)

9/3/1791 The Author A Characteristic March, with the Sentiments that are expressed in it. As performed by the [band of the] Third Regiment of Guards. Composed by A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. BL g.149.(20.)

156

Music Entries at Stationers’ Hall

Felice Giardini Canto Greco Messo in Salmo. Da Felice Giardini. BL G.353.(14.), text begins ‘Verba mea auribus percipe Domine’

10/3/1791

14/3/1791 Longman & Broderip The Woodman. A comic opera. As performed, with universal applause, at the Theatre Royal, Covent Garden. Composed chiey by William Shield. The poetry by Mr Bate Dudley. BL E.108.a.(4.)

16/3/1791 The Author Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin or ute. Composed, and most humbly dedicated (by permission) to Her Majesty the Queen of Great Britain, by Charles Frederick Horn, Music Master to the Royal Family. Book 1. BL g.161.f.(3.)

17/3/1791 The Author Six Sonatinas for the Piano Forte or Harpsichord. Composed by M[atthew] P[eter] King. BL g.149.(2.)

23/3/1791 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello. Composed, and humbly dedicated to Madame de Marclesy, by Ignace Pleyel. BL g.161.i.(2.)

23/3/1791 Robert Broderip A Miscellanenous Collection of Vocal Music. Composed, and most humbly inscribed to Her Grace the Dutchess of Beaufort, by Robert Broderip. BL G.359.(1.)

Entries from 1710 to 1810

157

28/3/1791 Muzio Clementi [Domenico] Scarlatti’s Chefs-d’oeuvre, for the Harpsichord or Piano-Forte. Selected from an elegant collection of manuscripts in the possesion of Muzio Clementi. BL e.104.(10.) and Hirsch M.1379.(5.)

28/3/1791 The Author Ah why was Mary so unkind. A favorite mad song. Sung by Mr Cook at the Anacreontic Society, with universal applause. Composed by James Platts. BL G.377.(47.)

4/4/1791 The Author Rules for Thorough Bass. To which are annexed Three Sonatas for the Harpsichord or Piano Forte, with an accompaniment for the violin. Composed by W[illiam] Smethergell, organist of St Mary at Hill and All Hallows Barking. Op. VII. BL g.302.(4.)

8/4/1791 The Author Three Duetts for Two German Flutes. Dedicated (by permission) to W[illia]m Leigh Symes, Esq. Composed by W[illiam] Tho[mas]s Parke. BL g.225.(9.)

G. Carney, P. Tagnaselli, P. Grif
ths and J. Barkley 8/4/1791 A Collection of Modern Church Music consisting of Masses, etc. Composed by the following masters: [Samuel] Webbe, Paxton, Ricci, and Dr [Thomas] Arne. Published by permission of Mr [Samuel] Webbe and under his immediate inspection. No. 1. BL A.481.(2.)

9/4/1791 The Author Twelve Songs and Elegies. Composed by John Day, late vicar choral and master of the choristers, St Davids. Op. 2. BL G.359.(5.)

13/4/1791 The Author Three Sonatas for the Piano Forte. Composed, and dedicated by permission to Mr [Joseph] Haydn, by C[hristian] I[gnatius] Latrobe. Op. 3. BL g.148.(5.)

158

Music Entries at Stationers’ Hall

J. Carney, P. Grif
ths, J. Barkley and P. Tagnaselli 16/4/1791 A Collection of Modern Church Music consisting of Masses, etc. Composed by the following masters: [Samuel] Webbe, Paxton, Ricci, and Dr [Thomas] Arne. Published by permission of Mr [Samuel] Webbe and under his immediate inspection. No. 2. BL A.481.(2.)

20/4/1791 Longman & Broderip Anna’s Bower. Sung by Master Mutlow. Composed by Dr [Philip] Hayes. BL G.360.(26.)

Longman & Broderip Lovely Polly. Sung by Master Mutlow. Composed by Dr [Philip] Hayes. BL G.360.(25.) and H.1980.s.(30.)

20/4/1791

23/4/1791 The Author Three Sets of Variations for the Piano Forte or Harpsichord. 1. The Plough Boy with Six Variations; 2. A German Air with Eight Variations; 3. La Belle Catherine with Eight Variations. Composed, and dedicated by permission to Her Royal Highness Princess Augusta, by John Hummel Jr [i.e., Johann Nepomuk Hummel] of Vienna. Op. 1. BL g.148.(4.)

26/4/1791 Joseph Dale The Peasant. A favorite ballad, taken from [Laurence] Sterne. Written by T[homas] Shapter, Esq. Composed by Mr [John] Moulds. BL G.360.(35.)

4/5/1791 The Author Sonata Capricciosa for the Piano Forte or Harpsichord. Composed by Clement Smith. BL e.104.(11.)

5/5/1791 John Bland Three Quartetts for Two Violins, Tenor and Violoncello. Composed by Leopold Kozeluch. Op. 33. 2nd Book. Quartetts by purchase. BL g.213.(9.) and R.M.17.c.2.(4.)

Entries from 1710 to 1810

159

13/5/1791 Dr [George K.] Jackson Dr [Isaac] Watts’s Divine Songs, set to music in an easy and familiar stile for one, two, three and four voices. By Dr [George K.] Jackson. Op. 1. BL E.426

16/5/1791 G. Weiss Three Trios. Composed by F[ranz Christoph] Neubauer. Adapted for three utes, and humbly dedicated to the Right Honourable Lord Viscount Wentworth, by G. Weiss. No. 1. Price 6/-. BL g.222.(8.)

16/5/1791 G. Weiss Three Trios. Composed by F[ranz Christoph] Neubauer. Adapted for three utes, and humbly dedicated to William Churchill, Esq., by G. Weiss. BL g.222.(8.)

16/5/1791 G. Weiss Three Quartetts for a Flute, Violin, Tenor and Violoncello. Composed, and humbly dedicated to Sir Willoughby Astor Bart., by G. Weiss. Op. 5th. Price 7/6. BL h.229.(9.)

16/5/1791 G. Weiss Three Quartetts for a Flute, Violin, Tenor and Violoncello. Composed, and humbly dedicated to The Earl of Cholmondeley, by G. Weiss. Op. 6th. Price 7/6. BL h.229.(9.)

17/5/1791 Longman & Broderip The Anchoret. A favorite collection of airs, adapted for the voice and piano forte. Composed by Mr [James] Hook. Price 5/-. Op. 69. BL G.363.(15.) and H.139.a.(12.)

26/5/1791 Mr Harington A Minuetto con 12 Variazioni per il Piano Forte con accompagnamento d’un violino. Composti dal Signor I[gnace] Pleyel. Price 2/6. BL g.147.(12.)

160

Music Entries at Stationers’ Hall

2/6/1791 John Wall Callcott The Professional Collection of Glees for Three, Four and Five Voices. Composed by the following authors: [John Wall] Callcott, [Robert] Cooke, [John] Danby, [John] Hindle, [Richard John Samuel] Stevens and [Samuel] Webbe. 4°. Price 10/6. BL E.207.(3.)

3/6/1791 George Goulding The Printer’s Devil. Written by Mr [Thomas] Shapter. Set to music by Mr [John] Moulds. Price 1/-. BL G.360.(36.)

6/6/1791 The Author Sonata for the Piano Forte or Harpsichord. Composed by Muzio Clementi. Op. 26. 4°. Price 3/-. BL e.104.(2.) and Hirsch M.1379.(4.)

6/6/1791 The Author Two Violin Concertos, composed and arranged (by particular desire) for the piano forte or harpsichord with a violin accompaniment. By Mr [Giovanni Mane] Giornovichi. BL g.147.(4.) and Hirsch M.1477.(4.)

9/6/1791 Joseph Dale Ye Spotted Snakes. A glee for four voices. The words from [William] Shakespeare. The music by W[illiam] B[enson] Earle Esq. Price 1/-. BL E.207.(2.)

15/6/1791 The Author Eight Anthems. As performed at St Paul’s Cathedral. Composed, and humbly dedicated (by permission) to the Dean and Chapter [of St Paul’s], by J[acob] C[ubitt] Pring, organist of St Botolph’s, Aldersgate. Folio. BL G.502.(7.)

Entries from 1710 to 1810

161

20/6/1791 John Bland Three Quartetts for Two Violins, Tenor and Violoncello. Composed by Guiseppe [i.e., Joseph] Haydn, and performed under his direction at Mr [John Peter] Salomon’s Concert, the Festino Rooms, Hanover Square. Price 7/6. Set 1. Op. 65. BL g.213.(7.) and R.M.14.f.21.(8.)

24/6/1791 George Goulding Quà si trova dir dovrete. Sung by Signor [Giovanni] Morelli at the King’s Theatre, Pantheon in the comic opera of La Locanda. Folio. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.199.(17.)

24/6/1791 George Goulding Questo vago giovinetto. Sung by Signora [Anna] Casentini at the King’s Theatre, Pantheon in the comic opera of La Locanda. Folio. Composed by Signor [Giovanni] Paisiello. BL G.199.(18.)

George Goudling 28/6/1791 Donne care. Sung by Signor [Lorenzo Angelo] Cipriani at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 3/6. BL G.199.(20.)

28/6/1791 George Goulding Signorino, a parlar schietto. Sung by Signora [Teresa] Calvesi at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.199.(22.)

28/6/1791 George Goulding Quando vien lo sposo avanti. Sung by Signor [Giovanni] Morelli at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.199.(16.)

162

Music Entries at Stationers’ Hall

28/6/1791 George Goulding Non lo voglio non lo prendo. The celebrated duetto. Sung, with universal applause, by Signora Casentini and Signor Morelli at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.198.(15.)

1/7/1791 Cahusac & Sons The Cottage Maid. A favorite air of [Ignace] Pleyel’s, with variations composed by John Casson, organist of St George’s, Liverpool. Folio. Price 2/6. BL g.149.(17.)

1/7/1791 George Goulding Voi tornate a questo seno. Sung by Signor [Gustavo] Lazzarini at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.199.(21.)

4/7/1791 Rev. Dr W. Parry A Selection of Psalms and Hymns with favorite and approved Tunes, for the use of Bedford Chapel near Bedford Square. Several original tunes are here introduced and, likewise, many new hymns, adapted to the choicest movements of [George Frideric] Handel, [Arcangelo] Corelli, [Francesco] Geminiani, [Benedetto] Marcello, [Giacomo] Carissimi, etc. BL C.725

4/7/1791 John Bland Three Quartetts for Two Violins, Tenor, and Violoncello. Composed by Guiseppe [i.e., Joseph] Haydn, and performed under his direction at Mr [John Peter] Salomon’s concert, the Festino Rooms, Hanover Square. Set 1. Op. 65. Price 7/6. Folio. BL g.213.(7.) and R.M.14.f.21.(8.)

8/7/1791 George Goulding Tutto da voi dipende. The celebrated duetto. Sung, with universal applause, by Signor Lazzarini and Signora Casentini at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.198.(16.)

Entries from 1710 to 1810

163

8/7/1791 George Goulding Mustafa di Trabisonda. Sung by Signor [Lorenzo Angelo] Cipriani at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.199.(23.)

8/7/1791 George Goulding Parto non dubitate. Sung by Signor [Gustavo] Lazzarini at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.199.(15.)

8/7/1791 George Goulding Saria bella il maritarsi. Sung by Signora [Teresa] Schinotti at the King’s Theatre, Pantheon in the comic opera of La Locanda. Composed by Signor [Giovanni] Paisiello. Folio. Price 2/6. BL G.199.(19.)

Edward Jones 13/7/1791 Musical Tries. A collection of sonatine for the harp or harpsichord. Composed by Signor Giuseppe Millico. Adapted, and published for the use of his scholars, to whom they are respectfully inscribed, by Edward Jones, harpist to the Prince of Wales. 4°. Price 10/6. BL b.52.(2.)

6/8/1791 G. S. Sutherland The Bowmen of the Border. A new song. Respectfully dedicated, by their permission, to that society. The words by G. S. Sutherland. The music composed by Charles Theodore D’Asti. Folio sheet. Price 1/-. BL G.360.(18.)

11/8/1791 Joseph Dale The Norfolk Shop-Keeper. A humorous song, as set to music for the late Mr Edwin by J[oseph] Dale. Folio sheet. Price 6d. BL G.360.(17.), text begins ‘The bowmen of the border’

164

Music Entries at Stationers’ Hall

20/8/1791 Harrison & Co. A Third Collection of Songs, sung by Miss Milne, Mrs Addison, Mr Darley and Mr Dudley at Vauxhall [Gardens]. Composed by Mr [James] Hook, 1791. Folio. Price 2/6. BL G.363.(14.)

26/8/1791 Charles Thomas Carter When we’re married. A favourite song. Sung at Lord Barrymore’s theatre at Wargrave; also by Mrs [Maria Theresa] Bland, in the play of The Surrender of Calais. Composed by Mr [Charles Thomas] Carter. Folio sheet. Price 6d. BL G.360.(11.)

1/9/1791 John Bridge Pye A Set of Eighteen Lessons for the Piano Forte or Harpsichord, written in a progressive order and calculated to improve young practitioners. By C[harles] H[enry] Wilton. Op. 7. Folio. Price 6d. BL g.149.(6.)

Longman & Broderip 2/9/1791 XII Italian Ariettes with an accompaniment for the piano forte or harp. Composed for the Princess of Prussia by Vincenzo Righini. Folio. BL D.370.(4.)

2/9/1791 Longman & Broderip No. 2. A Favorite Overture, as performed with applause at all the celebrated concerts. Composed by Ignace Pleyel, and arranged for the piano forte or harpsichord with an accompaniment for the violin by Francisco Tomich. Folio. Price 3/-. BL g.147.(10.)

9/9/1791 Longman & Broderip The Overture, Favorite Songs and Finale in the musical entertainment of Tippoo Saib. As performed, with universal applause, at Sadler’s Wells Theatre. The words by Mr [Mark] Lonsdale. Folio. The music composed by W[illiam] Reeve. BL G.295.aa.(2.) and G.367.(40.)

Entries from 1710 to 1810

165

19/9/1791 The Author Three Sonatas for the Piano Forte or Harpsichord, with accompanyments for a violin and violoncello ad libitum. Dedicated by permission to Her Royal Highness the Princess Augusta. Folio. By Thomas Attwood. Op. 11. Price 7/6. BL g.150.(2.)

William Stewart The Highland Laddie, with 8 new variations. Folio. Price 1/6. BL g.149.(10.)

22/9/1791

15/10/1791 Longman & Broderip Three Duetts for Two Flutes. Composed by Carl Hartmann. Price 6/-. Op. 7. Folio.

15/10/1791 Longman & Broderip Sonata for the Piano Forte or Harpsichord with accompaniments for a violin and violoncello. Composed by Ignace Pleyel. Price 3/-. Folio. BL g.161.c.(8.)

27/10/1791 The Author Six Easy and Progressive Sonatinas for the Piano Forte or Harpsichord, composed for the improvement of juvenile performers. Folio. Price 5/-. By Stephen Storace. BL g.149.(5.)

7/11/1791 The Author Twelve Glees for Three and Four Voices. Dedicated by permission to His Grace the Duke of Leeds. Composed from ancient Scotch melodies. Folio. By Joseph Corfe, gentleman of His Majesty’s Chapels Royal. BL E.207.b and E.317.a

John Bland 26/11/1791 Three Sonatas for the Harpsichord or Piano Forte. Composed, and dedicated to Mr [Muzio] Clementi, by Leopold Kozeluch. Op. 35. Price 7/6. BL g.148.(7.)

166

Music Entries at Stationers’ Hall

26/11/1791 John Bland Three Sonatas for the Harpsichord or Piano Forte with accompaniments for a German ute or violin and violoncello. Composed, and humbly dedicated to Her Royal Highness the Duchess of York, by Leopold Kozeluch. Op. 34. Price 7/6. BL g.161.g.(3.)

26/11/1791 John Bland Address to a Violet. Sung by Mr Harrison. Composed by Mr [Samuel] Webbe. Folio. BL G.363.(21.)

26/11/1791 Joseph Dale Lira Lira La. A favorite air. Sung by Mrs [Maria Theresa] Bland in The Surrender of Calais, with variations composed by [Charles] T[homas] Carter. Price 1/6. BL e.104.(12.)

Malcolm Stewart Duncan Davidson. Made into a rondo for the piano forte. Price 1/6. BL g.149.(15.)

28/11/1791

28/11/1791 Malcolm Stewart Macpherson’s Farewell, with nine new variations for the piano forte. Price 1/-. BL g.149.(11.) or g.1780.nn.(7.)

28/11/1791 Malcolm Stewart Lord Alexander Gordon’s Reel. Made into a rondo for the piano forte. Price 1/-. BL g.149.(14.)

30/11/1791 Longman & Broderip A Grand Overture. As performed at Mr [John Peter] Salomon’s concert, Hanover Square. Arranged for the piano forte or harpsichord, with an accompaniment for a violin. Composed by Joseph Haydn. Price 3/-. BL g.161.e.(5.) or h.655.k.(2.)

Entries from 1710 to 1810

167

1/12/1791 Thomas Skillern and George Goulding Hope Told a Flattering Tale. Introduced by Madam [Gertrude Elizabeth] Mara at the King’s Theatre, Haymarket in the opera of Artaxerxes. Written by Peter Pindar, Esq., with the celebrated harp accompaniment composed by Mr [Joseph] Mazzinghi. Price 1/6. BL G.363.(16.)

8/12/1791 George Goulding The Deserted Hamlet. A favourite ballad. Written by Mr Thomas Shapter. Composed by John Moulds. BL G.360.(34.)

8/12/1791 John Stockdale and George Goulding The Psalms of David, for the Use of Parish Churches. The words selected by the Rev. Sir Adam Gordon Bart., M. A. The music selected, adapted and composed by Dr [Samuel] Arnold, organist and composer to His Majesty, assisted by J[ohn] W[all] Callcott, M[us]. B[ac]., organist of St Paul, Covent Garden. BL H.1174

9/12/1791 The Author Six English Ballads, with an accompaniment for the harp or piano forte. Dedicated (by permission) to Her Royal Highness Princess Mary. Composed by William Parsons, Mus. D[oc]. Oxon, master of His Majesty’s Band of Musicians. Price 6/-. BL G.362.(6.) and H.2821.(32*.)

22/12/1791 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for violin and violoncello. Dedicated to Miss Blake. By Muzio Clementi. Op. 27. Price 7/6. BL g.161.b.(1.) and h.319.b.(1.) and h.319.b.(2.)

26/12/1791 The Author Nothing but Drunk. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5p and R.M.13.e.8.(94.)

168

Music Entries at Stationers’ Hall

29/12/1791 Harrison & Co. A Christmas Hymn. Composed and sung by Mr [John] Page, lay vicar of St George’s Chapel Royal, Windsor. The words by Mr Harrison. BL G.502.(6.)

31/12/1791 The Author Virtue. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5c

2/1/1792 John Bland Siege of Quebec. A Sonata for the Harpsichord or Piano Forte, with accompaniments for a violin, violoncello and tympano ad libitum. Composed by W[illiam] B. de Krifft, and dedicated to the of
cers, etc., engaged in that glorious service, September 18, 1759. Price 3/-. BL g.161.c.(6.)

2/1/1792 The Author La Melange, or Longways for as many as will, or the New Medley, with the proper Figure. For the harp, harpsichord, piano forte or violin. Composed by James Platts. BL g.149.(21.)

2/1/1792 The Author Four New Schleifers or Waltzes for 1792. For the harp, harpsichord, piano forte or violin. With their proper
gures. Composed by James Platts. BL g.149.(23.)

2/1/1792 The Author To be continued. A Favorite Lesson for the Harpsichord or Piano Forte. For juvenile performers. Composed by James Platts. Price 1/-. BL g.149.(3)

6/1/1792 The Author Leap Year. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5

Entries from 1710 to 1810

169

10/1/1792 The Author No. 1. A Concerto for the Violin, in nine parts. Composed by J[ames] Brooks of Bath. Price 4/-. BL h.102.(16.)

10/1/1792 Longman & Broderip Trois Sonates pour le Piano Forte ou le Clavecin avec accompagnement d’un violon non obligé. Dédiées à Joseph Haydn. Par J[an] L[adislav] Dussek. Livraison 1. Op. 16. Price 7/6. BL g.161.e.(2.)

14/1/1792 The Author The Sailor’s Consolation. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5a

20/1/1792 John Bland Le Tout Ensemble pour le Forte Piano ou Clavecin avec accompagnement. Très humblement dédié aux amateurs de musique par l’editeur. Price 2/6. No. 14. BL g.192.(5.)

20/1/1792 John Bland Divertimenti à Tavola, being six little duetts without accompaniment. Dedicated to Miss Bourke. Composed by S[amuel] Webbe.

21/1/1792 The Author The Rara Avis. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. BL G.363.5k

Malcolm Stewart Simon Brodie, with nine new variations. Price 1/-. BL g.149.(12.) and g.272.i.(15.)

24/1/1792

170

Music Entries at Stationers’ Hall

Malcolm Stewart Belleisle March, with new variations. Price 1/-. BL g.149.(16.)

24/1/1792

Malcolm Stewart Lady Baird’s Reel, made into a rondo for the piano forte. Price 1/-. BL g.149.(13.)

24/1/1792

28/1/1792 The Author Conjugal Comfort. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5j

30/1/1792 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for violin and violoncello. Composed, and dedicated to Miss Townsend, by Adalbert Gyrowetz. Price 7/6. Op. IX. BL g.161.d.(1.)

31/1/1792 George Goulding Ah che nel petto io sento. Sung by Madame [Gertrude Elizabeth] Mara at the King’s Theatre, Pantheon, in the opera of Idalide. With a harp accompaniment by Madam [Gertrude Elizabeth] Mara. Price 2/6. BL G.199.(26.)

4/2/1792 The Author The Beggar. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. BL G.363.5h

4/2/1792 The Author Three Sonatas for the Piano Forte or Harpsichord with an accompaniment for a violin. Composed and dedicated by permission to the Right Honourable Lady Viscountess Hampden. Opera Primo. By Henry Denman. BL g.161.e.(1.)

Entries from 1710 to 1810

171

11/2/1792 The Author The Reward of Fidelity. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5m

14/2/1792 The Author A second sett of Three Duetts for Two German Flutes. Dedicated to Col. Nugent. Composed by William Thomas Parke. Price 7/6. BL g.225.(8.)

14/2/1792 The Author A Collection of Songs for One and Two Voices. Composed, and humbly dedicated to Lady Vernon, by John Hindle, Mus. Bac. Oxon. BL G.359.(7.)

18/2/1792 The Author Tantivy. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5e

24/2/1792 The Author The Sailor’s Return. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5l

27/2/1792 Joseph Dale When We are Married. The celebrated song. Sung by Mrs [Maria Theresa] Bland in The Surrender of Calais, with variations composed by [Charles] T[homas] Carter. Price 2/-. BL e.104.(13.)

2/3/1792 The Author All the Birds in the Air. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5i

172

Music Entries at Stationers’ Hall

6/3/1792 The Author Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin ad libitum. Composed and humbly dedicated to the Countess of Fauconberg by J[ohn] L[ewis] Hoeberechts. Op. 3. Price 7/6. BL g.161e.(6.)

6/3/1792 Longman & Broderip Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello. Dedicated to Mr [Joseph] Haydn. Composed by Francisco Tomich. Price 7/6. BL g.161.c.(12.)

6/3/1792 Longman & Broderip Sinfonia for a Grand Orchestra. Composed by [Wolfgang Amadeus] Mozart. Adapted for the harpsichord or piano forte, violin and violoncello by Charles Frederick Horn. Price 4/-. BL g.161.c.(7.) and g.1018.p.(1.), incomplete

The Author 7/3/1792 A Third Collection of Strathspey Reels, etc., for the Piano Forte, Violin and Violoncello. Dedicated to the most noble the Marchioness of Tweedale by Niel Gow at Dunkeld. Price 6/-. BL g.149.(8.)

10/3/1792 The Author Poor Peg. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5d

16/3/1792 Joseph Dale The Negro Boy, who was sold by an African Prince for a Metal Watch. A favourite song. Sung by Mr Burrows at the Public Concerts. Composed by Dr [Edward] Miller. Price 1/-. BL G.360.(32.)

Entries from 1710 to 1810

173

17/3/1792 The Author Jack’s Gratitude. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5g

21/3/1792 Longman & Broderip Eight Glees for Four and Five Voices. Composed, and most humbly inscribed to His Grace the Duke of Hamilton and Brandon, by R[ichard] J[ohn] S[amuel] Stevens. Op. 3. Price 8/-. BL E.207.(6.)

William Thomas Parke and Longman & Broderip 23/3/1792 A Grand Concerto for the Hautboy, ute or clarinet obligato, with accompaniments for two violins, two tenors, two utes, two bassoons, two horns and a violoncello. As performed at the Professional Concert by Mr W[illiam Thomas] Parke. Dedicated to William Leigh Symes, Esq. Composed by C[harles] F[rederick] Baumgarten. Price 1/-. BL h.102.(3.)

23/3/1792 Longman & Broderip Three Capricios for the Piano Forte or Harpsichord. Composed for the express purpose of performers in general by C[harles] F[rederick] Baumgarten. Price 6/-. BL g.145.(1.)

24/3/1792 The Author The Drummer. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5b

24/3/1792 The Author To be continued. A Favorite Lesson for the Harpsichord or Piano Forte. For juvenile performers. Composed by James Platts. Price 1/-. BL g.149.(4)

174

Music Entries at Stationers’ Hall

26/3/1792 Joseph Dale Six Easy Duetts for Two Violins. Dedicated to William Johnston, Esq., and composed by F[rancis] Kotzwara. Op. 37. Price 6/-. BL g.218.(5.)

31/3/1792 The Author Three Sonates for the Harpsichord or Piano Forte, one with an accompaniment for a ute obligato, and two with an accompaniment for a violin. Composed by William Ling. Op. 1. Price 7/6. BL g.161.e.(8.)

31/3/1792 The Author The Soldier’s last Retreat. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5f

9/4/1792 Joseph Dale [Valentino] Nicolai’s Sonata from Opera III for the Piano Forte or Harpsichord, with an accompaniment for the violin. Dedicated to Miss Matthew. Price 1/-. BL g.147.(8.)

10/4/1792 Charles Dibdin Meum and Tuam. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5n

14/4/1792 The Author Three Sonatas for the Piano Forte or Harpsichord with accompaniments for a violin or ute and violoncello. Composed, and most humbly dedicated by permission to Her Majesty the Queen of Great Britain, by John Hummel Jr [i.e., Johann Nepomuk Hummel] from Vienna. Op. 3. Price 7/-. BL h.352.(1.)

Entries from 1710 to 1810

175

14/4/1792 Charles Dibdin Tack and Tack. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5

21/4/1792 J. Wragg The Flute Preceptor. The whole Art of Playing the German Flute rendered easy to all capacities, wherein every instruction relative to that instrument is elucidated in the most clear and simple manner; and by which anyone may without the assistance of a master learn to play with taste and judgement in a short time. To which is added, an easy method of acquiring the double tongue, and a valuable selection of favorite airs, song tunes and duets. By J. Wragg, teacher of the German ute and oboe. Price 4/-. BL b.117.(1.)

21/4/1792 Charles Dibdin Life’s a Pun. Written and composed by Mr [Charles] Dibdin for his entertainment called Private Theatricals, or Nature in Nubibus. Price 1/-. BL G.363.5q

24/4/1792 J. King Friendship, thou Charmer of the Mind. A favorite song. Composed by J. King, organist of Wellington, Salop. BL G.360.(31.)

24/4/1792 Longman & Broderip La Folie d’Espagne. A Spanish air, with variations composed by John Chalon. Price 1/-. BL g.139.(10.)

24/4/1792 Longman & Broderip A Treatise on Harmony, in which the principles of accompaniment are fully explained and illustrated by a variety of examples. Translated from the French of Monsieur [Jean-Philippe] Rameau (late organist of the Cathedral of Clermont in Auvergne and principal composer to His Most Christian Majesty) by Grif
th Jones, organist of the French Chapel, Soho. Price 10/6. BL g.302.(2.)

176

Music Entries at Stationers’ Hall

2/5/1792 Joseph Dale Three Sonatas for the Piano Forte or Harpsichord with an accompaniment for a violin. Composed by F[rancis] Kotzwara. Op. 38. Price 5/-. BL g.161.e

4/5/1792 Longman & Broderip The Favorite Quick March in Cymon. As performed by His Royal Highness the Duke of York’s new band in the Coldstream Regiment of Guards. Composed, and arranged for the piano forte or harpsichord, by C[hristian] F[rederick] Eley. Price 1/-. BL g.133.(16.)

7/5/1792 J. King A Favorite Lesson for the Piano Forte or Harpsichord. Composed by J. King, organist of Wellington, Salop. BL g.141.(21.)

15/5/1792 William Dixon Four Services in Score, viz.: Te Deum, Jubilate, Magni
cat and Nune Dimittis, with accompaniments for utes and oboes, bassoon or violoncello. Designed for the use of country choirs. The whole entirely new. Composed, and most respectfully dedicated to the clergy of the Church of England, by W[illiam] Dixon. BL G.502.(1.)

18/5/1792 John Dale Poor Mary, the Primrose Girl. A celebrated song. Sung by Mrs [Maria Theresa] Bland in the entertainment of The Sultan, at the Theatre Royal, Haymarket. Composed by John Moulds. BL G.360.(33.)

23/5/1792 Longman & Broderip The Favourite Short Troop. As performed by His Royal Highness the Duke of York’s new band in the Coldstream Regiment of Guards. Composed, and arranged for the piano forte or harpsichord, by C[hristian] F[rederick] Eley. BL g.133.(15.)

Entries from 1710 to 1810

177

23/5/1792 Longman & Broderip The Favorite March in Cymon. As performed by His Royal Highness the Duke of York’s new band in the Coldstream Regiment of Guards. Composed, and arranged for the piano forte or harpsichord, by C[hristian] F[rederick] Eley. BL g.133.(17.)

23/5/1792 Longman & Broderip Twelve favourite Songs with an accompaniment for the piano forte. Composed by John Davy, late pupil to Mr [William] Jackson of Exeter. BL G.362.(2.)

30/5/1792 The Author Eight Songs and a Cantata with accompaniments. Composed by J. King, organist of Wellington, Salop. BL G.362.(5.)

30/5/1792 The Author A Collection of Catches, Canons and Glees for Three, Four, Five and Six Voices. Dedicated (by permission) to John Lemon, Esq. Composed by Joseph William Holder, organist, Bungay, Suffolk. BL E.207.b.(2.)

2/6/1792 The Author Ode in Honour of His Majesty’s Birthday. Written and composed by Mr [Charles] Dibdin. BL G.363.(4.)

7/6/1792 Samuel Howard An Anthem for Voices and Instruments. Performed at St Margaret’s Church before the governors of the Westminster In
rmary, in the two universities, and upon many other public occasions in different parts of the Kingdom. Composed by Dr Samuel Howard. BL G.502.(3.), text begins ‘This is the day which the Lord hath made’

178

Music Entries at Stationers’ Hall

9/6/1792 Samuel Harrison and Charles Knyvett The Favorite New Glees composed by Dr [Benjamin] Cooke, Mr [John Wall] Callcott, Mr [John] Danby, and Mr [Samuel] Webbe expressly for, and performed at, Messrs Harrison and Knyvett’s Vocal Concert, 1792. Most respectfully dedicated to to the subscribers. BL E.207.b.(5.) and F.193

9/6/1792 The Author Two Sonatas for the Piano Forte or Harpsichord, with accompaniment for the violin, German ute and violoncello. Dedicated (by permission) to Her Royal Highness the Dutchess of York. By Miss [Cecilia Maria] Barthelemon. BL g.192.(1.)

9/6/1792 William Wilson Twelve Original Scotch Songs for the Voice and Harpsichord, with an accompaniment for the violin or ute. Dedicated (by permission) to His Royal Highness the Prince of Wales. Composed and adapted by William Wilson. BL G.326 and R.M.14.a.26

J. Wragg A Set of Easy Preludes, in the most useful major and minor keys.

18/6/1792

19/6/1792 Joseph Dale The Battle of Prague. A favourite sonata [by Francis Kotzwara]. Adapted for two performers on one piano forte or harpsichord, by Joseph Dale. BL g.131.(4.)

22/6/1792 Philip Hayes Thy fatal Shafts. Sung by Mrs Munday. Written by Dr [Tobias] Smollett. Set to music by Dr [Philip] Hayes. BL G.360.(24.)

Philip Hayes Eloisa. Sung by Mr Webb. Composed by Dr [Philip] Hayes. BL G.360.(23.)

22/6/1792

Entries from 1710 to 1810

179

22/6/1792 Philip Hayes [Henry] Purcell’s Fairest Isle. Sung by Mrs Munday, with accompaniments by Dr [Philip] Hayes. BL G.360.(22.)

21/7/1792 The Author Twelve Duettos with an accompaniment for the piano forte. Composed, and dedicated to His Exellency the Marquis Gherardini of Lilla, by Signor Bonifazio Asioli, correggionale. BL D.370.(6.) and R.M.8.b.10.(1.)

25/7/1792 Preston & Son The Prince of Wales’s New March. As performed by the band of His Royal Highness the Duke of Gloucester, under the direction of Mr Urington. Composed by F[rancis] Werth. BL g.133.(62.)

26/7/1792 Preston & Son The Duke of Clarence’s New March. As performed by the band of His Royal Highness the Duke of Gloucester, under the direction of Mr Urington. Composed by F[rancis] Werth. BL g.133.(63.)

26/7/1792 Robert Birchall The favorite duet of O! Dear What can the Matter be, with an accompaniment for the piano forte or harp. BL G.360.(47.) and H.2821.(29.)

28/7/1792 Thomas Hamley Butler The beautiful Scots air of Pinkie House, with Six Variations for the Piano Forte. Composed by T[homas] H[amley] Butler. BL g.139.(6.)

180

Music Entries at Stationers’ Hall

28/7/1792 Thomas Hamley Butler A dirge or pathetic rondo. Dedicated to the memory of the late Mrs [Elizabeth Ann née Linley] Sheridan. By T[homas] H[amley] Butler. BL G.360.(10.), text begins ‘Bow the head thou lily fair’

7/8/1792 Preston & Son Ye Zephyrs where’s my blushing Rose. A favorite song, in answer to the Mansion of Peace. Composed by Dr [John Andrew] Stevenson. BL G.360.(43.)

10/8/1792 Longman & Broderip The Bagshot Slow March. Composed, and humbly dedicated to the Right Honourable the Earl of Harrington, by J. McLean of the 29th Regiment. BL g.133.(41.) and h.1568.b.(10.)

10/8/1792 Longman & Broderip The Bagshot Quick March. Composed, and humbly dedicated to the Right Honourable the Earl of Harrington, by J. McLean of the 29th Regiment. BL g.133.(40.) and h.3213.k.(9.)

11/8/1792 Longman & Broderip Twelve Favorite Italian Canons for Three Voices with an accompaniment for the piano forte or harpsichord. Composed by Vincenzo Martini [i.e., Vicente Martin y Soler]. BL D.370.(10.)

11/8/1792 The Author Ten Songs, with instrumental parts in score. Composed, and most humbly inscribed to the Marquis of Donegall, by Jeremiah Clark, organist, Birmingham. BL G.362.(1.)

13/8/1792 Joseph Dale Tippoo’s Defeat. Duet and chorus. Sung at the anniversary meeting of the gentlemen of the East India House, August 13, 1792. Written by Ephraim Epigram, Esq. The music [by] Dr [Thomas Augustine] Arne. BL G.360.(4.)

Entries from 1710 to 1810

181

13/8/1792 Samuel Arnold The Enchanted Wood. As now performed, with great applause, at the Theatre Royal Haymarket. Composed by Dr [Samuel] Arnold, organist and composer to His Majesty. BL E.100.b.(2.)

24/8/1792 Rich Six Minuets for the Piano Forte or Harp. Composed for and dedicated to Miss F. Baldwin, by an amateur. BL g.141.(14.)

24/8/1792 Longman & Broderip Ah non sai. A favorite rondo. Sung by Miss [Sophia] Corri, with great applause, at Mr [Ignace] Pleyel’s concert, Hanover Square. Composed by Signor [Giuseppe] Sarti, and arranged with an accompaniment and graces by D[omenico] Corri. BL G.199.(28.)

29/8/1792 Longman & Broderip A Favorite Duetto for Two Performers on the Piano Forte or Harpsichord. Composed by Charles Wood, Bridgwater. BL g.130.(15.)

29/8/1792 Longman & Broderip A Favorite Lesson for the Harpsichord or Piano Forte. Composed by Charles Wood, Bridgwater. BL g.141.(23.)

4/9/1792 Longman & Broderip A Favorite Rondo. Composed and arranged by particular desire for the piano forte or harpsichord, with an accompaniment for a violin by Mr [Giovanni Mane] Giornovichi. BL g.147.(6.)

7/9/1792 Longman & Broderip Eighteen Easy Pieces for the Piano Forte or Harpsichord. Composed by Ignace Pleyel. BL g.132.(9*.)

182

Music Entries at Stationers’ Hall

12/9/1792 Longman & Broderip A Favorite Sonata for the Piano Forte or Harpsichord with accompaniments for a violin and violoncello. As performed by Master [Johann Nepomuk] Hummel at Mr [John Peter] Salomon’s concert, Hanover Square, Composed by Dr [Joseph] Haydn. Op. 68. BL g.161.j.(4.)

Joseph Dale O! Dear, what can the matter be. For 1, 2, 3, 4 or 5 voices. BL G.360.(48.)

17/9/1792

18/9/1792 Joseph Dale The Caledonian Maid. Written by Peter Pindar, Esq. Composed by J[ohn] Moulds. BL G.360.(37.)

21/9/1792 Joseph Dale A Sonata for the Piano Forte, and a famous Toccata for the Harpsichord or the Piano Forte. Composed by Signor Muzio Clementi. Op. 11. BL e.104.(1.)

22/9/1792 Longman & Broderip A Favorite Sonata with an accompaniment for a violin. Composed and arranged for the piano forte or harpsichord by Mr [Giovanni Mane] Giornovichi. BL g.147.(5.) and g.418.b.(2.)

24/9/1792 Joseph Dale Ah! vous dirai-je Maman. Adapted for the harp or piano forte with an accompaniment for a ute or violin. By J[oseph] Dale. BL g.352.s.(17.)

1/10/1792 Longman & Broderip Six Italian Duettinos with an accompaniment for the piano forte or harpsichord. Composed by Signor A[lessandro] Cornet. BL D.370.(7.)

Entries from 1710 to 1810

183

4/10/1792 Philip Hayes Canticum Potatorium. A Latin song. Composed by Mr Schultz [i.e., Johann Abraham Peter Schulz], music master to the King of Prussia, and adapted to the harpsichord and voices by Dr [Philip] Hayes. BL G.360.(29.)

8/10/1792 Longman & Broderip Ninth book. A Collection of Vocal Music in Two, Three, Four and Five Parts. Composed, and dedicated to Sir Henry C[harles] Engle
eld, Bart, by Samuel Webbe Sr & Jr. BL E.205.i.(3.) and E.207.b.(3.) and E.1858.a.(4.) and Mad.Soc.13.(8.)

11/10/1792 William Duncombe The favorite air of God save the King, with Variations for Two Performers on One Piano Forte or Harpsichord, by William Duncombe, organist of St Dunstan’s in the West, Kensington, Highgate. BL g.131.(6.)

The Author 12/10/1792 Lessons, Songs and Duetts for the Piano Forte. Published for the use of scholars. By J[ohn] Relfe. BL h.122.(8.)

19/10/1792 The Author A Favourite Sonata for the Piano Forte or Harpsichord. Humbly inscribed to B[enjamin] Bond Hopkins, Esq., M. P. Composed by C[harles] Lates. BL e.104.(9.)

19/10/1792 The Author Twelve Psalm and Hymn Tunes. Composed by C[harles] W[illiam] Banister. BL B.451.(3.)

Philip Jung Delia’s Complaint. A favorite song. BL G.360.(53.), text begins ‘How long, alas, must Delia mourn’

19/10/1792

184

Music Entries at Stationers’ Hall

Philip Jung The Virtue of Snuff. A favorite song. BL G.360.(54.), text begins ‘Good neighbours attend and give ear’

19/10/1792

Philip Jung Oh Stay my sweet Pilgrim. A favorite song. BL G.360.(55.)

19/10/1792

Philip Hayes The Highland Laddie. A new edition. Composed by Dr Phil[ip] Hayes. BL G.360.(27.)

22/10/1792

23/10/1792 John Bland The Marseilles March. As sung by the Marseillois going to battle, and by General Kellerman’s army, instead of Te Deum, being ordered so by the National Convention, and sung at the different theatres in Paris. BL H.1601.c.(11.), text begins ‘Ye Sons of France awake to glory’

23/10/1792 Longman & Broderip A Favourite Overture, as performed with applause at all the celebrated concerts. Composed by Ignace Pleyel, and arranged for the piano forte or harpsichord, with an accompaniment for the violin, by Francisco Tomich. BL g.147.(11.) or h.318.pp.(3)

27/10/1792 Charles Dibdin Humanity’s Cot. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6

Joseph Dale 27/10/1792 Installation of William Henry Lambton, Esq., Grand Provincial Master of Free and Accepted Masons for the Country of Durham. Composed for the occasion by Thomas Ebdon. BL g.133.(14.)

Entries from 1710 to 1810

185

2/11/1792 Joseph Dale Marche des Marseillois or French Te Deum. Ordered by the National Convention to be used by the army to excite them to battle, and as sung at all the theatres in Paris. BL H.1250.(37.), text begins ‘Allons, enfants de la Patrie’

2/11/1792 Longman & Broderip The Prisoner. A musical romance. As performed at the Theatre Royal, Haymarket. Composed, and humbly directed by permission to Her Royal Highness the Dutchess of York, by Thomas Attwood, music master to Her Royal Highness. BL D.280.(1.) and Hirsch M.1364. and R.M.10.e.15.(5.)

3/11/1792 Charles Dibdin The Bowmen of Kent. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6r

9/11/1792 Joseph Dale Rosina. A musical entertainment. As performed at the Theatre Royal, Covent Garden. Adapted for one, two and three German utes or violins by J[oseph] Dale. Composed and selected by William Shield. BL b.400.kk.(5.)

10/11/1792 Charles Dibdin The Savoyard. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6s

17/11/1792 Charles Dibdin The Blind Sailor. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6q

186

Music Entries at Stationers’ Hall

19/11/1792 Longman & Broderip Hartford Bridge, or The Skirts of a Camp. An operatic farce. As performed at the Theatre Royal, Covent Garden. Selected and composed by William Shield, musician in ordinary to His Majesty. The poetry by William Pearce, Esq. BL D.284.(1.)

22/11/1792 John Bland Morning, Noon, Evening and Night. Four ballads, for the harpsichord or piano forte. Composed by J[ohn] A[ndrew] Stevenson, M[us]. D[oc]. Op. 4. BL G.360.(44.)

23/11/1792 Joseph Dale Dear is my little native Vale. A favorite ballad. Set to music By J[oseph] Dale. BL G.360.(16.)

23/11/1792 Joseph Dale The Pensive Rose. A favorite amoroso. Composed by Mr [Ambrose] Pitman. BL G.360.(40.)

24/11/1792 Philip Hayes The Highland Lassie. Sung at the public places. Composed by Dr Philip Hayes. BL G.360.(28.)

24/11/1792 Charles Dibdin The Recompense of Constancy. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6p

24/11/1792 John Bland John Gilpin’s Journey to Bagshot-Heath Camp. Being a new ballad in the old stile. Written by George Saville Carey. Spoken and sung by him in his celebrated readings, Music and Imitations. BL G.360.(56.), text begins ‘Your bards of old’

Entries from 1710 to 1810

Joseph Dale The Banks of the Dee. A favorite song and duet. BL G.360.(57.), text begins ‘It was summer’

187

24/11/1792

26/11/1792 Joseph Dale Dale’s New Edition of Artaxerxes. A serious opera. As performed at the Theatres Royal, Covent Garden and Drury Lane. Composed by Dr [Thomas Augustine] Arne. BL E.100.b.(1.)

1/12/1792 Charles Dibdin Neighbour Sly. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6n

1/12/1792 Longman & Broderip Just in Time. A comic opera. As performed at the Theatre Royal, Covent Garden. Composed by [Charles] Thomas Carter. The poetry by Mr Thomas Hurlstone. BL D.286.(5.) and D.290.(2.)

1/12/1792 Longman & Broderip The Dying Negro. A song composed by Thomas Beilby, organist of Scarbroash and by him humbly inscribed to Granville Sharp, Esq., and the other gentlemen of the Committee formed for Promoting an Abolition of the Slave Trade. BL G.360.(6.)

Charles Dibdin 8/12/1792 The Compact of Freedom. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6d

13/12/1792 Joseph Dale Light as thistle down. A favorite song. Sung by Mrs [Elizabeth] Billington in the opera of Rosina. Composed by W[illiam] Shield. BL G.363.(17.)

188

Music Entries at Stationers’ Hall

13/12/1792 Joseph Dale Whilst with Village Maids I stray. A favorite song. Sung by Mrs [Elizabeth] Billington in the opera of Rosina. Composed by W[illiam] Shield. BL G.363.(18.)

15/12/1792 Charles Dibdin The Quietus. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6m

15/12/1792 Simpson The Convention of the Gods. A favorite song sung at the Association, held at the Crown & Anchor [tavern] in the Strand. Written by Mr Simpson. Set to music by Mr [James] Hook. BL G.363.(7.)

22/12/1792 Charles Dibdin None so pretty. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6l

22/12/1792 Anne Bland & Co. The King and Constitution. A new song. Adapted for the piano forte or harpsichord. Composed by Mr [James] Hook. BL G.363.(8.) and H.1651.b.(20.)

24/12/1792 Joseph Dale The Pirates. An opera in three acts. As performed at the Theatre Royal, Drury Lane. The music composed by Stephen Storace. BL D.289.(5.) and E.91.(3.)

William Keymer God save the Queen. A new song. Written by Mr Shillito.

27/12/1792

Entries from 1710 to 1810

189

29/12/1792 Charles Dibdin Honesty in Tatters. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6k

3/1/1793 Charles Dibdin Ninety Three. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6j

7/1/1793 Joseph Dale Six Italian Duetts for Two Voices, with an accompaniment for the harp or piano forte. Composed, and dedicated to the Miss[es] Abrams, by Adalbert Gyrowetz. Op. 13. BL D.370.(8.)

10/1/1793 John Casson God save the King, with Favourite Variations for the Harpsichord or Piano Forte. By J[ohn] Casson. BL g.139.(8.)

12/1/1793 Charles Dibdin Wit and Beauty. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6i

B. Wood and Thomas Skillern 12/1/1793 The Rush-Light. An additional song. Introduced and sung by Mr [John] Bannister Jr in Peeping Tom [of Coventry]. The words by G[eorge] Colman, Jr. Composed by Dr [Samuel] Arnold. BL G.363.(3.)

14/1/1793 Alexandre de Bausset L’Heureux Vieillard, imité d’Anacreon. Paroles de Monsieur de Curt. Musique de Monsieur Alexandre de Bausset. Accompagnement de forte piano ou de harpe par Florido Tomeoni.

190

Music Entries at Stationers’ Hall

19/1/1793 Charles Dibdin Jack at the Windlass. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6h and R.M.13.e.8.(61.)

21/1/1793 J. Wragg A Familiar Solo for the German Flute, accompanied by a violoncello or piano forte. Composed by J. Wragg. BL g.221.(9.)

24/1/1793 Joseph Dale Three Sonatas for the Piano Forte with accompaniments for a violin and violoncello. Composed, and dedicated to Mrs Benn, by Muzio Clementi. Op. 29. BL g.161.b.(2.)

Longman & Broderip Twelve Songs. Composed by William Jackson, of Exeter. Op. 16 BL G.362.(4.)

25/1/1793

26/1/1793 Charles Dibdin A Hint to the Ladies. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6g and R.M.13.e.8.(100.)

28/1/1793 Longman & Broderip Amusement for the Ladies. Being a selection of the favourite catches, canons, glees, and madrigals as performed at the Noblemen and Gentlemen’s Catch Club, including the most popular which have gained the prize medals. Composed by the following eminent authors: Lord Mornington [i.e., Garret Wesley]; Doctors [Thomas] Arne, [Samuel] Arnold, [John] Alcock [Sr], [Benjamin] Cooke, [Thomas Sanders] Dupuis, [Philip] Hayes, and [Henry] Harington; Messrs [Luffman] Atterbury, [John Wall] Callcott, [John] Danby, [Thomas] Norris, [Stephen] Paxton, [John Stafford] Smith, [Richard John Samuel] Stevens, and [Samuel] Webbe [Sr]. Book 8. Vol. 3. BL E.207.b.(4.)

Entries from 1710 to 1810

191

28/1/1793 Riley & Willis Harry of the Green. A favourite song. Sung by Mrs [Maria] Iliff at the Apollo Gardens. Composed by Joseph Willson. BL G.360.(45.)

2/2/1793 Alexandre de Bausset Six Rondes pour Deux et Trois Voix avec accompagnement de piano forte. Misés en musique par Monsieur Alexandre de Bausset. Dédiées avec permission à la Comtesse de Pembroke. BL E.270.(2.) and E.705

2/2/1793 Joseph Dale Three Sonatas for the Piano Forte, with accompaniments for a violin and violoncello. Composed, and dedicated to the Prince of Wales, by Adalbert Gyrowetz. BL g.161.d.(2.)

2/2/1793 John Percy The Captive. Supposed to be written by Maria [i.e., Marie] Antoinette. Composed by Mr [John] Percy. BL G.360.(39.)

7/2/1793 Joseph Dale The Pirates. An opera, performed at the Theatre Royal, Drury Lane. Adapted for the German ute. Composed by Stephen Storace. BL B.388.(2.)

7/2/1793 Preston & Son May the Beauties of England. A favourite song, Written by John Gretton, Esq. Composed by Mr [Charles Thomas] Carter. BL G.360.(12.)

8/2/1793 Charles Dibdin The Miseries of War. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6a

192

Music Entries at Stationers’ Hall

14/2/1793 J. C. Pring Six Progressive Sonatinas for the Harpsichord or Piano Forte, with an accompaniment for the German ute or violin. Composed by J[acob] C[ubitt] Pring, organist of St Botoph’s, Aldersgate. Book 1. BL b.60.(7.)

16/2/1793 Bland & Weller Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment for the violin or ute. Composed, and dedicated (by permission) to Miss Isabella Sutton, by James Hook. Op. 72. BL g.147.(7.)

16/2/1793 Charles Dibdin The Fair. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6b

19/2/1793 Joseph Dale Captivity. A ballad, supposed to be sung by the unfortunate Maria [i.e., Marie] Antoinette, during her imprisonment in the temple. The words by the Rev. Mr Jeans [of] Dibden, Hants, and set to music by Stephen Storace. BL G.363.(20.) and H.2821.(17.)

20/2/1793 A. Charles Furtado Three Sonatas for the Harpsichord or Piano Forte. Composed by A. C[harles] Furtado, academico
larmonica. BL g.148.(3.)

The Author Sweep Soot O! A favourite Song Composed by Mr [John] Ambrose. BL G.360.(2.)

20/2/1793

23/2/1793 Charles Dibdin Moggy. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6c and R.M.13.e.8.(92.)

Entries from 1710 to 1810

193

27/2/1793 Longman & Broderip Six Sonatinas pour le Forte Piano ou les Clavecin avec accompagnement d’une ute. Composées par J[an] L[adislav] Dussek. BL g.161.e.(3.)

2/3/1793 Charles Dibdin A Welch Love Song. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6e

Hugh Andrews The Lillies of France. A favourite soldier’s song. BL G.360.(50.)

4/3/1793

4/3/1793 William Crotch Three Sonatas for the Piano Forte or Harpsichord. Composed for and respectfully dedicated to his pupils by William Crotch, organist of Christ Church, Oxford. BL g.145.(2.)

4/3/1793 Riley & Willis Nannette. A favourite song. Composed by Mr [John] Ambrose. Sung by Mr Page, with great applause, at the Paul’s Head. BL G.360.(3.)

6/3/1793 Joseph Dale Lads and Lasses hither come. A favourite new round for three voices. As performed, with the greatest applause, at Harrison & Knyvett’s Concert. Composed by Mr [Luffman] Atterbury. BL D.402.(5.)

8/3/1793 Joseph Dale The Undaunted Britons. A favourite loyal song. Sung by Mr [Charles] Dignum at the Theatre Royal, Haymarket. Composed by Mr [Luffman] Atterbury. BL G.360.(5.)

194

Music Entries at Stationers’ Hall

9/3/1793 John Bland Three Sonatas for the Piano Forte or Harpsichord. Dedicated (by permission) to Miss Wetenhall. By Leopold Kozeluch. BL g.148.(8.)

9/3/1793 Charles Dibdin The Etymology of Quiz. Written and composed by Mr [Charles] Dibdin for his entertainment called The Quizes, or A Trip to Elysium. BL G.363.6

11/3/1793 A. Charles Furtado Romance composée par Madame [Mary Theresa Louisa] la Princesse de Lamballe, avec un Rondeau de A. Charles Furtado, academico
larmonica. BL e.104.(7.)

21/3/1793 Longman & Broderip The Chapter of Kings. A celebrated historical song. Written and sung, with universal applause, by Mr [John] Collins, author of The Brush. Bodleian Mus. Voc. I, 14 (22)

23/3/1793 Longman & Broderip Great Britain still her Charter boasts. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden in the interlude of The Relief of Williamstadt. The Words by T. Goodwin. The Music by Mr [William] Shield. BL G.363.(19.)

25/3/1793 Longman & Broderip The Farce of French Liberty. A celebrated new song. Written and sung, with universal applause, by Mr [John] Collins, author of The Brush. BL G.360.(15.), text begins ‘By Gar ’tis von Shame, says the French Democrat’

30/3/1793 The Author La Guillotine. A new song, describing the woes of the unfortunate Lewis XVI, late King of France, and his
nal exit by that fatal instrument. Written and composed by Mr Bristow. BL G.360.(9.)

Entries from 1710 to 1810

195

3/4/1793 Preston & Son Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello. Composed, and humbly dedicated to Miss Franklands, by Matthew Camidge. BL g.161.(1.)

11/4/1793 Longman & Broderip The Maid of the Rock. A celebrated song. Sung, with universal applause, by Master [Thomas] Welsh at the Theatre Royal in the Haymarket. The melody composed by Mr [Charles] Dignum, the accompaniments by Mr Florio Jr [i.e., by Charles Haiman Florio], the words by George Saville Carey. BL G.249.(52.) and H.2821.(11.)

11/4/1793 John Hindle The favourite duett of Jess Macpharlane. As sung at the Dilettanti Concerts. BL G.354.(57.), text begins ‘When
rst she came to town’

15/4/1793 Charles Metralcourt Twenty Four Country Dances, with proper Directions to each Dance. As they are performed at Court, Bath, and all public assemblies. Humbly dedicated (by permission) to His Royal Highness the Prince of Wales. Composed by Charles Metralcourt, dancing master. BL b.55.(7.)

15/4/1793 Vincenzo Federici Deh Numi pietosi. Sung by Signor [Domenico] Bruni at the King’s Theatre Haymarket in the opera of Gli Giochi d’Agrigento. Composed by Mr [Vincenzo] Federici. BL G.199.(6.)

16/4/1793 Stephen Storace Io non era. The favorite rondo. Sung at the King’s Theatre in the Haymarket by Signora [Anna Selina] Storace in the opera of Le Nozze di Dorina. Composed by Stephen Storace. BL G.199.(30.)

196

Music Entries at Stationers’ Hall

23/4/1793 Preston & Son Louis the Sixteenth’s Lamentation. Written by W. C. Oulton. The music by Dr [John Andrew] Stevenson. BL G.364.(47.)

23/4/1793 Preston & Son Soft Music, let my humble lay. Sung by Miss [Elizabeth] Farren in the new comedy of False Colours. Composed by Mr [Richard] Suett. BL G.249.(64.)

24/4/1793 Joseph Dale The Lullaby. A favourite song. Sung by Signora [Anna Selina] Storace in The Pirates. Composed by Stephen Storace. BL G.809.j.(4.)

24/4/1793 Robert Mackintosh Sixty-Eight New Reels, Strathspeys and Quicksteps. Also, some slow pieces with variations for the violin and piano forte, with a bass for the violoncello or harpsichord. Composed by Robert Mackintosh, and dedicated (by permission) to the Honourable Mrs Campbell of Lochnell. BL g.229.(3.)

25/4/1793 William Cole A Morning and Evening Service, consisting of a Te Deum, Jubilate, Magni
cat and Nunc Dimittis. Together with six anthems in score, composed for two, three, four and
ve voices. By William Cole of Colchester. BL H.837

25/4/1793 John Dillon An Address to the Royal Bowmen of Kent. As performed at a ball given by them, December 27th, 1792. Composed by the Honourable Baron [John] Dillon. BL G.361.(61.)

Entries from 1710 to 1810

197

25/4/1793 Riley & Willis The Blithest Bird. A favourite Song. Sung by Mrs Franklin at the Paul’s Head. Composed by J[ohn] Ambrose. BL G.361.(8.)

27/4/1793 Joseph Dale Begone dull care. A favorite duett. As sung at Harrison and Knyvett’s concerts. BL G.354.(46.) and H.2821.(14.)

Joseph Dale The Petition. A favorite hymn. The Music by Thomas Proctor, Esq. BL H.1679.(56.)

29/4/1793

4/5/1793 Joseph Dale Venus and Adonis. The favorite ballet, as performed at the King’s Theatre in the Haymarket. Adapted for the harpsichord or piano forte by Stephen Storace. BL e.108.(14.)

4/5/1793 Joseph Dale The Prize, or 2, 5, 3, 8. A new musical farce. As performed at the Theatre Royal, Drury Lane. The music composed by Stephen Storace. BL E.91.(2.)

8/5/1793 John Dillon A favorite glee. As performed at Heny Blincow’s, Esq., on Thursday the 2nd of May. Composed by the Honourable Baron [John] Dillon. BL D.402.(14.), text begins ‘Cease your dull pathetic mournful glees’

9/5/1793 The Author Trois Romances avec accompagnement de piano-forte. Mise en musique par le Chevalier de Montlivault. BL H.1677.(58.)

198

Music Entries at Stationers’ Hall

10/5/1793 Longman & Broderip Begone, dull Care. A favorite duett. As sung, with great applause, at Harrison and Knyvett’s vocal concerts. BL H.1601.n.(12.)

10/5/1793 Longman & Broderip In the Dead of the Night. As sung by Master [William] Knyvett at the vocal concerts, Willis’s Rooms, 1793. BL G.356.(7.) and H.2821.(12.)

10/5/1793 Joseph Dale How stands the Glass around. A favorite soldiers’ song, For 1, 2 and 3 voices. [Arranged by Joseph Dale.] BL G.354.(51.)

11/5/1793 Riley & Willis Sailor Jack. A new song. Written by Mr John Powell. The music by I. R. Adams. BL G.361.(6.)

17/5/1793 Joseph Dale Come mount your eet Coursers, brave Boys. A favorite round. As sung at Harrison and Knyvett’s concerts, Hanover Square. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL D.402.(3.)

17/5/1793 Joseph Dale Say why a Blush o’erspreads the Rose. A favorite song. Sung at Harrison and Knyvett’s concerts, Hanover Square. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL G.364.(1.)

18/5/1793 Longman & Broderip The Midnight Wanderers. A comic opera. Performed at the Theatre Royal, Covent Garden. Composed by [Giovanni] Paisiello, [André] Gretry and [William] Shield. The poetry by William Pearce, Esq. BL D.287.(3.)

Entries from 1710 to 1810

199

24/5/1793 James Platts The Pad. A favorite song. Written and sung by Mr Connell at the Royal Saloon, with universal applause, with the disembarkation of the Light Horse from on board the British transports at Ostend. Composed by Mr [James] Sanderson. BL G.367.(25.)

25/5/1793 Joseph Dale Happy we who thro’ the Meadows rove. A favorite glee. As sung at the Vocal Concerts, Willis’s Rooms, etc. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL D.402.(1.)

27/5/1793 George Thomson Three Grand Sonatas for the Piano Forte or Harpsichord, in which are introduced, for the subjects of the adagios and last movements, select Scot[t]ish airs, with accompanyments for a violin and violoncello. 1st set. Composed by Ignace Pleyel. BL g.161.h.(2.)

Joseph Dale 28/5/1793 Mark the sweet Rosebud. A favorite song. Sung by Mr [Samuel] Harrison at the Vocal Concerts, Hanover Square. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL G.364.(2.)

28/5/1793 Joseph Dale Smiling Health. A favorite glee. As sung at Harrison and Knyvett’s concerts. Hanover Square. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL D.402.(4.)

29/5/1793 John George Graeff Six Songs, with an accompaniment for a piano forte. Composed by [John] G[eorge] Graeff. BL G.358.(5.)

200

Music Entries at Stationers’ Hall

31/5/1793 Bland & Weller Hither, Mary, hither come. A favorite song. Sung by Master [Edmund] Phelps, with universal applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(30.)

5/6/1793 Preston & Son Three Sonatas for the Piano Forte with accompanyments for a ute and violoncello ad libitum. Composed, and dedicated to Miss Newbery, by Muzio Clementi. Op. 32 BL g.271.s.(2.)

5/6/1793 Joseph Dale Will you go to the Fair. A new catch. As sung, with the greatest applause, at Willis’s Rooms. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL D.402.(2.)

5/6/1793 Joseph Dale Ti riverisco. A favorite air. Sung by Signora [Anna Selina] Storace at the King’s Theatre, Haymarket in the comic opera of I Zingari in Fiera. Composed by Signor [Giovanni] Paisiello. BL G.199.(24.)

5/6/1793 Joseph Dale Pandolfetto graziosetto. A favorite duett. Sung by Signor [Giovanni] Morrelli and by Signora [Anna Selina] Storace at the King’s Theatre, Haymarket in the comic opera of I Zingari in Fiera. Composed by Signor [Giovanni] Paisiello. BL G.198.(14.)

Henry Denman Three Sonatas for the Piano Forte, Composed by Henry Denman. Op. 2. BL g.143.(4.)

7/6/1793

7/6/1793 Bland & Weller A Collection of Favourite Songs, sung by Mr Darley, Mr Clifford, Mrs Franklin, Miss Milne, Mrs Addison and Mrs Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. Book 1st. BL G.379.(1.)

Entries from 1710 to 1810

201

10/6/1793 Longman & Broderip Sprigs of Laurel. A comic opera. As performed at the new Theatre Royal, Covent Garden. Consisting of German, Scotch, Irish and English airs, one by a nobleman and others by [George Frideric] Handel, [Pasquale] Anfossi and [William] Shield. The poetry by J[ohn] O’Keeffe, Esq. BL D.287.(5.)

10/6/1793 Joseph Dale Three Favorite Duetts for Two Performers on One Harpsichord or Piano Forte. Dedicated to the Right Honorable Lady Ann [Windsor] and Lady Sarah Windsor. Composed by Theodore Smith. BL g.131.(13.)

13/6/1793 Bland & Weller When Lucy was kind. A favorite song. Sung by Master [Edmund] Phelps at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(31.)

George Thomson 13/6/1793 A Select Collection of of Original Scot[t]ish Airs for the Voice, to each of which are added introductory and concluding symphonies, and accompanyments for the violin and piano forte by [Ignace] Pleyel, with select and characteristic verses by the most admired Scot[t]ish poets, adapted to each air, many of them entirely new. Also, suitable English verses in addition to such of the songs as are written in the Scot[t]ish dialect. 1st Set. BL G.370.(1.)

Joseph Dale 17/6/1793 The Prize, or 2, 5, 3, 8. A new musical farce. As performed at the Theatre Royal, Drury Lane. Adapted for the German ute or violin. Composed by Stephen Storace. BL B.386.c.(1.)

William Dale The Songs, Duets, Chorusses, etc., etc., now singing at Vauxhall. BL 643.e.21.(6.)

17/6/1793

202

Music Entries at Stationers’ Hall

18/6/1793 Bland & Weller The Way to keep him. A favorite song. Sung by Mrs [Rosemond] Mountain, with universal applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(47.)

18/6/1793 Bland & Weller Ye true British Sportsmen. A favorite hunting song. Sung by Mr Clifford at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(19.)

18/6/1793 J. Jenkinson Come, Slumbers, steal me soft away. A favourite song. Composed by J. A. Parrin. The words by J[ohn] Curwood, Esq., of the Inner Temple. BL G.366.(46.)

19/6/1793 John Clarke Grand Sonata for the Harp or Piano Forte. Composed for, and performed by, Madame [Anne-Marie] Krumpholtz. Humbly dedicated to the Right Honourable the Dowager Lady Clive. By J[ohn] Clarke, Bac. Mus. Oxford and organist of Ludlow. BL g.192.a.(18.)

21/6/1793 Harrison & Co. Six Favourite Concertos for the Organ, Harpsichord, or Piano Forte, with instrumental parts. For public and private concerts. Composed by the late Thomas Augustine Arne, Mus. D[oc]. BL g.116.(1.)

24/6/1793 Joseph Dale Da Questi Lineamenti. The favourite fortune-telling song. As sung at the King’s Theatre in the Haymarket by Signora [Anna Selina] Storace in the comic opera of I Zingari in Fiera, and composed by Signor [Antonio] Salieri. BL G.199.(29.)

Entries from 1710 to 1810

203

28/6/1793 James Macpherson McPherson’s Collection of Ancient Music in the Poems and Songs of Ossian, Son of Fingal. Sung by bards of old in the age when the poems and songs were composed, and as retained in the Highlands of Scotland to this present day. Adapted by Thomas Brabazon Gray. BL G.376.(60.)

29/6/1793 Joseph Dale Ahi lo tropiede. A favorite air. Sung by Signora [Anna Selina] Storace, at the King’s Theatre, Haymarket, in the comic opera of I Zingari in Fiera. [By Giovanni Paisiello.] BL G.199.(25.)

29/6/1793 Joseph Dale The Pirates. An opera. Performed at the Theatre Royal, Drury Lane. Adapted for the guitar. Composed by Stephen Storace.

4/7/1793 Joseph Dale Cara Borza. A favorite terzetto. As sung at the Theatre Royal, Haymarket by Signora Storace, Mr Kelly and Signor Rovedino in the comic opera of I Zingari in Fiera. Composed by Signor Pietro Guglielmi. BL G.198.(18.)

9/7/1793 Bland & Weller [Domenico] Cimarosa’s Celebrated Overture in the opera of I Viaggotori Felici. Arranged for the piano forte or harpsichord by K[arl] Kambra. BL g.137.(12.)

9/7/1793 Bland & Weller Three New Marches: 1st. King of Prussia’s; 2nd. Prince of Saxe Cobourg’s; 3rd. General Dumourier’s. For the piano forte or harpsichord. Composed by K[arl] Kambra. BL g.133.(29.) and H.2821.(27.)

204

Music Entries at Stationers’ Hall

9/7/1793 Bland & Weller A Favorite Sonatina for the Harpsichord or Piano Forte, with an accompanyment for the violin ad libitum. Composed, and humbly dedicated to the Countess Beckers of Westerstetten, by K[arl] Kambra. BL g.144.(6.)

22/7/1793 Longman & Broderip Minuetto a Tempo di Ballo. Composed by Mr Collick. With Five Variations for the Piano Forte by M[uzio] Clementi. BL g.139.(12.)

22/7/1793 Preston & Son The Favorite Songs sung at Vauxhall Gardens by Mrs Mountain, Miss Milne, Mrs Addison, Mrs Franklin, Mr Clifford, Mr Darley and Master Phelps. Composed by Mr [James] Hook. Book 2. BL G.379.(2.)

22/7/1793 Longman & Broderip The sweet little Girl that I love. A favorite song. Sung by Master [Edmund] Phelps at Vauxhall Gardens. Composed by Mr [James] Hook. The words by a lady. BL H.1651.c.(34.)

22/7/1793 Longman & Broderip Ma belle Coquette. A favorite song. Sung by Mr Clifford at Vauxhall Gardens. Written by Mr [Edmund Lewis Lenthal] Swift. Composed by Mr [James] Hook. BL H.1651.a.(17.)

30/7/1793 Joseph Dale The Opening of an Organ. A choice set of voluntaries, which may be used at pleasure at any church or chapel. Composed by Mr [Matthias] Hawdon, late organist of Hull, Beverly and Newcastle upon Tyne. BL e.120.(6.)

John Relfe My Native Vale. Composed by J[ohn] Relfe. BL G.366.(60.)

30/7/1793

Entries from 1710 to 1810

John Relfe Ah! Lonely Shade. Composed by J[ohn] Relfe. BL G.366.(59.)

205

30/7/1793

10/8/1793 Bland & Weller In Dublin City lives a Youth. A celebrated Irish song. Sung by Mrs [Rosemond] Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(19.)

Bland & Weller 10/8/1793 O Yes Sir, if you please. A favorite song. Sung by Mrs Leaver at the Public Gardens. Composed by Mr [Joseph] Willson. BL G.367.(34.)

12/8/1793 Longman & Broderip Will you hear how once repining. A song by [William] Shenstone, alluding to a story recorded of Queen Elizabeth, when prisoner at Woodstock in 1554. Composed by M[atthew] Camidge. BL G.364.(14.)

12/8/1793 Longman & Broderip Antigallican song. The Old British Lion. Composed by M[atthew] Camidge of York for Mr Meredith, and sung by him at Liverpool. The words by Mr F. Atkinson of York. BL G.376.(13.)

12/8/1793 Longman & Broderip The Siege of Valenciennes, for the piano forte or harpsichord with an accompaniment for a violin. Humbly dedicated to His Royal Highness the Duke of York by the author [i.e., Matthew Peter King]. BL g.186.(11.)

12/8/1793 Longman & Broderip Song, performed at a bene
t concert in Gibraltar. Written for the occasion by an of
cer, and composed by J[ohn] Coleman, 68th Regiment. BL G.376.(14.), text begins ‘T’was wisdom fram’d Britannia’s throne’

206

Music Entries at Stationers’ Hall

13/8/1793 Joseph Dale The Prize, or 2, 5, 3, 8. A new musical farce. As performed at the Theatre Royal, Drury Lane. Adapted for the guitar. Composed by Stephen Storace. BL B.388.(4.)

13/8/1793 Joseph Dale Laura. A favourite sonnet from [Francesco] Petrarch. Set to music for the voice and piano forte, with an accompaniment for a violin and hautboy obligato, by Ambrose Pitman. BL G.368.(13.)

20/8/1793 John Casson Eight Favorite Airs with Variations for the Piano Forte or Harpsichord. Composed, and most respectfully dedicated to Lady Davenport, by John Casson. BL g.139.(7.)

22/8/1793 Joseph Dale The Siege of Valenciennes, for the piano forte or harpsichord with accompaniments for a violin. Most humbly dedicated to His Royal Highness the Duke of York. Composed by Joseph Dale. Op. 9. BL g.188.(5.)

24/8/1793 Longman & Broderip Longman & Broderip’s Collection of Original Music for the Grand and Small Piano Forte. No. 1. BL h.925.x.(9.)

24/8/1793 Longman & Broderip O! how sweetly Delia sings. A favorite glee for three voices. Sung, with universal applause, at Vauxhall. Composed by Mr [James] Hook. BL D.402.(18.)

24/8/1793 Longman & Broderip Wine, Wine is the Cordial. Sung, with universal applause, by Mr [Thomas] Sedgwick at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(51.)

Entries from 1710 to 1810

207

26/08/1793 Bland & Weller The Happy Milk Maid. A favorite song. Sung by Miss Milne at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(16.)

26/08/1793 Bland & Weller Dear little Cottage Maiden. A favorite song. Sung by Master [Edmund] Phelps at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(20.)

26/08/1793 Bland & Weller The Soldier’s Adieu. A favorite glee, for three voices. Sung, with universal applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.352.(24.) and H.1651.c.(47.)

26/08/1793 Bland & Weller You’ll Conquer your Man. A favorite song. Sung by Mr [Thomas] Sedgwick at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(24.)

03/09/1793 Preston & Son The Mountaineers. As performed, with the utmost applause, at the Theatre Royal, Haymarket. Written by George Colman, Esq., Jr. The music selected and composed by Dr [Samuel] Arnold, organist and composer to His Majesty. BL D.285.(4.) and MUS/LOA/109.A6.(1.)

13/09/1793 A. Charles Furtado A Familiar Sonatina for the Piano Forte. Dedicated to the Right Honorable the Countess of Barrymore. Composed by [A.] Charles Furtado, academico
larmonica and member of the Royal Academy of Music at Paris. BL e.104.(6.)

208

Music Entries at Stationers’ Hall

16/09/1793 Joseph Dale Irco dell’Erebo. A favorite duett. As sung at the King’s Theatre, Haymarket by Mr [Michael] Kelly and Signor [Giovanni] Morelli in the comic opera of I Zingari in Fiera [by Giovanni Paisiello]. BL G.198.(17.)

18/09/1793 Preston & Son Caernarvon Castle. As performed, with the utmost applause, at the Theatre Royal, Haymarket. Composed, and humbly dedicated by permission to His Royal Highness the Prince of Wales, by Thomas Attwood. BL D.280.(2.) and D.286.(2.) and R.M.9.a.5

24/09/1793 Bland & Weller A Favorite Sonatina for the Harpsichord or Piano Forte, with an accompaniment for a violin ad libitum. Composed, and humbly dedicated to Mademoiselle Sophia Perée, by K[arl] Kambra. BL g.144.(7.)

Preston & Son 1/10/1793 The Siege of Valenciennes. A favorite sonata for the piano forte. Humbly dedicated to Her Royal Highness the Dutchess of York. BL g.138.(19.)

2/10/1793 Henry Denman A favorite sea song. Composed by H[enry] Denman. Words by Richard Hart. BL G.361.(56.), text begins ‘When Lovely Sue I left behind’

7/10/1793 Longman & Broderip Longman & Broderip’s Collection of Original Music for the Grand and Small Piano Forte. Nos. 2 and 3. BL h.925.x.(9.)

Entries from 1710 to 1810

209

8/10/1793 Timothy Essex A Glee and Catch for Three Voices. Composed by the Rev. J[ohn] Baker, A.M., Lincoln College Oxon, with an accompaniment for the piano forte or harp by T[imothy] Essex. BL G.352.(22.)

9/10/1793 Longman & Broderip Longman & Broderip’s Collection of Original Music for the Grand and Small Piano Forte. No. 4. BL h.925.x.(9.)

10/10/1793 Maximilian Humble A Sonata and an Overture for the Piano Forte. Humbly dedicated to Lady Milner. Composed and adapted by Max[imilian] Humble. BL g.141.(7.)

17/10/1793 Longman & Broderip Return to Order and your Country save. Sung by Mr [Charles] Incledon at the new Theatre Royal, Covent Garden, in the scene of The Surrender of Toulon. Written by W[illiam] Pearce, Esq., and set to music by Mr [William] Shield. BL G.249.(24.)

17/10/1793 Longman & Broderip The Children in the Wood. A comic opera in two acts for the piano forte, harpsichord, violin, etc. As performed at the Theatre Royal, Haymarket. The music composed by Dr [Samuel] Arnold, organist and composer to His Majesty. BL D.285.(3.)

21/10/1793 Riley & Willis Lie still my little Heart. A favorite new song. Composed by J[oseph] Willson. BL G.365.(67.)

21/10/1793 Riley & Willis The Contented Cottager. A favorite new song. The words by a lady. The music by Edward Frith, organist of St James, Garlichithe. BL G.366.(4.)

210

Music Entries at Stationers’ Hall

24/10/1793 Bland & Weller The Siege of Valenciennes, for the Piano Forte or Harpsichord, with an accompaniment for a violin. Humbly dedicated to His Royal Highness the Duke of York. By K[arl] Kambra. BL g.188.(10.)

26/10/1793 Charles Dibdin Nappy. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(44.)

2/11/1793 Charles Dibdin The Tear of Sensibility. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(46.)

4/11/1793 John Clarke The celebrated duett sung by Mr [John] Bannister and Signora [Mary Selina] Storace in The Haunted Tower [by Stephen Storace]. Arranged for the piano forte by J[ohn] Clarke, M[us]. B[ac]., organist of Ludlow. BL g.139.(11.), text begins ‘Will great Lords and Ladies’

4/11/1793 John Clarke The Fair Thief. The words by the late Earl of Egremont. Set to music by John Clarke, M[us]. B[ac]., organist of Ludlow. BL G.361.(41.)

4/11/1793 John Clarke Virtue. The words by Doctor [Erasmus] Darwin. Set to music by John Clarke, M[us.] B[ac]., organist of Ludlow. BL G.361.(40.)

5/11/1793 Bland & Weller My Jamie is a Bonny Lad. A favorite Scotch song. Sung by Miss Williams at the Public Gardens. Composed by Mr [John] Addison. BL G.361.(7.)

Entries from 1710 to 1810

211

9/11/1793 Charles Dibdin The Token. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(39.)

12/11/1793 Louis Jansen Three Sonatas for the Piano Forte. Composed, and dedicated to His Excellency the Marquis del Campo, ambassador extraordinary and plentipotentiary from the court of Spain, by L[ouis] Jansen, élève de [Muzio] Clementi. Op. 1. BL g.143.(10.)

12/11/1793 Longman & Broderip The favorite song of Fragrant Chaplets. Sung, with the greatest applause, by Mrs [Elizabeth] Clendinning at the Theatre Royal, Covent Garden. Composed by the celebrated [Antonio] Salieri. The words by J[ohn] O’Keeffe, Esq. BL G.249.(45.) and H.2821.(13.)

12/11/1793 Longman & Broderip The Queen of France. The words and music by W[illiam] E[dward] Miller. BL G.366.(34.)

12/11/1793 Longman & Broderip The Brighton Camp Quick March. Dedicated (by permission) to His Royal Highness the Prince of Wales. By J. Maclean, of 29th regiment. BL g.133.(43.)

12/11/1793 Longman & Broderip The Brighton Camp March. Dedicated (by permission) to His Royal Highness the Prince of Wales. By J. Maclean, of 29th regiment. BL g.133.(42.)

13/11/1793 Samuel Webbe L’Amico del Principiante. Short exercises for young singers. By S[amuel] Webbe. BL g.302.(7.)

212

Music Entries at Stationers’ Hall

16/11/1793 L[ouis] Jansen Eighteen Favorite Minuets for the Piano Forte. Composed and dedicated to Muzio Clementi. By Charles Jansen. BL g.141.(8.)

16/11/1793 Longman & Broderip Three Sonatas for the Piano Forte, with accompaniments for a violin or ute and violoncello ad libitum. Composed and dedicated to Miss Caroline d’Anvers. By J[ohn] B[aptist] Cramer. BL g.192.(2.)

16/11/1793 Charles Dibdin The Whistling Ploughman. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(34.) and R.M.13.e.8.(40.)

17/11/1793 Stephen Storace Lamentation of Marie Antoinette, late Queen of France, on the Morning of her Execution. Set to music by Stephen Storace. BL G.356.(18.)

17/11/1793 Longman & Broderip The Cottage Swain. A favorite song. Written and composed by a young gentleman. BL G.356.(38.), text begins ‘How happy is yon cottage swain’

19/11/1793 Longman & Broderip Iphigenia in Aulide. A grand pantomime ballet. As performed at the Opera House in the Haymarket. Composed expressively by Monsieur [Krazinski] Millard, composer to the Opera at Paris. Book 1. BL g.230.(10.)

19/11/1793 Longman & Broderip A Sonata for the Grand and Small Piano Forte with additional keys. Composed, and dedicated to Mrs [Margaret] Chinnery, by J[an] L[adislav] Dussek. Op. 24. BL g.146.(3.)

Entries from 1710 to 1810

213

22/11/1793 Charles Dibdin British Bounty or Beauty’s Donation. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(31.)

25/11/1793 Longman & Broderip Ding Dong, Ding Dong. Sung by Signora [Anna Selina] Storace at the Theatre Royal, Haymarket, in Wives in Plenty, or The More the Merrier. Published by permission of G[eorge] Colman Jr, Esq. BL G.249.(40.)

29/11/1793 Joseph Dale A Thirty Second Collection of Catches, Canons and Glees for Three, Four and Five Voices. Most humbly inscribed to the noblemen and gentlemen of the Catch Club at the Thatched House Tavern, St James’s, by their much obliged and devoted servant [Edmund] Thomas Warren. BL R.M.25.g.1.

Charles Dibdin 30/11/1793 The Hare Hunt. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(37.)

30/11/1793 Thomas Augustus Rawlings A Cantata on the Death of the late unfortunate Marie Antoinette, Queen of France. Composed by T[homas] A[ugustus] Rawlings, Jr. The words by a lady. BL G.366.(57.)

30/11/1793 Longman & Broderip Glee a 3 voc. The words by [William] Cowper. Composed by an amateur. BL G.352.(49.), text begins ‘Sweet Stream! that winds through yonder Glade’

30/11/1793 Longman & Broderip Glee a 3 voc. The words by Charlotte Smith. Composed by an amateur. BL G.352.(50.), text begins ‘The Garlands fade that Spring so lately wove’

214

Music Entries at Stationers’ Hall

30/11/1793 Longman & Broderip Musical Medley. Sung by Signora Storace and Mr Bannister Jr at the Theatre Royal, Haymarket in the comedy of Wives in Plenty, or The More the Merrier. BL G.354.(60.)

30/11/1793 Longman & Broderip Whack fal de ral. Sung by Mr [John] Bannister Jr at the Theatre Royal, Haymarket in the comedy of Wives in Plenty, or The More the Merrier. Published by permission of G[eorge] Colman Jr, Esq. BL G.249.(41.)

3/12/1793 Longman & Broderip Iphigenia in Aulide. A grand pantomime ballet. As performed at the Opera House in the Haymarket. Composed expressively by Monsieur [Krazinski] Millard, composer to the Opera at Paris. Book 2. BL g.230.(10.) and h.16.a.(7.)

3/12/1793 Charles Dibdin The Soldier’s Funeral. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(40.) and R.M.13.e.8.(25.)

9/12/1793 Joseph Dale Ouverture de La Caravane [du Caire]. [By André Ernest Modeste Grétry.] BL g.137.(16.)

13/12/1793 Longman & Broderip Hey ho chivey, Hark forward Tantivy. A favorite hunting song. Sung, with universal applause, by Mr [Charles] Incledon at the new Theatre Royal, Covent Garden, etc., etc. Composed by Mr [William] Shield. Written by J[ohn] O’Keeffe, Esq. BL G.249.(25.)

14/12/1793 Charles Dibdin Tom Tackle. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(45.) and H.2821.(3.)

Entries from 1710 to 1810

215

14/12/1793 Bland & Weller The Royal Soldier’s Farewell. A favorite new song. Sung, with universal applause, by Mr [Thomas] Sedgwick at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(6.)

14/12/1793 S. Pach Three Italian Songs for the Harpsichord or Piano Forte, with accompaniments. Composed, and respectfully dedicated to Miss Teresa Butler, by S. Pach. BL G.198.(7.)

14/12/1793 Frederick Augustus Hyde The Tint on the Cheek of my Love. Written by the Honourable C. J. Carey. The music by Mr [Charles] Thomas Carter. BL G.364.(15.)

21/12/1793 Charles Dibdin No good without an exception. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(41.)

28/12/1793 Charles Dibdin Father and Mother and Suke. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(36.)

4/1/1794 Charles Dibdin Jack’s Fidelity. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(32.) and R.M.13.e.8.(67.)

J. Wragg Supplement to J. Wragg’s Flute Preceptor.

8/1/1794

216

Music Entries at Stationers’ Hall

8/1/1794 Longman & Broderip Longman & Broderip’s Collection of Original Music for the Grand and Small Piano Forte. No. 5. BL BL h.925.x.(9.)

11/1/1794 Charles Dibdin The Jolly Ringers. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(35.)

13/1/1794 William Forster A Favorite Overture in all its parts. Composed by Giuseppe [i.e., Joseph] Haydn of Vienna, and published by his authority. BL R.M.17.e.2.(6.)

13/1/1794 William Forster Three Sonatas for the Harpsichord or Piano Forte with an accompaniment for a violin and violoncello. Composed by Giuseppe [i.e., Joseph] Haydn of Vienna. Op. 40. BL g.161.j.(1.) and h.1203.a.(2.)

13/1/1794 William Forster Three Sonatas for the Harpsichord or Piano Forte with an accompaniment for a violin and violoncello. Composed by Giuseppe [i.e., Joseph] Haydn of Vienna. Op. 42. BL g.161.j.(2.)

15/1/1794 Bland & Weller Go Pearly Tear. A favorite song for the harp, harpsichord or piano forte, with an accompaniment for a ute or violin. Composed by Mr [James] Hook. BL G.365.(6.) and H.1651.c.(9.)

17/1/1794 Longman & Broderip The Siege of Valenciennes. For a military band. Composed, and humbly dedicated to His Royal Highness the Duke of York, by M[atthew] P[eter] King. BL g.133.(31.)

Entries from 1710 to 1810

217

18/1/1794 Charles Dibdin The Watchman. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(29.)

18/1/1794 George Thomson Three Grand Sonatas for the Piano Forte or Harpsichord, in which are introduced, for the subject of the adagios and last movement, select Scot[t]ish airs, with accompaniments for a violin and violoncello. Composed by Ignace Pleyel. Second Set. BL g.161.h.(2.)

24/1/1794 Karl Kambra Three Sonatas for Piano Forte or Harpsichord, with an accompaniment for a violin ad libitum. Composed, and by permission humbly dedicated to the Right Honorable the Countess of Newburgh, by K[arl] Kambra. BL g.188.(9.)

Charles Dibdin 25/1/1794 The Merry Archers. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(33.)

28/1/1794 Longman & Broderip When thou art absent, charming Maid. A favorite song. Written for, and sung by, Mr [Charles] Incledon in Love in a Village, at the new Theatre Royal, Covent Garden. Composed by W[illiam] Shield. BL G.249.(23.)

1/2/1794 Charles Dibdin Taffy and the Birds. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(30.)

218

Music Entries at Stationers’ Hall

4/2/1794 Longman & Broderip Loyal stanzas. On a Dove ’lighting on Her Royal Highness the Princess Elizabeth at Covent Garden Theatre in the pantomime of Mother Shipton. By William Swords, late of that theatre. BL G.249.(26.), text begins ‘Peace gentle Maid’

4/2/1794 Longman & Broderip O Memory, thou fond Deceiver. A favorite song, with an accompaniment for the piano forte or harp. Composed by Miss [Harriett] Abrams. BL G.361.(4.) and H.2821.(24.)

4/2/1794 Longman & Broderip Ah well a day. A favorite song. The music by W[illiam] G[ardiner] of Le[ice]ster. BL G.356.(5.) and H.2821.(2.)

4/2/1794 Longman & Broderip Oh my Love, lov’st thou me? A favourite duett. As sung, with great applause, at the Vocal Concerts. BL G.354.(53.)

5/2/1794 Longman & Broderip Three Sonatas for the Grand and Small Piano Forte, with an accompaniment for the ute, oboe or violin. Dedicated by permission to Miss Maria May, and composed by Charles Frederick Horn, music master to the Royal Family. Bodleian Mus.Instr. I,125(3)

8/2/1794 Longman & Broderip Longman & Broderip’s Collection of Original Music for the Grand and Small Piano Forte. Nos. 6 and 7. BL h.925.x.(9.)

8/2/1794 Charles Dibdin Tack and Half Tack. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(43.)

Entries from 1710 to 1810

219

10/2/1794 John Marsh An Overture and Eight Sonatinas for the Piano Forte, with accompaniments for a violin and violoncello. Composed by J[ohn] Marsh Esq. Dedicated to the Right Honourable Lady Louisa Le[n]nox. BL g.161.b.(10.)

13/2/1794 Edward Smith Biggs My Love to War is going. A song with an accompaniment for the piano forte. [By Edward Smith Biggs.] BL G.356.(55.)

14/2/1794 Longman & Broderip Death of Hebe, with accompaniments by Mr Samuel Webbe. As sung by Mr [Samuel] Harrison at the Vocal Concerts, Willis’s Rooms. BL G.365.(37.) and H.2821.(22.)

15/2/1794 Zerubabbel Wyvill 1793. The Berkshire March, in 8 parts. Composed for the Berkshire Militia at the desire of the Right Honourable the Earl of Radnor, by his obedient servant Z[erubabbel] Wyvill, Bray, near Maidenhead, Berks., harpsichord and singing master. BL g.133.(64.)

James Worgan The Royalist’s New March. Composed by J[ames] Worgan. BL g.133.(66.)

15/2/1794

15/2/1794 Charles Dibdin The Village Wedding. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(42.)

17/2/1794 W. T. Ofey The British Tar, or Peace and Loyalty. A favorite sea song. As sung in public with universal applause. Written and composed by a young gentleman. BL G.376.(50.), text begins ‘What toils attend a sailor’s life’

220

Music Entries at Stationers’ Hall

18/2/1794 Karl Kambra Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin and violoncello ad libitum. Composed and (by permission) humbly dedicated to the Right Honourable the Countess of Aylesbury. Op. 1. By K[arl] Kambra. BL h.116.(2.)

20/2/1794 Joseph Dale My Grandmother. A musical entertainment. As performed at the Theatres Royal, Haymarket and Drury Lane. The music composed by Stephen Storace. BL D.288.(5.)

21/2/1794 Preston & Son The Purse, or Benevolent Tar. A musical entertainment. As performed at the Theatre Royal, Haymarket. The poetry by J[ohn] C[artwright] Cross. The music by William Reeve. BL D.286.(7.)

21/2/1794 Benjamin Blake Six Sonatas for the Piano Forte, with an accompaniment for a violin. Composed, and most humbly inscribed to Lady Kent, by Benjamin Blake, musician in ordinary to His Majesty. BL g.144.(1.)

22/2/1794 Longman & Broderip Donne Donne. A favorite song. Sung by Signor [Giovanni] Morelli in the comic opera of I Contadini Bizzari. Composed by Signor [Carlo] Pozzi. BL G.199.(27.)

22/2/1794 S. Pach Three Songs for the Harpsichord or Piano Forte with Accompaniments. Composed by S. Pach. BL G.357.(9.)

Entries from 1710 to 1810

221

22/2/1794 Charles Dibdin The Power of Music. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(28.)

26/2/1794 Longman & Broderip The Additional Song, Duett and Trio in The Mariners. Composed by Thomas Attwood. BL H.129.(4.)

The Author Six Sonnets, with an accompaniment for the piano forte or harp. BL G.356.(2.)

27/2/1794

5/3/1794 Karl Kambra A New favorite Dance by Mademoiselle [Janet] Hilligsberg at the King’s Theatre, Haymarket in the opera of I Contadini Bizzarri. Composed, and adapted for the piano forte, and humbly dedicated to Mademoiselle La Comtesse Ernestine de Starhemberg, Op. 5, by K[arl] Kambra. BL H.1601.e.(20.)

7/3/1794 Longman & Broderip Church, King and Old England for ever. A favorite constitutional song. The music by R[obert] Hudson, M[us]. B[ac]., of His Majesty’s Royal Chapel and St Pauls Cathedral. BL G.376.(21.)

7/3/1794 Longman & Broderip The waefu’ Heart. As sung by Master [William] Knyvett at the Vocal Concerts, Willis’s Rooms, 1794. BL G.356.(8.) and H.2821.(25.), text begins ‘Gen living worth cou’d win my heart’

222

Music Entries at Stationers’ Hall

8/3/1794 William Carnaby Six Canzonetts for Two Voices. The words taken from [William] Shenstone and set to music by William Carnaby, late of His Majesty’s Chapel Royal, now organist of Huntingdon. BL E.270.(6.)

10/3/1794 Joseph Dale Three Grand Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello, in which are introduced, for the subjects of the adagios and last movements, select Scotch Airs and favorite pieces. Composed by Ignace Pleyel. BL g.161.h.(3.)

Bland & Weller Three Duetts for Two Violins. Composed by A[nton] Radiger. Op. 4. BL g.218.(10.)

10/3/1794

13/3/1794 Joseph Dale The New Mariners. A favorite glee for three voices. As originally sung at Messrs Harrison and Knyvett’s Vocal Concerts, and introduced in the new opera of The Travellers in Switzerland. Composed by J[ohn] W[all] Callcott, Mus. Bac. Oxon. BL D.401.(1.), text begins ‘You gentlemen of England’

17/3/1794 Longman & Broderip The Travellers in Switzerland. A comic opera. As performed at the Theatre Royal, Covent Garden. Selected and composed by William Shield, musician in ordinary to His Majesty. The words by Mr Bate Dudley. BL D.284.(4.)

18/3/1794 Joseph Dale You Gentlemen of England. A favorite song, taken from the celebrated glee of The New Mariners. Sung at Harrison and Knyvett’s Concerts, and in the new opera of The Travellers in Switzerland. Composed by J[ohn] W[all] Callcott, Mus. Bac. Oxon. BL G.364.(11.)

Entries from 1710 to 1810

223

19/3/1794 Longman & Broderip The Market Lass. Sung by Mrs [William] Reeve at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3e.)

19/3/1794 Longman & Broderip The Lavender Girl. Sung by Mrs [William] Reeve at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3h.)

19/3/1794 Longman & Broderip The Goddess of the Silver Stream. Sung by Mrs [William] Reeve at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3g.)

20/3/1794 Joseph Dale Never till now. A favourite glee for four voices. As sung, with the greatest applause, at Harrison and Knyvett’s Vocal Concerts, Willis’s Rooms. Harmonized by Mr [Samuel] Harrison. BL D.400.(5.)

20/3/1794 Joseph Dale Lullaby. A favourite glee for four voices. As sung, with the greatest applause, at Harrison and Knyvett’s Vocal Concerts, Willis’s Rooms. Harmonized by Mr [Samuel] Harrison. BL D.400.(4.)

20/3/1794 Joseph Dale Donald. A favourite song. As sung by Mrs [Ann] Harrison, at Harrison and Knyvett’s Vocal Concerts, Willis’s Rooms, with new instrumental accompaniments. Composed by Mr [Samuel] Harrison. BL G.364.(25.)

224

Music Entries at Stationers’ Hall

20/3/1794 John Parsons The Elements of Music with Progressive Practical Lessons for the Harpsichord or Piano Forte. Dedicated to the Right Honourable Lady Charlotte Campbell. By John Parsons, professor of music. BL g.303.(8.)

21/3/1794 Longman & Broderip The Celebrated Opera Dances for the Year 1794. As performed at the King’s Theatre, Haymarket. Composed, and adapted for the piano forte, violin or ute, by M. [Krazinski] Millard. Book 1. BL g.230.(11.)

21/3/1794 Frederick Augustus Hyde The Gentle Shepherdess. Written by Mr Cunningham. Composed and sung by Master [Thomas] Welsh at the Academy of Ancient Music. BL G.365.(43.)

24/3/1794 Preston & Son Come ye rural Nymphs and Swains. A favorite round for 3 voices. Sung, with the greatest applause, at Harrison and Knyvett’s Vocal Concerts. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL G.352.(2.)

25/3/1794 Preston & Son Let’s banish Strife and Sorrow. A favorite round. Sung, with the greatest applause, at Harrison and Knyvett’s Vocal Concerts. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL G.352.(3.)

27/3/1794 Longman & Broderip The Vestry Dinner. Sung by Mr Masters at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3c.)

Entries from 1710 to 1810

225

27/3/1794 Longman & Broderip My Journey is Love. Sung by Mr [Thomas Brabazon] Gray at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3d.)

27/3/1794 Longman & Broderip The Huntsman’s Rhapsody, or the Delights of the Field. Sung by Mr [Thomas Brabazon] Gray at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3f.)

27/3/1794 The Author The Grove. A favorite song and duett. Composed by Sir Samuel Egerton Leigh. Properly adapted to the voice, harp, harpsichord, ute and guitar. BL G.354.(22.)

28/3/1794 Longman & Broderip Trois Sonates pour le Piano-Forte avec accompangements d’une violon et d’une basse. Composée, et dédiée à Mademoiselle Louisa Frith, par Louis von Esch. Op. 13. BL h.284.(24.)

28/3/1794 Preston & Son Come let us all a Maying go. A favorite glee. Sung with the greatest applause at Harrison and Knyvett’s Vocal Concerts. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL G.353.(1.)

31/3/1794 Longman & Broderip Knowing Joe and the Shew Folk. Sung by Mr Masters at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3b.)

31/3/1794 Longman & Broderip Ben Block, or the Sailor’s Friend. Sung by Mr Masters at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3.)

226

Music Entries at Stationers’ Hall

31/3/1794 Longman & Broderip The Antiquity of Bulls. Sung by Mr Masters at the Lyceum. Composed by Mr [William] Reeve for his new entertainment called Mirth’s Museum. BL G.367.(3a.)

Longman & Broderip A Scotch Reel with Variations. Composed by Mr Twiss. BL g.139.(44.)

31/3/1794

Longman & Broderip 2/4/1794 A Favorite Collection of twenty four elegant Country Dances with their Figures, as danced by nobility and gentry at court, Bath and all polite assemblies. For the piano forte, harp and violin. By L[ouis] Jansen. BL b.54.(7.)

4/4/1794 Richard John Samuel Stevens When the Toil of Day is o’er. A favorite glee for four voices. As performed, with the greatest applause, at Messrs Harrison and Knyvett’s Vocal Concerts, Willis’s Rooms. Set to music by R[ichard] J[ohn] S[amuel] Stevens. BL D.401.(9.)

4/4/1794 Longman & Broderip Longman & Broderip’s Collection of Original Music for the Grand and Small Piano Forte. No. 8. BL h.925.x.(9.)

4/4/1794 Longman & Broderip A Grand Duett for two Performers on the Piano Forte with addtitional keys. Composed by M[atthew] P[eter] King. Op. 8. BL h.116.(16.)

10/4/1794 John Danby My Heart is ev’ry Beauty’s Prey. A favorite song. As sung by Master [William] Knyvett at Messrs Harrison and Knyvett’s concerts. Composed by J[ohn] Danby. BL G.361.(51.)

Entries from 1710 to 1810

227

14/4/1794 Longman & Broderip 12 Canzonetti a Due Voci in Canone. Poesia dell Abate [Pietro] Metastasio. Musica del Dottor Carlo [i.e., Dr Charles] Burney. BL E.601.d.(4.)

14/4/1794 Longman & Broderip Satan’s Visit to the Jacobin Club of Britannia Triumphant. A new loyal and constitutional song. Written by Edward Nairne of Sandwich, Kent, and humbly inscribed to every true Briton and well wishers to his Country. BL G.376.(57.), text begins ‘To old Satan in Hell’

15/4/1794 Joseph Dale Lullaby avec Variations pour la Harpe. Par J[oseph] Elouis, maître de harpe de S. A. R. le Prince Edouard d’Angleterre. BL g.301.(8.)

15/4/1794 Joseph Dale Anna. A favortite glee, for Four Voices. As sung, with the greatest applause, at Harrison and Knyvett’s vocal concerts, Willis’s Rooms. Harmonized by Mr [William] Knyvett Jr. BL D.400.(6.)

16/4/1794 Longman & Broderip Julia, from Sterne. The air adapted and composed by an amateur. The bass by H. B. Schroeder. BL G.365.(9.)

16/4/1794 Henry Denman A Favorite Sonata for the Piano Forte or Harpsichord. Composed by Henry Denman. BL g.143.(6.)

16/4/1794 Rothe Nugent Six French Romances, and one Italian Arietta, for the Harpsichord or Piano Forte, with an accompaniment for the violin to the Italian arietta. Set to music by Mr Rothe Nugent, and dedicated to Her Royal Highness the Dutchess of York. BL H.1678.(52.)

228

Music Entries at Stationers’ Hall

19/4/1794 Longman & Broderip Peace to the Souls of the Heroes. Composed and adapted for a single voice, with accompaniments for the piano forte by J[ohn] W[all] Callcott, Mus. Bac. Oxon. BL G.364.(13.)

19/4/1794 Joseph Dale Maria. A favorite glee for four voices. As sung, with the greatest applause, at Harrison and Knyvett’s vocal concerts, Willis’ Rooms. Composed by Samuel Webbe. The words by Mr Robinson. BL D.402.(35.)

19/4/1794 Joseph Dale Goddess of the Chearful Smile. A favorite glee for four voices. As sung, with the greatest applause, at Harrison and Knyvett’s vocal concerts, Willis’ Rooms. Composed by Samuel Webbe. BL D.402.(34.)

23/4/1794 Preston & Son Six Sonatas for the Piano Forte, with an accompaniment for a violin. Composed by T[ommaso] Giordani. Op. 35. BL g.144.(4.)

26/4/1794 Longman & Broderip Three Easy Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin. Composed by Mr [I.] Fantini. Op. 6. BL g.144.(3.)

2/5/1794 John Christian Fischer An Old Favorite Air, Dulce Domum, with the Variations. As composed and performed by J[ohn] C[hristian] Fischer, musician to Their Majesties. Adapted for the harpsichord or piano forte by J[ohn] B[aptist] Cramer. BL g.139.(14.) and H.2821.(6.)

Entries from 1710 to 1810

229

5/5/1794 Longman & Broderip A Duetto for the Harp and Piano Forte or Two Piano Fortes (one with additional keys), as performed at Mr [John Peter] Salomon’s Concert, Hanover Square. Composed by J[an] L[adislav] Dussek. Op. 26. BL g.192.a.(4.)

5/5/1794 Joseph Dale My Grandmother. A musical entertainment. As performed at the Theatre Royal, Drury Lane. Adapted for the German ute. Composed by Stephen Storace. BL B.386.a.(6.)

10/5/1794 The Author Six Favorite New Songs, with an accompaniment for the piano forte or harpsichord. Composed by R[ichard] Chapman. Op. 2. BL D.392.(3.)

William Parsons A ballad. By Dr [William] Parsons. BL G.366.(48.), text begins ‘A Scholar
rst my love implor’d’

12/5/1794

13/5/1794 John Garth Thirty Collects set to music, and most respectfully dedicated to the Honourable and Right Reverend the Lord Bishop of Durham. By John Garth. BL B.453 and B.1170.uu.(8.)

15/5/1794 Peter Lee William and Mary. Two favorite rondos, with an accompaniment for a violin or German ute. Sung with great applause. Written and composed by Peter Lee. BL G.366.(28.)

15/5/1794 Joseph Dale My Lodging is on the cold Ground. Sung by Mrs [Ann] Harrison, at Harrison & Knyvett’s Vocal Concert, with new accompaniments by Mr [Samuel] Harrison. BL G.364.(26.)

230

Music Entries at Stationers’ Hall

17/5/1794 Philip Hayes When Sappho tun’d the raptur’d Strain. Sung by Mr Webb[e] [of Oxford] in the concert for the New Musical Fund at the King’s Theatre, Haymarket. Written by Dr [Tobias] Smollet[t]. Set to music by Dr [Philip] Hayes. BL G.366.(10.)

20/5/1794 The Author Sonata for the Piano-Forte or Harpsichord. Composed and dedicated to J[oseph] Haydn, M[us]. D[oc]. By Miss [Cecilia Maria] Barthelemon. Op. 3. BL g.143.(1.)

23/5/1794 Longman & Broderip A Sonata for the Piano Forte with an accompaniment for a violin. Composed by J[an] L[adislav] Dussek. Op. 27. BL g.191.(2.)

23/5/1794 Philip Hayes Hunting Song. Sung by Mr [Charles] Incledon. Written by Mr Jackson, and set to music by Dr [Philip] Hayes. BL G.366.(11.), text begins ‘’Tis true, when
rst the rosy dawn’

23/5/1794 Philip Hayes [Song] sung by Master Slatter. Written by Lord Littleton. Composed by Dr [Philip] Hayes. BL G.366.(13.), text begins ‘When Delia on the plain appears’

23/5/1794 Philip Hayes On an Orange Flow’r put into a Lady’s Bosom. Sung by Master Slatter. Composed by Dr [Philip] Hayes. BL G.366.(12.)

27/5/1794 Bland & Weller A Collection of Favorite Songs, sung by Mr Dignum, Mr Taylor, Mrs Franklin, Miss Milne, Master Phelps and Mrs Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. Book 1. BL G.379.(3.)

Entries from 1710 to 1810

231

28/5/1794 Bland & Weller I sigh for the Girl I adore. A favorite song. Sung by Master [Edmund] Phelps, with universal applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(26.)

29/5/1794 Bland & Weller The Model. A favorite song. Sung, with universal applause, by Mr [Charles] Dignum at Vauxhall Gardens. Written by Miles Peter Andrews, Esq. Composed by Mr [James] Hook. BL H.1651.a.(30.)

29/5/1794 Bland & Weller I never lov’d any, dear Mary, but you. A favorite song. Sung, with universal applause, by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(29.)

29/5/1794 Joseph Dale Hail, happy Warbler. Sung by Mrs [Ann] Harrison, with the greatest applause, at the Vocal Concerts, and at Cambridge, Derby and Liverpool Musical Festivals. Composed by Mr [Samuel] Harrison. BL G.364.(27.)

30/5/1794 The Author Carline. A pastoral elegy, written on the death of a young lady by R[obert] C[harles] Dallas, Esq., and set to music, consisting of an overtune, airs, duetts and chorusses in score. Most respectfully inscribed to the Right Honourable Henry, Earl of Exeter. By S. Pach. Op. 6. BL G.350.(2.)

2/6/1794 Bland & Weller British Loyalty, or King, Lords, and Commons. A favorite song, sung at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(25.)

232

Music Entries at Stationers’ Hall

2/6/1794 Bland & Weller Why is Love so past de
ning. A favorite glee, for four voices. Sung, with universal applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.353.(19.) and H.1651.c.(57.)

2/6/1794 Bland & Weller Lucy Gray of Allendale. A favorite song. Sung by Master [Edmund] Phelps at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(27.)

3/6/1794 Charles Dibdin Song. Written and composed by Mr [Charles] Dibdin, and performed at the Theatre Royal, Covent Garden, in honour of His Majesty’s birthday, June 4th, 1794. BL G.368.(8*.), text begins ‘Come ye who from your Souls’

3/6/1794 Longman & Broderip Three Sonatas for the Piano Forte. By Muzio Clementi, and dedicated to his pupil, Miss Theresa Jansen. BL g.146.(1.)

3/6/1794 Longman & Broderip Trois Trios Concertants pour le Piano-Forte, Violino et Violoncello. Composée, et dédiée à Mademoiselle Josephine de Jacobi, par G[iacomo] G[otifredo] Ferrari. Op. 11. BL g.161.(2.)

9/6/1794 The Author Ten Easy Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin. N.B. Useful preludes are pre
xed to the sonatas. Composed, and dedicated to Miss Sophia Hull and Miss H. D. Hollamby, by Matthew Camidge. BL g.188.(3.)

Entries from 1710 to 1810

233

9/6/1794 The Author Instructions for the Piano Forte or Harpsichord, and Eight Sonatinas, with an accompaniment for a violin. Fingered, and composed expressly for the use of young practioners. To which is added useful preludes, with an explanation of the Italian words used in music. Dedicated to Miss Alice Watson Hull. By Matthew Camidge. BL g.303.(2.)

9/6/1794 The Author A First and Second Sett of Easy Preludes for the Piano Forte. Fingered and composed by Matthew Camidge. BL g.303.(4.)

10/6/1794 John Philip Kemble Songs in Lodoiska. A musical romance in three acts. Performed for the
rst time by His Majesty’s Servants at the Theatre Royal, Drury Lane on Monday, June 9th, 1794. The music composed and selected from [Luigi] Cherubini, [Rudolph] Kreutzer, and [Gaetano] Andreozzi by Mr [Stephen] Storace. BL 643.f.2.(6.)

John Danby The Merry Peal. A favorite song. Composed by John Danby. BL G.361.(50.)

11/6/1794

The Author The Circle. A favorite song. Composed by John Mackerrell. BL G.366.(26.)

12/6/1794

17/6/1794 Philip Hayes Blest as th’immortal Gods is he. From an ode of Sappho by Ambrose Phillips. Sung by Mr Webb[e] [of Oxford]. Set to music by Dr [Philip] Hayes. BL G.366.(11.)

17/6/1794 Bland & Weller Muirland Willy. A favorite song. Sung by Mrs Franklin at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(44.)

234

Music Entries at Stationers’ Hall

19/6/1794 The Author A Selection of Scots Songs. Harmonized, improved with simple and adapted graces. Most respectfully dedicated to the Right Honourable Lady Catherine Douglas by Peter Urbani, professor of music. Book 2. BL G.372.(1.)

20/6/1794 William Parsons The Court Minuets for His Majesty’s Birth Day, 1794. Dedicated by permission to Their Royal Highnesses the Princesses, by their most obedient and devoted servant, William Parsons. BL b.54.(10.)

21/6/1794 Bland & Weller Hark the Martial Fife and Drum. A favorite new song. Sung by Mrs [Rosemond] Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(33.)

26/6/1794 Bland & Weller Britons struck Home, led the Way by Lord Howe. A favorite song. Sung, with universal applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(28.)

27/6/1794 Joseph Dale [Joseph] Dale’s Collection of Sixty Favorite Scotch Songs, adapted for the voice and piano forte or harpsichord, with a thorough bass. Carefully revised. Taken from the original manuscripts of the most celebrated Scotch authors and composers. Book 1. Bodleian Mus. 5n c.77 (2), v.1

27/6/1794 Joseph Dale [Muzio] Clementi’s Grand Sonata for the Piano Forte or Harpsichord with new accompaniments, an additional movement and alterations. As now performed and revised by the author. Op. 31. BL h.319.(1*.)

Entries from 1710 to 1810

235

28/6/1794 Joseph Dale Io! Triumphe! Extempore Stanzas, addressed to Admiral Earl [Richard] Howe on his glorious Victory, June 1st, 1794. Composed by Mr [Ambrose] Pitman. BL G.376.(29.)

2/7/1794 Bland & Weller With Hounds and Horns in Chorus. A much admired hunting glee. Sung, with greatest applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.353.(18.) and H.1651.c.(58.)

2/7/1794 Bland & Weller True Friendship’s the Cordial of Love. A favorite Bacchanallian song. Sung, with universal applause, by Mr Millward at the Crown & Anchor. The music by J. A. Parrin. BL G.366.(45.)

3/7/1794 The Author Twenty-four Progressive Divertimentos and Seven Preludes for the Piano Forte or Harpsichord. Composed, and dedicated to Mrs Olier, by J[ohn] G[eorge] Graeff. Op. 7. BL g.132.(6.)

8/7/1794 Joseph Dale Lochaber. A favorite glee. As sung, with the greatest applause, at Harrison and Knyvett’s Vocal Concerts. Harmonized by Mr [William] Knyvett Jr. BL D.400.(7.)

9/7/1794 The Author Delia’s Birth Day. A favorite rondo. Sung, with universal applause, at the principal concerts. Composed by W. P. R. Cope, organist of St Saviour’s, Southwark. BL G.361.(44.)

236

Music Entries at Stationers’ Hall

9/7/1794 Preston & Son The Favorite Songs sung at Vauxhall Gardens by Mrs Mountain, Mrs Franklin, Miss Milne, Master Phelps, Mr Taylor and Mr Dignum. Composed by Mr [James] Hook. Book 2. BL G.379.(4.)

9/7/1794 The Author Two Italian Cantatas. Dedicated (by permission) to Miss [A.] Stephens. Composed by D. Francesco Cipolla, Neapolitan professor of music. Op. 1. BL E.241

10/7/1794 Joseph Dale [Muzio] Clementi’s Grand Sonata for the Piano Forte or Harpsichord with new accompaniments, an additional movement and alterations. As now performed and revised by the author. Op. 30. BL h.319.(1.) and H.2815.(5.)

10/7/1794 Bland & Weller Two Favorite New Marches. 1st. The Valenciennes March. 2nd. Lord Moira’s March. For the piano forte or harpsichord. Composed by K[arl] Kambra. BL g.133.(27.)

12/7/1794 Longman & Broderip Twelve Military Marches, Six Slow and Six Quick. For two clarinets, two French horns and a bassoon, with a trumpet ad libitum. Composed, and humbly dedicated to the Royal Family, by M. Miller [presumably Krazinski Millard]. BL b.81

19/7/1794 John Parsons Howe’s Triumph. The Words by B. Wilson. Set to music by J[ohn] Parsons. BL G.366.(49.)

Entries from 1710 to 1810

237

21/7/1794 Joseph Dale [Joseph] Dale’s Collection of Sixty Favorite Scotch Songs, adapted for the voice and piano forte or harpsichord, with a thorough bass. Carefully revised. Taken from the original manuscripts of the most celebrated Scotch authors and composers. Book 2. Bodleian Mus. 5n c.77 (2), v.2

22/7/1794 Longman & Broderip Victory. The words by Mr Robinson. The music composed by J[ohn] Bailey. BL G.376.(5.)

22/7/1794 Longman & Broderip The Celebrated March in the grand pantomime ballet of Iphigenia in Aulide. As performed at the King’s Theatre in the Haymarket. Composed for a full band and adapted for the piano forte by M. Miller [i.e., Krazinski Millard]. BL g.133.(46.)

25/7/1794 The Author Improved Psalmody. Vol. 1. Containing the
rst twenty-
ve psalms. From a poetical version originally written by the late Reverend James Merrick, A.M., fellow of Trinity College, Oxford. Divided into stanzas for the purpose of public and private devotion, with new music collected from the most eminent composers, by the Reverend William Dechair Tattersall, A.M., late student of Christ Church, Oxford, rector of Westbourne, Sussex, vicar of Wotton under Edge, Gloucestershire, and chaplain to the Honourable Mr Justice Buller. Dedicated, with permission, to the king. BL C.481

26/7/1794 Bland & Weller Come buy my Water Cresses. A favorite song. Sung by Master [Edmund] Phelps at Vauxhall [Gardens]. Composed by Mr [James] Hook. BL H.1651.c.(29.)

31/7/1794 Longman & Broderip Plain and Easy Instructions for Young Performers on the Piano Forte or Harpsichord. To which are added Twelve Progressive Lessons, calculated to form the hand and
ngered according to the practice of the most eminent masters. Composed by Robert Broderip. BL g.303.(1.)

238

Music Entries at Stationers’ Hall

8/8/1794 Preston & Son Auld Robin Gray. A pastoral entertainment. As performed, with universal applause, at the Theatre Royal, Haymarket. Written by Samuel [James] Arnold, Jr. The music, with a Scottish overture, selected and composed by Dr [Samuel] Arnold, organist and composer to His Majesty. BL D.285.(1.)

11/8/1794 The Author Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin. Dedicated (by permission) to Lady Acland. Composed by Charles Wood, music master, Bridgwater. BL g.188.(12.)

13/8/1794 Bland & Weller The Cottage in the Grove. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(17.)

Bland & Weller 13/8/1794 Tom Careless. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Written by Edward Topham, Esq. Composed by Mr [James] Hook. BL H.1651.a.(22.)

21/8/1794 Bland & Weller Poor Annette, the Savoyard. A favorite song. Sung by Miss Milne at Vauxhall Gardens. [Composed by James Hook.] BL H.1651.a.(24.)

22/8/1794 Bland & Weller Tell the Maid I love her. A favorite song. Sung by Mr Taylor at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(27.)

Entries from 1710 to 1810

239

22/8/1794 Bland & Weller Adieu to Delight. A favorite song. Sung by Mr Taylor at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(28.)

23/8/1794 John Casson Rule Britannia. A favorite song. Composed by the late Dr [Thomas Augustine] Arne, with variations for the piano forte or harpsichord by J[ohn] Casson. BL g.139.(9.)

1/9/1794 Bland & Weller Sweet Girl Adieu, ’tis Glory calls afar. A favorite dialogue. Sung by Mr [Charles] Dignum and Mrs Franklin at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.354.(16.) and H.1651.a.(23.)

The Author The Leeds Volunteer’s March. Composed by D. Lawton. BL g.133.(35.)

3/9/1794

5/9/1794 James Mathews Howe and the Glorious First of June. A new song. Written by Earl Mulgrave. The air composed, and (with permission) most respectfully dedicated to Lady Lomon, by her Ladyship’s humble servant, J[ames] Mathews. BL G.376.(25.)

5/9/1794 Bland & Weller For thee my Fair I’ll brave the Field. A favorite dialogue and duett. Sung, with universal applause, by Master [Edmund] Phelps and Mrs [Rosemond] Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.354.(19.)

6/9/1794 Joseph Dale No more his Fears alarming. A favorite song. Sung by Signora [Anna Selina] Storace in The Pirates. Composed by Stephen Storace. BL G.250.(67.)

240

Music Entries at Stationers’ Hall

6/9/1794 Joseph Dale Lovers who listen to Reason’s persuasion. A favorite song. Sung by Signora [Anna Selina] Storace in The Pirates. Composed by Stephen Storace. BL G.250.(66.)

6/9/1794 Joseph Dale The Jealous Don. A favorite duett. Sung by Mr [John] Bannister and Signora [Anna Selina] Storace in The Pirates. Composed by Stephen Storace. BL G.354.(42.)

6/9/1794 Joseph Dale Careful the Winding Path explore. A favorite song. Sung by Miss [Maria Theresa] De Camp in The Pirates. Composed by Stephen Storace. BL G.250.(63.)

11/9/1794 Preston & Son The Apparition. A musical entertainment. Performed at the Theatre Royal, Haymarket. Written by J[ohn] C[artwright] Cross. Set to music Mr [William] Reeve. BL D.286.(6.)

