THE FAIRLY INCOMPLETE & RATHER BADLY ILLUSTRATI -
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n how to play the pian
Dwlgmdby Gary Marsh/Gone Loncron
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THE FAIRLY INCOMPLETE & RATHER BADLY ILLUSTRATI -
>
n how to play the pian
Dwlgmdby Gary Marsh/Gone Loncron
Wlmtmtd by Terry Gllllam, mry Ma*. John Murst
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A Foreword by Elvis Presley Hi. You know, whenever I'm browsing through a shopping mall, or busy buying groceries at a supermarket, I often find myself humming one of the many happy songs that these Monty Python guys have churned out over the years. "I'm a lumberjack and I'm okay," I'll find myself crooning as I tip a grocery clerk a new pink Cadillac, or "Isn't it awfully nice to have a penis," I'll sing as I buy some more Listerine. It's amazing how often I find myself breaking into "Ya Di Bucketty", especially when the holidays come around. How I wish I could have tHat on my Christmas album. And I'd give anything to have recorded the "Bruces' Philosophers Song", instead of "All Shook Up". Listen, if you ask me these guys are the greatest, and if only I were alive today I would be covering some of their epoch-making songs. But excuse me now y'all, as I have to go out and visit some more supermarkets, so the folks in America will know I'm still around. Hope ya enjoy this book as much as me,
Elvis Aaron Presley
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Traditional Irish Melody H a r m o n y b y Erik C o n s t r i c t o r I 166-72
O LORD PLEASEDON'T BURN US
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0 L O R D , p l e a s e d o n ' t b u r n us. D o n ' t grill o r toast your flock, .Don't put u s on the barbecue, O r s i m m e r us in stock, Don't braise o r bake o r boil us, O r stir-fry us in a wok. O h please don't lightly poach us, O r baste us with hot fat, Don't fricassee o r roast us, O r b o i l u s i n a vat. A n d please don't stick thy servants, Lord, In a Rotissomat. 2*
Latin, VENANTIUS FORTUNATUS 530-609 Tr W. CHATTERTON DIX 1837-98 and others
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Denni Dennis Moore, Dennis Moore Galloping through the sward Dennis Moore, Dennis Moore And his horse Concorde He steals from the rich And gives to the poor Mr Moore, Mr Moore, Mr Moore
1
Dennis Maore, Dennis Moore
Riding through the night
Soon every lupin in the land
Will be in his mighty hand
He steals them from the rich And gives them to the poor
Mr Moore, Mr Moore, Mr Moore
\r
Dennis Moore, Dennis Moore Durn durn durn the night Dennis Moore, Dennis Moore Durn de durn durn plight He steals durn durn durn And durn durn durn dee Dennis durn, Dennis dee, durn durn durn
Dennis Moore, Dennis Moore Riding through the woods Dennis Moore, Dennis Moore With a bag of things He gives to the poor And he takes from the rich Dennis Moore, Dennis Moore, Dennis Moore
Dennis Moore, Dennis Moore Riding through the land Dennis Moore, Dennis Moore Without a merry band He steals from the poor And gives to the rich Stupid bitch
I can see a bare-bottomed mandrill
Slyly eyeing his upper nostril If he jumps inside there too I really won't know what to do
I'll be a proud possessor of a kind of nasal zoo A nasal zoo
I've got a ferret sticking up my nose And what is worse it constantly explodes Ferrets don't explode you say But it happened nine times yesterday And I should know 'cause each time I was standing in the way
I've got a ferret sticking up my nose I've got a ferret sticking up my nose How it got there Ican't tell But now it's there it hurts like hell And what is more it radically affects my sense of smell
er - ret stick -
D
~ l d l m Em7
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There is nothing quite as wonderful as money
There is nothing like a newly minted pound
Everyone must hanker
For the butchness of a banker
It's accountancy that makes the worldgo round
You can keep your Marxist ways
For it's only just a phase
For it's money makes the world go round
S o n g
- ma-nu-el Kant was a
Im
deg-ger, Hei - deg-ger was
Witt - gen - stein
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Who was
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And
as schloshed as
- n ' t teach ya Ddim
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sta-ble,
Wil -helm Frie -drich
Nietz- sche could
B -
ve
beg-gar Whocould
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t a - ble,
I
real piss ant Whowas
'Bout the
87 A
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So - cra - tes him- self
was
per - ma-nent- ly pissed.
i
Da capo
lmmanuel Kant was a real piss ant Who was very rarely stable,
Heidegger, Heidegger was a boozy beggar Who could think you under the table, David Hume could out-consume Wilhelm Friedrich Hegel, And Wittgenstein was a beery swine Who was just as schloshed as Schlegel. There's nothing Nietzsche couldn't teach ya 'Bout the raising of the wrist, Socrates, himself, was permanently pissed.
