A Perfect Circle - Mer de Noms (Guitar Recorded Versions)

H

perfect

irc l e - Mer de Noms

_ --::,:::.--co lIENIS ]

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10

Magdakna

17

Rose

n

Judi th

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.'ft .'ft B5

C#5

13

13

Tune down 1 1/2steps: (low to high)

.

C#-F#-B-E-G#--C#

Intra Slowly

J. = 52

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B5

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.

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Rose Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 1/2 steps: (low to high) C#-F#-B-E-G#-C#

Intro Moderately J = 120

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.

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Dadd~

4it~:

Chorus Om. 2 & 4: wI Riff Al & Rhy. Fig. 1 (3 112 times)

N.C.

4

i112

F#5

A5

r'"

r

f

If

F#5

B5

r

t'

am,

A5

F#5

r

B5

F#5

F#5

~l

F#5

play

down,

A5

r

so

no

If

dead,

pit - i

r tr

If

long

r play

- ful._

er.

F#5

tE

F#5

~f

tyr,

F#5 D5

F#5 D5

F#5 D5

II

A5

r A5

r r

f' If

r r

mar

shy,

gnn

B5

r lay

Will

If

will

F#5

f" If

F#5

this AS

If

r kneel

F#5

A5

f" down,

B5

r E==-n ~ I

rose,

I

will,

Free Time II~

F#5

A5

F#5

,,---

I

will,

I

am.

.-.'"

D5

(strings approx 30 sec)

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Gtr. 4 1\ •

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I

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Gte. 2

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.-------. 21

Judith Words and Music by Maynard James Keenan and Billy Howerdel

Em?

D x

IE'" II 1333

Drop D tuning, tune down 1 112steps; (low to high) B-F#-B-E-.-G#-C#

Intro Moderately fast Rock

x

111423

J. = 55

N.C. A~

(snare)

*0 trs. 1 &2 (dist)

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Verse D5 E5

D5 E5 F5 E5 D5 E5 D5 E5

D5 G5

II~

OJ

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Otr.3 A ~

l~

--

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Gtrs. 1 & 2 A

in

-

spi

-

--

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an_

such

ra-tion

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ways that

~

End Rhy. Fig. 1

Rhy. Fig.!

~

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,

,

I will

,

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,

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Otrs. 1 & 2: w/Rhy. Fig. 1 (2 times)

Otr.3 wI randomfdbk., next 6 meas.

D5

4i~ nev

22

D5

E5

- er,

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j

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er

E5

F5

E5

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to _ _ _

D5

E5

D5

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© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights Reserved International Copyright Secured Used by Permission

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G5

D5

E5

~

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E5

D5

E5

D5

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r'

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D5

E5

D5

so

man

E5

F5

D5 G5

~ ways

y--

D5

E5

E5

E5

D5

E5

Jg me

for

D5

~

to

show

E5

li3

you

D5

how

your

G5

A~

AS

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Fuck

your

~...-------...

OJ

salnt

-

a - ban

has

L,

doned_

YOll. _ _

god _ _ _

.

Rhy. Fig. 2 G~s'l &2

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D5

E5

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D5 E5

D5 G5

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D5 E5 F5 E5 D5 E5

~~'1~~~!~I~~~ El!~ 'I

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You're a - lone

D5 E5

in your

D5 G5

Christ,_

A5

he

D5 E5

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all

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4

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fI.

fI.

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you you

killed _ _ killed _ _

E5

F5

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23

Gtrs. 1 & 2: wi Riff A (2 times)

D5

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D5

Praise

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for

D5 E5

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a a

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r

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F5 E5

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D5

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26

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show you

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II-

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Verse

E5

A

OJ

so _ _

2.0h,

man

-

ways

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for

me

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27

·

-

E5

D5 "

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oJ

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E5

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G5 ~

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e

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oJ Pray

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to

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"

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., 28

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D5

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E5

D5

-------

01

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ven

he's

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one_

the

who

,,,,,! , ,! , ! ,,,,! q~

G5

A5

*

*

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did

this

to

!.

1-

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D5

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F5

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D5

E5

D5

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01

yon.

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114,

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31

Orestes Words and Music by Maynard James Keenan and Billy Howerdel

E

F#5

G5

E5

x

D5

xx

C5

G5/A

i l l i l l d" II'" Ii 11 341

134

134

134

134

Ott. 2: (baritone gtr.): B standard tuning, down 1 In steps:

Gtrs. 1 & 3: Tune down 1 In steps: (low to high) C#-F#-B#-E#-G#-C#

Intro Moderately slow

134

(lowto high) G#./.-C#J-F#J-B#J-D#J-G#J

J. = 49 Fmaj9

" Gtr. 1 **Em?