Joseph Dale Overture to Lodoiska. BL e.104.(19.)

18/9/1794

24/9/1794 Longman & Broderip Three Duos Concertant for Two German Flutes. Composed by J[ohn] B[aptiste] Mayer. Op. 5. BL g.225.(6.)

Joseph Dale 26/9/1794 Lodoiska. A musical romance in three acts. As performed at the Theatre Royal, Drury Lane. The music composed and selected by S[tephen] Storace. Bodleian Mus. Voc. I, 105 (10)

Entries from 1710 to 1810

241

27/9/1794 Joseph Dale The Favorite Airs, Duett, Glees and Chorusses in the new musical entertainment, called The Glorious First of June. As performed, with universal applause, for the
rst time, at the Theatre Royal, Drury Lane, on Wednesday July 2nd, 1794, for the bene
t of the widows and orphans of the brave men who fell in the late engagements under Earl Howe. The music composed and selected by S[tephen] Storace. BL D.288.(6.)

29/9/1794 W. P. R. Cope The Gallant Soldier. A favorite song. Sung by Mr [John] Pilbrow, at the Spa Gardens, Bermondsey. Written and composed by H[enry] F[rancis] Ofey. BL G.367.(36.)

29/9/1794 Joseph Dale He lives but to Conquer and Conquers to save. A favorite song. Sung by Mr [Michael] Kelly in The Glorious First of June. Composed by Stephen Storace. BL G.250.(42.)

Joseph Dale 29/9/1794 Lullaby. A favorite air in the opera of The Pirates, composed by S[tephen] Storace, with Variations for the Piano Forte by J[oseph] Dale. BL g.139.(15.)

6/10/1794 Longman & Broderip Three Duos Concertant for Two German Flutes. Composed by J[ohn] B[aptiste] Mayer. Op. 6. BL g.225.(6*.)

9/10/1794 Longman & Broderip Longman & Broderip’s Collection of Original Music for the Grand and Small Piano Forte. No. 9. BL h.925.x.(9.)

9/10/1794 Joseph Dale When ’tis Night. Sung by Master [Thomas] Welsh, in The Glorious First of June. BL G.250.(44.)

242

Music Entries at Stationers’ Hall

10/10/1794 The Author Archer’s Glee, for four voices. The words by a lady. Upon the Duke of Clarence’s giving a bugle horn to be shot for by the Royal Surrey Bowmen, to whom this glee is respectfully inscribed by their most obedient and most humble servant, R[ichard] J[ohn] S[amuel] Stevens. BL D.401.(10.) and E.319.(8.) and Mad.Soc.17.(6.), text begins ‘What shall he have’

10/10/1794 The Author Fairy Glee, for four voices. As performed at Messrs Harrison and Knyvett’s Vocal Concerts. The poetry attributed to [Ben] Johnson. Set to music by R[ichard] J[ohn] S[amuel] Stevens. BL D.401.(11.), text begins ‘From Oberon in fairy land’

W. P. R. Cope Female Advice. A favorite song. Set to music by Charles Lockhart. BL G.366.(30.)

18/10/1794

23/10/1794 Longman & Broderip Longman & Broderip’s Fourth Selection of the Most Favorite Country Dances, Reels, etc., with their proper
gures for the harp, harpsichord and violin. As performed at the Prince of Wales’s, Bath, and other grand balls and assemblies. BL b.55.(6.) and b.63

23/10/1794 Karl Kambra A New Collection of Country Dances and Cotillons for the Piano Forte or Harsichord. Composed by K[arl] Kambra. BL b.54.(9.)

25/10/1794 Charles Dibdin Lovely Nan. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(24.)

Joseph Dale Overture to The Glorious First of June. [By Stephen Storace.] BL e.104.(14.)

29/10/1794

Entries from 1710 to 1810

243

31/10/1794 Samuel Knapton Sunday Hymns. The words by the Rev. William Mason, M. A. The music by Matthew Camidge. BL G.503.(10.)

1/11/1794 Longman & Broderip Netley Abbey. A comic opera. As performed at the Theatre Royal, Covent Garden. Partly selected and partly composed by Mr [Charles Frederick] Baumgarten, Mr W[illiam Thomas] Parke, Signor [Giovanni] Paisiello, Mr [Samuel] Howard and Mr [William] Shield. BL D.287.(4.)

1/11/1794 Charles Dibdin The Telegraphe. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(17.)

3/11/1794 W. P. R. Cope The Turkish Ambassador’s Grand March. Composed, and adapted for the piano forte or harpsichord, by W. P. R. Cope. BL g.133.(9.)

W. P. R. Cope The Slave. BL G.356.(48.), text begins ‘’Tis sev’n long years and more’

3/11/1794

5/11/1794 Joseph Dale Gaffer Gray! A favorite ballad. Written by Mr [Thomas] Holcroft. Composed by Mr [Ambrose] Pitman. BL G.366.(51.)

8/11/1794 Charles Dibdin A Play upon Words. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(30.)

244

Music Entries at Stationers’ Hall

13/11/1794 Joseph Dale There, the Silver’d Waters roam. A favorite song. As sung by Mr [Thomas] Sedgwick in The Pirates. Composed by Stephen Storace. BL G.250.(62.)

15/11/1794 Charles Dibdin The Smile of Benevolence. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(19.) and R.M.13.e.8.(119.)

17/11/1794 Longman & Broderip Trois Sonates pour le Piano-Forte avec accompagnement de violon et violoncello. Composées et dédiées à Son Altesse Madame la Princesse douarière Esterhazy née Hohenfeldt. Par Joseph Haydn, Dr Mus. Op. 70. BL g.161.j.(5.) and g.455.b.(1.)

21/11/1794 Charles Dibdin Tom Truelove’s Knell. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(27.)

24/11/1794 Joseph Dale O’er the vast Surface of the Deep. A favorite song. Sung by Mr [John] Bannister in The Glorious First of June. Composed by Stephen Storace. BL G.250.(41.)

25/11/1794 Joseph Dale The Line was form’d. Sung by Mr [Thomas] Sedgwick in The Glorious First of June. [Composed by Stephen Storace.] BL G.250.(43.)

26/11/1794 Karl Kambra A Favorite Sonata for the Piano Forte or Harpsichord, with an accompaniment for a violin ad libitum. Composed, and by permission humbly dedicated to the Right Honourable the Baroness of Bath, by K[arl] Kambra. Op. 8. BL g.144.(5.)

Entries from 1710 to 1810

245

26/11/1794 John Clarke The Dear Village Maid that I love. As sung, with applause, by Mr [John] Spray at the Triennial Meeting at Worcester. Composed by John Clarke, Bac. Mus., organist of Ludlow. BL G.361.(39.)

26/11/1794 Joseph Dale Oh Stay my Love. A favorite song. As sung by Miss [Elizabeth] Leak in The Glorious First of June. Composed by Stephen Storace. BL G.250.(40.)

26/11/1794 The Author My Jockey is a gentle Youth. Written by Mr John Rannie. The music by Mr [John] Ross, organist of St Paul’s, Aberdeen. BL G.366.(68.)

26/11/1794 The Author While the Moon beams all bright. Written by Mr John Rannie. The music by Mr [John] Ross, organist of St Paul’s, Aberdeen. BL G.366.(74.)

26/11/1794 The Author The Aberdeen Volunteers. Written by Mr Ewen. The music by Mr [John] Ross, organist of St Paul’s, Aberdeen. BL G.366.(67.)

28/11/1794 James Peck Hail Britannia. A glee for three voices. Written, composed and respectfully inscribed to the Worshipful Company of Ironmongers by their obedient servant, James Peck. BL D.402.(23.)

28/11/1794 Charles Dibdin Variety in One. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(18.) and R.M.13.e.8.(116.)

246

Music Entries at Stationers’ Hall

29/11/1794 Longman & Broderip A Second Set of Military Pieces for Two Clarinetts, Two French Horns and a Bassoon, with a trumpet ad libitum. Performed by the band of the Coldstream Regiment of Guards, and dedicated by permission to His Royal Highness the Duke of York. By C[hristian] F[rederick] Eley. BL b.80.

4/12/1794 Joseph Dale Ye Streams that round my Prison creep. A favorite song. Sung by Mrs [Anna Maria] Crouch in the musical romance of Lodoiska. Composed by S[tephen] Storace. BL G.250.(54.)

5/12/1794 George Smart The Grand March, as performed in the pantomime of Hercules and Omphale. Composed by Mr [Christian Frederick] Eley, late master of the band to His Royal Highness the Duke of York. Set for a full military band. Also adapted for the harpsichord. BL g.133.(19.)

6/12/1794 Charles Dibdin Fish out of Water. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(29.) and R.M.13.e.8.(55.)

9/12/1794 W. P. R. Cope A Favorite Sonata for the Harpsichord or Piano Forte. Composed by Charles Lockhart. BL g.141.(22.)

10/12/1794 Stephen Francis Rimbault Ah! Why should Love with Tyrant sway. A favorite rondeau for the piano forte. Sung by Miss Newman at the public concerts. Composed by S[tephen] F[rancis] Rimbault. BL G.364.(42.)

Entries from 1710 to 1810

247

13/12/1794 Charles Dibdin Home’s Home. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(20.)

15/12/1794 Longman & Broderip Sonnet. The Rose that weeps. As sung by Mr [Wright] Bowden, with an accompaniment for a piano forte. The words from Mrs [Ann] Radcliff[e]’s [The] Romance of the Forest. Composed by Reginald Spofforth. BL G.365.(20.)

17/12/1794 Edward Smith Biggs Come my bonny Love. A duett, with an accompaniment for the piano forte. [Composed by Edward Smith Biggs.] BL G.354.(47.)

W. P. R. Cope Prince Ernest’s March. Composed by Charles Lockhart. BL g.133.(38.)

18/12/1794

18/12/1794 W. P. R. Cope La Fleur. A favorite ballad from [Laurence] Sterne. Sung, with unbounded applause, by Mr [Charles] Dignum at the principal concerts. Written and composed by John Moulds. BL G.366.(40.)

18/12/1794 W. P. R. Cope Prince William of Gloster’s March. Composed, and adapted for the piano forte or harpsichord, by W. P. R. Cope. BL g.133.(10.)

19/12/1794 Joseph Dale [Joseph] Dale’s Collection of Sixty Favorite Scotch Songs, adapted for the voice and piano forte or harpsichord, with a thorough bass. Carefully revised. Taken from the original manuscripts of the most celebrated Scotch authors and composers. Book 3. Bodleian Mus. 5n c.77 (2), v.3

248

Music Entries at Stationers’ Hall

20/12/1794 Charles Dibdin Jack Junk. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(28.) and R.M.13.e.8.(62.)

Joseph Dale Preludes. By William Dance. BL g.303.(5*.), incomplete

23/12/1794

Charles Dibdin 27/12/1794 The Sportsman in Style. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(15.)

3/1/1795 Charles Dibdin The Veterans. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(14.)

3/1/1795 William Abington Six Favorite Canzonets for the Piano Forte, with an accompaniment for a violin. Composed, and dedicated by permission to Miss Rush, by William Abington Jr. BL G.358.(1.)

5/1/1795 William Russell A favorite March. Composed for the Guildford Volunteers. By William Russell, organist of Stoke. BL g.133.(51.)

Charles Dibdin 10/1/1795 Clemency. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(22.)

Entries from 1710 to 1810

249

17/1/1795 Charles Dibdin Rambooze. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(11.)

20/1/1795 Longman & Broderip Sweet Nymph tho’ far remov’d. Written by Peter Pindar, Esq. Composed by Mr Twiss. BL G.365.(30.)

20/1/1795 Longman & Broderip Two songs. Written by Miss Alderson. Composed by Mr Twiss. BL G.365.(31.), texts begin ‘My love to war is going’ and ‘Yes, yes, fair friend’

22/1/1795 Zerubabbel Wyvill The Armed Yeoman. A new song. Written by Sir W. Young. The music adapted for the harpsichord by Z[erubabbel] Wyvill, harpsichord and singing master, Bray, near Maidenhead, Berks. BL G.376.(44.)

24/1/1795 Charles Dibdin Buy my Straw. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(13.)

30/1/1795 Bland & Weller Six Sonatas for the Piano Forte or Harpsichord, with an accompaniment for the German ute or violin. Humbly dedicated to the Right Honorable Lady Lydia Turnour. Composed by Mr [James] Hook. Op. 77. BL g.142.(6.)

31/1/1795 Charles Dibdin Scug. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(26.)

250

Music Entries at Stationers’ Hall

7/2/1795 Charles Dibdin The Masquerade. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(23.)

12/2/1795 Joseph Dale The Cherokee. An opera in three acts. Performed at the Theatre Royal, Drury Lane. The music principally composed by Stephen Storace. BL g.142.(6.)

13/2/1795 Joseph Dale Fal lal la! The favorite Welch air. Sung by Mrs [Maria Theresa] Bland in The Cherokee. Arranged and varied for the piano forte by J[an] L[adislav] Dussek. BL g.139.(21.)

14/2/1795 Charles Dibdin The Fortune Teller. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(12.)

17/2/1795 Corri, Dussek & Co. Fal lal la! The favorite Welch air. Sung by Mrs [Maria Theresa] Bland in The Cherokee. Arranged and varied for the piano forte by J[an] L[adislav] Dussek. BL g.139.(22.)

17/2/1795 Bland & Weller Twelve Favorite Rondos for the Harpsichord or Piano Forte. Dedicated (by permission) to S. A. S. Madame la Princesse Frederic Landgrave de Hesse, née Princesse de Nassau-Usingen. Composed by T. Latour. BL g.140.(41.)

17/2/1795 William Wennington The Conjuror. Written and adapted to music by W[illiam] W[ennington], an amateur. BL G.356.(28.)

Entries from 1710 to 1810

251

21/2/1795 Corri & Co. The Countess of Sutherland’s Scots Reel. Arranged as a rondo for the piano forte or harpsichord by J[an] L[adislav] Dussek. BL g.140.(28.)

21/2/1795 Corri, Dussek & Co. [Giovanni Battista] Viotti’s Favorite Polacca. Sung by Signora [Brigitta] Banti at the King’s Theatre, Haymarket. Arranged as a rondo for the piano forte by J[an] L[adislav] Dussek. BL g.140.(30.)

21/2/1795 Corri, Dussek & Co. Lord Howe’s Favorite Hornpipe. Danced at the Theatre Royal, Drury Lane, on the Commemoration of the 1st June 1794. Arranged as a rondo for the piano forte by J[an] L[adislav] Dussek. BL g.140.(31.)

21/2/1795 Corri, Dussek & Co. The Favorite Hornpipe danced by Madame Del Caro at the King’s Theatre, Haymarket in the cantata of La Vittoria, in commemoration of Lord Howe’s victory on the 1st of June 1794. Arranged as a rondo for the piano forte, and for the violin and ute, by J[an] L[adislav] Dussek. BL g.140.(29.)

21/2/1795 Charles Dibdin Philanthropy. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(25.)

21/2/1795 Corri, Dussek & Co. The much admired Romance in the opera of Lodoiska, sung by Mrs [Anna Maria] Crouch at the Theatre Royal, Drury Lane. Composed by [Rudolph] Kreutzer, and also arranged as a rondo for the piano forte by J[ohn] B[aptist] Cramer. BL g.139.(13.), text begins ‘Adieu! my Fernando’

252

Music Entries at Stationers’ Hall

26/2/1795 Preston & Son The Mysteries of the Castle. A dramatic tale. As performed, with the utmost applause, at the Theatre Royal, Covent Garden. The music selected and composed by Mr [William] Shield. The poetry by M[iles] P[eter] Andrews, Esq. BL D.284.(3.)

28/2/1795 Bland & Weller A Sonata for the Piano Forte or Harpsichord, in which are introduced, for the subjects of the adagio and last movement, The Waefu’ Heart, and The Caledonian Laddy, two favorite Scotch airs. Composed by Mr [John Lewis] Hoeberechts. BL g.143.(8.)

28/2/1795 Joseph Dale Three Grand Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello, in which are introduced, for the subjects for the adagios and last movements, select Scotch airs and favorite pieces. Composed by Ignace Pleyel. Bodleian Harding Mus. L 71 (Bk. 1)

Charles Dibdin 28/2/1795 The Raree Show. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(21.)

6/3/1795 Joseph Dale A Shepherd once had lost his Love. A favorite song. As sung, with great applause, by Mrs [Maria Theresa] Bland at the Theatre Royal, Drury Lane, in The Cherokee. The Words by Mr [James] Cobb. The music composed by Stephen Storace. BL G.250.(36.) and G.798.(47.)

6/3/1795 W. P. R. Cope When Fancy feeds. The much admired song. Introduced and sung by Mr [Charles] Dignum at the Theatre Royal, Drury Lane, in the entertainment of The Sultan. Written by T[homas] Vaughan, Esq. Composed by Mr [John] Moulds. BL G.249.(30.)

Entries from 1710 to 1810

253

9/3/1795 Charles Dibdin Poor Old England. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Great News, or A Trip to the Antipodes. BL G.382.(16.)

9/3/1795 Preston & Son Six Sonatas for the Piano Forte, with an accompaniment for a violin. Dedicated to Miss Shaw. Composed by J[an] L[adislav] Dussek. Op. 28. BL g.191.(3.)

10/3/1795 Joseph Dale Adieu, my Floreski. For ever a favorite romance. As sung by Mrs [Anna Maria] Crouch in Lodoiska. [Composed by Rudolph Kreutzer.] BL G.250.(55.)

10/3/1795 Thomas Augustus Rawlings A Grand Military March in score, adapted for the piano-forte. Composed, and humbly dedicated (by permission) to His Royal Highness Prince William of Gloucester, by T[homas] A[ugustus] Rawlings Jr. As performed by the band of His Royal Highness’s Regiment. BL g.133.(48.)

11/3/1795 Preston & Son The Waiter. A comic song. Sung by Mr [John] Fawcett at the Readings and Music, Freemasons’ Hall. Composed by Mr [William] Reeve. The words by Mr [John Cartwright] Cross. BL G.367.(4.)

12/3/1795 Preston & Son Remember Jack. A favorite sea ballad. Sung by Mr [John] Fawcett at the Readings and Music, Freemasons’ Hall. Composed by Mr [William] Reeve. The words by Mr [John Cartwright] Cross. BL G.367.(6.)

254

Music Entries at Stationers’ Hall

12/3/1795 Preston & Son The Equivalent. A favorite comic song. Sung by Mr [John] Fawcett at the Readings and Music, Freemasons’ Hall. Composed by Mr [William] Reeve. The words by Mr [John Cartwright] Cross. BL G.367.(5.)

13/3/1795 Louis Jansen Three Sonatas for the Piano Forte, with an accompaniment for a violin ad libitum. Composed, and dedicated to Miss Hale, by L[ouis] Jansen. Op. 2. BL g.188.(6.)

18/3/1795 Lewis, Houston & Hyde What tho’ the sable Hours. Glee for four voices. As performed at Messrs Harrison and Knyvett’s Concerts. The words by W. Havard, Esq. Composed by Samuel Webbe. BL G.353.(32.)

18/3/1795 Lewis, Houston & Hyde The loyal Tar, His King he must prefer to Love. Sung by Mr [Thomas] Sedgwick at the Ad Libitum Club. Composed by [Charles] T[homas] Carter. BL G.364.(18.)

19/3/1795 T. Essex Absence. Written by T. Essex. Set to music by Miss [Margaret] Essex, and most respectfully inscribed to Miss Parr. BL G.361.(66.)

19/3/1795 Preston & Son Three Grand Sonatas for the Piano Forte, with an accompaniment for a violin, in which are introduced, for the subjects of the adagios and last movements, favorite Irish airs. Composed, and humbly dedicated to the Right Honourable The Marquis of Donegal, by James Hook. Op. 78. BL g.186.(4.)

Entries from 1710 to 1810

255

20/3/1795 Longman & Broderip Longman & Broderip’s Collection of Original Music for the Grand and Small Piano Forte. No. 10. BL h.925.x.(9.)

[no proprietor named] 20/3/1795 Three Sonatas for the Piano Forte, with or without the additional keys, and an accompaniment for a ute or violin ad libitum. Composed, and inscribed to Mrs Trotter, by Joseph Mazzinghi. BL g.186.(8.)

24/3/1795 Joseph Dale The Overture and Songs etc. in the favorite musical romance of Lodoiska. As performed at the Theatre Royal, Drury Lane. Adapted for the German ute. Composed and selected by S[tephen] Storace. BL c.105.v.(8.)

24/3/1795 W. P. R. Cope A Description of London. Sung by Mr [John] Fawcett, with the greatest applause, at the Theatre Royal, Covent Garden, and at the Music and Readings, Freemasons’ Hall. Composed by Mr [John] Moulds. BL G.249.(31.)

24/3/1795 Vicente Martin y Soler Il riso. A Canone. Performed at the King’s Theatre, Haymarket, in the opera called La Scuola Dei Maritati. Composed by Signor V[icente] Martini [i.e., Martin y Soler]. BL G.352.(29.),text begins ‘Vadasi via di qua’

24/3/1795 Vicente Martin y Soler Polacca. La Donna ha dolce il core. As sung by Signora [Anna] Morichelli at the King’s Theatre, Haymarket, in the opera called La Scuola Dei Maritati. Composed by Signor V[icente] Martini [i.e., Martin y Soler]. BL G.811.(17.)

256

Music Entries at Stationers’ Hall

24/3/1795 Vicente Martin y Soler Guardami un poco. As sung by Signora [Anna] Morichelli at the King’s Theatre Haymarket, in the opera called La Scuola Dei Maritati. Composed by Signor V[icente] Martini [i.e., Martin y Soler]. BL G.199.(11.)

25/3/1795 John Allen My Thyrsis was the gentlest Youth. A favorite song. As sung, with universal applause, by Mr [Charles] Dignum. Composed by J. Cooke. BL G.361.(38.)

26/3/1795 Joseph Dale The Cherokee. An opera. As performed at the Theatre Royal, Drury Lane. Adapted for the German ute. Composed by Stephen Storace.

30/3/1795 William Jackson Six Epigrams for Two, Three and Four Voices. Set to music by William Jackson, of Exeter. Op. 17. BL G.353.(5.) and H.1266.(3.)

31/3/1795 Bland & Weller Old Ben Bowling. A favorite new sea song. Sung by Mr [Charles] Incledon at the Readings and Music, Freemasons’ Hall. Composed by W[illiam] Reeve. BL G.367.(7.)

4/4/1795 Edward Smith Biggs Here’s a Health to those far away. A song, with an accompaniment for the piano forte. The words by the author of ‘My Love to War is going’ [i.e., Amelia Opie]. N.B.: the melody taken from a Scotch air. BL G.356.(65.)

4/4/1795 Longman & Broderip The Princess of Wales’s Minuett. Composed, and most humbly inscribed to Her Royal Highness, by M[atthew] P[eter] King. BL g.229.(16.)

Entries from 1710 to 1810

257

4/4/1795 William Campbell The Princess of Wales’s Strathspey. A Scotch air by William Campbell, arranged as a rondo for the piano forte, with or without additional keys, by J[oseph] Mazzinghi. BL g.140.(45.)

4/4/1795 Bland & Weller The Tipsey Hibernian. A new song. Sung by Mr [John Henry] Johnstone at the Theatre Royal, Haymarket. Composed by W[illiam] Reeve. BL G.249.(69.)

7/4/1795 Preston & Son The Overture, Songs, etc. in the favorite entertainment of Mago and Dago. Performed at the Theatre Royal, Covent Garden. The new airs composed by Dr [Theodore] Aylward, Mr [Luffman] Atterbury, Mr [Reginald] Spofforth, Mr [Samuel] Howard and Mr [William] Shield. The rest compiled by T[homas] Goodwin. BL H.129.(10.)

8/4/1795 Lewis, Houston & Hyde The Cottagers. A glee for three voices. Also a favorite round. As performed at Harrison and Knyvett’s Vocal Concerts. Composed by L[uffman] Atterbury, musician in ordinary to His Majesty. BL G.352.(1.)

Joseph Dale Overture to My Grandmother. [Composed by Stephen Storace.]

8/4/1795

8/4/1795 Joseph Dale The favorite masquerade song. As sung by Signora [Anna Selina] Storace in My Grandmother. Composed by Stephen Storace. BL G.250.(49.) and G.799.(21.), text begins ‘On the lightly sportive wing’

8/4/1795 Joseph Dale Are ye fair as op’ning Roses. A favorite song. As sung by Signora [Anna Selina] Storace in the musical entertainment of My Grandmother. Composed by Stephen Storace. BL G.250.(50.)

258

Music Entries at Stationers’ Hall

8/4/1795 Joseph Dale Cruel Fair! who secret anguish. A favorite song. As sung by Mr [Thomas] Sedgwick in the musical entertainment of My Grandmother. Composed by Stephen Storace. BL G.250.(51.)

10/4/1795 Charles Dibdin Ode in Honour of the Nuptials of their Royal Highnesses the Prince and Princess of Wales. Written and composed by Mr [Charles] Dibdin. BL G.368.(6.)

11/4/1795 The Author Four Italian and Two English Ariettes, with an accompaniment for the piano forte or harp. Composed, and humbly dedicated to Mrs Bateson, by Louis Pilloti. BL G.198.(8.) or H.1679.(42.)

13/4/1795 Preston & Son I can dance and sing, to ting, ting, ting. A favorite song. Sung by Mrs [Sarah Jane] Lee in the new comedy of Life’s Vagaries at the Theatre Royal, Covent Garden. BL G.249.(38.)

14/4/1795 Bland & Weller The Welch Quack. A new comic song. Sung by Mr Williams at the Theatre Royal, Haymarket. Composed by W[illiam] Reeve. BL G.249.(67.)

14/4/1795 Bland & Weller The Sailor’s Joke. A favorite sea ballad. Sung by Mr [George] Wathen at the Theatre Royal, Haymarket. Composed by W[illiam] Reeve. BL G.249.(66.)

15/4/1795 John Sale A Slow March. Composed for the Aberdeenshire Fencibles by Dr Dauney. Adapted for the piano forte by J[ohn] Sale. BL g.133.(52.)

Entries from 1710 to 1810

259

16/4/1795 Maria Barthélemon Three Hymns and Three Anthems. Composed for the Asylum and Magdalen Chapels. Respectfully dedicated to the governors of those charities. By Mrs Maria Barthélemon. BL G.503.(1.) and R.M.14.f.4.(2.)

16/4/1795 The Author Six Grand Marches for a Military Band, and adapted for a piano forte or harp. Composed by Ignatius Raimondi. BL e.108.(12.)

16/4/1795 Karl Kambra The Princess of Wales’s New Favorite Dances. [Presumably composed by Karl Kambra.] BL g.229.(15.)

17/4/1795 Joseph Dale The Childhood’s careless happy Day. A favorite song. As sung by Mrs [Maria Theresa] Bland in The Pirates. Composed by Stephen Storace. BL G.250.(65.)

17/4/1795 Joseph Dale As wrapt in Sleep I lay. A favorite song. Sung by Mrs [Anna Maria] Crouch in The Pirates. Composed by Stephen Storace. BL G.250.(64.)

17/4/1795 Joseph Dale The Poor Black Boy. A favorite song. As sung by Master [Thomas] Welsh in The Prize, or 2, 5, 3, 8. Composed by Stephen Storace. BL G.250.(68.)

18/4/1795 Lewis, Houston & Hyde The Convent Bell. A favorite song. Sung by Mrs [Ann] Harrison at the Vocal Concerts, Willis’s Rooms. The words by Samuel Birch, Esq. Composed by T[homas] Attwood. BL H.1601.v.(2.)

260

Music Entries at Stationers’ Hall

18/4/1795 The Author Catches, Glees, Rounds and Duetts. Composed by the Rev. J[ohn] Baker, A.M., Linc[oln] Coll[ege] Oxon. Inscribed to Miss Templer. BL D.402.a

23/4/1795 Joseph Dale A Shepherd once had lost his Love. Harmonized for three voices, and sung at the Ladies’ Private Concerts. Bodleian Mus. Voc. I, 98 (8)

23/4/1795 W. P. R. Cope Dr [Oliver] Goldsmith’s celebrated poem of The Deserted Village. Set to music with accompaniments by Mr [John] Moulds. BL G.368.(12.)

24/4/1795 Preston & Son Fancy’s Festival. Sung by Mrs [Rosemond] Mountain at the Readings and Music, Theatre Royal, Haymarket. Composed by Mr [William] Reeve. The words by Mr [John Cartwright] Cross. BL G.367.(10.)

24/4/1795 Preston & Son Nothing but a Place. A comic song. Sung by Mr [George] Wathen at the Readings and Music, Theatre Royal, Haymarket. Written by Mr [John Cartwright] Cross. Composed by Mr [William] Reeve. BL G.367.(8.)

24/4/1795 Preston & Son A Man an’t a Horse. An Irish song. Sung by Mr [John Henry] Johnstone at the Readings and Music, Theatre Royal, Haymarket. Written by Mr [John Cartwright] Cross. Composed by Mr [William] Reeve. BL G.367.(9.)

Entries from 1710 to 1810

261

24/4/1795 The Author Four Italian and Two English Ariettes, with an accompaniment for the piano forte or harp. Composed, and humbly dedicated to Mrs Bateson, by Louis Pilloti. BL G.198.(8.) or H.1679.(42.)

24/4/1795 Miss Paxton Six Easy Canzonets and Three Duets for the Piano Forte or Harpsichord. Composed by a lady [Miss Paxton]. BL E.270.(16.)

24/4/1795 The Author Six Favorite Songs. Composed, and humbly dedicated (by permission) to the Honourable Lady Gage, by Her Ladyship’s most obedient and very humble servant G[eorge] W[illiam] Chard, assistant organist, etc., of Winchester Cathedral. BL D.392.(4.)

30/4/1795 J. Hogg The Turn of her Eye. Written by Mr J. Hogg. Composed by Mr J. Cooke, and sung by Mr [Charles] Incledon at the public concerts. BL G.361.(37.)

30/4/1795 The Author Twelve Hymns in four parts. The words from Lady Huntingdon’s collection. Set to music by John Frederic Hering. BL G.503.(4.)

4/5/1795 John Lord Two Sonatas for the Piano Forte, with an accompaniment for a violin. Composed, and dedicated (by permission) to the Countess of Strafford, by J[ohn] Lord. To which is annexed, a favorite selected sonata. BL g.188.(11.) and h.925.x.(1.)

7/5/1795 Karl Kambra Trois Petits Airs en Rondo, pour le Piano-Forte. Composés, et tres humbement dédiés à Madame la Marquise de Spinola, par K[arl] Kambra. Op. 9. BL g.140.(39.)

262

Music Entries at Stationers’ Hall

8/5/1795 The Author The Ramble. Written and composed by T[imothy] Essex, and most respectfully inscribed to Miss Templer. BL G.354.(11.)

8/5/1795 Joseph Dale Youth of the Gloomy Brow. [Words] from Ossian. A favorite glee for three voices. Sung, with the greatest applause, at the Vocal Concerts by Messrs [Samuel] Harrison, [Charles] Knyvett and [James] Bartleman. Composed by J[ohn] W[all] Callcott, B[ac]. M[us]. BL D.401.(4.)

8/5/1795 Joseph Dale Le Réveil du Peuple, ou Le Retour au Moderantisme. Composé après la denonciation de Barrère, Collot d’Herbois, Billaud de Varenne, et Vadier. Comme il est chanté dans tous les théâtres de Paris. BL H.1250.(35.), text begins ‘Peuple françois, peuple de frères’

Longman & Broderip 9/5/1795 The Wandering Lamb. A favorite ballad. Sung repeatedly by Mr [Charles] Incledon at the Readings, Freemasons’ Hall, and at the Theatre Royal. Composed by Miss [Maria] Poole. BL G.367.(15.)

9/5/1795 Longman & Broderip May our Navy for ever Old England protect, our Laws, Constitution and King. A favorite duett. Sung by Mr [Charles] Incledon and Mr [Wright] Bowden at the new Theatre Royal, Covent Garden, and in several convivial societies. Composed by W[illiam] Shield. BL G.354.(33.)

9/5/1795 The Author Three Grand Sonatas for the Piano Forte, with or without additional keys, with an accompaniment for a violin. Composed, and dedicated to Doctor [Joseph] Haydn, by Augustus Bertini. Op. 1. BL g.188.(1.)

Entries from 1710 to 1810

263

9/5/1795 Joseph Dale Breathe soft ye Flutes. A favorite song. As sung, with the greatest applause, by Mrs [Ann] Harrison at the Vocal Concerts. Composed by J[ohn] W[all] Callcott, B[ac]. M[us]. BL G.364.(12.)

11/5/1795 Henry Francis Ofey The True British Soldier, or King George and Old England for ever. A favorite song. As sung in public, with universal applause. Written by Mr Thomas Jones, and set to music by Henry Francis Ofey. BL G.376.(28.)

15/5/1795 William Shield [William] Shakespear[e]’s celebrated Poor Barbara. Sung, with great applause, at the Readings and Music, Freemasons’ Hall, and at the Theatre Royal, Covent Garden, by Messrs [Charles] Incledon, [James] Street, etc. Set to Music by Mr [William] Shield, musician in ordinary to His Majesty. BL G.353.(27.)

18/5/1795 George Thomas Smart The Garland. A new song. Written by S[amuel James] Arnold, Jr. Composed by G[eorge] T[homas] Smart. BL G.365.(14.)

19/5/1795 Miss Hoffmann 1795, Ye Britons, be Bold. A favorite song. Composed, and most respectfully dedicated to His Grace the Duke of Montrose, by Miss [J.] Hoffmann, a young lady eight years of age. The words by Mrs Duckrell. BL G.366.(15.)

20/5/1795 The Author Jack of Newbury. An opera in three acts with a masque, in honour of the Royal Nuptials. Performed, with universal applause, at the Theatre Royal, Drury Lane. Composed, and humbly dedicated to His Royal Highness the Prince of Wales, by James Hook. Op. 80. BL D.287.(1.) and E.96.c.(3.)

264

Music Entries at Stationers’ Hall

23/5/1795 The Author Tay Side Fencibles Slow and Quick March for Two Clarinetts, Two Horns, Trumpet and Bassoon. Also adapted for the piano forte, violin, German ute and
fe. Humbly dedicated to Colonel Morison commanding the above regiment. By [J.] H. Rose, 1st Batt[alion], Breadalbane Fencibles. BL g.133.(50.)

23/5/1795 Preston & Son Trois Sonates pour le Piano Forte avec accompagnement de violin et violoncello. Composées, et dédiées à Son Altesse Madame la Princesse Marie Esterhazzy [sic] née Princesse Leichtenstien [sic], par Joseph Haydn, Dr. Mus. Op. 71. BL g.161.j.(6.)

25/5/1795 W. P. R. Cope The Zephir’s Cool Breeze. A favorite song, introduced and sung by Mrs [Maria Theresa] Bland in the entertainment of The Sultan, at the Theatre Royal, Drury Lane. Composed by Mr [John] Moulds. BL G.249.(33.)

27/5/1795 Longman & Broderip In Love, soft Illusion. A favorite song. Sung by Mrs [Margaret] Martyr in the comic opera of The Castle of Andalusia. The music composed by Mr W[illiam Thomas] Parke. BL G.249.(28.)

27/5/1795 Longman & Broderip [Jan Ladislav] Dussek’s third Grand Concerto in C, composed for the Piano Forte, with or without additional keys. As performed at [John Peter] Salomon’s and the Opera Concerts. With accompaniments for two violins, tenor, two utes, two horns and bass. Dedicated to Mrs F. G. Smith by the author [Jan Ladislav Dussek]. Op. 29. BL h.308.(7.)

Entries from 1710 to 1810

265

27/5/1795 Joseph Dale The Overture and Favorite Airs, etc., in the new musical entertainment called The Glorious First of June. As performed, with universal applause, at the Theatre Royal. Drury Lane. Adapted for the German ute. Composed and selected by S[tephen] Storace. BL B.388.(3.)

30/5/1795 Karl Kambra The Favorite Hornpipe danced by Madame Del Caro, at the King’s Theatre, Haymarket, for the Piano Forte or Harpsichord, with Six Variations, By K[arl] Kambra. BL g.139.(30.)

30/5/1795 Jean Bernard de Cruchent Marche des Royalistes. Par Monsieur [Jean] Mugnié, organiste de St Roch à Paris et actuellement organiste de St Patrice à Londres. Les paroles ont été faites sur la musique par Jean Bernard de Cruchent. Dédiée au roy. L’an 3 du regne de Louis XVII [as uncrowned King of France]. BL H.1677.(71.)

1/6/1795 The Author Three Favourite Amorosos. Composed for the Voice and Piano Forte, with a Thorough Bass, by Mr [Ambrose] Pitman. Op. 6. BL G.369.(7.)

2/6/1795 J. Hoffmann Three Duetts. The
rst for two harps, or one harp and one piano forte. The other two for two performers on one piano forte, with or without additional keys. Composed, and most respectfully dedicated to Miss Ann Lloyd, By Miss [J.] Hoffmann. BL e.108.(7.)

2/6/1795 W. Gawler Come Faith Divine. A favorite duett. Sung at the Asylum. The words by the Rev. Mr [Jacob] Duché. Composed by F[rançois] H[ippolyte] Barthélemon. BL H.1662.(17.)

266

Music Entries at Stationers’ Hall

3/6/1795 Joseph Dale [Joseph] Dale’s Pocket Companion for the German Flute. Containing the most celebrated songs, duetts, marches, minuets, dances, cotillons, hornpipes, reels, allemands, jigs, etc., etc. Composed, and properly adapted for the instrument, by the most eminent composers. Vol. 1. BL B.402.(2.)

8/6/1795 Bland & Weller A Collection of of Favorite Songs. Sung by Mr Dignum, Mr Taylor, Mrs Franklin, Miss Milne, Master Welsh and Mrs Mountain at Vauxhall Gardens. Book 1. Composed by Mr [James] Hook. BL G.379.(5.)

9/6/1795 Bland & Weller Kate of Dover. A favorite sea song. Sung, with universal applause, by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(36.)

Bland & Weller 12/6/1795 For we shall both grow older. A favorite song. Sung by Master [Thomas] Welsh at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(39.)

16/6/1795 Bland & Weller The Pleasures of Hunting and Drinking. A favorite song. Sung by Mr Taylor, with universal applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(33.)

16/6/1795 Thomas Attwood The Adopted Child. A musical drama in two acts. As performed at the Theatre Royal, Drury Lane. Composed, and humbly dedicated (by permission) to Her Royal Highness The Princess of Wales, by Thomas Attwood. BL D.286.(1.)

Entries from 1710 to 1810

267

16/6/1795 The Authoress A Sonata for the Piano Forte or Harpsichord, with an accompaniment for a violin. Composed, and most humbly and gratefully dedicated to Her Majesty the Queen of Naples, by Miss [Cecilia Maria] Barthelemon. BL g.188.(2.) and R.M.17.f.14.(7.)

18/6/1795 Bland & Weller The Press Gang forc’d my Love to go. A favorite Scotch song. Sung by Mrs [Rosemond] Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(32.)

19/6/1795 Augustus Frederic Christopher Kollmann A New March. Composed for the Corps of Light Horse Volunteers of the Cities of London and Westminster by A[ugustus] F[rederic Christopher] Kollmann, organist of His Majesty’s German Chapel, St James’s. BL g.133.(34.)

25/6/1795 Bland & Weller Since Life’s a Jest. A favorite glee for three voices. Sung, with the greatest applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.352.(25.) and H.1651.c.(55.)

25/6/1795 Bland & Weller Little Bird with Bosom red. Sung, with the greatest applause, at the Readings and Music, Freemasons’ Hall, by Messrs [Charles] Incledon, [James] Street, etc., and at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.352.(26.) and H.1651.c.(48.)

26/6/1795 The Author The Poor Sailor, or Little Ben and Little Bob. A musical drama in two acts. As performed at the Theatre Royal, Covent Garden. Composed by Thomas Attwood. BL D.286.(3.)

268

Music Entries at Stationers’ Hall

3/7/1795 Bland & Weller The true honest Heart. A new song. Sung by Mr Taylor, with the greatest applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(34.)

3/7/1795 Preston & Son Zorinski. As performed, with universal applause, at the Theatre Royal, Haymarket. The words by the author of The Children in the Wood [i.e., by Thomas Morton]. The music selected and composed by Dr [Samuel] Arnold, organist and composer to His Majesty. BL H.1651.a.(34.)

6/7/1795 Lewis, Houston & Hyde A New Grand Concerto with Accompaniments. As performed at the Opera Concert. Composed by Mr [Giovanni Battista] Viotti, and adapted for the piano forte, with or without the additional keys, by Mr [Nicolaus Joseph] Hüllmandel. BL g.116.a.(9.)

The Author 6/7/1795 The Joys of the Sport is the Length of the Chace. A favorite hunting song. Composed by W[illiam] Russell, organist of Stoke near Guildford. BL G.366.(75.)

7/7/1795 Joseph Dale Sweet Sympathy. A favorite song. As sung, with the greatest applause, by Signora [Anna Selina] Storace at the Theatre Royal, Drury Lane, in The Cherokee. Composed by Stephen Storace. BL G.250.(37.)

Entries from 1710 to 1810

269

7/7/1795 George Malme A Set of Solfeggios for the Voice, with an accompaniment for the piano forte or harpsichord. Intended to explain the twelve major scales with their relative minors, also for the acquisition of a good intonation, the portaimento, the legato and staccato, the different manners of gracing notes by various regulated shakes and turns, with exercises on all the necessary skips, and a prefatory lesson for the practice of the Cromatio. Respectfully inscribed to Miss Fearn, by her most obedient humble servant, George Malme. BL B.423.(1.)

8/7/1795 Karl Kambra The Favorite Hornpipe danced by Madame Del Caro, at the King’s Theatre, Haymarket, for the piano forte or harpsichord, with eight variations. By K[arl] Kambra. Bodleian Harding Mus. L 93 (1) and Mus. 61 c.56 (21) and Mus. Instr. I, 140 (15)

10/7/1795 Bland & Weller Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin and violoncello, Composed, and humbly dedicated by permission to Her Royal Highness The Princess of Wales, by T. Latour. BL g.161.b.(9.)

11/7/1795 Bland & Weller The Engagement. A new sea song. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden. The music by R. Burbidge. BL G.376.(11.)

Bland & Weller 14/7/1795 Listen, Listen to the Voice of Love. A favorite new song. Sung, with the greatest applause, by Master [Thomas] Welsh at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(18.)

14/7/1795 Bland & Weller The Bonny Collier’s Daughter. A favorite new song. Sung, with universal applause, by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(31.)

270

Music Entries at Stationers’ Hall

14/7/1795 The Author Jesus, Friend of Sinners. A favourite hymn in three parts. As it was originally written and introduced at Sion Chapel. Composed by John Frederic Hering. BL G.503.(15.)

16/7/1795 William Napier A Selection of Original Scots Songs, in three parts. The harmony by [Joseph] Haydn. Dedicated (by permission) to Her Majesty. Vol. 3. BL I.374

16/7/1795 Preston & Son The Favorite Songs sung at Vauxhall Gardens by Mrs Mountain, Miss Milne, Mrs Franklin, Mr Dignum, Mr Taylor and Master Welsh. Composed by Mr [James] Hook, 1795. Book 2. BL G.379.(6.)

23/7/1795 The Author La Scuola del Canto, or A New, Short, Clear and Easy Method of acquiring Perfection in Singing, according to the most modern Italian Stile. To which are added, Six Airs, Four Duets and Two Trios. Composed, and humbly dedicated to Signora Brigida Bandi [i.e., to Brigitta Banti], by Philippe Trisobio. BL 557*.e.22.(2.)

Culliford & Co. The Jew. A favorite song. Composed by William Abington, Jr. BL g.361.(2.)

27/7/1795

27/7/1795 W. P. R. Cope Hark Away to the Woodlands. A favorite duet. Sung by Messrs [Charles] Incledon and [Charles] Dignum at the principal concerts, with the greatest applause. BL G.354.(49.)

29/7/1795 Joseph Dale Well-a-Day! Lack-a-day! A favorite song. Sung by Mr [John] Bannister Jr in My Grandmother. Composed by Stephen Storace. BL G.250.(48.)

Entries from 1710 to 1810

271

29/7/1795 Joseph Dale Dicky Gossip. A favorite song. Sung by Mr [Richard] Suett in My Grandmother. Composed by Stephen Storace. BL G.250.(46.)

6/8/1795 William Wennington Fare thee well, thou native Vale. A much admired glee, for four voices. Composed by Mr J[ohn] Danby. The words by Mr [William] Wennington, and by him respectfully dedicated to Messrs [Samuel] Harrison and [Charles] Knyvett. BL G.353.(10.)

William Wennington Pleasure. Written, and adapted to music, by William Wennington. BL G.365.(48.)

6/8/1795

6/8/1795 William Wennington Farewell, ye balmy Gales that blow. Composed by Max[imilian] Humble. The words by Mr [William] Wennington. BL G.366.(22.)

6/8/1795 Hoffmann In Yonder Vale. A new song. Composed by Miss [J.] Hoffmann, a young lady eight years of age. The words by Clio Rickman. BL G.366.(16.)

8/8/1795 W. P. R. Cope I’ll wait a little longer. A favorite ballad. Sung, with universal applause, by Mrs Herbert at the Spa Gardens, Bermondsey. Composed by Mr [John] Ambrose. BL G.361.(13.)

8/8/1795 The Author Six Canzonets for the Voice, with an accompaniment for the harpsichord or piano forte, and a Glee for Four Voices. Composed, and humbly dedicated to Lady Lushington, by Thomas Lyon. BL G.358.(7.)

272

Music Entries at Stationers’ Hall

13/8/1795 The Author Three Sonatas for the Piano Forte, with an accompaniment for a violin or German ute ad libitum. Composed, and dedicated (by permission) to John Carr, Esq., by Henry Bewlay. BL g.186.(1.)

15/8/1795 Longman & Broderip Likeness without Flattery, or the Goddess of Love. Sung by Master [Thomas] Welsh, with universal applause, at Vauxhall [Gardens]. Composed by Mr [James] Hook. BL H.1651.c.(36.)

15/8/1795 Bland & Weller The Little Waist defended. A favorite new song. Sung by Mrs [Rosemond] Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(40.)

21/8/1795 Bland & Weller Keep your Distance. A favorite song. Sung by Mrs Franklin at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(37.)

21/8/1795 Bland & Weller Love shall be my Guide. A favorite song. Sung by Miss Milne at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(38.)

21/8/1795 Bland & Weller No Waist at all. A new song. Sung by Mr Taylor at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.a.(35.)

22/8/1795 W. P. R. Cope ’Tis Pity to die an Old Maid. A favorite song. Sung, with great applause, by Mrs Herbert at the Spa Gardens, Bermondsey. Composed by Joseph Willson. Written by Mr Upton. BL G.367.(33.)

Entries from 1710 to 1810

273

25/8/1795 W. P. R. Cope The Princess of Wales’ New Minuet and Favorite Rondo. Most humbly inscribed to Her Royal Highness [the Princess of Wales]. Composed, and arranged for the piano forte, harp, etc., by W. P. R. Cope. BL g.140.(18.)

J. Beckett The Toast. A Bacchanalian glee. [By J. Beckett.] BL

25/8/1795

25/8/1795 E. E. Spickam Weighing Anchor. A new mariners’ song, for three voices. Written and composed by E. E. Spickam. BL G.352.(33.)

27/8/1795 Lewis, Houston & Hyde William and Ann. A favorite ballad. As sung by Master [Thomas] Welsh at Vauxhall [Gardens]. The music by Mr [James] Brooks of Bath. BL G.383.j.(5.)

28/8/1795 William Wennington From thy Roseate Bow’rs, Aurora. A very favorite rondeau. Composed by an amateur [i.e., by Joseph Major]. The Words by Mr [William] Wennington. BL G.356.(21.)

31/8/1795 W. P. R. Cope A Concise Treatise on Thorough Bass, with Practical Lessons selected from the most Eminent Composers, with their Melodies for a Violin, or German Flute, illustrated with a Variety of Examples, which at once renders the Practice both Easy and Pleasant. By James Nicholson. BL 785.k.21.(1.)

274

Music Entries at Stationers’ Hall

6/9/1795 Thomas Jones Lowland Cot. A favorite song. As sung, with unbounded applause, at the principal concerts and public gardens. Written by Thomas Jones, and composed by Henry Francis Ofey. BL 785.k.21.(1.)

6/9/1795 Frederick Hill A Favourite Quick Step, for Clarinets, French Horns and Bassoons, with a Relief for the Fife and Drum. Also adapted for the harpsichord or piano forte, with an accompaniment for the violin. Humbly inscribed to the colonel, lieutenant colonel, of
cers and other gentlemen of the yeomanry, cavalry and infantry in the County of Leicester. Composed by Frederick Hill, organist, Loughborough. BL g.133.(26.)

9/9/1795 Culliford, Rolfe & Barrow Book 1, for the year 1796. Twelve New Country Dances, with their proper
gures, for the violin, harp or piano forte. Humbly dedicated to the nobility and gentry. By James Platts. BL a.11

14/9/1795 W. P. R. Cope Hark, the Clarion sounds afar. Sung by Mrs [Maria] Iliff at the principal concerts, and by Mrs Leaver at the Spa Gardens, Bermondsey, with the greatest applause. Composed by Joseph Willson. BL G.367.(32.)

17/9/1795 Joseph Dale In questo Secolo. A favorite duett. As sung by Signor Morelli and Signor Rovedino at the King’s Theatre, Haymarket, in the opera of La Scuola de Maritati. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.198.(9.)

18/9/1795 Joseph Dale Mirate, mirate. A favorite duet. Sung by Signora Morichelli and Signor Morelli at the King’s Theatre, Haymarket, in the opera of La Scuola de Maritati. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.198.(10.)

Entries from 1710 to 1810

275

18/9/1795 Joseph Dale Vedrete che Allegria. A favorite duett. As sung by Signora Morichelli and Signor Cipriani in the opera of La Scuola de Maritati. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.198.(11.)

18/9/1795 Joseph Dale Nel cor mi sento un giubilo. A favorite air. As sung by Signora [Anna] Morichelli at the King’s Theatre, Haymarket, in the opera of La Scuola de Maritati. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.199.(12.)

21/9/1795 Preston & Son The Miniature. A favorite song. Sung by Master [Thomas] Welsh at the principal concerts. The music by [Ignace] Pleyel. BL G.356.(15.)

21/9/1795 Preston & Son Love and Money, or The Fair Caledonian. As performed at the Theatre Royal, Haymarket. The music composed and selected by Dr [Samuel] Arnold. BL H.129.(1.)

21/9/1795 Francis Godolphin Waldron Songs, etc., composed by Dr [Samuel] Arnold and sung by Mrs [Sarah] Harlowe in Love and Madness, or The Two Noble Kinsmen, at the Theatre Royal, Haymarket, September 21st 1795. [Words by Francis Godolphin Waldron.] BL 11621.h.1.(103.)

22/9/1795 Joseph Dale Nel caro seno. A favorite air. As sung by Signora [Anna] Morichelli, at the King’s Theatre, Haymarket, in the opera of Nell’Isola del Piacere. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.199.(7.)

276

Music Entries at Stationers’ Hall

22/9/1795 Joseph Dale Un alma costante. A favorite air. As sung by Signora [Anna] Morichelli, at the King’s Theatre, Haymarket, in the opera of Nell’Isola del Piacere. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.199.(9.)

22/9/1795 Joseph Dale Quattro, nove, tutti sei. A favorite trio. As sung by Signor Morelli, Signor Brida and Mr Kelly at the King’s Theatre, Haymarket, in the opera of Nell’Isola del Piacere. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.198.(19.)

30/9/1795 W. P. R. Cope The Muleteer. A favorite ballad. Arranged for the piano forte, harp, violin and guittar. BL G.356.(39.), text begins ‘When oer the moon a misty veil’

30/9/1795 Joseph Dale Spunto una rosa. A favorite romance. As sung by Signora [Anna] Morichelli, at the King’s Theatre, Haymarket, in the opera of Nell’Isola del Piacere. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.199.(8.)

30/9/1795 Joseph Dale Turca. Hala hili hahamini. A favorite duett. As sung by Signor Morelli and Signor Cipriani, at the King’s Theatre, Haymarket, in the opera of Nell’Isola del Piacere. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.198.(13.)

30/9/1795 Joseph Dale Ho inteso su quel salice. A favorite duett. As sung by Signora Morichelli and Signor Morelli, at the King’s Theatre, Haymarket, in the opera of Nell’Isola del Piacere. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.198.(12.)

Entries from 1710 to 1810

277

30/9/1795 Joseph Dale Gia vicin è quel di. A favorite air. As sung by Signor [Luigi] Brida, at the King’s Theatre, Haymarket, in the opera of La Scuola de Maritati. Composed by Signor V[incenzo] Martini [i.e., Vicente Martin y Soler]. BL G.199.(13.)

3/10/1795 T. Gladman The Chearful Morn beams o’er the Hills. A favorite hunting song. Sung by Mr [Charles] Dignum. Composed by J[ohn] Moulds. BL G.366.(36.)

9/10/1795 Culliford, Rolfe & Barrow Compleat Instructions for the Spanish Guitar. Containing the most modern directions, with proper examples for learners to obtain a speedy pro
ciency with the most easy method of tuning that instrument. To which is added, a collection of favorite songs, rondos, dances, airs, minuets, allemands, etc., adapted for the Spanish guitar. By F. Chabran. BL b.124

12/10/1795 William Wennington From thy Roseate Bow’rs, Aurora. A favorite rondeau. Composed, and respectfully dedicated to Miss Day, by Joseph Major. BL G.364.(33.)

14/10/1795 Lewis, Houston & Hyde Eight Italian Ariettes, with an accompaniment for the piano forte. Composed, and respectfully dedicated to Miss Mathew, by Adalbert Gyrowetz. BL G.198.(5.)

15/10/1795 The Author A Concerto for the Piano Forte, with accompaniments for two violins, two horns, tenor and violoncello. Composed, and humbly dedicated to Miss Vernon, by F. W. Southwell. Op. 4. BL g.116.a.(7.)

278

Music Entries at Stationers’ Hall

17/10/1795 Charles Dibdin Second Thoughts are best. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(45.)

20/10/1795 Karl Kambra God save the King, with Variations, for Two Violins. As performed, with great applause, at several concerts at Oxford. By Mr [Paul] Alday. GUL Special Collections Cb3-f.15

20/10/1795 Karl Kambra The Favorite Hornpipe danced by Madame Del Caro at the King’s Theatre, Haymarket. With variations for the harp and a violin ad libitum. By K[arl] Kambra. BL g.192.a.(15.)

23/10/1795 Longman & Broderip Two Favorite Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello obligato. Composed by A[nton] Radiger. Op. 5. BL g.161.b.(11.)

24/10/1795 Charles Dibdin The Symbol of Life. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(52.)

31/10/1795 Charles Dibdin The Dream. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(57.) and H.1648.n.(27.)

31/10/1795 Longman & Broderip Trois Sonates pour le Piano Forte avec accompagnement de violon et violoncello. Composées, et dédiées à Madame [Rebecca] Schroeter, par Joseph Haydn, Dr Mus. Op. 73. BL g.161.j.(7.)

Entries from 1710 to 1810

279

31/10/1795 William Campbell [William] Campbell’s Ninth Book of New and Favorite Country Dances and Strathspey Reels, for the Harp, Piano Forte and Violin, with their proper Figures, as danced at Court, Bath, Willis’s and Hanover Square Rooms, etc. BL b.96

31/10/1795 William Campbell [William] Campbell’s Tenth Book of New and Favorite Country Dances and Strathspey Reels, for the Harp, Piano Forte and Violin, with their proper Figures, as danced at Court, Bath, Willis’s and Hanover Square Rooms, etc. BL b.96

7/11/1795 Joseph Dale The Three and the Deuce. A musical entertainment. As performed at the Theatres Royal, Haymarket and Drury Lane. The music composed by Stephen Storace. BL D.288.(7.) and MUS/LOA/109.A5.(3.)

7/11/1795 Charles Dibdin Lord Mayor’s Day. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(59.) and R.M.13.e.8.(83.)

7/11/1795 Preston & Son Six Canzonets for the Voice, with an accompaniment for the piano forte. Composed, and humbly dedicated to the Honourable Miss O’Calaghan, by Signor [Tommaso] Giordani. BL G.357.(3.)

11/11/1795 Thomas Augustus Rawlings Ah within my Bosom beating. Composed by T[homas] A[ugustus] Rawlings. BL G.366.(58.)

17/11/1795 Joseph Dale A Sailor lov’d a Lass. A favorite song. As sung by Miss [Elizabeth] Leak, at the Theatre Royal, Drury Lane, in The Cherokee. Composed by Stephen Storace. BL G.250.(38.)

280

Music Entries at Stationers’ Hall

20/11/1795 George Thomas Smart G[eorge] T[homas] Smart’s Musical Games on Cards, in which are introduced the different characters in music, calculated for the instruction and amusement of young beginners. GUL Y7-m.1

20/11/1795 Charles Dibdin Paddy O’Blarney. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(46.)

24/11/1795 Longman & Broderip Three Sonatas for the Grand and Small Piano Forte, in which are introduced, for the subject of the adagios, Wind Gentle Evergreen and My Native Land. With accompaniments for a violin and violoncello. Composed by Adalbert Gyrowetz. Op. 18. BL g.161.g.(1.)

Charles Dibdin 28/11/1795 The Sailor’s Journal. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(58.)

4/12/1795 Culliford, Rolfe & Barrow An Ode on the late providential Preservation of our most gracious Sovereign. The words by Baroness Nolcken. Set to music by Mrs [Maria] Barthélemon, and most humbly dedicated to His Most Excellent Majesty. BL G.368.(4.)

4/12/1795 Edward Smith Biggs Somebody II. A song with an accompaniment for the piano forte or harp. The words by the author of ‘My Love to War is going’ [i.e., Amelia Opie]. BL G.356.(60.), text begins ‘You ask me why’

Entries from 1710 to 1810

281

5/12/1795 Charles Dibdin The Irish Wake. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(48.)

12/12/1795 Charles Dibdin Mad Peg. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(53.)

12/12/1795 William Dinsley Three Sonatas for the Piano Forte or Harpsichord. Composed, and humbly dedicated to the Right Honourable the Countess of Shaftesbury, by William Dinsley. BL g.143.(7.)

14/12/1795 William Dance The Waterman. A favorite air, arranged as a rondo for the piano forte. By William Dance. BL g.140.(26.)

16/12/1795 J. A. Hoffmann 1st Book. Fourteen Country Dances for the year 1796, with their proper Figures, for the Harp or Piano Forte. Composed, and humbly dedicated to Her Royal Highness the Princess of Wales, by [J.] A. Hoffmann. BL b.55.(4.)

19/12/1795 Charles Dibdin Bachelors’ Wives. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(49.)

21/12/1795 Karl Kambra Two Original Chinese Songs, Moo-Lee-Chwa and Higho Highau, for the Piano Forte or Harpsichord. Published, and humbly dedicated to the Right Honourable the Countess of Macartney, and to Lady Staunton, by K[arl] Kambra. BL E.601.g.(12.)

282

Music Entries at Stationers’ Hall

22/12/1795 Preston & Son Clora behold that beauteous Rose. A favorite song, Sung by Mr [Jonathan] Nield at the Bath Concerts. Composed by Signor [Venanzio] Rauzzini. BL G.364.(38.)

23/12/1795 Preston & Son Ah! Dearest Laura. A favorite song. Sung by Mr [Jonathan] Nield, with the greatest applause, at the Bath Concerts. Composed by Signor [Venanzio] Rauzzini. BL G.364.(40.)

24/12/1795 The Author A Favorite Quick March for a Military Band. Composed, and humbly dedicated to His Royal Highness the Duke of York, by H. B. Schroeder. Also adapted for the harp or piano forte. BL g.133.(55.)

26/12/1795 Charles Dibdin Moorings. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(47.)

30/12/1795 Karl Kambra Two Rondos for the Piano Forte, with or without the additional keys. Composed, and humbly dedicated to Miss Milner, by K[arl] Kambra. Op. 10. BL g.140.(38.)

30/12/1795 Francis Linley Three Italian Canzonetts and Three Duetts, with an accompaniment for the piano forte. Composed, and humbly dedicated to Her Royal Highness the Princess of Wales, by Vincenzo Martini [i.e., Vicente Martin y Soler]. BL E.244

30/12/1795 Francis Linley Eight Italian Arietts with an accompaniment for the piano forte. Composed, and respectfully dedicated to Miss Mathew, by Adalbert Gyrowetz. Presumably a different edition from the work entered on 14/10/1795

Entries from 1710 to 1810

283

30/12/1795 Francis Linley Six Easy Duets for Two Violoncellos, in which several favorite Scotch and Welch airs are introduced. By Joseph Reinagle, professor of the violoncello at Oxford. BL h.122.(6.)

30/12/1795 Francis Linley Four Sonatinas for the Pedal Harp, the three
rst with an accompaniment for the violin, the last with an accompaniment for the piano forte ad libitum. Composed, and dedicated to Miss Duncombe, by G[iacomo] G[otifredo] Ferrari. Op. 2. BL g.192.a.(10.)

31/12/1795 Culliford, Rolfe & Barrow A Sonata for the Piano Forte, with or without additional keys, in imitation of the best modern authors, as they have appeared within these last 20 years. Composed by an eminent master. To be continued monthly. BL g.141.(16)

1/1/1796 Longman & Broderip The Tinker. A favorite song. Sung by Mr [Thomas] Knight in the new pantomime called Merry Sherwood, or Harlequin Forrester. The Words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(17.)

1/1/1796 Longman & Broderip The Beggar. A favorite song, Sung by Mr [Edward Evans] Townsend in the new pantomime called Merry Sherwood, or Harlequin Forrester. The words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(15.)

4/1/1796 Charles Dibdin Fashion’s Fools. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(55.)

284

Music Entries at Stationers’ Hall

4/1/1796 Hoffmann The World. A new song. Composed by Miss [J.] Hoffmann. The words by Clio Rickman. BL G.366.(61.)

5/1/1796 Longman & Broderip The Friar. A favorite song. Sung by Mr [Wright] Bowden in the new pantomime called Merry Sherwood, or Harlequin Forrester. The words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(20.)

5/1/1796 Longman & Broderip The Celebrated Overture to Merry Sherwood, or Harlequin Forrester. Composed by W[illiam] Reeve. Accompanied on the harp by Mr [John] Wieppert. BL g.137.(11.)

5/1/1796 The Author Three Sonatas for the Grand and Small Piano Forte, with an accompaniment for the violin. Composed by Signor Girolamo Masi. GUL Special Collections Cb5-f.21

8/1/1796 Longman & Broderip The Bugle Horn. A favorite song. Sung by Mr [Wright] Bowden in the new pantomime called Merry Sherwood, or Harlequin Forrester. The words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(14.)

8/1/1796 Charles Dibdin Love’s Likeness. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(54.)

11/1/1796 Charles Frederick Horn Twelve Country Dances for the Year 1796. By C[harles] F[rederick] Horn. N.B.: Figures composed by a lady. BL a.12

Entries from 1710 to 1810

285

12/1/1796 John Clarkson The Royal Perth Volunteers March. Respectfully dedicated to the of
cers of that regiment. By John Clarkson Jr, professor of music. BL g.133.(7.)

12/1/1796 Francis Linley Three Sonatas for the Piano Forte, with accompaniments for the ute or violin and violoncello. Composed, and humbly dedicated (by permission) to Her Royal Highness the Princess of Wales, by Leopold Kozeluch. Op. 40. BL g.161.g.(4) and R.M.16.d.22.

14/1/1796 William Shield Six Trios for Violin, Tenor and Violoncello, Composed, and inscribed to the memory of Jacob More, Esq., by William Shield (musician in ordinary to His Majesty). BL g.222.(17.) and g.420.c.(10.)

14/1/1796 William Cope A First Sett of Three Favorite Rondos for the Forte-Piano. Composed by Mr [R.] Burbidge, organist of St George the Martyr, Southwark. Op. 1. BL g.140.(2.)

16/1/1796 Longman & Broderip My Doe is my Dear. A favorite song. Sung by Mr [Charles] Incledon in the new pantomime called Merry Sherwood, or Harlequin Forrester. The words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(27.)

16/1/1796 Longman & Broderip The Witch. A favorite song. Sung by Mrs [Margaret] Martyr in the new pantomime called Merry Sherwood, or Harlequin Forrester. The words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(22.)

286

Music Entries at Stationers’ Hall

16/1/1796 Longman & Broderip The Bugle Horn. A favorite song. Sung by Mr [Wright] Bowden in the new pantomime called Merry Sherwood, or Harlequin Forrester. The words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(14.)

16/1/1796 Longman & Broderip Hey down! a down. A favorite song. Sung by Mrs [Elizabeth] Clendining in the new pantomime called Merry Sherwood, or Harlequin Forrester. The words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(16.)

16/1/1796 Longman & Broderip The Tanner. A favorite song. Sung by Mr [John] Richardson in the new pantomime called Merry Sherwood, or Harlequin Forrester. The words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(19.)

Longman & Broderip 16/1/1796 The Bellman. A favorite song. Sung by Mr [John] Fawcett in the new pantomime called Merry Sherwood, or Harlequin Forrester. The Words by Mr [John] O’Keeffe. Composed by W[illiam] Reeve. BL G.249.(18.)

The Author and Joseph Dale 18/1/1796 An Essay on Musical Harmony, according to the nature of that science and the principles of the greatest musical authors. By Augustus Frederic Christopher Kollmann, Organist of His Majesty’s German Chapel at St. James’s. BL 50.f.5 and 558*.e.17

Edward Riley William’s Return. A favorite sea song, Composed by J[ohn] Ambrose. BL G.361.(12.)

18/1/1796

Entries from 1710 to 1810

287

18/1/1796 Charles Dibdin Leap Year. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(48.)

19/1/1796 Culliford, Rolfe & Barrow The Sun Beams of Love. A favorite song. Composed by Thomas Cook. The words by J. G. P. BL G.361.(36.)

20/1/1796 Preston & Son The Minstrel’s Song. Sung by Mrs [Elizabeth] Clendening in the dramatic romance of Days of Yore, performed at the Theatre Royal, Covent Garden. With an accompaniment for the piano forte or harp. BL G.249.(42.), text begins ‘Where is that tow’ring spirit ed’

23/1/1796 Charles Dibdin A Collection of Songs from The Oddities, The Wags, Private Theatricals, The Quizes, Castles in the Air, Great News, Will of the Wisp, and Christmas Gambols. Adapted for two utes by Mr [Charles] Dibdin. BL b.60.(1.)

23/1/1796 The Author Principles of Music, chiey calculated for the piano forte or harpsichord, with Progressive Lessons. By N[icolaus] J[oseph] Hüllmandel. Op. 12. BL e.140.(4.) and Hirsch M.1474.(2.)

23/1/1796 W. P. R. Cope Two Grand Symphonies for the Piano Forte or Harpsichord, with accompaniments for two utes and violoncello. Composed by J. F. Bohlius. Op. 1. BL g.117.(1.)

23/1/1796 Charles Dibdin England’s Tree of Liberty. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(54.)

288

Music Entries at Stationers’ Hall

28/1/1796 Joseph Dale A Second Set of Pieces for the Organ, Piano Forte or Harpsichord, principally intended for the use of young organists. Composed by T[homas] S[anders] Dupuis, Mus. Doc. Oxon., organist and composer to His Majesty. BL e.120.(4.)

29/1/1796 Charles Dibdin Love at Fifty. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(55.) and R.M.13.e.8.(76.)

George Thomas Smart [entry reads ‘T. G. Smart’] 3/2/1796 Six Preludes and Twelve Sonatinas for the Pedal Harp. Composed, and dedicated to Miss Paolina Deschaux, by G[iacomo] G[otifredo] Ferrari. Op. 17. BL g.301.(9.) and h.3200.(2.)

5/2/1796 Joseph Dale Go not my Love. A favorite song. Sung by Miss [Elizabeth] Leak in the musical entertainment of The Three and the Deuce. As performed at the Theatres Royal, Haymarket and Drury Lane. Composed by Stephen Storace. BL G.250.(72.)

6/2/1796 Charles Dibdin Kickaraboo. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(31.) and R.M.13.e.8.(73.)

8/2/1796 Joseph Dale Little Tafine. A favorite song. Sung by Mrs [Maria Theresa] Bland in the musical entertainment of The Three and the Deuce. As performed at the Theatres Royal, Haymarket and Drury Lane. Composed by Stephen Storace. BL G.250.(71.)

Entries from 1710 to 1810

289

10/2/1796 The Author Three Sonatas for the Piano Forte with an accompaniment for a violin. Composed, and respectfully dedicated to Miss Eyre of Grove, Nottinghamshire, by [John] L[ewis] Hoeberechts. Op. 8. BL g.188.(7.)

12/2/1796 Charles Dibdin Jacky and the Cow. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(53.)

15/2/1796 T. Gladman The Wood-Man’s Fair Daughter. BL G.356.(53.), text begins ‘’Twas spring when all nature look’d blooming and gay’

15/2/1796 George Walker The Silent Hour of Midnight Reigns. Written by G[eorge] Walker in the novel of Theodore Cyphon. BL G.356.(52.)

18/2/1796 Edward Smith Biggs Allen Brooke of Windermere. A ballad, with an accompaniment for the piano forte. BL G.356.(51.), text begins ‘Say, have you in the valley seen’

19/2/1796 Preston & Son The Overture, Songs, Duetts, etc., in the musical farce of The Lock and Key. As performed at the Theatre Royal, Covent Garden. Composed and selected by Mr [William] Shield, musician in oridnary to His Majesty. The words by P[rince] Hoare, Esq. BL D.284.(2.)

20/2/1796 Charles Dibdin Ned that died at Sea. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(49.)

290

Music Entries at Stationers’ Hall

22/2/1796 Culliford, Rolfe & Barrow Leap Year, or An Answer to the Favorite Welch Air of Fal, lal, la. Sung, with the greatest applause, by Mrs [Maria Theresa] Bland in The Cherokee. Composed by J. T. BL G.250.(73.)

23/2/1796 The Author Six Italian Duetts for Two Voices with an accompaniment for the piano forte. Composed, and humbly dedicated to Miss Copley, by Giuseppe Lanza. Op. 5. BL E.270.(18.)

23/2/1796 The Author Twelve Italian Ariettes for a Single Voice, with an accompaniment for the harp or piano forte. Humbly dedicated to the Right Honourable Lady Harriett Hamilton, by Her Ladyship’s most obedient and very humble servant, Giuseppe Lanza. Op. 4. BL E.270.(17.)

26/2/1796 The Author The Chace, or Royal Windsor Hunt. A favorite grand sonata for the piano forte or harpsichord. Dedicated (by permission) to Miss Thornton. Composed by H. B. Schroeder, author of a favorite Quick March dedicated to his Royal Highness the Duke of York, also the much admired songs of When Bibo went down to the Regions below, and Chelsea Quarters. BL g.138.(18.)

27/2/1796 Charles Dibdin The Lads of the Glen. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(50.)

The Author Jack per se. Written and set to music by William Wennington. BL G.365.(47.)

3/3/1796

Entries from 1710 to 1810

291

4/3/1796 Timothy Essex The Sea-Side Sonnet. From Mr [Samuel Jackson] Pratt’s Gleanings, vol. 1. Composed, and most respectfully inscribed to Her Grace the Dutchess of Devonshire, by T[imothy] Essex. BL G.361.(75.)

4/3/1796 The Author Three Duettos for two German Flutes. Composed, in a pleasing and familiar style, by J. Wragg, teacher of the German ute. BL g.225.(14.) and g.280.h.(10.)

5/3/1796 Charles Dibdin The Pedlar. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(47.)

J. F. Bohlius A Favorite German song. Trinklied.

8/3/1796

12/3/1796 Charles Dibdin The Caterer. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(44.)

14/3/1796 Maximilian Humble Six Ballads for the Piano Forte. Dedicated (by permission) to Mrs Heywood. The music by Max[imilian] Humble. The words by E. Bell. BL G.369.(1.)

J. F. Bohlius A Favorite German song. Rheinwein Lied.

17/3/1796

292

Music Entries at Stationers’ Hall

19/3/1796 Thomas Leach The Hertfordshire Yeomanry Cavalry. A new song. Composed by Mr [Thomas] Leach, organist of Cheshunt, Herts. BL G.376.(23.)

22/3/1796 Longman & Broderip Nel lasciarti amoto bene. The favorite rondo. As sung by Signor [Agrippino] Roselli in the comic opera I Traci Amanti. The music by Signor [Gaetano] Andreozzi. BL G.199.(1.)

22/3/1796 Karl Kambra A Familiar Sonatina for the Piano Forte, grounded upon the following invariable bass. Composed, and dedicated to Mr [John Christian] Fischer, musician to Their Majesties, by K[arl] Kambra. BL g.132.(9.)

23/3/1796 W. P. R. Cope The Shipwreck’d Marine Boy. A favorite ballad. As sung by Mr [Charles] Dignum at the Nobility’s Concerts, with the greatest applause. BL G.356.(41.), text begins ‘’Twas near a sea-beat rocky shore’

26/3/1796 Charles Dibdin Soldiers Farewell and Return. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will of the Wisp. BL G.381.(56.) and R.M.13.e.8.(117.)

26/3/1796 Corri, Dussek & Co. Dr [Joseph] Haydn’s Six Original Canzonettas for the Voice with an accompaniment for the piano forte. Dedicated to Mrs John Hunter. First Sett. Bodleian Harding Mus. E 324 (1)

26/3/1796 Corri, Dussek & Co. Second Sett of Dr [Joseph] Haydn’s Six Original Canzonettas for the Voice with an accompaniment for the piano forte. Dedicated to the Right Honourable Lady Charlotte Bertie. BL G.357.(5.)

Entries from 1710 to 1810

293

30/3/1796 Henry Purver Simpson An Anthem. Respectfully dedicated to all the societies for preservation from danger and apparent death, by the composer, Henry Purver Simpson, of Finedon, Northamptonshire. BL G.503.(16.), text begins ‘In the midst of life we are in death’

1/4/1796 Longman & Broderip Emma. A favorite song. Sung by Miss [Julia] Granger in the new entertainment of Fashionable Rallery. The words by Mrs Gardner. Composed by J[onas] Blewitt. BL G.367.(37*.)

1/4/1796 Longman & Broderip The Veil. A favorite song. Sung by Miss [Julia] Granger in the new entertainment of Fashionable Rallery. The words by Mrs Gardner. Composed by J[onas] Blewitt. BL G.367.(37.)

1/4/1796 Longman & Broderip Loyalty. A favorite song. Sung by Miss [Julia] Granger, with universal applause, in the new entertainment of Fashionable Rallery. The Words by Mrs Gardner. Composed by J[onas] Blewitt. BL G.376.(8.)

1/4/1796 Francis Linley Three Grand Sonatas for the Piano Forte, with an accompaniment for a violin or ute and violoncello. Composed by Adalbert Gyrowetz. BL g.161.g.(2.) and R.M.17.f.12.(4.)

2/4/1796 Edward Smith Biggs Six Welch Airs adapted to English Words, and Harmonized for Two, Three, and Four Voices, with an accompaniment for the piano forte or harp [by Edward Smith Biggs]. BL G.353.(33.)

8/4/1796 Joshua Davenport Good News, or the Farmers’, Cornfactors’ and Millers’ Lamentation for the Arrival of the Foreign Corn. A new song. Composed by Joseph Dyke. BL C.20.f.2.(273.)

294

Music Entries at Stationers’ Hall

9/4/1796 Culliford, Rolfe & Barrow Ten Voluntaries or Pieces for the Organ in an Easy and Familiar Style for the Practice of Juvenile Performers, equally adapted for the Church or Chamber Organ, with proper Directions for the Use of the Stops. By Jonas Blewitt, organist of St Catherine Coleman, Fenchurch Street, and the united parishes of St Gabriel, Fenchurch and St Margaret Pattens. BL e.120.(2.)

9/4/1796 Culliford, Rolfe & Barrow Innocence. A favorite song. As sung, with the greatest applause, at the Convivial Board, Southwark. The words by Mr Concannen. Composed by C. Williams. BL G.365.(59.)

11/4/1796 Culliford, Rolfe & Barrow Three Sonatas for the Piano Forte or Harpsichord, with an accompaniment to the
rst for a violoncello obligato, to the second for a German ute, and to the third for a violin. Composed, and respectfully dedicated to Miss Leigh of Lynn, by George Surr. Op. 1. BL g.142.(7.)

11/4/1796 Culliford, Rolfe & Barrow A Sonata for the Piano Forte, with or without additional keys, in imitation of the best modern authors, as they have appeared within these last 20 years. Composed by an eminent master. To be continued monthly. BL g.141.(16.), a continuation of the work entered on 31/12/1795

11/4/1796 Culliford, Rolfe & Barrow Tête à Tête. A favorite song. The words by an amateur. Composed by Henry Bewlay. BL G.361.(23.)

12/4/1796 T. Gladman In Yonder Shade. A glee for four voices. Composed by J. Cook. The words by John Bayley. BL D.402.(13.)

Entries from 1710 to 1810

295

13/4/1796 Francis Linley One night gay Bacchus. A favorite new drinking song and chorus. Dedicated to the president and members of the Convivial Board. Sung by them, with univeral applause. The music composed by Reginald Spofforth. BL G.365.(22.)

Edward Riley Address to Cynthia. A favorite rondo. Set to music by J[ohn] Ambrose. BL G.361.(11.)

13/4/1796

13/4/1796 Edward Riley Jessey. A favorite sonnet. Set to music by J[ohn] Ambrose. Words by Mr Toms. BL G.361.(16.)

14/4/1796 Longman & Broderip Collin and Phœbe’s Cuckoo. A new favorite song. Written by Mr [John] Collins and sung by him, with universal applause, in his celebrated Evening Brush. BL G.367.(1.), text begins ‘In the
elds, when to Phœbe, one sweet summer’s day’

14/4/1796 Longman & Broderip The Picture Shop. A favorite comic song. Sung by Mr [Robert] Dighton at Sadler’s Wells. Written by Thomas [John] Dibdin. Composed by W[illiam] Reeve. BL G.367.(41.)

Joshua Davenport A new song, called The Carcase Butchers. Composed by Joseph Dyke. BL C.20.f.2.(271.)

14/4/1796

19/4/1796 Margaret Essex Three Sonatas for the Piano Forte, with or without the additional keys, with an accompaniment for a violin ad libitum. Composed for, and dedicated to Miss Chalmer, by Margaret Essex. Op. 1. BL g.144.(2.)

296

Music Entries at Stationers’ Hall

20/4/1796 The Author The Morn of Valentine. A favorite rondo. Sung, with universal applause, at the principal concerts. Composed by W. P. R. Cope, organist of St Saviours, Southwark. BL G.361.(46.)

21/4/1796 Joseph Dale Three Grand Sonatas for the Piano Forte or Harpsichord, with accompaniments for violin and violoncello, in which are introduced, for the subjects of the adagios and last movements, select Scotch airs and favorite pieces. Composed by Ignace Pleyel. Bodleian Harding Mus. L 71 (Bk. 2)

22/4/1796 John Andrew Hoffman A Hornpipe. Composed, and dedicated to John Smith, Esq., of the Somerset Militia, by Captain Dunne. BL g.229.(17.)

22/4/1796 Culliford, Rolfe & Barrow Twelve Easy and Familiar Lessons for the Harpsichord or Piano Forte, adapted for Juvenile Performers. By Henry Bewlay. Op. 2. BL g.132.(2.)

27/4/1796 The Author A Coup d’Oeil of Felicity. Written and composed by William Wennington. BL G.365.(49.)

28/4/1796 The Author The Angus Fencibles March and Quick Step. Composed for, and dedicated to Col. Douglas, by T[imothy] Essex. BL g.133.(22.)

2/5/1796 Francis Linley Three Sonatas for the Piano Forte with an accompaniment for a violin or ute and violoncello. Composed for, and dedicated to, Her Royal Highness the most serene Archduchess of Este. By Winceslaus [i.e., Wenzel] Pichl, professor of music in Milan. Op. 26. BL g.161.g.(6.)

Entries from 1710 to 1810

297

6/5/1796 W. P. R. Cope Paddy O’Brian. The favorite Irish song. Sung by Mr [Richard] Johannot at Astley’s Amphitheatre of Arts, with the greatest applause. Written by Mr Upton. BL G.367.(31.), text begins ‘When I was
rst kittened’

7/5/1796 Longman & Broderip The Smugglers. A musical drama in two acts. As performed at the Theatre Royal, Drury Lane. Composed by Thomas Attwood, music master to Her Royal Highness the Princess of Wales. The words by Samuel Birch, Esq. BL D.280.(4.) and D.286.(4.)

7/5/1796 W. P. R. Cope Two Grand Duetts in Six Movements for Two German Flutes. Composed by J. F. Bohlius. BL g.70.tt.(5.)

9/5/1796 James Peck Love and Sparkling Wine. A favorite glee for three voices. Composed by J[ames] Peck. BL D.402.(21.)

The Author and Frederick Augustus Hyde 9/5/1796 A Collection of Canzonetts and an Elegy, with an accompaniment for the piano forte or harp. Composed by William Shield, musician in ordinary to His Majesty. BL G.357.(10.)

11/5/1796 John Christian Fischer Three Quartettos and Two Trios for German Flutes, Violin, Viola and Violoncello, from eminent masters. Selected and revised by J[ohn] C[hristian] Fischer, musician to Their Majesties. In this selection is the favorite trio for two German utes and violoncello performed by Messrs [John Christian] Fischer and Wise, so much in request at the private concerts. Humbly dedicated to the Right Honourable the Earl of Abingdon, by his Lordship’s most obedient and most humble servant, John Christian Fischer. BL h.110.(7.)

298

Music Entries at Stationers’ Hall

Edward Bunting 28 New Irish Tunes of the Musical Society. Dublin, 1796. BL g.138.(2.)

13/5/1796

Edward Riley Slinging the Bowl. Set to music by J[ohn] Ambrose. BL G.361.(17.)

14/5/1796

17/5/1796 George Malme A Sett of Practical Essays for the Harpsichord or Piano Forte, with all the most natural modulations in use for the practice of thorough bass. To which is added, A Short Introduction to Music. Respectfully inscribed to Miss Partridge, by her most obedient, humble servant, George Malme. BL B.423.(2.)

19/5/1796 Longman & Broderip Little Peggy’s Love. The favorite Scotch ballet, performed at the King’s Theatre. Composed by Mr [Charles-Louis] Didelot. The music by Signor Cesare Bossi. BL g.230.(5.)

20/5/1796 Joseph Dale The Picture Song. As sung, with the greatest applause, at the Theatre Royal, Drury Lane by Signora [Anna Selina] Storace, in the musical entertainment of My Grandmother. Composed by Stephen Storace. BL G.250.(47.)

20/5/1796 Culliford, Rolfe & Barrow Second Sett of Three Sonatas for the Piano Forte or Harpsichord. Composed, and humbly dedicated by permission to Dr [Joseph] Haydn, by T[homas] Haigh. BL g.145.(4.)

24/5/1796 Culliford, Rolfe & Barrow A New Favorite German Waltz, arranged as a rondo for the piano forte. By T[homas] Haigh. BL g.140.(35.)

Entries from 1710 to 1810

299

24/5/1796 The Author A 3rd Book of Sixty-Eight New Reels and Strathspeys. Also, above forty old famous reels for the violin and piano forte, with a bass for the violoncello or harpsichord. Compiled and composed by Robert Mackintosh and dedicated (by permission) to Mrs Oswald of Auchincruive. BL g.229.(4.)

25/5/1796 Bland & Weller All on Board of a Man of War. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(37.)

25/5/1796 Bland & Weller Two Sonatas for the Piano Forte with or without the additional keys, with an accompaniment for a ute or violin. Composed and dedicated (by permission) to the Princess of Solre, by T. Latour. Op. 2. BL g.186.(6.)

Edward Riley 26/5/1796 The Captive Negroe. Set to music by J[ohn] Ambrose. Written by Peter Pindar, Esq. BL G.361.(10.)

Edward Riley When Love and Truth together play’d. Composed by J[ohn] Ambrose. BL G.361.(9.)

26/5/1796

27/5/1796 Bland & Weller To the Maid I love best. A favorite song. Sung, with universal applause, by Master [Thomas] Welsh at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(11.)

27/5/1796 Bland & Weller The Female Cryer. A favorite song. Sung by Mrs [Rosemond] Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(17.)

300

Music Entries at Stationers’ Hall

27/5/1796 Joseph Dale You Gentleman of England. The celebrated glee. Arranged as a duett for two performers on one piano forte by the author, J[ohn] W[all] Callcott, Bac. Mus. Oxon. BL g.130.(2.)

30/5/1796 Bland & Weller A Collection of Favorite Songs. Sung by Mr Dignum, Mr Denman, Mrs Franklin, Master Welsh and Mrs Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.379.(7.)

30/5/1796 William Wennington The popular Hymne de Pichegru (imitated from the French) with the original music. As performed at the theatres in Paris. BL G.353.(36.), text begins ‘Faded is the mighty foe’

4/6/1796 Bland & Weller The Crops. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Written by Miles Peter Andrews, Esq. Composed by Mr [James] Hook. BL H.1651.b.(13.)

4/6/1796 Bland & Weller The Shepherd Boy. A favorite song. Sung by Master [Thomas] Welsh at Vauxhall Gardens, Composed by Mr [James] Hook. BL H.1651.b.(14.)

15/6/1796 Corri, Dussek & Co. Trio for the Piano Forte, Flute or Violin, and Violoncello. Composed by Ignace Pleyel. Op. 29. BL g.192.(3.)

15/6/1796 Corri, Dussek & Co. A Grand Duett for Two Performers on One Piano Forte. Composed by Ignace Pleyel. BL h.318.(1.)

Entries from 1710 to 1810

301

15/6/1796 Corri, Dussek & Co. Two Sonatas for the Piano Forte with accompaniment for ute or violin, and bass. Composed by Ignace Pleyel. Op. 30. BL g.161.i.(3.)

16/6/1796 Culliford, Rolfe & Barrow A Much Admired Air of Mr Delemain’s [i.e., by Henry De La Main], varied for the piano forte by T[homas] Haigh. BL g.139.(25.) and g.606.oo.(11.)

16/6/1796 Culliford, Rolfe & Barrow Three Trios for two German Flutes, or Flute, Violin and Violoncello. Composed, and humbly dedicated (by permission) to William Brodie, Esq., by Theobald Monzani. Op. 9. BL g.222.(5.)

16/6/1796 Culliford, Rolfe & Barrow A Grand Symfonia of Dr [Joseph] Haydn’s. Arranged for the piano forte by T[homas] Haigh. BL g.137.(15.)

16/6/1796 Culliford, Rolfe & Barrow Three Canzonettas of Dr [Joseph] Haydn’s. Arranged as rondos for the piano forte by T[homas] Haigh. BL g.140.(34.)

16/6/1796 Culliford, Rolfe & Barrow A New Favorite German Waltz. Arranged as a rondo for the piano forte by T[homas] Haigh. BL g.140.(35.)

16/6/1796 Culliford, Rolfe & Barrow A Sonata for the Piano Forte, with or without additional keys, in imitation of the best modern authors, as they have appeared within these last 20 years. Composed by an eminent master. To be continued monthly. Nos. 2 and 3. BL g.141.(17. and 18.)

302

Music Entries at Stationers’ Hall

16/6/1796 Preston & Son Three Sonatas for the Piano Forte, with accompaniments for a violin and violoncello ad libitum. Composed, and dedicated to John Cleaver Banks, Esq., by Muzio Clementi. Op. 35. BL g.161.b.(3.)

17/6/1796 Culliford, Rolfe & Barrow The Mariner. A celebrated sea song. Written and composed by John Moulds, and sung by Mr [Charles] Dignum, with the greatest applause, at the Theatre Royal, Drury Lane. BL G.249.(29.)

17/6/1796 Bland & Weller It was one Eve in Summer Weather. A favorite song. Sung by Mr [Henry] Denman at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(14.)

17/6/1796 Bland & Weller Two Sonatas for the Piano Forte, with or without the additional keys, with an accompaniment for a ute or violin. Composed, and dedicated to Miss Mayaffre, by T. Latour. Op. 3. BL g.186.(7.)

22/6/1796 Culliford, Rolfe & Barrow Three Favorite Duetts, in a familiar Style, Two for Two Violoncellos, and One for a Violin and Violoncello. Composed by F[rançois] H[ippolyte] Barthélemon. Dedicated (by permission) to William Willoughby Prescott, Esq. BL h.102.(1.)

24/6/1796 Charles Isaac Mungo Pitt Ode to the Harp. Written by C[harles] I[saac Mungo] Pitt [later Dibdin], and composed by Mr [William] Reeve. Sung by Miss [Sarah Jane] Gray accompanied, on the harp, by Mr [John Erhardt] Weippert. BL G.365.(7.)

Entries from 1710 to 1810

303

25/6/1796 Gertrude Elizabeth Mara Say can you deny me. A favorite air. Sung by Madame [Gertrude Elizabeth] Mara at Mr [John Peter] Salomon’s Concert. Composed by Madame [Gertrude Elizabeth] Mara. The words by Prince Hoare, Esq. BL G.364.(34.)

25/6/1796 Gertrude Elizabeth Mara A favorite air. Sung by Madame [Gertrude Elizabeth] Mara at Mr [Johann Peter] Salomon’s Concert at the Theatre Royal, Covent Garden in the opera of Artaxerxes, and at the Bath Concerts. Composed by Madame [Gertrude Elizabeth] Mara. The Words by Prince Hoare Esq. BL D.392.(9.), text begins ‘High rolling seas that bear afar’

25/6/1796 John Peter Salomon [Joseph] Haydn’s Celebrated Overture composed for and performed at Mr [John Peter] Salomon’s Concert, Hanover Square. Adapted for the piano forte, with an accompaniment for a violin and violoncello ad libitum. No. 1, 2, 3 and 4. BL g.134.(1., 2., 3., 4.)

29/6/1796 Longman & Broderip Miss Leake’s [i.e., Elizabeth Leak’s] favorite song in Vortigern. Composed by Mr William Linley. [The words, falsely claimed to be by William Shakespeare, were by William Henry Ireland.] BL G.250.(27.), text begins ‘Last Whitsunday they brought me’

29/6/1796 Longman & Broderip If a Body meet a Body. Sung by Mr [a mistake for Mrs Elizabeth] Henley at the Royal Circus in the favorite new pantomime called Harlequin Mariner. The music adapted by J[ames] Sanderson. The words by Mr [John Cartwright] Cross. BL G.367.(17c.)

29/6/1796 Longman & Broderip The Merry Bells. Sung by Mr [Thomas] Blanchard at the Royal Circus in the new pantomime called Harlequin Mariner. The music adapted by J[ames] Sanderson. The words by Mr [John Cartwright] Cross. BL G.367.(17a.)

304

Music Entries at Stationers’ Hall

29/6/1796 Longman & Broderip The Land of Gold. A favorite Irish song. Sung by Mr Davis at the Royal Circus in the new pantomime called Harlequin Mariner. The music adapted by J[ames] Sanderson. The words by Mr [John Cartwright] Cross. BL G.367.(17.)

1/7/1796 John Peter Salomon [Joseph] Haydn’s Celebrated Overture composed for and performed at Mr [John Peter] Salomon’s Concert, Hanover Square. Adapted for the piano forte, with an accompaniment for a violin and violoncello ad libitum. No. 5 and 6. BL g.134.(5., 6.)

1/7/1796 John Peter Salomon Windsor Castle. An opera, with the masque of Peleus and Thetis. As performed at the Theatre Royal, Convent Garden in honor of the nuptials of Their Royal Highnesses the Prince and Princess of Wales. Composed, and humbly dedicated by permission to Her Royal Highness, by John Peter Salomon. BL D.288.(3.)

1/7/1796 T. Gladman Ellen or the Fair Insane. A pathetic cantata, expressed in nine characteristic airs, viz.: Love and Hope, The Chaplet, The Nightingale, Imagination, Distraction, Consolation, The Complaint, The Resolution, Despair. Written by C[harles] I[saac Mungo] Pitt [later Dibdin]. Composed by V. de Cleve. BL D.288.(3.)

2/7/1796 Corri, Dussek & Co. Three Original Sonatas, in which are introduced the favorite airs of ‘Whither my love ah whither art thou gone, etc.’, ‘I thought our quarrel ended and set my heart at ease, etc.’, ‘When to Nina hapless maid her, etc.’, ‘Oh send Lewis Gordon home and the lad I, etc.’ [and] ‘Hope told a attering tale that, etc.’. With an accompaniment for a violin and bass, either with an accompaniment obligato or ad libitum. By Ignace Pleyel. BL h.318.z.(4.)

Entries from 1710 to 1810

305

4/7/1796 Joseph Dale Three Sonatas for the Piano Forte, with an accompaniment for a violin. Composed, and dedicated to the Right Honourable the Countess of Shaftesbury, by D[aniel] Steibelt. BL g.178.(2.)

5/7/1796 The Author Sonata for the Harp or Piano Forte, with an accompaniment for a violin ad libitum. Composed, and dedicated to Miss Rushe, by [J.] A. Hoffmann. BL g.192.a.(13.)

6/7/1796 W. P. R. Cope General Elliott. A favorite song. Sung by Mr Betts at the Je ne sai quoi, Beefsteak Club Harmonic Lounge, Strangers at Home, etc., etc. The words by A. Dixwell. The music by W. P. R. Cope. BL G.361.(45.)

7/7/1796 William Wennington Soft on Beds of Vi’lets lying. A favorite sonnet. Sung by Mr [John] Braham. Words by Mr [William] Wennington. Composed by Joseph Major. BL G.364.(31.)

8/7/1796 Culliford Rolfe & Barrow On Yonder Stile. A favorite duett. Written by George Saville Carey, and sung by Mr and Mrs [George Saville] Carey, with universal applause. BL G.354.(7.)

8/7/1796 Culliford Rolfe & Barrow Little Kitty. The favorite song. Sung by Mr [Jack?] Helme at the Royal Circus, in the burletta of The Jew and Gentile. Composed by J[ames] Sanderson. The words by Mr [John Cartwright] Cross. BL G.367.(23.)

306

Music Entries at Stationers’ Hall

8/7/1796 Culliford Rolfe & Barrow Betsey Bobbin. The favorite song. Sung by Mr [Thomas] Blanchard at the Royal Circus. Composed by J[ames] Sanderson. The words by Mr [John Cartwright] Cross. BL G.367.(21.)

8/7/1796 The Author Eight Glees. Expressly composed for ladies. Most humbly inscribed to Miss Maria [Simpson] and Miss Frances Simpson, by their most obliged humble servant, R[ichard] J[ohn] S[amuel] Stevens. BL D.401.(12.) and E.319.(2.)

12/7/1796 The Author English Songs, with an accompaniment for the piano forte Composed, and dedicated to Lady Jerningham, by Baron [Johann Friedrich Hugo von] Dalberg. BL D.392.(5.)

16/7/1796 Preston & Son Twelve Canzonets for the Voice, with an accompaniment for the piano forte. Composed by Dr [John Andrew] Stevenson. BL G.357.(11.)

16/7/1796 Preston & Son Parliamenteering. A favorite song. Sung by Mr [Charles] Dignum, with the utmost applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(64.)

21/7/1796 Urbani & Liston A Selection of Minuets, High Dances, Cottilions, Scots Airs, etc. As performed at Mademoiselle Rosignolli’s ball and [in] public. Adapted for the piano forte or harpsichord, and most partly composed by Peter Urbani. Book 1. BL g.229.(5.)

21/7/1796 Corri, Dussek & Co. Three Trios for Two Violins concertanti and a Violoncello. Composed, and dedicated to J[oseph] C[haplin] Hankey, Esq., by Mr [Giovanni Battista] Viotti. BL g.222.(18.)

Entries from 1710 to 1810

307

21/7/1796 Preston & Son The Favorite Songs sung at Vauxhall Gardens by Mrs Franklin, Master Welsh, Mr Denman and Mr Dignum. Composed by Mr [James] Hook. Book 2. BL G.379.(8.)

27/7/1796 George Kauntze Troop of the West Lowland Fencibles, commanded by His Grace the Duke of Gordon, and now performed by the band of the Third Regiment of Foot Guards. Composed, and adapted for the piano forte, harp, two utes or clarinet, by George Kauntze, late of His Highness the Duke of York’s band. BL g.133.(30.)

28/7/1796 Neil Stewart & Co. New Strathspey Reels for the Piano Forte, Violin and Violoncello. Composed by a gentleman and given, with permission, to be published by Nathaniel Gow. BL g.229.(1.)

1/8/1796 Corri, Dussek & Co. The last composition of the celebrated [Wolfgang Amadeus] Mozart. A Sonata in C Minor, the accompaniments of which were left un
nished and which were accomplished by Mr [Ignace] Pleyel, the proprietor of the manuscript. BL g.161.d.(8.)

Corri, Dussek & Co. Six Duetts, Concertanti for Two Violins. By [Federigo] Fiorillo. Op. 15. BL g.218.(2.)

5/8/1796

5/8/1796 Joseph Dale [John] Danby’s Third Book of Catches, Canons and Glees, for Three, Four and Five Voices. Dedicated by permission to George Goold, Esq. BL D.400.(1.) and Mad.Soc.19.(3.)

Edward Riley Rondo 1, by [Ignace] Pleyel. Adapted for the pedal harp by J. F. Bohlius. BL g.301.(10.)

6/8/1796

308

Music Entries at Stationers’ Hall

Edward Riley The Sympathizing Sigh. Composed by J[ohn] Ambrose. BL G.361.(15.)

6/8/1796

9/8/1796 Corri, Dussek & Co. Three Duetts, Concertanti for Two Flutes. Composed by F[elix] Rault. Op. 1. BL g.225.(11.)

9/8/1796 Bland & Weller Hymen’s Evening Post. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(35.)

9/8/1796 Bland & Weller The Nightingale. A favorite cantata. Sung by Master [Thomas] Welsh at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(25.)

12/8/1796 Longman & Broderip Bannian Day. As performed, with universal applause, at the Theatre Royal, Haymarket. The music by S[amuel] Arnold, Mus. D[oc]., organist and composer to His Majesty. BL D.285.(2.)

13/8/1796 Bland & Weller The Black-Bird. Sung, with universal applause, by Master [Thomas] Welsh, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(21.)

Bland & Weller 13/8/1796 Fair Mary. A favorite song. Composed and sung by Master [Thomas] Welsh at Vauxhall Gardens. BL G.383.j.(30.)

Entries from 1710 to 1810

309

16/8/1796 William Wennington Jessy. A pastoral ballad. Written, and set to music, by William Wennington. BL G.365.(46.)

16/8/1796 William Wennington Annabel. A favorite ballad. Composed, and respectfully inscribed to Miss Leak, by Joseph Major. The words by Mr [William] Wennington. BL G.364.(29.)

T. Gladman English Solo for the Piano Forte or Violin and Violoncello.

19/8/1796

20/8/1796 Longman & Broderip The Clown’s Shivering Song. Sung by Mr Davis in a snow scene in the pantomime of Harlequin Mariner. The music composed by J[ames] Sanderson and words by Mr [John Cartwright] Cross. BL G.367.(17b.), text begins ‘Arrah who can stand still’

20/8/1796 Longman & Broderip The Soldier’s Consolation. A much admired song. The melody composed and sung by Mr [Charles] Dignum at the Nobility’s Concerts. The words by Captain Charles James. BL G.361.(58.)

20/8/1796 Longman & Broderip The Soldier and his Dog. A much admired song. The melody composed and sung by Mr [Charles] Dignum at the Nobility’s Concerts. The words by Captain Charles James. BL G.361.(59.)

20/8/1796 Longman & Broderip O Love what the deuce do you want. A favorite ballad. Sung by Mr [Robert] Dighton in Birds of a Feather, at Sadler’s Wells. Composed by J[ohn] Moorehead. BL G.367.(44.)

310

Music Entries at Stationers’ Hall

20/8/1796 Longman & Broderip How can you refuse me, insensible man! A favorite ballad. Sung by Miss Bates in Birds of a Feather, at Sadler’s Wells. Composed by J[ohn] Moorehead. BL G.367.(45.)

23/8/1796 W. P. R. Cope A Favorite Sonata for the Piano Forte or Harpsichord. Composed in a familiar style for young practitioners, by Joseph Willson. BL g.132.(18.)

24/8/1796 Longman & Broderip William of Allerton Green. A celebrated ballad. Sung by Master [Thomas] Welsh, at the Theatre Royal, Drury Lane. The words by George Saville Carey. The melody composed by Mr [Charles] Dignum. BL G.249.(65.)

26/8/1796 Longman & Broderip The Soldiers encamp’d on the Coast. A celebrated ballad. Sung by Master [Thomas] Welsh at the Nobility’s Concerts. The words by Captain Charles James. The melody composed by Mr [Charles] Dignum. BL G.361.(60.)

26/8/1796 Longman & Broderip Sweet Jane, I always thought on you. A much admired song. The melody composed and sung by Mr [Charles] Dignum at Theatre Royal, Drury Lane. The words by Mr Upton. BL G.249.(62.)

27/8/1796 Timothy Essex The Ladies Answer to the new Fal, lal, la. The words of this glee by J. C. [apparently a mistake for Samuel Jackson] Pratt, Esq., author of The Gleanings, etc., in answer to those written by the late Duke of Dorset, and set to music by Mr [John Wall] Callcott. Composed for, and most respectfully inscribed to, the Rev. J. Baker by his most obliged humble servant, T[imothy] Essex. BL D.402.(15.)

Entries from 1710 to 1810

311

31/8/1796 Culliford, Rolfe & Barrow The Way to get Married. The favorite song. Sung by Mrs Davis at the Royal Circus. The words by Mr [John Cartwright] Cross, and composed by J[ames] Sanderson. BL G.367.(27.)

31/8/1796 Culliford, Rolfe & Barrow The favorite overture to Harlequin Mariner. As performed at the Royal Circus. Composed, and adapted for the piano forte, by J[ames] Sanderson. BL g.137.(3.)

31/8/1796 Culliford, Rolfe & Barrow Cowslips of the Valley. Sung, with universal applause, by Mrs [Anna Maria] Crouch at the Theatre Royal, Drury Lane. Written and composed by John Moulds. BL G.429.(32.)

3/9/1796 The Author A Favorite Quick March for a Military Band, Harp or Piano Forte. Humbly dedicated by W. W. Jones to the Earl of Radnor. Composed by H. B. Schroeder. BL g.133.(54.)

3/9/1796 H. B. Schroeder A Favorite Slow March for a Military Band, Harp or Piano Forte. Humbly dedicated by W. W. Jones to the Earl of Radnor. Composed by H. B. Schroeder. BL g.133.(56.)

Corri, Dussek & Co. Three Duetts, with Scots Airs. For two utes. By Ignace Pleyel. BL g.225.(10.)

7/9/1796

The Author 7/9/1796 The Favorite Grand March, as performed by the Staffordshire Band. Dedicated to the Earl of Uxbridge. Composed, and arranged for the piano forte, by J. Hindmarsh. BL g.133.(26*.)

312

Bland & Weller A Ballad.

Music Entries at Stationers’ Hall

16/9/1796

16/9/1796 The Author Three Sonatas for the Piano Forte, with an accompaniment for a violin. Composed, and dedicated to Miss Wetherell, by P[eter] A[nton] Kreusser. Op. 1. BL g.191.(7.)

6/10/1796 Corri, Dussek & Co. Three Grand Sonatas for the Piano Forte, with accompaniments for the violin and bass, being the 1st book of a sett of twelve new sonatas. Composed by Mr [Ignace] Pleyel. BL g.161.i.(4.) and h.925.x.(12.)

14/10/1796 Corri, Dussek & Co. Six Easy Duetts for Two Flutes in a Familiar Style. Composed by F[elix] Rault. BL g.225.(12.)

18/10/1796 Longman & Broderip Three Grand Sonatas from the Quartetts of [Joseph] Haydn, with favorite Scotch airs and reels for the adagios and last movements. Adapted for the piano forte, with accompaniments for a violin and violoncello. Dedicated to Dr [Joseph] Haydn. By F[rançois] H[ippolyte] Barthélemon. BL h.102.(2.)

18/10/1796 Thomas Attwood A favorite new song. Sung by Mrs [Maria Theresa] Bland in The Prisoner. Composed by Mr [Thomas] Attwood. BL G.250.(4.), text begins ‘Oh! how wild with pride and joy’

18/10/1796 Thomas Attwood A favorite new song. Sung by Miss [Elizabeth] Leak in The Prisoner. Composed by Mr [Thomas] Attwood. BL G.250.(5.), text begins ‘Hope as a gleam that shoots its ray’

Entries from 1710 to 1810

Corri, Dussek & Co. Three Duetts for Two Flutes. Composed by L[ouis] Vogel. BL g.225.(13.)

313

19/10/1796

21/10/1796 Culliford, Rolfe & Barrow The West London Quick March, for a Trumpet, Horns, Clarinets and Bassoons. Composed, and adapted for the piano forte or harp, by H. B. Schroeder, and most respecfully inscribed to Colonel Newnham and of
cers of the West London Militia. BL g.133.(58.)

21/10/1796 Corri, Dussek & Co. Three Sonatas for the Piano Forte, with an accompaniment for violin and bass ad libitum, in which are introduced the airs of ‘There was a Jolly Miller’, ‘Viva tutte le vezzose’, [and] ‘Perchè vezzosi rai’. Composed, and dedicated to Mrs Smith, by J[ohn] B[aptist] Cramer. Op. 12. BL g.161.b.(7.) and H.3691.u.(5.)

22/10/1796 The Author The Shipwreck, or Loss of the Halsewell East Indiaman. Being a grand instrumental piece adapted for the piano forte, with an accompaniment for a violin and violoncello. Composed, arranged, and humbly dedicated to His Excellency Baron [Ernst Ludwig Julius von] Lenthe, His Majesty’s Minister from the Electorate of Hanover, etc., etc., by A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. BL g.161.(5.)

24/10/1796 T. Gladman Myra of the Vale. A favorite ballad. Composed by J. F. Bohlius. Written by John Bayley. BL G.361.(27.)

28/10/1796 The Author A Second Set of Nine Songs with an accompaniment for the piano forte or harp. Dedicated (by permission) to the Right Honourable Lady Saltour. By John Ross, organist of St Paul’s, Aberdeen. BL G.358.(9.)

314

Music Entries at Stationers’ Hall

The Author The Confession. Written and composed by William Wennington. BL G.365.(52.)

28/10/1796

29/10/1796 John McFadyen Bothwell Bank. A favorite Scots song. The words from [John] Pinkerton’s Ancient Scotish Poems. BL G.356.(68.), text begins ‘O Bothwell bank thou bloomest fair’

John McFadyen Mary of Castle Cary. A favorite Scots song. BL G.356.(66.), text begins ‘Saw ye my wee thing’

29/10/1796

31/10/1796 The Author Quick March. Composed for the Berkshire Militia by H. B. Schroeder, at the request of W. W. Jones, late of the Berkshire Band, and arranged for the harp or piano forte. BL g.133.(59.)

1/11/1796 Corri, Dussek & Co. [Ignace] Pleyel’s Six Progressive Sonatinas with violin accompaniments (ad libitum), which the author has so constructed, that the passages are
rst under the performer’s hand not exceeding in compass one
fth [and] are gradually extended, and connected with the improvement of the pupil. BL g.144.(9.)

1/11/1796 Corri, Dussek & Co. Three Sonatas for the Piano Forte, with an accompaniment for violin or ute. Most respectfully dedicated to Mrs Taylor, Barkham House, Berks[hire], by T[homas] Haigh. BL g.142.(4.)

1/11/1796 Joseph William Holder Mrs Smyth’s of Topcroft Reel. Arranged as rondo for the piano forte by J[oseph] W[illiam] Holder, Mus. Bac. Oxon. BL g.140.(36.)

Entries from 1710 to 1810

315

1/11/1796 Corri, Dussek & Co. [Jan Ladislav] Dussek’s Instructions on the Art of Playing the Piano Forte or Harpsichord. Being a compleat treatise of the
rst rudiments of music, and containing general and exempli
ed rules and principles on the art of
ngering, making the compleatest work ever offered to the public. To which are added, Op. 32 expressly composed by Ignace Pleyel, Six Progressive Sonatinas with Violin Accompaniments ad libitum, which the author has so constructed, that the passages are
rst immediately under the performer’s hand, not exceeding in compass one
fth [and] are gradually extended, and connected with the improvement of the pupil. BL g.303.(6.)

3/11/1796 Culliford, Rolfe & Barrow Ben Bluff. A favorite ballad. Composed, and respectfully inscribed to Mr Wigstead, by Joseph Major. BL G.364.(32.)

4/11/1796 Culliford, Rolfe & Barrow Thirty Six Select Pieces for a Military Band, consisting of Marches, Quick Steps, Minuets and Rondos. Composed by James Brooks. BL b.82

5/11/1796 Charles Dibdin Jack’s Claim to Poll. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(9.)

5/11/1796 John Cartwright Cross Songs, Chorusses, etc., in The Charity Boy. A musical entertainment, in two acts, performed at the Theatre Royal, Drury Lane. [Words] by J[ohn] C[artwright] Cross. The music by Mr [William] Reeve. BL 643.f.4.(7.)

8/11/1796 John Baptiste Mayer Three Grand Sonatas for the Harp. Composed, and humbly dedicated to the Right Honourable Lady Ann Fitzroy, by J[ohn] B[aptiste] Mayer. BL g.198.(10.)

316

Music Entries at Stationers’ Hall

12/11/1796 William Shield The Wicklow Mountains. A comic opera. As performed at the Theatre Royal, Covent Garden. Consisting of national airs, etc. Composed and compiled by William Shield. The poetry by J[ohn] O’Keeffe, Esq. BL D.284.(5.)

12/11/1796 Culliford, Rolfe & Barrow The West London Slow March for a Trumpet, Horns, Clarinets and Bassoons. Composed, and adapted for the piano forte or harp, by H. B. Schroeder. BL g.133.(53.)

W. P. R. Cope The Rural Gift. A favorite song. Set to music by Charles Lockhart. BL G.366.(29.)

14/11/1796

14/11/1796 W. P. R. Cope The Charity Boy. A favorite ballad. Sung by Master [Thomas] Welsh at the Theatre Royal, Drury Lane, with the greatest applause. BL G.365.(45.), text begins ‘Mild as the op’ning dawn’

16/11/1796 Culliford, Rolfe & Barrow The Royal East India Quick March for a Trumpet, Horns, Clarinets and Bassoons, also adapted for the piano forte. Composed, and respectively dedicated by permission to Colonel Scott of the Royal East India Volunteers by his most obedient and most humble servant, William Abington, lieutenant in the 1st Regiment. BL g.133.(1.)

19/11/1796 Harrison & Co. Additional Song sung by Young Meadows [in the opera, Love in a Village, written by Isaac Bickerstaffe]. Composed by Mr [i.e., Dr Thomas Augustine] Arne.

26/11/1796 Dodd Perkins Ten Songs. Written by the Honourable Francis Seymour, Esq. Set to music, and inscribed to the Right Honourable and Reverend Lord Francis Seymour, Dean of Wells, by his most obliged humble servant, D[odd] Perkins. BL G.369.(6.)

Entries from 1710 to 1810

317

30/11/1796 John Mahon Hope, thou cheerful Ray of Light. A favorite song. As introduced by Mrs Second in the opera of The Woodman, and at the Winchester Music Meetings, with universal applause. Composed by John Mahon. BL G.250.(28.)

30/11/1796 H. B. Schroeder Troop March. Composed for the Berkshire Militia by H. B. Schroeder, at the request of W. W. Jones, late of the Berkshire Band, and arranged for the harp or piano forte. BL g.133.(57.)

2/12/1796 W. P. R. Cope [W. P. R.] Cope’s Collection of Elegant and Fashionable Scotch Strathspey Reels, with their Proper Figures. As they are performed at court, Bath, Willis’s and all public assemblies. Arranged for the harp, piano forte, violin, etc. BL b.54.(2.)

3/12/1796 George Cawthorn Abroad and at Home. A comic opera, in three acts. Now performing at the Theatre Royal, Covent Garden. [Written] by J[oseph] G[eorge] Holman. [The music by William Shield.] BL 162.h.44 and 643.f.4.(4.) and 11777.c.44

9/12/1796 Corri, Dussek & Co. Flore et Zephire. A grand ballet by [Charles-Louis] Didelot. As performed at the King’s Theatre, Haymarket. The music composed, and arranged for the piano forte with accompaniments for violin or ute, by Cesare Bossi. BL g.230.(1.)

318

Music Entries at Stationers’ Hall

10/12/1796 The Author The First Beginning on the Piano Forte, according to an improved Method of teaching Beginners. Containing an explanatory introduction, the rudiments of the art of playing on keyed instruments, and a series of progressive lessons and sonatinas. The whole being constructed so that any person of common capacity who never touched an instrument or knew a note before may, in the very
rst lesson, learn to play something by notes, and calculated for the use of grown persons as well as children who can reach no more than a sixth on the instrument. By A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel, St James’s. BL e.140.(6.)

10/12/1796 The Author Come, come my Friends, be Merry. A new song. Most respectfully dedicated to Mrs F. H. Gibson. Written and composed by Septimus Miles. BL G.366.(33.)

12/12/1796 Corri, Dussek & Co. [Jan Ladislav] Dussek’s Grand Overture for Two Performers on One Piano Forte, with the additional keys. As performed at Mr [John Peter] Salomon’s and other concerts by the author [Jan Ladislav Dussek] and Madame [Sophia, née Corri] Dussek. Dedicated to the Miss de Vismes [i.e., to the Misses de Visme]. BL h.308.(10.)

13/12/1796 Charles Dibdin The Irish Wedding. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(6.) and R.M.13.e.8.(66.)

13/12/1796 Charles Dibdin Love’s Lesson. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(5.)

Entries from 1710 to 1810

319

13/12/1796 Joseph Dale [Joseph] Dale’s Introduction to the Piano Forte, Harpsichord or Organ. In four books. Containing all the different scales in music, with a dictionary of words, etc., and a variety of lessons of every denomination. Composed by the most eminent masters, both ancient and modern. Calculated expressly for the instruction and improvement of every performer, from the beginner to the pro
cient. To which is added, Preludes in every Key, both major and minor, from the most easy to the most dif
cult and ornamental, not only studied and given as examples by ancient writers, but also by all the great and fashionable composers of the present time. The whole purchased, selected, arranged and composed by Joseph Dale. Book 1. Op. 12. BL e.140.(1.)

14/12/1796 Edward Riley Three Concertante Duetts for Two Clarinets. Composed, and dedicated to Thomas Fitzgerald, Esq., by A. G. Erbaci.

16/12/1796 Humphrey Hime The Earth is a Toper. Translated from the Greek of Anacreon by Dr Cogan. Set to music by Harmonicus, and sung by Mr Meredith at the Music Hall, Liverpool. BL G.356.(43.)

19/12/1796 Catherine Salvini Twelve Venetian Ballads. Composed, and arranged for the voice and piano forte, by the celebrated [Johannes] S[imon] Mayr, and dedicated by permission to Her Royal Highness the Dutchess of York, by her most dutiful and most devoted, very humble servant, Catherine Salvini. BL E.270.(20.)

20/12/1796 Bland & Weller A Christmas Box, containing the following bagatelles: ‘Goosey Goosey Gander’; ‘See Saw, Margery Daw’; ‘Little Jack Horner sat in a Corner’; ‘Hey diddle diddle, the Cat and the Fiddle’; ‘Tell tale tit’; ‘How does my Ladies Garden grow’; ‘Hot cross Buns’; ‘Three Children sliding on the Ice’; ‘Rockaby Baby upon the tree top’; ‘Who comes here? a Grenadier’; ‘See Saw, Saccaradaw’; ‘Make a Cake, make a Cake, Bakers Man’. Set to music by Mr [James] Hook. BL G.352.(23.)

320

Music Entries at Stationers’ Hall

21/12/1796 Preston & Son Trois Grandes Sonates pour le Piano-Forte, avec accompagnement d’un violon obligé. Composées, et dédiées à Sa Majesté la Reine de Prusse, par D[aniel] Steibelt. BL g.178.(3.)

28/12/1796 Karl Kambra Six Minuets and Six Petit Airs, for the Piano Forte. Composed, and dedicated to Lady Mary Maitland, by K[arl] Kambra. BL b.54.(8.)

30/12/1796 Bland & Weller New Guida di Musica, being a compleat book of instructions for beginners on the piano forte or harpsichord, on a new and improved plan. To which is added, Twentyfour Progressive Lessons in various Keys, with the proper
ngering throughout. Composed by Mr [James] Hook. Op. 81. BL e.140.(3.)

31/12/1796 Joseph Dale A 2d sett of Three Favorite Duetts for Two Performers on one Piano Forte or Harpsichord. Composed by Joseph Dale. BL g.131.(3.)

31/12/1796 Longman & Broderip The Shipwreck. A comic opera in two acts. As performed, with universal applause, at the Theatre Royal, Drury Lane. Written by S[amuel James] Arnold Jr. The music composed by Dr [Samuel] Arnold, organist and composer to His Majesty. BL D.285.(5.)

Corri, Dussek & Co. Pleyel, Corri and Dussek’s Musical Journal. BL g.141.(15.) and G.356.(12-14*.) and h.181.(1.) and h.181.(2.)