John Stuart IVlill, of his own free will, On half a pint of shandy was particularly ill, Plato, they say, could stick it away, Half a crate of whisky every day.
Aristotle, Aristotle was a bugger for the bottle, Hobbes was fond of his dram, And Rene Descartes was a drunken fart, "I drink, therefore I am." Yes Socrates, himself, is particularly missed, A lovely little thinker, But a bugger when he's pissed.
-
Bravely bold Sir Robin rode forth from Camelot He was not afraid t o die, o brave Sir Robin H e was not at all afraid t o b e killed in nasty ways Brave, brave, brave, brave S i r Robin
H e was not in the least bit scared t o be mashed into a pulp O r to have his eyes gouged out and his elbows broken To have his kneecaps split and his body burned away And his limbs all hacked and mangled, brave S i r Robin
His head smashed in and his heart c u t but And his liver removed and his bowels unplugged And his nostrils raped and his bottom burnt off and his penis ...
H e i s brave S i r Robin. Brave S i r Robin who
...
To fight and .............
Brave S i r Robin ran away Bravely, ran away... away... When danger reared its ugly head H e bravely turned his tail and fled
Yes, brave S i r Robin turned about And gallantly h e chickened out Bravely taking to his feet H e beat a very brave retreat Bravest of the brave, S i r Robin
-
Er ic
the Half
a
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~-
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A-one,
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two three four
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But half the bee, has got to be, . . . vis-a-vrs its entity. D'you see? But can
a bee be said to be, or not to be an entire bee,
when half the bee is not a bee, due to some ancient injury?
La di di, one two three, Eric the half a bee. A B C D E F G, Eric the half a bee. Is this wretched demi-bee, half asleep upon my knee, some freak from a menagerie? Nol
It's Eric the half a bee. Fiddle di dum, fiddle di dee, Eric the half a bee. Ho ho ho, tee hee hee,
Eric the half a bee.
I love this hive employ-ee-ee, bisected accidentally, one summer afternoon by me, I love him camally. He loves him camally............................................................. S e m i a r n a y The end. Cyril Connoll) No, semi-camally. oh. Murm*
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Rhubarb Tart. . I want another slice of rhubarb tart I want another lovely slice I'm not disparaging the blueberry pie But rhubarb tart is oh-so-very nice A rhubarb what? A what-barb tart?
A rhubarb tart A rhu-barb tart
I want another slice of rhubarb tart The principles of modern philosophy Were postulated by Descartes Discarding everything he wasn't certain of He said, "I think therefore I am a rhubarb tart" A rhubarb what? A rhubarb tart Ren6 who?
Rene Descartes
Poor mutt, he thought he was a rhubarb tart Rhubarb tart has fascinated all the poets Especially the Immortal Bard He made Richard the Third call out at Bosworth Field "My kingdom for a slice of rhubarb tart" Immortal what? Rhubarb what?
Immortal tart A rhubarb Bard
As rhymes go that is really pretty bad
want
I
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love-ly
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rhu - b a r b
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A L
A
I
rhu-barb
tart.
tart?
s l i c e of rhu-barb
tart
Even Martin Heidegger agreed on one thing
Eternal happiness is rhubarb tart
rhubarb tart
Jean-Paul Sartre
That sounds just like a rhyme from Lionel Bartre
I'm not disparaging the blueberry pie
But rhubarb tart is oh-so-very nice
-.rp tr
a - no - t h e r
Like Schopenhauer and Jean-Paul Sartre
I want another lovely slice
p
111,
want
Read all the existentialist philosophers
I want another slice of rhubarb tart
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And how did he get in there for a start?
Jean-Paul who?
G7
tart.
Wassi-ly
A
b
A what-barb
s l i c e oE r h u - b a r b
A Kandin-sky
rhubarb what?
-
what?
o ther
Prefer to paint a slice of rhubarb tart
A
-
a n
Even Jackson Pollock and Piet Mondrian
A
l--iq+p$j
want
Laid down the axioms of abstract art
Kandin who?
rhu-barb t a r t .