Rhy Fig 1

A~

oJ

Fmaj9

Em?

(1 crean)

EndRhy Fig 1

•

I

t-< mp

I

I

wI pick & fingers wi chorus, delay & reverb let ring throughout

* Two gtrs. art. for one. ** Chord symbols reflect overall harmony. t vol. swell

Verse oe. 1: wi Rhy. Fig. 1 (8 times)

Em?

Em?/G

~.

F

Em?

Fmaj9/D

for

phor

Em?/G

Fmaj9/C

me me

Pull

a __

Fmaj9/C

Fmaj9/A

to to

Em?

your

c,

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feet

cie

per

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ate _ _ _

one

_

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shape,_

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_

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aJ to

re

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lease _ _

re

solve

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Fmaj9/C

J

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us

all.

© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights fnr TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. .

~

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----

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cut

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a

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01

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A

u

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mp

Pll J- -----,TTl-----

Ott. 3 (clean wI chorus & reverb)

• * Otr. 2 (clean)

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snip a

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33

Verse

A.:'\ OJ

keep-in'

due

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me from kil-lin' you...

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End Rhy. Fig. 2

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Em?

Em?/A

Fmaj9/C Fmaj91A

pull - in' you down with me

_

here.

Interlude E5

Fmaj9/A

Fmaj9/C

Em?

C5

D5

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you

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ASIC 1\.

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Famj9

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Em7

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10.> d bend I.f n graa.

ff

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41

3 Libras Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 1/2 steps: (low to high)C#-F#-B#-E#-G#-C#

Intro Moderately slow

J. = 48

* Csus2

Em(add9)

Csus2

Rhy.Fig.l >1'* Ott. 1

(viola) A.

mf

.. .

..

..

OJ

wi fingers

.. ..

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let ring throughout

. * Chordsymbolsreflect impliedharmony.

** Two gtrs. arr. forone (acous. & cleanelec.)

112.

11. Gsus2 ~.

Em(add9)

.-

--

:

r

L .J

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Fsus2

Em(add9)

Gsus2

End Rhy, Fig.!

•

I

L oJ

L J

" .J

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. ~Verse Fmaj9

Csus2

B,6

G5

A

OJ

1. Threw threw

!be_ !be_

you you

ob - vi - ous ob - vi - ous

and you

just to

Rhy.Fig.2

~~

•

r

: :

•

OJ

End Rhy. Fig. 2

..

.

•

Ott. 1: wI Rhy.Fig. 2 (3 times)

~>

Dadd~

G5

Csus2

'p

~i

j

wi!b if

flew

see

Dadd~

it _ _

on

there's ;

more

B,6

B,6

your_

be

back. hind

4 J ptB~· ~ JJ re fa!

4?

col len _ _ _

lee an

tion;_

gel;_

down eyes

Csus2

G5

p'3==£ ~

Csus2

11

...

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simile on repeat

A_ !be_

Dsus

pJ

~.

a-mong a __ of

a

g.

¥

uame eyes

G5

¥

J

mil tra

• E~ I

in of

~

your__ a ___

B,6

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© 2000 EMI VIRGIN"MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, iNC. All Riohts Reserved International Ooovrloht Secured Used by Permission

J-

.~

same. ___ dy.

Pre-Chorus Csus2

Em(add9)

A~

Gsus2

......

oj

---

-

dif - fi Here I

Nn,

cult am

to feel ex - peet - ing just

lit - tie lit - tie

a a

not

bit bit,

dis - ap too _ _ _

nun,

..

Rhy. Fig. 3

oe.i

r

A~

L

oj

..

.r

~

..

~

Em(add9)

Csus2

Em(add9)

Em

•

•

A~

I

oj

point

much A

-

ed_ from _ _

and mID,

passed the

0

wound

-

-

r

~

OJ

ver.L, ed._

,

right_ see

see, _ _

End Rhy. Fig. 3

L J

L J

I

look, _ _

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Bnt But

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ToCoda~ A~

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Gsus2

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-----------

oj

through; _ through _ it all, A OJ

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..

nak- ed

see you see

:

•

but ob

-

Ii - vi

-

-

L

I

Fmaj9

ous,

and you

• L

L J

J

•

D.S. alCoda

OJ

don't

see

me.

2. But

OJ

43

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•

Chorus G

. ..

Fsus2

..