2/1/1797

2/1/1797 Corri, Dussek & Co. Two Harp Sonatas, with accompaniments for violin and bass. Composed by J[an] L[adislav] Dussek. Op. 34. BL g.192.a.(19.)

Entries from 1710 to 1810

321

5/1/1797 Joseph Dale Ye Sons of England take your Arms. A British Allons Enfans de la Patrie. Performed by the band of His Royal Highness the Duke of York. Adapted for the piano forte, harp, harpsichord, German ute and guitar. BL G.376.(46.)

6/1/1797 Longman & Broderip The Arch Duke Charles of Austria’s March, for the piano forte and a full band. BL g.133.(72.)

7/1/1797 The Author Ah Love! thou Tyrant of the Heart. A favorite sonnet. Composed, and sung at the Liverpool Concerts, by T[homas] Dorion. BL G.361.(62.)

9/1/1797 Culliford, Rolfe & Barrow Book 2, for the year 1797. Twelve New Country Dances, with their proper
gures, for the violin, harp or piano forte. Humbly dedicated to the nobility and gentry by James Platts. BL a.11

William Wennington To the copse lead along. Written and composed by William Wennington. BL G.365.(53.)

10/1/1797

William Wennington Quod Vis. Written and composed by W[illiam] Wennington. BL G.365.(54.)

10/1/1797

Longman & Broderip 11/1/1797 Overture to the celebrated entertainment of Harlequin and Oberon. Composed by William Reeve. BL g.137.(5.)

322

Music Entries at Stationers’ Hall

13/1/1797 Longman & Broderip [Antonio] Sacchini’s overture in the opera Evelina. Arranged for the piano forte by K[arl] Kambra. BL g.137.(9.)

16/1/1797 Joseph Dale The Lucid Tear. A favorite glee for three voices. The words by Mrs [Mary] Robinson. GUL Special Collections Cb3-y.13

Corri, Dussek & Co. 17/1/1797 Pleyel, Corri and Dussek’s Musical Journal. No. 2. Paul and Virginia. A romance. Composed by [Claude Joseph] Rouget de Lisle. BL g.141.(15.) and G.356.(12-14*.) and h.181.(1.) and h.181.(2.)

17/1/1797 Corri, Dussek & Co. A me tutte le belle. A favorite rondo for the harp and forte piano, or for the piano forte with accompaniments for violin and bass. Composed by Monsieur [Daniel] Steibelt. BL g.192.a.(21.) and h.1480.a.(2*.)

17/1/1797 Corri, Dussek & Co. [Giovanni Mane] Giornovichi’s Concerto, expressly composed for the Opera Concert, 1796. Arranged for the piano forte with accompaniments for violins, alto, utes, horns and bass by J[ohn] B[aptist] Cramer. BL g.116.a.(1.) and h.2997.(3.)

19/1/1797 Corri, Dussek & Co. For the year 1797. Twenty Four New Country Dances, with their proper
gures for the harp, piano forte and violin. As performed at the Prince of Wales’s and other grand balls and assemblies. Humbly dedicated to the nobility and gentry subscribers to Willis’s Rooms, Festino, etc., by Corri, Dussek & Co. BL b.54.(3.)

19/1/1797 Corri, Dussek & Co. [Giovanni Battista] Viotti’s Three Trios, arranged as sonatas for the piano forte with accompaniments for the violin and bass by J[an] L[adislav] Dussek. BL g.150.(8.)

Entries from 1710 to 1810

323

23/1/1797 Thomas Wright A Concerto for the Harpsichord or Piano Forte, with accompaniments for two violins, two oboes, two horns, a tenore and bass. Composed, and with sentiments of grateful respect dedicated to the Honourable Miss Dundass, by Thomas Wright, of Stockton upon Tees. BL g.116.a.(8.)

26/1/1797 The Author First Selection of French and English Songs, with accompaniments for the guittar. Composed by J[ohn] A[ndrew] Stevenson, a pupil of [George Wenzel] Ritter’s. BL D.836.gg.(3.)

Corri, Dussek & Co. Pleyel, Corri and Dussek’s Musical Journal. No. 3. BL BL g.141.(15.) and G.356.(12-14*.) and h.181.(1.) and h.181.(2.)

28/1/1797

1/2/1797 W. P. R. Cope The Emperor of Russia’s Grand March, adapted for the Piano Forte, Harpischord, or German Flute. Composed by T[homas] Thorley. BL g.133.(60.)

3/2/1797 Longman & Broderip The Confession. A favorite canzonet, with an accompaniment for a harp or piano forte. The music by an amateur. BL G.356.(25.)

3/2/1797 Longman & Broderip Abroad and at Home. A comic opera. Now performing, with the greatest applause, at the Theatre Royal, Covent Garden. Composed by [André Ernest Modeste] Gretry, [Giovanni Mane] Giornovichi, etc., and William Shield, musician in ordinary to His Majesty. The poetry by [Joseph] George Holman, Esq. BL D.287.(2.)

324

Music Entries at Stationers’ Hall

4/2/1797 Edward Smith Biggs How now, Shepherd what means that? The herdsman and shepherd’s dialogue from Percy’s Ancient Poetry. [The music by Edward Smith Biggs.] BL G.354.(59.)

6/2/1797 Catherine Salvini Contento il cor nel senso. A Polacca. Composed by [Johannes] S[imon] Mayr for the celebrated Luigi Marchesi and sung, with universal applause, on the Continent and in this country by Madam [Catherine] Salvini. BL G.199.(14.)

11/2/1797 Joseph Dale Cock a Doodle Doo. A favorite duett or trio, for two or three voices. Adapted for juvenile performers. BL G.352.(15.)

11/2/1797 Joseph Dale Hushaby Baby upon the tree top. A favorite duett or trio, for two or three voices. Adapted for juvenile performers. BL G.352.(16.)

11/2/1797 Corri, Dussek & Co. Tre Sonate per il Piano-Forte. Composte, e dedicate al suo stimatissimo amico Muzio Clementi, de Giovanni Luigi [i.e., Jan Ladislav] Dussek. Op. 35. BL g.146.(3*.) and g.543.d.(3.)

11/2/1797 Corri, Dussek & Co. Six Italian and English Canzonetts, with an accompaniment for the piano forte or harp. Composed, and dedicated (by permission) to Miss Tate, by Francesco Cipolla. Op. 3. BL G.198.(4.)

Entries from 1710 to 1810

325

15/2/1797 Timothy Essex A favorite canzonet. The words from Dr [Oliver] Goldsmith’s Vicar of Wake
eld, with an accompaniment for the piano forte or harp, Composed for, and most respectfully inscribed to, the young ladies at Belle Vue House, Bromley, Kent [by Timothy Essex]. BL G.361.(69.), text begins ‘When lovely woman stoops to folly’

15/2/1797 Joseph Dale Tell Tale Tit. A favorite duett for two voices. Adapted for juvenile performers. BL G.354.(61.)

15/2/1797 Joseph Dale Little Jack Horner. A favorite duett or trio for two or three voices. Adapted for juvenile performers. BL G.352.(17.)

15/2/1797 Joseph Dale Goosy Goosy Gander. A favorite duett or trio for two or three voices. Adapted for juvenile performers. BL G.352.(18.)

15/2/1797 William Shield Shakespear’s Duel and Loadstars. Set to music by Mr [William] Shield, musician in ordinary to His Majesty. BL G.352.(34.), text (for Shakespear’s Duel) begins ‘It was a Lordling’s daughter’, text (for ‘Loadstars’) begins ‘O happy fair’

17/2/1797 Longman & Broderip The Fair Bath Auctioneer, or Who bids for Me. Composed by the author of The Alderman’s Thumb, How Sweet in the Woodlands, Turn fair Clora, Sing Old Rose, etc., etc. [i.e., composed by Henry Harington]. BL G.356.(44.), text begins ‘Art thou the youth who bids for me’

326

Music Entries at Stationers’ Hall

18/2/1797 Thomas Welsh O Tommy Tommy. A favorite song and glee. Written by Mr [John] Rannie. The music by Master [Thomas] Welsh. BL G.352.(45.)

18/2/1797 Longman & Broderip Durandarte and Belerma. A pathetic Scotch ballad, with an accompanyment for the harp by F[rançois] H[ippolyte] Barthélemon. BL G.364.(6.)

18/2/1797 Charles Dibdin Pope Joan. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(7.)

18/2/1797 Charles Dibdin The Mad Lover. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(8.)

18/2/1797 Charles Dibdin The Tye Wig Volunteers. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(2.)

18/2/1797 Charles Dibdin The Good of the Nation. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(1.)

18/2/1797 Charles Dibdin Mounseer Nong tong paw. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(4.)

Entries from 1710 to 1810

327

18/2/1797 Charles Dibdin Anne Hatheawaye. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(10.)

18/2/1797 Charles Dibdin The Rustic Orpheus. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The General Election. BL G.382.(3.)

18/2/1797 Charles Dibdin The Complaint. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Valentine’s Day. BL G.381.(40.)

20/2/1797 Longman & Broderip Easy Progressive Lessons
ngered for young Beginners on the Piano Forte or Harpsichord. Composed by Thomas Attwood. BL g.132.(1.)

21/2/1797 Longman & Broderip Cease to blame my melancholy. A favorite song, with an accompaniment for the piano forte. Sung at the Bath Concerts, by Mr [John] Braham, Miss [Maria Hester] Parke and Mr [Jonathan] Nield. The music by Signor Venanzio Rauzzini. BL G.364.(39.)

25/2/1797 Charles Dibdin The Patent Cof
n. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Valentine’s Day. BL G.381.(38.) and R.M.13.e.8.(37.)

25/2/1797 Longman & Broderip Old Oliver, or the Dying Shepherd. A cantata. Written by Peter Pindar, Esq., and sung at the Bath Concerts by Mr [John] Braham. The music by Signor [Venanzio] Rauzzini. BL G.364.(35.)

328

Music Entries at Stationers’ Hall

2/3/1797 Preston & Son Bantry Bay. A musical entertainment. Performed, with utmost applause, at the Theatre Royal, Covent Garden. Composed by Mr [William] Reeve. BL H.129.(8.)

2/3/1797 Mary Storace The favorite operas of Mahmoud and The Iron Chest. Composed by Stephen Storace. Adapted for the piano forte or harpischord by Joseph Mazzinghi. BL E.115.a.(1.)

Joseph Dale The Man of Thessaly. GUL Special Collections Cb3-y.13

10/3/1797

13/3/1797 W. Cope The Peasant of Bantry Bay. A celebrated Irish song. Sung, with the greatest applause, by Mr [Richard] Johannot at the Theatre Royal, Dublin. Written and composed by John Moulds. BL G.366.(41.)

13/3/1797 Charles Dibdin A Dose for the Dons. A new song, for the popular entertainment of Valentine’s Day. Written as a tribute of admiration, and inscribed with pride and pleasure to Admiral Lord [John] Jervis and the gallant of
cers of his invincible eet, by C[harles] Dibdin. BL G.381.(37.)

13/3/1797 Bland & Weller Six Trios for Three Flutes or Violins, or a Flute, Violin and Tenor. Humbly dedicated to the Right Honourable the Earl of Abingdon by James Hook. Op. 83. BL g.222.(3.) and h.2141.(14.)

14/3/1797 Joseph Dale The Three and the Deuce. A musical entertainment. As performed at the Theatres Royal, Haymarket and Drury Lane. Adapted for the German ute. Composed by Stephen Storace. BL B.388.(1.)

Entries from 1710 to 1810

329

16/3/1797 Charles Dibdin Jervis for Ever. A new song, for the popular entertainment of Valentine’s Day. Written as a forecastle effusion, and most heartily inscribed to the jolly tars who so nobly drubbed the dons [in the Battle of Cape Saint Vincent] on the 14th of February 1797, by their admirer and fellow subject, C[harles] Dibdin. BL G.381.(39.)

16/3/1797 Reginald Spofforth Edward and Editha. A favorite ballad. Sung by Mrs [Maria Theresa] Bland. Written by G[eorge] S[aville] Carey. The music, with an accompaniment for the piano forte, composed by Reginald Spofforth. BL G.365.(18.)

21/3/1797 Charles Dibdin The Taylor’s Daughter. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Valentine’s Day. BL G.381.(42.)

Timothy Essex 24/3/1797 A juvenile song. Written and composed for, and most respectfully inscribed to, the Honourable Miss Caroline Douglas, by T[imothy] Essex. BL G.361.(76.), text begins ‘Dear Mama I prythee hear me’

27/3/1797 Charles Dibdin Every Man’s Friend. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Valentine’s Day. BL G.381.(36.)

27/3/1797 Longman & Broderip Six Progressive Sonatinas for the Piano Forte. Composed and
ngered by Muzio Clementi. Op. 36. BL g.132.(4.)

The Author Three Sonatas for the Piano Forte. Composed by Henry Denman. BL g.143.(5.)

31/3/1797

330

Music Entries at Stationers’ Hall

1/4/1797 Longman & Broderip The Scotch Ghost, or Little Fanny’s Love. As performed at the Theatre Royal, Drury Lane. [The ballet] composed by Signor Giuseppe Capelletti. BL g.230.(6.)

3/4/1797 Charles Dibdin Valentine’s Train. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Valentine’s Day. BL G.381.(41.)

4/4/1797 C. D. Bladwell The Fair Maniac. A plaintive ballad. Written by Mr John Rannie, and composed by C. D. Bladwell, Esq. BL G.361.(25.)

5/4/1797 Longman & Broderip Three Sonatas for the Piano Forte, with an accompaniment for a violin. Composed, and most respectfully dedicated to the Right Honourable Lady Elizabeth Howard, by J[ohn] L[ewis] Hoeberechts. Op. 9. BL g.188.(8.)

5/4/1797 Joseph Dale A Friend in Need. A musical entertainment. As performed at the Theatre Royal, Drury Lane. The music composed and selected by Michael Kelly. The words by Prince Hoare. BL D.288.(2.)

6/4/1797 Longman & Broderip Cape Saint Vincent. A Grand Sonata for the Piano Forte, with accompaniments for a violin and violoncello, expressive of the glorious naval victory obtained over the Spanish eet on the 14th February 1797. Composed, and most respectfully inscribed to Sir John Jervis, Bart, by M[atthew] P[eter] King, author of The Seige of Valenciennes, etc. etc. etc. BL g.161.b.(8.)

Entries from 1710 to 1810

331

6/4/1797 Bland & Weller Three Grand Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a ute or violin. Composed, and humbly dedicated to Her Royal Highness the Duchess of York, by James Hook. Op. 84. BL g.186.(5.)

8/4/1797 Septimus Miles The Honorable Artillery Company’s Grand Slow March and Quick Step, adapted for the piano forte or two German utes. Most respectfully dedicated to Colonel Paul Le Mesurier. Composed by Septimus Miles. BL g.133.(45.)

11/4/1797 Preston & Son The favorite overture, songs and glees, in the entertainment of Raymond and Agnes. As performed, with the utmost applause, at the Theatre Royal, Covent Garden. Composed by Mr [William] Reeve. BL H.129.(7.)

The Author 13/4/1797 Ella. The words by Miss Vaughan. Composed, and most respectfully inscribed to the ladies of Assembly House Boarding School, Leytonstone, by J[acob] C[ubitt] Pring, organist of St Botolph’s, Aldersgate. BL G.366.(53.)

19/4/1797 Longman & Broderip In Vain does dewy Morn disclose. A favorite duettino, with a harp or piano forte accompaniment. Composed by Signor [Venanzio] Rauzzini. BL G.354.(26.)

21/4/1797 Longman & Broderip Ah, touch again that plaintive Strain. A favorite song, with an accompaniment for the piano forte. The music by Signor [Venanzio] Rauzzini. BL G.364.(36.)

332

Music Entries at Stationers’ Hall

22/4/1797 Joseph Dale A Friend in Need. A musical entertainment. Performed at the Theatre Royal, Drury Lane. Adapted for the German ute. Composed by Michael Kelly. BL c.105.v.(4.)

Cambray Four new German Waltzes for the Piano Forte. BL g.229.(13.)

22/4/1797

Cambray Four Cotillons or French Dances arranged for the piano forte. BL g.229.(19.)

22/4/1797

27/4/1797 Longman & Broderip Three Sonatas for the Piano Forte, with an accompaniment for the violin and violoncello. Composed, and dedicated to Mrs [Theresa, née Jansen] Bartolozzi, by Joseph Haydn, Mus. D[oc]. Op. 75. BL g.161.j.(8.)

1/5/1797 Longman & Broderip What can be the matter with Nancy. Written by the late David Garrick, Esq., and, at his particular request, set to music by William Shield. BL G.356.(17.)

1/5/1797 Longman & Broderip The favorite divertissement ballet called L’Heureux Retour, ou Le Vainqueur Généreux. As performed at the King’s Theatre, Haymarket. [The ballet] composed by Monsieur [Sébastien] Gallet. Arranged for the piano-forte by Signor [Cesare] Bossi. BL g.230.(3.)

1/5/1797 Longman & Broderip The Prince of Wirtemberg’s March. Composed, and humbly dedicated to His Serenissime Highness, by F[rançois] H[ippolyte] Barthélemon. BL g.133.(5.)

Entries from 1710 to 1810

333

2/5/1797 Culliford, Rolfe & Barrow Twelve Easy and Familiar Movements for the Organ, which may be used either separately or in continuation so as to form one compleat voluntary. Composed purposely for the use of juvenile performers and intended to facilitate their improvement in the study of that instrument by instructing them progressively through different stops, whether used singly or variously combined. By Jonas Blewitt, organist of the united parishes of St Margaret Pattens and St Gabriel Fenchurch, and St Catherine [i.e., Katherine] Coleman. BL e.120.(3.)

3/5/1797 The Author Canzonet, with an accompaniment for the piano forte or harp. The poetry from Mrs [Ann] Radcliff[e]’s [The] Romance of the Forest. Composed, and most respectfully inscribed to the ladies of Prospect House Boarding School, Ranelagh, by William Horsley. BL G.366.(17.), text begins ‘The rose that weeps’

6/5/1797 William Tibbs Eight Songs in Score arranged for the Voice and Piano Forte. Dedicated (by permission) to the Right Honourable Countess Catherine Woronzon. By William Tibbs, organist of Richmond, Surrey. The words by [William] Shenstone, etc. BL G.327. and G.368.(15.)

10/5/1797 Joseph Dale In former Times the silent Bride. A favorite duett. Sung by Signora [Anna Selina] Storace and Mr [John] Bannister Jr in The Cherokee. Composed by Stephen Storace. BL G.354.(41*.)

10/5/1797 Joseph Dale Never think of Love. A favorite song. Sung by Mrs [Maria Theresa] Bland in My Grandmother. Composed by Stephen Storace. BL G.250.(45.)

11/5/1797 W. Cope A Favorite Air. Composed by Mr [James] Sanderson, with variations by Joseph Willson, author of the variations to Henry’s Cottage Maid. BL g.139.(53.)

334

Music Entries at Stationers’ Hall

11/5/1797 Joseph Dale Ah, what avails the busy Care. A favorite song. As sung by Mrs [Anna Maria] Crouch in The Cherokee. Composed by Stephen Storace. BL G.250.(39.)

11/5/1797 Joseph Dale And does a fond Emotion. A favorite duett. Sung by Signora Storace and Mrs Crouch in the opera of The Cherokee. Composed by Stephen Storace. BL G.354.(41.)

11/5/1797 Jones In Vain we
ll the Sparkling Bowl. A favorite Anacreontic song. Sung by Mr Burrows at Freemasons’ Hall, and at the private concerts. Composed by H. B. Schroeder, author of The Battle of Prague, etc. BL G.365.(10.)

12/5/1797 Joseph Dale And does a fond Emotion. A favorite duett. Sung by Signora [Anna Selina] Storace and Mrs [Anna Maria] Crouch in The Cherokee. Composed by Stephen Storace, with variations by D[aniel] Steibelt. BL g.139.(43.)

13/5/1797 James Johnson The Scots Musical Museum. Humbly dedicated to the Catch Club, instituted at Edinburgh, June 1771. By James Johnson. Vol. 5. BL M.K.5.a.1

15/5/1797 The Author A Periodical Collection of Vocal Music, never before printed. Consisting of Italian and English songs, duetts, terzetts, recitatives, canzonetts, ballads, etc. Composed by Venanzio Rauzzini, and dedicated by permission to Her Royal Highness the Duchess of York. In two volumes. Vol. 1. BL G.355 and R.M.14.a.1

Entries from 1710 to 1810

335

19/5/1797 John Erhardt Weippert Absence. A favorite song for the pedal harp or piano forte. Dedicated to a young lady. Written by T. A. Beckles, Esq. The music by John E[rhardt] Weippert, professor and teacher of the pedal harp. BL G.365.(42.)

19/5/1797 The Author Six English Canzonets, with an accompaniment for the piano forte or harp. Composed, and dedicated to Miss Susan Annabella Thrale with the truest respect, by J. Huttenes. BL G.357.(6.)

22/5/1797 Joseph Dale [Johann Philip] Seybold’s much admired Chasse for the Piano Forte or Harp, with an accompaniment for a violin. BL g.192.a.(16.)

Dr Parsons I have found out a Gift for my Fair. A ballad. The music by a lady. BL G.356.(50.)

23/5/1797

24/5/1797 Bland & Weller Three favorite Duetts for Two Performers on One Piano Forte or Harpsichord. Composed, and dedicated to Miss Scott and Miss Louisa Scott, by James Hook. BL g.131.(8.)

26/5/1797 Longman & Broderip The Tight Irish Boy. A favorite song. Sung by Mr [John Henry] Johnstone in the entertainment of Honest Thieves. The words by J[ohn] C[artwright] Cross. Composed by William Reeve. BL G.250.(35.)

29/5/1797 Longman & Broderip Delays are Dangerous. A favorite ballad. Written by George Saville Carey. Composed by H. B. Schroeder. BL G.365.(8.)

336

Music Entries at Stationers’ Hall

29/5/1797 Bland & Weller A Collection of Favorite Songs. Sung by Mr Dignum, Mr Denman, Mrs Franklin, Master Welsh and Mrs Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. Book 1. BL G.379.(9.)

31/5/1797 Charles Dibdin Datchet Mead, or the Fairy Court. A serenata. Written, composed and performed at new Sans Souci, Leicester Place, Leicester Square, in honour of the nuptials of His Most Serene Highness the Hereditary Prince of Wirtemberg with the Princess Royal of Great Britain, and inscribed with lively zeal and
delity to the Queen, by Her Gracious Majesty’s loyal and dutiful subject, C[harles] Dibdin. BL G.368.(7.)

31/5/1797 Bland & Weller Well away cruel Barbara Allen. A favorite song. Sung by Master [Thomas] Welsh at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(16.)

31/5/1797 Bland & Weller The Maid of the Green, pretty Sally. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(26.)

31/5/1797 The Author Three Sonatas for the Harp or Piano Forte, with an accompaniment for a violin. Composed, and dedicated to Miss Stow, by J. A. Hoffmann. BL g.192.a.(12.)

31/5/1797 Joseph Dale A Grand Sonata for the Piano Forte, with an accompaniment for a violin. As performed at the Opera Concert, and at Mr [John Peter] Salomon’s bene
t [concert]. Composed by D[aniel] Steibelt. Op. 30. BL g.178.(4.)

Entries from 1710 to 1810

337

2/6/1797 C. A. Sturgan Two Duettinos for Two Performers on one Piano Forte with additional keys. Composed, and dedicated to Miss Hutchinson, by C. A. S[turgan]. BL e.108.(13.)

2/6/1797 Bland & Weller You’re welcome, dear Youth, as the Flowers in May. A favorite song. Sung by Mrs Franklin at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(25.)

2/6/1797 Bland & Weller In a Vale far remov’d. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(10.)

Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 2. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

2/6/1797

5/6/1797 Joseph Dale Blind Llewellyn’s Strain. A favorite air. As sung by Mrs [Dora] Jordan, with the greatest applause, at the Theatre Royal, Drury Lane, in The Last of the Family. The words by Richard Cumberland, Esq. The music by Michael Kelly. BL G.249.(50.)

5/6/1797 Joseph Dale Honest Nature answers No. A favorite air. As sung by Mrs [Dora] Jordan, with the greatest applause, at the Theatre Royal Drury Lane, in The Last of the Family. The words by Richard Cumberland Esq. The music by Michael Kelly. BL G.249.(49.)

7/6/1797 The Author Monny Musk. Arranged as a rondo for the piano forte by Miss A[nn] Valentine of Leicester. BL g.140.(55.)

338

Music Entries at Stationers’ Hall

10/6/1797 Joseph Dale Trio. Sung by Mr [Michael] Kelly, Signora [Anna Selina] Storace and Mrs [Maria Theresa] Bland.

Joseph Dale Overture to A Friend in Need. [Composed by Michael Kelly.]

13/6/1797

15/6/1797 Culliford, Rolfe & Burrow A Celebrated Welch Air, with Varaiations for the Piano Forte by T[homas] Haigh. BL g.139.(26.) and g.606.oo.(12.)

15/6/1797 Culliford, Rolfe & Burrow Three Sonatas for the Piano Forte, in which are introduced as rondos Viva Tutti le Vezzose [by Felice Giardini], the Dutchess of Athol’s Strathspey, and an Irish air. Composed by T[homas] Haigh. Op. 13. BL g.145.(3.)

The Author A glee for three voices. Written and composed by William Wennington. BL G.352.(46.), text begins ‘Cease, cruel love’

15/6/1797

Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 3. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

19/6/1797

19/6/1797 Thomas Attwood The favorite song sung by Miss [S.] Wentworth in The Fairy Festival, at the Theatre Royal, Drury Lane. Composed by Mr [Thomas] Attwood. BL G.250.(3.), text begins ‘When fogs round the brim of the moon’

19/6/1797 Thomas Attwood The favorite song sung by Master [Thomas] Welsh in The Fairy Festival, at the Theatre Royal, Drury Lane. Composed by Mr [Thomas] Attwood. BL G.250.(1.), text begins ‘Just as your age’

Entries from 1710 to 1810

339

19/6/1797 Thomas Attwood The favorite trio sung by Mrs Bland, Master Welsh and Miss Wheatley in The Fairy Festival, at the Theatre Royal, Drury Lane. Composed by Mr [Thomas] Attwood. BL H.1980.p.(7.), text begins ‘In liquid notes’

21/6/1797 Bland & Weller Three Weeks after Marriage. A favorite song. Sung by Mrs [Rosemond] Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(18.)

22/6/1797 Edward Riley Go chaunt ye sweet Warblers along. A new song, sung at the public gardens. Composed by J[ohn] Ambrose. BL G.361.(14.)

22/6/1797 Edward Riley Love, Wine and Friendship. A festive song. Written and composed by T[homas] Busby. BL G.365.(2.)

26/6/1797 The Author All the World Satis
ed. Written and composed by William Wennington. BL G.365.(55.)

26/6/1797 The Author Jane of Kilda’s Grove. A ballad in the old and simple, pastoral stile. Written and composed by William Wennington. BL G.365.(56.)

L. Davaucel 29/6/1797 Complete Collection of the Twenty Romances of Estelle. Written by the Chevalier [Jean Pierre Claris] de Florian. Italian and French words. With a new accompaniment [by L. Davaucel] for the piano forte and harp. Dedicated (by permission) to Her Royal Highness the Princess of Wales. BL H.2004

340

Music Entries at Stationers’ Hall

Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 4. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

4/7/1797

4/7/1797 The Author Arise from your Slumbers. A favorite hunting song. Written and composed by G[eorge] Warne of Norwich. BL G.365.(35.)

Joseph Dale 4/7/1797 I early found my tender Heart. A favorite song. As sung by Mrs [Maria Theresa] Bland in A Friend in Need. The words by Prince Hoare. The music by Michael Kelly. BL G.250.(21.)

4/7/1797 Joseph Dale The New Royal Wirtemberg March. Composed in honor of the late nuptials [of the Prince and Princess of Wales]. BL g.133.(71.)

4/7/1797 Christopher Anstey Britain’s Genius. A song, to the tune of Come and Listen to my Ditty. Occasioned by the late mutiny on board His Majesty’s ships at the Nore. By C[hristopher] A[nstey], Esq. BL 992.g.45.(2.)

8/7/1797 The Author Ouverture et Trois Airs de Ballet pour le Piano-Forte. Composés et dédiés à Miss Clara Mackenzie par C[arlo] Barbieri. Op. 13. BL g.137.(18.)

8/7/1797 Longman & Broderip What will not gen’rous wine produce? A favorite glee. Composed by Samuel Webbe. BL G.353.(31.) and H.2815.c.(45.)

Entries from 1710 to 1810

341

11/7/1797 Bland & Weller Ben of Sheerness. A favorite sea song. Sung, with the greatest applause, by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(17.)

17/7/1797 The Author Six Songs, English and Scottish. Written and composed by Thomas Vaughan. Dedicated (by permission) to Mrs Wemyss of Wemyss. BL G.369.(11.)

19/7/1797 Longman & Broderip Three Sonatas for the Piano Forte, with accompaniments for violin and violoncello ad libitum. Composed, and dedicated to Miss Clark, by J[ohn] B[aptist] Cramer. Op. 15. BL g.161.b.(5.)

22/7/1797 Longman & Broderip Six Favorite Canzonets, with an accompaniment for the piano forte. Composed, and dedicated to Miss Sophia Krempien, by Reginald Spofforth. BL G.358.(11.)

28/7/1797 Bland & Weller Second Collection of Favorite Songs. Sung by Mr Dignum, Mr Denman, Mrs Franklin and Mrs Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.379.(10.)

2/8/1797 The Author The Scotch Shepherd. A favorite Scotch song. Composed by V. de Cleve. Written by G. Walker. BL G.365.(3.)

12/8/1797 Bland & Weller The Match Boy. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.c.(12.)

342

Music Entries at Stationers’ Hall

12/8/1797 Bland & Weller Along the ow’r invested Shore. A favorite song. Sung by Mr [Henry] Denman at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(43.)

14/8/1797 Venanzio Rauzzini A Periodical Collection of Vocal Music. Nos. 5 and 6. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

Longman & Broderip 21/8/1797 A Quintetto for the Piano Forte, Two Violins, Tenor and Violoncello. As performed at the Opera Concert. Composed, and humbly dedicated to Miss Buller, by D[aniel] Steibelt. Op. 31. BL g.457.b

31/8/1797 The Author Fanny of the Dale. Composed, and most respectfully inscribed to the ladies at Mrs Caley’s Boarding School, Walthamstow, by J[acob] C[ubitt] Pring, Mus. Bac. Oxon. BL G.366.(54.)

2/9/1797 Urbani & Liston A Selection of Scots Songs. Harmonized, improved with simple and adapted graces, [and] most respectfully dedicated to the Right Honourable the Countess of Balcarres, by Peter Urbani, professor of music. Book 1. GUL Special Collections Ca9-x.23

2/9/1797 Urbani & Liston A Favorite Selection of Scots Tunes by Urbani & Liston. Properly arranged as duettos for two German utes or two violins by P[eter] Urbani. BL b.69

2/9/1797 Urbani & Liston Sally in our Alley. The real set, as sung by Mr [Charles] Incledon. Never in print before. BL G.356.(49.), text begins ‘Of all the girls that are so smart’

Entries from 1710 to 1810

Urbani & Liston Seraphina. Set to music by P[eter] Urbani. BL G.364.(60.)

343

2/9/1797

2/9/1797 Urbani & Liston The Soldier’s Return. [Written] by Robert Burns. Set to music by P[eter] Urbani. BL G.364.(57.)

2/9/1797 Urbani & Liston O Mary my deary. A favorite Scot song. The words by a gentleman, and set to music by P[eter] Urbani. BL G.364.(62.)

2/9/1797 Urbani & Liston From thee Eliza. A favorite new song. Words by [Robert] Burns. Set to music by Mr [Peter] Urbani. BL G.364.(61.).

2/9/1797 Urbani & Liston My Love she’s but a Lassie yet, with new words. As sung, and arranged for the piano forte, by Mr [Peter] Urbani at the concert [at] St Cecilia’s Hall [Edinburgh]. BL G.364.(59.)

2/9/1797 Urbani & Liston Loch Erroch Side. A new rondeau. Set for the harpsichord or piano forte by P[eter] Urbani. BL g.140.(53.)

2/9/1797 Urbani & Liston My ain kind Dearie, with New Variations for the Piano Forte or Harpsichord. By P[eter] Urbani. BL g.139.(50.)

344

Music Entries at Stationers’ Hall

Urbani & Liston Major Monro’s March and Quick Step. Composed by Mr [Peter] Urbani. BL g.133.(61.)

2/9/1797

2/9/1797 Urbani & Liston Up and war them a’Willie, with new words. Arranged as a duett by Mr [Peter] Urbani with piano forte accompaniment and sung, with the greatest applause, by Madame [Mrs Domenico] Corri and Mr [Peter] Urbani, at the concerts [at] St Cecilia’s Hall [Edinburgh]. BL G.354.(43.)

8/9/1797 Longman & Broderip A Notturno for the Piano Forte, with accompaniments for the violin and violoncello. Composed by Adalbert Gyrowetz. Op. 21. BL g.161.d.(3.)

9/9/1797 Bland & Weller I sought my Love o’er Hill and Dale. A favorite echo song. Sung by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(38.)

9/9/1797 Bland & Weller The Royal Dorsetshire March. As repeatedly performed before Their Majesties at Weymouth. Composed expressly for that occasion by His Majesty’s obedient humble servant, Josiah Ashley. Properly arranged for the piano forte. BL g.133.(2.)

16/9/1797 Longman & Broderip Three Sonatas for the Piano Forte, with accompaniments for the violin and violoncello. Composed by Adalbert Gyrowetz. Op. 22. BL g.161.d.(4.)

Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 7. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

19/9/1797

Entries from 1710 to 1810

345

19/9/1797 Bland & Weller Maidens would you know. A new song. Sung by Mrs [Rosemond] Mountain at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(39.)

19/9/1797 Bland & Weller Jem of Aberdovey. A favorite Welch song. Sung by Mrs Franklin at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(24.)

19/9/1797 Bland & Weller When the sprightly Fife and Drum. A new song. Sung by Mrs Franklin at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(34.)

26/9/1797 Joseph Dale A Bachellor Miller. Sung by Mr [Richard] Suett at the Theatre Royal, Drury Lane, in A Friend in Need. Composed by Michael Kelly. BL G.250.(22.)

26/9/1797 Joseph Dale Now homeward o’er the daisied Meads. Sung by Mr [Charles] Dignum, at the Theatre Royal, Drury Lane, in A Friend in Need. Composed by Michael Kelly. BL G.249.(48.)

2/10/1797 John Peter Salomon [Joseph] Haydn’s Celebrated Symphonies composed for and performed at Mr [John Peter] Salomon’s and the Opera Concerts. Adapted for the piano forte, with an accompaniment for a violin and violoncello ad libitum. Nos. 7., 8., 9., 10., 11. and 12. BL g.134.(7.)

Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 8. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

2/10/1797

346

Music Entries at Stationers’ Hall

4/10/1797 The Author Tom Staysail. A favorite song. Written and composed by Thomas Vaughan and sung, with great applause, by Mr [Charles] Dignum at all the convivial societies. BL G.365.(33.)

11/10/1797 Joseph Dale Perhaps it is not Love. A favorite canzonet for the piano forte or harp. The words by [William] Shenstone. The music by an amateur. BL G.356.(27.)

The Author Four Dances. Composed by William Wennington. BL g.229.(18.)

11/10/1797

11/10/1797 The Author The Game of Skittles. Written and composed by William Wennington, and by him to his amateurs dedicated. BL G.365.(50.)

13/10/1797 The Author A General Collection of the Ancient Irish Music. Containing a variety of admired airs never before published, and also the compositions of Conolan and [Turlough] Carolan. Collected from the harpers, etc., in the different provinces of Ireland, and adapted for the piano forte, with a prefatory introduction, by Edward Bunting. Vol. 1. BL g.138.(1.) and g.229.c.(1.) and g.443.r.(3.)

13/10/1797 Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 9. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

17/10/1797 Longman & Broderip This is the House that Jack built. Composed by Master [Thomas] Welsh. BL G.365.(44.)

Entries from 1710 to 1810

347

19/10/1797 Joseph Dale The Good Militia Man, or the Man who is worth an Host. A new song. Set to music by an amateur. BL G.376.(58.)

19/10/1797 E. Bates Oh! Poor Robinson Crusoe. A favorite comic chaunt. Written and sung by Mr [John] Cussans at the Royal Circus and Sadler’s Wells, with universal applause. BL G.367.(29.)

21/10/1797 William E. Southbrook Six Sonnets and Six Sonatinas, with a frontispiece designed by J[ohann] Zoffany, Esq., R. A., and engraved by J. Stow. [Composed by William E. Southbrook.] BL G.369.(10.)

23/10/1797 Charles Dibdin Duncan and Victory. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(54.)

25/10/1797 Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 10. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

27/10/1797 Joseph Dale A Catch for Three Voices, on Admiral [Adam] Duncan’s glorious victory, the 11th of October, 1797. BL G.352.(53.), text begins ‘Who can trim the foe?’

Charles Dibdin 30/10/1797 The Nancy. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(61.) and R.M.13.e.8.(12.)

348

Music Entries at Stationers’ Hall

1/11/1797 Corri, Dussek, & Co The Naval Battle and Total Defeat of the Grand Dutch Fleet by Admiral [Adam] Duncan on the 11th of October, 1797. A Characteristic Sonata for the Piano Forte. Composed, and dedicated to Viscount [Adam] Duncan, by J[an] L[adislav] Dussek. BL g.138.(13.)

4/11/1797 Charles Dibdin The Lyric Test. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(57.)

6/11/1797 Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 11. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

6/11/1797 Joseph Dale Admiral [Adam] Duncan’s Victory over the Grand Dutch Fleet, the 11th of October 1797. A Sonata for the Piano Forte or Harpsichord. Composed, and dedicated to Admiral Lord [Adam] Duncan, by J[oseph] Dale. Op. 13. BL g.138.(11.)

10/11/1797 Rev. J. Johnson Six Glees for Two, Three and Four Voices. Composed by an Essex amateur [Rev. J. Johnson]. BL G.353.(35.)

13/11/1797 Charles Dibdin True Glory. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.295.(5.) and G.382.(71.) and R.M.13.e.8.(19.)

19/11/1797 Longman & Broderip ’Twas on an Autumn Day. A favorite Scotch air. Sung by Mr [Charles] Dignum in A Trip to the Nore. BL G.250.(25.)

Entries from 1710 to 1810

349

19/11/1797 Longman & Broderip The Night was dark. A much admired song. Sung by Mrs [Maria Theresa] Bland in A Trip to the Nore. Composed by W[illiam] Linley. BL G.250.(24.)

19/11/1797 Longman & Broderip The Newest Christmas Box. Containing a variety of bagatelles arranged for one, two or three voices and the piano forte. For juvenile amusement. Set to music by Reginald Spofforth. Op. 2. BL G.352.(35.)

19/11/1797 Longman & Broderip Britannia. An allegorical overture in commemoration of the signal naval victory obtained by Admiral [Adam] Duncan over the Dutch eet the 11th of October, 1797. Composed for the piano forte, and humbly inscribed to His Most Gracious Majesty the King of Great Britain etc., etc., by D[aniel] Steibelt. BL g.138.(3.)

Charles Dibdin 20/11/1797 All’s one to Jack. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(68.) and R.M.13.e.8.(99.)

20/11/1797 Joseph Dale Tho’ Pleasure swell the Jovial Cry. A favorite song. Sung by Mr [John] Braham in Mahmoud. Composed by Stephen Storace. BL G.250.(60.)

20/11/1797 Joseph Dale Toll Toll the Knell. A favorite song. Sung by Signora [Anna Selina] Storace in Mahmoud. Composed by Stephen Storace. BL G.250.(56.)

350

Music Entries at Stationers’ Hall

20/11/1797 Joseph Dale From Shades of Night. A favorite song. Sung at the Theatre Royal, Drury Lane by Mr [John] Braham in Mahmoud. Composed by Stephen Storace. BL G.250.(58.)

20/11/1797 Joseph Dale Where jealous Misers Starve. A favorite song. Sung by Mrs [Maria Theresa] Bland in Mahmoud. Composed by Stephen Storace. BL G.250.(57.)

20/11/1797 Joseph Dale Down by the River there grows a green Willow. A favorite song. Sung by Signora [Anna Selina] Storace in The Iron Chest. The words by George Colman, Esq. The music by Stephen Storace. BL G.250.(52.)

20/11/1797 Joseph Dale Oh Hapless Youth. A favorite song. Sung by Miss [Anne] Miller in Mahmoud. Composed by Stephen Storace. BL G.250.(59.)

20/11/1797 Joseph Dale Sweet little Barbara. A duett. Sung by Signora [Anna Selina] Storace and Mr [John] Bannister Jr in The Iron Chest. Composed by Stephen Storace. BL G.354.(40.)

20/11/1797 Joseph Dale A Traveller stopt at a Widow’s Gate. A favorite song. Sung by Mr [Richard] Suett in The Iron Chest. Composed by Stephen Storace. BL G.250.(53.)

23/11/1797 Joseph Dale Glee. Sung by Signora [Anna Selina] Storace, Miss [Julia] Granger, Master [Thomas] Welsh and Mr [Richard] Suett. Bodleian Mus. Voc. I, 98 (9)

Entries from 1710 to 1810

351

23/11/1797 Theodore Bridault The Royal Embarkation at Greenwich. A characteristic sonata for the piano forte. Composed, and humbly inscribed to Her Majesty, by Theodore Bridault. BL g.138.(8.)

25/11/1797 Charles Dibdin Smith
eld Bargains. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(58.)

27/11/1797 Longman & Broderip On Admiral Lord [Adam] Duncan’s Victory. A favorite glee. Sung, with great applause, at the Glee Club, Crown and Anchor Tavern, Strand. Composed, and by permission dedicated to the president and members of that society, by their obedient humble servant, William Dixon. BL G.353.(11.)

29/11/1797 Vincenzo Federici L’Ipermestra. A serious opera, in two acts. As represented at the King’s Theatre in the Haymarket, 1797. The music composed by the celebrated [Giuseppe] Sarti. BL 643.f.8.(5.)

29/11/1797 James Worgan Bright Phœbus arises the
rst in the Morn. A new duett. Set to music, and respectfully inscribed (by permission) to Sir William Johnston, Bart., by his obliged and obedient humble servant, J[ames] Worgan. BL G.354.(45.)

30/11/1797 Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 12. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

30/11/1797 Venanzio Rauzzini Jervis and Duncan, or the year Ninety Seven. A song. Composed by Mr [Venanzio] Rauzzini. Sung by Mr Taylor, with universal applause, at the Bath concerts. BL G.376.(31.)

352

Music Entries at Stationers’ Hall

30/11/1797 Edward Miller Sixteen Easy Voluntaries for the Organ, nine of them being of a proper length to perform at church before the
rst lesson. Also, a voluntary for Christmas Day, one for Easter Day, and one for funerals. Composed by Edward Miller, Mus. Doc. Op. 9.

30/11/1797 Charles Haiman Florio All I wish in her obtaining. A favorite duett. As sung by Madame [Gertrude Elizabeth] Mara and Mr [Charles] Incledon in Love in a Village and [in] The Beggars Opera. The music by Mr [Charles Haiman] Florio. BL G.354.(12.)

1/12/1797 The Author Sonnet for the Birth Day of Two Gentlemen—Twins—upon their attaining the Age of 21 Years. Composed, and respectfully inscribed to Mrs H. Frampton, by J[acob] C[ubitt] Pring, Mus. Bac. Oxon. BL G.366.(55.)

1/12/1797 The Author A First Book of Glees, Canons, etc. Composed by J[acob] C[ubitt] Pring, Mus. Bac. Oxon, organist of St. Botolph’s Aldersgate. BL D.400.(9.) and Mad.Soc.15.(7.)

1/12/1797 J. Mathews The New Somersetshire March. Dedicated, with permission, to Sir Walter James, Bart. [Composed by J. Mathews.] BL g.133.(73.)

2/12/1797 Thomas Attwood At early dawn from humble Cot. A favorite song. Sung by Mrs [Maria Theresa] Bland in the farce, Fast Asleep. Composed by Thomas Attwood. The words by Samuel Birch, Esq. BL G.250.(7.)

Entries from 1710 to 1810

353

2/12/1797 Thomas Attwood Ah! once when I was very little Maid. A favorite song. Sung by Mrs [Maria Theresa] Bland in the farce, Fast Asleep. Composed by Thomas Attwood. The words by Samuel Birch, Esq. BL G.250.(6.)

2/12/1797 Maria Poole Six Canzonetts and a Lullaby for the Voice, with an accompaniment for the piano forte or harp. Composed, and dedicated by permission to the Right Honourable the Marchioness of Abercorn, by Miss [Maria] Poole. BL G.358.(8.)

2/12/1797 Charles Dibdin Tol de rol de rol. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(60.)

8/12/1797 James Worgan Soft downy Sleep. A much admired pathetic new song. Written by Mr Williamson. Set to music by J[ames] Worgan. BL G.365.(69.)

9/12/1797 Charles Dibdin The Labourer’s welcome Home. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(66.)

Joseph Dale Overture to The Iron Chest. [By Stephen Storace.] BL e.104.(15.)

13/12/1797

16/12/1797 Charles Dibdin Captain Wattle and Miss Roe. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(59.)

354

Music Entries at Stationers’ Hall

18/12/1797 Corri, Dussek & Co. L’Offrande à Terpsichore. A divertisement. As performed at the King’s Theatre, Haymarket 1797–8. [The ballet] composed by Monsieur [Sébastien] Gallet. The music arranged for the piano forte by Cesare Bossi. BL g.230.(2.)

Joseph Dale Overture, Mahmoud. [By Stephen Storace.] BL e.104.(16.)

21/12/1797

21/12/1797 Joseph Dale The Iron Chest. An opera. Performed at the Theatre Royal, Drury Lane. Adapted for the German ute. Composed by Stephen Storace. BL c.105.v.(6.)

21/12/1797 The Author Taffy in Unison. A favorite song. Written and composed by William Wennington. BL G.365.(51.)

21/12/1797 The Author Fairies, on the twilight Green. A favorite sonnet. Composed, and respectfully inscribed to Miss F. Morrel, by Joseph Major. The poetry by Mr [William] Wennington. BL G.364.(30.)

22/12/1797 The Author Port and Sherry, or, Britons be wise and merry. A favorite new song. Written and composed by J[ames] Worgan. BL G.365.(68.)

23/12/1797 The Author Twenty-Four Country Dances, set for the Harp, Piano Forte and Violin. Composed, and humbly dedicated (by permission) to Lady Mary Singleton, by Thomas Harrington, music and dancing master, Bury. BL b.54.(6.)

Entries from 1710 to 1810

355

23/12/1797 Charles Dibdin Love’s Probation. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(69.)

27/12/1797 Joseph Dale Mahmoud. An opera. Performed at the Theatre Royal, Drury Lane. Adapted for the German ute. Composed by Stephen Storace. BL b.171.i.

30/12/1797 Corri, Dussek & Co. Bacchus and Ariadne. A grand ballet. As performed at the King’s Theatre, Haymarket, 1797–8. [The ballet] composed by Monsieur [Sébastien] Gallet. The music arranged for the piano forte by Cesare Bossi. BL g.230.(4.)

30/12/1797 Charles Dibdin The Advantage of Toping. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(64.) and G.798.(19.)

5/1/1798 Joseph Dale Twelve Grand Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello, in which are introduced a variety of Scotch airs and favorite pieces. Composed by Ignace Pleyel. Op. 14. BL h.1480.(12.) and h.4110.(1.), incomplete

Longman & Broderip Answer to the Song of the Confession. Composed by an amateur. BL G.356.(26.)

8/1/1798

9/1/1798 Charles Dibdin The Country Club. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.295.(6.) and G.382.(63.)

356

Music Entries at Stationers’ Hall

10/1/1798 The Author Six Songs. Composed by William Carnaby, Huntingdon, and dedicated by permission to the Right Honourable Lady Templetown. BL G.357.(2.)

13/1/1798 Longman & Broderip The Genealogy of the British Kings, including the Heptarchy. In order to impress the memory of youth and attract the mind more forcibly in so interesting a subject, the ear is engaged by melody. Composed by T[homas] Attwood. The words by George Saville Carey. BL G.361.(1.)

13/1/1798 Charles Dibdin The Invasion. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called King and Queen. BL G.382.(35.)

13/1/1798 Venanzio Rauzzini A Periodical Collection of Vocal Music. Nos. 13 and 14. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

15/1/1798 Corri, Dussek & Co. A Compleat Delineation of the Royal Procession to St Pauls on the 19th of December, 1797. [Composed by Jan Ladislav Dussek.] BL g.138.a and g.138.b and g.138.(15.)

15/1/1798 Joseph Dale The Castle Spectre. As now performing, with unbounded applause, at the Theatre Royal, Drury Lane. The words by G. M. [i.e., Matthew Gregory] Lewis, Esq. The music by Michael Kelly. BL D.288.(1.)

15/1/1798 Joseph Dale Go to the Devil and Shake yourself. A favorite Irish dance. Arranged as a rondo for the piano forte by J[oseph] Dale. BL g.140.(23.)

Entries from 1710 to 1810

357

19/1/1798 William Horsley French Fraternity. By a lady. Composed in honor of the most glorious naval victories, obtained by our three gallant admirals. BL G.376.(49.)

20/1/1798 Charles Dibdin Give and Take. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(70.)

20/1/1798 George Smart La Guida Della Musica Instrumentale, or the Rudiments of the Forte Piano and Harpsichord exempli
ed in a clear and concise Manner, with eight exercises for forming the hands, and the
ngering marked. To which are subjoined Eight Progressive Lessons constructed on pleasing familiar airs, to conclude with a Lesson for Two Performers on One Forte Piano, etc. The whole planned and written with great care and attention to the more immediate improvement of all those desirous of acquiring a perfect knowledge of the above instruments. By John Danby. Op. 5. BL e.140.(2.)

23/1/1798 The Author Address to Contentment. From Lady [Catherine Rebecca] Manners’ poems. Set to music, and respectfully inscribed to the Right Honourable Lady Mary Taylor, by William Dance, musician in ordinary to His Majesty. BL G.368.(3.)

25/1/1798 Corri, Dussek & Co. Three Grand Sonatas for the Piano Forte, with accompaniment for the violin and bass. Being the
rst book of a sett of Twelve New Sonatas. Composed by Mr [Ignace] Pleyel. Op. 31. BL g.161.i.(4.) and h.925.x.(12.)

27/1/1798 Charles Dibdin Change for a Guinea. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called King and Queen. BL G.382.(31.) and R.M.13.e.8.(50.)

358

Music Entries at Stationers’ Hall

29/1/1798 Joseph Dale The College Hornpipe. Arranged [by Joseph Dale] as a rondo for the piano forte or harp. BL g.140.(56.)

2/2/1798 Corri, Dussek & Co. Le Triomphe de Thémis. A grand ballet. As performed at the King’s Theatre, Haymarket, [17]97–98. [The ballet] composed by Monsieur [Sébastien] Gallet. The music composed by Cesare Bossi. BL g.137.(25.)

3/2/1798 Charles Dibdin The Flowing Bowl. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called King and Queen. BL G.382.(34.) and R.M.13.e.8.(14.)

3/2/1798 The Author New Elements of Thorough Bass, clearly and concisely demonstrated on scienti
c principles. By John Furtado, Mus. Prof., Stoke Newington. BL 1042.k.23.(2.)

7/2/1798 Joseph Dale My Plaint in no one pity moves. Sung by Mrs [Anna Maria] Crouch in The Siege of Belgrade. Composed by [Stephen] Storace. BL G.250.(70.)

Longman & Broderip Would we had never met. An admired song. Composed by J[ames] Fisin. BL G.366.(2.)

8/2/1798

8/2/1798 Longman & Broderip Three Sonatas for the Piano Forte. Composed, and dedicated to Miss Harriot Gompertz, by Muzio Clementi. Op. 37. BL g.146.(2.)

Entries from 1710 to 1810

359

8/2/1798 The Author Four Sonatas for the Piano Forte or Harpsichord, with an accompaniment for a violin. Composed by W. Wake
eld. BL g.144.(11.)

10/2/1798 Corri, Dussek & Co. [Ignace] Pleyel’s Six Progressive Sonatinas with violin accompaniments (ad libitum), which the author has so constructed, that the passages are
rst under the performer’s hand not exceeding in compass one
fth [and] are gradually extended, and connected with the improvement of the pupil. BL g.144.(9.), a continuation of the work entered on 1/11/1796

10/2/1798 Charles Dibdin The Gardener. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(55.)

14/2/1798 George Kauntze The Princess of Gloucester’s Troop. As performed by His Royal Highness the Duke of Gloucester’s band and the Monmouth Militia at Brighton, with universal applause. Composed by C[hristian] F[rederick] Eley. BL g.133.(18.)

15/2/1798 Chevalier Royer de Villerie Marche d’Alcide. Scène heroi-lyrique. Dédiée aux augustes et illustres héros deffenseurs de la cause des cieux, des rois et de l’humanité par le Chevalier Royer de Villerie, auteur des paroles et de la musique. BL H.1686.(38.) and R.M.14.b.1.(22.)

16/2/1798 Charles Dibdin Freedom’s Contribution. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(56.)

360

Music Entries at Stationers’ Hall

16/2/1798 Joseph Dale Oh dear delightful Skill. Sung by Signora [Anna Selina] Storace in The Prize. [Composed by Stephen Storace.] BL G.250.(69.)

19/2/1798 Corri, Dussek & Co. The grand dramatic romance of Blue Beard, or Female Curiosity. As now performing at the Theatre Royal, Drury Lane, with unbounded applause. The words by George Colman the younger, Esq. The music composed and selected by Michael Kelly. BL E.109

21/2/1798 The Author Simplicity. A ballad, with an accompaniment for the piano forte. The poetry from The British Album [a collection of poems
rst published in 1790]. Composed, and respectfully inscribed to Miss Amelia Crabell, by William Horsley. BL G.366.(18.)

24/2/1798 William Hodsoll Select Songs by Stephen Francis Rimbault. No. 1. The Pilgrim. Written by Peter Pindar. Respectfully inscribed to Miss Mary Ann Peacock. BL G.805.c.(30.)

26/2/1798 Charles Dibdin Grizzle. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called King and Queen. BL G.382.(36.) and R.M.13.e.8.(57.)

28/2/1798 Joseph Dale O Strike the Harp. For one, two or three voices, with an accompaniment for the harp or piano forte. The poetry from Ossian. The music from the compositions of Stephen Storace. BL G.352.(42.)

Entries from 1710 to 1810

361

1/3/1798 Thomas Bolton Anacreontic to Bacchus. By J. Cobbin Jr., taken from Monthly Mirror, by permission of the proprietors. The music composed by T[homas] Bolton. BL G.361.(28.)

2/3/1798 Longman & Broderip Song and glee. Sung at the Ladies Catch and Glee Concert by Messrs Harrison, Knyvett and Bartleman. BL D.400.(8.), text begins ‘Long life and happiness’

2/3/1798 George Thomas Smart The Morning Hymn. Composed for the use of Brunswick Chapel. By G[eorge] T[homas] Smart. BL H.1683.(59.), text begins ‘Awake my soul’

3/3/1798 The Author A Symphony for the Piano Forte, a Violin, and Violoncello, with Analytical Explanations of the Subjects and Imitations, the Modulations, the Counterpoint Inversions and the Rhythmical Order it contains. Written, and humbly dedicated to His Excellency Count [John Maurice] de Bruhl, Minister from the Elector of Saxony to His Majesty, by A[ugustus] F[rederic] C[hristopher] Kollmann, Organist of His Majesty’s German Chapel, St. James’s. Op. 7. BL g.161.(4.)

5/3/1798 Longman & Broderip The Disabled Seaman. A celebrated ballad. Composed and sung by Mr [Charles] Dignum at the Nobility’s Concerts. The words by M[atthew] G[regory] Lewis, Esq., author of The Monk and Castle Spectre. BL G.356.(58.)

5/3/1798 Longman & Broderip Hang War, Hang Care. A favorite air and chorus. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden, in the grand ballet called Joan of Arc. Composed by W[illiam] Reeve. Accompanied on the harp by Mr [John Erhardt] Weippert. BL G.249.(10.)

362

Music Entries at Stationers’ Hall

5/3/1798 Longman & Broderip Affection warms the Heart. A favorite song. Sung by Mrs [Rosemond] Mountain at the Theatre Royal, Covent Garden, in the grand ballet called Joan of Arc. Composed by William Reeve. The words by J[ohn] C[artwright] Cross. BL G.249.(8.)

5/3/1798 Longman & Broderip Your Minstrel asks a Subject’s Tear. A favorite air and chorus. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden, in the grand ballet called Joan of Arc. Composed by W[illiam] Reeve. Accompained on the harp by Mr [John Erhardt] Weippert. BL G.249.(9.)

5/3/1798 Longman & Broderip Joan of Arc, or the Maid of Orleans. The favorite overture to that grand ballet, now performing at the Theatre Royal, Covent Garden. Composed by W[illiam] Reeve. BL g.137.(7.)

Charles Dibdin 6/3/1798 Miss Muz the Milliner and Bob the Barber. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(62.)

8/3/1798 Longman & Broderip Lie still, my trembling Heart. The favorite dialogue duetto. Sung by Mrs [Rosemond] Mountain and Miss [Sarah] Sims at the Theatre Royal, Covent Garden, in Joan of Arc. Written by J[ohn] C[artwright] Cross. Composed by W[illiam] Reeve. BL G.249.(11.)

8/3/1798 Longman & Broderip Victorious La Pucelle. A favorite song. Sung by Mrs [Elizabeth] Clendining at the Theatre Royal, Covent Garden, in Joan of Arc. Written by J[ohn] C[artwright] Cross. Composed by William Reeve. BL G.249.(13.)

Entries from 1710 to 1810

363

8/3/1798 Longman & Broderip In Realms of Bliss. A favorite air. Sung by Miss [Sarah] Sims at the Theatre Royal, Covent Garden, in Joan of Arc. Written by J[ohn] C[artwright] Cross. Composed by W[illiam] Reeve. BL G.249.(12.)

10/3/1798 Longman & Broderip A Grand Sonata for the Piano Forte, with an accompaniment for the violin. Composed by D[aniel] Steibelt. Op. 32. BL g.178.(5.)

10/3/1798 William Horsley Ye Hills. A song. The poetry by a clergyman. Composed, and respectfully inscribed to Mrs W. Barclay, by William Horsley. BL G.366.(19.)

10/3/1798 Charles Dibdin A Drinking Song for the Ladies. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called King and Queen. BL G.382.(32.)

17/3/1798 Charles Dibdin The Kiss. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(67.)

20/3/1798 Longman & Broderip Book 25, for the year 1798, of Strathspeys, Reels, Waltzes and Irish Jiggs for the Harp, Piano Forte or Violin, with their proper
gures. As danced at court, Bath, Willis’s Rooms, etc. By Martin Platts, Jr. BL b.55.(1.)

364

Music Entries at Stationers’ Hall

21/3/1798 Timothy Essex La Tourterelle et les Pigeons, ou L’Hospitalité genereuse. Romance allégorique. Faite, pour une dame française émigrée, par Monsieur l’Abbé du Parc. Musique de Monsieur T[imothy] Essex. BL H.1668.(28.)

21/3/1798 Thomas Bolton Six Rondeaus, Three Songs, Three Preludes composed, and Three Songs, selected and adapted, with an accompaniment for the guitar or piano forte-guitar, by T[homas] Bolton. BL b.61.(1.)

23/3/1798 Charles Dibdin The Lover. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called King and Queen. BL G.382.(33.)

24/3/1798 George Thomas Smart The Merry Gypsies. A favorite glee. Written by Mr [Samuel James] Arnold. Composed by G[eorge] T[homas] Smart. BL D.402.(25.)

26/3/1798 James Platts Six Rondos for the Harp or Piano Forte, with an accompaniment for the tamborino. Composed by James Platts. BL g.301.(15.)

26/3/1798 James Platts Book 3. Twelve New Country Dances for the year 1798, with their proper
gures, for the violin, harp or piano forte. Dedicated to the nobility and gentry by James Platts, professor of the pedal harp. BL a.11

Entries from 1710 to 1810

365

26/3/1798 Francis Godolphin Waldron The Man with Two Wives, or Wigs for Ever. A dramatic fable by F[rancis] G[odolphin] Waldron. Set to music by Mr [James] Sanderson, and
rst performed at the Royalty Theatre, Saturday, March 24th, 1798. BL 643.f.9.(3.) and 643.h.6.(4.), words only

26/3/1798 The Author Lessons Adapted for Juvenile Performers on the Piano Forte or Harpsichord. Humbly dedicated to his friends in general by John Rhodes. BL g.132.(11.)

27/3/1798 Joseph Dale [Joseph] Dale’s Collection of Sixty Favorite Scotch Songs, taken from the original manuscripts of the most celebrated Scotch authors and composers. Properly adapted for the German ute. Book 1. BL B.402.(1.)

27/3/1798 Longman & Broderip Six Canzonets and a Gipsey song for the Voice, with an accompaniment for the piano forte or harp. Composed, and dedicated by permission to Lady Vernon, by J[ames] Fisin. Op. 5. BL G.369.(5.)

31/3/1798 Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 17. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

John Cartwright Cross and James Barker 31/3/1798 Songs, Duets, Chorusses, etc., in the new musical piece of The Raft, or Both Sides of the Water. As performed at the Theatre Royal, Covent Garden for the
rst time on March 31, 1798. The music composed by Mr [William] Reeve. The new scenery by Messrs [Thomas] Phillips, [Thomas Frederick] Lupino, etc. BL 643.f.9.(1.)

366

Music Entries at Stationers’ Hall

31/3/1798 Charles Dibdin Maids and Bachelors. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(73.) and R.M.13.e.8.(81.)

4/4/1798 Longman & Broderip The favorite song in The Stranger. Sung by Mrs [Maria Theresa] Bland at the Theatre Royal, Drury Lane. The melody, by [Georgiana Cavendish] the Duchess of Devonshire, adapted by Mr [Thomas] Shaw. BL G.249.(39.)

William Hodsoll Emma, or the Bough-pot girl. A favorite song. Composed by a lady. BL G.356.(32.)

5/4/1798

10/4/1798 The Author Easy Progressive Lessons, with the Fingering marked for young Beginners on the Piano Forte or Harpsichord. By J[acob] C[ubitt] Pring, Mus. Bac. Oxon. BL g.132.(10.)

11/4/1798 Charles Dibdin A Laugh at the World. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Sphinx. BL G.382.(65.)

14/4/1798 The Author Three Sonatas for the Piano Forte, with an accompaniment for the German ute or violin. Composed, and dedicated to Miss Boulton, by J[ohn] G[eorge] Graeff. Op. 9. BL g.142.(3.)

14/4/1798 The Author What is the Language of the Eye. A favorite song. The words by G. A. Pollen, Esq. Composed by J[ohn] G[eorge] Graeff. BL G.365.(4.)

Entries from 1710 to 1810

367

19/4/1798 The Author The much admired air of Fal, Lal, La. Adapted, with variations for the piano forte or harp, by John Hammond. BL g.139.(27.)

19/4/1798 The Author An Essay on Fingering the Piano Forte, etc. By John Furtado, Mus. Prof., Stoke Newington. BL 558*.c.35.(2.)

24/4/1798 Joseph Dale A Grand Sonata for the Piano Forte, with an accompaniment for a violin. Dedicated to Miss Fair
eld. Composed by J[an] L[adislav] Dussek. Op. 36. BL g.191.(4.)

26/4/1798 Longman & Broderip The Rat Tat Too. Sung by Mrs [Margaret] Martyr at the Theatre Royal, Covent Garden, in The Raft. Composed by W[illiam] Reeve. The words by J[ohn] C[artwright] Cross. BL G.376.(33.)

26/4/1798 Longman & Broderip Overture to The Raft. As performed at the Theatre Royal, Covent Garden. Composed by W[illiam] Reeve. BL g.137.(10.)

26/4/1798 Longman & Broderip The favorite Overture to the pantomime of Harlequin’s Return. As performed at the Theatre Royal, Covent Garden. Composed by William Reeve. BL g.137.(13.)

26/4/1798 Longman & Broderip Come buy my Earthen Ware. A favorite song. Sung by Mrs [Elizabeth] Clendining at the Theatre Royal, Covent Garden in the pantomime of Harlequin’s Return. The words by J[ohn] C[artwright] Cross. Composed by W[illiam] Reeve. BL G.249.(7.)

368

Music Entries at Stationers’ Hall

26/4/1798 Longman & Broderip The Wind blew Fresh and Fair. A favorite sea ballad. Sung by Mr [Edward Evans] Townsend in the entertainment of Harlequin’s Return. The words by J[ohn] C[artwright] Cross. Composed by William Reeve. BL G.249.(5.)

27/4/1798 Joseph Dale The New German Waltz, adapted as a rondo for the piano forte or harp, with an accompaniment for a German ute, By J[oseph] Dale. BL g.140.(21.)

27/4/1798 Joseph Dale The favorite Mad Song. Sung by Mrs [Dora] Jordan in The Last of the Family. The melody arranged and the accompaniment added by Sir William Parsons. BL G.366.(47.)

28/4/1798 William Hodsoll Select Songs. Composed by S[tephen] F[rancis] Rimbault. No. 2. The Maniac. Respectfully inscribed to Mrs Colleton. BL G.364.(41.)

William Hodsoll A Lawyer and a Sawyer. Harmonized for three voices. By T. Parke.

28/4/1798

30/4/1798 Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 18. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

4/5/1798 J. Probin The Happy Shepherd. A favorite song. Sung by Mr [Charles] Incledon, Miss Fletcher and Miss Worral [probably Eliza Warrell]. Composed by J. Probin, author of the favorite song in Robin Hood, When generous Wine. BL G.366.(56.)

Entries from 1710 to 1810

369

4/5/1798 Joseph Dale Moll in the Wad. A favorite Irish dance. Arranged as a rondo for the piano forte or harp by J[oseph] Dale, with a ute accompaniment. BL g.140.(25.)

4/5/1798 Longman & Broderip The favorite Overture to Black Beard, or The Captive Princess. Now performing, with universal applause, at the Royal Circus. In imitation of the style of the Overture to Lodoiska. Composed, and arranged for the piano forte with or without additional keys, by J[ames] Sanderson. BL g.137.(6.)

4/5/1798 Longman & Broderip Natty Sammy. A comic duett. Sung by Mr [Samuel] Simmons and Mr [Louis] Bologna Sr at the Theatre Royal, Covent Garden, in the pantomime of Harlequin’s Return. The words by J[ohn] C[artwright] Cross. Composed by W[illiam] Reeve. BL G.354.(27.)

Longman & Broderip 4/5/1798 The favorite Pas de Trois introduced in Little Peggy’s Love. As danced by Monsieur et Madame [Lombard] Laborie and Mademoiselle [Janet] Hilligsberg.

4/5/1798 Longman & Broderip Hither haste the Young and Gay. A favorite air. Sung by Mrs [Margaret] Martyr at the Theatre Royal, Covent Garden in the pantomime of Harlequin’s Return. The words by J[ohn] C[artwright] Cross. Composed by W[illiam] Reeve. BL G.249.(6.)

8/5/1798 Longman & Broderip The British March. As performed by His Royal Highness the Duke of York’s band. Composed for the brave defenders of their King and country, and with permission most humbly dedicated to His Royal Highness the Duke of York, by M[atthew] P[eter] King. BL g.133.(33.)

370

Music Entries at Stationers’ Hall

17/5/1798 Venanzio Rauzzini A Periodical Collection of Vocal Music. No. 19. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

17/5/1798 William Hodsoll Select Songs. Composed by S[tephen] F[rancis] Rimbault. No. 3. The Ballad Singer. Respectfully inscribed to Mrs Brocke. Words by T. P. BL G.364.(41.)

John Furtado 18/5/1798 It was a Winter’s Evening. A favorite song. Set to music by John Furtado, Stoke Newington. BL G.364.(21.)

18/5/1798 Longman & Broderip My Willy was a Sailor bold. Sung by Mrs Herbert at the Royal Circus, in Black Beard. The words by J[ohn] C[artwright] Cross. Composed by James Sanderson. BL G.367.(16a.)

18/5/1798 Longman & Broderip A Grand Concerto for the Piano Forte. As performed by the author [i.e., by Daniel Steibelt], with the utmost applause, at the Opera Concert. Composed, and dedicated to Miss Frances Fitzgerald, by D[aniel] Steibelt. Op. 33. CUL MR340.a.75.46(1)

19/5/1798 Longman & Broderip In the good Ship Revenge. A favorite song. Sung by Mr [Jack?] Helme at the Royal Circus, in Black Beard. The words by J[ohn] C[artwright] Cross. Composed by James Sanderson. BL G.367.(16b.)

19/5/1798 Longman & Broderip My Friend when a Captive. A favorite song. Sung by Mrs Herbert at the Royal Circus, in Black Beard. The words by J[ohn] C[artwright] Cross. Composed by J[ames] Sanderson. BL G.367.(16.)

Entries from 1710 to 1810

371

19/5/1798 Longman & Broderip The Pirate’s Glee. Sung by Mr [Jack?] Helme, Mr [John] Pilbrow and Mr Herbert at the Royal Circus, in Black Beard. The words by J[ohn] C[artwright] Cross. Composed by J[ames] Sanderson. BL G.352.(32.), text begins ‘An enemy appears in view’

19/5/1798 Longman & Broderip Air with Variations for the Piano Forte. Composed by Charles Rousseau Burney. BL g.139.(5.)

21/5/1798 Joseph Dale Britons will be Britons still. A favorite song. As sung by the Loyal Sons of Britain. BL G.376.(56.), text begins ‘Shall Britain’s sons disgrace their sires’

21/5/1798 Longman & Broderip The Slave’s dances in Black Beard. As performed at the Royal Circus. Composed by James Sanderson. BL g.230.(12.)

26/5/1798 The Author Patents all the Rage. A new comic song. Sung by Mr [Joseph Shepherd] Munden at the Theatre Royal, Covent Garden, with universal applause. Written, and adapted for the well known tune of Push about the Jorum, by James Payne. BL G.249.(27.), text begins ‘In ev’ry clime and at ev’ry time’

31/5/1798 T. Combe British Blood. A national song. By the author of The Tipling Deities [i.e., T. Combe]. BL G.376.(55.), text begins ‘Mad with the plunder of the world’

Longman & Broderip 1/6/1798 The favorite Duett of Tink a Tink. Sung by Mrs [Maria Theresa] Bland and Mr [John] Bannister Jr in the opera, Blue Beard. Arranged as a rondo for the piano forte, in which is introduced the favorite duett sung by Mrs [Anna Maria] Crouch and Miss [Maria Theresa] De Camp in The Blue Chamber, and two principal chorusses [by Daniel Steibelt]. BL g.140.(50.)

372

Music Entries at Stationers’ Hall

1/6/1798 Longman & Broderip No Longer heave the heartfelt Sigh. The favorite duett. Sung by Mr and Mrs Herbert in Black Beard, as performed at the Royal Circus. The words by J[ohn] C[artwright] Cross. Composed by J[ames] Sanderson. BL G.354.(31.)

1/6/1798 Longman & Broderip The Island. A favorite song. As sung by Mr [William] Davies at Sadler’s Wells. The words by T[homas John] Dibdin. BL G.368.(9.), text begins ‘Daddy Neptune one day’

4/6/1798 Richard Rhodes The Sylvan Oracles, and The Sylphids. Two songs, containing four airs for the voice, harpsichord or violin. Composed by Richard Rhodes. The words by T. Noble. BL G.369.(8.)

8/6/1798 The Author The Death of Maria. A favorite song. Composed by T[homas] B[rabazon] Gray. BL G.366.(5.)

9/6/1798 Joseph Dale A Pot of Porter Ho! A favorite song. Sung by Mr [John] Bannister Jr in the musical entertainment of A Friend in Need. Composed and selected by Michael Kelly. The words by Prince Hoare, Esq. BL G.250.(23.)

16/6/1798 Joseph Dale [Joseph] Dale’s Collection of Music for the Pedal Harp, containing a variety of preludes and favorite airs by different masters. The whole selected, composed, and arranged with new variations, expressly for that instrument, by Joseph Dale. Book 1. Op. 15. BL g.301.(3.)

Entries from 1710 to 1810

373

16/6/1798 William Hodsoll A Favorite Duet by [Wolfgang Amadeus] Mozart from the much admired German opera of The Magic Flute. Arranged for the piano forte or harp with variations by R. Burbidge, organist of St George the Martyr. BL g.139.(3.)

21/6/1798 Joseph Dale Follow, Follow, safe from Danger. A favorite song. Sung by Mr [Thomas] Sedgwick in A Friend in Need. Composed by Michael Kelly. BL G.250.(20.)

23/6/1798 George Thomson A Select Collection of Original Scotish Airs for the Voice. To each of which are added introductory and concluding symphonies, and accompaniments for the piano forte and violin, by [Leopold] Kozeluch. With select and characteristic verses by the most admired Scotish poets adapted to each air, the greatest number of these written for this work by [Robert] Burns. Also, suitable English verses in addition to most of the songs in the Scotish dialect.

29/6/1798 William Hodsoll Sally in our Alley, with Variations by R. Burbidge, organist of St George the Martyr, Southwark. BL g.139.(4.)

29/6/1798 Joseph Dale The Loyal March. Composed for the Gentlemen Volunteers of England, and adapted for the piano forte or harp by J[oseph] Dale. BL g.133.(12.)

29/6/1798 Joseph Dale George and England Save. Sung by Mr [Charles] Dignum. The words by Captain Morris. The music by J[oseph] Dale. BL G.376.(16.)

374

Music Entries at Stationers’ Hall

30/6/1798 The Author Hymn. Written by William Cowper, Esq., the celebrated author of The Task. Set to music, and (by permission) humbly dedicated to Mrs Trampton of Exning Hall, Suffolk, by John Guest, music master, Bury St Edmunds. Bodleian Mus. Voc. I,88(11), text begins ‘Hear Lord the song’

30/6/1798 Longman & Broderip The Loyal Briton. A much admired song. Composed, and dedicated to the British nation, by William Ling. BL G.376.(24.)

30/6/1798 Longman & Broderip Country and Town. Sung by Mr [Charles] Dignum at the Theatre Royal, Drury Lane, with great applause, being an answer to Captain Morris’s Town and Country. Sometimes sung to the same tune of Derry down. BL G.249.(55.), text begins ‘Your praises of London are surely a joke’

30/6/1798 Longman & Broderip Twelve Waltzes for the Piano Forte, with an accompaniment for a tamburino and triangles. Composed by Muzio Clementi. BL g.231.(1.)

4/7/1798 The Author A New Tutor for the Violin, in which is introduced principal rules or rudiments of music, a set of progressive examples, and six capricios, from the most easy to the most dif
cult passages. Composed by F[rançois] H[ippolyte] Barthélemon, for the improvement of the lovers of that instrument.

5/7/1798 Venanzio Rauzzini A Periodical Collection of Vocal Music. Nos. 20 and 21. [By Venanzio Rauzzini.] BL G.355 and R.M.14.a.1

Longman & Broderip La Rose et la belle Parisot. BL g.141.(24.)

5/7/1798

Entries from 1710 to 1810

T. Combe John Bull. A national cantata. [By T. Combe.] BL G.376.(53.)

375

7/7/1798

10/7/1798 William Hodsoll Love and War. A favorite song. Sung, with universal applause, at the Oxford concerts and Bermondsey Spa. Composed by J[onas] Blewitt. BL G.367.(38.)

The Author 10/7/1798 Five Short Progressive Lessons for the Piano Forte, and a Ground with Variations thereon, to which is added a Favorite Ballad. Written, composed, and to Her Royal Highness the Dutchess of York with utmost submission and respect inscribed, by William Wennington. BL g.132.(14.)

11/7/1798 Benjamin Jacobs Maternal Tenderness. A canzonet with an accompaniment for the piano forte. The words from the poem of William Hayley, Esq. Composed by B[enjamin] Jacobs, organist of Surrey Chapel. BL G.366.(23.)

12/7/1798 Longman & Broderip Yard Arm and Yard Arm. A celebrated song. Written on the memorable action between the Mars and l’Hercule, in which a gallant Captain Hood fell in the moment of victory. As sung by Mr Sleigh at the Royal Circus. The words by J[ohn] C[artwright] Cross, and [the music] adapted by J[ames] Sanderson. BL G.367.(22.)

20/7/1798 John Wolcot The Triumph of Britons. A song. The words and air by Peter Pindar, and the accompaniments by [William] Shield. BL G.376.(40.)

376

Music Entries at Stationers’ Hall

30/7/1798 Joseph Dale Britain’s Glory. In answer to the menaces of the French Directory. Set to music by an English of
cer. BL G.376.(59.), text begins ‘In
fteen hundred eighty eight’

2/8/1798 Frederick Augustus Hyde Sylvia again is true and kind. A favorite canzonet, with an accompaniment for the harp or piano forte. Written and composed by Mr [Richard] Suett. BL G.365.(27.), text begins ‘Engaged to meet the maid I love’

8/8/1798 Longman & Broderip Cambro Britons. An historical play. As performed, with the utmost applause, at the Theatre Royal, Haymarket. The music by Dr [Samuel] Arnold. Op. 45. BL H.129.(2.)

14/8/1798 John Booth The Mary-le-Bone March. Composed and written for the piano forte by M[atthew] P[eter] King, author of The British March, The Siege of Valenciennes, Cape St Vincent, etc., etc., etc. BL g.133.(32.)

21/8/1798 S. M. Bishop Glee. [By S. M. Bishop.] BL D.402.(11.), text begins ‘Here far remote from cities, courts and care’

11/9/1798 The Author To all ye Ladies now in Town. A favorite glee for three voices. Composed, and respectfully inscribed to Francis Philip Beding
eld, Esq., by J[oseph] W[illiam] Holder, Mus. Bac. Oxon. BL D.402.(17.)

18/9/1798 Thomas Curtis On the Intended French Invasion of England in 1798. A song and two marches. Set to music by Mr [Thomas] Curtis of Stratford Green, Essex. BL G.376.(15.)

Entries from 1710 to 1810

377

20/9/1798 W. P. R. Cope A March composed in Honor of the Lambeth Loyal Association. Most respectfully inscribed to Sir Robert Burnett, Knight, by Charles Lockhart. BL g.133.(39.)

21/9/1798 William Hodsoll The Fashionable Preceptor for the Piano Forte and Harpsichord, wherein the art of playing on these instruments is fully explained, and the proper method of
ngering illustrated by a series of principles and examples. To which is added, a selection of modern songs, favorite airs and marches, purposely adapted and
ngered by a professor. BL b.110.(1.)

21/9/1798 The Author Ye Loyal Volunteers. A new song. Humbly inscribed to Sir Robert Burnett, Knight, Lieutenant Colonel of the Lambeth Loyal Voluntary Associations, by William Gawler, clerk of the parish, author of the words and music. BL G.376.(18.) and G.426.rr.(23.)

24/9/1798 The Author A March composed in Honor of the Loyal Association of the Parish of St Saviour, Southwark. Respectfully inscribed to Robert Cott, Esq. By W. P. R. Cope. BL g.133.(8.)

The Author He’ll never march again. A favorite song. By T. Combe. BL G.356.(56.)

1/10/1798

3/10/1798 The Author Three Ballads with an accompaniment for the piano forte. Composed, and respectfully inscribed to Miss Louisa Salter, by John Wilkins. BL G.358.(12.)

378

Music Entries at Stationers’ Hall

4/10/1798 Joseph Dale Twelve Waltzes for the Piano Forte or Harp, with an accompaniment for a ute, tambourine and triangle. Composed by D[aniel] Steibelt. Op. 34. BL g.231.(8.)

8/10/1798 Charles Dibdin Nelson and the Navy. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(20.)

John Boyne and Thomas Walker 9/10/1798 Britons beware. Respectfully inscribed to the Volunteer Corps of the Bank of England and the rest of the military associations throughout the Kingdom by John Boyne. Composed by T[homas] Walker. BL G.376.(42.)

13/10/1798 The Author Three Grand Sonatas for the Harp. Composed, and dedicated to the celebrated Dr [Joseph] Haydn, by J[ohn] B[aptiste] Mayer. Op. 8. BL g.198.(11.)

15/10/1798 Charles Dibdin The Cornish Miners. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(33.)

16/10/1798 Joseph Dale Nelson and the Navy. A sonata for the piano forte, in commemoration of the glorious 1st of August 1798. Composed, and dedicated to Admiral Lord [Horatio] Nelson, by J[oseph] Dale. BL g.138.(12.)

16/10/1798 Longman & Broderip Nelson’s Victory. A sonata for the piano forte. Inscribed to His Lordship [i.e., to Admiral Horatio Nelson] by the author. BL g.138.(20.)

Entries from 1710 to 1810

379

19/10/1798 Timothy Essex The Royal Westminster Volunteers March. As it is performed by His Royal Highness the Duke of York’s band. Adapted for the piano forte. Composed, and dedicated to Colonel Robertson and the rest of the of
cers and brother soldiers of the corps, by T[imothy] Essex. BL g.133.(23.)

19/10/1798 Timothy Essex The Quick Step of the Royal Westminster Volunteers. As it is performed by theirs [i.e., their band] and His Royal Highness the Duke of York’s band, and adapted for the piano forte. Composed, and dedicated to Lieutenant Colonel Birch and the rest of the of
cers and brother soldiers of the corps, by T[imothy] Essex. BL g.133.(21.)

19/10/1798 Charles Dibdin Yo heave ho. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(23.)

19/10/1798 Timothy Essex The Grand March of the Hampstead Loyal Association. As it is performed by His Royal Highness the Duke of York’s band. Composed for and respectfully dedicated to Josiah Boydell, Esq., Captain Commandant, and the rest of the of
cers and gentlemen of the corps, by T[imothy] Essex. BL g.133.(20.)

23/10/1798 James Mathews Nelson and the Tars of Old England. A new song. Admiral Sir Horatio Nelson’s victory over the French eet. Composed, and most humbly dedicated to His Royal Highness the Duke of Clarence, by a loyal subject, J[ames] Mathews. BL G.376.(26.)

23/10/1798 James Mathews Marriage has its Pleasures various. A new, two part song. Composed, and most respectfully dedicated to the noblemen and gentlemen of the Bath Catch Club, by J[ames] Mathews. BL G.354.(23.)

380

Music Entries at Stationers’ Hall

24/10/1798 Joseph Dale Eight Waltzes for the Piano Forte or Harp, with an accompaniment for a ute, tambourine and triangle. Composed by J[oseph] Dale. BL g.231.(3.)

25/10/1798 The Author Croppies lie down. A favorite Irish air. Sung by the troops under the command of Lieutenant General Lake, after the defeat of the French. Arranged for the piano forte by K[arl] Kambra. BL G.376.(22.)

27/10/1798 Charles Dibdin The Lady’s Diary. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(21.) and R.M.13.e.8.(77.)

31/10/1798 Mr Fox A much admired elegiac canzonet. Written by Mr Fox, on the death of Mr John Palmer Sr. Descriptive of the last words he spoke. Respectfully dedicated to his friends and the performers of Drury Lane Theatre. Composed by [Stephen] F[rancis] Rimbault. BL G.364.(43.), text begins ‘Alas! the much-lov’d Palmer is no more’

2/11/1798 William Hodsoll Nelson’s Cap, or the Badge of Honour. Inscribed to Mrs [Dora] Jordan. Composed by J[ohn] Moulds. BL G.366.(37.)

3/11/1798 Thomas Ebdon The Naval First of August 1798. A favorite song. Written by the Rev. Percival Stockdale. Set to music by Thomas Ebdon. BL G.361.(63.)

Entries from 1710 to 1810

381

5/11/1798 Charles Dibdin The Wig Gallery. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(31.)

8/11/1798 The Author Sonata for the Piano Forte or Harpsichord. Composed, and most respectfully dedicated to Miss Elizabeth Smith, by W. P. R. Cope. Op. 2. BL g.141.(3.)

11/11/1798 Charles Dibdin Magnanimity. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(32.) and R.M.13.e.8.(91.)

13/11/1798 Broderip & Wilkinson The Surprize. A duett for the piano forte. Composed by Joseph Haydn, M[us.] D[oc.] BL h.113.(21.)

13/11/1798 Broderip & Wilkinson Air avec Variations pour le Piano Forte à quatres Mains. Composé par W[olfgang] A[madeus] Mozart. BL h.322.(20.)

Broderip & Wilkinson The Fairy Queen, or Short Courtship. A new song. BL G.356.(54.), text begins ‘When
rst I saw the charming maid’

13/11/1798

14/11/1798 W. P. R. Cope Britannia Triumphant, or The Destruction of the Tri-Colour’d Flag. A favorite song. Sung at the Theatre Royal, Covent Garden, with great applause. Composed, and arranged for the piano forte, by E. Sindrey. BL G.376.(39.)

382

Music Entries at Stationers’ Hall

Broderip & Wilkinson The Naval Heroes of Britain. BL G.425.pp.(7.), text begins ‘Long live our seamen!’

15/11/1798

Broderip & Wilkinson Blue Eyed Mary.

15/11/1798

17/11/1798 Charles Dibdin The Anchorsmiths. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(22.)

17/11/1798 Broderip & Wilkinson A Sonata for Two Piano Fortes. Composed by W[olfgang] A[madeus] Mozart. Op. 34. BL h.322.(21.)

17/11/1798 John Phillips Music Made Easy, or A New Musical Vade Mecum, being a complete book of instructions for beginners on the piano-forte or harpsichord, on a plan never before published. To which are added, Eight Progressive Lessons, which experience has shewn to be suf
cient, and more particularly so in this work, and twenty of the easiest and most favourite songs, many of them never before published, in which music is made as easy as possible for art to make it, and much easier than in any work heretofore published. In various keys, with proper
ngering throughout. BL e.140.(7.), incomplete

21/11/1798 Broderip & Wilkinson Six Solos for the Flute, with an accompaniment for the bass. Composed by F[rançois] Devienne. Op. 58. BL g.221.(7.)

21/11/1798 Broderip & Wilkinson Air with Variations for the Piano Forte. Composed by W[olfgang] A[madeus] Mozart. BL h.405.c, incomplete

Entries from 1710 to 1810

383

21/11/1798 William Hodsoll Love, Honour and Truth. A favorite song. Composed by Samuel Webbe. BL G.365.(39.)

24/11/1798 Charles Dibdin Nancy. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(35.) and R.M.13.e.8.(112.)

William Hodsoll 27/11/1798 Select Songs. No. 4. A Pastoral on the Death of Stephen Storace. Written by T. Pedder. Composed by S[tephen] F[rancis] Rimbault. BL G.364.(41.)

27/11/1798 William Hodsoll Select Songs by S[tephen] F[rancis] Rimbault. No. 5. Content. Respectfully inscribed to Mrs Hughes. BL G.364.(41.)

30/11/1798 The Author Six Waltzes for the Piano Forte, with accompaniment for the ute, tambourine and triangle. Composed, and respectfully dedicated (by permission) to Miss Raikes, by A[rthur] Betts. BL g.231.(2.)

30/11/1798 Charles Dibdin True Courage. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(34.)

3/12/1798 John Phillips Music Made Easy, or Musical Vade Mecum. BL e.140.(7.), incomplete. A continuation of the work entered on 17/11/1798.

384

Music Entries at Stationers’ Hall

7/12/1798 The Author A Duet for Two Performers on One Piano Forte or Harpsichord, in which is introduced the celebrated Scotch air The Yellow Hair’d Laddie, and Tink-a-Tink [by Michael Kelly]. Composed, and dedicated to Sir Thomas Livingstone, Bart, by D[avid] Bruguier. Op. 1. BL g.130.(1.)

7/12/1798 The Author Roll Liquid Mountains Roll. A favorite new song. Composed, and dedicated to Sir Thomas Livingston[e], Bart, by D[avid]Bruguier. BL G.361.(34.)

7/12/1798 Broderip & Wilkinson How blest the Shepherd’s peaceful Lot. A favorite canzonet, with an accompaniment for the piano forte or harp. Composed by Robert Broderip. BL G.361.(32.)

7/12/1798 Broderip & Wilkinson Six Pièces arrangés à quatre Mains, pour le Piano Forte. Composées par W[olfgang] A[madeus] Mozart. Op. 28. BL h.322.(19.)

8/12/1798 Charles Dibdin Advice. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(24.)

10/12/1798 The Author Select Songs. No. 13. Set to music by J[ames] B. Adams. The Nightingale. A canzonet. Respectfully inscribed to Miss Anderson. BL G.361.(5a.) and G.426.pp.(39.)

Entries from 1710 to 1810

385

11/12/1798 Jacob Harbour (By Subscription) Jacob Harbour’s Third Book of New Favorite Country Dances, Strathspey Reels, Waltz and Hornpipes, with their proper
gures. As performed at all polite assemblies. Arranged for the violin, harp, piano forte and German ute. Humbly dedicated to the nobility and gentry subscribers. BL b.55.(3.)

14/12/1798 The Author Poor Kate. A favorite song. Composed, and dedicated to Mrs Edgar, by D[avid] Bruguier. BL G.361.(33.)

15/12/1798 Charles Dibdin The Temple of Fame. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(28.)

Thomas Troller Song. Britannia’s Mandate. The volunteer’s march. BL D.392.(13.), text begins ‘When Frenchman threat’

17/12/1798

18/12/1798 Frederic Mortimer The Sword of Gideon and the Lord. A grand national air and martial hymn. The words set to music by Frederic Mortimer. BL G.366.(35.)

20/12/1798 Charles Dibdin Laughing Prohibited. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(30.)

Broderip & Wilkinson Six Divertimentos for the Piano Forte. Composed by W[illem] Lootens. BL g.141.(10.)

21/12/1798

386

Music Entries at Stationers’ Hall

24/12/1798 William Horsley Retire my Love. A glee for four voices. The poetry from Ossian. Composed, and inscribed to his friend J[acob] C[ubitt] Pring, M[us.] B[ac.], by William Horsley. BL D.401.(6.) or E.1858.b.(4.)

24/12/1798 Charles Wesley God save the King, with New Variations for the Organ or Harpsichord. Composed, and inscribed to Miss Horten, by Charles Wesley. BL g.139.(52.)

28/12/1798 The Author Select Songs by S[tephen] F[rancis] Rimbault. No. 6. The Power of Music. Written by a lady. Respectfully inscribed to Miss Durand. BL G.364.(41.)

2/1/1799 John Phipps Music made easy. Lessons 4 and 5. BL e.140.(7.), incomplete. A continuation of the work entered on 17/11/1798 and 3/12/1798.

4/1/1799 Longman, Clementi & Co. An Occasional Glee and Chorus on Admiral Nelson’s Victory. Composed by John Davy, of Exeter. BL G.352.(19.)

5/1/1799 Christian Ignatius Latrobe Dies Irae etc. An ancient hymn on the Last Judgement. Translated from the Latin by the R. H. the Earl of Roscommon. Set to music, and respectfully inscribed to the Right Honourable the Lady Frances Harpur, by C[hristian] I[gnatius] Latrobe. Adapted for the piano forte and four voices. BL G.503.(5.)

5/1/1799 Joseph Dale Eight Waltzes for the Piano Forte or Harp, with an accompaniment for a ute, tambourine and triangle. Composed by Joseph Dale. BL g.231.(3.)

Entries from 1710 to 1810

387

9/1/1799 James B. Adams Select Songs. Set to music by J[ames] B. Adams. No. 14. Wine and War, or Military Convivality. Respectfully inscribed to our brave defenders. The words by Mr Pinkerton. BL G.361.(5b.) and G.426.pp.(37.)

9/1/1799 Rev. Mr William Ode on the Glorious Victory gained over the French Fleet, off the Mouth of the Nile, by Admiral Lord Nelson, on the 1st of August 1798. The music composed by by a lady. BL G.376.(47.)

10/1/1799 Charles Dibdin The Converted Rake. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(18.)

15/1/1799 Broderip & Wilkinson A Christmas Carol. The poetry by William Robert Spencer, Esq. Set to music by John Spencer, Esq. BL G.365.(17.), text begins ‘Listen to the carol’d ditty’

17/1/1799 Longman, Clementi & Co. Three Sonatas for the Piano Forte, with an accompaniment for a violin and violoncello. Composed by Adalbert Gyrowetz. BL g.161.d.(5.)

17/1/1799 Urbani & Liston A Selection of Scots Songs. Harmonized, improved with simple and adapted graces. Most respectfully dedicated to the Honourable Lady Carnegie by Peter Urbani, professor of music. Book 3. BL G.372.(1.)

388

Music Entries at Stationers’ Hall

17/1/1799 Urbani & Liston The Singers Guide. Composed, and humbly dedicated by permission to the Right Honourable Lady Mary Hay, by Peter Urbani. BL g.302.(5.)

19/1/1799 The Author Ally Croaker, with Variations, for the Piano Forte. Composed by J[acob] C[ubitt] Pring. BL g.139.(36*.)

19/1/1799 Charles Dibdin Beauty’s Banners. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(25.)

19/1/1799 Joseph Dale Six Sonatinas for the Harp. Composed, and dedicated to Madame [Anne-Marie] Krumpholtz, by J[an] L[adislav] Dussek. BL g.301.(7.)

22/1/1799 Broderip & Wilkinson Again the balmy Zephyr blows. A glee, in imitation of the Friar of Orders Gray. Composed by John Spencer, Esq. BL D.402.(28.)

23/1/1799 Thompson Flights of Fancy, in Six New Glees for Four Voices. Respectfully dedicated to the president and members of the Glee Club. By William Linley. BL D.401.(7.)

23/1/1799 Thompson A Sailor’s Soul, or Sympathetic Fred. An admired nautical song, descriptive of the valour and feeling of a British tar. Sung by Mr [Charles] Incledon, written by Mr S. Larken, and being the last composition of the celebrated late Mr J[ohn] Moulds. BL G.366.(38.)

Entries from 1710 to 1810

389

24/1/1799 James Hyde A New and Compleat Preceptor for the Trumpet and Bugle Horn, with the whole of the cavalry duty as approved of and ordered by His Royal Highness the Duke of York, Commander in Chief. To which is added a selection of airs, marches and quick steps for three trumpets, a scale of the chromatic trumpet, with airs adapted for it, and a collection of bugle horn duetts, with the Light Infantry duty. Composed and compiled by J[ames] Hyde of the Opera House and trumpet major to the gentlemen of the London and Westminster Light House Volunteers. BL b.133.(1.)

26/1/1799 Charles Dibdin Smiles and Tears. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(29.)

4/2/1799 John Phipps Music made easy. No. 5. A continuation of the work entered on 17/11/1798, 3/12/1798 and 2/1/1799.

5/2/1799 William Hodsoll The Lover’s fatal Journey. A pathetic ballad. Written by Mr [John Cartwright] Cross and composed by J[ames] Sanderson. BL G.367.(20.)

5/2/1799 William Hodsoll Neptune and Britannia. A favorite canzonet for two voices. Sung, with universal applause, at the Convivial Board. Composed by J[onas] Blewitt. BL G.354.(3.)

5/2/1799 Charles Dibdin The Barrel Organ. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(19.)

390

Music Entries at Stationers’ Hall

7/2/1799 The Author Book 4. Twelve New Country Dances for the year 1799, with their proper
gures, for the violin, harp or piano forte. Dedicated to the nobility and gentry by James Platts, professor of the harp, violin and tamborino. BL a.11

12/2/1799 Broderip & Wilkinson The Sounds for Duty and Exercise. For the trumpet and bugle horns of His Majesty’s Regiments and Corps of Cavalry. GUL Mil Sci BG530 GRE 12/2/1799 Broderip & Wilkinson Winter. A favorite song. Composed by Mr [Johann Abraham Peter] Schulz. BL G.365.(12.)

12/2/1799 Broderip & Wilkinson O turn to Hebe’s blooming Shrine. An address to the goddess of youth. Set to music by John Spencer, Esq. BL D.402.(27.)

13/2/1799 Joseph Dale A Grand Scotch Sonata for the Piano Forte, with an accompaniment for a ute or violoncello. Interspersed with the beautiful compositions of Leopold Kozeluch. [Arranged by Joseph Dale.] BL g.270.e.(23.) and g.442.(3.) and h.270.(11.)

13/2/1799 Joseph Dale Three Sonatas for the Piano Forte, with or without additional keys, to which is added an accompaniment for a ute or violin. Newly arranged by the author, D[aniel] Steibelt. Op. 18. BL g.178.(1.)

15/2/1799 Longman, Clementi & Co. Valentine Day. A serenade for two voices, with an accompaniment for the piano forte. Composed by Reginald Spofforth. BL G.354.(36.)

Entries from 1710 to 1810

391

15/2/1799 Broderip & Wilkinson Licas un jour prit un oiseau. A favorite French air. Arranged as a rondo for the piano forte by G[irolamo] Masi. Bodleian Mus. Instr. I, 162 (14c)

18/2/1799 Broderip & Wilkinson A Third Concertante adapted for the Piano Forte, with an accompaniment for the violin. Composed by Ignace Pleyel. BL g.191.(9.)

21/2/1799 Longman, Clementi & Co. Three Duets, for the Piano Forte. Composed, and dedicated to Mr [Marmaduke] Overend, by J[ohn] G[eorge] Graeff. BL g.130.(3.)

28/2/1799 Joseph Dale The Route is come. A new and brilliant rondo for the piano forte, with or without additional keys. Composed by T[homas] H[amley] Butler. BL g.140.(10.)

28/2/1799 Longman, Clementi & Co. Julia to the Wood Robin. A favourite canzonet. Sung by Master Elliot. Composed, with an accompaniment for the piano forte, by Reginald Spofforth. BL G.365.(23.)

28/2/1799 The Author [James] Peck’s Collection of Hymn Tunes, Fugues and Odes, chiey original, in three and four parts. Interspersed with fugitive and selected pieces. BL A.512

1/3/1799 Longman, Clementi & Co. Three Sonatas for the Piano Forte. Composed, and dedicated to Mr Apreece, by J[an] L[adislav] Dussek. BL g.146.(4.)

392

Music Entries at Stationers’ Hall

5/3/1799 Charles Dibdin Strawberries. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(26.)

6/3/1799 Longman, Clementi & Co. Three Sonatas for the Piano Forte, with an accompaniment for a violin ad libitum. Composed by, and dedicated to Miss Isabella Savery by, D[aniel] Steibelt. BL g.178.(6.)

8/3/1799 Broderip & Wilkinson Volunteer Making. Humbly dedicated to Mr [John] Macleod of Colbecks. The music by William Reeve. BL G.376.(32.)

8/3/1799 Broderip & Wilkinson The Splendid Jorum. Humbly dedicated to Mr [John] Macleod of Colbecks. The music by William Reeve. BL G.356.(16.)

8/3/1799 Broderip & Wilkinson O gentle be thy Slumbers. A favorite nursing song. Composed by Mr Cospoth [i.e., Baron Otto Carl Erdmann von Kospoth]. BL G.361.(47.)

8/3/1799 Broderip & Wilkinson Could I fancy that for me. A favorite ballad, on mutual love. Composed by Mr [Johann Abraham Peter] Schulz. BL G.365.(11.)

Broderip & Wilkinson Ecoute Jeannette. A favorite air. Adapted as a rondo by G[irolamo] Masi. BL g.140.(44.)

9/3/1799

Entries from 1710 to 1810

393

9/3/1799 Joseph Dale Maggie Lauder. A new rondo for the piano forte. Composed by T[homas] H[amley] Butler. BL g.140.(12.)

11/3/1799 Broderip & Wilkinson The Blue ey’d Lassie. The words by [Robert] Burns. The music composed by Doctor [John] Clarke. BL G.361.(42.)

12/3/1799 The Author Our brave Volunteers. Written and composed by Mr [D. N.] Beckman, and sung by Mr [Charles] Dignum of the Theatre Royal, Drury Lane. BL G.361.(20.)

12/3/1799 Henry Thompson Six Original German Waltzes for the Piano Forte, with an accompaniment for a triangle and ladies tamburino. Humbly dedicated (by permission) to Her Royal Highness the Princess of Wales, by her very obedient and devoted servant, James Sanderson. BL g.231.(7.)

14/3/1799 The Author The Beggar Boy. A ballad, with an accompaniment for the piano forte. Composed, and respectfully inscribed to Miss E. Barclay, by William Horsley. BL G.366.(21.)

15/3/1799 Reginald Spofforth Lightly on the Village Green. A favorite Masonic glee for three voices. Composed, and respectfully inscribed to the R[ight] W[orshipful] M[aster], of
cers and brethren of the Somerset House Lodge, by their obedient servant and brother, Reginald Spofforth. The words by G[eorge] Dyer, B. A. BL G.366.(21.)

394

Music Entries at Stationers’ Hall

15/3/1799 Longman, Clementi & Co. The Birth Day of Laura. A favorite canzonet, with an accompaniment for a piano forte. The music by Signor Venanzio Rauzzini. BL G.364.(37.)

15/3/1799 Longman, Clementi & Co. Rosa and Henry. The much admired song in the new comedy of The Secret. As sung by Mrs [Dora] Jordan. Properly disposed of for the harp or piano forte. The music by a lady of fashion. BL G.249.(63.)

18/3/1799 Broderip & Wilkinson Twelve Original German Waltzes for the Piano Forte or Harp, with an accompaniment for the tambourine, triangle, etc. Arranged by G[irolamo] Masi. BL g.231.(4.)

20/3/1799 The Author A Trio for Two Violins and Violoncello. Composed, and dedicated to Mr Edward Wetenhall Jr, by William [Henry] Ware. Bodleian Mus. Instr. I 229 (14)

28/3/1799 The Author My Valentine. A ballad, with an accompaniment for the piano forte. The poetry written by Mrs [Mary] Robinson. Composed, and respectfully inscribed to Miss Jane Graham, by William Horsley. BL G.366.(20.)

28/3/1799 William Rolfe A Second Sett of Three Duetts for two German Flutes, in which are introduced favorite National Airs, Composed, and dedicated by permission to Mr [John George] Graeff, by William Ling. BL g.225.(5.)

Entries from 1710 to 1810

395

29/3/1799 Broderip & Wilkinson A Collection of Original Songs, with an accompaniment for the piano forte or harp. Composed by W[olfgang] A[madeus] Mozart, etc. The poetry by Peter Pindar, Esq. BL G.357.(7.)

29/3/1799 Broderip & Wilkinson The Puzzle. A glee. Composed, and most respectfully inscribed to G. Lovel, Esq., by J. Ball, Taunton. BL G.352.(6.)

29/3/1799 Broderip & Wilkinson Come Sing a Song. A glee for three voices. Composed by J. Ball, Taunton. BL G.352.(5.)

3/4/1799 Longman, Clementi & Co. The favorite musical prologue to the new comedy of Five Thousand a Year. Written by T[homas John] Dibdin. Spoken and sung by Mr [Joseph Shepherd] Munden at the Theatre Royal, Covent Garden. BL G.249.(58.)

3/4/1799 Longman, Clementi & Co. Three Sonatas for the Piano Forte, the two
rst with an accompaniment for a violin and violoncello. Composed, and dedicated to Miss Reid, by J[ohn] B[aptist] Cramer. Op. 19. BL g.161.b.(6.) and H.3691.u.(6.)

6/4/1799 The Author Little Piggy. A favorite duetto, with an accompaniment for the piano forte. Composed by J[ohn] B[ernard] Sale, organist of Quebec Chapel. BL G.354.(29.)

Broderip & Co. Adieu, my Fair. A favorite ballad. Composed by [Edward] Bailey. BL G.361.(18.)

6/4/1799

396

Music Entries at Stationers’ Hall

8/4/1799 Joseph Dale Three Sonatas for the Piano Forte, with an accompaniment for a German ute or violin. Composed, and dedicated to Madame de Boigne, by D[aniel] Steibelt. Op. 36. BL h.301.(3.)

11/4/1799 George Buxton Come cross my Hand my Art Surpasses. A favorite glee, for three voices. Composed by George Buxton, and sung, with great applause, by Miss [Jane] Jackson, Master Elliot, and Mr Sale [presumably John Bernard Sale]. The poetry from the romance of The Monk [by Matthew Gregory Lewis]. BL G.352.(12.)

13/4/1799 John Hamilton Ance I was a blythe as Simmer. A favourite Scots song, with an accompaniment for the piano forte. Written by Mr [John] Rannie. The music composed by Mr John Ross, organist of St Paul’s, Aberdeen. BL G.366.(63.)

John Hamilton 13/4/1799 O open the door thou dear unkind. A favourite song, with an accompaniment for the piano forte. Written by Mr [John] Rannie. Composed by John Ross, organist of St Paul’s, Aberdeen. BL G.366.(65.)

13/4/1799 John Hamilton My Jo Janet. A new rondo for the piano-forte or harpsichord. Composed by T[homas] H[amley] Butler, author of Lewie Gordon, etc. BL g.140.(13.)

13/4/1799 Robert Birchall Twelve Pieces for the Piano-Forte. Composed, and
ngered for the use of beginners, by Leopold Kozeluch. BL g.132.(7.)

Entries from 1710 to 1810

397

15/4/1799 James B. Adams Select Songs. Set to music by J[ames] B. Adams. No. 15. Come Peace repose with me, a canzonet, respectfully inscribed to Miss Colburn. No. 16. Let the Thrush awake my Love, a valentine, respectfully inscribed to Miss H. Rodgers. No. 17. Sing my fair Love good Morrow, a canzonet, respectfully inscribed to Miss Bourgeois. The words by an old English poet. BL G.361.(5c.–e.)

16/4/1799 Broderip & Co. Tell me the Path, sweet Wand’rer, tell. A much admired glee for four voices. Composed by Reginald Spofforth. BL D.402.(30.)

17/4/1799 Thomas Massa Alsager Toss’d on a Sea of Doubts and Fears. The words from Don Quixote [by Miguel de Cervantes]. Composed by an amateur [i.e., by Thomas Massa Alsager]. BL G.356.(22.)

The Author 20/4/1799 A Treatise on Singing, explaining in the most simple manner all the rules for learning to sing by note without the assistance of an instrument, with some observations on vocal music interspersed with original examples, solfeggi, airs, duettos, etc., etc. Selected and compressed from the most eminent authors both ancient and modern, particularly some beautiful vocal pieces of sacred music from the manuscripts of [Nicolò] Jommelli and [Antonio] Sacchini, never before published, in the collections of the late James Harris and W[illiam] B[enson] Earle, Esq., Salisbury, with directions for a graceful management and delivery of the voice. By Joseph Corfe, gentleman of His Majesty’s Chapels Royal and organist of the cathedral at Salisbury. BL 557*.e.22.(1.)

22/4/1799 George Smart A Duett for a Violin and Tenor Obligato. Composed, and humbly dedicated to Mr [Wilhelm] Cramer, by H[enry] Smart. Op. 2. BL g.225.(19.)

398

Music Entries at Stationers’ Hall

22/4/1799 Baron Gustav Adam von Nolcken Crazy Jane. Written by M[atthew] G[regory] Lewis, Esq., M. P. Set to music by Baron [Gustav Adam von] Nolcken. BL G.366.(44.)

26/4/1799 Broderip & Wilkinson Télémaque. A grand ballet. As performed at the King’s Theatre, Haymarket. [The ballet] composed by [James Harvey] D’Egville. The music composed and compiled by [James Harvey] D’Egville and [Cesare] Bossi. BL g.230.(7.)

29/4/1799 Karl Kambra A Sonata for the Piano Forte with an accompaniment for a violin and bass, ad libitum. Composed, and dedicated to Her Royal Highness the Dutchess of York, by K[arl] Kambra. GUL Special Collections Cb3.f.18–19

1/5/1799 George Thomson A Select Collection of Original Scotish Airs for the Voice, to each of which are added introductory and concluding symphonies, and accompaniments for the piano forte and violin by [Leopold] Kozeluch, with select and characteristic verses by the most admired Scotish poets adapted to each air, the greater number of these written for this work by [Robert] Burns. Also, suitable English verses in addition to most of the songs written in the Scotish dialect. Third set. Bodleian Harding Mus. F 96 (3)

1/5/1799 George Thomson A Select Collection of Original Scotish Airs for the Voice, to each of which are added introductory and concluding symphonies, and accompaniments for the violin and piano forte chiey by [Leopold] Kozeluch and partly by [Ignace] Pleyel, with select and characteristic verses by the most admired Scotish poets adapted to each air, many of them entirely new by [Robert] Burns. Also, English verses in addition to such of the songs as are written in the Scotish dialect. Fourth set. Bodleian Harding Mus. F 96 (4)

Entries from 1710 to 1810

399

4/5/1799 The Author Three Grand Sonatas for the Piano Forte with additional Keys. Dedicated to Mrs Briere. By Miss M. F. Parke. Op. 1. BL g.145.(8.)

6/5/1799 Broderip & Wilkinson Three Sonatas for the Piano Forte, with an accompaniment for the ute or violin ad libitum, in which are introduced an original Welch air, a new waltz, and a rondo in the Gypsie style. Composed by Thomas Haigh. BL h.291.(20.)

8/5/1799 The Author A Fifth Book of Canzonets, Catches, Canons and Glees, sprightly and plaintive, with a part for the piano forte subjoined where necessary to melodize the score. Dedicated (by permission) to Viscount Dudley and Ward, by John Stafford Smith, gentleman of His Majesty’s Chapel Royal, author of the favorite glees ‘Best pair of Syrens’, ‘Hark the hollow Woods’, etc., the Anacreontic, and other popular songs. BL D.401.(8.)

8/5/1799 The Authoress Six Romances, pour une Voix, avec accompagnements de forte piano. Composées par Madame la Comtesse de M***. BL E.270.(19.)

11/5/1799 Broderip & Wilkinson Twelve Waltzes for the Piano Forte or Harp, with an accompaniment for a ute, tambourine and triangle. Composed by D[aniel] Steibelt. Op. 34. BL g.231.(8.) and g.442.(5.)

James Peck Kisses! A favorite glee. Composed by James Peck. BL D.402.(22.)

15/5/1799

400

Music Entries at Stationers’ Hall

15/5/1799 Broderip & Wilkinson Three Sonatas for the Piano Forte with an accompaniment for a violin and violoncello ad libitum. Composed by Dr [Johann Nicolaus] Forkel, director of music at Göttingen. Op. 6. BL g.161.(3.)

21/5/1799 William Hodsoll Select Songs. Composed by Stephen Francis Rimbault. No. 7. The Shepherd and his Dog. Respectfully inscribed to Miss Allix. BL G.364.(41.)

21/5/1799 William Hodsoll Select Songs. Composed by Stephen Francis Rimbault. No. 8. Love. Respectfully inscribed to Mrs James Wardell. BL G.364.(41.)

21/5/1799 William Hodsoll Where is my Love, ah whither own. A favorite song. By [Charles] T[homas] Carter. BL G.364.(16.)

21/5/1799 William Hodsoll Come blithe Lads and Lasses. A favorite song. Written by Mr [John Cartwright] Cross, and composed by J[ames] Sanderson. BL G.367.(28.)

21/5/1799 George Smart Six Easy Duetts for Two Violins, calculated expressly for the use of juvenile performers. Composed by Henry Smart. Op. 1. BL g.218.(11.)

21/5/1799 Robert Birchall Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello. Composed, and dedicated to the Right Honorable Lady Katherine Manners, by Leopold Kozeluch. Op. 43. BL g.150.(4.) and g.270.e.(24.)

Entries from 1710 to 1810

401

22/5/1799 Longman, Clementi & Co. The favorite overture to Almoran and Hamet. As performed at the Royal Circus. Composed, and adapted for the piano forte, by Mr [James] Sanderson. BL g.137.(4.)

24/5/1799 Joseph Dale Twelve Waltzes for the Piano Forte or Harp, with an accompaniment for a ute, tambourine and triangle. Composed by D[aniel] Steibelt. 2nd set. Op. 34. BL g.231.(8.)

24/5/1799 George Nicholls Twenty-
ve Divertimentos, for Two German utes or violins. Composed by George Nicholls. BL g.225.(7.)

25/5/1799 The Author Six New Waltzes, for the Piano Forte, with an accompaniment for the tambourine and triangle. Composed by T[homas] A. Rawlings. Op. 2. N.B. With or without additional keys. BL g.231.(6.)

28/5/1799 Robert Birchall Yes! My bonny Love. The answer to Come, my bonny Love. A duet, with an accompaniment for the piano forte. [By Edward Smith Biggs.] BL G.354.(58.)

6/6/1799 Broderip & Wilkinson Who’d know the Sweets of Liberty. A favorite glee, sung at the Noblemen’s Concerts. Respectfully dedicated to the Right Honorable the Earl of Uxbridge. Composed by George Baker, Mus. Bac. Oxon., late of Exeter. BL D.402.(8.)

402

Music Entries at Stationers’ Hall

6/6/1799 Broderip & Wilkinson Hail Flowery Meads. A favorite quartetto for four voices. Respectfully dedicated to the Right Honorable the Earl of Uxbridge. Composed by George Baker, Mus. Bac. Oxon., late of Exeter. BL D.402.(6.)

6/6/1799 Broderip & Wilkinson Dear is my little native Vale. A favorite glee, sung at the Noblemen’s Concerts. Respectfully dedicated to the Right Honorable the Earl of Uxbridge. Composed by George Baker, Mus. Bac. Oxon., late of Exeter. BL D.402.(7.)

8/6/1799 Joseph Dale Crazy Jane. A favorite song. The words by M[atthew] G[regory] Lewis, Esq., M. P. Adapted with an accompaniment for the piano forte or harp. [Composed by John Davy.] BL G.356.(31.), text begins ‘Why fair maid in ev’ry feature’

George Guest 8/6/1799 Sixteen Pieces or Voluntaries for the Organ. Composed, and humbly dedicated to his scholars and friends, by George Guest, organist, Wisbeach, and late of His Majesty’s Chapels Royal. Op. 3. BL e.120.(5.)

13/6/1799 Longman, Clementi & Co. Three Quartetts for Two Violins, Tenor and Violoncello. By Joseph Haydn, Mus. Doc. Op. 76. BL g.75.oo.(1.)

13/6/1799 Longman, Clementi & Co. Three Duetts Concertants for Two Violins. Composed, and dedicated to Mr [William] and Mrs [Margaret] Chinnery, by Giovanni Battista Viotti. Op. 5. BL g.218.(15.) and h.1747.(2.)

Entries from 1710 to 1810

403

13/6/1799 Longman, Clementi & Co. The favorite song in The Horse and [The] Widow. As sung at the Theatre Royal, Covent Garden by Mr [John Henry] Johnstone. The words by T[homas John] Dibdin. Composed by John Moorehead. BL G.249.(36.), text begins ‘Arrah fait but the poet’s a fool here’

20/6/1799 Broderip & Wilkinson Les Folies d’Espagne, avec des nouvelles variations pour la harpe. By Mademoiselle Merelle. BL h.118.(29.)

20/6/1799 Broderip & Wilkinson Un beau matin dans la plaine. A favorite French air. Arranged as a rondo for the piano forte by G[irolamo] Masi. BL g.140.(42.)

21/6/1799 The Author An Essay on Practical Musical Composition, according to the Nature of that Science, and the Principles of the greatest musical Authors. By Augustus Frederic Christopher Kollmann, organist of His Majesty’s German Chapel at St James’s. BL g.304.(2.)

21/6/1799 Longman, Clementi & Co. Mary’s Tomb. A favorite new ballad. Composed by Mr [James] Fisin. The words by George Saville Carey. BL G.366.(1.)

21/6/1799 Longman, Clementi & Co. Abraham Newland. As sung by Mr Davis, with universal applause, at Sadler’s Wells. The words by C[harles] I[saac Mungo] Dibdin Jr. Composed by John Scott. BL G.367.(43.)

404

Music Entries at Stationers’ Hall

21/6/1799 Longman, Clementi & Co. Crazy Jane. A ballad. Sung by Mrs [Rosemond] Mountain, with the greatest applause, at Mr [Venanzio] Rauzzini’s Concerts, Bath. The words by G. M. [i.e., Matthew Gregory] Lewis, Esq. The music by John Davy. BL G.364.(20.)

21/6/1799 Humphrey Hime Abraham Newland. A celebrated comic song. Written by C[harles Isaac Mungo] Dibdin Jr, and sung by Mr [Richard] Johannot. BL G.368.(11.), text begins ‘Neer yet was a name’

21/6/1799 Humphrey Hime The Grinders, or More Grist to the Mill. A celebrated comic song. Written by C[harles Isaac Mungo] Dibdin Jr, and sung by Mr [Richard] Johannot. BL G.368.(10.), text begins ‘Search all the world high and low’

25/6/1799 Urbani & Liston The Ever Memorable Battle of Bannockburn. As performed at St Cecilia’s Hall, [Edinburgh,] with universal applause. Wherein is inserted Bruce’s Address to his Troops previous to the Action, by the late R[obert] Burns. The introduction and grand chorus wrote by a gentleman. Composed and adapted for the piano forte with a violin accompaniment, [and] humbly dedicated (by permission) to Miss Ann Irwin Douglas, by Peter Urbani. BL G.372.(2.)

Urbani & Liston Bombo. A favorite air with variations. By Mr [Peter] Urbani. BL g.139.(51.)

25/6/1799

Urbani & Liston Fare thee weel. Words by Robert Burns. Set to music by P[eter] Urbani. BL G.364.(56.)