I
Since Wassily Kandinsky and Paul Klee
Wassi who?
B
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Bing t i d d l e t i d d l e Bung t i d d l e t i d d l e b a n g Bung t i d d l e t i d d l e t i d d l e t i d d l e
Bung t i d d l e t i d d l e
Bung Bung Bing Bang Bong
tiddle tiddle tiddle tiddle tiddle
tiddle bing tiddle bang tiddle tiddle tiddle
Bing t i d d l e y d i n g
1st: Monaco with "Bing T~ddleTiddle Bong"
2nd: Italy with "Si Si Boing Bang"
3rd: Germany with "IVein Bong 1Jber Tiddle"
Equal 4th: England with "Bang Bang Bang Bang"
Ireland with "Ay Ay Ay Ay" Scotland with "Och Och Och Och" Israel with "Oy Oy Oy Oy" 5th: France with "Post Coitum Omnia Animal Tristes Est" 6th: Sweden w ~ t h"Ding Ding A Dong"
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I And Cromivell sent Colonel Pride to purge the House of Com111o17s of the Presbyterian Roynlisrs, leavins behind only the rump Parlinment...
Which appointed a High Court at Westminster Hall To indict Charles I for. .. tyranny OOOHHH! Charles was sentenced to death Even though he refused to accepl That the court had ...jurisdiction SAY GOODBYE TO HIS HEAD
Poor King Charles laid his head on the block JANUARY 1645 Down came the axe, and.. In !he silence tlmt followed, the only sound that o u b be heard was a solitn~ygiggle, from ...
Oliver Cromwell, Lord Protector of Englanc OLE Born in 1599 and died in 165: SEPTEMBEIi Then he smashec IREIANC Set up the Commonwealth AND MORE He crushed the Scots at Worcester And beat the Dutch at ser In 1653 and ther He dissolved the rump Parliamenl And with Lambert's consenl Wrote the instrument of the Governmen!
T h e w o r l d today s e e m s a b s o l u t e l y c r a c k e r s
W i t h n u c l e a r b o m b s t o b l o w us a l l s k y h i g h
There's fools and idiots sitting on the trigger
I t ' s d e p r e s s i n g a n d i t ' s s e n s e l e s s a n d t h a t ' s why ...
I like Chinese
I like C h i n e s e
They only come up to your knees
Yet t h e y ' r e a l w a y s f r i e n d l y
A n d t h e y ' r e ready t o p l e a s e
I like Chinese
I like Chinese
T h e r e ' s n i n e h u n d r e d m i l l i o n of t h e m
In the world today
You'd b e t t e r l e a r n t o l i k e t h e m
T h a t ' s what I s a y
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I like C h i n e s e
I like Chinese
T h e y c o m e f r o m a l o n g way o v e r s e a s
But t h e y ' r e c u t e a n d t h e y ' r e c u d d l y
And they're ready to please
I like Chinese food
The waiters never are rude
T h i n k of t h e m a n y t h i n g s t h e y ' v e d o n e t o i m p r e s s
T h e r e ' s M a o i s m , Taoism, I C h i n g a n d c h e s s
So I like Chinese
I like Chinese
I like their tiny little trees
Their Zen, their ping-pong, their yin and yang-ese
I like Chinese thought
The wisdom that Confucius taught
If D a r w i n is a n y t h i n g t o s h o u t a b o u t
T h e C h i n e s e will s u r v i v e u s a l l w i t h o u t a n y d o u b t
So I like Chinese
I like Chinese
They only come up to your knees
Yet t h e y ' r e wise a n d t h e y ' r e w i t t y
A n d t h e y ' r e r e a d y to p l e a s e
I like Chinese
I like C h i n e s e
T h e i r f o o d is g u a r a n t e e d t o p l e a s e
A fourteen, a seven, a nine and lychees
I like C h i n e s e I like Chinese I like their tiny little Their Zen, their ping-pong, their I like C h i n e s e . .
trees
yin and yang
I
like Chi - nese,
nese,
I
like Chi
seas,
Mao
- nese,
I
But they're cute,
Chi - nese
like
Think
like Chi
of
- is
the
-
- nese,
They
There's nine
You'd bet - ter
world t o-day,
I
like Chi - nese,
on
-
ly comeup
Yet they're al- ways friend - ly, and they're rea -dy t o please.
knees,
I
I
m
food,
ma - ny
learn
like Chi
like Chi
They
them,
that's
come from
what l say.
a long way o-ver -
and they're cudd-ly and they're rea-dy t o please.