.:-.-.

you

the_

~------.... ~-Jj

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oJ

and see

through

'Cause I

you.

threw

A~

~.r

V

.t ::

L

ff

::

:: ::

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wi pick

* Gtrs. are doublednext 8 meas.

A,

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~:;;:==::---~~""---....

l " - - •.

A, ""

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curs

he

l"-

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oh

.

to_

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what oc

see

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>

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V

vi

0

hind_

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the

>

p~

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A~ ~

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11 11 11

tra

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decresc.

Interlude Otr.!: w/Rhy. Fig. 1

Gsus2

Csus2

Em(add9)

t· oh

well,

_

well. _ _

Ap-par-ent-Iy

Csus2

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t· noth-Ing; _

44

ap par-ent Iy c

c

_

at

all.

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_

Outre-Chorus Otr. 1: wI Rhy. Fig. 3 (3 1/2 times)

Fsus2

.

Csus2

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.

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Nn, you

Otr.2 (e1ec.) A.

r"\

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don't, _

you

don't,.,

I

don't-

me.

I

'--'

f

see

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wI dist,

Otr.l A •

.V

L

Em

Em(add9)

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don't, _

you

don't, _

V

You

Otr.2

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you

don't,_

you don't

see

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You

me.

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--.....------1/2

-

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•

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"..

Em(add9)

-- ....--....

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you don't _ _

see

me.

You

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Em(add9)

....------..

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:e

!'------..

see

me.L,

oj

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r '---"

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c,

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don't, _

you

don't, _ _

you don't

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[

45

--...--

Csus2

.;«:

..........

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Em(add9)

Gsus2

e:

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.--;;:

see

me. _ _

You

oJ don't

You

--::::::::-..

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,.. ,.. ,.. ,..

If.

If. If.

If.

..

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Em

Csus2

.-7L • •

~~'"

...- .... --

Gsus2

-=--.

~

~

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oJ

-

don't,

you

don't,

~~

-------

I

--------

oJ

Em(add9) ~ ~

....---....

'---""'

'-!

~

Fsus2

• •

c>:

~.

see

at _ _

all.

.-

Fmaj9 ~.

'"

oJ

you

don't

c;

me

Gtr.2

~~

oJ

•

~

.. .. .. ..

Gtr. 1

46

::

q'f::::

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~~

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.

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L J

L .J

L

J

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-

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: ~

Sleeping Beauty Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 112 steps: Qow to high) C#-F#-B-E-G#-C#

Intra Moderate Rock J = 120 Half-time feel .. Gtr. 1 (dist.) A •

** D5

E

4!

.. ~- .... -

oj

f

~

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-.J - " -.J -

letring-- - - - - - - - - - - -

05

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i~ i~ i~~ i~~ i~ i~: i: ij: ~ P.M. --I

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P.M.

pay I 3' limes

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let ring

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-

-

-

"It

--

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'*

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. . .. Two gtrs. arr. for one.

** Chord symbols reflect basic harmony.

Verse

•

05

E

•

I

,--C/ I __

I.

oJ

de

1. I'm

-

1u - sian

.,.

Gtr. 2 (d~st)

A.

loJ

-

I

.1._

be -lieve 1 could cure

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----,..

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,

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c;

r

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rwp

fdbk.

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Gtr.l "

Riff A

A.

loJ

mf'O

End Riff A

'0

'0

iii ii iii iii

..

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'*

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05

E

,

A. "

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for

G:.2 • oJ

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I.

-

you,_ dear,

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coax a trick or

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drag the

c.,

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de - mons

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you.;

-

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© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights Reserved International Copyright Secured Used by Permission

47

E

D5 " • i

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0)

"

make it

-

..

right

. . ..n.----

for

you,_ sleep

beau -

ing

ty,-

;:::::::-1 e:-----

------fit. ------- II-

-------

tru

I y _ thought

~'.fIt.-------flt.~

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..

....

,

0)

"

-

~3~

..

Interlude Gtr. 2 taeet

E7/G#

D5

OJ

I could mag - i - c'Ily heal ; you.

IF'--

~ f--

" • i

fIt.~l"-~

......

OJ

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10) You're " • i

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vis - i

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48

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ble_

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sign

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your

a - wak

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en

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ing.

I'm ~dRiffB

r--

r---1

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of

"

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.-

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fail

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mis - 'ra

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D5

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Verse ,,~ ~

D5

E

2. Drunk on_ e

"~ ~ oJ

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oJ

-

tru - ly thought I could make

go.

L,

it

right. if

I EndRiffD

RiffD

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P.M.-.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

mp

oj: -i

kt~g------------------------------------_l

49

kissed you _

one __ more

to

time _

help you face

the

night - mare,

but _

you're ,

* Omit p.M. last 2 meas., 3rd time.