25/6/1799

Entries from 1710 to 1810

405

28/6/1799 The Author Three Sonatas for Piano Forte. The third for two performers on one instrument. Composed by A[drien] Quentin Buée, formerly composer to several cathedral churches in France. BL g.143.(12.) and h.3870.r.(10.)

8/7/1799 Broderip & Wilkinson No. 1. The Bristol Volunteer Troop. Composed by John Percival, master of the band. BL g.133.(47.)

8/7/1799 George William Chard The favorite song in Pizarro, as originally designed for Mrs [Dora] Jordan. Composed, and dedicated (by permission) to Mrs [Elizabeth Ann née Linley] Sheridan, by G[eorge] W[illiam] Chard. The words by R[ichard] B[rinsley] Sheridan, Esq. BL G.249.(53.)

9/7/1799 John Ross The Green Willow Grove, with an accompaniment for the piano forte. Written by Mr [John] Rannie, and respectfully dedicated to Miss Nicholson of Lochend, by John Ross, organist of St Pauls, Aberdeen. BL G.366.(66.)

9/7/1799 Longman, Clementi & Co. The much admired harp song. Sung by Mrs Roffey in the grand spectacle of Almoran and Hamet, performing with unbounded applause at the Royal Circus. Written by Mr [John Cartwright] Cross, and composed by J[ames] Sanderson. BL G.367.(24.), text begins ‘Now o’er the globe’

11/7/1799 John Newman Eight English Canzonets for a Single Voice, with an accompaniment for the piano forte or harp. Composed, and most respectfully inscribed to Mrs Lockhart, by her much obliged, humble servant, T[imothy] Essex. Op. 3. BL G.358.(3.)

406

Music Entries at Stationers’ Hall

11/7/1799 John Newman Darby and Joan. A glee for three voices. Composed by the Rev. J[ohn] Baker, A.M., Bromley, Kent. BL D.402.(9.)

16/7/1799 Thomas Jones & Co. Ward Associations. A new song. Written and sung, with the greatest applause, by a member of the South East District of Loyal London Volunteers, and respectfully dedicated to them and every volunteer in Great Britain. BL G.376.(52.), text begins ‘Tho’ weak my strains away my fears’

16/7/1799 J. Wragg A Fifth Familiar Solo for the German Flute or Hautboy, with an accompaniment for a violoncello or bassoon. Composed by J. Wragg, teacher of the German ute and hautboy. BL g.221.(10.)

17/7/1799 William Bennett Six Songs and a Glee for Three Voices with an accompaniment for a piano forte or harp. Composed, and respectfully dedicated to Miss Hall, by William Bennett, organist of St Andrews, Plymouth. BL G.369.(2.)

18/7/1799 Joseph Dale Abraham Newland. A favorite song. The words by C[harles] I[saac Mungo] Dibdin Jr. Set to music by J[oseph] Dale. BL G.361.(49.)

20/7/1799 Longman, Clementi & Co. The much admired duett sung in the new grand Oriental spectacle of Almoran and Hamet by Miss [Sarah Jane] Gray and Mrs Roffey, with an accompaniment for the harp. Performing, with universal applause, at the Royal Circus. Written by Mr [John Cartwright] Cross. Composed by J[ames] Sanderson. BL G.354.(30.), text begins ‘The beauty our great sovereign’s choice’

Entries from 1710 to 1810

407

20/7/1799 The Author Three Canzonets for One and Two Voices, with an accompaniment for the piano forte. Humbly dedicated to Lady Bromley. By John James Ashley. Op. 5. BL G.358.(2.)

1/8/1799 Longman, Clementi & Co. The Tuneful Lark. A pastoral ballad. As sung by Miss [Sarah Jane] Gray in the pantomime of The Seasons. The music by Mr [James] Sanderson. BL G.367.(19.)

2/8/1799 Joseph Dale [Joseph] Dale’s Collection of Duets for Two Performers on one Piano Forte, by the most celebrated composers. BL g.131.(5.) is No. 1 ‘The fall of Paris’

8/8/1799 Broderip & Wilkinson Three Sonatas for the Grand or Small Piano Forte, with an accompaniment for the violin. Composed by Valentino Nicolai. Op. 13. BL g.191.(8.)

14/8/1799 Robert Birchall Three Capriccios for the Piano Forte. Dedicated (by permission) to the Honorable Mrs Garnier by Leopold Kozeluch. Op. 44. BL g.145.(7.)

15/8/1799 Broderip & Wilkinson A Concerto for the Grand and Small Piano Forte, with accompaniments for two violins, two utes, alto and violoncello. By Valentino Nicolai. Op. 14. BL g.116.a.(3.)

15/8/1799 Longman, Clementi & Co. Ben and Mary. A favorite ballad. Sung, with universal approbation, at the Theatre Royal, Haymarket by Mr Trueman. The words by Mr T[homas John] Dibdin. The music by J[ohn] Moorehead. BL G.249.(37.)

408

Music Entries at Stationers’ Hall

15/8/1799 Longman, Clementi & Co. Orra Moor. A favorite song, with an accompaniment for the piano forte. Written by the celebrated Mrs [Elizabeth] Rowe. Composed, and respectfully dedicated to Miss Bannerman, by John Ross, organist of St Pauls, Aberdeen. BL G.366.(64.)

15/8/1799 Longman, Clementi & Co. My Heart with Joy is Thrilling. A favorite duetto, with an accompaniment for the piano forte. Written by Mr [John] Rannie. Composed, and respectfully dedicated to Miss Eliza Skene, by John Ross, organist of St Pauls, Aberdeen. BL G.366.(69.)

16/8/1799 Longman, Clementi & Co. The Flowers of the Forest. As sung by Master Gray at Vauxhall [Gardens]. The poetry by a lady. Composed by James Hook. BL H.1651.c.(3.)

16/8/1799 Longman, Clementi & Co. General Suwarrow. A favorite song. As sung by Mr [Charles] Dignum at most convivial societies. Written by Mr J. Nelson. BL G.376.(27.), text begins ‘Let each Briton and Gaul’

17/8/1799 Fox A much admired song, written by Mr Fox and sung by Mr [Charles] Dignum. On the engagement between the Coburg cutter, of twelve guns, commanded by Lieutenant Webb, and La Revanche, a French lugger privateer, of sixteen guns, which later, after a severe contest of two hours, struck and afterwards sunk. Composed by Charles Westrey. BL G.376.(43.), text begins ‘When war is wag’d to quell the foe’

19/8/1799 John Hamilton Tink a Tink. A new rondo for the piano forte. Composed by T[homas] H[amley] Butler, author of Lewie Gordon, etc. BL g.140.(14.)

Entries from 1710 to 1810

409

19/8/1799 John Hamilton Green Grows the Rashes. A favorite rondo for the piano forte. Composed by T[homas] H[amley] Butler, author of Lewie Gordon, etc. BL g.140.(17.)

19/8/1799 John Hamilton The Hawthorn. A favorite Scots song, set for the voice, piano forte, violin, guitar and German ute. Written by J[ohn] Hamilton.

William Whyte 19/8/1799 Jenny’s Bawbee, with Variations. By Louis Vogel. Adapted for the Piano Forte. BL g.139.(45.)

19/8/1799 William Whyte A Favourite New Medley Overture, in which several beautiful airs are interspersed, for the piano forte. By T[homas] H[amley] Butler, author of Lewie Gordon, etc. BL g.137.(17.)

19/8/1799 William Whyte The Haughs of Cromdale. A favorite Scotch air, made into a rondo for the piano forte. By T[homas] H[amley] Butler, author of Lewie Gordon, etc. BL g.140.(15.)

21/8/1799 Broderip & Wilkinson Twelve Original German Waltzes for the Piano Forte or Harp, with an accompaniment for the tambourine, triangle, etc. Composed by W[olfgang] A[madeus] Mozart. BL g.231.(5.) and H.2819.(22.)

21/8/1799 Broderip & Wilkinson Lone Dweller of the Rock. Set to music by John Wall Callcott, Mus. Bac. Oxon. The poetry by John Rannie. BL D.401.(2.)

410

Music Entries at Stationers’ Hall

21/8/1799 Broderip & Wilkinson Harmonie. Pour deux clarinettes, deux hautbois, deux bassons et deux cors. Composées par Weilland. BL h.125.(20.)

21/8/1799 Broderip & Wilkinson Harmonie. Pour deux clarinettes, deux hautbois, deux bassons et deux cors. Composées par [Franz Anton] Hoffmeister. BL h.114.(8.)

22/8/1799 Longman, Clementi & Co. Weep, weep for poor Anna. A favorite ballad. Written by Arthur Bush, Esq. The music by an amateur. BL G.356.(23.)

22/8/1799 William Napier Three Duettos for Two Violins. Composed by Signor [Antonio] Bruni. Part 1 and 2. BL g.218.(1.)

23/8/1799 Longman, Clementi & Co. Thus Balmy Sleep. The much admired air. Sung by Miss [Sarah Jane] Gray in the new grand spectacle called Cora, or The Virgin of the Sun. Performing, with universal applause, at the new Royal Circus. Written by Mr [John Cartwright] Cross. Composed by J[ames] Sanderson. BL G.367.(18.)

24/8/1799 Longman, Clementi & Co. The Flitch of Bacon. A favorite song. Sung by Mr [Charles] Dignum, with universal applause, at Vauxhall [Gardens]. Written by Mr [John] Vint. Composed by Mr [James] Hook. BL H.1651.b.(50.)

24/8/1799 Benjamin Jacobs Stay, O stay, thou lovely Shade! A glee for three voices. Dedicated (by permission) to Doctor [Samuel] Arnold by Benjamin Jacobs, organist at Surrey Chapel. BL D.402.(19*.)

Entries from 1710 to 1810

411

24/8/1799 Benjamin Jacobs Why do the Heathen vainly rage! A favorite hymn for four voices, sung at Surrey Chapel. Composed, and respectfully dedicated (by permission) to the Rev. Rowland Hill, by Benjamin Jacobs, organist at Surrey Chapel. BL D.402.(19.)

26/8/1799 Longman, Clementi & Co. The Grand Expedition. A favorite song. Sung by Mrs [Rosemond] Mountain at Vauxhall [Gardens]. Composed by Mr [James] Hook. Written by Dr Houlton. BL H.1651.(18.)

28/8/1799 Longman, Clementi & Co. Sir Sidney Smith, or the Gem of Renown. A favorite song. Sung by Mr [Charles] Dignum at Vauxhall [Gardens]. Written by Dr Houlton. Composed by Mr [James] Hook. BL H.1651.(15.)

28/8/1799 Broderip & Wilkinson William and Margaret. A celebrated ballad. Written by [D.] Mallet. The music by Robert Broderip. BL G.361.(31.), text begins ‘’Twas at the solemn’

31/8/1799 William Southbrook Second Set of Six Sonnets and Three Sonatinas. Attempted by Master [William E.] Southbrook. BL G.369.(9.)

2/9/1799 Longman, Clementi & Co. The Favorite Overture to the new grand spectacle called Cora, or The Virgin of the Sun. Performing, with unbounded applause, at the new Royal Circus. Composed, and arranged for the piano forte with or without additional keys, by Mr [James] Sanderson. BL g.137.(23.)

412

Music Entries at Stationers’ Hall

9/9/1799 George Smart Alas, Poor Shepherd. A celebrated duett, as sung by Mrs [Sarah] Second and Miss Nicholson, with universal applause. Arranged for the piano forte. Bodleian Harding Mus. G 243 (8) Longman, Clementi & Co. 11/9/1799 Mrs Wybrow’s new broad sword Hornpipe. Danced by her at the new Royal Circus, with universal applause. Composed by Mr [James] Sanderson. BL g.229.(14.)

11/9/1799 Corri, Dussek & Co. Three Progressive Lessons for the Piano Forte. Composed by D[aniel] Steibelt. Op. 40. BL g.132.(13.) and g.457.a.(6.)

14/9/1799 Longman, Clementi & Co. Pat’s Planxty. Descriptive of the embarkation, landing and success of the grand expedition. As sung by Mr [William] Wallack, at the new Royal Circus. Written by Mr [John Cartwright] Cross, and composed by Mr [James] Sanderson. BL G.376.(38.)

17/9/1799 The Author A Divertimento for Three Performers on One Piano Forte, calculated also for the use of one performer only. By Augustus Frederic Christopher Kollmann, organist of His Majesty’s German Chapel at St James’s. BL g.130.(6.)

19/9/1799 Joseph William Holder The Lunatic. An admired song. Set to music by J[oseph] W[illiam] Holder, Mus. Bac. Oxon. BL G.364.(28.)

21/9/1799 William Hodsoll The Bird Catcher, or Catch as Catch can. A comic pastoral burletta. As performed at Sadler’s Wells. Composed by V. de Cleve. Op. 5. BL H.129.(5.)

Entries from 1710 to 1810

413

21/9/1799 William Hodsoll When you tell me your Heart is Another’s. A favorite song. Composed by [Charles] T[homas] Carter. BL G.364.(17.)

28/9/1799 Joseph Dale Helder Point. A sonata for the piano forte. Composed, and dedicated to Admiral [Andrew] Mitchell, by Joseph Dale. BL g.141.(6.)

30/9/1799 Joseph Dale A New Military March. Performed, in the presence of Their Majesties, by the Prince of Wales’ band. Composed, and humbly dedicated to His Royal Highness the Duke of York, Commander in Chief of the British Forces, by L[aurent François] Boutmy. BL g.133.(6.)

1/10/1799 The Author [Charles] Dibdin’s Works for Two Flutes, in two volumes, containing the music of nearly three hundred songs. Vol. 1. No. 1. Mitchell Special Collections Kidson 9292

1/10/1799 The Author The Lyric Remembrancer, in two volumes. Written and composed by Mr [Charles] Dibdin. Vol. 1. No. 1 Brotherton Collection Music DIB

7/10/1799 Thomas John Dibdin Songs, etc., in The Naval Pillar, or Britannia Triumphant. A new musical piece. As performed at the Theatre Royal, Covent Garden. [Written by Thomas John Dibdin. The music by John Moorehead.] BL 641.h.13.(1.)

8/10/1799 Joseph Dale A New Rondo for the Piano Forte. Composed by T[homas] H[amley] Butler. BL g.140.(9.)

414

Music Entries at Stationers’ Hall

10/10/1799 Broderip & Wilkinson New and Complete Instructions for the Pedal Harp. In two books. Containing all the necessary rules, with exercises, preludes, etc. calculated for acquiring facility, steadiness and precision on the instrument. Respectfully dedicated to her pupils. By Mademoiselle Merelle. BL g.301.(2.)

11/10/1799 Charles Dibdin Naval Victories. A song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(17.)

11/10/1799 Joseph Dale The Death of Crazy Jane. A favorite song, with an accompaniment for the piano forte or harp. By an amateur. BL G.356.(29.)

14/10/1799 Corri, Dussek & Co. Three Grand Sonatas for the Piano Forte with accompaniments for the violin and bass. Being the third book of a sett of twelve new sonatas composed by Mr [Ignace] Pleyel. BL g.161.i.(4.)

17/10/1799 Melesina Clay The Faded Bouquet. A favorite song. The words by Mrs [Mary] Robinson. Composed by Melesina Clay of Kenilworth. BL G.361.(43.)

19/10/1799 Charles Dibdin Nature and Nancy. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(7.) and R.M.13.e.8.(96.)

21/10/1799 Joseph Dale The White Man. A favorite ballad. The words taken from Mr [Mungo] Park’s Travels. Set to music, with an accompaniment for the piano forte or harp, by an amateur. BL G.356.(64.)

Entries from 1710 to 1810

415

22/10/1799 Thomas Preston Three Sonatas for the Piano Forte, with an accompaniment for a violin or German ute. Composed, and dedicated to Miss Frodsham, by D[aniel] Steibelt. Op. 38. BL h.301.(4.)

23/10/1799 Joseph Dale The Favorite African Song. Taken from Mr [Mungo] Park’s Travels. Set to music with an accompaniment for the piano forte or harp. The poetry by Her Grace the Duchess of Devonshire. [Composed by Joseph Dale.] BL G.356.(63.), text begins ‘The loud wind roar’d’

28/10/1799 Charles Dibdin The Black Pig. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(8.) and R.M.13.e.8.(45.)

30/10/1799 Samuel Porter Unless with my Amanda blest. A favorite song. The words by the celebrated James Thomson. [Composed by Samuel Porter.] BL G.366.(52.)

4/11/1799 Charles Dibdin The Portrait of Humanity. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(4.)

Broderip & Wilkinson Divine Cecilia. Canzonetto a Trè. Composed by Samuel Webbe. BL G.352.(44.)

5/11/1799

5/11/1799 Edmund Ayrton An Ode to Harmony. Set to music by Edmund Ayrton, Mus. Doc. Camb. and Oxon. BL G.353.(2.), text begins ‘When music with th’inspiring bowl’

416

Music Entries at Stationers’ Hall

Charles Dibdin [Charles] Dibdin’s Works for Two Flutes. Vol. 1 no. 2. Mitchell Special Collections Kidson 9292

9/11/1799

9/11/1799 Charles Dibdin Bottom. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(11.)

Charles Dibdin 18/11/1799 A Supplication for Peace. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(3.)

21/11/1799 Charles Dibdin The Last Shilling. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(1.)

28/11/1799 Joseph Dale A favorite air, Alla Tedesca, arranged as a rondo. By J[an] L[adislav] Dussek. BL g.140.(32.)

28/11/1799 The Author Six Duettos for Two Violins. Composed in a familiar pleasing stile for juvenile performers by William Smethergell. Op. 12. BL g.218.(12.)

30/11/1799 James Peck [James] Peck’s Collection of Hymn Tunes, Fugues and Odes, chiey original, in three and four parts. Interspersed with fugitive and selected pieces. By James Peck. BL A.512.

Entries from 1710 to 1810

417

2/12/1799 William Hodsoll Dear is my little native Vale. From The Pleasures of Memory. Composed by [Charles] T[homas] Carter. BL G.364.(19.)

2/12/1799 Charles Dibdin The Lakes of Windermere. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(14.)

5/12/1799 Archibald MacGown Hird’s Sixth and last volume of Scotch, English, Irish and foreign Airs. Adapted for the
fe, violin or German ute. Newcastle Robinson Special Collection W788.5 HIR

9/12/1799 Charles Dibdin Rational Vanity. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(10.)

12/12/1799 Broderip & Wilkinson O Youth, thou Morning of Delight. A chearful glee. Set to music by J[ohn] W[all] Callcott, Mus. Bac. Oxon. The poetry by John Rannie. BL D.401.(3.)

12/12/1799 William Wennington A Favorite Canzonetta for the Piano Forte. Composed by L[udwig] van Beethoven. The poetry by William Wennington, and by him most respectfully dedicated to Mrs Tschoffen. BL D.392.(2.)

14/12/1799 John Mackerrell A Familiar Introduction to the First Principles of Music, to which is added twenty-four progressive lessons for the use of beginners on the harpsichord or piano forte. Composed by John Mackerrell. BL e.140.(5.)

418

Music Entries at Stationers’ Hall

18/12/1799 Broderip & Wilkinson All Day I wander through the Groves. Duetto. Composed by Samuel Webbe, author of The Mansion of Peace. BL G.354.(44.)

Broderip & Wilkinson Laura. The words by Mr Montgomery. Composed by George Ware. BL G.365.(34.)

20/12/1799

Broderip & Wilkinson 20/12/1799 Star of Beauty, Silver Light. With an accompaniment for the piano forte or harp. Composed by Samuel Webbe, author of The Mansion of Peace. The poetry by John Rannie. BL G.365.(41.)

20/12/1799 Broderip & Wilkinson Around my Fair. Terzetto. Composed by Samuel Webbe, author of Come Live with Me and be my Love. BL G.352.(43.)

20/12/1799 Broderip & Wilkinson In humble Life’s sequester’d Vale. With an accompaniment for the piano forte or harp. Composed by Samuel Webbe, author of The Mansion of Peace. The poetry by John Rannie. BL G.365.(38.)

23/12/1799 Charles Dibdin Madam Vandercrout. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(9.)

31/12/1799 Joseph Dale [Jan Ladislav] Dussek’s Celebrated Duet for Harp and Piano Forte. As performed by the author [Jan Ladislav Dussek] and Mme [Sophia, née Corri] Dussek. Dedicated to Miss Grif
th. Op. 38. BL g.192.a.(6.)

Entries from 1710 to 1810

419

31/12/1799 The Author La Chasse. For the harp or piano forte with or without the additional keys, and an accompaniment for a violin obligato. Composed, and dedicated (by permission) to Miss Baker, by John Alex[ander] Ireland. BL g.192.a.(14.)

1/1/1800 John Hammond Midst silent Shades. A favorite song, for the piano forte or harp, with an accompaniment for a violin. Composed by John Hammond. BL G.366.(9.)

1/1/1800 John Hammond The celebrated song of Sally in our Alley. Adapted, with variations for the piano forte or harp, by John Hammond. BL g.139.(28.)

6/1/1800 Urbani & Liston A Favorite Selection of Scots Tunes by Urbani & Liston. Properly arranged as duettos for two German utes or two violins by P[eter] Urbani. Book 2. BL b.69

6/1/1800 Urbani & Liston Twenty Eight Favorite Venetian Airs, arranged for the piano forte, some of which for the harp, by Peter Urbani. BL g.138.(7.)

6/1/1800 Urbani & Liston General [Alexander] Suwarrow’s Grand March and Quick Step, as performed by his band. Received from Colonel Thery of the Austrian Army. Composed by Fritzzler. Arranged for the piano forte by C[arlo] Barbieri. BL g.133.(4.)

Urbani & Liston Kinrara. By William Marshall. BL h.1568.b.(14.)

6/1/1800

420

Music Entries at Stationers’ Hall

6/1/1800 Urbani & Liston A Collection of New Reels, with a bass for the violoncello or harpsichord. Composed, and humbly dedicated (by permission) to General Sir Hector Munro, Knight of the Bath, by Abraham Johnson. The bass corrected by Mr [Peter] Urbani. Book 1. BL g.229.(6.)

Edmund Ayrton Canon. Five in Two. By Edmund Ayrton, Mus. Doc. Cantab. et Oxon. BL H.1160.a.(2.), ‘corrected edition’

7/1/1800

8/1/1800 Broderip & Wilkinson Quartetto from a favorite song of Dr [Thomas Augustine] Arne’s. Harmonized by R[ichard] Langdon of Exeter. BL G.353.(21.), text begins ‘To keep my gentle Jessy’

8/1/1800 Broderip & Wilkinson The Fond Appeal. Quartetto. A favorite song of Dr [Thomas Augustine] Arne’s. Harmonized by R[ichard] Langdon of Exeter. BL G.353.(22.), text begins ‘Gentle youth, o tell me, why’

8/1/1800 Broderip & Wilkinson Trio from a favorite song [‘To Delia’]of Dr [Thomas Augustine] Arne’s. Harmonized by R[ichard] Langdon of Exeter. BL G.352.(28.)

Broderip & Wilkinson Ye Flowers that Droop. A favorite song. Composed by Robert Broderip. BL G.361.(29.)

8/1/1800

Broderip & Wilkinson 9/1/1800 The Favorite Overture with the Movements descriptive of the Volcanic Eruption, in the new popular pantomime of The Volcano performing, with universal applause, at the Theatre Royal, Covent Garden. Arranged for the piano forte and composed by J[ohn] Moorehead. BL g.137.(20.)

Entries from 1710 to 1810

421

10/1/1800 Robert Birchall The Orphan Boy. A ballad, with an accompaniment for the harp or piano forte. As sung by Mr William Knyvett at the Nobilities Concerts. Composed by T[homas] Haigh. The words from [Charles] Fox’s poems. BL G.364.(24.), text begins ‘Whence art thou whose warblings wild’

11/1/1800 Gow & Co. Lady Mary Ramsay’s Strathspey, and the Earl of Dalhousie’s Reel. A new medley, danced at the Edinburgh Assembly, etc., etc. Composed by Nathaniel Gow. To which is added, Three favorite Tunes. BL g.229.(7.)

13/1/1800 Joseph Dale Marian’s Complaint. A favorite amoroso. Written by Peter Pindar, Esq. Composed by Mr [Ambrose] Pitman. BL G.366.(50.)

13/1/1800 Joseph Dale Trust the Ghost of Crazy Jane. A favorite song, with an accompaniment for the piano forte or harp. By a lady of fashion. BL G.356.(30.) and H.2820.(4.)

22/1/1800 J. Hewitt Four Quick Marches. Composed, and respectfully dedicated to William Phillips Inge, Esq., Captain Commandant of the Litch
eld Loyal Association, by J. Hewitt. Arranged for the piano forte or a military band. BL g.137.(29.)

22/1/1800 Charles Dibdin The Dif
cult Task. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(16.)

422

Music Entries at Stationers’ Hall

24/1/1800 Broderip & Wilkinson Mr [Henry] Denman’s song, El
n Away, in the new popular entertainment of The Volcano, performed at the Theatre Royal, Covent Garden. The words by T[homas John] Dibdin. The music composed by J[ohn] Moorehead. BL G.249.(35.)

24/1/1800 Broderip & Wilkinson Miss Wheatley’s song, Fear not to ask, in the new popular entertainment of The Volcano. Now performing, with universal applause, at the Theatre Royal, Covent Garden. The words by T[homas John] Dibdin. The music composed by J[ohn] Moorehead. BL G.249.(34.)

29/1/1800 Charles Dibdin The Irish Drummer. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(15.)

Charles Dibdin 4/2/1800 The Lyric Remembrancer. [Written and composed by Charles Dibdin.] Vol. 1. No. 3. Brotherton Collection Music DIB

4/2/1800 Charles Dibdin Dogs. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(5.)

5/2/1800 Bland & Weller The Death of Crazy Jane. A favorite song. Composed, with an accompaniment for the piano forte, by Reginald Spofforth. BL G.365.(19.)

5/2/1800 Bland & Weller The Banks of the Tyne. A ballad. Sung by Master Elliot at the Nobilities Concerts. Composed by Reginald Spofforth. BL G.365.(21.)

Entries from 1710 to 1810

423

10/2/1800 Charles Dibdin Legerdemain. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(6.)

Thomas John Dibdin and James Barker 10/2/1800 Songs, etc., in True Friends. A musical entertainment in two acts. As performed at the Theatre Royal, Covent Garden. The overture and music composed by Mr [Thomas] Attwood. [The words by Thomas John Dibdin.] BL 641.h.13.(3.), words only

22/2/1800 Thomas Jones The Handkerchief, or Stern’s Pledge to Maria. Written by S. Larken. Composed by J[ohn] Moulds. BL G.366.(39.)

26/2/1800 Thomas Preston How blithly passed the Summer’s day. A favorite song. Sung, with great applause, by Master Fernyhough. The words by Mr [William] Shenstone, Esq. Composed by J. Hewitt. BL g.366.(14.)

26/2/1800 Joseph Kemp Twelve Songs. Composed by Joseph Kemp, late pupil of Mr [William] Jackson of Exeter. Op. 1. BL G.358.(6.)

28/2/1800 Broderip & Wilkinson Sonata for the Harp, with accompaniments for the violin and violoncello, or ute and bassoon. Dedicated to Mademoiselle de Calmeith. Composed by A. H. Y., Viscount du Boisbaudry. BL g.192.a.(17.)

424

Music Entries at Stationers’ Hall

5/3/1800 George Guest Address to Sleep. Written by S[amuel] J[ames] Arnold, Esq. Set to music, with an accompaniment for the piano forte or pedal harp, by George Guest, organist of Wisbeach and late of His Majesty’s Chapel Royal. BL G.366.(8.)

5/3/1800 George Thomas Smart Three Sonatinas for the Piano Forte, with an accompaniment for the violin ad libitum. Composed by G[eorge] T[homas] Smart. BL g.132.(12.)

7/3/1800 Andrew Franklin Songs, duets, trios, choruses, etc., in The Egyptian Festival. An opera in three acts. As performed at the Theatre Royal, Drury Lane. The music composed by Mr [Charles Haiman] Florio. [The words by Andrew Franklin.] BL 641.h.13.(4.)

13/3/1800 James Hogben The Sweet Charms of Music. A song, with an accompanyment for the piano forte or harp. Dedicated with permission to the Marchioness of Salisbury. By an amateur. BL G.356.(19.)

13/3/1800 James Hogben Love, Music and Friendship. A glee for three voices. Dedicated to His R[oyal] H[ighness] the Prince of Wales. By an amateur. BL G.352.(48.)

18/3/1800 George Walker Art Thou awake? A Spanish serenade. From the romance of The Three Spaniards. Bodleian Harding Mus. G 31 (8) and Mus. Voc. I, 61 (38)

19/3/1800 James Bland Forty Two Vocal Exercises in Two Parts, with a bass accompanyment. Designed for the assistance of those who wish to sing at sight, and as a sequel to L’Amico del Principiante. By Samuel Webbe. BL g.302.(6.)

Entries from 1710 to 1810

425

19/3/1800 James Bland L’Amico del Principiante, being Twenty Eight Short Solfaing Exercises, for a Single Voice with a bass accompanyment, designed to assist young singers in learning to sing at sight. [By Samuel Webbe Sr.]

20/3/1800 Joseph Dale The Favorite Grand Sonata for the Piano Forte and Tambourine, with accompaniments for a ute, violin and bass. As performed at the public concerts. Dedicated to Her Grace the Duchess of Dorset, and composed by J[oseph] Dale. The tambourine accompaniment by J[oseph] Dale Jr. BL h.270.(9.)

25/3/1800 James Barker Songs, etc., in St David’s Day, or The Honest Welchman. A ballad farce, in two acts. As performed at the Theatre Royal, Covent Garden. [The music composed and selected by Thomas Attwood. The words by Thomas John Dibdin.] BL 641.h.13.(2.), words only

James Worgan 26/3/1800 Emma. A pastoral. Written by Miss Emily Coles, a young lady of only eleven years old, and set to music by James Worgan. BL G.365.(70.)

27/3/1800 William Hodsoll The British Soldier. A favorite song. Written by Mr Lambert. The music composed by Mr [Raynor] Taylor. BL G.365.(29.)

William Hodsoll Fair the Face of Orient Day. A favorite song. Composed by a lady. BL G.356.(33.)

27/3/1800

426

Music Entries at Stationers’ Hall

27/3/1800 John Ashley The Creation. A sacred oratorio. Composed by Joseph Haydn, Doctor of Music, in actual service of His Highness the Prince of Esterhazy. As performed at the Theatre Royal, Covent Garden, 1800, under the direction of Mr [John] Ashley Sr. BL 641.h.13.(5.) and D-7897.m.10.(1.)

27/3/1800 Thomas Jones Music purposely composed for the Harp, from the collection of an amateur. An hymn to the Deity from the most admired sacred drama of David and Goliath by Mrs Hannah More. To which are added a selection of vocal compositions in various styles, with an accompaniment for the same instrument. [Composed by Thomas Jones.] BL G.368.(2.)

28/3/1800 George Smart Six Songs, with an accompaniment for the forte piano. Respectfully inscribed to Mrs Harrison. Composed by James Fisin. Op. 8. BL G.369.(4.)

Joseph Dale 29/3/1800 [Joseph] Dale’s Selection of the most favorite Country Dances, Reels, etc., with their proper
gures for the harp, harpsichord and violin. As performed at the Prince of Wales, Bath and other grand balls and assemblies. BL b.54.(4.)

7/4/1800 Timothy Essex A Grand Military Sonata for the Piano Forte, with an accompaniment ad libitum for a violin and violoncello. Respectfully inscribed to Miss Chalmer. By T[imothy] Essex. Op. 4. BL g.142.(2.)

14/4/1800 The Author Songs, Duetts and other Compositions by Dr [Henry] Harington of Bath. Never before published. BL G.350.(4.)

Entries from 1710 to 1810

427

15/4/1800 Bland & Weller The Pedal Harp Rotula and New Instruction for that Instrument, with eighteen favorite waltzes, songs and minuets for the harp or piano forte. Dedicated to the Right Honourable Lady Harriet Leslie. Composed by Mr [John Erhardt] Weippert.

16/4/1800 Corri, Dussek & Co. Recitative and chorus. Outrageous Storms now Dreadful rose, in the sacred oratorio of The Creation. As sung at the Theatre Royal, Covent Garden by Mrs Second and Messrs Dignum, Incledon and Sale. Composed by Dr [Joseph] Haydn. BL G.503.(14.)

16/4/1800 Corri, Dussek & Co. Recitative and song. With Verdure clad the Fields appear, in the sacred oratorio of The Creation. As sung at the Theatre Royal, Covent Garden by Mrs [Sophia] Dussek. Composed by Dr [Joseph] Haydn. BL H.2120.f.(6.)

16/4/1800 Corri, Dussek & Co. Graceful Consort at thy Side. A duett. As sung, in the sacred oratorio of The Creation, by Madame [Sophia] Dussek and Mr [Henry] Denman at the Theatre Royal, Covent Garden. Composed by Dr [Joseph] Haydn. CUL MR290.a.75.451(6)

Broderip & Wilkinson The Fowler. Out of The Magic Flute. By [Wolfgang Amadeus] Mozart. BL G.356.(9.)

16/4/1800

16/4/1800 Broderip & Wilkinson Four easy Songs with accompaniments of the harp or piano forte, and Four Notturni’s for Two and Three Voices with accompaniments of a bass. Composed, and humbly dedicated to Miss Greenland, by F. Damiani. BL E.270.(11.)

Arabella Stables Six Ballads, with an accompaniment for the harp. The music by a lady. BL G.356.(1.)

18/4/1800

428

Music Entries at Stationers’ Hall

21/4/1800 John Peter Salomon The Creation. A sacred oratorio. Composed by Dr [Joseph] Haydn. As performed at the Concert Room, King’s Theatre, Haymarket, under the direction of Mr [John Peter] Salomon. GUL Special Collections DL.2.16 and d.9.31

25/4/1800 John Hamilton Captain O’Kaine. A favourite Irish air, with variations for the piano forte. Composed, and respectfully dedicated to Lady Charlotte Campbell, by Robert Mackintosh. BL g.139.(32.)

25/4/1800 John Hamilton Go Pull the Rose. A favourite song, set for the voice, piano forte or German ute. Written by J[ohn] Hamilton. Composed by Mr John Ross, organist of St Paul’s, Aberdeen. BL G.366.(62.)

28/4/1800 Marie Martin Marcel de Marin Three Sonatinas for the Harp. Composed by Viscount [Marie Martin Marcel] de Marin. Op. 10. BL g.301.(12.)

28/4/1800 George Thomson Three Grand Sonatas for the Piano Forte or Harpsichord in which are introduced, for the subjects of the middle and last movements, select Scotish airs, with accompanyments for a violin and violoncello. Composed by Leopold Kozeluch. 1st and 2nd sets. BL g.161.h.(1.)

1/5/1800 William Hodsoll Strew the Way with fairest Flowers. A favorite song by [Wolfgang Amadeus] Mozart, with variations for the piano forte by S[tephen] F[rancis] Rimbault. BL g.139.(37.)

Entries from 1710 to 1810

429

1/5/1800 William Hodsoll Sweet Month of May. A favorite pastoral duet. As sung at the Arnenian Society [a society commemorating Thomas Augustine Arne] and other gentlemen’s concerts. Composed by J. H. Angier. BL G.354.(1.)

7/5/1800 Charles Hummell Les Délassements Militaires. Composed by C[harles] Hummell and son [i.e., J. Louis Hummell] for a full military band, and adapted by them for the piano forte or harp. No. 1. Dedicated by permission to the Right Honourable Lady Jane Dundas. BL g.137.(30.)

8/5/1800 Broderip & Wilkinson To the most honourable the Marquess of Salisbury the following Marches, composed for the use of the Hertfordshire Volunteers, are (by permission) most humbly inscribed by His Lordship’s most humble servant, Charles Bridgeman. BL g.137.(28.)

R. Tyrrell 12/5/1800 A favorite Scotch song. Written by R[obert] Burns. The music composed by R. Tyrrell. BL G.365.(32.), text begins ‘Wilt thou be my dearie?’

13/5/1800 Longman, Clementi & Co. The Blue Bell of Scotland. A favorite ballad. As composed and sung by Mrs [Dora] Jordan at the Theatre Royal, Drury Lane. BL G.249.(60.)

13/5/1800 George Smart Twelve Military Divertimentos for a Full Band, which occasionally may be played by a small band of two clarinets, two French horns and bassoons. Composed chiey for the use of Their Majesties’ Band, and humbly dedicated (by permission) to His Royal Highness the Prince of Wales, by His Royal Highness’s most dutiful and devoted servant, Charles Griesbach. BL h.129.(3.)

430

Music Entries at Stationers’ Hall

19/5/1800 James Mathews The Pleasures of Spring. A favorite duett. Original. 1800. Inscribed, and most respectfully, to P. W. Porter, Esq., and the noblemen and gentlemen of the Bath Harmonic Society. [Composed by James Mathews.] BL G.354.(50.)

19/5/1800 James Mathews Cease, Leonora, Cease to mourn. A favorite duett. Adapted with a bass by the author of The Pleasures of Spring [James Mathews]. BL G.354.(48.)

21/5/1800 Longman, Clementi & Co. I rise with the Morn. A favorite ballad. As sung by Mrs [Dora] Jordan, with the greatest applause, in the new comedy of Indiscretion at the Theatre Royal, Drury Lane. The music by a lady of fashion. BL G.249.(44.)

28/5/1800 Longman, Clementi & Co. Wully is a Bonny Lad. A favorite Scotch pastoral ballad. Sung by Miss Randal, at the new Royal Circus. The poetry written by Mr [John Cartwright] Cross, and the music composed by J[ames] Sanderson. BL G.367.(26.)

28/5/1800 Broderip & Wilkinson A Collection of Favorite Glees, Catches and Rounds presented by the candidates for the premiums given by the Prince of Wales in the year 1800. [Compiled by Charles Knyvett.] BL E.318.(1.)

28/5/1800 Joseph Elouis Three celebrated Trios of [Ignace] Pleyel. Arranged as harp sonatas, for Miss Hanbury of Kelmarsh, by Joseph Elouis. BL g.198.(5.)

Entries from 1710 to 1810

431

28/5/1800 Charles Hummell Three Favorite Trios for the Flute, Violin and Tenor. Composed, and humbly dedicated (with permission) to the Right Honourable Earl of Cholmondeley, by Charles Hummell. BL g.222.(4.)

28/5/1800 Alexander Wills Ten new fashionable Irish Dances for the Piano Forte or Harp. To which is added the Zoaick, as danced every night at Bath, and three favorite waltzes. Humbly inscribed by permission to the Countess of Yarmouth, and carefully selected by A[lexander] Wills, dancing master. BL b.54.(14.)

29/5/1800 Joseph Dale A Grand Scotch Sonata for the Piano Forte. with an accompaniment for a ute or violin and violoncello. Interspersed with the beautiful compositions of L[eopold] Kozeluch. Arranged by J[oseph] Dale. BL g.270.e.(23.) and g.442.(3.) and h.270.(11.)

30/5/1800 Longman, Clementi & Co. The Sigh. A favorite song, with an accompaniment for the piano forte. The poetry written by S[amuel] T[aylor] Coleridge. Composed by John Wilkins. BL G.365.(57.)

9/6/1800 Broderip & Wilkinson The Lapland Swain. Composed by a young lady seven years old, and dedicated to Miss Vansittart. The words by a lady. BL G.356.(35.)

10/6/1800 Miss Roma A Russian March for the Piano Forte, composed on General Suvoroff’s [i.e., Alexander Suwarrow’s] taking Ismael. BL g.443.s.(12.)

432

Music Entries at Stationers’ Hall

11/6/1800 Charles Dibdin The Pride of the Ocean. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(12.) and R.M.13.e.8.(120.)

11/6/1800 Charles Dibdin Ode to Gratitude on the Preservation of His Majesty. Written and composed by Mr [Charles] Dibdin, and sung by him in his various entertainments. BL G.368.(8.)

11/6/1800 Bland & Weller No, No, No, it must not be. A new song. Sung by Master Gray at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(5.)

11/6/1800 Bland & Weller The Cottage Boy. A new song. Sung by Master Gray at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.b.(4.)

The Author The Loss of Innocence. A song. By Thomas George Williamson. BL G.365.(61.)

17/6/1800

17/6/1800 Broderip & Wilkinson Ode on the Royal Review of the Hertfordshire Volunteers in Hat
eld Park, June 13th 1800. The words by Robert Bacon, LL. D. Set to music by C[harles] Bridgeman. BL G.376.(9.)

Thomas George Williamson 17/6/1800 Since in the Mirror of my Eyes. Translated from the poems of Sonda, a celebrated Hindostanee author. Composed by T[homas] G[eorge] Williamson. BL G.365.(63.)

Entries from 1710 to 1810

433

17/6/1800 Thomas George Williamson Rámánee. Translated from the poems of Yuqueen, a celebrated Hindostanee Author. Composed by T[homas] G[eorge] Williamson. BL G.365.(62.)

Thomas George Williamson The Bird’s Nest. Composed by T[homas] G[eorge] Williamson. BL G.365.(64.)

17/6/1800

Thomas George Williamson Pretty Nell. Composed by T[homas] G[eorge] Williamson. BL G.365.(65.)

17/6/1800

17/6/1800 Thomas Shoel Twenty-Four Psalm Tunes, two Hymns, with music at length. The Dying Christian to his Soul, and three easy Anthems. By Thomas Shoel. BL B.473.(1.) and B.1177.y

Joseph Dale [Joseph] Dale’s Instructions for the Tambourine. BL h.1178

23/6/1800

26/6/1800 Broderip & Wilkinson The Blue Bell of Scotland. Arranged as a rondo for the piano forte by M[atthew] P[eter] King. BL g.140.(40.)

2/7/1800 Samuel Porter Twenty-Five Odes, Hymn Tunes, etc., in four parts. Composed by Samuel Porter. BL A.482

14/7/1800 William Boag Retaliation, or An Answer to Mr [Charles] Dibdin’s song of Mounseer Nong Ton Paw. Composed by J. Nelson. BL G.366.(43.)

434

Music Entries at Stationers’ Hall

14/7/1800 William Boag Julia. A favorite pastoral ballad. Sung by Mr Gray at the Spa Gardens and City Concerts. Composed by J[onas] Blewitt. BL G.367.(39.)

R. Kent A favorite duett on Peace. By R. Kent. BL G.354.(21.), text begins ‘How long will peace forsake this isle’

16/7/1800

Broderip & Wilkinson 16/7/1800 A Phantasia and Two Sonatas for the Piano Forte. Composed by John [George Henry] Jay. BL g.143.(11.)

21/7/1800 Joseph Dale When I play’d on my Spanish Guitar. A favorite ballad. As sung at Brandenburg House and other fashionable circles, with the greatest applause. BL G.356.(45.)

22/7/1800 John Hamilton A third sett of Songs, with an accompaniment for the piano forte or harp. Composed, and respectfully dedicated to Mrs Forbes of Seaton, by John Ross, organist of St Paul’s, Aberdeen. BL G.358.(10.)

22/7/1800 Joseph Kemp Six Glees. Composed by Joseph Kemp, Exeter. Dedicated by permission to the Honourable George Pomeroy. Op. 2. BL G.353.(20.)

23/7/1800 William Duchatz The Blue Bells of Scotland, with Variations for the Harp or Piano Forte by W[illiam] Duchatz. BL g.139.(20.)

Entries from 1710 to 1810

435

26/7/1800 Broderip & Wilkinson Hail bounteous May! A favorite duet, with an accompanyment for the piano forte. The words from [John] Milton. The music by Robert Broderip. BL G.354.(5.)

30/7/1800 Samuel Porter No. 2. Twenty-Five Odes, Hymn Tunes, etc., in four parts. Composed by S[amuel] Porter. BL A.482

31/7/1800 Joseph Dale The Blue Bell of Scotland. A favorite Scotch song, sung by Mrs [Dora] Jordan, with variations for the piano forte. By J[oseph] Dale. BL g.139.(17.)

5/8/1800 James Mathews The Glorious Fifteenth of May. A loyal glee, to perpetuate the late providential escape of the King. Composed, and dedicated by permission to Her Majesty, by James Mathews. BL G.352.(30.)

James Mathews The Royal Machine. A new catch, on sea bathing. By James Mathews. GUL Special Collections Cb6-f.23

5/8/1800

13/8/1800 James Peck Lilies! Sweet lilies buy! or The Orphan Girl. A much admired ballad. Written by Mr Fox. Sung, with unbounded applause, by Master Gray at Vauxhall Gardens. Composed by Henry Denman. BL G.383.j.(12.)

15/8/1800 Joseph Dale The Fifth Ode of the First Book of Horace. Set to music, with a harp or piano forte accompaniment, by T[homas] Wright. BL G.199.(31.), text begins ‘Quis multa gracilis’

436

Music Entries at Stationers’ Hall

22/8/1800 Buchannan The Directory for Ball Music. Dedicated to the Right Honourable Lady Charlotte Campbell by the author. BL 1042.d.8

26/8/1800 Thomas George Williamson Twelve Original Hindostanee Airs. Compiled and harmonized by T[homas] G[eorge] Williamson. Op. 4. BL g.138.(5.)

26/8/1800 Thomas George Williamson Twenty Small Pieces for the Piano Forte, Flute or Violin. Consisting of waltzes, quick steps, cotillons, dances, etc., etc. Composed by T[homas] G[eorge] Williamson. Op. 5. BL g.229.(20.)

26/8/1800 Thomas George Williamson Six Favorite Sonatinas for the Piano Forte. By T[homas] G[eorge] Williamson. Op. 1. BL g.132.(15.)

30/8/1800 Samuel Porter No. 3. Twenty-Five Odes, Hymn Tunes, etc., in four parts. Composed by S[amuel] Porter. BL A.482

1/9/1800 William Duchatz A Favorite German Air, with Variations for the Pedal Harp or Piano Forte. By W[illiam] Duchatz. BL g.301.(6.)

James Peck 11/9/1800 [James] Peck’s Collection of Hymn Tunes, Fugues and Odes, chiey original, in three and four parts. Interspersed with fugitive and selected pieces. 3rd Book. BL A.512

Entries from 1710 to 1810

Broderip & Wilkinson Sighs and Tears reliev’d. A favorite song. By a lady. BL G.356.(34.)

437

17/9/1800

23/9/1800 William Hodsoll The First Regiment of Royal Tower Hamlets Militia March and Quick Step. As performed by the regimental band, and adapted for the piano forte. Composed, and dedicated (by permission) to Colonel Beaufoy and the of
cers of the regiment, by their most humble servant, William Liquorish. BL g.133.(36.)

23/9/1800 William Hodsoll O had I the Wings of an Eagle I’d y. A favorite song. By Samuel Webbe. BL G.365.(40.)

23/9/1800 William Hodsoll Overture to the favorite dance of The Highland Camp. As performed, with universal applause, at Sadler’s Wells. Composed by W[illiam] Russell. BL g.137.(14.)

24/9/1800 Edward Miller The New Flute Instructor, or The Art of Playing the German Flute in a short Time, without the Help of a Master. Containing some essential requisites not to be found in any other book of instructions, with all the modern graces and improvements. Also, the principles of music inculcated by way of question and answer, with the art of double tongueing and everything necessary to render the learner a complete performer. To which is added, A Selection of popular Tunes for one, two, and three German utes. Also, a dictionary explaining the usual terms to be met with in music. By Edward Miller, Mus. Doc. BL b.118

3/10/1800 William Barre Twelve Psalms and Hymn Tunes in three parts. Composed by William Barre.

438

Music Entries at Stationers’ Hall

6/10/1800 Thomas George Williamson Six Grand Troops with Six Quick Steps and Six Marches, for the Piano Forte. Composed by T[homas] G[eorge] Williamson. Op. 6. BL g.137.(27.)

6/10/1800 Thomas George Williamson Thirty Little Airs for Two Flutes or Violins, with a violoncello ad libitum, forming either duetts or trios, as may suit convenience. Composed by T[homas] G[eorge] Williamson. Op. 7. BL g.222.(7.)

6/10/1800 Thomas George Williamson Lubin’s Return. A new pastoral ballad. Intended as a sequel to [Joseph] Haydn’s canzonett ‘My mother bids me bind my hair’. Written and composed by T[homas] G[eorge] Williamson. BL G.365.(58.)

6/10/1800 Broderip & Wilkinson Swiftly blow ye Western Breezes. A favorite ballad. The words by a lady. The music by Robert Broderip. BL G.361.(30.)

6/10/1800 Broderip & Wilkinson Glee. Methinks I hear the full celestial Choir. The words from [James] Thomson. Composed by William Crotch, Mus. Doc. BL G.503.(12.)

8/10/1800 William Dance Preludes for the Piano Forte, in various keys, adapted to the different capacities of learners. Composed, and respectfully inscribed to Miss Ellin Devis, by William Dance, musician in ordinary to His Majesty. BL g.303.(5.)

Entries from 1710 to 1810

439

8/10/1800 William Dance God save the King. Arranged for the piano forte, with new variations and an introductory movement and coda, Composed, and respectfully inscribed to Miss Louisa Sheldon, by William Dance, musician in ordinary to His Majesty. BL g.139.(18.)

11/10/1800 Charles Dibdin The Union. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(14.)

Broderip & Wilkinson A Collection of celebrated Airs with Variations for the Harp. BL h.127.(18.)

14/10/1800

18/10/1800 Edward Miller Dr [Isaac] Watts’s Psalms and Hymns, set to new music. Consisting of upwards of
fty original melodies or tunes, in three and four parts. Composed by Edward Miller, Mus. Doc. To which is added, a copious appendix containing the most favorite tunes now used in different congregations. Corrected and adapted to a new selection of six hundred hymns by the Rev. Dr [Edward] Williams and the Rev. Mr [James] Boden, with references to those of Dr [Isaac] Watts. This volume contains a greater variety than any other extant, forming a publication of near three hundred tunes, a hundred of which were never before printed, with words annexed, the basses
gured, and the tunes not only adapted for public worship but also for private use on the organ or piano forte. To which is added, a short introduction to psalmody with easy rules for singing. BL C.18.uu and C.18.vv

20/10/1800 Charles Dibdin The Lottery of Wedlock. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(22.)

440

Music Entries at Stationers’ Hall

21/10/1800 Marie Martin Marcel de Marin Two Trios, selected from the Works of [Wolfgang Amadeus] Mozart, arranged for the Harp, with an accompaniment for a violin and violoncello, by Viscount [Marie Martin Marcel] de Marin. BL g.192.a.(20.)

21/10/1800 Marie Martin Marcel de Marin Essay upon an Air of [La] Molinarella [by Giovanni Paisiello], varied in all the known styles of music, such as the Chinese, Polish, French, Scotch, Sicilian, Turkish, Cossacks, Russian, Arabic, Grecian, Tartar and the Italian cantabile. Also, God save the King, and four favorite Scotch and Welsh airs adapted for the harp. By Viscount [Marie Martin Marcel] de Marin. Op. 11. BL g.198.(7.)

21/10/1800 Marie Martin Marcel de Marin Two Sonatas for the Harp, the
rst of which was performed by the author at his Lycée Harmonique, May 29th 1800. Composed by Viscount [Marie Martin Marcel] de Marin. Op. 6. BL g.198.(6.)

25/10/1800 Charles Dibdin The Poet and the Paper. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(23.)

1/11/1800 Charles Dibdin Love and Reason. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(12.)

6/11/1800 Charles Dibdin Brother Jack. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(17.)

Entries from 1710 to 1810

441

14/11/1800 Thomas Beale The Old Sailor. A favorite song. Respectfully dedicated to Joseph Ablett, Esq., by John Grimshaw. BL G.366.(6.)

17/11/1800 Charles Dibdin Perpetual Youth. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(13.)

21/11/1800 Broderip & Wilkinson La Colombe Retrouvée. An air for the piano forte, with or without additional keys. Composed, and dedicated to Miss C. H., by Louis von Esch. BL g.139.(47.)

21/11/1800 Charles Dibdin Anna, Anne, Nan, Nance and Nancy. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(19.) and R.M.13.e.8.(104.)

21/11/1800 The Author Good Humour’s my Motto. A favorite canzonet for the piano forte or pedal harp. Composed for and inscribed to Miss Parkinson by Margaret Essex. BL G.361.(71.)

29/11/1800 Charles Dibdin Filial Love. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(25.)

1/12/1800 R. Slatter Select Portions of the new and old Versions of Psalms. Selected for the use of parish churches by W[illiam] Cross, organist of St Martin’s Church, Oxford. BL 845.c.3.

442

Music Entries at Stationers’ Hall

Samuel Porter [Samuel] Porter’s Odes, Hymn Tunes, etc. No. 6. BL A.482

2/12/1800

2/12/1800 William Barre Six Psalm and Hymn Tunes, intended as a supplement to the
rst twelve. Composed, and respectfully inscribed to Joseph Hardcastle, Esq., by William Barre.

James Worgan Absence. A favorite new song. Composed by James Worgan. BL G.365.(71.)

4/12/1800

4/12/1800 Urbani & Liston Cauld Kail in Aberdeen. A new rondo. Composed, and dedicated by permission to Miss Cheyne, by P[eter] Urbani. BL g.139.(49.)

4/12/1800 Urbani & Liston Bannocks o’Barley Meal. A favorite old Scots song, never before in print. Said to have been wrote by the old John, Duke of Argyle. Arranged for the voice with an accompaniment for the piano forte by P[eter] Urbani. BL G.364.(58.)

4/12/1800 Joseph Dale A favorite Christmas hymn. Adapted for the voice, piano forte or organ [by John Wainwright]. BL H.1250.(24.), text begins ‘Christians awake, salute the happy morn’

4/12/1800 Urbani & Liston O wat ye wha’s in yon Town. A new rondo. As performed by Mr [Girolamo] Stabilini at his concert. Composed, and dedicated by permission to Miss D. Grant, by P[eter] Urbani. BL g.139.(48.)

Entries from 1710 to 1810

443

4/12/1800 Urbani & Liston A Selection of Scots Songs. Harmonized, [and] improved with simple and adapted graces. Most respectfully dedicated to the Right Honourable Lady Lucy Ramsay by Peter Urbani. [Book 4.] BL G.372.(1.)

4/12/1800 The Author A Favorite Sonata arranged as a Duett for Two Harps or a Harp and Piano Forte, and most humbly dedicated (by permission) to the Right Honourable Lady le Despencer by William Duchatz, professor of the pedal harp. Op. 3. BL g.192.a.(3.)

5/12/1800 Charles Dibdin Jack at Greenwich. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(24.)

10/12/1800 Charles Dibdin The Canary Bird. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(21.)

10/12/1800 Robert Birchall Three Sonatas for the Piano Forte or Harpsichord with accompaniments for a violin or violoncello. Composed, and dedicated to Miss Hannah Grey, by Leopold Kozeluch. Op. 48. BL g.150.(5.)

12/12/1800 Joseph Dale A Grand Scotch Sonata for the Piano Forte, with an accompaniment for a ute or violoncello. Interspersed with the beautiful compositions of Leopold Kozeluch. [Arranged by Joseph Dale.] BL g.270.e.(23.) and g.442.(3.) and h.270.(11.)

444

Music Entries at Stationers’ Hall

17/12/1800 William Hodsoll The Popular Air of La Pipe de Tabac. Arranged as a rondo by S[tephen] F[rancis] Rimbault.

17/12/1800 William Hodsoll How softly blew the southern Breeze. A favorite song. Sung by Miss [Fanny] Howells in Daphne and Amintor, at the Theatre Royal, Covent Garden. Composed by Mr [James] Hook. BL H.1651.c.(1.)

17/12/1800 Thomas Jones What a Blunder. A comic opera. Written by J[oseph] G[eorge] Holman, Esq. As performed at the Theatre Royal, Haymarket, with the most unbounded applause. Composed by John Davy. Op. 5. BL H.129.(6.)

Thomas John Dibdin and James Barker 22/12/1800 Songs, Choruses, etc., in the new pantomime of Harlequin’s Tour, or The Dominion of Fancy. As performed at the Theatre Royal, Covent Garden. [Written by Thomas John Dibdin.] BL 992.i.3.(3.)

23/12/1800 Charles Dibdin Echo. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(26.)

24/12/1800 Joseph Dale Welcome Nelson Home again. A favorite song. Set to music by a lady of fashion. BL G.376.(48.), text begins ‘Never yet in ancient story’

24/12/1800 Joseph Dale Three Sonatas for the Piano Forte. Composed, and inscribed to Miss Maria Rush, by Theodore Smith. Op. 36. BL g.141.(12.)

Entries from 1710 to 1810

445

27/12/1800 Charles Dibdin A Little. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(27.)

2/1/1801 Joseph Dale William and Mary. A favorite ballad. Written to commemorate an interesting incident which happened on the embarkation of the 85th Regiment, August 10th, 1799, at Ramsgate. The music by a lady of fashion. BL G.356.(36.), text begins ‘The hour of embarkation’s near’

3/1/1801 Edward Smith Biggs Six Songs. Written by Mrs [Amelia] Opie. Set to music with an accompaniment for the harp or piano forte, and dedicated to the Right Honourable Lady Willoughby de Eresby, by Edward Smith Biggs. BL G.357.(1.)

6/1/1801 Charles Dibdin Another Cup and then. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(18.) and R.M.13.e.8.(111.)

9/1/1801 The Author Rosy Hannah. A favorite new song. The words written by Robert Bloom
eld, author of The Farmer’s Boy. The music composed by his brother, Isaac Bloom
eld. CUL MR208.a.75.1, text begins ‘A spring o’er hung with many a ower’

10/1/1801 Charles Dibdin The Spectre. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(15.)

446

Music Entries at Stationers’ Hall

12/1/1801 Robert Birchall Four Progressive Duettinos for Two Performers on One Piano Forte. Composed, and dedicated to Miss Ellis and Miss Caroline Ellis, by J[acob] Kirkman, organist of St George’s Hanover Square. Op. 16 BL g.130.(5.)

19/1/1801 Charles Dibdin The Thing, the Kick and the Go. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(16.)

24/1/1801 Broderip & Wilkinson The Horse Guards Penelope. A celebrated song. Composed and sung by Mr [Charles] Dignum at the Nobilities Concerts and the Glee Club. The words by G. M. [i.e., Matthew Gregory] Lewis, author of The Monk, Castle Spectre, etc. BL G.361.(57.)

24/1/1801 Broderip & Wilkinson A Collection of Original Songs, with an accompaniment for the piano forte or harp. Composed by W[olfgang] A[madeus] Mozart, etc. The poetry by Mr [John] Rannie. Book 2. BL BL G.357.(8.)

26/1/1801 Charles Dibdin Highgate Probation. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Cake House. BL G.380.(20.)

31/1/1801 Richard Phillips The Monthly Musical Journal. Consisting of original British and new foreign music, vocal and instrumental. Conducted by Dr [Thomas] Busby. Vol. 1. No. 1. BL G.350.(1.)

Entries from 1710 to 1810

447

3/2/1801 George Nicholls Six Divertimentos for Two German Flutes, with an accompaniment for a violoncello or piano forte. Humbly dedicated (by permission) to the Right Honourable Lord Grantham. Composed by George Nicholls. Op. 2. BL h.120.(15.)

11/2/1801 William Duchatz A Favorite German Air with Variations and Five Waltz’s for the Pedal Harp or Piano Forte. Composed, and most humbly dedicated by permission to Lady Catherine Harris, by W[illiam] Duchatz, professor of the pedal harp. BL g.301.(5.)

14/2/1801 Augustus Frederic Christopher Kollmann A Practical Guide to Thorough Bass. By A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. BL g.302.(3.)

14/2/1801 John Bourlier Sweet Birds take back your Brood, or The Nest of Linnets restor’d. A favorite song, with an accompaniment for the piano forte or the harp. BL G.356.(40.), text begins ‘I have it now this nest of linnets’

20/2/1801 John Ashley The Requiem, or Grand Funeral Anthem, composed by W[olfgang] A[madeus] Mozart, late Maestro di Capella in the Church of St Peter and compositeur de la chambre to the Emperor at Vienna; and L’Allegro, Il Pensieroso, written by [John] Milton, and composed by G[eorge] F[rideric] Handel. As performed, under the direction of Mr [John] Ashley, at the Theatre Royal, Covent Garden, during Lent 1801. BL 992.i.3.(4.), words only

25/2/1801 M. Roma No. 1. An Original and Favorite Rondo for the Piano Forte, with an accompaniment for the violin ad libitum. Composed by the celebrated Signor Giovanni Paisiello. BL g.144.(8.)

448

Music Entries at Stationers’ Hall

28/2/1801 Richard Phillips The Monthly Musical Journal. Consisting of original British and new foreign music, vocal and instrumental. Conducted by Dr [Thomas] Busby. Vol. 1. No. 2. BL G.350.(1.)

2/3/1801 Margaret Essex Beautiful Eyes. A canzonet for the harp or piano forte. Composed, and inscribed to Miss Rowntree, by Margaret Essex. BL G.361.(68.)

3/3/1801 The Author Twelve Songs, Six English and Six Italian, with an accompaniment for the harp or piano forte. Composed, and humbly dedicated by permission to Her Royal Highness the Duchess of York, by John Baptiste Mayer. Op. 9. BL G.198.(6.)

5/3/1801 Joseph Dale Poor Tom Halliard. A favorite ballad. As sung by Madame [Jane] Bianchi at the Theatre Royal, Covent Garden. Written by Peter Pindar, Esq. Composed by P. Gardom. BL G.249.(61.)

9/3/1801 Robert Birchall Nel silenzio i mesti passi. The celebrated song. As sung by Madame [Brigitta] Banti in the opera of Algira. Composed by Signor [Francesco] Bianchi. BL G.199.(2.) and H.1652.g.(40.)

9/3/1801 The Author Second Collection of Twelve Original Hindostanee Airs. Compiled and harmonized by T[homas] G[eorge] Williamson. Op. 9. BL g.138.(6.)

Entries from 1710 to 1810

449

11/3/1801 Broderip & Wilkinson Barbara and Allen. A favorite ballet composed by Mr J[ames Harvey] d’Egville. As presented at the King’s Theatre, Haymarket, including the famous pas seul of Mademoiselle Parisot. GUL Special Collections Cb3-e.11

12/3/1801 Robert Birchall Torni al
n la pace amica. The favorite
nale, as sung by Madame [Brigitta] Banti, Signora [Stefania] Rovedino, Signor [Giuseppe] Viganoni and Signor [Carlo] Rovedino in the opera of Alzira. Composed by Signor [Francesco] Bianchi. BL H.1652.g.(39.)

23/3/1801 The Author A Favorite Rondo, the subject taken from the general dance of the Negros on the Gold Coast; and Three Favorite Scotch Airs, set for the pedal harp, or piano forte. By William Duchatz. BL g.140.(27.)

Robert Birchall 24/3/1801 Lucido nume ascolta. The favorite prayer. As sung by Madame [Brigitta] Banti, in the opera of Alzira. Composed by Signor [Francesco] Bianchi. BL G.199.(4.) and H.1652.g.(38.)

25/3/1801 Robert Birchall Gia presso al termine. The favorite cavatina. As sung by Madame [Brigitta] Banti, in the opera of Alzira. Composed by Signor [Francesco] Bianchi. BL G.199.(5.)

31/3/1801 Richard Phillips The Monthly Musical Journal. Consisting of original British and new foreign music, vocal and instrumental. Conducted by Dr [Thomas] Busby. [Vol. 1. No. 3.] BL G.350.(1.)

450

Music Entries at Stationers’ Hall

31/3/1801 Thomas Preston Three Sonatas for the Piano Forte in which are introduced some admired airs, with an accompaniment for the German ute or violin. Composed by D[aniel] Steibelt. Op. 46. BL h.301.(5.)

6/4/1801 Joseph Dale The favorite Irish Air in the pantomime of Harlequin Amulet, and the dance of Barbara and Allen. Arranged as a rondo for the piano forte by J[oseph] Dale. BL g.140.(24.)

6/4/1801 Joseph Dale [Thomas Hamley] Butler’s favorite Sonata in F, in which is introduced. Roy’s Wife, [John Christian] Fischer’s Minuet, and Up and wa’ them a’ Willie, with an accompaniment for a ute or violin. BL g.186.(2.)

6/4/1801 Joseph Dale La Pipe de Tabac. A favorite French air. Arranged as a rondo, for the piano forte or harp, by J[oseph] Dale. BL g.140.(20.)

7/4/1801 Joseph Dale [Joseph] Dale’s Collection of Music for the Pedal Harp, containing a variety of preludes and favorite airs by different masters. The whole selected, composed and arranged with new variations, expressly for that instrument, by J[oseph] Dale. Op. 15. Book 2. BL g.301.(3.)

13/4/1801 William Horsley A Collection of Glees, Canons, Rounds. Composed, and inscribed to Mrs Marlow, by William Horsley. BL D.401.(5.) and Mad.Soc.14.(4.)

Entries from 1710 to 1810

451

13/4/1801 Edward Smith Biggs Fatherless Fanny. A favorite ballad by Mrs [Amelia] Opie. Composed by Mr [Edward Smith] Biggs. BL G.364.(9.)

13/4/1801 Robert Birchall Se ancor ti son caro. A favorite song. As sung by Signor [Giuseppe] Viganoni, in the opera of Alzira, composed by F[rancesco] Bianchi; and the favorite duet Lumi del ciel bene
co, as sung by Madame [Brigitta] Banti and Signor [Giuseppe] Viganoni in the above opera. BL G.199.(3.)

13/4/1801 Robert Birchall Alonzo the Brave and the Fair Imogine. A grand ballet, as performed at the King’s Theatre, Haymarket, composed by Mr [Charles-Louis] Didelot. The music entirely new, composed by Mr [Cesare] Bossi and Mr [Vincenzo] Federici. Adapted for the harpsichord or piano forte. BL g.230.(9.)

14/4/1801 The Author Twelve familiar duetts for Two German Flutes. Composed by Michael Dobney, master of the Northampton Band.

15/4/1801 Joseph Kemp Twenty double Chants, performed in the Cathedral Church of St Peter, Exeter. Composed by Joseph Kemp. Op. 3. BL A.959.mm.(1.)

17/4/1801 The Author Ten Easy Lessons for the Piano Forte. Composed, and inscribed to Sir George Shee, Bart, by T[homas] G[eorge] Williamson. Op. 9. BL g.132.(17.)

452

Music Entries at Stationers’ Hall

24/4/1801 Broderip & Wilkinson The Danish Expedition. A favorite song. Sung by Mr [Charles] Dignum. Composed by W[illiam] Shield. BL G.376.(41.)

30/4/1801 Richard Phillips The Monthly Musical Journal. Consisting of original British and new foreign music, vocal and instrumental. Conducted by Dr [Thomas] Busby. Vol. 1. No. 4. BL G.350.(1.)

4/5/1801 John Bell Songs, etc., in the romantic drama of Adelmorn, the Outlaw. First performed at Drury Lane Theatre on Monday, May 4, 1801. The overture and music entirely new, composed by Mr [Michael] Kelly. BL 641.h.13.(6.)

6/5/1801 Broderip & Wilkinson The celebrated pastoral of Corin and Joan. Written by P[eter] Pindar, Esq. The music by Richard Suett, comedian, and sung, with universal applause, by Master [Theophilus] Suett at the Nobility’s Concerts. BL G.365.(28.)

7/5/1801 John Hamilton Erin go bragh. A favourite Irish Air with variations for the piano forte. Composed by John Ross, organist of St Paul’s, Aberdeen. BL g.139.(40.)

7/5/1801 John Hamilton Lord Kelly’s Strathspey with variations for the piano forte or harp. Composed, and respectfully inscribed to Her Grace the Dutchess of Manchester, by Robert Mackintosh. BL g.139.(31.)

Entries from 1710 to 1810

453

7/5/1801 John Hamilton The Soldier’s Return. A favorite Scots Air, with variations for the piano forte. Composed, and inscribed to Miss Innes, by John Ross, organist of St Paul’s, Aberdeen. BL g.139.(39.)

12/5/1801 Robert Birchall The Neapolitan Soldier. Chi non compiange la vita del soldato. A favorite air, with an accompaniment for the piano forte. Composed by Mr [Edward Smith] Biggs. BL G.198.(3.)

14/5/1801 Timothy Essex Eight Lessons and Four Sonatinas on a Peculiar Plan, intended to establish a proper method of
ngering on the piano forte. Composed for, and dedicated to Miss Frances Dalrymple, by T[imothy] Essex. Op. 6. BL g.132.(5.)

18/5/1801 James Worgan A March. Particularly adapted for those who have a command of the piano forte, harpsichord or organ. Composed by J[ames] Worgan. BL 641.h.13.(6.)

20/5/1801 The Author Six Duetts for Two Performers on one Piano Forte, with or without additional keys. Composed, and dedicated to Miss Hays, by Miss [J.] Hoffman[n]. BL g.131.(7.)

22/5/1801 John Bland Twelve Anthems. Particularly calculated for families, or small choral societies. By Samuel Webbe. BL G.503.(7.)

454

Music Entries at Stationers’ Hall

29/5/1801 The Author Notturno Quintetto, for the Harp, Two Violins, Tenor and Violoncello. Composed, and dedicated to the Countess of Shaftesbury, by Viscount [Marie Martin Marcel] de Marin. Op. 14. BL h.118.(12.)

1/6/1801 Edward Smith Biggs The Suicide. A favorite ballad by Mrs [Amelia] Opie. Set to music, with an accompaniment for the harp, by Mr [Edward Smith] Biggs. BL G.364.(7.)

3/6/1801 Broderip & Wilkinson One Morning very early. A glee for three voices. Composed by John Clarke, Mus. Doc., Cambridge. BL G.352.(14.)

3/6/1801 Niel Gow A Fourth Collection of Strathspey Reels, etc., for the Piano Forte, Violin and Violoncello. Dedicated to the Right Honourable the Earl of Eglintoun by Niel Gow at Dunkeld. Price 6/-. BL g.229.(2.) and g.229.c.(3.)

4/6/1801 Lorenzo Da Ponte L’Isola del Piacere, or, The Island of Pleasure. A new comic opera, in two acts, as represented at the King’s Theatre in the Haymarket. The music entirely new, by the celebrated Martini [Vicente Martin y Soler]. Poetry by Mr [Lorenzo] Da Ponte. GUL Special Collections d.9.31

6/6/1801 Marie Martin Marcel de Marin Duet for two Performers on One Harp, and Two Favorite Airs, also as duets for one harp. Composed, and dedicated to the Countess of Shaftesbury and to Lady Barbara Ashley-Cooper, by Viscount [Marie Martin Marcel] de Marin. Op. 12. BL g.198.(8.)

Entries from 1710 to 1810

455

6/6/1801 Marie Martin Marcel de Marin 2nd book of 3d & 4th no. Three favorite Airs with Variations, and a March. Composed, and dedicated to the Countess of Shaftesbury by Viscount [Marie Martin Marcel] de Marin. Op. 13. BL g.198.(9.)

11/6/1801 William Duchatz Three favorite progressive Airs with Variations set for the Pedal Harp or Piano Forte. By W[illiam] Duchatz, professor of the harp. BL g.139.(19.)

15/6/1801 Broderip & Wilkinson Le Retour de Wandsworth. A favorite sonata for the piano forte, with an accompaniment for the ute, violin and bass ad libitum. Composed, and humbly dedicated to Miss Emelia Middleton of Town Hill, by L[ouis] von Esch. BL h.284.(23.)

17/6/1801 The Author A March and two favorite Rondos. Selected and composed for the pedal harp, or piano forte, by W[illiam] Duchatz. BL g.301.(4*.)

18/6/1801 Charles Wesley Mildly beam’d the Queen of Night. Glee for three voices. Composed by Charles Wesley. BL D.402.(32.)

24/6/1801 The Author Air du Pais de Galles avec Variations pour la Harpe. Dédié à Mademoiselle Lancel (de Lille) par J[oseph] Elouis. BL g.198.(4.)

456

Music Entries at Stationers’ Hall

26/6/1801 Joseph Dale Heaven protects a virtuous King. A favorite song, on the King’s recovery. Written and set to music by the gentlemen of St Edmund’s College, Old Hall Green, Herts., and sung by their pupils at their public exhibition, June 18, 1801. BL G.376.(45.)

13/7/1801 The Author A Collection of Military Music for a whole Band, chiey for the Bugle. Consisting of marches, quicksteps, troops and waltzes. Dedicated (by permission) to the Right Honourable the Earl of Dalkeith, colonel of the Fourth Regiment, N[orth] B[ritish] Militia. Composed by Francis Dittrich, musician, Fourth Regiment, N[orth] B[ritish] Militia. BL h.107.(24.)

15/7/1801 Broderip & Wilkinson A Military Divertimento for the Piano Forte with an accompaniment for a ute, violin and bass ad libitum. Composed, and humbly dedicated (by permission) to His Royal Highness the Duke of Cumberland, by L[ouis] van Esch. GUL Special Collections Cb4-f.5

20/7/1801 Broderip & Wilkinson A New Grand Overture, inscribed to Mr R[obert] Broderip. Composed, and adapted for the piano forte with an accompaniment for a violin, by Cornelius Bryan. Op. 1. BL g.191.(1.)

20/7/1801 Broderip & Wilkinson Six Songs, composed and inscribed to Miss Eliza George, by Cornelius Bryan. Op. 2. BL G.368.(1.)

28/7/1801 Joseph Mazzinghi Sweetly in Life’s jocund Morning. Sung by Miss [Harriet] Murray at the Theatre Royal, Covent Garden, in the comedy called Life. Written by F[rederick] Reynolds, Esq. Composed by J[oseph] Mazzinghi. BL G.249.(47.)

Entries from 1710 to 1810

457

14/8/1801 The Author William’s Farewell. Written by Mr Wright of Southtown near Yarmouth, and set to music by George Guest, organist of Wisbeach and late of His Majesty’s Chapel Royal. BL G.366.(7.)

21/8/1801 Joseph Dale Praise the Lord, ye Heavens adore Him. Adapted to Dr [Joseph] Haydn’s celebrated hymn. BL G.339.q.(2.)

31/8/1801 The Author Swiftly glide the Hours away. A canon in unison for four voices. Written and composed by S[amuel] Porter. BL G.353.(26.)

7/9/1801 The Author A Sonata for Piano Forte, with accompaniments for a violin and violoncello, in which is introduced, for the rondo, [Ignace] Pleyel’s Cottage Maid. Dedicated to the gentlemen of the seminary, Thorpe Arch, by J[ohn] Calah. BL g.161.b.(4.)

8/9/1801 The Author Air composed and varied for the Piano Forte, with or without the additional keys. By T[homas] Howell Jr. BL g.139.(29.)

15/9/1801 William Hodsoll The Loyal Hampstead Association March and Quick Step, as performed by the band, and adapted for the piano forte. Dedicated (by permission) to Major Boydell and the of
cers of the [Loyal Hampstead] Association. Composed by W[illiam] Liquorish. BL g.133.(37.)

458

Music Entries at Stationers’ Hall

16/9/1801 W. P. R. Cope Fair Arabella. A favorite song. As sung, with universal applause, by Mr [Charles] Dignum at Vauxhall Gardens. Composed by W. P. R. Cope. BL G.383.j.(10.)

18/9/1801 Joseph Kemp When I beheld thy blue Eye shine. A canzonet, with an accompaniment for two performers on one piano forte, adapted for three hands. Composed by Joseph Kemp, Exeter. Inscribed to Miss Mary [Veale] and Miss Emily Veale. BL G.366.(25.)

The Author and George Gough 22/9/1801 Alas! Poor Lubin. A favorite duett, with an accompaniment for the piano forte. Music composed by Dr [John Andrew] Stevenson and dedicated to Miss Abrams. Words by J[oseph] Atkinson, Esq., M. R. S. A. BL G.354.(2.)

23/9/1801 The Author Six Progressive Sonatinas for the Harp, interspersed with some easy Preludes. Containing also a table for the theory of the pedal. Composed for, and inscribed to, Her Royal Highness the Princess of Wales, by the Viscount [Marie Martin Marcel] de Marin. Op. 16. BL g.301.(13.)

Joseph Dale The Lord’s Prayer, for One or Two Voices.

24/9/1801

Entries from 1710 to 1810

459

2/10/1801 Joseph Dale [Joseph] Dale’s Introduction to the Piano Forte, Harpsichord or Organ. In four books, containing all the different scales in music, with a dictionary of words, etc., and a variety of lessons of every denomination. Composed by the most eminent masters, both ancient and modern. Calculated expressly for the instruction and improvement of every performer, from the beginner to the pro
cient. To which is added, Preludes in every Key, both major and minor, from the most easy to the most dif
cult and ornamental, not only studied and given as examples by ancient writers, but also by all the great and fashionable composers of the present time. The whole purchased, selected, arranged and composed by Joseph Dale. Book 2. Op. 12. BL e.140.(1.)

2/10/1801 William Birch Constancy. Written by Peter Pindar, Esq. Canzonet, with an accompaniment for the piano forte, composed by William Birch. BL G.361.(24.)

13/10/1801 Broderip & Wilkinson A March composed for the Loyal Essex Regiment of Fencible Infantry, commanded by Major General Urquhart and respectfully inscribed to him by his most obedient servant, J[ames] Worgan. BL g.133.(67.)

17/10/1801 Charles Dibdin Tray. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(64.)

17/10/1801 Charles Dibdin Honour among Thieves. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(72.) and R.M.13.e.8.(59.)

24/10/1801 The Author A New Song on Peace, to the favorite air of Rule Britannia. [The words] by S. Arnott. BL G.376.(4.), text begins ‘Recorded be the happy year’

460

Music Entries at Stationers’ Hall

26/10/1801 Clementi, Banger, Hyde, Collard & Davis [Muzio] Clementi’s Introduction to the Art of Playing on the Piano Forte. Containing the elements of music, preliminary notions on
ngering with examples, and
fty
ngered lessons, in the major and minor keys mostly in use, by composers of the
rst rank, ancient and modern, to which are pre
xed short preludes by the author [i.e., by Muzio Clementi]. BL g.303.(3.)

27/10/1801 Francesco Bianchi Lost, in anxious Doubts tormenting. The favorite song. Sung by Mrs [Elizabeth] Billington, accompanied on the violin by Mr [Charles] Weichsel. Composed for Mrs [Elizabeth] Billington by F[rancesco] Bianchi. BL G.249.(54.)

29/10/1801 Broderip & Wilkinson Two Sonatas for the Piano Forte, in which is introduced a military rondo. Composed, and dedicated to Mrs Rose Marshall, by J[an] L[adislav] Dussek. Op. 47. BL g.146.(5.)

29/10/1801 Muir, Wood & Co. How Sweet this lone Vale. A favorite song, never before in print. Set for the voice, piano forte and German ute. BL G.356.(47.)

31/10/1801 Bland & Weller The Rural Retreat. Written by Mr [Thomas] Knight of the Theatre Royal, Covent Garden. BL g.356.(59.), text begins ‘Wou’d I seek a blest retreat’

4/11/1801 Broderip & Wilkinson Impromptu. Duo à quatre mains pour le piano forte. Composé à Garendon Park, et dédié à Mesdemoiselles J. et C. March Phillips, par L[ouis] von Esch. BL g.130.(13.)

Entries from 1710 to 1810

461

6/11/1801 Charles Dibdin The Cuckoo. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(62.)

6/11/1801 Charles Dibdin The Letter N. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(73.)

6/11/1801 Charles Dibdin The Manes of the Brave. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(67.)

10/11/1801 Joseph Dale The Escapes, or The Water Carrier. A favorite musical entertainment, as now performing, with the greatest applause, at the Theatre Royal, Covent Garden. Composed by Thomas Attwood. BL H.122.(5.) and H.129.(3.)

16/11/1801 Charles Dibdin Jack at the Opera. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(56.) and R.M.13.e.8.(69.)

16/11/1801 Urbani & Liston Sic’ a Wife as Willie had. A new rondo. Composed, and dedicated to Miss Dennistown, by P[ietro] Urbani. BL g.140.(52*.)

16/11/1801 Urbani & Liston Charlotte at the Tomb of Werter. A favorite new ballad. Written by Mr Atkinson. Set to music and, with permission, humbly dedicated to the Right Honourable Lady Ann Dashwood, by P[ietro] Urbani. BL G.364.(55.)

462

Music Entries at Stationers’ Hall

16/11/1801 Urbani & Liston Stanzas to the Memory of Sir Ralph Abercromby, who gloriously defeated the French Army in Egypt (vainly termed invincible). Set to music, and most humbly dedicated (with permission) to Lieutenant General [Richard] Vyse, by P[ietro] Urbani. BL G.364.(54.)

16/11/1801 Urbani & Liston My Love, she’s but a Lassie yet. A new rondo. Composed, and dedicated to Miss Pennel Grant, by Mr P[ietro] Urbani. BL g.140.(54.)

24/11/1801 Charles Dibdin The Vicissitudes of Glory. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(71.)

30/11/1801 Joseph Dale Seven Divertimentos for the Piano Forte. Composed, and dedicated to Miss Mary Paytherus, by James Dale. BL g.141.(4.)

2/12/1801 Charles Dibdin Father and I. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(66.)

7/12/1801 Charles Dibdin The Original and the Picture. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(57.)

14/12/1801 Theresa Bartolozzi A Grand Sonata for the Piano Forte. Dedicated to Mrs [Theresa] Bartolozzi. By [Joseph] Haydn. Op. 79. BL g.145.(6.)

Entries from 1710 to 1810

463

16/12/1801 Charles Dibdin Literary Transmigration. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(61.)

16/12/1801 John Rippon An Arrangement of the Psalms, Hymns and Spiritual Songs of the Rev. Isaac Watts, D.D., including (what no other volume contains) all his hymns, with which the vacancies in the
rst book were
lled up in 1786, and also those in 1793, now collated with each of the doctor’s own editions. To which are subjoined indexes, very much enlarged, both of scriptures and of subjects, by John Rippon, D.D. BL 3436.h.1.(1.)

21/12/1801 The Author A Collection of Songs, Duetts and Glees for Three and Four Voices, with an accompaniment for the piano forte or harp. Composed, and most respectfully inscribed (by permission) to Sir Patrick Blake, Bart, by Joseph William Holder, Mus. Doc. Oxon. Op. 14. BL G.350.(5.)

22/12/1801 Charles Dibdin In Vino veritas. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(60.)

23/12/1801 John Rippon Tables and enlarged Indexes to the Psalms and Hymns of the Rev. Isaac Watts, D.D. By John Rippon, D.D. BL 1018.k.23.(2.)

23/12/1801 Edward Smith Biggs [Nicolò] Jom[m]elli’s celebrated Chaconne. Arranged as a glee for four voices by Mr [Edward Smith] Biggs. No. 8. BL G.353.(7.)

464

Music Entries at Stationers’ Hall

28/12/1801 R. Watts Blunder on Blunder, or Paddy O’Flanaghan. An entire new comic song. Written and sung by Mr Stevenart at the Royal Circus, with universal applause. BL G.367.(30.), text begins ‘’Twas Paddy O’Flanaghan sett out one morning’

28/12/1801 R. Watts The Sigh. A favorite ballad. Composed by R. Watts. The words from [Samuel Taylor] Coleridge’s poems. BL G.365.(36.)

30/12/1801 Lewis Lavenu Three Sonatas for the Piano Forte, with an accompaniment for ute or violin ad libitum. Composed, and dedicated to Mrs Hammet, by J[ohn] B[aptist] Cramer. BL g.142.(1.)

30/12/1801 Charles Dibdin The Wife Elect. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(59.)

4/1/1802 Charles Dibdin True Delight. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(69.)

11/1/1802 Charles Dibdin Every Man his own Pilot. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(65.)

19/1/1802 Charles Dibdin The Voyage of Life. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(58.)

Entries from 1710 to 1810

465

19/1/1802 William Reeve Overture to the entertainment of Harlequin’s Almanack, performed at the Theatre Royal, Covent Garden. Composed by Mr [William] Reeve. BL g.137.(2.)

20/1/1802 The Author The Wooden Leg. A favorite new ballad. Written and composed by T[homas] G[eorge] Williamson. BL G.365.(60.)

20/1/1802 Thomas George Williamson Grand March and Trio with a Quick Step, for H[is] M[ajesty’s] 78th Regiment. Composed by T[homas] G[eorge] Williamson. BL g.133.(70.)

20/1/1802 The Author Ten Easy Lessons for the Piano Forte. Composed, and inscribed to Sir George Shee, by T[homas] G[eorge] Williamson. Op. 8. BL g.132.(16.)

20/1/1802 The Author Twenty
ve National Airs for the Piano Forte. Being a collection of original melodies in the Scotch, Welch, Irish and English stiles, and well adapted to the violin, with a violoncello accompaniment of the bass part. Composed by T[homas] G[eorge] Williamson. Parts 1 and 2 of Op. 3. BL g.138.(4.)

22/1/1802 Morris Hime Come unto these yellow Sands. Adapted from the glee composed by J[ohn] A[ndrew] Stevenson, Mus. Doc., for one voice with an accompaniment for the piano forte. BL G.295.yy.(6.)

466

Music Entries at Stationers’ Hall

22/1/1802 Morris Hime Come buy my Nosegays pretty. Sung, with uncommon applause, by Mrs Creswell at the Theatre Royal. Composed by Dr [John Andrew] Stevenson. The words by Joseph Atkinson, Esq., M.R.S.A. BL G.364.(44.)

22/1/1802 Morris Hime Come unto these yellow Sands. Glee, for Three Voices, as sung at the Hibernian Catch Club, with an accompaniment for two performers on one piano forte. The words from [William] Shakespeare. The music composed by J[ohn] A[ndrew] Stevenson. BL H.1273.(16.)

26/1/1802 Charles Dibdin Love and Madness. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(63.)

9/2/1802 The Author Songs, Duets, Trios, Chorusses, etc., in the new comic opera called The Cabinet, as performed at the Theatre Royal, Covent Garden. The music entirely new, and composed by Messrs [William] Reeve, [John] Moorehead, [John] Davy, [Domenico] Corri and [John] Braham. The overture by Mr [William] Reeve. [The words by Thomas John Dibdin.] BL 11779.b.27.

9/2/1802 James Hodson The Liturgy of the New Church, signi
ed by the New Jerusalem, in the Revelation. BL 1018.l.13

11/2/1802 Morris Hime The Favorite Overture to Peleus and Thetis. As performed, with universal applause, at the Theatre Royal, Crow Street [Dublin]. Composed by T[homas Simpson] Cooke. BL g.137.(22.)

Entries from 1710 to 1810

467

16/2/1802 The Author Three Sonatas for the Piano Forte, with an accompaniment for the violin. Composed by William Clarke, organist of the New Episcopal Church, Edinburgh. Op. 1. BL g.188.(4.)

Robert Haldane A Collection of Hymns, for the use of the Tabernacles in Scotland. Aberdeen Special Libraries and Archives, King’s College, DL Hym 1802

17/2/1802

Thomas George Williamson Let the Social Can go round. An easy duo for two voices. BL G.354.(52.)

26/2/1802

Thomas George Williamson Sad in the Hostile Dungeon pent. An easy duo for two voices. BL G.354.(55.)

26/2/1802

William Bainbridge Scale for [William] Bainbridge’s new invented octave Flageolet.

26/2/1802

Robert Birchall 27/2/1802 Three Sonatas for the Piano Forte or Harpsichord, with accompaniments for a violin and violoncello. Composed, and dedicated to the Right Honourable Lady Hobart, by Leopold Kozeluch. Op. 49. CUL MR320.a.80.308(6)

James Peck The Shipwrecked Boy. Composed by Thomas Shoel. BL G.354.(35.), text begins ‘Midst lightnings’

1/3/1802

2/3/1802 Joseph Dale The favorite bird duet, as sung by Signora [Anna Selina] Storace and Mr [John] Braham, in the comic opera of The Cabinet. The words by T[homas John] Dibdin, and the music by J[ohn] Braham. BL H.2262.a.(11.)

468

Music Entries at Stationers’ Hall

3/3/1802 Broderip & Wilkinson Thy blue Waves O Carron. A favorite ballad. Set to music, with an accompaniment for the piano forte, by Mr [John] Ross, organist, Aberdeen. The poetry by John Rannie. BL G.366.(71.)

3/3/1802 Broderip & Wilkinson My Heart, lovely Mary, is thine. A ballad. Set to music, with an accompaniment for the piano forte, by Mr [John] Ross, organist, Aberdeen. The poetry by John Rannie. BL G.366.(70.)

3/3/1802 Broderip & Wilkinson The Negro Mother. A ballad. Set to music, with an accompaniment for the piano forte, by John Ross, organist, Aberdeen. BL G.366.(72.) and G.799.(13.)

3/3/1802 Broderip & Wilkinson Tho’ Grief had nipp’d her early Bloom. A favorite ballad. Set to music by John Ross of Aberdeen. The poetry by the late Thomas Russell, fellow of New College, Oxford. BL G.366.(73.)

5/3/1802 Joseph Dale The beautiful Maid. A favorite ballad. As sung by Mr [John] Braham at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by J[ohn] Braham. BL G.250.(10.)

5/3/1802 Joseph Dale Fair Ellen. A favorite ballad. As sung by Mr [John] Braham at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by J[ohn] Braham. BL G.250.(12.) and H.2824.(9.)

Entries from 1710 to 1810

469

5/3/1802 Joseph Dale The favorite Pollacca. As sung by Mr [John] Braham, at the Theatre Royal, Covent Garden, in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by J[ohn] Braham. BL G.250.(8.), text begins ‘No more by sorrow’

6/3/1802 Joseph Dale Overture to The Cabinet, as performed at the Theatre Royal, Covent Garden. Composed by W[illiam] Reeve. BL g.137.(1.)

6/3/1802 Edward Smith Biggs Six Italian Canzonets with an accompaniment for the harp or piano forte. The poetry selected from [Paolo Antonio] Rolli. Composed, and dedicated to the Marchioness of Exeter, by Mr [Edward Smith] Biggs. BL G.198.(2.)

9/3/1802 The Author An Easy Sonata for the Piano Forte. Composed, and humbly dedicated (by permission) to the Right Honourable Lady Louisa Lennox, by J. L. Koeber. BL g.132.(8.)

10/3/1802 Joseph Dale Turn Minutes to Seconds. A favorite rondo, sung by Mrs [Eliza, née Warrell] Atkins at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by W[illiam] Reeve. BL G.250.(30.) and G.798.(41.)

12/3/1802 Broderip & Wilkinson A celebrated French March. Revived and set for a band, with variations for the piano forte. Composed by J[ames] Worgan. BL g.139.(54.)

470

Music Entries at Stationers’ Hall

12/3/1802 Joseph Dale With a Friend and a Wife. A favorite duet. As sung by Mr [John] Braham and Mr [Charles] Incledon at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by J[ohn] Braham. BL H.1653.q.(3.)

12/3/1802 Joseph Dale Ah, what a Pity. A favorite air. As sung by Signora [Anna Selina] Storace at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by J[ohn] Braham. BL G.250.(11.)

Thomas George Williamson Twelve Country Dances and Cotillions. By [Davis] Kotswara. BL b.55.(5.)

13/3/1802

13/3/1802 Joseph Dale By my Mother ’twas said. A favorite song. As sung by Signora [Anna Selina] Storace at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by J[ohn] Braham. BL G.250.(9.)

15/3/1802 Thomas Preston Two Sonatas for the Piano Forte. Dedicated to Miss Young. Composed by D[aniel] Steibelt. Op. 48. CUL MR320.a.80.308(11)

15/3/1802 George Gough Shepherds, hither come. A chaerful glee for four voices, with an accompaniment for the piano forte, which was honoured with the prize medal given by the Hibernian Catch Club, 1802. Composed for, and dedicated to, the gentlemen of that society by their obedient servant, W[illiam] Warren. BL D.402.(31.)

Entries from 1710 to 1810

471

15/3/1802 George Gough Rise to the Battle. A serious glee for three voices, with accompaniments for two performers on one piano forte, which may be played as a double lesson without the voices. Composed, and dedicated to Langrishe Doyle, by William Warren. BL H.1688.(10.)

17/3/1802 Broderip & Wilkinson Come buy my sweet Flowers. A new ballad. Written and composed by Mrs Sleigh. BL G.365.(13.)

18/3/1802 Joseph Dale Never think of meeting Sorrow. A favorite duet. Sung by Signora [Anna Selina] Storace and Mr [John] Fawcett at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by W[illiam] Reeve. BL G.250.(32.)

18/3/1802 Joseph Dale Peter Pull-Haul. A favorite song. As sung by Mr [Joseph Shepherd] Munden at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by W[illiam] Reeve. BL G.250.(34.)

19/3/1802 Joseph Dale The Single Married and the Married Happy. Sung by Mr [John] Fawcett at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by W[illiam] Reeve. BL G.250.(31.)

20/3/1802 Joseph Dale The grand march, as performed at the Theatre Royal, Covent Garden, in the comic opera of The Cabinet. Composed by W[illiam] Reeve. BL g.133.(49.)

472

Music Entries at Stationers’ Hall

23/3/1802 Joseph Dale Fortune may frown. A favorite ballad. As sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by W[illiam] Reeve. BL G.250.(33.)

23/3/1802 Joseph Dale O! What a monstrous gay Day. A favorite duet. Sung by Signora [Anna Selina] Storace and Mr [John] Fawcett at the Theatre Royal, Covent Garden in the opera of The Cabinet. The words by T[homas John] Dibdin. The music by W[illiam] Reeve. BL G.295.xx.(26.)

25/3/1802 Joseph Dale Quartetto. Sung by Signora Storace, Mr Fawcett, Mr Emery and Mr Blanchard at the Theatre Royal, Covent Garden in the comic opera of The Cabinet. The words by T[homas John] Dibdin. The music by W[illiam] Reeve.

27/3/1802 Thomas George Williamson Three Progressive Duetts for Two Flutes. Composed, and humbly dedicated (by permission) to His Royal Highness the Duke of Cumberland, by Charles Griesbach., of Their Majesties’ band. Op. 4. BL g.225.(3.)

Thomas George Williamson Twelve Country Dances for the Piano, Flute, Oboe or Violin. Set 1.

27/3/1802

27/3/1802 Charles Griesbach Twelve German Quadrilles, Waltzes and Country Dances. Compiled, and arranged for the piano or harp, by Charles Griesbach. BL b.54.(5.)

30/3/1802 Francis Rhames ’Tis Love that murmurs in my Breast. A glee for three voices. The poetry by T[homas] Moore, Esq. The music composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.352.(38.)

Entries from 1710 to 1810

473

31/3/1802 Joseph Dale A Sword is best changed to a Sickle. Sung by Mrs [Ann] Dibdin at the Theatre Royal, Covent Garden in the entertainment of Harlequin’s Almanack. The words by T[homas John] Dibdin. The music by W[illiam] Reeve. BL G.249.(1.)

31/3/1802 Joseph Dale Spring. A favorite rondo for the harp or piano forte. Sung by Miss Wheatley at the Theatre Royal, Covent Garden in the entertainment of Harlequin’s Almanack. The words by T[homas John] Dibdin. The music by W[illiam] Reeve. BL G.249.(2.)

2/4/1802 McDonnell Listen to the Voice of Love. A favorite glee for four voices. As performed, with great applause, at the private concerts. Harmonized by T[homas] A[ugustine] Geary. BL G.353.(13.)

McDonnell Winsan Willy. An admired Scots ballad. Composed by Mr Geary Jr. BL G.364.(23.)

2/4/1802

2/4/1802 McDonnell Geordie Jenkin. An admired original ballad. As sung by Mr [John] Spray, with great applause. Composed by T[homas] A[ugustine] Geary. BL G.364.(22.)

9/4/1802 Joseph Dale A Sonata for the Piano Forte, with an accompaniment for a German ute and violoncello. Composed, and dedicated to Mrs Thompson, by Joseph Dale. Op. 19. BL h.270.(10.)

14/4/1802 Francis Rhames Alone on the sea-beaten Rock. A serious glee for
ve voices, which obtained the prize given by the Hiberian Catch Club. The words from Ossian. The music composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.353.(28.)

474

Music Entries at Stationers’ Hall

15/4/1802 William Dance Sure Delia can tell me. A ballad. The poetry by [Thomas] Gray. Composed, and inscribed to his friend William Shield, by William Dance, musician in ordinary to His Majesty. BL G.361.(52.), text begins ‘With beauty’

20/4/1802 George Guest Winter. A glee for three voices. By George Guest. As performed at the Grand Musical Festival, Lynn. Composed, and most respectfully inscribed (by permission) to Thomas Panton, Esq., by George Guest, organist of Wisbeach and late of His Majesty’s Chapels Royal. BL D.402.(16.)

21/4/1802 The Author Twenty-Four Tunes in Four Parts, adapted for the Organ, Piano Forte, etc. Composed chiey to Dr [Isaac] Watts’s Psalms and Hymns. By Samuel Stanley. Bodleian Mus. 54 c.57

The Author 23/4/1802 A Proper Guide to Music, being a Complete Book of Instructions for Beginners on the Piano Forte. To which are added, Twenty-four Progressive Lessons in various keys, with the
ngering marked throughout. Composed by John Hammond. BL g.303.(7.)

John Lanay The Traveller. A favorite song. The music by an amateur. BL G.356.(24.)

24/4/1802

24/4/1802 Robert Birchall Survey, my fair, that lucid Stream. A favorite song. Composed by William Knyvett. BL G.366.(27.) and H.1654.(30.)

William Hodsoll The Poor Boy. A favorite song. Composed by J[ohn] G[eorge] Graeff. BL G.365.(5.)

27/4/1802

Entries from 1710 to 1810

William Hodsoll The Oak. A favorite ballad. Composed by C[harles] Stokes. BL G.365.(25.)

475

27/4/1802

27/4/1802 William Hodsoll The Blessings of Peace, or Universal Hilarity. A pastoral. Most respectfully dedicated to Mrs Crespigny by her very grateful and obedient servant, W[illiam] Swords [presumably the writer]. Composed by S[tephen] F[rancis] Rimbault.

George Thomson 28/4/1802 A Select Collection of Original Scottish Airs for the Voice, with introductory and concluding symphonies and accompaniments for the piano forte by [Ignace] Pleyel, [Leopold] Kozeluch and [Joseph] Haydn. With select and characteristic verses both Scottish and English adapted to the airs, including upwards of one hundred new songs by [Robert] Burns. Vol. 3. BL G.370.a. and R.M.14.a.17.(1.) 3

3/5/1802 Robert Birchall The sequel to My Love to War is going. O! may I then your Words believe. A ballad. Written by Mrs [Amelia] Opie and set to music by [Edward Smith] Biggs. BL G.364.(8.)

3/5/1802 George Thomas Smart [Mademoiselle] Parisot’s Hornpipe. Arranged, with variations for the piano forte, for Her Royal Highness Princess Amelia., by J[ohn] Spencer, Esq. BL g.139.(41.)

6/5/1802 Joseph Dale Phantasmagoria, or Ghost of a Song. A comic bagatelle. Sung by Mr [Joseph Shepherd] Munden at the Theatre Royal, Covent Garden. The words by Mr Evans of Bath. The music by W[illiam] Reeve. BL G.249.(68.), text begins ‘Since life’s but a phantom’

476

Music Entries at Stationers’ Hall

8/5/1802 The Author The Olive Branch. Written, and set to music with a harp or piano forte accompaniment, by M[argaret] Essex. BL G.361.(67.)

14/5/1802 William Hodsoll Harmony Epitomised. Being a short explanation of
gured basses, together with the most necessary rules for accompaniment. By Samuel Webbe.

William Thomas Parke 15/5/1802 [Ignace] Pleyel’s celebrated Concertante in F for Violin, Oboe, Bassoon, Tenor, Violoncello and Flute obligato, and accompaniments for a full orchestra. Composed by him while in London, expressly for the members of the Professional Concert. Dedicated (by permission) to Richard Hankey, Esq., M.P., by W[illiam] T[homas] Parke. BL h.318.(8.) and R.M.17.b.5.(15.)

22/5/1802 Joseph Dale The Willow. A favorite air. Sung, with unbounded applause, at the Theatre Royal, Covent Garden by Mrs [Dora] Jordan, and accompanied by herself on the lute. By James Hook. BL G.249.(57.) and h.1480.(19.)

2/6/1802 William Thomas Parke [Ignace] Pleyel’s celebrated Concertante in F. Composed by him while in London, expressly for the members of the Professional Concert. Arranged for the piano forte by Mr John Field, under the immediate direction of Mr [Muzio] Clementi, with accompaniments for a violin and violoncello ad libitum. Dedicated (by permission) to Thomas Harris, Esq., by W[illiam] T[homas] Parke. BL h.318.(9.)

7/6/1802 Robert Birchall The Pilot that Weathered the Storm. A new song. Sung by Mr [Charles] Dignum at the celebration of Mr [William, the younger] Pitt’s birthday, May 28, 1802, at Merchant Taylors’ Hall. Composed by William [E.] Southbrook. [The poem written by George Canning under the pseudonym of Claude Sprott.] BL G.365.(16.)

Entries from 1710 to 1810

477

8/6/1802 Robert Light An Air with Variations and accompaniments for ute and violin obligati. Composed by R[obert] Light, Jr, professor of the piano forte. BL h.117.(25.)

8/6/1802 The Author Twenty-four original Country Dances for the Year 1803. Containing waltz[es], strathspeys, hornpipes, etc. for the violin or German ute, with
gures and directions to each dance. By D. Parry.

[no proprietor named] 18/6/1802 And will he not come again? ([From William] Shakespeare’s Ophelia.) A glee for three voices, with an accompaniment for the piano forte or harp. Composed, and dedicated to Mrs J. Williams, by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.352.(47.)

19/6/1802 Edward Smith Biggs The Morning Call of the Swiss Pastors. Harmonized, and arranged as a glee for three voices, by Mr [Edward Smith] Biggs. The words written and adapted to the music by Mrs [Amelia] Opie. BL G.352.(9.)

19/6/1802 Edward Smith Biggs The Evening Call of the Swiss Pastors. Harmonized, and arranged as a glee for three voices, by Mr [Edward Smith] Biggs. The words written and adapted to the music by Mrs [Amelia] Opie. BL G.352.(10.)

19/6/1802 William Dechair Tattersall Improved Psalmody. Sanctioned by the King, at Weymouth. The words selected from a poetical version of the Psalms, originally written by the late Rev. J[ames] Merrick, A.M., fellow of Trinity College, Oxford, divided into stanzas by the Rev. William Dechair Tattersall, A.M., late student of Christ Church, Oxford. The music adapted from the sacred compositions of [George Frideric] Handel. Dedicated (with permission) to the Queen. BL C.481.a.

478

Music Entries at Stationers’ Hall

24/6/1802 Timothy Essex Six Canzonets. The words from the poems of the late Mrs [Mary] Robinson. Three for a single voice and three for one or two voices with an accompaniment for a piano forte or harp. Composed, and respectfully inscribed to Miss Boydell, by her much obliged, humble servant, T[imothy] Essex. Op. 7. BL G.358.(4.)

30/6/1802 William Rolfe The Pilot that weathered the Storm. The music composed by Mr William Abington, Jr. [The poem written by George Canning under the pseudonym of Claude Sprott.] BL G.361.(3.), text begins ‘When hush’d the loud whirlwind’

Edward Smith Biggs Tre Ariette e Quattro Canoni di Bonifazio Asioli, da Correggio. Op. 5. BL G.198.(1.) and G.760.f.(13.)

30/6/1802

30/6/1802 D. Parry [D.] Parry’s Original Country Dances for the Violin or German Flute, arranged for the piano forte or harp by J[ohn] Hammond. With proper
gures. BL g.229.(9.)

2/7/1802 D. Parry The Grand Union March and Quick Step, for the violin or German ute. By D. Parry. Adapted for the harp or piano forte.

5/7/1802 Joseph Dale Fantasie avec Neuf Variations sur an Air des Mistères d’Isis [by Wolfgang Amadeus Mozart] pour le piano forte. Dédiée à Madame Moreau. Composée par Daniel Steibelt. BL g.139.(42.)

9/7/1802 Joseph Dale L’Année. Consisting of twelve ariettes appropriate to each month, with an accompaniment for the harp or piano forte. Written by Mr Collings, and composed by Mr [James] Hook. Op. 100. BL G.368.(5.)

Entries from 1710 to 1810

479

10/7/1802 Joseph Dale Concerto pour la Harpe, avec accompagnement de deux violons, alto et basse. Dédié à Mademoiselle Selina Fenwick. Par Monsieur Eugène Guilbert. Op. 8. BL e.108.(5.)

12/7/1802 Michael Kelly A Grand March, performed by the band of His Royal Highness the Duke of York. Composed by James Dale. BL g.133.(11.)

12/7/1802 Gesualdo Lanza The Cinder King. A favorite glee, for two sopranos and a bass. Composed by G[esualdo] Lanza, Jr. BL D.402.(20.)

20/7/1802 Joseph Dale Trois Sonates pour la Harpe, avec accompagnement de violon et basse. Dédiées à Madame Anna Louisa Middleton Blake par Monsieur Eugène Guilbert. Op. 5. BL e.108.(4.)

20/7/1802 Michael Kelly Go! You may call it Madness, Folly. The words by the author of the Pleasures of Memory [i.e., by Samuel Rogers]. The melody by Mrs [Anna Maria] Crouch. Adapted for the harp or piano forte, etc. BL H.1654.g.(11.)

21/7/1802 T. T. Bennison His sparkling eyes are black as jet. A favorite air from the opera of Blue Beard. Composed by Michael Kelly. Arranged as a rondo by his pupil, T. T. Bennison. BL g.140.(1.)

24/7/1802 Henry Thompson The Beggar Girl. A fashionable ballad, for the piano forte or harp, and for two voices. BL G.356.(61.), text begins ‘Over the mountain and over the moor’

480

Music Entries at Stationers’ Hall

27/7/1802 Joseph Dale Sir John Eamer’s March. To the Right Honourable Sir John Eamer, Knight, Lord Mayor of London and Lieutenant Colonel of the London Militia this march is, with his lordship’s permission, most respectfully inscribed by his devoted servant, Sam[uel] Woodhouse. BL g.133.(65.)

28/7/1802 The Author The Beggar Girl. A favorite ballad for the piano forte or harp, also as a duett, etc. By H. Piercy. BL G.356.(10.)

28/7/1802 Henry Thompson Adieu, my native Land, adieu! Written and composed by the author of Over the Mountain and Over the Moor [i.e., by H. Piercy]. A favorite ballad. Sung by Mrs [Rosemond] Mountain [and by] Mr [Charles] Dignum, and also as a duet.

The Author Laura, the poor little Savoyard. A favorite ballad. By H. Piercy. BL G.356.(11.)

28/7/1802

30/7/1802 Lavenu & Mitchell Three Duetts for a Violin and Violoncello. Composed, and dedicated to the Earl of Aylesford, by Robert Lindley. Op. 2. BL g.225.(17.)

30/7/1802 Lavenu & Mitchell Three Duetts for Two Violoncellos. Composed, and dedicated to Thomas Trebeck, Esq., by Robert Lindley. Op. 3. BL h.201.(1.)

3/8/1802 William Shield The Post Captain. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden in his new entertainment called Variety. The words by Mr [John] Rannie. Composed by William Shield, musician in ordinary to His Majesty. BL G.367.(11.)

Entries from 1710 to 1810

481

3/8/1802 William Shield The Thorn. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden in his new entertainment called Variety. The words by Robert Burns. Composed by William Shield, musician in ordinary to His Majesty. BL G.367.(12.)

3/8/1802 Joseph Mazzinghi The Maid with a Bosom of Snow. A favorite song. Sung, with unbounded applause, by Mr [Charles] Incledon in his new entertainment called Variety. The words by W[illiam] Ashburnham, Esq. Composed by J[oseph] Mazzinghi. BL G.367.(2.)

3/8/1802 Joseph Mazzinghi The Sailor’s Glory. A favorite song. Sung by Mr [Charles] Incledon in his new entertainment called Variety. The words by W[illiam] Ashburnham, Esq. Composed by J[oseph] Mazzinghi. BL G.367.(2*.)

Joseph Mazzinghi 4/8/1802 The Captive to his Bird. A favorite song. Sung, with universal applause, by Mr [Charles] Incledon in his new entertainment called Variety. Composed by J[oseph] Mazzinghi. BL G.367.(2**.)

9/8/1802 William Hodsoll The favorite Overture to the grand serious pantomime of St George, or The British Champion. Performed, with unbounded applause, at the new theatre, Sadler’s Wells. Composed, and arranged for the piano forte with or without the additional keys, by W[illiam] Russell. BL g.137.(19.)

9/8/1802 The Author The Battle of Egypt. Composed for a military band, and adapted for the piano forte. Dedicated to Colonel Stewart, 89th Regiment, by Doctor Domenico Briscoli, master of the band of said regiment and master of the Royal College of the Pietà di Torchini of Naples. BL g.138.(9.)

482

Music Entries at Stationers’ Hall

T. Denning The Little Beggar Girl. Composed by T. Denning. Written by a lady. BL G.361.(54.)

11/8/1802

18/8/1802 Joseph Mazzinghi Tom Starboard. A favorite song. Sung by Mr [Charles] Incledon in the opera of The Turnpike Gate. Composed by J[oseph] Mazzinghi. BL G.250.(29.)

John Colston Doyle 19/8/1802 Peace, The Cuckoo, and Sweet Miss Prue. Three much admired rounds. Composed by Messrs [John Colston] Doyle and Perfect. Sung at the Harmonic Society, Bath, by Messrs Williamson, Taylor, Cook, Ashley and Doyle. BL G.353.(12.)

27/8/1802 John Eason The British Soldier. Most humbly dedicated (by permission) to Field Marshal His Royal Highness the Duke of York by Ensign John Eason [presumably the writer]. The music by William Russell, Jr., organist to the Foundling [Hospital]. Sung at Vauxhall [Gardens] by C[harles] Dignum. BL G.376.(36.), text begins ‘When hills of smoke’

James Peck Third book. Psalm Tunes, Hymns and Anthems. By Thomas Shoel. BL B.473.(2.)

3/9/1802

Lavenu & Mitchell A Grand Sonata for the Harp. Composed by J[ohn] Davy. BL h.107.(18.)

8/9/1802

8/9/1802 Thomas George Williamson Entomb’d within yon grassy Mound. A favorite new ballad. Written and composed by T[homas George] Williamson. BL G.365.(66.)

Entries from 1710 to 1810

483

9/9/1802 William Power & Co. Tell me where is Fancy bred. A duett for two voices, with an accompaniment for the piano forte or harp. The words from [William] Shakespeare. The music by J[ohn] A[ndrew] Stevenson, Mus. Doc. Dedicated to his friend Mr J[ohn] Spray. BL G.354.(37.)

9/9/1802 William Power & Co. Nothing. An admired new song. As sung at the private concerts by Mr [Thomas Ludford] Bellamy. Composed by F[rancis] Attwood. BL G.364.(5.)

9/9/1802 William Power & Co. The Dutch Skipper. A favorite air. Arranged as a rondo for the piano forte, with or without additional keys, by John Bourke. BL g.140.(3.)

9/9/1802 William Power & Co. Hail! sweet Peace. A glee for four voices. The words by N. Creed, Esq. The music composed, and inscribed to his friend Philip Cogan, Mus. Doc., by John Bourke. BL G.353.(9.)

9/9/1802 H. Piercy The Beggar Girl. A glee for three voices, with a tenor part ad libitum. Composed by Mr [H.] Piercy. BL G.353.(25.)

11/9/1802 Clementi, Banger, Hyde, Collard & Davis Three Sonatas for the Piano Forte. Composed, and dedicated to Miss Fanny Blake, by Muzio Clementi. Op. 40. Book 1. BL e.104.(3.)

23/9/1802 McDonnell The favorite ballad of The Blue Bell of Scotland. Arranged as a rondo for the piano forte by J[ohn] Bourke. BL g.140.(4.)

484

Music Entries at Stationers’ Hall

23/9/1802 McDonnell Kiss me Lady. A favorite air, with violin accompaniment. Arranged as a rondo for the piano forte by T[homas] A[ugustine] Geary. BL g.140.(33.)

23/9/1802 Francis Rhames The Archer’s Glee, for Three Voices with an accompaniment for the piano forte. The poetry by Joseph Atkinson, Esq. Composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1652.ee.(16.)

23/9/1802 Francis Rhames Buds of Roses, Virgin Flowers. A chearful glee for four voices. The poetry translated from Anacreon by J. [i.e., by Thomas] Moore. Composed, and respectfully dedicated to the Honourable Augustus Barry, by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.353.(29.)

23/9/1802 Francis Rhames Bards of the Days of Old. A glee for three voices. The words taken from Ossian. The music composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.352.(40.)

23/9/1802 Francis Rhames Happy Love. A glee particularly adapted to ladies’ voices. The words by H. B. C. The music composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.352.(39.)

25/9/1802 Price O give me a Cot. A favorite song, with an accompaniment for the piano forte or harp. Composed by an amateur.

1/10/1802 Charles Dibdin The Ladies. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(70.) and R.M.13.e.8.(20.)

Entries from 1710 to 1810

485

1/10/1802 Charles Dibdin The Sweets of Love. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Frisk. BL G.380.(68.)

2/10/1802 Joseph Dale A Rondo on an original Subject, for the Piano Forte. Composed by James Dale. BL g.140.(19.)

G. Fox 4/10/1802 The Parachute, or All the World Balloon Mad. A much admired comic song. Written by Mr [G.] Fox. Ludicrously descriptive of the
ve aerial excursions made in England by Mr [André Jacques] Garnerin. BL G.356.(62.), text begins ‘In London there’s something always to behold’

8/10/1802 The Author A First Collection of Four Anthems and Eight Psalms. Arranged for four voices, and most humbly dedicated (by permission) to the Right Honourable the Countess of Chichester, by W. Figg of Lewes in Sussex. BL G.513.l.(1.)

8/10/1802 Charles Dibdin Songs, etc., in Most Votes. A new entertainment of sans souci. Written, composed, spoken, sung and accompanied by Mr [Charles] Dibdin. BL 992.h.18.(2.)

8/10/1802 Charles Dibdin The Parachute. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(39.)

13/10/1802 Joseph Dale The Celebrated Welch Air ‘Ar hyd y nos’ with Five Variations for the Harp or Piano Forte. Composed by James Dale. BL g.139.(16.)

486

Music Entries at Stationers’ Hall

13/10/1802 John and Henry Caul
eld Lady Charlotte Campbell’s Reel. Composed by R[obert] Mackintosh. Arranged as a rondo by L[ouis] Jansen. BL g.140.(37.) and h.1480.x.(14.)

13/10/1802 Charles Dibdin The Sapling. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(43.) and R.M.13.e.8.(23.)

13/10/1802 Charles Dibdin The Toast. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(50.)

15/10/1802 Bland & Weller A Collection of Favorite Songs. Sung by Mr Dignum, Mr Denman, Mrs Franklin, Miss Daniels, Mr Gibbons [i.e., James Deverell Gibbon] and Mrs Bland, at Vauxhall Gardens. Composed by Mr [James] Hook. Book 1st. BL G.379.(11.) and H.1652.kk.(10.)

15/10/1802 Bland & Weller A Second Collection of Favorite Songs. Sung by Mr Dignum, Mr Denman and Mr Gibbons [i.e., James Deverell Gibbon], Mrs Franklin, Miss Daniels and Mrs Bland, at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.379.(12.)

19/10/1802 Edmund Lee Welcome as the Flowers in May. As sung by Mrs [Sarah] Second and Mrs [Elizabeth] Addison at the Theatres Royal, London and Dublin. The words by H. B. C. Composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.364.(49.)

Entries from 1710 to 1810

487

21/10/1802 Charles Dibdin The Harmony of the Affections. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(47.)

23/10/1802 Charles Dibdin One. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(51.)

26/10/1802 James Platts Six Favorite Progressive Lessons for the Harp or Piano Forte. Most humbly dedicated (with permission) to Miss Saladin. By W[illiam] Duchatz. BL g.301.(4.)

26/10/1802 Lavenu & Mitchell Four Divertimentos for the Harp and Piano Forte. Composed by J[ames] Davy. Op. 6. BL g.192.a.(1.)

27/10/1802 The Author Duett for Two Harps, or a Piano Forte and Harp. Composed, and dedicated to the Countess of Shaftesbury and Lady Barbara Ashley-Cooper, by Viscount [Marie Martin Marcel] de Marin, and performed by him and Madame [Anne-Marie] Krumpholtz at his Lyceum of Harmony. Op. 17. BL g.192.a.(8.)

27/10/1802 Charles Dibdin The Devil outwitted. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(40.)

1/11/1802 Charles Dibdin Water Cresses. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(42.)

488

Music Entries at Stationers’ Hall

2/11/1802 The Author The Contented Maid. A favorite song. Written by G. Keate, Esq. The music composed by T. Denning, author of The Little Beggar Girl. BL G.361.(55.)

3/11/1802 Charles Dibdin The Wind and the Rain. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(37.)

6/11/1802 Clementi, Banger, Hyde, Collard & Davis The favorite song, Once Happy in a peaceful Home. Sung by Mrs H[arriet] Siddons in the popular comedy of Delays and Blunders. The melody by a young lady of fashion. Also, the Duet as sung by Messrs [John] Fawcett and [Joseph Shepherd] Munden, arranged for the harp, lute and piano forte by William Reeve. Bodleian Harding Mus. G 353 (1) and Mus. Voc. I, 48 (56)

6/11/1802 Charles Dibdin Three Cheers. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(52.)