The
things
Tao - is
- m,
wai - ters
they've
ne- ver are
done t o
I
-
hun-dred mil -lion of them in the
t o like
- nese,
I
t o your
rude
im -press
Ching and chess-
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HeNRY KiSSiNGeR
Hen- ry
of
Kis -sing - er
my
dreams
And your
-
you are
With your
ma-chia-vel
ve - ry
mis-sing yer
You're the
crink - ly hair
lian
and your
schemes
And
vain
least you're not in - sane
eJ
How I'm
I
short and fat
Hen - ry
Kis
and
Doc-tor
glas - sy stare
know they say that
pu-shy
- sing - er
but at
How
I'm
I
mis - sing
yer
And
wish
-
ing
you
were
here.
Henry K i s s i n g e r How I ' m m i s s i n g yer You're s o c h u b b y a n d s o neat W i t h y o u r f u n n y c l o t h e s a n d y o u r s q u i s h y nose You're l i k e a German parakeet A l l r i g h t s o p e o p l e say t h a t y o u d o n ' t c a r e But you've got nicer legs than Hitler A n d b i g g e r t i t s t h a n Cher Henry K i s s i n g e r How I ' m m i s s i n g yer A n d w i s h i n g y o u were here
The Background to History
( from the hit Broadway musical An Introduction to the Open FieM System in Mediaeval England Part ZV )
A new series on Radio 3, introduced by Professor Angus Jones of the Open University
Part IV: The Open Field Farming System in Mediaeval England
PROF. JONES: One of the main elements in any study of the mediaeval open-field
farming system is the allocation of plough teams for the winter sowing.
Professor Tofts of the University of Manchester puts it like this:
Molto Marlioso
"To
win - ter sow-ing,
ploughonce in the
ma - ny
s o w - i n g with as
en
-
ox
en
as
he
and
a-gain
in
sow - ing
shall
oh yes ...
have
with
Lent,
as
yoked
ma -
in
ny
ox
-
the plough."
oh yes ...
"as
PROF. JONES: But of course there is considerable evidence of open-field villages as far back as the tenth century. Professor Moorhead:
Poco Glitteroso
I
I
There's
cr
e
I
E -
-
vi
dence
1
I
I
(E -
vi -dence?) There's
I
I
vi
-
dence
of
set
e -
r
I
vi - dence
(E
Dm
Am
-
e - vi - dence (E - vi -dence?)
There's
vi - dence
C
E
-
-
tle
- ments
with
one
-
'
I vi -dence?)
G
long
vil
- lage street,
-
farm -steads, ham - lets,
- tle towns - the frame-work was
lit
time ...
of
the
- man
Nor
I
ru -ral frame -work was com-plete.
Con
-
frame -work
the
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guy who was a freeman was obliged in the mediaeval system to ...
PROF. JONES: To do boonwork?
PROF. HEGERMANN: That's right. There's an example from the village rolls in 1313.
PROF. JONES: And I believe you're going to do it for us.
PROF. HEGERMANN: That's right, yes ...
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NEXT WEEK: The Background to History Part V: Professor K.L. Hislop, "Gay Clubs in Thirteenth Century Scotland"
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Today I can hear the robin sing.
Today the thrush is on the wing.
Today who knows what life will bring? Today!
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I'm so worried about what's happening today
In the Mlddle East, you know
And I'm so worrled about the baggage retrleval
System they've got at Heathrow
I'm so worried about the fashions today
I don't thlnk they're good for your feet
And I'm so worrled about the shows on TV
That sometimes they want to repeat
I'm so worried about what's happening today, you know
And I'm worried about the baggage retrieval
System they've got at Heathrow
I'm so worrled about my halr falling out
And the state of the world today
And I'm so worried about being so full of doubt
About everything anyway
I'm so worried about modern technology
I'm so worrled about all the things that they dump in the sea
I'm so worrled about ~ t worrled , about ~t
Worried, worrled, worrled ...