D5

E

far too

for _

son _

poi

me,

such a

fool_

to

think _

I __ could

that

wake.

D5

E

~lIj~#i~~,~~@~ t !~~~.~~~ you _

from _ your

slum

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ber,

I

that

could ac - tu'l - ly

heal_

you. _ _

Interlude Gtr. 1: wI RiffB (3 times)

E7/G# _

Voc.Fj~g.:.:,~

~#b i=@=r______g~·~~~~1~~@=f==r______g§~---------~§ ing

Sleep

~#b r

~

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t

beau

------r K---

lMg'

soned

and

poi

ty,

t

Gtr.l:w/RiffC

less.

_ You're

Pre-Chorus w/Voc. Fig.l Gu.l: wI RiffB (3 times) A. ~

-.

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E7/G# ~

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be

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Ott. 3 (dist.)

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A

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52

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c

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* Octaver set to double one octave above.

52

1 :::=:;1

G6

Interlude

* wI Leslie &

oj

1:

1

-

,....-

rI

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1 :::=:;1

A

A • >f

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c

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Half-time reel

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= 'O

Thomas Words and Music by Maynard James Keenan and Billy Howerdel Tune down 1 1/2 steps: (low to high) C#-F#-B-B-G#--e# Ott. 1: Capo ill

Slowly J = 86 Em • (C'[m) > > 1 (aeous.)

r

(D#7/C#) >

>

let ring throughout

>

r----~ >

D5

E5

xx

xxx

0

134

F#71E

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x

134

•••

oJ

xx

II

Intro

Gtr.

.'" II

C5

x

II

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>i""'"1

r

r >

r~

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>

* Symbols In parentheses representchordnamesrespecuveto capoedguitar. Symbolsabovereflect actual soundingchords.Capoedfret is "0" in TAB. Chord symbols reflect implied harmony.

Em

F#71E

(C#m)

(D#7/C#)

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* Two gtrs. arr.for one.

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Half-timefeel G.2

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r r less, _

r r less_ aod

.. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. ... ... ... ... ... ..

1. Hum-ble aod

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© 2000 EMI VIRGIN MUSIC, INC" TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC, All Rights Reserved InternationalCopyright Secured Used by Permission

55

D5

C5 ~

A.

i

r

r

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r

on, _ _ on,

- ion,

vis

r

on_ and

show me the way._

to

I

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Chorus D Voc. Fig.!

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E5

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Show me

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Gtr, 3 (elec.) A.

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way

to

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mf w/dist.

ce.z

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G5

• • •

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me

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Ott. 3

A. !

V

57

Bridge

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C

C5

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n

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way

_

and_

:tr. 0)