Joseph Dale Eight Lessons for the Piano Forte. Composed by James Dale. BL g.141.(5.)

11/11/1802

11/11/1802 Charles Dibdin Dolly of the Dale. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(44.)

11/11/1802 John Hogg The Original Repository. Consisting of poems, tales, dialogues, soliloquys, songs, music, etc., etc., in prose and verse. BL T.2294.(1.)

Entries from 1710 to 1810

489

13/11/1802 Charles Dibdin The Poet to his Pen. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(45.)

16/11/1802 The Author Four new Scotch dances for the Piano Forte and Violin, and the celebrated new hornpipe as danced by Signor Vestris, with the greatest applause, at Paris. Dedicated to Mr J. Mumford, dancing master. Composed by Mr [William] Thomas. BL g.229.(8.)

18/11/1802 Charles Dibdin Joltering Giles. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(41.) and R.M.13.e.8.(65.)

20/11/1802 The Author Love in a Desert. A musical entertainment, in two acts. By William Henry Hitchener. BL 643.f.6.(6.)

22/11/1802 Broderip & Wilkinson A Russian Divertimento for the Piano Forte, with an accompaniment for the ute obligato. Composed, and humbly dedicated to Monsieur de Novasitzoff, chambellan actuel de S. M. l’Empereur de toutes les Russies, chevalier des ordres, etc., etc., etc. by L[ouis] von Esch. BL g.186.(10.)

22/11/1802 Clementi, Banger, Hyde, Collard & Davis A Concerto for the Violin with accompaniments. Composed by J. [i.e., Giovanni] B[attista] Viotti. BL h.128.(11.)

490

Music Entries at Stationers’ Hall

22/11/1802 Morris Hime Will you come to the Bow’r. A much admired new song, with an accompaniment for the piano forte. Written and composed by T[homas] M[oore], Esq. BL G.356.(3.)

23/11/1802 Charles Dibdin The Union of Love and Wine. A glee for three voices. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.352.(20.), text begins ‘Bacchus and Venus’

24/11/1802 James Platts Janie’s Bawbie. A favourite strathspey, with variations composed expressly for the use of juvenile performers on the harp. By G. Adams. BL g.139.(1.)

Joseph Dale Nouveau Pot Pouri pour Piano-Forte. Composé par Daniel Steibelt. BL g.146.(9.)

24/11/1802

25/11/1802 Charles Dibdin The Barber’s Shop. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(49.) and R.M.13.e.8.(44.)

29/11/1802 Charles Dibdin The Aeolian Harp. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(38.)

The Author 30/11/1802 Twelve Lessons for the Piano Forte. Composed, and dedicated to Miss Caroline Dawkins, by Dr [Anton] Bemetzrieder. BL g.132.(3.)

Entries from 1710 to 1810

491

2/12/1802 Charles Dibdin The Three Sisters. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(46.) and R.M.13.e.8.(16.)

4/12/1802 Clementi, Banger, Hyde, Collard & Davis Three Trios, for Two Violins and Violoncello. Composed by J. [i.e., Giovanni] B[attista] Viotti. Op. 17. BL g.222.(19.)

4/12/1802 O. Nodes and John Bowcher No. 1. A Selection of Psalm and Hymn Tunes, adapted to the various metres now in use in all churches, chapels and dissenting congregations throughout England. By O. Nodes and J[ohn] Bowcher. BL B.490.a.

7/12/1802 Charles Dibdin The Invisible Pig. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(53.)

7/12/1802 Joseph Dale The Celebrated Pollacca from the comic opera of The Cabinet. Composed by Mr [John] Braham. Arranged as a rondo by D[aniel] Steibelt. BL g.140.(48.)

9/12/1802 George Smart Eight Favorite Waltzes and Rondeaus selected from [Wolfgang Amadeus] Mozart and other eminent authors. Adapted for the forte piano by J[ohn] B[aptist] Cramer. BL g.229.(11.)

9/12/1802 George Smart Tabby’s Purraby to her Chicken, which she had adopted after her six kittens had been drown’d. The words by William Robert Spencer. Set to music by John Spencer, Esq. BL G.368.(14.)

492

Music Entries at Stationers’ Hall

9/12/1802 Charles Dibdin The History of the War. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Most Votes. BL G.382.(48.)

10/12/1802 John Brysson The Landing of the brave 42nd in Egypt. A military rondo for the piano forte. Composed by T[homas] H[amley] Butler. BL g.138.(10.)

10/12/1802 John Brysson The favorite Scots air of The Day returns, my Bosom burns, made a rondo for the piano forte. By T[homas] H[amley] Butler. BL g.140.(16.)

13/12/1802 Charles Dibdin The Town Crier. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Will o’ the Wisp. BL G.381.(50.)

15/12/1802 Margaret Essex No. 1. Select Songs composed by Margaret Essex. The Silent Admirer. Respectfully inscribed to Lady Emily Stratford. BL G.361.(64.)

15/12/1802 Margaret Essex No. 2. Select Songs composed by Margaret Essex. Unfading Beauty. Respectfully inscribed to Miss Jane Arundel, Saint Aubyn. BL G.361.(65.)

16/12/1802 William Power & Co. Edmund of the Hill. A favorite duet. The music by J[ohn] A[ndrew] Stevenson, Mus. Doc. The words by H. B. C., Esq. BL G.354.(38.), text begins ‘Who wakes the echoes’

Entries from 1710 to 1810

493

16/12/1802 William Power & Co. Oh Stay Sweet Fair. An answer to [Thomas] Moore’s favorite ballad of Oh Lady Fair. Composed, with an accompaniment for the piano forte, by J[ohn] A[ndrew] Stevenson, Mus. Doc. The words by G[eorge] A[lley], Esq. BL G.352.(41.)

16/12/1802 Humphrey Hime Faithless Emma. Sung, with great applause, by Mr [John] Spray at the Music Hall, Liverpool. The music composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. The words by G[eorge] A[lley], Esq., of Dublin. BL G.364.(52.)

Humphrey Hime Annette, the village Rose. A ballad. The words by G. Male. BL G.356.(57.), text begins ‘The purple vi’let crowns the hill’

16/12/1802

16/12/1802 Humphrey Hime The Rose. Sung by Miss Tennant at the Music Hall, Liverpool. The music composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.364.(48.), text begins ‘Yes every ower’

17/12/1802 Charles Dibdin The Margate Hoy. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Christmas Gambols. BL G.380.(52.) and R.M.13.e.8.(80.)

20/12/1802 O. Nodes and John Bowcher No. 2. A Selection of Psalm and Hymn Tunes, adapted to the various metres now in use in all churches, chapels and dissenting congregations throughout England. By O. Nodes and J[ohn] Bowcher. BL B.490.a.

21/12/1802 Charles Dibdin The Rage. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(2.)

494

Music Entries at Stationers’ Hall

22/12/1802 Clementi, Banger, Hyde, Collard & Davis The Sailors Welcome Home. As sung by Mr [Charles] Incledon in Family Quarrels. Written by Mr T[homas John] Dibdin. The music by John Davy. BL G.250.(18.)

22/12/1802 Clementi, Banger, Hyde, Collard & Davis May we ne’er want a Friend nor a Bottle to give him. As sung by Mr [Charles] Incledon in Family Quarrels. Written by Mr T[homas John] Dibdin. The music by John Davy. BL G.250.(19.)

22/12/1802 Humphrey Hime A New Christmas Ode, as sung at the Music Hall, Liverpool. Composed by Samuel Webbe, Junior. BL G.503.(17.), text begins ‘Whose voices did
rst inspire the Eastern lay’

24/12/1802 Charles Dibdin The Auctioneer. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Castles in the Air. BL G.380.(38.)

24/12/1802 John Brysson A New and pleasing Sonata for the Piano Forte. By T[homas] H[amley] Butler. BL g.141.(20.)

24/12/1802 The Author Christmas and the New Year. Written and composed by Mr [D. N.] Beckman. BL G.361.(19.)

Edward Smith Biggs 29/12/1802 Il Nome. A cantata from [Pietro] Metastasio. Composed, and dedicated to Her Grace the Duchess of Devonshire, by Bonifazio Asioli, da Correggio. Arranged with an accompaniment for the piano forte by the author [i.e., by Bonifazio Asioli]. BL E.242.(1.)

Entries from 1710 to 1810

495

1/1/1803 Anton Bemetzrieder A Complete Treatise on Music. The precepts and examples in two separate books. The book of precepts.

6/1/1803 William Seaman Stevens Mary, or the Beauty of Buttermere. A ballad. Written by a lady. Composed, with an accompaniment for the harp and piano forte, by William Seaman Stevens. BL G.365.(24.)

Charles Dibdin 7/1/1803 The Old Cloaths Man. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Tom Wilkins. BL G.381.(13.) and R.M.13.e.8.(97.)

7/1/1803 Joseph Dale Poor little Bess. As sung, with unbounded applause, by Mrs [Maria Theresa] Bland in the favorite entertainment of Love and Magic, now performing at the Theatre Royal, Drury Lane. Composed by Mr [James] Hook. BL G.249.(4.), text begins ‘Come round and buy’

13/1/1803 O. Nodes and John Bowcher No. 3. A Selection of Psalm and Hymn Tunes, adapted to the various metres now in use in all churches, chapels and dissenting congregations throughout England. By O. Nodes and J[ohn] Bowcher. BL B.490.a.

15/1/1803 Clementi, Banger, Hyde, Collard & Davis Three Duets for Two Violins. Composed, and dedicated to Joseph Chaplin Hankey, Esq., by J. [i.e., Giovanni] B[attista] Viotti. Op. 18. BL g.218.(14.) and R.M.26.a.3.(9.)

19/1/1803 Charles Dibdin The Tea Table. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called A Tour to the Land’s End. BL G.381.(27.) and G.383.(11.)

496

Music Entries at Stationers’ Hall

24/1/1803 Joseph Dale A Grand Sonata for the Piano Forte. Composed, and dedicated (by permission) to the Duchess of Courlande, by D[aniel] Steibelt. Op. 60. BL g.146.(7.)

27/1/1803 O. Nodes and John Bowcher No. 4. A Selection of Psalm and Hymn Tunes, adapted to the various metres now in use in all churches, chapels and dissenting congregations throughout England. By O. Nodes and J[ohn] Bowcher. BL B.490.a.

5/2/1803 Clementi, Banger, Hyde, Collard & Davis Mrs [Dora] Jordan’s favorite song in the comedy of Hear both Sides. Written by Mr [Thomas] Holcroft. The music by a lady of fashion. BL G.249.(43.), text begins ‘Of the rose fair and young’

9/2/1803 Michael Kelly The Wife’s Farewell, or No, My Love, No. The favorite ballad. As sung by Miss [Maria Theresa] de Camp in the much admired farce, Of Age Tomorrow. Written by M[atthew] G[regory] Lewis. The music composed by Michael Kelly. Bodleian Harding Mus. G 256 (8) and Mus. 2 c.131 (18) and Mus. Voc. I, 32 (10), text begins ‘While I hang on your bosom’

14/2/1803 The Author A New Short and Easy Way to Various Branches of the Musical Science, particularly to the solfa and transposition. Dedicated to Lady Dallas. By Dr [Anton] Bemetzrieder.

15/2/1803 Clementi, Banger, Hyde, Collard & Davis The favorite Overture to Lodoiska. Composed by [Luigi] Cherubini. Arranged as a duet for the piano forte by F[ranz] Mezger.

Entries from 1710 to 1810

497

22/2/1803 Charles Dibdin The Professional Life of Mr [Charles] Dibdin, written by himself. Together with the words of six hundred songs selected from his works, and sixty small points taken from the subjects of the songs, and invented, etched and prepared for the aqua tinta by Miss Dibdin. In four volumes. BL 992.l.8 and 992.l.9

26/2/1803 A. S. Hoffmann A Duett for the Harp and Piano Forte, or Two Harps. By Miss [J.] Hoffmann. Op. 6. BL g.192.a.(7.)

26/2/1803 J. A. Hoffmann A Collection of Favorite Airs, Marches and Sonatinas for the Harp or Piano Forte. Dedicated to Miss Eliza Mountford. Composed and selected by J. A. Hoffmann. Op. 11. BL g.301.(11.)

The Author A Favorite Waltz for the Piano Forte. Composed by F. W. Southwell.

Broderip & Wilkinson Le Songe, pour le Piano-Forte. Par Louis von Esch. BL g.141.(13.)

28/2/1803

1/3/1803

1/3/1803 Clementi, Banger, Hyde, Collard & Davis Trois grandes Sonates pour le Piano-Forte. Composées, et dédiées à son ami J[an] L[adislav] Dussek, par J[ohn] B[aptist] Cramer. Op. 29. BL g.143.(3.)

Joseph Dale 2/3/1803 Three Sonatas for the Piano Forte, with an accompaniment for a violin and violoncello. Dedicated to the Empress of Russia, and composed by Ignace Pleyel. Op. 40. BL g.161.i.(5.)

498

Music Entries at Stationers’ Hall

3/3/1803 James Peck Soft be the gently breathing Notes. A much admired hymn. Written by the Rev. Mr Collyer. Set to music by James Peck. BL G.503.(11.)

The Author Sophia. Written and composed by Mr [D. N.] Beckman. BL G.361.(21.), text begins ‘The winds which late’

3/3/1803

Broderip & Wilkinson 12/3/1803 Three Sonatas for the Piano Forte, with an accompaniment for the ute ad libitum. Composed, and dedicated to Lady Sarah Spencer and Lady Georgiana Platt [presumably a mistake for Lady Georgiana Pratt], by J[ean] Mugnié. BL g.186.(9.)

12/3/1803 The Author I am not concern’d to know. A trio. Written by Dr Watts. The music composed by C[harles] W[illiam] Banister. BL G.352.(7.)

Broderip & Wilkinson Hymne des Marseillois et Air militaire. Duo. By Louis von Esch. BL g.130.(14.)

14/3/1803

17/3/1803 Henry Smart Laurette. A new favorite ballet in three acts. [The ballet] composed by Monsieur [Sébastien] Gallet. As represented at the King’s Theatre, Haymarket. The music by Henry Smart. BL g.137.(24.) and R.M.11.a.2.(8.)

21/3/1803 Edward Smith Biggs Ah! me! with that false one. A favorite Irish air. Harmonized as a glee for four voices by Mr [Edward Smith] Biggs. The words by Mrs [Amelia] Opie. BL G.353.(6.)

Entries from 1710 to 1810

499

24/3/1803 White No. 1 of A Set of Sonatas in a pleasing and familiar Stile for the Piano Forte or Harp. By G. B. Amos. BL g.141.(1.)

Broderip & Wilkinson Petites Pièces pour le Harp. Composées par Mademoiselle Merelle. BL g.301.(14.)

24/3/1803

T. Denning 28/3/1803 The Welcome Retreat from the Storm. A moral ballad. Composed for the piano forte by T. Denning. Written by a lady, from real incident. BL G.361.(53.)

1/4/1803 Francis Rhames My mantling Spirits mount apace. The celebrated duett. As sung at the Theatre Royal, Crow Street [Dublin]. Written and composed by T[homas Simpson] Cooke. BL G.354.(8.)

1/4/1803 Francis Rhames Dear! in pity do not speak. A canzonet for two voices, with an accompaniment for the piano forte or harp. The poetry by T[homas] Moore, Esq. Set to music by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.354.(39.)

5/4/1803 John Davies Le Papillon. Caprice pour le piano forte. Composé, et dédié à Mademoiselle Young, par J[ean] Mugnié. BL g.141.(11.)

9/4/1803 Robert Birchall A Fourth Duett for the Harp and Piano Forte, or for Two Piano Fortes, with an accompaniment for two French horns ad libitum. Composed, and dedicated to Miss Eliza Breton, by G[iacomo] G[otifredo] Ferrari. Op. 32. BL g.192.a.(5.)

500

Music Entries at Stationers’ Hall

14/4/1803 Robert Birchall Quartetto pour le Pianoforte avec accompagnement de violon, alto et violoncelle. Composées, et dédiées à Mademoiselle Bonne d’Alpy, par J[ohn] B[aptist] Cramer. Op. 28. BL g.117.(2.)

16/4/1803 Clementi, Banger, Hyde, Collard & Davis How happy the Season of Childhood appears. A favorite canzonet. Composed with an accompaniment for the piano forte by Mr William Carnaby. BL G.361.(35.)

18/4/1803 John Davies La Colombe reperdue. An air for the piano forte, with or without additional keys. Composed, and dedicated to Miss H. C., by J[ean] Mugnié. BL g.139.(35.)

18/4/1803 George Smart Instructions for the Violin. By an eminent master. On an entire new principle in which all the rules, exercises and tunes, are arranged in progressive order, so as to render the practice more familiar, and generally useful to the pupil. BL h.1753.mm.(1.)

22/4/1803 Joseph Dale Three Sonatas for the Piano Forte, with accompaniments for a violin and violoncello. Composed by J[oseph] Woel. Op. 25. BL g.161.(11.)

23/4/1803 John Hamilton Six favorite new Waltzes for the Piano Forte. Composed, and respectfully dedicated to Mrs Edmund Filmer, by John Ross, organist, Aberdeen. Op. 9. BL g.229.(12.)

Entries from 1710 to 1810

501

23/4/1803 John Hamilton A Select Collection of Ancient and Modern Scottish Airs. Adapted for the voice, with introductory and concluding symphonies and accompaniments for the piano forte. Composed by J[ohn] Ross, organist, St Paul’s, Aberdeen. Vol. 1. BL H.1629.a.

25/4/1803 The Author New Surry Grand March and Quick Step as a single lesson. Also arranged as a duett for two performers on one piano forte. By T. Denning. BL g.133.(13.)

26/4/1803 Clementi, Banger, Hyde, Collard & Davis Two Sonatas for the Piano Forte, with accompaniments for violin and violoncello ad libitum. Composed by D[aniel] Steibelt. Op. 61. BL g.161.(10.)

26/4/1803 Joseph Dale From thee my fair one I must go. A favorite song. Sung by Mr [John] Braham at his bene
t, with great applause, at the Theatre Royal, Covent Garden. Composed by Mr [John] Braham. Brotherton Collection Music EDW

26/4/1803 The Author Sighs. A glee for four voices, as performed at the Vocal Concerts. Most respectfully inscribed to John Spencer, Esq., by G[eorge] T[homas] Smart. BL D.402.(26.)

29/4/1803 The Author A third set of Three Sonatas for the Piano Forte. Composed by Thomas Shaw. Op. 9. BL g.143.(14.)

3/5/1803 John Wall Callcott In this mazy Life’s Career. A hymn. Set to music by Dr [John Wall] Callcott. GUL Special Collections S.d.13

502

Music Entries at Stationers’ Hall

5/5/1803 Broderip & Wilkinson A Sonata for the Harp. As composed for, and performed by, Madame [Anne-Marie] Krumpholtz. By François Joseph Dizi. BL g.198.(2.)

9/5/1803 Samuel Harrison Glee. Oh Nanny wilt thou gang with me. Harmonized for four voices by Mr [Samuel] Harrison. Sung, with the greatest applause, at the Ancient, Vocal and Mr [Samuel] Harrison’s Annual Concerts, by Mrs Billington, Mr Harrison, Mr Knyvett and Mr Bartleman. Dedicated (by permission) with the highest respect to the Right Honourable the Directors of the Concert of Ancient Music by their Lordships’ much obliged and most obedient servant, Samuel Harrison. BL D.400.(3.)

10/5/1803 The Author Three favorite Sonatas for the Piano Forte and Flute obligato or Violin. Composed, and dedicated to the Countess Ernestina of Starhemberg, by G[iacomo] G[otifredo] Ferrari. BL h.350.(4.)

11/5/1803 Francis Rhames Raise the Song and Strike the Harp. The charter glee and chorus of the Irish Harmonic Club. The words selected and composed by J[ohn] W[ilson] C[roker], Esq. The music composed, and respectfully dedicated to the noblemen and gentlemen of the club, by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.352.(36.)

John Davies 12/5/1803 Rest Lady Fair. A ballad for three voices. Respectfully dedicated to T[homas] Moore, Esq., as an answer to the celebrated glee of Oh Lady Fair. [The words and music by I. D’Winter.] BL G.352.(51.) and H.1652.g.(8.)

16/5/1803 The Author Three easy Duetts for Two Violoncellos. Composed by Robert Lindley. Op. 4. BL h.201.(2.)

Entries from 1710 to 1810

503

26/5/1803 J. Murray Tsadi the Moor. A favorite song. Written by Mr H[enry] Siddons of the Theatre Royal, Covent Garden, and set to music by J. Murray. BL G.366.(42.), text begins ‘The trees seem to fade’

27/5/1803 Edward Smith Biggs Six Duetts and three Trios. Composed for and dedicated, with the greatest respect, to the Right Honourable Lord Gwydir. [By Edward Smith Biggs.] BL G.198.(20.)

1/6/1803 Joseph Dale Three Sonatas for the Piano Forte with an accompaniment for a German ute or violin. Dedicated to Miss Eliza Spence. Composed by J[ames] Hook. Op. 99. BL g.142.(5.)

1/6/1803 Harriett Abrams To the Queen, with Her Majesty’s gracious permission, this work [a book of songs] is respectfully inscribed by Her Majesty’s most faithful, obedient and humble servant, Harriett Abrams. BL D.392.(1.)

4/6/1803 William Shield The Death of Tom Moody, the noted whipper-in, well known to the sportsmen of Shropshire. Written by the author of Hartford Bridge [i.e., by William Pearce]. Composed by William Shield, musician in ordinary to His Majesty, and sung by Mr [Charles] Incledon in his new entertainment called The Wandering Melodist, also at the T[heatre] R[oyal], C[ovent] Garden. BL H.367.(14.)

9/6/1803 Edward Smith Biggs Palala, suma nootka gunza! Do thy Duty, and leave the rest to Heaven! A favorite glee for three voices. Composed by Mr [Edward Smith] Biggs. No. 10. BL G.352.(8.)

504

Music Entries at Stationers’ Hall

10/6/1803 Joseph Dale The Beautiful Maid, and Never think of meeting Sorrow. Two favorite airs from the opera of The Cabinet, arranged as a sonata for the piano forte by D[aniel] Steibelt. BL g.146.(8.)

10/6/1803 William Shield Sally Roy. A Scottish ballad. Sung by Mr [Charles] Incledon in his entertainment called The Wandering Melodist. The words by Mr [John] Rannie. Composed by William Shield, musician in ordinary to His Majesty. BL G.367.(13.)

17/6/1803 Joseph Dale A collection of favorite songs sung at Vauxhall Gardens, with unbounded applause. Composed by Mr [James] Hook. BL G.379.(13.), presumably book 1 of 2; see the entry for 14/7/1803.

20/6/1803 Charles Dibdin Fall or Conquer. A parody of R[obert] Burns’s poem called Bruce’s Address to his Army. Written by a gentleman. The music by Mr [Charles] Dibdin. Bodleian Harding Mus. G 137 (2) and Mus. Voc. I, 19 (20)

Clementi, Banger, Hyde, Collard & Davis Three Duets for Two Violins. Composed by Francis Krommer. BL h.2910.b.(8.)

20/6/1803

24/6/1803 Francis Rhames Scotch song, with an accompaniment for the piano forte or harp. The poetry by T[homas] Moore, Esq. The music by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.364.(46.), text begins ‘Mary I believ’d thee true’

24/6/1803 Francis Rhames Though Fate, my Girl. A canzonet, with an accompaniment for the piano forte or harp. The poetry by T[homas] Moore, Esq. Composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.364.(45.)

Entries from 1710 to 1810

505

24/6/1803 Francis Rhames Sweet is the Dream. A canzonet, with an accompaniment for the piano forte or harp. The poetry by T[homas] Moore, Esq. Composed by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.364.(50.)

24/6/1803 Francis Rhames Does the Harp of Rosa Slumber. A canzonet, with an accompaniment for the piano forte or harp. The poetry by T[homas] Moore, Esq. The music by J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.364.(51.)

24/6/1803 Francis Rhames The Surprise. A canzonet for two voices, with a
gured bass for the piano forte. The poetry by Thomas Moore, Esq. Set to music by J[ohn] A[ndrew] Stevenson, Mus. Doc. GUL Special Collections N.b.10ter

Jean Mugnié 25/6/1803 L’Amour piqué par une abeille. Imitation d’Anacréon. Pour le forte piano. Composé par Jean Mugnié. BL g.138.(16.)

25/6/1803 Goulding & Co. The Wandering Melodist, or, The Rose, the Thistle and the Shamrock. Consisting of
fteen songs sung by Mr [Charles] I[ncledon] of Covent Garden Theatre in his tour through the United Kingdom. BL 11602.f.19.(2.)

25/6/1803 Goulding & Co. Variety. Containing original and selected songs in the favourite entertainment now performing by C[harles] I[ncledon] of Covent Garden Theatre at the different theatres and public places in most of the principal towns of the United Kingdom. BL 11602.f.19.(1.)

506

Music Entries at Stationers’ Hall

29/6/1803 James Johnson The Scots Musical Museum, in six volumes. Consisting of six hundred Scots songs with proper basses for the piano forte, etc. Humbly dedicated to the Society of Antiquaries of Scotland by James Johnson. Vol. 6. BL M.K.5.a.1

29/6/1803 Thomas Busby Strike the Gombay. A favorite duett. Sung by Mr [Charles] Incledon and Mr [James] Hill in The Fair Fugitives, an opera performed at the Theatre Royal, Covent Garden. Composed by Dr [Thomas] Busby. BL G.354.(6.)

29/6/1803 Thomas Busby O! How should I like to be brave. A favorite song. Sung by Mr [Thomas] Blanchard in The Fair Fugitives, an opera performed at the Theatre Royal, Covent Garden. Composed by Dr [Thomas] Busby. BL G.250.(14)

Thomas Busby 29/6/1803 Why truly, Sir, a little Boy. A favorite song. Sung by Mrs [Louisa] Mills in The Fair Fugitives, an opera performed at the Theatre Royal, Covent Garden. Composed by Dr [Thomas] Busby. BL G.250.(13.)

29/6/1803 Thomas Busby Now shines the Moon. A favorite song. Sung by Mr [Charles] Incledon in The Fair Fugitives, an opera performed at the Theatre Royal, Covent Garden. Composed by Dr [Thomas] Busby. BL G.250.(17.)

29/6/1803 Thomas Busby Overture to The Fair Fugitives, as performed at the Theatre Royal, Covent Garden with universal applause. Composed by Dr [Thomas] Busby. BL g.137.(8.)

Entries from 1710 to 1810

507

2/7/1803 Broderip & Wilkinson An Original Air with Ten Variations for the Piano Forte. Composed for and inscribed to the Right Honourable Lady Elizabeth Spencer by her grateful and obedient, humble servant, William Beale. BL g.139.(2.)

9/7/1803 The Author Three Trios for Flute, Tenor and Violoncello. Composed, and dedicated to John Greffuldre, Esq., by J[ohann] A[rnold] Dahmen. Op. 9. BL g.222.(9.)

James [Banks] and Henry Banks 10/7/1803 Invasion. A song for 1803. Written and composed by W. Repmah of Birmingham. BL G.376.(35.)

11/7/1803 The Author The favorite trio, as sung by Mrs H[enry, i.e., Nannette] Johnston, Mrs H[arriet] Siddons and Mr [Samuel] Simmons in The Fair Fugitives. Performed at the Theatre Royal, Covent Garden. Composed by Dr [Thomas] Busby. BL G.352.(11.), text begins ‘Hist! Methought I heard’

11/7/1803 The Author When Pedro
rst in Cintra’s Grove. A favorite song. Sung by Mrs [Louisa] Mills in The Fair Fugitives. An opera performed at the Theatre Royal, Covent Garden. Composed by Dr [Thomas] Busby. BL G.250.(15.)

12/7/1803 Smart The favorite Pas de Trois Ecossois. As danced at the King’s Theatre, Haymarket, by Madame Laborie, Madame Coralli and Monsieur Coralli, in the divertissement called Le Debarquement. Composed by the author of Laurette [i.e., by Henry Smart].

508

Music Entries at Stationers’ Hall

12/7/1803 Goulding & Co. The Mammoth and Bonaparte. Written by C[harles Isaac Mungo] Dibdin, Jr. Sung, with universal applause, at Sadler’s Wells Theatre. Adapted for the piano forte by W[illiam] Reeve. BL G.367.(42.)

14/7/1803 Joseph Dale A collection of favorite songs sung at Vauxhall Gardens, with unbounded applause. Composed by Mr [James] Hook. BL G.379.(13.), presumably book 2 of 2; see the entry for 17/6/1803.

15/7/1803 Joseph Dale Faint Heart ne’er won a Maiden fair. A new song. Sung by Mrs [Maria Theresa] Bland, with unbounded applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(23.), text begins ‘Young Kitty sung’

The Author [Jean] Mugnié’s Hornpipe, with Variations for the Piano Forte. BL g.139.(36.)

16/7/1803

Charles Dibdin The British Heroines. Written and composed by Mr [Charles] Dibdin. Bodleian Harding Mus. G 136 (9) and Mus. Voc. I, 19 (21)

20/7/1803

20/7/1803 James Peck Praise God from Whom all Blessings ow. A favorite canon, for four voices. Composed, and inscribed to his pupils, by James Hancock. BL G.503.(13.)

23/7/1803 Joseph Dale A Hundred to One, or the Odds against Bonaparte. Written by W. C. Empson, Esq. The music composed by John Davy, and sung, with universal applause, by Mr [Charles] Dignum at Vauxhall Gardens. BL G.376.(17.), text begins ‘Since the Gallic ambassador’

Entries from 1710 to 1810

509

25/7/1803 Joseph Dale Heart of Oak and Sheelala for ever. A favorite song. Sung, with unbounded applause, by Mr [Charles] Dignum at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(21.), text begins ‘What a fuss’

27/7/1803 Clementi, Banger, Hyde, Collard & Davis A Sixth Grand Concerto for the Piano Forte with additional keys. Also, accompaniments for a grand orchestra. Composed, and dedicated to Mr and Mrs Louis Vidal of Hamburgh, by J[an] L[adislav] Dussek. Op. 49. BL h.308.(8.)

27/7/1803 James Peck Dick Fore-Stay. A favorite song. Written by Mr T. Jones. Composed, and respectfully inscribed to his pupils, by H. Francis. BL G.366.(3.)

30/7/1803 Robert Birchall Ye Heroes of England undaunted, advance. A new national song. Written, composed and inscribed to all loyal Britons by a gentleman of Berkshire. BL G.376.(51.)

4/8/1803 Clementi, Banger, Hyde, Collard & Davis When gazing on his dear one’s Cheek. A favorite song. Sung by Mr [James] Hill in The Fair Fugitives, an opera performed at the Theatre Royal, Covent Garden. Composed by Dr [Thomas] Busby. BL G.250.(16.)

Charles Dibdin A song of death. The music composed by Mr [Charles] Dibdin. Bodleian Harding Mus. G 138 (5) and Mus. Voc. I, 19 (22), text begins ‘Farewel thou fair day’

4/8/1803

5/8/1803 Broderip & Wilkinson A Duet for two Harps, or Harp and Piano Forte. Composed, and dedicated to Madame [Anne-Marie] Krumpholtz, by F[rançois Joseph] Dizi. BL g.192.a.(2.)

510

Music Entries at Stationers’ Hall

13/8/1803 Joseph Dale A Sailor is the Lad for me. Sung by Mrs Franklin, with unbounded applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(20.), text begins ‘The bold the brave’

17/8/1803 Joseph Dale I’ll be Jack the Sailor’s Wife. Sung by Mrs [Maria Theresa] Bland, with great applause, at Vauxhall Gardens. Composed by Mr [James] Hook. BL H.1651.(22.), text begins ‘When April buds’

23/8/1803 The Author Air avec Variations pour la Harpe. Dédié à Mademoiselle Roberts par J[oseph] Elouis. BL g.198.(4.)

25/8/1803 The Author Select Songs set to music by J[ames] B. Adams. No. 18. The British Sailor. Respectfully inscribed to the gentlemen of the Navy. BL G.361.(5f.)

27/8/1803 Charles Dibdin The Soldier’s Oath of Allegiance. Written and composed by Mr [Charles] Dibdin, September 5th, 1803. BL R.M.13.e.8.(90.)

27/8/1803 Joseph Dale Conquer or Die! An appeal to the people to arm in defence of their country. The words and music by an English woman. Bodleian Harding Mus. G 69 (13)

31/8/1803 Edward Smith Biggs The Fisherman’s Orphan. A favorite ballad. As sung by Mrs Aske. Composed by Mr [Edward Smith] Biggs. The words by John Penwarne, Esq. BL G.364.(10.)

Entries from 1710 to 1810

511

31/8/1803 William Hodsoll Our King and Ourselves. A loyal and patriotic song. Written by W. C. Empson, Esq. The music composed by J[ames] Brooks and sung, with the greatest applause, by Mr [Charles] Dignum at Vauxhall Gardens. BL G.376.(10.), text begins ‘Now again French invasion’

31/8/1803 William Hodsoll A Bonny Soldier’s Bride I’ll be. A favorite ballad. Written by Mr Fox. Composed by Mr [James] Brooks and sung, with great applause, by Mrs [Maria Theresa] Bland at Vauxhall Gardens. BL G.383.j.(6.), text begins ‘A roving life’

1/9/1803 Montague P. Corri A Melody on the Words of Command of the Manual Exercise of the British Army. Sung by Mr Woodham of the Westminster Loyal Volunteers. Composed, and respectfully dedicated to the patriotic ladies of Great Britain, by M[ontague P.] Corri, of the same corps. BL G.376.(1.)

3/9/1803 Richard Hart Glee for three voices. Composed by G[eorge] W[illiam] Chard, organist of Winchester Cathedral and College. The words having been written by Richard Hart Jr of Christ’s Hospital. BL D.402.(12.), text begins ‘Hail, lovely nymph’

5/9/1803 John Ross Two Admired Airs composed with variations for the piano forte, and dedicated (by permission) to Miss Amelia Cumming of Altyre, by John Ross, organist, Aberdeen. GUL Special Collections Ca12-x.23

James Hook and Mr Harrison 6/9/1803 Bonaparte’s Threatened Invasion, or The Sons of Fair Freedom who Govern the Waves. A patriotic song. Composed by Mr [James] Hook. The words by Mr Harrison. BL G.376.(20.), text begins ‘When invasion’s the word’

512

Music Entries at Stationers’ Hall

6/9/1803 F. Johnson Slow the Limpid Current Twining. The words by Mrs Robinson. The music by Mr F. Johnson.

15/9/1803 The Author Unanimity. Written and composed by Mr [D. N.] Beckman, and sung by Mr [Charles] Dignum at the Theatre Royal, Drury Lane.

15/9/1803 Francis Blagdon A British War Song. The words [by T. White] taken from the 55th number of the Anti-Jacobin Review. The music composed by Francis Blagdon, Esq., given gratis with his pamphlet on the threatened invasion. BL G.376.(7.), text begins ‘Quit the plough’

17/9/1803 Joseph Dale Royal Exchange March. Composed, and inscribed to Lieutenant Colonel Birch and the rest of the of
cers of the Royal Exchange, or First Regiment of Loyal London Volunteers, by their obedient, humble servant, Thomas Attwood. BL g.133.(3.) or g.272.t.(3.)

17/9/1803 Charles Dibdin Victory and George The Third. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(11.), text begins ‘When Dryden wrote and Purcel sung’

17/9/1803 Charles Dibdin The Subscription at Lloyd’s. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(4.), text begins ‘If the world ever saw a muni
cent act’

17/9/1803 Charles Dibdin Songs, etc., in Britons Strike Home. A new entertainment of sans souci. Written, composed, spoken, sung, and accompanied by Mr [Charles] Dibdin. BL 11641.f.71.(2.)

Entries from 1710 to 1810

513

21/9/1803 Broderip & Wilkinson A Slow March and Troop for the Piano Forte, with accompaniments for a ute, violin and violoncello. Composed, and humbly dedicated (by permission) to His Royal Highness the Prince of Wales, by I. C. Mencke, musician to His Royal Highness. BL h.118.(28.)

26/9/1803 Charles Dibdin Erin go Bra. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(9.)

27/9/1803 Robert Birchall La Libertà a Nice. Canzonetta di [Pietro] Metastasio. Messa in musica per due voci, con accompagnamento di piano forte o harpa, da L[uigi] Cherubini. Book 1st. BL H.1665.(33.)

27/9/1803 The Author Grace after Meat. Gratiarum ætio. Composed by S[amuel] Buggins, Birmingham.

30/9/1803 Charles Dibdin Nancy’s the Name. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(8.), text begins ‘One Shakespear a bard and a poet of fame’

1/10/1803 Charles Nicholls Field Come true loyal Britons. A song dedicated to the volunteers of Great Britain. Written by C[harles] N[icholls] Field. Composed by T[homas] B[rabazon] Gray. BL G.376.(19.)

Charles Dibdin The Song of Acre. Composed by Mr [Charles] Dibdin. Bodleian Harding Mus. G 138 (4) and Mus. Voc. I, 19 (24), text begins ‘Acre thou saw’st the exulting foe’

3/10/1803

514

Music Entries at Stationers’ Hall

3/10/1803 Robert Birchall [Giovanni Battista] Viotti’s Grand Concerto in B#. Arranged for the piano forte with or without the additional keys, with accompaniments for two violins, oboe, corni, alto and violoncello by Mr [Nicolaus Joseph] Hüllmandel. BL g.116.a.(10.)

5/10/1803 Charles Dibdin The Auld Pibrough. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(1.)

11/10/1803 Charles Dibdin Ça n’ira pas. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(7.)

12/10/1803 Joseph Dale Des Bagatelles pour le Piano Forte. Composée par Louis [i.e., Ludwig] van Beethoven. BL g.141.(2.)

Joseph Dale A New Rondo for the Piano Forte. By T[homas] H[amley] Butler.

18/10/1803

18/10/1803 Charles Dibdin The Ancient Britons. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(5.)

Joseph Dale 22/10/1803 Molly put the Kettle on, or Jenny’s Baubee. A favorite Scotch air. Arranged as a rondo for the piano forte by J[oseph] Dale. BL g.140.(22.)

Entries from 1710 to 1810

515

24/10/1803 Joseph Dale Three Sonatas for the Piano Forte, with an accompaniment for the violin or ute and violoncello. Dedicated to Mrs Charles Thellusson. Composed by Adalbert Gyrowetz. BL g.186.(3.)

27/10/1803 James Peck A Set of Hymn Tunes and Sacred Odes for Three, Four and Five Voices. Adapted and
gured for the organ, piano forte, etc. Entirely original. Composed by James Hancock. BL G.503.(3.)

31/10/1803 Charles Dibdin A Welcome to the French. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(10.)

31/10/1803 John Purkis Song for the British Volunteer. Written by William Bazing. The music by John Purkis. BL G.376.(30.), text begins ‘Brave comrades all hail’

2/11/1803 Charles Dibdin The Volunteer. Written by the Rev. Weeden Butler, M. A. The music composed by Mr [Charles] Dibdin. Bodleian Harding Mus. G 139 (5) and Mus. Voc. I, 19 (25), text begins ‘Hark, hark, the martial trumpets sound’

2/11/1803 Joseph Dale Juvenile Sorrow. A favorite new ballad. Composed, and sung at the Nobility’s Concerts, by C[harles] Smith, late of His Majesty’s Chapel Royal. BL G.365.(15.), text begins ‘As I wandered’

7/11/1803 Charles Dibdin Soldiers and Sailors. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(2.) and R.M.13.e.8.(33.)

516

Music Entries at Stationers’ Hall

7/11/1803 Joseph Dale The favorite air of Mamma Mia. Sung by Signor [Giuseppe] Viganoni at the Nobility’s Concerts. Arranged for the piano forte as a martial rondo by D[aniel] Steibelt. BL g.140.(49.)

15/11/1803 Charles Dibdin A Seaman’s Ditty. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(3.)

17/11/1803 The Author The Western Volunteer. A new song. Adapted for the piano forte, guitar, German ute, one or two voices, and most respectfully inscribed to Lieutenant Colonel John Strode, colonel of the Bath Volunteers infantry, by J[ames] Matthews of Bath. BL G.366.(32.)

19/11/1803 Joseph Dale Sigh and O Nony. The celebrated duet. As sung, with unbounded applause, by Mr [Charles] Dignum and Miss [Alicia] Daniels at Vauxhall Gardens. Composed by Mr [James] Hook. BL G.354.(14.)

24/11/1803 Joseph Elouis Away with Melancholy, by [Wolfgang Amadeus] Mozart. Arranged with variations for the harp or piano forte, and dedicated to Miss Alicia Jackson of Bellevue, Southampton, by J[oseph] Elouis. BL g.139.(23.)

24/11/1803 Joseph Elouis Adeste Fideles. The celebrated Portuguese Hymn on the Nativity. Arranged with variations for the harp or piano forte, and dedicated to Miss Rich, by Joseph Elouis. BL g.139.(24.)

Entries from 1710 to 1810

517

28/11/1803 Joseph Dale The celebrated Bird Duet from the comic opera of The Cabinet, composed by Mr [John] Braham. Arranged as a rondo by D[aniel] Steibelt. BL h.1480.(11.)

28/11/1803 The Author A Select Collection of Lessons. Consisting of fantasia, fugato, sonatas, German waltzes, marches, rondos [and] favorite airs with variations, for the pedal harp or piano forte, with an accompaniment for the violin ad libitum. The principal part composed, and most humbly dedicated (by permission) to the Right Honourable Lady le Despencer, by W[illiam] Duchatz, professor of the pedal harp. Op. 4. BL g.192.a.(9.)

2/12/1803 Charles Dibdin The General Lover. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called Britons Strike Home. BL G.380.(6.)

William Dance 2/12/1803 [Ignace] Pleyel’s celebrated Overture in A. No. 1. Composed for the Professional Concert. Adapted for the piano forte with accompaniments for a violin and violoncello, and respectfully inscribed to the Right Honourable Lady Frances Pratt, by W[illiam] Dance, musician in ordinary to His Majesty. BL g.134.(8.)

5/12/1803 Charles Dibdin The Lion in his Den. Written and composed by Mr [Charles] Dibdin. Bodleian Mus. Voc. I, 19 (26), text begins ‘The Briton form’d of noble parts’

8/12/1803 Charles Hodges The Little Birds. A much admired ballad. Most respectfully dedicated to the Miss Frighams [i.e., to the Misses Frigham]. By J. T. BL G.356.(4.)

518

Music Entries at Stationers’ Hall

8/12/1803 James B. Adams Rouse! Britons Rouse! A patriotic song. Set to music by J[ames] B. Adams. BL G.376.(3.)

10/12/1803 Michael Kelly Elegant Extracts for the German Flute. Containing the most favorite songs from the operas Fashionable Friends, Age Tomorrow, Feudal Times, Hero of the North, Gipsy Prince, Marriage Promise [and] House to be Sold. Composed and arranged by M[ichael] Kelly. BL b.60.(3.), Book 1 only

16/12/1803 The Author Two Sonatas for the Piano Forte. Composed, and respectfully dedicated to the Right Honourable the Countess of Oxford, by Charles Kelly. CUL MR340.a.80.11(7)

19/12/1803 Broderip & Wilkinson Courtnay’s [i.e., John Courtenay’s] Four Patriotic Songs addressed to the British sailors, soldiers and volunteers. Set to music by Dr [Charles] Burney. BL G.376.(12.)

23/12/1803 James Peck Patriotic Song. Written and most respectfully inscribed to the of
cers of the Loyal Walthamstow Volunteers by their most obedient, humble servant, R[ichard] Russell. BL G.376.(37.), text begins ‘Arouz’d by threats of Gallic foe’

26/12/1803 John Davies Three Sonatas for the Piano Forte with an accompaniment for the German ute ad libitum, in which is introduced an original pastorale and fandango. Composed, and dedicated to his friend Mr L[ouis] von Esch, by Jean Mugnié. BL h.118.(44.)

Entries from 1710 to 1810

519

31/12/1803 Joseph Dale The Caravan, or The Driver and his Dog. A grand serio comic romance. As performed, with unbounded applause, at the Theatre Royal, Covent Garden. Composed by W[illiam] Reeve. The words by F[rederick] Reynolds, Esq. BL H.129.(9.)

3/1/1804 Robert Birchall Come Sisters! The words from the last scene of the witches in Macbeth [by William Shakespeare]. Set to music for three voices by M[atthew] P[eter] King. BL G.352.(27.)

7/1/1804 Robert Birchall A Second Sett of Welch Airs with English words written to them by Mrs [Amelia] Opie. Harmonized, and arranged for one, two, three and four voices, with an accompaniment for the harp or piano forte, by Mr [Edward Smith] Biggs. BL G.350.(3.)

9/1/1804 Charles Dibdin Love and Glory. Written and composed by Mr [Charles] Dibdin, January 4th, 1804. BL R.M.13.e.8.(89.), text begins ‘Proud honour and stern fate combining’

James Wild Twenty-One. An operatic afterpiece, in one act. By James Wild.

9/1/1804

10/1/1804 John Moreton Sacred Melody, being Fifty Psalm and Hymn Tunes, in Four Parts, with entire new music set to the works of Dr [Isaac] Watts and others, and suited to the New Version psalms. For the use of the Church of England. By John Moreton, of Birmingham. BL G.503.(6.)

10/1/1804 Percival Mann The Moon with borrow’d Lustre shone. A much admired song. Written by W. Heseltine. Composed by Percival Mann. BL H.1677.(20.)

520

Music Entries at Stationers’ Hall

24/1/1804 James Gilbert The Bugle Horn Calls of Riemen and Light Infantry, as regulated at the War Of
ce, with a few additional calls as are used in the dismounted troops of London and Westminster Light Horse Volunteers. To which is added, Thirty-Six Marches, Quicksteps and other Movements, entirely new. Composed and arranged for three bugle horns, and most humbly dedicated (by permission) to Major Hardinge Stracey, commandant of the above corps, by James Gilbert. BL b.137

25/1/1804 The Author Christmas and the New Year, or The Season’s Return. Written and composed by D. N. Beckman. BL G.361.(22.)

John Crotch and William Crotch 27/1/1804 No. 1 of Familiar Airs, in Various Styles, for the Piano Forte. Composed by John [Crotch] and William Crotch. BL e.104.(5.)

27/1/1804 Joseph Dale The celebrated castanet song in The Caravan. Composed by W[illiam] Reeve, and sung by Miss [Maria Theresa] de Camp at the Theatre Royal, Drury Lane. Arranged as a rondo by D[aniel] Steibelt. BL g.140.(52.)

27/2/1804 Timothy Essex Hope. Selected from [Timothy] Essex’s op. 8. Composed for, and inscribed to, the young ladies at Mrs Sala’s, Winchester House, by T[imothy] Essex. BL G.361.(73.), text begins ‘In hope which softens’

27/2/1804 Timothy Essex The Primrose. The words selected from a book of miscellaneous poems published in the year 1600. Composed for, and inscribed to, the young ladies at Miss Upward’s, Grove House, by T[imothy] Essex. BL G.361.(74.)

Entries from 1710 to 1810

521

27/2/1804 Timothy Essex The Reproof. Selected from [Timothy] Essex’s op. 8. The words by a lady. Composed for, and respectfully inscribed to, the young ladies at Mrs Lancey’s, by T[imothy] Essex. BL G.361.(72.), text begins ‘A rose tree on Saint Michael’s day’

27/2/1804 Timothy Essex The Lily. Selected from [Timothy] Essex’s op. 8. The words by Miss C. Palmer. The music composed, and respectfully inscribed to Mrs Douglas, by T[imothy] Essex. BL G.361.(70.)

29/2/1804 Broderip & Wilkinson British Sentiments. A glee for four voices, as performed at the vocal concerts of Messrs Harrison, Bartleman and Greatorex. Respectfully dedicated to Mrs [Elizabeth] Billington. Also an Italian glee, Mi dicon le donzelle. Composed by Samuel Webbe. BL D.402.(33.)

5/3/1804 Edward Smith Biggs The True History of Liberty Tree. A favorite loyal song. Written by John Penwarne, Esq. Set to music by Mr [Edward Smith] Biggs. BL G.376.(6.)

5/3/1804 Robert Birchall Constancy. A favorite duet for two voices, with an accompaniment for the piano forte. Composed by Samuel Webbe.

6/3/1804 Robert Birchall Three Grand Sonatas for the Harp. Dedicated to Miss F. de Coigny. Composed by [Martin] P[ierre] Dalvimare. Op. 18. BL g.198.(1.)

8/3/1804 The Author The Little Butcher Boy. A new song. Written and sung by Mr [Ralph] Wewitzer at the Theatre Royal, Drury Lane. BL G.249.(56.), text begins ‘If you’ll attend I’ll sing a song’

522

Music Entries at Stationers’ Hall

15/3/1804 John Freckleton Burrowes Six English Ballads, with an accompaniment for the piano forte. Composed, and respectfully inscribed to William Horsley, Mus. Bac. Oxon., by his pupil J[ohn] F[reckleton] Burrowes. Op. 1. BL G.365.(1.)

20/3/1804 Broderip & Wilkinson The Mermaid. A favorite German air, with variations. Composed, and dedicated to Mrs Ofey, by Augustus Voigt. BL g.139.(46.)

9/4/1804 William Phillips All ye who live on Britain’s Shore. The celebrated patriotic song on His Majesty’s recovery, and sung, with so much applause, by Mr [Charles] Dignum. Most respectfully dedicated (by permission) to Her Royal Highness the Dutchess of York. Written and composed by Percival Mann. BL H.1677.(18.)

Broderip & Wilkinson 12/4/1804 Délassement champêtre d’une Allemande en Ecosse, pour le Piano Forte. Composé par Veronica Elisabeth Cianchettini. BL h.324.(10.)

Broderip & Wilkinson L’ Heure de Minuet. Serenade. Duo. Par L[ouis] von Esch. CUL MR320.a.80.305(13)

12/4/1804

Broderip & Wilkinson Musette Variée. Par L[ouis] von Esch. BL h.284.(10.)

12/4/1804

Entries from 1710 to 1810

523

18/4/1804 George Thomson Symphonies and Accompaniments by [Joseph] Haydn to the following twenty-one Scottish songs in volumes 1 and 2: The Smiling Morn; Will you go to the Ewe-bughts, Marion; My Sheep I neglected; Farewell to Lochaber; ’Twas in that Season of the Year; There’s Auld Rob Morris; One Morning very early; How lang and dreary is the Night; Sweet fa’s the Eve on Craigieburn; My Love she’s but a Lassie yet; Where Cart rins rowing to the Sea; Fate gave the Word; Does haughty Gaul invasion threat; O wat ye wha’s in yonder Town; My heart is a breakin dear Titty; Will thou be my Dearie; The last Time I came o’er the Muir; Beneath a green Shade; Mourn hapless Caledonia; O had I a Cave, etc.; Oh the Moment was sad.

24/4/1804 The Author [Anton] Bemetzrieder’s Musical Poem, for the voice and piano forte or harp. Dedicated to his subscribers.

24/4/1804 H. Robinson The Thrush. A favorite rondo for a military band. For two B clarinets, two French horns, two bassoons, serpent and piccolo obligato. Also arranged for the piano forte. Composed by W[illiam] Godfrey. BL h.111.(12.)

28/4/1804 James Cooper A Compleat Book of Instructions for the Piano Forte, Harpsichord or Organ; A Set of Progressive Lessons in various Keys, with Cadences and Preludes, which will be found more useful for the scholar and prevent time for the master. N.B. These preludes are worthy of attention to exercise the
ngers, which makes the tunes more familiar. Calculated for the use and improvement of young practitioners, with the
ngering marked throughout. To which is added, an explanation of the Italian terms used in music. Composed by J[ohn] C[hristopher] Moller, music master to Their Majesty’s school, Queen Square. BL e.145.

28/4/1804 James Hook Love and Loyalty. A musical olio, consisting of original songs, duetts, glees, etc. Sung by the most celebrated performers. Composed, and now
rst published, by James Hook. BL H.1672.(33.)

524

Music Entries at Stationers’ Hall

2/5/1804 The Author An Irish Air, with Variations for the Harp. Composed, and humbly dedicated to Miss Arthur, by John Baptiste Mayer. BL h.151.(2c.)

2/5/1804 The Author A Scotch Air, with Variations for the Harp. Composed, and dedicated to Miss Gatherot, by John Baptiste Mayer. BL h.151.(2b.)

2/5/1804 The Author [John Baptiste] Mayer’s Original Air, with Variations for the Harp. Composed, and humbly dedicated to the Right Honourable Lady Mahon, by John Baptiste Mayer. BL h.151.(2a.)

2/5/1804 The Author God save the King, with Variations for the Harp. Composed, and humbly dedicated to Miss Charlotte Smith, by John Baptiste Mayer. BL h.151.(2.)

3/5/1804 The Author An Ode intitled The Humourous Convocation, alias Opinions on the Invasion, alias The Barber’s Shop on a Saturday Evening. By William Henry Hitchener. GUL Temporary Storage Y7-a.7

Joseph Dale The Alarm. A characteristic sonata for the piano forte. By J[oseph] Dale. BL h.270.(3.)

7/5/1804

Laetitia Williams 10/5/1804 The Snow Drop. As sung by Miss [Elizabeth] Tennant, with great applause, at Messrs Harrison, Bartleman and Greatorex’s Concert, 1804. Composed by Laetitia Williams. The words by Miss Gunning. BL H.1688.(27.)

Entries from 1710 to 1810

525

John Crotch and William Crotch 18/5/1804 No. 2 of Original Airs in Various and Familiar Styles for the Piano Forte. Composed by John [Crotch] and William Crotch. CUL MR340.a.80.16(3)

24/5/1804 John Brysson Ratlin Roarin’ Willie. A favorite air, with variations. Composed by Daniel Ross for the piano forte. BL h.122.(32.)

24/5/1804 John Brysson Speed the Plough. A new and brilliant rondo for the piano forte. Composed by T[homas] H[amley] Butler. BL h.280.(12.)

28/5/1804 James Davenport Duetto for a Violin and Violoncello, and a favorite Scotch tune with Variations. By Joseph Reinagle. BL h.122.(5.)

29/5/1804 John Baptist Cramer Studio per il Piano Forte. Consisting of forty-two exercises intended to facilitate the progress of those who study that instrument. Composed, and the leading
ngers marked to each passage, by J[ohn] B[aptist] Cramer. CUL MR340.a.80.16(2)

30/5/1804 The Author The Melksham Harmony. Containing
fty original tunes adapted to the New Version Psalms, Dr [Isaac] Watts’ and other hymns, with two anthems and one set piece. By William Harvey. BL B.466.

526

Music Entries at Stationers’ Hall

9/6/1804 Urbani & Liston A Select Collection of Original Scotish Airs with select and charecteristic Scotch and English verses, the most part of which written by the celebrated R[obert] Burns. Arranged for the voice, with introductory and concluding symphonies and accompaniments for the piano forte, violin and violoncello. Humbly dedicated (by permission) to Her Grace the Dutchess of Bedford. By P[ietro] Urbani. BL I.370, presumably the
fth and sixth volumes

9/6/1804 Charles Evans March for a Military Band in score, likewise adapted for the piano forte, with variations and an accompaniment for a ute obligato. Dedicated (by permission) to Richard Salway, Esq., Major Commandant, and the of
cers of the Loyal Ludlow Volunteer Infantry. By Charles Evans, organist of St Lawrence, Ludlow, late of St Paul’s, Covent Garden, London, and one of the state musicians to His Excellency the Lord Lieutenant of Ireland. BL h.109.(33.)

12/6/1804 Thomas Preston The Songs, etc., in the new entertainment called The Lyric Novelist, or Life Epitomized in Character, Song and Sentiment. As sung by Mrs [Rosemond] Mountain of the Theatre Royal, Drury Lane, with the most unbounded approbation. Written expressly for the occasion by A[ndrew] Cherry, author of The Soldier’s Daughter, etc., etc. The music entirely new, with the exception of one air only, by the following eminent composers: [William] Shield, [John Wall] Callcott, [Samuel] Webbe, [James] Hook, [John] Davy, [John] Ross of Aberdeen, [Gesualdo] Lanza Jr, and [Turlough] Carolan, the Irish bard. GUL Temporary Storage Y5-f.3

15/6/1804 Joseph Dale A Collection of Favorite Songs sung at Vauxhall Gardens, with unbounded applause. Composed by Mr [James] Hook. BL H.1672.(34.)

22/6/1804 Broderip & Wilkinson Soft Pity. As sung by Mrs [Dora] Jordan, with an accompaniment for the lute, harp or piano forte. Composed by W[illiam] H[amilton] Bird. BL H.1663.(3.)

Entries from 1710 to 1810

527

22/6/1804 Broderip & Wilkinson The Resolve. As sung by Mrs [Dora] Jordan, with an accompaniment for the lute, harp or piano forte. Composed by W[illiam] H[amilton] Bird. BL H.1663.(2.)

22/6/1804 Broderip & Wilkinson The Standard of England. A favorite song. Composed by Robert Broderip. BL H.1663.(42.)

Broderip & Wilkinson 22/6/1804 Lucy. No. 2 of Songs, Duetts and Trios with a harp accompaniment. The poetry by Peter Pindar, Esq., Mr [John] Rannie, etc. The music by [Wolfgang Amadeus] Mozart and others.

22/6/1804 Broderip & Wilkinson Deprived of Thee! No. 3 of Songs, Duetts and Trios with a harp accompaniment. The poetry by Peter Pindar, Esq., Mr [John] Rannie, etc. The music by [Wolfgang Amadeus] Mozart and others.

25/6/1804 Clementi, Banger, Hyde, Collard & Davis Fantasia and Fugue for the Piano Forte. Composed, and inscribed to J[ohn] B[aptist] Cramer, by his friend, J[an] L[adislav] Dussek. BL h.308.(1.)

29/6/1804 Goulding & Co. The Girl of my Heart. A favorite ballad. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden. Composed by William Shield, musician in ordinary to His Majesty. The words by J[ohn] Rannie. BL H.1683.(43.)

4/7/1804 Clementi, Banger, Hyde, Collard & Davis A Grand March for the Piano Forte or Harp. Composed, and respectfully dedicated to Miss H. Thornton, by George Eugene Grif
n. BL h.281.(8.)

528

Music Entries at Stationers’ Hall

5/7/1804 The Author [P.] O’Farrell’s Collection of National Irish Music for the Union Pipes. Comprising a variety of the most favorite slow and sprightly tunes, set in proper stile and taste, with variations, and adapted likewise for the German ute, viola, ageolet, piano and harp. With a selection of favorite Scotch tunes. Also, a Treatise with the most perfect instructions ever yet published for the pipes. BL b.115

20/7/1804 Thomas Adams A Grand March and Quick Step. Composed expressly for the Third Regiment of Royal London Volunteers, and respectfully dedicated (by permission) to Colonel John Pooley Kensington, by Thomas Adams. BL h.100.(9.)

4/8/1804 Joseph Dale Oh William I will gang with thee. Answer to Oh Nanny wilt thou gang with me. Both composed by [Charles] Thomas Carter. BL G.796.(12.) and H.1665.(22.)

6/8/1804 Samuel Potter A Sett of New Slow Marches, Waltzes and Quick Steps, for Fifes and Bugle Horns, etc. Composed by Samuel Potter,
fe major in the Coldstream Regiment of Foot Guards, commanded by His Royal Highness the Duke of York. BL b.60.(6.)

7/8/1804 Charles Frederick Horn A Collection of Divertimentos for the Piano Forte, with an accompaniment for a violin. Most humbly dedicated to Her Royal Highness the Princess Augusta by Charles Frederick Horn. BL h.114.(16.)

10/8/1804 Clementi, Banger, Hyde, Collard & Davis Three Sonatas for the Piano Forte, with an accompaniment for the ute or violin. By J[an] L[adislav] Dussek. Op. 51. BL g.452.a.(17.)

Entries from 1710 to 1810

529

17/8/1804 Catherine E. White A Collection of Original Strathspey Reels, with Variations, Waltzes, Marches, Irish Airs, etc., and a new Sonata for the Piano Forte, Violin or German ute. Dedicated to the Right Honourable Lady Madelina Sinclair by a young lady. GUL Special Collections Ca12-x.45

20/8/1804 T. Bishop Six Canzonets, with an accompaniment for the piano forte, harp or violin. Written by T. Bishop. The music composed by T[homas] B[rabazon] Gray. BL H.1670.(53.)

24/8/1804 The Author Paddy is my dear. A favorite song, with an accompaniment for the piano forte. Composed by John Mackerrell. BL H.1677.(8.)

24/8/1804 Francis Godolphin Waldron Songs, Glees, etc., in a comick opera called The Miller’s Maid, founded on one of the admired Rural Tales written by Mr Robert Bloom
eld, the celebrated author of The Farmer’s Boy. Performed at the Theatre Royal, Haymarket on Saturday, August 25, 1804. The overture and musick, entirely new, composed by Mr [John] Davy. [The words written by Francis Godolphin Waldron.] BL 641.h.13.(10.) and 643.h.6.(1.)

3/9/1804 Clementi, Banger, Hyde, Collard & Davis Will with a Wisp. A favorite ballad. Written by Mr George Walker. Composed, with an accompaniment for the piano forte or harp, by John Whitaker. BL H.1688.(26.), text begins ‘The trav’ler rode quick’

3/9/1804 Clementi, Banger, Hyde, Collard & Davis Six Canzonets with an accompaniment for the piano forte. Composed, and dedicated to Miss S. Godeffroy, by J[an] L[adislav] Dussek. Op. 52. BL H.1667.(70.)

530

Music Entries at Stationers’ Hall

3/9/1804 Clementi, Banger, Hyde, Collard & Davis A Grand Sonata for the Piano Forte. Composed by Lewis [i.e., Ludwig] van Beethoven. Op. 47. BL h.376.(1.) and Hirsch M.763.(3.)

3/9/1804 Clementi, Banger, Hyde, Collard & Davis Variations pour le Piano Forte, sur le thème God save the King. Composées par Louis [i.e., Ludwig] van Beethoven. BL h.376.(9.)

7/9/1804 W. P. Russell A new patriotic song, called The Bloody Flag, or, Death to the French Invaders.

10/9/1804 Clementi, Banger, Hyde, Collard & Davis A Grand Quartett, for the Piano Forte, Violin, Tenor and Violoncello. Composed, and dedicated to His Royal Highness Prince Lewis Ferdinand of Prussia, by J[an] L[adislav] Dussek. Op. 53. BL h.308.(6.)

11/9/1804 William Hodsoll Jammie that’s coming from Sea. The much admired Scotch ballad. Written by Mr Upton. Composed by Mr [James] Sanderson, and sung with unbounded applause by Mrs [Maria Theresa] Bland at Vauxhall Gardens. BL H.1683.(18.), text begins ‘He’s torn awa’

11/9/1804 John Addison O! Jour charmant. A much admired ballad. Sung by Mrs [Maria Theresa] Bland at Vauxhall Gardens, with an accompaniment for the harp or piano forte. Written and composed by J[ohn] A[ddison]. BL H.1660.(7.)

11/9/1804 John Addison Cupid’s Frolic. A favorite ballad. As sung, with universal applause, by Mrs [Maria Theresa] Bland at Vauxhall Gardens. Written and composed by John Addison. BL H.1660.(9.), text begins ‘As Silvia tripp’d’

Entries from 1710 to 1810

531

15/9/1804 John Hamilton Three Sonatas for the Piano Forte, the adagios and rondos of select Scottish airs, with an accompaniment for the violin or ute. Composed by John Ross, Aberdeen. Op. 15. BL h.122.(33.)

15/9/1804 John Hamilton The Valley Of Clyde. A ballad set for the voice, with an accompaniment for the piano forte. Written by John Hamilton. Composed by John Ross, organist, Aberdeen. BL H.1681.(60.), text begins ‘Farewell ye loved streams’

15/9/1804 John Hamilton The Braes of Ballochmyle. Written by Robert Burns. Set for the voice, with an accompaniment for the piano forte. Composed by John Ross, Aberdeen. BL H.1681.(54.), text begins ‘The Catrine woods’

17/9/1804 Clementi, Banger, Hyde, Collard & Davis Twelve Exercises for the Voice, intended to facilitate the art of singing. By Vincenzo Righini, musician to the King of Prussia. Op. 10. BL H.2245.c.(5.)

19/9/1804 The Author Eighteen Favorite Preludes for the Piano Forte, set in the principal major and minor keys, with a cadence to each key. Composed, and
ngered for the improvement of performers in general, by J[ean] Jousse. BL h.1034.(2.)

20/9/1804 Charles Dibdin The Harmonic Preceptor. A didactic poem, in three parts [with musical examples]. Written by Mr [Charles] Dibdin. BL 78.g.10 and 643.k.11.(3.)

The Author [J.] Hewitt’s Grand March. Composed and arranged as a solo or duet. BL h.113.(36.)

25/9/1804

532

Music Entries at Stationers’ Hall

25/9/1804 The Author [J.] Hewitt’s Favorite Troop. Composed and arranged for the piano forte. BL h.113.(37.)

2/10/1804 Luke Proctor The Odd Trick, or Imperial Game at Whist. A favorite song, sung at the Corporation Feast, Shef
eld. The music by Luke Proctor. BL H.1679.(55.), text begins ‘While others on taxes’

Walter Turnbull 2/10/1804 Favorite air from a French comic opera, adapted for the piano forte by an eminent master.

8/10/1804 Charles Hodges Dame Durden. Chearful glee for three voices. As sung, with unbounded applause, at the Harmonic Society, Bristol.

12/10/1804 Walter Turnbull The Wish. A canzonet. As sung by Mrs [Maria Theresa] Bland, with the utmost applause. With an accompaniment for the piano forte. Dedicated to Mrs Dixon. Composed by G[eorge] F[rederick] Pinto.

18/10/1804 Walter Turnbull When thy Smiles and thy Transports I share. A canzonet. Sung, with the utmost applause, at the Northampton Musical Festival by Mrs [Sarah] Second. With an accompaniment for the piano forte or harp. Composed by E[dmund] Phelps. The words by the Rev. R. Roberts. BL H.1679.(30.)

Walter Turnbull 18/10/1804 Invocation to the Zephyr. A Canzonet. As sung, with the greatest applause, by Mrs [Sarah] Second. With an accompaniment for the piano forte or harp. Composed by E[dmund] Phelps. BL H.1679.(32.), text begins ‘Hither, gentle zephyr’

Entries from 1710 to 1810

533

19/10/1804 Robert Birchall Three Sonatas for the Piano Forte, with accompaniments for a violin and violoncello. Composed, and dedicated to His Excellency Count Starhemberg, by Leopold Kozeluch. Op. 50. BL h.287.(3.)

25/10/1804 George Thomas Smart The Æolus Frigate. A favorite dance. As performed at the Royal Fête given by Their Majesties at Weymouth on the 22nd September 1804, being the anniversary of His Majesty’s coronation. Composed, and arranged for the piano forte, by G[eorge] T[homas] Smart. BL h.123.(25.)

10/11/1804 Walter Turnbull Sapho to Phaon. From Ovid. A canzonet, with an accompaniment for the piano forte. Dedicated to Mrs Dixon. Composed by G[eorge] F[rederick] Pinto, and sung by Mrs [Sarah] Second at the Nobility’s Concerts.

Walter Turnbull 10/11/1804 Dear is my little native Vale. A canzonet, with an accompaniment for the piano forte. Composed, and dedicated to Mrs Dixon, by G[eorge] F[rederick] Pinto. As sung by Mrs [Sarah] Second at the Nobility Concerts. BL G.796.(26.)

12/11/1804 Charles Dibdin Poor Charles. Written and composed, as a tribute of respect to the memory of Mr [Charles] Bannister, by Mr [Charles] Dibdin, and sung by him at his new entertainment called The Frolic. BL H.1667.(33.)

13/11/1804 Walter Turnbull Love in a Storm. A ballad. Written by T[homas] Moore. The music composed by Mr [Augustus] Barry. BL H.1662.(16.), text begins ‘Loud sung the winds’

534

Music Entries at Stationers’ Hall

19/11/1804 Walter Turnbull L’Amour Timide. A canzonet, with an accompaniment for the piano forte. Composed by G[eorge] F[rederick] Pinto, and sung by Mrs [Sarah] Second at the Nobility’s Concerts.

19/11/1804 Broderip & Wilkinson Marche et Soirée du 26 Juillet. Composée, et dédiée à Lady Melville, par L[ouis] von Esch. BL h.284.(12.)

21/11/1804 The Author Air with Variations. By Miss Hoffman, professor of the pedal harp. Op. 7. GUL Special Collections Cb5-e.13

21/11/1804 Joseph Dale The Maid of Lodi. A favorite air. Arranged, as a rondo for the piano forte, by J[oseph] Dale. BL h.270.(4.)

21/11/1804 Christopher Gerock Ye Sons of Old England. A patriotic song. Written and composed, with an accompaniment for the piano forte, by John Oakey.

22/11/1804 Walter Turnbull Twelve Waltzes for the Piano Forte. Composed, and dedicated to Miss Ross Lewin, by J[ohn] Coulman. BL h.104.(26.)

26/11/1804 Walter Turnbull Come let us all a maying go. A glee for four voices. Composed by J[ohn] Coulman.

26/11/1804 Charles Dibdin The Perpetual Motion. A new song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Frolic. BL H.1667.(30.)

Entries from 1710 to 1810

535

26/11/1804 Charles Dibdin Tom Transom. A new song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Frolic. BL H.1667.(32.)

Charles Dibdin Questions in Mr [Charles] Dibdin’s Lectures. BL 558*.c.36.(2.)

26/11/1804

Edward Smith Biggs 3/12/1804 Where are you going, my pretty Maid. A song with an accompaniment for the harp or piano forte. Composed by Mr [Edward Smith] Biggs. BL H.1662.(48.)

3/12/1804 Charles Dibdin Wuishla ma cree. A new song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The Frolic. BL H.1667.(31.)

The Author T[homas] H[amley] Butler’s Musical Games. BL I.405

3/12/1804

6/12/1804 The Author Matrimony. A comic opera in two acts. As performed, with universal applause, at the Theatre Royal, Drury Lane. Written by James Kenney, Esq., and composed by M[atthew] P[eter] King. BL H.133.(2.)

Margaret Essex 10/12/1804 No. 3. Select Songs composed by Margaret Essex. Humid Seal of soft Affection. Respectfully inscribed to Miss White. BL H.1668.(22.)

536

Music Entries at Stationers’ Hall

10/12/1804 Margaret Essex No. 4. Select Songs composed by Margaret Essex, for the harp or piano forte. The Buttery. Respectfully inscribed to Miss Simeon. BL H.1668.(23.)

10/12/1804 Francis Rhames Ah say lovely Emma. A canzonet, with an accompaniment for the harp or piano forte. Composed by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(2.)

10/12/1804 Walter Turnbull An Original Air with Variations for the Piano Forte or Harp. By S[amuel] Hale. BL h.113.(4.)

J. Seagrave The Triumph of Music. A poem in six cantos. By William Hayley, Esq. BL 642.l.20

10/12/1804

12/12/1804 Anthony Soulby The Harmonist, or Musical Olio. A choice selection of new and much approved songs, also several Cumberland ballads. By Mr [Robert] Anderson. Bodleian Harding A 687 and Harding A 689 (1)

12/12/1804 The Author Twelve Waltzes for the Piano Forte or Harp, with an accompaniment for the violin. Composed, and dedicated to the Honourable Miss Jane Smith, by J[ohn] B[aptiste] Mayer. Op. 15. BL h.151.(3.)

Walter Turnbull 14/12/1804 When Fancy strews with fairy Flowers. A canzonet, with an accompaniment for the piano forte. By E[dmund] Phelps. BL H.1679.(33.)

Entries from 1710 to 1810

537

14/12/1804 Walter Turnbull Fanny. A canzonet, with an accompaniment for the piano forte or harp by G[irolamo] Masi. The words by the Rev. R. Roberts. BL H.1677.(36.)

18/12/1804 Goulding & Co. Laura et Lenza. A grand ballet, as performed at the King’s Theatre. [The ballet] composed by Monsieur [Charles-Louis] Didelot for Madame Hilligsberg’s bene
t. The music composed and arranged for the piano forte by C[esare] Bossi. BL h.103.(39.)

24/12/1804 Bland & Weller Duetto. Here shall soft Charity. [The words] from Joseph Craddock, Esq.’s Ode for the Leicester In
rmary. Sung by Mr [Samuel] Harrison and Mr [James] Bartleman at the Ancient Concerts, and by Mr [John] Braham and Mr T[homas] Welsh in the oratorios at the Theatre Royal, Covent Garden. Composed by William Boyce, Mus. Doc. BL H.1081.c.(3.)

29/12/1804 Edward Smith Biggs The Mad Wanderer. A favourite ballad. Written to a provincial melody by Mrs [Amelia] Opie. Harmonized and arranged by Mr [Edward Smith] Biggs.

31/12/1804 The Author A[ugustus] F[rederic] C[hristopher] Kollmann’s Concerto for the Piano Forte and an Orchestra, with the cadences. As performed by Master [George Augustus] Kollmann, at his
rst public appearance, in the grand concert for the New Musical Fund (Opera House) and at the Nobility’s Concerts. Op. 8. BL h.141.a.(8.) and h.277.(20.)

1/1/1805 Walter Turnbull Three Sonatas for the Piano Forte, in which are introduced marches, quick steps, waltzes and Scotch airs. Dedicated to Miss Patence and composed by G[eorge] F[rederick] Pinto. Op. 4. BL h.121.(22.) and h.723.jj.(14.)

538

Music Entries at Stationers’ Hall

3/1/1805 Charles Dibdin Songs, etc. in [The] New Year’s Gifts. A new entertainment of sans souci. Written, composed, spoken, sung and accompanied by Mr [Charles] Dibdin. BL 641.h.13.(8.)

4/1/1805 Jane M. Scott The Bouquet. A song composed and sung by Miss [Jane M.] Scott. The words by Mr Pincken.

Jane M. Scott 4/1/1805 Come Sweet Content. An admired rondo, with an accompaniment for the harp or piano forte. Composed and sung by Miss [Jane M.] Scott.

4/1/1805 Jane M. Scott Jack and Susan. A favorite ballad. Composed by Miss [Jane M.] Scott. Words by Mr Pincken.

9/1/1805 Broderip & Wilkinson Turn lovely Gwen, be Good and Kind. A Welsh sonnet. The poetry from [Edward] Jones’s Relicks of the Welsh Bards. The music composed by Robert Broderip. BL H.1663.(41.)

9/1/1805 Broderip & Wilkinson Blythe is the Bird who wings the plain. A Welsh sonnet. The poetry from [Edward] Jones’s Relicks of the Welsh Bards, etc. The music composed by Robert Broderip. BL H.1663.(40.)

9/1/1805 Broderip & Wilkinson When Thou tookest upon Thee to deliver Man. As sung by Mrs [Elizabeth] Billington in the Te Deum performed at the musical festival for the bene
t of the Bristol In
rmary. Composed by Robert Broderip. BL H.1663.(39.)

Entries from 1710 to 1810

539

9/1/1805 Joseph Dale & Son Thirty Thousand, or who’s the richest? A comic opera. As now performing, with unbounded applause, at the Theatre Royal, Covent Garden. The words by T[homas John] Dibdin. The music by Messrs [William] Reeve, [John] Davy, and [John] Braham. BL H.230.b.(4*.)

9/1/1805 Richard Phillips Songs for the Nursery. Collected from the works of the most renowned poets, and adapted to favorite national melodies.

12/1/1805 Charles Dibdin The Wife. A new song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The New Year’s Gifts. BL H.1667.(36.)

12/1/1805 Walter Turnbull Laura. A ballad, with an accompaniment for the harp or piano forte. By S[amuel] Hale. BL H.1671.(5.), text begins ‘In dreams by night’

12/1/1805 Walter Turnbull A Second Set of Twelve Waltzes for the Harp, Piano Forte, etc. Composed, and dedicated to Miss G. Nevill, by John Coulman. BL h.104.(26.a.)

16/1/1805 Leonard Benton Seeley Hail Sweet Content. For four voices. The words by a nobleman. Composed, and dedicated (by permission) to Lady Cornewall, by Louis Jansen. BL H.1673.(6.)

17/1/1805 Charles Dibdin Mistress Runnington’s Wig. A new song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The New Year’s Gifts. BL H.1667.(34.). and R.M.13.c.8.(79.)

540

Music Entries at Stationers’ Hall

19/1/1805 Joseph Dale & Son The favorite overture to Harlequin Quicksilver. As performing, with great applause, at the Theatre Royal, Covent Garden. Composed by John Davy. CUL MR260.a.80.226(7)

22/1/1805 Charles Dibdin The Sailor’s Will. A new song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The New Year’s Gifts. BL H.1667.(38.)

25/1/1805 Walter Turnbull The Damask Rose Girl. A ballad, with an accompaniment for the harp or piano forte. Composed by M[ontague] P. Corri. BL H.1666.(27.), text begins ‘Come buy my damask rose’

25/1/1805 Walter Turnbull Fair Spring, I hail thy Welcome here. A ballad, with an accompaniment for the harp or piano forte. Composed by M[ontague] P. Corri. BL H.1666.(29.)

26/1/1805 Richard Rhodes New Church Harmony. Being a collection of hymn tunes, anthems, etc., for the purpose of public or private devotion, adapted to the hymns written by the Rev. Joseph Proud. Originally composed for the use of York Street Chapel, St. James’s Square, Westminster, by Richard Rhodes. No. 1. BL E.431

26/1/1805 Charles Dibdin Discipline. A new song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The New Year’s Gifts. BL H.1667.(37.)

Entries from 1710 to 1810

541

28/1/1805 The Author A Sett of Psalm and Hymn Tunes with some select Pieces and an Anthem. Composed in a familiar style and
gured for the organ, piano forte, etc. By Thomas Clark, Canterbury. BL A.1230.i.(1.).and B.484.(1.)

29/1/1805 Broderip & Wilkinson The Distant Stars but faintly shine. For the harp or piano forte. Composed by Augustus Voigt. BL H.1686.(41.)

7/2/1805 George Thomas Smart Peace at Home. A new loyal glee, for four voices. Written by S[amuel] J[ames] Arnold. Composed, and dedicated (by permission) to His Royal Highness the Duke of Cambridge, by his most dutiful and obedient, humble servant, G[eorge] T[homas] Smart. BL E.270.(21.), text begins ‘Lo where her banner’

Charles Dibdin 12/2/1805 Songs, etc., in Heads or Tails. A new entertainment of sans souci. Written, composed, spoken, sung and accompanied by Mr [Charles] Dibdin. BL 641.h.13.(7.)

12/2/1805 Charles Dibdin Vive la Peste. A new song. Written and composed by Mr [Charles] Dibdin, and sung by him in his new entertainment called The New Year’s Gifts. BL H.1667.(35.)

12/2/1805 Walter Turnbull Three Duetts for Two Performers on one Piano Forte. Composed, and dedicated to Miss Neville and Miss Mary Ann Neville, by James Hook. Op. 107. BL h.114.(15.)

15/2/1805 Anton Radiger A Hint to the Fair. A new song. The music composed by A[nton] Radiger. BL H.1681.(9.), text begins ‘Would you ye fair’

542

Music Entries at Stationers’ Hall

15/2/1805 Anton Radiger A New Waltz for the Piano Forte, with an accompaniment for a violin. Composed by A[nton] Radiger. BL h.122.(2.)

18/2/1805 Joseph Dale & Son The Overture, Songs, Trios and Favorite Airs in the pantomime of Harlequin Quicksilver, as now performing, with universal applause, at the Theatre Royal, Covent Garden. The words by T[homas John] Dibdin. The music by J[ohn] Davy. BL H.132.(2.)

18/2/1805 Timothy Essex A Grand Duett for Two Performers on One Piano Forte, with accompaniments for two utes obligato, ad libitum. Composed for, and most respectfully inscribed to the Honourable Miss Winn, Miss Maria Winn, the Right Honourable Lord Headley, and the Honourable Mr Winn, by their much obliged, humble servant, Timothy Essex. Op. 9. BL h.109.(24.)

19/2/1805 William Hodsoll A Second Military Sonata for the Piano Forte. By S[tephen] F[rancis] Rimbault. BL h.275.(21.)

21/2/1805 Clementi, Banger, Hyde, Collard & Davis If in that Angel breast. A song, with an accompaniment for the piano forte. Composed by J[ohn] B[aptist] Cramer.

22/2/1805 Clementi, Banger, Hyde, Collard & Davis Three Sonatas for the Piano Forte, two of which have an accompaniment for violin or ute ad libitum. Composed, and dedicated to the Miss Grahams [i.e., the Misses Graham] of Kinross, by J[ohn] B[aptist] Cramer. Op. 31. BL h.366.(7.)

Entries from 1710 to 1810

543

4/3/1805 Robert Birchall The favorite ballet of La Belle Latière. As performed at the King’s Theatre, Haymarket. The music composed and arranged for the piano forte, with an accompaniment for the harp ad libitum, by D[aniel] Steibelt. CUL MRA.340.80.243

5/3/1805 The Author A Short and Easy Introduction to Vocal Music, calculated for the instruction of persons learning to sing. The whole explained on so familiar a plan that students of every capacity may, in a short period, comprehend every thing necessary. In
ve parts. By Robert Willoughby of the Theatres Royal, Drury Lane and the Haymarket. BL B.424, presumably this entry is for Nos. 1 and 2, as Nos. 3 and 4 entered on 20/4/1805

6/3/1805 Walter Turnbull Arthur O’Bradley’s Wedding. A comic song. Written by Mr Taylor and adapted by S[amuel] Hale. BL H.1671.(4.)

12/3/1805 Joseph Dale & Son A Characteristic Sonata, to the memory of General Sir Ralph Abercromby, K. B. BL h.270.(7.)

14/3/1805 Broderip & Wilkinson Absence. Hast thou not seen the blooming Rose. The poetry by Rosa Matilda, and printed with her permission. The music composed by Augustus Voigt. BL H.1686.(43.)

14/3/1805 Joseph Dale & Son Two Sonatas for the Piano Forte with the following airs introduced: ‘If a Body meet a Body’, ‘Sir David Hunter Blair’s reel’, ‘Jesse McPharlane’ and ‘The Chantreuse’. By D[aniel] Steibelt. Op. 62. BL h.301.(6.)

544

Music Entries at Stationers’ Hall

19/3/1805 Broderip & Wilkinson Le Trophée. A military divertimento. Composed, and dedicated to Sir Robert Wilson, by Augustus Voigt. BL h.128.(8.)

19/3/1805 George Guest A New Troop. Composed for the Wisbech Volunteer Band, and most respectfully inscribed to Lieutenant Colonel Rayner and of
cers of the corps [of Wisbech Volunteers], by George Guest. Adapted also for the piano forte. BL h.129.(4.)

25/3/1805 Clementi, Banger, Hyde, Collard & Davis Out of Place, or The Lake of Lausanne. A favourite operatic romance. Performed, with unbounded applause, at the Theatre Royal, Covent Garden. Written by F[rederick] Reynolds, Esq. The music composed by Mr [William] Reeve and Mr [John] Braham. GUL Special Collections Cb6-e.8

William Hodsoll Give Ear to my Words, O Lord. An anthem. By S. Haslehurst. BL H.1671.(36.)

4/4/1805

4/4/1805 William Hodsoll A Sonata for the Piano Forte, in which is introduced the favorite air of The Maid of Lodi. Composed, and dedicated to Miss Barnard, by S[tephen] F[rancis] Rimbault. BL h.275.(30.)

4/4/1805 William Dance A Sonata for the Piano Forte, in which is introduced the national air of Hearts of Oak. Composed, and respectfully inscribed to the Right Honourable Lady Anne Beresford, by William Dance, musician in ordinary to His Majesty. Op. 4. BL h.107.(8.)

Entries from 1710 to 1810

545

9/4/1805 John Davies The Lord of the Castle. A romantic ballad, for three voices. As sung at the Theatre Royal, Covent Garden, by Signora [Anna Selina] Storace, Mr [John] Braham and Mr [Henry] Denman, also by the gentlemen at the Glee Club. Most respectfully dedicated to His Royal Highness the Prince of Wales. [By I. D’Winter.] BL H.1688.(43.)

9/4/1805 John Jones Ah, Pleasing Scenes. A glee for four voices, with an accompaniment for the piano forte. Composed, and humbly dedicated (by permission) to Her Royal Highness the Princess of Wales, by John Jones. BL E.270.(13.)

17/4/1805 Clementi, Banger, Hyde, Collard & Davis A Collection of Vocal Duets, part of which have an accompaniment for the piano forte. Composed by eminent professors. No. 1. GUL Special Collections N.b.10

Robert Willoughby 20/4/1805 A Short and Easy Introduction to Vocal Music. [By Robert Willoughby.] Nos. 3 and 4. BL B.424

26/4/1805 George Thomson A Select Collection of Original Scottish Airs for the Voice, with Introductory and concluding Symphonies and accompaniments for the piano forte, violin and violoncello by [Joseph] Haydn, with select and characteristic verses both Scottish and English adapted to the airs, including upwards of one hundred new songs by [Robert] Burns. Vol. 4. CUL MR290.a.75.6

6/5/1805 Clementi, Banger, Hyde, Collard & Davis A Bird in the Hand is worth Two in the Bush. A ballad, with an accompaniment for the piano forte. Composed by Mr [William] Reeve. BL H.1681.(31.)

546

Music Entries at Stationers’ Hall

9/5/1805 William Hodsoll A Medley Overture for the Piano Forte, in which is introduced popular airs. Arranged by S[tephen] F[rancis] Rimbault. BL h.275.(31a.)

William Hodsoll Off she goes. A popular air. Arranged as a rondo by S[amuel] Wesley. BL h.286.(18.)

9/5/1805

William Hodsoll 9/5/1805 Ned Grogan, or Two Heads are better than One. The much admired Irish song. Sung by Mr Slader, with universal applause, in the pantomime called Laugh and Lay Down, or Harlequin, King of Spades. Now performing at Astley’s Amphitheatre. Composed by J[ames] Sanderson. BL H.1683.(27.)

9/5/1805 William Hodsoll The much admired Echo Overture to the new allegorical pantomime, written by Mr [John] Astley Jr, called Laugh and Lay Down, or Harlequin, King of Spades. Now performing, with unbounded applause, at Astley’s Royal Amphitheatre, Westminster Bridge. Composed, and arranged in a familiar style for the piano forte, by J[ames] Sanderson. GUL Special Collections Cb4-d.16

9/5/1805 Robert Birchall A Grand Sonata for the Piano Forte, with an accompaniment for the violin obligato. Composed by Louis [i.e., Ludwig] van Beethoven. Op. 47. BL h.376.(14.)

11/5/1805 Anton Radiger The New born Spring. A song in the strain of a Polonese. Written by Pierce Edgcumbe, Esq. Set to music, and respectfully inscribed to Miss Ann Hope, by A[nton] Radiger. BL H.1681.(5.), text begins ‘Where storms’

Entries from 1710 to 1810

547

15/5/1805 The Author Three Favorite Waltzes for the Piano Forte. Composed and arranged by Ann Valentine. BL h.282.(2.)

15/5/1805 William Hodsoll Orphan Mary, or The Strawberry Girl. A much admired pathetic ballad. Sung by Mrs Herbert in the pantomime called Laugh and Lay Down, or Harlequin, King of Spades, performing, with universal applause, at Astley’s Royal Amphitheatre, Westminster Bridge. Composed by J[ames] Sanderson. BL H.1683.(28.), text begins ‘My guileless heart’

15/5/1805 Clementi, Banger, Hyde, Collard & Davis A Collection of Vocal Duets, part of which have an accompaniment for the piano forte. Composed by eminent professors. [A subsequent number to that entered on 17/4/1805.] GUL Special Collections N.b.10

Thomas Preston 16/5/1805 Six admired Scotch Airs. Arranged as rondos for the piano forte, with an accompaniment for the violin and ute, by Dr [Joseph] Haydn. GUL Special Collections Ca12-y.46

17/5/1805 Hime & Son Say pretty weeping Figure. A ballad. Set to music, with an accompaniment for the piano forte, by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(12.)

17/5/1805 Hime & Son I mark not Eyes. An answer to Mr [William] Shield’s favorite ballad of Mark’d you her Eye of heavenly Blue. Composed, with an accompaniment for the piano forte, by Sir J[ohn] A[ndrew] Stevenson. BL H.1273.(6.)

548

Music Entries at Stationers’ Hall

17/5/1805 Hime & Son Sweet Minstrel Sing. An answer to [Thomas] Moore’s celebrated song of Good Night. Composed, with an accompaniment for the piano forte or pedal harp, by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL G.426.dd.(28.)

John Crotch and William Crotch 20/5/1805 No. 3 of Original Airs in Various and Familiar Styles for the Piano Forte. Composed by John [Crotch] and William Crotch. CUL MR340.a.80.16(4)

31/5/1805 William Hodsoll The two favorite Marches in the new grand pantomime called Laugh and Lay Down, or Harlequin, King of Spades. Now performing, with universal applause, at Astley’s Royal Amphitheatre, Westminster Bridge. Composed, and arranged for the harp or piano forte, by J[ames] Sanderson. BL h.123.(2.)

William Hodsoll 31/5/1805 The much admired Pas Seul danced by Mrs Wybrow, with universal applause, in the new grand pantomime called Laugh and Lay Down, or Harlequin, King of Spades. Now performing at Astley’s Royal Amphitheatre, Westminster Bridge. Composed, and arranged for the harp or piano forte, by J[ames] Sanderson. BL h.123.(2.)

1/6/1805 Broderip & Wilkinson Marche Turque, Roxelane, et la Montagniarde. Three favorite pieces, with accompaniments for a harp and ute. Composed, and respectfully dedicated to Miss Howard of Ashtead Park, by Louis von Esch. BL h.284.(22.)

1/6/1805 Joseph Dale Jr Three Grand Sonatas for the Piano Forte, with or without additional keys. Composed by D[aniel] Steibelt. Op. 63. BL h.301.(7.)

Entries from 1710 to 1810

549

5/6/1805 Leonard Benton Seeley No. 1 of Devotional Harmony. The words selected [by Leonard Benton Seeley] from the various collections of psalms and hymns in general use, the music from the most eminent composers, ancient and modern, with many new pieces composed on purpose for this work. The whole arranged for three or four voices, with the organ part written in full instead of
gures, by Louis Jansen. BL C.488

12/6/1805 William Hodsoll The Cowkeeper’s Dance, and The March of the King of Clubs in the new grand pantomime called Laugh and Lay Down, or Harlequin, King of Spades. Now performing, with unbounded applause, at Astley’s Royal Amphitheatre, Westminster Bridge. Composed by J[ames] Sanderson. BL h.123.(2.)

12/6/1805 William Hodsoll Three Favorite Comic Airs selected from the pantomime of Laugh and Lay Down, or Harlequin, King of Spades. Now performing, with unbounded applause, at Astley’s Royal Amphitheatre, Westminster Bridge. Composed by J[ames] Sanderson. BL h.123.(2.)

13/6/1805 Hime & Son Sir John [Andrew] Stevenson’s celebrated glee of Come unto these yellow Sands. Adapted as a rondo for the piano forte, and dedicated to the author [i.e., to John Andrew Stevenson] by S[amuel] Webbe Jr. BL h.286.(12.)

Walter Turnbull 13/6/1805 From thy Arms, my dear Fanny. A favorite ballad. Composed by E[dmund] Phelps. BL H.1679.(31.)

14/6/1805 Joseph Dale & Son A Grand Concerto à la Chasse. As performed by the author, with the utmost applause, at the Opera Concerts. Composed by D[aniel] Steibelt. GUL Special Collections Ca11-b.1

550

Music Entries at Stationers’ Hall

26/6/1805 Broderip & Wilkinson Echos and Air sylphes. A grand duo, for two performers on the piano forte. Composed by L[ouis] von Esch. BL h.284.(15.)

27/6/1805 Walter Turnbull Gently blow ye breezy Gales. A duet for two soprano or tenor voices. As sung, with applause, at the private concerts. Composed by E[dmund] Phelps. BL H.1679.(29.)

3/7/1805 The Author Valentine’s Morning. A glee for three voices. Composed, and most respectfully inscribed to the Right Honourable the Lady Viscountess Dungannon, by William Cahusac, one of the children of His Majesty’s Chapel Royal. BL H.1665.(3.), text begins ‘Ah whither so early’

4/7/1805 The Author A Second Troop. Composed for the Wisbech Volunteer Band, and most respectfully inscribed to Major Edes and of
cers of the corps [of Wisbech Volunteers]. By George Guest. Adapted also for the piano forte. BL h.129.(6.)

4/7/1805 John Peter Salomon Six English Canzonets with an accompaniment for the piano forte. Composed, and most humbly dedicated to the Queen (with Her Majesty’s most gracious permission), by John Peter Salomon. BL H.1683.(13.)

9/7/1805 James Peck No. 2 of [James] Peck’s Quarterly Collection of Sacred and Moral Music, for the voice, organ, piano forte, etc. Consisting chiey of original pieces by various authors. BL B.1175.xx

Entries from 1710 to 1810

551

11/7/1805 William Hodsoll What a mighty
ne Thing to be Vested with Power. The favorite song. Sung, with universal applause, by Mr Slader in the new grand spectacle called The London Apprentice, or The Seven Towers of Constantinople. Now performing at the Royal Amphitheatre, Westminster Bridge. Composed by J[ames] Sanderson. BL H.1683.(24.)

11/7/1805 William Hodsoll Like Mistress like Maid. The much admired comic ballad. Sung by Mrs Ridgeway in the new grand spectacle called The London Apprentice, or The Seven Towers of Constantinople. Now performing at the Royal Amphitheatre, Westminster Bridge. Composed by J[ames] Sanderson. BL H.1683.(23.)

11/7/1805 William Hodsoll When the Moon illumes the Sky. The favorite pirates glee. Sung, with universal applause, by Messrs Isaacs, Dickenson and Fox in the new grand spectacle called The London Apprentice, or The Seven Towers of Constantinople. Now performing at Astley’s Royal Amphitheatre, Westminster Bridge. Composed by J[ames] Sanderson.

11/7/1805 William Hodsoll When Persia’s Shore I bade adieu. A much admired ballad. Sung by Mrs Ridgeway in the new grand spectacle called The London Apprentice, or The Seven Towers of Constantinople. Now performing at the Royal Amphitheatre, Westminster Bridge. Composed by J[ames] Sanderson. BL H.1683.(26.)

The Author 12/7/1805 A favourite Quick March in score for a Military Band. Also arranged for the piano forte. Composed for the Sixth Regiment, Loyal London Volunteers, and respectfully dedicated to Lady Blizard by W[illiam] H[enry] Cutler. BL h.105.(26.)

15/7/1805 The Author Two Psalm Tunes, in four parts. Adapted for the organ, piano forte, etc. By Samuel Stanley. BL H.1683.(82.)

552

Music Entries at Stationers’ Hall

15/7/1805 Henry Hamilton The Duke of York’s New March for the Harpsichord or Piano Forte, Two Violins or Two Flutes. Composed by H[enry] Hamilton, and published by permission of His Royal Highness the Duke of York. BL h.113.(6.)

26/7/1805 The Author The Gold
nch. A song. Written by [William] Cowper. Set to music, and respectfully inscribed to Miss Ann Hope, by A[nton] Radiger. BL H.1681.(6.), text begins ‘Time was’

1/8/1805 William Hodsoll Jockey and Jenny. The much admired Scotch ballad. Written by Mr Upton. Composed by J[ames] Sanderson and sung, with universal applause, by Mrs [Maria Theresa] Bland at Vauxhall Gardens. BL H.1683.(20.)

1/8/1805 William Hodsoll When
rst my Master talked of Sea. The favorite song. Sung, with universal applause, by Mr [Richard] Johannot in the new grand spectacle called The London Apprentice, or The Seven Towers of Constantinople. Now performing at the Royal Amphitheatre, Westminster Bridge. Composed by J[ames] Sanderson. Written by Mr [John] Astley Jr. BL H.1683.(25.)

1/8/1805 William Hodsoll The much admired Overture to the new grand spectacle called The London Apprentice, or The Seven Towers of Constantinople. Now performing, with unbounded applause, at Astley’s Royal Amphitheatre, Westminster Bridge. Composed, and arranged for the piano forte, by J[ames] Sanderson. Op. 23. BL h.123.(3.)

28/8/1805 The Author Jesus the Conqueror Reigns. Composed for the voice, organ and piano forte by W. Fairbridge.

Entries from 1710 to 1810

553

9/9/1805 The Author Dedicated to His Majesty. The Loyal Briton’s Pocket Companion, consisting of national songs, loyal toasts and sentiments, sonnets to be used before and after an engagement with the enemy, with a variety of other pieces. For the use of the Army and Navy, and recommended to the gentlemen volunteers and valiant seamen throughout the united British Empire. By R[obert] Coleman. BL 11622.aaa.14

Edward Smith Biggs Directions for Using the Musical Cards.

10/9/1805

17/9/1805 Edward Smith Biggs The favorite song of Come my Lads, Time posts away, with an accompaniment for the piano forte. The music altered from an old melody with additions by Mr [Edward Smith] Biggs. BL H.1662.(51.)

G. Flesher The sailor tune, Hearts of Oak. Composed on the East Cliff, Ramsgate.

17/9/1805

23/9/1805 W. H. Collard I told my Nymph. A favorite song, with an accompaniment for the piano forte. Composed by an amateur. BL H.1250.(41.)

30/9/1805 John Wilson Alcanzor and Zaida. A favorite canzonet. Sung by Mrs [Maria Theresa] Bland, with universal applause, at the Theatre Royal, Drury Lane. Composed by S[tephen] F[rancis] Rimbault. BL H.1681.(40.)

3/10/1805 The Author Hymns and Spiritual Songs. Book fourth. Composed on divers subjects. Designed for private, family and public worship by Isaac Watts, D.D. Compiled and arranged by J[ohn] Dobell, at the request of the late Rev. E. Ashburton, A.M. BL H.1250.(41.)

554

Music Entries at Stationers’ Hall

3/10/1805 Goulding & Co. Tell her I’ll love her. A ballad. Sung by Mr [Charles] Incledon in his new entertainment of The Songster’s Jubilee. Composed by William Shield, musician in ordinary to His Majesty. Bodleian Mus. Voc. I, 51 (70)

8/10/1805 Joseph Dale My Mother. A favorite song, as sung at the public and private concerts. Taken from Original Poems, for Infant Minds [written chiey by Jane Taylor and Ann Taylor]. Published by permission. Composed by Joseph Dale. BL H.1667.(8.)

16/10/1805 The Author A Set of Psalm and Hymn Tunes with Symphonies and an Instrumental Bass. Adapted for the use of parochial or country choirs, and
gured for the organ, piano forte, etc. Composed by Thomas Clark, Canterbury.

7/11/1805 Walter Turnbull Three Duetts for Two Violins Obligato. Composed, and dedicated to his friend Dr Faulkner, by Geo[rge] Fred[erick] Pinto. Op. 5. GUL Special Collections Cb5-f.54–55

Joseph Woel and Lavenu & Mitchell 12/11/1805 No. 1. Les Soirées Amusantes. {This number contains: The favorite Tamborine Dance. As danced by Madamoiselle Parisot at the Theatre Royal, Drury Lane; and The Finale in the grand ballet of Terpsichore’s Return composed by Mr [James Harvey] D’Egville. The music by J[oseph] Woel.} GUL Special Collections Cb3-d.18

Joseph Woel and Lavenu & Mitchell 21/11/1805 Three Sonatas for the Piano Forte, in which are introduced the favorite Scotch airs of O Nanny wilt thou gang with me, and Roy’s Wife. Composed by Joseph Woel. Op. 35. BL h.278.(4.)

Entries from 1710 to 1810

555

22/11/1805 James Longhurst The Hero of the Sea, or Nelson Immortal. Written by Mr Upton. The music composed by H. B. Schroeder. BL H.1683.(33.), text begins ‘Genius of Britain’

Joseph Woel and Lavenu & Mitchell 22/11/1805 No. 1. Les Soirées Amusantes. {This number contains: The Grand March and Pan’s Pantomimic Dance. As performed at the Theatre Royal, Drury Lane, in the grand ballet of Terpsichore’s Return composed by J[ames Harvey] D’Egville. The music by J[oseph] Woel.} GUL Special Collections Cb3-d.18

22/11/1805 The Author Gallant Nelson, or Death and Victory. Written and composed by Mr [D. N.] Beckman. BL H.1662.(21.), text begins ‘Again the loud notes’

22/11/1805 The Author The Death of Nelson, or Jack Kelson’s Description of his Admiral. Written and composed by Mr [D. N.] Beckman. BL H.1662.(20.), text begins ‘Oft have I seen’

25/11/1805 The Author Select Songs. No. 7. Composed by Margaret Essex. Cupid’s Dismissal. Respectfully inscribed to Miss St Quentin. BL H.1668.(25.)

25/11/1805 Clementi, Banger, Hyde, Collard & Davis Have you forgot the Masquerade. Sung by Miss [Maria Theresa] de Camp in The Weathercock. As performed at the Theatre Royal, Drury Lane. Written by Mr [John Till] Allingham. Composed by M[atthew] P[eter] King. BL H.1220.(38.)

556

Music Entries at Stationers’ Hall

25/11/1805 Clementi, Banger, Hyde, Collard & Davis Far, far from me my Lover ies. Sung by Miss [Maria Theresa] de Camp in The Weathercock. As performed at the Theatre Royal, Drury Lane. Written by Mr [John Till] Allingham. Composed by M[atthew] P[eter] King. BL H.1220.(37.)

26/11/1805 Joseph Dale & Son My Heart with Love is beating. A favorite ballad. Introduced at the Theatre Royal, Drury Lane in the opera of The Siege of Belgrade. Adapted with an accompaniment for the piano forte or harp. Written by T[homas John] Dibdin, and sung by Mr [John] Braham. BL H.1250.(61.)

29/11/1805 The Author Select Songs. No. 6. Composed by Margaret Essex. The Lovers Address. Respectfully inscribed to Mrs John Ofey. The poetry written by Mr R. A. Davenport. BL H.1668.(24.)

Graeme Spence 29/11/1805 Galloway House. A new Scotch song. Written and set by G[raeme] S[pence]. BL H.1683.(1.)

Ann Pierce A new song. Nelson captured on the Sea. Written by a lady. BL H.1250.(60.), text begins ‘My lads, come join with me to sing’

6/12/1805

7/12/1805 The Author England expects each Man to do his Duty. A song on Lord [Horatio] Nelson’s late victory. The words by Pierce Edgcumbe, Esq. Set to music by Anton Radiger. BL H.1681.(11.)

17/12/1805 Clementi, Banger, Hyde, Collard & Davis A Third Grand Concerto for the Piano Forte, with accompaniments for a full orchestra. Composed, and dedicated to his friend J[ohn] B[aptist] Cramer, by Joseph Woel. Op. 32. BL h.278.(3.)

Entries from 1710 to 1810

557

23/12/1805 Francis Rhames Pleasing Deception. A ballad, with an accompaniment for the piano forte. Composed, and inscribed to Miss Doyne, by T[homas] Philipps. BL H.2211.(2.)

23/12/1805 Francis Rhames The Forsaken Lover. A cavatina. Composed in imitation of the style of [Peter] Winter, and inscribed to his friend Signor F[rancesco] Bianchi, by T[homas] Philipps. BL H.2211.(3.)

23/12/1805 Francis Rhames Beauty blooms on every Thorn. A ballad, with an accompaniment for the piano forte. Composed, and inscribed to Miss Hemsworth, by T[homas] Philipps. BL H.2211.(4.)

Anton Radiger King George and Liberty. A loyal song. Set to music by Anton Radiger. BL H.1681.(7.), text begins ‘Ye free born hearts’

6/1/1806

10/1/1806 Robert Birchall A Duett for the Harp and Piano Forte, or Two Harps. Composed by [Martin] P[ierre] Dalvimare. Op. 22. BL h.107.(2.)

10/1/1806 Robert Birchall Fantaisie with a Pas Russe for the Harp. Composed by [Martin] P[ierre] Dalvimare. Op. 24. BL h.107.(4.)

Joseph Woel and Lavenu & Mitchell 11/1/1806 La Surprise de Diane, ou Le Triomphe de l’Amore. A favorite ballet. As performed at the King’s Theatre, Haymarket. Composed, and arranged for the piano forte, by J[oseph] Woel. The ballet by Monsieur [Joseph] Rossi. BL h.278.(1.)

558

Music Entries at Stationers’ Hall

Joseph Woel and Lavenu & Mitchell 11/1/1806 No. 6. Les Soirées amusantes. {This number contains: Mademoiselle Parisot’s 2nd Hornpipe, as danced by her at the King’s Theatre, Haymarket. The music composed, and arranged as a rondo for the piano forte, by J[oseph] Woel.} BL h.60.i.(14.)

18/1/1806 Goulding & Co. Marche et Valse pour le Piano Forte. Composées à Salisbury, chez Mr Baker, par Louis von Esch. BL h.284.(2.)

18/1/1806 Goulding & Co. When Henry died. A favorite ballad. Composed by Mr [Venanzio] Rauzzini, and sung at his Bath concerts by Mrs [Mary] Ashe, with unbounded applause. The words by G. F. Williams, Esq. BL H.1681.(12.), text begins ‘One fatal hour’

Robert Birchall Scène. For the Harp. Composed by [Martin] P[ierre] Dalvimare. Op. 24. BL h.107.(5.)

21/1/1806

21/1/1806 Broderip & Wilkinson An Introduction, and Rule Britannia, with Variations. Arranged for two performers on the piano forte by Louis von Esch. BL h.284.(16.)

21/1/1806 Charles Evans Epicedium on the Death of Lord Viscount Nelson. Set to music, at the express desire of the author of the words, by Charles Evans, organist at St Laurence, Ludlow, and late of St Paul’s, Covent Garden. BL H.1668.(37.)

27/1/1806 Broderip & Wilkinson An Andante, and l’Après Diner. For the Piano Forte. Composed by Louis von Esch. BL h.284.(4.)

Entries from 1710 to 1810

559

30/1/1806 Frederick Schirmer The favorite song in the celebrated opera, Die drei Freier (The Three Suitors). Performed at the German Theatre [Leicester Place, Leicester Square]. Arranged for the piano forte, with an English poetical translation of the original words. BL H.1250.(3.), text begins ‘Nein länger geht es nicht’

31/1/1806 The Author A Third or Grand Bugle Horn Troop. Composed for clarinets, utes, horns, bassoons, serpent, bugle horn, side drums and bass drum, with an adaption for the piano forte, and most respectfully inscribed to Edward Everard, Esq., lieutenant colonel, commandant of the First Regiment of Norfolk Volunteer Infantry, by George Guest, organist of Wisbech. BL h.129.(7.)

5/2/1806 The Author Twelve Easy Sonatinas for the Piano Forte or Harpsichord. Adapted to the improvement of young practitioners. Composed by George Nicholson. Op. 1. BL h.120.(16.)

13/2/1806 William Walsh Long Life is sure a Blessing, Sir. A celebrated new song. The words by A. Macclaren. Set to music by William Walsh, late of His Majesty’s Chapels Royal. BL H.1688.(9.)

17/2/1806 The Author Le Retour des Vendangeurs. A pastoral for the piano forte or harp, with accompaniments for a violin and violoncello. Composed by John Alexander Ireland. BL h.115.(2.)

22/2/1806 John Wilson A Favorite Sonata for the Piano Forte, with an accompaniment for a violin or German ute. Composed by Mr [James] Hook. BL h.114.(14.)

560

Music Entries at Stationers’ Hall

22/2/1806 Joseph Elouis The Earl of Moira’s Welcome to Scotland. A favorite strathspey, with variations for the harp or piano forte. Composed, and respectfully dedicated (by permission) to the Right Honourable the Countess of Loudoun and Moira, by J[oseph] Elouis. BL h.109.(13.)

27/2/1806 George Eugene Grif
n Military Rondo for the Piano Forte. Composed, and dedicated to Miss Lind, by George Eugene Grif
n. BL h.281.(7.)

27/2/1806 The Author A Sonata for the Piano Forte. Composed, and respectfully dedicated to Her Grace the Dutchess of St Albans, by George Eugene Grif
n. Op. 2. BL e.108.(6.)

27/2/1806 The Author A Concerto for the Piano Forte, with accompaniments for a full orchestra. Performed by the author at the Opera concert rooms, etc. Composed and dedicated to Mr J[ohn] B[aptist] Cramer, by his pupil, George Eugene Grif
n. Op. 1. BL h.1203.rr.(1.) [piano part] and h.281.(6.) [orchestral parts]

4/3/1806 J. Wragg [J.] Wragg’s Improved Flute Preceptor, or The Whole Art of Playing the German Flute rendered perfectly easy to every Capacity, on principles entirely new, and by which anyone who has a taste for music may soon acquire a knowledge of that instrument, without the aid of a master. Op. 6. BL h.1155.a.(1.)

4/3/1806 Broderip & Wilkinson Three Progressive Sonatas for the Piano Forte. Composed by Louis von Esch. Op. 16. BL

Entries from 1710 to 1810

561

4/3/1806 Broderip & Wilkinson Turn Holy Father. A glee for four voices. As sung, with the greatest applause at Messrs Harrison, Bartleman and Greatorex’s Vocal Concerts, by Mrs Vaughan, Mrs Dickons, Mr Harrison and Mr Bartleman. Composed, and respectfully dedicated to the Honourable John Spencer, by Dr John Clarke of Cambridge. BL E.270.(9.)

5/3/1806 William Power & Co. Six Waltzes for the Piano Forte. Composed, and dedicated to Lady Cathcart, by W[illiam B.] de Krifft. Set 1st.

5/3/1806 William Power & Co. Six Waltzes for the Piano Forte. Composed, and dedicated to his friend Dr [Philip] Cogan, by W[illiam B.] de Krifft. Set 2nd. BL h.116.(26.)

5/3/1806 William Power & Co. A Sonata for the Piano Forte, containing a Capriccio and Russian Air. Composed, and dedicated to Sir J[ohn] A[ndrew] Stevenson, by W[illiam B.] de Krifft. BL h.116.(27.)

5/3/1806 John Fletcher A Collection of Original Psalm Tunes for Three and Four Voices, in the usual Measures. By Samuel Webbe Sr and [Samuel Webbe] Jr. Adapted for the use of congregations. BL H.2815.i.(8.)

Joseph Woel and Lavenu & Mitchell 12/3/1806 Six English Songs. Composed, and dedicated to Madame [Jane] Bianchi, by J[oseph] Woel. BL H.1688.(46.)

21/3/1806 Broderip & Wilkinson Introduction, Aria and La Dewindt Fantasy, for the Piano Forte. Composed, and dedicated to his friend Peter Dewindt, Esq., by Louis von Esch. BL h.284.(3.)

562

Music Entries at Stationers’ Hall

28/3/1806 The Author Hamlet’s Letter to Ophelia. A canzonet. [The words by William Shakespeare.] Composed with an accompaniment for the piano forte, and respectfully dedicated (by permission) to John Philip Kemble, Esq., by William Russell, organist of the Foundling Hospital and St Ann’s, Limehouse. BL H.1681.(75.)

28/3/1806 Hime & Son The Loyal Tinker. A much admired song. Sung, with unbounded applause in London, Dublin and Liverpool, by Mr [Richard] Johannot. The words written by William Meredith Beddard of Liverpool. BL H.1250.(16.), text begins ‘A tinker here am I’

29/3/1806 The Author A Second Set of Psalm and Hymn Tunes, with some select pieces composed in a familiar style and
gured for the organ, piano forte, etc. By Thomas Clark, Canterbury. BL A.1230.i.(2.) and B.484.(2.)

29/3/1806 Robert Birchall A Musical Grammar, in four parts: I. Notation. II. Melody. III. Harmony. IV. Rhythm. By Dr [John Wall] Callcott, organist of Covent Garden church. BL 236.f.8 and 1042.e.20

Joseph Woel and Lavenu & Mitchell 31/3/1806 A Grand Sonata for the Piano Forte. Composed, and dedicated to Mrs [Charlotte Augusta] Oom, by J[oseph] Woel. Op. 36. BL h.278.(5.)

16/4/1806 Broderip & Wilkinson Weep no more. Duo, for a soprano (or tenor) and bass. As sung by Messrs [Samuel] Harrison and [James] Bartleman at their Vocal Concerts. Composed, and respectfully dedicated to Miss Allott, by Dr John Clarke of Cambridge. BL E.270.(7.)

Entries from 1710 to 1810

563

16/4/1806 Walter Turnbull The Tomb of the Brave. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr [Thomas John] Dibdin. Composed by W[illiam] Reeve. BL H.1681.(21.), text begins ‘Brave spirits of Albion’

18/4/1806 John Baptist Cramer Serenade for the Piano Forte, with accompaniments for harp and ute ad libitum. Composed, and dedicated to the Right Honourable Lady C[harlotte] Nelson, by J[ohn] B[aptist] Cramer. BL e.106.(2.)

18/4/1806 Walter Turnbull Twinkle, Twankle, Twink. Sung by Miss [Sarah] Tyrer at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(22.), text begins ‘When gallant knights and ladies’

Walter Turnbull 19/4/1806 Whoop’d among the Lasses. A favorite coming song. Sung by Mr [Joseph Shepherd] Munden at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(23.), text begins ‘When yet was a boy’

19/4/1806 Walter Turnbull Dido. A favorite comic song. Sung by Mr [John] Fawcett at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(26.), text begins ‘The Grecians came running to Troy’

21/4/1806 Walter Turnbull If happy the Mortal. A favorite duett. Sung by Mr [James] Hill and Mr Taylor at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(18.)

564

Music Entries at Stationers’ Hall

22/4/1806 Walter Turnbull The Farewell. Duetto. Sung by Mr Taylor and Miss [Sarah] Tyrer, at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr Thomas [John] Dibdin. Composed by William Reeve. BL H.1681.(19.), text begins ‘Mark, mark, mark, the quick retiring sun’

23/4/1806 Broderip & Wilkinson Bid me to live. A canzonet, with an accompaniment for the piano forte. The music composed, and respectfully inscribed to Miss Ommanney, by Reginald Spofforth. BL H.1683.(78.)

24/4/1806 Walter Turnbull Life’s Three Chapters. Sung by Mr [John] Fawcett at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(27.), text begins ‘That life’s a short history all of us know’

24/4/1806 Walter Turnbull Overture to the romantic drama of The White Plume, or The Border Chieftains. Performed at the Theatre Royal, Covent Garden. Composed by William Reeve. BL H.1681.(16.)

30/4/1806 Walter Turnbull The Cottage Roof. Sung by Mr Taylor at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(29.), text begins ‘Ne’er think, sweet girl’

30/4/1806 Walter Turnbull The Rose of Affection. Sung by Miss Davies at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(24.), text begins ‘The lilies were blowing’

Entries from 1710 to 1810

565

30/4/1806 Walter Turnbull The Border Meeting. Sung by Mr [John] Fawcett at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(17.), text begins ‘The folks are all off to the border’

30/4/1806 Walter Turnbull Love and Friendship. Sung by Miss Davies at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(28.), text begins ‘Love may deceive and maidens believe’

2/5/1806 Walter Turnbull Æolian Harmony. Sung by Mr [James] Hill at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Composed, and arranged for the harp and piano forte, by William Reeve. BL H.1681.(30.), text begins ‘Hark! hark! hark! harmony’

Walter Turnbull 2/5/1806 Laird Ronald’s Fall. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr [Thomas John] Dibdin. Composed by W[illiam] Reeve. BL H.1681.(25.), text begins ‘The smiling morn may light the sky’

3/5/1806 Walter Turnbull Simple Martha. Sung by Miss [Sarah] Tyrer at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(20.), text begins ‘Ah too simple Martha go cry’

The Author and Barker & Son 5/5/1806 The Three and the Deuce. A comic drama, in three acts. As performed at the Theatres Royal, Haymarket and Drury Lane. Written by Prince Hoare, author of Sighs, or The Daughter, Chains of the Heart, Indiscretion, Mahmoud, etc., etc. The music composed by Mr [Stephen] Storace. BL 643.f.12.(1.) and 643.g.11.(2.)

566

Music Entries at Stationers’ Hall

6/5/1806 Broderip & Wilkinson L’Automne. A characteristic divertimento for the piano forte, in which is introduced a hunting piece with an echo. Composed by G[irolamo] Masi. BL h.297.(9.)

8/5/1806 Nina d’Aubigny von Engelbrunner Weep no more. A song. The words from [Francis] Beaumont and [John] Fletcher. The music by Nina d’Aubigny von Engelbrunner. BL H.1668.(18.)

8/5/1806 Walter Turnbull Trio. Sung by Mr Fawcett, Mr Blanchard and Miss Tyrer, at the Theatre Royal, Covent Garden in the romantic drama of The White Plume. Written by Mr T[homas John] Dibdin. Composed by William Reeve.

15/5/1806 Joseph Dale & Son A Pastoral, a Rondo, and a March for the Harp. Dedicated (by permission) to the Right Honourable Lady Charlotte Nelson. Composed by Miss [E.] Jackson. BL h.115.(4.)

15/5/1806 John Wilson Do Fame’s loud Echoes. The favorite new duett. As introduced at the Theatre Royal, Drury Lane by Mr [John] Braham and Mrs [Rosemond] Mountain in the opera of The Cabinet. Composed by Mr [John] Braham. The words by R[ichard] Cumberland, Esq. Arranged for the piano forte by P[hilip] A[ntony] Corri.