I'm so worrled about everything that can go wrong
I'm so worried about whether people lhke this song
I'm so worried about this very next verse
It Isn't the best that I've got
And I'm so worried about whether I should go on
Or whether l shouldn't lust stop
I'm worrled about whether I ought to have stopped
And I'm worrled because it's the sort of thlng I ought to know
And I'm so worrled about the baggage retrieval
System they've got at Heathrow
I'm so worrled about whether I should have stopped then
I'm so worried that I'm driving everyone round the bend
I'm worr~edabout the baggage retrleval
System they've got at Heathrow
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Many people, after reading a book like this, may well prepare a
salad or a timbale des fruits without washing their hands. This
can lead to itching, discomfort and bottom problems.
It is imperative after reading explicitly musical material to wash,
scrub, scour, or better still, sand-blast your hands before doing
anything else. In fact, to be totally safe, we suggest you cut
them off and put them somewhere well away from dirt. This
does not mean you can make a salad with the stumps. In fact, if
you want to avoid serious illness, don't make salad at all, or read
books, or better still, be alive. I've been dead for over a year
now and can honestly say I've never felt better.
Yours sincerely,
Brigadier N.Q.T.F. Sixpence (Mrs)
,
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Inflammation of the foreskin reminds me of your smile
I've had ballanital chancroids for quite a little while
I gave my heart to NSU that lovely night in June
I ache for you, my darling, and I hope you get well soon
WORDS B Y
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ERICXDLE
&
DR G R A H A M CHAPMAN
.............................................
MUSICBY
ALSO PUBLISHED AS A VOCAL DUET IN KEYS E# & G My clapped-out genitalia is not so bad for me
As the complete and utter failure every time I try to pee
My doctor says my buboes are the worst he's ever seen
My scrotum's painted orange and my balls are turning green
My heart is very tender though my parts are awful raw
You might have been infected but you never were a bore
I'm dying of your love, my love, I'm your spirochaetal clown
I've left my body to science but I'm afraid they've turned it down
KAY-GEE-BEE MUSIC LTD g, OCEAN MUSIC LTD 68a Delancey Street. London N.W.l New York. Paris Clapham Junction.
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...
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Middleword by E. F. God When I created the world in those amazingly busy seven days, I remember it as being a tremendously exciting period. There was so much to do that I honestly had hardly any time to notice what I was creating. I know that sounds awful, but I think anyone who's created anything will realise that very often you become so tied up with whatever it is
-
you're creating that you can't see the wood for the trees and I was creating the wood and the trees! I mean, some days were great. The first day of course we couldn't see a bloody thing. I
mean, I actually had to invent light just so we could see what we were doing! Sounds crazy now, doesn't it! Once I'd got the hang of it and done the basics there were some very exciting moments, though. The firmament, which I did on the second day, was great because, to be quite honest, I had no idea what a firmament really was, I just had to have something to divide the waters from the waters, and it turned out to be just right for that purpose. I also liked the tree yielding fruit. I don't know, it just had a nice ring to it. I suppose, now, with the benefit of hindsight, perhaps I should have jyst stuck to the tree and forgotten the fruit, but I liked the fruit and I didn't know Adam and Eve would make such a bolloc s of it (excuse my French). I've been quite criticised over the years for
i
letting them loose in the Garden of Eden, but I gave them Free Will and they decided that rather than wr te poetry or sing to each other or invent a board game they'd go and talk to snakes. All right, I accept that there was an inherent risk but honestly, if you could have the choice to do anything you wanted in the loveliest garden ever made, with rivers and trees yielding fruit all over the place, would you seek out the nearest snake and ask how you could best get a rise out of the park-keeper? The next thing is that poor old Muggins is being blamed for everything from the Black Death to setting fire to Windsor Castle. There is no evidence in any of my utterances that I tampered with the wiring in the Long Gallery, just below the little French satinwood side-table where the Queen keeps the telephone directories, and if you can find the phrase "And then God created buboes", then all right, I decimated Europe, personally, in the fourteenth century. (I mean, I created Europe in the first place, why would I want to decimate it?) Sorry to go on but there is a downside to being Creator (my capitals).