58

for ~

you

show_

to

~~~ ..... ~~~

'>

me where _ I'm

to

be - giu._

Interlude Gtrs. 2 & 3 tacet

F#71E, (D#7/C#)

Em (C#m)

A"~

Cmaj7 (Amaj?)

OJ

>

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r

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tr r-

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Interlude Half-time feel Gtrs. 1 & 4 tacet wi additional Bkgd. vee., ad lib. (till end)

N.C.

f'

to

Con-neet

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59

12.

(And you can't

_

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Con

lieve.) _

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(D)

(A)

IIlIiI

Tune down 1 112 steps: (low to high) C#-F#-B-E-G#--C# Gtrs. 1 & 3: Capo III

134

Intro Moderately J = 94

132

III

C7sus#4

** (A7sus#4)

* Ott. 1 (12-str. acous.)

RilIA

•

oJ

I

EndRiITA

pp fade in let ring throughout

'" Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capced fret is "0" in TAB. Chord symbols reflect implied harmony.

Verse Ott. 1: wI Riff A (I 1 times) C7sus#4 (A7sus#4)

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F

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r

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r

E

r

F

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br

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C7sus#4 (A7sus#4)

oJ

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oJ

8Va•• -------~---:--------;----------------------------- - - - - - - - - - - - - - - - - - - -: - - -:- - - - - - - - - - - - - - -: - - - - - - - - - - - - - - - -

r

I

* Piano au. for gtr. © 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights Reserved

International Oopvrlqht Secured

Used by Permission

'61

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I

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mf

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A

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N.C.

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C7sus~4 (A7sus~4)

loJ mp

62

Play 4 times & fade

l

I

Thinking of You Words and Music by Maynard James Keenan and Billy Howerdel

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Tune down 1 1/2 steps: (low to high) C#-F#-B-B--G#- C#

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© 2000 EMI VIRGIN MUSIC, INC" TOOLSHED MUSIC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights Reserved International Copyright Secured Used by Permission

63

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1_ _

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like

Chorus

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N.C. C5 D5

AS

C5

D5

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~il~ 2. Tug-gin' the rhy - thm "A5

D5

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in _ _

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my

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67

C5

Some-thing a - bout

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that

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I

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sound _

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know _ so

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73

Brena Words and Music by Maynard James Keenan and Billy Howerdel

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Tunedown1 1/2steps; (lowto high)C#-F#-B-E--.G#-C#

C#5

x

Intro Moderately J 120 Half-time feel

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134

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• F

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Tune down 1 112 steps: (low to high)

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© 2000 EMI VIRGIN MUSIC, INC., TOOLSHED MUSiC and TRANSFIXED MUSIC All Rights for TOOLSHED MUSIC Controlled and Administered by EMI VIRGIN MUSIC, INC. All Rights Reserved International Copyright Secured Used by Permission

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Guitar Notation Legend Guitar Music can be notated three differentways: on a musicalstaff, in tablature, and in rhythm slashes.

D RHYTHM SLASHES are written above the staff. Strum chords in the rhythm indicated. Use thechord diagrams found atthetop of the first page of thetranscription for the appropriate chord voicings. Round noteheads indicate single notes. THE MUSICAL STAFF shows pitches and rhythms and is divided by barlines Into

measures. Pitches are named after the first seven letters ofthealphabet.

HALF·STEP BEND: Strike thenote and bend up 1/2 step.

D

E

G

®®

open 3fr

Notes:

n

~.

~ t

A B

F

!

Strings: high E

•

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B

TABLATURE graphically represents the guitar fingerboard. Each horizontal line represents a string, and each number' represents afret.

A

G D

low

A E

4th string, 2nd fret

WHOLE·STEP BEND: Strike thenote and bend upone step.

tst & 2nd strinqs open, open D chord played together GRACE NOTE BEND: Strike thenote and immediately bend upasindicated.

SLIGHT (MICROTONE) BEND: Strike the note and bend up1/4step.

r-

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114

BEND AND RELEASE: Strike the note and bend up asindicated, then release back to the original note. Only thefirst note is struck.

PRE-BEND: Bend the note asindicated, then strike it

HAMMER-ON: Strike thefirst (lower) note with PULL-OFF: Place both fingers onthe notes one finger, then sound thehigher note (onthe to besounded. Strike thefirst note and without picking, pullthefinger off to sound same string) with another finger byfretting it thesecond (lower) note. without picking.

TRILL: Very rapidly alternate between the notes indicated by continuously hammering on and pulling off.

. - --b

WIDE VIBRATO: The pltcb is varied to a greater degree byvibrating withthefretting hand.

LEGATO SLIDE: Strike thefirst note and then slide thesame fret-hand finger up or down to thesecond note. The second note is notstruck.

SHIFT SLIDE: Same aslegato slide, except thesecond note is struck.

... , ..., ............. ", ...,

/'-~

~

VIBRATO: The string is vibrated by rapidly bending and releasing the note withthe fretting hand.

------.

TAPPING: Hammer ("tap") thefret indicated withthe pick-hand index or middle finger and pulloff to the note fretted bythefret hand.

....---

NATURAL HARMONIC: Strike the note while thefret-hand lightlytouches thestring directly overthefret indicated.

~

PINCH HARMONIC: The note is fretted normally and a harmonic is produced byadding theedge of the thumb or thetip of theindex finger of thepickhand to the normal pick attack•

P.B.

T

PICK SCRAPE: The edge of thepickis rubbed down (or up)thestring, producing a scratchy sound.

"'''''""'''"

MUFFLED STRINGS: A percussive sound is produced bylaying the frethand across the string(s) without depressing, and striking them with the pick hand.

PALM MUTING: The note is partially muted bythe pickhand lightlytouching the string(s) just before the bridge.

RAKE: Drag the pick across thestrings indicated with a single motion.

VIBRATO BAR DIVE AND RETURN: The pitch ofthenote orchord is dropped a specified number of steps (in rhythm) then returned totheoriginal pitch.

VIBRATO BAR SCOOP: Depress thebarjust before striking thenote, then quickly release thebar.

VIBRATO BAR DIP: Strike thenote and then immediately drop aspecified number of steps, then release back to the original pitch.

P.s.

TREMOLO PICKING: The nctels picked as rapidly and continuously aspossible.

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V

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V

-112

V

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- U.S. $19.~~ SaN 0-634-02084-6