20/5/1806 The Author A New Theory of Musical Harmony, according to a complete and natural system of that science. By Augustus Frederic Christopher Kollmann, organist of His Majesty’s German Chapel at St James’s. BL 785.m.12

22/5/1806 Margaret Essex A Pollacca for the Harp or Piano Forte. Composed, and most respectfully dedicated to Miss Seymour of Cholmondeley House, by Margaret Essex. BL h.109.(26.)

Entries from 1710 to 1810

567

22/5/1806 Robert Birchall Four Russian Airs. Arranged and varied for the harp by [Martin] P[ierre] Dalvimare. Op. 25. BL h.107.(7.)

28/5/1806 Edward Smith Biggs O! Welcome, bonny Month of May. A ballad by Mrs [Amelia] Opie. Set to music by Mr [Edward Smith] Biggs. BL H.1662.(49.)

3/6/1806 Edward Smith Biggs A Fourth Set of Twelve Venetian Airs for the Voice, with original Poetry. Adapted [by Edward Smith Biggs], with an accompaniment for the harp or piano forte. The last six airs, which are arranged as duettos, may be sung by a single voice. BL G.388.a

5/6/1806 Joseph Elouis First Volume of a Selection of Favourite Scots Songs, with accompaniments for the harp or piano forte which may be performed on these instruments (either with the voice or without it) as familiar lessons. To which are added, several Airs with Variations. Composed, and respectfully dedicated (by permission) to the Right Honourable the Lady Montgomerie, by J[oseph] Elouis. BL I.371

5/6/1806 Joseph Dale & Son A Peep at the Forty Thieves, or Cuddy Clump’s
rst Visit to London. Written, and sung at the Theatre Royal, Covent Garden, with unbounded applause, by Mr [John] Emery. BL H.1250.(17.), text begins ‘Your pardon, kind gentlefolk, pray’

12/6/1806 Georg Johann Vollweiler The Woodland Hallo. Composed, and inscribed to Mr [Robert] Bloom
eld, author of The Farmer’s Boy, Wild Flowers, etc., etc., by Miss Nina d’Aubigny von Engelbrunner. BL H.1668.(19.)

568

Music Entries at Stationers’ Hall

The Author and Lavenu & Mitchell 13/6/1806 [Joseph] Woel’s Grand Duett for the Harp and Piano Forte. As performed at Mr [John Peter] Salomon’s and other concerts by the author [i.e., Joseph Woel] and Mr [François Joseph] Dizi. Dedicated to his friend, Mr [François Joseph] Dizi. BL h.278.(6.) and H.2815.(10.)

14/6/1806 Leonard Benton Seeley Devotional Harmony. Containing psalms and hymns selected from various authors and adapted to favorite tunes from the works of [George Frideric] Handel, [Martin] Luther, [Thomas] Ravenscroft, Jer[emiah] Clark[e], Drs [William] Croft, [William] Boyce and [Samuel] Howard, etc., by L[eonard] B[enton] Seeley. To which are added Twenty-
ve Original Tunes, composed on purpose for the work. The whole carefully arranged for three and four voices with the organ part in full. BL C.488, presumably a continuation of the work entered on 5/6/1805

3/7/1806 W. Hughes The Songs, Duets, Glees, Choruses, etc. in the new splendid melo-dramatic tale of enchantment called The Cloud King, or Magic Rose. Performed for the
rst time at the Royal Circus on Monday, June 30th 1806. GUL Temporary Storage Y5-f.3

10/7/1806 Walter Turnbull Ti Tum Ti. A comic ballad. Sung by Mr [John] Liston in the comedy of Five Miles Off, or The Finger Post. Written by Mr T[homas John] Dibdin. Composed by William Reeve. BL H.1681.(35.)

Walter Turnbull 10/7/1806 On the Hawthorn was owing. Sung in the comedy of Five Miles Off, or The Finger Post. Written by Mr T[homas John] Dibdin. Arranged for the harp or piano forte by W[illiam] Reeve. BL H.1681.(34.)

22/7/1806 Broderip & Wilkinson The Silver Horn. The celebrated hunting song in The Hunter of the Alps. Sung by Mrs [Fanny] Cooke. Composed by T[homas] S[impson] Cooke. BL H.1666.(19.)

Entries from 1710 to 1810

569

22/7/1806 Broderip & Wilkinson Overture, A la Chasse, to The Hunter of the Alps. As performed at the Theatre Royal in Crow Street [Dublin]. Composed by T[homas] S[impson] Cooke. BL H.1666.(18.)

Joseph Woel and Lavenu & Mitchell [Joseph] Woel’s March and Military Rondo for the Piano Forte. BL h.278.(1.)

4/8/1806

James Peck 6/8/1806 No. 3 of [James] Peck’s Quarterly Collection of Sacred and Moral Music, for the voice, organ, piano forte, etc. Consisting chiey of original pieces by various authors. Selected, arranged, engraved, printed and sold by James Peck. BL B.1175.xx

William Carnaby Strawberry Leaves. By William Carnaby, Mus. Doc. BL H.1274.(28*.), text begins ‘Where are you going’

6/8/1806

9/8/1806 Edward Smith Biggs Little Robin Red-breast sat upon a Tree. A song for the nursery, with an accompaniment for the piano forte. [Composed by Edward Smith Biggs.] BL H.1250.(11.)

12/8/1806 William Hodsoll Willie that dwells on the Banks of the Clyde. A much admired Scotch ballad. Written by Mr Upton. The music by G. Ware and sung, with universal applause, by Mrs [Maria Theresa] Bland at Vauxhall Gardens. BL H.2824.(40.), text begins ‘O sweet blow the owers’

18/8/1806 The Author A Scale to Stop the Violin in Tune, upon a plain and easy principle. By W. Taylor, violin maker, Little St Martin’s Lane, London.

570

Music Entries at Stationers’ Hall

26/8/1806 The Author A Musical Primer, or First Practical Lesson for the Piano Forte. By Thomas Wright.

9/9/1806 George Guest A Morning and Evening Hymn. As performed by the children of the charity schools and others in the Parish Church of Wisbech St Peter, on the
rst Sunday in every month. Dedicated to the Rev. Abraham Jobson, A.M., vicar, and set to music by George Guest, organist, Wisbech. BL H.1670.(60.)

20/9/1806 Lavenu & Mitchell No. 11. Les Soirées amusantes. {This number contains: Nobody coming to marry me. A favorite air. Arranged as a rondo for the piano forte by J[oseph] Woel.} CUL MR340.a.80.2(16)

15/10/1806 Charles Saust The favorite air Sul Margine d’un Rio, with variations for the piano forte and ute obligato. Composed, and dedicated to Miss Marianne Robarts, by Charles Saust. Op. 5. BL h.2120.(2.)

The Author Musical Dramas, with select poems and ballads. By John Rannie. BL 841.e.4

31/10/1806

11/11/1806 The Author Rondo alla Tedesca, for the Piano Forte. Composed, and respectfully dedicated to the Right Honourable Lady Anne Hamilton, by Henry Mathias. BL h.118.(19.) and Hirsch M.1282.(14.)

Joseph Woel and Lewis Lavenu 10/12/1806 [Joseph] Woel’s Grand Duett, adapted for two performers on one piano forte by the author [i.e., by Joseph Woel]. BL h.278.(2.)

Entries from 1710 to 1810

571

17/12/1806 William Hodsoll Oh! Climb the Rocks with me, my Love. A much admired rondo. Sung by Mrs [Maria Theresa] Bland at Vauxhall Gardens. The words by Miss C. Scotlock. The music by William Russell. BL H.1681.(68.)

17/12/1806 William Hodsoll The much admired Overture to the new comic pantomime called Harlequin and Time. Now performing, with unbounded applause, at the New Royal Circus. Composed, and arranged for the piano forte, by W[illiam] Russell. BL h.122.(37.)

17/12/1806 William Hodsoll The Neat little Cabin. A much admired comic duett. Sung by Mrs Roffey and Mr Miller in the new grand spectacle called The False Friend, or The Assassin of the Rocks, now performing at the New Royal Circus. Composed by William Russell. BL H.1681.(67.)

William Hodsoll 22/12/1806 The much admired overture to Coriolanus. Performed, with the greatest applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(32.)

23/12/1806 John Baptiste Mayer Sappho’s Hymn to Venus. Sung, with the greatest applause, by Mrs [Jane] Bianchi at several concerts. The music composed, and dedicated to Mrs [Charlotte Augusta] Oom, by J[ohn] B[aptiste] Mayer. BL H.1677.(45.)

31/12/1806 James Peck No. 4 of [James] Peck’s Quarterly Collection of Sacred and Moral Music, for the voice, organ, piano forte, etc. BL B.1175.xx.

572

Music Entries at Stationers’ Hall

5/1/1807 Broderip & Wilkinson We’ll meet beside the dusky Glen. A Scottish ballad. Written by Mr R[obert] Tannahill, and set to music, with an accompaniment for the piano forte, by Mr [John] Ross of Aberdeen. BL H.1681.(58.)

5/1/1807 Broderip & Wilkinson If I swear by that Eye. A canzonet, with an accompaniment for the piano forte or harp. The poetry by Thomas Moore, Esq. The music composed by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(3.)

5/1/1807 Broderip & Wilkinson To Julia—Weeping. A canzonet, with an accompaniment for the piano forte or harp. The poetry by Thomas Moore, Esq. The music composed by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(4.), text begins ‘Oh! if your tears’

Broderip & Wilkinson 5/1/1807 Accept a Heart, my dearest Girl. A favorite rondo. Written by Mr William Preston, and set to music, with an accompaniment for the piano forte, by Mr [John] Ross of Aberdeen. BL H.1681.(62.)

5/1/1807 Broderip & Wilkinson A broken Cake. Glee for three voices, with an accompaniment for the piano forte. The poetry translated from Anacreon by Thomas Moore, Esq. The music composed by Sir John [Andrew] Stevenson, Mus. Doc. BL H.1273.(1.)

5/1/1807 Broderip & Wilkinson To thy Rocks, stormy Lannow, adieu. A ballad, in the style of Mr Crowe’s Seaton Cliffs, by Anna Seward, and set to music, with an accompaniment for the piano forte, by Mr [John] Ross of Aberdeen. BL H.1681.(59.)

Entries from 1710 to 1810

573

5/1/1807 Broderip & Wilkinson O row thee in my Highland Plaid. A favorite Scottish ballad. Written by Mr Robert Tannahill, and set to music, with an accompaniment for the piano forte, by Mr [John] Ross of Aberdeen. BL H.1681.(57.)

9/1/1807 Broderip & Wilkinson Secure by George’s Care. A glee for four voices. Composed by John Stafford Smith. BL E.270.(22.)

12/1/1807 Broderip & Wilkinson Aria et Rondo pour le Piano Forte. Composées, et dédiées à Mi Lady Sarah Spencer, par L[ouis] von Esch. BL h.284.(8.)

13/1/1807 Broderip & Wilkinson Marche Sicilienne et Rondo, pour le Piano Forte. Composées, et dédiées à Mi Lady Frances Pratt, par L[ouis] von Esch. BL h.284.(6.)

17/1/1807 William Hodsoll The Cabin Boy. A favourite ballad. Sung by Master Smalley, with universal applause, in the new pantomime of Harlequin and Mother Goose, now performing at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. Bodleian Mus. Voc. I, 59 (9)

20/1/1807 William Hodsoll The much admired Overture to the new pantomime called Harlequin and Mother Goose. Performed, with unbounded applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(24.)

23/1/1807 Charles Wakeley Twelve German Waltzes. Composed, and humbly dedicated (by permission) to the Right Honourable Lady Frances Harris, by Charles Wakeley. BL h.125.(3.)

574

Music Entries at Stationers’ Hall

24/1/1807 William Hodsoll The much admired Overture to Adrian and Orrila. Now performing, with unbounded applause, at the Theatre Royal, Covent Garden. Composed, and dedicated to Thomas Attwood, Esq., by W[illiam] Russell, organist of the Foundling Hospital and St Ann’s, Limehouse. BL g.272.d.(10.)

24/1/1807 William Hodsoll The much admired Act Symphonies to Coriolanus. Performed at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(33.)

6/2/1807 Charles Mitchell A German Air. Arranged as a rondo for the piano forte by W[illiam] Dance, musician in ordinary to His Majesty. BL h.107.(9.)

7/2/1807 The Author Six Divertimentos for the Piano Forte, with an accompaniment for a German ute. Composed by J[ohn[ F[rederic] Hering. Op. 4. BL h.291.(23.)

12/2/1807 William Hodsoll The Act Symphonies to Adrian and Orrila. As performed at the Theatre Royal, Covent Garden. Composed by William Russell. BL h.122.(38.)

13/2/1807 Bland & Weller Ap Shenkin. A new national song for the piano forte. The words and music by J[ohn] Parry. BL H.1652.c.(4.)

G. Kiallmark March and Quick Step for the Piano Forte. Composed by Miss Boyn.

16/2/1807

Entries from 1710 to 1810

575

16/2/1807 G. Kiallmark Air Religieux et Pastorelle for the Piano Forte. Composed, and dedicated to the Honourable Miss Drummond, by L[ouis] von Esch. BL h.284.(5.)

16/2/1807 G. Kiallmark Romance et Valse pour le Forte Piano. Composées à Wasing Place, pour Mademoiselle Mount, par Louis von Esch. BL g.442.(8.)

23/2/1807 John Peter Salomon A glee for two trebles, tenor and bass. Composed by J[ohn] P[eter] Salomon. Possibly BL H.1683.(12.), of which the text begins ‘Peace returns’

23/2/1807 John Peter Salomon The Island of Freedom. A song for two tenors and a bass. Composed by J[ohn] P[eter] Salomon. The words by Dr Moulton. BL H.1683.(10.), text begins ‘Sons of Albion’

23/2/1807 John Peter Salomon Britons to Arms. A glee for four voices. Composed by J[ohn] P[eter] Salomon. BL H.1683.(15.)

23/2/1807 John Peter Salomon Balm of Life. A glee for two trebles, tenor and bass. Composed by J[ohn] P[eter] Salomon. Words original. BL H.1683.(16.)

23/2/1807 John Peter Salomon Resistless the Hero. A glee for two trebles, tenor and bass. Composed by J[ohn] P[eter] Salomon. Words original. BL H.1683.(14.)

576

Music Entries at Stationers’ Hall

23/2/1807 John Peter Salomon Hushed be each Breeze. A glee for two trebles, tenor and bass. The words written by Sir William Elford, Bart, when on a visit to Sir Charles Rich’s at Grove Place, near Southampton, and set to music by J[ohn] P[eter] Salomon. BL H.1683.(11.)

24/2/1807 J. Levy When
rst upon your tender Cheek. A favorite song, with an accompaniment for the piano forte or harp. Composed and sung by Master [J.] Jones. BL H.1673.(19.)

26/2/1807 David Bruguier Six Sonatinas for the Piano Forte. Composed, and dedicated (with permission) to the Right Honourable Lady Louisa Atherley, by D[avid] Bruguier. Op. 8. BL h.299.(33.)

28/2/1807 James Peck New Music. A sett of tunes and pieces composed by Z. Whelpdale. The words chiey from the collection of hymns used in the late Countess of Huntingdon’s chapels. BL B.470

10/3/1807 Edward Smith Biggs How Months unfelt have vanished. A favorite duett. Selected from the fourth set of Venetian airs. The words written to it by Mrs [Amelia] Opie. [Harmonised by Edward Smith Biggs.] BL H.1250.(12.)

10/3/1807 Robert Birchall Address to Health. Nymph with thee at early dawn. Glee for four voices. Composed by William Crotch, Mus. Doc. BL H.1276.(19.)

Entries from 1710 to 1810

577

11/3/1807 Robert Birchall The Beggars. Over Mountains wild and dreary. A favorite glee for three voices. Sung by the Messrs Knyvetts [presumably Charles Knyvett and William Knyvett] at the Nobilities Concerts. Composed by William Knyvett. BL H.1220.(62.)

11/3/1807 Robert Birchall The Boatie Rows. A favorite Scotch melody. Harmonized for three voices by W[illiam] Knyvett, and sung by the Messrs Knyvetts [presumably Charles Knyvett and William Knyvett] at the Nobilities Concerts. BL H.1652.gg.(20.)

11/3/1807 Robert Birchall Borne in yon blaze of orient Sky. A favorite duett. As sung by Mr [Thomas] and Mrs [Elizabeth] Vaughan at Mr [Samuel] Harrison’s annual concert, with an accompaniment for the piano forte. Composed, and respectfully inscribed to the Right Honourable Lady Frances Pratt, by Dr John Clarke of Cambridge. The poetry by the late Dr Darwyn [i.e., by Erasmus Drawin]. GUL Special Collections Cb6-e.4

11/3/1807 Robert Birchall Rosabelle. The words from the Lay of the Last Ministrel. Composed for the Miss Abrams’ [i.e., the Misses Abrams] and Mrs Fisher and inscribed to them by Dr [John Wall] Callcott. BL E.270.e.(4.)

11/3/1807 William Hodsoll Mother Goose. Sung by Mr [Samuel] Simmons in the pantomime of Harlequin and Mother Goose. Performed, with unbounded applause, at the Theatre Royal, Covent Garden. Written by T[homas John] Dibdin. Composed by W[illiam Henry] Ware. BL H.1270.(8.)

11/3/1807 William Hodsoll The much admired Pas Seul danced by Miss Searle in the new pantomime called Harlequin and Mother Goose. Now performing, with unbounded applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(26.)

578

Music Entries at Stationers’ Hall

11/3/1807 William Hodsoll The popular Pas Deux danced by Messrs [John Peter] Bologna Jr and [Joseph] Grimaldi in the new pantomime of Harlequin and Mother Goose. Now performing, with universal applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(27.)

11/3/1807 William Hodsoll A Little Rondo. Composed for the piano forte by a little amateur, eight years old, with a little variation added by G. Ware. BL h.125.(12.)

11/3/1807 Robert Birchall Garvan. A glee for three voices. The words selected from [Robert] Southey’s Madoc. Composed, and inscribed to Mr [James] Bartleman, by Dr [John Wall] Callcott. BL E.359.(2.)

11/3/1807 Robert Birchall Three Sonatas for the Piano Forte. Composed, and dedicated to Her Royal Highness the Princess Amelia, by Leopold Kozeluch. Op. 51. BL h.287.(4.)

13/3/1807 Thomas Danvers Worgan Monthly Ministrelsy. A periodical work in twelve numbers, containing short essays in poetry and music. Written and composed by T[homas] D[anvers] Worgan, author of the Rouge et Noir de Musique, or Harmonic Pastimes. No. 1.

13/3/1807 Thomas Danvers Worgan No. 2. Monthly Ministrelsy. A periodical miscellany of poetry and prose. Written and composed by T[homas] D[anvers] Worgan.

James Peck A New Ode for the Spring. Composed by Mr Thomas Clark, Canterbury.

14/3/1807

Entries from 1710 to 1810

579

16/3/1807 Robert Birchall L’Inganno. A favorite arietta. Composed, and respectfully inscribed to Lady Russell, by F. B. BL G.425.(18.)

16/3/1807 Robert Birchall The Bells of St Michael’s Tow’r. A favorite glee for three voices. Sung by the Messrs Knyvetts [presumably Charles Knyvett and William Knyvett] at the Nobility’s Concerts. Composed by William Knyvett. BL H.1220.(59.)

16/3/1807 Robert Birchall Prelude and Air, for the Piano Forte. Composed by W[illiam] Crotch, Mus. Doc. BL h.133.(3.)

16/3/1807 Robert Birchall Two Grand Sonatas for the Harp, with an accompaniment for the violin or ute ad libitum. Expressly composed for and dedicated to Mr [François Joseph] Dizi by F[ederigo] Fiorillo. Op. 36. BL h.2605.ee.(6.)

17/3/1807 John Frederic Hering Three Sonatas for the Piano Forte, with accompaniments for a violin and violoncello. Composed by J[ohn] F[rederic] Hering. BL h.291.(22.)

19/3/1807 Barker & Son The Young Hussar, or Love and Mercy. An operatic piece, in two acts, by the author of Adrian and Orrila, etc. [i.e., by William Dimond]. As performed at the Theatre Royal, Drury Lane, with distinguished success. [The music by Michael Kelly.] GUL Temporary Storage Y3-e.14, words only

20/3/1807 Robert Birchall He hears me not. A ballad. The poetry by J[ohn] L[ee] Lewes, Esq. of Liverpool. Composed by Dr John Clarke of Cambridge. BL H.1275.(32.) and H.1654.(5.)

580

Music Entries at Stationers’ Hall

20/3/1807 Robert Birchall See the Chariot at hand here of Love. A favorite glee. Sung by Mrs [Elizabeth] Vaughan [and] Messrs [Samuel] Harrison, [John Jeremiah] Goss and [James] Bartleman at the Vocal Concerts. Composed by William Horsley, Mus. Bac. Oxon. BL H.1221.(36.)

23/3/1807 The Author A Second Practical Guide to Thorough Bass. Written by A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. BL H.2878.(3.)

24/3/1807 Hime & Son There’s not a Word, a Look of thine. A canzonet. Written by T[homas] Moore, Esq. Composed, with an accompaniment for the piano forte or harp, by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(13.)

24/3/1807 Hime & Son Deep in a lone sequester’d Glen. A ballad. Written by Mr J[ohn] L[ee] Lewes. Set to music, with an accompaniment for the piano forte or harp, and dedicated to Mr [Samuel] Webbe Jr, by his pupil, Louisa Hime.

24/3/1807 Hime & Son Young Ella was the happiest Maid. A favorite ballad. Written by T[homas] Moore, Esq. Composed, with an accompaniment for the piano forte, by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(9.)

24/3/1807 Hime & Son When Time was entwining. A favorite ballad. Sung by Mr [John] Spray. Written by T[homas] Moore, Esq. Composed, with an accompaniment for the piano forte, by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(10.)

Entries from 1710 to 1810

581

24/3/1807 Hime & Son My Sweet Louisa. A favorite ballad. Sung by Mr [John] Spray. The words by Mr J[ohn] L[ee] Lewes. The music composed by Dr John Clarke of Cambridge. BL H.1275.(33.) and H.1654.(6.)

24/3/1807 Hime & Son The Blue Eyed Maid. A ballad, with an accompaniment for the piano forte. Composed by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(5.), text begins ‘Farewell, sweet maid’

24/3/1807 Hime & Son For Anna once I cull’d a Flower. A favorite ballad. Sung by Mr [John] Spray. Composed by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(7.)

24/3/1807 Hime & Son Glee. For Anna once I cull’d a Flower. Glee. Arranged for three voices, with an accompaniment for the piano forte. Composed by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(8.)

24/3/1807 Hime & Son Glee. Oh! Maid of Marlivale. The words by T[homas] Moore, Esq. Composed, and harmonized for three voices with an accompaniment for the piano forte or harp, and respectfully dedicated to Miss E. Doyel of Dublin, by Sir John Stevenson, Mus. Doc. BL H.1273.(15.)

24/3/1807 Hime & Son When
rst from the Girl of my Bosom I parted. A favorite ballad. Sung by Mr [John] Spray. Composed by Sir J[ohn] A[ndrew] Stevenson, Mus. Doc. BL H.1273.(11.)

24/3/1807 Hime & Son I left my Flock, I left my Lyre. A ballad, with an accompaniment for the piano forte. Composed by Dr John Clarke of Cambridge.

582

Music Entries at Stationers’ Hall

25/3/1807 The Author Sacred Music. Consisting of twenty-six psalm and hymn tunes in score, with six anthems, chants, responses, etc. Composed in an easy style for the children of charity schools by William Mather, organist of St Paul’s and St James’s Churches, Shef
eld. To the above are added [Martin] Luther’s Hymn on the Last Judgement and [Giovanni Battista] Pergolesi’s celebrated anthem, O Lord, Have mercy on me. BL G.598

31/3/1807 The Author God save the King, with eight Variations, including a grand march with a violin or ute and violoncello accompaniment ad libitum. Most respectfully inscribed, by Her Majesty’s gracious permission, to the Queen, by J[ean] Mugnié. BL h.118.(42.)

2/4/1807 Robert Birchall How tenderly I love her. A ballad. Written by J[ohn] L[ee] Lewes, Esq., Liverpool. Composed by Dr John Clarke of Cambridge. BL H.1275.(35.) and H.1654.(13.)

2/4/1807 Robert Birchall The Spectre Knight. A glee for three voices. Composed, and respectfully dedicated to the Honourable Miss Eden, by W[illiam] Hawes, gentleman of His Majesty’s Chapels Royal. BL H.1224.(20.)

2/4/1807 Robert Birchall Sonata for the Piano Forte. Composed, and dedicated to Miss Bain and Miss Elizabeth Alderson, by T[homas] Haigh.

7/4/1807 William Power & Co. Here’s the Bower. A ballad. Dedicated to Her Grace the Duchess of Bedford. [The music and words by Thomas Moore.] BL G.424.u.(19.) and Hirsch M.1277.(21.)

7/4/1807 Thomas Danvers Worgan Monthly Minstrelsy. No. 3. Written and composed by T[homas] D[anvers] Worgan.

Entries from 1710 to 1810

583

8/4/1807 William Hodsoll A Selection of the most admired airs in the new pantomime of Harlequin and Mother Goose. Performed, with universal applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(25.)

8/4/1807 William Hodsoll Farewell, remember me. Sung by Mr [Samuel] Simmons in the pantomime of Harlequin and Mother Goose. Performed, with unbounded applause, at the Theatre Royal, Covent Garden. Written by T[homas John] Dibdin. Composed by W[illiam Henry] Ware. BL H.1270.(9.)

9/4/1807 Henry Mathias The Welsh Whim. An air with variations for the piano forte or harp. Composed, and dedicated to Lady Porter, by Henry Mathias. BL Hirsch M.1282.(13.)

Jean Mugnié 11/4/1807 L’Aube du Jour, ou L’Heure du Berger, with pastoral and tambourine for the Piano Forte. Composed, and humbly dedicated to the Right Honourable Lady Elizabeth Bingham, by J[ean] Mugnié. BL e.108.(11.)

17/4/1807 Robert Birchall Queen of the Valley. The words from the Madoc of [Robert] Southey. Composed, and inscribed to John Heaviside, Esq., by Dr [John Wall] Callcott. BL E.359.(6.), text begins ‘Thou art beautiful’

17/4/1807 Robert Birchall Fair Solyma! A favorite duett. Sung by Mrs [Elizabeth] Billington and Mr [Samuel] Harrison at the Worcester and Chester Musical Festivals and at the Vocal Concerts. With an accompaniment for the piano forte. Composed, and respectfully inscribed to Miss Robinson of Denston Hall, by Dr John Clarke of Cambridge.

584

Music Entries at Stationers’ Hall

17/4/1807 James Peck No. 5 of [James] Peck’s Quarterly Collection of Sacred and Moral Music, for the voice, organ, piano forte, etc. BL B.1175.xx

29/4/1807 Walter Turnbull The favorite Overture to The Ogre and Little Thumb, or The Seven League Boots. Now performing with universal approbation, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(29.)

1/5/1807 William Hodsoll The much admired Overture to Macbeth. Performed, with the greatest applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. GUL Special Collections Cb4-d.16

2/5/1807 The Author Bouquet de Flore. No. 1 and 2. Consisting of different pieces of music, for the piano forte. Composed, and dedicated to his pupils, by J[oseph] Woel. BL h.302 and H.3691.p.(20.)

4/5/1807 Robert Birchall La Carolina. An adagio and rondo for the piano forte. Composed, and dedicated to the Right Honourable the Lady Caroline Lowther, by P[hilip] Antony Corri. BL h.330.(9.)

8/5/1807 Robert Birchall La mia crudel tiranna. A favourite Italian air; with twelve variations for the piano forte with an accompaniment for the ute ad libitum. Composed, and dedicated to Alexander Scott, Esq., by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.314.(5.)

Entries from 1710 to 1810

585

13/5/1807 J. Blacklock Battle of Marengo. A favorite Sonata for the Piano Forte, with accompaniments for the violin and bass. Composed by B[ernard] Viguerie. Received on the continent with universal approbation, and never before published in this country. With additions by the Marquis of Salvo. BL e.108.(16.)

13/5/1807 Robert Birchall Gentle Lyre. Recitative and air. Sung, with the greatest applause, by Mr [Samuel] Harrison at the Vocal Concerts and by Mr [Jonathan] Nield at Bath. Composed by William Horsley, Mus. Bac. Oxon. BL H.1221.(25.)

19/5/1807 Thomas Danvers Worgan Monthly Minstrelsy. No. 4. Written and composed by T[homas] D[anvers] Worgan.

20/5/1807 Robert Birchall My Laddie is gone far away. A favorite Scotch air. Harmonized for four voices by W[illiam] Knyvett and sung, with the greatest applause, by Miss [Maria Hester] Parke [and] Messrs [Samuel] Harrison, W[illiam] Knyvett and [John Bernard] Sale at Messrs Knyvetts’ Annual Concert. N.B. The words of the second verse are written by a lady. BL H.1220.(50.)

25/5/1807 William Hodsoll The favorite Act Symphonies to Macbeth. Performed at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(31.)

26/5/1807 Robert Birchall Three Duetts for Two Performers on the Piano Forte. The subjects from [Stephen] Storace’s popular airs. By S[tephen] F[rancis] Rimbault. BL h.275.(15.)

586

Music Entries at Stationers’ Hall

28/5/1807 Joseph Kemp Nos. 1, 2 and 3 of the Vocal Magazine. Consisting of canzonets, madrigals, songs duets, trios, quartets, quintets, glees, etc. Composed by Joseph Kemp. BL H.1330

2/6/1807 Robert Birchall At Summer’s Eve. A song from [Thomas] Campbell’s Pleasures of Hope. As sung by Mrs [Elizabeth] Vaughan at Dr Clement Smith’s concert. Composed by Dr [John Wall] Callcott. BL H.1274.(3.)

2/6/1807 Robert Birchall The Favorite Air of Oh! Nanny wilt thou gang with me, and an original Rondo. Composed, and arranged for the harp, by S[ophia] Dussek. BL g.661.(26.)

2/6/1807 Robert Birchall Nanny O! A favorite glee for four voices, in imitation of the Scottish melody. Sung, with the greatest applause, by Miss [Maria Hester] Parke [and] Messrs W[illiam] Knyvett, [Samuel] Harrison and [John Bernard] Sale, at Messrs Knyvetts’ annual concerts. Composed by W[illiam] Knyvett.

10/6/1807 Thomas Hamley Butler Lady Cathcart’s Reel, and The Lake of Killarney. Two favorite airs. Arranged as rondos for the piano forte by T[homas] H[amley] Butler. BL h.280.(20.)

10/6/1807 Robert Birchall Two Duetts for Two Performers on the Piano Forte, from the favorite airs in the ballet of La Dansomanie. Composed, and arranged for the Right Honourable the Ladies Charlotte [Hill] and Mary Hill, by T. Latour. Book 1. BL g.443.e.(13.)

Entries from 1710 to 1810

587

18/6/1807 Saunders Bennet The Triumph of Africa. Written by William Mavor, LL. D. Set to music, and most respectfully inscribed (by permission) to the Honourable Miss Pryse, by Saunders Bennet, organist, Woodstock. BL H.1662.(32.), text begins ‘Thro’ Afric’s wild regions’

18/6/1807 The Author A New March, composed for a regiment of Bengal sepoys. Adapted for either a military band or piano forte. By a lady, E. K. BL h.116.(1.)

18/6/1807 Robert Birchall Hark to Philomela Singing. A glee for three voices, with an accompaniment for the piano forte. Composed, and dedicated to His Royal Highness the Duke of Cambridge, by W[illiam] Knyvett. BL H.1220.(58.)

18/6/1807 Robert Birchall Grand Duett for the Harp and Piano Forte. As performed by Messrs [François Joseph] Dizi and [John Baptist] Cramer at Mr [John Baptist] Cramer’s annual concert, with accompaniments ad libitum for ute, clarinet, French horn, and bassoon; or ute, violin, tenor and violoncello. Composed, and dedicated to Mrs Cuthbert and the Honourable Miss Mercer Elphinstone, by F[ederigo] Fiorillo. Op. 37. BL h.309.(5.)

19/6/1807 J. Collett Poor Little Jane. A new ballad. Sung by Miss Meadow, with unbounded applause, at the Theatre Royal, Covent Garden. Composed by Percival Mann. BL H.1677.(77.)

20/6/1807 William Hodsoll A Favorite Sonata in G, for the piano forte. Composed by Leopold Kozeluch. BL h.287.(1.)

588

Music Entries at Stationers’ Hall

26/6/1807 Henry Smart La Fête Champêtre. A divertissement consisting of characteristic rondos for the piano forte, with a ute accompaniment ad libitum. Composed by H[enry] Smart. BL h.123.(24.)

Robert Birchall Ten Solfeggis. Composed by G[iacomo] G[otifredo] Ferrari. BL H.2245.c.(2.)

2/7/1807

William Hodsoll 4/7/1807 Fair Amoret, or Ashdown in the Woodlands. The much admired pastoral ballad. Written by Mr Upton. Composed by J[ames] Sanderson, and sung by Mr [James Deverell] Gibbon at Vauxhall Gardens. BL H.1683.(22.)

4/7/1807 William Hodsoll O! We will be Married, my Dear, for a’ that. The much admired Scotch ballad. Written by Mr Upton. Composed by J[ames] Sanderson, and sung by Mrs [Maria Theresa] Bland at Vauxhall Gardens. BL H.1683.(19.), text begins ‘My father cries’

8/7/1807 Joseph Kemp Nos. 4, 5 and 6 of the Vocal Magazine. Consisting of canzonets, madrigals, songs duets, trios, quartets, quintets, glees, etc. Composed by Joseph Kemp. BL H.1330

13/7/1807 William Hodsoll The Election for a Wife, or The Borough of Hymen. Written by Mr Upton. Composed by J[ames] Sanderson, and sung by Mr [Charles] Dignum at Vauxhall Gardens. BL H.1683.(21.), text begins ‘Dear ladies’

23/7/1807 William Hodsoll General Bennigsen’s March. For the piano forte or harp. Composed by Leopold Kozeluch. BL h.287.(2.)

Entries from 1710 to 1810

589

1/8/1807 William Walker Adieu Love, Adieu. A favorite ballad. As sung by Mr Fitzsimmons in the entertainments given in the principal towns of England and Scotland by Messrs [William] Dowton and [James Grant] Raymond. Composed by Domenico Corri. BL H.1666.(21.)

5/8/1807 Robert Birchall Four Favorite Airs arranged for the Harp, and dedicated to the Honourable Mrs Fane. Book 4.

5/8/1807 Robert Birchall Five Airs for the Harp. Dedicated to Miss Howard. Composed and arranged by Count St Pierre de Newbourg. BL h.120.(14.)

5/8/1807 William Shield The Spotless Maid. From Ariosto. A favorite song. Sung, with universal applause, by Mr [Charles] Incledon in his new entertainment called The Traveller. Set to music by William Shield, musician in ordinary to His Majesty. BL H.1683.(45.)

5/8/1807 William Shield The Heart that can feel for another. A ballad. Sung by Mr [Charles] Incledon at the Theatre Royal, Covent Garden, and in his new entertainment called The Traveller. Written by Mr Upton. Composed by William Shield. BL H.1683.(44.), text begins ‘Jack Stedfast and I’

5/8/1807 William Walker The celebrated dance in Tekeli [composed by James Hook]. Arranged as a rondo for the piano forte by D[omenico] Corri. BL h.104.(20.)

590

Music Entries at Stationers’ Hall

5/8/1807 Thomas Hamley Butler A new and pleasing Sonata for the Piano Forte, in which is introduced the favorite rondo of Lewie Gordon, with alterations and additions by the author, T[homas] H[amley] Butler. BL h.280.(14.)

8/8/1807 Joseph Dale The Fortress. A grand melodrama. As performed, with the most unbounded applause, at the Theatre Royal, Haymarket. The music entirely new composed by Mr [James] Hook. Op. 117. GUL Special Collections Cb4-d.16

10/8/1807 T. J. Manchie A Favorite Duetto for Two Flutes, Violins, Clarinets, etc. Composed by Mr H. Thompson.

11/8/1807 Goulding & Co. The Comical Family. A favorite song. Written and composed by Mr [Charles] Dibdin, and sung, with universal applause, by Mr [John] Bannister on his tour, in his new entertainment called Bannister’s Budget. BL H.1667.(45.)

11/8/1807 Goulding & Co. Britannia’s Behest. A favorite song. Written and composed by Mr [Charles] Dibdin, and sung, with universal applause, by Mr [John] Bannister on his tour, in his new entertainment called Bannister’s Budget. BL H.1667.(43.)

11/8/1807 Goulding & Co. The Death of Nelson. A historical song. Written and composed by Mr [Charles] Dibdin, and sung, with universal applause, by Mr [John] Bannister on his tour, in his new entertainment called Bannister’s Budget. BL H.1667.(46.)

Entries from 1710 to 1810

591

11/8/1807 Goulding & Co. The Cock of the Village. A favorite song. Written and composed by Mr [Charles] Dibdin, and sung, with universal applause, by Mr [John] Bannister on his tour, in his new entertainment called Bannister’s Budget. BL H.1667.(44.)

11/8/1807 William Shield The Stout Man of War. A favorite song. Sung, with universal applause, by Mr [Charles] Incledon at the Theatres Royal, London and Dublin, [and] also in his new entertainment called A Voyage to India. Composed by William Shield, musician in ordinary to His Majesty. Bodleian Harding Mus. G 376 (6) and Mus. Voc. I, 51 (56)

12/8/1807 William Walker Only tell her that I love. A favorite ballad. Composed, with an accompaniment for the piano forte, harp, ute and violin, by D[omenico] Corri. BL H.1666.(22.)

Margaret Essex 13/8/1807 The Amusement of a leisure Hour. Four easy lessons for the piano forte or harp. By Margaret Essex. BL h.109.(27.)

25/8/1807 Goulding & Co. A Voyage to India. Containing
fteen original songs in that favorite entertainment now performing, by Charles Incledon of Covent Garden Theatre, at the different theatres and public places in most of the principal towns of the kingdom. BL 643.f.13.(7.)

29/8/1807 William Shield The Sailor’s Epitaph. A favorite song. Sung, with universal applause, by Mr [Charles] Incledon in his new entertainment called A Voyage to India. Composed by William Shield. BL H.1683.(42.)

592

Music Entries at Stationers’ Hall

29/8/1807 Robert Birchall Six Canzonettas, with an accompaniment for the piano forte. Composed, and respectfully dedicated to Mrs Whit
eld of the Bing House, Rickmansworth, by her very grateful and obedient servant, John Clarke. BL H.1275.(3.)

29/8/1807 Robert Birchall Here Peace is thine. A glee for three voices. Composed by M[atthew] P[eter] King. BL H.1220.(45.)

7/9/1807 Walter Turnbull Music-Mad. A comic sketch, in one act. As performed, with the most unbounded applause, at the Theatre Royal in the Haymarket. BL H.139.(2.)

9/9/1807 Robert Birchall A Third Divertimento for the Piano Forte, with accompaniment for a ute, violin and violoncello. Composed, and dedicated to Miss Achard, by Louis von Esch. Op. 17. BL h.284.(19.)

9/9/1807 Robert Birchall But who the Melodies of Morn can tell. A glee for three voices. Composed by M[atthew] P[eter] King. BL H.1220.(46.)

19/9/1807 Goulding & Co. The Politicians. A favorite song. Written and composed by Mr [Charles] Dibdin, and sung, with universal applause, by Mr [John] Bannister on his tour, in his new entertainment called Bannister’s Budget. BL H.1667.(42.)

19/9/1807 Goulding & Co. The Veteran and the Volunteer. A favorite song. Written and composed by Mr [Charles] Dibdin, and sung, with universal applause, by Mr [John] Bannister on his tour, in his new entertainment called Bannister’s Budget. BL H.1667.(41.)

Entries from 1710 to 1810

593

24/9/1807 Joseph Kemp No. 7. The Vocal Magazine. Consisting of canzonets, madrigals, songs duets, trios, quartets, quintets, glees, etc. Composed by Joseph Kemp. BL H.1330

13/10/1807 Adam Lefer Dicky White. Sung by Mr [John] Liston. The words and music composed by Mr L. Sr. BL H.1675.(21.)

Samuel Taylor 17/10/1807 Six Divertimentos for the German Flute. Selected from the most popular English, Scotch, Welch, Irish, German and Russian melodies, with preludes, rondos, cadenzas and double stops. Arranged expressly for the use of the amateur and pupil, by affording opportunities to both of pleasing their auditors and friends, in public or in private. By Samuel Taylor, principal ute player of the Theatres Royal, Drury Lane and Haymarket. BL g.280.k.(6.)

William Hodsoll 26/10/1807 The much admired Overture to Cymbeline. Performed, with the greatest applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(36.)

29/10/1807 Joseph Elouis Second Volume of a Selection of Favorite Scots Songs, with accompaniments for the harp or piano forte which may be performed on these instruments either with the voice or without it as familiar lessons. To which are added several Airs with Variations. Composed, and respectfully dedicated (by permission) to the Right Honourable the Earl of Eglinton, by J[oseph] Elouis. BL I.371

594

Music Entries at Stationers’ Hall

4/11/1807 Leonard Benton Seeley Devotional Harmony. Vol. 2 part 1. The words selected chiey from the most esteemed versions of the Psalms of David. The music from the most eminent composers, ancient and modern, with many new pieces composed on purpose for the work. [Selected by Leonard Benton Seeley.] The whole arranged for three or four voices, with the organ part written in full instead of
gures. BL C.488, presumably a continuation of the works entered on 5/6/1805 and 14/6/1806

11/11/1807 Joseph Kemp No. 8. Vocal Magazine. Consisting of canzonets, madrigals, songs duets, trios, quartets, quintets, glees, etc. Composed by Joseph Kemp. BL H.1330

17/11/1807 Michael Kelly The Mischievous Bee. A favorite song. Sung by Miss [Maria Rebecca] Duncan in the comedy of Time is a Tell-Tale, performed at the Theatre Royal, Drury Lane. Written by H[enry] Siddons. Composed by Michael Kelly. BL H.1674.(9.)

17/11/1807 Robert Birchall Lieber Augustine. A favorite Suabian air, with variations for the piano forte. Composed, and dedicated to Madame C. Dubost, by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.315.(24.)

17/11/1807 The Author Specimens of Various Styles of Music, referred to in a course of lectures read at Oxford and London, and adapted to keyed instruments. By William Crotch, Mus. Doc., Prof. Mus., Oxon. Vol. 1. BL h.344

19/11/1807 G. Asker The Youth that I Love. A ballad. Sung, with great applause, by Miss Larkman at the Theatre Royal, Liverpool. The words by J[ohn] L[ee] Lewes, Esq. Composed by G. Asker. BL H.1660.(27.)

Entries from 1710 to 1810

595

24/11/1807 John Baptist Cramer Les Quatre Nations. A new divertimento, for the piano forte, with musical sketches of several styles. Composed, and dedicated to the Right Honourable Lady Catherine York, by J[ohn] B[aptist] Cramer. BL h.364.(1.)

John Rippon Supplement to the
fth edition of Dr [John] Rippon’s tune book. BL A.484.(1.) and 3436.h.1.(2.)

28/11/1807

2/12/1807 John Pearce Ella Rosenberg. A grand melodrama. As performed, with unbounded applause, at the Theatre Royal, Drury Lane. Composed, and arranged for the piano forte, by M[atthew] P[eter] King, Esq. BL H.133.(1.)

10/12/1807 Bland & Weller Dancing Days. A trie. Sung, with great applause, by Mrs [Alicia, née Daniels] Windsor at the Theatres Royal, Bath and Bristol. Composed by J[ohn] Ashley of Bath, author of Honest Ben, England’s King and England’s Glory, and other popular ballads. BL H.1660.(22.)

11/12/1807 George Guest A Fourth Troop, for a Full Band of Military Instruments, with an adaption for the piano forte. Composed, and most respectfully inscribed to William Watson, Esq., Lieutenant Colonel, Commandant of the Third Regiment of Cambridgeshire Volunteer Infantry, by George Guest, organist of Wisbech. BL h.129.(8.)

16/12/1807 Jane Hill The English Fleet in 1342. A celebrated historical comic opera. As performed, with unprecedented applause, at the Theatre Royal, Covent Garden. Composed by Mr [John] Braham, and arranged for the piano forte by D[omenico] Corri. The words by T[homas John] Dibdin. BL G.579

596

Music Entries at Stationers’ Hall

16/12/1807 Charles Huxtable Lady Shaftesbury’s Strathspey. A favorite air. Arranged as a rondo for the piano forte by C[harles] Huxtable. BL h.114.(29.)

16/12/1807 Charles Huxtable The Devonshire Waltz. A favorite air. Arranged as a rondo for the piano forte by C[harles] Huxtable. BL h.114.(30.)

23/12/1807 Robert Birchall Serenade pour le Piano Forte avec accompagnement de harpe ou ute ad libitum. Composée et dédiée à Madame la Marquise de Downshire par T. Latour, pianiste de Son Altesse Royale Monseigneur le Prince de Galles. BL h.316.(1.)

23/12/1807 Thomas Clark A Third Set of Psalm and Hymn Tunes, with some select pieces composed in a familiar style and
gured for the organ, piano forte, etc. By Thomas Clark, Canterbury.

24/12/1807 The Author Bouquet de Flore. No. 3, 4, 5 and 6. Consisting of different pieces of music, for the piano forte. Composed, and dedicated to his pupils, by J[oseph] Woel. BL h.302

1/1/1808 Thomas Preston Three Grand Sonatas for the Piano Forte. Composed by D[aniel] Steibelt. To which is added an accompaniment for the German ute or violin by Ignace Pleyel. Op. 66. BL h.301.(8.)

1/1/1808 Broderip & Wilkinson Forbear, fond Youth. The admired song, introduced in The Belle’s Stratagem. Written, composed and sung by Miss [Eliza] Walstein. Arranged with an accompaniment for the piano forte by T[homas Simpson] Cooke. BL H.1276.(7.)

Entries from 1710 to 1810

597

1/1/1808 Broderip & Wilkinson Turn on me, Love, thine Eye of Blue. A canzonet. Composed, and dedicated to Mrs Henry Tigh, by T[homas] Philipps. BL H.2211.(5.)

1/1/1808 Broderip & Wilkinson Must I lose him? The favorite song in She Stoops to Conquer. Written and sung by Miss [Eliza] Walstein. The music composed by T[homas Simpson] Cooke. BL H.1276.(6.)

2/1/1807 James Peck Four Moral Pieces: Morning; The Rose; The Sundial; The Wish. Set to music by Charles William Banister. BL B.451.(1.)

5/1/1808 P. da Ponte La Semiramide. A serious opera, in two acts. As adapted by Signor [Filippo] Pananti for, and represented at, the King’s Theatre in the Haymarket. The music composed by [Marcos Antônio] Portogallo. Translated into English by Mr Boschini, public Italian speaker. CUL 8000.d.76

5/1/1808 Robert Birchall Three Solos for the Flute, with an accompaniment for the violoncello. Composed by F. C. Weidner.

6/1/1808 The Author Vocal Magazine. No. 9. Consisting of canzonets, madrigals, songs duets, trios, quartets, quintets, glees, etc. Composed by Joseph Kemp. BL H.1330

7/1/1808 Appleyards Airs, Chorusses, etc. and a List of the Scenery in the new comic pantomime called Harlequin in his Element, or Fire, Water, Earth and Air. As performed at the Theatre Royal, Covent Garden. [The music by William Henry Ware.] BL 643.f.13.(6.)

598

Music Entries at Stationers’ Hall

8/1/1808 William Hodsoll The Soldier Boy. A much admired ballad. Now singing, with universal applause, by Master Smalley, accompanied on the organ by Mr [William] Russell, in the new pantomime called Harlequin in his Element, performing at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL H.1270.(17.)

9/1/1808 M. Bassan The Warbler, for 1808. Containing all the new songs sung at the Theatres Royal, Vauxhall, Astley’s, Sadler’s Wells, Royal Circus, etc., to which are added those sung by Mr [Charles] Incledon in his new entertainment called A Voyage to India. Embellished with a frontispiece. GUL Temporary Storage Y5-h.6

9/1/1808 M. Bassan The Apollo for 1808. Containing all the new songs sung at the Theatres Royal, Vauxhall, Astley’s, Sadler’s Wells, Royal Circus, etc., to which are added those sung by Mr [Charles] Incledon in his new entertainment called A Voyage to India. Embellished with a frontispiece. Bodleian Harding A 1363, words only

14/1/1808 William Hodsoll The favorite Overture to the new pantomime of Harlequin in his Element. Performed, with universal applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(18.)

Robert Birchall 16/1/1808 Three Sonatas for the Piano Forte, with an accompaniment for the ute ad libitum. Composed by G[iacomo] G[otifredo] Ferrari. Op. 43. BL h.350.(4.)

16/1/1808 Robert Birchall La Délibération, avec l’Introduction de l’Air Come ever smiling Liberty [by George Frideric Handel] pour le Piano Forte. Dédiée très respecteusement à Madame Howard d’Ashtead Park par Louis von Esch. BL h.284.(9.)

Entries from 1710 to 1810

599

20/1/1808 William Hodsoll The favorite Pas de Trois, danced by Miss[es] H., S. and E. Adams, in the new pantomime of Harlequin in his Element, performed at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL g.270.e.(26.)

22/1/1808 Robert Birchall The Captive Songster’s Complaint and Release. A characteristic piece for the piano forte, with an accompaniment for ute or violin ad libitum. Composed by P[hilippe] J[acques] Meyer, Sr. BL h.150.(3.)

22/1/1808 Robert Birchall The Wreath of Love. A favorite glee for three voices, with an accompaniment for two performers on the piano forte. Composed by William Hawes, gentleman of His Majesty’s Chapels Royal. The poetry by the late J[ohn] Rannie. BL H.1224.(19.)

Joseph Kemp 27/1/1808 The Throne of the King is an Englishman’s Heart. A song, with an accompaniment for the piano forte or harp. The music by Joseph Kemp. The words by Thomas Brook Bullen. BL H.1674.(17.)

27/1/1808 Joseph Kemp Un Joli Rien, pour le Piano Forte. Composé, et dédié à Madame des Etangs, par François Panormo. No. 43. BL h.121.(2.)

30/1/1808 Robert Birchall A Duett for the Harp and Piano Forte. Composed, and dedicated to Mrs Colebrooke, by S[ophia] Dussek. BL h.307.(44.)

600

Music Entries at Stationers’ Hall

1/2/1808 The Author Addison’s Hymn. Set to music for four voices, with a piano forte accompaniment, by a lady, E. R. BL H.1681.(1.), text begins ‘The spacious
rmament’

1/2/1808 R. Brown Oh Ferdinand. The favorite ballad. As sung by Miss J. Brown in the grand romantic spectacle of The White Spectre. Written by J. F. Roberts. Composed by Russel.

Wilkinson & Co. 1/2/1808 The Overture to Ella Rosenberg. As performed at the Theatre Royal, Crow Street, Dublin. Composed by T[homas Simpson] Cooke. BL h.324.(14.)

4/2/1808 William Hodsoll When thou my Love art near. A favorite duett. Sung by Miss Meadows and Mrs Ridgeway, accompanied on the harp by Master Nicholson, in the new pantomime of Harlequin and his Element, performed at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware.

4/2/1808 William Hodsoll The comic Pas Deux, danced by Messrs [John Peter] Bologna Jr and [Joseph] Grimaldi, in the new pantomime of Harlequin in his Element, now performing at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL g.270.e.(26.)

9/2/1808 Wilkinson & Co. Adieu thou Darling of my Heart. Duett. Composed, and dedicated to Miss à Court, by the Rev. W[illiam] L[isle] Bowles.

9/2/1808 William Hodsoll A Selection of the most admired Airs in the new pantomime of Harlequin in his Element. Performed, with universal applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(19.)

Entries from 1710 to 1810

601

16/2/1808 Wilkinson & Co. Marche, Minuet, et Gavotte à Quatres Mains pour le Piano Forte. Composées, et dédiées à mi Lady Francis [i.e., Lady Frances Somerset] et mi Lady Harriet Somerset, par L[ouis] von Esch.

Jonathan Mountjoy The Ground Work of Music. BL 785.l.31, incomplete

24/2/1808

The Author 26/2/1808 Sacred Harmony, being a work calculated for public and private devotion. Consisting of a variety of new psalm and hymn tunes, together with the following pieces, viz.: a piece on the ascension of Christ; a dismissional piece; an ode on death’s
nal conquest; the Lord’s prayer paraphrased. To which is added, Two Evening Services and an Anthem for Christmas Day. The whole composed, and arranged for three and four voices according to their different parts, metres, etc., by Job Welsh. BL B.469

William Bennett 26/2/1808 A Grand Concerto for the Piano Forte, with accompaniments for a full orchestra. Composed, and respectfully dedicated to Mrs H. Gough, by William Bennett. Op. 4. BL h.102.(5.)

29/2/1808 Olivia Wilmot Serres Behold in all the Pomp of Day. A hunting song. Written and composed by Mrs Olivia Wilmot Serres. Arranged for the piano forte by W[illiam] H[enry] Steil. Sung by T. Burgh, and is most respectfully dedicated to the Right Honourable the Earl of Egremont.

29/2/1808 Olivia Wilmot Serres The Beggar Boy. Written and composed by Mrs [Olivia] Wilmot Serres. Adapted for the piano forte by W[illiam] H[enry] Steil, and is most respectfully dedicated to the Right Honourable the Dowager Lady Lonsdale.

602

Music Entries at Stationers’ Hall

29/2/1808 Olivia Wilmot Serres Werter’s Last Song. Written and composed by Mrs Olivia Wilmot Serres. Arranged for the piano forte by W[illiam] H[enry] Steil and is, with the utmost sense of dutiful respect, dedicated to His Royal Highness the Duke of Cambridge. BL H.1683.(37.)

29/2/1808 Olivia Wilmot Serres Loved Night. Written and composed by Mrs [Olivia] Wilmot Serres, and arranged for the piano forte by W[illiam] H[enry] Steil. Sung by Mr Burgh. BL H.1683.(36.)

3/3/1808 Robert Birchall Three Sonatas for the Piano Forte, with accompaniments for the violin and violoncello. Composed, and dedicated to the Honourable Miss Burrell, by Leopold Kozeluch. BL h.287.(5.)

7/3/1808 Edward Smith Biggs A Collection of Melodies, chiey Russian. Harmonized, and arranged for the voice with an accompaniment for the piano forte or harp [by Edward Smith Biggs]. The words written to them by Mrs [Amelia] Opie. To which is added, The Cossack. A favorite ballad, from the Ukrainian, [written] by M[atthew] G[regory] Lewis, Esq. BL H.1652.t.(22.) and H.2170

9/3/1808 Robert Birchall Gallant and Gaily. A glee for four voices sung by Miss [Maria Hester] Parke, Mrs [Elizabeth] Vaughan, Mr [Samuel] Harrison and Mr [James] Bartleman at the Vocal Concerts. Composed, and inscribed to the Miss Abrams’s [i.e., to the Misses Abrams], by W[illiam] Horsley, Mus. Bac. Oxon. BL H.1221.(42.)

15/3/1808 E. Wilson We’ll die or be free. A new loyal and national song, sung by Mr [Charles] Incledon at the theatres and all public places. Composed by E. Wilson. BL H.1688.(37.)

Entries from 1710 to 1810

603

15/3/1808 Robert Birchall Grand Duetto, for the Piano Forte. The Overture to Armide et Renaud. As
rst performed, for the bene
t of Monsieur [André] et Madame Deshayes, at the King’s Theatre, May 15th, 1806. Composed, and arranged as a duetto for two performers on the piano forte, by H[enry] R[owley] Bishop. BL H.1421.(45.)

15/3/1808 Robert Birchall Sonata for the Piano Forte, in which is introduced God save the King, and an original waltz. Composed, and dedicated to the Right Honourable the Viscountess Mahon, by J[ohn] B[aptist] Cramer. CUL MRA.340.80.451

15/3/1808 Robert Birchall A Second Sonata for the Piano Forte, with an accompaniment for the ute or violin ad libitum. Composed, and dedicated to His Royal Highness the Prince of Wales, by T. Latour, pianiste to His Royal Highness. BL h.314.(3.)

15/3/1808 John Baptist Cramer Variety. A new Divertimento for the Piano Forte, with an appropriate Prelude. To which is added, A third grand March, etc. Composed, and dedicated to Her Grace the Duchess of Newcastle, by J[ohn] B[aptist] Cramer. BL h.364.(3.)

15/3/1808 The Author The Shepherd’s Lamentation. A favorite ballad. Written and composed by E. Wilson. BL H.1688.(36.)

23/3/1808 Robert Birchall La Biondina Pensosa. Air with introduction and
nale. Composed, and dedicated to the Right Honourable Lady Sophia Poulett, by P[hilip] Antony Corri. BL h.330.(2.)

604

Music Entries at Stationers’ Hall

23/3/1808 Olivia Wilmot Serres God save the Prince. Written by Mrs Olivia Wilmot Serres. Composed, and arranged for the piano forte, by William Henry Steil. BL H.1683.(87.)

24/3/1808 Robert Birchall The Tear of Beauty. A song. Composed by Dr John Clarke, of Cambridge. Bodleian Harding Mus. G 84 (1) and Mus. Voc. I, 13 (12)

Wilkinson & Co. 28/3/1808 The Wild Glen where bideth my Love. Glee, for two sopranos and bass. Composed by J[ohn] Clarke, Mus. Doc., Cambridge. BL H.1275.(50.), text begins ‘Wild wild is the glen the dark mountains o’ershadow’

28/3/1808 Wilkinson & Co. Rondo. No more Love’s Arts bewailing. Composed by J[ohn] Clarke, Mus. Doc., Cambridge. BL E.270.(8.)

28/3/1808 Wilkinson & Co. Shall I wasting in Despair. A canzonet, for two voices. Composed by J[ohn] Clarke, Mus. Doc. BL H.1275.(43.)

28/3/1808 Wilkinson & Co. L’Augurio felice. Sonata for the piano forte. Composed, and dedicated to Miss Deering, by P[hilip] Antony Corri. BL h.330.(3.)

Wilkinson & Co. 28/3/1808 L’Amour a ses plaisirs. A favorite air, as a rondo. By F[rederick] W[illiam] Crouch. BL h.200.(10.)

Entries from 1710 to 1810

605

29/3/1808 Robert Birchall As it fell upon a day. A madrigal. Composed, and dedicated to his friend Mr [Thomas] Greatorex, by William Knyvett. BL E.270.(15.)

31/3/1808 Olivia Wilmot Serres Sweet Love! Sweet Love! The Morn appears. A new song. Written by Mrs Olivia Wilmot Serres. Composed by William Henry Steil, and is, with much respect, dedicated to Mrs George Nicol. BL H.1683.(88.)

31/3/1808 S. Haslehurst Behold I bring you glad Tidings of great Joy. An anthem for Christmas. Composed by S. Haslehurst. BL H.1671.(35.)

16/4/1808 Joseph Elouis Hope told a att’ring Tale, with variations for the harp or piano forte. Dedicated to Miss Elizabeth [Carnegie] and Miss Jane Carnegie of Southesk. By J[oseph] Elouis. BL h.109.(17*.)

20/4/1808 Charles Dibdin Jr [i.e., Charles Isaac Mungo Dibdin] Recitatives, Duets, Trios, Chorusses, etc., with a description of the scenery and other decorations, also the fables and arguments, of the various pieces now performing at the Aquatic Theatre, Sadler’s Wells. CUL Pam.5.80.67

26/4/1808 William Hodsoll The favorite Overture in the new burlesque melodrama called Bonifacio and Bridgetina. Now performing at the Theatre Royal, Covent Garden. Composed by W[illiam] H[enry] Ware. BL h.271.(22.)

606

Music Entries at Stationers’ Hall

26/4/1808 William Hodsoll Hey nonny no. A much admired ballad in the new burlesque melodrama called Bonifacio and Bridgetina. Now performing at the Theatre Royal, Covent Garden. Composed by W[illiam] H[enry] Ware. BL H.1270.(4.)

30/4/1808 William Hodsoll The much admired Pas de Quatre, danced by the Misses [E., H., S. and one other] Adams, in the new melodrama called Bonifacio and Bridgetina. Now performing at the Theatre Royal, Covent Garden. Composed by W[illiam] H[enry] Ware. BL h.271.(23.)

3/5/1808 Robert Birchall The Shepherd and his Dog Rover. A glee for three voices. Sung by the Messrs Knyvetts [presumably Charles and William Knyvett] at the Nobilities Concerts. Composed by William Knyvett. BL H.1220.(54.)

Robert Birchall 3/5/1808 A Grand Military Piece for the Piano Forte. Composed, and (with permission) most humbly dedicated to Her Royal Highness the Princess of Wales, by F[rancesco] Lanza. Op. 4. BL h.117.(8.)

13/5/1808 James Cawthorn The Review, or The Wags of Windsor. A musical farce, in two acts. [Written] By George Colman, the younger. BL 642.i.30.(2.)

16/5/1808 Thomas Wilson An Analysis of Country Dancing, wherein are displayed all the
gures ever used in country dances, in a way so easy and familiar that persons of the meanest capacity may in a short time acquire (without the aid of a master) a complete knowledge of that rational and polite amusement. To which are added, Instructions for Dancing some entire new reels, together with the rules, regulations and complete etiquette of the ball room. By T[homas] Wilson, dancing master, from the King’s Theatre, Opera House. BL 1042.d.49

Entries from 1710 to 1810

607

18/5/1808 Robert Birchall Divertimento, nello stile antico, for the Piano Forte, in which is introduced favorite subjects by [Giovanni Battista] Martini and [Charles] Avison. Composed, and dedicated to Miss Gibbs, by J[ohn] B[aptist] Cramer. BL h.364.(7.)

18/5/1808 Robert Birchall Imitations of Many of the most eminent Professors, in twenty-six Variations on the favorite Gavot in Achille et Deidamie for the Piano Forte, with an accompaniment for the ute (ad libitum). Composed, and dedicated to His Royal Highness the Duke of Sussex, by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL g.280.b.(6.) and h.314.(21.)

27/5/1808 William Griesbach Three Quartetts for the Flute or Oboe, Violin, Tenor and Violoncello. Composed, and dedicated (with permission) to His Royal Highness the Prince of Wales, by William Griesbach. Op. 1. BL h.111.(20.)

3/6/1808 Matthew Gregory Lewis He loves and he rides away. A favorite ballad. The words and music by M[atthew] G[regory] Lewis, Esq., with an accompaniment for the harp or piano forte.

3/6/1808 Robert Birchall Oh! Gin ye were mine, Lassie! A glee for four voices. Sung by Mrs [Elizabeth] Vaughan [and] Messrs [Samuel] Harrison, [John Jeremiah] Goss and [James] Bartleman at the Vocal Concerts. The poetry from The Falls of the Clyde. The music composed by William Horsley, Mus. Bac. Oxon. BL H.1221.(37.)

4/6/1808 William Henry Cutler The Power of Music. The words by a lady. Composed with an accompaniment of the harp or piano forte, sung at several private concerts, and respectfully inscribed to Miss Chambers, by William Henry Cutler. BL H.1666.(58.), text begins ‘O music what rapture’

608

Music Entries at Stationers’ Hall

8/6/1808 Ann Valentine A Favorite March and Rondo for the Piano Forte. Composed, and arranged for the piano forte, by Ann Valentine. BL h.282.(1.)

9/6/1808 David Bruguier The Shepherd’s Cot. A favorite ballad. Composed, and dedicated to Miss Dutton, by David Bruguier. The words by Anna Maria Porter. BL G.805.(16.) and H.1663.(44.), text begins ‘Young maid’

9/6/1808 David Bruguier Treasures of the Loom. A favorite ballad. Composed, and dedicated to Miss Heyrick, by David Bruguier. The words by Anna Maria Porter. BL G.805.(15.) and H.1663.(46.), text begins ‘Idle tempter’

18/6/1808 Robert Birchall O fairest of all Creatures. A song, with an accompaniment for the piano forte. Composed by J[ames] Elliott. BL H.1668.(8.)

18/6/1808 Robert Birchall Thou hast an Eye of tender blue. A duet, with an accompaniment for the piano forte. Composed, and respectfully inscribed to Mrs Whitmore, by J[ames] Fisin. BL H.1669.(9.)

21/6/1808 Robert Birchall Yes I will go with thee, my Love. A glee for four voices, in answer to Oh Nanny wilt thou gang with me. Sung by Mrs [Elizabeth] Billington [and] Messrs [Samuel] Harrison, W[illiam] Knyvett and J[ohn] B[ernard] Sale [at] Messrs Knyvetts’ Annual Concert. BL H.1192.c.(17.)

24/6/1808 Robert Birchall Bella Donna. A favorite arietta. As sung by Mrs [Mary] Ashe, at the Ladies Concerts. Composed by C. B. BL H.1662.(1.)

Entries from 1710 to 1810

609

25/6/1808 Domenico Corri In and out of Tune. A musical farce, performed at the Theatre Royal, Drury Lane. Composed, and arranged for the piano forte, by D[omenico] Corri. BL H.134

7/7/1808 Robert Birchall By Celia’s Arbour. A glee for four voices. Sung by Messrs [Samuel] Harrison, [John Jeremiah] Goss, [Thomas] Vaughan and [James] Bartleman at the Vocal Concerts. The poetry translated from the Latin of [Hieronymus] Angerianus by T[homas] Moore, etc. The music composed, and inscribed to his friend Mr [Thomas] Greatorex, by William Horsley, Mus. Bac. Oxon. BL H.1221.(39.)

7/7/1808 Robert Birchall The Favorite Gavot in Achille et Deidamie. Arranged as a duett for harp and piano forte, and dedicated to the Right Honourable Ladies H. [Clive] and C. Clive, by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.316.(11.)

25/7/1808 Thomas Hamley Butler A Collection of Marches, Quick Steps, Minuettos, Arias and Waltzes for the Piano Forte, Pedal Harp, Violin or Flute. All entirely new. Composed by T[homas] H[amley] Butler. BL h.280.(11.)

25/7/1808 Thomas Hamley Butler Four Sonatinas for the Piano Forte or Harp. Composed by T[homas] H[amley] Butler. BL h.280.(17.)

25/7/1808 Thomas Hamley Butler Four Duettinos for Two Performers on One Piano Forte, either with or without the additional keys. Composed, and respectfully dedicated to the Right Honourable Ladies Melville, by T[homas] H[amley] Butler. BL h.280.(22.)

610

Music Entries at Stationers’ Hall

26/7/1808 John Pearce & Co. The celebrated Dance of Ella Rosenberg. Composed, and arranged as a rondo for the piano forte, by M[atthew] P[eter] King. BL h.116.(12.)

27/7/1808 Robert Birchall Six airs from the Ballet of Le Mariage Secret. [Composed by Federigo Fiorillo.] Arranged for the harp and piano forte by P[hilippe] J[acques] Meyer, Sr. BL h.150.(5.)

27/7/1808 Matthew Gregory Lewis Twelve Ballads. The words and music by M[atthew] G[regory] Lewis. With an accompaniment for the harp or piano forte. Containing: He loves and he rides away; The Sailor’s Complaint; The Mistletoe; Poor Anne!; The Silly blind Harper; Evelina’s Lullaby; The Soldier’s Penelope; Sir Agilthorn and Lady Eva; The Ancient Mariner’s Fireside; False Sir Gondibert; The Fisherman; The Sailor-Boy’s Ditty. BL G.295.p.(2.) and H.1416.(3.)

W. H. Pollard 2/8/1808 Six Canzonettas for the Voice, with an accompaniment for the piano forte. Dedicated (by permission) to the Right Honourable the Countess of Besborough. By W. H. Pollard. BL H.1679.(45.)

18/8/1808 Charles Dibdin Jr [i.e., Charles Isaac Mungo Dibdin] Recitatives, Duets, Trios, Chorusses, etc., with a description of the scenery and other decorations, also the fables and arguments, of the various pieces now performing at the Aquatic Theatre, Sadler’s Wells. CUL Pam.5.80.67, presumably a further instalment of the work entered on 20/4/1808

22/8/1808 The Author Eight Anthems, Twelve Psalm Tunes, and Gloria Patri. Dedicated (by permission) to the Honourable Lady Pitt, High
eld Park, Hants. Adapted for the use of country choirs by W[illiam] H. Burgiss, of Heck
eld, near Hartford Bridge. BL H.1663.(49.)

Entries from 1710 to 1810

611

26/8/1808 Jeremiah Clark On the Death of Nelson. A glee for four voices. Words by R[ichard] Cumberland, Esq. The music composed by J[eremiah] Clark, Mus. Bac. Oxon. BL H.1665.(45.), text begins ‘Is there a man’

26/8/1808 Jeremiah Clark Nelson’s Dirge, for four voices. Written by R[ichard] Cumberland, Esq. The music by J[eremiah] Clark, Mus. Bac. Oxon. BL H.1665.(44.)

26/8/1808 Jeremiah Clark The Answer to Oh Nanny will thou gang with me. A favorite song. Composed by Mr [Jeremiah] Clark, and sung at his concerts [in] Birmingham, with great applause. BL H.1665.(43.), text begins ‘Yes, Henry, I will go with thee’

26/8/1808 Jeremiah Clark The Triumph of Britons. A new patriotic song. Composed by Mr J[eremiah] Clark, and sung, with the greatest applause, at his concerts [in] Birmingham by Mr [Thomas] Vaughan. BL H.1665.(42.), text begins ‘Again we begin’

31/8/1808 Agrippino Rosselli Beware the fond Delusion. A celebrated air. As sung by Mrs [Maria Theresa] Bland, with rapturous applause, at the Theatre Royal, Drury Lane, in the new traditionary play called The Mysterious Bride. The words written by Lumley St George Skef
ngton, Esq. The melody selected by the author [i.e., by Agrippino Rosselli] from the Neapolitan, with an accompaniment by Signor [Agrippino] Rosselli. BL H.1681.(64.)

31/8/1808 Edward Smith Biggs The Fox and the Crow. A fable. Set to music, with an accompaniment for the piano forte [by Edward Smith Biggs]. BL H.1250.(9.), text begins ‘In a dairy a crow’

612

Music Entries at Stationers’ Hall

3/9/1808 William Smethergell Moggy Macbride. A favorite song. Sung by Mrs Forrester at Islington Spa. Words by Mr Forrester. Music by Mr [William] Smethergell. BL H.1683.(61.)

17/9/1808 Thomas Walker Anthems and Set Pieces for Two, Three, Four and Five Voices, with an instrumental bass
gured for the piano forte, etc. Interspersed with specimens of short sentences intended to be sung at the conclusion of appropriate tunes, etc. Calculated for the use and improvement of choirs and singing societies. The whole composed by Thomas Walker. BL B.468

20/9/1808 Robert Birchall Three Serenatas for the Piano Forte, with an accompaniment for the ute ad libitum. Composed by T[homas] Haigh. Op. 40. BL h.291.(21.)

Robert Birchall 20/9/1808 Six Sonatinas for a Violoncello Solo and Basso. Composed by Antony Griesbacher. BL h.111.(21.)

23/9/1808 Thomas Hamley Butler Peggy Bawnd, and Pretty Peg. Two favorite airs. Arranged as rondos for the piano forte by T[homas] H[amley] Butler. BL h.280.(18.)

23/9/1808 Thomas Hamley Butler The Miller of Drone, and The Original Highland Laddie, or Quick Step of the gallant 42nd Regiment. Two popular airs. Arranged as rondos for the piano forte by T[homas] H[amley] Butler. BL h.280.(16.)

Entries from 1710 to 1810

613

4/10/1808 Robert Birchall Soft as the Silver Ray that Sleeps. Count Morano’s song in Udolpho. Composed by Dr John Clarke, of Cambridge. BL H.1275.(18.)

4/10/1808 Robert Birchall The Lay of Love. A song. Written by J[ohn] L[ee] Lewes, Esq., of Liverpool. Composed by Dr John Clarke, of Cambridge. BL H.1275.(37.)

4/10/1808 Robert Birchall Bon Jour. Premier divertissement pour le piano forte, avec accompagnement de ute ad libitum. Composé et dédié à ses amis par T. Latour, pianiste de Son Altesse Royale Monseigneur le Prince de Galles. BL h.314.(20.)

10/10/1808 Thomas Bolton A Collection of Airs, Marches, Dances (with
gures), Waltzes, Pollacas and Quick Steps, together with the grand Hymn of the Cruci
xion and Resurrection, the favorite songs of Poor Mariette and The Unfortunate Lover. Composed for (with the exception of a few airs favoured with) and respectfully dedicated to his admirers, by T[homas] Bolton. The whole adapted for the piano forte, with accompaniments and directions ad libitum for the following fashionable instruments: lyre or lute, Spanish guitar, harp, tambourine, castanets, ute or violin. BL h.103.(35.)

10/10/1808 The Author A Collection of Psalm and Hymn Tunes, Odes, etc., in three or four parts. Chiey adapted to the Countess [of] Huntingdon’s hymns, and dedicated to the Rev. W. F. Platt of Holywell Mount Chapel. Composed, selected and revised by J[ohn] C[harles] Nightingale. BL H.1678.(49.)

12/10/1808 The Author Eight Waltzes for the Piano Forte. Composed, and respectfully dedicated to the Right Honourable Lady Mary Taylor, by Henry Mathias. BL h.118.(18.)

614

Music Entries at Stationers’ Hall

14/10/1808 Robert Birchall Three Sonatas with Six Progressive Preludes for the Piano Forte. Composed, and dedicated to Miss Louise Dillon, by F[ederigo] Fiorillo. Op. 38. Book 1. BL h.311.(8.)

14/10/1808 Robert Birchall A Sonata for the Piano Forte, with an accompaniment for the ute or violin. Composed, and respectfully inscribed to the Rev. C. Macarthy, by S[tephen] F[rancis] Rimbault. BL h.275.(19.)

31/10/1808 Robert Birchall Bon Soir. Seconde divertissement pour le piano forte avec accompagnement de ute ad libitum. Composé, et dédié aux dames, par T. Latour, pianiste de Son Altesse Royale Monseigneur le Prince de Galles. BL h.314.(20.)

1/11/1808 Clementi, Banger, Hyde, Collard & Davis Heigho! Sung by Mrs [Maria] Dickons in the comic opera of Two Faces under a Hood. Composed by Mr [William] Shield. BL H.1683.(46.), text begins ‘When gaily peeps’

2/11/1808 Robert Birchall Wake! Lines addressed, by a young lady eight years of age, to her infant brother sleeping. The music composed, and inscribed to Mrs Robert Winter, by William Horsley, Mus. Bac. Oxon. BL H.1221.(34.)

11/11/1808 Committee of the Countess of Huntingdon A Select Collection of Hymns, universally sung in the late Countess of Huntingdon’s Chapels. Collected by Her Ladyship, with a supplement. By authority of Her Ladyship’s trustees. BL 3437.a.46

Entries from 1710 to 1810

615

12/11/1808 Isaac Nathan Six new Dances. Composed, and dedicated to Monsieur La Feuillade, dancing master of Shrewsbury, by Isaac Nathan. BL h.120.(2.)

12/11/1808 Isaac Nathan Six new Dances. Composed for the ladies at Mrs Pilbury’s, Monmouth House, Chelsea, by Isaac Nathan. BL h.120.(3.)

18/11/1808 Michael Kelly The Forty Thieves. A grand dramatic romance. As performed at the Theatre Royal, Drury Lane, with unbounded applause. Composed and selected by Michael Kelly. GUL Special Collections Cb6-d.13

22/11/1808 Robert Birchall Andantino, Air à la polonoise, and Rondo, for the piano forte. Composed, and respectfully dedicated to Miss Johnson, by N. Rolfe. CUL MR340.a.80.2(12)

22/11/1808 Robert Birchall Sixth Divertimento for Piano Forte, in which is introduced a favorite Spanish fandango. Composed, and dedicated to the Right Honourable Lady Diana Herbert, by J[ohn] B[aptist] Cramer. BL h.364.(4.)

25/11/1808 James Peck The Star of Bethlehem. A new ode on the Nativity. The poetry from the Remains of H[enry] K[irke] White. Set to music by C[harles] W[illiam] Banister. BL B.451.(2.)

25/11/1808 John Banner All Together. A favorite comic song. The words by D. Lawler. Composed by John Banner. BL H.1622.(10.), text begins ‘Reuben, he had wit’

616

Music Entries at Stationers’ Hall

25/11/1808 John Banner Charming Jenny. A favorite ballad. The words by D. Lawler. Composed with an accompaniment for the piano forte, and inscribed to his friend W[illiam] Russell [of London], Mus. Bac., by John Banner. BL H.1662.(9.)

3/12/1808 Robert Birchall The Dream. A glee for four voices. Written by T[homas] Moore, Esq., and performed at the Glee Club, etc. Composed by W[illiam] Hawes, gentleman of His Majesty’s Chapels Royal. BL H.1224.(21.)

7/12/1808 The Author An Air from [George Frideric] Handel’s Lessons, with nine Variations for the Piano Forte. Composed, and respectfully dedicated to the Miss Wyndhams [i.e., to the Misses Wyndham], by George Augustus Kollmann. BL h.277.(19.)

The Author 7/12/1808 The Duel, or the Tom Cats. A favorite comic song. The words by D. Lawler. Respectfully inscribed to every man of fashion, and composed by John Banner.

7/12/1808 Robert Birchall Mam mi mia. A favorite Italian air, with twelve variations for the piano forte with an accompaniment for the ute ad libitum. Composed, and dedicated to the Honourable Louisa Lygon, by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.314.(4.)

8/12/1808 Bland & Weller Love will still be Lord of all. The song of Albert Graeme in the Lay of the Last Minstrel [by Walter Scott]. Set to music by S[aunders] Bennet, organist, Woodstock. BL H.1662.(33.)

Entries from 1710 to 1810

617

12/12/1808 David Bruguier Three Duets for Two Performers on the Piano Forte. Composed, and respectfully dedicated to the Miss Rules [i.e., the Misses Rule], by D[avid] Bruguier. Op. 10. GUL Special Collections Cb4-e.6

14/12/1808 Giacomo Gotifredo Ferrari Papa. The favorite canzonetta. As sung by Madame [Angelica] Catalani in the opera of Il Furbo contro il Furbo. Adapted for the piano forte, ute or violin by G[iacomo] G[otifredo] Ferrari.

14/12/1808 Giacomo Gotifredo Ferrari Papa. A favorite canzonetta, sung at the King’s Theatre, Haymarket by Madame [Angelica] Catalani in the opera of Il Furbo contro il Furbo. The melody by Madame [Angelica] Catalani. The accompaniments by G[iacomo] G[otifredo] Ferrari. The words by [B. Sera
no] Buonaiuti. CUL MR205.a.80.11(37) and MRA.290.80.173

14/12/1808 Giacomo Gotifredo Ferrari A favorite Grand March for the Piano Forte. Composed, and dedicated to His Royal Highness the Prince Starhemberg, by G[iacomo] G[otifredo] Ferrari. BL e.108.(3.)

14/12/1808 Giacomo Gotifredo Ferrari A new Scena and Polacca. Composed for Madame [Angelica] Catalini. Adapted for the piano forte and ute. By G[iacomo] G[otifredo] Ferrari.

15/12/1808 Robert Birchall The Weary Wandering Traveller. Glee for three voices. Composed by M[atthew] P[eter] King. BL H.1220.(43.)

618

Music Entries at Stationers’ Hall

15/12/1808 Robert Birchall L’Incanto. Serenade for Two Performers on the Piano Forte and One on the Harp, in which is introduced a favorite Irish air and the Neapolitan La Tarantella. Composed at Burley on the Hill for the Misses Fitzgerald and Miss Finch, and dedicated to the Earl of Winchilsea, by P[hilip] Antony Corri. BL h.330.(21.)

19/12/1808 George McFarren Twelve Country Dances, with new appropriate Figures, for the Piano Forte, Harp or Violin. Composed, and respectfully dedicated to the young gentlemen of Ealing School, by George McFarren, dancing master.

28/12/1808 Joseph Dale Lady Gore’s Waltz, arranged as a rondo for the piano forte or harp. By J[oseph] Dale. BL h.270.(5.)

31/12/1808 Robert Birchall The Wood Nymph. A glee for three voices. Written by Mr [John Lee] Lewes. Composed by Mr [Samuel] Webbe Jr. BL H.1687.(27.), text begins ‘Gentle stranger’

31/12/1808 Robert Birchall Auld Robin Gray. A favorite Scotch air. As sung by Miss [Maria Hester] Parke [and] Messrs [Samuel] Harrison, W[illiam] Knyvett and [John] Sale Jr at Messrs Knyvetts’ Annual Concerts. Harmonized for four voices by William Knyvett. BL H.1220.(64.)

3/1/1809 Robert Birchall Rondo for the Harp, with accompaniments for violin, violoncello and two French horns. Composed by Samuel Webbe Jr. BL h.286.(9.)

Entries from 1710 to 1810

619

11/1/1809 Robert Birchall [Ludwig van] Beethoven’s Grand Symphony in C. Arranged for two performers on the piano forte, and dedicated to Miss Martin and Miss Emily Malton, by D[avid] Bruguier. GUL Special Collections Cb3-e.5²

16/1/1809 John Pitts The Chearful Sailor. Being a collection of choice songs relating to family life. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

16/1/1809 John Pitts The Harvest Songster. Being a collection of choice songs to be sung at harvest home. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

24/1/1809 Robert Birchall Three Scotch Airs arranged expressly for the Harp, with an accompaniment for ute or violin ad libitum. Composed, and dedicated to Miss C. M. Cazenove, by Ph[ilippe] J[acques] Meyer, Jr. 1st set. BL h.150.(11.)

24/1/1809 Robert Birchall The favorite Airs from the ballet of Le Mariage Secret. [Composed by Federigo Fiorillo.] Arranged for two utes by Charles Saust.

27/1/1809 Robert Birchall A Military Concerto for the Piano Forte, with accompaniments. Composed for His Royal Highness the Prince of Wales by T. Latour, pianiste to His Royal Highness. BL h.316.(12.)

Robert Birchall 27/1/1809 Our bonny Scotch Lads, in their green tartan Plaids. A Scottish ballad. Written by R[obert] Tannahill. Composed by Mr [John] Ross, Aberdeen. BL H.1681.(56.)

620

Music Entries at Stationers’ Hall

3/2/1809 Robert Birchall The Feast of Erin. Fantasy for the Piano Forte, in which is introduced the original Irish airs of Planxty Drury, The Summer is coming, Erin go bragh, and Fly not yet. Composed for, and dedicated to Miss Mary Fludyer, by P[hilip] Antony Corri. BL h.330.(5.)

John Pitts The Voice of the Nation. A collection of choice patriotic songs. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

6/2/1809

6/2/1809 John Pitts The Friendly Society Songster. Being a collection of choice songs intended for friendly societies and bene
t clubs. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

6/2/1809 John Pitts The True Lover’s Knott, or The Bend of Affection. A collection of choice songs. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

John Pitts Rural Melody. Being a collection of choice songs relating to a country life. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

6/2/1809

9/2/1809 J. Lazenby A Sonata for the Harp or Piano Forte. Composed, and dedicated to Miss Eliza Maxtone, by Miss [J.] Lazenby. Op. 1. BL h.117.(13.)

9/2/1809 Robert Birchall Overture to Il Don Giovanni. Composed by [Wolfgang Amadeus] Mozart. Arranged as a duett for two performers on the piano forte by J[ohn] F[reckleton] Burrowes. BL g.443.b.(22.)

Entries from 1710 to 1810

Robert Birchall Emma. A canzonet. Composed by Mr [John] Ross, Aberdeen. BL H.1681.(63.), text begins ‘While balmy zephyrs’

621

9/2/1808

9/2/1809 Robert Birchall The Seventh of November. A Scotch air. Arranged as a rondo for the piano forte by Mr [John] Ross, Aberdeen. BL h.122.(34*.)

Robert Birchall 9/2/1809 The favorite Hornpipe danced by Miss Gayton in the ballet of Le Mariage Secret. Composed by F[ederigo] Fiorillo, and arranged for the piano forte by J[ohn] B[aptist] Cramer. CUL MR340.a.80.2(4)

10/2/1809 The Author An Original Air with Variations for the Piano Forte. Composed by Mademoiselle Florian de Pontcadeux. BL h.121.(26.)

11/2/1809 Jane Mary Miles Sonata for the Piano Forte, with an accompaniment for the violin ad libitum. Composed, and dedicated (with permission) to Her Royal Highness the Princess Charlotte of Wales, by Mrs [Jane Mary, née Guest] Miles, instructress in music to Her Royal Highness. BL h.151.(8.)

John Pitts The Shepherd’s Pipe. A collection of songs relating to a shepherd’s life. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

20/2/1809

20/2/1809 John Pitts The Gallant Soldier. Being a collection of choice songs relating to the soldier’s life. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

622

Music Entries at Stationers’ Hall

25/2/1809 Timothy Essex Lines on returning a Ring to a young Lady, by the Right Honourable J. P. Curran. The music composed, and arranged with an accompaniment for the piano forte, by T[imothy] Essex, Bac. Mus. [sic] Oxon.

25/2/1809 Timothy Essex A canzonet from Miss Charlotte Smith’s novel of Marchmont. Composed, and arranged with an accompaniment for the piano forte, by T[imothy] Essex, Mus. Bac. Oxon. BL H.1668.(26.)

25/2/1809 Thomas Bolton The Fond Hope realized. Being the answer to The Unfortunate Lover, published in Mr [Thomas] Bolton’s new musical publication [i.e., his Collection of Airs, entered on 10/10/1808]. Dedicated to his admirers. Composed by Mr [Thomas] Bolton. Also, Trust not man. BL H.1663.(24.)

James Hunter 25/2/1809 Three Canzonets, from the works of Henry Kirke White, Robert Burns and Thomas Moore. Composed, with an accompaniment for the piano forte, by J[ames] Hunter. BL H.1672.(48.)

3/3/1809 J. B. Mathews A New Considering Cap, in comic shape for John Bull, done on the convention of Cintra. Delivered and sung, with the highest applause, by J. B. Mathews of Bath, honorary member of the Noblemen and Gentlemen’s Catch Club. Now offered to excite harmony, loyalty, valour and unanimity among the family in general, and humbly inscribed to the Prince of Wales.

6/3/1809 Thomas Wilson The Treasures of Terpsichore, or A Companion for the Ball Room. Being a collection of all the most popular English country dances, arranged alphabetically with proper
gures to each dance, together with all the new dances for 1809. By T[homas] Wilson, dancing master from the King’s Theatre, Opera House, and author of The Analysis of Country Dancing. BL 1042.d.24 and 7921.a.56

Entries from 1710 to 1810

623

9/3/1809 Robert Birchall Duett Concertante for the Piano Forte and Violin (or Flute), with accompaniments for two French horns ad libitum. Composed, and dedicated to Mr and Mrs F. Cramer [i.e., to François Cramer and Anne Cramer], by F[ederigo] Fiorillo. BL h.310.(13.)

Robert Birchall Songs and Duetts. Composed by a lady. Third set. BL H.1251.(6.)

9/3/1809

9/3/1809 Michael Kelly The Harp Song. Sung by Mrs [Eliza] Atkins in the comic opera of Love Laughs at Locksmiths, accompanied by Mr [François Joseph] Dizi. Composed by M[ichael] Kelly.

9/3/1809 Michael Kelly The Maid of Snowden. Sung, with unbounded applause, by Mrs [Sarah, née Tyrer] Liston at the Theatre Royal, Covent Garden in the comedy of Town or Country. Written by Thomas Morton, Esq. Composed by Michael Kelly. BL H.1674.(8.)

9/3/1809 Michael Kelly Green Leaves all turn Yellow. A favorite ballad. Sung, and accompanied on the lute by Mrs [Dora] Jordan, in the farce of Matrimony. Composed by Michael Kelly. BL H.1674.(11.)

9/3/1809 Michael Kelly The Baby’s Hush a Bye. A favorite ballad. Sung by Miss Davis at the Theatre Royal, Covent Garden, with universal approbation, in the new comedy of The Blind Bargain, or Hear Him Out. Written by H[enry] Siddons, Esq. Composed by M[ichael] Kelly. Bodleian Mus. Voc. I, 32 (6)

624

Music Entries at Stationers’ Hall

10/3/1809 Alexander Reed La Caccia di Enrico IV, or Henry the IVth of France’s Hunting Party. An heroi-comic opera, in two acts, by [B.] S[era
no] Buonaiuti, totally altered and rewritten. As represented at the King’s Theatre in the Haymarket. The music, entirely new, by Signor V[incenzo] Pucitta. BL 640.c.33.(1.) and 11714.aa.17.(1.)

10/3/1809 Robert Birchall Down in the Vale where Clywd so sweetly. An original Sylvanettina, adapted to the popular air of March Megan, or Margaret’s Daughter, with variations for the harp or piano forte. By Thomas Taylor of Chester. BL H.1685.(13.)

10/3/1809 John Roffey Minds Infantile. Addressed to the globe. Its principles, poetry, and music. By the author, John Roffey. BL H.1681.(49.)

Robert Birchall 10/3/1809 Four Favorite Airs with Variations for the Harp. Composed, and dedicated to the Honourable the Lady Georgiana Pratt, by Ph[ilippe] J[acques] Meyer, Sr. BL h.150.(8.) and H.2819.(1.)

20/3/1809 John Pitts The Sheep Shearers’ Garland. Being a collection of choice songs to be sung at shearing. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

21/3/1809 Robert Birchall A Set of Easy Lessons, containing Favorite Airs, Waltzes, etc. for the use of Beginners on the Piano Forte. Composed, arranged, and inscribed to Miss Jane Bland Winter, by W[illiam] Horsley, Mus. Bac. Oxon. BL h.114.(24.)

Entries from 1710 to 1810

625

21/3/1809 Robert Birchall The Robin, from Mary Ward’s original poetry, An Invitation to the Robin. A canzonet and trio. Composed, and dedicated to Miss Ryle and Miss Daintry, by J[ohn] B[ernard] Sale, author of The Buttery, gentleman of His Majesty’s Chapels Royal and of Westminster Abbey, etc. BL H.1683.(7.), text begins ‘Wilt thou the icy thorn forsake?’

23/3/1809 David Bruguier Angel’s Tears. A favorite ballad. Sung by Signora Minasi at the Museodean and Mr Lanza’s subscription concerts, and by Mrs O’Moran at the Bath concerts. Written by Miss A[nna] M[aria] Porter. The music composed by D[avid] Bruguier. BL H.1663.(45.)

25/3/1809 Robert Birchall Two Sonatas, by [Wolfgang Amadeus] Mozart and [Johann Samuel] Schroeter. Arranged for the harp, with accompaniments for violin and violoncello, and dedicated to Miss Penrice, by Ph[ilippe] J[acques] Meyer, Jr. BL h.150.(10.)

8/4/1809 Robert Birchall A Sonata for the Piano Forte, with an accompaniment for the violin or ute ad libitum. Composed, and dedicated (by permission) to Mr [Joseph] Woel, by J[ohn] F[reckleton] Burrowes. Op. 4. BL h.452.(1.)

10/4/1809 John Pitts The Honest Farmer. Being a collection of choice songs relating to a farmer’s life. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

14/4/1809 Robert Birchall Three Airs with Variations for the Harp. Composed, and dedicated to the Right Honourable Lady Harriet Cavendish, by F[rançois Joseph] Dizi. BL h.158.(10.)

626

Music Entries at Stationers’ Hall

14/4/1809 Robert Birchall A Duett for Two Performers on the Piano Forte, in which is introduced the admired air of O dolce concento [by Wolfgang Amadeus Mozart], with variations. Composed by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.3290.gg.(1.)

17/4/1809 George Ebenezer Williams An Introduction to the Art of Playing on the Piano Forte, in two parts. Part 1 on the characters used in music. Part 2 containing forty lessons for beginners, with an appendix containing technical terms and a few exercises. By G[eorge] E[benezer] Williams. BL h.3820.b.(2.)

Thomas Walker The Blessed Man. A wedding anthem.

17/4/1809

17/4/1809 Robert Birchall A Grand Sonata for the Piano Forte. Composed, and dedicated to George Onslow, Esq., by J[ohn] B[aptist] Cramer. Op. 42. BL h.364.(8.)

20/4/1809 Isaac Nathan The Illiterate Boy. Sung by Mr [John] Braham at the Nobility’s Concerts. Written and composed by I[saac] Nathan. BL H.1678.(12*.)

25/4/1809 The Author The Melody of the Hundredth Psalm, with Examples and Directions for an hundred different Harmonies, in four Parts. Composed, and respectfully dedicated to the Honourable Miss Charlotte Onslow, by A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. Op. 9. GUL Special Collections A.x.12 and S.b.36

Entries from 1710 to 1810

627

25/4/1809 Joseph Kemp John Bull and Frederick. A patriotic song. Written by a Cantab[ridigian, i.e., a member of the University of Cambridge], to the Scotch air of Fee him, Father, with an accompaniment for the piano forte or harp. BL H.1250.(15.), text begins ‘And were not ye once babies’

29/4/1809 Robert Birchall La Fête Militaire. A grand divertissement for the piano forte. Composed, and most respectfully dedicated to the Right Honourable Lady Louisa Greville, by M[atthew] P[eter] King. BL h.116.(13.)

29/4/1809 Robert Birchall The Favorite Air Russe with Variations by [John Baptist] Cramer. Arranged for the harp by J[ohn] B[aptiste] Mayer. BL h.151.(7.)

29/4/1809 Robert Birchall [Joseph] Haydn’s celebrated Movement, The Surprise, with Variations for the Harp or Piano Forte. Composed, and (with permission) dedicated to Miss Flower (Lady Mayoress, 1809) [i.e., dedicated to Lady Flower, wife of Sir Charles Flower, Lord Mayor of London] , by T[homas] Powell. BL h.121.(29.)

1/5/1809 J. G. Blackwell A Grand March for the Piano Forte. Dedicated (by permission) to the Right Honourable the Countess of Clare. Composed by J. G. Blackwell. BL h.103.(23.)

6/5/1809 John Pitts Vocal Repository. [Edited by James Plumptre.] The Gallant Soldier. Being a collection of choice songs relating to the soldier’s life. Part 2. BL 1078.e.6

628

Music Entries at Stationers’ Hall

8/5/1809 Robert Birchall A Musical Grammar, in four parts: I. Notation. II. Melody. III. Harmony. IV. Rhythm. By Dr [John Wall] Callcott, organist of Covent Garden church. Second edition. BL 1042.e.21

8/5/1809 Robert Birchall Six Waltzes for Piano Forte, with an accompaniment for the ute. Composed, and dedicated to Miss Tierney, by V[eronica Elisabeth] Cianchettini. BL h.324.(8.) and H.2819.(24.)

8/5/1809 Robert Birchall Duett for the Harp or Piano Forte, with accompaniments for two French horns ad libitum. Composed, and dedicated to Miss Curzon and Miss C. Curzon, by F[ederigo] Fiorillo. Op. 43. GUL Special Collections Cb5-e.4 and Cb5-e.5

10/5/1809 Charles Dibdin Jr [i.e., Charles Isaac Mungo Dibdin] Recitatives, Duets, Trios, Choruses, etc., with a description of the scenery and other decorations, also the fables and arguments of the various pieces now performing at the Aquatic Theatre, Sadler’s Wells. CUL Pam.5.80.67, presumably a further instalment of the work entered on 20/4/1808 and on 18/8/1808

Robert Birchall Lovely Ellen. A song. Composed by Dr [John] Clarke, of Cambridge. BL h.309.(6.)

10/5/1809

10/5/1809 Robert Birchall The False Alarm. Dialogue and duett, with an accompaniment for the piano forte. Composed by Dr John Clarke, of Cambridge. BL H.1275.(30.)

Entries from 1710 to 1810

629

10/5/1809 Robert Birchall No. 3. Sonata for the Piano Forte, with an accompaniment for the ute ad libitum, in which is introduced the airs of ‘The Rising of the Lark’ and ‘Drink to me only’. Composed, and dedicated to Miss Spencer Stanhope, by J[ohn] B[aptist] Cramer. BL g.451.b.(3.)

10/5/1809 Robert Birchall Caro Caro. Cavatina, with a harp accompaniment. Sung by Madame [Sophia] Dussek, and composed for her by P[hilip] Antony Corri. BL H.1666.(31.)

12/5/1809 Richard Taylor See, The Altar of Liberty all on a Blaze. An original patriotic song, for the piano forte and voice. The poetry and music respectfully inscribed to G[wyllym] L[loyd] Wardle, Esq., M. P., and the Livery of the City of London, by R[ichard] Taylor. BL H.1685.(12.)

16/5/1809 Robert Birchall The Red Rose. A glee for four voices. As sung by Miss [Maria Hester] Parke [and] Messrs [Samuel] Harrison, W[illiam] Knyvett and [John] Sale Jr, at Messrs Knyvetts’ annual concerts. Composed by W[illiam] Knyvett. BL H.1220.(52.), text begins ‘My love is like the red, red rose’

17/5/1809 Alexander Reed La Serva Raggiratrice, or The Plotting House Keeper. A comic opera, in two acts. As represented at the King’s Theatre, in the Haymarket, with additions and alterations by [B.] S[era
no] Buonaiuti. The music by Peter Charles [i.e., Pietro Carlo] Guglielmi. BL 640.c.33.(2.)

18/5/1809 Joseph Elouis [Wolfgang Amadeus] Mozart’s favourite Air, O dolce concento. Sung by Signora [Angelica] Catalani, and known as Away with Melancholy. Arranged, with variations for the harp or piano forte, by J[oseph] Elouis. BL h.109.(15.)

630

Music Entries at Stationers’ Hall

18/5/1809 Joseph Elouis Paesiello’s [i.e., Giovanni Paisiello’s] favourite Duett Lo conosco a quegli occhietto, in the opera of La Serva Padrona. Arranged for the harp or piano forte, for the Honourable Miss Duncans [i.e., Misses Duncan], by J[oseph] Elouis.

18/5/1809 Joseph Elouis The celebrated recitative Sconsigliala che fo and air Qual pallor qual tema, sung by Signora [Angelica] Catalani in the opera of Semiramide [composed by Marcos Antônio Portogallo], arranged for the harp or piano forte, for Miss Margaret Whyte Melville, by J[oseph] Elouis. BL h.109.(19.)

18/5/1809 Joseph Elouis Papa. The favourite canzonetta. Composed and sung by Signora [Angelica] Catalani in the opera of Il Furbo contro il Furbo. Arranged for the harp or piano forte, for Miss C. Hay, by J[oseph] Elouis. BL h.109.(17.)

Robert Birchall 24/5/1809 Bohemian Air Fanfare, with Variations for the Harp or Piano Forte, with an accompaniment for the violoncello ad libitum. Composed, and dedicated to Miss C. H., by [John] L[ewis] Hoeberecht[s]. BL h.113.(41.)

24/5/1809 L. Hoberecht [i.e., John Lewis Hoeberechts] [George Frideric] Handel’s Celebrated Air, with Variations for the Piano Forte, Harp or Organ, with a ute accompaniment. Most respectfully dedicated to the Honourable Miss Helena Perceval, by [John] L[ewis] Hoeberechts. BL h.113.(42.)

26/5/1809 Robert Birchall Six Favorite Airs from The Beggars’ Opera. As sung by Mrs [Maria] Dickons, Mr [John] Braham and Mr [James] Bartleman at the Nobilities Concerts. Harmonized for three voices by Samuel Webbe Jr. BL H.1687.(26.)

Entries from 1710 to 1810

631

1/6/1809 Robert Birchall The favorite Spanish Boleros, danced by Monsieur [Auguste Armand] Vestris and Mademoiselle Angiolini in the ballet of Don Quichotte, with Variations for the Piano Forte with an accompaniment for the ute. Composed by T. Latour, pianiste to His Royal Highness the Prince of Wales. GUL Special Collections Cb3-d.20

1/6/1809 Robert Birchall Two Sonatas for the Piano Forte. Composed, and respectfully dedicated to Mrs Beaumont, by T[homas] Haigh. Op. 41. BL h.291.(4.)

1/6/1809 Robert Birchall Three Sonatas for the Piano Forte. Composed, and dedicated to the Right Honourable Lady Sophia Cecil, by Leopold Kozeluch. Op. 53. BL h.287.(6.)

8/6/1809 Robert Birchall A Fourth Military Duett for Two Performers on the Piano Forte. Composed, and dedicated to Miss Macleay, by S[tephen] F[rancis] Rimbault. BL h.275.(13.)

9/6/1809 Alexander Reed Pirro. A serious opera, in two acts. As represented at the King’s Theatre in the Haymarket, with additions and alterations by [B.] S[era
no] Buonaiuti. The music by [Giovanni] Paisiello. BL 640.c.33.(3.)

12/6/1809 John Pitts The Whistling Ploughman. A collection of choice songs relating to agricultural life. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

13/6/1809 Robert Birchall The Camp. A grand military piece for the piano forte, in which are introduced characteristic airs. Composed by Louis von Esch. BL h.284.(1.)

632

Music Entries at Stationers’ Hall

16/6/1809 Robert Birchall Three favorite Airs. Arranged for the harp, and dedicated to Mrs Samuel Hill, by S[ophia] Dussek. Book 1. GUL Special Collections Cb5-e.9

29/6/1809 George Thomson A Select Collection of Original Welsh Airs. Adapted for the voice. United to characteristic English poetry never before published. With introductory and concluding symphonies and accompaniments for the piano forte or harp, violin and violoncello, composed chiey by Joseph Haydn. BL I.366 and Hirsch iv.455

6/7/1809 Robert Birchall O dolce Concento, a favorite air [by Wolfgang Amadeus Mozart], with Twelve Variations for the Piano Forte and an accompaniment for the ute (ad libitum) composed by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.314.(6.)

Thomas Bolton 8/7/1809 The Village Fête, or The Marriage of Hubert and Jane. By Mr [Thomas] Bolton.

17/7/1809 J. G. Blackwell Talk not to me of rosy Cheeks. A favorite song, for the voice and piano forte. Composed by J. G. Blackwell. BL H.1663.(8.)

18/7/1809 Robert Birchall [Philip] A[ntony] Corri’s Serenade L’Incanto. Originally composed for two performers on the piano forte and one on the harp. Arranged for the piano forte with a ute accompaniment ad libitum [by Philip Antony Corri]. Composed at Burley on the Hill for Miss Fitzgerald, Miss Finch and Miss Emily Fitzgerald, and dedicated to the Right Honourable the Earl of Winchilsea. BL h.330.(21a.)

Entries from 1710 to 1810

633

19/7/1809 Robert Birchall Alma Grande, eccelso eroe. The favorite cavatina. Sung by Signora [Luigia] Calderini in the opera of Sidagero. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(27.)

19/7/1809 Robert Birchall The favorite recitative and air, Del mio sen la dolce calma. Sung by Signora Collini in the opera of Sidagero. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(26.)

19/7/1809 Robert Birchall Ye Banks and Braes o’bonny Doon. A favorite Scotch air, with variations for the harp composed by P[hilippe] J[acques] Meyer Sr. BL h.2605.s.(5.)

19/7/1809 Robert Birchall Pietoso Dio che vedi. The favorite preghiera. Sung by Signor [Diomiro] Tramezzani in the opera of Sidagero. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(24.)

24/7/1809 G. O’Moran Six Ballads, with an accompaniment for the piano forte or harp. Composed, and dedicated (by permission) to His Royal Highness the Prince of Wales, by Mrs G. O’Moran. BL H.1691.(49.) and R.M.13.f.28

26/7/1809 Cianchettini & Sperati Trois Sonates à Quatre Mains pour le Piano Forte. Composéғes, comme études progressives pour Mademoiselle Charlotte de Talleyrand, par J[an] L[adislav] Dussek. Op. 66. BL h.308.(11.)

634

Music Entries at Stationers’ Hall

26/7/1809 Cianchettini & Sperati A Notturno Concertante for the Piano Forte and Violin, with a French horn accompaniment ad libitum. Composed, and performed in Paris with unbounded applause, by J[an] L[adislav] Dussek with his friend P[ierre] Rode. Op. 68. BL h.308.(5.)

26/7/1809 Robert Birchall Caro Sposo a te vicina. A favorite duett. Sung by Signora [Luigia] Calderini and Signora Collini in the opera of Sidagero. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(21.)

26/7/1809 Robert Birchall Svani il nemico orgoglio. The favorite
nale, with the chorus. As sung by Signora Calderini, Signora Collini, Signora Bianchi [and] Signor Tramezzani, with the harp accompaniment, in the opera of Sidagero. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(22.)

31/7/1809 J. G. Blackwell Beauty’s best when unadorned. A favorite song, with an accompaniment for the piano forte or harp. Composed by J. G. Blackwell. BL H.1663.(7.)

1/8/1809 George Guest A Fifth Troop March, in Score, for Clarinets, Flutes, Horns, Trumpet, Bassoons, Serpent, Side Drums and Bass Drum, with an Adaption for the Piano Forte. Inscribed (by permission) to the Right Honourable Philip [Yorke], Earl of Hardwicke, Colonel of the Isle of Ely Regiment of Local Militia, and Lord Lieutenant and Custos Rotulorum of the County of Cambridge, K. G., F. R. & A. S. Composed by George Guest, of Wisbech. BL h.129.(9.)

Entries from 1710 to 1810

635

7/8/1809 Henry Lee Caleb Quotem and his Wife!, or Paint, Poetry and Putty. An opera in three acts, to which is added a Postscript, including the scene always played in The Review, or Wags of Windsor, but omitted in the edition lately published by G[eorge] Colman, Esq. [the younger]. With prefatory remarks, etc., by Henry Lee, manager of the theatres [in] Taunton, Barnstaple, Wells, Dorchester, Bridgwater, etc. BL 643.f.13.(1.)

10/8/1809 Thomas Clark God is Gone up. An anthem from the 47th psalm. Composed by T[homas] Clark, Canterbury.

10/8/1809 Thomas Clark A Te Deum and Jubilate, adapted for a Double Choir. Composed by T[homas] Clark, Canterbury.

10/8/1809 Johann Theophilus Low Six new and original German Waltzes, for the Piano Forte. Composed by Johann Theophilus Low. BL h.117.(48.)

25/8/1809 Robert Birchall The favorite recitative and song, Digli che non pavento. Sung by Signor [Diomiro] Tramezzani in the opera of Sidagero. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(25.)

25/8/1809 Robert Birchall Duett for Two Performers on the Piano Forte. Composed, and dedicated to his friend J[ohn] B[aptist] Cramer, by Samuel Webbe Jr. BL h.286.(11.)

25/8/1809 Robert Birchall Audace che chiedi. A favorite duett. Sung by Signora [Luigia] Calderini and Signor [Diomiro] Tramezzani in the opera of Sidagero. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(23.)

636

Music Entries at Stationers’ Hall

31/8/1809 Peter Weldon The Battle of Baylen, and The Surrender of General Dupont’s Army to the patriotic Spanish Army under the command of Generals Castanos and Reding. A military and historical piece for the piano forte, with an accompaniment for the violin and bass. Dedicated to the Supreme Junta of Sevilla [Seville], Generals [Francisco] Castanos and [Theodor] Reding, their brave of
cers [and] soldiers, and to all Spanish patriots. By Peter Weldon. BL h.125.(22.)

31/8/1809 Peter Weldon The Favorite Brazil Waltz for the Piano Forte, with an accompaniment for the clarinet or ute, and triangle. Respectfully inscribed to His Royal Highness the Prince Regent of Portugal. By Peter Weldon. BL h.125.(21.)

6/9/1809 Robert Birchall The Farewell. Sung by Mr [James] Bartleman at the Vocal and other concerts, with universal applause. Composed by Robert Cooke. BL H.1666.(17.)

6/9/1809 Robert Birchall Turn, Sweet Virgin of the Grove. A glee for three voices. Composed by M[atthew] P[eter] King. BL H.1220.(42.)

6/9/1809 Robert Birchall Quartett from the Epicedium on [Wolfgang Amadeus] Mozart. As performed, with great applause, at Mr [Felix] Yaniewicz’s concert. The translation (from the German) and the music adapted by S[amuel] Webbe, Jr. BL H.1687.(25.)

John Pitts Music for the Winter Fireside. A choice collection of songs. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

7/9/1809

Entries from 1710 to 1810

637

18/9/1809 William Hodsoll Castles in the Air. A favorite ballad. Sung by Mr Broadhurst at the Aquatic Theatre, Sadler’s Wells. Written by C[harles Isaac Mungo] Dibdin, Jr. Composed by Mr [William] Reeve. BL H.1681.(32.)

18/9/1809 William Hodsoll Miss Margery Muggins. A favorite comic song. Sung by Mr [Joseph] Grimaldi at the Aquatic Theatre, Sadler’s Wells, in the pantomime of Castles in the Air. Written by C[harles Isaac Mungo] Dibdin, Jr. Composed by Mr [William] Reeve. BL H.1681.(33.)

21/9/1809 John Alexander May A Selection of the most favorite Songs, Duetts, Glees, Waltzes, Marches, Scots, Irish, and Welch Airs. With several admired pieces as performed at the Theatres Royal, Edinburgh and Glasgow, and a number of duetts composed by the publisher. The whole arranged, in an easy and familiar style, for one, two, and three German utes, or patent agelets. By J[ohn] A[lexander] May. BL B.401

21/9/1809 The Author A Grand Divertimento. Military march for a hautboy, two clarinets, two utes, two horns, two trumpets and two bassoons. Dedicated to the Right Honourable the Countess of Clare. Composed by J. G. Blackwell. BL h.102.(8.)

John Aldred A new song, on Covent Garden Theatre. possibly BL C.20.f.2.(268.)

13/10/1809

20/10/1809 Merriden Jubilee Song for Wednesday, 25th October, 1809. Tune, God save the King. BL C.20.f.2.(265.)

638

Music Entries at Stationers’ Hall

27/10/1809 Robert Birchall Three Sonatas for the Piano Forte. Composed, and dedicated to Master Laborie, by F[ederigo] Fiorillo. Op. 40. BL h.311.(10.)

28/10/1809 Robert Birchall The Dream. A canzonet, adapted from the glee, with an accompaniment for the piano forte. Composed by William Hawes, gentleman of His Majesty’s Chapels Royal. BL H.1224.(2.)

Robert Birchall Susan. A song. Composed by J[ames] Fisin.

28/10/1809

1/11/1809 J. C. H. Hoffmann Twelve Waltzes for the Piano Forte. Composed, and dedicated to the Right Honourable [the] Countess of Jersey, by J. C. H. Hoffmann. Op. 1. BL h.114.(2.)

1/11/1809 William Hodsoll The Jubilee Rondo, for the Harp or Piano Forte. Composed in commemoration of the
ftieth year of the reign of our beloved sovereign George the Third, and dedicated to the ladies of Great Britain, by Mr [Matthias von] Holst. BL h.156.(22.)

6/11/1809 Robert Birchall Sonata for the Harp, with an accompaniment for the ute. Composed, and dedicated to Mr Charles Meyer, by J[oseph] Woel. Op. 52. BL h.278.(8.)

Robert Birchall 6/11/1809 Sonata for the Harp, with a violin accompaniment ad libitum. Composed, and inscribed to his friend Ph[ilippe] J[acques] Meyer Jr, by H[enry] Smart. Op. 10. BL h.123.(23.)

Entries from 1710 to 1810

639

17/11/1809 Robert Birchall The favorite air Begone Dull Care, with Twelve Variations for the Piano Forte. Composed by H[enri] de Monti. Op. 27. BL h.328.(1.)

21/11/1809 John Pitts A Song and a Laugh. Being a collection of choice humorous songs,
t to promote harmless mirth and good humour. BL 1078.e.6 and 11622.bb.3, a part of the Vocal Repository, edited by James Plumptre

1/12/1809 The Author The Songs, Odes, Ballads, Duets and Glees in an opera entitled Sketches from Life, or The Wandering Bard. The music composed [and] written by Samuel Blake Frome. BL 643.f.14.(1.)

John Pitts Four New Carols for 1809. BL C.20.f.2.(266.)

2/12/1809

5/12/1809 Robert Birchall The Separation. A song, with an accompaniment for the piano forte. The words by M[ary] S[abilla] Hehl. Composed, and respectfully inscribed to the Right Honourable Lady Mary Anne Grenville, by Vincent Novello. BL H.1678.(51.)

18/12/1809 The Author A General Collection of the Ancient Music of Ireland, arranged for the Piano Forte. Some of the most admired melodies are adapted for the voice, to poetry chiey translated from the original Irish songs, by Thomas Campbell, Esq., and other eminent poets. To which is pre
xed, A Historical and Critical Dissertation on the Egyptian, British and Irish harp, by Edward Bunting. Vol. 1. BL H.1396

640

Music Entries at Stationers’ Hall

18/12/1809 John Hodgson Short Instructions for Tuning a Piano Forte. Written by Musicus Ignoramus, for the use of amateurs who are more ignorant than himself. With a portrait of the author. BL 1080.i.19.(2.) and 7891.bbb.56.(6.) [on which a handwritten note identi
es John Hodgson as the author] and Hirsch 5274

19/12/1809 Robert Birchall The Terpsichoread. Three most admired country dances, Lord Cathcart’s Return, Knowle Park, and The Labyrinth, arranged for the piano forte, and dedicated to Miss Dawes, by P[hilip] Antony Corri. BL h.330.(4.)

19/12/1809 John Pitts Christmas Carols. A collection of sacred songs, proper to be sung at Christmas. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

28/12/1809 The Author No. 1 of a Series of Analyzed Fugues with Double Counterpoints. Composed for two performers on one piano forte or organ by A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. Op. 10.

30/12/1809 Joseph Dale La Ville d’Edinburgh. A favorite rondo for the piano forte. Composed, and dedicated (by permission) to Her Grace the Duchess of Buccleuch, by Joseph Dale. BL h.270.(6.)

30/12/1809 Joseph Dale The Jubilee. For the piano forte or harp. Composed in commemoration of the
ftieth year of the reign of our beloved sovereign George the Third, and dedicated to Sir Charles Flower, Lord Mayor of the City of London. By Joseph Dale. October the 25th, 1809. BL h.270.(8.)

Entries from 1710 to 1810

641

3/1/1810 The Author Canzonetta 1ma, with an accompaniment for the harp or piano forte. Composed, and dedicated to Signor [Diomiro] Tramezzani, by T. Latour, pianiste to His Royal Highness the Prince of Wales.

3/1/1810 Robert Birchall Pietro il Grande. An historical ballet. As performed at the King’s Theatre, Haymarket. Composed, and arranged for the piano forte, by F[rédéric Marc Antoine] Venua. The ballet by Mr [Joseph] Rossi. BL h.803.(1.)

3/1/1810 Robert Birchall Borea e Zef
ro. A favorite ballet divertisement. As performed at the King’s Theatre, Haymarket. Composed and arranged for the piano forte, and dedicated to the Honourable Mrs G. Lamb, by G[iacomo] G[otifredo] Ferrari. The ballet by Mr [Joseph] Rossi. BL h.350.(3.)

Robert Birchall 8/1/1810 Duett for the Harp and Piano Forte. Composed, and dedicated to the Misses Metcalfe, by J[ohn] B[aptist] Cramer. Op. 45. BL h.366.(15.)

10/1/1810 William Hodsoll The much admired Overture to the new pantomime of Harlequin Pedlar, or The Haunted Well. Performed, with universal applause, at the Theatre Royal, Covent Garden. Composed by W[illiam] H[enry] Ware. BL h.271.(1.)

15/1/1810 William Hodsoll The much admired Pas de Trois, danced by Miss H., S. and E. Adams, in the new pantomime of Harlequin Pedlar, or The Haunted Well. Performed at the Theatre Royal, Covent Garden. Composed by W[illiam] H[enry] Ware. BL h.271.(3.)

642

Music Entries at Stationers’ Hall

19/1/1810 Thomas Gordon Nine Songs for the German Flute or Violin. Composed by Thomas Gordon, Esq. BL H.1670.(33.)

19/1/1810 A[rthur] Betts A Duett for for Violin and Violoncello. Composed, and dedicated to William Curtis, Esq., by Robert Lindley. BL g.890.i.(3.)

Robert Birchall 19/1/1810 Amor e furbetto. Duett. Sung by Signora Collini and Signora [Jane] Bianchi in the opera of La Scommessa. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(18.)

19/1/1810 Robert Birchall Ah! Qual voce lusinghiera. Song. Sung by Signora Collini in the opera of La Scommessa. Composed by Signor [Pietro Carlo] Guglielmi. BL G.806.b.(31.) and H.355.(17.)

19/1/1810 Robert Birchall Qual farfalla amorosetta. Cavatina. Sung by Signor [Diomiro] Tramezzani in the opera of La Scommessa. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(16.)

19/1/1810 Robert Birchall Pauvre Jacques. A favorite French air, with variations for the piano forte. With an accompaniment for the ute ad libitum. Composed, and dedicated to the Chevalier La Cainea, by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.314.(7.)

19/1/1810 Robert Birchall Sull’onor mio loguiro. The favorite terzettino. Sung by Signor [Diomiro] Tramezzani, Signor [Giuseppe] Naldi and Signor [Carlo] Rovedino in the opera of La Scommessa. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(15.)

Entries from 1710 to 1810

643

19/1/1810 Robert Birchall Caro Zio, non mi parlate. Duett. Sung by Signora Collini and Signor [Giuseppe] Naldi in the opera of La Scommessa. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(20.)