Now various people have written to me and asked why Ididn't create music and if Ihad created it would I have created reggae or funk or ska or something classical. Well, without getting too heavy I have to remind you that I created Man (and, call me a sexist pig, but some days I wish I'd left it there) and left him to come up with whatever he wanted. Well, we all know now that the silly sod chose sin, and that's water under the bridge, but I have to say that there are some things that he thought up which have given me a little quiet pride, and music is one of them. Now, a lot of what I call Brown-nose music, you know, all that "How Great Thou Art, Wonderful God" etc., etc., doesn't do a thing for me, and if I hear another organ Imight well reconsider about the buboes. What I like is a song which just goes straight to the heart of things. What could summon up
the joy of creation more than "Isn't It Frightfully Nice to Have a Penis"? I mean, thank you, whoever wrote that. Thank you. I was at my lowest ebb when I created the penis. It was, quite frankly, a rush job and I thought it looked a bit daft. So it's jolly good to
hear someone thanking me for it. "I've Got Two Legs", there's another. It's all very well producing Organ Sonatas and Oratorios, but no one ever stops to consider that without two legs you can't reach the bloody pedals! (Excuse my French.) It is for all these reasons that I believe the Monty Python songs will live long after Mozart and Beethoven and Crispian St Peters have been forgotten. recommended by God.
O E. F. God 1 The Universe
I can truly say that these songs are
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SOME THINGS IN LlFE ARE BAD
THEY CAN REALLY MAKE YOU MAD
OTHER THINGS JUST MAKE YOU SWEAR AND CURSE
WHEN YOU'RE CHEWING ON LIFE'S GRISTLE
DON'T GRUMBLE, GlVE A WHISTLE
AND THIS'LL HELP THINGS TURN OUT FOR THE BEST.
..
..
AND. ALWAYS LOOK ON THE BRIGHT SlDE OF LIFE...
ALWAYS LDOK ON THE LIGHT SlDE OF LIFE
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IF LlFE SEEMS JOLLY R O T E N
THERE'S SOMETHING YOU'VE FORGOTTEN
AND THAT'S TO LAUGH AND SMILE AND DANCE AND SING
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DON'T BE SILLY CHUMPS
JUST PURSE YOUR LIPS AND WHISTLE. THAT'S THE THING
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AND ALWAYS LOOK ON THE BRIGHT SlDE OF LIFE COME ON, ALWAYS LOOK ON THE BRIGHT SlDE OF LIFE...
FOR LIFE IS OUITE ABSURD AND DEATTH'STHE FINAL WORD YOU MUST ALWAYS FACE THE CURTAIN WITH A 8 0 W FORGET ABOUT YOUR SIN, GIVE THE AUDIENCE A GRIN ENJOY IT, IT'S YOUR LAST CHANCE ANYHOW SO ALWAYS LOOK ON THE BRIGHT SlDE OF DEATH JUST BEFORE YOU DRAW YOUR TERMINAL BREATH LIFE'S A PIECE OF SHlT WHEN YOU LOOK AT IT LIFE'S A LAUGH AND DEATH'S A JOKE, IT'S TRUE YOU'LL SEE IT'S ALL A SHOW KEEP 'EM LAUGHING AS YOU GO JUST REMEMBER THAT THE LAST LAUGH IS ON YOU
AND... ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE... ALWAYS LOOK ON THE RIGHT SIDE OF LIFE... COME ON GUYS. CHEER UP ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE... ALWAYS LOOK ON THE BRIGHT SlDE OF LIFE
...
WORSE THINGS HAPPEN AT SEA, YOU KNOW ALWAYS LOOK ON THE BRIGHT SlDE OF LIFE... I MEAN, WHAT HAVE YOU GOT TO LOSE? YOU KNOW, YOU COME FROM NOTHING
YOU'RE GOING BACK TO NOTHING
WHAT HAVE YOU LOST? NOTHING!
...
ALWAYS LOOK ON THE RIGHT SlDE OF LIFE
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There are Jews in the world.
Thole are Buddhlsts.
t here are nlndus and Mormons and then.
There are those that follow Mohammed,
But l've never been one of them... I'm a Roman Catholic, And have been slnce before I was born. ~ n the d one thlng thay aay about Catholics. IS they'll take you as soon as you're warm... YOUdon't have to be a six-looter. YOU don? have to have a great braln, YOU don't have to have any clothes on YOU'I~ a cathotlo the moment ad came... Because.
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Evary sperm la sacred. Every sperm Is great, a sperm i s wasted. God gets qulte irate.