24/1/1810 William Hodsoll The celebrated Tambourine Pas Seul danced, with the greatest applause, by Mr [John Peter] Bologna in the new pantomime of Harlequin Pedlar, or The Haunted Well. Performed at the Theatre Royal, Covent Garden. Composed by W[illiam] H[enry] Ware. BL h.271.(4.)

26/1/1810 Robert Birchall Le Diable à Quatre. A Fourth Grand Sonata for the Piano Forte. Composed, and dedicated to Mrs Hunt, by J[oseph] Woel. Op. 30. BL h.278.(7.)

30/1/1810 William Henry Ware The favorite Fairies’ Pas de Quatre as danced, with universal applause, by Miss Worgman and the three Miss Adams’s [i.e., Misses E., H. and S. Adams], in the new pantomime of Harlequin Pedlar, or The Haunted Well, at the Theatre Royal, Covent Garden. Composed by W[illiam] H[enry] Ware. BL h.271.(5.)

30/1/1810 William Henry Ware The favorite comic Pas Seul danced by Mr [Joseph] Grimaldi in the pantomime of Harlequin Pedlar, or The Haunted Well. Performed at the Theatre Royal, Covent Garden. Composed by W[illiam] H[enry] Ware. BL h.271.(6.)

1/2/1810 Robert Birchall Vedete la vedete. Duett. Sung by Signor [Diomiro] Tramezzani and Signor [Giuseppe] Naldi in the opera of La Scommessa. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(19.)

644

Music Entries at Stationers’ Hall

7/2/1810 Edward Smith Biggs No. 12. The Mynstrelle’s songe in Ælla, O synge unto mie roundelaie. [The words] by [Thomas] Chatterton. Set to music for four voices by Mr [Edward Smith] Biggs. BL H.1662.(52.)

7/2/1810 Robert Birchall I Contadini Tirolesi. A favorite pastoral ballet, performed at the King’s Theatre, Haymarket. Composed by F[rédéric Marc Antoine] Venua. The ballet by Mr [Joseph] Rossi. BL h.803.(4.)

7/2/1810 Robert Birchall Roses and Lillies. Divertisement for the piano forte, consisting of an andantino, hornpipe and pastoral. Composed for, and dedicated to, Miss Hale by P[hilip] Antony Corri. BL h.330.(8.)

8/2/1810 William Hodsoll A Selection of the most admired Airs in the pantomime of Harlequin Pedlar, or The Haunted Well. Performed, with the greatest applause, at the Theatre Royal, Covent Garden. Composed by W[illiam Henry] Ware. BL h.271.(2.)

13/2/1810 Westley and Parrish The Free Knights, or The Edict of Charlemagne. A drama, in three acts, interspersed with music. As performed at the Theatre Royal, Covent Garden. [Written] by Frederick Reynolds. BL 643.f.16.(1.), words only

20/2/1810 Robert Birchall A Collection of Favorite Airs with Variations for the Harp. Selected from different authors by Ph[ilippe] J[acques] Meyer, Jr. 6th set. BL h.150.(9.)

Entries from 1710 to 1810

645

22/2/1810 George Guest A Second Grand Bugle Horn Piece or Sixth Troop, in Score, for Clarinets, Flutes, Horns, Trumpet, Bugle Horn, Bassoons, Serpent, Side Drums and Bass Drum. With an adaption for the piano forte. Inscribed to John Smith, Esq., major of the Isle of Ely Regiment of Local Militia. Composed by George Guest, of Wisbech. BL h.129.(5.)

27/2/1810 John Baptiste Mayer A Grand Duett for Two Harps, or Harp and Piano Forte. Composed, and dedicated to Miss Claudina [Palmers] and Marian Palmers, by J[ohn] B[aptiste] Mayer. Op. 21. BL h.151.(6.)

27/2/1810 John Baptiste Mayer A Favorite Minuet with Variations for Two Harps or Harp and Piano Forte. Dedicated to Mrs Ogle. By J[ohn] B[aptiste] Mayer. BL h.151.(1.)

1/3/1810 John Baptiste Mayer Twelve Petit Airs, of different Characters, for the Harp. Composed, and dedicated to Mrs Boehm, by J[ohn] B[aptiste] Mayer. Op. 20. BL h.151.(5.)

5/3/1810 Robert Birchall Here awa’, there awa’ Willie. A Scotch air. Harmonized for four voices by W[illiam] Hawes, gentleman of His Majesty’s Chapels Royal. BL H.1224.(26.)

5/3/1810 Robert Birchall The Favorite Gavotte introduced by Monsieur [André] et Mademoiselle Deshayes in Borea e Zef
ro. Composed, and arranged for the harp or piano forte, by F[rédéric Marc Antoine] Venua. BL h.803.(6.)

646

Music Entries at Stationers’ Hall

9/3/1810 Cianchettini & Sperati Trois Duos Concertants pour la Harpe et le Piano Forte. Composées, et dédiées à Lady Mildmay, par J[an] L[adislav] Dussek. Duo 1. Op. 69. BL h.308.(12.)

9/3/1810 Cianchettini & Sperati Six Italian Ariettes, with an accompaniment for the piano forte. Composed, and dedicated to the Chevalier La Cainea, by Bonifazio Asioli, composer and music director at the Royal Court of Milan. BL E.242.(2.)

9/3/1810 Robert Birchall A Lapland Song, for Three Voices. The poetry by Thomas Pickering. The music composed, and inscribed to Miss Stapleton, by W[illiam] Horsley, Mus. Bac. Oxon. BL H.1221.(26.), text begins ‘The snows are dissolving’

9/3/1810 Robert Birchall Dolce speranza in seno. Trio. Sung by Signora [Luigia] Calderini, Signora Collini and Signor [Diomiro] Tramezzani in the opera of Romeo e Giulietta. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(12.)

9/3/1810 Robert Birchall Pensa che sei che sono. Song, with recitative. Sung by Signor [Diomiro] Tramezzani in the opera of Romeo e Giulietta. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(8.)

9/3/1810 Robert Birchall Ah spiegar potessi a lei. Duett. Sung by Signora [Luigia] Calderini and Signora Collini in the opera of Romeo e Giulietta. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(10.)

12/3/1810 Isaac Nathan The Hornpipe Rondo. Composed, and dedicated to Miss Hemaker, by I[saac] Nathan. BL h.120.(4.)

Entries from 1710 to 1810

647

19/3/1810 Thomas Bennet A Selection of Sacred Music for Three Voices, with an accompaniment for the organ and piano forte. Composed for the use of Woodstock Church by Saunders Bennet, late organist, and most respectfully inscribed (by permission) to the Duke of Marlborough by His Grace’s most obliged and very dutiful, humble servant, Thomas Bennet. BL H.1662.(31.)

22/3/1810 Robert Birchall La Coquette. Sonate pour le Piano Forte avec accompagnement de ute ad libitum. Composé par T. Latour. BL h.314.(2.)

22/3/1810 Robert Birchall Murder, or The Warming Pan. A glee, sung by the Messrs Knyvetts [presumably Charles Knyvett and William Knyvett] at the Nobilities Concerts. Composed by W[illiam] Knyvett. BL H.1220.(49.)

Robert Birchall 22/3/1810 Ah! Che mancar mi sento. Duett. Sung by Signor[a] Collini and Signor [Carlo] Rovedino in the opera of Romeo e Giulietta. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(9.)

22/3/1810 Robert Birchall Dio che sei guidice. The favorite preghiera, for three voices. Sung by Signora [Luigia] Calderini, Signor [Diomiro] Tramezzani and Signor [Carlo] Rovedino in the opera of Romeo e Giulietta. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(14.)

27/3/1810 Robert Birchall Parti, da questo addio. Duett. Sung by Signora [Luigia] Calderini and Signor [Diomiro] Tramezzani in the opera of Romeo e Giulietta. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(11.)

648

Music Entries at Stationers’ Hall

27/3/1810 Robert Birchall Gran Dio che del mio core. The favorite preghiera. Sung by Signora [Luigia] Calderini in the opera of Romeo e Giulietta. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(13.)

27/3/1810 Robert Birchall Sonata for the Piano Forte, in which is introduced the air of Viva Tutti, with an accompaniment for a ute or violin, and dedicated to Miss Eagle by T[homas] Haigh. BL h.291.(19.)

27/3/1810 Robert Birchall Hail all the dear Delights, on Returning to Heath
eld Park. Glee. The words by F. Newbery, Esq. Set to music by W[illiam] Crotch, Mus. Doc., Prof. Mus., Oxon. BL H.1276.(21.)

27/3/1810 Robert Birchall Sweet Sylvan Scenes. Glee. On leaving Heath
eld Park. The words by F. Newbery, Esq. Set to music by W[illiam] Crotch, Mus. Doc., Prof. Mus., Oxon. BL H.1276.(20.)

27/3/1810 Robert Birchall Milton Oysters or, Yeo, Yeo. Air with variations for the piano forte. Humbly inscribed to the lovers of imitation, fugue, canon, inversion, diminution, augmentation, etc. By W[illiam] Crotch, Mus. Doc., Prof. Mus., Oxon.

27/3/1810 Robert Birchall [Giovanni] Paisiello’s Air Quant’è più bella, with Variations for the Harp. Composed, and dedicated to his friend Mr [Paul] Spagnoletti, by F[rançois Joseph] Dizi. BL h.158.(8.)

3/4/1810 Robert Birchall A Third Original Air, with Variations for the Piano Forte. Composed, and dedicated to Miss Walsh, by J[ohn] B[aptist] Cramer. BL e.106.(3.)

Entries from 1710 to 1810

649

3/4/1810 Robert Birchall O Listen to the Voice of Love. A much admired glee. As sung by Mrs [Elizabeth] Billington, Mr [Samuel] Harrison, Mr [John Jeremiah] Goss and Mr [James] Bartleman at the Vocal Concerts. Harmonized by J[ohn] B[ernard] Sale. BL H.1683.(9.)

3/4/1810 Robert Birchall Two Duets for Harp and Piano Forte, in which are introduced the favorite airs Oh Nanny wilt thou gang, and Lord Cathcart. Composed, and respectfully inscribed (by permission) to the Miss Pritchards [i.e., to the Misses Pritchard], by N[eville] B[utler] Challoner, professor of the harp at the King’s Theatre. Op. 10. BL h.152.(3.)

6/4/1810 Robert Birchall The Nightingale. A favorite military rondo, with twelve variations for the piano forte with an accompaniment for ute ad libitum. Composed, and dedicated to the Viscountess Hamilton, by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.314.(16.)

6/4/1810 Robert Birchall Se perdo il mio bene. The favorite cavatina. Sung by Madame [Angelica] Catalani in the opera of Atalida. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(3.)

6/4/1810 Robert Birchall Se pietade un
ero affanno. The trio, sung by Madame [Angelica] Catalani, Signora Collini and Signor [Diomiro] Tramezzani, in the opera of Atalida. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(4.)

11/4/1810 Robert Birchall Wilt thou be my Dearie. Glee for four voices, sung at the Nobilities Concerts. Composed by W[illiam] Knyvett. BL H.1220.(55.)

650

Music Entries at Stationers’ Hall

13/4/1810 Thomas Hamley Butler Gin a Body meet a Body. A new rondo for the piano forte. Composed, and dedicated to Miss Primerose, Musselburgh, by T[homas] H[amley] Butler. BL h.280.(13.)

16/4/1810 Robert Birchall Diece Canoni, a Tre Voci. Composti, e umilmente dedicati a Sua Eccellenza la Duchessa di Devonshire, da G[iacomo] G[otifredo] Ferrari, di Roveredo. BL E.270.(12.)

16/4/1810 Robert Birchall Dunque tu andrai dal
glio. The favorite duett. Sung by Madame [Angelica] Catalani and Signor [Diomiro] Tramezzani, in the opera of Atalida. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(1.)

16/4/1810 Robert Birchall Three Scotch Airs. Arranged for the harp, and dedicated to Miss Crickett, by S[ophia] Dussek. Book 2. BL h.307.(7.)

16/4/1810 Robert Birchall Son prigioniera è vero. The favorite song. Sung by Madame [Angelica] Catalani in the opera of Atalida. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(7.)

18/4/1810 Cianchettini & Sperati [Jan Ladislav] Dussek’s 12th Grand Concerto for the Piano Forte, with accompaniments for two violins, two utes, two clarinets, two bassoons, two French horns, trombone, tenor, violoncello and bass. Dedicated to his much esteemed friend, J. B. [i.e., Giovanni Battista] Viotti, by the author. Op. 70. CUL MRA.340.80.419

Entries from 1710 to 1810

651

18/4/1810 Cianchettini & Sperati A Fantasia on the favorite air Mon Coeur soupire, for the harp or piano forte. Composed, and dedicated to Mr [Jan Ladislav] Dussek, by [Martin] P[ierre] Dalvimare. BL h.107.(3.)

18/4/1810 Cianchettini & Sperati The Public Christening on the Neva, at St Petersburgh. A characteristic fantasia for the piano forte. Composed, and dedicated to Her Imperial Highness the Princess of Oldenburgh, by D[aniel] Steibelt. BL h.301.(10.)

18/4/1810 Cianchettini & Sperati Plus Ultra. A sonata for the piano forte. Composed, and dedicated to Non Plus Ultra, by J[an] L[adislav] Dussek. Op. 71. BL h.308.(3.)

18/4/1810 The Author No. 2 of a Series of Analyzed Fugues with Double Counterpoints. Composed for two performers on one piano forte or organ by A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. Op. 10.

18/4/1810 Robert Birchall Take hence this tuneful Trier’s Lays! Anti-Anacreontic glee for three voices. Composed by P[hilip] A[ntony] Corri. BL H.1666.(33.)

18/4/1810 Robert Birchall The Withered Oak. Song, with an accompaniment for the piano forte. Composed by Dr John Clarke, of Cambridge. BL H.1275.(29.)

18/4/1810 Victoire Gatherot A Favorite Air with Variations for the Harp. Composed, and dedicated to Mrs Ferrari, by Victoire Gatherot. BL h.111.(3.)

652

Music Entries at Stationers’ Hall

26/4/1810 Robert Birchall Si ti leggo nel volto. A song. Sung by Signor [Diomiro] Tramezzani in the opera of Atalida. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(5.)

26/4/1810 Robert Birchall Eight Songs for a Tenor or Soprano Voice, with an accompaniment for the piano forte. Composed by William Linley, Esq. BL H.1416.(4.)

26/4/1810 Robert Birchall Ah! Dove sono ah dove! The favorite prison scene. Sung by Madame [Angelica] Catalani in the opera of Atalida. Composed by Signor [Pietro Carlo] Guglielmi. BL G.425.(15.) and H.355.(2.)

26/4/1810 Robert Birchall Three Sonatas for the Piano Forte, with an accompaniment for the violin and violoncello. Composed, and dedicated to Miss J. Gordon, by H[enri] de Monti. Op. 28. BL h.328.(2.)

28/4/1810 John Paul The Village Fête. A new burletta, in three acts. Founded on the plot, incidents and diction of the comic opera of Love in a Village [written by Isaac Bickerstaffe]. Performed for the
rst time at the New Theatre, late the King’s Ancient Concert Rooms, Tottenham Street, on Monday, April 23, 1810. With additional airs [by Charles Haiman Florio]. BL 643.f.15.(3.)

2/5/1810 Robert Birchall The Meadows look Chearful. A favorite air, with variations for the piano forte. By S[tephen] F[rancis] Rimbault. BL h.275.(31.)

Entries from 1710 to 1810

653

2/5/1810 Robert Birchall Robin Adair, with Variations for the Harp. Composed by Ph[ilippe] J[acques] Meyer, Sr.

5/5/1810 Charles Dibdin Jr [i.e., Charles Isaac Mungo Dibdin] Songs, Duets, Trios, Glees, Choruses, etc., with a description of the scenery and an outline of the plot, in the new comic pantomime called The Astrologer, or Harlequin and Moore’s Almanack, performing at the Aquatic Theatre, Sadler’s Wells. BL 643.f.15.(1.)

12/5/1810 Robert Birchall Two Spanish Boleros for the Harp and Piano Forte, or for a Harp and Two Performers on the Piano Forte. Arranged for, and dedicated to the Lady Greys [i.e., to the Ladies Grey] of Howick, by Ph[ilippe] J[acques] Meyer, Sr. BL h.150.(2.)

12/5/1810 Robert Birchall The Favorite Scotch Divertisement, performed at the King’s Theatre, Haymarket. The music composed, and arranged for the piano forte, by Signor P[ietro Carlo] Guglielmi. BL H.355.(30.)

12/5/1810 Robert Birchall It is not that I love you less. Canzonetta, with an accompaniment for the harp or piano forte. Composed by Mr [Edward Smith] Biggs. The words by Waller. BL H.1662.(50.)

17/5/1810 Thomas Bolton Wealth and Fame, and Gold, Gold Gold. In the burletta of The Village Fête, or The Marriage of Hubert and Jane. Written and composed by T[homas] Bolton. BL H.1663.(25.)

18/5/1810 Robert Birchall A Sonatina for the Piano Forte, in which is introduced the favorite air of La Belle Catherine, as a rondo. Composed, and dedicated (by permission) to the Miss Nash’s [i.e., to the Misses Nash], by J[ohn] F[reckleton] Burrowes. BL h.450.(14.)

654

Music Entries at Stationers’ Hall

25/5/1810 Joseph Dale Have you heard the News? or, Bony’s Wedding. Sung by Mr C. Taylor at the Theatre Royal, Covent Garden. BL H.1250.(14.)

16/6/1810 Robert Birchall The favorite Pas Seul. Danced by Mademoiselle Nora, and performed on the harp by Mademoiselle Chery, with an accompaniment for the ute, in the ballet of L’Epouse Persanne. Composed by T. Latour. BL h.3200.d.(6.)

25/6/1810 Robert Birchall One Morning very early. A favorite air. Harmonized for four voices by S[amuel] Webbe Jr. Sung by Mrs [Elizabeth] Billington [and] Messrs [John Jeremiah] Goss, [Thomas] Vaughan and Beale, at Mrs Billington, Mr Braham and Mr Naldi’s concerts. BL H.1687.(29.)

25/6/1810 Robert Birchall A Grand Sonata for the Piano Forte. Composed, and dedicated to Miss Gostling, by J[ohn] B[aptist] Cramer. Op. 46. BL h.364.(9.)

25/6/1810 Robert Birchall Psiche. A grand ballet by [Joseph] Rossi. As performed at the King’s Theatre, Haymarket. The music composed, and arranged for the piano forte, by F[rédéric Marc Antoine] Venua. perhaps BL h.803.(2.), on which, however, the grand ballet is said to be by [Pierre Gabriel] Gardel.

2/7/1810 William Carnaby Six Songs. Respectfully dedicated to Mr William Knyvett, composer to His Majesty. By William Carnaby, Mus. Doc. Book 1. BL H.1274.(19.)

Entries from 1710 to 1810

655

2/7/1810 William Carnaby Six Songs. Respectfully dedicated to Mr [James] Bartleman, gentleman of His Majesty’s Chapel Royal. By William Carnaby, Mus. Doc. Book 2. BL H.1274.(19.)

4/7/1810 Robert Birchall To mossy Grass and shady Bowers. Song, with an accompaniment for the piano forte. Composed by J[ames] Elliott. BL H.1668.(7.)

4/7/1810 Robert Birchall Two favorite airs from The Spanish Divertissement. Partly composed, and arranged for the piano forte, by F[rédéric Marc Antoine] Venua. BL h.803.(7.)

4/7/1810 Robert Birchall Lieto respira omai. The
nale, sung by Madame [Angelica] Catalani, Signora Collini and Signor [Diomiro] Tramezzani, in the opera of Atalida. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(6.)

12/7/1810 Charles Dibdin Jr [i.e., Charles Isaac Mungo Dibdin] Songs, Duets, Trios, Choruses, etc., with a description of the scenery and other decorations, also fables and arguments, of the various pieces performing at the Aquatic Theatre, Sadler’s Wells.

13/7/1810 Robert Birchall Two Duetts for Two Performers on the Piano Forte, from the favorite air in the ballet of La Dansomanie. Composed, and arranged for the Right Honourable the Ladies Charlotte [Hill] and Mary Hill, by T. Latour. Book 2. BL g.443.e.(13.)

656

Music Entries at Stationers’ Hall

16/7/1810 Robert Birchall Pas de Trois. Danced by Monsieur [Auguste Armand] Vestris, Mademoiselle Angiolini and Mademoiselle Mori in the ballet of L’Epouse Persanne. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(28.)

16/7/1810 Robert Birchall Pas de Deux. Danced by Monsieur [Auguste Armand] Vestris and Mademoiselle Angiolini in the ballet of L’Epouse Persanne. Composed by Signor [Pietro Carlo] Guglielmi. BL H.355.(29.)

24/7/1810 Robert Birchall A Fourth Military Sonata for the Piano Forte. Composed, and dedicated to Miss Macleay, by S[tephen] F[rancis] Rimbault. BL h.275.(22.)

24/7/1810 Robert Birchall Anacréon, ou L’Amour fugitif. A grand ballet by [Auguste Armand] Vestris, as performed at the King’s Theatre, Haymarket. The music composed, and arranged for the piano forte with an accompaniment for the ute, by Monsieur C. [Michele] Mortellari. BL h.802

26/7/1810 Robert Birchall Hymn to the Virgin. From The Lady of the Lake, by Walter Scott, Esq. Set to music by Mr [John] Ross, of Aberdeen. BL H.1681.(61.), text begins ‘Ave Maria’

26/7/1810 Robert Birchall The Coronach, or Funeral Song. From The Lady of the Lake, [by] Walter Scott, Esq. Set to music by Mr [John] Ross, of Aberdeen. BL H.1681.(53.), text begins ‘He is gone’

Entries from 1710 to 1810

657

31/7/1810 James Siddall [James] Siddall’s Collection of Elegant and Fashionable Country Dances, for the Piano Forte, Harp, Violin, etc., with proper Figures. As danced at his balls, Free Masons Tavern, Paul’s Head, and at all fashionable assemblies.

8/8/1810 T[homas] Welsh Twenty Years Ago. A melodramatic after piece. As performed, with unbounded applause, at the Lyceum Theatre. Composed by T[homas] Welsh. The words by I[saac] Pocock, Esq. BL H.123.(5.) and H.1223.(20.)

18/8/1810 Clementi, Banger, Collard, Davis & Collard Thema, with Variations for the piano forte. Composed by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(5.)

21/8/1810 Robert Birchall Otto Terzetti, sopra la morte del Redentore. Musica da Pietro Carlo Guglielmi. BL H.2061

24/8/1810 Joseph Dale A new edition of [Joseph] Dale’s [edition of] Twelve Grand Sonatas for the Piano Forte, with accompaniments for a violin and violoncello, in which are introduced a variety of Scotch airs and favorite pieces. Composed by Ignace Pleyel. Op. 14. BL h.270.(12.); the original edition entered on 5/1/1798

25/8/1810 Robert Birchall Busk ye, busk ye. A Scotch air, with variations for the piano forte. Composed by Mr [John] Ross, of Aberdeen. BL h.122.(34.)

25/8/1810 Robert Birchall I’ll sing of Love, soft, tender, kind. Song, with an accompaniment for the piano forte. Composed by S[amuel] Webbe, Jr. BL H.1687.(32.)

658

Music Entries at Stationers’ Hall

25/8/1810 Robert Birchall When the Shepherd pens his Fold. Glee for four voices. Sung by Mrs [Elizabeth] Vaughan [and] Messrs [John Jeremiah] Goss, [Thomas] Vaughan and J[ohn] B[ernard] Sale. Composed by Dr John Clarke, of Cambridge. BL H.1275.(48.)

31/8/1810 Clementi, Banger, Collard, Davis & Collard The Distant Lover. A favorite arietta. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(24.)

31/8/1810 Clementi, Banger, Collard, Davis & Collard The Flea. A comic song and chorus. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(30.)

31/8/1810 Clementi, Banger, Collard, Davis & Collard The Irresolute Lover. A favorite arietta. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(29.), incomplete; Bodleian Mus. Voc. I. 7 (21)

31/8/1810 Clementi, Banger, Collard, Davis & Collard Mary’s Warning. A favorite arietta. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(32.)

31/8/1810 Clementi, Banger, Collard, Davis & Collard Fantasia for the Piano Forte. Composed by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(2.)

31/8/1810 Clementi, Banger, Collard, Davis & Collard Two Sonatas for the Piano Forte. Composed by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(6.), incomplete; Bodleian Mus. Instr. I. 9 (8)

Entries from 1710 to 1810

659

31/8/1810 Clementi, Banger, Collard, Davis & Collard Know’st thou the Land. A favorite arietta. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(28.)

31/8/1810 Clementi, Banger, Collard, Davis & Collard Remembrance. A favorite arietta. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(31.)

1/9/1810 Clementi, Banger, Collard, Davis & Collard The Commandments in Ten Canons, for Three, Four and Five Voices. Composed by Joseph Haydn, Mus. Doc. BL H.1671.(46.)

1/9/1810 Clementi, Banger, Collard, Davis & Collard Quartet for Two Violins, Tenor and Violoncello. Composed by Lewis [i.e., Ludwig] van Beethoven. Op. 62. BL h.376.(17.)

5/9/1810 Robert Birchall Sonata for the Piano Forte, with accompaniments for a violin and violoncello. Composed, and dedicated to Miss M. Hill, by H[enri] de Monti. Op. 29. BL h.328.(3.)

5/9/1810 Thomas Bolton Pure affection, and I cannot help thinking. In The Village Fête, or The Marriage of Hubert and Jane. Written and composed by T[homas] Bolton. BL H.1663.(21.)

20/9/1810 Robert Birchall Il Pegno. A favorite arietta. Composed, and inscribed to Dr [Charles] Burney, by F. B., author of L’Inganno. BL H.1662.(4.), text begins ‘No, più non dirmi’

660

Music Entries at Stationers’ Hall

27/9/1810 Robert Birchall Sonata for the Piano Forte, with accompaniments for a violin and violoncello. Composed, and dedicated to Miss Hamilton, by H[enri] de Monti. Op. 31. BL h.328.(5.)

28/9/1810 Clementi, Banger, Collard, Davis & Collard A Third Grand Concerto for the Piano Forte, with accompaniments for a full orchestra. Composed, and dedicated to Mrs Adèle de Billegarde, by J[oão] D[omingos] Bomtempo. Op. 7. BL H.825.(2.)

29/9/1810 T. Diether Marianne. A favorite song in the opera of Caleb Quotem. Written by H[enry] Lee, Esq. Composed by T. Diether. BL H.1667.(49.)

29/9/1810 T. Diether Each prefers his own. Duett. Sung in the comic opera of Caleb Quotem. Written by H[enry] Lee, Esq. Composed by T. Diether. BL H.1667.(48.)

29/9/1810 T. Diether Caleb Quotem. His School, Shop, Wife, Family and Friends. A favorite comic chaunt in the comic opera of Caleb Quotem. Written by H[enry] Lee, Esq. Composed by T. Diether. BL H.1667.(50.)

2/10/1810 J[ohn] Diether Lack a day Johnny. A favorite song in the comic opera of Caleb Quotem. Written by H[enry] Lee, Esq. The music by J[ohn] Diether. BL H.1667.(51.)

Entries from 1710 to 1810

661

8/10/1810 The Author No. 3. Twelve Analyzed Fugues, with Double Counterpoints in all Intervals, and introductory Explanations. Composed for two performers on one piano forte or organ by A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel at St James’s. Op. 10. BL h.277.(17.)

8/10/1810 Robert Birchall Sonata for the Piano Forte, with accompaniments for a Violin and Violoncello. Composed, and dedicated to Miss M. Corbet, by H[enri] de Monti. Op. 30. BL h.328.(4.)

16/10/1810 John Pitts A Word for the Dumb. Being a collection of choice songs in behalf of the brute creation. BL 1078.e.6, a part of the Vocal Repository, edited by James Plumptre

20/10/1810 Robert Birchall Duett for the Harp and Piano Forte, with a part for a third hand on the piano forte ad libitum. Composed, and dedicated to the Marchioness of Douglas, by S[amuel] Webbe Jr. BL h.286.(8.)

25/10/1810 William Carnaby Lovers on their Stars must wait. Song. Composed by William Carnaby, Mus. Doc. As sung, with much applause, by Mr Magrath at the Bath concerts. BL H.1274.(22.), text begins ‘Only tell her that I love’

25/10/1810 William Carnaby Man! A new song for a soprano or bass voice. Sung by Mr [James] Bartleman. Composed, and respectfully dedicated to his friend Dr [William] Crotch, professor of music, Oxford, by William Carnaby, M[us.] B[ac.]. Bodleian Harding Mus. G 78 (14) and Mus. Voc. I, 12 (33), text begins ‘Man! man! can thy doom no brighter soul allow’

662

Music Entries at Stationers’ Hall

27/10/1810 J[ohn] Diether Six Duetts for Two Violins. Composed for the improvement of juvenile performers by J[ohn] Diether. Book 1. BL h.107.(23.)

29/10/1810 Charles Mitchell Theme with Variations for the Piano Forte. Composed by William Carnaby, M[us.] B[ac.]. BL h.106.(9.)

29/10/1810 Charles Mitchell La Chasse, with an accompaniment for a violin. [Composed by William Carnaby.] BL h.106.(7.)

Charles Mitchell Aria for the Piano Forte. By William Carnaby, M[us.] B[ac.]. BL h.106.(11.)

29/10/1810

29/10/1810 Charles Mitchell My little native Vale. A new ballad. Composed by William Carnaby, M[us.] B[ac.]. BL H.1274.(27.)

31/10/1810 Clementi, Banger, Collard, Davis & Collard Grand Fantasia for the Piano Forte as newly constructed by Clementi & Co. with additional keys up to F, and also arranged for the piano forte up to C, with accompaniments for a full orchestra. Composed by Lewis [i.e., Ludwig] van Beethoven. Op. 65. Bodleian Mus. Instr. I. 9 (10)

Clementi, Banger, Collard, Davis & Collard 31/10/1810 The Contented Man. A favorite arietta. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(25.)

Entries from 1710 to 1810

663

31/10/1810 Clementi, Banger, Collard, Davis & Collard Anxiety of Absence. A favorite arietta. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(26.)

31/10/1810 Clementi, Banger, Collard, Davis & Collard The Lover. A favorite arietta. Composed, with an accompaniment for the piano forte, by Lewis [i.e., Ludwig] van Beethoven. BL h.376.(27.)

1/11/1810 Thomas Hamley Butler Four New Sonatas for the Piano Forte, with an accompaniment for the violin or ute. Composed, and (with permission) most humbly dedicated to Her Royal Highness the Princess Charlotte of Wales, by T[homas] H[amley] Butler. BL h.280.(24.)

1/11/1810 Clementi, Banger, Collard, Davis & Collard Grand Concerto for the Piano Forte as newly constructed by Clementi & Co. with additional keys up to F, and also arranged for the piano forte up to C, with accompaniments for a full orchestra. Composed by Lewis [i.e., Ludwig] van Beethoven. Op. 64. BL h.376.(7.), incomplete; CUL MR320.a.80.402-(7)

3/11/1810 The Author A Rondo on the Chord of the Diminished Seventh, shewing the immediate progression of that chord to all the twelve major and minor keys. By A[ugustus] F[rederic] C[hristopher] Kollmann, organist of His Majesty’s German Chapel, St James’s. BL h.277.(21.)

20/11/1810 Robert Birchall Instructions for the Piano Forte, including Eighteen Progressive Lessons. Composed and
ngered by S[tephen] F[rancis] Rimbault. BL h.274.(1.)

664

Music Entries at Stationers’ Hall

28/11/1810 Robert Birchall Wandering Willie. A glee for four voices. Composed by W[illiam] Knyvett, and sung at Messrs Knyvetts’ annual concert. BL H.1220.(56.), text begins ‘Here awa, there awa’

1/12/1810 Clementi, Banger, Collard, Davis & Collard Fairest Flower, behold the Lily. A favorite canzonet. Poetry by R[obert] Burns. Composed, with an accompaniment for the piano forte, by T[homas] Haigh. BL H.1671.(3.)

7/12/1810 James Platts Nos. 13, 14 and 15. [James] Platts’s Collection of Original and Popular Dances, arranged for piano forte, violin, etc., with proper
gures.

15/12/1810 Robert Birchall Divertimento for the Harp and Piano Forte, with accompaniments for ute and violoncello ad libitum. Composed by F[ederigo] Fiorillo. Op. 48. GUL Special Collections Cb5-e.4 and Cb5-e.5

15/12/1810 Robert Birchall Le Echo. Duett for the Harp and Piano Forte. Composed by F[ederigo] Fiorillo. BL h.311.(12.)

20/12/1810 Clementi, Banger, Collard, Davis & Collard Practical School for the Piano Forte, consisting of Fifty Exercises. Composed and
ngered by J[oseph] Woel. Vol. 1. Op. 56. BL g.459.a

21/12/1810 Robert Birchall The Sweet Little Cot on the Skirts of the Moor. A ballad, with an accompaniment for the piano forte. Composed by Dr John Clarke, of Cambridge. BL H.1275.(28.)

Entries from 1710 to 1810

665

21/12/1810 Robert Birchall Cupid and the Clown. A ballad. The words from an old m[anu]s[cript]. The music by T[homas] Haigh. BL H.1671.(2.), text begins ‘As Cupid took his bow’

21/12/1810 Robert Birchall Romance et Pollacca pour la Harpe seulement. Composées par N[eville] B[utler] Challoner, professeur de la harpe au Théâtre du Roi. Op. 14. BL h.152.(1.)

21/12/1810 Robert Birchall A Second Sonatina for the Piano Forte, in which is introduced the favorite air of Faint and Wearily. Composed, and dedicated (by permission) to Miss Elizabeth Barclay, by J[ohn] F[reckleton] Burrowes. GUL Special Collections Cb3-d.13

29/12/1810 Robert Birchall A Second Concerto for the Piano Forte, with accompaniments. Composed, and dedicated to Mrs M. Montagu of Montagu House, Portman Square, by T. Latour, pianiste to His Royal Highness the Prince of Wales. BL h.316.(13.)

This page intentionally left blank

APPENDIX

MUSIC ENTRIES FROM 1811 TO 1818 IN THE WILLIAM HAWES MANUSCRIPT

This page intentionally left blank

Entries from 1811 to 1818 [John Baptist] Cramer’s Grand Concerto for Piano Forte, op. 48 [Richard] Lister’s Favorite Lesson for Piano Forte [H. W.] Dean’s The Wayghtes, arranged as a rondo [John Michael] Weippert’s Tweed Side, with Variations for Harp [John Baptist] Cramer’s Sonata for Piano Forte, op. 49 [T.] Latour’s Duett for Two Performers on Piano Forte [W.] Wakefield’s Parting with my dearest [Neville Butler] Challoner’s Three Duetts for Harp and Piano Forte, op. 15 [Felice] Radicati’s Favorite Airs and Duos in the opera of Zaira [Jan Ladislav] Dussek’s Three Parisian Airs with Variations for Piano Forte [William] Knyvett’s Youthful Chloe, a glee [Philip Antony] Corri’s O would I ne’er had seen thee, a song [Jan Ladislav] Dussek’s Overtures of Celebrated Operas of Mozart [Jan Ladislav] Dussek’s To, To, Carabo! [Carl Friedrich] Zelter’s The Glove, a ballad [Ludwig van] Beethoven’s Les Adieux, l’Absence et le Revoir Beethoven’s T’intendo sì Beethoven’s Dimmi Ben Mio Beethoven’s Odi L’Aura, duet Beethoven’s L’Amante impaziente (comic arietta) Beethoven’s L’Amante impaziente (serious arietta) [William] Hawes’s Address to Venus [Philip Antony] Corri’s Helicon, a Divertimento for Piano Forte Dussek’s Three Sonatas for Piano Forte, op. 72. Sonata 1 Dussek’s Three Sonatas for Piano Forte, op. 72. Sonata 3 Dussek’s Trois Duos Concetants. Duo 2do. op. 69 [Thomas] Haigh’s Divertimento for Piano Forte [John] Clarke’s It was a Mayde of low Degree, Trio Dussek’s Trois Duos Concertants. Duo 3. op. 69 [J. A.] Hoffmann’s Instructions for the Harp, op. 15 [J. C. H.] Hoffmann’s The Prime of Life, as a rondo, op. 2 [J. A.] Hoffmann’s Sonata for the Harp, op. 16 [J. C. H.] Hoffmann’s The New German Waltz, with Variations, op. 3 [Stephen Francis] Rimbault’s Sonata for Piano Forte [John Baptist] Cramer’s Saxon Air with Variations [Joseph] Woelfl’s Duet for Harp and Piano Forte, op. 57 Rimbault’s Three Favorite Duets for Two Performers Latour’s Overture for Piano Forte [John Baptiste] Mayer’s First Divertimento for Harp [L.] de Bauval’s The Spring, rondo for piano forte [Matthias von] Holst’s Regency March and Rondo [F.] College’s Slow and Quick March for Military Band [William] Bird [of Watford]’s Set of Psalm and Hymn Tunes [João Domingos] Bomtempo’s Three Grand Sonatas, op. 9 [Giovanni Battista] Viotti’s Grand Sonata for Harp [John] Diether’s Faith, Hope and Charity, a Masonic ode

669 3/1/1811 7/1/1811 8/1/1811 9/1/1811 9/1/1811 9/1/1811 11/1/1811 16/1/1811 19/1/1811 19/1/1811 23/1/1811 23/1/1811 25/1/1811 25/1/1811 28/1/1811 28/1/1811 1/2/1811 1/2/1811 1/2/1811 1/2/1811 1/2/1811 4/2/1811 11/2/1811 13/2/1811 13/2/1811 13/2/1811 13/2/1811 13/2/1811 22/2/1811 23/2/1811 23/2/1811 23/2/1811 23/2/1811 1/3/1811 4/3/1811 11/3/1811 18/3/1811 21/3/1811 21/3/1811 28/3/1811 29/3/1811 3/4/1811 3/4/1811 5/4/1811 9/4/1811 10/4/1811

670

Music Entries at Stationers’ Hall

[J. G.] Blackwell’s Lovely Little Emma [Samuel James] Arnold’s As Ellen to her Lute one day [Philippe Jacques] Meyer [Sr]’s The Italian Monfrina, as a rondo for harp Dussek’s Overture to Lodoiska, arranged for harp [John Michael] Weippert’s Six Favorite Waltzes for Harp [John] Clarke’s The Harper’s Retreat [John Freckleton] Burrowes’s Now dove eyed Spring [T.] Latour’s In Medio Tutissimus Ibis [John Freckleton] Burrowes’s La Cosita, rondo for piano forte [Samuel] Webbe [Jr]’s Sonata for Harp or Piano Forte [T.] Latour’s Parody on a Favorite Air [John Baptist] Cramer’s Serenata for Piano Forte [Benjamin] Blake’s Nine Divertimentos for Piano Forte, op. 5 [Joseph] Davis’s New Scale or Gamut for the Piano Forte, Violin, etc. [T.] Latour’s Canzonetta 3rd [William Thomas] Parke’s She lives not a Mile from the Meadows [Joseph] Davis’s Second Edition of New Scale, etc., for Piano Forte, Violin, etc. [François Joseph] Dizi’s Sonata for Harp [Philip Antony] Corri’s The Solitaire, a Divertisement for Piano Forte [William] Horsley’s The Sailor’s Adieu [Matthias von] Holst’s The Circassian Rondo for Piano Forte Holst’s The American Rondo for Piano Forte [Robert] Cooke’s The Rose is fairest when ’tis budding [I.] Wafford [Jr]’s Twelve Easy Duetts for Two Flutes, 2nd set [James] Swindells’s New Set of Original Psalm and Hymn Tunes [John Baptist] Cramer’s The Banks of the Danube, a divertimento Latour’s Duett for Two Performers on Piano Forte Latour’s Favorite Guaracha Dance with Variations [Edward Smith] Biggs’s Four Waltzes for Piano Forte [Vincenzo] Pucitta’s Polacca in Il Matrimonio per sussurro Pucitta’s Vittima sventurata in La Vestale, as a duet [John Erhardt] Weippert’s Favorite Sonata for Harp, op. 33 [William Thomas] Parke’s Cupid is a wanton Boy [T.] Latour’s The Favorite German Hymn with Variations, no. 7 [John Jeremiah] Jones’s Six Fugues, etc., for the Organ or Piano Forte The Gujklin, Howick and other Waltzes for Piano Forte [P. J.] Meyer [Sr]’s Four Favorite Airs from [Mozart’s] Opera of Cosi Fan Tutte [Jean] Mugnié’s Original Waltz for Piano Forte Mugnié’s Les Délices Champêtre [C. Michele] Mortellari’s Two Divertimentos for Harp and Piano Forte [Henri] de Monti’s Six Easy Sonatas for Piano Forte, op. 32 [Federigo] Fiorillo’s Sixth Divertimento for Piano Forte, op. 54 [John] Gildon’s Trois petits Divertissements pour le Piano Forte [Charles William] Banister’s Twelve Psalm and Hymn Tunes, 2d set [Matthew Peter] King’s The Ministrels Glee King’s The Willow’s the Wreath for me

12/4/1811 17/4/1811 17/4/1811 17/4/1811 18/4/1811 18/4/1811 23/4/1811 30/4/1811 2/5/1811 6/5/1811 6/5/1811 6/5/1811 8/5/1811 8/5/1811 13/5/1811 16/5/1811 21/5/1811 21/5/1811 24/5/1811 24/5/1811 31/5/1811 31/5/1811 14/6/1811 18/6/1811 18/6/1811 22/6/1811 22/6/1811 22/6/1811 24/6/1811 1/7/1811 1/7/1811 4/7/1811 4/7/1811 13/7/1811 16/7/1811 22/7/1811 29/7/1811 29/7/1811 29/7/1811 1/8/1811 1/8/1811 1/8/1811 5/8/1811 9/8/1811 10/8/1811 10/8/1811

Entries from 1811 to 1818 King’s Overture to The Knight of the Wood Dæmon [John Baptist] Cramer’s Hartzfeld; New Waltz for Piano Forte Bomtempo’s Hymno Lusitano, op. 10 King’s Plead no more! in One O’Clock, etc. King’s Mark me! in One O’Clock, etc. King’s Hush softly in One O’Clock, etc. King’s When I gaz’d on a beautiful Face King’s The Incantation [L. de] Bauval’s Martiale Divertimento [John Baptist] Cramer’s Harvest Home, a pastoral divertimento Latour’s German Hymn with variations Latour’s Two original Waltzes for Piano Forte King’s Hist! Spirits! Hist! King’s This way! this way! [John] Gildons’s 2nd Set of Trois petits Divertissements Thomson’s Collection of Original Welsh Airs [Matthias von] Holst’s Lord Wellington’s Military Divertimento [William] Holmes’s Eight Anthems Latour’s Hillisborough Castle, a divertimento Holst’s Tartarian Rondo for Piano Forte Gildon’s Grand Duet for Two Performers [B.] Clifford’s Sacred Harmony [Thomas] Walker’s Ranz des Vaches, a Trio [William Thomas] Parke’s The Maid of the Village [John Freckleton] Burrowes’s The Mecklenburgh New Waltz [Federigo] Fiorillo’s Pastoral Divertimento National Melodies, no. 1 A Treatise on Singing in which are the Rules of Solfaing [By Thomas Bolton] [R.] Williams’s When Henry languished at my Feet [I. N.] Plummer’s The true Sportsman [William] Dance’s Fantasia for Piano Forte National Melodies, no. 2 [T. W.] Lloyd’s New Dances for 1812 [George] Nicks’s Divertisement for Harp or Piano Forte Latour’s Two Duetts for Two Performers on Piano Forte Latour’s La Réplique, a divertimento Holst’s Donna Leonora, Spanish notturno [John] Ross’s Highland Mary, a ballad [Robert] Cooke’s The Maltese Mariners Hymn [John Baptist] Cramer’s Sixth Concerto for Piano Forte, op. 51 [John Baptist] Cramer’s The Courlande New Waltz [John Michael] Weippert’s Collection of Airs and Waltzes for Harp, op. 40 [Philip Antony] Corri’s Aglaia and Euphrosyne, a serenade duett [T. H.] Wright’s Brighton New Fashionable Dances and Waltzes Fiorillo’s Ninth Divertimento, op. 57 [Robert] Cooke’s The Cheerful Glee, for Four Voices

671 12/8/1811 13/8/1811 20/8/1811 20/8/1811 20/8/1811 20/8/1811 24/8/1811 24/8/1811 27/8/1811 29/8/1811 29/8/1811 29/8/1811 29/8/1811 29/8/1811 30/8/1811 3/9/1811 12/9/1811 24/9/1811 28/8/1811 2/10/1811 7/10/1811 14/10/1811 6/11/1811 8/11/1811 11/11/1811 11/11/1811 11/11/1811 14/11/1811 21/11/1811 26/11/1811 28/11/1811 29/11/1811 3/12/1811 10/12/1811 11/12/1811 11/12/1811 14/12/1811 18/12/1811 18/12/1811 21/12/1811 26/12/1811 26/12/1811 26/12/1811 7/1/1812 7/1/1812 8/1/1812

672

Music Entries at Stationers’ Hall

[William Henry] Ware’s The Young Shepherd [Sophia] Dussek’s Two Favorite Airs adapted for Harp, Piano Forte [John Michael] Weippert’s Collection of Airs and Waltzes for Harp, op. 40 [William Henry] Ware’s Orphan Henry, a ballad [Robert Archibald] Smith’s Jesssy the Flower o’ Dumblain [Robert] Lindley’s Three Duettos, op. 12 Ware’s Overture to Harlequin and Padmanaba Ware’s The Fisherman’s Glee in Harlequin and Padmanaba [Robert] Cooke’s Some Feelings are to Mortals given, Glee [Samuel] Webbe [Jr]’s The Harp on the Willow [Matthias von] Holst’s Les Bohemiennes, rondo [Giacomo Gotifredo] Ferrari’s Sentimental Duett for Harp and Piano Forte, op. 53 [T.] Latour’s Two Duetts for Two Performers National Melodies, no. 4 [Federigo] Fiorillo’s Six Pieces from Cosi Fan Tutte [by Mozart], 1st set [Thomas] Bolton’s Favorite Grand Military March and Rondo [T.] Latour’s Favorite Guitar Dance [James] Alexander’s Select Beauties for Flute, no. 2 [Philip Antony] Corri’s Robin Adair, arranged for Piano Forte [Edward Smith] Biggs’s Six Sicilian Airs [Frédéric Marc Antoine] Venua’s Zelise, a favorite ballet Fiorillo’s Six Pieces from Cosi Fan Tutte [by Mozart], 2nd set Ware’s Selection of Airs from Harlequin and Padmanaba National Melodies, no. 5 [T.] Latour’s Three favorite Airs from La Caccia di Enrico IV [by Vincenzo Pucitta] Fiorillo’s Ten Airs from Cosi Fan Tutte [by Mozart] [John Baptist] Cramer’s Anglo-Caledonian Air [Francesco] Lanza’s Three Waltzes, set 1st National Melodies, no. 6 [John Freckleton] Burrowes’s Third Sonatina for Piano Forte [L.] Spindler’s Augustin, with Variations [H.] Goldstone’s How calm were the Days of my Youth Goldstone’s Let the soft Tear Mozart’s Overture to Le Nozze di Figaro, arranged by [John Freckleton] Burrowes Goldstone’s To thee my Fair [William] Knyvett’s Now in her green Mantle, glee [John F.] Burrowes’s 1st Overture at Vocal Concerts, arranged as a duet, op. 8 [Thomas Hamley] Butler’s Andantino and ‘Marshalls’ Compliments to Neil Gow’ [Joseph] Stephenson’s The Pipe, a ballad [William] Horsley’s The Maid of Toro [N.] Rolfe’s Six Divertimentos for Piano Forte [Richard] Wainwright’s Collection of Hymns [J. and H.] Banks’s Collection of Popular Country Dances [Jean] Mugnié’s Haste to Thorney Down tomorrow National Melodies, no. 7 [Neville Butler] Challoner’s Duett Concertante, op. 22

11/1/1812 13/1/1812 13/1/1812 16/1/1812 16/1/1812 23/1/1812 24/1/1812 27/1/1812 28/1/1812 29/1/1812 29/1/1812 29/1/1812 31/1/1812 4/2/1812 20/2/1812 24/2/1812 24/2/1812 24/2/1812 24/2/1812 24/2/1812 26/2/1812 26/2/1812 28/2/1812 4/3/1812 4/3/1812 11/3/1812 12/3/1812 12/3/1812 2/4/1812 3/4/1812 3/4/1812 7/4/1812 7/4/1812 13/4/1812 20/4/1812 20/4/1812 20/4/1812 21/4/1812 27/4/1812 28/4/1812 28/4/1812 4/5/1812 4/5/1812 4/5/1812 4/5/1812 6/5/1812

Entries from 1811 to 1818 [Charles] Evans’s Marianne, a canzonet [Federigo] Fiorillo’s Fourth Rondo, for Piano Forte Fiorillo’s Sixth Air with Variations [William] Knyvett’s Philly and Willy, a duett [Philippe Jacques] Meyer [Sr]’s Irish Melodies, arranged as duetts [T.] Latour’s Musette for Piano Forte Fiorillo’s Eight Pieces from Le Nozze di Figaro [by Mozart], set 1 [William] Beale’s New Glee in Commendation of Music [Louis] von Esch’s Fourth Divertimento [John] Gildon’s The Siege of Badajos [Monatgue P.] Corri’s Wallace, arranged as a duet [James] Alexander’s Beauties for Flute, no. 6 [John Baptist] Cramer’s Instructions for Piano Forte [John Baptist] Cramer’s Duett for Harp and Piano Forte, op. 52 National Melodies, no. 8 Fiorillo’s Eight Pieces from Le Nozze di Figaro [by Mozart], set[s] 2 and 3 [William] Hawes’s My Ellen, alas! is no more [William] Hawes’s The Beacon [T.] Latour’s Three Airs from La Caccia di Enrico IV [by Vincenzo Pucitta] National Melodies, no. 9 [William] Horsley’s Forget me not, a glee [J. B.] Cramer’s Favorite Spanish Air [by Daniel Steibelt], arranged as a duett Melodia Sacra, no. 1 [arranged by David Weyman] Ode to the Prince Regent on his Birthday Latour’s Copenhagen Waltz with Variations National Melodies, no. 10 [Edward Southouse] Green’s The Constant Fair [George Augustus] Kollmann’s Six Waltzes for Piano Forte [John] Hammond’s Grand Overture for Piano Forte National Melodies, no. 11 [John] Diether’s Push along, keep moving [Isaac] Nathan’s In this lovely Rose Nathan’s The Soldier’s Farewell [Neville Butler] Challoner’s New Guida Di Musica [Thomas Hamley] Butler’s Aria and Rondo for Piano Forte National Melodies, no. 12 Latour’s Three Waltzes for Piano Forte [P. Dappe] Lovekin’s Britons’ Grand March to Battle [Montague P.] Corri’s The Knight of the Cross [Montague P.] Corri’s Overture to The Hag of the Lake [Montague P.] Corri’s Liberty. A song in The Hag of the Lake [Mrs F.] Hollings’s The Bud, divertimento for piano forte [John Michael] Weippert’s Three favorite German Airs, op. 56 [John Michael] Weippert’s Favorite Duett from [Ludwig van] Beethoven [John Colston] Doyle’s Love among the Roses National Melodies, no. 13

673 7/5/1812 7/5/1812 7/5/1812 11/5/1812 16/5/1812 16/5/1812 20/5/1812 28/5/1812 29/5/1812 30/5/1812 2/6/1812 8/6/1812 8/6/1812 8/6/1812 8/6/1812 10/6/1812 3/7/1812 3/7/1812 13/7/1812 13/7/1812 13/7/1812 13/7/1812 16/7/1812 27/7/1812 11/8/1812 11/8/1812 12/8/1812 19/8/1812 9/9/1812 10/9/1812 12/9/1812 22/9/1812 22/9/1812 24/9/1812 3/10/1812 7/10/1812 7/10/1812 8/10/1812 10/10/1812 10/10/1812 10/10/1812 22/10/1812 23/10/1812 23/10/1812 28/10/1812 7/11/1812

674

Music Entries at Stationers’ Hall

[John Freckleton] Burrowes’s The Reichinberg New Waltz [Anton] Radiger’s Bird of Spring [Richard] Wainwright’s Adeste Fideles [Charles] Saust’s Collection of Favorite Melodies for Flute, nos. 1, 2, 3 and 4 [Federigo] Fiorillo’s Favorite Airs from Le Nozze di Figaro [by Mozart] Fiorillo’s Duet for Two Performers on Piano Forte [adapted from Mozart] [John] Parry’s The Voice of Her I love [George Polgreen] Bridgetower’s Diatonica Armonica for Piano Forte [Montague P.] Corri’s Sul Margine d’un Rio, arranged as a rondo Fiorillo’s Favorite Airs from Le Nozze di Figaro [by Mozart], Book[s] 2 and 3 [William Henry] Ware’s The Young Savoyard Ware’s Overture to Harlequin and the Red Dwarf Fiorillo’s Airs from La Clemenza di Tito [by Mozart], Book[s] 1 and 2 Fiorillo’s The Review, a military divertimento [Philip Antony] Corri’s Divertimento alla Montanara National Melodies, no. 15 [John Baptist] Cramer’s Concerto da Camera, no. 1 [Montague P.] Corri’s The Corsair, a song [John] Clarke’s The Cypress Wreath, no. 2 [John] Clarke’s A Weary Lot is thine fair Maid, no. 1 [William] Leeves’s Six Sacred Airs [F.] Vollrath’s An Athenian Song [Anna Maria] Harrison’s Fair in the shady sweet Retreat [John] Clarke’s Summer’s Eve is gone and past, no. 3 [John] Clarke’s Song to the Moon, no. 4 [John] Clarke’s Allen a Dale, no. 6 [John] Clarke’s And whither would you lead me then, no. 5 [Gesualdo] Lanza’s Elements of Singing. Part 1st. Nos. 1, 2, 3 [John] Clarke’s Brignal Banks, no. 7 [Angelo Benedetto] Ventura’s Duetto con Variazione [John Baptist] Cramer’s L’Ultima Sonata for Piano Forte [Louis] von Esch’s Petite Recreation no. 1, containing Hymn and Allemande National Melodies, no. 16 [Martin Pierre] Dalvimare’s Fantaisie avec sept Variations pour l’Harpe [T.] Latour’s Life let us cherish, as a duet [Joseph] Woelfl’s Grand Concerto for Piano Forte [John] Clarke’s Edmund’s Song, no. 8 [James] Alexander’s Beauties for Piano Forte Alexander’s Beauties for Flute, no. 1 [Robert Archibald] Smith’s Jessie the Flow’r o Dumblane Fiorillo’s Favorite Airs from Il Flauto Magico [by Mozart], Book[s] 1 and 2 [William] Russell’s The Harper’s first Song [Charles] Smith’s Spring returns with aspect mild, glee [John] Clarke’s Matilda’s Song, no. 9 [William] Russell’s Allen a dale, song [John] Clarke’s The Cavalier, no. 10

18/11/1812 10/12/1812 14/12/1812 18/12/1812 21/12/1812 21/12/1812 26/12/1812 28/12/1812 28/12/1812 30/12/1812 12/1/1813 16/1/1813 18/1/1813 20/1/1813 20/1/1813 20/1/1813 20/1/1813 21/1/1813 3/2/1813 3/2/1813 3/2/1813 3/2/1813 4/2/1812 4/2/1812 6/2/1813 6/2/1812 10/2/1813 10/2/1813 11/2/1813 12/2/1813 15/2/1813 15/2/1813 15/2/1813 17/2/1813 17/2/1813 17/2/1813 18/2/1813 24/2/1813 24/2/1813 24/2/1813 27/2/1813 1/3/1813 8/3/1813 16/3/1813 17/3/1813 19/3/1813

Entries from 1811 to 1818 [Jan Ladislav] Dussek’s much admired Concerto for Harp [arr. by Sophia Dussek] [Emma] Harrison’s Mai l’amor mio verace [Emma] Harrison’s Va! più non dirmi infida National Melodies, no. 17 [William] Russell’s The Harper’s second Song [John Freckleton] Burrowes’s Overture to [Mozart’s] Zauberflöte, arranged as a duet [Thomas] Shoel’s Sixth Book of Psalm Tunes [Federigo] Fiorillo’s The Retreat, a military divertimento [William] Russell’s A weary a lot is thine, fair maid [William] Russell’s The Harp [John Freckleton] Burrowes’s The Blenheim New Waltz [T.] Latour’s The Troubadour, a divertimento [John] Parry’s Beauty in Tears [William] Beale’s Sonata for Piano Forte [William] Beale’s Awake, sweet Muse, madrigal [William] Russell’s The Cypress Wreath [John S.] Geldard’s Beware, my Fanny, Time will tell [Gesualdo] Lanza’s Elements of Singing, Vol. 1, Class A, No. 4 [Johann Georg Christoph] Schetky’s Progressive Lessons for the Violoncello [John Freckleton] Burrowes’s Air with Variations for Piano Forte [Anton] Radiger’s Room House, Rondo for Piano Forte [John] Hammond’s Blue Bells of Scotland with Variations [William Henry] Ware’s Overture to Aladdin [William] Watts’s [adaptation of Joseph] Haydn’s Celebrated Symphony no. 8 [Henry] Condell’s Tho’ Highest Rank and Power be mine Ware’s Grand March in Aladdin Ware’s Every Face looks cheerily, glee Ware’s The much admired bell dance [Matthias von] Holst’s Seraphina, a serenade [Federigo] Fiorillo’s The Katchell, a ballet [composed by Charles-Louis Didelot] [Ferdinand] Ries’s Tenth Sonata for Piano Forte [J. B.] Cramer’s [G. B.] Viotti’s Grand Concerto in C, adapted for piano forte Latour’s Impromptu for Piano Forte, no. 1 Latour’s Gavotte de Vestris with Variations for Piano Forte National melodies, no. 20 Fiorillo’s Se al volto mai ti senti [arranged from Mozart’s La clemenza di Tito] [M.] Stohwasser’s Six Favorite Pieces for Piano Forte [by George, Prince Regent] National Melodies, no. 19 Latour’s Impromptu for Piano Forte, no. 2 [William] Knyvett’s Auld lang syne [Frédéric Charles] Meyer’s Original Air with Variations for Harp National Melodies, no. 21 [Joseph] Elouis’s [arrangement of] Mozart’s Variations to Vous l’ordonnez [Montague P.] Corri’s This Treatment of Fortune is cruel and base [Montague P.] Corri’s Hope my drooping Spirits cheers [Montague P.] Corri’s Overture to the Wife of a Hundred

675 19/3/1813 23/3/1813 23/3/1813 23/3/1813 29/3/1813 3/4/1813 5/4/1813 7/4/1813 8/4/1813 8/4/1813 14/4/1813 14/4/1813 20/4/1813 28/4/1813 28/4/1813 3/5/1813 3/5/1813 5/5/1813 6/5/1813 8/5/1813 14/5/1813 14/5/1813 14/5/1813 19/5/1813 20/5/1813 27/5/1813 31/5/1813 8/6/1813 8/6/1813 18/6/1813 26/6/1813 28/6/1813 28/6/1813 28/6/1813 28/6/1813 1/7/1813 5/7/1813 13/7/1813 13/7/1813 13/7/1813 13/7/1813 13/7/1813 22/7/1813 3/8/1813 3/8/1813 3/8/1813

676

Music Entries at Stationers’ Hall

[Ferdinand] Ries’s Eighth Sonata for Piano Forte, op. 8 Ries’s Ninth Sonata for Piano Forte, op. 9 [William] Crotch’s [adaptation of Handel’s] Overture, etc. on St Cecilia’s Day, no. 6 National Melodies, no. 18 [Sophia] Dussek’s Pray Goody, arranged for Harp [Philip Antony] Corri’s Concerto da Camera, for Piano Forte, no. 2 [Sophia] Dussek’s The Deserter’s Meditations, for Harp [Sophia] Dussek’s St Patrick’s Day, for Harp [John Freckleton] Burrowes’s Third Sonatina for Piano Forte [Gesualdo] Lanza’s Elements of Singing, Vol. 1, Class A, nos. 5 and 6 The Cat’s Waltz for Piano Forte National Melodies, nos. 22 and 23 [Timothy] Essex’s National Imitations: La Guaracha, a rondo Lanza’s Elements of Singing, Vol. 1, Class A, Nos. 7 and 8 [J.] Jones’s New Instructions for the Bugle [John Wall] Callcott’s Alice Brand Clementi’s Selection from Vocal Compositions of Mozart [Federigo] Fiorillo’s Deh prendi un dolce amplesso [by Mozart], with Variations [G. S.] Warden’s Lord Wellington’s March [Angelo Benedetto] Ventura’s Twelve Italian, French and English Ariettes Callcott’s Thalaba [Giacomo Gotifredo] Ferrari’s Martial Air and a Walzer [W.] Blundell’s Sacred Music Callcott’s Rosemary Burrowes’s Serenade for Piano Forte Ries’s The Dream [William] Horsley’s Duettino Secondo per il Piano Forte [William] Morrison’s Collection of Highland Music Fiorillo’s Deh prendi un dolce amplesso [by Mozart], for Harp, etc. Fiorillo’s Ah perdona al primo affetto [by Mozart], for Harp and Piano Forte [Gesualdo] Lanza’s The Rose de Meaux Fiorillo’s Se al volto mai ti senti, no. 3 Burrowes’s Overture to Cosi Fan Tutte [by Mozart], as a duett Burrowes’s Leipsig New Waltz [James] Hook’s Monody on Death of Mr Spencer Percival [i.e., Spencer Perceval] Callcott’s These as they change, Almighty Father Callcott’s Morning, a glee for three voices [John] Gildon’s Three Easy Divertimentos for Piano Forte [John] Braham’s and [William] Reeve’s Music in Narensky [John] Purkis’s Grand March and Quick Step Ware’s The Oyster crossed in Love Ware’s Overture to Harlequin and the Swans Callcott’s Five Chorusses from Athalia Ware’s The smart little Maid Callcott’s Friend of the Brave [John] Clarke’s Gondibert to Zulima

11/8/1813 11/8/1813 13/8/1813 19/8/1813 19/8/1813 19/8/1813 19/8/1813 19/8/1813 27/8/1813 30/8/1813 7/9/1813 21/9/1813 21/9/1813 21/9/1813 30/9/1813 5/10/1813 14/10/1813 15/10/1813 18/10/1813 22/10/1813 26/10/1813 26/10/1813 30/10/1813 30/10/1813 3/11/1813 15/11/1813 15/11/1813 27/11/1813 3/12/1813 3/12/1813 4/12/1813 4/12/1813 11/12/1813 17/12/1813 29/12/1813 29/12/1813 29/12/1813 31/12/1813 11/1/1814 19/1/1814 19/1/1814 19/1/1814 24/1/1814 27/1/1814 27/1/1814 31/1/1814

Entries from 1811 to 1818 [Federigo] Fiorillo’s Variations to Se al volto mai ti senti [by Mozart] [T.] Latour’s Le Retour d’Espagne [John Baptist] Cramer’s Rousseau’s Dream, with Variations Latour’s Four progressive Sonatinas National Melodies, no. 24 [William Henry] Ware’s Selection of Airs from Harlequin and the Swans [John] Clarke’s St Michael’s Chair and who sat there Ware’s The Jugglers Rondo, for Piano Forte Fiorillo’s Five Pieces from La Clemenza di Tito [by Mozart], 1st and 2nd set [T. R.] Hobbes’s The Harper, a glee for three voices Hobbes’s Christmas Hymn Hobbes’s Sweet Mary [John Freckleton] Burrowes’s Second Air with Variations for Piano Forte [Robert] Cooke’s Mark where the silver Queen of Night, glee [Harriett] Abrams’s Friend of my Soul, when far away [John Baptist] Cramer’s La Strenna, a divertimento Latour’s Vous et Moi, a duett The Piano Forte Journal, no. 1 [Francis Joseph] Klose’s Duett for Two Performers on Piano Forte Klose’s The Rose Klose’s Instructions for Piano Forte [James] Alexander’s Beauties for Flute, no. 21 [I. B.] Wilson’s Prime of Life, with Variations [Stephen F.] Rimbault’s Crown Prince of Sweden’s Military Divertimento, op. 6 [James] Hook’s The Great Russian Czar Alexander [Giacomo Gotifredo] Ferrari’s Six Plaisanteries pour Piano Forte Ferrari’s Six Favorite Italian Waltzes Burrowes’s Moldavian Air, for Piano Forte Latour’s La Cocarde Blanche [Thomas Augustus] Rawlings’s Variations to Se vuol ballare [by Mozart] [Philip Antony] Corri’s La Gioja, a divertisement [William] Crotch’s Palestine, a sacred oratorio Latour’s Second Serenade for Piano Forte [J.] Kelly’s The New White Cockade [John] Clarke’s Messiah [by George Frideric Handel], arranged for the organ [Thomas] Shaw’s Fourth set of Three Sonatas for Piano Forte Shaw’s Solo for the Flute Shaw’s Trio for Two Violins and Violoncello [John Thomas] Craven’s Scale of New Patent Harp [Stephen Francis] Rimbault’s The Allied Sovereigns’ Grand March A Second Collection of Waltzes Horsley’s Third Duettino for Piano Forte Beale’s Madrigal for Four Voices, no. 2 [Eliza] Cave’s The Blush and the Tear Ferrari’s Three Grand Marches, 1814 Peace Rimbault’s Trio, op. 7

677 31/1/1814 5/2/1814 5/2/1814 5/2/1814 5/2/1814 7/2/1814 11/2/1814 14/2/1814 23/2/1814 1/3/1814 1/3/1814 1/3/1814 4/3/1814 10/3/1814 12/3/1814 12/3/1814 12/3/1814 12/3/1814 16/3/1814 16/3/1814 16/3/1814 18/3/1814 25/3/1814 30/3/1814 7/4/1814 13/4/1814 25/4/1814 10/5/1814 10/5/1814 10/5/1814 10/5/1814 10/5/1814 18/5/1814 20/5/1814 27/5/1814 6/6/1814 6/6/1814 6/6/1814 8/6/1814 9/6/1814 13/6/1814 17/6/1814 23/6/1814 27/6/1814 29/6/1814 6/7/1814

678

Music Entries at Stationers’ Hall

[John] Davy’s Just like Love is yonder Rose [G. P.] Lewis’s Grand Sonata for Harp [John] Davy’s Spanish Dollars, or the Priest of the Parish [Stephen F.] Rimbault’s Allied Sovereigns’ Grand March and Waltz, op. 9, no. 36 [Benjamin] Blake’s Miscellaneous Collection of Vocal Music, op. 6 [John] Whitaker’s Silent Kisses, no. 1 Whitaker’s Mary, Mary, list! awake!, no. 3 Whitaker’s Paddy Carey’s Fortune [Ludwig van] Beethoven’s The Mount of Olives, an oratorio [Charles] Cobham’s Harmonic System for Violin, a treatise on harmonics [Angelo Benedetto] Ventura’s Six Italian, French and English Ariettes, no. 1 Ventura’s Six Italian, French and English Ariettes, no. 2 [A. B.] Ventura and [M.] Icard’s Collection Of Minuets, etc., etc. [John Freckleton] Burrowes’s Parisian Rondo Burrowes’s Third Air with Variations [Thomas Hamley] Butler’s The White Cockade, a divertimento [Federigo] Fiorillo’s Favorite Airs from Il Flauto Magico [by Mozart], Book 3 Ventura’s Twelve Italian, French and English Ariettes, no. 2 [John] Braham’s Music in Narensky Moser’s Polonoise for Piano Forte [Carl] Jaeger’s Theme with Variations for piano forte [Cassimir] Litskie’s New Gavot, with an Introduction for piano forte Jaeger’s Grand Polonoise for Piano Forte [John] Purkis’s Medley Divertimento for piano forte [Samuel] Wesley’s The Sky Rocket, a new Jubilee waltz [Charles Edward] Horn’s and [John] Braham’s Music in The Devil’s Bridge [Ferdinando] Paër’s Inumano tiranno Ventura’s Thema with Six Variations Ventura’s New and Elegant Collection of Waltzes Paër’s Dovrei, ma no, cavatina Paër’s Enea salvo gia sei Paër’s Povero cor tu palpiti Paër’s Oh Dio! cresce l’orrore Paër’s Accogli o Regina Paër’s Cari accenti, del mio bene Paër’s Sei Vinto, e pur non sai, duetto Rimbault’s Trio, arranged for one performer, op. 7 Paër’s Son Regina, e sono amante Burrowes’s Mozart’s Overture to Idomeneo, as a duett Fiorillo’s Pieces from Il Don Giovanni [by Mozart], 1st set [W. H.] Astor’s Sweet Bird, approach Paër’s Se resto sul lido Fiorillo’s Pieces from Il Don Giovanni [by Mozart], 2nd set Waltzes for the Piano Forte Twelve Original Waltzes by Miss Elizabeth C. [John Charles] White’s Collection of New and Favorite Dances

6/7/1814 8/7/1814 8/7/1814 8/7/1814 8/7/1814 9/7/1814 9/7/1814 9/7/1814 9/7/1814 9/7/1814 13/7/1814 13/7/1814 13/7/1814 20/7/1814 20/7/1814 22/7/1814 23/7/1814 28/7/1814 29/7/1814 29/7/1814 29/7/1814 29/7/1814 29/7/1814 30/7/1814 1/8/1814 3/8/1814 8/8/1814 15/8/1814 15/8/1814 16/8/1814 16/8/1814 16/8/1814 25/8/1814 25/8/1814 29/8/1814 30/9/1814 24/10/1814 24/10/1814 24/10/1814 24/10/1814 25/10/1814 27/10/1814 31/10/1814 2/11/1814 2/11/1814 2/11/1814

Entries from 1811 to 1818 [Stephen Francis] Rimbault’s Second Divertimento for Piano Forte [T. R.] Hobbes’s My Harp alone [Federigo] Fiorillo’s Pieces from Il Don Giovanni [by Mozart], 3rd set [A.] Domeyer’s Seven Divertimentos for Two Flutes [Montague P.] Corri’s Ma pauvre Eloi [John Wall] Callcott’s Six Sacred Trios [John Freckleton] Burrowes’s Fourth Air with Variations [Giacomo Gotifredo] Ferrari’s L’Addio [Henry Rowley] Bishop’s Music in John of Paris Bishop’s Additional Songs, etc. in Maid of the Mill Bishop’s Overture, etc. in The Forrest of Bondy [James] Salmon’s Six Waltzes, arranged for piano forte [William Thomas] Parke’s Merrily, Merrily goes the Bark [John] Whitaker’s Love and the Æolian Harp [Ludwig van] Beethoven’s Collection of Irish Airs, vol. 1 [Anton] Radiger’s Four Songs from Lady of the Lake Burrowes’s Overture to the Il Serraglio [by Mozart], as a duett [William] Watts’s Overture to Egmont [by Beethoven], as a duett Radiger’s Allen Bane the Harper Avarice, a canzonet [composed by Philomusicus] [Ferdinand] Ries’s Twelve Trifles for Piano Forte, set 1 Burrowes’s Three Sonatinas for Piano Forte, op. 10 [Paul] Spagnoletti’s Three Italian Canzonets [Frederick] Kalkbrenner’s Sonata [Thomas] Miles’s Six Trios for Two Trebles and a Bass [Joseph] Coggins’s The Governess’s Musical Assistant [William Henry] Ware’s The Boat Song in Zembuca Ware’s When the Sun thro’ the Cypress Grove Ware’s Overture and Grand March in Zembuca Four Anthems, composed by an amateur [William] Beale’s First Book of Madrigals, etc., op. 6 Ware’s Pas de deux in Zembuca Ries’s Russian Air with Variations, no. 8 Ries’s Twelve Trifles, op. 58 Spagnoletti’s Rondo for Violin Ries’s Thirty-fourth Sonata for Piano Forte, op. 59 Ries’s Thirty-fifth Sonata for Piano Forte, op. 59 Ferrari’s Solo amor [Ferdinando] Paër’s La Didone abbandonata, opera [Benjamin] Blake’s Duet for Violin and Violoncello, op. 7 Too late alas! I must confess [composed by Edward Smith Biggs] Clarke’s O call back the Roses of Morn Clarke’s Our long, long lost is found Paër’s Six Italian Ariettes [Federigo] Fiorillo’s Seventh Rondo, arranged by [F. J.] Dizi for the harp The Self Instructor in Music and Choice Companion for Youth

679 5/11/1814 8/11/1814 8/11/1814 14/11/1814 19/11/1814 21/11/1814 29/11/1814 3/12/1814 6/12/1814 6/12/1814 6/12/1814 12/1/1815 8/2/1815 13/1/1815 10/3/1815 16/3/1815 20/3/1815 20/3/1815 29/3/1815 5/4/1815 13/4/1815 18/4/1815 19/4/1815 19/4/1815 22/4/1815 27/4/1815 3/5/1815 3/5/1815 5/5/1815 22/5/1815 29/5/1815 31/5/1815 5/6/1815 5/6/1815 5/6/1815 5/6/1815 5/6/1815 13/5/1815 13/6/1815 13/6/1815 13/6/1815 13/6/1815 13/6/1815 13/6/1815 15/6/1815 21/6/1815

680

Music Entries at Stationers’ Hall

[M. C.] Gall’s Three German Waltzes for Piano Forte [Federigo] Fiorillo’s The Waterloo Military Waltz [Timothy] Essex’s National Imitations, no. 1: The Britannia, a British rondo [Frederick] Kalkbrenner’s Studio for the Piano Forte, Book 1 Kalkbrenner’s God save the King, with 8 Variations [William Henry] Cutler’s Ah vous dirai-je Maman, with Variations [Luigi] Cherubini’s Favorite Overture Del Crescendo Kalkbrenner’s Vive Henri Quatre, op. 16 Kalkbrenner’s Andante with Variations, op. 17 [John Baptist] Cramer’s New Rondo, on a favorite Irish air [Ferdinand] Ries’s Forty Preludes for Piano Forte [Samuel] Wesley’s Jacky Horner, arranged as a rondo [John Bernard] Logier’s Grand Concerto for Piano Forte, op. 13 Ries’s The Return of the Troops, a grand march, op. 33 Ries’s Grand Triumphal March, no. 7 Ries’s Russian Sailor’s Song, op. 50 [John] Monro’s Ellen Aureen The British Oak [Jean] Mugnié’s Vive Henri Quatre, avec Variations [Stephen Francis] Rimbault’s Sixth Military Duett Ries’s Introduction and Rondo, op. 57 Kalkbrenner’s Concertante for Piano Forte [Maximilian] Bohrer’s First Duett for Violin and Violoncello, op. 20 Bohrer’s Second Duett for Violin and Violoncello, op. 21 [Giacomo Gotifredo] Ferrari’s Three Italian Favorite Duets [Joseph] Sharp’s The Villagers, a rondo for piano forte [Thomas] Haigh’s Second set of Twenty-eight Sonatinas [Thomas] Goodban’s Guide to Playing the Violin [William] Shield’s Introduction to Harmony, 2nd edition Shield’s Rudiments of Thorough Bass [H.] Liebe’s Madame Tallien, a favorite French air, with Variations [William] Linley’s [William] Shakespeare’s Dramatic Songs, 2 volumes [Thomas] Goodban’s Complete Instructions for Piano Forte [Charles] Nicholson’s Preceptor for the German Flute, Books 1 and 2 If doughty deeds my Ladye please [Thomas] Haydon’s Waltz for Piano Forte [dedicated to Miss Caley] [Thomas] Bolton’s Lessons, etc. for the Harp, Lute or Lyre [John Andrew] Stevenson’s Irish Melodies, vols. 1, 2, and 3 [Henri] de Monti’s Three Waltzes for piano forte de Monti’s Favorite Scottish Air, as a rondo [John] Briggs’s Introduction for Playing on the Patent Double Flageolet [Joseph] Elouis’s Frenar vorrei le lagrime [by Portogallo, arranged for the harp] [John Charles] White’s Collection of New and Favorite Dances [Thomas] Haydon’s Waltz for Piano Forte [dedicated to Miss Charlier] [Niel] Gow’s Repository of Original Scots Tunes, etc., part 2 Gow’s Repository of Original Scots Tunes, etc., part 3

7/7/1815 10/7/1815 12/7/1815 14/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 20/7/1815 22/7/1815 23/7/1815 11/8/1815 11/8/1815 12/8/1815 12/8/1815 12/8/1815 12/8/1815 16/8/1815 23/8/1815 23/8/1815 23/8/1815 26/8/1815 26/8/1815 30/8/1815 30/8/1815 30/8/1815 30/8/1815 2/9/1815 5/9/1815 7/9/1815 7/9/1815 8/9/1815 9/9/1815 19/9/1815 20/9/1815 21/9/1815 22/9/1815 6/10/1815 6/10/1815

Entries from 1811 to 1818 [Niel] Gow’s Collection of Strathspeys, etc., 4th collection Gow’s Collection of Strathspeys, etc., 5th collection [Thomas Hamley] Butler’s Rousseau’s Dream, with Variations [William] Gardiner’s Sacred Melodies [from Haydn, Mozart, Beethoven, and others] [Gesualdo] Lanza’s The Friendless Girl Colonel West’s Collection of Amateur Compositions The Preceptor, or Key to the Double Flageolet [William] Beale’s Second Sonata for Piano Forte, op. 8 [Matthias von] Holst’s Second Cottage Rondo Tunes adapted to Psalms and Hymns for Worthing Chapel Pocket Edition of Supplement to [Thomas] Walker’s Companion [to tune book] [John Charles] White’s Twelve Original Waltzes for Piano Forte or Harp [Philip Antony] Corri’s Three Divertimentos for Piano Forte [Louis] von Esch’s Petite Recreation, no. 3 [John Baptist] Cramer’s Introduction and Polonaise Cramer’s Days of Yore, a divertimento [T.] Latour’s Alexandre le Grand, a military divertimento [George] Kiallmark’s ’Tis thy Will and I must leave thee [William] Turle’s Three Waltzes for Piano Forte [John] Purkis’s The Magpie and Maid Purkis’s The Reprieve, or The Maid of Palaiseau [R.] Williams’s Be gone dull care, with Variations [John Baptist] Cramer’s Dulce et Utile, Book 1, op. 55 [John Wall] Callcott’s Sisters of Acheron [Ludwig van] Beethoven’s Grand Battle Sinfonia [Charles] Nicholson’s National Airs for Flute, no. 1 A Third Collection of Waltzes for Piano Forte Fiddle-dee-dee, with accompaniment for piano forte [By Edward Smith Biggs] [R.] Williams’s Sonata pour la Harpe [Federigo] Fiorillo’s The Duke of Wellington’s Quick Step into Paris [Wolfgang Amadeus] Mozart’s Il Seraglio Fiorillo’s A Pot-Pouri, from Il Flauto Magico [by Mozart] [Carl Ludvig] Lithander’s Collection of Songs, Waltzes, etc. [Frederick] Kalkbrenner’s Six Waltzes for Piano Forte, set 1 and 2 [John Freckleton] Burrowes’s The Saxe-Cobourg new Waltz [W.] Léonard’s The Kentish Belle’s Waltz [T. R.] Hobbes’s If on my Love ye gentle Zephyrs blow Fiorillo’s Favorite Airs from Il Don Giovanni [by Mozart] Callcott’s Waterloo, a glee for three voices [John Andrew] Stevenson’s When Twilight Dews [words by Thomas Moore] [Thomas] Moore’s Oh! Yes, so well, so tenderly [words and music by Moore] [Giacomo Gotifredo] Ferrari’s Duo Champêtre, op. 58 [William Ashton] Nield’s The Harbour of Peace Nield’s How blest were the Nymphs and the Swains Kalkbrenner’s Marche, suivie de Variation sur l’Air ‘Will you come to the Bower’ [J. B.] Cramer’s The celebrated air, Love has Eyes [by H. R. Bishop], as a rondo

681 6/10/1815 6/10/1815 10/10/1815 17/10/1815 17/10/1815 18/10/1815 21/10/1815 1/11/1815 3/11/1815 8/11/1815 10/11/1815 14/11/1815 14/11/1815 14/11/1815 14/11/1815 14/11/1815 14/11/1815 16/11/1815 25/11/1815 25/11/1815 25/11/1815 11/12/1815 19/12/1815 21/12/1815 15/1/1816 20/1/1816 23/1/1816 27/1/1816 29/1/1816 30/1/1816 13/2/1816 13/2/1816 14/2/1816 14/2/1816 5/3/1816 7/3/1816 18/3/1816 19/3/1816 19/3/1816 20/3/1816 20/3/1816 20/3/1816 21/3/1816 21/3/1816 22/3/1816 22/3/1816

682

Music Entries at Stationers’ Hall

[Ferdinand] Ries’s Variations to [Henry Rowley] Bishop’s Theme [Charles, Baron] Arnim’s Selection of German National Melodies, vol. 1. [John Baptist] Cramer’s Seventh Concerto for Piano Forte, op. 56 [Frederick] Kalkbrenner’s Studio for Piano Forte, Book 2 [Timothy] Essex’s Air sung by Canadian Voyageurs Cramer’s Introduction and Polonoise for Piano Forte Cramer’s L’Ambigu, a divertimento [T.] Latour’s L’Orage, rondo pastorale [in imitation of rondo by Daniel Steibelt] Les Trois Mains, a selection of favorite Airs, no. 1 [John Andrew] Stevenson’s Return my Love!, a rondo [Augustus] Meves’s Three Waltzes for Piano Forte [Federigo] Fiorillo’s Second Set of Pieces from [Mozart’s] Il Flauto Magico, Book 1 Fiorillo’s Second Set of Pieces from [Mozart’s] Il Flauto Magico, Book 2 Ries’s Rondoletto for Piano Forte, op. 54 Ries’s Air of Little Russia, with Variations, op. 56 Cramer’s Le Rendezvous à la Chasse [Thomas Augustus] Rawlings’s Le Retour de la Chasse [Philip Antony] Corri’s The Casket, containing six Waltzes [Thomas] Howell’s Instructions for Piano Forte, part first [Thomas G.] Smith’s Original Maltese Music [William] Beale’s What ho! What ho!, a fourth madrigal Fiorillo’s The Happy Union, a divertimento Howell’s Auxiliary Lessons for Piano Forte Six Songs, written and composed by [the] late Charles Dibdin Fiorillo’s Favorite Airs from Il Don Giovanni [by Mozart], Book 2 [John Charles] White’s Collection of New and Favorite Dances [John Andrew] Stevenson’s Sacred Songs, Duetts and Trios [words by T. Moore] [George] Kiallmark’s Air de Ballet variée [Bernhard Heinrich] Romberg’s Allegorical March for Piano Forte Latour’s Duett for Two Performers on Piano Forte [Philip Antony] Corri’s La Dolcezza, duett for harp and piano forte Rawlings’s The Wreath, a duett for two performers [Frédéric Charles] Meyer’s Series of Examples for Harp [G. A.] Jagse’s Four Rondos, etc. [Thomas] Miles’s Fare Thee Well! [John] Emdin’s My Robin Stevenson’s The Gallant Troubadour [Thomas] Moore’s Black and Blue Eyes Stevenson’s Peace, a duett [Charles] Hale’s Selection of Popular Waltzes, Book 1 Thomson’s Collection of Original Irish Airs, vol. 2 Thomson’s Violin Accompaniments to his Collection of Original Irish Airs, vol. 2 Thomson’s Violoncello Accompaniments to the above, vol. 2 [Thomas] Bolton’s The Admired Beauty, arranged as a rondo [John F.] Burrowes’s Overture to [Mozart’s] Il Direttor, etc., arranged as a duett [Joseph] Elouis’s Dans un Délire extrême

22/3/1816 25/3/1816 28/3/1816 28/3/1816 29/3/1816 29/3/1816 29/3/1816 29/3/1816 29/3/1816 9/4/1816 9/4/1816 10/4/1816 10/4/1816 13/4/1816 13/4/1816 13/4/1816 13/4/1816 13/4/1816 17/4/1816 18/4/1816 18/4/1816 24/4/1816 24/4/1816 1/5/1816 7/5/1816 9/5/1816 14/5/1816 16/5/1816 16/5/1816 16/5/1816 16/5/1816 16/5/1816 16/5/1816 28/5/1816 29/5/1816 29/5/1816 29/5/1816 29/5/1816 29/5/1816 30/5/1816 30/5/1816 30/5/1816 30/5/1816 31/5/1816 13/6/1816 18/6/1816

Entries from 1811 to 1818 [John Andrew] Stevenson’s The Woodbine Cottage [Charles] Smith’s O softly sleep, my baby Boy [William] Linley’s Shakespeare’s Dramatic Songs, vol. 2 [John Wall] Callcott’s Take, Mary, take this Chain of Gold, a glee [Robert Archibald] Smith’s Fare thee well [John] Seymour’s The Battle of Waterloo, a song [Thomas] Howell’s Practical Instructions for Piano Forte, part 2 [Stephen Francis] Rimbault’s Saxe-Coburg March and Waltz, op. 11 [William Thomas] Parke’s Fare thee well [Fanny] Krumpholtz’s Dans mon petit Reduit The Favorite Air of John du Bart, as a rondo [Thomas Hamley] Butler’s Calder Fair, a divertimento Butler’s The Tank, with variations [Ludwig van] Beethoven’s Violin Accompaniments to Original Irish Airs, vol. 2 Beethoven’s Violoncello Accompaniments to Original Irish Airs, vol. 2 Howell’s Practical Instructions [for Piano Forte], part 3 [Miss] Fowler’s My native Shore, adieu! [Thomas] Miles’s Laura, song [W.] Léonard’s The sensitive Plant Léonard’s Roy’s Wife of Aldivalloch [Carl Ludvig] Lithander’s Second Divertimento, a Swedish Air with Variations [Samuel] Wesley’s The Cobourg Waltz, for the piano forte The Harmony of the Spheres, by ‘Ou-Tang-Kee-Twang’, gongiste to the Great Mogul [Samuel] Wesley’s Sweet Enslaver, with Variations [Timothy] Essex’s Introduction and Fugue for Organ [Timothy] Essex’s National Imitations, no. 2: The Hibernia, a rondo English words [by Thomas John Dibdin] to Italian canzonet O Pescator dell’onda [Charles] Nicholson’s Three Concertante Duetts [C.] Nicholson’s and [J. F.] Burrowes’s Variations to O dolce concento [by Mozart] [Thomas Forbes] Walmisley’s Taste Life’s glad Moments [Signor] Rodolinda’s The Union: No. 1, a divertimento, and nos. 2, 3 and 4 [S. C.] Fripp’s Te Deum Laudamus, etc. [Stephen Francis] Rimbault’s Beauty in Tears, with Variations Rimbault’s Sonata for Piano Forte, op. 12 [Louis François Philippe] Drouët’s Three Duetts for two Flutes op. 18 Drouët’s Three Original Cossack Songs Drouët’s The Tyrolian Air, etc. with Variations Drouët’s Three Waltzes for Flute Drouët’s Fourth Concerto for Flute Drouët’s Three Waltzes with Variations, for Two Flutes Drouët’s French Air with Variations, no. 7 Drouët’s Italian Air with Variations, op. 25 Drouët’s 1re No. de la souscription Troisième Concerto [J. P.] Wrede’s Celebrated Chinese Rondo [John Andrew] Stevenson’s Go Sweet Enchantress [Ludwig van] Beethoven’s Sonata for Piano Forte, op. 96

683 18/6/1816 18/6/1816 19/6/1816 19/6/1816 20/6/1816 24/6/1816 26/6/1816 28/6/1816 28/6/1816 1/7/1816 3/7/1816 10/7/1816 10/7/1816 17/7/1816 17/7/1816 20/7/1816 22/7/1816 10/8/1816 17/8/1816 17/8/1816 20/8/1816 20/8/1816 20/8/1816 20/8/1816 20/8/1816 20/8/1816 30/8/1816 6/9/1816 6/9/1816 6/9/1816 11/9/1816 13/9/1816 17/9/1816 17/9/1816 18/9/1816 18/9/1816 18/9/1816 18/9/1816 18/9/1816 18/9/1816 18/9/1816 18/9/1816 18/9/1816 1/10/1816 14/10/1816 29/10/1816

684

Music Entries at Stationers’ Hall

[Wolfgang Amadeus] Mozart’s Il Direttor della Commedia [John] Braham and [Isaac] Nathan, Hebrew Melodies, no. 2 [Captain Simon] Fraser’s Highland Airs and Melodies [Federigo] Fiorillo’s Duett for Two Performers on Piano Forte Fiorillo’s Airs from Il Flauto Magico [by Mozart], Book 4 [John] Purkis’s Variations to [Wolfgang Amadeus] Mozart’s celebrated Waltz [John Andrew] Stevenson’s Wreaths of Flowers, a trio [W.] Rodgers’s Elegy on Death of R[ichard] B[rinsley] Sheridan [James] Wood’s Compleat Scale for Patent Bassoon [Thomas Danvers] Worgan’s Vocal Sonatinas, no. 1 [Ludwig van] Beethoven’s Grand Trio, op. 97 Fiorillo’s Eighteen Pieces from Il Serraglio [by Mozart], set 1 [G. P.] Warden’s Three Favorite new Waltzes [George Ebenezer] Williams’s Introduction to Playing on the Piano Forte, 2nd edition [John Baptist] Cramer’s Variations to [Mozart’s] Fin ch’han dal vino [Charles] Nicholson’s My Love when thou’rt away [William Henry] West’s The Ocean King, a glee [John Andrew] Stevenson’s Wake Maid of Lorn Stevenson’s The Tablet of Love Stevenson’s Mourn not, silly Mortals Stevenson’s There’s not a Joy this World can give Stevenson’s A Farewell Stevenson’s Fare thee well [Stephen Francis] Rimbault’s Three Easy Duetts, op. 13 [Ludwig van] Beethoven’s Grand Symphony (in A), op. 98 [Thomas Forbes] Walmisley’s The Fairy of the Dale [Henry Rowley] Bishop’s Music in John of Paris Bishop’s Overture, etc. in Guy Mannering Bishop’s Overture, etc. in The Slave [Joseph] Reinagle’s Introduction to Violoncello, 4th edition Bishop’s Music in The Noble Outlaw [Ferdinand] Ries’s Rondo, op. 67 Ries’s Variations to Said a Smile to a Tear [John Baptist] Cramer’s Hibernian Air, arranged as a rondo [August Alexander] Klengel’s Fantasia, op. 19 [Philip] Knapton’s Variations to Mrs Macdonald, a Scotch air [Frederick] Kalkbrenner’s Variations to favorite French Romance Kalkbrenner’s Third Trio for Piano Forte, op. 27 [Federigo] Fiorillo’s Fourth Grand Duett, op. 67, Book 1 [Jean] Jousse’s Instructions for Piano Forte, 5th edition [Henry Rowley] Bishop’s Music in The Farmer’s Wife [Philip Antony] Corri’s The Regatta, a divertimento Bishop’s The Wandering Boys Bishop’s Music in Telemachus [Matthew Peter] King’s Up all Night, or The Smugglers Cave Bishop’s Overture, etc., in The Virgin of the Sun

29/10/1816 4/11/1816 5/11/1816 11/11/1816 13/11/1816 21/11/1816 21/11/1816 26/11/1816 28/11/1816 4/12/1816 5/12/1816 10/12/1816 11/12/1816 23/12/1816 1/1/1817 2/1/1817 2/1/1817 3/1/1817 3/1/1817 3/1/1817 3/1/1817 3/1/1817 3/1/1817 7/1/1817 7/1/1817 11/1/1817 15/1/1817 15/1/1817 15/1/1817 16/1/1817 16/1/1817 16/1/1817 16/1/1817 16/1/1817 16/1/1817 16/1/1817 16/1/1817 16/1/1817 16/1/1817 16/1/1817 17/1/1817 17/1/1817 17/1/1817 17/1/1817 17/1/1817 17/1/1817

Entries from 1811 to 1818 [John] Braham’s Music in Narensky [Henry Rowley] Bishop’s Music in For England Ho! Bishop’s Music in Brother and Sister Bishop’s Music in The Miller and his Men [Louis François Philippe] Drouët’s Rule Britannia, with Variations, op. 30 Drouët’s Robin Adair, with Variations, op. 29 Drouët’s God save the King, with Variations, op. 27 [Thomas Augustus] Rawlings’s The Princess Charlotte’s Waltz [John Baptist] Cramer’s La Réunione, a divertimento [T.] Latour’s Prince Leopold’s Waltz [Philip Antony] Corri’s Halcyon Days, a divertimento [Frederick] Kalkbrenner’s The Garden of Love, with Variations Les Trois Mains, a selection of airs, no. 2 Latour’s Le Hussard, with Variations Latour’s Le Hussard et le Tyrolien Latour’s L’Unique, three popular airs with variations [Stephen Francis] Rimbault’s Variations to Le Troubadour, op. 14 [William Henry] Ware’s My Bessy dear, my Treasure [William Henry] Ware’s Charity [George] Beaumont’s Hail, Source of Being [Federigo] Fiorillo’s Nineteenth Divertimento, op. 68 Fiorillo’s Fourth Grand Duett Concertante, op. 67, Book 2 Fiorillo’s Eighteen Pieces from Il Serraglio [by Mozart], set 2 [Charles Edward] Horn’s Turn to this Heart, a duett [Thomas] Attwood’s Glee for Three Voices, from The Beacon [by Joanna Baillie] [Charles Edward] Horn’s If Maidens would marry [John Charles] White’s Quadrilles, set 1 and 2 [Signor] Rodolinda’s Celebrated Grand March for Piano Forte [Monsieur] Julien’s The Noble Outlaw, a rondo [Federigo] Fiorillo’s Favorite Airs from Il Flauto Magico [by Mozart], Book 5 Fiorillo’s Eighteen Pieces from Il Serraglio [by Mozart], set 3 [William] Knyvett’s The Rose of the Valley [T. R.] Hobbes’s The Farewell [Charles] Nicholson’s [Selection of Passages…forming…] Studies for the Flute [Matthias von] Holst’s Quadrilles, Book 1 [T.] Latour’s Duett for Two Performers on Piano Forte Latour’s The Tivoli Waltz with Variations Latour’s Variations to O pescator dell’onda [John Baptist] Cramer’s The Berlin Waltz [John Baptist] Cramer’s [Rudolph] Kreutzer’s favorite Rondo with Introduction [William] Crotch’s Thirty Rounds for Piano Forte Cramer’s Les Menus Plaisirs Latour’s Preludes for Piano Forte [J. P.] Wrede’s Popular Air of Captain Wyke, as a rondo [Frederick] Holbein’s Introduction and Rondo à la Chasse [John George Henry] Jay’s Six Waltzes for Piano Forte, 2[nd] set, op. 22

685 17/1/1817 17/1/1817 17/1/1817 17/1/1817 25/1/1817 25/1/1817 25/1/1817 28/1/1817 28/1/1817 28/1/1817 28/1/1817 28/1/1817 28/1/1817 28/1/1817 28/1/1817 28/1/1817 29/1/1817 29/1/1817 29/1/1817 30/1/1817 6/2/1817 6/2/1817 6/2/1817 8/2/1817 8/2/1817 8/2/1817 8/2/1817 8/2/1817 8/2/1817 10/2/1817 10/2/1817 10/2/1817 10/2/1817 17/2/1817 20/2/1817 1/3/1817 1/3/1817 1/3/1817 1/3/1817 1/3/1817 1/3/1817 1/3/1817 1/3/1817 3/3/1817 3/3/1817 3/3/1817

686

Music Entries at Stationers’ Hall

[David] Bruguier’s The Fire King, glee [Fanny, née Krumpholtz] Pittar’s Military Divertimento for harp or piano forte [Samuel] Potter’s Treatise on Music by Question and Answer, for boys in HM service [Samuel] Potter’s Art of Beating the Drum [Samuel] Potter’s Art of Playing the Fife [Thomas] Williams’s The Kiss dear maid [Marmaduke Charles] Wilson’s The Stratford Waltz [John Wall] Callcott’s Musical Grammar, 3rd edition [Sophia] Dussek’s Variations to The Garland of Love [J. F.] Burrowes’s [B. H.] Romberg’s Overture, op. 11, arranged for two performers [Thomas] Haigh’s Fragments from Music [by Matthew Locke] in Macbeth [Philip Antony] Corri’s La Galantina [Frederick] Kalkbrenner’s Variations on [Jean-Jacques] Rousseau’s Romance, op. 23 Rawlings’s Spring, a divertimento [Ferdinand] Ries’s Rondoletto for Piano Forte, op. 54 [John] Ringwood’s Valse Françoise Ah! Carlino, Why perplex me so, by C. J[ohnson] [J. P.] Wrede’s Air of Capt Wyke, as a rondo [John Charles] White’s Third Set of Quadrilles, and Fourth and Fifth [Sets] [Mrs I., née Cantelo] Robarts’s Variations to Durandarte and Belerma [John Charles] White’s Collection of New and Favorite Dances [Thomas] Bolton’s Stanzas from Fare thee well [Mrs] McMullan’s Remembrances [Michael] Kelly’s Love and Time Kelly’s Damon’s Complaint [Matthew Peter] King’s The Witches, a glee [Charles, Baron] Arnim’s German National Melodies, no. 2 Ries’s Basskyrian Air with Variations, op. 73 no. 2 Ries’s Thirty-first Sonata for Piano Forte, op. 45 Ries’s Air Russe, with Variations, op. 73 no. 1 Ries’s Thirty-second Sonata for Two Performers [Sebastiano] Naldi’s Practical Lessons L’Amitié, L’Amour et le Vin, Trois Romances [by Sebastiano Naldi] [John Charles] White’s Collection of New and Favorite Dances, for Piano Forte [Philip] Knapton’s Military Overture, arranged as a duet Ries’s First Fantasie for Piano Forte, op. 77 no. 1 Ries’s Second Fantasie for Piano Forte, op. 77 no. 2 Burrowes’s Trio for Three Flutes, op. 12 [George] Kiallmark’s Les Fleurs du Printemps, no. 3 Kiallmark’s Variations to The Garland of Roses [Joseph William] Holder’s Swedish Air with Variations [Joseph] Mazzinghi’s Huntsman Rest, with Variations [John] Emdin’s Ah! Why did I gather this delicate flower [Henry Rowley] Bishop’s Charms of the World, rondo Bishop’s Grand March in Aurora Bishop’s Overture to The Heir of Vironi

3/3/1817 5/3/1817 5/3/1817 5/3/1817 5/3/1817 12/3/1817 12/3/1817 19/3/1817 21/3/1817 21/3/1817 21/3/1817 21/3/1817 21/3/1817 21/3/1817 21/3/1817 25/3/1817 25/3/1817 25/3/1817 25/3/1817 28/3/1817 31/3/1817 1/4/1817 11/4/1817 11/4/1817 11/4/1817 14/4/1817 14/4/1817 18/4/1817 18/4/1817 18/4/1817 18/4/1817 19/4/1817 19/4/1817 2/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817 7/5/1817

Entries from 1811 to 1818 [Philippe Jacques] Meyer [Jr]’s Divertimento for Harp [Giacomo Gotifredo] Ferrari’s Sonata for Piano Forte, op. 59 [John] Clarke’s Twelve Vocal Pieces, vol. 1 and 2 [John Baptist] Cramer’s Les Suivantes, no. 1, op. 57 Cramer’s Les Suivantes, no. 2, op. 58 [Ferdinand] Ries’s Air Russe with Variations, op. 73 no. 1 Ries’s Thirty-first Sonata, op. 45 [Frederick] Kalkbrenner’s Tyrolean Waltz with Variations, op. 29 Kalkbrenner’s Grand Quintetto, op. 30 [John Baptist] Cramer’s Two Sacred Songs The Russian Troubadour, or Collection of Ukrainian Melodies by foreign masters [John] Emdin’s The Mansion of Love [Michael] Kelly’s The Conquest of Taranto [Frederick] Holbein’s The Bachelor’s Ball, as a rondo [James] Hunter’s The Savoyard’s Return [Miss H. A.] Lemprière’s The God of Love [George] Guest’s Selection of Hymns, op. 14 [William] Hawes’s Bendemeer’s Stream [Federigo] Fiorillo’s Favorite Airs from Il Don Giovanni [by Mozart], Books 3 and 4 Fiorillo’s Duett for Two Performers, no. 2 Cramer’s Les Suivantes, no. 3, op. 54 [Samuel] Wesley’s Twelve Short Pieces for the Organ [Ferdinand] Ries’s Basskyrian Air with Variations, op. 73 no. 2 Ries’s Thirty-second Sonata for Two Performers [Charles] Cobham’s Il Capo d’Anno [George] Kiallmark’s Fly to the Desert [William] Hawes’s Paradise and the Peri [Thomas] Welsh’s Oh! Fair as the Sea Flower [Thomas] Attwood’s Thy Gentle Manners [R.] Williams’s Ally Croaker, with Variations Select Collection of Original Welsh Airs Violin accompaniments to Select Collection of Original Welsh Airs Violoncello accompaniments to Select Collection of Original Welsh Airs [Charles] Nicholson’s and [J. F.] Burrowes’s Select Melodies, nos. 1, 2 and 3 [Thomas Augustus] Rawlings’s La Sauterelle, a divertisement [T.] Latour’s Le Romanesque, a divertisement [Frederick] Kalkbrenner’s Tyrolean Waltz with Variations, op. 29 [Frédéric Charles] Meyer’s Six Waltzes for Harp [Frédéric Charles] Meyer’s Vocal Fragments [William] Knyvett’s The Yellow Leaf [T.] Latour’s La Biondina in Gondoletta Latour’s [Spanish] Dance in Figaro, arranged as a rondo [C.] Böhmer’s Waltzes, Book 2 [Charles Edward] Horn’s ’Tis Love in the Heart [John] Clarke’s Namouna’s Song [John Andrew] Stevenson’s ’Twas his own Voice

687 8/5/1817 8/5/1817 13/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 29/5/1817 31/5/1817 31/5/1817 31/5/1817 3/6/1817 3/6/1817 7/6/1817 7/6/1817 7/6/1817 7/6/1817 10/6/1817 16/6/1817 17/6/1817 17/6/1817 17/6/1817 20/6/1817 20/6/1817 20/6/1817 20/6/1817 23/6/1817 23/6/1817 23/6/1817 23/6/1817 23/6/1817 23/6/1817 23/6/1817 23/6/1817 23/6/1817 23/6/1817 27/6/1817 1/7/1817 1/7/1817

688

Music Entries at Stationers’ Hall

[Henry] Smith’s Health to Great Britain and her Prince [Thomas] Attwood’s The Song of the Fire Worshipper [John] Clarke’s The Spirit’s song [Frederick] Kalkbrenner’s Filles du Hameau [John Michael] Weippert’s Airs from [Mozart’s] Il Don Giovanni, for Harp and Piano [Thomas Augustus] Rawlings’s Les Plaisirs de la Chasse [William] Horsley’s Sonata for Piano Forte, no. 2 Lovely Rose, adapted to Air of O Pescator dell’onda [words by William Ball] [C.] Böhmer’s Second Set of Quadrilles [T.] Latour’s Variations to Rousseau’s Dream Friendship, Love and Wine, a round [words by William Ball] [Federigo] Fiorillo’s Duett for Two Performers, no. 3 [John] Clarke’s Sad was the Parting [John Charles] Clifton’s Oh! Let me only breathe the Air [John] Clarke’s Sweet Jenny, the cottager’s Daughter [Thomas] Attwood’s The Arab Youth Attwood’s Can Language paint the lover’s Bliss Attwood’s Say who’d be great, a duett [Nicholas Charles] Bochsa’s Divertimento for Harp Bochsa’s Variations to Ah Perdona [by Mozart] [Philippe Jacques] Meyer [Jr]’s Second Divertimento for the Harp [Cecilia] Burney’s Lady Avondel’s Song [James] Calkin’s The Gordon Waltz [William] Matthews’s Zion, an anthem [Louis François Philippe] Drouët’s Three Trios for Three Flutes, op. 33 Drouët’s Variations to My Lodging is on the cold Ground Drouët’s Studies for Flute, nos. 1, 2 and 3 [John Andrew] Stevenson’s When Night was spreading o’er me Parody on Preludes for Piano Forte [by ‘an eminent composer’] [Charles] Ambrose’s First Sett of Original Quadrilles [J. P.] Wrede’s Original Egyptian Rondo [Thomas] Bolton’s Poor Mariette Thine Eye of Blue, by a young lady [John Charles] White’s The Fairy Queen, a rondo [J. P.] Wrede’s Celebrated Indian Rondo [Charles Edward] Horn’s Flow, Flow, Cubana! [John] Purkis’s Airs from Il Don Giovanni [by Mozart] [T. M.] Lyne’s Emma, the Maid of the Dale O Yes! When the Bloom [written by Thomas Moore to an air by Joseph Haydn] [William Henry] Kearns’s Bachelor’s Wives [John Charles] White’s Quadrilles [Signor] Rodolinda’s The Union: no. 5 a divertimento, and no. 6 a divertimento [Christopher] Shell’s Oh! Think not my Spirits are always as light [T. B.] Everett’s Sonata for Piano Forte [Francis Joseph] Klose’s Claremont House, as a rondo [C.] Böhmer’s Claremont House, a favorite Dance

4/7/1817 11/7/1817 11/7/1817 15/7/1817 15/7/1817 15/7/1817 15/7/1817 15/7/1817 15/7/1817 15/7/1817 15/7/1817 18/7/1817 18/7/1817 22/7/1817 24/7/1817 30/7/1817 30/7/1817 30/7/1817 30/7/1817 30/7/1817 30/7/1817 30/7/1817 30/7/1817 12/8/1817 12/8/1817 12/8/1817 12/8/1817 13/8/1817 18/8/1817 22/8/1817 26/8/1817 4/9/1817 17/9/1817 19/9/1817 4/10/1817 4/10/1817 8/10/1817 14/10/1817 14/10/1817 14/10/1817 16/10/1817 16/10/1817 24/10/1817 25/10/1817 27/10/1817 27/10/1817

Entries from 1811 to 1818 [William] Howard’s The Landu, arranged as a duett [J. P.] Wrede’s The Royal Visit, a rondo [Jean] Jousse’s Music Epitomized [Henry Rowley] Bishop’s The Idol of our Hopes and fears, a glee Bishop’s Overture, etc. in Duke of Savoy Bishop’s Sweet Rose of England, fare thee well Bishop’s Light of my Life, duetto Bishop’s How happy could I pass my days Bishop’s Oh! Sweet was the scene Bishop’s The Light of Lover’s Eyes [Philip] Knapton’s La Rose Blanche [air by John Christian Fischer], with Variations [George] Kiallmark’s Variations to There’s cauld Kail in Aberdeen Kiallmark’s Fare well, bright Star [Ferdinand] Ries’s Celebrated Irish Melody, as a rondo [Charles] Cobham’s Un Mazzetto di Fiori [Frederick] Holbein’s The Duke of Clarence’s Welcome to Bath Holbein’s Just as the Tide of human Joy [T.] Latour’s Petite Sonate for Piano Forte [John Baptist] Cramer’s Introduction and Andante for Piano Forte [Nicholas Charles] Bochsa’s Prelude for Harp [Frederick] Kalkbrenner’s Fantasia for Piano Forte Bochsa’s Variations to Se potesse un suona egual [by Wolfgang Amadeus Mozart] Kalkbrenner’s Rondino for Piano Forte, op. 32 [Federigo] Fiorello’s Six Pieces from Cosi Fan Tutte [by Mozart], 3rd set [Charles Frederick] Horn’s The Boatman, for Three Voices [Ferdinand] Ries’s Grand Quintetto, op. 74 [Robert William] Evans’s And art thou then celestial Spirit flown! [T.] Latour’s Variations to Tu che accendi [by Gioacchino Antonio Rossini] Latour’s Variations to Rousseau’s Dream [George] Kiallmark’s The Flower of Love Kiallmark’s The Morning of Love [Charles] Nicholson and [J. F.] Burrowes’s Melodies, nos. 4, 5 and 6 [Federigo] Fiorillo’s Three Italian Canzonets [Joseph] Elouis’s Non, je ne veux pas chanter Elouis’s Presto, Presto! Pria ch’ei venga [by Mozart], arranged for harp [Thomas] Shaw’s Anthem on Death of Princess Charlotte Kalkbrenner’s Rondino for Piano Forte, op. 32 Weep! Oh Weep with Tears of Anguish [words by J. W. Lake; music by Mozart] [John] Clarke’s Stanzas on Death of Princess Charlotte [William] Hawes’s Monody on Death of Princess Charlotte [Thomas] Welsh’s The Peri’s Song [John Andrew] Stevenson’s Now Morn is blushing in the Sky [C.] Böhmer’s Waltzes, Book 3 [William] Horsley’s There is a calm for those who weep My love is returned [written by William Ball] Batti Batti [by Mozart], arranged for the Harp by [Nicholas Charles] Bochsa

689 27/10/1817 15/11/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 1/12/1817 2/12/1817 2/12/1817 2/12/1817 2/12/1817 2/12/1817 2/12/1817 3/12/1817 4/12/1817 5/12/1817 5/12/1817 8/12/1817 8/12/1817 8/12/1817 8/12/1817 8/12/1817 10/12/1817 13/12/1817 13/12/1817 15/12/1817 15/12/1817 15/12/1817 22/12/1817 23/12/1817 23/12/1817 23/12/1817 1/1/1818 1/1/1818 1/1/1818 1/1/1818

690

Music Entries at Stationers’ Hall

[Nicholas Charles] Bochsa’s La ci darem la mano [by Mozart], with Variations [Vincenzo] Pucitta’s Esulta Britannia Pucitta’s Martial Air Della Tromba [Thomas Augustus] Rawlings’s New Year’s Eve, a divertimento Kalkbrenner’s Essais sur differents Caractères Weep, Britons, Weep, by an amateur [Thomas Danvers] Worgan’s Vocal Sonatinas, no. 2 [John Charles] White’s Ah! Edward, why didst thou consent? [W. H.] Astor’s The Sovereign, a new Comic Song [George] Kiallmark’s You ask a song, you bid me sing Kiallmark’s You ask a song, you bid me sing, with Variations [David] Bruguier’s God save the King, with Variations, no. 1 [James] Calkin’s Favorite French Air, arranged as a rondo Calkin’s La Petite Flore, divertimento Calkin’s Le Printemps, rondo [Carlo Michele Alessio] Sola’s Il Duol Britanno Sola’s La Violette Bruguier’s Hope told a Flatt’ring Tale, with Variations, no. 2 [John] Lord [Jr]’s Le Coup d’Essai, a rondo [Joseph Stageldoir] Peile’s Introduction et petite Bagatelle [J. B.] Tenniel’s Quadrille [John Charles] Clifton’s The Moss Rose Sola’s Sul Margine d’un Fonte [Carl Ludvig] Lithander’s L’Allegrezza, rondino Lithander’s L’Amitié, as a rondo Lithander’s La Delicatesse, a waltz rondo Lithander’s La Reminiscence, a rondo [William] Eavestaff’s La Moisson, pastoral rondo [Augustus] Meves’s Nora Creina, arranged as a rondo Kiallmark’s Rosabella, with Variations [W.] Fitzpatrick’s Scotch Air in The Slave, with Variations [Frederick] Kalkbrenner’s Grand Sonata for Piano Forte, op. 35 Kalkbrenner’s Il Lamento, a Fantasia Kalkbrenner’s Essais sur differents Caractères, Book 2 [Ferdinand] Ries’s Three Russian Airs with Variations, op. 71 [W. H.] Astor’s When Mars sounds the Trumpet [John] Righton’s Sacred Music [Edward Smith] Biggs’s Who gave the Sun his Light? [John Charles] White’s Tenth Set of Quadrilles [George] Drummond’s Six Double Fugues for Organ [Samuel] Webbe [Sr]’s Amphion struck his Lyre [Carl Ludvig] Lithander’s Introduction and Rondo, op. 6 Lithander’s Easy Duet for Piano Forte, no. 1, op. 7 Lithander’s Easy Duet for Piano Forte, no. 2, op. 7 The Royal Rose, sacred to the memory of Princess Charlotte, sung by Mrs Salmon [Richard Sandford] Keene’s Grand Slow March for Piano Forte

1/1/1818 1/1/1818 1/1/1818 1/1/1818 1/1/1818 6/1/1818 16/1/1818 17/1/1818 20/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 21/1/1818 22/1/1818 4/2/1818 4/2/1818 4/2/1818 17/2/1818 25/2/1818 26/2/1818 27/2/1818 2/3/1818 3/3/1818 11/3/1818 11/3/1818 1/3/1818 12/3/1818 17/3/1818

Entries from 1811 to 1818 [Henry Rowley] Bishop’s Overture and Songs in Zuma, Book 1 [J. F.] Burrowes’s Airs from Il Don Giovanni [by Mozart], Books 1, 2 and 3 [Ferdinando] Paër’s Overture, etc. in Numa Pompilio [Charles] Nicholson’s Four Concentante Duetts for Two Flutes [J.] Mazzinghi’s Overture in Il Barbiere [by Rossini], etc., arranged for two performers [George] Kiallmark’s Air from The Miller and his Men, as a Rondo [Henri Jérôme] Bertini’s Irish Melody in Guy Mannering [John Andrew] Stevenson’s Hark, The Bell is ringing Kiallmark’s Hinda’s Appeal to her Lover [Thomas] Attwood’s The Acacia Bower Kiallmark’s The Adieu at Daybreak [Michael] Kelly’s The Ray that beams for ever Kelly’s The Bride of Abydos A Lament on Death of Princess Charlotte [Henry] Slape’s Martial Air and Rondo Slape’s Nel cor più non mi sento [by Giovanni Paisiello], as a duett York, you’re wanted [written by P. P. Phillips] [Thomas Forbes] Walmisley’s Sweet Hope, song [Henri Jérôme] Bertini’s Introduction and Polonaise [Philip] Knapton’s The Sisters of Prague [Thomas Augustus] Rawlings’s New Year’s Eve, a divertimento [T.] Latour’s Airs from Il Don Giovanni [by Mozart], Books 1, 2 and 3 [T.] Latour’s [Henry Rowley] Bishop’s Thème Anglais, with Variations [Ferdinand] Ries’s Second Rondoletto, op. 78 no. 1 Ries’s Masuero, op. 79 Ries’s March and Rondo [Marcos Antônio] Portogallo’s Oh quanto alletta e piace [Giuseppe] Farinelli’s Eight Canzonets [Ferdinando] Paër’s All I now feel [John Charles] White’s Eleventh Set of Quadrilles White’s Twelfth Set of Quadrilles [Charles] Nicholson and [J. F.] Burrowes’s Select Melodies, nos. 7 and 8 [C.] Böhmer’s Favorite Dance of Calypso [John Baptist] Cramer’s La Ricordanza [François Joseph] Dizi’s Le gentil Hussard, with Variations [Joseph Stageldoir] Peile’s Second Introduction and Rondo [Vincenzo] Pucitta’s Mio ben per te [John Andrew] Stevenson’s Selection of Popular National Airs Musical Cards [the property of Miss Smith of the Chapter House] [John Freckleton] Burrowes’s Fifth Air with Variations [Henry] Smith’s Six Canzonets for the Voice, etc. [John Baptist] Cramer’s Twenty-six Preludes [Augustus] Meves’s Quadrille Rondo [Nicholas Charles] Bochsa’s Favorite March and Polonoise [T.] Latour’s Airs from Le Nozze di Figaro [by Mozart], Books 1, 2 and 3 [Charles] Mavius’s La Reconnoissance, with Variations

691 26/3/1818 26/3/1818 26/3/1818 26/3/1818 27/3/1818 27/3/1818 27/3/1818 1/4/1818 1/4/1818 1/4/1818 1/4/1818 1/4/1818 1/4/1818 1/4/1818 2/4/1818 2/4/1818 11/4/1818 21/4/1818 21/4/1818 21/4/1818 21/4/1818 21/4/1818 21/4/1818 24/4/1818 24/4/1818 24/4/1818 29/4/1818 29/4/1818 29/4/1818 4/5/1818 4/5/1818 15/5/1818 15/5/1818 15/5/1818 15/5/1818 15/5/1818 15/5/1818 21/5/1818 1/6/1818 2/6/1818 6/6/1818 8/6/1818 8/6/1818 8/6/1818 8/6/1818 11/6/1818

692

Music Entries at Stationers’ Hall

[Bernard] Lee’s Three Concertante Duetts for Two Flutes [Augustus] Voigt’s The Charade Waltz [John Andrew] Stevenson’s Think on me, a duett [Thomas] Attwood’s The cold wave, my love, lies under [John Freckleton] Burrowes’s Le Chasse-Ennui [John Charles] White’s New and Favorite Dances Voigt’s La Cupid Volage, rondo [Frederick] Kalkbrenner’s Fantasia with Variations, op. 37 [Francesco] Lanza’s La Flora, divertimento [on a theme by G. A. Rossini] [Nicholas Charles] Bochsa’s La Tempête, rondo Bochsa’s Forty Studies for Harp, Book 1 [Philippe] Musard’s First Set of new Quadrilles [C.] Böhmer’s Third Set of Quadrilles [Richard Manning] Blagrove’s Lilliput Rondo [Ferdinand] Ries’s Favorite Rhinish Song with Grand Variations, op. 75 A. H. E.’s Young Damon of the Vale is dead [James Henry] Leffler’s The Bee and the Wasp [James Henry] Leffler’s Morning and Evening Hymns [Ferdinand] Ries’s Introduction and Rondo, op. 64 no. 2 [Henry Rowley] Bishop’s Original Scottish Airs, vol. 5 Violin accompaniments to Bishop’s Original Scottish Airs, vol. 5 Violoncello accompaniments to Bishop’s Original Scottish Airs, vol. 5 [J.] Snowdon’s Euterpean Collection of Glees, etc., nos. 1 and 2 [George] Kiallmark’s Three Progressive Divertisements Kiallmark’s Le Pas d’Amour [Frederick] Kalkbrenner’s Mozart’s Waltz, arranged for piano forte, op. 33 [Nicholas Charles] Bochsa’s Di tanti palpiti [by Rossini], with Variations Bochsa’s Vedrai carino [by Mozart], with Variations Bochsa’s Minuet in Il Don Giovanni [by Mozart], with Variations [T.] Latour’s Airs from Il Don Giovanni [by Mozart], nos. 1 and 2 Latour’s Quadrilles [Philippe] Musard’s Waltzes, Book 1 [George] Kiallmark’s Rosalind, a Second Romance [Sophia] Dussek’s Introduction and Waltz, with Variations For Harp [Henri Jérôme] Bertini’s Third Divertimento [George Ebenezer] Williams’s Exercises for Piano Forte [James] Power’s Select Collection of Dances, Waltzes, Quadrilles for 1819 [Philip] Cogan’s Sonata for Piano Forte [John Andrew] Stevenson’s Selection of Irish Melodies, no. 9 [T.] Latour’s Adele, ou La nouvelle Tyrolienne, avec Variations [John] Paddon’s La Tablette Harmonique [Nicholas Charles] Bochsa’s Le Garçon volage Amours of Geoffry Muffincap and Molly Pops [composed by Joseph Binns Hart] [Henry] Slape’s Le Portrait, with Variations [Henry Rowley] Bishop’s One Silent Eve Bishop’s I’ll love thee night and day, love!

16/6/1818 16/6/1818 23/6/1818 23/6/1818 23/6/1818 24/6/1818 6/7/1818 8/7/1818 10/7/1818 10/7/1818 10/7/1818 10/7/1818 10/7/1818 14/7/1818 21/7/1818 13/8/1818 14/8/1818 14/8/1818 14/8/1818 14/8/1818 14/8/1818 14/8/1818 31/8/1818 31/8/1818 31/8/1818 31/8/1818 31/8/1818 31/8/1818 31/8/1818 3/9/1818 3/9/1818 3/9/1818 3/9/1818 3/9/1818 3/9/1818 7/10/1818 14/10/1818 14/10/1818 14/10/1818 14/10/1818 16/10/1818 16/10/1818 20/10/1818 21/10/1818 21/10/1818 21/10/1818

Entries from 1811 to 1818 [Henry Rowley] Bishop’s Come peace of mind Bishop’s Fly, fly, ye loit’ring hours Bishop’s Rest, my Child! [Henry] Horn’s Rudiments for Harp [John] Gildon’s Sonata for Piano Forte, op. 40 nos. 1, 2 and 3 [J. F.] Burrowes’s Overture to La Gazza Ladra [by Rossini], arranged as a duet [Frederick] Kalkbrenner’s Sonata for Piano Forte [Samuel] Warcup’s Four Waltzes [John] Lord [Jr]’s Divertimento for Piano Forte [Charles] Stokes’s Marche Pastorale et Chasse [William Henry] Steil’s Fantasia for Piano Forte Steil’s Le Caprice du jour [Augustus] Meves’s Romance, with Variations [David] Bruguier’s Introduction and Dance Ecossaise, no. 3 Bruguier’s I thought our Quarrels ended, no. 4 Bruguier’s Haydn’s Gipsey Rondo, as a duett, no. 5 Bruguier’s Haydn’s favorite Pollacca, as a duett, no. 6 [John] Lord [Jr]’s Batti, Batti [by Mozart], arranged [as] a duett [William Henry] Steil’s Duo La Camera Steil’s Third Set of French Ariettes for Harp Steil’s Fantasie Ecossaise for Harp, no. 1 Steil’s Fantasie Anglaise for Harp, no. 2 Steil’s Romance et Pastorale [David] Bruguier’s Overture to La Clemenza di Tito [by Mozart], for piano Bruguier’s Overture to Le Nozze di Figaro [by Mozart], for piano Bruguier’s Overture to Zauberflöte [by Mozart], for piano [John Charles] Clifton’s I live in thy smile [John] Beale’s A Canzonet [G. J.] Lambert’s Duett for two Performers on Piano Forte [James] Calkin’s Divertimento for Piano Forte [William] Fish’s The Hunters of the Alps [Matthew Peter] King’s Oh! Never say that I was false of Heart, glee [Matthew Peter] King’s General Treatise on Music [new edition] [Augustus] Voigt’s [George] Astor & Co.’s Country Dances, etc., Book 1 [Henry Rowley] Bishop’s Music in The Barber of Seville [John Charles] White’s Air of John du Bart, as a Rondo White’s Les Saisons—Fourth Set of Quadrilles The Thirteenth Set of [John Charles] White’s Quadrilles [Ferdinand] Ries’s Fortieth Sonata, no. 1, op. 81 Ries’s Forty-first Sonata, no. 2, op. 81 Ries’s Forty-second Sonata, op. 83 [Thomas] Williams’s The Sun that lights the Roses [Thomas] Goodban’s New Game of Musical Characters [Federigo] Fiorillo’s Grand Duett for Two Performers on Piano [Samuel] Webbe [Jr]’s Edward, a ballad [Ferdinand] Ries’s When the Wind blows, as a rondo, no 1, op. 84

693 21/10/1818 21/10/1818 21/10/1818 21/10/1818 21/10/1818 21/10/1818 22/10/1818 30/10/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 2/11/1818 7/11/1818 7/11/1818 7/11/1818 7/11/1818 10/11/1818 18/11/1818 18/11/1818 18/11/1818 25/11/1818 25/11/1818 25/11/1818 26/11/1818 7/12/1818 10/12/1818 19/12/1818 19/12/1818

694

Music Entries at Stationers’ Hall

[Ferdinand] Ries’s Popular French Air with Variations, no. 4, op. 84 [Henry Rowley] Bishop’s I have kept the Ways of the Lord, anthem Bishop’s Hark! The Solemn distant Bell [in memory of Queen Charlotte] [Thomas Simpson] Cooke’s The Dandy Beau! A Song [Thomas] Attwood’s Her Hands were clasp’d [John] Clarke’s The Peri pardoned [Frances L.] Hummell’s My Love is like the red, red Rose [Joseph William] Holder’s La Belle Hariette, with Variations [Thomas] Howell’s Six Progressive Sonatinas for Piano Forte [Carlo Michele Alessio] Sola’s Amabili Britanne, canzonetta Sola’s Amor possente amore, canzonetta [Ferdinand] Ries’s La charmante Gabrielle, with Variations Ries’s Venetian Air, with Variations Ries’s Air from Griselda [by Ferdinando Paër], with Variations

19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818 19/12/1818

INDEX OF AUTHORS This index names persons who composed, selected or arranged works primarily consisting of musical notation, or wrote, translated or compiled books about music, or produced other musical works such as games or patents. Writers of the words of vocal music are indexed separately. Further information is provided in the Introduction. Abel, Charles Frederic 41, 105 Abercorn, Earl of see Hamilton, James Abington Jr, William 248, 270, 316, 478 Abrams, Harriett 218, 503, 677 Adams, G. 490 Adams, I. R. 198 Adams, James B. 118, 129–131, 384, 387, 397, 510, 518 Adams, Thomas 528 Addison, John 210, 530 Agus, Guiseppe 146 Ailwood, Mr see Aylward, Theodore Albertini, Gioacchino 63 Alcock Sr, John 190 Alday, Paul 278 Alexander, James 672–674, 677 Alsager, Thomas Massa 397 ‘an amateur’ 181, 213, 227, 323, 346– 347, 355, 397, 410, 414, 424, 474, 484, 553, 679, 690 Ambrose, Charles 688 Ambrose, John 192–193, 197, 271, 286, 295, 298–299, 308, 339 Amos, G. B. 499 Anderson, Robert 536 Andreozzi, Gaetano 233, 292 Anfossi, Pasquale 43–44, 70, 201 Aprile, Giuseppe 136 Arne, Michael 51–52, 85, 88 Arne, Thomas Augustine 15–16, 18, 21, 23–24, 37, 125, 157–158, 180, 187, 190, 202, 239, 316, 420 Arnim, Baron Charles 682, 686 Arnold, Samuel 25, 27, 33–34, 36–37, 41, 44–46, 50, 55, 59, 68, 75, 81–82,

90, 92, 111, 117, 119–120, 125, 134– 136, 150, 167, 181, 189–190, 207, 209, 238, 268, 275, 308, 320, 376 Arnold, Samuel James 670 Arrowsmith, Daniel 60 Arundel, Jane 492 Ashley, John [of Bath] 595 Ashley, John James 407 Ashley, Josiah 344 Asioli, Bonifazio 179, 478, 494, 646 Asker, G. 594 Astor, George 693 Astor, W. H. 678, 690 Atterbury, Luffman 190, 193, 198–200, 224–225, 257 Attwood, Francis 483 Attwood, Thomas 127, 134, 165, 185, 208, 221, 259, 266–267, 297, 312, 327, 338–339, 352–353, 356, 423, 425, 461, 512, 687–688, 691–692, 694 d’Aubigny von Engelbrunner, Nina 566– 567 Avison, Charles 17, 87, 607 Aylward, Theodore 24, 42, 257 Ayrton, Edmund 415, 420 B., C. 608 B., F. 579, 659 B., J. L. 121–122 Bach, John Christian 45, 51, 74, 96, 115 Bach, Wilhelm Friedrich Ernst 32 Bailey, Edward 395 Bailey, John 237 Bainbridge, William 467 Baker, George 401–402

696

Music Entries at Stationers’ Hall

Baker, Rev. John 209, 260, 406 Ball, J. 395 Bandini, Carlo Francesco 33 Banister, Charles William 183, 498, 597, 615, 670 Banks, H. 672 Banks, J. 672 Banner, John 615–616 Barbandt, Carl 18 Barbieri, Carlo 340, 419 Barre, William 437, 442 Barry, Augustus 533 Barthelemon, Cecilia Maria 155, 178, 230, 267 Barthélemon, François Hippolyte 24, 39, 49, 54, 77, 100, 302, 312, 326, 332, 374 Barthélemon, Maria 70, 259, 280 Baumgarten, Charles Frederick 173, 243 Bausset, Alexandre de 189, 191 Bauval, L. de 669, 671 Beale, John 693 Beale, William 507, 673, 675, 679, 681– 682 Bearden, Daniel 114 Beattie, James 27 Beaumont, George 685 Beckett, J. 273 Beckman, D. N. 393, 494, 498, 512, 520, 555 Beckwith Jr, John 145 Beethoven, Ludwig van 417, 514, 530, 546, 619, 657–659, 662–663, 669, 673, 678–679, 681, 683–684 Beilby, Thomas 187 Bellamy, Richard 126, 130 Bemetzrieder, Anton 28, 38, 69, 490, 495–496, 523 Benda, Friedrich 78 Bennet, Saunders 616, 647 Bennett, William 406, 601 Bennison, T. T. 479 Bernard, Giffard 28 Bertini, Augustus 262

Bertini, Henri Jérôme 691–692 Bertoni, Ferdinando 29, 53, 70 Betts, Arthur 383 Bewlay, Henry 272, 294, 296 Bezozzi, Alessandro 20 Bianchi, Francesco 84, 448–449, 451, 460 Bickerstaffe, Isaac 21 Biggs, Edward Smith 219, 247, 293, 324, 401, 445, 451, 453–454, 463, 469, 475, 477, 498, 503, 510, 519, 521, 535, 537, 553, 567, 569, 576, 602, 611, 644, 653, 670, 672, 679, 681, 690 Billington, Thomas 65, 67, 115, 139 Birch, William 459 Bird, William [of Watford] 669 Bird, William Hamilton 526–527 Bishop, H. 101 Bishop, Henry Rowley 602, 679, 681– 682, 684–686, 689, 691–694 Blackwell, J. G. 627, 632, 634, 637, 670 Bladwell, C. D. 330 Blagdon, Francis 512 Blagrove, Richard Manning 692 Blake, Benjamin 220, 670, 678–679 Blake, Richard 102 Blewitt, Jonas 52–53, 55, 70, 90, 92–97, 150, 293–294, 333, 375, 434 Bloomfield, Isaac 445 Blow, John 19 Blundell, W. 676 Boaz, Mr H. 133 Boccherini, Luigi 48 Bochsa, Nicholas Charles 688–692 Bohlius, J. F. 287, 297, 307, 313 Böhmer, C. 687–689, 691–692 Bohrer, Maximilian 680 Bolton, Thomas 361, 364, 613, 622, 632, 653, 659, 671–672, 680, 682, 686, 688 Bomtempo, João Domingos 660, 669, 671 Bossi, Cesare 298, 317, 332, 354–355,

Index of Authors 358, 398, 451, 537 Bourke, John 483 Boutmy, Laurent François 413 Bowcher, John 491, 493, 495–496 Bowles, Rev. William Lisle 600 Boyce, William 537, 568 Boyn, Miss 574 Braham, John 466–470, 491, 501, 517, 539, 544, 566, 595, 676, 678, 684–685 Bremner, Robert 17, 20, 48, 60–61, 70, 82 Bréval, Jean-Baptiste 61, 96, 109 Brewster, Henry 53 Bridault, Theodore 351 Bridgeman, Charles 429, 432 Bridgetower, George Polgreen 674 Briggs, John 680 Briscoli, Domenico 481 Bristow, Mr 194 Broderip, Robert 54, 93, 130, 142, 156, 237, 384, 411, 420, 435, 438, 527, 538 Brooks, James 104, 169, 273, 315, 511 Bruguier, David 384–385, 576, 608, 617, 619, 625, 686, 690, 693 Bruni, Antonio 410 Bryan, Cornelius 456 Buée, Adrien Quentin 405 Buggins, Samuel 513 Bunting, Edward 346, 639 Burbidge, R. 269, 285, 373 Burgiss, William H. 610 Burney, Cecilia 688 Burney, Charles 227, 518 Burney, Charles Rousseau 371 Burrowes, John Freckleton 522, 620, 625, 653, 665, 670–672, 674–679, 681–683, 686–687, 689, 691–693 Burton, John 22 Busby, Thomas 339, 446, 448–449, 452, 506–507, 509 Butler, Thomas Hamley 29–30, 179– 180, 391, 393, 396, 408–409, 413, 450, 492, 494, 514, 525, 535, 586,

697

590, 609, 612, 650, 663, 672–673, 678, 681, 683 Buxton, George 396 C., Miss Elizabeth 678 Cahusac, William 550 Calah, John 136, 457 Calkin, James 688, 690, 693 Call, Thomas 20 Callcott, John Wall 96, 99, 128–129, 160, 167, 178, 190, 222, 228, 262– 263, 300, 310, 409, 417, 501, 526, 562, 577–578, 583, 586, 628, 676, 679, 681, 683, 686 Cambini, Giuseppe Gioacchino 81 Camidge, Matthew 195, 205, 232–233, 243 Campbell, Caroline 89, 123 Campbell, William 257, 279 Cantelo, Ann 106 Cantelo, I. see Robarts, Mrs I. [née Cantelo] Cantelo, Thomas 50 Carey, George Saville 25, 52 Carey, Henry 9–10, 12, 15 Carissimi, Giacomo 162 Carnaby, William 222, 356, 500, 569, 654–655, 661–662 Carolan, Turlough 70, 346, 526 Carter, Charles Thomas 40, 42, 56, 113, 115, 121, 164, 166, 171, 187, 191, 215, 254, 400, 413, 417, 528 Carver, Miss 87, 122 Casson, John 162, 189, 206, 239 Catalani, Angelica 617 Cave, Eliza 677 Cavendish, Georgiana, Duchess of Devonshire 366 Chabran, F. 277 Challoner, Neville Butler 649, 665, 669, 672–673 Chalon, John 175 Chapman, Richard 115, 139, 229 Chard, George William 261, 405, 511

698

Music Entries at Stationers’ Hall

Cheese, Griffith James 151 Cherubini, Luigi 67, 123, 233, 496, 513, 680 Chetwood, William Rufus 13 Cianchettini, Veronica Elisabeth 522, 628 Cimarosa, Domenico 80, 102, 109, 126, 203 Cipolla, Francesco 236, 324 Clagget, Charles 142, 149 Clark, Jeremiah [of Birmingham and Worcester] 180, 611 Clark, Thomas 541, 554, 562, 578, 596, 635 Clarke, Jeremiah [d1707] 4, 19, 568 Clarke [later Clarke-Whitfeld], John 120, 202, 210, 245, 393, 454, 561–562, 577, 579, 581–583, 592, 604, 613, 628, 651, 658, 664, 669–670, 674, 676–677, 679, 687–689, 694 Clarke, William 467 Clarkson Jr, John 285 Clay, Melesina 414 Clayton, Thomas 5 Clementi, Muzio 43, 50, 59, 66, 79, 81, 90, 94, 103, 109, 114–116, 128, 134, 140–141, 143, 148, 157, 160, 167, 182, 190, 200, 204, 232, 234, 236, 302, 329, 358, 374, 460, 476, 483 Clifford, B. 671 Clifton, John Charles 688, 690, 693 Cobham, Charles 687, 678, 689 Cocchi, Gioacchino Coffey, Charles 11 Cogan, Philip 89, 692 Coggins, Joseph 679 Cole, William 196 Coleman, John 205 Coleman, Robert 553 College, F. 669 Collett Sr, Thomas 19 Collick, Mr 204 Collins, William 74 Combe, T. 371, 375, 377

Condell, Heny 675 Conolan, Mr 346 Cook, J. 294 Cook, Thomas 287 Cooke, Benjamin 128, 178, 190 Cooke, J. 256, 261 Cooke, Matthew 69 Cooke, Robert 160, 636, 670–672, 677 Cooke, Thomas Simpson 466, 499, 568– 569, 596–597, 600, 694 Cope, W. P. R. 150, 235, 243, 247, 273, 296, 305, 317, 377, 381, 458 Corbett, William 6, 10 Corelli, Arcangelo 48, 53, 125, 162 Corfe, Joseph 165, 397 Cornet, Alessandro 182 Corri, Domenico 67, 114–115, 123, 181, 466, 589, 591, 595, 609 Corri, Montague P. 511, 540, 673–675, 679 Corri, Natale 116 Corri, Philip Antony 566, 584, 603–604, 620, 629, 632, 640, 644, 651, 669– 672, 677, 681–682, 684–686 Cospoth, Mr see Kospoth, Baron Otto Carl Erdmann von Cosway, Maria 48 Coulman, John 534, 539 Craig, Adam 14 Cramer, John Baptist 107, 151, 212, 228, 251, 313, 322, 341, 395, 464, 491, 497, 500, 525, 542, 563, 595, 603, 607, 615, 621, 626–627, 629, 641, 648, 654, 669–675, 677, 680– 682, 684–685, 687, 689, 691 Craven, John Thomas 677 Croce, Giacomo 23 Croft, William 19, 568 Cross, William 441 Crotch, John 520, 525, 548 Crotch, William 29, 140, 193, 438, 520, 525, 548, 576, 579, 594, 648, 676– 677, 685 Crouch, Anna Maria 479

Index of Authors Crouch, Frederick William 604 Curtis, Thomas 22, 376 Custance, R. 40 Cutler, William Henry 551, 607, 680 Dahmen, Johann Arnold 507 Dalayrac, Nicolas 93 Dalberg, Baron Johann Friedrich Hugo von 306 Dale, James 485, 488 Dale, Joseph 31, 40, 42–43, 50, 53, 82, 97, 112, 139, 151, 153, 163, 178, 182, 185–186, 198, 206, 234, 237, 241, 247, 266, 319–320, 348, 356, 358, 365, 368–369, 372–373, 378, 380, 386, 390, 406–407, 413, 425–426, 431, 433, 435, 443, 450, 459, 462, 473, 479, 485, 514, 524, 534, 554, 618, 640, 657 Dale Jr, Joseph 425 Dalvimare, Martin Pierre 521, 557–558, 567, 651, 674 Damiani, F. 427 Danby, John 51, 69, 112, 128, 140, 160, 178, 190, 226, 233, 271, 307, 357 Dance, William 248, 281, 357, 438–439, 474, 517, 544, 574, 671 D’Asti, Charles Theodore 163 Dauney, Dr 258 Davaucel, L. 339 Davis, Bartholemew 25 Davis, Joseph 670 Davy, John 177, 386, 402, 404, 444, 466, 482, 487, 494, 508, 526, 529, 539–540, 542, 678 Day, John 121, 157 Dean, H. W. 669 de Cleve, V. 304, 341, 412 D’Egville, James Harvey 398 de Krifft, William B. 561 De La Main, Henry 301 de Monti, Henri 639, 652, 659–661, 670, 680 Denman, Henry 170, 200, 208, 227,

699

329, 435 Denning, T. 482, 488, 499, 501 Devienne, François 79–80, 101, 382 Devonshire, Duchess of see Cavendish, Georgiana Dewindt, Peter 561 Dibdin, Charles 19, 24, 26–29, 37, 42, 47–48, 58, 66, 83, 86, 123, 125, 167– 175, 177, 184–194, 210–219, 221, 232, 242–253, 258, 278–284, 287– 292, 315, 318, 326–330, 336, 347– 349, 351, 353, 355–360, 362–366, 378–385, 387–389, 392, 413–418, 421–423, 432–433, 439–441, 443– 446, 459, 461–464, 466, 484–495, 497, 504, 508–510, 512–517, 519, 531, 533–535, 538–541, 590–592, 682 Diether, John 660, 662, 669, 673 Diether, T. 660 Dignum, Charles 195, 309–310, 446 Dillon, John Baron 196–197 Dinsley, William 281 Ditters von Dittersdorf, Carl 117 Dittrich, Francis 456 Dixon, William 176, 351 Dizi, François Joseph 502, 509, 625, 648, 670, 679, 691 Dobell, John 553 Dobney, Michael 451 Domeyer, A. 679 Dorion, Thomas 321 Dothel Jr, Nicolas 20 Dow, Daniel 26 Doyle, John Colston 482, 673 Drouët, Louis François Philippe 683, 685, 688 Drummond, George 690 Duchatz, William 434, 436, 443, 447, 449, 455, 487, 517 Dukes, Nicholas 17 Duncombe, William 183 Dunne, Captain 296 Dupuis, Thomas Sanders 68, 124, 190, 288

700

Music Entries at Stationers’ Hall

Dussek, Jan Ladislav 149, 155, 169, 193, 212, 229–230, 250–251, 253, 264, 315, 318, 320, 322, 324, 348, 356, 367, 388, 391, 416, 418, 460, 509, 527–530, 633–634, 646, 650–651, 669–670, 675 Dussek [later Dussek-Moralt], Sophia [née Corri] 586, 599, 632, 650, 672, 675– 676, 686, 692 D’Winter, I. 502, 545 Dyke, Joseph 293, 295 E., A. H. 692 Earle, William Benson 67, 160 Eastland, Edwin 91 Eavestaff, William 690 Ebdon, Thomas 153, 184, 380 Edgar, Mrs 385 Edwards, Thomas 107 Edwin, John 110, 115 Eley, Christian Frederick 135, 176–177, 246, 359 Elliott, James 608, 655 Elouis, Joseph 227, 430, 455, 510, 516, 560, 567, 593, 605, 629–630, 675, 680, 682, 689 Emdin, John 682, 686–687 ‘an eminent composer’ 688 ‘an eminent master’ 283, 294, 500, 532 ‘eminent masters’ 11–13, 47, 119, 237, 297, 319, 459 ‘eminent professors’ 545, 547 ‘an English officer’ 376 ‘an English woman’ 510 Erbaci, A. G. 319 Esch, Louis von 128, 225, 441, 455– 456, 460, 489, 497–498, 522, 534, 548, 550, 558, 560–561, 573, 575, 592, 598, 601, 631, 673–674, 681 ‘an Essex amateur’ see Johnson, Rev. J. Essex, John 3 Essex, Margaret 254, 295, 441, 448, 476, 492, 535–536, 555–556, 566, 591 Essex, Timothy 209, 262, 291, 296, 325,

329, 364, 379, 405, 426, 478, 520– 521, 542, 622, 676, 680, 682–683 Evans, Charles 526, 558, 673 Evans, Robert William 689 Everett, T. B. 688 F., J. 127 Fairbridge, W. 552 Fantini, I. 228 Farinelli, Giuseppe 691 Federici, Vincenzo 145–147, 150, 195, 451 Fergus, John 115 Ferrari, Giacomo Gotifredo 232, 283, 288, 499, 502, 588, 598, 617, 641, 650, 672, 676–677, 679–681, 687 Feuillet, Raoul Auger 3 Field, John 476 Figg, W. 485 Filewood, Thomas Roger 131 Finesche 128 Fiorillo, Federigo 307, 579, 610, 614, 619, 621, 623, 628, 638, 664, 670– 682, 684–685, 687–689, 693 Firth, Thomas 75 Fischer, John Christian 228, 297, 450, 689 Fish, William 693 Fisin, James 150, 358, 365, 403, 426, 608, 638 Fitzpatrick, W. 690 Florian de Pontcadeux, Mlle 621 Florio, Charles Haiman 195, 352, 424, 652 ‘foreign masters’ 687 Forkel, Johann Nicolaus 400 Fowler, Miss 683 Fox, Joseph 17 Francis, H. 509 Fraser, Captain Simon 684 Fripp, S. C. 683 Frith, Edward 209 Fritzzler 419 Frome, Samuel Blake 639

Index of Authors Furtado, A. Charles 192, 194, 207 Furtado, John 358, 367, 370 Gall, M. C. 680 Galliard, John Ernest 5–6, 10 Gardiner, S. J. 68 Gardiner, William 218, 681 Gardom, P. 448 Garth, John 58, 229 Gasparini, Francesco 6 Gatherot, Victoire 651 Gawler, William 33, 377 Gay, John 10–11, 14 Gazzaniga, Giuseppe 77 Geary, Thomas Augustine 473, 484 Geary Jr, Mr 473 Gehot, Joseph 63 Geldard, John S. 675 Geminiani, Francesco 48, 162 ‘a gentleman’ 307, 404 ‘a gentleman of Berkshire’ 509 ‘gentlemen at the Glee Club’ 545 ‘gentlemen of St Edmund’s College, Old Hall Green, Herts.’ 456 George, Prince of Wales [later Prince Regent and King George IV] 675 Ghillini di Asuni 72, 110 Giardini, Felice 36–38, 43, 141–142, 147, 149, 151–152, 156, 338 Gilbert, James 520 Gildon, John 670–671, 673, 676, 693 Gillier Jr, Peter 17 Giordani, Tommaso 28, 32, 34–37, 41, 43, 48, 59, 62, 92, 94, 108, 126, 228, 279 Giornovichi, Giovanni Mane 160, 181– 182, 322–323 Gluck, Christoph 45, 49, 91, 97 Godfrey, William 523 Goldstone, H. 672 Goodban, Thomas 680, 693 Goodwin, Thomas 257 Gordon, Thomas 642 Gow, Nathaniel 421

701

Gow, Niel 172, 454, 680–681 Graeff, John George 103, 199, 235, 366, 391, 474 Grassi, Florio 22 Gray, Thomas Brabazon 56, 83, 126, 136, 203, 372, 513, 529 Green, Edward Southouse 673 Gresnick, Antoine Frédéric 73–76, 78 Grétry, André Ernest Modeste 70, 75, 96–97, 104, 198, 214, 323 Griesbach, Charles 429, 472 Griesbach, William 607 Griesbacher, Antony 612 Griffin, George Eugene 527, 560 Grimshaw, John 441 Guest, George 402, 424, 457, 474, 544, 550, 559, 570, 595, 634, 687 Guest, Jane Mary see Miles, Jane Mary Guest, John 374 Guglielmi, Pietro Carlo 629, 633–635, 642–643, 646–650, 652–653, 655–657 Guilbert, Eugène 119, 479 Gyrowetz, Adalbert 144, 152, 170, 189, 191, 277, 280, 293, 344, 387, 515 Haigh, Thomas 298, 301, 314, 338, 399, 421, 582, 612, 631, 648, 664–665, 669, 680, 686 Hale, Charles 682 Hale, Samuel 536, 539, 543 Hamilton, Henry 552 Hamilton, James, Earl of Abercorn, Lord Paisley 13 Hammond, John 367, 419, 474, 478, 673, 675 Hancock, James 508, 515 Handel, George Frideric 4–5, 16, 59, 86, 119, 125, 138, 162, 201, 447, 477, 568, 598, 616, 630, 676–677 Harbour, Jacob 385 Harington, Henry 99, 190, 325, 426 ‘Harmonicus’ 319 Harrington, Sarah 29 Harrington, Thomas 354

702

Music Entries at Stationers’ Hall

Harris, Renatus 5 Harrison, Anna Maria 674 Harrison, Emma 675 Harrison, Samuel 223, 229, 231, 502 Hart, Joseph Binns 692 Hart, Phillip 11 Hartmann, Carl 165 Harvey, William 525 Harwood, Edward 87–88 Haslehurst, S. 544, 605 Hastings, Selina, Countess of Huntingdon 31, 614 Hawdon, Matthias 204 Hawes, William 582, 599, 616, 638, 669, 673, 687 Haydon, Thomas 680 Haydn, Joseph 38, 40, 48, 50, 57, 68, 70–71, 75–77, 90, 92, 99, 101, 103, 105, 107, 109, 125, 133–134, 136, 138, 143, 149, 161–162, 166, 182, 216, 243, 264, 270, 278, 292, 301, 303–304, 312, 332, 345, 381, 402, 426–428, 438, 457, 462, 475, 523, 545, 547, 627, 632, 659, 675, 681, 688, 693 Hayes, Philip 24, 70, 150, 158, 178–179, 183–184, 186, 190, 230 Hayes, William 49 Hayley, William 536 Heck, John Casper 18–19 Hellendaal, Pieter 49 Hering, John Frederic 143, 261, 270, 574, 579 Heron, Henry 115, 153 Hewitt, J. 421, 423, 531–532 Hill, Frederick 274 Hime, Louisa 580 Hindle, John 137, 160, 171 Hindmarsh, J. 311 Hird 417 Hitchener, William Henry 489, 524 Hobbes, T. R. 677, 679, 681, 685 Hoeberechts, John Lewis 104, 120, 130, 172, 252, 330, 630

Hoffmeister, Franz Anton 112, 140, 145, 410 Hoffman, Miss 534 Hoffmann, Miss J. 263, 265, 271, 284, 453, 497 Hoffmann, J. A. 281, 336, 497, 669 Hoffmann, J. C. H. 638, 669 Hogarth, William 135 Holbein, Frederick 685, 687, 689 Holden, John 25 Holder, Joseph William 86, 99, 131, 177, 314, 376, 412, 463, 686, 694 Hollings, Mrs F. 673 Holmes, William 671 Holst, Matthias von 638, 669–672, 675, 681, 685 Hook, James 22–23, 33–36, 39, 41, 44– 45, 49, 52, 54–57, 60–61, 65–66, 68, 80, 91–92, 95, 99, 102, 112–113, 115, 143, 148, 159, 164, 188, 192, 200– 202, 204–207, 215–216, 230–239, 249, 254, 263, 266–270, 272, 299– 300, 302, 306–308, 319–320, 328, 331, 335–337, 339, 341–342, 344– 345, 408, 410–411, 432, 444, 476, 478, 486, 495, 503, 508–511, 516, 523, 526, 541, 559, 589–590, 676–677 Horn, Charles Edward 678, 685, 687– 688 Horn, Charles Frederick 63, 71, 156, 172, 218, 284, 528, 689 Horn, Henry 693 Horsley, William 333, 360, 363, 386, 393–394, 450, 580, 585, 602, 607, 609, 624, 646, 670, 672–673, 676, 688–689 Howard, Samuel 177, 243, 257, 568 Howard, William 125, 689 Howell Jr, Thomas 457, 682–683, 694 Hudson, Robert 221 Hull, Thomas 21 Hüllmandel, Nicolaus Joseph 89, 268, 287, 514 Humble, Maximilian 209, 271, 291

Index of Authors Hummel, Johann Nepomuk 158, 174 Hummell, Charles 429, 431 Hummell, Frances L. 694 Hummell, J. Louis 429 Hunter, James 622, 687 Huntingdon, Countess of see Hastings, Selina Hurst, Thomas 24 Huttenes, J. 335 Huxtable, Charles 596 Hyde, James 389 Icard, M. 678 Ireland, John Alexander 419, 559 Irwich 126 Jackson, Miss E. 566 Jackson, George K. 133, 135, 138, 141, 143, 145, 153–154, 159 Jackson, William of Exeter 32, 69, 190, 256 Jacobs [later Jacob], Benjamin 375, 410– 411 Jaeger, Carl 678 Jagse, G. A. 682 Jansen, Charles 212 Jansen, Louis 211, 226, 254, 486, 539, 549 Jay, John George Henry 434, 685 Johnson, Abraham 420 Johnson, C. 686 Johnson, Charles 11 Johnson, F. 512 Johnson, Rev. J. 348 Johnson, James 86, 104, 506 Jommelli, Nicolò 125, 397, 463 Jones, Edward 79, 163 Jones, Griffith 175 Jones, J. 676 Jones, Master J. 576 Jones, John 545 Jones, John Jeremiah 670 Jones, Thomas 100, 126, 426 Jordan, Dora 429

703

Jousse, Jean 531, 684, 689 Julien, Monsieur 685 K., E. 587 Kalkbrenner, Frederick 679–682, 684– 690, 692–693 Kambra, Karl 203–204, 208, 210, 217, 220–221, 236, 242, 244, 259, 261, 265, 269, 278, 281–282, 292, 320, 322, 380, 398 Kammell, Antonio 31 Kauntze, George 307 Kearns, William Henry 688 Keeble, John 47 Keene, Richard Sandford 690 Kelly, Charles 518 Kelly, J. 677 Kelly, Michael 140, 148, 330, 332, 337– 338, 340, 345, 356, 360, 372, 384, 452, 479, 496, 518, 579, 594, 615, 623, 686–687, 691 Kemp, Joseph 423, 434, 451, 458, 586, 588, 593–594, 597, 599 Kennis, Guillaume Gommaire 31 Kent, R. 434 Kiallmark, George 681–682, 686–687, 689–692 King, J. 175–177 King, Matthew Peter 156, 205, 216, 226, 256, 330, 369, 376, 433, 519, 535, 555–556, 592, 595, 610, 617, 627, 636, 670–671, 684, 686, 693 Kirkman, Jacob 137, 446 Klengel, August Alexander 684 Klose, Francis Joseph 677, 688 Knapton, Philip 684, 686, 689, 691 Knowles, Mr 113 Knyvett, Charles 430 Knyvett, William 227, 235, 474, 577, 585–587, 605–606, 618, 647, 649, 664, 669, 672–673, 675, 685, 687 Koeber, J. L. 469 Kollmann, Augustus Frederic Christopher 111, 155, 267, 286, 313, 318, 361

704

Music Entries at Stationers’ Hall

Kollmann, Augustus Frederic Christopher (continued) 403, 412, 447, 537, 566, 580, 626, 640, 651, 661, 663 Kollmann, George Augustus 616, 673 Kospoth, Baron Otto Carl Erdmann von 392 Kotswara, Davis 470 Kotzwara, Francis 30, 174, 176, 178 Kozeluch, Leopold 50, 60, 68, 70–71, 76–77, 82, 90, 98, 128, 139, 143, 147, 153, 158, 165–166, 194, 285, 293, 373, 390, 396, 398, 400, 407, 428, 431, 443, 467, 475, 533, 578, 587– 588, 602, 631 Kreusser, Peter Anton 312 Kreutzer, Rudolph 233, 251, 253, 685 Krifft, William B. de 168 Kroll, Adam 132 Krommer, Francis 504 Krumpholtz later Pittar, Fanny 683, 686 Kynaston, Nathaniel 4, 8 L’Abbé, Anthony 8 Lachnith, Ludwig Wenzel 111, 113 L. Sr, Mr 593 ‘a lady’ 284, 335, 357, 366, 387, 425, 427, 437, 556, 623 ‘a lady of fashion’ 394, 421, 430, 444– 445, 496 Lamballe, Princess de see Mary Theresa Louisa Lambert, G. J. 693 Lampe, John Frederick 14–15 Lang, J. C. 84 Langdon, Richard 420 Lanza, Francesco 606, 672, 692 Lanza Jr, Gesualdo 479, 526, 674–676, 681 Lanza, Giuseppe 290 Lates, Charles 183 Latour, T. 250, 269, 299, 302, 584, 586, 594, 596, 603, 607, 609, 613–614, 616, 619, 626, 631–632, 641–642, 647, 649, 654–655, 665, 669–675,

677, 681–682, 685, 687–689, 691 Latrobe, Christian Ignatius 91, 157, 386 Lawton, D. 239 Lazenby, Miss J. 620 Leach, Thomas 292 Lee, Bernard 692 Lee, Henry 635 Lee, Peter 56, 58, 72, 100, 229 Leeves, William 674 Lefevre, Joseph 80 Leffler, James Henry 692 Legoux, L. R. 77 Leigh, Sir Samuel Egerton 124, 132, 225 Leman, James 11 Lemprière, Miss H. A. 687 Léonard, W. 681, 683 Leone, Gabriele 138 Lewis, G. P. 678 Lewis, Matthew Gregory 607, 610 Liebe, H. 680 Light Jr, Robert 477 Lindley, Robert 480, 502, 642, 672 Lindsay, Christopher 85 Ling, William 174, 374, 394 Linley, Francis 155 Linley, Thomas, the elder 30, 47, 57–58 Linley, William 303, 349, 388, 652, 680, 683 Liquorish, William 437, 457 Lister, Richard 669 Lithander, Carl Ludvig 681, 683, 690 Litskie, Cassimir 678 ‘a little amateur, eight years old’ 578 Littleton, Lord 230 Lloyd, T. W. 671 Locke, Matthew 686 Lockhart, Charles 242, 246–247, 316, 377 Logier, John Bernard 680 Lootens, Willem 385 Lord, John 261 Lord Jr, John 690, 693 Lovekin, P. Dappe 673 Low, Johann Theophilus 635

Index of Authors Luther, John Christian 51 Luther, Martin 568, 582 Lyne, T. M. 688 Lyon, Thomas 271 M***, Countess of 399 McFarren, George 618 Mackerrell, John 233, 417, 529 Mackintosh, Robert 196, 299, 428, 452, 486 McLean, J. 180, 211 McMullan, Mrs 686 Mahon, John 317 Major, Joseph 273, 277, 305, 309, 315, 354 Malme, George 269, 298 Mann, Percival 519, 522, 587 Mansell, William 46 Mara, Gertrude Elizabeth 170, 303 Marcello, Benedetto 162 Marin, Marie Martin Marcel Viscount de 428, 440, 454, 458, 487 Marsh, John 108., 219 Marshall, William 419 Martin y Soler, Vicente 102, 105, 122, 124, 144, 180, 255–256, 274–277, 282, 454–455 Martini, Giovanni Battista 607 Martini, Johann Paul Aegidius 83 Martini, Vincenzo see Martin y Soler, Vicente Mary Theresa Louisa, Princess de Lamballe 194 Masi, Girolamo 284, 391–392, 394, 403, 537, 566 Mather, William 582 Mathews, J. 352 Mathews, J. B. 622 Mathews, James 239, 379, 430, 435, 516 Mathias, Henry 570, 583, 613 Mattheson, Johann 7 Matthews, William 688 Mavius, Charles 691 Maxwell, John 33

705

May, John Alexander 637 Mayer, John Baptiste 240–241, 315, 378, 448, 524, 536, 571, 627, 669 Mayr, Johannes Simon 319, 324 Mazzinghi, Joseph 59, 62, 65–66, 72, 76, 78, 85, 90, 103–105, 109, 115, 119, 121–122, 125, 130, 134, 147, 167, 255, 257, 328, 456, 481–482, 686, 691 ‘a member of the South East District of Loyal London Volunteers’ 406 Mencke, I. C. 513 Menesini, Bartolomeo 24 Mengozzi, Bernardo 83, 87 Merelle, Mlle 403, 414, 499 Metralcourt, Charles 195 Meves, Augustus 682, 690–692 Meyer, Frédéric Charles 675, 682, 687 Meyer Sr, Philippe Jacques 48, 599, 610, 624, 633, 653, 670, 673 Meyer Jr, Philippe Jacques 619, 625, 644, 687–688 Mezger, Franz 496 Miles [née Guest], Jane Mary 621 Miles, Septimus 318, 331 Miles, Thomas 679, 682–683 Milgrove, Benjamin 22, 25, 95 Millard, Krazinski [also known as Müller, Ernest Louis] 212, 214, 224, 236–237 Miller, Edward 152, 172, 352, 437, 439 Miller, Monsieur see Millard, Krazinski Miller, William Edward 211 Millico, Giuseppe 71, 101, 163 Moller, John Christopher 46, 523 Mombelli, Domenico 151 Monro, John 680 Montlivault, Chevalier de 197 Monza, Carlo 32 Monzani, Theobald 301 Moore, Thomas 20 Moore, Thomas [of Dublin] 490, 493, 548, 582, 681–682 Moorehead, John 309–310, 403, 407, 413, 420, 422, 466

706

Music Entries at Stationers’ Hall

Moralt, Sophia see Dussek, Sophia More, Isabella Theaker 130 Moreton, John 519 Mornington, Lord see Wesley, Garret Morrison, William 676 Mortellari, C. Michele 656, 670 Mortellari, Michele 60–61, 64–65, 67, 104 Mortimer, Frederic 385 Moser 678 ‘most eminent’ see ‘eminent’ Motta, Domenico 135 Moulds, John 54, 63–64, 83–85, 89, 99, 110, 114–115, 129, 144, 158, 160, 167, 176, 182, 247, 252, 255, 260, 264, 277, 302, 311, 328, 380, 388, 423 Mozart, Wolfgang Amadeus 69, 72, 90, 95, 98, 100, 108, 118, 127–128, 134, 172, 307, 373, 381–382, 384, 395, 409, 427–428, 440, 446–447, 478, 491, 516, 527, 620, 625–626, 629, 632, 669–670, 672–679, 681–685, 687–693 Mugnié, Jean 265, 498–500, 505, 508, 518, 582–583, 670, 672, 680 Müller, Ernest Louis see Millard, Krazinski Mully, J. 76 Murray, J. 503 Musard, Philippe 692 ‘Musicus Ignoramus’ 640 Naldi, Sebastiano 686 Nardini, Pietro 24 Nathan, Isaac 615, 626, 646, 673, 684 Nelson, J. 433 Neubauer, Franz Christoph 159 Neuman, George 115 Nicholls, George 401, 447 Nicholson, Miss 405 Nicholson, Charles 680–681, 683–685, 687, 689, 691 Nicholson, George 559

Nicholson, James 273 Nicks, George 671 Nicolai, Valentino 110, 113, 128, 174, 407 Nield, William Ashton 681 Nielson, Lawrence Cornelius 65, 97 Nightingale, John Charles 613 ‘a nobleman’ 201 Nodes, O. 491, 493, 495–496 Nolcken, Baron Gustav Adam von 398 Norris, Thomas 190 Novello, Vincent 639 Nugent, Rothe 227 Nussen, Frederic 19 Oakey, John 534 O’Farrell, P. 528 Offley, Henry Francis 241, 263, 274 Olive, Joseph 48 O’Moran, Mrs G. 633 ‘Ou-Tang-Kee-Twang’ 683 Overend, Marmaduke 32, 129 Pach, S. 215, 220, 231 Paddon, John 692 Paër, Ferdinando 678–679, 691, 694 Page, John 168 Paisiello, Giovanni 58, 83, 86, 89–90, 114–115, 119, 133, 135, 152, 161– 163, 198, 200, 203, 243, 440, 447, 630–631, 648, 691 Paisley, Lord see Hamilton, James Pananti, Filippo 597 Panormo, François 599 Park, Maria Hester 143 Parke, Miss M. F. 93, 399 Parke, T. 368 Parke, William Thomas 93, 157, 171, 243, 264, 476, 670–671, 679, 683 Parrin, J. A. 202, 235 Parry, D. 477–478 Parry, John 574, 674–675 Parsley, Robert 76 Parsons, John 120, 224, 236

Index of Authors Parsons, Sir William 167, 229, 234, 368 Paxton, Miss 261 Paxton, Stephen 62, 157–158, 190 Peck, James 245, 297, 391, 399, 416, 436, 498, 550, 569, 571, 584 Peile, Joseph Stageldoir 690 Pepusch, John Christopher 12–13 Percival, John 405 Percy, John 191 Perfect, Mr 482 Pergolesi, Giovanni Battista 582 Perkins, Dodd 316 Phelps, Edmund 532, 536, 549–550 Philipps, Thomas 557, 597 ‘Philomusicus’ 52, 679 Philpot, Stephen 31 Piccinni, Niccola 60 Pichl, Wenzel 296 Piercy, Mr H. 480, 483 Pilloti, Louis 258, 261. Pilon, Frederick 30 ‘Pindar, Peter’, pseudonym of John Wolcot 375 Pinto, George Frederick 532–534, 537, 554 Pitman, Ambrose 186, 206, 235, 243, 265, 421 Pitt, Thomas 119, 138 Pittar, Fanny see Krumpholtz later Pittar, Fanny Platts, James 154, 157, 168, 173, 274, 321, 364, 390, 664 Platts Jr, Martin 79, 87, 118, 363 Pleyel, Ignace 69, 71–72, 80, 82, 98, 102, 106–107, 111, 113, 115–116, 118, 121, 125, 128, 137, 140–143, 150–151, 155–156, 159, 162, 164– 165, 181, 184, 199, 201, 217, 222, 252, 275, 296, 300–301, 304, 307, 311–312, 314–315, 355, 357, 359, 391, 398, 414, 430, 457, 475–476, 497, 517, 596 Plummer, I. N. 671 Plumptre, James 627

707

Pollard, W. H. 610 Poole, Maria 114, 262, 353 Porter, Samuel 415, 433, 435–436, 442, 457 Portogallo, Marcos Antônio 597, 630, 680, 691 Potter, Richard 81 Potter, Samuel 528, 686 Powell, Thomas 627 Power, James 692 Pozzi, Carlo 106, 148, 220 Pring, Jacob Cubitt 116–117, 133, 160, 192, 331, 342, 352, 366, 388 Probin, J. 98, 368 Proctor, Luke 532 Proctor, Thomas 197 ‘a professor’ 377 Prota, Tomaso 20 Pucitta, Vincenzo 624, 670, 672–673, 690–691 Purcell, Henry 8, 81–82, 125–126, 179 Purkis, John 515, 676, 678, 681, 684, 688 Pursell, B. 9 R., E. 600 Radicati, Felice 669 Radiger, Anton 222, 278, 541–542, 546, 552, 556–557, 674–675, 679 Raimondi, Ignatius 154, 259 Rameau, Jean-Philippe 16, 175 Rannie, John 570 Rault, Felix 308, 312 Rauzzini, Venanzio 39, 282, 327, 331, 334, 337, 340, 342, 344–348, 351, 356, 365, 368, 370, 374, 394, 558 Ravenscroft, Thomas 568 Rawlings, Thomas 141 Rawlings Jr, Thomas Augustus 213, 253, 279, 401, 677, 682, 685–688, 690–691 Reading, John 4 Reed, Joseph 23 Reeve, William 53–54, 91, 95, 97, 115, 139, 141, 164, 220, 223–225, 240

708

Music Entries at Stationers’ Hall

Reeve, William (continued) 253–254, 256–258, 260, 283–286, 295, 302, 315, 321, 328, 331, 335, 361–363, 365, 367–369, 392, 465–466, 469, 471–473, 475, 488, 508, 519–520, 539, 544–545, 563–566, 568, 637, 676 Reinagle, Joseph 283, 525, 684 Relfe, John 85–86, 89, 112, 115, 127, 183, 204–205 Relfe, Lupton 132 Remy, Francis 115 Repmah, W. 507 Reynolds, Frederick 644 Rhodes, John 365 Rhodes, Richard 372, 540 Ricci, Francesco Pasquale 157–158 Richardson, B. J. 91 Ries, Ferdinand 675–676, 679–680, 682, 684, 686–687, 689–693 Righini, Vincenzo 164, 531 Righton, John 690 Riley, William 19 Rimbault, Stephen Francis 246, 360, 368, 370, 380, 383, 386, 400, 428, 444, 475, 542, 544, 546, 553, 585, 614, 631, 652, 656, 663, 669, 677– 680, 683–685 Ringwood, John 686 Rippon, John 463, 595 Robarts, Mrs I. [née Cantelo] 686 Rock Jr, William 142 Rode, Pierre 634 Rodgers, Miss H. 397 Rodgers, W. 684 Rodolinda, Signor 683, 685, 688 Roffey, John 624 Rolfe, N. 615, 672 Romberg, Bernhard Heinrich 682, 686 Rose, Barnard 19 Rose, J. H. 264 Ross, Daniel 525 Ross, John 245, 313, 396, 405, 408, 428, 434, 452–453, 468, 500–501, 511, 526, 531, 572–573, 619, 621,

656–657, 671 Rosselli, Agrippino 611 Rossini, Gioacchino Antonio 689, 691– 693 Rouget de Lisle, Claude Joseph 322 Rousseau, Jean-Jacques 133, 686 Royer de Villerie, Chevalier 359 Russel 600 Russell, Richard 518 Russell, William [of Guildford] 248, 268 Russell, William [of London] 437, 481– 482, 562, 571, 574, 674–675 Sabatini, Giovanni Andrea 23 Sacchini, Antonio 62, 109, 125–126, 322, 397 Sale, John 258 Sale, John Bernard 395, 625 St Pierre de Newbourg, Count 589 Sale, John Bernard 649 Salieri, Antonio 61, 126, 202, 211 Salmon, James 679 Salomon, John Peter 304, 550, 575–576 Salvo, Marquis of 585 Sanderson, James 199, 303–306, 309, 311, 333, 365, 369–372, 375, 389, 393, 400–401, 405–407, 410–412, 430, 530, 546–549, 551–552, 588 Sarti, Giuseppe 23, 73, 105–107, 111, 115, 181, 351 Saust, Charles 570, 619, 674 Savage, Jane 64, 71–72, 124–125, 128 Scarlatti, Alessandro 17 Scarlatti, Domenico 157 Schetky, Johann Georg Christoph 27, 154, 675 Schmid, Giovanni A. 79 Schroeder, H. B. 56, 61, 145, 227, 282, 290, 311, 313–314, 316–317, 334– 335, 555 Schroeter, Johann Samuel 108, 123, 625 Schulz, Johann Abraham Peter 183, 390, 392 Scott, Jane M. 538

Index of Authors Scott, John 403 Scouler, Alexander 34 Seeley, Leonard Benton 549, 568, 594 Serres, Olivia Wilmot 601–602 Seybold, Johann Philip 335 Seymour, John 683 Sharp, Granville 22 Sharp, Joseph 680 Shaw, Thomas 77, 366, 501, 677, 689 Shell, Christopher 688 Shield, William 38, 42, 45, 49–50, 54– 55, 57–59, 64, 68, 70, 73–74, 78–79, 82, 93, 98, 107–108, 110–113, 118– 119, 122–123, 126, 156, 185–188, 198, 201, 209, 214, 217, 222, 243, 252, 257, 262, 285, 289, 297, 316– 317, 323, 325, 332, 375, 452, 480– 481, 503–504, 526–527, 547, 554, 589, 591, 614, 680 Shireffs, Andrew 93 Shoel, Thomas 433, 467, 482, 675 Siddall, James 657 Simpson, Henry Purver 293 Sindrey, E. 381 Slape, Henry 691–692 Sleigh, Mrs 471 Smart, George Thomas 263, 280, 361, 364, 424, 501, 533, 541 Smart, Henry 397, 400, 498, 507, 588, 638 Smethergell, William 32, 157, 416, 612 Smith, Miss 691 Smith, Charles 515, 674, 683 Smith, Clement 158 Smith, Henry 688, 691 Smith, John Stafford 190, 399, 573 Smith, Robert Archibald 672, 674, 683 Smith, Theodore 29–30, 104, 126, 154, 201, 444 Smith, Thomas G. 682 Snowdon, J. 692 Sola, Carlo Michele Alessio 690, 694 Southbrook, William E. 347, 411, 476 Southwell, F. W. 277, 497

709

Spagnoletti, Paul 679 Spence, Graeme 556 Spencer, John 387–388, 390, 475, 491 Spickam, E. E. 273 Spindler, L. 672 Spofforth, Reginald 247, 257, 295, 329, 341, 390–391, 393, 397, 422, 564 Staes, Ferdinand 92, 115 Stanley, John 16, 45 Stanley, Samuel 474, 551 Steibelt, Daniel 305, 320, 322, 334, 336, 342, 349, 363, 370–371, 378, 390, 392, 396, 399, 401, 412, 415, 450, 470, 478, 490–491, 496, 501, 504, 516–517, 520, 543, 548–549, 596, 651, 673, 682 Steil, William Henry 601–602, 604–605, 693 Stephenson, Joseph 672 Sterkel, Johann Franz 73–74, 78, 80, 85, 90, 98, 146 Stevens, George Alexander 25 Stevens, Richard John Samuel 127, 129, 146, 160, 173, 190, 226, 242, 306 Stevens, William Seaman 495 Stevenson, John Andrew 180, 186, 196, 306, 323, 458, 465–466, 472–473, 477, 483–484, 486, 492–493, 499, 502, 504–505, 536, 547–549, 572, 580–581, 680–684, 687–689, 691–692 Stohwasser, M. 675 Stokes, Charles 475, 693 Storace, Stephen 98–101, 103, 106, 108–109, 112, 117–118, 121, 124, 128, 134, 139, 141, 147, 152, 155, 165, 188, 191–192, 195–197, 201, 203, 206, 210, 212, 220, 229, 233, 239–242, 244–246, 250, 252, 255– 259, 265, 268, 270–271, 279, 288, 298, 328, 333–334, 349–350, 353– 354–355, 358, 360, 565, 585 Sturgan, C. A. 337 Suett, Richard 196, 376, 452 Surr, George 294

710

Music Entries at Stationers’ Hall

Swindells, James 670 Swords, William 218 T., J. 290, 517 Tans’ur, William 16, 25 Tarchi, Angelo 62–63, 65, 124–125, 133–134, 136 Tattersall, William Dechair 237 Tayler, Mrs F. E. 138 Taylor, John 13 Taylor, Raynor 425 Taylor, Richard 629 Taylor, Samuel 593 Taylor, Thomas 624 Taylor, W. 569 Tenducci, Giusto Ferdinando 71, 73, 115 Tenniel, J. B. 690 Thomas, Charles Carter 40 Thomas, William 489 Thompson, Mr H. 590 Thompson, James 28 Thomson, John 132 Thomson, William 9 Thorley, Thomas 323 Tibbs, William 333 Tomeoni, Florido 189 Tomich, Francisco 125, 164, 172, 184 Tours, Jacob 34 Trisobio, Philippe 270 Tubel, Christian Gottlieb 115 Turell, William 138 Turle, William 681 ‘Twang’ see ‘Ou-Tang-Kee-Twang’ Twiss, Mr 98, 101, 226, 249 Tyrrell, R. 429 Urbani, Peter 234, 306, 342–344, 387– 388, 404, 419–420, 442–443, 461– 462, 526 Uttini, Francesco 23 Valentine, Ann 132, 337, 547, 608 Valentine, John 33, 46, 87 Vanhall, Jean 70, 75, 90, 98, 109, 112,

115 Vaughan, Thomas 341, 346 Vento, Mattia 115 Ventura, Angelo Benedetto 674, 676, 678 Venua, Frédéric Marc Antoine 641, 644– 645, 654–655, 672 Viguerie, Bernard 585 Viotti, Giovanni Battista 137, 251, 268, 306, 322, 402, 489, 491, 495, 514, 669, 675 Vogel, Louis 313, 409 Voigt, Augustus 522, 541, 543–544, 692–693 Vollrath, F. 674 Wafford Jr, I. 670 Wainwright, John 442 Wainwright, Richard 87, 672, 674 Wakefield, W. 359, 669 Wakeley, Charles 573 Walker, Thomas 378, 612, 671, 681 Walmisley, Thomas Forbes 683–684, 691 Walsh, William 559 Walstein, Eliza 596 Warcup, Samuel 693 Warden, G. P. 684 Warden, G. S. 676 Ware, G. 569, 578 Ware, George 418 Ware, William Henry 394, 571, 573– 574, 577–578, 583–585, 593, 597– 600, 605–606, 641, 643–644, 672, 674–675, 677, 679, 685 Warne, George 340 Warren, Edmund Thomas 127, 144, 213 Warren, William 470–471 Watlen, John 129 Watts, R. 464 Watts, William 675, 679 Webbe Sr, Samuel 44, 69, 72, 126, 128, 131, 142, 148, 157–158, 160, 169, 178, 183, 190, 211, 219, 228, 254, 340, 383, 415, 418, 424–425, 437,

Index of Authors 453, 476, 521, 526, 561, 690 Webbe Jr, Samuel 183, 494, 549, 561, 618, 630, 654, 657, 661, 670, 672, 693 Weidner, F. C. 597 Weiss, G. 159 Weilland 410 Weippert, John Erhardt 147, 335, 427, 670 Weippert, John Michael 669–673, 688 Weldon, John 8 Weldon, Peter 636 Welsh, Job 601 Welsh, Thomas 224, 308, 326, 346, 657, 687, 689 Wennington, William 250, 271, 290, 296, 309, 314, 321, 338–339, 346, 354, 375 Werner, Francis 26 Werth, Francis 179 Wesley, Charles 386, 455 Wesley, Garret, Earl of Mornington 190 Wesley, Samuel 546, 678, 680, 683, 687 West, Col. 681 West, William Henry 684 Westrey, Charles 408 Weyman, David 673 Whelpdale, Z. 576 Whitaker, John 529, 678–679 White, John Charles 678, 680–682, 685– 686, 688, 690–693 Wild, James 519 Wilkins, John 377, 431 Wilkinson, Thomas 6 Williams, C. 294 Williams, George Ebenezer 626, 684, 692 Williams, Laetitia 524 Williams, R. 671, 681, 687 Williams, Thomas 686, 693 Williamson, Thomas George 432–433,

711

436, 438, 448, 451, 465, 482 Willoughby, Robert 543, 545 Wills, Alexander 431 Willson, Joseph 191, 205, 209, 272, 274, 310, 333 Wilson, Mr 115 Wilson, E. 602–603 Wilson, I. B. 677 Wilson, John 70 Wilson, Marmaduke Charles 686 Wilson, Thomas 606, 622 Wilson, William 178 Wilton, Charles Henry 122, 127, 164 Winter, Peter 557 Woelfl, Joseph 500, 554–558, 561–562, 568–570, 584, 596, 638, 643, 664, 669, 674 Wolcot, John see Pindar, Peter Wood, Charles 181, 238 Wood, James 684 Woodhouse, Samuel 480 Worgan, James 219, 351, 353–354, 425, 442, 453, 459, 469 Worgan, John 137 Worgan, Thomas Danvers 578, 582, 585, 684, 690 Worsdale, James 15 Wragg, J. 175, 190, 215, 291, 406, 560 Wrede, J. P. 683, 685–686, 688–689 Wright, T. H. 671 Wright, Thomas 323, 435, 570 Wrighten, Mary Ann 35, 54 Wyvill, Zerubabbel 219, 249 Y., A. H., Viscount du Boisbaudry 423 ‘a young gentleman’ 212, 219 ‘a young lady’ 529, 688 ‘a young lady of fashion’ 488 ‘a young lady seven years old’ 431 Zelter, Carl Friedrich 669

This page intentionally left blank

INDEX OF WRITERS This index names persons who wrote, selected or translated the words of vocal music. Addison, John 530 Alderson, Miss 249 Alley, George 493 Allingham, John Till 555–556 ‘an amateur’ 294 Anacreon 319 Andrews, Miles Peter 36, 73, 231, 252, 300 Angerianus, Hieronymus 609 Anstey, Christopher 340 Antionette, Marie 191 Argyle, Duke of see John, Duke of Argyle Arnold Jr, Samuel James 238, 263, 320, 364, 424, 541 Arnott, S. 459 Arrowsmith, Daniel 60 Ashburnham, William 481 Astley Jr, John 546, 552 Atkinson, Mr 461 Atkinson, F. 205 Atkinson, Joseph 458, 466, 484 Bacon, Robert 432 Baillie, Joanna 685 Ball, William 688–689 Bayley, John 294, 313 Bazing, William 515 Beaumont, Francis 566 Beckles, T. A. 335 Beckman, D. N. 393, 494, 498, 512, 520, 555 Beddard, William Meredith 562 Bell, E. 291 Bickerstaffe, Isaac 21, 316, 652 Birch, Samuel 259, 297, 352–353 Bishop, T. 529 Bloomfield, Robert 445, 529 Boden, Rev. James 439

Bolton, Thomas 653, 659 Booker, Rev. L. 65 Boschini, Mr 597 Boyne, John 378 Bristow, Mr 194 Brooke, Frances 122 Brown, James 110 Bullen, Thomas Brook 599 Buonaiuti, B. Serafino 617, 624, 629, 631 Burns, Robert 343, 373, 393, 398, 404, 429, 475, 481, 504, 531, 545, 622, 664 Busby, Thomas 339 Bush, Arthur 410 Butler, Rev. Weeden 515 C., H. B. 484, 486, 492 Campbell, Thomas 586, 639 Canning, George 476, 478 ‘a Cantab’ 627 Carey, C. J. 215 Carey, George Saville 151, 186, 195, 305, 310, 329, 335, 356, 403 Carey, Henry 9–10, 12, 15 Carini, Signor see Carey, Henry Cervantes, Miguel de 397 Chatterton, Thomas 644 Cherry, Andrew 526 ‘a clergyman’ 363 Cobb, James 57–58, 103, 252 Cobbin Jr, J. 361 Cogan, Dr 319 Coleridge, Samuel Taylor 431, 464 Coles, Emily 425 Collings, Mr 478 Collins, John 194, 295 Collyer, Rev. Mr 498 Colman Jr, George 92, 135–136, 189, 207, 213–214, 350, 360, 606, 635

714

Music Entries at Stationers’ Hall

Combe, T. 371, 375, 377 Concannen, Mr 294 Cooke, Thomas Simpson 499 Courtenay, John 518 Cowper, William 213, 374, 552 Craddock, Joseph 537 Creed, N. 483 Croker, John Wilson 502 Cross, John Cartwright 220, 240, 253– 254, 260, 303–306, 309, 311, 315, 335, 362–363, 367–372, 375, 389, 400, 406, 410, 412, 430 Cruchent, Jean Bernard de 265 Cumberland, Richard 337, 566, 611 Cumyns, Mrs 50 Cunningham, Mr 224 Curran, J. P. 622 Curt, M. de 189 Curwood, John 202 Cussans, John 347 Dallas, Robert Charles 231 Darwin, Erasmus 210, 577 Davenport, R. A. 556 Devonshire, Duchess of 415 Dibdin, Charles 167–175, 177, 184–194, 210–219, 221, 232, 242–253, 258, 278–284, 287–292, 315, 318, 326– 330, 347–349, 351, 353, 355–360, 362–366, 378–385, 387–389, 392, 413–418, 421–423, 432, 439–441, 443–446, 459, 461–464, 466, 484– 495, 497, 508, 510, 512–517, 519, 531, 533–535, 538–541, 590–592, 682 Dibdin Jr, Charles Isaac Mungo 403– 404, 406, 508, 637 Dibdin, Thomas John 295, 372, 395, 403, 407, 413, 422–423, 425, 444, 466–473, 494, 539, 542, 556, 563– 566, 568, 577, 583, 595, 683 Dimond, William 579 Dixwell, A. 305 Dorset, Duke of 310 Drummond, Rev. George Hay 152

Duché, Rev. Jacob 265 Duckrell, Mrs 263 Dudley, Bate 156, 222 du Parc, Abbé 364 D’Urfey, Thomas 3, 9 D’Winter, I. 502 Dyer, George 393 Eason, John 482 Edgcumbe, Pierce 546, 556 Egremont, Earl of 210 Elford, Sir William 576 Emery, John 567 Empson, W. C. 508, 511 ‘an English woman’ 510 ‘Epigram, Ephriam’ 180 Essex, T. 254 Essex, Timothy 262 Evans, Mr 475 Ewen, Mr 245 F., I. 130 F., J. 127 Field, Charles Nicholls 513 Fletcher, John 566 Florian, Chevalier Jean Pierre Claris de 339 Forrester, Mr 612 Fox, Mr 380, 408, 435, 511 Fox, Charles 421 Fox, Mr G. 485 Franklin, Andrew 424 Frome, Samuel Blake 639 Gardner, Mrs 293 Garrick, David 332 Gawler, William 377 ‘a gentleman’ 343, 504 ‘a gentleman of Berkshire’ 509 ‘gentlemen of St Edmund’s College, Old Hall Green, Herts.’ 456 Goldsmith, Oliver 36, 85, 260, 325 Gordon, Rev. Sir Adam 167 Gray, Thomas 474

Index of Writers Gretton, John 191 Gunning, Miss 524 Hamilton, John 409, 428, 531 Harrison, Mr 117, 168, 511 Hart, Richard 208 Hart Jr, Richard 511 Havard, W. 254 Hawker, Essex 12 Hawkins, Mr 48 Hayley, William 375 Hehl, Mary Sabilla 639 Heron, Henry 153 Heseltine, W. 519 Hoare, Prince 289, 303, 330, 340, 372, 565 Hogg, J. 261 Holcroft, Thomas 45, 57, 243, 496 Holman, Joseph George 317, 323, 444 Houlton, Dr 411 Hurlstone, Thomas 187 Ireland, William Henry 303 Jackson, Mr 230 James, Captain Charles 133, 309–310 Jeans, Rev. Mr 192 Jerningham, Edward 114 John, Duke of Argyle 442 Johnson, Ben 242 Johnson, Charles 11 Jones, Edward 538 Jones, Mr T. 509 Jones, Thomas 263, 274 Keate, G. 488 Kenney, James 535 Knight, Thomas 460 Knipe, Miss 151 L. Sr, Mr 593 ‘a lady’ 66, 131, 150, 209, 213, 242, 408, 431, 438, 482, 495, 521, 585, 607

715

Lake, J. W. 689 Lambert, Mr 425 Larken, S. 388, 423 Lawler, D. 615–616 Lee, Henry 635, 660 Lee, Peter 229 Legoux, L. R. 77 Lewes, John Lee 579–582, 594, 613, 618 Lewis, Matthew Gregory 356, 361, 396, 398, 402, 404, 446, 496, 602, 607, 610 Lindsay, Lady Anne 91 Lonsdale, Mark 164 Macclaren, A. 559 McClellan, Mr 45 Male, G. 493 Mallet, D. 411 Manfield, Miss 56 Mann, Percival 522 Manners, Lady Catherine Rebecca 357 Manual Exercise of the British Army 511 Mason, Rev. William 243 Matilda, Rosa 543 Mavor, William 587 Merrick, Rev. James 237, 477 Metastasio, Pietro 227, 494, 513 Miller, William Edward 211 Milton, John 10–11, 435, 447 Mitchell, Joseph 14 Montgomery, Mr 418 Moore, Thomas [of Dublin] 472, 484, 493, 499, 504–505, 533, 548, 572, 580–582, 609, 616, 622, 681–682, 688 More, Hannah 49, 114, 426 Morris, Captain 373–374 Morton, Thomas 268, 623 Moulds, John 247, 302, 311, 328 Moulton, Dr 575 Mulgrave, Earl 239 N., J. F. 84 Nairne, Edward 227

716

Music Entries at Stationers’ Hall

Nathan, Isaac 626 Nelson, Mr J. 408 Newbery, F. 648 Newman, Rev. Mr 93 Noble, T. 372 Nolcken, Baroness 280 Oakey, John 534 Oakman, Mr 40 ‘an of cer’ 205 Offley, Henry Francis 241 O’Hara, Kane 26–27 O’Keeffe, John 58–59, 64, 68, 74, 98, 107, 111, 119, 141, 201, 211, 214, 283–286, 316 Opie, Amelia 256, 280, 445, 451, 454, 475, 477, 498, 519, 537, 567, 576, 602 Orford, Earl of 68 ‘Ossian’ 262, 360, 386, 473, 484 Oulton, W. C. 196 P., J. G. 287 P., T. 370 Palmer, Miss C. 521 Pananti, Filippo 597 Park, Mungo 414–415 Parry, John 574 Payne, James 371 Pearce, William 186, 198, 209, 503 Peck, James 245 Pedder, T. 383 Penwarne, John 510, 521 Petrarch, Francesco 206 Phillips, Ambrose 233 Phillips, P. P. 691 Pickering, Thomas 646 Piercy, H. 480 Pillon, Mr 51 ‘Pindar, Peter’, pseudonym of John Wolcot 93, 167, 182, 249, 299, 327, 360, 375, 395, 421, 448, 452, 459, 527 Pincken, Mr 538

Pinkerton, Mr 387 Pinkerton, John 314 Pitt [later Dibdin], Charles Isaac Mungo 302, 304 Pocock, Isaac 657 Pollen, G. A. 366 Pope, Alexander 117 Porter, Anna Maria 608, 625 Porter, Samuel 457 Powell, John 198 Pratt, Samuel Jackson 291, 310 Preston, William 572 Prior, Matthew 16 Proud, Rev. Joseph 540 Radcliffe, Ann 247, 333 Rannie, John 245, 326, 330, 396, 405, 408–409, 417–418, 446, 468, 480, 504, 527, 570, 599 Reynolds, Frederick 456, 519, 544, 644 Rickman, Clio 271, 284 Ridley, Sir Matthew White 89 Roberts, J. F. 600 Roberts, Rev. R. 532, 537 Robinson, Mr 228, 237 Robinson, Mrs 512 Robinson, Mary 322, 394, 414, 478 Rogers, Samuel 479 Rolli, Paolo Antonio 469 Roscommon, Earl of 386 Rowe, Elizabeth 408 Royer de Villerie, Chevalier 359 Russell, Thomas 468 Sappho of Mytilene 233 Savage, Mrs 71 Scotlock, Miss C. 571 Scott, Walter 616, 656 Serres, Olivia Wilmot 601–602, 604–605 Seward, Anna 572 Seymour, Francis 316 Shakespeare, William 15, 36–37, 129, 160, 263, 303, 466, 477, 483, 519, 562, 680

Index of Writers Shapter, Thomas 158, 160, 167 Shenstone, William 205, 222, 333, 346, 423 Sheridan, Richard Brinsley 27, 405 Shillito, Mr 188 Siddons, Henry 503, 594, 623 Simpson, Mr 188 Skeffington, Lumley St George 611 Sleigh, Mrs 471 Smith, Charlotte 213, 622 Smollett, Tobias 178, 230 ‘Sonda’ 432 Southey, Robert 578, 583 Spence, Graeme 556 Spencer, William Robert 387, 491 Spickam, E. E. 273 Sprott, Claude, pseudonym see Canning, George Sterne, Laurence 158, 247 Stevenart, Mr 464 Stockdale, Rev. Percival 380 Suett, Richard 376 Sutherland, G. S. 163 Swift, Edmund Lewis Lenthal 204 Swords, William 475 Tannahill, Robert 572–573, 619 Tattersall, Rev. William Dechair 477 Taylor, Mr 543 Taylor, Ann 554 Taylor, Jane 554 Thomson, James 415, 438 Toms, Mr 295 Topham, Edward 238 Upton, Mr 272, 297, 530, 552, 555, 569, 588–589 Vaughan, Miss 91, 331

717

Vaughan, Thomas 252, 346 Vint, John 410 Waldron, Francis Godolphin 275, 365, 529 Walker, Mr G. 341 Walker, George 289, 529 Waller 653 Walstein, Eliza 596–597 Ward, Mary 625 Warne, George 340 Watts, Dr 498 Watts, Rev. Isaac 159, 439, 463, 474, 519, 525, 553 Wennington, William 250, 271, 273, 290, 296, 305, 309, 314, 321, 338– 339, 346, 354, 375, 417 Wewitzer, Ralph 521 White, Henry Kirke 615, 622 White, T. 512 Wilkinson, Mr J. 97 Williams, Rev. Edward 439 Williams, G. F. 558 Williamson, Mr 353 Williamson, Thomas George 438, 465, 482 Wilson, B. 236 Wilson, E. 603 Wolcot, John see Pindar, Peter Woods, Mr 120 Worgan, James 354 Worgan, Thomas Danvers 578, 582, 585 Wright, Mr 457 ‘a young gentleman’ 212, 219 ‘a young lady’ 69, 124 ‘a young lady eight years of age’ 614 Young, Sir W. 249 ‘Yuqueen’ 433

This page intentionally left blank

INDEX OF PERFORMERS This index names persons who performed works that included music or who contributed to a performance ‘behind the scenes’ in a capacity such as stage director, scenery painter or ballet composer. Adams, Miss 606 Adams, Miss E. 599, 606, 641, 643 Adams, Miss H. 599, 606, 641, 643 Adams, Miss S. 599, 606, 641, 643 Addison, Elizabeth 164, 200, 204, 486 Angiolini, Mlle 631, 656 Antoinette, Marie 192 Arrowsmith, Daniel 36, 44–45, 51–52, 60, 95 Ashe, Mary 558, 608 Aske, Mrs 510 Ashley, Mr 482 Ashley Sr, John 426, 447 Atkins, Eliza [née Warrell] 469, 623 d’Auberval, Mme Théodore 39 band of: Coldstream Regiment of Guards 56, 176–177, 246 Duke of Gloucester 179, 359 Duke of York 321, 369, 379, 479 First Regiment of Royal Tower Hamlets 437 General Alexander Suwarrow 419 Loyal Hampstead Association 457 Prince of Wales 413 Regiment of Prince William of Gloucester 253 Royal Westminster Volunteers 379 Third Regiment of Guards 155, 307 Bannister, Charles 73, 85 Bannister Jr, John 189, 210, 214, 240, 244, 270, 333, 350, 371–372, 590–592 Banti, Brigitta 251, 448–449, 451 Barbier, Jane 10 Barrington, Mr 37

Bartleman, James 262, 502, 537, 561– 562, 580, 602, 607, 609, 630, 636, 649, 661 Bates, Miss 310 Beale, Mr 654 Bellamy, Thomas Ludford 483 Benini, Anna 77, 80 Benucci, Francesco 133 Betts, Mr 305 Bianchi, Jane 448, 571, 634, 642 Billington, Elizabeth 74, 93, 187–188, 460, 502, 538, 583, 608, 649, 654 Blanchard, Thomas [Sr or Jr] 107, 303, 306, 472, 506, 566 Bland, Maria Theresa 164, 166, 171, 176, 250, 252, 259, 264, 288, 290, 312, 329, 333, 338–340, 348, 350, 352–353, 366, 371, 486, 495, 508, 510–511, 530, 532, 552–553, 569, 571, 611 Bologna Jr, John Peter 578, 600, 643 Bologna Sr, Louis 369 Borselli, Fausto 124, 144 Bottarelli, Mrs 54 Bowden, Wright 98, 247, 262, 284, 286 Braham, John 305, 327, 349–350, 467– 470, 501, 537, 545, 556, 566, 630, 685 Brida, Luigi 276–277 Broadhurst, Mr 637 Brown, Miss 30 Brown, Miss J. 600 Bruni, Domenico 195 Burchell, Miss 16 Burgh, Mr 602 Burgh, T. 601

720

Music Entries at Stationers’ Hall

Burling, Mr 52–53, 94, 96 Burrows, Mr 172, 334 Byrn or Byrne, Mrs 93–94, 97 Calderini, Luigia 633–635, 646–648 Calvesi, Teresa 161 Campbell, Caroline 89 Cantelo, Ann 106 Capelletti, Giuseppe 330 Carey, George Saville 151, 186, 305 Carey, Mrs George Saville 305 Carolina, Signora 59, 62–63, 66 Casentini, Anna 161–162 Catalani, Angelica 617, 629–630, 649– 650, 652, 655 Cervetto, James 105 Chambers, Isabella 10 Chanu, Miss 74 Chery, Mlle 654 Cipriani, Lorenzo Angelo 161, 163, 275– 276 Clendenning, Elizabeth 211, 286–287, 362, 367 Clifford, Mr 200, 202, 204 Collini, Signora 633–634, 642–643, 646–647, 649, 655 Collins, John 194, 295 Connell, Mr 199 Cook, Mr 157, 482 Cooke, Fanny 568 Coralli, M. 507 Coralli, Mme 507 Corri, Mrs Domenico 344 Corri, Sophia 181 Cramer, John Baptist 587 Crespi, Mme 59, 62–63, 66 Creswell, Mrs 466 Crosdill, John 105 Crouch, Anna Maria 58, 95, 140, 246, 251, 253, 259, 311, 334, 358, 371 Cubitt, William 34 Cussans, John 347 Danby, Charles 52

Daniels, Alicia 486, 516 Da Ponte, Lorenzo 454 Darley, William 113, 139, 164, 200, 204 Davies, Miss 564–565 Davies, William 372 Davis, Mr 304, 309, 403 Davis, Miss 623 Davis, Mrs 311 De Camp, Maria Theresa 240, 371, 496, 520, 555–556 D’Egville, James Harvey 398, 449, 554– 555 Del Caro, Mme 251, 265, 269, 278 Delfevre, Mlle 90 Delicati, Luigi 122, 124 Delicati, Margherita 121 Delpini, Carlo Antonio 91, 95, 97, 102, 121 Denman, Henry 300, 302, 307, 336, 341–342, 422, 427, 486, 545 De Loutherbourg, Philip James 64 Deshayes, Mlle 645 Deshayes, André 645 Dibdin, Ann 473 Dibdin, Charles 24, 123, 125, 210–219, 221, 242–253, 278–284, 287–292, 315, 318, 326–327, 329–330, 347– 349, 351, 353, 355–360, 362–366, 378–385, 387–389, 392, 414–418, 421–423, 432, 439–441, 443–446, 459, 461–464, 466, 484–495, 512– 517, 533–535, 538–541 Dickenson, Mr 551 Dickons, Maria or Martha [née Poole] 561, 614, 630 Didelot, Charles-Louis 298, 317, 451, 537, 675 Dighton, Robert 295, 309 Dignum, Charles 52, 87, 129, 193, 230– 231, 236, 238–239, 247, 252, 256, 266, 269–270, 277, 292, 299–300, 302, 306–310, 336–337, 341, 344– 346, 348, 361, 373–374, 393, 408, 410, 427, 446, 452, 458, 476, 480,

Index of Performers 482, 486, 508–509, 511, 515, 522, 588 Dixon, Cornelius 91 Dizi, François Joseph 568, 587, 623 Dorion, Thomas 321 Doyle, Mr 482 Dudley, Mr 164 Duquesney, M. 59, 62–63, 66 Duncan, Maria Rebecca 594 Dussek, Jan Ladislav 318, 418 Dussek [later Dussek-Moralt], Sophia [née Corri] 318, 418, 427, 629 Edwin, John 110 Elford, Richard 8 Elliot, Master 391, 396, 422 Emery, John 472, 567 Farren, Elizabeth 196 Fawcett Sr, Mr John 22 Fawcett, John 253–255, 286, 471–472, 488, 563–566 Fernyhough, Master 423 Ferrarese del Bene, Signora 61 Fischer, John Christian 228, 297 Fisher, Mr 141 Fitzsimmons, Mr 589 Fletcher, Miss 368 Floranze, Mme 92–93 Forrester, Mrs 612 Fox, Mr 551 Franklin, Mrs 197, 200, 204, 230, 233, 236, 239, 266, 270, 272, 300, 307, 336, 341, 345, 486, 510 Froud, Miss 22 Gallet, Sébastien 332, 354–355, 358, 498 Gardel, Pierre Gabriel 654 Gaudry, Richard 75, 102 Gayton, Miss 621 George, Miss 89–90 Gibbon, James Deverell 486, 588 Girardau, Isabella 5 Giuliani, Cecilia 106–107

721

Goss, John Jeremiah 580, 607, 609, 649, 654, 658 Goyon, M. 78, 85, 90 Granger, Julia 293, 350 Gray, Master 408, 432, 435 Gray, Mr 434 Gray, Sarah Jane 302, 406–407, 410 Gray, Thomas Brabazon 225 Gricourt, Mr 78, 85 Grimaldi, Joseph 578, 600, 637, 643 Harlowe, Sarah 275 Harris, Mr 70, 94–95 Harriss, Mr 55 Harrison, Mr 69, 126, 131, 166 Harrison, Ann 223, 229, 231, 259, 263 Harrison, Samuel 199, 219, 262, 502, 537, 561–562, 580, 583, 585–586, 602, 607–608, 618, 629, 649 Harwood, Miss 122 Helme, Jack? 305, 370 Henley, Elizabeth 303 Henry, Luigi 78, 85, 90 Herbert, Mr 371–372 Herbert, Mrs 271–272, 370, 372, 547 Hewerdine, Mr 124 Hill, James 506, 509, 563, 565 Hilligsberg, Janet 221, 369 Howells, Fanny 444 Hudson, Robert 21 Hummel, Johann Nepomuk 182 Hus, Jean Baptiste 90 Iliff, Mrs Maria 111, 115, 191, 274 Incledon, Charles 66, 88, 91, 104, 113, 115, 123, 132, 148, 209, 214, 217, 230, 256, 261, 263, 267, 269–270, 285, 342, 352, 361–362, 368, 388, 427, 470, 472, 480–482, 494, 503– 506, 527, 554, 563, 565, 589, 591, 598, 602 Isaacs, Mr 551 Jackson, Jane 396

722

Music Entries at Stationers’ Hall

Laborie, Lombard 78, 85, 90, 369 Laborie, Mme. Lombard 369, 507 Lacy, Mr 67 Laguerre, John 10 Larkman, Miss 594 Laurenti, Marianna 141–142 Lazzarini, Gustavo 162–163 Leak, Elizabeth 245, 279, 288, 303, 312 Leary, Miss 66, 92, 115 Leaver, Mrs 205, 274 Lee, Sarah Jane 258 le Picq, Charles 39, 49, 54 Leveridge, Richard 10 Liston, John 568, 593 Liston, Sarah [née Tyrer] 623 Lowe, Mr 16 Lupino, Thomas Frederick 365

Mara, Gertrude Elizabeth 60–62, 65, 67, 73–75, 78, 86, 146–147, 167, 170, 303, 352 Marchesi, Luigi 105–107, 109, 111, 123–124–125, 133–134, 136, 145–148 Marin, Marie Martin Marcel Viscount de 440, 487 Martyr, Margaret 49–50, 57, 65–66, 134, 264, 285, 367, 369 Masters, Mr 224–226 Mattocks, Isabella 75 ‘a member of the South East District of Loyal London Volunteers’ 406 Meadow or Meadows, Miss 587, 600 Meredith, Mr 151, 205, 319 Miller, Mr 571 Miller, Anne 350 Mills, Louisa 506–507 Millward, Mr 235 Milne, Miss 164, 200, 204, 207, 230, 236, 238, 266, 270, 272 Minassi, Signora 625 Morelli, Giovanni 83, 87, 89–90, 102, 161–162, 200, 208, 220, 274, 276 Morichelli, Anna 255–256, 274–276 Mori, Mlle 656 Morigi, Andrea 89–90 Moulds, John 144 Mountain, Rosemond 200, 202, 204– 205, 230, 234, 236, 239, 260, 266– 267, 270, 272, 299–300, 336, 339, 341, 345, 362, 404, 411, 480, 526, 566 Mozon, Mlle or Mme 59, 62–63, 66, 78, 85, 90 Munday, Mrs 178–179 Munden, Joseph Shepherd 371, 395, 471, 475, 488, 563 Murray, Harriet 456 Mutlow, Master 158

Magrath, Mr 661 Mahon, Miss 67, 142 Mallet, Mr 102

Naldi, Giuseppe 642–643 Newman, Miss 88, 246 Nicholson, Master 600

Johannot, Richard 297, 328, 404, 552, 562 Johnston, Nannette 507 Johnstone, John Henry 111, 120, 122, 126, 141, 257, 260, 335, 403 Jones, Master J. 576 Jordan, Dora 337, 368, 394, 405, 429– 430, 435, 476, 496, 526–527, 623 Kelly, Michael 95, 129, 133, 208, 241, 276, 338 Kennedy, Margaret 30, 33–36, 44–45, 52, 54, 57 King, Mr 35 Knight, Thomas 283 Knyvett, Charles [Sr or Jr] 262, 502, 577, 579, 606, 647 Knyvett, William 198, 221, 226, 421, 577, 579, 585–586, 606, 608, 618, 629, 647 Kollmann, George Augustus 537 Krumpholtz, Anne-Marie 202, 487, 502

Index of Performers

723

Randal, Miss 430 Reeve, Mrs William 223 Richardson, John 286 Ridgeway, Mrs 551, 600 Roffey, Mrs 405–406, 571 Roselli, Agrippino 292 Rossi, Joseph 557, 641, 644, 654 Rossi, Margherita 39, 54 Rovedino, Carlo 274, 449, 642, 647 Rovedino, Stefania 449 Rubinelli, Giovanni Battista 62–65, 67, 74–75, 78, 86 Russell, William [of London] 598

608, 658 Salmon, Mrs 690 Salomon, John Peter 428 Salvini, Catherine 324 Schinotti, Teresa 163 Scott, Jane M. 538 Searle, Miss 577 Second, Sarah 317, 412, 427, 486, 532– 534 Sedgwick, Thomas 129, 206–207, 215, 244, 254, 258, 373 Sestini, Signor 34, 89–90 Siddons, Harriet 488, 507 Simonet, Mlle or Mesdames 39, 59, 62– 63, 66, 78, 85, 90 Simmons, Samuel 369, 507, 577, 583 Sims, Sarah 362–363 Slack, Elizabeth 22 Slader, Mr 546, 551 Slatter, Master 230 Sleigh, Mr 375 Slingsby, Simon 39, 54 Smalley, Master 573, 598 Smith, Mr 22 Smith, Charles 515 Spozzi, Signor 59, 62–63, 66 Spray, John 245, 473, 493, 580–581 Stabilini, Girolamo 442 Staffordshire band 311 Steibelt, Daniel 370 Stephenson, Miss 70 Stevenart, Mr 464 Stevenson, Mrs 99 Storace, Anna Selina 83–84, 86, 89–90, 99–100, 102, 108, 133, 144, 152, 195– 196, 200, 202–203, 210, 213–214, 239–240, 257, 268, 298, 333–334, 338, 349–350, 360, 467, 470–472, 545 Street, James 263, 267 Suett, Richard 271, 345, 350 Suett, Theophilus 452

Sale Jr, John 618, 629 Sale, John Bernard 396, 427, 585–586,

Taylor, Mr 22, 230, 236, 238–239, 266, 268, 270, 272, 351, 482, 563–564

Nicholson, Miss 412 Nield, Jonathan 282, 327, 585 Nora, Mlle 654 O’Moran, Mrs 625 Page, Mr 148, 193 Page, John 168 Palmer, William 103 Parisot, Mlle 449, 475, 554, 558 Parke, Maria Hester 327, 585–586, 602, 618, 629 Parke, William Thomas 173 Pay, Miss 94, 96 Perignon, Gervais 78, 85, 90 Phelps, Edmund 200–201, 204, 207, 230–232, 236–237, 239 Phillips, Miss 35 Phillips, Thomas 365 Piercy, Mrs 70 Pilbrow, John 241, 371 Poole, Maria 91, 114 pupils of St Edmund’s College, Old Hall Green, Herts. 456 Quarman, Miss 95 Quick, John 30

724

Music Entries at Stationers’ Hall

Taylor, Mr C. 654 Tennant, Elizabeth 524 Thompson, Mrs 53, 70, 90, 96 Townsend, Edward Evans 283, 368 Tramezzani, Diomiro 633–635, 642– 643, 646–647, 649–650, 652, 655 Trueman, Mr 407 Tyrer, Sarah 563–566 Urbani, Peter 344 Urington, Mr 179 Vaughan, Elizabeth [née Tennant] 561, 577, 580, 586, 602, 607, 658 Vaughan, Thomas 577, 609, 611, 654, 658 Vernon, Mr 23, 33 Vestris, Auguste Armand 631, 656 Vestris Sr, Gaetan Appoline Balthasar 59, 62–63, 66 Vestris Jr, Marie Jean Augustin 39 Viganoni, Giuseppe 449, 451, 516 Wallack, William 412 Walstein, Eliza 596–597 Warrell, Eliza 368 Wathen, George 258, 260 Watson, Miss 53, 55 Webb, Mr 178

Webbe, Mr of Oxford 230, 233 Weichsel, Charles 460 Weichsel or Weichsell, Fredericka 23, 34– 36, 44–45, 52, 54–55 Weippert, John Erhardt 284, 302, 361– 362 Welsh, Thomas 195, 224, 241, 259, 266, 269–270, 272–273, 275, 299–300, 307–308, 310, 316, 336, 338–339, 350, 537 Wentworth, Miss S. 338 Wewitzer, Ralph 521 Wheatley, Miss 339, 422, 473 Williamson, Mr 482 Williams, Miss 210 Williams, Mr 258 Wilson, Mr 50, 52, 63–64, 83–85, 91 Wilson, Mrs 30 Windsor, Alicia [née Daniels] 595 Wise, Mr 297 Woelfl, Joseph 568 Woodham, Mr 511 Worgman, Miss 643 Worral, Miss see Warrell, Eliza Wright, Elizabeth 21 Wrighten, Mary Ann 33–36, 44–45, 52, 54, 66 Wybrow, Mrs 412, 548

INDEX OF DEDICATEES This index names persons or sets of persons to whom, or to whose memory, a work was dedicated. Abercorn, Marchioness of 353 Abercromby, Sir Ralph 462, 543 Aberdeenshire Fencibles 258 Abingdon, Earl of 297, 328 Ablett, Joseph 441 Abrams, Miss 458 Abrams, Misses 189, 577, 602 Achard, Miss 592 Acland, Lady 238 à Court, Miss 600 admirers of Thomas Bolton 613 Ainslie, Miss 123 Alderson, Elizabeth 582 ‘all loyal Britons’ 509 ‘allied sovereigns’ 677–678 Allix, Miss 400 Allott, Miss 562 ‘all Spanish patriots’ 636 ‘amateurs de musique’ 169 amateurs of William Wennington 346 Amelia, Princess 154, 475, 578 Anderson, Miss 384 Apreece, Mr 391 Arnold, Samuel 410 Arthur, Miss 524 Ashley-Cooper, Lady Barbara 454, 487 Astor, Sir Willoughby 159 Atherley, Lady Louisa 576 Attwood, Thomas 574 Augusta, Princess 158, 165, 528 Aylesbury, Countess of 220 Aylesford, Earl of 480 Bain, Miss 582 Baker, Miss 419 Baker, Rev. J. 310 Balcarres, Countess of 342 Baldwin, Miss F. 181

Banks, John Cleaver 302 Bannerman, Miss 408 Bannister, Charles 533 Banti, Brigitta 270 Barclay, Miss E. 393 Barclay, Elizabeth 665 Barclay, Mrs W. 363 Barnard, Miss 544 Barry, Augustus 484 Barrymore, Countess of 207 Bartleman, James 578, 655 Bartolozzi, Theresa [née Jansen] 332, 462 Bateson, Mrs 258 Bath, Baroness of 244 Beaufoy, Col. 437 Beaumont, Mrs 631 Bedford, Duchess of 526, 582 Bedingfield, Francis Philip 376 Belasyse, Lady Anne 130 Beaufort, Duchess of 156 Beckers of Westerstetten, Countess 204 Benn, Mrs 190 Bentinck, Henry, Earl of Portland 6 Beresford, Lady Anne 544 Berkshire Militia 219, 314, 317 Besborough, Countess of 610 Bertie, Lady Charlotte 292 Bianchi, Francesco 557 Bianchi, Jane 561 Billegarde, Adèle de 660 Billington, Elizabeth 460, 512 Bingham, Lady Elizabeth 583 Birch, Lt. Col. 379, 512 Bishop of Durham 229 Blackwood, Misses 34 Blair, Mrs 104 Blake, Miss 167

726

Music Entries at Stationers’ Hall

Blake, Anna Louisa Middleton 479 Blake, Anna Maria Carolina 116, 128 Blake, Fanny 483 Blake, Sir Patrick 463 Bland, Jane 624 Bligh, Lady Mary 137 Blizard, Lady 551 Bloomfield, Robert 567 Bonne d’Alpy, Mlle 500 Boulton, Miss 366 Bourgeois, Miss 397 Bourke, Miss 169 Boydell, Major 457 Boydell, Miss 478 Boydell, Josiah 379 Braddyll, Wilson 121 Breton, Eliza 499 Bridgeman, Lady 147 Briere, Mrs 399 ‘the British nation’ 374 ‘British sailors, soldiers and volunteers’ 518 Brocke, Mrs 370 Broderip, Robert 456 Brodie, William 301 Bromley, Lady 407 Bruhl, Count John Maurice de 361 Buccleuch, Duchess of 640 Buller, Miss 342 Burnett, Sir Robert 377 Burney, Charles 91, 659 Burrell, Miss 602 Butler, Teresa 215 C., Miss H. 500 Caley, Miss 680 Calmeith, Mlle de 423 Cambridge, Duke of 541, 587, 602 Campbell, Lady 110 Campbell, Lady Charlotte 224, 428, 436 Campbell, Mrs 196 Carmarthen, Marquis of 39 Carnegie, Lady 387 Carnegie, Elizabeth 605

Carnegie, Jane 605 Caroline, Princess of Wales [later Queen of George IV] 256, 258, 266, 269, 273, 281–282, 285, 304, 339, 393, 458, 545, 606 Carr, John 272 Castanos, General Francisco and his officers and soldiers 636 Catalani, Angelica 617 Catch Club, Edinburgh 86, 104, 334 Catch Club members, London 127, 144, 213 Cathcart, Lady 561 Catherine II, Empress of Russia 132 Cavendish, Lady Harriet 625 Cazenove, Miss C. M. 619 Cecil, Lady Sophia 631 Chambers, Miss 607 Charlier, Miss 680 Charlotte, Queen 111, 132, 151, 156, 174, 270, 336, 351, 435, 477, 503, 550, 582, 694 Charlotte Augusta, Princess 621, 663, 685, 689–691 Cheyne, Miss 442 Chichester, Countess of 485 clergy of the Church of England 176 Chalmer, Miss 295, 426 Chinnery, Margaret 212, 402 Chinnery, William 402 Cholmondeley, Earl 119, 159, 431 Churchill, William 159 Clare, Countess of 627 Clarence, Duke of 379, 689 Clarges, Lady 71 Clark, Miss 341 Clementi, Muzio 165, 212, 324 Clive, Dowager Lady 202 Clive, Lady C. 609 Clive, Lady H. 609 Cocks, Marget 137 Cogan, Philip 483, 561 Colburn, Miss 397 Colebrooke, Mrs 599

Index of Dedicatees Colleton, Mrs 368 Committee for the abolition of the slave trade 187 Convivial Board president and members 295 Copley, Miss 290 Corbet, Miss M. 661 Cornewall, Lady 539 Corsi, Antonio 67 Cott, Robert 377 Courlande, Duchess of 496 Cox, Miss 126 Cox, Miss Charlotte 126 Crabell, Amelia 360 Cramer, Anne 623 Cramer, François 623 Cramer, John Baptist 527, 556, 560 Cramer, Wilhelm 153, 397 Crespigny, Mrs 475 Crespigny, Lady Sarah 140 Crickett, Miss 650 Crotch, William 661 Cumberland, Duke of 456, 472 Cumberland, Sophia 30 Cumming, Amelia 511 Curtis, William 642 Curzon, Miss 628 Curzon, Miss C. 628 Cuthbert, Mrs 587 Daintry, Miss 625 Dalkeith, Earl of 456 Dallas, Lady 496 Dalrymple, Frances 453 d’Anvers, Caroline 212 Dashwood, Lady Ann 461 Davenport, Lady 206 David, Mr 114 David, Earl of Buchan 93 Dawes, Miss 640 Dawkins, Caroline 490 Day, Miss 277 Dayrolles, Miss 103 Dean and Chapter of St Paul’s Cathedral

727

160 de Boigne, Mme 396 de Coigny, Miss F. 521 Deering, Miss 604 defenders of King and country 369 del Campo, Marquis 211 Dennistown, Miss 461 Deschaux, Paolina 288 des Etangs, Mme 599 Devis, Ellin 438 de Visme, Misses 318 Devonshire, Duchess of 72, 102, 112, 143, 149, 152, 291, 494, 650 Dillon, Louise 614 directors of the Concert of Ancient Music 502 Dixon, Mrs 532–533 Dizi, François Joseph 568, 579 Donegal or Donegall, Marquis of 180, 254 Dorset, Duchess of 425 Douglas, Col. 296 Douglas, Marchioness of 661 Douglas, Mrs 512 Douglas, Ann Irwin 404 Douglas, Caroline 329 Douglas, Lady Catherine 234 Downshire, Marchioness of 596 Doyel, Miss E. 581 Doyle, Langrishe 471 Doyne, Miss 557 Drummond, Miss 575 Dudley and Ward, Viscount 399 Dumergue, Sophia 32 Duncan, Misses 630 Duncan, Admiral Adam, Viscount Duncan 348 Duncombe, Miss 283 Dundas, Lady Jane 429 Dundass, Miss 323 Dungannon, Viscountess 550 Durand, Miss 386 Dussek, Jan Ladislav 497, 651 Dussek, Sophia [née Corri] 629

728

Music Entries at Stationers’ Hall

Dutton, Miss 608 Eagle, Miss 648 Eamer, Sir John 480 Eden, Miss 582 Edes, Major 550 Edward, Prince 227 Edwin, Mr 163 Egerton, Ariana 119 Eglintoun, Earl of 454 Eglinton, Earl of 593 Egremont, Earl of 601 Ellis, Miss 446 Ellis, Miss Caroline 446 Elphinstone, Mercer 587 Englefield, Sir Henry Charles 183 Eresby, Lady Willoughby de 445 Ernestine de Starhemberg, Countess 221 Esch, Louis von 518 Este, Archduchess of 296 Esterhazy, Dowager Princess 244 Esterhazy, Princess Marie 264 Everard, Lieut. Col. Edward 559 ‘every man of fashion’ 616 ‘every true Briton’ 227 ‘every volunteer in England’ 406 Exeter, Marchioness of 469 Eyre, Miss 289 Fairfield, Miss 367 Fane, Mrs 589 Faulkner, Dr 554 Fearn, Miss 269 Fenwick, Selina 479 Ferrari, Mrs 651 Filmer, Mrs Edmund 500 Finch, Miss 618, 632 Fischer, John Christian 292 Fisher, Mrs 577 Fitzgerald, Miss 632 Fitzgerald, Misses 618 Fitzgerald, Emily 632 Fitzgerald, Frances 370 Fitzgerald, Thomas 319

Fitzpatrick, Anne 129 Fitzpatrick, Gertrude 129 Fitzroy, Lady Ann 315 Flower, Lady (Mrs Charles) 627 Flower, Sir Charles 640 Fludyer, Mary 620 Forbes, Mrs 434 Frampton, Mrs H. 352 Franklands, Miss 195 Frederic, Princess of Hesse 250 Frederick, Prince of Wales 16 a French émigré lady 364 friends of: George Guest 402 John Palmer 380 John Rhodes 365 Frigham, Misses 517 Frith, Louisa 225 Frodsham, Miss 415 Gage, Lady 261 Galway, Viscountess 118 Garnerin, Andté Jacques 485 Garnier, Mrs 407 Gatherot, Miss 524 Gavin, Miss 141 gentlemen of: the Hiberian Catch Club 470 the Navy 510 see also noblemen and gentlemen Gentlemen Volunteers of England 373 George III, King 68, 177, 237, 280, 349, 553 George, Prince of Wales [later Prince Regent and King George IV] 61, 113, 127, 151, 154, 178, 191, 195, 208, 211, 258, 263, 424, 429, 513, 545, 603, 607, 619, 633 George, Eliza 456 Gherardini, Marquis 179 Gibbs, Miss 607 Gibson, Mrs F. H. 318 Glee Club president and members 351 Godeffroy, Miss S. 529

Index of Dedicatees Gompertz, Harriot 358 Goold, George 307 Gordon, Lady 141 Gordon, Miss J. 652 Gostling, Miss 654 Gough, Mrs H. 601 Governors of the Asylum and Magdalen Chapels 259 Graeff, John George 394 Graham, Misses 53 Graham, Misses [of Kinross] 542 Graham, Jane 394 Grand Duchess of all the Russians 119 Grant, Miss D. 442 Grant, Miss Pennel 462 Grantham, Lord 447 Greatorex, Thomas 605, 609 Greenland, Miss 427 Greffuldre, John 507 Grenville, Mary Anne 639 Greville, Lady Louisa 627 Grey, Ladies 653 Grey de Wilton, Lord 147 Grey, Hannah 443 Griffith, Miss 418 Grimaldi, Nicolini Cavalier 6 Guildford Volunteers 248 Gwydir, Lord 503 H., Miss C. 441, 630 Hale, Miss 254, 644 Hall, Miss 406 Hamilton, Miss 660 Hamilton, Viscountess 649 Hamilton, Lady Anne 570 Hamilton, Lady Harriett 290 Hamilton and Brandon, Duke of 173 Hammet, Mrs 464 Hampden, Viscountess 147, 170 Hanbury, Miss 430 Hankey, Joseph Chaplin 306, 495 Hankey, Richard 476 Hardcastle, Joseph 442 Hardwicke, Earl of see Yorke, Philip

729

Harpur, Lady Frances 132, 386 Harrington, Earl of 180 Harris, Lady Catherine 447 Harris, Lady Frances 573 Harris, Thomas 476 Harrison, Mrs 426 Harrison, Samuel 271 Harvey, Lady Louisa 101 Hay, Miss C. 630 Hay, Lady Mary 388 Haydn, Joseph 157, 169, 172, 230, 262, 298, 312, 378 Hays, Miss 453 Headley, Lord 542 Heaviside, John 583 Hemaker, Miss 646 Hemsworth, Miss 557 Henry, Earl of Exeter 231 Herbert, Lady Diana 615 heros defending the cause… 359 Hertfordshire Volunteers 429 Heyrick, Miss 608 Heywood, Mrs 291 Hill, Lady Charlotte 586, 655 Hill, Miss M. 659 Hill, Lady Mary 586, 655 Hill, Rev. Rowland 411 Hill, Mrs Samuel 632 Hobart, Lady 467 Holcombe, Miss 121 Hollamby, Miss H. D. 232 Hope, Miss Ann 546, 552 Hopkins, Benjamin Bond 183 Horsley, William 522 Horten, Miss 386 Howard, Miss 548, 589 Howard, Mrs 598 Howard, Lady Elizabeth 330 Howe, Admiral Richard, Earl Howe 235 Hughes, Mrs 383 Hull, Alice Watson 233 Hull, Sophia 232 Hulse, Elizabeth 104 Hulse, Mary 104

730

Music Entries at Stationers’ Hall

Hunt, Mrs 643 Hunter, Mrs John 292 Hutchinson, Miss 337 Imbert-Colomés, Marie Victoire 59 Incledon, Charles 217 Inge, William Phillips 421 Innes, Miss 453 Jackson, Alicia 516 Jacobi, Josephine de 232 James, Sir Walter 352 Jansen, Theresa 232 Janson, Mlle T. 149 Jerningham, Lady 306 Jersey, Countess of 638 Jervis, Lady 56 Jervis, Admiral Sir John and his of cers 329–330 Jobson, Rev. Abraham 570 Johnson, Miss 615 Johnston, Sir William 174, 351 Jordan, Dora 380 Kemble, John Philip 562 Kensington, Col. John Pooley 528 Kent, Lady 220 King of Naples 155 King of Prussia 111, 113 Knyvett, Charles 271 Knyvett, William 654 Krempien, Sophia 341 Krumpholtz, Anne-Marie 202, 388, 502, 509 Laborie, Master 638 La Cainea, Chevalier 642, 646 ‘ladies’ 614 ladies at: Mrs Caley’s Boarding School, Walthamstow 342 Mrs Pilbury’s, Monmouth House, Chelsea 615

ladies of: Assembly House Boarding School, Leytonstone 331 Great Britain 638 Prospect House Boarding School, Ranelagh 333 La Feuillade, M. 615 Lamb, Mrs. G. 641 Lambeth Loyal Association 337 Lancel, Mlle 455 Leak, Miss 309 le Despencer, Lady 443, 517 Leeds, Duke of 142, 165 Leicester officers and gentlemen 274 Leigh, Miss 294 Lemon, John 177 Le Mesurier, Col. Paul 331 Lennox, Lady Louisa 219, 469 Lenthe, Baron Ernst Ludwig Julius von 313 Leopold, Prince of Saxe-Coburg [husband of Princess Charlotte Augusta] 685 Leslie, Lady Harriet 427 Leveson-Gower, Lady Charlotte 63, 120 Lewin, Miss see Ross Lewin, Miss Lewis Ferdinand, Prince of Prussia 530 Light Horse Volunteers of London and Westminster 267 Lind, Miss 560 Livery of the City of London 629 Livingstone, Sir Thomas 384 Lloyd, Ann 265 Lockhart, Mrs 405 Lomon, Lady 239 Lonsdale, Dowager Lady 601 Loudoun and Moira, Countess of 560 Louis XVII, uncrowned King of France 265 Lovel, G. 395 ‘lovers of imitation, fugue, canon, inversion, diminution, augmentation, etc.’ 648 lovers of the violin 374

Index of Dedicatees Lowther, Lady Caroline 584 Loyal Association of St Saviour, Southwark 377 Loyal Essex Regiment of Fencible Infantry 459 Loyal London Volunteers: Sixth Regiment 551 South East District 406 Loyal London Volunteers, Lushington, Lady 271 Lygon, Louisa 616 Macarthy, Rev. C. 614 Macartney, Countess of 281 Macdonald, Miss 80 Mackenzie, Clara 340 Macleay, Miss 631, 656 Macleod ‘of Colbecks’, John 392 Mahon, Lady 524 Mahon, Viscountess 603 Maitland, Lady Mary 320 Malton, Emily 619 Manchester, Duchess of 452 Manesty, D. 155 Manners, Lady Katherine 400 March Phillips, Mlle C. 460 March Phillips, Mlle J. 460 Marchesi, Luigi 324 Marclesy, Mme de 156 Marlborough, Duke of 647 Marlow, Mrs 450 Marshall, Mrs Rose 460 Martin, Miss 619 Mary, Princess 167 Mathew, Miss 277, 282 Matthew, Miss 128, 174 Maxtone, Eliza 620 May, Maria 218 Mayaffre, Miss 302 Melville, Ladies 609 Melville, Lady 534 Melville, Margaret Whyte see Whyte Melville, Margaret

‘members of the Professional Concert’ 476 Meredith, Mr 205 Metcalfe, Misses 641 Meyer, Charles 638 Meyer Jr, Philippe Jacques 638 Meyrick, Miss 148 Meysey, Miss 114 Middleton, Baroness Dowager 135 Middleton, Mrs 107 Middleton, Emelia 455 Mildmay, Lady 646 ‘military associations throughout the Kingdom’ 378 Milner, Lady 209 Milner, Miss 282 Mitchell, Admiral Sir Andrew 413 Montagu, Mrs M. 665 Montague, Lady Mary 123 Montgomerie, Lady 567 Montrose, Duke of 263 Moore, Mrs P. 125 Moore, Thomas [of Dublin] 502 More, Jacob 285 Moreau, Mme 478 Morison, Col. 264 Morrel, Miss F. 354 Mount, Miss 575 Mountford, Eliza 497 Mumford, J. 489 Munro, Sir Hector 420 Mylne, Miss 145 Nash, Misses 653 Nelson, Lady Charlotte 563, 566 Nelson, Admiral Horatio 378 Nevill, Miss G. 539 Neville, Miss 541 Neville, Mary Ann 541 Newbery, Miss 200 Newburgh, Countess of 217 Newcastle, Duchess of 603 Newnham, Col. 313

731

732

Music Entries at Stationers’ Hall

Newport, Henry Lord 4 Nicol, Mrs George 605 ‘nobility and gentry’ 274, 321, 364, 390 ‘nobility and gentry subscribers’ 385 noblemen and gentlemen of the: Bath Catch Club 379 Bath Harmonic Society 430 Irish Harmonic Club 502 ‘non plus ultra’ 651 Novasitzoff, M. de 489 Nugent, Col. 171 O’Calaghan, Miss 279 officers and gentlemen of the Hampstead Loyal Association 379 officers and soldiers of the Royal Westminster Volunteers 379 officers engaged in the siege of Québec 168 officers of the: First Regiment of Royal Tower Hamlets Militia 437 Loyal Hampstead Association 457 Loyal Ludlow Volunteer Infantry 526 Loyal Walthamstow Volunteers 518 Royal Exchange, or First Regiment of Loyal London Volunteers 512 Royal Perth Volunteers 285 Wisbech Volunteers 544, 550 Offley, Mrs 522 Offley, Mrs John 556 Oldenburgh, Princess of 651 Olier, Mrs 235 Ommanney, Miss 564 Onslow, Charlotte 626 Onslow, George 626 Oom, Charlotte Augusta 562, 571 Oswald, Mrs 299 Overend, Marmaduke 391 Oxford, Countess of 518 Palmer Sr, John 380 Panton, Thomas 474

Parkinson, Miss 441 Parr, Miss 254 Partridge, Miss 298 Patence, Miss 537 ‘the patriotic ladies of Great Britain’ 511 Paytherus, Mary 462 Peacock, Mary Ann 360 Pembroke, Countess of 191 Penrice, Miss 625 Perceval, Helena 630 Perée, Sophia 208 ‘performers of Drury Lane Theatre’ 380 ‘performers in general’ 173 Pitt, William the younger 476 Platt, Rev. W. F. 613 Plowden, Mrs F. 152 Pomeroy, George 434 Porter, Lady 583 Porter, P. W. 430 Poulett, Lady Sophia 603 Pratt, Lady Frances 517, 573, 577 Pratt, Lady Georgiana 498, 624 Prescott, William Willoughby 302 ‘president and members of the Glee Club’ 388 Primerose, Miss 650 Prince Regent of Portugal 636 Princess of Prussia 164 Pring, Jacob Cubitt 386 Pritchard, Misses 649 Pryse, Miss 587 pupils of: William Crotch 193 James Hancock 508 Joseph Woelfl 584, 596 Queen of Naples 267 Queen of Prussia 320 Radnor, Earl of 219, 311 Raikes, Miss 383 Ramsay, Lady Lucy 443 Rayner, Lieut. Col. 544

Index of Dedicatees ‘a regiment of Bengal sepoys’ 587 Reding, General Theodor and his of cers and soldiers 636 Reid, Miss 395 Revolution Club, Edinburgh 120 Rich, Miss 516 Right Worshipful Master, officers and brethren of Somerset House Lodge 393 Robarts, Marianne 570 Roberts, Mlle 510 Robertson, Col. 379 Robinson, Miss 583 Rochford, Earl of 154 Ross Lewin, Miss 534 Rowntree, Miss 448 Royal Family 236 Royal Princesses 234 Rule, Misses 617 Rush, Miss 248 Rush, Maria 444 Rushe, Miss 305 Russell, Lady 579 Russell, William [of London] 616 Russia, Empress of 497 Ryle, Miss 625 Ryves, Georgiana 32 St Albans, Duchess of 560 St Quentin, Miss 555 Saladin, Miss 487 Salisbury, Countess of 70 Salisbury, Marquis of 429 Salisbury, Marchioness of 424 Salter, Louisa 377 Saltour, Lady 313 Salway, Richard 526 Savage, William 72 Savery, Isabella 392 scholars of: George Guest 402 Edward Jones 163 Schroeter, Rebecca 278 Scotland’s nobility and gentry 129

733

Scott, Col. 316 Scott, Alexander 584 Scott, Miss 335 Scott, Miss Louisa 335 Seventy-Eighth Regiment 465 Seymour, Miss 566 Seymour, Rev. Francis 316 Shaftesbury, Countess of 281, 305, 454– 455, 487 Sharp, Granville 187 Shaw, Miss 253 Shee, Sir George 451, 465 Sheldon, Louisa 439 Sheridan, Elizabeth Ann née Linley 180, 405 Shield, William 474 Simeon, Miss 536 Simpson, Frances 306 Simpson, Maria 306 Sinclair, Lady Madelina 529 Singleton, Lady Mary 354 Skene, Eliza 408 Smith, Mrs 313 Smith, Charlotte 524 Smith, Elizabeth 381 Smith, Mrs F. G. 264 Smith, Jane 536 Smith, John 296 Societies for Preservation from Danger and Apparent Death 293 Society of Antiquaries of Scotland 506 Society of Bowmen of the Border 163 Sole, John Cochaine 31 Solre, Princess of 299 Somerset, Lady Frances 601 Somerset, Lady Harriet 601 Sophia, Princess 154 Sophia Matilda, Princess 155 Spagnoletti, Paul 648 Spence, Eliza 503 Spencer, Countess 61 Spencer, Lady Elizabeth 507 Spencer, John 501, 561 Spencer, Lady Sarah 498, 573

734

Music Entries at Stationers’ Hall Tierney, Miss 628 Tigh, Mrs Henry 597 Townsend, Miss 170 Tramezzani, Diomiro 641 Trampton, Mrs 374 Trebeck, Thomas 480 Trotter, Mrs 255 Tschoffen, Mrs 417 Turnour, Lady Lydia 249 Tweedale, Marchioness of 172

Spencer Stanhope, Miss 629 Spinola, Marchioness of 261 Spray, John 483 Stanhope, Countess 72 Stanhope, Miss see Spencer Stanhope, Miss Stapleton, Miss 646 Starhemberg, Count 533 Starhemberg, Prince 617 Staunton, Lady 281 Stephens, Miss A. 236 Stevenson, Sir John Andrew 549, 561 Stewart, Col. 481 Storace, Stephen 383 Stow, Miss 336 Stracey, Major Hardinge 520 Strafford, Countess of 261 Stratford, Lady Emily 492 Strode, Lt. Col. John 516 Stuart, Miss B. 132 subscribers to: Harrison and Knyvett’s concert 178 Willis’s Rooms 79, 100, 118, 126, 322 Supreme Junta of Seville 636 Sutton, Isabella 192 Symes, William Leigh 157, 173

Vansittart, Miss 431 Veale, Emily 458 Veale, Mary 458 Vernon, Lady 171, 365 Vernon, Miss 277 victors of the Battle of St Vincent 329 Vidal, Louis 509 Vidal, Mrs Louis 509 Viotti, Giovanni Battista 650 Volunteer Corps of the Bank of England 378 Vyse, Lieutenant General Richard 462

Talleyrand, Charlotte de 633 Tate, Miss 324 Taylor, Mrs 314 Taylor, Lady Mary 357, 613 Templer, Miss 260, 262 Templetown, Lady 356 ‘Their Majesties’ Band’ 429 Thellusson, Mrs Charles 515 Third Regiment of Royal London Volunteers 528 Thompson, Mrs 473 Thomson, Miss 30 Thomson, Lucy 30 Thornton, Miss 290 Thornton, Miss H. 527 Thrale, Susan Annabella 335 Thurlow, Misses 127

Walsh, Miss 648 Wardell, Mrs James 400 Wardle, Gwyllym Lloyd 629 Watson, William 595 Webbe Jr, Samuel 580 Wellington, Duke of 671, 676, 681 Wemyss, Miss 341 Wentworth, Viscount 159 Wetenhall, Miss 194 Wetenhall Jr, Edward 394 Wetherell, Miss 312 White, Miss 535 Whitfield, Mrs 592 Whitmore, Mrs 608 Whyte Melville, Margaret 630 Wigstead, Mr 315 William, Prince of Gloucester 253

Urquhart, Major General 459 Uxbridge, Earl of 311, 401–402

Index of Dedicatees William Henry, Prince [later King William IV] 107 Williams, Mrs J. 477 Williams, Walkin 8 Winchilsea, Earl of 618, 632 Windsor, Lady Ann 201 Windsor, Lady Sarah 201 Winn, Miss 542 Winn, Mr 542 Winn, Maria 542 Winter, Mrs Robert 614 Wirtemberg, Prince of 332 Wisbech Volunteer Band 544, 550 Woelfl, Joseph 625 Woodward, Miss 89 Woronzon, Countess Catherine 333 Worshipful Company of Ironmongers 245 Wray, Mr 114 Wyndham, Misses 616

735

Wynne, Elizabeth 150 Wynne, Sir Watkin Williams 142 Yarmouth, Countess of 431 Yonge, Lady 128 ‘young gentlemen of Ealing School’ 618 young ladies at: Belle Vue House, Bromley, Kent 325 Miss Upward’s, Grove House 520 Mrs Lancey’s 521 Mrs Sala’s, Winchester House 520 ‘a young lady’ 335 Young, Miss 470, 499 York, Lady Catherine 595 York, Duchess of 166, 178, 185, 208, 227, 319, 331, 334, 375, 398, 448, 522 York, Duke of 101, 135, 205–206, 210, 216, 246, 282, 290, 369, 413, 482 Yorke, Philip, Earl of Hardwicke 634