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nlndu. Taolat. Mormon. Splll thelrs just anywhere. uGod t loves those who treat thelr Semen wlth more care. Every sperm Is sacred, Every sperm IS great, If a sperm 1s wasted, God gets quite Irate. Every sperm Is sacred. Every sperm Is good. Every sperm Is needed In your nelghbourhood. Every sperm IS useful. Every sperm Is flna. God needs everybody's, Mlnel And mine1 And mine1 ~ ethe t pagan splll thelrs. O'er mounfaln, hlll and plaln. God shall strlke sham down for Each sperm that's spllt i n valn. Every sperm Is sacred, Every sperm Is good, Every sperm Is needed In your nelghbourhood. Every sperm is sacred, Every sperm is great. If a sperm la wasted, God gets qulte Irate.
Jelusarem,
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Why are we here, what's life all about? Is God really real, or is there some doubt? Well, tonight we're going to sort it all out, for tonight It's the Meanlng of Life. What's the point of all this hoax? Is ti the chicken and the egg time, are we just yolks? Or perhaps we're just one of God's little jokes, weif, p cuesttheMeaning of Me. Is ine just a game where we make up the rules, while we're searching for something to say, or are we just simply spiralling coils of self-mplicatlng DNA? in this life, what i s our fate? Is there Heaven and Hell? Do we reincarnate? Is mankind evolving or Is it too late? Well, tonight hare's the Meaning of Life. For millions this life 1s a sad vale of tears, sitting round with &n, nothing to say, while the scientists say we're just simply spiralling coils of self-replicating DNA. So just why, why are we here? And just what, what, what, what do we fear? Well
ca solr, for a change, it will all be made clear, for this is the Meaning of Life-c'est le sens de la vie - this Is the Meaning of Life.
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SONG
Whenever life gets you down, Mrs Brown, and things seem hard or tough, and
people are stupid, obnoxious or daft, and you feel that you've had quite enough
Just re
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stan-ding
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It's 100,000 light years side to side, It bulges in the middle, 16,000 light years thick But out by us it's just 3,000 light years wide We're 30,000 light years from galactic central point, We go round every 200 million years And our Galaxy is only one of millions of billions In this amazing and expanding Universe.
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The Universe itself keeps on expanding and expanding In all of the directions it can whizz As fast as it can go, at the speed of light you know, 12 million miles a minute, and that's the fastest speed there is. So remember when you're feeling very small and insecure How amazingly unlikely is your birth And pray that there's intelligent life somewhere up in space Because there's bugger all down here on Earth.
TITLE
MUSIC
WORDS
PUBLISHER
SOURCE
Accountancy Shanty All Things Dull and Ugly Always Look on the Bright Side Anything Goes Background to History
E. Idle, J. Du Prez Trad.. arr. J. Du Prez Eric ldle Terry Jones Neil lnnes
E. Idle, J. Du Prez Eric ldle Eric ldle Terry Jones Neil lnnes
0 1983 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1979 Kay-Gee-Bee Music Ltd 0 1974 Kay-Gee-Bee Music Ltd 0 1974 EM1 United Partnership.
Meaning of Life Contractual Obligation Life of Brian Flying Circus Matching T e
Bing Tddle Tddle Bong Brave Sir Robin
Fred Tomlinson Neil lnnes
Graham Chapman Eric ldle
Brian Bruces' Philosophers Song Christmas in Heaven Decomposing Composers Dennis Moore
D. Howman, A. Jacquemin Eric ldle Eric ldle Michael Palin What music?
Michael Palin Eric ldle Terry Jones Michael Palin G. Chapman, J. Cleese
Do What John? Eric the Half a Bee Every Sperm is Sacred Ferret Song Finland Galaxy Song Henry Kissinger Here Comes Another One Holdallerliederhosen I Bet You They Won't Play... I Like Chinese I Like Traffic Lights I'm So Worried I've Got Two Legs Jelusarem Knights of the Round Table
Eric ldle Eric ldle D. Howman, A. Jacquemin Bob Leaper Michael Palin E. Idle, J. Du Prez Eric ldle Terry Jones M. Palin, T. Jones, F. Tomlinson Eric ldle Eric ldle Terry Jones Terry Jones Terry Gilliam Sir Hubert Parry Neil lnnes
Eric ldle E. Idle, J. Cleese M. Palin, T. Jones J. Cleese. G. Chapman Michael Palin Eric ldle Eric ldle Terry Jones M. Palin, T. Jones Eric ldle Eric ldle Terry Jones Terry Jones Terry Gilliam W. Blake, G. Chapman G. Chapman, J. Cleese
Lumberjack Song Meaning of Life Medical Love Song
M. Palin, T. Jones, F. Tomlinson E. Idle. J. Du Prez E. Idle. J. Du Prez
M. Palin, T. Jones Eric ldle E. Idle, G. Chapman
Money Song Muddy Knees Never be Rude to an Arab 0 Lord Please Don't Burn Us Oliver Cromwell Penis Song (Not Noel Coward) Proust Song Rhubarb Tart Song Sit on my Face
John Gould Terry Jones Terry Jones John Du Prez Chopin, arr. J. Du Prez Eric ldle Fred Tomlinson John Cleese Harry Parr Davies
E. Idle, J. Gould Terry Jones Terry Jones G. Chapman, J. Cleese John Cleese Eric ldle Fred Tomlinson John Cleese Eric ldle
Spam Song Today Ya Di Bucketty Yangtse Song
M. Palin, T. Jones, F. Tomlinson Bill McGuffie Terry Jones M. Palin, T. Jones, N. lnnes
M. Palin, T. Jones Bill McGuffie T. Jones, J. Cleese M. Palin, T. Jones
London WC2H OEA 0 1970 Kay-Gee-Bee Music Ltd 0 1975 EM1 United Partnership1 Kay-Gee-Bee Music Ltd, London WC2H OEA 0 1979 Kay-Gee-Bee Music Ltd 0 1973 Kay-Gee-Bee Music Ltd 0 1983 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd Lyrics 0 1972 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1972 Kay-Gee-Bee Music Ltd 0 1983 Kay-Gee-Bee Music Ltd 0 1967 Noel Gay Music Co. Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1983 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1972 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1981 Kay-Gee-Bee Music Ltd 0 1972 Kay-Gee-Bee Music Ltd 0 1975 EM1 United Partnership1 Kay-Gee-Bee Music Ltd, London WC2H OEA 0 1969 Kay-Gee-Bee Music Ltd 0 1983 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltdl Ocean Music Ltd 0 1972 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1983 Kay-Gee-Bee Music Ltd 0 1980 Kay-Gee-Bee Music Ltd 0 1983 Kay-Gee-Bee Music Ltd 0 1972 Kay-Gee-Bee Music Ltd 0 1967 Noel Gay Music Co. Ltd 0 1934 Francis Day 8 Hunter, London WC2H OEA. New lyrics 0 1980 Francis Day 8 Hunter, London WC2H OEA 0 1970 Kay-Gee-Bee Music Ltd 0 1970 Kay-Gee-Bee Music Ltd 0 1972 Kay-Gee-Bee Music Ltd 0 1972 Kay-Gee-Bee Music Ltd
Flying Circus Holy Grail
Life of Brian Matching T e Meaning of Life Contractual Obligation Flying Circud Previous Record Contractual Obligation Previous Record Meaning of Life At Last the 1948 Show Contractual Obligation Meaning of Life Contractual Obligation Contractual Obligation Fliegender Zirkus Contractual Obligation Contractual Obligation Contractual Obligation Contractual Obligation Live at Drury Lane Holy Grail
Flying Circus Meaning of Life Contractual Obligation Previous Record Contractual Obligation Contractual Obligation Meaning of Life Monty Python Sings Meaning of Life Previous Record At Last the 1948 Show Contractual Obligation
Flying Circus Flying Circus Previous Record Previous Record
The Fairly Incomplete and Rather Badly Illustrated Monty Python Song Book
First published in Great Britain in 1994 by Methuen
This edition published in 2005 by Methuen PuMishing Ltd, 11-12 Buckingham Gate, London S W l E 6LB
Copyright O 1994 by Python Productions Ltd
The authors have asserted their moral rights
Illustrations by Terry Gilliam, Gary Marsh and John Hurst
Individual songs copyright O as detailed above
International copyright secured. All rights reserved
Designed by Gary Marsh at Gone Loco with assistance from John Hurst and Mary O'Donovan
Music edited by John Du Prez
Co-ordinated by Roger Saunders
ISBN 0 4 1 3 77529 1
A CIP catalogue record for this book is available at the British Library
Printed and bound by New Era Printing Co. Ltd, Hong Kong
WARNING: SOME OF THE WORDS IN THIS BOOK - HAVE BEEN USED BEFORE %sLEY
=
SINATRA
IDLE = CLEESE JONES PALIN= CHAPMAN = GILLIAM Eight great surnames gathered together for the first time on one book cover